song_id stringclasses 150
values | abc_notation stringclasses 150
values | level int32 1 4 | question stringlengths 20 85 | answer stringlengths 1 82 |
|---|---|---|---|---|
Liszt_-_S.136_No.9_-_Liszt__JUNPIN | X:1
T:Etude En Douze Exercises
C:Franz Liszt
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=160
M:6/4
I:linebreak $
K:Ab
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
!p!"^Allegro grazioso" (5:4:5(e/4f/4e/4=d/4e/4!p! c'g | b3 (ac_d f3 edc | %2
c3) B=AB"^tr"{ABc} TB3 (11:12:11A/4B/4c/4=d/4e/4f/4g/4_a/... | 1 | What is the initial time signature? | 6/4 time |
Liszt_-_S.136_No.9_-_Liszt__JUNPIN | X:1
T:Etude En Douze Exercises
C:Franz Liszt
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=160
M:6/4
I:linebreak $
K:Ab
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
!p!"^Allegro grazioso" (5:4:5(e/4f/4e/4=d/4e/4!p! c'g | b3 (ac_d f3 edc | %2
c3) B=AB"^tr"{ABc} TB3 (11:12:11A/4B/4c/4=d/4e/4f/4g/4_a/... | 1 | What is the initial expression term? | con leggierezza (with lightness) |
Liszt_-_S.136_No.9_-_Liszt__JUNPIN | X:1
T:Etude En Douze Exercises
C:Franz Liszt
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=160
M:6/4
I:linebreak $
K:Ab
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
!p!"^Allegro grazioso" (5:4:5(e/4f/4e/4=d/4e/4!p! c'g | b3 (ac_d f3 edc | %2
c3) B=AB"^tr"{ABc} TB3 (11:12:11A/4B/4c/4=d/4e/4f/4g/4_a/... | 1 | What is the initial clef? | Treble clef, Bass clef |
Liszt_-_S.136_No.9_-_Liszt__JUNPIN | X:1
T:Etude En Douze Exercises
C:Franz Liszt
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=160
M:6/4
I:linebreak $
K:Ab
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
!p!"^Allegro grazioso" (5:4:5(e/4f/4e/4=d/4e/4!p! c'g | b3 (ac_d f3 edc | %2
c3) B=AB"^tr"{ABc} TB3 (11:12:11A/4B/4c/4=d/4e/4f/4g/4_a/... | 2 | In bars 1–52, is there a repeat sign? | No |
Liszt_-_S.136_No.9_-_Liszt__JUNPIN | X:1
T:Etude En Douze Exercises
C:Franz Liszt
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=160
M:6/4
I:linebreak $
K:Ab
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
!p!"^Allegro grazioso" (5:4:5(e/4f/4e/4=d/4e/4!p! c'g | b3 (ac_d f3 edc | %2
c3) B=AB"^tr"{ABc} TB3 (11:12:11A/4B/4c/4=d/4e/4f/4g/4_a/... | 2 | In bar 20, what is the tempo change marking? | a tempo |
Liszt_-_S.136_No.9_-_Liszt__JUNPIN | X:1
T:Etude En Douze Exercises
C:Franz Liszt
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=160
M:6/4
I:linebreak $
K:Ab
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
!p!"^Allegro grazioso" (5:4:5(e/4f/4e/4=d/4e/4!p! c'g | b3 (ac_d f3 edc | %2
c3) B=AB"^tr"{ABc} TB3 (11:12:11A/4B/4c/4=d/4e/4f/4g/4_a/... | 2 | In bar 21, what is the shortest rest value? | Quaver rest |
Liszt_-_S.136_No.9_-_Liszt__JUNPIN | X:1
T:Etude En Douze Exercises
C:Franz Liszt
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=160
M:6/4
I:linebreak $
K:Ab
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
!p!"^Allegro grazioso" (5:4:5(e/4f/4e/4=d/4e/4!p! c'g | b3 (ac_d f3 edc | %2
c3) B=AB"^tr"{ABc} TB3 (11:12:11A/4B/4c/4=d/4e/4f/4g/4_a/... | 3 | In bars 51–52, is there a suspension? | No |
Liszt_-_S.136_No.9_-_Liszt__JUNPIN | X:1
T:Etude En Douze Exercises
C:Franz Liszt
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=160
M:6/4
I:linebreak $
K:Ab
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
!p!"^Allegro grazioso" (5:4:5(e/4f/4e/4=d/4e/4!p! c'g | b3 (ac_d f3 edc | %2
c3) B=AB"^tr"{ABc} TB3 (11:12:11A/4B/4c/4=d/4e/4f/4g/4_a/... | 3 | In bars 50–51, what is the chord progression? (Use I, II, III, IV, V, VI, VII) | V9–I |
Liszt_-_S.136_No.9_-_Liszt__JUNPIN | X:1
T:Etude En Douze Exercises
C:Franz Liszt
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=160
M:6/4
I:linebreak $
K:Ab
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
!p!"^Allegro grazioso" (5:4:5(e/4f/4e/4=d/4e/4!p! c'g | b3 (ac_d f3 edc | %2
c3) B=AB"^tr"{ABc} TB3 (11:12:11A/4B/4c/4=d/4e/4f/4g/4_a/... | 3 | In bar 52, what are the repeated notes of the B♭ major chord? | Root, third, fifth |
Liszt_-_S.136_No.9_-_Liszt__JUNPIN | X:1
T:Etude En Douze Exercises
C:Franz Liszt
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=160
M:6/4
I:linebreak $
K:Ab
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
!p!"^Allegro grazioso" (5:4:5(e/4f/4e/4=d/4e/4!p! c'g | b3 (ac_d f3 edc | %2
c3) B=AB"^tr"{ABc} TB3 (11:12:11A/4B/4c/4=d/4e/4f/4g/4_a/... | 4 | What is the performance medium of the piece? | Piano solo |
Liszt_-_S.136_No.9_-_Liszt__JUNPIN | X:1
T:Etude En Douze Exercises
C:Franz Liszt
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=160
M:6/4
I:linebreak $
K:Ab
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
!p!"^Allegro grazioso" (5:4:5(e/4f/4e/4=d/4e/4!p! c'g | b3 (ac_d f3 edc | %2
c3) B=AB"^tr"{ABc} TB3 (11:12:11A/4B/4c/4=d/4e/4f/4g/4_a/... | 4 | What is the most frequently used type of accompaniment in the piece? | Broken chord (arpeggio) |
Liszt_-_S.136_No.9_-_Liszt__JUNPIN | X:1
T:Etude En Douze Exercises
C:Franz Liszt
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=160
M:6/4
I:linebreak $
K:Ab
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
!p!"^Allegro grazioso" (5:4:5(e/4f/4e/4=d/4e/4!p! c'g | b3 (ac_d f3 edc | %2
c3) B=AB"^tr"{ABc} TB3 (11:12:11A/4B/4c/4=d/4e/4f/4g/4_a/... | 4 | In bars 1–2, in which register is the melody played? | Upper–middle register |
Liszt_-_Trois_Etudes_de_Concert_No._3_Un_Sospiro | X:1
T:Un Sospiro
C:Franz Liszt
%%score { 1 | ( 2 4 6 ) | ( 3 5 ) }
L:1/8
Q:1/4=25
M:4/4
I:linebreak $
K:Db
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:4 treble
V:6 treble
V:3 bass
V:5 bass
V:1
"^Allegro affetuoso." z8 | z8 | %2
z2[Q:1/4=70]"_70"!f!"^*) cantando.""_dolce con grazia." (.A z .B z[Q:1/4=75]"_75" .d... | 1 | Who is the composer? | Liszt |
Liszt_-_Trois_Etudes_de_Concert_No._3_Un_Sospiro | X:1
T:Un Sospiro
C:Franz Liszt
%%score { 1 | ( 2 4 6 ) | ( 3 5 ) }
L:1/8
Q:1/4=25
M:4/4
I:linebreak $
K:Db
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:4 treble
V:6 treble
V:3 bass
V:5 bass
V:1
"^Allegro affetuoso." z8 | z8 | %2
z2[Q:1/4=70]"_70"!f!"^*) cantando.""_dolce con grazia." (.A z .B z[Q:1/4=75]"_75" .d... | 1 | Is there an anacrusis (upbeat bar)? | No |
Liszt_-_Trois_Etudes_de_Concert_No._3_Un_Sospiro | X:1
T:Un Sospiro
C:Franz Liszt
%%score { 1 | ( 2 4 6 ) | ( 3 5 ) }
L:1/8
Q:1/4=25
M:4/4
I:linebreak $
K:Db
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:4 treble
V:6 treble
V:3 bass
V:5 bass
V:1
"^Allegro affetuoso." z8 | z8 | %2
z2[Q:1/4=70]"_70"!f!"^*) cantando.""_dolce con grazia." (.A z .B z[Q:1/4=75]"_75" .d... | 1 | What is the initial key? | D♭ major |
Liszt_-_Trois_Etudes_de_Concert_No._3_Un_Sospiro | X:1
T:Un Sospiro
C:Franz Liszt
%%score { 1 | ( 2 4 6 ) | ( 3 5 ) }
L:1/8
Q:1/4=25
M:4/4
I:linebreak $
K:Db
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:4 treble
V:6 treble
V:3 bass
V:5 bass
V:1
"^Allegro affetuoso." z8 | z8 | %2
z2[Q:1/4=70]"_70"!f!"^*) cantando.""_dolce con grazia." (.A z .B z[Q:1/4=75]"_75" .d... | 2 | In bar 28, what is the tempo change marking? | più crescendo |
Liszt_-_Trois_Etudes_de_Concert_No._3_Un_Sospiro | X:1
T:Un Sospiro
C:Franz Liszt
%%score { 1 | ( 2 4 6 ) | ( 3 5 ) }
L:1/8
Q:1/4=25
M:4/4
I:linebreak $
K:Db
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:4 treble
V:6 treble
V:3 bass
V:5 bass
V:1
"^Allegro affetuoso." z8 | z8 | %2
z2[Q:1/4=70]"_70"!f!"^*) cantando.""_dolce con grazia." (.A z .B z[Q:1/4=75]"_75" .d... | 2 | In bar 19, what does the key signature change to? | A major |
Liszt_-_Trois_Etudes_de_Concert_No._3_Un_Sospiro | X:1
T:Un Sospiro
C:Franz Liszt
%%score { 1 | ( 2 4 6 ) | ( 3 5 ) }
L:1/8
Q:1/4=25
M:4/4
I:linebreak $
K:Db
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:4 treble
V:6 treble
V:3 bass
V:5 bass
V:1
"^Allegro affetuoso." z8 | z8 | %2
z2[Q:1/4=70]"_70"!f!"^*) cantando.""_dolce con grazia." (.A z .B z[Q:1/4=75]"_75" .d... | 2 | In bar 1, what is the highest pitch? | B♭1 |
Liszt_-_Trois_Etudes_de_Concert_No._3_Un_Sospiro | X:1
T:Un Sospiro
C:Franz Liszt
%%score { 1 | ( 2 4 6 ) | ( 3 5 ) }
L:1/8
Q:1/4=25
M:4/4
I:linebreak $
K:Db
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:4 treble
V:6 treble
V:3 bass
V:5 bass
V:1
"^Allegro affetuoso." z8 | z8 | %2
z2[Q:1/4=70]"_70"!f!"^*) cantando.""_dolce con grazia." (.A z .B z[Q:1/4=75]"_75" .d... | 3 | In bar 1, what are the repeated notes of the B-flat major chord? | Root, third, fifth |
Liszt_-_Trois_Etudes_de_Concert_No._3_Un_Sospiro | X:1
T:Un Sospiro
C:Franz Liszt
%%score { 1 | ( 2 4 6 ) | ( 3 5 ) }
L:1/8
Q:1/4=25
M:4/4
I:linebreak $
K:Db
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:4 treble
V:6 treble
V:3 bass
V:5 bass
V:1
"^Allegro affetuoso." z8 | z8 | %2
z2[Q:1/4=70]"_70"!f!"^*) cantando.""_dolce con grazia." (.A z .B z[Q:1/4=75]"_75" .d... | 3 | In bars 16–17, what is the chord progression? (Use I, II, III, IV, V, VI, VII) | I–ii2 |
Liszt_-_Trois_Etudes_de_Concert_No._3_Un_Sospiro | X:1
T:Un Sospiro
C:Franz Liszt
%%score { 1 | ( 2 4 6 ) | ( 3 5 ) }
L:1/8
Q:1/4=25
M:4/4
I:linebreak $
K:Db
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:4 treble
V:6 treble
V:3 bass
V:5 bass
V:1
"^Allegro affetuoso." z8 | z8 | %2
z2[Q:1/4=70]"_70"!f!"^*) cantando.""_dolce con grazia." (.A z .B z[Q:1/4=75]"_75" .d... | 3 | In bar 17, is there a third-inversion E-flat minor 7 chord? | Yes |
Liszt_-_Trois_Etudes_de_Concert_No._3_Un_Sospiro | X:1
T:Un Sospiro
C:Franz Liszt
%%score { 1 | ( 2 4 6 ) | ( 3 5 ) }
L:1/8
Q:1/4=25
M:4/4
I:linebreak $
K:Db
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:4 treble
V:6 treble
V:3 bass
V:5 bass
V:1
"^Allegro affetuoso." z8 | z8 | %2
z2[Q:1/4=70]"_70"!f!"^*) cantando.""_dolce con grazia." (.A z .B z[Q:1/4=75]"_75" .d... | 4 | In which bar does the melodic motif appear? | Bar 3, 4, 5 |
Liszt_-_Trois_Etudes_de_Concert_No._3_Un_Sospiro | X:1
T:Un Sospiro
C:Franz Liszt
%%score { 1 | ( 2 4 6 ) | ( 3 5 ) }
L:1/8
Q:1/4=25
M:4/4
I:linebreak $
K:Db
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:4 treble
V:6 treble
V:3 bass
V:5 bass
V:1
"^Allegro affetuoso." z8 | z8 | %2
z2[Q:1/4=70]"_70"!f!"^*) cantando.""_dolce con grazia." (.A z .B z[Q:1/4=75]"_75" .d... | 4 | What is the most common type of accompaniment used in the piece? | Arpeggio |
Liszt_-_Trois_Etudes_de_Concert_No._3_Un_Sospiro | X:1
T:Un Sospiro
C:Franz Liszt
%%score { 1 | ( 2 4 6 ) | ( 3 5 ) }
L:1/8
Q:1/4=25
M:4/4
I:linebreak $
K:Db
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:4 treble
V:6 treble
V:3 bass
V:5 bass
V:1
"^Allegro affetuoso." z8 | z8 | %2
z2[Q:1/4=70]"_70"!f!"^*) cantando.""_dolce con grazia." (.A z .B z[Q:1/4=75]"_75" .d... | 4 | In bars 3–5, in which register is the melody? | Middle register |
Liszt_Grandes_tudes_de_Paganini_in_A_Minor_Theme_and_Variations_S._141_No._6 | X:1
T:6. A Minor
C:Franz Liszt
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=120
M:2/4
I:linebreak $
K:C
V:1 treble nm="Piano"
V:3 treble
V:2 bass
V:4 bass
V:1
"^Quasi Presto."!p!!ped! !arpeggio!!wedge![EAca]!ped!!ped-up! z3/4!ped-up! A/4 (A/c/B/A/) | %1
!ped! !arpeggio!!wedge![Be^ge']!ped!!ped-up! z3/4!ped-up! E/4 (E/^... | 1 | Which instruments are used? | Piano |
Liszt_Grandes_tudes_de_Paganini_in_A_Minor_Theme_and_Variations_S._141_No._6 | X:1
T:6. A Minor
C:Franz Liszt
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=120
M:2/4
I:linebreak $
K:C
V:1 treble nm="Piano"
V:3 treble
V:2 bass
V:4 bass
V:1
"^Quasi Presto."!p!!ped! !arpeggio!!wedge![EAca]!ped!!ped-up! z3/4!ped-up! A/4 (A/c/B/A/) | %1
!ped! !arpeggio!!wedge![Be^ge']!ped!!ped-up! z3/4!ped-up! E/4 (E/^... | 1 | Who is the composer? | Liszt |
Liszt_Grandes_tudes_de_Paganini_in_A_Minor_Theme_and_Variations_S._141_No._6 | X:1
T:6. A Minor
C:Franz Liszt
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=120
M:2/4
I:linebreak $
K:C
V:1 treble nm="Piano"
V:3 treble
V:2 bass
V:4 bass
V:1
"^Quasi Presto."!p!!ped! !arpeggio!!wedge![EAca]!ped!!ped-up! z3/4!ped-up! A/4 (A/c/B/A/) | %1
!ped! !arpeggio!!wedge![Be^ge']!ped!!ped-up! z3/4!ped-up! E/4 (E/^... | 1 | What is the initial time signature? | 2/4 time |
Liszt_Grandes_tudes_de_Paganini_in_A_Minor_Theme_and_Variations_S._141_No._6 | X:1
T:6. A Minor
C:Franz Liszt
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=120
M:2/4
I:linebreak $
K:C
V:1 treble nm="Piano"
V:3 treble
V:2 bass
V:4 bass
V:1
"^Quasi Presto."!p!!ped! !arpeggio!!wedge![EAca]!ped!!ped-up! z3/4!ped-up! A/4 (A/c/B/A/) | %1
!ped! !arpeggio!!wedge![Be^ge']!ped!!ped-up! z3/4!ped-up! E/4 (E/^... | 2 | In bars 1–256, is there a repeat sign? | No |
Liszt_Grandes_tudes_de_Paganini_in_A_Minor_Theme_and_Variations_S._141_No._6 | X:1
T:6. A Minor
C:Franz Liszt
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=120
M:2/4
I:linebreak $
K:C
V:1 treble nm="Piano"
V:3 treble
V:2 bass
V:4 bass
V:1
"^Quasi Presto."!p!!ped! !arpeggio!!wedge![EAca]!ped!!ped-up! z3/4!ped-up! A/4 (A/c/B/A/) | %1
!ped! !arpeggio!!wedge![Be^ge']!ped!!ped-up! z3/4!ped-up! E/4 (E/^... | 2 | In bar 25, what is the ornament on the note e³? | C2, A2 |
Liszt_Grandes_tudes_de_Paganini_in_A_Minor_Theme_and_Variations_S._141_No._6 | X:1
T:6. A Minor
C:Franz Liszt
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=120
M:2/4
I:linebreak $
K:C
V:1 treble nm="Piano"
V:3 treble
V:2 bass
V:4 bass
V:1
"^Quasi Presto."!p!!ped! !arpeggio!!wedge![EAca]!ped!!ped-up! z3/4!ped-up! A/4 (A/c/B/A/) | %1
!ped! !arpeggio!!wedge![Be^ge']!ped!!ped-up! z3/4!ped-up! E/4 (E/^... | 2 | In bar 4, is there an accidental? | G♯ |
Liszt_Grandes_tudes_de_Paganini_in_A_Minor_Theme_and_Variations_S._141_No._6 | X:1
T:6. A Minor
C:Franz Liszt
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=120
M:2/4
I:linebreak $
K:C
V:1 treble nm="Piano"
V:3 treble
V:2 bass
V:4 bass
V:1
"^Quasi Presto."!p!!ped! !arpeggio!!wedge![EAca]!ped!!ped-up! z3/4!ped-up! A/4 (A/c/B/A/) | %1
!ped! !arpeggio!!wedge![Be^ge']!ped!!ped-up! z3/4!ped-up! E/4 (E/^... | 3 | In bar 219, is there a perfect cadence? | No |
Liszt_Grandes_tudes_de_Paganini_in_A_Minor_Theme_and_Variations_S._141_No._6 | X:1
T:6. A Minor
C:Franz Liszt
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=120
M:2/4
I:linebreak $
K:C
V:1 treble nm="Piano"
V:3 treble
V:2 bass
V:4 bass
V:1
"^Quasi Presto."!p!!ped! !arpeggio!!wedge![EAca]!ped!!ped-up! z3/4!ped-up! A/4 (A/c/B/A/) | %1
!ped! !arpeggio!!wedge![Be^ge']!ped!!ped-up! z3/4!ped-up! E/4 (E/^... | 3 | In bars 1–3, what is the chord progression? (Use I, II, III, IV, V, VI, VII) | i–V–i |
Liszt_Grandes_tudes_de_Paganini_in_A_Minor_Theme_and_Variations_S._141_No._6 | X:1
T:6. A Minor
C:Franz Liszt
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=120
M:2/4
I:linebreak $
K:C
V:1 treble nm="Piano"
V:3 treble
V:2 bass
V:4 bass
V:1
"^Quasi Presto."!p!!ped! !arpeggio!!wedge![EAca]!ped!!ped-up! z3/4!ped-up! A/4 (A/c/B/A/) | %1
!ped! !arpeggio!!wedge![Be^ge']!ped!!ped-up! z3/4!ped-up! E/4 (E/^... | 3 | In bar 1, what are the repeated notes of the A minor chord? | Root, third, fifth |
Liszt_Grandes_tudes_de_Paganini_in_A_Minor_Theme_and_Variations_S._141_No._6 | X:1
T:6. A Minor
C:Franz Liszt
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=120
M:2/4
I:linebreak $
K:C
V:1 treble nm="Piano"
V:3 treble
V:2 bass
V:4 bass
V:1
"^Quasi Presto."!p!!ped! !arpeggio!!wedge![EAca]!ped!!ped-up! z3/4!ped-up! A/4 (A/c/B/A/) | %1
!ped! !arpeggio!!wedge![Be^ge']!ped!!ped-up! z3/4!ped-up! E/4 (E/^... | 4 | In which bar does the melodic motif appear? | 1 |
Liszt_Grandes_tudes_de_Paganini_in_A_Minor_Theme_and_Variations_S._141_No._6 | X:1
T:6. A Minor
C:Franz Liszt
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=120
M:2/4
I:linebreak $
K:C
V:1 treble nm="Piano"
V:3 treble
V:2 bass
V:4 bass
V:1
"^Quasi Presto."!p!!ped! !arpeggio!!wedge![EAca]!ped!!ped-up! z3/4!ped-up! A/4 (A/c/B/A/) | %1
!ped! !arpeggio!!wedge![Be^ge']!ped!!ped-up! z3/4!ped-up! E/4 (E/^... | 4 | What are the main structural features of the motif? | Octave, third interval |
Liszt_Grandes_tudes_de_Paganini_in_A_Minor_Theme_and_Variations_S._141_No._6 | X:1
T:6. A Minor
C:Franz Liszt
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=120
M:2/4
I:linebreak $
K:C
V:1 treble nm="Piano"
V:3 treble
V:2 bass
V:4 bass
V:1
"^Quasi Presto."!p!!ped! !arpeggio!!wedge![EAca]!ped!!ped-up! z3/4!ped-up! A/4 (A/c/B/A/) | %1
!ped! !arpeggio!!wedge![Be^ge']!ped!!ped-up! z3/4!ped-up! E/4 (E/^... | 4 | In bars 1–2, in which register is the melody? | Upper-middle register |
Liszt_Romance_S._169 | X:1
T:Romance
C:Franz Liszt
%%score { ( 1 3 ) | 2 }
L:1/8
Q:1/4=110
M:3/4
I:linebreak $
K:G
V:1 treble nm="Piano"
V:3 treble
V:2 bass
V:1
"^Malincolico espressivo" x6 | x6 | (G2 F2 E2) | B6 | B2{/d} c2 B2 | (B4 F2) | z2 (FG BA) | !>!C6 | %8
z2 (B,G) (GF) | B4 E2 | (G2 F2 E2) | B6- | BB{/d} c2 B2 | B4 e2 | (_E2 B2 A2... | 1 | What is the initial time signature? | 3/4 time |
Liszt_Romance_S._169 | X:1
T:Romance
C:Franz Liszt
%%score { ( 1 3 ) | 2 }
L:1/8
Q:1/4=110
M:3/4
I:linebreak $
K:G
V:1 treble nm="Piano"
V:3 treble
V:2 bass
V:1
"^Malincolico espressivo" x6 | x6 | (G2 F2 E2) | B6 | B2{/d} c2 B2 | (B4 F2) | z2 (FG BA) | !>!C6 | %8
z2 (B,G) (GF) | B4 E2 | (G2 F2 E2) | B6- | BB{/d} c2 B2 | B4 e2 | (_E2 B2 A2... | 1 | Is it an anacrusis (upbeat bar)? | No |
Liszt_Romance_S._169 | X:1
T:Romance
C:Franz Liszt
%%score { ( 1 3 ) | 2 }
L:1/8
Q:1/4=110
M:3/4
I:linebreak $
K:G
V:1 treble nm="Piano"
V:3 treble
V:2 bass
V:1
"^Malincolico espressivo" x6 | x6 | (G2 F2 E2) | B6 | B2{/d} c2 B2 | (B4 F2) | z2 (FG BA) | !>!C6 | %8
z2 (B,G) (GF) | B4 E2 | (G2 F2 E2) | B6- | BB{/d} c2 B2 | B4 e2 | (_E2 B2 A2... | 1 | What is the initial expression term? | malincolico espressivo (melancholic, expressive) |
Liszt_Romance_S._169 | X:1
T:Romance
C:Franz Liszt
%%score { ( 1 3 ) | 2 }
L:1/8
Q:1/4=110
M:3/4
I:linebreak $
K:G
V:1 treble nm="Piano"
V:3 treble
V:2 bass
V:1
"^Malincolico espressivo" x6 | x6 | (G2 F2 E2) | B6 | B2{/d} c2 B2 | (B4 F2) | z2 (FG BA) | !>!C6 | %8
z2 (B,G) (GF) | B4 E2 | (G2 F2 E2) | B6- | BB{/d} c2 B2 | B4 e2 | (_E2 B2 A2... | 2 | In bars 1–77, is there a repeat sign? | No |
Liszt_Romance_S._169 | X:1
T:Romance
C:Franz Liszt
%%score { ( 1 3 ) | 2 }
L:1/8
Q:1/4=110
M:3/4
I:linebreak $
K:G
V:1 treble nm="Piano"
V:3 treble
V:2 bass
V:1
"^Malincolico espressivo" x6 | x6 | (G2 F2 E2) | B6 | B2{/d} c2 B2 | (B4 F2) | z2 (FG BA) | !>!C6 | %8
z2 (B,G) (GF) | B4 E2 | (G2 F2 E2) | B6- | BB{/d} c2 B2 | B4 e2 | (_E2 B2 A2... | 2 | In bar 77, what is the articulation marking? | Fermata (pause) |
Liszt_Romance_S._169 | X:1
T:Romance
C:Franz Liszt
%%score { ( 1 3 ) | 2 }
L:1/8
Q:1/4=110
M:3/4
I:linebreak $
K:G
V:1 treble nm="Piano"
V:3 treble
V:2 bass
V:1
"^Malincolico espressivo" x6 | x6 | (G2 F2 E2) | B6 | B2{/d} c2 B2 | (B4 F2) | z2 (FG BA) | !>!C6 | %8
z2 (B,G) (GF) | B4 E2 | (G2 F2 E2) | B6- | BB{/d} c2 B2 | B4 e2 | (_E2 B2 A2... | 2 | In bar 5, what is the ornament on note c2? | d2 |
Liszt_Romance_S._169 | X:1
T:Romance
C:Franz Liszt
%%score { ( 1 3 ) | 2 }
L:1/8
Q:1/4=110
M:3/4
I:linebreak $
K:G
V:1 treble nm="Piano"
V:3 treble
V:2 bass
V:1
"^Malincolico espressivo" x6 | x6 | (G2 F2 E2) | B6 | B2{/d} c2 B2 | (B4 F2) | z2 (FG BA) | !>!C6 | %8
z2 (B,G) (GF) | B4 E2 | (G2 F2 E2) | B6- | BB{/d} c2 B2 | B4 e2 | (_E2 B2 A2... | 3 | In bar 1, does the piece begin on the tonic chord of the original key? | Yes |
Liszt_Romance_S._169 | X:1
T:Romance
C:Franz Liszt
%%score { ( 1 3 ) | 2 }
L:1/8
Q:1/4=110
M:3/4
I:linebreak $
K:G
V:1 treble nm="Piano"
V:3 treble
V:2 bass
V:1
"^Malincolico espressivo" x6 | x6 | (G2 F2 E2) | B6 | B2{/d} c2 B2 | (B4 F2) | z2 (FG BA) | !>!C6 | %8
z2 (B,G) (GF) | B4 E2 | (G2 F2 E2) | B6- | BB{/d} c2 B2 | B4 e2 | (_E2 B2 A2... | 3 | In bar 1, what scale degree is the first chord? (Use I, II, III, IV, V, VI, VII) | i |
Liszt_Romance_S._169 | X:1
T:Romance
C:Franz Liszt
%%score { ( 1 3 ) | 2 }
L:1/8
Q:1/4=110
M:3/4
I:linebreak $
K:G
V:1 treble nm="Piano"
V:3 treble
V:2 bass
V:1
"^Malincolico espressivo" x6 | x6 | (G2 F2 E2) | B6 | B2{/d} c2 B2 | (B4 F2) | z2 (FG BA) | !>!C6 | %8
z2 (B,G) (GF) | B4 E2 | (G2 F2 E2) | B6- | BB{/d} c2 B2 | B4 e2 | (_E2 B2 A2... | 3 | In bars 76–77, is there a perfect cadence? | Yes |
Liszt_Romance_S._169 | X:1
T:Romance
C:Franz Liszt
%%score { ( 1 3 ) | 2 }
L:1/8
Q:1/4=110
M:3/4
I:linebreak $
K:G
V:1 treble nm="Piano"
V:3 treble
V:2 bass
V:1
"^Malincolico espressivo" x6 | x6 | (G2 F2 E2) | B6 | B2{/d} c2 B2 | (B4 F2) | z2 (FG BA) | !>!C6 | %8
z2 (B,G) (GF) | B4 E2 | (G2 F2 E2) | B6- | BB{/d} c2 B2 | B4 e2 | (_E2 B2 A2... | 4 | In which bar does the melodic motif appear? | 3, 4 |
Liszt_Romance_S._169 | X:1
T:Romance
C:Franz Liszt
%%score { ( 1 3 ) | 2 }
L:1/8
Q:1/4=110
M:3/4
I:linebreak $
K:G
V:1 treble nm="Piano"
V:3 treble
V:2 bass
V:1
"^Malincolico espressivo" x6 | x6 | (G2 F2 E2) | B6 | B2{/d} c2 B2 | (B4 F2) | z2 (FG BA) | !>!C6 | %8
z2 (B,G) (GF) | B4 E2 | (G2 F2 E2) | B6- | BB{/d} c2 B2 | B4 e2 | (_E2 B2 A2... | 4 | What are the main characteristics of the motif? | Stepwise motion + leaps |
Liszt_Romance_S._169 | X:1
T:Romance
C:Franz Liszt
%%score { ( 1 3 ) | 2 }
L:1/8
Q:1/4=110
M:3/4
I:linebreak $
K:G
V:1 treble nm="Piano"
V:3 treble
V:2 bass
V:1
"^Malincolico espressivo" x6 | x6 | (G2 F2 E2) | B6 | B2{/d} c2 B2 | (B4 F2) | z2 (FG BA) | !>!C6 | %8
z2 (B,G) (GF) | B4 E2 | (G2 F2 E2) | B6- | BB{/d} c2 B2 | B4 e2 | (_E2 B2 A2... | 4 | In bars 3–4, in which register is the melody played? | Middle register |
Lyric_Pieces_Op_47__Edvard_Grieg_Melodie_Grieg_lyriske_stykker_opus_47 | X:1
T:Melodie
C:Edvard Grieg
%%score { ( 1 2 ) | 3 }
L:1/8
Q:1/4=120
M:6/8
I:linebreak $
K:C
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:3 bass
V:1
"^Alegretto\n"!p!!p! !5!c3 !>!c3- | c3{/c} BA!5!B | !3!G3 !>!!4!G3- | G3{/A} GFG | !4!E3 !>!!5!E3 | %5
E3{D} DC!5!D | !3!B,3 !>!B,3- | B,6 |!f!!f! !5!f3 !>!f3- | f3{/f... | 1 | What is the initial time signature? | 8/6 time |
Lyric_Pieces_Op_47__Edvard_Grieg_Melodie_Grieg_lyriske_stykker_opus_47 | X:1
T:Melodie
C:Edvard Grieg
%%score { ( 1 2 ) | 3 }
L:1/8
Q:1/4=120
M:6/8
I:linebreak $
K:C
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:3 bass
V:1
"^Alegretto\n"!p!!p! !5!c3 !>!c3- | c3{/c} BA!5!B | !3!G3 !>!!4!G3- | G3{/A} GFG | !4!E3 !>!!5!E3 | %5
E3{D} DC!5!D | !3!B,3 !>!B,3- | B,6 |!f!!f! !5!f3 !>!f3- | f3{/f... | 1 | What is the initial key? | A minor |
Lyric_Pieces_Op_47__Edvard_Grieg_Melodie_Grieg_lyriske_stykker_opus_47 | X:1
T:Melodie
C:Edvard Grieg
%%score { ( 1 2 ) | 3 }
L:1/8
Q:1/4=120
M:6/8
I:linebreak $
K:C
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:3 bass
V:1
"^Alegretto\n"!p!!p! !5!c3 !>!c3- | c3{/c} BA!5!B | !3!G3 !>!!4!G3- | G3{/A} GFG | !4!E3 !>!!5!E3 | %5
E3{D} DC!5!D | !3!B,3 !>!B,3- | B,6 |!f!!f! !5!f3 !>!f3- | f3{/f... | 1 | What is the initial clef? | Treble and bass clefs |
Lyric_Pieces_Op_47__Edvard_Grieg_Melodie_Grieg_lyriske_stykker_opus_47 | X:1
T:Melodie
C:Edvard Grieg
%%score { ( 1 2 ) | 3 }
L:1/8
Q:1/4=120
M:6/8
I:linebreak $
K:C
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:3 bass
V:1
"^Alegretto\n"!p!!p! !5!c3 !>!c3- | c3{/c} BA!5!B | !3!G3 !>!!4!G3- | G3{/A} GFG | !4!E3 !>!!5!E3 | %5
E3{D} DC!5!D | !3!B,3 !>!B,3- | B,6 |!f!!f! !5!f3 !>!f3- | f3{/f... | 2 | In bar 106, what is the shortest rest value? | Quaver rest (eighth rest) |
Lyric_Pieces_Op_47__Edvard_Grieg_Melodie_Grieg_lyriske_stykker_opus_47 | X:1
T:Melodie
C:Edvard Grieg
%%score { ( 1 2 ) | 3 }
L:1/8
Q:1/4=120
M:6/8
I:linebreak $
K:C
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:3 bass
V:1
"^Alegretto\n"!p!!p! !5!c3 !>!c3- | c3{/c} BA!5!B | !3!G3 !>!!4!G3- | G3{/A} GFG | !4!E3 !>!!5!E3 | %5
E3{D} DC!5!D | !3!B,3 !>!B,3- | B,6 |!f!!f! !5!f3 !>!f3- | f3{/f... | 2 | In bar 92, what is the ornament on the note c2? | D5 |
Lyric_Pieces_Op_47__Edvard_Grieg_Melodie_Grieg_lyriske_stykker_opus_47 | X:1
T:Melodie
C:Edvard Grieg
%%score { ( 1 2 ) | 3 }
L:1/8
Q:1/4=120
M:6/8
I:linebreak $
K:C
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:3 bass
V:1
"^Alegretto\n"!p!!p! !5!c3 !>!c3- | c3{/c} BA!5!B | !3!G3 !>!!4!G3- | G3{/A} GFG | !4!E3 !>!!5!E3 | %5
E3{D} DC!5!D | !3!B,3 !>!B,3- | B,6 |!f!!f! !5!f3 !>!f3- | f3{/f... | 2 | In bar 91, what is the articulation marking? | Accent mark |
Lyric_Pieces_Op_47__Edvard_Grieg_Melodie_Grieg_lyriske_stykker_opus_47 | X:1
T:Melodie
C:Edvard Grieg
%%score { ( 1 2 ) | 3 }
L:1/8
Q:1/4=120
M:6/8
I:linebreak $
K:C
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:3 bass
V:1
"^Alegretto\n"!p!!p! !5!c3 !>!c3- | c3{/c} BA!5!B | !3!G3 !>!!4!G3- | G3{/A} GFG | !4!E3 !>!!5!E3 | %5
E3{D} DC!5!D | !3!B,3 !>!B,3- | B,6 |!f!!f! !5!f3 !>!f3- | f3{/f... | 3 | In bar 1, what scale degree is the first chord? (Use I, II, III, IV, V, VI, VII) | i |
Lyric_Pieces_Op_47__Edvard_Grieg_Melodie_Grieg_lyriske_stykker_opus_47 | X:1
T:Melodie
C:Edvard Grieg
%%score { ( 1 2 ) | 3 }
L:1/8
Q:1/4=120
M:6/8
I:linebreak $
K:C
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:3 bass
V:1
"^Alegretto\n"!p!!p! !5!c3 !>!c3- | c3{/c} BA!5!B | !3!G3 !>!!4!G3- | G3{/A} GFG | !4!E3 !>!!5!E3 | %5
E3{D} DC!5!D | !3!B,3 !>!B,3- | B,6 |!f!!f! !5!f3 !>!f3- | f3{/f... | 3 | In bar 1, what is the voicing of the A minor chord? | Open position |
Lyric_Pieces_Op_47__Edvard_Grieg_Melodie_Grieg_lyriske_stykker_opus_47 | X:1
T:Melodie
C:Edvard Grieg
%%score { ( 1 2 ) | 3 }
L:1/8
Q:1/4=120
M:6/8
I:linebreak $
K:C
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:3 bass
V:1
"^Alegretto\n"!p!!p! !5!c3 !>!c3- | c3{/c} BA!5!B | !3!G3 !>!!4!G3- | G3{/A} GFG | !4!E3 !>!!5!E3 | %5
E3{D} DC!5!D | !3!B,3 !>!B,3- | B,6 |!f!!f! !5!f3 !>!f3- | f3{/f... | 3 | In bar 1, is there a chord Yes? | Yes |
Lyric_Pieces_Op_47__Edvard_Grieg_Melodie_Grieg_lyriske_stykker_opus_47 | X:1
T:Melodie
C:Edvard Grieg
%%score { ( 1 2 ) | 3 }
L:1/8
Q:1/4=120
M:6/8
I:linebreak $
K:C
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:3 bass
V:1
"^Alegretto\n"!p!!p! !5!c3 !>!c3- | c3{/c} BA!5!B | !3!G3 !>!!4!G3- | G3{/A} GFG | !4!E3 !>!!5!E3 | %5
E3{D} DC!5!D | !3!B,3 !>!B,3- | B,6 |!f!!f! !5!f3 !>!f3- | f3{/f... | 4 | What is the performance medium of the piece? | Piano solo |
Lyric_Pieces_Op_47__Edvard_Grieg_Melodie_Grieg_lyriske_stykker_opus_47 | X:1
T:Melodie
C:Edvard Grieg
%%score { ( 1 2 ) | 3 }
L:1/8
Q:1/4=120
M:6/8
I:linebreak $
K:C
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:3 bass
V:1
"^Alegretto\n"!p!!p! !5!c3 !>!c3- | c3{/c} BA!5!B | !3!G3 !>!!4!G3- | G3{/A} GFG | !4!E3 !>!!5!E3 | %5
E3{D} DC!5!D | !3!B,3 !>!B,3- | B,6 |!f!!f! !5!f3 !>!f3- | f3{/f... | 4 | In which bar does the melodic motif appear? | 1, 2, 3 |
Lyric_Pieces_Op_47__Edvard_Grieg_Melodie_Grieg_lyriske_stykker_opus_47 | X:1
T:Melodie
C:Edvard Grieg
%%score { ( 1 2 ) | 3 }
L:1/8
Q:1/4=120
M:6/8
I:linebreak $
K:C
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:3 bass
V:1
"^Alegretto\n"!p!!p! !5!c3 !>!c3- | c3{/c} BA!5!B | !3!G3 !>!!4!G3- | G3{/A} GFG | !4!E3 !>!!5!E3 | %5
E3{D} DC!5!D | !3!B,3 !>!B,3- | B,6 |!f!!f! !5!f3 !>!f3- | f3{/f... | 4 | What are the main structural features of the motif? | Stepwise motion |
Mahler_-_Symphony_No._10_-_I._Adagio_Complete_Score | X:1
T:Sinfonía 10 - I Adagio
%%score 1 [ 2 | 3 ] 4 5 6 7 ( 8 9 ) 10 ( 11 12 ) ( 13 14 ) 15 16 17 18
L:1/8
Q:1/4=52
M:4/4
I:linebreak $
K:B
V:1 treble transpose=12 nm="Flauta piccolo" snm="Picc."
V:2 treble nm="Flute" snm="Fl."
V:3 treble nm="Oboe" snm="Ob."
V:4 treble transpose=-3 nm="Clarinete en La" snm="1. Cl. La"
V... | 1 | Who is the composer? | Gustav Mahler |
Mahler_-_Symphony_No._10_-_I._Adagio_Complete_Score | X:1
T:Sinfonía 10 - I Adagio
%%score 1 [ 2 | 3 ] 4 5 6 7 ( 8 9 ) 10 ( 11 12 ) ( 13 14 ) 15 16 17 18
L:1/8
Q:1/4=52
M:4/4
I:linebreak $
K:B
V:1 treble transpose=12 nm="Flauta piccolo" snm="Picc."
V:2 treble nm="Flute" snm="Fl."
V:3 treble nm="Oboe" snm="Ob."
V:4 treble transpose=-3 nm="Clarinete en La" snm="1. Cl. La"
V... | 1 | What is the initial clef? | Treble clef, Alto clef, Bass clef |
Mahler_-_Symphony_No._10_-_I._Adagio_Complete_Score | X:1
T:Sinfonía 10 - I Adagio
%%score 1 [ 2 | 3 ] 4 5 6 7 ( 8 9 ) 10 ( 11 12 ) ( 13 14 ) 15 16 17 18
L:1/8
Q:1/4=52
M:4/4
I:linebreak $
K:B
V:1 treble transpose=12 nm="Flauta piccolo" snm="Picc."
V:2 treble nm="Flute" snm="Fl."
V:3 treble nm="Oboe" snm="Ob."
V:4 treble transpose=-3 nm="Clarinete en La" snm="1. Cl. La"
V... | 1 | What is the title of the piece? | Gustav Mahler: Symphony No. 10 – I. Adagio |
Mahler_-_Symphony_No._10_-_I._Adagio_Complete_Score | X:1
T:Sinfonía 10 - I Adagio
%%score 1 [ 2 | 3 ] 4 5 6 7 ( 8 9 ) 10 ( 11 12 ) ( 13 14 ) 15 16 17 18
L:1/8
Q:1/4=52
M:4/4
I:linebreak $
K:B
V:1 treble transpose=12 nm="Flauta piccolo" snm="Picc."
V:2 treble nm="Flute" snm="Fl."
V:3 treble nm="Oboe" snm="Ob."
V:4 treble transpose=-3 nm="Clarinete en La" snm="1. Cl. La"
V... | 2 | In bar 21, what is the dynamic marking? | f,p |
Mahler_-_Symphony_No._10_-_I._Adagio_Complete_Score | X:1
T:Sinfonía 10 - I Adagio
%%score 1 [ 2 | 3 ] 4 5 6 7 ( 8 9 ) 10 ( 11 12 ) ( 13 14 ) 15 16 17 18
L:1/8
Q:1/4=52
M:4/4
I:linebreak $
K:B
V:1 treble transpose=12 nm="Flauta piccolo" snm="Picc."
V:2 treble nm="Flute" snm="Fl."
V:3 treble nm="Oboe" snm="Ob."
V:4 treble transpose=-3 nm="Clarinete en La" snm="1. Cl. La"
V... | 2 | Between bars 1–20, are there repeat signs? | No |
Mahler_-_Symphony_No._10_-_I._Adagio_Complete_Score | X:1
T:Sinfonía 10 - I Adagio
%%score 1 [ 2 | 3 ] 4 5 6 7 ( 8 9 ) 10 ( 11 12 ) ( 13 14 ) 15 16 17 18
L:1/8
Q:1/4=52
M:4/4
I:linebreak $
K:B
V:1 treble transpose=12 nm="Flauta piccolo" snm="Picc."
V:2 treble nm="Flute" snm="Fl."
V:3 treble nm="Oboe" snm="Ob."
V:4 treble transpose=-3 nm="Clarinete en La" snm="1. Cl. La"
V... | 2 | In bar 1, what is the longest rest value? | Semibreve rest |
Mahler_-_Symphony_No._10_-_I._Adagio_Complete_Score | X:1
T:Sinfonía 10 - I Adagio
%%score 1 [ 2 | 3 ] 4 5 6 7 ( 8 9 ) 10 ( 11 12 ) ( 13 14 ) 15 16 17 18
L:1/8
Q:1/4=52
M:4/4
I:linebreak $
K:B
V:1 treble transpose=12 nm="Flauta piccolo" snm="Picc."
V:2 treble nm="Flute" snm="Fl."
V:3 treble nm="Oboe" snm="Ob."
V:4 treble transpose=-3 nm="Clarinete en La" snm="1. Cl. La"
V... | 3 | In bar 18, is there a perfect cadence or similar? | No |
Mahler_-_Symphony_No._10_-_I._Adagio_Complete_Score | X:1
T:Sinfonía 10 - I Adagio
%%score 1 [ 2 | 3 ] 4 5 6 7 ( 8 9 ) 10 ( 11 12 ) ( 13 14 ) 15 16 17 18
L:1/8
Q:1/4=52
M:4/4
I:linebreak $
K:B
V:1 treble transpose=12 nm="Flauta piccolo" snm="Picc."
V:2 treble nm="Flute" snm="Fl."
V:3 treble nm="Oboe" snm="Ob."
V:4 treble transpose=-3 nm="Clarinete en La" snm="1. Cl. La"
V... | 3 | At bar 20, is there a C major chord? | No |
Mahler_-_Symphony_No._10_-_I._Adagio_Complete_Score | X:1
T:Sinfonía 10 - I Adagio
%%score 1 [ 2 | 3 ] 4 5 6 7 ( 8 9 ) 10 ( 11 12 ) ( 13 14 ) 15 16 17 18
L:1/8
Q:1/4=52
M:4/4
I:linebreak $
K:B
V:1 treble transpose=12 nm="Flauta piccolo" snm="Picc."
V:2 treble nm="Flute" snm="Fl."
V:3 treble nm="Oboe" snm="Ob."
V:4 treble transpose=-3 nm="Clarinete en La" snm="1. Cl. La"
V... | 3 | In bar 16, does the music begin on the tonic chord of the home key? | Yes |
Mahler_-_Symphony_No._10_-_I._Adagio_Complete_Score | X:1
T:Sinfonía 10 - I Adagio
%%score 1 [ 2 | 3 ] 4 5 6 7 ( 8 9 ) 10 ( 11 12 ) ( 13 14 ) 15 16 17 18
L:1/8
Q:1/4=52
M:4/4
I:linebreak $
K:B
V:1 treble transpose=12 nm="Flauta piccolo" snm="Picc."
V:2 treble nm="Flute" snm="Fl."
V:3 treble nm="Oboe" snm="Ob."
V:4 treble transpose=-3 nm="Clarinete en La" snm="1. Cl. La"
V... | 4 | What is the performance medium of the piece? | Orchestra |
Mahler_-_Symphony_No._10_-_I._Adagio_Complete_Score | X:1
T:Sinfonía 10 - I Adagio
%%score 1 [ 2 | 3 ] 4 5 6 7 ( 8 9 ) 10 ( 11 12 ) ( 13 14 ) 15 16 17 18
L:1/8
Q:1/4=52
M:4/4
I:linebreak $
K:B
V:1 treble transpose=12 nm="Flauta piccolo" snm="Picc."
V:2 treble nm="Flute" snm="Fl."
V:3 treble nm="Oboe" snm="Ob."
V:4 treble transpose=-3 nm="Clarinete en La" snm="1. Cl. La"
V... | 4 | In which instrument does the principal theme first appear? | Viola |
Mahler_-_Symphony_No._10_-_I._Adagio_Complete_Score | X:1
T:Sinfonía 10 - I Adagio
%%score 1 [ 2 | 3 ] 4 5 6 7 ( 8 9 ) 10 ( 11 12 ) ( 13 14 ) 15 16 17 18
L:1/8
Q:1/4=52
M:4/4
I:linebreak $
K:B
V:1 treble transpose=12 nm="Flauta piccolo" snm="Picc."
V:2 treble nm="Flute" snm="Fl."
V:3 treble nm="Oboe" snm="Ob."
V:4 treble transpose=-3 nm="Clarinete en La" snm="1. Cl. La"
V... | 4 | In which register is the opening melody? | Middle register |
Melodie_n2_Op.4_in_C_minor_-_Fanny_Mendelssohn-Hensel | X:1
T:Melodie nº2
C:Fanny Mendelssohn
Z:Zlv
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=80
M:6/8
I:linebreak $
K:E
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:4 bass
V:1
!p!"^Allegretto." G |!ped! (e2 f!ped-up!!ped! gde[Q:1/4=95]!ped-up! | %2
[Q:1/4=80]!ped! c3!ped! !>!e3)[Q:1/4=100]!ped-up! | %3
[Q:1/4=80]... | 1 | What instruments are used? | Piano |
Melodie_n2_Op.4_in_C_minor_-_Fanny_Mendelssohn-Hensel | X:1
T:Melodie nº2
C:Fanny Mendelssohn
Z:Zlv
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=80
M:6/8
I:linebreak $
K:E
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:4 bass
V:1
!p!"^Allegretto." G |!ped! (e2 f!ped-up!!ped! gde[Q:1/4=95]!ped-up! | %2
[Q:1/4=80]!ped! c3!ped! !>!e3)[Q:1/4=100]!ped-up! | %3
[Q:1/4=80]... | 1 | What is the initial tempo marking? | Allegretto |
Melodie_n2_Op.4_in_C_minor_-_Fanny_Mendelssohn-Hensel | X:1
T:Melodie nº2
C:Fanny Mendelssohn
Z:Zlv
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=80
M:6/8
I:linebreak $
K:E
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:4 bass
V:1
!p!"^Allegretto." G |!ped! (e2 f!ped-up!!ped! gde[Q:1/4=95]!ped-up! | %2
[Q:1/4=80]!ped! c3!ped! !>!e3)[Q:1/4=100]!ped-up! | %3
[Q:1/4=80]... | 1 | Who is the composer? | Mendelssohn |
Melodie_n2_Op.4_in_C_minor_-_Fanny_Mendelssohn-Hensel | X:1
T:Melodie nº2
C:Fanny Mendelssohn
Z:Zlv
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=80
M:6/8
I:linebreak $
K:E
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:4 bass
V:1
!p!"^Allegretto." G |!ped! (e2 f!ped-up!!ped! gde[Q:1/4=95]!ped-up! | %2
[Q:1/4=80]!ped! c3!ped! !>!e3)[Q:1/4=100]!ped-up! | %3
[Q:1/4=80]... | 2 | In bars 1–38, is there a repeat sign? | No |
Melodie_n2_Op.4_in_C_minor_-_Fanny_Mendelssohn-Hensel | X:1
T:Melodie nº2
C:Fanny Mendelssohn
Z:Zlv
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=80
M:6/8
I:linebreak $
K:E
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:4 bass
V:1
!p!"^Allegretto." G |!ped! (e2 f!ped-up!!ped! gde[Q:1/4=95]!ped-up! | %2
[Q:1/4=80]!ped! c3!ped! !>!e3)[Q:1/4=100]!ped-up! | %3
[Q:1/4=80]... | 2 | In bar 38, what is the shortest rest value? | Quaver rest |
Melodie_n2_Op.4_in_C_minor_-_Fanny_Mendelssohn-Hensel | X:1
T:Melodie nº2
C:Fanny Mendelssohn
Z:Zlv
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=80
M:6/8
I:linebreak $
K:E
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:4 bass
V:1
!p!"^Allegretto." G |!ped! (e2 f!ped-up!!ped! gde[Q:1/4=95]!ped-up! | %2
[Q:1/4=80]!ped! c3!ped! !>!e3)[Q:1/4=100]!ped-up! | %3
[Q:1/4=80]... | 2 | In bar 23, what is the dynamic marking? | Crescendo |
Melodie_n2_Op.4_in_C_minor_-_Fanny_Mendelssohn-Hensel | X:1
T:Melodie nº2
C:Fanny Mendelssohn
Z:Zlv
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=80
M:6/8
I:linebreak $
K:E
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:4 bass
V:1
!p!"^Allegretto." G |!ped! (e2 f!ped-up!!ped! gde[Q:1/4=95]!ped-up! | %2
[Q:1/4=80]!ped! c3!ped! !>!e3)[Q:1/4=100]!ped-up! | %3
[Q:1/4=80]... | 3 | In bar 8, does the piece begin on the tonic chord of the original key? | Yes |
Melodie_n2_Op.4_in_C_minor_-_Fanny_Mendelssohn-Hensel | X:1
T:Melodie nº2
C:Fanny Mendelssohn
Z:Zlv
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=80
M:6/8
I:linebreak $
K:E
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:4 bass
V:1
!p!"^Allegretto." G |!ped! (e2 f!ped-up!!ped! gde[Q:1/4=95]!ped-up! | %2
[Q:1/4=80]!ped! c3!ped! !>!e3)[Q:1/4=100]!ped-up! | %3
[Q:1/4=80]... | 3 | In bars 36–38, is there a perfect cadence? | No |
Melodie_n2_Op.4_in_C_minor_-_Fanny_Mendelssohn-Hensel | X:1
T:Melodie nº2
C:Fanny Mendelssohn
Z:Zlv
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=80
M:6/8
I:linebreak $
K:E
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:4 bass
V:1
!p!"^Allegretto." G |!ped! (e2 f!ped-up!!ped! gde[Q:1/4=95]!ped-up! | %2
[Q:1/4=80]!ped! c3!ped! !>!e3)[Q:1/4=100]!ped-up! | %3
[Q:1/4=80]... | 3 | In bar 9, is there a suspension? | No |
Melodie_n2_Op.4_in_C_minor_-_Fanny_Mendelssohn-Hensel | X:1
T:Melodie nº2
C:Fanny Mendelssohn
Z:Zlv
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=80
M:6/8
I:linebreak $
K:E
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:4 bass
V:1
!p!"^Allegretto." G |!ped! (e2 f!ped-up!!ped! gde[Q:1/4=95]!ped-up! | %2
[Q:1/4=80]!ped! c3!ped! !>!e3)[Q:1/4=100]!ped-up! | %3
[Q:1/4=80]... | 4 | What is the performance medium of the piece? | Piano solo |
Melodie_n2_Op.4_in_C_minor_-_Fanny_Mendelssohn-Hensel | X:1
T:Melodie nº2
C:Fanny Mendelssohn
Z:Zlv
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=80
M:6/8
I:linebreak $
K:E
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:4 bass
V:1
!p!"^Allegretto." G |!ped! (e2 f!ped-up!!ped! gde[Q:1/4=95]!ped-up! | %2
[Q:1/4=80]!ped! c3!ped! !>!e3)[Q:1/4=100]!ped-up! | %3
[Q:1/4=80]... | 4 | What is the most frequently used texture in the piece? | Homophonic texture |
Melodie_n2_Op.4_in_C_minor_-_Fanny_Mendelssohn-Hensel | X:1
T:Melodie nº2
C:Fanny Mendelssohn
Z:Zlv
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=80
M:6/8
I:linebreak $
K:E
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:4 bass
V:1
!p!"^Allegretto." G |!ped! (e2 f!ped-up!!ped! gde[Q:1/4=95]!ped-up! | %2
[Q:1/4=80]!ped! c3!ped! !>!e3)[Q:1/4=100]!ped-up! | %3
[Q:1/4=80]... | 4 | What is the most frequently used type of accompaniment in the piece? | Arpeggio |
Mendelsshon_Songs_Without_Words_No._6_Piano_solo | X:1
T:Songs Without Words (No. 6)
C:Felix Mendelssohn, Op. 19
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=66
M:6/8
I:linebreak $
K:Bb
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
"^Andante sostenuto" z6 |[Q:1/4=80] z6 |!pp!!<(! D3!<)! =F3- |!>(! F3 E3!>)! |!p! D3- D2 z | %5
[Q:1/4=74] z6 |[Q:1/4=8... | 1 | Is it an anacrusis (upbeat bar)? | No |
Mendelsshon_Songs_Without_Words_No._6_Piano_solo | X:1
T:Songs Without Words (No. 6)
C:Felix Mendelssohn, Op. 19
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=66
M:6/8
I:linebreak $
K:Bb
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
"^Andante sostenuto" z6 |[Q:1/4=80] z6 |!pp!!<(! D3!<)! =F3- |!>(! F3 E3!>)! |!p! D3- D2 z | %5
[Q:1/4=74] z6 |[Q:1/4=8... | 1 | What is the initial key? | G minor |
Mendelsshon_Songs_Without_Words_No._6_Piano_solo | X:1
T:Songs Without Words (No. 6)
C:Felix Mendelssohn, Op. 19
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=66
M:6/8
I:linebreak $
K:Bb
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
"^Andante sostenuto" z6 |[Q:1/4=80] z6 |!pp!!<(! D3!<)! =F3- |!>(! F3 E3!>)! |!p! D3- D2 z | %5
[Q:1/4=74] z6 |[Q:1/4=8... | 1 | What is the initial time signature? | 8/6 time |
Mendelsshon_Songs_Without_Words_No._6_Piano_solo | X:1
T:Songs Without Words (No. 6)
C:Felix Mendelssohn, Op. 19
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=66
M:6/8
I:linebreak $
K:Bb
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
"^Andante sostenuto" z6 |[Q:1/4=80] z6 |!pp!!<(! D3!<)! =F3- |!>(! F3 E3!>)! |!p! D3- D2 z | %5
[Q:1/4=74] z6 |[Q:1/4=8... | 2 | In bar 6, are there accidentals, and what are they? | Yes, f# |
Mendelsshon_Songs_Without_Words_No._6_Piano_solo | X:1
T:Songs Without Words (No. 6)
C:Felix Mendelssohn, Op. 19
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=66
M:6/8
I:linebreak $
K:Bb
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
"^Andante sostenuto" z6 |[Q:1/4=80] z6 |!pp!!<(! D3!<)! =F3- |!>(! F3 E3!>)! |!p! D3- D2 z | %5
[Q:1/4=74] z6 |[Q:1/4=8... | 2 | In bar 6, what is the highest pitch? | c5 |
Mendelsshon_Songs_Without_Words_No._6_Piano_solo | X:1
T:Songs Without Words (No. 6)
C:Felix Mendelssohn, Op. 19
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=66
M:6/8
I:linebreak $
K:Bb
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
"^Andante sostenuto" z6 |[Q:1/4=80] z6 |!pp!!<(! D3!<)! =F3- |!>(! F3 E3!>)! |!p! D3- D2 z | %5
[Q:1/4=74] z6 |[Q:1/4=8... | 2 | In bars 1–46, is there a repeat sign? | No |
Mendelsshon_Songs_Without_Words_No._6_Piano_solo | X:1
T:Songs Without Words (No. 6)
C:Felix Mendelssohn, Op. 19
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=66
M:6/8
I:linebreak $
K:Bb
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
"^Andante sostenuto" z6 |[Q:1/4=80] z6 |!pp!!<(! D3!<)! =F3- |!>(! F3 E3!>)! |!p! D3- D2 z | %5
[Q:1/4=74] z6 |[Q:1/4=8... | 3 | In bar 42, is there a second inversion G minor chord? | No |
Mendelsshon_Songs_Without_Words_No._6_Piano_solo | X:1
T:Songs Without Words (No. 6)
C:Felix Mendelssohn, Op. 19
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=66
M:6/8
I:linebreak $
K:Bb
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
"^Andante sostenuto" z6 |[Q:1/4=80] z6 |!pp!!<(! D3!<)! =F3- |!>(! F3 E3!>)! |!p! D3- D2 z | %5
[Q:1/4=74] z6 |[Q:1/4=8... | 3 | In bar 1, does the piece begin on the tonic chord of the original key? | Yes |
Mendelsshon_Songs_Without_Words_No._6_Piano_solo | X:1
T:Songs Without Words (No. 6)
C:Felix Mendelssohn, Op. 19
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=66
M:6/8
I:linebreak $
K:Bb
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
"^Andante sostenuto" z6 |[Q:1/4=80] z6 |!pp!!<(! D3!<)! =F3- |!>(! F3 E3!>)! |!p! D3- D2 z | %5
[Q:1/4=74] z6 |[Q:1/4=8... | 3 | In bar 1, what are the repeated notes of the G minor chord? | None |
Mendelsshon_Songs_Without_Words_No._6_Piano_solo | X:1
T:Songs Without Words (No. 6)
C:Felix Mendelssohn, Op. 19
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=66
M:6/8
I:linebreak $
K:Bb
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
"^Andante sostenuto" z6 |[Q:1/4=80] z6 |!pp!!<(! D3!<)! =F3- |!>(! F3 E3!>)! |!p! D3- D2 z | %5
[Q:1/4=74] z6 |[Q:1/4=8... | 4 | What is the performance medium of the piece? | Piano solo |
Mendelsshon_Songs_Without_Words_No._6_Piano_solo | X:1
T:Songs Without Words (No. 6)
C:Felix Mendelssohn, Op. 19
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=66
M:6/8
I:linebreak $
K:Bb
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
"^Andante sostenuto" z6 |[Q:1/4=80] z6 |!pp!!<(! D3!<)! =F3- |!>(! F3 E3!>)! |!p! D3- D2 z | %5
[Q:1/4=74] z6 |[Q:1/4=8... | 4 | What is the most frequently used texture in the piece? | Homophonic texture |
Mendelsshon_Songs_Without_Words_No._6_Piano_solo | X:1
T:Songs Without Words (No. 6)
C:Felix Mendelssohn, Op. 19
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=66
M:6/8
I:linebreak $
K:Bb
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
"^Andante sostenuto" z6 |[Q:1/4=80] z6 |!pp!!<(! D3!<)! =F3- |!>(! F3 E3!>)! |!p! D3- D2 z | %5
[Q:1/4=74] z6 |[Q:1/4=8... | 4 | What are the main characteristics of the motif? | Thirds |
Mendelssohn_-_Song_without_Words_Duetto_Op._38_No._6 | X:1
T:Song without Words (Duetto)
C:Felix Mendelssohn Bartholdy (1809-1847)
%%score { ( 1 5 6 7 ) | ( 2 3 4 ) }
L:1/8
Q:1/4=92
M:6/8
I:linebreak $
K:Ab
V:1 treble nm="Grand Piano" snm="Pno."
V:5 treble
V:6 treble
V:7 treble
V:2 bass
V:3 bass
V:4 bass
V:1
"^Andante"!p! z2 z z2"^piano" (E | A2 G ABc | dBe dcB |!<(!... | 1 | What is the initial time signature? | 8/6 time |
Mendelssohn_-_Song_without_Words_Duetto_Op._38_No._6 | X:1
T:Song without Words (Duetto)
C:Felix Mendelssohn Bartholdy (1809-1847)
%%score { ( 1 5 6 7 ) | ( 2 3 4 ) }
L:1/8
Q:1/4=92
M:6/8
I:linebreak $
K:Ab
V:1 treble nm="Grand Piano" snm="Pno."
V:5 treble
V:6 treble
V:7 treble
V:2 bass
V:3 bass
V:4 bass
V:1
"^Andante"!p! z2 z z2"^piano" (E | A2 G ABc | dBe dcB |!<(!... | 1 | Who is the composer? | Mendelssohn |
Mendelssohn_-_Song_without_Words_Duetto_Op._38_No._6 | X:1
T:Song without Words (Duetto)
C:Felix Mendelssohn Bartholdy (1809-1847)
%%score { ( 1 5 6 7 ) | ( 2 3 4 ) }
L:1/8
Q:1/4=92
M:6/8
I:linebreak $
K:Ab
V:1 treble nm="Grand Piano" snm="Pno."
V:5 treble
V:6 treble
V:7 treble
V:2 bass
V:3 bass
V:4 bass
V:1
"^Andante"!p! z2 z z2"^piano" (E | A2 G ABc | dBe dcB |!<(!... | 1 | What is the initial clef? | Treble clef, Bass clef |
Mendelssohn_-_Song_without_Words_Duetto_Op._38_No._6 | X:1
T:Song without Words (Duetto)
C:Felix Mendelssohn Bartholdy (1809-1847)
%%score { ( 1 5 6 7 ) | ( 2 3 4 ) }
L:1/8
Q:1/4=92
M:6/8
I:linebreak $
K:Ab
V:1 treble nm="Grand Piano" snm="Pno."
V:5 treble
V:6 treble
V:7 treble
V:2 bass
V:3 bass
V:4 bass
V:1
"^Andante"!p! z2 z z2"^piano" (E | A2 G ABc | dBe dcB |!<(!... | 2 | In bar 22, what is the dynamic marking? | f |
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