song_id stringclasses 150
values | abc_notation stringclasses 150
values | level int32 1 4 | question stringlengths 20 85 | answer stringlengths 1 82 |
|---|---|---|---|---|
Mozart_Sonate_in_D_K._311_-_I._Allegro_con_spirito | X:1
T:Sonate
C:Wolfgang Amadeus Mozart
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=135
M:4/4
I:linebreak $
K:D
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
!f!"^Allegro con spirito" [DFAd]2 z2{g} fe/f/{a} gf/g/ | a2 z2 .a.b.c'.d' | (a2 f2){a} gf/g/ ag | %3
{^e} f2 z2{g} f=e/f/{a} gf/g/ | a2 z2 .a.... | 3 | In bar 56, is there a second-inversion D7 chord? | None |
Mozart_Sonate_in_D_K._311_-_I._Allegro_con_spirito | X:1
T:Sonate
C:Wolfgang Amadeus Mozart
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=135
M:4/4
I:linebreak $
K:D
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
!f!"^Allegro con spirito" [DFAd]2 z2{g} fe/f/{a} gf/g/ | a2 z2 .a.b.c'.d' | (a2 f2){a} gf/g/ ag | %3
{^e} f2 z2{g} f=e/f/{a} gf/g/ | a2 z2 .a.... | 4 | Where is the principal section of the piece? | Bars 1–7 |
Mozart_Sonate_in_D_K._311_-_I._Allegro_con_spirito | X:1
T:Sonate
C:Wolfgang Amadeus Mozart
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=135
M:4/4
I:linebreak $
K:D
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
!f!"^Allegro con spirito" [DFAd]2 z2{g} fe/f/{a} gf/g/ | a2 z2 .a.b.c'.d' | (a2 f2){a} gf/g/ ag | %3
{^e} f2 z2{g} f=e/f/{a} gf/g/ | a2 z2 .a.... | 4 | What is the form of the piece? | Sonata form |
Mozart_Sonate_in_D_K._311_-_I._Allegro_con_spirito | X:1
T:Sonate
C:Wolfgang Amadeus Mozart
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=135
M:4/4
I:linebreak $
K:D
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
!f!"^Allegro con spirito" [DFAd]2 z2{g} fe/f/{a} gf/g/ | a2 z2 .a.b.c'.d' | (a2 f2){a} gf/g/ ag | %3
{^e} f2 z2{g} f=e/f/{a} gf/g/ | a2 z2 .a.... | 4 | What is the most frequently used accompaniment type in the piece? | arpeggio |
Mussorgsky_-_Pictures_at_an_Exhibition_04__2._Il_vecchio_castello__ | X:1
T:Шаблон для фортепиано
C:Композитор
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=80
M:6/8
I:linebreak $
K:B
V:1 treble nm="Фортепиано" snm="Ф-но"
V:4 treble
V:2 bass
V:3 bass
V:1
"^№ 2. Il vecchio castello (Старый замок)"!pp!"^Andantino molto cantabile e con dolore" z6 | z6 | %2
z6 | z6 | z6 | z6 | z3 z2"^con esp... | 1 | What is the initial clef? | Treble clef, Bass clef |
Mussorgsky_-_Pictures_at_an_Exhibition_04__2._Il_vecchio_castello__ | X:1
T:Шаблон для фортепиано
C:Композитор
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=80
M:6/8
I:linebreak $
K:B
V:1 treble nm="Фортепиано" snm="Ф-но"
V:4 treble
V:2 bass
V:3 bass
V:1
"^№ 2. Il vecchio castello (Старый замок)"!pp!"^Andantino molto cantabile e con dolore" z6 | z6 | %2
z6 | z6 | z6 | z6 | z3 z2"^con esp... | 1 | What instruments are used? | Piano |
Mussorgsky_-_Pictures_at_an_Exhibition_04__2._Il_vecchio_castello__ | X:1
T:Шаблон для фортепиано
C:Композитор
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=80
M:6/8
I:linebreak $
K:B
V:1 treble nm="Фортепиано" snm="Ф-но"
V:4 treble
V:2 bass
V:3 bass
V:1
"^№ 2. Il vecchio castello (Старый замок)"!pp!"^Andantino molto cantabile e con dolore" z6 | z6 | %2
z6 | z6 | z6 | z6 | z3 z2"^con esp... | 1 | What is the title of the piece? | Il vecchio castello |
Mussorgsky_-_Pictures_at_an_Exhibition_04__2._Il_vecchio_castello__ | X:1
T:Шаблон для фортепиано
C:Композитор
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=80
M:6/8
I:linebreak $
K:B
V:1 treble nm="Фортепиано" snm="Ф-но"
V:4 treble
V:2 bass
V:3 bass
V:1
"^№ 2. Il vecchio castello (Старый замок)"!pp!"^Andantino molto cantabile e con dolore" z6 | z6 | %2
z6 | z6 | z6 | z6 | z3 z2"^con esp... | 2 | In bar 2, what is the articulation marking? | Staccato |
Mussorgsky_-_Pictures_at_an_Exhibition_04__2._Il_vecchio_castello__ | X:1
T:Шаблон для фортепиано
C:Композитор
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=80
M:6/8
I:linebreak $
K:B
V:1 treble nm="Фортепиано" snm="Ф-но"
V:4 treble
V:2 bass
V:3 bass
V:1
"^№ 2. Il vecchio castello (Старый замок)"!pp!"^Andantino molto cantabile e con dolore" z6 | z6 | %2
z6 | z6 | z6 | z6 | z3 z2"^con esp... | 2 | In bar 2, what is the lowest pitch? | G#2 |
Mussorgsky_-_Pictures_at_an_Exhibition_04__2._Il_vecchio_castello__ | X:1
T:Шаблон для фортепиано
C:Композитор
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=80
M:6/8
I:linebreak $
K:B
V:1 treble nm="Фортепиано" snm="Ф-но"
V:4 treble
V:2 bass
V:3 bass
V:1
"^№ 2. Il vecchio castello (Старый замок)"!pp!"^Andantino molto cantabile e con dolore" z6 | z6 | %2
z6 | z6 | z6 | z6 | z3 z2"^con esp... | 2 | In bar 11, what is the ornament on the note E4? | Acciaccatura |
Mussorgsky_-_Pictures_at_an_Exhibition_04__2._Il_vecchio_castello__ | X:1
T:Шаблон для фортепиано
C:Композитор
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=80
M:6/8
I:linebreak $
K:B
V:1 treble nm="Фортепиано" snm="Ф-но"
V:4 treble
V:2 bass
V:3 bass
V:1
"^№ 2. Il vecchio castello (Старый замок)"!pp!"^Andantino molto cantabile e con dolore" z6 | z6 | %2
z6 | z6 | z6 | z6 | z3 z2"^con esp... | 3 | In bar 5, what are the repeated notes in the G♯ minor chord? | No repeated notes |
Mussorgsky_-_Pictures_at_an_Exhibition_04__2._Il_vecchio_castello__ | X:1
T:Шаблон для фортепиано
C:Композитор
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=80
M:6/8
I:linebreak $
K:B
V:1 treble nm="Фортепиано" snm="Ф-но"
V:4 treble
V:2 bass
V:3 bass
V:1
"^№ 2. Il vecchio castello (Старый замок)"!pp!"^Andantino molto cantabile e con dolore" z6 | z6 | %2
z6 | z6 | z6 | z6 | z3 z2"^con esp... | 3 | In bar 2, what degree chord is the G♯ minor chord (I, II, III, IV, V, VI, VII)? | In bar 2 there is no chord, only an interval |
Mussorgsky_-_Pictures_at_an_Exhibition_04__2._Il_vecchio_castello__ | X:1
T:Шаблон для фортепиано
C:Композитор
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=80
M:6/8
I:linebreak $
K:B
V:1 treble nm="Фортепиано" snm="Ф-но"
V:4 treble
V:2 bass
V:3 bass
V:1
"^№ 2. Il vecchio castello (Старый замок)"!pp!"^Andantino molto cantabile e con dolore" z6 | z6 | %2
z6 | z6 | z6 | z6 | z3 z2"^con esp... | 3 | In bar 9, is there a G♯ minor chord? | Yes |
Mussorgsky_-_Pictures_at_an_Exhibition_04__2._Il_vecchio_castello__ | X:1
T:Шаблон для фортепиано
C:Композитор
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=80
M:6/8
I:linebreak $
K:B
V:1 treble nm="Фортепиано" snm="Ф-но"
V:4 treble
V:2 bass
V:3 bass
V:1
"^№ 2. Il vecchio castello (Старый замок)"!pp!"^Andantino molto cantabile e con dolore" z6 | z6 | %2
z6 | z6 | z6 | z6 | z3 z2"^con esp... | 4 | What are the main structural features of the motif? | Leap, stepwise motion with neighbour tones |
Mussorgsky_-_Pictures_at_an_Exhibition_04__2._Il_vecchio_castello__ | X:1
T:Шаблон для фортепиано
C:Композитор
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=80
M:6/8
I:linebreak $
K:B
V:1 treble nm="Фортепиано" snm="Ф-но"
V:4 treble
V:2 bass
V:3 bass
V:1
"^№ 2. Il vecchio castello (Старый замок)"!pp!"^Andantino molto cantabile e con dolore" z6 | z6 | %2
z6 | z6 | z6 | z6 | z3 z2"^con esp... | 4 | In which bar does the melodic motif first appear? | Bars 8–9 |
Mussorgsky_-_Pictures_at_an_Exhibition_04__2._Il_vecchio_castello__ | X:1
T:Шаблон для фортепиано
C:Композитор
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=80
M:6/8
I:linebreak $
K:B
V:1 treble nm="Фортепиано" snm="Ф-но"
V:4 treble
V:2 bass
V:3 bass
V:1
"^№ 2. Il vecchio castello (Старый замок)"!pp!"^Andantino molto cantabile e con dolore" z6 | z6 | %2
z6 | z6 | z6 | z6 | z3 z2"^con esp... | 4 | What texture types are used in the piece? | Homophonic texture, choral texture |
Mussorgsky_-_Pictures_at_an_Exhibition_13__8._Catacombae._Sepulcrum_romanum_.__ | X:1
T:Шаблон для фортепиано
C:Композитор
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=40
M:3/4
I:linebreak $
K:C
V:1 bass nm="Фортепиано" snm="Ф-но"
V:3 bass
V:2 bass
V:4 bass
V:1
"^№ 8. Catacombae. Sepulcrum romanum\n(Катакомбы. Римская гробница)""^Largo"!ff! !fermata!B,6 | %1
!p! !fermata!G,6 | !fermata!G6 |!ff! [G,^... | 1 | Is there an anacrusis? | No |
Mussorgsky_-_Pictures_at_an_Exhibition_13__8._Catacombae._Sepulcrum_romanum_.__ | X:1
T:Шаблон для фортепиано
C:Композитор
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=40
M:3/4
I:linebreak $
K:C
V:1 bass nm="Фортепиано" snm="Ф-но"
V:3 bass
V:2 bass
V:4 bass
V:1
"^№ 8. Catacombae. Sepulcrum romanum\n(Катакомбы. Римская гробница)""^Largo"!ff! !fermata!B,6 | %1
!p! !fermata!G,6 | !fermata!G6 |!ff! [G,^... | 1 | What instruments are used? | Piano |
Mussorgsky_-_Pictures_at_an_Exhibition_13__8._Catacombae._Sepulcrum_romanum_.__ | X:1
T:Шаблон для фортепиано
C:Композитор
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=40
M:3/4
I:linebreak $
K:C
V:1 bass nm="Фортепиано" snm="Ф-но"
V:3 bass
V:2 bass
V:4 bass
V:1
"^№ 8. Catacombae. Sepulcrum romanum\n(Катакомбы. Римская гробница)""^Largo"!ff! !fermata!B,6 | %1
!p! !fermata!G,6 | !fermata!G6 |!ff! [G,^... | 1 | What is the initial key? | C major |
Mussorgsky_-_Pictures_at_an_Exhibition_13__8._Catacombae._Sepulcrum_romanum_.__ | X:1
T:Шаблон для фортепиано
C:Композитор
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=40
M:3/4
I:linebreak $
K:C
V:1 bass nm="Фортепиано" snm="Ф-но"
V:3 bass
V:2 bass
V:4 bass
V:1
"^№ 8. Catacombae. Sepulcrum romanum\n(Катакомбы. Римская гробница)""^Largo"!ff! !fermata!B,6 | %1
!p! !fermata!G,6 | !fermata!G6 |!ff! [G,^... | 2 | In bar 1, what is the articulation marking? | Fermata |
Mussorgsky_-_Pictures_at_an_Exhibition_13__8._Catacombae._Sepulcrum_romanum_.__ | X:1
T:Шаблон для фортепиано
C:Композитор
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=40
M:3/4
I:linebreak $
K:C
V:1 bass nm="Фортепиано" snm="Ф-но"
V:3 bass
V:2 bass
V:4 bass
V:1
"^№ 8. Catacombae. Sepulcrum romanum\n(Катакомбы. Римская гробница)""^Largo"!ff! !fermata!B,6 | %1
!p! !fermata!G,6 | !fermata!G6 |!ff! [G,^... | 2 | In bar 24, what is the dynamic marking? | p |
Mussorgsky_-_Pictures_at_an_Exhibition_13__8._Catacombae._Sepulcrum_romanum_.__ | X:1
T:Шаблон для фортепиано
C:Композитор
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=40
M:3/4
I:linebreak $
K:C
V:1 bass nm="Фортепиано" snm="Ф-но"
V:3 bass
V:2 bass
V:4 bass
V:1
"^№ 8. Catacombae. Sepulcrum romanum\n(Катакомбы. Римская гробница)""^Largo"!ff! !fermata!B,6 | %1
!p! !fermata!G,6 | !fermata!G6 |!ff! [G,^... | 2 | In bar 24, what is the highest pitch? | G4 |
Mussorgsky_-_Pictures_at_an_Exhibition_13__8._Catacombae._Sepulcrum_romanum_.__ | X:1
T:Шаблон для фортепиано
C:Композитор
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=40
M:3/4
I:linebreak $
K:C
V:1 bass nm="Фортепиано" snm="Ф-но"
V:3 bass
V:2 bass
V:4 bass
V:1
"^№ 8. Catacombae. Sepulcrum romanum\n(Катакомбы. Римская гробница)""^Largo"!ff! !fermata!B,6 | %1
!p! !fermata!G,6 | !fermata!G6 |!ff! [G,^... | 3 | In bar 24, what are the repeated notes in the C major chord? | Third and fifth |
Mussorgsky_-_Pictures_at_an_Exhibition_13__8._Catacombae._Sepulcrum_romanum_.__ | X:1
T:Шаблон для фортепиано
C:Композитор
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=40
M:3/4
I:linebreak $
K:C
V:1 bass nm="Фортепиано" snm="Ф-но"
V:3 bass
V:2 bass
V:4 bass
V:1
"^№ 8. Catacombae. Sepulcrum romanum\n(Катакомбы. Римская гробница)""^Largo"!ff! !fermata!B,6 | %1
!p! !fermata!G,6 | !fermata!G6 |!ff! [G,^... | 3 | In bars 29–30, is there a suspension? | No |
Mussorgsky_-_Pictures_at_an_Exhibition_13__8._Catacombae._Sepulcrum_romanum_.__ | X:1
T:Шаблон для фортепиано
C:Композитор
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=40
M:3/4
I:linebreak $
K:C
V:1 bass nm="Фортепиано" snm="Ф-но"
V:3 bass
V:2 bass
V:4 bass
V:1
"^№ 8. Catacombae. Sepulcrum romanum\n(Катакомбы. Римская гробница)""^Largo"!ff! !fermata!B,6 | %1
!p! !fermata!G,6 | !fermata!G6 |!ff! [G,^... | 3 | In bar 24, is there a C major chord? | Yes |
Mussorgsky_-_Pictures_at_an_Exhibition_13__8._Catacombae._Sepulcrum_romanum_.__ | X:1
T:Шаблон для фортепиано
C:Композитор
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=40
M:3/4
I:linebreak $
K:C
V:1 bass nm="Фортепиано" snm="Ф-но"
V:3 bass
V:2 bass
V:4 bass
V:1
"^№ 8. Catacombae. Sepulcrum romanum\n(Катакомбы. Римская гробница)""^Largo"!ff! !fermata!B,6 | %1
!p! !fermata!G,6 | !fermata!G6 |!ff! [G,^... | 4 | What is the most frequently used texture type in the piece? | Choral texture |
Mussorgsky_-_Pictures_at_an_Exhibition_13__8._Catacombae._Sepulcrum_romanum_.__ | X:1
T:Шаблон для фортепиано
C:Композитор
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=40
M:3/4
I:linebreak $
K:C
V:1 bass nm="Фортепиано" snm="Ф-но"
V:3 bass
V:2 bass
V:4 bass
V:1
"^№ 8. Catacombae. Sepulcrum romanum\n(Катакомбы. Римская гробница)""^Largo"!ff! !fermata!B,6 | %1
!p! !fermata!G,6 | !fermata!G6 |!ff! [G,^... | 4 | In which register is the melody in bars 1–2? | Middle register |
Mussorgsky_-_Pictures_at_an_Exhibition_13__8._Catacombae._Sepulcrum_romanum_.__ | X:1
T:Шаблон для фортепиано
C:Композитор
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=40
M:3/4
I:linebreak $
K:C
V:1 bass nm="Фортепиано" snm="Ф-но"
V:3 bass
V:2 bass
V:4 bass
V:1
"^№ 8. Catacombae. Sepulcrum romanum\n(Катакомбы. Римская гробница)""^Largo"!ff! !fermata!B,6 | %1
!p! !fermata!G,6 | !fermata!G6 |!ff! [G,^... | 4 | What is the performance medium of the piece? | Piano solo |
Mussorgsky_-_Pictures_at_an_Exhibition_14_Cum_mortuis_in_lingua_mortua_____ | X:1
T:Шаблон для фортепиано
C:Композитор
%%score { ( 1 4 5 ) | ( 2 3 ) }
L:1/8
Q:1/4=70
M:6/4
I:linebreak $
K:D
V:1 treble nm="Фортепиано" snm="Ф-но"
V:4 treble
V:5 treble
V:2 treble
V:3 treble
V:1
"^Cum mortuis in lingua mortua\n(С мёртвыми на мёртвом языке)"!pp!"^Andante non troppo, con lamento"!8va(! (!///-!f'6 ... | 1 | What is the initial time signature? | 4/6 time |
Mussorgsky_-_Pictures_at_an_Exhibition_14_Cum_mortuis_in_lingua_mortua_____ | X:1
T:Шаблон для фортепиано
C:Композитор
%%score { ( 1 4 5 ) | ( 2 3 ) }
L:1/8
Q:1/4=70
M:6/4
I:linebreak $
K:D
V:1 treble nm="Фортепиано" snm="Ф-но"
V:4 treble
V:5 treble
V:2 treble
V:3 treble
V:1
"^Cum mortuis in lingua mortua\n(С мёртвыми на мёртвом языке)"!pp!"^Andante non troppo, con lamento"!8va(! (!///-!f'6 ... | 1 | Is there an anacrusis? | No |
Mussorgsky_-_Pictures_at_an_Exhibition_14_Cum_mortuis_in_lingua_mortua_____ | X:1
T:Шаблон для фортепиано
C:Композитор
%%score { ( 1 4 5 ) | ( 2 3 ) }
L:1/8
Q:1/4=70
M:6/4
I:linebreak $
K:D
V:1 treble nm="Фортепиано" snm="Ф-но"
V:4 treble
V:5 treble
V:2 treble
V:3 treble
V:1
"^Cum mortuis in lingua mortua\n(С мёртвыми на мёртвом языке)"!pp!"^Andante non troppo, con lamento"!8va(! (!///-!f'6 ... | 1 | Who is the composer? | Mussorgsky |
Mussorgsky_-_Pictures_at_an_Exhibition_14_Cum_mortuis_in_lingua_mortua_____ | X:1
T:Шаблон для фортепиано
C:Композитор
%%score { ( 1 4 5 ) | ( 2 3 ) }
L:1/8
Q:1/4=70
M:6/4
I:linebreak $
K:D
V:1 treble nm="Фортепиано" snm="Ф-но"
V:4 treble
V:5 treble
V:2 treble
V:3 treble
V:1
"^Cum mortuis in lingua mortua\n(С мёртвыми на мёртвом языке)"!pp!"^Andante non troppo, con lamento"!8va(! (!///-!f'6 ... | 2 | In bar 5, what is the new clef? | Treble clef, bass clef |
Mussorgsky_-_Pictures_at_an_Exhibition_14_Cum_mortuis_in_lingua_mortua_____ | X:1
T:Шаблон для фортепиано
C:Композитор
%%score { ( 1 4 5 ) | ( 2 3 ) }
L:1/8
Q:1/4=70
M:6/4
I:linebreak $
K:D
V:1 treble nm="Фортепиано" snm="Ф-но"
V:4 treble
V:5 treble
V:2 treble
V:3 treble
V:1
"^Cum mortuis in lingua mortua\n(С мёртвыми на мёртвом языке)"!pp!"^Andante non troppo, con lamento"!8va(! (!///-!f'6 ... | 2 | In bar 1, what is the articulation marking? | Tremolo |
Mussorgsky_-_Pictures_at_an_Exhibition_14_Cum_mortuis_in_lingua_mortua_____ | X:1
T:Шаблон для фортепиано
C:Композитор
%%score { ( 1 4 5 ) | ( 2 3 ) }
L:1/8
Q:1/4=70
M:6/4
I:linebreak $
K:D
V:1 treble nm="Фортепиано" snm="Ф-но"
V:4 treble
V:5 treble
V:2 treble
V:3 treble
V:1
"^Cum mortuis in lingua mortua\n(С мёртвыми на мёртвом языке)"!pp!"^Andante non troppo, con lamento"!8va(! (!///-!f'6 ... | 2 | In bar 1, what is the dynamic marking? | pp |
Mussorgsky_-_Pictures_at_an_Exhibition_14_Cum_mortuis_in_lingua_mortua_____ | X:1
T:Шаблон для фортепиано
C:Композитор
%%score { ( 1 4 5 ) | ( 2 3 ) }
L:1/8
Q:1/4=70
M:6/4
I:linebreak $
K:D
V:1 treble nm="Фортепиано" snm="Ф-но"
V:4 treble
V:5 treble
V:2 treble
V:3 treble
V:1
"^Cum mortuis in lingua mortua\n(С мёртвыми на мёртвом языке)"!pp!"^Andante non troppo, con lamento"!8va(! (!///-!f'6 ... | 3 | In bar 20, is there a perfect cadence or similar? | No |
Mussorgsky_-_Pictures_at_an_Exhibition_14_Cum_mortuis_in_lingua_mortua_____ | X:1
T:Шаблон для фортепиано
C:Композитор
%%score { ( 1 4 5 ) | ( 2 3 ) }
L:1/8
Q:1/4=70
M:6/4
I:linebreak $
K:D
V:1 treble nm="Фортепиано" snm="Ф-но"
V:4 treble
V:5 treble
V:2 treble
V:3 treble
V:1
"^Cum mortuis in lingua mortua\n(С мёртвыми на мёртвом языке)"!pp!"^Andante non troppo, con lamento"!8va(! (!///-!f'6 ... | 3 | In bar 21, what degree chord is the first chord (I, II, III, IV, V, VI, VII)? | I (tonic chord) |
Mussorgsky_-_Pictures_at_an_Exhibition_14_Cum_mortuis_in_lingua_mortua_____ | X:1
T:Шаблон для фортепиано
C:Композитор
%%score { ( 1 4 5 ) | ( 2 3 ) }
L:1/8
Q:1/4=70
M:6/4
I:linebreak $
K:D
V:1 treble nm="Фортепиано" snm="Ф-но"
V:4 treble
V:5 treble
V:2 treble
V:3 treble
V:1
"^Cum mortuis in lingua mortua\n(С мёртвыми на мёртвом языке)"!pp!"^Andante non troppo, con lamento"!8va(! (!///-!f'6 ... | 3 | In bar 20, what is the chord progression (I, II, III, IV, V, VI, VII)? | I46-I |
Mussorgsky_-_Pictures_at_an_Exhibition_14_Cum_mortuis_in_lingua_mortua_____ | X:1
T:Шаблон для фортепиано
C:Композитор
%%score { ( 1 4 5 ) | ( 2 3 ) }
L:1/8
Q:1/4=70
M:6/4
I:linebreak $
K:D
V:1 treble nm="Фортепиано" snm="Ф-но"
V:4 treble
V:5 treble
V:2 treble
V:3 treble
V:1
"^Cum mortuis in lingua mortua\n(С мёртвыми на мёртвом языке)"!pp!"^Andante non troppo, con lamento"!8va(! (!///-!f'6 ... | 4 | What is the most frequently used accompaniment type in the piece? | Tremolo |
Mussorgsky_-_Pictures_at_an_Exhibition_14_Cum_mortuis_in_lingua_mortua_____ | X:1
T:Шаблон для фортепиано
C:Композитор
%%score { ( 1 4 5 ) | ( 2 3 ) }
L:1/8
Q:1/4=70
M:6/4
I:linebreak $
K:D
V:1 treble nm="Фортепиано" snm="Ф-но"
V:4 treble
V:5 treble
V:2 treble
V:3 treble
V:1
"^Cum mortuis in lingua mortua\n(С мёртвыми на мёртвом языке)"!pp!"^Andante non troppo, con lamento"!8va(! (!///-!f'6 ... | 4 | In which bar does the melodic motif first appear? | Bars 2–3 |
Mussorgsky_-_Pictures_at_an_Exhibition_14_Cum_mortuis_in_lingua_mortua_____ | X:1
T:Шаблон для фортепиано
C:Композитор
%%score { ( 1 4 5 ) | ( 2 3 ) }
L:1/8
Q:1/4=70
M:6/4
I:linebreak $
K:D
V:1 treble nm="Фортепиано" snm="Ф-но"
V:4 treble
V:5 treble
V:2 treble
V:3 treble
V:1
"^Cum mortuis in lingua mortua\n(С мёртвыми на мёртвом языке)"!pp!"^Andante non troppo, con lamento"!8va(! (!///-!f'6 ... | 4 | In which register is the melody in bar 3? | Upper-middle register |
Mussorgsky_-_Pictures_at_an_Exhibition_15__9._____- | X:1
T:Шаблон для фортепиано
C:Композитор
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=150
M:2/4
I:linebreak $
K:C
V:1 treble nm="Фортепиано" snm="Ф-но"
V:3 treble
V:2 bass
V:4 bass
V:1
"^№ 9. Избушка на курьих ножках\n(Баба-Яга)""^Allegro con brio, feroce"!ff! [^F,^F]2 G,2 | z4 | %2
[^F,^F][F,F] G,2 | z4 | [F,F]2 (_A,... | 1 | What is the initial tempo indication? | Allegro |
Mussorgsky_-_Pictures_at_an_Exhibition_15__9._____- | X:1
T:Шаблон для фортепиано
C:Композитор
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=150
M:2/4
I:linebreak $
K:C
V:1 treble nm="Фортепиано" snm="Ф-но"
V:3 treble
V:2 bass
V:4 bass
V:1
"^№ 9. Избушка на курьих ножках\n(Баба-Яга)""^Allegro con brio, feroce"!ff! [^F,^F]2 G,2 | z4 | %2
[^F,^F][F,F] G,2 | z4 | [F,F]2 (_A,... | 1 | Is there an anacrusis? | No |
Mussorgsky_-_Pictures_at_an_Exhibition_15__9._____- | X:1
T:Шаблон для фортепиано
C:Композитор
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=150
M:2/4
I:linebreak $
K:C
V:1 treble nm="Фортепиано" snm="Ф-но"
V:3 treble
V:2 bass
V:4 bass
V:1
"^№ 9. Избушка на курьих ножках\n(Баба-Яга)""^Allegro con brio, feroce"!ff! [^F,^F]2 G,2 | z4 | %2
[^F,^F][F,F] G,2 | z4 | [F,F]2 (_A,... | 1 | Who is the composer? | Mussorgsky |
Mussorgsky_-_Pictures_at_an_Exhibition_15__9._____- | X:1
T:Шаблон для фортепиано
C:Композитор
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=150
M:2/4
I:linebreak $
K:C
V:1 treble nm="Фортепиано" snm="Ф-но"
V:3 treble
V:2 bass
V:4 bass
V:1
"^№ 9. Избушка на курьих ножках\n(Баба-Яга)""^Allegro con brio, feroce"!ff! [^F,^F]2 G,2 | z4 | %2
[^F,^F][F,F] G,2 | z4 | [F,F]2 (_A,... | 2 | In bar 95, what is the articulation marking? | Legato |
Mussorgsky_-_Pictures_at_an_Exhibition_15__9._____- | X:1
T:Шаблон для фортепиано
C:Композитор
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=150
M:2/4
I:linebreak $
K:C
V:1 treble nm="Фортепиано" snm="Ф-но"
V:3 treble
V:2 bass
V:4 bass
V:1
"^№ 9. Избушка на курьих ножках\n(Баба-Яга)""^Allegro con brio, feroce"!ff! [^F,^F]2 G,2 | z4 | %2
[^F,^F][F,F] G,2 | z4 | [F,F]2 (_A,... | 2 | In bars 82–83, what is the new clef? | Bass clef |
Mussorgsky_-_Pictures_at_an_Exhibition_15__9._____- | X:1
T:Шаблон для фортепиано
C:Композитор
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=150
M:2/4
I:linebreak $
K:C
V:1 treble nm="Фортепиано" snm="Ф-но"
V:3 treble
V:2 bass
V:4 bass
V:1
"^№ 9. Избушка на курьих ножках\n(Баба-Яга)""^Allegro con brio, feroce"!ff! [^F,^F]2 G,2 | z4 | %2
[^F,^F][F,F] G,2 | z4 | [F,F]2 (_A,... | 2 | Between bars 1–211, are there repeat signs? | No |
Mussorgsky_-_Pictures_at_an_Exhibition_15__9._____- | X:1
T:Шаблон для фортепиано
C:Композитор
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=150
M:2/4
I:linebreak $
K:C
V:1 treble nm="Фортепиано" snm="Ф-но"
V:3 treble
V:2 bass
V:4 bass
V:1
"^№ 9. Избушка на курьих ножках\n(Баба-Яга)""^Allegro con brio, feroce"!ff! [^F,^F]2 G,2 | z4 | %2
[^F,^F][F,F] G,2 | z4 | [F,F]2 (_A,... | 3 | In bar 37, is there a second-inversion C major chord? | Yes |
Mussorgsky_-_Pictures_at_an_Exhibition_15__9._____- | X:1
T:Шаблон для фортепиано
C:Композитор
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=150
M:2/4
I:linebreak $
K:C
V:1 treble nm="Фортепиано" snm="Ф-но"
V:3 treble
V:2 bass
V:4 bass
V:1
"^№ 9. Избушка на курьих ножках\n(Баба-Яга)""^Allegro con brio, feroce"!ff! [^F,^F]2 G,2 | z4 | %2
[^F,^F][F,F] G,2 | z4 | [F,F]2 (_A,... | 3 | In bar 37, what are the repeated notes in the C major chord? | Fifth and root |
Mussorgsky_-_Pictures_at_an_Exhibition_15__9._____- | X:1
T:Шаблон для фортепиано
C:Композитор
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=150
M:2/4
I:linebreak $
K:C
V:1 treble nm="Фортепиано" snm="Ф-но"
V:3 treble
V:2 bass
V:4 bass
V:1
"^№ 9. Избушка на курьих ножках\n(Баба-Яга)""^Allegro con brio, feroce"!ff! [^F,^F]2 G,2 | z4 | %2
[^F,^F][F,F] G,2 | z4 | [F,F]2 (_A,... | 3 | In bar 209, is there a perfect cadence or similar? | No |
Mussorgsky_-_Pictures_at_an_Exhibition_15__9._____- | X:1
T:Шаблон для фортепиано
C:Композитор
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=150
M:2/4
I:linebreak $
K:C
V:1 treble nm="Фортепиано" snm="Ф-но"
V:3 treble
V:2 bass
V:4 bass
V:1
"^№ 9. Избушка на курьих ножках\n(Баба-Яга)""^Allegro con brio, feroce"!ff! [^F,^F]2 G,2 | z4 | %2
[^F,^F][F,F] G,2 | z4 | [F,F]2 (_A,... | 4 | What is the performance medium of the piece? | Piano solo |
Mussorgsky_-_Pictures_at_an_Exhibition_15__9._____- | X:1
T:Шаблон для фортепиано
C:Композитор
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=150
M:2/4
I:linebreak $
K:C
V:1 treble nm="Фортепиано" snm="Ф-но"
V:3 treble
V:2 bass
V:4 bass
V:1
"^№ 9. Избушка на курьих ножках\n(Баба-Яга)""^Allegro con brio, feroce"!ff! [^F,^F]2 G,2 | z4 | %2
[^F,^F][F,F] G,2 | z4 | [F,F]2 (_A,... | 4 | What are the main structural features of the motif? | Second interval |
Mussorgsky_-_Pictures_at_an_Exhibition_15__9._____- | X:1
T:Шаблон для фортепиано
C:Композитор
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=150
M:2/4
I:linebreak $
K:C
V:1 treble nm="Фортепиано" snm="Ф-но"
V:3 treble
V:2 bass
V:4 bass
V:1
"^№ 9. Избушка на курьих ножках\n(Баба-Яга)""^Allegro con brio, feroce"!ff! [^F,^F]2 G,2 | z4 | %2
[^F,^F][F,F] G,2 | z4 | [F,F]2 (_A,... | 4 | In which bar does the melodic motif first appear? | Bar 1 |
Mussorgsky_-_Pictures_at_an_Exhibition_16__10.__._____ | X:1
T:Шаблон для фортепиано
C:Композитор
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=120
M:2/2
I:linebreak $
K:Eb
V:1 treble nm="Фортепиано" snm="Ф-но"
V:3 treble
V:2 bass
V:4 bass
V:1
"^№ 10. Богатырские ворота\nВ стольном городе во Киеве""^Allegro alla breve. Maestoso. Con grandezza"!f! [EGBe]8 | %1
[FBdf]8 | [GBeg... | 1 | What is the initial key? | Eb major |
Mussorgsky_-_Pictures_at_an_Exhibition_16__10.__._____ | X:1
T:Шаблон для фортепиано
C:Композитор
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=120
M:2/2
I:linebreak $
K:Eb
V:1 treble nm="Фортепиано" snm="Ф-но"
V:3 treble
V:2 bass
V:4 bass
V:1
"^№ 10. Богатырские ворота\nВ стольном городе во Киеве""^Allegro alla breve. Maestoso. Con grandezza"!f! [EGBe]8 | %1
[FBdf]8 | [GBeg... | 1 | What is the initial time signature? | 2/2 time |
Mussorgsky_-_Pictures_at_an_Exhibition_16__10.__._____ | X:1
T:Шаблон для фортепиано
C:Композитор
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=120
M:2/2
I:linebreak $
K:Eb
V:1 treble nm="Фортепиано" snm="Ф-но"
V:3 treble
V:2 bass
V:4 bass
V:1
"^№ 10. Богатырские ворота\nВ стольном городе во Киеве""^Allegro alla breve. Maestoso. Con grandezza"!f! [EGBe]8 | %1
[FBdf]8 | [GBeg... | 1 | What is the title of the piece? | The Great Gate of Kiev |
Mussorgsky_-_Pictures_at_an_Exhibition_16__10.__._____ | X:1
T:Шаблон для фортепиано
C:Композитор
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=120
M:2/2
I:linebreak $
K:Eb
V:1 treble nm="Фортепиано" snm="Ф-но"
V:3 treble
V:2 bass
V:4 bass
V:1
"^№ 10. Богатырские ворота\nВ стольном городе во Киеве""^Allegro alla breve. Maestoso. Con grandezza"!f! [EGBe]8 | %1
[FBdf]8 | [GBeg... | 2 | In bar 174, are there repeat signs? | No |
Mussorgsky_-_Pictures_at_an_Exhibition_16__10.__._____ | X:1
T:Шаблон для фортепиано
C:Композитор
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=120
M:2/2
I:linebreak $
K:Eb
V:1 treble nm="Фортепиано" snm="Ф-но"
V:3 treble
V:2 bass
V:4 bass
V:1
"^№ 10. Богатырские ворота\nВ стольном городе во Киеве""^Allegro alla breve. Maestoso. Con grandezza"!f! [EGBe]8 | %1
[FBdf]8 | [GBeg... | 2 | In bar 1, what is the dynamic marking? | f |
Mussorgsky_-_Pictures_at_an_Exhibition_16__10.__._____ | X:1
T:Шаблон для фортепиано
C:Композитор
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=120
M:2/2
I:linebreak $
K:Eb
V:1 treble nm="Фортепиано" snm="Ф-но"
V:3 treble
V:2 bass
V:4 bass
V:1
"^№ 10. Богатырские ворота\nВ стольном городе во Киеве""^Allegro alla breve. Maestoso. Con grandezza"!f! [EGBe]8 | %1
[FBdf]8 | [GBeg... | 2 | In bar 156, what is the tempo change marking? | poco a poco rallentando |
Mussorgsky_-_Pictures_at_an_Exhibition_16__10.__._____ | X:1
T:Шаблон для фортепиано
C:Композитор
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=120
M:2/2
I:linebreak $
K:Eb
V:1 treble nm="Фортепиано" snm="Ф-но"
V:3 treble
V:2 bass
V:4 bass
V:1
"^№ 10. Богатырские ворота\nВ стольном городе во Киеве""^Allegro alla breve. Maestoso. Con grandezza"!f! [EGBe]8 | %1
[FBdf]8 | [GBeg... | 3 | In bar 1, is there a second-inversion E♭ major chord? | None |
Mussorgsky_-_Pictures_at_an_Exhibition_16__10.__._____ | X:1
T:Шаблон для фортепиано
C:Композитор
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=120
M:2/2
I:linebreak $
K:Eb
V:1 treble nm="Фортепиано" snm="Ф-но"
V:3 treble
V:2 bass
V:4 bass
V:1
"^№ 10. Богатырские ворота\nВ стольном городе во Киеве""^Allegro alla breve. Maestoso. Con grandezza"!f! [EGBe]8 | %1
[FBdf]8 | [GBeg... | 3 | In bar 1, what is the voicing of the E♭ major chord? | Close position |
Mussorgsky_-_Pictures_at_an_Exhibition_16__10.__._____ | X:1
T:Шаблон для фортепиано
C:Композитор
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=120
M:2/2
I:linebreak $
K:Eb
V:1 treble nm="Фортепиано" snm="Ф-но"
V:3 treble
V:2 bass
V:4 bass
V:1
"^№ 10. Богатырские ворота\nВ стольном городе во Киеве""^Allegro alla breve. Maestoso. Con grandezza"!f! [EGBe]8 | %1
[FBdf]8 | [GBeg... | 3 | In bar 1, what are the repeated notes in the E♭ major chord? | Root, third, fifth |
Mussorgsky_-_Pictures_at_an_Exhibition_16__10.__._____ | X:1
T:Шаблон для фортепиано
C:Композитор
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=120
M:2/2
I:linebreak $
K:Eb
V:1 treble nm="Фортепиано" snm="Ф-но"
V:3 treble
V:2 bass
V:4 bass
V:1
"^№ 10. Богатырские ворота\nВ стольном городе во Киеве""^Allegro alla breve. Maestoso. Con grandezza"!f! [EGBe]8 | %1
[FBdf]8 | [GBeg... | 4 | What is the performance medium of the piece? | Piano solo |
Mussorgsky_-_Pictures_at_an_Exhibition_16__10.__._____ | X:1
T:Шаблон для фортепиано
C:Композитор
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=120
M:2/2
I:linebreak $
K:Eb
V:1 treble nm="Фортепиано" snm="Ф-но"
V:3 treble
V:2 bass
V:4 bass
V:1
"^№ 10. Богатырские ворота\nВ стольном городе во Киеве""^Allegro alla breve. Maestoso. Con grandezza"!f! [EGBe]8 | %1
[FBdf]8 | [GBeg... | 4 | In which register is the opening melody? | Upper-middle register |
Mussorgsky_-_Pictures_at_an_Exhibition_16__10.__._____ | X:1
T:Шаблон для фортепиано
C:Композитор
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=120
M:2/2
I:linebreak $
K:Eb
V:1 treble nm="Фортепиано" snm="Ф-но"
V:3 treble
V:2 bass
V:4 bass
V:1
"^№ 10. Богатырские ворота\nВ стольном городе во Киеве""^Allegro alla breve. Maestoso. Con grandezza"!f! [EGBe]8 | %1
[FBdf]8 | [GBeg... | 4 | What are the main structural features of the motif? | Third interval |
Ondine_-_No.1_from_Gaspard_de_la_Nuit_-_ | X:1
T:GASPARD DE LA NUIT
C:Maurice Ravel (1875-1937)
%%score { ( 1 6 ) | ( 2 5 ) | ( 3 4 7 ) }
L:1/8
Q:1/4=60
M:4/4
I:linebreak $
K:C#
V:1 treble nm="Grand Piano" snm="Pno."
V:6 treble
V:2 treble
V:5 treble
V:3 treble
V:4 treble
V:7 treble
V:1
"^Lento" z4 | z8 | z8 | z8 | z8 | z8 |[M:3/4] z6 | z6 |[M:4/4] z8 | z8... | 1 | What is the initial tempo indication? | Lento |
Ondine_-_No.1_from_Gaspard_de_la_Nuit_-_ | X:1
T:GASPARD DE LA NUIT
C:Maurice Ravel (1875-1937)
%%score { ( 1 6 ) | ( 2 5 ) | ( 3 4 7 ) }
L:1/8
Q:1/4=60
M:4/4
I:linebreak $
K:C#
V:1 treble nm="Grand Piano" snm="Pno."
V:6 treble
V:2 treble
V:5 treble
V:3 treble
V:4 treble
V:7 treble
V:1
"^Lento" z4 | z8 | z8 | z8 | z8 | z8 |[M:3/4] z6 | z6 |[M:4/4] z8 | z8... | 1 | Who is the composer? | Ravel |
Ondine_-_No.1_from_Gaspard_de_la_Nuit_-_ | X:1
T:GASPARD DE LA NUIT
C:Maurice Ravel (1875-1937)
%%score { ( 1 6 ) | ( 2 5 ) | ( 3 4 7 ) }
L:1/8
Q:1/4=60
M:4/4
I:linebreak $
K:C#
V:1 treble nm="Grand Piano" snm="Pno."
V:6 treble
V:2 treble
V:5 treble
V:3 treble
V:4 treble
V:7 treble
V:1
"^Lento" z4 | z8 | z8 | z8 | z8 | z8 |[M:3/4] z6 | z6 |[M:4/4] z8 | z8... | 1 | Is there an anacrusis? | Yes |
Ondine_-_No.1_from_Gaspard_de_la_Nuit_-_ | X:1
T:GASPARD DE LA NUIT
C:Maurice Ravel (1875-1937)
%%score { ( 1 6 ) | ( 2 5 ) | ( 3 4 7 ) }
L:1/8
Q:1/4=60
M:4/4
I:linebreak $
K:C#
V:1 treble nm="Grand Piano" snm="Pno."
V:6 treble
V:2 treble
V:5 treble
V:3 treble
V:4 treble
V:7 treble
V:1
"^Lento" z4 | z8 | z8 | z8 | z8 | z8 |[M:3/4] z6 | z6 |[M:4/4] z8 | z8... | 2 | In bar 1, what is the dynamic marking? | ppp |
Ondine_-_No.1_from_Gaspard_de_la_Nuit_-_ | X:1
T:GASPARD DE LA NUIT
C:Maurice Ravel (1875-1937)
%%score { ( 1 6 ) | ( 2 5 ) | ( 3 4 7 ) }
L:1/8
Q:1/4=60
M:4/4
I:linebreak $
K:C#
V:1 treble nm="Grand Piano" snm="Pno."
V:6 treble
V:2 treble
V:5 treble
V:3 treble
V:4 treble
V:7 treble
V:1
"^Lento" z4 | z8 | z8 | z8 | z8 | z8 |[M:3/4] z6 | z6 |[M:4/4] z8 | z8... | 2 | In bars 1–4, what are the articulation markings? | Slur |
Ondine_-_No.1_from_Gaspard_de_la_Nuit_-_ | X:1
T:GASPARD DE LA NUIT
C:Maurice Ravel (1875-1937)
%%score { ( 1 6 ) | ( 2 5 ) | ( 3 4 7 ) }
L:1/8
Q:1/4=60
M:4/4
I:linebreak $
K:C#
V:1 treble nm="Grand Piano" snm="Pno."
V:6 treble
V:2 treble
V:5 treble
V:3 treble
V:4 treble
V:7 treble
V:1
"^Lento" z4 | z8 | z8 | z8 | z8 | z8 |[M:3/4] z6 | z6 |[M:4/4] z8 | z8... | 2 | In bar 1, what is the shortest note value? | Demisemiquaver |
Ondine_-_No.1_from_Gaspard_de_la_Nuit_-_ | X:1
T:GASPARD DE LA NUIT
C:Maurice Ravel (1875-1937)
%%score { ( 1 6 ) | ( 2 5 ) | ( 3 4 7 ) }
L:1/8
Q:1/4=60
M:4/4
I:linebreak $
K:C#
V:1 treble nm="Grand Piano" snm="Pno."
V:6 treble
V:2 treble
V:5 treble
V:3 treble
V:4 treble
V:7 treble
V:1
"^Lento" z4 | z8 | z8 | z8 | z8 | z8 |[M:3/4] z6 | z6 |[M:4/4] z8 | z8... | 3 | In bars 92–93, is there a suspension? | No |
Ondine_-_No.1_from_Gaspard_de_la_Nuit_-_ | X:1
T:GASPARD DE LA NUIT
C:Maurice Ravel (1875-1937)
%%score { ( 1 6 ) | ( 2 5 ) | ( 3 4 7 ) }
L:1/8
Q:1/4=60
M:4/4
I:linebreak $
K:C#
V:1 treble nm="Grand Piano" snm="Pno."
V:6 treble
V:2 treble
V:5 treble
V:3 treble
V:4 treble
V:7 treble
V:1
"^Lento" z4 | z8 | z8 | z8 | z8 | z8 |[M:3/4] z6 | z6 |[M:4/4] z8 | z8... | 3 | In bar 93, is there a C♯ major chord? | Yes |
Ondine_-_No.1_from_Gaspard_de_la_Nuit_-_ | X:1
T:GASPARD DE LA NUIT
C:Maurice Ravel (1875-1937)
%%score { ( 1 6 ) | ( 2 5 ) | ( 3 4 7 ) }
L:1/8
Q:1/4=60
M:4/4
I:linebreak $
K:C#
V:1 treble nm="Grand Piano" snm="Pno."
V:6 treble
V:2 treble
V:5 treble
V:3 treble
V:4 treble
V:7 treble
V:1
"^Lento" z4 | z8 | z8 | z8 | z8 | z8 |[M:3/4] z6 | z6 |[M:4/4] z8 | z8... | 3 | In bar 93, what degree chord is the C major chord (I, II, III, IV, V, VI, VII)? | I |
Ondine_-_No.1_from_Gaspard_de_la_Nuit_-_ | X:1
T:GASPARD DE LA NUIT
C:Maurice Ravel (1875-1937)
%%score { ( 1 6 ) | ( 2 5 ) | ( 3 4 7 ) }
L:1/8
Q:1/4=60
M:4/4
I:linebreak $
K:C#
V:1 treble nm="Grand Piano" snm="Pno."
V:6 treble
V:2 treble
V:5 treble
V:3 treble
V:4 treble
V:7 treble
V:1
"^Lento" z4 | z8 | z8 | z8 | z8 | z8 |[M:3/4] z6 | z6 |[M:4/4] z8 | z8... | 4 | In which bar does the melodic motif first appear? | Bar 2 |
Ondine_-_No.1_from_Gaspard_de_la_Nuit_-_ | X:1
T:GASPARD DE LA NUIT
C:Maurice Ravel (1875-1937)
%%score { ( 1 6 ) | ( 2 5 ) | ( 3 4 7 ) }
L:1/8
Q:1/4=60
M:4/4
I:linebreak $
K:C#
V:1 treble nm="Grand Piano" snm="Pno."
V:6 treble
V:2 treble
V:5 treble
V:3 treble
V:4 treble
V:7 treble
V:1
"^Lento" z4 | z8 | z8 | z8 | z8 | z8 |[M:3/4] z6 | z6 |[M:4/4] z8 | z8... | 4 | What is the most frequently occurring rhythm in the piece? | Continuous rhythm of demisemiquavers |
Ondine_-_No.1_from_Gaspard_de_la_Nuit_-_ | X:1
T:GASPARD DE LA NUIT
C:Maurice Ravel (1875-1937)
%%score { ( 1 6 ) | ( 2 5 ) | ( 3 4 7 ) }
L:1/8
Q:1/4=60
M:4/4
I:linebreak $
K:C#
V:1 treble nm="Grand Piano" snm="Pno."
V:6 treble
V:2 treble
V:5 treble
V:3 treble
V:4 treble
V:7 treble
V:1
"^Lento" z4 | z8 | z8 | z8 | z8 | z8 |[M:3/4] z6 | z6 |[M:4/4] z8 | z8... | 4 | What is the most frequently used texture type in the piece? | Homophonic texture |
Piano_Concerto_in_A_minor_Op._16_First_Movement__Edvard_Grieg_Piano_Concerto_in_A_Minor_Grieg | X:1
T:Testing
C:Composer / arranger
%%score { ( 1 3 5 ) | ( 2 4 6 ) }
L:1/8
Q:1/4=84
M:4/4
I:linebreak $
K:C
U:s=!stemless!
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:5 treble
V:2 treble
V:4 treble
V:6 treble
V:1
!ff!!8va(! !>![a'c''e''a'']3 [a'a'']/[^g'^g'']/ !>![e'g'b'e'']3 [e'e'']/[c'c'']/ | %1
!>![ac'e'a']... | 1 | Who is the composer? | Grieg |
Piano_Concerto_in_A_minor_Op._16_First_Movement__Edvard_Grieg_Piano_Concerto_in_A_Minor_Grieg | X:1
T:Testing
C:Composer / arranger
%%score { ( 1 3 5 ) | ( 2 4 6 ) }
L:1/8
Q:1/4=84
M:4/4
I:linebreak $
K:C
U:s=!stemless!
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:5 treble
V:2 treble
V:4 treble
V:6 treble
V:1
!ff!!8va(! !>![a'c''e''a'']3 [a'a'']/[^g'^g'']/ !>![e'g'b'e'']3 [e'e'']/[c'c'']/ | %1
!>![ac'e'a']... | 1 | What is the title of the work? | Piano Concerto in A minor |
Piano_Concerto_in_A_minor_Op._16_First_Movement__Edvard_Grieg_Piano_Concerto_in_A_Minor_Grieg | X:1
T:Testing
C:Composer / arranger
%%score { ( 1 3 5 ) | ( 2 4 6 ) }
L:1/8
Q:1/4=84
M:4/4
I:linebreak $
K:C
U:s=!stemless!
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:5 treble
V:2 treble
V:4 treble
V:6 treble
V:1
!ff!!8va(! !>![a'c''e''a'']3 [a'a'']/[^g'^g'']/ !>![e'g'b'e'']3 [e'e'']/[c'c'']/ | %1
!>![ac'e'a']... | 1 | What is the tempo in beats per minute? | 84 bpm |
Piano_Concerto_in_A_minor_Op._16_First_Movement__Edvard_Grieg_Piano_Concerto_in_A_Minor_Grieg | X:1
T:Testing
C:Composer / arranger
%%score { ( 1 3 5 ) | ( 2 4 6 ) }
L:1/8
Q:1/4=84
M:4/4
I:linebreak $
K:C
U:s=!stemless!
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:5 treble
V:2 treble
V:4 treble
V:6 treble
V:1
!ff!!8va(! !>![a'c''e''a'']3 [a'a'']/[^g'^g'']/ !>![e'g'b'e'']3 [e'e'']/[c'c'']/ | %1
!>![ac'e'a']... | 2 | In bar 20, what is the lowest pitch? | G |
Piano_Concerto_in_A_minor_Op._16_First_Movement__Edvard_Grieg_Piano_Concerto_in_A_Minor_Grieg | X:1
T:Testing
C:Composer / arranger
%%score { ( 1 3 5 ) | ( 2 4 6 ) }
L:1/8
Q:1/4=84
M:4/4
I:linebreak $
K:C
U:s=!stemless!
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:5 treble
V:2 treble
V:4 treble
V:6 treble
V:1
!ff!!8va(! !>![a'c''e''a'']3 [a'a'']/[^g'^g'']/ !>![e'g'b'e'']3 [e'e'']/[c'c'']/ | %1
!>![ac'e'a']... | 2 | In bar 24, is there an accidental? | Yes — G♯ |
Piano_Concerto_in_A_minor_Op._16_First_Movement__Edvard_Grieg_Piano_Concerto_in_A_Minor_Grieg | X:1
T:Testing
C:Composer / arranger
%%score { ( 1 3 5 ) | ( 2 4 6 ) }
L:1/8
Q:1/4=84
M:4/4
I:linebreak $
K:C
U:s=!stemless!
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:5 treble
V:2 treble
V:4 treble
V:6 treble
V:1
!ff!!8va(! !>![a'c''e''a'']3 [a'a'']/[^g'^g'']/ !>![e'g'b'e'']3 [e'e'']/[c'c'']/ | %1
!>![ac'e'a']... | 2 | In bar 24, what is the articulation marking? | Slur |
Piano_Concerto_in_A_minor_Op._16_First_Movement__Edvard_Grieg_Piano_Concerto_in_A_Minor_Grieg | X:1
T:Testing
C:Composer / arranger
%%score { ( 1 3 5 ) | ( 2 4 6 ) }
L:1/8
Q:1/4=84
M:4/4
I:linebreak $
K:C
U:s=!stemless!
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:5 treble
V:2 treble
V:4 treble
V:6 treble
V:1
!ff!!8va(! !>![a'c''e''a'']3 [a'a'']/[^g'^g'']/ !>![e'g'b'e'']3 [e'e'']/[c'c'']/ | %1
!>![ac'e'a']... | 3 | In bar 20, what is the voicing of the A minor chord? | Close position |
Piano_Concerto_in_A_minor_Op._16_First_Movement__Edvard_Grieg_Piano_Concerto_in_A_Minor_Grieg | X:1
T:Testing
C:Composer / arranger
%%score { ( 1 3 5 ) | ( 2 4 6 ) }
L:1/8
Q:1/4=84
M:4/4
I:linebreak $
K:C
U:s=!stemless!
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:5 treble
V:2 treble
V:4 treble
V:6 treble
V:1
!ff!!8va(! !>![a'c''e''a'']3 [a'a'']/[^g'^g'']/ !>![e'g'b'e'']3 [e'e'']/[c'c'']/ | %1
!>![ac'e'a']... | 3 | In bars 222–225, does a chord suspension occur? | No |
Piano_Concerto_in_A_minor_Op._16_First_Movement__Edvard_Grieg_Piano_Concerto_in_A_Minor_Grieg | X:1
T:Testing
C:Composer / arranger
%%score { ( 1 3 5 ) | ( 2 4 6 ) }
L:1/8
Q:1/4=84
M:4/4
I:linebreak $
K:C
U:s=!stemless!
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:5 treble
V:2 treble
V:4 treble
V:6 treble
V:1
!ff!!8va(! !>![a'c''e''a'']3 [a'a'']/[^g'^g'']/ !>![e'g'b'e'']3 [e'e'']/[c'c'']/ | %1
!>![ac'e'a']... | 3 | In bar 224, is there a first-inversion A minor chord? | Yes |
Piano_Concerto_in_A_minor_Op._16_First_Movement__Edvard_Grieg_Piano_Concerto_in_A_Minor_Grieg | X:1
T:Testing
C:Composer / arranger
%%score { ( 1 3 5 ) | ( 2 4 6 ) }
L:1/8
Q:1/4=84
M:4/4
I:linebreak $
K:C
U:s=!stemless!
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:5 treble
V:2 treble
V:4 treble
V:6 treble
V:1
!ff!!8va(! !>![a'c''e''a'']3 [a'a'']/[^g'^g'']/ !>![e'g'b'e'']3 [e'e'']/[c'c'']/ | %1
!>![ac'e'a']... | 4 | What is the performance medium of the piece? | Piano and orchestra |
Piano_Concerto_in_A_minor_Op._16_First_Movement__Edvard_Grieg_Piano_Concerto_in_A_Minor_Grieg | X:1
T:Testing
C:Composer / arranger
%%score { ( 1 3 5 ) | ( 2 4 6 ) }
L:1/8
Q:1/4=84
M:4/4
I:linebreak $
K:C
U:s=!stemless!
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:5 treble
V:2 treble
V:4 treble
V:6 treble
V:1
!ff!!8va(! !>![a'c''e''a'']3 [a'a'']/[^g'^g'']/ !>![e'g'b'e'']3 [e'e'']/[c'c'']/ | %1
!>![ac'e'a']... | 4 | In which bar does the melodic motif appear? | Bar 20 |
Piano_Concerto_in_A_minor_Op._16_First_Movement__Edvard_Grieg_Piano_Concerto_in_A_Minor_Grieg | X:1
T:Testing
C:Composer / arranger
%%score { ( 1 3 5 ) | ( 2 4 6 ) }
L:1/8
Q:1/4=84
M:4/4
I:linebreak $
K:C
U:s=!stemless!
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:5 treble
V:2 treble
V:4 treble
V:6 treble
V:1
!ff!!8va(! !>![a'c''e''a'']3 [a'a'']/[^g'^g'']/ !>![e'g'b'e'']3 [e'e'']/[c'c'']/ | %1
!>![ac'e'a']... | 4 | What are the main structural features of the motif? | Stepwise motion |
Piano_Concerto_in_D_major_-_Haydn_-_Piano_Accompaniment | X:1
T:Piano Concerto in D major
C:Joesph Haydn
%%score { ( 1 3 5 ) | ( 2 4 ) }
L:1/8
Q:1/2=72
M:4/4
I:linebreak $
K:D
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:5 treble
V:2 treble
V:4 treble
V:1
"^Vivace"!p! a3 (f/g/ a2) .a2 | .d'2 .d'2 .a2 z2 | (b2- b/a/g/f/!p! e2) .e2 | %3
(a2- a/g/f/e/!p! d2) .d2 | ([Be]2 g... | 1 | What is the initial tempo indication? | Vivace |
Piano_Concerto_in_D_major_-_Haydn_-_Piano_Accompaniment | X:1
T:Piano Concerto in D major
C:Joesph Haydn
%%score { ( 1 3 5 ) | ( 2 4 ) }
L:1/8
Q:1/2=72
M:4/4
I:linebreak $
K:D
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:5 treble
V:2 treble
V:4 treble
V:1
"^Vivace"!p! a3 (f/g/ a2) .a2 | .d'2 .d'2 .a2 z2 | (b2- b/a/g/f/!p! e2) .e2 | %3
(a2- a/g/f/e/!p! d2) .d2 | ([Be]2 g... | 1 | What is the initial clef? | Treble clef |
Piano_Concerto_in_D_major_-_Haydn_-_Piano_Accompaniment | X:1
T:Piano Concerto in D major
C:Joesph Haydn
%%score { ( 1 3 5 ) | ( 2 4 ) }
L:1/8
Q:1/2=72
M:4/4
I:linebreak $
K:D
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:5 treble
V:2 treble
V:4 treble
V:1
"^Vivace"!p! a3 (f/g/ a2) .a2 | .d'2 .d'2 .a2 z2 | (b2- b/a/g/f/!p! e2) .e2 | %3
(a2- a/g/f/e/!p! d2) .d2 | ([Be]2 g... | 1 | Is there an anacrusis (upbeat bar)? | No |
Piano_Concerto_in_D_major_-_Haydn_-_Piano_Accompaniment | X:1
T:Piano Concerto in D major
C:Joesph Haydn
%%score { ( 1 3 5 ) | ( 2 4 ) }
L:1/8
Q:1/2=72
M:4/4
I:linebreak $
K:D
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:5 treble
V:2 treble
V:4 treble
V:1
"^Vivace"!p! a3 (f/g/ a2) .a2 | .d'2 .d'2 .a2 z2 | (b2- b/a/g/f/!p! e2) .e2 | %3
(a2- a/g/f/e/!p! d2) .d2 | ([Be]2 g... | 2 | In bar 12, what is the dynamic marking? | f (forte) |
Piano_Concerto_in_D_major_-_Haydn_-_Piano_Accompaniment | X:1
T:Piano Concerto in D major
C:Joesph Haydn
%%score { ( 1 3 5 ) | ( 2 4 ) }
L:1/8
Q:1/2=72
M:4/4
I:linebreak $
K:D
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:5 treble
V:2 treble
V:4 treble
V:1
"^Vivace"!p! a3 (f/g/ a2) .a2 | .d'2 .d'2 .a2 z2 | (b2- b/a/g/f/!p! e2) .e2 | %3
(a2- a/g/f/e/!p! d2) .d2 | ([Be]2 g... | 2 | In bar 1, what is the lowest pitch? | D1 |
Piano_Concerto_in_D_major_-_Haydn_-_Piano_Accompaniment | X:1
T:Piano Concerto in D major
C:Joesph Haydn
%%score { ( 1 3 5 ) | ( 2 4 ) }
L:1/8
Q:1/2=72
M:4/4
I:linebreak $
K:D
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:5 treble
V:2 treble
V:4 treble
V:1
"^Vivace"!p! a3 (f/g/ a2) .a2 | .d'2 .d'2 .a2 z2 | (b2- b/a/g/f/!p! e2) .e2 | %3
(a2- a/g/f/e/!p! d2) .d2 | ([Be]2 g... | 2 | In bars 1–245, is there a repeat sign? | No |
Piano_Concerto_in_D_major_-_Haydn_-_Piano_Accompaniment | X:1
T:Piano Concerto in D major
C:Joesph Haydn
%%score { ( 1 3 5 ) | ( 2 4 ) }
L:1/8
Q:1/2=72
M:4/4
I:linebreak $
K:D
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:5 treble
V:2 treble
V:4 treble
V:1
"^Vivace"!p! a3 (f/g/ a2) .a2 | .d'2 .d'2 .a2 z2 | (b2- b/a/g/f/!p! e2) .e2 | %3
(a2- a/g/f/e/!p! d2) .d2 | ([Be]2 g... | 3 | In bar 225, does a chord suspension occur? | No |
Piano_Concerto_in_D_major_-_Haydn_-_Piano_Accompaniment | X:1
T:Piano Concerto in D major
C:Joesph Haydn
%%score { ( 1 3 5 ) | ( 2 4 ) }
L:1/8
Q:1/2=72
M:4/4
I:linebreak $
K:D
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:5 treble
V:2 treble
V:4 treble
V:1
"^Vivace"!p! a3 (f/g/ a2) .a2 | .d'2 .d'2 .a2 z2 | (b2- b/a/g/f/!p! e2) .e2 | %3
(a2- a/g/f/e/!p! d2) .d2 | ([Be]2 g... | 3 | In bar 1, is there a D major chord? | Yes |
Piano_Concerto_in_D_major_-_Haydn_-_Piano_Accompaniment | X:1
T:Piano Concerto in D major
C:Joesph Haydn
%%score { ( 1 3 5 ) | ( 2 4 ) }
L:1/8
Q:1/2=72
M:4/4
I:linebreak $
K:D
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:5 treble
V:2 treble
V:4 treble
V:1
"^Vivace"!p! a3 (f/g/ a2) .a2 | .d'2 .d'2 .a2 z2 | (b2- b/a/g/f/!p! e2) .e2 | %3
(a2- a/g/f/e/!p! d2) .d2 | ([Be]2 g... | 3 | In bar 10, what are the repeated notes of the D major chord? | Root, third, fifth |
Piano_Concerto_in_D_major_-_Haydn_-_Piano_Accompaniment | X:1
T:Piano Concerto in D major
C:Joesph Haydn
%%score { ( 1 3 5 ) | ( 2 4 ) }
L:1/8
Q:1/2=72
M:4/4
I:linebreak $
K:D
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:5 treble
V:2 treble
V:4 treble
V:1
"^Vivace"!p! a3 (f/g/ a2) .a2 | .d'2 .d'2 .a2 z2 | (b2- b/a/g/f/!p! e2) .e2 | %3
(a2- a/g/f/e/!p! d2) .d2 | ([Be]2 g... | 4 | What is the performance medium of the piece? | Piano and orchestra |
Piano_Concerto_in_D_major_-_Haydn_-_Piano_Accompaniment | X:1
T:Piano Concerto in D major
C:Joesph Haydn
%%score { ( 1 3 5 ) | ( 2 4 ) }
L:1/8
Q:1/2=72
M:4/4
I:linebreak $
K:D
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:5 treble
V:2 treble
V:4 treble
V:1
"^Vivace"!p! a3 (f/g/ a2) .a2 | .d'2 .d'2 .a2 z2 | (b2- b/a/g/f/!p! e2) .e2 | %3
(a2- a/g/f/e/!p! d2) .d2 | ([Be]2 g... | 4 | What are the main structural features of the motif? | Arpeggio |
Piano_Concerto_in_D_major_-_Haydn_-_Piano_Accompaniment | X:1
T:Piano Concerto in D major
C:Joesph Haydn
%%score { ( 1 3 5 ) | ( 2 4 ) }
L:1/8
Q:1/2=72
M:4/4
I:linebreak $
K:D
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:5 treble
V:2 treble
V:4 treble
V:1
"^Vivace"!p! a3 (f/g/ a2) .a2 | .d'2 .d'2 .a2 z2 | (b2- b/a/g/f/!p! e2) .e2 | %3
(a2- a/g/f/e/!p! d2) .d2 | ([Be]2 g... | 4 | In bars 1–2, in which register is the melody? | Upper-middle register |
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