song_id stringclasses 150
values | abc_notation stringclasses 150
values | level int32 1 4 | question stringlengths 20 85 | answer stringlengths 1 82 |
|---|---|---|---|---|
Mendelssohn_-_Song_without_Words_Duetto_Op._38_No._6 | X:1
T:Song without Words (Duetto)
C:Felix Mendelssohn Bartholdy (1809-1847)
%%score { ( 1 5 6 7 ) | ( 2 3 4 ) }
L:1/8
Q:1/4=92
M:6/8
I:linebreak $
K:Ab
V:1 treble nm="Grand Piano" snm="Pno."
V:5 treble
V:6 treble
V:7 treble
V:2 bass
V:3 bass
V:4 bass
V:1
"^Andante"!p! z2 z z2"^piano" (E | A2 G ABc | dBe dcB |!<(!... | 2 | In bar 1, what is the articulation marking? | Slur |
Mendelssohn_-_Song_without_Words_Duetto_Op._38_No._6 | X:1
T:Song without Words (Duetto)
C:Felix Mendelssohn Bartholdy (1809-1847)
%%score { ( 1 5 6 7 ) | ( 2 3 4 ) }
L:1/8
Q:1/4=92
M:6/8
I:linebreak $
K:Ab
V:1 treble nm="Grand Piano" snm="Pno."
V:5 treble
V:6 treble
V:7 treble
V:2 bass
V:3 bass
V:4 bass
V:1
"^Andante"!p! z2 z z2"^piano" (E | A2 G ABc | dBe dcB |!<(!... | 2 | In bars 1–51, is there a repeat sign? | No |
Mendelssohn_-_Song_without_Words_Duetto_Op._38_No._6 | X:1
T:Song without Words (Duetto)
C:Felix Mendelssohn Bartholdy (1809-1847)
%%score { ( 1 5 6 7 ) | ( 2 3 4 ) }
L:1/8
Q:1/4=92
M:6/8
I:linebreak $
K:Ab
V:1 treble nm="Grand Piano" snm="Pno."
V:5 treble
V:6 treble
V:7 treble
V:2 bass
V:3 bass
V:4 bass
V:1
"^Andante"!p! z2 z z2"^piano" (E | A2 G ABc | dBe dcB |!<(!... | 3 | In bar 51, what are the repeated notes of the B♭ major chord? | Root, third, fifth |
Mendelssohn_-_Song_without_Words_Duetto_Op._38_No._6 | X:1
T:Song without Words (Duetto)
C:Felix Mendelssohn Bartholdy (1809-1847)
%%score { ( 1 5 6 7 ) | ( 2 3 4 ) }
L:1/8
Q:1/4=92
M:6/8
I:linebreak $
K:Ab
V:1 treble nm="Grand Piano" snm="Pno."
V:5 treble
V:6 treble
V:7 treble
V:2 bass
V:3 bass
V:4 bass
V:1
"^Andante"!p! z2 z z2"^piano" (E | A2 G ABc | dBe dcB |!<(!... | 3 | In bars 50–51, is there a perfect cadence? | Yes |
Mendelssohn_-_Song_without_Words_Duetto_Op._38_No._6 | X:1
T:Song without Words (Duetto)
C:Felix Mendelssohn Bartholdy (1809-1847)
%%score { ( 1 5 6 7 ) | ( 2 3 4 ) }
L:1/8
Q:1/4=92
M:6/8
I:linebreak $
K:Ab
V:1 treble nm="Grand Piano" snm="Pno."
V:5 treble
V:6 treble
V:7 treble
V:2 bass
V:3 bass
V:4 bass
V:1
"^Andante"!p! z2 z z2"^piano" (E | A2 G ABc | dBe dcB |!<(!... | 3 | In bars 50–51, is there a suspension? | Yes |
Mendelssohn_-_Song_without_Words_Duetto_Op._38_No._6 | X:1
T:Song without Words (Duetto)
C:Felix Mendelssohn Bartholdy (1809-1847)
%%score { ( 1 5 6 7 ) | ( 2 3 4 ) }
L:1/8
Q:1/4=92
M:6/8
I:linebreak $
K:Ab
V:1 treble nm="Grand Piano" snm="Pno."
V:5 treble
V:6 treble
V:7 treble
V:2 bass
V:3 bass
V:4 bass
V:1
"^Andante"!p! z2 z z2"^piano" (E | A2 G ABc | dBe dcB |!<(!... | 4 | What is the most frequently used type of accompaniment in the piece? | Triplet broken chords |
Mendelssohn_-_Song_without_Words_Duetto_Op._38_No._6 | X:1
T:Song without Words (Duetto)
C:Felix Mendelssohn Bartholdy (1809-1847)
%%score { ( 1 5 6 7 ) | ( 2 3 4 ) }
L:1/8
Q:1/4=92
M:6/8
I:linebreak $
K:Ab
V:1 treble nm="Grand Piano" snm="Pno."
V:5 treble
V:6 treble
V:7 treble
V:2 bass
V:3 bass
V:4 bass
V:1
"^Andante"!p! z2 z z2"^piano" (E | A2 G ABc | dBe dcB |!<(!... | 4 | In which bar does the melodic motif appear? | 1, 2, 3 |
Mendelssohn_-_Song_without_Words_Duetto_Op._38_No._6 | X:1
T:Song without Words (Duetto)
C:Felix Mendelssohn Bartholdy (1809-1847)
%%score { ( 1 5 6 7 ) | ( 2 3 4 ) }
L:1/8
Q:1/4=92
M:6/8
I:linebreak $
K:Ab
V:1 treble nm="Grand Piano" snm="Pno."
V:5 treble
V:6 treble
V:7 treble
V:2 bass
V:3 bass
V:4 bass
V:1
"^Andante"!p! z2 z z2"^piano" (E | A2 G ABc | dBe dcB |!<(!... | 4 | What is the most common rhythmic pattern in the piece? | Even rhythm |
Mendelssohn_Songs_Without_Words_No._3_Piano_solo | X:1
T:Songs Without Words (No. 3)
C:Felix Mendelssohn, Op. 19
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=176
M:6/8
I:linebreak $
K:A
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
"^Molto Allegro e vivace" x3 E3- | E C/E/A/c/ e3- | x3 !>!e'3 | !>!e'3 !>!e'3[Q:1/4=146] | %4
!ff! e'2 z |:[Q:1/4=176]!... | 1 | What is the title of the work? | Mendelssohn, Songs Without Words No. 3 |
Mendelssohn_Songs_Without_Words_No._3_Piano_solo | X:1
T:Songs Without Words (No. 3)
C:Felix Mendelssohn, Op. 19
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=176
M:6/8
I:linebreak $
K:A
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
"^Molto Allegro e vivace" x3 E3- | E C/E/A/c/ e3- | x3 !>!e'3 | !>!e'3 !>!e'3[Q:1/4=146] | %4
!ff! e'2 z |:[Q:1/4=176]!... | 1 | What is the initial time signature? | 8/6 time |
Mendelssohn_Songs_Without_Words_No._3_Piano_solo | X:1
T:Songs Without Words (No. 3)
C:Felix Mendelssohn, Op. 19
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=176
M:6/8
I:linebreak $
K:A
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
"^Molto Allegro e vivace" x3 E3- | E C/E/A/c/ e3- | x3 !>!e'3 | !>!e'3 !>!e'3[Q:1/4=146] | %4
!ff! e'2 z |:[Q:1/4=176]!... | 1 | What is the initial expression term? | Molto Allegro e vivace |
Mendelssohn_Songs_Without_Words_No._3_Piano_solo | X:1
T:Songs Without Words (No. 3)
C:Felix Mendelssohn, Op. 19
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=176
M:6/8
I:linebreak $
K:A
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
"^Molto Allegro e vivace" x3 E3- | E C/E/A/c/ e3- | x3 !>!e'3 | !>!e'3 !>!e'3[Q:1/4=146] | %4
!ff! e'2 z |:[Q:1/4=176]!... | 2 | In bar 19, are there accidentals, and what are they? | D sharp |
Mendelssohn_Songs_Without_Words_No._3_Piano_solo | X:1
T:Songs Without Words (No. 3)
C:Felix Mendelssohn, Op. 19
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=176
M:6/8
I:linebreak $
K:A
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
"^Molto Allegro e vivace" x3 E3- | E C/E/A/c/ e3- | x3 !>!e'3 | !>!e'3 !>!e'3[Q:1/4=146] | %4
!ff! e'2 z |:[Q:1/4=176]!... | 2 | In bars 1–102, is there a repeat sign? | Yes |
Mendelssohn_Songs_Without_Words_No._3_Piano_solo | X:1
T:Songs Without Words (No. 3)
C:Felix Mendelssohn, Op. 19
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=176
M:6/8
I:linebreak $
K:A
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
"^Molto Allegro e vivace" x3 E3- | E C/E/A/c/ e3- | x3 !>!e'3 | !>!e'3 !>!e'3[Q:1/4=146] | %4
!ff! e'2 z |:[Q:1/4=176]!... | 2 | In bar 20, what is the dynamic marking? | Crescendo |
Mendelssohn_Songs_Without_Words_No._3_Piano_solo | X:1
T:Songs Without Words (No. 3)
C:Felix Mendelssohn, Op. 19
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=176
M:6/8
I:linebreak $
K:A
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
"^Molto Allegro e vivace" x3 E3- | E C/E/A/c/ e3- | x3 !>!e'3 | !>!e'3 !>!e'3[Q:1/4=146] | %4
!ff! e'2 z |:[Q:1/4=176]!... | 3 | In bar 28, is there an F7 chord? | No |
Mendelssohn_Songs_Without_Words_No._3_Piano_solo | X:1
T:Songs Without Words (No. 3)
C:Felix Mendelssohn, Op. 19
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=176
M:6/8
I:linebreak $
K:A
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
"^Molto Allegro e vivace" x3 E3- | E C/E/A/c/ e3- | x3 !>!e'3 | !>!e'3 !>!e'3[Q:1/4=146] | %4
!ff! e'2 z |:[Q:1/4=176]!... | 3 | In bar 81, what is the chord progression? (Use I, II, III, IV, V, VI, VII) | V7–I46 |
Mendelssohn_Songs_Without_Words_No._3_Piano_solo | X:1
T:Songs Without Words (No. 3)
C:Felix Mendelssohn, Op. 19
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=176
M:6/8
I:linebreak $
K:A
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
"^Molto Allegro e vivace" x3 E3- | E C/E/A/c/ e3- | x3 !>!e'3 | !>!e'3 !>!e'3[Q:1/4=146] | %4
!ff! e'2 z |:[Q:1/4=176]!... | 3 | In bar 31, does the piece begin on the tonic chord of the original key? | No |
Mendelssohn_Songs_Without_Words_No._3_Piano_solo | X:1
T:Songs Without Words (No. 3)
C:Felix Mendelssohn, Op. 19
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=176
M:6/8
I:linebreak $
K:A
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
"^Molto Allegro e vivace" x3 E3- | E C/E/A/c/ e3- | x3 !>!e'3 | !>!e'3 !>!e'3[Q:1/4=146] | %4
!ff! e'2 z |:[Q:1/4=176]!... | 4 | What are the main characteristics of the motif? | Ascending scale |
Mendelssohn_Songs_Without_Words_No._3_Piano_solo | X:1
T:Songs Without Words (No. 3)
C:Felix Mendelssohn, Op. 19
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=176
M:6/8
I:linebreak $
K:A
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
"^Molto Allegro e vivace" x3 E3- | E C/E/A/c/ e3- | x3 !>!e'3 | !>!e'3 !>!e'3[Q:1/4=146] | %4
!ff! e'2 z |:[Q:1/4=176]!... | 4 | In bars 3–5, in which register is the melody played? | Upper–middle register |
Mendelssohn_Songs_Without_Words_No._3_Piano_solo | X:1
T:Songs Without Words (No. 3)
C:Felix Mendelssohn, Op. 19
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=176
M:6/8
I:linebreak $
K:A
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
"^Molto Allegro e vivace" x3 E3- | E C/E/A/c/ e3- | x3 !>!e'3 | !>!e'3 !>!e'3[Q:1/4=146] | %4
!ff! e'2 z |:[Q:1/4=176]!... | 4 | What is the performance medium of the piece? | Piano solo |
Mendelssohn_Violin_Concerto_in_E_minor_Op._64__Felix_Mendelssohn_Mendelssohn_Violin_Concerto_Op.64 | X:1
T:Mendelssohn Violin Concerto
C:Felix Mendelssohn - Kristopha K. S.
Z:KrisMusiCorps.
%%score ( 1 2 ) { ( 3 6 7 ) | ( 4 5 ) }
L:1/8
Q:1/4=200
M:2/2
I:linebreak $
K:G
V:1 treble nm="Violin" snm="Vln."
V:2 treble
V:3 treble nm="Piano" snm="Pno."
V:6 treble
V:7 treble
V:4 bass
V:5 bass
V:1
"^Presto" z8 | z2 z2!mf!... | 1 | What is the initial time signature? | 2/2 time |
Mendelssohn_Violin_Concerto_in_E_minor_Op._64__Felix_Mendelssohn_Mendelssohn_Violin_Concerto_Op.64 | X:1
T:Mendelssohn Violin Concerto
C:Felix Mendelssohn - Kristopha K. S.
Z:KrisMusiCorps.
%%score ( 1 2 ) { ( 3 6 7 ) | ( 4 5 ) }
L:1/8
Q:1/4=200
M:2/2
I:linebreak $
K:G
V:1 treble nm="Violin" snm="Vln."
V:2 treble
V:3 treble nm="Piano" snm="Pno."
V:6 treble
V:7 treble
V:4 bass
V:5 bass
V:1
"^Presto" z8 | z2 z2!mf!... | 1 | What is the initial tempo indication? | Presto |
Mendelssohn_Violin_Concerto_in_E_minor_Op._64__Felix_Mendelssohn_Mendelssohn_Violin_Concerto_Op.64 | X:1
T:Mendelssohn Violin Concerto
C:Felix Mendelssohn - Kristopha K. S.
Z:KrisMusiCorps.
%%score ( 1 2 ) { ( 3 6 7 ) | ( 4 5 ) }
L:1/8
Q:1/4=200
M:2/2
I:linebreak $
K:G
V:1 treble nm="Violin" snm="Vln."
V:2 treble
V:3 treble nm="Piano" snm="Pno."
V:6 treble
V:7 treble
V:4 bass
V:5 bass
V:1
"^Presto" z8 | z2 z2!mf!... | 1 | What is the initial key? | E minor |
Mendelssohn_Violin_Concerto_in_E_minor_Op._64__Felix_Mendelssohn_Mendelssohn_Violin_Concerto_Op.64 | X:1
T:Mendelssohn Violin Concerto
C:Felix Mendelssohn - Kristopha K. S.
Z:KrisMusiCorps.
%%score ( 1 2 ) { ( 3 6 7 ) | ( 4 5 ) }
L:1/8
Q:1/4=200
M:2/2
I:linebreak $
K:G
V:1 treble nm="Violin" snm="Vln."
V:2 treble
V:3 treble nm="Piano" snm="Pno."
V:6 treble
V:7 treble
V:4 bass
V:5 bass
V:1
"^Presto" z8 | z2 z2!mf!... | 2 | In bar 1, what is the long rest value? | Semibreve rest |
Mendelssohn_Violin_Concerto_in_E_minor_Op._64__Felix_Mendelssohn_Mendelssohn_Violin_Concerto_Op.64 | X:1
T:Mendelssohn Violin Concerto
C:Felix Mendelssohn - Kristopha K. S.
Z:KrisMusiCorps.
%%score ( 1 2 ) { ( 3 6 7 ) | ( 4 5 ) }
L:1/8
Q:1/4=200
M:2/2
I:linebreak $
K:G
V:1 treble nm="Violin" snm="Vln."
V:2 treble
V:3 treble nm="Piano" snm="Pno."
V:6 treble
V:7 treble
V:4 bass
V:5 bass
V:1
"^Presto" z8 | z2 z2!mf!... | 2 | In bar 1, what is the dynamic marking? | mf |
Mendelssohn_Violin_Concerto_in_E_minor_Op._64__Felix_Mendelssohn_Mendelssohn_Violin_Concerto_Op.64 | X:1
T:Mendelssohn Violin Concerto
C:Felix Mendelssohn - Kristopha K. S.
Z:KrisMusiCorps.
%%score ( 1 2 ) { ( 3 6 7 ) | ( 4 5 ) }
L:1/8
Q:1/4=200
M:2/2
I:linebreak $
K:G
V:1 treble nm="Violin" snm="Vln."
V:2 treble
V:3 treble nm="Piano" snm="Pno."
V:6 treble
V:7 treble
V:4 bass
V:5 bass
V:1
"^Presto" z8 | z2 z2!mf!... | 2 | In bar 10, is there an accidental, and what is it? | With D♯ 4, D♯ 5 |
Mendelssohn_Violin_Concerto_in_E_minor_Op._64__Felix_Mendelssohn_Mendelssohn_Violin_Concerto_Op.64 | X:1
T:Mendelssohn Violin Concerto
C:Felix Mendelssohn - Kristopha K. S.
Z:KrisMusiCorps.
%%score ( 1 2 ) { ( 3 6 7 ) | ( 4 5 ) }
L:1/8
Q:1/4=200
M:2/2
I:linebreak $
K:G
V:1 treble nm="Violin" snm="Vln."
V:2 treble
V:3 treble nm="Piano" snm="Pno."
V:6 treble
V:7 treble
V:4 bass
V:5 bass
V:1
"^Presto" z8 | z2 z2!mf!... | 3 | In bar 1, is there a first/second/third inversion of chord i? | Yes |
Mendelssohn_Violin_Concerto_in_E_minor_Op._64__Felix_Mendelssohn_Mendelssohn_Violin_Concerto_Op.64 | X:1
T:Mendelssohn Violin Concerto
C:Felix Mendelssohn - Kristopha K. S.
Z:KrisMusiCorps.
%%score ( 1 2 ) { ( 3 6 7 ) | ( 4 5 ) }
L:1/8
Q:1/4=200
M:2/2
I:linebreak $
K:G
V:1 treble nm="Violin" snm="Vln."
V:2 treble
V:3 treble nm="Piano" snm="Pno."
V:6 treble
V:7 treble
V:4 bass
V:5 bass
V:1
"^Presto" z8 | z2 z2!mf!... | 3 | In bar 1, what are the repeated notes in chord i? | Tonic |
Mendelssohn_Violin_Concerto_in_E_minor_Op._64__Felix_Mendelssohn_Mendelssohn_Violin_Concerto_Op.64 | X:1
T:Mendelssohn Violin Concerto
C:Felix Mendelssohn - Kristopha K. S.
Z:KrisMusiCorps.
%%score ( 1 2 ) { ( 3 6 7 ) | ( 4 5 ) }
L:1/8
Q:1/4=200
M:2/2
I:linebreak $
K:G
V:1 treble nm="Violin" snm="Vln."
V:2 treble
V:3 treble nm="Piano" snm="Pno."
V:6 treble
V:7 treble
V:4 bass
V:5 bass
V:1
"^Presto" z8 | z2 z2!mf!... | 3 | In bar 1, what is the spacing/arrangement of chord i? | Close spacing |
Mendelssohn_Violin_Concerto_in_E_minor_Op._64__Felix_Mendelssohn_Mendelssohn_Violin_Concerto_Op.64 | X:1
T:Mendelssohn Violin Concerto
C:Felix Mendelssohn - Kristopha K. S.
Z:KrisMusiCorps.
%%score ( 1 2 ) { ( 3 6 7 ) | ( 4 5 ) }
L:1/8
Q:1/4=200
M:2/2
I:linebreak $
K:G
V:1 treble nm="Violin" snm="Vln."
V:2 treble
V:3 treble nm="Piano" snm="Pno."
V:6 treble
V:7 treble
V:4 bass
V:5 bass
V:1
"^Presto" z8 | z2 z2!mf!... | 4 | What is the performance form of the piece? | Duet |
Mendelssohn_Violin_Concerto_in_E_minor_Op._64__Felix_Mendelssohn_Mendelssohn_Violin_Concerto_Op.64 | X:1
T:Mendelssohn Violin Concerto
C:Felix Mendelssohn - Kristopha K. S.
Z:KrisMusiCorps.
%%score ( 1 2 ) { ( 3 6 7 ) | ( 4 5 ) }
L:1/8
Q:1/4=200
M:2/2
I:linebreak $
K:G
V:1 treble nm="Violin" snm="Vln."
V:2 treble
V:3 treble nm="Piano" snm="Pno."
V:6 treble
V:7 treble
V:4 bass
V:5 bass
V:1
"^Presto" z8 | z2 z2!mf!... | 4 | What is the most frequently used type of accompaniment in the piece? | Arpeggio |
Mendelssohn_Violin_Concerto_in_E_minor_Op._64__Felix_Mendelssohn_Mendelssohn_Violin_Concerto_Op.64 | X:1
T:Mendelssohn Violin Concerto
C:Felix Mendelssohn - Kristopha K. S.
Z:KrisMusiCorps.
%%score ( 1 2 ) { ( 3 6 7 ) | ( 4 5 ) }
L:1/8
Q:1/4=200
M:2/2
I:linebreak $
K:G
V:1 treble nm="Violin" snm="Vln."
V:2 treble
V:3 treble nm="Piano" snm="Pno."
V:6 treble
V:7 treble
V:4 bass
V:5 bass
V:1
"^Presto" z8 | z2 z2!mf!... | 4 | In which part does the principal theme first appear? | Violin part |
Morning_Mood_from_Peer_Gynt_Suite_No._1__Edvard_Grieg__Piano_Version_Advanced | X:1
T:Morning Mood
T:Peer Gynt Suite I Op. 46
T:Edvard Grieg Arranged by Car-Is-Ma
%%score { ( 1 3 ) | ( 2 4 5 ) }
L:1/8
Q:1/4=110
M:6/8
I:linebreak $
K:F
V:1 treble nm="Piano"
V:3 treble
V:2 bass
V:4 bass
V:5 bass
V:1
!p! c'ag fga | c'{ab}ag fg/a/g/a/ |!<(!{ab} c'ac'!<)!!>(! d3!>)! | c'ag f2 x | cAG FGA | %5
c{... | 1 | What is the title of the work? | Morning Mood |
Morning_Mood_from_Peer_Gynt_Suite_No._1__Edvard_Grieg__Piano_Version_Advanced | X:1
T:Morning Mood
T:Peer Gynt Suite I Op. 46
T:Edvard Grieg Arranged by Car-Is-Ma
%%score { ( 1 3 ) | ( 2 4 5 ) }
L:1/8
Q:1/4=110
M:6/8
I:linebreak $
K:F
V:1 treble nm="Piano"
V:3 treble
V:2 bass
V:4 bass
V:5 bass
V:1
!p! c'ag fga | c'{ab}ag fg/a/g/a/ |!<(!{ab} c'ac'!<)!!>(! d3!>)! | c'ag f2 x | cAG FGA | %5
c{... | 1 | What is the tempo in beats per minute? | 220 bpm |
Morning_Mood_from_Peer_Gynt_Suite_No._1__Edvard_Grieg__Piano_Version_Advanced | X:1
T:Morning Mood
T:Peer Gynt Suite I Op. 46
T:Edvard Grieg Arranged by Car-Is-Ma
%%score { ( 1 3 ) | ( 2 4 5 ) }
L:1/8
Q:1/4=110
M:6/8
I:linebreak $
K:F
V:1 treble nm="Piano"
V:3 treble
V:2 bass
V:4 bass
V:5 bass
V:1
!p! c'ag fga | c'{ab}ag fg/a/g/a/ |!<(!{ab} c'ac'!<)!!>(! d3!>)! | c'ag f2 x | cAG FGA | %5
c{... | 1 | What is the initial clef? | Treble and bass clefs |
Morning_Mood_from_Peer_Gynt_Suite_No._1__Edvard_Grieg__Piano_Version_Advanced | X:1
T:Morning Mood
T:Peer Gynt Suite I Op. 46
T:Edvard Grieg Arranged by Car-Is-Ma
%%score { ( 1 3 ) | ( 2 4 5 ) }
L:1/8
Q:1/4=110
M:6/8
I:linebreak $
K:F
V:1 treble nm="Piano"
V:3 treble
V:2 bass
V:4 bass
V:5 bass
V:1
!p! c'ag fga | c'{ab}ag fg/a/g/a/ |!<(!{ab} c'ac'!<)!!>(! d3!>)! | c'ag f2 x | cAG FGA | %5
c{... | 2 | In bar 8, is there an accidental? | Yes — C♯, B♮ |
Morning_Mood_from_Peer_Gynt_Suite_No._1__Edvard_Grieg__Piano_Version_Advanced | X:1
T:Morning Mood
T:Peer Gynt Suite I Op. 46
T:Edvard Grieg Arranged by Car-Is-Ma
%%score { ( 1 3 ) | ( 2 4 5 ) }
L:1/8
Q:1/4=110
M:6/8
I:linebreak $
K:F
V:1 treble nm="Piano"
V:3 treble
V:2 bass
V:4 bass
V:5 bass
V:1
!p! c'ag fga | c'{ab}ag fg/a/g/a/ |!<(!{ab} c'ac'!<)!!>(! d3!>)! | c'ag f2 x | cAG FGA | %5
c{... | 2 | In bar 34, what is the articulation marking? | Accent mark |
Morning_Mood_from_Peer_Gynt_Suite_No._1__Edvard_Grieg__Piano_Version_Advanced | X:1
T:Morning Mood
T:Peer Gynt Suite I Op. 46
T:Edvard Grieg Arranged by Car-Is-Ma
%%score { ( 1 3 ) | ( 2 4 5 ) }
L:1/8
Q:1/4=110
M:6/8
I:linebreak $
K:F
V:1 treble nm="Piano"
V:3 treble
V:2 bass
V:4 bass
V:5 bass
V:1
!p! c'ag fga | c'{ab}ag fg/a/g/a/ |!<(!{ab} c'ac'!<)!!>(! d3!>)! | c'ag f2 x | cAG FGA | %5
c{... | 2 | In bars 1–86, is there a repeat sign? | No |
Morning_Mood_from_Peer_Gynt_Suite_No._1__Edvard_Grieg__Piano_Version_Advanced | X:1
T:Morning Mood
T:Peer Gynt Suite I Op. 46
T:Edvard Grieg Arranged by Car-Is-Ma
%%score { ( 1 3 ) | ( 2 4 5 ) }
L:1/8
Q:1/4=110
M:6/8
I:linebreak $
K:F
V:1 treble nm="Piano"
V:3 treble
V:2 bass
V:4 bass
V:5 bass
V:1
!p! c'ag fga | c'{ab}ag fg/a/g/a/ |!<(!{ab} c'ac'!<)!!>(! d3!>)! | c'ag f2 x | cAG FGA | %5
c{... | 3 | In bar 86, what scale degree is the first chord? (Use I, II, III, IV, V, VI, VII) | I |
Morning_Mood_from_Peer_Gynt_Suite_No._1__Edvard_Grieg__Piano_Version_Advanced | X:1
T:Morning Mood
T:Peer Gynt Suite I Op. 46
T:Edvard Grieg Arranged by Car-Is-Ma
%%score { ( 1 3 ) | ( 2 4 5 ) }
L:1/8
Q:1/4=110
M:6/8
I:linebreak $
K:F
V:1 treble nm="Piano"
V:3 treble
V:2 bass
V:4 bass
V:5 bass
V:1
!p! c'ag fga | c'{ab}ag fg/a/g/a/ |!<(!{ab} c'ac'!<)!!>(! d3!>)! | c'ag f2 x | cAG FGA | %5
c{... | 3 | In bars 84–86, does a chord anticipation occur? | No |
Morning_Mood_from_Peer_Gynt_Suite_No._1__Edvard_Grieg__Piano_Version_Advanced | X:1
T:Morning Mood
T:Peer Gynt Suite I Op. 46
T:Edvard Grieg Arranged by Car-Is-Ma
%%score { ( 1 3 ) | ( 2 4 5 ) }
L:1/8
Q:1/4=110
M:6/8
I:linebreak $
K:F
V:1 treble nm="Piano"
V:3 treble
V:2 bass
V:4 bass
V:5 bass
V:1
!p! c'ag fga | c'{ab}ag fg/a/g/a/ |!<(!{ab} c'ac'!<)!!>(! d3!>)! | c'ag f2 x | cAG FGA | %5
c{... | 3 | In bar 86, what are the repeated notes of the F major chord? | Root, third, fifth |
Morning_Mood_from_Peer_Gynt_Suite_No._1__Edvard_Grieg__Piano_Version_Advanced | X:1
T:Morning Mood
T:Peer Gynt Suite I Op. 46
T:Edvard Grieg Arranged by Car-Is-Ma
%%score { ( 1 3 ) | ( 2 4 5 ) }
L:1/8
Q:1/4=110
M:6/8
I:linebreak $
K:F
V:1 treble nm="Piano"
V:3 treble
V:2 bass
V:4 bass
V:5 bass
V:1
!p! c'ag fga | c'{ab}ag fg/a/g/a/ |!<(!{ab} c'ac'!<)!!>(! d3!>)! | c'ag f2 x | cAG FGA | %5
c{... | 4 | In bars 1–2, in which register is the melody? | Upper-middle register |
Morning_Mood_from_Peer_Gynt_Suite_No._1__Edvard_Grieg__Piano_Version_Advanced | X:1
T:Morning Mood
T:Peer Gynt Suite I Op. 46
T:Edvard Grieg Arranged by Car-Is-Ma
%%score { ( 1 3 ) | ( 2 4 5 ) }
L:1/8
Q:1/4=110
M:6/8
I:linebreak $
K:F
V:1 treble nm="Piano"
V:3 treble
V:2 bass
V:4 bass
V:5 bass
V:1
!p! c'ag fga | c'{ab}ag fg/a/g/a/ |!<(!{ab} c'ac'!<)!!>(! d3!>)! | c'ag f2 x | cAG FGA | %5
c{... | 4 | What are the main structural features of the motif? | Arpeggio + stepwise motion |
Morning_Mood_from_Peer_Gynt_Suite_No._1__Edvard_Grieg__Piano_Version_Advanced | X:1
T:Morning Mood
T:Peer Gynt Suite I Op. 46
T:Edvard Grieg Arranged by Car-Is-Ma
%%score { ( 1 3 ) | ( 2 4 5 ) }
L:1/8
Q:1/4=110
M:6/8
I:linebreak $
K:F
V:1 treble nm="Piano"
V:3 treble
V:2 bass
V:4 bass
V:5 bass
V:1
!p! c'ag fga | c'{ab}ag fg/a/g/a/ |!<(!{ab} c'ac'!<)!!>(! d3!>)! | c'ag f2 x | cAG FGA | %5
c{... | 4 | What is the rhythm of the motif? | Even note values |
Mozart_-_Piano_Sonata_No.18_in_D_major_K.576 | X:1
T:Piano Sonata No. 17 in D major
T:Allegro
C:Mozart, Wolfgang Amadeus
%%score { ( 1 2 ) ( 3 4 5 ) }
L:1/8
Q:1/4=124
M:6/8
I:linebreak $
K:D
V:1 treble
V:2 treble
V:3 bass
V:4 bass
V:5 bass
V:1
!f! A, | DA,D FDF | A2 A A2!p! (Tc/B/4c/4 | d) z (Te/d/4e/4 f) z a/g/ | (f3 e) z!f! B, | EB,E GEG | %6
B2 B B2!p! ^d ... | 1 | Is there an anacrusis? | Yes |
Mozart_-_Piano_Sonata_No.18_in_D_major_K.576 | X:1
T:Piano Sonata No. 17 in D major
T:Allegro
C:Mozart, Wolfgang Amadeus
%%score { ( 1 2 ) ( 3 4 5 ) }
L:1/8
Q:1/4=124
M:6/8
I:linebreak $
K:D
V:1 treble
V:2 treble
V:3 bass
V:4 bass
V:5 bass
V:1
!f! A, | DA,D FDF | A2 A A2!p! (Tc/B/4c/4 | d) z (Te/d/4e/4 f) z a/g/ | (f3 e) z!f! B, | EB,E GEG | %6
B2 B B2!p! ^d ... | 1 | What is the metronome marking? | 124 |
Mozart_-_Piano_Sonata_No.18_in_D_major_K.576 | X:1
T:Piano Sonata No. 17 in D major
T:Allegro
C:Mozart, Wolfgang Amadeus
%%score { ( 1 2 ) ( 3 4 5 ) }
L:1/8
Q:1/4=124
M:6/8
I:linebreak $
K:D
V:1 treble
V:2 treble
V:3 bass
V:4 bass
V:5 bass
V:1
!f! A, | DA,D FDF | A2 A A2!p! (Tc/B/4c/4 | d) z (Te/d/4e/4 f) z a/g/ | (f3 e) z!f! B, | EB,E GEG | %6
B2 B B2!p! ^d ... | 1 | What instruments are used? | Piano |
Mozart_-_Piano_Sonata_No.18_in_D_major_K.576 | X:1
T:Piano Sonata No. 17 in D major
T:Allegro
C:Mozart, Wolfgang Amadeus
%%score { ( 1 2 ) ( 3 4 5 ) }
L:1/8
Q:1/4=124
M:6/8
I:linebreak $
K:D
V:1 treble
V:2 treble
V:3 bass
V:4 bass
V:5 bass
V:1
!f! A, | DA,D FDF | A2 A A2!p! (Tc/B/4c/4 | d) z (Te/d/4e/4 f) z a/g/ | (f3 e) z!f! B, | EB,E GEG | %6
B2 B B2!p! ^d ... | 2 | In bars 95–98, what is the tempo change marking? | Crescendo |
Mozart_-_Piano_Sonata_No.18_in_D_major_K.576 | X:1
T:Piano Sonata No. 17 in D major
T:Allegro
C:Mozart, Wolfgang Amadeus
%%score { ( 1 2 ) ( 3 4 5 ) }
L:1/8
Q:1/4=124
M:6/8
I:linebreak $
K:D
V:1 treble
V:2 treble
V:3 bass
V:4 bass
V:5 bass
V:1
!f! A, | DA,D FDF | A2 A A2!p! (Tc/B/4c/4 | d) z (Te/d/4e/4 f) z a/g/ | (f3 e) z!f! B, | EB,E GEG | %6
B2 B B2!p! ^d ... | 2 | In bar 2, what is the articulation marking? | Trill |
Mozart_-_Piano_Sonata_No.18_in_D_major_K.576 | X:1
T:Piano Sonata No. 17 in D major
T:Allegro
C:Mozart, Wolfgang Amadeus
%%score { ( 1 2 ) ( 3 4 5 ) }
L:1/8
Q:1/4=124
M:6/8
I:linebreak $
K:D
V:1 treble
V:2 treble
V:3 bass
V:4 bass
V:5 bass
V:1
!f! A, | DA,D FDF | A2 A A2!p! (Tc/B/4c/4 | d) z (Te/d/4e/4 f) z a/g/ | (f3 e) z!f! B, | EB,E GEG | %6
B2 B B2!p! ^d ... | 2 | In bar 7, what is the accidental? Which note does it affect? | D#5 |
Mozart_-_Piano_Sonata_No.18_in_D_major_K.576 | X:1
T:Piano Sonata No. 17 in D major
T:Allegro
C:Mozart, Wolfgang Amadeus
%%score { ( 1 2 ) ( 3 4 5 ) }
L:1/8
Q:1/4=124
M:6/8
I:linebreak $
K:D
V:1 treble
V:2 treble
V:3 bass
V:4 bass
V:5 bass
V:1
!f! A, | DA,D FDF | A2 A A2!p! (Tc/B/4c/4 | d) z (Te/d/4e/4 f) z a/g/ | (f3 e) z!f! B, | EB,E GEG | %6
B2 B B2!p! ^d ... | 3 | In bar 41, is there an A7 chord? | Yes |
Mozart_-_Piano_Sonata_No.18_in_D_major_K.576 | X:1
T:Piano Sonata No. 17 in D major
T:Allegro
C:Mozart, Wolfgang Amadeus
%%score { ( 1 2 ) ( 3 4 5 ) }
L:1/8
Q:1/4=124
M:6/8
I:linebreak $
K:D
V:1 treble
V:2 treble
V:3 bass
V:4 bass
V:5 bass
V:1
!f! A, | DA,D FDF | A2 A A2!p! (Tc/B/4c/4 | d) z (Te/d/4e/4 f) z a/g/ | (f3 e) z!f! B, | EB,E GEG | %6
B2 B B2!p! ^d ... | 3 | In bar 146, what degree chord is the first chord (I, II, III, IV, V, VI, VII)? | I |
Mozart_-_Piano_Sonata_No.18_in_D_major_K.576 | X:1
T:Piano Sonata No. 17 in D major
T:Allegro
C:Mozart, Wolfgang Amadeus
%%score { ( 1 2 ) ( 3 4 5 ) }
L:1/8
Q:1/4=124
M:6/8
I:linebreak $
K:D
V:1 treble
V:2 treble
V:3 bass
V:4 bass
V:5 bass
V:1
!f! A, | DA,D FDF | A2 A A2!p! (Tc/B/4c/4 | d) z (Te/d/4e/4 f) z a/g/ | (f3 e) z!f! B, | EB,E GEG | %6
B2 B B2!p! ^d ... | 3 | In bar 53, what are the repeated notes in the A major chord? | Fifth |
Mozart_-_Piano_Sonata_No.18_in_D_major_K.576 | X:1
T:Piano Sonata No. 17 in D major
T:Allegro
C:Mozart, Wolfgang Amadeus
%%score { ( 1 2 ) ( 3 4 5 ) }
L:1/8
Q:1/4=124
M:6/8
I:linebreak $
K:D
V:1 treble
V:2 treble
V:3 bass
V:4 bass
V:5 bass
V:1
!f! A, | DA,D FDF | A2 A A2!p! (Tc/B/4c/4 | d) z (Te/d/4e/4 f) z a/g/ | (f3 e) z!f! B, | EB,E GEG | %6
B2 B B2!p! ^d ... | 4 | What is the genre of the piece? | Sonata |
Mozart_-_Piano_Sonata_No.18_in_D_major_K.576 | X:1
T:Piano Sonata No. 17 in D major
T:Allegro
C:Mozart, Wolfgang Amadeus
%%score { ( 1 2 ) ( 3 4 5 ) }
L:1/8
Q:1/4=124
M:6/8
I:linebreak $
K:D
V:1 treble
V:2 treble
V:3 bass
V:4 bass
V:5 bass
V:1
!f! A, | DA,D FDF | A2 A A2!p! (Tc/B/4c/4 | d) z (Te/d/4e/4 f) z a/g/ | (f3 e) z!f! B, | EB,E GEG | %6
B2 B B2!p! ^d ... | 4 | In which bar does the melodic motif first appear? | Bar 1 |
Mozart_-_Piano_Sonata_No.18_in_D_major_K.576 | X:1
T:Piano Sonata No. 17 in D major
T:Allegro
C:Mozart, Wolfgang Amadeus
%%score { ( 1 2 ) ( 3 4 5 ) }
L:1/8
Q:1/4=124
M:6/8
I:linebreak $
K:D
V:1 treble
V:2 treble
V:3 bass
V:4 bass
V:5 bass
V:1
!f! A, | DA,D FDF | A2 A A2!p! (Tc/B/4c/4 | d) z (Te/d/4e/4 f) z a/g/ | (f3 e) z!f! B, | EB,E GEG | %6
B2 B B2!p! ^d ... | 4 | What is the performance medium of the piece? | Piano solo |
Mozart_-_Piano_Sonata_No._16_-_Allegro | X:1
T:Title
%%score { 1 | 2 }
L:1/8
Q:1/4=132
M:4/4
I:linebreak $
K:C
V:1 treble
V:2 treble
V:1
"^Allegro" c4 e2 g2 | (B3 c/d/) c2 z2 | a4 g2 c'2 | g2 (Tfe/f/) e2 z2 | %4
AB/c/ d/e/f/g/ a/g/f/e/ d/c/B/A/ | GA/B/ c/d/e/f/ g/f/e/d/ c/B/A/G/ | %6
FG/A/ B/c/d/e/ f/e/d/c/ B/A/G/F/ | EF/G/ A/B/c/d/ e/d/c/B/ A/G/F/E/ | %8... | 1 | What is the initial key? | C major |
Mozart_-_Piano_Sonata_No._16_-_Allegro | X:1
T:Title
%%score { 1 | 2 }
L:1/8
Q:1/4=132
M:4/4
I:linebreak $
K:C
V:1 treble
V:2 treble
V:1
"^Allegro" c4 e2 g2 | (B3 c/d/) c2 z2 | a4 g2 c'2 | g2 (Tfe/f/) e2 z2 | %4
AB/c/ d/e/f/g/ a/g/f/e/ d/c/B/A/ | GA/B/ c/d/e/f/ g/f/e/d/ c/B/A/G/ | %6
FG/A/ B/c/d/e/ f/e/d/c/ B/A/G/F/ | EF/G/ A/B/c/d/ e/d/c/B/ A/G/F/E/ | %8... | 1 | What is the initial tempo indication? | Allegro |
Mozart_-_Piano_Sonata_No._16_-_Allegro | X:1
T:Title
%%score { 1 | 2 }
L:1/8
Q:1/4=132
M:4/4
I:linebreak $
K:C
V:1 treble
V:2 treble
V:1
"^Allegro" c4 e2 g2 | (B3 c/d/) c2 z2 | a4 g2 c'2 | g2 (Tfe/f/) e2 z2 | %4
AB/c/ d/e/f/g/ a/g/f/e/ d/c/B/A/ | GA/B/ c/d/e/f/ g/f/e/d/ c/B/A/G/ | %6
FG/A/ B/c/d/e/ f/e/d/c/ B/A/G/F/ | EF/G/ A/B/c/d/ e/d/c/B/ A/G/F/E/ | %8... | 1 | Who is the composer? | Mozart |
Mozart_-_Piano_Sonata_No._16_-_Allegro | X:1
T:Title
%%score { 1 | 2 }
L:1/8
Q:1/4=132
M:4/4
I:linebreak $
K:C
V:1 treble
V:2 treble
V:1
"^Allegro" c4 e2 g2 | (B3 c/d/) c2 z2 | a4 g2 c'2 | g2 (Tfe/f/) e2 z2 | %4
AB/c/ d/e/f/g/ a/g/f/e/ d/c/B/A/ | GA/B/ c/d/e/f/ g/f/e/d/ c/B/A/G/ | %6
FG/A/ B/c/d/e/ f/e/d/c/ B/A/G/F/ | EF/G/ A/B/c/d/ e/d/c/B/ A/G/F/E/ | %8... | 2 | Are there repeat signs between bars 1–28? | Yes |
Mozart_-_Piano_Sonata_No._16_-_Allegro | X:1
T:Title
%%score { 1 | 2 }
L:1/8
Q:1/4=132
M:4/4
I:linebreak $
K:C
V:1 treble
V:2 treble
V:1
"^Allegro" c4 e2 g2 | (B3 c/d/) c2 z2 | a4 g2 c'2 | g2 (Tfe/f/) e2 z2 | %4
AB/c/ d/e/f/g/ a/g/f/e/ d/c/B/A/ | GA/B/ c/d/e/f/ g/f/e/d/ c/B/A/G/ | %6
FG/A/ B/c/d/e/ f/e/d/c/ B/A/G/F/ | EF/G/ A/B/c/d/ e/d/c/B/ A/G/F/E/ | %8... | 2 | In bar 21, what is the shortest rest value? | Semiquaver rest |
Mozart_-_Piano_Sonata_No._16_-_Allegro | X:1
T:Title
%%score { 1 | 2 }
L:1/8
Q:1/4=132
M:4/4
I:linebreak $
K:C
V:1 treble
V:2 treble
V:1
"^Allegro" c4 e2 g2 | (B3 c/d/) c2 z2 | a4 g2 c'2 | g2 (Tfe/f/) e2 z2 | %4
AB/c/ d/e/f/g/ a/g/f/e/ d/c/B/A/ | GA/B/ c/d/e/f/ g/f/e/d/ c/B/A/G/ | %6
FG/A/ B/c/d/e/ f/e/d/c/ B/A/G/F/ | EF/G/ A/B/c/d/ e/d/c/B/ A/G/F/E/ | %8... | 2 | In bar 22, what is the ornament on the note c2? | Appoggiatura |
Mozart_-_Piano_Sonata_No._16_-_Allegro | X:1
T:Title
%%score { 1 | 2 }
L:1/8
Q:1/4=132
M:4/4
I:linebreak $
K:C
V:1 treble
V:2 treble
V:1
"^Allegro" c4 e2 g2 | (B3 c/d/) c2 z2 | a4 g2 c'2 | g2 (Tfe/f/) e2 z2 | %4
AB/c/ d/e/f/g/ a/g/f/e/ d/c/B/A/ | GA/B/ c/d/e/f/ g/f/e/d/ c/B/A/G/ | %6
FG/A/ B/c/d/e/ f/e/d/c/ B/A/G/F/ | EF/G/ A/B/c/d/ e/d/c/B/ A/G/F/E/ | %8... | 3 | In bar 1, what degree chord is the C major chord (I, II, III, IV, V, VI, VII)? | I |
Mozart_-_Piano_Sonata_No._16_-_Allegro | X:1
T:Title
%%score { 1 | 2 }
L:1/8
Q:1/4=132
M:4/4
I:linebreak $
K:C
V:1 treble
V:2 treble
V:1
"^Allegro" c4 e2 g2 | (B3 c/d/) c2 z2 | a4 g2 c'2 | g2 (Tfe/f/) e2 z2 | %4
AB/c/ d/e/f/g/ a/g/f/e/ d/c/B/A/ | GA/B/ c/d/e/f/ g/f/e/d/ c/B/A/G/ | %6
FG/A/ B/c/d/e/ f/e/d/c/ B/A/G/F/ | EF/G/ A/B/c/d/ e/d/c/B/ A/G/F/E/ | %8... | 3 | In bar 1, does the music begin on the tonic chord of the home key? | Yes |
Mozart_-_Piano_Sonata_No._16_-_Allegro | X:1
T:Title
%%score { 1 | 2 }
L:1/8
Q:1/4=132
M:4/4
I:linebreak $
K:C
V:1 treble
V:2 treble
V:1
"^Allegro" c4 e2 g2 | (B3 c/d/) c2 z2 | a4 g2 c'2 | g2 (Tfe/f/) e2 z2 | %4
AB/c/ d/e/f/g/ a/g/f/e/ d/c/B/A/ | GA/B/ c/d/e/f/ g/f/e/d/ c/B/A/G/ | %6
FG/A/ B/c/d/e/ f/e/d/c/ B/A/G/F/ | EF/G/ A/B/c/d/ e/d/c/B/ A/G/F/E/ | %8... | 3 | In bar 1, what are the repeated notes in the C major chord? | Root, third, fifth |
Mozart_-_Piano_Sonata_No._16_-_Allegro | X:1
T:Title
%%score { 1 | 2 }
L:1/8
Q:1/4=132
M:4/4
I:linebreak $
K:C
V:1 treble
V:2 treble
V:1
"^Allegro" c4 e2 g2 | (B3 c/d/) c2 z2 | a4 g2 c'2 | g2 (Tfe/f/) e2 z2 | %4
AB/c/ d/e/f/g/ a/g/f/e/ d/c/B/A/ | GA/B/ c/d/e/f/ g/f/e/d/ c/B/A/G/ | %6
FG/A/ B/c/d/e/ f/e/d/c/ B/A/G/F/ | EF/G/ A/B/c/d/ e/d/c/B/ A/G/F/E/ | %8... | 4 | What is the genre of the piece? | Sonata |
Mozart_-_Piano_Sonata_No._16_-_Allegro | X:1
T:Title
%%score { 1 | 2 }
L:1/8
Q:1/4=132
M:4/4
I:linebreak $
K:C
V:1 treble
V:2 treble
V:1
"^Allegro" c4 e2 g2 | (B3 c/d/) c2 z2 | a4 g2 c'2 | g2 (Tfe/f/) e2 z2 | %4
AB/c/ d/e/f/g/ a/g/f/e/ d/c/B/A/ | GA/B/ c/d/e/f/ g/f/e/d/ c/B/A/G/ | %6
FG/A/ B/c/d/e/ f/e/d/c/ B/A/G/F/ | EF/G/ A/B/c/d/ e/d/c/B/ A/G/F/E/ | %8... | 4 | In which bar does the melodic motif first appear? | Bar 1 |
Mozart_-_Piano_Sonata_No._16_-_Allegro | X:1
T:Title
%%score { 1 | 2 }
L:1/8
Q:1/4=132
M:4/4
I:linebreak $
K:C
V:1 treble
V:2 treble
V:1
"^Allegro" c4 e2 g2 | (B3 c/d/) c2 z2 | a4 g2 c'2 | g2 (Tfe/f/) e2 z2 | %4
AB/c/ d/e/f/g/ a/g/f/e/ d/c/B/A/ | GA/B/ c/d/e/f/ g/f/e/d/ c/B/A/G/ | %6
FG/A/ B/c/d/e/ f/e/d/c/ B/A/G/F/ | EF/G/ A/B/c/d/ e/d/c/B/ A/G/F/E/ | %8... | 4 | What are the main structural features of the motif? | Leap and stepwise motion |
Mozart_Mozart_Rondo_Alla_Turca | X:1
T:Title
%%score { 1 | 2 }
L:1/8
Q:1/4=100
M:2/4
I:linebreak $
K:A
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:1
"^Allegretto" z2 B/A/G/A/ | =c2 d/c/B/c/ | e2 =f/e/^d/e/ | b/a/g/a/ b/a/g/a/ | =c'2 ac' | %5
[=gb][fa][eg][fa] | [=gb][fa][eg][fa] | [=gb][fa][eg][^df] | e2 [=ce][d=f] | [e=g][eg] a/g/=f/e/ | %10
[Bd]=... | 1 | What is the initial clef? | Treble clef, Bass clef |
Mozart_Mozart_Rondo_Alla_Turca | X:1
T:Title
%%score { 1 | 2 }
L:1/8
Q:1/4=100
M:2/4
I:linebreak $
K:A
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:1
"^Allegretto" z2 B/A/G/A/ | =c2 d/c/B/c/ | e2 =f/e/^d/e/ | b/a/g/a/ b/a/g/a/ | =c'2 ac' | %5
[=gb][fa][eg][fa] | [=gb][fa][eg][fa] | [=gb][fa][eg][^df] | e2 [=ce][d=f] | [e=g][eg] a/g/=f/e/ | %10
[Bd]=... | 1 | What is the initial time signature? | 4/2 time |
Mozart_Mozart_Rondo_Alla_Turca | X:1
T:Title
%%score { 1 | 2 }
L:1/8
Q:1/4=100
M:2/4
I:linebreak $
K:A
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:1
"^Allegretto" z2 B/A/G/A/ | =c2 d/c/B/c/ | e2 =f/e/^d/e/ | b/a/g/a/ b/a/g/a/ | =c'2 ac' | %5
[=gb][fa][eg][fa] | [=gb][fa][eg][fa] | [=gb][fa][eg][^df] | e2 [=ce][d=f] | [e=g][eg] a/g/=f/e/ | %10
[Bd]=... | 1 | Who is the composer? | Mozart |
Mozart_Mozart_Rondo_Alla_Turca | X:1
T:Title
%%score { 1 | 2 }
L:1/8
Q:1/4=100
M:2/4
I:linebreak $
K:A
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:1
"^Allegretto" z2 B/A/G/A/ | =c2 d/c/B/c/ | e2 =f/e/^d/e/ | b/a/g/a/ b/a/g/a/ | =c'2 ac' | %5
[=gb][fa][eg][fa] | [=gb][fa][eg][fa] | [=gb][fa][eg][^df] | e2 [=ce][d=f] | [e=g][eg] a/g/=f/e/ | %10
[Bd]=... | 2 | In bar 1, what is the shortest rest value? | Crotchet rest |
Mozart_Mozart_Rondo_Alla_Turca | X:1
T:Title
%%score { 1 | 2 }
L:1/8
Q:1/4=100
M:2/4
I:linebreak $
K:A
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:1
"^Allegretto" z2 B/A/G/A/ | =c2 d/c/B/c/ | e2 =f/e/^d/e/ | b/a/g/a/ b/a/g/a/ | =c'2 ac' | %5
[=gb][fa][eg][fa] | [=gb][fa][eg][fa] | [=gb][fa][eg][^df] | e2 [=ce][d=f] | [e=g][eg] a/g/=f/e/ | %10
[Bd]=... | 2 | In bar 4, what is the highest pitch? | B5 |
Mozart_Mozart_Rondo_Alla_Turca | X:1
T:Title
%%score { 1 | 2 }
L:1/8
Q:1/4=100
M:2/4
I:linebreak $
K:A
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:1
"^Allegretto" z2 B/A/G/A/ | =c2 d/c/B/c/ | e2 =f/e/^d/e/ | b/a/g/a/ b/a/g/a/ | =c'2 ac' | %5
[=gb][fa][eg][fa] | [=gb][fa][eg][fa] | [=gb][fa][eg][^df] | e2 [=ce][d=f] | [e=g][eg] a/g/=f/e/ | %10
[Bd]=... | 2 | In bars 1–128, is there a repeat sign? | None |
Mozart_Mozart_Rondo_Alla_Turca | X:1
T:Title
%%score { 1 | 2 }
L:1/8
Q:1/4=100
M:2/4
I:linebreak $
K:A
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:1
"^Allegretto" z2 B/A/G/A/ | =c2 d/c/B/c/ | e2 =f/e/^d/e/ | b/a/g/a/ b/a/g/a/ | =c'2 ac' | %5
[=gb][fa][eg][fa] | [=gb][fa][eg][fa] | [=gb][fa][eg][^df] | e2 [=ce][d=f] | [e=g][eg] a/g/=f/e/ | %10
[Bd]=... | 3 | In bar 9, is there a suspension? | No |
Mozart_Mozart_Rondo_Alla_Turca | X:1
T:Title
%%score { 1 | 2 }
L:1/8
Q:1/4=100
M:2/4
I:linebreak $
K:A
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:1
"^Allegretto" z2 B/A/G/A/ | =c2 d/c/B/c/ | e2 =f/e/^d/e/ | b/a/g/a/ b/a/g/a/ | =c'2 ac' | %5
[=gb][fa][eg][fa] | [=gb][fa][eg][fa] | [=gb][fa][eg][^df] | e2 [=ce][d=f] | [e=g][eg] a/g/=f/e/ | %10
[Bd]=... | 3 | In bar 83, is there an A major chord? | No |
Mozart_Mozart_Rondo_Alla_Turca | X:1
T:Title
%%score { 1 | 2 }
L:1/8
Q:1/4=100
M:2/4
I:linebreak $
K:A
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:1
"^Allegretto" z2 B/A/G/A/ | =c2 d/c/B/c/ | e2 =f/e/^d/e/ | b/a/g/a/ b/a/g/a/ | =c'2 ac' | %5
[=gb][fa][eg][fa] | [=gb][fa][eg][fa] | [=gb][fa][eg][^df] | e2 [=ce][d=f] | [e=g][eg] a/g/=f/e/ | %10
[Bd]=... | 3 | In bar 101, what scale degree is the chord? (Use I, II, III, IV, V, VI, VII) | IV |
Mozart_Mozart_Rondo_Alla_Turca | X:1
T:Title
%%score { 1 | 2 }
L:1/8
Q:1/4=100
M:2/4
I:linebreak $
K:A
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:1
"^Allegretto" z2 B/A/G/A/ | =c2 d/c/B/c/ | e2 =f/e/^d/e/ | b/a/g/a/ b/a/g/a/ | =c'2 ac' | %5
[=gb][fa][eg][fa] | [=gb][fa][eg][fa] | [=gb][fa][eg][^df] | e2 [=ce][d=f] | [e=g][eg] a/g/=f/e/ | %10
[Bd]=... | 4 | Where is the principal section of the piece? | Bars 1–7 |
Mozart_Mozart_Rondo_Alla_Turca | X:1
T:Title
%%score { 1 | 2 }
L:1/8
Q:1/4=100
M:2/4
I:linebreak $
K:A
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:1
"^Allegretto" z2 B/A/G/A/ | =c2 d/c/B/c/ | e2 =f/e/^d/e/ | b/a/g/a/ b/a/g/a/ | =c'2 ac' | %5
[=gb][fa][eg][fa] | [=gb][fa][eg][fa] | [=gb][fa][eg][^df] | e2 [=ce][d=f] | [e=g][eg] a/g/=f/e/ | %10
[Bd]=... | 4 | What is the form of the piece? | Rondo form |
Mozart_Mozart_Rondo_Alla_Turca | X:1
T:Title
%%score { 1 | 2 }
L:1/8
Q:1/4=100
M:2/4
I:linebreak $
K:A
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:1
"^Allegretto" z2 B/A/G/A/ | =c2 d/c/B/c/ | e2 =f/e/^d/e/ | b/a/g/a/ b/a/g/a/ | =c'2 ac' | %5
[=gb][fa][eg][fa] | [=gb][fa][eg][fa] | [=gb][fa][eg][^df] | e2 [=ce][d=f] | [e=g][eg] a/g/=f/e/ | %10
[Bd]=... | 4 | In what form is the piece performed? | Piano solo |
Mozart_Piano_Concerto_No._23_II._Adagio_KV_488_-_pour_piano_solo | X:1
T: Wolfgang Amadeus Mozart
T:Klavierkonzert das 23 in A-Dur, KV 488 Adagio
C:Amadeus Wolfgang Mozart
Z:CC by SA
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=42
M:6/8
I:linebreak $
K:A
V:1 treble nm="Piano"
V:4 treble
V:2 bass
V:3 bass
V:1
!mf!"^Adagio" (c>dc) (cfa) | (aB).g z B2- | B/A/ f2- (fGd) | (F2 ^E/4F/4G/4F/... | 1 | What is the initial tempo marking? | Adagio |
Mozart_Piano_Concerto_No._23_II._Adagio_KV_488_-_pour_piano_solo | X:1
T: Wolfgang Amadeus Mozart
T:Klavierkonzert das 23 in A-Dur, KV 488 Adagio
C:Amadeus Wolfgang Mozart
Z:CC by SA
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=42
M:6/8
I:linebreak $
K:A
V:1 treble nm="Piano"
V:4 treble
V:2 bass
V:3 bass
V:1
!mf!"^Adagio" (c>dc) (cfa) | (aB).g z B2- | B/A/ f2- (fGd) | (F2 ^E/4F/4G/4F/... | 1 | What is the title of the work? | Mozart, Piano Concerto No. 23, II. Adagio, KV 488 |
Mozart_Piano_Concerto_No._23_II._Adagio_KV_488_-_pour_piano_solo | X:1
T: Wolfgang Amadeus Mozart
T:Klavierkonzert das 23 in A-Dur, KV 488 Adagio
C:Amadeus Wolfgang Mozart
Z:CC by SA
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=42
M:6/8
I:linebreak $
K:A
V:1 treble nm="Piano"
V:4 treble
V:2 bass
V:3 bass
V:1
!mf!"^Adagio" (c>dc) (cfa) | (aB).g z B2- | B/A/ f2- (fGd) | (F2 ^E/4F/4G/4F/... | 1 | What is the initial key? | f# minor |
Mozart_Piano_Concerto_No._23_II._Adagio_KV_488_-_pour_piano_solo | X:1
T: Wolfgang Amadeus Mozart
T:Klavierkonzert das 23 in A-Dur, KV 488 Adagio
C:Amadeus Wolfgang Mozart
Z:CC by SA
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=42
M:6/8
I:linebreak $
K:A
V:1 treble nm="Piano"
V:4 treble
V:2 bass
V:3 bass
V:1
!mf!"^Adagio" (c>dc) (cfa) | (aB).g z B2- | B/A/ f2- (fGd) | (F2 ^E/4F/4G/4F/... | 2 | In bar 7, what is the highest pitch? | A5 |
Mozart_Piano_Concerto_No._23_II._Adagio_KV_488_-_pour_piano_solo | X:1
T: Wolfgang Amadeus Mozart
T:Klavierkonzert das 23 in A-Dur, KV 488 Adagio
C:Amadeus Wolfgang Mozart
Z:CC by SA
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=42
M:6/8
I:linebreak $
K:A
V:1 treble nm="Piano"
V:4 treble
V:2 bass
V:3 bass
V:1
!mf!"^Adagio" (c>dc) (cfa) | (aB).g z B2- | B/A/ f2- (fGd) | (F2 ^E/4F/4G/4F/... | 2 | In bar 8, what is the shortest rest value? | Quaver rest |
Mozart_Piano_Concerto_No._23_II._Adagio_KV_488_-_pour_piano_solo | X:1
T: Wolfgang Amadeus Mozart
T:Klavierkonzert das 23 in A-Dur, KV 488 Adagio
C:Amadeus Wolfgang Mozart
Z:CC by SA
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=42
M:6/8
I:linebreak $
K:A
V:1 treble nm="Piano"
V:4 treble
V:2 bass
V:3 bass
V:1
!mf!"^Adagio" (c>dc) (cfa) | (aB).g z B2- | B/A/ f2- (fGd) | (F2 ^E/4F/4G/4F/... | 2 | In bar 12, what is the dynamic marking? | p |
Mozart_Piano_Concerto_No._23_II._Adagio_KV_488_-_pour_piano_solo | X:1
T: Wolfgang Amadeus Mozart
T:Klavierkonzert das 23 in A-Dur, KV 488 Adagio
C:Amadeus Wolfgang Mozart
Z:CC by SA
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=42
M:6/8
I:linebreak $
K:A
V:1 treble nm="Piano"
V:4 treble
V:2 bass
V:3 bass
V:1
!mf!"^Adagio" (c>dc) (cfa) | (aB).g z B2- | B/A/ f2- (fGd) | (F2 ^E/4F/4G/4F/... | 3 | In bar 13, what is the chord progression? (Use I, II, III, IV, V, VI, VII) | I–V34 |
Mozart_Piano_Concerto_No._23_II._Adagio_KV_488_-_pour_piano_solo | X:1
T: Wolfgang Amadeus Mozart
T:Klavierkonzert das 23 in A-Dur, KV 488 Adagio
C:Amadeus Wolfgang Mozart
Z:CC by SA
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=42
M:6/8
I:linebreak $
K:A
V:1 treble nm="Piano"
V:4 treble
V:2 bass
V:3 bass
V:1
!mf!"^Adagio" (c>dc) (cfa) | (aB).g z B2- | B/A/ f2- (fGd) | (F2 ^E/4F/4G/4F/... | 3 | In bars 10–12, is there an imperfect cadence (half cadence)? | No |
Mozart_Piano_Concerto_No._23_II._Adagio_KV_488_-_pour_piano_solo | X:1
T: Wolfgang Amadeus Mozart
T:Klavierkonzert das 23 in A-Dur, KV 488 Adagio
C:Amadeus Wolfgang Mozart
Z:CC by SA
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=42
M:6/8
I:linebreak $
K:A
V:1 treble nm="Piano"
V:4 treble
V:2 bass
V:3 bass
V:1
!mf!"^Adagio" (c>dc) (cfa) | (aB).g z B2- | B/A/ f2- (fGd) | (F2 ^E/4F/4G/4F/... | 3 | In bar 12, what is the voicing of the F♯ minor chord? | Close position |
Mozart_Piano_Concerto_No._23_II._Adagio_KV_488_-_pour_piano_solo | X:1
T: Wolfgang Amadeus Mozart
T:Klavierkonzert das 23 in A-Dur, KV 488 Adagio
C:Amadeus Wolfgang Mozart
Z:CC by SA
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=42
M:6/8
I:linebreak $
K:A
V:1 treble nm="Piano"
V:4 treble
V:2 bass
V:3 bass
V:1
!mf!"^Adagio" (c>dc) (cfa) | (aB).g z B2- | B/A/ f2- (fGd) | (F2 ^E/4F/4G/4F/... | 4 | What is the genre of the piece? | Sonata |
Mozart_Piano_Concerto_No._23_II._Adagio_KV_488_-_pour_piano_solo | X:1
T: Wolfgang Amadeus Mozart
T:Klavierkonzert das 23 in A-Dur, KV 488 Adagio
C:Amadeus Wolfgang Mozart
Z:CC by SA
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=42
M:6/8
I:linebreak $
K:A
V:1 treble nm="Piano"
V:4 treble
V:2 bass
V:3 bass
V:1
!mf!"^Adagio" (c>dc) (cfa) | (aB).g z B2- | B/A/ f2- (fGd) | (F2 ^E/4F/4G/4F/... | 4 | In which bar does the melodic motif appear? | 1 |
Mozart_Piano_Concerto_No._23_II._Adagio_KV_488_-_pour_piano_solo | X:1
T: Wolfgang Amadeus Mozart
T:Klavierkonzert das 23 in A-Dur, KV 488 Adagio
C:Amadeus Wolfgang Mozart
Z:CC by SA
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=42
M:6/8
I:linebreak $
K:A
V:1 treble nm="Piano"
V:4 treble
V:2 bass
V:3 bass
V:1
!mf!"^Adagio" (c>dc) (cfa) | (aB).g z B2- | B/A/ f2- (fGd) | (F2 ^E/4F/4G/4F/... | 4 | In what form is the piece performed? | Piano solo |
Mozart_Sonate_in_D_K._311_-_I._Allegro_con_spirito | X:1
T:Sonate
C:Wolfgang Amadeus Mozart
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=135
M:4/4
I:linebreak $
K:D
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
!f!"^Allegro con spirito" [DFAd]2 z2{g} fe/f/{a} gf/g/ | a2 z2 .a.b.c'.d' | (a2 f2){a} gf/g/ ag | %3
{^e} f2 z2{g} f=e/f/{a} gf/g/ | a2 z2 .a.... | 1 | What is the initial clef? | Treble clef, bass clef |
Mozart_Sonate_in_D_K._311_-_I._Allegro_con_spirito | X:1
T:Sonate
C:Wolfgang Amadeus Mozart
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=135
M:4/4
I:linebreak $
K:D
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
!f!"^Allegro con spirito" [DFAd]2 z2{g} fe/f/{a} gf/g/ | a2 z2 .a.b.c'.d' | (a2 f2){a} gf/g/ ag | %3
{^e} f2 z2{g} f=e/f/{a} gf/g/ | a2 z2 .a.... | 1 | What is the metronome marking (beats per minute)? | None |
Mozart_Sonate_in_D_K._311_-_I._Allegro_con_spirito | X:1
T:Sonate
C:Wolfgang Amadeus Mozart
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=135
M:4/4
I:linebreak $
K:D
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
!f!"^Allegro con spirito" [DFAd]2 z2{g} fe/f/{a} gf/g/ | a2 z2 .a.b.c'.d' | (a2 f2){a} gf/g/ ag | %3
{^e} f2 z2{g} f=e/f/{a} gf/g/ | a2 z2 .a.... | 1 | What is the initial key? | D major |
Mozart_Sonate_in_D_K._311_-_I._Allegro_con_spirito | X:1
T:Sonate
C:Wolfgang Amadeus Mozart
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=135
M:4/4
I:linebreak $
K:D
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
!f!"^Allegro con spirito" [DFAd]2 z2{g} fe/f/{a} gf/g/ | a2 z2 .a.b.c'.d' | (a2 f2){a} gf/g/ ag | %3
{^e} f2 z2{g} f=e/f/{a} gf/g/ | a2 z2 .a.... | 2 | Are there repeat signs between bars 1–39? | Yes |
Mozart_Sonate_in_D_K._311_-_I._Allegro_con_spirito | X:1
T:Sonate
C:Wolfgang Amadeus Mozart
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=135
M:4/4
I:linebreak $
K:D
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
!f!"^Allegro con spirito" [DFAd]2 z2{g} fe/f/{a} gf/g/ | a2 z2 .a.b.c'.d' | (a2 f2){a} gf/g/ ag | %3
{^e} f2 z2{g} f=e/f/{a} gf/g/ | a2 z2 .a.... | 2 | In bar 52, what is the highest pitch? | D6 |
Mozart_Sonate_in_D_K._311_-_I._Allegro_con_spirito | X:1
T:Sonate
C:Wolfgang Amadeus Mozart
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=135
M:4/4
I:linebreak $
K:D
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
!f!"^Allegro con spirito" [DFAd]2 z2{g} fe/f/{a} gf/g/ | a2 z2 .a.b.c'.d' | (a2 f2){a} gf/g/ ag | %3
{^e} f2 z2{g} f=e/f/{a} gf/g/ | a2 z2 .a.... | 2 | In bar 32, what is the dynamic change marking? | p |
Mozart_Sonate_in_D_K._311_-_I._Allegro_con_spirito | X:1
T:Sonate
C:Wolfgang Amadeus Mozart
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=135
M:4/4
I:linebreak $
K:D
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
!f!"^Allegro con spirito" [DFAd]2 z2{g} fe/f/{a} gf/g/ | a2 z2 .a.b.c'.d' | (a2 f2){a} gf/g/ ag | %3
{^e} f2 z2{g} f=e/f/{a} gf/g/ | a2 z2 .a.... | 3 | In bar 39, what is the voicing of the A chord? | Open position |
Mozart_Sonate_in_D_K._311_-_I._Allegro_con_spirito | X:1
T:Sonate
C:Wolfgang Amadeus Mozart
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=135
M:4/4
I:linebreak $
K:D
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
!f!"^Allegro con spirito" [DFAd]2 z2{g} fe/f/{a} gf/g/ | a2 z2 .a.b.c'.d' | (a2 f2){a} gf/g/ ag | %3
{^e} f2 z2{g} f=e/f/{a} gf/g/ | a2 z2 .a.... | 3 | In bar 57, what are the repeated notes in the F♯7 chord? | Root note |
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