song_id stringclasses 150
values | abc_notation stringclasses 150
values | level int32 1 4 | question stringlengths 20 85 | answer stringlengths 1 82 |
|---|---|---|---|---|
Syrinx_-_Claude_Debussy | X:1
T:Title
%%score ( 1 2 )
L:1/8
Q:1/4=35
M:3/4
I:linebreak $
K:Db
V:1 treble
V:2 treble
V:1
!mf!"^Très modéré" (!tenuto!b3/2=a/4=b/4) (!tenuto!_a3/2=g/4=a/4) (_g/f/=e/d/) | %1
(b3/2!>(!c'/4_c'/4)!>)! !breath!!fermata!b4 | %2
(!tenuto!b3/2=a/4=b/4) (!tenuto!_a3/2=g/4=a/4) (_g/f/=e/d/) | %3
!<(! (!tenuto!B3/2^F/4!<... | 3 | In bar 35, does it end on the tonic chord of the original key? | Yes |
Syrinx_-_Claude_Debussy | X:1
T:Title
%%score ( 1 2 )
L:1/8
Q:1/4=35
M:3/4
I:linebreak $
K:Db
V:1 treble
V:2 treble
V:1
!mf!"^Très modéré" (!tenuto!b3/2=a/4=b/4) (!tenuto!_a3/2=g/4=a/4) (_g/f/=e/d/) | %1
(b3/2!>(!c'/4_c'/4)!>)! !breath!!fermata!b4 | %2
(!tenuto!b3/2=a/4=b/4) (!tenuto!_a3/2=g/4=a/4) (_g/f/=e/d/) | %3
!<(! (!tenuto!B3/2^F/4!<... | 4 | What is the rhythm of the motif? | Dotted rhythm |
Syrinx_-_Claude_Debussy | X:1
T:Title
%%score ( 1 2 )
L:1/8
Q:1/4=35
M:3/4
I:linebreak $
K:Db
V:1 treble
V:2 treble
V:1
!mf!"^Très modéré" (!tenuto!b3/2=a/4=b/4) (!tenuto!_a3/2=g/4=a/4) (_g/f/=e/d/) | %1
(b3/2!>(!c'/4_c'/4)!>)! !breath!!fermata!b4 | %2
(!tenuto!b3/2=a/4=b/4) (!tenuto!_a3/2=g/4=a/4) (_g/f/=e/d/) | %3
!<(! (!tenuto!B3/2^F/4!<... | 4 | What are the main structural features of the motif? | Minor second |
Syrinx_-_Claude_Debussy | X:1
T:Title
%%score ( 1 2 )
L:1/8
Q:1/4=35
M:3/4
I:linebreak $
K:Db
V:1 treble
V:2 treble
V:1
!mf!"^Très modéré" (!tenuto!b3/2=a/4=b/4) (!tenuto!_a3/2=g/4=a/4) (_g/f/=e/d/) | %1
(b3/2!>(!c'/4_c'/4)!>)! !breath!!fermata!b4 | %2
(!tenuto!b3/2=a/4=b/4) (!tenuto!_a3/2=g/4=a/4) (_g/f/=e/d/) | %3
!<(! (!tenuto!B3/2^F/4!<... | 4 | In bars 1–2, in which register is the melody? | Upper-middle register |
The_Blue_Danube_Accordion_Solo_Johann_Strauss_II | X:1
T:The Blue Danube
%%score { ( 1 4 5 ) | ( 2 3 ) }
L:1/8
Q:3/8=64
M:6/8
I:linebreak $
K:A
V:1 treble nm="Piano"
V:4 treble
V:5 treble
V:2 bass
V:3 bass
V:1
"Ctranquillo" z z z Ace!p! | e3 [c'e'] z z | [ac'] z z [CE][EA][Ac] | [DEB]3 [gbe'] z z | %4
[gbd'] z z [GB][Bd][df] | [df]3 [d'f'] z z | [gb] z z [GB][Bd]... | 1 | What is the initial clef? | Treble clef, Bass clef |
The_Blue_Danube_Accordion_Solo_Johann_Strauss_II | X:1
T:The Blue Danube
%%score { ( 1 4 5 ) | ( 2 3 ) }
L:1/8
Q:3/8=64
M:6/8
I:linebreak $
K:A
V:1 treble nm="Piano"
V:4 treble
V:5 treble
V:2 bass
V:3 bass
V:1
"Ctranquillo" z z z Ace!p! | e3 [c'e'] z z | [ac'] z z [CE][EA][Ac] | [DEB]3 [gbe'] z z | %4
[gbd'] z z [GB][Bd][df] | [df]3 [d'f'] z z | [gb] z z [GB][Bd]... | 1 | Is there an anacrusis? | No |
The_Blue_Danube_Accordion_Solo_Johann_Strauss_II | X:1
T:The Blue Danube
%%score { ( 1 4 5 ) | ( 2 3 ) }
L:1/8
Q:3/8=64
M:6/8
I:linebreak $
K:A
V:1 treble nm="Piano"
V:4 treble
V:5 treble
V:2 bass
V:3 bass
V:1
"Ctranquillo" z z z Ace!p! | e3 [c'e'] z z | [ac'] z z [CE][EA][Ac] | [DEB]3 [gbe'] z z | %4
[gbd'] z z [GB][Bd][df] | [df]3 [d'f'] z z | [gb] z z [GB][Bd]... | 1 | What instruments are used? | Piano |
The_Blue_Danube_Accordion_Solo_Johann_Strauss_II | X:1
T:The Blue Danube
%%score { ( 1 4 5 ) | ( 2 3 ) }
L:1/8
Q:3/8=64
M:6/8
I:linebreak $
K:A
V:1 treble nm="Piano"
V:4 treble
V:5 treble
V:2 bass
V:3 bass
V:1
"Ctranquillo" z z z Ace!p! | e3 [c'e'] z z | [ac'] z z [CE][EA][Ac] | [DEB]3 [gbe'] z z | %4
[gbd'] z z [GB][Bd][df] | [df]3 [d'f'] z z | [gb] z z [GB][Bd]... | 2 | In bar 1, what is the longest rest value? | Quaver rest |
The_Blue_Danube_Accordion_Solo_Johann_Strauss_II | X:1
T:The Blue Danube
%%score { ( 1 4 5 ) | ( 2 3 ) }
L:1/8
Q:3/8=64
M:6/8
I:linebreak $
K:A
V:1 treble nm="Piano"
V:4 treble
V:5 treble
V:2 bass
V:3 bass
V:1
"Ctranquillo" z z z Ace!p! | e3 [c'e'] z z | [ac'] z z [CE][EA][Ac] | [DEB]3 [gbe'] z z | %4
[gbd'] z z [GB][Bd][df] | [df]3 [d'f'] z z | [gb] z z [GB][Bd]... | 2 | In bar 12, is there an accidental? Which note does it affect? | Yes, F♮5, F♮6 |
The_Blue_Danube_Accordion_Solo_Johann_Strauss_II | X:1
T:The Blue Danube
%%score { ( 1 4 5 ) | ( 2 3 ) }
L:1/8
Q:3/8=64
M:6/8
I:linebreak $
K:A
V:1 treble nm="Piano"
V:4 treble
V:5 treble
V:2 bass
V:3 bass
V:1
"Ctranquillo" z z z Ace!p! | e3 [c'e'] z z | [ac'] z z [CE][EA][Ac] | [DEB]3 [gbe'] z z | %4
[gbd'] z z [GB][Bd][df] | [df]3 [d'f'] z z | [gb] z z [GB][Bd]... | 2 | In bar 22, what is the ornament on the note A4? | Acciaccatura |
The_Blue_Danube_Accordion_Solo_Johann_Strauss_II | X:1
T:The Blue Danube
%%score { ( 1 4 5 ) | ( 2 3 ) }
L:1/8
Q:3/8=64
M:6/8
I:linebreak $
K:A
V:1 treble nm="Piano"
V:4 treble
V:5 treble
V:2 bass
V:3 bass
V:1
"Ctranquillo" z z z Ace!p! | e3 [c'e'] z z | [ac'] z z [CE][EA][Ac] | [DEB]3 [gbe'] z z | %4
[gbd'] z z [GB][Bd][df] | [df]3 [d'f'] z z | [gb] z z [GB][Bd]... | 3 | In bar 24, what note is omitted from the A major chord? | Fifth |
The_Blue_Danube_Accordion_Solo_Johann_Strauss_II | X:1
T:The Blue Danube
%%score { ( 1 4 5 ) | ( 2 3 ) }
L:1/8
Q:3/8=64
M:6/8
I:linebreak $
K:A
V:1 treble nm="Piano"
V:4 treble
V:5 treble
V:2 bass
V:3 bass
V:1
"Ctranquillo" z z z Ace!p! | e3 [c'e'] z z | [ac'] z z [CE][EA][Ac] | [DEB]3 [gbe'] z z | %4
[gbd'] z z [GB][Bd][df] | [df]3 [d'f'] z z | [gb] z z [GB][Bd]... | 3 | In bar 1, what are the repeated notes in the A major chord? | Root note |
The_Blue_Danube_Accordion_Solo_Johann_Strauss_II | X:1
T:The Blue Danube
%%score { ( 1 4 5 ) | ( 2 3 ) }
L:1/8
Q:3/8=64
M:6/8
I:linebreak $
K:A
V:1 treble nm="Piano"
V:4 treble
V:5 treble
V:2 bass
V:3 bass
V:1
"Ctranquillo" z z z Ace!p! | e3 [c'e'] z z | [ac'] z z [CE][EA][Ac] | [DEB]3 [gbe'] z z | %4
[gbd'] z z [GB][Bd][df] | [df]3 [d'f'] z z | [gb] z z [GB][Bd]... | 3 | In bar 1, what is the voicing of tonic chord? | Close position |
The_Blue_Danube_Accordion_Solo_Johann_Strauss_II | X:1
T:The Blue Danube
%%score { ( 1 4 5 ) | ( 2 3 ) }
L:1/8
Q:3/8=64
M:6/8
I:linebreak $
K:A
V:1 treble nm="Piano"
V:4 treble
V:5 treble
V:2 bass
V:3 bass
V:1
"Ctranquillo" z z z Ace!p! | e3 [c'e'] z z | [ac'] z z [CE][EA][Ac] | [DEB]3 [gbe'] z z | %4
[gbd'] z z [GB][Bd][df] | [df]3 [d'f'] z z | [gb] z z [GB][Bd]... | 4 | What is the performance medium of the piece? | Accordion solo |
The_Blue_Danube_Accordion_Solo_Johann_Strauss_II | X:1
T:The Blue Danube
%%score { ( 1 4 5 ) | ( 2 3 ) }
L:1/8
Q:3/8=64
M:6/8
I:linebreak $
K:A
V:1 treble nm="Piano"
V:4 treble
V:5 treble
V:2 bass
V:3 bass
V:1
"Ctranquillo" z z z Ace!p! | e3 [c'e'] z z | [ac'] z z [CE][EA][Ac] | [DEB]3 [gbe'] z z | %4
[gbd'] z z [GB][Bd][df] | [df]3 [d'f'] z z | [gb] z z [GB][Bd]... | 4 | In which register is the opening melody? | Middle–upper register |
The_Blue_Danube_Accordion_Solo_Johann_Strauss_II | X:1
T:The Blue Danube
%%score { ( 1 4 5 ) | ( 2 3 ) }
L:1/8
Q:3/8=64
M:6/8
I:linebreak $
K:A
V:1 treble nm="Piano"
V:4 treble
V:5 treble
V:2 bass
V:3 bass
V:1
"Ctranquillo" z z z Ace!p! | e3 [c'e'] z z | [ac'] z z [CE][EA][Ac] | [DEB]3 [gbe'] z z | %4
[gbd'] z z [GB][Bd][df] | [df]3 [d'f'] z z | [gb] z z [GB][Bd]... | 4 | What is the most frequently used texture type in the piece? | Homophonic texture |
Tritsch-Tratsch-Polka_Op.214_-_Johann_Strauss_II_-_1859 | X:1
T:Tritsch-Tratsch-Polka
C:Johann Strauss II
Z:Public Domain
%%score { ( 1 3 ) | 2 }
L:1/8
M:2/4
I:linebreak $
K:A
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:1
!f! !>!Tg2({fg} | a) z z2 | z2 z!p! e ||[Q:1/4=120]"^POLKA."{/e} e' z z e |{/e} e' z z [e^d'e'] | %5
[e=d'e'][ec'e'][ebe'][eae'] | [ege'] z z ... | 1 | Who is the composer? | Johann Strauss II |
Tritsch-Tratsch-Polka_Op.214_-_Johann_Strauss_II_-_1859 | X:1
T:Tritsch-Tratsch-Polka
C:Johann Strauss II
Z:Public Domain
%%score { ( 1 3 ) | 2 }
L:1/8
M:2/4
I:linebreak $
K:A
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:1
!f! !>!Tg2({fg} | a) z z2 | z2 z!p! e ||[Q:1/4=120]"^POLKA."{/e} e' z z e |{/e} e' z z [e^d'e'] | %5
[e=d'e'][ec'e'][ebe'][eae'] | [ege'] z z ... | 1 | Is there an anacrusis ? | Yes |
Tritsch-Tratsch-Polka_Op.214_-_Johann_Strauss_II_-_1859 | X:1
T:Tritsch-Tratsch-Polka
C:Johann Strauss II
Z:Public Domain
%%score { ( 1 3 ) | 2 }
L:1/8
M:2/4
I:linebreak $
K:A
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:1
!f! !>!Tg2({fg} | a) z z2 | z2 z!p! e ||[Q:1/4=120]"^POLKA."{/e} e' z z e |{/e} e' z z [e^d'e'] | %5
[e=d'e'][ec'e'][ebe'][eae'] | [ege'] z z ... | 1 | What is the initial clef? | Treble clef, Bass clef |
Tritsch-Tratsch-Polka_Op.214_-_Johann_Strauss_II_-_1859 | X:1
T:Tritsch-Tratsch-Polka
C:Johann Strauss II
Z:Public Domain
%%score { ( 1 3 ) | 2 }
L:1/8
M:2/4
I:linebreak $
K:A
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:1
!f! !>!Tg2({fg} | a) z z2 | z2 z!p! e ||[Q:1/4=120]"^POLKA."{/e} e' z z e |{/e} e' z z [e^d'e'] | %5
[e=d'e'][ec'e'][ebe'][eae'] | [ege'] z z ... | 2 | In bar 1, what is the longest note value? | Quaver |
Tritsch-Tratsch-Polka_Op.214_-_Johann_Strauss_II_-_1859 | X:1
T:Tritsch-Tratsch-Polka
C:Johann Strauss II
Z:Public Domain
%%score { ( 1 3 ) | 2 }
L:1/8
M:2/4
I:linebreak $
K:A
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:1
!f! !>!Tg2({fg} | a) z z2 | z2 z!p! e ||[Q:1/4=120]"^POLKA."{/e} e' z z e |{/e} e' z z [e^d'e'] | %5
[e=d'e'][ec'e'][ebe'][eae'] | [ege'] z z ... | 2 | In bar 1, what is the longest rest value? | Crotchet rest |
Tritsch-Tratsch-Polka_Op.214_-_Johann_Strauss_II_-_1859 | X:1
T:Tritsch-Tratsch-Polka
C:Johann Strauss II
Z:Public Domain
%%score { ( 1 3 ) | 2 }
L:1/8
M:2/4
I:linebreak $
K:A
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:1
!f! !>!Tg2({fg} | a) z z2 | z2 z!p! e ||[Q:1/4=120]"^POLKA."{/e} e' z z e |{/e} e' z z [e^d'e'] | %5
[e=d'e'][ec'e'][ebe'][eae'] | [ege'] z z ... | 2 | Between bars 1–9, are there repeat signs? | No |
Tritsch-Tratsch-Polka_Op.214_-_Johann_Strauss_II_-_1859 | X:1
T:Tritsch-Tratsch-Polka
C:Johann Strauss II
Z:Public Domain
%%score { ( 1 3 ) | 2 }
L:1/8
M:2/4
I:linebreak $
K:A
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:1
!f! !>!Tg2({fg} | a) z z2 | z2 z!p! e ||[Q:1/4=120]"^POLKA."{/e} e' z z e |{/e} e' z z [e^d'e'] | %5
[e=d'e'][ec'e'][ebe'][eae'] | [ege'] z z ... | 3 | In bar 1, is there a third-inversion A major chord? | No |
Tritsch-Tratsch-Polka_Op.214_-_Johann_Strauss_II_-_1859 | X:1
T:Tritsch-Tratsch-Polka
C:Johann Strauss II
Z:Public Domain
%%score { ( 1 3 ) | 2 }
L:1/8
M:2/4
I:linebreak $
K:A
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:1
!f! !>!Tg2({fg} | a) z z2 | z2 z!p! e ||[Q:1/4=120]"^POLKA."{/e} e' z z e |{/e} e' z z [e^d'e'] | %5
[e=d'e'][ec'e'][ebe'][eae'] | [ege'] z z ... | 3 | In bar 1, what are the repeated notes in the A major chord? | Root note |
Tritsch-Tratsch-Polka_Op.214_-_Johann_Strauss_II_-_1859 | X:1
T:Tritsch-Tratsch-Polka
C:Johann Strauss II
Z:Public Domain
%%score { ( 1 3 ) | 2 }
L:1/8
M:2/4
I:linebreak $
K:A
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:1
!f! !>!Tg2({fg} | a) z z2 | z2 z!p! e ||[Q:1/4=120]"^POLKA."{/e} e' z z e |{/e} e' z z [e^d'e'] | %5
[e=d'e'][ec'e'][ebe'][eae'] | [ege'] z z ... | 3 | In bar 1, does the music begin on the tonic chord of the home key? | Yes |
Tritsch-Tratsch-Polka_Op.214_-_Johann_Strauss_II_-_1859 | X:1
T:Tritsch-Tratsch-Polka
C:Johann Strauss II
Z:Public Domain
%%score { ( 1 3 ) | 2 }
L:1/8
M:2/4
I:linebreak $
K:A
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:1
!f! !>!Tg2({fg} | a) z z2 | z2 z!p! e ||[Q:1/4=120]"^POLKA."{/e} e' z z e |{/e} e' z z [e^d'e'] | %5
[e=d'e'][ec'e'][ebe'][eae'] | [ege'] z z ... | 4 | What are the main structural features of the motif? | Repetition of the same pitch |
Tritsch-Tratsch-Polka_Op.214_-_Johann_Strauss_II_-_1859 | X:1
T:Tritsch-Tratsch-Polka
C:Johann Strauss II
Z:Public Domain
%%score { ( 1 3 ) | 2 }
L:1/8
M:2/4
I:linebreak $
K:A
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:1
!f! !>!Tg2({fg} | a) z z2 | z2 z!p! e ||[Q:1/4=120]"^POLKA."{/e} e' z z e |{/e} e' z z [e^d'e'] | %5
[e=d'e'][ec'e'][ebe'][eae'] | [ege'] z z ... | 4 | In which bar does the melodic motif first appear? | Bars 4–7 |
Tritsch-Tratsch-Polka_Op.214_-_Johann_Strauss_II_-_1859 | X:1
T:Tritsch-Tratsch-Polka
C:Johann Strauss II
Z:Public Domain
%%score { ( 1 3 ) | 2 }
L:1/8
M:2/4
I:linebreak $
K:A
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:1
!f! !>!Tg2({fg} | a) z z2 | z2 z!p! e ||[Q:1/4=120]"^POLKA."{/e} e' z z e |{/e} e' z z [e^d'e'] | %5
[e=d'e'][ec'e'][ebe'][eae'] | [ege'] z z ... | 4 | In which register is the opening melody? | Middle–upper register |
Waltz_in_A_Major_Op.39_No.15_by_Johannes_Brahms | X:1
T:Waltz Op.39 No.15
C:Johannes Brahms
Z:Public Domain
%%score { ( 1 3 ) | 2 }
L:1/8
Q:1/4=108
M:3/4
I:linebreak $
K:Ab
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:1
!p! ([Ec]3 [CA])([CA][Ec]) | ([Ec]3!<(! [CA])([CA][Ec])!<)! | %2
!>(! ([FAd]2{ed)}!>)! (.[EAc]2 .[DAB]2) | ([EAc]3 A)(A[ce]) | ([Acf]3 [Ac... | 1 | What is the initial time signature? | 3/4 time |
Waltz_in_A_Major_Op.39_No.15_by_Johannes_Brahms | X:1
T:Waltz Op.39 No.15
C:Johannes Brahms
Z:Public Domain
%%score { ( 1 3 ) | 2 }
L:1/8
Q:1/4=108
M:3/4
I:linebreak $
K:Ab
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:1
!p! ([Ec]3 [CA])([CA][Ec]) | ([Ec]3!<(! [CA])([CA][Ec])!<)! | %2
!>(! ([FAd]2{ed)}!>)! (.[EAc]2 .[DAB]2) | ([EAc]3 A)(A[ce]) | ([Acf]3 [Ac... | 1 | What instruments are used? | Piano |
Waltz_in_A_Major_Op.39_No.15_by_Johannes_Brahms | X:1
T:Waltz Op.39 No.15
C:Johannes Brahms
Z:Public Domain
%%score { ( 1 3 ) | 2 }
L:1/8
Q:1/4=108
M:3/4
I:linebreak $
K:Ab
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:1
!p! ([Ec]3 [CA])([CA][Ec]) | ([Ec]3!<(! [CA])([CA][Ec])!<)! | %2
!>(! ([FAd]2{ed)}!>)! (.[EAc]2 .[DAB]2) | ([EAc]3 A)(A[ce]) | ([Acf]3 [Ac... | 1 | What is the initial expression marking? | Dolce |
Waltz_in_A_Major_Op.39_No.15_by_Johannes_Brahms | X:1
T:Waltz Op.39 No.15
C:Johannes Brahms
Z:Public Domain
%%score { ( 1 3 ) | 2 }
L:1/8
Q:1/4=108
M:3/4
I:linebreak $
K:Ab
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:1
!p! ([Ec]3 [CA])([CA][Ec]) | ([Ec]3!<(! [CA])([CA][Ec])!<)! | %2
!>(! ([FAd]2{ed)}!>)! (.[EAc]2 .[DAB]2) | ([EAc]3 A)(A[ce]) | ([Acf]3 [Ac... | 2 | In bar 31, what is the ornament on note C? | E♭5, D♭5 |
Waltz_in_A_Major_Op.39_No.15_by_Johannes_Brahms | X:1
T:Waltz Op.39 No.15
C:Johannes Brahms
Z:Public Domain
%%score { ( 1 3 ) | 2 }
L:1/8
Q:1/4=108
M:3/4
I:linebreak $
K:Ab
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:1
!p! ([Ec]3 [CA])([CA][Ec]) | ([Ec]3!<(! [CA])([CA][Ec])!<)! | %2
!>(! ([FAd]2{ed)}!>)! (.[EAc]2 .[DAB]2) | ([EAc]3 A)(A[ce]) | ([Acf]3 [Ac... | 2 | In bar 15, what is the dynamic marking? | p |
Waltz_in_A_Major_Op.39_No.15_by_Johannes_Brahms | X:1
T:Waltz Op.39 No.15
C:Johannes Brahms
Z:Public Domain
%%score { ( 1 3 ) | 2 }
L:1/8
Q:1/4=108
M:3/4
I:linebreak $
K:Ab
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:1
!p! ([Ec]3 [CA])([CA][Ec]) | ([Ec]3!<(! [CA])([CA][Ec])!<)! | %2
!>(! ([FAd]2{ed)}!>)! (.[EAc]2 .[DAB]2) | ([EAc]3 A)(A[ce]) | ([Acf]3 [Ac... | 2 | In bar 15, what is the highest pitch? | C5 |
Waltz_in_A_Major_Op.39_No.15_by_Johannes_Brahms | X:1
T:Waltz Op.39 No.15
C:Johannes Brahms
Z:Public Domain
%%score { ( 1 3 ) | 2 }
L:1/8
Q:1/4=108
M:3/4
I:linebreak $
K:Ab
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:1
!p! ([Ec]3 [CA])([CA][Ec]) | ([Ec]3!<(! [CA])([CA][Ec])!<)! | %2
!>(! ([FAd]2{ed)}!>)! (.[EAc]2 .[DAB]2) | ([EAc]3 A)(A[ce]) | ([Acf]3 [Ac... | 3 | In bar 15, what are the repeated notes in chord I? | Tonic |
Waltz_in_A_Major_Op.39_No.15_by_Johannes_Brahms | X:1
T:Waltz Op.39 No.15
C:Johannes Brahms
Z:Public Domain
%%score { ( 1 3 ) | 2 }
L:1/8
Q:1/4=108
M:3/4
I:linebreak $
K:Ab
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:1
!p! ([Ec]3 [CA])([CA][Ec]) | ([Ec]3!<(! [CA])([CA][Ec])!<)! | %2
!>(! ([FAd]2{ed)}!>)! (.[EAc]2 .[DAB]2) | ([EAc]3 A)(A[ce]) | ([Acf]3 [Ac... | 3 | In bar 1, is there a chord I? | Yes |
Waltz_in_A_Major_Op.39_No.15_by_Johannes_Brahms | X:1
T:Waltz Op.39 No.15
C:Johannes Brahms
Z:Public Domain
%%score { ( 1 3 ) | 2 }
L:1/8
Q:1/4=108
M:3/4
I:linebreak $
K:Ab
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:1
!p! ([Ec]3 [CA])([CA][Ec]) | ([Ec]3!<(! [CA])([CA][Ec])!<)! | %2
!>(! ([FAd]2{ed)}!>)! (.[EAc]2 .[DAB]2) | ([EAc]3 A)(A[ce]) | ([Acf]3 [Ac... | 3 | In bar 15, what scale degree is the second chord? (use I, II, III, IV, V, VI, VII) | I |
Waltz_in_A_Major_Op.39_No.15_by_Johannes_Brahms | X:1
T:Waltz Op.39 No.15
C:Johannes Brahms
Z:Public Domain
%%score { ( 1 3 ) | 2 }
L:1/8
Q:1/4=108
M:3/4
I:linebreak $
K:Ab
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:1
!p! ([Ec]3 [CA])([CA][Ec]) | ([Ec]3!<(! [CA])([CA][Ec])!<)! | %2
!>(! ([FAd]2{ed)}!>)! (.[EAc]2 .[DAB]2) | ([EAc]3 A)(A[ce]) | ([Acf]3 [Ac... | 4 | What is the genre of the piece? | Waltz |
Waltz_in_A_Major_Op.39_No.15_by_Johannes_Brahms | X:1
T:Waltz Op.39 No.15
C:Johannes Brahms
Z:Public Domain
%%score { ( 1 3 ) | 2 }
L:1/8
Q:1/4=108
M:3/4
I:linebreak $
K:Ab
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:1
!p! ([Ec]3 [CA])([CA][Ec]) | ([Ec]3!<(! [CA])([CA][Ec])!<)! | %2
!>(! ([FAd]2{ed)}!>)! (.[EAc]2 .[DAB]2) | ([EAc]3 A)(A[ce]) | ([Acf]3 [Ac... | 4 | What are the main features of the motif? | Third interval |
Waltz_in_A_Major_Op.39_No.15_by_Johannes_Brahms | X:1
T:Waltz Op.39 No.15
C:Johannes Brahms
Z:Public Domain
%%score { ( 1 3 ) | 2 }
L:1/8
Q:1/4=108
M:3/4
I:linebreak $
K:Ab
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:1
!p! ([Ec]3 [CA])([CA][Ec]) | ([Ec]3!<(! [CA])([CA][Ec])!<)! | %2
!>(! ([FAd]2{ed)}!>)! (.[EAc]2 .[DAB]2) | ([EAc]3 A)(A[ce]) | ([Acf]3 [Ac... | 4 | What is the motif of the piece? | Piano solo |
Waltz_in_A_MinorChopin | X:1
T:Waltz in A Minor
T: Frederic Chopin
T:B 150
%%score { 1 | 2 }
L:1/8
Q:1/4=120
M:3/4
I:linebreak $
K:C
V:1 treble nm="Piano"
V:2 bass
V:1
"^Allegretto" (E2 | AB c2) !1!c2 | (de f4) | (!1!B!2!c!3!d!5!agf) |{!2!e!3!f} (!1!e^d e4) | %5
(AB c2) !1!c2 | (de f4) | (!1!B!2!c!3!dagB | c2) z2 (E2 | AB c2) c2 | (de f4) | ... | 1 | Who is the composer? | Chopin |
Waltz_in_A_MinorChopin | X:1
T:Waltz in A Minor
T: Frederic Chopin
T:B 150
%%score { 1 | 2 }
L:1/8
Q:1/4=120
M:3/4
I:linebreak $
K:C
V:1 treble nm="Piano"
V:2 bass
V:1
"^Allegretto" (E2 | AB c2) !1!c2 | (de f4) | (!1!B!2!c!3!d!5!agf) |{!2!e!3!f} (!1!e^d e4) | %5
(AB c2) !1!c2 | (de f4) | (!1!B!2!c!3!dagB | c2) z2 (E2 | AB c2) c2 | (de f4) | ... | 1 | What is the initial tempo term? | Allegretto |
Waltz_in_A_MinorChopin | X:1
T:Waltz in A Minor
T: Frederic Chopin
T:B 150
%%score { 1 | 2 }
L:1/8
Q:1/4=120
M:3/4
I:linebreak $
K:C
V:1 treble nm="Piano"
V:2 bass
V:1
"^Allegretto" (E2 | AB c2) !1!c2 | (de f4) | (!1!B!2!c!3!d!5!agf) |{!2!e!3!f} (!1!e^d e4) | %5
(AB c2) !1!c2 | (de f4) | (!1!B!2!c!3!dagB | c2) z2 (E2 | AB c2) c2 | (de f4) | ... | 1 | Is it an anacrusis (upbeat bar)? | Yes |
Waltz_in_A_MinorChopin | X:1
T:Waltz in A Minor
T: Frederic Chopin
T:B 150
%%score { 1 | 2 }
L:1/8
Q:1/4=120
M:3/4
I:linebreak $
K:C
V:1 treble nm="Piano"
V:2 bass
V:1
"^Allegretto" (E2 | AB c2) !1!c2 | (de f4) | (!1!B!2!c!3!d!5!agf) |{!2!e!3!f} (!1!e^d e4) | %5
(AB c2) !1!c2 | (de f4) | (!1!B!2!c!3!dagB | c2) z2 (E2 | AB c2) c2 | (de f4) | ... | 2 | In bars 1–25, is there a repeat sign? | Yes |
Waltz_in_A_MinorChopin | X:1
T:Waltz in A Minor
T: Frederic Chopin
T:B 150
%%score { 1 | 2 }
L:1/8
Q:1/4=120
M:3/4
I:linebreak $
K:C
V:1 treble nm="Piano"
V:2 bass
V:1
"^Allegretto" (E2 | AB c2) !1!c2 | (de f4) | (!1!B!2!c!3!d!5!agf) |{!2!e!3!f} (!1!e^d e4) | %5
(AB c2) !1!c2 | (de f4) | (!1!B!2!c!3!dagB | c2) z2 (E2 | AB c2) c2 | (de f4) | ... | 2 | In bar 19, what is the ornament on note B? | Appoggiatura |
Waltz_in_A_MinorChopin | X:1
T:Waltz in A Minor
T: Frederic Chopin
T:B 150
%%score { 1 | 2 }
L:1/8
Q:1/4=120
M:3/4
I:linebreak $
K:C
V:1 treble nm="Piano"
V:2 bass
V:1
"^Allegretto" (E2 | AB c2) !1!c2 | (de f4) | (!1!B!2!c!3!d!5!agf) |{!2!e!3!f} (!1!e^d e4) | %5
(AB c2) !1!c2 | (de f4) | (!1!B!2!c!3!dagB | c2) z2 (E2 | AB c2) c2 | (de f4) | ... | 2 | In bar 22, are there accidentals, and what are they? | G# |
Waltz_in_A_MinorChopin | X:1
T:Waltz in A Minor
T: Frederic Chopin
T:B 150
%%score { 1 | 2 }
L:1/8
Q:1/4=120
M:3/4
I:linebreak $
K:C
V:1 treble nm="Piano"
V:2 bass
V:1
"^Allegretto" (E2 | AB c2) !1!c2 | (de f4) | (!1!B!2!c!3!d!5!agf) |{!2!e!3!f} (!1!e^d e4) | %5
(AB c2) !1!c2 | (de f4) | (!1!B!2!c!3!dagB | c2) z2 (E2 | AB c2) c2 | (de f4) | ... | 3 | In bar 44, is there a first inversion G7 chord? | None |
Waltz_in_A_MinorChopin | X:1
T:Waltz in A Minor
T: Frederic Chopin
T:B 150
%%score { 1 | 2 }
L:1/8
Q:1/4=120
M:3/4
I:linebreak $
K:C
V:1 treble nm="Piano"
V:2 bass
V:1
"^Allegretto" (E2 | AB c2) !1!c2 | (de f4) | (!1!B!2!c!3!d!5!agf) |{!2!e!3!f} (!1!e^d e4) | %5
(AB c2) !1!c2 | (de f4) | (!1!B!2!c!3!dagB | c2) z2 (E2 | AB c2) c2 | (de f4) | ... | 3 | In bar 47, what scale degree is the D minor chord? (Use I, II, III, IV, V, VI, VII) | iv |
Waltz_in_A_MinorChopin | X:1
T:Waltz in A Minor
T: Frederic Chopin
T:B 150
%%score { 1 | 2 }
L:1/8
Q:1/4=120
M:3/4
I:linebreak $
K:C
V:1 treble nm="Piano"
V:2 bass
V:1
"^Allegretto" (E2 | AB c2) !1!c2 | (de f4) | (!1!B!2!c!3!d!5!agf) |{!2!e!3!f} (!1!e^d e4) | %5
(AB c2) !1!c2 | (de f4) | (!1!B!2!c!3!dagB | c2) z2 (E2 | AB c2) c2 | (de f4) | ... | 3 | In bar 26, does the piece begin on the tonic chord of the original key? | Yes |
Waltz_in_A_MinorChopin | X:1
T:Waltz in A Minor
T: Frederic Chopin
T:B 150
%%score { 1 | 2 }
L:1/8
Q:1/4=120
M:3/4
I:linebreak $
K:C
V:1 treble nm="Piano"
V:2 bass
V:1
"^Allegretto" (E2 | AB c2) !1!c2 | (de f4) | (!1!B!2!c!3!d!5!agf) |{!2!e!3!f} (!1!e^d e4) | %5
(AB c2) !1!c2 | (de f4) | (!1!B!2!c!3!dagB | c2) z2 (E2 | AB c2) c2 | (de f4) | ... | 4 | What is the genre of the piece? | Waltz |
Waltz_in_A_MinorChopin | X:1
T:Waltz in A Minor
T: Frederic Chopin
T:B 150
%%score { 1 | 2 }
L:1/8
Q:1/4=120
M:3/4
I:linebreak $
K:C
V:1 treble nm="Piano"
V:2 bass
V:1
"^Allegretto" (E2 | AB c2) !1!c2 | (de f4) | (!1!B!2!c!3!d!5!agf) |{!2!e!3!f} (!1!e^d e4) | %5
(AB c2) !1!c2 | (de f4) | (!1!B!2!c!3!dagB | c2) z2 (E2 | AB c2) c2 | (de f4) | ... | 4 | What is the performance medium of the piece? | Piano solo |
Waltz_in_A_MinorChopin | X:1
T:Waltz in A Minor
T: Frederic Chopin
T:B 150
%%score { 1 | 2 }
L:1/8
Q:1/4=120
M:3/4
I:linebreak $
K:C
V:1 treble nm="Piano"
V:2 bass
V:1
"^Allegretto" (E2 | AB c2) !1!c2 | (de f4) | (!1!B!2!c!3!d!5!agf) |{!2!e!3!f} (!1!e^d e4) | %5
(AB c2) !1!c2 | (de f4) | (!1!B!2!c!3!dagB | c2) z2 (E2 | AB c2) c2 | (de f4) | ... | 4 | What are the main characteristics of the motif? | Leaps + stepwise motion |
Wedding_March_Mendelssohn_Piano | X:1
T:Wedding March
C:F. Mendelssohn
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=150
M:4/4
I:linebreak $
K:C
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
!f! (3CCC | C4 z2 (3CCC | C4 z2 (3CCC | [CE]2 (3[CE][CE][CE] [CE]2 (3[CE][CE][CE] | %4
!<(! [CEG]2 (3[CEG][CEG][CEG] [CEG]2 (3[CEG][CEG][CEG]!<)... | 1 | Who is the composer? | Mendelssohn |
Wedding_March_Mendelssohn_Piano | X:1
T:Wedding March
C:F. Mendelssohn
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=150
M:4/4
I:linebreak $
K:C
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
!f! (3CCC | C4 z2 (3CCC | C4 z2 (3CCC | [CE]2 (3[CE][CE][CE] [CE]2 (3[CE][CE][CE] | %4
!<(! [CEG]2 (3[CEG][CEG][CEG] [CEG]2 (3[CEG][CEG][CEG]!<)... | 1 | What is the initial clef? | Treble clef, Bass clef |
Wedding_March_Mendelssohn_Piano | X:1
T:Wedding March
C:F. Mendelssohn
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=150
M:4/4
I:linebreak $
K:C
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
!f! (3CCC | C4 z2 (3CCC | C4 z2 (3CCC | [CE]2 (3[CE][CE][CE] [CE]2 (3[CE][CE][CE] | %4
!<(! [CEG]2 (3[CEG][CEG][CEG] [CEG]2 (3[CEG][CEG][CEG]!<)... | 1 | Is it an anacrusis (upbeat bar)? | Yes |
Wedding_March_Mendelssohn_Piano | X:1
T:Wedding March
C:F. Mendelssohn
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=150
M:4/4
I:linebreak $
K:C
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
!f! (3CCC | C4 z2 (3CCC | C4 z2 (3CCC | [CE]2 (3[CE][CE][CE] [CE]2 (3[CE][CE][CE] | %4
!<(! [CEG]2 (3[CEG][CEG][CEG] [CEG]2 (3[CEG][CEG][CEG]!<)... | 2 | In bar 58, what is the dynamic marking? | ff |
Wedding_March_Mendelssohn_Piano | X:1
T:Wedding March
C:F. Mendelssohn
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=150
M:4/4
I:linebreak $
K:C
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
!f! (3CCC | C4 z2 (3CCC | C4 z2 (3CCC | [CE]2 (3[CE][CE][CE] [CE]2 (3[CE][CE][CE] | %4
!<(! [CEG]2 (3[CEG][CEG][CEG] [CEG]2 (3[CEG][CEG][CEG]!<)... | 2 | In bar 142, what is the longest note value? | Semibreve |
Wedding_March_Mendelssohn_Piano | X:1
T:Wedding March
C:F. Mendelssohn
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=150
M:4/4
I:linebreak $
K:C
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
!f! (3CCC | C4 z2 (3CCC | C4 z2 (3CCC | [CE]2 (3[CE][CE][CE] [CE]2 (3[CE][CE][CE] | %4
!<(! [CEG]2 (3[CEG][CEG][CEG] [CEG]2 (3[CEG][CEG][CEG]!<)... | 2 | In bars 142–149, is there a repeat sign? | Yes |
Wedding_March_Mendelssohn_Piano | X:1
T:Wedding March
C:F. Mendelssohn
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=150
M:4/4
I:linebreak $
K:C
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
!f! (3CCC | C4 z2 (3CCC | C4 z2 (3CCC | [CE]2 (3[CE][CE][CE] [CE]2 (3[CE][CE][CE] | %4
!<(! [CEG]2 (3[CEG][CEG][CEG] [CEG]2 (3[CEG][CEG][CEG]!<)... | 3 | In bar 160, what are the repeated notes of the C major chord? | Root, third, fifth |
Wedding_March_Mendelssohn_Piano | X:1
T:Wedding March
C:F. Mendelssohn
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=150
M:4/4
I:linebreak $
K:C
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
!f! (3CCC | C4 z2 (3CCC | C4 z2 (3CCC | [CE]2 (3[CE][CE][CE] [CE]2 (3[CE][CE][CE] | %4
!<(! [CEG]2 (3[CEG][CEG][CEG] [CEG]2 (3[CEG][CEG][CEG]!<)... | 3 | In bars 150–153, is there a perfect cadence? | Yes |
Wedding_March_Mendelssohn_Piano | X:1
T:Wedding March
C:F. Mendelssohn
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=150
M:4/4
I:linebreak $
K:C
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
!f! (3CCC | C4 z2 (3CCC | C4 z2 (3CCC | [CE]2 (3[CE][CE][CE] [CE]2 (3[CE][CE][CE] | %4
!<(! [CEG]2 (3[CEG][CEG][CEG] [CEG]2 (3[CEG][CEG][CEG]!<)... | 3 | In bar 1, does the piece begin on the tonic chord of the original key? | Yes |
Wedding_March_Mendelssohn_Piano | X:1
T:Wedding March
C:F. Mendelssohn
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=150
M:4/4
I:linebreak $
K:C
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
!f! (3CCC | C4 z2 (3CCC | C4 z2 (3CCC | [CE]2 (3[CE][CE][CE] [CE]2 (3[CE][CE][CE] | %4
!<(! [CEG]2 (3[CEG][CEG][CEG] [CEG]2 (3[CEG][CEG][CEG]!<)... | 4 | In which bar does the melodic motif appear? | 6, 7, 8 |
Wedding_March_Mendelssohn_Piano | X:1
T:Wedding March
C:F. Mendelssohn
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=150
M:4/4
I:linebreak $
K:C
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
!f! (3CCC | C4 z2 (3CCC | C4 z2 (3CCC | [CE]2 (3[CE][CE][CE] [CE]2 (3[CE][CE][CE] | %4
!<(! [CEG]2 (3[CEG][CEG][CEG] [CEG]2 (3[CEG][CEG][CEG]!<)... | 4 | What is the rhythm of the motif? | Sequential rhythm + even rhythm |
Wedding_March_Mendelssohn_Piano | X:1
T:Wedding March
C:F. Mendelssohn
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=150
M:4/4
I:linebreak $
K:C
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
!f! (3CCC | C4 z2 (3CCC | C4 z2 (3CCC | [CE]2 (3[CE][CE][CE] [CE]2 (3[CE][CE][CE] | %4
!<(! [CEG]2 (3[CEG][CEG][CEG] [CEG]2 (3[CEG][CEG][CEG]!<)... | 4 | What are the main characteristics of the motif? | Stepwise motion + leaps |
Wiegenlied_op._49_no._4_Lullaby__Johannes_Brahms | X:1
T:Title
%%score { 1 | 2 }
L:1/8
Q:1/4=80
M:3/4
I:linebreak $
K:Eb
V:1 treble nm="Klavier"
V:2 bass
V:1
!p!"^Zart bewegt""^a. 3, displaced -1" ([GB]- | [GB][EG]) [GB]2 z ([GB]- | %2
[GB][EG]) [GB]2 z"^b. 2, displaced -1" ([GB]- | [GB] [EG]2 B,2) ([GB]- | %4
[GB] [EG]2 B,2) ([GB]- | [GB]!<(! [eg]2 [eg]2!<)! [e... | 1 | Is there an anacrusis (upbeat bar)? | Yes |
Wiegenlied_op._49_no._4_Lullaby__Johannes_Brahms | X:1
T:Title
%%score { 1 | 2 }
L:1/8
Q:1/4=80
M:3/4
I:linebreak $
K:Eb
V:1 treble nm="Klavier"
V:2 bass
V:1
!p!"^Zart bewegt""^a. 3, displaced -1" ([GB]- | [GB][EG]) [GB]2 z ([GB]- | %2
[GB][EG]) [GB]2 z"^b. 2, displaced -1" ([GB]- | [GB] [EG]2 B,2) ([GB]- | %4
[GB] [EG]2 B,2) ([GB]- | [GB]!<(! [eg]2 [eg]2!<)! [e... | 1 | Who is the composer? | Brahms |
Wiegenlied_op._49_no._4_Lullaby__Johannes_Brahms | X:1
T:Title
%%score { 1 | 2 }
L:1/8
Q:1/4=80
M:3/4
I:linebreak $
K:Eb
V:1 treble nm="Klavier"
V:2 bass
V:1
!p!"^Zart bewegt""^a. 3, displaced -1" ([GB]- | [GB][EG]) [GB]2 z ([GB]- | %2
[GB][EG]) [GB]2 z"^b. 2, displaced -1" ([GB]- | [GB] [EG]2 B,2) ([GB]- | %4
[GB] [EG]2 B,2) ([GB]- | [GB]!<(! [eg]2 [eg]2!<)! [e... | 1 | What is the initial time signature? | 3/4 time |
Wiegenlied_op._49_no._4_Lullaby__Johannes_Brahms | X:1
T:Title
%%score { 1 | 2 }
L:1/8
Q:1/4=80
M:3/4
I:linebreak $
K:Eb
V:1 treble nm="Klavier"
V:2 bass
V:1
!p!"^Zart bewegt""^a. 3, displaced -1" ([GB]- | [GB][EG]) [GB]2 z ([GB]- | %2
[GB][EG]) [GB]2 z"^b. 2, displaced -1" ([GB]- | [GB] [EG]2 B,2) ([GB]- | %4
[GB] [EG]2 B,2) ([GB]- | [GB]!<(! [eg]2 [eg]2!<)! [e... | 2 | In bar 1, what is the dynamic marking? | p |
Wiegenlied_op._49_no._4_Lullaby__Johannes_Brahms | X:1
T:Title
%%score { 1 | 2 }
L:1/8
Q:1/4=80
M:3/4
I:linebreak $
K:Eb
V:1 treble nm="Klavier"
V:2 bass
V:1
!p!"^Zart bewegt""^a. 3, displaced -1" ([GB]- | [GB][EG]) [GB]2 z ([GB]- | %2
[GB][EG]) [GB]2 z"^b. 2, displaced -1" ([GB]- | [GB] [EG]2 B,2) ([GB]- | %4
[GB] [EG]2 B,2) ([GB]- | [GB]!<(! [eg]2 [eg]2!<)! [e... | 2 | In bar 1, what is the lowest pitch? | E3 |
Wiegenlied_op._49_no._4_Lullaby__Johannes_Brahms | X:1
T:Title
%%score { 1 | 2 }
L:1/8
Q:1/4=80
M:3/4
I:linebreak $
K:Eb
V:1 treble nm="Klavier"
V:2 bass
V:1
!p!"^Zart bewegt""^a. 3, displaced -1" ([GB]- | [GB][EG]) [GB]2 z ([GB]- | %2
[GB][EG]) [GB]2 z"^b. 2, displaced -1" ([GB]- | [GB] [EG]2 B,2) ([GB]- | %4
[GB] [EG]2 B,2) ([GB]- | [GB]!<(! [eg]2 [eg]2!<)! [e... | 2 | In bar 19, is there a repeat sign? | No |
Wiegenlied_op._49_no._4_Lullaby__Johannes_Brahms | X:1
T:Title
%%score { 1 | 2 }
L:1/8
Q:1/4=80
M:3/4
I:linebreak $
K:Eb
V:1 treble nm="Klavier"
V:2 bass
V:1
!p!"^Zart bewegt""^a. 3, displaced -1" ([GB]- | [GB][EG]) [GB]2 z ([GB]- | %2
[GB][EG]) [GB]2 z"^b. 2, displaced -1" ([GB]- | [GB] [EG]2 B,2) ([GB]- | %4
[GB] [EG]2 B,2) ([GB]- | [GB]!<(! [eg]2 [eg]2!<)! [e... | 3 | In bar 1, does it begin on the tonic chord of the original key? | Yes |
Wiegenlied_op._49_no._4_Lullaby__Johannes_Brahms | X:1
T:Title
%%score { 1 | 2 }
L:1/8
Q:1/4=80
M:3/4
I:linebreak $
K:Eb
V:1 treble nm="Klavier"
V:2 bass
V:1
!p!"^Zart bewegt""^a. 3, displaced -1" ([GB]- | [GB][EG]) [GB]2 z ([GB]- | %2
[GB][EG]) [GB]2 z"^b. 2, displaced -1" ([GB]- | [GB] [EG]2 B,2) ([GB]- | %4
[GB] [EG]2 B,2) ([GB]- | [GB]!<(! [eg]2 [eg]2!<)! [e... | 3 | In bars 15–19, is there a perfect cadence? | Yes |
Wiegenlied_op._49_no._4_Lullaby__Johannes_Brahms | X:1
T:Title
%%score { 1 | 2 }
L:1/8
Q:1/4=80
M:3/4
I:linebreak $
K:Eb
V:1 treble nm="Klavier"
V:2 bass
V:1
!p!"^Zart bewegt""^a. 3, displaced -1" ([GB]- | [GB][EG]) [GB]2 z ([GB]- | %2
[GB][EG]) [GB]2 z"^b. 2, displaced -1" ([GB]- | [GB] [EG]2 B,2) ([GB]- | %4
[GB] [EG]2 B,2) ([GB]- | [GB]!<(! [eg]2 [eg]2!<)! [e... | 3 | In bar 18, what scale degree is the second chord? (use I, II, III, IV, V, VI, VII) | V7 |
Wiegenlied_op._49_no._4_Lullaby__Johannes_Brahms | X:1
T:Title
%%score { 1 | 2 }
L:1/8
Q:1/4=80
M:3/4
I:linebreak $
K:Eb
V:1 treble nm="Klavier"
V:2 bass
V:1
!p!"^Zart bewegt""^a. 3, displaced -1" ([GB]- | [GB][EG]) [GB]2 z ([GB]- | %2
[GB][EG]) [GB]2 z"^b. 2, displaced -1" ([GB]- | [GB] [EG]2 B,2) ([GB]- | %4
[GB] [EG]2 B,2) ([GB]- | [GB]!<(! [eg]2 [eg]2!<)! [e... | 4 | What is the performance form of the piece? | Piano solo |
Wiegenlied_op._49_no._4_Lullaby__Johannes_Brahms | X:1
T:Title
%%score { 1 | 2 }
L:1/8
Q:1/4=80
M:3/4
I:linebreak $
K:Eb
V:1 treble nm="Klavier"
V:2 bass
V:1
!p!"^Zart bewegt""^a. 3, displaced -1" ([GB]- | [GB][EG]) [GB]2 z ([GB]- | %2
[GB][EG]) [GB]2 z"^b. 2, displaced -1" ([GB]- | [GB] [EG]2 B,2) ([GB]- | %4
[GB] [EG]2 B,2) ([GB]- | [GB]!<(! [eg]2 [eg]2!<)! [e... | 4 | What are the main features of the motif? | Third interval |
Wiegenlied_op._49_no._4_Lullaby__Johannes_Brahms | X:1
T:Title
%%score { 1 | 2 }
L:1/8
Q:1/4=80
M:3/4
I:linebreak $
K:Eb
V:1 treble nm="Klavier"
V:2 bass
V:1
!p!"^Zart bewegt""^a. 3, displaced -1" ([GB]- | [GB][EG]) [GB]2 z ([GB]- | %2
[GB][EG]) [GB]2 z"^b. 2, displaced -1" ([GB]- | [GB] [EG]2 B,2) ([GB]- | %4
[GB] [EG]2 B,2) ([GB]- | [GB]!<(! [eg]2 [eg]2!<)! [e... | 4 | In bar 1, in which register is the melody? | Middle register |
tude_Opus_8_No._12_in_D_Minor__Scriabin | X:1
T:Étude No. 12 in D♯ Minor
C:Alexander Nikolayevich Scriabin(1872–1915)
Z:Александр Николаевич Скрябин
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=100
M:4/4
I:linebreak $
K:F#
V:1 treble nm="Piano"
V:3 treble
V:2 bass
V:4 bass
V:1
"^Patetico (–112)" z/ | z4 z3/2!f! [Aa]/ [A,A]>[Ee] | %2
[Ee]4 (3[Dd][^^C^^c][Dd]!<... | 1 | Who is the composer? | Scriabin |
tude_Opus_8_No._12_in_D_Minor__Scriabin | X:1
T:Étude No. 12 in D♯ Minor
C:Alexander Nikolayevich Scriabin(1872–1915)
Z:Александр Николаевич Скрябин
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=100
M:4/4
I:linebreak $
K:F#
V:1 treble nm="Piano"
V:3 treble
V:2 bass
V:4 bass
V:1
"^Patetico (–112)" z/ | z4 z3/2!f! [Aa]/ [A,A]>[Ee] | %2
[Ee]4 (3[Dd][^^C^^c][Dd]!<... | 1 | What is the title of the piece? | Étude No. 12 in D♯ minor |
tude_Opus_8_No._12_in_D_Minor__Scriabin | X:1
T:Étude No. 12 in D♯ Minor
C:Alexander Nikolayevich Scriabin(1872–1915)
Z:Александр Николаевич Скрябин
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=100
M:4/4
I:linebreak $
K:F#
V:1 treble nm="Piano"
V:3 treble
V:2 bass
V:4 bass
V:1
"^Patetico (–112)" z/ | z4 z3/2!f! [Aa]/ [A,A]>[Ee] | %2
[Ee]4 (3[Dd][^^C^^c][Dd]!<... | 1 | Is there an anacrusis (upbeat bar)? | Yes |
tude_Opus_8_No._12_in_D_Minor__Scriabin | X:1
T:Étude No. 12 in D♯ Minor
C:Alexander Nikolayevich Scriabin(1872–1915)
Z:Александр Николаевич Скрябин
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=100
M:4/4
I:linebreak $
K:F#
V:1 treble nm="Piano"
V:3 treble
V:2 bass
V:4 bass
V:1
"^Patetico (–112)" z/ | z4 z3/2!f! [Aa]/ [A,A]>[Ee] | %2
[Ee]4 (3[Dd][^^C^^c][Dd]!<... | 2 | In bar 1, what is the shortest rest value? | Semiquaver rest |
tude_Opus_8_No._12_in_D_Minor__Scriabin | X:1
T:Étude No. 12 in D♯ Minor
C:Alexander Nikolayevich Scriabin(1872–1915)
Z:Александр Николаевич Скрябин
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=100
M:4/4
I:linebreak $
K:F#
V:1 treble nm="Piano"
V:3 treble
V:2 bass
V:4 bass
V:1
"^Patetico (–112)" z/ | z4 z3/2!f! [Aa]/ [A,A]>[Ee] | %2
[Ee]4 (3[Dd][^^C^^c][Dd]!<... | 2 | Between bars 1–55, are there repeat signs? | No |
tude_Opus_8_No._12_in_D_Minor__Scriabin | X:1
T:Étude No. 12 in D♯ Minor
C:Alexander Nikolayevich Scriabin(1872–1915)
Z:Александр Николаевич Скрябин
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=100
M:4/4
I:linebreak $
K:F#
V:1 treble nm="Piano"
V:3 treble
V:2 bass
V:4 bass
V:1
"^Patetico (–112)" z/ | z4 z3/2!f! [Aa]/ [A,A]>[Ee] | %2
[Ee]4 (3[Dd][^^C^^c][Dd]!<... | 2 | In bar 1, what is the lowest pitch? | D♯2 |
tude_Opus_8_No._12_in_D_Minor__Scriabin | X:1
T:Étude No. 12 in D♯ Minor
C:Alexander Nikolayevich Scriabin(1872–1915)
Z:Александр Николаевич Скрябин
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=100
M:4/4
I:linebreak $
K:F#
V:1 treble nm="Piano"
V:3 treble
V:2 bass
V:4 bass
V:1
"^Patetico (–112)" z/ | z4 z3/2!f! [Aa]/ [A,A]>[Ee] | %2
[Ee]4 (3[Dd][^^C^^c][Dd]!<... | 3 | In bar 55, does the music termination on the tonic chord of the home key? | No |
tude_Opus_8_No._12_in_D_Minor__Scriabin | X:1
T:Étude No. 12 in D♯ Minor
C:Alexander Nikolayevich Scriabin(1872–1915)
Z:Александр Николаевич Скрябин
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=100
M:4/4
I:linebreak $
K:F#
V:1 treble nm="Piano"
V:3 treble
V:2 bass
V:4 bass
V:1
"^Patetico (–112)" z/ | z4 z3/2!f! [Aa]/ [A,A]>[Ee] | %2
[Ee]4 (3[Dd][^^C^^c][Dd]!<... | 3 | In bar 55, what are the repeated notes in the D♯ minor chord? | Root, third, fifth |
tude_Opus_8_No._12_in_D_Minor__Scriabin | X:1
T:Étude No. 12 in D♯ Minor
C:Alexander Nikolayevich Scriabin(1872–1915)
Z:Александр Николаевич Скрябин
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=100
M:4/4
I:linebreak $
K:F#
V:1 treble nm="Piano"
V:3 treble
V:2 bass
V:4 bass
V:1
"^Patetico (–112)" z/ | z4 z3/2!f! [Aa]/ [A,A]>[Ee] | %2
[Ee]4 (3[Dd][^^C^^c][Dd]!<... | 3 | In bar 55, is there a D♯ minor chord? | Yes |
tude_Opus_8_No._12_in_D_Minor__Scriabin | X:1
T:Étude No. 12 in D♯ Minor
C:Alexander Nikolayevich Scriabin(1872–1915)
Z:Александр Николаевич Скрябин
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=100
M:4/4
I:linebreak $
K:F#
V:1 treble nm="Piano"
V:3 treble
V:2 bass
V:4 bass
V:1
"^Patetico (–112)" z/ | z4 z3/2!f! [Aa]/ [A,A]>[Ee] | %2
[Ee]4 (3[Dd][^^C^^c][Dd]!<... | 4 | What is the performance medium of the piece? | Piano solo |
tude_Opus_8_No._12_in_D_Minor__Scriabin | X:1
T:Étude No. 12 in D♯ Minor
C:Alexander Nikolayevich Scriabin(1872–1915)
Z:Александр Николаевич Скрябин
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=100
M:4/4
I:linebreak $
K:F#
V:1 treble nm="Piano"
V:3 treble
V:2 bass
V:4 bass
V:1
"^Patetico (–112)" z/ | z4 z3/2!f! [Aa]/ [A,A]>[Ee] | %2
[Ee]4 (3[Dd][^^C^^c][Dd]!<... | 4 | In which register is the melody in bars 3–4? | Middle–upper register |
tude_Opus_8_No._12_in_D_Minor__Scriabin | X:1
T:Étude No. 12 in D♯ Minor
C:Alexander Nikolayevich Scriabin(1872–1915)
Z:Александр Николаевич Скрябин
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=100
M:4/4
I:linebreak $
K:F#
V:1 treble nm="Piano"
V:3 treble
V:2 bass
V:4 bass
V:1
"^Patetico (–112)" z/ | z4 z3/2!f! [Aa]/ [A,A]>[Ee] | %2
[Ee]4 (3[Dd][^^C^^c][Dd]!<... | 4 | In which part does the melodic motif appear? | Upper voice |
tude_S._1413_in_G_Minor_La_Campanella__Liszt | X:1
T:Étude in G♯ Minor
C:Franz Liszt(1811–1886)
%%score { ( 1 3 ) | ( 2 4 5 ) }
L:1/8
Q:1/4=102
M:6/8
I:linebreak $
K:B
U:s=!stemless!
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 treble
V:4 treble
V:5 treble
V:1
"^Allegretto"!p! z2 z z!8va(! .[d'd''].[d'd''] | .[d'd''] z z z .[d'd''].[d'd''] | %2
.[d'd''] z .... | 1 | What is the initial clef? | Treble clef |
tude_S._1413_in_G_Minor_La_Campanella__Liszt | X:1
T:Étude in G♯ Minor
C:Franz Liszt(1811–1886)
%%score { ( 1 3 ) | ( 2 4 5 ) }
L:1/8
Q:1/4=102
M:6/8
I:linebreak $
K:B
U:s=!stemless!
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 treble
V:4 treble
V:5 treble
V:1
"^Allegretto"!p! z2 z z!8va(! .[d'd''].[d'd''] | .[d'd''] z z z .[d'd''].[d'd''] | %2
.[d'd''] z .... | 1 | What is the title of the work? | La Campanella |
tude_S._1413_in_G_Minor_La_Campanella__Liszt | X:1
T:Étude in G♯ Minor
C:Franz Liszt(1811–1886)
%%score { ( 1 3 ) | ( 2 4 5 ) }
L:1/8
Q:1/4=102
M:6/8
I:linebreak $
K:B
U:s=!stemless!
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 treble
V:4 treble
V:5 treble
V:1
"^Allegretto"!p! z2 z z!8va(! .[d'd''].[d'd''] | .[d'd''] z z z .[d'd''].[d'd''] | %2
.[d'd''] z .... | 1 | What is the initial time signature? | 8/6 time |
tude_S._1413_in_G_Minor_La_Campanella__Liszt | X:1
T:Étude in G♯ Minor
C:Franz Liszt(1811–1886)
%%score { ( 1 3 ) | ( 2 4 5 ) }
L:1/8
Q:1/4=102
M:6/8
I:linebreak $
K:B
U:s=!stemless!
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 treble
V:4 treble
V:5 treble
V:1
"^Allegretto"!p! z2 z z!8va(! .[d'd''].[d'd''] | .[d'd''] z z z .[d'd''].[d'd''] | %2
.[d'd''] z .... | 2 | In bar 62, what does the clef change to? | Treble and bass clefs |
tude_S._1413_in_G_Minor_La_Campanella__Liszt | X:1
T:Étude in G♯ Minor
C:Franz Liszt(1811–1886)
%%score { ( 1 3 ) | ( 2 4 5 ) }
L:1/8
Q:1/4=102
M:6/8
I:linebreak $
K:B
U:s=!stemless!
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 treble
V:4 treble
V:5 treble
V:1
"^Allegretto"!p! z2 z z!8va(! .[d'd''].[d'd''] | .[d'd''] z z z .[d'd''].[d'd''] | %2
.[d'd''] z .... | 2 | In bars 1–140, is there a repeat sign? | No |
tude_S._1413_in_G_Minor_La_Campanella__Liszt | X:1
T:Étude in G♯ Minor
C:Franz Liszt(1811–1886)
%%score { ( 1 3 ) | ( 2 4 5 ) }
L:1/8
Q:1/4=102
M:6/8
I:linebreak $
K:B
U:s=!stemless!
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 treble
V:4 treble
V:5 treble
V:1
"^Allegretto"!p! z2 z z!8va(! .[d'd''].[d'd''] | .[d'd''] z z z .[d'd''].[d'd''] | %2
.[d'd''] z .... | 2 | In bar 1, is there an accidental? | No |
tude_S._1413_in_G_Minor_La_Campanella__Liszt | X:1
T:Étude in G♯ Minor
C:Franz Liszt(1811–1886)
%%score { ( 1 3 ) | ( 2 4 5 ) }
L:1/8
Q:1/4=102
M:6/8
I:linebreak $
K:B
U:s=!stemless!
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 treble
V:4 treble
V:5 treble
V:1
"^Allegretto"!p! z2 z z!8va(! .[d'd''].[d'd''] | .[d'd''] z z z .[d'd''].[d'd''] | %2
.[d'd''] z .... | 3 | In bar 6, is there a third-inversion F-sharp minor chord? | None |
tude_S._1413_in_G_Minor_La_Campanella__Liszt | X:1
T:Étude in G♯ Minor
C:Franz Liszt(1811–1886)
%%score { ( 1 3 ) | ( 2 4 5 ) }
L:1/8
Q:1/4=102
M:6/8
I:linebreak $
K:B
U:s=!stemless!
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 treble
V:4 treble
V:5 treble
V:1
"^Allegretto"!p! z2 z z!8va(! .[d'd''].[d'd''] | .[d'd''] z z z .[d'd''].[d'd''] | %2
.[d'd''] z .... | 3 | In bar 6, what scale degree is the first chord? (Use I, II, III, IV, V, VI, VII) | i |
tude_S._1413_in_G_Minor_La_Campanella__Liszt | X:1
T:Étude in G♯ Minor
C:Franz Liszt(1811–1886)
%%score { ( 1 3 ) | ( 2 4 5 ) }
L:1/8
Q:1/4=102
M:6/8
I:linebreak $
K:B
U:s=!stemless!
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 treble
V:4 treble
V:5 treble
V:1
"^Allegretto"!p! z2 z z!8va(! .[d'd''].[d'd''] | .[d'd''] z z z .[d'd''].[d'd''] | %2
.[d'd''] z .... | 3 | In bar 140, does a chord suspension occur? | No |
tude_S._1413_in_G_Minor_La_Campanella__Liszt | X:1
T:Étude in G♯ Minor
C:Franz Liszt(1811–1886)
%%score { ( 1 3 ) | ( 2 4 5 ) }
L:1/8
Q:1/4=102
M:6/8
I:linebreak $
K:B
U:s=!stemless!
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 treble
V:4 treble
V:5 treble
V:1
"^Allegretto"!p! z2 z z!8va(! .[d'd''].[d'd''] | .[d'd''] z z z .[d'd''].[d'd''] | %2
.[d'd''] z .... | 4 | What is the performance medium of the piece? | Piano solo |
tude_S._1413_in_G_Minor_La_Campanella__Liszt | X:1
T:Étude in G♯ Minor
C:Franz Liszt(1811–1886)
%%score { ( 1 3 ) | ( 2 4 5 ) }
L:1/8
Q:1/4=102
M:6/8
I:linebreak $
K:B
U:s=!stemless!
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 treble
V:4 treble
V:5 treble
V:1
"^Allegretto"!p! z2 z z!8va(! .[d'd''].[d'd''] | .[d'd''] z z z .[d'd''].[d'd''] | %2
.[d'd''] z .... | 4 | In which bar does the melodic motif appear? | Bar 5, 6, 7 |
tude_S._1413_in_G_Minor_La_Campanella__Liszt | X:1
T:Étude in G♯ Minor
C:Franz Liszt(1811–1886)
%%score { ( 1 3 ) | ( 2 4 5 ) }
L:1/8
Q:1/4=102
M:6/8
I:linebreak $
K:B
U:s=!stemless!
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 treble
V:4 treble
V:5 treble
V:1
"^Allegretto"!p! z2 z z!8va(! .[d'd''].[d'd''] | .[d'd''] z z z .[d'd''].[d'd''] | %2
.[d'd''] z .... | 4 | In bars 5–7, in which register is the melody? | Upper register |
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