song_id stringclasses 150
values | abc_notation stringclasses 150
values | level int32 1 4 | question stringlengths 20 85 | answer stringlengths 1 82 |
|---|---|---|---|---|
Schubert_Franz_-_Winterreise_D.911_No.5_-_Der_Lindenbaum | X:1
T:Winterreise, D.911
T:Der Lindenbaum
C:Franz Schubert
Z:Wilhelm Müller
Z:OpenScore (CC0)
%%score 1 { ( 2 4 ) | ( 3 5 ) }
L:1/8
Q:1/4=70
M:3/4
I:linebreak $
K:E
V:1 treble nm="Singstimme\n\n Voice"
V:2 treble nm="Pianoforte"
V:4 treble
V:3 bass
V:5 bass
V:1
"^Mässig" z6 | z6 | z6 | z6 | z6 | z6 | z6 | z... | 1 | What instruments are used? | Voice and piano |
Schubert_Franz_-_Winterreise_D.911_No.5_-_Der_Lindenbaum | X:1
T:Winterreise, D.911
T:Der Lindenbaum
C:Franz Schubert
Z:Wilhelm Müller
Z:OpenScore (CC0)
%%score 1 { ( 2 4 ) | ( 3 5 ) }
L:1/8
Q:1/4=70
M:3/4
I:linebreak $
K:E
V:1 treble nm="Singstimme\n\n Voice"
V:2 treble nm="Pianoforte"
V:4 treble
V:3 bass
V:5 bass
V:1
"^Mässig" z6 | z6 | z6 | z6 | z6 | z6 | z6 | z... | 1 | What is the tempo in beats per minute? | None |
Schubert_Franz_-_Winterreise_D.911_No.5_-_Der_Lindenbaum | X:1
T:Winterreise, D.911
T:Der Lindenbaum
C:Franz Schubert
Z:Wilhelm Müller
Z:OpenScore (CC0)
%%score 1 { ( 2 4 ) | ( 3 5 ) }
L:1/8
Q:1/4=70
M:3/4
I:linebreak $
K:E
V:1 treble nm="Singstimme\n\n Voice"
V:2 treble nm="Pianoforte"
V:4 treble
V:3 bass
V:5 bass
V:1
"^Mässig" z6 | z6 | z6 | z6 | z6 | z6 | z6 | z... | 1 | What is the initial expression term? | Mässig (moderate) |
Schubert_Franz_-_Winterreise_D.911_No.5_-_Der_Lindenbaum | X:1
T:Winterreise, D.911
T:Der Lindenbaum
C:Franz Schubert
Z:Wilhelm Müller
Z:OpenScore (CC0)
%%score 1 { ( 2 4 ) | ( 3 5 ) }
L:1/8
Q:1/4=70
M:3/4
I:linebreak $
K:E
V:1 treble nm="Singstimme\n\n Voice"
V:2 treble nm="Pianoforte"
V:4 treble
V:3 bass
V:5 bass
V:1
"^Mässig" z6 | z6 | z6 | z6 | z6 | z6 | z6 | z... | 2 | In bar 56, what is the ornament on note B? | None |
Schubert_Franz_-_Winterreise_D.911_No.5_-_Der_Lindenbaum | X:1
T:Winterreise, D.911
T:Der Lindenbaum
C:Franz Schubert
Z:Wilhelm Müller
Z:OpenScore (CC0)
%%score 1 { ( 2 4 ) | ( 3 5 ) }
L:1/8
Q:1/4=70
M:3/4
I:linebreak $
K:E
V:1 treble nm="Singstimme\n\n Voice"
V:2 treble nm="Pianoforte"
V:4 treble
V:3 bass
V:5 bass
V:1
"^Mässig" z6 | z6 | z6 | z6 | z6 | z6 | z6 | z... | 2 | In bar 46, what is the highest pitch? | C5 |
Schubert_Franz_-_Winterreise_D.911_No.5_-_Der_Lindenbaum | X:1
T:Winterreise, D.911
T:Der Lindenbaum
C:Franz Schubert
Z:Wilhelm Müller
Z:OpenScore (CC0)
%%score 1 { ( 2 4 ) | ( 3 5 ) }
L:1/8
Q:1/4=70
M:3/4
I:linebreak $
K:E
V:1 treble nm="Singstimme\n\n Voice"
V:2 treble nm="Pianoforte"
V:4 treble
V:3 bass
V:5 bass
V:1
"^Mässig" z6 | z6 | z6 | z6 | z6 | z6 | z6 | z... | 2 | In bar 28, what is the longest rest value? | Minim rest |
Schubert_Franz_-_Winterreise_D.911_No.5_-_Der_Lindenbaum | X:1
T:Winterreise, D.911
T:Der Lindenbaum
C:Franz Schubert
Z:Wilhelm Müller
Z:OpenScore (CC0)
%%score 1 { ( 2 4 ) | ( 3 5 ) }
L:1/8
Q:1/4=70
M:3/4
I:linebreak $
K:E
V:1 treble nm="Singstimme\n\n Voice"
V:2 treble nm="Pianoforte"
V:4 treble
V:3 bass
V:5 bass
V:1
"^Mässig" z6 | z6 | z6 | z6 | z6 | z6 | z6 | z... | 3 | In bars 39–40, is there a suspension? | No |
Schubert_Franz_-_Winterreise_D.911_No.5_-_Der_Lindenbaum | X:1
T:Winterreise, D.911
T:Der Lindenbaum
C:Franz Schubert
Z:Wilhelm Müller
Z:OpenScore (CC0)
%%score 1 { ( 2 4 ) | ( 3 5 ) }
L:1/8
Q:1/4=70
M:3/4
I:linebreak $
K:E
V:1 treble nm="Singstimme\n\n Voice"
V:2 treble nm="Pianoforte"
V:4 treble
V:3 bass
V:5 bass
V:1
"^Mässig" z6 | z6 | z6 | z6 | z6 | z6 | z6 | z... | 3 | In bars 25–36, does the piece begin on the tonic chord of the original key? | Yes |
Schubert_Franz_-_Winterreise_D.911_No.5_-_Der_Lindenbaum | X:1
T:Winterreise, D.911
T:Der Lindenbaum
C:Franz Schubert
Z:Wilhelm Müller
Z:OpenScore (CC0)
%%score 1 { ( 2 4 ) | ( 3 5 ) }
L:1/8
Q:1/4=70
M:3/4
I:linebreak $
K:E
V:1 treble nm="Singstimme\n\n Voice"
V:2 treble nm="Pianoforte"
V:4 treble
V:3 bass
V:5 bass
V:1
"^Mässig" z6 | z6 | z6 | z6 | z6 | z6 | z6 | z... | 3 | In bar 67, what scale degree is the chord? (Use I, II, III, IV, V, VI, VII) | V2 |
Schubert_Franz_-_Winterreise_D.911_No.5_-_Der_Lindenbaum | X:1
T:Winterreise, D.911
T:Der Lindenbaum
C:Franz Schubert
Z:Wilhelm Müller
Z:OpenScore (CC0)
%%score 1 { ( 2 4 ) | ( 3 5 ) }
L:1/8
Q:1/4=70
M:3/4
I:linebreak $
K:E
V:1 treble nm="Singstimme\n\n Voice"
V:2 treble nm="Pianoforte"
V:4 treble
V:3 bass
V:5 bass
V:1
"^Mässig" z6 | z6 | z6 | z6 | z6 | z6 | z6 | z... | 4 | What is the genre of the piece? | Art song |
Schubert_Franz_-_Winterreise_D.911_No.5_-_Der_Lindenbaum | X:1
T:Winterreise, D.911
T:Der Lindenbaum
C:Franz Schubert
Z:Wilhelm Müller
Z:OpenScore (CC0)
%%score 1 { ( 2 4 ) | ( 3 5 ) }
L:1/8
Q:1/4=70
M:3/4
I:linebreak $
K:E
V:1 treble nm="Singstimme\n\n Voice"
V:2 treble nm="Pianoforte"
V:4 treble
V:3 bass
V:5 bass
V:1
"^Mässig" z6 | z6 | z6 | z6 | z6 | z6 | z6 | z... | 4 | What is the performance medium of the piece? | Voice and piano |
Schubert_Franz_-_Winterreise_D.911_No.5_-_Der_Lindenbaum | X:1
T:Winterreise, D.911
T:Der Lindenbaum
C:Franz Schubert
Z:Wilhelm Müller
Z:OpenScore (CC0)
%%score 1 { ( 2 4 ) | ( 3 5 ) }
L:1/8
Q:1/4=70
M:3/4
I:linebreak $
K:E
V:1 treble nm="Singstimme\n\n Voice"
V:2 treble nm="Pianoforte"
V:4 treble
V:3 bass
V:5 bass
V:1
"^Mässig" z6 | z6 | z6 | z6 | z6 | z6 | z6 | z... | 4 | In which part does the main theme first appear? | Vocal part |
Schubert_Impromptu_No._3_Op._90_D_899_G_Majeur_Transcription_de_Liszt | X:1
T:IMPROMPTU Op.90 no.3
C:Schubert
%%score { ( 1 2 ) | ( 3 4 ) }
L:1/8
Q:1/4=96
M:8/4
I:linebreak $
K:Gb
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:3 bass
V:4 bass
V:1
"^Andante" !fermata!x2!pp! (B8 !wedge!B4) !wedge!B4 | (B8 G8) | (A8 G2) F2 E2 D2 | %3
G4 B4!p! A6 =A2 | (B8 B4) B4 | (B8 G4) F4 | (E4 A4) G2 F... | 1 | What instruments are used? | Piano |
Schubert_Impromptu_No._3_Op._90_D_899_G_Majeur_Transcription_de_Liszt | X:1
T:IMPROMPTU Op.90 no.3
C:Schubert
%%score { ( 1 2 ) | ( 3 4 ) }
L:1/8
Q:1/4=96
M:8/4
I:linebreak $
K:Gb
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:3 bass
V:4 bass
V:1
"^Andante" !fermata!x2!pp! (B8 !wedge!B4) !wedge!B4 | (B8 G8) | (A8 G2) F2 E2 D2 | %3
G4 B4!p! A6 =A2 | (B8 B4) B4 | (B8 G4) F4 | (E4 A4) G2 F... | 1 | What is the title of the work? | Impromptu No. 3 |
Schubert_Impromptu_No._3_Op._90_D_899_G_Majeur_Transcription_de_Liszt | X:1
T:IMPROMPTU Op.90 no.3
C:Schubert
%%score { ( 1 2 ) | ( 3 4 ) }
L:1/8
Q:1/4=96
M:8/4
I:linebreak $
K:Gb
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:3 bass
V:4 bass
V:1
"^Andante" !fermata!x2!pp! (B8 !wedge!B4) !wedge!B4 | (B8 G8) | (A8 G2) F2 E2 D2 | %3
G4 B4!p! A6 =A2 | (B8 B4) B4 | (B8 G4) F4 | (E4 A4) G2 F... | 1 | What is the initial tempo marking? | Andante |
Schubert_Impromptu_No._3_Op._90_D_899_G_Majeur_Transcription_de_Liszt | X:1
T:IMPROMPTU Op.90 no.3
C:Schubert
%%score { ( 1 2 ) | ( 3 4 ) }
L:1/8
Q:1/4=96
M:8/4
I:linebreak $
K:Gb
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:3 bass
V:4 bass
V:1
"^Andante" !fermata!x2!pp! (B8 !wedge!B4) !wedge!B4 | (B8 G8) | (A8 G2) F2 E2 D2 | %3
G4 B4!p! A6 =A2 | (B8 B4) B4 | (B8 G4) F4 | (E4 A4) G2 F... | 2 | In bar 1, what is the dynamic marking? | pp |
Schubert_Impromptu_No._3_Op._90_D_899_G_Majeur_Transcription_de_Liszt | X:1
T:IMPROMPTU Op.90 no.3
C:Schubert
%%score { ( 1 2 ) | ( 3 4 ) }
L:1/8
Q:1/4=96
M:8/4
I:linebreak $
K:Gb
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:3 bass
V:4 bass
V:1
"^Andante" !fermata!x2!pp! (B8 !wedge!B4) !wedge!B4 | (B8 G8) | (A8 G2) F2 E2 D2 | %3
G4 B4!p! A6 =A2 | (B8 B4) B4 | (B8 G4) F4 | (E4 A4) G2 F... | 2 | In bar 1, what is the shortest rest value? | Quaver rest |
Schubert_Impromptu_No._3_Op._90_D_899_G_Majeur_Transcription_de_Liszt | X:1
T:IMPROMPTU Op.90 no.3
C:Schubert
%%score { ( 1 2 ) | ( 3 4 ) }
L:1/8
Q:1/4=96
M:8/4
I:linebreak $
K:Gb
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:3 bass
V:4 bass
V:1
"^Andante" !fermata!x2!pp! (B8 !wedge!B4) !wedge!B4 | (B8 G8) | (A8 G2) F2 E2 D2 | %3
G4 B4!p! A6 =A2 | (B8 B4) B4 | (B8 G4) F4 | (E4 A4) G2 F... | 2 | In bar 1, what is the highest pitch? | B♭1 |
Schubert_Impromptu_No._3_Op._90_D_899_G_Majeur_Transcription_de_Liszt | X:1
T:IMPROMPTU Op.90 no.3
C:Schubert
%%score { ( 1 2 ) | ( 3 4 ) }
L:1/8
Q:1/4=96
M:8/4
I:linebreak $
K:Gb
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:3 bass
V:4 bass
V:1
"^Andante" !fermata!x2!pp! (B8 !wedge!B4) !wedge!B4 | (B8 G8) | (A8 G2) F2 E2 D2 | %3
G4 B4!p! A6 =A2 | (B8 B4) B4 | (B8 G4) F4 | (E4 A4) G2 F... | 3 | In bar 134, is there a suspension? | No |
Schubert_Impromptu_No._3_Op._90_D_899_G_Majeur_Transcription_de_Liszt | X:1
T:IMPROMPTU Op.90 no.3
C:Schubert
%%score { ( 1 2 ) | ( 3 4 ) }
L:1/8
Q:1/4=96
M:8/4
I:linebreak $
K:Gb
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:3 bass
V:4 bass
V:1
"^Andante" !fermata!x2!pp! (B8 !wedge!B4) !wedge!B4 | (B8 G8) | (A8 G2) F2 E2 D2 | %3
G4 B4!p! A6 =A2 | (B8 B4) B4 | (B8 G4) F4 | (E4 A4) G2 F... | 3 | In bar 3, what is the voicing of the A minor chord? | Close position |
Schubert_Impromptu_No._3_Op._90_D_899_G_Majeur_Transcription_de_Liszt | X:1
T:IMPROMPTU Op.90 no.3
C:Schubert
%%score { ( 1 2 ) | ( 3 4 ) }
L:1/8
Q:1/4=96
M:8/4
I:linebreak $
K:Gb
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:3 bass
V:4 bass
V:1
"^Andante" !fermata!x2!pp! (B8 !wedge!B4) !wedge!B4 | (B8 G8) | (A8 G2) F2 E2 D2 | %3
G4 B4!p! A6 =A2 | (B8 B4) B4 | (B8 G4) F4 | (E4 A4) G2 F... | 3 | In bar 1, does the piece begin on the tonic chord of the original key? | Yes |
Schubert_Impromptu_No._3_Op._90_D_899_G_Majeur_Transcription_de_Liszt | X:1
T:IMPROMPTU Op.90 no.3
C:Schubert
%%score { ( 1 2 ) | ( 3 4 ) }
L:1/8
Q:1/4=96
M:8/4
I:linebreak $
K:Gb
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:3 bass
V:4 bass
V:1
"^Andante" !fermata!x2!pp! (B8 !wedge!B4) !wedge!B4 | (B8 G8) | (A8 G2) F2 E2 D2 | %3
G4 B4!p! A6 =A2 | (B8 B4) B4 | (B8 G4) F4 | (E4 A4) G2 F... | 4 | In which bar does the melodic motif appear? | 1, 2 |
Schubert_Impromptu_No._3_Op._90_D_899_G_Majeur_Transcription_de_Liszt | X:1
T:IMPROMPTU Op.90 no.3
C:Schubert
%%score { ( 1 2 ) | ( 3 4 ) }
L:1/8
Q:1/4=96
M:8/4
I:linebreak $
K:Gb
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:3 bass
V:4 bass
V:1
"^Andante" !fermata!x2!pp! (B8 !wedge!B4) !wedge!B4 | (B8 G8) | (A8 G2) F2 E2 D2 | %3
G4 B4!p! A6 =A2 | (B8 B4) B4 | (B8 G4) F4 | (E4 A4) G2 F... | 4 | What is the motif of the piece? | Repeated notes + thirds |
Schubert_Impromptu_No._3_Op._90_D_899_G_Majeur_Transcription_de_Liszt | X:1
T:IMPROMPTU Op.90 no.3
C:Schubert
%%score { ( 1 2 ) | ( 3 4 ) }
L:1/8
Q:1/4=96
M:8/4
I:linebreak $
K:Gb
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:3 bass
V:4 bass
V:1
"^Andante" !fermata!x2!pp! (B8 !wedge!B4) !wedge!B4 | (B8 G8) | (A8 G2) F2 E2 D2 | %3
G4 B4!p! A6 =A2 | (B8 B4) B4 | (B8 G4) F4 | (E4 A4) G2 F... | 4 | In which register is the opening melody played? | Middle register |
Schubert_Waltz_in_B_minor_Op._18_No._6_D.145 | X:1
T:Waltz in b minor
C:Franz Schubert
Z:Public Domain (PianoXML typeset)
%%score { 1 | 2 }
L:1/8
Q:1/4=80
M:3/4
I:linebreak $
K:D
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:1
"^Moderato"!pp! (!1!B>!3!d !>!f4) | (!2!c>!3!e !>!f4) | (B>!3!d !>!f3 g) | (g>e)(ed)(dc) | %4
(B>d !>!f4) | (c>e !>!f4) | (d>f!>!d'c'c'b) | ... | 1 | What is the initial tempo marking? | Moderato |
Schubert_Waltz_in_B_minor_Op._18_No._6_D.145 | X:1
T:Waltz in b minor
C:Franz Schubert
Z:Public Domain (PianoXML typeset)
%%score { 1 | 2 }
L:1/8
Q:1/4=80
M:3/4
I:linebreak $
K:D
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:1
"^Moderato"!pp! (!1!B>!3!d !>!f4) | (!2!c>!3!e !>!f4) | (B>!3!d !>!f3 g) | (g>e)(ed)(dc) | %4
(B>d !>!f4) | (c>e !>!f4) | (d>f!>!d'c'c'b) | ... | 1 | What is the tempo in beats per minute? | 80 |
Schubert_Waltz_in_B_minor_Op._18_No._6_D.145 | X:1
T:Waltz in b minor
C:Franz Schubert
Z:Public Domain (PianoXML typeset)
%%score { 1 | 2 }
L:1/8
Q:1/4=80
M:3/4
I:linebreak $
K:D
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:1
"^Moderato"!pp! (!1!B>!3!d !>!f4) | (!2!c>!3!e !>!f4) | (B>!3!d !>!f3 g) | (g>e)(ed)(dc) | %4
(B>d !>!f4) | (c>e !>!f4) | (d>f!>!d'c'c'b) | ... | 1 | Is it an anacrusis (upbeat bar)? | No |
Schubert_Waltz_in_B_minor_Op._18_No._6_D.145 | X:1
T:Waltz in b minor
C:Franz Schubert
Z:Public Domain (PianoXML typeset)
%%score { 1 | 2 }
L:1/8
Q:1/4=80
M:3/4
I:linebreak $
K:D
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:1
"^Moderato"!pp! (!1!B>!3!d !>!f4) | (!2!c>!3!e !>!f4) | (B>!3!d !>!f3 g) | (g>e)(ed)(dc) | %4
(B>d !>!f4) | (c>e !>!f4) | (d>f!>!d'c'c'b) | ... | 2 | In bar 1, what is the articulation marking? | Accent mark |
Schubert_Waltz_in_B_minor_Op._18_No._6_D.145 | X:1
T:Waltz in b minor
C:Franz Schubert
Z:Public Domain (PianoXML typeset)
%%score { 1 | 2 }
L:1/8
Q:1/4=80
M:3/4
I:linebreak $
K:D
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:1
"^Moderato"!pp! (!1!B>!3!d !>!f4) | (!2!c>!3!e !>!f4) | (B>!3!d !>!f3 g) | (g>e)(ed)(dc) | %4
(B>d !>!f4) | (c>e !>!f4) | (d>f!>!d'c'c'b) | ... | 2 | In bar 17, what is the dynamic marking? | mf |
Schubert_Waltz_in_B_minor_Op._18_No._6_D.145 | X:1
T:Waltz in b minor
C:Franz Schubert
Z:Public Domain (PianoXML typeset)
%%score { 1 | 2 }
L:1/8
Q:1/4=80
M:3/4
I:linebreak $
K:D
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:1
"^Moderato"!pp! (!1!B>!3!d !>!f4) | (!2!c>!3!e !>!f4) | (B>!3!d !>!f3 g) | (g>e)(ed)(dc) | %4
(B>d !>!f4) | (c>e !>!f4) | (d>f!>!d'c'c'b) | ... | 2 | In bar 14, what is the dynamic marking? | Crescendo |
Schubert_Waltz_in_B_minor_Op._18_No._6_D.145 | X:1
T:Waltz in b minor
C:Franz Schubert
Z:Public Domain (PianoXML typeset)
%%score { 1 | 2 }
L:1/8
Q:1/4=80
M:3/4
I:linebreak $
K:D
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:1
"^Moderato"!pp! (!1!B>!3!d !>!f4) | (!2!c>!3!e !>!f4) | (B>!3!d !>!f3 g) | (g>e)(ed)(dc) | %4
(B>d !>!f4) | (c>e !>!f4) | (d>f!>!d'c'c'b) | ... | 3 | In bar 32, what is the voicing of the B major chord? | Open position |
Schubert_Waltz_in_B_minor_Op._18_No._6_D.145 | X:1
T:Waltz in b minor
C:Franz Schubert
Z:Public Domain (PianoXML typeset)
%%score { 1 | 2 }
L:1/8
Q:1/4=80
M:3/4
I:linebreak $
K:D
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:1
"^Moderato"!pp! (!1!B>!3!d !>!f4) | (!2!c>!3!e !>!f4) | (B>!3!d !>!f3 g) | (g>e)(ed)(dc) | %4
(B>d !>!f4) | (c>e !>!f4) | (d>f!>!d'c'c'b) | ... | 3 | In bar 32, what notes are omitted from the B major chord? | F# |
Schubert_Waltz_in_B_minor_Op._18_No._6_D.145 | X:1
T:Waltz in b minor
C:Franz Schubert
Z:Public Domain (PianoXML typeset)
%%score { 1 | 2 }
L:1/8
Q:1/4=80
M:3/4
I:linebreak $
K:D
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:1
"^Moderato"!pp! (!1!B>!3!d !>!f4) | (!2!c>!3!e !>!f4) | (B>!3!d !>!f3 g) | (g>e)(ed)(dc) | %4
(B>d !>!f4) | (c>e !>!f4) | (d>f!>!d'c'c'b) | ... | 3 | In bar 17, what scale degree is the chord? (Use I, II, III, IV, V, VI, VII) | V7 |
Schubert_Waltz_in_B_minor_Op._18_No._6_D.145 | X:1
T:Waltz in b minor
C:Franz Schubert
Z:Public Domain (PianoXML typeset)
%%score { 1 | 2 }
L:1/8
Q:1/4=80
M:3/4
I:linebreak $
K:D
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:1
"^Moderato"!pp! (!1!B>!3!d !>!f4) | (!2!c>!3!e !>!f4) | (B>!3!d !>!f3 g) | (g>e)(ed)(dc) | %4
(B>d !>!f4) | (c>e !>!f4) | (d>f!>!d'c'c'b) | ... | 4 | What is the genre of the piece? | Waltz |
Schubert_Waltz_in_B_minor_Op._18_No._6_D.145 | X:1
T:Waltz in b minor
C:Franz Schubert
Z:Public Domain (PianoXML typeset)
%%score { 1 | 2 }
L:1/8
Q:1/4=80
M:3/4
I:linebreak $
K:D
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:1
"^Moderato"!pp! (!1!B>!3!d !>!f4) | (!2!c>!3!e !>!f4) | (B>!3!d !>!f3 g) | (g>e)(ed)(dc) | %4
(B>d !>!f4) | (c>e !>!f4) | (d>f!>!d'c'c'b) | ... | 4 | In which bar does the melodic motif appear? | 1 |
Schubert_Waltz_in_B_minor_Op._18_No._6_D.145 | X:1
T:Waltz in b minor
C:Franz Schubert
Z:Public Domain (PianoXML typeset)
%%score { 1 | 2 }
L:1/8
Q:1/4=80
M:3/4
I:linebreak $
K:D
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:1
"^Moderato"!pp! (!1!B>!3!d !>!f4) | (!2!c>!3!e !>!f4) | (B>!3!d !>!f3 g) | (g>e)(ed)(dc) | %4
(B>d !>!f4) | (c>e !>!f4) | (d>f!>!d'c'c'b) | ... | 4 | In bars 1–2, in which register is the melody played? | Upper–middle register |
Scriabin_Vers_La_Flamme_Op._72 | X:1
T:Vers La Flamme
C:Alexander Scriabin
Z:Op. 72
%%score { ( 1 4 5 7 ) | ( 2 6 8 ) | 3 }
L:1/8
Q:1/4=100
M:9/8
I:linebreak $
K:C
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:5 treble
V:7 treble
V:2 bass
V:6 bass
V:8 bass
V:3 treble
V:1
!pp!"^Allegro moderato" ([^A,^C] |"_sombre" [^G,D]6- [G,D]2 [^A,^C] | [^G,... | 1 | Who is the composer? | Scriabin |
Scriabin_Vers_La_Flamme_Op._72 | X:1
T:Vers La Flamme
C:Alexander Scriabin
Z:Op. 72
%%score { ( 1 4 5 7 ) | ( 2 6 8 ) | 3 }
L:1/8
Q:1/4=100
M:9/8
I:linebreak $
K:C
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:5 treble
V:7 treble
V:2 bass
V:6 bass
V:8 bass
V:3 treble
V:1
!pp!"^Allegro moderato" ([^A,^C] |"_sombre" [^G,D]6- [G,D]2 [^A,^C] | [^G,... | 1 | What is the initial clef? | Treble clef, Bass clef |
Scriabin_Vers_La_Flamme_Op._72 | X:1
T:Vers La Flamme
C:Alexander Scriabin
Z:Op. 72
%%score { ( 1 4 5 7 ) | ( 2 6 8 ) | 3 }
L:1/8
Q:1/4=100
M:9/8
I:linebreak $
K:C
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:5 treble
V:7 treble
V:2 bass
V:6 bass
V:8 bass
V:3 treble
V:1
!pp!"^Allegro moderato" ([^A,^C] |"_sombre" [^G,D]6- [G,D]2 [^A,^C] | [^G,... | 1 | Is there an anacrusis? | Yes |
Scriabin_Vers_La_Flamme_Op._72 | X:1
T:Vers La Flamme
C:Alexander Scriabin
Z:Op. 72
%%score { ( 1 4 5 7 ) | ( 2 6 8 ) | 3 }
L:1/8
Q:1/4=100
M:9/8
I:linebreak $
K:C
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:5 treble
V:7 treble
V:2 bass
V:6 bass
V:8 bass
V:3 treble
V:1
!pp!"^Allegro moderato" ([^A,^C] |"_sombre" [^G,D]6- [G,D]2 [^A,^C] | [^G,... | 2 | In bars 1–6, what are the articulation markings? | Slur |
Scriabin_Vers_La_Flamme_Op._72 | X:1
T:Vers La Flamme
C:Alexander Scriabin
Z:Op. 72
%%score { ( 1 4 5 7 ) | ( 2 6 8 ) | 3 }
L:1/8
Q:1/4=100
M:9/8
I:linebreak $
K:C
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:5 treble
V:7 treble
V:2 bass
V:6 bass
V:8 bass
V:3 treble
V:1
!pp!"^Allegro moderato" ([^A,^C] |"_sombre" [^G,D]6- [G,D]2 [^A,^C] | [^G,... | 2 | In bar 52, what is the longest rest value? | Crotchet rest |
Scriabin_Vers_La_Flamme_Op._72 | X:1
T:Vers La Flamme
C:Alexander Scriabin
Z:Op. 72
%%score { ( 1 4 5 7 ) | ( 2 6 8 ) | 3 }
L:1/8
Q:1/4=100
M:9/8
I:linebreak $
K:C
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:5 treble
V:7 treble
V:2 bass
V:6 bass
V:8 bass
V:3 treble
V:1
!pp!"^Allegro moderato" ([^A,^C] |"_sombre" [^G,D]6- [G,D]2 [^A,^C] | [^G,... | 2 | Between bars 1–137, are there repeat signs? | No |
Scriabin_Vers_La_Flamme_Op._72 | X:1
T:Vers La Flamme
C:Alexander Scriabin
Z:Op. 72
%%score { ( 1 4 5 7 ) | ( 2 6 8 ) | 3 }
L:1/8
Q:1/4=100
M:9/8
I:linebreak $
K:C
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:5 treble
V:7 treble
V:2 bass
V:6 bass
V:8 bass
V:3 treble
V:1
!pp!"^Allegro moderato" ([^A,^C] |"_sombre" [^G,D]6- [G,D]2 [^A,^C] | [^G,... | 3 | In bar 137, what note is omitted from the C minor chord? | Fifth |
Scriabin_Vers_La_Flamme_Op._72 | X:1
T:Vers La Flamme
C:Alexander Scriabin
Z:Op. 72
%%score { ( 1 4 5 7 ) | ( 2 6 8 ) | 3 }
L:1/8
Q:1/4=100
M:9/8
I:linebreak $
K:C
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:5 treble
V:7 treble
V:2 bass
V:6 bass
V:8 bass
V:3 treble
V:1
!pp!"^Allegro moderato" ([^A,^C] |"_sombre" [^G,D]6- [G,D]2 [^A,^C] | [^G,... | 3 | Between bars 135–137, is there a perfect cadence or similar? | No |
Scriabin_Vers_La_Flamme_Op._72 | X:1
T:Vers La Flamme
C:Alexander Scriabin
Z:Op. 72
%%score { ( 1 4 5 7 ) | ( 2 6 8 ) | 3 }
L:1/8
Q:1/4=100
M:9/8
I:linebreak $
K:C
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:5 treble
V:7 treble
V:2 bass
V:6 bass
V:8 bass
V:3 treble
V:1
!pp!"^Allegro moderato" ([^A,^C] |"_sombre" [^G,D]6- [G,D]2 [^A,^C] | [^G,... | 3 | In bar 1, does the music begin on the tonic chord of the home key? | No |
Scriabin_Vers_La_Flamme_Op._72 | X:1
T:Vers La Flamme
C:Alexander Scriabin
Z:Op. 72
%%score { ( 1 4 5 7 ) | ( 2 6 8 ) | 3 }
L:1/8
Q:1/4=100
M:9/8
I:linebreak $
K:C
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:5 treble
V:7 treble
V:2 bass
V:6 bass
V:8 bass
V:3 treble
V:1
!pp!"^Allegro moderato" ([^A,^C] |"_sombre" [^G,D]6- [G,D]2 [^A,^C] | [^G,... | 4 | What is the most frequently used texture type in the piece? | Homophonic texture |
Scriabin_Vers_La_Flamme_Op._72 | X:1
T:Vers La Flamme
C:Alexander Scriabin
Z:Op. 72
%%score { ( 1 4 5 7 ) | ( 2 6 8 ) | 3 }
L:1/8
Q:1/4=100
M:9/8
I:linebreak $
K:C
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:5 treble
V:7 treble
V:2 bass
V:6 bass
V:8 bass
V:3 treble
V:1
!pp!"^Allegro moderato" ([^A,^C] |"_sombre" [^G,D]6- [G,D]2 [^A,^C] | [^G,... | 4 | What is the performance medium of the piece? | Piano solo |
Scriabin_Vers_La_Flamme_Op._72 | X:1
T:Vers La Flamme
C:Alexander Scriabin
Z:Op. 72
%%score { ( 1 4 5 7 ) | ( 2 6 8 ) | 3 }
L:1/8
Q:1/4=100
M:9/8
I:linebreak $
K:C
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:5 treble
V:7 treble
V:2 bass
V:6 bass
V:8 bass
V:3 treble
V:1
!pp!"^Allegro moderato" ([^A,^C] |"_sombre" [^G,D]6- [G,D]2 [^A,^C] | [^G,... | 4 | What is the most frequently used accompaniment type in the piece? | Arpeggiated chords, Block chords |
Sonata_Franz_Schubert_Op.42__Franz_Schubert_32d1e2ca4701797191264ba41b94250837beb069 | X:1
T:Title
%%score { ( 1 4 5 6 ) | ( 2 3 7 8 ) }
L:1/8
Q:1/4=120
M:4/4
I:linebreak $
K:C
V:1 treble nm="Piano"
V:4 treble
V:5 treble
V:6 treble
V:2 bass
V:3 bass
V:7 bass
V:8 bass
V:1
!pp! (c2 | x4 B2 A2 e3 c/A/ | E6)!mf! [A,E]2 | .[^G,DE]2 [A,CE]2 .[B,E]2 [A,^DA]2 | %4
[^G,E^G]6!pp! (d2 | x2 c2 B2 f3 | E6)!mf... | 1 | What instruments are used? | Piano |
Sonata_Franz_Schubert_Op.42__Franz_Schubert_32d1e2ca4701797191264ba41b94250837beb069 | X:1
T:Title
%%score { ( 1 4 5 6 ) | ( 2 3 7 8 ) }
L:1/8
Q:1/4=120
M:4/4
I:linebreak $
K:C
V:1 treble nm="Piano"
V:4 treble
V:5 treble
V:6 treble
V:2 bass
V:3 bass
V:7 bass
V:8 bass
V:1
!pp! (c2 | x4 B2 A2 e3 c/A/ | E6)!mf! [A,E]2 | .[^G,DE]2 [A,CE]2 .[B,E]2 [A,^DA]2 | %4
[^G,E^G]6!pp! (d2 | x2 c2 B2 f3 | E6)!mf... | 1 | What is the title of the piece? | Franz Schubert: Piano Sonata in A major, D.845, Op.42 |
Sonata_Franz_Schubert_Op.42__Franz_Schubert_32d1e2ca4701797191264ba41b94250837beb069 | X:1
T:Title
%%score { ( 1 4 5 6 ) | ( 2 3 7 8 ) }
L:1/8
Q:1/4=120
M:4/4
I:linebreak $
K:C
V:1 treble nm="Piano"
V:4 treble
V:5 treble
V:6 treble
V:2 bass
V:3 bass
V:7 bass
V:8 bass
V:1
!pp! (c2 | x4 B2 A2 e3 c/A/ | E6)!mf! [A,E]2 | .[^G,DE]2 [A,CE]2 .[B,E]2 [A,^DA]2 | %4
[^G,E^G]6!pp! (d2 | x2 c2 B2 f3 | E6)!mf... | 1 | Is there an anacrusis? | Yes |
Sonata_Franz_Schubert_Op.42__Franz_Schubert_32d1e2ca4701797191264ba41b94250837beb069 | X:1
T:Title
%%score { ( 1 4 5 6 ) | ( 2 3 7 8 ) }
L:1/8
Q:1/4=120
M:4/4
I:linebreak $
K:C
V:1 treble nm="Piano"
V:4 treble
V:5 treble
V:6 treble
V:2 bass
V:3 bass
V:7 bass
V:8 bass
V:1
!pp! (c2 | x4 B2 A2 e3 c/A/ | E6)!mf! [A,E]2 | .[^G,DE]2 [A,CE]2 .[B,E]2 [A,^DA]2 | %4
[^G,E^G]6!pp! (d2 | x2 c2 B2 f3 | E6)!mf... | 2 | In bar 36, what is the ornament sign? | Inverted mordent |
Sonata_Franz_Schubert_Op.42__Franz_Schubert_32d1e2ca4701797191264ba41b94250837beb069 | X:1
T:Title
%%score { ( 1 4 5 6 ) | ( 2 3 7 8 ) }
L:1/8
Q:1/4=120
M:4/4
I:linebreak $
K:C
V:1 treble nm="Piano"
V:4 treble
V:5 treble
V:6 treble
V:2 bass
V:3 bass
V:7 bass
V:8 bass
V:1
!pp! (c2 | x4 B2 A2 e3 c/A/ | E6)!mf! [A,E]2 | .[^G,DE]2 [A,CE]2 .[B,E]2 [A,^DA]2 | %4
[^G,E^G]6!pp! (d2 | x2 c2 B2 f3 | E6)!mf... | 2 | In bar 10, what is the shortest rest value? | Quaver rest (eighth rest) |
Sonata_Franz_Schubert_Op.42__Franz_Schubert_32d1e2ca4701797191264ba41b94250837beb069 | X:1
T:Title
%%score { ( 1 4 5 6 ) | ( 2 3 7 8 ) }
L:1/8
Q:1/4=120
M:4/4
I:linebreak $
K:C
V:1 treble nm="Piano"
V:4 treble
V:5 treble
V:6 treble
V:2 bass
V:3 bass
V:7 bass
V:8 bass
V:1
!pp! (c2 | x4 B2 A2 e3 c/A/ | E6)!mf! [A,E]2 | .[^G,DE]2 [A,CE]2 .[B,E]2 [A,^DA]2 | %4
[^G,E^G]6!pp! (d2 | x2 c2 B2 f3 | E6)!mf... | 2 | In bar 203, what is the new key signature? | A major |
Sonata_Franz_Schubert_Op.42__Franz_Schubert_32d1e2ca4701797191264ba41b94250837beb069 | X:1
T:Title
%%score { ( 1 4 5 6 ) | ( 2 3 7 8 ) }
L:1/8
Q:1/4=120
M:4/4
I:linebreak $
K:C
V:1 treble nm="Piano"
V:4 treble
V:5 treble
V:6 treble
V:2 bass
V:3 bass
V:7 bass
V:8 bass
V:1
!pp! (c2 | x4 B2 A2 e3 c/A/ | E6)!mf! [A,E]2 | .[^G,DE]2 [A,CE]2 .[B,E]2 [A,^DA]2 | %4
[^G,E^G]6!pp! (d2 | x2 c2 B2 f3 | E6)!mf... | 3 | In bar 236, does the music begin on the tonic chord of the home key? | No |
Sonata_Franz_Schubert_Op.42__Franz_Schubert_32d1e2ca4701797191264ba41b94250837beb069 | X:1
T:Title
%%score { ( 1 4 5 6 ) | ( 2 3 7 8 ) }
L:1/8
Q:1/4=120
M:4/4
I:linebreak $
K:C
V:1 treble nm="Piano"
V:4 treble
V:5 treble
V:6 treble
V:2 bass
V:3 bass
V:7 bass
V:8 bass
V:1
!pp! (c2 | x4 B2 A2 e3 c/A/ | E6)!mf! [A,E]2 | .[^G,DE]2 [A,CE]2 .[B,E]2 [A,^DA]2 | %4
[^G,E^G]6!pp! (d2 | x2 c2 B2 f3 | E6)!mf... | 3 | In bar 7, what is the chord progression (I, II, III, IV, V, VI, VII)? | i6-V46-i-v6 |
Sonata_Franz_Schubert_Op.42__Franz_Schubert_32d1e2ca4701797191264ba41b94250837beb069 | X:1
T:Title
%%score { ( 1 4 5 6 ) | ( 2 3 7 8 ) }
L:1/8
Q:1/4=120
M:4/4
I:linebreak $
K:C
V:1 treble nm="Piano"
V:4 treble
V:5 treble
V:6 treble
V:2 bass
V:3 bass
V:7 bass
V:8 bass
V:1
!pp! (c2 | x4 B2 A2 e3 c/A/ | E6)!mf! [A,E]2 | .[^G,DE]2 [A,CE]2 .[B,E]2 [A,^DA]2 | %4
[^G,E^G]6!pp! (d2 | x2 c2 B2 f3 | E6)!mf... | 3 | In bar 34, what is the voicing of the G7 chord? | Close position |
Sonata_Franz_Schubert_Op.42__Franz_Schubert_32d1e2ca4701797191264ba41b94250837beb069 | X:1
T:Title
%%score { ( 1 4 5 6 ) | ( 2 3 7 8 ) }
L:1/8
Q:1/4=120
M:4/4
I:linebreak $
K:C
V:1 treble nm="Piano"
V:4 treble
V:5 treble
V:6 treble
V:2 bass
V:3 bass
V:7 bass
V:8 bass
V:1
!pp! (c2 | x4 B2 A2 e3 c/A/ | E6)!mf! [A,E]2 | .[^G,DE]2 [A,CE]2 .[B,E]2 [A,^DA]2 | %4
[^G,E^G]6!pp! (d2 | x2 c2 B2 f3 | E6)!mf... | 4 | What is the performance medium of the piece? | Piano solo |
Sonata_Franz_Schubert_Op.42__Franz_Schubert_32d1e2ca4701797191264ba41b94250837beb069 | X:1
T:Title
%%score { ( 1 4 5 6 ) | ( 2 3 7 8 ) }
L:1/8
Q:1/4=120
M:4/4
I:linebreak $
K:C
V:1 treble nm="Piano"
V:4 treble
V:5 treble
V:6 treble
V:2 bass
V:3 bass
V:7 bass
V:8 bass
V:1
!pp! (c2 | x4 B2 A2 e3 c/A/ | E6)!mf! [A,E]2 | .[^G,DE]2 [A,CE]2 .[B,E]2 [A,^DA]2 | %4
[^G,E^G]6!pp! (d2 | x2 c2 B2 f3 | E6)!mf... | 4 | What is the most frequently used texture type in the piece? | Choral texture |
Sonata_Franz_Schubert_Op.42__Franz_Schubert_32d1e2ca4701797191264ba41b94250837beb069 | X:1
T:Title
%%score { ( 1 4 5 6 ) | ( 2 3 7 8 ) }
L:1/8
Q:1/4=120
M:4/4
I:linebreak $
K:C
V:1 treble nm="Piano"
V:4 treble
V:5 treble
V:6 treble
V:2 bass
V:3 bass
V:7 bass
V:8 bass
V:1
!pp! (c2 | x4 B2 A2 e3 c/A/ | E6)!mf! [A,E]2 | .[^G,DE]2 [A,CE]2 .[B,E]2 [A,^DA]2 | %4
[^G,E^G]6!pp! (d2 | x2 c2 B2 f3 | E6)!mf... | 4 | In which register is the melody in bars 1–2? | Upper–middle register |
Sonata_No._5_1st_Movement_K._283 | X:1
T:Sonata I
C:W.A. Mozart.
%%score { 1 | ( 2 5 ) | ( 3 4 ) }
L:1/8
Q:1/4=144
M:3/4
I:linebreak $
K:G
V:1 bass nm="Piano" snm="Pno."
V:2 treble
V:5 treble
V:3 bass
V:4 bass
V:1
"^Allegro" z2 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | %17
z6 | z6 | z6 | z6 | z6 | z6 | z6 | z... | 1 | Who is the composer? | Mozart |
Sonata_No._5_1st_Movement_K._283 | X:1
T:Sonata I
C:W.A. Mozart.
%%score { 1 | ( 2 5 ) | ( 3 4 ) }
L:1/8
Q:1/4=144
M:3/4
I:linebreak $
K:G
V:1 bass nm="Piano" snm="Pno."
V:2 treble
V:5 treble
V:3 bass
V:4 bass
V:1
"^Allegro" z2 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | %17
z6 | z6 | z6 | z6 | z6 | z6 | z6 | z... | 1 | What is the initial key? | G major |
Sonata_No._5_1st_Movement_K._283 | X:1
T:Sonata I
C:W.A. Mozart.
%%score { 1 | ( 2 5 ) | ( 3 4 ) }
L:1/8
Q:1/4=144
M:3/4
I:linebreak $
K:G
V:1 bass nm="Piano" snm="Pno."
V:2 treble
V:5 treble
V:3 bass
V:4 bass
V:1
"^Allegro" z2 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | %17
z6 | z6 | z6 | z6 | z6 | z6 | z6 | z... | 1 | What instruments are used? | Piano |
Sonata_No._5_1st_Movement_K._283 | X:1
T:Sonata I
C:W.A. Mozart.
%%score { 1 | ( 2 5 ) | ( 3 4 ) }
L:1/8
Q:1/4=144
M:3/4
I:linebreak $
K:G
V:1 bass nm="Piano" snm="Pno."
V:2 treble
V:5 treble
V:3 bass
V:4 bass
V:1
"^Allegro" z2 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | %17
z6 | z6 | z6 | z6 | z6 | z6 | z6 | z... | 2 | In bar 43, what is the articulation marking? | Trill |
Sonata_No._5_1st_Movement_K._283 | X:1
T:Sonata I
C:W.A. Mozart.
%%score { 1 | ( 2 5 ) | ( 3 4 ) }
L:1/8
Q:1/4=144
M:3/4
I:linebreak $
K:G
V:1 bass nm="Piano" snm="Pno."
V:2 treble
V:5 treble
V:3 bass
V:4 bass
V:1
"^Allegro" z2 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | %17
z6 | z6 | z6 | z6 | z6 | z6 | z6 | z... | 2 | In bar 80, what is the ornament sign? | Appoggiatura |
Sonata_No._5_1st_Movement_K._283 | X:1
T:Sonata I
C:W.A. Mozart.
%%score { 1 | ( 2 5 ) | ( 3 4 ) }
L:1/8
Q:1/4=144
M:3/4
I:linebreak $
K:G
V:1 bass nm="Piano" snm="Pno."
V:2 treble
V:5 treble
V:3 bass
V:4 bass
V:1
"^Allegro" z2 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | %17
z6 | z6 | z6 | z6 | z6 | z6 | z6 | z... | 2 | In bars 1–54, is there a repeat sign? | Yes |
Sonata_No._5_1st_Movement_K._283 | X:1
T:Sonata I
C:W.A. Mozart.
%%score { 1 | ( 2 5 ) | ( 3 4 ) }
L:1/8
Q:1/4=144
M:3/4
I:linebreak $
K:G
V:1 bass nm="Piano" snm="Pno."
V:2 treble
V:5 treble
V:3 bass
V:4 bass
V:1
"^Allegro" z2 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | %17
z6 | z6 | z6 | z6 | z6 | z6 | z6 | z... | 3 | In bar 120, what are the repeated notes of the G major chord? | Root |
Sonata_No._5_1st_Movement_K._283 | X:1
T:Sonata I
C:W.A. Mozart.
%%score { 1 | ( 2 5 ) | ( 3 4 ) }
L:1/8
Q:1/4=144
M:3/4
I:linebreak $
K:G
V:1 bass nm="Piano" snm="Pno."
V:2 treble
V:5 treble
V:3 bass
V:4 bass
V:1
"^Allegro" z2 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | %17
z6 | z6 | z6 | z6 | z6 | z6 | z6 | z... | 3 | In bar 54, does the piece begin on the tonic chord of the original key? | No |
Sonata_No._5_1st_Movement_K._283 | X:1
T:Sonata I
C:W.A. Mozart.
%%score { 1 | ( 2 5 ) | ( 3 4 ) }
L:1/8
Q:1/4=144
M:3/4
I:linebreak $
K:G
V:1 bass nm="Piano" snm="Pno."
V:2 treble
V:5 treble
V:3 bass
V:4 bass
V:1
"^Allegro" z2 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | %17
z6 | z6 | z6 | z6 | z6 | z6 | z6 | z... | 3 | In bar 56, is there a D7 chord? | No |
Sonata_No._5_1st_Movement_K._283 | X:1
T:Sonata I
C:W.A. Mozart.
%%score { 1 | ( 2 5 ) | ( 3 4 ) }
L:1/8
Q:1/4=144
M:3/4
I:linebreak $
K:G
V:1 bass nm="Piano" snm="Pno."
V:2 treble
V:5 treble
V:3 bass
V:4 bass
V:1
"^Allegro" z2 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | %17
z6 | z6 | z6 | z6 | z6 | z6 | z6 | z... | 4 | What are the main characteristics of the motif? | Arpeggio + seconds |
Sonata_No._5_1st_Movement_K._283 | X:1
T:Sonata I
C:W.A. Mozart.
%%score { 1 | ( 2 5 ) | ( 3 4 ) }
L:1/8
Q:1/4=144
M:3/4
I:linebreak $
K:G
V:1 bass nm="Piano" snm="Pno."
V:2 treble
V:5 treble
V:3 bass
V:4 bass
V:1
"^Allegro" z2 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | %17
z6 | z6 | z6 | z6 | z6 | z6 | z6 | z... | 4 | What is the performance medium of the piece? | Piano solo |
Sonata_No._5_1st_Movement_K._283 | X:1
T:Sonata I
C:W.A. Mozart.
%%score { 1 | ( 2 5 ) | ( 3 4 ) }
L:1/8
Q:1/4=144
M:3/4
I:linebreak $
K:G
V:1 bass nm="Piano" snm="Pno."
V:2 treble
V:5 treble
V:3 bass
V:4 bass
V:1
"^Allegro" z2 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | %17
z6 | z6 | z6 | z6 | z6 | z6 | z6 | z... | 4 | Where is the principal section of the piece? | Bars 1–10 |
Sonata_No._7_1st_Movement_K._309 | X:1
T:Sonata I
C:W.A. Mozart.
%%score { 1 | 2 | ( 3 4 ) }
L:1/8
Q:1/4=144
M:4/4
I:linebreak $
K:C
V:1 bass nm="Piano" snm="Pno."
V:2 treble
V:3 bass
V:4 bass
V:1
"^Allegro" z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | %17
z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 |... | 1 | What is the initial tempo marking? | Allegro |
Sonata_No._7_1st_Movement_K._309 | X:1
T:Sonata I
C:W.A. Mozart.
%%score { 1 | 2 | ( 3 4 ) }
L:1/8
Q:1/4=144
M:4/4
I:linebreak $
K:C
V:1 bass nm="Piano" snm="Pno."
V:2 treble
V:3 bass
V:4 bass
V:1
"^Allegro" z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | %17
z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 |... | 1 | What is the initial time signature? | 4/4 time |
Sonata_No._7_1st_Movement_K._309 | X:1
T:Sonata I
C:W.A. Mozart.
%%score { 1 | 2 | ( 3 4 ) }
L:1/8
Q:1/4=144
M:4/4
I:linebreak $
K:C
V:1 bass nm="Piano" snm="Pno."
V:2 treble
V:3 bass
V:4 bass
V:1
"^Allegro" z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | %17
z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 |... | 1 | What instruments are used? | Piano |
Sonata_No._7_1st_Movement_K._309 | X:1
T:Sonata I
C:W.A. Mozart.
%%score { 1 | 2 | ( 3 4 ) }
L:1/8
Q:1/4=144
M:4/4
I:linebreak $
K:C
V:1 bass nm="Piano" snm="Pno."
V:2 treble
V:3 bass
V:4 bass
V:1
"^Allegro" z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | %17
z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 |... | 2 | In bars 21–25, what is the highest pitch? | E |
Sonata_No._7_1st_Movement_K._309 | X:1
T:Sonata I
C:W.A. Mozart.
%%score { 1 | 2 | ( 3 4 ) }
L:1/8
Q:1/4=144
M:4/4
I:linebreak $
K:C
V:1 bass nm="Piano" snm="Pno."
V:2 treble
V:3 bass
V:4 bass
V:1
"^Allegro" z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | %17
z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 |... | 2 | In bars 1–59, is there a repeat sign? | Yes |
Sonata_No._7_1st_Movement_K._309 | X:1
T:Sonata I
C:W.A. Mozart.
%%score { 1 | 2 | ( 3 4 ) }
L:1/8
Q:1/4=144
M:4/4
I:linebreak $
K:C
V:1 bass nm="Piano" snm="Pno."
V:2 treble
V:3 bass
V:4 bass
V:1
"^Allegro" z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | %17
z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 |... | 2 | In bar 145, what is the articulation marking? | Trill |
Sonata_No._7_1st_Movement_K._309 | X:1
T:Sonata I
C:W.A. Mozart.
%%score { 1 | 2 | ( 3 4 ) }
L:1/8
Q:1/4=144
M:4/4
I:linebreak $
K:C
V:1 bass nm="Piano" snm="Pno."
V:2 treble
V:3 bass
V:4 bass
V:1
"^Allegro" z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | %17
z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 |... | 3 | In bar 59, does the piece begin on the tonic chord of the original key? | No |
Sonata_No._7_1st_Movement_K._309 | X:1
T:Sonata I
C:W.A. Mozart.
%%score { 1 | 2 | ( 3 4 ) }
L:1/8
Q:1/4=144
M:4/4
I:linebreak $
K:C
V:1 bass nm="Piano" snm="Pno."
V:2 treble
V:3 bass
V:4 bass
V:1
"^Allegro" z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | %17
z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 |... | 3 | In bars 63–66, is there a second inversion G minor chord? | Yes |
Sonata_No._7_1st_Movement_K._309 | X:1
T:Sonata I
C:W.A. Mozart.
%%score { 1 | 2 | ( 3 4 ) }
L:1/8
Q:1/4=144
M:4/4
I:linebreak $
K:C
V:1 bass nm="Piano" snm="Pno."
V:2 treble
V:3 bass
V:4 bass
V:1
"^Allegro" z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | %17
z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 |... | 3 | In bars 73–79, is there a suspension? | No |
Sonata_No._7_1st_Movement_K._309 | X:1
T:Sonata I
C:W.A. Mozart.
%%score { 1 | 2 | ( 3 4 ) }
L:1/8
Q:1/4=144
M:4/4
I:linebreak $
K:C
V:1 bass nm="Piano" snm="Pno."
V:2 treble
V:3 bass
V:4 bass
V:1
"^Allegro" z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | %17
z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 |... | 4 | What is the genre of the piece? | Sonata |
Sonata_No._7_1st_Movement_K._309 | X:1
T:Sonata I
C:W.A. Mozart.
%%score { 1 | 2 | ( 3 4 ) }
L:1/8
Q:1/4=144
M:4/4
I:linebreak $
K:C
V:1 bass nm="Piano" snm="Pno."
V:2 treble
V:3 bass
V:4 bass
V:1
"^Allegro" z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | %17
z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 |... | 4 | In which bar does the melodic motif first appear? | Bar 1 |
Sonata_No._7_1st_Movement_K._309 | X:1
T:Sonata I
C:W.A. Mozart.
%%score { 1 | 2 | ( 3 4 ) }
L:1/8
Q:1/4=144
M:4/4
I:linebreak $
K:C
V:1 bass nm="Piano" snm="Pno."
V:2 treble
V:3 bass
V:4 bass
V:1
"^Allegro" z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | %17
z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 |... | 4 | In what form is the piece performed? | Piano solo |
Sonata_Op.31_No.17_in_D_minor__Tempest_-_Beethoven | X:1
T:Beethoven Sonata Op. 31 No. 17 3rd Movement “Tempest”
T:Beethoven
%%score { ( 1 6 ) | ( 2 3 4 5 ) }
L:1/8
Q:1/4=104
M:3/8
I:linebreak $
K:F
V:1 treble nm="Piano"
V:6 treble
V:2 bass
V:3 bass
V:4 bass
V:5 bass
V:1
!p!"^Allegretto" (A/f/e/ |: !wedge!.d) z/ (A/f/e/ | !wedge!.d) z/ (A/f/e/ | !wedge!.d) z/ (A/f... | 1 | What is the initial expression marking? | None |
Sonata_Op.31_No.17_in_D_minor__Tempest_-_Beethoven | X:1
T:Beethoven Sonata Op. 31 No. 17 3rd Movement “Tempest”
T:Beethoven
%%score { ( 1 6 ) | ( 2 3 4 5 ) }
L:1/8
Q:1/4=104
M:3/8
I:linebreak $
K:F
V:1 treble nm="Piano"
V:6 treble
V:2 bass
V:3 bass
V:4 bass
V:5 bass
V:1
!p!"^Allegretto" (A/f/e/ |: !wedge!.d) z/ (A/f/e/ | !wedge!.d) z/ (A/f/e/ | !wedge!.d) z/ (A/f... | 1 | What is the title of the piece? | Beethoven Sonata Op. 31 No. 17, 3rd Movement |
Sonata_Op.31_No.17_in_D_minor__Tempest_-_Beethoven | X:1
T:Beethoven Sonata Op. 31 No. 17 3rd Movement “Tempest”
T:Beethoven
%%score { ( 1 6 ) | ( 2 3 4 5 ) }
L:1/8
Q:1/4=104
M:3/8
I:linebreak $
K:F
V:1 treble nm="Piano"
V:6 treble
V:2 bass
V:3 bass
V:4 bass
V:5 bass
V:1
!p!"^Allegretto" (A/f/e/ |: !wedge!.d) z/ (A/f/e/ | !wedge!.d) z/ (A/f/e/ | !wedge!.d) z/ (A/f... | 1 | What is the initial tempo term? | Allegretto |
Sonata_Op.31_No.17_in_D_minor__Tempest_-_Beethoven | X:1
T:Beethoven Sonata Op. 31 No. 17 3rd Movement “Tempest”
T:Beethoven
%%score { ( 1 6 ) | ( 2 3 4 5 ) }
L:1/8
Q:1/4=104
M:3/8
I:linebreak $
K:F
V:1 treble nm="Piano"
V:6 treble
V:2 bass
V:3 bass
V:4 bass
V:5 bass
V:1
!p!"^Allegretto" (A/f/e/ |: !wedge!.d) z/ (A/f/e/ | !wedge!.d) z/ (A/f/e/ | !wedge!.d) z/ (A/f... | 2 | In bar 136, what is the highest pitch? | B♭5 |
Sonata_Op.31_No.17_in_D_minor__Tempest_-_Beethoven | X:1
T:Beethoven Sonata Op. 31 No. 17 3rd Movement “Tempest”
T:Beethoven
%%score { ( 1 6 ) | ( 2 3 4 5 ) }
L:1/8
Q:1/4=104
M:3/8
I:linebreak $
K:F
V:1 treble nm="Piano"
V:6 treble
V:2 bass
V:3 bass
V:4 bass
V:5 bass
V:1
!p!"^Allegretto" (A/f/e/ |: !wedge!.d) z/ (A/f/e/ | !wedge!.d) z/ (A/f/e/ | !wedge!.d) z/ (A/f... | 2 | In bar 94, is there a repeat sign? | Yes |
Sonata_Op.31_No.17_in_D_minor__Tempest_-_Beethoven | X:1
T:Beethoven Sonata Op. 31 No. 17 3rd Movement “Tempest”
T:Beethoven
%%score { ( 1 6 ) | ( 2 3 4 5 ) }
L:1/8
Q:1/4=104
M:3/8
I:linebreak $
K:F
V:1 treble nm="Piano"
V:6 treble
V:2 bass
V:3 bass
V:4 bass
V:5 bass
V:1
!p!"^Allegretto" (A/f/e/ |: !wedge!.d) z/ (A/f/e/ | !wedge!.d) z/ (A/f/e/ | !wedge!.d) z/ (A/f... | 2 | In bar 87, what is the dynamic marking? | sf |
Sonata_Op.31_No.17_in_D_minor__Tempest_-_Beethoven | X:1
T:Beethoven Sonata Op. 31 No. 17 3rd Movement “Tempest”
T:Beethoven
%%score { ( 1 6 ) | ( 2 3 4 5 ) }
L:1/8
Q:1/4=104
M:3/8
I:linebreak $
K:F
V:1 treble nm="Piano"
V:6 treble
V:2 bass
V:3 bass
V:4 bass
V:5 bass
V:1
!p!"^Allegretto" (A/f/e/ |: !wedge!.d) z/ (A/f/e/ | !wedge!.d) z/ (A/f/e/ | !wedge!.d) z/ (A/f... | 3 | In bar 1, is there a third inversion of a D minor chord? | None |
Sonata_Op.31_No.17_in_D_minor__Tempest_-_Beethoven | X:1
T:Beethoven Sonata Op. 31 No. 17 3rd Movement “Tempest”
T:Beethoven
%%score { ( 1 6 ) | ( 2 3 4 5 ) }
L:1/8
Q:1/4=104
M:3/8
I:linebreak $
K:F
V:1 treble nm="Piano"
V:6 treble
V:2 bass
V:3 bass
V:4 bass
V:5 bass
V:1
!p!"^Allegretto" (A/f/e/ |: !wedge!.d) z/ (A/f/e/ | !wedge!.d) z/ (A/f/e/ | !wedge!.d) z/ (A/f... | 3 | In bar 1, what are the repeated notes in the D minor chord? | Root, third, fifth |
Sonata_Op.31_No.17_in_D_minor__Tempest_-_Beethoven | X:1
T:Beethoven Sonata Op. 31 No. 17 3rd Movement “Tempest”
T:Beethoven
%%score { ( 1 6 ) | ( 2 3 4 5 ) }
L:1/8
Q:1/4=104
M:3/8
I:linebreak $
K:F
V:1 treble nm="Piano"
V:6 treble
V:2 bass
V:3 bass
V:4 bass
V:5 bass
V:1
!p!"^Allegretto" (A/f/e/ |: !wedge!.d) z/ (A/f/e/ | !wedge!.d) z/ (A/f/e/ | !wedge!.d) z/ (A/f... | 3 | In bar 1, is there a D minor chord? | Yes |
Sonata_Op.31_No.17_in_D_minor__Tempest_-_Beethoven | X:1
T:Beethoven Sonata Op. 31 No. 17 3rd Movement “Tempest”
T:Beethoven
%%score { ( 1 6 ) | ( 2 3 4 5 ) }
L:1/8
Q:1/4=104
M:3/8
I:linebreak $
K:F
V:1 treble nm="Piano"
V:6 treble
V:2 bass
V:3 bass
V:4 bass
V:5 bass
V:1
!p!"^Allegretto" (A/f/e/ |: !wedge!.d) z/ (A/f/e/ | !wedge!.d) z/ (A/f/e/ | !wedge!.d) z/ (A/f... | 4 | What is the form of the piece? | Sonata form |
Sonata_Op.31_No.17_in_D_minor__Tempest_-_Beethoven | X:1
T:Beethoven Sonata Op. 31 No. 17 3rd Movement “Tempest”
T:Beethoven
%%score { ( 1 6 ) | ( 2 3 4 5 ) }
L:1/8
Q:1/4=104
M:3/8
I:linebreak $
K:F
V:1 treble nm="Piano"
V:6 treble
V:2 bass
V:3 bass
V:4 bass
V:5 bass
V:1
!p!"^Allegretto" (A/f/e/ |: !wedge!.d) z/ (A/f/e/ | !wedge!.d) z/ (A/f/e/ | !wedge!.d) z/ (A/f... | 4 | Where is the principal theme located? | Bars 1–16 |
Sonata_Op.31_No.17_in_D_minor__Tempest_-_Beethoven | X:1
T:Beethoven Sonata Op. 31 No. 17 3rd Movement “Tempest”
T:Beethoven
%%score { ( 1 6 ) | ( 2 3 4 5 ) }
L:1/8
Q:1/4=104
M:3/8
I:linebreak $
K:F
V:1 treble nm="Piano"
V:6 treble
V:2 bass
V:3 bass
V:4 bass
V:5 bass
V:1
!p!"^Allegretto" (A/f/e/ |: !wedge!.d) z/ (A/f/e/ | !wedge!.d) z/ (A/f/e/ | !wedge!.d) z/ (A/f... | 4 | In what form is the piece performed? | Piano solo |
Sonata_in_E_minor_HOB_XVI_34__Joseph_Haydn_Joseph_Haydn_Piano_Sonata_Hob._XVI34_3._Molto_vivace | X:1
T:Piano Sonata Hob. XVI/34 - 3. Molto vivace
C:Franz Joseph Haydn
%%score { 1 | 2 }
L:1/8
Q:1/4=132
M:2/4
I:linebreak $
K:G
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:1
!p!"_innocentemente""^Molto vivace" G | G>A B!wedge!e | (^d.f) z (B | .e)(e .f)!wedge!f | %4
(3a/g/a/(3g/a/g/ ff |!<(! (g>a b)!wedge!b!<)! |!f!... | 1 | What is the initial clef? | Treble and bass clefs |
Sonata_in_E_minor_HOB_XVI_34__Joseph_Haydn_Joseph_Haydn_Piano_Sonata_Hob._XVI34_3._Molto_vivace | X:1
T:Piano Sonata Hob. XVI/34 - 3. Molto vivace
C:Franz Joseph Haydn
%%score { 1 | 2 }
L:1/8
Q:1/4=132
M:2/4
I:linebreak $
K:G
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:1
!p!"_innocentemente""^Molto vivace" G | G>A B!wedge!e | (^d.f) z (B | .e)(e .f)!wedge!f | %4
(3a/g/a/(3g/a/g/ ff |!<(! (g>a b)!wedge!b!<)! |!f!... | 1 | What is the tempo in beats per minute? | 132 bpm |
Sonata_in_E_minor_HOB_XVI_34__Joseph_Haydn_Joseph_Haydn_Piano_Sonata_Hob._XVI34_3._Molto_vivace | X:1
T:Piano Sonata Hob. XVI/34 - 3. Molto vivace
C:Franz Joseph Haydn
%%score { 1 | 2 }
L:1/8
Q:1/4=132
M:2/4
I:linebreak $
K:G
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:1
!p!"_innocentemente""^Molto vivace" G | G>A B!wedge!e | (^d.f) z (B | .e)(e .f)!wedge!f | %4
(3a/g/a/(3g/a/g/ ff |!<(! (g>a b)!wedge!b!<)! |!f!... | 1 | Which instruments are used? | Piano |
Sonata_in_E_minor_HOB_XVI_34__Joseph_Haydn_Joseph_Haydn_Piano_Sonata_Hob._XVI34_3._Molto_vivace | X:1
T:Piano Sonata Hob. XVI/34 - 3. Molto vivace
C:Franz Joseph Haydn
%%score { 1 | 2 }
L:1/8
Q:1/4=132
M:2/4
I:linebreak $
K:G
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:1
!p!"_innocentemente""^Molto vivace" G | G>A B!wedge!e | (^d.f) z (B | .e)(e .f)!wedge!f | %4
(3a/g/a/(3g/a/g/ ff |!<(! (g>a b)!wedge!b!<)! |!f!... | 2 | In bar 1, what is the articulation marking? | Staccato mark |
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