song_id stringclasses 150
values | abc_notation stringclasses 150
values | level int32 1 4 | question stringlengths 20 85 | answer stringlengths 1 82 |
|---|---|---|---|---|
Pictures_at_an_Exhibition__Modest_Mussorgsky___ | X:1
T:Картинки с Выставки
C:Модест Мусоргский
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=114
M:5/4
I:linebreak $
K:Bb
V:1 treble nm="Grand Piano" snm="Pno."
V:3 treble
V:2 bass
V:4 bass
V:1
!f!"^Allegro giusto, nel modo russico; senza allegrezza, ma poco sostenuto." !tenuto!G2 !tenuto!F2 !tenuto!B2 (!tenuto!cf !tenut... | 2 | In bar 1, what is the highest pitch? | F5 |
Pictures_at_an_Exhibition__Modest_Mussorgsky___ | X:1
T:Картинки с Выставки
C:Модест Мусоргский
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=114
M:5/4
I:linebreak $
K:Bb
V:1 treble nm="Grand Piano" snm="Pno."
V:3 treble
V:2 bass
V:4 bass
V:1
!f!"^Allegro giusto, nel modo russico; senza allegrezza, ma poco sostenuto." !tenuto!G2 !tenuto!F2 !tenuto!B2 (!tenuto!cf !tenut... | 2 | In bar 27, what is the ornament on the note B♭? | Acciaccatura |
Pictures_at_an_Exhibition__Modest_Mussorgsky___ | X:1
T:Картинки с Выставки
C:Модест Мусоргский
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=114
M:5/4
I:linebreak $
K:Bb
V:1 treble nm="Grand Piano" snm="Pno."
V:3 treble
V:2 bass
V:4 bass
V:1
!f!"^Allegro giusto, nel modo russico; senza allegrezza, ma poco sostenuto." !tenuto!G2 !tenuto!F2 !tenuto!B2 (!tenuto!cf !tenut... | 3 | In bar 3, does the music begin on the tonic chord of the home key? | No |
Pictures_at_an_Exhibition__Modest_Mussorgsky___ | X:1
T:Картинки с Выставки
C:Модест Мусоргский
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=114
M:5/4
I:linebreak $
K:Bb
V:1 treble nm="Grand Piano" snm="Pno."
V:3 treble
V:2 bass
V:4 bass
V:1
!f!"^Allegro giusto, nel modo russico; senza allegrezza, ma poco sostenuto." !tenuto!G2 !tenuto!F2 !tenuto!B2 (!tenuto!cf !tenut... | 3 | In bar 3, what is the voicing of the G minor chord? | Close position |
Pictures_at_an_Exhibition__Modest_Mussorgsky___ | X:1
T:Картинки с Выставки
C:Модест Мусоргский
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=114
M:5/4
I:linebreak $
K:Bb
V:1 treble nm="Grand Piano" snm="Pno."
V:3 treble
V:2 bass
V:4 bass
V:1
!f!"^Allegro giusto, nel modo russico; senza allegrezza, ma poco sostenuto." !tenuto!G2 !tenuto!F2 !tenuto!B2 (!tenuto!cf !tenut... | 3 | In bar 3, is there a G minor chord? | Yes |
Pictures_at_an_Exhibition__Modest_Mussorgsky___ | X:1
T:Картинки с Выставки
C:Модест Мусоргский
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=114
M:5/4
I:linebreak $
K:Bb
V:1 treble nm="Grand Piano" snm="Pno."
V:3 treble
V:2 bass
V:4 bass
V:1
!f!"^Allegro giusto, nel modo russico; senza allegrezza, ma poco sostenuto." !tenuto!G2 !tenuto!F2 !tenuto!B2 (!tenuto!cf !tenut... | 4 | What is the genre of the piece? | Piano suite |
Pictures_at_an_Exhibition__Modest_Mussorgsky___ | X:1
T:Картинки с Выставки
C:Модест Мусоргский
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=114
M:5/4
I:linebreak $
K:Bb
V:1 treble nm="Grand Piano" snm="Pno."
V:3 treble
V:2 bass
V:4 bass
V:1
!f!"^Allegro giusto, nel modo russico; senza allegrezza, ma poco sostenuto." !tenuto!G2 !tenuto!F2 !tenuto!B2 (!tenuto!cf !tenut... | 4 | How many movements does the piece have? | Composed of 10 piano pieces |
Pictures_at_an_Exhibition__Modest_Mussorgsky___ | X:1
T:Картинки с Выставки
C:Модест Мусоргский
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=114
M:5/4
I:linebreak $
K:Bb
V:1 treble nm="Grand Piano" snm="Pno."
V:3 treble
V:2 bass
V:4 bass
V:1
!f!"^Allegro giusto, nel modo russico; senza allegrezza, ma poco sostenuto." !tenuto!G2 !tenuto!F2 !tenuto!B2 (!tenuto!cf !tenut... | 4 | What is the performance medium of the piece? | Piano solo |
Pizzicato_Polka__Johann_Strauss_II__Arranged_for_Piano_Solo | X:1
T:PIZZICATO POLKA
T:Johann Strauss II Arranged by Ryan Zhu
%%score { 1 | 2 }
L:1/8
Q:1/4=80
M:2/4
I:linebreak $
K:C
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:1
!f!"^Moderato" .!^![Gg] z z!pp! .G | .[GA].[GA] z2 |!f! .!^![Gg] z z!pp! .[GA] | %3
.[GB].[GB] !fermata!z .[ec'] |[Q:1/4=76]"^Allegro" .[fb].[fb]!pp! .... | 1 | What is the initial time signature? | 2/4 time |
Pizzicato_Polka__Johann_Strauss_II__Arranged_for_Piano_Solo | X:1
T:PIZZICATO POLKA
T:Johann Strauss II Arranged by Ryan Zhu
%%score { 1 | 2 }
L:1/8
Q:1/4=80
M:2/4
I:linebreak $
K:C
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:1
!f!"^Moderato" .!^![Gg] z z!pp! .G | .[GA].[GA] z2 |!f! .!^![Gg] z z!pp! .[GA] | %3
.[GB].[GB] !fermata!z .[ec'] |[Q:1/4=76]"^Allegro" .[fb].[fb]!pp! .... | 1 | What is the initial tempo indication? | Moderato |
Pizzicato_Polka__Johann_Strauss_II__Arranged_for_Piano_Solo | X:1
T:PIZZICATO POLKA
T:Johann Strauss II Arranged by Ryan Zhu
%%score { 1 | 2 }
L:1/8
Q:1/4=80
M:2/4
I:linebreak $
K:C
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:1
!f!"^Moderato" .!^![Gg] z z!pp! .G | .[GA].[GA] z2 |!f! .!^![Gg] z z!pp! .[GA] | %3
.[GB].[GB] !fermata!z .[ec'] |[Q:1/4=76]"^Allegro" .[fb].[fb]!pp! .... | 1 | What instruments are used? | Piano |
Pizzicato_Polka__Johann_Strauss_II__Arranged_for_Piano_Solo | X:1
T:PIZZICATO POLKA
T:Johann Strauss II Arranged by Ryan Zhu
%%score { 1 | 2 }
L:1/8
Q:1/4=80
M:2/4
I:linebreak $
K:C
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:1
!f!"^Moderato" .!^![Gg] z z!pp! .G | .[GA].[GA] z2 |!f! .!^![Gg] z z!pp! .[GA] | %3
.[GB].[GB] !fermata!z .[ec'] |[Q:1/4=76]"^Allegro" .[fb].[fb]!pp! .... | 2 | In bar 1, what is the shortest rest value? | Quaver rest |
Pizzicato_Polka__Johann_Strauss_II__Arranged_for_Piano_Solo | X:1
T:PIZZICATO POLKA
T:Johann Strauss II Arranged by Ryan Zhu
%%score { 1 | 2 }
L:1/8
Q:1/4=80
M:2/4
I:linebreak $
K:C
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:1
!f!"^Moderato" .!^![Gg] z z!pp! .G | .[GA].[GA] z2 |!f! .!^![Gg] z z!pp! .[GA] | %3
.[GB].[GB] !fermata!z .[ec'] |[Q:1/4=76]"^Allegro" .[fb].[fb]!pp! .... | 2 | In bar 1, what is the highest pitch? | G5 |
Pizzicato_Polka__Johann_Strauss_II__Arranged_for_Piano_Solo | X:1
T:PIZZICATO POLKA
T:Johann Strauss II Arranged by Ryan Zhu
%%score { 1 | 2 }
L:1/8
Q:1/4=80
M:2/4
I:linebreak $
K:C
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:1
!f!"^Moderato" .!^![Gg] z z!pp! .G | .[GA].[GA] z2 |!f! .!^![Gg] z z!pp! .[GA] | %3
.[GB].[GB] !fermata!z .[ec'] |[Q:1/4=76]"^Allegro" .[fb].[fb]!pp! .... | 2 | In bar 55, what is the new key signature? | F major |
Pizzicato_Polka__Johann_Strauss_II__Arranged_for_Piano_Solo | X:1
T:PIZZICATO POLKA
T:Johann Strauss II Arranged by Ryan Zhu
%%score { 1 | 2 }
L:1/8
Q:1/4=80
M:2/4
I:linebreak $
K:C
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:1
!f!"^Moderato" .!^![Gg] z z!pp! .G | .[GA].[GA] z2 |!f! .!^![Gg] z z!pp! .[GA] | %3
.[GB].[GB] !fermata!z .[ec'] |[Q:1/4=76]"^Allegro" .[fb].[fb]!pp! .... | 3 | In bar 49, what is the voicing of the F major chord? | Mixed position |
Pizzicato_Polka__Johann_Strauss_II__Arranged_for_Piano_Solo | X:1
T:PIZZICATO POLKA
T:Johann Strauss II Arranged by Ryan Zhu
%%score { 1 | 2 }
L:1/8
Q:1/4=80
M:2/4
I:linebreak $
K:C
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:1
!f!"^Moderato" .!^![Gg] z z!pp! .G | .[GA].[GA] z2 |!f! .!^![Gg] z z!pp! .[GA] | %3
.[GB].[GB] !fermata!z .[ec'] |[Q:1/4=76]"^Allegro" .[fb].[fb]!pp! .... | 3 | In bar 41, what degree chord is the first chord (I, II, III, IV, V, VI, VII)? | I |
Pizzicato_Polka__Johann_Strauss_II__Arranged_for_Piano_Solo | X:1
T:PIZZICATO POLKA
T:Johann Strauss II Arranged by Ryan Zhu
%%score { 1 | 2 }
L:1/8
Q:1/4=80
M:2/4
I:linebreak $
K:C
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:1
!f!"^Moderato" .!^![Gg] z z!pp! .G | .[GA].[GA] z2 |!f! .!^![Gg] z z!pp! .[GA] | %3
.[GB].[GB] !fermata!z .[ec'] |[Q:1/4=76]"^Allegro" .[fb].[fb]!pp! .... | 3 | In bar 41, what are the repeated notes in the F major chord? | Root, third |
Pizzicato_Polka__Johann_Strauss_II__Arranged_for_Piano_Solo | X:1
T:PIZZICATO POLKA
T:Johann Strauss II Arranged by Ryan Zhu
%%score { 1 | 2 }
L:1/8
Q:1/4=80
M:2/4
I:linebreak $
K:C
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:1
!f!"^Moderato" .!^![Gg] z z!pp! .G | .[GA].[GA] z2 |!f! .!^![Gg] z z!pp! .[GA] | %3
.[GB].[GB] !fermata!z .[ec'] |[Q:1/4=76]"^Allegro" .[fb].[fb]!pp! .... | 4 | What are the main structural features of the motif? | Repetition of the same pitch |
Pizzicato_Polka__Johann_Strauss_II__Arranged_for_Piano_Solo | X:1
T:PIZZICATO POLKA
T:Johann Strauss II Arranged by Ryan Zhu
%%score { 1 | 2 }
L:1/8
Q:1/4=80
M:2/4
I:linebreak $
K:C
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:1
!f!"^Moderato" .!^![Gg] z z!pp! .G | .[GA].[GA] z2 |!f! .!^![Gg] z z!pp! .[GA] | %3
.[GB].[GB] !fermata!z .[ec'] |[Q:1/4=76]"^Allegro" .[fb].[fb]!pp! .... | 4 | In which bar does the melodic motif first appear? | Bars 1–2 |
Pizzicato_Polka__Johann_Strauss_II__Arranged_for_Piano_Solo | X:1
T:PIZZICATO POLKA
T:Johann Strauss II Arranged by Ryan Zhu
%%score { 1 | 2 }
L:1/8
Q:1/4=80
M:2/4
I:linebreak $
K:C
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:1
!f!"^Moderato" .!^![Gg] z z!pp! .G | .[GA].[GA] z2 |!f! .!^![Gg] z z!pp! .[GA] | %3
.[GB].[GB] !fermata!z .[ec'] |[Q:1/4=76]"^Allegro" .[fb].[fb]!pp! .... | 4 | What is the most frequently used texture type in the piece? | Choral texture |
Polovtsian_Dances__Borodin | X:1
T:Polovtsian Dances
C:Alexander Porfiryevich Borodin
Z:Александр Порфирьевич Бородин
%%score [ { 1 | ( 2 3 ) } | { 4 | 5 } | ( 6 7 ) | ( 8 9 ) | { ( 10 11 ) | 12 } | | { | } | | | | 13 | | | | | { ( 14 16 ) | 15 } | { 17 | 18 } | 19 | { 20 | 21 } | { 22 | } ]
L:1/8
Q:1/4=84
M:4/4
I:linebreak $
K:A
U:s=!stemless!
V:... | 1 | What is the initial time signature? | 04/04/2025 00:00 |
Polovtsian_Dances__Borodin | X:1
T:Polovtsian Dances
C:Alexander Porfiryevich Borodin
Z:Александр Порфирьевич Бородин
%%score [ { 1 | ( 2 3 ) } | { 4 | 5 } | ( 6 7 ) | ( 8 9 ) | { ( 10 11 ) | 12 } | | { | } | | | | 13 | | | | | { ( 14 16 ) | 15 } | { 17 | 18 } | 19 | { 20 | 21 } | { 22 | } ]
L:1/8
Q:1/4=84
M:4/4
I:linebreak $
K:A
U:s=!stemless!
V:... | 1 | Is there an anacrusis? | No |
Polovtsian_Dances__Borodin | X:1
T:Polovtsian Dances
C:Alexander Porfiryevich Borodin
Z:Александр Порфирьевич Бородин
%%score [ { 1 | ( 2 3 ) } | { 4 | 5 } | ( 6 7 ) | ( 8 9 ) | { ( 10 11 ) | 12 } | | { | } | | | | 13 | | | | | { ( 14 16 ) | 15 } | { 17 | 18 } | 19 | { 20 | 21 } | { 22 | } ]
L:1/8
Q:1/4=84
M:4/4
I:linebreak $
K:A
U:s=!stemless!
V:... | 1 | What is the initial tempo marking? | Andante |
Polovtsian_Dances__Borodin | X:1
T:Polovtsian Dances
C:Alexander Porfiryevich Borodin
Z:Александр Порфирьевич Бородин
%%score [ { 1 | ( 2 3 ) } | { 4 | 5 } | ( 6 7 ) | ( 8 9 ) | { ( 10 11 ) | 12 } | | { | } | | | | 13 | | | | | { ( 14 16 ) | 15 } | { 17 | 18 } | 19 | { 20 | 21 } | { 22 | } ]
L:1/8
Q:1/4=84
M:4/4
I:linebreak $
K:A
U:s=!stemless!
V:... | 2 | In the cello part, what is the articulation marking? | Pizzicato |
Polovtsian_Dances__Borodin | X:1
T:Polovtsian Dances
C:Alexander Porfiryevich Borodin
Z:Александр Порфирьевич Бородин
%%score [ { 1 | ( 2 3 ) } | { 4 | 5 } | ( 6 7 ) | ( 8 9 ) | { ( 10 11 ) | 12 } | | { | } | | | | 13 | | | | | { ( 14 16 ) | 15 } | { 17 | 18 } | 19 | { 20 | 21 } | { 22 | } ]
L:1/8
Q:1/4=84
M:4/4
I:linebreak $
K:A
U:s=!stemless!
V:... | 2 | In bar 42, what is the lowest pitch? | A2 |
Polovtsian_Dances__Borodin | X:1
T:Polovtsian Dances
C:Alexander Porfiryevich Borodin
Z:Александр Порфирьевич Бородин
%%score [ { 1 | ( 2 3 ) } | { 4 | 5 } | ( 6 7 ) | ( 8 9 ) | { ( 10 11 ) | 12 } | | { | } | | | | 13 | | | | | { ( 14 16 ) | 15 } | { 17 | 18 } | 19 | { 20 | 21 } | { 22 | } ]
L:1/8
Q:1/4=84
M:4/4
I:linebreak $
K:A
U:s=!stemless!
V:... | 2 | In bar 42, what is the dynamic marking? | p,pp |
Polovtsian_Dances__Borodin | X:1
T:Polovtsian Dances
C:Alexander Porfiryevich Borodin
Z:Александр Порфирьевич Бородин
%%score [ { 1 | ( 2 3 ) } | { 4 | 5 } | ( 6 7 ) | ( 8 9 ) | { ( 10 11 ) | 12 } | | { | } | | | | 13 | | | | | { ( 14 16 ) | 15 } | { 17 | 18 } | 19 | { 20 | 21 } | { 22 | } ]
L:1/8
Q:1/4=84
M:4/4
I:linebreak $
K:A
U:s=!stemless!
V:... | 3 | In bar 1, does the music begin on the tonic chord of the home key? | No |
Polovtsian_Dances__Borodin | X:1
T:Polovtsian Dances
C:Alexander Porfiryevich Borodin
Z:Александр Порфирьевич Бородин
%%score [ { 1 | ( 2 3 ) } | { 4 | 5 } | ( 6 7 ) | ( 8 9 ) | { ( 10 11 ) | 12 } | | { | } | | | | 13 | | | | | { ( 14 16 ) | 15 } | { 17 | 18 } | 19 | { 20 | 21 } | { 22 | } ]
L:1/8
Q:1/4=84
M:4/4
I:linebreak $
K:A
U:s=!stemless!
V:... | 3 | In bar 1, is there an A7 chord? | No |
Polovtsian_Dances__Borodin | X:1
T:Polovtsian Dances
C:Alexander Porfiryevich Borodin
Z:Александр Порфирьевич Бородин
%%score [ { 1 | ( 2 3 ) } | { 4 | 5 } | ( 6 7 ) | ( 8 9 ) | { ( 10 11 ) | 12 } | | { | } | | | | 13 | | | | | { ( 14 16 ) | 15 } | { 17 | 18 } | 19 | { 20 | 21 } | { 22 | } ]
L:1/8
Q:1/4=84
M:4/4
I:linebreak $
K:A
U:s=!stemless!
V:... | 3 | In bar 1, what are the repeated notes in the A7 chord? | No A7 chord, but A is repeated |
Polovtsian_Dances__Borodin | X:1
T:Polovtsian Dances
C:Alexander Porfiryevich Borodin
Z:Александр Порфирьевич Бородин
%%score [ { 1 | ( 2 3 ) } | { 4 | 5 } | ( 6 7 ) | ( 8 9 ) | { ( 10 11 ) | 12 } | | { | } | | | | 13 | | | | | { ( 14 16 ) | 15 } | { 17 | 18 } | 19 | { 20 | 21 } | { 22 | } ]
L:1/8
Q:1/4=84
M:4/4
I:linebreak $
K:A
U:s=!stemless!
V:... | 4 | What is the performance medium of the piece? | Orchestra |
Polovtsian_Dances__Borodin | X:1
T:Polovtsian Dances
C:Alexander Porfiryevich Borodin
Z:Александр Порфирьевич Бородин
%%score [ { 1 | ( 2 3 ) } | { 4 | 5 } | ( 6 7 ) | ( 8 9 ) | { ( 10 11 ) | 12 } | | { | } | | | | 13 | | | | | { ( 14 16 ) | 15 } | { 17 | 18 } | 19 | { 20 | 21 } | { 22 | } ]
L:1/8
Q:1/4=84
M:4/4
I:linebreak $
K:A
U:s=!stemless!
V:... | 4 | In which part does the melodic motif first appear? | Woodwind section |
Polovtsian_Dances__Borodin | X:1
T:Polovtsian Dances
C:Alexander Porfiryevich Borodin
Z:Александр Порфирьевич Бородин
%%score [ { 1 | ( 2 3 ) } | { 4 | 5 } | ( 6 7 ) | ( 8 9 ) | { ( 10 11 ) | 12 } | | { | } | | | | 13 | | | | | { ( 14 16 ) | 15 } | { 17 | 18 } | 19 | { 20 | 21 } | { 22 | } ]
L:1/8
Q:1/4=84
M:4/4
I:linebreak $
K:A
U:s=!stemless!
V:... | 4 | In which voice does the accompaniment first appear? | Corni, Arpa, Violoncello |
Prelude_I_in_C_major_BWV_846_-_Well_Tempered_Clavier_First_Book | X:1
T:Prelude I
T:In C major
T:Johann Sebastian Bach (1685 - 1750)
T:BWV 846
%%score { 1 | ( 2 3 ) }
L:1/8
M:4/4
I:linebreak $
K:C
V:1 treble nm="Piano"
V:2 bass
V:3 bass
V:1
z G/c/ e/G/c/e/ z G/c/ e/G/c/e/ | z A/d/ f/A/d/f/ z A/d/ f/A/d/f/ | %2
z G/d/ f/G/d/f/ z G/d/ f/G/d/f/ | z G/c/ e/G/c/e/ z G/c/ e/G/c/e/ | %4... | 1 | Who is the composer? | Bach |
Prelude_I_in_C_major_BWV_846_-_Well_Tempered_Clavier_First_Book | X:1
T:Prelude I
T:In C major
T:Johann Sebastian Bach (1685 - 1750)
T:BWV 846
%%score { 1 | ( 2 3 ) }
L:1/8
M:4/4
I:linebreak $
K:C
V:1 treble nm="Piano"
V:2 bass
V:3 bass
V:1
z G/c/ e/G/c/e/ z G/c/ e/G/c/e/ | z A/d/ f/A/d/f/ z A/d/ f/A/d/f/ | %2
z G/d/ f/G/d/f/ z G/d/ f/G/d/f/ | z G/c/ e/G/c/e/ z G/c/ e/G/c/e/ | %4... | 1 | What is the initial clef? | Treble and bass clefs |
Prelude_I_in_C_major_BWV_846_-_Well_Tempered_Clavier_First_Book | X:1
T:Prelude I
T:In C major
T:Johann Sebastian Bach (1685 - 1750)
T:BWV 846
%%score { 1 | ( 2 3 ) }
L:1/8
M:4/4
I:linebreak $
K:C
V:1 treble nm="Piano"
V:2 bass
V:3 bass
V:1
z G/c/ e/G/c/e/ z G/c/ e/G/c/e/ | z A/d/ f/A/d/f/ z A/d/ f/A/d/f/ | %2
z G/d/ f/G/d/f/ z G/d/ f/G/d/f/ | z G/c/ e/G/c/e/ z G/c/ e/G/c/e/ | %4... | 1 | What is the initial time signature? | 4/4 time |
Prelude_I_in_C_major_BWV_846_-_Well_Tempered_Clavier_First_Book | X:1
T:Prelude I
T:In C major
T:Johann Sebastian Bach (1685 - 1750)
T:BWV 846
%%score { 1 | ( 2 3 ) }
L:1/8
M:4/4
I:linebreak $
K:C
V:1 treble nm="Piano"
V:2 bass
V:3 bass
V:1
z G/c/ e/G/c/e/ z G/c/ e/G/c/e/ | z A/d/ f/A/d/f/ z A/d/ f/A/d/f/ | %2
z G/d/ f/G/d/f/ z G/d/ f/G/d/f/ | z G/c/ e/G/c/e/ z G/c/ e/G/c/e/ | %4... | 2 | In bar 1, what is the highest pitch? | E5 |
Prelude_I_in_C_major_BWV_846_-_Well_Tempered_Clavier_First_Book | X:1
T:Prelude I
T:In C major
T:Johann Sebastian Bach (1685 - 1750)
T:BWV 846
%%score { 1 | ( 2 3 ) }
L:1/8
M:4/4
I:linebreak $
K:C
V:1 treble nm="Piano"
V:2 bass
V:3 bass
V:1
z G/c/ e/G/c/e/ z G/c/ e/G/c/e/ | z A/d/ f/A/d/f/ z A/d/ f/A/d/f/ | %2
z G/d/ f/G/d/f/ z G/d/ f/G/d/f/ | z G/c/ e/G/c/e/ z G/c/ e/G/c/e/ | %4... | 2 | In bar 35, what is the performance marking in the bass register? | Fermata |
Prelude_I_in_C_major_BWV_846_-_Well_Tempered_Clavier_First_Book | X:1
T:Prelude I
T:In C major
T:Johann Sebastian Bach (1685 - 1750)
T:BWV 846
%%score { 1 | ( 2 3 ) }
L:1/8
M:4/4
I:linebreak $
K:C
V:1 treble nm="Piano"
V:2 bass
V:3 bass
V:1
z G/c/ e/G/c/e/ z G/c/ e/G/c/e/ | z A/d/ f/A/d/f/ z A/d/ f/A/d/f/ | %2
z G/d/ f/G/d/f/ z G/d/ f/G/d/f/ | z G/c/ e/G/c/e/ z G/c/ e/G/c/e/ | %4... | 2 | In bar 1, what is the articulation marking? | Slur |
Prelude_I_in_C_major_BWV_846_-_Well_Tempered_Clavier_First_Book | X:1
T:Prelude I
T:In C major
T:Johann Sebastian Bach (1685 - 1750)
T:BWV 846
%%score { 1 | ( 2 3 ) }
L:1/8
M:4/4
I:linebreak $
K:C
V:1 treble nm="Piano"
V:2 bass
V:3 bass
V:1
z G/c/ e/G/c/e/ z G/c/ e/G/c/e/ | z A/d/ f/A/d/f/ z A/d/ f/A/d/f/ | %2
z G/d/ f/G/d/f/ z G/d/ f/G/d/f/ | z G/c/ e/G/c/e/ z G/c/ e/G/c/e/ | %4... | 3 | In bar 13, what is the spacing/arrangement of the ii6 chord? | Mixed spacing |
Prelude_I_in_C_major_BWV_846_-_Well_Tempered_Clavier_First_Book | X:1
T:Prelude I
T:In C major
T:Johann Sebastian Bach (1685 - 1750)
T:BWV 846
%%score { 1 | ( 2 3 ) }
L:1/8
M:4/4
I:linebreak $
K:C
V:1 treble nm="Piano"
V:2 bass
V:3 bass
V:1
z G/c/ e/G/c/e/ z G/c/ e/G/c/e/ | z A/d/ f/A/d/f/ z A/d/ f/A/d/f/ | %2
z G/d/ f/G/d/f/ z G/d/ f/G/d/f/ | z G/c/ e/G/c/e/ z G/c/ e/G/c/e/ | %4... | 3 | In bar 13, what are the repeated notes in the ii chord? | Root and fifth |
Prelude_I_in_C_major_BWV_846_-_Well_Tempered_Clavier_First_Book | X:1
T:Prelude I
T:In C major
T:Johann Sebastian Bach (1685 - 1750)
T:BWV 846
%%score { 1 | ( 2 3 ) }
L:1/8
M:4/4
I:linebreak $
K:C
V:1 treble nm="Piano"
V:2 bass
V:3 bass
V:1
z G/c/ e/G/c/e/ z G/c/ e/G/c/e/ | z A/d/ f/A/d/f/ z A/d/ f/A/d/f/ | %2
z G/d/ f/G/d/f/ z G/d/ f/G/d/f/ | z G/c/ e/G/c/e/ z G/c/ e/G/c/e/ | %4... | 3 | In bar 13, is there a first/second/third inversion of chord ii? | Yes |
Prelude_I_in_C_major_BWV_846_-_Well_Tempered_Clavier_First_Book | X:1
T:Prelude I
T:In C major
T:Johann Sebastian Bach (1685 - 1750)
T:BWV 846
%%score { 1 | ( 2 3 ) }
L:1/8
M:4/4
I:linebreak $
K:C
V:1 treble nm="Piano"
V:2 bass
V:3 bass
V:1
z G/c/ e/G/c/e/ z G/c/ e/G/c/e/ | z A/d/ f/A/d/f/ z A/d/ f/A/d/f/ | %2
z G/d/ f/G/d/f/ z G/d/ f/G/d/f/ | z G/c/ e/G/c/e/ z G/c/ e/G/c/e/ | %4... | 4 | What is the genre of the piece? | Prelude |
Prelude_I_in_C_major_BWV_846_-_Well_Tempered_Clavier_First_Book | X:1
T:Prelude I
T:In C major
T:Johann Sebastian Bach (1685 - 1750)
T:BWV 846
%%score { 1 | ( 2 3 ) }
L:1/8
M:4/4
I:linebreak $
K:C
V:1 treble nm="Piano"
V:2 bass
V:3 bass
V:1
z G/c/ e/G/c/e/ z G/c/ e/G/c/e/ | z A/d/ f/A/d/f/ z A/d/ f/A/d/f/ | %2
z G/d/ f/G/d/f/ z G/d/ f/G/d/f/ | z G/c/ e/G/c/e/ z G/c/ e/G/c/e/ | %4... | 4 | In which bar does the melodic motif appear? | 1 |
Prelude_I_in_C_major_BWV_846_-_Well_Tempered_Clavier_First_Book | X:1
T:Prelude I
T:In C major
T:Johann Sebastian Bach (1685 - 1750)
T:BWV 846
%%score { 1 | ( 2 3 ) }
L:1/8
M:4/4
I:linebreak $
K:C
V:1 treble nm="Piano"
V:2 bass
V:3 bass
V:1
z G/c/ e/G/c/e/ z G/c/ e/G/c/e/ | z A/d/ f/A/d/f/ z A/d/ f/A/d/f/ | %2
z G/d/ f/G/d/f/ z G/d/ f/G/d/f/ | z G/c/ e/G/c/e/ z G/c/ e/G/c/e/ | %4... | 4 | What are the main features of the motif? | Arpeggio |
Premier_Trio_en_Sol_-_Debussy | X:1
T:Premier Trio en Sol
C:Lesure Nr. 3**)
%%score 1 2 { ( 3 6 ) | ( 4 5 ) }
L:1/8
M:3/4
I:linebreak $
K:G
V:1 treble stafflines=5 nm="Violine"
V:2 bass stafflines=5 nm="Violoncello"
V:3 treble nm="Klavier"
V:6 treble
V:4 treble
V:5 treble
V:1
"^Andantino con molto allegro *)" z6 | z6 | z6 | z2 !fermata!z2 (g/d/B/g... | 1 | What is the initial key? | G major |
Premier_Trio_en_Sol_-_Debussy | X:1
T:Premier Trio en Sol
C:Lesure Nr. 3**)
%%score 1 2 { ( 3 6 ) | ( 4 5 ) }
L:1/8
M:3/4
I:linebreak $
K:G
V:1 treble stafflines=5 nm="Violine"
V:2 bass stafflines=5 nm="Violoncello"
V:3 treble nm="Klavier"
V:6 treble
V:4 treble
V:5 treble
V:1
"^Andantino con molto allegro *)" z6 | z6 | z6 | z2 !fermata!z2 (g/d/B/g... | 1 | What is the initial time signature? | 3/4 time |
Premier_Trio_en_Sol_-_Debussy | X:1
T:Premier Trio en Sol
C:Lesure Nr. 3**)
%%score 1 2 { ( 3 6 ) | ( 4 5 ) }
L:1/8
M:3/4
I:linebreak $
K:G
V:1 treble stafflines=5 nm="Violine"
V:2 bass stafflines=5 nm="Violoncello"
V:3 treble nm="Klavier"
V:6 treble
V:4 treble
V:5 treble
V:1
"^Andantino con molto allegro *)" z6 | z6 | z6 | z2 !fermata!z2 (g/d/B/g... | 1 | Which instruments are used? | Piano, violin, cello |
Premier_Trio_en_Sol_-_Debussy | X:1
T:Premier Trio en Sol
C:Lesure Nr. 3**)
%%score 1 2 { ( 3 6 ) | ( 4 5 ) }
L:1/8
M:3/4
I:linebreak $
K:G
V:1 treble stafflines=5 nm="Violine"
V:2 bass stafflines=5 nm="Violoncello"
V:3 treble nm="Klavier"
V:6 treble
V:4 treble
V:5 treble
V:1
"^Andantino con molto allegro *)" z6 | z6 | z6 | z2 !fermata!z2 (g/d/B/g... | 2 | In bar 69, what is the shortest rest value? | Crotchet rest |
Premier_Trio_en_Sol_-_Debussy | X:1
T:Premier Trio en Sol
C:Lesure Nr. 3**)
%%score 1 2 { ( 3 6 ) | ( 4 5 ) }
L:1/8
M:3/4
I:linebreak $
K:G
V:1 treble stafflines=5 nm="Violine"
V:2 bass stafflines=5 nm="Violoncello"
V:3 treble nm="Klavier"
V:6 treble
V:4 treble
V:5 treble
V:1
"^Andantino con molto allegro *)" z6 | z6 | z6 | z2 !fermata!z2 (g/d/B/g... | 2 | In bar 69, is there an accidental? | No |
Premier_Trio_en_Sol_-_Debussy | X:1
T:Premier Trio en Sol
C:Lesure Nr. 3**)
%%score 1 2 { ( 3 6 ) | ( 4 5 ) }
L:1/8
M:3/4
I:linebreak $
K:G
V:1 treble stafflines=5 nm="Violine"
V:2 bass stafflines=5 nm="Violoncello"
V:3 treble nm="Klavier"
V:6 treble
V:4 treble
V:5 treble
V:1
"^Andantino con molto allegro *)" z6 | z6 | z6 | z2 !fermata!z2 (g/d/B/g... | 2 | In bars 36–66, what does the key signature change to? | F major |
Premier_Trio_en_Sol_-_Debussy | X:1
T:Premier Trio en Sol
C:Lesure Nr. 3**)
%%score 1 2 { ( 3 6 ) | ( 4 5 ) }
L:1/8
M:3/4
I:linebreak $
K:G
V:1 treble stafflines=5 nm="Violine"
V:2 bass stafflines=5 nm="Violoncello"
V:3 treble nm="Klavier"
V:6 treble
V:4 treble
V:5 treble
V:1
"^Andantino con molto allegro *)" z6 | z6 | z6 | z2 !fermata!z2 (g/d/B/g... | 3 | In bar 1, does the piece begin on the tonic chord of the original key? | No |
Premier_Trio_en_Sol_-_Debussy | X:1
T:Premier Trio en Sol
C:Lesure Nr. 3**)
%%score 1 2 { ( 3 6 ) | ( 4 5 ) }
L:1/8
M:3/4
I:linebreak $
K:G
V:1 treble stafflines=5 nm="Violine"
V:2 bass stafflines=5 nm="Violoncello"
V:3 treble nm="Klavier"
V:6 treble
V:4 treble
V:5 treble
V:1
"^Andantino con molto allegro *)" z6 | z6 | z6 | z2 !fermata!z2 (g/d/B/g... | 3 | In bars 68–69, is there a perfect cadence? | No |
Premier_Trio_en_Sol_-_Debussy | X:1
T:Premier Trio en Sol
C:Lesure Nr. 3**)
%%score 1 2 { ( 3 6 ) | ( 4 5 ) }
L:1/8
M:3/4
I:linebreak $
K:G
V:1 treble stafflines=5 nm="Violine"
V:2 bass stafflines=5 nm="Violoncello"
V:3 treble nm="Klavier"
V:6 treble
V:4 treble
V:5 treble
V:1
"^Andantino con molto allegro *)" z6 | z6 | z6 | z2 !fermata!z2 (g/d/B/g... | 3 | In bar 3, what are the repeated notes of the G major chord? | Root note |
Premier_Trio_en_Sol_-_Debussy | X:1
T:Premier Trio en Sol
C:Lesure Nr. 3**)
%%score 1 2 { ( 3 6 ) | ( 4 5 ) }
L:1/8
M:3/4
I:linebreak $
K:G
V:1 treble stafflines=5 nm="Violine"
V:2 bass stafflines=5 nm="Violoncello"
V:3 treble nm="Klavier"
V:6 treble
V:4 treble
V:5 treble
V:1
"^Andantino con molto allegro *)" z6 | z6 | z6 | z2 !fermata!z2 (g/d/B/g... | 4 | What is the performance medium of the piece? | Trio |
Premier_Trio_en_Sol_-_Debussy | X:1
T:Premier Trio en Sol
C:Lesure Nr. 3**)
%%score 1 2 { ( 3 6 ) | ( 4 5 ) }
L:1/8
M:3/4
I:linebreak $
K:G
V:1 treble stafflines=5 nm="Violine"
V:2 bass stafflines=5 nm="Violoncello"
V:3 treble nm="Klavier"
V:6 treble
V:4 treble
V:5 treble
V:1
"^Andantino con molto allegro *)" z6 | z6 | z6 | z2 !fermata!z2 (g/d/B/g... | 4 | In which part does the principal theme first appear? | Piano part |
Premier_Trio_en_Sol_-_Debussy | X:1
T:Premier Trio en Sol
C:Lesure Nr. 3**)
%%score 1 2 { ( 3 6 ) | ( 4 5 ) }
L:1/8
M:3/4
I:linebreak $
K:G
V:1 treble stafflines=5 nm="Violine"
V:2 bass stafflines=5 nm="Violoncello"
V:3 treble nm="Klavier"
V:6 treble
V:4 treble
V:5 treble
V:1
"^Andantino con molto allegro *)" z6 | z6 | z6 | z2 !fermata!z2 (g/d/B/g... | 4 | What are the main structural features of the motif? | Third Interval |
Prlude_Opus_28_No._4_in_E_Minor__Chopin | X:1
T:Prélude in E Minor
C:Fréderic François Chopin(1810–1849)
Z:Fryderyk Franciszek Chopin
%%score { 1 | ( 2 3 ) }
L:1/8
Q:1/4=42
M:2/2
I:linebreak $
K:G
V:1 treble nm="Piano"
V:2 bass
V:3 bass
V:1
"^Largo"!p!"_ espressivo" (B,>!fermata!B | B6 c2 | B6 c2 | B6 c2 | B6 _B2 | A6 =B2 | A6 B2 | %7
A6 B>A | A6 !>!^G2- |... | 1 | What is the initial time signature? | 2/2 time |
Prlude_Opus_28_No._4_in_E_Minor__Chopin | X:1
T:Prélude in E Minor
C:Fréderic François Chopin(1810–1849)
Z:Fryderyk Franciszek Chopin
%%score { 1 | ( 2 3 ) }
L:1/8
Q:1/4=42
M:2/2
I:linebreak $
K:G
V:1 treble nm="Piano"
V:2 bass
V:3 bass
V:1
"^Largo"!p!"_ espressivo" (B,>!fermata!B | B6 c2 | B6 c2 | B6 c2 | B6 _B2 | A6 =B2 | A6 B2 | %7
A6 B>A | A6 !>!^G2- |... | 1 | What is the initial clef? | Treble clef, Bass clef |
Prlude_Opus_28_No._4_in_E_Minor__Chopin | X:1
T:Prélude in E Minor
C:Fréderic François Chopin(1810–1849)
Z:Fryderyk Franciszek Chopin
%%score { 1 | ( 2 3 ) }
L:1/8
Q:1/4=42
M:2/2
I:linebreak $
K:G
V:1 treble nm="Piano"
V:2 bass
V:3 bass
V:1
"^Largo"!p!"_ espressivo" (B,>!fermata!B | B6 c2 | B6 c2 | B6 c2 | B6 _B2 | A6 =B2 | A6 B2 | %7
A6 B>A | A6 !>!^G2- |... | 1 | What is the initial tempo term? | Largo |
Prlude_Opus_28_No._4_in_E_Minor__Chopin | X:1
T:Prélude in E Minor
C:Fréderic François Chopin(1810–1849)
Z:Fryderyk Franciszek Chopin
%%score { 1 | ( 2 3 ) }
L:1/8
Q:1/4=42
M:2/2
I:linebreak $
K:G
V:1 treble nm="Piano"
V:2 bass
V:3 bass
V:1
"^Largo"!p!"_ espressivo" (B,>!fermata!B | B6 c2 | B6 c2 | B6 c2 | B6 _B2 | A6 =B2 | A6 B2 | %7
A6 B>A | A6 !>!^G2- |... | 2 | In bars 1–25, is there a repeat sign? | None |
Prlude_Opus_28_No._4_in_E_Minor__Chopin | X:1
T:Prélude in E Minor
C:Fréderic François Chopin(1810–1849)
Z:Fryderyk Franciszek Chopin
%%score { 1 | ( 2 3 ) }
L:1/8
Q:1/4=42
M:2/2
I:linebreak $
K:G
V:1 treble nm="Piano"
V:2 bass
V:3 bass
V:1
"^Largo"!p!"_ espressivo" (B,>!fermata!B | B6 c2 | B6 c2 | B6 c2 | B6 _B2 | A6 =B2 | A6 B2 | %7
A6 B>A | A6 !>!^G2- |... | 2 | In bar 16, what is the ornament on note A? | Nachschlag (upper mordent) |
Prlude_Opus_28_No._4_in_E_Minor__Chopin | X:1
T:Prélude in E Minor
C:Fréderic François Chopin(1810–1849)
Z:Fryderyk Franciszek Chopin
%%score { 1 | ( 2 3 ) }
L:1/8
Q:1/4=42
M:2/2
I:linebreak $
K:G
V:1 treble nm="Piano"
V:2 bass
V:3 bass
V:1
"^Largo"!p!"_ espressivo" (B,>!fermata!B | B6 c2 | B6 c2 | B6 c2 | B6 _B2 | A6 =B2 | A6 B2 | %7
A6 B>A | A6 !>!^G2- |... | 2 | In bar 21, are there accidentals, and what are they? | B♭3 |
Prlude_Opus_28_No._4_in_E_Minor__Chopin | X:1
T:Prélude in E Minor
C:Fréderic François Chopin(1810–1849)
Z:Fryderyk Franciszek Chopin
%%score { 1 | ( 2 3 ) }
L:1/8
Q:1/4=42
M:2/2
I:linebreak $
K:G
V:1 treble nm="Piano"
V:2 bass
V:3 bass
V:1
"^Largo"!p!"_ espressivo" (B,>!fermata!B | B6 c2 | B6 c2 | B6 c2 | B6 _B2 | A6 =B2 | A6 B2 | %7
A6 B>A | A6 !>!^G2- |... | 3 | In bars 8–10, is there a suspension? | Yes |
Prlude_Opus_28_No._4_in_E_Minor__Chopin | X:1
T:Prélude in E Minor
C:Fréderic François Chopin(1810–1849)
Z:Fryderyk Franciszek Chopin
%%score { 1 | ( 2 3 ) }
L:1/8
Q:1/4=42
M:2/2
I:linebreak $
K:G
V:1 treble nm="Piano"
V:2 bass
V:3 bass
V:1
"^Largo"!p!"_ espressivo" (B,>!fermata!B | B6 c2 | B6 c2 | B6 c2 | B6 _B2 | A6 =B2 | A6 B2 | %7
A6 B>A | A6 !>!^G2- |... | 3 | In bars 21–25, is there a perfect cadence? | No |
Prlude_Opus_28_No._4_in_E_Minor__Chopin | X:1
T:Prélude in E Minor
C:Fréderic François Chopin(1810–1849)
Z:Fryderyk Franciszek Chopin
%%score { 1 | ( 2 3 ) }
L:1/8
Q:1/4=42
M:2/2
I:linebreak $
K:G
V:1 treble nm="Piano"
V:2 bass
V:3 bass
V:1
"^Largo"!p!"_ espressivo" (B,>!fermata!B | B6 c2 | B6 c2 | B6 c2 | B6 _B2 | A6 =B2 | A6 B2 | %7
A6 B>A | A6 !>!^G2- |... | 3 | In bar 13, is there a first inversion B7 chord? | None |
Prlude_Opus_28_No._4_in_E_Minor__Chopin | X:1
T:Prélude in E Minor
C:Fréderic François Chopin(1810–1849)
Z:Fryderyk Franciszek Chopin
%%score { 1 | ( 2 3 ) }
L:1/8
Q:1/4=42
M:2/2
I:linebreak $
K:G
V:1 treble nm="Piano"
V:2 bass
V:3 bass
V:1
"^Largo"!p!"_ espressivo" (B,>!fermata!B | B6 c2 | B6 c2 | B6 c2 | B6 _B2 | A6 =B2 | A6 B2 | %7
A6 B>A | A6 !>!^G2- |... | 4 | What is the genre of the piece? | Prelude |
Prlude_Opus_28_No._4_in_E_Minor__Chopin | X:1
T:Prélude in E Minor
C:Fréderic François Chopin(1810–1849)
Z:Fryderyk Franciszek Chopin
%%score { 1 | ( 2 3 ) }
L:1/8
Q:1/4=42
M:2/2
I:linebreak $
K:G
V:1 treble nm="Piano"
V:2 bass
V:3 bass
V:1
"^Largo"!p!"_ espressivo" (B,>!fermata!B | B6 c2 | B6 c2 | B6 c2 | B6 _B2 | A6 =B2 | A6 B2 | %7
A6 B>A | A6 !>!^G2- |... | 4 | In which bar does the melodic motif appear? | 1 |
Prlude_Opus_28_No._4_in_E_Minor__Chopin | X:1
T:Prélude in E Minor
C:Fréderic François Chopin(1810–1849)
Z:Fryderyk Franciszek Chopin
%%score { 1 | ( 2 3 ) }
L:1/8
Q:1/4=42
M:2/2
I:linebreak $
K:G
V:1 treble nm="Piano"
V:2 bass
V:3 bass
V:1
"^Largo"!p!"_ espressivo" (B,>!fermata!B | B6 c2 | B6 c2 | B6 c2 | B6 _B2 | A6 =B2 | A6 B2 | %7
A6 B>A | A6 !>!^G2- |... | 4 | In bar 1, in which register is the melody played? | Upper–middle register |
Radetzky_March__Johann_Strauss_I__1848 | X:1
T:Radetzky-Marsch
C:Johann Strauss I
Z:Public Domain
%%score { 1 | 2 }
L:1/8
Q:1/4=180
M:2/2
I:linebreak $
K:D
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:1
!ff! [Fd][Fd][Fd] z [Fd][Fd][Fd] z | .f2 .e2 (d3 .c) | (B^ABc .d2) .[^Ge]2 | %3
.=A2 z2 z2!p!{/=g} .f.^e |: .f z{/g} .f.^e .f z{/g} .f.e | .f z .=e z .d z{/g... | 1 | What is the initial clef? | 2/2 time |
Radetzky_March__Johann_Strauss_I__1848 | X:1
T:Radetzky-Marsch
C:Johann Strauss I
Z:Public Domain
%%score { 1 | 2 }
L:1/8
Q:1/4=180
M:2/2
I:linebreak $
K:D
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:1
!ff! [Fd][Fd][Fd] z [Fd][Fd][Fd] z | .f2 .e2 (d3 .c) | (B^ABc .d2) .[^Ge]2 | %3
.=A2 z2 z2!p!{/=g} .f.^e |: .f z{/g} .f.^e .f z{/g} .f.e | .f z .=e z .d z{/g... | 1 | Who is the composer? | Johann Strauss I |
Radetzky_March__Johann_Strauss_I__1848 | X:1
T:Radetzky-Marsch
C:Johann Strauss I
Z:Public Domain
%%score { 1 | 2 }
L:1/8
Q:1/4=180
M:2/2
I:linebreak $
K:D
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:1
!ff! [Fd][Fd][Fd] z [Fd][Fd][Fd] z | .f2 .e2 (d3 .c) | (B^ABc .d2) .[^Ge]2 | %3
.=A2 z2 z2!p!{/=g} .f.^e |: .f z{/g} .f.^e .f z{/g} .f.e | .f z .=e z .d z{/g... | 1 | What is the title of the piece? | Radetzky March, Op. 228 |
Radetzky_March__Johann_Strauss_I__1848 | X:1
T:Radetzky-Marsch
C:Johann Strauss I
Z:Public Domain
%%score { 1 | 2 }
L:1/8
Q:1/4=180
M:2/2
I:linebreak $
K:D
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:1
!ff! [Fd][Fd][Fd] z [Fd][Fd][Fd] z | .f2 .e2 (d3 .c) | (B^ABc .d2) .[^Ge]2 | %3
.=A2 z2 z2!p!{/=g} .f.^e |: .f z{/g} .f.^e .f z{/g} .f.e | .f z .=e z .d z{/g... | 2 | In bar 1, what is the shortest rest value? | Quaver rest |
Radetzky_March__Johann_Strauss_I__1848 | X:1
T:Radetzky-Marsch
C:Johann Strauss I
Z:Public Domain
%%score { 1 | 2 }
L:1/8
Q:1/4=180
M:2/2
I:linebreak $
K:D
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:1
!ff! [Fd][Fd][Fd] z [Fd][Fd][Fd] z | .f2 .e2 (d3 .c) | (B^ABc .d2) .[^Ge]2 | %3
.=A2 z2 z2!p!{/=g} .f.^e |: .f z{/g} .f.^e .f z{/g} .f.e | .f z .=e z .d z{/g... | 2 | In bar 12, are there repeat signs? | Yes |
Radetzky_March__Johann_Strauss_I__1848 | X:1
T:Radetzky-Marsch
C:Johann Strauss I
Z:Public Domain
%%score { 1 | 2 }
L:1/8
Q:1/4=180
M:2/2
I:linebreak $
K:D
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:1
!ff! [Fd][Fd][Fd] z [Fd][Fd][Fd] z | .f2 .e2 (d3 .c) | (B^ABc .d2) .[^Ge]2 | %3
.=A2 z2 z2!p!{/=g} .f.^e |: .f z{/g} .f.^e .f z{/g} .f.e | .f z .=e z .d z{/g... | 2 | In bar 56, what is the new key signature? | A major |
Radetzky_March__Johann_Strauss_I__1848 | X:1
T:Radetzky-Marsch
C:Johann Strauss I
Z:Public Domain
%%score { 1 | 2 }
L:1/8
Q:1/4=180
M:2/2
I:linebreak $
K:D
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:1
!ff! [Fd][Fd][Fd] z [Fd][Fd][Fd] z | .f2 .e2 (d3 .c) | (B^ABc .d2) .[^Ge]2 | %3
.=A2 z2 z2!p!{/=g} .f.^e |: .f z{/g} .f.^e .f z{/g} .f.e | .f z .=e z .d z{/g... | 3 | Between bars 73–76, is there a suspension? | No |
Radetzky_March__Johann_Strauss_I__1848 | X:1
T:Radetzky-Marsch
C:Johann Strauss I
Z:Public Domain
%%score { 1 | 2 }
L:1/8
Q:1/4=180
M:2/2
I:linebreak $
K:D
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:1
!ff! [Fd][Fd][Fd] z [Fd][Fd][Fd] z | .f2 .e2 (d3 .c) | (B^ABc .d2) .[^Ge]2 | %3
.=A2 z2 z2!p!{/=g} .f.^e |: .f z{/g} .f.^e .f z{/g} .f.e | .f z .=e z .d z{/g... | 3 | In bar 1, does the music begin on the tonic chord of the home key? | Yes |
Radetzky_March__Johann_Strauss_I__1848 | X:1
T:Radetzky-Marsch
C:Johann Strauss I
Z:Public Domain
%%score { 1 | 2 }
L:1/8
Q:1/4=180
M:2/2
I:linebreak $
K:D
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:1
!ff! [Fd][Fd][Fd] z [Fd][Fd][Fd] z | .f2 .e2 (d3 .c) | (B^ABc .d2) .[^Ge]2 | %3
.=A2 z2 z2!p!{/=g} .f.^e |: .f z{/g} .f.^e .f z{/g} .f.e | .f z .=e z .d z{/g... | 3 | Between bars 73–76, is there a perfect cadence? | Yes |
Radetzky_March__Johann_Strauss_I__1848 | X:1
T:Radetzky-Marsch
C:Johann Strauss I
Z:Public Domain
%%score { 1 | 2 }
L:1/8
Q:1/4=180
M:2/2
I:linebreak $
K:D
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:1
!ff! [Fd][Fd][Fd] z [Fd][Fd][Fd] z | .f2 .e2 (d3 .c) | (B^ABc .d2) .[^Ge]2 | %3
.=A2 z2 z2!p!{/=g} .f.^e |: .f z{/g} .f.^e .f z{/g} .f.e | .f z .=e z .d z{/g... | 4 | What is the performance medium of the piece? | Piano solo |
Radetzky_March__Johann_Strauss_I__1848 | X:1
T:Radetzky-Marsch
C:Johann Strauss I
Z:Public Domain
%%score { 1 | 2 }
L:1/8
Q:1/4=180
M:2/2
I:linebreak $
K:D
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:1
!ff! [Fd][Fd][Fd] z [Fd][Fd][Fd] z | .f2 .e2 (d3 .c) | (B^ABc .d2) .[^Ge]2 | %3
.=A2 z2 z2!p!{/=g} .f.^e |: .f z{/g} .f.^e .f z{/g} .f.e | .f z .=e z .d z{/g... | 4 | In which register is the melody in bars 3–4? | Upper-middle register |
Radetzky_March__Johann_Strauss_I__1848 | X:1
T:Radetzky-Marsch
C:Johann Strauss I
Z:Public Domain
%%score { 1 | 2 }
L:1/8
Q:1/4=180
M:2/2
I:linebreak $
K:D
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:1
!ff! [Fd][Fd][Fd] z [Fd][Fd][Fd] z | .f2 .e2 (d3 .c) | (B^ABc .d2) .[^Ge]2 | %3
.=A2 z2 z2!p!{/=g} .f.^e |: .f z{/g} .f.^e .f z{/g} .f.e | .f z .=e z .d z{/g... | 4 | What is the most frequently used texture type in the piece? | Homophonic texture |
Ravel_-_Piano_Concerto_in_G_major_-_II._Adagio_assai_PIANO_PART | X:1
T:Piano Concerto in G major
C:Maurice Ravel
%%score { ( 1 3 ) | 2 }
L:1/8
Q:1/8=76
M:3/4
I:linebreak $
K:E
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:1
"^Adagio assai."!p!"^velocicty memo\npp = 16\np = 24\nmf = 32\nf = 40\nff = 42\n< > = ±8" z6 | %1
(G2 A4 | G2 F2 E2 | B2- BA/B/ c/B/-B- | B4- B)(B- ... | 1 | Who is the composer? | Ravel |
Ravel_-_Piano_Concerto_in_G_major_-_II._Adagio_assai_PIANO_PART | X:1
T:Piano Concerto in G major
C:Maurice Ravel
%%score { ( 1 3 ) | 2 }
L:1/8
Q:1/8=76
M:3/4
I:linebreak $
K:E
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:1
"^Adagio assai."!p!"^velocicty memo\npp = 16\np = 24\nmf = 32\nf = 40\nff = 42\n< > = ±8" z6 | %1
(G2 A4 | G2 F2 E2 | B2- BA/B/ c/B/-B- | B4- B)(B- ... | 1 | What is the initial tempo marking? | Adagio assai |
Ravel_-_Piano_Concerto_in_G_major_-_II._Adagio_assai_PIANO_PART | X:1
T:Piano Concerto in G major
C:Maurice Ravel
%%score { ( 1 3 ) | 2 }
L:1/8
Q:1/8=76
M:3/4
I:linebreak $
K:E
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:1
"^Adagio assai."!p!"^velocicty memo\npp = 16\np = 24\nmf = 32\nf = 40\nff = 42\n< > = ±8" z6 | %1
(G2 A4 | G2 F2 E2 | B2- BA/B/ c/B/-B- | B4- B)(B- ... | 1 | What is the initial time signature? | 3/4 time |
Ravel_-_Piano_Concerto_in_G_major_-_II._Adagio_assai_PIANO_PART | X:1
T:Piano Concerto in G major
C:Maurice Ravel
%%score { ( 1 3 ) | 2 }
L:1/8
Q:1/8=76
M:3/4
I:linebreak $
K:E
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:1
"^Adagio assai."!p!"^velocicty memo\npp = 16\np = 24\nmf = 32\nf = 40\nff = 42\n< > = ±8" z6 | %1
(G2 A4 | G2 F2 E2 | B2- BA/B/ c/B/-B- | B4- B)(B- ... | 2 | Between bars 1–108, are there repeat signs? | No |
Ravel_-_Piano_Concerto_in_G_major_-_II._Adagio_assai_PIANO_PART | X:1
T:Piano Concerto in G major
C:Maurice Ravel
%%score { ( 1 3 ) | 2 }
L:1/8
Q:1/8=76
M:3/4
I:linebreak $
K:E
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:1
"^Adagio assai."!p!"^velocicty memo\npp = 16\np = 24\nmf = 32\nf = 40\nff = 42\n< > = ±8" z6 | %1
(G2 A4 | G2 F2 E2 | B2- BA/B/ c/B/-B- | B4- B)(B- ... | 2 | In bars 103–108, what are the articulation markings? | Trill |
Ravel_-_Piano_Concerto_in_G_major_-_II._Adagio_assai_PIANO_PART | X:1
T:Piano Concerto in G major
C:Maurice Ravel
%%score { ( 1 3 ) | 2 }
L:1/8
Q:1/8=76
M:3/4
I:linebreak $
K:E
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:1
"^Adagio assai."!p!"^velocicty memo\npp = 16\np = 24\nmf = 32\nf = 40\nff = 42\n< > = ±8" z6 | %1
(G2 A4 | G2 F2 E2 | B2- BA/B/ c/B/-B- | B4- B)(B- ... | 2 | In bar 88, what is the dynamic change marking? | crescendo |
Ravel_-_Piano_Concerto_in_G_major_-_II._Adagio_assai_PIANO_PART | X:1
T:Piano Concerto in G major
C:Maurice Ravel
%%score { ( 1 3 ) | 2 }
L:1/8
Q:1/8=76
M:3/4
I:linebreak $
K:E
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:1
"^Adagio assai."!p!"^velocicty memo\npp = 16\np = 24\nmf = 32\nf = 40\nff = 42\n< > = ±8" z6 | %1
(G2 A4 | G2 F2 E2 | B2- BA/B/ c/B/-B- | B4- B)(B- ... | 3 | Between bars 45–52, does the music begin on the tonic chord of the home key? | No |
Ravel_-_Piano_Concerto_in_G_major_-_II._Adagio_assai_PIANO_PART | X:1
T:Piano Concerto in G major
C:Maurice Ravel
%%score { ( 1 3 ) | 2 }
L:1/8
Q:1/8=76
M:3/4
I:linebreak $
K:E
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:1
"^Adagio assai."!p!"^velocicty memo\npp = 16\np = 24\nmf = 32\nf = 40\nff = 42\n< > = ±8" z6 | %1
(G2 A4 | G2 F2 E2 | B2- BA/B/ c/B/-B- | B4- B)(B- ... | 3 | In bar 1, what note is omitted from the E major chord? | Fifth |
Ravel_-_Piano_Concerto_in_G_major_-_II._Adagio_assai_PIANO_PART | X:1
T:Piano Concerto in G major
C:Maurice Ravel
%%score { ( 1 3 ) | 2 }
L:1/8
Q:1/8=76
M:3/4
I:linebreak $
K:E
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:1
"^Adagio assai."!p!"^velocicty memo\npp = 16\np = 24\nmf = 32\nf = 40\nff = 42\n< > = ±8" z6 | %1
(G2 A4 | G2 F2 E2 | B2- BA/B/ c/B/-B- | B4- B)(B- ... | 3 | In bar 4, what degree chord is the G minor chord (I, II, III, IV, V, VI, VII)? | iii |
Ravel_-_Piano_Concerto_in_G_major_-_II._Adagio_assai_PIANO_PART | X:1
T:Piano Concerto in G major
C:Maurice Ravel
%%score { ( 1 3 ) | 2 }
L:1/8
Q:1/8=76
M:3/4
I:linebreak $
K:E
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:1
"^Adagio assai."!p!"^velocicty memo\npp = 16\np = 24\nmf = 32\nf = 40\nff = 42\n< > = ±8" z6 | %1
(G2 A4 | G2 F2 E2 | B2- BA/B/ c/B/-B- | B4- B)(B- ... | 4 | What is the most frequently used texture type in the piece? | Homophonic texture |
Ravel_-_Piano_Concerto_in_G_major_-_II._Adagio_assai_PIANO_PART | X:1
T:Piano Concerto in G major
C:Maurice Ravel
%%score { ( 1 3 ) | 2 }
L:1/8
Q:1/8=76
M:3/4
I:linebreak $
K:E
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:1
"^Adagio assai."!p!"^velocicty memo\npp = 16\np = 24\nmf = 32\nf = 40\nff = 42\n< > = ±8" z6 | %1
(G2 A4 | G2 F2 E2 | B2- BA/B/ c/B/-B- | B4- B)(B- ... | 4 | What is the most frequently used accompaniment type in the piece? | arpeggio |
Ravel_-_Piano_Concerto_in_G_major_-_II._Adagio_assai_PIANO_PART | X:1
T:Piano Concerto in G major
C:Maurice Ravel
%%score { ( 1 3 ) | 2 }
L:1/8
Q:1/8=76
M:3/4
I:linebreak $
K:E
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:1
"^Adagio assai."!p!"^velocicty memo\npp = 16\np = 24\nmf = 32\nf = 40\nff = 42\n< > = ±8" z6 | %1
(G2 A4 | G2 F2 E2 | B2- BA/B/ c/B/-B- | B4- B)(B- ... | 4 | What is the performance medium of the piece? | Piano solo |
Reverie_-_Debussy__as_written | X:1
T:Reverie
T:Claude Debussy
C:Claude Debussey
Z:Public Domain
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
M:4/4
I:linebreak $
K:F
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 treble
V:3 treble
V:1
x4 |[Q:1/4=100]"^Andantino sans lenteur" x8 | x8 | (g4 d4- | d2 ef g2 ed | (3e2 c2 e2 d4- | %6
d4) B2 d2 | e2 f2 c4- | c... | 1 | What is the title of the work? | Rêverie |
Reverie_-_Debussy__as_written | X:1
T:Reverie
T:Claude Debussy
C:Claude Debussey
Z:Public Domain
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
M:4/4
I:linebreak $
K:F
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 treble
V:3 treble
V:1
x4 |[Q:1/4=100]"^Andantino sans lenteur" x8 | x8 | (g4 d4- | d2 ef g2 ed | (3e2 c2 e2 d4- | %6
d4) B2 d2 | e2 f2 c4- | c... | 1 | Which instruments are used? | Piano |
Reverie_-_Debussy__as_written | X:1
T:Reverie
T:Claude Debussy
C:Claude Debussey
Z:Public Domain
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
M:4/4
I:linebreak $
K:F
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 treble
V:3 treble
V:1
x4 |[Q:1/4=100]"^Andantino sans lenteur" x8 | x8 | (g4 d4- | d2 ef g2 ed | (3e2 c2 e2 d4- | %6
d4) B2 d2 | e2 f2 c4- | c... | 1 | What is the initial key? | G minor |
Reverie_-_Debussy__as_written | X:1
T:Reverie
T:Claude Debussy
C:Claude Debussey
Z:Public Domain
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
M:4/4
I:linebreak $
K:F
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 treble
V:3 treble
V:1
x4 |[Q:1/4=100]"^Andantino sans lenteur" x8 | x8 | (g4 d4- | d2 ef g2 ed | (3e2 c2 e2 d4- | %6
d4) B2 d2 | e2 f2 c4- | c... | 2 | In bar 47, what is the tempo change marking? | rit. (ritardando) |
Reverie_-_Debussy__as_written | X:1
T:Reverie
T:Claude Debussy
C:Claude Debussey
Z:Public Domain
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
M:4/4
I:linebreak $
K:F
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 treble
V:3 treble
V:1
x4 |[Q:1/4=100]"^Andantino sans lenteur" x8 | x8 | (g4 d4- | d2 ef g2 ed | (3e2 c2 e2 d4- | %6
d4) B2 d2 | e2 f2 c4- | c... | 2 | In bars 59–68, what does the key signature change to? | E major |
Reverie_-_Debussy__as_written | X:1
T:Reverie
T:Claude Debussy
C:Claude Debussey
Z:Public Domain
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
M:4/4
I:linebreak $
K:F
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 treble
V:3 treble
V:1
x4 |[Q:1/4=100]"^Andantino sans lenteur" x8 | x8 | (g4 d4- | d2 ef g2 ed | (3e2 c2 e2 d4- | %6
d4) B2 d2 | e2 f2 c4- | c... | 2 | In bar 1, what is the articulation marking? | Slur |
Reverie_-_Debussy__as_written | X:1
T:Reverie
T:Claude Debussy
C:Claude Debussey
Z:Public Domain
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
M:4/4
I:linebreak $
K:F
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 treble
V:3 treble
V:1
x4 |[Q:1/4=100]"^Andantino sans lenteur" x8 | x8 | (g4 d4- | d2 ef g2 ed | (3e2 c2 e2 d4- | %6
d4) B2 d2 | e2 f2 c4- | c... | 3 | In bars 100–101, does a chord suspension occur? | No |
Reverie_-_Debussy__as_written | X:1
T:Reverie
T:Claude Debussy
C:Claude Debussey
Z:Public Domain
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
M:4/4
I:linebreak $
K:F
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 treble
V:3 treble
V:1
x4 |[Q:1/4=100]"^Andantino sans lenteur" x8 | x8 | (g4 d4- | d2 ef g2 ed | (3e2 c2 e2 d4- | %6
d4) B2 d2 | e2 f2 c4- | c... | 3 | In bar 15, is there a third-inversion C7 chord? | None |
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