song_id stringclasses 150
values | abc_notation stringclasses 150
values | level int32 1 4 | question stringlengths 20 85 | answer stringlengths 1 82 |
|---|---|---|---|---|
Reverie_-_Debussy__as_written | X:1
T:Reverie
T:Claude Debussy
C:Claude Debussey
Z:Public Domain
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
M:4/4
I:linebreak $
K:F
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 treble
V:3 treble
V:1
x4 |[Q:1/4=100]"^Andantino sans lenteur" x8 | x8 | (g4 d4- | d2 ef g2 ed | (3e2 c2 e2 d4- | %6
d4) B2 d2 | e2 f2 c4- | c... | 3 | In bar 1, is there an F major chord? | No |
Reverie_-_Debussy__as_written | X:1
T:Reverie
T:Claude Debussy
C:Claude Debussey
Z:Public Domain
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
M:4/4
I:linebreak $
K:F
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 treble
V:3 treble
V:1
x4 |[Q:1/4=100]"^Andantino sans lenteur" x8 | x8 | (g4 d4- | d2 ef g2 ed | (3e2 c2 e2 d4- | %6
d4) B2 d2 | e2 f2 c4- | c... | 4 | What is the performance medium of the piece? | Piano solo |
Reverie_-_Debussy__as_written | X:1
T:Reverie
T:Claude Debussy
C:Claude Debussey
Z:Public Domain
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
M:4/4
I:linebreak $
K:F
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 treble
V:3 treble
V:1
x4 |[Q:1/4=100]"^Andantino sans lenteur" x8 | x8 | (g4 d4- | d2 ef g2 ed | (3e2 c2 e2 d4- | %6
d4) B2 d2 | e2 f2 c4- | c... | 4 | In which bar does the melodic motif appear? | 3 |
Reverie_-_Debussy__as_written | X:1
T:Reverie
T:Claude Debussy
C:Claude Debussey
Z:Public Domain
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
M:4/4
I:linebreak $
K:F
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 treble
V:3 treble
V:1
x4 |[Q:1/4=100]"^Andantino sans lenteur" x8 | x8 | (g4 d4- | d2 ef g2 ed | (3e2 c2 e2 d4- | %6
d4) B2 d2 | e2 f2 c4- | c... | 4 | What are the main structural features of the motif? | Leap of a fourth Interval |
RossiniLiszt_-_William_Tell_Overture_Finale | X:1
T:william
C:Rossini. arr. F.Liszt
%%score { 1 | 2 | ( 3 5 ) | ( 4 6 ) }
L:1/8
Q:1/4=144
M:2/4
I:linebreak $
K:E
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:3 treble
V:5 treble
V:4 bass
V:6 bass
V:1
"^Allegro vivace" z4 | z4[Q:1/4=152] | z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 | %14
z4 | z4 z... | 1 | Who is the composer? | Liszt |
RossiniLiszt_-_William_Tell_Overture_Finale | X:1
T:william
C:Rossini. arr. F.Liszt
%%score { 1 | 2 | ( 3 5 ) | ( 4 6 ) }
L:1/8
Q:1/4=144
M:2/4
I:linebreak $
K:E
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:3 treble
V:5 treble
V:4 bass
V:6 bass
V:1
"^Allegro vivace" z4 | z4[Q:1/4=152] | z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 | %14
z4 | z4 z... | 1 | Is it an anacrusis (upbeat bar)? | No |
RossiniLiszt_-_William_Tell_Overture_Finale | X:1
T:william
C:Rossini. arr. F.Liszt
%%score { 1 | 2 | ( 3 5 ) | ( 4 6 ) }
L:1/8
Q:1/4=144
M:2/4
I:linebreak $
K:E
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:3 treble
V:5 treble
V:4 bass
V:6 bass
V:1
"^Allegro vivace" z4 | z4[Q:1/4=152] | z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 | %14
z4 | z4 z... | 1 | What is the initial expression term? | Vivace |
RossiniLiszt_-_William_Tell_Overture_Finale | X:1
T:william
C:Rossini. arr. F.Liszt
%%score { 1 | 2 | ( 3 5 ) | ( 4 6 ) }
L:1/8
Q:1/4=144
M:2/4
I:linebreak $
K:E
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:3 treble
V:5 treble
V:4 bass
V:6 bass
V:1
"^Allegro vivace" z4 | z4[Q:1/4=152] | z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 | %14
z4 | z4 z... | 2 | In bars 1–256, is there a repeat sign? | No |
RossiniLiszt_-_William_Tell_Overture_Finale | X:1
T:william
C:Rossini. arr. F.Liszt
%%score { 1 | 2 | ( 3 5 ) | ( 4 6 ) }
L:1/8
Q:1/4=144
M:2/4
I:linebreak $
K:E
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:3 treble
V:5 treble
V:4 bass
V:6 bass
V:1
"^Allegro vivace" z4 | z4[Q:1/4=152] | z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 | %14
z4 | z4 z... | 2 | In bar 155, what is the longest rest value? | Semiquaver rest |
RossiniLiszt_-_William_Tell_Overture_Finale | X:1
T:william
C:Rossini. arr. F.Liszt
%%score { 1 | 2 | ( 3 5 ) | ( 4 6 ) }
L:1/8
Q:1/4=144
M:2/4
I:linebreak $
K:E
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:3 treble
V:5 treble
V:4 bass
V:6 bass
V:1
"^Allegro vivace" z4 | z4[Q:1/4=152] | z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 | %14
z4 | z4 z... | 2 | In bar 1, what is the articulation marking? | Legato |
RossiniLiszt_-_William_Tell_Overture_Finale | X:1
T:william
C:Rossini. arr. F.Liszt
%%score { 1 | 2 | ( 3 5 ) | ( 4 6 ) }
L:1/8
Q:1/4=144
M:2/4
I:linebreak $
K:E
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:3 treble
V:5 treble
V:4 bass
V:6 bass
V:1
"^Allegro vivace" z4 | z4[Q:1/4=152] | z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 | %14
z4 | z4 z... | 3 | In bar 255, is there a suspension? | Yes |
RossiniLiszt_-_William_Tell_Overture_Finale | X:1
T:william
C:Rossini. arr. F.Liszt
%%score { 1 | 2 | ( 3 5 ) | ( 4 6 ) }
L:1/8
Q:1/4=144
M:2/4
I:linebreak $
K:E
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:3 treble
V:5 treble
V:4 bass
V:6 bass
V:1
"^Allegro vivace" z4 | z4[Q:1/4=152] | z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 | %14
z4 | z4 z... | 3 | In bar 256, is there an E major chord? | Yes |
RossiniLiszt_-_William_Tell_Overture_Finale | X:1
T:william
C:Rossini. arr. F.Liszt
%%score { 1 | 2 | ( 3 5 ) | ( 4 6 ) }
L:1/8
Q:1/4=144
M:2/4
I:linebreak $
K:E
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:3 treble
V:5 treble
V:4 bass
V:6 bass
V:1
"^Allegro vivace" z4 | z4[Q:1/4=152] | z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 | %14
z4 | z4 z... | 3 | In bars 250–256, is there a perfect cadence (authentic cadence)? | No |
RossiniLiszt_-_William_Tell_Overture_Finale | X:1
T:william
C:Rossini. arr. F.Liszt
%%score { 1 | 2 | ( 3 5 ) | ( 4 6 ) }
L:1/8
Q:1/4=144
M:2/4
I:linebreak $
K:E
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:3 treble
V:5 treble
V:4 bass
V:6 bass
V:1
"^Allegro vivace" z4 | z4[Q:1/4=152] | z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 | %14
z4 | z4 z... | 4 | In bars 1–2, in which register is the melody played? | Middle register |
RossiniLiszt_-_William_Tell_Overture_Finale | X:1
T:william
C:Rossini. arr. F.Liszt
%%score { 1 | 2 | ( 3 5 ) | ( 4 6 ) }
L:1/8
Q:1/4=144
M:2/4
I:linebreak $
K:E
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:3 treble
V:5 treble
V:4 bass
V:6 bass
V:1
"^Allegro vivace" z4 | z4[Q:1/4=152] | z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 | %14
z4 | z4 z... | 4 | What are the main characteristics of the motif? | Arpeggios + repeated notes |
RossiniLiszt_-_William_Tell_Overture_Finale | X:1
T:william
C:Rossini. arr. F.Liszt
%%score { 1 | 2 | ( 3 5 ) | ( 4 6 ) }
L:1/8
Q:1/4=144
M:2/4
I:linebreak $
K:E
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:3 treble
V:5 treble
V:4 bass
V:6 bass
V:1
"^Allegro vivace" z4 | z4[Q:1/4=152] | z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 | %14
z4 | z4 z... | 4 | What is the performance medium of the piece? | Piano solo |
Saint-Sans_-_Fossils_Transcribed_for_Piano | X:1
T:Fossils (Piano Version)
C:Vincent
Z:The Crnival of the Animals
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=212
M:2/2
I:linebreak $
K:Bb
V:1 treble nm="Piano solo" snm="Pno. solo"
V:4 treble
V:2 bass
V:3 bass
V:1
"^Allegro ridicolo"!ff!{D=E^F} G2 z2 gbga | b2 z2 egef | g2 z2 BeBd | e2 ee e2 e2 | %4
d2 z2!8va(! [... | 1 | Who is the composer? | Saint-Saëns |
Saint-Sans_-_Fossils_Transcribed_for_Piano | X:1
T:Fossils (Piano Version)
C:Vincent
Z:The Crnival of the Animals
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=212
M:2/2
I:linebreak $
K:Bb
V:1 treble nm="Piano solo" snm="Pno. solo"
V:4 treble
V:2 bass
V:3 bass
V:1
"^Allegro ridicolo"!ff!{D=E^F} G2 z2 gbga | b2 z2 egef | g2 z2 BeBd | e2 ee e2 e2 | %4
d2 z2!8va(! [... | 1 | What is the title of the piece? | Fossils from The Carnival of the Animals |
Saint-Sans_-_Fossils_Transcribed_for_Piano | X:1
T:Fossils (Piano Version)
C:Vincent
Z:The Crnival of the Animals
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=212
M:2/2
I:linebreak $
K:Bb
V:1 treble nm="Piano solo" snm="Pno. solo"
V:4 treble
V:2 bass
V:3 bass
V:1
"^Allegro ridicolo"!ff!{D=E^F} G2 z2 gbga | b2 z2 egef | g2 z2 BeBd | e2 ee e2 e2 | %4
d2 z2!8va(! [... | 1 | What is the initial key? | G minor |
Saint-Sans_-_Fossils_Transcribed_for_Piano | X:1
T:Fossils (Piano Version)
C:Vincent
Z:The Crnival of the Animals
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=212
M:2/2
I:linebreak $
K:Bb
V:1 treble nm="Piano solo" snm="Pno. solo"
V:4 treble
V:2 bass
V:3 bass
V:1
"^Allegro ridicolo"!ff!{D=E^F} G2 z2 gbga | b2 z2 egef | g2 z2 BeBd | e2 ee e2 e2 | %4
d2 z2!8va(! [... | 2 | In bar 18, what accidental is present? Which note does it affect? | Yes, A♭4 and A♭3 |
Saint-Sans_-_Fossils_Transcribed_for_Piano | X:1
T:Fossils (Piano Version)
C:Vincent
Z:The Crnival of the Animals
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=212
M:2/2
I:linebreak $
K:Bb
V:1 treble nm="Piano solo" snm="Pno. solo"
V:4 treble
V:2 bass
V:3 bass
V:1
"^Allegro ridicolo"!ff!{D=E^F} G2 z2 gbga | b2 z2 egef | g2 z2 BeBd | e2 ee e2 e2 | %4
d2 z2!8va(! [... | 2 | In bar 1, what is the ornament on the note G? | Double appoggiatura |
Saint-Sans_-_Fossils_Transcribed_for_Piano | X:1
T:Fossils (Piano Version)
C:Vincent
Z:The Crnival of the Animals
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=212
M:2/2
I:linebreak $
K:Bb
V:1 treble nm="Piano solo" snm="Pno. solo"
V:4 treble
V:2 bass
V:3 bass
V:1
"^Allegro ridicolo"!ff!{D=E^F} G2 z2 gbga | b2 z2 egef | g2 z2 BeBd | e2 ee e2 e2 | %4
d2 z2!8va(! [... | 2 | In bar 34, what is the new clef? | Treble clef |
Saint-Sans_-_Fossils_Transcribed_for_Piano | X:1
T:Fossils (Piano Version)
C:Vincent
Z:The Crnival of the Animals
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=212
M:2/2
I:linebreak $
K:Bb
V:1 treble nm="Piano solo" snm="Pno. solo"
V:4 treble
V:2 bass
V:3 bass
V:1
"^Allegro ridicolo"!ff!{D=E^F} G2 z2 gbga | b2 z2 egef | g2 z2 BeBd | e2 ee e2 e2 | %4
d2 z2!8va(! [... | 3 | Between bars 40–41, is there a suspension or anticipation? | No |
Saint-Sans_-_Fossils_Transcribed_for_Piano | X:1
T:Fossils (Piano Version)
C:Vincent
Z:The Crnival of the Animals
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=212
M:2/2
I:linebreak $
K:Bb
V:1 treble nm="Piano solo" snm="Pno. solo"
V:4 treble
V:2 bass
V:3 bass
V:1
"^Allegro ridicolo"!ff!{D=E^F} G2 z2 gbga | b2 z2 egef | g2 z2 BeBd | e2 ee e2 e2 | %4
d2 z2!8va(! [... | 3 | Between bars 68–72, is there a perfect cadence or similar? | No |
Saint-Sans_-_Fossils_Transcribed_for_Piano | X:1
T:Fossils (Piano Version)
C:Vincent
Z:The Crnival of the Animals
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=212
M:2/2
I:linebreak $
K:Bb
V:1 treble nm="Piano solo" snm="Pno. solo"
V:4 treble
V:2 bass
V:3 bass
V:1
"^Allegro ridicolo"!ff!{D=E^F} G2 z2 gbga | b2 z2 egef | g2 z2 BeBd | e2 ee e2 e2 | %4
d2 z2!8va(! [... | 3 | In bar 13, does the music begin on the tonic chord of the home key? | No |
Saint-Sans_-_Fossils_Transcribed_for_Piano | X:1
T:Fossils (Piano Version)
C:Vincent
Z:The Crnival of the Animals
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=212
M:2/2
I:linebreak $
K:Bb
V:1 treble nm="Piano solo" snm="Pno. solo"
V:4 treble
V:2 bass
V:3 bass
V:1
"^Allegro ridicolo"!ff!{D=E^F} G2 z2 gbga | b2 z2 egef | g2 z2 BeBd | e2 ee e2 e2 | %4
d2 z2!8va(! [... | 4 | What is the performance medium of the piece? | Piano solo |
Saint-Sans_-_Fossils_Transcribed_for_Piano | X:1
T:Fossils (Piano Version)
C:Vincent
Z:The Crnival of the Animals
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=212
M:2/2
I:linebreak $
K:Bb
V:1 treble nm="Piano solo" snm="Pno. solo"
V:4 treble
V:2 bass
V:3 bass
V:1
"^Allegro ridicolo"!ff!{D=E^F} G2 z2 gbga | b2 z2 egef | g2 z2 BeBd | e2 ee e2 e2 | %4
d2 z2!8va(! [... | 4 | In which register is the melody in bar 13? | Upper register |
Saint-Sans_-_Fossils_Transcribed_for_Piano | X:1
T:Fossils (Piano Version)
C:Vincent
Z:The Crnival of the Animals
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=212
M:2/2
I:linebreak $
K:Bb
V:1 treble nm="Piano solo" snm="Pno. solo"
V:4 treble
V:2 bass
V:3 bass
V:1
"^Allegro ridicolo"!ff!{D=E^F} G2 z2 gbga | b2 z2 egef | g2 z2 BeBd | e2 ee e2 e2 | %4
d2 z2!8va(! [... | 4 | What is the most frequently used texture type in the piece? | Choral texture |
Saint-Sans_2nd_Piano_Concerto_1st_Movement_Piano_solo | X:1
T:Second Piano Concerto
T:First Movement
T:Camille Saint-Saëns
T:Piano solo arrangement by Georges Bizet
%%score { ( 1 4 5 ) | ( 2 3 6 ) }
L:1/8
Q:1/4=48
M:4/4
I:linebreak $
K:Bb
V:1 treble nm="Piano"
V:4 treble
V:5 treble
V:2 bass
V:3 bass
V:6 bass
V:1
"^Andante sostenuto" x4[I:staff +1] E,/B,/[Q:1/4=54][I:st... | 1 | What is the initial key? | G minor |
Saint-Sans_2nd_Piano_Concerto_1st_Movement_Piano_solo | X:1
T:Second Piano Concerto
T:First Movement
T:Camille Saint-Saëns
T:Piano solo arrangement by Georges Bizet
%%score { ( 1 4 5 ) | ( 2 3 6 ) }
L:1/8
Q:1/4=48
M:4/4
I:linebreak $
K:Bb
V:1 treble nm="Piano"
V:4 treble
V:5 treble
V:2 bass
V:3 bass
V:6 bass
V:1
"^Andante sostenuto" x4[I:staff +1] E,/B,/[Q:1/4=54][I:st... | 1 | Who is the composer? | Saint-Saëns |
Saint-Sans_2nd_Piano_Concerto_1st_Movement_Piano_solo | X:1
T:Second Piano Concerto
T:First Movement
T:Camille Saint-Saëns
T:Piano solo arrangement by Georges Bizet
%%score { ( 1 4 5 ) | ( 2 3 6 ) }
L:1/8
Q:1/4=48
M:4/4
I:linebreak $
K:Bb
V:1 treble nm="Piano"
V:4 treble
V:5 treble
V:2 bass
V:3 bass
V:6 bass
V:1
"^Andante sostenuto" x4[I:staff +1] E,/B,/[Q:1/4=54][I:st... | 1 | What is the initial clef? | Treble clef, bass clef |
Saint-Sans_2nd_Piano_Concerto_1st_Movement_Piano_solo | X:1
T:Second Piano Concerto
T:First Movement
T:Camille Saint-Saëns
T:Piano solo arrangement by Georges Bizet
%%score { ( 1 4 5 ) | ( 2 3 6 ) }
L:1/8
Q:1/4=48
M:4/4
I:linebreak $
K:Bb
V:1 treble nm="Piano"
V:4 treble
V:5 treble
V:2 bass
V:3 bass
V:6 bass
V:1
"^Andante sostenuto" x4[I:staff +1] E,/B,/[Q:1/4=54][I:st... | 2 | In bar 18, what is the new clef? | Bass clef |
Saint-Sans_2nd_Piano_Concerto_1st_Movement_Piano_solo | X:1
T:Second Piano Concerto
T:First Movement
T:Camille Saint-Saëns
T:Piano solo arrangement by Georges Bizet
%%score { ( 1 4 5 ) | ( 2 3 6 ) }
L:1/8
Q:1/4=48
M:4/4
I:linebreak $
K:Bb
V:1 treble nm="Piano"
V:4 treble
V:5 treble
V:2 bass
V:3 bass
V:6 bass
V:1
"^Andante sostenuto" x4[I:staff +1] E,/B,/[Q:1/4=54][I:st... | 2 | In bar 17, what is the tempo change marking? | accel. rit. |
Saint-Sans_2nd_Piano_Concerto_1st_Movement_Piano_solo | X:1
T:Second Piano Concerto
T:First Movement
T:Camille Saint-Saëns
T:Piano solo arrangement by Georges Bizet
%%score { ( 1 4 5 ) | ( 2 3 6 ) }
L:1/8
Q:1/4=48
M:4/4
I:linebreak $
K:Bb
V:1 treble nm="Piano"
V:4 treble
V:5 treble
V:2 bass
V:3 bass
V:6 bass
V:1
"^Andante sostenuto" x4[I:staff +1] E,/B,/[Q:1/4=54][I:st... | 2 | In bar 31, what is the articulation marking? | Accent mark |
Saint-Sans_2nd_Piano_Concerto_1st_Movement_Piano_solo | X:1
T:Second Piano Concerto
T:First Movement
T:Camille Saint-Saëns
T:Piano solo arrangement by Georges Bizet
%%score { ( 1 4 5 ) | ( 2 3 6 ) }
L:1/8
Q:1/4=48
M:4/4
I:linebreak $
K:Bb
V:1 treble nm="Piano"
V:4 treble
V:5 treble
V:2 bass
V:3 bass
V:6 bass
V:1
"^Andante sostenuto" x4[I:staff +1] E,/B,/[Q:1/4=54][I:st... | 3 | In bar 34, is there a G minor chord? | Yes |
Saint-Sans_2nd_Piano_Concerto_1st_Movement_Piano_solo | X:1
T:Second Piano Concerto
T:First Movement
T:Camille Saint-Saëns
T:Piano solo arrangement by Georges Bizet
%%score { ( 1 4 5 ) | ( 2 3 6 ) }
L:1/8
Q:1/4=48
M:4/4
I:linebreak $
K:Bb
V:1 treble nm="Piano"
V:4 treble
V:5 treble
V:2 bass
V:3 bass
V:6 bass
V:1
"^Andante sostenuto" x4[I:staff +1] E,/B,/[Q:1/4=54][I:st... | 3 | In bars 21–22, what is the chord progression (I, II, III, IV, V, VI, VII)? | i – V6 |
Saint-Sans_2nd_Piano_Concerto_1st_Movement_Piano_solo | X:1
T:Second Piano Concerto
T:First Movement
T:Camille Saint-Saëns
T:Piano solo arrangement by Georges Bizet
%%score { ( 1 4 5 ) | ( 2 3 6 ) }
L:1/8
Q:1/4=48
M:4/4
I:linebreak $
K:Bb
V:1 treble nm="Piano"
V:4 treble
V:5 treble
V:2 bass
V:3 bass
V:6 bass
V:1
"^Andante sostenuto" x4[I:staff +1] E,/B,/[Q:1/4=54][I:st... | 3 | In bar 54, what is the voicing of the F7 chord? | Mixed spacing |
Saint-Sans_2nd_Piano_Concerto_1st_Movement_Piano_solo | X:1
T:Second Piano Concerto
T:First Movement
T:Camille Saint-Saëns
T:Piano solo arrangement by Georges Bizet
%%score { ( 1 4 5 ) | ( 2 3 6 ) }
L:1/8
Q:1/4=48
M:4/4
I:linebreak $
K:Bb
V:1 treble nm="Piano"
V:4 treble
V:5 treble
V:2 bass
V:3 bass
V:6 bass
V:1
"^Andante sostenuto" x4[I:staff +1] E,/B,/[Q:1/4=54][I:st... | 4 | What is the performance medium of the piece? | Piano solo |
Saint-Sans_2nd_Piano_Concerto_1st_Movement_Piano_solo | X:1
T:Second Piano Concerto
T:First Movement
T:Camille Saint-Saëns
T:Piano solo arrangement by Georges Bizet
%%score { ( 1 4 5 ) | ( 2 3 6 ) }
L:1/8
Q:1/4=48
M:4/4
I:linebreak $
K:Bb
V:1 treble nm="Piano"
V:4 treble
V:5 treble
V:2 bass
V:3 bass
V:6 bass
V:1
"^Andante sostenuto" x4[I:staff +1] E,/B,/[Q:1/4=54][I:st... | 4 | What is the most frequently used accompaniment type in the piece? | arpeggio |
Saint-Sans_2nd_Piano_Concerto_1st_Movement_Piano_solo | X:1
T:Second Piano Concerto
T:First Movement
T:Camille Saint-Saëns
T:Piano solo arrangement by Georges Bizet
%%score { ( 1 4 5 ) | ( 2 3 6 ) }
L:1/8
Q:1/4=48
M:4/4
I:linebreak $
K:Bb
V:1 treble nm="Piano"
V:4 treble
V:5 treble
V:2 bass
V:3 bass
V:6 bass
V:1
"^Andante sostenuto" x4[I:staff +1] E,/B,/[Q:1/4=54][I:st... | 4 | In which register is the melody in bar 78? | Extreme upper register |
Schubert_-_Piano_Sonata_No._19_in_C_minor | X:1
T:S o n a t e
T:(in C moll)
T:für das Pianoforte componirt
T:von
T:FRANZ SCHUBERT
T:https://www.youtube.com/watch?v=hTA6CZLb_FY
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=110
M:3/4
I:linebreak $
K:Eb
V:1 bass nm="Piano" snm="Pno."
V:3 bass
V:2 bass
V:4 bass
V:1
"^Allegro"!f! [E,G,C]4 z3/2 [E,G,C]/ | !wedge![F,A,D... | 1 | What is the initial expression marking? | None |
Schubert_-_Piano_Sonata_No._19_in_C_minor | X:1
T:S o n a t e
T:(in C moll)
T:für das Pianoforte componirt
T:von
T:FRANZ SCHUBERT
T:https://www.youtube.com/watch?v=hTA6CZLb_FY
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=110
M:3/4
I:linebreak $
K:Eb
V:1 bass nm="Piano" snm="Pno."
V:3 bass
V:2 bass
V:4 bass
V:1
"^Allegro"!f! [E,G,C]4 z3/2 [E,G,C]/ | !wedge![F,A,D... | 1 | What is the initial key? | C minor |
Schubert_-_Piano_Sonata_No._19_in_C_minor | X:1
T:S o n a t e
T:(in C moll)
T:für das Pianoforte componirt
T:von
T:FRANZ SCHUBERT
T:https://www.youtube.com/watch?v=hTA6CZLb_FY
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=110
M:3/4
I:linebreak $
K:Eb
V:1 bass nm="Piano" snm="Pno."
V:3 bass
V:2 bass
V:4 bass
V:1
"^Allegro"!f! [E,G,C]4 z3/2 [E,G,C]/ | !wedge![F,A,D... | 1 | What instruments are used? | Piano |
Schubert_-_Piano_Sonata_No._19_in_C_minor | X:1
T:S o n a t e
T:(in C moll)
T:für das Pianoforte componirt
T:von
T:FRANZ SCHUBERT
T:https://www.youtube.com/watch?v=hTA6CZLb_FY
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=110
M:3/4
I:linebreak $
K:Eb
V:1 bass nm="Piano" snm="Pno."
V:3 bass
V:2 bass
V:4 bass
V:1
"^Allegro"!f! [E,G,C]4 z3/2 [E,G,C]/ | !wedge![F,A,D... | 2 | In bar 43, what is the articulation marking? | Portato |
Schubert_-_Piano_Sonata_No._19_in_C_minor | X:1
T:S o n a t e
T:(in C moll)
T:für das Pianoforte componirt
T:von
T:FRANZ SCHUBERT
T:https://www.youtube.com/watch?v=hTA6CZLb_FY
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=110
M:3/4
I:linebreak $
K:Eb
V:1 bass nm="Piano" snm="Pno."
V:3 bass
V:2 bass
V:4 bass
V:1
"^Allegro"!f! [E,G,C]4 z3/2 [E,G,C]/ | !wedge![F,A,D... | 2 | In bar 54, is there an accidental? Which note does it affect? | Present: A♮3, A♭3, B♮3 |
Schubert_-_Piano_Sonata_No._19_in_C_minor | X:1
T:S o n a t e
T:(in C moll)
T:für das Pianoforte componirt
T:von
T:FRANZ SCHUBERT
T:https://www.youtube.com/watch?v=hTA6CZLb_FY
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=110
M:3/4
I:linebreak $
K:Eb
V:1 bass nm="Piano" snm="Pno."
V:3 bass
V:2 bass
V:4 bass
V:1
"^Allegro"!f! [E,G,C]4 z3/2 [E,G,C]/ | !wedge![F,A,D... | 2 | In bar 77, what is the highest pitch? | F♭6 |
Schubert_-_Piano_Sonata_No._19_in_C_minor | X:1
T:S o n a t e
T:(in C moll)
T:für das Pianoforte componirt
T:von
T:FRANZ SCHUBERT
T:https://www.youtube.com/watch?v=hTA6CZLb_FY
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=110
M:3/4
I:linebreak $
K:Eb
V:1 bass nm="Piano" snm="Pno."
V:3 bass
V:2 bass
V:4 bass
V:1
"^Allegro"!f! [E,G,C]4 z3/2 [E,G,C]/ | !wedge![F,A,D... | 3 | In bars 19–20, what is the chord progression (I, II, III, IV, V, VI, VII)? | V–I |
Schubert_-_Piano_Sonata_No._19_in_C_minor | X:1
T:S o n a t e
T:(in C moll)
T:für das Pianoforte componirt
T:von
T:FRANZ SCHUBERT
T:https://www.youtube.com/watch?v=hTA6CZLb_FY
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=110
M:3/4
I:linebreak $
K:Eb
V:1 bass nm="Piano" snm="Pno."
V:3 bass
V:2 bass
V:4 bass
V:1
"^Allegro"!f! [E,G,C]4 z3/2 [E,G,C]/ | !wedge![F,A,D... | 3 | In bar 97, what are the repeated notes in the B diminished seventh chord? | Root note |
Schubert_-_Piano_Sonata_No._19_in_C_minor | X:1
T:S o n a t e
T:(in C moll)
T:für das Pianoforte componirt
T:von
T:FRANZ SCHUBERT
T:https://www.youtube.com/watch?v=hTA6CZLb_FY
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=110
M:3/4
I:linebreak $
K:Eb
V:1 bass nm="Piano" snm="Pno."
V:3 bass
V:2 bass
V:4 bass
V:1
"^Allegro"!f! [E,G,C]4 z3/2 [E,G,C]/ | !wedge![F,A,D... | 3 | In bars 96–97, is there a perfect cadence or similar? | No |
Schubert_-_Piano_Sonata_No._19_in_C_minor | X:1
T:S o n a t e
T:(in C moll)
T:für das Pianoforte componirt
T:von
T:FRANZ SCHUBERT
T:https://www.youtube.com/watch?v=hTA6CZLb_FY
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=110
M:3/4
I:linebreak $
K:Eb
V:1 bass nm="Piano" snm="Pno."
V:3 bass
V:2 bass
V:4 bass
V:1
"^Allegro"!f! [E,G,C]4 z3/2 [E,G,C]/ | !wedge![F,A,D... | 4 | What is the genre of the piece? | Sonata |
Schubert_-_Piano_Sonata_No._19_in_C_minor | X:1
T:S o n a t e
T:(in C moll)
T:für das Pianoforte componirt
T:von
T:FRANZ SCHUBERT
T:https://www.youtube.com/watch?v=hTA6CZLb_FY
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=110
M:3/4
I:linebreak $
K:Eb
V:1 bass nm="Piano" snm="Pno."
V:3 bass
V:2 bass
V:4 bass
V:1
"^Allegro"!f! [E,G,C]4 z3/2 [E,G,C]/ | !wedge![F,A,D... | 4 | Where is the principal section of the piece? | Bars 1–21 |
Schubert_-_Piano_Sonata_No._19_in_C_minor | X:1
T:S o n a t e
T:(in C moll)
T:für das Pianoforte componirt
T:von
T:FRANZ SCHUBERT
T:https://www.youtube.com/watch?v=hTA6CZLb_FY
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=110
M:3/4
I:linebreak $
K:Eb
V:1 bass nm="Piano" snm="Pno."
V:3 bass
V:2 bass
V:4 bass
V:1
"^Allegro"!f! [E,G,C]4 z3/2 [E,G,C]/ | !wedge![F,A,D... | 4 | What is the most frequently used texture type in the piece? | Homophonic texture |
Schubert_Franz_-_Die_Forelle_D._550_Op._32 | X:1
T:"Die Forelle"
C:Franz Schubert
%%score 1 { ( 2 4 ) | 3 }
L:1/8
Q:1/4=82
M:2/4
I:linebreak $
K:Db
V:1 treble nm="Singstimme."
V:2 treble nm="Pianoforte."
V:4 treble
V:3 bass
V:1
"^Etwas lebhaft" A |: d d f f | d2 A z/ A/ | A3/2 A/ e/d/ c/B/ | A2 z A | d3/2 d/ f f | d2 A d | %7
w: In|ei- nem Bäch- lein|hel- le da... | 1 | Is it an anacrusis (upbeat bar)? | Yes |
Schubert_Franz_-_Die_Forelle_D._550_Op._32 | X:1
T:"Die Forelle"
C:Franz Schubert
%%score 1 { ( 2 4 ) | 3 }
L:1/8
Q:1/4=82
M:2/4
I:linebreak $
K:Db
V:1 treble nm="Singstimme."
V:2 treble nm="Pianoforte."
V:4 treble
V:3 bass
V:1
"^Etwas lebhaft" A |: d d f f | d2 A z/ A/ | A3/2 A/ e/d/ c/B/ | A2 z A | d3/2 d/ f f | d2 A d | %7
w: In|ei- nem Bäch- lein|hel- le da... | 1 | What is the initial key signature? | Db major |
Schubert_Franz_-_Die_Forelle_D._550_Op._32 | X:1
T:"Die Forelle"
C:Franz Schubert
%%score 1 { ( 2 4 ) | 3 }
L:1/8
Q:1/4=82
M:2/4
I:linebreak $
K:Db
V:1 treble nm="Singstimme."
V:2 treble nm="Pianoforte."
V:4 treble
V:3 bass
V:1
"^Etwas lebhaft" A |: d d f f | d2 A z/ A/ | A3/2 A/ e/d/ c/B/ | A2 z A | d3/2 d/ f f | d2 A d | %7
w: In|ei- nem Bäch- lein|hel- le da... | 1 | What is the initial expression term? | Etwas lebhaft (somewhat lively) |
Schubert_Franz_-_Die_Forelle_D._550_Op._32 | X:1
T:"Die Forelle"
C:Franz Schubert
%%score 1 { ( 2 4 ) | 3 }
L:1/8
Q:1/4=82
M:2/4
I:linebreak $
K:Db
V:1 treble nm="Singstimme."
V:2 treble nm="Pianoforte."
V:4 treble
V:3 bass
V:1
"^Etwas lebhaft" A |: d d f f | d2 A z/ A/ | A3/2 A/ e/d/ c/B/ | A2 z A | d3/2 d/ f f | d2 A d | %7
w: In|ei- nem Bäch- lein|hel- le da... | 2 | In bar 1, what is the articulation marking? | Accent mark, staccato |
Schubert_Franz_-_Die_Forelle_D._550_Op._32 | X:1
T:"Die Forelle"
C:Franz Schubert
%%score 1 { ( 2 4 ) | 3 }
L:1/8
Q:1/4=82
M:2/4
I:linebreak $
K:Db
V:1 treble nm="Singstimme."
V:2 treble nm="Pianoforte."
V:4 treble
V:3 bass
V:1
"^Etwas lebhaft" A |: d d f f | d2 A z/ A/ | A3/2 A/ e/d/ c/B/ | A2 z A | d3/2 d/ f f | d2 A d | %7
w: In|ei- nem Bäch- lein|hel- le da... | 2 | In bars 1–52, is there a repeat sign? | Yes |
Schubert_Franz_-_Die_Forelle_D._550_Op._32 | X:1
T:"Die Forelle"
C:Franz Schubert
%%score 1 { ( 2 4 ) | 3 }
L:1/8
Q:1/4=82
M:2/4
I:linebreak $
K:Db
V:1 treble nm="Singstimme."
V:2 treble nm="Pianoforte."
V:4 treble
V:3 bass
V:1
"^Etwas lebhaft" A |: d d f f | d2 A z/ A/ | A3/2 A/ e/d/ c/B/ | A2 z A | d3/2 d/ f f | d2 A d | %7
w: In|ei- nem Bäch- lein|hel- le da... | 2 | In bar 28, what is the dynamic marking? | Crescendo |
Schubert_Franz_-_Die_Forelle_D._550_Op._32 | X:1
T:"Die Forelle"
C:Franz Schubert
%%score 1 { ( 2 4 ) | 3 }
L:1/8
Q:1/4=82
M:2/4
I:linebreak $
K:Db
V:1 treble nm="Singstimme."
V:2 treble nm="Pianoforte."
V:4 treble
V:3 bass
V:1
"^Etwas lebhaft" A |: d d f f | d2 A z/ A/ | A3/2 A/ e/d/ c/B/ | A2 z A | d3/2 d/ f f | d2 A d | %7
w: In|ei- nem Bäch- lein|hel- le da... | 3 | In bar 45, is there a D7 chord? | No |
Schubert_Franz_-_Die_Forelle_D._550_Op._32 | X:1
T:"Die Forelle"
C:Franz Schubert
%%score 1 { ( 2 4 ) | 3 }
L:1/8
Q:1/4=82
M:2/4
I:linebreak $
K:Db
V:1 treble nm="Singstimme."
V:2 treble nm="Pianoforte."
V:4 treble
V:3 bass
V:1
"^Etwas lebhaft" A |: d d f f | d2 A z/ A/ | A3/2 A/ e/d/ c/B/ | A2 z A | d3/2 d/ f f | d2 A d | %7
w: In|ei- nem Bäch- lein|hel- le da... | 3 | In bars 40–43, what is the chord progression? (Use I, II, III, IV, V, VI, VII) | IV–I–V7–I |
Schubert_Franz_-_Die_Forelle_D._550_Op._32 | X:1
T:"Die Forelle"
C:Franz Schubert
%%score 1 { ( 2 4 ) | 3 }
L:1/8
Q:1/4=82
M:2/4
I:linebreak $
K:Db
V:1 treble nm="Singstimme."
V:2 treble nm="Pianoforte."
V:4 treble
V:3 bass
V:1
"^Etwas lebhaft" A |: d d f f | d2 A z/ A/ | A3/2 A/ e/d/ c/B/ | A2 z A | d3/2 d/ f f | d2 A d | %7
w: In|ei- nem Bäch- lein|hel- le da... | 3 | In bar 34, what scale degree is the chord? (Use I, II, III, IV, V, VI, VII) | V2 |
Schubert_Franz_-_Die_Forelle_D._550_Op._32 | X:1
T:"Die Forelle"
C:Franz Schubert
%%score 1 { ( 2 4 ) | 3 }
L:1/8
Q:1/4=82
M:2/4
I:linebreak $
K:Db
V:1 treble nm="Singstimme."
V:2 treble nm="Pianoforte."
V:4 treble
V:3 bass
V:1
"^Etwas lebhaft" A |: d d f f | d2 A z/ A/ | A3/2 A/ e/d/ c/B/ | A2 z A | d3/2 d/ f f | d2 A d | %7
w: In|ei- nem Bäch- lein|hel- le da... | 4 | What is the genre of the piece? | Art song |
Schubert_Franz_-_Die_Forelle_D._550_Op._32 | X:1
T:"Die Forelle"
C:Franz Schubert
%%score 1 { ( 2 4 ) | 3 }
L:1/8
Q:1/4=82
M:2/4
I:linebreak $
K:Db
V:1 treble nm="Singstimme."
V:2 treble nm="Pianoforte."
V:4 treble
V:3 bass
V:1
"^Etwas lebhaft" A |: d d f f | d2 A z/ A/ | A3/2 A/ e/d/ c/B/ | A2 z A | d3/2 d/ f f | d2 A d | %7
w: In|ei- nem Bäch- lein|hel- le da... | 4 | What is the performance medium of the piece? | Voice and piano |
Schubert_Franz_-_Die_Forelle_D._550_Op._32 | X:1
T:"Die Forelle"
C:Franz Schubert
%%score 1 { ( 2 4 ) | 3 }
L:1/8
Q:1/4=82
M:2/4
I:linebreak $
K:Db
V:1 treble nm="Singstimme."
V:2 treble nm="Pianoforte."
V:4 treble
V:3 bass
V:1
"^Etwas lebhaft" A |: d d f f | d2 A z/ A/ | A3/2 A/ e/d/ c/B/ | A2 z A | d3/2 d/ f f | d2 A d | %7
w: In|ei- nem Bäch- lein|hel- le da... | 4 | In which part does the main theme first appear? | Vocal part |
Schubert_Franz_-_Schwanengesang_D.957_No.4_-_Stndchen | X:1
T:Schwanengesang
T:Ständchen
C:Franz Schubert
Z:Ludwig Rellstab
Z:OpenScore (CC0)
%%score 1 { ( 2 4 ) | 3 }
L:1/8
Q:1/4=62
M:3/4
I:linebreak $
K:F
V:1 treble nm="Voice"
V:2 treble nm="Piano"
V:4 treble
V:3 bass
V:1
"^Mässig" z6 | z6 | z6 | z6 |: (3AB A d3 A | (3GA G d2 G z | !>!A3 G (3GF E | F4 z2 | z6 | z6 | %10... | 1 | What instruments are used? | Voice and piano |
Schubert_Franz_-_Schwanengesang_D.957_No.4_-_Stndchen | X:1
T:Schwanengesang
T:Ständchen
C:Franz Schubert
Z:Ludwig Rellstab
Z:OpenScore (CC0)
%%score 1 { ( 2 4 ) | 3 }
L:1/8
Q:1/4=62
M:3/4
I:linebreak $
K:F
V:1 treble nm="Voice"
V:2 treble nm="Piano"
V:4 treble
V:3 bass
V:1
"^Mässig" z6 | z6 | z6 | z6 |: (3AB A d3 A | (3GA G d2 G z | !>!A3 G (3GF E | F4 z2 | z6 | z6 | %10... | 1 | What is the initial expression term? | Mässig (moderate) |
Schubert_Franz_-_Schwanengesang_D.957_No.4_-_Stndchen | X:1
T:Schwanengesang
T:Ständchen
C:Franz Schubert
Z:Ludwig Rellstab
Z:OpenScore (CC0)
%%score 1 { ( 2 4 ) | 3 }
L:1/8
Q:1/4=62
M:3/4
I:linebreak $
K:F
V:1 treble nm="Voice"
V:2 treble nm="Piano"
V:4 treble
V:3 bass
V:1
"^Mässig" z6 | z6 | z6 | z6 |: (3AB A d3 A | (3GA G d2 G z | !>!A3 G (3GF E | F4 z2 | z6 | z6 | %10... | 1 | What is the initial clef? | Treble clef, Bass clef |
Schubert_Franz_-_Schwanengesang_D.957_No.4_-_Stndchen | X:1
T:Schwanengesang
T:Ständchen
C:Franz Schubert
Z:Ludwig Rellstab
Z:OpenScore (CC0)
%%score 1 { ( 2 4 ) | 3 }
L:1/8
Q:1/4=62
M:3/4
I:linebreak $
K:F
V:1 treble nm="Voice"
V:2 treble nm="Piano"
V:4 treble
V:3 bass
V:1
"^Mässig" z6 | z6 | z6 | z6 |: (3AB A d3 A | (3GA G d2 G z | !>!A3 G (3GF E | F4 z2 | z6 | z6 | %10... | 2 | In bars 1–59, is there a repeat sign? | Yes |
Schubert_Franz_-_Schwanengesang_D.957_No.4_-_Stndchen | X:1
T:Schwanengesang
T:Ständchen
C:Franz Schubert
Z:Ludwig Rellstab
Z:OpenScore (CC0)
%%score 1 { ( 2 4 ) | 3 }
L:1/8
Q:1/4=62
M:3/4
I:linebreak $
K:F
V:1 treble nm="Voice"
V:2 treble nm="Piano"
V:4 treble
V:3 bass
V:1
"^Mässig" z6 | z6 | z6 | z6 |: (3AB A d3 A | (3GA G d2 G z | !>!A3 G (3GF E | F4 z2 | z6 | z6 | %10... | 2 | In bar 21, what is the highest pitch? | D5 |
Schubert_Franz_-_Schwanengesang_D.957_No.4_-_Stndchen | X:1
T:Schwanengesang
T:Ständchen
C:Franz Schubert
Z:Ludwig Rellstab
Z:OpenScore (CC0)
%%score 1 { ( 2 4 ) | 3 }
L:1/8
Q:1/4=62
M:3/4
I:linebreak $
K:F
V:1 treble nm="Voice"
V:2 treble nm="Piano"
V:4 treble
V:3 bass
V:1
"^Mässig" z6 | z6 | z6 | z6 |: (3AB A d3 A | (3GA G d2 G z | !>!A3 G (3GF E | F4 z2 | z6 | z6 | %10... | 2 | In bar 11, what is the shortest rest value? | Quaver rest |
Schubert_Franz_-_Schwanengesang_D.957_No.4_-_Stndchen | X:1
T:Schwanengesang
T:Ständchen
C:Franz Schubert
Z:Ludwig Rellstab
Z:OpenScore (CC0)
%%score 1 { ( 2 4 ) | 3 }
L:1/8
Q:1/4=62
M:3/4
I:linebreak $
K:F
V:1 treble nm="Voice"
V:2 treble nm="Piano"
V:4 treble
V:3 bass
V:1
"^Mässig" z6 | z6 | z6 | z6 |: (3AB A d3 A | (3GA G d2 G z | !>!A3 G (3GF E | F4 z2 | z6 | z6 | %10... | 3 | In bar 13, what are the repeated notes of the C7 chord? | Root |
Schubert_Franz_-_Schwanengesang_D.957_No.4_-_Stndchen | X:1
T:Schwanengesang
T:Ständchen
C:Franz Schubert
Z:Ludwig Rellstab
Z:OpenScore (CC0)
%%score 1 { ( 2 4 ) | 3 }
L:1/8
Q:1/4=62
M:3/4
I:linebreak $
K:F
V:1 treble nm="Voice"
V:2 treble nm="Piano"
V:4 treble
V:3 bass
V:1
"^Mässig" z6 | z6 | z6 | z6 |: (3AB A d3 A | (3GA G d2 G z | !>!A3 G (3GF E | F4 z2 | z6 | z6 | %10... | 3 | In bar 23, is there a suspension? | No |
Schubert_Franz_-_Schwanengesang_D.957_No.4_-_Stndchen | X:1
T:Schwanengesang
T:Ständchen
C:Franz Schubert
Z:Ludwig Rellstab
Z:OpenScore (CC0)
%%score 1 { ( 2 4 ) | 3 }
L:1/8
Q:1/4=62
M:3/4
I:linebreak $
K:F
V:1 treble nm="Voice"
V:2 treble nm="Piano"
V:4 treble
V:3 bass
V:1
"^Mässig" z6 | z6 | z6 | z6 |: (3AB A d3 A | (3GA G d2 G z | !>!A3 G (3GF E | F4 z2 | z6 | z6 | %10... | 3 | In bar 39, is there an A7 chord? | Yes |
Schubert_Franz_-_Schwanengesang_D.957_No.4_-_Stndchen | X:1
T:Schwanengesang
T:Ständchen
C:Franz Schubert
Z:Ludwig Rellstab
Z:OpenScore (CC0)
%%score 1 { ( 2 4 ) | 3 }
L:1/8
Q:1/4=62
M:3/4
I:linebreak $
K:F
V:1 treble nm="Voice"
V:2 treble nm="Piano"
V:4 treble
V:3 bass
V:1
"^Mässig" z6 | z6 | z6 | z6 |: (3AB A d3 A | (3GA G d2 G z | !>!A3 G (3GF E | F4 z2 | z6 | z6 | %10... | 4 | What is the genre of the piece? | Art song |
Schubert_Franz_-_Schwanengesang_D.957_No.4_-_Stndchen | X:1
T:Schwanengesang
T:Ständchen
C:Franz Schubert
Z:Ludwig Rellstab
Z:OpenScore (CC0)
%%score 1 { ( 2 4 ) | 3 }
L:1/8
Q:1/4=62
M:3/4
I:linebreak $
K:F
V:1 treble nm="Voice"
V:2 treble nm="Piano"
V:4 treble
V:3 bass
V:1
"^Mässig" z6 | z6 | z6 | z6 |: (3AB A d3 A | (3GA G d2 G z | !>!A3 G (3GF E | F4 z2 | z6 | z6 | %10... | 4 | What is the performance medium of the piece? | Voice and piano |
Schubert_Franz_-_Schwanengesang_D.957_No.4_-_Stndchen | X:1
T:Schwanengesang
T:Ständchen
C:Franz Schubert
Z:Ludwig Rellstab
Z:OpenScore (CC0)
%%score 1 { ( 2 4 ) | 3 }
L:1/8
Q:1/4=62
M:3/4
I:linebreak $
K:F
V:1 treble nm="Voice"
V:2 treble nm="Piano"
V:4 treble
V:3 bass
V:1
"^Mässig" z6 | z6 | z6 | z6 |: (3AB A d3 A | (3GA G d2 G z | !>!A3 G (3GF E | F4 z2 | z6 | z6 | %10... | 4 | In which part does the main theme first appear? | Vocal part |
Schubert_Franz_-_Winterreise_D.911_No.1_-_Gute_Nacht | X:1
T:Winterreise, D.911
T:Gute Nacht
C:Franz Schubert
Z:Wilhelm Müller
Z:OpenScore (CC0)
%%score 1 { ( 2 3 6 ) | ( 4 5 ) }
L:1/8
Q:1/4=45
M:2/4
I:linebreak $
K:F
V:1 treble nm="Singstimme\nVoice"
V:2 treble nm="Pianoforte"
V:3 treble
V:6 treble
V:4 bass
V:5 bass
V:1
"^Mässig, in gehender Bewegung" z4 | z4 | z4 | z... | 1 | Who is the composer? | Schubert |
Schubert_Franz_-_Winterreise_D.911_No.1_-_Gute_Nacht | X:1
T:Winterreise, D.911
T:Gute Nacht
C:Franz Schubert
Z:Wilhelm Müller
Z:OpenScore (CC0)
%%score 1 { ( 2 3 6 ) | ( 4 5 ) }
L:1/8
Q:1/4=45
M:2/4
I:linebreak $
K:F
V:1 treble nm="Singstimme\nVoice"
V:2 treble nm="Pianoforte"
V:3 treble
V:6 treble
V:4 bass
V:5 bass
V:1
"^Mässig, in gehender Bewegung" z4 | z4 | z4 | z... | 1 | What is the initial time signature? | 4/2 time |
Schubert_Franz_-_Winterreise_D.911_No.1_-_Gute_Nacht | X:1
T:Winterreise, D.911
T:Gute Nacht
C:Franz Schubert
Z:Wilhelm Müller
Z:OpenScore (CC0)
%%score 1 { ( 2 3 6 ) | ( 4 5 ) }
L:1/8
Q:1/4=45
M:2/4
I:linebreak $
K:F
V:1 treble nm="Singstimme\nVoice"
V:2 treble nm="Pianoforte"
V:3 treble
V:6 treble
V:4 bass
V:5 bass
V:1
"^Mässig, in gehender Bewegung" z4 | z4 | z4 | z... | 1 | What is the initial expression term? | Mässig, in gehender Bewegung (moderate, with movement) |
Schubert_Franz_-_Winterreise_D.911_No.1_-_Gute_Nacht | X:1
T:Winterreise, D.911
T:Gute Nacht
C:Franz Schubert
Z:Wilhelm Müller
Z:OpenScore (CC0)
%%score 1 { ( 2 3 6 ) | ( 4 5 ) }
L:1/8
Q:1/4=45
M:2/4
I:linebreak $
K:F
V:1 treble nm="Singstimme\nVoice"
V:2 treble nm="Pianoforte"
V:3 treble
V:6 treble
V:4 bass
V:5 bass
V:1
"^Mässig, in gehender Bewegung" z4 | z4 | z4 | z... | 2 | In bar 34, what is the dynamic marking? | fp, diminuendo |
Schubert_Franz_-_Winterreise_D.911_No.1_-_Gute_Nacht | X:1
T:Winterreise, D.911
T:Gute Nacht
C:Franz Schubert
Z:Wilhelm Müller
Z:OpenScore (CC0)
%%score 1 { ( 2 3 6 ) | ( 4 5 ) }
L:1/8
Q:1/4=45
M:2/4
I:linebreak $
K:F
V:1 treble nm="Singstimme\nVoice"
V:2 treble nm="Pianoforte"
V:3 treble
V:6 treble
V:4 bass
V:5 bass
V:1
"^Mässig, in gehender Bewegung" z4 | z4 | z4 | z... | 2 | In bars 1–70, is there a repeat sign? | Yes |
Schubert_Franz_-_Winterreise_D.911_No.1_-_Gute_Nacht | X:1
T:Winterreise, D.911
T:Gute Nacht
C:Franz Schubert
Z:Wilhelm Müller
Z:OpenScore (CC0)
%%score 1 { ( 2 3 6 ) | ( 4 5 ) }
L:1/8
Q:1/4=45
M:2/4
I:linebreak $
K:F
V:1 treble nm="Singstimme\nVoice"
V:2 treble nm="Pianoforte"
V:3 treble
V:6 treble
V:4 bass
V:5 bass
V:1
"^Mässig, in gehender Bewegung" z4 | z4 | z4 | z... | 2 | In bar 71, what does the key signature change to? | D major |
Schubert_Franz_-_Winterreise_D.911_No.1_-_Gute_Nacht | X:1
T:Winterreise, D.911
T:Gute Nacht
C:Franz Schubert
Z:Wilhelm Müller
Z:OpenScore (CC0)
%%score 1 { ( 2 3 6 ) | ( 4 5 ) }
L:1/8
Q:1/4=45
M:2/4
I:linebreak $
K:F
V:1 treble nm="Singstimme\nVoice"
V:2 treble nm="Pianoforte"
V:3 treble
V:6 treble
V:4 bass
V:5 bass
V:1
"^Mässig, in gehender Bewegung" z4 | z4 | z4 | z... | 3 | In bar 86, is there an A major chord? | Yes |
Schubert_Franz_-_Winterreise_D.911_No.1_-_Gute_Nacht | X:1
T:Winterreise, D.911
T:Gute Nacht
C:Franz Schubert
Z:Wilhelm Müller
Z:OpenScore (CC0)
%%score 1 { ( 2 3 6 ) | ( 4 5 ) }
L:1/8
Q:1/4=45
M:2/4
I:linebreak $
K:F
V:1 treble nm="Singstimme\nVoice"
V:2 treble nm="Pianoforte"
V:3 treble
V:6 treble
V:4 bass
V:5 bass
V:1
"^Mässig, in gehender Bewegung" z4 | z4 | z4 | z... | 3 | In bar 88, is there a third inversion E7 chord? | Yes |
Schubert_Franz_-_Winterreise_D.911_No.1_-_Gute_Nacht | X:1
T:Winterreise, D.911
T:Gute Nacht
C:Franz Schubert
Z:Wilhelm Müller
Z:OpenScore (CC0)
%%score 1 { ( 2 3 6 ) | ( 4 5 ) }
L:1/8
Q:1/4=45
M:2/4
I:linebreak $
K:F
V:1 treble nm="Singstimme\nVoice"
V:2 treble nm="Pianoforte"
V:3 treble
V:6 treble
V:4 bass
V:5 bass
V:1
"^Mässig, in gehender Bewegung" z4 | z4 | z4 | z... | 3 | In bar 103, what are the repeated notes of the A7 chord? | Root |
Schubert_Franz_-_Winterreise_D.911_No.1_-_Gute_Nacht | X:1
T:Winterreise, D.911
T:Gute Nacht
C:Franz Schubert
Z:Wilhelm Müller
Z:OpenScore (CC0)
%%score 1 { ( 2 3 6 ) | ( 4 5 ) }
L:1/8
Q:1/4=45
M:2/4
I:linebreak $
K:F
V:1 treble nm="Singstimme\nVoice"
V:2 treble nm="Pianoforte"
V:3 treble
V:6 treble
V:4 bass
V:5 bass
V:1
"^Mässig, in gehender Bewegung" z4 | z4 | z4 | z... | 4 | What is the genre of the piece? | Art song |
Schubert_Franz_-_Winterreise_D.911_No.1_-_Gute_Nacht | X:1
T:Winterreise, D.911
T:Gute Nacht
C:Franz Schubert
Z:Wilhelm Müller
Z:OpenScore (CC0)
%%score 1 { ( 2 3 6 ) | ( 4 5 ) }
L:1/8
Q:1/4=45
M:2/4
I:linebreak $
K:F
V:1 treble nm="Singstimme\nVoice"
V:2 treble nm="Pianoforte"
V:3 treble
V:6 treble
V:4 bass
V:5 bass
V:1
"^Mässig, in gehender Bewegung" z4 | z4 | z4 | z... | 4 | What is the performance medium of the piece? | Voice and piano |
Schubert_Franz_-_Winterreise_D.911_No.1_-_Gute_Nacht | X:1
T:Winterreise, D.911
T:Gute Nacht
C:Franz Schubert
Z:Wilhelm Müller
Z:OpenScore (CC0)
%%score 1 { ( 2 3 6 ) | ( 4 5 ) }
L:1/8
Q:1/4=45
M:2/4
I:linebreak $
K:F
V:1 treble nm="Singstimme\nVoice"
V:2 treble nm="Pianoforte"
V:3 treble
V:6 treble
V:4 bass
V:5 bass
V:1
"^Mässig, in gehender Bewegung" z4 | z4 | z4 | z... | 4 | In which part does the main theme first appear? | Piano part |
Schubert_Franz_-_Winterreise_D.911_No.24_-_Der_Leiermann | X:1
T:Winterreise, D.911
T:Der Leiermann
C:Franz Schubert
Z:Wilhelm Müller
Z:OpenScore (CC0)
%%score 1 { ( 2 5 ) | ( 3 4 ) }
L:1/8
Q:1/4=50
M:3/4
I:linebreak $
K:C
V:1 treble nm="Singstimme\nVoice"
V:2 treble nm="Pianoforte"
V:5 treble
V:3 bass
V:4 bass
V:1
"^Etwas langsam" z6 | z6 | z6 | z4 z2 | z6 | z2 z4 | z6 | z... | 1 | What is the title of the work? | Winterreise D.911 No.24 |
Schubert_Franz_-_Winterreise_D.911_No.24_-_Der_Leiermann | X:1
T:Winterreise, D.911
T:Der Leiermann
C:Franz Schubert
Z:Wilhelm Müller
Z:OpenScore (CC0)
%%score 1 { ( 2 5 ) | ( 3 4 ) }
L:1/8
Q:1/4=50
M:3/4
I:linebreak $
K:C
V:1 treble nm="Singstimme\nVoice"
V:2 treble nm="Pianoforte"
V:5 treble
V:3 bass
V:4 bass
V:1
"^Etwas langsam" z6 | z6 | z6 | z4 z2 | z6 | z2 z4 | z6 | z... | 1 | Who is the composer? | Schubert |
Schubert_Franz_-_Winterreise_D.911_No.24_-_Der_Leiermann | X:1
T:Winterreise, D.911
T:Der Leiermann
C:Franz Schubert
Z:Wilhelm Müller
Z:OpenScore (CC0)
%%score 1 { ( 2 5 ) | ( 3 4 ) }
L:1/8
Q:1/4=50
M:3/4
I:linebreak $
K:C
V:1 treble nm="Singstimme\nVoice"
V:2 treble nm="Pianoforte"
V:5 treble
V:3 bass
V:4 bass
V:1
"^Etwas langsam" z6 | z6 | z6 | z4 z2 | z6 | z2 z4 | z6 | z... | 1 | What is the initial key? | A minor |
Schubert_Franz_-_Winterreise_D.911_No.24_-_Der_Leiermann | X:1
T:Winterreise, D.911
T:Der Leiermann
C:Franz Schubert
Z:Wilhelm Müller
Z:OpenScore (CC0)
%%score 1 { ( 2 5 ) | ( 3 4 ) }
L:1/8
Q:1/4=50
M:3/4
I:linebreak $
K:C
V:1 treble nm="Singstimme\nVoice"
V:2 treble nm="Pianoforte"
V:5 treble
V:3 bass
V:4 bass
V:1
"^Etwas langsam" z6 | z6 | z6 | z4 z2 | z6 | z2 z4 | z6 | z... | 2 | In bar 12, what is the articulation marking? | Accent mark |
Schubert_Franz_-_Winterreise_D.911_No.24_-_Der_Leiermann | X:1
T:Winterreise, D.911
T:Der Leiermann
C:Franz Schubert
Z:Wilhelm Müller
Z:OpenScore (CC0)
%%score 1 { ( 2 5 ) | ( 3 4 ) }
L:1/8
Q:1/4=50
M:3/4
I:linebreak $
K:C
V:1 treble nm="Singstimme\nVoice"
V:2 treble nm="Pianoforte"
V:5 treble
V:3 bass
V:4 bass
V:1
"^Etwas langsam" z6 | z6 | z6 | z4 z2 | z6 | z2 z4 | z6 | z... | 2 | In bar 54, what is the longest rest value? | Crotchet rest |
Schubert_Franz_-_Winterreise_D.911_No.24_-_Der_Leiermann | X:1
T:Winterreise, D.911
T:Der Leiermann
C:Franz Schubert
Z:Wilhelm Müller
Z:OpenScore (CC0)
%%score 1 { ( 2 5 ) | ( 3 4 ) }
L:1/8
Q:1/4=50
M:3/4
I:linebreak $
K:C
V:1 treble nm="Singstimme\nVoice"
V:2 treble nm="Pianoforte"
V:5 treble
V:3 bass
V:4 bass
V:1
"^Etwas langsam" z6 | z6 | z6 | z4 z2 | z6 | z2 z4 | z6 | z... | 2 | In bars 1–61, is there a repeat sign? | No |
Schubert_Franz_-_Winterreise_D.911_No.24_-_Der_Leiermann | X:1
T:Winterreise, D.911
T:Der Leiermann
C:Franz Schubert
Z:Wilhelm Müller
Z:OpenScore (CC0)
%%score 1 { ( 2 5 ) | ( 3 4 ) }
L:1/8
Q:1/4=50
M:3/4
I:linebreak $
K:C
V:1 treble nm="Singstimme\nVoice"
V:2 treble nm="Pianoforte"
V:5 treble
V:3 bass
V:4 bass
V:1
"^Etwas langsam" z6 | z6 | z6 | z4 z2 | z6 | z2 z4 | z6 | z... | 3 | In bars 53–61, is there a perfect cadence? | No |
Schubert_Franz_-_Winterreise_D.911_No.24_-_Der_Leiermann | X:1
T:Winterreise, D.911
T:Der Leiermann
C:Franz Schubert
Z:Wilhelm Müller
Z:OpenScore (CC0)
%%score 1 { ( 2 5 ) | ( 3 4 ) }
L:1/8
Q:1/4=50
M:3/4
I:linebreak $
K:C
V:1 treble nm="Singstimme\nVoice"
V:2 treble nm="Pianoforte"
V:5 treble
V:3 bass
V:4 bass
V:1
"^Etwas langsam" z6 | z6 | z6 | z4 z2 | z6 | z2 z4 | z6 | z... | 3 | In bar 18, is there an E major chord? | No |
Schubert_Franz_-_Winterreise_D.911_No.24_-_Der_Leiermann | X:1
T:Winterreise, D.911
T:Der Leiermann
C:Franz Schubert
Z:Wilhelm Müller
Z:OpenScore (CC0)
%%score 1 { ( 2 5 ) | ( 3 4 ) }
L:1/8
Q:1/4=50
M:3/4
I:linebreak $
K:C
V:1 treble nm="Singstimme\nVoice"
V:2 treble nm="Pianoforte"
V:5 treble
V:3 bass
V:4 bass
V:1
"^Etwas langsam" z6 | z6 | z6 | z4 z2 | z6 | z2 z4 | z6 | z... | 3 | In bar 45, is there a second inversion A7 chord? | None |
Schubert_Franz_-_Winterreise_D.911_No.24_-_Der_Leiermann | X:1
T:Winterreise, D.911
T:Der Leiermann
C:Franz Schubert
Z:Wilhelm Müller
Z:OpenScore (CC0)
%%score 1 { ( 2 5 ) | ( 3 4 ) }
L:1/8
Q:1/4=50
M:3/4
I:linebreak $
K:C
V:1 treble nm="Singstimme\nVoice"
V:2 treble nm="Pianoforte"
V:5 treble
V:3 bass
V:4 bass
V:1
"^Etwas langsam" z6 | z6 | z6 | z4 z2 | z6 | z2 z4 | z6 | z... | 4 | What is the genre of the piece? | Art song |
Schubert_Franz_-_Winterreise_D.911_No.24_-_Der_Leiermann | X:1
T:Winterreise, D.911
T:Der Leiermann
C:Franz Schubert
Z:Wilhelm Müller
Z:OpenScore (CC0)
%%score 1 { ( 2 5 ) | ( 3 4 ) }
L:1/8
Q:1/4=50
M:3/4
I:linebreak $
K:C
V:1 treble nm="Singstimme\nVoice"
V:2 treble nm="Pianoforte"
V:5 treble
V:3 bass
V:4 bass
V:1
"^Etwas langsam" z6 | z6 | z6 | z4 z2 | z6 | z2 z4 | z6 | z... | 4 | What is the performance medium of the piece? | Voice and piano |
Schubert_Franz_-_Winterreise_D.911_No.24_-_Der_Leiermann | X:1
T:Winterreise, D.911
T:Der Leiermann
C:Franz Schubert
Z:Wilhelm Müller
Z:OpenScore (CC0)
%%score 1 { ( 2 5 ) | ( 3 4 ) }
L:1/8
Q:1/4=50
M:3/4
I:linebreak $
K:C
V:1 treble nm="Singstimme\nVoice"
V:2 treble nm="Pianoforte"
V:5 treble
V:3 bass
V:4 bass
V:1
"^Etwas langsam" z6 | z6 | z6 | z4 z2 | z6 | z2 z4 | z6 | z... | 4 | In which part does the main theme first appear? | Piano part |
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