song_id stringclasses 150
values | abc_notation stringclasses 150
values | level int32 1 4 | question stringlengths 20 85 | answer stringlengths 1 82 |
|---|---|---|---|---|
Sonata_in_E_minor_HOB_XVI_34__Joseph_Haydn_Joseph_Haydn_Piano_Sonata_Hob._XVI34_3._Molto_vivace | X:1
T:Piano Sonata Hob. XVI/34 - 3. Molto vivace
C:Franz Joseph Haydn
%%score { 1 | 2 }
L:1/8
Q:1/4=132
M:2/4
I:linebreak $
K:G
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:1
!p!"_innocentemente""^Molto vivace" G | G>A B!wedge!e | (^d.f) z (B | .e)(e .f)!wedge!f | %4
(3a/g/a/(3g/a/g/ ff |!<(! (g>a b)!wedge!b!<)! |!f!... | 2 | In bar 1, what is the highest pitch? | E4 |
Sonata_in_E_minor_HOB_XVI_34__Joseph_Haydn_Joseph_Haydn_Piano_Sonata_Hob._XVI34_3._Molto_vivace | X:1
T:Piano Sonata Hob. XVI/34 - 3. Molto vivace
C:Franz Joseph Haydn
%%score { 1 | 2 }
L:1/8
Q:1/4=132
M:2/4
I:linebreak $
K:G
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:1
!p!"_innocentemente""^Molto vivace" G | G>A B!wedge!e | (^d.f) z (B | .e)(e .f)!wedge!f | %4
(3a/g/a/(3g/a/g/ ff |!<(! (g>a b)!wedge!b!<)! |!f!... | 2 | In bars 47–51, what does the clef change to? | Treble clef |
Sonata_in_E_minor_HOB_XVI_34__Joseph_Haydn_Joseph_Haydn_Piano_Sonata_Hob._XVI34_3._Molto_vivace | X:1
T:Piano Sonata Hob. XVI/34 - 3. Molto vivace
C:Franz Joseph Haydn
%%score { 1 | 2 }
L:1/8
Q:1/4=132
M:2/4
I:linebreak $
K:G
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:1
!p!"_innocentemente""^Molto vivace" G | G>A B!wedge!e | (^d.f) z (B | .e)(e .f)!wedge!f | %4
(3a/g/a/(3g/a/g/ ff |!<(! (g>a b)!wedge!b!<)! |!f!... | 3 | In bar 1, is there an E minor chord? | Yes |
Sonata_in_E_minor_HOB_XVI_34__Joseph_Haydn_Joseph_Haydn_Piano_Sonata_Hob._XVI34_3._Molto_vivace | X:1
T:Piano Sonata Hob. XVI/34 - 3. Molto vivace
C:Franz Joseph Haydn
%%score { 1 | 2 }
L:1/8
Q:1/4=132
M:2/4
I:linebreak $
K:G
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:1
!p!"_innocentemente""^Molto vivace" G | G>A B!wedge!e | (^d.f) z (B | .e)(e .f)!wedge!f | %4
(3a/g/a/(3g/a/g/ ff |!<(! (g>a b)!wedge!b!<)! |!f!... | 3 | In bar 1, what is the omitted note of the E minor chord? | None |
Sonata_in_E_minor_HOB_XVI_34__Joseph_Haydn_Joseph_Haydn_Piano_Sonata_Hob._XVI34_3._Molto_vivace | X:1
T:Piano Sonata Hob. XVI/34 - 3. Molto vivace
C:Franz Joseph Haydn
%%score { 1 | 2 }
L:1/8
Q:1/4=132
M:2/4
I:linebreak $
K:G
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:1
!p!"_innocentemente""^Molto vivace" G | G>A B!wedge!e | (^d.f) z (B | .e)(e .f)!wedge!f | %4
(3a/g/a/(3g/a/g/ ff |!<(! (g>a b)!wedge!b!<)! |!f!... | 3 | In bar 1, what is the voicing of the E minor chord? | Close position |
Sonata_in_E_minor_HOB_XVI_34__Joseph_Haydn_Joseph_Haydn_Piano_Sonata_Hob._XVI34_3._Molto_vivace | X:1
T:Piano Sonata Hob. XVI/34 - 3. Molto vivace
C:Franz Joseph Haydn
%%score { 1 | 2 }
L:1/8
Q:1/4=132
M:2/4
I:linebreak $
K:G
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:1
!p!"_innocentemente""^Molto vivace" G | G>A B!wedge!e | (^d.f) z (B | .e)(e .f)!wedge!f | %4
(3a/g/a/(3g/a/g/ ff |!<(! (g>a b)!wedge!b!<)! |!f!... | 4 | What is the genre of the work? | Sonata |
Sonata_in_E_minor_HOB_XVI_34__Joseph_Haydn_Joseph_Haydn_Piano_Sonata_Hob._XVI34_3._Molto_vivace | X:1
T:Piano Sonata Hob. XVI/34 - 3. Molto vivace
C:Franz Joseph Haydn
%%score { 1 | 2 }
L:1/8
Q:1/4=132
M:2/4
I:linebreak $
K:G
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:1
!p!"_innocentemente""^Molto vivace" G | G>A B!wedge!e | (^d.f) z (B | .e)(e .f)!wedge!f | %4
(3a/g/a/(3g/a/g/ ff |!<(! (g>a b)!wedge!b!<)! |!f!... | 4 | What is the most common type of accompaniment used in the work? | Semiquaver arpeggio |
Sonata_in_E_minor_HOB_XVI_34__Joseph_Haydn_Joseph_Haydn_Piano_Sonata_Hob._XVI34_3._Molto_vivace | X:1
T:Piano Sonata Hob. XVI/34 - 3. Molto vivace
C:Franz Joseph Haydn
%%score { 1 | 2 }
L:1/8
Q:1/4=132
M:2/4
I:linebreak $
K:G
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:1
!p!"_innocentemente""^Molto vivace" G | G>A B!wedge!e | (^d.f) z (B | .e)(e .f)!wedge!f | %4
(3a/g/a/(3g/a/g/ ff |!<(! (g>a b)!wedge!b!<)! |!f!... | 4 | In which bar does the melodic motif appear? | 1, 2 |
Sonate_No._16_1st_Movement | X:1
T:Sonate No. 16
T:1st Movement Opus 31 No. 1
T:Ludwig van Beethoven (1770 - 1827)
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=132
M:2/4
I:linebreak $
K:G
V:1 treble nm="Piano"
V:4 treble
V:2 bass
V:3 bass
V:1
!p!"^Allegro vivace" g/- | g3 f/e/ | d/^d/e/B/ =d/c/B/A/ |: G2 z3/2 [B,DG]/- | %4
[B,DG]>[B,DB]-[B,DB]>[B... | 1 | What is the initial time signature? | 2/4 time |
Sonate_No._16_1st_Movement | X:1
T:Sonate No. 16
T:1st Movement Opus 31 No. 1
T:Ludwig van Beethoven (1770 - 1827)
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=132
M:2/4
I:linebreak $
K:G
V:1 treble nm="Piano"
V:4 treble
V:2 bass
V:3 bass
V:1
!p!"^Allegro vivace" g/- | g3 f/e/ | d/^d/e/B/ =d/c/B/A/ |: G2 z3/2 [B,DG]/- | %4
[B,DG]>[B,DB]-[B,DB]>[B... | 1 | What is the initial tempo indication? | Allegro |
Sonate_No._16_1st_Movement | X:1
T:Sonate No. 16
T:1st Movement Opus 31 No. 1
T:Ludwig van Beethoven (1770 - 1827)
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=132
M:2/4
I:linebreak $
K:G
V:1 treble nm="Piano"
V:4 treble
V:2 bass
V:3 bass
V:1
!p!"^Allegro vivace" g/- | g3 f/e/ | d/^d/e/B/ =d/c/B/A/ |: G2 z3/2 [B,DG]/- | %4
[B,DG]>[B,DB]-[B,DB]>[B... | 1 | What is the initial expression marking? | Vivace |
Sonate_No._16_1st_Movement | X:1
T:Sonate No. 16
T:1st Movement Opus 31 No. 1
T:Ludwig van Beethoven (1770 - 1827)
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=132
M:2/4
I:linebreak $
K:G
V:1 treble nm="Piano"
V:4 treble
V:2 bass
V:3 bass
V:1
!p!"^Allegro vivace" g/- | g3 f/e/ | d/^d/e/B/ =d/c/B/A/ |: G2 z3/2 [B,DG]/- | %4
[B,DG]>[B,DB]-[B,DB]>[B... | 2 | Between bars 1–113, is there a repeat sign? | Yes |
Sonate_No._16_1st_Movement | X:1
T:Sonate No. 16
T:1st Movement Opus 31 No. 1
T:Ludwig van Beethoven (1770 - 1827)
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=132
M:2/4
I:linebreak $
K:G
V:1 treble nm="Piano"
V:4 treble
V:2 bass
V:3 bass
V:1
!p!"^Allegro vivace" g/- | g3 f/e/ | d/^d/e/B/ =d/c/B/A/ |: G2 z3/2 [B,DG]/- | %4
[B,DG]>[B,DB]-[B,DB]>[B... | 2 | In bar 11, what is the shortest rest value? | Quaver rest |
Sonate_No._16_1st_Movement | X:1
T:Sonate No. 16
T:1st Movement Opus 31 No. 1
T:Ludwig van Beethoven (1770 - 1827)
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=132
M:2/4
I:linebreak $
K:G
V:1 treble nm="Piano"
V:4 treble
V:2 bass
V:3 bass
V:1
!p!"^Allegro vivace" g/- | g3 f/e/ | d/^d/e/B/ =d/c/B/A/ |: G2 z3/2 [B,DG]/- | %4
[B,DG]>[B,DB]-[B,DB]>[B... | 2 | In bar 30, what is the highest pitch? | B5 |
Sonate_No._16_1st_Movement | X:1
T:Sonate No. 16
T:1st Movement Opus 31 No. 1
T:Ludwig van Beethoven (1770 - 1827)
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=132
M:2/4
I:linebreak $
K:G
V:1 treble nm="Piano"
V:4 treble
V:2 bass
V:3 bass
V:1
!p!"^Allegro vivace" g/- | g3 f/e/ | d/^d/e/B/ =d/c/B/A/ |: G2 z3/2 [B,DG]/- | %4
[B,DG]>[B,DB]-[B,DB]>[B... | 3 | In bar 63, what are the repeated notes in the E minor chord? | Fifth |
Sonate_No._16_1st_Movement | X:1
T:Sonate No. 16
T:1st Movement Opus 31 No. 1
T:Ludwig van Beethoven (1770 - 1827)
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=132
M:2/4
I:linebreak $
K:G
V:1 treble nm="Piano"
V:4 treble
V:2 bass
V:3 bass
V:1
!p!"^Allegro vivace" g/- | g3 f/e/ | d/^d/e/B/ =d/c/B/A/ |: G2 z3/2 [B,DG]/- | %4
[B,DG]>[B,DB]-[B,DB]>[B... | 3 | In bars 67–68, what is the chord progression? (use I, II, III, IV, V, VI, VII) | i–v7 |
Sonate_No._16_1st_Movement | X:1
T:Sonate No. 16
T:1st Movement Opus 31 No. 1
T:Ludwig van Beethoven (1770 - 1827)
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=132
M:2/4
I:linebreak $
K:G
V:1 treble nm="Piano"
V:4 treble
V:2 bass
V:3 bass
V:1
!p!"^Allegro vivace" g/- | g3 f/e/ | d/^d/e/B/ =d/c/B/A/ |: G2 z3/2 [B,DG]/- | %4
[B,DG]>[B,DB]-[B,DB]>[B... | 3 | In bar 112, does it begin on the tonic chord of the original key? | Yes |
Sonate_No._16_1st_Movement | X:1
T:Sonate No. 16
T:1st Movement Opus 31 No. 1
T:Ludwig van Beethoven (1770 - 1827)
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=132
M:2/4
I:linebreak $
K:G
V:1 treble nm="Piano"
V:4 treble
V:2 bass
V:3 bass
V:1
!p!"^Allegro vivace" g/- | g3 f/e/ | d/^d/e/B/ =d/c/B/A/ |: G2 z3/2 [B,DG]/- | %4
[B,DG]>[B,DB]-[B,DB]>[B... | 4 | What is the form of the piece? | Sonata form |
Sonate_No._16_1st_Movement | X:1
T:Sonate No. 16
T:1st Movement Opus 31 No. 1
T:Ludwig van Beethoven (1770 - 1827)
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=132
M:2/4
I:linebreak $
K:G
V:1 treble nm="Piano"
V:4 treble
V:2 bass
V:3 bass
V:1
!p!"^Allegro vivace" g/- | g3 f/e/ | d/^d/e/B/ =d/c/B/A/ |: G2 z3/2 [B,DG]/- | %4
[B,DG]>[B,DB]-[B,DB]>[B... | 4 | Where is the principal theme located? | Bars 1–30 |
Sonate_No._16_1st_Movement | X:1
T:Sonate No. 16
T:1st Movement Opus 31 No. 1
T:Ludwig van Beethoven (1770 - 1827)
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=132
M:2/4
I:linebreak $
K:G
V:1 treble nm="Piano"
V:4 treble
V:2 bass
V:3 bass
V:1
!p!"^Allegro vivace" g/- | g3 f/e/ | d/^d/e/B/ =d/c/B/A/ |: G2 z3/2 [B,DG]/- | %4
[B,DG]>[B,DB]-[B,DB]>[B... | 4 | Where is the secondary theme located? | Bars 65–98 |
Sonate_Nr._8_op._13_Pathtique_3_Rondo._Allegro_Sonata_No_8_-_Beethoven | X:1
T:Sonata Nr. 8 (3), Opus 13, 1799
T:GRANDE SONATE PATHÉTIQUE
T:Ludwig van Beethoven
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=200
M:4/4
I:linebreak $
K:Eb
V:1 treble nm="Piano"
V:3 treble
V:2 bass
V:4 bass
V:1
!p!"^Rondo. Allegro" .!1!G.!2!c.!3!d |!ped! (!4!e3!ped-up! !5!f"_+" !3!d3 !4!e) | %2
"_+" !2!c4!ped!(... | 1 | What is the initial clef? | Treble and bass clefs |
Sonate_Nr._8_op._13_Pathtique_3_Rondo._Allegro_Sonata_No_8_-_Beethoven | X:1
T:Sonata Nr. 8 (3), Opus 13, 1799
T:GRANDE SONATE PATHÉTIQUE
T:Ludwig van Beethoven
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=200
M:4/4
I:linebreak $
K:Eb
V:1 treble nm="Piano"
V:3 treble
V:2 bass
V:4 bass
V:1
!p!"^Rondo. Allegro" .!1!G.!2!c.!3!d |!ped! (!4!e3!ped-up! !5!f"_+" !3!d3 !4!e) | %2
"_+" !2!c4!ped!(... | 1 | What is the initial key? | C minor |
Sonate_Nr._8_op._13_Pathtique_3_Rondo._Allegro_Sonata_No_8_-_Beethoven | X:1
T:Sonata Nr. 8 (3), Opus 13, 1799
T:GRANDE SONATE PATHÉTIQUE
T:Ludwig van Beethoven
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=200
M:4/4
I:linebreak $
K:Eb
V:1 treble nm="Piano"
V:3 treble
V:2 bass
V:4 bass
V:1
!p!"^Rondo. Allegro" .!1!G.!2!c.!3!d |!ped! (!4!e3!ped-up! !5!f"_+" !3!d3 !4!e) | %2
"_+" !2!c4!ped!(... | 1 | What instruments are used? | Piano |
Sonate_Nr._8_op._13_Pathtique_3_Rondo._Allegro_Sonata_No_8_-_Beethoven | X:1
T:Sonata Nr. 8 (3), Opus 13, 1799
T:GRANDE SONATE PATHÉTIQUE
T:Ludwig van Beethoven
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=200
M:4/4
I:linebreak $
K:Eb
V:1 treble nm="Piano"
V:3 treble
V:2 bass
V:4 bass
V:1
!p!"^Rondo. Allegro" .!1!G.!2!c.!3!d |!ped! (!4!e3!ped-up! !5!f"_+" !3!d3 !4!e) | %2
"_+" !2!c4!ped!(... | 2 | In bar 1, what is the articulation marking? | Slur |
Sonate_Nr._8_op._13_Pathtique_3_Rondo._Allegro_Sonata_No_8_-_Beethoven | X:1
T:Sonata Nr. 8 (3), Opus 13, 1799
T:GRANDE SONATE PATHÉTIQUE
T:Ludwig van Beethoven
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=200
M:4/4
I:linebreak $
K:Eb
V:1 treble nm="Piano"
V:3 treble
V:2 bass
V:4 bass
V:1
!p!"^Rondo. Allegro" .!1!G.!2!c.!3!d |!ped! (!4!e3!ped-up! !5!f"_+" !3!d3 !4!e) | %2
"_+" !2!c4!ped!(... | 2 | In bar 9, what is the highest pitch? | A♭5 |
Sonate_Nr._8_op._13_Pathtique_3_Rondo._Allegro_Sonata_No_8_-_Beethoven | X:1
T:Sonata Nr. 8 (3), Opus 13, 1799
T:GRANDE SONATE PATHÉTIQUE
T:Ludwig van Beethoven
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=200
M:4/4
I:linebreak $
K:Eb
V:1 treble nm="Piano"
V:3 treble
V:2 bass
V:4 bass
V:1
!p!"^Rondo. Allegro" .!1!G.!2!c.!3!d |!ped! (!4!e3!ped-up! !5!f"_+" !3!d3 !4!e) | %2
"_+" !2!c4!ped!(... | 2 | In bar 2, what is the ornament on note c1? | D5 |
Sonate_Nr._8_op._13_Pathtique_3_Rondo._Allegro_Sonata_No_8_-_Beethoven | X:1
T:Sonata Nr. 8 (3), Opus 13, 1799
T:GRANDE SONATE PATHÉTIQUE
T:Ludwig van Beethoven
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=200
M:4/4
I:linebreak $
K:Eb
V:1 treble nm="Piano"
V:3 treble
V:2 bass
V:4 bass
V:1
!p!"^Rondo. Allegro" .!1!G.!2!c.!3!d |!ped! (!4!e3!ped-up! !5!f"_+" !3!d3 !4!e) | %2
"_+" !2!c4!ped!(... | 3 | In bar 1, is there a first inversion of a C minor chord? | No |
Sonate_Nr._8_op._13_Pathtique_3_Rondo._Allegro_Sonata_No_8_-_Beethoven | X:1
T:Sonata Nr. 8 (3), Opus 13, 1799
T:GRANDE SONATE PATHÉTIQUE
T:Ludwig van Beethoven
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=200
M:4/4
I:linebreak $
K:Eb
V:1 treble nm="Piano"
V:3 treble
V:2 bass
V:4 bass
V:1
!p!"^Rondo. Allegro" .!1!G.!2!c.!3!d |!ped! (!4!e3!ped-up! !5!f"_+" !3!d3 !4!e) | %2
"_+" !2!c4!ped!(... | 3 | In bar 1, what is the spacing/arrangement of the C minor chord? | Close spacing |
Sonate_Nr._8_op._13_Pathtique_3_Rondo._Allegro_Sonata_No_8_-_Beethoven | X:1
T:Sonata Nr. 8 (3), Opus 13, 1799
T:GRANDE SONATE PATHÉTIQUE
T:Ludwig van Beethoven
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=200
M:4/4
I:linebreak $
K:Eb
V:1 treble nm="Piano"
V:3 treble
V:2 bass
V:4 bass
V:1
!p!"^Rondo. Allegro" .!1!G.!2!c.!3!d |!ped! (!4!e3!ped-up! !5!f"_+" !3!d3 !4!e) | %2
"_+" !2!c4!ped!(... | 3 | In bars 5–6, what is the chord progression? (use I, II, III, IV, V, VI, VII) | vii34–i6 |
Sonate_Nr._8_op._13_Pathtique_3_Rondo._Allegro_Sonata_No_8_-_Beethoven | X:1
T:Sonata Nr. 8 (3), Opus 13, 1799
T:GRANDE SONATE PATHÉTIQUE
T:Ludwig van Beethoven
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=200
M:4/4
I:linebreak $
K:Eb
V:1 treble nm="Piano"
V:3 treble
V:2 bass
V:4 bass
V:1
!p!"^Rondo. Allegro" .!1!G.!2!c.!3!d |!ped! (!4!e3!ped-up! !5!f"_+" !3!d3 !4!e) | %2
"_+" !2!c4!ped!(... | 4 | In which bar does the melodic motif appear? | 1, 2, 3, 4 |
Sonate_Nr._8_op._13_Pathtique_3_Rondo._Allegro_Sonata_No_8_-_Beethoven | X:1
T:Sonata Nr. 8 (3), Opus 13, 1799
T:GRANDE SONATE PATHÉTIQUE
T:Ludwig van Beethoven
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=200
M:4/4
I:linebreak $
K:Eb
V:1 treble nm="Piano"
V:3 treble
V:2 bass
V:4 bass
V:1
!p!"^Rondo. Allegro" .!1!G.!2!c.!3!d |!ped! (!4!e3!ped-up! !5!f"_+" !3!d3 !4!e) | %2
"_+" !2!c4!ped!(... | 4 | In what way is the motif developed? | Split |
Sonate_Nr._8_op._13_Pathtique_3_Rondo._Allegro_Sonata_No_8_-_Beethoven | X:1
T:Sonata Nr. 8 (3), Opus 13, 1799
T:GRANDE SONATE PATHÉTIQUE
T:Ludwig van Beethoven
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=200
M:4/4
I:linebreak $
K:Eb
V:1 treble nm="Piano"
V:3 treble
V:2 bass
V:4 bass
V:1
!p!"^Rondo. Allegro" .!1!G.!2!c.!3!d |!ped! (!4!e3!ped-up! !5!f"_+" !3!d3 !4!e) | %2
"_+" !2!c4!ped!(... | 4 | What is the most frequently used type of accompaniment in the piece? | Arpeggio |
Songs_without_words_Op._30._No._1.__Felix_Mendelssohn | X:1
T:Sechs Lieder ohne Worte
C:Felix Mendelssohn Bartholdy
%%score { ( 1 2 ) | ( 3 4 ) }
L:1/8
Q:1/4=100
M:4/4
I:linebreak $
K:Eb
V:1 treble nm="Zongora" snm="Zon."
V:2 treble
V:3 bass
V:4 bass
V:1
"^Andante espressivo"!p!!ped! z4 z2 (E2 |: G3 A B2 E2)!ped-up! | %2
!ped! (A2 D2)!ped-up!!ped! (E3 D)!ped-up! |!ped! (... | 1 | What is the initial clef? | Treble clef, Bass clef |
Songs_without_words_Op._30._No._1.__Felix_Mendelssohn | X:1
T:Sechs Lieder ohne Worte
C:Felix Mendelssohn Bartholdy
%%score { ( 1 2 ) | ( 3 4 ) }
L:1/8
Q:1/4=100
M:4/4
I:linebreak $
K:Eb
V:1 treble nm="Zongora" snm="Zon."
V:2 treble
V:3 bass
V:4 bass
V:1
"^Andante espressivo"!p!!ped! z4 z2 (E2 |: G3 A B2 E2)!ped-up! | %2
!ped! (A2 D2)!ped-up!!ped! (E3 D)!ped-up! |!ped! (... | 1 | Who is the composer? | Mendelssohn |
Songs_without_words_Op._30._No._1.__Felix_Mendelssohn | X:1
T:Sechs Lieder ohne Worte
C:Felix Mendelssohn Bartholdy
%%score { ( 1 2 ) | ( 3 4 ) }
L:1/8
Q:1/4=100
M:4/4
I:linebreak $
K:Eb
V:1 treble nm="Zongora" snm="Zon."
V:2 treble
V:3 bass
V:4 bass
V:1
"^Andante espressivo"!p!!ped! z4 z2 (E2 |: G3 A B2 E2)!ped-up! | %2
!ped! (A2 D2)!ped-up!!ped! (E3 D)!ped-up! |!ped! (... | 1 | What is the initial expression term? | espressivo |
Songs_without_words_Op._30._No._1.__Felix_Mendelssohn | X:1
T:Sechs Lieder ohne Worte
C:Felix Mendelssohn Bartholdy
%%score { ( 1 2 ) | ( 3 4 ) }
L:1/8
Q:1/4=100
M:4/4
I:linebreak $
K:Eb
V:1 treble nm="Zongora" snm="Zon."
V:2 treble
V:3 bass
V:4 bass
V:1
"^Andante espressivo"!p!!ped! z4 z2 (E2 |: G3 A B2 E2)!ped-up! | %2
!ped! (A2 D2)!ped-up!!ped! (E3 D)!ped-up! |!ped! (... | 2 | In bar 1, what is the longest rest value? | Minim rest |
Songs_without_words_Op._30._No._1.__Felix_Mendelssohn | X:1
T:Sechs Lieder ohne Worte
C:Felix Mendelssohn Bartholdy
%%score { ( 1 2 ) | ( 3 4 ) }
L:1/8
Q:1/4=100
M:4/4
I:linebreak $
K:Eb
V:1 treble nm="Zongora" snm="Zon."
V:2 treble
V:3 bass
V:4 bass
V:1
"^Andante espressivo"!p!!ped! z4 z2 (E2 |: G3 A B2 E2)!ped-up! | %2
!ped! (A2 D2)!ped-up!!ped! (E3 D)!ped-up! |!ped! (... | 2 | In bars 1–41, what is the key signature? | Eb major |
Songs_without_words_Op._30._No._1.__Felix_Mendelssohn | X:1
T:Sechs Lieder ohne Worte
C:Felix Mendelssohn Bartholdy
%%score { ( 1 2 ) | ( 3 4 ) }
L:1/8
Q:1/4=100
M:4/4
I:linebreak $
K:Eb
V:1 treble nm="Zongora" snm="Zon."
V:2 treble
V:3 bass
V:4 bass
V:1
"^Andante espressivo"!p!!ped! z4 z2 (E2 |: G3 A B2 E2)!ped-up! | %2
!ped! (A2 D2)!ped-up!!ped! (E3 D)!ped-up! |!ped! (... | 2 | In bar 10, are there accidentals, and what are they? | Yes, natural A |
Songs_without_words_Op._30._No._1.__Felix_Mendelssohn | X:1
T:Sechs Lieder ohne Worte
C:Felix Mendelssohn Bartholdy
%%score { ( 1 2 ) | ( 3 4 ) }
L:1/8
Q:1/4=100
M:4/4
I:linebreak $
K:Eb
V:1 treble nm="Zongora" snm="Zon."
V:2 treble
V:3 bass
V:4 bass
V:1
"^Andante espressivo"!p!!ped! z4 z2 (E2 |: G3 A B2 E2)!ped-up! | %2
!ped! (A2 D2)!ped-up!!ped! (E3 D)!ped-up! |!ped! (... | 3 | In bar 1, what is the voicing of the E♭ major chord? | Close position |
Songs_without_words_Op._30._No._1.__Felix_Mendelssohn | X:1
T:Sechs Lieder ohne Worte
C:Felix Mendelssohn Bartholdy
%%score { ( 1 2 ) | ( 3 4 ) }
L:1/8
Q:1/4=100
M:4/4
I:linebreak $
K:Eb
V:1 treble nm="Zongora" snm="Zon."
V:2 treble
V:3 bass
V:4 bass
V:1
"^Andante espressivo"!p!!ped! z4 z2 (E2 |: G3 A B2 E2)!ped-up! | %2
!ped! (A2 D2)!ped-up!!ped! (E3 D)!ped-up! |!ped! (... | 3 | In bars 39–41, is there a perfect cadence? | Yes |
Songs_without_words_Op._30._No._1.__Felix_Mendelssohn | X:1
T:Sechs Lieder ohne Worte
C:Felix Mendelssohn Bartholdy
%%score { ( 1 2 ) | ( 3 4 ) }
L:1/8
Q:1/4=100
M:4/4
I:linebreak $
K:Eb
V:1 treble nm="Zongora" snm="Zon."
V:2 treble
V:3 bass
V:4 bass
V:1
"^Andante espressivo"!p!!ped! z4 z2 (E2 |: G3 A B2 E2)!ped-up! | %2
!ped! (A2 D2)!ped-up!!ped! (E3 D)!ped-up! |!ped! (... | 3 | In bar 41, is there an E♭ major chord? | Yes |
Songs_without_words_Op._30._No._1.__Felix_Mendelssohn | X:1
T:Sechs Lieder ohne Worte
C:Felix Mendelssohn Bartholdy
%%score { ( 1 2 ) | ( 3 4 ) }
L:1/8
Q:1/4=100
M:4/4
I:linebreak $
K:Eb
V:1 treble nm="Zongora" snm="Zon."
V:2 treble
V:3 bass
V:4 bass
V:1
"^Andante espressivo"!p!!ped! z4 z2 (E2 |: G3 A B2 E2)!ped-up! | %2
!ped! (A2 D2)!ped-up!!ped! (E3 D)!ped-up! |!ped! (... | 4 | What is the performance medium of the piece? | Piano solo |
Songs_without_words_Op._30._No._1.__Felix_Mendelssohn | X:1
T:Sechs Lieder ohne Worte
C:Felix Mendelssohn Bartholdy
%%score { ( 1 2 ) | ( 3 4 ) }
L:1/8
Q:1/4=100
M:4/4
I:linebreak $
K:Eb
V:1 treble nm="Zongora" snm="Zon."
V:2 treble
V:3 bass
V:4 bass
V:1
"^Andante espressivo"!p!!ped! z4 z2 (E2 |: G3 A B2 E2)!ped-up! | %2
!ped! (A2 D2)!ped-up!!ped! (E3 D)!ped-up! |!ped! (... | 4 | What is the most frequently used texture in the piece? | Homophonic texture |
Songs_without_words_Op._30._No._1.__Felix_Mendelssohn | X:1
T:Sechs Lieder ohne Worte
C:Felix Mendelssohn Bartholdy
%%score { ( 1 2 ) | ( 3 4 ) }
L:1/8
Q:1/4=100
M:4/4
I:linebreak $
K:Eb
V:1 treble nm="Zongora" snm="Zon."
V:2 treble
V:3 bass
V:4 bass
V:1
"^Andante espressivo"!p!!ped! z4 z2 (E2 |: G3 A B2 E2)!ped-up! | %2
!ped! (A2 D2)!ped-up!!ped! (E3 D)!ped-up! |!ped! (... | 4 | What is the most frequently used type of accompaniment in the piece? | Arpeggio |
Songs_without_words_Op._30_No._5__Felix_Mendelssohn_Op.30_n.5 | X:1
T:Op. 30 Nº5
C:F.Mendelssohn
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=40
M:2/4
I:linebreak $
K:D
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:4 bass
V:1
!p!"^Andante grazioso." z2!p! (!4!F[G,G] |!<(! [A,A][B,B]!<)!!>(! [A,A][G,G]!>)! | %2
[F,F]2) ([A,A][B,B] | [Cc][Dd][Cc][B,B]) | ([Ee][Ff]) ([Ee]/[^... | 1 | What is the initial time signature? | 4/2 time |
Songs_without_words_Op._30_No._5__Felix_Mendelssohn_Op.30_n.5 | X:1
T:Op. 30 Nº5
C:F.Mendelssohn
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=40
M:2/4
I:linebreak $
K:D
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:4 bass
V:1
!p!"^Andante grazioso." z2!p! (!4!F[G,G] |!<(! [A,A][B,B]!<)!!>(! [A,A][G,G]!>)! | %2
[F,F]2) ([A,A][B,B] | [Cc][Dd][Cc][B,B]) | ([Ee][Ff]) ([Ee]/[^... | 1 | Who is the composer? | Mendelssohn |
Songs_without_words_Op._30_No._5__Felix_Mendelssohn_Op.30_n.5 | X:1
T:Op. 30 Nº5
C:F.Mendelssohn
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=40
M:2/4
I:linebreak $
K:D
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:4 bass
V:1
!p!"^Andante grazioso." z2!p! (!4!F[G,G] |!<(! [A,A][B,B]!<)!!>(! [A,A][G,G]!>)! | %2
[F,F]2) ([A,A][B,B] | [Cc][Dd][Cc][B,B]) | ([Ee][Ff]) ([Ee]/[^... | 1 | Is it an anacrusis (upbeat bar)? | Yes |
Songs_without_words_Op._30_No._5__Felix_Mendelssohn_Op.30_n.5 | X:1
T:Op. 30 Nº5
C:F.Mendelssohn
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=40
M:2/4
I:linebreak $
K:D
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:4 bass
V:1
!p!"^Andante grazioso." z2!p! (!4!F[G,G] |!<(! [A,A][B,B]!<)!!>(! [A,A][G,G]!>)! | %2
[F,F]2) ([A,A][B,B] | [Cc][Dd][Cc][B,B]) | ([Ee][Ff]) ([Ee]/[^... | 2 | In bar 1, what is the dynamic marking? | p |
Songs_without_words_Op._30_No._5__Felix_Mendelssohn_Op.30_n.5 | X:1
T:Op. 30 Nº5
C:F.Mendelssohn
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=40
M:2/4
I:linebreak $
K:D
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:4 bass
V:1
!p!"^Andante grazioso." z2!p! (!4!F[G,G] |!<(! [A,A][B,B]!<)!!>(! [A,A][G,G]!>)! | %2
[F,F]2) ([A,A][B,B] | [Cc][Dd][Cc][B,B]) | ([Ee][Ff]) ([Ee]/[^... | 2 | In bar 13, are there accidentals, and what are they? | Yes, natural C |
Songs_without_words_Op._30_No._5__Felix_Mendelssohn_Op.30_n.5 | X:1
T:Op. 30 Nº5
C:F.Mendelssohn
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=40
M:2/4
I:linebreak $
K:D
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:4 bass
V:1
!p!"^Andante grazioso." z2!p! (!4!F[G,G] |!<(! [A,A][B,B]!<)!!>(! [A,A][G,G]!>)! | %2
[F,F]2) ([A,A][B,B] | [Cc][Dd][Cc][B,B]) | ([Ee][Ff]) ([Ee]/[^... | 2 | In bars 2–3, what are the articulation markings? | Slur |
Songs_without_words_Op._30_No._5__Felix_Mendelssohn_Op.30_n.5 | X:1
T:Op. 30 Nº5
C:F.Mendelssohn
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=40
M:2/4
I:linebreak $
K:D
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:4 bass
V:1
!p!"^Andante grazioso." z2!p! (!4!F[G,G] |!<(! [A,A][B,B]!<)!!>(! [A,A][G,G]!>)! | %2
[F,F]2) ([A,A][B,B] | [Cc][Dd][Cc][B,B]) | ([Ee][Ff]) ([Ee]/[^... | 3 | In bar 3, is there a third inversion D major chord? | No |
Songs_without_words_Op._30_No._5__Felix_Mendelssohn_Op.30_n.5 | X:1
T:Op. 30 Nº5
C:F.Mendelssohn
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=40
M:2/4
I:linebreak $
K:D
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:4 bass
V:1
!p!"^Andante grazioso." z2!p! (!4!F[G,G] |!<(! [A,A][B,B]!<)!!>(! [A,A][G,G]!>)! | %2
[F,F]2) ([A,A][B,B] | [Cc][Dd][Cc][B,B]) | ([Ee][Ff]) ([Ee]/[^... | 3 | In bars 45–46, is there a suspension? | No |
Songs_without_words_Op._30_No._5__Felix_Mendelssohn_Op.30_n.5 | X:1
T:Op. 30 Nº5
C:F.Mendelssohn
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=40
M:2/4
I:linebreak $
K:D
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:4 bass
V:1
!p!"^Andante grazioso." z2!p! (!4!F[G,G] |!<(! [A,A][B,B]!<)!!>(! [A,A][G,G]!>)! | %2
[F,F]2) ([A,A][B,B] | [Cc][Dd][Cc][B,B]) | ([Ee][Ff]) ([Ee]/[^... | 3 | In bar 46, what is the voicing of the D major chord? | Close position |
Songs_without_words_Op._30_No._5__Felix_Mendelssohn_Op.30_n.5 | X:1
T:Op. 30 Nº5
C:F.Mendelssohn
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=40
M:2/4
I:linebreak $
K:D
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:4 bass
V:1
!p!"^Andante grazioso." z2!p! (!4!F[G,G] |!<(! [A,A][B,B]!<)!!>(! [A,A][G,G]!>)! | %2
[F,F]2) ([A,A][B,B] | [Cc][Dd][Cc][B,B]) | ([Ee][Ff]) ([Ee]/[^... | 4 | In which bar does the melodic motif appear? | 1, 2, 3 |
Songs_without_words_Op._30_No._5__Felix_Mendelssohn_Op.30_n.5 | X:1
T:Op. 30 Nº5
C:F.Mendelssohn
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=40
M:2/4
I:linebreak $
K:D
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:4 bass
V:1
!p!"^Andante grazioso." z2!p! (!4!F[G,G] |!<(! [A,A][B,B]!<)!!>(! [A,A][G,G]!>)! | %2
[F,F]2) ([A,A][B,B] | [Cc][Dd][Cc][B,B]) | ([Ee][Ff]) ([Ee]/[^... | 4 | What are the main characteristics of the motif? | Ascending and descending scales |
Songs_without_words_Op._30_No._5__Felix_Mendelssohn_Op.30_n.5 | X:1
T:Op. 30 Nº5
C:F.Mendelssohn
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=40
M:2/4
I:linebreak $
K:D
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:4 bass
V:1
!p!"^Andante grazioso." z2!p! (!4!F[G,G] |!<(! [A,A][B,B]!<)!!>(! [A,A][G,G]!>)! | %2
[F,F]2) ([A,A][B,B] | [Cc][Dd][Cc][B,B]) | ([Ee][Ff]) ([Ee]/[^... | 4 | What is the rhythm of the motif? | Even rhythm |
Spring_Song_from_Songs_Without_Words_Op.62__Felix_Mendelssohn-Bartholdy | X:1
T:Fruhlingslied op.62-6
C:F. Mendelssohn
Z:Yamaha
%%score { ( 1 2 ) | 3 }
L:1/8
Q:1/4=65
M:2/4
I:linebreak $
K:A
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:3 bass
V:1
!p!"^Allegretto grazioso" (c2- c/!1!d/^d/e/ | .a)(!5!e dc) | (!5-1!B3 !3!d) | (!5!f3 !3!d) | %4
!5!B2- B/(!2!^A/!1!B/^B/ | .c)(e dc | !5!BA !2!... | 1 | What is the initial tempo marking? | Allegretto |
Spring_Song_from_Songs_Without_Words_Op.62__Felix_Mendelssohn-Bartholdy | X:1
T:Fruhlingslied op.62-6
C:F. Mendelssohn
Z:Yamaha
%%score { ( 1 2 ) | 3 }
L:1/8
Q:1/4=65
M:2/4
I:linebreak $
K:A
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:3 bass
V:1
!p!"^Allegretto grazioso" (c2- c/!1!d/^d/e/ | .a)(!5!e dc) | (!5-1!B3 !3!d) | (!5!f3 !3!d) | %4
!5!B2- B/(!2!^A/!1!B/^B/ | .c)(e dc | !5!BA !2!... | 1 | What instruments are used? | Piano |
Spring_Song_from_Songs_Without_Words_Op.62__Felix_Mendelssohn-Bartholdy | X:1
T:Fruhlingslied op.62-6
C:F. Mendelssohn
Z:Yamaha
%%score { ( 1 2 ) | 3 }
L:1/8
Q:1/4=65
M:2/4
I:linebreak $
K:A
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:3 bass
V:1
!p!"^Allegretto grazioso" (c2- c/!1!d/^d/e/ | .a)(!5!e dc) | (!5-1!B3 !3!d) | (!5!f3 !3!d) | %4
!5!B2- B/(!2!^A/!1!B/^B/ | .c)(e dc | !5!BA !2!... | 1 | What is the initial expression term? | grazioso |
Spring_Song_from_Songs_Without_Words_Op.62__Felix_Mendelssohn-Bartholdy | X:1
T:Fruhlingslied op.62-6
C:F. Mendelssohn
Z:Yamaha
%%score { ( 1 2 ) | 3 }
L:1/8
Q:1/4=65
M:2/4
I:linebreak $
K:A
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:3 bass
V:1
!p!"^Allegretto grazioso" (c2- c/!1!d/^d/e/ | .a)(!5!e dc) | (!5-1!B3 !3!d) | (!5!f3 !3!d) | %4
!5!B2- B/(!2!^A/!1!B/^B/ | .c)(e dc | !5!BA !2!... | 2 | In bar 1, what is the dynamic marking? | p |
Spring_Song_from_Songs_Without_Words_Op.62__Felix_Mendelssohn-Bartholdy | X:1
T:Fruhlingslied op.62-6
C:F. Mendelssohn
Z:Yamaha
%%score { ( 1 2 ) | 3 }
L:1/8
Q:1/4=65
M:2/4
I:linebreak $
K:A
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:3 bass
V:1
!p!"^Allegretto grazioso" (c2- c/!1!d/^d/e/ | .a)(!5!e dc) | (!5-1!B3 !3!d) | (!5!f3 !3!d) | %4
!5!B2- B/(!2!^A/!1!B/^B/ | .c)(e dc | !5!BA !2!... | 2 | In bars 1–90, is there a repeat sign? | No |
Spring_Song_from_Songs_Without_Words_Op.62__Felix_Mendelssohn-Bartholdy | X:1
T:Fruhlingslied op.62-6
C:F. Mendelssohn
Z:Yamaha
%%score { ( 1 2 ) | 3 }
L:1/8
Q:1/4=65
M:2/4
I:linebreak $
K:A
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:3 bass
V:1
!p!"^Allegretto grazioso" (c2- c/!1!d/^d/e/ | .a)(!5!e dc) | (!5-1!B3 !3!d) | (!5!f3 !3!d) | %4
!5!B2- B/(!2!^A/!1!B/^B/ | .c)(e dc | !5!BA !2!... | 2 | In bar 19, what is the ornament on note G♯1? | B3, E4 |
Spring_Song_from_Songs_Without_Words_Op.62__Felix_Mendelssohn-Bartholdy | X:1
T:Fruhlingslied op.62-6
C:F. Mendelssohn
Z:Yamaha
%%score { ( 1 2 ) | 3 }
L:1/8
Q:1/4=65
M:2/4
I:linebreak $
K:A
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:3 bass
V:1
!p!"^Allegretto grazioso" (c2- c/!1!d/^d/e/ | .a)(!5!e dc) | (!5-1!B3 !3!d) | (!5!f3 !3!d) | %4
!5!B2- B/(!2!^A/!1!B/^B/ | .c)(e dc | !5!BA !2!... | 3 | In bars 89–90, is there a suspension? | No |
Spring_Song_from_Songs_Without_Words_Op.62__Felix_Mendelssohn-Bartholdy | X:1
T:Fruhlingslied op.62-6
C:F. Mendelssohn
Z:Yamaha
%%score { ( 1 2 ) | 3 }
L:1/8
Q:1/4=65
M:2/4
I:linebreak $
K:A
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:3 bass
V:1
!p!"^Allegretto grazioso" (c2- c/!1!d/^d/e/ | .a)(!5!e dc) | (!5-1!B3 !3!d) | (!5!f3 !3!d) | %4
!5!B2- B/(!2!^A/!1!B/^B/ | .c)(e dc | !5!BA !2!... | 3 | In bar 90, is there an A major chord? | Yes |
Spring_Song_from_Songs_Without_Words_Op.62__Felix_Mendelssohn-Bartholdy | X:1
T:Fruhlingslied op.62-6
C:F. Mendelssohn
Z:Yamaha
%%score { ( 1 2 ) | 3 }
L:1/8
Q:1/4=65
M:2/4
I:linebreak $
K:A
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:3 bass
V:1
!p!"^Allegretto grazioso" (c2- c/!1!d/^d/e/ | .a)(!5!e dc) | (!5-1!B3 !3!d) | (!5!f3 !3!d) | %4
!5!B2- B/(!2!^A/!1!B/^B/ | .c)(e dc | !5!BA !2!... | 3 | In bar 90, is there a first inversion A major chord? | No |
Spring_Song_from_Songs_Without_Words_Op.62__Felix_Mendelssohn-Bartholdy | X:1
T:Fruhlingslied op.62-6
C:F. Mendelssohn
Z:Yamaha
%%score { ( 1 2 ) | 3 }
L:1/8
Q:1/4=65
M:2/4
I:linebreak $
K:A
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:3 bass
V:1
!p!"^Allegretto grazioso" (c2- c/!1!d/^d/e/ | .a)(!5!e dc) | (!5-1!B3 !3!d) | (!5!f3 !3!d) | %4
!5!B2- B/(!2!^A/!1!B/^B/ | .c)(e dc | !5!BA !2!... | 4 | What are the main characteristics of the motif? | Arpeggio |
Spring_Song_from_Songs_Without_Words_Op.62__Felix_Mendelssohn-Bartholdy | X:1
T:Fruhlingslied op.62-6
C:F. Mendelssohn
Z:Yamaha
%%score { ( 1 2 ) | 3 }
L:1/8
Q:1/4=65
M:2/4
I:linebreak $
K:A
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:3 bass
V:1
!p!"^Allegretto grazioso" (c2- c/!1!d/^d/e/ | .a)(!5!e dc) | (!5-1!B3 !3!d) | (!5!f3 !3!d) | %4
!5!B2- B/(!2!^A/!1!B/^B/ | .c)(e dc | !5!BA !2!... | 4 | In which bar does the melodic motif appear? | 1, 2, 3, 4 |
Spring_Song_from_Songs_Without_Words_Op.62__Felix_Mendelssohn-Bartholdy | X:1
T:Fruhlingslied op.62-6
C:F. Mendelssohn
Z:Yamaha
%%score { ( 1 2 ) | 3 }
L:1/8
Q:1/4=65
M:2/4
I:linebreak $
K:A
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:3 bass
V:1
!p!"^Allegretto grazioso" (c2- c/!1!d/^d/e/ | .a)(!5!e dc) | (!5-1!B3 !3!d) | (!5!f3 !3!d) | %4
!5!B2- B/(!2!^A/!1!B/^B/ | .c)(e dc | !5!BA !2!... | 4 | What is the most frequently used texture in the piece? | Homophonic texture |
String_Quartet_in_C_major_Emperor_Op._76_No._3_-_Franz_Joseph_Haydn_1732-1809 | X:1
T:Emperor's Hymn
C:Haydn
%%score [ 1 2 ( 3 4 ) 5 ]
L:1/8
Q:1/4=71
M:2/2
I:linebreak $
K:G
V:1 treble nm="Violin I"
V:2 treble nm="Violin II"
V:3 alto nm="Viola"
V:4 alto
V:5 bass nm="Violoncello"
V:1
"^Poco adagio cantable" z4!p! (G3 A | B2 A2 c2 B2) | (AF G2) (e2 d2 | c2 B2) (!turn!G2 BG) | %4
d4 (G3 A | B2 A2 c... | 1 | Is there an anacrusis (upbeat bar)? | No |
String_Quartet_in_C_major_Emperor_Op._76_No._3_-_Franz_Joseph_Haydn_1732-1809 | X:1
T:Emperor's Hymn
C:Haydn
%%score [ 1 2 ( 3 4 ) 5 ]
L:1/8
Q:1/4=71
M:2/2
I:linebreak $
K:G
V:1 treble nm="Violin I"
V:2 treble nm="Violin II"
V:3 alto nm="Viola"
V:4 alto
V:5 bass nm="Violoncello"
V:1
"^Poco adagio cantable" z4!p! (G3 A | B2 A2 c2 B2) | (AF G2) (e2 d2 | c2 B2) (!turn!G2 BG) | %4
d4 (G3 A | B2 A2 c... | 1 | What is the title of the work? | Emperor’s Hymn |
String_Quartet_in_C_major_Emperor_Op._76_No._3_-_Franz_Joseph_Haydn_1732-1809 | X:1
T:Emperor's Hymn
C:Haydn
%%score [ 1 2 ( 3 4 ) 5 ]
L:1/8
Q:1/4=71
M:2/2
I:linebreak $
K:G
V:1 treble nm="Violin I"
V:2 treble nm="Violin II"
V:3 alto nm="Viola"
V:4 alto
V:5 bass nm="Violoncello"
V:1
"^Poco adagio cantable" z4!p! (G3 A | B2 A2 c2 B2) | (AF G2) (e2 d2 | c2 B2) (!turn!G2 BG) | %4
d4 (G3 A | B2 A2 c... | 1 | Who is the composer? | Haydn |
String_Quartet_in_C_major_Emperor_Op._76_No._3_-_Franz_Joseph_Haydn_1732-1809 | X:1
T:Emperor's Hymn
C:Haydn
%%score [ 1 2 ( 3 4 ) 5 ]
L:1/8
Q:1/4=71
M:2/2
I:linebreak $
K:G
V:1 treble nm="Violin I"
V:2 treble nm="Violin II"
V:3 alto nm="Viola"
V:4 alto
V:5 bass nm="Violoncello"
V:1
"^Poco adagio cantable" z4!p! (G3 A | B2 A2 c2 B2) | (AF G2) (e2 d2 | c2 B2) (!turn!G2 BG) | %4
d4 (G3 A | B2 A2 c... | 2 | In bar 4, is there an accidental? | Yes — C♯ |
String_Quartet_in_C_major_Emperor_Op._76_No._3_-_Franz_Joseph_Haydn_1732-1809 | X:1
T:Emperor's Hymn
C:Haydn
%%score [ 1 2 ( 3 4 ) 5 ]
L:1/8
Q:1/4=71
M:2/2
I:linebreak $
K:G
V:1 treble nm="Violin I"
V:2 treble nm="Violin II"
V:3 alto nm="Viola"
V:4 alto
V:5 bass nm="Violoncello"
V:1
"^Poco adagio cantable" z4!p! (G3 A | B2 A2 c2 B2) | (AF G2) (e2 d2 | c2 B2) (!turn!G2 BG) | %4
d4 (G3 A | B2 A2 c... | 2 | In bar 7, what is the longest rest value? | Minim rest |
String_Quartet_in_C_major_Emperor_Op._76_No._3_-_Franz_Joseph_Haydn_1732-1809 | X:1
T:Emperor's Hymn
C:Haydn
%%score [ 1 2 ( 3 4 ) 5 ]
L:1/8
Q:1/4=71
M:2/2
I:linebreak $
K:G
V:1 treble nm="Violin I"
V:2 treble nm="Violin II"
V:3 alto nm="Viola"
V:4 alto
V:5 bass nm="Violoncello"
V:1
"^Poco adagio cantable" z4!p! (G3 A | B2 A2 c2 B2) | (AF G2) (e2 d2 | c2 B2) (!turn!G2 BG) | %4
d4 (G3 A | B2 A2 c... | 2 | In bars 1–105, is there a repeat sign? | No |
String_Quartet_in_C_major_Emperor_Op._76_No._3_-_Franz_Joseph_Haydn_1732-1809 | X:1
T:Emperor's Hymn
C:Haydn
%%score [ 1 2 ( 3 4 ) 5 ]
L:1/8
Q:1/4=71
M:2/2
I:linebreak $
K:G
V:1 treble nm="Violin I"
V:2 treble nm="Violin II"
V:3 alto nm="Viola"
V:4 alto
V:5 bass nm="Violoncello"
V:1
"^Poco adagio cantable" z4!p! (G3 A | B2 A2 c2 B2) | (AF G2) (e2 d2 | c2 B2) (!turn!G2 BG) | %4
d4 (G3 A | B2 A2 c... | 3 | In bar 1, what are the repeated notes of the G major chord? | Root note |
String_Quartet_in_C_major_Emperor_Op._76_No._3_-_Franz_Joseph_Haydn_1732-1809 | X:1
T:Emperor's Hymn
C:Haydn
%%score [ 1 2 ( 3 4 ) 5 ]
L:1/8
Q:1/4=71
M:2/2
I:linebreak $
K:G
V:1 treble nm="Violin I"
V:2 treble nm="Violin II"
V:3 alto nm="Viola"
V:4 alto
V:5 bass nm="Violoncello"
V:1
"^Poco adagio cantable" z4!p! (G3 A | B2 A2 c2 B2) | (AF G2) (e2 d2 | c2 B2) (!turn!G2 BG) | %4
d4 (G3 A | B2 A2 c... | 3 | In bar 2, what is the chord progression? (Use I, II, III, IV, V, VI, VII) | V56–I |
String_Quartet_in_C_major_Emperor_Op._76_No._3_-_Franz_Joseph_Haydn_1732-1809 | X:1
T:Emperor's Hymn
C:Haydn
%%score [ 1 2 ( 3 4 ) 5 ]
L:1/8
Q:1/4=71
M:2/2
I:linebreak $
K:G
V:1 treble nm="Violin I"
V:2 treble nm="Violin II"
V:3 alto nm="Viola"
V:4 alto
V:5 bass nm="Violoncello"
V:1
"^Poco adagio cantable" z4!p! (G3 A | B2 A2 c2 B2) | (AF G2) (e2 d2 | c2 B2) (!turn!G2 BG) | %4
d4 (G3 A | B2 A2 c... | 3 | In bars 100–105, is there a perfect cadence? | Yes |
String_Quartet_in_C_major_Emperor_Op._76_No._3_-_Franz_Joseph_Haydn_1732-1809 | X:1
T:Emperor's Hymn
C:Haydn
%%score [ 1 2 ( 3 4 ) 5 ]
L:1/8
Q:1/4=71
M:2/2
I:linebreak $
K:G
V:1 treble nm="Violin I"
V:2 treble nm="Violin II"
V:3 alto nm="Viola"
V:4 alto
V:5 bass nm="Violoncello"
V:1
"^Poco adagio cantable" z4!p! (G3 A | B2 A2 c2 B2) | (AF G2) (e2 d2 | c2 B2) (!turn!G2 BG) | %4
d4 (G3 A | B2 A2 c... | 4 | What is the performance medium of the piece? | String quartet |
String_Quartet_in_C_major_Emperor_Op._76_No._3_-_Franz_Joseph_Haydn_1732-1809 | X:1
T:Emperor's Hymn
C:Haydn
%%score [ 1 2 ( 3 4 ) 5 ]
L:1/8
Q:1/4=71
M:2/2
I:linebreak $
K:G
V:1 treble nm="Violin I"
V:2 treble nm="Violin II"
V:3 alto nm="Viola"
V:4 alto
V:5 bass nm="Violoncello"
V:1
"^Poco adagio cantable" z4!p! (G3 A | B2 A2 c2 B2) | (AF G2) (e2 d2 | c2 B2) (!turn!G2 BG) | %4
d4 (G3 A | B2 A2 c... | 4 | In bars 1–4, in which register is the melody? | lower-middle register |
String_Quartet_in_C_major_Emperor_Op._76_No._3_-_Franz_Joseph_Haydn_1732-1809 | X:1
T:Emperor's Hymn
C:Haydn
%%score [ 1 2 ( 3 4 ) 5 ]
L:1/8
Q:1/4=71
M:2/2
I:linebreak $
K:G
V:1 treble nm="Violin I"
V:2 treble nm="Violin II"
V:3 alto nm="Viola"
V:4 alto
V:5 bass nm="Violoncello"
V:1
"^Poco adagio cantable" z4!p! (G3 A | B2 A2 c2 B2) | (AF G2) (e2 d2 | c2 B2) (!turn!G2 BG) | %4
d4 (G3 A | B2 A2 c... | 4 | In which instrument does the principal theme first appear? | Violin |
Symphonie_fantastique_H_48__Hector_Berlioz_Symphonie_Fantastique_Movement_I_Rveries_H_48__Hector_Berlioz_Symphonie_Fantastique | X:1
T:Simphonie Fantastique
C:Hector Berlioz
%%score [ | [ 1 | 2 ] | [ 3 | 4 ] | 5 | [ 6 | 7 ] | 8 | [ 9 | 10 ] | 11 ] [ [ 12 | 13 | 14 | 15 ] | [ | | ] | [ | ] | | ] [ | | | | ] { 16 | 17 } [ [ 18 | 19 ] | 20 | 21 | 22 ]
L:1/8
Q:1/4=56
M:4/4
I:linebreak $
K:Eb
V:1 treble nm="Flute 1" snm="Fl. 1"
V:2 treble nm="Flute 2... | 1 | What is the title of the piece? | Symphonie Fantastique, Movement I: Daydreams |
Symphonie_fantastique_H_48__Hector_Berlioz_Symphonie_Fantastique_Movement_I_Rveries_H_48__Hector_Berlioz_Symphonie_Fantastique | X:1
T:Simphonie Fantastique
C:Hector Berlioz
%%score [ | [ 1 | 2 ] | [ 3 | 4 ] | 5 | [ 6 | 7 ] | 8 | [ 9 | 10 ] | 11 ] [ [ 12 | 13 | 14 | 15 ] | [ | | ] | [ | ] | | ] [ | | | | ] { 16 | 17 } [ [ 18 | 19 ] | 20 | 21 | 22 ]
L:1/8
Q:1/4=56
M:4/4
I:linebreak $
K:Eb
V:1 treble nm="Flute 1" snm="Fl. 1"
V:2 treble nm="Flute 2... | 1 | What is the initial time signature? | 4/4 time |
Symphonie_fantastique_H_48__Hector_Berlioz_Symphonie_Fantastique_Movement_I_Rveries_H_48__Hector_Berlioz_Symphonie_Fantastique | X:1
T:Simphonie Fantastique
C:Hector Berlioz
%%score [ | [ 1 | 2 ] | [ 3 | 4 ] | 5 | [ 6 | 7 ] | 8 | [ 9 | 10 ] | 11 ] [ [ 12 | 13 | 14 | 15 ] | [ | | ] | [ | ] | | ] [ | | | | ] { 16 | 17 } [ [ 18 | 19 ] | 20 | 21 | 22 ]
L:1/8
Q:1/4=56
M:4/4
I:linebreak $
K:Eb
V:1 treble nm="Flute 1" snm="Fl. 1"
V:2 treble nm="Flute 2... | 1 | Who is the composer? | Berlioz |
Symphonie_fantastique_H_48__Hector_Berlioz_Symphonie_Fantastique_Movement_I_Rveries_H_48__Hector_Berlioz_Symphonie_Fantastique | X:1
T:Simphonie Fantastique
C:Hector Berlioz
%%score [ | [ 1 | 2 ] | [ 3 | 4 ] | 5 | [ 6 | 7 ] | 8 | [ 9 | 10 ] | 11 ] [ [ 12 | 13 | 14 | 15 ] | [ | | ] | [ | ] | | ] [ | | | | ] { 16 | 17 } [ [ 18 | 19 ] | 20 | 21 | 22 ]
L:1/8
Q:1/4=56
M:4/4
I:linebreak $
K:Eb
V:1 treble nm="Flute 1" snm="Fl. 1"
V:2 treble nm="Flute 2... | 2 | In bar 18, what is the ornament on the naturalised note E? | Appoggiatura |
Symphonie_fantastique_H_48__Hector_Berlioz_Symphonie_Fantastique_Movement_I_Rveries_H_48__Hector_Berlioz_Symphonie_Fantastique | X:1
T:Simphonie Fantastique
C:Hector Berlioz
%%score [ | [ 1 | 2 ] | [ 3 | 4 ] | 5 | [ 6 | 7 ] | 8 | [ 9 | 10 ] | 11 ] [ [ 12 | 13 | 14 | 15 ] | [ | | ] | [ | ] | | ] [ | | | | ] { 16 | 17 } [ [ 18 | 19 ] | 20 | 21 | 22 ]
L:1/8
Q:1/4=56
M:4/4
I:linebreak $
K:Eb
V:1 treble nm="Flute 1" snm="Fl. 1"
V:2 treble nm="Flute 2... | 2 | In bar 18, which voice/part is playing? | String section |
Symphonie_fantastique_H_48__Hector_Berlioz_Symphonie_Fantastique_Movement_I_Rveries_H_48__Hector_Berlioz_Symphonie_Fantastique | X:1
T:Simphonie Fantastique
C:Hector Berlioz
%%score [ | [ 1 | 2 ] | [ 3 | 4 ] | 5 | [ 6 | 7 ] | 8 | [ 9 | 10 ] | 11 ] [ [ 12 | 13 | 14 | 15 ] | [ | | ] | [ | ] | | ] [ | | | | ] { 16 | 17 } [ [ 18 | 19 ] | 20 | 21 | 22 ]
L:1/8
Q:1/4=56
M:4/4
I:linebreak $
K:Eb
V:1 treble nm="Flute 1" snm="Fl. 1"
V:2 treble nm="Flute 2... | 2 | In bar 18, is there a repeat sign? | None |
Symphonie_fantastique_H_48__Hector_Berlioz_Symphonie_Fantastique_Movement_I_Rveries_H_48__Hector_Berlioz_Symphonie_Fantastique | X:1
T:Simphonie Fantastique
C:Hector Berlioz
%%score [ | [ 1 | 2 ] | [ 3 | 4 ] | 5 | [ 6 | 7 ] | 8 | [ 9 | 10 ] | 11 ] [ [ 12 | 13 | 14 | 15 ] | [ | | ] | [ | ] | | ] [ | | | | ] { 16 | 17 } [ [ 18 | 19 ] | 20 | 21 | 22 ]
L:1/8
Q:1/4=56
M:4/4
I:linebreak $
K:Eb
V:1 treble nm="Flute 1" snm="Fl. 1"
V:2 treble nm="Flute 2... | 3 | In bar 18, what is the chord progression? (use I, II, III, IV, V, VI, VII) | I |
Symphonie_fantastique_H_48__Hector_Berlioz_Symphonie_Fantastique_Movement_I_Rveries_H_48__Hector_Berlioz_Symphonie_Fantastique | X:1
T:Simphonie Fantastique
C:Hector Berlioz
%%score [ | [ 1 | 2 ] | [ 3 | 4 ] | 5 | [ 6 | 7 ] | 8 | [ 9 | 10 ] | 11 ] [ [ 12 | 13 | 14 | 15 ] | [ | | ] | [ | ] | | ] [ | | | | ] { 16 | 17 } [ [ 18 | 19 ] | 20 | 21 | 22 ]
L:1/8
Q:1/4=56
M:4/4
I:linebreak $
K:Eb
V:1 treble nm="Flute 1" snm="Fl. 1"
V:2 treble nm="Flute 2... | 3 | In bar 18, is there a perfect cadence? | No |
Symphonie_fantastique_H_48__Hector_Berlioz_Symphonie_Fantastique_Movement_I_Rveries_H_48__Hector_Berlioz_Symphonie_Fantastique | X:1
T:Simphonie Fantastique
C:Hector Berlioz
%%score [ | [ 1 | 2 ] | [ 3 | 4 ] | 5 | [ 6 | 7 ] | 8 | [ 9 | 10 ] | 11 ] [ [ 12 | 13 | 14 | 15 ] | [ | | ] | [ | ] | | ] [ | | | | ] { 16 | 17 } [ [ 18 | 19 ] | 20 | 21 | 22 ]
L:1/8
Q:1/4=56
M:4/4
I:linebreak $
K:Eb
V:1 treble nm="Flute 1" snm="Fl. 1"
V:2 treble nm="Flute 2... | 3 | In bar 23, what is the spacing/arrangement of the chord I? | Close spacing |
Symphonie_fantastique_H_48__Hector_Berlioz_Symphonie_Fantastique_Movement_I_Rveries_H_48__Hector_Berlioz_Symphonie_Fantastique | X:1
T:Simphonie Fantastique
C:Hector Berlioz
%%score [ | [ 1 | 2 ] | [ 3 | 4 ] | 5 | [ 6 | 7 ] | 8 | [ 9 | 10 ] | 11 ] [ [ 12 | 13 | 14 | 15 ] | [ | | ] | [ | ] | | ] [ | | | | ] { 16 | 17 } [ [ 18 | 19 ] | 20 | 21 | 22 ]
L:1/8
Q:1/4=56
M:4/4
I:linebreak $
K:Eb
V:1 treble nm="Flute 1" snm="Fl. 1"
V:2 treble nm="Flute 2... | 4 | In what form is the piece performed? | Orchestra |
Symphonie_fantastique_H_48__Hector_Berlioz_Symphonie_Fantastique_Movement_I_Rveries_H_48__Hector_Berlioz_Symphonie_Fantastique | X:1
T:Simphonie Fantastique
C:Hector Berlioz
%%score [ | [ 1 | 2 ] | [ 3 | 4 ] | 5 | [ 6 | 7 ] | 8 | [ 9 | 10 ] | 11 ] [ [ 12 | 13 | 14 | 15 ] | [ | | ] | [ | ] | | ] [ | | | | ] { 16 | 17 } [ [ 18 | 19 ] | 20 | 21 | 22 ]
L:1/8
Q:1/4=56
M:4/4
I:linebreak $
K:Eb
V:1 treble nm="Flute 1" snm="Fl. 1"
V:2 treble nm="Flute 2... | 4 | What is the orchestration/ensemble of this work? | Double wind scoring |
Symphonie_fantastique_H_48__Hector_Berlioz_Symphonie_Fantastique_Movement_I_Rveries_H_48__Hector_Berlioz_Symphonie_Fantastique | X:1
T:Simphonie Fantastique
C:Hector Berlioz
%%score [ | [ 1 | 2 ] | [ 3 | 4 ] | 5 | [ 6 | 7 ] | 8 | [ 9 | 10 ] | 11 ] [ [ 12 | 13 | 14 | 15 ] | [ | | ] | [ | ] | | ] [ | | | | ] { 16 | 17 } [ [ 18 | 19 ] | 20 | 21 | 22 ]
L:1/8
Q:1/4=56
M:4/4
I:linebreak $
K:Eb
V:1 treble nm="Flute 1" snm="Fl. 1"
V:2 treble nm="Flute 2... | 4 | In which part does the principal theme first appear? | String section |
Syrinx_-_Claude_Debussy | X:1
T:Title
%%score ( 1 2 )
L:1/8
Q:1/4=35
M:3/4
I:linebreak $
K:Db
V:1 treble
V:2 treble
V:1
!mf!"^Très modéré" (!tenuto!b3/2=a/4=b/4) (!tenuto!_a3/2=g/4=a/4) (_g/f/=e/d/) | %1
(b3/2!>(!c'/4_c'/4)!>)! !breath!!fermata!b4 | %2
(!tenuto!b3/2=a/4=b/4) (!tenuto!_a3/2=g/4=a/4) (_g/f/=e/d/) | %3
!<(! (!tenuto!B3/2^F/4!<... | 1 | What is the initial key? | B♭ major |
Syrinx_-_Claude_Debussy | X:1
T:Title
%%score ( 1 2 )
L:1/8
Q:1/4=35
M:3/4
I:linebreak $
K:Db
V:1 treble
V:2 treble
V:1
!mf!"^Très modéré" (!tenuto!b3/2=a/4=b/4) (!tenuto!_a3/2=g/4=a/4) (_g/f/=e/d/) | %1
(b3/2!>(!c'/4_c'/4)!>)! !breath!!fermata!b4 | %2
(!tenuto!b3/2=a/4=b/4) (!tenuto!_a3/2=g/4=a/4) (_g/f/=e/d/) | %3
!<(! (!tenuto!B3/2^F/4!<... | 1 | Who is the composer? | Debussy |
Syrinx_-_Claude_Debussy | X:1
T:Title
%%score ( 1 2 )
L:1/8
Q:1/4=35
M:3/4
I:linebreak $
K:Db
V:1 treble
V:2 treble
V:1
!mf!"^Très modéré" (!tenuto!b3/2=a/4=b/4) (!tenuto!_a3/2=g/4=a/4) (_g/f/=e/d/) | %1
(b3/2!>(!c'/4_c'/4)!>)! !breath!!fermata!b4 | %2
(!tenuto!b3/2=a/4=b/4) (!tenuto!_a3/2=g/4=a/4) (_g/f/=e/d/) | %3
!<(! (!tenuto!B3/2^F/4!<... | 1 | Which instruments are used? | Flute |
Syrinx_-_Claude_Debussy | X:1
T:Title
%%score ( 1 2 )
L:1/8
Q:1/4=35
M:3/4
I:linebreak $
K:Db
V:1 treble
V:2 treble
V:1
!mf!"^Très modéré" (!tenuto!b3/2=a/4=b/4) (!tenuto!_a3/2=g/4=a/4) (_g/f/=e/d/) | %1
(b3/2!>(!c'/4_c'/4)!>)! !breath!!fermata!b4 | %2
(!tenuto!b3/2=a/4=b/4) (!tenuto!_a3/2=g/4=a/4) (_g/f/=e/d/) | %3
!<(! (!tenuto!B3/2^F/4!<... | 2 | In bar 11, what is the ornament on the note f1? | G♭ |
Syrinx_-_Claude_Debussy | X:1
T:Title
%%score ( 1 2 )
L:1/8
Q:1/4=35
M:3/4
I:linebreak $
K:Db
V:1 treble
V:2 treble
V:1
!mf!"^Très modéré" (!tenuto!b3/2=a/4=b/4) (!tenuto!_a3/2=g/4=a/4) (_g/f/=e/d/) | %1
(b3/2!>(!c'/4_c'/4)!>)! !breath!!fermata!b4 | %2
(!tenuto!b3/2=a/4=b/4) (!tenuto!_a3/2=g/4=a/4) (_g/f/=e/d/) | %3
!<(! (!tenuto!B3/2^F/4!<... | 2 | In bar 11, is there an accidental? | No |
Syrinx_-_Claude_Debussy | X:1
T:Title
%%score ( 1 2 )
L:1/8
Q:1/4=35
M:3/4
I:linebreak $
K:Db
V:1 treble
V:2 treble
V:1
!mf!"^Très modéré" (!tenuto!b3/2=a/4=b/4) (!tenuto!_a3/2=g/4=a/4) (_g/f/=e/d/) | %1
(b3/2!>(!c'/4_c'/4)!>)! !breath!!fermata!b4 | %2
(!tenuto!b3/2=a/4=b/4) (!tenuto!_a3/2=g/4=a/4) (_g/f/=e/d/) | %3
!<(! (!tenuto!B3/2^F/4!<... | 2 | In bar 31, what is the longest note value? | Crotchet |
Syrinx_-_Claude_Debussy | X:1
T:Title
%%score ( 1 2 )
L:1/8
Q:1/4=35
M:3/4
I:linebreak $
K:Db
V:1 treble
V:2 treble
V:1
!mf!"^Très modéré" (!tenuto!b3/2=a/4=b/4) (!tenuto!_a3/2=g/4=a/4) (_g/f/=e/d/) | %1
(b3/2!>(!c'/4_c'/4)!>)! !breath!!fermata!b4 | %2
(!tenuto!b3/2=a/4=b/4) (!tenuto!_a3/2=g/4=a/4) (_g/f/=e/d/) | %3
!<(! (!tenuto!B3/2^F/4!<... | 3 | In bar 31, is there a third-inversion chord of B-flat major? | None |
Syrinx_-_Claude_Debussy | X:1
T:Title
%%score ( 1 2 )
L:1/8
Q:1/4=35
M:3/4
I:linebreak $
K:Db
V:1 treble
V:2 treble
V:1
!mf!"^Très modéré" (!tenuto!b3/2=a/4=b/4) (!tenuto!_a3/2=g/4=a/4) (_g/f/=e/d/) | %1
(b3/2!>(!c'/4_c'/4)!>)! !breath!!fermata!b4 | %2
(!tenuto!b3/2=a/4=b/4) (!tenuto!_a3/2=g/4=a/4) (_g/f/=e/d/) | %3
!<(! (!tenuto!B3/2^F/4!<... | 3 | In bar 31, is there a minor chord of G-flat minor? | Yes |
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