song_id stringclasses 150
values | abc_notation stringclasses 150
values | level int32 1 4 | question stringlengths 20 85 | answer stringlengths 1 82 |
|---|---|---|---|---|
Joseph_Haydn_-_String_quartet_-_Op._76_no.5_in_D_major_-_Movement_I | X:1
T:1121
T:None
%%score 1 2 3 4
L:1/8
M:6/8
I:linebreak $
K:D
V:1 treble
V:2 treble
V:3 treble
V:4 bass
V:1
A | d>cd ecA | def g2 f | e>fe bge | d/c/e/c/d/B/ ABc | d>cd ecA | def g2 f | e>fe bc'd' | %8
d>ec d z A | d>cd ed/c/B/A/ | def g2 f | e3/2g/4f/4 e/^a/ c'/b/=a/g/f/e/ | d/c/e/c/d/B/ ABc | %13
d>cd ed/c/B... | 3 | In bar 1, what scale degree is the first chord? (Use I, II, III, IV, V, VI, VII) | I |
Joseph_Haydn_-_String_quartet_-_Op._76_no.5_in_D_major_-_Movement_I | X:1
T:1121
T:None
%%score 1 2 3 4
L:1/8
M:6/8
I:linebreak $
K:D
V:1 treble
V:2 treble
V:3 treble
V:4 bass
V:1
A | d>cd ecA | def g2 f | e>fe bge | d/c/e/c/d/B/ ABc | d>cd ecA | def g2 f | e>fe bc'd' | %8
d>ec d z A | d>cd ed/c/B/A/ | def g2 f | e3/2g/4f/4 e/^a/ c'/b/=a/g/f/e/ | d/c/e/c/d/B/ ABc | %13
d>cd ed/c/B... | 4 | What is the performance medium of the piece? | String quartet |
Joseph_Haydn_-_String_quartet_-_Op._76_no.5_in_D_major_-_Movement_I | X:1
T:1121
T:None
%%score 1 2 3 4
L:1/8
M:6/8
I:linebreak $
K:D
V:1 treble
V:2 treble
V:3 treble
V:4 bass
V:1
A | d>cd ecA | def g2 f | e>fe bge | d/c/e/c/d/B/ ABc | d>cd ecA | def g2 f | e>fe bc'd' | %8
d>ec d z A | d>cd ed/c/B/A/ | def g2 f | e3/2g/4f/4 e/^a/ c'/b/=a/g/f/e/ | d/c/e/c/d/B/ ABc | %13
d>cd ed/c/B... | 4 | What is the main rhythm of the motif? | Even rhythm |
Joseph_Haydn_-_String_quartet_-_Op._76_no.5_in_D_major_-_Movement_I | X:1
T:1121
T:None
%%score 1 2 3 4
L:1/8
M:6/8
I:linebreak $
K:D
V:1 treble
V:2 treble
V:3 treble
V:4 bass
V:1
A | d>cd ecA | def g2 f | e>fe bge | d/c/e/c/d/B/ ABc | d>cd ecA | def g2 f | e>fe bc'd' | %8
d>ec d z A | d>cd ed/c/B/A/ | def g2 f | e3/2g/4f/4 e/^a/ c'/b/=a/g/f/e/ | d/c/e/c/d/B/ ABc | %13
d>cd ed/c/B... | 4 | In bars 1–2, in which register is the melody? | Upper-middle register |
Le_Gibet_-_No.2_from_Gaspard_de_la_Nuit_-_Maurice_Ravel | X:1
T:GASPARD DE LA NUIT
C:Maurice Ravel (1875-1937)
%%score { ( 1 4 7 ) | ( 2 5 8 ) | ( 3 6 ) }
L:1/8
Q:1/4=50
M:4/4
I:linebreak $
K:Gb
V:1 treble nm="Grand Piano" snm="Pno."
V:4 treble
V:7 treble
V:2 bass
V:5 bass
V:8 bass
V:3 bass
V:6 bass
V:1
"^Trés lent""^Sans presser ni relentir jusqu'a la fin" z2 z!pp! (!... | 1 | Who is the composer? | Ravel |
Le_Gibet_-_No.2_from_Gaspard_de_la_Nuit_-_Maurice_Ravel | X:1
T:GASPARD DE LA NUIT
C:Maurice Ravel (1875-1937)
%%score { ( 1 4 7 ) | ( 2 5 8 ) | ( 3 6 ) }
L:1/8
Q:1/4=50
M:4/4
I:linebreak $
K:Gb
V:1 treble nm="Grand Piano" snm="Pno."
V:4 treble
V:7 treble
V:2 bass
V:5 bass
V:8 bass
V:3 bass
V:6 bass
V:1
"^Trés lent""^Sans presser ni relentir jusqu'a la fin" z2 z!pp! (!... | 1 | Is there an anacrusis? | No |
Le_Gibet_-_No.2_from_Gaspard_de_la_Nuit_-_Maurice_Ravel | X:1
T:GASPARD DE LA NUIT
C:Maurice Ravel (1875-1937)
%%score { ( 1 4 7 ) | ( 2 5 8 ) | ( 3 6 ) }
L:1/8
Q:1/4=50
M:4/4
I:linebreak $
K:Gb
V:1 treble nm="Grand Piano" snm="Pno."
V:4 treble
V:7 treble
V:2 bass
V:5 bass
V:8 bass
V:3 bass
V:6 bass
V:1
"^Trés lent""^Sans presser ni relentir jusqu'a la fin" z2 z!pp! (!... | 1 | What is the initial clef? | Treble clef, bass clef |
Le_Gibet_-_No.2_from_Gaspard_de_la_Nuit_-_Maurice_Ravel | X:1
T:GASPARD DE LA NUIT
C:Maurice Ravel (1875-1937)
%%score { ( 1 4 7 ) | ( 2 5 8 ) | ( 3 6 ) }
L:1/8
Q:1/4=50
M:4/4
I:linebreak $
K:Gb
V:1 treble nm="Grand Piano" snm="Pno."
V:4 treble
V:7 treble
V:2 bass
V:5 bass
V:8 bass
V:3 bass
V:6 bass
V:1
"^Trés lent""^Sans presser ni relentir jusqu'a la fin" z2 z!pp! (!... | 2 | Between bars 1–52, are there repeat signs? | No |
Le_Gibet_-_No.2_from_Gaspard_de_la_Nuit_-_Maurice_Ravel | X:1
T:GASPARD DE LA NUIT
C:Maurice Ravel (1875-1937)
%%score { ( 1 4 7 ) | ( 2 5 8 ) | ( 3 6 ) }
L:1/8
Q:1/4=50
M:4/4
I:linebreak $
K:Gb
V:1 treble nm="Grand Piano" snm="Pno."
V:4 treble
V:7 treble
V:2 bass
V:5 bass
V:8 bass
V:3 bass
V:6 bass
V:1
"^Trés lent""^Sans presser ni relentir jusqu'a la fin" z2 z!pp! (!... | 2 | Between bars 23–34, what is the new key signature? | C major |
Le_Gibet_-_No.2_from_Gaspard_de_la_Nuit_-_Maurice_Ravel | X:1
T:GASPARD DE LA NUIT
C:Maurice Ravel (1875-1937)
%%score { ( 1 4 7 ) | ( 2 5 8 ) | ( 3 6 ) }
L:1/8
Q:1/4=50
M:4/4
I:linebreak $
K:Gb
V:1 treble nm="Grand Piano" snm="Pno."
V:4 treble
V:7 treble
V:2 bass
V:5 bass
V:8 bass
V:3 bass
V:6 bass
V:1
"^Trés lent""^Sans presser ni relentir jusqu'a la fin" z2 z!pp! (!... | 2 | In bar 1, what is the highest pitch? | Bb4 |
Le_Gibet_-_No.2_from_Gaspard_de_la_Nuit_-_Maurice_Ravel | X:1
T:GASPARD DE LA NUIT
C:Maurice Ravel (1875-1937)
%%score { ( 1 4 7 ) | ( 2 5 8 ) | ( 3 6 ) }
L:1/8
Q:1/4=50
M:4/4
I:linebreak $
K:Gb
V:1 treble nm="Grand Piano" snm="Pno."
V:4 treble
V:7 treble
V:2 bass
V:5 bass
V:8 bass
V:3 bass
V:6 bass
V:1
"^Trés lent""^Sans presser ni relentir jusqu'a la fin" z2 z!pp! (!... | 3 | In bar 3, what are the repeated notes in the Cbsus4 chord? | Fourth |
Le_Gibet_-_No.2_from_Gaspard_de_la_Nuit_-_Maurice_Ravel | X:1
T:GASPARD DE LA NUIT
C:Maurice Ravel (1875-1937)
%%score { ( 1 4 7 ) | ( 2 5 8 ) | ( 3 6 ) }
L:1/8
Q:1/4=50
M:4/4
I:linebreak $
K:Gb
V:1 treble nm="Grand Piano" snm="Pno."
V:4 treble
V:7 treble
V:2 bass
V:5 bass
V:8 bass
V:3 bass
V:6 bass
V:1
"^Trés lent""^Sans presser ni relentir jusqu'a la fin" z2 z!pp! (!... | 3 | Between bars 49–50, is there a suspension? | No |
Le_Gibet_-_No.2_from_Gaspard_de_la_Nuit_-_Maurice_Ravel | X:1
T:GASPARD DE LA NUIT
C:Maurice Ravel (1875-1937)
%%score { ( 1 4 7 ) | ( 2 5 8 ) | ( 3 6 ) }
L:1/8
Q:1/4=50
M:4/4
I:linebreak $
K:Gb
V:1 treble nm="Grand Piano" snm="Pno."
V:4 treble
V:7 treble
V:2 bass
V:5 bass
V:8 bass
V:3 bass
V:6 bass
V:1
"^Trés lent""^Sans presser ni relentir jusqu'a la fin" z2 z!pp! (!... | 3 | Between bars 49–50, is there a perfect cadence? | No |
Le_Gibet_-_No.2_from_Gaspard_de_la_Nuit_-_Maurice_Ravel | X:1
T:GASPARD DE LA NUIT
C:Maurice Ravel (1875-1937)
%%score { ( 1 4 7 ) | ( 2 5 8 ) | ( 3 6 ) }
L:1/8
Q:1/4=50
M:4/4
I:linebreak $
K:Gb
V:1 treble nm="Grand Piano" snm="Pno."
V:4 treble
V:7 treble
V:2 bass
V:5 bass
V:8 bass
V:3 bass
V:6 bass
V:1
"^Trés lent""^Sans presser ni relentir jusqu'a la fin" z2 z!pp! (!... | 4 | What is the performance medium of the piece? | Piano solo |
Le_Gibet_-_No.2_from_Gaspard_de_la_Nuit_-_Maurice_Ravel | X:1
T:GASPARD DE LA NUIT
C:Maurice Ravel (1875-1937)
%%score { ( 1 4 7 ) | ( 2 5 8 ) | ( 3 6 ) }
L:1/8
Q:1/4=50
M:4/4
I:linebreak $
K:Gb
V:1 treble nm="Grand Piano" snm="Pno."
V:4 treble
V:7 treble
V:2 bass
V:5 bass
V:8 bass
V:3 bass
V:6 bass
V:1
"^Trés lent""^Sans presser ni relentir jusqu'a la fin" z2 z!pp! (!... | 4 | What is the rhythm of the motif? | Syncopated rhythm |
Le_Gibet_-_No.2_from_Gaspard_de_la_Nuit_-_Maurice_Ravel | X:1
T:GASPARD DE LA NUIT
C:Maurice Ravel (1875-1937)
%%score { ( 1 4 7 ) | ( 2 5 8 ) | ( 3 6 ) }
L:1/8
Q:1/4=50
M:4/4
I:linebreak $
K:Gb
V:1 treble nm="Grand Piano" snm="Pno."
V:4 treble
V:7 treble
V:2 bass
V:5 bass
V:8 bass
V:3 bass
V:6 bass
V:1
"^Trés lent""^Sans presser ni relentir jusqu'a la fin" z2 z!pp! (!... | 4 | What are the main structural features of the motif? | Repetition of the same pitch |
Liebestraum_S._541_No._3_in_A_Major__Liszt | X:1
T:Liebestraum No. 3 in A♭ Major
C:Franz Liszt(1811 - 1886)
%%score { ( 1 4 6 7 ) | ( 2 3 5 ) }
L:1/8
Q:1/4=152
M:6/4
I:linebreak $
K:Ab
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:6 treble
V:7 treble
V:2 bass
V:3 bass
V:5 bass
V:1
"^Poco allegro, con affetto"!p!"_dolce cantando" z2 | z (EAcAE) z (EAcAE) | z... | 1 | What is the initial clef? | Treble clef, Bass clef |
Liebestraum_S._541_No._3_in_A_Major__Liszt | X:1
T:Liebestraum No. 3 in A♭ Major
C:Franz Liszt(1811 - 1886)
%%score { ( 1 4 6 7 ) | ( 2 3 5 ) }
L:1/8
Q:1/4=152
M:6/4
I:linebreak $
K:Ab
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:6 treble
V:7 treble
V:2 bass
V:3 bass
V:5 bass
V:1
"^Poco allegro, con affetto"!p!"_dolce cantando" z2 | z (EAcAE) z (EAcAE) | z... | 1 | What is the initial tempo marking? | Allegro, Poco allegro |
Liebestraum_S._541_No._3_in_A_Major__Liszt | X:1
T:Liebestraum No. 3 in A♭ Major
C:Franz Liszt(1811 - 1886)
%%score { ( 1 4 6 7 ) | ( 2 3 5 ) }
L:1/8
Q:1/4=152
M:6/4
I:linebreak $
K:Ab
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:6 treble
V:7 treble
V:2 bass
V:3 bass
V:5 bass
V:1
"^Poco allegro, con affetto"!p!"_dolce cantando" z2 | z (EAcAE) z (EAcAE) | z... | 1 | What is the initial expression term? | con affetto (with affection) |
Liebestraum_S._541_No._3_in_A_Major__Liszt | X:1
T:Liebestraum No. 3 in A♭ Major
C:Franz Liszt(1811 - 1886)
%%score { ( 1 4 6 7 ) | ( 2 3 5 ) }
L:1/8
Q:1/4=152
M:6/4
I:linebreak $
K:Ab
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:6 treble
V:7 treble
V:2 bass
V:3 bass
V:5 bass
V:1
"^Poco allegro, con affetto"!p!"_dolce cantando" z2 | z (EAcAE) z (EAcAE) | z... | 2 | In bar 1, what is the lowest pitch? | A |
Liebestraum_S._541_No._3_in_A_Major__Liszt | X:1
T:Liebestraum No. 3 in A♭ Major
C:Franz Liszt(1811 - 1886)
%%score { ( 1 4 6 7 ) | ( 2 3 5 ) }
L:1/8
Q:1/4=152
M:6/4
I:linebreak $
K:Ab
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:6 treble
V:7 treble
V:2 bass
V:3 bass
V:5 bass
V:1
"^Poco allegro, con affetto"!p!"_dolce cantando" z2 | z (EAcAE) z (EAcAE) | z... | 2 | In bar 61, what does the clef change to? | Treble clef |
Liebestraum_S._541_No._3_in_A_Major__Liszt | X:1
T:Liebestraum No. 3 in A♭ Major
C:Franz Liszt(1811 - 1886)
%%score { ( 1 4 6 7 ) | ( 2 3 5 ) }
L:1/8
Q:1/4=152
M:6/4
I:linebreak $
K:Ab
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:6 treble
V:7 treble
V:2 bass
V:3 bass
V:5 bass
V:1
"^Poco allegro, con affetto"!p!"_dolce cantando" z2 | z (EAcAE) z (EAcAE) | z... | 2 | In bar 1, what is the articulation marking? | Slur |
Liebestraum_S._541_No._3_in_A_Major__Liszt | X:1
T:Liebestraum No. 3 in A♭ Major
C:Franz Liszt(1811 - 1886)
%%score { ( 1 4 6 7 ) | ( 2 3 5 ) }
L:1/8
Q:1/4=152
M:6/4
I:linebreak $
K:Ab
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:6 treble
V:7 treble
V:2 bass
V:3 bass
V:5 bass
V:1
"^Poco allegro, con affetto"!p!"_dolce cantando" z2 | z (EAcAE) z (EAcAE) | z... | 3 | In bar 1, is there a first inversion A♭ major chord? | None |
Liebestraum_S._541_No._3_in_A_Major__Liszt | X:1
T:Liebestraum No. 3 in A♭ Major
C:Franz Liszt(1811 - 1886)
%%score { ( 1 4 6 7 ) | ( 2 3 5 ) }
L:1/8
Q:1/4=152
M:6/4
I:linebreak $
K:Ab
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:6 treble
V:7 treble
V:2 bass
V:3 bass
V:5 bass
V:1
"^Poco allegro, con affetto"!p!"_dolce cantando" z2 | z (EAcAE) z (EAcAE) | z... | 3 | In bar 1, is there a A♭ major chord? | Yes |
Liebestraum_S._541_No._3_in_A_Major__Liszt | X:1
T:Liebestraum No. 3 in A♭ Major
C:Franz Liszt(1811 - 1886)
%%score { ( 1 4 6 7 ) | ( 2 3 5 ) }
L:1/8
Q:1/4=152
M:6/4
I:linebreak $
K:Ab
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:6 treble
V:7 treble
V:2 bass
V:3 bass
V:5 bass
V:1
"^Poco allegro, con affetto"!p!"_dolce cantando" z2 | z (EAcAE) z (EAcAE) | z... | 3 | In bar 1, does the piece begin on the tonic chord of the original key? | Yes |
Liebestraum_S._541_No._3_in_A_Major__Liszt | X:1
T:Liebestraum No. 3 in A♭ Major
C:Franz Liszt(1811 - 1886)
%%score { ( 1 4 6 7 ) | ( 2 3 5 ) }
L:1/8
Q:1/4=152
M:6/4
I:linebreak $
K:Ab
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:6 treble
V:7 treble
V:2 bass
V:3 bass
V:5 bass
V:1
"^Poco allegro, con affetto"!p!"_dolce cantando" z2 | z (EAcAE) z (EAcAE) | z... | 4 | What is the performance medium of the piece? | Piano solo |
Liebestraum_S._541_No._3_in_A_Major__Liszt | X:1
T:Liebestraum No. 3 in A♭ Major
C:Franz Liszt(1811 - 1886)
%%score { ( 1 4 6 7 ) | ( 2 3 5 ) }
L:1/8
Q:1/4=152
M:6/4
I:linebreak $
K:Ab
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:6 treble
V:7 treble
V:2 bass
V:3 bass
V:5 bass
V:1
"^Poco allegro, con affetto"!p!"_dolce cantando" z2 | z (EAcAE) z (EAcAE) | z... | 4 | What are the main characteristics of the motif? | Repeated notes |
Liebestraum_S._541_No._3_in_A_Major__Liszt | X:1
T:Liebestraum No. 3 in A♭ Major
C:Franz Liszt(1811 - 1886)
%%score { ( 1 4 6 7 ) | ( 2 3 5 ) }
L:1/8
Q:1/4=152
M:6/4
I:linebreak $
K:Ab
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:6 treble
V:7 treble
V:2 bass
V:3 bass
V:5 bass
V:1
"^Poco allegro, con affetto"!p!"_dolce cantando" z2 | z (EAcAE) z (EAcAE) | z... | 4 | What is the rhythm of the motif? | Dotted minim |
Lied_Ohne_Worte_-_Songs_without_words_-_Mendelssohn_-_Op.19_No.4__Felix_Mendelssohn_Felix_Mendelssohn_-_Lied_Ohne_Worte_-_Op.19_No.4_-__Arr._Lee_Toone | X:1
T::ied Ohne Worte Interpretation op19 no.4
C:tfhfg/dfg
%%score { ( 1 3 5 6 ) | ( 2 4 ) }
L:1/8
Q:1/4=72
M:4/4
I:linebreak $
K:A
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:5 treble
V:6 treble
V:2 bass
V:4 bass
V:1
!ped! [CA]/E/C/E/ A/E/[GB]/!ped-up!E/!ped! [Ac]/E/C/E/ c/A/[Bd]/G/!ped-up! | %1
!ped!!<(! [ce]/... | 1 | What is the tempo in beats per minute? | 72 |
Lied_Ohne_Worte_-_Songs_without_words_-_Mendelssohn_-_Op.19_No.4__Felix_Mendelssohn_Felix_Mendelssohn_-_Lied_Ohne_Worte_-_Op.19_No.4_-__Arr._Lee_Toone | X:1
T::ied Ohne Worte Interpretation op19 no.4
C:tfhfg/dfg
%%score { ( 1 3 5 6 ) | ( 2 4 ) }
L:1/8
Q:1/4=72
M:4/4
I:linebreak $
K:A
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:5 treble
V:6 treble
V:2 bass
V:4 bass
V:1
!ped! [CA]/E/C/E/ A/E/[GB]/!ped-up!E/!ped! [Ac]/E/C/E/ c/A/[Bd]/G/!ped-up! | %1
!ped!!<(! [ce]/... | 1 | What instruments are used? | Piano |
Lied_Ohne_Worte_-_Songs_without_words_-_Mendelssohn_-_Op.19_No.4__Felix_Mendelssohn_Felix_Mendelssohn_-_Lied_Ohne_Worte_-_Op.19_No.4_-__Arr._Lee_Toone | X:1
T::ied Ohne Worte Interpretation op19 no.4
C:tfhfg/dfg
%%score { ( 1 3 5 6 ) | ( 2 4 ) }
L:1/8
Q:1/4=72
M:4/4
I:linebreak $
K:A
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:5 treble
V:6 treble
V:2 bass
V:4 bass
V:1
!ped! [CA]/E/C/E/ A/E/[GB]/!ped-up!E/!ped! [Ac]/E/C/E/ c/A/[Bd]/G/!ped-up! | %1
!ped!!<(! [ce]/... | 1 | What is the initial clef? | Treble clef, Bass clef |
Lied_Ohne_Worte_-_Songs_without_words_-_Mendelssohn_-_Op.19_No.4__Felix_Mendelssohn_Felix_Mendelssohn_-_Lied_Ohne_Worte_-_Op.19_No.4_-__Arr._Lee_Toone | X:1
T::ied Ohne Worte Interpretation op19 no.4
C:tfhfg/dfg
%%score { ( 1 3 5 6 ) | ( 2 4 ) }
L:1/8
Q:1/4=72
M:4/4
I:linebreak $
K:A
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:5 treble
V:6 treble
V:2 bass
V:4 bass
V:1
!ped! [CA]/E/C/E/ A/E/[GB]/!ped-up!E/!ped! [Ac]/E/C/E/ c/A/[Bd]/G/!ped-up! | %1
!ped!!<(! [ce]/... | 2 | In bar 4, what is the shortest rest value? | Quaver rest |
Lied_Ohne_Worte_-_Songs_without_words_-_Mendelssohn_-_Op.19_No.4__Felix_Mendelssohn_Felix_Mendelssohn_-_Lied_Ohne_Worte_-_Op.19_No.4_-__Arr._Lee_Toone | X:1
T::ied Ohne Worte Interpretation op19 no.4
C:tfhfg/dfg
%%score { ( 1 3 5 6 ) | ( 2 4 ) }
L:1/8
Q:1/4=72
M:4/4
I:linebreak $
K:A
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:5 treble
V:6 treble
V:2 bass
V:4 bass
V:1
!ped! [CA]/E/C/E/ A/E/[GB]/!ped-up!E/!ped! [Ac]/E/C/E/ c/A/[Bd]/G/!ped-up! | %1
!ped!!<(! [ce]/... | 2 | In bar 3, what is the highest pitch? | E5 |
Lied_Ohne_Worte_-_Songs_without_words_-_Mendelssohn_-_Op.19_No.4__Felix_Mendelssohn_Felix_Mendelssohn_-_Lied_Ohne_Worte_-_Op.19_No.4_-__Arr._Lee_Toone | X:1
T::ied Ohne Worte Interpretation op19 no.4
C:tfhfg/dfg
%%score { ( 1 3 5 6 ) | ( 2 4 ) }
L:1/8
Q:1/4=72
M:4/4
I:linebreak $
K:A
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:5 treble
V:6 treble
V:2 bass
V:4 bass
V:1
!ped! [CA]/E/C/E/ A/E/[GB]/!ped-up!E/!ped! [Ac]/E/C/E/ c/A/[Bd]/G/!ped-up! | %1
!ped!!<(! [ce]/... | 2 | In bar 6, what is the dynamic marking? | mf |
Lied_Ohne_Worte_-_Songs_without_words_-_Mendelssohn_-_Op.19_No.4__Felix_Mendelssohn_Felix_Mendelssohn_-_Lied_Ohne_Worte_-_Op.19_No.4_-__Arr._Lee_Toone | X:1
T::ied Ohne Worte Interpretation op19 no.4
C:tfhfg/dfg
%%score { ( 1 3 5 6 ) | ( 2 4 ) }
L:1/8
Q:1/4=72
M:4/4
I:linebreak $
K:A
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:5 treble
V:6 treble
V:2 bass
V:4 bass
V:1
!ped! [CA]/E/C/E/ A/E/[GB]/!ped-up!E/!ped! [Ac]/E/C/E/ c/A/[Bd]/G/!ped-up! | %1
!ped!!<(! [ce]/... | 3 | In bar 19, what scale degree is the first chord? (Use I, II, III, IV, V, VI, VII) | IV |
Lied_Ohne_Worte_-_Songs_without_words_-_Mendelssohn_-_Op.19_No.4__Felix_Mendelssohn_Felix_Mendelssohn_-_Lied_Ohne_Worte_-_Op.19_No.4_-__Arr._Lee_Toone | X:1
T::ied Ohne Worte Interpretation op19 no.4
C:tfhfg/dfg
%%score { ( 1 3 5 6 ) | ( 2 4 ) }
L:1/8
Q:1/4=72
M:4/4
I:linebreak $
K:A
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:5 treble
V:6 treble
V:2 bass
V:4 bass
V:1
!ped! [CA]/E/C/E/ A/E/[GB]/!ped-up!E/!ped! [Ac]/E/C/E/ c/A/[Bd]/G/!ped-up! | %1
!ped!!<(! [ce]/... | 3 | In bar 5, what is the voicing of the A major chord? | Open position |
Lied_Ohne_Worte_-_Songs_without_words_-_Mendelssohn_-_Op.19_No.4__Felix_Mendelssohn_Felix_Mendelssohn_-_Lied_Ohne_Worte_-_Op.19_No.4_-__Arr._Lee_Toone | X:1
T::ied Ohne Worte Interpretation op19 no.4
C:tfhfg/dfg
%%score { ( 1 3 5 6 ) | ( 2 4 ) }
L:1/8
Q:1/4=72
M:4/4
I:linebreak $
K:A
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:5 treble
V:6 treble
V:2 bass
V:4 bass
V:1
!ped! [CA]/E/C/E/ A/E/[GB]/!ped-up!E/!ped! [Ac]/E/C/E/ c/A/[Bd]/G/!ped-up! | %1
!ped!!<(! [ce]/... | 3 | In bar 26, what notes are omitted from the A major chord? | E |
Lied_Ohne_Worte_-_Songs_without_words_-_Mendelssohn_-_Op.19_No.4__Felix_Mendelssohn_Felix_Mendelssohn_-_Lied_Ohne_Worte_-_Op.19_No.4_-__Arr._Lee_Toone | X:1
T::ied Ohne Worte Interpretation op19 no.4
C:tfhfg/dfg
%%score { ( 1 3 5 6 ) | ( 2 4 ) }
L:1/8
Q:1/4=72
M:4/4
I:linebreak $
K:A
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:5 treble
V:6 treble
V:2 bass
V:4 bass
V:1
!ped! [CA]/E/C/E/ A/E/[GB]/!ped-up!E/!ped! [Ac]/E/C/E/ c/A/[Bd]/G/!ped-up! | %1
!ped!!<(! [ce]/... | 4 | What are the main characteristics of the motif? | Ascending scale |
Lied_Ohne_Worte_-_Songs_without_words_-_Mendelssohn_-_Op.19_No.4__Felix_Mendelssohn_Felix_Mendelssohn_-_Lied_Ohne_Worte_-_Op.19_No.4_-__Arr._Lee_Toone | X:1
T::ied Ohne Worte Interpretation op19 no.4
C:tfhfg/dfg
%%score { ( 1 3 5 6 ) | ( 2 4 ) }
L:1/8
Q:1/4=72
M:4/4
I:linebreak $
K:A
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:5 treble
V:6 treble
V:2 bass
V:4 bass
V:1
!ped! [CA]/E/C/E/ A/E/[GB]/!ped-up!E/!ped! [Ac]/E/C/E/ c/A/[Bd]/G/!ped-up! | %1
!ped!!<(! [ce]/... | 4 | In which bar does the melodic motif appear? | 6, 7, 8, 9, 10 |
Lied_Ohne_Worte_-_Songs_without_words_-_Mendelssohn_-_Op.19_No.4__Felix_Mendelssohn_Felix_Mendelssohn_-_Lied_Ohne_Worte_-_Op.19_No.4_-__Arr._Lee_Toone | X:1
T::ied Ohne Worte Interpretation op19 no.4
C:tfhfg/dfg
%%score { ( 1 3 5 6 ) | ( 2 4 ) }
L:1/8
Q:1/4=72
M:4/4
I:linebreak $
K:A
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:5 treble
V:6 treble
V:2 bass
V:4 bass
V:1
!ped! [CA]/E/C/E/ A/E/[GB]/!ped-up!E/!ped! [Ac]/E/C/E/ c/A/[Bd]/G/!ped-up! | %1
!ped!!<(! [ce]/... | 4 | In bars 6–10, in which register is the melody played? | Middle register |
Lieder_ohne_Worte_Op.19b__Felix_Mendelssohn__Song_without_Words_-_Op._19b_No._1_-_Sweet_Rememberance | X:1
T:Lied ohne Worte in E Major
C:Felix Mendelssohn-Bartholdy
%%score { 1 | ( 2 3 4 ) }
L:1/8
Q:1/4=92
M:4/4
I:linebreak $
K:E
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:3 bass
V:4 bass
V:1
"^Andante con moto"!p! z8 | z4 z2"^cantabile" (A2 |: G2 F2 E2) (!>!e2 | d2 c2 B2) (c2 | %4
A2 BF G2{AGFG} BA | G4 F) z (A2 |... | 1 | What is the initial key? | E major |
Lieder_ohne_Worte_Op.19b__Felix_Mendelssohn__Song_without_Words_-_Op._19b_No._1_-_Sweet_Rememberance | X:1
T:Lied ohne Worte in E Major
C:Felix Mendelssohn-Bartholdy
%%score { 1 | ( 2 3 4 ) }
L:1/8
Q:1/4=92
M:4/4
I:linebreak $
K:E
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:3 bass
V:4 bass
V:1
"^Andante con moto"!p! z8 | z4 z2"^cantabile" (A2 |: G2 F2 E2) (!>!e2 | d2 c2 B2) (c2 | %4
A2 BF G2{AGFG} BA | G4 F) z (A2 |... | 1 | What is the tempo in beats per minute? | 72 |
Lieder_ohne_Worte_Op.19b__Felix_Mendelssohn__Song_without_Words_-_Op._19b_No._1_-_Sweet_Rememberance | X:1
T:Lied ohne Worte in E Major
C:Felix Mendelssohn-Bartholdy
%%score { 1 | ( 2 3 4 ) }
L:1/8
Q:1/4=92
M:4/4
I:linebreak $
K:E
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:3 bass
V:4 bass
V:1
"^Andante con moto"!p! z8 | z4 z2"^cantabile" (A2 |: G2 F2 E2) (!>!e2 | d2 c2 B2) (c2 | %4
A2 BF G2{AGFG} BA | G4 F) z (A2 |... | 1 | What instruments are used? | Piano |
Lieder_ohne_Worte_Op.19b__Felix_Mendelssohn__Song_without_Words_-_Op._19b_No._1_-_Sweet_Rememberance | X:1
T:Lied ohne Worte in E Major
C:Felix Mendelssohn-Bartholdy
%%score { 1 | ( 2 3 4 ) }
L:1/8
Q:1/4=92
M:4/4
I:linebreak $
K:E
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:3 bass
V:4 bass
V:1
"^Andante con moto"!p! z8 | z4 z2"^cantabile" (A2 |: G2 F2 E2) (!>!e2 | d2 c2 B2) (c2 | %4
A2 BF G2{AGFG} BA | G4 F) z (A2 |... | 2 | In bars 1–30, is there a repeat sign? | No |
Lieder_ohne_Worte_Op.19b__Felix_Mendelssohn__Song_without_Words_-_Op._19b_No._1_-_Sweet_Rememberance | X:1
T:Lied ohne Worte in E Major
C:Felix Mendelssohn-Bartholdy
%%score { 1 | ( 2 3 4 ) }
L:1/8
Q:1/4=92
M:4/4
I:linebreak $
K:E
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:3 bass
V:4 bass
V:1
"^Andante con moto"!p! z8 | z4 z2"^cantabile" (A2 |: G2 F2 E2) (!>!e2 | d2 c2 B2) (c2 | %4
A2 BF G2{AGFG} BA | G4 F) z (A2 |... | 2 | In bar 16, are there accidentals, and what are they? | No |
Lieder_ohne_Worte_Op.19b__Felix_Mendelssohn__Song_without_Words_-_Op._19b_No._1_-_Sweet_Rememberance | X:1
T:Lied ohne Worte in E Major
C:Felix Mendelssohn-Bartholdy
%%score { 1 | ( 2 3 4 ) }
L:1/8
Q:1/4=92
M:4/4
I:linebreak $
K:E
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:3 bass
V:4 bass
V:1
"^Andante con moto"!p! z8 | z4 z2"^cantabile" (A2 |: G2 F2 E2) (!>!e2 | d2 c2 B2) (c2 | %4
A2 BF G2{AGFG} BA | G4 F) z (A2 |... | 2 | In bar 27, what is the highest pitch? | B4 |
Lieder_ohne_Worte_Op.19b__Felix_Mendelssohn__Song_without_Words_-_Op._19b_No._1_-_Sweet_Rememberance | X:1
T:Lied ohne Worte in E Major
C:Felix Mendelssohn-Bartholdy
%%score { 1 | ( 2 3 4 ) }
L:1/8
Q:1/4=92
M:4/4
I:linebreak $
K:E
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:3 bass
V:4 bass
V:1
"^Andante con moto"!p! z8 | z4 z2"^cantabile" (A2 |: G2 F2 E2) (!>!e2 | d2 c2 B2) (c2 | %4
A2 BF G2{AGFG} BA | G4 F) z (A2 |... | 3 | In bar 23, is there an E7 chord? | No |
Lieder_ohne_Worte_Op.19b__Felix_Mendelssohn__Song_without_Words_-_Op._19b_No._1_-_Sweet_Rememberance | X:1
T:Lied ohne Worte in E Major
C:Felix Mendelssohn-Bartholdy
%%score { 1 | ( 2 3 4 ) }
L:1/8
Q:1/4=92
M:4/4
I:linebreak $
K:E
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:3 bass
V:4 bass
V:1
"^Andante con moto"!p! z8 | z4 z2"^cantabile" (A2 |: G2 F2 E2) (!>!e2 | d2 c2 B2) (c2 | %4
A2 BF G2{AGFG} BA | G4 F) z (A2 |... | 3 | In bar 7, what is the chord progression? (Use I, II, III, IV, V, VI, VII) | I–VI |
Lieder_ohne_Worte_Op.19b__Felix_Mendelssohn__Song_without_Words_-_Op._19b_No._1_-_Sweet_Rememberance | X:1
T:Lied ohne Worte in E Major
C:Felix Mendelssohn-Bartholdy
%%score { 1 | ( 2 3 4 ) }
L:1/8
Q:1/4=92
M:4/4
I:linebreak $
K:E
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:3 bass
V:4 bass
V:1
"^Andante con moto"!p! z8 | z4 z2"^cantabile" (A2 |: G2 F2 E2) (!>!e2 | d2 c2 B2) (c2 | %4
A2 BF G2{AGFG} BA | G4 F) z (A2 |... | 3 | In this bar, is there a first inversion C♯ major chord? | None |
Lieder_ohne_Worte_Op.19b__Felix_Mendelssohn__Song_without_Words_-_Op._19b_No._1_-_Sweet_Rememberance | X:1
T:Lied ohne Worte in E Major
C:Felix Mendelssohn-Bartholdy
%%score { 1 | ( 2 3 4 ) }
L:1/8
Q:1/4=92
M:4/4
I:linebreak $
K:E
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:3 bass
V:4 bass
V:1
"^Andante con moto"!p! z8 | z4 z2"^cantabile" (A2 |: G2 F2 E2) (!>!e2 | d2 c2 B2) (c2 | %4
A2 BF G2{AGFG} BA | G4 F) z (A2 |... | 4 | What is the performance medium of the piece? | Piano solo |
Lieder_ohne_Worte_Op.19b__Felix_Mendelssohn__Song_without_Words_-_Op._19b_No._1_-_Sweet_Rememberance | X:1
T:Lied ohne Worte in E Major
C:Felix Mendelssohn-Bartholdy
%%score { 1 | ( 2 3 4 ) }
L:1/8
Q:1/4=92
M:4/4
I:linebreak $
K:E
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:3 bass
V:4 bass
V:1
"^Andante con moto"!p! z8 | z4 z2"^cantabile" (A2 |: G2 F2 E2) (!>!e2 | d2 c2 B2) (c2 | %4
A2 BF G2{AGFG} BA | G4 F) z (A2 |... | 4 | What is the rhythm of the motif? | Even rhythm |
Lieder_ohne_Worte_Op.19b__Felix_Mendelssohn__Song_without_Words_-_Op._19b_No._1_-_Sweet_Rememberance | X:1
T:Lied ohne Worte in E Major
C:Felix Mendelssohn-Bartholdy
%%score { 1 | ( 2 3 4 ) }
L:1/8
Q:1/4=92
M:4/4
I:linebreak $
K:E
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:3 bass
V:4 bass
V:1
"^Andante con moto"!p! z8 | z4 z2"^cantabile" (A2 |: G2 F2 E2) (!>!e2 | d2 c2 B2) (c2 | %4
A2 BF G2{AGFG} BA | G4 F) z (A2 |... | 4 | What is the most frequently used texture in the piece? | Homophonic texture |
Liszt_-_Hungarian_Rhapsody_No._2 | X:1
T:Hungarian Rhapsody No. 2 in C# Minor
C:Franz Liszt
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=240
M:2/4
I:linebreak $
K:E
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
"^240" C[Q:1/4=60]"^Lento a capriccio" !^!C4 z | %1
[Q:1/4=160]"^160" C/B,/C/[Q:1/4=60]"^60" !^!B,4- x[Q:1/4=140]"^140"!<(! ... | 1 | What is the initial time signature? | 2/4 time |
Liszt_-_Hungarian_Rhapsody_No._2 | X:1
T:Hungarian Rhapsody No. 2 in C# Minor
C:Franz Liszt
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=240
M:2/4
I:linebreak $
K:E
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
"^240" C[Q:1/4=60]"^Lento a capriccio" !^!C4 z | %1
[Q:1/4=160]"^160" C/B,/C/[Q:1/4=60]"^60" !^!B,4- x[Q:1/4=140]"^140"!<(! ... | 1 | Who is the composer? | Liszt |
Liszt_-_Hungarian_Rhapsody_No._2 | X:1
T:Hungarian Rhapsody No. 2 in C# Minor
C:Franz Liszt
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=240
M:2/4
I:linebreak $
K:E
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
"^240" C[Q:1/4=60]"^Lento a capriccio" !^!C4 z | %1
[Q:1/4=160]"^160" C/B,/C/[Q:1/4=60]"^60" !^!B,4- x[Q:1/4=140]"^140"!<(! ... | 1 | What is the initial tempo indication? | Lento |
Liszt_-_Hungarian_Rhapsody_No._2 | X:1
T:Hungarian Rhapsody No. 2 in C# Minor
C:Franz Liszt
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=240
M:2/4
I:linebreak $
K:E
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
"^240" C[Q:1/4=60]"^Lento a capriccio" !^!C4 z | %1
[Q:1/4=160]"^160" C/B,/C/[Q:1/4=60]"^60" !^!B,4- x[Q:1/4=140]"^140"!<(! ... | 2 | In bar 5, what does the clef change to? | Bass clef |
Liszt_-_Hungarian_Rhapsody_No._2 | X:1
T:Hungarian Rhapsody No. 2 in C# Minor
C:Franz Liszt
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=240
M:2/4
I:linebreak $
K:E
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
"^240" C[Q:1/4=60]"^Lento a capriccio" !^!C4 z | %1
[Q:1/4=160]"^160" C/B,/C/[Q:1/4=60]"^60" !^!B,4- x[Q:1/4=140]"^140"!<(! ... | 2 | In bar 125, what does the key signature change to? | F♯ minor |
Liszt_-_Hungarian_Rhapsody_No._2 | X:1
T:Hungarian Rhapsody No. 2 in C# Minor
C:Franz Liszt
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=240
M:2/4
I:linebreak $
K:E
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
"^240" C[Q:1/4=60]"^Lento a capriccio" !^!C4 z | %1
[Q:1/4=160]"^160" C/B,/C/[Q:1/4=60]"^60" !^!B,4- x[Q:1/4=140]"^140"!<(! ... | 2 | In bars 1–462, is there a repeat sign? | No |
Liszt_-_Hungarian_Rhapsody_No._2 | X:1
T:Hungarian Rhapsody No. 2 in C# Minor
C:Franz Liszt
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=240
M:2/4
I:linebreak $
K:E
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
"^240" C[Q:1/4=60]"^Lento a capriccio" !^!C4 z | %1
[Q:1/4=160]"^160" C/B,/C/[Q:1/4=60]"^60" !^!B,4- x[Q:1/4=140]"^140"!<(! ... | 3 | In bar 1, is there a first-inversion C-sharp minor chord? | None |
Liszt_-_Hungarian_Rhapsody_No._2 | X:1
T:Hungarian Rhapsody No. 2 in C# Minor
C:Franz Liszt
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=240
M:2/4
I:linebreak $
K:E
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
"^240" C[Q:1/4=60]"^Lento a capriccio" !^!C4 z | %1
[Q:1/4=160]"^160" C/B,/C/[Q:1/4=60]"^60" !^!B,4- x[Q:1/4=140]"^140"!<(! ... | 3 | In bars 458–463, does a chord suspension occur? | No |
Liszt_-_Hungarian_Rhapsody_No._2 | X:1
T:Hungarian Rhapsody No. 2 in C# Minor
C:Franz Liszt
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=240
M:2/4
I:linebreak $
K:E
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
"^240" C[Q:1/4=60]"^Lento a capriccio" !^!C4 z | %1
[Q:1/4=160]"^160" C/B,/C/[Q:1/4=60]"^60" !^!B,4- x[Q:1/4=140]"^140"!<(! ... | 3 | In bar 1, is there a C-sharp minor chord? | Yes |
Liszt_-_Hungarian_Rhapsody_No._2 | X:1
T:Hungarian Rhapsody No. 2 in C# Minor
C:Franz Liszt
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=240
M:2/4
I:linebreak $
K:E
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
"^240" C[Q:1/4=60]"^Lento a capriccio" !^!C4 z | %1
[Q:1/4=160]"^160" C/B,/C/[Q:1/4=60]"^60" !^!B,4- x[Q:1/4=140]"^140"!<(! ... | 4 | What is the performance medium of the piece? | Piano solo |
Liszt_-_Hungarian_Rhapsody_No._2 | X:1
T:Hungarian Rhapsody No. 2 in C# Minor
C:Franz Liszt
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=240
M:2/4
I:linebreak $
K:E
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
"^240" C[Q:1/4=60]"^Lento a capriccio" !^!C4 z | %1
[Q:1/4=160]"^160" C/B,/C/[Q:1/4=60]"^60" !^!B,4- x[Q:1/4=140]"^140"!<(! ... | 4 | In which bar does the melodic motif appear? | Bar 1 |
Liszt_-_Hungarian_Rhapsody_No._2 | X:1
T:Hungarian Rhapsody No. 2 in C# Minor
C:Franz Liszt
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=240
M:2/4
I:linebreak $
K:E
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
"^240" C[Q:1/4=60]"^Lento a capriccio" !^!C4 z | %1
[Q:1/4=160]"^160" C/B,/C/[Q:1/4=60]"^60" !^!B,4- x[Q:1/4=140]"^140"!<(! ... | 4 | What are the main structural features of the motif? | Repeated notes |
Liszt_-_Hungarian_Rhapsody_No._6 | X:1
T:Hungarian Rhapsody No. 12
C:Franz Liszt
%%score { 1 | 2 | ( 3 6 ) | ( 4 5 ) }
L:1/8
Q:1/4=60
M:2/4
I:linebreak $
K:Db
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:3 treble
V:6 treble
V:4 bass
V:5 bass
V:1
"^Tempo giusto" z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 |[Q:1/4=62]"^.5" z4 | %13
z4 |... | 1 | Is it an anacrusis (upbeat bar)? | No |
Liszt_-_Hungarian_Rhapsody_No._6 | X:1
T:Hungarian Rhapsody No. 12
C:Franz Liszt
%%score { 1 | 2 | ( 3 6 ) | ( 4 5 ) }
L:1/8
Q:1/4=60
M:2/4
I:linebreak $
K:Db
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:3 treble
V:6 treble
V:4 bass
V:5 bass
V:1
"^Tempo giusto" z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 |[Q:1/4=62]"^.5" z4 | %13
z4 |... | 1 | What is the initial expression term? | None |
Liszt_-_Hungarian_Rhapsody_No._6 | X:1
T:Hungarian Rhapsody No. 12
C:Franz Liszt
%%score { 1 | 2 | ( 3 6 ) | ( 4 5 ) }
L:1/8
Q:1/4=60
M:2/4
I:linebreak $
K:Db
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:3 treble
V:6 treble
V:4 bass
V:5 bass
V:1
"^Tempo giusto" z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 |[Q:1/4=62]"^.5" z4 | %13
z4 |... | 1 | Who is the composer? | Liszt |
Liszt_-_Hungarian_Rhapsody_No._6 | X:1
T:Hungarian Rhapsody No. 12
C:Franz Liszt
%%score { 1 | 2 | ( 3 6 ) | ( 4 5 ) }
L:1/8
Q:1/4=60
M:2/4
I:linebreak $
K:Db
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:3 treble
V:6 treble
V:4 bass
V:5 bass
V:1
"^Tempo giusto" z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 |[Q:1/4=62]"^.5" z4 | %13
z4 |... | 2 | In bar 6, are there accidentals, and what are they? | With natural E |
Liszt_-_Hungarian_Rhapsody_No._6 | X:1
T:Hungarian Rhapsody No. 12
C:Franz Liszt
%%score { 1 | 2 | ( 3 6 ) | ( 4 5 ) }
L:1/8
Q:1/4=60
M:2/4
I:linebreak $
K:Db
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:3 treble
V:6 treble
V:4 bass
V:5 bass
V:1
"^Tempo giusto" z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 |[Q:1/4=62]"^.5" z4 | %13
z4 |... | 2 | In bar 73, is there a repeat sign? | Yes |
Liszt_-_Hungarian_Rhapsody_No._6 | X:1
T:Hungarian Rhapsody No. 12
C:Franz Liszt
%%score { 1 | 2 | ( 3 6 ) | ( 4 5 ) }
L:1/8
Q:1/4=60
M:2/4
I:linebreak $
K:Db
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:3 treble
V:6 treble
V:4 bass
V:5 bass
V:1
"^Tempo giusto" z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 |[Q:1/4=62]"^.5" z4 | %13
z4 |... | 2 | In bar 66, what does the clef change to? | Treble clef |
Liszt_-_Hungarian_Rhapsody_No._6 | X:1
T:Hungarian Rhapsody No. 12
C:Franz Liszt
%%score { 1 | 2 | ( 3 6 ) | ( 4 5 ) }
L:1/8
Q:1/4=60
M:2/4
I:linebreak $
K:Db
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:3 treble
V:6 treble
V:4 bass
V:5 bass
V:1
"^Tempo giusto" z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 |[Q:1/4=62]"^.5" z4 | %13
z4 |... | 3 | In bar 1, does the piece begin on the tonic chord of the original key? | Yes |
Liszt_-_Hungarian_Rhapsody_No._6 | X:1
T:Hungarian Rhapsody No. 12
C:Franz Liszt
%%score { 1 | 2 | ( 3 6 ) | ( 4 5 ) }
L:1/8
Q:1/4=60
M:2/4
I:linebreak $
K:Db
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:3 treble
V:6 treble
V:4 bass
V:5 bass
V:1
"^Tempo giusto" z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 |[Q:1/4=62]"^.5" z4 | %13
z4 |... | 3 | In bar 1, is there a D♭ major chord? | Yes |
Liszt_-_Hungarian_Rhapsody_No._6 | X:1
T:Hungarian Rhapsody No. 12
C:Franz Liszt
%%score { 1 | 2 | ( 3 6 ) | ( 4 5 ) }
L:1/8
Q:1/4=60
M:2/4
I:linebreak $
K:Db
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:3 treble
V:6 treble
V:4 bass
V:5 bass
V:1
"^Tempo giusto" z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 |[Q:1/4=62]"^.5" z4 | %13
z4 |... | 3 | In bar 1, is there a first inversion D♭ major chord? | No |
Liszt_-_Hungarian_Rhapsody_No._6 | X:1
T:Hungarian Rhapsody No. 12
C:Franz Liszt
%%score { 1 | 2 | ( 3 6 ) | ( 4 5 ) }
L:1/8
Q:1/4=60
M:2/4
I:linebreak $
K:Db
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:3 treble
V:6 treble
V:4 bass
V:5 bass
V:1
"^Tempo giusto" z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 |[Q:1/4=62]"^.5" z4 | %13
z4 |... | 4 | What is the performance medium of the piece? | Piano solo |
Liszt_-_Hungarian_Rhapsody_No._6 | X:1
T:Hungarian Rhapsody No. 12
C:Franz Liszt
%%score { 1 | 2 | ( 3 6 ) | ( 4 5 ) }
L:1/8
Q:1/4=60
M:2/4
I:linebreak $
K:Db
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:3 treble
V:6 treble
V:4 bass
V:5 bass
V:1
"^Tempo giusto" z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 |[Q:1/4=62]"^.5" z4 | %13
z4 |... | 4 | In bars 5–7, in which register is the melody played? | Upper–middle register |
Liszt_-_Hungarian_Rhapsody_No._6 | X:1
T:Hungarian Rhapsody No. 12
C:Franz Liszt
%%score { 1 | 2 | ( 3 6 ) | ( 4 5 ) }
L:1/8
Q:1/4=60
M:2/4
I:linebreak $
K:Db
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:3 treble
V:6 treble
V:4 bass
V:5 bass
V:1
"^Tempo giusto" z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 | z4 |[Q:1/4=62]"^.5" z4 | %13
z4 |... | 4 | In which bar does the melodic motif appear? | 5 |
Liszt_-_S.136_No.4_-_Liszt__JUNPIN | X:1
T:Etude En Douze Exercises
C:Franz Liszt
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:3/8=132
M:6/8
I:linebreak $
K:F
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
!p!"^Allegretto" z[I:staff +1] ([D,F,][E,G,] [F,A,][I:staff -1] z z | z [df][eg] [fa]) z z | %2
z[I:staff +1] ([^C,E,][D,F,] [E,G,][I:s... | 1 | What is the title of the work? | Liszt — S.136 No. 4 |
Liszt_-_S.136_No.4_-_Liszt__JUNPIN | X:1
T:Etude En Douze Exercises
C:Franz Liszt
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:3/8=132
M:6/8
I:linebreak $
K:F
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
!p!"^Allegretto" z[I:staff +1] ([D,F,][E,G,] [F,A,][I:staff -1] z z | z [df][eg] [fa]) z z | %2
z[I:staff +1] ([^C,E,][D,F,] [E,G,][I:s... | 1 | What is the initial tempo indication? | Allegretto |
Liszt_-_S.136_No.4_-_Liszt__JUNPIN | X:1
T:Etude En Douze Exercises
C:Franz Liszt
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:3/8=132
M:6/8
I:linebreak $
K:F
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
!p!"^Allegretto" z[I:staff +1] ([D,F,][E,G,] [F,A,][I:staff -1] z z | z [df][eg] [fa]) z z | %2
z[I:staff +1] ([^C,E,][D,F,] [E,G,][I:s... | 1 | What is the initial clef? | Treble and bass clefs |
Liszt_-_S.136_No.4_-_Liszt__JUNPIN | X:1
T:Etude En Douze Exercises
C:Franz Liszt
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:3/8=132
M:6/8
I:linebreak $
K:F
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
!p!"^Allegretto" z[I:staff +1] ([D,F,][E,G,] [F,A,][I:staff -1] z z | z [df][eg] [fa]) z z | %2
z[I:staff +1] ([^C,E,][D,F,] [E,G,][I:s... | 2 | In bar 1, what is the dynamic marking? | p (piano) |
Liszt_-_S.136_No.4_-_Liszt__JUNPIN | X:1
T:Etude En Douze Exercises
C:Franz Liszt
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:3/8=132
M:6/8
I:linebreak $
K:F
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
!p!"^Allegretto" z[I:staff +1] ([D,F,][E,G,] [F,A,][I:staff -1] z z | z [df][eg] [fa]) z z | %2
z[I:staff +1] ([^C,E,][D,F,] [E,G,][I:s... | 2 | In bar 3, what is the shortest rest value? | Quaver rest |
Liszt_-_S.136_No.4_-_Liszt__JUNPIN | X:1
T:Etude En Douze Exercises
C:Franz Liszt
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:3/8=132
M:6/8
I:linebreak $
K:F
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
!p!"^Allegretto" z[I:staff +1] ([D,F,][E,G,] [F,A,][I:staff -1] z z | z [df][eg] [fa]) z z | %2
z[I:staff +1] ([^C,E,][D,F,] [E,G,][I:s... | 2 | In bar 3, is there an accidental? | Yes — C♯ |
Liszt_-_S.136_No.4_-_Liszt__JUNPIN | X:1
T:Etude En Douze Exercises
C:Franz Liszt
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:3/8=132
M:6/8
I:linebreak $
K:F
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
!p!"^Allegretto" z[I:staff +1] ([D,F,][E,G,] [F,A,][I:staff -1] z z | z [df][eg] [fa]) z z | %2
z[I:staff +1] ([^C,E,][D,F,] [E,G,][I:s... | 3 | In bar 1, what scale degree is the first chord? (Use I, II, III, IV, V, VI, VII) | i |
Liszt_-_S.136_No.4_-_Liszt__JUNPIN | X:1
T:Etude En Douze Exercises
C:Franz Liszt
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:3/8=132
M:6/8
I:linebreak $
K:F
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
!p!"^Allegretto" z[I:staff +1] ([D,F,][E,G,] [F,A,][I:staff -1] z z | z [df][eg] [fa]) z z | %2
z[I:staff +1] ([^C,E,][D,F,] [E,G,][I:s... | 3 | In bars 9–11, what is the chord progression? (Use I, II, III, IV, V, VI, VII) | i–i6–v46 |
Liszt_-_S.136_No.4_-_Liszt__JUNPIN | X:1
T:Etude En Douze Exercises
C:Franz Liszt
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:3/8=132
M:6/8
I:linebreak $
K:F
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
!p!"^Allegretto" z[I:staff +1] ([D,F,][E,G,] [F,A,][I:staff -1] z z | z [df][eg] [fa]) z z | %2
z[I:staff +1] ([^C,E,][D,F,] [E,G,][I:s... | 3 | In bar 76, what is the voicing of the D minor chord? | Close position |
Liszt_-_S.136_No.4_-_Liszt__JUNPIN | X:1
T:Etude En Douze Exercises
C:Franz Liszt
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:3/8=132
M:6/8
I:linebreak $
K:F
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
!p!"^Allegretto" z[I:staff +1] ([D,F,][E,G,] [F,A,][I:staff -1] z z | z [df][eg] [fa]) z z | %2
z[I:staff +1] ([^C,E,][D,F,] [E,G,][I:s... | 4 | What is the performance medium of the piece? | Piano solo |
Liszt_-_S.136_No.4_-_Liszt__JUNPIN | X:1
T:Etude En Douze Exercises
C:Franz Liszt
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:3/8=132
M:6/8
I:linebreak $
K:F
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
!p!"^Allegretto" z[I:staff +1] ([D,F,][E,G,] [F,A,][I:staff -1] z z | z [df][eg] [fa]) z z | %2
z[I:staff +1] ([^C,E,][D,F,] [E,G,][I:s... | 4 | In which bar does the melodic motif appear? | 1 |
Liszt_-_S.136_No.4_-_Liszt__JUNPIN | X:1
T:Etude En Douze Exercises
C:Franz Liszt
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:3/8=132
M:6/8
I:linebreak $
K:F
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
!p!"^Allegretto" z[I:staff +1] ([D,F,][E,G,] [F,A,][I:staff -1] z z | z [df][eg] [fa]) z z | %2
z[I:staff +1] ([^C,E,][D,F,] [E,G,][I:s... | 4 | What is the most common rhythmic pattern in the piece? | Even rhythm |
Liszt_-_S.136_No.5_-_Liszt__JUNPIN | X:1
T:Etude En Douze Exercises
C:Franz Liszt
%%score { ( 1 2 ) | ( 3 4 ) }
L:1/8
Q:1/2=66
M:4/4
I:linebreak $
K:Bb
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:3 bass
V:4 bass
V:1
"^Moderato" z2 f>g f>!p!g !3!f>!4!g | f>g a>b b>a g>f | f>e f>g f>g f>g | f>g a>b b>a g>f | %4
f>c' b>c' b>c' b>c' | b>c' d'>e' e'>d' c... | 1 | Who is the composer? | Liszt |
Liszt_-_S.136_No.5_-_Liszt__JUNPIN | X:1
T:Etude En Douze Exercises
C:Franz Liszt
%%score { ( 1 2 ) | ( 3 4 ) }
L:1/8
Q:1/2=66
M:4/4
I:linebreak $
K:Bb
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:3 bass
V:4 bass
V:1
"^Moderato" z2 f>g f>!p!g !3!f>!4!g | f>g a>b b>a g>f | f>e f>g f>g f>g | f>g a>b b>a g>f | %4
f>c' b>c' b>c' b>c' | b>c' d'>e' e'>d' c... | 1 | What is the initial clef? | Treble clef, Bass clef |
Liszt_-_S.136_No.5_-_Liszt__JUNPIN | X:1
T:Etude En Douze Exercises
C:Franz Liszt
%%score { ( 1 2 ) | ( 3 4 ) }
L:1/8
Q:1/2=66
M:4/4
I:linebreak $
K:Bb
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:3 bass
V:4 bass
V:1
"^Moderato" z2 f>g f>!p!g !3!f>!4!g | f>g a>b b>a g>f | f>e f>g f>g f>g | f>g a>b b>a g>f | %4
f>c' b>c' b>c' b>c' | b>c' d'>e' e'>d' c... | 1 | What is the title of the work? | Liszt – S.136 No.5 |
Liszt_-_S.136_No.5_-_Liszt__JUNPIN | X:1
T:Etude En Douze Exercises
C:Franz Liszt
%%score { ( 1 2 ) | ( 3 4 ) }
L:1/8
Q:1/2=66
M:4/4
I:linebreak $
K:Bb
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:3 bass
V:4 bass
V:1
"^Moderato" z2 f>g f>!p!g !3!f>!4!g | f>g a>b b>a g>f | f>e f>g f>g f>g | f>g a>b b>a g>f | %4
f>c' b>c' b>c' b>c' | b>c' d'>e' e'>d' c... | 2 | In bar 1, what is the shortest rest value? | Semiquaver rest |
Liszt_-_S.136_No.5_-_Liszt__JUNPIN | X:1
T:Etude En Douze Exercises
C:Franz Liszt
%%score { ( 1 2 ) | ( 3 4 ) }
L:1/8
Q:1/2=66
M:4/4
I:linebreak $
K:Bb
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:3 bass
V:4 bass
V:1
"^Moderato" z2 f>g f>!p!g !3!f>!4!g | f>g a>b b>a g>f | f>e f>g f>g f>g | f>g a>b b>a g>f | %4
f>c' b>c' b>c' b>c' | b>c' d'>e' e'>d' c... | 2 | In bar 14, what is the dynamic marking? | cresc. |
Liszt_-_S.136_No.5_-_Liszt__JUNPIN | X:1
T:Etude En Douze Exercises
C:Franz Liszt
%%score { ( 1 2 ) | ( 3 4 ) }
L:1/8
Q:1/2=66
M:4/4
I:linebreak $
K:Bb
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:3 bass
V:4 bass
V:1
"^Moderato" z2 f>g f>!p!g !3!f>!4!g | f>g a>b b>a g>f | f>e f>g f>g f>g | f>g a>b b>a g>f | %4
f>c' b>c' b>c' b>c' | b>c' d'>e' e'>d' c... | 2 | In bar 1, what is the articulation marking? | Slur |
Liszt_-_S.136_No.5_-_Liszt__JUNPIN | X:1
T:Etude En Douze Exercises
C:Franz Liszt
%%score { ( 1 2 ) | ( 3 4 ) }
L:1/8
Q:1/2=66
M:4/4
I:linebreak $
K:Bb
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:3 bass
V:4 bass
V:1
"^Moderato" z2 f>g f>!p!g !3!f>!4!g | f>g a>b b>a g>f | f>e f>g f>g f>g | f>g a>b b>a g>f | %4
f>c' b>c' b>c' b>c' | b>c' d'>e' e'>d' c... | 3 | In bars 81–83, is there a suspension? | No |
Liszt_-_S.136_No.5_-_Liszt__JUNPIN | X:1
T:Etude En Douze Exercises
C:Franz Liszt
%%score { ( 1 2 ) | ( 3 4 ) }
L:1/8
Q:1/2=66
M:4/4
I:linebreak $
K:Bb
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:3 bass
V:4 bass
V:1
"^Moderato" z2 f>g f>!p!g !3!f>!4!g | f>g a>b b>a g>f | f>e f>g f>g f>g | f>g a>b b>a g>f | %4
f>c' b>c' b>c' b>c' | b>c' d'>e' e'>d' c... | 3 | In bar 83, is there a B♭ major chord? | Yes |
Liszt_-_S.136_No.5_-_Liszt__JUNPIN | X:1
T:Etude En Douze Exercises
C:Franz Liszt
%%score { ( 1 2 ) | ( 3 4 ) }
L:1/8
Q:1/2=66
M:4/4
I:linebreak $
K:Bb
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:3 bass
V:4 bass
V:1
"^Moderato" z2 f>g f>!p!g !3!f>!4!g | f>g a>b b>a g>f | f>e f>g f>g f>g | f>g a>b b>a g>f | %4
f>c' b>c' b>c' b>c' | b>c' d'>e' e'>d' c... | 3 | In bar 1, does the piece begin on the tonic chord of the original key? | No |
Liszt_-_S.136_No.5_-_Liszt__JUNPIN | X:1
T:Etude En Douze Exercises
C:Franz Liszt
%%score { ( 1 2 ) | ( 3 4 ) }
L:1/8
Q:1/2=66
M:4/4
I:linebreak $
K:Bb
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:3 bass
V:4 bass
V:1
"^Moderato" z2 f>g f>!p!g !3!f>!4!g | f>g a>b b>a g>f | f>e f>g f>g f>g | f>g a>b b>a g>f | %4
f>c' b>c' b>c' b>c' | b>c' d'>e' e'>d' c... | 4 | What is the performance medium of the piece? | Piano solo |
Liszt_-_S.136_No.5_-_Liszt__JUNPIN | X:1
T:Etude En Douze Exercises
C:Franz Liszt
%%score { ( 1 2 ) | ( 3 4 ) }
L:1/8
Q:1/2=66
M:4/4
I:linebreak $
K:Bb
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:3 bass
V:4 bass
V:1
"^Moderato" z2 f>g f>!p!g !3!f>!4!g | f>g a>b b>a g>f | f>e f>g f>g f>g | f>g a>b b>a g>f | %4
f>c' b>c' b>c' b>c' | b>c' d'>e' e'>d' c... | 4 | In bars 1–2, in which register is the melody played? | Lower register |
Liszt_-_S.136_No.5_-_Liszt__JUNPIN | X:1
T:Etude En Douze Exercises
C:Franz Liszt
%%score { ( 1 2 ) | ( 3 4 ) }
L:1/8
Q:1/2=66
M:4/4
I:linebreak $
K:Bb
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:3 bass
V:4 bass
V:1
"^Moderato" z2 f>g f>!p!g !3!f>!4!g | f>g a>b b>a g>f | f>e f>g f>g f>g | f>g a>b b>a g>f | %4
f>c' b>c' b>c' b>c' | b>c' d'>e' e'>d' c... | 4 | In which bar does the melodic motif appear? | 1, 2 |
Subsets and Splits
No community queries yet
The top public SQL queries from the community will appear here once available.