song_id stringclasses 150
values | abc_notation stringclasses 150
values | level int32 1 4 | question stringlengths 20 85 | answer stringlengths 1 82 |
|---|---|---|---|---|
Haydn_Cello_Concerto_C_Major_Mvt._1_Piano_AccompanimentComplete | X:1
T:Concerto in C Major Mvt. 1 Piano
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=80
M:4/4
I:linebreak $
K:C
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:4 bass
V:1
[EGc]3/2d/4c/4 B/>c/d/>e/ [df] [Gdf]2 [Gce] | [Acd]3/2e/4f/4 [Ge]c/4B/4A/4B/4 cG EC/C/ | %2
C[CEc][DB] z G[FGd][Ec] z | [EGc]3/2d/4c/4 B/>c/d... | 1 | What is the tempo in beats per minute? | 80 bpm |
Haydn_Cello_Concerto_C_Major_Mvt._1_Piano_AccompanimentComplete | X:1
T:Concerto in C Major Mvt. 1 Piano
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=80
M:4/4
I:linebreak $
K:C
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:4 bass
V:1
[EGc]3/2d/4c/4 B/>c/d/>e/ [df] [Gdf]2 [Gce] | [Acd]3/2e/4f/4 [Ge]c/4B/4A/4B/4 cG EC/C/ | %2
C[CEc][DB] z G[FGd][Ec] z | [EGc]3/2d/4c/4 B/>c/d... | 1 | What is the initial expression marking? | None |
Haydn_Cello_Concerto_C_Major_Mvt._1_Piano_AccompanimentComplete | X:1
T:Concerto in C Major Mvt. 1 Piano
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=80
M:4/4
I:linebreak $
K:C
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:4 bass
V:1
[EGc]3/2d/4c/4 B/>c/d/>e/ [df] [Gdf]2 [Gce] | [Acd]3/2e/4f/4 [Ge]c/4B/4A/4B/4 cG EC/C/ | %2
C[CEc][DB] z G[FGd][Ec] z | [EGc]3/2d/4c/4 B/>c/d... | 1 | Is there an anacrusis (upbeat bar)? | No |
Haydn_Cello_Concerto_C_Major_Mvt._1_Piano_AccompanimentComplete | X:1
T:Concerto in C Major Mvt. 1 Piano
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=80
M:4/4
I:linebreak $
K:C
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:4 bass
V:1
[EGc]3/2d/4c/4 B/>c/d/>e/ [df] [Gdf]2 [Gce] | [Acd]3/2e/4f/4 [Ge]c/4B/4A/4B/4 cG EC/C/ | %2
C[CEc][DB] z G[FGd][Ec] z | [EGc]3/2d/4c/4 B/>c/d... | 2 | In bars 1–138, is there a repeat sign? | No |
Haydn_Cello_Concerto_C_Major_Mvt._1_Piano_AccompanimentComplete | X:1
T:Concerto in C Major Mvt. 1 Piano
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=80
M:4/4
I:linebreak $
K:C
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:4 bass
V:1
[EGc]3/2d/4c/4 B/>c/d/>e/ [df] [Gdf]2 [Gce] | [Acd]3/2e/4f/4 [Ge]c/4B/4A/4B/4 cG EC/C/ | %2
C[CEc][DB] z G[FGd][Ec] z | [EGc]3/2d/4c/4 B/>c/d... | 2 | In bar 8, is there an accidental? | Yes — F♯ |
Haydn_Cello_Concerto_C_Major_Mvt._1_Piano_AccompanimentComplete | X:1
T:Concerto in C Major Mvt. 1 Piano
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=80
M:4/4
I:linebreak $
K:C
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:4 bass
V:1
[EGc]3/2d/4c/4 B/>c/d/>e/ [df] [Gdf]2 [Gce] | [Acd]3/2e/4f/4 [Ge]c/4B/4A/4B/4 cG EC/C/ | %2
C[CEc][DB] z G[FGd][Ec] z | [EGc]3/2d/4c/4 B/>c/d... | 2 | In bar 18, what is the articulation marking? | Trill |
Haydn_Cello_Concerto_C_Major_Mvt._1_Piano_AccompanimentComplete | X:1
T:Concerto in C Major Mvt. 1 Piano
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=80
M:4/4
I:linebreak $
K:C
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:4 bass
V:1
[EGc]3/2d/4c/4 B/>c/d/>e/ [df] [Gdf]2 [Gce] | [Acd]3/2e/4f/4 [Ge]c/4B/4A/4B/4 cG EC/C/ | %2
C[CEc][DB] z G[FGd][Ec] z | [EGc]3/2d/4c/4 B/>c/d... | 3 | In bar 1, is there a C major chord? | Yes |
Haydn_Cello_Concerto_C_Major_Mvt._1_Piano_AccompanimentComplete | X:1
T:Concerto in C Major Mvt. 1 Piano
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=80
M:4/4
I:linebreak $
K:C
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:4 bass
V:1
[EGc]3/2d/4c/4 B/>c/d/>e/ [df] [Gdf]2 [Gce] | [Acd]3/2e/4f/4 [Ge]c/4B/4A/4B/4 cG EC/C/ | %2
C[CEc][DB] z G[FGd][Ec] z | [EGc]3/2d/4c/4 B/>c/d... | 3 | In bar 1, what scale degree is the first chord? (Use I, II, III, IV, V, VI, VII) | I |
Haydn_Cello_Concerto_C_Major_Mvt._1_Piano_AccompanimentComplete | X:1
T:Concerto in C Major Mvt. 1 Piano
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=80
M:4/4
I:linebreak $
K:C
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:4 bass
V:1
[EGc]3/2d/4c/4 B/>c/d/>e/ [df] [Gdf]2 [Gce] | [Acd]3/2e/4f/4 [Ge]c/4B/4A/4B/4 cG EC/C/ | %2
C[CEc][DB] z G[FGd][Ec] z | [EGc]3/2d/4c/4 B/>c/d... | 3 | In bar 138, does a chord anticipation occur? | No |
Haydn_Cello_Concerto_C_Major_Mvt._1_Piano_AccompanimentComplete | X:1
T:Concerto in C Major Mvt. 1 Piano
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=80
M:4/4
I:linebreak $
K:C
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:4 bass
V:1
[EGc]3/2d/4c/4 B/>c/d/>e/ [df] [Gdf]2 [Gce] | [Acd]3/2e/4f/4 [Ge]c/4B/4A/4B/4 cG EC/C/ | %2
C[CEc][DB] z G[FGd][Ec] z | [EGc]3/2d/4c/4 B/>c/d... | 4 | In which bar does the melodic motif appear? | Bar 1 |
Haydn_Cello_Concerto_C_Major_Mvt._1_Piano_AccompanimentComplete | X:1
T:Concerto in C Major Mvt. 1 Piano
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=80
M:4/4
I:linebreak $
K:C
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:4 bass
V:1
[EGc]3/2d/4c/4 B/>c/d/>e/ [df] [Gdf]2 [Gce] | [Acd]3/2e/4f/4 [Ge]c/4B/4A/4B/4 cG EC/C/ | %2
C[CEc][DB] z G[FGd][Ec] z | [EGc]3/2d/4c/4 B/>c/d... | 4 | What is the rhythm of the motif? | Dotted rhythm, syncopated rhythm |
Haydn_Cello_Concerto_C_Major_Mvt._1_Piano_AccompanimentComplete | X:1
T:Concerto in C Major Mvt. 1 Piano
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=80
M:4/4
I:linebreak $
K:C
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:4 bass
V:1
[EGc]3/2d/4c/4 B/>c/d/>e/ [df] [Gdf]2 [Gce] | [Acd]3/2e/4f/4 [Ge]c/4B/4A/4B/4 cG EC/C/ | %2
C[CEc][DB] z G[FGd][Ec] z | [EGc]3/2d/4c/4 B/>c/d... | 4 | What are the main structural features of the motif? | Stepwise motion, repeated notes |
Haydn_Die__Schpfung_Mit_Wrd_und_Hoheit_angetan | X:1
T:Mit Würd' und Hoheit angetan
T:Die Schöpfung
T:Franz Joseph Haydn
%%score 1 { ( 2 4 ) | ( 3 5 ) }
L:1/8
Q:1/4=120
M:4/4
I:linebreak $
K:C
V:1 treble nm="Voice"
V:2 treble nm="Piano" snm="Pia."
V:4 treble
V:3 bass
V:5 bass
V:1
z2 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z4 z2 G2 |[K:C] c2 c2 e2 c2 |... | 1 | What is the initial time signature? | 4/4 time |
Haydn_Die__Schpfung_Mit_Wrd_und_Hoheit_angetan | X:1
T:Mit Würd' und Hoheit angetan
T:Die Schöpfung
T:Franz Joseph Haydn
%%score 1 { ( 2 4 ) | ( 3 5 ) }
L:1/8
Q:1/4=120
M:4/4
I:linebreak $
K:C
V:1 treble nm="Voice"
V:2 treble nm="Piano" snm="Pia."
V:4 treble
V:3 bass
V:5 bass
V:1
z2 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z4 z2 G2 |[K:C] c2 c2 e2 c2 |... | 1 | Who is the composer? | Haydn |
Haydn_Die__Schpfung_Mit_Wrd_und_Hoheit_angetan | X:1
T:Mit Würd' und Hoheit angetan
T:Die Schöpfung
T:Franz Joseph Haydn
%%score 1 { ( 2 4 ) | ( 3 5 ) }
L:1/8
Q:1/4=120
M:4/4
I:linebreak $
K:C
V:1 treble nm="Voice"
V:2 treble nm="Piano" snm="Pia."
V:4 treble
V:3 bass
V:5 bass
V:1
z2 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z4 z2 G2 |[K:C] c2 c2 e2 c2 |... | 1 | What is the initial tempo indication? | 120 bpm |
Haydn_Die__Schpfung_Mit_Wrd_und_Hoheit_angetan | X:1
T:Mit Würd' und Hoheit angetan
T:Die Schöpfung
T:Franz Joseph Haydn
%%score 1 { ( 2 4 ) | ( 3 5 ) }
L:1/8
Q:1/4=120
M:4/4
I:linebreak $
K:C
V:1 treble nm="Voice"
V:2 treble nm="Piano" snm="Pia."
V:4 treble
V:3 bass
V:5 bass
V:1
z2 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z4 z2 G2 |[K:C] c2 c2 e2 c2 |... | 2 | In bar 3, is there an accidental? | Yes — C♯ |
Haydn_Die__Schpfung_Mit_Wrd_und_Hoheit_angetan | X:1
T:Mit Würd' und Hoheit angetan
T:Die Schöpfung
T:Franz Joseph Haydn
%%score 1 { ( 2 4 ) | ( 3 5 ) }
L:1/8
Q:1/4=120
M:4/4
I:linebreak $
K:C
V:1 treble nm="Voice"
V:2 treble nm="Piano" snm="Pia."
V:4 treble
V:3 bass
V:5 bass
V:1
z2 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z4 z2 G2 |[K:C] c2 c2 e2 c2 |... | 2 | In bar 2, what is the shortest note value? | Semiquaver |
Haydn_Die__Schpfung_Mit_Wrd_und_Hoheit_angetan | X:1
T:Mit Würd' und Hoheit angetan
T:Die Schöpfung
T:Franz Joseph Haydn
%%score 1 { ( 2 4 ) | ( 3 5 ) }
L:1/8
Q:1/4=120
M:4/4
I:linebreak $
K:C
V:1 treble nm="Voice"
V:2 treble nm="Piano" snm="Pia."
V:4 treble
V:3 bass
V:5 bass
V:1
z2 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z4 z2 G2 |[K:C] c2 c2 e2 c2 |... | 2 | In bar 3, what is the ornament on the note d²? | E2, D2, C♯2 |
Haydn_Die__Schpfung_Mit_Wrd_und_Hoheit_angetan | X:1
T:Mit Würd' und Hoheit angetan
T:Die Schöpfung
T:Franz Joseph Haydn
%%score 1 { ( 2 4 ) | ( 3 5 ) }
L:1/8
Q:1/4=120
M:4/4
I:linebreak $
K:C
V:1 treble nm="Voice"
V:2 treble nm="Piano" snm="Pia."
V:4 treble
V:3 bass
V:5 bass
V:1
z2 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z4 z2 G2 |[K:C] c2 c2 e2 c2 |... | 3 | In bars 102–104, does a chord suspension occur? | No |
Haydn_Die__Schpfung_Mit_Wrd_und_Hoheit_angetan | X:1
T:Mit Würd' und Hoheit angetan
T:Die Schöpfung
T:Franz Joseph Haydn
%%score 1 { ( 2 4 ) | ( 3 5 ) }
L:1/8
Q:1/4=120
M:4/4
I:linebreak $
K:C
V:1 treble nm="Voice"
V:2 treble nm="Piano" snm="Pia."
V:4 treble
V:3 bass
V:5 bass
V:1
z2 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z4 z2 G2 |[K:C] c2 c2 e2 c2 |... | 3 | In bar 3, what is the voicing of the V7 chord? | Close position |
Haydn_Die__Schpfung_Mit_Wrd_und_Hoheit_angetan | X:1
T:Mit Würd' und Hoheit angetan
T:Die Schöpfung
T:Franz Joseph Haydn
%%score 1 { ( 2 4 ) | ( 3 5 ) }
L:1/8
Q:1/4=120
M:4/4
I:linebreak $
K:C
V:1 treble nm="Voice"
V:2 treble nm="Piano" snm="Pia."
V:4 treble
V:3 bass
V:5 bass
V:1
z2 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z4 z2 G2 |[K:C] c2 c2 e2 c2 |... | 3 | In bar 1, what are the repeated notes of the C major chord? | Root, third |
Haydn_Die__Schpfung_Mit_Wrd_und_Hoheit_angetan | X:1
T:Mit Würd' und Hoheit angetan
T:Die Schöpfung
T:Franz Joseph Haydn
%%score 1 { ( 2 4 ) | ( 3 5 ) }
L:1/8
Q:1/4=120
M:4/4
I:linebreak $
K:C
V:1 treble nm="Voice"
V:2 treble nm="Piano" snm="Pia."
V:4 treble
V:3 bass
V:5 bass
V:1
z2 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z4 z2 G2 |[K:C] c2 c2 e2 c2 |... | 4 | What is the performance medium of the piece? | Voice with piano |
Haydn_Die__Schpfung_Mit_Wrd_und_Hoheit_angetan | X:1
T:Mit Würd' und Hoheit angetan
T:Die Schöpfung
T:Franz Joseph Haydn
%%score 1 { ( 2 4 ) | ( 3 5 ) }
L:1/8
Q:1/4=120
M:4/4
I:linebreak $
K:C
V:1 treble nm="Voice"
V:2 treble nm="Piano" snm="Pia."
V:4 treble
V:3 bass
V:5 bass
V:1
z2 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z4 z2 G2 |[K:C] c2 c2 e2 c2 |... | 4 | In which part does the principal theme first appear? | Piano part |
Haydn_Die__Schpfung_Mit_Wrd_und_Hoheit_angetan | X:1
T:Mit Würd' und Hoheit angetan
T:Die Schöpfung
T:Franz Joseph Haydn
%%score 1 { ( 2 4 ) | ( 3 5 ) }
L:1/8
Q:1/4=120
M:4/4
I:linebreak $
K:C
V:1 treble nm="Voice"
V:2 treble nm="Piano" snm="Pia."
V:4 treble
V:3 bass
V:5 bass
V:1
z2 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z4 z2 G2 |[K:C] c2 c2 e2 c2 |... | 4 | In which bar does the melodic motif appear? | 1, 2 |
Haydn_Piano_Sonata_in_F_Major_Hob_XVI_23__Joseph_Haydn_Haydn_Piano_Sonata_in_F_Major_HobXVI_23 | X:1
T:Sonata
C:Haydn
%%score { 1 | ( 2 3 ) }
L:1/8
Q:1/4=75
M:2/4
I:linebreak $
K:F
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:3 bass
V:1
z2 z (c/>A/ | !wedge!F)(A/>F/ !wedge!E)(G/>E/ | F)([Bd] !wedge![Ac])g/4f/4e/4d/4 | %3
!wedge!c(3(a/A/d/ cB/8c/8B/8c/8B/8c/8B/8c/8) | (B2 !wedge!A)c/4A/4c/4A/4 | %5
!wedge!F(B/4... | 1 | Which instruments are used? | Piano |
Haydn_Piano_Sonata_in_F_Major_Hob_XVI_23__Joseph_Haydn_Haydn_Piano_Sonata_in_F_Major_HobXVI_23 | X:1
T:Sonata
C:Haydn
%%score { 1 | ( 2 3 ) }
L:1/8
Q:1/4=75
M:2/4
I:linebreak $
K:F
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:3 bass
V:1
z2 z (c/>A/ | !wedge!F)(A/>F/ !wedge!E)(G/>E/ | F)([Bd] !wedge![Ac])g/4f/4e/4d/4 | %3
!wedge!c(3(a/A/d/ cB/8c/8B/8c/8B/8c/8B/8c/8) | (B2 !wedge!A)c/4A/4c/4A/4 | %5
!wedge!F(B/4... | 1 | What is the tempo in beats per minute? | 75 bpm |
Haydn_Piano_Sonata_in_F_Major_Hob_XVI_23__Joseph_Haydn_Haydn_Piano_Sonata_in_F_Major_HobXVI_23 | X:1
T:Sonata
C:Haydn
%%score { 1 | ( 2 3 ) }
L:1/8
Q:1/4=75
M:2/4
I:linebreak $
K:F
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:3 bass
V:1
z2 z (c/>A/ | !wedge!F)(A/>F/ !wedge!E)(G/>E/ | F)([Bd] !wedge![Ac])g/4f/4e/4d/4 | %3
!wedge!c(3(a/A/d/ cB/8c/8B/8c/8B/8c/8B/8c/8) | (B2 !wedge!A)c/4A/4c/4A/4 | %5
!wedge!F(B/4... | 1 | What is the initial clef? | 2/4 time |
Haydn_Piano_Sonata_in_F_Major_Hob_XVI_23__Joseph_Haydn_Haydn_Piano_Sonata_in_F_Major_HobXVI_23 | X:1
T:Sonata
C:Haydn
%%score { 1 | ( 2 3 ) }
L:1/8
Q:1/4=75
M:2/4
I:linebreak $
K:F
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:3 bass
V:1
z2 z (c/>A/ | !wedge!F)(A/>F/ !wedge!E)(G/>E/ | F)([Bd] !wedge![Ac])g/4f/4e/4d/4 | %3
!wedge!c(3(a/A/d/ cB/8c/8B/8c/8B/8c/8B/8c/8) | (B2 !wedge!A)c/4A/4c/4A/4 | %5
!wedge!F(B/4... | 2 | In bars 1–3, what are the articulation markings? | Slur, staccatissimo mark |
Haydn_Piano_Sonata_in_F_Major_Hob_XVI_23__Joseph_Haydn_Haydn_Piano_Sonata_in_F_Major_HobXVI_23 | X:1
T:Sonata
C:Haydn
%%score { 1 | ( 2 3 ) }
L:1/8
Q:1/4=75
M:2/4
I:linebreak $
K:F
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:3 bass
V:1
z2 z (c/>A/ | !wedge!F)(A/>F/ !wedge!E)(G/>E/ | F)([Bd] !wedge![Ac])g/4f/4e/4d/4 | %3
!wedge!c(3(a/A/d/ cB/8c/8B/8c/8B/8c/8B/8c/8) | (B2 !wedge!A)c/4A/4c/4A/4 | %5
!wedge!F(B/4... | 2 | In bars 1–47, is there a repeat sign? | No |
Haydn_Piano_Sonata_in_F_Major_Hob_XVI_23__Joseph_Haydn_Haydn_Piano_Sonata_in_F_Major_HobXVI_23 | X:1
T:Sonata
C:Haydn
%%score { 1 | ( 2 3 ) }
L:1/8
Q:1/4=75
M:2/4
I:linebreak $
K:F
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:3 bass
V:1
z2 z (c/>A/ | !wedge!F)(A/>F/ !wedge!E)(G/>E/ | F)([Bd] !wedge![Ac])g/4f/4e/4d/4 | %3
!wedge!c(3(a/A/d/ cB/8c/8B/8c/8B/8c/8B/8c/8) | (B2 !wedge!A)c/4A/4c/4A/4 | %5
!wedge!F(B/4... | 2 | In bars 1–3, is there an accidental? | No |
Haydn_Piano_Sonata_in_F_Major_Hob_XVI_23__Joseph_Haydn_Haydn_Piano_Sonata_in_F_Major_HobXVI_23 | X:1
T:Sonata
C:Haydn
%%score { 1 | ( 2 3 ) }
L:1/8
Q:1/4=75
M:2/4
I:linebreak $
K:F
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:3 bass
V:1
z2 z (c/>A/ | !wedge!F)(A/>F/ !wedge!E)(G/>E/ | F)([Bd] !wedge![Ac])g/4f/4e/4d/4 | %3
!wedge!c(3(a/A/d/ cB/8c/8B/8c/8B/8c/8B/8c/8) | (B2 !wedge!A)c/4A/4c/4A/4 | %5
!wedge!F(B/4... | 3 | In bars 1–2, what is the chord progression? (Use I, II, III, IV, V, VI, VII) | I–V |
Haydn_Piano_Sonata_in_F_Major_Hob_XVI_23__Joseph_Haydn_Haydn_Piano_Sonata_in_F_Major_HobXVI_23 | X:1
T:Sonata
C:Haydn
%%score { 1 | ( 2 3 ) }
L:1/8
Q:1/4=75
M:2/4
I:linebreak $
K:F
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:3 bass
V:1
z2 z (c/>A/ | !wedge!F)(A/>F/ !wedge!E)(G/>E/ | F)([Bd] !wedge![Ac])g/4f/4e/4d/4 | %3
!wedge!c(3(a/A/d/ cB/8c/8B/8c/8B/8c/8B/8c/8) | (B2 !wedge!A)c/4A/4c/4A/4 | %5
!wedge!F(B/4... | 3 | In bar 1, is there an F major chord? | Yes |
Haydn_Piano_Sonata_in_F_Major_Hob_XVI_23__Joseph_Haydn_Haydn_Piano_Sonata_in_F_Major_HobXVI_23 | X:1
T:Sonata
C:Haydn
%%score { 1 | ( 2 3 ) }
L:1/8
Q:1/4=75
M:2/4
I:linebreak $
K:F
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:3 bass
V:1
z2 z (c/>A/ | !wedge!F)(A/>F/ !wedge!E)(G/>E/ | F)([Bd] !wedge![Ac])g/4f/4e/4d/4 | %3
!wedge!c(3(a/A/d/ cB/8c/8B/8c/8B/8c/8B/8c/8) | (B2 !wedge!A)c/4A/4c/4A/4 | %5
!wedge!F(B/4... | 3 | In bar 1, does the piece begin on the tonic chord of the original key? | Yes |
Haydn_Piano_Sonata_in_F_Major_Hob_XVI_23__Joseph_Haydn_Haydn_Piano_Sonata_in_F_Major_HobXVI_23 | X:1
T:Sonata
C:Haydn
%%score { 1 | ( 2 3 ) }
L:1/8
Q:1/4=75
M:2/4
I:linebreak $
K:F
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:3 bass
V:1
z2 z (c/>A/ | !wedge!F)(A/>F/ !wedge!E)(G/>E/ | F)([Bd] !wedge![Ac])g/4f/4e/4d/4 | %3
!wedge!c(3(a/A/d/ cB/8c/8B/8c/8B/8c/8B/8c/8) | (B2 !wedge!A)c/4A/4c/4A/4 | %5
!wedge!F(B/4... | 4 | What is the performance medium of the piece? | Piano solo |
Haydn_Piano_Sonata_in_F_Major_Hob_XVI_23__Joseph_Haydn_Haydn_Piano_Sonata_in_F_Major_HobXVI_23 | X:1
T:Sonata
C:Haydn
%%score { 1 | ( 2 3 ) }
L:1/8
Q:1/4=75
M:2/4
I:linebreak $
K:F
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:3 bass
V:1
z2 z (c/>A/ | !wedge!F)(A/>F/ !wedge!E)(G/>E/ | F)([Bd] !wedge![Ac])g/4f/4e/4d/4 | %3
!wedge!c(3(a/A/d/ cB/8c/8B/8c/8B/8c/8B/8c/8) | (B2 !wedge!A)c/4A/4c/4A/4 | %5
!wedge!F(B/4... | 4 | What is the genre of the work? | Sonata |
Haydn_Piano_Sonata_in_F_Major_Hob_XVI_23__Joseph_Haydn_Haydn_Piano_Sonata_in_F_Major_HobXVI_23 | X:1
T:Sonata
C:Haydn
%%score { 1 | ( 2 3 ) }
L:1/8
Q:1/4=75
M:2/4
I:linebreak $
K:F
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:3 bass
V:1
z2 z (c/>A/ | !wedge!F)(A/>F/ !wedge!E)(G/>E/ | F)([Bd] !wedge![Ac])g/4f/4e/4d/4 | %3
!wedge!c(3(a/A/d/ cB/8c/8B/8c/8B/8c/8B/8c/8) | (B2 !wedge!A)c/4A/4c/4A/4 | %5
!wedge!F(B/4... | 4 | What is the rhythm of the motif? | Dotted rhythm, “wind-like” rhythm |
Haydn_Sonata_Hob._XVI37_Mov._1_D_Major | X:1
T:Sonata in D Major Mov. 1
C:Franz Joseph Haydn (1732-1809)
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=140
M:4/4
I:linebreak $
K:D
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:4 bass
V:1
"^\n""^Allegro con brio"!f!{/c'} .d'.d.d.d (Ped)(Ped) |{/c'} .d'.d.d.d ((Ped))((Ped)) | %2
.g(gf)(f b)(ba).a | .g.e.... | 1 | Is there an anacrusis (upbeat bar)? | No |
Haydn_Sonata_Hob._XVI37_Mov._1_D_Major | X:1
T:Sonata in D Major Mov. 1
C:Franz Joseph Haydn (1732-1809)
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=140
M:4/4
I:linebreak $
K:D
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:4 bass
V:1
"^\n""^Allegro con brio"!f!{/c'} .d'.d.d.d (Ped)(Ped) |{/c'} .d'.d.d.d ((Ped))((Ped)) | %2
.g(gf)(f b)(ba).a | .g.e.... | 1 | What is the initial time signature? | 4/4 time |
Haydn_Sonata_Hob._XVI37_Mov._1_D_Major | X:1
T:Sonata in D Major Mov. 1
C:Franz Joseph Haydn (1732-1809)
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=140
M:4/4
I:linebreak $
K:D
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:4 bass
V:1
"^\n""^Allegro con brio"!f!{/c'} .d'.d.d.d (Ped)(Ped) |{/c'} .d'.d.d.d ((Ped))((Ped)) | %2
.g(gf)(f b)(ba).a | .g.e.... | 1 | Who is the composer? | Haydn |
Haydn_Sonata_Hob._XVI37_Mov._1_D_Major | X:1
T:Sonata in D Major Mov. 1
C:Franz Joseph Haydn (1732-1809)
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=140
M:4/4
I:linebreak $
K:D
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:4 bass
V:1
"^\n""^Allegro con brio"!f!{/c'} .d'.d.d.d (Ped)(Ped) |{/c'} .d'.d.d.d ((Ped))((Ped)) | %2
.g(gf)(f b)(ba).a | .g.e.... | 2 | In bar 1, what is the dynamic marking? | f (forte) |
Haydn_Sonata_Hob._XVI37_Mov._1_D_Major | X:1
T:Sonata in D Major Mov. 1
C:Franz Joseph Haydn (1732-1809)
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=140
M:4/4
I:linebreak $
K:D
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:4 bass
V:1
"^\n""^Allegro con brio"!f!{/c'} .d'.d.d.d (Ped)(Ped) |{/c'} .d'.d.d.d ((Ped))((Ped)) | %2
.g(gf)(f b)(ba).a | .g.e.... | 2 | In bar 1, what is the ornament on the note d³? | C3 |
Haydn_Sonata_Hob._XVI37_Mov._1_D_Major | X:1
T:Sonata in D Major Mov. 1
C:Franz Joseph Haydn (1732-1809)
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=140
M:4/4
I:linebreak $
K:D
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:4 bass
V:1
"^\n""^Allegro con brio"!f!{/c'} .d'.d.d.d (Ped)(Ped) |{/c'} .d'.d.d.d ((Ped))((Ped)) | %2
.g(gf)(f b)(ba).a | .g.e.... | 2 | In bar 17, is there an accidental? | Yes — E♯, G♯ |
Haydn_Sonata_Hob._XVI37_Mov._1_D_Major | X:1
T:Sonata in D Major Mov. 1
C:Franz Joseph Haydn (1732-1809)
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=140
M:4/4
I:linebreak $
K:D
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:4 bass
V:1
"^\n""^Allegro con brio"!f!{/c'} .d'.d.d.d (Ped)(Ped) |{/c'} .d'.d.d.d ((Ped))((Ped)) | %2
.g(gf)(f b)(ba).a | .g.e.... | 3 | In bar 1, is there a first-inversion D major chord? | Yes |
Haydn_Sonata_Hob._XVI37_Mov._1_D_Major | X:1
T:Sonata in D Major Mov. 1
C:Franz Joseph Haydn (1732-1809)
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=140
M:4/4
I:linebreak $
K:D
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:4 bass
V:1
"^\n""^Allegro con brio"!f!{/c'} .d'.d.d.d (Ped)(Ped) |{/c'} .d'.d.d.d ((Ped))((Ped)) | %2
.g(gf)(f b)(ba).a | .g.e.... | 3 | In bar 1, what are the repeated notes of the D major chord? | Tonic |
Haydn_Sonata_Hob._XVI37_Mov._1_D_Major | X:1
T:Sonata in D Major Mov. 1
C:Franz Joseph Haydn (1732-1809)
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=140
M:4/4
I:linebreak $
K:D
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:4 bass
V:1
"^\n""^Allegro con brio"!f!{/c'} .d'.d.d.d (Ped)(Ped) |{/c'} .d'.d.d.d ((Ped))((Ped)) | %2
.g(gf)(f b)(ba).a | .g.e.... | 3 | In bar 1, does the piece begin on the tonic chord of the original key? | Yes |
Haydn_Sonata_Hob._XVI37_Mov._1_D_Major | X:1
T:Sonata in D Major Mov. 1
C:Franz Joseph Haydn (1732-1809)
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=140
M:4/4
I:linebreak $
K:D
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:4 bass
V:1
"^\n""^Allegro con brio"!f!{/c'} .d'.d.d.d (Ped)(Ped) |{/c'} .d'.d.d.d ((Ped))((Ped)) | %2
.g(gf)(f b)(ba).a | .g.e.... | 4 | What is the performance medium of the piece? | Piano solo |
Haydn_Sonata_Hob._XVI37_Mov._1_D_Major | X:1
T:Sonata in D Major Mov. 1
C:Franz Joseph Haydn (1732-1809)
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=140
M:4/4
I:linebreak $
K:D
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:4 bass
V:1
"^\n""^Allegro con brio"!f!{/c'} .d'.d.d.d (Ped)(Ped) |{/c'} .d'.d.d.d ((Ped))((Ped)) | %2
.g(gf)(f b)(ba).a | .g.e.... | 4 | What is the genre of the work? | Sonata |
Haydn_Sonata_Hob._XVI37_Mov._1_D_Major | X:1
T:Sonata in D Major Mov. 1
C:Franz Joseph Haydn (1732-1809)
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=140
M:4/4
I:linebreak $
K:D
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:4 bass
V:1
"^\n""^Allegro con brio"!f!{/c'} .d'.d.d.d (Ped)(Ped) |{/c'} .d'.d.d.d ((Ped))((Ped)) | %2
.g(gf)(f b)(ba).a | .g.e.... | 4 | Where is the principal section of the piece? | Bars 1–8 |
Haydn_String_Quartet_Op._64__No._3_Mvmnt_1 | X:1
T:Haydn String Quartet Op. 64, No 3, 1st Mvmnt
C:Haydn
%%score 1 2 3 4
L:1/8
Q:3/8=65
M:3/4
I:linebreak $
K:Bb
V:1 treble nm="Violin" snm="Vln."
V:2 treble nm="Violin" snm="Vln."
V:3 alto nm="Viola" snm="Vla."
V:4 bass nm="Violoncello" snm="Vc."
V:1
(.d.e .d) | (dc .B)(f =ef) | (c/=B/c/d/) .c(.d .e.f) | (^fa/g/ =f... | 1 | Is there an anacrusis (upbeat bar)? | Yes |
Haydn_String_Quartet_Op._64__No._3_Mvmnt_1 | X:1
T:Haydn String Quartet Op. 64, No 3, 1st Mvmnt
C:Haydn
%%score 1 2 3 4
L:1/8
Q:3/8=65
M:3/4
I:linebreak $
K:Bb
V:1 treble nm="Violin" snm="Vln."
V:2 treble nm="Violin" snm="Vln."
V:3 alto nm="Viola" snm="Vla."
V:4 bass nm="Violoncello" snm="Vc."
V:1
(.d.e .d) | (dc .B)(f =ef) | (c/=B/c/d/) .c(.d .e.f) | (^fa/g/ =f... | 1 | What is the initial clef? | Treble, alto, bass clefs |
Haydn_String_Quartet_Op._64__No._3_Mvmnt_1 | X:1
T:Haydn String Quartet Op. 64, No 3, 1st Mvmnt
C:Haydn
%%score 1 2 3 4
L:1/8
Q:3/8=65
M:3/4
I:linebreak $
K:Bb
V:1 treble nm="Violin" snm="Vln."
V:2 treble nm="Violin" snm="Vln."
V:3 alto nm="Viola" snm="Vla."
V:4 bass nm="Violoncello" snm="Vc."
V:1
(.d.e .d) | (dc .B)(f =ef) | (c/=B/c/d/) .c(.d .e.f) | (^fa/g/ =f... | 1 | What is the initial time signature? | 3/4 time |
Haydn_String_Quartet_Op._64__No._3_Mvmnt_1 | X:1
T:Haydn String Quartet Op. 64, No 3, 1st Mvmnt
C:Haydn
%%score 1 2 3 4
L:1/8
Q:3/8=65
M:3/4
I:linebreak $
K:Bb
V:1 treble nm="Violin" snm="Vln."
V:2 treble nm="Violin" snm="Vln."
V:3 alto nm="Viola" snm="Vla."
V:4 bass nm="Violoncello" snm="Vc."
V:1
(.d.e .d) | (dc .B)(f =ef) | (c/=B/c/d/) .c(.d .e.f) | (^fa/g/ =f... | 2 | In bars 1–172, is there a repeat sign? | No |
Haydn_String_Quartet_Op._64__No._3_Mvmnt_1 | X:1
T:Haydn String Quartet Op. 64, No 3, 1st Mvmnt
C:Haydn
%%score 1 2 3 4
L:1/8
Q:3/8=65
M:3/4
I:linebreak $
K:Bb
V:1 treble nm="Violin" snm="Vln."
V:2 treble nm="Violin" snm="Vln."
V:3 alto nm="Viola" snm="Vla."
V:4 bass nm="Violoncello" snm="Vc."
V:1
(.d.e .d) | (dc .B)(f =ef) | (c/=B/c/d/) .c(.d .e.f) | (^fa/g/ =f... | 2 | In bar 164, what is the highest pitch? | C3 |
Haydn_String_Quartet_Op._64__No._3_Mvmnt_1 | X:1
T:Haydn String Quartet Op. 64, No 3, 1st Mvmnt
C:Haydn
%%score 1 2 3 4
L:1/8
Q:3/8=65
M:3/4
I:linebreak $
K:Bb
V:1 treble nm="Violin" snm="Vln."
V:2 treble nm="Violin" snm="Vln."
V:3 alto nm="Viola" snm="Vla."
V:4 bass nm="Violoncello" snm="Vc."
V:1
(.d.e .d) | (dc .B)(f =ef) | (c/=B/c/d/) .c(.d .e.f) | (^fa/g/ =f... | 2 | In bar 168, what is the longest rest value? | Crotchet rest |
Haydn_String_Quartet_Op._64__No._3_Mvmnt_1 | X:1
T:Haydn String Quartet Op. 64, No 3, 1st Mvmnt
C:Haydn
%%score 1 2 3 4
L:1/8
Q:3/8=65
M:3/4
I:linebreak $
K:Bb
V:1 treble nm="Violin" snm="Vln."
V:2 treble nm="Violin" snm="Vln."
V:3 alto nm="Viola" snm="Vla."
V:4 bass nm="Violoncello" snm="Vc."
V:1
(.d.e .d) | (dc .B)(f =ef) | (c/=B/c/d/) .c(.d .e.f) | (^fa/g/ =f... | 3 | In bar 6, is there a third-inversion B-flat major chord? | No |
Haydn_String_Quartet_Op._64__No._3_Mvmnt_1 | X:1
T:Haydn String Quartet Op. 64, No 3, 1st Mvmnt
C:Haydn
%%score 1 2 3 4
L:1/8
Q:3/8=65
M:3/4
I:linebreak $
K:Bb
V:1 treble nm="Violin" snm="Vln."
V:2 treble nm="Violin" snm="Vln."
V:3 alto nm="Viola" snm="Vla."
V:4 bass nm="Violoncello" snm="Vc."
V:1
(.d.e .d) | (dc .B)(f =ef) | (c/=B/c/d/) .c(.d .e.f) | (^fa/g/ =f... | 3 | In bar 6, what are the repeated notes of the B-flat major chord? | Root note |
Haydn_String_Quartet_Op._64__No._3_Mvmnt_1 | X:1
T:Haydn String Quartet Op. 64, No 3, 1st Mvmnt
C:Haydn
%%score 1 2 3 4
L:1/8
Q:3/8=65
M:3/4
I:linebreak $
K:Bb
V:1 treble nm="Violin" snm="Vln."
V:2 treble nm="Violin" snm="Vln."
V:3 alto nm="Viola" snm="Vla."
V:4 bass nm="Violoncello" snm="Vc."
V:1
(.d.e .d) | (dc .B)(f =ef) | (c/=B/c/d/) .c(.d .e.f) | (^fa/g/ =f... | 3 | In bar 1, what scale degree is the first chord? (Use I, II, III, IV, V, VI, VII) | I |
Haydn_String_Quartet_Op._64__No._3_Mvmnt_1 | X:1
T:Haydn String Quartet Op. 64, No 3, 1st Mvmnt
C:Haydn
%%score 1 2 3 4
L:1/8
Q:3/8=65
M:3/4
I:linebreak $
K:Bb
V:1 treble nm="Violin" snm="Vln."
V:2 treble nm="Violin" snm="Vln."
V:3 alto nm="Viola" snm="Vla."
V:4 bass nm="Violoncello" snm="Vc."
V:1
(.d.e .d) | (dc .B)(f =ef) | (c/=B/c/d/) .c(.d .e.f) | (^fa/g/ =f... | 4 | What is the performance medium of the piece? | String quartet |
Haydn_String_Quartet_Op._64__No._3_Mvmnt_1 | X:1
T:Haydn String Quartet Op. 64, No 3, 1st Mvmnt
C:Haydn
%%score 1 2 3 4
L:1/8
Q:3/8=65
M:3/4
I:linebreak $
K:Bb
V:1 treble nm="Violin" snm="Vln."
V:2 treble nm="Violin" snm="Vln."
V:3 alto nm="Viola" snm="Vla."
V:4 bass nm="Violoncello" snm="Vc."
V:1
(.d.e .d) | (dc .B)(f =ef) | (c/=B/c/d/) .c(.d .e.f) | (^fa/g/ =f... | 4 | In bars 1–2, in which register is the melody? | Upper-middle register |
Haydn_String_Quartet_Op._64__No._3_Mvmnt_1 | X:1
T:Haydn String Quartet Op. 64, No 3, 1st Mvmnt
C:Haydn
%%score 1 2 3 4
L:1/8
Q:3/8=65
M:3/4
I:linebreak $
K:Bb
V:1 treble nm="Violin" snm="Vln."
V:2 treble nm="Violin" snm="Vln."
V:3 alto nm="Viola" snm="Vla."
V:4 bass nm="Violoncello" snm="Vc."
V:1
(.d.e .d) | (dc .B)(f =ef) | (c/=B/c/d/) .c(.d .e.f) | (^fa/g/ =f... | 4 | What is the rhythm of the motif? | Even rhythm |
Humoresque_No._7_-_Dvok_-_1894 | X:1
T:Humoresque No.7
T:Humoresque
C:Antonín Dvořák
Z:Public Domain
%%score { ( 1 3 ) | ( 2 4 5 ) }
L:1/8
Q:1/4=72
M:2/4
I:linebreak $
K:Gb
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:4 bass
V:5 bass
V:1
"^Poco lento e grazioso" (G/z/4A/4G/z/4A/4 B/z/4d/4!<(!e/z/4d/4) | %1
{/e} (g/z/4f/4a/!<)!z/4g/4 f/z/... | 1 | What is the initial key? | B♭ major |
Humoresque_No._7_-_Dvok_-_1894 | X:1
T:Humoresque No.7
T:Humoresque
C:Antonín Dvořák
Z:Public Domain
%%score { ( 1 3 ) | ( 2 4 5 ) }
L:1/8
Q:1/4=72
M:2/4
I:linebreak $
K:Gb
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:4 bass
V:5 bass
V:1
"^Poco lento e grazioso" (G/z/4A/4G/z/4A/4 B/z/4d/4!<(!e/z/4d/4) | %1
{/e} (g/z/4f/4a/!<)!z/4g/4 f/z/... | 1 | What is the tempo in beats per minute? | 2/4 time |
Humoresque_No._7_-_Dvok_-_1894 | X:1
T:Humoresque No.7
T:Humoresque
C:Antonín Dvořák
Z:Public Domain
%%score { ( 1 3 ) | ( 2 4 5 ) }
L:1/8
Q:1/4=72
M:2/4
I:linebreak $
K:Gb
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:4 bass
V:5 bass
V:1
"^Poco lento e grazioso" (G/z/4A/4G/z/4A/4 B/z/4d/4!<(!e/z/4d/4) | %1
{/e} (g/z/4f/4a/!<)!z/4g/4 f/z/... | 1 | Is there an anacrusis (upbeat bar)? | No |
Humoresque_No._7_-_Dvok_-_1894 | X:1
T:Humoresque No.7
T:Humoresque
C:Antonín Dvořák
Z:Public Domain
%%score { ( 1 3 ) | ( 2 4 5 ) }
L:1/8
Q:1/4=72
M:2/4
I:linebreak $
K:Gb
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:4 bass
V:5 bass
V:1
"^Poco lento e grazioso" (G/z/4A/4G/z/4A/4 B/z/4d/4!<(!e/z/4d/4) | %1
{/e} (g/z/4f/4a/!<)!z/4g/4 f/z/... | 2 | In bar 1, what is the highest pitch? | B♭3 |
Humoresque_No._7_-_Dvok_-_1894 | X:1
T:Humoresque No.7
T:Humoresque
C:Antonín Dvořák
Z:Public Domain
%%score { ( 1 3 ) | ( 2 4 5 ) }
L:1/8
Q:1/4=72
M:2/4
I:linebreak $
K:Gb
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:4 bass
V:5 bass
V:1
"^Poco lento e grazioso" (G/z/4A/4G/z/4A/4 B/z/4d/4!<(!e/z/4d/4) | %1
{/e} (g/z/4f/4a/!<)!z/4g/4 f/z/... | 2 | In bars 1–8, is there a repeat sign? | Yes |
Humoresque_No._7_-_Dvok_-_1894 | X:1
T:Humoresque No.7
T:Humoresque
C:Antonín Dvořák
Z:Public Domain
%%score { ( 1 3 ) | ( 2 4 5 ) }
L:1/8
Q:1/4=72
M:2/4
I:linebreak $
K:Gb
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:4 bass
V:5 bass
V:1
"^Poco lento e grazioso" (G/z/4A/4G/z/4A/4 B/z/4d/4!<(!e/z/4d/4) | %1
{/e} (g/z/4f/4a/!<)!z/4g/4 f/z/... | 2 | In bar 1, what is the articulation marking? | Slur, staccato mark |
Humoresque_No._7_-_Dvok_-_1894 | X:1
T:Humoresque No.7
T:Humoresque
C:Antonín Dvořák
Z:Public Domain
%%score { ( 1 3 ) | ( 2 4 5 ) }
L:1/8
Q:1/4=72
M:2/4
I:linebreak $
K:Gb
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:4 bass
V:5 bass
V:1
"^Poco lento e grazioso" (G/z/4A/4G/z/4A/4 B/z/4d/4!<(!e/z/4d/4) | %1
{/e} (g/z/4f/4a/!<)!z/4g/4 f/z/... | 3 | In bar 1, what are the repeated notes of the B-flat major chord? | Root note |
Humoresque_No._7_-_Dvok_-_1894 | X:1
T:Humoresque No.7
T:Humoresque
C:Antonín Dvořák
Z:Public Domain
%%score { ( 1 3 ) | ( 2 4 5 ) }
L:1/8
Q:1/4=72
M:2/4
I:linebreak $
K:Gb
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:4 bass
V:5 bass
V:1
"^Poco lento e grazioso" (G/z/4A/4G/z/4A/4 B/z/4d/4!<(!e/z/4d/4) | %1
{/e} (g/z/4f/4a/!<)!z/4g/4 f/z/... | 3 | In bar 16, is there a Bb major chord? | No |
Humoresque_No._7_-_Dvok_-_1894 | X:1
T:Humoresque No.7
T:Humoresque
C:Antonín Dvořák
Z:Public Domain
%%score { ( 1 3 ) | ( 2 4 5 ) }
L:1/8
Q:1/4=72
M:2/4
I:linebreak $
K:Gb
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:4 bass
V:5 bass
V:1
"^Poco lento e grazioso" (G/z/4A/4G/z/4A/4 B/z/4d/4!<(!e/z/4d/4) | %1
{/e} (g/z/4f/4a/!<)!z/4g/4 f/z/... | 3 | In bars 7–8, is there a perfect cadence? | Yes |
Humoresque_No._7_-_Dvok_-_1894 | X:1
T:Humoresque No.7
T:Humoresque
C:Antonín Dvořák
Z:Public Domain
%%score { ( 1 3 ) | ( 2 4 5 ) }
L:1/8
Q:1/4=72
M:2/4
I:linebreak $
K:Gb
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:4 bass
V:5 bass
V:1
"^Poco lento e grazioso" (G/z/4A/4G/z/4A/4 B/z/4d/4!<(!e/z/4d/4) | %1
{/e} (g/z/4f/4a/!<)!z/4g/4 f/z/... | 4 | What is the performance medium of the piece? | Piano solo |
Humoresque_No._7_-_Dvok_-_1894 | X:1
T:Humoresque No.7
T:Humoresque
C:Antonín Dvořák
Z:Public Domain
%%score { ( 1 3 ) | ( 2 4 5 ) }
L:1/8
Q:1/4=72
M:2/4
I:linebreak $
K:Gb
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:4 bass
V:5 bass
V:1
"^Poco lento e grazioso" (G/z/4A/4G/z/4A/4 B/z/4d/4!<(!e/z/4d/4) | %1
{/e} (g/z/4f/4a/!<)!z/4g/4 f/z/... | 4 | What are the main structural features of the motif? | Second Interval |
Humoresque_No._7_-_Dvok_-_1894 | X:1
T:Humoresque No.7
T:Humoresque
C:Antonín Dvořák
Z:Public Domain
%%score { ( 1 3 ) | ( 2 4 5 ) }
L:1/8
Q:1/4=72
M:2/4
I:linebreak $
K:Gb
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:4 bass
V:5 bass
V:1
"^Poco lento e grazioso" (G/z/4A/4G/z/4A/4 B/z/4d/4!<(!e/z/4d/4) | %1
{/e} (g/z/4f/4a/!<)!z/4g/4 f/z/... | 4 | In which bar does the melodic motif appear? | Bar 1 |
Impromptu_in_C_minor_n_1_Op._90_Franz_Schubert | X:1
T:Impromptu, in C
C:Franz Schubert, Op 90, N° 1
%%score { ( 1 3 5 ) | ( 2 4 ) }
L:1/8
Q:1/4=85
M:4/4
I:linebreak $
K:Eb
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:5 treble
V:2 bass
V:4 bass
V:1
!ff!"^Allegro molto moderato" !fermata![Gg]6!pp! (=B>c | .d2 .d2 .d2 c>d | e3 d c2) (d>c | %3
=B2 =A>B c2 d>e | d6... | 1 | What is the initial tempo marking? | Allegro |
Impromptu_in_C_minor_n_1_Op._90_Franz_Schubert | X:1
T:Impromptu, in C
C:Franz Schubert, Op 90, N° 1
%%score { ( 1 3 5 ) | ( 2 4 ) }
L:1/8
Q:1/4=85
M:4/4
I:linebreak $
K:Eb
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:5 treble
V:2 bass
V:4 bass
V:1
!ff!"^Allegro molto moderato" !fermata![Gg]6!pp! (=B>c | .d2 .d2 .d2 c>d | e3 d c2) (d>c | %3
=B2 =A>B c2 d>e | d6... | 1 | Who is the composer? | Schubert |
Impromptu_in_C_minor_n_1_Op._90_Franz_Schubert | X:1
T:Impromptu, in C
C:Franz Schubert, Op 90, N° 1
%%score { ( 1 3 5 ) | ( 2 4 ) }
L:1/8
Q:1/4=85
M:4/4
I:linebreak $
K:Eb
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:5 treble
V:2 bass
V:4 bass
V:1
!ff!"^Allegro molto moderato" !fermata![Gg]6!pp! (=B>c | .d2 .d2 .d2 c>d | e3 d c2) (d>c | %3
=B2 =A>B c2 d>e | d6... | 1 | What is the initial time signature? | 4/4 time |
Impromptu_in_C_minor_n_1_Op._90_Franz_Schubert | X:1
T:Impromptu, in C
C:Franz Schubert, Op 90, N° 1
%%score { ( 1 3 5 ) | ( 2 4 ) }
L:1/8
Q:1/4=85
M:4/4
I:linebreak $
K:Eb
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:5 treble
V:2 bass
V:4 bass
V:1
!ff!"^Allegro molto moderato" !fermata![Gg]6!pp! (=B>c | .d2 .d2 .d2 c>d | e3 d c2) (d>c | %3
=B2 =A>B c2 d>e | d6... | 2 | In bar 13, what is the shortest rest value? | Crotchet rest |
Impromptu_in_C_minor_n_1_Op._90_Franz_Schubert | X:1
T:Impromptu, in C
C:Franz Schubert, Op 90, N° 1
%%score { ( 1 3 5 ) | ( 2 4 ) }
L:1/8
Q:1/4=85
M:4/4
I:linebreak $
K:Eb
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:5 treble
V:2 bass
V:4 bass
V:1
!ff!"^Allegro molto moderato" !fermata![Gg]6!pp! (=B>c | .d2 .d2 .d2 c>d | e3 d c2) (d>c | %3
=B2 =A>B c2 d>e | d6... | 2 | In bar 49, what is the dynamic marking? | decrescendo |
Impromptu_in_C_minor_n_1_Op._90_Franz_Schubert | X:1
T:Impromptu, in C
C:Franz Schubert, Op 90, N° 1
%%score { ( 1 3 5 ) | ( 2 4 ) }
L:1/8
Q:1/4=85
M:4/4
I:linebreak $
K:Eb
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:5 treble
V:2 bass
V:4 bass
V:1
!ff!"^Allegro molto moderato" !fermata![Gg]6!pp! (=B>c | .d2 .d2 .d2 c>d | e3 d c2) (d>c | %3
=B2 =A>B c2 d>e | d6... | 2 | In bar 19, what is the ornament on note E♭? | C5, D5 |
Impromptu_in_C_minor_n_1_Op._90_Franz_Schubert | X:1
T:Impromptu, in C
C:Franz Schubert, Op 90, N° 1
%%score { ( 1 3 5 ) | ( 2 4 ) }
L:1/8
Q:1/4=85
M:4/4
I:linebreak $
K:Eb
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:5 treble
V:2 bass
V:4 bass
V:1
!ff!"^Allegro molto moderato" !fermata![Gg]6!pp! (=B>c | .d2 .d2 .d2 c>d | e3 d c2) (d>c | %3
=B2 =A>B c2 d>e | d6... | 3 | In bar 39, is there an A7 chord? | None |
Impromptu_in_C_minor_n_1_Op._90_Franz_Schubert | X:1
T:Impromptu, in C
C:Franz Schubert, Op 90, N° 1
%%score { ( 1 3 5 ) | ( 2 4 ) }
L:1/8
Q:1/4=85
M:4/4
I:linebreak $
K:Eb
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:5 treble
V:2 bass
V:4 bass
V:1
!ff!"^Allegro molto moderato" !fermata![Gg]6!pp! (=B>c | .d2 .d2 .d2 c>d | e3 d c2) (d>c | %3
=B2 =A>B c2 d>e | d6... | 3 | In bar 50, is there a first inversion F major chord? | Yes |
Impromptu_in_C_minor_n_1_Op._90_Franz_Schubert | X:1
T:Impromptu, in C
C:Franz Schubert, Op 90, N° 1
%%score { ( 1 3 5 ) | ( 2 4 ) }
L:1/8
Q:1/4=85
M:4/4
I:linebreak $
K:Eb
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:5 treble
V:2 bass
V:4 bass
V:1
!ff!"^Allegro molto moderato" !fermata![Gg]6!pp! (=B>c | .d2 .d2 .d2 c>d | e3 d c2) (d>c | %3
=B2 =A>B c2 d>e | d6... | 3 | In bar 60, what notes are omitted from the A♭ major chord? | Eb |
Impromptu_in_C_minor_n_1_Op._90_Franz_Schubert | X:1
T:Impromptu, in C
C:Franz Schubert, Op 90, N° 1
%%score { ( 1 3 5 ) | ( 2 4 ) }
L:1/8
Q:1/4=85
M:4/4
I:linebreak $
K:Eb
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:5 treble
V:2 bass
V:4 bass
V:1
!ff!"^Allegro molto moderato" !fermata![Gg]6!pp! (=B>c | .d2 .d2 .d2 c>d | e3 d c2) (d>c | %3
=B2 =A>B c2 d>e | d6... | 4 | What is the performance medium of the piece? | Piano solo |
Impromptu_in_C_minor_n_1_Op._90_Franz_Schubert | X:1
T:Impromptu, in C
C:Franz Schubert, Op 90, N° 1
%%score { ( 1 3 5 ) | ( 2 4 ) }
L:1/8
Q:1/4=85
M:4/4
I:linebreak $
K:Eb
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:5 treble
V:2 bass
V:4 bass
V:1
!ff!"^Allegro molto moderato" !fermata![Gg]6!pp! (=B>c | .d2 .d2 .d2 c>d | e3 d c2) (d>c | %3
=B2 =A>B c2 d>e | d6... | 4 | In which bar does the melodic motif appear? | 1, 2 |
Impromptu_in_C_minor_n_1_Op._90_Franz_Schubert | X:1
T:Impromptu, in C
C:Franz Schubert, Op 90, N° 1
%%score { ( 1 3 5 ) | ( 2 4 ) }
L:1/8
Q:1/4=85
M:4/4
I:linebreak $
K:Eb
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:5 treble
V:2 bass
V:4 bass
V:1
!ff!"^Allegro molto moderato" !fermata![Gg]6!pp! (=B>c | .d2 .d2 .d2 c>d | e3 d c2) (d>c | %3
=B2 =A>B c2 d>e | d6... | 4 | What is the rhythm of the motif? | Dotted rhythm + even rhythm |
Impromptu_op._90_d._899_no._4_in_A-flat_Major_-_Franz_Schubert | X:1
T:Impromptu op. 90 no. 4 in A-flat Major
C:Franz Schubert
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=147
M:3/4
I:linebreak $
K:Ab
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
"^Allegretto"!pp! _c'/e'/c'/a/ a/c'/a/e/ e/a/e/_c/ | _c/e/c/A/ A/c/A/E/ !wedge![GB] z | %2
_c'/e'/c'/a/ a/c'/a/e/ e/a... | 1 | What is the initial clef? | Treble clef, bass clef |
Impromptu_op._90_d._899_no._4_in_A-flat_Major_-_Franz_Schubert | X:1
T:Impromptu op. 90 no. 4 in A-flat Major
C:Franz Schubert
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=147
M:3/4
I:linebreak $
K:Ab
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
"^Allegretto"!pp! _c'/e'/c'/a/ a/c'/a/e/ e/a/e/_c/ | _c/e/c/A/ A/c/A/E/ !wedge![GB] z | %2
_c'/e'/c'/a/ a/c'/a/e/ e/a... | 1 | What is the initial tempo marking? | Allegretto |
Impromptu_op._90_d._899_no._4_in_A-flat_Major_-_Franz_Schubert | X:1
T:Impromptu op. 90 no. 4 in A-flat Major
C:Franz Schubert
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=147
M:3/4
I:linebreak $
K:Ab
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
"^Allegretto"!pp! _c'/e'/c'/a/ a/c'/a/e/ e/a/e/_c/ | _c/e/c/A/ A/c/A/E/ !wedge![GB] z | %2
_c'/e'/c'/a/ a/c'/a/e/ e/a... | 1 | What is the initial key? | A♭ major |
Impromptu_op._90_d._899_no._4_in_A-flat_Major_-_Franz_Schubert | X:1
T:Impromptu op. 90 no. 4 in A-flat Major
C:Franz Schubert
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=147
M:3/4
I:linebreak $
K:Ab
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
"^Allegretto"!pp! _c'/e'/c'/a/ a/c'/a/e/ e/a/e/_c/ | _c/e/c/A/ A/c/A/E/ !wedge![GB] z | %2
_c'/e'/c'/a/ a/c'/a/e/ e/a... | 2 | In bar 1, what is the dynamic marking? | Pianissimo (very soft) |
Impromptu_op._90_d._899_no._4_in_A-flat_Major_-_Franz_Schubert | X:1
T:Impromptu op. 90 no. 4 in A-flat Major
C:Franz Schubert
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=147
M:3/4
I:linebreak $
K:Ab
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
"^Allegretto"!pp! _c'/e'/c'/a/ a/c'/a/e/ e/a/e/_c/ | _c/e/c/A/ A/c/A/E/ !wedge![GB] z | %2
_c'/e'/c'/a/ a/c'/a/e/ e/a... | 2 | In bar 103, what is the new clef? | Bass clef |
Impromptu_op._90_d._899_no._4_in_A-flat_Major_-_Franz_Schubert | X:1
T:Impromptu op. 90 no. 4 in A-flat Major
C:Franz Schubert
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=147
M:3/4
I:linebreak $
K:Ab
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
"^Allegretto"!pp! _c'/e'/c'/a/ a/c'/a/e/ e/a/e/_c/ | _c/e/c/A/ A/c/A/E/ !wedge![GB] z | %2
_c'/e'/c'/a/ a/c'/a/e/ e/a... | 2 | In bar 39, what is the articulation marking? | Staccato |
Impromptu_op._90_d._899_no._4_in_A-flat_Major_-_Franz_Schubert | X:1
T:Impromptu op. 90 no. 4 in A-flat Major
C:Franz Schubert
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=147
M:3/4
I:linebreak $
K:Ab
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
"^Allegretto"!pp! _c'/e'/c'/a/ a/c'/a/e/ e/a/e/_c/ | _c/e/c/A/ A/c/A/E/ !wedge![GB] z | %2
_c'/e'/c'/a/ a/c'/a/e/ e/a... | 3 | In bar 72, does the music begin on the tonic chord of the home key? | Yes |
Impromptu_op._90_d._899_no._4_in_A-flat_Major_-_Franz_Schubert | X:1
T:Impromptu op. 90 no. 4 in A-flat Major
C:Franz Schubert
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=147
M:3/4
I:linebreak $
K:Ab
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
"^Allegretto"!pp! _c'/e'/c'/a/ a/c'/a/e/ e/a/e/_c/ | _c/e/c/A/ A/c/A/E/ !wedge![GB] z | %2
_c'/e'/c'/a/ a/c'/a/e/ e/a... | 3 | In bars 110–111, what is the chord progression (I, II, III, IV, V, VI, VII)? | V7–I |
Impromptu_op._90_d._899_no._4_in_A-flat_Major_-_Franz_Schubert | X:1
T:Impromptu op. 90 no. 4 in A-flat Major
C:Franz Schubert
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=147
M:3/4
I:linebreak $
K:Ab
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
"^Allegretto"!pp! _c'/e'/c'/a/ a/c'/a/e/ e/a/e/_c/ | _c/e/c/A/ A/c/A/E/ !wedge![GB] z | %2
_c'/e'/c'/a/ a/c'/a/e/ e/a... | 3 | In bars 167–175, is there a perfect cadence? | No |
Impromptu_op._90_d._899_no._4_in_A-flat_Major_-_Franz_Schubert | X:1
T:Impromptu op. 90 no. 4 in A-flat Major
C:Franz Schubert
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=147
M:3/4
I:linebreak $
K:Ab
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
"^Allegretto"!pp! _c'/e'/c'/a/ a/c'/a/e/ e/a/e/_c/ | _c/e/c/A/ A/c/A/E/ !wedge![GB] z | %2
_c'/e'/c'/a/ a/c'/a/e/ e/a... | 4 | In which bar does the melodic motif first appear? | Bars 1–2 |
Impromptu_op._90_d._899_no._4_in_A-flat_Major_-_Franz_Schubert | X:1
T:Impromptu op. 90 no. 4 in A-flat Major
C:Franz Schubert
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=147
M:3/4
I:linebreak $
K:Ab
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
"^Allegretto"!pp! _c'/e'/c'/a/ a/c'/a/e/ e/a/e/_c/ | _c/e/c/A/ A/c/A/E/ !wedge![GB] z | %2
_c'/e'/c'/a/ a/c'/a/e/ e/a... | 4 | What are the main structural features of the motif? | Arpeggio built in thirds |
Impromptu_op._90_d._899_no._4_in_A-flat_Major_-_Franz_Schubert | X:1
T:Impromptu op. 90 no. 4 in A-flat Major
C:Franz Schubert
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=147
M:3/4
I:linebreak $
K:Ab
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
"^Allegretto"!pp! _c'/e'/c'/a/ a/c'/a/e/ e/a/e/_c/ | _c/e/c/A/ A/c/A/E/ !wedge![GB] z | %2
_c'/e'/c'/a/ a/c'/a/e/ e/a... | 4 | What is the performance medium of the piece? | Piano solo |
In_the_Hall_of_the_Mountain_King_-_Edvard_Grieg_-_1888 | X:1
T:I Dovregubbens hall
C:Edvard Grieg
Z:Public Domain
%%score { ( 1 3 ) | 2 }
L:1/8
Q:1/4=138
M:4/4
I:linebreak $
K:D
V:1 bass nm="Piano"
V:3 bass
V:2 bass
V:1
!p!"^Alla marcia e molto marcato" !>!!fermata![F,F]8 |!pp! .!1!B,,,.C,,.D,,.E,, !>!.F,,.D,, .F,,2 | %2
!>!.^E,,.C,, .E,,2 !>!.=E,,.=C,, .E,,2 | .!1!B,,,.^... | 1 | Who is the composer? | Grieg |
In_the_Hall_of_the_Mountain_King_-_Edvard_Grieg_-_1888 | X:1
T:I Dovregubbens hall
C:Edvard Grieg
Z:Public Domain
%%score { ( 1 3 ) | 2 }
L:1/8
Q:1/4=138
M:4/4
I:linebreak $
K:D
V:1 bass nm="Piano"
V:3 bass
V:2 bass
V:1
!p!"^Alla marcia e molto marcato" !>!!fermata![F,F]8 |!pp! .!1!B,,,.C,,.D,,.E,, !>!.F,,.D,, .F,,2 | %2
!>!.^E,,.C,, .E,,2 !>!.=E,,.=C,, .E,,2 | .!1!B,,,.^... | 1 | Is there an anacrusis (upbeat bar)? | No |
In_the_Hall_of_the_Mountain_King_-_Edvard_Grieg_-_1888 | X:1
T:I Dovregubbens hall
C:Edvard Grieg
Z:Public Domain
%%score { ( 1 3 ) | 2 }
L:1/8
Q:1/4=138
M:4/4
I:linebreak $
K:D
V:1 bass nm="Piano"
V:3 bass
V:2 bass
V:1
!p!"^Alla marcia e molto marcato" !>!!fermata![F,F]8 |!pp! .!1!B,,,.C,,.D,,.E,, !>!.F,,.D,, .F,,2 | %2
!>!.^E,,.C,, .E,,2 !>!.=E,,.=C,, .E,,2 | .!1!B,,,.^... | 1 | What is the tempo in beats per minute? | 138 bpm |
In_the_Hall_of_the_Mountain_King_-_Edvard_Grieg_-_1888 | X:1
T:I Dovregubbens hall
C:Edvard Grieg
Z:Public Domain
%%score { ( 1 3 ) | 2 }
L:1/8
Q:1/4=138
M:4/4
I:linebreak $
K:D
V:1 bass nm="Piano"
V:3 bass
V:2 bass
V:1
!p!"^Alla marcia e molto marcato" !>!!fermata![F,F]8 |!pp! .!1!B,,,.C,,.D,,.E,, !>!.F,,.D,, .F,,2 | %2
!>!.^E,,.C,, .E,,2 !>!.=E,,.=C,, .E,,2 | .!1!B,,,.^... | 2 | In bar 1, what is the lowest pitch? | B2 |
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