song_id stringclasses 150
values | abc_notation stringclasses 150
values | level int32 1 4 | question stringlengths 20 85 | answer stringlengths 1 82 |
|---|---|---|---|---|
Fugue_I_in_C_major_BWV_846_-_Well_Tempered_Clavier_First_Book | X:1
T:Fugue I
T:In C major
T:Johann Sebastian Bach (1685 - 1750)
T:BWV 846
%%score { ( 1 3 5 ) | ( 2 4 ) }
L:1/8
Q:1/4=60
M:4/4
I:linebreak $
K:C
V:1 treble nm="Piano"
V:3 treble
V:5 treble
V:2 bass
V:4 bass
V:1
"^Adagio" z CDE F3/2G/4F/4EA | DG- G/A/G/F/ E/F/E/D/ C/D/C/B,/ | A,^F G2- GF/E/FD | GFED C z z G- | %4
w... | 3 | In bar 27, is there a first/second/third inversion of chord I? | Yes, first inversion |
Fugue_I_in_C_major_BWV_846_-_Well_Tempered_Clavier_First_Book | X:1
T:Fugue I
T:In C major
T:Johann Sebastian Bach (1685 - 1750)
T:BWV 846
%%score { ( 1 3 5 ) | ( 2 4 ) }
L:1/8
Q:1/4=60
M:4/4
I:linebreak $
K:C
V:1 treble nm="Piano"
V:3 treble
V:5 treble
V:2 bass
V:4 bass
V:1
"^Adagio" z CDE F3/2G/4F/4EA | DG- G/A/G/F/ E/F/E/D/ C/D/C/B,/ | A,^F G2- GF/E/FD | GFED C z z G- | %4
w... | 4 | What is the genre of the piece? | Fugue |
Fugue_I_in_C_major_BWV_846_-_Well_Tempered_Clavier_First_Book | X:1
T:Fugue I
T:In C major
T:Johann Sebastian Bach (1685 - 1750)
T:BWV 846
%%score { ( 1 3 5 ) | ( 2 4 ) }
L:1/8
Q:1/4=60
M:4/4
I:linebreak $
K:C
V:1 treble nm="Piano"
V:3 treble
V:5 treble
V:2 bass
V:4 bass
V:1
"^Adagio" z CDE F3/2G/4F/4EA | DG- G/A/G/F/ E/F/E/D/ C/D/C/B,/ | A,^F G2- GF/E/FD | GFED C z z G- | %4
w... | 4 | What is the most frequently used ornament in the piece? | Mordent |
Fugue_I_in_C_major_BWV_846_-_Well_Tempered_Clavier_First_Book | X:1
T:Fugue I
T:In C major
T:Johann Sebastian Bach (1685 - 1750)
T:BWV 846
%%score { ( 1 3 5 ) | ( 2 4 ) }
L:1/8
Q:1/4=60
M:4/4
I:linebreak $
K:C
V:1 treble nm="Piano"
V:3 treble
V:5 treble
V:2 bass
V:4 bass
V:1
"^Adagio" z CDE F3/2G/4F/4EA | DG- G/A/G/F/ E/F/E/D/ C/D/C/B,/ | A,^F G2- GF/E/FD | GFED C z z G- | %4
w... | 4 | What are the main features of the motif? | Ascending scale |
Grieg_-_Wedding_Day_at_Troldhaugen | X:1
T:Wedding Day at Troldhaugen
C:Vincent
Z:Lyric Pieces, Op. 65, No. 6
%%score { ( 1 3 4 ) | ( 2 5 ) }
L:1/8
Q:1/4=129
M:4/4
I:linebreak $
K:D
V:1 bass nm="Piano solo" snm="Pno. solo"
V:3 bass
V:4 bass
V:2 bass
V:5 bass
V:1
"^Tempo di Marcia un poco vivace."!p!"_Pno." z2 [D,A,][D,A,] .[D,A,]2 z2 | %1
z2 [D,A,][D... | 1 | Which instruments are used? | Piano |
Grieg_-_Wedding_Day_at_Troldhaugen | X:1
T:Wedding Day at Troldhaugen
C:Vincent
Z:Lyric Pieces, Op. 65, No. 6
%%score { ( 1 3 4 ) | ( 2 5 ) }
L:1/8
Q:1/4=129
M:4/4
I:linebreak $
K:D
V:1 bass nm="Piano solo" snm="Pno. solo"
V:3 bass
V:4 bass
V:2 bass
V:5 bass
V:1
"^Tempo di Marcia un poco vivace."!p!"_Pno." z2 [D,A,][D,A,] .[D,A,]2 z2 | %1
z2 [D,A,][D... | 1 | What is the initial expression marking? | Tempo di marcia un poco vivace |
Grieg_-_Wedding_Day_at_Troldhaugen | X:1
T:Wedding Day at Troldhaugen
C:Vincent
Z:Lyric Pieces, Op. 65, No. 6
%%score { ( 1 3 4 ) | ( 2 5 ) }
L:1/8
Q:1/4=129
M:4/4
I:linebreak $
K:D
V:1 bass nm="Piano solo" snm="Pno. solo"
V:3 bass
V:4 bass
V:2 bass
V:5 bass
V:1
"^Tempo di Marcia un poco vivace."!p!"_Pno." z2 [D,A,][D,A,] .[D,A,]2 z2 | %1
z2 [D,A,][D... | 1 | Who is the composer? | Grieg |
Grieg_-_Wedding_Day_at_Troldhaugen | X:1
T:Wedding Day at Troldhaugen
C:Vincent
Z:Lyric Pieces, Op. 65, No. 6
%%score { ( 1 3 4 ) | ( 2 5 ) }
L:1/8
Q:1/4=129
M:4/4
I:linebreak $
K:D
V:1 bass nm="Piano solo" snm="Pno. solo"
V:3 bass
V:4 bass
V:2 bass
V:5 bass
V:1
"^Tempo di Marcia un poco vivace."!p!"_Pno." z2 [D,A,][D,A,] .[D,A,]2 z2 | %1
z2 [D,A,][D... | 2 | In bar 1, what is the articulation marking? | Staccato, accent |
Grieg_-_Wedding_Day_at_Troldhaugen | X:1
T:Wedding Day at Troldhaugen
C:Vincent
Z:Lyric Pieces, Op. 65, No. 6
%%score { ( 1 3 4 ) | ( 2 5 ) }
L:1/8
Q:1/4=129
M:4/4
I:linebreak $
K:D
V:1 bass nm="Piano solo" snm="Pno. solo"
V:3 bass
V:4 bass
V:2 bass
V:5 bass
V:1
"^Tempo di Marcia un poco vivace."!p!"_Pno." z2 [D,A,][D,A,] .[D,A,]2 z2 | %1
z2 [D,A,][D... | 2 | In bars 75-106, is there a repeat sign? | Yes |
Grieg_-_Wedding_Day_at_Troldhaugen | X:1
T:Wedding Day at Troldhaugen
C:Vincent
Z:Lyric Pieces, Op. 65, No. 6
%%score { ( 1 3 4 ) | ( 2 5 ) }
L:1/8
Q:1/4=129
M:4/4
I:linebreak $
K:D
V:1 bass nm="Piano solo" snm="Pno. solo"
V:3 bass
V:4 bass
V:2 bass
V:5 bass
V:1
"^Tempo di Marcia un poco vivace."!p!"_Pno." z2 [D,A,][D,A,] .[D,A,]2 z2 | %1
z2 [D,A,][D... | 2 | In bar 4, is there an accidental? | Yes — G♯ |
Grieg_-_Wedding_Day_at_Troldhaugen | X:1
T:Wedding Day at Troldhaugen
C:Vincent
Z:Lyric Pieces, Op. 65, No. 6
%%score { ( 1 3 4 ) | ( 2 5 ) }
L:1/8
Q:1/4=129
M:4/4
I:linebreak $
K:D
V:1 bass nm="Piano solo" snm="Pno. solo"
V:3 bass
V:4 bass
V:2 bass
V:5 bass
V:1
"^Tempo di Marcia un poco vivace."!p!"_Pno." z2 [D,A,][D,A,] .[D,A,]2 z2 | %1
z2 [D,A,][D... | 3 | In bars 177–179, is there a perfect cadence? | No |
Grieg_-_Wedding_Day_at_Troldhaugen | X:1
T:Wedding Day at Troldhaugen
C:Vincent
Z:Lyric Pieces, Op. 65, No. 6
%%score { ( 1 3 4 ) | ( 2 5 ) }
L:1/8
Q:1/4=129
M:4/4
I:linebreak $
K:D
V:1 bass nm="Piano solo" snm="Pno. solo"
V:3 bass
V:4 bass
V:2 bass
V:5 bass
V:1
"^Tempo di Marcia un poco vivace."!p!"_Pno." z2 [D,A,][D,A,] .[D,A,]2 z2 | %1
z2 [D,A,][D... | 3 | In bar 179, is there a first-inversion D major chord? | No |
Grieg_-_Wedding_Day_at_Troldhaugen | X:1
T:Wedding Day at Troldhaugen
C:Vincent
Z:Lyric Pieces, Op. 65, No. 6
%%score { ( 1 3 4 ) | ( 2 5 ) }
L:1/8
Q:1/4=129
M:4/4
I:linebreak $
K:D
V:1 bass nm="Piano solo" snm="Pno. solo"
V:3 bass
V:4 bass
V:2 bass
V:5 bass
V:1
"^Tempo di Marcia un poco vivace."!p!"_Pno." z2 [D,A,][D,A,] .[D,A,]2 z2 | %1
z2 [D,A,][D... | 3 | In bar 15, what is the chord progression? (Use I, II, III, IV, V, VI, VII) | vi7–ii |
Grieg_-_Wedding_Day_at_Troldhaugen | X:1
T:Wedding Day at Troldhaugen
C:Vincent
Z:Lyric Pieces, Op. 65, No. 6
%%score { ( 1 3 4 ) | ( 2 5 ) }
L:1/8
Q:1/4=129
M:4/4
I:linebreak $
K:D
V:1 bass nm="Piano solo" snm="Pno. solo"
V:3 bass
V:4 bass
V:2 bass
V:5 bass
V:1
"^Tempo di Marcia un poco vivace."!p!"_Pno." z2 [D,A,][D,A,] .[D,A,]2 z2 | %1
z2 [D,A,][D... | 4 | In which bar does the melodic motif appear? | Bar 3, 4 |
Grieg_-_Wedding_Day_at_Troldhaugen | X:1
T:Wedding Day at Troldhaugen
C:Vincent
Z:Lyric Pieces, Op. 65, No. 6
%%score { ( 1 3 4 ) | ( 2 5 ) }
L:1/8
Q:1/4=129
M:4/4
I:linebreak $
K:D
V:1 bass nm="Piano solo" snm="Pno. solo"
V:3 bass
V:4 bass
V:2 bass
V:5 bass
V:1
"^Tempo di Marcia un poco vivace."!p!"_Pno." z2 [D,A,][D,A,] .[D,A,]2 z2 | %1
z2 [D,A,][D... | 4 | In bars 3–4, in which register is the melody? | Middle register |
Grieg_-_Wedding_Day_at_Troldhaugen | X:1
T:Wedding Day at Troldhaugen
C:Vincent
Z:Lyric Pieces, Op. 65, No. 6
%%score { ( 1 3 4 ) | ( 2 5 ) }
L:1/8
Q:1/4=129
M:4/4
I:linebreak $
K:D
V:1 bass nm="Piano solo" snm="Pno. solo"
V:3 bass
V:4 bass
V:2 bass
V:5 bass
V:1
"^Tempo di Marcia un poco vivace."!p!"_Pno." z2 [D,A,][D,A,] .[D,A,]2 z2 | %1
z2 [D,A,][D... | 4 | What are the main structural features of the motif? | Arpeggio + repeated notes |
Grieg_Anitras_Dance_Piano_solo | X:1
T:Anitra's Dance
T:Edvard Grieg
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
M:3/4
I:linebreak $
K:C
V:1 treble nm="Piano"
V:3 treble
V:2 treble
V:4 treble
V:1
!mp! !fermata![e^gbe']6- | [egbe']2 !fermata!z2 z2 | %2
[Q:1/4=156]"^Tempo di Mazurka" z2 .[A,C]2 .[B,D]2 | z2 .[CE]2 .[DF]2 | z2 .[CE]2 .[B,D]2 | %5
z2 .[A,C]2 ... | 1 | What is the initial time signature? | 3/4 time |
Grieg_Anitras_Dance_Piano_solo | X:1
T:Anitra's Dance
T:Edvard Grieg
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
M:3/4
I:linebreak $
K:C
V:1 treble nm="Piano"
V:3 treble
V:2 treble
V:4 treble
V:1
!mp! !fermata![e^gbe']6- | [egbe']2 !fermata!z2 z2 | %2
[Q:1/4=156]"^Tempo di Mazurka" z2 .[A,C]2 .[B,D]2 | z2 .[CE]2 .[DF]2 | z2 .[CE]2 .[B,D]2 | %5
z2 .[A,C]2 ... | 1 | Who is the composer? | Grieg |
Grieg_Anitras_Dance_Piano_solo | X:1
T:Anitra's Dance
T:Edvard Grieg
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
M:3/4
I:linebreak $
K:C
V:1 treble nm="Piano"
V:3 treble
V:2 treble
V:4 treble
V:1
!mp! !fermata![e^gbe']6- | [egbe']2 !fermata!z2 z2 | %2
[Q:1/4=156]"^Tempo di Mazurka" z2 .[A,C]2 .[B,D]2 | z2 .[CE]2 .[DF]2 | z2 .[CE]2 .[B,D]2 | %5
z2 .[A,C]2 ... | 1 | What is the initial clef? | Treble clef |
Grieg_Anitras_Dance_Piano_solo | X:1
T:Anitra's Dance
T:Edvard Grieg
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
M:3/4
I:linebreak $
K:C
V:1 treble nm="Piano"
V:3 treble
V:2 treble
V:4 treble
V:1
!mp! !fermata![e^gbe']6- | [egbe']2 !fermata!z2 z2 | %2
[Q:1/4=156]"^Tempo di Mazurka" z2 .[A,C]2 .[B,D]2 | z2 .[CE]2 .[DF]2 | z2 .[CE]2 .[B,D]2 | %5
z2 .[A,C]2 ... | 2 | In bar 2, what is the longest rest value? | Crotchet rest |
Grieg_Anitras_Dance_Piano_solo | X:1
T:Anitra's Dance
T:Edvard Grieg
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
M:3/4
I:linebreak $
K:C
V:1 treble nm="Piano"
V:3 treble
V:2 treble
V:4 treble
V:1
!mp! !fermata![e^gbe']6- | [egbe']2 !fermata!z2 z2 | %2
[Q:1/4=156]"^Tempo di Mazurka" z2 .[A,C]2 .[B,D]2 | z2 .[CE]2 .[DF]2 | z2 .[CE]2 .[B,D]2 | %5
z2 .[A,C]2 ... | 2 | In bars 1–104, is there a repeat sign? | Yes |
Grieg_Anitras_Dance_Piano_solo | X:1
T:Anitra's Dance
T:Edvard Grieg
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
M:3/4
I:linebreak $
K:C
V:1 treble nm="Piano"
V:3 treble
V:2 treble
V:4 treble
V:1
!mp! !fermata![e^gbe']6- | [egbe']2 !fermata!z2 z2 | %2
[Q:1/4=156]"^Tempo di Mazurka" z2 .[A,C]2 .[B,D]2 | z2 .[CE]2 .[DF]2 | z2 .[CE]2 .[B,D]2 | %5
z2 .[A,C]2 ... | 2 | In bar 16, what does the clef change to? | Treble and bass clefs |
Grieg_Anitras_Dance_Piano_solo | X:1
T:Anitra's Dance
T:Edvard Grieg
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
M:3/4
I:linebreak $
K:C
V:1 treble nm="Piano"
V:3 treble
V:2 treble
V:4 treble
V:1
!mp! !fermata![e^gbe']6- | [egbe']2 !fermata!z2 z2 | %2
[Q:1/4=156]"^Tempo di Mazurka" z2 .[A,C]2 .[B,D]2 | z2 .[CE]2 .[DF]2 | z2 .[CE]2 .[B,D]2 | %5
z2 .[A,C]2 ... | 3 | In bar 1, what scale degree is the first chord? (Use I, II, III, IV, V, VI, VII) | V |
Grieg_Anitras_Dance_Piano_solo | X:1
T:Anitra's Dance
T:Edvard Grieg
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
M:3/4
I:linebreak $
K:C
V:1 treble nm="Piano"
V:3 treble
V:2 treble
V:4 treble
V:1
!mp! !fermata![e^gbe']6- | [egbe']2 !fermata!z2 z2 | %2
[Q:1/4=156]"^Tempo di Mazurka" z2 .[A,C]2 .[B,D]2 | z2 .[CE]2 .[DF]2 | z2 .[CE]2 .[B,D]2 | %5
z2 .[A,C]2 ... | 3 | In bar 1, what is the voicing of the E major chord? | Mixed position |
Grieg_Anitras_Dance_Piano_solo | X:1
T:Anitra's Dance
T:Edvard Grieg
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
M:3/4
I:linebreak $
K:C
V:1 treble nm="Piano"
V:3 treble
V:2 treble
V:4 treble
V:1
!mp! !fermata![e^gbe']6- | [egbe']2 !fermata!z2 z2 | %2
[Q:1/4=156]"^Tempo di Mazurka" z2 .[A,C]2 .[B,D]2 | z2 .[CE]2 .[DF]2 | z2 .[CE]2 .[B,D]2 | %5
z2 .[A,C]2 ... | 3 | In bar 1, what is the omitted note of the E major chord? | No omitted notes |
Grieg_Anitras_Dance_Piano_solo | X:1
T:Anitra's Dance
T:Edvard Grieg
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
M:3/4
I:linebreak $
K:C
V:1 treble nm="Piano"
V:3 treble
V:2 treble
V:4 treble
V:1
!mp! !fermata![e^gbe']6- | [egbe']2 !fermata!z2 z2 | %2
[Q:1/4=156]"^Tempo di Mazurka" z2 .[A,C]2 .[B,D]2 | z2 .[CE]2 .[DF]2 | z2 .[CE]2 .[B,D]2 | %5
z2 .[A,C]2 ... | 4 | What are the main structural features of the motif? | Second Interval |
Grieg_Anitras_Dance_Piano_solo | X:1
T:Anitra's Dance
T:Edvard Grieg
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
M:3/4
I:linebreak $
K:C
V:1 treble nm="Piano"
V:3 treble
V:2 treble
V:4 treble
V:1
!mp! !fermata![e^gbe']6- | [egbe']2 !fermata!z2 z2 | %2
[Q:1/4=156]"^Tempo di Mazurka" z2 .[A,C]2 .[B,D]2 | z2 .[CE]2 .[DF]2 | z2 .[CE]2 .[B,D]2 | %5
z2 .[A,C]2 ... | 4 | In which bar does the melodic motif appear? | Bar 3 |
Grieg_Anitras_Dance_Piano_solo | X:1
T:Anitra's Dance
T:Edvard Grieg
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
M:3/4
I:linebreak $
K:C
V:1 treble nm="Piano"
V:3 treble
V:2 treble
V:4 treble
V:1
!mp! !fermata![e^gbe']6- | [egbe']2 !fermata!z2 z2 | %2
[Q:1/4=156]"^Tempo di Mazurka" z2 .[A,C]2 .[B,D]2 | z2 .[CE]2 .[DF]2 | z2 .[CE]2 .[B,D]2 | %5
z2 .[A,C]2 ... | 4 | In bars 3–4, in which register is the melody? | Middle register |
Grieg_Elfin_Dance_Op._12_No._4 | X:1
T:Elfin Dance
C:Edvard Grieg
Z:Public Domain (PianoXML typeset)
%%score { 1 | 2 }
L:1/8
Q:1/4=132
M:3/4
I:linebreak $
K:G
V:1 treble nm="Grand Piano"
V:2 treble
V:1
"^Molto allegro e sempre staccato"!pp! .[Be]2 .[Be]2 .[ce]2 | .[Be]2 .[Be]2 (GA | BcBfed | %3
Beg^a b2) | .[fb]2 .[fb]2 .[gb]2 | .[fb]2 .[fb]2 (B^c |... | 1 | What is the initial key? | E minor |
Grieg_Elfin_Dance_Op._12_No._4 | X:1
T:Elfin Dance
C:Edvard Grieg
Z:Public Domain (PianoXML typeset)
%%score { 1 | 2 }
L:1/8
Q:1/4=132
M:3/4
I:linebreak $
K:G
V:1 treble nm="Grand Piano"
V:2 treble
V:1
"^Molto allegro e sempre staccato"!pp! .[Be]2 .[Be]2 .[ce]2 | .[Be]2 .[Be]2 (GA | BcBfed | %3
Beg^a b2) | .[fb]2 .[fb]2 .[gb]2 | .[fb]2 .[fb]2 (B^c |... | 1 | What is the initial tempo indication? | Molto allegro e sempre staccato |
Grieg_Elfin_Dance_Op._12_No._4 | X:1
T:Elfin Dance
C:Edvard Grieg
Z:Public Domain (PianoXML typeset)
%%score { 1 | 2 }
L:1/8
Q:1/4=132
M:3/4
I:linebreak $
K:G
V:1 treble nm="Grand Piano"
V:2 treble
V:1
"^Molto allegro e sempre staccato"!pp! .[Be]2 .[Be]2 .[ce]2 | .[Be]2 .[Be]2 (GA | BcBfed | %3
Beg^a b2) | .[fb]2 .[fb]2 .[gb]2 | .[fb]2 .[fb]2 (B^c |... | 1 | What is the tempo in beats per minute? | 132 bpm |
Grieg_Elfin_Dance_Op._12_No._4 | X:1
T:Elfin Dance
C:Edvard Grieg
Z:Public Domain (PianoXML typeset)
%%score { 1 | 2 }
L:1/8
Q:1/4=132
M:3/4
I:linebreak $
K:G
V:1 treble nm="Grand Piano"
V:2 treble
V:1
"^Molto allegro e sempre staccato"!pp! .[Be]2 .[Be]2 .[ce]2 | .[Be]2 .[Be]2 (GA | BcBfed | %3
Beg^a b2) | .[fb]2 .[fb]2 .[gb]2 | .[fb]2 .[fb]2 (B^c |... | 2 | In bar 2, what is the shortest rest value? | Crotchet rest |
Grieg_Elfin_Dance_Op._12_No._4 | X:1
T:Elfin Dance
C:Edvard Grieg
Z:Public Domain (PianoXML typeset)
%%score { 1 | 2 }
L:1/8
Q:1/4=132
M:3/4
I:linebreak $
K:G
V:1 treble nm="Grand Piano"
V:2 treble
V:1
"^Molto allegro e sempre staccato"!pp! .[Be]2 .[Be]2 .[ce]2 | .[Be]2 .[Be]2 (GA | BcBfed | %3
Beg^a b2) | .[fb]2 .[fb]2 .[gb]2 | .[fb]2 .[fb]2 (B^c |... | 2 | In bar 1, what is the dynamic marking? | pp (pianissimo) |
Grieg_Elfin_Dance_Op._12_No._4 | X:1
T:Elfin Dance
C:Edvard Grieg
Z:Public Domain (PianoXML typeset)
%%score { 1 | 2 }
L:1/8
Q:1/4=132
M:3/4
I:linebreak $
K:G
V:1 treble nm="Grand Piano"
V:2 treble
V:1
"^Molto allegro e sempre staccato"!pp! .[Be]2 .[Be]2 .[ce]2 | .[Be]2 .[Be]2 (GA | BcBfed | %3
Beg^a b2) | .[fb]2 .[fb]2 .[gb]2 | .[fb]2 .[fb]2 (B^c |... | 2 | In bars 1–72, is there a repeat sign? | No |
Grieg_Elfin_Dance_Op._12_No._4 | X:1
T:Elfin Dance
C:Edvard Grieg
Z:Public Domain (PianoXML typeset)
%%score { 1 | 2 }
L:1/8
Q:1/4=132
M:3/4
I:linebreak $
K:G
V:1 treble nm="Grand Piano"
V:2 treble
V:1
"^Molto allegro e sempre staccato"!pp! .[Be]2 .[Be]2 .[ce]2 | .[Be]2 .[Be]2 (GA | BcBfed | %3
Beg^a b2) | .[fb]2 .[fb]2 .[gb]2 | .[fb]2 .[fb]2 (B^c |... | 3 | In bar 68, what is the voicing of the E minor chord? | Mixed position |
Grieg_Elfin_Dance_Op._12_No._4 | X:1
T:Elfin Dance
C:Edvard Grieg
Z:Public Domain (PianoXML typeset)
%%score { 1 | 2 }
L:1/8
Q:1/4=132
M:3/4
I:linebreak $
K:G
V:1 treble nm="Grand Piano"
V:2 treble
V:1
"^Molto allegro e sempre staccato"!pp! .[Be]2 .[Be]2 .[ce]2 | .[Be]2 .[Be]2 (GA | BcBfed | %3
Beg^a b2) | .[fb]2 .[fb]2 .[gb]2 | .[fb]2 .[fb]2 (B^c |... | 3 | In bar 68, is there an E minor chord? | Yes |
Grieg_Elfin_Dance_Op._12_No._4 | X:1
T:Elfin Dance
C:Edvard Grieg
Z:Public Domain (PianoXML typeset)
%%score { 1 | 2 }
L:1/8
Q:1/4=132
M:3/4
I:linebreak $
K:G
V:1 treble nm="Grand Piano"
V:2 treble
V:1
"^Molto allegro e sempre staccato"!pp! .[Be]2 .[Be]2 .[ce]2 | .[Be]2 .[Be]2 (GA | BcBfed | %3
Beg^a b2) | .[fb]2 .[fb]2 .[gb]2 | .[fb]2 .[fb]2 (B^c |... | 3 | In bar 68, what are the repeated notes of the E minor chord? | Root, fifth |
Grieg_Elfin_Dance_Op._12_No._4 | X:1
T:Elfin Dance
C:Edvard Grieg
Z:Public Domain (PianoXML typeset)
%%score { 1 | 2 }
L:1/8
Q:1/4=132
M:3/4
I:linebreak $
K:G
V:1 treble nm="Grand Piano"
V:2 treble
V:1
"^Molto allegro e sempre staccato"!pp! .[Be]2 .[Be]2 .[ce]2 | .[Be]2 .[Be]2 (GA | BcBfed | %3
Beg^a b2) | .[fb]2 .[fb]2 .[gb]2 | .[fb]2 .[fb]2 (B^c |... | 4 | What is the genre of the work? | Dance |
Grieg_Elfin_Dance_Op._12_No._4 | X:1
T:Elfin Dance
C:Edvard Grieg
Z:Public Domain (PianoXML typeset)
%%score { 1 | 2 }
L:1/8
Q:1/4=132
M:3/4
I:linebreak $
K:G
V:1 treble nm="Grand Piano"
V:2 treble
V:1
"^Molto allegro e sempre staccato"!pp! .[Be]2 .[Be]2 .[ce]2 | .[Be]2 .[Be]2 (GA | BcBfed | %3
Beg^a b2) | .[fb]2 .[fb]2 .[gb]2 | .[fb]2 .[fb]2 (B^c |... | 4 | What is the performance medium of the piece? | Piano solo |
Grieg_Elfin_Dance_Op._12_No._4 | X:1
T:Elfin Dance
C:Edvard Grieg
Z:Public Domain (PianoXML typeset)
%%score { 1 | 2 }
L:1/8
Q:1/4=132
M:3/4
I:linebreak $
K:G
V:1 treble nm="Grand Piano"
V:2 treble
V:1
"^Molto allegro e sempre staccato"!pp! .[Be]2 .[Be]2 .[ce]2 | .[Be]2 .[Be]2 (GA | BcBfed | %3
Beg^a b2) | .[fb]2 .[fb]2 .[gb]2 | .[fb]2 .[fb]2 (B^c |... | 4 | In bars 1–2, in which register is the melody? | Middle register |
Grieg_Notturno_Lyric_Pieces_Op._54_Nro._4 | X:1
T:Notturno Lyric Pieces, Op. 54 Nro. 4
C:Edvard Grieg
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:3/8=50
M:9/8
I:linebreak $
K:C
V:1 bass nm="Piano" snm="Pno."
V:4 bass
V:2 bass
V:3 bass
V:1
!p!!p! C,3- C, z z4 |[K:treble]{/A} (!>!a3 e6) |[K:bass] C,3- C, z z4 | %3
[K:treble]{/A} !>!a>!tenuto!a!tenuto!^g e6- | %4
e3/... | 1 | Who is the composer? | Grieg |
Grieg_Notturno_Lyric_Pieces_Op._54_Nro._4 | X:1
T:Notturno Lyric Pieces, Op. 54 Nro. 4
C:Edvard Grieg
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:3/8=50
M:9/8
I:linebreak $
K:C
V:1 bass nm="Piano" snm="Pno."
V:4 bass
V:2 bass
V:3 bass
V:1
!p!!p! C,3- C, z z4 |[K:treble]{/A} (!>!a3 e6) |[K:bass] C,3- C, z z4 | %3
[K:treble]{/A} !>!a>!tenuto!a!tenuto!^g e6- | %4
e3/... | 1 | What is the initial clef? | Bass clef |
Grieg_Notturno_Lyric_Pieces_Op._54_Nro._4 | X:1
T:Notturno Lyric Pieces, Op. 54 Nro. 4
C:Edvard Grieg
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:3/8=50
M:9/8
I:linebreak $
K:C
V:1 bass nm="Piano" snm="Pno."
V:4 bass
V:2 bass
V:3 bass
V:1
!p!!p! C,3- C, z z4 |[K:treble]{/A} (!>!a3 e6) |[K:bass] C,3- C, z z4 | %3
[K:treble]{/A} !>!a>!tenuto!a!tenuto!^g e6- | %4
e3/... | 1 | Is there an anacrusis (upbeat bar)? | No |
Grieg_Notturno_Lyric_Pieces_Op._54_Nro._4 | X:1
T:Notturno Lyric Pieces, Op. 54 Nro. 4
C:Edvard Grieg
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:3/8=50
M:9/8
I:linebreak $
K:C
V:1 bass nm="Piano" snm="Pno."
V:4 bass
V:2 bass
V:3 bass
V:1
!p!!p! C,3- C, z z4 |[K:treble]{/A} (!>!a3 e6) |[K:bass] C,3- C, z z4 | %3
[K:treble]{/A} !>!a>!tenuto!a!tenuto!^g e6- | %4
e3/... | 2 | In bar 1, what is the shortest rest value? | Quaver rest (eighth rest) |
Grieg_Notturno_Lyric_Pieces_Op._54_Nro._4 | X:1
T:Notturno Lyric Pieces, Op. 54 Nro. 4
C:Edvard Grieg
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:3/8=50
M:9/8
I:linebreak $
K:C
V:1 bass nm="Piano" snm="Pno."
V:4 bass
V:2 bass
V:3 bass
V:1
!p!!p! C,3- C, z z4 |[K:treble]{/A} (!>!a3 e6) |[K:bass] C,3- C, z z4 | %3
[K:treble]{/A} !>!a>!tenuto!a!tenuto!^g e6- | %4
e3/... | 2 | In bar 1, is there an accidental? | Yes — Bb |
Grieg_Notturno_Lyric_Pieces_Op._54_Nro._4 | X:1
T:Notturno Lyric Pieces, Op. 54 Nro. 4
C:Edvard Grieg
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:3/8=50
M:9/8
I:linebreak $
K:C
V:1 bass nm="Piano" snm="Pno."
V:4 bass
V:2 bass
V:3 bass
V:1
!p!!p! C,3- C, z z4 |[K:treble]{/A} (!>!a3 e6) |[K:bass] C,3- C, z z4 | %3
[K:treble]{/A} !>!a>!tenuto!a!tenuto!^g e6- | %4
e3/... | 2 | In bars 1–64, is there a repeat sign? | No |
Grieg_Notturno_Lyric_Pieces_Op._54_Nro._4 | X:1
T:Notturno Lyric Pieces, Op. 54 Nro. 4
C:Edvard Grieg
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:3/8=50
M:9/8
I:linebreak $
K:C
V:1 bass nm="Piano" snm="Pno."
V:4 bass
V:2 bass
V:3 bass
V:1
!p!!p! C,3- C, z z4 |[K:treble]{/A} (!>!a3 e6) |[K:bass] C,3- C, z z4 | %3
[K:treble]{/A} !>!a>!tenuto!a!tenuto!^g e6- | %4
e3/... | 3 | In bar 64, what is the voicing of the C major chord? | Open position |
Grieg_Notturno_Lyric_Pieces_Op._54_Nro._4 | X:1
T:Notturno Lyric Pieces, Op. 54 Nro. 4
C:Edvard Grieg
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:3/8=50
M:9/8
I:linebreak $
K:C
V:1 bass nm="Piano" snm="Pno."
V:4 bass
V:2 bass
V:3 bass
V:1
!p!!p! C,3- C, z z4 |[K:treble]{/A} (!>!a3 e6) |[K:bass] C,3- C, z z4 | %3
[K:treble]{/A} !>!a>!tenuto!a!tenuto!^g e6- | %4
e3/... | 3 | In bar 64, what are the repeated notes of the C major chord? | Root, third, fifth |
Grieg_Notturno_Lyric_Pieces_Op._54_Nro._4 | X:1
T:Notturno Lyric Pieces, Op. 54 Nro. 4
C:Edvard Grieg
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:3/8=50
M:9/8
I:linebreak $
K:C
V:1 bass nm="Piano" snm="Pno."
V:4 bass
V:2 bass
V:3 bass
V:1
!p!!p! C,3- C, z z4 |[K:treble]{/A} (!>!a3 e6) |[K:bass] C,3- C, z z4 | %3
[K:treble]{/A} !>!a>!tenuto!a!tenuto!^g e6- | %4
e3/... | 3 | In bars 62–64, what is the chord progression? (Use I, II, III, IV, V, VI, VII) | I–V–I |
Grieg_Notturno_Lyric_Pieces_Op._54_Nro._4 | X:1
T:Notturno Lyric Pieces, Op. 54 Nro. 4
C:Edvard Grieg
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:3/8=50
M:9/8
I:linebreak $
K:C
V:1 bass nm="Piano" snm="Pno."
V:4 bass
V:2 bass
V:3 bass
V:1
!p!!p! C,3- C, z z4 |[K:treble]{/A} (!>!a3 e6) |[K:bass] C,3- C, z z4 | %3
[K:treble]{/A} !>!a>!tenuto!a!tenuto!^g e6- | %4
e3/... | 4 | What is the performance medium of the piece? | Piano solo |
Grieg_Notturno_Lyric_Pieces_Op._54_Nro._4 | X:1
T:Notturno Lyric Pieces, Op. 54 Nro. 4
C:Edvard Grieg
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:3/8=50
M:9/8
I:linebreak $
K:C
V:1 bass nm="Piano" snm="Pno."
V:4 bass
V:2 bass
V:3 bass
V:1
!p!!p! C,3- C, z z4 |[K:treble]{/A} (!>!a3 e6) |[K:bass] C,3- C, z z4 | %3
[K:treble]{/A} !>!a>!tenuto!a!tenuto!^g e6- | %4
e3/... | 4 | What are the main structural features of the motif? | Leap |
Grieg_Notturno_Lyric_Pieces_Op._54_Nro._4 | X:1
T:Notturno Lyric Pieces, Op. 54 Nro. 4
C:Edvard Grieg
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:3/8=50
M:9/8
I:linebreak $
K:C
V:1 bass nm="Piano" snm="Pno."
V:4 bass
V:2 bass
V:3 bass
V:1
!p!!p! C,3- C, z z4 |[K:treble]{/A} (!>!a3 e6) |[K:bass] C,3- C, z z4 | %3
[K:treble]{/A} !>!a>!tenuto!a!tenuto!^g e6- | %4
e3/... | 4 | In which bar does the melodic motif appear? | Bar 4 |
Grieg_Sailors_Song_Op._68_No._1 | X:1
T:No. 1
T:Sailor’s Song
C:Edvard Grieg
Z:Public Domain (PianoXML typeset)
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=120
M:2/2
I:linebreak $
K:C
V:1 treble nm="Grand Piano"
V:3 treble
V:2 bass
V:4 bass
V:1
"^Allegro vivace e marcato"!f! !>![EG]4 !>![EA]4 | !>![CEG]4- [CEG]2 .[CFc]2 | %2
.[CFB]2 .[CFA]2 .[G,CG]2... | 1 | What is the initial expression marking? | Vivace e marcato |
Grieg_Sailors_Song_Op._68_No._1 | X:1
T:No. 1
T:Sailor’s Song
C:Edvard Grieg
Z:Public Domain (PianoXML typeset)
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=120
M:2/2
I:linebreak $
K:C
V:1 treble nm="Grand Piano"
V:3 treble
V:2 bass
V:4 bass
V:1
"^Allegro vivace e marcato"!f! !>![EG]4 !>![EA]4 | !>![CEG]4- [CEG]2 .[CFc]2 | %2
.[CFB]2 .[CFA]2 .[G,CG]2... | 1 | What is the tempo in beats per minute? | 120 bpm |
Grieg_Sailors_Song_Op._68_No._1 | X:1
T:No. 1
T:Sailor’s Song
C:Edvard Grieg
Z:Public Domain (PianoXML typeset)
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=120
M:2/2
I:linebreak $
K:C
V:1 treble nm="Grand Piano"
V:3 treble
V:2 bass
V:4 bass
V:1
"^Allegro vivace e marcato"!f! !>![EG]4 !>![EA]4 | !>![CEG]4- [CEG]2 .[CFc]2 | %2
.[CFB]2 .[CFA]2 .[G,CG]2... | 1 | What is the title of the work? | Sailor’s Song |
Grieg_Sailors_Song_Op._68_No._1 | X:1
T:No. 1
T:Sailor’s Song
C:Edvard Grieg
Z:Public Domain (PianoXML typeset)
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=120
M:2/2
I:linebreak $
K:C
V:1 treble nm="Grand Piano"
V:3 treble
V:2 bass
V:4 bass
V:1
"^Allegro vivace e marcato"!f! !>![EG]4 !>![EA]4 | !>![CEG]4- [CEG]2 .[CFc]2 | %2
.[CFB]2 .[CFA]2 .[G,CG]2... | 2 | In bar 7, what is the highest pitch? | D2 |
Grieg_Sailors_Song_Op._68_No._1 | X:1
T:No. 1
T:Sailor’s Song
C:Edvard Grieg
Z:Public Domain (PianoXML typeset)
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=120
M:2/2
I:linebreak $
K:C
V:1 treble nm="Grand Piano"
V:3 treble
V:2 bass
V:4 bass
V:1
"^Allegro vivace e marcato"!f! !>![EG]4 !>![EA]4 | !>![CEG]4- [CEG]2 .[CFc]2 | %2
.[CFB]2 .[CFA]2 .[G,CG]2... | 2 | In bars 1–56, is there a repeat sign? | No |
Grieg_Sailors_Song_Op._68_No._1 | X:1
T:No. 1
T:Sailor’s Song
C:Edvard Grieg
Z:Public Domain (PianoXML typeset)
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=120
M:2/2
I:linebreak $
K:C
V:1 treble nm="Grand Piano"
V:3 treble
V:2 bass
V:4 bass
V:1
"^Allegro vivace e marcato"!f! !>![EG]4 !>![EA]4 | !>![CEG]4- [CEG]2 .[CFc]2 | %2
.[CFB]2 .[CFA]2 .[G,CG]2... | 2 | In bar 1, what is the longest note value? | Half note |
Grieg_Sailors_Song_Op._68_No._1 | X:1
T:No. 1
T:Sailor’s Song
C:Edvard Grieg
Z:Public Domain (PianoXML typeset)
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=120
M:2/2
I:linebreak $
K:C
V:1 treble nm="Grand Piano"
V:3 treble
V:2 bass
V:4 bass
V:1
"^Allegro vivace e marcato"!f! !>![EG]4 !>![EA]4 | !>![CEG]4- [CEG]2 .[CFc]2 | %2
.[CFB]2 .[CFA]2 .[G,CG]2... | 3 | In bar 1, what is the voicing of the C major chord? | Close position |
Grieg_Sailors_Song_Op._68_No._1 | X:1
T:No. 1
T:Sailor’s Song
C:Edvard Grieg
Z:Public Domain (PianoXML typeset)
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=120
M:2/2
I:linebreak $
K:C
V:1 treble nm="Grand Piano"
V:3 treble
V:2 bass
V:4 bass
V:1
"^Allegro vivace e marcato"!f! !>![EG]4 !>![EA]4 | !>![CEG]4- [CEG]2 .[CFc]2 | %2
.[CFB]2 .[CFA]2 .[G,CG]2... | 3 | In bar 1, what is the chord progression? (Use I, II, III, IV, V, VI, VII) | I–VI |
Grieg_Sailors_Song_Op._68_No._1 | X:1
T:No. 1
T:Sailor’s Song
C:Edvard Grieg
Z:Public Domain (PianoXML typeset)
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=120
M:2/2
I:linebreak $
K:C
V:1 treble nm="Grand Piano"
V:3 treble
V:2 bass
V:4 bass
V:1
"^Allegro vivace e marcato"!f! !>![EG]4 !>![EA]4 | !>![CEG]4- [CEG]2 .[CFc]2 | %2
.[CFB]2 .[CFA]2 .[G,CG]2... | 3 | In bar 2, is there a second-inversion C major chord? | None |
Grieg_Sailors_Song_Op._68_No._1 | X:1
T:No. 1
T:Sailor’s Song
C:Edvard Grieg
Z:Public Domain (PianoXML typeset)
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=120
M:2/2
I:linebreak $
K:C
V:1 treble nm="Grand Piano"
V:3 treble
V:2 bass
V:4 bass
V:1
"^Allegro vivace e marcato"!f! !>![EG]4 !>![EA]4 | !>![CEG]4- [CEG]2 .[CFc]2 | %2
.[CFB]2 .[CFA]2 .[G,CG]2... | 4 | In which bar does the melodic motif appear? | 1, 2, 3, 4 |
Grieg_Sailors_Song_Op._68_No._1 | X:1
T:No. 1
T:Sailor’s Song
C:Edvard Grieg
Z:Public Domain (PianoXML typeset)
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=120
M:2/2
I:linebreak $
K:C
V:1 treble nm="Grand Piano"
V:3 treble
V:2 bass
V:4 bass
V:1
"^Allegro vivace e marcato"!f! !>![EG]4 !>![EA]4 | !>![CEG]4- [CEG]2 .[CFc]2 | %2
.[CFB]2 .[CFA]2 .[G,CG]2... | 4 | What is the rhythm of the motif? | Minim, crotchet |
Grieg_Sailors_Song_Op._68_No._1 | X:1
T:No. 1
T:Sailor’s Song
C:Edvard Grieg
Z:Public Domain (PianoXML typeset)
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=120
M:2/2
I:linebreak $
K:C
V:1 treble nm="Grand Piano"
V:3 treble
V:2 bass
V:4 bass
V:1
"^Allegro vivace e marcato"!f! !>![EG]4 !>![EA]4 | !>![CEG]4- [CEG]2 .[CFc]2 | %2
.[CFB]2 .[CFA]2 .[G,CG]2... | 4 | In bars 1–4, in which register is the melody? | Middle register |
Grieg_Waltz_Op._12_No._2 | X:1
T:Walz
C:Grieg
Z:Public Domain (PianoXML typeset)
%%score { ( 1 3 ) | 2 }
L:1/8
Q:1/4=130
M:3/4
I:linebreak $
K:C
V:1 treble nm="Grand Piano"
V:3 treble
V:2 bass
V:1
"^Allegro moderato"!p! z6 | z6 | !tenuto!!1!E2 .^F.^G .A2 | !tenuto!A2 .B.^G .^F2 | %4
{/A} .^F2 !tenuto!E4- | E2 z2 z2 | z .!1!E.^F.^G(.!2!G.A) | z... | 1 | What is the tempo in beats per minute? | 130 bpm |
Grieg_Waltz_Op._12_No._2 | X:1
T:Walz
C:Grieg
Z:Public Domain (PianoXML typeset)
%%score { ( 1 3 ) | 2 }
L:1/8
Q:1/4=130
M:3/4
I:linebreak $
K:C
V:1 treble nm="Grand Piano"
V:3 treble
V:2 bass
V:1
"^Allegro moderato"!p! z6 | z6 | !tenuto!!1!E2 .^F.^G .A2 | !tenuto!A2 .B.^G .^F2 | %4
{/A} .^F2 !tenuto!E4- | E2 z2 z2 | z .!1!E.^F.^G(.!2!G.A) | z... | 1 | Who is the composer? | Grieg |
Grieg_Waltz_Op._12_No._2 | X:1
T:Walz
C:Grieg
Z:Public Domain (PianoXML typeset)
%%score { ( 1 3 ) | 2 }
L:1/8
Q:1/4=130
M:3/4
I:linebreak $
K:C
V:1 treble nm="Grand Piano"
V:3 treble
V:2 bass
V:1
"^Allegro moderato"!p! z6 | z6 | !tenuto!!1!E2 .^F.^G .A2 | !tenuto!A2 .B.^G .^F2 | %4
{/A} .^F2 !tenuto!E4- | E2 z2 z2 | z .!1!E.^F.^G(.!2!G.A) | z... | 1 | What is the initial key? | A minor |
Grieg_Waltz_Op._12_No._2 | X:1
T:Walz
C:Grieg
Z:Public Domain (PianoXML typeset)
%%score { ( 1 3 ) | 2 }
L:1/8
Q:1/4=130
M:3/4
I:linebreak $
K:C
V:1 treble nm="Grand Piano"
V:3 treble
V:2 bass
V:1
"^Allegro moderato"!p! z6 | z6 | !tenuto!!1!E2 .^F.^G .A2 | !tenuto!A2 .B.^G .^F2 | %4
{/A} .^F2 !tenuto!E4- | E2 z2 z2 | z .!1!E.^F.^G(.!2!G.A) | z... | 2 | In bar 1, what is the longest rest value? | Whole-bar rest (semibreve rest) |
Grieg_Waltz_Op._12_No._2 | X:1
T:Walz
C:Grieg
Z:Public Domain (PianoXML typeset)
%%score { ( 1 3 ) | 2 }
L:1/8
Q:1/4=130
M:3/4
I:linebreak $
K:C
V:1 treble nm="Grand Piano"
V:3 treble
V:2 bass
V:1
"^Allegro moderato"!p! z6 | z6 | !tenuto!!1!E2 .^F.^G .A2 | !tenuto!A2 .B.^G .^F2 | %4
{/A} .^F2 !tenuto!E4- | E2 z2 z2 | z .!1!E.^F.^G(.!2!G.A) | z... | 2 | In bar 37, what does the clef change to? | Treble clef |
Grieg_Waltz_Op._12_No._2 | X:1
T:Walz
C:Grieg
Z:Public Domain (PianoXML typeset)
%%score { ( 1 3 ) | 2 }
L:1/8
Q:1/4=130
M:3/4
I:linebreak $
K:C
V:1 treble nm="Grand Piano"
V:3 treble
V:2 bass
V:1
"^Allegro moderato"!p! z6 | z6 | !tenuto!!1!E2 .^F.^G .A2 | !tenuto!A2 .B.^G .^F2 | %4
{/A} .^F2 !tenuto!E4- | E2 z2 z2 | z .!1!E.^F.^G(.!2!G.A) | z... | 2 | In bars 1–79, is there a repeat sign? | No |
Grieg_Waltz_Op._12_No._2 | X:1
T:Walz
C:Grieg
Z:Public Domain (PianoXML typeset)
%%score { ( 1 3 ) | 2 }
L:1/8
Q:1/4=130
M:3/4
I:linebreak $
K:C
V:1 treble nm="Grand Piano"
V:3 treble
V:2 bass
V:1
"^Allegro moderato"!p! z6 | z6 | !tenuto!!1!E2 .^F.^G .A2 | !tenuto!A2 .B.^G .^F2 | %4
{/A} .^F2 !tenuto!E4- | E2 z2 z2 | z .!1!E.^F.^G(.!2!G.A) | z... | 3 | In bar 1, does the piece begin on the tonic chord of the original key? | Yes |
Grieg_Waltz_Op._12_No._2 | X:1
T:Walz
C:Grieg
Z:Public Domain (PianoXML typeset)
%%score { ( 1 3 ) | 2 }
L:1/8
Q:1/4=130
M:3/4
I:linebreak $
K:C
V:1 treble nm="Grand Piano"
V:3 treble
V:2 bass
V:1
"^Allegro moderato"!p! z6 | z6 | !tenuto!!1!E2 .^F.^G .A2 | !tenuto!A2 .B.^G .^F2 | %4
{/A} .^F2 !tenuto!E4- | E2 z2 z2 | z .!1!E.^F.^G(.!2!G.A) | z... | 3 | In bar 1, what is the voicing of the A minor chord? | Open position |
Grieg_Waltz_Op._12_No._2 | X:1
T:Walz
C:Grieg
Z:Public Domain (PianoXML typeset)
%%score { ( 1 3 ) | 2 }
L:1/8
Q:1/4=130
M:3/4
I:linebreak $
K:C
V:1 treble nm="Grand Piano"
V:3 treble
V:2 bass
V:1
"^Allegro moderato"!p! z6 | z6 | !tenuto!!1!E2 .^F.^G .A2 | !tenuto!A2 .B.^G .^F2 | %4
{/A} .^F2 !tenuto!E4- | E2 z2 z2 | z .!1!E.^F.^G(.!2!G.A) | z... | 3 | In bar 75, does a chord anticipation occur? | Yes |
Grieg_Waltz_Op._12_No._2 | X:1
T:Walz
C:Grieg
Z:Public Domain (PianoXML typeset)
%%score { ( 1 3 ) | 2 }
L:1/8
Q:1/4=130
M:3/4
I:linebreak $
K:C
V:1 treble nm="Grand Piano"
V:3 treble
V:2 bass
V:1
"^Allegro moderato"!p! z6 | z6 | !tenuto!!1!E2 .^F.^G .A2 | !tenuto!A2 .B.^G .^F2 | %4
{/A} .^F2 !tenuto!E4- | E2 z2 z2 | z .!1!E.^F.^G(.!2!G.A) | z... | 4 | What is the genre of the work? | Waltz |
Grieg_Waltz_Op._12_No._2 | X:1
T:Walz
C:Grieg
Z:Public Domain (PianoXML typeset)
%%score { ( 1 3 ) | 2 }
L:1/8
Q:1/4=130
M:3/4
I:linebreak $
K:C
V:1 treble nm="Grand Piano"
V:3 treble
V:2 bass
V:1
"^Allegro moderato"!p! z6 | z6 | !tenuto!!1!E2 .^F.^G .A2 | !tenuto!A2 .B.^G .^F2 | %4
{/A} .^F2 !tenuto!E4- | E2 z2 z2 | z .!1!E.^F.^G(.!2!G.A) | z... | 4 | In which bar does the melodic motif appear? | 3 |
Grieg_Waltz_Op._12_No._2 | X:1
T:Walz
C:Grieg
Z:Public Domain (PianoXML typeset)
%%score { ( 1 3 ) | 2 }
L:1/8
Q:1/4=130
M:3/4
I:linebreak $
K:C
V:1 treble nm="Grand Piano"
V:3 treble
V:2 bass
V:1
"^Allegro moderato"!p! z6 | z6 | !tenuto!!1!E2 .^F.^G .A2 | !tenuto!A2 .B.^G .^F2 | %4
{/A} .^F2 !tenuto!E4- | E2 z2 z2 | z .!1!E.^F.^G(.!2!G.A) | z... | 4 | In bars 3–4, in which register is the melody? | Middle register |
Haydn_-_Sonata_in_C_minor_HOB_XVI20_Movement_I | X:1
T:Sonata in C minor
C:Joseph Haydn (1732-1809)
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=114
M:4/4
I:linebreak $
K:Eb
V:1 treble nm="Grand Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
"^Moderato"!f! ([eg]3 [df]) ([fa]3 [eg]) | ([Af][Ge][Fd][Ec]){=Bcd} ([Ec]2 [DB]) _A | %2
{GA_B} (A2 !wedge!G) c{=Bcd} (c2 !... | 1 | What is the initial clef? | Treble and bass clefs |
Haydn_-_Sonata_in_C_minor_HOB_XVI20_Movement_I | X:1
T:Sonata in C minor
C:Joseph Haydn (1732-1809)
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=114
M:4/4
I:linebreak $
K:Eb
V:1 treble nm="Grand Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
"^Moderato"!f! ([eg]3 [df]) ([fa]3 [eg]) | ([Af][Ge][Fd][Ec]){=Bcd} ([Ec]2 [DB]) _A | %2
{GA_B} (A2 !wedge!G) c{=Bcd} (c2 !... | 1 | What is the initial tempo indication? | Moderato |
Haydn_-_Sonata_in_C_minor_HOB_XVI20_Movement_I | X:1
T:Sonata in C minor
C:Joseph Haydn (1732-1809)
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=114
M:4/4
I:linebreak $
K:Eb
V:1 treble nm="Grand Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
"^Moderato"!f! ([eg]3 [df]) ([fa]3 [eg]) | ([Af][Ge][Fd][Ec]){=Bcd} ([Ec]2 [DB]) _A | %2
{GA_B} (A2 !wedge!G) c{=Bcd} (c2 !... | 1 | Which instruments are used? | Piano |
Haydn_-_Sonata_in_C_minor_HOB_XVI20_Movement_I | X:1
T:Sonata in C minor
C:Joseph Haydn (1732-1809)
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=114
M:4/4
I:linebreak $
K:Eb
V:1 treble nm="Grand Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
"^Moderato"!f! ([eg]3 [df]) ([fa]3 [eg]) | ([Af][Ge][Fd][Ec]){=Bcd} ([Ec]2 [DB]) _A | %2
{GA_B} (A2 !wedge!G) c{=Bcd} (c2 !... | 2 | In bar 6, is there an accidental? | Yes — B♮ |
Haydn_-_Sonata_in_C_minor_HOB_XVI20_Movement_I | X:1
T:Sonata in C minor
C:Joseph Haydn (1732-1809)
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=114
M:4/4
I:linebreak $
K:Eb
V:1 treble nm="Grand Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
"^Moderato"!f! ([eg]3 [df]) ([fa]3 [eg]) | ([Af][Ge][Fd][Ec]){=Bcd} ([Ec]2 [DB]) _A | %2
{GA_B} (A2 !wedge!G) c{=Bcd} (c2 !... | 2 | In bar 2, what is the articulation marking? | Slur |
Haydn_-_Sonata_in_C_minor_HOB_XVI20_Movement_I | X:1
T:Sonata in C minor
C:Joseph Haydn (1732-1809)
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=114
M:4/4
I:linebreak $
K:Eb
V:1 treble nm="Grand Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
"^Moderato"!f! ([eg]3 [df]) ([fa]3 [eg]) | ([Af][Ge][Fd][Ec]){=Bcd} ([Ec]2 [DB]) _A | %2
{GA_B} (A2 !wedge!G) c{=Bcd} (c2 !... | 2 | In bar 1, what is the longest rest value? | Quaver rest |
Haydn_-_Sonata_in_C_minor_HOB_XVI20_Movement_I | X:1
T:Sonata in C minor
C:Joseph Haydn (1732-1809)
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=114
M:4/4
I:linebreak $
K:Eb
V:1 treble nm="Grand Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
"^Moderato"!f! ([eg]3 [df]) ([fa]3 [eg]) | ([Af][Ge][Fd][Ec]){=Bcd} ([Ec]2 [DB]) _A | %2
{GA_B} (A2 !wedge!G) c{=Bcd} (c2 !... | 3 | In bar 1, does the piece begin on the tonic chord of the original key? | Yes |
Haydn_-_Sonata_in_C_minor_HOB_XVI20_Movement_I | X:1
T:Sonata in C minor
C:Joseph Haydn (1732-1809)
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=114
M:4/4
I:linebreak $
K:Eb
V:1 treble nm="Grand Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
"^Moderato"!f! ([eg]3 [df]) ([fa]3 [eg]) | ([Af][Ge][Fd][Ec]){=Bcd} ([Ec]2 [DB]) _A | %2
{GA_B} (A2 !wedge!G) c{=Bcd} (c2 !... | 3 | In bar 1, what scale degree is the first chord? (Use I, II, III, IV, V, VI, VII) | i |
Haydn_-_Sonata_in_C_minor_HOB_XVI20_Movement_I | X:1
T:Sonata in C minor
C:Joseph Haydn (1732-1809)
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=114
M:4/4
I:linebreak $
K:Eb
V:1 treble nm="Grand Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
"^Moderato"!f! ([eg]3 [df]) ([fa]3 [eg]) | ([Af][Ge][Fd][Ec]){=Bcd} ([Ec]2 [DB]) _A | %2
{GA_B} (A2 !wedge!G) c{=Bcd} (c2 !... | 3 | In bar 5, is there a third-inversion I chord? | None |
Haydn_-_Sonata_in_C_minor_HOB_XVI20_Movement_I | X:1
T:Sonata in C minor
C:Joseph Haydn (1732-1809)
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=114
M:4/4
I:linebreak $
K:Eb
V:1 treble nm="Grand Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
"^Moderato"!f! ([eg]3 [df]) ([fa]3 [eg]) | ([Af][Ge][Fd][Ec]){=Bcd} ([Ec]2 [DB]) _A | %2
{GA_B} (A2 !wedge!G) c{=Bcd} (c2 !... | 4 | What is the performance medium of the piece? | Piano solo |
Haydn_-_Sonata_in_C_minor_HOB_XVI20_Movement_I | X:1
T:Sonata in C minor
C:Joseph Haydn (1732-1809)
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=114
M:4/4
I:linebreak $
K:Eb
V:1 treble nm="Grand Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
"^Moderato"!f! ([eg]3 [df]) ([fa]3 [eg]) | ([Af][Ge][Fd][Ec]){=Bcd} ([Ec]2 [DB]) _A | %2
{GA_B} (A2 !wedge!G) c{=Bcd} (c2 !... | 4 | In bars 1–2, in which register is the melody? | Middle register |
Haydn_-_Sonata_in_C_minor_HOB_XVI20_Movement_I | X:1
T:Sonata in C minor
C:Joseph Haydn (1732-1809)
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=114
M:4/4
I:linebreak $
K:Eb
V:1 treble nm="Grand Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
"^Moderato"!f! ([eg]3 [df]) ([fa]3 [eg]) | ([Af][Ge][Fd][Ec]){=Bcd} ([Ec]2 [DB]) _A | %2
{GA_B} (A2 !wedge!G) c{=Bcd} (c2 !... | 4 | In which bar does the melodic motif appear? | 1, 2 |
Haydn_-_Sonata_in_E_minor_Hob_XVI34_Movement_I | X:1
T:Sonata in E minor
C:Joseph Haydn (1732-1809)
%%score { ( 1 5 ) | ( 2 3 4 ) }
L:1/8
Q:1/4=187
M:6/8
I:linebreak $
K:G
V:1 treble nm="Grand Piano" snm="Pno."
V:5 treble
V:2 bass
V:3 bass
V:4 bass
V:1
"^Presto"!p! z2 z z ([B,G][A,^D] | [G,E]) z z z ([GB][FA] | [EG]) z z z (([Bg][Af] | %3
[Ge]3-) [Ge])[Ac][FA] |... | 1 | Is there an anacrusis (upbeat bar)? | No |
Haydn_-_Sonata_in_E_minor_Hob_XVI34_Movement_I | X:1
T:Sonata in E minor
C:Joseph Haydn (1732-1809)
%%score { ( 1 5 ) | ( 2 3 4 ) }
L:1/8
Q:1/4=187
M:6/8
I:linebreak $
K:G
V:1 treble nm="Grand Piano" snm="Pno."
V:5 treble
V:2 bass
V:3 bass
V:4 bass
V:1
"^Presto"!p! z2 z z ([B,G][A,^D] | [G,E]) z z z ([GB][FA] | [EG]) z z z (([Bg][Af] | %3
[Ge]3-) [Ge])[Ac][FA] |... | 1 | What is the title of the work? | Sonata in E minor |
Haydn_-_Sonata_in_E_minor_Hob_XVI34_Movement_I | X:1
T:Sonata in E minor
C:Joseph Haydn (1732-1809)
%%score { ( 1 5 ) | ( 2 3 4 ) }
L:1/8
Q:1/4=187
M:6/8
I:linebreak $
K:G
V:1 treble nm="Grand Piano" snm="Pno."
V:5 treble
V:2 bass
V:3 bass
V:4 bass
V:1
"^Presto"!p! z2 z z ([B,G][A,^D] | [G,E]) z z z ([GB][FA] | [EG]) z z z (([Bg][Af] | %3
[Ge]3-) [Ge])[Ac][FA] |... | 1 | What is the initial key? | E minor |
Haydn_-_Sonata_in_E_minor_Hob_XVI34_Movement_I | X:1
T:Sonata in E minor
C:Joseph Haydn (1732-1809)
%%score { ( 1 5 ) | ( 2 3 4 ) }
L:1/8
Q:1/4=187
M:6/8
I:linebreak $
K:G
V:1 treble nm="Grand Piano" snm="Pno."
V:5 treble
V:2 bass
V:3 bass
V:4 bass
V:1
"^Presto"!p! z2 z z ([B,G][A,^D] | [G,E]) z z z ([GB][FA] | [EG]) z z z (([Bg][Af] | %3
[Ge]3-) [Ge])[Ac][FA] |... | 2 | In bar 1, what is the longest rest value? | Crotchet rest |
Haydn_-_Sonata_in_E_minor_Hob_XVI34_Movement_I | X:1
T:Sonata in E minor
C:Joseph Haydn (1732-1809)
%%score { ( 1 5 ) | ( 2 3 4 ) }
L:1/8
Q:1/4=187
M:6/8
I:linebreak $
K:G
V:1 treble nm="Grand Piano" snm="Pno."
V:5 treble
V:2 bass
V:3 bass
V:4 bass
V:1
"^Presto"!p! z2 z z ([B,G][A,^D] | [G,E]) z z z ([GB][FA] | [EG]) z z z (([Bg][Af] | %3
[Ge]3-) [Ge])[Ac][FA] |... | 2 | In bar 14, what is the dynamic marking? | f (forte) |
Haydn_-_Sonata_in_E_minor_Hob_XVI34_Movement_I | X:1
T:Sonata in E minor
C:Joseph Haydn (1732-1809)
%%score { ( 1 5 ) | ( 2 3 4 ) }
L:1/8
Q:1/4=187
M:6/8
I:linebreak $
K:G
V:1 treble nm="Grand Piano" snm="Pno."
V:5 treble
V:2 bass
V:3 bass
V:4 bass
V:1
"^Presto"!p! z2 z z ([B,G][A,^D] | [G,E]) z z z ([GB][FA] | [EG]) z z z (([Bg][Af] | %3
[Ge]3-) [Ge])[Ac][FA] |... | 2 | In bars 1–45, is there a repeat sign? | Yes |
Haydn_-_Sonata_in_E_minor_Hob_XVI34_Movement_I | X:1
T:Sonata in E minor
C:Joseph Haydn (1732-1809)
%%score { ( 1 5 ) | ( 2 3 4 ) }
L:1/8
Q:1/4=187
M:6/8
I:linebreak $
K:G
V:1 treble nm="Grand Piano" snm="Pno."
V:5 treble
V:2 bass
V:3 bass
V:4 bass
V:1
"^Presto"!p! z2 z z ([B,G][A,^D] | [G,E]) z z z ([GB][FA] | [EG]) z z z (([Bg][Af] | %3
[Ge]3-) [Ge])[Ac][FA] |... | 3 | In bar 127, does the piece end on the tonic chord of the original key? | Yes |
Haydn_-_Sonata_in_E_minor_Hob_XVI34_Movement_I | X:1
T:Sonata in E minor
C:Joseph Haydn (1732-1809)
%%score { ( 1 5 ) | ( 2 3 4 ) }
L:1/8
Q:1/4=187
M:6/8
I:linebreak $
K:G
V:1 treble nm="Grand Piano" snm="Pno."
V:5 treble
V:2 bass
V:3 bass
V:4 bass
V:1
"^Presto"!p! z2 z z ([B,G][A,^D] | [G,E]) z z z ([GB][FA] | [EG]) z z z (([Bg][Af] | %3
[Ge]3-) [Ge])[Ac][FA] |... | 3 | In bar 1, what are the repeated notes of the E minor chord? | Root, fifth |
Haydn_-_Sonata_in_E_minor_Hob_XVI34_Movement_I | X:1
T:Sonata in E minor
C:Joseph Haydn (1732-1809)
%%score { ( 1 5 ) | ( 2 3 4 ) }
L:1/8
Q:1/4=187
M:6/8
I:linebreak $
K:G
V:1 treble nm="Grand Piano" snm="Pno."
V:5 treble
V:2 bass
V:3 bass
V:4 bass
V:1
"^Presto"!p! z2 z z ([B,G][A,^D] | [G,E]) z z z ([GB][FA] | [EG]) z z z (([Bg][Af] | %3
[Ge]3-) [Ge])[Ac][FA] |... | 3 | In bar 1, what is the voicing of the E minor chord? | Mixed position |
Haydn_-_Sonata_in_E_minor_Hob_XVI34_Movement_I | X:1
T:Sonata in E minor
C:Joseph Haydn (1732-1809)
%%score { ( 1 5 ) | ( 2 3 4 ) }
L:1/8
Q:1/4=187
M:6/8
I:linebreak $
K:G
V:1 treble nm="Grand Piano" snm="Pno."
V:5 treble
V:2 bass
V:3 bass
V:4 bass
V:1
"^Presto"!p! z2 z z ([B,G][A,^D] | [G,E]) z z z ([GB][FA] | [EG]) z z z (([Bg][Af] | %3
[Ge]3-) [Ge])[Ac][FA] |... | 4 | What is the genre of the work? | Sonata |
Haydn_-_Sonata_in_E_minor_Hob_XVI34_Movement_I | X:1
T:Sonata in E minor
C:Joseph Haydn (1732-1809)
%%score { ( 1 5 ) | ( 2 3 4 ) }
L:1/8
Q:1/4=187
M:6/8
I:linebreak $
K:G
V:1 treble nm="Grand Piano" snm="Pno."
V:5 treble
V:2 bass
V:3 bass
V:4 bass
V:1
"^Presto"!p! z2 z z ([B,G][A,^D] | [G,E]) z z z ([GB][FA] | [EG]) z z z (([Bg][Af] | %3
[Ge]3-) [Ge])[Ac][FA] |... | 4 | Where is the principal section of the piece? | Bars 1–8 |
Haydn_-_Sonata_in_E_minor_Hob_XVI34_Movement_I | X:1
T:Sonata in E minor
C:Joseph Haydn (1732-1809)
%%score { ( 1 5 ) | ( 2 3 4 ) }
L:1/8
Q:1/4=187
M:6/8
I:linebreak $
K:G
V:1 treble nm="Grand Piano" snm="Pno."
V:5 treble
V:2 bass
V:3 bass
V:4 bass
V:1
"^Presto"!p! z2 z z ([B,G][A,^D] | [G,E]) z z z ([GB][FA] | [EG]) z z z (([Bg][Af] | %3
[Ge]3-) [Ge])[Ac][FA] |... | 4 | In which bar does the melodic motif appear? | Bar 1, 2 |
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