song_id stringclasses 150
values | abc_notation stringclasses 150
values | level int32 1 4 | question stringlengths 20 85 | answer stringlengths 1 82 |
|---|---|---|---|---|
Clair_de_lune_-_Claude_Debussy | X:1
T:Claire de lune
C:Claude Debussy
%%score { ( 1 4 6 ) | ( 2 3 5 ) }
L:1/8
Q:3/8=50
M:9/8
I:linebreak $
K:Db
U:s=!stemless!
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:6 treble
V:2 treble
V:3 treble
V:5 treble
V:1
!pp!"^Andante espressivo" z z (s[fa]- [fa]3 [df]3-) | [df]([ce][df] [ce]6-) | %2
[ce]([Bd][ce]!... | 1 | What is the initial clef? | Treble clef |
Clair_de_lune_-_Claude_Debussy | X:1
T:Claire de lune
C:Claude Debussy
%%score { ( 1 4 6 ) | ( 2 3 5 ) }
L:1/8
Q:3/8=50
M:9/8
I:linebreak $
K:Db
U:s=!stemless!
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:6 treble
V:2 treble
V:3 treble
V:5 treble
V:1
!pp!"^Andante espressivo" z z (s[fa]- [fa]3 [df]3-) | [df]([ce][df] [ce]6-) | %2
[ce]([Bd][ce]!... | 1 | What is the tempo in beats per minute? | 150 bpm |
Clair_de_lune_-_Claude_Debussy | X:1
T:Claire de lune
C:Claude Debussy
%%score { ( 1 4 6 ) | ( 2 3 5 ) }
L:1/8
Q:3/8=50
M:9/8
I:linebreak $
K:Db
U:s=!stemless!
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:6 treble
V:2 treble
V:3 treble
V:5 treble
V:1
!pp!"^Andante espressivo" z z (s[fa]- [fa]3 [df]3-) | [df]([ce][df] [ce]6-) | %2
[ce]([Bd][ce]!... | 1 | Which instruments are used? | Piano |
Clair_de_lune_-_Claude_Debussy | X:1
T:Claire de lune
C:Claude Debussy
%%score { ( 1 4 6 ) | ( 2 3 5 ) }
L:1/8
Q:3/8=50
M:9/8
I:linebreak $
K:Db
U:s=!stemless!
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:6 treble
V:2 treble
V:3 treble
V:5 treble
V:1
!pp!"^Andante espressivo" z z (s[fa]- [fa]3 [df]3-) | [df]([ce][df] [ce]6-) | %2
[ce]([Bd][ce]!... | 2 | In bar 11, what does the clef change to? | Treble clef, bass clef |
Clair_de_lune_-_Claude_Debussy | X:1
T:Claire de lune
C:Claude Debussy
%%score { ( 1 4 6 ) | ( 2 3 5 ) }
L:1/8
Q:3/8=50
M:9/8
I:linebreak $
K:Db
U:s=!stemless!
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:6 treble
V:2 treble
V:3 treble
V:5 treble
V:1
!pp!"^Andante espressivo" z z (s[fa]- [fa]3 [df]3-) | [df]([ce][df] [ce]6-) | %2
[ce]([Bd][ce]!... | 2 | In bar 11, what is the longest rest value? | Quaver rest (eighth rest) |
Clair_de_lune_-_Claude_Debussy | X:1
T:Claire de lune
C:Claude Debussy
%%score { ( 1 4 6 ) | ( 2 3 5 ) }
L:1/8
Q:3/8=50
M:9/8
I:linebreak $
K:Db
U:s=!stemless!
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:6 treble
V:2 treble
V:3 treble
V:5 treble
V:1
!pp!"^Andante espressivo" z z (s[fa]- [fa]3 [df]3-) | [df]([ce][df] [ce]6-) | %2
[ce]([Bd][ce]!... | 2 | In bar 24, what is the tempo change marking? | rall. (rallentando) |
Clair_de_lune_-_Claude_Debussy | X:1
T:Claire de lune
C:Claude Debussy
%%score { ( 1 4 6 ) | ( 2 3 5 ) }
L:1/8
Q:3/8=50
M:9/8
I:linebreak $
K:Db
U:s=!stemless!
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:6 treble
V:2 treble
V:3 treble
V:5 treble
V:1
!pp!"^Andante espressivo" z z (s[fa]- [fa]3 [df]3-) | [df]([ce][df] [ce]6-) | %2
[ce]([Bd][ce]!... | 3 | In bar 1, what are the repeated notes of the B-flat major chord? | Third notes |
Clair_de_lune_-_Claude_Debussy | X:1
T:Claire de lune
C:Claude Debussy
%%score { ( 1 4 6 ) | ( 2 3 5 ) }
L:1/8
Q:3/8=50
M:9/8
I:linebreak $
K:Db
U:s=!stemless!
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:6 treble
V:2 treble
V:3 treble
V:5 treble
V:1
!pp!"^Andante espressivo" z z (s[fa]- [fa]3 [df]3-) | [df]([ce][df] [ce]6-) | %2
[ce]([Bd][ce]!... | 3 | In bar 7, what is the chord progression? (Use I, II, III, IV, V, VI, VII) | vi2–IV7 progression |
Clair_de_lune_-_Claude_Debussy | X:1
T:Claire de lune
C:Claude Debussy
%%score { ( 1 4 6 ) | ( 2 3 5 ) }
L:1/8
Q:3/8=50
M:9/8
I:linebreak $
K:Db
U:s=!stemless!
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:6 treble
V:2 treble
V:3 treble
V:5 treble
V:1
!pp!"^Andante espressivo" z z (s[fa]- [fa]3 [df]3-) | [df]([ce][df] [ce]6-) | %2
[ce]([Bd][ce]!... | 3 | In bar 7, is there a first-inversion IV chord? | None |
Clair_de_lune_-_Claude_Debussy | X:1
T:Claire de lune
C:Claude Debussy
%%score { ( 1 4 6 ) | ( 2 3 5 ) }
L:1/8
Q:3/8=50
M:9/8
I:linebreak $
K:Db
U:s=!stemless!
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:6 treble
V:2 treble
V:3 treble
V:5 treble
V:1
!pp!"^Andante espressivo" z z (s[fa]- [fa]3 [df]3-) | [df]([ce][df] [ce]6-) | %2
[ce]([Bd][ce]!... | 4 | In which bar does the melodic motif appear? | Bar 1 |
Clair_de_lune_-_Claude_Debussy | X:1
T:Claire de lune
C:Claude Debussy
%%score { ( 1 4 6 ) | ( 2 3 5 ) }
L:1/8
Q:3/8=50
M:9/8
I:linebreak $
K:Db
U:s=!stemless!
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:6 treble
V:2 treble
V:3 treble
V:5 treble
V:1
!pp!"^Andante espressivo" z z (s[fa]- [fa]3 [df]3-) | [df]([ce][df] [ce]6-) | %2
[ce]([Bd][ce]!... | 4 | What are the main structural features of the motif? | Third Interval |
Clair_de_lune_-_Claude_Debussy | X:1
T:Claire de lune
C:Claude Debussy
%%score { ( 1 4 6 ) | ( 2 3 5 ) }
L:1/8
Q:3/8=50
M:9/8
I:linebreak $
K:Db
U:s=!stemless!
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:6 treble
V:2 treble
V:3 treble
V:5 treble
V:1
!pp!"^Andante espressivo" z z (s[fa]- [fa]3 [df]3-) | [df]([ce][df] [ce]6-) | %2
[ce]([Bd][ce]!... | 4 | In bar 1, in which register is the melody? | Middle register |
Claude_Debussy_-_La_fille_aux_cheveux_de_lin | X:1
T:(...La fille aux cheveux de lin)
T:(...The girl with the flaxen hair)
T:CLAUDE DEBUSSY
%%score { ( 1 3 5 ) | ( 2 4 6 ) }
L:1/8
M:3/4
I:linebreak $
K:Gb
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:5 treble
V:2 bass
V:4 bass
V:6 bass
V:1
!p!"_sans rigueur""^Très calme et doucement expressif" (d2- dB/G/ EG/B/... | 1 | What is the initial clef? | Treble and bass clefs |
Claude_Debussy_-_La_fille_aux_cheveux_de_lin | X:1
T:(...La fille aux cheveux de lin)
T:(...The girl with the flaxen hair)
T:CLAUDE DEBUSSY
%%score { ( 1 3 5 ) | ( 2 4 6 ) }
L:1/8
M:3/4
I:linebreak $
K:Gb
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:5 treble
V:2 bass
V:4 bass
V:6 bass
V:1
!p!"_sans rigueur""^Très calme et doucement expressif" (d2- dB/G/ EG/B/... | 1 | What instruments are used? | Piano |
Claude_Debussy_-_La_fille_aux_cheveux_de_lin | X:1
T:(...La fille aux cheveux de lin)
T:(...The girl with the flaxen hair)
T:CLAUDE DEBUSSY
%%score { ( 1 3 5 ) | ( 2 4 6 ) }
L:1/8
M:3/4
I:linebreak $
K:Gb
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:5 treble
V:2 bass
V:4 bass
V:6 bass
V:1
!p!"_sans rigueur""^Très calme et doucement expressif" (d2- dB/G/ EG/B/... | 1 | What is the initial expression marking? | sans rigueur |
Claude_Debussy_-_La_fille_aux_cheveux_de_lin | X:1
T:(...La fille aux cheveux de lin)
T:(...The girl with the flaxen hair)
T:CLAUDE DEBUSSY
%%score { ( 1 3 5 ) | ( 2 4 6 ) }
L:1/8
M:3/4
I:linebreak $
K:Gb
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:5 treble
V:2 bass
V:4 bass
V:6 bass
V:1
!p!"_sans rigueur""^Très calme et doucement expressif" (d2- dB/G/ EG/B/... | 2 | Between bars 1–39, is there a repeat sign? | No |
Claude_Debussy_-_La_fille_aux_cheveux_de_lin | X:1
T:(...La fille aux cheveux de lin)
T:(...The girl with the flaxen hair)
T:CLAUDE DEBUSSY
%%score { ( 1 3 5 ) | ( 2 4 6 ) }
L:1/8
M:3/4
I:linebreak $
K:Gb
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:5 treble
V:2 bass
V:4 bass
V:6 bass
V:1
!p!"_sans rigueur""^Très calme et doucement expressif" (d2- dB/G/ EG/B/... | 2 | In bars 1–4, what are the articulation markings? | Slur |
Claude_Debussy_-_La_fille_aux_cheveux_de_lin | X:1
T:(...La fille aux cheveux de lin)
T:(...The girl with the flaxen hair)
T:CLAUDE DEBUSSY
%%score { ( 1 3 5 ) | ( 2 4 6 ) }
L:1/8
M:3/4
I:linebreak $
K:Gb
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:5 treble
V:2 bass
V:4 bass
V:6 bass
V:1
!p!"_sans rigueur""^Très calme et doucement expressif" (d2- dB/G/ EG/B/... | 2 | In bars 1–4, what are the dynamic markings? | p |
Claude_Debussy_-_La_fille_aux_cheveux_de_lin | X:1
T:(...La fille aux cheveux de lin)
T:(...The girl with the flaxen hair)
T:CLAUDE DEBUSSY
%%score { ( 1 3 5 ) | ( 2 4 6 ) }
L:1/8
M:3/4
I:linebreak $
K:Gb
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:5 treble
V:2 bass
V:4 bass
V:6 bass
V:1
!p!"_sans rigueur""^Très calme et doucement expressif" (d2- dB/G/ EG/B/... | 3 | In bars 1–2, does it begin on the tonic chord of the original key? | Yes |
Claude_Debussy_-_La_fille_aux_cheveux_de_lin | X:1
T:(...La fille aux cheveux de lin)
T:(...The girl with the flaxen hair)
T:CLAUDE DEBUSSY
%%score { ( 1 3 5 ) | ( 2 4 6 ) }
L:1/8
M:3/4
I:linebreak $
K:Gb
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:5 treble
V:2 bass
V:4 bass
V:6 bass
V:1
!p!"_sans rigueur""^Très calme et doucement expressif" (d2- dB/G/ EG/B/... | 3 | In bars 36–39, is there a suspension in the chord? | No |
Claude_Debussy_-_La_fille_aux_cheveux_de_lin | X:1
T:(...La fille aux cheveux de lin)
T:(...The girl with the flaxen hair)
T:CLAUDE DEBUSSY
%%score { ( 1 3 5 ) | ( 2 4 6 ) }
L:1/8
M:3/4
I:linebreak $
K:Gb
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:5 treble
V:2 bass
V:4 bass
V:6 bass
V:1
!p!"_sans rigueur""^Très calme et doucement expressif" (d2- dB/G/ EG/B/... | 3 | In bar 39, what are the repeated notes in the chord G♭ major? | Root and fifth |
Claude_Debussy_-_La_fille_aux_cheveux_de_lin | X:1
T:(...La fille aux cheveux de lin)
T:(...The girl with the flaxen hair)
T:CLAUDE DEBUSSY
%%score { ( 1 3 5 ) | ( 2 4 6 ) }
L:1/8
M:3/4
I:linebreak $
K:Gb
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:5 treble
V:2 bass
V:4 bass
V:6 bass
V:1
!p!"_sans rigueur""^Très calme et doucement expressif" (d2- dB/G/ EG/B/... | 4 | In which bar does the melodic motif appear? | 1 |
Claude_Debussy_-_La_fille_aux_cheveux_de_lin | X:1
T:(...La fille aux cheveux de lin)
T:(...The girl with the flaxen hair)
T:CLAUDE DEBUSSY
%%score { ( 1 3 5 ) | ( 2 4 6 ) }
L:1/8
M:3/4
I:linebreak $
K:Gb
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:5 treble
V:2 bass
V:4 bass
V:6 bass
V:1
!p!"_sans rigueur""^Très calme et doucement expressif" (d2- dB/G/ EG/B/... | 4 | In bar 1, in which register is the melody? | Middle register |
Claude_Debussy_-_La_fille_aux_cheveux_de_lin | X:1
T:(...La fille aux cheveux de lin)
T:(...The girl with the flaxen hair)
T:CLAUDE DEBUSSY
%%score { ( 1 3 5 ) | ( 2 4 6 ) }
L:1/8
M:3/4
I:linebreak $
K:Gb
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:5 treble
V:2 bass
V:4 bass
V:6 bass
V:1
!p!"_sans rigueur""^Très calme et doucement expressif" (d2- dB/G/ EG/B/... | 4 | What are the main features of the motif? | Arpeggio |
Claude_Debussy_-_Sonate_pour_Violoncelle_et_Piano | X:1
T:Title
%%score ( 1 2 ) { ( 3 4 7 ) | ( 5 6 8 ) }
L:1/8
Q:1/4=48
M:4/4
I:linebreak $
K:F
V:1 bass nm="VIOLONCELLE"
V:2 bass
V:3 treble nm="PIANO"
V:4 treble
V:7 treble
V:5 bass
V:6 bass
V:8 bass
V:1
"^Lent(48 à 54= ) Sostenuto e molto risoluto" z8 | z8 | z8 | %3
z (D,,/4G,,/4D,/4G,/4 (!tenuto!D2)[K:tenor]... | 1 | What is the initial key? | D minor |
Claude_Debussy_-_Sonate_pour_Violoncelle_et_Piano | X:1
T:Title
%%score ( 1 2 ) { ( 3 4 7 ) | ( 5 6 8 ) }
L:1/8
Q:1/4=48
M:4/4
I:linebreak $
K:F
V:1 bass nm="VIOLONCELLE"
V:2 bass
V:3 treble nm="PIANO"
V:4 treble
V:7 treble
V:5 bass
V:6 bass
V:8 bass
V:1
"^Lent(48 à 54= ) Sostenuto e molto risoluto" z8 | z8 | z8 | %3
z (D,,/4G,,/4D,/4G,/4 (!tenuto!D2)[K:tenor]... | 1 | What is the initial tempo indication? | Lent (slow) |
Claude_Debussy_-_Sonate_pour_Violoncelle_et_Piano | X:1
T:Title
%%score ( 1 2 ) { ( 3 4 7 ) | ( 5 6 8 ) }
L:1/8
Q:1/4=48
M:4/4
I:linebreak $
K:F
V:1 bass nm="VIOLONCELLE"
V:2 bass
V:3 treble nm="PIANO"
V:4 treble
V:7 treble
V:5 bass
V:6 bass
V:8 bass
V:1
"^Lent(48 à 54= ) Sostenuto e molto risoluto" z8 | z8 | z8 | %3
z (D,,/4G,,/4D,/4G,/4 (!tenuto!D2)[K:tenor]... | 1 | What is the tempo in beats per minute? | 54 bpm |
Claude_Debussy_-_Sonate_pour_Violoncelle_et_Piano | X:1
T:Title
%%score ( 1 2 ) { ( 3 4 7 ) | ( 5 6 8 ) }
L:1/8
Q:1/4=48
M:4/4
I:linebreak $
K:F
V:1 bass nm="VIOLONCELLE"
V:2 bass
V:3 treble nm="PIANO"
V:4 treble
V:7 treble
V:5 bass
V:6 bass
V:8 bass
V:1
"^Lent(48 à 54= ) Sostenuto e molto risoluto" z8 | z8 | z8 | %3
z (D,,/4G,,/4D,/4G,/4 (!tenuto!D2)[K:tenor]... | 2 | In bar 15, what is the tempo change marking? | Cédez (give way, relax tempo) |
Claude_Debussy_-_Sonate_pour_Violoncelle_et_Piano | X:1
T:Title
%%score ( 1 2 ) { ( 3 4 7 ) | ( 5 6 8 ) }
L:1/8
Q:1/4=48
M:4/4
I:linebreak $
K:F
V:1 bass nm="VIOLONCELLE"
V:2 bass
V:3 treble nm="PIANO"
V:4 treble
V:7 treble
V:5 bass
V:6 bass
V:8 bass
V:1
"^Lent(48 à 54= ) Sostenuto e molto risoluto" z8 | z8 | z8 | %3
z (D,,/4G,,/4D,/4G,/4 (!tenuto!D2)[K:tenor]... | 2 | In bar 1, what is the articulation marking? | Slur, tie |
Claude_Debussy_-_Sonate_pour_Violoncelle_et_Piano | X:1
T:Title
%%score ( 1 2 ) { ( 3 4 7 ) | ( 5 6 8 ) }
L:1/8
Q:1/4=48
M:4/4
I:linebreak $
K:F
V:1 bass nm="VIOLONCELLE"
V:2 bass
V:3 treble nm="PIANO"
V:4 treble
V:7 treble
V:5 bass
V:6 bass
V:8 bass
V:1
"^Lent(48 à 54= ) Sostenuto e molto risoluto" z8 | z8 | z8 | %3
z (D,,/4G,,/4D,/4G,/4 (!tenuto!D2)[K:tenor]... | 2 | In bar 1, what is the highest pitch? | A1 |
Claude_Debussy_-_Sonate_pour_Violoncelle_et_Piano | X:1
T:Title
%%score ( 1 2 ) { ( 3 4 7 ) | ( 5 6 8 ) }
L:1/8
Q:1/4=48
M:4/4
I:linebreak $
K:F
V:1 bass nm="VIOLONCELLE"
V:2 bass
V:3 treble nm="PIANO"
V:4 treble
V:7 treble
V:5 bass
V:6 bass
V:8 bass
V:1
"^Lent(48 à 54= ) Sostenuto e molto risoluto" z8 | z8 | z8 | %3
z (D,,/4G,,/4D,/4G,/4 (!tenuto!D2)[K:tenor]... | 3 | In bar 1, is there a third-inversion D minor chord? | None |
Claude_Debussy_-_Sonate_pour_Violoncelle_et_Piano | X:1
T:Title
%%score ( 1 2 ) { ( 3 4 7 ) | ( 5 6 8 ) }
L:1/8
Q:1/4=48
M:4/4
I:linebreak $
K:F
V:1 bass nm="VIOLONCELLE"
V:2 bass
V:3 treble nm="PIANO"
V:4 treble
V:7 treble
V:5 bass
V:6 bass
V:8 bass
V:1
"^Lent(48 à 54= ) Sostenuto e molto risoluto" z8 | z8 | z8 | %3
z (D,,/4G,,/4D,/4G,/4 (!tenuto!D2)[K:tenor]... | 3 | In bar 1, what are the repeated notes of the D minor chord? | Pentachord (five notes) |
Claude_Debussy_-_Sonate_pour_Violoncelle_et_Piano | X:1
T:Title
%%score ( 1 2 ) { ( 3 4 7 ) | ( 5 6 8 ) }
L:1/8
Q:1/4=48
M:4/4
I:linebreak $
K:F
V:1 bass nm="VIOLONCELLE"
V:2 bass
V:3 treble nm="PIANO"
V:4 treble
V:7 treble
V:5 bass
V:6 bass
V:8 bass
V:1
"^Lent(48 à 54= ) Sostenuto e molto risoluto" z8 | z8 | z8 | %3
z (D,,/4G,,/4D,/4G,/4 (!tenuto!D2)[K:tenor]... | 3 | In bar 51, does it end on the tonic chord of the original key? | No |
Claude_Debussy_-_Sonate_pour_Violoncelle_et_Piano | X:1
T:Title
%%score ( 1 2 ) { ( 3 4 7 ) | ( 5 6 8 ) }
L:1/8
Q:1/4=48
M:4/4
I:linebreak $
K:F
V:1 bass nm="VIOLONCELLE"
V:2 bass
V:3 treble nm="PIANO"
V:4 treble
V:7 treble
V:5 bass
V:6 bass
V:8 bass
V:1
"^Lent(48 à 54= ) Sostenuto e molto risoluto" z8 | z8 | z8 | %3
z (D,,/4G,,/4D,/4G,/4 (!tenuto!D2)[K:tenor]... | 4 | What is the performance medium of the piece? | Duet |
Claude_Debussy_-_Sonate_pour_Violoncelle_et_Piano | X:1
T:Title
%%score ( 1 2 ) { ( 3 4 7 ) | ( 5 6 8 ) }
L:1/8
Q:1/4=48
M:4/4
I:linebreak $
K:F
V:1 bass nm="VIOLONCELLE"
V:2 bass
V:3 treble nm="PIANO"
V:4 treble
V:7 treble
V:5 bass
V:6 bass
V:8 bass
V:1
"^Lent(48 à 54= ) Sostenuto e molto risoluto" z8 | z8 | z8 | %3
z (D,,/4G,,/4D,/4G,/4 (!tenuto!D2)[K:tenor]... | 4 | What is the most frequently used type of accompaniment in the piece? | block chord |
Claude_Debussy_-_Sonate_pour_Violoncelle_et_Piano | X:1
T:Title
%%score ( 1 2 ) { ( 3 4 7 ) | ( 5 6 8 ) }
L:1/8
Q:1/4=48
M:4/4
I:linebreak $
K:F
V:1 bass nm="VIOLONCELLE"
V:2 bass
V:3 treble nm="PIANO"
V:4 treble
V:7 treble
V:5 bass
V:6 bass
V:8 bass
V:1
"^Lent(48 à 54= ) Sostenuto e molto risoluto" z8 | z8 | z8 | %3
z (D,,/4G,,/4D,/4G,/4 (!tenuto!D2)[K:tenor]... | 4 | In which part does the principal theme first appear? | Piano part |
Concerto_No._1_in_a_minor_-_Saint-Saens | X:1
T:Concerto No. 1
C:Saint-Saens
%%score 1 { ( 2 4 ) | ( 3 5 ) }
L:1/8
M:2/2
I:linebreak $
K:C
V:1 bass nm="Violoncello" snm="Vlc."
V:2 treble nm="Piano" snm="Pno."
V:4 treble
V:3 bass
V:5 bass
V:1
"^Allegro non troppo" z2 E2- (3EDC (3B,CD | (3CB,A, (3^G,A,B, A,E, F,2- | F,2 E,2 z E,, F,,2- | %3
F,,2 E,,2 z2 E2- ... | 1 | What is the initial tempo marking? | Allegro non troppo |
Concerto_No._1_in_a_minor_-_Saint-Saens | X:1
T:Concerto No. 1
C:Saint-Saens
%%score 1 { ( 2 4 ) | ( 3 5 ) }
L:1/8
M:2/2
I:linebreak $
K:C
V:1 bass nm="Violoncello" snm="Vlc."
V:2 treble nm="Piano" snm="Pno."
V:4 treble
V:3 bass
V:5 bass
V:1
"^Allegro non troppo" z2 E2- (3EDC (3B,CD | (3CB,A, (3^G,A,B, A,E, F,2- | F,2 E,2 z E,, F,,2- | %3
F,,2 E,,2 z2 E2- ... | 1 | Is there an anacrusis? | No |
Concerto_No._1_in_a_minor_-_Saint-Saens | X:1
T:Concerto No. 1
C:Saint-Saens
%%score 1 { ( 2 4 ) | ( 3 5 ) }
L:1/8
M:2/2
I:linebreak $
K:C
V:1 bass nm="Violoncello" snm="Vlc."
V:2 treble nm="Piano" snm="Pno."
V:4 treble
V:3 bass
V:5 bass
V:1
"^Allegro non troppo" z2 E2- (3EDC (3B,CD | (3CB,A, (3^G,A,B, A,E, F,2- | F,2 E,2 z E,, F,,2- | %3
F,,2 E,,2 z2 E2- ... | 1 | What is the initial key? | A minor |
Concerto_No._1_in_a_minor_-_Saint-Saens | X:1
T:Concerto No. 1
C:Saint-Saens
%%score 1 { ( 2 4 ) | ( 3 5 ) }
L:1/8
M:2/2
I:linebreak $
K:C
V:1 bass nm="Violoncello" snm="Vlc."
V:2 treble nm="Piano" snm="Pno."
V:4 treble
V:3 bass
V:5 bass
V:1
"^Allegro non troppo" z2 E2- (3EDC (3B,CD | (3CB,A, (3^G,A,B, A,E, F,2- | F,2 E,2 z E,, F,,2- | %3
F,,2 E,,2 z2 E2- ... | 2 | In bar 8, what is the new clef? | Tenor clef |
Concerto_No._1_in_a_minor_-_Saint-Saens | X:1
T:Concerto No. 1
C:Saint-Saens
%%score 1 { ( 2 4 ) | ( 3 5 ) }
L:1/8
M:2/2
I:linebreak $
K:C
V:1 bass nm="Violoncello" snm="Vlc."
V:2 treble nm="Piano" snm="Pno."
V:4 treble
V:3 bass
V:5 bass
V:1
"^Allegro non troppo" z2 E2- (3EDC (3B,CD | (3CB,A, (3^G,A,B, A,E, F,2- | F,2 E,2 z E,, F,,2- | %3
F,,2 E,,2 z2 E2- ... | 2 | In bar 10, what is the highest pitch? | A4 |
Concerto_No._1_in_a_minor_-_Saint-Saens | X:1
T:Concerto No. 1
C:Saint-Saens
%%score 1 { ( 2 4 ) | ( 3 5 ) }
L:1/8
M:2/2
I:linebreak $
K:C
V:1 bass nm="Violoncello" snm="Vlc."
V:2 treble nm="Piano" snm="Pno."
V:4 treble
V:3 bass
V:5 bass
V:1
"^Allegro non troppo" z2 E2- (3EDC (3B,CD | (3CB,A, (3^G,A,B, A,E, F,2- | F,2 E,2 z E,, F,,2- | %3
F,,2 E,,2 z2 E2- ... | 2 | In bar 249, what is the ornament on the E♭ note? | Appoggiatura |
Concerto_No._1_in_a_minor_-_Saint-Saens | X:1
T:Concerto No. 1
C:Saint-Saens
%%score 1 { ( 2 4 ) | ( 3 5 ) }
L:1/8
M:2/2
I:linebreak $
K:C
V:1 bass nm="Violoncello" snm="Vlc."
V:2 treble nm="Piano" snm="Pno."
V:4 treble
V:3 bass
V:5 bass
V:1
"^Allegro non troppo" z2 E2- (3EDC (3B,CD | (3CB,A, (3^G,A,B, A,E, F,2- | F,2 E,2 z E,, F,,2- | %3
F,,2 E,,2 z2 E2- ... | 3 | In bar 284, is there a first-inversion D7 chord? | Yes |
Concerto_No._1_in_a_minor_-_Saint-Saens | X:1
T:Concerto No. 1
C:Saint-Saens
%%score 1 { ( 2 4 ) | ( 3 5 ) }
L:1/8
M:2/2
I:linebreak $
K:C
V:1 bass nm="Violoncello" snm="Vlc."
V:2 treble nm="Piano" snm="Pno."
V:4 treble
V:3 bass
V:5 bass
V:1
"^Allegro non troppo" z2 E2- (3EDC (3B,CD | (3CB,A, (3^G,A,B, A,E, F,2- | F,2 E,2 z E,, F,,2- | %3
F,,2 E,,2 z2 E2- ... | 3 | In bar 334, what is the voicing of the B♭ major chord? | Open spacing |
Concerto_No._1_in_a_minor_-_Saint-Saens | X:1
T:Concerto No. 1
C:Saint-Saens
%%score 1 { ( 2 4 ) | ( 3 5 ) }
L:1/8
M:2/2
I:linebreak $
K:C
V:1 bass nm="Violoncello" snm="Vlc."
V:2 treble nm="Piano" snm="Pno."
V:4 treble
V:3 bass
V:5 bass
V:1
"^Allegro non troppo" z2 E2- (3EDC (3B,CD | (3CB,A, (3^G,A,B, A,E, F,2- | F,2 E,2 z E,, F,,2- | %3
F,,2 E,,2 z2 E2- ... | 3 | In bar 322, what degree chord is the first chord (I, II, III, IV, V, VI, VII)? | IV7 |
Concerto_No._1_in_a_minor_-_Saint-Saens | X:1
T:Concerto No. 1
C:Saint-Saens
%%score 1 { ( 2 4 ) | ( 3 5 ) }
L:1/8
M:2/2
I:linebreak $
K:C
V:1 bass nm="Violoncello" snm="Vlc."
V:2 treble nm="Piano" snm="Pno."
V:4 treble
V:3 bass
V:5 bass
V:1
"^Allegro non troppo" z2 E2- (3EDC (3B,CD | (3CB,A, (3^G,A,B, A,E, F,2- | F,2 E,2 z E,, F,,2- | %3
F,,2 E,,2 z2 E2- ... | 4 | What is the performance medium of the piece? | Duo |
Concerto_No._1_in_a_minor_-_Saint-Saens | X:1
T:Concerto No. 1
C:Saint-Saens
%%score 1 { ( 2 4 ) | ( 3 5 ) }
L:1/8
M:2/2
I:linebreak $
K:C
V:1 bass nm="Violoncello" snm="Vlc."
V:2 treble nm="Piano" snm="Pno."
V:4 treble
V:3 bass
V:5 bass
V:1
"^Allegro non troppo" z2 E2- (3EDC (3B,CD | (3CB,A, (3^G,A,B, A,E, F,2- | F,2 E,2 z E,, F,,2- | %3
F,,2 E,,2 z2 E2- ... | 4 | What is the main rhythm of the motif? | Even rhythm |
Concerto_No._1_in_a_minor_-_Saint-Saens | X:1
T:Concerto No. 1
C:Saint-Saens
%%score 1 { ( 2 4 ) | ( 3 5 ) }
L:1/8
M:2/2
I:linebreak $
K:C
V:1 bass nm="Violoncello" snm="Vlc."
V:2 treble nm="Piano" snm="Pno."
V:4 treble
V:3 bass
V:5 bass
V:1
"^Allegro non troppo" z2 E2- (3EDC (3B,CD | (3CB,A, (3^G,A,B, A,E, F,2- | F,2 E,2 z E,, F,,2- | %3
F,,2 E,,2 z2 E2- ... | 4 | In which instrument does the principal theme first appear? | Cello |
DER_MLLER_UND_DER_BACH._D795S.5652__Franz_Liszt__Franz_Liszt_DER_MLLER_UND_DER_BACH._D795S.5652__Franz_Liszt__Lied_von_Franz_schubert. | X:1
T:DER MLLER UND DER BACH.
C:Franz Liszt.
%%score { ( 1 4 5 ) | ( 2 6 ) | ( 3 7 ) }
L:1/8
Q:1/8=63
M:3/8
I:linebreak $
K:Bb
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:5 treble
V:2 bass
V:6 bass
V:3 treble
V:7 treble
V:1
z [B,G]2 | z [B,G]2 | z [B,G]2 | z ^F2 | z [A,^F]2 | z [B,G]2 | z [B,G]2 | z !arpeggio!... | 1 | Is there an anacrusis (upbeat bar)? | No |
DER_MLLER_UND_DER_BACH._D795S.5652__Franz_Liszt__Franz_Liszt_DER_MLLER_UND_DER_BACH._D795S.5652__Franz_Liszt__Lied_von_Franz_schubert. | X:1
T:DER MLLER UND DER BACH.
C:Franz Liszt.
%%score { ( 1 4 5 ) | ( 2 6 ) | ( 3 7 ) }
L:1/8
Q:1/8=63
M:3/8
I:linebreak $
K:Bb
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:5 treble
V:2 bass
V:6 bass
V:3 treble
V:7 treble
V:1
z [B,G]2 | z [B,G]2 | z [B,G]2 | z ^F2 | z [A,^F]2 | z [B,G]2 | z [B,G]2 | z !arpeggio!... | 1 | Which instruments are used? | Piano |
DER_MLLER_UND_DER_BACH._D795S.5652__Franz_Liszt__Franz_Liszt_DER_MLLER_UND_DER_BACH._D795S.5652__Franz_Liszt__Lied_von_Franz_schubert. | X:1
T:DER MLLER UND DER BACH.
C:Franz Liszt.
%%score { ( 1 4 5 ) | ( 2 6 ) | ( 3 7 ) }
L:1/8
Q:1/8=63
M:3/8
I:linebreak $
K:Bb
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:5 treble
V:2 bass
V:6 bass
V:3 treble
V:7 treble
V:1
z [B,G]2 | z [B,G]2 | z [B,G]2 | z ^F2 | z [A,^F]2 | z [B,G]2 | z [B,G]2 | z !arpeggio!... | 1 | Who is the composer? | Liszt |
DER_MLLER_UND_DER_BACH._D795S.5652__Franz_Liszt__Franz_Liszt_DER_MLLER_UND_DER_BACH._D795S.5652__Franz_Liszt__Lied_von_Franz_schubert. | X:1
T:DER MLLER UND DER BACH.
C:Franz Liszt.
%%score { ( 1 4 5 ) | ( 2 6 ) | ( 3 7 ) }
L:1/8
Q:1/8=63
M:3/8
I:linebreak $
K:Bb
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:5 treble
V:2 bass
V:6 bass
V:3 treble
V:7 treble
V:1
z [B,G]2 | z [B,G]2 | z [B,G]2 | z ^F2 | z [A,^F]2 | z [B,G]2 | z [B,G]2 | z !arpeggio!... | 2 | In which bar, what is the lowest pitch? | G |
DER_MLLER_UND_DER_BACH._D795S.5652__Franz_Liszt__Franz_Liszt_DER_MLLER_UND_DER_BACH._D795S.5652__Franz_Liszt__Lied_von_Franz_schubert. | X:1
T:DER MLLER UND DER BACH.
C:Franz Liszt.
%%score { ( 1 4 5 ) | ( 2 6 ) | ( 3 7 ) }
L:1/8
Q:1/8=63
M:3/8
I:linebreak $
K:Bb
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:5 treble
V:2 bass
V:6 bass
V:3 treble
V:7 treble
V:1
z [B,G]2 | z [B,G]2 | z [B,G]2 | z ^F2 | z [A,^F]2 | z [B,G]2 | z [B,G]2 | z !arpeggio!... | 2 | In bars 1–24, is there a repeat sign? | No |
DER_MLLER_UND_DER_BACH._D795S.5652__Franz_Liszt__Franz_Liszt_DER_MLLER_UND_DER_BACH._D795S.5652__Franz_Liszt__Lied_von_Franz_schubert. | X:1
T:DER MLLER UND DER BACH.
C:Franz Liszt.
%%score { ( 1 4 5 ) | ( 2 6 ) | ( 3 7 ) }
L:1/8
Q:1/8=63
M:3/8
I:linebreak $
K:Bb
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:5 treble
V:2 bass
V:6 bass
V:3 treble
V:7 treble
V:1
z [B,G]2 | z [B,G]2 | z [B,G]2 | z ^F2 | z [A,^F]2 | z [B,G]2 | z [B,G]2 | z !arpeggio!... | 2 | In bar 29, what does the key signature change to? | G major |
DER_MLLER_UND_DER_BACH._D795S.5652__Franz_Liszt__Franz_Liszt_DER_MLLER_UND_DER_BACH._D795S.5652__Franz_Liszt__Lied_von_Franz_schubert. | X:1
T:DER MLLER UND DER BACH.
C:Franz Liszt.
%%score { ( 1 4 5 ) | ( 2 6 ) | ( 3 7 ) }
L:1/8
Q:1/8=63
M:3/8
I:linebreak $
K:Bb
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:5 treble
V:2 bass
V:6 bass
V:3 treble
V:7 treble
V:1
z [B,G]2 | z [B,G]2 | z [B,G]2 | z ^F2 | z [A,^F]2 | z [B,G]2 | z [B,G]2 | z !arpeggio!... | 3 | In bar 1, what are the repeated notes of the G major chord? | Root note |
DER_MLLER_UND_DER_BACH._D795S.5652__Franz_Liszt__Franz_Liszt_DER_MLLER_UND_DER_BACH._D795S.5652__Franz_Liszt__Lied_von_Franz_schubert. | X:1
T:DER MLLER UND DER BACH.
C:Franz Liszt.
%%score { ( 1 4 5 ) | ( 2 6 ) | ( 3 7 ) }
L:1/8
Q:1/8=63
M:3/8
I:linebreak $
K:Bb
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:5 treble
V:2 bass
V:6 bass
V:3 treble
V:7 treble
V:1
z [B,G]2 | z [B,G]2 | z [B,G]2 | z ^F2 | z [A,^F]2 | z [B,G]2 | z [B,G]2 | z !arpeggio!... | 3 | In bar 1, what scale degree is the first chord? (Use I, II, III, IV, V, VI, VII) | I |
DER_MLLER_UND_DER_BACH._D795S.5652__Franz_Liszt__Franz_Liszt_DER_MLLER_UND_DER_BACH._D795S.5652__Franz_Liszt__Lied_von_Franz_schubert. | X:1
T:DER MLLER UND DER BACH.
C:Franz Liszt.
%%score { ( 1 4 5 ) | ( 2 6 ) | ( 3 7 ) }
L:1/8
Q:1/8=63
M:3/8
I:linebreak $
K:Bb
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:5 treble
V:2 bass
V:6 bass
V:3 treble
V:7 treble
V:1
z [B,G]2 | z [B,G]2 | z [B,G]2 | z ^F2 | z [A,^F]2 | z [B,G]2 | z [B,G]2 | z !arpeggio!... | 3 | In bars 111–121, is there a perfect cadence? | Yes |
DER_MLLER_UND_DER_BACH._D795S.5652__Franz_Liszt__Franz_Liszt_DER_MLLER_UND_DER_BACH._D795S.5652__Franz_Liszt__Lied_von_Franz_schubert. | X:1
T:DER MLLER UND DER BACH.
C:Franz Liszt.
%%score { ( 1 4 5 ) | ( 2 6 ) | ( 3 7 ) }
L:1/8
Q:1/8=63
M:3/8
I:linebreak $
K:Bb
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:5 treble
V:2 bass
V:6 bass
V:3 treble
V:7 treble
V:1
z [B,G]2 | z [B,G]2 | z [B,G]2 | z ^F2 | z [A,^F]2 | z [B,G]2 | z [B,G]2 | z !arpeggio!... | 4 | In which bar does the melodic motif appear? | Bar 3, 4 |
DER_MLLER_UND_DER_BACH._D795S.5652__Franz_Liszt__Franz_Liszt_DER_MLLER_UND_DER_BACH._D795S.5652__Franz_Liszt__Lied_von_Franz_schubert. | X:1
T:DER MLLER UND DER BACH.
C:Franz Liszt.
%%score { ( 1 4 5 ) | ( 2 6 ) | ( 3 7 ) }
L:1/8
Q:1/8=63
M:3/8
I:linebreak $
K:Bb
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:5 treble
V:2 bass
V:6 bass
V:3 treble
V:7 treble
V:1
z [B,G]2 | z [B,G]2 | z [B,G]2 | z ^F2 | z [A,^F]2 | z [B,G]2 | z [B,G]2 | z !arpeggio!... | 4 | In bars 3–4, in which register is the melody? | Lower-middle register |
DER_MLLER_UND_DER_BACH._D795S.5652__Franz_Liszt__Franz_Liszt_DER_MLLER_UND_DER_BACH._D795S.5652__Franz_Liszt__Lied_von_Franz_schubert. | X:1
T:DER MLLER UND DER BACH.
C:Franz Liszt.
%%score { ( 1 4 5 ) | ( 2 6 ) | ( 3 7 ) }
L:1/8
Q:1/8=63
M:3/8
I:linebreak $
K:Bb
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:5 treble
V:2 bass
V:6 bass
V:3 treble
V:7 treble
V:1
z [B,G]2 | z [B,G]2 | z [B,G]2 | z ^F2 | z [A,^F]2 | z [B,G]2 | z [B,G]2 | z !arpeggio!... | 4 | What is the performance medium of the piece? | Piano solo |
Debussy_-_Suite_Bergamasque | X:1
T:Suite Bergamasque
C:Claude Debussy
%%score { ( 1 2 6 ) | ( 3 4 5 ) }
L:1/8
Q:1/4=90
M:4/4
I:linebreak $
K:F
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:6 treble
V:3 bass
V:4 bass
V:5 bass
V:1
z4 g4- | g/a/b/a/ g/a/g/f/ d/f/d/c/ B/G/D/E/ | G/F/G/A/ G2- G/F/G/A/ c/A/G/F/ | %3
G/F/G/A/ G2- G/F/G/A/ d/A/G/F/... | 1 | What is the initial tempo marking? | None |
Debussy_-_Suite_Bergamasque | X:1
T:Suite Bergamasque
C:Claude Debussy
%%score { ( 1 2 6 ) | ( 3 4 5 ) }
L:1/8
Q:1/4=90
M:4/4
I:linebreak $
K:F
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:6 treble
V:3 bass
V:4 bass
V:5 bass
V:1
z4 g4- | g/a/b/a/ g/a/g/f/ d/f/d/c/ B/G/D/E/ | G/F/G/A/ G2- G/F/G/A/ c/A/G/F/ | %3
G/F/G/A/ G2- G/F/G/A/ d/A/G/F/... | 1 | What is the metronome marking (beats per minute)? | 90 |
Debussy_-_Suite_Bergamasque | X:1
T:Suite Bergamasque
C:Claude Debussy
%%score { ( 1 2 6 ) | ( 3 4 5 ) }
L:1/8
Q:1/4=90
M:4/4
I:linebreak $
K:F
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:6 treble
V:3 bass
V:4 bass
V:5 bass
V:1
z4 g4- | g/a/b/a/ g/a/g/f/ d/f/d/c/ B/G/D/E/ | G/F/G/A/ G2- G/F/G/A/ c/A/G/F/ | %3
G/F/G/A/ G2- G/F/G/A/ d/A/G/F/... | 1 | What is the initial key? | F major |
Debussy_-_Suite_Bergamasque | X:1
T:Suite Bergamasque
C:Claude Debussy
%%score { ( 1 2 6 ) | ( 3 4 5 ) }
L:1/8
Q:1/4=90
M:4/4
I:linebreak $
K:F
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:6 treble
V:3 bass
V:4 bass
V:5 bass
V:1
z4 g4- | g/a/b/a/ g/a/g/f/ d/f/d/c/ B/G/D/E/ | G/F/G/A/ G2- G/F/G/A/ c/A/G/F/ | %3
G/F/G/A/ G2- G/F/G/A/ d/A/G/F/... | 2 | In bar 1, what is the articulation marking? | Accent mark |
Debussy_-_Suite_Bergamasque | X:1
T:Suite Bergamasque
C:Claude Debussy
%%score { ( 1 2 6 ) | ( 3 4 5 ) }
L:1/8
Q:1/4=90
M:4/4
I:linebreak $
K:F
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:6 treble
V:3 bass
V:4 bass
V:5 bass
V:1
z4 g4- | g/a/b/a/ g/a/g/f/ d/f/d/c/ B/G/D/E/ | G/F/G/A/ G2- G/F/G/A/ c/A/G/F/ | %3
G/F/G/A/ G2- G/F/G/A/ d/A/G/F/... | 2 | Between bars 194–229, what is the new key signature? | D♭ major |
Debussy_-_Suite_Bergamasque | X:1
T:Suite Bergamasque
C:Claude Debussy
%%score { ( 1 2 6 ) | ( 3 4 5 ) }
L:1/8
Q:1/4=90
M:4/4
I:linebreak $
K:F
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:6 treble
V:3 bass
V:4 bass
V:5 bass
V:1
z4 g4- | g/a/b/a/ g/a/g/f/ d/f/d/c/ B/G/D/E/ | G/F/G/A/ G2- G/F/G/A/ c/A/G/F/ | %3
G/F/G/A/ G2- G/F/G/A/ d/A/G/F/... | 2 | In bar 417, what is the highest pitch? | D♯5 |
Debussy_-_Suite_Bergamasque | X:1
T:Suite Bergamasque
C:Claude Debussy
%%score { ( 1 2 6 ) | ( 3 4 5 ) }
L:1/8
Q:1/4=90
M:4/4
I:linebreak $
K:F
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:6 treble
V:3 bass
V:4 bass
V:5 bass
V:1
z4 g4- | g/a/b/a/ g/a/g/f/ d/f/d/c/ B/G/D/E/ | G/F/G/A/ G2- G/F/G/A/ c/A/G/F/ | %3
G/F/G/A/ G2- G/F/G/A/ d/A/G/F/... | 3 | In bar 1, does the music begin on the tonic chord of the home key? | No |
Debussy_-_Suite_Bergamasque | X:1
T:Suite Bergamasque
C:Claude Debussy
%%score { ( 1 2 6 ) | ( 3 4 5 ) }
L:1/8
Q:1/4=90
M:4/4
I:linebreak $
K:F
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:6 treble
V:3 bass
V:4 bass
V:5 bass
V:1
z4 g4- | g/a/b/a/ g/a/g/f/ d/f/d/c/ B/G/D/E/ | G/F/G/A/ G2- G/F/G/A/ c/A/G/F/ | %3
G/F/G/A/ G2- G/F/G/A/ d/A/G/F/... | 3 | In bar 3, what are the repeated notes in the F chord? | Root, third, fifth |
Debussy_-_Suite_Bergamasque | X:1
T:Suite Bergamasque
C:Claude Debussy
%%score { ( 1 2 6 ) | ( 3 4 5 ) }
L:1/8
Q:1/4=90
M:4/4
I:linebreak $
K:F
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:6 treble
V:3 bass
V:4 bass
V:5 bass
V:1
z4 g4- | g/a/b/a/ g/a/g/f/ d/f/d/c/ B/G/D/E/ | G/F/G/A/ G2- G/F/G/A/ c/A/G/F/ | %3
G/F/G/A/ G2- G/F/G/A/ d/A/G/F/... | 3 | Between bars 417–411, is there a perfect cadence? | No |
Debussy_-_Suite_Bergamasque | X:1
T:Suite Bergamasque
C:Claude Debussy
%%score { ( 1 2 6 ) | ( 3 4 5 ) }
L:1/8
Q:1/4=90
M:4/4
I:linebreak $
K:F
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:6 treble
V:3 bass
V:4 bass
V:5 bass
V:1
z4 g4- | g/a/b/a/ g/a/g/f/ d/f/d/c/ B/G/D/E/ | G/F/G/A/ G2- G/F/G/A/ c/A/G/F/ | %3
G/F/G/A/ G2- G/F/G/A/ d/A/G/F/... | 4 | What is the performance medium of the piece? | Piano solo |
Debussy_-_Suite_Bergamasque | X:1
T:Suite Bergamasque
C:Claude Debussy
%%score { ( 1 2 6 ) | ( 3 4 5 ) }
L:1/8
Q:1/4=90
M:4/4
I:linebreak $
K:F
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:6 treble
V:3 bass
V:4 bass
V:5 bass
V:1
z4 g4- | g/a/b/a/ g/a/g/f/ d/f/d/c/ B/G/D/E/ | G/F/G/A/ G2- G/F/G/A/ c/A/G/F/ | %3
G/F/G/A/ G2- G/F/G/A/ d/A/G/F/... | 4 | What is the genre of the piece? | Prelude |
Debussy_-_Suite_Bergamasque | X:1
T:Suite Bergamasque
C:Claude Debussy
%%score { ( 1 2 6 ) | ( 3 4 5 ) }
L:1/8
Q:1/4=90
M:4/4
I:linebreak $
K:F
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:6 treble
V:3 bass
V:4 bass
V:5 bass
V:1
z4 g4- | g/a/b/a/ g/a/g/f/ d/f/d/c/ B/G/D/E/ | G/F/G/A/ G2- G/F/G/A/ c/A/G/F/ | %3
G/F/G/A/ G2- G/F/G/A/ d/A/G/F/... | 4 | In which register is the melody in bars 1–2? | Upper–middle register |
Die_Fledermaus_Op.362_Overture_by_Johann_Strauss_II | X:1
T:Overture to "Die Fledermaus"
C:Johann Strauss II
%%score [ [ 1 | ( 2 3 ) ] | ( 4 5 ) | ( 6 7 ) | ( 8 9 ) | [ ( 10 11 ) | 12 ] | 13 | [ 14 | 15 ] | 16 | | | | 17 | [ ( 18 19 ) | 20 ] | 21 | [ 22 | 23 ] ]
L:1/8
Q:1/4=230
M:2/2
I:linebreak $
K:A
U:s=!stemless!
V:1 treble transpose=12 nm="Piccolo" snm="Picc."
V:2 tre... | 1 | Is there an anacrusis? | No |
Die_Fledermaus_Op.362_Overture_by_Johann_Strauss_II | X:1
T:Overture to "Die Fledermaus"
C:Johann Strauss II
%%score [ [ 1 | ( 2 3 ) ] | ( 4 5 ) | ( 6 7 ) | ( 8 9 ) | [ ( 10 11 ) | 12 ] | 13 | [ 14 | 15 ] | 16 | | | | 17 | [ ( 18 19 ) | 20 ] | 21 | [ 22 | 23 ] ]
L:1/8
Q:1/4=230
M:2/2
I:linebreak $
K:A
U:s=!stemless!
V:1 treble transpose=12 nm="Piccolo" snm="Picc."
V:2 tre... | 1 | What is the initial time signature? | 2/2 time |
Die_Fledermaus_Op.362_Overture_by_Johann_Strauss_II | X:1
T:Overture to "Die Fledermaus"
C:Johann Strauss II
%%score [ [ 1 | ( 2 3 ) ] | ( 4 5 ) | ( 6 7 ) | ( 8 9 ) | [ ( 10 11 ) | 12 ] | 13 | [ 14 | 15 ] | 16 | | | | 17 | [ ( 18 19 ) | 20 ] | 21 | [ 22 | 23 ] ]
L:1/8
Q:1/4=230
M:2/2
I:linebreak $
K:A
U:s=!stemless!
V:1 treble transpose=12 nm="Piccolo" snm="Picc."
V:2 tre... | 1 | What is the initial expression marking? | Allegro vivace |
Die_Fledermaus_Op.362_Overture_by_Johann_Strauss_II | X:1
T:Overture to "Die Fledermaus"
C:Johann Strauss II
%%score [ [ 1 | ( 2 3 ) ] | ( 4 5 ) | ( 6 7 ) | ( 8 9 ) | [ ( 10 11 ) | 12 ] | 13 | [ 14 | 15 ] | 16 | | | | 17 | [ ( 18 19 ) | 20 ] | 21 | [ 22 | 23 ] ]
L:1/8
Q:1/4=230
M:2/2
I:linebreak $
K:A
U:s=!stemless!
V:1 treble transpose=12 nm="Piccolo" snm="Picc."
V:2 tre... | 2 | In bar 3, what is the highest pitch? | A♯6 |
Die_Fledermaus_Op.362_Overture_by_Johann_Strauss_II | X:1
T:Overture to "Die Fledermaus"
C:Johann Strauss II
%%score [ [ 1 | ( 2 3 ) ] | ( 4 5 ) | ( 6 7 ) | ( 8 9 ) | [ ( 10 11 ) | 12 ] | 13 | [ 14 | 15 ] | 16 | | | | 17 | [ ( 18 19 ) | 20 ] | 21 | [ 22 | 23 ] ]
L:1/8
Q:1/4=230
M:2/2
I:linebreak $
K:A
U:s=!stemless!
V:1 treble transpose=12 nm="Piccolo" snm="Picc."
V:2 tre... | 2 | In bar 19, what is the shortest rest value? | Quaver rest |
Die_Fledermaus_Op.362_Overture_by_Johann_Strauss_II | X:1
T:Overture to "Die Fledermaus"
C:Johann Strauss II
%%score [ [ 1 | ( 2 3 ) ] | ( 4 5 ) | ( 6 7 ) | ( 8 9 ) | [ ( 10 11 ) | 12 ] | 13 | [ 14 | 15 ] | 16 | | | | 17 | [ ( 18 19 ) | 20 ] | 21 | [ 22 | 23 ] ]
L:1/8
Q:1/4=230
M:2/2
I:linebreak $
K:A
U:s=!stemless!
V:1 treble transpose=12 nm="Piccolo" snm="Picc."
V:2 tre... | 2 | In bar 13, what is the tempo marking? | Allegretto |
Die_Fledermaus_Op.362_Overture_by_Johann_Strauss_II | X:1
T:Overture to "Die Fledermaus"
C:Johann Strauss II
%%score [ [ 1 | ( 2 3 ) ] | ( 4 5 ) | ( 6 7 ) | ( 8 9 ) | [ ( 10 11 ) | 12 ] | 13 | [ 14 | 15 ] | 16 | | | | 17 | [ ( 18 19 ) | 20 ] | 21 | [ 22 | 23 ] ]
L:1/8
Q:1/4=230
M:2/2
I:linebreak $
K:A
U:s=!stemless!
V:1 treble transpose=12 nm="Piccolo" snm="Picc."
V:2 tre... | 3 | In bar 33, does the music begin on the tonic chord of the home key? | No |
Die_Fledermaus_Op.362_Overture_by_Johann_Strauss_II | X:1
T:Overture to "Die Fledermaus"
C:Johann Strauss II
%%score [ [ 1 | ( 2 3 ) ] | ( 4 5 ) | ( 6 7 ) | ( 8 9 ) | [ ( 10 11 ) | 12 ] | 13 | [ 14 | 15 ] | 16 | | | | 17 | [ ( 18 19 ) | 20 ] | 21 | [ 22 | 23 ] ]
L:1/8
Q:1/4=230
M:2/2
I:linebreak $
K:A
U:s=!stemless!
V:1 treble transpose=12 nm="Piccolo" snm="Picc."
V:2 tre... | 3 | In bar 33, what degree chord is the first chord (I, II, III, IV, V, VI, VII)? | IV |
Die_Fledermaus_Op.362_Overture_by_Johann_Strauss_II | X:1
T:Overture to "Die Fledermaus"
C:Johann Strauss II
%%score [ [ 1 | ( 2 3 ) ] | ( 4 5 ) | ( 6 7 ) | ( 8 9 ) | [ ( 10 11 ) | 12 ] | 13 | [ 14 | 15 ] | 16 | | | | 17 | [ ( 18 19 ) | 20 ] | 21 | [ 22 | 23 ] ]
L:1/8
Q:1/4=230
M:2/2
I:linebreak $
K:A
U:s=!stemless!
V:1 treble transpose=12 nm="Piccolo" snm="Picc."
V:2 tre... | 3 | Between bars 36–40, is there a perfect cadence or similar? | No |
Die_Fledermaus_Op.362_Overture_by_Johann_Strauss_II | X:1
T:Overture to "Die Fledermaus"
C:Johann Strauss II
%%score [ [ 1 | ( 2 3 ) ] | ( 4 5 ) | ( 6 7 ) | ( 8 9 ) | [ ( 10 11 ) | 12 ] | 13 | [ 14 | 15 ] | 16 | | | | 17 | [ ( 18 19 ) | 20 ] | 21 | [ 22 | 23 ] ]
L:1/8
Q:1/4=230
M:2/2
I:linebreak $
K:A
U:s=!stemless!
V:1 treble transpose=12 nm="Piccolo" snm="Picc."
V:2 tre... | 4 | What is the performance medium of the piece? | Orchestra |
Die_Fledermaus_Op.362_Overture_by_Johann_Strauss_II | X:1
T:Overture to "Die Fledermaus"
C:Johann Strauss II
%%score [ [ 1 | ( 2 3 ) ] | ( 4 5 ) | ( 6 7 ) | ( 8 9 ) | [ ( 10 11 ) | 12 ] | 13 | [ 14 | 15 ] | 16 | | | | 17 | [ ( 18 19 ) | 20 ] | 21 | [ 22 | 23 ] ]
L:1/8
Q:1/4=230
M:2/2
I:linebreak $
K:A
U:s=!stemless!
V:1 treble transpose=12 nm="Piccolo" snm="Picc."
V:2 tre... | 4 | In which bar does the melodic motif first appear? | Bars 15–16 |
Die_Fledermaus_Op.362_Overture_by_Johann_Strauss_II | X:1
T:Overture to "Die Fledermaus"
C:Johann Strauss II
%%score [ [ 1 | ( 2 3 ) ] | ( 4 5 ) | ( 6 7 ) | ( 8 9 ) | [ ( 10 11 ) | 12 ] | 13 | [ 14 | 15 ] | 16 | | | | 17 | [ ( 18 19 ) | 20 ] | 21 | [ 22 | 23 ] ]
L:1/8
Q:1/4=230
M:2/2
I:linebreak $
K:A
U:s=!stemless!
V:1 treble transpose=12 nm="Piccolo" snm="Picc."
V:2 tre... | 4 | In which instrument does the principal theme first appear? | Oboe |
Dvok__Symphony_No._9_New_World_II_-_Largo | X:1
T:Symphony No. 9
C:Antonin Dvořák
%%score [ ( 1 2 ) ( 3 4 ) 5 ( 6 7 ) ( 8 9 ) ] { ( 10 11 ) ( 12 13 ) } ( 14 15 ) { ( 16 17 ) ( 18 19 ) ( 20 21 ) } ( 22 23 ) [ { 24 ( 25 26 ) } ( 27 28 ) ( 29 30 ) ( 31 32 ) ]
L:1/8
Q:1/4=52
M:4/4
I:linebreak $
K:Db
V:1 treble nm="Flauti\nI. II." snm="Fl. I. II."
V:2 treble
V:3 tre... | 1 | What is the initial tempo indication? | Largo |
Dvok__Symphony_No._9_New_World_II_-_Largo | X:1
T:Symphony No. 9
C:Antonin Dvořák
%%score [ ( 1 2 ) ( 3 4 ) 5 ( 6 7 ) ( 8 9 ) ] { ( 10 11 ) ( 12 13 ) } ( 14 15 ) { ( 16 17 ) ( 18 19 ) ( 20 21 ) } ( 22 23 ) [ { 24 ( 25 26 ) } ( 27 28 ) ( 29 30 ) ( 31 32 ) ]
L:1/8
Q:1/4=52
M:4/4
I:linebreak $
K:Db
V:1 treble nm="Flauti\nI. II." snm="Fl. I. II."
V:2 treble
V:3 tre... | 1 | Is there an anacrusis (upbeat bar)? | No |
Dvok__Symphony_No._9_New_World_II_-_Largo | X:1
T:Symphony No. 9
C:Antonin Dvořák
%%score [ ( 1 2 ) ( 3 4 ) 5 ( 6 7 ) ( 8 9 ) ] { ( 10 11 ) ( 12 13 ) } ( 14 15 ) { ( 16 17 ) ( 18 19 ) ( 20 21 ) } ( 22 23 ) [ { 24 ( 25 26 ) } ( 27 28 ) ( 29 30 ) ( 31 32 ) ]
L:1/8
Q:1/4=52
M:4/4
I:linebreak $
K:Db
V:1 treble nm="Flauti\nI. II." snm="Fl. I. II."
V:2 treble
V:3 tre... | 1 | What is the tempo in beats per minute? | 52 bpm |
Dvok__Symphony_No._9_New_World_II_-_Largo | X:1
T:Symphony No. 9
C:Antonin Dvořák
%%score [ ( 1 2 ) ( 3 4 ) 5 ( 6 7 ) ( 8 9 ) ] { ( 10 11 ) ( 12 13 ) } ( 14 15 ) { ( 16 17 ) ( 18 19 ) ( 20 21 ) } ( 22 23 ) [ { 24 ( 25 26 ) } ( 27 28 ) ( 29 30 ) ( 31 32 ) ]
L:1/8
Q:1/4=52
M:4/4
I:linebreak $
K:Db
V:1 treble nm="Flauti\nI. II." snm="Fl. I. II."
V:2 treble
V:3 tre... | 2 | In bar 1, what is the longest rest value? | Whole-bar rest (semibreve rest) |
Dvok__Symphony_No._9_New_World_II_-_Largo | X:1
T:Symphony No. 9
C:Antonin Dvořák
%%score [ ( 1 2 ) ( 3 4 ) 5 ( 6 7 ) ( 8 9 ) ] { ( 10 11 ) ( 12 13 ) } ( 14 15 ) { ( 16 17 ) ( 18 19 ) ( 20 21 ) } ( 22 23 ) [ { 24 ( 25 26 ) } ( 27 28 ) ( 29 30 ) ( 31 32 ) ]
L:1/8
Q:1/4=52
M:4/4
I:linebreak $
K:Db
V:1 treble nm="Flauti\nI. II." snm="Fl. I. II."
V:2 treble
V:3 tre... | 2 | Where is the pitch range of measure 119? | Middle register |
Dvok__Symphony_No._9_New_World_II_-_Largo | X:1
T:Symphony No. 9
C:Antonin Dvořák
%%score [ ( 1 2 ) ( 3 4 ) 5 ( 6 7 ) ( 8 9 ) ] { ( 10 11 ) ( 12 13 ) } ( 14 15 ) { ( 16 17 ) ( 18 19 ) ( 20 21 ) } ( 22 23 ) [ { 24 ( 25 26 ) } ( 27 28 ) ( 29 30 ) ( 31 32 ) ]
L:1/8
Q:1/4=52
M:4/4
I:linebreak $
K:Db
V:1 treble nm="Flauti\nI. II." snm="Fl. I. II."
V:2 treble
V:3 tre... | 2 | In bars 46–100, what does the key signature change to? | E major |
Dvok__Symphony_No._9_New_World_II_-_Largo | X:1
T:Symphony No. 9
C:Antonin Dvořák
%%score [ ( 1 2 ) ( 3 4 ) 5 ( 6 7 ) ( 8 9 ) ] { ( 10 11 ) ( 12 13 ) } ( 14 15 ) { ( 16 17 ) ( 18 19 ) ( 20 21 ) } ( 22 23 ) [ { 24 ( 25 26 ) } ( 27 28 ) ( 29 30 ) ( 31 32 ) ]
L:1/8
Q:1/4=52
M:4/4
I:linebreak $
K:Db
V:1 treble nm="Flauti\nI. II." snm="Fl. I. II."
V:2 treble
V:3 tre... | 3 | In bar 5, what are the repeated notes of the B-flat major chord? | Root, third, fifth |
Dvok__Symphony_No._9_New_World_II_-_Largo | X:1
T:Symphony No. 9
C:Antonin Dvořák
%%score [ ( 1 2 ) ( 3 4 ) 5 ( 6 7 ) ( 8 9 ) ] { ( 10 11 ) ( 12 13 ) } ( 14 15 ) { ( 16 17 ) ( 18 19 ) ( 20 21 ) } ( 22 23 ) [ { 24 ( 25 26 ) } ( 27 28 ) ( 29 30 ) ( 31 32 ) ]
L:1/8
Q:1/4=52
M:4/4
I:linebreak $
K:Db
V:1 treble nm="Flauti\nI. II." snm="Fl. I. II."
V:2 treble
V:3 tre... | 3 | In bar 1, does it start on the tonic chord of the original key? | No |
Dvok__Symphony_No._9_New_World_II_-_Largo | X:1
T:Symphony No. 9
C:Antonin Dvořák
%%score [ ( 1 2 ) ( 3 4 ) 5 ( 6 7 ) ( 8 9 ) ] { ( 10 11 ) ( 12 13 ) } ( 14 15 ) { ( 16 17 ) ( 18 19 ) ( 20 21 ) } ( 22 23 ) [ { 24 ( 25 26 ) } ( 27 28 ) ( 29 30 ) ( 31 32 ) ]
L:1/8
Q:1/4=52
M:4/4
I:linebreak $
K:Db
V:1 treble nm="Flauti\nI. II." snm="Fl. I. II."
V:2 treble
V:3 tre... | 3 | In bars 5–6, does a chord suspension occur? | Yes |
Dvok__Symphony_No._9_New_World_II_-_Largo | X:1
T:Symphony No. 9
C:Antonin Dvořák
%%score [ ( 1 2 ) ( 3 4 ) 5 ( 6 7 ) ( 8 9 ) ] { ( 10 11 ) ( 12 13 ) } ( 14 15 ) { ( 16 17 ) ( 18 19 ) ( 20 21 ) } ( 22 23 ) [ { 24 ( 25 26 ) } ( 27 28 ) ( 29 30 ) ( 31 32 ) ]
L:1/8
Q:1/4=52
M:4/4
I:linebreak $
K:Db
V:1 treble nm="Flauti\nI. II." snm="Fl. I. II."
V:2 treble
V:3 tre... | 4 | What is the performance medium of the piece? | Orchestra |
Dvok__Symphony_No._9_New_World_II_-_Largo | X:1
T:Symphony No. 9
C:Antonin Dvořák
%%score [ ( 1 2 ) ( 3 4 ) 5 ( 6 7 ) ( 8 9 ) ] { ( 10 11 ) ( 12 13 ) } ( 14 15 ) { ( 16 17 ) ( 18 19 ) ( 20 21 ) } ( 22 23 ) [ { 24 ( 25 26 ) } ( 27 28 ) ( 29 30 ) ( 31 32 ) ]
L:1/8
Q:1/4=52
M:4/4
I:linebreak $
K:Db
V:1 treble nm="Flauti\nI. II." snm="Fl. I. II."
V:2 treble
V:3 tre... | 4 | What is the most frequently used type of accompaniment in the piece? | block chord |
Dvok__Symphony_No._9_New_World_II_-_Largo | X:1
T:Symphony No. 9
C:Antonin Dvořák
%%score [ ( 1 2 ) ( 3 4 ) 5 ( 6 7 ) ( 8 9 ) ] { ( 10 11 ) ( 12 13 ) } ( 14 15 ) { ( 16 17 ) ( 18 19 ) ( 20 21 ) } ( 22 23 ) [ { 24 ( 25 26 ) } ( 27 28 ) ( 29 30 ) ( 31 32 ) ]
L:1/8
Q:1/4=52
M:4/4
I:linebreak $
K:Db
V:1 treble nm="Flauti\nI. II." snm="Fl. I. II."
V:2 treble
V:3 tre... | 4 | In which part does the principal theme first appear? | Woodwind section |
Dvok__Symphony_No._9_New_World_IV_-_Allegro_con_fuoco | X:1
T:Symphony No. 9
C:Antonin Dvořák
%%score [ ( 1 2 ) | 3 | 4 | 5 ] [ { 6 | ( 7 8 ) } | ( 9 10 ) | { ( 11 12 ) | 13 } ] 14 [ { 15 | 16 } | 17 | 18 | 19 ]
L:1/8
Q:1/4=152
M:4/4
I:linebreak $
K:G
V:1 treble nm="Flauti\nI. II." snm="Fl. I. II."
V:2 treble
V:3 treble nm="Oboi\nI. II." snm="Ob. I. II."
V:4 treble transpo... | 1 | What instruments are used? | Piano |
Dvok__Symphony_No._9_New_World_IV_-_Allegro_con_fuoco | X:1
T:Symphony No. 9
C:Antonin Dvořák
%%score [ ( 1 2 ) | 3 | 4 | 5 ] [ { 6 | ( 7 8 ) } | ( 9 10 ) | { ( 11 12 ) | 13 } ] 14 [ { 15 | 16 } | 17 | 18 | 19 ]
L:1/8
Q:1/4=152
M:4/4
I:linebreak $
K:G
V:1 treble nm="Flauti\nI. II." snm="Fl. I. II."
V:2 treble
V:3 treble nm="Oboi\nI. II." snm="Ob. I. II."
V:4 treble transpo... | 1 | What is the title of the work? | Symphony No. 9, Op. 95 |
Dvok__Symphony_No._9_New_World_IV_-_Allegro_con_fuoco | X:1
T:Symphony No. 9
C:Antonin Dvořák
%%score [ ( 1 2 ) | 3 | 4 | 5 ] [ { 6 | ( 7 8 ) } | ( 9 10 ) | { ( 11 12 ) | 13 } ] 14 [ { 15 | 16 } | 17 | 18 | 19 ]
L:1/8
Q:1/4=152
M:4/4
I:linebreak $
K:G
V:1 treble nm="Flauti\nI. II." snm="Fl. I. II."
V:2 treble
V:3 treble nm="Oboi\nI. II." snm="Ob. I. II."
V:4 treble transpo... | 1 | What is the initial time signature? | 4/4 time |
Dvok__Symphony_No._9_New_World_IV_-_Allegro_con_fuoco | X:1
T:Symphony No. 9
C:Antonin Dvořák
%%score [ ( 1 2 ) | 3 | 4 | 5 ] [ { 6 | ( 7 8 ) } | ( 9 10 ) | { ( 11 12 ) | 13 } ] 14 [ { 15 | 16 } | 17 | 18 | 19 ]
L:1/8
Q:1/4=152
M:4/4
I:linebreak $
K:G
V:1 treble nm="Flauti\nI. II." snm="Fl. I. II."
V:2 treble
V:3 treble nm="Oboi\nI. II." snm="Ob. I. II."
V:4 treble transpo... | 2 | In bars 1–86, is there a repeat sign? | No |
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