song_id stringclasses 150
values | abc_notation stringclasses 150
values | level int32 1 4 | question stringlengths 20 85 | answer stringlengths 1 82 |
|---|---|---|---|---|
Beethoven_-_Sonata_in_G_Op.14_No.2_Movement_I | X:1
T:Sonata in G
C:Ludwig van Beethoven (1770-1827)
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=100
M:2/4
I:linebreak $
K:G
V:1 treble nm="Grand Piano" snm="Pno."
V:3 treble
V:2 bass
V:4 bass
V:1
!p!"^Allegro" z/"_legato" (D/d/^A/ | B/F<G) (D/d/^A/ | B/F<G) (E/e/B/ | c/^G<A) (E/e/B/ | %4
c/^G<A) (A/c'/).b/ | (a>g f/... | 2 | In bar 52, is there an accidental, and what is it? | Yes, A♯ 5 |
Beethoven_-_Sonata_in_G_Op.14_No.2_Movement_I | X:1
T:Sonata in G
C:Ludwig van Beethoven (1770-1827)
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=100
M:2/4
I:linebreak $
K:G
V:1 treble nm="Grand Piano" snm="Pno."
V:3 treble
V:2 bass
V:4 bass
V:1
!p!"^Allegro" z/"_legato" (D/d/^A/ | B/F<G) (D/d/^A/ | B/F<G) (E/e/B/ | c/^G<A) (E/e/B/ | %4
c/^G<A) (A/c'/).b/ | (a>g f/... | 2 | In bar 67, what is the dynamic marking? | pp |
Beethoven_-_Sonata_in_G_Op.14_No.2_Movement_I | X:1
T:Sonata in G
C:Ludwig van Beethoven (1770-1827)
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=100
M:2/4
I:linebreak $
K:G
V:1 treble nm="Grand Piano" snm="Pno."
V:3 treble
V:2 bass
V:4 bass
V:1
!p!"^Allegro" z/"_legato" (D/d/^A/ | B/F<G) (D/d/^A/ | B/F<G) (E/e/B/ | c/^G<A) (E/e/B/ | %4
c/^G<A) (A/c'/).b/ | (a>g f/... | 3 | In bars 45–47, is there an auxiliary cadence? | Yes |
Beethoven_-_Sonata_in_G_Op.14_No.2_Movement_I | X:1
T:Sonata in G
C:Ludwig van Beethoven (1770-1827)
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=100
M:2/4
I:linebreak $
K:G
V:1 treble nm="Grand Piano" snm="Pno."
V:3 treble
V:2 bass
V:4 bass
V:1
!p!"^Allegro" z/"_legato" (D/d/^A/ | B/F<G) (D/d/^A/ | B/F<G) (E/e/B/ | c/^G<A) (E/e/B/ | %4
c/^G<A) (A/c'/).b/ | (a>g f/... | 3 | In bar 64, what scale degree is the G minor chord? (use I, II, III, IV, V, VI, VII) | i |
Beethoven_-_Sonata_in_G_Op.14_No.2_Movement_I | X:1
T:Sonata in G
C:Ludwig van Beethoven (1770-1827)
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=100
M:2/4
I:linebreak $
K:G
V:1 treble nm="Grand Piano" snm="Pno."
V:3 treble
V:2 bass
V:4 bass
V:1
!p!"^Allegro" z/"_legato" (D/d/^A/ | B/F<G) (D/d/^A/ | B/F<G) (E/e/B/ | c/^G<A) (E/e/B/ | %4
c/^G<A) (A/c'/).b/ | (a>g f/... | 3 | In bar 69, is there a first inversion of chord F7? | No |
Beethoven_-_Sonata_in_G_Op.14_No.2_Movement_I | X:1
T:Sonata in G
C:Ludwig van Beethoven (1770-1827)
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=100
M:2/4
I:linebreak $
K:G
V:1 treble nm="Grand Piano" snm="Pno."
V:3 treble
V:2 bass
V:4 bass
V:1
!p!"^Allegro" z/"_legato" (D/d/^A/ | B/F<G) (D/d/^A/ | B/F<G) (E/e/B/ | c/^G<A) (E/e/B/ | %4
c/^G<A) (A/c'/).b/ | (a>g f/... | 4 | In which bar does the melodic motif appear? | 1 |
Beethoven_-_Sonata_in_G_Op.14_No.2_Movement_I | X:1
T:Sonata in G
C:Ludwig van Beethoven (1770-1827)
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=100
M:2/4
I:linebreak $
K:G
V:1 treble nm="Grand Piano" snm="Pno."
V:3 treble
V:2 bass
V:4 bass
V:1
!p!"^Allegro" z/"_legato" (D/d/^A/ | B/F<G) (D/d/^A/ | B/F<G) (E/e/B/ | c/^G<A) (E/e/B/ | %4
c/^G<A) (A/c'/).b/ | (a>g f/... | 4 | In what way is the motif developed? | Sequence |
Beethoven_-_Sonata_in_G_Op.14_No.2_Movement_I | X:1
T:Sonata in G
C:Ludwig van Beethoven (1770-1827)
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=100
M:2/4
I:linebreak $
K:G
V:1 treble nm="Grand Piano" snm="Pno."
V:3 treble
V:2 bass
V:4 bass
V:1
!p!"^Allegro" z/"_legato" (D/d/^A/ | B/F<G) (D/d/^A/ | B/F<G) (E/e/B/ | c/^G<A) (E/e/B/ | %4
c/^G<A) (A/c'/).b/ | (a>g f/... | 4 | Where is the principal theme located? | Bars 1–8 |
Beethoven_Piano_Sonata_No._5_in_C-Minor_Op._10_No._1 | X:1
T:Piano Sonata No. 1, Op. 10
C:Ludwig van Beethoven
%%score { ( 1 4 7 ) | ( 2 3 5 6 ) }
L:1/8
Q:1/4=150
M:3/4
I:linebreak $
K:Eb
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:7 treble
V:2 bass
V:3 bass
V:5 bass
V:6 bass
V:1
|:!f!"^Allegro molto e con brio""^ten." [EGc]3[Q:1/4=180] z/ G<ec/ | g>ec'>g !wedge!e'... | 1 | What is the title of the piece? | Beethoven Piano Sonata No. 5 in C minor, Op. 10 No. 1 |
Beethoven_Piano_Sonata_No._5_in_C-Minor_Op._10_No._1 | X:1
T:Piano Sonata No. 1, Op. 10
C:Ludwig van Beethoven
%%score { ( 1 4 7 ) | ( 2 3 5 6 ) }
L:1/8
Q:1/4=150
M:3/4
I:linebreak $
K:Eb
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:7 treble
V:2 bass
V:3 bass
V:5 bass
V:6 bass
V:1
|:!f!"^Allegro molto e con brio""^ten." [EGc]3[Q:1/4=180] z/ G<ec/ | g>ec'>g !wedge!e'... | 1 | Who is the composer? | Beethoven |
Beethoven_Piano_Sonata_No._5_in_C-Minor_Op._10_No._1 | X:1
T:Piano Sonata No. 1, Op. 10
C:Ludwig van Beethoven
%%score { ( 1 4 7 ) | ( 2 3 5 6 ) }
L:1/8
Q:1/4=150
M:3/4
I:linebreak $
K:Eb
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:7 treble
V:2 bass
V:3 bass
V:5 bass
V:6 bass
V:1
|:!f!"^Allegro molto e con brio""^ten." [EGc]3[Q:1/4=180] z/ G<ec/ | g>ec'>g !wedge!e'... | 1 | What is the initial clef? | Treble and bass clefs |
Beethoven_Piano_Sonata_No._5_in_C-Minor_Op._10_No._1 | X:1
T:Piano Sonata No. 1, Op. 10
C:Ludwig van Beethoven
%%score { ( 1 4 7 ) | ( 2 3 5 6 ) }
L:1/8
Q:1/4=150
M:3/4
I:linebreak $
K:Eb
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:7 treble
V:2 bass
V:3 bass
V:5 bass
V:6 bass
V:1
|:!f!"^Allegro molto e con brio""^ten." [EGc]3[Q:1/4=180] z/ G<ec/ | g>ec'>g !wedge!e'... | 2 | In bar 21, what is the dynamic marking? | ff |
Beethoven_Piano_Sonata_No._5_in_C-Minor_Op._10_No._1 | X:1
T:Piano Sonata No. 1, Op. 10
C:Ludwig van Beethoven
%%score { ( 1 4 7 ) | ( 2 3 5 6 ) }
L:1/8
Q:1/4=150
M:3/4
I:linebreak $
K:Eb
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:7 treble
V:2 bass
V:3 bass
V:5 bass
V:6 bass
V:1
|:!f!"^Allegro molto e con brio""^ten." [EGc]3[Q:1/4=180] z/ G<ec/ | g>ec'>g !wedge!e'... | 2 | In bar 70, what is the dynamic change marking? | Crescendo |
Beethoven_Piano_Sonata_No._5_in_C-Minor_Op._10_No._1 | X:1
T:Piano Sonata No. 1, Op. 10
C:Ludwig van Beethoven
%%score { ( 1 4 7 ) | ( 2 3 5 6 ) }
L:1/8
Q:1/4=150
M:3/4
I:linebreak $
K:Eb
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:7 treble
V:2 bass
V:3 bass
V:5 bass
V:6 bass
V:1
|:!f!"^Allegro molto e con brio""^ten." [EGc]3[Q:1/4=180] z/ G<ec/ | g>ec'>g !wedge!e'... | 2 | In bars 86–89, what is the articulation marking? | Staccato mark |
Beethoven_Piano_Sonata_No._5_in_C-Minor_Op._10_No._1 | X:1
T:Piano Sonata No. 1, Op. 10
C:Ludwig van Beethoven
%%score { ( 1 4 7 ) | ( 2 3 5 6 ) }
L:1/8
Q:1/4=150
M:3/4
I:linebreak $
K:Eb
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:7 treble
V:2 bass
V:3 bass
V:5 bass
V:6 bass
V:1
|:!f!"^Allegro molto e con brio""^ten." [EGc]3[Q:1/4=180] z/ G<ec/ | g>ec'>g !wedge!e'... | 3 | In bar 106, does it begin on the tonic chord of the original key? | No |
Beethoven_Piano_Sonata_No._5_in_C-Minor_Op._10_No._1 | X:1
T:Piano Sonata No. 1, Op. 10
C:Ludwig van Beethoven
%%score { ( 1 4 7 ) | ( 2 3 5 6 ) }
L:1/8
Q:1/4=150
M:3/4
I:linebreak $
K:Eb
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:7 treble
V:2 bass
V:3 bass
V:5 bass
V:6 bass
V:1
|:!f!"^Allegro molto e con brio""^ten." [EGc]3[Q:1/4=180] z/ G<ec/ | g>ec'>g !wedge!e'... | 3 | In bar 108, what are the repeated notes in the C major chord? | Third |
Beethoven_Piano_Sonata_No._5_in_C-Minor_Op._10_No._1 | X:1
T:Piano Sonata No. 1, Op. 10
C:Ludwig van Beethoven
%%score { ( 1 4 7 ) | ( 2 3 5 6 ) }
L:1/8
Q:1/4=150
M:3/4
I:linebreak $
K:Eb
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:7 treble
V:2 bass
V:3 bass
V:5 bass
V:6 bass
V:1
|:!f!"^Allegro molto e con brio""^ten." [EGc]3[Q:1/4=180] z/ G<ec/ | g>ec'>g !wedge!e'... | 3 | In bars 98–105, is there an imperfect cadence? | No |
Beethoven_Piano_Sonata_No._5_in_C-Minor_Op._10_No._1 | X:1
T:Piano Sonata No. 1, Op. 10
C:Ludwig van Beethoven
%%score { ( 1 4 7 ) | ( 2 3 5 6 ) }
L:1/8
Q:1/4=150
M:3/4
I:linebreak $
K:Eb
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:7 treble
V:2 bass
V:3 bass
V:5 bass
V:6 bass
V:1
|:!f!"^Allegro molto e con brio""^ten." [EGc]3[Q:1/4=180] z/ G<ec/ | g>ec'>g !wedge!e'... | 4 | What is the genre of the piece? | Sonata |
Beethoven_Piano_Sonata_No._5_in_C-Minor_Op._10_No._1 | X:1
T:Piano Sonata No. 1, Op. 10
C:Ludwig van Beethoven
%%score { ( 1 4 7 ) | ( 2 3 5 6 ) }
L:1/8
Q:1/4=150
M:3/4
I:linebreak $
K:Eb
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:7 treble
V:2 bass
V:3 bass
V:5 bass
V:6 bass
V:1
|:!f!"^Allegro molto e con brio""^ten." [EGc]3[Q:1/4=180] z/ G<ec/ | g>ec'>g !wedge!e'... | 4 | In which bar does the principal motif appear? | 01-Apr |
Beethoven_Piano_Sonata_No._5_in_C-Minor_Op._10_No._1 | X:1
T:Piano Sonata No. 1, Op. 10
C:Ludwig van Beethoven
%%score { ( 1 4 7 ) | ( 2 3 5 6 ) }
L:1/8
Q:1/4=150
M:3/4
I:linebreak $
K:Eb
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:7 treble
V:2 bass
V:3 bass
V:5 bass
V:6 bass
V:1
|:!f!"^Allegro molto e con brio""^ten." [EGc]3[Q:1/4=180] z/ G<ec/ | g>ec'>g !wedge!e'... | 4 | What is the performance form of the piece? | Piano solo |
Berlioz__Les_nuits_dt__Lle_inconnue | X:1
T:Berlioz - Les nuits d'été - L'ile inconnue
T:L'ile inconnue
T:Hector Berlioz
T:Théophile Gautier
%%score 1 { ( 2 3 7 ) | ( 4 5 6 ) }
L:1/8
Q:3/8=80
M:6/8
I:linebreak $
K:D
V:1 treble nm="Mezzo-soprano" snm="Mzs."
V:2 treble nm="Piano" snm="Pia."
V:3 treble
V:7 treble
V:4 bass
V:5 bass
V:6 bass
V:1
z6 | z6 |... | 1 | What is the tempo in beats per minute? | 80 |
Berlioz__Les_nuits_dt__Lle_inconnue | X:1
T:Berlioz - Les nuits d'été - L'ile inconnue
T:L'ile inconnue
T:Hector Berlioz
T:Théophile Gautier
%%score 1 { ( 2 3 7 ) | ( 4 5 6 ) }
L:1/8
Q:3/8=80
M:6/8
I:linebreak $
K:D
V:1 treble nm="Mezzo-soprano" snm="Mzs."
V:2 treble nm="Piano" snm="Pia."
V:3 treble
V:7 treble
V:4 bass
V:5 bass
V:6 bass
V:1
z6 | z6 |... | 1 | What instruments are used? | Piano and soprano |
Berlioz__Les_nuits_dt__Lle_inconnue | X:1
T:Berlioz - Les nuits d'été - L'ile inconnue
T:L'ile inconnue
T:Hector Berlioz
T:Théophile Gautier
%%score 1 { ( 2 3 7 ) | ( 4 5 6 ) }
L:1/8
Q:3/8=80
M:6/8
I:linebreak $
K:D
V:1 treble nm="Mezzo-soprano" snm="Mzs."
V:2 treble nm="Piano" snm="Pia."
V:3 treble
V:7 treble
V:4 bass
V:5 bass
V:6 bass
V:1
z6 | z6 |... | 1 | Is there an anacrusis (upbeat bar)? | No |
Berlioz__Les_nuits_dt__Lle_inconnue | X:1
T:Berlioz - Les nuits d'été - L'ile inconnue
T:L'ile inconnue
T:Hector Berlioz
T:Théophile Gautier
%%score 1 { ( 2 3 7 ) | ( 4 5 6 ) }
L:1/8
Q:3/8=80
M:6/8
I:linebreak $
K:D
V:1 treble nm="Mezzo-soprano" snm="Mzs."
V:2 treble nm="Piano" snm="Pia."
V:3 treble
V:7 treble
V:4 bass
V:5 bass
V:6 bass
V:1
z6 | z6 |... | 2 | In bar 8, what is the longest rest value? | Dotted crotchet rest |
Berlioz__Les_nuits_dt__Lle_inconnue | X:1
T:Berlioz - Les nuits d'été - L'ile inconnue
T:L'ile inconnue
T:Hector Berlioz
T:Théophile Gautier
%%score 1 { ( 2 3 7 ) | ( 4 5 6 ) }
L:1/8
Q:3/8=80
M:6/8
I:linebreak $
K:D
V:1 treble nm="Mezzo-soprano" snm="Mzs."
V:2 treble nm="Piano" snm="Pia."
V:3 treble
V:7 treble
V:4 bass
V:5 bass
V:6 bass
V:1
z6 | z6 |... | 2 | In bar 8, is there an accidental, and what is it? | No |
Berlioz__Les_nuits_dt__Lle_inconnue | X:1
T:Berlioz - Les nuits d'été - L'ile inconnue
T:L'ile inconnue
T:Hector Berlioz
T:Théophile Gautier
%%score 1 { ( 2 3 7 ) | ( 4 5 6 ) }
L:1/8
Q:3/8=80
M:6/8
I:linebreak $
K:D
V:1 treble nm="Mezzo-soprano" snm="Mzs."
V:2 treble nm="Piano" snm="Pia."
V:3 treble
V:7 treble
V:4 bass
V:5 bass
V:6 bass
V:1
z6 | z6 |... | 2 | In bar 1, what is the dynamic marking? | mp |
Berlioz__Les_nuits_dt__Lle_inconnue | X:1
T:Berlioz - Les nuits d'été - L'ile inconnue
T:L'ile inconnue
T:Hector Berlioz
T:Théophile Gautier
%%score 1 { ( 2 3 7 ) | ( 4 5 6 ) }
L:1/8
Q:3/8=80
M:6/8
I:linebreak $
K:D
V:1 treble nm="Mezzo-soprano" snm="Mzs."
V:2 treble nm="Piano" snm="Pia."
V:3 treble
V:7 treble
V:4 bass
V:5 bass
V:6 bass
V:1
z6 | z6 |... | 3 | In bars 128–129, is there a perfect cadence? | Yes |
Berlioz__Les_nuits_dt__Lle_inconnue | X:1
T:Berlioz - Les nuits d'été - L'ile inconnue
T:L'ile inconnue
T:Hector Berlioz
T:Théophile Gautier
%%score 1 { ( 2 3 7 ) | ( 4 5 6 ) }
L:1/8
Q:3/8=80
M:6/8
I:linebreak $
K:D
V:1 treble nm="Mezzo-soprano" snm="Mzs."
V:2 treble nm="Piano" snm="Pia."
V:3 treble
V:7 treble
V:4 bass
V:5 bass
V:6 bass
V:1
z6 | z6 |... | 3 | In bar 135, is there a chord I? | Yes |
Berlioz__Les_nuits_dt__Lle_inconnue | X:1
T:Berlioz - Les nuits d'été - L'ile inconnue
T:L'ile inconnue
T:Hector Berlioz
T:Théophile Gautier
%%score 1 { ( 2 3 7 ) | ( 4 5 6 ) }
L:1/8
Q:3/8=80
M:6/8
I:linebreak $
K:D
V:1 treble nm="Mezzo-soprano" snm="Mzs."
V:2 treble nm="Piano" snm="Pia."
V:3 treble
V:7 treble
V:4 bass
V:5 bass
V:6 bass
V:1
z6 | z6 |... | 3 | In bar 135, what are the repeated notes in chord I? | Tonic |
Berlioz__Les_nuits_dt__Lle_inconnue | X:1
T:Berlioz - Les nuits d'été - L'ile inconnue
T:L'ile inconnue
T:Hector Berlioz
T:Théophile Gautier
%%score 1 { ( 2 3 7 ) | ( 4 5 6 ) }
L:1/8
Q:3/8=80
M:6/8
I:linebreak $
K:D
V:1 treble nm="Mezzo-soprano" snm="Mzs."
V:2 treble nm="Piano" snm="Pia."
V:3 treble
V:7 treble
V:4 bass
V:5 bass
V:6 bass
V:1
z6 | z6 |... | 4 | What is the instrumentation/ensemble of the piece? | Piano and soprano |
Berlioz__Les_nuits_dt__Lle_inconnue | X:1
T:Berlioz - Les nuits d'été - L'ile inconnue
T:L'ile inconnue
T:Hector Berlioz
T:Théophile Gautier
%%score 1 { ( 2 3 7 ) | ( 4 5 6 ) }
L:1/8
Q:3/8=80
M:6/8
I:linebreak $
K:D
V:1 treble nm="Mezzo-soprano" snm="Mzs."
V:2 treble nm="Piano" snm="Pia."
V:3 treble
V:7 treble
V:4 bass
V:5 bass
V:6 bass
V:1
z6 | z6 |... | 4 | In bar 1, in which part is the melody? | Piano part |
Berlioz__Les_nuits_dt__Lle_inconnue | X:1
T:Berlioz - Les nuits d'été - L'ile inconnue
T:L'ile inconnue
T:Hector Berlioz
T:Théophile Gautier
%%score 1 { ( 2 3 7 ) | ( 4 5 6 ) }
L:1/8
Q:3/8=80
M:6/8
I:linebreak $
K:D
V:1 treble nm="Mezzo-soprano" snm="Mzs."
V:2 treble nm="Piano" snm="Pia."
V:3 treble
V:7 treble
V:4 bass
V:5 bass
V:6 bass
V:1
z6 | z6 |... | 4 | In bar 1, in which register is the melody? | Middle register |
Brahms_-_Hungarian_Dance_No._5 | X:1
T:Hungarian Dance No. 5
C:Vincent
%%score [ 1 2 ( 3 4 ) { 5 6 } 7 ] [ { 8 9 } { 10 11 } { 12 13 } ] 14 15 [ { 16 17 } 18 19 20 ]
L:1/8
Q:1/4=140
M:2/4
I:linebreak $
K:Bb
V:1 treble transpose=12 nm="Piccolo" snm="Picc."
V:2 treble nm="Flute" snm="Fl."
V:3 treble nm="2 Oboes" snm="Obs."
V:4 treble
V:5 treble transpo... | 1 | What is the initial tempo indication? | Allegro |
Brahms_-_Hungarian_Dance_No._5 | X:1
T:Hungarian Dance No. 5
C:Vincent
%%score [ 1 2 ( 3 4 ) { 5 6 } 7 ] [ { 8 9 } { 10 11 } { 12 13 } ] 14 15 [ { 16 17 } 18 19 20 ]
L:1/8
Q:1/4=140
M:2/4
I:linebreak $
K:Bb
V:1 treble transpose=12 nm="Piccolo" snm="Picc."
V:2 treble nm="Flute" snm="Fl."
V:3 treble nm="2 Oboes" snm="Obs."
V:4 treble
V:5 treble transpo... | 1 | Who is the composer? | Brahms |
Brahms_-_Hungarian_Dance_No._5 | X:1
T:Hungarian Dance No. 5
C:Vincent
%%score [ 1 2 ( 3 4 ) { 5 6 } 7 ] [ { 8 9 } { 10 11 } { 12 13 } ] 14 15 [ { 16 17 } 18 19 20 ]
L:1/8
Q:1/4=140
M:2/4
I:linebreak $
K:Bb
V:1 treble transpose=12 nm="Piccolo" snm="Picc."
V:2 treble nm="Flute" snm="Fl."
V:3 treble nm="2 Oboes" snm="Obs."
V:4 treble
V:5 treble transpo... | 1 | What is the initial key? | G minor |
Brahms_-_Hungarian_Dance_No._5 | X:1
T:Hungarian Dance No. 5
C:Vincent
%%score [ 1 2 ( 3 4 ) { 5 6 } 7 ] [ { 8 9 } { 10 11 } { 12 13 } ] 14 15 [ { 16 17 } 18 19 20 ]
L:1/8
Q:1/4=140
M:2/4
I:linebreak $
K:Bb
V:1 treble transpose=12 nm="Piccolo" snm="Picc."
V:2 treble nm="Flute" snm="Fl."
V:3 treble nm="2 Oboes" snm="Obs."
V:4 treble
V:5 treble transpo... | 2 | In bar 108, is there a repeat sign? | Yes |
Brahms_-_Hungarian_Dance_No._5 | X:1
T:Hungarian Dance No. 5
C:Vincent
%%score [ 1 2 ( 3 4 ) { 5 6 } 7 ] [ { 8 9 } { 10 11 } { 12 13 } ] 14 15 [ { 16 17 } 18 19 20 ]
L:1/8
Q:1/4=140
M:2/4
I:linebreak $
K:Bb
V:1 treble transpose=12 nm="Piccolo" snm="Picc."
V:2 treble nm="Flute" snm="Fl."
V:3 treble nm="2 Oboes" snm="Obs."
V:4 treble
V:5 treble transpo... | 2 | In bar 13, what is the dynamic marking? | p with crescendo |
Brahms_-_Hungarian_Dance_No._5 | X:1
T:Hungarian Dance No. 5
C:Vincent
%%score [ 1 2 ( 3 4 ) { 5 6 } 7 ] [ { 8 9 } { 10 11 } { 12 13 } ] 14 15 [ { 16 17 } 18 19 20 ]
L:1/8
Q:1/4=140
M:2/4
I:linebreak $
K:Bb
V:1 treble transpose=12 nm="Piccolo" snm="Picc."
V:2 treble nm="Flute" snm="Fl."
V:3 treble nm="2 Oboes" snm="Obs."
V:4 treble
V:5 treble transpo... | 2 | In bar 77, what is the expression marking? | Leidenschaftlich |
Brahms_-_Hungarian_Dance_No._5 | X:1
T:Hungarian Dance No. 5
C:Vincent
%%score [ 1 2 ( 3 4 ) { 5 6 } 7 ] [ { 8 9 } { 10 11 } { 12 13 } ] 14 15 [ { 16 17 } 18 19 20 ]
L:1/8
Q:1/4=140
M:2/4
I:linebreak $
K:Bb
V:1 treble transpose=12 nm="Piccolo" snm="Picc."
V:2 treble nm="Flute" snm="Fl."
V:3 treble nm="2 Oboes" snm="Obs."
V:4 treble
V:5 treble transpo... | 3 | In bar 110, is there a suspension or anticipation in the chord? | No |
Brahms_-_Hungarian_Dance_No._5 | X:1
T:Hungarian Dance No. 5
C:Vincent
%%score [ 1 2 ( 3 4 ) { 5 6 } 7 ] [ { 8 9 } { 10 11 } { 12 13 } ] 14 15 [ { 16 17 } 18 19 20 ]
L:1/8
Q:1/4=140
M:2/4
I:linebreak $
K:Bb
V:1 treble transpose=12 nm="Piccolo" snm="Picc."
V:2 treble nm="Flute" snm="Fl."
V:3 treble nm="2 Oboes" snm="Obs."
V:4 treble
V:5 treble transpo... | 3 | In bars 109–110, is there a perfect cadence? | Yes |
Brahms_-_Hungarian_Dance_No._5 | X:1
T:Hungarian Dance No. 5
C:Vincent
%%score [ 1 2 ( 3 4 ) { 5 6 } 7 ] [ { 8 9 } { 10 11 } { 12 13 } ] 14 15 [ { 16 17 } 18 19 20 ]
L:1/8
Q:1/4=140
M:2/4
I:linebreak $
K:Bb
V:1 treble transpose=12 nm="Piccolo" snm="Picc."
V:2 treble nm="Flute" snm="Fl."
V:3 treble nm="2 Oboes" snm="Obs."
V:4 treble
V:5 treble transpo... | 3 | In bar 110, what are the repeated notes in chord i? | Root, third, fifth |
Brahms_-_Hungarian_Dance_No._5 | X:1
T:Hungarian Dance No. 5
C:Vincent
%%score [ 1 2 ( 3 4 ) { 5 6 } 7 ] [ { 8 9 } { 10 11 } { 12 13 } ] 14 15 [ { 16 17 } 18 19 20 ]
L:1/8
Q:1/4=140
M:2/4
I:linebreak $
K:Bb
V:1 treble transpose=12 nm="Piccolo" snm="Picc."
V:2 treble nm="Flute" snm="Fl."
V:3 treble nm="2 Oboes" snm="Obs."
V:4 treble
V:5 treble transpo... | 4 | What is the performance form of the piece? | Orchestra |
Brahms_-_Hungarian_Dance_No._5 | X:1
T:Hungarian Dance No. 5
C:Vincent
%%score [ 1 2 ( 3 4 ) { 5 6 } 7 ] [ { 8 9 } { 10 11 } { 12 13 } ] 14 15 [ { 16 17 } 18 19 20 ]
L:1/8
Q:1/4=140
M:2/4
I:linebreak $
K:Bb
V:1 treble transpose=12 nm="Piccolo" snm="Picc."
V:2 treble nm="Flute" snm="Fl."
V:3 treble nm="2 Oboes" snm="Obs."
V:4 treble
V:5 treble transpo... | 4 | What is the orchestration/ensemble of the piece? | Double wind scoring |
Brahms_-_Hungarian_Dance_No._5 | X:1
T:Hungarian Dance No. 5
C:Vincent
%%score [ 1 2 ( 3 4 ) { 5 6 } 7 ] [ { 8 9 } { 10 11 } { 12 13 } ] 14 15 [ { 16 17 } 18 19 20 ]
L:1/8
Q:1/4=140
M:2/4
I:linebreak $
K:Bb
V:1 treble transpose=12 nm="Piccolo" snm="Picc."
V:2 treble nm="Flute" snm="Fl."
V:3 treble nm="2 Oboes" snm="Obs."
V:4 treble
V:5 treble transpo... | 4 | In which part does the principal theme first appear? | Woodwinds and strings |
Brahms_-_Intermezzo_in_E-flat_major_Op._117.__1 | X:1
T:Intermezzo
T:Johannes Brahms Op. 117. № 1
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=42
M:6/8
I:linebreak $
K:Eb
V:1 treble nm="PIANO."
V:3 treble
V:2 bass
V:4 bass
V:1
!p!!mf!"^Andante moderato." (B |!p!"_dolce" [Ee]2 [Ee] [Ee]2) ([Ee] | e2 e [Ee]2) ([Ee] | %3
[Ee]2 [Ee] [Ee]2) ([Ee] | e2 d e2) z | [Aa]2 [... | 1 | What is the title of the piece? | Intermezzo |
Brahms_-_Intermezzo_in_E-flat_major_Op._117.__1 | X:1
T:Intermezzo
T:Johannes Brahms Op. 117. № 1
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=42
M:6/8
I:linebreak $
K:Eb
V:1 treble nm="PIANO."
V:3 treble
V:2 bass
V:4 bass
V:1
!p!!mf!"^Andante moderato." (B |!p!"_dolce" [Ee]2 [Ee] [Ee]2) ([Ee] | e2 e [Ee]2) ([Ee] | %3
[Ee]2 [Ee] [Ee]2) ([Ee] | e2 d e2) z | [Aa]2 [... | 1 | What is the initial tempo indication? | Andante |
Brahms_-_Intermezzo_in_E-flat_major_Op._117.__1 | X:1
T:Intermezzo
T:Johannes Brahms Op. 117. № 1
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=42
M:6/8
I:linebreak $
K:Eb
V:1 treble nm="PIANO."
V:3 treble
V:2 bass
V:4 bass
V:1
!p!!mf!"^Andante moderato." (B |!p!"_dolce" [Ee]2 [Ee] [Ee]2) ([Ee] | e2 e [Ee]2) ([Ee] | %3
[Ee]2 [Ee] [Ee]2) ([Ee] | e2 d e2) z | [Aa]2 [... | 1 | What is the initial expression marking? | Dolce |
Brahms_-_Intermezzo_in_E-flat_major_Op._117.__1 | X:1
T:Intermezzo
T:Johannes Brahms Op. 117. № 1
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=42
M:6/8
I:linebreak $
K:Eb
V:1 treble nm="PIANO."
V:3 treble
V:2 bass
V:4 bass
V:1
!p!!mf!"^Andante moderato." (B |!p!"_dolce" [Ee]2 [Ee] [Ee]2) ([Ee] | e2 e [Ee]2) ([Ee] | %3
[Ee]2 [Ee] [Ee]2) ([Ee] | e2 d e2) z | [Aa]2 [... | 2 | In bar 1, what is the articulation marking? | Slur |
Brahms_-_Intermezzo_in_E-flat_major_Op._117.__1 | X:1
T:Intermezzo
T:Johannes Brahms Op. 117. № 1
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=42
M:6/8
I:linebreak $
K:Eb
V:1 treble nm="PIANO."
V:3 treble
V:2 bass
V:4 bass
V:1
!p!!mf!"^Andante moderato." (B |!p!"_dolce" [Ee]2 [Ee] [Ee]2) ([Ee] | e2 e [Ee]2) ([Ee] | %3
[Ee]2 [Ee] [Ee]2) ([Ee] | e2 d e2) z | [Aa]2 [... | 2 | In bar 5, what is the lowest pitch? | E♭3 |
Brahms_-_Intermezzo_in_E-flat_major_Op._117.__1 | X:1
T:Intermezzo
T:Johannes Brahms Op. 117. № 1
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=42
M:6/8
I:linebreak $
K:Eb
V:1 treble nm="PIANO."
V:3 treble
V:2 bass
V:4 bass
V:1
!p!!mf!"^Andante moderato." (B |!p!"_dolce" [Ee]2 [Ee] [Ee]2) ([Ee] | e2 e [Ee]2) ([Ee] | %3
[Ee]2 [Ee] [Ee]2) ([Ee] | e2 d e2) z | [Aa]2 [... | 2 | In bar 28, what is the tempo change marking? | ritardando |
Brahms_-_Intermezzo_in_E-flat_major_Op._117.__1 | X:1
T:Intermezzo
T:Johannes Brahms Op. 117. № 1
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=42
M:6/8
I:linebreak $
K:Eb
V:1 treble nm="PIANO."
V:3 treble
V:2 bass
V:4 bass
V:1
!p!!mf!"^Andante moderato." (B |!p!"_dolce" [Ee]2 [Ee] [Ee]2) ([Ee] | e2 e [Ee]2) ([Ee] | %3
[Ee]2 [Ee] [Ee]2) ([Ee] | e2 d e2) z | [Aa]2 [... | 3 | In bars 1–2, what is the chord progression? (use I, II, III, IV, V, VI, VII) | I–I6 |
Brahms_-_Intermezzo_in_E-flat_major_Op._117.__1 | X:1
T:Intermezzo
T:Johannes Brahms Op. 117. № 1
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=42
M:6/8
I:linebreak $
K:Eb
V:1 treble nm="PIANO."
V:3 treble
V:2 bass
V:4 bass
V:1
!p!!mf!"^Andante moderato." (B |!p!"_dolce" [Ee]2 [Ee] [Ee]2) ([Ee] | e2 e [Ee]2) ([Ee] | %3
[Ee]2 [Ee] [Ee]2) ([Ee] | e2 d e2) z | [Aa]2 [... | 3 | In bar 1, what are the repeated notes in chord I? | Tonic |
Brahms_-_Intermezzo_in_E-flat_major_Op._117.__1 | X:1
T:Intermezzo
T:Johannes Brahms Op. 117. № 1
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=42
M:6/8
I:linebreak $
K:Eb
V:1 treble nm="PIANO."
V:3 treble
V:2 bass
V:4 bass
V:1
!p!!mf!"^Andante moderato." (B |!p!"_dolce" [Ee]2 [Ee] [Ee]2) ([Ee] | e2 e [Ee]2) ([Ee] | %3
[Ee]2 [Ee] [Ee]2) ([Ee] | e2 d e2) z | [Aa]2 [... | 3 | In bar 1, is there a first inversion of chord E♭ major? | None |
Brahms_-_Intermezzo_in_E-flat_major_Op._117.__1 | X:1
T:Intermezzo
T:Johannes Brahms Op. 117. № 1
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=42
M:6/8
I:linebreak $
K:Eb
V:1 treble nm="PIANO."
V:3 treble
V:2 bass
V:4 bass
V:1
!p!!mf!"^Andante moderato." (B |!p!"_dolce" [Ee]2 [Ee] [Ee]2) ([Ee] | e2 e [Ee]2) ([Ee] | %3
[Ee]2 [Ee] [Ee]2) ([Ee] | e2 d e2) z | [Aa]2 [... | 4 | What are the main features of the motif? | Leap + scale |
Brahms_-_Intermezzo_in_E-flat_major_Op._117.__1 | X:1
T:Intermezzo
T:Johannes Brahms Op. 117. № 1
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=42
M:6/8
I:linebreak $
K:Eb
V:1 treble nm="PIANO."
V:3 treble
V:2 bass
V:4 bass
V:1
!p!!mf!"^Andante moderato." (B |!p!"_dolce" [Ee]2 [Ee] [Ee]2) ([Ee] | e2 e [Ee]2) ([Ee] | %3
[Ee]2 [Ee] [Ee]2) ([Ee] | e2 d e2) z | [Aa]2 [... | 4 | In which bar does the melodic motif appear? | 1, 2 |
Brahms_-_Intermezzo_in_E-flat_major_Op._117.__1 | X:1
T:Intermezzo
T:Johannes Brahms Op. 117. № 1
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=42
M:6/8
I:linebreak $
K:Eb
V:1 treble nm="PIANO."
V:3 treble
V:2 bass
V:4 bass
V:1
!p!!mf!"^Andante moderato." (B |!p!"_dolce" [Ee]2 [Ee] [Ee]2) ([Ee] | e2 e [Ee]2) ([Ee] | %3
[Ee]2 [Ee] [Ee]2) ([Ee] | e2 d e2) z | [Aa]2 [... | 4 | In bar 5, in which register is the melody? | Middle register |
Brahms_-_Rhapsody_Op._79_No._2 | X:1
T:Rhapsodie No. 2
C:J. Brahms
%%score { ( 1 2 5 ) | ( 3 4 6 ) }
L:1/8
Q:1/4=120
M:4/4
I:linebreak $
K:Bb
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:5 treble
V:3 bass
V:4 bass
V:6 bass
V:1
!f!"^Molto passionato, ma non troppo allegro" D2 || E2"^L.H." G2 B2 =E2 | F2"^L.H." A2 c2 !>!f2 | %3
=e2 c2!<(! G2 A2 |... | 1 | Is there an anacrusis (upbeat bar)? | Yes |
Brahms_-_Rhapsody_Op._79_No._2 | X:1
T:Rhapsodie No. 2
C:J. Brahms
%%score { ( 1 2 5 ) | ( 3 4 6 ) }
L:1/8
Q:1/4=120
M:4/4
I:linebreak $
K:Bb
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:5 treble
V:3 bass
V:4 bass
V:6 bass
V:1
!f!"^Molto passionato, ma non troppo allegro" D2 || E2"^L.H." G2 B2 =E2 | F2"^L.H." A2 c2 !>!f2 | %3
=e2 c2!<(! G2 A2 |... | 1 | What is the title of the piece? | Rhapsody |
Brahms_-_Rhapsody_Op._79_No._2 | X:1
T:Rhapsodie No. 2
C:J. Brahms
%%score { ( 1 2 5 ) | ( 3 4 6 ) }
L:1/8
Q:1/4=120
M:4/4
I:linebreak $
K:Bb
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:5 treble
V:3 bass
V:4 bass
V:6 bass
V:1
!f!"^Molto passionato, ma non troppo allegro" D2 || E2"^L.H." G2 B2 =E2 | F2"^L.H." A2 c2 !>!f2 | %3
=e2 c2!<(! G2 A2 |... | 1 | What instruments are used? | Piano |
Brahms_-_Rhapsody_Op._79_No._2 | X:1
T:Rhapsodie No. 2
C:J. Brahms
%%score { ( 1 2 5 ) | ( 3 4 6 ) }
L:1/8
Q:1/4=120
M:4/4
I:linebreak $
K:Bb
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:5 treble
V:3 bass
V:4 bass
V:6 bass
V:1
!f!"^Molto passionato, ma non troppo allegro" D2 || E2"^L.H." G2 B2 =E2 | F2"^L.H." A2 c2 !>!f2 | %3
=e2 c2!<(! G2 A2 |... | 2 | Between bars 41–60, into what key does it modulate? | D major |
Brahms_-_Rhapsody_Op._79_No._2 | X:1
T:Rhapsodie No. 2
C:J. Brahms
%%score { ( 1 2 5 ) | ( 3 4 6 ) }
L:1/8
Q:1/4=120
M:4/4
I:linebreak $
K:Bb
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:5 treble
V:3 bass
V:4 bass
V:6 bass
V:1
!f!"^Molto passionato, ma non troppo allegro" D2 || E2"^L.H." G2 B2 =E2 | F2"^L.H." A2 c2 !>!f2 | %3
=e2 c2!<(! G2 A2 |... | 2 | In bar 20, what is the dynamic marking? | f diminuendo p |
Brahms_-_Rhapsody_Op._79_No._2 | X:1
T:Rhapsodie No. 2
C:J. Brahms
%%score { ( 1 2 5 ) | ( 3 4 6 ) }
L:1/8
Q:1/4=120
M:4/4
I:linebreak $
K:Bb
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:5 treble
V:3 bass
V:4 bass
V:6 bass
V:1
!f!"^Molto passionato, ma non troppo allegro" D2 || E2"^L.H." G2 B2 =E2 | F2"^L.H." A2 c2 !>!f2 | %3
=e2 c2!<(! G2 A2 |... | 2 | Between bars 23–24, into what clef does it change? | Bass clef |
Brahms_-_Rhapsody_Op._79_No._2 | X:1
T:Rhapsodie No. 2
C:J. Brahms
%%score { ( 1 2 5 ) | ( 3 4 6 ) }
L:1/8
Q:1/4=120
M:4/4
I:linebreak $
K:Bb
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:5 treble
V:3 bass
V:4 bass
V:6 bass
V:1
!f!"^Molto passionato, ma non troppo allegro" D2 || E2"^L.H." G2 B2 =E2 | F2"^L.H." A2 c2 !>!f2 | %3
=e2 c2!<(! G2 A2 |... | 3 | In bar 2, what is the chord progression? (use I, II, III, IV, V, VI, VII) | ii6 |
Brahms_-_Rhapsody_Op._79_No._2 | X:1
T:Rhapsodie No. 2
C:J. Brahms
%%score { ( 1 2 5 ) | ( 3 4 6 ) }
L:1/8
Q:1/4=120
M:4/4
I:linebreak $
K:Bb
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:5 treble
V:3 bass
V:4 bass
V:6 bass
V:1
!f!"^Molto passionato, ma non troppo allegro" D2 || E2"^L.H." G2 B2 =E2 | F2"^L.H." A2 c2 !>!f2 | %3
=e2 c2!<(! G2 A2 |... | 3 | In bar 2, is there a second inversion of chord F major? | Yes |
Brahms_-_Rhapsody_Op._79_No._2 | X:1
T:Rhapsodie No. 2
C:J. Brahms
%%score { ( 1 2 5 ) | ( 3 4 6 ) }
L:1/8
Q:1/4=120
M:4/4
I:linebreak $
K:Bb
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:5 treble
V:3 bass
V:4 bass
V:6 bass
V:1
!f!"^Molto passionato, ma non troppo allegro" D2 || E2"^L.H." G2 B2 =E2 | F2"^L.H." A2 c2 !>!f2 | %3
=e2 c2!<(! G2 A2 |... | 3 | In bar 1, what is the omitted note of the D minor chord? | Third |
Brahms_-_Rhapsody_Op._79_No._2 | X:1
T:Rhapsodie No. 2
C:J. Brahms
%%score { ( 1 2 5 ) | ( 3 4 6 ) }
L:1/8
Q:1/4=120
M:4/4
I:linebreak $
K:Bb
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:5 treble
V:3 bass
V:4 bass
V:6 bass
V:1
!f!"^Molto passionato, ma non troppo allegro" D2 || E2"^L.H." G2 B2 =E2 | F2"^L.H." A2 c2 !>!f2 | %3
=e2 c2!<(! G2 A2 |... | 4 | In which bar does the melodic motif appear? | 1 |
Brahms_-_Rhapsody_Op._79_No._2 | X:1
T:Rhapsodie No. 2
C:J. Brahms
%%score { ( 1 2 5 ) | ( 3 4 6 ) }
L:1/8
Q:1/4=120
M:4/4
I:linebreak $
K:Bb
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:5 treble
V:3 bass
V:4 bass
V:6 bass
V:1
!f!"^Molto passionato, ma non troppo allegro" D2 || E2"^L.H." G2 B2 =E2 | F2"^L.H." A2 c2 !>!f2 | %3
=e2 c2!<(! G2 A2 |... | 4 | What is the performance form of the piece? | Piano solo |
Brahms_-_Rhapsody_Op._79_No._2 | X:1
T:Rhapsodie No. 2
C:J. Brahms
%%score { ( 1 2 5 ) | ( 3 4 6 ) }
L:1/8
Q:1/4=120
M:4/4
I:linebreak $
K:Bb
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:5 treble
V:3 bass
V:4 bass
V:6 bass
V:1
!f!"^Molto passionato, ma non troppo allegro" D2 || E2"^L.H." G2 B2 =E2 | F2"^L.H." A2 c2 !>!f2 | %3
=e2 c2!<(! G2 A2 |... | 4 | In bar 1, in which register is the melody? | Middle register |
Brahms_-_Waltz_Op.39_No.3 | X:1
T:Brahms - Waltz Op.39 No.3
C:Johannes Brahms
%%score { ( 1 3 ) | 2 }
L:1/8
Q:1/4=120
M:3/4
I:linebreak $
K:B
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:1
"^\n\n"!p!"_dolce" (!5!g3 !2!d)(de) | (d3 G)(Gd) | (g3 c)(cd) | (c3 G)(Gc) | (g3 f)(Bf) | %5
(!5!f3 e)(!2!A!5!e) | (d3 c)(Bb) |1!>(! !5!f4 ^^f2!>)... | 1 | What is the initial time signature? | 3/4 time |
Brahms_-_Waltz_Op.39_No.3 | X:1
T:Brahms - Waltz Op.39 No.3
C:Johannes Brahms
%%score { ( 1 3 ) | 2 }
L:1/8
Q:1/4=120
M:3/4
I:linebreak $
K:B
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:1
"^\n\n"!p!"_dolce" (!5!g3 !2!d)(de) | (d3 G)(Gd) | (g3 c)(cd) | (c3 G)(Gc) | (g3 f)(Bf) | %5
(!5!f3 e)(!2!A!5!e) | (d3 c)(Bb) |1!>(! !5!f4 ^^f2!>)... | 1 | What is the initial expression marking? | Dolce |
Brahms_-_Waltz_Op.39_No.3 | X:1
T:Brahms - Waltz Op.39 No.3
C:Johannes Brahms
%%score { ( 1 3 ) | 2 }
L:1/8
Q:1/4=120
M:3/4
I:linebreak $
K:B
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:1
"^\n\n"!p!"_dolce" (!5!g3 !2!d)(de) | (d3 G)(Gd) | (g3 c)(cd) | (c3 G)(Gc) | (g3 f)(Bf) | %5
(!5!f3 e)(!2!A!5!e) | (d3 c)(Bb) |1!>(! !5!f4 ^^f2!>)... | 1 | Who is the composer? | Brahms |
Brahms_-_Waltz_Op.39_No.3 | X:1
T:Brahms - Waltz Op.39 No.3
C:Johannes Brahms
%%score { ( 1 3 ) | 2 }
L:1/8
Q:1/4=120
M:3/4
I:linebreak $
K:B
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:1
"^\n\n"!p!"_dolce" (!5!g3 !2!d)(de) | (d3 G)(Gd) | (g3 c)(cd) | (c3 G)(Gc) | (g3 f)(Bf) | %5
(!5!f3 e)(!2!A!5!e) | (d3 c)(Bb) |1!>(! !5!f4 ^^f2!>)... | 2 | In bars 1–5, what are the articulation markings? | Slur |
Brahms_-_Waltz_Op.39_No.3 | X:1
T:Brahms - Waltz Op.39 No.3
C:Johannes Brahms
%%score { ( 1 3 ) | 2 }
L:1/8
Q:1/4=120
M:3/4
I:linebreak $
K:B
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:1
"^\n\n"!p!"_dolce" (!5!g3 !2!d)(de) | (d3 G)(Gd) | (g3 c)(cd) | (c3 G)(Gc) | (g3 f)(Bf) | %5
(!5!f3 e)(!2!A!5!e) | (d3 c)(Bb) |1!>(! !5!f4 ^^f2!>)... | 2 | In bar 1, what is the highest pitch? | G5 |
Brahms_-_Waltz_Op.39_No.3 | X:1
T:Brahms - Waltz Op.39 No.3
C:Johannes Brahms
%%score { ( 1 3 ) | 2 }
L:1/8
Q:1/4=120
M:3/4
I:linebreak $
K:B
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:1
"^\n\n"!p!"_dolce" (!5!g3 !2!d)(de) | (d3 G)(Gd) | (g3 c)(cd) | (c3 G)(Gc) | (g3 f)(Bf) | %5
(!5!f3 e)(!2!A!5!e) | (d3 c)(Bb) |1!>(! !5!f4 ^^f2!>)... | 2 | In bar 1, what is the dynamic marking? | p |
Brahms_-_Waltz_Op.39_No.3 | X:1
T:Brahms - Waltz Op.39 No.3
C:Johannes Brahms
%%score { ( 1 3 ) | 2 }
L:1/8
Q:1/4=120
M:3/4
I:linebreak $
K:B
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:1
"^\n\n"!p!"_dolce" (!5!g3 !2!d)(de) | (d3 G)(Gd) | (g3 c)(cd) | (c3 G)(Gc) | (g3 f)(Bf) | %5
(!5!f3 e)(!2!A!5!e) | (d3 c)(Bb) |1!>(! !5!f4 ^^f2!>)... | 3 | In bar 1, what is the spacing/arrangement of chord i? | Mixed spacing |
Brahms_-_Waltz_Op.39_No.3 | X:1
T:Brahms - Waltz Op.39 No.3
C:Johannes Brahms
%%score { ( 1 3 ) | 2 }
L:1/8
Q:1/4=120
M:3/4
I:linebreak $
K:B
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:1
"^\n\n"!p!"_dolce" (!5!g3 !2!d)(de) | (d3 G)(Gd) | (g3 c)(cd) | (c3 G)(Gc) | (g3 f)(Bf) | %5
(!5!f3 e)(!2!A!5!e) | (d3 c)(Bb) |1!>(! !5!f4 ^^f2!>)... | 3 | In bars 16–17, is there a perfect cadence? | Yes |
Brahms_-_Waltz_Op.39_No.3 | X:1
T:Brahms - Waltz Op.39 No.3
C:Johannes Brahms
%%score { ( 1 3 ) | 2 }
L:1/8
Q:1/4=120
M:3/4
I:linebreak $
K:B
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:1
"^\n\n"!p!"_dolce" (!5!g3 !2!d)(de) | (d3 G)(Gd) | (g3 c)(cd) | (c3 G)(Gc) | (g3 f)(Bf) | %5
(!5!f3 e)(!2!A!5!e) | (d3 c)(Bb) |1!>(! !5!f4 ^^f2!>)... | 3 | In bar 10, what scale degree is the first chord? (use I, II, III, IV, V, VI, VII) | V |
Brahms_-_Waltz_Op.39_No.3 | X:1
T:Brahms - Waltz Op.39 No.3
C:Johannes Brahms
%%score { ( 1 3 ) | 2 }
L:1/8
Q:1/4=120
M:3/4
I:linebreak $
K:B
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:1
"^\n\n"!p!"_dolce" (!5!g3 !2!d)(de) | (d3 G)(Gd) | (g3 c)(cd) | (c3 G)(Gc) | (g3 f)(Bf) | %5
(!5!f3 e)(!2!A!5!e) | (d3 c)(Bb) |1!>(! !5!f4 ^^f2!>)... | 4 | What is the genre of the piece? | Waltz |
Brahms_-_Waltz_Op.39_No.3 | X:1
T:Brahms - Waltz Op.39 No.3
C:Johannes Brahms
%%score { ( 1 3 ) | 2 }
L:1/8
Q:1/4=120
M:3/4
I:linebreak $
K:B
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:1
"^\n\n"!p!"_dolce" (!5!g3 !2!d)(de) | (d3 G)(Gd) | (g3 c)(cd) | (c3 G)(Gc) | (g3 f)(Bf) | %5
(!5!f3 e)(!2!A!5!e) | (d3 c)(Bb) |1!>(! !5!f4 ^^f2!>)... | 4 | What is the performance form of the piece? | Piano solo |
Brahms_-_Waltz_Op.39_No.3 | X:1
T:Brahms - Waltz Op.39 No.3
C:Johannes Brahms
%%score { ( 1 3 ) | 2 }
L:1/8
Q:1/4=120
M:3/4
I:linebreak $
K:B
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:1
"^\n\n"!p!"_dolce" (!5!g3 !2!d)(de) | (d3 G)(Gd) | (g3 c)(cd) | (c3 G)(Gc) | (g3 f)(Bf) | %5
(!5!f3 e)(!2!A!5!e) | (d3 c)(Bb) |1!>(! !5!f4 ^^f2!>)... | 4 | What are the main features of the motif? | Leap + stepwise motion |
Brahms_B_minor_Rhapsody_1_Op._79 | X:1
T:Zwei Rhapsodien für Klavier
C:Johannes Brahms, op. 79 (Veröffentlicht 1880)
%%score { ( 1 2 6 ) | ( 3 4 5 ) }
L:1/8
Q:1/4=120
M:2/2
I:linebreak $
K:D
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:6 treble
V:3 bass
V:4 bass
V:5 bass
V:1
"^Agitato\n"!f! (f3 (3c/d/e/ d3 B | ^A3 c F3 ^G | ^A3 F) ([Ece]F[DBd]F) |... | 1 | What is the initial time signature? | 2/2 time |
Brahms_B_minor_Rhapsody_1_Op._79 | X:1
T:Zwei Rhapsodien für Klavier
C:Johannes Brahms, op. 79 (Veröffentlicht 1880)
%%score { ( 1 2 6 ) | ( 3 4 5 ) }
L:1/8
Q:1/4=120
M:2/2
I:linebreak $
K:D
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:6 treble
V:3 bass
V:4 bass
V:5 bass
V:1
"^Agitato\n"!f! (f3 (3c/d/e/ d3 B | ^A3 c F3 ^G | ^A3 F) ([Ece]F[DBd]F) |... | 1 | Who is the composer? | Brahms |
Brahms_B_minor_Rhapsody_1_Op._79 | X:1
T:Zwei Rhapsodien für Klavier
C:Johannes Brahms, op. 79 (Veröffentlicht 1880)
%%score { ( 1 2 6 ) | ( 3 4 5 ) }
L:1/8
Q:1/4=120
M:2/2
I:linebreak $
K:D
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:6 treble
V:3 bass
V:4 bass
V:5 bass
V:1
"^Agitato\n"!f! (f3 (3c/d/e/ d3 B | ^A3 c F3 ^G | ^A3 F) ([Ece]F[DBd]F) |... | 1 | What is the initial expression marking? | None |
Brahms_B_minor_Rhapsody_1_Op._79 | X:1
T:Zwei Rhapsodien für Klavier
C:Johannes Brahms, op. 79 (Veröffentlicht 1880)
%%score { ( 1 2 6 ) | ( 3 4 5 ) }
L:1/8
Q:1/4=120
M:2/2
I:linebreak $
K:D
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:6 treble
V:3 bass
V:4 bass
V:5 bass
V:1
"^Agitato\n"!f! (f3 (3c/d/e/ d3 B | ^A3 c F3 ^G | ^A3 F) ([Ece]F[DBd]F) |... | 2 | In bars 1–3, what are the articulation markings? | Slur |
Brahms_B_minor_Rhapsody_1_Op._79 | X:1
T:Zwei Rhapsodien für Klavier
C:Johannes Brahms, op. 79 (Veröffentlicht 1880)
%%score { ( 1 2 6 ) | ( 3 4 5 ) }
L:1/8
Q:1/4=120
M:2/2
I:linebreak $
K:D
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:6 treble
V:3 bass
V:4 bass
V:5 bass
V:1
"^Agitato\n"!f! (f3 (3c/d/e/ d3 B | ^A3 c F3 ^G | ^A3 F) ([Ece]F[DBd]F) |... | 2 | In bar 1, what is the highest pitch? | F♯5 |
Brahms_B_minor_Rhapsody_1_Op._79 | X:1
T:Zwei Rhapsodien für Klavier
C:Johannes Brahms, op. 79 (Veröffentlicht 1880)
%%score { ( 1 2 6 ) | ( 3 4 5 ) }
L:1/8
Q:1/4=120
M:2/2
I:linebreak $
K:D
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:6 treble
V:3 bass
V:4 bass
V:5 bass
V:1
"^Agitato\n"!f! (f3 (3c/d/e/ d3 B | ^A3 c F3 ^G | ^A3 F) ([Ece]F[DBd]F) |... | 2 | In bar 1, what is the dynamic marking? | f |
Brahms_B_minor_Rhapsody_1_Op._79 | X:1
T:Zwei Rhapsodien für Klavier
C:Johannes Brahms, op. 79 (Veröffentlicht 1880)
%%score { ( 1 2 6 ) | ( 3 4 5 ) }
L:1/8
Q:1/4=120
M:2/2
I:linebreak $
K:D
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:6 treble
V:3 bass
V:4 bass
V:5 bass
V:1
"^Agitato\n"!f! (f3 (3c/d/e/ d3 B | ^A3 c F3 ^G | ^A3 F) ([Ece]F[DBd]F) |... | 3 | In bar 19, what scale degree is the first chord? (use I, II, III, IV, V, VI, VII) | V |
Brahms_B_minor_Rhapsody_1_Op._79 | X:1
T:Zwei Rhapsodien für Klavier
C:Johannes Brahms, op. 79 (Veröffentlicht 1880)
%%score { ( 1 2 6 ) | ( 3 4 5 ) }
L:1/8
Q:1/4=120
M:2/2
I:linebreak $
K:D
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:6 treble
V:3 bass
V:4 bass
V:5 bass
V:1
"^Agitato\n"!f! (f3 (3c/d/e/ d3 B | ^A3 c F3 ^G | ^A3 F) ([Ece]F[DBd]F) |... | 3 | In bar 22, is there a first inversion of chord D major? | None |
Brahms_B_minor_Rhapsody_1_Op._79 | X:1
T:Zwei Rhapsodien für Klavier
C:Johannes Brahms, op. 79 (Veröffentlicht 1880)
%%score { ( 1 2 6 ) | ( 3 4 5 ) }
L:1/8
Q:1/4=120
M:2/2
I:linebreak $
K:D
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:6 treble
V:3 bass
V:4 bass
V:5 bass
V:1
"^Agitato\n"!f! (f3 (3c/d/e/ d3 B | ^A3 c F3 ^G | ^A3 F) ([Ece]F[DBd]F) |... | 3 | In bars 235–236, is there a perfect cadence? | None |
Brahms_B_minor_Rhapsody_1_Op._79 | X:1
T:Zwei Rhapsodien für Klavier
C:Johannes Brahms, op. 79 (Veröffentlicht 1880)
%%score { ( 1 2 6 ) | ( 3 4 5 ) }
L:1/8
Q:1/4=120
M:2/2
I:linebreak $
K:D
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:6 treble
V:3 bass
V:4 bass
V:5 bass
V:1
"^Agitato\n"!f! (f3 (3c/d/e/ d3 B | ^A3 c F3 ^G | ^A3 F) ([Ece]F[DBd]F) |... | 4 | What is the performance form of the piece? | Piano solo |
Brahms_B_minor_Rhapsody_1_Op._79 | X:1
T:Zwei Rhapsodien für Klavier
C:Johannes Brahms, op. 79 (Veröffentlicht 1880)
%%score { ( 1 2 6 ) | ( 3 4 5 ) }
L:1/8
Q:1/4=120
M:2/2
I:linebreak $
K:D
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:6 treble
V:3 bass
V:4 bass
V:5 bass
V:1
"^Agitato\n"!f! (f3 (3c/d/e/ d3 B | ^A3 c F3 ^G | ^A3 F) ([Ece]F[DBd]F) |... | 4 | In bar 2, in which register is the melody? | Middle register |
Brahms_B_minor_Rhapsody_1_Op._79 | X:1
T:Zwei Rhapsodien für Klavier
C:Johannes Brahms, op. 79 (Veröffentlicht 1880)
%%score { ( 1 2 6 ) | ( 3 4 5 ) }
L:1/8
Q:1/4=120
M:2/2
I:linebreak $
K:D
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:6 treble
V:3 bass
V:4 bass
V:5 bass
V:1
"^Agitato\n"!f! (f3 (3c/d/e/ d3 B | ^A3 c F3 ^G | ^A3 F) ([Ece]F[DBd]F) |... | 4 | What are the main features of the motif? | Arpeggio |
Butterfly_Sommerfugl_Op._43_No._1__Edvard_Grieg_Edward_Grieg | X:1
T:그리그 나비
C:EDVARD GRIEG
%%score { ( 1 3 ) | 2 }
L:1/8
Q:1/4=100
M:4/4
I:linebreak $
K:A
V:1 treble nm="피아노 " snm="Pno."
V:3 treble
V:2 bass
V:1
"^Allegro grazioso"!p! (f>G A/^A/B/^B/ c/d/^d/e/ =a/e/c/=A/) | (^^F>e G>e F>e G>^e) | %2
(f>G A/^A/B/^B/ c/d/^d/e/ =a/e/c/=A/) |"_cresc." (c'>^d e/^e/f/^^f/ g/a/^a/b/ =e... | 1 | What is the title of the work? | Schmetterling |
Butterfly_Sommerfugl_Op._43_No._1__Edvard_Grieg_Edward_Grieg | X:1
T:그리그 나비
C:EDVARD GRIEG
%%score { ( 1 3 ) | 2 }
L:1/8
Q:1/4=100
M:4/4
I:linebreak $
K:A
V:1 treble nm="피아노 " snm="Pno."
V:3 treble
V:2 bass
V:1
"^Allegro grazioso"!p! (f>G A/^A/B/^B/ c/d/^d/e/ =a/e/c/=A/) | (^^F>e G>e F>e G>^e) | %2
(f>G A/^A/B/^B/ c/d/^d/e/ =a/e/c/=A/) |"_cresc." (c'>^d e/^e/f/^^f/ g/a/^a/b/ =e... | 1 | What is the initial key? | A major |
Butterfly_Sommerfugl_Op._43_No._1__Edvard_Grieg_Edward_Grieg | X:1
T:그리그 나비
C:EDVARD GRIEG
%%score { ( 1 3 ) | 2 }
L:1/8
Q:1/4=100
M:4/4
I:linebreak $
K:A
V:1 treble nm="피아노 " snm="Pno."
V:3 treble
V:2 bass
V:1
"^Allegro grazioso"!p! (f>G A/^A/B/^B/ c/d/^d/e/ =a/e/c/=A/) | (^^F>e G>e F>e G>^e) | %2
(f>G A/^A/B/^B/ c/d/^d/e/ =a/e/c/=A/) |"_cresc." (c'>^d e/^e/f/^^f/ g/a/^a/b/ =e... | 1 | Who is the composer? | Grieg |
Butterfly_Sommerfugl_Op._43_No._1__Edvard_Grieg_Edward_Grieg | X:1
T:그리그 나비
C:EDVARD GRIEG
%%score { ( 1 3 ) | 2 }
L:1/8
Q:1/4=100
M:4/4
I:linebreak $
K:A
V:1 treble nm="피아노 " snm="Pno."
V:3 treble
V:2 bass
V:1
"^Allegro grazioso"!p! (f>G A/^A/B/^B/ c/d/^d/e/ =a/e/c/=A/) | (^^F>e G>e F>e G>^e) | %2
(f>G A/^A/B/^B/ c/d/^d/e/ =a/e/c/=A/) |"_cresc." (c'>^d e/^e/f/^^f/ g/a/^a/b/ =e... | 2 | In bar 7, what is the lowest pitch? | B2 |
Butterfly_Sommerfugl_Op._43_No._1__Edvard_Grieg_Edward_Grieg | X:1
T:그리그 나비
C:EDVARD GRIEG
%%score { ( 1 3 ) | 2 }
L:1/8
Q:1/4=100
M:4/4
I:linebreak $
K:A
V:1 treble nm="피아노 " snm="Pno."
V:3 treble
V:2 bass
V:1
"^Allegro grazioso"!p! (f>G A/^A/B/^B/ c/d/^d/e/ =a/e/c/=A/) | (^^F>e G>e F>e G>^e) | %2
(f>G A/^A/B/^B/ c/d/^d/e/ =a/e/c/=A/) |"_cresc." (c'>^d e/^e/f/^^f/ g/a/^a/b/ =e... | 2 | In bar 7, what is the highest pitch? | G#5 |
Butterfly_Sommerfugl_Op._43_No._1__Edvard_Grieg_Edward_Grieg | X:1
T:그리그 나비
C:EDVARD GRIEG
%%score { ( 1 3 ) | 2 }
L:1/8
Q:1/4=100
M:4/4
I:linebreak $
K:A
V:1 treble nm="피아노 " snm="Pno."
V:3 treble
V:2 bass
V:1
"^Allegro grazioso"!p! (f>G A/^A/B/^B/ c/d/^d/e/ =a/e/c/=A/) | (^^F>e G>e F>e G>^e) | %2
(f>G A/^A/B/^B/ c/d/^d/e/ =a/e/c/=A/) |"_cresc." (c'>^d e/^e/f/^^f/ g/a/^a/b/ =e... | 2 | In bar 27, what is the shortest rest value? | Semiquaver rest (sixteenth rest) |
Butterfly_Sommerfugl_Op._43_No._1__Edvard_Grieg_Edward_Grieg | X:1
T:그리그 나비
C:EDVARD GRIEG
%%score { ( 1 3 ) | 2 }
L:1/8
Q:1/4=100
M:4/4
I:linebreak $
K:A
V:1 treble nm="피아노 " snm="Pno."
V:3 treble
V:2 bass
V:1
"^Allegro grazioso"!p! (f>G A/^A/B/^B/ c/d/^d/e/ =a/e/c/=A/) | (^^F>e G>e F>e G>^e) | %2
(f>G A/^A/B/^B/ c/d/^d/e/ =a/e/c/=A/) |"_cresc." (c'>^d e/^e/f/^^f/ g/a/^a/b/ =e... | 3 | In bar 42, does a chord anticipation occur? | No |
Butterfly_Sommerfugl_Op._43_No._1__Edvard_Grieg_Edward_Grieg | X:1
T:그리그 나비
C:EDVARD GRIEG
%%score { ( 1 3 ) | 2 }
L:1/8
Q:1/4=100
M:4/4
I:linebreak $
K:A
V:1 treble nm="피아노 " snm="Pno."
V:3 treble
V:2 bass
V:1
"^Allegro grazioso"!p! (f>G A/^A/B/^B/ c/d/^d/e/ =a/e/c/=A/) | (^^F>e G>e F>e G>^e) | %2
(f>G A/^A/B/^B/ c/d/^d/e/ =a/e/c/=A/) |"_cresc." (c'>^d e/^e/f/^^f/ g/a/^a/b/ =e... | 3 | In bar 1, what are the repeated notes of the A major chord? | Root note |
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