song_id stringclasses 150
values | abc_notation stringclasses 150
values | level int32 1 4 | question stringlengths 20 85 | answer stringlengths 1 82 |
|---|---|---|---|---|
Butterfly_Sommerfugl_Op._43_No._1__Edvard_Grieg_Edward_Grieg | X:1
T:그리그 나비
C:EDVARD GRIEG
%%score { ( 1 3 ) | 2 }
L:1/8
Q:1/4=100
M:4/4
I:linebreak $
K:A
V:1 treble nm="피아노 " snm="Pno."
V:3 treble
V:2 bass
V:1
"^Allegro grazioso"!p! (f>G A/^A/B/^B/ c/d/^d/e/ =a/e/c/=A/) | (^^F>e G>e F>e G>^e) | %2
(f>G A/^A/B/^B/ c/d/^d/e/ =a/e/c/=A/) |"_cresc." (c'>^d e/^e/f/^^f/ g/a/^a/b/ =e... | 3 | In bar 1, what is the voicing of the A major chord? | Open position |
Butterfly_Sommerfugl_Op._43_No._1__Edvard_Grieg_Edward_Grieg | X:1
T:그리그 나비
C:EDVARD GRIEG
%%score { ( 1 3 ) | 2 }
L:1/8
Q:1/4=100
M:4/4
I:linebreak $
K:A
V:1 treble nm="피아노 " snm="Pno."
V:3 treble
V:2 bass
V:1
"^Allegro grazioso"!p! (f>G A/^A/B/^B/ c/d/^d/e/ =a/e/c/=A/) | (^^F>e G>e F>e G>^e) | %2
(f>G A/^A/B/^B/ c/d/^d/e/ =a/e/c/=A/) |"_cresc." (c'>^d e/^e/f/^^f/ g/a/^a/b/ =e... | 4 | What is the performance medium of the piece? | Piano solo |
Butterfly_Sommerfugl_Op._43_No._1__Edvard_Grieg_Edward_Grieg | X:1
T:그리그 나비
C:EDVARD GRIEG
%%score { ( 1 3 ) | 2 }
L:1/8
Q:1/4=100
M:4/4
I:linebreak $
K:A
V:1 treble nm="피아노 " snm="Pno."
V:3 treble
V:2 bass
V:1
"^Allegro grazioso"!p! (f>G A/^A/B/^B/ c/d/^d/e/ =a/e/c/=A/) | (^^F>e G>e F>e G>^e) | %2
(f>G A/^A/B/^B/ c/d/^d/e/ =a/e/c/=A/) |"_cresc." (c'>^d e/^e/f/^^f/ g/a/^a/b/ =e... | 4 | In which bar does the melodic motif appear? | Bar 1 |
Butterfly_Sommerfugl_Op._43_No._1__Edvard_Grieg_Edward_Grieg | X:1
T:그리그 나비
C:EDVARD GRIEG
%%score { ( 1 3 ) | 2 }
L:1/8
Q:1/4=100
M:4/4
I:linebreak $
K:A
V:1 treble nm="피아노 " snm="Pno."
V:3 treble
V:2 bass
V:1
"^Allegro grazioso"!p! (f>G A/^A/B/^B/ c/d/^d/e/ =a/e/c/=A/) | (^^F>e G>e F>e G>^e) | %2
(f>G A/^A/B/^B/ c/d/^d/e/ =a/e/c/=A/) |"_cresc." (c'>^d e/^e/f/^^f/ g/a/^a/b/ =e... | 4 | What is the rhythm of the motif? | Dotted rhythm, demisemiquaver subdivision |
C.P.E._Bach_-_Solfeggietto_in_C_minor | X:1
T:Solfeggietto in C minor
C:Carl Phillip Emanuel Bach
%%score { 1 | 2 }
L:1/8
Q:1/4=150
M:4/4
I:linebreak $
K:Eb
V:1 bass nm="Piano" snm="Pno."
V:2 bass
V:1
!f!"^Prestissimo" !2!E,/ z/ z !2!C/E/D/C/ !1!=B,/ z/ z[K:treble] !4!G/F/E/D/ | %1
E/ z/ z !1!c/e/d/c/ !4!d/c/=B/=A/ !4!G/F/E/D/ | E/ z/ z c/e/d/c/ =B/ z/ z g... | 1 | Is the piece written with an anacrusis (upbeat bar)? | No |
C.P.E._Bach_-_Solfeggietto_in_C_minor | X:1
T:Solfeggietto in C minor
C:Carl Phillip Emanuel Bach
%%score { 1 | 2 }
L:1/8
Q:1/4=150
M:4/4
I:linebreak $
K:Eb
V:1 bass nm="Piano" snm="Pno."
V:2 bass
V:1
!f!"^Prestissimo" !2!E,/ z/ z !2!C/E/D/C/ !1!=B,/ z/ z[K:treble] !4!G/F/E/D/ | %1
E/ z/ z !1!c/e/d/c/ !4!d/c/=B/=A/ !4!G/F/E/D/ | E/ z/ z c/e/d/c/ =B/ z/ z g... | 1 | What is the tempo in beats per minute? | 150 bpm |
C.P.E._Bach_-_Solfeggietto_in_C_minor | X:1
T:Solfeggietto in C minor
C:Carl Phillip Emanuel Bach
%%score { 1 | 2 }
L:1/8
Q:1/4=150
M:4/4
I:linebreak $
K:Eb
V:1 bass nm="Piano" snm="Pno."
V:2 bass
V:1
!f!"^Prestissimo" !2!E,/ z/ z !2!C/E/D/C/ !1!=B,/ z/ z[K:treble] !4!G/F/E/D/ | %1
E/ z/ z !1!c/e/d/c/ !4!d/c/=B/=A/ !4!G/F/E/D/ | E/ z/ z c/e/d/c/ =B/ z/ z g... | 1 | What is the initial key? | C minor |
C.P.E._Bach_-_Solfeggietto_in_C_minor | X:1
T:Solfeggietto in C minor
C:Carl Phillip Emanuel Bach
%%score { 1 | 2 }
L:1/8
Q:1/4=150
M:4/4
I:linebreak $
K:Eb
V:1 bass nm="Piano" snm="Pno."
V:2 bass
V:1
!f!"^Prestissimo" !2!E,/ z/ z !2!C/E/D/C/ !1!=B,/ z/ z[K:treble] !4!G/F/E/D/ | %1
E/ z/ z !1!c/e/d/c/ !4!d/c/=B/=A/ !4!G/F/E/D/ | E/ z/ z c/e/d/c/ =B/ z/ z g... | 2 | In bar 1, what is the dynamic marking? | f |
C.P.E._Bach_-_Solfeggietto_in_C_minor | X:1
T:Solfeggietto in C minor
C:Carl Phillip Emanuel Bach
%%score { 1 | 2 }
L:1/8
Q:1/4=150
M:4/4
I:linebreak $
K:Eb
V:1 bass nm="Piano" snm="Pno."
V:2 bass
V:1
!f!"^Prestissimo" !2!E,/ z/ z !2!C/E/D/C/ !1!=B,/ z/ z[K:treble] !4!G/F/E/D/ | %1
E/ z/ z !1!c/e/d/c/ !4!d/c/=B/=A/ !4!G/F/E/D/ | E/ z/ z c/e/d/c/ =B/ z/ z g... | 2 | In bar 11, is there an accidental, and what is it? | F♯4, A♮4 |
C.P.E._Bach_-_Solfeggietto_in_C_minor | X:1
T:Solfeggietto in C minor
C:Carl Phillip Emanuel Bach
%%score { 1 | 2 }
L:1/8
Q:1/4=150
M:4/4
I:linebreak $
K:Eb
V:1 bass nm="Piano" snm="Pno."
V:2 bass
V:1
!f!"^Prestissimo" !2!E,/ z/ z !2!C/E/D/C/ !1!=B,/ z/ z[K:treble] !4!G/F/E/D/ | %1
E/ z/ z !1!c/e/d/c/ !4!d/c/=B/=A/ !4!G/F/E/D/ | E/ z/ z c/e/d/c/ =B/ z/ z g... | 2 | In bar 25, what is the ornament on note d2? | Passing note, neighbour note |
C.P.E._Bach_-_Solfeggietto_in_C_minor | X:1
T:Solfeggietto in C minor
C:Carl Phillip Emanuel Bach
%%score { 1 | 2 }
L:1/8
Q:1/4=150
M:4/4
I:linebreak $
K:Eb
V:1 bass nm="Piano" snm="Pno."
V:2 bass
V:1
!f!"^Prestissimo" !2!E,/ z/ z !2!C/E/D/C/ !1!=B,/ z/ z[K:treble] !4!G/F/E/D/ | %1
E/ z/ z !1!c/e/d/c/ !4!d/c/=B/=A/ !4!G/F/E/D/ | E/ z/ z c/e/d/c/ =B/ z/ z g... | 3 | In bar 33, what is the chord progression? (use I, II, III, IV, V, VI, VII) | i–V7 |
C.P.E._Bach_-_Solfeggietto_in_C_minor | X:1
T:Solfeggietto in C minor
C:Carl Phillip Emanuel Bach
%%score { 1 | 2 }
L:1/8
Q:1/4=150
M:4/4
I:linebreak $
K:Eb
V:1 bass nm="Piano" snm="Pno."
V:2 bass
V:1
!f!"^Prestissimo" !2!E,/ z/ z !2!C/E/D/C/ !1!=B,/ z/ z[K:treble] !4!G/F/E/D/ | %1
E/ z/ z !1!c/e/d/c/ !4!d/c/=B/=A/ !4!G/F/E/D/ | E/ z/ z c/e/d/c/ =B/ z/ z g... | 3 | In bar 27, what scale degree is the first chord? (use I, II, III, IV, V, VI, VII) | I |
C.P.E._Bach_-_Solfeggietto_in_C_minor | X:1
T:Solfeggietto in C minor
C:Carl Phillip Emanuel Bach
%%score { 1 | 2 }
L:1/8
Q:1/4=150
M:4/4
I:linebreak $
K:Eb
V:1 bass nm="Piano" snm="Pno."
V:2 bass
V:1
!f!"^Prestissimo" !2!E,/ z/ z !2!C/E/D/C/ !1!=B,/ z/ z[K:treble] !4!G/F/E/D/ | %1
E/ z/ z !1!c/e/d/c/ !4!d/c/=B/=A/ !4!G/F/E/D/ | E/ z/ z c/e/d/c/ =B/ z/ z g... | 3 | In bar 12, is there a dominant chord? | No |
C.P.E._Bach_-_Solfeggietto_in_C_minor | X:1
T:Solfeggietto in C minor
C:Carl Phillip Emanuel Bach
%%score { 1 | 2 }
L:1/8
Q:1/4=150
M:4/4
I:linebreak $
K:Eb
V:1 bass nm="Piano" snm="Pno."
V:2 bass
V:1
!f!"^Prestissimo" !2!E,/ z/ z !2!C/E/D/C/ !1!=B,/ z/ z[K:treble] !4!G/F/E/D/ | %1
E/ z/ z !1!c/e/d/c/ !4!d/c/=B/=A/ !4!G/F/E/D/ | E/ z/ z c/e/d/c/ =B/ z/ z g... | 4 | What is the predominant tempo/rhythm of the piece? | Semiquaver (sixteenth note) |
C.P.E._Bach_-_Solfeggietto_in_C_minor | X:1
T:Solfeggietto in C minor
C:Carl Phillip Emanuel Bach
%%score { 1 | 2 }
L:1/8
Q:1/4=150
M:4/4
I:linebreak $
K:Eb
V:1 bass nm="Piano" snm="Pno."
V:2 bass
V:1
!f!"^Prestissimo" !2!E,/ z/ z !2!C/E/D/C/ !1!=B,/ z/ z[K:treble] !4!G/F/E/D/ | %1
E/ z/ z !1!c/e/d/c/ !4!d/c/=B/=A/ !4!G/F/E/D/ | E/ z/ z c/e/d/c/ =B/ z/ z g... | 4 | In bar 1, in which register is the melody? | Middle register |
C.P.E._Bach_-_Solfeggietto_in_C_minor | X:1
T:Solfeggietto in C minor
C:Carl Phillip Emanuel Bach
%%score { 1 | 2 }
L:1/8
Q:1/4=150
M:4/4
I:linebreak $
K:Eb
V:1 bass nm="Piano" snm="Pno."
V:2 bass
V:1
!f!"^Prestissimo" !2!E,/ z/ z !2!C/E/D/C/ !1!=B,/ z/ z[K:treble] !4!G/F/E/D/ | %1
E/ z/ z !1!c/e/d/c/ !4!d/c/=B/=A/ !4!G/F/E/D/ | E/ z/ z c/e/d/c/ =B/ z/ z g... | 4 | What are the main features of the motif? | Third interval |
Camille_Saint-Sans_Le_Cygne_The_Swan_Easy_Piano_by_Free_MusicKey | X:1
T:"Le Cygne (The Swan)"
C:Camille Saint-Saens
%%score { 1 | 2 }
L:1/8
Q:1/4=80
M:3/4
I:linebreak $
K:F
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:1
!p! !arpeggio![CFA]6 | !arpeggio![FAc]6 | !arpeggio![Acf]2 e2 A2 | !arpeggio![FAd]2 c2 F2 | %4
!arpeggio![B,DG]4 z A | !arpeggio![DGB]6 | [B,D]4 (EF |!<(! GA Bc de!<... | 1 | Is there an anacrusis? | No |
Camille_Saint-Sans_Le_Cygne_The_Swan_Easy_Piano_by_Free_MusicKey | X:1
T:"Le Cygne (The Swan)"
C:Camille Saint-Saens
%%score { 1 | 2 }
L:1/8
Q:1/4=80
M:3/4
I:linebreak $
K:F
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:1
!p! !arpeggio![CFA]6 | !arpeggio![FAc]6 | !arpeggio![Acf]2 e2 A2 | !arpeggio![FAd]2 c2 F2 | %4
!arpeggio![B,DG]4 z A | !arpeggio![DGB]6 | [B,D]4 (EF |!<(! GA Bc de!<... | 1 | What is the initial key? | F major |
Camille_Saint-Sans_Le_Cygne_The_Swan_Easy_Piano_by_Free_MusicKey | X:1
T:"Le Cygne (The Swan)"
C:Camille Saint-Saens
%%score { 1 | 2 }
L:1/8
Q:1/4=80
M:3/4
I:linebreak $
K:F
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:1
!p! !arpeggio![CFA]6 | !arpeggio![FAc]6 | !arpeggio![Acf]2 e2 A2 | !arpeggio![FAd]2 c2 F2 | %4
!arpeggio![B,DG]4 z A | !arpeggio![DGB]6 | [B,D]4 (EF |!<(! GA Bc de!<... | 1 | What instruments are used? | Piano |
Camille_Saint-Sans_Le_Cygne_The_Swan_Easy_Piano_by_Free_MusicKey | X:1
T:"Le Cygne (The Swan)"
C:Camille Saint-Saens
%%score { 1 | 2 }
L:1/8
Q:1/4=80
M:3/4
I:linebreak $
K:F
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:1
!p! !arpeggio![CFA]6 | !arpeggio![FAc]6 | !arpeggio![Acf]2 e2 A2 | !arpeggio![FAd]2 c2 F2 | %4
!arpeggio![B,DG]4 z A | !arpeggio![DGB]6 | [B,D]4 (EF |!<(! GA Bc de!<... | 2 | In bar 19, what is the dynamic marking? | mf |
Camille_Saint-Sans_Le_Cygne_The_Swan_Easy_Piano_by_Free_MusicKey | X:1
T:"Le Cygne (The Swan)"
C:Camille Saint-Saens
%%score { 1 | 2 }
L:1/8
Q:1/4=80
M:3/4
I:linebreak $
K:F
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:1
!p! !arpeggio![CFA]6 | !arpeggio![FAc]6 | !arpeggio![Acf]2 e2 A2 | !arpeggio![FAd]2 c2 F2 | %4
!arpeggio![B,DG]4 z A | !arpeggio![DGB]6 | [B,D]4 (EF |!<(! GA Bc de!<... | 2 | In bar 31, what accidental is present? Which note does it affect? | Yes, E♭3, E♭2 |
Camille_Saint-Sans_Le_Cygne_The_Swan_Easy_Piano_by_Free_MusicKey | X:1
T:"Le Cygne (The Swan)"
C:Camille Saint-Saens
%%score { 1 | 2 }
L:1/8
Q:1/4=80
M:3/4
I:linebreak $
K:F
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:1
!p! !arpeggio![CFA]6 | !arpeggio![FAc]6 | !arpeggio![Acf]2 e2 A2 | !arpeggio![FAd]2 c2 F2 | %4
!arpeggio![B,DG]4 z A | !arpeggio![DGB]6 | [B,D]4 (EF |!<(! GA Bc de!<... | 2 | Between bars 1–55, are there repeat signs? | No |
Camille_Saint-Sans_Le_Cygne_The_Swan_Easy_Piano_by_Free_MusicKey | X:1
T:"Le Cygne (The Swan)"
C:Camille Saint-Saens
%%score { 1 | 2 }
L:1/8
Q:1/4=80
M:3/4
I:linebreak $
K:F
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:1
!p! !arpeggio![CFA]6 | !arpeggio![FAc]6 | !arpeggio![Acf]2 e2 A2 | !arpeggio![FAd]2 c2 F2 | %4
!arpeggio![B,DG]4 z A | !arpeggio![DGB]6 | [B,D]4 (EF |!<(! GA Bc de!<... | 3 | In bar 32, what degree chord is the first chord (I, II, III, IV, V, VI, VII)? | ii46 |
Camille_Saint-Sans_Le_Cygne_The_Swan_Easy_Piano_by_Free_MusicKey | X:1
T:"Le Cygne (The Swan)"
C:Camille Saint-Saens
%%score { 1 | 2 }
L:1/8
Q:1/4=80
M:3/4
I:linebreak $
K:F
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:1
!p! !arpeggio![CFA]6 | !arpeggio![FAc]6 | !arpeggio![Acf]2 e2 A2 | !arpeggio![FAd]2 c2 F2 | %4
!arpeggio![B,DG]4 z A | !arpeggio![DGB]6 | [B,D]4 (EF |!<(! GA Bc de!<... | 3 | Between bars 51–55, is there a suspension or anticipation? | No |
Camille_Saint-Sans_Le_Cygne_The_Swan_Easy_Piano_by_Free_MusicKey | X:1
T:"Le Cygne (The Swan)"
C:Camille Saint-Saens
%%score { 1 | 2 }
L:1/8
Q:1/4=80
M:3/4
I:linebreak $
K:F
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:1
!p! !arpeggio![CFA]6 | !arpeggio![FAc]6 | !arpeggio![Acf]2 e2 A2 | !arpeggio![FAd]2 c2 F2 | %4
!arpeggio![B,DG]4 z A | !arpeggio![DGB]6 | [B,D]4 (EF |!<(! GA Bc de!<... | 3 | In bar 46, is there a second-inversion G7 chord? | None |
Camille_Saint-Sans_Le_Cygne_The_Swan_Easy_Piano_by_Free_MusicKey | X:1
T:"Le Cygne (The Swan)"
C:Camille Saint-Saens
%%score { 1 | 2 }
L:1/8
Q:1/4=80
M:3/4
I:linebreak $
K:F
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:1
!p! !arpeggio![CFA]6 | !arpeggio![FAc]6 | !arpeggio![Acf]2 e2 A2 | !arpeggio![FAd]2 c2 F2 | %4
!arpeggio![B,DG]4 z A | !arpeggio![DGB]6 | [B,D]4 (EF |!<(! GA Bc de!<... | 4 | What is the most frequently used texture type in the piece? | Arpeggio |
Camille_Saint-Sans_Le_Cygne_The_Swan_Easy_Piano_by_Free_MusicKey | X:1
T:"Le Cygne (The Swan)"
C:Camille Saint-Saens
%%score { 1 | 2 }
L:1/8
Q:1/4=80
M:3/4
I:linebreak $
K:F
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:1
!p! !arpeggio![CFA]6 | !arpeggio![FAc]6 | !arpeggio![Acf]2 e2 A2 | !arpeggio![FAd]2 c2 F2 | %4
!arpeggio![B,DG]4 z A | !arpeggio![DGB]6 | [B,D]4 (EF |!<(! GA Bc de!<... | 4 | In which part does the melodic motif appear? | Upper voice |
Camille_Saint-Sans_Le_Cygne_The_Swan_Easy_Piano_by_Free_MusicKey | X:1
T:"Le Cygne (The Swan)"
C:Camille Saint-Saens
%%score { 1 | 2 }
L:1/8
Q:1/4=80
M:3/4
I:linebreak $
K:F
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:1
!p! !arpeggio![CFA]6 | !arpeggio![FAc]6 | !arpeggio![Acf]2 e2 A2 | !arpeggio![FAd]2 c2 F2 | %4
!arpeggio![B,DG]4 z A | !arpeggio![DGB]6 | [B,D]4 (EF |!<(! GA Bc de!<... | 4 | What are the main structural features of the motif? | Arpeggio |
Camille_Saint-Sans__The_Cuckoo_in_the_Depths_of_the_Woods | X:1
T:Cuckoo in the Depths of the Woods
C:Camille Saints Saens
%%score { 1 | 2 }
L:1/8
Q:1/4=65
M:3/4
I:linebreak $
K:E
V:1 treble nm="Piano" snm="P-no"
V:2 bass
V:1
"^Andante"!pp! [DG^Bd]2 [EGce]2 [FAcf]2 | [DG^Bd]2!f! BG z2 | [DG^Bd]2 [EGce]2 [Acfa]2 | %3
[DG^Bd]2 BG z2 | [DG^Bd]2 [EGce]2 [F=Bdf]2 | [FBdf]2 [GBeg]2... | 1 | What is the initial tempo marking? | Andante |
Camille_Saint-Sans__The_Cuckoo_in_the_Depths_of_the_Woods | X:1
T:Cuckoo in the Depths of the Woods
C:Camille Saints Saens
%%score { 1 | 2 }
L:1/8
Q:1/4=65
M:3/4
I:linebreak $
K:E
V:1 treble nm="Piano" snm="P-no"
V:2 bass
V:1
"^Andante"!pp! [DG^Bd]2 [EGce]2 [FAcf]2 | [DG^Bd]2!f! BG z2 | [DG^Bd]2 [EGce]2 [Acfa]2 | %3
[DG^Bd]2 BG z2 | [DG^Bd]2 [EGce]2 [F=Bdf]2 | [FBdf]2 [GBeg]2... | 1 | What is the initial time signature? | 3/4 time |
Camille_Saint-Sans__The_Cuckoo_in_the_Depths_of_the_Woods | X:1
T:Cuckoo in the Depths of the Woods
C:Camille Saints Saens
%%score { 1 | 2 }
L:1/8
Q:1/4=65
M:3/4
I:linebreak $
K:E
V:1 treble nm="Piano" snm="P-no"
V:2 bass
V:1
"^Andante"!pp! [DG^Bd]2 [EGce]2 [FAcf]2 | [DG^Bd]2!f! BG z2 | [DG^Bd]2 [EGce]2 [Acfa]2 | %3
[DG^Bd]2 BG z2 | [DG^Bd]2 [EGce]2 [F=Bdf]2 | [FBdf]2 [GBeg]2... | 1 | What instruments are used? | Piano |
Camille_Saint-Sans__The_Cuckoo_in_the_Depths_of_the_Woods | X:1
T:Cuckoo in the Depths of the Woods
C:Camille Saints Saens
%%score { 1 | 2 }
L:1/8
Q:1/4=65
M:3/4
I:linebreak $
K:E
V:1 treble nm="Piano" snm="P-no"
V:2 bass
V:1
"^Andante"!pp! [DG^Bd]2 [EGce]2 [FAcf]2 | [DG^Bd]2!f! BG z2 | [DG^Bd]2 [EGce]2 [Acfa]2 | %3
[DG^Bd]2 BG z2 | [DG^Bd]2 [EGce]2 [F=Bdf]2 | [FBdf]2 [GBeg]2... | 2 | In bar 32, what is the dynamic marking? | None |
Camille_Saint-Sans__The_Cuckoo_in_the_Depths_of_the_Woods | X:1
T:Cuckoo in the Depths of the Woods
C:Camille Saints Saens
%%score { 1 | 2 }
L:1/8
Q:1/4=65
M:3/4
I:linebreak $
K:E
V:1 treble nm="Piano" snm="P-no"
V:2 bass
V:1
"^Andante"!pp! [DG^Bd]2 [EGce]2 [FAcf]2 | [DG^Bd]2!f! BG z2 | [DG^Bd]2 [EGce]2 [Acfa]2 | %3
[DG^Bd]2 BG z2 | [DG^Bd]2 [EGce]2 [F=Bdf]2 | [FBdf]2 [GBeg]2... | 2 | In bar 42, what is the articulation marking? | Staccato sign |
Camille_Saint-Sans__The_Cuckoo_in_the_Depths_of_the_Woods | X:1
T:Cuckoo in the Depths of the Woods
C:Camille Saints Saens
%%score { 1 | 2 }
L:1/8
Q:1/4=65
M:3/4
I:linebreak $
K:E
V:1 treble nm="Piano" snm="P-no"
V:2 bass
V:1
"^Andante"!pp! [DG^Bd]2 [EGce]2 [FAcf]2 | [DG^Bd]2!f! BG z2 | [DG^Bd]2 [EGce]2 [Acfa]2 | %3
[DG^Bd]2 BG z2 | [DG^Bd]2 [EGce]2 [F=Bdf]2 | [FBdf]2 [GBeg]2... | 2 | In bar 41, what is the shortest rest value? | Crotchet rest |
Camille_Saint-Sans__The_Cuckoo_in_the_Depths_of_the_Woods | X:1
T:Cuckoo in the Depths of the Woods
C:Camille Saints Saens
%%score { 1 | 2 }
L:1/8
Q:1/4=65
M:3/4
I:linebreak $
K:E
V:1 treble nm="Piano" snm="P-no"
V:2 bass
V:1
"^Andante"!pp! [DG^Bd]2 [EGce]2 [FAcf]2 | [DG^Bd]2!f! BG z2 | [DG^Bd]2 [EGce]2 [Acfa]2 | %3
[DG^Bd]2 BG z2 | [DG^Bd]2 [EGce]2 [F=Bdf]2 | [FBdf]2 [GBeg]2... | 3 | In bar 19, is there a first-inversion G♯7 chord? | No |
Camille_Saint-Sans__The_Cuckoo_in_the_Depths_of_the_Woods | X:1
T:Cuckoo in the Depths of the Woods
C:Camille Saints Saens
%%score { 1 | 2 }
L:1/8
Q:1/4=65
M:3/4
I:linebreak $
K:E
V:1 treble nm="Piano" snm="P-no"
V:2 bass
V:1
"^Andante"!pp! [DG^Bd]2 [EGce]2 [FAcf]2 | [DG^Bd]2!f! BG z2 | [DG^Bd]2 [EGce]2 [Acfa]2 | %3
[DG^Bd]2 BG z2 | [DG^Bd]2 [EGce]2 [F=Bdf]2 | [FBdf]2 [GBeg]2... | 3 | In bar 30, what are the repeated notes in the E major chord? | Trird |
Camille_Saint-Sans__The_Cuckoo_in_the_Depths_of_the_Woods | X:1
T:Cuckoo in the Depths of the Woods
C:Camille Saints Saens
%%score { 1 | 2 }
L:1/8
Q:1/4=65
M:3/4
I:linebreak $
K:E
V:1 treble nm="Piano" snm="P-no"
V:2 bass
V:1
"^Andante"!pp! [DG^Bd]2 [EGce]2 [FAcf]2 | [DG^Bd]2!f! BG z2 | [DG^Bd]2 [EGce]2 [Acfa]2 | %3
[DG^Bd]2 BG z2 | [DG^Bd]2 [EGce]2 [F=Bdf]2 | [FBdf]2 [GBeg]2... | 3 | Between bars 38–43, is there a perfect cadence or similar? | No |
Camille_Saint-Sans__The_Cuckoo_in_the_Depths_of_the_Woods | X:1
T:Cuckoo in the Depths of the Woods
C:Camille Saints Saens
%%score { 1 | 2 }
L:1/8
Q:1/4=65
M:3/4
I:linebreak $
K:E
V:1 treble nm="Piano" snm="P-no"
V:2 bass
V:1
"^Andante"!pp! [DG^Bd]2 [EGce]2 [FAcf]2 | [DG^Bd]2!f! BG z2 | [DG^Bd]2 [EGce]2 [Acfa]2 | %3
[DG^Bd]2 BG z2 | [DG^Bd]2 [EGce]2 [F=Bdf]2 | [FBdf]2 [GBeg]2... | 4 | What is the performance medium of the piece? | Piano solo |
Camille_Saint-Sans__The_Cuckoo_in_the_Depths_of_the_Woods | X:1
T:Cuckoo in the Depths of the Woods
C:Camille Saints Saens
%%score { 1 | 2 }
L:1/8
Q:1/4=65
M:3/4
I:linebreak $
K:E
V:1 treble nm="Piano" snm="P-no"
V:2 bass
V:1
"^Andante"!pp! [DG^Bd]2 [EGce]2 [FAcf]2 | [DG^Bd]2!f! BG z2 | [DG^Bd]2 [EGce]2 [Acfa]2 | %3
[DG^Bd]2 BG z2 | [DG^Bd]2 [EGce]2 [F=Bdf]2 | [FBdf]2 [GBeg]2... | 4 | What is the most frequently used texture type in the piece? | Homophonic texture |
Camille_Saint-Sans__The_Cuckoo_in_the_Depths_of_the_Woods | X:1
T:Cuckoo in the Depths of the Woods
C:Camille Saints Saens
%%score { 1 | 2 }
L:1/8
Q:1/4=65
M:3/4
I:linebreak $
K:E
V:1 treble nm="Piano" snm="P-no"
V:2 bass
V:1
"^Andante"!pp! [DG^Bd]2 [EGce]2 [FAcf]2 | [DG^Bd]2!f! BG z2 | [DG^Bd]2 [EGce]2 [Acfa]2 | %3
[DG^Bd]2 BG z2 | [DG^Bd]2 [EGce]2 [F=Bdf]2 | [FBdf]2 [GBeg]2... | 4 | In which register is the opening melody? | Middle–upper register |
Chopin_-_Ballade_no._1_in_G_minor_Op._23 | X:1
T:Ballade I
C:Chopin
%%score { ( 1 3 4 5 ) | ( 2 6 7 ) } 8
L:1/8
Q:1/4=68
M:4/4
I:linebreak $
K:Bb
U:s=!stemless!
V:1 treble nm="Piano"
V:3 treble
V:4 treble
V:5 treble
V:2 bass
V:6 bass
V:7 bass
V:8 bass nm="Grand Piano"
V:1
"^Largo."!f!"^pesante"[I:staff +1] (!1!C,4- C,E,!3!_A,B, | %1
[I:staff -1] !5!C!1!_A... | 1 | What is the initial clef? | Treble clef, Bass clef |
Chopin_-_Ballade_no._1_in_G_minor_Op._23 | X:1
T:Ballade I
C:Chopin
%%score { ( 1 3 4 5 ) | ( 2 6 7 ) } 8
L:1/8
Q:1/4=68
M:4/4
I:linebreak $
K:Bb
U:s=!stemless!
V:1 treble nm="Piano"
V:3 treble
V:4 treble
V:5 treble
V:2 bass
V:6 bass
V:7 bass
V:8 bass nm="Grand Piano"
V:1
"^Largo."!f!"^pesante"[I:staff +1] (!1!C,4- C,E,!3!_A,B, | %1
[I:staff -1] !5!C!1!_A... | 1 | Who is the composer? | Chopin |
Chopin_-_Ballade_no._1_in_G_minor_Op._23 | X:1
T:Ballade I
C:Chopin
%%score { ( 1 3 4 5 ) | ( 2 6 7 ) } 8
L:1/8
Q:1/4=68
M:4/4
I:linebreak $
K:Bb
U:s=!stemless!
V:1 treble nm="Piano"
V:3 treble
V:4 treble
V:5 treble
V:2 bass
V:6 bass
V:7 bass
V:8 bass nm="Grand Piano"
V:1
"^Largo."!f!"^pesante"[I:staff +1] (!1!C,4- C,E,!3!_A,B, | %1
[I:staff -1] !5!C!1!_A... | 1 | What instruments are used? | Piano |
Chopin_-_Ballade_no._1_in_G_minor_Op._23 | X:1
T:Ballade I
C:Chopin
%%score { ( 1 3 4 5 ) | ( 2 6 7 ) } 8
L:1/8
Q:1/4=68
M:4/4
I:linebreak $
K:Bb
U:s=!stemless!
V:1 treble nm="Piano"
V:3 treble
V:4 treble
V:5 treble
V:2 bass
V:6 bass
V:7 bass
V:8 bass nm="Grand Piano"
V:1
"^Largo."!f!"^pesante"[I:staff +1] (!1!C,4- C,E,!3!_A,B, | %1
[I:staff -1] !5!C!1!_A... | 2 | In bars 1–262, is there a repeat sign? | No |
Chopin_-_Ballade_no._1_in_G_minor_Op._23 | X:1
T:Ballade I
C:Chopin
%%score { ( 1 3 4 5 ) | ( 2 6 7 ) } 8
L:1/8
Q:1/4=68
M:4/4
I:linebreak $
K:Bb
U:s=!stemless!
V:1 treble nm="Piano"
V:3 treble
V:4 treble
V:5 treble
V:2 bass
V:6 bass
V:7 bass
V:8 bass nm="Grand Piano"
V:1
"^Largo."!f!"^pesante"[I:staff +1] (!1!C,4- C,E,!3!_A,B, | %1
[I:staff -1] !5!C!1!_A... | 2 | In bar 1, are there accidentals, and what are they? | Yes, Ab |
Chopin_-_Ballade_no._1_in_G_minor_Op._23 | X:1
T:Ballade I
C:Chopin
%%score { ( 1 3 4 5 ) | ( 2 6 7 ) } 8
L:1/8
Q:1/4=68
M:4/4
I:linebreak $
K:Bb
U:s=!stemless!
V:1 treble nm="Piano"
V:3 treble
V:4 treble
V:5 treble
V:2 bass
V:6 bass
V:7 bass
V:8 bass nm="Grand Piano"
V:1
"^Largo."!f!"^pesante"[I:staff +1] (!1!C,4- C,E,!3!_A,B, | %1
[I:staff -1] !5!C!1!_A... | 2 | In bar 5, what is the shortest rest value? | Crotchet rest |
Chopin_-_Ballade_no._1_in_G_minor_Op._23 | X:1
T:Ballade I
C:Chopin
%%score { ( 1 3 4 5 ) | ( 2 6 7 ) } 8
L:1/8
Q:1/4=68
M:4/4
I:linebreak $
K:Bb
U:s=!stemless!
V:1 treble nm="Piano"
V:3 treble
V:4 treble
V:5 treble
V:2 bass
V:6 bass
V:7 bass
V:8 bass nm="Grand Piano"
V:1
"^Largo."!f!"^pesante"[I:staff +1] (!1!C,4- C,E,!3!_A,B, | %1
[I:staff -1] !5!C!1!_A... | 3 | In bar 6, is there a first inversion C minor chord? | Yes |
Chopin_-_Ballade_no._1_in_G_minor_Op._23 | X:1
T:Ballade I
C:Chopin
%%score { ( 1 3 4 5 ) | ( 2 6 7 ) } 8
L:1/8
Q:1/4=68
M:4/4
I:linebreak $
K:Bb
U:s=!stemless!
V:1 treble nm="Piano"
V:3 treble
V:4 treble
V:5 treble
V:2 bass
V:6 bass
V:7 bass
V:8 bass nm="Grand Piano"
V:1
"^Largo."!f!"^pesante"[I:staff +1] (!1!C,4- C,E,!3!_A,B, | %1
[I:staff -1] !5!C!1!_A... | 3 | In bar 6, what is the voicing of the C minor chord? | Mixed position |
Chopin_-_Ballade_no._1_in_G_minor_Op._23 | X:1
T:Ballade I
C:Chopin
%%score { ( 1 3 4 5 ) | ( 2 6 7 ) } 8
L:1/8
Q:1/4=68
M:4/4
I:linebreak $
K:Bb
U:s=!stemless!
V:1 treble nm="Piano"
V:3 treble
V:4 treble
V:5 treble
V:2 bass
V:6 bass
V:7 bass
V:8 bass nm="Grand Piano"
V:1
"^Largo."!f!"^pesante"[I:staff +1] (!1!C,4- C,E,!3!_A,B, | %1
[I:staff -1] !5!C!1!_A... | 3 | In bars 5–7, is there a suspension? | No |
Chopin_-_Ballade_no._1_in_G_minor_Op._23 | X:1
T:Ballade I
C:Chopin
%%score { ( 1 3 4 5 ) | ( 2 6 7 ) } 8
L:1/8
Q:1/4=68
M:4/4
I:linebreak $
K:Bb
U:s=!stemless!
V:1 treble nm="Piano"
V:3 treble
V:4 treble
V:5 treble
V:2 bass
V:6 bass
V:7 bass
V:8 bass nm="Grand Piano"
V:1
"^Largo."!f!"^pesante"[I:staff +1] (!1!C,4- C,E,!3!_A,B, | %1
[I:staff -1] !5!C!1!_A... | 4 | In what form is the piece performed? | Piano solo |
Chopin_-_Ballade_no._1_in_G_minor_Op._23 | X:1
T:Ballade I
C:Chopin
%%score { ( 1 3 4 5 ) | ( 2 6 7 ) } 8
L:1/8
Q:1/4=68
M:4/4
I:linebreak $
K:Bb
U:s=!stemless!
V:1 treble nm="Piano"
V:3 treble
V:4 treble
V:5 treble
V:2 bass
V:6 bass
V:7 bass
V:8 bass nm="Grand Piano"
V:1
"^Largo."!f!"^pesante"[I:staff +1] (!1!C,4- C,E,!3!_A,B, | %1
[I:staff -1] !5!C!1!_A... | 4 | What is the genre of the piece? | Ballade |
Chopin_-_Ballade_no._1_in_G_minor_Op._23 | X:1
T:Ballade I
C:Chopin
%%score { ( 1 3 4 5 ) | ( 2 6 7 ) } 8
L:1/8
Q:1/4=68
M:4/4
I:linebreak $
K:Bb
U:s=!stemless!
V:1 treble nm="Piano"
V:3 treble
V:4 treble
V:5 treble
V:2 bass
V:6 bass
V:7 bass
V:8 bass nm="Grand Piano"
V:1
"^Largo."!f!"^pesante"[I:staff +1] (!1!C,4- C,E,!3!_A,B, | %1
[I:staff -1] !5!C!1!_A... | 4 | In which bar does the melodic motif appear? | 8, 9, 10 |
Chopin_-_Nocturne_No._20_in_C_Sharp_Minor_Op._posth | X:1
T:Nocturne in C Sharp Minor
C:F. F. Chopin
Z:Erik S.
%%score { 1 | ( 2 3 ) }
L:1/8
Q:1/4=69
M:4/4
I:linebreak $
K:E
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:3 bass
V:1
!p!"^Lento" [EGc]2 z ([C-GB] [CFA]2) z ([C-E-G] | [CE^^F]2) !tenuto!.[^B,DG]2 z2 z2 | %2
!pp!"_una corde" [EGc]2 z ([C-GB] [CFA]2) z ([C-E-G] |... | 1 | What instruments are used? | Piano |
Chopin_-_Nocturne_No._20_in_C_Sharp_Minor_Op._posth | X:1
T:Nocturne in C Sharp Minor
C:F. F. Chopin
Z:Erik S.
%%score { 1 | ( 2 3 ) }
L:1/8
Q:1/4=69
M:4/4
I:linebreak $
K:E
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:3 bass
V:1
!p!"^Lento" [EGc]2 z ([C-GB] [CFA]2) z ([C-E-G] | [CE^^F]2) !tenuto!.[^B,DG]2 z2 z2 | %2
!pp!"_una corde" [EGc]2 z ([C-GB] [CFA]2) z ([C-E-G] |... | 1 | What is the initial tempo indication? | Lento |
Chopin_-_Nocturne_No._20_in_C_Sharp_Minor_Op._posth | X:1
T:Nocturne in C Sharp Minor
C:F. F. Chopin
Z:Erik S.
%%score { 1 | ( 2 3 ) }
L:1/8
Q:1/4=69
M:4/4
I:linebreak $
K:E
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:3 bass
V:1
!p!"^Lento" [EGc]2 z ([C-GB] [CFA]2) z ([C-E-G] | [CE^^F]2) !tenuto!.[^B,DG]2 z2 z2 | %2
!pp!"_una corde" [EGc]2 z ([C-GB] [CFA]2) z ([C-E-G] |... | 1 | What is the initial expression marking? | None |
Chopin_-_Nocturne_No._20_in_C_Sharp_Minor_Op._posth | X:1
T:Nocturne in C Sharp Minor
C:F. F. Chopin
Z:Erik S.
%%score { 1 | ( 2 3 ) }
L:1/8
Q:1/4=69
M:4/4
I:linebreak $
K:E
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:3 bass
V:1
!p!"^Lento" [EGc]2 z ([C-GB] [CFA]2) z ([C-E-G] | [CE^^F]2) !tenuto!.[^B,DG]2 z2 z2 | %2
!pp!"_una corde" [EGc]2 z ([C-GB] [CFA]2) z ([C-E-G] |... | 2 | In bar 1, what is the highest pitch? | C♯5 |
Chopin_-_Nocturne_No._20_in_C_Sharp_Minor_Op._posth | X:1
T:Nocturne in C Sharp Minor
C:F. F. Chopin
Z:Erik S.
%%score { 1 | ( 2 3 ) }
L:1/8
Q:1/4=69
M:4/4
I:linebreak $
K:E
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:3 bass
V:1
!p!"^Lento" [EGc]2 z ([C-GB] [CFA]2) z ([C-E-G] | [CE^^F]2) !tenuto!.[^B,DG]2 z2 z2 | %2
!pp!"_una corde" [EGc]2 z ([C-GB] [CFA]2) z ([C-E-G] |... | 2 | In bar 2, is there an accidental, and what is it? | Yes, B♯3, Fx4 |
Chopin_-_Nocturne_No._20_in_C_Sharp_Minor_Op._posth | X:1
T:Nocturne in C Sharp Minor
C:F. F. Chopin
Z:Erik S.
%%score { 1 | ( 2 3 ) }
L:1/8
Q:1/4=69
M:4/4
I:linebreak $
K:E
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:3 bass
V:1
!p!"^Lento" [EGc]2 z ([C-GB] [CFA]2) z ([C-E-G] | [CE^^F]2) !tenuto!.[^B,DG]2 z2 z2 | %2
!pp!"_una corde" [EGc]2 z ([C-GB] [CFA]2) z ([C-E-G] |... | 2 | In bar 1, what is the articulation marking? | Slur |
Chopin_-_Nocturne_No._20_in_C_Sharp_Minor_Op._posth | X:1
T:Nocturne in C Sharp Minor
C:F. F. Chopin
Z:Erik S.
%%score { 1 | ( 2 3 ) }
L:1/8
Q:1/4=69
M:4/4
I:linebreak $
K:E
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:3 bass
V:1
!p!"^Lento" [EGc]2 z ([C-GB] [CFA]2) z ([C-E-G] | [CE^^F]2) !tenuto!.[^B,DG]2 z2 z2 | %2
!pp!"_una corde" [EGc]2 z ([C-GB] [CFA]2) z ([C-E-G] |... | 3 | In bar 1, is there a chord C♯ minor? | Yes |
Chopin_-_Nocturne_No._20_in_C_Sharp_Minor_Op._posth | X:1
T:Nocturne in C Sharp Minor
C:F. F. Chopin
Z:Erik S.
%%score { 1 | ( 2 3 ) }
L:1/8
Q:1/4=69
M:4/4
I:linebreak $
K:E
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:3 bass
V:1
!p!"^Lento" [EGc]2 z ([C-GB] [CFA]2) z ([C-E-G] | [CE^^F]2) !tenuto!.[^B,DG]2 z2 z2 | %2
!pp!"_una corde" [EGc]2 z ([C-GB] [CFA]2) z ([C-E-G] |... | 3 | In bars 56–57, is there a perfect cadence? | Yes |
Chopin_-_Nocturne_No._20_in_C_Sharp_Minor_Op._posth | X:1
T:Nocturne in C Sharp Minor
C:F. F. Chopin
Z:Erik S.
%%score { 1 | ( 2 3 ) }
L:1/8
Q:1/4=69
M:4/4
I:linebreak $
K:E
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:3 bass
V:1
!p!"^Lento" [EGc]2 z ([C-GB] [CFA]2) z ([C-E-G] | [CE^^F]2) !tenuto!.[^B,DG]2 z2 z2 | %2
!pp!"_una corde" [EGc]2 z ([C-GB] [CFA]2) z ([C-E-G] |... | 3 | In bar 1, what is the omitted note in the C♯ minor chord? | No omission |
Chopin_-_Nocturne_No._20_in_C_Sharp_Minor_Op._posth | X:1
T:Nocturne in C Sharp Minor
C:F. F. Chopin
Z:Erik S.
%%score { 1 | ( 2 3 ) }
L:1/8
Q:1/4=69
M:4/4
I:linebreak $
K:E
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:3 bass
V:1
!p!"^Lento" [EGc]2 z ([C-GB] [CFA]2) z ([C-E-G] | [CE^^F]2) !tenuto!.[^B,DG]2 z2 z2 | %2
!pp!"_una corde" [EGc]2 z ([C-GB] [CFA]2) z ([C-E-G] |... | 4 | What is the genre of the piece? | Nocturne |
Chopin_-_Nocturne_No._20_in_C_Sharp_Minor_Op._posth | X:1
T:Nocturne in C Sharp Minor
C:F. F. Chopin
Z:Erik S.
%%score { 1 | ( 2 3 ) }
L:1/8
Q:1/4=69
M:4/4
I:linebreak $
K:E
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:3 bass
V:1
!p!"^Lento" [EGc]2 z ([C-GB] [CFA]2) z ([C-E-G] | [CE^^F]2) !tenuto!.[^B,DG]2 z2 z2 | %2
!pp!"_una corde" [EGc]2 z ([C-GB] [CFA]2) z ([C-E-G] |... | 4 | What is the most frequently used texture in the piece? | Homophonic texture |
Chopin_-_Nocturne_No._20_in_C_Sharp_Minor_Op._posth | X:1
T:Nocturne in C Sharp Minor
C:F. F. Chopin
Z:Erik S.
%%score { 1 | ( 2 3 ) }
L:1/8
Q:1/4=69
M:4/4
I:linebreak $
K:E
V:1 treble nm="Piano" snm="Pno."
V:2 bass
V:3 bass
V:1
!p!"^Lento" [EGc]2 z ([C-GB] [CFA]2) z ([C-E-G] | [CE^^F]2) !tenuto!.[^B,DG]2 z2 z2 | %2
!pp!"_una corde" [EGc]2 z ([C-GB] [CFA]2) z ([C-E-G] |... | 4 | What is the most frequently used type of accompaniment in the piece? | Arpeggio |
Chopin_-_Nocturne_Op._9_No._1 | X:1
T:Trois nocturnes
T:Op. 9 No. 1
T:F. Chopin
%%score { ( 1 3 ) | ( 2 4 5 ) }
L:1/8
Q:1/4=116
M:6/4
I:linebreak $
K:Db
U:s=!stemless!
V:1 treble nm="Piano"
V:3 treble
V:2 bass
V:4 bass
V:5 bass
V:1
"^Larghetto"!p! (bc'd'=abg |!<(! .f2 .f2 .f2) (f2!>(! gfec)!>)! | %2
!>(! (d4 B2) (11:6:11(bc'd'=aba^gac'b_g!>)! | %... | 1 | What is the initial expression marking? | espressivo |
Chopin_-_Nocturne_Op._9_No._1 | X:1
T:Trois nocturnes
T:Op. 9 No. 1
T:F. Chopin
%%score { ( 1 3 ) | ( 2 4 5 ) }
L:1/8
Q:1/4=116
M:6/4
I:linebreak $
K:Db
U:s=!stemless!
V:1 treble nm="Piano"
V:3 treble
V:2 bass
V:4 bass
V:5 bass
V:1
"^Larghetto"!p! (bc'd'=abg |!<(! .f2 .f2 .f2) (f2!>(! gfec)!>)! | %2
!>(! (d4 B2) (11:6:11(bc'd'=aba^gac'b_g!>)! | %... | 1 | What is the initial key? | B♭ minor |
Chopin_-_Nocturne_Op._9_No._1 | X:1
T:Trois nocturnes
T:Op. 9 No. 1
T:F. Chopin
%%score { ( 1 3 ) | ( 2 4 5 ) }
L:1/8
Q:1/4=116
M:6/4
I:linebreak $
K:Db
U:s=!stemless!
V:1 treble nm="Piano"
V:3 treble
V:2 bass
V:4 bass
V:5 bass
V:1
"^Larghetto"!p! (bc'd'=abg |!<(! .f2 .f2 .f2) (f2!>(! gfec)!>)! | %2
!>(! (d4 B2) (11:6:11(bc'd'=aba^gac'b_g!>)! | %... | 1 | What is the title of the piece? | Trois Nocturnes |
Chopin_-_Nocturne_Op._9_No._1 | X:1
T:Trois nocturnes
T:Op. 9 No. 1
T:F. Chopin
%%score { ( 1 3 ) | ( 2 4 5 ) }
L:1/8
Q:1/4=116
M:6/4
I:linebreak $
K:Db
U:s=!stemless!
V:1 treble nm="Piano"
V:3 treble
V:2 bass
V:4 bass
V:5 bass
V:1
"^Larghetto"!p! (bc'd'=abg |!<(! .f2 .f2 .f2) (f2!>(! gfec)!>)! | %2
!>(! (d4 B2) (11:6:11(bc'd'=aba^gac'b_g!>)! | %... | 2 | In bar 84, into what clef does it change? | Treble clef |
Chopin_-_Nocturne_Op._9_No._1 | X:1
T:Trois nocturnes
T:Op. 9 No. 1
T:F. Chopin
%%score { ( 1 3 ) | ( 2 4 5 ) }
L:1/8
Q:1/4=116
M:6/4
I:linebreak $
K:Db
U:s=!stemless!
V:1 treble nm="Piano"
V:3 treble
V:2 bass
V:4 bass
V:5 bass
V:1
"^Larghetto"!p! (bc'd'=abg |!<(! .f2 .f2 .f2) (f2!>(! gfec)!>)! | %2
!>(! (d4 B2) (11:6:11(bc'd'=aba^gac'b_g!>)! | %... | 2 | In bar 1, what is the articulation marking? | Slur, staccato |
Chopin_-_Nocturne_Op._9_No._1 | X:1
T:Trois nocturnes
T:Op. 9 No. 1
T:F. Chopin
%%score { ( 1 3 ) | ( 2 4 5 ) }
L:1/8
Q:1/4=116
M:6/4
I:linebreak $
K:Db
U:s=!stemless!
V:1 treble nm="Piano"
V:3 treble
V:2 bass
V:4 bass
V:5 bass
V:1
"^Larghetto"!p! (bc'd'=abg |!<(! .f2 .f2 .f2) (f2!>(! gfec)!>)! | %2
!>(! (d4 B2) (11:6:11(bc'd'=aba^gac'b_g!>)! | %... | 2 | In bar 16, what is the dynamic marking? | f |
Chopin_-_Nocturne_Op._9_No._1 | X:1
T:Trois nocturnes
T:Op. 9 No. 1
T:F. Chopin
%%score { ( 1 3 ) | ( 2 4 5 ) }
L:1/8
Q:1/4=116
M:6/4
I:linebreak $
K:Db
U:s=!stemless!
V:1 treble nm="Piano"
V:3 treble
V:2 bass
V:4 bass
V:5 bass
V:1
"^Larghetto"!p! (bc'd'=abg |!<(! .f2 .f2 .f2) (f2!>(! gfec)!>)! | %2
!>(! (d4 B2) (11:6:11(bc'd'=aba^gac'b_g!>)! | %... | 3 | In bar 1, does it begin on the tonic chord of the original key? | Yes |
Chopin_-_Nocturne_Op._9_No._1 | X:1
T:Trois nocturnes
T:Op. 9 No. 1
T:F. Chopin
%%score { ( 1 3 ) | ( 2 4 5 ) }
L:1/8
Q:1/4=116
M:6/4
I:linebreak $
K:Db
U:s=!stemless!
V:1 treble nm="Piano"
V:3 treble
V:2 bass
V:4 bass
V:5 bass
V:1
"^Larghetto"!p! (bc'd'=abg |!<(! .f2 .f2 .f2) (f2!>(! gfec)!>)! | %2
!>(! (d4 B2) (11:6:11(bc'd'=aba^gac'b_g!>)! | %... | 3 | In bar 1, what is the spacing/arrangement of the B♭ minor chord? | Mixed spacing |
Chopin_-_Nocturne_Op._9_No._1 | X:1
T:Trois nocturnes
T:Op. 9 No. 1
T:F. Chopin
%%score { ( 1 3 ) | ( 2 4 5 ) }
L:1/8
Q:1/4=116
M:6/4
I:linebreak $
K:Db
U:s=!stemless!
V:1 treble nm="Piano"
V:3 treble
V:2 bass
V:4 bass
V:5 bass
V:1
"^Larghetto"!p! (bc'd'=abg |!<(! .f2 .f2 .f2) (f2!>(! gfec)!>)! | %2
!>(! (d4 B2) (11:6:11(bc'd'=aba^gac'b_g!>)! | %... | 3 | In bar 1, what are the repeated notes in the B♭ minor chord? | Root and fifth |
Chopin_-_Nocturne_Op._9_No._1 | X:1
T:Trois nocturnes
T:Op. 9 No. 1
T:F. Chopin
%%score { ( 1 3 ) | ( 2 4 5 ) }
L:1/8
Q:1/4=116
M:6/4
I:linebreak $
K:Db
U:s=!stemless!
V:1 treble nm="Piano"
V:3 treble
V:2 bass
V:4 bass
V:5 bass
V:1
"^Larghetto"!p! (bc'd'=abg |!<(! .f2 .f2 .f2) (f2!>(! gfec)!>)! | %2
!>(! (d4 B2) (11:6:11(bc'd'=aba^gac'b_g!>)! | %... | 4 | What is the genre of the piece? | Nocturne |
Chopin_-_Nocturne_Op._9_No._1 | X:1
T:Trois nocturnes
T:Op. 9 No. 1
T:F. Chopin
%%score { ( 1 3 ) | ( 2 4 5 ) }
L:1/8
Q:1/4=116
M:6/4
I:linebreak $
K:Db
U:s=!stemless!
V:1 treble nm="Piano"
V:3 treble
V:2 bass
V:4 bass
V:5 bass
V:1
"^Larghetto"!p! (bc'd'=abg |!<(! .f2 .f2 .f2) (f2!>(! gfec)!>)! | %2
!>(! (d4 B2) (11:6:11(bc'd'=aba^gac'b_g!>)! | %... | 4 | What is the most frequently used texture in the piece? | Homophonic texture |
Chopin_-_Nocturne_Op._9_No._1 | X:1
T:Trois nocturnes
T:Op. 9 No. 1
T:F. Chopin
%%score { ( 1 3 ) | ( 2 4 5 ) }
L:1/8
Q:1/4=116
M:6/4
I:linebreak $
K:Db
U:s=!stemless!
V:1 treble nm="Piano"
V:3 treble
V:2 bass
V:4 bass
V:5 bass
V:1
"^Larghetto"!p! (bc'd'=abg |!<(! .f2 .f2 .f2) (f2!>(! gfec)!>)! | %2
!>(! (d4 B2) (11:6:11(bc'd'=aba^gac'b_g!>)! | %... | 4 | In which register is the opening melody? | Upper–middle register |
Chopin_-_Sonata_No.2_Op.35__1st_Movement | X:1
T:Sonata 2
C:F.Chopin
%%score { ( 1 3 5 6 ) | ( 2 4 ) }
L:1/8
Q:1/4=60
M:2/2
I:linebreak $
K:Db
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:5 treble
V:6 treble
V:2 bass
V:4 bass
V:1
"^Grave""^First Movement." z8 | z4[K:bass] !>![^C,^G,^C]4 | %2
"^Opus 35."{_D,D,_E,^A,} [D,E,-_A,-_D]8 | [C,E,A,C]8 |: %4
[Q:1/... | 1 | What is the title of the piece? | Piano Sonata No. 2, Op. 35 |
Chopin_-_Sonata_No.2_Op.35__1st_Movement | X:1
T:Sonata 2
C:F.Chopin
%%score { ( 1 3 5 6 ) | ( 2 4 ) }
L:1/8
Q:1/4=60
M:2/2
I:linebreak $
K:Db
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:5 treble
V:6 treble
V:2 bass
V:4 bass
V:1
"^Grave""^First Movement." z8 | z4[K:bass] !>![^C,^G,^C]4 | %2
"^Opus 35."{_D,D,_E,^A,} [D,E,-_A,-_D]8 | [C,E,A,C]8 |: %4
[Q:1/... | 1 | What is the initial key? | B♭ minor |
Chopin_-_Sonata_No.2_Op.35__1st_Movement | X:1
T:Sonata 2
C:F.Chopin
%%score { ( 1 3 5 6 ) | ( 2 4 ) }
L:1/8
Q:1/4=60
M:2/2
I:linebreak $
K:Db
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:5 treble
V:6 treble
V:2 bass
V:4 bass
V:1
"^Grave""^First Movement." z8 | z4[K:bass] !>![^C,^G,^C]4 | %2
"^Opus 35."{_D,D,_E,^A,} [D,E,-_A,-_D]8 | [C,E,A,C]8 |: %4
[Q:1/... | 1 | What is the initial clef? | Treble and bass clefs |
Chopin_-_Sonata_No.2_Op.35__1st_Movement | X:1
T:Sonata 2
C:F.Chopin
%%score { ( 1 3 5 6 ) | ( 2 4 ) }
L:1/8
Q:1/4=60
M:2/2
I:linebreak $
K:Db
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:5 treble
V:6 treble
V:2 bass
V:4 bass
V:1
"^Grave""^First Movement." z8 | z4[K:bass] !>![^C,^G,^C]4 | %2
"^Opus 35."{_D,D,_E,^A,} [D,E,-_A,-_D]8 | [C,E,A,C]8 |: %4
[Q:1/... | 2 | In bar 168, what is the tempo change marking? | ritardando |
Chopin_-_Sonata_No.2_Op.35__1st_Movement | X:1
T:Sonata 2
C:F.Chopin
%%score { ( 1 3 5 6 ) | ( 2 4 ) }
L:1/8
Q:1/4=60
M:2/2
I:linebreak $
K:Db
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:5 treble
V:6 treble
V:2 bass
V:4 bass
V:1
"^Grave""^First Movement." z8 | z4[K:bass] !>![^C,^G,^C]4 | %2
"^Opus 35."{_D,D,_E,^A,} [D,E,-_A,-_D]8 | [C,E,A,C]8 |: %4
[Q:1/... | 2 | In bar 170, what is the articulation marking? | Accent mark |
Chopin_-_Sonata_No.2_Op.35__1st_Movement | X:1
T:Sonata 2
C:F.Chopin
%%score { ( 1 3 5 6 ) | ( 2 4 ) }
L:1/8
Q:1/4=60
M:2/2
I:linebreak $
K:Db
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:5 treble
V:6 treble
V:2 bass
V:4 bass
V:1
"^Grave""^First Movement." z8 | z4[K:bass] !>![^C,^G,^C]4 | %2
"^Opus 35."{_D,D,_E,^A,} [D,E,-_A,-_D]8 | [C,E,A,C]8 |: %4
[Q:1/... | 2 | In bar 171, what is the dynamic marking? | p |
Chopin_-_Sonata_No.2_Op.35__1st_Movement | X:1
T:Sonata 2
C:F.Chopin
%%score { ( 1 3 5 6 ) | ( 2 4 ) }
L:1/8
Q:1/4=60
M:2/2
I:linebreak $
K:Db
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:5 treble
V:6 treble
V:2 bass
V:4 bass
V:1
"^Grave""^First Movement." z8 | z4[K:bass] !>![^C,^G,^C]4 | %2
"^Opus 35."{_D,D,_E,^A,} [D,E,-_A,-_D]8 | [C,E,A,C]8 |: %4
[Q:1/... | 3 | In bar 170, what are the repeated notes in the B♭ major chord? | Root and fifth |
Chopin_-_Sonata_No.2_Op.35__1st_Movement | X:1
T:Sonata 2
C:F.Chopin
%%score { ( 1 3 5 6 ) | ( 2 4 ) }
L:1/8
Q:1/4=60
M:2/2
I:linebreak $
K:Db
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:5 treble
V:6 treble
V:2 bass
V:4 bass
V:1
"^Grave""^First Movement." z8 | z4[K:bass] !>![^C,^G,^C]4 | %2
"^Opus 35."{_D,D,_E,^A,} [D,E,-_A,-_D]8 | [C,E,A,C]8 |: %4
[Q:1/... | 3 | In bar 170, what scale degree is the B♭ major chord? (use I, II, III, IV, V, VI, VII) | I |
Chopin_-_Sonata_No.2_Op.35__1st_Movement | X:1
T:Sonata 2
C:F.Chopin
%%score { ( 1 3 5 6 ) | ( 2 4 ) }
L:1/8
Q:1/4=60
M:2/2
I:linebreak $
K:Db
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:5 treble
V:6 treble
V:2 bass
V:4 bass
V:1
"^Grave""^First Movement." z8 | z4[K:bass] !>![^C,^G,^C]4 | %2
"^Opus 35."{_D,D,_E,^A,} [D,E,-_A,-_D]8 | [C,E,A,C]8 |: %4
[Q:1/... | 3 | In bar 5, does it begin on the tonic chord of the original key? | Yes |
Chopin_-_Sonata_No.2_Op.35__1st_Movement | X:1
T:Sonata 2
C:F.Chopin
%%score { ( 1 3 5 6 ) | ( 2 4 ) }
L:1/8
Q:1/4=60
M:2/2
I:linebreak $
K:Db
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:5 treble
V:6 treble
V:2 bass
V:4 bass
V:1
"^Grave""^First Movement." z8 | z4[K:bass] !>![^C,^G,^C]4 | %2
"^Opus 35."{_D,D,_E,^A,} [D,E,-_A,-_D]8 | [C,E,A,C]8 |: %4
[Q:1/... | 4 | What is the performance form of the piece? | Piano solo |
Chopin_-_Sonata_No.2_Op.35__1st_Movement | X:1
T:Sonata 2
C:F.Chopin
%%score { ( 1 3 5 6 ) | ( 2 4 ) }
L:1/8
Q:1/4=60
M:2/2
I:linebreak $
K:Db
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:5 treble
V:6 treble
V:2 bass
V:4 bass
V:1
"^Grave""^First Movement." z8 | z4[K:bass] !>![^C,^G,^C]4 | %2
"^Opus 35."{_D,D,_E,^A,} [D,E,-_A,-_D]8 | [C,E,A,C]8 |: %4
[Q:1/... | 4 | What is the genre of the piece? | Sonata |
Chopin_-_Sonata_No.2_Op.35__1st_Movement | X:1
T:Sonata 2
C:F.Chopin
%%score { ( 1 3 5 6 ) | ( 2 4 ) }
L:1/8
Q:1/4=60
M:2/2
I:linebreak $
K:Db
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:5 treble
V:6 treble
V:2 bass
V:4 bass
V:1
"^Grave""^First Movement." z8 | z4[K:bass] !>![^C,^G,^C]4 | %2
"^Opus 35."{_D,D,_E,^A,} [D,E,-_A,-_D]8 | [C,E,A,C]8 |: %4
[Q:1/... | 4 | In which bar does the melodic motif appear? | 9 |
Chopin_Nocturne_in_D-Flat_Major_Op._27_No._2 | X:1
T:Nocturne in D-Flat Major
C:Frederick Chop;in
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=42
M:6/8
I:linebreak $
K:Db
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:4 bass
V:1
"^Lento sostenuto" z6[Q:1/4=48] |!p! f3 ed>F | A3-[Q:1/4=42] A!>(!df!>)! | %3
[Q:1/4=48]!pp! b3- b/!<(!a/=e/f/c/d/!<)! |!p! =A6[Q:... | 1 | What is the initial tempo term? | Lento |
Chopin_Nocturne_in_D-Flat_Major_Op._27_No._2 | X:1
T:Nocturne in D-Flat Major
C:Frederick Chop;in
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=42
M:6/8
I:linebreak $
K:Db
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:4 bass
V:1
"^Lento sostenuto" z6[Q:1/4=48] |!p! f3 ed>F | A3-[Q:1/4=42] A!>(!df!>)! | %3
[Q:1/4=48]!pp! b3- b/!<(!a/=e/f/c/d/!<)! |!p! =A6[Q:... | 1 | What is the initial time signature? | 8/6 time |
Chopin_Nocturne_in_D-Flat_Major_Op._27_No._2 | X:1
T:Nocturne in D-Flat Major
C:Frederick Chop;in
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=42
M:6/8
I:linebreak $
K:Db
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:4 bass
V:1
"^Lento sostenuto" z6[Q:1/4=48] |!p! f3 ed>F | A3-[Q:1/4=42] A!>(!df!>)! | %3
[Q:1/4=48]!pp! b3- b/!<(!a/=e/f/c/d/!<)! |!p! =A6[Q:... | 1 | What is the initial key? | D♭ major |
Chopin_Nocturne_in_D-Flat_Major_Op._27_No._2 | X:1
T:Nocturne in D-Flat Major
C:Frederick Chop;in
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=42
M:6/8
I:linebreak $
K:Db
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:4 bass
V:1
"^Lento sostenuto" z6[Q:1/4=48] |!p! f3 ed>F | A3-[Q:1/4=42] A!>(!df!>)! | %3
[Q:1/4=48]!pp! b3- b/!<(!a/=e/f/c/d/!<)! |!p! =A6[Q:... | 2 | In bar 8, what is the articulation marking? | Staccato |
Chopin_Nocturne_in_D-Flat_Major_Op._27_No._2 | X:1
T:Nocturne in D-Flat Major
C:Frederick Chop;in
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=42
M:6/8
I:linebreak $
K:Db
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:4 bass
V:1
"^Lento sostenuto" z6[Q:1/4=48] |!p! f3 ed>F | A3-[Q:1/4=42] A!>(!df!>)! | %3
[Q:1/4=48]!pp! b3- b/!<(!a/=e/f/c/d/!<)! |!p! =A6[Q:... | 2 | In bar 1, what is the dynamic marking? | p |
Chopin_Nocturne_in_D-Flat_Major_Op._27_No._2 | X:1
T:Nocturne in D-Flat Major
C:Frederick Chop;in
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=42
M:6/8
I:linebreak $
K:Db
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:4 bass
V:1
"^Lento sostenuto" z6[Q:1/4=48] |!p! f3 ed>F | A3-[Q:1/4=42] A!>(!df!>)! | %3
[Q:1/4=48]!pp! b3- b/!<(!a/=e/f/c/d/!<)! |!p! =A6[Q:... | 2 | Between bars 1–77, is there a repeat sign? | No |
Chopin_Nocturne_in_D-Flat_Major_Op._27_No._2 | X:1
T:Nocturne in D-Flat Major
C:Frederick Chop;in
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=42
M:6/8
I:linebreak $
K:Db
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:4 bass
V:1
"^Lento sostenuto" z6[Q:1/4=48] |!p! f3 ed>F | A3-[Q:1/4=42] A!>(!df!>)! | %3
[Q:1/4=48]!pp! b3- b/!<(!a/=e/f/c/d/!<)! |!p! =A6[Q:... | 3 | In bar 77, what are the repeated notes in the chord B♭ major? | Root |
Chopin_Nocturne_in_D-Flat_Major_Op._27_No._2 | X:1
T:Nocturne in D-Flat Major
C:Frederick Chop;in
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=42
M:6/8
I:linebreak $
K:Db
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:4 bass
V:1
"^Lento sostenuto" z6[Q:1/4=48] |!p! f3 ed>F | A3-[Q:1/4=42] A!>(!df!>)! | %3
[Q:1/4=48]!pp! b3- b/!<(!a/=e/f/c/d/!<)! |!p! =A6[Q:... | 3 | In bars 76–77, what is the chord progression? (use I, II, III, IV, V, VI, VII) | I–I6–I |
Chopin_Nocturne_in_D-Flat_Major_Op._27_No._2 | X:1
T:Nocturne in D-Flat Major
C:Frederick Chop;in
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=42
M:6/8
I:linebreak $
K:Db
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:4 bass
V:1
"^Lento sostenuto" z6[Q:1/4=48] |!p! f3 ed>F | A3-[Q:1/4=42] A!>(!df!>)! | %3
[Q:1/4=48]!pp! b3- b/!<(!a/=e/f/c/d/!<)! |!p! =A6[Q:... | 3 | In bar 77, what scale degree is the first chord? (use I, II, III, IV, V, VI, VII) | I |
Chopin_Nocturne_in_D-Flat_Major_Op._27_No._2 | X:1
T:Nocturne in D-Flat Major
C:Frederick Chop;in
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=42
M:6/8
I:linebreak $
K:Db
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:4 bass
V:1
"^Lento sostenuto" z6[Q:1/4=48] |!p! f3 ed>F | A3-[Q:1/4=42] A!>(!df!>)! | %3
[Q:1/4=48]!pp! b3- b/!<(!a/=e/f/c/d/!<)! |!p! =A6[Q:... | 4 | In what form is the piece performed? | Piano solo |
Chopin_Nocturne_in_D-Flat_Major_Op._27_No._2 | X:1
T:Nocturne in D-Flat Major
C:Frederick Chop;in
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=42
M:6/8
I:linebreak $
K:Db
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:4 bass
V:1
"^Lento sostenuto" z6[Q:1/4=48] |!p! f3 ed>F | A3-[Q:1/4=42] A!>(!df!>)! | %3
[Q:1/4=48]!pp! b3- b/!<(!a/=e/f/c/d/!<)! |!p! =A6[Q:... | 4 | What is the genre of the piece? | Nocturne |
Chopin_Nocturne_in_D-Flat_Major_Op._27_No._2 | X:1
T:Nocturne in D-Flat Major
C:Frederick Chop;in
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=42
M:6/8
I:linebreak $
K:Db
V:1 treble nm="Piano" snm="Pno."
V:3 treble
V:2 bass
V:4 bass
V:1
"^Lento sostenuto" z6[Q:1/4=48] |!p! f3 ed>F | A3-[Q:1/4=42] A!>(!df!>)! | %3
[Q:1/4=48]!pp! b3- b/!<(!a/=e/f/c/d/!<)! |!p! =A6[Q:... | 4 | In bars 2–4, in which register is the melody? | Middle register |
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