song_id stringclasses 150
values | abc_notation stringclasses 150
values | level int32 1 4 | question stringlengths 20 85 | answer stringlengths 1 82 |
|---|---|---|---|---|
Dvok__Symphony_No._9_New_World_IV_-_Allegro_con_fuoco | X:1
T:Symphony No. 9
C:Antonin Dvořák
%%score [ ( 1 2 ) | 3 | 4 | 5 ] [ { 6 | ( 7 8 ) } | ( 9 10 ) | { ( 11 12 ) | 13 } ] 14 [ { 15 | 16 } | 17 | 18 | 19 ]
L:1/8
Q:1/4=152
M:4/4
I:linebreak $
K:G
V:1 treble nm="Flauti\nI. II." snm="Fl. I. II."
V:2 treble
V:3 treble nm="Oboi\nI. II." snm="Ob. I. II."
V:4 treble transpo... | 2 | In bar 1, what is the longest rest value? | Whole-bar rest (semibreve rest) |
Dvok__Symphony_No._9_New_World_IV_-_Allegro_con_fuoco | X:1
T:Symphony No. 9
C:Antonin Dvořák
%%score [ ( 1 2 ) | 3 | 4 | 5 ] [ { 6 | ( 7 8 ) } | ( 9 10 ) | { ( 11 12 ) | 13 } ] 14 [ { 15 | 16 } | 17 | 18 | 19 ]
L:1/8
Q:1/4=152
M:4/4
I:linebreak $
K:G
V:1 treble nm="Flauti\nI. II." snm="Fl. I. II."
V:2 treble
V:3 treble nm="Oboi\nI. II." snm="Ob. I. II."
V:4 treble transpo... | 2 | In bar 1, what is the lowest pitch? | B2 |
Dvok__Symphony_No._9_New_World_IV_-_Allegro_con_fuoco | X:1
T:Symphony No. 9
C:Antonin Dvořák
%%score [ ( 1 2 ) | 3 | 4 | 5 ] [ { 6 | ( 7 8 ) } | ( 9 10 ) | { ( 11 12 ) | 13 } ] 14 [ { 15 | 16 } | 17 | 18 | 19 ]
L:1/8
Q:1/4=152
M:4/4
I:linebreak $
K:G
V:1 treble nm="Flauti\nI. II." snm="Fl. I. II."
V:2 treble
V:3 treble nm="Oboi\nI. II." snm="Ob. I. II."
V:4 treble transpo... | 3 | In bar 1, does the piece begin on the tonic chord of the original key? | No |
Dvok__Symphony_No._9_New_World_IV_-_Allegro_con_fuoco | X:1
T:Symphony No. 9
C:Antonin Dvořák
%%score [ ( 1 2 ) | 3 | 4 | 5 ] [ { 6 | ( 7 8 ) } | ( 9 10 ) | { ( 11 12 ) | 13 } ] 14 [ { 15 | 16 } | 17 | 18 | 19 ]
L:1/8
Q:1/4=152
M:4/4
I:linebreak $
K:G
V:1 treble nm="Flauti\nI. II." snm="Fl. I. II."
V:2 treble
V:3 treble nm="Oboi\nI. II." snm="Ob. I. II."
V:4 treble transpo... | 3 | In bar 10, is there a third-inversion E minor chord? | None |
Dvok__Symphony_No._9_New_World_IV_-_Allegro_con_fuoco | X:1
T:Symphony No. 9
C:Antonin Dvořák
%%score [ ( 1 2 ) | 3 | 4 | 5 ] [ { 6 | ( 7 8 ) } | ( 9 10 ) | { ( 11 12 ) | 13 } ] 14 [ { 15 | 16 } | 17 | 18 | 19 ]
L:1/8
Q:1/4=152
M:4/4
I:linebreak $
K:G
V:1 treble nm="Flauti\nI. II." snm="Fl. I. II."
V:2 treble
V:3 treble nm="Oboi\nI. II." snm="Ob. I. II."
V:4 treble transpo... | 3 | In bar 10, what are the repeated notes of the E minor chord? | Root, third, fifth |
Dvok__Symphony_No._9_New_World_IV_-_Allegro_con_fuoco | X:1
T:Symphony No. 9
C:Antonin Dvořák
%%score [ ( 1 2 ) | 3 | 4 | 5 ] [ { 6 | ( 7 8 ) } | ( 9 10 ) | { ( 11 12 ) | 13 } ] 14 [ { 15 | 16 } | 17 | 18 | 19 ]
L:1/8
Q:1/4=152
M:4/4
I:linebreak $
K:G
V:1 treble nm="Flauti\nI. II." snm="Fl. I. II."
V:2 treble
V:3 treble nm="Oboi\nI. II." snm="Ob. I. II."
V:4 treble transpo... | 4 | What is the performance medium of the piece? | Orchestra |
Dvok__Symphony_No._9_New_World_IV_-_Allegro_con_fuoco | X:1
T:Symphony No. 9
C:Antonin Dvořák
%%score [ ( 1 2 ) | 3 | 4 | 5 ] [ { 6 | ( 7 8 ) } | ( 9 10 ) | { ( 11 12 ) | 13 } ] 14 [ { 15 | 16 } | 17 | 18 | 19 ]
L:1/8
Q:1/4=152
M:4/4
I:linebreak $
K:G
V:1 treble nm="Flauti\nI. II." snm="Fl. I. II."
V:2 treble
V:3 treble nm="Oboi\nI. II." snm="Ob. I. II."
V:4 treble transpo... | 4 | In which part does the principal theme first appear? | Brass section |
Dvok__Symphony_No._9_New_World_IV_-_Allegro_con_fuoco | X:1
T:Symphony No. 9
C:Antonin Dvořák
%%score [ ( 1 2 ) | 3 | 4 | 5 ] [ { 6 | ( 7 8 ) } | ( 9 10 ) | { ( 11 12 ) | 13 } ] 14 [ { 15 | 16 } | 17 | 18 | 19 ]
L:1/8
Q:1/4=152
M:4/4
I:linebreak $
K:G
V:1 treble nm="Flauti\nI. II." snm="Fl. I. II."
V:2 treble
V:3 treble nm="Oboi\nI. II." snm="Ob. I. II."
V:4 treble transpo... | 4 | In bar 1, in which register is the melody? | Middle register |
Edvard_Grieg_-__Holberg_Suite_Op.40_I.Praeludium | X:1
T:Holberg Suite, Op.40 (Piano Solo)
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=154
M:4/4
I:linebreak $
K:G
V:1 treble nm="グランドピアノ" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
"^Allegro vivace"!f! x8 | x4 C/F/C/A,/ D/G/D/B,/ | !>!E/A/E/C/ E/A/E/C/ !>!F/B/F/D/ F/B/F/D/ | %3
!>!D/G/D/B,/ D/G/D/B,/ D/G/D/B,/ E/A/E/^... | 1 | What is the initial expression marking? | Vivace |
Edvard_Grieg_-__Holberg_Suite_Op.40_I.Praeludium | X:1
T:Holberg Suite, Op.40 (Piano Solo)
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=154
M:4/4
I:linebreak $
K:G
V:1 treble nm="グランドピアノ" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
"^Allegro vivace"!f! x8 | x4 C/F/C/A,/ D/G/D/B,/ | !>!E/A/E/C/ E/A/E/C/ !>!F/B/F/D/ F/B/F/D/ | %3
!>!D/G/D/B,/ D/G/D/B,/ D/G/D/B,/ E/A/E/^... | 1 | Which instruments are used? | Piano |
Edvard_Grieg_-__Holberg_Suite_Op.40_I.Praeludium | X:1
T:Holberg Suite, Op.40 (Piano Solo)
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=154
M:4/4
I:linebreak $
K:G
V:1 treble nm="グランドピアノ" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
"^Allegro vivace"!f! x8 | x4 C/F/C/A,/ D/G/D/B,/ | !>!E/A/E/C/ E/A/E/C/ !>!F/B/F/D/ F/B/F/D/ | %3
!>!D/G/D/B,/ D/G/D/B,/ D/G/D/B,/ E/A/E/^... | 1 | What is the title of the work? | Holberg Suite, Op. 40 |
Edvard_Grieg_-__Holberg_Suite_Op.40_I.Praeludium | X:1
T:Holberg Suite, Op.40 (Piano Solo)
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=154
M:4/4
I:linebreak $
K:G
V:1 treble nm="グランドピアノ" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
"^Allegro vivace"!f! x8 | x4 C/F/C/A,/ D/G/D/B,/ | !>!E/A/E/C/ E/A/E/C/ !>!F/B/F/D/ F/B/F/D/ | %3
!>!D/G/D/B,/ D/G/D/B,/ D/G/D/B,/ E/A/E/^... | 2 | In bar 1, what is the lowest pitch? | G1 |
Edvard_Grieg_-__Holberg_Suite_Op.40_I.Praeludium | X:1
T:Holberg Suite, Op.40 (Piano Solo)
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=154
M:4/4
I:linebreak $
K:G
V:1 treble nm="グランドピアノ" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
"^Allegro vivace"!f! x8 | x4 C/F/C/A,/ D/G/D/B,/ | !>!E/A/E/C/ E/A/E/C/ !>!F/B/F/D/ F/B/F/D/ | %3
!>!D/G/D/B,/ D/G/D/B,/ D/G/D/B,/ E/A/E/^... | 2 | In bars 1–18, is there a repeat sign? | Yes |
Edvard_Grieg_-__Holberg_Suite_Op.40_I.Praeludium | X:1
T:Holberg Suite, Op.40 (Piano Solo)
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=154
M:4/4
I:linebreak $
K:G
V:1 treble nm="グランドピアノ" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
"^Allegro vivace"!f! x8 | x4 C/F/C/A,/ D/G/D/B,/ | !>!E/A/E/C/ E/A/E/C/ !>!F/B/F/D/ F/B/F/D/ | %3
!>!D/G/D/B,/ D/G/D/B,/ D/G/D/B,/ E/A/E/^... | 2 | In bar 71, what is the articulation marking? | Trill |
Edvard_Grieg_-__Holberg_Suite_Op.40_I.Praeludium | X:1
T:Holberg Suite, Op.40 (Piano Solo)
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=154
M:4/4
I:linebreak $
K:G
V:1 treble nm="グランドピアノ" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
"^Allegro vivace"!f! x8 | x4 C/F/C/A,/ D/G/D/B,/ | !>!E/A/E/C/ E/A/E/C/ !>!F/B/F/D/ F/B/F/D/ | %3
!>!D/G/D/B,/ D/G/D/B,/ D/G/D/B,/ E/A/E/^... | 3 | In bar 72, does the piece begin on the tonic chord of the original key? | Yes |
Edvard_Grieg_-__Holberg_Suite_Op.40_I.Praeludium | X:1
T:Holberg Suite, Op.40 (Piano Solo)
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=154
M:4/4
I:linebreak $
K:G
V:1 treble nm="グランドピアノ" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
"^Allegro vivace"!f! x8 | x4 C/F/C/A,/ D/G/D/B,/ | !>!E/A/E/C/ E/A/E/C/ !>!F/B/F/D/ F/B/F/D/ | %3
!>!D/G/D/B,/ D/G/D/B,/ D/G/D/B,/ E/A/E/^... | 3 | In bar 5, what is the chord progression? (Use I, II, III, IV, V, VI, VII) | V6–vii56/V |
Edvard_Grieg_-__Holberg_Suite_Op.40_I.Praeludium | X:1
T:Holberg Suite, Op.40 (Piano Solo)
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=154
M:4/4
I:linebreak $
K:G
V:1 treble nm="グランドピアノ" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
"^Allegro vivace"!f! x8 | x4 C/F/C/A,/ D/G/D/B,/ | !>!E/A/E/C/ E/A/E/C/ !>!F/B/F/D/ F/B/F/D/ | %3
!>!D/G/D/B,/ D/G/D/B,/ D/G/D/B,/ E/A/E/^... | 3 | In bar 1, what are the repeated notes of the G major chord? | Root note |
Edvard_Grieg_-__Holberg_Suite_Op.40_I.Praeludium | X:1
T:Holberg Suite, Op.40 (Piano Solo)
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=154
M:4/4
I:linebreak $
K:G
V:1 treble nm="グランドピアノ" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
"^Allegro vivace"!f! x8 | x4 C/F/C/A,/ D/G/D/B,/ | !>!E/A/E/C/ E/A/E/C/ !>!F/B/F/D/ F/B/F/D/ | %3
!>!D/G/D/B,/ D/G/D/B,/ D/G/D/B,/ E/A/E/^... | 4 | In which bar does the melodic motif appear? | Bar 4, 5 |
Edvard_Grieg_-__Holberg_Suite_Op.40_I.Praeludium | X:1
T:Holberg Suite, Op.40 (Piano Solo)
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=154
M:4/4
I:linebreak $
K:G
V:1 treble nm="グランドピアノ" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
"^Allegro vivace"!f! x8 | x4 C/F/C/A,/ D/G/D/B,/ | !>!E/A/E/C/ E/A/E/C/ !>!F/B/F/D/ F/B/F/D/ | %3
!>!D/G/D/B,/ D/G/D/B,/ D/G/D/B,/ E/A/E/^... | 4 | In bars 4–5, in which register is the melody? | Low register |
Edvard_Grieg_-__Holberg_Suite_Op.40_I.Praeludium | X:1
T:Holberg Suite, Op.40 (Piano Solo)
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=154
M:4/4
I:linebreak $
K:G
V:1 treble nm="グランドピアノ" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
"^Allegro vivace"!f! x8 | x4 C/F/C/A,/ D/G/D/B,/ | !>!E/A/E/C/ E/A/E/C/ !>!F/B/F/D/ F/B/F/D/ | %3
!>!D/G/D/B,/ D/G/D/B,/ D/G/D/B,/ E/A/E/^... | 4 | What is the performance medium of the piece? | Piano solo |
F._Mendelssohn_-_Song_Without_Words_39 | X:1
T:Songs Without Words
T:Felix Mendelssohn
T:Op. 85 No. 3 (#39/48)
%%score { ( 1 2 ) | ( 3 4 ) }
L:1/8
Q:1/4=98
M:4/4
I:linebreak $
K:Eb
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:3 bass
V:4 bass
V:1
"^Presto."!f!"_#39" z/ [G,B,E]/[G,B,E]/[G,B,E]/ z/ [G,B,E]/[G,B,E]/[G,B,E]/ z/ [A,E]/[A,E]/[A,E]/ z/ [A,C]/[A,C... | 1 | What is the initial time signature? | 4/4 time |
F._Mendelssohn_-_Song_Without_Words_39 | X:1
T:Songs Without Words
T:Felix Mendelssohn
T:Op. 85 No. 3 (#39/48)
%%score { ( 1 2 ) | ( 3 4 ) }
L:1/8
Q:1/4=98
M:4/4
I:linebreak $
K:Eb
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:3 bass
V:4 bass
V:1
"^Presto."!f!"_#39" z/ [G,B,E]/[G,B,E]/[G,B,E]/ z/ [G,B,E]/[G,B,E]/[G,B,E]/ z/ [A,E]/[A,E]/[A,E]/ z/ [A,C]/[A,C... | 1 | What is the initial key? | Eb major |
F._Mendelssohn_-_Song_Without_Words_39 | X:1
T:Songs Without Words
T:Felix Mendelssohn
T:Op. 85 No. 3 (#39/48)
%%score { ( 1 2 ) | ( 3 4 ) }
L:1/8
Q:1/4=98
M:4/4
I:linebreak $
K:Eb
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:3 bass
V:4 bass
V:1
"^Presto."!f!"_#39" z/ [G,B,E]/[G,B,E]/[G,B,E]/ z/ [G,B,E]/[G,B,E]/[G,B,E]/ z/ [A,E]/[A,E]/[A,E]/ z/ [A,C]/[A,C... | 1 | What is the initial tempo marking? | Presto |
F._Mendelssohn_-_Song_Without_Words_39 | X:1
T:Songs Without Words
T:Felix Mendelssohn
T:Op. 85 No. 3 (#39/48)
%%score { ( 1 2 ) | ( 3 4 ) }
L:1/8
Q:1/4=98
M:4/4
I:linebreak $
K:Eb
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:3 bass
V:4 bass
V:1
"^Presto."!f!"_#39" z/ [G,B,E]/[G,B,E]/[G,B,E]/ z/ [G,B,E]/[G,B,E]/[G,B,E]/ z/ [A,E]/[A,E]/[A,E]/ z/ [A,C]/[A,C... | 2 | In bar 7, are there accidentals, and what are they? | Yes: G flat, natural A |
F._Mendelssohn_-_Song_Without_Words_39 | X:1
T:Songs Without Words
T:Felix Mendelssohn
T:Op. 85 No. 3 (#39/48)
%%score { ( 1 2 ) | ( 3 4 ) }
L:1/8
Q:1/4=98
M:4/4
I:linebreak $
K:Eb
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:3 bass
V:4 bass
V:1
"^Presto."!f!"_#39" z/ [G,B,E]/[G,B,E]/[G,B,E]/ z/ [G,B,E]/[G,B,E]/[G,B,E]/ z/ [A,E]/[A,E]/[A,E]/ z/ [A,C]/[A,C... | 2 | In bar 2, is there a repeat sign? | Yes |
F._Mendelssohn_-_Song_Without_Words_39 | X:1
T:Songs Without Words
T:Felix Mendelssohn
T:Op. 85 No. 3 (#39/48)
%%score { ( 1 2 ) | ( 3 4 ) }
L:1/8
Q:1/4=98
M:4/4
I:linebreak $
K:Eb
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:3 bass
V:4 bass
V:1
"^Presto."!f!"_#39" z/ [G,B,E]/[G,B,E]/[G,B,E]/ z/ [G,B,E]/[G,B,E]/[G,B,E]/ z/ [A,E]/[A,E]/[A,E]/ z/ [A,C]/[A,C... | 2 | In bar 25, what dynamic markings are there? | pp, sf |
F._Mendelssohn_-_Song_Without_Words_39 | X:1
T:Songs Without Words
T:Felix Mendelssohn
T:Op. 85 No. 3 (#39/48)
%%score { ( 1 2 ) | ( 3 4 ) }
L:1/8
Q:1/4=98
M:4/4
I:linebreak $
K:Eb
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:3 bass
V:4 bass
V:1
"^Presto."!f!"_#39" z/ [G,B,E]/[G,B,E]/[G,B,E]/ z/ [G,B,E]/[G,B,E]/[G,B,E]/ z/ [A,E]/[A,E]/[A,E]/ z/ [A,C]/[A,C... | 3 | In bar 1, is there an E♭ major chord? | Yes |
F._Mendelssohn_-_Song_Without_Words_39 | X:1
T:Songs Without Words
T:Felix Mendelssohn
T:Op. 85 No. 3 (#39/48)
%%score { ( 1 2 ) | ( 3 4 ) }
L:1/8
Q:1/4=98
M:4/4
I:linebreak $
K:Eb
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:3 bass
V:4 bass
V:1
"^Presto."!f!"_#39" z/ [G,B,E]/[G,B,E]/[G,B,E]/ z/ [G,B,E]/[G,B,E]/[G,B,E]/ z/ [A,E]/[A,E]/[A,E]/ z/ [A,C]/[A,C... | 3 | In bar 1, what is the chord progression? (Use I, II, III, IV, V, VI, VII) | I–IV6–II6 |
F._Mendelssohn_-_Song_Without_Words_39 | X:1
T:Songs Without Words
T:Felix Mendelssohn
T:Op. 85 No. 3 (#39/48)
%%score { ( 1 2 ) | ( 3 4 ) }
L:1/8
Q:1/4=98
M:4/4
I:linebreak $
K:Eb
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:3 bass
V:4 bass
V:1
"^Presto."!f!"_#39" z/ [G,B,E]/[G,B,E]/[G,B,E]/ z/ [G,B,E]/[G,B,E]/[G,B,E]/ z/ [A,E]/[A,E]/[A,E]/ z/ [A,C]/[A,C... | 3 | In bar 1, is there a first inversion B♭ major chord? | Yes |
F._Mendelssohn_-_Song_Without_Words_39 | X:1
T:Songs Without Words
T:Felix Mendelssohn
T:Op. 85 No. 3 (#39/48)
%%score { ( 1 2 ) | ( 3 4 ) }
L:1/8
Q:1/4=98
M:4/4
I:linebreak $
K:Eb
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:3 bass
V:4 bass
V:1
"^Presto."!f!"_#39" z/ [G,B,E]/[G,B,E]/[G,B,E]/ z/ [G,B,E]/[G,B,E]/[G,B,E]/ z/ [A,E]/[A,E]/[A,E]/ z/ [A,C]/[A,C... | 4 | What is the performance medium of the piece? | Piano solo |
F._Mendelssohn_-_Song_Without_Words_39 | X:1
T:Songs Without Words
T:Felix Mendelssohn
T:Op. 85 No. 3 (#39/48)
%%score { ( 1 2 ) | ( 3 4 ) }
L:1/8
Q:1/4=98
M:4/4
I:linebreak $
K:Eb
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:3 bass
V:4 bass
V:1
"^Presto."!f!"_#39" z/ [G,B,E]/[G,B,E]/[G,B,E]/ z/ [G,B,E]/[G,B,E]/[G,B,E]/ z/ [A,E]/[A,E]/[A,E]/ z/ [A,C]/[A,C... | 4 | In which bar does the melodic motif appear? | 1, 2 |
F._Mendelssohn_-_Song_Without_Words_39 | X:1
T:Songs Without Words
T:Felix Mendelssohn
T:Op. 85 No. 3 (#39/48)
%%score { ( 1 2 ) | ( 3 4 ) }
L:1/8
Q:1/4=98
M:4/4
I:linebreak $
K:Eb
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:3 bass
V:4 bass
V:1
"^Presto."!f!"_#39" z/ [G,B,E]/[G,B,E]/[G,B,E]/ z/ [G,B,E]/[G,B,E]/[G,B,E]/ z/ [A,E]/[A,E]/[A,E]/ z/ [A,C]/[A,C... | 4 | What are the main characteristics of the motif? | Scale + auxiliary notes |
Fantaisie-Impromptu_in_C_Minor__Chopin | X:1
T:Fantaisie-Impromptu in C♯ Minor
C:Frédéric François Chopin(1810–1849)
Z:Fryderyk Franciszek Chopin
%%score { ( 1 3 ) | ( 2 4 5 ) }
L:1/8
Q:1/2=84
M:2/2
I:linebreak $
K:E
V:1 treble nm="Piano"
V:3 treble
V:2 bass
V:4 bass
V:5 bass
V:1
"^Allegro agitato" z8 | z8 |!f! z8 | z8!>)! |!p! z/ (G/A/G/ ^^F/G/c/e/ d/c/d... | 1 | What is the initial time signature? | 2/2 time |
Fantaisie-Impromptu_in_C_Minor__Chopin | X:1
T:Fantaisie-Impromptu in C♯ Minor
C:Frédéric François Chopin(1810–1849)
Z:Fryderyk Franciszek Chopin
%%score { ( 1 3 ) | ( 2 4 5 ) }
L:1/8
Q:1/2=84
M:2/2
I:linebreak $
K:E
V:1 treble nm="Piano"
V:3 treble
V:2 bass
V:4 bass
V:5 bass
V:1
"^Allegro agitato" z8 | z8 |!f! z8 | z8!>)! |!p! z/ (G/A/G/ ^^F/G/c/e/ d/c/d... | 1 | What is the initial expression marking? | Agitato |
Fantaisie-Impromptu_in_C_Minor__Chopin | X:1
T:Fantaisie-Impromptu in C♯ Minor
C:Frédéric François Chopin(1810–1849)
Z:Fryderyk Franciszek Chopin
%%score { ( 1 3 ) | ( 2 4 5 ) }
L:1/8
Q:1/2=84
M:2/2
I:linebreak $
K:E
V:1 treble nm="Piano"
V:3 treble
V:2 bass
V:4 bass
V:5 bass
V:1
"^Allegro agitato" z8 | z8 |!f! z8 | z8!>)! |!p! z/ (G/A/G/ ^^F/G/c/e/ d/c/d... | 1 | What is the initial clef? | Treble and bass clefs |
Fantaisie-Impromptu_in_C_Minor__Chopin | X:1
T:Fantaisie-Impromptu in C♯ Minor
C:Frédéric François Chopin(1810–1849)
Z:Fryderyk Franciszek Chopin
%%score { ( 1 3 ) | ( 2 4 5 ) }
L:1/8
Q:1/2=84
M:2/2
I:linebreak $
K:E
V:1 treble nm="Piano"
V:3 treble
V:2 bass
V:4 bass
V:5 bass
V:1
"^Allegro agitato" z8 | z8 |!f! z8 | z8!>)! |!p! z/ (G/A/G/ ^^F/G/c/e/ d/c/d... | 2 | In bar 50, what is the tempo change marking? | ritenuto |
Fantaisie-Impromptu_in_C_Minor__Chopin | X:1
T:Fantaisie-Impromptu in C♯ Minor
C:Frédéric François Chopin(1810–1849)
Z:Fryderyk Franciszek Chopin
%%score { ( 1 3 ) | ( 2 4 5 ) }
L:1/8
Q:1/2=84
M:2/2
I:linebreak $
K:E
V:1 treble nm="Piano"
V:3 treble
V:2 bass
V:4 bass
V:5 bass
V:1
"^Allegro agitato" z8 | z8 |!f! z8 | z8!>)! |!p! z/ (G/A/G/ ^^F/G/c/e/ d/c/d... | 2 | In bar 50, what is the highest pitch? | E♭2 |
Fantaisie-Impromptu_in_C_Minor__Chopin | X:1
T:Fantaisie-Impromptu in C♯ Minor
C:Frédéric François Chopin(1810–1849)
Z:Fryderyk Franciszek Chopin
%%score { ( 1 3 ) | ( 2 4 5 ) }
L:1/8
Q:1/2=84
M:2/2
I:linebreak $
K:E
V:1 treble nm="Piano"
V:3 treble
V:2 bass
V:4 bass
V:5 bass
V:1
"^Allegro agitato" z8 | z8 |!f! z8 | z8!>)! |!p! z/ (G/A/G/ ^^F/G/c/e/ d/c/d... | 2 | In bar 48, what is the articulation marking? | Slur |
Fantaisie-Impromptu_in_C_Minor__Chopin | X:1
T:Fantaisie-Impromptu in C♯ Minor
C:Frédéric François Chopin(1810–1849)
Z:Fryderyk Franciszek Chopin
%%score { ( 1 3 ) | ( 2 4 5 ) }
L:1/8
Q:1/2=84
M:2/2
I:linebreak $
K:E
V:1 treble nm="Piano"
V:3 treble
V:2 bass
V:4 bass
V:5 bass
V:1
"^Allegro agitato" z8 | z8 |!f! z8 | z8!>)! |!p! z/ (G/A/G/ ^^F/G/c/e/ d/c/d... | 3 | In bar 3, is there a second inversion of chord C♯ minor? | No |
Fantaisie-Impromptu_in_C_Minor__Chopin | X:1
T:Fantaisie-Impromptu in C♯ Minor
C:Frédéric François Chopin(1810–1849)
Z:Fryderyk Franciszek Chopin
%%score { ( 1 3 ) | ( 2 4 5 ) }
L:1/8
Q:1/2=84
M:2/2
I:linebreak $
K:E
V:1 treble nm="Piano"
V:3 treble
V:2 bass
V:4 bass
V:5 bass
V:1
"^Allegro agitato" z8 | z8 |!f! z8 | z8!>)! |!p! z/ (G/A/G/ ^^F/G/c/e/ d/c/d... | 3 | In bars 137–138, is there an anticipation in the chord? | No |
Fantaisie-Impromptu_in_C_Minor__Chopin | X:1
T:Fantaisie-Impromptu in C♯ Minor
C:Frédéric François Chopin(1810–1849)
Z:Fryderyk Franciszek Chopin
%%score { ( 1 3 ) | ( 2 4 5 ) }
L:1/8
Q:1/2=84
M:2/2
I:linebreak $
K:E
V:1 treble nm="Piano"
V:3 treble
V:2 bass
V:4 bass
V:5 bass
V:1
"^Allegro agitato" z8 | z8 |!f! z8 | z8!>)! |!p! z/ (G/A/G/ ^^F/G/c/e/ d/c/d... | 3 | In bar 6, what is the chord progression? (use I, II, III, IV, V, VI, VII) | I–I6 |
Fantaisie-Impromptu_in_C_Minor__Chopin | X:1
T:Fantaisie-Impromptu in C♯ Minor
C:Frédéric François Chopin(1810–1849)
Z:Fryderyk Franciszek Chopin
%%score { ( 1 3 ) | ( 2 4 5 ) }
L:1/8
Q:1/2=84
M:2/2
I:linebreak $
K:E
V:1 treble nm="Piano"
V:3 treble
V:2 bass
V:4 bass
V:5 bass
V:1
"^Allegro agitato" z8 | z8 |!f! z8 | z8!>)! |!p! z/ (G/A/G/ ^^F/G/c/e/ d/c/d... | 4 | In what form is the piece performed? | Piano solo |
Fantaisie-Impromptu_in_C_Minor__Chopin | X:1
T:Fantaisie-Impromptu in C♯ Minor
C:Frédéric François Chopin(1810–1849)
Z:Fryderyk Franciszek Chopin
%%score { ( 1 3 ) | ( 2 4 5 ) }
L:1/8
Q:1/2=84
M:2/2
I:linebreak $
K:E
V:1 treble nm="Piano"
V:3 treble
V:2 bass
V:4 bass
V:5 bass
V:1
"^Allegro agitato" z8 | z8 |!f! z8 | z8!>)! |!p! z/ (G/A/G/ ^^F/G/c/e/ d/c/d... | 4 | In which bar does the melodic motif appear? | 5 |
Fantaisie-Impromptu_in_C_Minor__Chopin | X:1
T:Fantaisie-Impromptu in C♯ Minor
C:Frédéric François Chopin(1810–1849)
Z:Fryderyk Franciszek Chopin
%%score { ( 1 3 ) | ( 2 4 5 ) }
L:1/8
Q:1/2=84
M:2/2
I:linebreak $
K:E
V:1 treble nm="Piano"
V:3 treble
V:2 bass
V:4 bass
V:5 bass
V:1
"^Allegro agitato" z8 | z8 |!f! z8 | z8!>)! |!p! z/ (G/A/G/ ^^F/G/c/e/ d/c/d... | 4 | In bar 5, in which register is the melody? | Middle register |
Flight_of_the_Bumblebee_Piano_-_Rimsky_Korsakov | X:1
T:Hummelflug
T:Nikolai Andreyevitch Rimsky-Korsakov
%%score { 1 | ( 2 3 ) }
L:1/8
Q:1/4=144
M:2/4
I:linebreak $
K:C
V:1 treble
V:2 bass
V:3 bass
V:1
"^Vivace" (e'/_e'/d'/^c'/ d'/c'/=c'/b/) | (c'/b/_b/a/ _a/g/^f/=f/) | (e/_e/"_dim."d/^c/ d/c/=c/B/ | %3
c/B/_B/A/ _A/G/^F/=F/) | (E/_E/D/^C/ D/C/=C/B,/) | (E/_E/D/^... | 1 | Is there an anacrusis? | No |
Flight_of_the_Bumblebee_Piano_-_Rimsky_Korsakov | X:1
T:Hummelflug
T:Nikolai Andreyevitch Rimsky-Korsakov
%%score { 1 | ( 2 3 ) }
L:1/8
Q:1/4=144
M:2/4
I:linebreak $
K:C
V:1 treble
V:2 bass
V:3 bass
V:1
"^Vivace" (e'/_e'/d'/^c'/ d'/c'/=c'/b/) | (c'/b/_b/a/ _a/g/^f/=f/) | (e/_e/"_dim."d/^c/ d/c/=c/B/ | %3
c/B/_B/A/ _A/G/^F/=F/) | (E/_E/D/^C/ D/C/=C/B,/) | (E/_E/D/^... | 1 | Who is the composer? | Rimsky |
Flight_of_the_Bumblebee_Piano_-_Rimsky_Korsakov | X:1
T:Hummelflug
T:Nikolai Andreyevitch Rimsky-Korsakov
%%score { 1 | ( 2 3 ) }
L:1/8
Q:1/4=144
M:2/4
I:linebreak $
K:C
V:1 treble
V:2 bass
V:3 bass
V:1
"^Vivace" (e'/_e'/d'/^c'/ d'/c'/=c'/b/) | (c'/b/_b/a/ _a/g/^f/=f/) | (e/_e/"_dim."d/^c/ d/c/=c/B/ | %3
c/B/_B/A/ _A/G/^F/=F/) | (E/_E/D/^C/ D/C/=C/B,/) | (E/_E/D/^... | 1 | What instruments are used? | Piano |
Flight_of_the_Bumblebee_Piano_-_Rimsky_Korsakov | X:1
T:Hummelflug
T:Nikolai Andreyevitch Rimsky-Korsakov
%%score { 1 | ( 2 3 ) }
L:1/8
Q:1/4=144
M:2/4
I:linebreak $
K:C
V:1 treble
V:2 bass
V:3 bass
V:1
"^Vivace" (e'/_e'/d'/^c'/ d'/c'/=c'/b/) | (c'/b/_b/a/ _a/g/^f/=f/) | (e/_e/"_dim."d/^c/ d/c/=c/B/ | %3
c/B/_B/A/ _A/G/^F/=F/) | (E/_E/D/^C/ D/C/=C/B,/) | (E/_E/D/^... | 2 | In bar 59, what is the new clef? | Treble clef |
Flight_of_the_Bumblebee_Piano_-_Rimsky_Korsakov | X:1
T:Hummelflug
T:Nikolai Andreyevitch Rimsky-Korsakov
%%score { 1 | ( 2 3 ) }
L:1/8
Q:1/4=144
M:2/4
I:linebreak $
K:C
V:1 treble
V:2 bass
V:3 bass
V:1
"^Vivace" (e'/_e'/d'/^c'/ d'/c'/=c'/b/) | (c'/b/_b/a/ _a/g/^f/=f/) | (e/_e/"_dim."d/^c/ d/c/=c/B/ | %3
c/B/_B/A/ _A/G/^F/=F/) | (E/_E/D/^C/ D/C/=C/B,/) | (E/_E/D/^... | 2 | In bar 1, what is the articulation marking? | Arpeggio sign |
Flight_of_the_Bumblebee_Piano_-_Rimsky_Korsakov | X:1
T:Hummelflug
T:Nikolai Andreyevitch Rimsky-Korsakov
%%score { 1 | ( 2 3 ) }
L:1/8
Q:1/4=144
M:2/4
I:linebreak $
K:C
V:1 treble
V:2 bass
V:3 bass
V:1
"^Vivace" (e'/_e'/d'/^c'/ d'/c'/=c'/b/) | (c'/b/_b/a/ _a/g/^f/=f/) | (e/_e/"_dim."d/^c/ d/c/=c/B/ | %3
c/B/_B/A/ _A/G/^F/=F/) | (E/_E/D/^C/ D/C/=C/B,/) | (E/_E/D/^... | 2 | In bar 53, is there an accidental? Which note does it affect? | Yes, D♯3 |
Flight_of_the_Bumblebee_Piano_-_Rimsky_Korsakov | X:1
T:Hummelflug
T:Nikolai Andreyevitch Rimsky-Korsakov
%%score { 1 | ( 2 3 ) }
L:1/8
Q:1/4=144
M:2/4
I:linebreak $
K:C
V:1 treble
V:2 bass
V:3 bass
V:1
"^Vivace" (e'/_e'/d'/^c'/ d'/c'/=c'/b/) | (c'/b/_b/a/ _a/g/^f/=f/) | (e/_e/"_dim."d/^c/ d/c/=c/B/ | %3
c/B/_B/A/ _A/G/^F/=F/) | (E/_E/D/^C/ D/C/=C/B,/) | (E/_E/D/^... | 3 | Between bars 95–101, is there an interrupted cadence? | No |
Flight_of_the_Bumblebee_Piano_-_Rimsky_Korsakov | X:1
T:Hummelflug
T:Nikolai Andreyevitch Rimsky-Korsakov
%%score { 1 | ( 2 3 ) }
L:1/8
Q:1/4=144
M:2/4
I:linebreak $
K:C
V:1 treble
V:2 bass
V:3 bass
V:1
"^Vivace" (e'/_e'/d'/^c'/ d'/c'/=c'/b/) | (c'/b/_b/a/ _a/g/^f/=f/) | (e/_e/"_dim."d/^c/ d/c/=c/B/ | %3
c/B/_B/A/ _A/G/^F/=F/) | (E/_E/D/^C/ D/C/=C/B,/) | (E/_E/D/^... | 3 | In bar 43, what is the voicing of the E major chord? | Mixed spacing |
Flight_of_the_Bumblebee_Piano_-_Rimsky_Korsakov | X:1
T:Hummelflug
T:Nikolai Andreyevitch Rimsky-Korsakov
%%score { 1 | ( 2 3 ) }
L:1/8
Q:1/4=144
M:2/4
I:linebreak $
K:C
V:1 treble
V:2 bass
V:3 bass
V:1
"^Vivace" (e'/_e'/d'/^c'/ d'/c'/=c'/b/) | (c'/b/_b/a/ _a/g/^f/=f/) | (e/_e/"_dim."d/^c/ d/c/=c/B/ | %3
c/B/_B/A/ _A/G/^F/=F/) | (E/_E/D/^C/ D/C/=C/B,/) | (E/_E/D/^... | 3 | In bar 86, what degree chord is the first chord (I, II, III, IV, V, VI, VII)? | V7 |
Flight_of_the_Bumblebee_Piano_-_Rimsky_Korsakov | X:1
T:Hummelflug
T:Nikolai Andreyevitch Rimsky-Korsakov
%%score { 1 | ( 2 3 ) }
L:1/8
Q:1/4=144
M:2/4
I:linebreak $
K:C
V:1 treble
V:2 bass
V:3 bass
V:1
"^Vivace" (e'/_e'/d'/^c'/ d'/c'/=c'/b/) | (c'/b/_b/a/ _a/g/^f/=f/) | (e/_e/"_dim."d/^c/ d/c/=c/B/ | %3
c/B/_B/A/ _A/G/^F/=F/) | (E/_E/D/^C/ D/C/=C/B,/) | (E/_E/D/^... | 4 | In which bar does the melodic motif first appear? | Bar 1 |
Flight_of_the_Bumblebee_Piano_-_Rimsky_Korsakov | X:1
T:Hummelflug
T:Nikolai Andreyevitch Rimsky-Korsakov
%%score { 1 | ( 2 3 ) }
L:1/8
Q:1/4=144
M:2/4
I:linebreak $
K:C
V:1 treble
V:2 bass
V:3 bass
V:1
"^Vivace" (e'/_e'/d'/^c'/ d'/c'/=c'/b/) | (c'/b/_b/a/ _a/g/^f/=f/) | (e/_e/"_dim."d/^c/ d/c/=c/B/ | %3
c/B/_B/A/ _A/G/^F/=F/) | (E/_E/D/^C/ D/C/=C/B,/) | (E/_E/D/^... | 4 | What are the main structural features of the motif? | Chromatic scale |
Flight_of_the_Bumblebee_Piano_-_Rimsky_Korsakov | X:1
T:Hummelflug
T:Nikolai Andreyevitch Rimsky-Korsakov
%%score { 1 | ( 2 3 ) }
L:1/8
Q:1/4=144
M:2/4
I:linebreak $
K:C
V:1 treble
V:2 bass
V:3 bass
V:1
"^Vivace" (e'/_e'/d'/^c'/ d'/c'/=c'/b/) | (c'/b/_b/a/ _a/g/^f/=f/) | (e/_e/"_dim."d/^c/ d/c/=c/B/ | %3
c/B/_B/A/ _A/G/^F/=F/) | (E/_E/D/^C/ D/C/=C/B,/) | (E/_E/D/^... | 4 | What is the performance medium of the piece? | Piano solo |
Frdric_Chopin_Ballade_No.3_in_A-flat_major_Op.47 | X:1
T:BALLADE
C:Frédéric Chopin
%%score { ( 1 3 6 ) | ( 2 4 5 ) }
L:1/8
Q:1/4=90
M:6/8
I:linebreak $
K:Ab
V:1 treble nm="鋼琴" snm="Pno."
V:3 treble
V:6 treble
V:2 bass
V:4 bass
V:5 bass
V:1
"^m.v.""^Allegretto"!p!!<(! (E2[Q:1/4=94] F[Q:1/4=98] [EG][Q:1/4=102][EA][Q:1/4=100][EB] | %1
[Q:1/4=88] [Ec]2)!<)![Q:1/4=98]!... | 1 | What is the initial tempo marking? | Allegretto |
Frdric_Chopin_Ballade_No.3_in_A-flat_major_Op.47 | X:1
T:BALLADE
C:Frédéric Chopin
%%score { ( 1 3 6 ) | ( 2 4 5 ) }
L:1/8
Q:1/4=90
M:6/8
I:linebreak $
K:Ab
V:1 treble nm="鋼琴" snm="Pno."
V:3 treble
V:6 treble
V:2 bass
V:4 bass
V:5 bass
V:1
"^m.v.""^Allegretto"!p!!<(! (E2[Q:1/4=94] F[Q:1/4=98] [EG][Q:1/4=102][EA][Q:1/4=100][EB] | %1
[Q:1/4=88] [Ec]2)!<)![Q:1/4=98]!... | 1 | What is the tempo in beats per minute? | None |
Frdric_Chopin_Ballade_No.3_in_A-flat_major_Op.47 | X:1
T:BALLADE
C:Frédéric Chopin
%%score { ( 1 3 6 ) | ( 2 4 5 ) }
L:1/8
Q:1/4=90
M:6/8
I:linebreak $
K:Ab
V:1 treble nm="鋼琴" snm="Pno."
V:3 treble
V:6 treble
V:2 bass
V:4 bass
V:5 bass
V:1
"^m.v.""^Allegretto"!p!!<(! (E2[Q:1/4=94] F[Q:1/4=98] [EG][Q:1/4=102][EA][Q:1/4=100][EB] | %1
[Q:1/4=88] [Ec]2)!<)![Q:1/4=98]!... | 1 | Who is the composer? | Chopin |
Frdric_Chopin_Ballade_No.3_in_A-flat_major_Op.47 | X:1
T:BALLADE
C:Frédéric Chopin
%%score { ( 1 3 6 ) | ( 2 4 5 ) }
L:1/8
Q:1/4=90
M:6/8
I:linebreak $
K:Ab
V:1 treble nm="鋼琴" snm="Pno."
V:3 treble
V:6 treble
V:2 bass
V:4 bass
V:5 bass
V:1
"^m.v.""^Allegretto"!p!!<(! (E2[Q:1/4=94] F[Q:1/4=98] [EG][Q:1/4=102][EA][Q:1/4=100][EB] | %1
[Q:1/4=88] [Ec]2)!<)![Q:1/4=98]!... | 2 | In bar 18, what is the dynamic marking? | poco cresc. |
Frdric_Chopin_Ballade_No.3_in_A-flat_major_Op.47 | X:1
T:BALLADE
C:Frédéric Chopin
%%score { ( 1 3 6 ) | ( 2 4 5 ) }
L:1/8
Q:1/4=90
M:6/8
I:linebreak $
K:Ab
V:1 treble nm="鋼琴" snm="Pno."
V:3 treble
V:6 treble
V:2 bass
V:4 bass
V:5 bass
V:1
"^m.v.""^Allegretto"!p!!<(! (E2[Q:1/4=94] F[Q:1/4=98] [EG][Q:1/4=102][EA][Q:1/4=100][EB] | %1
[Q:1/4=88] [Ec]2)!<)![Q:1/4=98]!... | 2 | In bar 22, what is the ornament on note D? | Appoggiatura |
Frdric_Chopin_Ballade_No.3_in_A-flat_major_Op.47 | X:1
T:BALLADE
C:Frédéric Chopin
%%score { ( 1 3 6 ) | ( 2 4 5 ) }
L:1/8
Q:1/4=90
M:6/8
I:linebreak $
K:Ab
V:1 treble nm="鋼琴" snm="Pno."
V:3 treble
V:6 treble
V:2 bass
V:4 bass
V:5 bass
V:1
"^m.v.""^Allegretto"!p!!<(! (E2[Q:1/4=94] F[Q:1/4=98] [EG][Q:1/4=102][EA][Q:1/4=100][EB] | %1
[Q:1/4=88] [Ec]2)!<)![Q:1/4=98]!... | 2 | In bar 20, what is the shortest rest value? | Semiquaver rest |
Frdric_Chopin_Ballade_No.3_in_A-flat_major_Op.47 | X:1
T:BALLADE
C:Frédéric Chopin
%%score { ( 1 3 6 ) | ( 2 4 5 ) }
L:1/8
Q:1/4=90
M:6/8
I:linebreak $
K:Ab
V:1 treble nm="鋼琴" snm="Pno."
V:3 treble
V:6 treble
V:2 bass
V:4 bass
V:5 bass
V:1
"^m.v.""^Allegretto"!p!!<(! (E2[Q:1/4=94] F[Q:1/4=98] [EG][Q:1/4=102][EA][Q:1/4=100][EB] | %1
[Q:1/4=88] [Ec]2)!<)![Q:1/4=98]!... | 3 | In bars 95–98, is there a suspension? | No |
Frdric_Chopin_Ballade_No.3_in_A-flat_major_Op.47 | X:1
T:BALLADE
C:Frédéric Chopin
%%score { ( 1 3 6 ) | ( 2 4 5 ) }
L:1/8
Q:1/4=90
M:6/8
I:linebreak $
K:Ab
V:1 treble nm="鋼琴" snm="Pno."
V:3 treble
V:6 treble
V:2 bass
V:4 bass
V:5 bass
V:1
"^m.v.""^Allegretto"!p!!<(! (E2[Q:1/4=94] F[Q:1/4=98] [EG][Q:1/4=102][EA][Q:1/4=100][EB] | %1
[Q:1/4=88] [Ec]2)!<)![Q:1/4=98]!... | 3 | In bar 239, what notes are omitted from the C7 chord? | G |
Frdric_Chopin_Ballade_No.3_in_A-flat_major_Op.47 | X:1
T:BALLADE
C:Frédéric Chopin
%%score { ( 1 3 6 ) | ( 2 4 5 ) }
L:1/8
Q:1/4=90
M:6/8
I:linebreak $
K:Ab
V:1 treble nm="鋼琴" snm="Pno."
V:3 treble
V:6 treble
V:2 bass
V:4 bass
V:5 bass
V:1
"^m.v.""^Allegretto"!p!!<(! (E2[Q:1/4=94] F[Q:1/4=98] [EG][Q:1/4=102][EA][Q:1/4=100][EB] | %1
[Q:1/4=88] [Ec]2)!<)![Q:1/4=98]!... | 3 | In bar 229, is there a third inversion E♭7 chord? | None |
Frdric_Chopin_Ballade_No.3_in_A-flat_major_Op.47 | X:1
T:BALLADE
C:Frédéric Chopin
%%score { ( 1 3 6 ) | ( 2 4 5 ) }
L:1/8
Q:1/4=90
M:6/8
I:linebreak $
K:Ab
V:1 treble nm="鋼琴" snm="Pno."
V:3 treble
V:6 treble
V:2 bass
V:4 bass
V:5 bass
V:1
"^m.v.""^Allegretto"!p!!<(! (E2[Q:1/4=94] F[Q:1/4=98] [EG][Q:1/4=102][EA][Q:1/4=100][EB] | %1
[Q:1/4=88] [Ec]2)!<)![Q:1/4=98]!... | 4 | What is the performance medium of the piece? | Piano solo |
Frdric_Chopin_Ballade_No.3_in_A-flat_major_Op.47 | X:1
T:BALLADE
C:Frédéric Chopin
%%score { ( 1 3 6 ) | ( 2 4 5 ) }
L:1/8
Q:1/4=90
M:6/8
I:linebreak $
K:Ab
V:1 treble nm="鋼琴" snm="Pno."
V:3 treble
V:6 treble
V:2 bass
V:4 bass
V:5 bass
V:1
"^m.v.""^Allegretto"!p!!<(! (E2[Q:1/4=94] F[Q:1/4=98] [EG][Q:1/4=102][EA][Q:1/4=100][EB] | %1
[Q:1/4=88] [Ec]2)!<)![Q:1/4=98]!... | 4 | In which bar does the melodic motif appear? | 1, 2 |
Frdric_Chopin_Ballade_No.3_in_A-flat_major_Op.47 | X:1
T:BALLADE
C:Frédéric Chopin
%%score { ( 1 3 6 ) | ( 2 4 5 ) }
L:1/8
Q:1/4=90
M:6/8
I:linebreak $
K:Ab
V:1 treble nm="鋼琴" snm="Pno."
V:3 treble
V:6 treble
V:2 bass
V:4 bass
V:5 bass
V:1
"^m.v.""^Allegretto"!p!!<(! (E2[Q:1/4=94] F[Q:1/4=98] [EG][Q:1/4=102][EA][Q:1/4=100][EB] | %1
[Q:1/4=88] [Ec]2)!<)![Q:1/4=98]!... | 4 | In bars 1–2, in which register is the melody played? | Upper–middle register |
Frdric_Chopin_Ballade_No.4_in_F_minor_Op.52 | X:1
T:BALLADE
C:
C:Frédéric Chopin
%%score { ( 1 2 4 8 ) | ( 3 5 6 7 ) }
L:1/8
Q:1/4=35
M:6/8
I:linebreak $
K:Ab
V:1 treble nm="鋼琴" snm="Pno."
V:2 treble
V:4 treble
V:8 treble
V:3 bass
V:5 bass
V:6 bass
V:7 bass
V:1
"^Andante con moto"!p! ([Gg][Q:1/4=40][Gg][Q:1/4=45][Gg][Q:1/4=40] [Gg][Q:1/4=45][Gg][Q:1/4=48][G... | 1 | What is the initial expression term? | con moto |
Frdric_Chopin_Ballade_No.4_in_F_minor_Op.52 | X:1
T:BALLADE
C:
C:Frédéric Chopin
%%score { ( 1 2 4 8 ) | ( 3 5 6 7 ) }
L:1/8
Q:1/4=35
M:6/8
I:linebreak $
K:Ab
V:1 treble nm="鋼琴" snm="Pno."
V:2 treble
V:4 treble
V:8 treble
V:3 bass
V:5 bass
V:6 bass
V:7 bass
V:1
"^Andante con moto"!p! ([Gg][Q:1/4=40][Gg][Q:1/4=45][Gg][Q:1/4=40] [Gg][Q:1/4=45][Gg][Q:1/4=48][G... | 1 | What is the initial key? | F minor |
Frdric_Chopin_Ballade_No.4_in_F_minor_Op.52 | X:1
T:BALLADE
C:
C:Frédéric Chopin
%%score { ( 1 2 4 8 ) | ( 3 5 6 7 ) }
L:1/8
Q:1/4=35
M:6/8
I:linebreak $
K:Ab
V:1 treble nm="鋼琴" snm="Pno."
V:2 treble
V:4 treble
V:8 treble
V:3 bass
V:5 bass
V:6 bass
V:7 bass
V:1
"^Andante con moto"!p! ([Gg][Q:1/4=40][Gg][Q:1/4=45][Gg][Q:1/4=40] [Gg][Q:1/4=45][Gg][Q:1/4=48][G... | 1 | Who is the composer? | Chopin |
Frdric_Chopin_Ballade_No.4_in_F_minor_Op.52 | X:1
T:BALLADE
C:
C:Frédéric Chopin
%%score { ( 1 2 4 8 ) | ( 3 5 6 7 ) }
L:1/8
Q:1/4=35
M:6/8
I:linebreak $
K:Ab
V:1 treble nm="鋼琴" snm="Pno."
V:2 treble
V:4 treble
V:8 treble
V:3 bass
V:5 bass
V:6 bass
V:7 bass
V:1
"^Andante con moto"!p! ([Gg][Q:1/4=40][Gg][Q:1/4=45][Gg][Q:1/4=40] [Gg][Q:1/4=45][Gg][Q:1/4=48][G... | 2 | In bar 4, what is the dynamic change marking? | poco cresc. |
Frdric_Chopin_Ballade_No.4_in_F_minor_Op.52 | X:1
T:BALLADE
C:
C:Frédéric Chopin
%%score { ( 1 2 4 8 ) | ( 3 5 6 7 ) }
L:1/8
Q:1/4=35
M:6/8
I:linebreak $
K:Ab
V:1 treble nm="鋼琴" snm="Pno."
V:2 treble
V:4 treble
V:8 treble
V:3 bass
V:5 bass
V:6 bass
V:7 bass
V:1
"^Andante con moto"!p! ([Gg][Q:1/4=40][Gg][Q:1/4=45][Gg][Q:1/4=40] [Gg][Q:1/4=45][Gg][Q:1/4=48][G... | 2 | In bar 84, what is the expression marking? | dolce |
Frdric_Chopin_Ballade_No.4_in_F_minor_Op.52 | X:1
T:BALLADE
C:
C:Frédéric Chopin
%%score { ( 1 2 4 8 ) | ( 3 5 6 7 ) }
L:1/8
Q:1/4=35
M:6/8
I:linebreak $
K:Ab
V:1 treble nm="鋼琴" snm="Pno."
V:2 treble
V:4 treble
V:8 treble
V:3 bass
V:5 bass
V:6 bass
V:7 bass
V:1
"^Andante con moto"!p! ([Gg][Q:1/4=40][Gg][Q:1/4=45][Gg][Q:1/4=40] [Gg][Q:1/4=45][Gg][Q:1/4=48][G... | 2 | In bar 117, what is the lowest pitch? | E flat |
Frdric_Chopin_Ballade_No.4_in_F_minor_Op.52 | X:1
T:BALLADE
C:
C:Frédéric Chopin
%%score { ( 1 2 4 8 ) | ( 3 5 6 7 ) }
L:1/8
Q:1/4=35
M:6/8
I:linebreak $
K:Ab
V:1 treble nm="鋼琴" snm="Pno."
V:2 treble
V:4 treble
V:8 treble
V:3 bass
V:5 bass
V:6 bass
V:7 bass
V:1
"^Andante con moto"!p! ([Gg][Q:1/4=40][Gg][Q:1/4=45][Gg][Q:1/4=40] [Gg][Q:1/4=45][Gg][Q:1/4=48][G... | 3 | In bars 125–126, is there a suspension? | Yes |
Frdric_Chopin_Ballade_No.4_in_F_minor_Op.52 | X:1
T:BALLADE
C:
C:Frédéric Chopin
%%score { ( 1 2 4 8 ) | ( 3 5 6 7 ) }
L:1/8
Q:1/4=35
M:6/8
I:linebreak $
K:Ab
V:1 treble nm="鋼琴" snm="Pno."
V:2 treble
V:4 treble
V:8 treble
V:3 bass
V:5 bass
V:6 bass
V:7 bass
V:1
"^Andante con moto"!p! ([Gg][Q:1/4=40][Gg][Q:1/4=45][Gg][Q:1/4=40] [Gg][Q:1/4=45][Gg][Q:1/4=48][G... | 3 | In bar 134, what are the repeated notes of the A minor chord? | Root |
Frdric_Chopin_Ballade_No.4_in_F_minor_Op.52 | X:1
T:BALLADE
C:
C:Frédéric Chopin
%%score { ( 1 2 4 8 ) | ( 3 5 6 7 ) }
L:1/8
Q:1/4=35
M:6/8
I:linebreak $
K:Ab
V:1 treble nm="鋼琴" snm="Pno."
V:2 treble
V:4 treble
V:8 treble
V:3 bass
V:5 bass
V:6 bass
V:7 bass
V:1
"^Andante con moto"!p! ([Gg][Q:1/4=40][Gg][Q:1/4=45][Gg][Q:1/4=40] [Gg][Q:1/4=45][Gg][Q:1/4=48][G... | 3 | In bar 151, is there a first inversion C7 chord? | None |
Frdric_Chopin_Ballade_No.4_in_F_minor_Op.52 | X:1
T:BALLADE
C:
C:Frédéric Chopin
%%score { ( 1 2 4 8 ) | ( 3 5 6 7 ) }
L:1/8
Q:1/4=35
M:6/8
I:linebreak $
K:Ab
V:1 treble nm="鋼琴" snm="Pno."
V:2 treble
V:4 treble
V:8 treble
V:3 bass
V:5 bass
V:6 bass
V:7 bass
V:1
"^Andante con moto"!p! ([Gg][Q:1/4=40][Gg][Q:1/4=45][Gg][Q:1/4=40] [Gg][Q:1/4=45][Gg][Q:1/4=48][G... | 4 | What is the genre of the piece? | Ballade |
Frdric_Chopin_Ballade_No.4_in_F_minor_Op.52 | X:1
T:BALLADE
C:
C:Frédéric Chopin
%%score { ( 1 2 4 8 ) | ( 3 5 6 7 ) }
L:1/8
Q:1/4=35
M:6/8
I:linebreak $
K:Ab
V:1 treble nm="鋼琴" snm="Pno."
V:2 treble
V:4 treble
V:8 treble
V:3 bass
V:5 bass
V:6 bass
V:7 bass
V:1
"^Andante con moto"!p! ([Gg][Q:1/4=40][Gg][Q:1/4=45][Gg][Q:1/4=40] [Gg][Q:1/4=45][Gg][Q:1/4=48][G... | 4 | What is the performance medium of the piece? | Piano solo |
Frdric_Chopin_Ballade_No.4_in_F_minor_Op.52 | X:1
T:BALLADE
C:
C:Frédéric Chopin
%%score { ( 1 2 4 8 ) | ( 3 5 6 7 ) }
L:1/8
Q:1/4=35
M:6/8
I:linebreak $
K:Ab
V:1 treble nm="鋼琴" snm="Pno."
V:2 treble
V:4 treble
V:8 treble
V:3 bass
V:5 bass
V:6 bass
V:7 bass
V:1
"^Andante con moto"!p! ([Gg][Q:1/4=40][Gg][Q:1/4=45][Gg][Q:1/4=40] [Gg][Q:1/4=45][Gg][Q:1/4=48][G... | 4 | In bars 1–2, in which register is the melody played? | Upper–middle register |
Frhlingsstimmen_Op.410__Johann_Strauss_Jr._-_Accordion_solo | X:1
T:Frühlingsstimmen Op.410
C:Johann Strauss II (1825-1899)
%%score { ( 1 4 5 ) | ( 2 3 ) }
L:1/8
Q:1/4=180
M:3/4
I:linebreak $
K:Bb
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:5 treble
V:2 bass
V:3 bass
V:1
!f! F2 z2 (=EF | G2) z2 (CD | E2) z2 (A,B, | C2) z2 (F,2 |!mf! B,2) z4 | z6 | z6 | z4!mp! (=EF |: %8
!<(... | 1 | What is the initial clef? | Treble clef, Bass clef |
Frhlingsstimmen_Op.410__Johann_Strauss_Jr._-_Accordion_solo | X:1
T:Frühlingsstimmen Op.410
C:Johann Strauss II (1825-1899)
%%score { ( 1 4 5 ) | ( 2 3 ) }
L:1/8
Q:1/4=180
M:3/4
I:linebreak $
K:Bb
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:5 treble
V:2 bass
V:3 bass
V:1
!f! F2 z2 (=EF | G2) z2 (CD | E2) z2 (A,B, | C2) z2 (F,2 |!mf! B,2) z4 | z6 | z6 | z4!mp! (=EF |: %8
!<(... | 1 | Who is the composer? | Johann Strauss II |
Frhlingsstimmen_Op.410__Johann_Strauss_Jr._-_Accordion_solo | X:1
T:Frühlingsstimmen Op.410
C:Johann Strauss II (1825-1899)
%%score { ( 1 4 5 ) | ( 2 3 ) }
L:1/8
Q:1/4=180
M:3/4
I:linebreak $
K:Bb
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:5 treble
V:2 bass
V:3 bass
V:1
!f! F2 z2 (=EF | G2) z2 (CD | E2) z2 (A,B, | C2) z2 (F,2 |!mf! B,2) z4 | z6 | z6 | z4!mp! (=EF |: %8
!<(... | 1 | What is the title of the piece? | Voices of Spring, Op. 410 |
Frhlingsstimmen_Op.410__Johann_Strauss_Jr._-_Accordion_solo | X:1
T:Frühlingsstimmen Op.410
C:Johann Strauss II (1825-1899)
%%score { ( 1 4 5 ) | ( 2 3 ) }
L:1/8
Q:1/4=180
M:3/4
I:linebreak $
K:Bb
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:5 treble
V:2 bass
V:3 bass
V:1
!f! F2 z2 (=EF | G2) z2 (CD | E2) z2 (A,B, | C2) z2 (F,2 |!mf! B,2) z4 | z6 | z6 | z4!mp! (=EF |: %8
!<(... | 2 | Are there repeat signs between bars 9-90? | Yes |
Frhlingsstimmen_Op.410__Johann_Strauss_Jr._-_Accordion_solo | X:1
T:Frühlingsstimmen Op.410
C:Johann Strauss II (1825-1899)
%%score { ( 1 4 5 ) | ( 2 3 ) }
L:1/8
Q:1/4=180
M:3/4
I:linebreak $
K:Bb
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:5 treble
V:2 bass
V:3 bass
V:1
!f! F2 z2 (=EF | G2) z2 (CD | E2) z2 (A,B, | C2) z2 (F,2 |!mf! B,2) z4 | z6 | z6 | z4!mp! (=EF |: %8
!<(... | 2 | In bar 43, what is the new key signature? | F major |
Frhlingsstimmen_Op.410__Johann_Strauss_Jr._-_Accordion_solo | X:1
T:Frühlingsstimmen Op.410
C:Johann Strauss II (1825-1899)
%%score { ( 1 4 5 ) | ( 2 3 ) }
L:1/8
Q:1/4=180
M:3/4
I:linebreak $
K:Bb
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:5 treble
V:2 bass
V:3 bass
V:1
!f! F2 z2 (=EF | G2) z2 (CD | E2) z2 (A,B, | C2) z2 (F,2 |!mf! B,2) z4 | z6 | z6 | z4!mp! (=EF |: %8
!<(... | 2 | In bar 11, what is the dynamic marking? | p |
Frhlingsstimmen_Op.410__Johann_Strauss_Jr._-_Accordion_solo | X:1
T:Frühlingsstimmen Op.410
C:Johann Strauss II (1825-1899)
%%score { ( 1 4 5 ) | ( 2 3 ) }
L:1/8
Q:1/4=180
M:3/4
I:linebreak $
K:Bb
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:5 treble
V:2 bass
V:3 bass
V:1
!f! F2 z2 (=EF | G2) z2 (CD | E2) z2 (A,B, | C2) z2 (F,2 |!mf! B,2) z4 | z6 | z6 | z4!mp! (=EF |: %8
!<(... | 3 | In bar 9, what is the voicing of the B♭ major chord? | Close position |
Frhlingsstimmen_Op.410__Johann_Strauss_Jr._-_Accordion_solo | X:1
T:Frühlingsstimmen Op.410
C:Johann Strauss II (1825-1899)
%%score { ( 1 4 5 ) | ( 2 3 ) }
L:1/8
Q:1/4=180
M:3/4
I:linebreak $
K:Bb
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:5 treble
V:2 bass
V:3 bass
V:1
!f! F2 z2 (=EF | G2) z2 (CD | E2) z2 (A,B, | C2) z2 (F,2 |!mf! B,2) z4 | z6 | z6 | z4!mp! (=EF |: %8
!<(... | 3 | In bar 9, what degree chord is the B♭ major chord (I, II, III, IV, V, VI, VII)? | I |
Frhlingsstimmen_Op.410__Johann_Strauss_Jr._-_Accordion_solo | X:1
T:Frühlingsstimmen Op.410
C:Johann Strauss II (1825-1899)
%%score { ( 1 4 5 ) | ( 2 3 ) }
L:1/8
Q:1/4=180
M:3/4
I:linebreak $
K:Bb
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:5 treble
V:2 bass
V:3 bass
V:1
!f! F2 z2 (=EF | G2) z2 (CD | E2) z2 (A,B, | C2) z2 (F,2 |!mf! B,2) z4 | z6 | z6 | z4!mp! (=EF |: %8
!<(... | 3 | Between bars 9–10, what is the chord progression (I, II, III, IV, V, VI, VII)? | I-I46 |
Frhlingsstimmen_Op.410__Johann_Strauss_Jr._-_Accordion_solo | X:1
T:Frühlingsstimmen Op.410
C:Johann Strauss II (1825-1899)
%%score { ( 1 4 5 ) | ( 2 3 ) }
L:1/8
Q:1/4=180
M:3/4
I:linebreak $
K:Bb
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:5 treble
V:2 bass
V:3 bass
V:1
!f! F2 z2 (=EF | G2) z2 (CD | E2) z2 (A,B, | C2) z2 (F,2 |!mf! B,2) z4 | z6 | z6 | z4!mp! (=EF |: %8
!<(... | 4 | What is the performance medium of the piece? | Accordion solo |
Frhlingsstimmen_Op.410__Johann_Strauss_Jr._-_Accordion_solo | X:1
T:Frühlingsstimmen Op.410
C:Johann Strauss II (1825-1899)
%%score { ( 1 4 5 ) | ( 2 3 ) }
L:1/8
Q:1/4=180
M:3/4
I:linebreak $
K:Bb
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:5 treble
V:2 bass
V:3 bass
V:1
!f! F2 z2 (=EF | G2) z2 (CD | E2) z2 (A,B, | C2) z2 (F,2 |!mf! B,2) z4 | z6 | z6 | z4!mp! (=EF |: %8
!<(... | 4 | In which bar does the melodic motif first appear? | Bars 1–2 |
Frhlingsstimmen_Op.410__Johann_Strauss_Jr._-_Accordion_solo | X:1
T:Frühlingsstimmen Op.410
C:Johann Strauss II (1825-1899)
%%score { ( 1 4 5 ) | ( 2 3 ) }
L:1/8
Q:1/4=180
M:3/4
I:linebreak $
K:Bb
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:5 treble
V:2 bass
V:3 bass
V:1
!f! F2 z2 (=EF | G2) z2 (CD | E2) z2 (A,B, | C2) z2 (F,2 |!mf! B,2) z4 | z6 | z6 | z4!mp! (=EF |: %8
!<(... | 4 | What are the main structural features of the motif? | Stepwise motion |
Fugue_I_in_C_major_BWV_846_-_Well_Tempered_Clavier_First_Book | X:1
T:Fugue I
T:In C major
T:Johann Sebastian Bach (1685 - 1750)
T:BWV 846
%%score { ( 1 3 5 ) | ( 2 4 ) }
L:1/8
Q:1/4=60
M:4/4
I:linebreak $
K:C
V:1 treble nm="Piano"
V:3 treble
V:5 treble
V:2 bass
V:4 bass
V:1
"^Adagio" z CDE F3/2G/4F/4EA | DG- G/A/G/F/ E/F/E/D/ C/D/C/B,/ | A,^F G2- GF/E/FD | GFED C z z G- | %4
w... | 1 | What instruments are used? | Piano |
Fugue_I_in_C_major_BWV_846_-_Well_Tempered_Clavier_First_Book | X:1
T:Fugue I
T:In C major
T:Johann Sebastian Bach (1685 - 1750)
T:BWV 846
%%score { ( 1 3 5 ) | ( 2 4 ) }
L:1/8
Q:1/4=60
M:4/4
I:linebreak $
K:C
V:1 treble nm="Piano"
V:3 treble
V:5 treble
V:2 bass
V:4 bass
V:1
"^Adagio" z CDE F3/2G/4F/4EA | DG- G/A/G/F/ E/F/E/D/ C/D/C/B,/ | A,^F G2- GF/E/FD | GFED C z z G- | %4
w... | 1 | Who is the composer? | Bach |
Fugue_I_in_C_major_BWV_846_-_Well_Tempered_Clavier_First_Book | X:1
T:Fugue I
T:In C major
T:Johann Sebastian Bach (1685 - 1750)
T:BWV 846
%%score { ( 1 3 5 ) | ( 2 4 ) }
L:1/8
Q:1/4=60
M:4/4
I:linebreak $
K:C
V:1 treble nm="Piano"
V:3 treble
V:5 treble
V:2 bass
V:4 bass
V:1
"^Adagio" z CDE F3/2G/4F/4EA | DG- G/A/G/F/ E/F/E/D/ C/D/C/B,/ | A,^F G2- GF/E/FD | GFED C z z G- | %4
w... | 1 | What is the initial time signature? | 4/4 time |
Fugue_I_in_C_major_BWV_846_-_Well_Tempered_Clavier_First_Book | X:1
T:Fugue I
T:In C major
T:Johann Sebastian Bach (1685 - 1750)
T:BWV 846
%%score { ( 1 3 5 ) | ( 2 4 ) }
L:1/8
Q:1/4=60
M:4/4
I:linebreak $
K:C
V:1 treble nm="Piano"
V:3 treble
V:5 treble
V:2 bass
V:4 bass
V:1
"^Adagio" z CDE F3/2G/4F/4EA | DG- G/A/G/F/ E/F/E/D/ C/D/C/B,/ | A,^F G2- GF/E/FD | GFED C z z G- | %4
w... | 2 | In bar 27, what is the performance marking in the bass register? | Fermata |
Fugue_I_in_C_major_BWV_846_-_Well_Tempered_Clavier_First_Book | X:1
T:Fugue I
T:In C major
T:Johann Sebastian Bach (1685 - 1750)
T:BWV 846
%%score { ( 1 3 5 ) | ( 2 4 ) }
L:1/8
Q:1/4=60
M:4/4
I:linebreak $
K:C
V:1 treble nm="Piano"
V:3 treble
V:5 treble
V:2 bass
V:4 bass
V:1
"^Adagio" z CDE F3/2G/4F/4EA | DG- G/A/G/F/ E/F/E/D/ C/D/C/B,/ | A,^F G2- GF/E/FD | GFED C z z G- | %4
w... | 2 | In bar 13, is there an accidental, and which note is it? | With F♯4, G♯3, G♯4 |
Fugue_I_in_C_major_BWV_846_-_Well_Tempered_Clavier_First_Book | X:1
T:Fugue I
T:In C major
T:Johann Sebastian Bach (1685 - 1750)
T:BWV 846
%%score { ( 1 3 5 ) | ( 2 4 ) }
L:1/8
Q:1/4=60
M:4/4
I:linebreak $
K:C
V:1 treble nm="Piano"
V:3 treble
V:5 treble
V:2 bass
V:4 bass
V:1
"^Adagio" z CDE F3/2G/4F/4EA | DG- G/A/G/F/ E/F/E/D/ C/D/C/B,/ | A,^F G2- GF/E/FD | GFED C z z G- | %4
w... | 2 | In bar 18, what is the shortest note value? | Demisemiquaver (thirty-second note) |
Fugue_I_in_C_major_BWV_846_-_Well_Tempered_Clavier_First_Book | X:1
T:Fugue I
T:In C major
T:Johann Sebastian Bach (1685 - 1750)
T:BWV 846
%%score { ( 1 3 5 ) | ( 2 4 ) }
L:1/8
Q:1/4=60
M:4/4
I:linebreak $
K:C
V:1 treble nm="Piano"
V:3 treble
V:5 treble
V:2 bass
V:4 bass
V:1
"^Adagio" z CDE F3/2G/4F/4EA | DG- G/A/G/F/ E/F/E/D/ C/D/C/B,/ | A,^F G2- GF/E/FD | GFED C z z G- | %4
w... | 3 | In bar 27, what are the repeated notes in C major? | C |
Fugue_I_in_C_major_BWV_846_-_Well_Tempered_Clavier_First_Book | X:1
T:Fugue I
T:In C major
T:Johann Sebastian Bach (1685 - 1750)
T:BWV 846
%%score { ( 1 3 5 ) | ( 2 4 ) }
L:1/8
Q:1/4=60
M:4/4
I:linebreak $
K:C
V:1 treble nm="Piano"
V:3 treble
V:5 treble
V:2 bass
V:4 bass
V:1
"^Adagio" z CDE F3/2G/4F/4EA | DG- G/A/G/F/ E/F/E/D/ C/D/C/B,/ | A,^F G2- GF/E/FD | GFED C z z G- | %4
w... | 3 | In bar 3, does it begin on the tonic chord of the original key? | No |
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