song_id stringclasses 150
values | abc_notation stringclasses 150
values | level int32 1 4 | question stringlengths 20 85 | answer stringlengths 1 82 |
|---|---|---|---|---|
In_the_Hall_of_the_Mountain_King_-_Edvard_Grieg_-_1888 | X:1
T:I Dovregubbens hall
C:Edvard Grieg
Z:Public Domain
%%score { ( 1 3 ) | 2 }
L:1/8
Q:1/4=138
M:4/4
I:linebreak $
K:D
V:1 bass nm="Piano"
V:3 bass
V:2 bass
V:1
!p!"^Alla marcia e molto marcato" !>!!fermata![F,F]8 |!pp! .!1!B,,,.C,,.D,,.E,, !>!.F,,.D,, .F,,2 | %2
!>!.^E,,.C,, .E,,2 !>!.=E,,.=C,, .E,,2 | .!1!B,,,.^... | 2 | In bar 2, is there an accidental? | Yes — E♯, C♮ |
In_the_Hall_of_the_Mountain_King_-_Edvard_Grieg_-_1888 | X:1
T:I Dovregubbens hall
C:Edvard Grieg
Z:Public Domain
%%score { ( 1 3 ) | 2 }
L:1/8
Q:1/4=138
M:4/4
I:linebreak $
K:D
V:1 bass nm="Piano"
V:3 bass
V:2 bass
V:1
!p!"^Alla marcia e molto marcato" !>!!fermata![F,F]8 |!pp! .!1!B,,,.C,,.D,,.E,, !>!.F,,.D,, .F,,2 | %2
!>!.^E,,.C,, .E,,2 !>!.=E,,.=C,, .E,,2 | .!1!B,,,.^... | 2 | In bar 1, what is the articulation marking? | Accent |
In_the_Hall_of_the_Mountain_King_-_Edvard_Grieg_-_1888 | X:1
T:I Dovregubbens hall
C:Edvard Grieg
Z:Public Domain
%%score { ( 1 3 ) | 2 }
L:1/8
Q:1/4=138
M:4/4
I:linebreak $
K:D
V:1 bass nm="Piano"
V:3 bass
V:2 bass
V:1
!p!"^Alla marcia e molto marcato" !>!!fermata![F,F]8 |!pp! .!1!B,,,.C,,.D,,.E,, !>!.F,,.D,, .F,,2 | %2
!>!.^E,,.C,, .E,,2 !>!.=E,,.=C,, .E,,2 | .!1!B,,,.^... | 3 | In bars 86–88, is there a perfect cadence? | No |
In_the_Hall_of_the_Mountain_King_-_Edvard_Grieg_-_1888 | X:1
T:I Dovregubbens hall
C:Edvard Grieg
Z:Public Domain
%%score { ( 1 3 ) | 2 }
L:1/8
Q:1/4=138
M:4/4
I:linebreak $
K:D
V:1 bass nm="Piano"
V:3 bass
V:2 bass
V:1
!p!"^Alla marcia e molto marcato" !>!!fermata![F,F]8 |!pp! .!1!B,,,.C,,.D,,.E,, !>!.F,,.D,, .F,,2 | %2
!>!.^E,,.C,, .E,,2 !>!.=E,,.=C,, .E,,2 | .!1!B,,,.^... | 3 | In bar 88, is there a first-inversion B minor chord? | No |
In_the_Hall_of_the_Mountain_King_-_Edvard_Grieg_-_1888 | X:1
T:I Dovregubbens hall
C:Edvard Grieg
Z:Public Domain
%%score { ( 1 3 ) | 2 }
L:1/8
Q:1/4=138
M:4/4
I:linebreak $
K:D
V:1 bass nm="Piano"
V:3 bass
V:2 bass
V:1
!p!"^Alla marcia e molto marcato" !>!!fermata![F,F]8 |!pp! .!1!B,,,.C,,.D,,.E,, !>!.F,,.D,, .F,,2 | %2
!>!.^E,,.C,, .E,,2 !>!.=E,,.=C,, .E,,2 | .!1!B,,,.^... | 3 | In bar 88, what are the repeated notes of the B minor chord? | Root, third |
In_the_Hall_of_the_Mountain_King_-_Edvard_Grieg_-_1888 | X:1
T:I Dovregubbens hall
C:Edvard Grieg
Z:Public Domain
%%score { ( 1 3 ) | 2 }
L:1/8
Q:1/4=138
M:4/4
I:linebreak $
K:D
V:1 bass nm="Piano"
V:3 bass
V:2 bass
V:1
!p!"^Alla marcia e molto marcato" !>!!fermata![F,F]8 |!pp! .!1!B,,,.C,,.D,,.E,, !>!.F,,.D,, .F,,2 | %2
!>!.^E,,.C,, .E,,2 !>!.=E,,.=C,, .E,,2 | .!1!B,,,.^... | 4 | At the opening, in which register is the melody? | Low register |
In_the_Hall_of_the_Mountain_King_-_Edvard_Grieg_-_1888 | X:1
T:I Dovregubbens hall
C:Edvard Grieg
Z:Public Domain
%%score { ( 1 3 ) | 2 }
L:1/8
Q:1/4=138
M:4/4
I:linebreak $
K:D
V:1 bass nm="Piano"
V:3 bass
V:2 bass
V:1
!p!"^Alla marcia e molto marcato" !>!!fermata![F,F]8 |!pp! .!1!B,,,.C,,.D,,.E,, !>!.F,,.D,, .F,,2 | %2
!>!.^E,,.C,, .E,,2 !>!.=E,,.=C,, .E,,2 | .!1!B,,,.^... | 4 | What is the rhythm of the motif? | Quaver, crotchet |
In_the_Hall_of_the_Mountain_King_-_Edvard_Grieg_-_1888 | X:1
T:I Dovregubbens hall
C:Edvard Grieg
Z:Public Domain
%%score { ( 1 3 ) | 2 }
L:1/8
Q:1/4=138
M:4/4
I:linebreak $
K:D
V:1 bass nm="Piano"
V:3 bass
V:2 bass
V:1
!p!"^Alla marcia e molto marcato" !>!!fermata![F,F]8 |!pp! .!1!B,,,.C,,.D,,.E,, !>!.F,,.D,, .F,,2 | %2
!>!.^E,,.C,, .E,,2 !>!.=E,,.=C,, .E,,2 | .!1!B,,,.^... | 4 | What are the main structural features of the motif? | Stepwise + leaps |
Intermezzo_Op._116_No._2_Johannes_Brahms | X:1
T:Intermezzo
C:Johannes Brahms
%%score { ( 1 2 5 ) | ( 3 4 ) }
L:1/8
Q:1/4=60
M:3/4
I:linebreak $
K:C
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:5 treble
V:3 bass
V:4 bass
V:1
"^Andante."!p!!<(! (cc!<)!!mp!!>(! [Bd]4)!>)! |!p!!<(! (cc!<)!!mp!!>(! [^GB]4)!>)! |!p! (AA c2 A2 | %3
^G2 [GB]4) |!<(! (cc [^ce]4) ... | 1 | What is the initial expression marking? | None |
Intermezzo_Op._116_No._2_Johannes_Brahms | X:1
T:Intermezzo
C:Johannes Brahms
%%score { ( 1 2 5 ) | ( 3 4 ) }
L:1/8
Q:1/4=60
M:3/4
I:linebreak $
K:C
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:5 treble
V:3 bass
V:4 bass
V:1
"^Andante."!p!!<(! (cc!<)!!mp!!>(! [Bd]4)!>)! |!p!!<(! (cc!<)!!mp!!>(! [^GB]4)!>)! |!p! (AA c2 A2 | %3
^G2 [GB]4) |!<(! (cc [^ce]4) ... | 1 | Who is the composer? | Brahms |
Intermezzo_Op._116_No._2_Johannes_Brahms | X:1
T:Intermezzo
C:Johannes Brahms
%%score { ( 1 2 5 ) | ( 3 4 ) }
L:1/8
Q:1/4=60
M:3/4
I:linebreak $
K:C
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:5 treble
V:3 bass
V:4 bass
V:1
"^Andante."!p!!<(! (cc!<)!!mp!!>(! [Bd]4)!>)! |!p!!<(! (cc!<)!!mp!!>(! [^GB]4)!>)! |!p! (AA c2 A2 | %3
^G2 [GB]4) |!<(! (cc [^ce]4) ... | 1 | What is the initial tempo indication? | Andante |
Intermezzo_Op._116_No._2_Johannes_Brahms | X:1
T:Intermezzo
C:Johannes Brahms
%%score { ( 1 2 5 ) | ( 3 4 ) }
L:1/8
Q:1/4=60
M:3/4
I:linebreak $
K:C
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:5 treble
V:3 bass
V:4 bass
V:1
"^Andante."!p!!<(! (cc!<)!!mp!!>(! [Bd]4)!>)! |!p!!<(! (cc!<)!!mp!!>(! [^GB]4)!>)! |!p! (AA c2 A2 | %3
^G2 [GB]4) |!<(! (cc [^ce]4) ... | 2 | In bar 18, what is the tempo change marking? | ritardando |
Intermezzo_Op._116_No._2_Johannes_Brahms | X:1
T:Intermezzo
C:Johannes Brahms
%%score { ( 1 2 5 ) | ( 3 4 ) }
L:1/8
Q:1/4=60
M:3/4
I:linebreak $
K:C
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:5 treble
V:3 bass
V:4 bass
V:1
"^Andante."!p!!<(! (cc!<)!!mp!!>(! [Bd]4)!>)! |!p!!<(! (cc!<)!!mp!!>(! [^GB]4)!>)! |!p! (AA c2 A2 | %3
^G2 [GB]4) |!<(! (cc [^ce]4) ... | 2 | In bar 18, is there an accidental, and what is it? | Yes, G♯ 3 |
Intermezzo_Op._116_No._2_Johannes_Brahms | X:1
T:Intermezzo
C:Johannes Brahms
%%score { ( 1 2 5 ) | ( 3 4 ) }
L:1/8
Q:1/4=60
M:3/4
I:linebreak $
K:C
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:5 treble
V:3 bass
V:4 bass
V:1
"^Andante."!p!!<(! (cc!<)!!mp!!>(! [Bd]4)!>)! |!p!!<(! (cc!<)!!mp!!>(! [^GB]4)!>)! |!p! (AA c2 A2 | %3
^G2 [GB]4) |!<(! (cc [^ce]4) ... | 2 | In the piece, is there a repeat sign? | No |
Intermezzo_Op._116_No._2_Johannes_Brahms | X:1
T:Intermezzo
C:Johannes Brahms
%%score { ( 1 2 5 ) | ( 3 4 ) }
L:1/8
Q:1/4=60
M:3/4
I:linebreak $
K:C
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:5 treble
V:3 bass
V:4 bass
V:1
"^Andante."!p!!<(! (cc!<)!!mp!!>(! [Bd]4)!>)! |!p!!<(! (cc!<)!!mp!!>(! [^GB]4)!>)! |!p! (AA c2 A2 | %3
^G2 [GB]4) |!<(! (cc [^ce]4) ... | 3 | In bar 1, is there a chord I? | Yes |
Intermezzo_Op._116_No._2_Johannes_Brahms | X:1
T:Intermezzo
C:Johannes Brahms
%%score { ( 1 2 5 ) | ( 3 4 ) }
L:1/8
Q:1/4=60
M:3/4
I:linebreak $
K:C
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:5 treble
V:3 bass
V:4 bass
V:1
"^Andante."!p!!<(! (cc!<)!!mp!!>(! [Bd]4)!>)! |!p!!<(! (cc!<)!!mp!!>(! [^GB]4)!>)! |!p! (AA c2 A2 | %3
^G2 [GB]4) |!<(! (cc [^ce]4) ... | 3 | In bar 1, what scale degree is the second chord? (use I, II, III, IV, V, VI, VII) | vii2 |
Intermezzo_Op._116_No._2_Johannes_Brahms | X:1
T:Intermezzo
C:Johannes Brahms
%%score { ( 1 2 5 ) | ( 3 4 ) }
L:1/8
Q:1/4=60
M:3/4
I:linebreak $
K:C
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:5 treble
V:3 bass
V:4 bass
V:1
"^Andante."!p!!<(! (cc!<)!!mp!!>(! [Bd]4)!>)! |!p!!<(! (cc!<)!!mp!!>(! [^GB]4)!>)! |!p! (AA c2 A2 | %3
^G2 [GB]4) |!<(! (cc [^ce]4) ... | 3 | In bar 85, is there a suspension or anticipation? | No |
Intermezzo_Op._116_No._2_Johannes_Brahms | X:1
T:Intermezzo
C:Johannes Brahms
%%score { ( 1 2 5 ) | ( 3 4 ) }
L:1/8
Q:1/4=60
M:3/4
I:linebreak $
K:C
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:5 treble
V:3 bass
V:4 bass
V:1
"^Andante."!p!!<(! (cc!<)!!mp!!>(! [Bd]4)!>)! |!p!!<(! (cc!<)!!mp!!>(! [^GB]4)!>)! |!p! (AA c2 A2 | %3
^G2 [GB]4) |!<(! (cc [^ce]4) ... | 4 | What is the performance form of the piece? | Piano solo |
Intermezzo_Op._116_No._2_Johannes_Brahms | X:1
T:Intermezzo
C:Johannes Brahms
%%score { ( 1 2 5 ) | ( 3 4 ) }
L:1/8
Q:1/4=60
M:3/4
I:linebreak $
K:C
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:5 treble
V:3 bass
V:4 bass
V:1
"^Andante."!p!!<(! (cc!<)!!mp!!>(! [Bd]4)!>)! |!p!!<(! (cc!<)!!mp!!>(! [^GB]4)!>)! |!p! (AA c2 A2 | %3
^G2 [GB]4) |!<(! (cc [^ce]4) ... | 4 | In bar 1, in which register is the melody? | Middle register |
Intermezzo_Op._116_No._2_Johannes_Brahms | X:1
T:Intermezzo
C:Johannes Brahms
%%score { ( 1 2 5 ) | ( 3 4 ) }
L:1/8
Q:1/4=60
M:3/4
I:linebreak $
K:C
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:5 treble
V:3 bass
V:4 bass
V:1
"^Andante."!p!!<(! (cc!<)!!mp!!>(! [Bd]4)!>)! |!p!!<(! (cc!<)!!mp!!>(! [^GB]4)!>)! |!p! (AA c2 A2 | %3
^G2 [GB]4) |!<(! (cc [^ce]4) ... | 4 | In which bar does the melodic motif appear? | 1 |
Intermezzo_Op._118_No._2_A_Major_unedited_-_Johannes_Brahms | X:1
T:Intermezzo
C:Johannes Brahms
Z:Public domain. Engraved by Leonardo Cisija (contact Leonardo@Cisija.com).
%%score { ( 1 2 ) | ( 3 4 5 ) }
L:1/8
Q:1/4=75
M:3/4
I:linebreak $
K:A
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:3 bass
V:4 bass
V:5 bass
V:1
"^Andante teneramente"!p! (cB) | [Fd]4 (cB) | !arpeggio!a4!... | 1 | What instruments are used? | Piano |
Intermezzo_Op._118_No._2_A_Major_unedited_-_Johannes_Brahms | X:1
T:Intermezzo
C:Johannes Brahms
Z:Public domain. Engraved by Leonardo Cisija (contact Leonardo@Cisija.com).
%%score { ( 1 2 ) | ( 3 4 5 ) }
L:1/8
Q:1/4=75
M:3/4
I:linebreak $
K:A
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:3 bass
V:4 bass
V:5 bass
V:1
"^Andante teneramente"!p! (cB) | [Fd]4 (cB) | !arpeggio!a4!... | 1 | What is the initial clef? | Treble and bass clefs |
Intermezzo_Op._118_No._2_A_Major_unedited_-_Johannes_Brahms | X:1
T:Intermezzo
C:Johannes Brahms
Z:Public domain. Engraved by Leonardo Cisija (contact Leonardo@Cisija.com).
%%score { ( 1 2 ) | ( 3 4 5 ) }
L:1/8
Q:1/4=75
M:3/4
I:linebreak $
K:A
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:3 bass
V:4 bass
V:5 bass
V:1
"^Andante teneramente"!p! (cB) | [Fd]4 (cB) | !arpeggio!a4!... | 1 | What is the initial tempo indication? | Andante |
Intermezzo_Op._118_No._2_A_Major_unedited_-_Johannes_Brahms | X:1
T:Intermezzo
C:Johannes Brahms
Z:Public domain. Engraved by Leonardo Cisija (contact Leonardo@Cisija.com).
%%score { ( 1 2 ) | ( 3 4 5 ) }
L:1/8
Q:1/4=75
M:3/4
I:linebreak $
K:A
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:3 bass
V:4 bass
V:5 bass
V:1
"^Andante teneramente"!p! (cB) | [Fd]4 (cB) | !arpeggio!a4!... | 2 | In bar 110, what is the longest note value? | Crotchet |
Intermezzo_Op._118_No._2_A_Major_unedited_-_Johannes_Brahms | X:1
T:Intermezzo
C:Johannes Brahms
Z:Public domain. Engraved by Leonardo Cisija (contact Leonardo@Cisija.com).
%%score { ( 1 2 ) | ( 3 4 5 ) }
L:1/8
Q:1/4=75
M:3/4
I:linebreak $
K:A
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:3 bass
V:4 bass
V:5 bass
V:1
"^Andante teneramente"!p! (cB) | [Fd]4 (cB) | !arpeggio!a4!... | 2 | In bar 56, is there a repeat sign? | Yes |
Intermezzo_Op._118_No._2_A_Major_unedited_-_Johannes_Brahms | X:1
T:Intermezzo
C:Johannes Brahms
Z:Public domain. Engraved by Leonardo Cisija (contact Leonardo@Cisija.com).
%%score { ( 1 2 ) | ( 3 4 5 ) }
L:1/8
Q:1/4=75
M:3/4
I:linebreak $
K:A
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:3 bass
V:4 bass
V:5 bass
V:1
"^Andante teneramente"!p! (cB) | [Fd]4 (cB) | !arpeggio!a4!... | 2 | In bar 55, is there an accidental, and what is it? | D♯ 3, D♯ 4, B♯ 3 |
Intermezzo_Op._118_No._2_A_Major_unedited_-_Johannes_Brahms | X:1
T:Intermezzo
C:Johannes Brahms
Z:Public domain. Engraved by Leonardo Cisija (contact Leonardo@Cisija.com).
%%score { ( 1 2 ) | ( 3 4 5 ) }
L:1/8
Q:1/4=75
M:3/4
I:linebreak $
K:A
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:3 bass
V:4 bass
V:5 bass
V:1
"^Andante teneramente"!p! (cB) | [Fd]4 (cB) | !arpeggio!a4!... | 3 | In bar 1, does it begin on the tonic chord of the original key? | Yes |
Intermezzo_Op._118_No._2_A_Major_unedited_-_Johannes_Brahms | X:1
T:Intermezzo
C:Johannes Brahms
Z:Public domain. Engraved by Leonardo Cisija (contact Leonardo@Cisija.com).
%%score { ( 1 2 ) | ( 3 4 5 ) }
L:1/8
Q:1/4=75
M:3/4
I:linebreak $
K:A
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:3 bass
V:4 bass
V:5 bass
V:1
"^Andante teneramente"!p! (cB) | [Fd]4 (cB) | !arpeggio!a4!... | 3 | In bar 1, what are the repeated notes in the first chord? | Tonic |
Intermezzo_Op._118_No._2_A_Major_unedited_-_Johannes_Brahms | X:1
T:Intermezzo
C:Johannes Brahms
Z:Public domain. Engraved by Leonardo Cisija (contact Leonardo@Cisija.com).
%%score { ( 1 2 ) | ( 3 4 5 ) }
L:1/8
Q:1/4=75
M:3/4
I:linebreak $
K:A
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:3 bass
V:4 bass
V:5 bass
V:1
"^Andante teneramente"!p! (cB) | [Fd]4 (cB) | !arpeggio!a4!... | 3 | In bar 116, is there an anticipation in the chord? | No |
Intermezzo_Op._118_No._2_A_Major_unedited_-_Johannes_Brahms | X:1
T:Intermezzo
C:Johannes Brahms
Z:Public domain. Engraved by Leonardo Cisija (contact Leonardo@Cisija.com).
%%score { ( 1 2 ) | ( 3 4 5 ) }
L:1/8
Q:1/4=75
M:3/4
I:linebreak $
K:A
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:3 bass
V:4 bass
V:5 bass
V:1
"^Andante teneramente"!p! (cB) | [Fd]4 (cB) | !arpeggio!a4!... | 4 | In which bar does the melodic motif appear? | 1 |
Intermezzo_Op._118_No._2_A_Major_unedited_-_Johannes_Brahms | X:1
T:Intermezzo
C:Johannes Brahms
Z:Public domain. Engraved by Leonardo Cisija (contact Leonardo@Cisija.com).
%%score { ( 1 2 ) | ( 3 4 5 ) }
L:1/8
Q:1/4=75
M:3/4
I:linebreak $
K:A
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:3 bass
V:4 bass
V:5 bass
V:1
"^Andante teneramente"!p! (cB) | [Fd]4 (cB) | !arpeggio!a4!... | 4 | What are the main features of the motif? | Second interval |
Intermezzo_Op._118_No._2_A_Major_unedited_-_Johannes_Brahms | X:1
T:Intermezzo
C:Johannes Brahms
Z:Public domain. Engraved by Leonardo Cisija (contact Leonardo@Cisija.com).
%%score { ( 1 2 ) | ( 3 4 5 ) }
L:1/8
Q:1/4=75
M:3/4
I:linebreak $
K:A
V:1 treble nm="Piano" snm="Pno."
V:2 treble
V:3 bass
V:4 bass
V:5 bass
V:1
"^Andante teneramente"!p! (cB) | [Fd]4 (cB) | !arpeggio!a4!... | 4 | How is the melodic motif ornamented? | Added non-chord note |
Introduction_et_rondo_capriccioso_Op.28__Camille_Saint-Sans_arr._for_solo_piano | X:1
T:introduction and rondo capriccioso
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=52
M:2/4
I:linebreak $
K:C
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
"^Andante malinconico."!pp! !tenuto![A,CE]2 !arpeggio!!wedge![CEA] z | %1
!tenuto![A,CE]2 !arpeggio!!wedge![CEA] z | (!arpeggio![CAe]A) z/ (... | 1 | Who is the composer? | Saint-Saëns |
Introduction_et_rondo_capriccioso_Op.28__Camille_Saint-Sans_arr._for_solo_piano | X:1
T:introduction and rondo capriccioso
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=52
M:2/4
I:linebreak $
K:C
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
"^Andante malinconico."!pp! !tenuto![A,CE]2 !arpeggio!!wedge![CEA] z | %1
!tenuto![A,CE]2 !arpeggio!!wedge![CEA] z | (!arpeggio![CAe]A) z/ (... | 1 | What is the title of the piece? | Introduction et rondo capriccioso, Op. 28 |
Introduction_et_rondo_capriccioso_Op.28__Camille_Saint-Sans_arr._for_solo_piano | X:1
T:introduction and rondo capriccioso
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=52
M:2/4
I:linebreak $
K:C
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
"^Andante malinconico."!pp! !tenuto![A,CE]2 !arpeggio!!wedge![CEA] z | %1
!tenuto![A,CE]2 !arpeggio!!wedge![CEA] z | (!arpeggio![CAe]A) z/ (... | 1 | What is the initial time signature? | 2/4 time |
Introduction_et_rondo_capriccioso_Op.28__Camille_Saint-Sans_arr._for_solo_piano | X:1
T:introduction and rondo capriccioso
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=52
M:2/4
I:linebreak $
K:C
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
"^Andante malinconico."!pp! !tenuto![A,CE]2 !arpeggio!!wedge![CEA] z | %1
!tenuto![A,CE]2 !arpeggio!!wedge![CEA] z | (!arpeggio![CAe]A) z/ (... | 2 | In bar 18, what is the new clef? | Treble clef |
Introduction_et_rondo_capriccioso_Op.28__Camille_Saint-Sans_arr._for_solo_piano | X:1
T:introduction and rondo capriccioso
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=52
M:2/4
I:linebreak $
K:C
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
"^Andante malinconico."!pp! !tenuto![A,CE]2 !arpeggio!!wedge![CEA] z | %1
!tenuto![A,CE]2 !arpeggio!!wedge![CEA] z | (!arpeggio![CAe]A) z/ (... | 2 | Between bars 1–36, are there repeat signs? | No |
Introduction_et_rondo_capriccioso_Op.28__Camille_Saint-Sans_arr._for_solo_piano | X:1
T:introduction and rondo capriccioso
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=52
M:2/4
I:linebreak $
K:C
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
"^Andante malinconico."!pp! !tenuto![A,CE]2 !arpeggio!!wedge![CEA] z | %1
!tenuto![A,CE]2 !arpeggio!!wedge![CEA] z | (!arpeggio![CAe]A) z/ (... | 2 | In bar 307, what is the new key signature? | A major |
Introduction_et_rondo_capriccioso_Op.28__Camille_Saint-Sans_arr._for_solo_piano | X:1
T:introduction and rondo capriccioso
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=52
M:2/4
I:linebreak $
K:C
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
"^Andante malinconico."!pp! !tenuto![A,CE]2 !arpeggio!!wedge![CEA] z | %1
!tenuto![A,CE]2 !arpeggio!!wedge![CEA] z | (!arpeggio![CAe]A) z/ (... | 3 | In bar 38, what is the voicing of the A minor chord? | Close spacing |
Introduction_et_rondo_capriccioso_Op.28__Camille_Saint-Sans_arr._for_solo_piano | X:1
T:introduction and rondo capriccioso
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=52
M:2/4
I:linebreak $
K:C
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
"^Andante malinconico."!pp! !tenuto![A,CE]2 !arpeggio!!wedge![CEA] z | %1
!tenuto![A,CE]2 !arpeggio!!wedge![CEA] z | (!arpeggio![CAe]A) z/ (... | 3 | Between bars 26–27, is there a suspension or anticipation? | No |
Introduction_et_rondo_capriccioso_Op.28__Camille_Saint-Sans_arr._for_solo_piano | X:1
T:introduction and rondo capriccioso
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=52
M:2/4
I:linebreak $
K:C
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
"^Andante malinconico."!pp! !tenuto![A,CE]2 !arpeggio!!wedge![CEA] z | %1
!tenuto![A,CE]2 !arpeggio!!wedge![CEA] z | (!arpeggio![CAe]A) z/ (... | 3 | In bar 44, is there a B♭major/F chord? | Yes |
Introduction_et_rondo_capriccioso_Op.28__Camille_Saint-Sans_arr._for_solo_piano | X:1
T:introduction and rondo capriccioso
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=52
M:2/4
I:linebreak $
K:C
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
"^Andante malinconico."!pp! !tenuto![A,CE]2 !arpeggio!!wedge![CEA] z | %1
!tenuto![A,CE]2 !arpeggio!!wedge![CEA] z | (!arpeggio![CAe]A) z/ (... | 4 | What are the main structural features of the motif? | Leap of a perfect fourth |
Introduction_et_rondo_capriccioso_Op.28__Camille_Saint-Sans_arr._for_solo_piano | X:1
T:introduction and rondo capriccioso
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=52
M:2/4
I:linebreak $
K:C
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
"^Andante malinconico."!pp! !tenuto![A,CE]2 !arpeggio!!wedge![CEA] z | %1
!tenuto![A,CE]2 !arpeggio!!wedge![CEA] z | (!arpeggio![CAe]A) z/ (... | 4 | In which bar does the melodic motif first appear? | Bars 1–4 |
Introduction_et_rondo_capriccioso_Op.28__Camille_Saint-Sans_arr._for_solo_piano | X:1
T:introduction and rondo capriccioso
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=52
M:2/4
I:linebreak $
K:C
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:1
"^Andante malinconico."!pp! !tenuto![A,CE]2 !arpeggio!!wedge![CEA] z | %1
!tenuto![A,CE]2 !arpeggio!!wedge![CEA] z | (!arpeggio![CAe]A) z/ (... | 4 | What are the main structural features of the motif? | Arpeggio |
J.S._Bach_-_Toccata__Fugue_in_D_minor_BWV_565 | X:1
T:Toccata & Fugue in D minor
C:J.S. Bach (1685-1750)
%%score { ( 1 5 6 7 ) | ( 2 3 4 ) }
L:1/8
Q:1/8=44
M:4/4
I:linebreak $
K:F
V:1 treble nm="Piano" snm="Pno."
V:5 treble
V:6 treble
V:7 treble
V:2 bass
V:3 bass
V:4 bass
V:1
!f!"^Adagio""^3" (a/4g/4a/) !fermata!z/4"^5" (g/8f/8e/8d/8"^2"^c/4"^1" d/) !fermata!z... | 1 | Who is the composer? | Bach |
J.S._Bach_-_Toccata__Fugue_in_D_minor_BWV_565 | X:1
T:Toccata & Fugue in D minor
C:J.S. Bach (1685-1750)
%%score { ( 1 5 6 7 ) | ( 2 3 4 ) }
L:1/8
Q:1/8=44
M:4/4
I:linebreak $
K:F
V:1 treble nm="Piano" snm="Pno."
V:5 treble
V:6 treble
V:7 treble
V:2 bass
V:3 bass
V:4 bass
V:1
!f!"^Adagio""^3" (a/4g/4a/) !fermata!z/4"^5" (g/8f/8e/8d/8"^2"^c/4"^1" d/) !fermata!z... | 1 | What is the initial tempo indication? | Adagio |
J.S._Bach_-_Toccata__Fugue_in_D_minor_BWV_565 | X:1
T:Toccata & Fugue in D minor
C:J.S. Bach (1685-1750)
%%score { ( 1 5 6 7 ) | ( 2 3 4 ) }
L:1/8
Q:1/8=44
M:4/4
I:linebreak $
K:F
V:1 treble nm="Piano" snm="Pno."
V:5 treble
V:6 treble
V:7 treble
V:2 bass
V:3 bass
V:4 bass
V:1
!f!"^Adagio""^3" (a/4g/4a/) !fermata!z/4"^5" (g/8f/8e/8d/8"^2"^c/4"^1" d/) !fermata!z... | 1 | What is the title of the piece? | Toccata and Fugue in D minor |
J.S._Bach_-_Toccata__Fugue_in_D_minor_BWV_565 | X:1
T:Toccata & Fugue in D minor
C:J.S. Bach (1685-1750)
%%score { ( 1 5 6 7 ) | ( 2 3 4 ) }
L:1/8
Q:1/8=44
M:4/4
I:linebreak $
K:F
V:1 treble nm="Piano" snm="Pno."
V:5 treble
V:6 treble
V:7 treble
V:2 bass
V:3 bass
V:4 bass
V:1
!f!"^Adagio""^3" (a/4g/4a/) !fermata!z/4"^5" (g/8f/8e/8d/8"^2"^c/4"^1" d/) !fermata!z... | 2 | In bar 1, what performance marking is given? | Slur, fermata |
J.S._Bach_-_Toccata__Fugue_in_D_minor_BWV_565 | X:1
T:Toccata & Fugue in D minor
C:J.S. Bach (1685-1750)
%%score { ( 1 5 6 7 ) | ( 2 3 4 ) }
L:1/8
Q:1/8=44
M:4/4
I:linebreak $
K:F
V:1 treble nm="Piano" snm="Pno."
V:5 treble
V:6 treble
V:7 treble
V:2 bass
V:3 bass
V:4 bass
V:1
!f!"^Adagio""^3" (a/4g/4a/) !fermata!z/4"^5" (g/8f/8e/8d/8"^2"^c/4"^1" d/) !fermata!z... | 2 | In bar 1, is there an accidental, and what is it? | With C♯ 4 |
J.S._Bach_-_Toccata__Fugue_in_D_minor_BWV_565 | X:1
T:Toccata & Fugue in D minor
C:J.S. Bach (1685-1750)
%%score { ( 1 5 6 7 ) | ( 2 3 4 ) }
L:1/8
Q:1/8=44
M:4/4
I:linebreak $
K:F
V:1 treble nm="Piano" snm="Pno."
V:5 treble
V:6 treble
V:7 treble
V:2 bass
V:3 bass
V:4 bass
V:1
!f!"^Adagio""^3" (a/4g/4a/) !fermata!z/4"^5" (g/8f/8e/8d/8"^2"^c/4"^1" d/) !fermata!z... | 2 | In bar 38, what is the highest pitch? | G4 |
J.S._Bach_-_Toccata__Fugue_in_D_minor_BWV_565 | X:1
T:Toccata & Fugue in D minor
C:J.S. Bach (1685-1750)
%%score { ( 1 5 6 7 ) | ( 2 3 4 ) }
L:1/8
Q:1/8=44
M:4/4
I:linebreak $
K:F
V:1 treble nm="Piano" snm="Pno."
V:5 treble
V:6 treble
V:7 treble
V:2 bass
V:3 bass
V:4 bass
V:1
!f!"^Adagio""^3" (a/4g/4a/) !fermata!z/4"^5" (g/8f/8e/8d/8"^2"^c/4"^1" d/) !fermata!z... | 3 | In bar 13, is there a chord V? | Yes |
J.S._Bach_-_Toccata__Fugue_in_D_minor_BWV_565 | X:1
T:Toccata & Fugue in D minor
C:J.S. Bach (1685-1750)
%%score { ( 1 5 6 7 ) | ( 2 3 4 ) }
L:1/8
Q:1/8=44
M:4/4
I:linebreak $
K:F
V:1 treble nm="Piano" snm="Pno."
V:5 treble
V:6 treble
V:7 treble
V:2 bass
V:3 bass
V:4 bass
V:1
!f!"^Adagio""^3" (a/4g/4a/) !fermata!z/4"^5" (g/8f/8e/8d/8"^2"^c/4"^1" d/) !fermata!z... | 3 | In bar 143, is there a tonic chord? | Yes |
J.S._Bach_-_Toccata__Fugue_in_D_minor_BWV_565 | X:1
T:Toccata & Fugue in D minor
C:J.S. Bach (1685-1750)
%%score { ( 1 5 6 7 ) | ( 2 3 4 ) }
L:1/8
Q:1/8=44
M:4/4
I:linebreak $
K:F
V:1 treble nm="Piano" snm="Pno."
V:5 treble
V:6 treble
V:7 treble
V:2 bass
V:3 bass
V:4 bass
V:1
!f!"^Adagio""^3" (a/4g/4a/) !fermata!z/4"^5" (g/8f/8e/8d/8"^2"^c/4"^1" d/) !fermata!z... | 3 | In bar 22, is there a C♯ diminished 7th chord? | Yes |
J.S._Bach_-_Toccata__Fugue_in_D_minor_BWV_565 | X:1
T:Toccata & Fugue in D minor
C:J.S. Bach (1685-1750)
%%score { ( 1 5 6 7 ) | ( 2 3 4 ) }
L:1/8
Q:1/8=44
M:4/4
I:linebreak $
K:F
V:1 treble nm="Piano" snm="Pno."
V:5 treble
V:6 treble
V:7 treble
V:2 bass
V:3 bass
V:4 bass
V:1
!f!"^Adagio""^3" (a/4g/4a/) !fermata!z/4"^5" (g/8f/8e/8d/8"^2"^c/4"^1" d/) !fermata!z... | 4 | What is the performance form of the piece? | Piano solo |
J.S._Bach_-_Toccata__Fugue_in_D_minor_BWV_565 | X:1
T:Toccata & Fugue in D minor
C:J.S. Bach (1685-1750)
%%score { ( 1 5 6 7 ) | ( 2 3 4 ) }
L:1/8
Q:1/8=44
M:4/4
I:linebreak $
K:F
V:1 treble nm="Piano" snm="Pno."
V:5 treble
V:6 treble
V:7 treble
V:2 bass
V:3 bass
V:4 bass
V:1
!f!"^Adagio""^3" (a/4g/4a/) !fermata!z/4"^5" (g/8f/8e/8d/8"^2"^c/4"^1" d/) !fermata!z... | 4 | What is the genre of the piece? | Toccata |
J.S._Bach_-_Toccata__Fugue_in_D_minor_BWV_565 | X:1
T:Toccata & Fugue in D minor
C:J.S. Bach (1685-1750)
%%score { ( 1 5 6 7 ) | ( 2 3 4 ) }
L:1/8
Q:1/8=44
M:4/4
I:linebreak $
K:F
V:1 treble nm="Piano" snm="Pno."
V:5 treble
V:6 treble
V:7 treble
V:2 bass
V:3 bass
V:4 bass
V:1
!f!"^Adagio""^3" (a/4g/4a/) !fermata!z/4"^5" (g/8f/8e/8d/8"^2"^c/4"^1" d/) !fermata!z... | 4 | What is the most frequently used type of accompaniment in the piece? | Arpeggio |
J._S._Bach_-_Cello_Suite_n_1_BWV_1007_-_1._Prlude | X:1
C:Johann Sebastian Bach
Z:B. 2013 – Rev. 2023
%%score ( 1 2 )
L:1/8
M:4/4
I:linebreak $
K:G
V:1 bass nm="Violoncello"
V:2 bass
V:1
(G,,/D,/B,/)A,/ B,/D,/B,/D,/ (G,,/D,/B,/)A,/ B,/D,/B,/D,/ | %1
(G,,/E,/C/)B,/ C/E,/C/E,/ (G,,/E,/C/)B,/ C/E,/C/E,/ | %2
(G,,/F,/C/)B,/ C/F,/C/F,/ (G,,/F,/C/)B,/ C/F,/C/F,/ | %3
(... | 1 | Who is the composer? | Bach |
J._S._Bach_-_Cello_Suite_n_1_BWV_1007_-_1._Prlude | X:1
C:Johann Sebastian Bach
Z:B. 2013 – Rev. 2023
%%score ( 1 2 )
L:1/8
M:4/4
I:linebreak $
K:G
V:1 bass nm="Violoncello"
V:2 bass
V:1
(G,,/D,/B,/)A,/ B,/D,/B,/D,/ (G,,/D,/B,/)A,/ B,/D,/B,/D,/ | %1
(G,,/E,/C/)B,/ C/E,/C/E,/ (G,,/E,/C/)B,/ C/E,/C/E,/ | %2
(G,,/F,/C/)B,/ C/F,/C/F,/ (G,,/F,/C/)B,/ C/F,/C/F,/ | %3
(... | 1 | What is the initial key? | G major |
J._S._Bach_-_Cello_Suite_n_1_BWV_1007_-_1._Prlude | X:1
C:Johann Sebastian Bach
Z:B. 2013 – Rev. 2023
%%score ( 1 2 )
L:1/8
M:4/4
I:linebreak $
K:G
V:1 bass nm="Violoncello"
V:2 bass
V:1
(G,,/D,/B,/)A,/ B,/D,/B,/D,/ (G,,/D,/B,/)A,/ B,/D,/B,/D,/ | %1
(G,,/E,/C/)B,/ C/E,/C/E,/ (G,,/E,/C/)B,/ C/E,/C/E,/ | %2
(G,,/F,/C/)B,/ C/F,/C/F,/ (G,,/F,/C/)B,/ C/F,/C/F,/ | %3
(... | 1 | What instruments are used? | Cello |
J._S._Bach_-_Cello_Suite_n_1_BWV_1007_-_1._Prlude | X:1
C:Johann Sebastian Bach
Z:B. 2013 – Rev. 2023
%%score ( 1 2 )
L:1/8
M:4/4
I:linebreak $
K:G
V:1 bass nm="Violoncello"
V:2 bass
V:1
(G,,/D,/B,/)A,/ B,/D,/B,/D,/ (G,,/D,/B,/)A,/ B,/D,/B,/D,/ | %1
(G,,/E,/C/)B,/ C/E,/C/E,/ (G,,/E,/C/)B,/ C/E,/C/E,/ | %2
(G,,/F,/C/)B,/ C/F,/C/F,/ (G,,/F,/C/)B,/ C/F,/C/F,/ | %3
(... | 2 | In bar 3, what is the lowest pitch? | G2 |
J._S._Bach_-_Cello_Suite_n_1_BWV_1007_-_1._Prlude | X:1
C:Johann Sebastian Bach
Z:B. 2013 – Rev. 2023
%%score ( 1 2 )
L:1/8
M:4/4
I:linebreak $
K:G
V:1 bass nm="Violoncello"
V:2 bass
V:1
(G,,/D,/B,/)A,/ B,/D,/B,/D,/ (G,,/D,/B,/)A,/ B,/D,/B,/D,/ | %1
(G,,/E,/C/)B,/ C/E,/C/E,/ (G,,/E,/C/)B,/ C/E,/C/E,/ | %2
(G,,/F,/C/)B,/ C/F,/C/F,/ (G,,/F,/C/)B,/ C/F,/C/F,/ | %3
(... | 2 | In bar 15, is there a repeat sign? | None |
J._S._Bach_-_Cello_Suite_n_1_BWV_1007_-_1._Prlude | X:1
C:Johann Sebastian Bach
Z:B. 2013 – Rev. 2023
%%score ( 1 2 )
L:1/8
M:4/4
I:linebreak $
K:G
V:1 bass nm="Violoncello"
V:2 bass
V:1
(G,,/D,/B,/)A,/ B,/D,/B,/D,/ (G,,/D,/B,/)A,/ B,/D,/B,/D,/ | %1
(G,,/E,/C/)B,/ C/E,/C/E,/ (G,,/E,/C/)B,/ C/E,/C/E,/ | %2
(G,,/F,/C/)B,/ C/F,/C/F,/ (G,,/F,/C/)B,/ C/F,/C/F,/ | %3
(... | 2 | In bar 42, what is the performance (articulation) marking? | Fermata |
J._S._Bach_-_Cello_Suite_n_1_BWV_1007_-_1._Prlude | X:1
C:Johann Sebastian Bach
Z:B. 2013 – Rev. 2023
%%score ( 1 2 )
L:1/8
M:4/4
I:linebreak $
K:G
V:1 bass nm="Violoncello"
V:2 bass
V:1
(G,,/D,/B,/)A,/ B,/D,/B,/D,/ (G,,/D,/B,/)A,/ B,/D,/B,/D,/ | %1
(G,,/E,/C/)B,/ C/E,/C/E,/ (G,,/E,/C/)B,/ C/E,/C/E,/ | %2
(G,,/F,/C/)B,/ C/F,/C/F,/ (G,,/F,/C/)B,/ C/F,/C/F,/ | %3
(... | 3 | In bar 13, is there a perfect cadence? | None |
J._S._Bach_-_Cello_Suite_n_1_BWV_1007_-_1._Prlude | X:1
C:Johann Sebastian Bach
Z:B. 2013 – Rev. 2023
%%score ( 1 2 )
L:1/8
M:4/4
I:linebreak $
K:G
V:1 bass nm="Violoncello"
V:2 bass
V:1
(G,,/D,/B,/)A,/ B,/D,/B,/D,/ (G,,/D,/B,/)A,/ B,/D,/B,/D,/ | %1
(G,,/E,/C/)B,/ C/E,/C/E,/ (G,,/E,/C/)B,/ C/E,/C/E,/ | %2
(G,,/F,/C/)B,/ C/F,/C/F,/ (G,,/F,/C/)B,/ C/F,/C/F,/ | %3
(... | 3 | In bar 32, what scale degree is the chord? (use I, II, III, IV, V, VI, VII) | V–II |
J._S._Bach_-_Cello_Suite_n_1_BWV_1007_-_1._Prlude | X:1
C:Johann Sebastian Bach
Z:B. 2013 – Rev. 2023
%%score ( 1 2 )
L:1/8
M:4/4
I:linebreak $
K:G
V:1 bass nm="Violoncello"
V:2 bass
V:1
(G,,/D,/B,/)A,/ B,/D,/B,/D,/ (G,,/D,/B,/)A,/ B,/D,/B,/D,/ | %1
(G,,/E,/C/)B,/ C/E,/C/E,/ (G,,/E,/C/)B,/ C/E,/C/E,/ | %2
(G,,/F,/C/)B,/ C/F,/C/F,/ (G,,/F,/C/)B,/ C/F,/C/F,/ | %3
(... | 3 | In bar 22, is there a suspension in the chord? | Yes |
J._S._Bach_-_Cello_Suite_n_1_BWV_1007_-_1._Prlude | X:1
C:Johann Sebastian Bach
Z:B. 2013 – Rev. 2023
%%score ( 1 2 )
L:1/8
M:4/4
I:linebreak $
K:G
V:1 bass nm="Violoncello"
V:2 bass
V:1
(G,,/D,/B,/)A,/ B,/D,/B,/D,/ (G,,/D,/B,/)A,/ B,/D,/B,/D,/ | %1
(G,,/E,/C/)B,/ C/E,/C/E,/ (G,,/E,/C/)B,/ C/E,/C/E,/ | %2
(G,,/F,/C/)B,/ C/F,/C/F,/ (G,,/F,/C/)B,/ C/F,/C/F,/ | %3
(... | 4 | In bar 31, what is the bowing of the second note? | Up-bow |
J._S._Bach_-_Cello_Suite_n_1_BWV_1007_-_1._Prlude | X:1
C:Johann Sebastian Bach
Z:B. 2013 – Rev. 2023
%%score ( 1 2 )
L:1/8
M:4/4
I:linebreak $
K:G
V:1 bass nm="Violoncello"
V:2 bass
V:1
(G,,/D,/B,/)A,/ B,/D,/B,/D,/ (G,,/D,/B,/)A,/ B,/D,/B,/D,/ | %1
(G,,/E,/C/)B,/ C/E,/C/E,/ (G,,/E,/C/)B,/ C/E,/C/E,/ | %2
(G,,/F,/C/)B,/ C/F,/C/F,/ (G,,/F,/C/)B,/ C/F,/C/F,/ | %3
(... | 4 | In bar 31, what is the bowing of the fifth note? | Down-bow |
J._S._Bach_-_Cello_Suite_n_1_BWV_1007_-_1._Prlude | X:1
C:Johann Sebastian Bach
Z:B. 2013 – Rev. 2023
%%score ( 1 2 )
L:1/8
M:4/4
I:linebreak $
K:G
V:1 bass nm="Violoncello"
V:2 bass
V:1
(G,,/D,/B,/)A,/ B,/D,/B,/D,/ (G,,/D,/B,/)A,/ B,/D,/B,/D,/ | %1
(G,,/E,/C/)B,/ C/E,/C/E,/ (G,,/E,/C/)B,/ C/E,/C/E,/ | %2
(G,,/F,/C/)B,/ C/F,/C/F,/ (G,,/F,/C/)B,/ C/F,/C/F,/ | %3
(... | 4 | What is the predominant tempo/rhythm of the piece? | Semiquaver (sixteenth note) |
J._S._Bach_disputed_Fugue_in_D_minor_BWV_948 | X:1
T:Fugue in D minor
C:J. S. Bach
%%score { ( 1 2 ) | ( 3 4 5 ) } 6
L:1/8
Q:1/4=75
M:4/4
I:linebreak $
K:F
V:1 treble nm="Organ"
V:2 treble
V:3 bass
V:4 bass
V:5 bass
V:6 bass nm="Organ"
V:1
!mp! z8 | z8 | z8 | z8 | z4 z2 z A/=B/ | cAeA ^G2 z/ e/d/e/ | %6
c/e/A/c/ f/d/A/c/ =B/d/G/B/ e/c/G/B/ | A/c/F/A/ d/=B/^F/A... | 1 | Who is the composer? | Bach |
J._S._Bach_disputed_Fugue_in_D_minor_BWV_948 | X:1
T:Fugue in D minor
C:J. S. Bach
%%score { ( 1 2 ) | ( 3 4 5 ) } 6
L:1/8
Q:1/4=75
M:4/4
I:linebreak $
K:F
V:1 treble nm="Organ"
V:2 treble
V:3 bass
V:4 bass
V:5 bass
V:6 bass nm="Organ"
V:1
!mp! z8 | z8 | z8 | z8 | z4 z2 z A/=B/ | cAeA ^G2 z/ e/d/e/ | %6
c/e/A/c/ f/d/A/c/ =B/d/G/B/ e/c/G/B/ | A/c/F/A/ d/=B/^F/A... | 1 | What instruments are used? | Piano |
J._S._Bach_disputed_Fugue_in_D_minor_BWV_948 | X:1
T:Fugue in D minor
C:J. S. Bach
%%score { ( 1 2 ) | ( 3 4 5 ) } 6
L:1/8
Q:1/4=75
M:4/4
I:linebreak $
K:F
V:1 treble nm="Organ"
V:2 treble
V:3 bass
V:4 bass
V:5 bass
V:6 bass nm="Organ"
V:1
!mp! z8 | z8 | z8 | z8 | z4 z2 z A/=B/ | cAeA ^G2 z/ e/d/e/ | %6
c/e/A/c/ f/d/A/c/ =B/d/G/B/ e/c/G/B/ | A/c/F/A/ d/=B/^F/A... | 1 | What is the initial time signature? | 4/4 time |
J._S._Bach_disputed_Fugue_in_D_minor_BWV_948 | X:1
T:Fugue in D minor
C:J. S. Bach
%%score { ( 1 2 ) | ( 3 4 5 ) } 6
L:1/8
Q:1/4=75
M:4/4
I:linebreak $
K:F
V:1 treble nm="Organ"
V:2 treble
V:3 bass
V:4 bass
V:5 bass
V:6 bass nm="Organ"
V:1
!mp! z8 | z8 | z8 | z8 | z4 z2 z A/=B/ | cAeA ^G2 z/ e/d/e/ | %6
c/e/A/c/ f/d/A/c/ =B/d/G/B/ e/c/G/B/ | A/c/F/A/ d/=B/^F/A... | 2 | In bar 15, what is the highest pitch? | A4 |
J._S._Bach_disputed_Fugue_in_D_minor_BWV_948 | X:1
T:Fugue in D minor
C:J. S. Bach
%%score { ( 1 2 ) | ( 3 4 5 ) } 6
L:1/8
Q:1/4=75
M:4/4
I:linebreak $
K:F
V:1 treble nm="Organ"
V:2 treble
V:3 bass
V:4 bass
V:5 bass
V:6 bass nm="Organ"
V:1
!mp! z8 | z8 | z8 | z8 | z4 z2 z A/=B/ | cAeA ^G2 z/ e/d/e/ | %6
c/e/A/c/ f/d/A/c/ =B/d/G/B/ e/c/G/B/ | A/c/F/A/ d/=B/^F/A... | 2 | In bar 56, is there an accidental, and what is it? | With C♯, F♯ |
J._S._Bach_disputed_Fugue_in_D_minor_BWV_948 | X:1
T:Fugue in D minor
C:J. S. Bach
%%score { ( 1 2 ) | ( 3 4 5 ) } 6
L:1/8
Q:1/4=75
M:4/4
I:linebreak $
K:F
V:1 treble nm="Organ"
V:2 treble
V:3 bass
V:4 bass
V:5 bass
V:6 bass nm="Organ"
V:1
!mp! z8 | z8 | z8 | z8 | z4 z2 z A/=B/ | cAeA ^G2 z/ e/d/e/ | %6
c/e/A/c/ f/d/A/c/ =B/d/G/B/ e/c/G/B/ | A/c/F/A/ d/=B/^F/A... | 2 | In bar 57, what is the dynamic marking? | None |
J._S._Bach_disputed_Fugue_in_D_minor_BWV_948 | X:1
T:Fugue in D minor
C:J. S. Bach
%%score { ( 1 2 ) | ( 3 4 5 ) } 6
L:1/8
Q:1/4=75
M:4/4
I:linebreak $
K:F
V:1 treble nm="Organ"
V:2 treble
V:3 bass
V:4 bass
V:5 bass
V:6 bass nm="Organ"
V:1
!mp! z8 | z8 | z8 | z8 | z4 z2 z A/=B/ | cAeA ^G2 z/ e/d/e/ | %6
c/e/A/c/ f/d/A/c/ =B/d/G/B/ e/c/G/B/ | A/c/F/A/ d/=B/^F/A... | 3 | In bar 54, is there a perfect cadence? | None |
J._S._Bach_disputed_Fugue_in_D_minor_BWV_948 | X:1
T:Fugue in D minor
C:J. S. Bach
%%score { ( 1 2 ) | ( 3 4 5 ) } 6
L:1/8
Q:1/4=75
M:4/4
I:linebreak $
K:F
V:1 treble nm="Organ"
V:2 treble
V:3 bass
V:4 bass
V:5 bass
V:6 bass nm="Organ"
V:1
!mp! z8 | z8 | z8 | z8 | z4 z2 z A/=B/ | cAeA ^G2 z/ e/d/e/ | %6
c/e/A/c/ f/d/A/c/ =B/d/G/B/ e/c/G/B/ | A/c/F/A/ d/=B/^F/A... | 3 | In bar 26, is there a B♭7 chord? | None |
J._S._Bach_disputed_Fugue_in_D_minor_BWV_948 | X:1
T:Fugue in D minor
C:J. S. Bach
%%score { ( 1 2 ) | ( 3 4 5 ) } 6
L:1/8
Q:1/4=75
M:4/4
I:linebreak $
K:F
V:1 treble nm="Organ"
V:2 treble
V:3 bass
V:4 bass
V:5 bass
V:6 bass nm="Organ"
V:1
!mp! z8 | z8 | z8 | z8 | z4 z2 z A/=B/ | cAeA ^G2 z/ e/d/e/ | %6
c/e/A/c/ f/d/A/c/ =B/d/G/B/ e/c/G/B/ | A/c/F/A/ d/=B/^F/A... | 3 | In bar 84, is there a tonic chord? | Yes |
J._S._Bach_disputed_Fugue_in_D_minor_BWV_948 | X:1
T:Fugue in D minor
C:J. S. Bach
%%score { ( 1 2 ) | ( 3 4 5 ) } 6
L:1/8
Q:1/4=75
M:4/4
I:linebreak $
K:F
V:1 treble nm="Organ"
V:2 treble
V:3 bass
V:4 bass
V:5 bass
V:6 bass nm="Organ"
V:1
!mp! z8 | z8 | z8 | z8 | z4 z2 z A/=B/ | cAeA ^G2 z/ e/d/e/ | %6
c/e/A/c/ f/d/A/c/ =B/d/G/B/ e/c/G/B/ | A/c/F/A/ d/=B/^F/A... | 4 | In which bar does the melodic motif appear? | 1 |
J._S._Bach_disputed_Fugue_in_D_minor_BWV_948 | X:1
T:Fugue in D minor
C:J. S. Bach
%%score { ( 1 2 ) | ( 3 4 5 ) } 6
L:1/8
Q:1/4=75
M:4/4
I:linebreak $
K:F
V:1 treble nm="Organ"
V:2 treble
V:3 bass
V:4 bass
V:5 bass
V:6 bass nm="Organ"
V:1
!mp! z8 | z8 | z8 | z8 | z4 z2 z A/=B/ | cAeA ^G2 z/ e/d/e/ | %6
c/e/A/c/ f/d/A/c/ =B/d/G/B/ e/c/G/B/ | A/c/F/A/ d/=B/^F/A... | 4 | What are the main features of the motif? | Third interval |
J._S._Bach_disputed_Fugue_in_D_minor_BWV_948 | X:1
T:Fugue in D minor
C:J. S. Bach
%%score { ( 1 2 ) | ( 3 4 5 ) } 6
L:1/8
Q:1/4=75
M:4/4
I:linebreak $
K:F
V:1 treble nm="Organ"
V:2 treble
V:3 bass
V:4 bass
V:5 bass
V:6 bass nm="Organ"
V:1
!mp! z8 | z8 | z8 | z8 | z4 z2 z A/=B/ | cAeA ^G2 z/ e/d/e/ | %6
c/e/A/c/ f/d/A/c/ =B/d/G/B/ e/c/G/B/ | A/c/F/A/ d/=B/^F/A... | 4 | In which bar does the melodic motif appear? | 1, 2 |
Johann_Strauss_-_Die_Fledermaus_Grunfeld_Op._56_Konzertparaphrase | X:1
T:Konzertparaphrase
C:Alfred Grunfeld
%%score { ( 1 4 ) | ( 2 3 5 ) }
L:1/8
Q:1/4=235
M:3/4
I:linebreak $
K:Db
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:5 bass
V:1
!p!{bc'} b.=a.b.c'.b._a |{ga} g.f.g.a.g.f |!<(! .!^!e.g .b z .d'!<)! z | %3
z2!<(! !arpeggio![gbd'g'] z!8va(! !arpeggio![g'b'... | 1 | Is there an anacrusis? | No |
Johann_Strauss_-_Die_Fledermaus_Grunfeld_Op._56_Konzertparaphrase | X:1
T:Konzertparaphrase
C:Alfred Grunfeld
%%score { ( 1 4 ) | ( 2 3 5 ) }
L:1/8
Q:1/4=235
M:3/4
I:linebreak $
K:Db
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:5 bass
V:1
!p!{bc'} b.=a.b.c'.b._a |{ga} g.f.g.a.g.f |!<(! .!^!e.g .b z .d'!<)! z | %3
z2!<(! !arpeggio![gbd'g'] z!8va(! !arpeggio![g'b'... | 1 | What is the initial key? | Db major |
Johann_Strauss_-_Die_Fledermaus_Grunfeld_Op._56_Konzertparaphrase | X:1
T:Konzertparaphrase
C:Alfred Grunfeld
%%score { ( 1 4 ) | ( 2 3 5 ) }
L:1/8
Q:1/4=235
M:3/4
I:linebreak $
K:Db
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:5 bass
V:1
!p!{bc'} b.=a.b.c'.b._a |{ga} g.f.g.a.g.f |!<(! .!^!e.g .b z .d'!<)! z | %3
z2!<(! !arpeggio![gbd'g'] z!8va(! !arpeggio![g'b'... | 1 | What is the initial expression marking? | None |
Johann_Strauss_-_Die_Fledermaus_Grunfeld_Op._56_Konzertparaphrase | X:1
T:Konzertparaphrase
C:Alfred Grunfeld
%%score { ( 1 4 ) | ( 2 3 5 ) }
L:1/8
Q:1/4=235
M:3/4
I:linebreak $
K:Db
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:5 bass
V:1
!p!{bc'} b.=a.b.c'.b._a |{ga} g.f.g.a.g.f |!<(! .!^!e.g .b z .d'!<)! z | %3
z2!<(! !arpeggio![gbd'g'] z!8va(! !arpeggio![g'b'... | 2 | In bar 1, is there an accidental? Which note does it affect? | Yes: A♮5, Ab5 |
Johann_Strauss_-_Die_Fledermaus_Grunfeld_Op._56_Konzertparaphrase | X:1
T:Konzertparaphrase
C:Alfred Grunfeld
%%score { ( 1 4 ) | ( 2 3 5 ) }
L:1/8
Q:1/4=235
M:3/4
I:linebreak $
K:Db
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:5 bass
V:1
!p!{bc'} b.=a.b.c'.b._a |{ga} g.f.g.a.g.f |!<(! .!^!e.g .b z .d'!<)! z | %3
z2!<(! !arpeggio![gbd'g'] z!8va(! !arpeggio![g'b'... | 2 | In bar 1, what is the dynamic marking? | p |
Johann_Strauss_-_Die_Fledermaus_Grunfeld_Op._56_Konzertparaphrase | X:1
T:Konzertparaphrase
C:Alfred Grunfeld
%%score { ( 1 4 ) | ( 2 3 5 ) }
L:1/8
Q:1/4=235
M:3/4
I:linebreak $
K:Db
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:5 bass
V:1
!p!{bc'} b.=a.b.c'.b._a |{ga} g.f.g.a.g.f |!<(! .!^!e.g .b z .d'!<)! z | %3
z2!<(! !arpeggio![gbd'g'] z!8va(! !arpeggio![g'b'... | 2 | In bar 6, what is the lowest pitch? | Eb3 |
Johann_Strauss_-_Die_Fledermaus_Grunfeld_Op._56_Konzertparaphrase | X:1
T:Konzertparaphrase
C:Alfred Grunfeld
%%score { ( 1 4 ) | ( 2 3 5 ) }
L:1/8
Q:1/4=235
M:3/4
I:linebreak $
K:Db
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:5 bass
V:1
!p!{bc'} b.=a.b.c'.b._a |{ga} g.f.g.a.g.f |!<(! .!^!e.g .b z .d'!<)! z | %3
z2!<(! !arpeggio![gbd'g'] z!8va(! !arpeggio![g'b'... | 3 | In bar 4, what is the voicing of the G♭ major chord? | Close position |
Johann_Strauss_-_Die_Fledermaus_Grunfeld_Op._56_Konzertparaphrase | X:1
T:Konzertparaphrase
C:Alfred Grunfeld
%%score { ( 1 4 ) | ( 2 3 5 ) }
L:1/8
Q:1/4=235
M:3/4
I:linebreak $
K:Db
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:5 bass
V:1
!p!{bc'} b.=a.b.c'.b._a |{ga} g.f.g.a.g.f |!<(! .!^!e.g .b z .d'!<)! z | %3
z2!<(! !arpeggio![gbd'g'] z!8va(! !arpeggio![g'b'... | 3 | In bar 4, what are the repeated notes in the G♭ major chord? | Root |
Johann_Strauss_-_Die_Fledermaus_Grunfeld_Op._56_Konzertparaphrase | X:1
T:Konzertparaphrase
C:Alfred Grunfeld
%%score { ( 1 4 ) | ( 2 3 5 ) }
L:1/8
Q:1/4=235
M:3/4
I:linebreak $
K:Db
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:5 bass
V:1
!p!{bc'} b.=a.b.c'.b._a |{ga} g.f.g.a.g.f |!<(! .!^!e.g .b z .d'!<)! z | %3
z2!<(! !arpeggio![gbd'g'] z!8va(! !arpeggio![g'b'... | 3 | In bar 4, what degree chord is the G♭ major chord (I, II, III, IV, V, VI, VII)? | IV |
Johann_Strauss_-_Die_Fledermaus_Grunfeld_Op._56_Konzertparaphrase | X:1
T:Konzertparaphrase
C:Alfred Grunfeld
%%score { ( 1 4 ) | ( 2 3 5 ) }
L:1/8
Q:1/4=235
M:3/4
I:linebreak $
K:Db
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:5 bass
V:1
!p!{bc'} b.=a.b.c'.b._a |{ga} g.f.g.a.g.f |!<(! .!^!e.g .b z .d'!<)! z | %3
z2!<(! !arpeggio![gbd'g'] z!8va(! !arpeggio![g'b'... | 4 | What is the performance medium of the piece? | Piano solo |
Johann_Strauss_-_Die_Fledermaus_Grunfeld_Op._56_Konzertparaphrase | X:1
T:Konzertparaphrase
C:Alfred Grunfeld
%%score { ( 1 4 ) | ( 2 3 5 ) }
L:1/8
Q:1/4=235
M:3/4
I:linebreak $
K:Db
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:5 bass
V:1
!p!{bc'} b.=a.b.c'.b._a |{ga} g.f.g.a.g.f |!<(! .!^!e.g .b z .d'!<)! z | %3
z2!<(! !arpeggio![gbd'g'] z!8va(! !arpeggio![g'b'... | 4 | What texture types are used in the piece? | Homophonic texture, Polyphonic texture |
Johann_Strauss_-_Die_Fledermaus_Grunfeld_Op._56_Konzertparaphrase | X:1
T:Konzertparaphrase
C:Alfred Grunfeld
%%score { ( 1 4 ) | ( 2 3 5 ) }
L:1/8
Q:1/4=235
M:3/4
I:linebreak $
K:Db
V:1 treble nm="Piano" snm="Pno."
V:4 treble
V:2 bass
V:3 bass
V:5 bass
V:1
!p!{bc'} b.=a.b.c'.b._a |{ga} g.f.g.a.g.f |!<(! .!^!e.g .b z .d'!<)! z | %3
z2!<(! !arpeggio![gbd'g'] z!8va(! !arpeggio![g'b'... | 4 | In which register is the melody in bars 1–2? | Upper-middle register |
Joseph_Haydn_-_String_quartet_-_Op._76_no.5_in_D_major_-_Movement_I | X:1
T:1121
T:None
%%score 1 2 3 4
L:1/8
M:6/8
I:linebreak $
K:D
V:1 treble
V:2 treble
V:3 treble
V:4 bass
V:1
A | d>cd ecA | def g2 f | e>fe bge | d/c/e/c/d/B/ ABc | d>cd ecA | def g2 f | e>fe bc'd' | %8
d>ec d z A | d>cd ed/c/B/A/ | def g2 f | e3/2g/4f/4 e/^a/ c'/b/=a/g/f/e/ | d/c/e/c/d/B/ ABc | %13
d>cd ed/c/B... | 1 | What is the initial time signature? | 8/6 time |
Joseph_Haydn_-_String_quartet_-_Op._76_no.5_in_D_major_-_Movement_I | X:1
T:1121
T:None
%%score 1 2 3 4
L:1/8
M:6/8
I:linebreak $
K:D
V:1 treble
V:2 treble
V:3 treble
V:4 bass
V:1
A | d>cd ecA | def g2 f | e>fe bge | d/c/e/c/d/B/ ABc | d>cd ecA | def g2 f | e>fe bc'd' | %8
d>ec d z A | d>cd ed/c/B/A/ | def g2 f | e3/2g/4f/4 e/^a/ c'/b/=a/g/f/e/ | d/c/e/c/d/B/ ABc | %13
d>cd ed/c/B... | 1 | What is the initial key? | D major |
Joseph_Haydn_-_String_quartet_-_Op._76_no.5_in_D_major_-_Movement_I | X:1
T:1121
T:None
%%score 1 2 3 4
L:1/8
M:6/8
I:linebreak $
K:D
V:1 treble
V:2 treble
V:3 treble
V:4 bass
V:1
A | d>cd ecA | def g2 f | e>fe bge | d/c/e/c/d/B/ ABc | d>cd ecA | def g2 f | e>fe bc'd' | %8
d>ec d z A | d>cd ed/c/B/A/ | def g2 f | e3/2g/4f/4 e/^a/ c'/b/=a/g/f/e/ | d/c/e/c/d/B/ ABc | %13
d>cd ed/c/B... | 1 | Who is the composer? | Haydn |
Joseph_Haydn_-_String_quartet_-_Op._76_no.5_in_D_major_-_Movement_I | X:1
T:1121
T:None
%%score 1 2 3 4
L:1/8
M:6/8
I:linebreak $
K:D
V:1 treble
V:2 treble
V:3 treble
V:4 bass
V:1
A | d>cd ecA | def g2 f | e>fe bge | d/c/e/c/d/B/ ABc | d>cd ecA | def g2 f | e>fe bc'd' | %8
d>ec d z A | d>cd ed/c/B/A/ | def g2 f | e3/2g/4f/4 e/^a/ c'/b/=a/g/f/e/ | d/c/e/c/d/B/ ABc | %13
d>cd ed/c/B... | 2 | In bar 14, what is the shortest rest value? | Quaver rest |
Joseph_Haydn_-_String_quartet_-_Op._76_no.5_in_D_major_-_Movement_I | X:1
T:1121
T:None
%%score 1 2 3 4
L:1/8
M:6/8
I:linebreak $
K:D
V:1 treble
V:2 treble
V:3 treble
V:4 bass
V:1
A | d>cd ecA | def g2 f | e>fe bge | d/c/e/c/d/B/ ABc | d>cd ecA | def g2 f | e>fe bc'd' | %8
d>ec d z A | d>cd ed/c/B/A/ | def g2 f | e3/2g/4f/4 e/^a/ c'/b/=a/g/f/e/ | d/c/e/c/d/B/ ABc | %13
d>cd ed/c/B... | 2 | In bars 1–128, is there a repeat sign? | No |
Joseph_Haydn_-_String_quartet_-_Op._76_no.5_in_D_major_-_Movement_I | X:1
T:1121
T:None
%%score 1 2 3 4
L:1/8
M:6/8
I:linebreak $
K:D
V:1 treble
V:2 treble
V:3 treble
V:4 bass
V:1
A | d>cd ecA | def g2 f | e>fe bge | d/c/e/c/d/B/ ABc | d>cd ecA | def g2 f | e>fe bc'd' | %8
d>ec d z A | d>cd ed/c/B/A/ | def g2 f | e3/2g/4f/4 e/^a/ c'/b/=a/g/f/e/ | d/c/e/c/d/B/ ABc | %13
d>cd ed/c/B... | 2 | In bar 2, is there an accidental? | Yes — C♮3 |
Joseph_Haydn_-_String_quartet_-_Op._76_no.5_in_D_major_-_Movement_I | X:1
T:1121
T:None
%%score 1 2 3 4
L:1/8
M:6/8
I:linebreak $
K:D
V:1 treble
V:2 treble
V:3 treble
V:4 bass
V:1
A | d>cd ecA | def g2 f | e>fe bge | d/c/e/c/d/B/ ABc | d>cd ecA | def g2 f | e>fe bc'd' | %8
d>ec d z A | d>cd ed/c/B/A/ | def g2 f | e3/2g/4f/4 e/^a/ c'/b/=a/g/f/e/ | d/c/e/c/d/B/ ABc | %13
d>cd ed/c/B... | 3 | In bar 1, what is the voicing of the D major chord? | Open position |
Joseph_Haydn_-_String_quartet_-_Op._76_no.5_in_D_major_-_Movement_I | X:1
T:1121
T:None
%%score 1 2 3 4
L:1/8
M:6/8
I:linebreak $
K:D
V:1 treble
V:2 treble
V:3 treble
V:4 bass
V:1
A | d>cd ecA | def g2 f | e>fe bge | d/c/e/c/d/B/ ABc | d>cd ecA | def g2 f | e>fe bc'd' | %8
d>ec d z A | d>cd ed/c/B/A/ | def g2 f | e3/2g/4f/4 e/^a/ c'/b/=a/g/f/e/ | d/c/e/c/d/B/ ABc | %13
d>cd ed/c/B... | 3 | In bar 1, what are the repeated notes of the D major chord? | Root note |
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