text stringlengths 112 737 | label stringlengths 32 303 |
|---|---|
This part and the chorus...
I want something that makes them really stand out.
Do you really think the leader's dancing will look good
-when he has the organdy? -He won't be dancing. | ์ด ๋ถ๋ถํ๊ณ ํ๋ ด์
๊ฐ์ฌ๊ฐ ์ ์ ๋ฌ๋์์ผ๋ฉด ์ข๊ฒ ์ด์
์ ๋น์ด ์ค๊ฑด๋๋ฅผ ๊ฐ๊ณ ์๋๋ฐ ๋ฆฌ๋์ ์ถค์ด
- ๋ฉ์์ด ๋ณด์ผ๊น์? - ์ถค์ ์ ์ถฐ์ |
Not here. Not yet.
What will he do?
If this is what we'll do, we'll be introducing it using the lasers during this time, right?
Then it seems like it won't be Satoshi Ohno's dance section if we show that at the start. | ์ด ๋ถ๋ถ์ ์์ง...
๊ทธ๋ผ ๋ญ ํ์ฃ ?
๋ ์ด์ ๊ธฐ๋ฅ์ ์๊ฐํ๋ ์๊ฐ์ด ๋ผ ๋ฒ๋ฆฌ์์์
๊ทธ๋ผ ์ค๋
ธ ์ฌํ ์์ ๋์ค ํ์์ด ์๋๊ฒ ๋๋ ๊ฒ ๊ฐ์์์ ์ฒ์์ ๊ทธ๊ฑธ ๋ณด์ฌ ์ฃผ๋ฉด์ |
Instead of that, I'd like our leader to come out and do a cool dance.
That was about 11 hours.
We're making progress little by little.
37 DAYS UNTIL THE TOUR BEGINS
Good night. | ๊ทธ๊ฒ๋ณด๋ค๋ ๋ ๋ฆฌ๋๊ฐ ๋์์ ๋ฉ์๊ฒ ์ถค์ถ๋ ๋ชจ์ต์ด ๋ณด๊ณ ์ถ๋จ ๊ฑฐ์ฃ
11์๊ฐ ์ ๋ ์ง๋ฌ๋์?
์ ๋ง๋ก ์กฐ๊ธ์ฉ ๋์๊ฐ๋ค์
"ํฌ์ด ์ฒซ๋ ๊น์ง 37์ผ"
์๊ณ ํ์
จ์ต๋๋ค |
I never expected things to turn out this way.
Is it unbelievable? Yes, it's unbelievable.
I'm just glad it was us five guys.
The roll curtain will come down in unison with Sho's piano. | ์ด๋ฐ ํํ๊ฐ ๋ ๊ฑฐ๋ผ๊ณ ๋ ์๊ฐ ๋ชป ํ์์ง๋ง์
์ ๊ธฐํ๋ค๋ฉด ์ญ์ ์ ๊ธฐํ ์ผ์ด์ฃ
์ข์๋ค๋ ์๊ฐ๋ฐ์๋ ์ ๋ค์ด์
์ฌ์ฟ ๋ผ์ด ์จ์ ํผ์๋
ธ์ ๋ง์ถฐ์ ๋กค ์ปคํผ์ด ๋ด๋ ค์ฌ ๊ฒ๋๋ค |
The verse will be sung entirely alone by Nino.
Sho will join Nino for the bridge.
That's how I'd like to do it.
That's how it looks.
-It will take lots of energy. -That will be rough. | ์ ๋ถ ๋๋
ธ๋ฏธ์ผ ์จ๊ฐ ํผ์์ ๋ถ๋ฅด๊ณ
B ๋ฉ๋ก๋์์ ์ฌ์ฟ ๋ผ์ด ์จ๊ฐ ์ฐธ์ฌํ๋ ๊ฑฐ์ฃ
๊ทธ๋ฐ ๋๋์ผ๋ก ์งํํ๋ฉด ๋ ๊ฒ ๊ฐ์ต๋๋ค
์ด๋ฐ ๋๋์
๋๋ค
- ๊ฝค ์จ์ด ์ฐฐ ๊ฑฐ์์ - ์๋นํ์ |
Mr. Ohno, where did you say it's too tight?
-It's okay. -Around here and where you bend your arms. How are they?
From "Monster" to the end, there's some dancing in "Meikyu Love Song."
-It's all right. -It's okay? | ์๊น ์ด๋๊ฐ ๋ถํธํ์ง ๋งํด ์ฃผ์
จ๋์?
- ๊ด์ฐฎ์์ - ์ด ๋ถ๋ถํ๊ณ ํ ์์ง์ผ ๋ ๊ด์ฐฎ๋์?
'๋ชฌ์คํฐ'๋ถํฐ ๋ง์ง๋ง ๋ถ๋ถ๊น์ง ์ถค์ถ ๋์ '๋ฏธ๊ถ ๋ฌ๋ธ์ก'์ด๋ผ๋ ๊ฐ
- ๊ด์ฐฎ์์ - ๊ทธ๋์? |
-As long as I don't get fatter? -Right.
As long as I don't drink too much, I won't get fatter.
You haven't gained weight, right?
Am I fatter? | - ์ฌ๊ธฐ์ ์ฒด์ค์ด ๋ ๋๋๊ณ ์? - ๋ค
์ ๋ง ๋ง์ด ์ ๋ง์๋ฉด ์ ์ฐ ๊ฑฐ์์
์ฒด์ค ์ ๋ณํ์ฃ ?
์ฐ ๊ฒ ๊ฐ์์? |
I'm checking just in case.
He likes sweets.
He really loves sweets.
I'll cut back.
No, don't you worry.
This is hard.
-Is there an interlude? -Yes, there's an interlude. | ํ์ธ์ฐจ ๋ฌผ์ด๋ดค์ด์
๋จ ๊ฑฐ ์ข์ํ๊ฑฐ๋ ์
๋จ ๊ฑฐ ์ง์ง ์ข์ํด์
์ฐธ์๊ฒ์
์๋์์, ๊ด์ฐฎ์์
๋๋ฌด ์ด๋ ค์
- ์ด๊ฑฐ ๊ฐ์ฃผ ์์ด์? - ๋ค, ์์ด์ |
From 3 p.m., we'll do the whole thing.
I'm cold.
We'll move from Nino. I'll be here, Aiba here, and the light will come through here when we're pretty far apart. | 3์๋ถํฐ ์ ์ฒด ๊ฐ์ด ํด ๋ณผ๊ฒ์
์ถฅ๋ค
๋๋
ธ๊ฐ ๋ฉ์ด์ง๊ณ ๋๋ ์์ด๋ฐ๊ฐ ์๊ณ ๊ฝค ๋จ์ด์ ธ ์๋ ๊ทธ ์ฌ์ด๋ก ๋ ์ฌ๋์ด ์ง๋๋ ๊ฑฐ์ผ |
We'll start again from the top... I mean, from your starting points.
Then go around Aiba.
Aiba, can you slide over a little bit?
We're so out of sync. | ์ข์์ ํ ๋ฒ ๋ ์ฒ์๋ถํฐ ์๋, ์ฒ์์ด ์๋๋ผ ์๊น ๊ทธ ์๋ฆฌ์์์
์์ด๋ฐ ์จ๋ฅผ ์ฌ์ด์ ๋๊ณ
์์ด๋ฐ ์จ, ์ข ๋ ์์ผ๋ก ๊ฐ ์ฃผ์ค๋์?
์ ํ ์ ๋ง๋ค |
Do you want to try the moves?
That's fast!
Nino, closer to the center.
Why don't we move together?
-It will go too fast if we wait. -Oh, right. | ์๋ฌด ํด ๋ด๋ ๋ ๊น์?
๋น ๋ฅด๋ค์!
๋๋
ธ๋ฏธ์ผ ์จ ์ข ๋ ์์ชฝ์ผ๋ก์
๋์์ ์ด๋ํ๋ฉด ์ข๊ฒ ์ด์
- ๋๋ฌด ๊ธฐ๋ค๋ฆฌ๋ฉด ๋นจ๋ผ์ ธ์ - ๊ทธ๋ ๋ค์ |
Is their miso good?
-It's good. -It is?
Then I'll have the miso negi ramen.
Their miso ramen is really good.
Miso negi ramen.
Miso negi ramen. | ์ฌ๊ธฐ ๋ฏธ์๋ผ๋ฉ ๋ง์๋์?
- ๋ง์์ด์ - ๊ทธ๋์?
์ ๋ ๋ฏธ์๋ผ๋ฉ์ ํ ํ ํ์
์ด ์ง ๋ฏธ์๋ผ๋ฉ ์ต๊ณ ์์
๋ฏธ์๋ผ๋ฉ์ ํ ํ ํ์
๋ฏธ์๋ผ๋ฉ์ ํ ํ ํ์ |
Okay...
Shio ramen.
He said the miso is good.
-Ordinary shio ramen? -Yes.
Shio ramen, right?
It doesn't say shio ramen. Oh, here.
There's no photo of it. It's just on the list. | ๊ทธ๋ผ ๋๋
์์ค๋ผ๋ฉ์
๋ฏธ์๋ผ๋ฉ์ด ๋ง์๋ค์์
- ๊ทธ๋ฅ ์์ค๋ผ๋ฉ์? - ๋ง์์
์์ค๋ผ๋ฉ์ด์ง?
์์ค๋ผ๋ฉ ๋ฉ๋ด์ ์๋ ๊ฑฐ ์๋์ผ? ์ฌ๊ธฐ ์๋ค
์ฌ์ง๋ ์๊ณ ๊ธ์๋ฐ์ ์์์ |
Another one that's only written. Even that's just written.
There's not even a photo.
Yes!
It's already here.
Yes!
Good night.
Take care.
A more ordinary distance. | ์ด๊ฑด ์ง์ง ๊ธ์๋ง ์ฐ์ฌ ์์์
์ฌ์ง๋ ์๋๋ฐ
์ข์์ด์!
๋ฒ์จ ์๋ค์
์ข์์!
์๊ณ ํ์ธ์
๋ชธ์กฐ๋ฆฌ ์ํด
๊ฝค ๊ฑฐ๋ฆฌ๊ฐ ๊ฐ๊น๋์ง? |
Like 1.5 or 2.
Can you get to the front if we do this?
-I'm not sure. -Then from here...
That's the center...
-Good night. -Good night.
-Good night. -Good night. | 1.5์์ 2๋ ๊ฑฐ์ง?
์ด์ชฝ์ ์์ผ ๋ค์์ ์์ผ๋ก ๋๊ฐ ์ ์๋?
- ๊ธ์ - ๊ทธ๋ฌ๋ฉด ์ด์ชฝ์ด...
์ด์ชฝ์ด ์ผํฐ๊ณ
- ์๊ณ ํ์
จ์ต๋๋ค - ์๊ณ ํ์
จ์ต๋๋ค
- ์๊ณ ํ์
จ์ต๋๋ค - ์๊ณ ํ์
จ์ต๋๋ค |
Good night.
Good night.
Once everybody starts working together, it really gets rolling.
It's way different than the meetings until now.
-I'm usually doing it alone. -Yes, it takes a long time. | ์๊ณ ํ์
จ์ด์
๋ค์ด๊ฐ์ธ์
๋ค ๊ฐ์ด ํด ๋ณด๋๊น ๋ญ๊ฐ ๋์๊ฐ๋ ๊ฒ ๊ฐ์์ ๋์๊ฐ๋ ๊ฒ ๊ฐ๋ค์
์ง๊ธ๊น์ง์ ํ์๋ ๊ฑฐ์ง๋ง ๊ฐ์์
- ๊ฑฐ์ ํผ์๋๊น์ - ๋ค, ๊ทธ๋ฌ์ฃ |
I'm saying the same thing.
It's like you have some happy friends.
It's still early too.
Every day is precious ever since we made the decision and the announcement.
This, now...
The present, the here and now...
I want to enjoy it as much as possible. | ๋งค๋ฒ ๊ฐ์ ์๊ธฐ ํ๊ณ
์ ์ง ๊ธฐ๋ป ๋ณด์ด๋๋ฐ์ ํผ์๊ฐ ์๋๋ผ์
๋นจ๋ฆฌ ๋๋๊ธฐ๋ ํ๊ณ ์
๋ฐํ๊ฐ ์ ํด์ง ๋ค์๋ถํฐ ๊ทธ๋ ์ด ๋๊ธฐ๊น์ง ํ๋ฃจํ๋ฃจ๋ฅผ ์์ฃผ ์์คํ๊ฒ ๋ณด๋ด๊ณ ์๊ณ
์ง๊ธ์
์ด ์ํฉ๊ณผ ํ์ค์
์ต๋ํ ์ฆ๊ธธ ๊ฑฐ์์ |
RUGBY SONG RAP
I got it just this morning.
They're really macho.
Come here.
Cordless can be good, but...
The batteries died.
I was just getting into it too.
-It's connected to the huge one. -I can't hear it at all.
Did you see it? | "๋ญ๋น์ก ๋ฉ ๊ฐ์ฌ"
์์นจ์ ์์ฑํ์ด์
์์ฒญ๋ ๊ฒ ๋์์ด์
์ ๊น ์์
์ญ์ ๋ฌด์ ์ด ์ข๊ธด ํ์ง๋ง
๋ฐฐํฐ๋ฆฌ๊ฐ ๋ค ๋์ด
๋ชจ์ฒ๋ผ ๋๋ ์ข์๋๋ฐ
- ์ฌ๋ํํ
์ฐ๊ฒฐ๋๋ค - ์ ํ ์ ๋ค๋ ค
๋ดค์ด? |
Even after I sent you all of the dance videos?
I'll watch it all later. Don't worry.
You like black, don't you?
How much was that?
Oh, watch out. I'm sorry.
It's the left... | ์๋ ์์์ ๊ทธ๋ ๊ฒ๋ ๋ณด๋๋๋ฐ
๋ชฐ์์ ๋ณผ ๊ฑฐ๋๊น ๊ด์ฐฎ์
๊ฒ์์ ์ข์ํ์ง
์ผ๋ง ์คฌ์ด?
์กฐ์ฌํด, ๋ฏธ์
์ผ์ชฝ์ด๋ค |
-If Nino's fourth, then start with Aiba. -Right.
Then I'll be last.
I'll do it.
-I'm first. -I'm second.
Do it!
Yes!
Don't leave him behind. | - ๋๋
ธ๊ฐ ๋ค ๋ฒ์งธ๋ฉด ์์ด๋ฐ๋ถํฐ์ง - ๊ทธ๋ฌ๋ค
๋ด๊ฐ ๋ง์ง๋ง์ด์ผ
๋ด๊ฐ ํ๊ณ
- ๋ ์ฒซ ๋ฒ์งธ - ๋ ๋ ๋ฒ์งธ
์!
์ข์!
๋๋ง ๋จ๊ฒจ ๋์ง ๋ง์ |
You did it just now.
Do you remember?
The first group is fine.
It goes "Mayoi."
I'd like to put something in that's related to it.
-If it's a two-tone, it'll be fine. -That's right. | ๋ฐฉ๊ธ ์ ๋ง์์ฃ ?
๋ค ์ธ์ ์ด์?
์ด์ชฝ์ ๊ด์ฐฎ๋ค
'๋ง์์ด'์ง?
์ฌ์ค์ ์กฐ๊ธ ๊ด์ ์ ์ด์ฉํ ๊ฑธ ์กฐ๊ธ ๋ฃ์ ์ ์์ผ๋ฉด...
- ํฌ ํค์ด ๋๋ฉด ์ข๊ฒ ๋ค์ - ๋ค, ๊ด์ฐฎ์ต๋๋ค |
-Do you want to try? -Let's do it.
From the top of "Step and Go."
Let's see. Until before the interlude.
-Let's do it. -Wow.
Where am I?
Oh, here.
Here!
Do you have a towel? | - ํด ๋ณผ๊น? - ๋ถํํด
'์คํ
์ค๋ ๊ณ ' ์ฒ์๋ถํฐ
๊ทธ๋ผ ๊ฐ์ฃผ ์ ๊น์ง
- ํด ๋ณด์ - ๋๋จํด
๋ ์ด๋์ง?
์ฌ๊ธฐ
์ฌ๊ธฐ์
์๊ฑด ์์ด์? |
We should have filmed that.
They're all from what was supposed to remind you.
You'll update it?
-Let's do that. -Eighteen-year version?
In four years, all that will be left are the low-res images again. | ๊ทธ๋ฌ๊ฒ, ์ฐ์ ๊ฑธ ๊ทธ๋ฌ๋ค
์ต์ข
์ ์ผ๋ก๋ ์ ๋ถ ํ์์ฉ์ผ๋ก
์
๋ฐ์ดํธํด์?
- ํฉ์๋ค - 18๋
๋ฒ์ ์ด๋ค์
๋ 4๋
ํ์ ๋ณด๋ฉด ํ์ง ์ ์ข์ ๊ฒ๋ง ๋จ์ผ๋๊น์ |
To remember it by.
We'll only have this day today.
-Do you want to film it now? -Yes.
We'll film it?
-Let's film it! -Here goes!
Here we go.
-Ready? -Yes. | ์ถ์ต์ผ๋ก
ํ์คํ ์ค๋์ ์ค๋๋ฟ์ด๋๊น
- ๊ทธ๋ผ ์ฐ์๊น์? - ์ข์์
์ฐ์ด ๋ณผ๊น?
- ์ฐ์ด ๋ฒ๋ฆฌ์ - ์ฐ์
๊ทธ๋
- ์ค๋น๋์ด? - ๋ค |
Eighteen-year version.
That part doesn't change.
If you don't do it again, you might forget.
-I'm fine. -Enough.
-It won't get any better. -Do you want to do "Breathless"? | 18๋
๋ฒ์
๊ทธ๊ฑด ์ ๋ณํ๋ค
์์ด๋ฒ๋ ธ์์ง ๋ชจ๋ฅด๋๋ฐ ํ ๋ฒ ๋ ์ ํด๋ ๋ผ์?
- ์๋์์ - ์ด์ ๊ทธ๋งํ์ฃ
- ์ด์ ๋ ์ด์์ ๋ชป ํด์ - '๋ธ๋ ์ค๋ฆฌ์ค' ํด ๋๊น? |
"Breathless."
I had a fever, so I don't think I memorized it.
Aiba was wiped out by it.
I totally don't have this memorized.
What the heck is this?
Darn it!
Bye! | '๋ธ๋ ์ค๋ฆฌ์ค'
'๋ธ๋ ์ค๋ฆฌ์ค'๋ ๊ทธ๋ ์ด ๋์ ๊ธฐ์ต ๋ชป ํ ์ง๋ ๋ชฐ๋ผ
๊ฑฐ์ ์์ฒด์์์ฃ
ํฐ์ผ์ด๋ค ์ง์ง ๊ธฐ์ต ์ ๋๋ค
๋ญ์ผ, ์ด๊ฑฐ
์ ์ฅ
์ ๊ฐ์ |
Or I think we should probably add to it with the LED...
I'd like to change the concept of "Fight Song" and "Energy Song."
I wonder what would be good. | ์ถ๊ฐ๋ก ๊ทธ๊ฒ ์๋ ๊ฒ ๋์ ๊ฒ ๊ฐ์์
'ํ์ดํ
์ก'ํ๊ณ '์๋์ง์ก'์ ๋ฐ์์ ์ข ๋ฐ๊พธ๊ณ ์ถ์๋ฐ
๋ญ๊ฐ ์ข์๊น์ |
What was that again?
Will that heat things up?
I wasn't alone the other day, but now I am again.
I don't know if we've made progress or not.
33 DAYS UNTIL THE TOUR BEGINS
It's been blown up. | ๊ทธ๊ฒ ๋ญ์๋๋ผ
์ด๊ฒ ๋จ๊ฑฐ์์ง๊น์?
์ ๋ฒ์ ํผ์ ์๋์๋๋ฐ ๋ ํผ์๊ฐ ๋๋ค์
์ง์ ์ด ์๋ ๊ฑด์ง ์๋ ๊ฑด์ง
"ํฌ์ด ์ฒซ๋ ๊น์ง 33์ผ"
์์ฒญ ์ปธ๋ค |
This is so dumb.
Can it make itself understood?
These are awesome.
This doesn't make any sense at all. You think it does?
Don't laugh at the ones where we're trying to look cool. | ์์ ์๊ฒจ
์ดํด๊ฐ ๋ ๊น?
์ด๊ฑฐ ๊ฝค ์ข์
์ด๊ฑฐ ์ฌ๋๋ค์ด ์ ๋ ์ดํด ๋ชป ํ๋ค ์ดํดํ๋ ค๋?
๋ฉ์๋ ์ฒํ๋ ๊ฑฐ ๋ณด๊ณ ์์ผ๋ฉด ์ ๋์ง |
Only Nino will climb the stairs and wait at 10.5.
Then these two...
Then two and three will be done.
One, two, and three are almost done.
-Yes! -All right! | ๊ณ๋จ ์ฌ๋ผ๊ฐ์ ์ด 10.5 ์ง์ ์์ ์คํ ๋ฐ์ด ํ ๊ฑฐ์์
๊ทธ๋ฆฌ๊ณ ๋ ๋ถ์
๊ทธ๋ฌ๋ฉด 2, 3์ด ์ ํด์ก๋ค์
1, 2, 3์ด ๊ฑฐ์ ๋ค ๋์ด
- ์ข์ - ๋๋ค |
All right!
This part's okay.
Like that!
-Then look up. -Okay.
Okay, thanks. I'm sure you want to talk more about the schedule, but...
-Right. -Rather than making it clear and neat... | ์ข์์ด
์ฌ๊ธฐ๋ ์ข์๋ฐ
์ด๋ฐ ๋๋์ด์์
- ์ด์ ์๋ฅผ ๋ด ์ฃผ์ธ์ - ๋ค
๊ทธ๋ผ ์ ๋ถํํฉ๋๋ค ์ค์ผ์ค ๊ด๋ จํด์ ์ฌ๋ฌ๋ชจ๋ก์
- ๊ทธ๋ฌ๋ค์ - ๊น๋ํ๊ฒ ๋ฑ ๋ง์ถ๋ ๊ฒ๋ณด๋ค... |
After the lift goes down...
Use time preciously.
Okay.
"AOZORA PEDAL"
Just the chorus?
-Like this. -Go with this?
That looks good.
This one? | ๋ฆฌํํธ๊ฐ ๋ด๋ ค๊ฐ๋๊น
์๊ฐ์ ์์คํ ํด์ผ์ฃ
๋ค
"์์ค์กฐ๋ผ ํ๋ฌ"
ํ๋ ด๋ง์ด๋ผ๊ณ ?
- ์ด๋ ๊ฒ - ์ด๊ฑธ๋ก ๊ฐ๊น?
์ข์๋ฐ์
์ด๋ฐ ๊ฑด ์ด๋์? |
Sixteen...
-This guy is nuts. -He sure is.
-Thank you. -Thank you.
-Thank you. -Thank you.
ARASHI DEBUT ANNIVERSARY
Besides us, five members, only a small handful of the crew know that we're going on hiatus.
It's really quite an unusual situation. | 16...
์ด ์์ ์ํํด - ์ํํด - ์ข ์ํํ๋ฐ
- ๊ณ ๋ง์์ - ๊ณ ๋ง์์
- ๊ณ ๋ง์์ - ๊ณ ๋ง์์
"์๋ผ์ ๋ฐ๋ท ๊ธฐ๋
์ผ 2018๋
11์ 3์ผ"
์ผ๋ง ์ ๋๋ ์คํํ ์ด์ธ์๋ ํ๋ ์ค์ง ํ๋ค๋ ์ฌ์ค์
๋ชจ๋ฅด๊ณ ์๋ค๋ ๊ฑด ๊ฝค ํน์ํ ์ํฉ์ด์ฃ |
Nobody in the concert crew knows about it.
In fact, even a majority of the managers don't know about it.
It's kind of...
GOING BACK IN TIME 21 DAYS BEFORE THE TOUR BEGINS
-Can I play "5x20"? -Yes, please. | ๊ทธ๋ ์์๋ ์ฝ์ํธ ์คํํ๋ ์๋ฌด๋ ๋ชจ๋ฅด๊ณ
๊ฒ๋ค๊ฐ ๋งค๋์ ์ค์๋ ๋ชจ๋ฅด๋ ์ฌ๋์ด ๋ง์ ์ํฉ์์
๋ญ๋๊น...
"๊ฑฐ์ฌ๋ฌ ์ฌ๋ผ๊ฐ์ ํฌ์ด ๊ฐ์ 21์ผ ์ "
- '5x20' ํ๊น์? - ๋ค |
-Please go ahead. -This is after the opening comments.
Years since we met, it went by so quickly The time we spent together were good days
You said, "Want to go cruising tomorrow?" It's destiny we're together today
Searching in the storm, trouble all around That craziness was a real storm
We'd laugh at the silliest thi... | - ํ์ด์ - ์คํ๋ ์ธ์ฌ๋ฅผ ํ์ด์
๋์ ๋ง๋ ์๋
๊ฐ ๋น ๋ฅด๊ฒ ์ง๋๊ฐ๋ค ์ฐ๋ฆฐ ์ข์ ๋ ๋ค์ ํจ๊ป ๋ณด๋์ง
'๋ด์ผ๋ถํฐ ๋ฐฐ ํ๊ณ ์ฌํํ ๊น?' ๋๋ ๋งํ์ง ์ง๊ธ๋ ๋ค๊ฐ ๋ด ์์ ์๋ ๊ฑด ์ด๋ช
์ด์ผ
ํญํ์ ์ฐพ์ ์ฃผ๋ณ์ ์๋์ค๋ฌ์ ๊ทธ ๊ต์ฅํ ์๋์ ๋ง์น ํญํ ๊ฐ์
๋ณ๊ฑฐ ์๋ ์ผ์ ์๊ธฐ๋ ํ๊ณ ์ฌ์ด์ข๋ค๋ ๋ง์ ๊ฐ๋ ๋ฃ๊ธฐ๋ ํ์ง |
Even like back in those days As always, you're still with me No matter how heavy it rains Everyone still comes out, see, look!
When I hear you sing from back then The memories come like a downpour
Even the tiniest hurt gets lots of kisses Always, between the clouds, another kiss
Of all the things we did | ๊ทธ๋ ๋ก ๋์๊ฐ๋ค๊ณ ํด๋ ๋ณํจ์์ด ๋ด ์์ ์์ด ์ค ์ด๋ค ํฐ๋น๊ฐ ๋ด๋ฆฌ๋ ๋ ์๋ ์ด๋ ๊ฒ ๋ชจ๋๊ฐ ์ด๊ฒ ์ข ๋ด
๊ทธ๋์ ๋
ธ๋ซ์๋ฆฌ๋ฅผ ๋ค์ผ๋ฉด ์ถ์ต๋ค์ด ํญ์ ์ฅ๋๋น์ฒ๋ผ ์์์ ธ
์์ ์์ฒ๋ ์๋ง์ ํค์ค๋ฅผ ํญ์ ๊ตฌ๋ฆ ์ฌ์ด๋ก ๋ ํค์ค๋ฅผ
ํ๋ฌ๊ฐ๋ ์๊ฐ ์์์ |
None of it was wasted
With you around
We can go anywhere forever
Cry with all your heart Laugh with all your heart
Worry with all your heart Live with all your heart
All of us together, we thank you
Being happy isn't always a given
Laugh and celebrate today
Our abundant love We want to give to you over and over | ์ธ๋ชจ์๋ ๊ฑด ์์์ด
์ฐ๋ฆฌ๋ ๋ค๊ฐ ์์ผ๋ฉด
์ด๋๊น์ง๊ณ ๋ ์์
์ง์ฌ์ผ๋ก ์ธ๊ณ ์ง์ฌ์ผ๋ก ์๊ณ
์ง์ฌ์ผ๋ก ๊ณ ๋ฏผํ๋ฉฐ ์ง์ฌ์ผ๋ก ์ด์์ผ๋๊น
๋ค ํจ๊ป ๋ชจ์ฌ์ ๊ณ ๋ง๋ค๊ณ ํ๋ ๊ฑด
๋น์ฐํ ๊ฒ ์๋๋ผ ํ๋ณตํ ์ผ์ด์ผ
์์ผ๋ฉฐ ์ค๋์ ์ถํํ์
์ฐ๋ฆฌ๊ฐ ๋ณด๋ด๋ ์๋ง์ ์ฌ๋์ ๋ช ๋ฒ์ด๊ณ ๋ช ๋ฒ์ด๊ณ ์ ํ๊ณ ์ถ์ด |
We'll keep giving you our love forever
Cry with all your heart Laugh with all your heart
Worry with all your heart Live with all your heart
We want to tell you before anyone else
We want our feelings to get through
It's all right, we're right here
You had failures
And were
Frustrated | ์ด ๋ง์์ ์์ผ๋ก๋ ์ธ์ ๊น์ง๋
์ง์ฌ์ผ๋ก ์ธ๊ณ ์ง์ฌ์ผ๋ก ์๊ณ
์ง์ฌ์ผ๋ก ๊ณ ๋ฏผํ๋ฉฐ ์ง์ฌ์ผ๋ก ์ด์์ผ๋๊น
๋๊ตฌ๋ณด๋ค๋ ๋นจ๋ฆฌ ๋ํํ
์ ํ๊ณ ์ถ์ด
์ฐ๋ฆฌ์ ๋ง์์ด ์ ๋๋ก ์ ํด์ง ์ ์๋๋ก
๊ด์ฐฎ์, ์ฐ๋ฆฐ ์ฌ๊ธฐ ์์ด
๋น์ฐธํ ๋๋
๋ถํ ๋๋
์์์ง๋ง |
But even so, again
We're here now
To say thank you
Love, love for you
THE FIVE OF US
-Anyway, do rock, paper, scissors. -I always lose in that kind of thing. | ๊ทธ๋์ ์ง๊ธ ๋ค์ ํ๋ฒ
์ฐ๋ฆฌ๊ฐ ๋ชจ๋์๊ฒ
๊ณ ๋ง์
๋๋ฅผ ์ํ ์ฌ๋์...
"ํ์ง๋ง ์ฐ๋ฆฌ๋ค์"
- ์ผ๋จ ๊ฐ์๋ฐ์๋ณด ํ์ - ๋ ๋งจ๋ ์ง๋จ ๋ง์ด์ผ |
The winner...
-the winner does it. -Take it easy.
-Ready. Go. -Ready. Go.
Me? No way!
The most likely not to say it.
If you don't go now, you'll miss your chance.
The whole group is over?
Spill it to the crew.
Either way... | ๊ทธ๋ผ ์ด๊ธด ์ฌ๋์ด...
- ์ด๊ธด ์ฌ๋์ด ํด - ๊ธฐ๋ถ ์ข๊ฒ ๋งํ์
- ๊ฐ์๋ฐ์๋ณด - ๊ฐ์๋ฐ์๋ณด
๋์์, ๋ฏธ์น๊ฒ ๋ค
๊ฐ์ฅ ๊ทธ๋ฐ ๋ง ์ ๋งํ ๊ฒ ๊ฐ์๋ฐ
์ง๊ธ ์ ๊ฐ๋ฉด ํ์ด๋ฐ ๋์ณ
'์ค๋ ์ ์ฒด ์ผ์ ์ ๋์ด์ฃ ?'
์๊ฐ์จํํ
๋์ง์ด ๋งํ๋ฏ์ด ํด
์ด๋ ์ชฝ์ด๋ ... |
The stage elevator goes up here.
Then, from here...
You sure are assertive today. Are you okay?
The whole group is done then?
That's what he starts with?
That's what he starts with?
-We're good until tomorrow. -The whole group is done then. | ์ฌ๊ธฐ์ ๋ฌด๋ ์ฅ์น๊ฐ ์ฌ๋ผ๊ฐ๊ณ
๊ทธ๋ฆฌ๊ณ ์ฌ๊ธฐ์...
์ค๋ ์ ๊ทน์ ์ด๋ค์ ๋ฌด์จ ์ผ์ด์์?
์ค๋ ์ ์ฒด ์ผ์ ์ ๋์ด์ฃ ?
๊ทธ ์๊ธฐ๊ตฌ๋
๊ทธ ๋ง ํ๋ฌ ์๊ตฌ๋
- ์ฐ๋ฆฌ ๊ฑด ๋ด์ผ ํด๋ ๋์ฃ ? - ๊ทธ๋ผ ์ ์ฒด ์ผ์ ์ ๋์ธ๊ฐ์? |
He was probably told to come say that to us.
-Roger. -"Roger"?
-Our hero! -What happened?
-What a hero. -That was good.
He's so great.
They only send out the leader at times like this. | ๋๊ฐ ๋งํ๊ณ ์ค๋ผ๊ณ ์์ผฐ์ฃ ?
- ๋ค, ์๊ฒ ์ด์ - '์๊ฒ ์ด์'?
- ์ฉ์ฌ๋ค - ์ด๊ฒ ์ฌ์ผ์ด์ผ?
- ์์
์ด์ผ - ๋๋จํ๋ฐ?
๋๋จํด
์ด๋ด ๋๋ง ๋ฆฌ๋์ญ์ ๋ฐํํ๋ค์ |
You're amazing.
-The whole group is done. -We're done?
-Thanks. See you later. -See you.
See you later.
-Take care. -Okay.
From the break after the opening music's sound effects, the videos will all start at once with the first attack sound.
I'm not talking about the 20 seconds. It's the 35 seconds. | ์ญ์ ๋๋จํด
- ์ ์ฒด ์ผ์ ์ ๋๋ฌ๋ - ๋์ด์ผ?
- ์๊ณ ํ์
จ์ต๋๋ค - ๊ฐ์ฌํฉ๋๋ค
๋ด์ผ๋ ์ ๋ถํํฉ๋๋ค
- ์กฐ์ฌํด์๋ค ๊ฐ - ๋ค
์ฒ์ ์ํฅ ํจ๊ณผ์ ๋ง์ง๋ง ๋ธ๋ ์ดํฌ์์ ์ฒซ ๋ฒ์งธ ์ดํ ์๋ฆฌ์ ์์์ด ํ๊บผ๋ฒ์ ๋์ค๊ณ
์ ๊ฐ ๋งํ ๊ฑด 20์ด๊ฐ ์๋๋ผ 35์ด์์ |
From the place that I approved before...
After it builds up...
I guess we can do a wipe, but if we do a wipe, it will be like we're expressing it through images. | ์ธํธ๋ก ๋ค, ์ค์ผ์คํธ๋ผ ๋ถ๋ถ์์
๋จผ์ ์ ๊ฐ๋ฅผ ํ๊ณ ...
'์์ดํ ์์' ํด๋ ๋๋๋ฐ ๊ทธ๋ ๊ฒ ํ๋ฉด ๋ญ๊ฐ ์์ ํํ ๋ฐฉํฅ์ผ๋ก ๊ฐ๋ ๊ฒ ๊ฐ์์์ |
You mean, just use colors?
Sorry.
-I can't work any harder. -Thanks for all you've done.
30 A.M.
-Good night. -Good night.
Hello?
Yes, there. | ์๋ง ์ด๋ค๋ ๊ฑฐ์ฃ ?
๋ฏธ์ํด์
- ๋๋ ๋ชป ํ๊ฒ ์ด์ - ์๊ณ ํ์
จ์ด์
"์๋ฒฝ 4์ 30๋ถ"
- ์๊ณ ํ์
จ์ด์ - ์๊ณ ํ์
จ์ต๋๋ค
์ฌ๋ณด์ธ์?
๋ค, ๊ฑฐ๊ธฐ์ |
You know, I'm sorry to keep asking you about this.
Before the rap part, not the one with "yay" and "hey,"
I want to hear the version with just the howling shouts. | ๊ฑฐ๊ธฐ ์์์์ ๋ช ๋ฒ์ด๋ ๋ฏธ์ํ๋ฐ
'์์ด'๋ 'ํค์ด'๊ฐ ์๋๋ผ
'ํ'๋ผ๋ ๊ตฌํธ๋ง ์๋ ๋ฒ์ ๋ ๋ค์ด ๋ณด๊ณ ์ถ์ด์์ |
Okay, can we do "I'll be there" and "Meikyu Love Song" in a row?
-Yes. -Okay.
It's hard to do.
I know what to do, but I can't.
Next.
I finally did it. | ๊ทธ๋ผ '์์ด ์ ๋น ๋ฐ์ด'์์ '๋ฏธ๊ถ ๋ฌ๋ธ์ก'์ผ๋ก ์ด์ด์ ๊ฐ๋ ๋ ๊น์?
- ๊ทธ๋์ - ๋ค
ํ๊ธฐ ํ๋ค์ด
์๋๋ฐ๋ ๋ชป ํ๊ฒ ์ด
๋ค์์
์ด๊ฑฐ ์ฒ์์ผ๋ก ์ฑ๊ณตํ์ด |
Wow! So, that's how.
-You finally did it? -Yeah, my first time.
We've done it a while.
That's pretty good.
That feels so good.
How did you do it until now? | ๋๋จํด ์ด๋ ๊ฒ ํ๋ ๊ฑฐ๊ตฌ๋
- ์ฒ์์ผ๋ก ๋์ด? - ์, ์ฒ์์ด์ผ
๊ฝค ๋ง์ด ํ๋๋ฐ
๊ต์ฅํ๋ค
์์ฒญ ๊ธฐ๋ถ ์ข๋ค
์ง๊ธ๊น์ง ์ด๋ป๊ฒ ํ ๊ฑฐ์ผ? |
I know.
I did it like this.
If we mess up when to start, it's over.
We'll be the only ones embarrassed.
The audience won't really notice.
Just us.
-Just us. -Okay, ARASHI.
Does the whole group have something else? | ์, ์๊ฒ ๋ค
์ด๋ ๊ฒ ํ์์ด
๋์
๋ถ์์ ์ค์ํ๋ฉด ๋์ด์ผ
์๊ธฐ๋ง ๋ถ๋๋ฝ์ง
๊ด๊ฐ์ ๊ฑฐ์ ๋์น ๋ชป ์ฑ์ง๋ง
์๊ธฐ๋ง
- ์๊ธฐ๋ง ๋ถ๋๋ฌ์ - ๋ค์ '์๋ผ์'
์ ์ฒด๋ก ํ ๊ฑฐ ๋ ๋ญ ์์ด์? |
-The whole group is done. -Okay.
Let's work on the costumes.
Okay.
-Matsumoto, about yesterday's thing. -Oh, right.
It's kind of hard to start. | - ์ ์ฒด๋ ๋์
๋๋ค - ๋ค
๊ทธ๋ผ ์์์ผ๋ก ๋์ด๊ฐ์ฃ
๋ค
- ๋ง์ธ ๋ชจํ ์จ, ์ด์ ๊ทธ๊ฑฐ์ - ๋ค
์๋ฆฌ๊ฐ ๋ค์ด๊ฐ๊ธฐ ํ๋ค์ด์ |
Like we did yesterday, like that, I'll talk.
I'll talk while playing this note.
And without leaving much space.
Before the words, "let's go, ready, go,"
instead of stopping the music,
I have a feeling it will be easier for the audience to sing if we keep the music coming and say, "let's go." | ์๋๋ฉด ์ด์ ์ฒ๋ผ ๋งํ๋๋ฐ
์ด ์๋ง ๋ด๋ฉด์ ๋งํ๊ณ
๊ฐ๊ฒฉ ์์ด ํ๋ ๊ฐ
'๊ฐ์๋ค, ํ๋, ๋'์ด๋ผ๊ณ ํ๊ธฐ ์ ์ ์๋ฆฌ๋ฅผ
๋ฉ์ถ๊ณ ๊ฐ๋ ๊ฒ๋ณด๋ค
๊ทธ๋๋ก ํ๋ฆ์ ๋ฐ๋ผ ๋ง๋ก '๊ฐ์๋ค'๋ผ๊ณ ํ๋ ๊ฒ ๊ด๊ฐ๋ค์ด ๋
ธ๋ํ๊ธฐ ํธํ ๊ฒ ๊ฐ์์ |
Asuwo...
Asuwo... Boom.
Asuwo... Boom.
I guess I can do it.
2.5 was perfectly fine.
So I think around two or mid-three should work just fine. | ๋ด์ผ์...
๋ด์ผ์... ๋ฅ
๋ด์ผ์... ๋ฅ
๊ด์ฐฎ์ ๊ฒ ๊ฐ์๋ฐ
2.5๋ ๊ด์ฐฎ์์ผ๋๊น
์๋ง 2๋ 3 ์ค๊ฐ ์ ๋๋ ๊ด์ฐฎ์ ๊ฑฐ์์ |
We should end up about here.
-Looking good? -Yes.
Then I'll be going.
Mr. Matsumoto, just one thing.
-Just one thing. -Go ahead.
Let me get some sleep soon. | ์ด๋ฐ ์์น์์ ๋๋ ์์ ์ด๋๊น์
- ๊ด์ฐฎ์ ๊ฒ ๊ฐ์์? - ๋ค
๊ทธ๋ผ ์ ๊ฐ๊ฒ์
๋ง์ธ ๋ชจํ ์จ, ํ๋๋ง ๋์
- ํ ๊ฐ์ง๋ง์ - ๋ค
์ฌ์ฌ ์ ์ข ์๊ฒ ํด ์ฃผ์ธ์ |
I'm still really tired.
Some kind of "whoosh" sound is fine.
You know...
Sorry.
It was probably nothing important.
I'm done.
-I'm out of time. -Okay. | ํผ๋ก๊ฐ ์ ํ ์ ํ๋ ค์
'๋ถ์' ํ๋ ์๋ฆฌ๋ ๊ด์ฐฎ๊ณ
๋ญ๊ฐ, ๊ทธ๋ฌ๋๊น
๋ฏธ์ํด์
์ด์ฐจํผ ๋ณ๊ฑฐ ์๋ ํ
์ง๋ง
์ ๋๊ฒ ๋ค
- ์๊ฐ์ด ๋ค ๋์ด์ - ๋ค |
I'm beat today.
I haven't recovered from yesterday yet.
I've been sleepy all day.
I didn't get home and go to bed until 6 a.m.
I can't help but be sleepy. | ์์ ๋
น์ด๊ฐ ๋๋ค
์ด์ ์์ธ ํผ๋ก๊ฐ ์ ํ ์ ํ๋ ธ์ด์
์กธ๋ ค์ ์ค๋ ๊ณ์ ์กธ๋ฆฌ๋ค์
์ง์ ๊ฐ์ ์ ๋ ๊ฒ ์๋ฒฝ 6์ ์ ๋์๊ฑฐ๋ ์
๋ญ ํด๋ ์กธ๋ฆฌ์ฃ |
20 DAYS UNTIL THE TOUR BEGINS
Dang.
Can I first give you the moves from where there's all the movement?
That part won't change.
Do I really move that much in that part? | "ํฌ์ด ์ฒซ๋ ๊น์ง 20์ผ"
ํฐ์ผ์ด๋ค
๋ง์ด ์์ง์ด๋ ๋ถ๋ถ๋ถํฐ ๋จผ์ ์๋ฌด๋ฅผ ์ค๋ ๋ ๊น์?
๊ฑฐ๊ธด ์ ๋ณํ๋๊น์
๊ทธ๋ฐ๋ฐ ๊ทธ ๋ถ๋ถ์ด ๋ง์ด ์์ง์ฌ์? |
You don't think you should?
I get that feeling.
-Like an accent. -Or just variation.
LET THE LASER GO. THEN BOUND AND FINISH.
GET SURROUNDED BY THE LASERS. | ๋ง์ด ์ ์์ง์ด๋ ๊ฒ ์ข์์?
๊ทธ๋ฐ ๊ฒ ๊ฐ์์
- ์
์ผํธ์? - ๋ฐ๊ณ ๋น๊ธฐ๋ฏ์ด์
"๋ ์ด์ ์๊ณ ๋ฐ์ด๋ํ๊ณ ์ฌ๋ผ์ง๊ธฐ"
"๋ ์ด์ ๋ก ๋ชธ ๊ฐ์ธ๊ธฐ" |
Turn two times.
Then when I turn around, that flashes out.
Of the nineteen, first, it's one.
Two, three, four, five, six, seven. Then at twenty-four...
-Do the robot. -Do the robot. | ๋ ๋ฒ ์ ๋ ๋๊ณ
์ ๊ฐ ๋๊ณ ๋์ ๊ทธ๊ฒ ํ ๋์ค๋ ๊ฑฐ์ฃ
19์ ์ฒซ ๋ถ๋ถ์์ ์
ํฌ, ์ค๋ฆฌ, ํฌ, ํ์ด๋ธ, ์์ค, ์ธ๋ธ 24์์ ์ด๋ ๊ฒ
- ํํ์ ์ถ์ฃ - ํํ์ |
Fix that.
Right.
If the finishing notes are lazy, it turns into -a really lame song. -Okay.
Too weak.
Right, it does that.
-Springy notes sound springy. -Right. | ๊ณ ์ณ์
๋ค, ๋ง์์
๋ง๋ฌด๋ฆฌ๋ฅผ ๋์ถฉํ๋ฉด - ๊ต์ฅํ ์ด์ค๋ฌ์ด ๊ณก์ด ๋ผ์ - ๋ค
์ฝํด์
๋ง์์ ๊ทธ๋ ๊ฒ ํ๋ค์
- ํ๊ธด ์์ ํ๊ฒจ์ ๋ค๋ ค์ - ๋ค |
Mi, fa, ti.
Ti, fa, mi, re, ti, fa, mi.
There's still a mix of times when you play well
-and when it's tense. -Yes.
-I don't need to rush it? -You shouldn't rush it. | ๋ฏธ, ํ, ์
์, ํ, ๋ฏธ, ๋ , ์, ํ, ๋ฏธ
์ข์ ์ํ๊ณ ๋ฑ๋ฑํ ๋ถ๋ถ์ด
- ์์ง ๋ค์์ฌ ์์ด์ - ๋ค
- ์ ์๋๋ฌ๋ ๋๋ ๊ฑธ๊น์? - ์๋๋ฅด๋ฉด ์ ๋ผ์ |
It's not that you don't need to, you just shouldn't!
"AOZORA PEDAL"
-I can if I don't rush. -That's right.
I rushed it.
La, fa, la, fa.
If the musician isn't feeling anything when they play,
-people won't feel anything. -Right. | ์ ์๋๋ฌ๋ ๋๋ ๊ฒ ์๋๋ผ ์๋๋ฅด๋ฉด ์ ๋ผ์
"์์ค์กฐ๋ผ ํ๋ฌ"
- ์ ์๋๋ฌ๋ ํ ์ ์์ด์? - ๊ทธ๋ผ์
์๋๋ฌ ๋ฒ๋ ธ๋ค
๋ผ, ํ, ๋ผ, ํ
์ฐ์ฃผํ๋ ์ฌ๋์ด ๊ฐ์ ์ ์ ๋ด์ผ๋ฉด
- ์ ํด์ง์ง ์์ฃ - ๋ค |
The more you do it, the more those notes are filled with your feelings.
You need to improve the circulation.
Let's see...
I think this part was better. | ์ญ์ ์ฐ์ตํ๋ฉด ํ ์๋ก ์์ ์ก์๋ด๋ ํ์ด ๋์ค๊ณ ์์ด์
ํํ์ด ์๋๊ฒ ํด์ผ ํด์
๊ทธ๋ฆฌ๊ณ ...
์ฌ๊ธฐ๋ ์ข์์ง ๊ฒ ๊ฐ์์ |
But when you get to this part, put your wrist into it more.
Fa, ti, do, re, mi.
If you're not tired, let's try it again together.
If you're tired, we'll do something else. | ๊ทธ๋ฐ๋ฐ ์ด ๋ถ๋ถ์์๋ ์๋ชฉ์ด ์ข ๋ ๋ค์ด๊ฐ์ผ ํด์
ํ, ์, ๋, ๋ , ๋ฏธ
์ ํ๋ค๋ฉด ํ ๋ฒ ๋ ๋ง์ถฐ ๋ณผ๊น์?
ํ๋ค๋ฉด ๋ค์์ผ๋ก ๋์ด๊ฐ๊ฒ์ |
-No, one more time, then change. -Okay.
You know, I think this tempo is too quick for the audience to sing.
That's fast.
I'm not satisfied.
-You may not be, but it's getting better. -Really? | - ์๋จ, ํ ๋ฒ ๋ ํ๊ณ ๋์ด๊ฐ์ฃ - ๋ค
๊ด๊ฐ์ด ๋ถ๋ฅด๊ธฐ์ ์ด ํ
ํฌ๋ ๋น ๋ฅธ๋ฐ
๋น ๋ฅด๋ค
๋ง์์ ์ ๋๋ค
- ๊ทธ๋๋ ์ข์์ก์ด์ - ๊ทธ๋ฐ๊ฐ์? |
After you sit, don't play until you've cleared your mind.
Otherwise, your playing will end up floundering around.
What's the image in your mind when you're playing? | ์์ ํ์ ๋ง์์ ์ ๋๋ก ๊ฐ๋ค๋ฌ๊ณ ์น์ง ์์ผ๋ฉด
์น ์ ์๋ ๊ฒ๋ ํ๋ฅ์ง๋ฅํ๊ฒ ๋๋๊น
์ด๋ค ์ด๋ฏธ์ง๋ฅผ ๊ฐ์ง๊ณ ์ฐ์ฃผํ๋์ง๊ฐ ์ค์ํด์ |
-Let's do it once more. -Okay.
-You have the energy? -Yes.
You're almost where you can play with confidence.
I think that's the best so far.
Me too. | - ์ฒซ ๋ถ๋ถ ํ ๋ฒ ๋ ํ ๊น์? - ๋ค
- ๊ธฐ์ด ๋จ์ ์์ด์? - ์์ด์
์ถฉ๋ถํ ์์ ๊ฐ์ ๊ฐ์ ธ๋ ๋ผ์
์ง๊ธ ์น ๊ฒ ์ ์ผ ์ข์์ด์
๊ทธ๋ฐ ๊ฒ ๊ฐ์์ |
You know, Sakurai, the more you play, the better you become.
What we want is for it to come out like that the first time.
I'm afraid.
There's nothing to be afraid of. You can do it. | ์ฌ์ฟ ๋ผ์ด ์จ๋ ์น ์๋ก ์ข์์ ธ์
๊ทธ๋ฌ๋๊น ํฌ์ด ๋ ์ค๋ ฅ์ด ๋ฐํ๋๋ฉด ์ข๊ฒ ๋ค์
๊ฑฑ์ ๋ผ์
๊ฑฑ์ ์ ํด๋ ๋ผ์ ํ ์ ์์ด์ |
-The "5x20..." -Yes?
The D...
I told Ninomiya once about it.
When I listened to it again, it sounded kind of dark.
-a little longer. -Okay. | - '5X20'์ ๊ทธ ๋ถ๋ถ์์ - ๋ค
D๋ฅผ...
๋๋
ธํํ
๋ ๋งํ๋๋ฐ
๋ค์ ๋ค์ด ๋ณด๋๊น ์ข ์ด๋์ด ๊ฒ ๊ฐ์์์
- ๋๋ฆฌ๊ณ ์ถ์ด์ - ๊ทธ๋์ |
I'd like to push together "Love so sweet," "Happiness," "PIKANCHI DOUBLE," to "Love so sweet."
I cried during that encore.
The encore made you cry? | '๋ฌ๋ธ ์ ์ค์ํธ'๋ 'ํดํผ๋์ค' 'ํผ์นธ์น ๋๋ธ'๋ถํฐ '๋ฌ๋ธ ์ ์ค์ํธ'๋ฅผ ๋ฃ๊ณ ์ถ์ด์
์์ฝ๋ฅด ๊ฐ๊ฒฉ์ค๋ฝ๋ค์
์์ฝ๋ฅด๊ฐ ๊ฐ๊ฒฉ์ค๋ฌ์์? |
It moved me.
The flow after "PIKANCHI DOUBLE" is amazing.
I know I'm patting my own back, but it's outstanding.
The brass section will accent this with a jazzy sound, so I think the brass should be the focus here. | ๊ฐ๋ํ์ด์
'ํผ์นธ์น ๋๋ธ'๋ถํฐ ํ๋ฆ์ด ์ข์์ด์
์ํ์์ฐฌ์ด์ง๋ง ํ๋ฅญํด์
์ฌ๊ธฐ๋ ๋ธ๋ผ์ค๊ฐ ๊ฒฐ์ ์ ์ธ ์ญํ ์ด๋๊น ๋ธ๋ผ์ค ์ค์ฌ์ด ์ข์ ๊ฒ ๊ฐ๋ค์ |
We'll do this here, then put blasts of light here.
Oh, an accent?
-That's no problem. -That can be done?
TEMPORARY STAGE, MAKUHARI MESSE
-Here... -Yes? | ์ฌ๊ธฐ๋ง ํ ๋ ์กฐ๋ช
์ ํ ๋น์ถ๋ ๊ฑฐ์ฃ
๊ฐ์กฐํ๋ ๋๋์ผ๋ก์?
- ๋ฌธ์ ์์ด์, ๋ฉ์๋ค์ - ๊ด์ฐฎ๋์?
"๋ง์ฟ ํ๋ฆฌ ๋ฉง์ธ ์์ ๋ฌด๋"
- ์ด๊ฑฐ์ - ๋ค |
After this, these two will come forward.
When these two separate, can these three come forward?
The three of us... No.
Nice! You're all radiant. | ์ฌ๊ธฐ ์ด๋ค์์ ๋ ๋ช
์ด ์์ ๋์ค์์
๋์ด ์์ผ๋ก ๋ฒ์ด์ง ๋ ์
์ด ์์ผ๋ก ๋๊ฐ๊น?
์
์ด์... ์๋๋ค
์ข์ ๋ค๋ค ๋น๋๊ณ ์์ด |
LIVE VIDEO OF ARASHI ON STAGE
Nice. I like that expression.
Take!
I think I would like a live video.
Okay!
-Goodbye. -See you.
You know, instead of showing the laser tracking,
I think it would be better to show Satoshi Ohno's dancing. | "๋ฌด๋์ ์๋ผ์ ๋ผ์ด๋ธ ์์"
์ข์ ํ์ ์ด ์์ฃผ ์ข์์ด
ํ์ผ ์จ!
๋ผ์ด๋ธ ๋ณด๊ณ ์ถ์ด์
์ข์์ด
- ์๊ณ ํ์
จ์ต๋๋ค - ๊ฐ๊ฒ์
๋ ์ด์ ํธ๋ํน๋ณด๋ค๋
์ค๋
ธ ์ฌํ ์์ ๋์ค๋ฅผ ๋ณด์ฌ ์ฃผ๋ ๊ฒ ์ข์ ๊ฒ ๊ฐ์์ |
To be honest, in the song, whether that's a laser or a light,
I don't think it matters to the people watching.
But then it will all be gone. Is that all right? | ์์งํ ๋งํ๋ฉด ๊ทธ๊ฒ ๋ ์ด์ ์ธ์ง ์กฐ๋ช
์ธ์ง
๋ณด๋ ์ฌ๋์ ๋ณ๋ก ์๊ด์์ ๊ฑฐ ๊ฐ๊ฑฐ๋ ์
๊ทธ๋ ๊ฒ ๋๋ฉด ์ ๋ถ ์์ด์ง๋๋ฐ ๊ด์ฐฎ๋์? |
Even the laser tracking.
Oh, right. And...
I think it would be better to have a video there.
A video during the dance bridge.
The stuff that's on the leader goes off to the side like beams. | ๋ ์ด์ ํธ๋ํน ์์ฒด๊ฐ์
๊ทธ๋ ์ง, ์ฐธ ๊ทธ๋ฌ๋๊น
์์์ด ์์ผ๋ฉด ์ข์ ๊ฒ ๊ฐ์๋ฐ์
'๋์ค ๋ธ๋ฆฌ์ง' ์์์
๋จ์ํ ๋ฆฌ๋ ์ชฝ์ ์๋ ๊ฒ ์์ผ๋ก ์ ์ด ์ด๋ ๊ฒ ๋๊ฐ๊ฒ์ |
Since we'll be using a video this time, then we'll be able to do that.
-Yes, it won't. -That's a pretty big thing.
Okay.
-Okay. Let's finish up then. -Thank you. | ์ด๋ฒ๋ถํฐ๋ ์์์ ์ธ ์ ์๊ฒ ๋์ผ๋๊น ํ ์๋ ์์ ๊ฑฐ์์
- ๊ทธ๋ ์ฃ - ๊ทธ๊ฒ ๊ฝค ํจ๊ณผ๊ฐ ์๋๋ฐ ๋ง์ด์ฃ
๋ค
- ๊ทธ๋ผ ์ด๊ฑธ๋ก ๋๋ด์ฃ - ์๊ณ ํ์
จ์ต๋๋ค |
What should we do?
"What do you want, where are you going?" Who sings that?
Oh-Nino.
-Oh, right. -It's Ohno and Ninomiya, but it was just Ninomiya. | ์ด๋กํ ๊น์?
'๋ฌด์์ ์ฐพ์์ ์ด๋๋ก ๊ฐ๋๊ฐ'๋ ๋๊ฐ ๋ถ๋ฅด์ฃ ?
์ค-๋๋
ธ ์จ์
- ๊ทธ๋ ๊ตฐ์ - ๋๋
ธ ์จ๋ ์ค๋
ธ ์จ์ธ๋ฐ ๋๋
ธ ์จ ํผ์ ๋ถ๋ฅผ ๊ฑฐ์์ |
"Fukkatsu LOVE" and "Believe" are tough.
Yes, you're right.
Yes, I think that is pretty rough. From "I'll be there."
We do "La tormenta 2004" then "Breathless," they're all connected. When we change, we just go off and change. There's no break for us. | '๋ถํ ๋ฌ๋ธ'๋ '๋น๋ฆฌ๋ธ'๊ฐ ํ๋ค์ง
์, ๊ทธ๋ฌ๋ค
'์์ด ์ ๋น ๋ฐ์ด'๋ถํฐ๊ฐ ํ๋ ๊ฒ ๊ฐ์
์๋จ, '๋ผ ํ ๋ฅด๋ฉํ 2004' ํ๊ณ '๋ธ๋ ์ค๋ฆฌ์ค' ํ๊ณ ๊ฑฐ๊ธฐ๊น์ง ๊ณ์ ์ฐ๊ฒฐ๋ผ ์์ด์ ์ด๋ํ๊ณ ์์ ๊ฐ์์
๋๋ผ ๋ชป ์ฌ๊ฑฐ๋ ์ |
They don't see how tough it is.
That's what it means.
It's deeply moving.
Who are you talking to?
Is it okay to talk this much?
Next Thursday, we'll be in spectacular...
Sapporo. | ์ผ๋ง๋ ํ๋ ์ง ๋ชจ๋ฅผ ๊ฑฐ์์
๋ป์
๋๋ค
์ ๋ง์ด์ง ๊ฐํ๊ฐ ์๋กญ๋ค์
๋๊ตฌํํ
๋งํ๋ ๊ฑฐ์ผ?
์ด ์ ๋๋ฉด ๋๋?
๋ค์ ์ฃผ ๋ชฉ์์ผ์๋ ์ด ํ๋ คํ
์ฟํฌ๋ก... |
What's he talking about?
It's the schedule.
Okay, let's do it just one more time.
-Then each person talks. -Okay.
Then "thank you."
Maybe at a different tempo is better. | ๋ด์ฉ์ด ์ ์ ๋
์ค์ผ์ค ์๊ณ ์์ด
๊ทธ๋ผ ํ ๋ฒ ๋ ๊ฐ๊ฒ์
- ๊ทธ๋ผ ํ๋ง๋์ฉ ํ๊ณ - ์
๊ทธ๋ฆฌ๊ณ , '๊ฐ์ฌํฉ๋๋ค'
๋ค๋ฅธ ํ
ํฌ๊ฐ ๋ ๋์ ๊ฒ ๊ฐ์์ |
You know, I'd like to run through the whole thing once.
I'm totally worried if I don't.
I don't know my positions at all.
I can't believe how everyone remembers those numbers.
The 2.5 and 5 and stuff. How can they remember them so fast? | ์ ๋ ์๊ฐ ๋๋ฉด ์ง์ง ์ด๋ฆฌํ์ค ํ๊ณ ์ถ์ด์
์ ํ๋ฉด ์ด๋ฒ์ ๋๋ฌด ๋ถ์ํด์
๋ฌด๋ ์์น ์ ํ ๋ชจ๋ฅด๊ฒ ์ด์
๋ค๋ค ๊ทธ ๋ฒํธ ๊ธฐ์ตํ๋ ๊ฑฐ ์ง์ง ๋๋จํด
2.5๋ 5 ๊ฐ์ ๊ฑฐ ์ด๋ป๊ฒ ๊ทธ๋ ๊ฒ ๊ธ๋ฐฉ ์ธ์? |
Can you remember when we move? At Makuhari, can you?
I say them the whole time.
I can understand going to a certain place at a certain time in a song.
Seriously, it's an amazing talent you've all got. | ๋ง์ฟ ํ๋ฆฌ์์ ํ ๋ฒ ํ๋ฉด ์ธ์์ ธ?
๊ณ์ ๋๋๋ ๊ฑฐ์ง
๊ทธ ๊ณก์ ํ์ด๋ฐ์์ ์์ง์ฌ์ผ ๊ธฐ์ต์ด ๋
๋ค๋ค ์ ๋ง ์์ฒญ๋ ์ง์ง ์ฌ๋ฅ ์์ด |
Pretty amazing.
Matsumoto is amazing.
He's amazing.
I mean, we're all standing in our positions
-at Makuhari. -Yes.
He's not standing there. | ๋๋จํด
๋ง์ธ ์ค์ ๊ต์ฅํ์ง
๋ง์ธ ์ค ๋๋จํด
์ฐ๋ฆฌ๋ ์ ๋ณด๊ธฐ๋ผ๋ ํ์์ ์
- ๋ง์ฟ ํ๋ฆฌ์์ - ๊ทธ๋ ์ง
๊ทผ๋ฐ ๋ง์ธ ์ค์ ์๋์์ |
That's really amazing.
What kind of skill is that? I guess that's the skill.
He even remembers other people's.
That's pretty amazing.
What's up with that?
On two... Come in a little later, Ohno.
Ninomiya, can you stay in front a little longer with Aiba? | ๊ทธ๊ฒ ๋๋จํ๋ค๋๊น
์ด๋ค ๋ฅ๋ ฅ์ด์ง? ๋ญ, ๊ทธ๋ฐ ๋ฅ๋ ฅ์ธ ๊ฑด๊ฐ
๋ค๋ฅธ ๋ฉค๋ฒ ์์น๋ ๊ธฐ์ตํ์์
์ ๋ง ๊ต์ฅํ๋ค
๋์ฒด ๋ญ๊น
'๋'์์ ๋ฆฌ๋๊ฐ ์ข ์ฒ์ฒํ ๋์ค๊ณ
๋๋
ธ๋ ์์ด๋ฐ๊ฐ ์์์ ์ข ๋ฒํ
จ ์ค๋? |
It won't be on time.
-Is a ten-minute break okay? -Yes.
Fifteen minutes, then the second half.
I wonder if I can talk when I'm the MC.
I'm wheezing the whole time. | ์ญ์ ๋ฆ์ ๊ฒ ๊ฐ์๋ฐ
- ํด์ 10๋ถ์ฏค ๊ด์ฐฎ์์? - ๋ค
15๋ถ ์ฌ๊ณ ํ๋ฐ ์์ํฉ๋๋ค
MC ํ ์ ์์ผ๋ ค๋
๊ณ์ ํ๋ก๊ฑฐ๋ฆฌ๊ณ ์์ด |
What kind of MC work is that?
Let's do the second half.
Let's do the second half!
Here's the last song!
See you later. Go!
Sing with us!
At the start of the song, go onto the runway. | ์ด๋ฐ MC๊ฐ ์ด๋ ์์ด?
ํ๋ฐ ์์ํ๋ค
ํ๋ฐ ์์ํ์!
๋ผ์คํธ ๊ฐ๋๋ค
๋ค๋
์์, ๊ฐ์์ฃ
๋ชจ๋ ๋ค ๊ฐ์ด
๋
ธ๋ ์๋ถ๋ถ์์ ํต๋ก๋ก ๋ค์ด๊ฐ๋๋ค |
From the start, we'll spread out sideways. When we do, we'll stay as is.
When we go back to the center, we'll keep the same positions as we move.
That's when I come out, right? | ๊ทธ๋ฌ๋๊น ์ฒ์์ ์ฌ๊ธฐ์ ์์ผ๋ก ๊ฐ์ ์ ๊น ๊ทธ๋๋ก ์๋ค๊ฐ
์ฌ๊ธฐ์ ์ผํฐ๋ก ์ด๋ํ ๋์ฏค ์ฌ๋ฉฐ์ ๊ทธ ์์น๋ก ์ฎ๊ฒจ ๊ฐ
๊ฑฐ๊ธฐ์ ๋ด๊ฐ ๋น ์ง๋ฉด ๋์ง? |
Aiba, you will be in front, doing your active guy thing.
Be the guy who's really running hard.
Aiba goes in front with Ninomiya in between, and I'm last, a little bit behind.
I'm at the very back, then we line up and go over there and spread out.
Those are three or five places.
From there, to there, to the center, to t... | ๊ทธ๋, ์์ด๋ฐ๊ฐ ์ผํฐ์ ํ๊ธฐ์ฐฌ ์ด๋ฏธ์ง๋ก
์์ฒญ ๋ฌ๋ฆฌ๋ ์บ๋ฆญํฐ์ฒ๋ผ ๊ฐ์ ์์ด๋ฐ๊ฐ ์ผํฐ๊ฐ ๋๊ณ
์ฌ์ด์ ๋๋
ธ๋ฅผ ๋๊ณ ๋ด๊ฐ ๋ง์ง๋ง์ ์ฝ๊ฐ ๋ฆ๊ฒ ๊ฐ์
๋ด๊ฐ ์ ์ผ ๋ค์ ์๊ณ ๊ฑฐ๊ธฐ์ ๊ทธ๋ ๊ฒ ๋์ด์ ๊ทธ๋ฆฌ๊ณ ์ด์ชฝ์ผ๋ก ๊ฐ์ ์ฌ๊ธฐ์ ์ด๋ ๊ฒ ๋๊ณ
์ธ ๊ตฐ๋ฐ๋ ๋ค์ฏ ๊ตฐ๋ฐ
์ฌ๊ธฐ์ ์ฌ๊ธฐ๋ก ๊ฐ๊ณ ์ค๊ฐ์ผ๋ก ๊ฐ์ ์ด์ชฝ์ ๊ฐ์ ์ฌ๊ธฐ ๊ฐ๋ ๊ฒ ์ข์ ๊ฒ ๊ฐ์ |
Five days until the show.
-Less than a week. -Five days. Dang!
It's finally here.
Wow!
I'm getting chills.
Ohno, one!
Warming up.
Cut that out!
Hey! | ์ด์ 5์ผ ๋ค๋ฉด ํฌ์ด๋ค
- ์ผ์ฃผ์ผ๋ ์ ๋จ์๋ค - 5์ผ ๋จ์๋ค๋
๋๋์ด ์ฌ๊ธฐ๊น์ง ์๋ค
์ฐ์
๋๊ทผ๋๊ทผํ๋ค
์ค๋
ธ ์จ, 1
์ ๊น ๋ชธ ํธ์๊ณ
์ง์ฆ ๋
์ด์ด! |
5 DAYS UNTIL THE TOUR BEGINS
We all said it. If one of us left, there was no way the other four would continue.
That's when we decided to take a break for a while. | "ํฌ์ด ์ฒซ๋ ๊น์ง 5์ผ"
๋น ์ ธ์ ๋ท์ด์ ํ๋ ๊ฑด ์ ๋ ์ซ๋ค๊ณ ์
๊ทธ๋ผ ์ ์ ํ๋์ ์ฌ์๊ณ ํ์ฃ |
You know, being in a group where everyone feels like that, that's true happiness.
Good morning.
Here we go.
Here we go!
Here we go.
1 DAY UNTIL THE TOUR BEGINS
There's still barely any sunlight. | ํ๋ํ๋ ๊ฒ ์ ๋ง ํ๋ณตํ๋ค๊ณ ์๊ฐํด์
์๋
ํ์ธ์
๊ฐ๋๋ค
๊ฐ๋๋ค!
๋ค๋
์ค๊ฒ ์ต๋๋ค
"ํฌ์ด ์ฒซ๋ ๊น์ง 1์ผ"
์์ง ํด๋ ์ ์ก์ด |
Sho's like that in everything I shoot.
What kind of photo?
Turn around and strike a pose.
The pose will be the same when we gather at the end of the song. | ์ผ, ๊ฝค ๋ง์ด ๋ฑ์ฅํ๋ค
์ด๋ค ์ฌ์ง?
๋ค๋์์ ํฌ์ฆ
๊ณก ์๋ฉ ์ฐ์ฃผ๊ฐ ๋์ฌ ๋ ๊ฐ์ ํฌ์ฆ๋ก ๋ง์ง๋ง์ ๋ชจ์ด๋ ๊ฑฐ์ผ |
Here we go.
Ready. Go.
THE 5 MEMBERS HEAD INTO THE TOUR FILLED WITH A VARIETY OF EMOTIONS
ALWAYS TOGETHER
SAPPORO DOME DAY BEFORE 5X20 ANNIVERSARY TOUR
We're finally at the venue. | ๊ฐ๋๋ค
ํ๋, ๋
"๋ง์์์ ์ด๋ฐ์ ๋ฐ ์๊ฐ์ ํ์ผ๋ฉฐ ๋ค์ฏ ๋ช
์ ํฌ์ด์ ์ํ๋ค"
"์ธ์ ๋ ๋ค์ฏ์ด"
๊ธฐ๋
ํฌ์ด '5x20' ์์ ์ ๋ , ์ฟํฌ๋ก ๋
๋๋์ด ๊ณต์ฐ์ฅ๊น์ง ๋ค์ด์์ต๋๋ค |
We're just getting started in this long tour, so let's all do our best.
-Sorry, Nassy. -Yes?
I can't dance facing backward.
I can't have the lasers in my eyes. Oh, I see. | ๊ธด ํฌ์ด์ ์์์
๋๋ค ์ ๋ถํ๋๋ฆฝ๋๋ค
- ๋ซ์ ์จ, ์ด๊ฑฐ - ๋ค
๋ค๋์์ ๋ชป ์ถ๊ฒ ์ด์
๋ ์ด์ ๋๋ฌธ์ ๋์ด ์ํ์ ๊ทธ๋ ๊ตฐ์ |
-The "La tormenta 2004" ones. -Okay.
Cut these.
-The center ones? -The two center ones.
Wait here, okay?
But we haven't moved forward yet, right? | - '๋ผ ํ ๋ฅด๋ฉํ 2004'์ - ๋ค
์ด๊ฑฐ ๋นผ ์ฃผ์ธ์
- ์ผํฐ์? - ์ผํฐ์ 2๊ฐ์
์ฌ๊ธฐ์ ๊ธฐ๋ค๋ฆฌ๋ ๊ฑฐ์ฃ ?
๊ทธ ํ์ด๋ฐ์ด๋ฉด ์ ํ ์ง๋๊ฐ ์ ๋๊ฐ์ |
How far can we go up?
Our positions.
Oh, I'll bring it back.
When does it come out?
Up to 1.5?
I can't get an answer for you now. Let's do it as we go. | ๋๊น์ง ์ฌ๋ผ๊ฐ๋ฉด ์ด๋ ์ ๋์ฃ ?
์ ํฌ ๋์ด์
๋ค์ ๋๋๋ฆด๊ฒ์
ํ์ด๋ฐ์ ๋ชจ๋ฅด๊ฒ ์ด์
์ด๊ฒ 1.5๊น์ง์์?
์ง๊ธ์ ๋ต์ด ์ ๋์ค๋๊น ๋ฐค๋ง๋ค ํ์ฃ |
I don't think we should...
We don't need it in the middle.
Just the middle.
With the middle one out the farthest, angle it toward this position. | ๊ฐ์ด๋ฐ๋ง ์ผ์๊ฐ์...
๊ฐ์ด๋ฐ๋ ์์ด๋ ๋ ๊ฒ ๊ฐ์์
๊ฐ์ด๋ฐ๋ง
๊ฐ์ด๋ฐ๊ฐ ๊ฐ์ฅ ์์ผ๋ก ๋์จ ์ํ์์ ๋น์ค๋ฌํ ์์น๋ ์ด๋? |
What's it like with it there?
-It's totally different. -Then farther forward is better.
Is here okay?
What do you mean?
Everyone can see me from here.
At least the people in front.
Can you stay there for a minute?
Okay. | ๊ทธ๋ ๊ฒ ํ๋ฉด ์ด๋?
- ์ ํ ๋ฌ๋ผ - ์ฐจ๋ผ๋ฆฌ ์์ผ๋ก ๋์ค๋ ๊ฒ ๋ซ๋ค
์ด ์ ๋๋ฉด ๋ผ?
์๋ฅผ ๋ค๋ฉด ์ด๋?
์ด ์ ๋๋ฉด ๋ค๋ค ๋ณด์ฌ
์์ ์๋ ์ฌ๋๋ค์
์ผ๋จ์ ๊ฑฐ๊ธฐ๋ก ํด ๋์
๋๋ค |
And there.
Like this?
-Yes. -Yes.
-Is this okay? -Take, is this okay?
It's the same with "Aozora Pedal" and "5x20." Once the moving platform goes past the center, I can't see it anymore.
And "GUTS!." | ์ด๊ฑธ๋ก ์ข...
์ด๋ ๊ฒ?
- ๋ง์ - ๋ง์
- ๋์ด์? - ํ์ผ ์จ, ์ด๊ฑฐ ๊ด์ฐฎ์์?
'์์ค์กฐ๋ผ ํ๋ฌ'๋ ๊ทธ๋ ๊ณ '5x20'๋ ์ฌ๊ธฐ์ ์ผํฐ ๋์ด์ ๋ฌด๋น ํ ๋ ์ด๋ฏธ ์ ๋ณด์ด๊ฒ ๋๋๊น
'๊ฒ์ธ ' ๋ง์ธ๋ฐ์ |
At the B-verse of "GUTS!," you'll go to the first chorus position, right?
If all five of us get too far apart, they won't be able to tell when Sho separates off. | '๊ฒ์ธ '๋ B ๋ฉ๋ก๋์์ ๊ทธ๋๋ก ํ๋ ด1 ์์น๋ก ๊ฐ์์์
์ผ๊ฐ ๊ฑฐ๊ธฐ์ ๋น ์ง๋ ๋๋์ ์ ๋ชจ๋ฅด๊ฒ ์ด์ |
Subsets and Splits
No community queries yet
The top public SQL queries from the community will appear here once available.