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They are mostly descendants of Holocaust survivors and started by Holocaust survivors in New York, after the war. It is founded by people who are struggling with the most immense trauma we can imagine.	홀로코스트 생존자의 자손이 대부분이고 홀로코스트 생존자들이 전쟁 후 뉴욕에서 시작한 공동체죠 이 공동체의 설립자들은 사상 최악의 트라우마를 겪은 사람들이에요
But why Berlin? -Think about it. -What? Her mother lives in Berlin! So, in a sense, the flashbacks are based on the book, but the present day story is entirely made up.	그런데 왜 베를린이지? - 생각해보세요 - 뭘? 정신 나간 엄마가 베를린에 살잖아요! 현재 이야기는 아예 새로 만들었다고 할 수 있죠
You have to go beyond cliché, beyond our projection on to what the life might be in a community like this. We knew it was so important to get people onboard, not just as actors, but behind and in front of the camera, who are from this community.	이런 공동체에서의 삶이 어떨지 우리가 상상하는 것 그 이상을 보여줘야 하죠 배우들뿐만이 아니라 이 공동체 출신인 사람들이 곳곳에 참여하는 게 중요했어요
So, one of the first people we hired was Eli Rosen who is an actor, translator and, kind of, specialist when it comes to Yiddish. Eli Rosen was, like, our guide, you know. He was our spirit guide.	배우이자 번역가로 이디시어의 전문가라고 할 수 있는 사람이죠 엘리 로젠은 저희의 길잡이였죠 정신적 길잡이랄까요
He not only translated the scripts, he coached the actors in Yiddish, he helped us with all the cultural details and he played the rabbi. When I was given the opportunity to help ensure that it was representative and that it is authentic... I...	대본 번역뿐만이 아니라 배우들의 이디시어를 감독하고 문화적 디테일 표현도 도와주고 랍비를 연기하기도 했어요 작품이 진정한 대표성을 띠도록 도울 수 있게 됐을 때 저는...
jumped at it. Directing the scenes which are set within or in the ultra-orthodox world, I would have been lost without this advice. We really tried to offer our heads of department as much access.	바로 승낙했죠 굉장히 전통적인 세계에 들어가 그 속의 장면을 연출하면서 조언이 없었다면 전 헤매고 말았을 거예요 우리 담당자들에게 최대한 접근권을 주려고 노력했어요
It was, kind of, image-based research. We looked around, we took so many pictures, and we tried to inhale this world by the visual impressions we got.	이미지를 기반으로 한 연구였죠 저희가 받은 시각적 인상을 통해 이 세계를 흡입하려고 했어요
We were taken around New York on a tour of Williamsburg by an ex-Satmar woman who had grown up there. She'd had her first child there and been married and everything, and she walked us through a lot of Williamsburg and the traditions within the exterior buildings.	윌리엄스버그를 안내해준 분은 사트마에서 나온 여성으로 그곳에서 자란 사람이었죠 윌리엄스버그의 이곳저곳을 저희에게 보여주고 겉으로 드러난 건물 안쪽의 전통을 소개해줬어요
Silke was taking lots of notes for her world, and I was taking notes for the characters that I was going to be building. Also, moving from Yiddish to English and different outfits and makeup, suddenly, and the hair...	전 제 필기를 바탕으로 작품의 등장인물들을 형상화하려고 했죠 또 이디시어를 쓰다가 영어를 쓰는 점이나 갑자기 다른 의상, 화장과 머리까지...
There are so many different hairs. The bald... there's this and there's the wig. And there's... Esty has so many faces. I wanted to reflect Deborah's experience with Esther.	머리 모양이 정말 다양하잖아요 삭발도 있고 이거랑 가발까지 에스티에겐 아주 다양한 얼굴이 있어요 데버라의 경험을 에스터에게 투영하고 싶었어요
It was so hard to create, in a way, a production that is much like a period film, but plays in the world of today. To create the costumes for that was a very big challenge.	시대극과 비슷한 연출을 하면서도 현대가 배경이었다는 거예요 그래서 의상을 제작하는 건 엄청난 도전이었죠
Our production designer knew which exterior locations we were going to be using there and built made-to-measure sets here to sync with those exteriors.	저희가 어떤 외부 촬영장을 이용할 것인지 알고 맞춤 세트장을 만들어서 외부 촬영장과 일치하게 했어요
We have complicated locations because we shot the New York part here in Berlin. Why Germany? With the other movies I did before, we came through the windows, and now, I do everything inside.	촬영 장소가 복잡했어요 뉴욕 장면의 대부분을 이곳 베를린에서 찍었거든요 왜 독일이지? 제가 전에 한 다른 영화들은 창밖에서 촬영했다면 이 작품은 전부 실내에서 해요
So maybe this is... This is a very first experience, also, for me. Wolfgang is an incredible cinematographer I mean, he has shot some of the most incredible documentaries.	그러니 이건 제게도 새로운 경험이죠 볼프강은 굉장한 촬영 감독이에요 아주 대단한 다큐멘터리들도 촬영한 경력이 있고요
He's able to work with natural light, work spontaneously, he does a lot of... He's good at combining different kinds of light. Because we were matching set interiors with real exteriors, the lighting was very delicate, and Wolfgang was incredible at that.	자연광 사용도 능숙하고 즉흥적인 작업도 잘하고 많은 걸 하죠 여러 종류의 조명을 잘 조합해서 써요 조명도 아주 섬세했는데 볼프강이 이런 면에서 아주 뛰어났어요
When I watch the material in post-production, I think it's very difficult to see what's inside and what's outside, what was New York and Berlin. She's not here?	제작이 끝나고 작품을 보는데 촬영장이 실내인지 실외인지 뉴욕인지 베를린인지 구별하기 어려울 정도였어요 여기 없어요?
Shira Haas is a talent. What a face! I mean, she needs to only move a part of her face and it can make you cry or laugh. Shira is just... an enormous, enormous actress.	"출연진" 시라 하스는 인재예요 대단한 얼굴이죠 얼굴을 조금만 움직여도 보는 사람을 울고 웃게 하거든요 시라는 정말이지 굉장한 배우예요
So talented, so gifted, such a hard worker... And it was pure joy, every day... It was pure joy to work with Shira. I think that what's really beautiful in Esty is that she really, really, really...	정말 유능하고 재능이 넘치고 아주 성실해요 시라와 일하는 하루하루가 행복 그 자체였어요 에스티의 아름다운 점은 에스티가 정말이지...
Even though she's been told that she's different, and feels she is different, she always tries very, very hard to fit in, really, and she really wants to find that feeling of belonging and happiness.	남들과 어울리려고 항상 최선을 다한다는 거예요 그리고 소속감과 행복을 반드시 찾고 싶어 하죠
We have, sort of, four main characters. I mean, Esther's the main character, but the other main characters are all Satmar characters, dealing with being inside and outside at the same time.	주요 인물이 4명이에요 다른 주요 인물들은 전부 사트마 출신인데 내부인이자 외부인인 사람들이죠
She was kicked out, or she left the community, about 15 years before. It's obviously that role that attracted me, really, to the whole thing. With Amit Rahav, we had never seen him acting in another project.	제가 맡은 역은 15년 전에 공동체에서 쫓겨났거나 스스로 떠난 인물이에요 딱 그 역할이 절 사로잡았죠 모든 면에서요 아미트 라하브가 출연한 다른 작품을 본 적이 없었어요
We just saw him in the audition. We were all blown away. And he just kills it in every scene. He's a natural talent, you know. I think that he's just very naive and innocent, because it's not weakness.	오디션에서 처음 봤는데 아미트 역시 정말 굉장했죠 모든 장면에서 완벽해요 재능을 타고났다니까요 천진하고 순수한 인물 같아요 그런 게 약점은 아니잖아요
He has just, like, one truth, and this is the one truth he knows. It's around here somewhere. There it is! In this section. Next to the fallen tree.	알고 있는 진실이 단 하나일 뿐인 거죠 여기 어디쯤인데 저기 있네! 이 구역이야 쓰러진 나무 옆!
With Jeff Wilbusch... a crazy thing happened, which is, our German casting director said, "We have a German actor who speaks Yiddish." It was the end of the day. Alexa and I were sitting in the office. And he was, like, "This is my story." And we were, like, "I'm sorry?" He's, like, "I am from the Satmar community in M...	정말 말도 안 됐죠 저희 독일 캐스팅 담당자가 그러더군요 '이디시어를 할 줄 아는 독일인 배우가 있어요' 하루가 끝나갈 무렵 알렉사와 제가 지쳐서 여기 사무실에 앉아 있는데 '제 얘기네요'라는 거예요 저희가 '뭐라고요?' 했더니 '전 메아 셰아림의 사트마 공동체 출신이에요'
"Yiddish is my native language. This is my story." I think Moishe is a tragic role. He is... He has a lot of issues personal issues that he needs to fight.	'이디시어는 제 모국어죠 제 얘기 같아요' 하더군요 모이셰는 안타까운 인물 같아요 모이셰는... 자신이 이겨내야 할 개인적인 문제요
He's haunted. And he's also a hunter, so he comes... to bring Esther back. Say it. Where is Esty? Where is Esty, telephone? You're crazy, Yanky. I mean, you know, the joke on this show is that the men required way more makeup than the women.	걱정이 가득하고 추적자이기도 해서 에스터를 데리러 찾아가요 말해, '에스티 어디 있어?' 에스티는 어디 있어, 전화야? 얀키, 이 미친놈 촬영장 내 농담 중 여자보다 남자한테 헤어랑 메이크업이 더 필요하다는 게 있었죠
Mine has grown now, almost one centimeter, because I wasn't allowed to cut it. It's a very complex, cultural ritual. We wanted to get it right. A lot of details.	자르면 안 된다고 해서 전 1cm쯤 기른 것 같아요 아주 복잡하고 문화적인 의식이에요 여러 디테일을 정확하게 하고 싶었죠
So there's a system to it. I paid for everything, so, really, everything has to work out. I check everyone everyone's behavior. And I'm having fun, but not too much.	나름의 체계가 있어요 제가 돈을 다 냈으니 모두 다 잘 풀려야 해요 모든 사람의 행실을 검사했어요 또 전 즐겁지만 너무 즐겁진 않답니다
It was very important to strike the right tone and then, also, we had, you know, 100 extras, costumes... Well, the first challenge and the biggest challenge was to shoot it all within these two days.	결혼식의 적당한 느낌을 내는 게 아주 중요했어요 100여 명의 엑스트라와 의상도 있고... 첫 난관이자 가장 큰 난관은 이틀 안에 모든 촬영을 마쳐야 한다는 점이었죠
For us, it was our big Hollywood moment, you know, and it was very hot when we were shooting. Unfortunately, for all of the extras and actors, they were wearing a lot of costume and make-up and hair in 100-degree weather.	저희에겐 아주 극적인 촬영 순간이었고 촬영 당시 엄청나게 더웠어요 의상을 두껍게 입고 헤어, 메이크업을 했는데 기온은 40도 가까이 됐죠
Every day on set, it's, like, normal. Very, very normal. That's what I'm used to, like, yes, all the time. He's the king, so... It's hot in there.	세트장은 늘 이래요 이 정도는 기본이죠 매일 이래서 인제 익숙해요 왕이잖아요, 그러니... 저기 더워요
It's too hot. Please don't send me in there again. We had an incredibly talented costume designer, Justine Seymour, and she's worked all over the world, and she's incredibly flexible.	너무 더워요 또 들어가라고 하지 말아줘요 전 세계에서 일한 사람이고 상황에 따른 대처가 아주 뛰어났죠
It was challenging because some of the actual clothing is not for sale here, so some of those things, she sourced in Williamsburg. So a theatre company in Hamburg made them out of fake fur, so, you know, no minks were harmed in the making of this TV show.	이곳에서 팔지 않는 실제 의상이 있어서 몇 개는 윌리엄스버그에서 조달해 왔어요 그래서 함부르크의 극단에서 인조 모피로 모자를 만들었어요 덕분에 촬영 중에 밍크를 희생하지 않아도 됐죠
We've had to fit and make them work for every individual actor, yes, even all of the extras. There's a tent over there full of shtreimel. Our shtreimel tent.	모든 배우에게 맞춰서 만들어야 했어요 엑스트라 배우들까지요 슈트라이멜로 가득한 텐트도 저기 있어요 '슈트라이멜 텐트'라고 해요
Our head of department hair and makeup Jens, managed to create our payot in a way that I've never seen on-screen. 100%, the best payot I have seen.	헤어, 메이크업 책임자 옌스가 영화에서 처음 보는 방식으로 페요스 머리 모양을 만들었어요 제가 여태 본 페요스 중 최고예요
It's quite interesting. Yesterday, we were laughing when we had 150 Hasids on the street outside that was very funny. Someone said, "Jews are back in Berlin!" There's no more reality than diversity because that's...	상당히 재밌어요 하시드파 150명이 길거리에 있다니 정말 웃긴 모양새였어요 누가 그랬죠 '베를린에 유대인이 돌아왔어' 다양성보다 더 현실적인 건 없죠 왜냐하면...
Just walk across the street. So, for Berlin, we really wanted to create a very colorful lightness to the architecture we chose. I wanted to have something more with a freer space, with more rhythm in it.	실제 세계가 다양하잖아요 베를린에선 저희가 고른 건축물에 알록달록하고 가벼운 느낌을 담아내고 싶었어요 공간을 더 자유롭게 만들고 리듬이 있길 바랐어요
Silke found the most incredible location at Potsdamer Platz, right next to the Philharmonic. No one has ever shot there and it was the perfect location for the music academy.	베를린 필 바로 옆의 포츠다머 플라츠에서 질케가 멋진 곳을 찾아냈어요 촬영지였던 적이 없던 곳이고 음악원의 배경으로 완벽한 장소였어요
It was built in the '60s. It was supposed to be a much lighter, open architecture, post-war... It was about communication. It was about low hierarchy... mirrored by architecture.	60년대에 지어진 건물이죠 다른 곳보다 훨씬 밝고 열려있고 전후 느낌이 나야 했죠 소통이 중요하고 위계를 따지지 않는 느낌이 건물에 나타났어요
We created our own music academy, where Jews and Muslims are playing music together and, you know, it's also this crazy, post-colonial paradox. Like, why are people from the Middle East playing German music at all? The concept of this music academy is that different, talented musicians from all over the world come toge...	유대인과 이슬람교도가 함께 곡을 연주하게 했어요 식민지 시대 후의 말도 안 되는 역설이죠 '중동에서 온 사람들이 왜 독일 곡을 연주할까?' 전 세계에서 온 다양하고 유능한 음악가들이 자신의 악기를 갖고 연습하러 모인다는 거예요
There's a doubling-back on history in this show. We have a Jewish character and in order to escape the confines of her own life, she returns to the source of her community's trauma.	이 작품은 시간을 거스르는 부분이 있죠 자기 삶의 한계를 타파하려고 공동체가 가진 트라우마의 근원지로 돌아가요
See that villa? The conference where Nazis decided to kill Jews in concentration camps took place in 1942, in that villa. And you swim in this lake?	저 저택 보여? 죽이자고 결정한 회의가 1942년에 저 저택에서 열렸어 그런데 이 호수에서 수영을 해?
Well, a lake is just a lake. Did you turn it on? I think it turned itself on. Can you hear me? Yes. Loud and clear. Good. So we've come to the moment where we need to know your decision.	호수는 죄가 없으니까 자기가 켰어? 저절로 켜진 것 같아 들리세요? 네 아주 잘 들려요 좋습니다 이제 두 분의 결정을 밝혀야 할 때가 왔습니다
Would you care to share? How about this? Would you care to share why you people never show yourselves, huh? We do not want to influence the research with our presence.	말씀해 주시겠어요? 그쪽부터 말하지 그래요? 당신들은 왜 모습을 안 드러내죠? 우리의 존재가 연구에 영향을 주면 안 되니까요
We change what we observe. I'm not even sure what that means. It means they don't want us to know who they are. Your decision? What if we need more time?	우리가 있으면 실험 결과가 달라지죠 무슨 뜻인지 모르겠는데요 자기들이 누군지 알리기 싫단 뜻이지 결정하셨나요? 시간이 더 필요하다면요?
The experiment is over, and the time you've had to make this decision has already been fairly significant. You do agree this is a life altering choice.	두 분이 결론을 내릴 시간은 이미 충분했다고 생각합니다 이 선택으로 우리 인생이 바뀐다는 거 알죠?
We do. I must admit, this whole experiment has really messed me up really good. To the point where I don't even know who I am any more. It's crazy strange.	압니다 이 실험이 날 완전히 뒤흔들어 놓은 건 확실해요 내가 대체 어떤 사람인지 잘 모르겠을 정도로요 정말 이상해요
Your decision please, and remember whatever you say here, cannot be unsaid. All decisions are final. Do you hear me? Oh. I didn't say you were trash.	결정을 말씀해 주세요 그리고 명심하세요 결정은 번복할 수 없습니다 이게 최종 결정입니다 알았어? 내가 언제 쓰레기래?
I said people who wear nose rings sometimes look like trash. I never said that you were trashy. And I have a pierced nose! I never said you were trashy. So that must mean that I'm trash.	코걸이를 하는 사람은 쓰레기처럼 보이기도 한다고 했지 자기가 쓰레기라고는 안 했어 나도 코에 피어싱했잖아 그러니 나도 쓰레기란 거겠지
You know, uh, if we don't pay these invoices by tomorrow, we'll lose our 90 day credit status with our vendors. I know. Okay, they've just been sitting here for, like, two weeks.	내일까지 이 청구서들 대금 납부 안 하면 앞으로는 90일 어음을 발행할 수 없게 돼 알아 거의 2주째 여기 그대로 있잖아
Honey, what would you like for me to say? I told you that I'm going to do them. You say that a lot. I'm not passing judgement on you. Well, I'm just not where I want to be yet.	무슨 말을 듣고 싶은 거야? 제때 처리하겠다고 했잖아 이미 여러 번 말했어 당신을 판단하는 거 아니야 내가 원하는 수준까지 못 온 것뿐이야
I can see you trying, I can. Oh, yeah. But that's not good enough. Please don't put words in my mouth. Then tell me what the problem is, Dee. Man. This is so stupid, man.	노력하는 거 알아 진짜야 하지만 그걸로는 부족하단 거지? 내 생각 지레짐작하지 마 그럼 뭐가 문제인지 말해 유치해서 더는 못 하겠네
Now I'm stupid! Now I'm stupid! Look, you obviously hear whatever you want to hear. Obviously! You say things without thinking because that's what you feel. Just admit that! Be a man, Sawyer, and admit that. The house looks great. Yeah.	이젠 나더러 유치하다고? 당신은 무슨 말이든 자기 듣고 싶은 대로 듣잖아 늘 그러지 당신은 말을 생각 없이 하지 늘 느끼는 그대로 말해 인정해, 소여 남자답게 인정하라고 집 멋지네 그렇지?
But we already have a house so what's the point? Haven't you ever heard the expression, "I am what I dream"? You know it's always amazed me that the life we have is never good enough for you. Carson, we used to do this together.	이미 집이 있는데 뭐 하러 봐? '꿈이 내 모습을 결정한다'는 말 못 들어 봤어? 난 항상 깜짝 놀라 당신이 늘 우리 삶이 부족하다고 느끼는 걸 보면 카슨 예전엔 당신도 나랑 같았잖아
Yeah. Maybe I've learned to appreciate what I have now. And what makes you think that I don't? Big houses costs money, Maggie. And I'd like to enjoy what we have, and I worked hard to get us here. Yes. Yes, you have.	맞아, 그랬지만 난 이제 현재에 감사할 수 있게 됐나 보지 왜 난 아니라고 생각하는데? 큰 집은 비싸, 매기 난 우리가 가진 걸 누리고 싶어 내가 열심히 일한 결과니까 맞아, 그랬지
My contributions have helped in that regard I think. Creating a business was a major step for us, wouldn't you say? A major step, and I applaud you for it.	하지만 내가 도운 부분도 분명히 있는 것 같은데 사업을 구상한 것도 굉장히 큰일이었잖아? 맞아, 그건 자기 공이 컸지
But wheels don't turn by themselves, that's all. Having ideas is wonderful. But making them come true is an even greater accomplishment, in my humble opinion. So, hard work is the only way that's gonna happen. Look, money is a part of it, but it's... It's not for the reasons that you think.	하지만 시작했다고 해서 회사가 저절로 굴러가진 않지 사업 아이디어를 낸 건 훌륭하지만 내 생각에는 그 사업을 현실화한 게 더 대단한 일인 것 같은데 사업을 계속 이어갈 방법은 열심히 일하는 것뿐이고 물론 돈도 중요하지만 당신이 생각하는 이유 때문은 아니야
-Baby, we have plenty of money. - No. You have plenty of money. You have plenty of money, sweetie. And you've gotta understand how difficult it is for a man like me not to be in control with his own life. I could if you let me in. I thought I just did.	- 우리 돈 많잖아 - 아니 돈이 많은 건 당신이지 당신 돈이 많은 거라고 남의 지시를 들어야 하는 게 나 같은 유형의 남자에게 얼마나 스트레스인지 알아달라고 알 수 있겠지 나한테 얘기해 준다면 방금도 했잖아
I talk to you all the time. I tell you everything. I tell you that's happening to me, everything I'm going through. Except how you feel. What do you want me to say, Dee?	난 모든 걸 당신에게 얘기해 나한테 생긴 일들 내가 겪는 일들, 다 말하지 자기 감정만 빼고 뭐라고 말하길 바라는데?
This is not an easy transition. So you wanna go back to your old life? You don't get to define what a man is for me, baby girl. Because I'm a man, no matter what! Oh, yeah? Well, someone needs to define it for you because whoever taught you had no clue how to be one. So you gonna sit up here and talk down about my fami...	삶을 바꾸는 건 쉬운 게 아니야 예전 삶으로 돌아가고 싶단 거야? 남자가 어때야 하는지 자기가 결정할 순 없어 난 남자라고, 누가 뭐라든 간에 그래? 누군가가 알려줘야 할 것 같은데? 진짜 남자가 어떤 건지 제대로 못 배운 것 같으니까 지금 내 가족 욕하는 거야?
After they did nothing but support you? And you fixing to sit up here and talk trash about 'em? You call me trash one more time, I swear to God, I will walk out of that door and not come back.	항상 당신 편이었던 사람들을? 그렇게 쓰레기처럼 굴 거야? 한 번만 더 '쓰레기' 소리 하면 나가서 다시는 안 돌아올 거야
I have an idea. A way to automate the business. Costs a little bit more in the beginning, but in the long term, it would pay for itself. Make tasks like paying invoices much easier. The idea, which I'm sure you're aware of, "Work smarter, not harder." It wasn't my fault.	좋은 생각이 있어 사업을 자동화하는 거지 초기에는 비용이 더 발생하지만 장기적으로는 돈이 절약될 거야 대금 지급하는 것 같은 일도 더 수월해지고 알겠지만 요즘 대세잖아 '열심히 말고, 똑똑하게 일하기' 내 잘못 아니었어
Funny, I was gonna say the same thing. However, that doesn't seem to be the right answer. To what question? Our best days... are they behind us?	재밌네, 나도 같은 말 하려 했는데 하지만 그 대답도 정답은 아닌 것 같네 어떤 질문에? 우리의 좋은 시절은 다 지나간 걸까?
So who's putting words in whose mouth now, huh, Diandra? Did I say anything about going back to my old life to you, huh? I told you I was done with that and I meant it.	이번엔 누가 지레짐작하고 있지? 내가 예전으로 돌아가고 싶다고 했어? 다 정리했다고 한 거 진심이었어
I've never had to deal with anything like this before. You're the type of guy that my... my parents warned me about. So, your struggle... is scary to me. Oh. My struggle.	난 이런 일은 한 번도 겪은 적 없어 우리 부모님은 내가... 당신 같은 남자를 만날까 봐 걱정하셨지 당신이 애쓰는 걸 보면 난 겁이 나 내가 애쓰는 거?
I've done everything in my power, everything I can to make you feel safe and secure. And nothing's good enough. Nothing works. So where does that leave us?	난 당신이 안정감을 느끼게 하려고 내 능력이 닿는 한에서 노력했어 그런데 아무 소용이 없다는 거네 인제 우린 어쩌면 좋지?
You tell me. Little girl, you are insane. And you don't have to worry about me leaving 'cause I damn sure ain't staying here! Carson... I'm really getting backed up here. I've got five articles that all need editing. Deadlines are sneaking up pretty quick. So why tell me?	당신이 말해 봐 정신 나갔네 날 떠날 고민은 안 해도 돼 내가 나갈 거니까! 카슨 일이 너무 밀렸어요 수정할 기사가 다섯 편인데 마감이 코앞이라고요 왜 나한테 말해요?
Because you own the company. Thank you, Lisa, but I meant why aren't you telling Maggie? Content is her department. She left. What do you mean?	사장님이니까요 리사, 고맙긴 한데 매기한테 말해야죠 콘텐츠는 매기 담당이잖아요 나갔어요 무슨 소리예요?
She left about an hour ago and I can't reach her on her cell. All right, uh... - Just go ahead and edit it, Lisa. -But that's Maggie's. Consider it a promotion. Maggie will fill you in on the deadlines.	한 시간 전쯤 나갔는데 휴대폰을 안 받아요 알았어요 - 리사가 편집해요 - 매기 일인데요 승진했다고 생각해요 마감일은 매기가 알려줄 거예요
Good execution on the scramble. It was easy, I just pretended you were my husband. Ooh. That bad, huh? No. No, I was kidding, really. No, you're not.	멋진 스크램블이에요 내 남편이라고 생각했더니 쉽던데요 그 정도예요? 아뇨, 농담이었어요 아니잖아요
See you tomorrow. -Good to see you, Diandra. Come on in. -Thank you. Have a seat. So... How did we do? .5 percent. What? It's not much, but it's to be expected.	내일 봐요 - 디안드라, 어서 와요 - 고마워요 앉으세요 그래서... 어떻게 됐어요? 0.5% 뭐라고요? 많지는 않지만 예상은 했죠
We gave $2 million to an organization to prevent cruelty to children, and we only helped .5% of the kids? Is that supposed to make me feel better? Yes. It's to be expected.	아동 학대 예방 단체에 200만 달러를 기부했는데 도움을 받은 아이 비율이 0.5%뿐이라고요? 기분 나아지라고 한 얘기예요? 네, 그렇게 예상했는데요
You keep saying that, but I wasn't expecting that. Can I be frank? Please. So, what kind of return were you hoping to get on your investment?	아까부터 자꾸 그렇게 말하는데 난 그런 예상 안 했어요 솔직히 말할까요? 부탁해요 투자 수익이 어느 정도이길 기대한 거예요?
I don't think of it in that way. The .5% wasn't enough, so you do look at it that way. Okay. Well, I was expecting 100% success rate. Hell, that's unrealistic.	그런 식으로 생각하진 않아요 0.5%가 부족하다는 걸 보면 그런 식으로 생각한 것 같은데요 좋아요, 성공률 100%를 기대했어요 비현실적인 기대군요
But to be blunt, you fell considerably short of your goal because of your preparation. Excuse me, but I did my due diligence on this organization. Forgive me, but you asked other millionaires who use philanthropy as a business for charities to invest in.	솔직히 말해서 준비가 미흡해서 목표치에 크게 못 미친 겁니다 난 이 단체를 위해 꽤 많은 노력을 했어요 죄송한 말씀이지만 디안드라 씨는 자선 사업을 투자 대상으로 보는 백만장자들에게 모금을 했죠
Charities who have been around for years, who have proven track records, have national offices, employees, overhead. You didn't give to the cause, Diandra, you gave to the business.	수년간 지속해 오면서 드러나는 성과를 냈고 전국에 지사와 직원이 있고 간접비가 많은 단체에 돈이 갔어요 대의를 보고 돈을 준 게 아니라 사업으로 보고 돈을 준 거예요
Isn't the business the cause? Unfortunately, no. Not necessarily. So what should I have done differently? Educate yourself on businesses that are outside of the profile.	사업은 대의가 아닌가요? 안타깝게도 그렇다고 볼 순 없죠 뭘 해야 바꿀 수 있죠? 잘 알려지지 않은 단체들을 찾아봐요
I mean, just because they have not been around for years, it doesn't mean they would not make good use of that money. But there's no guarantees doing it that way either.	역사가 오래되지 않았다 해서 돈을 허투루 쓴다는 뜻은 아니니까요 허투루 안 쓴다는 보장도 없죠
Absolutely no guarantees with anything. It's out of the box thinking, Diandra. Sometimes, if you want to change things up, you gotta make a leap.	보장할 수 있는 건 아무것도 없습니다 고정관념에서 벗어나서 생각해 봐요 뭔가를 바꾸고 싶으면 때로는 대담한 수를 둬야 하죠
Lieutenant, before you say anything-- You left the scene! Sir, I needed to clear my head. You're a homicide detective, Dallas. If you need to clear your head, you're in the wrong line of work.	경위님, 말씀하시기 전에... 현장을 벗어나다니 마음을 다잡을 시간이 필요했습니다 댈러스, 자네는 강력반 형사야 마음을 다잡아야 하는 사람은 이 일과 안 맞아
Sir, this scene was particularly sensitive. A mother and two children-- That's it, you're officially on vacation. You're suspending me? No, but I will if you show your face in this office, or at any crime scene in this city for the next 14 days.	특히 힘든 현장이었습니다 엄마와 두 자녀가... 됐고, 당분간 쉬어 정직입니까? 아니, 하지만 앞으로 14일간 사무실이나 현장에서 자네 얼굴이 보이면 그때는 정직이야
Damn it! Now what? Has anyone out there heard of this thing called The Experiment? I see ads all over town for this thing. I think it's for couples having trouble.	젠장! 나더러 어쩌라고 '더 실험'이라고 들어본 분 계신가요? 요즘 광고를 엄청 많이 하던데 커플 문제를 다루는 곳인가 봐요
I don't know anyone who's personally done it, Let me pay some bills here, though, okay? ""It's not for everyone, but if you're at the end of your rope and don't know what else to do," "The Experiment can help you if you are open to it." www.theexperiment.love. What are you doing, Elaine?	실제로 참여했다는 사람을 본 적은 없지만 광고비 받았으니 광고는 해야죠 '하지만 지푸라기라도 잡고 싶은 절박한 상황이라면' '더 실험이 도와드릴 수 있습니다 마음의 문만 여신다면요' 'www.theexperiment.love' 일레인, 뭐 해?
I'm checking the stock market. You lose some money again? 7K down the drain. How come you never tell us when you win money? The real question is why is Miss Life of the Party surprisingly quiet?	주식 시장 확인 또 돈 잃었어? 7천 달러가 사라졌지 왜 돈 딸 때는 얘기 안 해? 그보다 궁금한 게 있는데 우리 분위기 메이커가 오늘 왜 이리 조용하지?
What? Yeah, you are quiet. What's wrong with you, girl? Okay. Um, Carson and I have decided to go away for a while. For The Experiment. Is that that thing they've been advertising on billboards and stuff?	뭐? 오늘 영 조용하잖아 뭐가 문젠데? 그게... 카슨과 둘이 잠시 떠나기로 했어 '더 실험'에 참여하려고 요즘 광고판에 많이 나오는 그거?
Oh. So, what is it? I really can't say much, but, um, we'll be gone for, like, two months. Two months? Look, they had us sign very long non-disclosure agreements. So I can't really talk about it. Those people are very serious. -Yeah, baby, who's gonna know? - Oh, you don't get it. We put up our assets as collateral aga...	어떤 건데? 자세히 말할 순 없지만 두 달 정도 걸릴 거야 두 달? 어마어마하게 긴 비밀 유지 서약서에 서명해서 많이는 얘기 못 해 굉장히 엄격하더라고 - 말한들 누가 알겠어? - 네가 몰라서 그래 우리 자산을 담보로 걸고 서약했거든
-Yeah. -Your assets? -cars, timeshares, everything. -What? Why would you do that? We went to, um... this exclusive seminar. They paid for everything. It wasn't actual speakers. There were just videos of speakers.	- 진짜야 - 자산을? - 자동차, 별장, 전부 - 뭐? 왜 그랬어? 둘이 같이 특별 세미나에 다녀왔어 그쪽에서 비용을 다 댔지 진짜 사람이 오진 않았고 전부 영상이었어
Anyway... The promise of a clear-cut understanding of how Carson and I can... get back what we lost in our marriage. And they're paying us, sort of, a ridiculous amount of money. Something doesn't sound right to me. You are risking everything you've ever worked for.	아무튼... 카슨과 내가 함께 살아오면서 잃어버린 것들을 되찾을 방법을 확실히 알 수 있게 해준대 게다가 보수도 엄청나게 많이 주고 뭔가 찜찜한데 지금껏 일해 얻은 모든 걸 걸고 한다는 거잖아
Yeah, we are. To be happy. And rich. We decided that... I mean, it was worth the risk. Yeah, but it's people that you've never actually seen. -That's a little bit crazy. - Yeah.	맞아 행복해지기 위해서 돈도 벌고 위험을 감수할 가치가 있다고 결론 내렸어 하지만 실험자들을 직접 본 적이 없다면서 - 그건 좀 이상해 - 알아
It is. Sounds even more crazy now that I'm talking about it. You and Carson didn't talk about it? Yeah. Yeah, we talked about it a lot. Legally, it's... It's all out there in black and white, what we get.	이렇게 얘기하고 보니까 더 이상하게 들리긴 하네 카슨과는 의논 안 했어? 의논이야 많이 했지 계약서에 다 쓰여 있어 우리가 뭘 받게 될지
The money. I mean, that too, but... Really, it's... It's a chance for Carson and I to learn how to forgive each other, you know? That's what sold us.	돈이지 그것도 있지만 사실은 용서하는 방법을 배울 기회 거기에 넘어간 거지
So, what exactly are you guys gonna be doing? I don't know. I mean, even if I did know, I couldn't tell you. I mean, they have our business. If I talk and it was traced back to me, we lose our livelihood.	그래서 어떤 실험을 하는데? 나도 몰라 안다고 해도 말할 순 없겠지 잘못하면 회사가 넘어가잖아 내가 말했다는 게 밝혀지면 생계수단을 빼앗길 거야
Well, this is gangster. Is this experiment dangerous? Probably not. I don't know. Guys, I know I'm being evasive, and I hate that because you're my best friends and we do not kept secrets. And I'm so, so sorry, but I really can't say much more. Answer one thing. Okay.	깡패가 따로 없네 위험한 실험이야? 아마 아닐 거야 그런데 모르지 너희랑은 원래 아무 비밀도 없는 사이인데 자꾸 대답을 회피해서 미안해 하지만 더는 말 못 해 하나만 대답해 알았어
Is it gonna work? You may have to pour me some more. Mmm. What are you doing, man? You gotta make your cold calls. Come on, bro. You know me better than anybody, all right?	효과가 있을까? 나 더 마실지도 몰라 뭐 하는 겁니까? 권유 전화 해야죠 이봐요, 나에 대해 누구보다 잘 알잖아요
And you know that I'm not a stockbroker. I'm a businessman. I know you gotta do this thing to save your marriage, but you walking away from this gig 'cause it's hard?	난 증권 중개인이 아니라 사업가예요 사실 일이 좀 힘들어지니까 그만두는 거 아니에요?
That ain't you, man. That's just it, Morgan. Ain't none of this is me. All right? I'm not used to being the lowest man on the totem pole. I'm not used to not making no real cheese.	당신답지 않아요 그거예요 이건 다 내 스타일이 아니죠 난 가장 밑바닥에 있는 데 익숙하지 않다고요 돈이 안 되는 일에는 원래 신경도 안 쓰죠
And I damn sure ain't used to having to come up with no creative ways to keep a woman. I mean, spending two months on something that we don't even know if it's gonna work, it's crazy.	이런 듣지도 보지도 못한 일을 하게 될 줄도 몰랐다고요 성공 여부도 불확실한 일에 무려 두 달을 매달려야 한다니 나도 죽겠어요
Connor... Oh, wait, wait, wait. Listen here. to find a way to better fit your make-up than dealing poison to your own people. You said they're giving you a stipend, right?	코너 잠깐만요, 들어봐요 사람들에게 마약을 파는 것보다 더 나은 일을 하기 위해 실험자들이 돈을 준댔죠? 그래요
Yeah, 20 times more than anything I've cleared, in a two month period. Which actually might have meant something when I was making real money. Well, there it is. You're getting paid not to work.	내가 여기서 두 달간 번 것보다 20배는 더 많이요 번 돈이 많지 않았으니 그리 큰돈도 아니지만 됐네요, 일 안 하는 대가로 돈을 준다잖아요
You're still the smartest guy in the room. No. No, I'm not the smartest guy anymore, okay? In a world of citizens, all of my virtues are faults.	누구보다도 똑똑한 사람이 왜 이래요? 이젠 가장 똑똑하지 않아요 선량한 시민들의 세계에선 내 장점이던 것들이 다 단점이죠

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