work stringclasses 101
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THE PASSIONATE PILGRIM
THE PHOENIX AND THE TURTLE
THE RAPE OF LUCRECE
VENUS AND ADONIS
THE SONNETS | null | 117
Accuse me thus, that I have scanted all,
Wherein I should your great deserts repay,
Forgot upon your dearest love to call,
Whereto all bonds do tie me day by day,
That I have frequent been with unknown minds,
And given to time your own dear-purchased right,
That I have hoisted sail to all the winds
Which should tr... | poem | 0 |
ACT II | null | And here my mistress. Would that he were gone!
Enter Oberon at one door, with his Train, and Titania at another, with
hers.
OBERON.
Ill met by moonlight, proud Titania.
TITANIA.
What, jealous Oberon! Fairies, skip hence;
I have forsworn his bed and company.
OBERON.
Tarry, rash wanton; am not I thy lord?
TITANIA.... | poem | 1 |
ACT IV | null | URSULA.
Madam, you must come to your uncle. Yonder’s old coil at home: it
is proved, my Lady Hero hath been falsely accused, the Prince and
Claudio mightily abused; and Don John is the author of all, who
is fled and gone. Will you come presently? | poem | 2 |
THE PASSIONATE PILGRIM
THE PHOENIX AND THE TURTLE
THE RAPE OF LUCRECE
VENUS AND ADONIS
THE SONNETS | null | 37
As a decrepit father takes delight,
To see his active child do deeds of youth,
So I, made lame by Fortune’s dearest spite
Take all my comfort of thy worth and truth.
For whether beauty, birth, or wealth, or wit,
Or any of these all, or all, or more
Entitled in thy parts, do crowned sit,
I make my love engrafted to ... | poem | 3 |
ACT IV | null | DON PEDRO.
Good Signior Leonato, you are come to meet your trouble: the
fashion of the world is to avoid cost, and you encounter it. | poem | 4 |
THE PASSIONATE PILGRIM
THE PHOENIX AND THE TURTLE
THE RAPE OF LUCRECE
VENUS AND ADONIS
THE SONNETS | null | 129
Th’ expense of spirit in a waste of shame
Is lust in action, and till action, lust
Is perjured, murd’rous, bloody full of blame,
Savage, extreme, rude, cruel, not to trust,
Enjoyed no sooner but despised straight,
Past reason hunted, and no sooner had
Past reason hated as a swallowed bait,
On purpose laid to make ... | poem | 5 |
TWO GAOLERS | null | QUEEN, wife to Cymbeline
IMOGEN, daughter to Cymbeline by a former queen
HELEN, a lady attending on Imogen | poem | 6 |
ACT IV | null | BENEDICK.
If I do, hang me in a bottle like a cat and shoot at me; and he
that hits me, let him be clapped on the shoulder and called Adam. | poem | 7 |
ACT IV | null | FRIAR.
Hear me a little;
For I have only been silent so long,
And given way unto this course of fortune,
By noting of the lady: I have mark’d
A thousand blushing apparitions
To start into her face; a thousand innocent shames
In angel whiteness bear away those blushes;
And... | poem | 8 |
ACT IV | null | Dramatis Personæ
KING HENRY V.
DUKE OF CLARENCE, brother to the King.
DUKE OF BEDFORD, brother to the King.
DUKE OF GLOUCESTER, brother to the King.
DUKE OF EXETER, uncle to the King.
DUKE OF YORK, cousin to the King.
EARL OF SALISBURY.
EARL OF HUNTINGDON.
EARL OF WESTMORLAND.
EARL OF WARWICK.
ARCHBISHOP OF CANTERBURY... | poem | 9 |
LORD SCALES
LORD SAYE
MATTHEW GOUGH | null | Alexander IDEN, a Kentish gentleman
Lords, Ladies, and Attendants, Petitioners, Aldermen, a Herald, a
Beadle, Sheriff, and Officers, Citizens, Prentices, Falconers, Guards,
Soldiers, Messengers, &c.
A Spirit
SCENE: England. | poem | 10 |
ACT IV | null | Scene I. The plains of Philippi.
Scene II. The same. The field of battle.
Scene III. Another part of the field.
Scene IV. Another part of the field.
Scene V. Another part of the field. | poem | 11 |
ACT IV | null | Re-enter Curtis.
GRUMIO.
Where is he?
CURTIS.
In her chamber, making a sermon of continency to her;
And rails, and swears, and rates, that she, poor soul,
Knows not which way to stand, to look, to speak,
And sits as one new risen from a dream.
Away, away! for he is coming hither.
[_Exeunt._]
Re-enter Petruchio.
PE... | poem | 12 |
THE PASSIONATE PILGRIM
THE PHOENIX AND THE TURTLE
THE RAPE OF LUCRECE
VENUS AND ADONIS
THE SONNETS | null | 39
O how thy worth with manners may I sing,
When thou art all the better part of me?
What can mine own praise to mine own self bring:
And what is’t but mine own when I praise thee?
Even for this, let us divided live,
And our dear love lose name of single one,
That by this separation I may give:
That due to thee which ... | poem | 13 |
INDUCTION | null | SCENE I. The same.
Enter Lord Bardolph.
LORD BARDOLPH.
Who keeps the gate here, ho?
The Porter opens the gate.
Where is the Earl?
PORTER.
What shall I say you are?
LORD BARDOLPH.
Tell thou the Earl
That the Lord Bardolph doth attend him here.
PORTER.
His lordship is walk’d forth into the orchard.
Please it your ... | poem | 14 |
A SOOTHSAYER
A CLOWN | null | SCENE I. Alexandria. A Room in Cleopatra’s palace.
Enter Demetrius and Philo.
PHILO.
Nay, but this dotage of our general’s
O’erflows the measure. Those his goodly eyes,
That o’er the files and musters of the war
Have glowed like plated Mars, now bend, now turn
The office and devotion of their view
Upon a tawny front... | poem | 15 |
ACT III | null | HERO.
Why, every day, tomorrow. Come, go in:
I’ll show thee some attires, and have thy counsel
Which is the best to furnish me tomorrow. | poem | 16 |
LUCIUS
LUCULLUS
SEMPRONIUS | null | flattering lords
VENTIDIUS, one of Timon's false friends
ALCIBIADES, an Athenian captain
APEMANTUS, a churlish philosopher
FLAVIUS, steward to Timon | poem | 17 |
THE PASSIONATE PILGRIM
THE PHOENIX AND THE TURTLE
THE RAPE OF LUCRECE
VENUS AND ADONIS
THE SONNETS | null | 152
In loving thee thou know’st I am forsworn,
But thou art twice forsworn to me love swearing,
In act thy bed-vow broke and new faith torn,
In vowing new hate after new love bearing:
But why of two oaths’ breach do I accuse thee,
When I break twenty? I am perjured most,
For all my vows are oaths but to misuse thee:
A... | poem | 18 |
DUKE OF VENICE | null | SCENE I. Venice. A street.
Enter Roderigo and Iago.
RODERIGO.
Tush, never tell me, I take it much unkindly
That thou, Iago, who hast had my purse,
As if the strings were thine, shouldst know of this.
IAGO.
’Sblood, but you will not hear me.
If ever I did dream of such a matter,
Abhor me.
RODERIGO.
Thou told’st me,... | poem | 19 |
ACT III | null | DOGBERRY.
Go, good partner, go get you to Francis Seacoal; bid him bring
his pen and inkhorn to the gaol: we are now to examination these
men. | poem | 20 |
THE PASSIONATE PILGRIM
THE PHOENIX AND THE TURTLE
THE RAPE OF LUCRECE
VENUS AND ADONIS
THE SONNETS | null | 84
Who is it that says most, which can say more,
Than this rich praise: that you alone are you,
In whose confine immured is the store,
Which should example where your equal grew.
Lean penury within that pen doth dwell,
That to his subject lends not some small glory,
But he that writes of you, if he can tell,
That you ... | poem | 21 |
ACT IV | null | Re-enter Biondello.
How now! what news?
BIONDELLO.
Sir, my mistress sends you word
That she is busy and she cannot come.
PETRUCHIO.
How! She’s busy, and she cannot come!
Is that an answer?
GREMIO.
Ay, and a kind one too:
Pray God, sir, your wife send you not a worse.
PETRUCHIO.
I hope better.
HORTENSIO.
Sirrah Bi... | poem | 22 |
ACT III | null | Enter Gower.
GOWER.
Now sleep yslaked hath the rouse;
No din but snores about the house,
Made louder by the o’erfed breast
Of this most pompous marriage feast.
The cat, with eyne of burning coal,
Now couches fore the mouse’s hole;
And crickets sing at the oven’s mouth,
Are the blither for their drouth.
Hymen hath brou... | poem | 23 |
ACT IV | null | Enter Chorus.
CHORUS.
Now entertain conjecture of a time
When creeping murmur and the poring dark
Fills the wide vessel of the universe.
From camp to camp through the foul womb of night
The hum of either army stilly sounds,
That the fix’d sentinels almost receive
The secret whispers of each other’s watch;
Fire answers... | poem | 24 |
ACT IV | null | Dramatis Personæ
KING HENRY the Sixth
DUKE OF GLOUCESTER, uncle to the King, and Protector
DUKE OF BEDFORD, uncle to the King, and Regent of France
DUKE OF EXETER, (Thomas Beaufort), great-uncle to the King
BISHOP OF WINCHESTER (Henry Beaufort), great-uncle to the King,
afterwards Cardinal
DUKE OF SOMERSET (John Beauf... | poem | 25 |
ACT IV | null | BEATRICE.
Princes and Counties! Surely, a princely testimony, a goodly
Count Comfect; a sweet gallant, surely! O! that I were a man for
his sake, or that I had any friend would be a man for my sake!
But manhood is melted into curtsies, valour into compliment, and
men are only turned into t... | poem | 26 |
ACT IV | null | BENEDICK.
‘Suffer love,’ a good epithet! I do suffer love indeed, for I
love thee against my will. | poem | 27 |
THE PASSIONATE PILGRIM
THE PHOENIX AND THE TURTLE
THE RAPE OF LUCRECE
VENUS AND ADONIS
THE SONNETS | null | 148
O me! what eyes hath love put in my head,
Which have no correspondence with true sight,
Or if they have, where is my judgment fled,
That censures falsely what they see aright?
If that be fair whereon my false eyes dote,
What means the world to say it is not so?
If it be not, then love doth well denote,
Love’s eye ... | poem | 28 |
ACT IV | null | SCENE I. A room in the Castle.
Enter King, Queen, Rosencrantz and Guildenstern.
KING.
There’s matter in these sighs. These profound heaves
You must translate. ’tis fit we understand them.
Where is your son?
QUEEN.
Bestow this place on us a little while.
[_To Rosencrantz and Guildenstern, who go out._]
Ah, my goo... | poem | 29 |
THE PASSIONATE PILGRIM
THE PHOENIX AND THE TURTLE
THE RAPE OF LUCRECE
VENUS AND ADONIS
THE SONNETS | null | 97
How like a winter hath my absence been
From thee, the pleasure of the fleeting year!
What freezings have I felt, what dark days seen!
What old December’s bareness everywhere!
And yet this time removed was summer’s time,
The teeming autumn big with rich increase,
Bearing the wanton burden of the prime,
Like widowed ... | poem | 30 |
THE PASSIONATE PILGRIM
THE PHOENIX AND THE TURTLE
THE RAPE OF LUCRECE
VENUS AND ADONIS
THE SONNETS | null | 80
O how I faint when I of you do write,
Knowing a better spirit doth use your name,
And in the praise thereof spends all his might,
To make me tongue-tied speaking of your fame.
But since your wort, wide as the ocean is,
The humble as the proudest sail doth bear,
My saucy bark (inferior far to his)
On your broad main... | poem | 31 |
ACT III | null | DOGBERRY.
You have: I knew it would be your answer. Well, for your favour,
sir, why, give God thanks, and make no boast of it; and for your
writing and reading, let that appear when there is no need of
such vanity. You are thought here to be the most senseless and
fit man for the constable... | poem | 32 |
ACT IV | null | SCENE V. Mytilene. A street before the brothel.
Enter, from the brothel, two Gentlemen.
FIRST GENTLEMAN.
Did you ever hear the like?
SECOND GENTLEMAN.
No, nor never shall do in such a place as this, she being once gone.
FIRST GENTLEMAN.
But to have divinity preached there! did you ever dream of such a
thing?
SECO... | poem | 33 |
ACT II | null | DON PEDRO.
How, how, I pray you? You amaze me: I would have thought her
spirit had been invincible against all assaults of affection. | poem | 34 |
ACT IV | null | CLAUDIO.
Leonato, stand I here?
Is this the Prince? Is this the Prince’s brother?
Is this face Hero’s? Are our eyes our own? | poem | 35 |
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Shakespeare Complete Works Dataset
This dataset contains the complete works of William Shakespeare, including:
- The Sonnets (154 sonnets)
- Plays (Tragedies, Comedies, Histories)
- Poems
Dataset Structure
Each entry contains:
work: The title of the worksection: Specific section (e.g., "Sonnet 1") if applicabletext: The actual text contenttype: Type of work (sonnet, play, poem)id: Unique identifier
Usage
from datasets import load_dataset
dataset = load_dataset("r-three/shakespeare-complete-works")
# Access a sonnet
print(dataset['train'][0])
Source
Public domain works by William Shakespeare.
Citation
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