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THE PASSIONATE PILGRIM THE PHOENIX AND THE TURTLE THE RAPE OF LUCRECE VENUS AND ADONIS THE SONNETS
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117 Accuse me thus, that I have scanted all, Wherein I should your great deserts repay, Forgot upon your dearest love to call, Whereto all bonds do tie me day by day, That I have frequent been with unknown minds, And given to time your own dear-purchased right, That I have hoisted sail to all the winds Which should tr...
poem
0
ACT II
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And here my mistress. Would that he were gone! Enter Oberon at one door, with his Train, and Titania at another, with hers. OBERON. Ill met by moonlight, proud Titania. TITANIA. What, jealous Oberon! Fairies, skip hence; I have forsworn his bed and company. OBERON. Tarry, rash wanton; am not I thy lord? TITANIA....
poem
1
ACT IV
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URSULA. Madam, you must come to your uncle. Yonder’s old coil at home: it is proved, my Lady Hero hath been falsely accused, the Prince and Claudio mightily abused; and Don John is the author of all, who is fled and gone. Will you come presently?
poem
2
THE PASSIONATE PILGRIM THE PHOENIX AND THE TURTLE THE RAPE OF LUCRECE VENUS AND ADONIS THE SONNETS
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37 As a decrepit father takes delight, To see his active child do deeds of youth, So I, made lame by Fortune’s dearest spite Take all my comfort of thy worth and truth. For whether beauty, birth, or wealth, or wit, Or any of these all, or all, or more Entitled in thy parts, do crowned sit, I make my love engrafted to ...
poem
3
ACT IV
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DON PEDRO. Good Signior Leonato, you are come to meet your trouble: the fashion of the world is to avoid cost, and you encounter it.
poem
4
THE PASSIONATE PILGRIM THE PHOENIX AND THE TURTLE THE RAPE OF LUCRECE VENUS AND ADONIS THE SONNETS
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129 Th’ expense of spirit in a waste of shame Is lust in action, and till action, lust Is perjured, murd’rous, bloody full of blame, Savage, extreme, rude, cruel, not to trust, Enjoyed no sooner but despised straight, Past reason hunted, and no sooner had Past reason hated as a swallowed bait, On purpose laid to make ...
poem
5
TWO GAOLERS
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QUEEN, wife to Cymbeline IMOGEN, daughter to Cymbeline by a former queen HELEN, a lady attending on Imogen
poem
6
ACT IV
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BENEDICK. If I do, hang me in a bottle like a cat and shoot at me; and he that hits me, let him be clapped on the shoulder and called Adam.
poem
7
ACT IV
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FRIAR. Hear me a little; For I have only been silent so long, And given way unto this course of fortune, By noting of the lady: I have mark’d A thousand blushing apparitions To start into her face; a thousand innocent shames In angel whiteness bear away those blushes; And...
poem
8
ACT IV
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Dramatis Personæ KING HENRY V. DUKE OF CLARENCE, brother to the King. DUKE OF BEDFORD, brother to the King. DUKE OF GLOUCESTER, brother to the King. DUKE OF EXETER, uncle to the King. DUKE OF YORK, cousin to the King. EARL OF SALISBURY. EARL OF HUNTINGDON. EARL OF WESTMORLAND. EARL OF WARWICK. ARCHBISHOP OF CANTERBURY...
poem
9
LORD SCALES LORD SAYE MATTHEW GOUGH
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Alexander IDEN, a Kentish gentleman Lords, Ladies, and Attendants, Petitioners, Aldermen, a Herald, a Beadle, Sheriff, and Officers, Citizens, Prentices, Falconers, Guards, Soldiers, Messengers, &c. A Spirit SCENE: England.
poem
10
ACT IV
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Scene I. The plains of Philippi. Scene II. The same. The field of battle. Scene III. Another part of the field. Scene IV. Another part of the field. Scene V. Another part of the field.
poem
11
ACT IV
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Re-enter Curtis. GRUMIO. Where is he? CURTIS. In her chamber, making a sermon of continency to her; And rails, and swears, and rates, that she, poor soul, Knows not which way to stand, to look, to speak, And sits as one new risen from a dream. Away, away! for he is coming hither. [_Exeunt._] Re-enter Petruchio. PE...
poem
12
THE PASSIONATE PILGRIM THE PHOENIX AND THE TURTLE THE RAPE OF LUCRECE VENUS AND ADONIS THE SONNETS
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39 O how thy worth with manners may I sing, When thou art all the better part of me? What can mine own praise to mine own self bring: And what is’t but mine own when I praise thee? Even for this, let us divided live, And our dear love lose name of single one, That by this separation I may give: That due to thee which ...
poem
13
INDUCTION
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SCENE I. The same. Enter Lord Bardolph. LORD BARDOLPH. Who keeps the gate here, ho? The Porter opens the gate. Where is the Earl? PORTER. What shall I say you are? LORD BARDOLPH. Tell thou the Earl That the Lord Bardolph doth attend him here. PORTER. His lordship is walk’d forth into the orchard. Please it your ...
poem
14
A SOOTHSAYER A CLOWN
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SCENE I. Alexandria. A Room in Cleopatra’s palace. Enter Demetrius and Philo. PHILO. Nay, but this dotage of our general’s O’erflows the measure. Those his goodly eyes, That o’er the files and musters of the war Have glowed like plated Mars, now bend, now turn The office and devotion of their view Upon a tawny front...
poem
15
ACT III
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HERO. Why, every day, tomorrow. Come, go in: I’ll show thee some attires, and have thy counsel Which is the best to furnish me tomorrow.
poem
16
LUCIUS LUCULLUS SEMPRONIUS
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flattering lords VENTIDIUS, one of Timon's false friends ALCIBIADES, an Athenian captain APEMANTUS, a churlish philosopher FLAVIUS, steward to Timon
poem
17
THE PASSIONATE PILGRIM THE PHOENIX AND THE TURTLE THE RAPE OF LUCRECE VENUS AND ADONIS THE SONNETS
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152 In loving thee thou know’st I am forsworn, But thou art twice forsworn to me love swearing, In act thy bed-vow broke and new faith torn, In vowing new hate after new love bearing: But why of two oaths’ breach do I accuse thee, When I break twenty? I am perjured most, For all my vows are oaths but to misuse thee: A...
poem
18
DUKE OF VENICE
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SCENE I. Venice. A street. Enter Roderigo and Iago. RODERIGO. Tush, never tell me, I take it much unkindly That thou, Iago, who hast had my purse, As if the strings were thine, shouldst know of this. IAGO. ’Sblood, but you will not hear me. If ever I did dream of such a matter, Abhor me. RODERIGO. Thou told’st me,...
poem
19
ACT III
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DOGBERRY. Go, good partner, go get you to Francis Seacoal; bid him bring his pen and inkhorn to the gaol: we are now to examination these men.
poem
20
THE PASSIONATE PILGRIM THE PHOENIX AND THE TURTLE THE RAPE OF LUCRECE VENUS AND ADONIS THE SONNETS
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84 Who is it that says most, which can say more, Than this rich praise: that you alone are you, In whose confine immured is the store, Which should example where your equal grew. Lean penury within that pen doth dwell, That to his subject lends not some small glory, But he that writes of you, if he can tell, That you ...
poem
21
ACT IV
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Re-enter Biondello. How now! what news? BIONDELLO. Sir, my mistress sends you word That she is busy and she cannot come. PETRUCHIO. How! She’s busy, and she cannot come! Is that an answer? GREMIO. Ay, and a kind one too: Pray God, sir, your wife send you not a worse. PETRUCHIO. I hope better. HORTENSIO. Sirrah Bi...
poem
22
ACT III
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Enter Gower. GOWER. Now sleep yslaked hath the rouse; No din but snores about the house, Made louder by the o’erfed breast Of this most pompous marriage feast. The cat, with eyne of burning coal, Now couches fore the mouse’s hole; And crickets sing at the oven’s mouth, Are the blither for their drouth. Hymen hath brou...
poem
23
ACT IV
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Enter Chorus. CHORUS. Now entertain conjecture of a time When creeping murmur and the poring dark Fills the wide vessel of the universe. From camp to camp through the foul womb of night The hum of either army stilly sounds, That the fix’d sentinels almost receive The secret whispers of each other’s watch; Fire answers...
poem
24
ACT IV
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Dramatis Personæ KING HENRY the Sixth DUKE OF GLOUCESTER, uncle to the King, and Protector DUKE OF BEDFORD, uncle to the King, and Regent of France DUKE OF EXETER, (Thomas Beaufort), great-uncle to the King BISHOP OF WINCHESTER (Henry Beaufort), great-uncle to the King, afterwards Cardinal DUKE OF SOMERSET (John Beauf...
poem
25
ACT IV
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BEATRICE. Princes and Counties! Surely, a princely testimony, a goodly Count Comfect; a sweet gallant, surely! O! that I were a man for his sake, or that I had any friend would be a man for my sake! But manhood is melted into curtsies, valour into compliment, and men are only turned into t...
poem
26
ACT IV
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BENEDICK. ‘Suffer love,’ a good epithet! I do suffer love indeed, for I love thee against my will.
poem
27
THE PASSIONATE PILGRIM THE PHOENIX AND THE TURTLE THE RAPE OF LUCRECE VENUS AND ADONIS THE SONNETS
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148 O me! what eyes hath love put in my head, Which have no correspondence with true sight, Or if they have, where is my judgment fled, That censures falsely what they see aright? If that be fair whereon my false eyes dote, What means the world to say it is not so? If it be not, then love doth well denote, Love’s eye ...
poem
28
ACT IV
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SCENE I. A room in the Castle. Enter King, Queen, Rosencrantz and Guildenstern. KING. There’s matter in these sighs. These profound heaves You must translate. ’tis fit we understand them. Where is your son? QUEEN. Bestow this place on us a little while. [_To Rosencrantz and Guildenstern, who go out._] Ah, my goo...
poem
29
THE PASSIONATE PILGRIM THE PHOENIX AND THE TURTLE THE RAPE OF LUCRECE VENUS AND ADONIS THE SONNETS
null
97 How like a winter hath my absence been From thee, the pleasure of the fleeting year! What freezings have I felt, what dark days seen! What old December’s bareness everywhere! And yet this time removed was summer’s time, The teeming autumn big with rich increase, Bearing the wanton burden of the prime, Like widowed ...
poem
30
THE PASSIONATE PILGRIM THE PHOENIX AND THE TURTLE THE RAPE OF LUCRECE VENUS AND ADONIS THE SONNETS
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80 O how I faint when I of you do write, Knowing a better spirit doth use your name, And in the praise thereof spends all his might, To make me tongue-tied speaking of your fame. But since your wort, wide as the ocean is, The humble as the proudest sail doth bear, My saucy bark (inferior far to his) On your broad main...
poem
31
ACT III
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DOGBERRY. You have: I knew it would be your answer. Well, for your favour, sir, why, give God thanks, and make no boast of it; and for your writing and reading, let that appear when there is no need of such vanity. You are thought here to be the most senseless and fit man for the constable...
poem
32
ACT IV
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SCENE V. Mytilene. A street before the brothel. Enter, from the brothel, two Gentlemen. FIRST GENTLEMAN. Did you ever hear the like? SECOND GENTLEMAN. No, nor never shall do in such a place as this, she being once gone. FIRST GENTLEMAN. But to have divinity preached there! did you ever dream of such a thing? SECO...
poem
33
ACT II
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DON PEDRO. How, how, I pray you? You amaze me: I would have thought her spirit had been invincible against all assaults of affection.
poem
34
ACT IV
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CLAUDIO. Leonato, stand I here? Is this the Prince? Is this the Prince’s brother? Is this face Hero’s? Are our eyes our own?
poem
35
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Shakespeare Complete Works Dataset

This dataset contains the complete works of William Shakespeare, including:

  • The Sonnets (154 sonnets)
  • Plays (Tragedies, Comedies, Histories)
  • Poems

Dataset Structure

Each entry contains:

  • work: The title of the work
  • section: Specific section (e.g., "Sonnet 1") if applicable
  • text: The actual text content
  • type: Type of work (sonnet, play, poem)
  • id: Unique identifier

Usage

from datasets import load_dataset

dataset = load_dataset("r-three/shakespeare-complete-works")

# Access a sonnet
print(dataset['train'][0])

Source

Public domain works by William Shakespeare.

Citation


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