document_id stringlengths 28 56 | document_date stringdate 1823-01-01 00:00:00 1905-01-01 00:00:00 | sentence stringlengths 38 1.02k | annotations listlengths 5 174 | mention stringlengths 1 139 | target stringlengths 3 10 |
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TheMusicalWorld__1844-006.txt_405 | 1844 | Vienna, Jan. 10.—Donizetti has arrived in this city in perfect health. | [
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TheMusicalWorld__1844-006.txt_405 | 1844 | Vienna, Jan. 10.—Donizetti has arrived in this city in perfect health. | [
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... | Donizetti | Q101698 |
TheHarmonicon__1833-005.txt_1899 | 1833 | Mr. and Mrs. Wood, it seems, are preparing to depart for America. | [
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... | Mrs. Wood | NIL |
TheHarmonicon__1833-005.txt_1899 | 1833 | Mr. and Mrs. Wood, it seems, are preparing to depart for America. | [
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... | America | Q30 |
TheMusicalTimes__1876-402.txt_868 | 1876 | on application to H. Hagemeyer, Bandmaster, 12th Regiment, Cork Barracks, Ireland. | [
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TheMusicalTimes__1876-402.txt_868 | 1876 | on application to H. Hagemeyer, Bandmaster, 12th Regiment, Cork Barracks, Ireland. | [
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TheMusicalTimes__1876-402.txt_868 | 1876 | on application to H. Hagemeyer, Bandmaster, 12th Regiment, Cork Barracks, Ireland. | [
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"qid... | Cork Barracks | Q5147345 |
TheMusicalTimes__1876-402.txt_868 | 1876 | on application to H. Hagemeyer, Bandmaster, 12th Regiment, Cork Barracks, Ireland. | [
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"qid... | Ireland | Q22890 |
TheQuarterlyMusicalMagazineAndReview__1824-022.txt_1692 | 1824 | Nevertheless, to be the rival of Carissimi he must have possessed considerable talent, both as a musician and a composer. | [
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"q... | Carissimi | Q312686 |
TheHarmonicon__1824-016.txt_1268 | 1824 | himself, abridged and continued to his death, by Dr. Kitchiner ; from which we learn, that _ | [
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"qid":... | Dr. Kitchiner | NIL |
TheQuarterlyMusicalMagazineAndReview__1826-029.txt_1062 | 1826 | Since this note was written, a strong confirmation has been given to my opinion by a perusal of the History of the East Indies, from the French of L’Abbe Guyon. | [
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TheQuarterlyMusicalMagazineAndReview__1826-029.txt_1062 | 1826 | Since this note was written, a strong confirmation has been given to my opinion by a perusal of the History of the East Indies, from the French of L’Abbe Guyon. | [
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"qid": "... | L’Abbe Guyon | Q2976789 |
TheMusicalWorld__1844-006.txt_932 | 1844 | Her Majesty and Prince Albert took a part in “‘ Die Elfen Walzer. | [
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"qid"... | Prince Albert | Q152245 |
TheMusicalWorld__1844-006.txt_932 | 1844 | Her Majesty and Prince Albert took a part in “‘ Die Elfen Walzer. | [
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"qid"... | Die Elfen Walzer | NIL |
TheMusicalWorld__1843-036.txt_391 | 1843 | Nor let us omit the performance of Grisias the Lady Norina in Pasquale, which was one of the most admirable specimens of comic talent ever seen on any stage. | [
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TheMusicalWorld__1843-036.txt_391 | 1843 | Nor let us omit the performance of Grisias the Lady Norina in Pasquale, which was one of the most admirable specimens of comic talent ever seen on any stage. | [
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... | Pasquale | Q723941 |
TheQuarterlyMusicalMagazineAndReview__1824-022.txt_576 | 1824 | Il Barbiere di Seviglia,” the same season, at the theatre | [
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"disambiguated_tok... | Il Barbiere di Seviglia | Q208659 |
TheMusicalTimes__1876-397.txt_2296 | 1876 | : NgwcastLe-on-TyNE.—A most successful performance of the Antigone of Sophocles, with Mendelssohn's music, took place at the Theatre Royal, on the 21st ult. | [
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TheMusicalTimes__1876-397.txt_2296 | 1876 | : NgwcastLe-on-TyNE.—A most successful performance of the Antigone of Sophocles, with Mendelssohn's music, took place at the Theatre Royal, on the 21st ult. | [
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TheMusicalTimes__1876-397.txt_2296 | 1876 | : NgwcastLe-on-TyNE.—A most successful performance of the Antigone of Sophocles, with Mendelssohn's music, took place at the Theatre Royal, on the 21st ult. | [
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"disambiguated_token":... | Mendelssohn | Q46096 |
TheMusicalTimes__1876-397.txt_2296 | 1876 | : NgwcastLe-on-TyNE.—A most successful performance of the Antigone of Sophocles, with Mendelssohn's music, took place at the Theatre Royal, on the 21st ult. | [
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"disambiguated_token":... | Theatre Royal | Q7777436 |
TheQuarterlyMusicalMagazineAndReview__1825-025.txt_1373 | 1825 | Sabadini also composed oratorios, the best of which was “ La Divina Sapienza. | [
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TheQuarterlyMusicalMagazineAndReview__1825-025.txt_1373 | 1825 | Sabadini also composed oratorios, the best of which was “ La Divina Sapienza. | [
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TheHarmonicon__1832-012.txt_34 | 1832 | The valuable scores of English church music, in several volumes, now in the British Museum, (No. | [
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TheHarmonicon__1832-012.txt_34 | 1832 | The valuable scores of English church music, in several volumes, now in the British Museum, (No. | [
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TheMusicalTimes__1873-366.txt_1521 | 1873 | The chair was occupied en the occasion by Sir Thomas Gladstone, Bart. | [
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TheMusicalTimes__1873-366.txt_1521 | 1873 | The chair was occupied en the occasion by Sir Thomas Gladstone, Bart. | [
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TheHarmonicon__1833-005.txt_111 | 1833 | The three last operas written by Metastasio were, Il Trionfo di Clelia, in 1762; | [
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TheHarmonicon__1833-005.txt_111 | 1833 | The three last operas written by Metastasio were, Il Trionfo di Clelia, in 1762; | [
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TheMusicalTimes__1876-402.txt_2623 | 1876 | ’s 24th Psalm, adapted to the English version, by W. T. Freemantle (and revised by the late Dr. S.S. Wesley). | [
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TheMusicalTimes__1876-402.txt_2623 | 1876 | ’s 24th Psalm, adapted to the English version, by W. T. Freemantle (and revised by the late Dr. S.S. Wesley). | [
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TheMusicalTimes__1876-402.txt_2623 | 1876 | ’s 24th Psalm, adapted to the English version, by W. T. Freemantle (and revised by the late Dr. S.S. Wesley). | [
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TheHarmonicon__1824-016.txt_508 | 1824 | Published by authority of the Lords Commissioners of the Admiralty. | [
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"q... | Admiralty | Q396266 |
TheHarmonicon__1824-016.txt_83 | 1824 | Though Mr. Viotti had long retired from his profession, he nevertheless retained ‘all his love for the art, and contributed every thing in his power towards its ATS | [
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... | Mr. Viotti | Q313188 |
TheQuarterlyMusicalMagazineAndReview__1824-022.txt_1442 | 1824 | Here we return to the forced leisure of poor Italy. | [
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DwightSJournalOfMusic__1868-012.txt_1064 | 1868 | all the friends of music and of generous culture in Baltimore. | [
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TheMusicalTimes__1873-366.txt_809 | 1873 | | tains a new two-manual Organ by Walker, of London. | [
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TheMusicalTimes__1873-366.txt_809 | 1873 | | tains a new two-manual Organ by Walker, of London. | [
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"t... | London | Q84 |
TheQuarterlyMusicalMagazineAndReview__1825-025.txt_1871 | 1825 | He left Moscow, ‘and returned to St. Petersburg, and there finding no means of paying his debts, he yielded to despair, and sliot himself. | [
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"qid"... | Moscow | Q649 |
TheQuarterlyMusicalMagazineAndReview__1825-025.txt_1871 | 1825 | He left Moscow, ‘and returned to St. Petersburg, and there finding no means of paying his debts, he yielded to despair, and sliot himself. | [
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TheHarmonicon__1832-012.txt_487 | 1832 | The number of witnesses examined was forty-five, among whom were Mr. Mash of the Chamberlain’s Office, all the proprietors and managers of the various theatres, major and minor, many authors, and most of the principal actors. | [
{
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{
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... | Mr. Mash | NIL |
TheHarmonicon__1832-012.txt_487 | 1832 | The number of witnesses examined was forty-five, among whom were Mr. Mash of the Chamberlain’s Office, all the proprietors and managers of the various theatres, major and minor, many authors, and most of the principal actors. | [
{
"bio": "O",
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... | Chamberlain | Q541755 |
TheQuarterlyMusicalMagazineAndReview__1826-029.txt_3568 | 1826 | On Monday, June 5, 1826, died Carl Maria Freyherr Von Weber. | [
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... | Carl Maria Freyherr Von Weber | Q154812 |
TheMusicalTimes__1873-366.txt_2149 | 1873 | Cantate Domino and Deus Misereatur have been sung at each gathering in such a manner as to prove that the best music is that which most. | [
{
"bio": "I-music",
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"bio": "I-music",
"disambiguated_token": "D... | Cantate Domino | Q1326476 |
TheMusicalTimes__1873-366.txt_2149 | 1873 | Cantate Domino and Deus Misereatur have been sung at each gathering in such a manner as to prove that the best music is that which most. | [
{
"bio": "I-music",
"disambiguated_token": "Cantate Domino",
"pos": "PROPN",
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},
{
"bio": "I-music",
"disambiguated_token": "D... | Deus Misereatur | Q1689664 |
TheMusicalTimes__1876-402.txt_1166 | 1876 | , Arthur Sullivan, Mus. D., Cantab., the Conductor, and the Principal—Eaton Faning. | [
{
"bio": "O",
"disambiguated_token": ",",
"pos": "PUNCT",
"qid": "_",
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"pos": "PROPN",
"qid": "Q212692",
"token": "Arthur Sullivan"
},
{
"bio": "O",
"disambiguated_token": ",",
"... | Arthur Sullivan | Q212692 |
TheMusicalTimes__1876-402.txt_1166 | 1876 | , Arthur Sullivan, Mus. D., Cantab., the Conductor, and the Principal—Eaton Faning. | [
{
"bio": "O",
"disambiguated_token": ",",
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"pos": "PROPN",
"qid": "Q212692",
"token": "Arthur Sullivan"
},
{
"bio": "O",
"disambiguated_token": ",",
"... | Eaton Faning | Q5331349 |
TheMusicalTimes__1875-388.txt_2263 | 1875 | ‘WissEAcH.—The second concert for the season of the District Musical Society took place in the Public Hall on the 13th ult. | [
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"pos": "ADJ",... | District Musical Society | NIL |
TheMusicalTimes__1875-388.txt_2263 | 1875 | ‘WissEAcH.—The second concert for the season of the District Musical Society took place in the Public Hall on the 13th ult. | [
{
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"pos": "ADJ",... | Public Hall | NIL |
TheQuarterlyMusicalMagazineAndReview__1828-037.txt_2268 | 1828 | “‘ Carron side,” an opera by Signor Liverati, was produced with success. | [
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TheQuarterlyMusicalMagazineAndReview__1828-037.txt_2268 | 1828 | “‘ Carron side,” an opera by Signor Liverati, was produced with success. | [
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"qid": "NI... | Signor Liverati | Q3767573 |
TheQuarterlyMusicalMagazineAndReview__1825-025.txt_1821 | 1825 | For ten years Jarnowick was in great favour with the public. | [
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... | Jarnowick | Q1526160 |
TheHarmonicon__1833-005.txt_1679 | 1833 | A new symphony by M. Joachim Hoffman, a composition of great merit, was performed at that gentleman’s concert. | [
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... | M. Joachim Hoffman | NIL |
TheMusicalTimes__1875-388.txt_2104 | 1875 | in the Antient Concert Rooms, which was a brilliant success. | [
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"pos": "PRO... | Antient Concert Rooms | NIL |
TheMusicalTimes__1873-366.txt_2039 | 1873 | Musical Society at Cambridge, in the y Term of 1871, under the direction of Dr. G. M: Garrett. | [
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TheMusicalTimes__1873-366.txt_2039 | 1873 | Musical Society at Cambridge, in the y Term of 1871, under the direction of Dr. G. M: Garrett. | [
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TheMusicalTimes__1873-366.txt_2039 | 1873 | Musical Society at Cambridge, in the y Term of 1871, under the direction of Dr. G. M: Garrett. | [
{
"bio": "I-organization",
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"disambiguated_token": "Ca... | Dr. G. M : Garrett . | NIL |
TheHarmonicon__1833-005.txt_1715 | 1833 | The Philharmonic Society, founded here by M. Schénche, is going on flourishingly. | [
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"disambiguated_token": "The Philharmonic Society",
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{
"bio": "O",
"disambi... | The Philharmonic Society | Q1292443 |
TheHarmonicon__1833-005.txt_1715 | 1833 | The Philharmonic Society, founded here by M. Schénche, is going on flourishingly. | [
{
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{
"bio": "O",
"disambi... | M. Schénche | NIL |
TheQuarterlyMusicalMagazineAndReview__1826-029.txt_2209 | 1826 | Mr. Kalkbrenner’s inelange displays great taste, both in the selection and treatment. of his subjects. | [
{
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{
"bio": "O",
"disambiguated_token": "inelange... | Mr. Kalkbrenner | Q170270 |
TheQuarterlyMusicalMagazineAndReview__1828-037.txt_208 | 1828 | “ Qui est Rex Gloriosus,” Canon four in two, composed and dedicated to Thomas Attwood, Esq. | [
{
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{
"bio": "O",
"disambiguated_token": ",... | Qui est Rex Gloriosus | NIL |
TheQuarterlyMusicalMagazineAndReview__1828-037.txt_208 | 1828 | “ Qui est Rex Gloriosus,” Canon four in two, composed and dedicated to Thomas Attwood, Esq. | [
{
"bio": "O",
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{
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{
"bio": "O",
"disambiguated_token": ",... | Thomas Attwood | Q2422110 |
TheQuarterlyMusicalMagazineAndReview__1826-029.txt_3170 | 1826 | He is desirous of taking this opportunity of expressing his grateful sense of both, and adding, that in his communication with, and visits to, Cambridge (for by ? | [
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},
{
"bio": "O",
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... | Cambridge | Q350 |
TheQuarterlyMusicalMagazineAndReview__1826-029.txt_3161 | 1826 | There are few persons in this country, we apprehend, who are not now aware of the splendid donation made by the late Viscount Fitzwilliam to the University of Cambridge. | [
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... | Viscount Fitzwilliam | Q7325692 |
TheQuarterlyMusicalMagazineAndReview__1826-029.txt_3161 | 1826 | There are few persons in this country, we apprehend, who are not now aware of the splendid donation made by the late Viscount Fitzwilliam to the University of Cambridge. | [
{
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... | University of Cambridge | Q35794 |
TheMusicalTimes__1876-397.txt_1978 | 1876 | We, therefore, heartily welcome Mr. Hall’s book, as a useful addition to the scanty literature on the subject. | [
{
"bio": "O",
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{
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... | Mr. Hall | NIL |
TheMusicalTimes__1876-397.txt_2317 | 1876 | Norwicu.—The first Concert this season of the Norfolk and Norwich Musical Union was given in St. Andrew's Hall,on Thursday evening, the 17th ult. | [
{
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},
{
"bio": "O",
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"pos": "... | Norfolk and Norwich Musical Union | Q11991993 |
TheMusicalTimes__1876-397.txt_2317 | 1876 | Norwicu.—The first Concert this season of the Norfolk and Norwich Musical Union was given in St. Andrew's Hall,on Thursday evening, the 17th ult. | [
{
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},
{
"bio": "O",
"disambiguated_token": "Concert",
"pos": "... | St. Andrew 's Hall | Q7586881 |
TheQuarterlyMusicalMagazineAndReview__1828-037.txt_948 | 1828 | The search: after these persons is redoubled, and a school for them has been established in the institution degli Orfanelli, which includes many. | [
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{
"bio": "O",
"disambiguated_token": ":",
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"qid": "_",... | institution degli Orfanelli | NIL |
TheQuarterlyMusicalMagazineAndReview__1825-025.txt_1869 | 1825 | than those at St. Petersburg, not even affording him enough profit to pay the expences. | [
{
"bio": "O",
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... | St. Petersburg | Q656 |
TheMusicalWorld__1844-006.txt_464 | 1844 | The vocal music was scarcely so good as usual—with the exception of the scena of Miss Rainforth. | [
{
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{
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"pos": "NOUN",
"qid": "_",... | Miss Rainforth | Q17355767 |
TheQuarterlyMusicalMagazineAndReview__1825-025.txt_1453 | 1825 | “ La Cascina and Statira,” 1756 ; “ La Conversazione, Artaserse, and Alessandro nell’ | [
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{
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"pos": "CCONJ... | La Cascina | NIL |
TheQuarterlyMusicalMagazineAndReview__1825-025.txt_1453 | 1825 | “ La Cascina and Statira,” 1756 ; “ La Conversazione, Artaserse, and Alessandro nell’ | [
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{
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"pos": "CCONJ... | Statira | NIL |
TheQuarterlyMusicalMagazineAndReview__1825-025.txt_1453 | 1825 | “ La Cascina and Statira,” 1756 ; “ La Conversazione, Artaserse, and Alessandro nell’ | [
{
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{
"bio": "O",
"disambiguated_token": "and",
"pos": "CCONJ... | La Conversazione | NIL |
TheQuarterlyMusicalMagazineAndReview__1825-025.txt_1453 | 1825 | “ La Cascina and Statira,” 1756 ; “ La Conversazione, Artaserse, and Alessandro nell’ | [
{
"bio": "O",
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{
"bio": "O",
"disambiguated_token": "and",
"pos": "CCONJ... | Artaserse | NIL |
TheQuarterlyMusicalMagazineAndReview__1825-025.txt_1453 | 1825 | “ La Cascina and Statira,” 1756 ; “ La Conversazione, Artaserse, and Alessandro nell’ | [
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},
{
"bio": "O",
"disambiguated_token": "and",
"pos": "CCONJ... | Alessandro nell | NIL |
TheMusicalWorld__1844-006.txt_48 | 1844 | We cannot speak too highly of the manner in which this magnificent burst of grandeur was rendered, by Mr. Sterndale Bennett and his able assistants, | [
{
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{
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"to... | Mr. Sterndale Bennett | Q201164 |
TheQuarterlyMusicalMagazineAndReview__1825-025.txt_2506 | 1825 | passage, taken up by the other parts as a round, like Rossini’s | [
{
"bio": "O",
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{
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{
"bio": "O",
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"pos": "VERB",
"qid": "_... | Rossini | Q9726 |
TheMusicalTimes__1876-402.txt_1201 | 1876 | G. Benson, Ettore Fiori, Manuel Garcia, P. Goldberg, A. Randegger, T. A. Wallworth, and the Principal. | [
{
"bio": "I-person",
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},
{
"bio": "I-person",
"disambiguated_token": "Ettore Fiori",
... | G. Benson | NIL |
TheMusicalTimes__1876-402.txt_1201 | 1876 | G. Benson, Ettore Fiori, Manuel Garcia, P. Goldberg, A. Randegger, T. A. Wallworth, and the Principal. | [
{
"bio": "I-person",
"disambiguated_token": "G. Benson",
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{
"bio": "I-person",
"disambiguated_token": "Ettore Fiori",
... | Ettore Fiori | Q55912552 |
TheMusicalTimes__1876-402.txt_1201 | 1876 | G. Benson, Ettore Fiori, Manuel Garcia, P. Goldberg, A. Randegger, T. A. Wallworth, and the Principal. | [
{
"bio": "I-person",
"disambiguated_token": "G. Benson",
"pos": "PROPN",
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"token": "G. Benson"
},
{
"bio": "O",
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"token": ","
},
{
"bio": "I-person",
"disambiguated_token": "Ettore Fiori",
... | Manuel Garcia | Q333183 |
TheMusicalTimes__1876-402.txt_1201 | 1876 | G. Benson, Ettore Fiori, Manuel Garcia, P. Goldberg, A. Randegger, T. A. Wallworth, and the Principal. | [
{
"bio": "I-person",
"disambiguated_token": "G. Benson",
"pos": "PROPN",
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"token": "G. Benson"
},
{
"bio": "O",
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"qid": "_",
"token": ","
},
{
"bio": "I-person",
"disambiguated_token": "Ettore Fiori",
... | P. Goldberg | NIL |
TheMusicalTimes__1876-402.txt_1201 | 1876 | G. Benson, Ettore Fiori, Manuel Garcia, P. Goldberg, A. Randegger, T. A. Wallworth, and the Principal. | [
{
"bio": "I-person",
"disambiguated_token": "G. Benson",
"pos": "PROPN",
"qid": "NIL",
"token": "G. Benson"
},
{
"bio": "O",
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"qid": "_",
"token": ","
},
{
"bio": "I-person",
"disambiguated_token": "Ettore Fiori",
... | A. Randegger | Q4712167 |
TheMusicalTimes__1876-402.txt_1201 | 1876 | G. Benson, Ettore Fiori, Manuel Garcia, P. Goldberg, A. Randegger, T. A. Wallworth, and the Principal. | [
{
"bio": "I-person",
"disambiguated_token": "G. Benson",
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"token": "G. Benson"
},
{
"bio": "O",
"disambiguated_token": ",",
"pos": "PUNCT",
"qid": "_",
"token": ","
},
{
"bio": "I-person",
"disambiguated_token": "Ettore Fiori",
... | T. A. Wallworth | NIL |
TheQuarterlyMusicalMagazineAndReview__1825-025.txt_2404 | 1825 | Italy also derived great benefit from the numerous families, and the wealth imported by this means. | [
{
"bio": "B-country",
"disambiguated_token": "Italy",
"pos": "PROPN",
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"token": "Italy"
},
{
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"token": "also"
},
{
"bio": "O",
"disambiguated_token": "derive",
"pos": "VERB",
... | Italy | Q38 |
TheHarmonicon__1828-001.txt_133 | 1828 | Trieste 67, 171, 212 Turin 236, 277 Venice 67, 213, 236 .Verceil | [
{
"bio": "B-city",
"disambiguated_token": "Trieste",
"pos": "PROPN",
"qid": "Q546",
"token": "Trieste"
},
{
"bio": "O",
"disambiguated_token": "67",
"pos": "NUM",
"qid": "_",
"token": "67"
},
{
"bio": "O",
"disambiguated_token": ",",
"pos": "PUNCT",
"q... | Trieste | Q546 |
TheHarmonicon__1828-001.txt_133 | 1828 | Trieste 67, 171, 212 Turin 236, 277 Venice 67, 213, 236 .Verceil | [
{
"bio": "B-city",
"disambiguated_token": "Trieste",
"pos": "PROPN",
"qid": "Q546",
"token": "Trieste"
},
{
"bio": "O",
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"pos": "NUM",
"qid": "_",
"token": "67"
},
{
"bio": "O",
"disambiguated_token": ",",
"pos": "PUNCT",
"q... | Turin | Q495 |
TheHarmonicon__1828-001.txt_133 | 1828 | Trieste 67, 171, 212 Turin 236, 277 Venice 67, 213, 236 .Verceil | [
{
"bio": "B-city",
"disambiguated_token": "Trieste",
"pos": "PROPN",
"qid": "Q546",
"token": "Trieste"
},
{
"bio": "O",
"disambiguated_token": "67",
"pos": "NUM",
"qid": "_",
"token": "67"
},
{
"bio": "O",
"disambiguated_token": ",",
"pos": "PUNCT",
"q... | Venice | Q641 |
TheHarmonicon__1828-001.txt_133 | 1828 | Trieste 67, 171, 212 Turin 236, 277 Venice 67, 213, 236 .Verceil | [
{
"bio": "B-city",
"disambiguated_token": "Trieste",
"pos": "PROPN",
"qid": "Q546",
"token": "Trieste"
},
{
"bio": "O",
"disambiguated_token": "67",
"pos": "NUM",
"qid": "_",
"token": "67"
},
{
"bio": "O",
"disambiguated_token": ",",
"pos": "PUNCT",
"q... | Verceil | Q5990 |
TheHarmonicon__1832-012.txt_37 | 1832 | Thornhill drew ail their portraits in pencil, and Prior wrote humorous verses under each. | [
{
"bio": "B-person",
"disambiguated_token": "Thornhill",
"pos": "PROPN",
"qid": "Q1681192",
"token": "Thornhill"
},
{
"bio": "O",
"disambiguated_token": "draw",
"pos": "VERB",
"qid": "_",
"token": "drew"
},
{
"bio": "O",
"disambiguated_token": "ail",
"pos"... | Thornhill | Q1681192 |
TheHarmonicon__1832-012.txt_37 | 1832 | Thornhill drew ail their portraits in pencil, and Prior wrote humorous verses under each. | [
{
"bio": "B-person",
"disambiguated_token": "Thornhill",
"pos": "PROPN",
"qid": "Q1681192",
"token": "Thornhill"
},
{
"bio": "O",
"disambiguated_token": "draw",
"pos": "VERB",
"qid": "_",
"token": "drew"
},
{
"bio": "O",
"disambiguated_token": "ail",
"pos"... | Prior | NIL |
TheMusicalTimes__1876-402.txt_1307 | 1876 | THE fifty-third monthly Concert of the Grosvenor Choral Society took place on Friday the 21st ult. at the Grosvenor Hall, Buckingham Palace Road. | [
{
"bio": "O",
"disambiguated_token": "the",
"pos": "DET",
"qid": "_",
"token": "THE"
},
{
"bio": "O",
"disambiguated_token": "fifty",
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"qid": "_",
"token": "fifty"
},
{
"bio": "O",
"disambiguated_token": "-",
"pos": "PUNCT",
"qid": "_",
... | Grosvenor Choral Society | NIL |
TheMusicalTimes__1876-402.txt_1307 | 1876 | THE fifty-third monthly Concert of the Grosvenor Choral Society took place on Friday the 21st ult. at the Grosvenor Hall, Buckingham Palace Road. | [
{
"bio": "O",
"disambiguated_token": "the",
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"qid": "_",
"token": "THE"
},
{
"bio": "O",
"disambiguated_token": "fifty",
"pos": "NUM",
"qid": "_",
"token": "fifty"
},
{
"bio": "O",
"disambiguated_token": "-",
"pos": "PUNCT",
"qid": "_",
... | Grosvenor Hall | Q5610643 |
TheMusicalTimes__1876-402.txt_1307 | 1876 | THE fifty-third monthly Concert of the Grosvenor Choral Society took place on Friday the 21st ult. at the Grosvenor Hall, Buckingham Palace Road. | [
{
"bio": "O",
"disambiguated_token": "the",
"pos": "DET",
"qid": "_",
"token": "THE"
},
{
"bio": "O",
"disambiguated_token": "fifty",
"pos": "NUM",
"qid": "_",
"token": "fifty"
},
{
"bio": "O",
"disambiguated_token": "-",
"pos": "PUNCT",
"qid": "_",
... | Buckingham Palace Road | Q23891197 |
TheHarmonicon__1828-001.txt_1831 | 1828 | Théatre de L’Odeon.—A new opera has been produced here, entitled, Charles V. et Dugueselin, | [
{
"bio": "I-theatre",
"disambiguated_token": "Théatre de L'Odeon",
"pos": "PRON",
"qid": "Q1133501",
"token": "Théatre de L’Odeon"
},
{
"bio": "O",
"disambiguated_token": ".",
"pos": "PUNCT",
"qid": "_",
"token": "."
},
{
"bio": "O",
"disambiguated_token": "—"... | Théatre de L’Odeon | Q1133501 |
TheHarmonicon__1828-001.txt_1831 | 1828 | Théatre de L’Odeon.—A new opera has been produced here, entitled, Charles V. et Dugueselin, | [
{
"bio": "I-theatre",
"disambiguated_token": "Théatre de L'Odeon",
"pos": "PRON",
"qid": "Q1133501",
"token": "Théatre de L’Odeon"
},
{
"bio": "O",
"disambiguated_token": ".",
"pos": "PUNCT",
"qid": "_",
"token": "."
},
{
"bio": "O",
"disambiguated_token": "—"... | Charles V. et Dugueselin | NIL |
TheMusicalTimes__1875-388.txt_1160 | 1875 | the programme consisted entirely of a selection from*the works of the late Sir Sterndale Bennett. | [
{
"bio": "O",
"disambiguated_token": "the",
"pos": "DET",
"qid": "_",
"token": "the"
},
{
"bio": "O",
"disambiguated_token": "programme",
"pos": "NOUN",
"qid": "_",
"token": "programme"
},
{
"bio": "O",
"disambiguated_token": "consist",
"pos": "VERB",
... | Sir Sterndale Bennett | Q201164 |
TheMusicalTimes__1875-388.txt_1671 | 1875 | The artists engaged were the Misses Agnes Drummond, Josephine Pulham, Marian Haigh, Florence Wydford, and Messrs. Henry Guy, Theodore Distin, E. Stone, and Thurley Beale. | [
{
"bio": "O",
"disambiguated_token": "the",
"pos": "DET",
"qid": "_",
"token": "The"
},
{
"bio": "O",
"disambiguated_token": "artist",
"pos": "NOUN",
"qid": "_",
"token": "artists"
},
{
"bio": "O",
"disambiguated_token": "engage",
"pos": "VERB",
"qid":... | Agnes Drummond | NIL |
TheMusicalTimes__1875-388.txt_1671 | 1875 | The artists engaged were the Misses Agnes Drummond, Josephine Pulham, Marian Haigh, Florence Wydford, and Messrs. Henry Guy, Theodore Distin, E. Stone, and Thurley Beale. | [
{
"bio": "O",
"disambiguated_token": "the",
"pos": "DET",
"qid": "_",
"token": "The"
},
{
"bio": "O",
"disambiguated_token": "artist",
"pos": "NOUN",
"qid": "_",
"token": "artists"
},
{
"bio": "O",
"disambiguated_token": "engage",
"pos": "VERB",
"qid":... | Josephine Pulham | NIL |
TheMusicalTimes__1875-388.txt_1671 | 1875 | The artists engaged were the Misses Agnes Drummond, Josephine Pulham, Marian Haigh, Florence Wydford, and Messrs. Henry Guy, Theodore Distin, E. Stone, and Thurley Beale. | [
{
"bio": "O",
"disambiguated_token": "the",
"pos": "DET",
"qid": "_",
"token": "The"
},
{
"bio": "O",
"disambiguated_token": "artist",
"pos": "NOUN",
"qid": "_",
"token": "artists"
},
{
"bio": "O",
"disambiguated_token": "engage",
"pos": "VERB",
"qid":... | Marian Haigh | NIL |
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