conversation_id string | topic string | turn_id int64 | has_content bool | input_history list | audio_file string | user string | assistant string |
|---|---|---|---|---|---|---|---|
group7_conv0 | overall_mix | 10 | true | [
{
"audio_file": "audio/segments/Group7/cut_1.wav",
"content": "All right so first off. I'll go to preferences to mess with. You have the input and output buffer size, so it'll sound clear. If you have that set at a different, if you have it set at zero samples versus 10,000 samples for input buffer size, li... | audio/segments/Group7/cut_2.wav | So I still hear a skipping. What do you think? Should we go back to preferences? Or could this be just the quality of the recording? Could that have been recorded wrong and exported wrong? Or do you wanna tinker around with the buffer size? | Maybe go back to what your buffer size was before. Was it half of that, right? So 40. |
group7_conv0 | overall_mix | 11 | true | [
{
"audio_file": "audio/segments/Group7/cut_1.wav",
"content": "All right so first off. I'll go to preferences to mess with. You have the input and output buffer size, so it'll sound clear. If you have that set at a different, if you have it set at zero samples versus 10,000 samples for input buffer size, li... | audio/segments/Group7/cut_1.wav | So I'm going to go ahead I'm going to turn off certain tracks and mute them for now. So what I want to... So I want to start with, we'll do, we'll start with the drum kit and the guitar. Maybe we'll take off the bass for now. Just for a second, we'll try that out, see. So let me make sure this track is what... Okay, so... | Do you know how to just hit mute on the channel itself, you don't just have a mute? |
group7_conv0 | overall_mix | 12 | true | [
{
"audio_file": "audio/segments/Group7/cut_1.wav",
"content": "All right so first off. I'll go to preferences to mess with. You have the input and output buffer size, so it'll sound clear. If you have that set at a different, if you have it set at zero samples versus 10,000 samples for input buffer size, li... | audio/segments/Group7/cut_1.wav | Yeah I do. It's there. | Yeah, great. So turn all the tracks off except just the drum kit then we'll isolate the drums. |
group7_conv0 | overall_mix | 13 | true | [
{
"audio_file": "audio/segments/Group7/cut_1.wav",
"content": "All right so first off. I'll go to preferences to mess with. You have the input and output buffer size, so it'll sound clear. If you have that set at a different, if you have it set at zero samples versus 10,000 samples for input buffer size, li... | audio/segments/Group7/cut_1.wav | Yeah, you know what, I'm gonna turn all the tracks off instead of... just soloing the ones 'cause I think that... | Well, I know what they are based upon what they're labeled essentially. So like number four, drum hi-hat, that one you can leave on. I don't know what Coles 07 is. Right, that sounds like it's an open mic in a room. |
group3_conv11 | keys | 0 | false | [] | audio/segments/Group3/cut_36.wav | We've been working on adjusting the mix, focusing on the bass and drums, making sure the bass is centered and cleaning up some high-end distortion. I also adjusted the reverb tail to better fit in the mix. Now, I want to make the keys a little louder 'cause I like the keys. So there's an organ and there's some keys tha... | Cool. |
group3_conv11 | keys | 1 | false | [
{
"audio_file": "audio/segments/Group3/cut_36.wav",
"content": "We've been working on adjusting the mix, focusing on the bass and drums, making sure the bass is centered and cleaning up some high-end distortion. I also adjusted the reverb tail to better fit in the mix. Now, I want to make the keys a little ... | audio/segments/Group3/cut_37.wav | I don't think I've soloed organ at all. Oh, it's the nice, like funky organ. They've got a left and right, so I'll pan these a little bit. | So there's two tracks? |
group3_conv11 | keys | 2 | true | [
{
"audio_file": "audio/segments/Group3/cut_36.wav",
"content": "We've been working on adjusting the mix, focusing on the bass and drums, making sure the bass is centered and cleaning up some high-end distortion. I also adjusted the reverb tail to better fit in the mix. Now, I want to make the keys a little ... | audio/segments/Group3/cut_37.wav | Yeah yeah. Oh, yeah. I want that one for sure. That's cool. | So are there specific aspects of that organ performance that you're hearing that you are immediately wanting to stick out? |
group3_conv11 | keys | 3 | false | [
{
"audio_file": "audio/segments/Group3/cut_36.wav",
"content": "We've been working on adjusting the mix, focusing on the bass and drums, making sure the bass is centered and cleaning up some high-end distortion. I also adjusted the reverb tail to better fit in the mix. Now, I want to make the keys a little ... | audio/segments/Group3/cut_37.wav | I like the riser that they have kind of put in here. | Yeah. |
group3_conv11 | keys | 4 | true | [
{
"audio_file": "audio/segments/Group3/cut_36.wav",
"content": "We've been working on adjusting the mix, focusing on the bass and drums, making sure the bass is centered and cleaning up some high-end distortion. I also adjusted the reverb tail to better fit in the mix. Now, I want to make the keys a little ... | audio/segments/Group3/cut_38.wav | Which they have on this section when it's kind of... So I want to bring out, I think the higher end of that portion a little more. Just in general and the higher, more than the rest. | Yeah, if you want to bring out certain sections of that more than others, you can EQ the whole thing overall. You could also potentially do some automation to have the organ be something that is consistently there adding color, but then if there are these moments you can boost those a little bit in volume or you can ev... |
group3_conv11 | keys | 5 | true | [
{
"audio_file": "audio/segments/Group3/cut_36.wav",
"content": "We've been working on adjusting the mix, focusing on the bass and drums, making sure the bass is centered and cleaning up some high-end distortion. I also adjusted the reverb tail to better fit in the mix. Now, I want to make the keys a little ... | audio/segments/Group3/cut_39.wav | That's, that is a... I'm definitely thinking, yeah, thinking more differently than I would like with this type of stuff, music. So I could, yeah, lots of things to think about. I don't know. Okay, to the organ. Volume, and maybe we can do like a... There's definitely a lot of like modulation in there. It's like going o... | I was gonna say there's a lot of nice high frequency stuff happening in the organ. |
group3_conv11 | keys | 6 | true | [
{
"audio_file": "audio/segments/Group3/cut_36.wav",
"content": "We've been working on adjusting the mix, focusing on the bass and drums, making sure the bass is centered and cleaning up some high-end distortion. I also adjusted the reverb tail to better fit in the mix. Now, I want to make the keys a little ... | audio/segments/Group3/cut_40.wav | Yeah, for sure. | And you can decide how much low end of the organ you want to keep, as opposed to what's already being added from the other instruments. |
group3_conv11 | keys | 7 | true | [
{
"audio_file": "audio/segments/Group3/cut_36.wav",
"content": "We've been working on adjusting the mix, focusing on the bass and drums, making sure the bass is centered and cleaning up some high-end distortion. I also adjusted the reverb tail to better fit in the mix. Now, I want to make the keys a little ... | audio/segments/Group3/cut_41.wav | Yeah. I don't know. That just sounds pretty like clicky and not like what I really would want. Okay, yeah. | I also wonder how it might sound to put a little bit of reverb on the organ. |
group3_conv11 | keys | 8 | true | [
{
"audio_file": "audio/segments/Group3/cut_36.wav",
"content": "We've been working on adjusting the mix, focusing on the bass and drums, making sure the bass is centered and cleaning up some high-end distortion. I also adjusted the reverb tail to better fit in the mix. Now, I want to make the keys a little ... | audio/segments/Group3/cut_41.wav | Oh, yeah. True, true, true. That would be cool. You think plate or room or vintage on that? | You could, as per plate or room you could try, you could try a couple I would see how they both sound because we have other room reverbs here. I might lean towards that, but sometimes a plate can add something you're not expecting. |
group3_conv11 | keys | 9 | true | [
{
"audio_file": "audio/segments/Group3/cut_36.wav",
"content": "We've been working on adjusting the mix, focusing on the bass and drums, making sure the bass is centered and cleaning up some high-end distortion. I also adjusted the reverb tail to better fit in the mix. Now, I want to make the keys a little ... | audio/segments/Group3/cut_42.wav | Should I cut off right before the drop? | That could be cool. That could be a cool stylistic choice. |
group3_conv11 | keys | 10 | true | [
{
"audio_file": "audio/segments/Group3/cut_36.wav",
"content": "We've been working on adjusting the mix, focusing on the bass and drums, making sure the bass is centered and cleaning up some high-end distortion. I also adjusted the reverb tail to better fit in the mix. Now, I want to make the keys a little ... | audio/segments/Group3/cut_43.wav | Yeah, 'cause that's kind of a big like hit right there. So maybe it's like... Cut off kind of right there, which might be nice. So I can actually, no, I don't want to link that I want a separate automation clip. | Yeah, it reminds me of what, what Ian Kirkpatrick, Dua Lipa's producer, would call a violation of space. |
group3_conv11 | keys | 11 | true | [
{
"audio_file": "audio/segments/Group3/cut_36.wav",
"content": "We've been working on adjusting the mix, focusing on the bass and drums, making sure the bass is centered and cleaning up some high-end distortion. I also adjusted the reverb tail to better fit in the mix. Now, I want to make the keys a little ... | audio/segments/Group3/cut_43.wav | Yeah. | You bring it back to dry really quickly. And especially if you're doing that at a moment in the song, that's an important moment. When you identify those important moments, you can redirect the attention. |
group3_conv11 | keys | 12 | false | [
{
"audio_file": "audio/segments/Group3/cut_36.wav",
"content": "We've been working on adjusting the mix, focusing on the bass and drums, making sure the bass is centered and cleaning up some high-end distortion. I also adjusted the reverb tail to better fit in the mix. Now, I want to make the keys a little ... | audio/segments/Group3/cut_44.wav | Yeah, bring it back in. Yeah, yeah, let's see. I'll solo it again. Okay, maybe it'll sound cool in context. | I need more information before I can respond. Please elaborate. |
group3_conv11 | keys | 13 | true | [
{
"audio_file": "audio/segments/Group3/cut_36.wav",
"content": "We've been working on adjusting the mix, focusing on the bass and drums, making sure the bass is centered and cleaning up some high-end distortion. I also adjusted the reverb tail to better fit in the mix. Now, I want to make the keys a little ... | audio/segments/Group3/cut_45.wav | I'm happier with, like this. | Okay so something that, that edit that you did made me think of just like a very intentional automation edit is thinking about the ending of the track. |
group3_conv11 | keys | 14 | false | [
{
"audio_file": "audio/segments/Group3/cut_36.wav",
"content": "We've been working on adjusting the mix, focusing on the bass and drums, making sure the bass is centered and cleaning up some high-end distortion. I also adjusted the reverb tail to better fit in the mix. Now, I want to make the keys a little ... | audio/segments/Group3/cut_46.wav | Oh yeah, like how do you want it to end? Yeah, I'd be curious to hear. A fade or a cut or whatnot. Yeah, we could do it quick like... This will be cool, maybe. | I don't know if I've seen this plugin before. |
group6_conv1 | guitars | 0 | true | [] | audio/segments/Group6/cut_2.wav | We've been discussing how the track sounds a bit flat and overdriven, mainly because everything is centered, making it feel mono. We agreed to start by focusing on the first 30 seconds, experimenting with panning and compression to improve the dynamics. This is kind of the first pass at sculpting. No, no effects. Let's... | Can you do just the guitars? I'm not sure which one it is. What about guitar two? |
group6_conv1 | guitars | 1 | false | [
{
"audio_file": "audio/segments/Group6/cut_2.wav",
"content": "We've been discussing how the track sounds a bit flat and overdriven, mainly because everything is centered, making it feel mono. We agreed to start by focusing on the first 30 seconds, experimenting with panning and compression to improve the d... | audio/segments/Group6/cut_3.wav | Some of these aren't really adding, right? Just multiple takes? | I need more information before I can respond. Please elaborate. |
group6_conv1 | guitars | 2 | false | [
{
"audio_file": "audio/segments/Group6/cut_2.wav",
"content": "We've been discussing how the track sounds a bit flat and overdriven, mainly because everything is centered, making it feel mono. We agreed to start by focusing on the first 30 seconds, experimenting with panning and compression to improve the d... | audio/segments/Group6/cut_3.wav | They're not like complimenting one another or like, really flushing up the depth or the width. It's not having a unison effect. It's just kind of having a varying messy parts. So maybe we can find which of these we want to keep and maybe even like mute one we don't want. | Well, yeah, they are different takes. I mean, they're different mics, I think, in the same. |
group6_conv1 | guitars | 3 | true | [
{
"audio_file": "audio/segments/Group6/cut_2.wav",
"content": "We've been discussing how the track sounds a bit flat and overdriven, mainly because everything is centered, making it feel mono. We agreed to start by focusing on the first 30 seconds, experimenting with panning and compression to improve the d... | audio/segments/Group6/cut_3.wav | Right, so let's find something that might be more complimentary. Let's see if I can find the same color tone. | Yeah, this is one thing I don't know much about, like what the, the balance of ribbon, room... I don't know what SM7 is. I don't know exactly what. Can we just start with guitar one? One or two, one is fine. I'd probably do this by guitar to get it. |
group6_conv1 | guitars | 4 | true | [
{
"audio_file": "audio/segments/Group6/cut_2.wav",
"content": "We've been discussing how the track sounds a bit flat and overdriven, mainly because everything is centered, making it feel mono. We agreed to start by focusing on the first 30 seconds, experimenting with panning and compression to improve the d... | audio/segments/Group6/cut_4.wav | Yeah. | We'll play with it a little bit and see if we can get some. |
group6_conv1 | guitars | 5 | true | [
{
"audio_file": "audio/segments/Group6/cut_2.wav",
"content": "We've been discussing how the track sounds a bit flat and overdriven, mainly because everything is centered, making it feel mono. We agreed to start by focusing on the first 30 seconds, experimenting with panning and compression to improve the d... | audio/segments/Group6/cut_5.wav | Please analyze this audio segment. OK, that's giving it some space, that's giving it some depth, which is nice. | Okay, so we definitely want some ribbon in there. |
group6_conv1 | guitars | 6 | true | [
{
"audio_file": "audio/segments/Group6/cut_2.wav",
"content": "We've been discussing how the track sounds a bit flat and overdriven, mainly because everything is centered, making it feel mono. We agreed to start by focusing on the first 30 seconds, experimenting with panning and compression to improve the d... | audio/segments/Group6/cut_6.wav | Let's see if we could go back to the start and see how guitar 2 sounds in there. | I don't know if it's supposed to be clipping like that, not sure... |
group6_conv1 | guitars | 7 | false | [
{
"audio_file": "audio/segments/Group6/cut_2.wav",
"content": "We've been discussing how the track sounds a bit flat and overdriven, mainly because everything is centered, making it feel mono. We agreed to start by focusing on the first 30 seconds, experimenting with panning and compression to improve the d... | audio/segments/Group6/cut_7.wav | Yeah, it's better. But you know, it's not particularly... | Hold it down. Just to see. All the way down. |
group6_conv1 | guitars | 8 | true | [
{
"audio_file": "audio/segments/Group6/cut_2.wav",
"content": "We've been discussing how the track sounds a bit flat and overdriven, mainly because everything is centered, making it feel mono. We agreed to start by focusing on the first 30 seconds, experimenting with panning and compression to improve the d... | audio/segments/Group6/cut_8.wav | Please analyze this audio segment. | It gives it some body, but I don't know that it is, yeah. |
group6_conv1 | guitars | 9 | true | [
{
"audio_file": "audio/segments/Group6/cut_2.wav",
"content": "We've been discussing how the track sounds a bit flat and overdriven, mainly because everything is centered, making it feel mono. We agreed to start by focusing on the first 30 seconds, experimenting with panning and compression to improve the d... | audio/segments/Group6/cut_9.wav | So then take them together. | Yeah, I would put an EQ on the guitar. EQ with compression adds a lot, and I think pulling down the levels a little bit is good, but it still feels very... it kind of occupies the entire frequency range, and it's very kind of like... it's hard to sort of fit other things in. So I would probably, can you add just like a... |
group6_conv1 | guitars | 10 | false | [
{
"audio_file": "audio/segments/Group6/cut_2.wav",
"content": "We've been discussing how the track sounds a bit flat and overdriven, mainly because everything is centered, making it feel mono. We agreed to start by focusing on the first 30 seconds, experimenting with panning and compression to improve the d... | audio/segments/Group6/cut_10.wav | So we would need to do a bus which we haven't done this yet, and so it's... to new output bus. Let's see if this does what we think it's going to be. | And that's what we want. |
group6_conv1 | guitars | 11 | true | [
{
"audio_file": "audio/segments/Group6/cut_2.wav",
"content": "We've been discussing how the track sounds a bit flat and overdriven, mainly because everything is centered, making it feel mono. We agreed to start by focusing on the first 30 seconds, experimenting with panning and compression to improve the d... | audio/segments/Group6/cut_11.wav | So yeah, really hugging up some space. | I'd pull it down a little bit in like a 400 to 600 range. |
group6_conv1 | guitars | 12 | true | [
{
"audio_file": "audio/segments/Group6/cut_2.wav",
"content": "We've been discussing how the track sounds a bit flat and overdriven, mainly because everything is centered, making it feel mono. We agreed to start by focusing on the first 30 seconds, experimenting with panning and compression to improve the d... | audio/segments/Group6/cut_12.wav | Please analyze this audio segment. | Maybe give it some air around 1.3k or a little more, blend to 2,000. And then I would pull out some of the high frequencies. |
group6_conv1 | guitars | 13 | true | [
{
"audio_file": "audio/segments/Group6/cut_2.wav",
"content": "We've been discussing how the track sounds a bit flat and overdriven, mainly because everything is centered, making it feel mono. We agreed to start by focusing on the first 30 seconds, experimenting with panning and compression to improve the d... | audio/segments/Group6/cut_13.wav | You would pull out some of the high frequencies? | I would. I might be a little more aggressive too with the peaks or the valley there. |
group6_conv1 | guitars | 14 | true | [
{
"audio_file": "audio/segments/Group6/cut_2.wav",
"content": "We've been discussing how the track sounds a bit flat and overdriven, mainly because everything is centered, making it feel mono. We agreed to start by focusing on the first 30 seconds, experimenting with panning and compression to improve the d... | audio/segments/Group6/cut_13.wav | Okay! | Or I mean, yeah. Just to try something. |
group6_conv5 | drums | 0 | true | [] | audio/segments/Group6/cut_22.wav | We've been working on adjusting the EQ and compression to give the guitar more space in the mix, considering adding reverb and delay for character, and addressing issues with the percussion levels. We've also talked about applying send effects for maximum impact and noticed an issue with the egg shaker. Let's spend a l... | Yeah, I don't know what's going on with the reverb here. I'd probably arrange the busses a little differently personally, but we can come back to that. Can you play us an excerpt from the beginning so we can hear the drums, like how the drums need some work? |
group6_conv5 | drums | 1 | false | [
{
"audio_file": "audio/segments/Group6/cut_22.wav",
"content": "We've been working on adjusting the EQ and compression to give the guitar more space in the mix, considering adding reverb and delay for character, and addressing issues with the percussion levels. We've also talked about applying send effects ... | audio/segments/Group6/cut_23.wav | So, that kick is anemic. | Yes. Agreed. |
group6_conv5 | drums | 2 | true | [
{
"audio_file": "audio/segments/Group6/cut_22.wav",
"content": "We've been working on adjusting the EQ and compression to give the guitar more space in the mix, considering adding reverb and delay for character, and addressing issues with the percussion levels. We've also talked about applying send effects ... | audio/segments/Group6/cut_24.wav | Well for starters, we probably need some gain staging for this. | Yeah, I'm wondering what other effects you have that we could put on the kick that might make it punchier. |
group6_conv5 | drums | 3 | true | [
{
"audio_file": "audio/segments/Group6/cut_22.wav",
"content": "We've been working on adjusting the EQ and compression to give the guitar more space in the mix, considering adding reverb and delay for character, and addressing issues with the percussion levels. We've also talked about applying send effects ... | audio/segments/Group6/cut_25.wav | I think we should try to get a kickin' snare first. So you can maybe just solo those to start. Also it seems weird, what usually I see a comp track and I assume it's another variant this looks like the same signal all together, but I usually wouldn't expect two kick tracks. | What happens when you play the first one? I just want to hear the second one. |
group6_conv5 | drums | 4 | true | [
{
"audio_file": "audio/segments/Group6/cut_22.wav",
"content": "We've been working on adjusting the EQ and compression to give the guitar more space in the mix, considering adding reverb and delay for character, and addressing issues with the percussion levels. We've also talked about applying send effects ... | audio/segments/Group6/cut_25.wav | Yes, so let's do... This is where our 'umph' is gonna be. | I don't know what all these things are, I would definitely put in some EQ and raise some frequencies here. Ooh, MClassMaximizer, what's that? I don't know. Let's pick something we know. |
group6_conv5 | drums | 5 | true | [
{
"audio_file": "audio/segments/Group6/cut_22.wav",
"content": "We've been working on adjusting the EQ and compression to give the guitar more space in the mix, considering adding reverb and delay for character, and addressing issues with the percussion levels. We've also talked about applying send effects ... | audio/segments/Group6/cut_26.wav | That's okay, I'll translate. | I'm sorry, you just added a compressor? |
group6_conv5 | drums | 6 | true | [
{
"audio_file": "audio/segments/Group6/cut_22.wav",
"content": "We've been working on adjusting the EQ and compression to give the guitar more space in the mix, considering adding reverb and delay for character, and addressing issues with the percussion levels. We've also talked about applying send effects ... | audio/segments/Group6/cut_27.wav | Thoughts on kind of the bleed from the other components? | Yeah, the cymbal, I'm not sure what... let's see. |
group6_conv5 | drums | 7 | true | [
{
"audio_file": "audio/segments/Group6/cut_22.wav",
"content": "We've been working on adjusting the EQ and compression to give the guitar more space in the mix, considering adding reverb and delay for character, and addressing issues with the percussion levels. We've also talked about applying send effects ... | audio/segments/Group6/cut_27.wav | Please analyze this audio segment. | I'm not sure what's... what's what here, but I think the shakers can come down a little bit. I think that that cymbal is filling a lot of high frequency sound that's probably taking up space. Yeah, I mean, the... |
group6_conv5 | drums | 8 | true | [
{
"audio_file": "audio/segments/Group6/cut_22.wav",
"content": "We've been working on adjusting the EQ and compression to give the guitar more space in the mix, considering adding reverb and delay for character, and addressing issues with the percussion levels. We've also talked about applying send effects ... | audio/segments/Group6/cut_28.wav | Well we basically lost the snare, but I'm wondering if there's a dedicated snare track. | Yeah, I don't know that I would use that exact EQ approach. I might, I might. Yeah, we want those high frequencies in the snare. It's a cymbal that's really... |
group6_conv5 | drums | 9 | true | [
{
"audio_file": "audio/segments/Group6/cut_22.wav",
"content": "We've been working on adjusting the EQ and compression to give the guitar more space in the mix, considering adding reverb and delay for character, and addressing issues with the percussion levels. We've also talked about applying send effects ... | audio/segments/Group6/cut_29.wav | I think we have other snare tracks. | I think that's fine for that. Let's take a look at the others. I want to be able to hear the... Where is that cymbal coming from? I really want to adjust that. |
group6_conv5 | drums | 10 | true | [
{
"audio_file": "audio/segments/Group6/cut_22.wav",
"content": "We've been working on adjusting the EQ and compression to give the guitar more space in the mix, considering adding reverb and delay for character, and addressing issues with the percussion levels. We've also talked about applying send effects ... | audio/segments/Group6/cut_29.wav | I assume it would be room. It could be at someplace in there. | I kind of want to pull that back a little bit. |
group6_conv5 | drums | 11 | true | [
{
"audio_file": "audio/segments/Group6/cut_22.wav",
"content": "We've been working on adjusting the EQ and compression to give the guitar more space in the mix, considering adding reverb and delay for character, and addressing issues with the percussion levels. We've also talked about applying send effects ... | audio/segments/Group6/cut_30.wav | Yeah, what do you want to do with this guy? | I just want to pull down the cymbal a little bit, I think it's in maybe EQ a little bit on if you can pull down the... It's a little bit on the high frequencies, just the touch, because it's taking up space that the snare is also filling. It's just creating a lot of ambiance that... |
group6_conv5 | drums | 12 | true | [
{
"audio_file": "audio/segments/Group6/cut_22.wav",
"content": "We've been working on adjusting the EQ and compression to give the guitar more space in the mix, considering adding reverb and delay for character, and addressing issues with the percussion levels. We've also talked about applying send effects ... | audio/segments/Group6/cut_31.wav | Go pull down the, which frequency did you want to pull down? | Oh the higher, higher say really everything. Let's do a thousand up just a little bit, not a huge amount. |
group6_conv5 | drums | 13 | true | [
{
"audio_file": "audio/segments/Group6/cut_22.wav",
"content": "We've been working on adjusting the EQ and compression to give the guitar more space in the mix, considering adding reverb and delay for character, and addressing issues with the percussion levels. We've also talked about applying send effects ... | audio/segments/Group6/cut_32.wav | Please analyze this audio segment. | I'm ear balling this a little bit, I don't know. All right, can we hear what it sounds like together? |
group6_conv5 | drums | 14 | true | [
{
"audio_file": "audio/segments/Group6/cut_22.wav",
"content": "We've been working on adjusting the EQ and compression to give the guitar more space in the mix, considering adding reverb and delay for character, and addressing issues with the percussion levels. We've also talked about applying send effects ... | audio/segments/Group6/cut_33.wav | I got to say, the kick and snare definitely sound good. | Yes, that compressor on the snare was a good idea. Yeah, the problem with the reverb on the voice now is that it sounds like it's in a completely different space. |
group7_conv3 | guitars | 0 | true | [] | audio/segments/Group7/cut_32.wav | So far, we've been working on balancing the bass and guitar tracks by using a compressor with a 4:1 ratio to get rid of any peaking noise. We adjusted the output gain and turned down the bass amp by 10 DB to make sure it blends well with the DI, which gives us a nice low-end tone. Now, I'm checking how everything sound... | Let's add a guitar now. |
group7_conv3 | guitars | 1 | true | [
{
"audio_file": "audio/segments/Group7/cut_32.wav",
"content": "So far, we've been working on balancing the bass and guitar tracks by using a compressor with a 4:1 ratio to get rid of any peaking noise. We adjusted the output gain and turned down the bass amp by 10 DB to make sure it blends well with the DI... | audio/segments/Group7/cut_33.wav | Alright. | Alright, so those are two different microphones. There's three different microphones on guitar two. Where's guitar one? |
group7_conv3 | guitars | 2 | true | [
{
"audio_file": "audio/segments/Group7/cut_32.wav",
"content": "So far, we've been working on balancing the bass and guitar tracks by using a compressor with a 4:1 ratio to get rid of any peaking noise. We adjusted the output gain and turned down the bass amp by 10 DB to make sure it blends well with the DI... | audio/segments/Group7/cut_34.wav | Could it be this one? | There's like 19 guitar lines. Multi-tracking! |
group7_conv3 | guitars | 3 | true | [
{
"audio_file": "audio/segments/Group7/cut_32.wav",
"content": "So far, we've been working on balancing the bass and guitar tracks by using a compressor with a 4:1 ratio to get rid of any peaking noise. We adjusted the output gain and turned down the bass amp by 10 DB to make sure it blends well with the DI... | audio/segments/Group7/cut_34.wav | Yes, there's not one label to get to that. That would be it. | And that's fine with me. Let's, let's just listen to it. Keep it playing, right? You can keep it playing, just solo each guitar just so I can kind of figure out of what all the tones are. |
group7_conv3 | guitars | 4 | true | [
{
"audio_file": "audio/segments/Group7/cut_32.wav",
"content": "So far, we've been working on balancing the bass and guitar tracks by using a compressor with a 4:1 ratio to get rid of any peaking noise. We adjusted the output gain and turned down the bass amp by 10 DB to make sure it blends well with the DI... | audio/segments/Group7/cut_34.wav | Okay. That would be the amp, not, oh... | No, just go through, just hit play and then just click the different solos. |
group7_conv3 | guitars | 5 | false | [
{
"audio_file": "audio/segments/Group7/cut_32.wav",
"content": "So far, we've been working on balancing the bass and guitar tracks by using a compressor with a 4:1 ratio to get rid of any peaking noise. We adjusted the output gain and turned down the bass amp by 10 DB to make sure it blends well with the DI... | audio/segments/Group7/cut_34.wav | Yeah. Alright, so I'll solo the next one. | I need more information before I can respond. Please elaborate. |
group7_conv3 | guitars | 6 | false | [
{
"audio_file": "audio/segments/Group7/cut_32.wav",
"content": "So far, we've been working on balancing the bass and guitar tracks by using a compressor with a 4:1 ratio to get rid of any peaking noise. We adjusted the output gain and turned down the bass amp by 10 DB to make sure it blends well with the DI... | audio/segments/Group7/cut_35.wav | Alright. Okay so these, so number three has its own like solo or something. | Oh, right on, right on, right on. |
group7_conv3 | guitars | 7 | false | [
{
"audio_file": "audio/segments/Group7/cut_32.wav",
"content": "So far, we've been working on balancing the bass and guitar tracks by using a compressor with a 4:1 ratio to get rid of any peaking noise. We adjusted the output gain and turned down the bass amp by 10 DB to make sure it blends well with the DI... | audio/segments/Group7/cut_35.wav | So alright, we'll just do one and two? | Okay. |
group7_conv3 | guitars | 8 | false | [
{
"audio_file": "audio/segments/Group7/cut_32.wav",
"content": "So far, we've been working on balancing the bass and guitar tracks by using a compressor with a 4:1 ratio to get rid of any peaking noise. We adjusted the output gain and turned down the bass amp by 10 DB to make sure it blends well with the DI... | audio/segments/Group7/cut_36.wav | Okay, seven sounds more, more interesting. I think three sounded like the more simpler one that we should probably start down next, start with, and then yeah, see what the others are for. | Perfect. |
group7_conv3 | guitars | 9 | false | [
{
"audio_file": "audio/segments/Group7/cut_32.wav",
"content": "So far, we've been working on balancing the bass and guitar tracks by using a compressor with a 4:1 ratio to get rid of any peaking noise. We adjusted the output gain and turned down the bass amp by 10 DB to make sure it blends well with the DI... | audio/segments/Group7/cut_37.wav | So this is that punchy, not rock and roll sound. So if I could relate it all to the bass DI. I think we'd want to do something similar. Similar to that. | I agree. |
group7_conv3 | guitars | 10 | true | [
{
"audio_file": "audio/segments/Group7/cut_32.wav",
"content": "So far, we've been working on balancing the bass and guitar tracks by using a compressor with a 4:1 ratio to get rid of any peaking noise. We adjusted the output gain and turned down the bass amp by 10 DB to make sure it blends well with the DI... | audio/segments/Group7/cut_37.wav | So without, I would just fiddle around with this till I could find what sounds good. I don't know the standards or anything like that. But so we'll just copy that first one. I believe we hit two. We lowered it to about negative six. | You have a big Q on it, yeah? Yeah, tight, yeah. |
group7_conv3 | guitars | 11 | true | [
{
"audio_file": "audio/segments/Group7/cut_32.wav",
"content": "So far, we've been working on balancing the bass and guitar tracks by using a compressor with a 4:1 ratio to get rid of any peaking noise. We adjusted the output gain and turned down the bass amp by 10 DB to make sure it blends well with the DI... | audio/segments/Group7/cut_38.wav | It sounds good. | Sounds good. It takes out that muddy sound for sure. Okay, okay. So that one's pretty good. And then add that one to the distortion sound, right? Because that's just the clean tone. Now add it to the distortion and see what the two of them sound like together. |
group7_conv3 | guitars | 12 | true | [
{
"audio_file": "audio/segments/Group7/cut_32.wav",
"content": "So far, we've been working on balancing the bass and guitar tracks by using a compressor with a 4:1 ratio to get rid of any peaking noise. We adjusted the output gain and turned down the bass amp by 10 DB to make sure it blends well with the DI... | audio/segments/Group7/cut_39.wav | Okay, now I had that compressor on there without us messing with it. Should I leave it or take it down? | Yeah, it's not gonna, yeah, you can close it or leave it when the compressor is open like that, it's not going to, if you haven't actually changed parameters, it shouldn't really change much. |
group7_conv3 | guitars | 13 | true | [
{
"audio_file": "audio/segments/Group7/cut_32.wav",
"content": "So far, we've been working on balancing the bass and guitar tracks by using a compressor with a 4:1 ratio to get rid of any peaking noise. We adjusted the output gain and turned down the bass amp by 10 DB to make sure it blends well with the DI... | audio/segments/Group7/cut_39.wav | Okay now you said move this, this EQ8 copy and paste it to which one, the...? | No no no. I said that earlier when we were talking about the bass going to the guitar. |
group7_conv3 | guitars | 14 | true | [
{
"audio_file": "audio/segments/Group7/cut_32.wav",
"content": "So far, we've been working on balancing the bass and guitar tracks by using a compressor with a 4:1 ratio to get rid of any peaking noise. We adjusted the output gain and turned down the bass amp by 10 DB to make sure it blends well with the DI... | audio/segments/Group7/cut_39.wav | Okay. | No, let's add, yeah, let's just add the other channels so we can hear what the two of them sound like together. |
group4_conv7 | guitars | 0 | false | [] | audio/segments/Group4/cut_21.wav | We've been working on mixing the guitars, focusing on panning the acoustics and using mid-side EQ to position the electric guitar better in the mix. We want to bring out more presence and ensure everything sits well together. Okay, I'm going to start with this guitar panning situation and we'll move on to the second pa... | I need more information before I can respond. Please elaborate. |
group4_conv7 | guitars | 1 | false | [
{
"audio_file": "audio/segments/Group4/cut_21.wav",
"content": "We've been working on mixing the guitars, focusing on panning the acoustics and using mid-side EQ to position the electric guitar better in the mix. We want to bring out more presence and ensure everything sits well together. Okay, I'm going to... | audio/segments/Group4/cut_21.wav | That's definitely our attention grabber. | I need more information before I can respond. Please elaborate. |
group4_conv7 | guitars | 2 | false | [
{
"audio_file": "audio/segments/Group4/cut_21.wav",
"content": "We've been working on mixing the guitars, focusing on panning the acoustics and using mid-side EQ to position the electric guitar better in the mix. We want to bring out more presence and ensure everything sits well together. Okay, I'm going to... | audio/segments/Group4/cut_22.wav | This is getting catchy. I'm already... Okay, let me try adding in... just looking at the EQs on these. | I need more information before I can respond. Please elaborate. |
group4_conv7 | guitars | 3 | true | [
{
"audio_file": "audio/segments/Group4/cut_21.wav",
"content": "We've been working on mixing the guitars, focusing on panning the acoustics and using mid-side EQ to position the electric guitar better in the mix. We want to bring out more presence and ensure everything sits well together. Okay, I'm going to... | audio/segments/Group4/cut_22.wav | I kind of like the side. | And with the sides, I would take out some of the low end with the side. And keep the low end, or like the mid and low frequencies more in the center. But not mono or anything, just more in the center. Another thing you could do too, if you bump up that bell curve like really... The bell curve in the green. Yeah, so if ... |
group4_conv7 | guitars | 4 | true | [
{
"audio_file": "audio/segments/Group4/cut_21.wav",
"content": "We've been working on mixing the guitars, focusing on panning the acoustics and using mid-side EQ to position the electric guitar better in the mix. We want to bring out more presence and ensure everything sits well together. Okay, I'm going to... | audio/segments/Group4/cut_23.wav | How do you feel? Does that sound good to you? | Wait wait...sweep sweep all the way through real quick. Like pretty fast though. |
group4_conv7 | guitars | 5 | true | [
{
"audio_file": "audio/segments/Group4/cut_21.wav",
"content": "We've been working on mixing the guitars, focusing on panning the acoustics and using mid-side EQ to position the electric guitar better in the mix. We want to bring out more presence and ensure everything sits well together. Okay, I'm going to... | audio/segments/Group4/cut_23.wav | Oh!! | Yeah, I'd do the bell curve a little after 2k and then a little bit lower. |
group4_conv7 | guitars | 6 | true | [
{
"audio_file": "audio/segments/Group4/cut_21.wav",
"content": "We've been working on mixing the guitars, focusing on panning the acoustics and using mid-side EQ to position the electric guitar better in the mix. We want to bring out more presence and ensure everything sits well together. Okay, I'm going to... | audio/segments/Group4/cut_24.wav | Okay! I'm learning new things today, this is great! | So that one's the sides only, you could do another one with the mids only. The other thing too, when you are mixing something in these layers, I would turn off anything that you aren't mixing at the moment unless you're trying to reference everything together. But... |
group4_conv7 | guitars | 7 | true | [
{
"audio_file": "audio/segments/Group4/cut_21.wav",
"content": "We've been working on mixing the guitars, focusing on panning the acoustics and using mid-side EQ to position the electric guitar better in the mix. We want to bring out more presence and ensure everything sits well together. Okay, I'm going to... | audio/segments/Group4/cut_25.wav | Perfect! I think we're down to these three. I just don't really love the lower frequencies so I'm just trying to make those quieter. But yeah, any suggestions for the mids? Let's see which one comes out. | Will you pan the double in the R84 left and right? I can't really hear the panning. |
group4_conv7 | guitars | 8 | true | [
{
"audio_file": "audio/segments/Group4/cut_21.wav",
"content": "We've been working on mixing the guitars, focusing on panning the acoustics and using mid-side EQ to position the electric guitar better in the mix. We want to bring out more presence and ensure everything sits well together. Okay, I'm going to... | audio/segments/Group4/cut_25.wav | No, honestly, I'm so sorry you can't because it's sounding pretty decent, actually. Better than I thought! But it's definitely more fun when you can actually hear it. | If you want to, if you do want a solid mixing advice, mixing in mono is really, really helpful at times. Not always. But something I like to do is get my mix to a point where I'm feeling pretty good about it, but I know there's still work to do. And usually at that point, I'll put the whole mix into mono and you can us... |
group4_conv7 | guitars | 9 | true | [
{
"audio_file": "audio/segments/Group4/cut_21.wav",
"content": "We've been working on mixing the guitars, focusing on panning the acoustics and using mid-side EQ to position the electric guitar better in the mix. We want to bring out more presence and ensure everything sits well together. Okay, I'm going to... | audio/segments/Group4/cut_26.wav | Yes. Oh my gosh, I absolutely love that. In the analog audio world, that's how you get the best ads in it, or the high point of playback. So that makes sense to me that you would check volume that way. It's really, really fun. Maybe this guitar is still too loud. Let's try it with the other guitars, and we'll see. | Maybe that electric guitar can use some transient shaping. |
group4_conv7 | guitars | 10 | false | [
{
"audio_file": "audio/segments/Group4/cut_21.wav",
"content": "We've been working on mixing the guitars, focusing on panning the acoustics and using mid-side EQ to position the electric guitar better in the mix. We want to bring out more presence and ensure everything sits well together. Okay, I'm going to... | audio/segments/Group4/cut_26.wav | Yeah, that sounds like it too. | Sorry, the electric guitar. |
group4_conv7 | guitars | 11 | true | [
{
"audio_file": "audio/segments/Group4/cut_21.wav",
"content": "We've been working on mixing the guitars, focusing on panning the acoustics and using mid-side EQ to position the electric guitar better in the mix. We want to bring out more presence and ensure everything sits well together. Okay, I'm going to... | audio/segments/Group4/cut_26.wav | Oops, I'll send it to the same and see how it sounds. Maybe that's not the best idea though? | I mean, I think you could work on the acoustic too, but the electric is going at a slower rhythm, and that strum that hits on every other beat I think would sound good with a little bit of shaping. |
group4_conv7 | guitars | 12 | true | [
{
"audio_file": "audio/segments/Group4/cut_21.wav",
"content": "We've been working on mixing the guitars, focusing on panning the acoustics and using mid-side EQ to position the electric guitar better in the mix. We want to bring out more presence and ensure everything sits well together. Okay, I'm going to... | audio/segments/Group4/cut_27.wav | We'll make it its own thing for now. | Are you able to mess with the attack and release at all? Like inside that box? |
group4_conv7 | guitars | 13 | false | [
{
"audio_file": "audio/segments/Group4/cut_21.wav",
"content": "We've been working on mixing the guitars, focusing on panning the acoustics and using mid-side EQ to position the electric guitar better in the mix. We want to bring out more presence and ensure everything sits well together. Okay, I'm going to... | audio/segments/Group4/cut_27.wav | Yes, yes, yes, there's gotta be a way to... Oh no! Nothing to click... | Oh interesting. |
group4_conv7 | guitars | 14 | true | [
{
"audio_file": "audio/segments/Group4/cut_21.wav",
"content": "We've been working on mixing the guitars, focusing on panning the acoustics and using mid-side EQ to position the electric guitar better in the mix. We want to bring out more presence and ensure everything sits well together. Okay, I'm going to... | audio/segments/Group4/cut_28.wav | Hmmm that's so weird... | So right now you've got a high attack and a high release. And how that works with dynamics, it essentially compresses it at a slower rate and then releases the compression at a slower rate, or in this case, shapes it. I'm not entirely sure what the difference between a compressor and a transient shaper is. They're pre... |
group4_conv7 | guitars | 15 | true | [
{
"audio_file": "audio/segments/Group4/cut_21.wav",
"content": "We've been working on mixing the guitars, focusing on panning the acoustics and using mid-side EQ to position the electric guitar better in the mix. We want to bring out more presence and ensure everything sits well together. Okay, I'm going to... | audio/segments/Group4/cut_29.wav | Nice. Okay, let's try, well, this is a preset, add more attack. Let's see. Oooo I definitely like that! | Could also add on the other guitar a little bit of chorus. |
group4_conv7 | guitars | 16 | false | [
{
"audio_file": "audio/segments/Group4/cut_21.wav",
"content": "We've been working on mixing the guitars, focusing on panning the acoustics and using mid-side EQ to position the electric guitar better in the mix. We want to bring out more presence and ensure everything sits well together. Okay, I'm going to... | audio/segments/Group4/cut_29.wav | Oh yeah, let's do that. This is awesome! And sounding better! This guitar is sounding too loud now though! I'll turn that back down. | I need more information before I can respond. Please elaborate. |
group7_conv1 | drums | 0 | false | [] | audio/segments/Group7/cut_1.wav | We've been troubleshooting some skipping issues with the tracks by adjusting the buffer size and isolating the drum kit to see if the problem persists. I decided to turn off all the other tracks except for the drums to better identify the source of the issue. Yeah, it does. We'll leave it for now. | So drum, hi-hat, right? So number four... |
group7_conv1 | drums | 1 | true | [
{
"audio_file": "audio/segments/Group7/cut_1.wav",
"content": "We've been troubleshooting some skipping issues with the tracks by adjusting the buffer size and isolating the drum kit to see if the problem persists. I decided to turn off all the other tracks except for the drums to better identify the source... | audio/segments/Group7/cut_1.wav | Okay, okay, I'm turning off all the guitars. I'm muting all the guitars, guitar amp. And number 14? | So number 14 is the kick, turn off 15, lead vocal. 16 lead vocal, overhead left and right, you can stay on. Snare, snare bottom, stay on, unfortunately that's got no name. Oh, tom one, tom two. Okay, tom one, tom two. Tambur... Tambourine? Tambourine? There are two tambourine channels? |
group7_conv1 | drums | 2 | true | [
{
"audio_file": "audio/segments/Group7/cut_1.wav",
"content": "We've been troubleshooting some skipping issues with the tracks by adjusting the buffer size and isolating the drum kit to see if the problem persists. I decided to turn off all the other tracks except for the drums to better identify the source... | audio/segments/Group7/cut_1.wav | This guy's crazy! | I want to take this and put it through a soundboard and see what happens. |
group7_conv1 | drums | 3 | false | [
{
"audio_file": "audio/segments/Group7/cut_1.wav",
"content": "We've been troubleshooting some skipping issues with the tracks by adjusting the buffer size and isolating the drum kit to see if the problem persists. I decided to turn off all the other tracks except for the drums to better identify the source... | audio/segments/Group7/cut_3.wav | Okay. | Yeah, so the tambourine. The kick, snare, high hat, yeah. |
group7_conv1 | drums | 4 | true | [
{
"audio_file": "audio/segments/Group7/cut_1.wav",
"content": "We've been troubleshooting some skipping issues with the tracks by adjusting the buffer size and isolating the drum kit to see if the problem persists. I decided to turn off all the other tracks except for the drums to better identify the source... | audio/segments/Group7/cut_4.wav | Yep, so all the drum kit channels are on. So let's hear it. I want to turn off that open mic or wherever we're hearing most of that from. | Well, unfortunately it sounds like they recorded it in one room. So like your hi-hat microphone is going to pick up all of the bleeding from all the other instruments in that room, right? They didn't isolate. They weren't isolated. It's where they recorded the drum kit in its own room and then later on tracked and got ... |
group7_conv1 | drums | 5 | true | [
{
"audio_file": "audio/segments/Group7/cut_1.wav",
"content": "We've been troubleshooting some skipping issues with the tracks by adjusting the buffer size and isolating the drum kit to see if the problem persists. I decided to turn off all the other tracks except for the drums to better identify the source... | audio/segments/Group7/cut_4.wav | Okay, well then would you like to deal with it now? Can we use some audio effects, some EQ3 or 8 to try and isolate, to get rid of the noise that's moving over multiple microphones? | Why don't you start with isolating and we'll start with the hi-hat and the two overheads and let's take and roll off all of the low end because I don't need any low end from a hi-hat or a cymbal right? I only need a high end. |
group7_conv1 | drums | 6 | true | [
{
"audio_file": "audio/segments/Group7/cut_1.wav",
"content": "We've been troubleshooting some skipping issues with the tracks by adjusting the buffer size and isolating the drum kit to see if the problem persists. I decided to turn off all the other tracks except for the drums to better identify the source... | audio/segments/Group7/cut_4.wav | Okay. | So if you can, on the overhead channels and the hi-hat channel, what you're going to do is you're going to put a high-pass filter. And you can probably roll it up all the way to 800 if not 1k. |
group7_conv1 | drums | 7 | true | [
{
"audio_file": "audio/segments/Group7/cut_1.wav",
"content": "We've been troubleshooting some skipping issues with the tracks by adjusting the buffer size and isolating the drum kit to see if the problem persists. I decided to turn off all the other tracks except for the drums to better identify the source... | audio/segments/Group7/cut_4.wav | Okay, so a high pass filter what what effect can I use to??? | Oh, that will be in the, in the EQ probably. The EQ usually has a high pass filter as part of it. So let's start with the EQ. |
group7_conv1 | drums | 8 | false | [
{
"audio_file": "audio/segments/Group7/cut_1.wav",
"content": "We've been troubleshooting some skipping issues with the tracks by adjusting the buffer size and isolating the drum kit to see if the problem persists. I decided to turn off all the other tracks except for the drums to better identify the source... | audio/segments/Group7/cut_4.wav | Okay, would you recommend starting with three or eight eight for right now? | Do you have a, do you have a, do you have a, have a parametric instead of a...? |
group7_conv1 | drums | 9 | true | [
{
"audio_file": "audio/segments/Group7/cut_1.wav",
"content": "We've been troubleshooting some skipping issues with the tracks by adjusting the buffer size and isolating the drum kit to see if the problem persists. I decided to turn off all the other tracks except for the drums to better identify the source... | audio/segments/Group7/cut_4.wav | So, and that's the other effect, channel EQ. I think it's a little more complex, but we'll just start with EQ3 for now? | Oh yeah yeah, use EQ8. |
group7_conv1 | drums | 10 | true | [
{
"audio_file": "audio/segments/Group7/cut_1.wav",
"content": "We've been troubleshooting some skipping issues with the tracks by adjusting the buffer size and isolating the drum kit to see if the problem persists. I decided to turn off all the other tracks except for the drums to better identify the source... | audio/segments/Group7/cut_4.wav | Okay, so is that just the style? | Yeah, the EQ8 is probably gonna be the quickest for you. |
group7_conv1 | drums | 11 | true | [
{
"audio_file": "audio/segments/Group7/cut_1.wav",
"content": "We've been troubleshooting some skipping issues with the tracks by adjusting the buffer size and isolating the drum kit to see if the problem persists. I decided to turn off all the other tracks except for the drums to better identify the source... | audio/segments/Group7/cut_4.wav | I'll shut that off for now. I'll get rid of it. | Alright so if you go down to the number one right? Click the above the number one that box, yeah, you see the one second to the last? The second to, second from the top, yeah, yeah that's that's what you're gonna do. Now take that one and go ahead and scroll it all the way almost up to 1k. And what it's doing is you se... |
group7_conv1 | drums | 12 | true | [
{
"audio_file": "audio/segments/Group7/cut_1.wav",
"content": "We've been troubleshooting some skipping issues with the tracks by adjusting the buffer size and isolating the drum kit to see if the problem persists. I decided to turn off all the other tracks except for the drums to better identify the source... | audio/segments/Group7/cut_4.wav | Okay. | But hopefully it'll take out some of the bass and drum and guitar bleeding that we have coming through those lines. |
group7_conv1 | drums | 13 | true | [
{
"audio_file": "audio/segments/Group7/cut_1.wav",
"content": "We've been troubleshooting some skipping issues with the tracks by adjusting the buffer size and isolating the drum kit to see if the problem persists. I decided to turn off all the other tracks except for the drums to better identify the source... | audio/segments/Group7/cut_4.wav | Okay. | OK, so and if you do that same thing, right now you hear all the cymbals and you lost a lot of that guitar bleed off that was in those microphones. |
group7_conv1 | drums | 14 | true | [
{
"audio_file": "audio/segments/Group7/cut_1.wav",
"content": "We've been troubleshooting some skipping issues with the tracks by adjusting the buffer size and isolating the drum kit to see if the problem persists. I decided to turn off all the other tracks except for the drums to better identify the source... | audio/segments/Group7/cut_5.wav | Yeah, before, after. Now, may I move it around to see if it sounds crisper anywhere or more clear? | That's probably pretty good 'cause you still get that low of that crash or whatever he's hitting over there. You still get that and you're getting less. Now we got to do that to all of those high-end channels. So you'll do that to, if you can copy it and just paste it to the overhead, to both overhead channels and the ... |
group7_conv1 | drums | 15 | false | [
{
"audio_file": "audio/segments/Group7/cut_1.wav",
"content": "We've been troubleshooting some skipping issues with the tracks by adjusting the buffer size and isolating the drum kit to see if the problem persists. I decided to turn off all the other tracks except for the drums to better identify the source... | audio/segments/Group7/cut_6.wav | Okay. Do you see the hi-hat channel? | All the way up, it's like number third down. It says, 'Drum HH' Right there, number seven. |
group7_conv1 | drums | 16 | true | [
{
"audio_file": "audio/segments/Group7/cut_1.wav",
"content": "We've been troubleshooting some skipping issues with the tracks by adjusting the buffer size and isolating the drum kit to see if the problem persists. I decided to turn off all the other tracks except for the drums to better identify the source... | audio/segments/Group7/cut_7.wav | I'm still hearing quite a lot of everything else. | You might not get all that out of there. |
group7_conv1 | drums | 17 | true | [
{
"audio_file": "audio/segments/Group7/cut_1.wav",
"content": "We've been troubleshooting some skipping issues with the tracks by adjusting the buffer size and isolating the drum kit to see if the problem persists. I decided to turn off all the other tracks except for the drums to better identify the source... | audio/segments/Group7/cut_7.wav | Yeah. | But having it sound so much better is good. |
group7_conv1 | drums | 18 | true | [
{
"audio_file": "audio/segments/Group7/cut_1.wav",
"content": "We've been troubleshooting some skipping issues with the tracks by adjusting the buffer size and isolating the drum kit to see if the problem persists. I decided to turn off all the other tracks except for the drums to better identify the source... | audio/segments/Group7/cut_7.wav | Now, should I take like this, the number four, down at EQ8? If I do this, can I try? You think this will help isolating it? Maybe taking out some of the the high frequencies that you're hearing that's overcrowded. | 'Cause you need the high frequency of the hi-hat. |
Subsets and Splits
No community queries yet
The top public SQL queries from the community will appear here once available.