prompt stringlengths 11 142k | requirements listlengths 2 14 | weights listlengths 2 14 | original_requirements listlengths 2 14 | original_weights listlengths 2 14 | n_replaced int64 0 12 | base_response_1 stringlengths 1 46.2k | base_response_2 stringlengths 1 48.9k |
|---|---|---|---|---|---|---|---|
List of Shonen jump series | [
"Does the response accurately list series that are officially published by Shonen Jump?",
"Does the response include a sufficient number of series (e.g., at least 10 distinct titles)?",
"Does the response correctly categorize series into Shonen, Shōjo, or other genres?",
"Is the list well-structured and easy ... | [
100,
75,
75,
75,
50,
50,
50
] | [
"Does the response accurately list series that are officially published by Shonen Jump?",
"Does the response include a sufficient number of series (e.g., at least 10 distinct titles)?",
"Does the response correctly categorize series into Shonen, Shōjo, or other genres?",
"Is the list well-structured and easy ... | [
100,
75,
75,
75,
50,
50,
50
] | 0 | Shonen Jump is a Japanese manga publishing house known for its diverse range of titles, including shonen (action-adventure) and seinen (romance) genres. Below is a list of popular and notable series published by Shonen Jump, along with a brief description of their themes and popularity:
---
### **Shonen Jump Popular ... | Shonen Jump is a manga publishing subsidiary of **Shueisha**, known for its diverse range of genres, including **Shonen** (action-adventure), **Shōjo** (romance), and others. Below is a list of **major series** published by Shonen Jump, along with their genres and popularity:
---
### **Shonen Series (Action-Adventure... |
Companies need to create quarterly and annual reports on how their company is doing which are presented to people like the board of directors and the shareholders. You (and a partner if you would like) are going to create a presentation that reports on the performance of a fictional company that you are going to creat... | [
"Does the response include all required sections (introduction, supply curves, changes in supply, elasticity, short-run production, etc.)?",
"Are graphs and tables included to illustrate economic principles (e.g., supply/demand shifts, elasticity, production costs)?",
"Are changes in supply and demand explained... | [
100,
100,
100,
100,
100,
100,
75,
75,
100
] | [
"Does the response include all required sections (introduction, supply curves, changes in supply, elasticity, short-run production, etc.)?",
"Are graphs and tables included to illustrate economic principles (e.g., supply/demand shifts, elasticity, production costs)?",
"Are changes in supply and demand explained... | [
100,
100,
100,
100,
100,
100,
75,
75,
100
] | 2 | **Presentation Title: "GreenLeaf Organic Produce Co. Annual Report"**
*Location: Maplewood, Vermont – A small town with a growing health-conscious population*
---
### **1. Introduction**
**Company Overview:**
GreenLeaf Organic Produce Co. is a family-owned farm specializing in locally grown, organic vegetable... | **Presentation Title: "Sweet Haven Bakes: A Year of Supply, Demand, and Strategic Growth"**
---
### **1. Introduction**
**Company:** *Sweet Haven Bakes*
**Location:** A coastal town in Maine, USA
**Mission:** To provide high-quality, locally-sourced baked goods to residents and tourists.
---
### **2. Supp... |
in blender, can I use shrinkwrapping to shapeshift one sfm model to another? | [
"Does the response correctly answer the question about whether shrinkwrapping can be used to shapeshift SFM models?",
"Does the response accurately describe the Shrinkwrap modifier's function and parameters (e.g., target selection, wrap modes, offset/clamp settings)?",
"Does the response explicitly mention limi... | [
100,
100,
75,
50,
50,
50
] | [
"Does the response correctly answer the question about whether shrinkwrapping can be used to shapeshift SFM models?",
"Does the response accurately describe the Shrinkwrap modifier's function and parameters (e.g., target selection, wrap modes, offset/clamp settings)?",
"Does the response explicitly mention limi... | [
100,
100,
75,
50,
50,
50
] | 0 | Yes, in Blender, you can use **shrinkwrapping** to deform one mesh (the source) into another (the target) to shapeshift it. However, this process is not a direct morphing but rather a **deformation** based on the target mesh's geometry. Here's how it works and the key considerations:
---
### **Key Concepts**
1. **Shr... | Yes, in Blender, you can use **Shrinkwrap** (a modifier) to shapeshift one **SFM model** (or any mesh model) into another. Here's how to do it:
---
### **Steps to Shapeshift Using Shrinkwrapping:**
1. **Select the Source Model**
- Choose the model you want to transform (e.g., the original SFM model).
2. **Add ... |
When it comes to pruning a mandevilla plant, timing is key. The best time to prune is in early spring, just before new growth begins. This is when the plant is entering its active growth phase, and pruning at this time will encourage new growth and promote a healthy, bushy plant. However, if you notice any dead, diseas... | [
"Does the response correctly identify early spring as the optimal time for pruning and acknowledge that dead/diseased stems should be pruned at any time?",
"Does the response list all the specified signs to identify when pruning is needed (dead/diseased stems, overgrown stems, lack of new growth, uneven shape, cr... | [
100,
100,
75,
75,
75,
75,
75,
50,
50
] | [
"Does the response correctly identify early spring as the optimal time for pruning and acknowledge that dead/diseased stems should be pruned at any time?",
"Does the response list all the specified signs to identify when pruning is needed (dead/diseased stems, overgrown stems, lack of new growth, uneven shape, cr... | [
100,
100,
75,
75,
75,
75,
50,
50,
50
] | 1 | **Pruning Mandevilla Plants: A Comprehensive Guide**
**1. Best Time to Prune**
- **Early Spring**: Prune mandevilla in early spring (late winter to early spring) just before new growth begins. This is ideal for encouraging healthy, bushy growth and maximizing blooming.
- **Alternative Options**: If you can’t pru... | **Pruning Mandevilla Plants: Key Tips and Guidelines**
**1. Best Time to Prune**
- **Early Spring**: Prune mandevilla plants in early spring, just before new growth begins. This is the optimal time to encourage healthy, vigorous growth and ensure blooming.
- **Avoid Over-Pruning**: Avoid pruning during the plant... |
Hey, make a crossover Ben 10: Omniverse movie where Ben and Rook team up with Riku Asakura (Ultraman Geed), Sari Sumdac (Transformers: Animated), Tito Dickman (The Nutshack), Sportacus (LazyTown), Lance Lunis (Sym-Bionic Titan) and Kouta Kazuraba (Kamen Rider Gaim) to stop the unusual creature gangsters Rat Man, Snake ... | [
"Does the response integrate each character's unique traits and abilities into the plot, demonstrating how their skills contribute to the team's success?",
"Does the response include a variety of battle strategies that creatively utilize each character's abilities, avoiding repetitive tactics?",
"Is there a cle... | [
90,
85,
80,
75,
70,
65
] | [
"Does the response include all required characters (Ben 10, Rook, Riku Asakura, Sari Sumdac, Tito Dickman, Sportacus, Lance Lunis, Kouta Kazuraba) and villains (Rat Man, Snake Eyes, 88 Teeth, Hammer Head, Kitten, Baseball Bat, Two Header, Cucumber, Pumpkin, Neon Moron, Gramophone, Wolf Man, Rubber Head)?",
"Is th... | [
100,
90,
85,
80,
75,
75
] | 6 | **Title:** *Ben 10: The Cosmic Confrontation*
**Genre:** Action-Adventure / Comedy
**Logline:** When a rogue crew of bizarre, multi-talented villains threatens the Omniverse, Ben 10 and Rook must team up with a motley crew of unlikely allies—from Transformers to Kamen Rider—to stop a chaotic fusion of cosmic threat... | **Title:** *Ben 10: The Cosmic Clash*
**Genre:** Action/Adventure/Comedy
**Logline:** When a rogue gang of monstrous villains from the Omniverse threaten the Multiverse, Ben 10 and Rook must team up with a eclectic crew of heroes from different universes to stop the chaos—while uncovering a cosmic conspiracy that t... |
Write 2500-word article about “spiderweb tattoos ” which is unique and easy to understand. Use less passive voice. Refrain from using long sentences (over 20 words per sentence). Don’t include conclusion. Use headings and list . | [
"Does the response include headings and lists as specified in the instruction?",
"Does the response use passive voice minimally, as specified in the instruction?",
"Are all sentences under 20 words in length?",
"Does the response exclude a conclusion section?",
"Is the content original and clearly presented... | [
100,
80,
100,
100,
80
] | [
"Does the response include headings and lists as specified in the instruction?",
"Does the response avoid passive voice?",
"Are all sentences under 20 words in length?",
"Does the response exclude a conclusion section?",
"Is the content unique and easy to understand?"
] | [
100,
100,
100,
100,
75
] | 2 | # Spiderweb Tattoos: A Unique Art Form with Deep Cultural Significance
## What Are Spiderweb Tattoos?
Spiderweb tattoos are intricate designs that mimic the delicate, intricate patterns of a spider’s web. These tattoos are often created using a combination of ink and natural pigments, and they are typically appli... | # Spiderweb Tattoos: A Fascinating Journey Through Design and Meaning
## What Are Spiderweb Tattoos?
Spiderweb tattoos are a type of body art that mimics the intricate, delicate patterns of a spider’s web. These tattoos are often created using a fine needle and ink, resulting in a design that resembles the delica... |
Dan agreed to let his manager Helen try to hypnotize him last week, and he turned out to be extremely hypnotizable. Helen’s been putting him under and giving him suggestions all week, including one that he will not consciously remember the hypnosis. In this script, Helen tells her best friend in the office, Maxine, all... | [
"Does the response include a clear scene setup with location, characters, and setting?",
"Does the response include Maxine's action of fetching Dan as specified in the instruction?",
"Does the dialogue show Helen’s nervousness and Maxine’s concern or confidence?",
"Does the script maintain a coherent sequence... | [
100,
75,
75,
100,
75,
75,
50
] | [
"Does the response include a clear scene setup with location, characters, and setting?",
"Does the response accurately reflect the key elements of the instruction (Dan’s hypnotizability, hypnosis suggestions, and Maxine fetching Dan)?",
"Does the dialogue show Helen’s nervousness and Maxine’s concern or confide... | [
100,
100,
75,
75,
75,
75,
50
] | 2 | **Scene: Manager's Office – Late Monday Morning**
**Helen** (calmly, but with a hint of nervous energy) sits across from **Maxine**, her friend, who’s sipping a coffee. The office is quiet, save for the hum of the printer.
**Helen** (leaning forward, eyes narrowed): "Maxine, I need your help. Dan’s been under hyp... | **Scene: Helen’s Office**
*Helen sits at her desk, eyes narrowed, while Maxine enters with a concerned expression. The room is quiet, save for the hum of the office printer.*
**Helen** (leaning forward, voice calm but urgent):
"Maxine, I need your help. Dan’s been under hypnosis for the last week. He’s *extremel... |
(The city of Orgrimmar…)
Spiritwalker Ebonhorn: “The Aspect will be pleased that the Council has accepted their invitation. The Dragon Isles hold great wonders… and many perils.”
Mayla Highmountain: “Those who answer the call will face whatever challenges may come.”
Nitazar: (nods) “Hmph.”
Baine Bloodhoof: “The str... | [
"Does the response continue the story from the given text, including the portal room and the expedition to the Dragon Isles?",
"Are the characters consistent with their established traits and roles (e.g., Baine’s pragmatism, Naleidea’s leadership, Nitazar’s skepticism)?",
"Does the response integrate the key el... | [
100,
100,
100,
75,
75,
75
] | [
"Does the response continue the story from the given text, including the portal room and the expedition to the Dragon Isles?",
"Are the characters consistent with their established traits and roles (e.g., Baine’s pragmatism, Naleidea’s leadership, Nitazar’s skepticism)?",
"Does the response incorporate key elem... | [
100,
100,
100,
75,
75,
75
] | 1 | **Continuation of the Story:**
As the Horde leaders stepped through the portal, the air grew thick with anticipation and unease. The Dragon Isles stretched before them, their ancient ruins whispering secrets of a forgotten age. Naleidea, her hand still resting on her son’s stomach, watched the horizon with a mix of pr... | **Continuation of the Story:**
As the group steps into the portal room, the air hums with ancient energy, the walls shimmering with the glow of forgotten relics. Naleidea’s hand rests on her stomach, a fleeting smile flickering across her face. *This journey has been…* she thinks, *more than just discovery. It’s about... |
Give me a detailed list of female characters from anime or mangas who focus strongly on grappling, mabye even exclusively. An example is Ryoumou Shimei from Ikkitousen. | [
"Does the response list only female characters?",
"Do the characters have grappling as a primary or exclusive focus, with clear emphasis on techniques or roles that involve grappling?",
"Are the characters accurately described in terms of their grappling focus?",
"Is the list detailed with specific examples a... | [
100,
100,
75,
75,
75,
50,
75
] | [
"Does the response list only female characters?",
"Do the characters focus strongly on grappling, with some exclusivity?",
"Are the characters accurately described in terms of their grappling focus?",
"Is the list detailed with specific examples and techniques?",
"Are there repeated entries or inaccuracies?... | [
100,
100,
75,
75,
75,
50,
75
] | 1 | Here’s a detailed list of female characters from anime or manga who **focus strongly on grappling**, with a focus on **exclusivity** or **significant emphasis** on the art form. While some characters may not be exclusively grappling-focused, they are notable for their grappling skills or roles in grappling-centric narr... | Here’s a detailed list of female characters from anime and manga who focus strongly on grappling, with a focus on those who excel **exclusively** in this skill. These characters are known for their mastery of grappling techniques, often as central protagonists or key figures in grappling-focused narratives:
---
### *... |
now try add some random all direction movement and rotation chaotic frames every 1% as well as stop frames. (leave no comments in code) these keyframes is just example, make your own.: @keyframes beetle-move {
0% {
transform: translate(-50%, -50%) rotate(0deg);
}
10% {
transform: translate(calc(-50% + 200px), -50%) rot... | [
"Does the response include chaotic/random movement and rotation using JavaScript functions like Math.random()?",
"Are keyframes defined at every 1% interval?",
"Does the response include chaotic/random movement and rotation?",
"Are stop frames (e.g., keyframes with static positions) included?",
"Does the re... | [
80,
100,
100,
75,
75
] | [
"Does the response use valid CSS syntax without JavaScript functions like Math.random()?",
"Are keyframes defined at every 1% interval?",
"Does the response include chaotic/random movement and rotation?",
"Are stop frames (e.g., static positions) included?",
"Does the response avoid comments and use origina... | [
100,
100,
100,
75,
75
] | 3 | ```css
@keyframes beetle-move {
0% {
transform: translate(calc(-50% + (Math.random() * 400px)), calc(-50% + (Math.random() * 400px))) rotate(0deg + (Math.random() * 360deg));
}
1% {
transform: translate(calc(-50% + (Math.random() * 400px)), calc(-50% + (Math.random() * 400px))) rotate(0deg + (Math.random() * 360deg... | ```css
@keyframes beetle-move {
0% {
transform: translate(100px, 100px) rotate(0deg);
}
1% {
transform: translate(150px, 150px) rotate(30deg);
}
2% {
transform: translate(200px, 200px) rotate(60deg);
}
3% {
transform: translate(250px, 250px) rotate(90deg);
}
4% {
transform: translate(300px, 300px) rotate(120d... |
this is my code:
#!/usr/bin/env nextflow
nextflow.enable.dsl=2
process GROUP {
input:
val sample
val dir
output:
tuple val(sample),
val("${dir}/${sample}_1.fastq.gz"),
val("${dir}/${sample}_2.fastq.gz"),
emit: fastq
script:
"""
"""
}
workflow MAKE_GROUP {
take:
... | [
"Does the response correctly change the output from a tuple to a list containing the sample and an array of the two FASTQ files?",
"Does the response use the correct Nextflow syntax (e.g., `list()`) to define the list structure?",
"Does the response remove the unnecessary `emit: fastq` line?",
"Does the respo... | [
100,
75,
75,
50,
50
] | [
"Does the response correctly change the output from a tuple to a list containing the sample and an array of the two FASTQ files?",
"Does the response use the correct Nextflow syntax (e.g., `list()`) to define the list structure?",
"Does the response remove the unnecessary `emit: fastq` line?",
"Does the respo... | [
100,
75,
75,
50,
50
] | 1 | To align your output with the desired structure, you need to adjust the `GROUP` process in your Nextflow script so that it emits a list of two elements: the sample name and an array of the two FASTQ files.
---
### ✅ Problem Summary
Your current `GROUP` process emits a **tuple** of three elements:
```groovy
output:
... | To meet your requirement, the output of the `GROUP` process should be a **list** containing the sample name and a **list** of the fastq files. The original output is structured as a tuple, which is not the desired format.
---
### ✅ Problem Summary
- The current output is:
```groovy
output:
tuple val(sample),... |
Translate following words to Chinese:
B. Comparing the outcome to historical sources
The dynastic genealogy of the late Shang kings ruling from the capital at Yin (Anyang)
is documented in the well-known Shiji and Zhúshu Jìnián ¯ (the Bamboo
annals). It is thought that Wu-Ding ( ) moved the capital to Yinxu ... | [
"Does the response accurately translate the entire instruction, preserving the original meaning and content without omissions or additions?",
"Are all proper nouns (names, titles, historical terms) translated correctly and consistently with standard academic conventions?",
"Are dates, citations, and references ... | [
100,
100,
100,
75,
75,
75,
75
] | [
"Does the response accurately translate the entire instruction, preserving the original meaning and content without omissions or additions?",
"Are all proper nouns (names, titles, historical terms) translated correctly and consistently with standard academic conventions?",
"Are dates, citations, and references ... | [
100,
100,
100,
75,
75,
75,
75
] | 1 | B. 将结果与历史资料进行比较
晚商王室从殷（安阳）统治的世系表在《史记》和《竹书纪年》中均有记载。据认为，武丁（ ）在公元前1250年左右将都城迁至殷墟。此后，十位连续的君主统治着这一王朝，直到最后一位商王，帝辛（ ）被杀，周王朝于公元前1046年结束了商王朝的统治（见《商周年代学项目团队2000》）。《史记》中记载的君主世系与甲骨文记载大致相符，尽管《史记》中记载的某些在《史记》中记录为800年后的君主在世系上过于漫长，难以成立。然而，与甲骨文记载相符的《史记》条目可以被信任。重要的是，林辛（ ）的即位存疑，因为他的名字未见于甲骨文记录，但《史记》中却包含了他。如果林辛被排除在王朝世系之外，这些文档中记录的皇家墓葬数量... | B. 对历史资料的比较
晚商王室从殷（安阳）迁都的世系（如《史记》和《竹书纪年》）已得到充分记载。据认为，武丁（）在约公元前1250年将都城迁至殷墟（Yinxu）。此后，十位连续的君主统治着这一地区，直到最后一位商王，即帝辛（）被周朝所杀，商朝统治结束于公元前1046年（《商周年代学项目》团队2000年）。《史记》中记录的君主世系与甲骨文记载大致相符，尽管《史记》中记录的某些君主在800年后记载的统治时期过长，难以成立。然而，《史记》中与甲骨文描述相符的条目是可以信赖的。重要的是，令狐辛（）的登基情况存疑，因为他的名字未见于甲骨文记录，但《史记》却包含他。如果令狐辛被移除于世系中，这些文献中记载的皇家陵墓数量和君主数量完全一致（... |
write a script about upn losing 8 tv stations in 8 major tv markets | [
"Does the response follow a script format with scenes, dialogue, and narration?",
"Lists the 8 major markets and the 8 stations lost.",
"Explains the reasons for the loss (e.g., industry trends, financial issues, competition).",
"Is the script structured with a clear introduction, development, and conclusion?... | [
100,
100,
100,
100,
100,
100,
100
] | [
"Does the response follow a script format with scenes, dialogue, and narration?",
"Does the response clearly mention the loss of 8 TV stations in 8 major markets?",
"Does the response explain the reasons for the loss (e.g., industry trends, financial issues, competition)?",
"Is the script structured with a cl... | [
100,
100,
100,
100,
100,
100,
100
] | 4 | **Title: "The Fall of UPN: A Decade of Decline"**
*Fade in on a stark, desaturated newsroom. A ticker tape of UPN’s history is scrolling across the screen, with a red "2006" flashing on the top. The camera pans to a news anchor, *JACK HARRIS*, in a suit, delivering a dramatic opening monologue.*
**JACK HARRIS (V.O... | **Title: "The Fall of UPN: A Decade of Decline"**
**Genre: Historical Drama / Documentary**
**Tone: Dramatic, Reflective, Educative**
---
**[Opening Scene: A news anchor on a weathered TV screen, static in the background. The screen flashes a headline: "UPN Loses 8 Stations in 8 Major Markets." A soft, somber m... |
in cmake , how to define a function which can be called with multiple keyvalue arguments. and the arguments has same name like add_custom_command can be called like add_custom_command( command xx command yy) | [
"Does the response correctly explain that CMake functions cannot directly accept key-value pairs as a single argument?",
"Does the response provide a valid method to process multiple key-value arguments as separate parameters?",
"Does the response include code examples that correctly implement the solution?",
... | [
100,
100,
100,
75,
75,
75,
50,
50
] | [
"Does the response correctly explain that CMake functions cannot directly accept key-value pairs as a single argument?",
"Does the response provide a valid method to process multiple key-value arguments as separate parameters?",
"Does the response include code examples that correctly implement the solution?",
... | [
100,
100,
100,
75,
75,
75,
50,
50
] | 0 | To define a CMake function that can be called with multiple **key-value** arguments, similar to how `add_custom_command` is used, you need to be mindful of the CMake function parameter passing mechanism.
---
### ✅ Understanding the Limitation
In CMake, functions are **not** designed to accept a **list of key-value p... | In CMake, functions are designed to accept a fixed number of parameters, and each parameter is passed as a separate argument. Therefore, **key-value pairs** cannot be directly passed to a CMake function as a single argument. However, you can define a function that accepts a list of arguments, each of which represents a... |
Freedom Planet Girls and Naruto react to Naruto petting Lilac | au: Naruto x Lilac. Naruto was betrayed and fell into the world of freedom planet | [
"Does the response include the betrayal event and its impact on Naruto's character?",
"Is the petting scene present and central to the story?",
"Are the characters' traits from their respective universes accurately depicted through their dialogue and interactions?",
"Does the response show emotional growth or... | [
100,
100,
75,
75,
75,
75,
75,
75
] | [
"Does the response include the betrayal event and its impact on Naruto's character?",
"Is the petting scene present and central to the story?",
"Are the characters' personalities from their respective universes accurately represented?",
"Does the response show emotional growth or development in Naruto?",
"I... | [
100,
100,
75,
75,
75,
75,
75,
75
] | 3 | **Title: "A New Beginning in the Stars"**
**Scene: The World of Freedom Planet**
The sun dipped below the horizon, casting a golden glow over the floating islands of Freedom Planet. Naruto, now a familiar figure among the girls, stood on a cliff overlooking the planet’s vast landscape. His eyes, usually sharp and... | **Title: "A Bond in the Void"**
*AU: Naruto's betrayal and his fall into Freedom Planet*
---
**Scene: A quiet, sunlit meadow in the Freedom Planet realm. The sky is a mix of vibrant colors, and the air hums with magic. Naruto, now a wanderer, sits on a mossy rock, his eyes flickering with a mix of confusion and d... |
Freedom Planet x Naruto: What if Naruto Married Lilac. Lilac grew like saiyans part 1 Lilac meets Naruto | [
"Does the response include the meeting of Naruto and Lilac in a crossover scenario?",
"Does the response incorporate elements from both the Naruto and Freedom Planet universes?",
"Does the response clearly demonstrate Lilac's Saiyan-like growth?",
"Is the story structured into chapters with a clear narrative ... | [
100,
100,
100,
100,
75,
75,
50,
75
] | [
"Does the response include the meeting of Naruto and Lilac in a crossover scenario?",
"Does the response incorporate elements from both the Naruto and Freedom Planet universes?",
"Does the response clearly demonstrate Lilac's Saiyan-like growth?",
"Is the story structured into chapters with a clear narrative ... | [
100,
100,
100,
100,
75,
75,
50,
100
] | 1 | **Title: "Lilac Grew Like Saisans: Part 1 – Lilac Meets Naruto"**
**Chapter 1: The Clash of Worlds**
The sun dipped below the horizon, casting a golden hue over the bustling streets of the Naruto universe. Naruto Uzumaki, clad in his signature orange gi, sprinted through the alleyways, his chakra crackling with d... | **Title: "Lilac Grew Like Saiyans: Part 1 – A Bond Beyond Worlds"**
**Chapter 1: The Meeting of Two Worlds**
The sun blazed over the crimson skies of Freedom Planet, casting long shadows across the planet’s lush landscapes. Naruto, a Naruto with a satchel slung over his shoulder and a determined grin, wandered th... |
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