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"text": ""
} |
text_only | {
"text": " = Robert Boulter = \n"
} |
text_only | {
"text": ""
} |
text_only | {
"text": " Robert Boulter is an English film , television and theatre actor . He had a guest @-@ starring role on the television series The Bill in 2000 . This was followed by a starring role in the play Herons written by Simon Stephens , which was performed in 2001 at the Royal Court Theatre . He had a guest role i... |
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"text": " In 2006 , Boulter starred alongside Whishaw in the play Citizenship written by Mark Ravenhill . He appeared on a 2006 episode of the television series , Doctors , followed by a role in the 2007 theatre production of How to Curse directed by Josie Rourke . How to Curse was performed at Bush Theatre in the ... |
text_only | {
"text": ""
} |
text_only | {
"text": " = = Career = = \n"
} |
text_only | {
"text": ""
} |
text_only | {
"text": ""
} |
text_only | {
"text": " = = = 2000 – 2005 = = = \n"
} |
text_only | {
"text": ""
} |
text_only | {
"text": " In 2000 Boulter had a guest @-@ starring role on the television series The Bill ; he portrayed \" Scott Parry \" in the episode , \" In Safe Hands \" . Boulter starred as \" Scott \" in the play Herons written by Simon Stephens , which was performed in 2001 at the Royal Court Theatre . A review of Boulter... |
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"text": " He had a recurring role in 2003 on two episodes of The Bill , as character \" Connor Price \" . In 2004 Boulter landed a role as \" Craig \" in the episode \" Teddy 's Story \" of the television series The Long Firm ; he starred alongside actors Mark Strong and Derek Jacobi . Boulter starred as \" Darren ... |
text_only | {
"text": ""
} |
text_only | {
"text": " = = = 2006 – present = = = \n"
} |
text_only | {
"text": ""
} |
text_only | {
"text": " In 2006 Boulter starred in the play Citizenship written by Mark Ravenhill . The play was part of a series which featured different playwrights , titled Burn / Chatroom / Citizenship . In a 2006 interview , fellow actor Ben Whishaw identified Boulter as one of his favorite co @-@ stars : \" I loved working... |
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"text": " Boulter starred in two films in 2008 , Daylight Robbery by filmmaker Paris Leonti , and Donkey Punch directed by Olly Blackburn . Boulter portrayed a character named \" Sean \" in Donkey Punch , who tags along with character \" Josh \" as the \" quiet brother ... who hits it off with Tammi \" . Boulter gu... |
text_only | {
"text": ""
} |
text_only | {
"text": " = = Filmography = = \n"
} |
text_only | {
"text": ""
} |
text_only | {
"text": ""
} |
text_only | {
"text": " = = = Film = = = \n"
} |
text_only | {
"text": ""
} |
text_only | {
"text": ""
} |
text_only | {
"text": " = = = Television = = = \n"
} |
text_only | {
"text": ""
} |
text_only | {
"text": ""
} |
text_only | {
"text": " = = = Theatre = = = \n"
} |
text_only | {
"text": ""
} |
text_only | {
"text": ""
} |
text_only | {
"text": ""
} |
text_only | {
"text": " = Du Fu = \n"
} |
text_only | {
"text": ""
} |
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"text": " Du Fu ( Wade – Giles : Tu Fu ; Chinese : 杜甫 ; 712 – 770 ) was a prominent Chinese poet of the Tang dynasty . Along with Li Bai ( Li Po ) , he is frequently called the greatest of the Chinese poets . His greatest ambition was to serve his country as a successful civil servant , but he proved unable to make... |
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"text": " Although initially he was little @-@ known to other writers , his works came to be hugely influential in both Chinese and Japanese literary culture . Of his poetic writing , nearly fifteen hundred poems have been preserved over the ages . He has been called the \" Poet @-@ Historian \" and the \" Poet @-@... |
text_only | {
"text": ""
} |
text_only | {
"text": " = = Life = = \n"
} |
text_only | {
"text": ""
} |
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"text": " Traditional Chinese literary criticism emphasized the life of the author when interpreting a work , a practice which Burton Watson attributes to \" the close links that traditional Chinese thought posits between art and morality \" . Since many of Du Fu 's poems feature morality and history , this practic... |
text_only | {
"text": ""
} |
text_only | {
"text": " = = = Early years = = = \n"
} |
text_only | {
"text": ""
} |
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"text": " Most of what is known of Du Fu 's life comes from his poems . His paternal grandfather was Du Shenyan , a noted politician and poet during the reign of Empress Wu . Du Fu was born in 712 ; the exact birthplace is unknown , except that it was near Luoyang , Henan province ( Gong county is a favourite candi... |
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"text": " Du Fu 's mother died shortly after he was born , and he was partially raised by his aunt . He had an elder brother , who died young . He also had three half brothers and one half sister , to whom he frequently refers in his poems , although he never mentions his stepmother . \n"
} |
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"text": " The son of a minor scholar @-@ official , his youth was spent on the standard education of a future civil servant : study and memorisation of the Confucian classics of philosophy , history and poetry . He later claimed to have produced creditable poems by his early teens , but these have been lost . \n"
} |
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"text": " In the early 730s , he travelled in the Jiangsu / Zhejiang area ; his earliest surviving poem , describing a poetry contest , is thought to date from the end of this period , around 735 . In that year , he took the civil service exam , likely in Chang 'an . He failed , to his surprise and that of centurie... |
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"text": " His father died around 740 . Du Fu would have been allowed to enter the civil service because of his father 's rank , but he is thought to have given up the privilege in favour of one of his half brothers . He spent the next four years living in the Luoyang area , fulfilling his duties in domestic affairs... |
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"text": " In the autumn of 744 , he met Li Bai ( Li Po ) for the first time , and the two poets formed a friendship . David Young describes this as \" the most significant formative element in Du Fu 's artistic development \" because it gave him a living example of the reclusive poet @-@ scholar life to which he wa... |
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"text": " In 746 , he moved to the capital in an attempt to resurrect his official career . He took the civil service exam a second time during the following year , but all the candidates were failed by the prime minister ( apparently in order to prevent the emergence of possible rivals ) . He never again attempted... |
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"text": " In 755 , he received an appointment as Registrar of the Right Commandant 's office of the Crown Prince 's Palace . Although this was a minor post , in normal times it would have been at least the start of an official career . Even before he had begun work , however , the position was swept away by events ... |
text_only | {
"text": ""
} |
text_only | {
"text": " = = = War = = = \n"
} |
text_only | {
"text": ""
} |
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"text": " The An Lushan Rebellion began in December 755 , and was not completely suppressed for almost eight years . It caused enormous disruption to Chinese society : the census of 754 recorded 52 @.@ 9 million people , but ten years later , the census counted just 16 @.@ 9 million , the remainder having been disp... |
text_only | {
"text": " Brooding on what I have lived through , if even I know such suffering , the common man must surely be rattled by the winds . \n"
} |
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"text": " In 756 , Emperor Xuanzong was forced to flee the capital and abdicate . Du Fu , who had been away from the city , took his family to a place of safety and attempted to join the court of the new emperor ( Suzong ) , but he was captured by the rebels and taken to Chang 'an . In the autumn , his youngest son... |
text_only | {
"text": " He escaped from Chang 'an the following year , and was appointed Reminder when he rejoined the court in May 757 . This post gave access to the emperor but was largely ceremonial . Du Fu 's conscientiousness compelled him to try to make use of it : he caused trouble for himself by protesting the removal of... |
text_only | {
"text": " I am about to scream madly in the office / Especially when they bring more papers to pile higher on my desk . \n"
} |
text_only | {
"text": " He moved on in the summer of 759 ; this has traditionally been ascribed to famine , but Hung believes that frustration is a more likely reason . He next spent around six weeks in Qinzhou ( now Tianshui , Gansu province ) , where he wrote more than sixty poems . \n"
} |
text_only | {
"text": ""
} |
text_only | {
"text": " = = = Chengdu = = = \n"
} |
text_only | {
"text": ""
} |
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"text": " In December 759 , he briefly stayed in Tonggu ( modern Gansu ) . He departed on December 24 for Chengdu ( Sichuan province ) , where he was hosted by local Prefect and fellow poet Pei Di . Du subsequently based himself in Sichuan for most of the next five years . By the autumn of that year he was in finan... |
text_only | {
"text": ""
} |
text_only | {
"text": " = = = Last years = = = \n"
} |
text_only | {
"text": ""
} |
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"text": " Luoyang , the region of his birthplace , was recovered by government forces in the winter of 762 , and in the spring of 765 Du Fu and his family sailed down the Yangtze , apparently with the intention of making their way there . They traveled slowly , held up by his ill @-@ health ( by this time he was su... |
text_only | {
"text": " In March 768 , he began his journey again and got as far as Hunan province , where he died in Tanzhou ( now Changsha ) in November or December 770 , in his 58th year . He was survived by his wife and two sons , who remained in the area for some years at least . His last known descendant is a grandson who ... |
text_only | {
"text": " Hung summarises his life by concluding that , \" He appeared to be a filial son , an affectionate father , a generous brother , a faithful husband , a loyal friend , a dutiful official , and a patriotic subject . \" \n"
} |
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"text": " Below is an example of one of Du Fu 's later works , To My Retired Friend Wei ( Chinese : 贈衛八處士 ) . Like many other poems in the Tang it featured the theme of a long parting between friends , which was often due to officials being frequently transferred to the provinces : \n"
} |
text_only | {
"text": ""
} |
text_only | {
"text": " = = Works = = \n"
} |
text_only | {
"text": ""
} |
text_only | {
"text": " Criticism of Du Fu 's works has focused on his strong sense of history , his moral engagement , and his technical excellence . \n"
} |
text_only | {
"text": ""
} |
text_only | {
"text": " = = = History = = = \n"
} |
text_only | {
"text": ""
} |
text_only | {
"text": " Since the Song dynasty , critics have called Du Fu the \" poet historian \" ( 詩史 shī shǐ ) . The most directly historical of his poems are those commenting on military tactics or the successes and failures of the government , or the poems of advice which he wrote to the emperor . Indirectly , he wrote abo... |
text_only | {
"text": " Du Fu 's political comments are based on emotion rather than calculation : his prescriptions have been paraphrased as , \" Let us all be less selfish , let us all do what we are supposed to do \" . Since his views were impossible to disagree with , his forcefully expressed truisms enabled his installation... |
text_only | {
"text": ""
} |
text_only | {
"text": " = = = Moral engagement = = = \n"
} |
text_only | {
"text": ""
} |
text_only | {
"text": " A second favourite epithet of Chinese critics is that of \" poet sage \" ( 詩聖 shī shèng ) , a counterpart to the philosophical sage , Confucius . One of the earliest surviving works , The Song of the Wagons ( from around 750 ) , gives voice to the sufferings of a conscript soldier in the imperial army and... |
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"text": " Although Du Fu 's frequent references to his own difficulties can give the impression of an all @-@ consuming solipsism , Hawkes argues that his \" famous compassion in fact includes himself , viewed quite objectively and almost as an afterthought \" . He therefore \" lends grandeur \" to the wider pictur... |
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"text": " Du Fu 's compassion , for himself and for others , was part of his general broadening of the scope of poetry : he devoted many works to topics which had previously been considered unsuitable for poetic treatment . Zhang Jie wrote that for Du Fu , \" everything in this world is poetry \" , Du wrote extensi... |
text_only | {
"text": ""
} |
text_only | {
"text": " = = = Technical excellence = = = \n"
} |
text_only | {
"text": ""
} |
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"text": " Du Fu 's work is notable above all for its range . Chinese critics traditionally used the term 集大成 ( jídàchéng- \" complete symphony \" ) , a reference to Mencius ' description of Confucius . Yuan Zhen was the first to note the breadth of Du Fu 's achievement , writing in 813 that his predecessor , \" uni... |
text_only | {
"text": " The tenor of his work changed as he developed his style and adapted to his surroundings ( \" chameleon @-@ like \" according to Watson ) : his earliest works are in a relatively derivative , courtly style , but he came into his own in the years of the rebellion . Owen comments on the \" grim simplicity \"... |
text_only | {
"text": " Although he wrote in all poetic forms , Du Fu is best known for his lǜshi , a type of poem with strict constraints on form and content , for example : \n"
} |
text_only | {
"text": " About two thirds of Du Fu 's 1500 extant works are in this form , and he is generally considered to be its leading exponent . His best lǜshi use the parallelisms required by the form to add expressive content rather than as mere technical restrictions . Hawkes comments that , \" it is amazing that Tu Fu i... |
text_only | {
"text": ""
} |
text_only | {
"text": " = = Influence = = \n"
} |
text_only | {
"text": ""
} |
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"text": " According to the Encyclopædia Britannica , Du Fu 's writings are considered by many literary critics to be among the greatest of all time , and it states \" his dense , compressed language makes use of all the connotative overtones of a phrase and of all the intonational potentials of the individual word ... |
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"text": " In his lifetime and immediately following his death , Du Fu was not greatly appreciated . In part this can be attributed to his stylistic and formal innovations , some of which are still \" considered extremely daring and bizarre by Chinese critics . \" There are few contemporary references to him — only ... |
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"text": " However , as Hung notes , he \" is the only Chinese poet whose influence grew with time \" , and his works began to increase in popularity in the ninth century . Early positive comments came from Bai Juyi , who praised the moral sentiments of some of Du Fu 's works ( although he found these in only a smal... |
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"text": " It was in the 11th century , during the Northern Song era that Du Fu 's reputation reached its peak . In this period a comprehensive re @-@ evaluation of earlier poets took place , in which Wang Wei , Li Bai and Du Fu came to be regarded as representing respectively the Buddhist , Daoist and Confucian str... |
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