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oo easy to be worthy of a descendant of the gods. Besides, there was no time: all was over in a moment. The attack came just where we least expected it. BELZANOR. That shews that the Romans are cowards. BEL AFFRIS. They care nothing about cowardice, these Romans: they fight to win. The pride and honor of war are nothin...
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Affris ). Ay: the tale of the battle. BEL AFFRIS. Know then, that I am a novice in the guard of the temple of Ra in Memphis, serving neither Cleopatra nor her brother Ptolemy, but only the high gods. We went a journey to inquire of Ptolemy why he had driven Cleopatra into Syria, and how we of Egypt should deal with the...
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aesar at Pharsalia. What, think ye, did we learn? Even that Caesar is coming also in hot pursuit of his foe, and that Ptolemy has slain Pompey, whose severed head he holds in readiness to present to the conqueror. ( Sensation among the guardsmen. ) Nay, more: we found that Caesar is already come; for we had not made ha...
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landing they had gone out to withstand. BELZANOR. And ye, the temple guard! Did you not withstand these legions? BEL AFFRIS. What man could, that we did. But there came the sound of a trumpet whose voice was as the cursing of a black mountain. Then saw we a moving wall of shields coming towards us. You know how the hea...
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ing told them so ). Did I not say it? BEL AFFRIS. When the wall came nigh, it changed into a line of men—common fellows enough, with helmets, leather tunics, and breastplates. Every man of them flung his javelin: the one that came my way drove through my shield as through a papyrus—lo there! ( he points to the bandage ...
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th short swords almost as soon as their javelins. When a man is close to you with such a sword, you can do nothing with our weapons: they are all too long. THE PERSIAN. What did you do? BEL AFFRIS. Doubled my fist and smote my Roman on the sharpness of his jaw. He was but mortal after all: he lay down in a stupor; and ...
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not to the strong; but the race was to the swift. The Romans, who have no chariots, sent a cloud of horsemen in pursuit, and slew multitudes. Then our high priest’s captain rallied a dozen descendants of the gods and exhorted us to die fighting. I said to myself: surely it is safer to stand than to lose my breath and b...
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full of sheep, except for the pride and honor of war, of which these Romans know nothing. So we escaped with our lives; and I am come to warn you that you must open your gates to Caesar; for his advance guard is scarce an hour behind me; and not an Egyptian warrior is left standing between you and his legions. THE SENT...
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palace. ) BELZANOR. Nail him to the door, quick! ( The guardsmen rush for him with their spears; but he is too quick for them. ) Now this news will run through the palace like fire through stubble. BEL AFFRIS. What shall we do to save the women from the Romans? BELZANOR. Why not kill them? PERSIAN. Because we should ha...
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ain power ). O subtle one! O serpent! BEL AFFRIS. But your Queen? BELZANOR. True: we must carry off Cleopatra. BEL AFFRIS. Will ye not await her command? BELZANOR. Command! a girl of sixteen! Not we. At Memphis ye deem her a Queen: here we know better. I will take her on the crupper of my horse. When we soldiers have c...
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, and put their commands into her mouth. PERSIAN. Listen to me, Belzanor. BELZANOR. Speak, O subtle beyond thy years. THE PERSIAN. Cleopatra’s brother Ptolemy is at war with her. Let us sell her to him. THE GUARDSMEN. O subtle one! O serpent! BELZANOR. We dare not. We are descended from the gods; but Cleopatra is desce...
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gifts we should live the lives of dogs. PERSIAN. It is true: the Queen’s guard cannot live on its pay. But hear me further, O ye kinsmen of Osiris. THE GUARDSMEN. Speak, O subtle one. Hear the serpent begotten! PERSIAN. Have I heretofore spoken truly to you of Caesar, when you thought I mocked you? GUARDSMEN. Truly, tr...
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makes them his friends and counselors. BELZANOR. Faugh! This rule of women will be the ruin of Egypt. THE PERSIAN. Let it rather be the ruin of Rome! Caesar grows old now: he is past fifty and full of labors and battles. He is too old for the young women; and the old women are too wise to worship him. BEL AFFRIS. Take ...
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But she already troubles men’s wisdom. BELZANOR. Ay: that is because she is descended from the river Nile and a black kitten of the sacred White Cat. What then? PERSIAN. Why, sell her secretly to Ptolemy, and then offer ourselves to Caesar as volunteers to fight for the overthrow of her brother and the rescue of our Qu...
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to us if we come with her picture in our mouths. He will conquer and kill her brother, and reign in Egypt with Cleopatra for his Queen. And we shall be her guard. GUARDSMEN. O subtlest of all the serpents! O admiration! O wisdom! BEL AFFRIS. He will also have arrived before you have done talking, O word spinner. BELZAN...
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come. Speak to Belzanor. A WOMAN. Oh, keep back. You are thrusting me on the spearheads. A huge grim woman, her face covered with a network of tiny wrinkles, and her eyes old, large, and wise; sinewy handed, very tall, very strong; with the mouth of a bloodhound and the jaws of a bulldog, appears on the threshold. She ...
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chief nurse. BELZANOR ( with solemn arrogance ). Ftatateeta: I am Belzanor, the captain of the Queen’s guard, descended from the gods. FTATATEETA ( retorting his arrogance with interest ). Belzanor: I am Ftatateeta, the Queen’s chief nurse; and your divine ancestors were proud to be painted on the wall in the pyramids ...
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pushes her way through the crowd and confronts the spear points undismayed. FTATATEETA. Then fly and save yourselves, O cowardly sons of the cheap clay gods that are sold to fish porters; and leave us to shift for ourselves. BELZANOR. Not until you have first done our bidding, O terror of manhood. Bring out Cleopatra t...
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ens to cut her throat. ) FTATATEETA ( savagely ). Touch me, dog; and the Nile will not rise on your fields for seven times seven years of famine. BELZANOR ( frightened, but desperate ). I will sacrifice: I will pay. Or stay. ( To the Persian ) You, O subtle one: your father’s lands lie far from the Nile. Slay her. PERS...
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TATEETA. Persian: as Osiris lives, I do not know. I chid her for bringing evil days upon us by talking to the sacred cats of the priests, and carrying them in her arms. I told her she would be left alone here when the Romans came as a punishment for her disobedience. And now she is gone—run away—hidden. I speak the tru...
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ft shoulder ). Forbear her yet a moment, Persian. ( To Ftatateeta, very significantly ) Mother: your gods are asleep or away hunting; and the sword is at your throat. Bring us to where the Queen is hid, and you shall live. FTATATEETA ( contemptuously ). Who shall stay the sword in the hand of a fool, if the high gods p...
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leopatra fears me; but she fears the Romans more. There is but one power greater in her eyes than the wrath of the Queen’s nurse and the cruelty of Caesar; and that is the power of the Sphinx that sits in the desert watching the way to the sea. What she would have it know, she tells into the ears of the sacred cats; an...
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nx; and on your heads see to it that no harm comes to her. BEL AFFRIS ( to the Persian ). May we believe this, O subtle one? PERSIAN. Which way come the Romans? BEL AFFRIS. Over the desert, from the sea, by this very Sphinx. PERSIAN ( to Ftatateeta ). O mother of guile! O aspic’s tongue! You have made up this tale so t...
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e ) Taste death. FTATATEETA. Not from thee, baby. ( She snatches his ankle from under him and flies stooping along the palace wall, vanishing in the darkness within its precinct. Bel Affris roars with laughter as the Persian tumbles. The guardsmen rush out of the palace with Belzanor and a mob of fugitives, mostly carr...
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e, and the company of creatures such as I myself. I have found flocks and pastures, men and cities, but no other Caesar, no air native to me, no man kindred to me, none who can do my day’s deed, and think my night’s thought. In the little world yonder, Sphinx, my place is as high as yours in this great desert; only I w...
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d, look round and am puzzled, whilst your eyes never turn from looking out—out of the world—to the lost region—the home from which we have strayed. Sphinx, you and I, strangers to the race of men, are no strangers to one another: have I not been conscious of you and of this place since I was born? Rome is a madman’s dr...
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s to some eternal sentinel below, whose post I never could find. And here at last is their sentinel—an image of the constant and immortal part of my life, silent, full of thoughts, alone in the silver desert. Sphinx, Sphinx: I have climbed mountains at night to hear in the distance the stealthy footfall of the winds th...
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visible children, O Sphinx, laughing in whispers. My way hither was the way of destiny; for I am he of whose genius you are the symbol: part brute, part woman, and part God—nothing of man in me at all. Have I read your riddle, Sphinx? THE GIRL ( who has wakened, and peeped cautiously from her nest to see who is speakin...
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gentleman: don’t run away. CAESAR ( stupefied ). “Old gentleman: don’t run away!!!” This! To Julius Caesar! THE GIRL ( urgently ). Old gentleman. CAESAR. Sphinx: you presume on your centuries. I am younger than you, though your voice is but a girl’s voice as yet. THE GIRL. Climb up here, quickly; or the Romans will com...
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reast! A divine child! THE GIRL. Come up quickly. You must get up at its side and creep round. CAESAR ( amazed ). Who are you? THE GIRL. Cleopatra, Queen of Egypt. CAESAR. Queen of the Gypsies, you mean. CLEOPATRA. You must not be disrespectful to me, or the Sphinx will let the Romans eat you. Come up. It is quite cosy...
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continents to pay for dreaming it out to the end. ( He climbs to the Sphinx’s flank, and presently reappears to her on the pedestal, stepping round its right shoulder. ) CLEOPATRA. Take care. That’s right. Now sit down: you may have its other paw. ( She seats herself comfortably on its left paw. ) It is very powerful a...
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pany. I am glad you have come: I was very lonely. Did you happen to see a white cat anywhere? CAESAR ( sitting slowly down on the right paw in extreme wonderment ). Have you lost one? CLEOPATRA. Yes: the sacred white cat: is it not dreadful? I brought him here to sacrifice him to the Sphinx; but when we got a little wa...
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t can have been my great-great-great-grandmother? CAESAR ( staring at her ). Your great-great-great-grandmother! Well, why not? Nothing would surprise me on this night of nights. CLEOPATRA. I think it must have been. My great-grandmother’s great-grandmother was a black kitten of the sacred white cat; and the river Nile...
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gods or not: that is because my blood is made with Nile water. CAESAR. What are you doing here at this time of night? Do you live here? CLEOPATRA. Of course not: I am the Queen; and I shall live in the palace at Alexandria when I have killed my brother, who drove me out of it. When I am old enough I shall do just what ...
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s going to be put into the fiery furnace. CAESAR. Hm! Meanwhile why are you not at home and in bed? CLEOPATRA. Because the Romans are coming to eat us all. You are not at home and in bed either. CAESAR ( with conviction ). Yes I am. I live in a tent; and I am now in that tent, fast asleep and dreaming. Do you suppose t...
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ou are a funny old gentleman. I like you. CAESAR. Ah, that spoils the dream. Why don’t you dream that I am young? CLEOPATRA. I wish you were; only I think I should be more afraid of you. I like men, especially young men with round strong arms; but I am afraid of them. You are old and rather thin and stringy; but you ha...
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s you talk to yourself in that silly way. CAESAR. What! you heard that, did you? I was saying my prayers to the great Sphinx. CLEOPATRA. But this isn’t the great Sphinx. CAESAR ( much disappointed, looking up at the statue ). What! CLEOPATRA. This is only a dear little kitten of the Sphinx. Why, the great Sphinx is so ...
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ws in each; and they live on human flesh. CAESAR. Would you like me to shew you a real Roman? CLEOPATRA ( terrified ). No. You are frightening me. CAESAR. No matter: this is only a dream—— CLEOPATRA ( excitedly ). It is not a dream: it is not a dream. See, see. ( She plucks a pin from her hair and jabs it repeatedly in...
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) I only wanted to shew you—— CAESAR ( gently ). Come, come: don’t cry. A queen mustn’t cry. ( He rubs his arm, wondering at the reality of the smart. ) Am I awake? ( He strikes his hand against the Sphinx to test its solidity. It feels so real that he begins to be alarmed, and says perplexedly ) Yes, I—( quite panic-s...
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OPATRA ( flinging her arms in terror round him ). No: you shan’t leave me. No, no, no: don’t go. I’m afraid—afraid of the Romans. CAESAR ( as the conviction that he is really awake forces itself on him ). Cleopatra: can you see my face well? CLEOPATRA. Yes. It is so white in the moonlight. CAESAR. Are you sure it is th...
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paralyzed by a terrible suspicion ). Oh! CAESAR. It is a Roman nose, Cleopatra. CLEOPATRA. Ah! ( With a piercing scream she springs up; darts round the left shoulder of the Sphinx; scrambles down to the sand; and falls on her knees in frantic supplication, shrieking ) Bite him in two, Sphinx: bite him in two. I meant t...
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Ah! ( She buries her head in her arms. ) CAESAR. Cleopatra: shall I teach you a way to prevent Caesar from eating you? CLEOPATRA ( clinging to him piteously ). Oh do, do, do. I will steal Ftatateeta’s jewels and give them to you. I will make the river Nile water your lands twice a year. CAESAR. Peace, peace, my child. ...
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( in pleading murmurings ). You won’t, you won’t. You said you wouldn’t. CAESAR. Caesar never eats women. CLEOPATRA ( springing up full of hope ). What! CAESAR ( impressively ). But he eats girls ( she relapses ) and cats. Now you are a silly little girl; and you are descended from the black kitten. You are both a girl...
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h, you must get a sorcerer to make a woman of me. Are you a sorcerer? CAESAR. Perhaps. But it will take a long time; and this very night you must stand face to face with Caesar in the palace of your fathers. CLEOPATRA. No, no. I daren’t. CAESAR. Whatever dread may be in your soul—however terrible Caesar may be to you—y...
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voice quavers; then—night and death! ( She moans. ) But if he thinks you worthy to rule, he will set you on the throne by his side and make you the real ruler of Egypt. CLEOPATRA ( despairingly ). No: he will find me out: he will find me out. CAESAR ( rather mournfully ). He is easily deceived by women. Their eyes dazz...
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CLEOPATRA ( hopefully ). Then we will cheat him. I will put on Ftatateeta’s head-dress; and he will think me quite an old woman. CAESAR. If you do that he will eat you at one mouthful. CLEOPATRA. But I will give him a cake with my magic opal and seven hairs of the white cat baked in it; and—— CAESAR ( abruptly ). Pah! ...
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OPATRA ( running after him and clinging to him ). Oh, please, please ! I will do whatever you tell me. I will be good! I will be your slave. ( Again the terrible bellowing note sounds across the desert, now closer at hand. It is the bucina, the Roman war trumpet. ) CAESAR. Hark! CLEOPATRA ( trembling ). What was that? ...
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ur throne to receive Caesar. Now lead me thither. CLEOPATRA ( only too glad to get away ). I will, I will. ( Again the bucina. ) Oh, come, come, come: the gods are angry. Do you feel the earth shaking? CAESAR. It is the tread of Caesar’s legions. CLEOPATRA ( drawing him away ). This way, quickly. And let us look for th...
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is right, a throne, and behind the throne a door. On each side of the throne is a slender pillar with a lamp on it. ) CAESAR. What place is this? CLEOPATRA. This is where I sit on the throne when I am allowed to wear my crown and robes. ( The slave holds his torch to shew the throne. ) CAESAR. Order the slave to light ...
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Caesar and Cleopatra, by George Bernard Shaw
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A ( timidly, to the slave ). Light all the lamps. FTATATEETA ( suddenly coming from behind the throne ). Stop. ( The slave stops. She turns sternly to Cleopatra, who quails like a naughty child. ) Who is this you have with you; and how dare you order the lamps to be lighted without my permission? ( Cleopatra is dumb wi...
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Caesar and Cleopatra, by George Bernard Shaw
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ing her short ). I speak to the Queen. Be silent. ( To Cleopatra ) Is this how your servants know their places? Send her away; and you ( to the slave ) do as the Queen has bidden. ( The slave lights the lamps. Meanwhile Cleopatra stands hesitating, afraid of Ftatateeta. ) You are the Queen: send her away. CLEOPATRA ( c...
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Caesar and Cleopatra, by George Bernard Shaw
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r. You are no Queen. You will be eaten. Farewell. ( He turns to go. ) CLEOPATRA ( clutching him ). No, no, no. Don’t leave me. CAESAR. A Roman does not stay with queens who are afraid of their slaves. CLEOPATRA. I am not afraid. Indeed I am not afraid. FTATATEETA. We shall see who is afraid here. ( Menacingly ) Cleopat...
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Caesar and Cleopatra, by George Bernard Shaw
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hardly believe her eyes. FTATATEETA ( hoarsely ). O Queen, forget not thy servant in the days of thy greatness. CLEOPATRA ( blazing with excitement ). Go. Begone. Go away. ( Ftatateeta rises with stooped head, and moves backwards towards the door. Cleopatra watches her submission eagerly, almost clapping her hands, whi...
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tatateeta, whirling it like a scourge in the air. Caesar makes a bound and manages to catch her and hold her while Ftatateeta escapes. ) CAESAR. You scratch, kitten, do you? CLEOPATRA ( breaking from him ). I will beat somebody. I will beat him . ( She attacks the slave. ) There, there, there! ( The slave flies for his...
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Caesar and Cleopatra, by George Bernard Shaw
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g ) I am a real Queen at last—a real, real Queen! Cleopatra the Queen! ( Caesar shakes his head dubiously, the advantage of the change seeming open to question from the point of view of the general welfare of Egypt. She turns and looks at him exultantly. Then she jumps down from the step, runs to him, and flings her ar...
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Caesar and Cleopatra, by George Bernard Shaw
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all the men I love kings. I will make you a king. I will have many young kings, with round, strong arms; and when I am tired of them I will whip them to death; but you shall always be my king: my nice, kind, wise, good old king. CAESAR. Oh, my wrinkles, my wrinkles! And my child’s heart! You will be the most dangerous ...
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Caesar and Cleopatra, by George Bernard Shaw
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im that I am a Queen, will you not?—a real Queen. Listen! ( stealthily coaxing him ) let us run away and hide until Caesar is gone. CAESAR. If you fear Caesar, you are no true Queen; and though you were to hide beneath a pyramid, he would go straight to it and lift it with one hand. And then—! ( He chops his teeth toge...
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Caesar and Cleopatra, by George Bernard Shaw
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s, and her crown, and her women; and prepare her. CLEOPATRA ( eagerly—recovering herself a little ). Yes, the crown, Ftatateeta: I shall wear the crown. FTATATEETA. For whom must the Queen put on her state? CAESAR. For a citizen of Rome. A king of kings, Totateeta. CLEOPATRA ( stamping at her ). How dare you ask questi...
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Caesar and Cleopatra, by George Bernard Shaw
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ueen when he sees my crown and robes, will he not? CAESAR. No. How shall he know that you are not a slave dressed up in the Queen’s ornaments? CLEOPATRA. You must tell him. CAESAR. He will not ask me. He will know Cleopatra by her pride, her courage, her majesty, and her beauty. ( She looks very doubtful. ) Are you tre...
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Caesar and Cleopatra, by George Bernard Shaw
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three women come in with the regalia. FTATATEETA. Of all the Queen’s women, these three alone are left. The rest are fled. ( They begin to deck Cleopatra, who submits, pale and motionless. ) CAESAR. Good, good. Three are enough. Poor Caesar generally has to dress himself. FTATATEETA ( contemptuously ). The Queen of Egy...
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Caesar and Cleopatra, by George Bernard Shaw
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g Cleopatra, and placing the crown on her head ). Is it sweet or bitter to be a Queen, Cleopatra? CLEOPATRA. Bitter. CAESAR. Cast out fear; and you will conquer Caesar. Tota: are the Romans at hand? FTATATEETA. They are at hand; and the guard has fled. THE WOMEN ( wailing subduedly ). Woe to us! The Nubian comes runnin...
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Caesar and Cleopatra, by George Bernard Shaw
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the door. With a shriek, the women fly after him. Ftatateeta’s jaw expresses savage resolution: she does not budge. Cleopatra can hardly restrain herself from following them. Caesar grips her wrist, and looks steadfastly at her. She stands like a martyr. ) CAESAR. The Queen must face Caesar alone. Answer “So be it.” CL...
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Caesar and Cleopatra, by George Bernard Shaw
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armed men is heard. Cleopatra’s terror increases. The bucina sounds close at hand, followed by a formidable clangor of trumpets. This is too much for Cleopatra: she utters a cry and darts towards the door. Ftatateeta stops her ruthlessly. FTATATEETA. You are my nursling. You have said “So be it”; and if you die for it,...
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Caesar and Cleopatra, by George Bernard Shaw
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rself with apprehension, to the throne. ) CAESAR. Now, if you quail—! ( He seats himself on the throne. ) She stands on the step, all but unconscious, waiting for death. The Roman soldiers troop in tumultuously through the corridor, headed by their ensign with his eagle, and their bucinator, a burly fellow with his ins...
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a little to his right, the only seat in the hall. Taking his place before it, he looks nervously for instructions to Pothinus, who places himself at his left hand. POTHINUS. The King of Egypt has a word to speak. THEODOTUS ( in a squeak which he makes impressive by sheer self-opinionativeness ). Peace for the King’s wo...
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Caesar and Cleopatra, by George Bernard Shaw
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on of Auletes the Flute Blower who was your King. My sister Berenice drove him from his throne and reigned in his stead but—but ( he hesitates )—— POTHINUS ( stealthily prompting ).—but the gods would not suffer—— PTOLEMY. Yes—the gods would not suffer—not suffer—( he stops; then, crestfallen ) I forget what the gods w...
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Caesar and Cleopatra, by George Bernard Shaw
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S ( suppressing his impatience with difficulty ). The King wished to say that the gods would not suffer the impiety of his sister to go unpunished. PTOLEMY ( hastily ). Yes: I remember the rest of it. ( He resumes his monotone ). Therefore the gods sent a stranger, one Mark Antony, a Roman captain of horsemen, across t...
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took Berenice my sister and struck her head off. And now that my father is dead yet another of his daughters, my sister Cleopatra, would snatch the kingdom from me and reign in my place. But the gods would not suffer ( Pothinus coughs admonitorily )—the gods—the gods would not suffer—— POTHINUS ( prompting ).—will not ...
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ll give her head to the axe even as her sister’s. But with the help of the witch Ftatateeta she hath cast a spell on the Roman Julius Caesar to make him uphold her false pretence to rule in Egypt. Take notice then that I will not suffer—that I will not suffer—( pettishly, to Pothinus ) What is it that I will not suffer...
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m the throne of our Egypt. ( A shout of applause. ) Tell the King, Achillas, how many soldiers and horsemen follow the Roman? THEODOTUS. Let the King’s general speak! ACHILLAS. But two Roman legions, O King. Three thousand soldiers and scarce a thousand horsemen. The court breaks into derisive laughter; and a great cha...
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nd then turns to the King’s chair: Britannus and Rufio posting themselves near the steps at the other side. CAESAR ( looking at Pothinus and Ptolemy ). Which is the King? the man or the boy? POTHINUS. I am Pothinus, the guardian of my lord the King. CAESAR ( patting Ptolemy kindly on the shoulder ). So you are the King...
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Caesar and Cleopatra, by George Bernard Shaw
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ll, looking from side to side at the courtiers until he reaches Achillas. ) And this gentleman? THEODOTUS. Achillas, the King’s general. CAESAR ( to Achillas, very friendly ). A general, eh? I am a general myself. But I began too old, too old. Health and many victories, Achillas! ACHILLAS. As the gods will, Caesar. CAE...
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be kings, Theodotus. That is very clever of you. ( Looking at the gods on the walls as he turns away from Theodotus and goes up again to Pothinus. ) And this place? POTHINUS. The council chamber of the chancellors of the King’s treasury, Caesar. CAESAR. Ah! That reminds me. I want some money. POTHINUS. The King’s treas...
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). Bring a chair there, some of you, for Caesar. PTOLEMY ( rising shyly to offer his chair ). Caesar—— CAESAR ( kindly ). No, no, my boy: that is your chair of state. Sit down. He makes Ptolemy sit down again. Meanwhile Rufio, looking about him, sees in the nearest corner an image of the god Ra, represented as a seated...
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set encoding: UTF-8 *** START OF THIS PROJECT GUTENBERG EBOOK CLEOPATRA, COMPLETE *** Produced by David Widger CLEOPATRA By Georg Ebers Translated from the German by Mary J. Safford CONTENTS. PREFACE. CLEOPATRA CHAPTER I. CHAPTER II. CHAPTER III. CHAPTER IV. CHAPTER V. CHAPTER VI. CHAPTER VII. CHAPTER VIII. CHAPTER IX....
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TER XX. CHAPTER XXI. CHAPTER XXII. CHAPTER XXIII. CHAPTER XXIV. CHAPTER XXV. PREFACE. If the author should be told that the sentimental love of our day was unknown to the pagan world, he would not cite last the two lovers, Antony and Cleopatra, and the will of the powerful Roman general, in which he expressed the desir...
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eed, are among this greatly misjudged woman’s fairest claims to renown. Unfortunately it proved less potent than the opinion of Dio, who often distorted what Plutarch related, but probably followed most closely the farce or the popular tales which, in Rome, did not venture to show the Egyptian in a favourable light. Th...
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er more justly than most of the Roman historians. His grandfather had heard many tales of both Cleopatra and Antony from his countryman Philotas, who, during the brilliant days when they revelled in Alexandria, had lived there as a student. Of all the writers who describe the Queen, Plutarch is the most trustworthy, bu...
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iven by Plutarch of the last days of our heroine. It bears the impress of truth, and to deviate widely from it would be arbitrary. Unluckily, Egyptian records contain nothing which could have much weight in estimating the character of Cleopatra, though we have likenesses representing the Queen alone, or with her son Cæ...
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persons except Cleopatra and Antony hand in hand. The upper part of the female figure is in a state of tolerable preservation, and shows a young and attractive face. The male figure was doubtless sacrificed to Octavianus’s command to destroy Antony’s statues. We are indebted to Herr Dr. Walther, in Alexandria, for an e...
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could render us familiar with our heroine’s appearance, have been preserved. Though the author must especially desire to render his creation a work of art, it is also requisite to strive for fidelity. As the heroine’s portrait must reveal her true character, so the life represented here must correspond in every line wi...
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es, and who enable her personality to be displayed in the various relations of life. Should the author succeed in making the picture of the remarkable woman, who was so differently judged, as “lifelike” and vivid as it stamped itself upon his own imagination, he might remember with pleasure the hours which he devoted t...
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ad closed his eyes in death shortly after its completion. The sanctuary whence Gorgias commenced his survey was in one of the fairest portions of the Bruchium, the Alexandrian quarter, where stood the royal palace with its extensive annexes, the finest temples—except the Serapeum, situated in another part of the city—a...
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at the sight of this portion of his native city. He had been in Rome, and visited many other places numbered among the world’s fairest and most populous cities; but not one contained so many superb works of art crowded together in so small a space. “If one of the immortals themselves,” he murmured, “should strive to er...
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tisfy the artistic needs which we possess as their gift, and it would surely be placed on the shore of such a sea.” While speaking, he shaded his keen eyes with his hand. The architect, who usually devoted his whole attention to the single object that claimed his notice, now permitted himself the pleasure of enjoying t...
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ay again; a gay voice from below called his name. A singular procession had approached the temple—a small body of armed men, led by a short, stout fellow, whose big head, covered with bushy curls, was crowned with a laurel wreath. He was talking eagerly to a younger man, but had paused with the others in front of the s...
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patra had gained a great victory on sea and land. In the eating-house at Kanopus, where he had breakfasted, everyone was full of the joyful news, and rivers of wine had been drunk to the health of the victors and the destruction of the malicious foe. “In these days,” cried Dion, “not only weak-brained fellows, like the...
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, who is on the brink of despair because he himself knows nothing, not even the veriest trifle.” “Yet he stands nearest to the Regent,” observed Gorgias, “and must learn, if any one does, how the fleet fares.” “You too!” sighed his friend. “Had I been standing so far above the ground as you, the architect—by the dog, I...
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and keeps back the galleys coming from the north. The Regent knows nothing, absolutely nothing, and my uncle, of course, no more. But if they do learn anything they will be shrewd enough not to enrich me with it.” “True, there are other rumours afloat,” said the architect thoughtfully. “If I were in Mardion’s place——” ...
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nion. “He has as many cares as a fish has scales. And one, the greatest.—That pert young Antyllus was over-ready with his tongue yesterday at Barine’s. Poor fellow! He’ll have to answer for it to his tutor at home.” “You mean the remark about the Queen’s accompanying the fleet?” “St!” said Dion, putting his finger on h...
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incided with the opinion of all the wisest heads. The reckless youth enthusiastically reverenced his father, but Cleopatra, the object of Antony’s love, and—in the Egyptians’ eyes—his wife, was not Antyllus’s mother. He was the son of Fulvia, his father’s first wife, and feeling himself a Roman, would have preferred a ...
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d already spread abroad, and their first questions revealed that this was the case. It was even stated that the old sage’s house was to be torn down, and within a few hours. This was vehemently contradicted; but a tall, scrawny man seemed to have undertaken to defend the ruler’s violence. The friends knew him well. It ...
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ver tongue at the disposal of the highest bidder. “The rascal is probably now in my uncle’s employ,” said Dion. “The idea of putting the piece of sculpture there originated with him, and it is difficult to turn him from such plans. There is some secret object to be gained here. That is why they have brought Philostratu...
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f.” “Cast her off!” exclaimed Gorgias wrathfully. “How that sounds! True, he did it, but to persuade him the poor woman sacrificed half the fortune her father had earned by his brush. You know as well as I that life with that scoundrel would be unbearable.” “Very true,” replied Dion quietly. “But as all Alexandria melt...
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pleasure, whenever it is possible, in casting such slurs upon a woman, whom but yesterday you called blameless, charming, peerless?” “That the light she sheds may not dazzle your eyes. I know how sensitive they are.” “Then spare, instead of irritating them. Besides, your suggestion gives food for thought Barine is the ...
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be glad to injure both. But I’ll spoil his game. It is my business to choose the site for the statues.” “Yours?” replied Dion. “Unless some one who is more powerful opposes you. I would try to win my uncle, but there are others superior to him. The Queen has gone, it is true; but Iras, whose commands do not die away in...
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the architect. “I?” asked the other in amazement. “Ay, you,” asserted Gorgias. “Did not you say that Iras, with whom you played when a boy is now becoming troublesome by watching your every step? And then—you visit Barine constantly and she so evidently prefers you, that the fact might easily reach the ears of Iras.” “...
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hours when the day is drawing towards its close. No matter; Iras, I suppose, heard that I was favoured by this much-admired woman. Iras herself has some little regard for me, so she bought Philostratus. She is willing to pay something for the sake of injuring the woman who stands between us, or the old man who has the ...
https://www.gutenberg.org/files/5482/5482-h/5482-h.htm
Cleopatra, by Georg Ebers - Project Gutenberg
gutenberg.org
0.829
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491
Cleopatra
personality
2026-02-28T03:43:40.607873
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ruin Barine, she need not make so long a circuit. Besides, she is not really a wicked woman. Or is she? All I know is that where any advantage is to be gained for the Queen, she does not shrink even from doubtful means, and also that the hours speed swiftly for any one in her society. Yes, Iras, Iras—I like to utter th...
https://www.gutenberg.org/files/5482/5482-h/5482-h.htm
Cleopatra, by Georg Ebers - Project Gutenberg
gutenberg.org
0.842
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[]
422
Cleopatra
personality
2026-02-28T03:43:40.607901
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self, and—a thing few can say—another still more. What is the world, what am I to her, compared with the Queen, the idol of her heart? Since Cleopatra’s departure, Iras seems like the forsaken Ariadne, or a young roe which has strayed from its mother. But stop; she may have a hand in the game: the Queen trusted her as ...
https://www.gutenberg.org/files/5482/5482-h/5482-h.htm
Cleopatra, by Georg Ebers - Project Gutenberg
gutenberg.org
0.698
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Cleopatra
personality
2026-02-28T03:43:40.607942
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