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| Book 1 | |
| PD: OS | |
| Subject: Hitchhikers Guide to the Galaxy (englisch) | |
| Douglas Adams | |
| The Hitch Hiker's Guide to the Galaxy | |
| ================================================================= | |
| Douglas Adams The Hitch Hiker's Guide to the Galaxy | |
| Douglas Adams The Restaurant at the End of the Universe | |
| Douglas Adams Life, the Universe, and Everything | |
| Douglas Adams So long, and thanks for all the fish | |
| ================================================================= | |
| The Hitch Hiker's Guide to the Galaxy | |
| for | |
| Jonny Brock and Clare Gorst | |
| and all other Arlingtonians | |
| for tea, sympathy, and a sofa | |
| ================================================================= | |
| Far out in the uncharted backwaters of the unfashionable end of | |
| the western spiral arm of the Galaxy lies a small unregarded | |
| yellow sun. | |
| Orbiting this at a distance of roughly ninety-two million miles | |
| is an utterly insignificant little blue green planet whose ape- | |
| descended life forms are so amazingly primitive that they still | |
| think digital watches are a pretty neat idea. | |
| This planet has - or rather had - a problem, which was this: most | |
| of the people on it were unhappy for pretty much of the time. | |
| Many solutions were suggested for this problem, but most of these | |
| were largely concerned with the movements of small green pieces | |
| of paper, which is odd because on the whole it wasn't the small | |
| green pieces of paper that were unhappy. | |
| And so the problem remained; lots of the people were mean, and | |
| most of them were miserable, even the ones with digital watches. | |
| Many were increasingly of the opinion that they'd all made a big | |
| mistake in coming down from the trees in the first place. And | |
| some said that even the trees had been a bad move, and that no | |
| one should ever have left the oceans. | |
| And then, one Thursday, nearly two thousand years after one man | |
| had been nailed to a tree for saying how great it would be to be | |
| nice to people for a change, one girl sitting on her own in a | |
| small cafe in Rickmansworth suddenly realized what it was that | |
| had been going wrong all this time, and she finally knew how the | |
| world could be made a good and happy place. This time it was | |
| right, it would work, and no one would have to get nailed to | |
| anything. | |
| Sadly, however, before she could get to a phone to tell anyone | |
| about it, a terribly stupid catastrophe occurred, and the idea | |
| was lost forever. | |
| This is not her story. | |
| But it is the story of that terrible stupid catastrophe and some | |
| of its consequences. | |
| It is also the story of a book, a book called The Hitch Hiker's | |
| Guide to the Galaxy - not an Earth book, never published on | |
| Earth, and until the terrible catastrophe occurred, never seen or | |
| heard of by any Earthman. | |
| Nevertheless, a wholly remarkable book. | |
| in fact it was probably the most remarkable book ever to come out | |
| of the great publishing houses of Ursa Minor - of which no | |
| Earthman had ever heard either. | |
| Not only is it a wholly remarkable book, it is also a highly | |
| successful one - more popular than the Celestial Home Care | |
| Omnibus, better selling than Fifty More Things to do in Zero | |
| Gravity, and more controversial than Oolon Colluphid's trilogy of | |
| philosophical blockbusters Where God Went Wrong, Some More of | |
| God's Greatest Mistakes and Who is this God Person Anyway? | |
| In many of the more relaxed civilizations on the Outer Eastern | |
| Rim of the Galaxy, the Hitch Hiker's Guide has already supplanted | |
| the great Encyclopedia Galactica as the standard repository of | |
| all knowledge and wisdom, for though it has many omissions and | |
| contains much that is apocryphal, or at least wildly inaccurate, | |
| it scores over the older, more pedestrian work in two important | |
| respects. | |
| First, it is slightly cheaper; and secondly it has the words | |
| Don't Panic inscribed in large friendly letters on its cover. | |
| But the story of this terrible, stupid Thursday, the story of its | |
| extraordinary consequences, and the story of how these | |
| consequences are inextricably intertwined with this remarkable | |
| book begins very simply. | |
| It begins with a house. | |
| ================================================================= | |
| Chapter 1 | |
| The house stood on a slight rise just on the edge of the village. | |
| It stood on its own and looked over a broad spread of West | |
| Country farmland. Not a remarkable house by any means - it was | |
| about thirty years old, squattish, squarish, made of brick, and | |
| had four windows set in the front of a size and proportion which | |
| more or less exactly failed to please the eye. | |
| The only person for whom the house was in any way special was | |
| Arthur Dent, and that was only because it happened to be the one | |
| he lived in. He had lived in it for about three years, ever since | |
| he had moved out of London because it made him nervous and | |
| irritable. He was about thirty as well, dark haired and never | |
| quite at ease with himself. The thing that used to worry him most | |
| was the fact that people always used to ask him what he was | |
| looking so worried about. He worked in local radio which he | |
| always used to tell his friends was a lot more interesting than | |
| they probably thought. It was, too - most of his friends worked | |
| in advertising. | |
| It hadn't properly registered with Arthur that the council wanted | |
| to knock down his house and build an bypass instead. | |
| At eight o'clock on Thursday morning Arthur didn't feel very | |
| good. He woke up blearily, got up, wandered blearily round his | |
| room, opened a window, saw a bulldozer, found his slippers, and | |
| stomped off to the bathroom to wash. | |
| Toothpaste on the brush - so. Scrub. | |
| Shaving mirror - pointing at the ceiling. He adjusted it. For a | |
| moment it reflected a second bulldozer through the bathroom | |
| window. Properly adjusted, it reflected Arthur Dent's bristles. | |
| He shaved them off, washed, dried, and stomped off to the kitchen | |
| to find something pleasant to put in his mouth. | |
| Kettle, plug, fridge, milk, coffee. Yawn. | |
| The word bulldozer wandered through his mind for a moment in | |
| search of something to connect with. | |
| The bulldozer outside the kitchen window was quite a big one. | |
| He stared at it. | |
| "Yellow," he thought and stomped off back to his bedroom to get | |
| dressed. | |
| Passing the bathroom he stopped to drink a large glass of water, | |
| and another. He began to suspect that he was hung over. Why was | |
| he hung over? Had he been drinking the night before? He supposed | |
| that he must have been. He caught a glint in the shaving mirror. | |
| "Yellow," he thought and stomped on to the bedroom. | |
| He stood and thought. The pub, he thought. Oh dear, the pub. He | |
| vaguely remembered being angry, angry about something that seemed | |
| important. He'd been telling people about it, telling people | |
| about it at great length, he rather suspected: his clearest | |
| visual recollection was of glazed looks on other people's faces. | |
| Something about a new bypass he had just found out about. It had | |
| been in the pipeline for months only no one seemed to have known | |
| about it. Ridiculous. He took a swig of water. It would sort | |
| itself out, he'd decided, no one wanted a bypass, the council | |
| didn't have a leg to stand on. It would sort itself out. | |
| God what a terrible hangover it had earned him though. He looked | |
| at himself in the wardrobe mirror. He stuck out his tongue. | |
| "Yellow," he thought. The word yellow wandered through his mind | |
| in search of something to connect with. | |
| Fifteen seconds later he was out of the house and lying in front | |
| of a big yellow bulldozer that was advancing up his garden path. | |
| Mr L Prosser was, as they say, only human. In other words he was | |
| a carbon-based life form descended from an ape. More specifically | |
| he was forty, fat and shabby and worked for the local council. | |
| Curiously enough, though he didn't know it, he was also a direct | |
| male-line descendant of Genghis Khan, though intervening | |
| generations and racial mixing had so juggled his genes that he | |
| had no discernible Mongoloid characteristics, and the only | |
| vestiges left in Mr L Prosser of his mighty ancestry were a | |
| pronounced stoutness about the tum and a predilection for little | |
| fur hats. | |
| He was by no means a great warrior: in fact he was a nervous | |
| worried man. Today he was particularly nervous and worried | |
| because something had gone seriously wrong with his job - which | |
| was to see that Arthur Dent's house got cleared out of the way | |
| before the day was out. | |
| "Come off it, Mr Dent,", he said, "you can't win you know. You | |
| can't lie in front of the bulldozer indefinitely." He tried to | |
| make his eyes blaze fiercely but they just wouldn't do it. | |
| Arthur lay in the mud and squelched at him. | |
| "I'm game," he said, "we'll see who rusts first." | |
| "I'm afraid you're going to have to accept it," said Mr Prosser | |
| gripping his fur hat and rolling it round the top of his head, | |
| "this bypass has got to be built and it's going to be built!" | |
| "First I've heard of it," said Arthur, "why's it going to be | |
| built?" | |
| Mr Prosser shook his finger at him for a bit, then stopped and | |
| put it away again. | |
| "What do you mean, why's it got to be built?" he said. "It's a | |
| bypass. You've got to build bypasses." | |
| Bypasses are devices which allow some people to drive from point | |
| A to point B very fast whilst other people dash from point B to | |
| point A very fast. People living at point C, being a point | |
| directly in between, are often given to wonder what's so great | |
| about point A that so many people of point B are so keen to get | |
| there, and what's so great about point B that so many people of | |
| point A are so keen to get there. They often wish that people | |
| would just once and for all work out where the hell they wanted | |
| to be. | |
| Mr Prosser wanted to be at point D. Point D wasn't anywhere in | |
| particular, it was just any convenient point a very long way from | |
| points A, B and C. He would have a nice little cottage at point | |
| D, with axes over the door, and spend a pleasant amount of time | |
| at point E, which would be the nearest pub to point D. His wife | |
| of course wanted climbing roses, but he wanted axes. He didn't | |
| know why - he just liked axes. He flushed hotly under the | |
| derisive grins of the bulldozer drivers. | |
| He shifted his weight from foot to foot, but it was equally | |
| uncomfortable on each. Obviously somebody had been appallingly | |
| incompetent and he hoped to God it wasn't him. | |
| Mr Prosser said: "You were quite entitled to make any suggestions | |
| or protests at the appropriate time you know." | |
| "Appropriate time?" hooted Arthur. "Appropriate time? The first I | |
| knew about it was when a workman arrived at my home yesterday. I | |
| asked him if he'd come to clean the windows and he said no he'd | |
| come to demolish the house. He didn't tell me straight away of | |
| course. Oh no. First he wiped a couple of windows and charged me | |
| a fiver. Then he told me." | |
| "But Mr Dent, the plans have been available in the local planning | |
| office for the last nine month." | |
| "Oh yes, well as soon as I heard I went straight round to see | |
| them, yesterday afternoon. You hadn't exactly gone out of your | |
| way to call attention to them had you? I mean like actually | |
| telling anybody or anything." | |
| "But the plans were on display ..." | |
| "On display? I eventually had to go down to the cellar to find | |
| them." | |
| "That's the display department." | |
| "With a torch." | |
| "Ah, well the lights had probably gone." | |
| "So had the stairs." | |
| "But look, you found the notice didn't you?" | |
| "Yes," said Arthur, "yes I did. It was on display in the bottom | |
| of a locked filing cabinet stuck in a disused lavatory with a | |
| sign on the door saying Beware of the Leopard." | |
| A cloud passed overhead. It cast a shadow over Arthur Dent as he | |
| lay propped up on his elbow in the cold mud. It cast a shadow | |
| over Arthur Dent's house. Mr Prosser frowned at it. | |
| "It's not as if it's a particularly nice house," he said. | |
| "I'm sorry, but I happen to like it." | |
| "You'll like the bypass." | |
| "Oh shut up," said Arthur Dent. "Shut up and go away, and take | |
| your bloody bypass with you. You haven't got a leg to stand on | |
| and you know it." | |
| Mr Prosser's mouth opened and closed a couple of times while his | |
| mind was for a moment filled with inexplicable but terribly | |
| attractive visions of Arthur Dent's house being consumed with | |
| fire and Arthur himself running screaming from the blazing ruin | |
| with at least three hefty spears protruding from his back. Mr | |
| Prosser was often bothered with visions like these and they made | |
| him feel very nervous. He stuttered for a moment and then pulled | |
| himself together. | |
| "Mr Dent," he said. | |
| "Hello? Yes?" said Arthur. | |
| "Some factual information for you. Have you any idea how much | |
| damage that bulldozer would suffer if I just let it roll straight | |
| over you?" | |
| "How much?" said Arthur. | |
| "None at all," said Mr Prosser, and stormed nervously off | |
| wondering why his brain was filled with a thousand hairy horsemen | |
| all shouting at him. | |
| By a curious coincidence, None at all is exactly how much | |
| suspicion the ape-descendant Arthur Dent had that one of his | |
| closest friends was not descended from an ape, but was in fact | |
| from a small planet in the vicinity of Betelgeuse and not from | |
| Guildford as he usually claimed. | |
| Arthur Dent had never, ever suspected this. | |
| This friend of his had first arrived on the planet some fifteen | |
| Earth years previously, and he had worked hard to blend himself | |
| into Earth society - with, it must be said, some success. For | |
| instance he had spent those fifteen years pretending to be an out | |
| of work actor, which was plausible enough. | |
| He had made one careless blunder though, because he had skimped a | |
| bit on his preparatory research. The information he had gathered | |
| had led him to choose the name "Ford Prefect" as being nicely | |
| inconspicuous. | |
| He was not conspicuously tall, his features were striking but not | |
| conspicuously handsome. His hair was wiry and gingerish and | |
| brushed backwards from the temples. His skin seemed to be pulled | |
| backwards from the nose. There was something very slightly odd | |
| about him, but it was difficult to say what it was. Perhaps it | |
| was that his eyes didn't blink often enough and when you talked | |
| to him for any length of time your eyes began involuntarily to | |
| water on his behalf. Perhaps it was that he smiled slightly too | |
| broadly and gave people the unnerving impression that he was | |
| about to go for their neck. | |
| He struck most of the friends he had made on Earth as an | |
| eccentric, but a harmless one -- an unruly boozer with some | |
| oddish habits. For instance he would often gatecrash university | |
| parties, get badly drunk and start making fun of any | |
| astrophysicist he could find till he got thrown out. | |
| Sometimes he would get seized with oddly distracted moods and | |
| stare into the sky as if hypnotized until someone asked him what | |
| he was doing. Then he would start guiltily for a moment, relax | |
| and grin. | |
| "Oh, just looking for flying saucers," he would joke and everyone | |
| would laugh and ask him what sort of flying saucers he was | |
| looking for. | |
| "Green ones!" he would reply with a wicked grin, laugh wildly for | |
| a moment and then suddenly lunge for the nearest bar and buy an | |
| enormous round of drinks. | |
| Evenings like this usually ended badly. Ford would get out of his | |
| skull on whisky, huddle into a corner with some girl and explain | |
| to her in slurred phrases that honestly the colour of the flying | |
| saucers didn't matter that much really. | |
| Thereafter, staggering semi-paralytic down the night streets he | |
| would often ask passing policemen if they knew the way to | |
| Betelgeuse. The policemen would usually say something like, | |
| "Don't you think it's about time you went off home sir?" | |
| "I'm trying to baby, I'm trying to," is what Ford invariably | |
| replied on these occasions. | |
| In fact what he was really looking out for when he stared | |
| distractedly into the night sky was any kind of flying saucer at | |
| all. The reason he said green was that green was the traditional | |
| space livery of the Betelgeuse trading scouts. | |
| Ford Prefect was desperate that any flying saucer at all would | |
| arrive soon because fifteen years was a long time to get stranded | |
| anywhere, particularly somewhere as mindboggingly dull as the | |
| Earth. | |
| Ford wished that a flying saucer would arrive soon because he | |
| knew how to flag flying saucers down and get lifts from them. He | |
| knew how to see the Marvels of the Universe for less than thirty | |
| Altairan dollars a day. | |
| In fact, Ford Prefect was a roving researcher for that wholly | |
| remarkable book The Hitch Hiker's Guide to the Galaxy. | |
| Human beings are great adaptors, and by lunchtime life in the | |
| environs of Arthur's house had settled into a steady routine. It | |
| was Arthur's accepted role to lie squelching in the mud making | |
| occasional demands to see his lawyer, his mother or a good book; | |
| it was Mr Prosser's accepted role to tackle Arthur with the | |
| occasional new ploy such as the For the Public Good talk, the | |
| March of Progress talk, the They Knocked My House Down Once You | |
| Know, Never Looked Back talk and various other cajoleries and | |
| threats; and it was the bulldozer drivers' accepted role to sit | |
| around drinking coffee and experimenting with union regulations | |
| to see how they could turn the situation to their financial | |
| advantage. | |
| The Earth moved slowly in its diurnal course. | |
| The sun was beginning to dry out the mud Arthur lay in. | |
| A shadow moved across him again. | |
| "Hello Arthur," said the shadow. | |
| Arthur looked up and squinting into the sun was startled to see | |
| Ford Prefect standing above him. | |
| "Ford! Hello, how are you?" | |
| "Fine," said Ford, "look, are you busy?" | |
| "Am I busy?" exclaimed Arthur. "Well, I've just got all these | |
| bulldozers and things to lie in front of because they'll knock my | |
| house down if I don't, but other than that ... well, no not | |
| especially, why?" | |
| They don't have sarcasm on Betelgeuse, and Ford Prefect often | |
| failed to notice it unless he was concentrating. He said, "Good, | |
| is there anywhere we can talk?" | |
| "What?" said Arthur Dent. | |
| For a few seconds Ford seemed to ignore him, and stared fixedly | |
| into the sky like a rabbit trying to get run over by a car. Then | |
| suddenly he squatted down beside Arthur. | |
| "We've got to talk," he said urgently. | |
| "Fine," said Arthur, "talk." | |
| "And drink," said Ford. "It's vitally important that we talk and | |
| drink. Now. We'll go to the pub in the village." | |
| He looked into the sky again, nervous, expectant. | |
| "Look, don't you understand?" shouted Arthur. He pointed at | |
| Prosser. "That man wants to knock my house down!" | |
| Ford glanced at him, puzzled. | |
| "Well he can do it while you're away can't he?" he asked. | |
| "But I don't want him to!" | |
| "Ah." | |
| "Look, what's the matter with you Ford?" said Arthur. | |
| "Nothing. Nothing's the matter. Listen to me - I've got to tell | |
| you the most important thing you've ever heard. I've got to tell | |
| you now, and I've got to tell you in the saloon bar of the Horse | |
| and Groom." | |
| "But why?" | |
| "Because you are going to need a very stiff drink." | |
| Ford stared at Arthur, and Arthur was astonished to find that his | |
| will was beginning to weaken. He didn't realize that this was | |
| because of an old drinking game that Ford learned to play in the | |
| hyperspace ports that served the madranite mining belts in the | |
| star system of Orion Beta. | |
| The game was not unlike the Earth game called Indian Wrestling, | |
| and was played like this: | |
| Two contestants would sit either side of a table, with a glass in | |
| front of each of them. | |
| Between them would be placed a bottle of Janx Spirit (as | |
| immortalized in that ancient Orion mining song "Oh don't give me | |
| none more of that Old Janx Spirit/ No, don't you give me none | |
| more of that Old Janx Spirit/ For my head will fly, my tongue | |
| will lie, my eyes will fry and I may die/ Won't you pour me one | |
| more of that sinful Old Janx Spirit"). | |
| Each of the two contestants would then concentrate their will on | |
| the bottle and attempt to tip it and pour spirit into the glass | |
| of his opponent - who would then have to drink it. | |
| The bottle would then be refilled. The game would be played | |
| again. And again. | |
| Once you started to lose you would probably keep losing, because | |
| one of the effects of Janx spirit is to depress telepsychic | |
| power. | |
| As soon as a predetermined quantity had been consumed, the final | |
| loser would have to perform a forfeit, which was usually | |
| obscenely biological. | |
| Ford Prefect usually played to lose. | |
| Ford stared at Arthur, who began to think that perhaps he did | |
| want to go to the Horse and Groom after all. | |
| "But what about my house ...?" he asked plaintively. | |
| Ford looked across to Mr Prosser, and suddenly a wicked thought | |
| struck him. | |
| "He wants to knock your house down?" | |
| "Yes, he wants to build ..." | |
| "And he can't because you're lying in front of the bulldozers?" | |
| "Yes, and ..." | |
| "I'm sure we can come to some arrangement," said Ford. "Excuse | |
| me!" he shouted. | |
| Mr Prosser (who was arguing with a spokesman for the bulldozer | |
| drivers about whether or not Arthur Dent constituted a mental | |
| health hazard, and how much they should get paid if he did) | |
| looked around. He was surprised and slightly alarmed to find that | |
| Arthur had company. | |
| "Yes? Hello?" he called. "Has Mr Dent come to his senses yet?" | |
| "Can we for the moment," called Ford, "assume that he hasn't?" | |
| "Well?" sighed Mr Prosser. | |
| "And can we also assume," said Ford, "that he's going to be | |
| staying here all day?" | |
| "So?" | |
| "So all your men are going to be standing around all day doing | |
| nothing?" | |
| "Could be, could be ..." | |
| "Well, if you're resigned to doing that anyway, you don't | |
| actually need him to lie here all the time do you?" | |
| "What?" | |
| "You don't," said Ford patiently, "actually need him here." | |
| Mr Prosser thought about this. | |
| "Well no, not as such...", he said, "not exactly need ..." | |
| Prosser was worried. He thought that one of them wasn't making a | |
| lot of sense. | |
| Ford said, "So if you would just like to take it as read that | |
| he's actually here, then he and I could slip off down to the pub | |
| for half an hour. How does that sound?" | |
| Mr Prosser thought it sounded perfectly potty. | |
| "That sounds perfectly reasonable," he said in a reassuring tone | |
| of voice, wondering who he was trying to reassure. | |
| "And if you want to pop off for a quick one yourself later on," | |
| said Ford, "we can always cover up for you in return." | |
| "Thank you very much," said Mr Prosser who no longer knew how to | |
| play this at all, "thank you very much, yes, that's very kind | |
| ..." He frowned, then smiled, then tried to do both at once, | |
| failed, grasped hold of his fur hat and rolled it fitfully round | |
| the top of his head. He could only assume that he had just won. | |
| "So," continued Ford Prefect, "if you would just like to come | |
| over here and lie down ..." | |
| "What?" said Mr Prosser. | |
| "Ah, I'm sorry," said Ford, "perhaps I hadn't made myself fully | |
| clear. Somebody's got to lie in front of the bulldozers haven't | |
| they? Or there won't be anything to stop them driving into Mr | |
| Dent's house will there?" | |
| "What?" said Mr Prosser again. | |
| "It's very simple," said Ford, "my client, Mr Dent, says that he | |
| will stop lying here in the mud on the sole condition that you | |
| come and take over from him." | |
| "What are you talking about?" said Arthur, but Ford nudged him | |
| with his shoe to be quiet. | |
| "You want me," said Mr Prosser, spelling out this new thought to | |
| himself, "to come and lie there ..." | |
| "Yes." | |
| "In front of the bulldozer?" | |
| "Yes." | |
| "Instead of Mr Dent." | |
| "Yes." | |
| "In the mud." | |
| "In, as you say it, the mud." | |
| As soon as Mr Prosser realized that he was substantially the | |
| loser after all, it was as if a weight lifted itself off his | |
| shoulders: this was more like the world as he knew it. He sighed. | |
| "In return for which you will take Mr Dent with you down to the | |
| pub?" | |
| "That's it," said Ford. "That's it exactly." | |
| Mr Prosser took a few nervous steps forward and stopped. | |
| "Promise?" | |
| "Promise," said Ford. He turned to Arthur. | |
| "Come on," he said to him, "get up and let the man lie down." | |
| Arthur stood up, feeling as if he was in a dream. | |
| Ford beckoned to Prosser who sadly, awkwardly, sat down in the | |
| mud. He felt that his whole life was some kind of dream and he | |
| sometimes wondered whose it was and whether they were enjoying | |
| it. The mud folded itself round his bottom and his arms and oozed | |
| into his shoes. | |
| Ford looked at him severely. | |
| "And no sneaky knocking down Mr Dent's house whilst he's away, | |
| alright?" he said. | |
| "The mere thought," growled Mr Prosser, "hadn't even begun to | |
| speculate," he continued, settling himself back, "about the | |
| merest possibility of crossing my mind." | |
| He saw the bulldozer driver's union representative approaching | |
| and let his head sink back and closed his eyes. He was trying to | |
| marshal his arguments for proving that he did not now constitute | |
| a mental health hazard himself. He was far from certain about | |
| this - his mind seemed to be full of noise, horses, smoke, and | |
| the stench of blood. This always happened when he felt miserable | |
| and put upon, and he had never been able to explain it to | |
| himself. In a high dimension of which we know nothing the mighty | |
| Khan bellowed with rage, but Mr Prosser only trembled slightly | |
| and whimpered. He began to fell little pricks of water behind the | |
| eyelids. Bureaucratic cock-ups, angry men lying in the mud, | |
| indecipherable strangers handing out inexplicable humiliations | |
| and an unidentified army of horsemen laughing at him in his head | |
| - what a day. | |
| What a day. Ford Prefect knew that it didn't matter a pair of | |
| dingo's kidneys whether Arthur's house got knocked down or not | |
| now. | |
| Arthur remained very worried. | |
| "But can we trust him?" he said. | |
| "Myself I'd trust him to the end of the Earth," said Ford. | |
| "Oh yes," said Arthur, "and how far's that?" | |
| "About twelve minutes away," said Ford, "come on, I need a | |
| drink." | |
| ================================================================= | |
| Chapter 2 | |
| Here's what the Encyclopedia Galactica has to say about alcohol. | |
| It says that alcohol is a colourless volatile liquid formed by | |
| the fermentation of sugars and also notes its intoxicating effect | |
| on certain carbon-based life forms. | |
| The Hitch Hiker's Guide to the Galaxy also mentions alcohol. It | |
| says that the best drink in existence is the Pan Galactic Gargle | |
| Blaster. | |
| It says that the effect of a Pan Galactic Gargle Blaster is like | |
| having your brains smashed out by a slice of lemon wrapped round | |
| a large gold brick. | |
| The Guide also tells you on which planets the best Pan Galactic | |
| Gargle Blasters are mixed, how much you can expect to pay for one | |
| and what voluntary organizations exist to help you rehabilitate | |
| afterwards. | |
| The Guide even tells you how you can mix one yourself. | |
| Take the juice from one bottle of that Ol' Janx Spirit, it says. | |
| Pour into it one measure of water from the seas of Santraginus V | |
| - Oh that Santraginean sea water, it says. Oh those Santraginean | |
| fish!!! | |
| Allow three cubes of Arcturan Mega-gin to melt into the mixture | |
| (it must be properly iced or the benzine is lost). | |
| Allow four litres of Fallian marsh gas to bubble through it, in | |
| memory of all those happy Hikers who have died of pleasure in the | |
| Marshes of Fallia. | |
| Over the back of a silver spoon float a measure of Qualactin | |
| Hypermint extract, redolent of all the heady odours of the dark | |
| Qualactin Zones, subtle sweet and mystic. | |
| Drop in the tooth of an Algolian Suntiger. Watch it dissolve, | |
| spreading the fires of the Algolian Suns deep into the heart of | |
| the drink. | |
| Sprinkle Zamphuor. | |
| Add an olive. | |
| Drink ... but ... very carefully ... | |
| The Hitch Hiker's Guide to the Galaxy sells rather better than | |
| the Encyclopedia Galactica. | |
| "Six pints of bitter," said Ford Prefect to the barman of the | |
| Horse and Groom. "And quickly please, the world's about to end." | |
| The barman of the Horse and Groom didn't deserve this sort of | |
| treatment, he was a dignified old man. He pushed his glasses up | |
| his nose and blinked at Ford Prefect. Ford ignored him and stared | |
| out of the window, so the barman looked instead at Arthur who | |
| shrugged helplessly and said nothing. | |
| So the barman said, "Oh yes sir? Nice weather for it," and | |
| started pulling pints. | |
| He tried again. | |
| "Going to watch the match this afternoon then?" | |
| Ford glanced round at him. | |
| "No, no point," he said, and looked back out of the window. | |
| "What's that, foregone conclusion then you reckon sir?" said the | |
| barman. "Arsenal without a chance?" | |
| "No, no," said Ford, "it's just that the world's about to end." | |
| "Oh yes sir, so you said," said the barman, looking over his | |
| glasses this time at Arthur. "Lucky escape for Arsenal if it | |
| did." | |
| Ford looked back at him, genuinely surprised. | |
| "No, not really," he said. He frowned. | |
| The barman breathed in heavily. "There you are sir, six pints," | |
| he said. | |
| Arthur smiled at him wanly and shrugged again. He turned and | |
| smiled wanly at the rest of the pub just in case any of them had | |
| heard what was going on. | |
| None of them had, and none of them could understand what he was | |
| smiling at them for. | |
| A man sitting next to Ford at the bar looked at the two men, | |
| looked at the six pints, did a swift burst of mental arithmetic, | |
| arrived at an answer he liked and grinned a stupid hopeful grin | |
| at them. | |
| "Get off," said Ford, "They're ours," giving him a look that | |
| would have an Algolian Suntiger get on with what it was doing. | |
| Ford slapped a five-pound note on the bar. He said, "Keep the | |
| change." | |
| "What, from a fiver? Thank you sir." | |
| "You've got ten minutes left to spend it." | |
| The barman simply decided to walk away for a bit. | |
| "Ford," said Arthur, "would you please tell me what the hell is | |
| going on?" | |
| "Drink up," said Ford, "you've got three pints to get through." | |
| "Three pints?" said Arthur. "At lunchtime?" | |
| The man next to ford grinned and nodded happily. Ford ignored | |
| him. He said, "Time is an illusion. Lunchtime doubly so." | |
| "Very deep," said Arthur, "you should send that in to the | |
| Reader's Digest. They've got a page for people like you." | |
| "Drink up." | |
| "Why three pints all of a sudden?" | |
| "Muscle relaxant, you'll need it." | |
| "Muscle relaxant?" | |
| "Muscle relaxant." | |
| Arthur stared into his beer. | |
| "Did I do anything wrong today," he said, "or has the world | |
| always been like this and I've been too wrapped up in myself to | |
| notice?" | |
| "Alright," said Ford, "I'll try to explain. How long have we | |
| known each other?" | |
| "How long?" Arthur thought. "Er, about five years, maybe six," he | |
| said. "Most of it seemed to make some sense at the time." | |
| "Alright," said Ford. "How would you react if I said that I'm not | |
| from Guildford after all, but from a small planet somewhere in | |
| the vicinity of Betelgeuse?" | |
| Arthur shrugged in a so-so sort of way. | |
| "I don't know," he said, taking a pull of beer. "Why - do you | |
| think it's the sort of thing you're likely to say?" | |
| Ford gave up. It really wasn't worth bothering at the moment, | |
| what with the world being about to end. He just said: | |
| "Drink up." | |
| He added, perfectly factually: | |
| "The world's about to end." | |
| Arthur gave the rest of the pub another wan smile. The rest of | |
| the pub frowned at him. A man waved at him to stop smiling at | |
| them and mind his own business. | |
| "This must be Thursday," said Arthur musing to himself, sinking | |
| low over his beer, "I never could get the hang of Thursdays." | |
| ================================================================= | |
| Chapter 3 | |
| On this particular Thursday, something was moving quietly through | |
| the ionosphere many miles above the surface of the planet; | |
| several somethings in fact, several dozen huge yellow chunky | |
| slablike somethings, huge as office buildings, silent as birds. | |
| They soared with ease, basking in electromagnetic rays from the | |
| star Sol, biding their time, grouping, preparing. | |
| The planet beneath them was almost perfectly oblivious of their | |
| presence, which was just how they wanted it for the moment. The | |
| huge yellow somethings went unnoticed at Goonhilly, they passed | |
| over Cape Canaveral without a blip, Woomera and Jodrell Bank | |
| looked straight through them - which was a pity because it was | |
| exactly the sort of thing they'd been looking for all these | |
| years. | |
| The only place they registered at all was on a small black device | |
| called a Sub-Etha Sens-O-Matic which winked away quietly to | |
| itself. It nestled in the darkness inside a leather satchel which | |
| Ford Prefect wore habitually round his neck. The contents of Ford | |
| Prefect's satchel were quite interesting in fact and would have | |
| made any Earth physicist's eyes pop out of his head, which is why | |
| he always concealed them by keeping a couple of dog-eared scripts | |
| for plays he pretended he was auditioning for stuffed in the top. | |
| Besides the Sub-Etha Sens-O-Matic and the scripts he had an | |
| Electronic Thumb - a short squat black rod, smooth and matt with | |
| a couple of flat switches and dials at one end; he also had a | |
| device which looked rather like a largish electronic calculator. | |
| This had about a hundred tiny flat press buttons and a screen | |
| about four inches square on which any one of a million "pages" | |
| could be summoned at a moment's notice. It looked insanely | |
| complicated, and this was one of the reasons why the snug plastic | |
| cover it fitted into had the words Don't Panic printed on it in | |
| large friendly letters. The other reason was that this device was | |
| in fact that most remarkable of all books ever to come out of the | |
| great publishing corporations of Ursa Minor - The Hitch Hiker's | |
| Guide to the Galaxy. The reason why it was published in the form | |
| of a micro sub meson electronic component is that if it were | |
| printed in normal book form, an interstellar hitch hiker would | |
| require several inconveniently large buildings to carry it around | |
| in. | |
| Beneath that in Ford Prefect's satchel were a few biros, a | |
| notepad, and a largish bath towel from Marks and Spencer. | |
| The Hitch Hiker's Guide to the Galaxy has a few things to say on | |
| the subject of towels. | |
| A towel, it says, is about the most massively useful thing an | |
| interstellar hitch hiker can have. Partly it has great practical | |
| value - you can wrap it around you for warmth as you bound across | |
| the cold moons of Jaglan Beta; you can lie on it on the brilliant | |
| marble-sanded beaches of Santraginus V, inhaling the heady sea | |
| vapours; you can sleep under it beneath the stars which shine so | |
| redly on the desert world of Kakrafoon; use it to sail a mini | |
| raft down the slow heavy river Moth; wet it for use in hand-to- | |
| hand-combat; wrap it round your head to ward off noxious fumes or | |
| to avoid the gaze of the Ravenous Bugblatter Beast of Traal (a | |
| mindboggingly stupid animal, it assumes that if you can't see it, | |
| it can't see you - daft as a bush, but very ravenous); you can | |
| wave your towel in emergencies as a distress signal, and of | |
| course dry yourself off with it if it still seems to be clean | |
| enough. | |
| More importantly, a towel has immense psychological value. For | |
| some reason, if a strag (strag: non-hitch hiker) discovers that a | |
| hitch hiker has his towel with him, he will automatically assume | |
| that he is also in possession of a toothbrush, face flannel, | |
| soap, tin of biscuits, flask, compass, map, ball of string, gnat | |
| spray, wet weather gear, space suit etc., etc. Furthermore, the | |
| strag will then happily lend the hitch hiker any of these or a | |
| dozen other items that the hitch hiker might accidentally have | |
| "lost". What the strag will think is that any man who can hitch | |
| the length and breadth of the galaxy, rough it, slum it, struggle | |
| against terrible odds, win through, and still knows where his | |
| towel is is clearly a man to be reckoned with. | |
| Hence a phrase which has passed into hitch hiking slang, as in | |
| "Hey, you sass that hoopy Ford Prefect? There's a frood who | |
| really knows where his towel is." (Sass: know, be aware of, meet, | |
| have sex with; hoopy: really together guy; frood: really | |
| amazingly together guy.) | |
| Nestling quietly on top of the towel in Ford Prefect's satchel, | |
| the Sub-Etha Sens-O-Matic began to wink more quickly. Miles above | |
| the surface of the planet the huge yellow somethings began to fan | |
| out. At Jodrell Bank, someone decided it was time for a nice | |
| relaxing cup of tea. | |
| "You got a towel with you?" said Ford Prefect suddenly to Arthur. | |
| Arthur, struggling through his third pint, looked round at him. | |
| "Why? What, no ... should I have?" He had given up being | |
| surprised, there didn't seem to be any point any longer. | |
| Ford clicked his tongue in irritation. | |
| "Drink up," he urged. | |
| At that moment the dull sound of a rumbling crash from outside | |
| filtered through the low murmur of the pub, through the sound of | |
| the jukebox, through the sound of the man next to Ford hiccupping | |
| over the whisky Ford had eventually bought him. | |
| Arthur choked on his beer, leapt to his feet. | |
| "What's that?" he yelped. | |
| "Don't worry," said Ford, "they haven't started yet." | |
| "Thank God for that," said Arthur and relaxed. | |
| "It's probably just your house being knocked down," said Ford, | |
| drowning his last pint. | |
| "What?" shouted Arthur. Suddenly Ford's spell was broken. Arthur | |
| looked wildly around him and ran to the window. | |
| "My God they are! They're knocking my house down. What the hell | |
| am I doing in the pub, Ford?" | |
| "It hardly makes any difference at this stage," said Ford, "let | |
| them have their fun." | |
| "Fun?" yelped Arthur. "Fun!" He quickly checked out of the window | |
| again that they were talking about the same thing. | |
| "Damn their fun!" he hooted and ran out of the pub furiously | |
| waving a nearly empty beer glass. He made no friends at all in | |
| the pub that lunchtime. | |
| "Stop, you vandals! You home wreckers!" bawled Arthur. "You half | |
| crazed Visigoths, stop will you!" | |
| Ford would have to go after him. Turning quickly to the barman he | |
| asked for four packets of peanuts. | |
| "There you are sir," said the barman, slapping the packets on the | |
| bar, "twenty-eight pence if you'd be so kind." | |
| Ford was very kind - he gave the barman another five-pound note | |
| and told him to keep the change. The barman looked at it and then | |
| looked at Ford. He suddenly shivered: he experienced a momentary | |
| sensation that he didn't understand because no one on Earth had | |
| ever experienced it before. In moments of great stress, every | |
| life form that exists gives out a tiny sublimal signal. This | |
| signal simply communicates an exact and almost pathetic sense of | |
| how far that being is from the place of his birth. On Earth it is | |
| never possible to be further than sixteen thousand miles from | |
| your birthplace, which really isn't very far, so such signals are | |
| too minute to be noticed. Ford Prefect was at this moment under | |
| great stress, and he was born 600 light years away in the near | |
| vicinity of Betelgeuse. | |
| The barman reeled for a moment, hit by a shocking, | |
| incomprehensible sense of distance. He didn't know what it meant, | |
| but he looked at Ford Prefect with a new sense of respect, almost | |
| awe. | |
| "Are you serious, sir?" he said in a small whisper which had the | |
| effect of silencing the pub. "You think the world's going to | |
| end?" | |
| "Yes," said Ford. | |
| "But, this afternoon?" | |
| Ford had recovered himself. He was at his flippest. | |
| "Yes," he said gaily, "in less than two minutes I would | |
| estimate." | |
| The barman couldn't believe the conversation he was having, but | |
| he couldn't believe the sensation he had just had either. | |
| "Isn't there anything we can do about it then?" he said. | |
| "No, nothing," said Ford, stuffing the peanuts into his pockets. | |
| Someone in the hushed bar suddenly laughed raucously at how | |
| stupid everyone had become. | |
| The man sitting next to Ford was a bit sozzled by now. His eyes | |
| waved their way up to Ford. | |
| "I thought," he said, "that if the world was going to end we were | |
| meant to lie down or put a paper bag over our head or something." | |
| "If you like, yes," said Ford. | |
| "That's what they told us in the army," said the man, and his | |
| eyes began the long trek back down to his whisky. | |
| "Will that help?" asked the barman. | |
| "No," said Ford and gave him a friendly smile. "Excuse me," he | |
| said, "I've got to go." With a wave, he left. | |
| The pub was silent for a moment longer, and then, embarrassingly | |
| enough, the man with the raucous laugh did it again. The girl he | |
| had dragged along to the pub with him had grown to loathe him | |
| dearly over the last hour or so, and it would probably have been | |
| a great satisfaction to her to know that in a minute and a half | |
| or so he would suddenly evaporate into a whiff of hydrogen, ozone | |
| and carbon monoxide. However, when the moment came she would be | |
| too busy evaporating herself to notice it. | |
| The barman cleared his throat. He heard himself say: | |
| "Last orders, please." | |
| The huge yellow machines began to sink downward and to move | |
| faster. | |
| Ford knew they were there. This wasn't the way he had wanted it. | |
| Running up the lane, Arthur had nearly reached his house. He | |
| didn't notice how cold it had suddenly become, he didn't notice | |
| the wind, he didn't notice the sudden irrational squall of rain. | |
| He didn't notice anything but the caterpillar bulldozers crawling | |
| over the rubble that had been his home. | |
| "You barbarians!" he yelled. "I'll sue the council for every | |
| penny it's got! I'll have you hung, drawn and quartered! And | |
| whipped! And boiled ... until ... until ... until you've had | |
| enough." | |
| Ford was running after him very fast. Very very fast. | |
| "And then I'll do it again!" yelled Arthur. "And when I've | |
| finished I will take all the little bits, and I will jump on | |
| them!" | |
| Arthur didn't notice that the men were running from the | |
| bulldozers; he didn't notice that Mr Prosser was staring | |
| hectically into the sky. What Mr Prosser had noticed was that | |
| huge yellow somethings were screaming through the clouds. | |
| Impossibly huge yellow somethings. | |
| "And I will carry on jumping on them," yelled Arthur, still | |
| running, "until I get blisters, or I can think of anything even | |
| more unpleasant to do, and then ..." | |
| Arthur tripped, and fell headlong, rolled and landed flat on his | |
| back. At last he noticed that something was going on. His finger | |
| shot upwards. | |
| "What the hell's that?" he shrieked. | |
| Whatever it was raced across the sky in monstrous yellowness, | |
| tore the sky apart with mind-buggering noise and leapt off into | |
| the distance leaving the gaping air to shut behind it with a bang | |
| that drove your ears six feet into your skull. | |
| Another one followed and did the same thing only louder. | |
| It's difficult to say exactly what the people on the surface of | |
| the planet were doing now, because they didn't really know what | |
| they were doing themselves. None of it made a lot of sense - | |
| running into houses, running out of houses, howling noiselessly | |
| at the noise. All around the world city streets exploded with | |
| people, cars slewed into each other as the noise fell on them and | |
| then rolled off like a tidal wave over hills and valleys, deserts | |
| and oceans, seeming to flatten everything it hit. | |
| Only one man stood and watched the sky, stood with terrible | |
| sadness in his eyes and rubber bungs in his ears. He knew exactly | |
| what was happening and had known ever since his Sub-Etha Sens-O- | |
| Matic had started winking in the dead of night beside his pillar | |
| and woken him with a start. It was what he had waited for all | |
| these years, but when he had deciphered the signal pattern | |
| sitting alone in his small dark room a coldness had gripped him | |
| and squeezed his heart. Of all the races in all of the Galaxy who | |
| could have come and said a big hello to planet Earth, he thought, | |
| didn't it just have to be the Vogons. | |
| Still he knew what he had to do. As the Vogon craft screamed | |
| through the air high above him he opened his satchel. He threw | |
| away a copy of Joseph and the Amazing Technicolor Dreamcoat, he | |
| threw away a copy of Godspell: He wouldn't need them where he was | |
| going. Everything was ready, everything was prepared. | |
| He knew where his towel was. | |
| A sudden silence hit the Earth. If anything it was worse than the | |
| noise. For a while nothing happened. | |
| The great ships hung motionless in the air, over every nation on | |
| Earth. Motionless they hung, huge, heavy, steady in the sky, a | |
| blasphemy against nature. Many people went straight into shock as | |
| their minds tried to encompass what they were looking at. The | |
| ships hung in the sky in much the same way that bricks don't. | |
| And still nothing happened. | |
| Then there was a slight whisper, a sudden spacious whisper of | |
| open ambient sound. Every hi fi set in the world, every radio, | |
| every television, every cassette recorder, every woofer, every | |
| tweeter, every mid-range driver in the world quietly turned | |
| itself on. | |
| Every tin can, every dust bin, every window, every car, every | |
| wine glass, every sheet of rusty metal became activated as an | |
| acoustically perfect sounding board. | |
| Before the Earth passed away it was going to be treated to the | |
| very ultimate in sound reproduction, the greatest public address | |
| system ever built. But there was no concert, no music, no | |
| fanfare, just a simple message. | |
| "People of Earth, your attention please," a voice said, and it | |
| was wonderful. Wonderful perfect quadrophonic sound with | |
| distortion levels so low as to make a brave man weep. | |
| "This is Prostetnic Vogon Jeltz of the Galactic Hyperspace | |
| Planning Council," the voice continued. "As you will no doubt be | |
| aware, the plans for development of the outlying regions of the | |
| Galaxy require the building of a hyperspatial express route | |
| through your star system, and regrettably your planet is one of | |
| those scheduled for demolition. The process will take slightly | |
| less that two of your Earth minutes. Thank you." | |
| The PA died away. | |
| Uncomprehending terror settled on the watching people of Earth. | |
| The terror moved slowly through the gathered crowds as if they | |
| were iron fillings on a sheet of board and a magnet was moving | |
| beneath them. Panic sprouted again, desperate fleeing panic, but | |
| there was nowhere to flee to. | |
| Observing this, the Vogons turned on their PA again. It said: | |
| "There's no point in acting all surprised about it. All the | |
| planning charts and demolition orders have been on display in | |
| your local planning department on Alpha Centauri for fifty of | |
| your Earth years, so you've had plenty of time to lodge any | |
| formal complaint and it's far too late to start making a fuss | |
| about it now." | |
| The PA fell silent again and its echo drifted off across the | |
| land. The huge ships turned slowly in the sky with easy power. On | |
| the underside of each a hatchway opened, an empty black space. | |
| By this time somebody somewhere must have manned a radio | |
| transmitter, located a wavelength and broadcasted a message back | |
| to the Vogon ships, to plead on behalf of the planet. Nobody ever | |
| heard what they said, they only heard the reply. The PA slammed | |
| back into life again. The voice was annoyed. It said: | |
| "What do you mean you've never been to Alpha Centauri? For | |
| heaven's sake mankind, it's only four light years away you know. | |
| I'm sorry, but if you can't be bothered to take an interest in | |
| local affairs that's your own lookout. | |
| "Energize the demolition beams." | |
| Light poured out into the hatchways. | |
| "I don't know," said the voice on the PA, "apathetic bloody | |
| planet, I've no sympathy at all." It cut off. | |
| There was a terrible ghastly silence. | |
| There was a terrible ghastly noise. | |
| There was a terrible ghastly silence. | |
| The Vogon Constructor fleet coasted away into the inky starry | |
| void. | |
| ================================================================= | |
| Chapter 4 | |
| Far away on the opposite spiral arm of the Galaxy, five hundred | |
| thousand light years from the star Sol, Zaphod Beeblebrox, | |
| President of the Imperial Galactic Government, sped across the | |
| seas of Damogran, his ion drive delta boat winking and flashing | |
| in the Damogran sun. | |
| Damogran the hot; Damogran the remote; Damogran the almost | |
| totally unheard of. | |
| Damogran, secret home of the Heart of Gold. | |
| The boat sped on across the water. It would be some time before | |
| it reached its destination because Damogran is such an | |
| inconveniently arranged planet. It consists of nothing but | |
| middling to large desert islands separated by very pretty but | |
| annoyingly wide stretches of ocean. | |
| The boat sped on. | |
| Because of this topological awkwardness Damogran has always | |
| remained a deserted planet. This is why the Imperial Galactic | |
| Government chose Damogran for the Heart of Gold project, because | |
| it was so deserted and the Heart of Gold was so secret. | |
| The boat zipped and skipped across the sea, the sea that lay | |
| between the main islands of the only archipelago of any useful | |
| size on the whole planet. Zaphod Beeblebrox was on his way from | |
| the tiny spaceport on Easter Island (the name was an entirely | |
| meaningless coincidence - in Galacticspeke, easter means small | |
| flat and light brown) to the Heart of Gold island, which by | |
| another meaningless coincidence was called France. | |
| One of the side effects of work on the Heart of Gold was a whole | |
| string of pretty meaningless coincidences. | |
| But it was not in any way a coincidence that today, the day of | |
| culmination of the project, the great day of unveiling, the day | |
| that the Heart of Gold was finally to be introduced to a | |
| marvelling Galaxy, was also a great day of culmination for Zaphod | |
| Beeblebrox. It was for the sake of this day that he had first | |
| decided to run for the Presidency, a decision which had sent | |
| waves of astonishment throughout the Imperial Galaxy - Zaphod | |
| Beeblebrox? President? Not the Zaphod Beeblebrox? Not the | |
| President? Many had seen it as a clinching proof that the whole | |
| of known creation had finally gone bananas. | |
| Zaphod grinned and gave the boat an extra kick of speed. | |
| Zaphod Beeblebrox, adventurer, ex-hippy, good timer, (crook? | |
| quite possibly), manic self-publicist, terribly bad at personal | |
| relationships, often thought to be completely out to lunch. | |
| President? | |
| No one had gone bananas, not in that way at least. | |
| Only six people in the entire Galaxy understood the principle on | |
| which the Galaxy was governed, and they knew that once Zaphod | |
| Beeblebrox had announced his intention to run as President it was | |
| more or less a fait accompli: he was the ideal Presidency | |
| fodder*. | |
| What they completely failed to understand was why Zaphod was | |
| doing it. | |
| He banked sharply, shooting a wild wall of water at the sun. | |
| Today was the day; today was the day when they would realize what | |
| Zaphod had been up to. Today was what Zaphod Beeblebrox's | |
| Presidency was all about. Today was also his two hundredth | |
| birthday, but that was just another meaningless coincidence. | |
| As he skipped his boat across the seas of Damogran he smiled | |
| quietly to himself about what a wonderful exciting day it was | |
| going to be. He relaxed and spread his two arms lazily across the | |
| seat back. He steered with an extra arm he'd recently fitted just | |
| beneath his right one to help improve his ski-boxing. | |
| "Hey," he cooed to himself, "you're a real cool boy you." But his | |
| nerves sang a song shriller than a dog whistle. | |
| The island of France was about twenty miles long, five miles | |
| across the middle, sandy and crescent shaped. In fact it seemed | |
| to exist not so much as an island in its own right as simply a | |
| means of defining the sweep and curve of a huge bay. This | |
| impression was heightened by the fact that the inner coastline of | |
| the crescent consisted almost entirely of steep cliffs. From the | |
| top of the cliff the land sloped slowly down five miles to the | |
| opposite shore. | |
| On top of the cliffs stood a reception committee. | |
| It consisted in large part of the engineers and researchers who | |
| had built the Heart of Gold - mostly humanoid, but here and there | |
| were a few reptiloid atomineers, two or three green slyph-like | |
| maximegalacticans, an octopoid physucturalist or two and a | |
| Hooloovoo (a Hooloovoo is a super-intelligent shade of the color | |
| blue). All except the Hooloovoo were resplendent in their multi- | |
| colored ceremonial lab coats; the Hooloovoo had been temporarily | |
| refracted into a free standing prism for the occasion. | |
| There was a mood of immense excitement thrilling through all of | |
| them. Together and between them they had gone to and beyond the | |
| furthest limits of physical laws, restructured the fundamental | |
| fabric of matter, strained, twisted and broken the laws of | |
| possibility and impossibility, but still the greatest excitement | |
| of all seemed to be to meet a man with an orange sash round his | |
| neck. (An orange sash was what the President of the Galaxy | |
| traditionally wore.) It might not even have made much difference | |
| to them if they'd known exactly how much power the President of | |
| the Galaxy actually wielded: none at all. Only six people in the | |
| Galaxy knew that the job of the Galactic President was not to | |
| wield power but to attract attention away from it. | |
| Zaphod Beeblebrox was amazingly good at his job. | |
| The crowd gasped, dazzled by sun and seemanship, as the | |
| Presidential speedboat zipped round the headland into the bay. It | |
| flashed and shone as it came skating over the sea in wide | |
| skidding turns. | |
| In fact it didn't need to touch the water at all, because it was | |
| supported on a hazy cushion of ionized atoms - but just for | |
| effect it was fitted with thin finblades which could be lowered | |
| into the water. They slashed sheets of water hissing into the | |
| air, carved deep gashes into the sea which swayed crazily and | |
| sank back foaming into the boat's wake as it careered across the | |
| bay. | |
| Zaphod loved effect: it was what he was best at. | |
| He twisted the wheel sharply, the boat slewed round in a wild | |
| scything skid beneath the cliff face and dropped to rest lightly | |
| on the rocking waves. | |
| Within seconds he ran out onto the deck and waved and grinned at | |
| over three billion people. The three billion people weren't | |
| actually there, but they watched his every gesture through the | |
| eyes of a small robot tri-D camera which hovered obsequiously in | |
| the air nearby. The antics of the President always made amazingly | |
| popular tri-D; that's what they were for. | |
| He grinned again. Three billion and six people didn't know it, | |
| but today would be a bigger antic than anyone had bargained for. | |
| The robot camera homed in for a close up on the more popular of | |
| his two heads and he waved again. He was roughly humanoid in | |
| appearance except for the extra head and third arm. His fair | |
| tousled hair stuck out in random directions, his blue eyes | |
| glinted with something completely unidentifiable, and his chins | |
| were almost always unshaven. | |
| A twenty-foot-high transparent globe floated next to his boat, | |
| rolling and bobbing, glistening in the brilliant sun. Inside it | |
| floated a wide semi-circular sofa upholstered in glorious red | |
| leather: the more the globe bobbed and rolled, the more the sofa | |
| stayed perfectly still, steady as an upholstered rock. Again, all | |
| done for effect as much as anything. | |
| Zaphod stepped through the wall of the globe and relaxed on the | |
| sofa. He spread his two arms lazily along the back and with the | |
| third brushed some dust off his knee. His heads looked about, | |
| smiling; he put his feet up. At any moment, he thought, he might | |
| scream. | |
| Water boiled up beneath the bubble, it seethed and spouted. The | |
| bubble surged into the air, bobbing and rolling on the water | |
| spout. Up, up it climbed, throwing stilts of light at the cliff. | |
| Up it surged on the jet, the water falling from beneath it, | |
| crashing back into the sea hundreds of feet below. | |
| Zaphod smiled, picturing himself. | |
| A thoroughly ridiculous form of transport, but a thoroughly | |
| beautiful one. | |
| At the top of the cliff the globe wavered for a moment, tipped on | |
| to a railed ramp, rolled down it to a small concave platform and | |
| riddled to a halt. | |
| To tremendous applause Zaphod Beeblebrox stepped out of the | |
| bubble, his orange sash blazing in the light. | |
| The President of the Galaxy had arrived. | |
| He waited for the applause to die down, then raised his hands in | |
| greeting. | |
| "Hi," he said. | |
| A government spider sidled up to him and attempted to press a | |
| copy of his prepared speech into his hands. Pages three to seven | |
| of the original version were at the moment floating soggily on | |
| the Damogran sea some five miles out from the bay. Pages one and | |
| two had been salvaged by a Damogran Frond Crested Eagle and had | |
| already become incorporated into an extraordinary new form of | |
| nest which the eagle had invented. It was constructed largely of | |
| papier m@ch@ and it was virtually impossible for a newly hatched | |
| baby eagle to break out of it. The Damogran Frond Crested Eagle | |
| had heard of the notion of survival of the species but wanted no | |
| truck with it. | |
| Zaphod Beeblebrox would not be needing his set speech and he | |
| gently deflected the one being offered him by the spider. | |
| "Hi," he said again. | |
| Everyone beamed at him, or, at least, nearly everyone. He singled | |
| out Trillian from the crowd. Trillian was a gird that Zaphod had | |
| picked up recently whilst visiting a planet, just for fun, | |
| incognito. She was slim, darkish, humanoid, with long waves of | |
| black hair, a full mouth, an odd little nob of a nose and | |
| ridiculously brown eyes. With her red head scarf knotted in that | |
| particular way and her long flowing silky brown dress she looked | |
| vaguely Arabic. Not that anyone there had ever heard of an Arab | |
| of course. The Arabs had very recently ceased to exist, and even | |
| when they had existed they were five hundred thousand light years | |
| from Damogran. Trillian wasn't anybody in particular, or so | |
| Zaphod claimed. She just went around with him rather a lot and | |
| told him what she thought of him. | |
| "Hi honey," he said to her. | |
| She flashed him a quick tight smile and looked away. Then she | |
| looked back for a moment and smiled more warmly - but by this | |
| time he was looking at something else. | |
| "Hi," he said to a small knot of creatures from the press who | |
| were standing nearby wishing that he would stop saying Hi and get | |
| on with the quotes. He grinned at them particularly because he | |
| knew that in a few moments he would be giving them one hell of a | |
| quote. | |
| The next thing he said though was not a lot of use to them. One | |
| of the officials of the party had irritably decided that the | |
| President was clearly not in a mood to read the deliciously | |
| turned speech that had been written for him, and had flipped the | |
| switch on the remote control device in his pocket. Away in front | |
| of them a huge white dome that bulged against the sky cracked | |
| down in the middle, split, and slowly folded itself down into the | |
| ground. Everyone gasped although they had known perfectly well it | |
| was going to do that because they had built it that way. | |
| Beneath it lay uncovered a huge starship, one hundred and fifty | |
| metres long, shaped like a sleek running shoe, perfectly white | |
| and mindboggingly beautiful. At the heart of it, unseen, lay a | |
| small gold box which carried within it the most brain-wretching | |
| device ever conceived, a device which made this starship unique | |
| in the history of the galaxy, a device after which the ship had | |
| been named - The Heart of Gold. | |
| "Wow", said Zaphod Beeblebrox to the Heart of Gold. There wasn't | |
| much else he could say. | |
| He said it again because he knew it would annoy the press. | |
| "Wow." | |
| The crowd turned their faces back towards him expectantly. He | |
| winked at Trillian who raised her eyebrows and widened her eyes | |
| at him. She knew what he was about to say and thought him a | |
| terrible showoff. | |
| "That is really amazing," he said. "That really is truly amazing. | |
| That is so amazingly amazing I think I'd like to steal it." | |
| A marvellous Presidential quote, absolutely true to form. The | |
| crowd laughed appreciatively, the newsmen gleefully punched | |
| buttons on their Sub-Etha News-Matics and the President grinned. | |
| As he grinned his heart screamed unbearably and he fingered the | |
| small Paralyso-Matic bomb that nestled quietly in his pocket. | |
| Finally he could bear it no more. He lifted his heads up to the | |
| sky, let out a wild whoop in major thirds, threw the bomb to the | |
| ground and ran forward through the sea of suddenly frozen smiles. | |
| ================================================================= | |
| Chapter 5 | |
| Prostetnic Vogon Jeltz was not a pleasant sight, even for other | |
| Vogons. His highly domed nose rose high above a small piggy | |
| forehead. His dark green rubbery skin was thick enough for him to | |
| play the game of Vogon Civil Service politics, and play it well, | |
| and waterproof enough for him to survive indefinitely at sea | |
| depths of up to a thousand feet with no ill effects. | |
| Not that he ever went swimming of course. His busy schedule would | |
| not allow it. He was the way he was because billions of years ago | |
| when the Vogons had first crawled out of the sluggish primeval | |
| seas of Vogsphere, and had lain panting and heaving on the | |
| planet's virgin shores... when the first rays of the bright young | |
| Vogsol sun had shone across them that morning, it was as if the | |
| forces of evolution ad simply given up on them there and then, | |
| had turned aside in disgust and written them off as an ugly and | |
| unfortunate mistake. They never evolved again; they should never | |
| have survived. | |
| The fact that they did is some kind of tribute to the thick- | |
| willed slug-brained stubbornness of these creatures. Evolution? | |
| they said to themselves, Who needs it?, and what nature refused | |
| to do for them they simply did without until such time as they | |
| were able to rectify the grosser anatomical inconveniences with | |
| surgery. | |
| Meanwhile, the natural forces on the planet Vogsphere had been | |
| working overtime to make up for their earlier blunder. They | |
| brought forth scintillating jewelled scuttling crabs, which the | |
| Vogons ate, smashing their shells with iron mallets; tall | |
| aspiring trees with breathtaking slenderness and colour which the | |
| Vogons cut down and burned the crab meat with; elegant gazelle- | |
| like creatures with silken coats and dewy eyes which the Vogons | |
| would catch and sit on. They were no use as transport because | |
| their backs would snap instantly, but the Vogons sat on them | |
| anyway. | |
| Thus the planet Vogsphere whiled away the unhappy millennia until | |
| the Vogons suddenly discovered the principles of interstellar | |
| travel. Within a few short Vog years every last Vogon had | |
| migrated to the Megabrantis cluster, the political hub of the | |
| Galaxy and now formed the immensely powerful backbone of the | |
| Galactic Civil Service. They have attempted to acquire learning, | |
| they have attempted to acquire style and social grace, but in | |
| most respects the modern Vogon is little different from his | |
| primitive forebears. Every year they import twenty-seven thousand | |
| scintillating jewelled scuttling crabs from their native planet | |
| and while away a happy drunken night smashing them to bits with | |
| iron mallets. | |
| Prostetnic Vogon Jeltz was a fairly typical Vogon in that he was | |
| thoroughly vile. Also, he did not like hitch hikers. | |
| Somewhere in a small dark cabin buried deep in the intestines of | |
| Prostetnic Vogon Jeltz's flagship, a small match flared | |
| nervously. The owner of the match was not a Vogon, but he knew | |
| all about them and was right to be nervous. His name was Ford | |
| Prefect*. | |
| He looked about the cabin but could see very little; strange | |
| monstrous shadows loomed and leaped with the tiny flickering | |
| flame, but all was quiet. He breathed a silent thank you to the | |
| Dentrassis. The Dentrassis are an unruly tribe of gourmands, a | |
| wild but pleasant bunch whom the Vogons had recently taken to | |
| employing as catering staff on their long haul fleets, on the | |
| strict understanding that they keep themselves very much to | |
| themselves. | |
| This suited the Dentrassis fine, because they loved Vogon money, | |
| which is one of the hardest currencies in space, but loathed the | |
| Vogons themselves. The only sort of Vogon a Dentrassi liked to | |
| see was an annoyed Vogon. | |
| It was because of this tiny piece of information that Ford | |
| Prefect was not now a whiff of hydrogen, ozone and carbon | |
| monoxide. | |
| He heard a slight groan. By the light of the match he saw a heavy | |
| shape moving slightly on the floor. Quickly he shook the match | |
| out, reached in his pocket, found what he was looking for and | |
| took it out. He crouched on the floor. The shape moved again. | |
| Ford Prefect said: "I bought some peanuts." | |
| Arthur Dent moved, and groaned again, muttering incoherently. | |
| "Here, have some," urged Ford, shaking the packet again, "if | |
| you've never been through a matter transference beam before | |
| you've probably lost some salt and protein. The beer you had | |
| should have cushioned your system a bit." | |
| "Whhhrrrr..." said Arthur Dent. He opened his eyes. | |
| "It's dark," he said. | |
| "Yes," said Ford Prefect, "it's dark." | |
| "No light," said Arthur Dent. "Dark, no light." | |
| One of the things Ford Prefect had always found hardest to | |
| understand about human beings was their habit of continually | |
| stating and repeating the obvious, as in It's a nice day, or | |
| You're very tall, or Oh dear you seem to have fallen down a | |
| thirty-foot well, are you alright? At first Ford had formed a | |
| theory to account for this strange behaviour. If human beings | |
| don't keep exercising their lips, he thought, their mouths | |
| probably seize up. After a few months' consideration and | |
| observation he abandoned this theory in favour of a new one. If | |
| they don't keep on exercising their lips, he thought, their | |
| brains start working. After a while he abandoned this one as well | |
| as being obstructively cynical and decided he quite liked human | |
| beings after all, but he always remained desperately worried | |
| about the terrible number of things they didn't know about. | |
| "Yes," he agreed with Arthur, "no light." He helped Arthur to | |
| some peanuts. "How do you feel?" he asked. | |
| "Like a military academy," said Arthur, "bits of me keep on | |
| passing out." | |
| Ford stared at him blankly in the darkness. | |
| "If I asked you where the hell we were," said Arthur weakly, | |
| "would I regret it?" | |
| Ford stood up. "We're safe," he said. | |
| "Oh good," said Arthur. | |
| "We're in a small galley cabin," said Ford, "in one of the | |
| spaceships of the Vogon Constructor Fleet." | |
| "Ah," said Arthur, "this is obviously some strange usage of the | |
| word safe that I wasn't previously aware of." | |
| Ford struck another match to help him search for a light switch. | |
| Monstrous shadows leaped and loomed again. Arthur struggled to | |
| his feet and hugged himself apprehensively. Hideous alien shapes | |
| seemed to throng about him, the air was thick with musty smells | |
| which sidled into his lungs without identifying themselves, and a | |
| low irritating hum kept his brain from focusing. | |
| "How did we get here?" he asked, shivering slightly. | |
| "We hitched a lift," said Ford. | |
| "Excuse me?" said Arthur. "Are you trying to tell me that we just | |
| stuck out our thumbs and some green bug-eyed monster stuck his | |
| head out and said, Hi fellas, hop right in. I can take you as far | |
| as the Basingstoke roundabout?" | |
| "Well," said Ford, "the Thumb's an electronic sub-etha signalling | |
| device, the roundabout's at Barnard's Star six light years away, | |
| but otherwise, that's more or less right." | |
| "And the bug-eyed monster?" | |
| "Is green, yes." | |
| "Fine," said Arthur, "when can I get home?" | |
| "You can't," said Ford Prefect, and found the light switch. | |
| "Shade your eyes ..." he said, and turned it on. | |
| Even Ford was surprised. | |
| "Good grief," said Arthur, "is this really the interior of a | |
| flying saucer?" | |
| Prostetnic Vogon Jeltz heaved his unpleasant green body round the | |
| control bridge. He always felt vaguely irritable after | |
| demolishing populated planets. He wished that someone would come | |
| and tell him that it was all wrong so that he could shout at them | |
| and feel better. He flopped as heavily as he could on to his | |
| control seat in the hope that it would break and give him | |
| something to be genuinely angry about, but it only gave a | |
| complaining sort of creak. | |
| "Go away!" he shouted at a young Vogon guard who entered the | |
| bridge at that moment. The guard vanished immediately, feeling | |
| rather relieved. He was glad it wouldn't now be him who delivered | |
| the report they'd just received. The report was an official | |
| release which said that a wonderful new form of spaceship drive | |
| was at this moment being unveiled at a government research base | |
| on Damogran which would henceforth make all hyperspatial express | |
| routes unnecessary. | |
| Another door slid open, but this time the Vogon captain didn't | |
| shout because it was the door from the galley quarters where the | |
| Dentrassis prepared his meals. A meal would be most welcome. | |
| A huge furry creature bounded through the door with his lunch | |
| tray. It was grinning like a maniac. | |
| Prostetnic Vogon Jeltz was delighted. He knew that when a | |
| Dentrassi looked that pleased with itself there was something | |
| going on somewhere on the ship that he could get very angry | |
| indeed about. | |
| Ford and Arthur stared about them. | |
| "Well, what do you think?" said Ford. | |
| "It's a bit squalid, isn't it?" | |
| Ford frowned at the grubby mattress, unwashed cups and | |
| unidentifiable bits of smelly alien underwear that lay around the | |
| cramped cabin. | |
| "Well, this is a working ship, you see," said Ford. "These are | |
| the Dentrassi sleeping quarters." | |
| "I thought you said they were called Vogons or something." | |
| "Yes," said Ford, "the Vogons run the ship, the Dentrassis are | |
| the cooks, they let us on board." | |
| "I'm confused," said Arthur. | |
| "Here, have a look at this," said Ford. He sat down on one of the | |
| mattresses and rummaged about in his satchel. Arthur prodded the | |
| mattress nervously and then sat on it himself: in fact he had | |
| very little to be nervous about, because all mattresses grown in | |
| the swamps of Squornshellous Zeta are very thoroughly killed and | |
| dried before being put to service. Very few have ever come to | |
| life again. | |
| Ford handed the book to Arthur. | |
| "What is it?" asked Arthur. | |
| "The Hitchhiker's Guide to the Galaxy. It's a sort of electronic | |
| book. It tells you everything you need to know about anything. | |
| That's its job." | |
| Arthur turned it over nervously in his hands. | |
| "I like the cover," he said. "Don't Panic. It's the first helpful | |
| or intelligible thing anybody's said to me all day." | |
| "I'll show you how it works," said Ford. He snatched it from | |
| Arthur who was still holding it as if it was a two-week-dead lark | |
| and pulled it out of its cover. | |
| "You press this button here you see and the screen lights up | |
| giving you the index." | |
| A screen, about three inches by four, lit up and characters began | |
| to flicker across the surface. | |
| "You want to know about Vogons, so I enter that name so." His | |
| fingers tapped some more keys. "And there we are." | |
| The words Vogon Constructor Fleets flared in green across the | |
| screen. | |
| Ford pressed a large red button at the bottom of the screen and | |
| words began to undulate across it. At the same time, the book | |
| began to speak the entry as well in a still quiet measured voice. | |
| This is what the book said. | |
| "Vogon Constructor Fleets. Here is what to do if you want to get | |
| a lift from a Vogon: forget it. They are one of the most | |
| unpleasant races in the Galaxy -- not actually evil, but bad | |
| tempered, bureaucratic, officious and callous. They wouldn't even | |
| lift a finger to save their own grandmothers from the Ravenous | |
| Bugblatter Beast of Traal without orders signed in triplicate, | |
| sent in, sent back, queried, lost, found, subjected to public | |
| inquiry, lost again, and finally buried in soft peat and recycled | |
| as firelighters. | |
| "The best way to get a drink out of a Vogon is to stick your | |
| finger down his throat, and the best way to irritate him is to | |
| feed his grandmother to the Ravenous Bugblatter Beast of Traal. | |
| "On no account allow a Vogon to read poetry at you." | |
| Arthur blinked at it. | |
| "What a strange book. How did we get a lift then?" | |
| "That's the point, it's out of date now," said Ford, sliding the | |
| book back into its cover. "I'm doing the field research for the | |
| New Revised Edition, and one of the things I'll have to include | |
| is a bit about how the Vogons now employ Dentrassi cooks which | |
| gives us a rather useful little loophole." | |
| A pained expression crossed Arthur's face. "But who are the | |
| Dentrassi?" he said. | |
| "Great guys," said Ford. "They're the best cooks and the best | |
| drink mixers and they don't give a wet slap about anything else. | |
| And they'll always help hitch hikers aboard, partly because they | |
| like the company, but mostly because it annoys the Vogons. Which | |
| is exactly the sort of thing you need to know if you're an | |
| impoverished hitch hiker trying to see the marvels of the | |
| Universe for less than thirty Altairan Dollars a day. And that's | |
| my job. Fun, isn't it?" | |
| Arthur looked lost. | |
| "It's amazing," he said and frowned at one of the other | |
| mattresses. | |
| "Unfortunately I got stuck on the Earth for rather longer than I | |
| intended," said Ford. "I came for a week and got stuck for | |
| fifteen years." | |
| "But how did you get there in the first place then?" | |
| "Easy, I got a lift with a teaser." | |
| "A teaser?" | |
| "Yeah." | |
| "Er, what is ..." | |
| "A teaser? Teasers are usually rich kids with nothing to do. They | |
| cruise around looking for planets which haven't made interstellar | |
| contact yet and buzz them." | |
| "Buzz them?" Arthur began to feel that Ford was enjoying making | |
| life difficult for him. | |
| "Yeah", said Ford, "they buzz them. They find some isolated spot | |
| with very few people around, then land right by some poor soul | |
| whom no one's ever going to believe and then strut up and down in | |
| front of him wearing silly antennae on their heads and making | |
| beep beep noises. Rather childish really." Ford leant back on the | |
| mattress with his hands behind his head and looked infuriatingly | |
| pleased with himself. | |
| "Ford," insisted Arthur, "I don't know if this sounds like a | |
| silly question, but what am I doing here?" | |
| "Well you know that," said Ford. "I rescued you from the Earth." | |
| "And what's happened to the Earth?" | |
| "Ah. It's been demolished." | |
| "Has it," said Arthur levelly. | |
| "Yes. It just boiled away into space." | |
| "Look," said Arthur, "I'm a bit upset about that." | |
| Ford frowned to himself and seemed to roll the thought around his | |
| mind. | |
| "Yes, I can understand that," he said at last. | |
| "Understand that!" shouted Arthur. "Understand that!" | |
| Ford sprang up. | |
| "Keep looking at the book!" he hissed urgently. | |
| "What?" | |
| "Don't Panic." | |
| "I'm not panicking!" | |
| "Yes you are." | |
| "Alright so I'm panicking, what else is there to do?" | |
| "You just come along with me and have a good time. The Galaxy's a | |
| fun place. You'll need to have this fish in your ear." | |
| "I beg your pardon?" asked Arthur, rather politely he thought. | |
| Ford was holding up a small glass jar which quite clearly had a | |
| small yellow fish wriggling around in it. Arthur blinked at him. | |
| He wished there was something simple and recognizable he could | |
| grasp hold of. He would have felt safe if alongside the Dentrassi | |
| underwear, the piles of Squornshellous mattresses and the man | |
| from Betelgeuse holding up a small yellow fish and offering to | |
| put it in his ear he had been able to see just a small packet of | |
| corn flakes. He couldn't, and he didn't feel safe. | |
| Suddenly a violent noise leapt at them from no source that he | |
| could identify. He gasped in terror at what sounded like a man | |
| trying to gargle whilst fighting off a pack of wolves. | |
| "Shush!" said Ford. "Listen, it might be important." | |
| "Im ... important?" | |
| "It's the Vogon captain making an announcement on the T'annoy." | |
| "You mean that's how the Vogons talk?" | |
| "Listen!" | |
| "But I can't speak Vogon!" | |
| "You don't need to. Just put that fish in your ear." | |
| Ford, with a lightning movement, clapped his hand to Arthur's | |
| ear, and he had the sudden sickening sensation of the fish | |
| slithering deep into his aural tract. Gasping with horror he | |
| scrabbled at his ear for a second or so, but then slowly turned | |
| goggle-eyed with wonder. He was experiencing the aural equivalent | |
| of looking at a picture of two black silhouetted faces and | |
| suddenly seeing it as a picture of a white candlestick. Or of | |
| looking at a lot of coloured dots on a piece of paper which | |
| suddenly resolve themselves into the figure six and mean that | |
| your optician is going to charge you a lot of money for a new | |
| pair of glasses. | |
| He was still listening to the howling gargles, he knew that, only | |
| now it had taken on the semblance of perfectly straightforward | |
| English. | |
| This is what he heard ... | |
| ================================================================= | |
| Chapter 6 | |
| "Howl howl gargle howl gargle howl howl howl gargle howl gargle | |
| howl howl gargle gargle howl gargle gargle gargle howl slurrp | |
| uuuurgh should have a good time. Message repeats. This is your | |
| captain speaking, so stop whatever you're doing and pay | |
| attention. First of all I see from our instruments that we have a | |
| couple of hitchhikers aboard. Hello wherever you are. I just want | |
| to make it totally clear that you are not at all welcome. I | |
| worked hard to get where I am today, and I didn't become captain | |
| of a Vogon constructor ship simply so I could turn it into a taxi | |
| service for a load of degenerate freeloaders. I have sent out a | |
| search party, and as soon that they find you I will put you off | |
| the ship. If you're very lucky I might read you some of my poetry | |
| first. | |
| "Secondly, we are about to jump into hyperspace for the journey | |
| to Barnard's Star. On arrival we will stay in dock for a | |
| seventy-two hour refit, and no one's to leave the ship during | |
| that time. I repeat, all planet leave is cancelled. I've just had | |
| an unhappy love affair, so I don't see why anybody else should | |
| have a good time. Message ends." | |
| The noise stopped. | |
| Arthur discovered to his embarrassment that he was lying curled | |
| up in a small ball on the floor with his arms wrapped round his | |
| head. He smiled weakly. | |
| "Charming man," he said. "I wish I had a daughter so I could | |
| forbid her to marry one ..." | |
| "You wouldn't need to," said Ford. "They've got as much sex | |
| appeal as a road accident. No, don't move," he added as Arthur | |
| began to uncurl himself, "you'd better be prepared for the jump | |
| into hyperspace. It's unpleasantly like being drunk." | |
| "What's so unpleasant about being drunk?" | |
| "You ask a glass of water." | |
| Arthur thought about this. | |
| "Ford," he said. | |
| "Yeah?" | |
| "What's this fish doing in my ear?" | |
| "It's translating for you. It's a Babel fish. Look it up in the | |
| book if you like." | |
| He tossed over The Hitch Hiker's Guide to the Galaxy and then | |
| curled himself up into a foetal ball to prepare himself for the | |
| jump. | |
| At that moment the bottom fell out of Arthur's mind. | |
| His eyes turned inside out. His feet began to leak out of the top | |
| of his head. | |
| The room folded flat about him, spun around, shifted out of | |
| existence and left him sliding into his own navel. | |
| They were passing through hyperspace. | |
| "The Babel fish," said The Hitch Hiker's Guide to the Galaxy | |
| quietly, "is small, yellow and leech-like, and probably the | |
| oddest thing in the Universe. It feeds on brainwave energy not | |
| from its carrier but from those around it. It absorbs all | |
| unconscious mental frequencies from this brainwave energy to | |
| nourish itself with. It then excretes into the mind of its | |
| carrier a telepathic matrix formed by combining the conscious | |
| thought frequencies with nerve signals picked up from the speech | |
| centres of the brain which has supplied them. The practical | |
| upshot of all this is that if you stick a Babel fish in your ear | |
| you can instantly understand anything said to you in any form of | |
| language. The speech patterns you actually hear decode the | |
| brainwave matrix which has been fed into your mind by your Babel | |
| fish. | |
| "Now it is such a bizarrely improbable coincidence that anything | |
| so mindboggingly useful could have evolved purely by chance that | |
| some thinkers have chosen to see it as the final and clinching | |
| proof of the non-existence of God. | |
| "The argument goes something like this: `I refuse to prove that I | |
| exist,' says God, `for proof denies faith, and without faith I am | |
| nothing.' | |
| "`But,' says Man, `The Babel fish is a dead giveaway, isn't it? | |
| It could not have evolved by chance. It proves you exist, and so | |
| therefore, by your own arguments, you don't. QED.' | |
| "`Oh dear,' says God, `I hadn't thought of that,' and promptly | |
| vanished in a puff of logic. | |
| "`Oh, that was easy,' says Man, and for an encore goes on to | |
| prove that black is white and gets himself killed on the next | |
| zebra crossing. | |
| "Most leading theologians claim that this argument is a load of | |
| dingo's kidneys, but that didn't stop Oolon Colluphid making a | |
| small fortune when he used it as the central theme of his best- | |
| selling book Well That About Wraps It Up For God. | |
| "Meanwhile, the poor Babel fish, by effectively removing all | |
| barriers to communication between different races and cultures, | |
| has caused more and bloddier wars than anything else in the | |
| history of creation." | |
| Arthur let out a low groan. He was horrified to discover that the | |
| kick through hyperspace hadn't killed him. He was now six light | |
| years from the place that the Earth would have been if it still | |
| existed. | |
| The Earth. | |
| Visions of it swam sickeningly through his nauseated mind. There | |
| was no way his imagination could feel the impact of the whole | |
| Earth having gone, it was too big. He prodded his feelings by | |
| thinking that his parents and his sister had gone. No reaction. | |
| He thought of all the people he had been close to. No reaction. | |
| Then he thought of a complete stranger he had been standing | |
| behind in the queue at the supermarket before and felt a sudden | |
| stab - the supermarket was gone, everything in it was gone. | |
| Nelson's Column had gone! Nelson's Column had gone and there | |
| would be no outcry, because there was no one left to make an | |
| outcry. From now on Nelson's Column only existed in his mind. | |
| England only existed in his mind - his mind, stuck here in this | |
| dank smelly steel-lined spaceship. A wave of claustrophobia | |
| closed in on him. | |
| England no longer existed. He'd got that - somehow he'd got it. | |
| He tried again. America, he thought, has gone. He couldn't grasp | |
| it. He decided to start smaller again. New York has gone. No | |
| reaction. He'd never seriously believed it existed anyway. The | |
| dollar, he thought, had sunk for ever. Slight tremor there. Every | |
| Bogart movie has been wiped, he said to himself, and that gave | |
| him a nasty knock. McDonalds, he thought. There is no longer any | |
| such thing as a McDonald's hamburger. | |
| He passed out. When he came round a second later he found he was | |
| sobbing for his mother. | |
| He jerked himself violently to his feet. | |
| "Ford!" | |
| Ford looked up from where he was sitting in a corner humming to | |
| himself. He always found the actual travelling-through-space part | |
| of space travel rather trying. | |
| "Yeah?" he said. | |
| "If you're a researcher on this book thing and you were on Earth, | |
| you must have been gathering material on it." | |
| "Well, I was able to extend the original entry a bit, yes." | |
| "Let me see what it says in this edition then, I've got to see | |
| it." | |
| "Yeah OK." He passed it over again. | |
| Arthur grabbed hold of it and tried to stop his hands shaking. He | |
| pressed the entry for the relevant page. The screen flashed and | |
| swirled and resolved into a page of print. Arthur stared at it. | |
| "It doesn't have an entry!" he burst out. | |
| Ford looked over his shoulder. | |
| "Yes it does," he said, "down there, see at the bottom of the | |
| screen, just under Eccentrica Gallumbits, the triple-breasted | |
| whore of Eroticon 6." | |
| Arthur followed Ford's finger, and saw where it was pointing. For | |
| a moment it still didn't register, then his mind nearly blew up. | |
| "What? Harmless? Is that all it's got to say? Harmless! One | |
| word!" | |
| Ford shrugged. | |
| "Well, there are a hundred billion stars in the Galaxy, and only | |
| a limited amount of space in the book's microprocessors," he | |
| said, "and no one knew much about the Earth of course." | |
| "Well for God's sake I hope you managed to rectify that a bit." | |
| "Oh yes, well I managed to transmit a new entry off to the | |
| editor. He had to trim it a bit, but it's still an improvement." | |
| "And what does it say now?" asked Arthur. | |
| "Mostly harmless," admitted Ford with a slightly embarrassed | |
| cough. | |
| "Mostly harmless!" shouted Arthur. | |
| "What was that noise?" hissed Ford. | |
| "It was me shouting," shouted Arthur. | |
| "No! Shut up!" said Ford. I think we're in trouble." | |
| "You think we're in trouble!" | |
| Outside the door were the sounds of marching feet. | |
| "The Dentrassi?" whispered Arthur. | |
| "No, those are steel tipped boots," said Ford. | |
| There was a sharp ringing rap on the door. | |
| "Then who is it?" said Arthur. | |
| "Well," said Ford, "if we're lucky it's just the Vogons come to | |
| throw us in to space." | |
| "And if we're unlucky?" | |
| "If we're unlucky," said Ford grimly, "the captain might be | |
| serious in his threat that he's going to read us some of his | |
| poetry first ..." | |
| ================================================================= | |
| Chapter 7 | |
| Vogon poetry is of course the third worst in the Universe. | |
| The second worst is that of the Azagoths of Kria. During a | |
| recitation by their Poet Master Grunthos the Flatulent of his | |
| poem "Ode To A Small Lump of Green Putty I Found In My Armpit One | |
| Midsummer Morning" four of his audience died of internal | |
| haemorrhaging, and the President of the Mid-Galactic Arts | |
| Nobbling Council survived by gnawing one of his own legs off. | |
| Grunthos is reported to have been "disappointed" by the poem's | |
| reception, and was about to embark on a reading of his twelve- | |
| book epic entitled My Favourite Bathtime Gurgles when his own | |
| major intestine, in a desperate attempt to save life and | |
| civilization, leapt straight up through his neck and throttled | |
| his brain. | |
| The very worst poetry of all perished along with its creator | |
| Paula Nancy Millstone Jennings of Greenbridge, Essex, England in | |
| the destruction of the planet Earth. | |
| Prostetnic Vogon Jeltz smiled very slowly. This was done not so | |
| much for effect as because he was trying to remember the sequence | |
| of muscle movements. He had had a terribly therapeutic yell at | |
| his prisoners and was now feeling quite relaxed and ready for a | |
| little callousness. | |
| The prisoners sat in Poetry Appreciation Chairs --strapped in. | |
| Vogons suffered no illusions as to the regard their works were | |
| generally held in. Their early attempts at composition had been | |
| part of bludgeoning insistence that they be accepted as a | |
| properly evolved and cultured race, but now the only thing that | |
| kept them going was sheer bloodymindedness. | |
| The sweat stood out cold on Ford Prefect's brow, and slid round | |
| the electrodes strapped to his temples. These were attached to a | |
| battery of electronic equipment - imagery intensifiers, rhythmic | |
| modulators, alliterative residulators and simile dumpers - all | |
| designed to heighten the experience of the poem and make sure | |
| that not a single nuance of the poet's thought was lost. | |
| Arthur Dent sat and quivered. He had no idea what he was in for, | |
| but he knew that he hadn't liked anything that had happened so | |
| far and didn't think things were likely to change. | |
| The Vogon began to read - a fetid little passage of his own | |
| devising. | |
| "Oh frettled gruntbuggly ..." he began. Spasms wracked Ford's | |
| body - this was worse than ever he'd been prepared for. | |
| "... thy micturations are to me | As plurdled gabbleblotchits on | |
| a lurgid bee." | |
| "Aaaaaaarggggghhhhhh!" went Ford Prefect, wrenching his head back | |
| as lumps of pain thumped through it. He could dimly see beside | |
| him Arthur lolling and rolling in his seat. He clenched his | |
| teeth. | |
| "Groop I implore thee," continued the merciless Vogon, "my | |
| foonting turlingdromes." | |
| His voice was rising to a horrible pitch of impassioned | |
| stridency. "And hooptiously drangle me with crinkly | |
| bindlewurdles,| Or I will rend thee in the gobberwarts with my | |
| blurglecruncheon, see if I don't!" | |
| "Nnnnnnnnnnyyyyyyyuuuuuuurrrrrrrggggggghhhhh!" cried Ford Prefect | |
| and threw one final spasm as the electronic enhancement of the | |
| last line caught him full blast across the temples. He went limp. | |
| Arthur lolled. | |
| "Now Earthlings ..." whirred the Vogon (he didn't know that Ford | |
| Prefect was in fact from a small planet in the vicinity of | |
| Betelgeuse, and wouldn't have cared if he had) "I present you | |
| with a simple choice! Either die in the vacuum of space, or ..." | |
| he paused for melodramatic effect, "tell me how good you thought | |
| my poem was!" | |
| He threw himself backwards into a huge leathery bat-shaped seat | |
| and watched them. He did the smile again. | |
| Ford was rasping for breath. He rolled his dusty tongue round his | |
| parched mouth and moaned. | |
| Arthur said brightly: "Actually I quite liked it." | |
| Ford turned and gaped. Here was an approach that had quite simply | |
| not occurred to him. | |
| The Vogon raised a surprised eyebrow that effectively obscured | |
| his nose and was therefore no bad thing. | |
| "Oh good ..." he whirred, in considerable astonishment. | |
| "Oh yes," said Arthur, "I thought that some of the metaphysical | |
| imagery was really particularly effective." | |
| Ford continued to stare at him, slowly organizing his thoughts | |
| around this totally new concept. Were they really going to be | |
| able to bareface their way out of this? | |
| "Yes, do continue ..." invited the Vogon. | |
| "Oh ... and er ... interesting rhythmic devices too," continued | |
| Arthur, "which seemed to counterpoint the ... er ... er ..." He | |
| floundered. | |
| Ford leaped to his rescue, hazarding "counterpoint the surrealism | |
| of the underlying metaphor of the ... er ..." He floundered too, | |
| but Arthur was ready again. | |
| "... humanity of the ..." | |
| "Vogonity," Ford hissed at him. | |
| "Ah yes, Vogonity (sorry) of the poet's compassionate soul," | |
| Arthur felt he was on a home stretch now, "which contrives | |
| through the medium of the verse structure to sublimate this, | |
| transcend that, and come to terms with the fundamental | |
| dichotomies of the other," (he was reaching a triumphant | |
| crescendo ...) "and one is left with a profound and vivid insight | |
| into ... into ... er ..." (... which suddenly gave out on him.) | |
| Ford leaped in with the coup de gr@ce: | |
| "Into whatever it was the poem was about!" he yelled. Out of the | |
| corner of his mouth: "Well done, Arthur, that was very good." | |
| The Vogon perused them. For a moment his embittered racial soul | |
| had been touched, but he thought no - too little too late. His | |
| voice took on the quality of a cat snagging brushed nylon. | |
| "So what you're saying is that I write poetry because underneath | |
| my mean callous heartless exterior I really just want to be | |
| loved," he said. He paused. "Is that right?" | |
| Ford laughed a nervous laugh. "Well I mean yes," he said, "don't | |
| we all, deep down, you know ... er ..." | |
| The Vogon stood up. | |
| "No, well you're completely wrong," he said, "I just write poetry | |
| to throw my mean callous heartless exterior into sharp relief. | |
| I'm going to throw you off the ship anyway. Guard! Take the | |
| prisoners to number three airlock and throw them out!" | |
| "What?" shouted Ford. | |
| A huge young Vogon guard stepped forward and yanked them out of | |
| their straps with his huge blubbery arms. | |
| "You can't throw us into space," yelled Ford, "we're trying to | |
| write a book." | |
| "Resistance is useless!" shouted the Vogon guard back at him. It | |
| was the first phrase he'd learnt when he joined the Vogon Guard | |
| Corps. | |
| The captain watched with detached amusement and then turned away. | |
| Arthur stared round him wildly. | |
| "I don't want to die now!" he yelled. "I've still got a headache! | |
| I don't want to go to heaven with a headache, I'd be all cross | |
| and wouldn't enjoy it!" | |
| The guard grasped them both firmly round the neck, and bowing | |
| deferentially towards his captain's back, hoiked them both | |
| protesting out of the bridge. A steel door closed and the captain | |
| was on his own again. He hummed quietly and mused to himself, | |
| lightly fingering his notebook of verses. | |
| "Hmmmm," he said, "counterpoint the surrealism of the underlying | |
| metaphor ..." He considered this for a moment, and then closed | |
| the book with a grim smile. | |
| "Death's too good for them," he said. | |
| The long steel-lined corridor echoed to the feeble struggles of | |
| the two humanoids clamped firmly under rubbery Vogon armpits. | |
| "This is great," spluttered Arthur, "this is really terrific. Let | |
| go of me you brute!" | |
| The Vogon guard dragged them on. | |
| "Don't you worry," said Ford, "I'll think of something." He | |
| didn't sound hopeful. | |
| "Resistance is useless!" bellowed the guard. | |
| "Just don't say things like that," stammered Ford. "How can | |
| anyone maintain a positive mental attitude if you're saying | |
| things like that?" | |
| "My God," complained Arthur, "you're talking about a positive | |
| mental attitude and you haven't even had your planet demolished | |
| today. I woke up this morning and thought I'd have a nice relaxed | |
| day, do a bit of reading, brush the dog ... It's now just after | |
| four in the afternoon and I'm already thrown out of an alien | |
| spaceship six light years from the smoking remains of the Earth!" | |
| He spluttered and gurgled as the Vogon tightened his grip. | |
| "Alright," said Ford, "just stop panicking." | |
| "Who said anything about panicking?" snapped Arthur. "This is | |
| still just the culture shock. You wait till I've settled down | |
| into the situation and found my bearings. Then I'll start | |
| panicking." | |
| "Arthur you're getting hysterical. Shut up!" Ford tried | |
| desperately to think, but was interrupted by the guard shouting | |
| again. | |
| "Resistance is useless!" | |
| "And you can shut up as well!" snapped Ford. | |
| "Resistance is useless!" | |
| "Oh give it a rest," said Ford. He twisted his head till he was | |
| looking straight up into his captor's face. A thought struck him. | |
| "Do you really enjoy this sort of thing?" he asked suddenly. | |
| The Vogon stopped dead and a look of immense stupidity seeped | |
| slowly over his face. | |
| "Enjoy?" he boomed. "What do you mean?" | |
| "What I mean," said Ford, "is does it give you a full satisfying | |
| life? Stomping around, shouting, pushing people out of spaceships | |
| ..." | |
| The Vogon stared up at the low steel ceiling and his eyebrows | |
| almost rolled over each other. His mouth slacked. Finally he | |
| said, "Well the hours are good ..." | |
| "They'd have to be," agreed Ford. | |
| Arthur twisted his head to look at Ford. | |
| "Ford, what are you doing?" he asked in an amazed whisper. | |
| "Oh, just trying to take an interest in the world around me, OK?" | |
| he said. "So the hours are pretty good then?" he resumed. | |
| The Vogon stared down at him as sluggish thoughts moiled around | |
| in the murky depths. | |
| "Yeah," he said, "but now you come to mention it, most of the | |
| actual minutes are pretty lousy. Except ..." he thought again, | |
| which required looking at the ceiling - "except some of the | |
| shouting I quite like." He filled his lungs and bellowed, | |
| "Resistance is ..." | |
| "Sure, yes," interrupted Ford hurriedly, "you're good at that, I | |
| can tell. But if it's mostly lousy," he said, slowly giving the | |
| words time to reach their mark, "then why do you do it? What is | |
| it? The girls? The leather? The machismo? Or do you just find | |
| that coming to terms with the mindless tedium of it all presents | |
| an interesting challenge?" | |
| "Er ..." said the guard, "er ... er ... I dunno. I think I just | |
| sort of ... do it really. My aunt said that spaceship guard was a | |
| good career for a young Vogon - you know, the uniform, the low- | |
| slung stun ray holster, the mindless tedium ..." | |
| "There you are Arthur," said Ford with the air of someone | |
| reaching the conclusion of his argument, "you think you've got | |
| problems." | |
| Arthur rather thought he had. Apart from the unpleasant business | |
| with his home planet the Vogon guard had half-throttled him | |
| already and he didn't like the sound of being thrown into space | |
| very much. | |
| "Try and understand his problem," insisted Ford. "Here he is poor | |
| lad, his entire life's work is stamping around, throwing people | |
| off spaceships ..." | |
| "And shouting," added the guard. | |
| "And shouting, sure," said Ford patting the blubbery arm clamped | |
| round his neck in friendly condescension, "... and he doesn't | |
| even know why he's doing it!" | |
| Arthur agreed this was very sad. He did this with a small feeble | |
| gesture, because he was too asphyxicated to speak. | |
| Deep rumblings of bemusement came from the guard. | |
| "Well. Now you put it like that I suppose ..." | |
| "Good lad!" encouraged Ford. | |
| "But alright," went on the rumblings, "so what's the | |
| alternative?" | |
| "Well," said Ford, brightly but slowly, "stop doing it of course! | |
| Tell them," he went on, "you're not going to do it anymore." He | |
| felt he had to add something to that, but for the moment the | |
| guard seemed to have his mind occupied pondering that much. | |
| "Eerrrrrrmmmmmmmmmmmmmmmmmmmmm ..." said the guard, "erm, well | |
| that doesn't sound that great to me." | |
| Ford suddenly felt the moment slipping away. | |
| "Now wait a minute," he said, "that's just the start you see, | |
| there's more to it than that you see ..." | |
| But at that moment the guard renewed his grip and continued his | |
| original purpose of lugging his prisoners to the airlock. He was | |
| obviously quite touched. | |
| "No, I think if it's all the same to you," he said, "I'd better | |
| get you both shoved into this airlock and then go and get on with | |
| some other bits of shouting I've got to do." | |
| It wasn't all the same to Ford Prefect after all. | |
| "Come on now ... but look!" he said, less slowly, less brightly. | |
| "Huhhhhgggggggnnnnnnn ..." said Arthur without any clear | |
| inflection. | |
| "But hang on," pursued Ford, "there's music and art and things to | |
| tell you about yet! Arrrggghhh!" | |
| "Resistance is useless," bellowed the guard, and then added, "You | |
| see if I keep it up I can eventually get promoted to Senior | |
| Shouting Officer, and there aren't usually many vacancies for | |
| non-shouting and non-pushing-people-about officers, so I think | |
| I'd better stick to what I know." | |
| They had now reached the airlock - a large circular steel | |
| hatchway of massive strength and weight let into the inner skin | |
| of the craft. The guard operated a control and the hatchway swung | |
| smoothly open. | |
| "But thanks for taking an interest," said the Vogon guard. "Bye | |
| now." He flung Ford and Arthur through the hatchway into the | |
| small chamber within. Arthur lay panting for breath. Ford | |
| scrambled round and flung his shoulder uselessly against the | |
| reclosing hatchway. | |
| "But listen," he shouted to the guard, "there's a whole world you | |
| don't know anything about ... here how about this?" Desperately | |
| he grabbed for the only bit of culture he knew offhand - he | |
| hummed the first bar of Beethoven's Fifth. | |
| "Da da da dum! Doesn't that stir anything in you?" | |
| "No," said the guard, "not really. But I'll mention it to my | |
| aunt." | |
| If he said anything further after that it was lost. The hatchway | |
| sealed itself tight, and all sound was lost but the faint distant | |
| hum of the ship's engines. | |
| They were in a brightly polished cylindrical chamber about six | |
| feet in diameter and ten feet long. | |
| "Potentially bright lad I thought," he said and slumped against | |
| the curved wall. | |
| Arthur was still lying in the curve of the floor where he had | |
| fallen. He didn't look up. He just lay panting. | |
| "We're trapped now aren't we?" | |
| "Yes," said Ford, "we're trapped." | |
| "Well didn't you think of anything? I thought you said you were | |
| going to think of something. Perhaps you thought of something and | |
| didn't notice." | |
| "Oh yes, I thought of something," panted Ford. Arthur looked up | |
| expectantly. | |
| "But unfortunately," continued Ford, "it rather involved being on | |
| the other side of this airtight hatchway." He kicked the hatch | |
| they'd just been through. | |
| "But it was a good idea was it?" | |
| "Oh yes, very neat." | |
| "What was it?" | |
| "Well I hadn't worked out the details yet. Not much point now is | |
| there?" | |
| "So ... er, what happens next?" | |
| "Oh, er, well the hatchway in front of us will open automatically | |
| in a few moments and we will shoot out into deep space I expect | |
| and asphyxicate. If you take a lungful of air with you you can | |
| last for up to thirty seconds of course ..." said Ford. He stuck | |
| his hands behind his back, raised his eyebrows and started to hum | |
| an old Betelgeusian battle hymn. To Arthur's eyes he suddenly | |
| looked very alien. | |
| "So this is it," said Arthur, "we're going to die." | |
| "Yes," said Ford, "except ... no! Wait a minute!" he suddenly | |
| lunged across the chamber at something behind Arthur's line of | |
| vision. "What's this switch?" he cried. | |
| "What? Where?" cried Arthur twisting round. | |
| "No, I was only fooling," said Ford, "we are going to die after | |
| all." | |
| He slumped against the wall again and carried on the tune from | |
| where he left off. | |
| "You know," said Arthur, "it's at times like this, when I'm | |
| trapped in a Vogon airlock with a man from Betelgeuse, and about | |
| to die of asphyxication in deep space that I really wish I'd | |
| listened to what my mother told me when I was young." | |
| "Why, what did she tell you?" | |
| "I don't know, I didn't listen." | |
| "Oh." Ford carried on humming. | |
| "This is terrific," Arthur thought to himself, "Nelson's Column | |
| has gone, McDonald's have gone, all that's left is me and the | |
| words Mostly Harmless. Any second now all that will be left is | |
| Mostly Harmless. And yesterday the planet seemed to be going so | |
| well." | |
| A motor whirred. | |
| A slight hiss built into a deafening roar of rushing air as the | |
| outer hatchway opened on to an empty blackness studded with tiny | |
| impossibly bright points of light. Ford and Arthur popped into | |
| outer space like corks from a toy gun. | |
| ================================================================= | |
| Chapter 8 | |
| The Hitch Hiker's Guide to the Galaxy is a wholly remarkable | |
| book. It has been compiled and recompiled many times over many | |
| years and under many different editorships. It contains | |
| contributions from countless numbers of travellers and | |
| researchers. | |
| The introduction begins like this: | |
| "Space," it says, "is big. Really big. You just won't believe how | |
| vastly hugely mindboggingly big it is. I mean you may think it's | |
| a long way down the road to the chemist, but that's just peanuts | |
| to space. Listen ..." and so on. | |
| (After a while the style settles down a bit and it begins to tell | |
| you things you really need to know, like the fact that the | |
| fabulously beautiful planet Bethselamin is now so worried about | |
| the cumulative erosion by ten billion visiting tourists a year | |
| that any net imbalance between the amount you eat and the amount | |
| you excrete whilst on the planet is surgically removed from your | |
| bodyweight when you leave: so every time you go to the lavatory | |
| it is vitally important to get a receipt.) | |
| To be fair though, when confronted by the sheer enormity of | |
| distances between the stars, better minds than the one | |
| responsible for the Guide's introduction have faltered. Some | |
| invite you to consider for a moment a peanut in reading and a | |
| small walnut in Johannesburg, and other such dizzying concepts. | |
| The simple truth is that interstellar distances will not fit into | |
| the human imagination. | |
| Even light, which travels so fast that it takes most races | |
| thousands of years to realize that it travels at all, takes time | |
| to journey between the stars. It takes eight minutes from the | |
| star Sol to the place where the Earth used to be, and four years | |
| more to arrive at Sol's nearest stellar neighbour, Alpha Proxima. | |
| For light to reach the other side of the Galaxy, for it to reach | |
| Damogran for instance, takes rather longer: five hundred thousand | |
| years. | |
| The record for hitch hiking this distance is just under five | |
| years, but you don't get to see much on the way. | |
| The Hitch Hiker's Guide to the Galaxy says that if you hold a | |
| lungful of air you can survive in the total vacuum of space for | |
| about thirty seconds. However it goes on to say that what with | |
| space being the mind boggling size it is the chances of getting | |
| picked up by another ship within those thirty seconds are two to | |
| the power of two hundred and sixty-seven thousand seven hundred | |
| and nine to one against. | |
| By a totally staggering coincidence that is also the telephone | |
| number of an Islington flat where Arthur once went to a very good | |
| party and met a very nice girl whom he totally failed to get off | |
| with - she went off with a gatecrasher. | |
| Though the planet Earth, the Islington flat and the telephone | |
| have all now been demolished, it is comforting to reflect that | |
| they are all in some small way commemorated by the fact that | |
| twenty-nine seconds later Ford and Arthur were rescued. | |
| ================================================================= | |
| Chapter 9 | |
| A computer chatted to itself in alarm as it noticed an airlock | |
| open and close itself for no apparent reason. | |
| This was because Reason was in fact out to lunch. | |
| A hole had just appeared in the Galaxy. It was exactly a | |
| nothingth of a second long, a nothingth of an inch wide, and | |
| quite a lot of million light years from end to end. | |
| As it closed up lots of paper hats and party balloons fell out of | |
| it and drifted off through the universe. A team of seven three- | |
| foot-high market analysts fell out of it and died, partly of | |
| asphyxication, partly of surprise. | |
| Two hundred and thirty-nine thousand lightly fried eggs fell out | |
| of it too, materializing in a large woobly heap on the famine- | |
| struck land of Poghril in the Pansel system. | |
| The whole Poghril tribe had died out from famine except for one | |
| last man who died of cholesterol poisoning some weeks later. | |
| The nothingth of a second for which the hole existed reverberated | |
| backwards and forwards through time in a most improbable fashion. | |
| Somewhere in the deeply remote past it seriously traumatized a | |
| small random group of atoms drifting through the empty sterility | |
| of space and made them cling together in the most extraordinarily | |
| unlikely patterns. These patterns quickly learnt to copy | |
| themselves (this was part of what was so extraordinary of the | |
| patterns) and went on to cause massive trouble on every planet | |
| they drifted on to. That was how life began in the Universe. | |
| Five wild Event Maelstroms swirled in vicious storms of unreason | |
| and spewed up a pavement. | |
| On the pavement lay Ford Prefect and Arthur Dent gulping like | |
| half-spent fish. | |
| "There you are," gasped Ford, scrabbling for a fingerhold on the | |
| pavement as it raced through the Third Reach of the Unknown, "I | |
| told you I'd think of something." | |
| "Oh sure," said Arthur, "sure." | |
| "Bright idea of mine," said Ford, "to find a passing spaceship | |
| and get rescued by it." | |
| The real universe arched sickeningly away beneath them. Various | |
| pretend ones flitted silently by, like mountain goats. Primal | |
| light exploded, splattering space-time as with gobbets of junket. | |
| Time blossomed, matter shrank away. The highest prime number | |
| coalesced quietly in a corner and hid itself away for ever. | |
| "Oh come off it," said Arthur, "the chances against it were | |
| astronomical." | |
| "Don't knock it, it worked," said Ford. | |
| "What sort of ship are we in?" asked Arthur as the pit of | |
| eternity yawned beneath them. | |
| "I don't know," said Ford, "I haven't opened my eyes yet." | |
| "No, nor have I," said Arthur. | |
| The Universe jumped, froze, quivered and splayed out in several | |
| unexpected directions. | |
| Arthur and Ford opened their eyes and looked about in | |
| considerable surprise. | |
| "Good god," said Arthur, "it looks just like the sea front at | |
| Southend." | |
| "Hell, I'm relieved to hear you say that," said Ford. | |
| "Why?" | |
| "Because I thought I must be going mad." | |
| "Perhaps you are. Perhaps you only thought I said it." | |
| Ford thought about this. | |
| "Well, did you say it or didn't you?" he asked. | |
| "I think so," said Arthur. | |
| "Well, perhaps we're both going mad." | |
| "Yes," said Arthur, "we'd be mad, all things considered, to think | |
| this was Southend." | |
| "Well, do you think this is Southend?" | |
| "Oh yes." | |
| "So do I." | |
| "Therefore we must be mad." | |
| "Nice day for it." | |
| "Yes," said a passing maniac. | |
| "Who was that?" asked Arthur | |
| "Who - the man with the five heads and the elderberry bush full | |
| of kippers?" | |
| "Yes." | |
| "I don't know. Just someone." | |
| "Ah." | |
| They both sat on the pavement and watched with a certain unease | |
| as huge children bounced heavily along the sand and wild horses | |
| thundered through the sky taking fresh supplies of reinforced | |
| railings to the Uncertain Areas. | |
| "You know," said Arthur with a slight cough, "if this is | |
| Southend, there's something very odd about it ..." | |
| "You mean the way the sea stays steady and the buildings keep | |
| washing up and down?" said Ford. "Yes I thought that was odd too. | |
| In fact," he continued as with a huge bang Southend split itself | |
| into six equal segments which danced and span giddily round each | |
| other in lewd and licentious formation, "there is something | |
| altogether very strange going on." | |
| Wild yowling noises of pipes and strings seared through the wind, | |
| hot doughnuts popped out of the road for ten pence each, horrid | |
| fish stormed out of the sky and Arthur and Ford decided to make a | |
| run for it. | |
| They plunged through heavy walls of sound, mountains of archaic | |
| thought, valleys of mood music, bad shoe sessions and footling | |
| bats and suddenly heard a girl's voice. | |
| It sounded quite a sensible voice, but it just said, "Two to the | |
| power of one hundred thousand to one against and falling," and | |
| that was all. | |
| Ford skidded down a beam of light and span round trying to find a | |
| source for the voice but could see nothing he could seriously | |
| believe in. | |
| "What was that voice?" shouted Arthur. | |
| "I don't know," yelled Ford, "I don't know. It sounded like a | |
| measurement of probability." | |
| "Probability? What do you mean?" | |
| "Probability. You know, like two to one, three to one, five to | |
| four against. It said two to the power of one hundred thousand to | |
| one against. That's pretty improbable you know." | |
| A million-gallon vat of custard upended itself over them without | |
| warning. | |
| "But what does it mean?" cried Arthur. | |
| "What, the custard?" | |
| "No, the measurement of probability!" | |
| "I don't know. I don't know at all. I think we're on some kind of | |
| spaceship." | |
| "I can only assume," said Arthur, "that this is not the first- | |
| class compartment." | |
| Bulges appeared in the fabric of space-time. Great ugly bulges. | |
| "Haaaauuurrgghhh ..." said Arthur as he felt his body softening | |
| and bending in unusual directions. "Southend seems to be melting | |
| away ... the stars are swirling ... a dustbowl ... my legs are | |
| drifting off into the sunset ... my left arm's come off too." A | |
| frightening thought struck him: "Hell," he said, "how am I going | |
| to operate my digital watch now?" He wound his eyes desperately | |
| around in Ford's direction. | |
| "Ford," he said, "you're turning into a penguin. Stop it." | |
| Again came the voice. | |
| "Two to the power of seventy-five thousand to one against and | |
| falling." | |
| Ford waddled around his pond in a furious circle. | |
| "Hey, who are you," he quacked. "Where are you? What's going on | |
| and is there any way of stopping it?" | |
| "Please relax," said the voice pleasantly, like a stewardess in | |
| an airliner with only one wing and two engines one of which is on | |
| fire, "you are perfectly safe." | |
| "But that's not the point!" raged Ford. "The point is that I am | |
| now a perfectly save penguin, and my colleague here is rapidly | |
| running out of limbs!" | |
| "It's alright, I've got them back now," said Arthur. | |
| "Two to the power of fifty thousand to one against and falling," | |
| said the voice. | |
| "Admittedly," said Arthur, "they're longer than I usually like | |
| them, but ..." | |
| "Isn't there anything," squawked Ford in avian fury, "you feel | |
| you ought to be telling us?" | |
| The voice cleared its throat. A giant petit four lolloped off | |
| into the distance. | |
| "Welcome," the voice said, "to the Starship Heart of Gold." | |
| The voice continued. | |
| "Please do not be alarmed," it said, "by anything you see or hear | |
| around you. You are bound to feel some initial ill effects as you | |
| have been rescued from certain death at an improbability level of | |
| two to the power of two hundred and seventy-six thousand to one | |
| against - possibly much higher. We are now cruising at a level of | |
| two to the power of twenty-five thousand to one against and | |
| falling, and we will be restoring normality just as soon as we | |
| are sure what is normal anyway. Thank you. Two to the power of | |
| twenty thousand to one against and falling." | |
| The voice cut out. | |
| Ford and Arthur were in a small luminous pink cubicle. | |
| Ford was wildly excited. | |
| "Arthur!" he said, "this is fantastic! We've been picked up by a | |
| ship powered by the Infinite Improbability Drive! This is | |
| incredible! I heard rumors about it before! They were all | |
| officially denied, but they must have done it! They've built the | |
| Improbability Drive! Arthur, this is ... Arthur? What's | |
| happening?" | |
| Arthur had jammed himself against the door to the cubicle, trying | |
| to hold it closed, but it was ill fitting. Tiny furry little | |
| hands were squeezing themselves through the cracks, their fingers | |
| were inkstained; tiny voices chattered insanely. | |
| Arthur looked up. | |
| "Ford!" he said, "there's an infinite number of monkeys outside | |
| who want to talk to us about this script for Hamlet they've | |
| worked out." | |
| ================================================================= | |
| Chapter 10 | |
| The Infinite Improbability Drive is a wonderful new method of | |
| crossing vast interstellar distances in a mere nothingth of a | |
| second, without all that tedious mucking about in hyperspace. | |
| It was discovered by a lucky chance, and then developed into a | |
| governable form of propulsion by the Galactic Government's | |
| research team on Damogran. | |
| This, briefly, is the story of its discovery. | |
| The principle of generating small amounts of finite improbability | |
| by simply hooking the logic circuits of a Bambleweeny 57 Sub- | |
| Meson Brain to an atomic vector plotter suspended in a strong | |
| Brownian Motion producer (say a nice hot cup of tea) were of | |
| course well understood - and such generators were often used to | |
| break the ice at parties by making all the molecules in the | |
| hostess's undergarments leap simultaneously one foot to the left, | |
| in accordance with the Theory of Indeterminacy. | |
| Many respectable physicists said that they weren't going to stand | |
| for this - partly because it was a debasement of science, but | |
| mostly because they didn't get invited to those sort of parties. | |
| Another thing they couldn't stand was the perpetual failure they | |
| encountered in trying to construct a machine which could generate | |
| the infinite improbability field needed to flip a spaceship | |
| across the mind-paralysing distances between the furthest stars, | |
| and in the end they grumpily announced that such a machine was | |
| virtually impossible. | |
| Then, one day, a student who had been left to sweep up the lab | |
| after a particularly unsuccessful party found himself reasoning | |
| this way: | |
| If, he thought to himself, such a machine is a virtual | |
| impossibility, then it must logically be a finite improbability. | |
| So all I have to do in order to make one is to work out exactly | |
| how improbable it is, feed that figure into the finite | |
| improbability generator, give it a fresh cup of really hot tea | |
| ... and turn it on! | |
| He did this, and was rather startled to discover that he had | |
| managed to create the long sought after golden Infinite | |
| Improbability generator out of thin air. | |
| It startled him even more when just after he was awarded the | |
| Galactic Institute's Prize for Extreme Cleverness he got lynched | |
| by a rampaging mob of respectable physicists who had finally | |
| realized that the one thing they really couldn't stand was a | |
| smartass. | |
| ================================================================= | |
| Chapter 11 | |
| The Improbability-proof control cabin of the Heart of Gold looked | |
| like a perfectly conventional spaceship except that it was | |
| perfectly clean because it was so new. Some of the control seats | |
| hadn't had the plastic wrapping taken off yet. The cabin was | |
| mostly white, oblong, and about the size of a smallish | |
| restaurant. In fact it wasn't perfectly oblong: the two long | |
| walls were raked round in a slight parallel curve, and all the | |
| angles and corners were contoured in excitingly chunky shapes. | |
| The truth of the matter is that it would have been a great deal | |
| simpler and more practical to build the cabin as an ordinary | |
| three-dimensional oblong rom, but then the designers would have | |
| got miserable. As it was the cabin looked excitingly purposeful, | |
| with large video screens ranged over the control and guidance | |
| system panels on the concave wall, and long banks of computers | |
| set into the convex wall. In one corner a robot sat humped, its | |
| gleaming brushed steel head hanging loosely between its gleaming | |
| brushed steel knees. It too was fairly new, but though it was | |
| beautifully constructed and polished it somehow looked as if the | |
| various parts of its more or less humanoid body didn't quite fit | |
| properly. In fact they fitted perfectly well, but something in | |
| its bearing suggested that they might have fitted better. | |
| Zaphod Beeblebrox paced nervously up and down the cabin, brushing | |
| his hands over pieces of gleaming equipment and giggling with | |
| excitement. | |
| Trillian sat hunched over a clump of instruments reading off | |
| figures. Her voice was carried round the Tannoy system of the | |
| whole ship. | |
| "Five to one against and falling ..." she said, "four to one | |
| against and falling ... three to one ... two ... one ... | |
| probability factor of one to one ... we have normality, I repeat | |
| we have normality." She turned her microphone off - then turned | |
| it back on, with a slight smile and continued: "Anything you | |
| still can't cope with is therefore your own problem. Please | |
| relax. You will be sent for soon." | |
| Zaphod burst out in annoyance: "Who are they Trillian?" | |
| Trillian span her seat round to face him and shrugged. | |
| "Just a couple of guys we seem to have picked up in open space," | |
| she said. "Section ZZ9 Plural Z Alpha." | |
| "Yeah, well that's a very sweet thought Trillian," complained | |
| Zaphod, "but do you really think it's wise under the | |
| circumstances? I mean, here we are on the run and everything, we | |
| must have the police of half the Galaxy after us by now, and we | |
| stop to pick up hitch hikers. OK, so ten out of ten for style, | |
| but minus several million for good thinking, yeah?" | |
| He tapped irritably at a control panel. Trillian quietly moved | |
| his hand before he tapped anything important. Whatever Zaphod's | |
| qualities of mind might include - dash, bravado, conceit - he was | |
| mechanically inept and could easily blow the ship up with an | |
| extravagant gesture. Trillian had come to suspect that the main | |
| reason why he had had such a wild and successful life that he | |
| never really understood the significance of anything he did. | |
| "Zaphod," she said patiently, "they were floating unprotected in | |
| open space ... you wouldn't want them to have died would you?" | |
| "Well, you know ... no. Not as such, but ..." | |
| "Not as such? Not die as such? But?" Trillian cocked her head on | |
| one side. | |
| "Well, maybe someone else might have picked them up later." | |
| "A second later and they would have been dead." | |
| "Yeah, so if you'd taken the trouble to think about the problem a | |
| bit longer it would have gone away." | |
| "You'd been happy to let them die?" | |
| "Well, you know, not happy as such, but ..." | |
| "Anyway," said Trillian, turning back to the controls, "I didn't | |
| pick them up." | |
| "What do you mean? Who picked them up then?" | |
| "The ship did." | |
| "Huh?" | |
| "The ship did. All by itself." | |
| "Huh?" | |
| "Whilst we were in Improbability Drive." | |
| "But that's incredible." | |
| "No Zaphod. Just very very improbable." | |
| "Er, yeah." | |
| "Look Zaphod," she said, patting his arm, "don't worry about the | |
| aliens. They're just a couple of guys I expect. I'll send the | |
| robot down to get them and bring them up here. Hey Marvin!" | |
| In the corner, the robot's head swung up sharply, but then | |
| wobbled about imperceptibly. It pulled itself up to its feet as | |
| if it was about five pounds heavier that it actually was, and | |
| made what an outside observer would have thought was a heroic | |
| effort to cross the room. It stopped in front of Trillian and | |
| seemed to stare through her left shoulder. | |
| "I think you ought to know I'm feeling very depressed," it said. | |
| Its voice was low and hopeless. | |
| "Oh God," muttered Zaphod and slumped into a seat. | |
| "Well," said Trillian in a bright compassionate tone, "here's | |
| something to occupy you and keep your mind off things." | |
| "It won't work," droned Marvin, "I have an exceptionally large | |
| mind." | |
| "Marvin!" warned Trillian. | |
| "Alright," said Marvin, "what do you want me to do?" | |
| "Go down to number two entry bay and bring the two aliens up here | |
| under surveillance." | |
| With a microsecond pause, and a finely calculated micromodulation | |
| of pitch and timbre - nothing you could actually take offence at | |
| - Marvin managed to convey his utter contempt and horror of all | |
| things human. | |
| "Just that?" he said. | |
| "Yes," said Trillian firmly. | |
| "I won't enjoy it," said Marvin. | |
| Zaphod leaped out of his seat. | |
| "She's not asking you to enjoy it," he shouted, "just do it will | |
| you?" | |
| "Alright," said Marvin like the tolling of a great cracked bell, | |
| "I'll do it." | |
| "Good ..." snapped Zaphod, "great ... thank you ..." | |
| Marvin turned and lifted his flat-topped triangular red eyes up | |
| towards him. | |
| "I'm not getting you down at all am I?" he said pathetically. | |
| "No no Marvin," lilted Trillian, "that's just fine, really ..." | |
| "I wouldn't like to think that I was getting you down." | |
| "No, don't worry about that," the lilt continued, "you just act | |
| as comes naturally and everything will be just fine." | |
| "You're sure you don't mind?" probed Marvin. | |
| "No no Marvin," lilted Trillian, "that's just fine, really ... | |
| just part of life." | |
| "Marvin flashed him an electronic look. | |
| "Life," said Marvin, "don't talk to me about life." | |
| He turned hopelessly on his heel and lugged himself out of the | |
| cabin. With a satisfied hum and a click the door closed behind | |
| him | |
| "I don't think I can stand that robot much longer Zaphod," | |
| growled Trillian. | |
| The Encyclopaedia Galactica defines a robot as a mechanical | |
| apparatus designed to do the work of a man. The marketing | |
| division of the Sirius Cybernetics Corporation defines a robot as | |
| "Your Plastic Pal Who's Fun To Be With." | |
| The Hitch Hiker's Guide to the Galaxy defines the marketing | |
| division of the Sirius Cybernetics Corporation as "a bunch of | |
| mindless jerks who'll be the first against the wall when the | |
| revolution comes," with a footnote to the effect that the editors | |
| would welcome applications from anyone interested in taking over | |
| the post of robotics correspondent. | |
| Curiously enough, an edition of the Encyclopaedia Galactica that | |
| had the good fortune to fall through a time warp from a thousand | |
| years in the future defined the marketing division of the Sirius | |
| Cybernetics Corporation as "a bunch of mindless jerks who were | |
| the first against the wall when the revolution came." | |
| The pink cubicle had winked out of existence, the monkeys had | |
| sunk away to a better dimension. Ford and Arthur found themselves | |
| in the embarkation area of the ship. It was rather smart. | |
| "I think the ship's brand new," said Ford. | |
| "How can you tell?" asked Arthur. "Have you got some exotic | |
| device for measuring the age of metal?" | |
| "No, I just found this sales brochure lying on the floor. It's a | |
| lot of `the Universe can be yours' stuff. Ah! Look, I was right." | |
| Ford jabbed at one of the pages and showed it to Arthur. | |
| "It says: Sensational new breakthrough in Improbability Physics. | |
| As soon as the ship's drive reaches Infinite Improbability it | |
| passes through every point in the Universe. Be the envy of other | |
| major governments. Wow, this is big league stuff." | |
| Ford hunted excitedly through the technical specs of the ship, | |
| occasionally gasping with astonishment at what he read - clearly | |
| Galactic astrotechnology had moved ahead during the years of his | |
| exile. | |
| Arthur listened for a short while, but being unable to understand | |
| the vast majority of what Ford was saying he began to let his | |
| mind wander, trailing his fingers along the edge of an | |
| incomprehensible computer bank, he reached out and pressed an | |
| invitingly large red button on a nearby panel. The panel lit up | |
| with the words Please do not press this button again. He shook | |
| himself. | |
| "Listen," said Ford, who was still engrossed in the sales | |
| brochure, "they make a big thing of the ship's cybernetics. A new | |
| generation of Sirius Cybernetics Corporation robots and | |
| computers, with the new GPP feature." | |
| "GPP feature?" said Arthur. "What's that?" | |
| "Oh, it says Genuine People Personalities." | |
| "Oh," said Arthur, "sounds ghastly." | |
| A voice behind them said, "It is." The voice was low and hopeless | |
| and accompanied by a slight clanking sound. They span round and | |
| saw an abject steel man standing hunched in the doorway. | |
| "What?" they said. | |
| "Ghastly," continued Marvin, "it all is. Absolutely ghastly. Just | |
| don't even talk about it. Look at this door," he said, stepping | |
| through it. The irony circuits cut into his voice modulator as he | |
| mimicked the style of the sales brochure. "All the doors in this | |
| spaceship have a cheerful and sunny disposition. It is their | |
| pleasure to open for you, and their satisfaction to close again | |
| with the knowledge of a job well done." | |
| As the door closed behind them it became apparent that it did | |
| indeed have a satisfied sigh-like quality to it. | |
| "Hummmmmmmyummmmmmm ah!" it said. | |
| Marvin regarded it with cold loathing whilst his logic circuits | |
| chattered with disgust and tinkered with the concept of directing | |
| physical violence against it Further circuits cut in saying, Why | |
| bother? What's the point? Nothing is worth getting involved in. | |
| Further circuits amused themselves by analysing the molecular | |
| components of the door, and of the humanoids' brain cells. For a | |
| quick encore they measured the level of hydrogen emissions in the | |
| surrounding cubic parsec of space and then shut down again in | |
| boredom. A spasm of despair shook the robot's body as he turned. | |
| "Come on," he droned, "I've been ordered to take you down to the | |
| bridge. Here I am, brain the size of a planet and they ask me to | |
| take you down to the bridge. Call that job satisfaction? 'Cos I | |
| don't." | |
| He turned and walked back to the hated door. | |
| "Er, excuse me," said Ford following after him, "which government | |
| owns this ship?" | |
| Marvin ignored him. | |
| "You watch this door," he muttered, "it's about to open again. I | |
| can tell by the intolerable air of smugness it suddenly | |
| generates." | |
| With an ingratiating little whine the door slit open again and | |
| Marvin stomped through. | |
| "Come on," he said. | |
| The others followed quickly and the door slit back into place | |
| with pleased little clicks and whirrs. | |
| "Thank you the marketing division of the Sirius Cybernetics | |
| Corporation," said Marvin and trudged desolately up the gleaming | |
| curved corridor that stretched out before them. "Let's build | |
| robots with Genuine People Personalities," they said. So they | |
| tried it out with me. I'm a personality prototype. You can tell | |
| can't you?" | |
| Ford and Arthur muttered embarrassed little disclaimers. | |
| "I hate that door," continued Marvin. "I'm not getting you down | |
| at all am I?" | |
| "Which government ..." started Ford again. | |
| "No government owns it," snapped the robot, "it's been stolen." | |
| "Stolen?" | |
| "Stolen?" mimicked Marvin. | |
| "Who by?" asked Ford. | |
| "Zaphod Beeblebrox." | |
| Something extraordinary happened to Ford's face. At least five | |
| entirely separate and distinct expressions of shock and amazement | |
| piled up on it in a jumbled mess. His left leg, which was in mid | |
| stride, seemed to have difficulty in finding the floor again. He | |
| stared at the robot and tried to entangle some dartoid muscles. | |
| "Zaphod Beeblebrox ...?" he said weakly. | |
| "Sorry, did I say something wrong?" said Marvin, dragging himself | |
| on regardless. "Pardon me for breathing, which I never do anyway | |
| so I don't know why I bother to say it, oh God I'm so depressed. | |
| Here's another of those self-satisfied door. Life! Don't talk to | |
| me about life." | |
| "No one ever mentioned it," muttered Arthur irritably. "Ford, are | |
| you alright?" | |
| Ford stared at him. "Did that robot say Zaphod Beeblebrox?" he | |
| said. | |
| ================================================================= | |
| Chapter 12 | |
| A loud clatter of gunk music flooded through the Heart of Gold | |
| cabin as Zaphod searched the sub-etha radio wavebands for news of | |
| himself. The machine was rather difficult to operate. For years | |
| radios had been operated by means of pressing buttons and turning | |
| dials; then as the technology became more sophisticated the | |
| controls were made touch-sensitive - you merely had to brush the | |
| panels with your fingers; now all you had to do was wave your | |
| hand in the general direction of the components and hope. It | |
| saved a lot of muscular expenditure of course, but meant that you | |
| had to sit infuriatingly still if you wanted to keep listening to | |
| the same programme. | |
| Zaphod waved a hand and the channel switched again. More gunk | |
| music, but this time it was a background to a news announcement. | |
| The news was always heavily edited to fit the rhythms of the | |
| music. | |
| "... and news brought to you here on the sub-etha wave band, | |
| broadcasting around the galaxy around the clock," squawked a | |
| voice, "and we'll be saying a big hello to all intelligent life | |
| forms everywhere ... and to everyone else out there, the secret | |
| is to bang the rocks together, guys. And of course, the big news | |
| story tonight is the sensational theft of the new Improbability | |
| Drive prototype ship by none other than Galactic President Zaphod | |
| Beeblebrox. And the question everyone's asking is ... has the big | |
| Z finally flipped? Beeblebrox, the man who invented the Pan | |
| Galactic Gargle Blaster, ex-confidence trickster, once described | |
| by Eccentrica Gallumbits as the Best Bang since the Big One, and | |
| recently voted the Wort Dressed Sentinent Being in the Known | |
| Universe for the seventh time ... has he got an answer this time? | |
| We asked his private brain care specialist Gag Halfrunt ..." The | |
| music swirled and dived for a moment. Another voice broke in, | |
| presumably Halfrunt. He said: "Vell, Zaphod's jist zis guy you | |
| know?" but got no further because an electric pencil flew across | |
| the cabin and through the radio's on/off sensitive airspace. | |
| Zaphod turned and glared at Trillian - she had thrown the pencil. | |
| "Hey," he said, what do you do that for?" | |
| Trillian was tapping her fingers on a screenful of figures. | |
| "I've just thought of something," she said. | |
| "Yeah? Worth interrupting a news bulletin about me for?" | |
| "You hear enough about yourself as it is." | |
| "I'm very insecure. We know that." | |
| "Can we drop your ego for a moment? This is important." | |
| "If there's anything more important than my ego around, I want it | |
| caught and shot now." Zaphod glared at her again, then laughed. | |
| "Listen," she said, "we picked up those couple of guys ..." | |
| "What couple of guys?" | |
| "The couple of guys we picked up." | |
| "Oh, yeah," said Zaphod, "those couple of guys." | |
| "We picked them up in sector ZZ 9 Plural Z Alpha." | |
| "Yeah?" said Zaphod and blinked. | |
| Trillian said quietly, "Does that mean anything to you?" | |
| "Mmmmm," said Zaphod, "ZZ 9 Plural Z Alpha. ZZ 9 Plural Z Alpha?" | |
| "Well?" said Trillian. | |
| "Er ... what does the Z mean?" said Zaphod. | |
| "Which one?" | |
| "Any one." | |
| One of the major difficulties Trillian experienced in her | |
| relationship with Zaphod was learning to distinguish between him | |
| pretending to be stupid just to get people off their guard, | |
| pretending to be stupid because he couldn't be bothered to think | |
| and wanted someone else to do it for him, pretending to be | |
| outrageously stupid to hide the fact that he actually didn't | |
| understand what was going on, and really being genuinely stupid. | |
| He was renowned for being amazingly clever and quite clearly was | |
| so - but not all the time, which obviously worried him, hence the | |
| act. He proffered people to be puzzled rather than contemptuous. | |
| This above all appeared to Trillian to be genuinely stupid, but | |
| she could no longer be bothered to argue about it. | |
| She sighed and punched up a star map on the visiscreen so she | |
| could make it simple for him, whatever his reasons for wanting it | |
| to be that way. | |
| "There," she pointed, "right there." | |
| "Hey ... Yeah!" said Zaphod. | |
| "Well?" she said. | |
| "Well what?" | |
| Parts of the inside of her head screamed at other parts of the | |
| inside of her head. She said, very calmly, "It's the same sector | |
| you originally picked me up in." | |
| He looked at her and then looked back at the screen. | |
| "Hey, yeah," he said, "now that is wild. We should have zapped | |
| straight into the middle of the Horsehead Nebula. How did we come | |
| to be there? I mean that's nowhere." | |
| She ignored this. | |
| "Improbability Drive," she said patiently. "You explained it to | |
| me yourself. We pass through every point in the Universe, you | |
| know that." | |
| "Yeah, but that's one wild coincidence isn't it?" | |
| "Yes." | |
| "Picking someone up at that point? Out of the whole of the | |
| Universe to choose from? That's just too ... I want to work this | |
| out. Computer!" | |
| The Sirius Cybernetics Corporation Shipboard Computer which | |
| controlled and permeated every particle of the ship switched | |
| into communication mode. | |
| "Hi there!" it said brightly and simultaneously spewed out a tiny | |
| ribbon of ticker tape just for the record. The ticker tape said, | |
| Hi there! | |
| "Oh God," said Zaphod. He hadn't worked with this computer for | |
| long but had already learned to loathe it. | |
| The computer continued, brash and cheery as if it was selling | |
| detergent. | |
| "I want you to know that whatever your problem, I am here to help | |
| you solve it." | |
| "Yeah yeah," said Zaphod. "Look, I think I'll just use a piece of | |
| paper." | |
| "Sure thing," said the computer, spilling out its message into a | |
| waste bin at the same time, "I understand. If you ever want ..." | |
| "Shut up!" said Zaphod, and snatching up a pencil sat down next | |
| to Trillian at the console. | |
| "OK, OK ..." said the computer in a hurt tone of voice and closed | |
| down its speech channel again. | |
| Zaphod and Trillian pored over the figures that the Improbability | |
| flight path scanner flashed silently up in front of them. | |
| "Can we work out," said Zaphod, "from their point of view what | |
| the Improbability of their rescue was?" | |
| "Yes, that's a constant", said Trillian, "two to the power of two | |
| hundred and seventy-six thousand seven hundred and nine to one | |
| against." | |
| "That's high. They're two lucky lucky guys." | |
| "Yes." | |
| "But relative to what we were doing when the ship picked them up | |
| ..." | |
| Trillian punched up the figures. They showed tow-to-the power- | |
| of-Infinity-minus-one (an irrational number that only has a | |
| conventional meaning in Improbability physics). | |
| "... it's pretty low," continued Zaphod with a slight whistle. | |
| "Yes," agreed Trillian, and looked at him quizzically. | |
| "That's one big whack of Improbability to be accounted for. | |
| Something pretty improbable has got to show up on the balance | |
| sheet if it's all going to add up into a pretty sum." | |
| Zaphod scribbled a few sums, crossed them out and threw the | |
| pencil away. | |
| "Bat's dots, I can't work it out." | |
| "Well?" | |
| Zaphod knocked his two heads together in irritation and gritted | |
| his teeth. | |
| "OK," he said. "Computer!" | |
| The voice circuits sprang to life again. | |
| "Why hello there!" they said (ticker tape, ticker tape). "All I | |
| want to do is make your day nicer and nicer and nicer ..." | |
| "Yeah well shut up and work something out for me." | |
| "Sure thing," chattered the computer, "you want a probability | |
| forecast based on ..." | |
| "Improbability data, yeah." | |
| "OK," the computer continued. "Here's an interesting little | |
| notion. Did you realize that most people's lives are governed by | |
| telephone numbers?" | |
| A pained look crawled across one of Zaphod's faces and on to the | |
| other one. | |
| "Have you flipped?" he said. | |
| "No, but you will when I tell you that ..." | |
| Trillian gasped. She scrabbled at the buttons on the | |
| Improbability flight path screen. | |
| "Telephone number?" she said. "Did that thing say telephone | |
| number?" | |
| Numbers flashed up on the screen. | |
| The computer had paused politely, but now it continued. | |
| "What I was about to say was that ..." | |
| "Don't bother please," said Trillian. | |
| "Look, what is this?" said Zaphod. | |
| "I don't know," said Trillian, "but those aliens - they're on the | |
| way up to the bridge with that wretched robot. Can we pick them | |
| up on any monitor cameras?" | |
| ================================================================= | |
| Chapter 13 | |
| Marvin trudged on down the corridor, still moaning. | |
| "... and then of course I've got this terrible pain in all the | |
| diodes down my left hand side ..." | |
| "No?" said Arthur grimly as he walked along beside him. "Really?" | |
| "Oh yes," said Marvin, "I mean I've asked for them to be replaced | |
| but no one ever listens." | |
| "I can imagine." | |
| Vague whistling and humming noises were coming from Ford. "Well | |
| well well," he kept saying to himself, "Zaphod Beeblebrox ..." | |
| Suddenly Marvin stopped, and held up a hand. | |
| "You know what's happened now of course?" | |
| "No, what?" said Arthur, who didn't what to know. | |
| "We've arrived at another of those doors." | |
| There was a sliding door let into the side of the corridor. | |
| Marvin eyed it suspiciously. | |
| "Well?" said Ford impatiently. "Do we go through?" | |
| "Do we go through?" mimicked Marvin. "Yes. This is the entrance | |
| to the bridge. I was told to take you to the bridge. Probably the | |
| highest demand that will be made on my intellectual capacities | |
| today I shouldn't wonder." | |
| Slowly, with great loathing, he stepped towards the door, like a | |
| hunter stalking his prey. Suddenly it slid open. | |
| "Thank you," it said, "for making a simple door very happy." | |
| Deep in Marvin's thorax gears ground. | |
| "Funny," he intoned funerally, "how just when you think life | |
| can't possibly get any worse it suddenly does." | |
| He heaved himself through the door and left Ford and Arthur | |
| staring at each other and shrugging their shoulders. From inside | |
| they heard Marvin's voice again. | |
| "I suppose you want to see the aliens now," he said. "Do you want | |
| me to sit in a corner and rust, or just fall apart where I'm | |
| standing?" | |
| "Yeah, just show them in would you Marvin?" came another voice. | |
| Arthur looked at Ford and was astonished to see him laughing. | |
| "What's ...?" | |
| "Shhh," said Ford, "come in." | |
| He stepped through into the bridge. | |
| Arthur followed him in nervously and was astonished to see a man | |
| lolling back in a chair with his feet on a control console | |
| picking the teeth in his right-hand head with his left hand. The | |
| right-hand head seemed to be thoroughly preoccupied with this | |
| task, but the left-hand one was grinning a broad, relaxed, | |
| nonchalant grin. The number of things that Arthur couldn't | |
| believe he was seeing was fairly large. His jaw flapped about at | |
| a loose end for a while. | |
| The peculiar man waved a lazy wave at Ford and with an appalling | |
| affectation of nonchalance said, "Ford, hi, how are you? Glad you | |
| could drop in." | |
| Ford was not going to be outcooled. | |
| "Zaphod," he drawled, "great to see you, you're looking well, the | |
| extra arm suits you. Nice ship you've stolen." | |
| Arthur goggled at him. | |
| "You mean you know this guy?" he said, waving a wild finger at | |
| Zaphod. | |
| "Know him!" exclaimed Ford, "he's ..." he paused, and decided to | |
| do the introductions the other way round. | |
| "Oh, Zaphod, this is a friend of mine, Arthur Dent," he said, "I | |
| saved him when his planet blew up." | |
| "Oh sure," said Zaphod, "hi Arthur, glad you could make it." His | |
| right-hand head looked round casually, said "hi" and went back to | |
| having his teeth picked. | |
| Ford carried on. "And Arthur," he said, "this is my semi-cousin | |
| Zaphod Beeb ..." | |
| "We've met," said Arthur sharply. | |
| When you're cruising down the road in the fast lane and you | |
| lazily sail past a few hard driving cars and are feeling pretty | |
| pleased with yourself and then accidentally change down from | |
| fourth to first instead of third thus making your engine leap out | |
| of your bonnet in a rather ugly mess, it tends to throw you off | |
| your stride in much the same way that this remark threw Ford | |
| Prefect off his. | |
| "Err ... what?" | |
| "I said we've met." | |
| Zaphod gave an awkward start of surprise and jabbed a gum | |
| sharply. | |
| "Hey ... er, have we? Hey ... er ..." | |
| Ford rounded on Arthur with an angry flash in his eyes. Now he | |
| felt he was back on home ground he suddenly began to resent | |
| having lumbered himself with this ignorant primitive who knew as | |
| much about the affairs of the Galaxy as an Ilford-based gnat knew | |
| about life in Peking. | |
| "What do you mean you've met?" he demanded. "This is Zaphod | |
| Beeblebrox from Betelgeuse Five you know, not bloody Martin Smith | |
| from Croydon." | |
| "I don't care," said Arthur coldly. We've met, haven't we Zaphod | |
| Beeblebrox - or should I say ... Phil?" | |
| "What!" shouted Ford. | |
| "You'll have to remind me," said Zaphod. "I've a terrible memory | |
| for species." | |
| "It was at a party," pursued Arthur. | |
| "Yeah, well I doubt that," said Zaphod. | |
| "Cool it will you Arthur!" demanded Ford. | |
| Arthur would not be deterred. "A party six months ago. On Earth | |
| ... England ..." | |
| Zaphod shook his head with a tight-lipped smile. | |
| "London," insisted Arthur, "Islington." | |
| "Oh," said Zaphod with a guilty start, "that party." | |
| This wasn't fair on Ford at all. He looked backwards and forwards | |
| between Arthur and Zaphod. "What?" he said to Zaphod. "You don't | |
| mean to say you've been on that miserable planet as well do you?" | |
| "No, of course not," said Zaphod breezily. "Well, I may have just | |
| dropped in briefly, you know, on my way somewhere ..." | |
| "But I was stuck there for fifteen years!" | |
| "Well I didn't know that did I?" | |
| "But what were you doing there?" | |
| "Looking about, you know." | |
| "He gatecrashed a party," persisted Arthur, trembling with anger, | |
| "a fancy dress party ..." | |
| "It would have to be, wouldn't it?" said Ford. | |
| "At this party," persisted Arthur, "was a girl ... oh well, look | |
| it doesn't matter now. The whole place has gone up in smoke | |
| anyway ..." | |
| "I wish you'd stop sulking about that bloody planet," said Ford. | |
| "Who was the lady?" | |
| "Oh just somebody. Well alright, I wasn't doing very well with | |
| her. I'd been trying all evening. Hell, she was something though. | |
| Beautiful, charming, devastatingly intelligent, at last I'd got | |
| her to myself for a bit and was plying her with a bit of talk | |
| when this friend of yours barges up and says Hey doll, is this | |
| guy boring you? Why don't you talk to me instead? I'm from a | |
| different planet." I never saw her again." | |
| "Zaphod?" exclaimed Ford. | |
| "Yes," said Arthur, glaring at him and trying not to feel | |
| foolish. "He only had the two arms and the one head and he called | |
| himself Phil, but ..." | |
| "But you must admit he did turn out to be from another planet," | |
| said Trillian wandering into sight at the other end of the | |
| bridge. She gave Arthur a pleasant smile which settled on him | |
| like a ton of bricks and then turned her attention to the ship's | |
| controls again. | |
| There was silence for a few seconds, and then out of the | |
| scrambled mess of Arthur's brain crawled some words. | |
| "Tricia McMillian?" he said. "What are you doing here?" | |
| "Same as you," she said, "I hitched a lift. After all with a | |
| degree in Maths and another in astrophysics what else was there | |
| to do? It was either that or the dole queue again on Monday." | |
| "Infinity minus one," chattered the computer, "Improbability sum | |
| now complete." | |
| Zaphod looked about him, at Ford, at Arthur, and then at | |
| Trillian. | |
| "Trillian," he said, "is this sort of thing going to happen every | |
| time we use the Improbability drive?" | |
| "Very probably, I'm afraid," she said. | |
| ================================================================= | |
| Chapter 14 | |
| The Heart of Gold fled on silently through the night of space, | |
| now on conventional photon drive. Its crew of four were ill at | |
| ease knowing that they had been brought together not of their own | |
| volition or by simple coincidence, but by some curious principle | |
| of physics - as if relationships between people were susceptible | |
| to the same laws that governed the relationships between atoms | |
| and molecules. | |
| As the ship's artificial night closed in they were each grateful | |
| to retire to separate cabins and try to rationalize their | |
| thoughts. | |
| Trillian couldn't sleep. She sat on a couch and stared at a small | |
| cage which contained her last and only links with Earth - two | |
| white mice that she had insisted Zaphod let her bring. She had | |
| expected not to see the planet again, but she was disturbed by | |
| her negative reaction to the planet's destruction. It seemed | |
| remote and unreal and she could find no thoughts to think about | |
| it. She watched the mice scurrying round the cage and running | |
| furiously in their little plastic treadwheels till they occupied | |
| her whole attention. Suddenly she shook herself and went back to | |
| the bridge to watch over the tiny flashing lights and figures | |
| that charted the ship's progress through the void. She wished she | |
| knew what it was she was trying not to think about. | |
| Zaphod couldn't sleep. He also wished he knew what it was that he | |
| wouldn't let himself think about. For as long as he could | |
| remember he'd suffered from a vague nagging feeling of being not | |
| all there. Most of the time he was able to put this thought aside | |
| and not worry about it, but it had been re-awakened by the sudden | |
| inexplicable arrival of Ford Prefect and Arthur Dent. Somehow it | |
| seemed to conform to a pattern that he couldn't see. | |
| Ford couldn't sleep. He was too excited about being back on the | |
| road again. Fifteen years of virtual imprisonment were over, just | |
| as he was finally beginning to give up hope. Knocking about with | |
| Zaphod for a bit promised to be a lot of fun, though there seemed | |
| to be something faintly odd about his semi-cousin that he | |
| couldn't put his finger on. The fact that he had become President | |
| of the Galaxy was frankly astonishing, as was the manner of his | |
| leaving the post. Was there a reason behind it? There would be no | |
| point in asking Zaphod, he never appeared to have a reason for | |
| anything he did at all: he had turned unfathomably into an art | |
| form. He attacked everything in life with a mixture of | |
| extraordinary genius and naive incompetence and it was often | |
| difficult to tell which was which. | |
| Arthur slept: he was terribly tired. | |
| There was a tap at Zaphod's door. It slid open. | |
| "Zaphod ...?" | |
| "Yeah?" | |
| "I think we just found what you came to look for." | |
| "Hey, yeah?" | |
| Ford gave up the attempt to sleep. In the corner of his cabin was | |
| a small computer screen and keyboard. He sat at it for a while | |
| and tried to compose a new entry for the Guide on the subject of | |
| Vogons but couldn't think of anything vitriolic enough so he gave | |
| that up too, wrapped a robe round himself and went for a walk to | |
| the bridge. | |
| As he entered he was surprised to see two figures hunched | |
| excitedly over the instruments. | |
| "See? The ship's about to move into orbit," Trillian was saying. | |
| "There's a planet out there. It's at the exact coordinates you | |
| predicted." | |
| Zaphod heard a noise and looked up. | |
| "Ford!" he hissed. "Hey, come and take a look at this." | |
| Ford went and had a look at it. It was a series of figures | |
| flashing over a screen. | |
| "You recognize those Galactic coordinates?" said Zaphod. | |
| "No." | |
| "I'll give you a clue. Computer!" | |
| "Hi gang!" enthused the computer. "This is getting real sociable | |
| isn't it?" | |
| "Shut up," said Zaphod, "and show up the screens." | |
| Light on the bridge sank. Pinpoints of light played across the | |
| consoles and reflected in four pairs of eyes that stared up at | |
| the external monitor screens. | |
| There was absolutely nothing on them. | |
| "Recognize that?" whispered Zaphod. | |
| Ford frowned. | |
| "Er, no," he said. | |
| "What do you see?" | |
| "Nothing." | |
| "Recognize it?" | |
| "What are you talking about?" | |
| "We're in the Horsehead Nebula. One whole vast dark cloud." | |
| "And I was meant to recognize that from a blank screen?" | |
| "Inside a dark nebula is the only place in the Galaxy you'd see a | |
| dark screen." | |
| "Very good." | |
| Zaphod laughed. He was clearly very excited about something, | |
| almost childishly so. | |
| "Hey, this is really terrific, this is just far too much!" | |
| "What's so great about being stuck in a dust cloud?" said Ford. | |
| "What would you reckon to find here?" urged Zaphod. | |
| "Nothing." | |
| "No stars? No planets?" | |
| "No." | |
| "Computer!" shouted Zaphod, "rotate angle of vision through one- | |
| eighty degrees and don't talk about it!" | |
| For a moment it seemed that nothing was happening, then a | |
| brightness glowed at the edge of the huge screen. A red star the | |
| size of a small plate crept across it followed quickly by another | |
| one - a binary system. Then a vast crescent sliced into the | |
| corner of the picture - a red glare shading away into the deep | |
| black, the night side of the planet. | |
| "I've found it!" cried Zaphod, thumping the console. "I've found | |
| it!" | |
| Ford stared at it in astonishment. | |
| "What is it?" he said. | |
| "That ..." said Zaphod, "is the most improbable planet that ever | |
| existed." | |
| ================================================================= | |
| Chapter 15 | |
| (Excerpt from The Hitch Hiker's Guide to the Galaxy, Page 634784, | |
| Section 5a, Entry: Magrathea) | |
| Far back in the mists of ancient time, in the great and glorious | |
| days of the former Galactic Empire, life was wild, rich and | |
| largely tax free. | |
| Mighty starships plied their way between exotic suns, seeking | |
| adventure and reward amongst the furthest reaches of Galactic | |
| space. In those days spirits were brave, the stakes were high, | |
| men were real men, women were real women, and small furry | |
| creatures from Alpha Centauri were real small furry creatures | |
| from Alpha Centauri. And all dared to brave unknown terrors, to | |
| do mighty deeds, to boldly split infinitives that no man had | |
| split before - and thus was the Empire forged. | |
| Many men of course became extremely rich, but this was perfectly | |
| natural and nothing to be ashamed of because no one was really | |
| poor - at least no one worth speaking of. And for all the richest | |
| and most successful merchants life inevitably became rather dull | |
| and niggly, and they began to imagine that this was therefore the | |
| fault of the worlds they'd settled on - none of them was entirely | |
| satisfactory: either the climate wasn't quite right in the later | |
| part of the afternoon, or the day was half an hour too long, or | |
| the sea was exactly the wrong shade of pink. | |
| And thus were created the conditions for a staggering new form of | |
| specialist industry: custom-made luxury planet building. The home | |
| of this industry was the planet Magrathea, where hyperspatial | |
| engineers sucked matter through white holes in space to form it | |
| into dream planets - gold planets, platinum planets, soft rubber | |
| planets with lots of earthquakes - all lovingly made to meet the | |
| exacting standards that the Galaxy's richest men naturally came | |
| to expect. | |
| But so successful was this venture that Magrathea itself soon | |
| became the richest planet of all time and the rest of the Galaxy | |
| was reduced to abject poverty. And so the system broke down, the | |
| Empire collapsed, and a long sullen silence settled over a | |
| billion worlds, disturbed only by the pen scratchings of scholars | |
| as they laboured into the night over smug little treaties on the | |
| value of a planned political economy. | |
| Magrathea itself disappeared and its memory soon passed into the | |
| obscurity of legend. | |
| In these enlightened days of course, no one believes a word of | |
| it. | |
| ================================================================= | |
| Chapter 16 | |
| Arthur awoke to the sound of argument and went to the bridge. | |
| Ford was waving his arms about. | |
| "You're crazy, Zaphod," he was saying, "Magrathea is a myth, a | |
| fairy story, it's what parents tell their kids about at night if | |
| they want them to grow up to become economists, it's ..." | |
| "And that's what we are currently in orbit around," insisted | |
| Zaphod. | |
| "Look, I can't help what you may personally be in orbit around," | |
| said Ford, "but this ship ..." | |
| "Computer!" shouted Zaphod. | |
| "Oh no ..." | |
| "Hi there! This is Eddie your shipboard computer, and I'm feeling | |
| just great guys, and I know I'm just going to get a bundle of | |
| kicks out of any programme you care to run through me." | |
| Arthur looked inquiringly at Trillian. She motioned him to come | |
| on in but keep quiet. | |
| "Computer," said Zaphod, "tell us again what our present | |
| trajectory is." | |
| "A real pleasure feller," it burbled, "we are currently in orbit | |
| at an altitude of three hundred miles around the legendary planet | |
| of Magrathea." | |
| "Proving nothing," said Ford. "I wouldn't trust that computer to | |
| speak my weight." | |
| "I can do that for you, sure," enthused the computer, punching | |
| out more tickertape. "I can even work out you personality | |
| problems to ten decimal places if it will help." | |
| Trillian interrupted. | |
| "Zaphod," she said, "any minute now we will be swinging round to | |
| the daylight side of this planet," adding, "whatever it turns out | |
| to be." | |
| "Hey, what do you mean by that? The planet's where I predicted it | |
| would be isn't it?" | |
| "Yes, I know there's a planet there. I'm not arguing with anyone, | |
| it's just that I wouldn't know Magrathea from any other lump of | |
| cold rock. Dawn's coming up if you want it." | |
| "OK, OK," muttered Zaphod, "let's at least give our eyes a good | |
| time. Computer!" | |
| "Hi there! What can I ..." | |
| "Just shut up and give us a view of the planet again." | |
| A dark featureless mass once more filled the screens - the planet | |
| rolling away beneath them. | |
| They watched for a moment in silence, but Zaphod was fidgety with | |
| excitement. | |
| "We are now traversing the night side ..." he said in a hushed | |
| voice. The planet rolled on. | |
| "The surface of the planet is now three hundred miles beneath us | |
| ..." he continued. He was trying to restore a sense of occasion | |
| to what he felt should have been a great moment. Magrathea! He | |
| was piqued by Ford's sceptical reaction. Magrathea! | |
| "In a few seconds," he continued, "we should see ... there!" | |
| The moment carried itself. Even the most seasoned star tramp | |
| can't help but shiver at the spectacular drama of a sunrise seen | |
| from space, but a binary sunrise is one of the marvels of the | |
| Galaxy. | |
| Out of the utter blackness stabbed a sudden point of blinding | |
| light. It crept up by slight degrees and spread sideways in a | |
| thin crescent blade, and within seconds two suns were visible, | |
| furnaces of light, searing the black edge of the horizon with | |
| white fire. Fierce shafts of colour streaked through the thin | |
| atmosphere beneath them. | |
| "The fires of dawn ... !" breathed Zaphod. "The twin suns of | |
| Soulianis and Rahm ... !" | |
| "Or whatever," said Ford quietly. | |
| "Soulianis and Rahm!" insisted Zaphod. | |
| The suns blazed into the pitch of space and a low ghostly music | |
| floated through the bridge: Marvin was humming ironically because | |
| he hated humans so much. | |
| As Ford gazed at the spectacle of light before them excitement | |
| burnt inside him, but only the excitement of seeing a strange new | |
| planet, it was enough for him to see it as it was. It faintly | |
| irritated him that Zaphod had to impose some ludicrous fantasy on | |
| to the scene to make it work for him. All this Magrathea nonsense | |
| seemed juvenile. Isn't it enough to see that a garden is | |
| beautiful without having to believe that there are fairies at the | |
| bottom of it too? | |
| All this Magrathea business seemed totally incomprehensible to | |
| Arthur. He edged up to Trillian and asked her what was going on. | |
| "I only know what Zaphod's told me," she whispered. "Apparently | |
| Magrathea is some kind of legend from way back which no one | |
| seriously believes in. Bit like Atlantis on Earth, except that | |
| the legends say the Magratheans used to manufacture planets." | |
| Arthur blinked at the screens and felt he was missing something | |
| important. Suddenly he realized what it was. | |
| "Is there any tea on this spaceship?" he asked. | |
| More of the planet was unfolding beneath them as the Heart of | |
| Gold streaked along its orbital path. The suns now stood high in | |
| the black sky, the pyrotechnics of dawn were over, and the | |
| surface of the planet appeared bleak and forbidding in the common | |
| light of day - grey, dusty and only dimly contoured. It looked | |
| dead and cold as a crypt. From time to time promising features | |
| would appear on the distant horizon - ravines, maybe mountains, | |
| maybe even cities - but as they approached the lines would soften | |
| and blur into anonymity and nothing would transpire. The planet's | |
| surface was blurred by time, by the slow movement of the thin | |
| stagnant air that had crept across it for century upon century. | |
| Clearly, it was very very old. | |
| A moment of doubt came to Ford as he watched the grey landscape | |
| move beneath them. The immensity of time worried him, he could | |
| feel it as a presence. He cleared his throat. | |
| "Well, even supposing it is ..." | |
| "It is," said Zaphod. | |
| "Which it isn't," continued Ford. "What do you want with it | |
| anyway? There's nothing there." | |
| "Not on the surface," said Zaphod. | |
| "Alright, just supposing there's something. I take it you're not | |
| here for the sheer industrial archaeology of it all. What are you | |
| after?" | |
| One of Zaphod's heads looked away. The other one looked round to | |
| see what the first was looking at, but it wasn't looking at | |
| anything very much. | |
| "Well," said Zaphod airily, "it's partly the curiosity, partly a | |
| sense of adventure, but mostly I think it's the fame and the | |
| money ..." | |
| Ford glanced at him sharply. He got a very strong impression that | |
| Zaphod hadn't the faintest idea why he was there at all. | |
| "You know I don't like the look of that planet at all," said | |
| Trillian shivering. | |
| "Ah, take no notice," said Zaphod, "with half the wealth of the | |
| former Galactic Empire stored on it somewhere it can afford to | |
| look frumpy." | |
| Bullshit, thought Ford. Even supposing this was the home of some | |
| ancient civilization now gone to dust, even supposing a number of | |
| exceedingly unlikely things, there was no way that vast treasures | |
| of wealth were going to be stored there in any form that would | |
| still have meaning now. He shrugged. | |
| "I think it's just a dead planet," he said. | |
| "The suspense is killing me," said Arthur testily. | |
| Stress and nervous tension are now serious social problems in all | |
| parts of the Galaxy, and it is in order that this situation | |
| should not in any way be exacerbated that the following facts | |
| will now be revealed in advance. | |
| The planet in question is in fact the legendary Magrathea. | |
| The deadly missile attack shortly to be launched by an ancient | |
| automatic defence system will result merely in the breakage of | |
| three coffee cups and a micecage, the bruising of somebody's | |
| upper arm, and the untimely creation and sudden demise of a bowl | |
| of petunias and an innocent sperm whale. | |
| In order that some sense of mystery should still be preserved, no | |
| revelation will yet be made concerning whose upper arm sustained | |
| the bruise. This fact may safely be made the subject of suspense | |
| since it is of no significance whatsoever. | |
| ================================================================= | |
| Chapter 17 | |
| After a fairly shaky start to the day, Arthur's mind was | |
| beginning to reassemble itself from the shellshocked fragments | |
| the previous day had left him with. He had found a Nutri-Matic | |
| machine which had provided him with a plastic cup filled with a | |
| liquid that was almost, but not quite, entirely unlike tea. The | |
| way it functioned was very interesting. When the Drink button was | |
| pressed it made an instant but highly detailed examination of the | |
| subject's taste buds, a spectroscopic analysis of the subject's | |
| metabolism and then sent tiny experimental signals down the | |
| neural pathways to the taste centres of the subject's brain to | |
| see what was likely to go down well. However, no one knew quite | |
| why it did this because it invariably delivered a cupful of | |
| liquid that was almost, but not quite, entirely unlike tea. The | |
| Nutri-Matic was designed and manufactured by the Sirius | |
| Cybernetics Corporation whose complaints department now covers | |
| all the major land masses of the first three planets in the | |
| Sirius Tau Star system. | |
| Arthur drank the liquid and found it reviving. He glanced up at | |
| the screens again and watched a few more hundred miles of barren | |
| greyness slide past. It suddenly occurred to him to ask a | |
| question which had been bothering him. | |
| "Is it safe?" he said. | |
| "Magrathea's been dead for five million years," said Zaphod, "of | |
| course it's safe. Even the ghosts will have settled down and | |
| raised families by now." At which point a strange and | |
| inexplicable sound thrilled suddenly through the bridge - a noise | |
| as of a distant fanfare; a hollow, reedy, insubstantial sound. It | |
| preceded a voice that was equally hollow, reedy and | |
| insubstantial. The voice said "Greetings to you ..." | |
| Someone from the dead planet was talking to them. | |
| "Computer!" shouted Zaphod. | |
| "Hi there!" | |
| "What the photon is it?" | |
| "Oh, just some five-million-year-old tape that's being broadcast | |
| at us." | |
| "A what? A recording?" | |
| "Shush!" said Ford. "It's carrying on." | |
| The voice was old, courteous, almost charming, but was | |
| underscored with quite unmistakable menace. | |
| "This is a recorded announcement," it said, "as I'm afraid we're | |
| all out at the moment. The commercial council of Magrathea thanks | |
| you for your esteemed visit ..." | |
| ("A voice from ancient Magrathea!" shouted Zaphod. "OK, OK," said | |
| Ford.) | |
| "... but regrets," continued the voice, "that the entire planet | |
| is temporarily closed for business. Thank you. If you would care | |
| to leave your name and the address of a planet where you can be | |
| contacted, kindly speak when you hear the tone." | |
| A short buzz followed, then silence. | |
| "They want to get rid of us," said Trillian nervously. "What do | |
| we do?" | |
| "It's just a recording," said Zaphod. "We keep going. Got that, | |
| computer?" | |
| "I got it," said the computer and gave the ship an extra kick of | |
| speed. | |
| They waited. | |
| After a second or so came the fanfare once again, and then the | |
| voice. | |
| "We would like to assure you that as soon as our business is | |
| resumed announcements will be made in all fashionable magazines | |
| and colour supplements, when our clients will once again be able | |
| to select from all that's best in contemporary geography." The | |
| menace in the voice took on a sharper edge. "Meanwhile we thank | |
| our clients for their kind interest and would ask them to leave. | |
| Now." | |
| Arthur looked round the nervous faces of his companions. | |
| "Well, I suppose we'd better be going then, hadn't we?" he | |
| suggested. | |
| "Shhh!" said Zaphod. "There's absolutely nothing to be worried | |
| about." | |
| "Then why's everyone so tense?" | |
| "They're just interested!" shouted Zaphod. "Computer, start a | |
| descent into the atmosphere and prepare for landing." | |
| This time the fanfare was quite perfunctory, the voice distinctly | |
| cold. | |
| "It is most gratifying," it said, "that your enthusiasm for our | |
| planet continues unabated, and so we would like to assure you | |
| that the guided missiles currently converging with your ship are | |
| part of a special service we extend to all of our most | |
| enthusiastic clients, and the fully armed nuclear warheads are of | |
| course merely a courtesy detail. We look forward to your custom | |
| in future lives ... thank you." | |
| The voice snapped off. | |
| "Oh," said Trillian. | |
| "Er ..." said Arthur. | |
| "Well?" said Ford. | |
| "Look," said Zaphod, "will you get it into your heads? That's | |
| just a recorded message. It's millions of years old. It doesn't | |
| apply to us, get it?" | |
| "What," said Trillian quietly, "about the missiles?" | |
| "Missiles? Don't make me laugh." | |
| Ford tapped Zaphod on the shoulder and pointed at the rear | |
| screen. Clear in the distance behind them two silver darts were | |
| climbing through the atmosphere towards the ship. A quick change | |
| of magnification brought them into close focus - two massively | |
| real rockets thundering through the sky. The suddenness of it was | |
| shocking. | |
| "I think they're going to have a very good try at applying to | |
| us," said Ford. | |
| Zaphod stared at them in astonishment. | |
| "Hey this is terrific!" he said. "Someone down there is trying to | |
| kill us!" | |
| "Terrific," said Arthur. | |
| "But don't you see what this means?" | |
| "Yes. We're going to die." | |
| "Yes, but apart from that." | |
| "Apart from that?" | |
| "It means we must be on to something!" | |
| "How soon can we get off it?" | |
| Second by second the image of the missiles on the screen became | |
| larger. They had swung round now on to a direct homing course so | |
| that all that could be seen of them now was the warheads, head | |
| on. | |
| "As a matter of interest," said Trillian, "what are we going to | |
| do?" | |
| "Just keep cool," said Zaphod. | |
| "Is that all?" shouted Arthur. | |
| "No, we're also going to ... er ... take evasive action!" said | |
| Zaphod with a sudden access of panic. "Computer, what evasive | |
| action can we take?" | |
| "Er, none I'm afraid, guys," said the computer. | |
| "... or something," said Zaphod, "... er ..." he said. | |
| "There seems to be something jamming my guidance system," | |
| explained the computer brightly, "impact minus forty-five | |
| seconds. Please call me Eddie if it will help you to relax." | |
| Zaphod tried to run in several equally decisive directions | |
| simultaneously. "Right!" he said. "Er ... we've got to get manual | |
| control of this ship." | |
| "Can you fly her?" asked Ford pleasantly. | |
| "No, can you?" | |
| "No." | |
| "Trillian, can you?" | |
| "No." | |
| "Fine," said Zaphod, relaxing. "We'll do it together." | |
| "I can't either," said Arthur, who felt it was time he began to | |
| assert himself. | |
| "I'd guessed that," said Zaphod. "OK computer, I want full manual | |
| control now." | |
| "You got it," said the computer. | |
| Several large desk panels slid open and banks of control consoles | |
| sprang up out of them, showering the crew with bits of expanded | |
| polystyrene packaging and balls of rolled-up cellophane: these | |
| controls had never been used before. | |
| Zaphod stared at them wildly. | |
| "OK, Ford," he said, "full retro thrust and ten degrees | |
| starboard. Or something ..." | |
| "Good luck guys," chirped the computer, "impact minus thirty | |
| seconds ..." | |
| Ford leapt to the controls - only a few of them made any | |
| immediate sense to him so he pulled those. The ship shook and | |
| screamed as its guidance rocked jets tried to push it every which | |
| way simultaneously. He released half of them and the ship span | |
| round in a tight arc and headed back the way it had come, | |
| straight towards the oncoming missiles. | |
| Air cushions ballooned out of the walls in an instant as everyone | |
| was thrown against them. For a few seconds the inertial forces | |
| held them flattened and squirming for breath, unable to move. | |
| Zaphod struggled and pushed in manic desperation and finally | |
| managed a savage kick at a small lever that formed part of the | |
| guidance system. | |
| The lever snapped off. The ship twisted sharply and rocketed | |
| upwards. The crew were hurled violently back across the cabin. | |
| Ford's copy of The Hitch Hiker's Guide to the Galaxy smashed into | |
| another section of the control console with the combined result | |
| that the guide started to explain to anyone who cared to listen | |
| about the best ways of smuggling Antarean parakeet glands out of | |
| Antares (an Antarean parakeet gland stuck on a small stick is a | |
| revolting but much sought after cocktail delicacy and very large | |
| sums of money are often paid for them by very rich idiots who | |
| want to impress other very rich idiots), and the ship suddenly | |
| dropped out of the sky like a stone. | |
| It was of course more or less at this moment that one of the crew | |
| sustained a nasty bruise to the upper arm. This should be | |
| emphasized because, as had already been revealed, they escape | |
| otherwise completely unharmed and the deadly nuclear missiles do | |
| not eventually hit the ship. The safety of the crew is absolutely | |
| assured. | |
| "Impact minus twenty seconds, guys ..." said the computer. | |
| "Then turn the bloody engines back on!" bawled Zaphod. | |
| "OK, sure thing, guys," said the computer. With a subtle roar the | |
| engines cut back in, the ship smoothly flattened out of its dive | |
| and headed back towards the missiles again. | |
| The computer started to sing. | |
| "When you walk through the storm ..." it whined nasally, "hold | |
| your head up high ..." | |
| Zaphod screamed at it to shut up, but his voice was lost in the | |
| din of what they quite naturally assumed was approaching | |
| destruction. | |
| "And don't ... be afraid ... of the dark!" Eddie wailed. | |
| The ship, in flattening out had in fact flattened out upside down | |
| and lying on the ceiling as they were it was now totally | |
| impossible for any of the crew to reach the guidance systems. | |
| "At the end of the storm ..." crooned Eddie. | |
| The two missiles loomed massively on the screens as they | |
| thundered towards the ship. | |
| "... is a golden sky ..." | |
| But by an extraordinarily lucky chance they had not yet fully | |
| corrected their flight paths to that of the erratically weaving | |
| ship, and they passed right under it. | |
| "And the sweet silver songs of the lark ... Revised impact time | |
| fifteen seconds fellas ... Walk on through the wind ..." | |
| The missiles banked round in a screeching arc and plunged back | |
| into pursuit. | |
| "This is it," said Arthur watching them. "We are now quite | |
| definitely going to die aren't we?" | |
| "I wish you'd stop saying that," shouted Ford. | |
| "Well we are aren't we?" | |
| "Yes." | |
| "Walk on through the rain ..." sang Eddie. | |
| A thought struck Arthur. He struggled to his feet. | |
| "Why doesn't anyone turn on this Improbability Drive thing?" he | |
| said. "We could probably reach that." | |
| "What are you crazy?" said Zaphod. "Without proper programming | |
| anything could happen." | |
| "Does that matter at this stage?" shouted Arthur. | |
| "Though your dreams be tossed and blown ..." sand Eddie. | |
| Arthur scrambled up on to one end of the excitingly chunky pieces | |
| of moulded contouring where the curve of the wall met the | |
| ceiling. | |
| "Walk on, walk on, with hope in your heart ..." | |
| "Does anyone know why Arthur can't turn on the Improbability | |
| Drive?" shouted Trillian. | |
| "And you'll never walk alone ... Impact minus five seconds, it's | |
| been great knowing you guys, God bless ... You'll ne ... ver ... | |
| walk ... alone!" | |
| "I said," yelled Trillian, "does anyone know ..." | |
| The next thing that happened was a mid-mangling explosion of | |
| noise and light. | |
| ================================================================= | |
| Chapter 18 | |
| And the next thing that happened after that was that the Heart of | |
| Gold continued on its way perfectly normally with a rather | |
| fetchingly redesigned interior. It was somewhat larger, and done | |
| out in delicate pastel shades of green and blue. In the centre a | |
| spiral staircase, leading nowhere in particular, stood in a spray | |
| of ferns and yellow flowers and next to it a stone sundial | |
| pedestal housed the main computer terminal. Cunningly deployed | |
| lighting and mirrors created the illusion of standing in a | |
| conservatory overlooking a wide stretch of exquisitely manicured | |
| garden. Around the periphery of the conservatory area stood | |
| marble-topped tables on intricately beautiful wrought-iron legs. | |
| As you gazed into the polished surface of the marble the vague | |
| forms of instruments became visible, and as you touched them the | |
| instruments materialized instantly under your hands. Looked at | |
| from the correct angles the mirrors appeared to reflect all the | |
| required data readouts, though it was far from clear where they | |
| were reflected from. It was in fact sensationally beautiful. | |
| Relaxing in a wickerwork sun chair, Zaphod Beeblebrox said, "What | |
| the hell happened?" | |
| "Well I was just saying," said Arthur lounging by a small fish | |
| pool, "there's this Improbability Drive switch over here ..." he | |
| waved at where it had been. There was a potted plant there now. | |
| "But where are we?" said Ford who was sitting on the spiral | |
| staircase, a nicely chilled Pan Galactic Gargle Blaster in his | |
| hand. | |
| "Exactly where we were, I think ..." said Trillian, as all about | |
| them the mirrors showed them an image of the blighted landscape | |
| of Magrathea which still scooted along beneath them. | |
| Zaphod leapt out of his seat. | |
| "Then what's happened to the missiles?" he said. | |
| A new and astounding image appeared in the mirrors. | |
| "They would appear," said Ford doubtfully, "to have turned into a | |
| bowl of petunias and a very surprised looking whale ..." | |
| "At an Improbability Factor," cut in Eddie, who hadn't changed a | |
| bit, "of eight million seven hundred and sixty-seven thousand one | |
| hundred and twenty-eight to one against." | |
| Zaphod stared at Arthur. | |
| "Did you think of that, Earthman?" he demanded. | |
| "Well," said Arthur, "all I did was ..." | |
| "That's very good thinking you know. Turn on the Improbability | |
| Drive for a second without first activating the proofing screens. | |
| Hey kid you just saved our lives, you know that?" | |
| "Oh," said Arthur, "well, it was nothing really ..." | |
| "Was it?" said Zaphod. "Oh well, forget it then. OK, computer, | |
| take us in to land." | |
| "But ..." | |
| "I said forget it." | |
| Another thing that got forgotten was the fact that against all | |
| probability a sperm whale had suddenly been called into existence | |
| several miles above the surface of an alien planet. | |
| And since this is not a naturally tenable position for a whale, | |
| this poor innocent creature had very little time to come to terms | |
| with its identity as a whale before it then had to come to terms | |
| with not being a whale any more. | |
| This is a complete record of its thoughts from the moment it | |
| began its life till the moment it ended it. | |
| Ah ... ! What's happening? it thought. | |
| Er, excuse me, who am I? | |
| Hello? | |
| Why am I here? What's my purpose in life? | |
| What do I mean by who am I? | |
| Calm down, get a grip now ... oh! this is an interesting | |
| sensation, what is it? It's a sort of ... yawning, tingling | |
| sensation in my ... my ... well I suppose I'd better start | |
| finding names for things if I want to make any headway in what | |
| for the sake of what I shall call an argument I shall call the | |
| world, so let's call it my stomach. | |
| Good. Ooooh, it's getting quite strong. And hey, what's about | |
| this whistling roaring sound going past what I'm suddenly going | |
| to call my head? Perhaps I can call that ... wind! Is that a good | |
| name? It'll do ... perhaps I can find a better name for it later | |
| when I've found out what it's for. It must be something very | |
| important because there certainly seems to be a hell of a lot of | |
| it. Hey! What's this thing? This ... let's call it a tail - yeah, | |
| tail. Hey! I can can really thrash it about pretty good can't I? | |
| Wow! Wow! That feels great! Doesn't seem to achieve very much but | |
| I'll probably find out what it's for later on. Now - have I built | |
| up any coherent picture of things yet? | |
| No. | |
| Never mind, hey, this is really exciting, so much to find out | |
| about, so much to look forward to, I'm quite dizzy with | |
| anticipation ... | |
| Or is it the wind? | |
| There really is a lot of that now isn't it? | |
| And wow! Hey! What's this thing suddenly coming towards me very | |
| fast? Very very fast. So big and flat and round, it needs a big | |
| wide sounding name like ... ow ... ound ... round ... ground! | |
| That's it! That's a good name - ground! | |
| I wonder if it will be friends with me? | |
| And the rest, after a sudden wet thud, was silence. | |
| Curiously enough, the only thing that went through the mind of | |
| the bowl of petunias as it fell was Oh no, not again. Many people | |
| have speculated that if we knew exactly why the bowl of petunias | |
| had thought that we would know a lot more about the nature of the | |
| universe than we do now. | |
| ================================================================= | |
| Chapter 19 | |
| "Are we taking this robot with us?" said Ford, looking with | |
| distaste at Marvin who was standing in an awkward hunched posture | |
| in the corner under a small palm tree. | |
| Zaphod glanced away from the mirror screens which presented a | |
| panoramic view of the blighted landscape on which the Heart of | |
| Gold had now landed. | |
| "Oh, the Paranoid Android," he said. "Yeah, we'll take him." | |
| "But what are supposed to do with a manically depressed robot?" | |
| "You think you've got problems," said Marvin as if he was | |
| addressing a newly occupied coffin, "what are you supposed to do | |
| if you are a manically depressed robot? No, don't bother to | |
| answer that, I'm fifty thousand times more intelligent than you | |
| and even I don't know the answer. It gives me a headache just | |
| trying to think down to your level." | |
| Trillian burst in through the door from her cabin. | |
| "My white mice have escaped!" she said. | |
| An expression of deep worry and concern failed to cross either of | |
| Zaphod's faces. | |
| "Nuts to your white mice," he said. | |
| Trillian glared an upset glare at him, and disappeared again. | |
| It is possible that her remark would have commanded greater | |
| attention had it been generally realized that human beings were | |
| only the third most intelligent life form present on the planet | |
| Earth, instead of (as was generally thought by most independent | |
| observers) the second. | |
| "Good afternoon boys." | |
| The voice was oddly familiar, but oddly different. It had a | |
| matriarchal twang. It announced itself to the crew as they | |
| arrived at the airlock hatchway that would let them out on the | |
| planet surface. | |
| They looked at each other in puzzlement. | |
| "It's the computer," explained Zaphod. "I discovered it had an | |
| emergency back-up personality that I thought might work out | |
| better." | |
| "Now this is going to be your first day out on a strange new | |
| planet," continued Eddie's new voice, "so I want you all wrapped | |
| up snug and warm, and no playing with any naughty bug-eyed | |
| monsters." | |
| Zaphod tapped impatiently on the hatch. | |
| "I'm sorry," he said, "I think we might be better off with a | |
| slide rule." | |
| "Right!" snapped the computer. "Who said that?" | |
| "Will you open the exit hatch please, computer?" said Zaphod | |
| trying not to get angry. | |
| "Not until whoever said that owns up," urged the computer, | |
| stamping a few synapses closed. | |
| "Oh God," muttered Ford, slumped against a bulkhead and started | |
| to count to ten. He was desperately worried that one day | |
| sentinent life forms would forget how to do this. Only by | |
| counting could humans demonstrate their independence of | |
| computers. | |
| "Come on," said Eddie sternly. | |
| "Computer ..." began Zaphod ... | |
| "I'm waiting," interrupted Eddie. "I can wait all day if | |
| necessary ..." | |
| "Computer ..." said Zaphod again, who had been trying to think of | |
| some subtle piece of reasoning to put the computer down with, and | |
| had decided not to bother competing with it on its own ground, | |
| "if you don't open that exit hatch this moment I shall zap | |
| straight off to your major data banks and reprogram you with a | |
| very large axe, got that?" | |
| Eddie, shocked, paused and considered this. | |
| Ford carried on counting quietly. This is about the most | |
| aggressive thing you can do to a computer, the equivalent of | |
| going up to a human being and saying Blood ... blood ... blood | |
| ... blood ... | |
| Finally Eddie said quietly, "I can see this relationship is | |
| something we're all going to have to work at," and the hatchway | |
| opened. | |
| An icy wind ripped into them, they hugged themselves warmly and | |
| stepped down the ramp on to the barren dust of Magrathea. | |
| "It'll all end in tears, I know it," shouted Eddie after them and | |
| closed the hatchway again. | |
| A few minutes later he opened and closed the hatchway again in | |
| response to a command that caught him entirely by surprise. | |
| ================================================================= | |
| Chapter 20 | |
| Five figures wandered slowly over the blighted land. Bits of it | |
| were dullish grey, bits of it dullish brown, the rest of it | |
| rather less interesting to look at. It was like a dried-out | |
| marsh, now barren of all vegetation and covered with a layer of | |
| dust about an inch thick. It was very cold. | |
| Zaphod was clearly rather depressed about it. He stalked off by | |
| himself and was soon lost to sight behind a slight rise in the | |
| ground. | |
| The wind stung Arthur's eyes and ears, and the stale thin air | |
| clasped his throat. However, the thing stung most was his mind. | |
| "It's fantastic ..." he said, and his own voice rattled his ears. | |
| Sound carried badly in this thin atmosphere. | |
| "Desolate hole if you ask me," said Ford. "I could have more fun | |
| in a cat litter." He felt a mounting irritation. Of all the | |
| planets in all the star systems of all the Galaxy - didn't he | |
| just have to turn up at a dump like this after fifteen years of | |
| being a castaway? Not even a hot dog stand in evidence. He | |
| stooped down and picked up a cold clot of earth, but there was | |
| nothing underneath it worth crossing thousands of light years to | |
| look at. | |
| "No," insisted Arthur, "don't you understand, this is the first | |
| time I've actually stood on the surface of another planet ... a | |
| whole alien world ...! Pity it's such a dump though." | |
| Trillian hugged herself, shivered and frowned. She could have | |
| sworn she saw a slight and unexpected movement out of the corner | |
| of her eye, but when she glanced in that direction all she could | |
| see was the ship, still and silent, a hundred yards or so behind | |
| them. | |
| She was relieved when a second or so later they caught sight of | |
| Zaphod standing on top of the ridge of ground and waving to them | |
| to come and join him. | |
| He seemed to be excited, but they couldn't clearly hear what he | |
| was saying because of the thinnish atmosphere and the wind. | |
| As they approached the ridge of higher ground they became aware | |
| that it seemed to be circular - a crater about a hundred and | |
| fifty yards wide. Round the outside of the crater the sloping | |
| ground was spattered with black and red lumps. They stopped and | |
| looked at a piece. It was wet. It was rubbery. | |
| With horror they suddenly realized that it was fresh whalemeat. | |
| At the top of the crater's lip they met Zaphod. | |
| "Look," he said, pointing into the crater. | |
| In the centre lay the exploded carcass of a lonely sperm whale | |
| that hadn't lived long enough to be disappointed with its lot. | |
| The silence was only disturbed by the slight involuntary spasms | |
| of Trillian's throat. | |
| "I suppose there's no point in trying to bury it?" murmured | |
| Arthur, and then wished he hadn't. | |
| "Come," said Zaphod and started back down into the crater. | |
| "What, down there?" said Trillian with severe distaste. | |
| "Yeah," said Zaphod, "come on, I've got something to show you." | |
| "We can see it," said Trillian. | |
| "Not that," said Zaphod, "something else. Come on." | |
| They all hesitated. | |
| "Come on," insisted Zaphod, "I've found a way in." | |
| "In?" said Arthur in horror. | |
| "Into the interior of the planet! An underground passage. The | |
| force of the whale's impact cracked it open, and that's where we | |
| have to go. Where no man has trod these five million years, into | |
| the very depths of time itself ..." | |
| Marvin started his ironical humming again. | |
| Zaphod hit him and he shut up. | |
| With little shudders of disgust they all followed Zaphod down the | |
| incline into the crater, trying very hard not to look at its | |
| unfortunate creator. | |
| "Life," said Marvin dolefully, "loathe it or ignore it, you can't | |
| like it." | |
| The ground had caved in where the whale had hit it revealing a | |
| network of galleries and passages, now largely obstructed by | |
| collapsed rubble and entrails. Zaphod had made a start clearing a | |
| way into one of them, but Marvin was able to do it rather faster. | |
| Dank air wafted out of its dark recesses, and as Zaphod shone a | |
| torch into it, little was visible in the dusty gloom. | |
| "According to the legends," he said, "the Magratheans lived most | |
| of their lives underground." | |
| "Why's that?" said Arthur. "Did the surface become too polluted | |
| or overpopulated?" | |
| "No, I don't think so," said Zaphod. "I think they just didn't | |
| like it very much." | |
| "Are you sure you know what you're doing?" said Trillian peering | |
| nervously into the darkness. "We've been attacked once already | |
| you know." | |
| "Look kid, I promise you the live population of this planet is | |
| nil plus the four of us, so come on, let's get on in there. Er, | |
| hey Earthman ..." | |
| "Arthur," said Arthur. | |
| "Yeah could you just sort of keep this robot with you and guard | |
| this end of the passageway. OK?" | |
| "Guard?" said Arthur. "What from? You just said there's no one | |
| here." | |
| "Yeah, well, just for safety, OK?" said Zaphod. | |
| "Whose? Yours or mine?" | |
| "Good lad. OK, here we go." | |
| Zaphod scrambled down into the passage, followed by Trillian and | |
| Ford. | |
| "Well I hope you all have a really miserable time," complained | |
| Arthur. | |
| "Don't worry," Marvin assured him, "they will." | |
| In a few seconds they had disappeared from view. | |
| Arthur stamped around in a huff, and then decided that a whale's | |
| graveyard is not on the whole a good place to stamp around in. | |
| Marvin eyed him balefully for a moment, and then turned himself | |
| off. | |
| Zaphod marched quickly down the passageway, nervous as hell, but | |
| trying to hide it by striding purposefully. He flung the torch | |
| beam around. The walls were covered in dark tiles and were cold | |
| to the touch, the air thick with decay. | |
| "There, what did I tell you?" he said. "An inhabited planet. | |
| Magrathea," and he strode on through the dirt and debris that | |
| littered the tile floor. | |
| Trillian was reminded unavoidably of the London Underground, | |
| though it was less thoroughly squalid. | |
| At intervals along the walls the tiles gave way to large mosaics | |
| - simple angular patterns in bright colours. Trillian stopped and | |
| studied one of them but could not interpret any sense in them. | |
| She called to Zaphod. | |
| "Hey, have you any idea what these strange symbols are?" | |
| "I think they're just strange symbols of some kind," said Zaphod, | |
| hardly glancing back. | |
| Trillian shrugged and hurried after him. | |
| From time to time a doorway led either to the left or right into | |
| smallish chambers which Ford discovered to be full of derelict | |
| computer equipment. He dragged Zaphod into one to have a look. | |
| Trillian followed. | |
| "Look," said Ford, "you reckon this is Magrathea ..." | |
| "Yeah," said Zaphod, "and we heard the voice, right?" | |
| "OK, so I've bought the fact that it's Magrathea - for the | |
| moment. What you have so far said nothing about is how in the | |
| Galaxy you found it. You didn't just look it up in a star atlas, | |
| that's for sure." | |
| "Research. Government archives. Detective work. Few lucky | |
| guesses. Easy." | |
| "And then you stole the Heart of Gold to come and look for it | |
| with?" | |
| "I stole it to look for a lot of things." | |
| "A lot of things?" said Ford in surprise. "Like what?" | |
| "I don't know." | |
| "What?" | |
| "I don't know what I'm looking for." | |
| "Why not?" | |
| "Because ... because ... I think it might be because if I knew I | |
| wouldn't be able to look for them." | |
| "What, are you crazy?" | |
| "It's a possibility I haven't ruled out yet," said Zaphod | |
| quietly. "I only know as much about myself as my mind can work | |
| out under its current conditions. And its current conditions are | |
| not good." | |
| For a long time nobody said anything as Ford gazed at Zaphod with | |
| a mind suddenly full of worry. | |
| "Listen old friend, if you want to ..." started Ford eventually. | |
| "No, wait ... I'll tell you something," said Zaphod. "I freewheel | |
| a lot. I get an idea to do something, and, hey, why not, I do it. | |
| I reckon I'll become President of the Galaxy, and it just | |
| happens, it's easy. I decide to steal this ship. I decide to look | |
| for Magrathea, and it all just happens. Yeah, I work out how it | |
| can best be done, right, but it always works out. It's like | |
| having a Galacticredit card which keeps on working though you | |
| never send off the cheques. And then whenever I stop and think - | |
| why did I want to do something? - how did I work out how to do | |
| it? - I get a very strong desire just to stop thinking about it. | |
| Like I have now. It's a big effort to talk about it." | |
| Zaphod paused for a while. For a while there was silence. Then he | |
| frowned and said, "Last night I was worrying about this again. | |
| About the fact that part of my mind just didn't seem to work | |
| properly. Then it occurred to me that the way it seemed was that | |
| someone else was using my mind to have good ideas with, without | |
| telling me about it. I put the two ideas together and decided | |
| that maybe that somebody had locked off part of my mind for that | |
| purpose, which was why I couldn't use it. I wondered if there was | |
| a way I could check. | |
| "I went to the ship's medical bay and plugged myself into the | |
| encephelographic screen. I went through every major screening | |
| test on both my heads - all the tests I had to go through under | |
| government medical officers before my nomination for Presidency | |
| could be properly ratified. They showed up nothing. Nothing | |
| unexpected at least. They showed that I was clever, imaginative, | |
| irresponsible, untrustworthy, extrovert, nothing you couldn't | |
| have guessed. And no other anomalies. So I started inventing | |
| further tests, completely at random. Nothing. Then I tried | |
| superimposing the results from one head on top of the results | |
| from the other head. Still nothing. Finally I got silly, because | |
| I'd given it all up as nothing more than an attack of paranoia. | |
| Last thing I did before I packed it in was take the superimposed | |
| picture and look at it through a green filter. You remember I was | |
| always superstitious about the color green when I was a kid? I | |
| always wanted to be a pilot on one of the trading scouts?" | |
| Ford nodded. | |
| "And there it was," said Zaphod, "clear as day. A whole section | |
| in the middle of both brains that related only to each other and | |
| not to anything else around them. Some bastard had cauterized all | |
| the synapses and electronically traumatised those two lumps of | |
| cerebellum." | |
| Ford stared at him, aghast. Trillian had turned white. | |
| "Somebody did that to you?" whispered Ford. | |
| "Yeah." | |
| "But have you any idea who? Or why?" | |
| "Why? I can only guess. But I do know who the bastard was." | |
| "You know? How do you know?" | |
| "Because they left their initials burnt into the cauterized | |
| synapses. They left them there for me to see." | |
| Ford stared at him in horror and felt his skin begin to crawl. | |
| "Initials? Burnt into your brain?" | |
| "Yeah." | |
| "Well, what were they, for God's sake?" | |
| Zaphod looked at him in silence again for a moment. Then he | |
| looked away. | |
| "Z.B.," he said. | |
| At that moment a steel shutter slammed down behind them and gas | |
| started to pour into the chamber. | |
| "I'll tell you about it later," choked Zaphod as all three passed | |
| out. | |
| ================================================================= | |
| Chapter 21 | |
| On the surface of Magrathea Arthur wandered about moodily. | |
| Ford had thoughtfully left him his copy of The Hitch Hiker's | |
| Guide to the Galaxy to while away the time with. He pushed a few | |
| buttons at random. | |
| The Hitch Hiker's Guide to the Galaxy is a very unevenly edited | |
| book and contains many passages that simply seemed to its editors | |
| like a good idea at the time. | |
| One of these (the one Arthur now came across) supposedly relates | |
| the experiences of one Veet Voojagig, a quiet young student at | |
| the University of Maximegalon, who pursued a brilliant academic | |
| career studying ancient philology, transformational ethics and | |
| the wave harmonic theory of historical perception, and then, | |
| after a night of drinking Pan Galactic Gargle Blasters with | |
| Zaphod Beeblebrox, became increasingly obsessed with the problem | |
| of what had happened to all the biros he'd bought over the past | |
| few years. | |
| There followed a long period of painstaking research during which | |
| he visited all the major centres of biro loss throughout the | |
| galaxy and eventually came up with a quaint little theory which | |
| quite caught the public imagination at the time. Somewhere in the | |
| cosmos, he said, along with all the planets inhabited by | |
| humanoids, reptiloids, fishoids, walking treeoids and | |
| superintelligent shades of the colour blue, there was also a | |
| planet entirely given over to biro life forms. And it was to this | |
| planet that unattended biros would make their way, slipping away | |
| quietly through wormholes in space to a world where they knew | |
| they could enjoy a uniquely biroid lifestyle, responding to | |
| highly biro-oriented stimuli, and generally leading the biro | |
| equivalent of the good life. | |
| And as theories go this was all very fine and pleasant until Veet | |
| Voojagig suddenly claimed to have found this planet, and to have | |
| worked there for a while driving a limousine for a family of | |
| cheap green retractables, whereupon he was taken away, locked up, | |
| wrote a book, and was finally sent into tax exile, which is the | |
| usual fate reserved for those who are determined to make a fool | |
| of themselves in public. | |
| When one day an expedition was sent to the spatial coordinates | |
| that Voojagig had claimed for this planet they discovered only a | |
| small asteroid inhabited by a solitary old man who claimed | |
| repeatedly that nothing was true, though he was later discovered | |
| to be lying. | |
| There did, however, remain the question of both the mysterious | |
| 60,000 Altairan dollars paid yearly into his Brantisvogan bank | |
| account, and of course Zaphod Beeblebrox's highly profitable | |
| second-hand biro business. | |
| Arthur read this, and put the book down. | |
| The robot still sat there, completely inert. | |
| Arthur got up and walked to the top of the crater. He walked | |
| around the crater. He watched two suns set magnificently over | |
| Magrathea. | |
| He went back down into the crater. He woke the robot up because | |
| even a manically depressed robot is better to talk to than | |
| nobody. | |
| "Night's falling," he said. "Look robot, the stars are coming | |
| out." | |
| From the heart of a dark nebula it is possible to see very few | |
| stars, and only very faintly, but they were there to be seen. | |
| The robot obediently looked at them, then looked back. | |
| "I know," he said. "Wretched isn't it?" | |
| "But that sunset! I've never seen anything like it in my wildest | |
| dreams ... the two suns! It was like mountains of fire boiling | |
| into space." | |
| "I've seen it," said Marvin. "It's rubbish." | |
| "We only ever had the one sun at home," persevered Arthur, "I | |
| came from a planet called Earth you know." | |
| "I know," said Marvin, "you keep going on about it. It sounds | |
| awful." | |
| "Ah no, it was a beautiful place." | |
| "Did it have oceans?" | |
| "Oh yes," said Arthur with a sigh, "great wide rolling blue | |
| oceans ..." | |
| "Can't bear oceans," said Marvin. | |
| "Tell me," inquired Arthur, "do you get on well with other | |
| robots?" | |
| "Hate them," said Marvin. "Where are you going?" | |
| Arthur couldn't bear any more. He had got up again. | |
| "I think I'll just take another walk," he said. | |
| "Don't blame you," said Marvin and counted five hundred and | |
| ninety-seven thousand million sheep before falling asleep again a | |
| second later. | |
| Arthur slapped his arms about himself to try and get his | |
| circulation a little more enthusiastic about its job. He trudged | |
| back up the wall of the crater. | |
| Because the atmosphere was so thin and because there was no moon, | |
| nightfall was very rapid and it was by now very dark. Because of | |
| this, Arthur practically walked into the old man before he | |
| noticed him. | |
| ================================================================= | |
| Chapter 22 | |
| He was standing with his back to Arthur watching the very last | |
| glimmers of light sink into blackness behind the horizon. He was | |
| tallish, elderly and dressed in a single long grey robe. When he | |
| turned his face was thin and distinguished, careworn but not | |
| unkind, the sort of face you would happily bank with. But he | |
| didn't turn yet, not even to react to Arthur's yelp of surprise. | |
| Eventually the last rays of the sun had vanished completely, and | |
| he turned. His face was still illuminated from somewhere, and | |
| when Arthur looked for the source of the light he saw that a few | |
| yards away stood a small craft of some kind - a small hovercraft, | |
| Arthur guessed. It shed a dim pool of light around it. | |
| The man looked at Arthur, sadly it seemed. | |
| "You choose a cold night to visit our dead planet," he said. | |
| "Who ... who are you?" stammered Arthur. | |
| The man looked away. Again a kind of sadness seemed to cross his | |
| face. | |
| "My name is not important," he said. | |
| He seemed to have something on his mind. Conversation was clearly | |
| something he felt he didn't have to rush at. Arthur felt awkward. | |
| "I ... er ... you startled me ..." he said, lamely. | |
| The man looked round to him again and slightly raised his | |
| eyebrows. | |
| "Hmmmm?" he said. | |
| "I said you startled me." | |
| "Do not be alarmed, I will not harm you." | |
| Arthur frowned at him. "But you shot at us! There were missiles | |
| ..." he said. | |
| The man chuckled slightly. | |
| "An automatic system," he said and gave a small sigh. "Ancient | |
| computers ranged in the bowels of the planet tick away the dark | |
| millennia, and the ages hang heavy on their dusty data banks. I | |
| think they take the occasional pot shot to relieve the monotony." | |
| He looked gravely at Arthur and said, "I'm a great fan of science | |
| you know." | |
| "Oh ... er, really?" said Arthur, who was beginning to find the | |
| man's curious, kindly manner disconcerting. | |
| "Oh, yes," said the old man, and simply stopped talking again. | |
| "Ah," said Arthur, "er ..." He had an odd felling of being like a | |
| man in the act of adultery who is surprised when the woman's | |
| husband wanders into the room, changes his trousers, passes a few | |
| idle remarks about the weather and leaves again. | |
| "You seem ill at ease," said the old man with polite concern. | |
| "Er, no ... well, yes. Actually you see, we weren't really | |
| expecting to find anybody about in fact. I sort of gathered that | |
| you were all dead or something ..." | |
| "Dead?" said the old man. "Good gracious no, we have but slept." | |
| "Slept?" said Arthur incredulously. | |
| "Yes, through the economic recession you see," said the old man, | |
| apparently unconcerned about whether Arthur understood a word | |
| he was talking about or not. | |
| "Er, economic recession?" | |
| "Well you see, five million years ago the Galactic economy | |
| collapsed, and seeing that custom-made planets are something of a | |
| luxury commodity you see ..." | |
| He paused and looked at Arthur. | |
| "You know we built planets do you?" he asked solemnly. | |
| "Well yes," said Arthur, "I'd sort of gathered ..." | |
| "Fascinating trade," said the old man, and a wistful look came | |
| into his eyes, "doing the coastlines was always my favourite. | |
| Used to have endless fun doing the little bits in fjords ... so | |
| anyway," he said trying to find his thread again, "the recession | |
| came and we decided it would save us a lot of bother if we just | |
| slept through it. So we programmed the computers to revive us | |
| when it was all over." | |
| The man stifled a very slight yawn and continued. | |
| "The computers were index linked to the Galactic stock market | |
| prices you see, so that we'd all be revived when everybody else | |
| had rebuilt the economy enough to afford our rather expensive | |
| services." | |
| Arthur, a regular Guardian reader, was deeply shocked at this. | |
| "That's a pretty unpleasant way to behave isn't it?" | |
| "Is it?" asked the old man mildly. "I'm sorry, I'm a bit out of | |
| touch." | |
| He pointed down into the crater. | |
| "Is that robot yours?" he said. | |
| "No," came a thin metallic voice from the crater, "I'm mine." | |
| "If you'd call it a robot," muttered Arthur. "It's more a sort of | |
| electronic sulking machine." | |
| "Bring it," said the old man. Arthur was quite surprised to hear | |
| a note of decision suddenly present in the old man's voice. He | |
| called to Marvin who crawled up the slope making a big show of | |
| being lame, which he wasn't. | |
| "On second thoughts," said the old man, "leave it here. You must | |
| come with me. Great things are afoot." He turned towards his | |
| craft which, though no apparent signal had been given, now | |
| drifted quietly towards them through the dark. | |
| Arthur looked down at Marvin, who now made an equally big show of | |
| turning round laboriously and trudging off down into the crater | |
| again muttering sour nothings to himself. | |
| "Come," called the old man, "come now or you will be late." | |
| "Late?" said Arthur. "What for?" | |
| "What is your name, human?" | |
| "Dent. Arthur Dent," said Arthur. | |
| "Late, as in the late Dentarthurdent," said the old man, sternly. | |
| "It's a sort of threat you see." Another wistful look came into | |
| his tired old eyes. "I've never been very good at them myself, | |
| but I'm told they can be very effective." | |
| Arthur blinked at him. | |
| "What an extraordinary person," he muttered to himself. | |
| "I beg your pardon?" said the old man. | |
| "Oh nothing, I'm sorry," said Arthur in embarrassment. "Alright, | |
| where do we go?" | |
| "In my aircar," said the old man motioning Arthur to get into the | |
| craft which had settled silently next to them. "We are going deep | |
| into the bowels of the planet where even now our race is being | |
| revived from its five-million-year slumber. Magrathea awakes." | |
| Arthur shivered involuntarily as he seated himself next to the | |
| old man. The strangeness of it, the silent bobbing movement of | |
| the craft as it soared into the night sky quite unsettled him. | |
| He looked at the old man, his face illuminated by the dull glow | |
| of tiny lights on the instrument panel. | |
| "Excuse me," he said to him, "what is your name by the way?" | |
| "My name?" said the old man, and the same distant sadness came | |
| into his face again. He paused. "My name," he said, "... is | |
| Slartibartfast." | |
| Arthur practically choked. | |
| "I beg your pardon?" he spluttered. | |
| "Slartibartfast," repeated the old man quietly. | |
| "Slartibartfast?" | |
| The old man looked at him gravely. | |
| "I said it wasn't important," he said. | |
| The aircar sailed through the night. | |
| ================================================================= | |
| Chapter 23 | |
| It is an important and popular fact that things are not always | |
| what they seem. For instance, on the planet Earth, man had always | |
| assumed that he was more intelligent than dolphins because he had | |
| achieved so much - the wheel, New York, wars and so on - whilst | |
| all the dolphins had ever done was muck about in the water having | |
| a good time. But conversely, the dolphins had always believed | |
| that they were far more intelligent than man - for precisely the | |
| same reasons. | |
| Curiously enough, the dolphins had long known of the impending | |
| destruction of the planet Earth and had made many attempts to | |
| alert mankind of the danger; but most of their communications | |
| were misinterpreted as amusing attempts to punch footballs or | |
| whistle for tidbits, so they eventually gave up and left the | |
| Earth by their own means shortly before the Vogons arrived. | |
| The last ever dolphin message was misinterpreted as a | |
| surprisingly sophisticated attempt to do a double-backwards- | |
| somersault through a hoop whilst whistling the "Star Sprangled | |
| Banner", but in fact the message was this: So long and thanks for | |
| all the fish. | |
| In fact there was only one species on the planet more intelligent | |
| than dolphins, and they spent a lot of their time in behavioural | |
| research laboratories running round inside wheels and conducting | |
| frighteningly elegant and subtle experiments on man. The fact | |
| that once again man completely misinterpreted this relationship | |
| was entirely according to these creatures' plans. | |
| ================================================================= | |
| Chapter 24 | |
| Silently the aircar coasted through the cold darkness, a single | |
| soft glow of light that was utterly alone in the deep Magrathean | |
| night. It sped swiftly. Arthur's companion seemed sunk in his own | |
| thoughts, and when Arthur tried on a couple of occasions to | |
| engage him in conversation again he would simply reply by asking | |
| if he was comfortable enough, and then left it at that. | |
| Arthur tried to gauge the speed at which they were travelling, | |
| but the blackness outside was absolute and he was denied any | |
| reference points. The sense of motion was so soft and slight he | |
| could almost believe they were hardly moving at all. | |
| Then a tiny glow of light appeared in the far distance and within | |
| seconds had grown so much in size that Arthur realized it was | |
| travelling towards them at a colossal speed, and he tried to make | |
| out what sort of craft it might be. He peered at it, but was | |
| unable to discern any clear shape, and suddenly gasped in alarm | |
| as the aircraft dipped sharply and headed downwards in what | |
| seemed certain to be a collision course. Their relative velocity | |
| seemed unbelievable, and Arthur had hardly time to draw breath | |
| before it was all over. The next thing he was aware of was an | |
| insane silver blur that seemed to surround him. He twisted his | |
| head sharply round and saw a small black point dwindling rapidly | |
| in the distance behind them, and it took him several seconds to | |
| realize what had happened. | |
| They had plunged into a tunnel in the ground. The colossal speed | |
| had been their own relative to the glow of light which was a | |
| stationary hole in the ground, the mouth of the tunnel. The | |
| insane blur of silver was the circular wall of the tunnel down | |
| which they were shooting, apparently at several hundred miles an | |
| hour. | |
| He closed his eyes in terror. | |
| After a length of time which he made no attempt to judge, he | |
| sensed a slight subsidence in their speed and some while later | |
| became aware that they were gradually gliding to a gentle halt. | |
| He opened his eyes again. They were still in the silver tunnel, | |
| threading and weaving their way through what appeared to be a | |
| crisscross warren of converging tunnels. When they finally | |
| stopped it was in a small chamber of curved steel. Several | |
| tunnels also had their terminus here, and at the farther end of | |
| the chamber Arthur could see a large circle of dim irritating | |
| light. It was irritating because it played tricks with the eyes, | |
| it was impossible to focus on it properly or tell how near or far | |
| it was. Arthur guessed (quite wrongly) that it might be ultra | |
| violet. | |
| Slartibartfast turned and regarded Arthur with his solemn old | |
| eyes. | |
| "Earthman," he said, "we are now deep in the heart of Magrathea." | |
| "How did you know I was an Earthman?" demanded Arthur. | |
| "These things will become clear to you," said the old man gently, | |
| "at least," he added with slight doubt in his voice, "clearer | |
| than they are at the moment." | |
| He continued: "I should warn you that the chamber we are about to | |
| pass into does not literally exist within our planet. It is a | |
| little too ... large. We are about to pass through a gateway into | |
| a vast tract of hyperspace. It may disturb you." | |
| Arthur made nervous noises. | |
| Slartibartfast touched a button and added, not entirely | |
| reassuringly. "It scares the willies out of me. Hold tight." | |
| The car shot forward straight into the circle of light, and | |
| suddenly Arthur had a fairly clear idea of what infinity looked | |
| like. | |
| It wasn't infinity in fact. Infinity itself looks flat and | |
| uninteresting. Looking up into the night sky is looking into | |
| infinity - distance is incomprehensible and therefore | |
| meaningless. The chamber into which the aircar emerged was | |
| anything but infinite, it was just very very big, so that it gave | |
| the impression of infinity far better than infinity itself. | |
| Arthur's senses bobbed and span, as, travelling at the immense | |
| speed he knew the aircar attained, they climbed slowly through | |
| the open air leaving the gateway through which they had passed an | |
| invisible pinprick in the shimmering wall behind them. | |
| The wall. | |
| The wall defied the imagination - seduced it and defeated it. The | |
| wall was so paralysingly vast and sheer that its top, bottom and | |
| sides passed away beyond the reach of sight. The mere shock of | |
| vertigo could kill a man. | |
| The wall appeared perfectly flat. It would take the finest laser | |
| measuring equipment to detect that as it climbed, apparently to | |
| infinity, as it dropped dizzily away, as it planed out to either | |
| side, it also curved. It met itself again thirteen light seconds | |
| away. In other words the wall formed the inside of a hollow | |
| sphere, a sphere over three million miles across and flooded with | |
| unimaginable light. | |
| "Welcome," said Slartibartfast as the tiny speck that was the | |
| aircar, travelling now at three times the speed of sound, crept | |
| imperceptibly forward into the mindboggling space, "welcome," he | |
| said, "to our factory floor." | |
| Arthur stared about him in a kind of wonderful horror. Ranged | |
| away before them, at distances he could neither judge nor even | |
| guess at, were a series of curious suspensions, delicate | |
| traceries of metal and light hung about shadowy spherical shapes | |
| that hung in the space. | |
| "This," said Slartibartfast, "is where we make most of our | |
| planets you see." | |
| "You mean," said Arthur, trying to form the words, "you mean | |
| you're starting it all up again now?" | |
| "No no, good heavens no," exclaimed the old man, "no, the Galaxy | |
| isn't nearly rich enough to support us yet. No, we've been | |
| awakened to perform just one extraordinary commission for very | |
| ... special clients from another dimension. It may interest you | |
| ... there in the distance in front of us." | |
| Arthur followed the old man's finger, till he was able to pick | |
| out the floating structure he was pointing out. It was indeed the | |
| only one of the many structures that betrayed any sign of | |
| activity about it, though this was more a sublimal impression | |
| than anything one could put one's finger on. | |
| At the moment however a flash of light arced through the | |
| structure and revealed in stark relief the patterns that were | |
| formed on the dark sphere within. Patterns that Arthur knew, | |
| rough blobby shapes that were as familiar to him as the shapes of | |
| words, part of the furniture of his mind. For a few seconds he | |
| sat in stunned silence as the images rushed around his mind and | |
| tried to find somewhere to settle down and make sense. | |
| Part of his brain told him that he knew perfectly well what he | |
| was looking at and what the shapes represented whilst another | |
| quite sensibly refused to countenance the idea and abdicated | |
| responsibility for any further thinking in that direction. | |
| The flash came again, and this time there could be no doubt. | |
| "The Earth ..." whispered Arthur. | |
| "Well, the Earth Mark Two in fact," said Slartibartfast | |
| cheerfully. "We're making a copy from our original blueprints." | |
| There was a pause. | |
| "Are you trying to tell me," said Arthur, slowly and with | |
| control, "that you originally ... made the Earth?" | |
| "Oh yes," said Slartibartfast. "Did you ever go to a place ... I | |
| think it was called Norway?" | |
| "No," said Arthur, "no, I didn't." | |
| "Pity," said Slartibartfast, "that was one of mine. Won an award | |
| you know. Lovely crinkly edges. I was most upset to hear about | |
| its destruction." | |
| "You were upset!" | |
| "Yes. Five minutes later and it wouldn't have mattered so much. | |
| It was a quite shocking cock-up." | |
| "Huh?" said Arthur. | |
| "The mice were furious." | |
| "The mice were furious?" | |
| "Oh yes," said the old man mildly. | |
| "Yes well so I expect were the dogs and cats and duckbilled | |
| platypuses, but ..." | |
| "Ah, but they hadn't paid for it you see, had they?" | |
| "Look," said Arthur, "would it save you a lot of time if I just | |
| gave up and went mad now?" | |
| For a while the aircar flew on in awkward silence. Then the old | |
| man tried patiently to explain. | |
| "Earthman, the planet you lived on was commissioned, paid for, | |
| and run by mice. It was destroyed five minutes before the | |
| completion of the purpose for which it was built, and we've got | |
| to build another one." | |
| Only one word registered with Arthur. | |
| "Mice?" he said. | |
| "Indeed Earthman." | |
| "Look, sorry - are we talking about the little white furry things | |
| with the cheese fixation and women standing on tables screaming | |
| in early sixties sit coms?" | |
| Slartibartfast coughed politely. | |
| "Earthman," he said, "it is sometimes hard to follow your mode of | |
| speech. Remember I have been asleep inside this planet of | |
| Magrathea for five million years and know little of these early | |
| sixties sit coms of which you speak. These creatures you call | |
| mice, you see, they are not quite as they appear. They are merely | |
| the protrusion into our dimension of vast hyperintelligent pan- | |
| dimensional beings. The whole business with the cheese and the | |
| squeaking is just a front." | |
| The old man paused, and with a sympathetic frown continued. | |
| "They've been experimenting on you I'm afraid." | |
| Arthur thought about this for a second, and then his face | |
| cleared. | |
| "Ah no," he said, "I see the source of the misunderstanding now. | |
| No, look you see, what happened was that we used to do | |
| experiments on them. They were often used in behavioural | |
| research, Pavlov and all that sort of stuff. So what happened was | |
| hat the mice would be set all sorts of tests, learning to ring | |
| bells, run around mazes and things so that the whole nature of | |
| the learning process could be examined. From our observations of | |
| their behaviour we were able to learn all sorts of things about | |
| our own ..." | |
| Arthur's voice tailed off. | |
| "Such subtlety ..." said Slartibartfast, "one has to admire it." | |
| "What?" said Arthur. | |
| "How better to disguise their real natures, and how better to | |
| guide your thinking. Suddenly running down a maze the wrong way, | |
| eating the wrong bit of cheese, unexpectedly dropping dead of | |
| myxomatosis, - if it's finely calculated the cumulative effect is | |
| enormous." | |
| He paused for effect. | |
| "You see, Earthman, they really are particularly clever | |
| hyperintelligent pan-dimensional beings. Your planet and people | |
| have formed the matrix of an organic computer running a ten- | |
| million-year research programme ... | |
| "Let me tell you the whole story. It'll take a little time." | |
| "Time," said Arthur weakly, "is not currently one of my | |
| problems." | |
| ================================================================= | |
| Chapter 25 | |
| There are of course many problems connected with life, of which | |
| some of the most popular are Why are people born? Why do they | |
| die? Why do they want to spend so much of the intervening time | |
| wearing digital watches? | |
| Many many millions of years ago a race of hyperintelligent pan- | |
| dimensional beings (whose physical manifestation in their own | |
| pan-dimensional universe is not dissimilar to our own) got so fed | |
| up with the constant bickering about the meaning of life which | |
| used to interrupt their favourite pastime of Brockian Ultra | |
| Cricket (a curious game which involved suddenly hitting people | |
| for no readily apparent reason and then running away) that they | |
| decided to sit down and solve their problems once and for all. | |
| And to this end they built themselves a stupendous super computer | |
| which was so amazingly intelligent that even before the data | |
| banks had been connected up it had started from I think therefore | |
| I am and got as far as the existence of rice pudding and income | |
| tax before anyone managed to turn it off. | |
| It was the size of a small city. | |
| Its main console was installed in a specially designed executive | |
| office, mounted on an enormous executive desk of finest | |
| ultramahagony topped with rich ultrared leather. The dark | |
| carpeting was discreetly sumptuous, exotic pot plants and | |
| tastefully engraved prints of the principal computer programmers | |
| and their families were deployed liberally about the room, and | |
| stately windows looked out upon a tree-lined public square. | |
| On the day of the Great On-Turning two soberly dressed | |
| programmers with brief cases arrived and were shown discreetly | |
| into the office. They were aware that this day they would | |
| represent their entire race in its greatest moment, but they | |
| conducted themselves calmly and quietly as they seated themselves | |
| deferentially before the desk, opened their brief cases and took | |
| out their leather-bound notebooks. | |
| Their names were Lunkwill and Fook. | |
| For a few moments they sat in respectful silence, then, after | |
| exchanging a quiet glance with Fook, Lunkwill leaned forward and | |
| touched a small black panel. | |
| The subtlest of hums indicated that the massive computer was now | |
| in total active mode. After a pause it spoke to them in a voice | |
| rich resonant and deep. | |
| It said: "What is this great task for which I, Deep Thought, the | |
| second greatest computer in the Universe of Time and Space have | |
| been called into existence?" | |
| Lunkwill and Fook glanced at each other in surprise. | |
| "Your task, O Computer ..." began Fook. | |
| "No, wait a minute, this isn't right," said Lunkwill, worried. | |
| "We distinctly designed this computer to be the greatest one ever | |
| and we're not making do with second best. Deep Thought," he | |
| addressed the computer, "are you not as we designed you to be, | |
| the greatest most powerful computer in all time?" | |
| "I described myself as the second greatest," intoned Deep | |
| Thought, "and such I am." | |
| Another worried look passed between the two programmers. Lunkwill | |
| cleared his throat. | |
| "There must be some mistake," he said, "are you not a greatest | |
| computer than the Milliard Gargantubrain which can count all the | |
| atoms in a star in a millisecond?" | |
| "The Milliard Gargantubrain?" said Deep Thought with unconcealed | |
| contempt. "A mere abacus - mention it not." | |
| "And are you not," said Fook leaning anxiously forward, "a | |
| greater analyst than the Googleplex Star Thinker in the Seventh | |
| Galaxy of Light and Ingenuity which can calculate the trajectory | |
| of every single dust particle throughout a five-week Dangrabad | |
| Beta sand blizzard?" | |
| "A five-week sand blizzard?" said Deep Thought haughtily. "You | |
| ask this of me who have contemplated the very vectors of the | |
| atoms in the Big Bang itself? Molest me not with this pocket | |
| calculator stuff." | |
| The two programmers sat in uncomfortable silence for a moment. | |
| Then Lunkwill leaned forward again. | |
| "But are you not," he said, "a more fiendish disputant than the | |
| Great Hyperlobic Omni-Cognate Neutron Wrangler of Ciceronicus 12, | |
| the Magic and Indefatigable?" | |
| "The Great Hyperlobic Omni-Cognate Neutron Wrangler," said Deep | |
| Thought thoroughly rolling the r's, "could talk all four legs off | |
| an Arcturan MegaDonkey - but only I could persuade it to go for a | |
| walk afterwards." | |
| "Then what," asked Fook, "is the problem?" | |
| "There is no problem," said Deep Thought with magnificent ringing | |
| tones. "I am simply the second greatest computer in the Universe | |
| of Space and Time." | |
| "But the second?" insisted Lunkwill. "Why do you keep saying the | |
| second? You're surely not thinking of the Multicorticoid | |
| Perspicutron Titan Muller are you? Or the Pondermatic? Or the | |
| ..." | |
| Contemptuous lights flashed across the computer's console. | |
| "I spare not a single unit of thought on these cybernetic | |
| simpletons!" he boomed. "I speak of none but the computer that is | |
| to come after me!" | |
| Fook was losing patience. He pushed his notebook aside and | |
| muttered, "I think this is getting needlessly messianic." | |
| "You know nothing of future time," pronounced Deep Thought, "and | |
| yet in my teeming circuitry I can navigate the infinite delta | |
| streams of future probability and see that there must one day | |
| come a computer whose merest operational parameters I am not | |
| worthy to calculate, but which it will be my fate eventually to | |
| design." | |
| Fook sighed heavily and glanced across to Lunkwill. | |
| "Can we get on and ask the question?" he said. | |
| Lunkwill motioned him to wait. | |
| "What computer is this of which you speak?" he asked. | |
| "I will speak of it no further in this present time," said Deep | |
| Thought. "Now. Ask what else of me you will that I may function. | |
| Speak." | |
| They shrugged at each other. Fook composed himself. | |
| "O Deep Thought Computer," he said, "the task we have designed | |
| you to perform is this. We want you to tell us ..." he paused, | |
| "... the Answer!" | |
| "The answer?" said Deep Thought. "The answer to what?" | |
| "Life!" urged Fook. | |
| "The Universe!" said Lunkwill. | |
| "Everything!" they said in chorus. | |
| Deep Thought paused for a moment's reflection. | |
| "Tricky," he said finally. | |
| "But can you do it?" | |
| Again, a significant pause. | |
| "Yes," said Deep Thought, "I can do it." | |
| "There is an answer?" said Fook with breathless excitement." | |
| "A simple answer?" added Lunkwill. | |
| "Yes," said Deep Thought. "Life, the Universe, and Everything. | |
| There is an answer. But," he added, "I'll have to think about | |
| it." | |
| A sudden commotion destroyed the moment: the door flew open and | |
| two angry men wearing the coarse faded-blue robes and belts of | |
| the Cruxwan University burst into the room, thrusting aside the | |
| ineffectual flunkies who tried to bar their way. | |
| "We demand admission!" shouted the younger of the two men | |
| elbowing a pretty young secretary in the throat. | |
| "Come on," shouted the older one, "you can't keep us out!" He | |
| pushed a junior programmer back through the door. | |
| "We demand that you can't keep us out!" bawled the younger one, | |
| though he was now firmly inside the room and no further attempts | |
| were being made to stop him. | |
| "Who are you?" said Lunkwill, rising angrily from his seat. "What | |
| do you want?" | |
| "I am Majikthise!" announced the older one. | |
| "And I demand that I am Vroomfondel!" shouted the younger one. | |
| Majikthise turned on Vroomfondel. "It's alright," he explained | |
| angrily, "you don't need to demand that." | |
| "Alright!" bawled Vroomfondel banging on an nearby desk. "I am | |
| Vroomfondel, and that is not a demand, that is a solid fact! What | |
| we demand is solid facts!" | |
| "No we don't!" exclaimed Majikthise in irritation. "That is | |
| precisely what we don't demand!" | |
| Scarcely pausing for breath, Vroomfondel shouted, "We don't | |
| demand solid facts! What we demand is a total absence of solid | |
| facts. I demand that I may or may not be Vroomfondel!" | |
| "But who the devil are you?" exclaimed an outraged Fook. | |
| "We," said Majikthise, "are Philosophers." | |
| "Though we may not be," said Vroomfondel waving a warning finger | |
| at the programmers. | |
| "Yes we are," insisted Majikthise. "We are quite definitely here | |
| as representatives of the Amalgamated Union of Philosophers, | |
| Sages, Luminaries and Other Thinking Persons, and we want this | |
| machine off, and we want it off now!" | |
| "What's the problem?" said Lunkwill. | |
| "I'll tell you what the problem is mate," said Majikthise, | |
| "demarcation, that's the problem!" | |
| "We demand," yelled Vroomfondel, "that demarcation may or may not | |
| be the problem!" | |
| "You just let the machines get on with the adding up," warned | |
| Majikthise, "and we'll take care of the eternal verities thank | |
| you very much. You want to check your legal position you do mate. | |
| Under law the Quest for Ultimate Truth is quite clearly the | |
| inalienable prerogative of your working thinkers. Any bloody | |
| machine goes and actually finds it and we're straight out of a | |
| job aren't we? I mean what's the use of our sitting up half the | |
| night arguing that there may or may not be a God if this machine | |
| only goes and gives us his bleeding phone number the next | |
| morning?" | |
| "That's right!" shouted Vroomfondel, "we demand rigidly defined | |
| areas of doubt and uncertainty!" | |
| Suddenly a stentorian voice boomed across the room. | |
| "Might I make an observation at this point?" inquired Deep | |
| Thought. | |
| "We'll go on strike!" yelled Vroomfondel. | |
| "That's right!" agreed Majikthise. "You'll have a national | |
| Philosopher's strike on your hands!" | |
| The hum level in the room suddenly increased as several ancillary | |
| bass driver units, mounted in sedately carved and varnished | |
| cabinet speakers around the room, cut in to give Deep Thought's | |
| voice a little more power. | |
| "All I wanted to say," bellowed the computer, "is that my | |
| circuits are now irrevocably committed to calculating the answer | |
| to the Ultimate Question of Life, the Universe, and Everything -" | |
| he paused and satisfied himself that he now had everyone's | |
| attention, before continuing more quietly, "but the programme | |
| will take me a little while to run." | |
| Fook glanced impatiently at his watch. | |
| "How long?" he said. | |
| "Seven and a half million years," said Deep Thought. | |
| Lunkwill and Fook blinked at each other. | |
| "Seven and a half million years ...!" they cried in chorus. | |
| "Yes," declaimed Deep Thought, "I said I'd have to think about | |
| it, didn't I? And it occurs to me that running a programme like | |
| this is bound to create an enormous amount of popular publicity | |
| for the whole area of philosophy in general. Everyone's going to | |
| have their own theories about what answer I'm eventually to come | |
| up with, and who better to capitalize on that media market than | |
| you yourself? So long as you can keep disagreeing with each other | |
| violently enough and slagging each other off in the popular | |
| press, you can keep yourself on the gravy train for life. How | |
| does that sound?" | |
| The two philosophers gaped at him. | |
| "Bloody hell," said Majikthise, "now that is what I call | |
| thinking. Here Vroomfondel, why do we never think of things like | |
| that?" | |
| "Dunno," said Vroomfondel in an awed whisper, "think our brains | |
| must be too highly trained Majikthise." | |
| So saying, they turned on their heels and walked out of the door | |
| and into a lifestyle beyond their wildest dreams. | |
| ================================================================= | |
| Chapter 26 | |
| "Yes, very salutary," said Arthur, after Slartibartfast had | |
| related the salient points of the story to him, "but I don't | |
| understand what all this has got to do with the Earth and mice | |
| and things." | |
| "That is but the first half of the story Earthman," said the old | |
| man. "If you would care to discover what happened seven and a | |
| half millions later, on the great day of the Answer, allow me to | |
| invite you to my study where you can experience the events | |
| yourself on our Sens-O-Tape records. That is unless you would | |
| care to take a quick stroll on the surface of New Earth. It's | |
| only half completed I'm afraid - we haven't even finished burying | |
| the artificial dinosaur skeletons in the crust yet, then we have | |
| the Tertiary and Quarternary Periods of the Cenozoic Era to lay | |
| down, and ..." | |
| "No thank you," said Arthur, "it wouldn't be quite the same." | |
| "No," said Slartibartfast, "it won't be," and he turned the | |
| aircar round and headed back towards the mind-numbing wall. | |
| ================================================================= | |
| Chapter 27 | |
| Slartibartfast's study was a total mess, like the results of an | |
| explosion in a public library. The old man frowned as they | |
| stepped in. | |
| "Terribly unfortunate," he said, "a diode blew in one of the | |
| life-support computers. When we tried to revive our cleaning | |
| staff we discovered they'd been dead for nearly thirty thousand | |
| years. Who's going to clear away the bodies, that's what I want | |
| to know. Look why don't you sit yourself down over there and let | |
| me plug you in?" | |
| He gestured Arthur towards a chair which looked as if it had been | |
| made out of the rib cage of a stegosaurus. | |
| "It was made out of the rib cage of a stegosaurus," explained the | |
| old man as he pottered about fishing bits of wire out from under | |
| tottering piles of paper and drawing instruments. "Here," he | |
| said, "hold these," and passed a couple of stripped wire end to | |
| Arthur. | |
| The instant he took hold of them a bird flew straight through | |
| him. | |
| He was suspended in mid-air and totally invisible to himself. | |
| Beneath him was a pretty treelined city square, and all around it | |
| as far as the eye could see were white concrete buildings of airy | |
| spacious design but somewhat the worse for wear - many were | |
| cracked and stained with rain. Today however the sun was shining, | |
| a fresh breeze danced lightly through the trees, and the odd | |
| sensation that all the buildings were quietly humming was | |
| probably caused by the fact that the square and all the streets | |
| around it were thronged with cheerful excited people. Somewhere a | |
| band was playing, brightly coloured flags were fluttering in the | |
| breeze and the spirit of carnival was in the air. | |
| Arthur felt extraordinarily lonely stuck up in the air above it | |
| all without so much as a body to his name, but before he had time | |
| to reflect on this a voice rang out across the square and called | |
| for everyone's attention. | |
| A man standing on a brightly dressed dais before the building | |
| which clearly dominated the square was addressing the crowd over | |
| a Tannoy. | |
| "O people waiting in the Shadow of Deep Thought!" he cried out. | |
| "Honoured Descendants of Vroomfondel and Majikthise, the Greatest | |
| and Most Truly Interesting Pundits the Universe has ever known | |
| ... The Time of Waiting is over!" | |
| Wild cheers broke out amongst the crowd. Flags, streamers and | |
| wolf whistles sailed through the air. The narrower streets looked | |
| rather like centipedes rolled over on their backs and frantically | |
| waving their legs in the air. | |
| "Seven and a half million years our race has waited for this | |
| Great and Hopefully Enlightening Day!" cried the cheer leader. | |
| "The Day of the Answer!" | |
| Hurrahs burst from the ecstatic crowd. | |
| "Never again," cried the man, "never again will we wake up in the | |
| morning and think Who am I? What is my purpose in life? Does it | |
| really, cosmically speaking, matter if I don't get up and go to | |
| work? For today we will finally learn once and for all the plain | |
| and simple answer to all these nagging little problems of Life, | |
| the Universe and Everything!" | |
| As the crowd erupted once again, Arthur found himself gliding | |
| through the air and down towards one of the large stately windows | |
| on the first floor of the building behind the dais from which the | |
| speaker was addressing the crowd. | |
| He experienced a moment's panic as he sailed straight through | |
| towards the window, which passed when a second or so later he | |
| found he had gone right through the solid glass without | |
| apparently touching it. | |
| No one in the room remarked on his peculiar arrival, which is | |
| hardly surprising as he wasn't there. He began to realize that | |
| the whole experience was merely a recorded projection which | |
| knocked six-track seventy-millimetre into a cocked hat. | |
| The room was much as Slartibartfast had described it. In seven | |
| and a half million years it had been well looked after and | |
| cleaned regularly every century or so. The ultramahagony desk was | |
| worn at the edges, the carpet a little faded now, but the large | |
| computer terminal sat in sparkling glory on the desk's leather | |
| top, as bright as if it had been constructed yesterday. | |
| Two severely dressed men sat respectfully before the terminal and | |
| waited. | |
| "The time is nearly upon us," said one, and Arthur was surprised | |
| to see a word suddenly materialize in thin air just by the man's | |
| neck. The word was Loonquawl, and it flashed a couple of times | |
| and the disappeared again. Before Arthur was able to assimilate | |
| this the other man spoke and the word Phouchg appeared by his | |
| neck. | |
| "Seventy-five thousand generations ago, our ancestors set this | |
| program in motion," the second man said, "and in all that time we | |
| will be the first to hear the computer speak." | |
| "An awesome prospect, Phouchg," agreed the first man, and Arthur | |
| suddenly realized that he was watching a recording with | |
| subtitles. | |
| "We are the ones who will hear," said Phouchg, "the answer to the | |
| great question of Life ...!" | |
| "The Universe ...!" said Loonquawl. | |
| "And Everything ...!" | |
| "Shhh," said Loonquawl with a slight gesture, "I think Deep | |
| Thought is preparing to speak!" | |
| There was a moment's expectant pause whilst panels slowly came to | |
| life on the front of the console. Lights flashed on and off | |
| experimentally and settled down into a businesslike pattern. A | |
| soft low hum came from the communication channel. | |
| "Good morning," said Deep Thought at last. | |
| "Er ... Good morning, O Deep Thought," said Loonquawl nervously, | |
| "do you have ... er, that is ..." | |
| "An answer for you?" interrupted Deep Thought majestically. "Yes. | |
| I have." | |
| The two men shivered with expectancy. Their waiting had not been | |
| in vain. | |
| "There really is one?" breathed Phouchg. | |
| "There really is one," confirmed Deep Thought. | |
| "To Everything? To the great Question of Life, the Universe and | |
| Everything?" | |
| "Yes." | |
| Both of the men had been trained for this moment, their lives had | |
| been a preparation for it, they had been selected at birth as | |
| those who would witness the answer, but even so they found | |
| themselves gasping and squirming like excited children. | |
| "And you're ready to give it to us?" urged Loonquawl. | |
| "I am." | |
| "Now?" | |
| "Now," said Deep Thought. | |
| They both licked their dry lips. | |
| "Though I don't think," added Deep Thought, "that you're going to | |
| like it." | |
| "Doesn't matter!" said Phouchg. "We must know it! Now!" | |
| "Now?" inquired Deep Thought. | |
| "Yes! Now ..." | |
| "Alright," said the computer and settled into silence again. The | |
| two men fidgeted. The tension was unbearable. | |
| "You're really not going to like it," observed Deep Thought. | |
| "Tell us!" | |
| "Alright," said Deep Thought. "The Answer to the Great Question | |
| ..." | |
| "Yes ...!" | |
| "Of Life, the Universe and Everything ..." said Deep Thought. | |
| "Yes ...!" | |
| "Is ..." said Deep Thought, and paused. | |
| "Yes ...!" | |
| "Is ..." | |
| "Yes ...!!!...?" | |
| "Forty-two," said Deep Thought, with infinite majesty and calm. | |
| ================================================================= | |
| Chapter 28 | |
| It was a long time before anyone spoke. | |
| Out of the corner of his eye Phouchg could see the sea of tense | |
| expectant faces down in the square outside. | |
| "We're going to get lynched aren't we?" he whispered. | |
| "It was a tough assignment," said Deep Thought mildly. | |
| "Forty-two!" yelled Loonquawl. "Is that all you've got to show | |
| for seven and a half million years' work?" | |
| "I checked it very thoroughly," said the computer, "and that | |
| quite definitely is the answer. I think the problem, to be quite | |
| honest with you, is that you've never actually known what the | |
| question is." | |
| "But it was the Great Question! The Ultimate Question of Life, | |
| the Universe and Everything!" howled Loonquawl. | |
| "Yes," said Deep Thought with the air of one who suffers fools | |
| gladly, "but what actually is it?" | |
| A slow stupefied silence crept over the men as they stared at the | |
| computer and then at each other. | |
| "Well, you know, it's just Everything ... Everything ..." offered | |
| Phouchg weakly. | |
| "Exactly!" said Deep Thought. "So once you do know what the | |
| question actually is, you'll know what the answer means." | |
| "Oh terrific," muttered Phouchg flinging aside his notebook and | |
| wiping away a tiny tear. | |
| "Look, alright, alright," said Loonquawl, "can you just please | |
| tell us the Question?" | |
| "The Ultimate Question?" | |
| "Yes!" | |
| "Of Life, the Universe, and Everything?" | |
| "Yes!" | |
| Deep Thought pondered this for a moment. | |
| "Tricky," he said. | |
| "But can you do it?" cried Loonquawl. | |
| Deep Thought pondered this for another long moment. | |
| Finally: "No," he said firmly. | |
| Both men collapsed on to their chairs in despair. | |
| "But I'll tell you who can," said Deep Thought. | |
| They both looked up sharply. | |
| "Who?" "Tell us!" | |
| Suddenly Arthur began to feel his apparently non-existent scalp | |
| begin to crawl as he found himself moving slowly but inexorably | |
| forward towards the console, but it was only a dramatic zoom on | |
| the part of whoever had made the recording he assumed. | |
| "I speak of none other than the computer that is to come after | |
| me," intoned Deep Thought, his voice regaining its accustomed | |
| declamatory tones. "A computer whose merest operational | |
| parameters I am not worthy to calculate - and yet I will design | |
| it for you. A computer which can calculate the Question to the | |
| Ultimate Answer, a computer of such infinite and subtle | |
| complexity that organic life itself shall form part of its | |
| operational matrix. And you yourselves shall take on new forms | |
| and go down into the computer to navigate its ten-million-year | |
| program! Yes! I shall design this computer for you. And I shall | |
| name it also unto you. And it shall be called ... The Earth." | |
| Phouchg gaped at Deep Thought. | |
| "What a dull name," he said and great incisions appeared down the | |
| length of his body. Loonquawl too suddenly sustained horrific | |
| gashed from nowhere. The Computer console blotched and cracked, | |
| the walls flickered and crumbled and the room crashed upwards | |
| into its own ceiling ... | |
| Slartibartfast was standing in front of Arthur holding the two | |
| wires. | |
| "End of the tape," he explained. | |
| ================================================================= | |
| Chapter 29 | |
| "Zaphod! Wake up!" | |
| "Mmmmmwwwwwerrrrr?" | |
| "Hey come on, wake up." | |
| "Just let me stick to what I'm good at, yeah?" muttered Zaphod | |
| and rolled away from the voice back to sleep. | |
| "Do you want me to kick you?" said Ford. | |
| "Would it give you a lot of pleasure?" said Zaphod, blearily. | |
| "No." | |
| "Nor me. So what's the point? Stop bugging me." Zaphod curled | |
| himself up. | |
| "He got a double dose of the gas," said Trillian looking down at | |
| him, "two windpipes." | |
| "And stop talking," said Zaphod, "it's hard enough trying to | |
| sleep anyway. What's the matter with the ground? It's all cold | |
| and hard." | |
| "It's gold," said Ford. | |
| With an amazingly balletic movement Zaphod was standing and | |
| scanning the horizon, because that was how far the gold ground | |
| stretched in every direction, perfectly smooth and solid. It | |
| gleamed like ... it's impossible to say what it gleamed like | |
| because nothing in the Universe gleams in quite the same way that | |
| a planet of solid gold does. | |
| "Who put all that there?" yelped Zaphod, goggle-eyed. | |
| "Don't get excited," said Ford, "it's only a catalogue." | |
| "A who?" | |
| "A catalogue," said Trillian, "an illusion." | |
| "How can you say that?" cried Zaphod, falling to his hands and | |
| knees and staring at the ground. He poked it and prodded it with | |
| his fingernail. It was very heavy and very slightly soft - he | |
| could mark it with his fingernail. It was very yellow and very | |
| shiny, and when he breathed on it his breath evaporated off it in | |
| that very peculiar and special way that breath evaporates off | |
| solid gold. | |
| "Trillian and I came round a while ago," said Ford. "We shouted | |
| and yelled till somebody came and then carried on shouting and | |
| yelling till they got fed up and put us in their planet catalogue | |
| to keep us busy till they were ready to deal with us. This is all | |
| Sens-O-Tape." | |
| Zaphod stared at him bitterly. | |
| "Ah, shit," he said, "you wake me up from my own perfectly good | |
| dream to show me somebody else's." He sat down in a huff. | |
| "What's that series of valleys over there?" he said. | |
| "Hallmark," said Ford. "We had a look." | |
| "We didn't wake you earlier," said Trillian. "The last planet was | |
| knee deep in fish." | |
| "Fish?" | |
| "Some people like the oddest things." | |
| "And before that," said Ford, "we had platinum. Bit dull. We | |
| thought you'd like to see this one though." | |
| Seas of light glared at them in one solid blaze wherever they | |
| looked. | |
| "Very pretty," said Zaphod petulantly. | |
| In the sky a huge green catalogue number appeared. It flickered | |
| and changed, and when they looked around again so had the land. | |
| As with one voice they all went, "Yuch." | |
| The sea was purple. The beach they were on was composed of tiny | |
| yellow and green pebbles - presumably terribly precious stones. | |
| The mountains in the distance seemed soft and undulating with red | |
| peaks. Nearby stood a solid silver beach table with a frilly | |
| mauve parasol and silver tassles. | |
| In the sky a huge sign appeared, replacing the catalogue number. | |
| It said, Whatever your tastes, Magrathea can cater for you. We | |
| are not proud. | |
| And five hundred entirely naked women dropped out of the sky on | |
| parachutes. | |
| In a moment the scene vanished and left them in a springtime | |
| meadow full of cows. | |
| "Ow!" said Zaphod. "My brains!" | |
| "You want to talk about it?" said Ford. | |
| "Yeah, OK," said Zaphod, and all three sat down and ignored the | |
| scenes that came and went around them. | |
| "I figure this," said Zaphod. "Whatever happened to my mind, I | |
| did it. And I did it in such a way that it wouldn't be detected | |
| by the government screening tests. And I wasn't to know anything | |
| about it myself. Pretty crazy, right?" | |
| The other two nodded in agreement. | |
| "So I reckon, what's so secret that I can't let anybody know I | |
| know it, not the Galactic Government, not even myself? And the | |
| answer is I don't know. Obviously. But I put a few things | |
| together and I can begin to guess. When did I decide to run for | |
| President? Shortly after the death of President Yooden Vranx. You | |
| remember Yooden, Ford?" | |
| "Yeah," said Ford, "he was that guy we met when we were kids, the | |
| Arcturan captain. He was a gas. He gave us conkers when you bust | |
| your way into his megafreighter. Said you were the most amazing | |
| kid he'd ever met." | |
| "What's all this?" said Trillian. | |
| "Ancient history," said Ford, "when we were kids together on | |
| Betelgeuse. The Arcturan megafreighters used to carry most of the | |
| bulky trade between the Galactic Centre and the outlying regions | |
| The Betelgeuse trading scouts used to find the markets and the | |
| Arcturans would supply them. There was a lot of trouble with | |
| space pirates before they were wiped out in the Dordellis wars, | |
| and the megafreighters had to be equipped with the most fantastic | |
| defence shields known to Galactic science. They were real brutes | |
| of ships, and huge. In orbit round a planet they would eclipse | |
| the sun. | |
| "One day, young Zaphod here decides to raid one. On a tri-jet | |
| scooter designed for stratosphere work, a mere kid. I mean forget | |
| it, it was crazier than a mad monkey. I went along for the ride | |
| because I'd got some very safe money on him not doing it, and | |
| didn't want him coming back with fake evidence. So what happens? | |
| We got in his tri-jet which he had souped up into something | |
| totally other, crossed three parsecs in a matter of weeks, bust | |
| our way into a megafreighter I still don't know how, marched on | |
| to the bridge waving toy pistols and demanded conkers. A wilder | |
| thing I have not known. Lost me a year's pocket money. For what? | |
| Conkers." | |
| "The captain was this really amazing guy, Yooden Vranx," said | |
| Zaphod. "He gave us food, booze - stuff from really weird parts | |
| of the Galaxy - lots of conkers of course, and we had just the | |
| most incredible time. Then he teleported us back. Into the | |
| maximum security wing of Betelgeuse state prison. He was a cool | |
| guy. Went on to become President of the Galaxy." | |
| Zaphod paused. | |
| The scene around them was currently plunged into gloom. Dark | |
| mists swirled round them and elephantine shapes lurked | |
| indistinctly in the shadows. The air was occasionally rent with | |
| the sounds of illusory beings murdering other illusory beings. | |
| Presumably enough people must have liked this sort of thing to | |
| make it a paying proposition. | |
| "Ford," said Zaphod quietly. | |
| "Yeah?" | |
| "Just before Yooden died he came to see me." | |
| "What? You never told me." | |
| "No." | |
| "What did he say? What did he come to see you about?" | |
| "He told me about the Heart of Gold. It was his idea that I | |
| should steal it." | |
| "His idea?" | |
| "Yeah," said Zaphod, "and the only possible way of stealing it | |
| was to be at the launching ceremony." | |
| Ford gaped at him in astonishment for a moment, and then roared | |
| with laughter. | |
| "Are you telling me," he said, "that you set yourself up to | |
| become President of the Galaxy just to steal that ship?" | |
| "That's it," said Zaphod with the sort of grin that would get | |
| most people locked away in a room with soft walls. | |
| "But why?" said Ford. "What's so important about having it?" | |
| "Dunno," said Zaphod, "I think if I'd consciously known what was | |
| so important about it and what I would need it for it would have | |
| showed up on the brain screening tests and I would never have | |
| passed. I think Yooden told me a lot of things that are still | |
| locked away." | |
| "So you think you went and mucked about inside your own brain as | |
| a result of Yooden talking to you?" | |
| "He was a hell of a talker." | |
| "Yeah, but Zaphod old mate, you want to look after yourself you | |
| know." | |
| Zaphod shrugged. | |
| "I mean, don't you have any inkling of the reasons for all this?" | |
| asked Ford. | |
| Zaphod thought hard about this and doubts seemed to cross his | |
| minds. | |
| "No," he said at last, "I don't seem to be letting myself into | |
| any of my secrets. Still," he added on further reflection, "I can | |
| understand that. I wouldn't trust myself further than I could | |
| spit a rat." | |
| A moment later, the last planet in the catalogue vanished from | |
| beneath them and the solid world resolved itself again. | |
| They were sitting in a plush waiting room full of glass-top | |
| tables and design awards. | |
| A tall Magrathean man was standing in front of them. | |
| "The mice will see you now," he said. | |
| ================================================================= | |
| Chapter 30 | |
| "So there you have it," said Slartibartfast, making a feeble and | |
| perfunctory attempt to clear away some of the appalling mess of | |
| his study. He picked up a paper from the top of a pile, but then | |
| couldn't think of anywhere else to put it, so he but it back on | |
| top of the original pile which promptly fell over. "Deep Thought | |
| designed the Earth, we built it and you lived on it." | |
| "And the Vogons came and destroyed it five minutes before the | |
| program was completed," added Arthur, not unbitterly. | |
| "Yes," said the old man, pausing to gaze hopelessly round the | |
| room. "Ten million years of planning and work gone just like | |
| that. Ten million years, Earthman ... can you conceive of that | |
| kind of time span? A galactic civilization could grow from a | |
| single worm five times over in that time. Gone." He paused. | |
| "Well that's bureaucracy for you," he added. | |
| "You know," said Arthur thoughtfully, "all this explains a lot of | |
| things. All through my life I've had this strange unaccountable | |
| feeling that something was going on in the world, something big, | |
| even sinister, and no one would tell me what it was." | |
| "No," said the old man, "that's just perfectly normal paranoia. | |
| Everyone in the Universe has that." | |
| "Everyone?" said Arthur. "Well, if everyone has that perhaps it | |
| means something! Perhaps somewhere outside the Universe we know | |
| ..." | |
| "Maybe. Who cares?" said Slartibartfast before Arthur got too | |
| excited. "Perhaps I'm old and tired," he continued, "but I always | |
| think that the chances of finding out what really is going on are | |
| so absurdly remote that the only thing to do is to say hang the | |
| sense of it and just keep yourself occupied. Look at me: I design | |
| coastlines. I got an award for Norway." | |
| He rummaged around in a pile of debris and pulled out a large | |
| perspex block with his name on it and a model of Norway moulded | |
| into it. | |
| "Where's the sense in that?" he said. "None that I've been able | |
| to make out. I've been doing fjords in all my life. For a | |
| fleeting moment they become fashionable and I get a major award." | |
| He turned it over in his hands with a shrug and tossed it aside | |
| carelessly, but not so carelessly that it didn't land on | |
| something soft. | |
| "In this replacement Earth we're building they've given me Africa | |
| to do and of course I'm doing it with all fjords again because I | |
| happen to like them, and I'm old fashioned enough to think that | |
| they give a lovely baroque feel to a continent. And they tell me | |
| it's not equatorial enough. Equatorial!" He gave a hollow laugh. | |
| "What does it matter? Science has achieved some wonderful things | |
| of course, but I'd far rather be happy than right any day." | |
| "And are you?" | |
| "No. That's where it all falls down of course." | |
| "Pity," said Arthur with sympathy. "It sounded like quite a good | |
| lifestyle otherwise." | |
| Somewhere on the wall a small white light flashed. | |
| "Come," said Slartibartfast, "you are to meet the mice. Your | |
| arrival on the planet has caused considerable excitement. It has | |
| already been hailed, so I gather, as the third most improbable | |
| event in the history of the Universe." | |
| "What were the first two?" | |
| "Oh, probably just coincidences," said Slartibartfast carelessly. | |
| He opened the door and stood waiting for Arthur to follow. | |
| Arthur glanced around him once more, and then down at himself, at | |
| the sweaty dishevelled clothes he had been lying in the mud in on | |
| Thursday morning. | |
| "I seem to be having tremendous difficulty with my lifestyle," he | |
| muttered to himself. | |
| "I beg your pardon?" said the old man mildly. | |
| "Oh nothing," said Arthur, "only joking." | |
| ================================================================= | |
| Chapter 31 | |
| It is of course well known that careless talk costs lives, but | |
| the full scale of the problem is not always appreciated. | |
| For instance, at the very moment that Arthur said "I seem to be | |
| having tremendous difficulty with my lifestyle," a freak wormhole | |
| opened up in the fabric of the space-time continuum and carried | |
| his words far far back in time across almost infinite reaches of | |
| space to a distant Galaxy where strange and warlike beings were | |
| poised on the brink of frightful interstellar battle. | |
| The two opposing leaders were meeting for the last time. | |
| A dreadful silence fell across the conference table as the | |
| commander of the Vl'hurgs, resplendent in his black jewelled | |
| battle shorts, gazed levelly at the G'Gugvuntt leader squatting | |
| opposite him in a cloud of green sweet-smelling steam, and, with | |
| a million sleek and horribly beweaponed star cruisers poised to | |
| unleash electric death at his single word of command, challenged | |
| the vile creature to take back what it had said about his mother. | |
| The creature stirred in his sickly broiling vapour, and at that | |
| very moment the words I seem to be having tremendous difficulty | |
| with my lifestyle drifted across the conference table. | |
| Unfortunately, in the Vl'hurg tongue this was the most dreadful | |
| insult imaginable, and there was nothing for it but to wage | |
| terrible war for centuries. | |
| Eventually of course, after their Galaxy had been decimated over | |
| a few thousand years, it was realized that the whole thing had | |
| been a ghastly mistake, and so the two opposing battle fleets | |
| settled their few remaining differences in order to launch a | |
| joint attack on our own Galaxy - now positively identified as the | |
| source of the offending remark. | |
| For thousands more years the mighty ships tore across the empty | |
| wastes of space and finally dived screaming on to the first | |
| planet they came across - which happened to be the Earth - where | |
| due to a terrible miscalculation of scale the entire battle fleet | |
| was accidentally swallowed by a small dog. | |
| Those who study the complex interplay of cause and effect in the | |
| history of the Universe say that this sort of thing is going on | |
| all the time, but that we are powerless to prevent it. | |
| "It's just life," they say. | |
| A short aircar trip brought Arthur and the old Magrathean to a | |
| doorway. They left the car and went through the door into a | |
| waiting room full of glass-topped tables and perspex awards. | |
| Almost immediately, a light flashed above the door at the other | |
| side of the room and they entered. | |
| "Arthur! You're safe!" a voice cried. | |
| "Am I?" said Arthur, rather startled. "Oh good." | |
| The lighting was rather subdued and it took him a moment or so to | |
| see Ford, Trillian and Zaphod sitting round a large table | |
| beautifully decked out with exotic dishes, strange sweetmeats and | |
| bizarre fruits. They were stuffing their faces. | |
| "What happened to you?" demanded Arthur. | |
| "Well," said Zaphod, attacking a boneful of grilled muscle, "our | |
| guests here have been gassing us and zapping our minds and being | |
| generally weird and have now given us a rather nice meal to make | |
| it up to us. Here," he said hoiking out a lump of evil smelling | |
| meat from a bowl, "have some Vegan Rhino's cutlet. It's delicious | |
| if you happen to like that sort of thing." | |
| "Hosts?" said Arthur. "What hosts? I don't see any ..." | |
| A small voice said, "Welcome to lunch, Earth creature." | |
| Arthur glanced around and suddenly yelped. | |
| "Ugh!" he said. "There are mice on the table!" | |
| There was an awkward silence as everyone looked pointedly at | |
| Arthur. | |
| He was busy staring at two white mice sitting in what looked like | |
| whisky glasses on the table. He heard the silence and glanced | |
| around at everyone. | |
| "Oh!" he said, with sudden realization. "Oh, I'm sorry, I wasn't | |
| quite prepared for ..." | |
| "Let me introduce you," said Trillian. "Arthur this is Benji | |
| mouse." | |
| "Hi," said one of the mice. His whiskers stroked what must have | |
| been a touch sensitive panel on the inside of the whisky-glass | |
| like affair, and it moved forward slightly. | |
| "And this is Frankie mouse." | |
| The other mouse said, "Pleased to meet you," and did likewise. | |
| Arthur gaped. | |
| "But aren't they ..." | |
| "Yes," said Trillian, "they are the mice I brought with me from | |
| the Earth." | |
| She looked him in the eye and Arthur thought he detected the | |
| tiniest resigned shrug. | |
| "Could you pass me that bowl of grated Arcturan Megadonkey?" she | |
| said. | |
| Slartibartfast coughed politely. | |
| "Er, excuse me," he said. | |
| "Yes, thank you Slartibartfast," said Benji mouse sharply, "you | |
| may go." | |
| "What? Oh ... er, very well," said the old man, slightly taken | |
| aback, "I'll just go and get on with some of my fjords then." | |
| "Ah, well in fact that won't be necessary," said Frankie mouse. | |
| "It looks very much as if we won't be needing the new Earth any | |
| longer." He swivelled his pink little eyes. "Not now that we have | |
| found a native of the planet who was there seconds before it was | |
| destroyed." | |
| "What?" cried Slartibartfast, aghast. "You can't mean that! I've | |
| got a thousand glaciers poised and ready to roll over Africa!" | |
| "Well perhaps you can take a quick skiing holiday before you | |
| dismantle them," said Frankie, acidly. | |
| "Skiing holiday!" cried the old man. "Those glaciers are works of | |
| art! Elegantly sculptured contours, soaring pinnacles of ice, | |
| deep majestic ravines! It would be sacrilege to go skiing on high | |
| art!" | |
| "Thank you Slartibartfast," said Benji firmly. "That will be | |
| all." | |
| "Yes sir," said the old man coldly, "thank you very much. Well, | |
| goodbye Earthman," he said to Arthur, "hope the lifestyle comes | |
| together." | |
| With a brief nod to the rest of the company he turned and walked | |
| sadly out of the room. | |
| Arthur stared after him not knowing what to say. | |
| "Now," said Benji mouse, "to business." | |
| Ford and Zaphod clinked their glasses together. | |
| "To business!" they said. | |
| "I beg your pardon?" said Benji. | |
| Ford looked round. | |
| "Sorry, I thought you were proposing a toast," he said. | |
| The two mice scuttled impatiently around in their glass | |
| transports. Finally they composed themselves, and Benji moved | |
| forward to address Arthur. | |
| "Now, Earth creature," he said, "the situation we have in effect | |
| is this. We have, as you know, been more or less running your | |
| planet for the last ten million years in order to find this | |
| wretched thing called the Ultimate Question." | |
| "Why?" said Arthur, sharply. | |
| "No - we already thought of that one," said Frankie interrupting, | |
| "but it doesn't fit the answer. Why? - Forty-Two ... you see, it | |
| doesn't work." | |
| "No," said Arthur, "I mean why have you been doing it?" | |
| "Oh, I see," said Frankie. "Well, eventually just habit I think, | |
| to be brutally honest. And this is more or less the point - we're | |
| sick to the teeth with the whole thing, and the prospect of doing | |
| it all over again on account of those whinnet-ridden Vogons quite | |
| frankly gives me the screaming heeby jeebies, you know what I | |
| mean? It was by the merest lucky chance that Benji and I finished | |
| our particular job and left the planet early for a quick holiday, | |
| and have since manipulated our way back to Magrathea by the good | |
| offices of your friends." | |
| "Magrathea is a gateway back to our own dimension," put in Benji. | |
| "Since when," continued his murine colleague, "we have had an | |
| offer of a quite enormously fat contract to do the 5D chat show | |
| and lecture circuit back in our own dimensional neck of the | |
| woods, and we're very much inclined to take it." | |
| "I would, wouldn't you Ford?" said Zaphod promptingly. | |
| "Oh yes," said Ford, "jump at it, like a shot." | |
| Arthur glanced at them, wondering what all this was leading up | |
| to. | |
| "But we've got to have a product you see," said Frankie, "I mean | |
| ideally we still need the Ultimate Question in some form or | |
| other." | |
| Zaphod leaned forward to Arthur. | |
| "You see," he said, "if they're just sitting there in the studio | |
| looking very relaxed and, you know, just mentioning that they | |
| happen to know the Answer to Life, the Universe and Everything, | |
| and then eventually have to admit that in fact it's Forty-two, | |
| then the show's probably quite short. No follow-up, you see." | |
| "We have to have something that sounds good," said Benji. | |
| "Something that sounds good?" exclaimed Arthur. "An Ultimate | |
| Question that sounds good? From a couple of mice?" | |
| The mice bristled. | |
| "Well, I mean, yes idealism, yes the dignity of pure research, | |
| yes the pursuit of truth in all its forms, but there comes a | |
| point I'm afraid where you begin to suspect that if there's any | |
| real truth, it's that the entire multi-dimensional infinity of | |
| the Universe is almost certainly being run by a bunch of maniacs. | |
| And if it comes to a choice between spending yet another ten | |
| million years finding that out, and on the other hand just taking | |
| the money and running, then I for one could do with the | |
| exercise," said Frankie. | |
| "But ..." started Arthur, hopelessly. | |
| "Hey, will you get this, Earthman," interrupted Zaphod. "You are | |
| a last generation product of that computer matrix, right, and you | |
| were there right up to the moment your planet got the finger, | |
| yeah?" | |
| "Er ..." | |
| "So your brain was an organic part of the penultimate | |
| configuration of the computer programme," said Ford, rather | |
| lucidly he thought. | |
| "Right?" said Zaphod. | |
| "Well," said Arthur doubtfully. He wasn't aware of ever having | |
| felt an organic part of anything. He had always seen this as one | |
| of his problems. | |
| "In other words," said Benji, steering his curious little vehicle | |
| right over to Arthur, "there's a good chance that the structure | |
| of the question is encoded in the structure of your brain - so we | |
| want to buy it off you." | |
| "What, the question?" said Arthur. | |
| "Yes," said Ford and Trillian. | |
| "For lots of money," said Zaphod. | |
| "No, no," said Frankie, "it's the brain we want to buy." | |
| "What!" | |
| "I thought you said you could just read his brain | |
| electronically," protested Ford. | |
| "Oh yes," said Frankie, "but we'd have to get it out first. It's | |
| got to be prepared." | |
| "Treated," said Benji. | |
| "Diced." | |
| "Thank you," shouted Arthur, tipping up his chair and backing | |
| away from the table in horror. | |
| "It could always be replaced," said Benji reasonably, "if you | |
| think it's important." | |
| "Yes, an electronic brain," said Frankie, "a simple one would | |
| suffice." | |
| "A simple one!" wailed Arthur. | |
| "Yeah," said Zaphod with a sudden evil grin, "you'd just have to | |
| program it to say What? and I don't understand and Where's the | |
| tea? - who'd know the difference?" | |
| "What?" cried Arthur, backing away still further. | |
| "See what I mean?" said Zaphod and howled with pain because of | |
| something that Trillian did at that moment. | |
| "I'd notice the difference," said Arthur. | |
| "No you wouldn't," said Frankie mouse, "you'd be programmed not | |
| to." | |
| Ford made for the door. | |
| "Look, I'm sorry, mice old lads," he said. "I don't think we've | |
| got a deal." | |
| "I rather think we have to have a deal," said the mice in chorus, | |
| all the charm vanishing fro their piping little voices in an | |
| instant. With a tiny whining shriek their two glass transports | |
| lifted themselves off the table, and swung through the air | |
| towards Arthur, who stumbled further backwards into a blind | |
| corner, utterly unable to cope or think of anything. | |
| Trillian grabbed him desperately by the arm and tried to drag him | |
| towards the door, which Ford and Zaphod were struggling to open, | |
| but Arthur was dead weight - he seemed hypnotized by the airborne | |
| rodents swooping towards him. | |
| She screamed at him, but he just gaped. | |
| With one more yank, Ford and Zaphod got the door open. On the | |
| other side of it was a small pack of rather ugly men who they | |
| could only assume were the heavy mob of Magrathea. Not only were | |
| they ugly themselves, but the medical equipment they carried with | |
| them was also far from pretty. They charged. | |
| So - Arthur was about to have his head cut open, Trillian was | |
| unable to help him, and Ford and Zaphod were about to be set upon | |
| by several thugs a great deal heavier and more sharply armed than | |
| they were. | |
| All in all it was extremely fortunate that at that moment every | |
| alarm on the planet burst into an earsplitting din. | |
| ================================================================= | |
| Chapter 32 | |
| "Emergency! Emergency!" blared the klaxons throughout Magrathea. | |
| "Hostile ship has landed on planet. Armed intruders in section | |
| 8A. Defence stations, defence stations!" | |
| The two mice sniffed irritably round the fragments of their glass | |
| transports where they lay shattered on the floor. | |
| "Damnation," muttered Frankie mouse, "all that fuss over two | |
| pounds of Earthling brain." He scuttled round and about, his pink | |
| eyes flashing, his fine white coat bristling with static. | |
| "The only thing we can do now," said Benji, crouching and | |
| stroking his whiskers in thought, "is to try and fake a question, | |
| invent one that will sound plausible." | |
| "Difficult," said Frankie. He thought. "How about What's yellow | |
| and dangerous?" | |
| Benji considered this for a moment. | |
| "No, no good," he said. "Doesn't fit the answer." | |
| They sank into silence for a few seconds. | |
| "Alright," said Benji. "What do you get if you multiply six by | |
| seven?" | |
| "No, no, too literal, too factual," said Frankie, "wouldn't | |
| sustain the punters' interest." | |
| Again they thought. | |
| Then Frankie said: "Here's a thought. How many roads must a man | |
| walk down?" | |
| "Ah," said Benji. "Aha, now that does sound promising!" He rolled | |
| the phrase around a little. "Yes," he said, "that's excellent! | |
| Sounds very significant without actually tying you down to | |
| meaning anything at all. How many roads must a man walk down? | |
| Forty-two. Excellent, excellent, that'll fox 'em. Frankie baby, | |
| we are made!" | |
| They performed a scampering dance in their excitement. | |
| Near them on the floor lay several rather ugly men who had been | |
| hit about the head with some heavy design awards. | |
| Half a mile away, four figures pounded up a corridor looking for | |
| a way out. They emerged into a wide open-plan computer bay. They | |
| glanced about wildly. | |
| "Which way do you reckon Zaphod?" said Ford. | |
| "At a wild guess, I'd say down here," said Zaphod, running off | |
| down to the right between a computer bank and the wall. As the | |
| others started after him he was brought up short by a Kill-O-Zap | |
| energy bolt that cracked through the air inches in front of him | |
| and fried a small section of adjacent wall. | |
| A voice on a loud hailer said, "OK Beeblebrox, hold it right | |
| there. We've got you covered." | |
| "Cops!" hissed Zaphod, and span around in a crouch. "You want to | |
| try a guess at all, Ford?" | |
| "OK, this way," said Ford, and the four of them ran down a | |
| gangway between two computer banks. | |
| At the end of the gangway appeared a heavily armoured and space- | |
| suited figure waving a vicious Kill-O-Zap gun. | |
| "We don't want to shoot you, Beeblebrox!" shouted the figure. | |
| "Suits me fine!" shouted Zaphod back and dived down a wide gap | |
| between two data process units. | |
| The others swerved in behind him. | |
| "There are two of them," said Trillian. "We're cornered." | |
| They squeezed themselves down in an angle between a large | |
| computer data bank and the wall. | |
| They held their breath and waited. | |
| Suddenly the air exploded with energy bolts as both the cops | |
| opened fire on them simultaneously. | |
| "Hey, they're shooting at us," said Arthur, crouching in a tight | |
| ball, "I thought they said they didn't want to do that." | |
| "Yeah, I thought they said that," agreed Ford. | |
| Zaphod stuck a head up for a dangerous moment. | |
| "Hey," he said, "I thought you said you didn't want to shoot us!" | |
| and ducked again. | |
| They waited. | |
| After a moment a voice replied, "It isn't easy being a cop!" | |
| "What did he say?" whispered Ford in astonishment. | |
| "He said it isn't easy being a cop." | |
| "Well surely that's his problem isn't it?" | |
| "I'd have thought so." | |
| Ford shouted out, "Hey listen! I think we've got enough problems | |
| on our own having you shooting at us, so if you could avoid | |
| laying your problems on us as well, I think we'd all find it | |
| easier to cope!" | |
| Another pause, and then the loud hailer again. | |
| "Now see here, guy," said the voice on the loud hailer, "you're | |
| not dealing with any dumb two-bit trigger-pumping morons with low | |
| hairlines, little piggy eyes and no conversation, we're a couple | |
| of intelligent caring guys that you'd probably quite like if you | |
| met us socially! I don't go around gratuitously shooting people | |
| and then bragging about it afterwards in seedy space-rangers | |
| bars, like some cops I could mention! I go around shooting people | |
| gratuitously and then I agonize about it afterwards for hours to | |
| my girlfriend!" | |
| "And I write novels!" chimed in the other cop. "Though I haven't | |
| had any of them published yet, so I better warn you, I'm in a | |
| meeeean mood!" | |
| Ford's eyes popped halfway out of their sockets. "Who are these | |
| guys?" he said. | |
| "Dunno," said Zaphod, "I think I preferred it when they were | |
| shooting." | |
| "So are you going to come quietly," shouted one of the cops | |
| again, "or are you going to let us blast you out?" | |
| "Which would you prefer?" shouted Ford. | |
| A millisecond later the air about them started to fry again, as | |
| bolt after bolt of Kill-O-Zap hurled itself into the computer | |
| bank in front of them. | |
| The fusillade continued for several seconds at unbearable | |
| intensity. | |
| When it stopped, there were a few seconds of near quietness ad | |
| the echoes died away. | |
| "You still there?" called one of the cops. | |
| "Yes," they called back. | |
| "We didn't enjoy doing that at all," shouted the other cop. | |
| "We could tell," shouted Ford. | |
| "Now, listen to this, Beeblebrox, and you better listen good!" | |
| "Why?" shouted Back Zaphod. | |
| "Because," shouted the cop, "it's going to be very intelligent, | |
| and quite interesting and humane! Now either you all give | |
| yourselves up now and let us beat you up a bit, though not very | |
| much of course because we are firmly opposed to needless | |
| violence, or we blow up this entire planet and possibly one or | |
| two others we noticed on our way out here!" | |
| "But that's crazy!" cried Trillian. "You wouldn't do that!" | |
| "Oh yes we would," shouted the cop, "wouldn't we?" he asked the | |
| other one. | |
| "Oh yes, we'd have to, no question," the other one called back. | |
| "But why?" demanded Trillian. | |
| "Because there are some things you have to do even if you are an | |
| enlightened liberal cop who knows all about sensitivity and | |
| everything!" | |
| "I just don't believe these guys," muttered Ford, shaking his | |
| head. | |
| One cop shouted to the other, "Shall we shoot them again for a | |
| bit?" | |
| "Yeah, why not?" | |
| They let fly another electric barrage. | |
| The heat and noise was quite fantastic. Slowly, the computer bank | |
| was beginning to disintegrate. The front had almost all melted | |
| away, and thick rivulets of molten metal were winding their way | |
| back towards where they were squatting. They huddled further back | |
| and waited for the end. | |
| ================================================================= | |
| Chapter 33 | |
| But the end never came, at least not then. | |
| Quite suddenly the barrage stopped, and the sudden silence | |
| afterwards was punctuated by a couple of strangled gurgles and | |
| thuds. | |
| The four stared at each other. | |
| "What happened?" said Arthur. | |
| "They stopped," said Zaphod with a shrug. | |
| "Why?" | |
| "Dunno, do you want to go and ask them?" | |
| "No." | |
| They waited. | |
| "Hello?" called out Ford. | |
| No answer. | |
| "That's odd." | |
| "Perhaps it's a trap." | |
| "They haven't the wit." | |
| "What were those thuds?" | |
| "Dunno." | |
| They waited for a few more seconds. | |
| "Right," said Ford, "I'm going to have a look." | |
| He glanced round at the others. | |
| "Is no one going to say, No you can't possibly, let me go | |
| instead?" | |
| They all shook their heads. | |
| "Oh well," he said, and stood up. | |
| For a moment, nothing happened. | |
| Then, after a second or so, nothing continued to happen. Ford | |
| peered through the thick smoke that was billowing out of the | |
| burning computer. | |
| Cautiously he stepped out into the open. | |
| Still nothing happened. | |
| Twenty yards away he could dimly see through the smoke the | |
| space-suited figure of one of the cops. He was lying in a | |
| crumpled heap on the ground. Twenty yards in the other direction | |
| lay the second man. No one else was anywhere to be seen. | |
| This struck Ford as being extremely odd. | |
| Slowly, nervously, he walked towards the first one. The body lay | |
| reassuringly still as he approached it, and continued to lie | |
| reassuringly still as he reached it and put his foot down on the | |
| Kill-O-Zap gun that still dangled from its limp fingers. | |
| He reached down and picked it up, meeting no resistance. | |
| The cop was quite clearly dead. | |
| A quick examination revealed him to be from Blagulon Kappa - he | |
| was a methane-breathing life form, dependent on his space suit | |
| for survival in the thin oxygen atmosphere of Magrathea. | |
| The tiny life-support system computer on his backpack appeared | |
| unexpectedly to have blown up. | |
| Ford poked around in it in considerable astonishment. These | |
| miniature suit computers usually had the full back-up of the main | |
| computer back on the ship, with which they were directly linked | |
| through the sub-etha. Such a system was fail-safe in all | |
| circumstances other than total feedback malfunction, which was | |
| unheard of. | |
| He hurried over to the other prone figure, and discovered that | |
| exactly the same impossible thing had happened to him, presumably | |
| simultaneously. | |
| He called the others over to look. They came, shared his | |
| astonishment, but not his curiosity. | |
| "Let's get shot out of this hole," said Zaphod. "If whatever I'm | |
| supposed to be looking for is here, I don't want it." He grabbed | |
| the second Kill-O-Zap gun, blasted a perfectly harmless | |
| accounting computer and rushed out into the corridor, followed by | |
| the others. He very nearly blasted hell out of an aircar that | |
| stood waiting for them a few yards away. | |
| The aircar was empty, but Arthur recognized it as belonging to | |
| Slartibartfast. | |
| It had a note from him pinned to part of its sparse instrument | |
| panel. The note had an arrow drawn on it, pointing at one of the | |
| controls. | |
| It said, This is probably the best button to press. | |
| ================================================================= | |
| Chapter 34 | |
| The aircar rocketed them at speeds in excess of R17 through the | |
| steel tunnels that lead out onto the appalling surface of the | |
| planet which was now in the grip of yet another drear morning | |
| twilight. Ghastly grey lights congealed on the land. | |
| R is a velocity measure, defined as a reasonable speed of travel | |
| that is consistent with health, mental wellbeing and not being | |
| more than say five minutes late. It is therefore clearly an | |
| almost infinitely variable figure according to circumstances, | |
| since the first two factors vary not only with speed taken as an | |
| absolute, but also with awareness of the third factor. Unless | |
| handled with tranquility this equation can result in considerable | |
| stress, ulcers and even death. | |
| R17 is not a fixed velocity, but it is clearly far too fast. | |
| The aircar flung itself through the air at R17 and above, | |
| deposited them next to the Heart of Gold which stood starkly on | |
| the frozen ground like a bleached bone, and then precipitately | |
| hurled itself back in the direction whence they had come, | |
| presumably on important business of its own. | |
| Shivering, the four of them stood and looked at the ship. | |
| Beside it stood another one. | |
| It was the Blagulon Kappa policecraft, a bulbous sharklike | |
| affair, slate green in colour and smothered with black stencilled | |
| letters of varying degrees of size and unfriendliness. The | |
| letters informed anyone who cared to read them as to where the | |
| ship was from, what section of the police it was assigned to, and | |
| where the power feeds should be connected. | |
| It seemed somehow unnaturally dark and silent, even for a ship | |
| whose two-man crew was at that moment lying asphyxicated in a | |
| smoke-filled chamber several miles beneath the ground. It is one | |
| of those curious things that is impossible to explain or define, | |
| but one can sense when a ship is completely dead. | |
| Ford could sense it and found it most mysterious - a ship and two | |
| policemen seemed to have gone spontaneously dead. In his | |
| experience the Universe simply didn't work like that. | |
| The other three could sense it too, but they could sense the | |
| bitter cold even more and hurried back into the Heart of Gold | |
| suffering from an acute attack of no curiosity. | |
| Ford stayed, and went to examine the Blagulon ship. As he walked, | |
| he nearly tripped over an inert steel figure lying face down in | |
| the cold dust. | |
| "Marvin!" he exclaimed. "What are you doing?" | |
| "Don't feel you have to take any notice of me, please," came a | |
| muffled drone. | |
| "But how are you, metalman?" said Ford. | |
| "Very depressed." | |
| "What's up?" | |
| "I don't know," said Marvin, "I've never been there." | |
| "Why," said Ford squatting down beside him and shivering, "are | |
| you lying face down in the dust?" | |
| "It's a very effective way of being wretched," said Marvin. | |
| "Don't pretend you want to talk to me, I know you hate me." | |
| "No I don't." | |
| "Yes you do, everybody does. It's part of the shape of the | |
| Universe. I only have to talk to somebody and they begin to hate | |
| me. Even robots hate me. If you just ignore me I expect I shall | |
| probably go away." | |
| He jacked himself up to his feet and stood resolutely facing the | |
| opposite direction. | |
| "That ship hated me," he said dejectedly, indicating the | |
| policecraft. | |
| "That ship?" said Ford in sudden excitement. "What happened to | |
| it? Do you know?" | |
| "It hated me because I talked to it." | |
| "You talked to it?" exclaimed Ford. "What do you mean you talked | |
| to it?" | |
| "Simple. I got very bored and depressed, so I went and plugged | |
| myself in to its external computer feed. I talked to the computer | |
| at great length and explained my view of the Universe to it," | |
| said Marvin. | |
| "And what happened?" pressed Ford. | |
| "It committed suicide," said Marvin and stalked off back to the | |
| Heart of Gold. | |
| ================================================================= | |
| Chapter 35 | |
| That night, as the Heart of Gold was busy putting a few light | |
| years between itself and the Horsehead Nebula, Zaphod lounged | |
| under the small palm tree on the bridge trying to bang his brain | |
| into shape with massive Pan Galactic Gargle Blasters; Ford and | |
| Trillian sat in a corner discussing life and matters arising from | |
| it; and Arthur took to his bed to flip through Ford's copy of The | |
| Hitch Hiker's Guide to the Galaxy. Since he was going to live in | |
| the place, he reasoned, he'd better start finding out something | |
| about it. | |
| He came across this entry. | |
| It said: 'The History of every major Galactic Civilization tends | |
| to pass through three distinct and recognizable phases, those of | |
| Survival, Inquiry and Sophistication, otherwise known as the How, | |
| Why and Where phases. | |
| "For instance, the first phase is characterized by the question | |
| How can we eat? the second by the question Why do we eat? and the | |
| third by the question Where shall we have lunch?" | |
| He got no further before the ship's intercom buzzed into life. | |
| "Hey Earthman? You hungry kid?" said Zaphod's voice. | |
| "Er, well yes, a little peckish I suppose," said Arthur. | |
| "OK baby, hold tight," said Zaphod. "We'll take in a quick bite | |
| at the Restaurant at the End of the Universe." | |
| ================================================================= | |
| * President: full title President of the Imperial Galactic | |
| Government. | |
| The term Imperial is kept though it is now an anachronism. The | |
| hereditary Emperor is nearly dead and has been so for many | |
| centuries. In the last moments of his dying coma he was locked in | |
| a statis field which keeps him in a state of perpetual | |
| unchangingness. All his heirs are now long dead, and this means | |
| that without any drastic political upheaval, power has simply and | |
| effectively moved a rung or two down the ladder, and is now seen | |
| to be vested in a body which used to act simply as advisers to | |
| the Emperor - an elected Governmental assembly headed by a | |
| President elected by that assembly. In fact it vests in no such | |
| place. | |
| The President in particular is very much a figurehead - he wields | |
| no real power whatsoever. He is apparently chosen by the | |
| government, but the qualities he is required to display are not | |
| those of leadership but those of finely judged outrage. For this | |
| reason the President is always a controversial choice, always an | |
| infuriating but fascinating character. His job is not to wield | |
| power but to draw attention away from it. On those criteria | |
| Zaphod Beeblebrox is one of the most successful Presidents the | |
| Galaxy has ever had - he has already spent two of his ten | |
| Presidential years in prison for fraud. Very very few people | |
| realize that the President and the Government have virtually no | |
| power at all, and of these very few people only six know whence | |
| ultimate political power is wielded. Most of the others secretly | |
| believe that the ultimate decision-making process is handled by a | |
| computer. They couldn't be more wrong. | |
| * Ford Prefect's original name is only pronuncible in an obscure | |
| Betelgeusian dialect, now virtually extinct since the Great | |
| Collapsing Hrung Disaster of Gal./Sid./Year 03758 which wiped out | |
| all the old Praxibetel communities on Betelgeuse Seven. Ford's | |
| father was the only man on the entire planet to survive the Great | |
| Collapsing Hrung disaster, by an extraordinary coincidence that | |
| he was never able satisfactorily to explain. The whole episode is | |
| shrouded in deep mystery: in fact no one ever knew what a Hrung | |
| was nor why it had chosen to collapse on Betelgeuse Seven | |
| particularly. Ford's father, magnanimously waving aside the | |
| clouds of suspicion that had inevitably settled around him, came | |
| to live on Betelgeuse Five where he both fathered and uncled | |
| Ford; in memory of his now dead race he christened him in the | |
| ancient Praxibetel tongue. | |
| Because Ford never learned to say his original name, his father | |
| eventually died of shame, which is still a terminal disease in | |
| some parts of the Galaxy. The other kids at school nicknamed him | |
| Ix, which in the language of Betelgeuse Five translates as "boy | |
| who is not able satisfactorily to explain what a Hrung is, nor | |
| why it should choose to collapse on Betelgeuse Seven". | |