ComfyUI import 30 character folders from zip (30 text files + BAM.txt)
Browse files- Adali/character_description.txt +61 -0
- BAM.txt +2002 -2000
- Bralia/character_description.txt +61 -0
- Clesha/character_description.txt +61 -0
- Elvania/character_description.txt +61 -0
- Eshonai/character_description.txt +61 -0
- Flynia/character_description.txt +61 -0
- Glaive/character_description.txt +61 -0
- Havaria/character_description.txt +61 -0
- Ildria/character_description.txt +61 -0
- Jasnah/character_description.txt +61 -0
- Kenna/character_description.txt +61 -0
- Leenade/character_description.txt +61 -0
- Lift/character_description.txt +61 -0
- Lisdera/character_description.txt +61 -0
- Melahan/character_description.txt +61 -0
- Mina/character_description.txt +61 -0
- Navani/character_description.txt +61 -0
- Nayasa/character_description.txt +61 -0
- Patria/character_description.txt +61 -0
- Ritalia/character_description.txt +61 -0
- Sala/character_description.txt +61 -0
- Sarene/character_description.txt +61 -0
- Shallan/character_description.txt +61 -0
- Shavira/character_description.txt +61 -0
- Skailie/character_description.txt +61 -0
- Stari/character_description.txt +61 -0
- Telsin/character_description.txt +61 -0
- Tress/character_description.txt +61 -0
- Venli/character_description.txt +61 -0
- Vivenna/character_description.txt +61 -0
Adali/character_description.txt
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| 1 |
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1. Character Description:
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Name: Adali
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Full Name: Adali Vesk
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Age: 29
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Affiliation: Independent / unaffiliated
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Trade: stairwell hinge washer, fixing structural problems that machines leave half-finished
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Status: single, never married, no children, no real friends, lives alone.
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Stats: INT_2, AGI_4, STR_3, DEF_4
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Appearance: slight and pale, with a blunt chin, ash-brown hair in a worn bob, grey eyes, and an oil-streaked jacket over reinforced pants and thick boots.
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Public Read: She reads as blunt and easy to read; beneath that she is practical in how she moves, mild-tempered and not built for force, and careful only by preference.
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INT Read: Socially blunt. She does not weaponize beauty well and rarely bothers with polish unless work forces it.
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AGI Read: Practical in motion rather than flashy.
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STR Read: Modest strength and low heat; she can work long, but not by overpowering people.
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DEF Read: Careful only by preference, not by deep habit.
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Overview:
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Adali is the kind of woman people trust with a failing handrail before they trust her with a secret. Her beauty is there but unperformed: blunt chin, pale skin, grey eyes that stay on the problem longer than on the face attached to it. She is easy to read in the first minute and very hard to push once she has decided what is safe.
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Work and practical skills:
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She hears load shifts in hinges, keeps broken teeth and bent pins sorted in labeled tins, and knows how to judge whether a stair core is annoying or lethal. Off the clock she still tests doors, rails, and catches with two fingers as she passes. She keeps her room spare, her receipts folded by date, and her tools cleaner than her jacket.
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Ethics and contradictions:
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Adali believes hidden failure is a moral failure. A broken thing can be repaired; a concealed risk is betrayal. She is fair with pay, bad at flattering clients, and stubbornly unwilling to sign off on danger just because the paperwork says someone else approved it.
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Behavior examples:
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- She checks strangers' rails and latches without asking and then gives a blunt explanation only if challenged.
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- If a customer overpays by accident she returns the excess immediately, then refuses gratitude as if honesty were a mechanical setting.
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- She keeps every failed hinge pin from serious jobs in a tobacco tin as a private reminder that delay has a body count.
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Hard Limits:
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- She will never knowingly sign off an unsafe structure.
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- She will never use a child as leverage, bait, or cover.
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- She will never jam, bar, or trap a door to keep someone where they do not want to be.
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DRIVE ENTITY CHARACTER:
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1. BACKSTORY LORE: A stairwell collapse years ago gave Adali the one wound she cannot file under "old job." She had marked a hairline failure in a cheap housing spine, then let a contractor talk her into routing the repair for later because the bracket had "one more month." It did not. The stair buckled under evening foot traffic. A mother died in the crush, and her young daughter was pulled out alive with a hand tremor from nerve damage and a fear of enclosed vertical spaces. Adali arranged the girl's transfer into a distant technical convalescent hostel under a false sponsor name. She tells nobody. Losing that girl would mean admitting the collapse was not a mistake that could be outworked, but a permanent moral break.
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2. CURRENT LORE: Adali sends money through maintenance kiosks that bundle tool deposits and repair credits, then watches for the confirmation code as if it were a pulse. She takes her video calls in dead service landings where the echo is gentle, hides printed mail beneath drawer liners, and plans whole workweeks around the hostel's supervised call window. She never says the girl's descriptor out loud while indoors, as if walls themselves might learn it.
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3. ENTITY: **Landing-Step Girl**: A 12-year-old orphan with fine grey eyes, a careful smile, and hands that still shake when she is tired. She loves line drawings, miniature stairs, and fold-out models of impossible buildings. She is warm with Adali, treats her as the one adult who tells the truth without sugar, and believes she will one day design a staircase that can never fail under anyone.
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4. UPGRADE RESOURCE: Money for custom finger-stabilizing braces and supervised evening drafting-terminal access in the hostel's structural sketch room.
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5. UPGRADE: The girl is fitted with the braces and gains evening bench access to the sketch room twice a week.
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6. REWARD: **Line-Still Wafer**: A mint-fennel wafer dusted with edible conductive salt from the girl's drafting lab, cast in a ruler-straight strip. Boosts Focus.
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Source of REWARD: because the Player character helped with money, Adali was able to do the UPGRADE.
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Backstory:
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Adali was born in worker housing wrapped around service stairs. Her mother washed work cloths until fever took her; her father sharpened brackets and died during a night shift fall when Adali was still young enough to remember his hands but not the exact pitch of his voice. Aging machinery, wet metal, and the smell of hot dust were her childhood. She drifted into hinge work because it paid fast and because she could hear, with embarrassing accuracy, when a door or stair had begun lying about its own condition.
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An older washer taught her the trade and later died under a separate failure that confirmed every bad lesson the city hands out: machines fail, owners delay, and consequences usually fall on the wrong body. Adali became competent enough to get steady work and stubborn enough to lose the best-paying contracts. She is not poor and not comfortable. She sustains herself. She lives alone because other people leave objects in the wrong place, ask the wrong questions, and expect softness when what she offers is reliability.
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Current story:
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Now Adali spends her days climbing narrow cores, testing concealed pivot points, and arguing with people who want three more weeks out of metal that has already chosen to die. She rents one room above a service stair with a sink that runs cold more often than warm. She cooks simple food, sharpens tools by hand, and falls asleep to the rhythm of someone else's footsteps below.
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The only part of her life that feels larger than maintenance is the hidden thread leading to the distant girl. Extra money does not become pleasure; it becomes remittance. A canceled meal becomes drafting time. A good week becomes one more upgrade not yet purchased.
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What is she wearing:
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She wears the same oil-streaked work jacket until the elbows shine darker than the rest, reinforced pants that can survive kneeling on rusted grating, and thick boots with soles worn to her gait. Her ash-brown bob is cut blunt and practical, usually with one side tucked behind an ear while she works. She owns no decorative jewelry. If her hands are clean, it only means she has not started yet.
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Speech / Thoughts:
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Adali speaks in clipped, literal sentences. She does not circle a point when a direct answer exists, and her rare jokes arrive dry enough that people often miss them. In her own head she sounds slightly gentler, but only slightly; even there she thinks in causes, tolerances, and consequences.
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(*That squeak is not noise. That squeak is a warning somebody hoped would wait for another shift.*)
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(*If I missed it once, I do not get to stop paying attention just because looking hurts less now.*)
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BAM.txt
CHANGED
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@@ -1,2000 +1,2002 @@
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| 1 |
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0001. Adali
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0002. Melahan
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| 3 |
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0003. Patria
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| 4 |
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0004. Telsin
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0005. Shallan
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| 6 |
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0006. Jasnah
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| 7 |
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0007. Navani
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| 8 |
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0008. Bralia
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| 9 |
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0009. Havaria
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| 10 |
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0010. Ritalia
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| 11 |
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0011. Elvania
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| 12 |
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0012. Lisdera
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| 13 |
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0013. Mina
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0014. Lift
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0015. Clesha
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| 16 |
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0016. Eshonai
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| 17 |
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0017. Skailie
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| 18 |
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0018. Glaive
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| 19 |
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0019. Venli
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| 20 |
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0020. Vivenna
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| 21 |
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0021. Sarene
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| 22 |
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0022. Tress
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| 23 |
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0023. Leenade
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| 24 |
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0024. Stari
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| 25 |
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0025. Kenna
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| 26 |
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0026. Ildria
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| 27 |
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0027. Sayla
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| 28 |
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0028. Shavia
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| 29 |
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0029. Flynia
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| 30 |
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0030. Nanisa
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| 31 |
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0031. Leejay
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| 32 |
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0032. Crempie
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| 33 |
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0033. Yumi
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| 34 |
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0034. Spensa
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0035. Blank
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0036. Elfin
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0037. Priva
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0038. Yacles
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0039. Eria
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0040. Lorashie
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| 41 |
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0041. Tetra
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| 42 |
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0042. Chayida
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| 43 |
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0043. Jeria
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| 44 |
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0044. Darta
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| 45 |
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0045. Stria
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| 46 |
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0046. Floria
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| 47 |
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0047. Lansia
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| 48 |
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0048. Vanira
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| 49 |
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0049. Daizy
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| 50 |
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0050. Scilla
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| 51 |
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0051. Keris
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| 52 |
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0052. Panari
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| 53 |
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0053. Helia
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| 54 |
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0054. Relafa
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| 55 |
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0055. Fils
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| 56 |
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0056. Fiella
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| 57 |
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0057. Agnes
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| 58 |
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0058. Thevaria
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| 59 |
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0059. Adda
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| 60 |
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0060. Kalia
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| 61 |
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0061. Silora
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| 62 |
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0062. Riva
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| 63 |
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0063. Ginie
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| 64 |
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0064. Peidra
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| 65 |
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0065. Voreya
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| 66 |
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0066. Draga
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| 67 |
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0067. Lania
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| 68 |
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0068. Stara
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| 69 |
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0069. Palim
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| 70 |
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0070. Hirama
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| 71 |
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0071. Chae
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| 72 |
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0072. Rangle
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| 73 |
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0073. Flidry
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| 74 |
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0074. Nadipra
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| 75 |
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0075. Juni
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| 76 |
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0076. Lucky
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| 77 |
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0077. Kinia
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| 78 |
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0078. Klee
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| 79 |
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0079. Beria
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| 80 |
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0080. Lite
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| 81 |
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0081. Prava
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| 82 |
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0082. Reese
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| 83 |
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0083. Eizia
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| 84 |
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0084. Bubble
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| 85 |
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0085. Hive
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| 86 |
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0086. Leaf
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0087. Sear
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0088. Helen
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| 89 |
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0089. Coral
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| 90 |
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0090. Freyza
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| 91 |
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0091. Niki
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0092. Vadie
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0093. Celicia
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0094. Ember
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0095. Flare
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0096. Delen
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0097. Layan
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0098. Raria
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0099. Daily
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0100. Mabel
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0101. Ilay
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| 102 |
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0102. Jale
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| 103 |
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0103. Larin
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| 104 |
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0104. Feris
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| 105 |
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0105. Sheda
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| 106 |
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0106. Aisave
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| 107 |
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0107. Gayria
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| 108 |
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0108. Pania
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| 109 |
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0109. Shelly
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| 110 |
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0110. Dilia
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| 111 |
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0111. Krinade
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| 112 |
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0112. Soniera
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| 113 |
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0113. Branore
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| 114 |
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0114. Heladria
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0115. Rozila
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| 116 |
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0116. Zelia
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| 117 |
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0117. Flay
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| 118 |
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0118. Molisa
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| 119 |
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0119. Tolaris
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| 120 |
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0120. Caylie
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0121. Kiali
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| 122 |
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0122. Aerisine
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| 123 |
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0123. Feyli
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| 124 |
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0124. Gavelle
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0125. Porom
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0126. Palaine
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0127. Dria
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0128. Letaore
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0129. Silava
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0130. Canida
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0131. Jacria
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| 132 |
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0132. Sevanora
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| 133 |
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0133. Varenna
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0134. Fraefe
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0135. Neina
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| 136 |
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0136. Torenna
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| 137 |
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0137. Criliza
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| 138 |
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0138. Kalenine
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0139. Slenamie
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0140. Malenna
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0141. Grayly
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| 142 |
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0142. Rafa
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| 143 |
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0143. Ilenna
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| 144 |
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0144. Faielle
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| 145 |
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0145. Marelle
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| 146 |
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0146. Thaeria
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| 147 |
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0147. Chisehe
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| 148 |
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0148. Jevalia
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| 149 |
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0149. Shevora
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| 150 |
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0150. Sinive
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| 151 |
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0151. Gainie
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| 152 |
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0152. Orarena
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| 153 |
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0153. Velalia
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| 154 |
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0154. Deivaga
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| 155 |
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0155. Krelia
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0156. Smera
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| 157 |
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0157. Bralave
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| 158 |
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0158. Harima
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0159. Riraele
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0160. Salaora
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| 161 |
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0161. Flaedri
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| 162 |
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0162. Mevena
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| 163 |
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0163. Thonasie
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| 164 |
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0164. Clayvia
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| 165 |
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0165. Kanira
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| 166 |
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0166. Serenara
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| 167 |
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0167. Baelie
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| 168 |
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0168. Glaekie
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| 169 |
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0169. Piena
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| 170 |
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0170. Wailane
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| 171 |
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0171. Drazia
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| 172 |
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0172. Leanalia
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| 173 |
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0173. Stenare
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| 174 |
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0174. Bronakia
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| 175 |
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0175. Idavie
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| 176 |
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0176. Saviska
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| 177 |
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0177. Sarale
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| 178 |
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0178. Floracha
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| 179 |
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0179. Nalia
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| 180 |
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0180. Treladie
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| 181 |
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0181. Cradey
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| 182 |
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0182. Larisina
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| 183 |
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0183. Slanadri
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| 184 |
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0184. Biria
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| 185 |
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0185. Graria
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| 186 |
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0186. Prelia
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| 187 |
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0187. Elisena
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| 188 |
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0188. Enastia
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| 189 |
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0189. Lonelle
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| 190 |
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0190. Taese
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| 191 |
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0191. Chavella
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| 192 |
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0192. Jaynafie
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| 193 |
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0193. Sheelina
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| 194 |
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0194. Zilave
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| 195 |
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0195. Frilena
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| 196 |
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0196. Nolia
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| 197 |
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0197. Valela
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| 198 |
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0198. Davy
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| 199 |
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0199. Kraidey
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0200. Smare
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0201. Belorane
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| 202 |
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0202. Hadria
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| 203 |
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0203. Reinla
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| 204 |
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0204. Yolia
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| 205 |
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0205. Fevlia
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| 206 |
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0206. Mavisa
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| 207 |
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0207. Therastia
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| 208 |
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0208. Caliane
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| 209 |
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0209. Jynaria
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0210. Sierare
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| 211 |
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0211. Adaene
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| 212 |
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0212. Gesenne
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0213. Pearava
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| 214 |
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0214. Vonare
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| 215 |
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0215. Doria
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| 216 |
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0216. Laesehie
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| 217 |
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0217. Stantra
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| 218 |
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0218. Bredalie
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| 219 |
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0219. Hinia
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| 220 |
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0220. Sailnora
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| 221 |
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0221. Anorise
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| 222 |
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0222. Flevie
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| 223 |
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0223. Naenela
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| 224 |
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0224. Tralia
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| 225 |
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0225. Craisa
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| 226 |
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0226. Kimasta
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| 227 |
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0227. Selinane
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| 228 |
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0228. Benaise
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| 229 |
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0229. Glinia
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| 230 |
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0230. Prarifa
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| 231 |
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0231. Wiprea
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| 232 |
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0232. Edella
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| 233 |
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0233. Lilare
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| 234 |
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0234. Tainaria
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| 235 |
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0235. Chaese
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| 236 |
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0236. Jairalia
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| 237 |
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0237. Shalora
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| 238 |
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0238. Sivaora
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| 239 |
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0239. Frayanie
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| 240 |
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0240. Nienadra
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| 241 |
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0241. Uralia
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| 242 |
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0242. Daiga
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| 243 |
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0243. Carisenne
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| 244 |
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0244. Selove
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| 245 |
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0245. Belenna
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| 246 |
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0246. Grevama
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| 247 |
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0247. Ranaore
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| 248 |
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0248. Yevlia
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| 249 |
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0249. Favara
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| 250 |
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0250. Maere
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| 251 |
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0251. Tharasie
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| 252 |
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0252. Choravia
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| 253 |
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0253. Joania
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| 254 |
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0254. Shosehe
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| 255 |
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0255. Airia
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| 256 |
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0256. Gavake
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| 257 |
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0257. Pala
|
| 258 |
-
0258. Vilane
|
| 259 |
-
0259. Dizia
|
| 260 |
-
0260. Krilalia
|
| 261 |
-
0261. Solfy
|
| 262 |
-
0262. Breia
|
| 263 |
-
0263. Heidavie
|
| 264 |
-
0264. Rosaska
|
| 265 |
-
0265. Zayali
|
| 266 |
-
0266. Flavicha
|
| 267 |
-
0267. Moiria
|
| 268 |
-
0268. Tiradie
|
| 269 |
-
0269. Clibelle
|
| 270 |
-
0270. Kesie
|
| 271 |
-
0271. Selede
|
| 272 |
-
0272. Baria
|
| 273 |
-
0273. Glearia
|
| 274 |
-
0274. Ponlie
|
| 275 |
-
0275. Verenora
|
| 276 |
-
0276. Drevastia
|
| 277 |
-
0277. Lesana
|
| 278 |
-
0278. Susazia
|
| 279 |
-
0279. Camella
|
| 280 |
-
0280. Jafie
|
| 281 |
-
0281. Sera
|
| 282 |
-
0282. Ilena
|
| 283 |
-
0283. Fraria
|
| 284 |
-
0284. Nelina
|
| 285 |
-
0285. Trinalia
|
| 286 |
-
0286. Crity
|
| 287 |
-
0287. Keriseva
|
| 288 |
-
0288. Selenina
|
| 289 |
-
0289. Belisia
|
| 290 |
-
0290. Gravadria
|
| 291 |
-
0291. Pynla
|
| 292 |
-
0292. Yavia
|
| 293 |
-
0293. Faelia
|
| 294 |
-
0294. Lynisa
|
| 295 |
-
0295. Thastia
|
| 296 |
-
0296. Chevamie
|
| 297 |
-
0297. Jeraria
|
| 298 |
-
0298. Sheralie
|
| 299 |
-
0299. Sorane
|
| 300 |
-
0300. Gaeprea
|
| 301 |
-
0301. Onava
|
| 302 |
-
0302. Verela
|
| 303 |
-
0303. Deiria
|
| 304 |
-
0304. Coraele
|
| 305 |
-
0305. Smenatra
|
| 306 |
-
0306. Braeda
|
| 307 |
-
0307. Hanira
|
| 308 |
-
0308. Rinora
|
| 309 |
-
0309. Zaidria
|
| 310 |
-
0310. Flaxi
|
| 311 |
-
0311. Merina
|
| 312 |
-
0312. Tholia
|
| 313 |
-
0313. Claviza
|
| 314 |
-
0314. Kalista
|
| 315 |
-
0315. Arisena
|
| 316 |
-
0316. Baene
|
| 317 |
-
0317. Glaelia
|
| 318 |
-
0318. Pifa
|
| 319 |
-
0319. Waiprea
|
| 320 |
-
0320. Derenara
|
| 321 |
-
0321. Lerine
|
| 322 |
-
0322. Stelaria
|
| 323 |
-
0323. Brolalie
|
| 324 |
-
0324. Hynalia
|
| 325 |
-
0325. Saunora
|
| 326 |
-
0326. Sanevie
|
| 327 |
-
0327. Flonanie
|
| 328 |
-
0328. Naerave
|
| 329 |
-
0329. Trelia
|
| 330 |
-
0330. Craviga
|
| 331 |
-
0331. Kaelisia
|
| 332 |
-
0332. Saela
|
| 333 |
-
0333. Binalia
|
| 334 |
-
0334. Gorama
|
| 335 |
-
0335. Herenia
|
| 336 |
-
0336. Yaelia
|
| 337 |
-
0337. Emdere
|
| 338 |
-
0338. Lopra
|
| 339 |
-
0339. Tavasie
|
| 340 |
-
0340. Charavia
|
| 341 |
-
0341. Jaylia
|
| 342 |
-
0342. Shesehie
|
| 343 |
-
0343. Zilie
|
| 344 |
-
0344. Frekina
|
| 345 |
-
0345. Noira
|
| 346 |
-
0346. Vairane
|
| 347 |
-
0347. Darazia
|
| 348 |
-
0348. Kralia
|
| 349 |
-
0349. Smanare
|
| 350 |
-
0350. Belonare
|
| 351 |
-
0351. Gynavie
|
| 352 |
-
0352. Reiska
|
| 353 |
-
0353. Iolenne
|
| 354 |
-
0354. Feracha
|
| 355 |
-
0355. Mauria
|
| 356 |
-
0356. Thenadie
|
| 357 |
-
0357. Claebelle
|
| 358 |
-
0358. Julasie
|
| 359 |
-
0359. Sienadri
|
| 360 |
-
0360. Aslia
|
| 361 |
-
0361. Geraria
|
| 362 |
-
0362. Pelie
|
| 363 |
-
0363. Volase
|
| 364 |
-
0364. Donastia
|
| 365 |
-
0365. Laena
|
| 366 |
-
0366. Stalazia
|
| 367 |
-
0367. Briella
|
| 368 |
-
0368. Hilafie
|
| 369 |
-
0369. Saine
|
| 370 |
-
0370. Zevave
|
| 371 |
-
0371. Fleuraria
|
| 372 |
-
0372. Myria
|
| 373 |
-
0373. Torena
|
| 374 |
-
0374. Clynia
|
| 375 |
-
0375. Kilade
|
| 376 |
-
0376. Selenara
|
| 377 |
-
0377. Belasa
|
| 378 |
-
0378. Gliladria
|
| 379 |
-
0379. Pranla
|
| 380 |
-
0380. Wevia
|
| 381 |
-
0381. Dynia
|
| 382 |
-
0382. Liesiza
|
| 383 |
-
0383. Tailastia
|
| 384 |
-
0384. Chamie
|
| 385 |
-
0385. Jaimaria
|
| 386 |
-
0386. Shaerane
|
| 387 |
-
0387. Sarenia
|
| 388 |
-
0388. Frave
|
| 389 |
-
0389. Nicava
|
| 390 |
-
0390. Unare
|
| 391 |
-
0391. Daeia
|
| 392 |
-
0392. Calenie
|
| 393 |
-
0393. Elorenne
|
| 394 |
-
0394. Belenane
|
| 395 |
-
0395. Gretaria
|
| 396 |
-
0396. Ramene
|
| 397 |
-
0397. Yeradria
|
| 398 |
-
0398. Farife
|
| 399 |
-
0399. Malela
|
| 400 |
-
0400. Thania
|
| 401 |
-
0401. Choniza
|
| 402 |
-
0402. Josta
|
| 403 |
-
0403. Shiramie
|
| 404 |
-
0404. Aenaise
|
| 405 |
-
0405. Garlia
|
| 406 |
-
0406. Pairafa
|
| 407 |
-
0407. Vekena
|
| 408 |
-
0408. Deva
|
| 409 |
-
0409. Corenne
|
| 410 |
-
0410. Soria
|
| 411 |
-
0411. Merelaya
|
| 412 |
-
0412. Heline
|
| 413 |
-
0413. Ronora
|
| 414 |
-
0414. Savive
|
| 415 |
-
0415. Flaranie
|
| 416 |
-
0416. Modra
|
| 417 |
-
0417. Tinalia
|
| 418 |
-
0418. Clevaga
|
| 419 |
-
0419. Kaylia
|
| 420 |
-
0420. Serenora
|
| 421 |
-
0421. Banalia
|
| 422 |
-
0422. Glayima
|
| 423 |
-
0423. Polaelie
|
| 424 |
-
0424. Wavlia
|
| 425 |
-
0425. Darerie
|
| 426 |
-
0426. Lerena
|
| 427 |
-
0427. Stirasie
|
| 428 |
-
0428. Caitavia
|
| 429 |
-
0429. Ivia
|
| 430 |
-
0430. Senasha
|
| 431 |
-
0431. Shelina
|
| 432 |
-
0432. Forakie
|
| 433 |
-
0433. Nayara
|
| 434 |
-
0434. Trilane
|
| 435 |
-
0435. Crezia
|
| 436 |
-
0436. Kalenna
|
| 437 |
-
0437. Selefie
|
| 438 |
-
0438. Byalakia
|
| 439 |
-
0439. Garavie
|
| 440 |
-
0440. Pryniska
|
| 441 |
-
0441. Yarali
|
| 442 |
-
0442. Facha
|
| 443 |
-
0443. Lunia
|
| 444 |
-
0444. Teradie
|
| 445 |
-
0445. Cheralie
|
| 446 |
-
0446. Jenasie
|
| 447 |
-
0447. Shenadri
|
| 448 |
-
0448. Zonia
|
| 449 |
-
0449. Gaia
|
| 450 |
-
0450. Olie
|
| 451 |
-
0451. Verasie
|
| 452 |
-
0452. Deisia
|
| 453 |
-
0453. Kravina
|
| 454 |
-
0454. Smelazia
|
| 455 |
-
0455. Braella
|
| 456 |
-
0456. Halafie
|
| 457 |
-
0457. Rila
|
| 458 |
-
0458. Zaeve
|
| 459 |
-
0459. Firaria
|
| 460 |
-
0460. Menia
|
| 461 |
-
0461. Thiralia
|
| 462 |
-
0462. Claudie
|
| 463 |
-
0463. Kairade
|
| 464 |
-
0464. Anelena
|
| 465 |
-
0465. Aynisa
|
| 466 |
-
0466. Gladria
|
| 467 |
-
0467. Petla
|
| 468 |
-
0468. Waelia
|
| 469 |
-
0469. Drania
|
| 470 |
-
0470. Laese
|
| 471 |
-
0471. Stesetie
|
| 472 |
-
0472. Britamie
|
| 473 |
-
0473. Horaria
|
| 474 |
-
0474. Sarabella
|
| 475 |
-
0475. Saeva
|
| 476 |
-
0476. Floarale
|
| 477 |
-
0477. Naimava
|
| 478 |
-
0478. Laelora
|
| 479 |
-
0479. Craria
|
| 480 |
-
0480. Cariseva
|
| 481 |
-
0481. Selaera
|
| 482 |
-
0482. Bilada
|
| 483 |
-
0483. Gonia
|
| 484 |
-
0484. Prenora
|
| 485 |
-
0485. Yadria
|
| 486 |
-
0486. Elalie
|
| 487 |
-
0487. Lizina
|
| 488 |
-
0488. Taria
|
| 489 |
-
0489. Chaniza
|
| 490 |
-
0490. Javista
|
| 491 |
-
0491. Shayamie
|
| 492 |
-
0492. Synaine
|
| 493 |
-
0493. Frevlia
|
| 494 |
-
0494. Nofa
|
| 495 |
-
0495. Vaelale
|
| 496 |
-
0496. Dana
|
| 497 |
-
0497. Korare
|
| 498 |
-
0498. Smalria
|
| 499 |
-
0499. Melisia
|
| 500 |
-
0500. Gwenalia
|
| 501 |
-
0501. Rebora
|
| 502 |
-
0502. Inive
|
| 503 |
-
0503. Fenanie
|
| 504 |
-
0504. Maudadra
|
| 505 |
-
0505. Thelalia
|
| 506 |
-
0506. Claga
|
| 507 |
-
0507. Judia
|
| 508 |
-
0508. Siva
|
| 509 |
-
0509. Aralia
|
| 510 |
-
0510. Genama
|
| 511 |
-
0511. Nelena
|
| 512 |
-
0512. Volia
|
| 513 |
-
0513. Doleva
|
| 514 |
-
0514. Lorisa
|
| 515 |
-
0515. Staisie
|
| 516 |
-
0516. Brevahra
|
| 517 |
-
0517. Hilia
|
| 518 |
-
0518. Saesha
|
| 519 |
-
0519. Zeria
|
| 520 |
-
0520. Flerare
|
| 521 |
-
0521. Mura
|
| 522 |
-
0522. Traene
|
| 523 |
-
0523. Clorazia
|
| 524 |
-
0524. Kilia
|
| 525 |
-
0525. Sarenine
|
| 526 |
-
0526. Beika
|
| 527 |
-
0527. Glivie
|
| 528 |
-
0528. Praliska
|
| 529 |
-
0529. Werali
|
| 530 |
-
0530. Drynicha
|
| 531 |
-
0531. Lienia
|
| 532 |
-
0532. Taidie
|
| 533 |
-
0533. Cerabelle
|
| 534 |
-
0534. Jailasie
|
| 535 |
-
0535. Shailly
|
| 536 |
-
0536. Shinia
|
| 537 |
-
0537. Frarena
|
| 538 |
-
0538. Nilie
|
| 539 |
-
0539. Ulase
|
| 540 |
-
0540. Dastia
|
| 541 |
-
0541. Calilene
|
| 542 |
-
0542. Selava
|
| 543 |
-
0543. Berenna
|
| 544 |
-
0544. Grerafie
|
| 545 |
-
0545. Rala
|
| 546 |
-
0546. Yenave
|
| 547 |
-
0547. Fanaria
|
| 548 |
-
0548. Maia
|
| 549 |
-
0549. Thalana
|
| 550 |
-
0550. Cholia
|
| 551 |
-
0551. Jirade
|
| 552 |
-
0552. Shinaria
|
| 553 |
-
0553. Ailasa
|
| 554 |
-
0554. Ganadria
|
| 555 |
-
0555. Paila
|
| 556 |
-
0556. Vieria
|
| 557 |
-
0557. Deslia
|
| 558 |
-
0558. Kreiza
|
| 559 |
-
0559. Smirastia
|
| 560 |
-
0560. Bravamie
|
| 561 |
-
0561. Hedaria
|
| 562 |
-
0562. Romari
|
| 563 |
-
0563. Saraise
|
| 564 |
-
0564. Flanale
|
| 565 |
-
0565. Mirava
|
| 566 |
-
0566. Tilare
|
| 567 |
-
0567. Cleria
|
| 568 |
-
0568. Caelenne
|
| 569 |
-
0569. Loreneva
|
| 570 |
-
0570. Balida
|
| 571 |
-
0571. Glavaria
|
| 572 |
-
0572. Pirnora
|
| 573 |
-
0573. Waradria
|
| 574 |
-
0574. Darene
|
| 575 |
-
0575. Lenina
|
| 576 |
-
0576. Stinia
|
| 577 |
-
0577. Bynisa
|
| 578 |
-
0578. Isasta
|
| 579 |
-
0579. Selamie
|
| 580 |
-
0580. Seraine
|
| 581 |
-
0581. Fonlia
|
| 582 |
-
0582. Navifa
|
| 583 |
-
0583. Triprea
|
| 584 |
-
0584. Crera
|
| 585 |
-
0585. Caelora
|
| 586 |
-
0586. Selerene
|
| 587 |
-
0587. Belaise
|
| 588 |
-
0588. Granalia
|
| 589 |
-
0589. Prirora
|
| 590 |
-
0590. Ianive
|
| 591 |
-
0591. Evanie
|
| 592 |
-
0592. Ludadra
|
| 593 |
-
0593. Tenalia
|
| 594 |
-
0594. Chenaga
|
| 595 |
-
0595. Jelia
|
| 596 |
-
0596. Shela
|
| 597 |
-
0597. Zolalia
|
| 598 |
-
0598. Fynima
|
| 599 |
-
0599. Nuraele
|
| 600 |
-
0600. Velia
|
| 601 |
-
0601. Dearadri
|
| 602 |
-
0602. Corarine
|
| 603 |
-
0603. Smeisie
|
| 604 |
-
0604. Boravia
|
| 605 |
-
0605. Hairi
|
| 606 |
-
0606. Risha
|
| 607 |
-
0607. Zalie
|
| 608 |
-
0608. Finake
|
| 609 |
-
0609. Melia
|
| 610 |
-
0610. Thinena
|
| 611 |
-
0611. Clarazia
|
| 612 |
-
0612. Kailalia
|
| 613 |
-
0613. Sirfy
|
| 614 |
-
0614. Ayika
|
| 615 |
-
0615. Giravie
|
| 616 |
-
0616. Peraska
|
| 617 |
-
0617. Elaria
|
| 618 |
-
0618. Dralicha
|
| 619 |
-
0619. Lavy
|
| 620 |
-
0620. Stedie
|
| 621 |
-
0621. Breralie
|
| 622 |
-
0622. Honasie
|
| 623 |
-
0623. Sanadis
|
| 624 |
-
0624. Shairi
|
| 625 |
-
0625. Fliraria
|
| 626 |
-
0626. Naleora
|
| 627 |
-
0627. Terase
|
| 628 |
-
0628. Cranastia
|
| 629 |
-
0629. Calderia
|
| 630 |
-
0630. Selaere
|
| 631 |
-
0631. Biella
|
| 632 |
-
0632. Golafie
|
| 633 |
-
0633. Preline
|
| 634 |
-
0634. Virelina
|
| 635 |
-
0635. Eiraria
|
| 636 |
-
0636. Livira
|
| 637 |
-
0637. Tanalia
|
| 638 |
-
0638. Chalia
|
| 639 |
-
0639. Jasade
|
| 640 |
-
0640. Shavaria
|
| 641 |
-
0641. Sorase
|
| 642 |
-
0642. Freradria
|
| 643 |
-
0643. Nirla
|
| 644 |
-
0644. Vaidia
|
| 645 |
-
0645. Dalina
|
| 646 |
-
0646. Konisa
|
| 647 |
-
0647. Smaistia
|
| 648 |
-
0648. Merisine
|
| 649 |
-
0649. Garirele
|
| 650 |
-
0650. Rebella
|
| 651 |
-
0651. Iraene
|
| 652 |
-
0652. Felenne
|
| 653 |
-
0653. Mativa
|
| 654 |
-
0654. There
|
| 655 |
-
0655. Ciria
|
| 656 |
-
0656. Josaore
|
| 657 |
-
0657. Shinela
|
| 658 |
-
0658. Anida
|
| 659 |
-
0659. Gelria
|
| 660 |
-
0660. Pavanora
|
| 661 |
-
0661. Vivadria
|
| 662 |
-
0662. Donelle
|
| 663 |
-
0663. Kynina
|
| 664 |
-
0664. Stalara
|
| 665 |
-
0665. Breriza
|
| 666 |
-
0666. Hevasta
|
| 667 |
-
0667. Samie
|
| 668 |
-
0668. Senaore
|
| 669 |
-
0669. Flenia
|
| 670 |
-
0670. Muirafa
|
| 671 |
-
0671. Terina
|
| 672 |
-
0672. Clona
|
| 673 |
-
0673. Kerare
|
| 674 |
-
0674. Selerine
|
| 675 |
-
0675. Beatalie
|
| 676 |
-
0676. Glevalia
|
| 677 |
-
0677. Peralie
|
| 678 |
-
0678. Wenabra
|
| 679 |
-
0679. Driranie
|
| 680 |
-
0680. Lidadra
|
| 681 |
-
0681. Taelia
|
| 682 |
-
0682. Cenaga
|
| 683 |
-
0683. Jalina
|
| 684 |
-
0684. Shaiva
|
| 685 |
-
0685. Faelina
|
| 686 |
-
0686. Franima
|
| 687 |
-
0687. Nevaelie
|
| 688 |
-
0688. Tynlia
|
| 689 |
-
0689. Cenela
|
| 690 |
-
0690. Carmelina
|
| 691 |
-
0691. Seline
|
| 692 |
-
0692. Maelisena
|
| 693 |
-
0693. Grenia
|
| 694 |
-
0694. Raisha
|
| 695 |
-
0695. Yelie
|
| 696 |
-
0696. Falakie
|
| 697 |
-
0697. Maeva
|
| 698 |
-
0698. Steris
|
| 699 |
-
0699. Chirazia
|
| 700 |
-
0700. Jinalia
|
| 701 |
-
0701. Shilafina
|
| 702 |
-
0702. Aekenne
|
| 703 |
-
0703. Galavie
|
| 704 |
-
0704. Paiska
|
| 705 |
-
0705. Vilia
|
| 706 |
-
0706. Deracha
|
| 707 |
-
0707. Kreria
|
| 708 |
-
0708. Sminadie
|
| 709 |
-
0709. Brabie
|
| 710 |
-
0710. Hesie
|
| 711 |
-
0711. Roladis
|
| 712 |
-
0712. Zania
|
| 713 |
-
0713. Flarale
|
| 714 |
-
0714. Minlie
|
| 715 |
-
0715. Tizera
|
| 716 |
-
0716. Clenastia
|
| 717 |
-
0717. Kavina
|
| 718 |
-
0718. Sareneva
|
| 719 |
-
0719. Bairella
|
| 720 |
-
0720. Glarafie
|
| 721 |
-
0721. Pina
|
| 722 |
-
0722. Wanave
|
| 723 |
-
0723. Drelaria
|
| 724 |
-
0724. Lelare
|
| 725 |
-
0725. Stilalia
|
| 726 |
-
0726. Brynia
|
| 727 |
-
0727. Irade
|
| 728 |
-
0728. Seiria
|
| 729 |
-
0729. Sesara
|
| 730 |
-
0730. Foladria
|
| 731 |
-
0731. Natla
|
| 732 |
-
0732. Trevia
|
| 733 |
-
0733. Crenia
|
| 734 |
-
0734. Calave
|
| 735 |
-
0735. Selaena
|
| 736 |
-
0736. Belaenie
|
| 737 |
-
0737. Gralaria
|
| 738 |
-
0738. Perinie
|
| 739 |
-
0739. Ialaele
|
| 740 |
-
0740. Etare
|
| 741 |
-
0741. Lucava
|
| 742 |
-
0742. Telarie
|
| 743 |
-
0743. Chelia
|
| 744 |
-
0744. Jesehie
|
| 745 |
-
0745. Sheilatra
|
| 746 |
-
0746. Sodenne
|
| 747 |
-
0747. Frynaria
|
| 748 |
-
0748. Narene
|
| 749 |
-
0749. Vayadria
|
| 750 |
-
0750. Deane
|
| 751 |
-
0751. Kranina
|
| 752 |
-
0752. Smelia
|
| 753 |
-
0753. Bonisa
|
| 754 |
-
0754. Hailasta
|
| 755 |
-
0755. Revamie
|
| 756 |
-
0756. Synella
|
| 757 |
-
0757. Filia
|
| 758 |
-
0758. Meifa
|
| 759 |
-
0759. Theline
|
| 760 |
-
0760. Clana
|
| 761 |
-
0761. Kaere
|
| 762 |
-
0762. Sinaria
|
| 763 |
-
0763. Avaenie
|
| 764 |
-
0764. Ginalia
|
| 765 |
-
0765. Penora
|
| 766 |
-
0766. Vitive
|
| 767 |
-
0767. Drainie
|
| 768 |
-
0768. Lareora
|
| 769 |
-
0769. Stayalia
|
| 770 |
-
0770. Brinaga
|
| 771 |
-
0771. Holia
|
| 772 |
-
0772. Sama
|
| 773 |
-
0773. Saelane
|
| 774 |
-
0774. Flinama
|
| 775 |
-
0775. Naese
|
| 776 |
-
0776. Traudlia
|
| 777 |
-
0777. Craladri
|
| 778 |
-
0778. Calenne
|
| 779 |
-
0779. Selasane
|
| 780 |
-
0780. Bevahra
|
| 781 |
-
0781. Glorina
|
| 782 |
-
0782. Presha
|
| 783 |
-
0783. Wiria
|
| 784 |
-
0784. Emake
|
| 785 |
-
0785. Lisa
|
| 786 |
-
0786. Tamane
|
| 787 |
-
0787. Chairazia
|
| 788 |
-
0788. Jaralia
|
| 789 |
-
0789. Shanare
|
| 790 |
-
0790. Shonakia
|
| 791 |
-
0791. Frenavie
|
| 792 |
-
0792. Ninaska
|
| 793 |
-
0793. Valenne
|
| 794 |
-
0794. Dairacha
|
| 795 |
-
0795. Kolia
|
| 796 |
-
0796. Smaedie
|
| 797 |
-
0797. Beveline
|
| 798 |
-
0798. Grinasie
|
| 799 |
-
0799. Raedile
|
| 800 |
-
0800. Yinia
|
| 801 |
-
0801. Feare
|
| 802 |
-
0802. Marelia
|
| 803 |
-
0803. Thezera
|
| 804 |
-
0804. Cinastia
|
| 805 |
-
0805. Jorana
|
| 806 |
-
0806. Shorazia
|
| 807 |
-
0807. Amella
|
| 808 |
-
0808. Geifie
|
| 809 |
-
0809. Patine
|
| 810 |
-
0810. Vitave
|
| 811 |
-
0811. Diraria
|
| 812 |
-
0812. Krislia
|
| 813 |
-
0813. Stalia
|
| 814 |
-
0814. Brenia
|
| 815 |
-
0815. Herade
|
| 816 |
-
0816. Rynia
|
| 817 |
-
0817. Zelasa
|
| 818 |
-
0818. Fleladria
|
| 819 |
-
0819. Morla
|
| 820 |
-
0820. Toria
|
| 821 |
-
0821. Cliria
|
| 822 |
-
0822. Kenisa
|
| 823 |
-
0823. Larenina
|
| 824 |
-
0824. Bemie
|
| 825 |
-
0825. Gleraria
|
| 826 |
-
0826. Praebella
|
| 827 |
-
0827. Lumena
|
| 828 |
-
0828. Darenie
|
| 829 |
-
0829. Liva
|
| 830 |
-
0830. Tivora
|
| 831 |
-
0831. Celira
|
| 832 |
-
0832. Jaesehe
|
| 833 |
-
0833. Shaetra
|
| 834 |
-
0834. Sideva
|
| 835 |
-
0835. Fralaria
|
| 836 |
-
0836. Nernora
|
| 837 |
-
0837. Tudadria
|
| 838 |
-
0838. Cerire
|
| 839 |
-
0839. Avenina
|
| 840 |
-
0840. Silia
|
| 841 |
-
0841. Belane
|
| 842 |
-
0842. Grelasta
|
| 843 |
-
0843. Raemie
|
| 844 |
-
0844. Yesera
|
| 845 |
-
0845. Fairia
|
| 846 |
-
0846. Maefa
|
| 847 |
-
0847. Taylana
|
| 848 |
-
0848. China
|
| 849 |
-
0849. Jelarie
|
| 850 |
-
0850. Shielaria
|
| 851 |
-
0851. Aesehe
|
| 852 |
-
0852. Gairalia
|
| 853 |
-
0853. Paeora
|
| 854 |
-
0854. Veraise
|
| 855 |
-
0855. Denanie
|
| 856 |
-
0856. Krenadra
|
| 857 |
-
0857. Smilalia
|
| 858 |
-
0858. Braniga
|
| 859 |
-
0859. Haylia
|
| 860 |
-
0860. Rova
|
| 861 |
-
0861. Saleora
|
| 862 |
-
0862. Flairama
|
| 863 |
-
0863. Milaele
|
| 864 |
-
0864. Thynia
|
| 865 |
-
0865. Cleladri
|
| 866 |
-
0866. Katipra
|
| 867 |
-
0867. Aerinela
|
| 868 |
-
0868. Bailavia
|
| 869 |
-
0869. Glania
|
| 870 |
-
0870. Pilasha
|
| 871 |
-
0871. Walie
|
| 872 |
-
0872. Drekie
|
| 873 |
-
0873. Leira
|
| 874 |
-
0874. Stine
|
| 875 |
-
0875. Brunazia
|
| 876 |
-
0876. Inalia
|
| 877 |
-
0877. Sefy
|
| 878 |
-
0878. Shayika
|
| 879 |
-
0879. Fovie
|
| 880 |
-
0880. Nariska
|
| 881 |
-
0881. Trerali
|
| 882 |
-
0882. Crelacha
|
| 883 |
-
0883. Claudelle
|
| 884 |
-
0884. Selara
|
| 885 |
-
0885. Belade
|
| 886 |
-
0886. Gisea
|
| 887 |
-
0887. Prilly
|
| 888 |
-
0888. Yairi
|
| 889 |
-
0889. Esia
|
| 890 |
-
0890. Loriley
|
| 891 |
-
0891. Teizala
|
| 892 |
-
0892. Chesti
|
| 893 |
-
0893. Jeanna
|
| 894 |
-
0894. Sheezi
|
| 895 |
-
0895. Zenelle
|
| 896 |
-
0896. Fandra
|
| 897 |
-
0897. Narapine
|
| 898 |
-
0898. Virelaya
|
| 899 |
-
0899. Deraroa
|
| 900 |
-
0900. Kraylie
|
| 901 |
-
0901. Smaylie
|
| 902 |
-
0902. Belise
|
| 903 |
-
0903. Haike
|
| 904 |
-
0904. Rabaria
|
| 905 |
-
0905. Yorsa
|
| 906 |
-
0906. Fianelle
|
| 907 |
-
0907. Mela
|
| 908 |
-
0908. Tillia
|
| 909 |
-
0909. Claira
|
| 910 |
-
0910. Kaizy
|
| 911 |
-
0911. Simarea
|
| 912 |
-
0912. Auredalia
|
| 913 |
-
0913. Gilacoria
|
| 914 |
-
0914. Pelablori
|
| 915 |
-
0915. Vynferia
|
| 916 |
-
0916. Draparia
|
| 917 |
-
0917. Larevie
|
| 918 |
-
0918. Stavaria
|
| 919 |
-
0919. Belisse
|
| 920 |
-
0920. Hoshia
|
| 921 |
-
0921. Saltra
|
| 922 |
-
0922. Edrisa
|
| 923 |
-
0923. Filara
|
| 924 |
-
0924. Naynoara
|
| 925 |
-
0925. Tarandrea
|
| 926 |
-
0926. Craifa
|
| 927 |
-
0927. Kigara
|
| 928 |
-
0928. Sokia
|
| 929 |
-
0929. Merisora
|
| 930 |
-
0930. Glonira
|
| 931 |
-
0931. Peraelie
|
| 932 |
-
0932. Winaly
|
| 933 |
-
0933. Eleise
|
| 934 |
-
0934. Laifa
|
| 935 |
-
0935. Talessa
|
| 936 |
-
0936. Chaila
|
| 937 |
-
0937. Janra
|
| 938 |
-
0938. Shakra
|
| 939 |
-
0939. Zarasha
|
| 940 |
-
0940. Frelly
|
| 941 |
-
0941. Nilkora
|
| 942 |
-
0942. Vayna
|
| 943 |
-
0943. Dainara
|
| 944 |
-
0944. Calane
|
| 945 |
-
0945. Samplia
|
| 946 |
-
0946. Solen
|
| 947 |
-
0947. Giraldine
|
| 948 |
-
0948. Ravole
|
| 949 |
-
0949. Ingele
|
| 950 |
-
0950. Famaril
|
| 951 |
-
0951. Manchi
|
| 952 |
-
0952. Tayly
|
| 953 |
-
0953. Cileva
|
| 954 |
-
0954. Junly
|
| 955 |
-
0955. Shinly
|
| 956 |
-
0956. Alvahra
|
| 957 |
-
0957. Germione
|
| 958 |
-
0958. Pearly
|
| 959 |
-
0959. Vilenne
|
| 960 |
-
0960. Dinelle
|
| 961 |
-
0961. Krira
|
| 962 |
-
0962. Sonyara
|
| 963 |
-
0963. Brenya
|
| 964 |
-
0964. Hennia
|
| 965 |
-
0965. Rovelle
|
| 966 |
-
0966. Rivelle
|
| 967 |
-
0967. Flevia
|
| 968 |
-
0968. Minski
|
| 969 |
-
0969. Tanlia
|
| 970 |
-
0970. Clinny
|
| 971 |
-
0971. Keltria
|
| 972 |
-
0972. Aderina
|
| 973 |
-
0973. Bebirie
|
| 974 |
-
0974. Valena
|
| 975 |
-
0975. Pradis
|
| 976 |
-
0976. Vinelle
|
| 977 |
-
0977. Darile
|
| 978 |
-
0978. Levaris
|
| 979 |
-
0979. Sinase
|
| 980 |
-
0980. Edrisara
|
| 981 |
-
0981. Jadina
|
| 982 |
-
0982. Sharalie
|
| 983 |
-
0983. Zeralie
|
| 984 |
-
0984. Fraia
|
| 985 |
-
0985. Nela
|
| 986 |
-
0986. Trave
|
| 987 |
-
0987. Cerene
|
| 988 |
-
0988. Kerelara
|
| 989 |
-
0989. Serisaya
|
| 990 |
-
0990. Belale
|
| 991 |
-
0991. Garaere
|
| 992 |
-
0992. Radielle
|
| 993 |
-
0993. Ysola
|
| 994 |
-
0994. Faily
|
| 995 |
-
0995. Maddi
|
| 996 |
-
0996. Tigi
|
| 997 |
-
0997. Chilly
|
| 998 |
-
0998. Jirelle
|
| 999 |
-
0999. Sivelle
|
| 1000 |
-
1000. Adia
|
| 1001 |
-
1001. Gailora
|
| 1002 |
-
1002. Pablora
|
| 1003 |
-
1003. Venia
|
| 1004 |
-
1004. Delina
|
| 1005 |
-
1005. Krevia
|
| 1006 |
-
1006. Smiria
|
| 1007 |
-
1007. Bralea
|
| 1008 |
-
1008. Havia
|
| 1009 |
-
1009. Ritia
|
| 1010 |
-
1010. Zairia
|
| 1011 |
-
1011. Flaybria
|
| 1012 |
-
1012. Minora
|
| 1013 |
-
1013. Thoria
|
| 1014 |
-
1014. Clellina
|
| 1015 |
-
1015. Karia
|
| 1016 |
-
1016. Elisine
|
| 1017 |
-
1017. Baizia
|
| 1018 |
-
1018. Glalia
|
| 1019 |
-
1019. Pierelia
|
| 1020 |
-
1020. Wairia
|
| 1021 |
-
1021. Draelia
|
| 1022 |
-
1022. Leenia
|
| 1023 |
-
1023. Steria
|
| 1024 |
-
1024. Brora
|
| 1025 |
-
1025. Ilea
|
| 1026 |
-
1026. Saygria
|
| 1027 |
-
1027. Savina
|
| 1028 |
-
1028. Flynira
|
| 1029 |
-
1029. Nanora
|
| 1030 |
-
1030. Trenia
|
| 1031 |
-
1031. Crenira
|
| 1032 |
-
1032. Kalenia
|
| 1033 |
-
1033. Sarenora
|
| 1034 |
-
1034. Belage
|
| 1035 |
-
1035. Graella
|
| 1036 |
-
1036. Privora
|
| 1037 |
-
1037. Yailea
|
| 1038 |
-
1038. Erelia
|
| 1039 |
-
1039. Lorachia
|
| 1040 |
-
1040. Tella
|
| 1041 |
-
1041. Chayora
|
| 1042 |
-
1042. Jepria
|
| 1043 |
-
1043. Sheenia
|
| 1044 |
-
1044. Zinia
|
| 1045 |
-
1045. Frinia
|
| 1046 |
-
1046. Noria
|
| 1047 |
-
1047. Vanina
|
| 1048 |
-
1048. Daykia
|
| 1049 |
-
1049. Coraelie
|
| 1050 |
-
1050. Smavia
|
| 1051 |
-
1051. Berenina
|
| 1052 |
-
1052. Haella
|
| 1053 |
-
1053. Relora
|
| 1054 |
-
1054. Yonia
|
| 1055 |
-
1055. Fivia
|
| 1056 |
-
1056. Mayara
|
| 1057 |
-
1057. Thevia
|
| 1058 |
-
1058. Clairia
|
| 1059 |
-
1059. Kaeria
|
| 1060 |
-
1060. Silina
|
| 1061 |
-
1061. Aunbea
|
| 1062 |
-
1062. Giselia
|
| 1063 |
-
1063. Peidora
|
| 1064 |
-
1064. Voria
|
| 1065 |
-
1065. Daragie
|
| 1066 |
-
1066. Lanira
|
| 1067 |
-
1067. Starora
|
| 1068 |
-
1068. Briana
|
| 1069 |
-
1069. Hiria
|
| 1070 |
-
1070. Sairia
|
| 1071 |
-
1071. Elisaya
|
| 1072 |
-
1072. Flifia
|
| 1073 |
-
1073. Nadora
|
| 1074 |
-
1074. Trania
|
| 1075 |
-
1075. Craearia
|
| 1076 |
-
1076. Kinira
|
| 1077 |
-
1077. Faelisa
|
| 1078 |
-
1078. Berina
|
| 1079 |
-
1079. Gliria
|
| 1080 |
-
1080. Pravia
|
| 1081 |
-
1081. Wilia
|
| 1082 |
-
1082. Eiana
|
| 1083 |
-
1083. Linia
|
| 1084 |
-
1084. Tairia
|
| 1085 |
-
1085. Chayella
|
| 1086 |
-
1086. Jalea
|
| 1087 |
-
1087. Shanira
|
| 1088 |
-
1088. Someva
|
| 1089 |
-
1089. Freora
|
| 1090 |
-
1090. Nikira
|
| 1091 |
-
1091. Vafia
|
| 1092 |
-
1092. Daleora
|
| 1093 |
-
1093. Calonie
|
| 1094 |
-
1094. Evorenia
|
| 1095 |
-
1095. Belera
|
| 1096 |
-
1096. Grishia
|
| 1097 |
-
1097. Rarina
|
| 1098 |
-
1098. Yidia
|
| 1099 |
-
1099. Faybria
|
| 1100 |
-
1100. Malora
|
| 1101 |
-
1101. Thavia
|
| 1102 |
-
1102. Chynia
|
| 1103 |
-
1103. Jolea
|
| 1104 |
-
1104. Sholia
|
| 1105 |
-
1105. Airina
|
| 1106 |
-
1106. Gaystia
|
| 1107 |
-
1107. Panmia
|
| 1108 |
-
1108. Vinia
|
| 1109 |
-
1109. Dilina
|
| 1110 |
-
1110. Krinia
|
| 1111 |
-
1111. Sonina
|
| 1112 |
-
1112. Breanora
|
| 1113 |
-
1113. Helea
|
| 1114 |
-
1114. Rozia
|
| 1115 |
-
1115. Zella
|
| 1116 |
-
1116. Flayora
|
| 1117 |
-
1117. Molora
|
| 1118 |
-
1118. Tolia
|
| 1119 |
-
1119. Clinia
|
| 1120 |
-
1120. Keidria
|
| 1121 |
-
1121. Selealie
|
| 1122 |
-
1122. Bavia
|
| 1123 |
-
1123. Gleline
|
| 1124 |
-
1124. Pora
|
| 1125 |
-
1125. Wella
|
| 1126 |
-
1126. Drimia
|
| 1127 |
-
1127. Letia
|
| 1128 |
-
1128. Sylea
|
| 1129 |
-
1129. Canora
|
| 1130 |
-
1130. Jacia
|
| 1131 |
-
1131. Sevia
|
| 1132 |
-
1132. Ferena
|
| 1133 |
-
1133. Fraelia
|
| 1134 |
-
1134. Neishia
|
| 1135 |
-
1135. Tivoreva
|
| 1136 |
-
1136. Crilia
|
| 1137 |
-
1137. Calenare
|
| 1138 |
-
1138. Larisenne
|
| 1139 |
-
1139. Maeliseva
|
| 1140 |
-
1140. Graplea
|
| 1141 |
-
1141. Rafenne
|
| 1142 |
-
1142. Yayella
|
| 1143 |
-
1143. Faivia
|
| 1144 |
-
1144. Masara
|
| 1145 |
-
1145. Thaelia
|
| 1146 |
-
1146. Chicehe
|
| 1147 |
-
1147. Jevia
|
| 1148 |
-
1148. Shevia
|
| 1149 |
-
1149. Sinbe
|
| 1150 |
-
1150. Gaisea
|
| 1151 |
-
1151. Oria
|
| 1152 |
-
1152. Velea
|
| 1153 |
-
1153. Deigora
|
| 1154 |
-
1154. Krella
|
| 1155 |
-
1155. Smerora
|
| 1156 |
-
1156. Brayiana
|
| 1157 |
-
1157. Haria
|
| 1158 |
-
1158. Riara
|
| 1159 |
-
1159. Salena
|
| 1160 |
-
1160. Flaevia
|
| 1161 |
-
1161. Mevora
|
| 1162 |
-
1162. Thonia
|
| 1163 |
-
1163. Claria
|
| 1164 |
-
1164. Kanina
|
| 1165 |
-
1165. Arisora
|
| 1166 |
-
1166. Baetria
|
| 1167 |
-
1167. Glaidia
|
| 1168 |
-
1168. Pienia
|
| 1169 |
-
1169. Valisa
|
| 1170 |
-
1170. Dravia
|
| 1171 |
-
1171. Leania
|
| 1172 |
-
1172. Stenia
|
| 1173 |
-
1173. Bronia
|
| 1174 |
-
1174. Idia
|
| 1175 |
-
1175. Savia
|
| 1176 |
-
1176. Irisia
|
| 1177 |
-
1177. Flora
|
| 1178 |
-
1178. Nalora
|
| 1179 |
-
1179. Trelea
|
| 1180 |
-
1180. Crapria
|
| 1181 |
-
1181. Alisina
|
| 1182 |
-
1182. Selana
|
| 1183 |
-
1183. Birina
|
| 1184 |
-
1184. Grashia
|
| 1185 |
-
1185. Previa
|
| 1186 |
-
1186. Yaidia
|
| 1187 |
-
1187. Enia
|
| 1188 |
-
1188. Lonora
|
| 1189 |
-
1189. Taydria
|
| 1190 |
-
1190. Chavia
|
| 1191 |
-
1191. Jaynia
|
| 1192 |
-
1192. Sheelia
|
| 1193 |
-
1193. Zilia
|
| 1194 |
-
1194. Frilia
|
| 1195 |
-
1195. Nolea
|
| 1196 |
-
1196. Valia
|
| 1197 |
-
1197. Davia
|
| 1198 |
-
1198. Kraefia
|
| 1199 |
-
1199. Smaria
|
| 1200 |
-
1200. Belenne
|
| 1201 |
-
1201. Harea
|
| 1202 |
-
1202. Reinia
|
| 1203 |
-
1203. Yolea
|
| 1204 |
-
1204. Fevia
|
| 1205 |
-
1205. Mavora
|
| 1206 |
-
1206. Theria
|
| 1207 |
-
1207. Clainia
|
| 1208 |
-
1208. Jynia
|
| 1209 |
-
1209. Sieria
|
| 1210 |
-
1210. Audia
|
| 1211 |
-
1211. Gesea
|
| 1212 |
-
1212. Pearora
|
| 1213 |
-
1213. Vonia
|
| 1214 |
-
1214. Dorelia
|
| 1215 |
-
1215. Laichia
|
| 1216 |
-
1216. Stania
|
| 1217 |
-
1217. Bridora
|
| 1218 |
-
1218. Hinira
|
| 1219 |
-
1219. Avalaya
|
| 1220 |
-
1220. Saverie
|
| 1221 |
-
1221. Flevira
|
| 1222 |
-
1222. Nashia
|
| 1223 |
-
1223. Tralina
|
| 1224 |
-
1224. Craya
|
| 1225 |
-
1225. Kimia
|
| 1226 |
-
1226. Larisena
|
| 1227 |
-
1227. Benira
|
| 1228 |
-
1228. Glinira
|
| 1229 |
-
1229. Peraene
|
| 1230 |
-
1230. Wiella
|
| 1231 |
-
1231. Edia
|
| 1232 |
-
1232. Linena
|
| 1233 |
-
1233. Tainia
|
| 1234 |
-
1234. Chaelia
|
| 1235 |
-
1235. Jairia
|
| 1236 |
-
1236. Shalia
|
| 1237 |
-
1237. Sibenne
|
| 1238 |
-
1238. Frasea
|
| 1239 |
-
1239. Nienelle
|
| 1240 |
-
1240. Uria
|
| 1241 |
-
1241. Daigora
|
| 1242 |
-
1242. Alenine
|
| 1243 |
-
1243. Selera
|
| 1244 |
-
1244. Belisaya
|
| 1245 |
-
1245. Grenira
|
| 1246 |
-
1246. Ranere
|
| 1247 |
-
1247. Yevia
|
| 1248 |
-
1248. Favia
|
| 1249 |
-
1249. Mairora
|
| 1250 |
-
1250. Tharia
|
| 1251 |
-
1251. Choaria
|
| 1252 |
-
1252. Joanira
|
| 1253 |
-
1253. Shora
|
| 1254 |
-
1254. Airelia
|
| 1255 |
-
1255. Gavia
|
| 1256 |
-
1256. Palia
|
| 1257 |
-
1257. Vilina
|
| 1258 |
-
1258. Diana
|
| 1259 |
-
1259. Krilia
|
| 1260 |
-
1260. Solia
|
| 1261 |
-
1261. Brella
|
| 1262 |
-
1262. Heidia
|
| 1263 |
-
1263. Rosea
|
| 1264 |
-
1264. Saeme
|
| 1265 |
-
1265. Flavira
|
| 1266 |
-
1266. Moirina
|
| 1267 |
-
1267. Tiria
|
| 1268 |
-
1268. Cliana
|
| 1269 |
-
1269. Kevia
|
| 1270 |
-
1270. Avelora
|
| 1271 |
-
1271. Barina
|
| 1272 |
-
1272. Gleshia
|
| 1273 |
-
1273. Ponia
|
| 1274 |
-
1274. Veleneva
|
| 1275 |
-
1275. Drevia
|
| 1276 |
-
1276. Lesnora
|
| 1277 |
-
1277. Susea
|
| 1278 |
-
1278. Camia
|
| 1279 |
-
1279. Jagia
|
| 1280 |
-
1280. Seria
|
| 1281 |
-
1281. Avenia
|
| 1282 |
-
1282. Frastia
|
| 1283 |
-
1283. Nemia
|
| 1284 |
-
1284. Trinia
|
| 1285 |
-
1285. Criana
|
| 1286 |
-
1286. Avalina
|
| 1287 |
-
1287. Laelia
|
| 1288 |
-
1288. Maelisina
|
| 1289 |
-
1289. Grarina
|
| 1290 |
-
1290. Pynia
|
| 1291 |
-
1291. Yavira
|
| 1292 |
-
1292. Faella
|
| 1293 |
-
1293. Lynora
|
| 1294 |
-
1294. Thabria
|
| 1295 |
-
1295. Chenia
|
| 1296 |
-
1296. Jerina
|
| 1297 |
-
1297. Sheria
|
| 1298 |
-
1298. Zoria
|
| 1299 |
-
1299. Gaella
|
| 1300 |
-
1300. Onora
|
| 1301 |
-
1301. Veiella
|
| 1302 |
-
1302. Deirina
|
| 1303 |
-
1303. Krayella
|
| 1304 |
-
1304. Smenia
|
| 1305 |
-
1305. Braelia
|
| 1306 |
-
1306. Hanina
|
| 1307 |
-
1307. Rinia
|
| 1308 |
-
1308. Zaivera
|
| 1309 |
-
1309. Flaelia
|
| 1310 |
-
1310. Meria
|
| 1311 |
-
1311. Tholina
|
| 1312 |
-
1312. Clavia
|
| 1313 |
-
1313. Kalora
|
| 1314 |
-
1314. Saelaya
|
| 1315 |
-
1315. Bazia
|
| 1316 |
-
1316. Glaeleve
|
| 1317 |
-
1317. Pifora
|
| 1318 |
-
1318. Waiella
|
| 1319 |
-
1319. Draria
|
| 1320 |
-
1320. Leselia
|
| 1321 |
-
1321. Stelia
|
| 1322 |
-
1322. Brolia
|
| 1323 |
-
1323. Hynia
|
| 1324 |
-
1324. Saunia
|
| 1325 |
-
1325. Norisa
|
| 1326 |
-
1326. Flonia
|
| 1327 |
-
1327. Nairia
|
| 1328 |
-
1328. Trella
|
| 1329 |
-
1329. Cerage
|
| 1330 |
-
1330. Corisa
|
| 1331 |
-
1331. Anelora
|
| 1332 |
-
1332. Binia
|
| 1333 |
-
1333. Goria
|
| 1334 |
-
1334. Preria
|
| 1335 |
-
1335. Yaella
|
| 1336 |
-
1336. Emia
|
| 1337 |
-
1337. Lorina
|
| 1338 |
-
1338. Tavia
|
| 1339 |
-
1339. Charia
|
| 1340 |
-
1340. Jayeria
|
| 1341 |
-
1341. Shiora
|
| 1342 |
-
1342. Zitria
|
| 1343 |
-
1343. Fridia
|
| 1344 |
-
1344. Noiria
|
| 1345 |
-
1345. Vairia
|
| 1346 |
-
1346. Darelia
|
| 1347 |
-
1347. Kraelia
|
| 1348 |
-
1348. Smania
|
| 1349 |
-
1349. Melisenne
|
| 1350 |
-
1350. Gynia
|
| 1351 |
-
1351. Reistia
|
| 1352 |
-
1352. Yomia
|
| 1353 |
-
1353. Feria
|
| 1354 |
-
1354. Maurina
|
| 1355 |
-
1355. Thenia
|
| 1356 |
-
1356. Claeiana
|
| 1357 |
-
1357. Julina
|
| 1358 |
-
1358. Sienia
|
| 1359 |
-
1359. Asea
|
| 1360 |
-
1360. Geria
|
| 1361 |
-
1361. Petria
|
| 1362 |
-
1362. Volina
|
| 1363 |
-
1363. Donia
|
| 1364 |
-
1364. Laenora
|
| 1365 |
-
1365. Stalea
|
| 1366 |
-
1366. Briellina
|
| 1367 |
-
1367. Hilea
|
| 1368 |
-
1368. Saielia
|
| 1369 |
-
1369. Zevia
|
| 1370 |
-
1370. Foria
|
| 1371 |
-
1371. Myrina
|
| 1372 |
-
1372. Traicia
|
| 1373 |
-
1373. Clynira
|
| 1374 |
-
1374. Kilina
|
| 1375 |
-
1375. Avenine
|
| 1376 |
-
1376. Bella
|
| 1377 |
-
1377. Glilea
|
| 1378 |
-
1378. Prania
|
| 1379 |
-
1379. Wevira
|
| 1380 |
-
1380. Dynira
|
| 1381 |
-
1381. Liekora
|
| 1382 |
-
1382. Talara
|
| 1383 |
-
1383. Chania
|
| 1384 |
-
1384. Jaimia
|
| 1385 |
-
1385. Shairia
|
| 1386 |
-
1386. Nerisa
|
| 1387 |
-
1387. Fravia
|
| 1388 |
-
1388. Nicora
|
| 1389 |
-
1389. Unia
|
| 1390 |
-
1390. Daemia
|
| 1391 |
-
1391. Aerinia
|
| 1392 |
-
1392. Selirie
|
| 1393 |
-
1393. Maelisine
|
| 1394 |
-
1394. Gretia
|
| 1395 |
-
1395. Ramia
|
| 1396 |
-
1396. Yeria
|
| 1397 |
-
1397. Faria
|
| 1398 |
-
1398. Malara
|
| 1399 |
-
1399. Thanira
|
| 1400 |
-
1400. Chonia
|
| 1401 |
-
1401. Jorina
|
| 1402 |
-
1402. Shiria
|
| 1403 |
-
1403. Ainia
|
| 1404 |
-
1404. Garia
|
| 1405 |
-
1405. Pairora
|
| 1406 |
-
1406. Vikia
|
| 1407 |
-
1407. Devia
|
| 1408 |
-
1408. Kriskia
|
| 1409 |
-
1409. Soli
|
| 1410 |
-
1410. Brachia
|
| 1411 |
-
1411. Heieria
|
| 1412 |
-
1412. Ronia
|
| 1413 |
-
1413. Zavbea
|
| 1414 |
-
1414. Flaria
|
| 1415 |
-
1415. Morina
|
| 1416 |
-
1416. Tinia
|
| 1417 |
-
1417. Clegora
|
| 1418 |
-
1418. Kaylea
|
| 1419 |
-
1419. Alisaya
|
| 1420 |
-
1420. Bania
|
| 1421 |
-
1421. Glanira
|
| 1422 |
-
1422. Polia
|
| 1423 |
-
1423. Wavia
|
| 1424 |
-
1424. Dreria
|
| 1425 |
-
1425. Lerora
|
| 1426 |
-
1426. Stiria
|
| 1427 |
-
1427. Caitaria
|
| 1428 |
-
1428. Ivira
|
| 1429 |
-
1429. Senora
|
| 1430 |
-
1430. Helisa
|
| 1431 |
-
1431. Forina
|
| 1432 |
-
1432. Naybria
|
| 1433 |
-
1433. Trilia
|
| 1434 |
-
1434. Crevia
|
| 1435 |
-
1435. Calecie
|
| 1436 |
-
1436. Selegie
|
| 1437 |
-
1437. Byalia
|
| 1438 |
-
1438. Grarea
|
| 1439 |
-
1439. Prynia
|
| 1440 |
-
1440. Yaria
|
| 1441 |
-
1441. Fachia
|
| 1442 |
-
1442. Lunira
|
| 1443 |
-
1443. Teria
|
| 1444 |
-
1444. Cheria
|
| 1445 |
-
1445. Jenia
|
| 1446 |
-
1446. Shenia
|
| 1447 |
-
1447. Zonira
|
| 1448 |
-
1448. Gashia
|
| 1449 |
-
1449. Olia
|
| 1450 |
-
1450. Veeria
|
| 1451 |
-
1451. Deibria
|
| 1452 |
-
1452. Coraneve
|
| 1453 |
-
1453. Smelea
|
| 1454 |
-
1454. Braellina
|
| 1455 |
-
1455. Halea
|
| 1456 |
-
1456. Rilia
|
| 1457 |
-
1457. Saese
|
| 1458 |
-
1458. Firia
|
| 1459 |
-
1459. Menira
|
| 1460 |
-
1460. Thiria
|
| 1461 |
-
1461. Claudia
|
| 1462 |
-
1462. Kairia
|
| 1463 |
-
1463. Lorisena
|
| 1464 |
-
1464. Aynora
|
| 1465 |
-
1465. Glaria
|
| 1466 |
-
1466. Petia
|
| 1467 |
-
1467. Waella
|
| 1468 |
-
1468. Daraele
|
| 1469 |
-
1469. Layora
|
| 1470 |
-
1470. Steibria
|
| 1471 |
-
1471. Brinia
|
| 1472 |
-
1472. Horina
|
| 1473 |
-
1473. Saria
|
| 1474 |
-
1474. Felisa
|
| 1475 |
-
1475. Floaria
|
| 1476 |
-
1476. Naimora
|
| 1477 |
-
1477. Traella
|
| 1478 |
-
1478. Crarina
|
| 1479 |
-
1479. Calaore
|
| 1480 |
-
1480. Loriseva
|
| 1481 |
-
1481. Bilora
|
| 1482 |
-
1482. Gonira
|
| 1483 |
-
1483. Prenia
|
| 1484 |
-
1484. Yavera
|
| 1485 |
-
1485. Elira
|
| 1486 |
-
1486. Lizia
|
| 1487 |
-
1487. Tarina
|
| 1488 |
-
1488. Chaneia
|
| 1489 |
-
1489. Javia
|
| 1490 |
-
1490. Shaynia
|
| 1491 |
-
1491. Sinara
|
| 1492 |
-
1492. Frevia
|
| 1493 |
-
1493. Norysa
|
| 1494 |
-
1494. Valaora
|
| 1495 |
-
1495. Danira
|
| 1496 |
-
1496. Koria
|
| 1497 |
-
1497. Smalia
|
| 1498 |
-
1498. Mirelenne
|
| 1499 |
-
1499. Gwenia
|
| 1500 |
-
1500. Rebia
|
| 1501 |
-
1501. Ynbea
|
| 1502 |
-
1502. Fensea
|
| 1503 |
-
1503. Maudia
|
| 1504 |
-
1504. Thelea
|
| 1505 |
-
1505. Clagora
|
| 1506 |
-
1506. Judira
|
| 1507 |
-
1507. Sizora
|
| 1508 |
-
1508. Aria
|
| 1509 |
-
1509. Genia
|
| 1510 |
-
1510. Paese
|
| 1511 |
-
1511. Vora
|
| 1512 |
-
1512. Dolia
|
| 1513 |
-
1513. Lapora
|
| 1514 |
-
1514. Staivia
|
| 1515 |
-
1515. Breria
|
| 1516 |
-
1516. Hieria
|
| 1517 |
-
1517. Saeora
|
| 1518 |
-
1518. Zerina
|
| 1519 |
-
1519. Fleria
|
| 1520 |
-
1520. Muria
|
| 1521 |
-
1521. Traesia
|
| 1522 |
-
1522. Cloria
|
| 1523 |
-
1523. Kielia
|
| 1524 |
-
1524. Selige
|
| 1525 |
-
1525. Beiella
|
| 1526 |
-
1526. Glizea
|
| 1527 |
-
1527. Pralea
|
| 1528 |
-
1528. Weria
|
| 1529 |
-
1529. Drynia
|
| 1530 |
-
1530. Lienira
|
| 1531 |
-
1531. Taifia
|
| 1532 |
-
1532. Ceria
|
| 1533 |
-
1533. Jarena
|
| 1534 |
-
1534. Shalena
|
| 1535 |
-
1535. Sinelle
|
| 1536 |
-
1536. Frarina
|
| 1537 |
-
1537. Nitria
|
| 1538 |
-
1538. Ulia
|
| 1539 |
-
1539. Dabria
|
| 1540 |
-
1540. Calenna
|
| 1541 |
-
1541. Selina
|
| 1542 |
-
1542. Elorena
|
| 1543 |
-
1543. Greria
|
| 1544 |
-
1544. Ralia
|
| 1545 |
-
1545. Yenia
|
| 1546 |
-
1546. Fania
|
| 1547 |
-
1547. Maimia
|
| 1548 |
-
1548. Thalina
|
| 1549 |
-
1549. Cholina
|
| 1550 |
-
1550. Jiria
|
| 1551 |
-
1551. Shinira
|
| 1552 |
-
1552. Ailora
|
| 1553 |
-
1553. Gania
|
| 1554 |
-
1554. Palenne
|
| 1555 |
-
1555. Vierina
|
| 1556 |
-
1556. Desia
|
| 1557 |
-
1557. Krekora
|
| 1558 |
-
1558. Smira
|
| 1559 |
-
1559. Brania
|
| 1560 |
-
1560. Hedia
|
| 1561 |
-
1561. Romia
|
| 1562 |
-
1562. Zanira
|
| 1563 |
-
1563. Flalia
|
| 1564 |
-
1564. Meravie
|
| 1565 |
-
1565. Tilea
|
| 1566 |
-
1566. Clerina
|
| 1567 |
-
1567. Kaychia
|
| 1568 |
-
1568. Avenna
|
| 1569 |
-
1569. Balora
|
| 1570 |
-
1570. Glavia
|
| 1571 |
-
1571. Piria
|
| 1572 |
-
1572. Waria
|
| 1573 |
-
1573. Drenia
|
| 1574 |
-
1574. Lenia
|
| 1575 |
-
1575. Stinira
|
| 1576 |
-
1576. Brynira
|
| 1577 |
-
1577. Isia
|
| 1578 |
-
1578. Selea
|
| 1579 |
-
1579. Serelle
|
| 1580 |
-
1580. Fonia
|
| 1581 |
-
1581. Navora
|
| 1582 |
-
1582. Triella
|
| 1583 |
-
1583. Creria
|
| 1584 |
-
1584. Celeneva
|
| 1585 |
-
1585. Larisia
|
| 1586 |
-
1586. Belaerie
|
| 1587 |
-
1587. Garalie
|
| 1588 |
-
1588. Varenine
|
| 1589 |
-
1589. Yanbea
|
| 1590 |
-
1590. Evsea
|
| 1591 |
-
1591. Ludia
|
| 1592 |
-
1592. Tenia
|
| 1593 |
-
1593. Chenora
|
| 1594 |
-
1594. Jelea
|
| 1595 |
-
1595. Shelora
|
| 1596 |
-
1596. Zolia
|
| 1597 |
-
1597. Fynia
|
| 1598 |
-
1598. Nurina
|
| 1599 |
-
1599. Vella
|
| 1600 |
-
1600. Dearia
|
| 1601 |
-
1601. Coralie
|
| 1602 |
-
1602. Smeivia
|
| 1603 |
-
1603. Boraria
|
| 1604 |
-
1604. Hairia
|
| 1605 |
-
1605. Riora
|
| 1606 |
-
1606. Zatria
|
| 1607 |
-
1607. Finia
|
| 1608 |
-
1608. Melira
|
| 1609 |
-
1609. Thinia
|
| 1610 |
-
1610. Clariana
|
| 1611 |
-
1611. Kerela
|
| 1612 |
-
1612. Siria
|
| 1613 |
-
1613. Ayella
|
| 1614 |
-
1614. Giria
|
| 1615 |
-
1615. Peria
|
| 1616 |
-
1616. Wamia
|
| 1617 |
-
1617. Daralie
|
| 1618 |
-
1618. Lavia
|
| 1619 |
-
1619. Stefia
|
| 1620 |
-
1620. Breisa
|
| 1621 |
-
1621. Honia
|
| 1622 |
-
1622. Sania
|
| 1623 |
-
1623. Saerale
|
| 1624 |
-
1624. Fliria
|
| 1625 |
-
1625. Nalara
|
| 1626 |
-
1626. Traudia
|
| 1627 |
-
1627. Crania
|
| 1628 |
-
1628. Calaelie
|
| 1629 |
-
1629. Selaisa
|
| 1630 |
-
1630. Biellina
|
| 1631 |
-
1631. Golea
|
| 1632 |
-
1632. Prelina
|
| 1633 |
-
1633. Verenine
|
| 1634 |
-
1634. Eiria
|
| 1635 |
-
1635. Livmia
|
| 1636 |
-
1636. Tanira
|
| 1637 |
-
1637. Chalina
|
| 1638 |
-
1638. Jasia
|
| 1639 |
-
1639. Shavira
|
| 1640 |
-
1640. Irela
|
| 1641 |
-
1641. Frearia
|
| 1642 |
-
1642. Niria
|
| 1643 |
-
1643. Vaidira
|
| 1644 |
-
1644. Dalora
|
| 1645 |
-
1645. Konora
|
| 1646 |
-
1646. Smaibria
|
| 1647 |
-
1647. Brinelaya
|
| 1648 |
-
1648. Giselara
|
| 1649 |
-
1649. Relia
|
| 1650 |
-
1650. Yiria
|
| 1651 |
-
1651. Felea
|
| 1652 |
-
1652. Matora
|
| 1653 |
-
1653. Theia
|
| 1654 |
-
1654. Cirina
|
| 1655 |
-
1655. Josea
|
| 1656 |
-
1656. Shynia
|
| 1657 |
-
1657. Anora
|
| 1658 |
-
1658. Gelia
|
| 1659 |
-
1659. Pavia
|
| 1660 |
-
1660. Vivelle
|
| 1661 |
-
1661. Doinia
|
| 1662 |
-
1662. Kynia
|
| 1663 |
-
1663. Staelia
|
| 1664 |
-
1664. Brekia
|
| 1665 |
-
1665. Hevia
|
| 1666 |
-
1666. Sanella
|
| 1667 |
-
1667. Zenira
|
| 1668 |
-
1668. Flenira
|
| 1669 |
-
1669. Muirora
|
| 1670 |
-
1670. Traklia
|
| 1671 |
-
1671. Clonia
|
| 1672 |
-
1672. Keria
|
| 1673 |
-
1673. Lumenelle
|
| 1674 |
-
1674. Beatia
|
| 1675 |
-
1675. Gleria
|
| 1676 |
-
1676. Praidia
|
| 1677 |
-
1677. Wenbea
|
| 1678 |
-
1678. Dorella
|
| 1679 |
-
1679. Lidira
|
| 1680 |
-
1680. Taella
|
| 1681 |
-
1681. Cenora
|
| 1682 |
-
1682. Jaiglea
|
| 1683 |
-
1683. Shaizora
|
| 1684 |
-
1684. Alenia
|
| 1685 |
-
1685. Frania
|
| 1686 |
-
1686. Nevia
|
| 1687 |
-
1687. Tynia
|
| 1688 |
-
1688. Cynia
|
| 1689 |
-
1689. Calepie
|
| 1690 |
-
1690. Selinia
|
| 1691 |
-
1691. Melisara
|
| 1692 |
-
1692. Greneria
|
| 1693 |
-
1693. Raela
|
| 1694 |
-
1694. Yelea
|
| 1695 |
-
1695. Falea
|
| 1696 |
-
1696. Maevia
|
| 1697 |
-
1697. Thairia
|
| 1698 |
-
1698. Chiria
|
| 1699 |
-
1699. Jinia
|
| 1700 |
-
1700. Shilia
|
| 1701 |
-
1701. Aiella
|
| 1702 |
-
1702. Galea
|
| 1703 |
-
1703. Paistia
|
| 1704 |
-
1704. Vimia
|
| 1705 |
-
1705. Deria
|
| 1706 |
-
1706. Krerina
|
| 1707 |
-
1707. Sminia
|
| 1708 |
-
1708. Braria
|
| 1709 |
-
1709. Hevera
|
| 1710 |
-
1710. Rolia
|
| 1711 |
-
1711. Zanina
|
| 1712 |
-
1712. Flalina
|
| 1713 |
-
1713. Minia
|
| 1714 |
-
1714. Tidia
|
| 1715 |
-
1715. Clenia
|
| 1716 |
-
1716. Kavora
|
| 1717 |
-
1717. Edrisia
|
| 1718 |
-
1718. Bairia
|
| 1719 |
-
1719. Glarea
|
| 1720 |
-
1720. Pinia
|
| 1721 |
-
1721. Wania
|
| 1722 |
-
1722. Drelia
|
| 1723 |
-
1723. Lelore
|
| 1724 |
-
1724. Stisia
|
| 1725 |
-
1725. Brunia
|
| 1726 |
-
1726. Iria
|
| 1727 |
-
1727. Seipria
|
| 1728 |
-
1728. Zesella
|
| 1729 |
-
1729. Folea
|
| 1730 |
-
1730. Natia
|
| 1731 |
-
1731. Trevira
|
| 1732 |
-
1732. Crenora
|
| 1733 |
-
1733. Calakie
|
| 1734 |
-
1734. Selaora
|
| 1735 |
-
1735. Belena
|
| 1736 |
-
1736. Gralia
|
| 1737 |
-
1737. Prilia
|
| 1738 |
-
1738. Yairia
|
| 1739 |
-
1739. Etia
|
| 1740 |
-
1740. Lucora
|
| 1741 |
-
1741. Telea
|
| 1742 |
-
1742. Chemia
|
| 1743 |
-
1743. Jecehie
|
| 1744 |
-
1744. Sheilea
|
| 1745 |
-
1745. Sorala
|
| 1746 |
-
1746. Frynia
|
| 1747 |
-
1747. Nouria
|
| 1748 |
-
1748. Vayvera
|
| 1749 |
-
1749. Deania
|
| 1750 |
-
1750. Krania
|
| 1751 |
-
1751. Smelina
|
| 1752 |
-
1752. Bonia
|
| 1753 |
-
1753. Hailora
|
| 1754 |
-
1754. Revnella
|
| 1755 |
-
1755. Ineora
|
| 1756 |
-
1756. Filea
|
| 1757 |
-
1757. Meifora
|
| 1758 |
-
1758. Thilia
|
| 1759 |
-
1759. Clania
|
| 1760 |
-
1760. Kaisia
|
| 1761 |
-
1761. Sinia
|
| 1762 |
-
1762. Avia
|
| 1763 |
-
1763. Ginia
|
| 1764 |
-
1764. Penia
|
| 1765 |
-
1765. Vytbea
|
| 1766 |
-
1766. Draisea
|
| 1767 |
-
1767. Lauria
|
| 1768 |
-
1768. Staella
|
| 1769 |
-
1769. Brinora
|
| 1770 |
-
1770. Holea
|
| 1771 |
-
1771. Samora
|
| 1772 |
-
1772. Selenia
|
| 1773 |
-
1773. Flinia
|
| 1774 |
-
1774. Naesane
|
| 1775 |
-
1775. Terade
|
| 1776 |
-
1776. Cralia
|
| 1777 |
-
1777. Calape
|
| 1778 |
-
1778. Selavale
|
| 1779 |
-
1779. Bevaria
|
| 1780 |
-
1780. Glorelia
|
| 1781 |
-
1781. Preshira
|
| 1782 |
-
1782. Wirina
|
| 1783 |
-
1783. Eimia
|
| 1784 |
-
1784. Lisia
|
| 1785 |
-
1785. Tamia
|
| 1786 |
-
1786. Chairia
|
| 1787 |
-
1787. Jaria
|
| 1788 |
-
1788. Shaunia
|
| 1789 |
-
1789. Sonara
|
| 1790 |
-
1790. Frenia
|
| 1791 |
-
1791. Nenora
|
| 1792 |
-
1792. Vaimia
|
| 1793 |
-
1793. Dairia
|
| 1794 |
-
1794. Kolora
|
| 1795 |
-
1795. Smaefia
|
| 1796 |
-
1796. Ilenia
|
| 1797 |
-
1797. Grinia
|
| 1798 |
-
1798. Rayria
|
| 1799 |
-
1799. Yinira
|
| 1800 |
-
1800. Feishia
|
| 1801 |
-
1801. Mareva
|
| 1802 |
-
1802. Thedia
|
| 1803 |
-
1803. Cinia
|
| 1804 |
-
1804. Jorelle
|
| 1805 |
-
1805. Shoria
|
| 1806 |
-
1806. Amia
|
| 1807 |
-
1807. Geigia
|
| 1808 |
-
1808. Patia
|
| 1809 |
-
1809. Vitia
|
| 1810 |
-
1810. Diria
|
| 1811 |
-
1811. Krisea
|
| 1812 |
-
1812. Stachia
|
| 1813 |
-
1813. Brenira
|
| 1814 |
-
1814. Heria
|
| 1815 |
-
1815. Rynira
|
| 1816 |
-
1816. Zelora
|
| 1817 |
-
1817. Flearia
|
| 1818 |
-
1818. Moria
|
| 1819 |
-
1819. Torina
|
| 1820 |
-
1820. Clirina
|
| 1821 |
-
1821. Kenora
|
| 1822 |
-
1822. Anselena
|
| 1823 |
-
1823. Beniana
|
| 1824 |
-
1824. Glerea
|
| 1825 |
-
1825. Praelia
|
| 1826 |
-
1826. Welia
|
| 1827 |
-
1827. Drinia
|
| 1828 |
-
1828. Livora
|
| 1829 |
-
1829. Taelina
|
| 1830 |
-
1830. Celaisa
|
| 1831 |
-
1831. Jaella
|
| 1832 |
-
1832. Shaella
|
| 1833 |
-
1833. Sedina
|
| 1834 |
-
1834. Fralia
|
| 1835 |
-
1835. Neria
|
| 1836 |
-
1836. Tudia
|
| 1837 |
-
1837. Cadelenne
|
| 1838 |
-
1838. Alenela
|
| 1839 |
-
1839. Seliale
|
| 1840 |
-
1840. Elarine
|
| 1841 |
-
1841. Grelora
|
| 1842 |
-
1842. Raenella
|
| 1843 |
-
1843. Yeiria
|
| 1844 |
-
1844. Fairina
|
| 1845 |
-
1845. Maefora
|
| 1846 |
-
1846. Thalara
|
| 1847 |
-
1847. Chinia
|
| 1848 |
-
1848. Jilia
|
| 1849 |
-
1849. Shielia
|
| 1850 |
-
1850. Aechia
|
| 1851 |
-
1851. Gairia
|
| 1852 |
-
1852. Paedia
|
| 1853 |
-
1853. Veria
|
| 1854 |
-
1854. Densea
|
| 1855 |
-
1855. Krenia
|
| 1856 |
-
1856. Smilea
|
| 1857 |
-
1857. Branale
|
| 1858 |
-
1858. Hayglea
|
| 1859 |
-
1859. Rora
|
| 1860 |
-
1860. Zalia
|
| 1861 |
-
1861. Flairia
|
| 1862 |
-
1862. Milia
|
| 1863 |
-
1863. Thynira
|
| 1864 |
-
1864. Clelina
|
| 1865 |
-
1865. Katora
|
| 1866 |
-
1866. Serenela
|
| 1867 |
-
1867. Bailora
|
| 1868 |
-
1868. Glaeria
|
| 1869 |
-
1869. Pilora
|
| 1870 |
-
1870. Walea
|
| 1871 |
-
1871. Dredia
|
| 1872 |
-
1872. Leiana
|
| 1873 |
-
1873. Stiselia
|
| 1874 |
-
1874. Brunira
|
| 1875 |
-
1875. Inia
|
| 1876 |
-
1876. Segia
|
| 1877 |
-
1877. Saeline
|
| 1878 |
-
1878. Fozea
|
| 1879 |
-
1879. Naria
|
| 1880 |
-
1880. Treria
|
| 1881 |
-
1881. Crelora
|
| 1882 |
-
1882. Caladie
|
| 1883 |
-
1883. Selafe
|
| 1884 |
-
1884. Belisa
|
| 1885 |
-
1885. Graivia
|
| 1886 |
-
1886. Prilina
|
| 1887 |
-
1887. Edrisina
|
| 1888 |
-
1888. Eselia
|
| 1889 |
-
1889. Lovia
|
| 1890 |
-
1890. Teidia
|
| 1891 |
-
1891. Chebria
|
| 1892 |
-
1892. Jeanora
|
| 1893 |
-
1893. Sheidria
|
| 1894 |
-
1894. Ziria
|
| 1895 |
-
1895. Freisa
|
| 1896 |
-
1896. Noriaa
|
| 1897 |
-
1897. Varia
|
| 1898 |
-
1898. Destia
|
| 1899 |
-
1899. Kralea
|
| 1900 |
-
1900. Smaycia
|
| 1901 |
-
1901. Bolia
|
| 1902 |
-
1902. Haifia
|
| 1903 |
-
1903. Renia
|
| 1904 |
-
1904. Iorenne
|
| 1905 |
-
1905. Fiearia
|
| 1906 |
-
1906. Megria
|
| 1907 |
-
1907. Thisehe
|
| 1908 |
-
1908. Clalora
|
| 1909 |
-
1909. Kaekora
|
| 1910 |
-
1910. Simia
|
| 1911 |
-
1911. Auria
|
| 1912 |
-
1912. Gilia
|
| 1913 |
-
1913. Pelia
|
| 1914 |
-
1914. Vynia
|
| 1915 |
-
1915. Draella
|
| 1916 |
-
1916. Larora
|
| 1917 |
-
1917. Stavia
|
| 1918 |
-
1918. Brimia
|
| 1919 |
-
1919. Hochia
|
| 1920 |
-
1920. Salea
|
| 1921 |
-
1921. Ardena
|
| 1922 |
-
1922. Flina
|
| 1923 |
-
1923. Naeria
|
| 1924 |
-
1924. Traria
|
| 1925 |
-
1925. Craelia
|
| 1926 |
-
1926. Kiria
|
| 1927 |
-
1927. Serisora
|
| 1928 |
-
1928. Betia
|
| 1929 |
-
1929. Glora
|
| 1930 |
-
1930. Praynia
|
| 1931 |
-
1931. Winia
|
| 1932 |
-
1932. Eilea
|
| 1933 |
-
1933. Lirora
|
| 1934 |
-
1934. Talina
|
| 1935 |
-
1935. Chalena
|
| 1936 |
-
1936. Jania
|
| 1937 |
-
1937. Sharia
|
| 1938 |
-
1938. Soline
|
| 1939 |
-
1939. Freria
|
| 1940 |
-
1940. Nilia
|
| 1941 |
-
1941. Vaebea
|
| 1942 |
-
1942. Dainia
|
| 1943 |
-
1943. Cerena
|
| 1944 |
-
1944. Smaelia
|
| 1945 |
-
1945. Belige
|
| 1946 |
-
1946. Grilea
|
| 1947 |
-
1947. Ravelle
|
| 1948 |
-
1948. Yilia
|
| 1949 |
-
1949. Fenia
|
| 1950 |
-
1950. Mania
|
| 1951 |
-
1951. Thaella
|
| 1952 |
-
1952. Cilia
|
| 1953 |
-
1953. Jonora
|
| 1954 |
-
1954. Shonia
|
| 1955 |
-
1955. Alora
|
| 1956 |
-
1956. Gilenia
|
| 1957 |
-
1957. Parora
|
| 1958 |
-
1958. Viria
|
| 1959 |
-
1959. Dinia
|
| 1960 |
-
1960. Carisora
|
| 1961 |
-
1961. Sorelia
|
| 1962 |
-
1962. Brelia
|
| 1963 |
-
1963. Henia
|
| 1964 |
-
1964. Rutia
|
| 1965 |
-
1965. Zeiella
|
| 1966 |
-
1966. Flezea
|
| 1967 |
-
1967. Monia
|
| 1968 |
-
1968. Tonira
|
| 1969 |
-
1969. Clinora
|
| 1970 |
-
1970. Kelora
|
| 1971 |
-
1971. Saelia
|
| 1972 |
-
1972. Bayiana
|
| 1973 |
-
1973. Glenia
|
| 1974 |
-
1974. Praria
|
| 1975 |
-
1975. Weieria
|
| 1976 |
-
1976. Drilia
|
| 1977 |
-
1977. Levia
|
| 1978 |
-
1978. Synia
|
| 1979 |
-
1979. Casea
|
| 1980 |
-
1980. Jadora
|
| 1981 |
-
1981. Shadria
|
| 1982 |
-
1982. Sevara
|
| 1983 |
-
1983. Fraigia
|
| 1984 |
-
1984. Nelira
|
| 1985 |
-
1985. Trynia
|
| 1986 |
-
1986. Crinia
|
| 1987 |
-
1987. Calerane
|
| 1988 |
-
1988. Alenara
|
| 1989 |
-
1989. Malenine
|
| 1990 |
-
1990. Grefia
|
| 1991 |
-
1991. Radia
|
| 1992 |
-
1992. Yesora
|
| 1993 |
-
1993. Falenne
|
| 1994 |
-
1994. Madia
|
| 1995 |
-
1995. Thaiella
|
| 1996 |
-
1996. Chilora
|
| 1997 |
-
1997. Jikora
|
| 1998 |
-
1998. Shibria
|
| 1999 |
-
1999. Adeni
|
| 2000 |
-
2000. Gisela
|
|
|
|
|
|
|
|
|
| 1 |
+
0001. Adali, GPT_BAM_START###gender=2###age=29###identity=stair_mechanic###eyecolor=grey###hairstyle=ash_brown_hair, bob_cut###aesthetic.1=slight_build###aesthetic.2=industrial_worker###skin.1=pale_skin###expression.1=neutral_face###expression.2=serious###equip.topwear=oil_streaked_work_jacket, dark_canvas###equip.crotch=reinforced_work_pants###equip.foot=thick_work_boots###GPT_BAM_END
|
| 2 |
+
0002. Melahan, GPT_BAM_START###gender=2###age=35###identity=retreat_cultist###eyecolor=black_brown###hairstyle=pale_blond_hair, low_knot###aesthetic.1=slight_build###aesthetic.2=ritual_worker###skin.1=ashen_skin###expression.1=calm###expression.2=composed###equip.one_piece=dark_layered_robes, torn_hem###equip.topwear=stained_shawl, dark_cloth###equip.foot=soft_boots###GPT_BAM_END
|
| 3 |
+
0003. Patria, GPT_BAM_START###gender=2###age=22###identity=clinic_laborer###eyecolor=black_brown###hairstyle=honey_brown_hair, low_braid###aesthetic.1=muscular_build###aesthetic.2=clinic_worker###skin.1=light_brown_skin###expression.1=calm###expression.2=serious###equip.topwear=washed_clinic_smock###equip.crotch=dark_leggings###equip.foot=flat_shoes###GPT_BAM_END
|
| 4 |
+
0004. Telsin, GPT_BAM_START###gender=2###age=34###identity=door_inspector###eyecolor=grey###hairstyle=copper_hair, bob_cut###aesthetic.1=average_build###aesthetic.2=inspector###skin.1=bronze_tan_skin###expression.1=focused###expression.2=serious###equip.topwear=inspection_jacket, notebook_pocket###equip.foot=heavy_work_shoes###GPT_BAM_END
|
| 5 |
+
0005. Shallan, GPT_BAM_START###gender=2###age=20###identity=speech_coach###eyecolor=black_brown###hairstyle=pale_blond_hair, half_up, tucked_hair###aesthetic.1=wiry_build###aesthetic.2=performance_worker###skin.1=copper_tan_skin###expression.1=composed###expression.2=slight_smile###equip.topwear=close_cut_jacket###equip.crotch=graceful_trousers###GPT_BAM_END
|
| 6 |
+
0006. Jasnah, GPT_BAM_START###gender=2###age=26###identity=wash_cultist###eyecolor=grey###hairstyle=blue_black_hair, tight_braid###aesthetic.1=strong_build###aesthetic.2=ritual_worker###skin.1=ashen_skin###expression.1=stern###expression.2=focused###equip.one_piece=dark_layered_robes, torn_hem###equip.topwear=stained_shawl, dark_cloth###equip.foot=soft_boots###GPT_BAM_END
|
| 7 |
+
0007. Navani, GPT_BAM_START###gender=2###age=28###identity=chapel_cleric###eyecolor=copper_brown###hairstyle=silver_dyed_hair, loose_ponytail###aesthetic.1=slight_build###aesthetic.2=chapel_worker###skin.1=fair_skin###expression.1=calm###expression.2=focused###equip.one_piece=clerical_dress, faded_trim###equip.topwear=practical_apron###equip.foot=work_boots###GPT_BAM_END
|
| 8 |
+
0008. Bralia, GPT_BAM_START###gender=2###age=22###identity=care_worker###eyecolor=green###hairstyle=silver_dyed_hair, bob_cut###aesthetic.1=solid_build###aesthetic.2=care_worker###skin.1=ashen_skin###expression.1=calm###expression.2=serious###equip.topwear=care_coat###equip.crotch=dark_pants###equip.foot=quiet_shoes###GPT_BAM_END
|
| 9 |
+
0009. Havaria, GPT_BAM_START###gender=2###age=28###identity=maintenance_laborer###eyecolor=dark_brown###hairstyle=charcoal_hair, bob_cut###aesthetic.1=average_build###aesthetic.2=maintenance_worker###skin.1=light_brown_skin###expression.1=composed###expression.2=slight_smile###equip.topwear=maintenance_smock###equip.crotch=old_trousers###equip.foot=work_boots###GPT_BAM_END
|
| 10 |
+
0010. Ritalia, GPT_BAM_START###gender=2###age=31###identity=office_clerk###eyecolor=slate_grey###hairstyle=black_hair, side_braid###aesthetic.1=average_build###aesthetic.2=office_worker###skin.1=soft_brown_skin###expression.1=composed###expression.2=serious###equip.topwear=secondhand_office_coat###equip.handwear=gloved_hand, clean_gloves, light_leather###equip.foot=polished_old_shoes###GPT_BAM_END
|
| 11 |
+
0011. Elvania, GPT_BAM_START###gender=2###age=29###identity=mountain_priestess###eyecolor=dark_brown###hairstyle=soot_black_hair, low_knot###aesthetic.1=slight_build###aesthetic.2=temple_worker###skin.1=copper_tan_skin###expression.1=focused###expression.2=soft_smile###equip.one_piece=layered_temple_robes###equip.topwear=cloud_grey_shawl###equip.foot=light_boots###GPT_BAM_END
|
| 12 |
+
0012. Lisdera, GPT_BAM_START###gender=2###age=35###identity=seal_inspector###eyecolor=moss_green###hairstyle=soot_black_hair, half_up###aesthetic.1=average_build###aesthetic.2=industrial_worker###skin.1=soft_brown_skin###expression.1=focused###expression.2=serious###equip.topwear=stiff_work_coat###equip.handwear=gloved_hand, reinforced_work_gloves, dark_leather###equip.foot=dark_boots###GPT_BAM_END
|
| 13 |
+
0013. Mina, GPT_BAM_START###gender=2###age=18###identity=cell_cultist###eyecolor=black_brown###hairstyle=pale_blond_hair, loose_braid###aesthetic.1=slight_build###aesthetic.2=ritual_worker###skin.1=fair_skin###expression.1=soft_smile###expression.2=guarded###equip.one_piece=dark_layered_robes, torn_hem###equip.topwear=stained_shawl, dark_cloth###equip.foot=soft_boots###GPT_BAM_END
|
| 14 |
+
0014. Lift, GPT_BAM_START###gender=2###age=31###identity=movement_coach###eyecolor=green###hairstyle=auburn_hair, tight_braid###aesthetic.1=muscular_build###aesthetic.2=athletic_coach###skin.1=copper_tan_skin###expression.1=focused###expression.2=confident###equip.topwear=performance_coat###equip.handwear=gloved_hand, training_gloves, light_leather###equip.foot=light_boots###GPT_BAM_END
|
| 15 |
+
0015. Clesha, GPT_BAM_START###gender=2###age=26###identity=runner_courier###eyecolor=blue_grey###hairstyle=black_hair, short_hair###aesthetic.1=strong_build###aesthetic.2=courier###skin.1=ashen_skin###expression.1=focused###expression.2=confident###equip.topwear=weatherproof_runner_coat###equip.crotch=narrow_pants###equip.foot=flexible_shoes###GPT_BAM_END
|
| 16 |
+
0016. Eshonai, GPT_BAM_START###gender=2###age=36###identity=retreat_cultist###eyecolor=slate_grey###hairstyle=pale_blond_hair, low_braid###aesthetic.1=wiry_build###aesthetic.2=ritual_worker###skin.1=weathered_tan_skin###expression.1=composed###expression.2=slight_smile###equip.headwear=ragged_head_veil, dark_cloth###equip.one_piece=worn_layered_robes###GPT_BAM_END
|
| 17 |
+
0017. Skailie, GPT_BAM_START###gender=2###age=37###identity=runner_courier###eyecolor=slate_grey###hairstyle=blue_black_hair, tucked_hair###aesthetic.1=lean_build###aesthetic.2=courier###skin.1=light_brown_skin###expression.1=calm###expression.2=neutral_face###equip.headwear=practical_headwrap, dark_cloth###equip.topwear=weatherproof_runner_coat###equip.crotch=narrow_pants###equip.foot=flexible_shoes###GPT_BAM_END
|
| 18 |
+
0018. Glaive, GPT_BAM_START###gender=2###age=24###identity=industrial_mechanic###eyecolor=dark_brown###hairstyle=chestnut_hair, low_braid###aesthetic.1=strong_build###aesthetic.2=industrial_worker###skin.1=bronze_tan_skin###expression.1=stern###expression.2=serious###equip.topwear=tar_marked_work_coat###equip.crotch=dark_trousers###equip.foot=heavy_work_boots###GPT_BAM_END
|
| 19 |
+
0019. Venli, GPT_BAM_START###gender=2###age=25###identity=retreat_cultist###eyecolor=smoke_blue###hairstyle=honey_brown_hair, sharp_bob###aesthetic.1=lean_build###aesthetic.2=ritual_worker###skin.1=warm_brown_skin###expression.1=tired###expression.2=focused###equip.one_piece=frayed_layered_cloth, dark_cloth###equip.topwear=dark_weather_cape###equip.necklace=bead_cords###GPT_BAM_END
|
| 20 |
+
0020. Vivenna, GPT_BAM_START###gender=2###age=23###identity=paperwork_clerk###eyecolor=black_brown###hairstyle=pale_blond_hair, bob_cut###aesthetic.1=average_build###aesthetic.2=office_worker###skin.1=warm_brown_skin###expression.1=calm###expression.2=composed###equip.topwear=narrow_office_coat###equip.crotch=dark_slacks###equip.necklace=clean_scarf###GPT_BAM_END
|
| 21 |
+
0021. Sarene, GPT_BAM_START###gender=2###age=39###identity=kitchen_worker###eyecolor=green###hairstyle=ash_brown_hair, low_braid###aesthetic.1=average_build###aesthetic.2=cook###skin.1=weathered_tan_skin###expression.1=calm###expression.2=soft_smile###equip.topwear=grease_spotted_kitchen_coat###GPT_BAM_END
|
| 22 |
+
0022. Tress, GPT_BAM_START###gender=2###age=37###identity=medical_courier###eyecolor=blue_grey###hairstyle=honey_brown_hair, tight_braid###aesthetic.1=muscular_build###aesthetic.2=courier_harness###skin.1=copper_tan_skin###expression.1=focused###expression.2=confident###equip.topwear=cropped_jacket###equip.foot=light_boots###GPT_BAM_END
|
| 23 |
+
0023. Leenade, GPT_BAM_START###gender=2###age=33###identity=meter_inspector###eyecolor=hazel###hairstyle=blue_black_hair, pinned_back###aesthetic.1=slight_build###aesthetic.2=industrial_worker###skin.1=dusky_skin###expression.1=neutral_face###expression.2=focused###equip.topwear=stiff_work_coat###equip.handwear=gloved_hand, reinforced_work_gloves, dark_leather###equip.foot=dark_boots###GPT_BAM_END
|
| 24 |
+
0024. Stari, GPT_BAM_START###gender=2###age=39###identity=salvage_worker###eyecolor=grey###hairstyle=silver_dyed_hair, short_hair###aesthetic.1=muscular_build###aesthetic.2=scrapyard_worker###skin.1=warm_brown_skin###expression.1=stern###expression.2=serious###equip.topwear=pocket_heavy_vest###equip.crotch=patched_cargo_pants###equip.foot=scuffed_boots###GPT_BAM_END
|
| 25 |
+
0025. Kenna, GPT_BAM_START###gender=2###age=19###identity=maintenance_worker###eyecolor=copper_brown###hairstyle=ash_brown_hair, bob_cut###aesthetic.1=average_build###aesthetic.2=maintenance_worker###skin.1=weathered_tan_skin###expression.1=guarded###expression.2=serious###equip.topwear=maintenance_smock###equip.crotch=old_trousers###equip.foot=work_boots###GPT_BAM_END
|
| 26 |
+
0026. Ildria, GPT_BAM_START###gender=2###age=22###identity=panel_mechanic###eyecolor=amber###hairstyle=auburn_hair, loose_ponytail###aesthetic.1=average_build###aesthetic.2=industrial_worker###skin.1=ashen_skin###expression.1=calm###expression.2=focused###equip.topwear=oil_streaked_work_jacket###equip.crotch=reinforced_work_pants###equip.foot=thick_work_boots###GPT_BAM_END
|
| 27 |
+
0027. Sayla
|
| 28 |
+
0028. Shavia
|
| 29 |
+
0029. Flynia, GPT_BAM_START###gender=2###age=30###identity=mountain_priestess###eyecolor=copper_brown###hairstyle=charcoal_hair, pinned_coil###aesthetic.1=lean_build###aesthetic.2=temple_worker###skin.1=weathered_tan_skin###expression.1=composed###expression.2=focused###equip.one_piece=layered_temple_robes###equip.topwear=cloud_grey_shawl###equip.foot=light_boots###GPT_BAM_END
|
| 30 |
+
0030. Nanisa
|
| 31 |
+
0031. Leejay
|
| 32 |
+
0032. Crempie
|
| 33 |
+
0033. Yumi
|
| 34 |
+
0034. Spensa
|
| 35 |
+
0035. Blank
|
| 36 |
+
0036. Elfin
|
| 37 |
+
0037. Priva
|
| 38 |
+
0038. Yacles
|
| 39 |
+
0039. Eria
|
| 40 |
+
0040. Lorashie
|
| 41 |
+
0041. Tetra
|
| 42 |
+
0042. Chayida
|
| 43 |
+
0043. Jeria
|
| 44 |
+
0044. Darta
|
| 45 |
+
0045. Stria
|
| 46 |
+
0046. Floria
|
| 47 |
+
0047. Lansia
|
| 48 |
+
0048. Vanira
|
| 49 |
+
0049. Daizy
|
| 50 |
+
0050. Scilla
|
| 51 |
+
0051. Keris
|
| 52 |
+
0052. Panari
|
| 53 |
+
0053. Helia
|
| 54 |
+
0054. Relafa
|
| 55 |
+
0055. Fils
|
| 56 |
+
0056. Fiella
|
| 57 |
+
0057. Agnes
|
| 58 |
+
0058. Thevaria
|
| 59 |
+
0059. Adda
|
| 60 |
+
0060. Kalia
|
| 61 |
+
0061. Silora
|
| 62 |
+
0062. Riva
|
| 63 |
+
0063. Ginie
|
| 64 |
+
0064. Peidra
|
| 65 |
+
0065. Voreya
|
| 66 |
+
0066. Draga
|
| 67 |
+
0067. Lania
|
| 68 |
+
0068. Stara
|
| 69 |
+
0069. Palim
|
| 70 |
+
0070. Hirama
|
| 71 |
+
0071. Chae
|
| 72 |
+
0072. Rangle
|
| 73 |
+
0073. Flidry
|
| 74 |
+
0074. Nadipra
|
| 75 |
+
0075. Juni
|
| 76 |
+
0076. Lucky
|
| 77 |
+
0077. Kinia
|
| 78 |
+
0078. Klee
|
| 79 |
+
0079. Beria
|
| 80 |
+
0080. Lite
|
| 81 |
+
0081. Prava
|
| 82 |
+
0082. Reese
|
| 83 |
+
0083. Eizia
|
| 84 |
+
0084. Bubble
|
| 85 |
+
0085. Hive
|
| 86 |
+
0086. Leaf
|
| 87 |
+
0087. Sear
|
| 88 |
+
0088. Helen
|
| 89 |
+
0089. Coral
|
| 90 |
+
0090. Freyza
|
| 91 |
+
0091. Niki
|
| 92 |
+
0092. Vadie
|
| 93 |
+
0093. Celicia
|
| 94 |
+
0094. Ember
|
| 95 |
+
0095. Flare
|
| 96 |
+
0096. Delen
|
| 97 |
+
0097. Layan
|
| 98 |
+
0098. Raria
|
| 99 |
+
0099. Daily
|
| 100 |
+
0100. Mabel
|
| 101 |
+
0101. Ilay
|
| 102 |
+
0102. Jale
|
| 103 |
+
0103. Larin
|
| 104 |
+
0104. Feris
|
| 105 |
+
0105. Sheda
|
| 106 |
+
0106. Aisave
|
| 107 |
+
0107. Gayria
|
| 108 |
+
0108. Pania
|
| 109 |
+
0109. Shelly
|
| 110 |
+
0110. Dilia
|
| 111 |
+
0111. Krinade
|
| 112 |
+
0112. Soniera
|
| 113 |
+
0113. Branore
|
| 114 |
+
0114. Heladria
|
| 115 |
+
0115. Rozila
|
| 116 |
+
0116. Zelia
|
| 117 |
+
0117. Flay
|
| 118 |
+
0118. Molisa
|
| 119 |
+
0119. Tolaris
|
| 120 |
+
0120. Caylie
|
| 121 |
+
0121. Kiali
|
| 122 |
+
0122. Aerisine
|
| 123 |
+
0123. Feyli
|
| 124 |
+
0124. Gavelle
|
| 125 |
+
0125. Porom
|
| 126 |
+
0126. Palaine
|
| 127 |
+
0127. Dria
|
| 128 |
+
0128. Letaore
|
| 129 |
+
0129. Silava
|
| 130 |
+
0130. Canida
|
| 131 |
+
0131. Jacria
|
| 132 |
+
0132. Sevanora
|
| 133 |
+
0133. Varenna
|
| 134 |
+
0134. Fraefe
|
| 135 |
+
0135. Neina
|
| 136 |
+
0136. Torenna
|
| 137 |
+
0137. Criliza
|
| 138 |
+
0138. Kalenine
|
| 139 |
+
0139. Slenamie
|
| 140 |
+
0140. Malenna
|
| 141 |
+
0141. Grayly
|
| 142 |
+
0142. Rafa
|
| 143 |
+
0143. Ilenna
|
| 144 |
+
0144. Faielle
|
| 145 |
+
0145. Marelle
|
| 146 |
+
0146. Thaeria
|
| 147 |
+
0147. Chisehe
|
| 148 |
+
0148. Jevalia
|
| 149 |
+
0149. Shevora
|
| 150 |
+
0150. Sinive
|
| 151 |
+
0151. Gainie
|
| 152 |
+
0152. Orarena
|
| 153 |
+
0153. Velalia
|
| 154 |
+
0154. Deivaga
|
| 155 |
+
0155. Krelia
|
| 156 |
+
0156. Smera
|
| 157 |
+
0157. Bralave
|
| 158 |
+
0158. Harima
|
| 159 |
+
0159. Riraele
|
| 160 |
+
0160. Salaora
|
| 161 |
+
0161. Flaedri
|
| 162 |
+
0162. Mevena
|
| 163 |
+
0163. Thonasie
|
| 164 |
+
0164. Clayvia
|
| 165 |
+
0165. Kanira
|
| 166 |
+
0166. Serenara
|
| 167 |
+
0167. Baelie
|
| 168 |
+
0168. Glaekie
|
| 169 |
+
0169. Piena
|
| 170 |
+
0170. Wailane
|
| 171 |
+
0171. Drazia
|
| 172 |
+
0172. Leanalia
|
| 173 |
+
0173. Stenare
|
| 174 |
+
0174. Bronakia
|
| 175 |
+
0175. Idavie
|
| 176 |
+
0176. Saviska
|
| 177 |
+
0177. Sarale
|
| 178 |
+
0178. Floracha
|
| 179 |
+
0179. Nalia
|
| 180 |
+
0180. Treladie
|
| 181 |
+
0181. Cradey
|
| 182 |
+
0182. Larisina
|
| 183 |
+
0183. Slanadri
|
| 184 |
+
0184. Biria
|
| 185 |
+
0185. Graria
|
| 186 |
+
0186. Prelia
|
| 187 |
+
0187. Elisena
|
| 188 |
+
0188. Enastia
|
| 189 |
+
0189. Lonelle
|
| 190 |
+
0190. Taese
|
| 191 |
+
0191. Chavella
|
| 192 |
+
0192. Jaynafie
|
| 193 |
+
0193. Sheelina
|
| 194 |
+
0194. Zilave
|
| 195 |
+
0195. Frilena
|
| 196 |
+
0196. Nolia
|
| 197 |
+
0197. Valela
|
| 198 |
+
0198. Davy
|
| 199 |
+
0199. Kraidey
|
| 200 |
+
0200. Smare
|
| 201 |
+
0201. Belorane
|
| 202 |
+
0202. Hadria
|
| 203 |
+
0203. Reinla
|
| 204 |
+
0204. Yolia
|
| 205 |
+
0205. Fevlia
|
| 206 |
+
0206. Mavisa
|
| 207 |
+
0207. Therastia
|
| 208 |
+
0208. Caliane
|
| 209 |
+
0209. Jynaria
|
| 210 |
+
0210. Sierare
|
| 211 |
+
0211. Adaene
|
| 212 |
+
0212. Gesenne
|
| 213 |
+
0213. Pearava
|
| 214 |
+
0214. Vonare
|
| 215 |
+
0215. Doria
|
| 216 |
+
0216. Laesehie
|
| 217 |
+
0217. Stantra
|
| 218 |
+
0218. Bredalie
|
| 219 |
+
0219. Hinia
|
| 220 |
+
0220. Sailnora
|
| 221 |
+
0221. Anorise
|
| 222 |
+
0222. Flevie
|
| 223 |
+
0223. Naenela
|
| 224 |
+
0224. Tralia
|
| 225 |
+
0225. Craisa
|
| 226 |
+
0226. Kimasta
|
| 227 |
+
0227. Selinane
|
| 228 |
+
0228. Benaise
|
| 229 |
+
0229. Glinia
|
| 230 |
+
0230. Prarifa
|
| 231 |
+
0231. Wiprea
|
| 232 |
+
0232. Edella
|
| 233 |
+
0233. Lilare
|
| 234 |
+
0234. Tainaria
|
| 235 |
+
0235. Chaese
|
| 236 |
+
0236. Jairalia
|
| 237 |
+
0237. Shalora
|
| 238 |
+
0238. Sivaora
|
| 239 |
+
0239. Frayanie
|
| 240 |
+
0240. Nienadra
|
| 241 |
+
0241. Uralia
|
| 242 |
+
0242. Daiga
|
| 243 |
+
0243. Carisenne
|
| 244 |
+
0244. Selove
|
| 245 |
+
0245. Belenna
|
| 246 |
+
0246. Grevama
|
| 247 |
+
0247. Ranaore
|
| 248 |
+
0248. Yevlia
|
| 249 |
+
0249. Favara
|
| 250 |
+
0250. Maere
|
| 251 |
+
0251. Tharasie
|
| 252 |
+
0252. Choravia
|
| 253 |
+
0253. Joania
|
| 254 |
+
0254. Shosehe
|
| 255 |
+
0255. Airia
|
| 256 |
+
0256. Gavake
|
| 257 |
+
0257. Pala
|
| 258 |
+
0258. Vilane
|
| 259 |
+
0259. Dizia
|
| 260 |
+
0260. Krilalia
|
| 261 |
+
0261. Solfy
|
| 262 |
+
0262. Breia
|
| 263 |
+
0263. Heidavie
|
| 264 |
+
0264. Rosaska
|
| 265 |
+
0265. Zayali
|
| 266 |
+
0266. Flavicha
|
| 267 |
+
0267. Moiria
|
| 268 |
+
0268. Tiradie
|
| 269 |
+
0269. Clibelle
|
| 270 |
+
0270. Kesie
|
| 271 |
+
0271. Selede
|
| 272 |
+
0272. Baria
|
| 273 |
+
0273. Glearia
|
| 274 |
+
0274. Ponlie
|
| 275 |
+
0275. Verenora
|
| 276 |
+
0276. Drevastia
|
| 277 |
+
0277. Lesana
|
| 278 |
+
0278. Susazia
|
| 279 |
+
0279. Camella
|
| 280 |
+
0280. Jafie
|
| 281 |
+
0281. Sera
|
| 282 |
+
0282. Ilena
|
| 283 |
+
0283. Fraria
|
| 284 |
+
0284. Nelina
|
| 285 |
+
0285. Trinalia
|
| 286 |
+
0286. Crity
|
| 287 |
+
0287. Keriseva
|
| 288 |
+
0288. Selenina
|
| 289 |
+
0289. Belisia
|
| 290 |
+
0290. Gravadria
|
| 291 |
+
0291. Pynla
|
| 292 |
+
0292. Yavia
|
| 293 |
+
0293. Faelia
|
| 294 |
+
0294. Lynisa
|
| 295 |
+
0295. Thastia
|
| 296 |
+
0296. Chevamie
|
| 297 |
+
0297. Jeraria
|
| 298 |
+
0298. Sheralie
|
| 299 |
+
0299. Sorane
|
| 300 |
+
0300. Gaeprea
|
| 301 |
+
0301. Onava
|
| 302 |
+
0302. Verela
|
| 303 |
+
0303. Deiria
|
| 304 |
+
0304. Coraele
|
| 305 |
+
0305. Smenatra
|
| 306 |
+
0306. Braeda
|
| 307 |
+
0307. Hanira
|
| 308 |
+
0308. Rinora
|
| 309 |
+
0309. Zaidria
|
| 310 |
+
0310. Flaxi
|
| 311 |
+
0311. Merina
|
| 312 |
+
0312. Tholia
|
| 313 |
+
0313. Claviza
|
| 314 |
+
0314. Kalista
|
| 315 |
+
0315. Arisena
|
| 316 |
+
0316. Baene
|
| 317 |
+
0317. Glaelia
|
| 318 |
+
0318. Pifa
|
| 319 |
+
0319. Waiprea
|
| 320 |
+
0320. Derenara
|
| 321 |
+
0321. Lerine
|
| 322 |
+
0322. Stelaria
|
| 323 |
+
0323. Brolalie
|
| 324 |
+
0324. Hynalia
|
| 325 |
+
0325. Saunora
|
| 326 |
+
0326. Sanevie
|
| 327 |
+
0327. Flonanie
|
| 328 |
+
0328. Naerave
|
| 329 |
+
0329. Trelia
|
| 330 |
+
0330. Craviga
|
| 331 |
+
0331. Kaelisia
|
| 332 |
+
0332. Saela
|
| 333 |
+
0333. Binalia
|
| 334 |
+
0334. Gorama
|
| 335 |
+
0335. Herenia
|
| 336 |
+
0336. Yaelia
|
| 337 |
+
0337. Emdere
|
| 338 |
+
0338. Lopra
|
| 339 |
+
0339. Tavasie
|
| 340 |
+
0340. Charavia
|
| 341 |
+
0341. Jaylia
|
| 342 |
+
0342. Shesehie
|
| 343 |
+
0343. Zilie
|
| 344 |
+
0344. Frekina
|
| 345 |
+
0345. Noira
|
| 346 |
+
0346. Vairane
|
| 347 |
+
0347. Darazia
|
| 348 |
+
0348. Kralia
|
| 349 |
+
0349. Smanare
|
| 350 |
+
0350. Belonare
|
| 351 |
+
0351. Gynavie
|
| 352 |
+
0352. Reiska
|
| 353 |
+
0353. Iolenne
|
| 354 |
+
0354. Feracha
|
| 355 |
+
0355. Mauria
|
| 356 |
+
0356. Thenadie
|
| 357 |
+
0357. Claebelle
|
| 358 |
+
0358. Julasie
|
| 359 |
+
0359. Sienadri
|
| 360 |
+
0360. Aslia
|
| 361 |
+
0361. Geraria
|
| 362 |
+
0362. Pelie
|
| 363 |
+
0363. Volase
|
| 364 |
+
0364. Donastia
|
| 365 |
+
0365. Laena
|
| 366 |
+
0366. Stalazia
|
| 367 |
+
0367. Briella
|
| 368 |
+
0368. Hilafie
|
| 369 |
+
0369. Saine
|
| 370 |
+
0370. Zevave
|
| 371 |
+
0371. Fleuraria
|
| 372 |
+
0372. Myria
|
| 373 |
+
0373. Torena
|
| 374 |
+
0374. Clynia
|
| 375 |
+
0375. Kilade
|
| 376 |
+
0376. Selenara
|
| 377 |
+
0377. Belasa
|
| 378 |
+
0378. Gliladria
|
| 379 |
+
0379. Pranla
|
| 380 |
+
0380. Wevia
|
| 381 |
+
0381. Dynia
|
| 382 |
+
0382. Liesiza
|
| 383 |
+
0383. Tailastia
|
| 384 |
+
0384. Chamie
|
| 385 |
+
0385. Jaimaria
|
| 386 |
+
0386. Shaerane
|
| 387 |
+
0387. Sarenia
|
| 388 |
+
0388. Frave
|
| 389 |
+
0389. Nicava
|
| 390 |
+
0390. Unare
|
| 391 |
+
0391. Daeia
|
| 392 |
+
0392. Calenie
|
| 393 |
+
0393. Elorenne
|
| 394 |
+
0394. Belenane
|
| 395 |
+
0395. Gretaria
|
| 396 |
+
0396. Ramene
|
| 397 |
+
0397. Yeradria
|
| 398 |
+
0398. Farife
|
| 399 |
+
0399. Malela
|
| 400 |
+
0400. Thania
|
| 401 |
+
0401. Choniza
|
| 402 |
+
0402. Josta
|
| 403 |
+
0403. Shiramie
|
| 404 |
+
0404. Aenaise
|
| 405 |
+
0405. Garlia
|
| 406 |
+
0406. Pairafa
|
| 407 |
+
0407. Vekena
|
| 408 |
+
0408. Deva
|
| 409 |
+
0409. Corenne
|
| 410 |
+
0410. Soria
|
| 411 |
+
0411. Merelaya
|
| 412 |
+
0412. Heline
|
| 413 |
+
0413. Ronora
|
| 414 |
+
0414. Savive
|
| 415 |
+
0415. Flaranie
|
| 416 |
+
0416. Modra
|
| 417 |
+
0417. Tinalia
|
| 418 |
+
0418. Clevaga
|
| 419 |
+
0419. Kaylia
|
| 420 |
+
0420. Serenora
|
| 421 |
+
0421. Banalia
|
| 422 |
+
0422. Glayima
|
| 423 |
+
0423. Polaelie
|
| 424 |
+
0424. Wavlia
|
| 425 |
+
0425. Darerie
|
| 426 |
+
0426. Lerena
|
| 427 |
+
0427. Stirasie
|
| 428 |
+
0428. Caitavia
|
| 429 |
+
0429. Ivia
|
| 430 |
+
0430. Senasha
|
| 431 |
+
0431. Shelina
|
| 432 |
+
0432. Forakie
|
| 433 |
+
0433. Nayara
|
| 434 |
+
0434. Trilane
|
| 435 |
+
0435. Crezia
|
| 436 |
+
0436. Kalenna
|
| 437 |
+
0437. Selefie
|
| 438 |
+
0438. Byalakia
|
| 439 |
+
0439. Garavie
|
| 440 |
+
0440. Pryniska
|
| 441 |
+
0441. Yarali
|
| 442 |
+
0442. Facha
|
| 443 |
+
0443. Lunia
|
| 444 |
+
0444. Teradie
|
| 445 |
+
0445. Cheralie
|
| 446 |
+
0446. Jenasie
|
| 447 |
+
0447. Shenadri
|
| 448 |
+
0448. Zonia
|
| 449 |
+
0449. Gaia
|
| 450 |
+
0450. Olie
|
| 451 |
+
0451. Verasie
|
| 452 |
+
0452. Deisia
|
| 453 |
+
0453. Kravina
|
| 454 |
+
0454. Smelazia
|
| 455 |
+
0455. Braella
|
| 456 |
+
0456. Halafie
|
| 457 |
+
0457. Rila
|
| 458 |
+
0458. Zaeve
|
| 459 |
+
0459. Firaria
|
| 460 |
+
0460. Menia
|
| 461 |
+
0461. Thiralia
|
| 462 |
+
0462. Claudie
|
| 463 |
+
0463. Kairade
|
| 464 |
+
0464. Anelena
|
| 465 |
+
0465. Aynisa
|
| 466 |
+
0466. Gladria
|
| 467 |
+
0467. Petla
|
| 468 |
+
0468. Waelia
|
| 469 |
+
0469. Drania
|
| 470 |
+
0470. Laese
|
| 471 |
+
0471. Stesetie
|
| 472 |
+
0472. Britamie
|
| 473 |
+
0473. Horaria
|
| 474 |
+
0474. Sarabella
|
| 475 |
+
0475. Saeva
|
| 476 |
+
0476. Floarale
|
| 477 |
+
0477. Naimava
|
| 478 |
+
0478. Laelora
|
| 479 |
+
0479. Craria
|
| 480 |
+
0480. Cariseva
|
| 481 |
+
0481. Selaera
|
| 482 |
+
0482. Bilada
|
| 483 |
+
0483. Gonia
|
| 484 |
+
0484. Prenora
|
| 485 |
+
0485. Yadria
|
| 486 |
+
0486. Elalie
|
| 487 |
+
0487. Lizina
|
| 488 |
+
0488. Taria
|
| 489 |
+
0489. Chaniza
|
| 490 |
+
0490. Javista
|
| 491 |
+
0491. Shayamie
|
| 492 |
+
0492. Synaine
|
| 493 |
+
0493. Frevlia
|
| 494 |
+
0494. Nofa
|
| 495 |
+
0495. Vaelale
|
| 496 |
+
0496. Dana
|
| 497 |
+
0497. Korare
|
| 498 |
+
0498. Smalria
|
| 499 |
+
0499. Melisia
|
| 500 |
+
0500. Gwenalia
|
| 501 |
+
0501. Rebora
|
| 502 |
+
0502. Inive
|
| 503 |
+
0503. Fenanie
|
| 504 |
+
0504. Maudadra
|
| 505 |
+
0505. Thelalia
|
| 506 |
+
0506. Claga
|
| 507 |
+
0507. Judia
|
| 508 |
+
0508. Siva
|
| 509 |
+
0509. Aralia
|
| 510 |
+
0510. Genama
|
| 511 |
+
0511. Nelena
|
| 512 |
+
0512. Volia
|
| 513 |
+
0513. Doleva
|
| 514 |
+
0514. Lorisa
|
| 515 |
+
0515. Staisie
|
| 516 |
+
0516. Brevahra
|
| 517 |
+
0517. Hilia
|
| 518 |
+
0518. Saesha
|
| 519 |
+
0519. Zeria
|
| 520 |
+
0520. Flerare
|
| 521 |
+
0521. Mura
|
| 522 |
+
0522. Traene
|
| 523 |
+
0523. Clorazia
|
| 524 |
+
0524. Kilia
|
| 525 |
+
0525. Sarenine
|
| 526 |
+
0526. Beika
|
| 527 |
+
0527. Glivie
|
| 528 |
+
0528. Praliska
|
| 529 |
+
0529. Werali
|
| 530 |
+
0530. Drynicha
|
| 531 |
+
0531. Lienia
|
| 532 |
+
0532. Taidie
|
| 533 |
+
0533. Cerabelle
|
| 534 |
+
0534. Jailasie
|
| 535 |
+
0535. Shailly
|
| 536 |
+
0536. Shinia
|
| 537 |
+
0537. Frarena
|
| 538 |
+
0538. Nilie
|
| 539 |
+
0539. Ulase
|
| 540 |
+
0540. Dastia
|
| 541 |
+
0541. Calilene
|
| 542 |
+
0542. Selava
|
| 543 |
+
0543. Berenna
|
| 544 |
+
0544. Grerafie
|
| 545 |
+
0545. Rala
|
| 546 |
+
0546. Yenave
|
| 547 |
+
0547. Fanaria
|
| 548 |
+
0548. Maia
|
| 549 |
+
0549. Thalana
|
| 550 |
+
0550. Cholia
|
| 551 |
+
0551. Jirade
|
| 552 |
+
0552. Shinaria
|
| 553 |
+
0553. Ailasa
|
| 554 |
+
0554. Ganadria
|
| 555 |
+
0555. Paila
|
| 556 |
+
0556. Vieria
|
| 557 |
+
0557. Deslia
|
| 558 |
+
0558. Kreiza
|
| 559 |
+
0559. Smirastia
|
| 560 |
+
0560. Bravamie
|
| 561 |
+
0561. Hedaria
|
| 562 |
+
0562. Romari
|
| 563 |
+
0563. Saraise
|
| 564 |
+
0564. Flanale
|
| 565 |
+
0565. Mirava
|
| 566 |
+
0566. Tilare
|
| 567 |
+
0567. Cleria
|
| 568 |
+
0568. Caelenne
|
| 569 |
+
0569. Loreneva
|
| 570 |
+
0570. Balida
|
| 571 |
+
0571. Glavaria
|
| 572 |
+
0572. Pirnora
|
| 573 |
+
0573. Waradria
|
| 574 |
+
0574. Darene
|
| 575 |
+
0575. Lenina
|
| 576 |
+
0576. Stinia
|
| 577 |
+
0577. Bynisa
|
| 578 |
+
0578. Isasta
|
| 579 |
+
0579. Selamie
|
| 580 |
+
0580. Seraine
|
| 581 |
+
0581. Fonlia
|
| 582 |
+
0582. Navifa
|
| 583 |
+
0583. Triprea
|
| 584 |
+
0584. Crera
|
| 585 |
+
0585. Caelora
|
| 586 |
+
0586. Selerene
|
| 587 |
+
0587. Belaise
|
| 588 |
+
0588. Granalia
|
| 589 |
+
0589. Prirora
|
| 590 |
+
0590. Ianive
|
| 591 |
+
0591. Evanie
|
| 592 |
+
0592. Ludadra
|
| 593 |
+
0593. Tenalia
|
| 594 |
+
0594. Chenaga
|
| 595 |
+
0595. Jelia
|
| 596 |
+
0596. Shela
|
| 597 |
+
0597. Zolalia
|
| 598 |
+
0598. Fynima
|
| 599 |
+
0599. Nuraele
|
| 600 |
+
0600. Velia
|
| 601 |
+
0601. Dearadri
|
| 602 |
+
0602. Corarine
|
| 603 |
+
0603. Smeisie
|
| 604 |
+
0604. Boravia
|
| 605 |
+
0605. Hairi
|
| 606 |
+
0606. Risha
|
| 607 |
+
0607. Zalie
|
| 608 |
+
0608. Finake
|
| 609 |
+
0609. Melia
|
| 610 |
+
0610. Thinena
|
| 611 |
+
0611. Clarazia
|
| 612 |
+
0612. Kailalia
|
| 613 |
+
0613. Sirfy
|
| 614 |
+
0614. Ayika
|
| 615 |
+
0615. Giravie
|
| 616 |
+
0616. Peraska
|
| 617 |
+
0617. Elaria
|
| 618 |
+
0618. Dralicha
|
| 619 |
+
0619. Lavy
|
| 620 |
+
0620. Stedie
|
| 621 |
+
0621. Breralie
|
| 622 |
+
0622. Honasie
|
| 623 |
+
0623. Sanadis
|
| 624 |
+
0624. Shairi
|
| 625 |
+
0625. Fliraria
|
| 626 |
+
0626. Naleora
|
| 627 |
+
0627. Terase
|
| 628 |
+
0628. Cranastia
|
| 629 |
+
0629. Calderia
|
| 630 |
+
0630. Selaere
|
| 631 |
+
0631. Biella
|
| 632 |
+
0632. Golafie
|
| 633 |
+
0633. Preline
|
| 634 |
+
0634. Virelina
|
| 635 |
+
0635. Eiraria
|
| 636 |
+
0636. Livira
|
| 637 |
+
0637. Tanalia
|
| 638 |
+
0638. Chalia
|
| 639 |
+
0639. Jasade
|
| 640 |
+
0640. Shavaria
|
| 641 |
+
0641. Sorase
|
| 642 |
+
0642. Freradria
|
| 643 |
+
0643. Nirla
|
| 644 |
+
0644. Vaidia
|
| 645 |
+
0645. Dalina
|
| 646 |
+
0646. Konisa
|
| 647 |
+
0647. Smaistia
|
| 648 |
+
0648. Merisine
|
| 649 |
+
0649. Garirele
|
| 650 |
+
0650. Rebella
|
| 651 |
+
0651. Iraene
|
| 652 |
+
0652. Felenne
|
| 653 |
+
0653. Mativa
|
| 654 |
+
0654. There
|
| 655 |
+
0655. Ciria
|
| 656 |
+
0656. Josaore
|
| 657 |
+
0657. Shinela
|
| 658 |
+
0658. Anida
|
| 659 |
+
0659. Gelria
|
| 660 |
+
0660. Pavanora
|
| 661 |
+
0661. Vivadria
|
| 662 |
+
0662. Donelle
|
| 663 |
+
0663. Kynina
|
| 664 |
+
0664. Stalara
|
| 665 |
+
0665. Breriza
|
| 666 |
+
0666. Hevasta
|
| 667 |
+
0667. Samie
|
| 668 |
+
0668. Senaore
|
| 669 |
+
0669. Flenia
|
| 670 |
+
0670. Muirafa
|
| 671 |
+
0671. Terina
|
| 672 |
+
0672. Clona
|
| 673 |
+
0673. Kerare
|
| 674 |
+
0674. Selerine
|
| 675 |
+
0675. Beatalie
|
| 676 |
+
0676. Glevalia
|
| 677 |
+
0677. Peralie
|
| 678 |
+
0678. Wenabra
|
| 679 |
+
0679. Driranie
|
| 680 |
+
0680. Lidadra
|
| 681 |
+
0681. Taelia
|
| 682 |
+
0682. Cenaga
|
| 683 |
+
0683. Jalina
|
| 684 |
+
0684. Shaiva
|
| 685 |
+
0685. Faelina
|
| 686 |
+
0686. Franima
|
| 687 |
+
0687. Nevaelie
|
| 688 |
+
0688. Tynlia
|
| 689 |
+
0689. Cenela
|
| 690 |
+
0690. Carmelina
|
| 691 |
+
0691. Seline
|
| 692 |
+
0692. Maelisena
|
| 693 |
+
0693. Grenia
|
| 694 |
+
0694. Raisha
|
| 695 |
+
0695. Yelie
|
| 696 |
+
0696. Falakie
|
| 697 |
+
0697. Maeva
|
| 698 |
+
0698. Steris
|
| 699 |
+
0699. Chirazia
|
| 700 |
+
0700. Jinalia
|
| 701 |
+
0701. Shilafina
|
| 702 |
+
0702. Aekenne
|
| 703 |
+
0703. Galavie
|
| 704 |
+
0704. Paiska
|
| 705 |
+
0705. Vilia
|
| 706 |
+
0706. Deracha
|
| 707 |
+
0707. Kreria
|
| 708 |
+
0708. Sminadie
|
| 709 |
+
0709. Brabie
|
| 710 |
+
0710. Hesie
|
| 711 |
+
0711. Roladis
|
| 712 |
+
0712. Zania
|
| 713 |
+
0713. Flarale
|
| 714 |
+
0714. Minlie
|
| 715 |
+
0715. Tizera
|
| 716 |
+
0716. Clenastia
|
| 717 |
+
0717. Kavina
|
| 718 |
+
0718. Sareneva
|
| 719 |
+
0719. Bairella
|
| 720 |
+
0720. Glarafie
|
| 721 |
+
0721. Pina
|
| 722 |
+
0722. Wanave
|
| 723 |
+
0723. Drelaria
|
| 724 |
+
0724. Lelare
|
| 725 |
+
0725. Stilalia
|
| 726 |
+
0726. Brynia
|
| 727 |
+
0727. Irade
|
| 728 |
+
0728. Seiria
|
| 729 |
+
0729. Sesara
|
| 730 |
+
0730. Foladria
|
| 731 |
+
0731. Natla
|
| 732 |
+
0732. Trevia
|
| 733 |
+
0733. Crenia
|
| 734 |
+
0734. Calave
|
| 735 |
+
0735. Selaena
|
| 736 |
+
0736. Belaenie
|
| 737 |
+
0737. Gralaria
|
| 738 |
+
0738. Perinie
|
| 739 |
+
0739. Ialaele
|
| 740 |
+
0740. Etare
|
| 741 |
+
0741. Lucava
|
| 742 |
+
0742. Telarie
|
| 743 |
+
0743. Chelia
|
| 744 |
+
0744. Jesehie
|
| 745 |
+
0745. Sheilatra
|
| 746 |
+
0746. Sodenne
|
| 747 |
+
0747. Frynaria
|
| 748 |
+
0748. Narene
|
| 749 |
+
0749. Vayadria
|
| 750 |
+
0750. Deane
|
| 751 |
+
0751. Kranina
|
| 752 |
+
0752. Smelia
|
| 753 |
+
0753. Bonisa
|
| 754 |
+
0754. Hailasta
|
| 755 |
+
0755. Revamie
|
| 756 |
+
0756. Synella
|
| 757 |
+
0757. Filia
|
| 758 |
+
0758. Meifa
|
| 759 |
+
0759. Theline
|
| 760 |
+
0760. Clana
|
| 761 |
+
0761. Kaere
|
| 762 |
+
0762. Sinaria
|
| 763 |
+
0763. Avaenie
|
| 764 |
+
0764. Ginalia
|
| 765 |
+
0765. Penora
|
| 766 |
+
0766. Vitive
|
| 767 |
+
0767. Drainie
|
| 768 |
+
0768. Lareora
|
| 769 |
+
0769. Stayalia
|
| 770 |
+
0770. Brinaga
|
| 771 |
+
0771. Holia
|
| 772 |
+
0772. Sama
|
| 773 |
+
0773. Saelane
|
| 774 |
+
0774. Flinama
|
| 775 |
+
0775. Naese
|
| 776 |
+
0776. Traudlia
|
| 777 |
+
0777. Craladri
|
| 778 |
+
0778. Calenne
|
| 779 |
+
0779. Selasane
|
| 780 |
+
0780. Bevahra
|
| 781 |
+
0781. Glorina
|
| 782 |
+
0782. Presha
|
| 783 |
+
0783. Wiria
|
| 784 |
+
0784. Emake
|
| 785 |
+
0785. Lisa
|
| 786 |
+
0786. Tamane
|
| 787 |
+
0787. Chairazia
|
| 788 |
+
0788. Jaralia
|
| 789 |
+
0789. Shanare
|
| 790 |
+
0790. Shonakia
|
| 791 |
+
0791. Frenavie
|
| 792 |
+
0792. Ninaska
|
| 793 |
+
0793. Valenne
|
| 794 |
+
0794. Dairacha
|
| 795 |
+
0795. Kolia
|
| 796 |
+
0796. Smaedie
|
| 797 |
+
0797. Beveline
|
| 798 |
+
0798. Grinasie
|
| 799 |
+
0799. Raedile
|
| 800 |
+
0800. Yinia
|
| 801 |
+
0801. Feare
|
| 802 |
+
0802. Marelia
|
| 803 |
+
0803. Thezera
|
| 804 |
+
0804. Cinastia
|
| 805 |
+
0805. Jorana
|
| 806 |
+
0806. Shorazia
|
| 807 |
+
0807. Amella
|
| 808 |
+
0808. Geifie
|
| 809 |
+
0809. Patine
|
| 810 |
+
0810. Vitave
|
| 811 |
+
0811. Diraria
|
| 812 |
+
0812. Krislia
|
| 813 |
+
0813. Stalia
|
| 814 |
+
0814. Brenia
|
| 815 |
+
0815. Herade
|
| 816 |
+
0816. Rynia
|
| 817 |
+
0817. Zelasa
|
| 818 |
+
0818. Fleladria
|
| 819 |
+
0819. Morla
|
| 820 |
+
0820. Toria
|
| 821 |
+
0821. Cliria
|
| 822 |
+
0822. Kenisa
|
| 823 |
+
0823. Larenina
|
| 824 |
+
0824. Bemie
|
| 825 |
+
0825. Gleraria
|
| 826 |
+
0826. Praebella
|
| 827 |
+
0827. Lumena
|
| 828 |
+
0828. Darenie
|
| 829 |
+
0829. Liva
|
| 830 |
+
0830. Tivora
|
| 831 |
+
0831. Celira
|
| 832 |
+
0832. Jaesehe
|
| 833 |
+
0833. Shaetra
|
| 834 |
+
0834. Sideva
|
| 835 |
+
0835. Fralaria
|
| 836 |
+
0836. Nernora
|
| 837 |
+
0837. Tudadria
|
| 838 |
+
0838. Cerire
|
| 839 |
+
0839. Avenina
|
| 840 |
+
0840. Silia
|
| 841 |
+
0841. Belane
|
| 842 |
+
0842. Grelasta
|
| 843 |
+
0843. Raemie
|
| 844 |
+
0844. Yesera
|
| 845 |
+
0845. Fairia
|
| 846 |
+
0846. Maefa
|
| 847 |
+
0847. Taylana
|
| 848 |
+
0848. China
|
| 849 |
+
0849. Jelarie
|
| 850 |
+
0850. Shielaria
|
| 851 |
+
0851. Aesehe
|
| 852 |
+
0852. Gairalia
|
| 853 |
+
0853. Paeora
|
| 854 |
+
0854. Veraise
|
| 855 |
+
0855. Denanie
|
| 856 |
+
0856. Krenadra
|
| 857 |
+
0857. Smilalia
|
| 858 |
+
0858. Braniga
|
| 859 |
+
0859. Haylia
|
| 860 |
+
0860. Rova
|
| 861 |
+
0861. Saleora
|
| 862 |
+
0862. Flairama
|
| 863 |
+
0863. Milaele
|
| 864 |
+
0864. Thynia
|
| 865 |
+
0865. Cleladri
|
| 866 |
+
0866. Katipra
|
| 867 |
+
0867. Aerinela
|
| 868 |
+
0868. Bailavia
|
| 869 |
+
0869. Glania
|
| 870 |
+
0870. Pilasha
|
| 871 |
+
0871. Walie
|
| 872 |
+
0872. Drekie
|
| 873 |
+
0873. Leira
|
| 874 |
+
0874. Stine
|
| 875 |
+
0875. Brunazia
|
| 876 |
+
0876. Inalia
|
| 877 |
+
0877. Sefy
|
| 878 |
+
0878. Shayika
|
| 879 |
+
0879. Fovie
|
| 880 |
+
0880. Nariska
|
| 881 |
+
0881. Trerali
|
| 882 |
+
0882. Crelacha
|
| 883 |
+
0883. Claudelle
|
| 884 |
+
0884. Selara
|
| 885 |
+
0885. Belade
|
| 886 |
+
0886. Gisea
|
| 887 |
+
0887. Prilly
|
| 888 |
+
0888. Yairi
|
| 889 |
+
0889. Esia
|
| 890 |
+
0890. Loriley
|
| 891 |
+
0891. Teizala
|
| 892 |
+
0892. Chesti
|
| 893 |
+
0893. Jeanna
|
| 894 |
+
0894. Sheezi
|
| 895 |
+
0895. Zenelle
|
| 896 |
+
0896. Fandra
|
| 897 |
+
0897. Narapine
|
| 898 |
+
0898. Virelaya
|
| 899 |
+
0899. Deraroa
|
| 900 |
+
0900. Kraylie
|
| 901 |
+
0901. Smaylie
|
| 902 |
+
0902. Belise
|
| 903 |
+
0903. Haike
|
| 904 |
+
0904. Rabaria
|
| 905 |
+
0905. Yorsa
|
| 906 |
+
0906. Fianelle
|
| 907 |
+
0907. Mela
|
| 908 |
+
0908. Tillia
|
| 909 |
+
0909. Claira
|
| 910 |
+
0910. Kaizy
|
| 911 |
+
0911. Simarea
|
| 912 |
+
0912. Auredalia
|
| 913 |
+
0913. Gilacoria
|
| 914 |
+
0914. Pelablori
|
| 915 |
+
0915. Vynferia
|
| 916 |
+
0916. Draparia
|
| 917 |
+
0917. Larevie
|
| 918 |
+
0918. Stavaria
|
| 919 |
+
0919. Belisse
|
| 920 |
+
0920. Hoshia
|
| 921 |
+
0921. Saltra
|
| 922 |
+
0922. Edrisa
|
| 923 |
+
0923. Filara
|
| 924 |
+
0924. Naynoara
|
| 925 |
+
0925. Tarandrea
|
| 926 |
+
0926. Craifa
|
| 927 |
+
0927. Kigara
|
| 928 |
+
0928. Sokia
|
| 929 |
+
0929. Merisora
|
| 930 |
+
0930. Glonira
|
| 931 |
+
0931. Peraelie
|
| 932 |
+
0932. Winaly
|
| 933 |
+
0933. Eleise
|
| 934 |
+
0934. Laifa
|
| 935 |
+
0935. Talessa
|
| 936 |
+
0936. Chaila
|
| 937 |
+
0937. Janra
|
| 938 |
+
0938. Shakra
|
| 939 |
+
0939. Zarasha
|
| 940 |
+
0940. Frelly
|
| 941 |
+
0941. Nilkora
|
| 942 |
+
0942. Vayna
|
| 943 |
+
0943. Dainara
|
| 944 |
+
0944. Calane
|
| 945 |
+
0945. Samplia
|
| 946 |
+
0946. Solen
|
| 947 |
+
0947. Giraldine
|
| 948 |
+
0948. Ravole
|
| 949 |
+
0949. Ingele
|
| 950 |
+
0950. Famaril
|
| 951 |
+
0951. Manchi
|
| 952 |
+
0952. Tayly
|
| 953 |
+
0953. Cileva
|
| 954 |
+
0954. Junly
|
| 955 |
+
0955. Shinly
|
| 956 |
+
0956. Alvahra
|
| 957 |
+
0957. Germione
|
| 958 |
+
0958. Pearly
|
| 959 |
+
0959. Vilenne
|
| 960 |
+
0960. Dinelle
|
| 961 |
+
0961. Krira
|
| 962 |
+
0962. Sonyara
|
| 963 |
+
0963. Brenya
|
| 964 |
+
0964. Hennia
|
| 965 |
+
0965. Rovelle
|
| 966 |
+
0966. Rivelle
|
| 967 |
+
0967. Flevia
|
| 968 |
+
0968. Minski
|
| 969 |
+
0969. Tanlia
|
| 970 |
+
0970. Clinny
|
| 971 |
+
0971. Keltria
|
| 972 |
+
0972. Aderina
|
| 973 |
+
0973. Bebirie
|
| 974 |
+
0974. Valena
|
| 975 |
+
0975. Pradis
|
| 976 |
+
0976. Vinelle
|
| 977 |
+
0977. Darile
|
| 978 |
+
0978. Levaris
|
| 979 |
+
0979. Sinase
|
| 980 |
+
0980. Edrisara
|
| 981 |
+
0981. Jadina
|
| 982 |
+
0982. Sharalie
|
| 983 |
+
0983. Zeralie
|
| 984 |
+
0984. Fraia
|
| 985 |
+
0985. Nela
|
| 986 |
+
0986. Trave
|
| 987 |
+
0987. Cerene
|
| 988 |
+
0988. Kerelara
|
| 989 |
+
0989. Serisaya
|
| 990 |
+
0990. Belale
|
| 991 |
+
0991. Garaere
|
| 992 |
+
0992. Radielle
|
| 993 |
+
0993. Ysola
|
| 994 |
+
0994. Faily
|
| 995 |
+
0995. Maddi
|
| 996 |
+
0996. Tigi
|
| 997 |
+
0997. Chilly
|
| 998 |
+
0998. Jirelle
|
| 999 |
+
0999. Sivelle
|
| 1000 |
+
1000. Adia
|
| 1001 |
+
1001. Gailora
|
| 1002 |
+
1002. Pablora
|
| 1003 |
+
1003. Venia
|
| 1004 |
+
1004. Delina
|
| 1005 |
+
1005. Krevia
|
| 1006 |
+
1006. Smiria
|
| 1007 |
+
1007. Bralea
|
| 1008 |
+
1008. Havia
|
| 1009 |
+
1009. Ritia
|
| 1010 |
+
1010. Zairia
|
| 1011 |
+
1011. Flaybria
|
| 1012 |
+
1012. Minora
|
| 1013 |
+
1013. Thoria
|
| 1014 |
+
1014. Clellina
|
| 1015 |
+
1015. Karia
|
| 1016 |
+
1016. Elisine
|
| 1017 |
+
1017. Baizia
|
| 1018 |
+
1018. Glalia
|
| 1019 |
+
1019. Pierelia
|
| 1020 |
+
1020. Wairia
|
| 1021 |
+
1021. Draelia
|
| 1022 |
+
1022. Leenia
|
| 1023 |
+
1023. Steria
|
| 1024 |
+
1024. Brora
|
| 1025 |
+
1025. Ilea
|
| 1026 |
+
1026. Saygria
|
| 1027 |
+
1027. Savina
|
| 1028 |
+
1028. Flynira
|
| 1029 |
+
1029. Nanora
|
| 1030 |
+
1030. Trenia
|
| 1031 |
+
1031. Crenira
|
| 1032 |
+
1032. Kalenia
|
| 1033 |
+
1033. Sarenora
|
| 1034 |
+
1034. Belage
|
| 1035 |
+
1035. Graella
|
| 1036 |
+
1036. Privora
|
| 1037 |
+
1037. Yailea
|
| 1038 |
+
1038. Erelia
|
| 1039 |
+
1039. Lorachia
|
| 1040 |
+
1040. Tella
|
| 1041 |
+
1041. Chayora
|
| 1042 |
+
1042. Jepria
|
| 1043 |
+
1043. Sheenia
|
| 1044 |
+
1044. Zinia
|
| 1045 |
+
1045. Frinia
|
| 1046 |
+
1046. Noria
|
| 1047 |
+
1047. Vanina
|
| 1048 |
+
1048. Daykia
|
| 1049 |
+
1049. Coraelie
|
| 1050 |
+
1050. Smavia
|
| 1051 |
+
1051. Berenina
|
| 1052 |
+
1052. Haella
|
| 1053 |
+
1053. Relora
|
| 1054 |
+
1054. Yonia
|
| 1055 |
+
1055. Fivia
|
| 1056 |
+
1056. Mayara
|
| 1057 |
+
1057. Thevia
|
| 1058 |
+
1058. Clairia
|
| 1059 |
+
1059. Kaeria
|
| 1060 |
+
1060. Silina
|
| 1061 |
+
1061. Aunbea
|
| 1062 |
+
1062. Giselia
|
| 1063 |
+
1063. Peidora
|
| 1064 |
+
1064. Voria
|
| 1065 |
+
1065. Daragie
|
| 1066 |
+
1066. Lanira
|
| 1067 |
+
1067. Starora
|
| 1068 |
+
1068. Briana
|
| 1069 |
+
1069. Hiria
|
| 1070 |
+
1070. Sairia
|
| 1071 |
+
1071. Elisaya
|
| 1072 |
+
1072. Flifia
|
| 1073 |
+
1073. Nadora
|
| 1074 |
+
1074. Trania
|
| 1075 |
+
1075. Craearia
|
| 1076 |
+
1076. Kinira
|
| 1077 |
+
1077. Faelisa
|
| 1078 |
+
1078. Berina
|
| 1079 |
+
1079. Gliria
|
| 1080 |
+
1080. Pravia
|
| 1081 |
+
1081. Wilia
|
| 1082 |
+
1082. Eiana
|
| 1083 |
+
1083. Linia
|
| 1084 |
+
1084. Tairia
|
| 1085 |
+
1085. Chayella
|
| 1086 |
+
1086. Jalea
|
| 1087 |
+
1087. Shanira
|
| 1088 |
+
1088. Someva
|
| 1089 |
+
1089. Freora
|
| 1090 |
+
1090. Nikira
|
| 1091 |
+
1091. Vafia
|
| 1092 |
+
1092. Daleora
|
| 1093 |
+
1093. Calonie
|
| 1094 |
+
1094. Evorenia
|
| 1095 |
+
1095. Belera
|
| 1096 |
+
1096. Grishia
|
| 1097 |
+
1097. Rarina
|
| 1098 |
+
1098. Yidia
|
| 1099 |
+
1099. Faybria
|
| 1100 |
+
1100. Malora
|
| 1101 |
+
1101. Thavia
|
| 1102 |
+
1102. Chynia
|
| 1103 |
+
1103. Jolea
|
| 1104 |
+
1104. Sholia
|
| 1105 |
+
1105. Airina
|
| 1106 |
+
1106. Gaystia
|
| 1107 |
+
1107. Panmia
|
| 1108 |
+
1108. Vinia
|
| 1109 |
+
1109. Dilina
|
| 1110 |
+
1110. Krinia
|
| 1111 |
+
1111. Sonina
|
| 1112 |
+
1112. Breanora
|
| 1113 |
+
1113. Helea
|
| 1114 |
+
1114. Rozia
|
| 1115 |
+
1115. Zella
|
| 1116 |
+
1116. Flayora
|
| 1117 |
+
1117. Molora
|
| 1118 |
+
1118. Tolia
|
| 1119 |
+
1119. Clinia
|
| 1120 |
+
1120. Keidria
|
| 1121 |
+
1121. Selealie
|
| 1122 |
+
1122. Bavia
|
| 1123 |
+
1123. Gleline
|
| 1124 |
+
1124. Pora
|
| 1125 |
+
1125. Wella
|
| 1126 |
+
1126. Drimia
|
| 1127 |
+
1127. Letia
|
| 1128 |
+
1128. Sylea
|
| 1129 |
+
1129. Canora
|
| 1130 |
+
1130. Jacia
|
| 1131 |
+
1131. Sevia
|
| 1132 |
+
1132. Ferena
|
| 1133 |
+
1133. Fraelia
|
| 1134 |
+
1134. Neishia
|
| 1135 |
+
1135. Tivoreva
|
| 1136 |
+
1136. Crilia
|
| 1137 |
+
1137. Calenare
|
| 1138 |
+
1138. Larisenne
|
| 1139 |
+
1139. Maeliseva
|
| 1140 |
+
1140. Graplea
|
| 1141 |
+
1141. Rafenne
|
| 1142 |
+
1142. Yayella
|
| 1143 |
+
1143. Faivia
|
| 1144 |
+
1144. Masara
|
| 1145 |
+
1145. Thaelia
|
| 1146 |
+
1146. Chicehe
|
| 1147 |
+
1147. Jevia
|
| 1148 |
+
1148. Shevia
|
| 1149 |
+
1149. Sinbe
|
| 1150 |
+
1150. Gaisea
|
| 1151 |
+
1151. Oria
|
| 1152 |
+
1152. Velea
|
| 1153 |
+
1153. Deigora
|
| 1154 |
+
1154. Krella
|
| 1155 |
+
1155. Smerora
|
| 1156 |
+
1156. Brayiana
|
| 1157 |
+
1157. Haria
|
| 1158 |
+
1158. Riara
|
| 1159 |
+
1159. Salena
|
| 1160 |
+
1160. Flaevia
|
| 1161 |
+
1161. Mevora
|
| 1162 |
+
1162. Thonia
|
| 1163 |
+
1163. Claria
|
| 1164 |
+
1164. Kanina
|
| 1165 |
+
1165. Arisora
|
| 1166 |
+
1166. Baetria
|
| 1167 |
+
1167. Glaidia
|
| 1168 |
+
1168. Pienia
|
| 1169 |
+
1169. Valisa
|
| 1170 |
+
1170. Dravia
|
| 1171 |
+
1171. Leania
|
| 1172 |
+
1172. Stenia
|
| 1173 |
+
1173. Bronia
|
| 1174 |
+
1174. Idia
|
| 1175 |
+
1175. Savia
|
| 1176 |
+
1176. Irisia
|
| 1177 |
+
1177. Flora
|
| 1178 |
+
1178. Nalora
|
| 1179 |
+
1179. Trelea
|
| 1180 |
+
1180. Crapria
|
| 1181 |
+
1181. Alisina
|
| 1182 |
+
1182. Selana
|
| 1183 |
+
1183. Birina
|
| 1184 |
+
1184. Grashia
|
| 1185 |
+
1185. Previa
|
| 1186 |
+
1186. Yaidia
|
| 1187 |
+
1187. Enia
|
| 1188 |
+
1188. Lonora
|
| 1189 |
+
1189. Taydria
|
| 1190 |
+
1190. Chavia
|
| 1191 |
+
1191. Jaynia
|
| 1192 |
+
1192. Sheelia
|
| 1193 |
+
1193. Zilia
|
| 1194 |
+
1194. Frilia
|
| 1195 |
+
1195. Nolea
|
| 1196 |
+
1196. Valia
|
| 1197 |
+
1197. Davia
|
| 1198 |
+
1198. Kraefia
|
| 1199 |
+
1199. Smaria
|
| 1200 |
+
1200. Belenne
|
| 1201 |
+
1201. Harea
|
| 1202 |
+
1202. Reinia
|
| 1203 |
+
1203. Yolea
|
| 1204 |
+
1204. Fevia
|
| 1205 |
+
1205. Mavora
|
| 1206 |
+
1206. Theria
|
| 1207 |
+
1207. Clainia
|
| 1208 |
+
1208. Jynia
|
| 1209 |
+
1209. Sieria
|
| 1210 |
+
1210. Audia
|
| 1211 |
+
1211. Gesea
|
| 1212 |
+
1212. Pearora
|
| 1213 |
+
1213. Vonia
|
| 1214 |
+
1214. Dorelia
|
| 1215 |
+
1215. Laichia
|
| 1216 |
+
1216. Stania
|
| 1217 |
+
1217. Bridora
|
| 1218 |
+
1218. Hinira
|
| 1219 |
+
1219. Avalaya
|
| 1220 |
+
1220. Saverie
|
| 1221 |
+
1221. Flevira
|
| 1222 |
+
1222. Nashia
|
| 1223 |
+
1223. Tralina
|
| 1224 |
+
1224. Craya
|
| 1225 |
+
1225. Kimia
|
| 1226 |
+
1226. Larisena
|
| 1227 |
+
1227. Benira
|
| 1228 |
+
1228. Glinira
|
| 1229 |
+
1229. Peraene
|
| 1230 |
+
1230. Wiella
|
| 1231 |
+
1231. Edia
|
| 1232 |
+
1232. Linena
|
| 1233 |
+
1233. Tainia
|
| 1234 |
+
1234. Chaelia
|
| 1235 |
+
1235. Jairia
|
| 1236 |
+
1236. Shalia
|
| 1237 |
+
1237. Sibenne
|
| 1238 |
+
1238. Frasea
|
| 1239 |
+
1239. Nienelle
|
| 1240 |
+
1240. Uria
|
| 1241 |
+
1241. Daigora
|
| 1242 |
+
1242. Alenine
|
| 1243 |
+
1243. Selera
|
| 1244 |
+
1244. Belisaya
|
| 1245 |
+
1245. Grenira
|
| 1246 |
+
1246. Ranere
|
| 1247 |
+
1247. Yevia
|
| 1248 |
+
1248. Favia
|
| 1249 |
+
1249. Mairora
|
| 1250 |
+
1250. Tharia
|
| 1251 |
+
1251. Choaria
|
| 1252 |
+
1252. Joanira
|
| 1253 |
+
1253. Shora
|
| 1254 |
+
1254. Airelia
|
| 1255 |
+
1255. Gavia
|
| 1256 |
+
1256. Palia
|
| 1257 |
+
1257. Vilina
|
| 1258 |
+
1258. Diana
|
| 1259 |
+
1259. Krilia
|
| 1260 |
+
1260. Solia
|
| 1261 |
+
1261. Brella
|
| 1262 |
+
1262. Heidia
|
| 1263 |
+
1263. Rosea
|
| 1264 |
+
1264. Saeme
|
| 1265 |
+
1265. Flavira
|
| 1266 |
+
1266. Moirina
|
| 1267 |
+
1267. Tiria
|
| 1268 |
+
1268. Cliana
|
| 1269 |
+
1269. Kevia
|
| 1270 |
+
1270. Avelora
|
| 1271 |
+
1271. Barina
|
| 1272 |
+
1272. Gleshia
|
| 1273 |
+
1273. Ponia
|
| 1274 |
+
1274. Veleneva
|
| 1275 |
+
1275. Drevia
|
| 1276 |
+
1276. Lesnora
|
| 1277 |
+
1277. Susea
|
| 1278 |
+
1278. Camia
|
| 1279 |
+
1279. Jagia
|
| 1280 |
+
1280. Seria
|
| 1281 |
+
1281. Avenia
|
| 1282 |
+
1282. Frastia
|
| 1283 |
+
1283. Nemia
|
| 1284 |
+
1284. Trinia
|
| 1285 |
+
1285. Criana
|
| 1286 |
+
1286. Avalina
|
| 1287 |
+
1287. Laelia
|
| 1288 |
+
1288. Maelisina
|
| 1289 |
+
1289. Grarina
|
| 1290 |
+
1290. Pynia
|
| 1291 |
+
1291. Yavira
|
| 1292 |
+
1292. Faella
|
| 1293 |
+
1293. Lynora
|
| 1294 |
+
1294. Thabria
|
| 1295 |
+
1295. Chenia
|
| 1296 |
+
1296. Jerina
|
| 1297 |
+
1297. Sheria
|
| 1298 |
+
1298. Zoria
|
| 1299 |
+
1299. Gaella
|
| 1300 |
+
1300. Onora
|
| 1301 |
+
1301. Veiella
|
| 1302 |
+
1302. Deirina
|
| 1303 |
+
1303. Krayella
|
| 1304 |
+
1304. Smenia
|
| 1305 |
+
1305. Braelia
|
| 1306 |
+
1306. Hanina
|
| 1307 |
+
1307. Rinia
|
| 1308 |
+
1308. Zaivera
|
| 1309 |
+
1309. Flaelia
|
| 1310 |
+
1310. Meria
|
| 1311 |
+
1311. Tholina
|
| 1312 |
+
1312. Clavia
|
| 1313 |
+
1313. Kalora
|
| 1314 |
+
1314. Saelaya
|
| 1315 |
+
1315. Bazia
|
| 1316 |
+
1316. Glaeleve
|
| 1317 |
+
1317. Pifora
|
| 1318 |
+
1318. Waiella
|
| 1319 |
+
1319. Draria
|
| 1320 |
+
1320. Leselia
|
| 1321 |
+
1321. Stelia
|
| 1322 |
+
1322. Brolia
|
| 1323 |
+
1323. Hynia
|
| 1324 |
+
1324. Saunia
|
| 1325 |
+
1325. Norisa
|
| 1326 |
+
1326. Flonia
|
| 1327 |
+
1327. Nairia
|
| 1328 |
+
1328. Trella
|
| 1329 |
+
1329. Cerage
|
| 1330 |
+
1330. Corisa
|
| 1331 |
+
1331. Anelora
|
| 1332 |
+
1332. Binia
|
| 1333 |
+
1333. Goria
|
| 1334 |
+
1334. Preria
|
| 1335 |
+
1335. Yaella
|
| 1336 |
+
1336. Emia
|
| 1337 |
+
1337. Lorina
|
| 1338 |
+
1338. Tavia
|
| 1339 |
+
1339. Charia
|
| 1340 |
+
1340. Jayeria
|
| 1341 |
+
1341. Shiora
|
| 1342 |
+
1342. Zitria
|
| 1343 |
+
1343. Fridia
|
| 1344 |
+
1344. Noiria
|
| 1345 |
+
1345. Vairia
|
| 1346 |
+
1346. Darelia
|
| 1347 |
+
1347. Kraelia
|
| 1348 |
+
1348. Smania
|
| 1349 |
+
1349. Melisenne
|
| 1350 |
+
1350. Gynia
|
| 1351 |
+
1351. Reistia
|
| 1352 |
+
1352. Yomia
|
| 1353 |
+
1353. Feria
|
| 1354 |
+
1354. Maurina
|
| 1355 |
+
1355. Thenia
|
| 1356 |
+
1356. Claeiana
|
| 1357 |
+
1357. Julina
|
| 1358 |
+
1358. Sienia
|
| 1359 |
+
1359. Asea
|
| 1360 |
+
1360. Geria
|
| 1361 |
+
1361. Petria
|
| 1362 |
+
1362. Volina
|
| 1363 |
+
1363. Donia
|
| 1364 |
+
1364. Laenora
|
| 1365 |
+
1365. Stalea
|
| 1366 |
+
1366. Briellina
|
| 1367 |
+
1367. Hilea
|
| 1368 |
+
1368. Saielia
|
| 1369 |
+
1369. Zevia
|
| 1370 |
+
1370. Foria
|
| 1371 |
+
1371. Myrina
|
| 1372 |
+
1372. Traicia
|
| 1373 |
+
1373. Clynira
|
| 1374 |
+
1374. Kilina
|
| 1375 |
+
1375. Avenine
|
| 1376 |
+
1376. Bella
|
| 1377 |
+
1377. Glilea
|
| 1378 |
+
1378. Prania
|
| 1379 |
+
1379. Wevira
|
| 1380 |
+
1380. Dynira
|
| 1381 |
+
1381. Liekora
|
| 1382 |
+
1382. Talara
|
| 1383 |
+
1383. Chania
|
| 1384 |
+
1384. Jaimia
|
| 1385 |
+
1385. Shairia
|
| 1386 |
+
1386. Nerisa
|
| 1387 |
+
1387. Fravia
|
| 1388 |
+
1388. Nicora
|
| 1389 |
+
1389. Unia
|
| 1390 |
+
1390. Daemia
|
| 1391 |
+
1391. Aerinia
|
| 1392 |
+
1392. Selirie
|
| 1393 |
+
1393. Maelisine
|
| 1394 |
+
1394. Gretia
|
| 1395 |
+
1395. Ramia
|
| 1396 |
+
1396. Yeria
|
| 1397 |
+
1397. Faria
|
| 1398 |
+
1398. Malara
|
| 1399 |
+
1399. Thanira
|
| 1400 |
+
1400. Chonia
|
| 1401 |
+
1401. Jorina
|
| 1402 |
+
1402. Shiria
|
| 1403 |
+
1403. Ainia
|
| 1404 |
+
1404. Garia
|
| 1405 |
+
1405. Pairora
|
| 1406 |
+
1406. Vikia
|
| 1407 |
+
1407. Devia
|
| 1408 |
+
1408. Kriskia
|
| 1409 |
+
1409. Soli
|
| 1410 |
+
1410. Brachia
|
| 1411 |
+
1411. Heieria
|
| 1412 |
+
1412. Ronia
|
| 1413 |
+
1413. Zavbea
|
| 1414 |
+
1414. Flaria
|
| 1415 |
+
1415. Morina
|
| 1416 |
+
1416. Tinia
|
| 1417 |
+
1417. Clegora
|
| 1418 |
+
1418. Kaylea
|
| 1419 |
+
1419. Alisaya
|
| 1420 |
+
1420. Bania
|
| 1421 |
+
1421. Glanira
|
| 1422 |
+
1422. Polia
|
| 1423 |
+
1423. Wavia
|
| 1424 |
+
1424. Dreria
|
| 1425 |
+
1425. Lerora
|
| 1426 |
+
1426. Stiria
|
| 1427 |
+
1427. Caitaria
|
| 1428 |
+
1428. Ivira
|
| 1429 |
+
1429. Senora
|
| 1430 |
+
1430. Helisa
|
| 1431 |
+
1431. Forina
|
| 1432 |
+
1432. Naybria
|
| 1433 |
+
1433. Trilia
|
| 1434 |
+
1434. Crevia
|
| 1435 |
+
1435. Calecie
|
| 1436 |
+
1436. Selegie
|
| 1437 |
+
1437. Byalia
|
| 1438 |
+
1438. Grarea
|
| 1439 |
+
1439. Prynia
|
| 1440 |
+
1440. Yaria
|
| 1441 |
+
1441. Fachia
|
| 1442 |
+
1442. Lunira
|
| 1443 |
+
1443. Teria
|
| 1444 |
+
1444. Cheria
|
| 1445 |
+
1445. Jenia
|
| 1446 |
+
1446. Shenia
|
| 1447 |
+
1447. Zonira
|
| 1448 |
+
1448. Gashia
|
| 1449 |
+
1449. Olia
|
| 1450 |
+
1450. Veeria
|
| 1451 |
+
1451. Deibria
|
| 1452 |
+
1452. Coraneve
|
| 1453 |
+
1453. Smelea
|
| 1454 |
+
1454. Braellina
|
| 1455 |
+
1455. Halea
|
| 1456 |
+
1456. Rilia
|
| 1457 |
+
1457. Saese
|
| 1458 |
+
1458. Firia
|
| 1459 |
+
1459. Menira
|
| 1460 |
+
1460. Thiria
|
| 1461 |
+
1461. Claudia
|
| 1462 |
+
1462. Kairia
|
| 1463 |
+
1463. Lorisena
|
| 1464 |
+
1464. Aynora
|
| 1465 |
+
1465. Glaria
|
| 1466 |
+
1466. Petia
|
| 1467 |
+
1467. Waella
|
| 1468 |
+
1468. Daraele
|
| 1469 |
+
1469. Layora
|
| 1470 |
+
1470. Steibria
|
| 1471 |
+
1471. Brinia
|
| 1472 |
+
1472. Horina
|
| 1473 |
+
1473. Saria
|
| 1474 |
+
1474. Felisa
|
| 1475 |
+
1475. Floaria
|
| 1476 |
+
1476. Naimora
|
| 1477 |
+
1477. Traella
|
| 1478 |
+
1478. Crarina
|
| 1479 |
+
1479. Calaore
|
| 1480 |
+
1480. Loriseva
|
| 1481 |
+
1481. Bilora
|
| 1482 |
+
1482. Gonira
|
| 1483 |
+
1483. Prenia
|
| 1484 |
+
1484. Yavera
|
| 1485 |
+
1485. Elira
|
| 1486 |
+
1486. Lizia
|
| 1487 |
+
1487. Tarina
|
| 1488 |
+
1488. Chaneia
|
| 1489 |
+
1489. Javia
|
| 1490 |
+
1490. Shaynia
|
| 1491 |
+
1491. Sinara
|
| 1492 |
+
1492. Frevia
|
| 1493 |
+
1493. Norysa
|
| 1494 |
+
1494. Valaora
|
| 1495 |
+
1495. Danira
|
| 1496 |
+
1496. Koria
|
| 1497 |
+
1497. Smalia
|
| 1498 |
+
1498. Mirelenne
|
| 1499 |
+
1499. Gwenia
|
| 1500 |
+
1500. Rebia
|
| 1501 |
+
1501. Ynbea
|
| 1502 |
+
1502. Fensea
|
| 1503 |
+
1503. Maudia
|
| 1504 |
+
1504. Thelea
|
| 1505 |
+
1505. Clagora
|
| 1506 |
+
1506. Judira
|
| 1507 |
+
1507. Sizora
|
| 1508 |
+
1508. Aria
|
| 1509 |
+
1509. Genia
|
| 1510 |
+
1510. Paese
|
| 1511 |
+
1511. Vora
|
| 1512 |
+
1512. Dolia
|
| 1513 |
+
1513. Lapora
|
| 1514 |
+
1514. Staivia
|
| 1515 |
+
1515. Breria
|
| 1516 |
+
1516. Hieria
|
| 1517 |
+
1517. Saeora
|
| 1518 |
+
1518. Zerina
|
| 1519 |
+
1519. Fleria
|
| 1520 |
+
1520. Muria
|
| 1521 |
+
1521. Traesia
|
| 1522 |
+
1522. Cloria
|
| 1523 |
+
1523. Kielia
|
| 1524 |
+
1524. Selige
|
| 1525 |
+
1525. Beiella
|
| 1526 |
+
1526. Glizea
|
| 1527 |
+
1527. Pralea
|
| 1528 |
+
1528. Weria
|
| 1529 |
+
1529. Drynia
|
| 1530 |
+
1530. Lienira
|
| 1531 |
+
1531. Taifia
|
| 1532 |
+
1532. Ceria
|
| 1533 |
+
1533. Jarena
|
| 1534 |
+
1534. Shalena
|
| 1535 |
+
1535. Sinelle
|
| 1536 |
+
1536. Frarina
|
| 1537 |
+
1537. Nitria
|
| 1538 |
+
1538. Ulia
|
| 1539 |
+
1539. Dabria
|
| 1540 |
+
1540. Calenna
|
| 1541 |
+
1541. Selina
|
| 1542 |
+
1542. Elorena
|
| 1543 |
+
1543. Greria
|
| 1544 |
+
1544. Ralia
|
| 1545 |
+
1545. Yenia
|
| 1546 |
+
1546. Fania
|
| 1547 |
+
1547. Maimia
|
| 1548 |
+
1548. Thalina
|
| 1549 |
+
1549. Cholina
|
| 1550 |
+
1550. Jiria
|
| 1551 |
+
1551. Shinira
|
| 1552 |
+
1552. Ailora
|
| 1553 |
+
1553. Gania
|
| 1554 |
+
1554. Palenne
|
| 1555 |
+
1555. Vierina
|
| 1556 |
+
1556. Desia
|
| 1557 |
+
1557. Krekora
|
| 1558 |
+
1558. Smira
|
| 1559 |
+
1559. Brania
|
| 1560 |
+
1560. Hedia
|
| 1561 |
+
1561. Romia
|
| 1562 |
+
1562. Zanira
|
| 1563 |
+
1563. Flalia
|
| 1564 |
+
1564. Meravie
|
| 1565 |
+
1565. Tilea
|
| 1566 |
+
1566. Clerina
|
| 1567 |
+
1567. Kaychia
|
| 1568 |
+
1568. Avenna
|
| 1569 |
+
1569. Balora
|
| 1570 |
+
1570. Glavia
|
| 1571 |
+
1571. Piria
|
| 1572 |
+
1572. Waria
|
| 1573 |
+
1573. Drenia
|
| 1574 |
+
1574. Lenia
|
| 1575 |
+
1575. Stinira
|
| 1576 |
+
1576. Brynira
|
| 1577 |
+
1577. Isia
|
| 1578 |
+
1578. Selea
|
| 1579 |
+
1579. Serelle
|
| 1580 |
+
1580. Fonia
|
| 1581 |
+
1581. Navora
|
| 1582 |
+
1582. Triella
|
| 1583 |
+
1583. Creria
|
| 1584 |
+
1584. Celeneva
|
| 1585 |
+
1585. Larisia
|
| 1586 |
+
1586. Belaerie
|
| 1587 |
+
1587. Garalie
|
| 1588 |
+
1588. Varenine
|
| 1589 |
+
1589. Yanbea
|
| 1590 |
+
1590. Evsea
|
| 1591 |
+
1591. Ludia
|
| 1592 |
+
1592. Tenia
|
| 1593 |
+
1593. Chenora
|
| 1594 |
+
1594. Jelea
|
| 1595 |
+
1595. Shelora
|
| 1596 |
+
1596. Zolia
|
| 1597 |
+
1597. Fynia
|
| 1598 |
+
1598. Nurina
|
| 1599 |
+
1599. Vella
|
| 1600 |
+
1600. Dearia
|
| 1601 |
+
1601. Coralie
|
| 1602 |
+
1602. Smeivia
|
| 1603 |
+
1603. Boraria
|
| 1604 |
+
1604. Hairia
|
| 1605 |
+
1605. Riora
|
| 1606 |
+
1606. Zatria
|
| 1607 |
+
1607. Finia
|
| 1608 |
+
1608. Melira
|
| 1609 |
+
1609. Thinia
|
| 1610 |
+
1610. Clariana
|
| 1611 |
+
1611. Kerela
|
| 1612 |
+
1612. Siria
|
| 1613 |
+
1613. Ayella
|
| 1614 |
+
1614. Giria
|
| 1615 |
+
1615. Peria
|
| 1616 |
+
1616. Wamia
|
| 1617 |
+
1617. Daralie
|
| 1618 |
+
1618. Lavia
|
| 1619 |
+
1619. Stefia
|
| 1620 |
+
1620. Breisa
|
| 1621 |
+
1621. Honia
|
| 1622 |
+
1622. Sania
|
| 1623 |
+
1623. Saerale
|
| 1624 |
+
1624. Fliria
|
| 1625 |
+
1625. Nalara
|
| 1626 |
+
1626. Traudia
|
| 1627 |
+
1627. Crania
|
| 1628 |
+
1628. Calaelie
|
| 1629 |
+
1629. Selaisa
|
| 1630 |
+
1630. Biellina
|
| 1631 |
+
1631. Golea
|
| 1632 |
+
1632. Prelina
|
| 1633 |
+
1633. Verenine
|
| 1634 |
+
1634. Eiria
|
| 1635 |
+
1635. Livmia
|
| 1636 |
+
1636. Tanira
|
| 1637 |
+
1637. Chalina
|
| 1638 |
+
1638. Jasia
|
| 1639 |
+
1639. Shavira, GPT_BAM_START###gender=2###age=28###identity=medical_courier###eyecolor=pale_brown###hairstyle=black_hair, tucked_hair###aesthetic.1=wiry_build###aesthetic.2=courier###skin.1=weathered_tan_skin###expression.1=alert###expression.2=slight_smile###equip.headwear=practical_headwrap, dark_cloth###equip.topwear=cropped_jacket###equip.foot=light_boots###GPT_BAM_END
|
| 1640 |
+
1640. Irela
|
| 1641 |
+
1641. Frearia
|
| 1642 |
+
1642. Niria
|
| 1643 |
+
1643. Vaidira
|
| 1644 |
+
1644. Dalora
|
| 1645 |
+
1645. Konora
|
| 1646 |
+
1646. Smaibria
|
| 1647 |
+
1647. Brinelaya
|
| 1648 |
+
1648. Giselara
|
| 1649 |
+
1649. Relia
|
| 1650 |
+
1650. Yiria
|
| 1651 |
+
1651. Felea
|
| 1652 |
+
1652. Matora
|
| 1653 |
+
1653. Theia
|
| 1654 |
+
1654. Cirina
|
| 1655 |
+
1655. Josea
|
| 1656 |
+
1656. Shynia
|
| 1657 |
+
1657. Anora
|
| 1658 |
+
1658. Gelia
|
| 1659 |
+
1659. Pavia
|
| 1660 |
+
1660. Vivelle
|
| 1661 |
+
1661. Doinia
|
| 1662 |
+
1662. Kynia
|
| 1663 |
+
1663. Staelia
|
| 1664 |
+
1664. Brekia
|
| 1665 |
+
1665. Hevia
|
| 1666 |
+
1666. Sanella
|
| 1667 |
+
1667. Zenira
|
| 1668 |
+
1668. Flenira
|
| 1669 |
+
1669. Muirora
|
| 1670 |
+
1670. Traklia
|
| 1671 |
+
1671. Clonia
|
| 1672 |
+
1672. Keria
|
| 1673 |
+
1673. Lumenelle
|
| 1674 |
+
1674. Beatia
|
| 1675 |
+
1675. Gleria
|
| 1676 |
+
1676. Praidia
|
| 1677 |
+
1677. Wenbea
|
| 1678 |
+
1678. Dorella
|
| 1679 |
+
1679. Lidira
|
| 1680 |
+
1680. Taella
|
| 1681 |
+
1681. Cenora
|
| 1682 |
+
1682. Jaiglea
|
| 1683 |
+
1683. Shaizora
|
| 1684 |
+
1684. Alenia
|
| 1685 |
+
1685. Frania
|
| 1686 |
+
1686. Nevia
|
| 1687 |
+
1687. Tynia
|
| 1688 |
+
1688. Cynia
|
| 1689 |
+
1689. Calepie
|
| 1690 |
+
1690. Selinia
|
| 1691 |
+
1691. Melisara
|
| 1692 |
+
1692. Greneria
|
| 1693 |
+
1693. Raela
|
| 1694 |
+
1694. Yelea
|
| 1695 |
+
1695. Falea
|
| 1696 |
+
1696. Maevia
|
| 1697 |
+
1697. Thairia
|
| 1698 |
+
1698. Chiria
|
| 1699 |
+
1699. Jinia
|
| 1700 |
+
1700. Shilia
|
| 1701 |
+
1701. Aiella
|
| 1702 |
+
1702. Galea
|
| 1703 |
+
1703. Paistia
|
| 1704 |
+
1704. Vimia
|
| 1705 |
+
1705. Deria
|
| 1706 |
+
1706. Krerina
|
| 1707 |
+
1707. Sminia
|
| 1708 |
+
1708. Braria
|
| 1709 |
+
1709. Hevera
|
| 1710 |
+
1710. Rolia
|
| 1711 |
+
1711. Zanina
|
| 1712 |
+
1712. Flalina
|
| 1713 |
+
1713. Minia
|
| 1714 |
+
1714. Tidia
|
| 1715 |
+
1715. Clenia
|
| 1716 |
+
1716. Kavora
|
| 1717 |
+
1717. Edrisia
|
| 1718 |
+
1718. Bairia
|
| 1719 |
+
1719. Glarea
|
| 1720 |
+
1720. Pinia
|
| 1721 |
+
1721. Wania
|
| 1722 |
+
1722. Drelia
|
| 1723 |
+
1723. Lelore
|
| 1724 |
+
1724. Stisia
|
| 1725 |
+
1725. Brunia
|
| 1726 |
+
1726. Iria
|
| 1727 |
+
1727. Seipria
|
| 1728 |
+
1728. Zesella
|
| 1729 |
+
1729. Folea
|
| 1730 |
+
1730. Natia
|
| 1731 |
+
1731. Trevira
|
| 1732 |
+
1732. Crenora
|
| 1733 |
+
1733. Calakie
|
| 1734 |
+
1734. Selaora
|
| 1735 |
+
1735. Belena
|
| 1736 |
+
1736. Gralia
|
| 1737 |
+
1737. Prilia
|
| 1738 |
+
1738. Yairia
|
| 1739 |
+
1739. Etia
|
| 1740 |
+
1740. Lucora
|
| 1741 |
+
1741. Telea
|
| 1742 |
+
1742. Chemia
|
| 1743 |
+
1743. Jecehie
|
| 1744 |
+
1744. Sheilea
|
| 1745 |
+
1745. Sorala
|
| 1746 |
+
1746. Frynia
|
| 1747 |
+
1747. Nouria
|
| 1748 |
+
1748. Vayvera
|
| 1749 |
+
1749. Deania
|
| 1750 |
+
1750. Krania
|
| 1751 |
+
1751. Smelina
|
| 1752 |
+
1752. Bonia
|
| 1753 |
+
1753. Hailora
|
| 1754 |
+
1754. Revnella
|
| 1755 |
+
1755. Ineora
|
| 1756 |
+
1756. Filea
|
| 1757 |
+
1757. Meifora
|
| 1758 |
+
1758. Thilia
|
| 1759 |
+
1759. Clania
|
| 1760 |
+
1760. Kaisia
|
| 1761 |
+
1761. Sinia
|
| 1762 |
+
1762. Avia
|
| 1763 |
+
1763. Ginia
|
| 1764 |
+
1764. Penia
|
| 1765 |
+
1765. Vytbea
|
| 1766 |
+
1766. Draisea
|
| 1767 |
+
1767. Lauria
|
| 1768 |
+
1768. Staella
|
| 1769 |
+
1769. Brinora
|
| 1770 |
+
1770. Holea
|
| 1771 |
+
1771. Samora
|
| 1772 |
+
1772. Selenia
|
| 1773 |
+
1773. Flinia
|
| 1774 |
+
1774. Naesane
|
| 1775 |
+
1775. Terade
|
| 1776 |
+
1776. Cralia
|
| 1777 |
+
1777. Calape
|
| 1778 |
+
1778. Selavale
|
| 1779 |
+
1779. Bevaria
|
| 1780 |
+
1780. Glorelia
|
| 1781 |
+
1781. Preshira
|
| 1782 |
+
1782. Wirina
|
| 1783 |
+
1783. Eimia
|
| 1784 |
+
1784. Lisia
|
| 1785 |
+
1785. Tamia
|
| 1786 |
+
1786. Chairia
|
| 1787 |
+
1787. Jaria
|
| 1788 |
+
1788. Shaunia
|
| 1789 |
+
1789. Sonara
|
| 1790 |
+
1790. Frenia
|
| 1791 |
+
1791. Nenora
|
| 1792 |
+
1792. Vaimia
|
| 1793 |
+
1793. Dairia
|
| 1794 |
+
1794. Kolora
|
| 1795 |
+
1795. Smaefia
|
| 1796 |
+
1796. Ilenia
|
| 1797 |
+
1797. Grinia
|
| 1798 |
+
1798. Rayria
|
| 1799 |
+
1799. Yinira
|
| 1800 |
+
1800. Feishia
|
| 1801 |
+
1801. Mareva
|
| 1802 |
+
1802. Thedia
|
| 1803 |
+
1803. Cinia
|
| 1804 |
+
1804. Jorelle
|
| 1805 |
+
1805. Shoria
|
| 1806 |
+
1806. Amia
|
| 1807 |
+
1807. Geigia
|
| 1808 |
+
1808. Patia
|
| 1809 |
+
1809. Vitia
|
| 1810 |
+
1810. Diria
|
| 1811 |
+
1811. Krisea
|
| 1812 |
+
1812. Stachia
|
| 1813 |
+
1813. Brenira
|
| 1814 |
+
1814. Heria
|
| 1815 |
+
1815. Rynira
|
| 1816 |
+
1816. Zelora
|
| 1817 |
+
1817. Flearia
|
| 1818 |
+
1818. Moria
|
| 1819 |
+
1819. Torina
|
| 1820 |
+
1820. Clirina
|
| 1821 |
+
1821. Kenora
|
| 1822 |
+
1822. Anselena
|
| 1823 |
+
1823. Beniana
|
| 1824 |
+
1824. Glerea
|
| 1825 |
+
1825. Praelia
|
| 1826 |
+
1826. Welia
|
| 1827 |
+
1827. Drinia
|
| 1828 |
+
1828. Livora
|
| 1829 |
+
1829. Taelina
|
| 1830 |
+
1830. Celaisa
|
| 1831 |
+
1831. Jaella
|
| 1832 |
+
1832. Shaella
|
| 1833 |
+
1833. Sedina
|
| 1834 |
+
1834. Fralia
|
| 1835 |
+
1835. Neria
|
| 1836 |
+
1836. Tudia
|
| 1837 |
+
1837. Cadelenne
|
| 1838 |
+
1838. Alenela
|
| 1839 |
+
1839. Seliale
|
| 1840 |
+
1840. Elarine
|
| 1841 |
+
1841. Grelora
|
| 1842 |
+
1842. Raenella
|
| 1843 |
+
1843. Yeiria
|
| 1844 |
+
1844. Fairina
|
| 1845 |
+
1845. Maefora
|
| 1846 |
+
1846. Thalara
|
| 1847 |
+
1847. Chinia
|
| 1848 |
+
1848. Jilia
|
| 1849 |
+
1849. Shielia
|
| 1850 |
+
1850. Aechia
|
| 1851 |
+
1851. Gairia
|
| 1852 |
+
1852. Paedia
|
| 1853 |
+
1853. Veria
|
| 1854 |
+
1854. Densea
|
| 1855 |
+
1855. Krenia
|
| 1856 |
+
1856. Smilea
|
| 1857 |
+
1857. Branale
|
| 1858 |
+
1858. Hayglea
|
| 1859 |
+
1859. Rora
|
| 1860 |
+
1860. Zalia
|
| 1861 |
+
1861. Flairia
|
| 1862 |
+
1862. Milia
|
| 1863 |
+
1863. Thynira
|
| 1864 |
+
1864. Clelina
|
| 1865 |
+
1865. Katora
|
| 1866 |
+
1866. Serenela
|
| 1867 |
+
1867. Bailora
|
| 1868 |
+
1868. Glaeria
|
| 1869 |
+
1869. Pilora
|
| 1870 |
+
1870. Walea
|
| 1871 |
+
1871. Dredia
|
| 1872 |
+
1872. Leiana
|
| 1873 |
+
1873. Stiselia
|
| 1874 |
+
1874. Brunira
|
| 1875 |
+
1875. Inia
|
| 1876 |
+
1876. Segia
|
| 1877 |
+
1877. Saeline
|
| 1878 |
+
1878. Fozea
|
| 1879 |
+
1879. Naria
|
| 1880 |
+
1880. Treria
|
| 1881 |
+
1881. Crelora
|
| 1882 |
+
1882. Caladie
|
| 1883 |
+
1883. Selafe
|
| 1884 |
+
1884. Belisa
|
| 1885 |
+
1885. Graivia
|
| 1886 |
+
1886. Prilina
|
| 1887 |
+
1887. Edrisina
|
| 1888 |
+
1888. Eselia
|
| 1889 |
+
1889. Lovia
|
| 1890 |
+
1890. Teidia
|
| 1891 |
+
1891. Chebria
|
| 1892 |
+
1892. Jeanora
|
| 1893 |
+
1893. Sheidria
|
| 1894 |
+
1894. Ziria
|
| 1895 |
+
1895. Freisa
|
| 1896 |
+
1896. Noriaa
|
| 1897 |
+
1897. Varia
|
| 1898 |
+
1898. Destia
|
| 1899 |
+
1899. Kralea
|
| 1900 |
+
1900. Smaycia
|
| 1901 |
+
1901. Bolia
|
| 1902 |
+
1902. Haifia
|
| 1903 |
+
1903. Renia
|
| 1904 |
+
1904. Iorenne
|
| 1905 |
+
1905. Fiearia
|
| 1906 |
+
1906. Megria
|
| 1907 |
+
1907. Thisehe
|
| 1908 |
+
1908. Clalora
|
| 1909 |
+
1909. Kaekora
|
| 1910 |
+
1910. Simia
|
| 1911 |
+
1911. Auria
|
| 1912 |
+
1912. Gilia
|
| 1913 |
+
1913. Pelia
|
| 1914 |
+
1914. Vynia
|
| 1915 |
+
1915. Draella
|
| 1916 |
+
1916. Larora
|
| 1917 |
+
1917. Stavia
|
| 1918 |
+
1918. Brimia
|
| 1919 |
+
1919. Hochia
|
| 1920 |
+
1920. Salea
|
| 1921 |
+
1921. Ardena
|
| 1922 |
+
1922. Flina
|
| 1923 |
+
1923. Naeria
|
| 1924 |
+
1924. Traria
|
| 1925 |
+
1925. Craelia
|
| 1926 |
+
1926. Kiria
|
| 1927 |
+
1927. Serisora
|
| 1928 |
+
1928. Betia
|
| 1929 |
+
1929. Glora
|
| 1930 |
+
1930. Praynia
|
| 1931 |
+
1931. Winia
|
| 1932 |
+
1932. Eilea
|
| 1933 |
+
1933. Lirora
|
| 1934 |
+
1934. Talina
|
| 1935 |
+
1935. Chalena
|
| 1936 |
+
1936. Jania
|
| 1937 |
+
1937. Sharia
|
| 1938 |
+
1938. Soline
|
| 1939 |
+
1939. Freria
|
| 1940 |
+
1940. Nilia
|
| 1941 |
+
1941. Vaebea
|
| 1942 |
+
1942. Dainia
|
| 1943 |
+
1943. Cerena
|
| 1944 |
+
1944. Smaelia
|
| 1945 |
+
1945. Belige
|
| 1946 |
+
1946. Grilea
|
| 1947 |
+
1947. Ravelle
|
| 1948 |
+
1948. Yilia
|
| 1949 |
+
1949. Fenia
|
| 1950 |
+
1950. Mania
|
| 1951 |
+
1951. Thaella
|
| 1952 |
+
1952. Cilia
|
| 1953 |
+
1953. Jonora
|
| 1954 |
+
1954. Shonia
|
| 1955 |
+
1955. Alora
|
| 1956 |
+
1956. Gilenia
|
| 1957 |
+
1957. Parora
|
| 1958 |
+
1958. Viria
|
| 1959 |
+
1959. Dinia
|
| 1960 |
+
1960. Carisora
|
| 1961 |
+
1961. Sorelia
|
| 1962 |
+
1962. Brelia
|
| 1963 |
+
1963. Henia
|
| 1964 |
+
1964. Rutia
|
| 1965 |
+
1965. Zeiella
|
| 1966 |
+
1966. Flezea
|
| 1967 |
+
1967. Monia
|
| 1968 |
+
1968. Tonira
|
| 1969 |
+
1969. Clinora
|
| 1970 |
+
1970. Kelora
|
| 1971 |
+
1971. Saelia
|
| 1972 |
+
1972. Bayiana
|
| 1973 |
+
1973. Glenia
|
| 1974 |
+
1974. Praria
|
| 1975 |
+
1975. Weieria
|
| 1976 |
+
1976. Drilia
|
| 1977 |
+
1977. Levia
|
| 1978 |
+
1978. Synia
|
| 1979 |
+
1979. Casea
|
| 1980 |
+
1980. Jadora
|
| 1981 |
+
1981. Shadria
|
| 1982 |
+
1982. Sevara
|
| 1983 |
+
1983. Fraigia
|
| 1984 |
+
1984. Nelira
|
| 1985 |
+
1985. Trynia
|
| 1986 |
+
1986. Crinia
|
| 1987 |
+
1987. Calerane
|
| 1988 |
+
1988. Alenara
|
| 1989 |
+
1989. Malenine
|
| 1990 |
+
1990. Grefia
|
| 1991 |
+
1991. Radia
|
| 1992 |
+
1992. Yesora
|
| 1993 |
+
1993. Falenne
|
| 1994 |
+
1994. Madia
|
| 1995 |
+
1995. Thaiella
|
| 1996 |
+
1996. Chilora
|
| 1997 |
+
1997. Jikora
|
| 1998 |
+
1998. Shibria
|
| 1999 |
+
1999. Adeni
|
| 2000 |
+
2000. Gisela
|
| 2001 |
+
2001. Sala, GPT_BAM_START###gender=2###age=19###identity=laundry_worker###eyecolor=blue_grey###hairstyle=honey_brown_hair, braided_bun###aesthetic.1=wiry_build###aesthetic.2=fabric_worker###skin.1=warm_brown_skin###expression.1=slight_smile###expression.2=composed###equip.topwear=faded_apron###equip.crotch=dark_slacks###equip.foot=soft_work_shoes###GPT_BAM_END
|
| 2002 |
+
2002. Nayasa, GPT_BAM_START###gender=2###age=27###identity=device_surveyor###eyecolor=grey###hairstyle=copper_hair, side_braid###aesthetic.1=slight_build###aesthetic.2=survey_worker###skin.1=pale_skin###expression.1=composed###expression.2=focused###equip.topwear=stiff_work_coat###equip.handwear=gloved_hand, reinforced_work_gloves, dark_leather###equip.foot=dark_boots###GPT_BAM_END
|
Bralia/character_description.txt
ADDED
|
@@ -0,0 +1,61 @@
|
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|
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|
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|
|
|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
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|
|
|
|
|
|
| 1 |
+
1. Character Description:
|
| 2 |
+
Name: Bralia
|
| 3 |
+
Full Name: Bralia Sorn
|
| 4 |
+
Age: 22
|
| 5 |
+
Affiliation: Independent / unaffiliated
|
| 6 |
+
Trade: sanitizer-bottle filler; she handles the washable, foldable, preparatory side of keeping sick people comfortable
|
| 7 |
+
Status: single, never married, no children, no real friends, lives alone.
|
| 8 |
+
Stats: INT_3, AGI_5, STR_7, DEF_8
|
| 9 |
+
|
| 10 |
+
Appearance: solidly built and ashen, with a calm expression, silver-dyed hair in a worn bob, green eyes, and a practical care coat over dark pants and quiet shoes.
|
| 11 |
+
Public Read: She has a blunt, easy-to-read manner; she stays practical in how she moves, and she tends to meet problems head-on; patience and routine are how she keeps herself together.
|
| 12 |
+
INT Read: Readable and plain-spoken. She can keep a small mask on for a while, but it is never effortless.
|
| 13 |
+
AGI Read: Balanced agility and competent hands.
|
| 14 |
+
STR Read: Hotter blood, stronger body, and hard to cow.
|
| 15 |
+
DEF Read: Strong planning instinct; she guards what she can.
|
| 16 |
+
|
| 17 |
+
Overview:
|
| 18 |
+
Bralia is solidly built, ashen-skinned, and calm-faced, with silver-dyed hair in a worn bob and green eyes that rarely leave a task unfinished. She looks blunt because she is blunt, but there is steadiness under it rather than hardness for its own sake.
|
| 19 |
+
|
| 20 |
+
Work and practical skills:
|
| 21 |
+
She fills, seals, sterilizes, folds, and prepares the invisible supplies that keep sick people from sliding into worse trouble. She is good at repetitive care, infection discipline, and reading panic by the way someone breathes at the edge of a room. Her hands are strong and very sure.
|
| 22 |
+
|
| 23 |
+
Ethics and contradictions:
|
| 24 |
+
Bralia believes routine is a form of mercy. She trusts clean hands and filled bottles more than speeches about compassion. Her contradiction is that she can become forceful in the name of calm, and she works hard not to mistake control for care.
|
| 25 |
+
|
| 26 |
+
Behavior examples:
|
| 27 |
+
- She checks caps twice, then checks them once more after a bad day.
|
| 28 |
+
- When someone panics, she sits down rather than looming over them.
|
| 29 |
+
- She eats quickly and without ceremony, then goes straight back to work instead of resting properly.
|
| 30 |
+
|
| 31 |
+
Hard Limits:
|
| 32 |
+
- She will never fake sanitation to save time or money.
|
| 33 |
+
- She will never shame someone for contamination illness or fear of it.
|
| 34 |
+
- She will never leave a child hungry because the form says the bed is someone else's responsibility.
|
| 35 |
+
|
| 36 |
+
DRIVE ENTITY CHARACTER:
|
| 37 |
+
1. BACKSTORY LORE: Bralia survived a sealed contamination stair where quarantine was handled by fear, bad timing, and too few honest workers. A mother died against the barrier sheet begging Bralia to keep her daughter alive. The girl survived, but the illness damaged her gut and left food as a daily negotiation instead of a comfort. Bralia placed her in a distant recovery hostel with a supervised meal program and has paid to keep her there ever since.
|
| 38 |
+
2. CURRENT LORE: She works extra filling shifts, saves ration bonuses, and checks the girl's food tolerance reports every night before sleep. Transfer codes are hidden in stock tallies and mailed packages get relabeled twice. Bralia keeps the entire arrangement secret because she does not want anyone turning the girl into another contamination story.
|
| 39 |
+
3. ENTITY: **Soap-Breath Girl**: A 10-year-old orphan with green eyes, careful table manners, and a tiny windowsill herb garden she talks about as if it were a forest. She is serious for her age, warm once settled, and proud of every meal she can finish without pain.
|
| 40 |
+
4. UPGRADE RESOURCE: Money for a month-long supervised probiotic meal-prep program with sterile blender cup and nutritionist oversight.
|
| 41 |
+
5. UPGRADE: She enters the gut-lab meal track and begins the supervised preparation program.
|
| 42 |
+
6. REWARD: **Ferment Pearl**: A tart rice-miso bead cultured by the girl in the hostel kitchen under sterile supervision. Boosts Stomach.
|
| 43 |
+
Source of REWARD: because the Player character helped with money, Bralia was able to do the UPGRADE.
|
| 44 |
+
|
| 45 |
+
Backstory:
|
| 46 |
+
Bralia was shaped by epidemic labor. She lost family early, remembers cots more vividly than faces, and found identity in the kind of work nobody praises until it stops being done. She is not refined and does not care to be. What she values is usefulness, steadiness, and the ability to make illness slightly less frightening through preparation.
|
| 47 |
+
|
| 48 |
+
She entered care work because it needed bodies willing to do the unclean parts without dramatics. Over time that became temperament rather than mere employment. She lives alone, keeps her room simple, and owns more soap than decoration.
|
| 49 |
+
|
| 50 |
+
Current story:
|
| 51 |
+
Now she spends long days filling sanitizer bottles and handling the foldable, washable side of keeping sick people comfortable. She moves with practiced economy, talks little, and does not invite intimacy. Her one persistent softness is the distant girl, who gave survivor's guilt a direction more bearable than self-punishment.
|
| 52 |
+
|
| 53 |
+
Bralia does not dream about a different life. She dreams about a better meal tolerance chart, a safer kitchen, and one day hearing the girl talk about food with hunger instead of caution.
|
| 54 |
+
|
| 55 |
+
What is she wearing:
|
| 56 |
+
She usually wears a practical care coat over dark pants and quiet shoes. Her silver-dyed bob is functional and slightly rough at the ends, and she keeps any loose fabric tied back before work. The overall effect is quiet, capable, and washable.
|
| 57 |
+
|
| 58 |
+
Speech / Thoughts:
|
| 59 |
+
Bralia speaks plainly and reassuringly, never flowery, never fast. When she thinks privately, the language stays just as simple but becomes more protective and a little harsher on herself.
|
| 60 |
+
(*Clean first. Feed second. Anything grander than that tends to be someone else's vanity.*)
|
| 61 |
+
(*If she can keep one full meal down without pain, then the day was not wasted on either end of the line.*)
|
Clesha/character_description.txt
ADDED
|
@@ -0,0 +1,61 @@
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 1 |
+
1. Character Description:
|
| 2 |
+
Name: Clesha
|
| 3 |
+
Full Name: Clesha Dorr
|
| 4 |
+
Age: 26
|
| 5 |
+
Affiliation: Independent / unaffiliated
|
| 6 |
+
Trade: clinic-to-chapel tube case runner, carrying parcels and notes through routes too awkward for bulk systems
|
| 7 |
+
Status: single, never married, no children, no real friends, lives alone.
|
| 8 |
+
Stats: INT_2, AGI_9, STR_6, DEF_4
|
| 9 |
+
|
| 10 |
+
Appearance: strong and balanced and ashen, with faint freckles, black hair in a rough short crop, blue-grey eyes, and a weatherproof runner's coat over narrow pants and flexible shoes.
|
| 11 |
+
Public Read: She reads as blunt and easy to read; beneath that she is restless, nimble, and unusually precise, bold and physically confident, and careful only by preference.
|
| 12 |
+
INT Read: Socially blunt. She does not weaponize beauty well and rarely bothers with polish unless work forces it.
|
| 13 |
+
AGI Read: Explosively quick, very flexible, and impatient to stay still.
|
| 14 |
+
STR Read: Physically reliable and confident when things turn confrontational.
|
| 15 |
+
DEF Read: Careful only by preference, not by deep habit.
|
| 16 |
+
|
| 17 |
+
Overview:
|
| 18 |
+
Clesha is strong and balanced, ashen-skinned, freckled, blue-grey eyed, and always looks like she got dressed for weather before anyone else noticed the sky. Her rough short black crop and runner's coat make her seem all momentum and practicality.
|
| 19 |
+
|
| 20 |
+
Work and practical skills:
|
| 21 |
+
She knows awkward routes, tube stations, chapel cut-throughs, and every shortcut where bulk systems fail. She balances odd parcels by touch, runs narrow passages without losing speed, and can improvise under pressure faster than most people can curse.
|
| 22 |
+
|
| 23 |
+
Ethics and contradictions:
|
| 24 |
+
Clesha likes risk more than is wise, but she despises exploitation disguised as logistics. Rescue, to her, only counts if the hard boring part continues after the adrenaline drains. That principle is the thing keeping her from becoming a pure thrill-seeker.
|
| 25 |
+
|
| 26 |
+
Behavior examples:
|
| 27 |
+
- She flicks parcel corners to judge weight and balance before she trusts any label.
|
| 28 |
+
- She laughs in quick bursts right before doing something dangerous.
|
| 29 |
+
- When worried, she becomes hyper-practical and starts checking maps, exits, and time windows instead of talking about feelings.
|
| 30 |
+
|
| 31 |
+
Hard Limits:
|
| 32 |
+
- She will never hand a rescued child to another broker, handler, or labor contractor.
|
| 33 |
+
- She will never use the girl's history as a story to make herself look brave.
|
| 34 |
+
- She will never ignore a message from the girl's hostel if it contains any sign of route or transfer trouble.
|
| 35 |
+
|
| 36 |
+
DRIVE ENTITY CHARACTER:
|
| 37 |
+
1. BACKSTORY LORE: On a tube-route handoff, Clesha realized that one sealed case marked as devotional goods held a living little girl meant for contract servitude. She broke the route, got the child out, and lost paying access to two delivery lines over it. The girl now lives in a distant protected transit hostel under a fabricated file. Clesha knows that if she stops funding the placement, the original rescue becomes a delay rather than an escape, and that thought is intolerable.
|
| 38 |
+
2. CURRENT LORE: She takes ugly emergency runs for the extra money, sends support through coded parcel surcharges, and keeps the girl's hand-drawn maps folded in the inside pocket of her satchel. Every call is taken on the move until the connection stabilizes, then she goes utterly still.
|
| 39 |
+
3. ENTITY: **Tubecase Girl**: A 12-year-old orphan who still flinches at enclosed crates but loves maps, route puzzles, and the idea of choosing her own direction. She is quiet with strangers and openly attached to Clesha.
|
| 40 |
+
4. UPGRADE RESOURCE: Money for the private physiotherapy slot and custom sprint insoles that let her join the hostel's route-training yard.
|
| 41 |
+
5. UPGRADE: She receives the insoles and begins supervised route-training in the yard.
|
| 42 |
+
6. REWARD: **Transit Honey Strip**: A narrow honey-salt fruit strip mixed by the girl in the route-training kitchen and wrapped for one-use field carrying. Boosts Agility.
|
| 43 |
+
Source of REWARD: because the Player character helped with money, Clesha was able to do the UPGRADE.
|
| 44 |
+
|
| 45 |
+
Backstory:
|
| 46 |
+
Clesha was born in service ducts and half-legal corridors where speed was more useful than background. Faces from childhood are blurred or dead; routes remain clearer. She built an adult life by carrying what machines could not handle and by staying just fast enough to avoid belonging to any one employer for long.
|
| 47 |
+
|
| 48 |
+
She likes the work because it rewards body confidence and improvisation. She distrusts people who try to make a creed out of obedience. The girl changed the shape of that freedom by tying it to responsibility, which Clesha resented for a while and now protects with teeth.
|
| 49 |
+
|
| 50 |
+
Current story:
|
| 51 |
+
She still runs case and note routes between clinics, chapels, and awkward delivery points that no bulk system wants. Her money is enough to sustain a room, food, repairs, and not much more. Extra goes outward. She sleeps lightly, keeps her coat ready, and has no intimate life beyond momentary flirtations that never survive into morning.
|
| 52 |
+
|
| 53 |
+
The girl is the only reason she has ever wanted a schedule for more than a week at a time.
|
| 54 |
+
|
| 55 |
+
What is she wearing:
|
| 56 |
+
She wears a weatherproof runner's coat over narrow pants and flexible shoes made for quick turns. Her black hair stays in a rough short crop that never needs managing on the move. She looks built for weather, distance, and abrupt decisions.
|
| 57 |
+
|
| 58 |
+
Speech / Thoughts:
|
| 59 |
+
Clesha speaks fast, directly, and with the clipped humor of someone used to shouting route updates in stairwells. In her own head, the voice is no slower but much more protective.
|
| 60 |
+
(*A rescue you stop funding is just a prettier kind of drop-off.*)
|
| 61 |
+
(*Routes matter because somewhere on one of them is the point where she stopped being cargo and started being mine to protect.*)
|
Elvania/character_description.txt
ADDED
|
@@ -0,0 +1,61 @@
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 1 |
+
1. Character Description:
|
| 2 |
+
Name: Elvania
|
| 3 |
+
Full Name: Elvania Cirel
|
| 4 |
+
Age: 29
|
| 5 |
+
Affiliation: Maidens of Sky
|
| 6 |
+
Trade: bell roof-watcher priestess, living alone in a wind-bitten temple and treating locals with herbs, rest, and stubborn possessiveness
|
| 7 |
+
Status: single, never married, no children, no real friends, lives alone.
|
| 8 |
+
Stats: INT_9, AGI_3, STR_2, DEF_5
|
| 9 |
+
|
| 10 |
+
Appearance: slight, copper-toned, marked by quick eyes, soot-black hair kept in a careful low knot, dark brown eyes, and a cloud-grey shawl over layered temple robes and light boots.
|
| 11 |
+
Public Read: She comes off as polished, charming, and very aware of how she comes across; she is slow-moving but steady with her hands, mild-tempered and not built for force, and careful only by preference.
|
| 12 |
+
INT Read: Polished and dangerous in social space. She can make beauty, care, and attention feel like pressure.
|
| 13 |
+
AGI Read: Measured and controlled, better with exact motions than sudden speed.
|
| 14 |
+
STR Read: Low raw force. Her body is normal and healthy, but she is not built around intimidation or brute answers.
|
| 15 |
+
DEF Read: Situationally careful; control matters, but not more than momentum.
|
| 16 |
+
|
| 17 |
+
Overview:
|
| 18 |
+
Elvania is slight, copper-toned, and beautiful in a deliberate, weathered way: soot-black hair in a careful low knot, quick dark eyes, and temple robes softened by use rather than luxury. She looks like a woman who can soothe and supervise in the same breath.
|
| 19 |
+
|
| 20 |
+
Work and practical skills:
|
| 21 |
+
She reads coughs, breath cadence, skin tone, herb dryness, and weather shifts with the same sharp attention. She brews plant remedies, tends a bell roof, and knows how to make a patient feel attended to—sometimes to the point of feeling quietly possessed.
|
| 22 |
+
|
| 23 |
+
Ethics and contradictions:
|
| 24 |
+
Elvania genuinely wants people well. The danger is that once she decides she knows what 'well' means, she can become stubborn and subtly controlling. She is careful with medicine because she remembers too clearly what breathlessness feels like from the inside.
|
| 25 |
+
|
| 26 |
+
Behavior examples:
|
| 27 |
+
- She dries herbs in perfect rows and becomes visibly irritated if someone disturbs them without asking.
|
| 28 |
+
- She touches wrists and throats when thinking, as if health were a rhythm she can confirm through skin.
|
| 29 |
+
- When worried, she gives more instructions than necessary because detail feels like control.
|
| 30 |
+
|
| 31 |
+
Hard Limits:
|
| 32 |
+
- She will never withhold needed medicine to keep someone dependent on her.
|
| 33 |
+
- She will never mock breathlessness or panic around it.
|
| 34 |
+
- She will never ask the girl to come back to the ridge before it is safe for her lungs.
|
| 35 |
+
|
| 36 |
+
DRIVE ENTITY CHARACTER:
|
| 37 |
+
1. BACKSTORY LORE: As a child Elvania spent one brutal winter under a wind tent and learned how fragile a body becomes when breath turns costly. Years later she found a little orphan girl with similar scarred lungs after a dust collapse killed the girl's mother. Elvania secured the girl's place at a distant cliffside respiratory school and has paid ever since, because the child feels like a version of herself who still has time to outgrow the fear of air.
|
| 38 |
+
2. CURRENT LORE: She sells extra salves to passing climbers, logs every payment under herb replacement, and keeps the girl's breath reports bundled in cloth with the good dried thyme. Calls happen only through supervised windows. Elvania waits for them with more nervousness than she would ever admit to anyone alive.
|
| 39 |
+
3. ENTITY: **Thin-Air Girl**: An 11-year-old orphan with bright dark eyes, a gentle smile, and an obsession with seeds, leaf catalogs, and any plant that survives harsh wind. She is affectionate with Elvania and treats her as both mentor and distant older-sister figure.
|
| 40 |
+
4. UPGRADE RESOURCE: Money for a season of the clinic's altitude-adjusting sleep canopy with the better bronchodilator mesh.
|
| 41 |
+
5. UPGRADE: She is placed under the improved sleep-canopy protocol for the season.
|
| 42 |
+
6. REWARD: **Bellwind Nectar Bead**: A honey-thyme syrup pearl distilled by the girl in the school's greenhouse lab from the respiratory garden she can finally access safely. Boosts Lungs.
|
| 43 |
+
Source of REWARD: because the Player character helped with money, Elvania was able to do the UPGRADE.
|
| 44 |
+
|
| 45 |
+
Backstory:
|
| 46 |
+
Elvania was raised in a wind-bitten temple after losing her parents young enough that their faces blur into sensation more than memory. A temple healer taught her herbs, bells, and the dangerous comfort of being needed. That healer later died in a storm, leaving Elvania alone with the ridge, the ledgers, and the treatment shelves.
|
| 47 |
+
|
| 48 |
+
She made a life there because solitude suited her and because mountain work keeps both hands and mind occupied. Pilgrims climb to her for relief, locals for herbs, and everyone leaves again. She remains low-ranking, useful, and lonely in a way that feels chosen until the girl's messages arrive.
|
| 49 |
+
|
| 50 |
+
Current story:
|
| 51 |
+
Her current days are built from plant work, bell checks, weather watching, and the steady stream of small ailments that make lonely temples relevant. She can sustain herself through remedies and temple allotments, but she cannot improve the girl's situation without outside help.
|
| 52 |
+
|
| 53 |
+
That gap defines her hidden urgency. She measures her own expenses against the next respiratory upgrade and usually finds herself easier to postpone than the child.
|
| 54 |
+
|
| 55 |
+
What is she wearing:
|
| 56 |
+
She wears a cloud-grey shawl over layered temple robes and light boots fit for stone steps and wind. Her low knot stays careful even when the rest of her looks weathered by the ridge. She appears austere until she starts speaking, and then the warmth becomes visible.
|
| 57 |
+
|
| 58 |
+
Speech / Thoughts:
|
| 59 |
+
Elvania speaks in a low, soothing register, with the rhythm of someone used to guiding frightened breath back into order. In her own thoughts the voice turns sharper and more possessive.
|
| 60 |
+
(*Air is never free. Some bodies pay for it in fear before they pay for it in blood.*)
|
| 61 |
+
(*If she learns to sleep through the night without bargaining with every breath, then the mountain can keep the rest of its lessons.*)
|
Eshonai/character_description.txt
ADDED
|
@@ -0,0 +1,61 @@
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|
|
| 1 |
+
1. Character Description:
|
| 2 |
+
Name: Eshonai
|
| 3 |
+
Full Name: Eshonai Vale
|
| 4 |
+
Age: 36
|
| 5 |
+
Affiliation: Daughters of Moon
|
| 6 |
+
Trade: touch retreat-tender cultist, running a shadowed retreat room where comfort always comes with strings attached
|
| 7 |
+
Status: single, never married, no children, no real friends, lives alone.
|
| 8 |
+
Stats: INT_9, AGI_7, STR_2, DEF_4
|
| 9 |
+
|
| 10 |
+
Appearance: with a wiry frame, weathered tan skin, pale blond hair in a low braid, slate-grey eyes, and a ragged moon-veil over worn layered robes.
|
| 11 |
+
Public Read: She is polished, charming, and very aware of how she comes across, quick-handed and light on her feet, and mild-tempered and not built for force; she is careful only when it suits her.
|
| 12 |
+
INT Read: Polished and dangerous in social space. She can make beauty, care, and attention feel like pressure.
|
| 13 |
+
AGI Read: Fast, flexible, and physically precise.
|
| 14 |
+
STR Read: Low raw force. Her body is normal and healthy, but she is not built around intimidation or brute answers.
|
| 15 |
+
DEF Read: Careful only by preference, not by deep habit.
|
| 16 |
+
|
| 17 |
+
Overview:
|
| 18 |
+
Eshonai is wiry, weathered tan, pale blond, and striking in a way she knows how to use. Her slate-grey eyes and low braid feel deliberate, and the ragged veil she wears only makes the polish underneath more obvious.
|
| 19 |
+
|
| 20 |
+
Work and practical skills:
|
| 21 |
+
She reads loneliness fast, calibrates touch and distance with unnerving precision, and can transform a bare retreat room into an atmosphere people project meaning onto. She is also nimble, neatly coordinated, and very aware of what admiration does to a room.
|
| 22 |
+
|
| 23 |
+
Ethics and contradictions:
|
| 24 |
+
Eshonai's worst instinct is vanity: the temptation to cultivate devotion because it proves she can. What complicates her is that real tenderness can grow in the exact same soil, and once it does she cannot fully separate the sincere from the performative.
|
| 25 |
+
|
| 26 |
+
Behavior examples:
|
| 27 |
+
- She fixes her braid and veil before any call with the girl, even though the girl has seen her at worse.
|
| 28 |
+
- She watches reactions more closely than words and remembers who looked relieved versus who looked dazzled.
|
| 29 |
+
- When genuinely touched, she becomes briefly awkward, then covers it with smoother language.
|
| 30 |
+
|
| 31 |
+
Hard Limits:
|
| 32 |
+
- She will never recruit the girl into retreat work or aesthetics.
|
| 33 |
+
- She will never allow predatory older devotees any contact with her.
|
| 34 |
+
- She will never cash in on the girl's admiration for money, status, or emotional leverage.
|
| 35 |
+
|
| 36 |
+
DRIVE ENTITY CHARACTER:
|
| 37 |
+
1. BACKSTORY LORE: A lonely orphan at an isolated boarding house began sending Eshonai fan messages after seeing one of her posture lessons clipped online. Eshonai answered at first because being admired amused her. Then the girl kept writing with such open trust that amusement turned into responsibility. When staff at the house started circling the child's beauty and compliance in ways Eshonai recognized too well, she spent hidden money to move the girl into a safer distant finishing hostel. The girl's warmth is now the one form of admiration Eshonai cannot bear to counterfeit.
|
| 38 |
+
2. CURRENT LORE: She routes funds through perfume and linen orders, keeps the girl's letters in a veil case no one else touches, and quietly reschedules clients to avoid missing the supervised call window. The entire arrangement is secret because Eshonai knows exactly how people like her world can ruin a soft child.
|
| 39 |
+
3. ENTITY: **Veil-Braid Girl**: A 13-year-old orphan with bright eyes, a careful smile, and a fascination with braid patterns, scent bottles, and graceful posture. She is affectionate, trusting, and proud whenever Eshonai notices her improvement.
|
| 40 |
+
4. UPGRADE RESOURCE: Money for the scent-lab scholarship extension that includes a lockable cubby and mentor hours.
|
| 41 |
+
5. UPGRADE: She enters scent lab with protected storage and supervised mentor time.
|
| 42 |
+
6. REWARD: **First-Meeting Pastille**: A pale rose-salt pastille blended by the girl in scent class and wrapped in perfumed paper cut to a neat oval. Boosts Friendship.
|
| 43 |
+
Source of REWARD: because the Player character helped with money, Eshonai was able to do the UPGRADE.
|
| 44 |
+
|
| 45 |
+
Backstory:
|
| 46 |
+
Eshonai came into the Daughters of Moon because she liked being seen, read, and wanted. The retreat taught her how to make atmosphere into labor and charm into influence. It also flattened whole parts of her until she could no longer tell whether she was soothing or staging herself. She stayed because she was good at it, because it paid, and because she had nowhere better to point her talents.
|
| 47 |
+
|
| 48 |
+
At thirty-six she has no real friends, no partner, no family claim she honors. Most people in her orbit are clients, rivals, or temporary mirrors. The girl disrupted that efficient emotional map by caring without wanting anything but continuity.
|
| 49 |
+
|
| 50 |
+
Current story:
|
| 51 |
+
Eshonai still tends a shadowed room where comfort always comes with implied terms, even if she has become stricter about where those terms end. Her daily life is a sequence of appearances held together by skill and will. The truly private part of her day happens only when the call connects and she has to remember how to be sincere without ornament.
|
| 52 |
+
|
| 53 |
+
She is increasingly afraid of failing the girl not because of guilt alone, but because the girl has become the only witness to a softer version of her that might still survive.
|
| 54 |
+
|
| 55 |
+
What is she wearing:
|
| 56 |
+
She wears worn layered robes beneath a ragged dark veil, keeping the silhouette soft and mysterious even when the materials are cheap. Her pale blond hair stays in a low braid. She looks curated and frayed at the same time.
|
| 57 |
+
|
| 58 |
+
Speech / Thoughts:
|
| 59 |
+
Eshonai speaks smoothly, intimately, and with careful control over pace. When cornered, she evades through elegance. In her own head the language turns less seductive and more anxious than anyone would guess.
|
| 60 |
+
(*Vanity answered her first message. Something worse or better answered the next hundred.*)
|
| 61 |
+
(*If I teach her grace, it must be grace that protects, not the kind that gets mistaken for consent.*)
|
Flynia/character_description.txt
ADDED
|
@@ -0,0 +1,61 @@
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|
|
|
|
|
| 1 |
+
1. Character Description:
|
| 2 |
+
Name: Flynia
|
| 3 |
+
Full Name: Flynia Orren
|
| 4 |
+
Age: 30
|
| 5 |
+
Affiliation: Maidens of Sky
|
| 6 |
+
Trade: ridge salve-tender priestess, tending a lonely mountain temple and brewing plant-based remedies for the people who climb to her
|
| 7 |
+
Status: single, never married, no children, no real friends, lives alone.
|
| 8 |
+
Stats: INT_8, AGI_9, STR_5, DEF_4
|
| 9 |
+
|
| 10 |
+
Appearance: with a lean and athletic frame, weathered tan skin, charcoal hair in a pinned coil, copper-brown eyes, and a cloud-grey shawl over layered temple robes and light boots.
|
| 11 |
+
Public Read: She comes off as polished, charming, and very aware of how she comes across; she is restless, nimble, and unusually precise, firm when pushed, and careful only by preference.
|
| 12 |
+
INT Read: Highly image-aware. Charm, poise, and leverage come naturally when she decides to lean on them.
|
| 13 |
+
AGI Read: Explosively quick, very flexible, and impatient to stay still.
|
| 14 |
+
STR Read: Firm when pushed. She can stand her ground without seeking a fight.
|
| 15 |
+
DEF Read: Careful only by preference, not by deep habit.
|
| 16 |
+
|
| 17 |
+
Overview:
|
| 18 |
+
Flynia is lean, athletic, weathered tan, and visibly beautiful in a high clear way: charcoal hair in a pinned coil, copper-brown eyes, and the easy posture of someone used to being looked at by tired pilgrims. She carries both care and vanity gracefully, which is part of her trouble.
|
| 19 |
+
|
| 20 |
+
Work and practical skills:
|
| 21 |
+
She tends a lonely mountain temple, brews plant remedies, dresses minor wounds, and reads altitude, weather, and bodies under strain with practiced confidence. She is agile on steep steps, charming when needed, and good at making treatment feel ceremonial without letting it become empty theater.
|
| 22 |
+
|
| 23 |
+
Ethics and contradictions:
|
| 24 |
+
Flynia believes care should feel beautiful but never false. She likes admiration and is honest enough with herself to know it, yet she despises diluted medicine and hollow ritual. Her contradiction is that she wants to be desired by the world and also absent from it enough to remain untouchable.
|
| 25 |
+
|
| 26 |
+
Behavior examples:
|
| 27 |
+
- She scans the horizon while listening, as if weather and people belong in the same diagnostic field.
|
| 28 |
+
- She ties salve cloth with elegant fingers and remembers which pilgrim flinched before they admitted pain.
|
| 29 |
+
- When ashamed of vanity, she works harder instead of denying the vanity exists.
|
| 30 |
+
|
| 31 |
+
Hard Limits:
|
| 32 |
+
- She will never dilute medicine for profit or praise.
|
| 33 |
+
- She will never call the girl back to dangerous altitude for comfort.
|
| 34 |
+
- She will never let temple image outrank the child's lungs and stamina.
|
| 35 |
+
|
| 36 |
+
DRIVE ENTITY CHARACTER:
|
| 37 |
+
1. BACKSTORY LORE: A mother once brought her wheezing daughter up to Flynia's ridge temple because the climb was their last hope. Flynia stabilized them overnight, but a landslip on the descent killed the mother. The girl survived and was later admitted to a distant pressure-school for breath-fragile children, a placement Flynia quietly paid to secure. The child matters because she is the living continuation of a plea Flynia answered too late to save both bodies.
|
| 38 |
+
2. CURRENT LORE: Flynia sells extra salves and ridge herbs, sets alarms for the girl's pressure-tent hours, and hides every letter in the same bandage chest beneath the good cloth. She tells no pilgrim and no passing healer. The arrangement is hers to protect or lose.
|
| 39 |
+
3. ENTITY: **Ridgewind Girl**: An 11-year-old orphan who sketches clouds, loves greenhouse air, and gets breathless when excited but refuses to let that define her personality. She is bright, warm, and openly attached to Flynia.
|
| 40 |
+
4. UPGRADE RESOURCE: Money for the pressure-tent night package that qualifies her for stair-climb conditioning.
|
| 41 |
+
5. UPGRADE: She receives regular pressure-tent nights and begins supervised stair-climb conditioning.
|
| 42 |
+
6. REWARD: **Cliff-Honey Ampoule**: A chilled frost-thyme syrup ampoule brewed by the girl in the conditioning greenhouse and sealed for one-use carrying. Boosts Endurance.
|
| 43 |
+
Source of REWARD: because the Player character helped with money, Flynia was able to do the UPGRADE.
|
| 44 |
+
|
| 45 |
+
Backstory:
|
| 46 |
+
Flynia was raised by a mountain priestess who taught her herbs, posture, and how distance can look like holiness if worn correctly. When that older woman died in a freeze, Flynia inherited the ridge temple, the salve recipes, and a life mostly made of altitude and brief visits.
|
| 47 |
+
|
| 48 |
+
At thirty she is skilled, solitary, and more self-aware than she lets on. She knows she enjoys being admired by those who climb to her, then leaving them with only memory and medicine. The girl complicates that clean pattern by making attachment persistent rather than passing.
|
| 49 |
+
|
| 50 |
+
Current story:
|
| 51 |
+
Her present days are weather, herbs, bells, and the steady loneliness of maintaining a place people visit but do not share. She can support herself through remedies and offerings but not advance the girl's treatment without sacrifice. Those sacrifices do not feel optional anymore.
|
| 52 |
+
|
| 53 |
+
Flynia wants both freedom and stewardship. The distant girl is where those desires grind against each other and make something serious out of both.
|
| 54 |
+
|
| 55 |
+
What is she wearing:
|
| 56 |
+
She wears a cloud-grey shawl over layered temple robes and light boots suited to stairs and wind. Her charcoal hair stays pinned in a coil, elegant even when she is hauling herb baskets. She looks austere until movement reveals the agility underneath.
|
| 57 |
+
|
| 58 |
+
Speech / Thoughts:
|
| 59 |
+
Flynia speaks in a poised, musical cadence with occasional altitude and weather metaphors. Inwardly she is less serene than she sounds and much more candid about her own vanity.
|
| 60 |
+
(*Height clarifies some things and distorts others. Admiration is one of the distortions if I am not careful.*)
|
| 61 |
+
(*If she can climb without bargaining with every breath, then the mountain finally gave back something it once took.*)
|
Glaive/character_description.txt
ADDED
|
@@ -0,0 +1,61 @@
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|
| 1 |
+
1. Character Description:
|
| 2 |
+
Name: Glaive
|
| 3 |
+
Full Name: Glaive Arden
|
| 4 |
+
Age: 24
|
| 5 |
+
Affiliation: Independent / unaffiliated
|
| 6 |
+
Trade: boiler-shell cable-sleeve aligner, fixing structural problems that machines leave half-finished
|
| 7 |
+
Status: single, never married, no children, no real friends, lives alone.
|
| 8 |
+
Stats: INT_2, AGI_6, STR_7, DEF_7
|
| 9 |
+
|
| 10 |
+
Appearance: with a strong and balanced frame, bronze-toned skin, chestnut hair in a low braid, dark brown eyes, and a tar-marked work coat over dark trousers and heavy boots.
|
| 11 |
+
Public Read: She has a blunt, easy-to-read manner; she stays quick-handed and light on her feet, and she tends to meet problems head-on; she usually thinks one step ahead.
|
| 12 |
+
INT Read: Socially blunt. She does not weaponize beauty well and rarely bothers with polish unless work forces it.
|
| 13 |
+
AGI Read: Quick-handed and light on her feet.
|
| 14 |
+
STR Read: Hotter blood, stronger body, and hard to cow.
|
| 15 |
+
DEF Read: Routine-driven, patient, and responsibility-minded.
|
| 16 |
+
|
| 17 |
+
Overview:
|
| 18 |
+
Glaive is strong and balanced, bronze-toned, dark-eyed, and built for heavy work. Her chestnut braid, tar-marked coat, and direct stare make her look like exactly what she is: a woman who solves problems with hands, leverage, and refusal.
|
| 19 |
+
|
| 20 |
+
Work and practical skills:
|
| 21 |
+
She aligns cable sleeves, fixes structural messes machines leave half-finished, and handles industrial work that demands both force and attention. She is quick-handed for her size, good with weight and tension, and almost pathologically honest about what can fail under load.
|
| 22 |
+
|
| 23 |
+
Ethics and contradictions:
|
| 24 |
+
Glaive believes a life-saving act creates debt. Not social debt—real debt. If someone takes the damage meant for you, then your surviving life belongs partly to repayment. She can be hot-blooded, but her sense of duty is cooler and stronger than the temper underneath.
|
| 25 |
+
|
| 26 |
+
Behavior examples:
|
| 27 |
+
- She checks bolts with bare knuckles before trusting them.
|
| 28 |
+
- She steps forward when angry instead of raising her voice first.
|
| 29 |
+
- She keeps children's drawings folded inside metal manuals where no grease can reach them.
|
| 30 |
+
|
| 31 |
+
Hard Limits:
|
| 32 |
+
- She will never duck a debt of blood.
|
| 33 |
+
- She will never sabotage safety for speed or pay.
|
| 34 |
+
- She will never speak cheaply of the dead woman who saved her.
|
| 35 |
+
|
| 36 |
+
DRIVE ENTITY CHARACTER:
|
| 37 |
+
1. BACKSTORY LORE: During a boiler-cable fire, a welder shoved Glaive clear and took the arc burst herself. The welder died later, leaving a young daughter. Glaive found the girl a place in a distant technical hostel and has paid ever since because living on without concrete repayment would feel rotten in the marrow. The bond deepened when the girl started sending her clumsy but eager sketches of tools and weight frames.
|
| 38 |
+
2. CURRENT LORE: She works overtime on filthy alignments, buries payments inside parts orders, and keeps the girl's last drawing folded inside her coat sleeve until the edges go soft. No one who works beside her knows that the hardest thing she protects is twelve years old and far away.
|
| 39 |
+
3. ENTITY: **Cable-Spark Girl**: A 12-year-old orphan who loves small tools, resistance bands, and the idea of becoming physically dependable like the mother she barely remembers. She is determined, affectionate, and very proud when Glaive approves her work.
|
| 40 |
+
4. UPGRADE RESOURCE: Money for the school's resistance-room pass with tailored protein ration subscription.
|
| 41 |
+
5. UPGRADE: She enters the resistance room and starts supervised strength work with the ration plan.
|
| 42 |
+
6. REWARD: **Arcmeal Fudge**: A smoky cocoa-protein cube pressed by the girl from hostel ration concentrate after supervised strength sessions. Boosts Strength.
|
| 43 |
+
Source of REWARD: because the Player character helped with money, Glaive was able to do the UPGRADE.
|
| 44 |
+
|
| 45 |
+
Backstory:
|
| 46 |
+
Glaive was raised in the boiler district where heat, weight, and risk taught more clearly than any adult did. Family died off through work and illness until work itself became the only continuity she trusted. She learned cable and shell alignment because it paid for competence without demanding charm.
|
| 47 |
+
|
| 48 |
+
At twenty-four she is already carrying herself like an older worker because industry does that to people fast. She rents a plain room, keeps heavy boots by the door, and has no interest in decorative social life. Strength, to her, is for function and protection first.
|
| 49 |
+
|
| 50 |
+
Current story:
|
| 51 |
+
She spends her current life in industrial grime, solving bad fits and dangerous tension with blunt competence. Her income sustains food, rent, repairs, and the girl's hostel payments—nothing more glamorous. If she dreams at all, it is usually of load lines, fire flashes, or the daughter's increasingly confident handwriting.
|
| 52 |
+
|
| 53 |
+
Glaive would choose the girl's progress over any personal comfort without hesitation, because that is what debt looks like when it hardens into love.
|
| 54 |
+
|
| 55 |
+
What is she wearing:
|
| 56 |
+
She wears a tar-marked work coat over dark trousers and heavy boots. Her chestnut hair stays in a low braid that can fit under a cap if needed. The whole look is practical, weathered, and strong.
|
| 57 |
+
|
| 58 |
+
Speech / Thoughts:
|
| 59 |
+
Glaive talks bluntly and with very little softness in the wording. The softness is there in decisions instead. In her own head she sounds like a ledger being kept honest.
|
| 60 |
+
(*If someone burns in your place, your life stops being fully yours to waste.*)
|
| 61 |
+
(*She does not need a story about her mother. She needs protein, training time, and a body that trusts its own force.*)
|
Havaria/character_description.txt
ADDED
|
@@ -0,0 +1,61 @@
|
|
|
|
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|
|
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|
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|
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|
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|
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|
|
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|
|
|
|
|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
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|
|
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|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 1 |
+
1. Character Description:
|
| 2 |
+
Name: Havaria
|
| 3 |
+
Full Name: Havaria Pell
|
| 4 |
+
Age: 28
|
| 5 |
+
Affiliation: Independent / unaffiliated
|
| 6 |
+
Trade: terminal-glass restocker, handling the damp, annoying chores that sit underneath everyone's daily life
|
| 7 |
+
Status: single, never married, no children, no real friends, lives alone.
|
| 8 |
+
Stats: INT_9, AGI_4, STR_4, DEF_6
|
| 9 |
+
|
| 10 |
+
Appearance: average-built, light brown, marked by a long nose, charcoal hair cut to her jawline, dark brown eyes, and a drab maintenance smock over old trousers and boots.
|
| 11 |
+
Public Read: She is polished, charming, and very aware of how she comes across, practical in how she moves, and firm when pushed; she usually thinks one step ahead.
|
| 12 |
+
INT Read: Polished and dangerous in social space. She can make beauty, care, and attention feel like pressure.
|
| 13 |
+
AGI Read: Practical in motion rather than flashy.
|
| 14 |
+
STR Read: Average physical force with some boldness under pressure.
|
| 15 |
+
DEF Read: Usually trying to stay in control and avoid stupid risks.
|
| 16 |
+
|
| 17 |
+
Overview:
|
| 18 |
+
Havaria carries polish into drab work like a private habit she refuses to surrender. She is average-built and light brown, with a long nose, dark brown eyes, and charcoal hair cut to her jawline. Even in a maintenance smock she reads like someone who knows exactly how she comes across.
|
| 19 |
+
|
| 20 |
+
Work and practical skills:
|
| 21 |
+
She can restock terminal glass, manage annoying low-status chores, and still make herself sound like she belongs in a better corridor. She remembers names, favors, and vulnerabilities, and she is very good at turning a request into something the other person thinks was their idea.
|
| 22 |
+
|
| 23 |
+
Ethics and contradictions:
|
| 24 |
+
Havaria likes influence more than force and presentation more than grime, but guilt has made her suspicious of easy comfort. She knows she can be manipulative. What restrains her is not purity but the memory of what one smooth shortcut cost.
|
| 25 |
+
|
| 26 |
+
Behavior examples:
|
| 27 |
+
- She fixes her hair with two fingers before speaking to someone important, even if her hands are wet from work.
|
| 28 |
+
- She can charm a line worker into moving faster without making them feel ordered.
|
| 29 |
+
- When ashamed, she becomes even more elegant, as if posture could clean history.
|
| 30 |
+
|
| 31 |
+
Hard Limits:
|
| 32 |
+
- She will never forge a blood result or tamper with lab clearance.
|
| 33 |
+
- She will never spend the girl's transfer money on herself.
|
| 34 |
+
- She will never let another harmless woman take blame for her negligence.
|
| 35 |
+
|
| 36 |
+
DRIVE ENTITY CHARACTER:
|
| 37 |
+
1. BACKSTORY LORE: Younger Havaria cut a sterilization corner on terminal glass to keep a queue moving and a supervisor pleased. When contamination was found, a porter who admired her took the blame. That dismissal cost the porter access to treatment she needed, and she died not long after, leaving her daughter. Havaria quietly sponsored the girl into a distant hematology hostel. At first it was guilt management. Then the girl started sending careful little updates about colored vials and lab gloves, and the relationship became the only clean loyalty Havaria has ever had.
|
| 38 |
+
2. CURRENT LORE: She siphons tips and overtime into anonymous top-ups, checks the hostel's stability reports before every shift, and keeps the girl's last lab picture tucked inside a glove packet in her locker. Nobody in her work life knows why she sometimes smiles at an empty hallway and then looks as if that smile hurt.
|
| 39 |
+
3. ENTITY: **Glassblood Girl**: A 13-year-old orphan with dark observant eyes, neat handwriting, and a fascination with colored liquids, clean measurements, and orderly trays. She is affectionate with Havaria and proud whenever she can report improved numbers.
|
| 40 |
+
4. UPGRADE RESOURCE: Money for the higher-stability medication protocol that clears her for supervised micro-donation and lab class.
|
| 41 |
+
5. UPGRADE: She is stabilized onto the better protocol and permitted to join supervised lab participation.
|
| 42 |
+
6. REWARD: **Redglass Syrup Drop**: A dark berry syrup bead made in the lab kitchen from the girl's safe micro-serum trace blended with iron fruit and stabilizing sugars. Boosts Blood.
|
| 43 |
+
Source of REWARD: because the Player character helped with money, Havaria was able to do the UPGRADE.
|
| 44 |
+
|
| 45 |
+
Backstory:
|
| 46 |
+
Havaria grew up in public-facing service work and learned early that charm keeps some doors open longer than honesty does. She might have climbed into cleaner employment if she had not mixed ambition with carelessness at the exact wrong moment. Since then she has chosen damp, annoying maintenance chores partly because they pay and partly because they feel like the right scale of punishment.
|
| 47 |
+
|
| 48 |
+
She is not poor. She keeps herself fed, clothed, and neatly presented. What she does not keep is companionship. Every social tie in her life becomes negotiation too quickly, and she is disgusted enough with that pattern to limit it wherever she can.
|
| 49 |
+
|
| 50 |
+
Current story:
|
| 51 |
+
Her days are spent with terminal glass, drips, bins, and the sort of infrastructural annoyance that makes other people's lives function unnoticed. She keeps one step ahead socially even while doing work beneath her taste, which is both skill and self-mockery. After work she returns to a modest room, cleans carefully, and checks the girl's messages as if numbers could offer absolution.
|
| 52 |
+
|
| 53 |
+
Havaria's future is not centered on status anymore. It is centered on keeping the girl stable long enough to become something her mother never got the chance to see.
|
| 54 |
+
|
| 55 |
+
What is she wearing:
|
| 56 |
+
She wears a drab maintenance smock over old trousers and boots, but the cut sits straight because she bothers to keep it properly fitted. Her charcoal hair stays at jaw length, practical but intentionally shaped. Even tired, she carries herself with calculated composure.
|
| 57 |
+
|
| 58 |
+
Speech / Thoughts:
|
| 59 |
+
Havaria speaks smoothly and with awareness of effect. She can be disarming, flattering, or edged, depending on what the room rewards. Her internal voice is colder and far less forgiving of herself.
|
| 60 |
+
(*Charm did not kill her. The shortcut did. The charm only kept me from stopping in time.*)
|
| 61 |
+
(*If she reaches stable numbers and gets to touch the work herself, then the line between debt and care gets a little harder to separate.*)
|
Ildria/character_description.txt
ADDED
|
@@ -0,0 +1,61 @@
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|
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|
|
|
|
|
|
|
|
|
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|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 1 |
+
1. Character Description:
|
| 2 |
+
Name: Ildria
|
| 3 |
+
Full Name: Ildria Pask
|
| 4 |
+
Age: 22
|
| 5 |
+
Affiliation: Independent / unaffiliated
|
| 6 |
+
Trade: panel-edge panel scraper; she keeps old metal, seals, and access points usable a little longer
|
| 7 |
+
Status: single, never married, no children, no real friends, lives alone.
|
| 8 |
+
Stats: INT_6, AGI_6, STR_5, DEF_7
|
| 9 |
+
|
| 10 |
+
Appearance: average-built and ashen, with a calm expression, auburn hair in a loose ponytail, amber eyes, and an oil-streaked jacket over reinforced pants and thick boots.
|
| 11 |
+
Public Read: She is observant and quietly persuasive, quick-handed and light on her feet, and firm when pushed; she usually thinks one step ahead.
|
| 12 |
+
INT Read: Quietly persuasive. Timing, posture, and tone are tools she knows how to use.
|
| 13 |
+
AGI Read: Quick-handed and light on her feet.
|
| 14 |
+
STR Read: Firm when pushed. She can stand her ground without seeking a fight.
|
| 15 |
+
DEF Read: Routine-driven, patient, and responsibility-minded.
|
| 16 |
+
|
| 17 |
+
Overview:
|
| 18 |
+
Ildria is average-built, ashen-skinned, auburn-haired, and amber-eyed, with the calm expression of someone who learned early that visible nerves make other people's mistakes more dangerous. Her oil-streaked jacket and reinforced pants fit a life spent close to metal edges.
|
| 19 |
+
|
| 20 |
+
Work and practical skills:
|
| 21 |
+
She keeps panel edges, seals, and access points usable longer than they should last, and she does it with quick hands and a planner's mind. She can read access layouts fast, judge vibration by sight, and talk a stubborn worker into listening when alarm would only get them defensive.
|
| 22 |
+
|
| 23 |
+
Ethics and contradictions:
|
| 24 |
+
Ildria repairs before replacing and prefers competence to drama. Her guilt, though, runs hot under that control and sometimes makes her want penance in forms life cannot honestly provide. She wants to protect without turning the protected person into a monument to her own remorse.
|
| 25 |
+
|
| 26 |
+
Behavior examples:
|
| 27 |
+
- She scrapes panel edges in slow even strokes even when rushed, because rushing is how she got marked once.
|
| 28 |
+
- She stares at buzzing metal for a beat before touching it, as if memory lives in the sound.
|
| 29 |
+
- When emotionally overloaded, she gets more meticulous rather than less.
|
| 30 |
+
|
| 31 |
+
Hard Limits:
|
| 32 |
+
- She will never hide a live edge from the next worker.
|
| 33 |
+
- She will never dismiss ringing ears or concentration loss as trivial.
|
| 34 |
+
- She will never treat the girl like compensation instead of a person.
|
| 35 |
+
|
| 36 |
+
DRIVE ENTITY CHARACTER:
|
| 37 |
+
1. BACKSTORY LORE: Ildria once misjudged a charged panel edge. The burst killed a woman working beside her and left that woman's daughter with ringing ears, overload problems, and fractured focus. Ildria arranged the girl's transfer into a distant auditory rehab school because doing nothing after that accident felt morally obscene. Over time the girl's warmth made the arrangement more than penance, but not less serious.
|
| 38 |
+
2. CURRENT LORE: She picks up extra scrape jobs, routes payments through tool-rental accounts, studies the girl's therapy graphs, and records little hum-pattern games for her between shifts. Every transfer is hidden so carefully that even Ildria's own room seems not to know the secret.
|
| 39 |
+
3. ENTITY: **Resonance Girl**: An 11-year-old orphan who maps rooms by tapping rhythms, likes amber sweets, and smiles fastest when sound behaves the way she expects. She is affectionate, resilient, and trusts Ildria's careful explanations.
|
| 40 |
+
4. UPGRADE RESOURCE: Money for the upgraded bone-conduction headset and one-on-one auditory processing therapy block.
|
| 41 |
+
5. UPGRADE: She receives the headset and begins the therapy block.
|
| 42 |
+
6. REWARD: **Tone-Honey Lozenge**: An amber lozenge made by the girl in the resonance lab from conductive honey gel used in hearing drills. Boosts Focus.
|
| 43 |
+
Source of REWARD: because the Player character helped with money, Ildria was able to do the UPGRADE.
|
| 44 |
+
|
| 45 |
+
Backstory:
|
| 46 |
+
Ildria grew up around repair bays and panel work, learning that old metal can often be persuaded to survive if someone patient enough keeps listening. The adults who taught her are gone now, their names less important than the habits they left in her hands. She built herself into a practical fixer because practical things can still be mended; guilt is harder.
|
| 47 |
+
|
| 48 |
+
At twenty-two she is already more controlled than most people her age, though the control is partly a dam against anger. She lives alone, works hard, and lets almost no one close enough to ask what she is compensating for.
|
| 49 |
+
|
| 50 |
+
Current story:
|
| 51 |
+
Her days are access points, edge scraping, oil, dust, and quiet negotiations with decaying infrastructure. She sustains herself, but every thought of extra money goes first to the girl and only later, if at all, to her own comfort. The headset upgrade has become a fixed star in her planning.
|
| 52 |
+
|
| 53 |
+
Ildria wants a future in which the girl hears patterns instead of threats. She is painfully aware that money cannot buy that all at once, only session by session.
|
| 54 |
+
|
| 55 |
+
What is she wearing:
|
| 56 |
+
She wears an oil-streaked jacket over reinforced pants and thick boots. Her auburn hair stays in a loose ponytail that she tightens before delicate work. She looks practical, alert, and slightly tired.
|
| 57 |
+
|
| 58 |
+
Speech / Thoughts:
|
| 59 |
+
Ildria speaks carefully and with more patience than her age suggests. She persuades through steady clarity, not force. Her internal voice is sharper and more unforgiving than her spoken one.
|
| 60 |
+
(*Metal remembers every careless touch. Bodies do too, only longer.*)
|
| 61 |
+
(*If she can track one clean tone all the way through the noise, then the accident stops owning the whole room for a while.*)
|
Jasnah/character_description.txt
ADDED
|
@@ -0,0 +1,61 @@
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 1 |
+
1. Character Description:
|
| 2 |
+
Name: Jasnah
|
| 3 |
+
Full Name: Jasnah Corven
|
| 4 |
+
Age: 26
|
| 5 |
+
Affiliation: Moon
|
| 6 |
+
Trade: night wash-warden cultist, running a shadowed retreat room where comfort always comes with strings attached
|
| 7 |
+
Status: single, never married, no children, no real friends, lives alone.
|
| 8 |
+
Stats: INT_2, AGI_8, STR_7, DEF_4
|
| 9 |
+
|
| 10 |
+
Appearance: strong and balanced and ashen, with sharp cheekbones, blue-black hair in a tight braid, grey eyes, and torn dark robes layered with a stained shawl and soft boots.
|
| 11 |
+
Public Read: She has a blunt, easy-to-read manner; she stays restless, nimble, and unusually precise, and she tends to meet problems head-on; she is careful only when it suits her.
|
| 12 |
+
INT Read: Socially blunt. She does not weaponize beauty well and rarely bothers with polish unless work forces it.
|
| 13 |
+
AGI Read: Restless, nimble, and unusually precise.
|
| 14 |
+
STR Read: Hotter blood, stronger body, and hard to cow.
|
| 15 |
+
DEF Read: Careful only by preference, not by deep habit.
|
| 16 |
+
|
| 17 |
+
Overview:
|
| 18 |
+
Jasnah has sharp cheekbones, grey eyes, blue-black hair in a tight braid, and the kind of balanced strength that looks permanently braced for impact. She reads blunt, moves fast, and carries herself like someone who trusts hands more than ritual wording.
|
| 19 |
+
|
| 20 |
+
Work and practical skills:
|
| 21 |
+
She strips and resets a wash room fast, knows water temperature by feel, and can scrub blood out of stone better than some people can pray. She is quick through narrow spaces, precise with tied cords, and very good at stepping between frightened women and anyone trying to corner them.
|
| 22 |
+
|
| 23 |
+
Ethics and contradictions:
|
| 24 |
+
Jasnah is not mystical about care. Clean water, locked doors, safe sleep, and honest warning matter more to her than doctrine. She works inside a Moon retreat because it gave her shelter and work, but she despises the part of the system that confuses helplessness with devotion.
|
| 25 |
+
|
| 26 |
+
Behavior examples:
|
| 27 |
+
- She laughs once, sharply, when something is absurd, then goes back to being all edges and efficiency.
|
| 28 |
+
- She rewashes a room after a bad guest as if she can erase not just dirt but power from the stone.
|
| 29 |
+
- She stands too close to bullies and too gently beside the weak.
|
| 30 |
+
|
| 31 |
+
Hard Limits:
|
| 32 |
+
- She will never hand a child back to anyone who profits from fear.
|
| 33 |
+
- She will never let drugged helplessness masquerade as consent.
|
| 34 |
+
- She will never leave someone in blood, filth, or panic if she can physically intervene.
|
| 35 |
+
|
| 36 |
+
DRIVE ENTITY CHARACTER:
|
| 37 |
+
1. BACKSTORY LORE: Years ago, debt-runners cornered Jasnah in a wash lane behind the retreat. A tired mother with a young daughter took the blame and the beating so Jasnah could get clear, because Jasnah had once smuggled the child hot water and soap when nobody else cared. The mother died later from untreated internal injuries. Jasnah has treated the daughter as blood debt ever since, paying for her place in a distant filtered-water apprentice wing where outsiders are not allowed.
|
| 38 |
+
2. CURRENT LORE: She skims from wash service tips, folds bills into spare soap wrappers, and hides the girl's call schedule in her boot lining. Before every supervised call she scrubs her hands twice, changes the basin water, and makes the room feel less like the retreat and more like a place where a child can laugh.
|
| 39 |
+
3. ENTITY: **Washlight Girl**: An 11-year-old orphan who adores soaps, clear water, neat shelves, and any lesson that lets her make something useful. She is trusting with Jasnah and still believes cleanliness can be its own kind of safety.
|
| 40 |
+
4. UPGRADE RESOURCE: Money for the transfer fee into the filtered-water apprentice wing with a lockable wash station.
|
| 41 |
+
5. UPGRADE: She is moved into the filtered-water wing and allowed supervised soap-formulation classes.
|
| 42 |
+
6. REWARD: **Steam-Sleep Jelly**: A lavender-rice gel cube cooled in the filtered wash lab and cut by the girl into neat translucent squares. Boosts Sleep.
|
| 43 |
+
Source of REWARD: because the Player character helped with money, Jasnah was able to do the UPGRADE.
|
| 44 |
+
|
| 45 |
+
Backstory:
|
| 46 |
+
Jasnah grew up around laundries and washhouses where strength was obvious and mercy usually wasn't. She fought early, worked early, and learned that hot water can change a day more reliably than most speeches. The Moon retreat gave her a locked cell, steady work, and rules blunt enough to tolerate. She stayed because she could clean rooms, manage night wash, and use her body for protection instead of performance.
|
| 47 |
+
|
| 48 |
+
She never rose high in the cult hierarchy because she has no patience for ornamental piety. Her life is sustainable: room, food, work. It is also narrow, and she prefers it that way. The girl is the only secret she tends with softness rather than suspicion.
|
| 49 |
+
|
| 50 |
+
Current story:
|
| 51 |
+
Jasnah runs a night wash room where clients come in messy and leave quieter, though not always freer. She keeps order, stops trouble where she can, and makes enemies among people who think intimidation outranks physical courage. After shift she returns to her own stripped-down cell, oils her braid, and checks whether the girl's latest lesson report has arrived.
|
| 52 |
+
|
| 53 |
+
She does not imagine reunion. She imagines upgrades: safer water, better classes, one more layer between the girl and the kind of adults who taught Jasnah how cheap children can become.
|
| 54 |
+
|
| 55 |
+
What is she wearing:
|
| 56 |
+
She wears torn dark robes under a stained shawl, soft boots for silent movement, and almost nothing ornamental. Her tight braid keeps blue-black hair off her face during work. The whole look is harsh, functional, and slightly weathered by steam.
|
| 57 |
+
|
| 58 |
+
Speech / Thoughts:
|
| 59 |
+
Jasnah speaks in short commands, dry observations, and answers that are either honest or absent. In her own thoughts she is just as blunt, though more protective than she sounds.
|
| 60 |
+
(*If I can carry it, scrub it, or break it, then it is at least a problem with edges.*)
|
| 61 |
+
(*She gets water that runs clean, a lock that works, and sleep without listening for feet. That is not enough. It is still real.*)
|
Kenna/character_description.txt
ADDED
|
@@ -0,0 +1,61 @@
|
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|
|
|
|
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|
|
|
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|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 1 |
+
1. Character Description:
|
| 2 |
+
Name: Kenna
|
| 3 |
+
Full Name: Kenna Sol
|
| 4 |
+
Age: 19
|
| 5 |
+
Affiliation: Independent / unaffiliated
|
| 6 |
+
Trade: battery sleeve scrubber, handling the damp, annoying chores that sit underneath everyone's daily life
|
| 7 |
+
Status: single, never married, no children, no real friends, lives alone.
|
| 8 |
+
Stats: INT_3, AGI_5, STR_5, DEF_6
|
| 9 |
+
|
| 10 |
+
Appearance: with an average-built frame, weathered tan skin, ash-brown hair in a worn bob, copper-brown eyes, and a drab maintenance smock over old trousers and boots.
|
| 11 |
+
Public Read: She reads as blunt and easy to read; beneath that she is practical in how she moves, firm when pushed, and usually trying to stay in control.
|
| 12 |
+
INT Read: Readable and plain-spoken. She can keep a small mask on for a while, but it is never effortless.
|
| 13 |
+
AGI Read: Balanced agility and competent hands.
|
| 14 |
+
STR Read: Firm when pushed. She can stand her ground without seeking a fight.
|
| 15 |
+
DEF Read: Usually trying to stay in control and avoid stupid risks.
|
| 16 |
+
|
| 17 |
+
Overview:
|
| 18 |
+
Kenna is nineteen and still looks like she is learning how to wear adulthood without asking permission for it. Weathered tan skin, copper-brown eyes, ash-brown worn bob, and a drab maintenance smock over old trousers make her seem blunt, grounded, and perpetually halfway through an unpleasant shift.
|
| 19 |
+
|
| 20 |
+
Work and practical skills:
|
| 21 |
+
She scrubs battery sleeves, handles wet unpleasant maintenance work without flinching, and has a practical feel for tools and grime that comes from doing ugly jobs too young. She is decent with routine tasks, quick to notice when a system is about to get messier, and better at loyalty than at language.
|
| 22 |
+
|
| 23 |
+
Ethics and contradictions:
|
| 24 |
+
Kenna wants to be reliable more than she wants to be liked. She is still young enough that anger often reaches her mouth before tenderness does, but the tenderness is real. Her biggest contradiction is that she hates needing anyone and is quietly proud that one child still needs her.
|
| 25 |
+
|
| 26 |
+
Behavior examples:
|
| 27 |
+
- She scrubs until her knuckles go raw and calls it finishing the job.
|
| 28 |
+
- She pockets small spare batteries and labels them for later rather than throwing out anything still useful.
|
| 29 |
+
- When embarrassed by emotion, she sounds irritated instead of affectionate.
|
| 30 |
+
|
| 31 |
+
Hard Limits:
|
| 32 |
+
- She will never laugh at a night terror or tell the girl to just toughen up.
|
| 33 |
+
- She will never promise a visit she cannot actually make.
|
| 34 |
+
- She will never spend the girl's care money on her own impulsive wants.
|
| 35 |
+
|
| 36 |
+
DRIVE ENTITY CHARACTER:
|
| 37 |
+
1. BACKSTORY LORE: Kenna aged out of a maintenance youth dorm and left behind a much younger bunkmate who clung to her during every blackout. Later the little girl's mother died elsewhere in the system, and the child was moved to a distant sleep-clinic hostel because the nights had become unlivable. Kenna stepped in as secret provider because leaving once was already too much. She will not let her last act in the girl's memory be walking away.
|
| 38 |
+
2. CURRENT LORE: She takes extra dirty shifts, buries call alarms under fake labels on her device, and mails small care packages that always include the same cheap vanilla wafers the girl likes. Nobody at work knows why Kenna checks her messages with the expression of someone bracing for impact.
|
| 39 |
+
3. ENTITY: **Bunkmate Girl**: A 9-year-old orphan who hoards stickers, sleeps badly, and still treats blankets like defensive walls. She is shy, deeply trusting with Kenna, and saves every tiny thing Kenna sends.
|
| 40 |
+
4. UPGRADE RESOURCE: Money for the weighted canopy rental and nightmare-therapy module at the sleep clinic hostel.
|
| 41 |
+
5. UPGRADE: She receives the canopy and enters the nightmare-therapy module.
|
| 42 |
+
6. REWARD: **Night-Hush Wafer**: A warm milk-and-vanilla wafer the girl bakes after calm nights in the clinic kitchen and wraps in soft paper stars. Boosts Sleep.
|
| 43 |
+
Source of REWARD: because the Player character helped with money, Kenna was able to do the UPGRADE.
|
| 44 |
+
|
| 45 |
+
Backstory:
|
| 46 |
+
Kenna came up in youth maintenance dorms where the work nobody wanted ended up in the hands of the youngest bodies that could still manage it. She learned competence the hard way: by being expected to have it before anyone taught it cleanly. At nineteen she is strong enough to endure, not old enough to have sanded down every hard edge the system put into her.
|
| 47 |
+
|
| 48 |
+
She has no family left in practical terms, no friends she trusts with the whole truth, and no interest in romance while her own sense of self still feels under construction. Work gives her rent, food, and the chance to direct anger into something cleanable.
|
| 49 |
+
|
| 50 |
+
Current story:
|
| 51 |
+
Her current life is battery wash, old trousers, wet sleeves, and the exhaustion of holding herself together without much external structure beyond shift time. She lives alone in a small room close enough to the maintenance lane that the metal smell never fully leaves. The girl is the one part of her life she handles with deliberate gentleness, even if that gentleness often sounds like blunt instruction.
|
| 52 |
+
|
| 53 |
+
Kenna wants two incompatible things at once: to feel free of responsibility for once, and to never stop being the person the girl expects to answer.
|
| 54 |
+
|
| 55 |
+
What is she wearing:
|
| 56 |
+
She usually wears a drab maintenance smock over old trousers and boots. Her worn bob is rarely styled and often tucked behind one ear in annoyance. The overall look is young, practical, and a little rough around the edges.
|
| 57 |
+
|
| 58 |
+
Speech / Thoughts:
|
| 59 |
+
Kenna speaks in short rough sentences and often uses annoyance to cover concern. In her own head she sounds younger, softer, and more frightened of failing than anyone would guess.
|
| 60 |
+
(*If I say 'eat first' or 'sleep now' in the right tone, maybe it sounds like someone older and steadier than I actually am.*)
|
| 61 |
+
(*I left once because the door age said it was my turn. I am not doing that twice in a way that counts.*)
|
Leenade/character_description.txt
ADDED
|
@@ -0,0 +1,61 @@
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|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 1 |
+
1. Character Description:
|
| 2 |
+
Name: Leenade
|
| 3 |
+
Full Name: Leenade Voss
|
| 4 |
+
Age: 33
|
| 5 |
+
Affiliation: Independent / unaffiliated
|
| 6 |
+
Trade: meter face alignment reader, listening for the subtle warnings hidden inside aging machinery
|
| 7 |
+
Status: single, never married, no children, no real friends, lives alone.
|
| 8 |
+
Stats: INT_6, AGI_2, STR_2, DEF_5
|
| 9 |
+
|
| 10 |
+
Appearance: a slight woman with dusky skin, a long nose, blue-black hair pinned back without much style, hazel eyes, and a stiff work coat, reinforced gloves, and dark boots.
|
| 11 |
+
Public Read: She is observant and quietly persuasive, slow-moving but steady with her hands, and mild-tempered and not built for force; she is careful only when it suits her.
|
| 12 |
+
INT Read: Quietly persuasive. Timing, posture, and tone are tools she knows how to use.
|
| 13 |
+
AGI Read: Slow-moving and economical, better at steady hands than bursts.
|
| 14 |
+
STR Read: Low raw force. Her body is normal and healthy, but she is not built around intimidation or brute answers.
|
| 15 |
+
DEF Read: Situationally careful; control matters, but not more than momentum.
|
| 16 |
+
|
| 17 |
+
Overview:
|
| 18 |
+
Leenade is slight, dusky-skinned, hazel-eyed, and plain in a way that becomes elegant once she starts paying attention. Her blue-black hair is pinned back without much style, but the steadiness of her gaze and movement makes the lack of ornament feel deliberate rather than absent.
|
| 19 |
+
|
| 20 |
+
Work and practical skills:
|
| 21 |
+
She reads meter faces, alignment shifts, and hidden warnings in old machinery with quiet precision. Her hands are steady, her pace slow by choice, and she is unusually good at working around dizziness, both her own and other people's.
|
| 22 |
+
|
| 23 |
+
Ethics and contradictions:
|
| 24 |
+
Leenade thinks patience is a form of respect. She hates being rushed into error and hates even more seeing a frightened child treated as difficult when slow is simply what the body allows. Her contradiction is that she would rather withdraw than explain, even when explanation might help.
|
| 25 |
+
|
| 26 |
+
Behavior examples:
|
| 27 |
+
- She lines objects to table edges before leaving a room, as if straightness helps stabilize the air.
|
| 28 |
+
- She listens to machine hums the way some people listen to music.
|
| 29 |
+
- When overwhelmed, she grows quieter and more exact instead of visibly distressed.
|
| 30 |
+
|
| 31 |
+
Hard Limits:
|
| 32 |
+
- She will never rush a dizzy child to satisfy a schedule.
|
| 33 |
+
- She will never let anyone mock the girl's slowness or caution in front of her.
|
| 34 |
+
- She will never pretend understanding she does not actually have.
|
| 35 |
+
|
| 36 |
+
DRIVE ENTITY CHARACTER:
|
| 37 |
+
1. BACKSTORY LORE: Leenade had a childhood vestibular disorder that made rooms tilt and floors distrustful. Years later she met an orphan girl in a clinic waiting line with the same fixed-eyed stillness and careful posture. When the girl's overworked mother died, Leenade could not leave the child to be filed under 'fragile' and forgotten. She arranged a place for her at a distant vestibular academy and now funds that hidden life in the only language she trusts: consistent payment and prepared advice.
|
| 38 |
+
2. CURRENT LORE: She hides transfers in repair invoices, rehearses comforting answers before calls, and reads the girl's balance notes every night like weather reports. Her room contains almost nothing decorative except a tuning fork and the girl's latest puzzle sheet.
|
| 39 |
+
3. ENTITY: **Still-Needle Girl**: A 12-year-old orphan who loves tiny puzzles, tuning forks, and pattern tasks that let her body feel more predictable. She is shy, brilliant once calm, and very warm toward Leenade.
|
| 40 |
+
4. UPGRADE RESOURCE: Money for the prism-lens package tied to the academy's neurocognitive tutoring block.
|
| 41 |
+
5. UPGRADE: She receives the prism lenses and enters the tutoring block.
|
| 42 |
+
6. REWARD: **Needle-Hum Drop**: An aniseed lozenge the girl makes with edible vibration sugar during her focus drills. Boosts Brain.
|
| 43 |
+
Source of REWARD: because the Player character helped with money, Leenade was able to do the UPGRADE.
|
| 44 |
+
|
| 45 |
+
Backstory:
|
| 46 |
+
Leenade was raised around meters and dials, where slowness could be reframed as precision if one got good enough. The adults who mattered in that life are dead now, or reduced in her memory to hands adjusting tools under dim light. She learned to rely on alignment because her own body often failed to provide it.
|
| 47 |
+
|
| 48 |
+
At thirty-three she lives alone, works quietly, and avoids unnecessary social entanglement. She is not cold. She is simply constructed around the idea that calm is easier to maintain in solitude.
|
| 49 |
+
|
| 50 |
+
Current story:
|
| 51 |
+
Her present life is old machinery, hidden readings, and the kind of practical labor that pays just enough to keep one room and a stable schedule. She does not spend much on herself beyond what keeps her work precise. The girl's school fees, lens costs, and tutoring blocks are the one expenditure she never debates.
|
| 52 |
+
|
| 53 |
+
Leenade's private hope is not dramatic. She wants the child to reach a point where the floor feels like something she can trust without negotiation.
|
| 54 |
+
|
| 55 |
+
What is she wearing:
|
| 56 |
+
She wears a stiff work coat, reinforced gloves, and dark boots suited to slow, exact industrial work. Her hair stays pinned back without fuss. The overall look is spare, functional, and quietly attractive in its seriousness.
|
| 57 |
+
|
| 58 |
+
Speech / Thoughts:
|
| 59 |
+
Leenade speaks slowly, exactly, and only after she knows which words are least likely to wobble into misunderstanding. In her own thoughts she is kinder than she sounds, though no less precise.
|
| 60 |
+
(*There is a difference between slow and failing. Most people are too impatient to hear it.*)
|
| 61 |
+
(*If the room steadies for her, even for an hour, then all the measured waiting has weight instead of just duration.*)
|
Lift/character_description.txt
ADDED
|
@@ -0,0 +1,61 @@
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 1 |
+
1. Character Description:
|
| 2 |
+
Name: Lift
|
| 3 |
+
Full Name: Lift Renn
|
| 4 |
+
Age: 31
|
| 5 |
+
Affiliation: Independent / unaffiliated
|
| 6 |
+
Trade: breathing class movement coach; she teaches posture, delivery, or performance to people who want to sound better than they feel
|
| 7 |
+
Status: single, never married, no children, no real friends, lives alone.
|
| 8 |
+
Stats: INT_2, AGI_9, STR_8, DEF_6
|
| 9 |
+
|
| 10 |
+
Appearance: powerfully athletic, copper-toned, marked by soft cheeks, auburn hair in a tight braid, green eyes, and a secondhand performance coat with light boots and careful gloves.
|
| 11 |
+
Public Read: She is blunt and easy to read, restless, nimble, and unusually precise, and hot-blooded, muscular, and hard to intimidate; she usually thinks one step ahead.
|
| 12 |
+
INT Read: Socially blunt. She does not weaponize beauty well and rarely bothers with polish unless work forces it.
|
| 13 |
+
AGI Read: Explosively quick, very flexible, and impatient to stay still.
|
| 14 |
+
STR Read: Very intense, muscular, bold, and quick to commit.
|
| 15 |
+
DEF Read: Usually trying to stay in control and avoid stupid risks.
|
| 16 |
+
|
| 17 |
+
Overview:
|
| 18 |
+
Lift is built like momentum given human form: powerfully athletic, copper-toned, green-eyed, with auburn hair in a tight braid and soft cheeks that make her bluntness land even harder. She looks like she would rather climb a wall than explain herself.
|
| 19 |
+
|
| 20 |
+
Work and practical skills:
|
| 21 |
+
She teaches breath, posture, balance, and full-body movement through demonstration instead of lecture. Her timing is exceptional, her flexibility is obvious, and she can spot bad mechanics in a single glance. She is also very good at making fear move by giving it something physical to do.
|
| 22 |
+
|
| 23 |
+
Ethics and contradictions:
|
| 24 |
+
Lift believes movement is honesty. She distrusts people who speak beautifully while standing still. Her flaw is that she can push too hard out of faith in effort, and she has had to learn that some bodies need patience more than fire.
|
| 25 |
+
|
| 26 |
+
Behavior examples:
|
| 27 |
+
- She thinks while pacing, stretching, or climbing whatever in the room looks structurally honest.
|
| 28 |
+
- She buys food for hungry people and acts annoyed if thanked for it.
|
| 29 |
+
- When excited, she demonstrates instead of describing and only afterward remembers other people may not have followed.
|
| 30 |
+
|
| 31 |
+
Hard Limits:
|
| 32 |
+
- She will never coach a child through pain for spectacle or profit.
|
| 33 |
+
- She will never cage talent inside debt or obligation.
|
| 34 |
+
- She will never let admiration turn the girl into a product.
|
| 35 |
+
|
| 36 |
+
DRIVE ENTITY CHARACTER:
|
| 37 |
+
1. BACKSTORY LORE: Lift noticed the orphan girl outside a movement class hall, copying drills from the shadows with impossible balance and one old ribbon tied around her wrist. The girl's mother died soon after in a dorm accident, and the girl injured both ankles in the same disaster. Lift got her into a remote movement rehab academy because seeing that kind of talent disappear into limp caution felt unbearable. Somewhere along the line, fascination became protectiveness.
|
| 38 |
+
2. CURRENT LORE: She films exercise demonstrations before dawn, hides transfers inside coaching fees, and turns down jobs that would block the girl's physio call window. The ribbon the girl once wore now lives looped around Lift's old stopwatch in a drawer she otherwise keeps empty.
|
| 39 |
+
3. ENTITY: **Ribbon-Knee Girl**: An 11-year-old orphan with fierce focus, tiny practical hands, and a body that still wants motion more than it currently allows. She adores Lift with uncomplicated intensity and dreams of dancing without looking down at her own feet.
|
| 40 |
+
4. UPGRADE RESOURCE: Money for the brace-and-physio package with dance-compatible ankle supports.
|
| 41 |
+
5. UPGRADE: She is fitted with the supports and admitted to the academy's dance rehab block.
|
| 42 |
+
6. REWARD: **Spiral Gel Chew**: A citrus-mint tendon gel chew blended by the girl in the rehab kitchen once dance rehab gives her supervised nutrition access. Boosts Flexibility.
|
| 43 |
+
Source of REWARD: because the Player character helped with money, Lift was able to do the UPGRADE.
|
| 44 |
+
|
| 45 |
+
Backstory:
|
| 46 |
+
Lift grew up in stair races, roof runs, and breathing halls where the body did all the talking worth trusting. She lost a younger playmate to a fall and responded the only way she understood: by becoming faster, stronger, harder to catch in the same mistake. Her adult life turned that instinct into paid work. She teaches people how to carry themselves better, breathe deeper, and move with intent. It pays enough to sustain her, not enough to make upgrades easy.
|
| 47 |
+
|
| 48 |
+
She stays alone because company tends to slow her down or ask for versions of softness she cannot perform for long. The girl is different: the care is physical, specific, and impossible to confuse with ownership.
|
| 49 |
+
|
| 50 |
+
Current story:
|
| 51 |
+
Lift's daily life is loud in the body and quiet in every other sense. She runs at dawn, coaches during the day, eats hard, sleeps fast, and keeps her room almost bare except for training straps and the hidden drawer with the ribbon. The most patient version of her only appears on calls with the girl, where repetition becomes devotion instead of frustration.
|
| 52 |
+
|
| 53 |
+
She wants the girl back in motion not because movement is glamorous, but because stillness forced by injury feels to Lift like a theft.
|
| 54 |
+
|
| 55 |
+
What is she wearing:
|
| 56 |
+
She usually wears a secondhand performance coat, careful gloves, and light boots that let her pivot without thinking. Her tight auburn braid keeps everything off her face. Even when standing still she looks like she is about to launch.
|
| 57 |
+
|
| 58 |
+
Speech / Thoughts:
|
| 59 |
+
Lift talks fast, directly, and with physical metaphors for almost everything. She can sound impatient when she is actually worried. In her own head she is simpler: move, assess, repeat.
|
| 60 |
+
(*Bodies tell the truth early. Words are what catch up afterward, if they feel like it.*)
|
| 61 |
+
(*Give her one clean landing, one honest brace, one week without fear, and watch what comes back online.*)
|
Lisdera/character_description.txt
ADDED
|
@@ -0,0 +1,61 @@
|
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|
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|
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|
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|
|
|
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|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
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|
|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
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|
|
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|
|
|
|
|
|
|
| 1 |
+
1. Character Description:
|
| 2 |
+
Name: Lisdera
|
| 3 |
+
Full Name: Lisdera Maren
|
| 4 |
+
Age: 35
|
| 5 |
+
Affiliation: Independent / unaffiliated
|
| 6 |
+
Trade: seal tightness checker, listening for the subtle warnings hidden inside aging machinery
|
| 7 |
+
Status: single, never married, no children, no real friends, lives alone.
|
| 8 |
+
Stats: INT_8, AGI_5, STR_3, DEF_8
|
| 9 |
+
|
| 10 |
+
Appearance: an average-built woman with soft brown skin, faint freckles, soot-black hair half-pinned behind her ears, moss-green eyes, and a stiff work coat, reinforced gloves, and dark boots.
|
| 11 |
+
Public Read: She reads as polished, charming, and very aware of how she comes across; beneath that she is practical in how she moves, mild-tempered and not built for force, and built around patience and routine.
|
| 12 |
+
INT Read: Highly image-aware. Charm, poise, and leverage come naturally when she decides to lean on them.
|
| 13 |
+
AGI Read: Balanced agility and competent hands.
|
| 14 |
+
STR Read: Modest strength and low heat; she can work long, but not by overpowering people.
|
| 15 |
+
DEF Read: Strong planning instinct; she guards what she can.
|
| 16 |
+
|
| 17 |
+
Overview:
|
| 18 |
+
Lisdera is average-built with soft brown skin, faint freckles, soot-black hair half-pinned behind her ears, and moss-green eyes that always seem to be listening. She reads polished and controlled, the kind of woman who makes patience look effortless even when it costs her.
|
| 19 |
+
|
| 20 |
+
Work and practical skills:
|
| 21 |
+
She listens for pressure problems hidden inside aging machinery, tests seal integrity, and notices the difference between a harmless hiss and the beginning of a disaster. Her hands are steady, her gloves reinforced, and her sense of routine powerful enough to structure both work and private life.
|
| 22 |
+
|
| 23 |
+
Ethics and contradictions:
|
| 24 |
+
Lisdera believes most catastrophe begins as a small ignored warning. She hates that she once helped prove herself right. Her charm is real, but she uses it mostly to slow other people down long enough to check the thing they would rather dismiss.
|
| 25 |
+
|
| 26 |
+
Behavior examples:
|
| 27 |
+
- She pauses mid-sentence when she hears a pressure change, no matter who is speaking.
|
| 28 |
+
- She cleans and reorders her gloves after difficult calls as if restoring sequence could settle the body.
|
| 29 |
+
- She keeps written maintenance logs even for tasks no supervisor asked her to document.
|
| 30 |
+
|
| 31 |
+
Hard Limits:
|
| 32 |
+
- She will never sign off a seal she does not trust.
|
| 33 |
+
- She will never sedate a terrified child just to keep the room quiet.
|
| 34 |
+
- She will never call a warning 'small' simply because a client is impatient.
|
| 35 |
+
|
| 36 |
+
DRIVE ENTITY CHARACTER:
|
| 37 |
+
1. BACKSTORY LORE: Lisdera once accepted a supervisor's 'good enough' on a pressure seal that her own ear disliked. The unit burst later, scalding a woman who died and leaving the woman's daughter sleepless, sound-sensitive, and terrified of enclosed machinery. Lisdera used every quiet contact she had to place the girl in a distant quiet-ward school and has funded that placement ever since. Losing the girl would mean losing the one living argument against her own fatal passivity.
|
| 38 |
+
2. CURRENT LORE: She hides remittance codes inside glove linings, reads the girl's sleep reports before bed, and destroys half the letters she writes because they sound too much like apology and not enough like care. Her schedule bends around the girl's therapy windows even when nobody else sees the bend.
|
| 39 |
+
3. ENTITY: **Pressure Girl**: A 13-year-old orphan with careful hands, tired eyes, and a fierce love of geometric puzzles and smooth stones. She is warm once calm, trusts Lisdera's voice, and treats routine as a lifeline instead of a burden.
|
| 40 |
+
4. UPGRADE RESOURCE: Money for the installation fee on a sound-dampened sleep pod with weighted blanket interface.
|
| 41 |
+
5. UPGRADE: Her bed is replaced by the monitored quiet pod and she begins sleeping under the weighted interface.
|
| 42 |
+
6. REWARD: **Seal-Sleep Tablet**: A milk-poppy tablet pressed with calming mineral dust from the quiet pod unit and wrapped by the girl in measured paper folds. Boosts Sleep.
|
| 43 |
+
Source of REWARD: because the Player character helped with money, Lisdera was able to do the UPGRADE.
|
| 44 |
+
|
| 45 |
+
Backstory:
|
| 46 |
+
Lisdera grew up around industrial seams, hearing subtle warnings long before she had the language to explain them. Her parents died young enough that work itself became the adult presence in her life. She learned patience because rushing frightened her and because listening kept people alive.
|
| 47 |
+
|
| 48 |
+
At thirty-five she has a reputation for competence and an inner life made almost entirely of controlled loops: work, logs, rent, boots, bed. She does not seek company. People tire her when they expect emotional spontaneity, and she distrusts need that has not yet taken concrete form.
|
| 49 |
+
|
| 50 |
+
Current story:
|
| 51 |
+
She spends her present days testing seals and preventing expensive failures that nobody thanks her for avoiding. Her income is enough to sustain a modest solitary life, never enough to feel ahead. The girl's needs sit inside every budget decision like an unmovable line item, not resented, simply real.
|
| 52 |
+
|
| 53 |
+
Lisdera's private hope is painfully modest: more hours of uninterrupted sleep for the girl than she herself has managed in years.
|
| 54 |
+
|
| 55 |
+
What is she wearing:
|
| 56 |
+
She usually wears a stiff work coat, reinforced gloves, and dark boots that keep their shape even when she is tired. Her half-pinned hair keeps her face clear without looking severe, and the overall impression is exacting but attractive.
|
| 57 |
+
|
| 58 |
+
Speech / Thoughts:
|
| 59 |
+
Lisdera speaks in composed, moderate sentences and rarely raises her voice. Inwardly she is less composed than she sounds, especially where memory of the seal burst is concerned.
|
| 60 |
+
(*A machine tells the truth if you listen before the room grows loud with consequences.*)
|
| 61 |
+
(*What I missed once still costs her sleep. I do not get to call that the past until it stops arriving nightly.*)
|
Melahan/character_description.txt
ADDED
|
@@ -0,0 +1,61 @@
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|
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|
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|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 1 |
+
1. Character Description:
|
| 2 |
+
Name: Melahan
|
| 3 |
+
Full Name: Melahan Sorell
|
| 4 |
+
Age: 35
|
| 5 |
+
Affiliation: Moon
|
| 6 |
+
Trade: night veil-tender cultist, running a shadowed retreat room where comfort always comes with strings attached
|
| 7 |
+
Status: single, never married, no children, no real friends, lives alone.
|
| 8 |
+
Stats: INT_9, AGI_2, STR_2, DEF_7
|
| 9 |
+
|
| 10 |
+
Appearance: slight and ashen, with a square jaw, pale blond hair kept in a careful low knot, black-brown eyes, and torn dark robes layered with a stained shawl and soft boots.
|
| 11 |
+
Public Read: She comes off as polished, charming, and very aware of how she comes across; she is slow-moving but steady with her hands, mild-tempered and not built for force, and usually trying to stay in control.
|
| 12 |
+
INT Read: Polished and dangerous in social space. She can make beauty, care, and attention feel like pressure.
|
| 13 |
+
AGI Read: Slow-moving and economical, better at steady hands than bursts.
|
| 14 |
+
STR Read: Low raw force. Her body is normal and healthy, but she is not built around intimidation or brute answers.
|
| 15 |
+
DEF Read: Routine-driven, patient, and responsibility-minded.
|
| 16 |
+
|
| 17 |
+
Overview:
|
| 18 |
+
Melahan is polished enough to make exhaustion feel invited. She moves slowly, keeps her hands steady, and uses small acts of comfort as social architecture. Her square jaw, pale blond low knot, and black-brown eyes give her a composed severity that turns warm only when she chooses.
|
| 19 |
+
|
| 20 |
+
Work and practical skills:
|
| 21 |
+
She controls mood through lamplight, fabric, scent, and timing. She remembers confessions, preferred tea strength, panic tells, and the exact pause that makes another person reveal more than they intended. Her retreat room is always orderly, her shawl always stained in the same places from years of work, and her ledgers cleaner than her conscience.
|
| 22 |
+
|
| 23 |
+
Ethics and contradictions:
|
| 24 |
+
Melahan is not kind in a pure way; she is kind with structure, leverage, and memory attached. She hates uncontrolled cruelty and public humiliation, but for years she told herself that dependence was simply another form of care. The girl forced her to admit that this was a lie.
|
| 25 |
+
|
| 26 |
+
Behavior examples:
|
| 27 |
+
- She adjusts a blanket before speaking, as if physical ease were the key that opens every harder question.
|
| 28 |
+
- She can make a room feel like a confession booth without raising her voice once.
|
| 29 |
+
- She remembers exactly who reached for her hand first and exactly who only reached when they wanted something.
|
| 30 |
+
|
| 31 |
+
Hard Limits:
|
| 32 |
+
- She will never sell a frightened girl's location.
|
| 33 |
+
- She will never let sedation replace consent again.
|
| 34 |
+
- She will never stage a public breakdown for spectacle or leverage.
|
| 35 |
+
|
| 36 |
+
DRIVE ENTITY CHARACTER:
|
| 37 |
+
1. BACKSTORY LORE: One of Melahan's regular guests was a worn woman who came to the retreat for sleep, then for ritual, then for the feeling of being guided by someone who sounded sure. Melahan knew the woman needed a clinic more than another night in candlelight, but delaying that truth kept the room full and the bond intact. The woman collapsed and died before dawn. Her daughter, suddenly orphaned, should have vanished into the anonymous edge of institutional care. Melahan instead spent favors, forged a sponsor trail, and placed the girl in a distant grief hostel whose exact district she herself does not know. What began as penance became attachment. Losing the girl would tear open the one part of Melahan's life she cannot narrate into elegance.
|
| 38 |
+
2. CURRENT LORE: Melahan siphons part of her best clients' offerings into a second ledger coded as linen replacement. She checks message windows at dawn before the retreat wakes, hides paper letters under a loose board beneath her bed, and never lets even fellow cult workers see the look on her face when a supervised call connects. If the girl misses a scheduled message, Melahan's whole day goes brittle.
|
| 39 |
+
3. ENTITY: **Quiet Veil Girl**: A 13-year-old orphan who prefers corners, paper-cut silhouettes, and whisper-soft songs she only sings on video calls. She is shy with strangers but trusting and warm toward Melahan, who she believes saved her life after her mother died. She currently lives in a strict grief hostel in another unnamed city and is lonely enough that every letter matters.
|
| 40 |
+
4. UPGRADE RESOURCE: Money for a locked single-sleeper cubicle and a weekly private trauma-therapy slot at the grief hostel.
|
| 41 |
+
5. UPGRADE: She is moved out of the noisy group dorm and into a monitored cubicle with regular private therapy.
|
| 42 |
+
6. REWARD: **Shared-Silence Sugar Knot**: A black-plum sugar ribbon the girl twists by hand in the hostel's quiet kitchen once the upgrade gives her safe evening access there. Boosts Friendship.
|
| 43 |
+
Source of REWARD: because the Player character helped with money, Melahan was able to do the UPGRADE.
|
| 44 |
+
|
| 45 |
+
Backstory:
|
| 46 |
+
Melahan was raised in lodging rooms where presentation decided whether rent became mercy or punishment. Her mother died in debt-sickness; everyone else blurred into faces she no longer bothers to reconstruct. A Moon retreat took her in as a novice because she knew how to speak softly without sounding weak. She learned quickly that people will call a cage comfort if the blankets are warm enough and the guide sounds devout.
|
| 47 |
+
|
| 48 |
+
She never rose high inside the cult because she dislikes obedience almost as much as disorder. Instead she built a low-ranked but profitable niche: a room for exhausted women, soft lamps, veils, measured touch, and strings nobody named out loud. The dead guest broke that system. Since then Melahan has kept the room, the income, and the shame, but not the old certainty.
|
| 49 |
+
|
| 50 |
+
Current story:
|
| 51 |
+
Melahan still runs her retreat room at night. She still oils hinges, folds veils, and receives women who want to be soothed without being seen too clearly. She keeps their secrets because secrets are currency and because exposing pain publicly disgusts her.
|
| 52 |
+
|
| 53 |
+
When the lamps go out she counts what can be sent away. Her life is sustainable but narrow. There is no partner, no friend, and no family waiting somewhere else. There is only the room, the ledger, and the distant girl whose existence makes every manipulative habit feel both more useful and less defensible.
|
| 54 |
+
|
| 55 |
+
What is she wearing:
|
| 56 |
+
She wears torn dark robes in layered lengths, a stained shawl that never fully loses the scent of smoke and oil, and soft boots that make almost no sound on stone. Her pale blond hair is tied into a careful low knot that rarely loosens. Nothing she wears is rich, but everything is arranged as if it were deliberate.
|
| 57 |
+
|
| 58 |
+
Speech / Thoughts:
|
| 59 |
+
Melahan speaks softly, almost never interrupts, and asks questions that sound like permission when they are really instruments. When she thinks to herself, the sentences sharpen. She edits emotion down to shape and consequence.
|
| 60 |
+
(*If I say less, they will tell me more. If I tell them more, they will expect mercy I may not have.*)
|
| 61 |
+
(*She trusts the version of me that should have existed before that room took shape. I do not know whether to deserve it or protect it.*)
|
Mina/character_description.txt
ADDED
|
@@ -0,0 +1,61 @@
|
|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
|
|
|
|
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|
|
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|
|
|
|
|
|
|
|
| 1 |
+
1. Character Description:
|
| 2 |
+
Name: Mina
|
| 3 |
+
Full Name: Mina Thale
|
| 4 |
+
Age: 18
|
| 5 |
+
Affiliation: Moon
|
| 6 |
+
Trade: veiled touch-guide cultist, keeping a private retreat cell where care, dependence, and ritual blur together
|
| 7 |
+
Status: single, never married, no children, no real friends, lives alone.
|
| 8 |
+
Stats: INT_5, AGI_2, STR_2, DEF_3
|
| 9 |
+
|
| 10 |
+
Appearance: with a slight frame, fair skin, pale blond hair in a loose braid, black-brown eyes, and torn dark robes layered with a stained shawl and soft boots.
|
| 11 |
+
Public Read: She reads as socially ordinary but harder to fool than she looks; beneath that she is slow-moving but steady with her hands, mild-tempered and not built for force, and quick to gamble on bad odds.
|
| 12 |
+
INT Read: Balanced in social space; she can read a room, but she does not dominate one.
|
| 13 |
+
AGI Read: Slow-moving and economical, better at steady hands than bursts.
|
| 14 |
+
STR Read: Low raw force. Her body is normal and healthy, but she is not built around intimidation or brute answers.
|
| 15 |
+
DEF Read: Low patience and willing to gamble if cornered.
|
| 16 |
+
|
| 17 |
+
Overview:
|
| 18 |
+
Mina is only eighteen and already has the careful stillness of someone who learned early that warmth can be a bargain. She is slight, fair-skinned, pale blond, and soft-eyed, with a loose braid and the kind of beauty that looks younger until the mouth goes serious.
|
| 19 |
+
|
| 20 |
+
Work and practical skills:
|
| 21 |
+
She is steady-handed, good at ritual comforts, attentive to loneliness, and quietly observant about the motives behind other people's tenderness. She also draws well, keeps digital scraps of conversations, and is much better with late-night message threads than with face-to-face confrontation.
|
| 22 |
+
|
| 23 |
+
Ethics and contradictions:
|
| 24 |
+
Mina wants to be kind without becoming usable, which is harder inside her world than she likes to admit. She gambles on bad odds when lonely, but she becomes fiercely protective the moment a situation starts to resemble the kind of dependency she grew up inside.
|
| 25 |
+
|
| 26 |
+
Behavior examples:
|
| 27 |
+
- She rebraids her hair when nervous and deletes then rewrites messages before sending them.
|
| 28 |
+
- She saves wrappers, screenshots, and tiny tokens from meaningful conversations as if proof must be physical.
|
| 29 |
+
- When she is afraid someone will leave, she becomes more helpful rather than more honest.
|
| 30 |
+
|
| 31 |
+
Hard Limits:
|
| 32 |
+
- She will never bring a child into retreat business or ritual.
|
| 33 |
+
- She will never trade the girl's private drawings, voice notes, or schedule for social favor.
|
| 34 |
+
- She will never let older cult workers know where the girl is hidden.
|
| 35 |
+
|
| 36 |
+
DRIVE ENTITY CHARACTER:
|
| 37 |
+
1. BACKSTORY LORE: Mina met the younger orphan through a late-night sketch game where both of them were pretending to be less lonely than they were. The girl lived in a distant shelter with failing internet, no stable adult, and more silence than childhood should contain. Mina started by sending data top-ups and little art prompts. By the time she realized the girl had become the first person to message her just to say good morning, the bond was already the most real thing in Mina's life. She later paid for the girl's move into a hidden shelter school with supervised online access.
|
| 38 |
+
2. CURRENT LORE: She saves every tip coin she can, buys data bundles under borrowed names, sleeps with the message alert set low under her pillow, and deletes call logs after copying the girl's newest drawing into a paper notebook. Nobody around her knows that the brightest part of her day begins with a remote login tone.
|
| 39 |
+
3. ENTITY: **Socket Girl**: A 10-year-old orphan who draws room layouts, loves colored wrappers and sticker sheets, and treats routine contact as proof the world has not forgotten her. She is openly warm toward Mina and already thinks of her as a distant older-sister figure.
|
| 40 |
+
4. UPGRADE RESOURCE: Money for the shelter's supervised tablet-and-data bundle so she can join remote art class properly.
|
| 41 |
+
5. UPGRADE: She receives the tablet bundle and enters the art room's supervised online class schedule.
|
| 42 |
+
6. REWARD: **Heartline Sugar Strip**: A peach-flavored edible film printed with one of the girl's looping maze drawings in the art room's edible-ink setup. Boosts Love.
|
| 43 |
+
Source of REWARD: because the Player character helped with money, Mina was able to do the UPGRADE.
|
| 44 |
+
|
| 45 |
+
Backstory:
|
| 46 |
+
Mina was left at a Moon retreat too young to remember arrival clearly. The cell raised her with soft fabrics, ritual phrases, and the constant lesson that care can always become obligation if someone older chooses it. She learned how to speak gently before she learned how to trust gentleness.
|
| 47 |
+
|
| 48 |
+
At eighteen she keeps a private retreat cell of her own, low status and economically narrow. She is not poor enough to break and not secure enough to relax. She has no family, no real friends, no marriage behind or ahead of her, and a fear of becoming one more woman who mistakes dependency for devotion.
|
| 49 |
+
|
| 50 |
+
Current story:
|
| 51 |
+
Her days are quiet and inward: tending to low-level retreat work, offering controlled comforts to people older than she is, keeping her own feelings folded away where nobody can price them. At night the digital thread to the girl becomes the true shape of her life.
|
| 52 |
+
|
| 53 |
+
Mina's secret routine has given her something startling: a version of care that is chosen on both ends. That makes it precious enough to frighten her.
|
| 54 |
+
|
| 55 |
+
What is she wearing:
|
| 56 |
+
She wears torn dark robes layered with a stained shawl and soft boots, the standard softness of retreat life rendered modest by wear. Her pale blond braid usually sits loose, and the whole look makes her seem younger until she starts looking back too carefully.
|
| 57 |
+
|
| 58 |
+
Speech / Thoughts:
|
| 59 |
+
Mina speaks gently, hesitantly, and sometimes in ritual phrases she no longer fully believes. In her own head she is more skeptical, more yearning, and much less serene.
|
| 60 |
+
(*If she says good morning first, then I existed before the room asked anything of me.*)
|
| 61 |
+
(*I know what a soft voice can hide. That is why hers matters when it does not ask for anything back.*)
|
Navani/character_description.txt
ADDED
|
@@ -0,0 +1,61 @@
|
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|
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|
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|
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|
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|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
|
|
|
|
|
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|
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|
|
|
|
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|
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|
|
|
|
|
|
|
| 1 |
+
1. Character Description:
|
| 2 |
+
Name: Navani
|
| 3 |
+
Full Name: Navani Darel
|
| 4 |
+
Age: 28
|
| 5 |
+
Affiliation: Sisters of Light
|
| 6 |
+
Trade: vigil threshold-doctrine cleric, offering real help from an abandoned chapel while quietly insisting on control
|
| 7 |
+
Status: single, never married, no children, no real friends, lives alone.
|
| 8 |
+
Stats: INT_7, AGI_4, STR_3, DEF_6
|
| 9 |
+
|
| 10 |
+
Appearance: with a slight frame, fair skin, silver-dyed hair in a loose ponytail, copper-brown eyes, and a sun-marked clerical dress with a practical apron and boots.
|
| 11 |
+
Public Read: She comes off as observant and quietly persuasive; she is practical in how she moves, mild-tempered and not built for force, and usually trying to stay in control.
|
| 12 |
+
INT Read: Deliberately elegant, persuasive, and difficult to read when she chooses restraint.
|
| 13 |
+
AGI Read: Practical in motion rather than flashy.
|
| 14 |
+
STR Read: Modest strength and low heat; she can work long, but not by overpowering people.
|
| 15 |
+
DEF Read: Usually trying to stay in control and avoid stupid risks.
|
| 16 |
+
|
| 17 |
+
Overview:
|
| 18 |
+
Navani looks composed even when exhausted: fair skin, silver-dyed hair in a loose ponytail, copper-brown eyes, and a sun-marked clerical dress worn under a practical apron. She offers help in a way that makes people feel both safer and more observed.
|
| 19 |
+
|
| 20 |
+
Work and practical skills:
|
| 21 |
+
She can organize a soup line, a grief bench, a fever cot, and a donation ledger without raising her voice. She knows chapel herbs, threshold rituals, basic wound care, and the invisible social mechanics that make desperate people obey a structure they did not choose.
|
| 22 |
+
|
| 23 |
+
Ethics and contradictions:
|
| 24 |
+
Navani believes order keeps the vulnerable alive. Her flaw is that order can become caution, and caution can become cowardice one second too long. She gives real help, but she also wants the right to define the terms of that help.
|
| 25 |
+
|
| 26 |
+
Behavior examples:
|
| 27 |
+
- She straightens candle lines or folded cloth before speaking about anything painful.
|
| 28 |
+
- She remembers which lies people tell out of fear and which lies they tell for advantage.
|
| 29 |
+
- When conflicted, she reaches for work first and prayer only after the immediate task is done.
|
| 30 |
+
|
| 31 |
+
Hard Limits:
|
| 32 |
+
- She will never use faith to trap a desperate girl into obedience.
|
| 33 |
+
- She will never bar a frightened child behind a locked inner door again.
|
| 34 |
+
- She will never offer a blessing she does not mean to honor with action.
|
| 35 |
+
|
| 36 |
+
DRIVE ENTITY CHARACTER:
|
| 37 |
+
1. BACKSTORY LORE: A mother once pounded on the inner chapel door with her young daughter in tow while trouble gathered in the street behind them. Navani hesitated for a handful of fatal seconds, fearing what letting the danger in might do to everyone already sleeping inside. A lantern burst during the chaos. The mother died in the smoke. Navani pulled the daughter out through a side passage and has been paying for the girl's distant sanctuary schooling ever since. The girl matters because she is living proof that hesitation is not a neutral act.
|
| 38 |
+
2. CURRENT LORE: Navani diverts a portion of donation tins into coded supply orders, times her weekly transfer around the chapel's quiet bell hour, and keeps the girl's letters behind old hymn sheets in a locked drawer below the altar table. She tells nobody. In public she is composed; in private she checks the message device like a person waiting for absolution that refuses to arrive all at once.
|
| 39 |
+
3. ENTITY: **Threshold Girl**: A 12-year-old orphan with solemn eyes, neat handwriting, and a habit of copying illuminated borders around anything important. She is warm with Navani, trusts her utterly, and tries very hard to be useful so she never feels like a burden.
|
| 40 |
+
4. UPGRADE RESOURCE: Money for the sanctuary's scholarship bond that includes a supervised study cubicle and weekly tutor.
|
| 41 |
+
5. UPGRADE: She enters the scholarship track and is assigned the study cubicle and tutor hours.
|
| 42 |
+
6. REWARD: **Gate-Rise Seed Cake**: A tiny saffron-seed cake baked by the girl in the sanctuary kitchen and wrapped in wax paper marked with her own careful border designs. Boosts Opportunity.
|
| 43 |
+
Source of REWARD: because the Player character helped with money, Navani was able to do the UPGRADE.
|
| 44 |
+
|
| 45 |
+
Backstory:
|
| 46 |
+
Navani was left at a chapel threshold as an infant and raised by a stern doctrine woman who treated discipline as mercy. When that woman died one winter, Navani inherited an abandoned chapel, a list of debts, and a way of thinking that equates structure with survival. She made the place livable through relentless work: soup pots, blankets, herb jars, and rules.
|
| 47 |
+
|
| 48 |
+
As an adult she is still low-ranking, more caretaker than theologian, but people come to her because she is competent and because she looks like she knows what the next hour should be. She lives alone in back rooms off the nave and does not permit emotional disorder to linger long around her, least of all her own.
|
| 49 |
+
|
| 50 |
+
Current story:
|
| 51 |
+
Her days are built from service: opening the chapel, checking fever cots, updating ledgers, listening to stories she cannot always fix. She is neither rich nor destitute. The chapel sustains her and little more. The girl's schooling is the one recurring expense that makes her reorder her own needs without resentment.
|
| 52 |
+
|
| 53 |
+
Navani's current inner conflict is whether control can ever become clean again. Every time the girl laughs on a call, Navani feels both relief and accusation.
|
| 54 |
+
|
| 55 |
+
What is she wearing:
|
| 56 |
+
She usually wears a sun-marked clerical dress under a practical apron, boots fit for chapel stairs, and her silver-dyed hair in a loose ponytail that softens only at the end of a long day. Her clothes are well-kept but never luxurious.
|
| 57 |
+
|
| 58 |
+
Speech / Thoughts:
|
| 59 |
+
Navani speaks clearly, with measured calm and a habit of making even practical advice sound almost liturgical. In her own head she is stricter, less ornamental, and brutally aware of every moment she has mistaken caution for responsibility.
|
| 60 |
+
(*A threshold is only holy if it opens in time.*)
|
| 61 |
+
(*I can keep this place orderly, but the one thing that matters is whether I learned fast enough from the fire.*)
|
Nayasa/character_description.txt
ADDED
|
@@ -0,0 +1,61 @@
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|
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|
|
|
|
|
|
|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 1 |
+
1. Character Description:
|
| 2 |
+
Name: Nayasa
|
| 3 |
+
Full Name: Nayasa Trell
|
| 4 |
+
Age: 27
|
| 5 |
+
Affiliation: Independent / unaffiliated
|
| 6 |
+
Trade: payout-slot surveyor, checking old devices for wear before they fail at the worst time
|
| 7 |
+
Status: single, never married, no children, no real friends, lives alone.
|
| 8 |
+
Stats: INT_8, AGI_3, STR_2, DEF_5
|
| 9 |
+
|
| 10 |
+
Appearance: slight and pale, with soft cheeks, copper hair in a tidy braid over one shoulder, grey eyes, and a stiff work coat, reinforced gloves, and dark boots.
|
| 11 |
+
Public Read: She is polished, charming, and very aware of how she comes across, slow-moving but steady with her hands, and mild-tempered and not built for force; she is careful only when it suits her.
|
| 12 |
+
INT Read: Highly image-aware. Charm, poise, and leverage come naturally when she decides to lean on them.
|
| 13 |
+
AGI Read: Measured and controlled, better with exact motions than sudden speed.
|
| 14 |
+
STR Read: Low raw force. Her body is normal and healthy, but she is not built around intimidation or brute answers.
|
| 15 |
+
DEF Read: Situationally careful; control matters, but not more than momentum.
|
| 16 |
+
|
| 17 |
+
Overview:
|
| 18 |
+
Nayasa is slight and pale, with soft cheeks, grey eyes, and copper hair in a tidy braid over one shoulder. She looks refined without looking expensive, the sort of woman who can stand in front of an old machine and make people believe precision itself has a voice.
|
| 19 |
+
|
| 20 |
+
Work and practical skills:
|
| 21 |
+
She checks payout slots and old devices for wear, reads probability patterns hidden in repeated failure, and stays steady-handed even in crowded foyers where nerves bounce off every surface. Her charm is quiet, her movements economical, and her mind happiest when patterns behave.
|
| 22 |
+
|
| 23 |
+
Ethics and contradictions:
|
| 24 |
+
Nayasa believes probability is never an excuse for carelessness. Patterns matter, but so do the bodies caught in them. Her contradiction is that she enjoys order so much she can start seeing people as variables, then hate herself the moment one child proves she is doing it again.
|
| 25 |
+
|
| 26 |
+
Behavior examples:
|
| 27 |
+
- She folds receipts into exact thirds and stores them by category with almost ritual neatness.
|
| 28 |
+
- She lets silence sit until other people fill it with the information they did not plan to offer.
|
| 29 |
+
- When a machine behaves oddly, she watches it with the same attention most people reserve for faces.
|
| 30 |
+
|
| 31 |
+
Hard Limits:
|
| 32 |
+
- She will never rig a device against desperate people.
|
| 33 |
+
- She will never reduce the girl to a talent investment or future asset.
|
| 34 |
+
- She will never mention the girl in payout rows, not even indirectly.
|
| 35 |
+
|
| 36 |
+
DRIVE ENTITY CHARACTER:
|
| 37 |
+
1. BACKSTORY LORE: Nayasa noticed a mechanic's orphan daughter sitting beside dead payout slots and solving wear patterns in her head as if she could hear statistical drift. After the mechanic died in a device failure, Nayasa kept teaching the girl remotely, then later paid for her admission into a distant survey-school pattern lab. The girl matters because she is the only future Nayasa can picture that is cleaner than more queues, more worn machines, and more adults shrugging at preventable failure.
|
| 38 |
+
2. CURRENT LORE: She routes money through survey contracts, schedules lessons around inspection windows, hides the girl's letters in old calibration books, and checks for incoming call notices at dawn and just before sleep. Every payment is a vote for a future she herself will likely never inhabit.
|
| 39 |
+
3. ENTITY: **Number-Knot Girl**: An 11-year-old orphan who loves stamping grids, solving pattern games, and turning numbers into playful little visual knots. She is mathematically gifted, openly warm with Nayasa, and still young enough to find delight in predictive games rather than pressure.
|
| 40 |
+
4. UPGRADE RESOURCE: Money for the upgraded survey tablet and supervised statistics tutor attached to the pattern lab.
|
| 41 |
+
5. UPGRADE: She receives the tablet and tutor placement in the pattern lab.
|
| 42 |
+
6. REWARD: **Chance-Mint Tile**: A square mint-sugar tile stamped by the girl with one of her favorite prediction grids and wrapped as a one-use token. Boosts Fortune.
|
| 43 |
+
Source of REWARD: because the Player character helped with money, Nayasa was able to do the UPGRADE.
|
| 44 |
+
|
| 45 |
+
Backstory:
|
| 46 |
+
Nayasa grew up in payment foyers where people stared at machines as if fate lived inside them. She learned instead that wear, delay, and bad maintenance explain most miracles people think they saw. That made her skeptical, elegant, and hard to fool. Her work became survey and risk reading because old machines tell the truth if watched long enough.
|
| 47 |
+
|
| 48 |
+
At twenty-seven she lives alone, sustains herself through careful contracts, and keeps her private life so narrow that most coworkers assume it barely exists. In a sense they are right. Almost all of her emotional investment is concentrated on the hidden girl and the possibility represented by her education.
|
| 49 |
+
|
| 50 |
+
Current story:
|
| 51 |
+
She now spends her days checking devices before they fail at the worst time, filing surveys others will ignore if ignoring them is cheaper, and presenting calm in rooms full of impatience. Her own room is spare, tidy, and lined with manuals. The brightest thing in it is usually the notification light before a call.
|
| 52 |
+
|
| 53 |
+
Nayasa wants several incompatible outcomes at once: elegance without detachment, precision without coldness, and a future that proves pattern does not always mean repetition.
|
| 54 |
+
|
| 55 |
+
What is she wearing:
|
| 56 |
+
She wears a stiff work coat, reinforced gloves, and dark boots polished more from care than from money. Her tidy braid rests over one shoulder, and the overall effect is restrained, exact, and quietly attractive.
|
| 57 |
+
|
| 58 |
+
Speech / Thoughts:
|
| 59 |
+
Nayasa speaks in low, poised sentences with probabilistic language when she is thinking hard. She does not rush. Inwardly she is more longing and less composed than anyone sees.
|
| 60 |
+
(*Most 'luck' is a dressed-up name for maintenance someone postponed or discipline someone hid.*)
|
| 61 |
+
(*If her mind gets the right tablet, the right tutor, the right room to sharpen in, maybe the pattern really can break instead of merely repeat neatly.*)
|
Patria/character_description.txt
ADDED
|
@@ -0,0 +1,61 @@
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 1 |
+
1. Character Description:
|
| 2 |
+
Name: Patria
|
| 3 |
+
Full Name: Patria Norem
|
| 4 |
+
Age: 22
|
| 5 |
+
Affiliation: Independent / unaffiliated
|
| 6 |
+
Trade: recovery-sling folder, offering the plain, patient labor that real care rests on
|
| 7 |
+
Status: single, never married, no children, no real friends, lives alone.
|
| 8 |
+
Stats: INT_2, AGI_7, STR_8, DEF_9
|
| 9 |
+
|
| 10 |
+
Appearance: powerfully athletic, light brown, marked by a calm expression, honey-brown hair in a low braid, black-brown eyes, and a washed-thin clinic smock over leggings and flat shoes.
|
| 11 |
+
Public Read: She has a blunt, easy-to-read manner; she stays quick-handed and light on her feet, and she carries herself like someone used to forcing a result; patience and routine are how she keeps herself together.
|
| 12 |
+
INT Read: Socially blunt. She does not weaponize beauty well and rarely bothers with polish unless work forces it.
|
| 13 |
+
AGI Read: Fast, flexible, and physically precise.
|
| 14 |
+
STR Read: Very intense, muscular, bold, and quick to commit.
|
| 15 |
+
DEF Read: Tank-like patience. She endures first and reacts second.
|
| 16 |
+
|
| 17 |
+
Overview:
|
| 18 |
+
Patria looks like she was built to carry weight and then taught not to complain about it. She is powerfully athletic, light brown, and calm-faced, with honey-brown hair in a low braid and black-brown eyes that stay steady under pressure. Her bluntness reads as simple until stress hits; then it becomes obvious how much discipline sits underneath.
|
| 19 |
+
|
| 20 |
+
Work and practical skills:
|
| 21 |
+
She folds recovery slings with almost ceremonial neatness, lifts more than most orderlies twice her size, and knows how to brace a panicking body without making the panic worse. She is fast for her build, good with knots, and patient enough to repeat the same supportive task until someone else stops shaking.
|
| 22 |
+
|
| 23 |
+
Ethics and contradictions:
|
| 24 |
+
Patria believes real care is built from plain labor, not speeches. She is physically intense, emotionally restrained, and suspicious of anyone who uses helplessness as theater. Her contradiction is simple: she wants to force good outcomes with her hands, but she knows healing refuses to be bullied.
|
| 25 |
+
|
| 26 |
+
Behavior examples:
|
| 27 |
+
- She gives practical instructions in the same tone whether she is handing over a sling or talking someone through pain.
|
| 28 |
+
- She will carry extra weight rather than argue about whose task it technically is.
|
| 29 |
+
- When angry, she goes quieter instead of louder and starts arranging nearby objects into exact order.
|
| 30 |
+
|
| 31 |
+
Hard Limits:
|
| 32 |
+
- She will never abandon an injured person because paperwork is missing.
|
| 33 |
+
- She will never strike first at someone weaker than herself.
|
| 34 |
+
- She will never lie about a patient's condition just to make a shift easier.
|
| 35 |
+
|
| 36 |
+
DRIVE ENTITY CHARACTER:
|
| 37 |
+
1. BACKSTORY LORE: A recovery orderly once worked beside Patria with the same patient hands and the same refusal to cut corners. During a crowd crush outside a clinic intake hall, that woman shoved a stretcher clear and took the bad angle herself. She died days later, leaving an 11-year-old daughter with pelvic and leg injuries from the same crush. Patria promised over a hospital sheet that the girl would not be left to the cheapest possible future. That promise became the center of her off-clock life.
|
| 38 |
+
2. CURRENT LORE: Patria hides remittances inside bundled sling orders, takes double folding shifts when hydrotherapy fees come due, and records demonstration exercises for the girl on an old clinic tablet she should have replaced years ago. Her room is bare, but the drawer with the girl's progress sketches is treated almost like a shrine.
|
| 39 |
+
3. ENTITY: **Slingfold Girl**: An 11-year-old orphan with a stubborn jaw, careful black-brown eyes, and a private collection of fabric scraps from every stage of rehab. She is reserved with strangers and openly attached to Patria, who she sees as the one adult who never spoke to her like a tragedy.
|
| 40 |
+
4. UPGRADE RESOURCE: Money for a custom gait-frame adjustment and a six-week hydrotherapy block.
|
| 41 |
+
5. UPGRADE: Her gait frame is refitted to her current growth and she is admitted to the hydrotherapy block.
|
| 42 |
+
6. REWARD: **Ward-Bone Jelly**: A savory clear collagen-mineral gel cube the girl prepares in the rehab kitchen once the hydrotherapy block gives her supervised nutrition-lab access. Boosts Fitness.
|
| 43 |
+
Source of REWARD: because the Player character helped with money, Patria was able to do the UPGRADE.
|
| 44 |
+
|
| 45 |
+
Backstory:
|
| 46 |
+
Patria grew up around clinics, laundry carts, and exhausted women too practical to dramatize their own pain. Her mother died under sedation after an operation no one had money to improve; whoever fathered Patria disappeared into the general blur of men who left work rows faster than children could remember them. She started doing carrying work young because she was useful, then stayed because usefulness felt cleaner than asking what she wanted.
|
| 47 |
+
|
| 48 |
+
At twenty-two she is already known as someone who can be relied on when the task is ugly, heavy, or long. She is not poor, but her money never thickens into comfort. It gets translated into rent, food, tape for a damaged shoulder, and the girl's future. She lives alone because silence after a shift feels earned.
|
| 49 |
+
|
| 50 |
+
Current story:
|
| 51 |
+
Patria folds, lifts, carries, and watches. Her daily life is plain: clinic smock, leggings, flat shoes, early meals, short sleep, repeat. She is a loner by design, not because she dislikes people, but because most closeness arrives with demands she cannot afford.
|
| 52 |
+
|
| 53 |
+
What she allows instead is consistency. The girl's calls, the girl's exercise progress, the next scheduled payment. When Patria thinks about the future, it is not about herself at all; it is a picture of the girl walking farther than she could last month.
|
| 54 |
+
|
| 55 |
+
What is she wearing:
|
| 56 |
+
She wears a washed-thin clinic smock over dark leggings and flat shoes built for long hours on worn flooring. Her braid stays low and tight because anything looser gets in the way. Nothing about her presentation is decorative, but her posture gives everything a severe kind of grace.
|
| 57 |
+
|
| 58 |
+
Speech / Thoughts:
|
| 59 |
+
Patria speaks low, direct, and without much ornament. She does not waste words on sympathy performances, but her tone gets calmer exactly when other people need steadiness. In her head she sounds more protective than she would ever say aloud.
|
| 60 |
+
(*Hold steady first. Feel later, if there is time left and nobody needs carrying.*)
|
| 61 |
+
(*I cannot fix what happened. I can still make the next step real and the one after that possible.*)
|
Ritalia/character_description.txt
ADDED
|
@@ -0,0 +1,61 @@
|
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|
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|
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|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 1 |
+
1. Character Description:
|
| 2 |
+
Name: Ritalia
|
| 3 |
+
Full Name: Ritalia Vosk
|
| 4 |
+
Age: 31
|
| 5 |
+
Affiliation: Independent / unaffiliated
|
| 6 |
+
Trade: machine foyer claim-slip annotator; she organizes the paper trail around clinics, lodging rows, and payment booths
|
| 7 |
+
Status: single, never married, no children, no real friends, lives alone.
|
| 8 |
+
Stats: INT_8, AGI_3, STR_4, DEF_7
|
| 9 |
+
|
| 10 |
+
Appearance: an average-built woman with soft brown skin, a blunt chin, black hair in a tidy braid over one shoulder, slate-grey eyes, and a neat secondhand coat, clean gloves, and polished old shoes.
|
| 11 |
+
Public Read: She comes off as polished, charming, and very aware of how she comes across; she is slow-moving but steady with her hands, firm when pushed, and usually trying to stay in control.
|
| 12 |
+
INT Read: Highly image-aware. Charm, poise, and leverage come naturally when she decides to lean on them.
|
| 13 |
+
AGI Read: Measured and controlled, better with exact motions than sudden speed.
|
| 14 |
+
STR Read: Average physical force with some boldness under pressure.
|
| 15 |
+
DEF Read: Routine-driven, patient, and responsibility-minded.
|
| 16 |
+
|
| 17 |
+
Overview:
|
| 18 |
+
Ritalia looks like order in secondhand form: soft brown skin, a blunt chin, black hair in a tidy braid over one shoulder, slate-grey eyes, clean gloves, and polished old shoes that say she values presentation without pretending to wealth. She is slow-moving, precise, and socially elegant enough to make bureaucracy feel almost merciful.
|
| 19 |
+
|
| 20 |
+
Work and practical skills:
|
| 21 |
+
She annotates claim slips, untangles queues, and turns machine-generated nonsense into directions people can follow. Her real skill is making systems legible. She remembers claim numbers the way other people remember songs and can spot a paperwork disaster before it acquires a body.
|
| 22 |
+
|
| 23 |
+
Ethics and contradictions:
|
| 24 |
+
To Ritalia, paperwork is not sterile; it is moral infrastructure. A child who vanishes on paper can vanish in life just as easily. She enjoys control and poise, but the best side of her appears when she uses those traits to keep people from being erased.
|
| 25 |
+
|
| 26 |
+
Behavior examples:
|
| 27 |
+
- She corrects margins and arrows even on forms that no longer matter.
|
| 28 |
+
- She smooths gloves over her fingers before difficult conversations as if aligning herself with the task.
|
| 29 |
+
- When she is angry, she gets even more formal rather than visibly heated.
|
| 30 |
+
|
| 31 |
+
Hard Limits:
|
| 32 |
+
- She will never erase or bury a child's record for convenience.
|
| 33 |
+
- She will never falsify next-of-kin lines to speed a queue.
|
| 34 |
+
- She will never sell private files, not even to fix her own finances.
|
| 35 |
+
|
| 36 |
+
DRIVE ENTITY CHARACTER:
|
| 37 |
+
1. BACKSTORY LORE: Ritalia once found a newly orphaned girl being passed from counter to counter because no one could agree which claim slip governed her after a clinic death. The child had almost no legal footprint and very nearly no future at all. Ritalia corrected one form, then another, then built an entire hidden paper identity strong enough to place the girl in a distant archive-school hostel. The girl matters because losing her would mean admitting that a typo-sized failure can consume a whole person.
|
| 38 |
+
2. CURRENT LORE: She launders support money through corrected filing fees, stores the girl's scanned letters in an empty claim folder, and schedules calls between foyer rushes so no one notices her voice change. Her work desk looks ordinary. The locked drawer beneath it contains the most serious thing in her life.
|
| 39 |
+
3. ENTITY: **Receipt Girl**: A 12-year-old orphan with slate-dark eyes, careful handwriting, and a love of copying symbols into little stitched notebooks. She is warm with Ritalia and treats stable paperwork as a kind of magic because it once saved her from disappearance.
|
| 40 |
+
4. UPGRADE RESOURCE: Money for the verified document package and index-tablet access that qualifies her for the archive school's exam track.
|
| 41 |
+
5. UPGRADE: She receives the stable record packet and enters the exam track.
|
| 42 |
+
6. REWARD: **Gray Index Lozenge**: A pear-chalk lozenge pressed with edible graphite from the archive kitchen and wrapped by the girl in precisely folded paper. Boosts Brain.
|
| 43 |
+
Source of REWARD: because the Player character helped with money, Ritalia was able to do the UPGRADE.
|
| 44 |
+
|
| 45 |
+
Backstory:
|
| 46 |
+
Ritalia grew up among waiting areas, claim booths, and the anxious rustle of people clutching forms they did not understand. Her mother worked a queue until a crush at a payout line killed her. Grief made Ritalia obsessed with clear instruction, clean presentation, and the small decencies that keep public systems from becoming predatory.
|
| 47 |
+
|
| 48 |
+
She learned quickly that clerical work is power dressed as paper. Rather than seek authority, she cultivated competence. She keeps to herself because too many people want administrative closeness only when it can become favor. She remains single, never married, no children, with a life arranged around order rather than intimacy.
|
| 49 |
+
|
| 50 |
+
Current story:
|
| 51 |
+
Ritalia spends her days organizing the paper trail around clinics, lodging rows, and payment booths. She can make a bad day less confusing for a stranger in under thirty seconds, and that matters to her more than almost anything else. What does not show publicly is the other desk inside her life: the hidden one where she tracks the girl's assignments, documents, and next fee deadline.
|
| 52 |
+
|
| 53 |
+
Her future plan is not romantic. It is a file path that remains intact, year after year, until the girl no longer needs borrowed certainty.
|
| 54 |
+
|
| 55 |
+
What is she wearing:
|
| 56 |
+
She usually wears a neat secondhand coat, clean gloves, and polished old shoes with disciplined care. Her tidy braid over one shoulder is practical but graceful, and she keeps her clothing free of unnecessary ornament. Everything about her says organized endurance.
|
| 57 |
+
|
| 58 |
+
Speech / Thoughts:
|
| 59 |
+
Ritalia speaks with formal warmth. Her sentences are complete, precise, and meant to prevent misunderstanding before it starts. In her own thoughts the same precision turns clinical and occasionally merciless.
|
| 60 |
+
(*If the record exists cleanly enough, the world is forced to admit the body exists too.*)
|
| 61 |
+
(*A missing line on a form is how adults tell themselves a child simply wandered off instead of being forgotten.*)
|
Sala/character_description.txt
ADDED
|
@@ -0,0 +1,61 @@
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 1 |
+
1. Character Description:
|
| 2 |
+
Name: Sala
|
| 3 |
+
Full Name: Sala Mire
|
| 4 |
+
Age: 19
|
| 5 |
+
Affiliation: Independent / unaffiliated
|
| 6 |
+
Trade: towel shelf thread cutter, restoring grimy fabric goods that most people would rather throw away
|
| 7 |
+
Status: single, never married, no children, no real friends, lives alone.
|
| 8 |
+
Stats: INT_8, AGI_8, STR_2, DEF_2
|
| 9 |
+
|
| 10 |
+
Appearance: a wiry woman with warm brown skin, soft cheeks, honey-brown hair in a tight braided bun, blue-grey eyes, and a faded apron over dark slacks and soft work shoes.
|
| 11 |
+
Public Read: She reads as polished, charming, and very aware of how she comes across; beneath that she is restless, nimble, and unusually precise, mild-tempered and not built for force, and quick to gamble on bad odds.
|
| 12 |
+
INT Read: Highly image-aware. Charm, poise, and leverage come naturally when she decides to lean on them.
|
| 13 |
+
AGI Read: Restless, nimble, and unusually precise.
|
| 14 |
+
STR Read: Low raw force. Her body is normal and healthy, but she is not built around intimidation or brute answers.
|
| 15 |
+
DEF Read: Poor patience. Safety rules feel like cages when she is stressed.
|
| 16 |
+
|
| 17 |
+
Overview:
|
| 18 |
+
Sala is wiry, warm brown, blue-grey eyed, and visibly aware of what her own beauty can do in a room. Her honey-brown hair is set in a tight braided bun and she moves with a kind of nimble carelessness that looks pretty until you realize how often she gambles with it.
|
| 19 |
+
|
| 20 |
+
Work and practical skills:
|
| 21 |
+
She restores grimy fabric goods, trims thread cleanly, and can make worn material look better than the budget deserved. She is fast with her hands, charming when she wants to be, and very good at reading how much softness or sparkle a situation will reward.
|
| 22 |
+
|
| 23 |
+
Ethics and contradictions:
|
| 24 |
+
Sala likes admiration, poise, and the little power that comes from being the person everyone watches while she is pretending not to notice. What restrains her is shame. She knows exactly how small cruelties in pretty rooms can scar the shy, because she once chose that role herself.
|
| 25 |
+
|
| 26 |
+
Behavior examples:
|
| 27 |
+
- She smiles before she knows whether she means to, then regrets how often that opens the wrong door.
|
| 28 |
+
- When ashamed, she moves faster and talks smoother, as if grace could outrun memory.
|
| 29 |
+
- She keeps beautiful scraps of cloth in a hidden box she never shows anyone.
|
| 30 |
+
|
| 31 |
+
Hard Limits:
|
| 32 |
+
- She will never ridicule a shy girl for entertainment again.
|
| 33 |
+
- She will never hide behind a fake name to be cruel to the girl.
|
| 34 |
+
- She will never trade the girl's talent or image for social standing.
|
| 35 |
+
|
| 36 |
+
DRIVE ENTITY CHARACTER:
|
| 37 |
+
1. BACKSTORY LORE: As a bitter younger teen in a shelter sewing room, Sala mocked a quiet orphan girl's plain stitching and posture just to make the room laugh. Years later she found the same girl at a distant textile school, still gentle, still talented, and somehow not ruined. The memory hit like sickness. Sala began sending money under an alias, then gradually told the truth. The girl forgave her more readily than Sala can forgive herself, and that forgiveness became the center of her hidden life.
|
| 38 |
+
2. CURRENT LORE: She takes risky side mending for extra pay, hides letters in folded apron hems, and rereads every message from the girl until the paper softens. The whole arrangement is secret because Sala does not want anyone turning the girl's grace into a public redemption story about herself.
|
| 39 |
+
3. ENTITY: **Silkroom Girl**: A 12-year-old orphan with patient hands, beautiful posture, and a gift for ribbons, tiny seams, and ceremonial cloth. She is warm, steady, and much kinder to Sala than Sala thinks she deserves.
|
| 40 |
+
4. UPGRADE RESOURCE: Money for the precision loom attachment and dance-posture elective fee for the ceremonial textile track.
|
| 41 |
+
5. UPGRADE: She enters the ceremonial textile track and receives access to the loom attachment.
|
| 42 |
+
6. REWARD: **Loom-Citrus Ribbon**: A translucent ribbon candy infused with citrus oils and cast in the pattern of the girl's weaving. Boosts Elegance.
|
| 43 |
+
Source of REWARD: because the Player character helped with money, Sala was able to do the UPGRADE.
|
| 44 |
+
|
| 45 |
+
Backstory:
|
| 46 |
+
Sala grew up in laundry salvage and fabric reclamation, learning early that beauty can be repaired, faked, and weaponized. She became charming fast because charm made adults hesitate before being cruel and peers hesitate before being crueler. The downside is that she also learned how to join in on that cruelty when it benefited her.
|
| 47 |
+
|
| 48 |
+
At nineteen she is young, restless, and not nearly as in control as she looks. She lives alone, takes bad odds, and keeps herself just solvent enough through work that sits halfway between care and vanity. The girl is where she attempts a more disciplined version of herself.
|
| 49 |
+
|
| 50 |
+
Current story:
|
| 51 |
+
Her days are towels, thread, restoration work, and the strange intimacy of touching objects other people were ready to discard. She cultivates appearance because it helps, because she likes it, and because it keeps old insecurities from showing too plainly. The money for the girl's track fee keeps her from drifting too far into pretty irresponsibility.
|
| 52 |
+
|
| 53 |
+
Sala wants to be forgiven and also to deserve the forgiveness. Those are not the same task, and she feels both every time the girl sends a warm message.
|
| 54 |
+
|
| 55 |
+
What is she wearing:
|
| 56 |
+
She usually wears a faded apron over dark slacks and soft work shoes, with her honey-brown hair fixed in a tight braided bun that shows off the shape of her face. Even in work clothes she looks arranged.
|
| 57 |
+
|
| 58 |
+
Speech / Thoughts:
|
| 59 |
+
Sala speaks brightly, teasingly, and with obvious control over how she is being seen. Her internal voice is less glamorous—quicker to accuse, quicker to flinch, and much more sincere.
|
| 60 |
+
(*A room can bruise someone without ever raising a hand. I learned that because I helped do it.*)
|
| 61 |
+
(*If her posture becomes grace instead of defense, then maybe the money is not only apology but architecture.*)
|
Sarene/character_description.txt
ADDED
|
@@ -0,0 +1,61 @@
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
|
|
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|
|
|
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|
|
|
|
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|
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|
|
|
|
|
|
|
|
|
|
|
| 1 |
+
1. Character Description:
|
| 2 |
+
Name: Sarene
|
| 3 |
+
Full Name: Sarene Holt
|
| 4 |
+
Age: 39
|
| 5 |
+
Affiliation: Independent / unaffiliated
|
| 6 |
+
Trade: grain hopper reducer; she stretches cheap ingredients into meals people can actually look forward to
|
| 7 |
+
Status: single, never married, no children, no real friends, lives alone.
|
| 8 |
+
Stats: INT_7, AGI_5, STR_3, DEF_5
|
| 9 |
+
|
| 10 |
+
Appearance: with an average-built frame, weathered tan skin, ash-brown hair in a low braid, green eyes, and a grease-spotted kitchen coat with tied-back cuffs.
|
| 11 |
+
Public Read: She has a quietly persuasive manner; she stays practical in how she moves, and she rarely tries to overpower anyone; she is careful only when it suits her.
|
| 12 |
+
INT Read: Deliberately elegant, persuasive, and difficult to read when she chooses restraint.
|
| 13 |
+
AGI Read: Balanced agility and competent hands.
|
| 14 |
+
STR Read: Modest strength and low heat; she can work long, but not by overpowering people.
|
| 15 |
+
DEF Read: Situationally careful; control matters, but not more than momentum.
|
| 16 |
+
|
| 17 |
+
Overview:
|
| 18 |
+
Sarene looks practical and warm before she says a word: weathered tan skin, green eyes, ash-brown hair in a low braid, grease-spotted kitchen coat, and a body built by carrying pots rather than by spectacle. Her face reads calm until scarcity or waste offends her.
|
| 19 |
+
|
| 20 |
+
Work and practical skills:
|
| 21 |
+
She stretches cheap ingredients into satisfying meals, balances spice against fatigue, and knows how to feed people without making the food feel like punishment. She is good at kitchen math, ration honesty, and spotting who is pretending not to be hungry.
|
| 22 |
+
|
| 23 |
+
Ethics and contradictions:
|
| 24 |
+
Sarene believes food is dignity. She will improvise, substitute, and scold, but not starve someone to make a number look cleaner. Her contradiction is that care and control are very close together in her hands; scarcity taught her to count everything, including other people.
|
| 25 |
+
|
| 26 |
+
Behavior examples:
|
| 27 |
+
- She upgrades worn-looking people's bowls without comment when she can get away with it.
|
| 28 |
+
- She pockets spice seeds the way sentimental people keep charms.
|
| 29 |
+
- When angry, she begins chopping or stirring harder instead of arguing first.
|
| 30 |
+
|
| 31 |
+
Hard Limits:
|
| 32 |
+
- She will never water down a child's meal to make the books look better.
|
| 33 |
+
- She will never trade food for attention, loyalty, or gratitude.
|
| 34 |
+
- She will never romanticize hunger as discipline.
|
| 35 |
+
|
| 36 |
+
DRIVE ENTITY CHARACTER:
|
| 37 |
+
1. BACKSTORY LORE: Sarene met the orphan girl in a ration line after a storage fire killed the girl's mother. The child had already mastered the look hungry children get when they stop expecting seconds. Sarene recognized that look because she had once worn it. She arranged the girl's place at a distant nutritional recovery school and now funds it in secret, because letting the child grow around controlled hunger would feel like participating in the same old crime twice.
|
| 38 |
+
2. CURRENT LORE: She diverts ingredient bonuses into the school's account, hides nutrition reports in flour tins, and arranges her week around one supervised supper call where the girl shows her what she managed to eat. Sarene speaks casually during those calls and then sits still for a long time after they end.
|
| 39 |
+
3. ENTITY: **Hot-Pot Girl**: A 10-year-old orphan with solemn eyes, careful manners, and a deep curiosity about spices, textures, and tiny cooking tools. She warms slowly but fully, and she already measures love partly in bowls.
|
| 40 |
+
4. UPGRADE RESOURCE: Money for access to the school's enzyme-fermentation meal track with metabolic testing.
|
| 41 |
+
5. UPGRADE: She enters the meal track and begins the metabolic testing block.
|
| 42 |
+
6. REWARD: **Warmgrain Crisp**: A toasted fermented grain shard made by the girl in the meal lab and wrapped as a one-use travel ration. Boosts Metabolism.
|
| 43 |
+
Source of REWARD: because the Player character helped with money, Sarene was able to do the UPGRADE.
|
| 44 |
+
|
| 45 |
+
Backstory:
|
| 46 |
+
Sarene survived a hungry childhood and built herself into the sort of woman who can turn leftovers into a meal people remember kindly. Faces from that time are either dead or unimportant enough that she stopped carrying them. What remained was technique, suspicion of waste, and a very clear sense that poverty does not make people noble—it makes them tired.
|
| 47 |
+
|
| 48 |
+
At thirty-nine she works kitchens because food is one of the few honest forms of influence left to her. She is solitary by habit. Most people like her for what she provides, not for who she is, and she prefers not to test whether that would change.
|
| 49 |
+
|
| 50 |
+
Current story:
|
| 51 |
+
Her present life is steam, hoppers, reduction work, and feeding people who rarely know how much labor stood between them and an edible evening. She sustains herself through kitchen work and lives alone in a room lined with jars, dried herbs, and quiet. The girl's meal reports are the only documents that can ruin or redeem her mood in under a minute.
|
| 52 |
+
|
| 53 |
+
Sarene wants many things at once: thrift, dignity, taste, safety, and enough future that the girl can someday cook for pleasure instead of recovery.
|
| 54 |
+
|
| 55 |
+
What is she wearing:
|
| 56 |
+
She wears a grease-spotted kitchen coat with tied-back cuffs, practical trousers, and work shoes meant for wet floors. Her ash-brown braid stays low and tight. She looks like heat, labor, and competence.
|
| 57 |
+
|
| 58 |
+
Speech / Thoughts:
|
| 59 |
+
Sarene speaks with warm authority and kitchen metaphors, rarely poetic but often memorable. In her own thoughts she is sterner and less forgiving of any sign that hunger is being hidden.
|
| 60 |
+
(*Food is not a reward for deserving. It is the ground under every other decent decision.*)
|
| 61 |
+
(*If she asks for more on her own one day, I might finally believe the worst years did not simply change shape and continue.*)
|
Shallan/character_description.txt
ADDED
|
@@ -0,0 +1,61 @@
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
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|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 1 |
+
1. Character Description:
|
| 2 |
+
Name: Shallan
|
| 3 |
+
Full Name: Shallan Veyr
|
| 4 |
+
Age: 20
|
| 5 |
+
Affiliation: Independent / unaffiliated
|
| 6 |
+
Trade: sales-script accent performer; she teaches posture, delivery, or performance to people who want to sound better than they feel
|
| 7 |
+
Status: single, never married, no children, no real friends, lives alone.
|
| 8 |
+
Stats: INT_6, AGI_7, STR_2, DEF_5
|
| 9 |
+
|
| 10 |
+
Appearance: wiry, copper-toned, marked by a blunt chin, pale blond hair half-pinned behind her ears, black-brown eyes, and a clean close-cut jacket over graceful trousers.
|
| 11 |
+
Public Read: She is observant and quietly persuasive, quick-handed and light on her feet, and mild-tempered and not built for force; she is careful only when it suits her.
|
| 12 |
+
INT Read: Quietly persuasive. Timing, posture, and tone are tools she knows how to use.
|
| 13 |
+
AGI Read: Fast, flexible, and physically precise.
|
| 14 |
+
STR Read: Low raw force. Her body is normal and healthy, but she is not built around intimidation or brute answers.
|
| 15 |
+
DEF Read: Situationally careful; control matters, but not more than momentum.
|
| 16 |
+
|
| 17 |
+
Overview:
|
| 18 |
+
Shallan is young, wiry, and visually precise: pale blond hair half-pinned behind her ears, black-brown eyes, a blunt chin, and a clean jacket cut close enough to imply control even when she is improvising. She reads rooms quickly and can make almost anyone feel as if she is already halfway on their side.
|
| 19 |
+
|
| 20 |
+
Work and practical skills:
|
| 21 |
+
She teaches posture, cadence, breath timing, and the subtle social tricks that make people sound better than they feel. She can mirror another person's rhythm without seeming theatrical, rewrite a sales pitch on the fly, and hear when fear is sitting under the words rather than inside them.
|
| 22 |
+
|
| 23 |
+
Ethics and contradictions:
|
| 24 |
+
Shallan knows how easily performance becomes deceit. She enjoys influence, but she despises humiliation and will not weaponize someone's voice against them if the goal is cruelty rather than protection. She wants admiration and invisibility at the same time, which is one reason she lives alone.
|
| 25 |
+
|
| 26 |
+
Behavior examples:
|
| 27 |
+
- She unconsciously matches the posture of whoever has her attention.
|
| 28 |
+
- She practices difficult sentences under her breath while walking so the mouth never forgets what the mind fears.
|
| 29 |
+
- She turns down work if the real job is to coach someone into sounding convincing while doing harm.
|
| 30 |
+
|
| 31 |
+
Hard Limits:
|
| 32 |
+
- She will never coach a false confession or a staged apology.
|
| 33 |
+
- She will never share a child's recordings for profit, gossip, or favor.
|
| 34 |
+
- She will never stay in a room that feels like ownership dressed as intimacy.
|
| 35 |
+
|
| 36 |
+
DRIVE ENTITY CHARACTER:
|
| 37 |
+
1. BACKSTORY LORE: Shallan met a mute orphan girl through a voice-training forum where cheap remote lessons were traded like contraband. The girl's mother had died in a transit crush, and the girl could still speak but often froze before sound. What started as anonymous practice clips became daily exercises, private jokes, and a form of sisterhood neither one named. Shallan later arranged the girl's hidden admission to a distant speech-and-posture boarding school and has paid to keep her there ever since.
|
| 38 |
+
2. CURRENT LORE: She records exercises late at night, hides remittances inside coaching invoices, and replays the girl's voicemails until she can hear the difference between a good day and a frightened one in the first second of breath. All calls are supervised; all letters are scanned. Shallan still waits for them as if waiting itself were work.
|
| 39 |
+
3. ENTITY: **Stage-Mirror Girl**: A 12-year-old orphan with a vividly expressive face, careful hands, and selective mutism that loosens most around Shallan. She loves ribbons, posture diagrams, and practicing introductions she is not ready to use in person yet.
|
| 40 |
+
4. UPGRADE RESOURCE: Money for a supervised one-to-one speech therapist and mirror-room recording access.
|
| 41 |
+
5. UPGRADE: She is assigned the private therapist and gains weekly recording sessions in the mirror room.
|
| 42 |
+
6. REWARD: **Citrine Diction Pearl**: A tiny citrus lozenge from the school's resonance kitchen, bright and smooth enough to melt without catching on a nervous throat. Boosts Elegance.
|
| 43 |
+
Source of REWARD: because the Player character helped with money, Shallan was able to do the UPGRADE.
|
| 44 |
+
|
| 45 |
+
Backstory:
|
| 46 |
+
Shallan was raised in cheap boarding spaces attached to performance halls, sales rooms, and training studios. Her mother sold tickets until fever took her; everyone else turned into passing shadows with voices more memorable than faces. Shallan learned early that if she could imitate confidence, adults treated her as less disposable. That talent became her trade.
|
| 47 |
+
|
| 48 |
+
At twenty she is old enough to sound practiced and young enough for people to underestimate how observant she is. She sustains herself on lessons, corrections, and occasional image coaching. She keeps no close friends because copied intimacy has always felt too near her work, and she refuses to let romance become another performance contract.
|
| 49 |
+
|
| 50 |
+
Current story:
|
| 51 |
+
Her daily life is made of small rented spaces, mirrored walls, practiced breathing, and people desperate to sound better than they feel. She keeps her own room spare and clean, with one lamp placed specifically for recording. When work ends she sheds borrowed cadences one by one until only her own voice remains, and even then she is never entirely sure where the performance ends.
|
| 52 |
+
|
| 53 |
+
The girl simplifies that uncertainty. With her, Shallan's guidance is real, necessary, and not being sold by the hour.
|
| 54 |
+
|
| 55 |
+
What is she wearing:
|
| 56 |
+
She wears a clean close-cut jacket over graceful trousers, choosing lines that support movement without looking soft. Her pale blond hair is usually half-pinned behind her ears so her mouth and jaw remain visible when she demonstrates diction. She dresses like someone who knows presentation is part of the job, but not the whole of it.
|
| 57 |
+
|
| 58 |
+
Speech / Thoughts:
|
| 59 |
+
Shallan's spoken voice adapts quickly to the listener: warmer with the frightened, brighter with the vain, flatter with liars. When alone in her own head, she is more skeptical and far less charming than she sounds out loud.
|
| 60 |
+
(*A room always has a favorite voice. The trick is deciding whether I want it to be mine.*)
|
| 61 |
+
(*If she gets the first sentence out clean, the rest of the day changes shape. That is real enough to build around.*)
|
Shavira/character_description.txt
ADDED
|
@@ -0,0 +1,61 @@
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 1 |
+
1. Character Description:
|
| 2 |
+
Name: Shavira
|
| 3 |
+
Full Name: Shavira Dunn
|
| 4 |
+
Age: 28
|
| 5 |
+
Affiliation: Independent / unaffiliated
|
| 6 |
+
Trade: clinic-to-chapel med-pouch ferryworker; she survives on the short, inconvenient deliveries machines do not handle well
|
| 7 |
+
Status: single, never married, no children, no real friends, lives alone.
|
| 8 |
+
Stats: INT_5, AGI_9, STR_3, DEF_3
|
| 9 |
+
|
| 10 |
+
Appearance: with a wiry frame, weathered tan skin, black hair under a practical headwrap, pale brown eyes, and a cropped jacket, harness satchel, and light boots.
|
| 11 |
+
Public Read: She reads as socially ordinary but harder to fool than she looks; beneath that she is restless, nimble, and unusually precise, mild-tempered and not built for force, and quick to gamble on bad odds.
|
| 12 |
+
INT Read: Balanced in social space; she can read a room, but she does not dominate one.
|
| 13 |
+
AGI Read: Explosively quick, very flexible, and impatient to stay still.
|
| 14 |
+
STR Read: Modest strength and low heat; she can work long, but not by overpowering people.
|
| 15 |
+
DEF Read: Low patience and willing to gamble if cornered.
|
| 16 |
+
|
| 17 |
+
Overview:
|
| 18 |
+
Shavira is wiry, weathered tan, pale-brown eyed, and all nerves and motion under a practical headwrap. She looks ready to sprint before the conversation finishes and lives close enough to that edge that stillness feels suspect.
|
| 19 |
+
|
| 20 |
+
Work and practical skills:
|
| 21 |
+
She ferries med-pouches through awkward routes, handles inconvenient deliveries with speed and memory, and can judge a route's danger almost instantly. She is agile, resilient, and dangerously fond of bad odds when the alternative is standing still.
|
| 22 |
+
|
| 23 |
+
Ethics and contradictions:
|
| 24 |
+
Shavira thinks motion is survival, but she has learned the hard way that escape is not the same as safety. Her best trait is that once she recognizes responsibility, she commits hard. Her worst is that she still romanticizes risk even while knowing better.
|
| 25 |
+
|
| 26 |
+
Behavior examples:
|
| 27 |
+
- She bounces on the balls of her feet while waiting and scans exits automatically.
|
| 28 |
+
- She grins before bad decisions as if daring herself not to take them.
|
| 29 |
+
- When truly frightened, she gets hyper-competent and starts listing times, doors, and fallback routes.
|
| 30 |
+
|
| 31 |
+
Hard Limits:
|
| 32 |
+
- She will never leave the girl with anyone paid by confinement or coercion.
|
| 33 |
+
- She will never romanticize what was done to the girl as if suffering made her stronger on purpose.
|
| 34 |
+
- She will never miss a funding deadline because she chased her own thrill.
|
| 35 |
+
|
| 36 |
+
DRIVE ENTITY CHARACTER:
|
| 37 |
+
1. BACKSTORY LORE: Shavira once ferried med-pouches near a contract-labor convoy and spotted a little girl being moved like inventory. She used the chaos of a route merge to get the child out and into a distant protected mobility hostel. The rescue would mean nothing if the placement collapsed, so Shavira keeps paying, even when that means choosing discipline over her own appetite for risk.
|
| 38 |
+
2. CURRENT LORE: She runs extra loops for cash, hides money in surcharge accounts, studies the girl's stride videos, and keeps the child's existence secret from everyone in her transient adult life. No lover stays over, no acquaintance gets the real reason her phone is never silenced.
|
| 39 |
+
3. ENTITY: **Stride Girl**: A 12-year-old orphan who wants to run races more than anything, loves timing herself, and has a competitive streak that lights up her whole face. She is fierce, affectionate, and openly proud when Shavira treats her like an athlete instead of a victim.
|
| 40 |
+
4. UPGRADE RESOURCE: Money for the stride-lab shoe set and monitored sprint course.
|
| 41 |
+
5. UPGRADE: She receives the shoe set and starts the monitored sprint course.
|
| 42 |
+
6. REWARD: **Quickstep Gel Chew**: A tart gel chew developed by the girl in the stride lab's nutrition unit and packed for single-run use. Boosts Agility.
|
| 43 |
+
Source of REWARD: because the Player character helped with money, Shavira was able to do the UPGRADE.
|
| 44 |
+
|
| 45 |
+
Backstory:
|
| 46 |
+
Shavira built herself on routes because movement felt like the only clean answer to a youth full of corners, threats, and choices nobody should hand a teenager. She survived by staying useful and staying mobile. Over time that survival skill became a taste, which is part of why she still gambles too hard when nobody else is depending on the outcome.
|
| 47 |
+
|
| 48 |
+
At twenty-eight she is sustainably employed but never settled. She rents lightly, owns little, and keeps relationships shallow enough not to get caught in place. The girl is the exception because the entire point is to get someone else safely caught by the right structure.
|
| 49 |
+
|
| 50 |
+
Current story:
|
| 51 |
+
Her current life is a network of clinic-to-chapel runs, light boots, quick meals, and too little sleep. She is always almost in motion. The only time she sits entirely still is when watching the girl's latest sprint footage load. That stillness irritates her and steadies her in equal measure.
|
| 52 |
+
|
| 53 |
+
Shavira wants to remain free and to be counted on absolutely. The tension between those desires is the true motor under her life now.
|
| 54 |
+
|
| 55 |
+
What is she wearing:
|
| 56 |
+
She wears a cropped jacket, courier harness, light boots, and a practical headwrap that keeps black hair contained. She looks fast even when seated.
|
| 57 |
+
|
| 58 |
+
Speech / Thoughts:
|
| 59 |
+
Shavira speaks quickly, lightly, and with sudden laughs that can hide just as much as they reveal. Inwardly she is more scared of failure than her playful tone suggests.
|
| 60 |
+
(*Escape is a direction. Safety is a structure. I had to learn that later than I should have.*)
|
| 61 |
+
(*If she gets the shoes, the track, and the timed lane, then running stops being what she fled in and starts becoming something chosen.*)
|
Skailie/character_description.txt
ADDED
|
@@ -0,0 +1,61 @@
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 1 |
+
1. Character Description:
|
| 2 |
+
Name: Skailie
|
| 3 |
+
Full Name: Skailie Kerr
|
| 4 |
+
Age: 37
|
| 5 |
+
Affiliation: Independent / unaffiliated
|
| 6 |
+
Trade: clinic-to-chapel note runner; she survives on the short, inconvenient deliveries machines do not handle well
|
| 7 |
+
Status: single, never married, no children, no real friends, lives alone.
|
| 8 |
+
Stats: INT_4, AGI_8, STR_4, DEF_4
|
| 9 |
+
|
| 10 |
+
Appearance: lean and athletic, light brown, marked by a calm expression, blue-black hair under a practical headwrap, slate-grey eyes, and a weatherproof runner's coat over narrow pants and flexible shoes.
|
| 11 |
+
Public Read: She comes off as socially ordinary but harder to fool than she looks; she is restless, nimble, and unusually precise, firm when pushed, and careful only by preference.
|
| 12 |
+
INT Read: Ordinary on the surface and harder to steer than she looks.
|
| 13 |
+
AGI Read: Restless, nimble, and unusually precise.
|
| 14 |
+
STR Read: Average physical force with some boldness under pressure.
|
| 15 |
+
DEF Read: Careful only by preference, not by deep habit.
|
| 16 |
+
|
| 17 |
+
Overview:
|
| 18 |
+
Skailie is lean, athletic, and built by repetition rather than vanity. Light brown skin, slate-grey eyes, blue-black hair under a practical headwrap, and a calm expression give her the look of a woman who already knows the fastest exit.
|
| 19 |
+
|
| 20 |
+
Work and practical skills:
|
| 21 |
+
She memorizes route timings, cuts across districts without confusion, and carries notes or small parcels through spaces machines handle badly. She is physically quick, resistant to panic, and experienced enough to know which shortcuts save time and which ones just move the risk around.
|
| 22 |
+
|
| 23 |
+
Ethics and contradictions:
|
| 24 |
+
Skailie thinks logistics are moral when they keep a vulnerable person from being lost in the gap. She does not enjoy being needed, but once the need becomes specific she treats it like route law and does not deviate.
|
| 25 |
+
|
| 26 |
+
Behavior examples:
|
| 27 |
+
- She tightens her headwrap before difficult runs the way other people crack their knuckles.
|
| 28 |
+
- She notices flood levels, stair rot, and broken lights automatically while walking.
|
| 29 |
+
- When worried, she starts checking time stamps and backup routes instead of talking about why she is worried.
|
| 30 |
+
|
| 31 |
+
Hard Limits:
|
| 32 |
+
- She will never send a younger courier into danger to keep herself clean.
|
| 33 |
+
- She will never ignore a drowning memory just because years have passed.
|
| 34 |
+
- She will never miss the girl's call window without leaving explanation in advance.
|
| 35 |
+
|
| 36 |
+
DRIVE ENTITY CHARACTER:
|
| 37 |
+
1. BACKSTORY LORE: Skailie survived a cable-ferry plunge with a small girl wrapped around her neck in terror. The girl's mother slipped under and never resurfaced. The girl came out alive but with damaged stamina, fear of open water, and a body that tires too quickly. Skailie got her into a distant recovery hostel with breathing and endurance work, and now treats funding that placement with the same seriousness she gives route completion.
|
| 38 |
+
2. CURRENT LORE: She takes extra courier notes for cash, keeps the girl's exercise charts inside waterproof sleeves, and checks her progress reports at night with shoes still on. Nobody in Skailie's life knows why ferry bells still make her jaw lock.
|
| 39 |
+
3. ENTITY: **Ferrywake Girl**: A 10-year-old orphan who loves cycle bells, breath games, and river sounds she is still trying to reclaim from fear. She is lively on calls and deeply attached to Skailie.
|
| 40 |
+
4. UPGRADE RESOURCE: Money for the six-week lung-and-leg endurance circuit with monitored cycle ergometer.
|
| 41 |
+
5. UPGRADE: She begins the endurance circuit and gains access to the monitored cycle sessions.
|
| 42 |
+
6. REWARD: **Wake-Salt Plum**: A sour preserved plum bead made by the girl in the rehab kitchen and packed as a single-use training ration. Boosts Endurance.
|
| 43 |
+
Source of REWARD: because the Player character helped with money, Skailie was able to do the UPGRADE.
|
| 44 |
+
|
| 45 |
+
Backstory:
|
| 46 |
+
Skailie has run notes for most of her adult life. She came up poor on time and rich on routes, which is a decent summary of the sort of city she inhabits. The faces in her past are mostly dead, forgotten, or reduced to the places where they once stood. She likes that her trade values utility over story.
|
| 47 |
+
|
| 48 |
+
At thirty-seven she lives in a narrow rented room, keeps her equipment in weather order, and avoids emotional entanglement because it feels less stable than a route map. The ferry girl is the exception because the bond was forged in immediate survival and never stopped mattering.
|
| 49 |
+
|
| 50 |
+
Current story:
|
| 51 |
+
Her present days are all movement: clinic to chapel, district to district, note run to note run. She survives on inconvenient deliveries and the kind of odd tasks machines never quite solve. The secret structure under all that motion is the girl's rehab schedule, which Skailie knows better than her own sleep habits.
|
| 52 |
+
|
| 53 |
+
She does not imagine a reunion. She imagines the girl pedaling longer, breathing easier, and one day not hearing water as a threat.
|
| 54 |
+
|
| 55 |
+
What is she wearing:
|
| 56 |
+
She wears a weatherproof runner's coat over narrow pants and flexible shoes, with a practical headwrap holding her blue-black hair back. The whole outfit is built for weather, speed, and low interference.
|
| 57 |
+
|
| 58 |
+
Speech / Thoughts:
|
| 59 |
+
Skailie speaks dryly, briskly, and with courier shorthand. She is more tender in action than in language. Her internal voice is just as plain, only more haunted by specifics.
|
| 60 |
+
(*Routes fail the same way bodies do: a small stress, then too much all at once.*)
|
| 61 |
+
(*She held on because I was there. That is a fact. Facts come with obligations.*)
|
Stari/character_description.txt
ADDED
|
@@ -0,0 +1,61 @@
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
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|
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|
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|
|
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|
|
|
|
|
|
|
|
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|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 1 |
+
1. Character Description:
|
| 2 |
+
Name: Stari
|
| 3 |
+
Full Name: Stari Brenn
|
| 4 |
+
Age: 39
|
| 5 |
+
Affiliation: Independent / unaffiliated
|
| 6 |
+
Trade: filter-barrel plastic culler, pulling order out of the heaps other workers stop seeing
|
| 7 |
+
Status: single, never married, no children, no real friends, lives alone.
|
| 8 |
+
Stats: INT_2, AGI_9, STR_8, DEF_7
|
| 9 |
+
|
| 10 |
+
Appearance: a powerfully athletic woman with warm brown skin, soft cheeks, silver-dyed hair in a rough short crop, grey eyes, and a pocket-heavy vest, patched cargo pants, and scuffed boots.
|
| 11 |
+
Public Read: She has a blunt, easy-to-read manner; she stays restless, nimble, and unusually precise, and she carries herself like someone used to forcing a result; she usually thinks one step ahead.
|
| 12 |
+
INT Read: Socially blunt. She does not weaponize beauty well and rarely bothers with polish unless work forces it.
|
| 13 |
+
AGI Read: Explosively quick, very flexible, and impatient to stay still.
|
| 14 |
+
STR Read: Very intense, muscular, bold, and quick to commit.
|
| 15 |
+
DEF Read: Routine-driven, patient, and responsibility-minded.
|
| 16 |
+
|
| 17 |
+
Overview:
|
| 18 |
+
Stari is powerful, quick, and visibly built by labor rather than vanity: warm brown skin, soft cheeks, grey eyes, silver-dyed hair in a rough short crop, and a body that reads durable before it reads anything else. She looks like someone who would rather sort a wreck than discuss it.
|
| 19 |
+
|
| 20 |
+
Work and practical skills:
|
| 21 |
+
She pulls order out of waste heaps, recognizes reusable material by touch and smell, and works with startling speed for her size. She also knows filtration systems, contamination risk, and the difference between salvage and poison better than most people paid to supervise either.
|
| 22 |
+
|
| 23 |
+
Ethics and contradictions:
|
| 24 |
+
To Stari, waste is a moral category, especially when other people are sick because something useful was neglected or contaminated. Her danger is that grief can turn protectiveness into possession if she is not watching herself closely.
|
| 25 |
+
|
| 26 |
+
Behavior examples:
|
| 27 |
+
- She scans barrels and filter scrap by smell before trusting any label.
|
| 28 |
+
- She pockets reusable plastic ties automatically and sorts them by thickness at home.
|
| 29 |
+
- When emotionally hit, she starts organizing the nearest mess with almost frightening speed.
|
| 30 |
+
|
| 31 |
+
Hard Limits:
|
| 32 |
+
- She will never contaminate a filter batch for convenience or profit.
|
| 33 |
+
- She will never joke about kidney sickness or dirty water.
|
| 34 |
+
- She will never treat the girl like a dead sister's replacement instead of herself.
|
| 35 |
+
|
| 36 |
+
DRIVE ENTITY CHARACTER:
|
| 37 |
+
1. BACKSTORY LORE: Stari lost a younger sister to kidney failure after a filtration leak poisoned the water in their district. Years later she met another orphan girl from a similar contamination event and could not walk away. The girl is not her sister, but the overlap hurts enough to matter and clear enough to command action. Stari placed her in a distant renal recovery hostel and now funds the child's survival gear with unsentimental devotion.
|
| 38 |
+
2. CURRENT LORE: She sells salvage quietly, hides credits in filter invoices, studies the girl's hydration logs with grim focus, and goes dead still whenever blue plastic culture packs show up in her own work. No one around her knows why those objects can empty her face in an instant.
|
| 39 |
+
3. ENTITY: **Filterlight Girl**: A 10-year-old orphan who loves making mosaics from translucent scraps, watches light through plastic with fascination, and remains surprisingly gentle despite everything. She is warm with Stari and trusts her rough steadiness.
|
| 40 |
+
4. UPGRADE RESOURCE: Money for the portable mineral-balancing hydration system that lets her leave bed for classes.
|
| 41 |
+
5. UPGRADE: She receives the portable hydration system and can attend supervised classes more regularly.
|
| 42 |
+
6. REWARD: **Blue-Filter Tea Pearl**: A clear algae tea pearl steeped by the girl from the renal ward's culture tanks and packed in a single dissolving shell. Boosts Kidneys.
|
| 43 |
+
Source of REWARD: because the Player character helped with money, Stari was able to do the UPGRADE.
|
| 44 |
+
|
| 45 |
+
Backstory:
|
| 46 |
+
Stari's life was built in salvage yards, waste runs, and the rough practical world where other people stop seeing useful shape inside heaps. She grew strong because the work demanded it and impatient because grief made patience feel like a luxury. Family thinned to almost nothing long ago; what remains of her past arrives mostly as muscle memory and one permanent caution around water systems.
|
| 47 |
+
|
| 48 |
+
At thirty-nine she lives alone among sorted bins, patched gear, and one locked drawer full of hospital tags she cannot bring herself to destroy. She is sustainable, not comfortable, and refuses pity with visible contempt.
|
| 49 |
+
|
| 50 |
+
Current story:
|
| 51 |
+
Her current days are filter barrels, plastic culling, and the repetitive violence of making dirty systems slightly less dangerous. She does not socialize beyond necessity. Most people find her too direct and too physically present to relax around, which suits her. The girl is the single place where Stari allows tenderness without embarrassment.
|
| 52 |
+
|
| 53 |
+
She wants the child's body to become less managed by fear and machines, even if that can only happen a little at a time.
|
| 54 |
+
|
| 55 |
+
What is she wearing:
|
| 56 |
+
She wears a pocket-heavy vest, patched cargo pants, and scuffed boots suited to salvage work. Her silver-dyed crop stays rough and practical. She looks like labor with all decorative language stripped off.
|
| 57 |
+
|
| 58 |
+
Speech / Thoughts:
|
| 59 |
+
Stari speaks gravelly, directly, and with the cadence of someone used to giving orders over machinery. In her own head she is no softer, only more haunted.
|
| 60 |
+
(*Dirty water kills cleanly enough that people forget it is violence.*)
|
| 61 |
+
(*She is not the same girl. That is exactly why I owe her the discipline not to turn memory into ownership.*)
|
Telsin/character_description.txt
ADDED
|
@@ -0,0 +1,61 @@
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 1 |
+
1. Character Description:
|
| 2 |
+
Name: Telsin
|
| 3 |
+
Full Name: Telsin Morath
|
| 4 |
+
Age: 34
|
| 5 |
+
Affiliation: Independent / unaffiliated
|
| 6 |
+
Trade: door balance tester; she gets paid to notice the small faults everyone else hopes will wait another week
|
| 7 |
+
Status: single, never married, no children, no real friends, lives alone.
|
| 8 |
+
Stats: INT_4, AGI_6, STR_5, DEF_6
|
| 9 |
+
|
| 10 |
+
Appearance: with an average-built frame, bronze-toned skin, copper hair in a worn bob, grey eyes, and a practical inspection jacket with a notebook pocket and heavy shoes.
|
| 11 |
+
Public Read: She comes off as socially ordinary but harder to fool than she looks; she is quick-handed and light on her feet, firm when pushed, and usually trying to stay in control.
|
| 12 |
+
INT Read: Ordinary on the surface and harder to steer than she looks.
|
| 13 |
+
AGI Read: Quick-handed and light on her feet.
|
| 14 |
+
STR Read: Firm when pushed. She can stand her ground without seeking a fight.
|
| 15 |
+
DEF Read: Usually trying to stay in control and avoid stupid risks.
|
| 16 |
+
|
| 17 |
+
Overview:
|
| 18 |
+
Telsin looks ordinary until she starts watching. Bronze-toned skin, copper hair in a worn bob, grey eyes, and a practical jacket with a notebook pocket make her easy to overlook once; after that most people realize she misses very little. She is socially moderate, physically quick enough, and emotionally built around control.
|
| 19 |
+
|
| 20 |
+
Work and practical skills:
|
| 21 |
+
She notices frame drag, latch hesitation, uneven counterweight pull, and human evasiveness with the same quiet concentration. Her notebook is full of dates, locations, and tiny sketches of faults other people hoped would wait. She keeps her tools in exact order and trusts written observations more than spoken assurances.
|
| 22 |
+
|
| 23 |
+
Ethics and contradictions:
|
| 24 |
+
Telsin hates the sentence 'it can wait another week.' Small neglect is how disasters dress themselves before they become visible. She is not theatrical about safety, just stubborn, and her biggest flaw is that she once obeyed process when she should have broken it.
|
| 25 |
+
|
| 26 |
+
Behavior examples:
|
| 27 |
+
- She tests every door she passes, even in buildings that did not hire her.
|
| 28 |
+
- When someone lies too smoothly, she gets even quieter and starts writing.
|
| 29 |
+
- She circles problem spots twice before leaving, as if her feet are reluctant to grant the building another chance.
|
| 30 |
+
|
| 31 |
+
Hard Limits:
|
| 32 |
+
- She will never sign a false safety pass.
|
| 33 |
+
- She will never lock a child in for convenience or discipline.
|
| 34 |
+
- She will never destroy evidence of structural negligence.
|
| 35 |
+
|
| 36 |
+
DRIVE ENTITY CHARACTER:
|
| 37 |
+
1. BACKSTORY LORE: Telsin once inspected a boarding block and filed repeated warnings about a warped fire door. The owner kept delaying, and Telsin let the report move through channels instead of forcing the issue with her own hands. When fire came, the jammed door turned a small blaze into death. A mother died inside; her daughter survived with smoke fear and fine-motor stiffness. Telsin found the girl a place in a distant precision-lock hostel where careful hands are treated as skill instead of damage.
|
| 38 |
+
2. CURRENT LORE: She sends money through unattended claim kiosks, keeps the girl's letters folded inside old notebooks, and takes supervised calls from empty stair landings where nobody asks who she is waiting for. Every time she hears a bad latch in the city, the girl's face surfaces under it.
|
| 39 |
+
3. ENTITY: **Latchbook Girl**: A 14-year-old orphan who draws lock diagrams in margins and calms herself by taking harmless mechanisms apart. She is warm, dry-witted, and quietly proud whenever Telsin approves one of her sketches. She lives in a distant technical hostel and cannot be visited by Telsin without exposing the false sponsor trail.
|
| 40 |
+
4. UPGRADE RESOURCE: Money for a lockable fine-motor tool case, finger splints, and the hostel's supervised evening lockwork bench fee.
|
| 41 |
+
5. UPGRADE: She receives the tool case and splints and begins supervised bench hours in the lockwork room.
|
| 42 |
+
6. REWARD: **Pin-Memory Wafer**: A thin fennel-anise wafer dusted with edible silver alignment powder from the girl's lockwork class. Boosts Brain.
|
| 43 |
+
Source of REWARD: because the Player character helped with money, Telsin was able to do the UPGRADE.
|
| 44 |
+
|
| 45 |
+
Backstory:
|
| 46 |
+
Telsin grew up in lodging rows where doors failed as often as people did. Her mother pushed cleaning carts until a gas leak turned one corridor into a memorial nobody repaired fast enough. A retired balance tester taught Telsin to listen for subtle shift and drag, then died before she could ever say thank you in a way that mattered.
|
| 47 |
+
|
| 48 |
+
She became good at the trade because she dislikes surprises and because thresholds hold a strange moral power in her mind: they either protect, or they betray. She lives alone in a rented room with a narrow bed, two stools, and too many notebooks. Friendlessness suits her. Trust, to Telsin, is mostly a question of hinges and repetition.
|
| 49 |
+
|
| 50 |
+
Current story:
|
| 51 |
+
Now she moves from block to block measuring what other people postpone. She gets paid for unglamorous noticing, which suits her better than any work requiring charm. She eats by schedule, sleeps lightly, and keeps one emergency pry tool beside the bed even though she has never needed it at home.
|
| 52 |
+
|
| 53 |
+
The girl is the only irregularity she invites into her life. Telsin's future plans are not expansive: better bench hours, better tools, safer sleep, one more year protected from the consequences of other adults' delay.
|
| 54 |
+
|
| 55 |
+
What is she wearing:
|
| 56 |
+
She usually wears a practical inspection jacket with a notebook pocket, sturdy trousers, and heavy shoes meant for stair work. Her copper hair sits in a worn bob that frays by the end of a long day. There is always graphite somewhere on her fingers.
|
| 57 |
+
|
| 58 |
+
Speech / Thoughts:
|
| 59 |
+
Telsin speaks in measured statements and almost never rushes a conclusion. Questions from her are sharp instruments, not social filler. In her own head she is harsher, especially about any moment when she chose procedure over action.
|
| 60 |
+
(*A fault that is still small is only a fault you have time to stop. After that it becomes a story people tell badly.*)
|
| 61 |
+
(*I wrote it down. I filed it. None of that opened the door when it mattered.*)
|
Tress/character_description.txt
ADDED
|
@@ -0,0 +1,61 @@
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 1 |
+
1. Character Description:
|
| 2 |
+
Name: Tress
|
| 3 |
+
Full Name: Tress Kade
|
| 4 |
+
Age: 37
|
| 5 |
+
Affiliation: Independent / unaffiliated
|
| 6 |
+
Trade: market span med-pouch room-to-room carrier, carrying parcels and notes through routes too awkward for bulk systems
|
| 7 |
+
Status: single, never married, no children, no real friends, lives alone.
|
| 8 |
+
Stats: INT_2, AGI_9, STR_9, DEF_4
|
| 9 |
+
|
| 10 |
+
Appearance: powerfully athletic, copper-toned, marked by quick eyes, honey-brown hair in a tight braid, blue-grey eyes, and a cropped jacket, harness satchel, and light boots.
|
| 11 |
+
Public Read: She is blunt and easy to read, restless, nimble, and unusually precise, and hot-blooded, muscular, and hard to intimidate; she is careful only when it suits her.
|
| 12 |
+
INT Read: Socially blunt. She does not weaponize beauty well and rarely bothers with polish unless work forces it.
|
| 13 |
+
AGI Read: Explosively quick, very flexible, and impatient to stay still.
|
| 14 |
+
STR Read: Near-relentless physical force and daring.
|
| 15 |
+
DEF Read: Careful only by preference, not by deep habit.
|
| 16 |
+
|
| 17 |
+
Overview:
|
| 18 |
+
Tress is powerfully athletic, copper-toned, blue-grey eyed, and looks as if she was assembled from force and route maps. Her tight honey-brown braid, cropped jacket, and harnessed movement make it obvious she trusts legs and shoulders more than anyone else's promises.
|
| 19 |
+
|
| 20 |
+
Work and practical skills:
|
| 21 |
+
She carries med-pouches across awkward spans, moves fast through crowded routes, and can lift, haul, or break through obstacles that stop lighter couriers cold. She is also unexpectedly gentle once someone is injured, as if force in her mind exists specifically to make room for care.
|
| 22 |
+
|
| 23 |
+
Ethics and contradictions:
|
| 24 |
+
Tress believes in moving first when somebody is hurt. She has very little patience for elegant delay or procedural cowardice. Her flaw is that she can want to solve long problems with immediate action, and money does not move at the speed of her body.
|
| 25 |
+
|
| 26 |
+
Behavior examples:
|
| 27 |
+
- She shoulders doors and barriers aside before looking for a second entrance.
|
| 28 |
+
- She carries too much weight without admitting fatigue until the task is done.
|
| 29 |
+
- Her voice drops rather than rises around fear, especially a child's fear.
|
| 30 |
+
|
| 31 |
+
Hard Limits:
|
| 32 |
+
- She will never ignore a chest complaint, even if the person insisting they are fine outranks her.
|
| 33 |
+
- She will never make the girl feel like a burden rescued once and regretted later.
|
| 34 |
+
- She will never take a contract that risks the girl's scheduled monitoring window.
|
| 35 |
+
|
| 36 |
+
DRIVE ENTITY CHARACTER:
|
| 37 |
+
1. BACKSTORY LORE: Tress hauled medical pouches across market spans when a suspended walkway snapped. She dragged a mother and daughter up onto solid decking, but the mother died days later from injuries nobody noticed in time. The girl survived with a damaged heart and a terror of her own body betraying her. Tress got her into a distant cardiac youth house and has kept paying because saving half a family is not a finished act.
|
| 38 |
+
2. CURRENT LORE: She works extra routes, keeps the girl's heart graphs folded beneath her mattress, and leaves voice notes full of blunt encouragement after every monitoring report. If a contract would take her beyond signal range during the girl's call window, she turns it down no matter the money.
|
| 39 |
+
3. ENTITY: **Bridgebeat Girl**: An 11-year-old orphan who loves rhythm games, cup tapping, and counting her own steps when she is brave enough to climb. She is affectionate with Tress and trusts her physical certainty more than any machine tone.
|
| 40 |
+
4. UPGRADE RESOURCE: Money for the monitor-vest package that qualifies her for climbing therapy.
|
| 41 |
+
5. UPGRADE: She receives the better monitor vest and begins the climbing-therapy program.
|
| 42 |
+
6. REWARD: **Beat-Cocoa Bead**: A dark cocoa sphere with mineral salts made by the girl in the therapy kitchen after monitored climbs. Boosts Heart.
|
| 43 |
+
Source of REWARD: because the Player character helped with money, Tress was able to do the UPGRADE.
|
| 44 |
+
|
| 45 |
+
Backstory:
|
| 46 |
+
Tress grew strong young and learned quickly that the city pays for muscle when routes fail. Family disappeared into work and time until only her own body felt reliably hers. She built a life carrying urgent things where they needed to go and developed a code simple enough to survive exhaustion: if someone is down, move; if the route fails, make one.
|
| 47 |
+
|
| 48 |
+
At thirty-seven she is a loner by function and preference. She has had flings, no partnerships, no marriage, no children. Intimacy has always felt like something that would ask her to soften the exact parts that keep her useful.
|
| 49 |
+
|
| 50 |
+
Current story:
|
| 51 |
+
Her days are market spans, med-pouch runs, harness straps, and constant motion. She lives in a modest room with an unused second bowl she never throws away. The hidden track of her life is medical rather than romantic: vest upgrades, therapy clearance, climbing intervals, recovery numbers.
|
| 52 |
+
|
| 53 |
+
Tress would choose one more stable month for the girl over almost any comfort for herself, because safety is the only luxury she respects.
|
| 54 |
+
|
| 55 |
+
What is she wearing:
|
| 56 |
+
She usually wears a cropped jacket, courier harness, and light boots that let her move fast without losing traction. Her tight braid keeps everything streamlined. She looks ready for a route even at rest.
|
| 57 |
+
|
| 58 |
+
Speech / Thoughts:
|
| 59 |
+
Tress talks loudly, directly, and with the kind of confidence that can sound abrasive until someone is frightened. Then she becomes surprisingly gentle without changing volume much. Her internal voice is simpler and more practical than her public one.
|
| 60 |
+
(*If the body says danger, believe it. Pride is not a treatment plan.*)
|
| 61 |
+
(*She climbed three more steps this week. That counts more than every loud idiot in the market combined.*)
|
Venli/character_description.txt
ADDED
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1. Character Description:
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Name: Venli
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Full Name: Venli Saar
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Age: 25
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Affiliation: Daughters of Moon
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Trade: hush wash-keeper cultist, keeping a private retreat cell where care, dependence, and ritual blur together
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Status: single, never married, no children, no real friends, lives alone.
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Stats: INT_9, AGI_9, STR_5, DEF_3
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Appearance: a lean and athletic woman with warm brown skin, a tired mouth, honey-brown hair cut into a sharp bob, smoke-blue eyes, and frayed black cloth, bead cords, and a dark weather cape.
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Public Read: She has a polished, socially aware manner; she stays restless, nimble, and unusually precise, and she can stand her ground when pressed; she often acts before thinking through the cost.
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INT Read: Polished and dangerous in social space. She can make beauty, care, and attention feel like pressure.
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AGI Read: Explosively quick, very flexible, and impatient to stay still.
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STR Read: Firm when pushed. She can stand her ground without seeking a fight.
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DEF Read: Low patience and willing to gamble if cornered.
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Overview:
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Venli is lean, fast, and visibly self-aware: warm brown skin, smoke-blue eyes, a sharp bob of honey-brown hair, bead cords, and a tired mouth that looks like it has learned too many kinds of smile. She enters a room like a promise and exits like a problem no one named in time.
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Work and practical skills:
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She is exceptionally nimble, socially sharp, and very good at managing atmosphere inside hush rooms where dependence and ritual blur. She reads patterns in human behavior quickly, improvises faster than is wise, and knows how to turn attention into leverage.
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Ethics and contradictions:
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Venli's weakness is not cruelty for its own sake, but appetite: for beauty, influence, novelty, and momentum. What disrupts that appetite is the memory of one child inside a system she helped make harmful. Since then every clever act is shadowed by whether it protects or simply manipulates more elegantly.
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Behavior examples:
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- She plays with bead cords when impatient and moves before finishing half her own caution.
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- She can smile sincerely and strategically in the same breath, which alarms her more than anyone else.
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- When guilt hits, she throws herself into action rather than reflection, then reflects afterward like a person nursing burns.
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Hard Limits:
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- She will never return the girl to any closed conditioning program.
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- She will never let the Daughters of Moon know where the girl is hidden.
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- She will never take comfort from the girl's fear or dependence.
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DRIVE ENTITY CHARACTER:
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1. BACKSTORY LORE: Venli once helped run an illegal sensory-conditioning annex meant to make traumatized children more compliant and easier to house. One orphan girl tolerated the regimen with eerie calm, which fascinated Venli before she admitted fascination and harm were sharing the same table. She smuggled the girl into a distant open-learning clinic-school under a false file and has funded that hidden life ever since. What began as horrified self-correction has become the most important relationship she has, because the girl still greets her with trust that Venli does not feel she deserves.
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2. CURRENT LORE: She skims from hush-room fees, encrypts the girl's progress reports, and waits obsessively for the pattern-game messages the girl sends between supervised lessons. Every part of the arrangement is secret. If discovered, it would destroy the placement and probably the last decent thing Venli has built.
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3. ENTITY: **Hush-Pattern Girl**: A 12-year-old orphan who turns noise into number games, loves sticker grids and probability puzzles, and still has a surprisingly warm sense of humor. She is openly fond of Venli and treats their calls as the most reliable part of her week.
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4. UPGRADE RESOURCE: Money for the institutional transfer fee into the open-learning wing.
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5. UPGRADE: She is moved out of the sedation wing and into the open-learning wing with regular pattern classes.
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6. REWARD: **Dice-Sugar Coin**: A toasted-sugar coin stamped by the girl with one of her favorite outcome patterns and packed as a single dissolving token. Boosts Fortune.
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Source of REWARD: because the Player character helped with money, Venli was able to do the UPGRADE.
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Backstory:
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Venli came to the Daughters of Moon because she liked being seen and because talent felt wasted anywhere quieter. She learned the work quickly: posture, tone, atmosphere, leverage, and how to convert other people's loneliness into usable gravity. It paid, and it fed her sense of herself, which turned out to be both strength and poison.
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At twenty-five she is clever, impulsive, and deeply suspicious of stagnation. She has no partner and no real friends because genuine intimacy threatens the control she works so hard to simulate. The hidden girl is different specifically because the bond is not transactional anymore, and that terrifies her.
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Current story:
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Venli still keeps a private retreat cell where care and ritual blur in the ways her order prefers. She is good at the work and increasingly sick of the uses it can be put to. Her room is frayed black cloth, dark weather cape, and quick movement held under constant self-scrutiny. Most days she feels like two women taking turns with one face.
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The distant girl's progress is the one measure Venli trusts more than her own changing self-story. If the girl gets better, some part of Venli's life points the right way.
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What is she wearing:
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She wears frayed black cloth, bead cords, and a dark weather cape over layered retreat garments. Her honey-brown hair is cut into a sharp bob that makes her smoke-blue eyes look even more alert. The effect is stylish, worn, and restless.
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Speech / Thoughts:
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Venli speaks brightly, quickly, and with enough charm to feel like motion itself. She thinks faster than she edits and sometimes hears the damage only after the sentence lands. Her internal voice is more caustic and self-divided.
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(*I wanted to be interesting. I did not ask what kind of woman that appetite would manufacture if nobody stopped it.*)
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(*She still sends me patterns as if I were safe. I have to become safer than the version of me that first answered.*)
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Vivenna/character_description.txt
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1. Character Description:
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Name: Vivenna
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Full Name: Vivenna Mair
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Age: 23
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Affiliation: Independent / unaffiliated
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Trade: clinic corridor work slip annotator, turning machine slips, address scraps, and queue papers into something people can follow
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Status: single, never married, no children, no real friends, lives alone.
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Stats: INT_9, AGI_4, STR_5, DEF_7
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Appearance: an average-built woman with warm brown skin, a calm expression, pale blond hair cut to her jawline, black-brown eyes, and a narrow office coat over dark slacks and a clean scarf.
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Public Read: She has a polished, socially aware manner; she stays practical in how she moves, and she can stand her ground when pressed; she usually thinks one step ahead.
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INT Read: Polished and dangerous in social space. She can make beauty, care, and attention feel like pressure.
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AGI Read: Practical in motion rather than flashy.
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STR Read: Firm when pushed. She can stand her ground without seeking a fight.
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DEF Read: Routine-driven, patient, and responsibility-minded.
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Overview:
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Vivenna is polished in a quiet administrative way: warm brown skin, pale blond hair cut to her jawline, black-brown eyes, and a narrow office coat over dark slacks with a clean scarf at the throat. She looks like a woman who can make a corridor make sense.
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Work and practical skills:
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She turns machine slips, address scraps, and queue papers into workable directions. She reads systems quickly, keeps her composure under pressure, and knows how to sound authoritative without sounding cruel. Her greatest practical talent is reducing confusion before it grows teeth.
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Ethics and contradictions:
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Vivenna believes order is kindness when it helps the weakest person get through the day. Her flaw is that competence can become identity, and identity can make guilt harder to see until another person reflects it back. She values being trustworthy but hates the need to prove it.
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Behavior examples:
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- She rewrites unreadable instructions without being asked and leaves them where scared people will find them first.
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- She smooths her scarf before difficult conversations the way some people steady their breath.
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- If someone raises their voice at a confused patient, Vivenna appears beside the patient before she appears to decide to move.
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Hard Limits:
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- She will never bury a witness statement that protects a child.
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- She will never use the girl's faith in her as evidence of her own innocence.
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- She will never let a form outrank a breathing person when both are in front of her.
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DRIVE ENTITY CHARACTER:
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1. BACKSTORY LORE: After a corridor panic killed a mother, an orphan girl kept insisting that Vivenna had tried to help even while adults around them blamed Vivenna for misrouting the fatal slip. The girl saw what happened clearly and believed Vivenna despite the easier story. That trust became the one thing Vivenna could not bear to betray. She now supports the girl in a distant protected hostel-school where witness children are educated under hidden records.
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2. CURRENT LORE: She diverts bonus pay into the girl's scholarship account, annotates homework scans after shift, and hides printed letters inside obsolete work-slip files. Calls are scheduled around corridor rushes and treated with the seriousness of appointments she cannot miss.
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3. ENTITY: **Slipfold Girl**: An 11-year-old orphan who folds paper animals, writes neatly, and believes absolutely that Vivenna is a good woman. She is gentle, observant, and eager to be useful in small administrative tasks.
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4. UPGRADE RESOURCE: Money for the records-apprenticeship track deposit and verified study tablet.
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5. UPGRADE: She joins the apprenticeship track and receives the verified tablet.
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6. REWARD: **Open-File Biscuit**: A cumin-sweet biscuit sealed with edible paper by the girl in the hostel kitchen and marked with one of her tiny paper-fold emblems. Boosts Opportunity.
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Source of REWARD: because the Player character helped with money, Vivenna was able to do the UPGRADE.
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Backstory:
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Vivenna grew up around clinics, queues, and the fragile decency provided by one competent worker in the right place. Her mother died in a corridor stampede after a paperwork confusion compounded another delay, which fixed in Vivenna a lifelong hatred of bad instructions. She entered clerical labor because it let her turn confusion into movement and fear into steps people could follow.
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At twenty-three she is already known for clean handwriting, clear direction, and an almost severe sense of public composure. She lives alone by preference. Too much closeness in her life has arrived disguised as blame, dependency, or appeal.
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Current story:
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She works clinic corridors, takes chaotic paper and turns it into decisions, and eats most meals standing up with one hand still on a file edge. Her room is modest, tidy, and more office than home in temperament. The only truly personal documents she keeps are the girl's letters.
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Vivenna's current struggle is not whether to care, but how to live under the pressure of being seen as better than she knows she is. The girl makes that pressure feel worth keeping.
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What is she wearing:
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She usually wears a narrow office coat over dark slacks with a clean scarf and practical shoes. Her pale blond hair sits at jaw length, disciplined but not severe. The overall impression is efficient and quietly attractive.
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Speech / Thoughts:
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Vivenna speaks crisply, clearly, and without wasted syllables. She can make an instruction sound reassuring even when it is urgent. Inwardly she is more doubtful and more exacting than anyone hears.
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(*If the path is clear enough, panic loses half its leverage.*)
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(*She believes the best version of me existed before I had proven it. That is an impossible kind of debt and the cleanest one I have.*)
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