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  1. davis2017_StaticCameraNew_stylized/log/bike-packing_Backward/ref/0.npy +3 -0
  2. davis2017_StaticCameraNew_stylized/log/bike-packing_Backward/ref/0.png +3 -0
  3. davis2017_StaticCameraNew_stylized/log/bike-packing_Backward/stylized_prompt.txt +1 -0
  4. davis2017_StaticCameraNew_stylized/log/bike-packing_Backward/track.npy +3 -0
  5. davis2017_StaticCameraNew_stylized/log/bike-packing_Backward/video.mp4 +3 -0
  6. davis2017_StaticCameraNew_stylized/log/bike-packing_spiral1/ref/0.npy +3 -0
  7. davis2017_StaticCameraNew_stylized/log/bike-packing_spiral1/ref/0.png +3 -0
  8. davis2017_StaticCameraNew_stylized/log/bike-packing_spiral1/stylized_prompt.txt +1 -0
  9. davis2017_StaticCameraNew_stylized/log/bike-packing_spiral1/track.npy +3 -0
  10. davis2017_StaticCameraNew_stylized/log/bike-packing_spiral1/video.mp4 +3 -0
  11. davis2017_StaticCameraNew_stylized/log/bmx-bumps_ArcLeft/ref/0.npy +3 -0
  12. davis2017_StaticCameraNew_stylized/log/bmx-bumps_ArcLeft/ref/0.png +3 -0
  13. davis2017_StaticCameraNew_stylized/log/bmx-bumps_ArcLeft/stylized_prompt.txt +1 -0
  14. davis2017_StaticCameraNew_stylized/log/bmx-bumps_ArcLeft/track.npy +3 -0
  15. davis2017_StaticCameraNew_stylized/log/bmx-bumps_ArcLeft/video.mp4 +3 -0
  16. davis2017_StaticCameraNew_stylized/log/bmx-bumps_RotRight/ref/0.npy +3 -0
  17. davis2017_StaticCameraNew_stylized/log/bmx-bumps_RotRight/ref/0.png +3 -0
  18. davis2017_StaticCameraNew_stylized/log/bmx-bumps_RotRight/stylized_prompt.txt +1 -0
  19. davis2017_StaticCameraNew_stylized/log/bmx-bumps_RotRight/track.npy +3 -0
  20. davis2017_StaticCameraNew_stylized/log/bmx-bumps_RotRight/video.mp4 +3 -0
  21. davis2017_StaticCameraNew_stylized/log/bmx-trees_Backward/ref/0.npy +3 -0
  22. davis2017_StaticCameraNew_stylized/log/bmx-trees_Backward/ref/0.png +3 -0
  23. davis2017_StaticCameraNew_stylized/log/bmx-trees_Backward/stylized_prompt.txt +1 -0
  24. davis2017_StaticCameraNew_stylized/log/bmx-trees_Backward/track.npy +3 -0
  25. davis2017_StaticCameraNew_stylized/log/bmx-trees_Backward/video.mp4 +3 -0
  26. davis2017_StaticCameraNew_stylized/log/bmx-trees_UpForward/ref/0.npy +3 -0
  27. davis2017_StaticCameraNew_stylized/log/bmx-trees_UpForward/ref/0.png +3 -0
  28. davis2017_StaticCameraNew_stylized/log/bmx-trees_UpForward/stylized_prompt.txt +1 -0
  29. davis2017_StaticCameraNew_stylized/log/bmx-trees_UpForward/track.npy +3 -0
  30. davis2017_StaticCameraNew_stylized/log/bmx-trees_UpForward/video.mp4 +3 -0
  31. davis2017_StaticCameraNew_stylized/log/boat_Backward/ref/0.npy +3 -0
  32. davis2017_StaticCameraNew_stylized/log/boat_Backward/ref/0.png +3 -0
  33. davis2017_StaticCameraNew_stylized/log/boat_Backward/stylized_prompt.txt +1 -0
  34. davis2017_StaticCameraNew_stylized/log/boat_Backward/track.npy +3 -0
  35. davis2017_StaticCameraNew_stylized/log/boat_Backward/video.mp4 +3 -0
  36. davis2017_StaticCameraNew_stylized/log/boxing-fisheye_HeroReveal/ref/0.npy +3 -0
  37. davis2017_StaticCameraNew_stylized/log/boxing-fisheye_HeroReveal/ref/0.png +3 -0
  38. davis2017_StaticCameraNew_stylized/log/boxing-fisheye_HeroReveal/stylized_prompt.txt +1 -0
  39. davis2017_StaticCameraNew_stylized/log/boxing-fisheye_HeroReveal/track.npy +3 -0
  40. davis2017_StaticCameraNew_stylized/log/boxing-fisheye_HeroReveal/video.mp4 +3 -0
  41. davis2017_StaticCameraNew_stylized/log/boxing-fisheye_RotRight/ref/0.npy +3 -0
  42. davis2017_StaticCameraNew_stylized/log/boxing-fisheye_RotRight/ref/0.png +3 -0
  43. davis2017_StaticCameraNew_stylized/log/boxing-fisheye_RotRight/stylized_prompt.txt +1 -0
  44. davis2017_StaticCameraNew_stylized/log/boxing-fisheye_RotRight/track.npy +3 -0
  45. davis2017_StaticCameraNew_stylized/log/boxing-fisheye_RotRight/video.mp4 +3 -0
  46. davis2017_StaticCameraNew_stylized/log/breakdance-flare_UpForward/ref/0.npy +3 -0
  47. davis2017_StaticCameraNew_stylized/log/breakdance-flare_UpForward/ref/0.png +3 -0
  48. davis2017_StaticCameraNew_stylized/log/breakdance-flare_UpForward/stylized_prompt.txt +1 -0
  49. davis2017_StaticCameraNew_stylized/log/breakdance-flare_UpForward/track.npy +3 -0
  50. davis2017_StaticCameraNew_stylized/log/breakdance-flare_UpForward/video.mp4 +3 -0
davis2017_StaticCameraNew_stylized/log/bike-packing_Backward/ref/0.npy ADDED
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+ In a warmly lit indoor setting, a barefoot man wearing a black baseball cap, a white, black, and red cycling jersey, and patterned shorts is frozen in time, bent over a black and white Pinarello road bicycle with prominent "ENVE" branded wheels. He stands motionless on a light gray shag rug, his posture fixed as he leans over the bike which rests on a stand, appearing paused mid-adjustment. To his right, a large black hard-shell bike travel case with wheels sits static, suggesting the bike is being prepared for transport. The background reveals a cozy home interior with a mix of dark wooden floorboards, a vintage wooden dresser with a mirror, a rustic brick wall, and a unique staircase with textured, light-colored steps leading upwards. A black duffel bag rests on a stool behind the bicycle, and a wooden dining table with chairs is visible on the left side of the frame. The camera moves backward, slowly retreating from the subject while the man's focused pose and the detailed surroundings remain strictly static under soft, even artificial lighting.
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+ Time is suspended in a warmly lit indoor setting where a barefoot man wearing a black baseball cap, a white, black, and red cycling jersey, and patterned shorts is frozen in a bending pose over a black and white Pinarello road bicycle with prominent "ENVE" branded wheels. He stands motionless on a light gray shag rug, leaning over the bike which rests on a stand, halted mid-process of preparing it. To his right, a large black hard-shell bike travel case with wheels sits waiting. The background reveals a cozy home interior with a mix of dark wooden floorboards, a vintage wooden dresser with a mirror, a rustic brick wall, and a unique staircase with textured, light-colored steps leading upwards. A black duffel bag rests on a stool behind the bicycle, and a wooden dining table with chairs is visible on the left side. The camera performs a smooth spiral movement around the static scene, changing perspective on the man's fixed posture and the detailed surroundings under soft, even artificial lighting.
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+ A young rider, dressed in full BMX safety gear including a black full-face helmet, black and red long-sleeved jersey, white and black patterned pants with knee pads, and gloves, is frozen in time while navigating a dirt BMX track on a light-colored bicycle with blue wheel accents. The scene is bathed in bright, natural daylight, casting subtle, stationary shadows on the meticulously sculpted dirt jumps and rollers. As the camera performs a smooth arc to the left around the motionless subject, the rider appears suspended in mid-pump over a series of dirt mounds, with wheels lifted off the ground in a fixed position. In the background, a red banner proclaiming "TEAM LE MARMOTTE" with various logos is stretched along a fence, behind which lush green trees, a grassy sports field with a white goal post, and a small building with colorful murals are visible under the clear sky. The bullet time shot effectively captures the static intensity of the rider paused on the sunlit track.
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+ A young boy with light-colored hair, dressed in a white t-shirt and patterned shorts, is frozen in mid-motion while riding a red and black bicycle from left to right across a paved path. The camera moves backward, pulling away from the static subject. Behind the boy, a building wall is adorned with striking, colorful graffiti, showcasing large, stylized figures and abstract designs in bright shades of orange, red, yellow, green, and blue, including elements resembling soccer balls. Soft green and brown grass and several out-of-focus tree trunks frame the foreground. Dark rectangular windows punctuate the painted wall, and further right, glimpses of more distant green foliage are visible. The scene is bathed in bright, natural sunlight, casting motionless shadows and illuminating the area with a warm, clear light.
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+ A young boy with light-colored hair, dressed in a white t-shirt and patterned shorts, is frozen in mid-motion while riding a red and black bicycle from left to right across a paved path. The camera moves upward and forward, pushing closer to the static subject while elevating the perspective. Behind the suspended figure, a building wall is adorned with striking, colorful graffiti, showcasing large, stylized figures and abstract designs in bright shades of orange, red, yellow, green, and blue, including elements resembling soccer balls. Dark rectangular windows punctuate the painted wall, and further right, glimpses of more distant green foliage are visible. In the foreground, green and brown grass and several out-of-focus tree trunks remain motionless. The scene is bathed in bright, natural sunlight, casting fixed shadows and illuminating the area with a warm, clear light, preserving the pleasant outdoor moment in suspended time.
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+ A time-frozen scene of a white fishing boat, likely a Greek "kaiki," named "AG. PARASKEVA NNN" in blue lettering on its bow, halted amidst clear, turquoise waters under a bright, sunny sky. The boat, with a blue-trimmed cabin, a white life ring affixed to its side, and a light-colored canopy covering part of its deck, is caught in a moment of stillness, with a distinct white wake frozen in the water behind it. A Greek flag stands stiff in mid-air on a mast near the cabin, and hints of fishing equipment and a white fender are visible. In the background, a dry, rocky coastline rises gently, dotted with scattered white, cube-shaped houses and sparse green vegetation, suggesting a remote Mediterranean island landscape. Two indistinct figures are faintly visible beneath the boat's canopy, fixed in place. The camera moves backward, steadily retreating from the suspended vessel to widen the view of the serene environment.
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+ A bullet-time video captures a scene frozen in time as the camera performs a dramatic hero reveal, sinking downward and tilting up to emphasize the fighters' stature from a low angle. The shot features an outdoor boxing match at dusk within a vibrant public space where two boxers, clad in protective headgear (one red, one blue), boxing gloves, and athletic wear (one in a white tank top and black shorts, the other in a grey t-shirt and black and gold Muay Thai shorts), are suspended in mid-spar in the center of a green-matted boxing ring with red and white ropes. Between them, a coach with a beard, wearing a white "INVICTUS" t-shirt and dark shorts, is fixed in a pose of intent observation. Surrounding the ring, a crowd of spectators is frozen in place watching from behind the ropes, some standing and others sitting on the ground. The background features motionless lush, dark green trees and distant urban buildings under a static cool blue early evening sky. Bright, warm yellow artificial light from several streetlights illuminates the tableau, casting permanent subtle shadows and preserving the energetic atmosphere of the public event.
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+ In a bullet-time sequence where time stands still, the camera rotates smoothly to the right around an outdoor boxing match at dusk within a vibrant public space. Two boxers, clad in protective headgear (one red, one blue), boxing gloves, and athletic wear (one in a white tank top and black shorts, the other in a grey t-shirt and black and gold Muay Thai shorts), are captured frozen in mid-spar in the center of a green-matted boxing ring with red and white ropes. Between them, a coach with a beard, wearing a white "INVICTUS" t-shirt and dark shorts, is motionless, intently observing the fixed scene. Surrounding the ring, a crowd of spectators is paused in time, watching from behind the ropes, some standing and others sitting on the ground. The static background is dominated by lush, dark green trees and distant urban buildings under a cool blue early evening sky, while bright, warm yellow artificial light from several streetlights illuminates the frozen moment, casting subtle shadows.
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+ A young man with dark, disheveled hair, dressed in a loose-fitting light brown long-sleeved shirt and light blue pants with white sneakers, is frozen in a breakdancing pose on a dark grey paved surface. He is captured mid-move in a one-handed freeze, with one leg extended high and the other bent low, completely motionless in time. The background features an old stone wall constructed from varying shades of grey and beige blocks, adorned with two vibrant hanging baskets overflowing with purple flowers. To the right, a stone staircase with a dark metal railing leads upwards, while a dark wooden door is visible on the left. A coiled red hose hangs on the wall between the flower baskets. The scene is illuminated by soft, natural, and diffused daylight, suggesting an overcast sky or a shaded area, with no harsh shadows present. The camera performs a smooth bullet-time movement, traveling upward and forward toward the suspended dancer, shifting the perspective while the action remains perfectly still.
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