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  1. davis2017_delta_RefRandomCrop_stylized/log/breakdance-flare/ref/0.npy +3 -0
  2. davis2017_delta_RefRandomCrop_stylized/log/breakdance-flare/ref/0.png +3 -0
  3. davis2017_delta_RefRandomCrop_stylized/log/breakdance-flare/ref/1.npy +3 -0
  4. davis2017_delta_RefRandomCrop_stylized/log/breakdance-flare/ref/1.png +3 -0
  5. davis2017_delta_RefRandomCrop_stylized/log/breakdance-flare/ref/2.npy +3 -0
  6. davis2017_delta_RefRandomCrop_stylized/log/breakdance-flare/ref/2.png +3 -0
  7. davis2017_delta_RefRandomCrop_stylized/log/breakdance-flare/ref/3.npy +3 -0
  8. davis2017_delta_RefRandomCrop_stylized/log/breakdance-flare/ref/3.png +3 -0
  9. davis2017_delta_RefRandomCrop_stylized/log/breakdance-flare/stylized_prompt.txt +1 -0
  10. davis2017_delta_RefRandomCrop_stylized/log/breakdance-flare/track.npy +3 -0
  11. davis2017_delta_RefRandomCrop_stylized/log/breakdance-flare/video.mp4 +3 -0
  12. davis2017_delta_RefRandomCrop_stylized/log/breakdance-flare/video720.mp4 +3 -0
  13. davis2017_delta_RefRandomCrop_stylized/log/car-turn/ref/0.npy +3 -0
  14. davis2017_delta_RefRandomCrop_stylized/log/car-turn/ref/0.png +3 -0
  15. davis2017_delta_RefRandomCrop_stylized/log/car-turn/ref/1.npy +3 -0
  16. davis2017_delta_RefRandomCrop_stylized/log/car-turn/ref/1.png +3 -0
  17. davis2017_delta_RefRandomCrop_stylized/log/car-turn/ref/2.npy +3 -0
  18. davis2017_delta_RefRandomCrop_stylized/log/car-turn/ref/2.png +3 -0
  19. davis2017_delta_RefRandomCrop_stylized/log/car-turn/ref/3.npy +3 -0
  20. davis2017_delta_RefRandomCrop_stylized/log/car-turn/ref/3.png +3 -0
  21. davis2017_delta_RefRandomCrop_stylized/log/car-turn/stylized_prompt.txt +1 -0
  22. davis2017_delta_RefRandomCrop_stylized/log/car-turn/track.npy +3 -0
  23. davis2017_delta_RefRandomCrop_stylized/log/car-turn/video.mp4 +3 -0
  24. davis2017_delta_RefRandomCrop_stylized/log/car-turn/video720.mp4 +3 -0
  25. davis2017_delta_RefRandomCrop_stylized/log/cows/ref/1.npy +3 -0
  26. davis2017_delta_RefRandomCrop_stylized/log/cows/ref/1.png +3 -0
  27. davis2017_delta_RefRandomCrop_stylized/log/cows/ref/3.npy +3 -0
  28. davis2017_delta_RefRandomCrop_stylized/log/flamingo/stylized_prompt.txt +1 -0
  29. davis2017_delta_RefRandomCrop_stylized/log/flamingo/track.npy +3 -0
  30. davis2017_delta_RefRandomCrop_stylized/log/flamingo/video.mp4 +3 -0
  31. davis2017_delta_RefRandomCrop_stylized/log/flamingo/video720.mp4 +3 -0
  32. photoreal_mesh_zhizheng_stylized/log/dancing_1_1/ref/0.npy +3 -0
  33. photoreal_mesh_zhizheng_stylized/log/dancing_1_1/ref/0.png +3 -0
  34. photoreal_mesh_zhizheng_stylized/log/dancing_1_1/stylized_prompt.txt +5 -0
  35. photoreal_mesh_zhizheng_stylized/log/dancing_1_1/track.npy +3 -0
  36. photoreal_mesh_zhizheng_stylized/log/dancing_1_1/video.mp4 +3 -0
  37. photoreal_mesh_zhizheng_stylized/log/pour_from_vacuum_flask_and_peel_and_cut_mango-117_2/ref/0.npy +3 -0
  38. photoreal_mesh_zhizheng_stylized/log/pour_from_vacuum_flask_and_peel_and_cut_mango-117_2/ref/0.png +3 -0
  39. photoreal_mesh_zhizheng_stylized/log/pour_from_vacuum_flask_and_peel_and_cut_mango-117_2/stylized_prompt.txt +1 -0
  40. photoreal_mesh_zhizheng_stylized/log/pour_from_vacuum_flask_and_peel_and_cut_mango-117_2/track.npy +3 -0
  41. photoreal_mesh_zhizheng_stylized/log/pour_from_vacuum_flask_and_peel_and_cut_mango-117_2/video.mp4 +3 -0
  42. photoreal_mesh_zhizheng_stylized/log/pour_from_vacuum_flask_and_peel_and_cut_mango-117_4/ref/0.npy +3 -0
  43. photoreal_mesh_zhizheng_stylized/log/pour_from_vacuum_flask_and_peel_and_cut_mango-117_4/ref/0.png +3 -0
  44. photoreal_mesh_zhizheng_stylized/log/pour_from_vacuum_flask_and_peel_and_cut_mango-117_4/stylized_prompt.txt +1 -0
  45. photoreal_mesh_zhizheng_stylized/log/pour_from_vacuum_flask_and_peel_and_cut_mango-117_4/track.npy +3 -0
  46. photoreal_mesh_zhizheng_stylized/log/pour_from_vacuum_flask_and_peel_and_cut_mango-117_4/video.mp4 +3 -0
  47. photoreal_mesh_zhizheng_stylized/log/pour_from_vacuum_flask_and_peel_and_cut_mango-117_orbit_3/ref/0.npy +3 -0
  48. photoreal_mesh_zhizheng_stylized/log/pour_from_vacuum_flask_and_peel_and_cut_mango-117_orbit_3/ref/0.png +3 -0
  49. photoreal_mesh_zhizheng_stylized/log/pour_from_vacuum_flask_and_peel_and_cut_mango-117_orbit_3/stylized_prompt.txt +1 -0
  50. photoreal_mesh_zhizheng_stylized/log/pour_from_vacuum_flask_and_peel_and_cut_mango-117_orbit_3/track.npy +3 -0
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+ A young man with dark, disheveled hair, dressed in a loose-fitting light brown long-sleeved shirt and light blue pants with white sneakers, performs an impressive breakdancing routine on a dark grey paved surface. He fluidly transitions from a one-handed freeze, with one leg extended high and the other bent low, to a two-handed handstand where his legs are spread wide in a V-shape, demonstrating remarkable strength and balance. The background features an old stone wall constructed from varying shades of grey and beige blocks, adorned with two vibrant hanging baskets overflowing with purple flowers. To the right, a stone staircase with a dark metal railing leads upwards, while a dark wooden door is visible on the left. A coiled red hose hangs on the wall between the flower baskets. The scene is illuminated by soft, natural, and diffused daylight, suggesting an overcast sky or a shaded area, with no harsh shadows present. The camera remains static throughout the video, capturing a wide shot from an eye-level perspective, providing a clear and comprehensive view of the dancer and his immediate surroundings.
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+ A cinematic, eye-level shot frames a weary young woman with a dirty face and tangled brown hair, dressed in a soiled tank top and torn pants, sitting on the dusty concrete floor of a ruined building surrounded by crumbling walls and exposed rebar. The woman is positioned with her left leg bent and the knee raised, and her right leg bent and tucked closer to her body. Initially, the woman's right hand rests on her thigh, then it slowly reaches to grasp a worn, metal thermos on her left. With a deliberate, measured movement, she lifts the thermos and begins to tilt it, pouring an unseen liquid into a weathered metal mess tin placed directly in front of her, her head slightly bowed as she observes the action. To the woman's right, a woven wicker basket sits on the ground, alongside a small metal bowl and a spoon. The scene is warmly illuminated by the flickering glow of a campfire just out of frame to the left, casting soft, deep shadows and creating a gritty, intimate, and somber atmosphere.
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+ The video features a young East Asian woman with her hair tied back, seated cross-legged on the tatami mat floor of a traditional Japanese room, viewed from a side-profile medium shot. The scene is bathed in the warm, golden light of a sunset filtering through a shoji screen window. The woman, wearing a cream sweater and dark pants, has a slightly hunched, focused posture as she looks down at a low wooden table holding a kintsugi bowl. Beside her on the floor are a rustic brown ceramic pitcher and a wooden caddy with tools. Beginning to act, her hands move deliberately to grasp the pitcher, then lift and tilt it, pouring a small amount of liquid into a small dish on the table. As the pouring action unfolds, the camera smoothly arcs around her, shifting from the initial side view to a more frontal perspective, and then continuing its rotation to showcase her from behind. In the latter part of the video, she sets the pitcher down and uses a fine tool to work within the bowl, suggesting an act of delicate mixing or application, all captured under the warm, atmospheric lighting that creates a gentle glow on her and the objects, casting soft shadows.
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