| {: , : hungry hundred\neighbourhood\multi-lateral\multi-bias\school choice\neighbourhood comprehensive\lower sixth form\upper sixth form\white trash male\Teddy Jam\Ethics\Is the Requirement of Sexual Exclusivity Consistent with Romantic Love?\Base Rates of Negative Traits: Instructions for Use in Criminal Trials\Geographies of Meaningful Living\Economic Envy\A Duty to Adopt\Floating Provisos and Sinking Islands\How Outlandish Can Imaginary Cases Be?\practical demonstration of the present system of land grabbing with all its usual outcomes and consequences\Monopoly; Japanese Internment Camp Artwork; The Lewis and Clark Cane\Prosperity\generation after next\an enemy of the people\Mission Team\sufficed to place Mrs. Britton in command of the bryological field in America.\a woman of extraordinary physical and mental energy—the possessor of a remarkably quick and brilliant intellect. She has left an enduring record in the literature of science, and her well-directed activities have had an outstanding influence in the conservation of the native flora of the United States.\ Britton then goes over how there are about twenty-five species of Claytonia plants. Her Journal entry of “Wild Pink” is an example of her descriptions which is conveyed within the writing when she states:“before the trees cast much shade, while their greens are still so exquisitely fresh and varied, a bright flash of color will attract the eye to the Wild Pink, growing in hilly places on rocks or often in their cracks and crevices with the Saxifrage.\starred\Let those who find pleasure in this garden remember Elizabeth Gertrude Knight Britton, lover of wildflowers and ardent advocate of their protection\Pioneering for Women\Strange Journeys I Have Made\Gaunt, Mary\virtual class\islands\credits,\50 Websites that Make the Web Great\an inventive megasite for kids with a wholesome and slightly educational bent\over 3.2 million monthly unique users in 200 countries and territories\, : [, ], : 11283, : , : , : null, : }
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| {: , : Red Bull Gives You Wings\brand myth\red gaur\confuse\tarnish\Red Bull gives you wings.\EmSee Battle Rap championships\Red Bull Flugtag\flight day\flying day\cool\Red Bull House of Skate\Gambler\Ninja\xPeke\Leffen\family fortune\It [was] a very good year to be a billionaire\Billionaire Real-Time Ticker\media and technology billionaires definitely benefited from a stronger stock market and a growing enthusiasm for all things social\tune-up\Memphis.\That must be why we're not shipping Windows 98 yet.\" Video footage of this event became a popular Internet phenomenon.Microsoft had quietly marketed the operating system as a \"tune-up\" to Windows 95. It was compiled as Windows 98 on May 11, 1998, before being fully released to manufacturing on May 15. The company was facing pending legal action for allowing free downloads of, and planning to ship Windows licenses with, Internet Explorer 4.0 in an alleged effort to expand its software monopoly. Microsoft's critics believed the lawsuit would further delay Windows 98's public release; it did not, and the operating system was released on June 25, 1998.A second major version of the operating system called Windows 98 Second Edition was later unveiled in March 1999. Microsoft compiled the final build on April 23, 1999, before publicly releasing it on May 5, 1999. Windows 98 was to be the final product in the Windows 9x line until Microsoft briefly revived the line to release Windows Me in 2000 as the final Windows 9x product before the introduction of Windows XP in 2001, which was based on the Windows NT architecture and kernel used in Windows 2000.\n\nNew and updated features\nWeb integration and shell enhancements\nThe first release of Windows 98 included Internet Explorer 4.01. This was updated to 5.0 in the Second Edition. Besides Internet Explorer, many other Internet companion applications are included such as Outlook Express, Windows Address Book, FrontPage Express, Microsoft Chat, Personal Web Server and a Web Publishing Wizard, and NetShow. NetMeeting allows multiple users to hold conference calls and work with each other on a document.The Windows 98 shell is web-integrated; it contains deskbands, Active Desktop, Channels, ability to minimize foreground windows by clicking their button on the taskbar, single-click launching, Back and Forward navigation buttons, favorites, and address bar in Windows Explorer, image thumbnails, folder infotips and Web view in folders, and folder customization through HTML-based templates. The taskbar supports customizable toolbars designed to speed up access to the Web or the user's desktop; these toolbars include an Address Bar and Quick Launch. With the Address Bar, the user accesses the Web by typing in a URL, and Quick Launch contains shortcuts or buttons that perform system functions such as switching between windows and the desktop with the Show Desktop button. Another feature of this new shell is that dialog boxes show up in the Alt-Tab sequence.\nWindows 98 also integrates shell enhancements, themes and other features from Microsoft Plus! for Windows 95 such as DriveSpace 3, Compression Agent, Dial-Up Networking Server, Dial-Up Scripting Tool and Task Scheduler. 3D Pinball Space Cadet is included on the CD-ROM, but not installed by default. Windows 98 had its own separately purchasable Plus! pack, called Plus! 98.Title bars of windows and dialog boxes support two-color gradients, a feature ported from and refined from Microsoft Office 95. Windows menus and tooltips support slide animation. Windows Explorer in Windows 98, as in Windows 95, converts all-uppercase filenames to sentence case for readability purposes; however, it also provides an option Allow all uppercase names to display them in their original case. Windows Explorer includes support for compressed CAB files. The Quick Res and Telephony Location Manager Windows 95 PowerToys are integrated into the core operating system.\n\nImprovements to hardware support\nWindows Driver Model\nWindows 98 was the first operating system to use the Windows Driver Model (WDM). This fact was not well publicized when Windows 98 was released, and most hardware producers continued to develop drivers for the older VxD driver standard, which Windows 98 supported for compatibility's sake. The WDM standard only achieved widespread adoption years later, mostly through Windows 2000 and Windows XP, as they were not compatible with the older VxD standard. With the Windows Driver Model, developers could write drivers that were compatible with other versions of Windows. Device driver access in WDM is implemented through a VxD device driver, NTKERN.VXD, which implements several Windows NT-specific kernel support functions.Support for WDM audio enables digital mixing, routing and processing of simultaneous audio streams and kernel streaming with high quality sample rate conversion on Windows 98. WDM Audio allows for software emulation of legacy hardware to support MS-DOS games, DirectSound support and MIDI wavetable synthesis. The Windows 95 11-device limitation for MIDI devices is eliminated. A Microsoft GS Wavetable Synthesizer licensed from Roland shipped with Windows 98 for WDM audio drivers. Windows 98 supports digital playback of audio CDs, and the Second Edition improves WDM audio support by adding DirectSound hardware mixing and DirectSound 3D hardware abstraction, DirectMusic kernel support, KMixer sample-rate conversion for capture streams and multichannel audio support. All audio is sampled by the Kernel Mixer to a fixed sampling rate which may result in some audio getting upsampled or downsampled and having a high latency, except when using Kernel Streaming or third-party audio paths like ASIO which allow unmixed audio streams and lower latency. Windows 98 also includes a WDM streaming class driver (Stream.sys) to address real time multimedia data stream processing requirements and a WDM kernel-mode video transport for enhanced video playback and capture.\nWindows Driver Model also includes Broadcast Driver Architecture, the backbone for TV technologies support in Windows. WebTV for Windows utilized BDA to allow viewing television on the computer if a compatible TV tuner card is installed. TV listings could be updated from the Internet and WaveTop Data Broadcasting allowed extra data about broadcasts to be received via regular television signals using an antenna or cable, by embedding data streams into the vertical blanking interval portion of existing broadcast television signals.\n\nOther device support improvements\nWindows 98 had more robust USB support than Windows 95, which only had support in OEM versions OSR2.1 and later. Windows 98 supports USB hubs, USB scanners and imaging class devices. Windows 98 also introduced built-in support for some USB Human Interface Device class (USB HID) and PID class devices such as USB mice, keyboards, force feedback joysticks etc. including additional keyboard functions through a certain number of Consumer Page HID controls.Windows 98 introduced ACPI 1.0 support which enabled Standby and Hibernate states. However, hibernation support was extremely limited and vendor-specific. Hibernation was only available if compatible (PnP) hardware and BIOS are present, and the hardware manufacturer or OEM supplied compatible WDM drivers, non-VxD drivers. However, there are hibernation issues with the FAT32 file system, making hibernation problematic and unreliable.\nWindows 98, in general, provides improved — and a broader range of — support for IDE and SCSI drives and drive controllers, floppy drive controllers and all other classes of hardware as compared to Windows 95. There is integrated Accelerated Graphics Port (AGP) support (although the USB Supplement to Windows 95 OSR2 and later releases of Windows 95 did have AGP support). Windows 98 has built-in DVD support and UDF 1.02 read support. The Still imaging architecture (STI) with TWAIN support was introduced for scanners and cameras and Image Color Management 2.0 for devices to perform color space transformations. Multiple monitor support allows using up to nine multiple monitors on a single PC, with the feature requiring one PCI graphics adapter per monitor. Windows 98 shipped with DirectX 5.2, which notably included DirectShow. Windows 98 Second Edition would later ship with DirectX 6.1.\n\nNetworking enhancements\nWindows 98 networking enhancements to TCP/IP include built-in support for Winsock 2, SMB signing, a new IP Helper API, Automatic Private IP Addressing (also known as link-local addressing), IP multicasting, and performance enhancements for high-speed high bandwidth networks. Multihoming support with TCP/IP is improved and includes RIP listener support.\nThe DHCP client has been enhanced to include address assignment conflict detection and longer timeout intervals. NetBT configuration in the WINS client has been improved to continue persistently querying multiple WINS servers if it failed to establish the initial session until all of the WINS servers specified have been queried or a connection is established.\nNetwork Driver Interface Specification 5 support means Windows 98 can support a wide range of network media, including Ethernet, Fiber Distributed Data Interface (FDDI), Token Ring, Asynchronous Transfer Mode (ATM), ISDN, wide area networks, X.25, and Frame Relay. Additional features include NDIS power management, support for quality of service, Windows Management Instrumentation (WMI) and support for a single INF file format across all Windows versions.Windows 98 Dial-Up Networking supports PPTP tunneling, support for ISDN adapters, multilink support, and connection-time scripting to automate non-standard login connections. Multilink channel aggregation enables users to combine all available dial-up lines to achieve higher transfer speeds. PPP connection logs can show actual packets being passed and Windows 98 allows PPP logging per connection. The Dial-Up Networking improvements are also available in Windows 95 OSR2 and are downloadable for earlier Windows 95 releases.\nFor networked computers that have user profiles enabled, Windows 98 introduces Microsoft Family Logon which lists all users that have been configured for that computer, enabling users to simply select their names from a list rather than having to type them in.Windows 98 supports IrDA 3.0 which specifies both Serial Infrared Devices and Fast Infrared devices, which are capable of sending and receiving data at 4 Mbit/s. Infrared Recipient, a new application for transferring files through an infrared connection is included. The IrDA stack in Windows 98 supports networking profiles over the IrCOMM kernel-mode driver. Windows 98 also has built-in support for browsing Distributed File System trees on Server Message Block shares such as Windows NT servers.UPnP and NAT traversal APIs can be installed on Windows 98 by installing the Windows XP Network Setup Wizard. An L2TP/IPsec VPN client can also be downloaded. By installing Active Directory Client Extensions, Windows 98 can take advantage of several Windows 2000 Active Directory features.\n\nImprovements to the system and built-in utilities\nPerformance improvements\nWindows 95 introduced the 32-bit, protected-mode cache driver VCACHE (replacing SMARTDrv) to cache the most recently accessed information from the hard drive in memory, divided into chunks. However, the cache parameters needed manual tuning as it degraded performance by consuming too much memory and not releasing it quickly enough, forcing paging to occur far too early. The Windows 98 VCACHE cache size management for disk and network access, CD-ROM access and paging is more dynamic compared to Windows 95, resulting in no tuning being required for cache parameters. On the FAT32 file system, Windows 98 has a performance feature called MapCache that can run applications from the disk cache itself if the code pages of executable files are aligned/mapped on 4K boundaries, instead of copying them to virtual memory. This results in more memory being available to run applications, and lesser usage of the swap file.\nWindows 98 registry handling is more robust than Windows 95 to avoid corruption and there are several enhancements to eliminate limitations and improve registry performance. The Windows 95 registry key size limitation of 64 KB is gone. The registry uses less memory and has better caching.Disk Defragmenter has been improved to rearrange program files that are frequently used to a hard disk region optimized for program start. However, as with Windows 95, the message \"Drive contents changed....restarting.\" still exists in this version (i.e. if the contents of the hard drive changed, then the entire drive is then rescanned and then progress resumed where it had left off). If it gets stuck on the same area too many times, it will ask the user if it should keep trying or give up. The version of Disk Defragmenter from Windows Me does not have this problem and will function on Windows 98 or Windows 95 if the user simply copies it over.Windows 98 also supports a Fast Shutdown feature that initiates shutdown without uninitializing device drivers. However, this can cause Windows 98 to hang instead of shutting down the computer if a buggy driver is active, so Microsoft supplied instructions for disabling the feature. Windows 98 supports write-behind caching for removable disk drives. A utility for converting FAT16 partitions to FAT32 without formatting the partition is also included.\n\nOther system tools\nA number of improvements are made to various other system tools and accessories in Windows 98. Microsoft Backup supports differential backup and SCSI tape devices in Windows 98. Disk Cleanup, a new tool, enables users to clear their disks of unnecessary files. Cleanup locations are extensible through Disk Cleanup handlers. Disk Cleanup can be automated for regular silent cleanups.Scanreg (DOS) and ScanRegW are Registry Checker tools used to back up, restore or optimize the Windows registry. ScanRegW tests the registry's integrity and saves a backup copy each time Windows successfully boots. The maximum number of copies could be customized by the user through \ file. The restoration of a registry that causes Windows to fail to boot can only be done from DOS mode using ScanReg.System Configuration Utility is a new system utility used to disable programs and services that are not required to run the computer. A Maintenance Wizard is included that schedules and automates ScanDisk, Disk Defragmenter and Disk Cleanup. Windows Script Host, with VBScript and JScript engines is built-in and upgradeable to version 5.6. System File Checker checks installed versions of system files to ensure they were the same version as the one installed with Windows 98 or newer. Corrupt or older versions are replaced by the correct versions. This tool was introduced to resolve the DLL hell issue and was replaced in Windows Me by System File Protection.\nWindows 98 Setup simplifies installation, reducing the bulk of user input required. The Windows 98 Startup Disk contains generic, real-mode ATAPI and SCSI CD-ROM drivers that can be used instead in the event that the specific driver for a CD-ROM is unavailable.The system could be updated using Windows Update. A utility to automatically notify the user of critical updates was later released.Windows 98 includes an improved version of the Dr. Watson utility that collects and lists comprehensive information such as running tasks, startup programs with their command line switches, system patches, kernel driver, user drivers, DOS drivers and 16-bit modules. With Dr. Watson loaded in the system tray, whenever a software fault occurs (general protection fault, hang, etc.), Dr. Watson will intercept it and indicate what software crashed and its cause.Windows Report Tool takes a snapshot of system configuration and lets users submit a manual problem report along with system information to technicians. It has e-mail confirmation for submitted reports.\n\nAccessories\nWindows 98 includes Microsoft Magnifier, Accessibility Wizard and Microsoft Active Accessibility 1.1 API (upgradeable to MSAA 2.0.) A new HTML Help system with 15 Troubleshooting Wizards was introduced to replace WinHelp.\nUsers can configure the font in Notepad. Microsoft Paint supports GIF transparency. HyperTerminal supports a TCP/IP connection method, which allows it to be used as a Telnet client. Imaging for Windows is updated. System Monitor—used to track the performance of hardware and software—supports output to a log file.\n\nMiscellaneous improvements\nTelephony API (TAPI) 2.1\nDCOM version 1.2\nAbility to list fonts by similarity determined using PANOSE information.\nTools to automate setup, such as Batch 98 and INFInst.exe, support error-checking, gathering information automatically to create an INF file directly from a machine's registry, customizing IE4, shell and desktop settings and adding custom drivers.\nSeveral other Resource Kit tools are included on the Windows 98 CD.\nWindows 98 has new system event sounds for Low Battery Alarm and Critical Battery Alarm.\nWindows 98 also introduced new and updated system sounds. The new startup sound for Windows 98 was composed by Microsoft sound engineer Ken Kato, who considered it to be a \"tough act to follow\".\nWindows 98 shipped with Flash Player and Shockwave Player preinstalled.\n\nWindows 98 Second Edition\nWindows 98 Second Edition (often shortened to Windows 98 SE and sometimes to Win98 SE) is an updated version of Windows 98 released on May 5, 1999, nine months before the release of Windows 2000. It includes many bug fixes, improved WDM audio and modem support, improved USB support, the replacement of Internet Explorer 4.0 with Internet Explorer 5.0, Web Folders (WebDAV namespace extension for Windows Explorer), and related shell updates. Also included is basic OHCI-compliant FireWire DV camcorder support (MSDV class driver) and SBP-2 support for mass storage class devices. Wake-On-LAN reenables suspended networked computers due to network activity, and Internet Connection Sharing allows multiple networked client computers to share an Internet connection via a single host computer.Other features in the update include DirectX 6.1 which introduced major improvements to DirectSound and the introduction of DirectMusic, improvements to Asynchronous Transfer Mode support (IP/ATM, PPP/ATM and WinSock 2/ATM support), Windows Media Player 6.1 replacing the older Media Player, Microsoft NetMeeting 3.0, MDAC 2.1 and WMI. A memory overflow issue was resolved in which earlier versions of Windows 98 would crash most systems if left running for 49.7 days (equal to 232 milliseconds). Windows 98 SE could be obtained as retail upgrade and full version packages, as well as OEM and a Second Edition Updates Disc for existing Windows 98 users. USB audio device class support is present from Windows 98 SE onwards. Windows 98 Second Edition improved WDM support in general for all devices, and it introduced support for WDM for modems (and therefore USB modems and virtual COM ports). However, Microsoft driver support for both USB printers and USB mass-storage device class is not available for Windows 98.\n\nRemoved features\nWindows 98 Second Edition did not ship with the WinG API or RealPlayer 4.0, unlike the original release of Windows 98, due to both of these having been superseded by DirectX and Windows Media Player, respectively.\n\nUpgradeability\nSeveral components of both Windows 98 and Windows 98 Second Edition can be updated to newer versions. These include:\n\nInternet Explorer 6 SP1 and Outlook Express 6 SP1\nWindows Media Format Runtime and Windows Media Player 9 Series on Windows 98 Second Edition (Windows Media Player 7.1 on Windows 98 original release)\nWindows Media Encoder 7.1 and Windows Media 8 Encoding Utility\nDirectX 9.0c (the latest compatible runtime is from October 2007.)\nMSN Messenger 7.0\nSignificant features from newer Microsoft operating systems can be installed on Windows 98. Chief among them are .NET Framework versions 1.0, 1.1 and 2.0, the Visual C++ 2005 runtime, Windows Installer 2.0, the GDI+ redistributable library, Remote Desktop Connection client 5.2 and the Text Services Framework.\nSeveral other components such as MSXML 3.0 SP7, Microsoft Agent 2.0, NetMeeting 3.01, MSAA 2.0, ActiveSync 3.8, WSH 5.6, Microsoft Data Access Components 2.81 SP1, WMI 1.5 and Speech API 4.0.\nOffice XP is the last version of Microsoft Office that is compatible with Windows 98.\nAlthough Windows 98 does not fully support Unicode, certain Unicode applications can run if the Microsoft Layer for Unicode is installed.\n\nSystem requirements\nThe two major versions of Windows 98 have minimum requirements needed to be run.\n\nUsers can bypass processor requirement checks with the undocumented /NM setup switch. This allows installation on computers with processors as old as the Intel 80386.\n\nLimitations\nThe original release of Windows 98 may fail to boot on computers with a processor faster than 2.1 GHz. Windows 98 is only designed to handle up to 512 MB of RAM without changes. The maximum amount of RAM the operating system is designed to use is up to 1 GB of RAM. Systems with more than 1.5 GB of RAM may continuously reboot during startup. Both Windows 98 and Windows 98 Second Edition have problems running on hard drives of capacities larger than 32 GB in systems with certain Phoenix BIOS configurations. A software update fixed this shortcoming.\n\nSupport lifecycle\nAll computers running Windows NT 4.0 Workstation, Windows 2000 Professional, and Windows 98 can be directly upgraded to Windows XP Professional. Support for Windows 98 under Microsoft's consumer product life cycle policy was originally planned to end on June 30, 2003, however, in December 2002, Microsoft extended the support window to January 16, 2004. This date would then be extended again to June 30, 2006 on January 13, 2004 up to a final end of support date of July 11, 2006, citing support volumes in emerging markets as the reason for the extension.Retail availability for Windows 98 ended on June 30, 2002, and later became completely unavailable from Microsoft in any form (through MSDN or otherwise) due to the terms of Java-related settlements Microsoft made with Sun Microsystems.The Windows Update website continued to be available after Windows 98's end of support date, however, in 2011, Microsoft retired the Windows Update v4 website and removed the updates for Windows 98 and Windows 98 SE from its servers.\n\nReception\nWindows 98 was released to generally favorable reviews, with praise directed to its improved graphical user interface and customizability, ease of use,: 30–31 and the degree to which it addressed complaints that users and critics had with Windows 95. Michael Sweet of Smart Computing characterized it as heavily integrating features of the Internet browser, and found file and folder navigation easier.: 30–31 Ed Bott of PC Computing lauded the bug fixes, easier troubleshooting, and support for hardware advances such as DVD players and USB. However, he also found that the operating system crashed only slightly less frequently, and criticized the high upgrade price and system requirements. He rated it four stars out of five.\n\nSales\nWindows 98 sold 530,000 licenses in its first four days of availability, overtaking Windows 95's 510,000. It later sold a total of 580,000 and 350,000 licenses in the first and second months of availability, respectively.In the first year of its release, Windows 98 sold a total of 15 million licenses – 2 million more than its predecessor. However, International Data Corporation estimated that of the roughly 89 million shipped computers in the desktop market, the operating system had a market share of 17.2 percent, compared to Windows 95's 57.4 percent. Meanwhile, the two operating systems continued to observe a trend whereby Windows 98 improved in sales performance, whereas Windows 95 dwindled. After a legal dispute and subsequent settlement with Sun Microsystems over the former's Java Virtual Machine, Microsoft ceased distributing the operating system on December 15, 2003, and IDC estimated that a total of 58 million copies were installed worldwide by then.\nPassage 5:\nSusanne Klatten\nSusanne Hanna Ursula Klatten (née Quandt, born 28 April 1962) is a German billionaire heiress, the daughter of Herbert and Johanna Quandt. As of January 2022, her net worth was estimated at US$23.4 billion, and the richest woman in Germany and the 50th richest person in the world according to the Bloomberg Billionaires Index.\n\nEducation\nKlatten was born in Bad Homburg, West Germany. After gaining a degree in business finance, she worked for the advertising agency Young & Rubicam in Frankfurt from 1981 to 1983. This was followed by a course in marketing and management at the University of Buckingham, and an MBA from IMD Business School in Lausanne specialising in advertising.She gained further business experience in London with Dresdner Bank, the Munich branch of management consultants McKinsey and the bank Bankhaus Reuschel & Co.\nShe has often worked under the name Susanne Kant.\n\nInvestments\nOn her father's death she inherited his 50.1% stake in pharmaceutical and chemicals manufacturer Altana. She sits on Altana's supervisory board and helped transform it into a world-class corporation in the German DAX list of 30 top companies. In 2006 Altana AG sold its pharmaceutical activities to Nycomed for €4.5 billion, leaving only its speciality chemicals business. The €4.5 billion was distributed to shareholders as a dividend. Altana maintained its stock exchange listing and Klatten remained its majority shareholder. \nIn 2009, she bought almost all shares she did not already own in Altana. Altana and SKion, which are both wholly owned by Susanne Klatten, are shareholder of Landa Digital Printing with together 46% since 2018. Landa Digital Printing is a company of the Israeli entrepreneur and inventor Benny Landa in the field of digital printing and nanotechnology.Her father also left her a 12.50% stake in BMW, but following the death of her mother in 2015, her stake in BMW is now 19.2%. She was appointed to the supervisory board of BMW with her brother Stefan Quandt in 1997.\nGerman graphite maker SGL Carbon said on 16 March 2009 that Klatten owns options to raise her stake in SGL from 8% to almost a quarter of the shares but no more than that.\n\nQuandt family activities during WWII\nThe Hanns Joachim Friedrichs Award winning documentary film The Silence of the Quandts by the German public broadcaster ARD described in October 2007 the role of the Quandt family businesses during the Second World War. The family's Nazi past was not well known, but the documentary film revealed this to a wide audience and confronted the Quandts about the use of slave labourers in the family's factories during World War II. As a result, five days after the showing, four family members announced, on behalf of the entire Quandt family, their intention to fund a research project in which a historian would examine the family's activities during Adolf Hitler's dictatorship. The independent 1,200-page study researched and compiled by Bonn historian, Joachim Scholtyseck, that was released in 2011 concluded: \. As of 2008, no compensation, apology or even memorial at the site of one of their factories, have been permitted. BMW was not implicated in the report.\n\nPersonal life\nPolice prevented an attempt to kidnap her and her mother Johanna Quandt in 1978.Susanne met Jan Klatten while she was doing an internship with BMW in Regensburg, where he worked as an engineer. It is reported that during this time, she called herself Kant and did not tell him who she was until they were sure about each other, but Klatten himself denies the story. They married in 1990 in Kitzbühel and live in Munich. They have three children. The couple separated in 2018. She has been a member of the University Council of the Technical University of Munich since 2005. In 2007 she was awarded the Bayerischer Verdienstorden, the Bavarian Order of Merit. She is one of the biggest donors of the centre-right political party, the Christian Democratic Union.In 2007 Klatten was blackmailed by Helg \ Sgarbi, a 44-year-old Swiss national who threatened to release materials depicting the two having an affair. Sgarbi, who was charged with similar blackmail schemes against multiple women, was arrested in January 2009 and brought to court in Germany, where he was sentenced to six years in jail. His accomplice, the Italian hotel owner Ernano Barretta who allegedly filmed Sgarbi and Klatten with hidden cameras, was also arrested and was sentenced in 2012 to seven years in prison.\n\nSee also\nList of female billionaires\nPassage 6:\nList of countries by steel production\nThis article summarizes the world steel production by country.\nIn 2020, total world crude steel production was 1877.5 million tonnes (Mt). The biggest steel producing country is currently China, which accounted for 57% of world steel production in 2020. In 2020, China became the first country to produce over one billion tons of steel. In 2008, 2009, 2015 and 2016 output fell in the majority of steel-producing countries as a result of the global recession. In 2010 and 2017, it started to rise again. Crude steel production contracted in all regions in 2019 except in Asia and the Middle East.\n\nList of countries by steel production\nThis is a list of countries by steel production in 1967, 1980, 1990, 2000 and from 2007 to 2021, based on data provided by the World Steel Association. All countries with annual production of crude steel at least 2 million metric tons.\n\nExports\nnet: exports - imports\n\nImports\nNet: imports − exports\n\nSee also\nSteel industry\nGlobal steel industry trends\nList of steel producers\nList of countries by iron ore productionanswersease of use and enhanced support for Plug and Playlengthdatasetmusiquelanguageenall_classes_idb4a033f133679fb6a0a2351544933c5537546d947ad50c8f |
| inputWhat watercourse is the river on which the Lostock Dam is located the mouth of?contextPassage 1:\nPaterson River\nPaterson River, a perennial river that is part of the Hunter River catchment, is located in the Hunter and Mid North Coast regions of New South Wales, Australia.\n\nCourse and features\nPaterson River rises in the Barrington Tops National Park, west by north of Careys Peak, and flows generally south and southeast, joined by six minor tributaries including the Allyn River at Vacy, before reaching its confluence with the Hunter River between Hinton and Morpeth. Between Hinton and Duns Creek, the Paterson River forms the border between the Port Stephens and Maitland local government areas. The river system courses through fertile the farming land of the Paterson and Allyn River Valleys and the historic Patersons Plains; descending 933 metres (3,061 ft) over its 151 kilometres (94 mi) course.The river is impounded by Lostock Dam, located 48 kilometres (30 mi) downstream from the source in the Barringtons. The embankment dam was constructed by the New South Wales Department of Water Resources to supply water for irrigation and was completed in 1971. The river is tidal to above the village of Paterson and below Vacy.Riverside towns within the Paterson's catchment include Gresford, Vacy, Paterson, Woodville and Hinton.\nColonel William Paterson surveyed the area along the river in 1801. Later Governor King named it in his honour.\nPassage 2:\nHorse Mesa Dam\nThe Horse Mesa Dam is a concrete thin arch dam located in the Superstition Mountains, northeast of Phoenix in Maricopa County, Arizona.\nThe dam is 660 feet (200 m) long, 300 feet (91 m) high and was built between 1924 and 1927. The dam includes three conventional hydroelectric generating units totaling 32 megawatts (MW) and a pumped-storage unit with a capacity of 97 MW.\nThe dam and associated infrastructure were listed on the National Register of Historic Places in 2017.\nA few homes are nearby for temporary employee housing. Its name is derived from when sheep-herders used to graze their saddle and pack animals on the mesa when they were driving their flocks through the area. It has an estimated elevation of 2,067 feet (630 m) above sea level.\n\nReservoir\nThe dam forms Apache Lake as it impounds the Salt River. The dam and reservoir are located downstream from the Theodore Roosevelt Dam, and upstream from the Mormon Flat Dam.\nPassage 3:\nDarling Mills Creek\nThe Darling Mills Creek, an urban watercourse that is part of the Parramatta River catchment, is located in Greater Western Sydney, New South Wales, Australia.\n\nCourse and features\nThe Darling Mills Creek rises in the north-western suburbs of Sydney, west of Thompsons Corner, near the intersection of Castle Hill Road and Pennant Hills Road, within the suburb of West Pennant Hills. The headwaters lie on the watershed between the Hornsby Plateau and the Cumberland Plain. The creek flows generally west, then south, joined by its tributaries including the Bidjigal, Sawmill, Excelsior, Blue Gum, Bellbird, Bellamy Farm creeks and the dammed Hunts Creek downstream of Lake Parramatta, before reaching its confluence with the Toongabbie Creek to form the Parramatta River, in the suburb of North Parramatta, in land adjoining the northern boundary of the Cumberland Hospital. The course of the creek is approximately 10 kilometres (6.2 mi); and the creek passes through the Cumberland State Forest, the Darling Mills State Forest, Bidjigal Reserve, Excelsior Park, and many smaller reserves and parks.The Darling Mills Creek is transversed by the Cumberland Highway, the M2 Hills Motorway, and marks the boundary between Windsor Road and Church Street in North Parramatta.\n\nHistory\nThe land adjacent to the Parramatta River and its tributaries, including the Darling Mills Creek, was occupied for many thousands of years by the Burramattagal clan of the Darug people, Toongagal, Wallumattagal, Wangal, and Wategora Aboriginal peoples. They used the river as an important source of food and a place for trade.The Darling Mills Creek takes its name from a watermill constructed a short distance from the confluence with Toongabbie Creek.\nAn earlier watermill was built by Samuel Marsden near the confluence. It milled flour from 1804 to 1818.\nIn 1825, the Darling Flour Mills were built for John Raine, upstream on the Windsor Road.\nThe Darling Mills site was taken over by Sydney Woollen Mills, which operated from 1870 to 1975. Sydney Woollen Mills originally used steam rather than water power. Part of the facade of the building remains on the site, which was occupied by Bunnings Warehouse's North Parramatta store in the early 21st century. There is a weir on the creek nearby that was constructed in the nineteenth century.\n\nSee also\nGreat North Walk\nRivers of New South Wales\nPassage 4:\nLansdowne River\nLansdowne River, a watercourse of the Manning River catchment, is located in the Mid North Coast district of New South Wales, Australia.\n\nCourse and features\nLansdowne River rises below Mount Gibraltar in the Gibraltar Range, north northwest of Upper Lansdowne, and flows generally southeast before reaching its confluence with the Northern Arm of the Manning River, near Coopernook. The river descends 740 metres (2,430 ft) over its 51 kilometres (32 mi) course.The Pacific Highway crosses the Lansdowne River south-east of Coopernook.\n\nSee also\nRivers of New South Wales\nList of rivers of New South Wales (L–Z)\nList of rivers of Australia\nPassage 5:\nCabramatta Creek\nCabramatta Creek, an urban watercourse of the Georges River catchment, is located in the South Western Sydney, in New South Wales, Australia.\n\nCourse and features\nCabramatta Creek rises in the rural/residential suburb of Denham Court, east south-east of Leppington, within the Liverpool local government area. From here the creek flows in a northerly direction under Camden Valley Way towards Hoxton Park, and its junction with Hinchinbrook Creek. Substantial residential development has occurred in these areas, particularly to the west of Cowpasture Road. A number of detention basins have also been constructed in conjunction with the development.\nThe Ingham's poultry farm also occupies a significant landholding in the area. Below Hoxton Park Road, Cabramatta Creek starts to flow in an easterly direction the Fairfield local government area, towards its confluence with the Georges River, to the east of Warwick Farm. A more prominent creek \"corridor\", up to 200 metres (660 ft) wide, becomes more evident throughout the lower catchment. This primarily consists of public open space, playing fields and golf courses. The Elouera Nature Reserve, which is an important pocket of native bushland, also forms part of this corridor.\nCabramatta Creek flows through established residential suburbs, including Miller, Cartwright, Sadlier, Ashcroft, Liverpool, Mount Pritchard and Warwick Farm. Major transport routes that cross the catchment includes Hoxton Park Road, Elizabeth Drive, Orange Grove Road (the Cumberland Highway), the Hume Highway and the Main Southern railway line. The catchment area of the creek is approximately 74 square kilometres (29 sq mi), and within the catchment area are the Cabramatta Creek, Hinchinbrook Creek, Maxwells Creek, and Brickmakers Creek.The area around the creek was home to the Darug Aboriginal people. European settlement began on the site in the 1790s when they found good quality soil.\nIn the area surrounding Cabramatta Creek is a large flying fox population; located behind the Sunnybrook Motel and called the Cabrammatta Creek Flying Fox Reserve.A concrete beam road bridge that carries the Hume Highway over Cabramatta Creek, constructed in 1951 and commonly known as Ireland's Bridge, is listed on the New South Wales State Heritage Register.\nPassage 6:\nGeographical feature\nA feature (also called an object or entity), in the context of geography and geographic information science, is a discrete phenomenon that exists at a location in the space and scale of relevance to geography; that is, at or near the surface of Earth, at a moderate to global scale.: 62 It is one of the primary types of phenomena represented in geographic information, such as that represented in maps, geographic information systems, remote sensing imagery, statistics, and other forms of geographic discourse. Such representations of features consists of descriptions of their inherent nature, their spatial form and location, and their characteristics or properties.\n\nOntology and terminology\nThe term \ is meant to be broad and inclusive, including both natural and human-constructed phenomena. It is metaphysically neutral, including both phenomena that exist physically (e.g. a building) and those that are conceptual or social creations (e.g. a neighbourhood). In an ontological sense, the term is generally restricted to endurants, which are wholly present at any time during their lifespan (e.g., the state of New York in 1820 was a complete state, and is the same state as the New York in 2021). A feature is also discrete, meaning that it has a clear identity distinct from other phenomena, and is comprehended as a whole, defined in part by the boundary of its extent (although this can be problematic when vagueness arises, such as in the boundaries of a \). This differentiates features from geographic processes and events, which are perdurants that only exist in time; and from geographic masses and fields, which are continuous in that they are not conceptualized as a distinct whole.In geographic information science, the terms feature, object, and entity are generally used as roughly synonymous. In the 1992 Spatial Data Transfer Standard (SDTS), one of the first public standard models of geographic information, an attempt was made to formally distinguish them: an entity as the real-world phenomenon, an object as a representation thereof (e.g. on paper or digital), and a feature as the combination of both entity and representation objects. Although this distinction is often cited in textbooks, it has not gained lasting nor widespread usage. In the ISO 19101 Geographic Information Reference Model and Open Geospatial Consortium (OGC) Simple Features Specification, international standards that form the basis for most modern geospatial technologies, a feature is defined as \ essentially the object in SDTS.\nDespite these attempts at formalization, the broadly interchangeable use of these English terms has persisted. That said, Phenomenon is likely the most broad, comfortably including geographic masses, processes, and events that would be difficult to call \ or \\n\nTypes of features\nNatural features\nA natural feature is a phenomenon that was not created by humans, but is a part of the natural world. There has been some metaphysical debate over whether such features are \ independent of the human mind (a realist stance), whether they are purely human conceptualizations of continuous natural phenomena (a constructivist stance), or a hybrid of discrete natural phenomena that highly motivate, but are simplified by human concepts (a experientialist stance). It is also possible that individual features may be of any of these three types.\n\nEcosystems\nThere are two different terms to describe habitats: ecosystem and biome. An ecosystem is a community of organisms. In contrast, biomes occupy large areas of the globe and often encompass many different kinds of geographical features, including mountain ranges.Biotic diversity within an ecosystem is the variability among living organisms from all sources, including inter alia, terrestrial, marine and other aquatic ecosystems. Living organisms are continually engaged in a set of relationships with every other element constituting the environment in which they exist, and ecosystem describes any situation where there is relationship between organisms and their environment.\nBiomes represent large areas of ecologically similar communities of plants, animals, and soil organisms. Biomes are defined based on factors such as plant structures (such as trees, shrubs, and grasses), leaf types (such as broadleaf and needleleaf), plant spacing (forest, woodland, savanna), and climate. Unlike biogeographic realms, biomes are not defined by genetic, taxonomic, or historical similarities. Biomes are often identified with particular patterns of ecological succession and climax vegetation.\n\nWater bodies\nA body of water is any significant accumulation of water, usually covering the land. The term \ most often refers to oceans, seas, and lakes, but it may also include smaller pools of water such as ponds, creeks or wetlands. Rivers, streams, canals, and other geographical features where water moves from one place to another are not always considered bodies of water, but they are included as geographical formations featuring water.\nSome of these are easily recognizable as distinct real-world entities (e.g., an isolated lake), while others are at least partially based on human conceptualizations. Examples of the latter include a branching stream network in which one of the branches has been arbitrarily designated as the continuation of the primary named stream; or a gulf or bay of an ocean, which has no meaningful dividing line from the rest of the ocean.\n\nLandforms\nA landform comprises a geomorphological unit and is largely defined by its surface form and location in the landscape, as part of the terrain, and as such is typically an element of topography. Landforms are categorized by features such as elevation, slope, orientation, stratification, rock exposure, and soil type. They include berms, mounds, hills, cliffs, valleys, rivers, and numerous other elements. Oceans and continents are the highest-order landforms.\n\nArtificial features\nSettlements\nA settlement is a permanent or temporary community in which people live. Settlements range in components from a small number of dwellings grouped together to the largest of cities with surrounding urbanized areas. Other landscape features such as roads, enclosures, field systems, boundary banks and ditches, ponds, parks and woods, mills, manor houses, moats, and churches may be considered part of a settlement.\n\nAdministrative regions and other constructs\nThese include social constructions that are created to administer and organize the land, people, and other spatially-relevant resources. Examples include governmental units such as a state, cadastral land parcels, mining claims, zoning partitions of a city, or a church parish. There are also more informal social features, such as city neighbourhoods and other vernacular regions. These are purely conceptual entities established by edict or practice, although they may align with visible features (i.e. a river boundary), and may be subsequently manifested on the ground, such as by survey markers or fences.\n\nEngineered constructs\nEngineered geographic features include highways, bridges, airports, railroads, buildings, dams, and reservoirs, and are part of the anthroposphere because they are man-made geographic features.\n\nCartographic features\nCartographic features are types of abstract geographical features, which appear on maps but not on the planet itself, even though they are located on the planet. For example, latitudes, longitudes, the Equator, and the prime meridian are shown on maps of Earth, but it do not physically exist. It is a theoretical line used for reference, navigation, and measurement.\n\nFeatures and Geographic Information\nIn GIS, maps, statistics, databases, and other information systems, a geographic feature is represented by a set of descriptors of its various characteristics. A common classification of those characteristics has emerged based on developments by Peuquet, Mennis, and others, including the following : \n\n Identity, the fact that a feature is unique and distinct from all other features. This does not have an inherent description, but humans have created many systems for attempting to express identity, such as names and identification numbers/codes.\nExistence, the fact that a feature exists in the world. At first, this may seem trivial, but complex situations are common, such as features that are proposed or planned, abstract concepts (e.g., the Equator), under construction, or that no longer exist.\n Kind (also known as class, type, or category), one or more groups to which a feature belongs, typically focused on those that are most fundamental to its existence. It thus completes the sentence \ These are generally in the form of common nouns (tree, dog, building, county, etc.), which may be isolated or part of a taxonomic hierarchy.\n Relationships to other features. These may be inherent if they are crucial to the existence and identity of the feature, or incidental if they are not crucial, but \ These may be of at least three types:\nSpatial relations, those that can be visualized and measured in space. For example, the fact that the Potomac River is adjacent to Maryland is an inherent spatial relation because the river is part of the definition of the boundary of Maryland, but the overlap relation between Maryland and the Delmarva Peninsula is incidental, as each would exist unproblematically without the other.\nMeronomic relations (also known as partonomy), in which a feature may exist as a part of a larger whole, or may exist as a collection of parts. For example, the relationship between Maryland and the United States is a meronomic relation; one is not just spatially within the boundaries of the other, but is a component part of the other that in part defines the existence of both.\nGenealogical relations (also known as parent-child), which tie a feature to others that existed previously and created it (or from which it was formed by another agent), and in turn to any features it has created. For example, if a county were created by the subdivision of two existing counties, they would be considered its parents.\nLocation, a description of where the feature exists, often including the shape of its extent. While a feature has an inherent location, measuring it for the purpose of representation as data can be a complex process, such as requiring the invention of abstract spatial reference systems, and the necessary employment of cartographic generalization, including an expedient choice of dimension (e.g., a city could be represented as a region or as a point, depending on scale and need).\nAttributes, characteristics of a feature other than location, often expressed as text or numbers; for example, the population of a city. In geography, the levels of measurement developed by Stanley Smith Stevens (and further extended by others) is a common system for understanding and using attribute data.\nTime is fundamental to the representation of a feature, although it does not have independent temporal descriptions. Instead, expressions of time are attached to other characteristics, describing how they change (thus, they are analogous to adverbs in common discourse). Any of the above characteristics is mutable, with the possible exception of identity. For example, the lifespan of a feature could be considered as the temporal extent of its existence. The location of a city can change over time as annexations expand its extent. The resident population of a country changes frequently due to immigration, emigration, birth, and death.The descriptions of features (i.e., the measured values of each of the above characteristics) are typically collected in Geographic databases, such as GIS datasets, based on a variety of data models and file formats, often based on the vector logical model.\n\nSee also\nGeographical field\nGeographical location\nHuman geography\nLandscape\nPhysical geography\nSimple Features\nPassage 7:\nCoxs Creek (Belfield, New South Wales)\nCoxs Creek, a watercourse of the Cooks River catchment, is located in the Inner West of Sydney, in New South Wales, Australia.\n\nCourse and features\nCoxs Creek rises northeast of Punchbowl railway station and flows generally north northeast, before reaching its confluence with the Cooks River, at Strathfield South. Over time the creek has been extensively modified and is now largely a storm drain that flows about 3 kilometres (1.9 mi). Prior to development of the area the creek drained paperbark swamps that were formerly near the junction of Roberts Road and Juno Parade. Over time the creek has been extensively modified and rerouted. As with most drainage channels in the area it has been lined along much of its length. Coxs Creek drains a total catchment of 8.8 square kilometres (3.4 sq mi).The creek begins as a stormwater drain, then runs in the open through the Coxs Creek Wetland, a 1.84 hectares (4.5 acres) reserve containing significant remnant bushland including some Cooks River Castlereagh Ironbark Forest habitat. Including tree specimens of mugga ironbark (Eucalyptus sideroxylon), narrow-leaved ironbark (E. crebra), broad-leaved ironbark (E. fibrosa), and tallowwood (E. microcorys). The forest habitat is noted as an endangered ecological community. Acacia pubescens (Downy Wattle) is a vulnerable flora species present as is the locally endangered Tadgell's Bluebell (Wahlenbergia multicaulis). The endangered Green and Golden Bell Frog (Litoria aurea) has been recorded and frog ponds constructed as part of the creek. The frog has not been seen in the creek since 1995, though they are still present in the nearby constructed wetlands at the Juno Parade Brick Pit.\nIn 2005 Sydney Ports Corporation proposed works including fauna corridors and \"frog ramps\" to encourage their return. Along much of its length the creek is a combination of covered channel and an uncovered concrete lined trench. As the creek passes through the reserve it is open and the 2010 management plan calls for restoration of this part of the creek and the adjacent riparian zone.\nPassage 8:\nCup and Saucer Creek\nCup and Saucer Creek, an urban watercourse of the Cooks River catchment, is located in the Canterbury-Bankstown region of Sydney, in New South Wales, Australia.\n\nCourse and features\nCup and Saucer Creek rises in Canterbury local government area, near Wiley Park railway station and flows in an east north-easterly direction through the suburbs of Roselands, Kingsgrove and Clemton Park, where it makes its confluence with the Cooks River, within the suburb of Earlwood. The upper reaches of the creek are a piped drainage system, which becomes part drain and part creek in the lower reaches. The Cup and Saucer Creek Catchment Management Study by the Water Board in 1992 showed extensive toxic organics in the form of polycyclic aromatic hydrocarbons and organochlorines.The creek is so named because of sandstone formations in the former bed of the creek.A concrete culvert over Bexley Road constructed in 1920 is listed on the NSW State Heritage Register.\nPassage 9:\nBardwell Creek\nBardwell Creek, an urban watercourse of the Cooks River catchment, is located in the southern suburbs of Sydney, in New South Wales, Australia.\n\nCourse and features\nBardwell Creek rises in Georges River local government area, near Hurstville and flows in a north-easterly direction through the suburbs of Bexley, Bexley North, Bardwell Park, and Turrella in the Bayside local government area, where it makes its confluence with Wolli Creek, where it forms the border between the suburbs of Bardwell Park and Turrella. The upper reaches of the Creek are a piped drainage system, which becomes an open concrete channel at Croydon Road in the Bexley Golf Course. The total catchment area of Bardwell Creek is 6.36 square kilometres (2.46 sq mi).\n\nSee also\nBardwell Valley, New South Wales\nWolli Creek Regional Park\nPassage 10:\nNatural Dam, Arkansas\nNatural Dam is an unincorporated community in Crawford County, Arkansas, United States. Natural Dam is located on Arkansas Highway 59, 6 miles (9.7 km) north-northwest of Cedarville. Natural Dam has a post office with ZIP code 72948. The now-replaced Lee Creek Bridge, which was listed on the National Register of Historic Places, was located in the community.The community was named for a natural dam near the original town site.\n\nNotable person\nShay Mooney, half of country duo Dan + Shay\nPassage 11:\nEnloe Dam and Powerplant\nThe Enloe Dam, also known as the Similkameen Dam, and its powerplant are located on the Similkameen River about 4 miles (6.4 km) west-northwest of Oroville, Washington. Located just above Similkameen (Coyote) Falls, the concrete arch-gravity dam stands about 54 feet (16 m) high, with a crest length of about 290 feet (88 m), built between 1916 and 1923. The dam was named after the president of the Okanogan Valley Power Company, Eugene Enloe. The dam was operated to generate power at its powerplant, located about 850 feet (260 m) downstream from the dam. Lacking fish ladders, Enloe Dam blocks fish passage and completely extirpated anadromous fish migration into the upper reaches of the Similkameen River and its tributaries in Canada.\n\nHistory\nThe dam replaced a wood crib dam started in 1903 by J.M. Hagerty, a local entrepreneur, and completed a year after his death. The dam fed a generating plant in a wooden powerplant below the dam and falls. Power went to the towns of Nighthawk and Oroville, as well as the nearby Owasco, Ivanhoe, Ruby and Canba mines. Attempts by Hagerty's estate to sell the dam in 1913 met no interest, partly because of the poor state of the crib dam. Eugene Enloe of the Okanogan Valley Power Company was able to secure the rights to the site in 1916, hiring C.F. Uhden to design the dam that year. Construction did not start until 1919 and was completed in 1920 at a cost of $350,000, $150,000 of it Enloe's money. Enloe sold the dam and powerplant in 1923 to Washington Water Power Company, which added a second penstock.\n\nDescription\nThe dam features an unregulated overflow spillway whose height can be augmented by flashboards. The powerplant replaced a small run-of-river plant, which received water from a diversion channel. In 1923, the site was purchased by the Washington Water Power Company. In 1942 the WWPC was purchased by the Okanogan Public Utility District, which then ceased operations at Enloe Dam in 1958, as power was available from the Bonneville Power Administration system at less cost. The dam's reservoir extends 2 miles (3.2 km) up the Similkameen River. Largely silted up, it is just 9 feet (2.7 m) deep. Storage capacity is only 507 acre-feet (625,000 m3).The concrete powerhouse is in a partly ruinous state, and options have been presented to stabilize or demolish the structure when the proposed new hydroelectric development is undertaken. The powerhouse was fed by two wood stave penstocks, 7 feet (2.1 m) in diameter, running to Pelton wheels driving two 1.6 megawatt generators. The generator hall stands next to a heavily built transformer vault.\n\nRedevelopment\nThe Okanogan Public Utility District obtained a new license for power generation from the Federal Energy Regulatory Commission in 1983, but the license was withdrawn in 1986 because the dam's impact on anadromous fish had not been addressed. A second license for a 4.1 megawatt plant was granted in 1996, but was again rescinded on the same grounds in 2000. Yet another application was submitted in August 2008, seeking to build a new powerplant to generate 9 megawatts, fed by a new intake channel.Enloe Dam was listed on the National Register of Historic Places on October 18, 1978 as an example of early power development in rural Washington.\nAfter a study showing reenergizing the dam would be too expensive, the Okanogan PUD voted in 2019 to abandon plans. They are seeking to give the dam away to have it demolished, but removal remains too expensive. The Colville Indian tribes are seeking its removal to restore salmon to the Similkameen River.\nPassage 12:\nWolli Creek\nWolli Creek () is an urban watercourse of the Cooks River catchment located in the southern suburbs of Sydney, in New South Wales, Australia.\n\nCourse and features\nWolli Creek rises south of Narwee, within Beverly Hills Park, Beverly Hills, and flows generally east northeast through Wolli Creek Valley and Wolli Creek Regional Park, joined by its major tributary, Bardwell Creek, before reaching its confluence with the Cooks River near Arncliffe and Tempe. The creek is a lined channel between Kingsgrove Road, Kingsgrove and Bexley Road, Bexley North where it then enters the Wolli Creek Valley. The sub-catchment area of the creek is 22 square kilometres (8.5 sq mi).\n\nNature conservation value\nAdjacent to Wolli Creek, within the Wolli Creek Valley, is Wolli Creek Regional Park, a planned 50 hectares (120 acres) nature reserve of native bushland and public reserves that was announced by the NSW Government in 1998 as a result of sustained community campaigning for the area to be preserved and for the M5 East Freeway to go underground. Whilst some of the park has been formed and management handed over from local government authorities to the NSW National Parks & Wildlife Service, including the 8.9 hectares (22 acres) Girrahween Park and some privately held land that was compulsorily acquired, some areas of the originally planned park remain in the hands of government agencies including Sydney Water and Roads & Maritime Services.When complete, the planned nature reserve offers easy public transport access, family picnic areas, extensive views and bushland, rugged sandstone escarpments with walking tracks, a mixture of parkland, heathland, and woodland forest, and great birdwatching in close proximity to heavily developed residential and industrial landscape.\n\nWildlife\nBird observation\nThe diversity of habitat and strategic location of the Wolli Creek Valley are reflected in the wide range of bird species to be found adjacent to the creek. Approximately 175 species of birds have been recorded in the area between 1940 and 1999.\n\nFish\nSeveral species of freshwater and saltwater fish can be found in the Wolli Creek in areas above and below the fish ladder. The fish ladder, or \"rock-ramp fishway\" was constructed to enable fish to bypass the weir at Henderson St, Turrella, allowing migration to other areas of the creek.\n\nCoastal saltmarsh\nThe lower reaches – the tidal part – of Wolli Creek are home to a plant community known as saltmarsh, or coastal saltmarsh. The plant community includes various salinity-tolerant species such as Knobby Club-rush (Ficinia nodosa), Samphire (Sarcocornia quinqueflora), Sea Rush (Juncus kraussii), Seablite (Suaeda australis), Streaked Arrowgrass (Triglochin striata) and others. Coastal saltmarsh has been recognised as a carbon sink as well as a filter of nutrients maintaining water quality and is listed as an Endangered Ecological Community under the Threatened Species Conservation Act 1995.\n\nGallery\nSee also\nWolli Creek Regional Park\nPassage 13:\nLittle River (Wingecarribee)\nThe Little River, a watercourse that is part of the Hawkesbury-Nepean catchment, is located in the Southern Highlands region of New South Wales, Australia.\n\nCourse and features\nThe Little River rises south southeast of the locality of Wills Hill, near Robertson, and flows generally north before reaching its confluence with the Dudewaugh Creek, a tributary of the Burke River within the Upper Nepean River catchment. The course of the river is approximately 8 kilometres (5.0 mi).\n\nSee also\nList of rivers of New South Wales (L–Z)\nList of rivers of Australia\nRivers of New South Wales\nPassage 14:\nJoe Wheeler State Park\nJoe Wheeler State Park is a public recreation area with resort features located on Wheeler Lake, an impoundment of the Tennessee River in northwest Alabama. The state park contains 2,550 acres (1,030 ha) of land in three separate parcels and adjoins the Tennessee Valley Authority's Wheeler Dam.\n\nHistory\nThe park was established when the state purchased land from the TVA in 1949. Resort features were added during a major upgrade begun in 1973. The park, the lake and dam all are named for Confederate general and U.S. Congressman Joseph Wheeler.\n\nAwards\nIn September 2020, Joe Wheeler State Park was one of eleven Alabama state parks awarded Tripadvisor’s Traveler’s Choice Award, which recognizes businesses and attractions that earn consistently high user reviews.\n\nActivities and amenities\nThe Rogersville area of the park includes a resort lodge, convention facilities, restaurant, campground, 140-slip marina, 18-hole golf course, and 2.5-mile (4.0 km) loop trail for hiking and biking. The TVA maintains a dam overlook near the state park's cabin area.\nPassage 15:\nBeaver Dam High School (Wisconsin)\nBeaver Dam High School is a public high school located in Beaver Dam, Wisconsin. It is a part of the Beaver Dam Unified School District. As of 25 October 2017 it had an enrollment of 1,045 students. Its mascot is the Golden Beaver.\n\nExtracurricular activities\nAthletics\nClubs\nAnime\nBDHS orchestra\nBDHS bands\nMarching band\nJazz band 1 & 2\nPep band\nChoirs\nConcert choir\nTreble choir\nBel Canto Choir\nDECA\nFFA\nForensics\nPowerlifting\nMock trial\nNational Honor Society\nKey Club\nStudent council\nSWAZZ\nTheatre\n\nGallery\nNotable alumni\nScience, media and the arts\nLois J. Ehlert – Artist, award-winning author, Caldecott Medal recipient, & Illustrator of Children’s Books\nRaymond Z. Gallun – Pioneer science fiction author\nDave Krause, BSEM, UW-Madison – NASA Sounding Rocket Chief Engineer\nFred MacMurray – Actor\nDavid Alan Smith - Actor\n\nBusiness\nBenjamin Murray – President of XOJET, Pittsburgh Pirates baseball draft\nGerald H. Teletzke – Business and engineer leader\n\nGovernment\nRobert G. Ehlenfeldt – Wisconsin State Veterinarian\nLeon Epstein – Professor of Political Science, University of Wisconsin—Madison\nJames J. Healy – National labor relations leader, adviser to presidents Kennedy and Carter, Harvard Business School professor, lecturer, author\nRobert Kastenmeier – Wisconsin Representative to U.S. Congress\nFred McFarlane – Professor in Rehabilitation Counseling, San Diego State University\nMary Ann Spellman – Two-term Beaver Dam mayor\nJoseph M. Stehling – Brigadier General, recipient of Purple Heart, Legion of Merit\n\nProfessional sports\nEric Baldwin – Professional poker player and 2009 Cardplayer of the year\nMadeline \"Maddy\" Horn – Speed skater\nBill Rentmeester – Professional football player\nR.J. Shelton - Professional football player\nPassage 16:\nLostock Dam\nLostock Dam is a minor rockfill and clay core embankment dam with a concrete lined, flip bucket spillway across the Paterson River upstream of the village of East Gresford in the Hunter region of New South Wales, Australia. The dam's purpose includes flood mitigation, irrigation, water supply and conservation. Mini hydro-power facilities were retrofitted in 2010. The impounded reservoir is also called Lostock Dam.\n\nLocation and features\nCommenced in 1969 and completed in 1971, the Lostock Dam is a minor dam on the Paterson River, a tributary of the Hunter River, and is located approximately 65 kilometres (40 mi) from both Maitland and Singleton, and also 93 kilometres (58 mi) north-west of Newcastle, on the upper reaches of the river. The dam was built by Dumez Australia under contract to the New South Wales Water Department of Land and Water Conservation following the drought of 1964–66. At that time there was a need for a water conservation storage in the Paterson Valley to stabilise and further develop rural productivity.The dam wall height is 38 metres (125 ft) and is 701 metres (2,300 ft) long. The maximum water depth is 30 metres (98 ft) and at 100% capacity the dam wall holds back 20,220 megalitres (714×10^6 cu ft) of water at 155 metres (509 ft) AHD. The surface area of the reservoir is 220 hectares (540 acres) and the catchment area is 277 square kilometres (107 sq mi). The ungated concrete lined, flip bucket chute spillway is capable of discharging 2,860 cubic metres per second (101,000 cu ft/s).The name of the dam originates from the village of the same name, located approximately 2 kilometres (1.2 mi) downstream from the dam wall.\n\nPower generation\nA mini hydro-electric power station generates up to 2.2 megawatts (3,000 hp) of electricity from the flow of the water leaving Lostock Dam. Constructed by Heidemann Hydro Australia, the facility is managed by Delta Electricity.\n\nSee also\nDelta Electricity\nIrrigation in Australia\nList of dams and reservoirs in New South Wales\nPassage 17:\nTallebudgera Creek Dam\nThe Tallebudgera Creek Dam, or colloquially Tally Dam, is a decommissioned embankment dam across the upper reaches of the Tallebudgera Creek, located in the South East region of Queensland, Australia. The initial purpose of the dam from its establishment until its decommissioning during the 1970s was for the supply of potable water to the Gold Coast region. There is no public access to the dam.\n\nLocation and features\nThe Tallebudgera Dam is located approximately 16 kilometres (9.9 mi) south west of the Burleigh Heads.\nDesigned and constructed by the Coolangatta-Nerang Water Supply Board in the 1940s, construction of the Tallebudgera Dam was finalised in the early 1950s. The dam was one of the earliest water supplies for the region, and provided a constant flow to the intake that was located downstream of the dam. Growth and demand in the region led to the construction of Little Nerang Dam and Mudgeeraba Water Treatment Plant, which then made Tallebudgera Creek Dam obsolete as a water supply. The decommissioning is believed to have occurred in the 1970s and included the removal of the valve house and filling of the valve chambers. It appears that the dam was left for recreation purposes after decommissioning. Following introduction of the Water Act, 2000 (QLD), a Failure Impact Assessment noted the dam design did not comply with the latest safety standards and may over top during a 1 in 50 year average recurrence interval. The Queensland Department of Natural Resources and Water issued advice that the dam was to be upgraded to meet the current dam safety standards. Options considered were to permanently lower the level of the spillway, install flood-triggered gates and removal of the dam. In 2006, after two years of investigation, reports and public consultations, work commenced to upgrade the existing dam to the required standards.\n\nSee also\nList of dams in Queensland\nPassage 18:\nList of crossings of the Kiskiminetas River\nThis is a complete list of bridges and dams that span the Kiskiminetas River from its confluence at the Conemaugh River and Loyalhanna Creek to its mouth at the Allegheny River.\n\n\n== Crossings ==\nPassage 19:\nToongabbie Creek\nToongabbie Creek, an urban watercourse that is part of the Parramatta River catchment, is located in Greater Western Sydney, New South Wales, Australia.\n\nCourse and features\nToongabbie Creek rises in the north-western suburbs of Sydney, west of the Old Northern Road, within the suburb of Castle Hill; with its headwaters forming the watershed boundary between the Hornsby Plateau and the Cumberland Plain. The creek flows generally south-west, then south by east, then south by west, then east before reaching its confluence with the Darling Mills Creek to form the Parramatta River, in the suburb of North Parramatta, in land adjoining the northern boundary of the Cumberland Hospital. The course of the creek is approximately 9 kilometres (5.6 mi).Although only a small portion of Toongabbie Creek is contained within the Blacktown local government area, much of its sub-catchment, including the Blacktown and Lalor creeks and their associated tributaries are within the City of Blacktown. In 2005, the Toongabbie Creek catchment area was rated as the highest polluting catchment out of the twenty-two catchments in Blacktown. Much of the creek is channeled in a concrete drain; and domestic garbage is often scattered along the creek's banks. Prior to April 2015, the creek was dammed at many places by fallen trees, and the rapids at Mons Road were not visible. The stagnant water in the dams was bubbly. After the rain in April 2015, which caused a flood that damaged infrastructure at Parramatta, most of the dead trees were cleaned away and the rocks at Mons Road are now exposed.\nToongabbie Creek is transversed by the Cumberland Highway; the Westlink M7 and M2 Hills Motorway at their interchange; and the Old Windsor Road.\nThe land adjacent to the Parramatta River and its tributaries, including the Toongabbie Creek, was occupied for many thousands of years by the Burramattagal, Toongagal, Wallumattagal, Wangal, and Wategora Aboriginal peoples. They used the river as an important source of food and a place for trade.\n\nSee also\nRivers of New South Wales\nPassage 20:\nDoubtful Creek\nDoubtful Creek, formerly known as Doubtful River, a watercourse that is part of the Murrumbidgee catchment within the Murray–Darling basin, is located in the Snowy Mountains district of New South Wales, Australia.\nThe river rises on the north western side of the Munyang Range in the Snowy Mountains at 1,660 metres (5,450 ft) and flows generally north west towards its confluence with the Tumut River at The Gulf Mine; descending 380 metres (1,250 ft) over its 15-kilometre (9.3 mi) course.\n\nSee also\nList of rivers of Australia\nRivers of New South Wales", "answers": ["Hunter River"], "length": 6320, "dataset": "musique", "language": "en", "all_classes": null, "_id": "517b237e011625d9c5ea0be465bdc9dcd38ef548cfd1a74e"}
|
| {"input": "What other recognition did the Oscar winner for Best Actor in 2006 receive?", "context": "Passage 1:\nList of actors nominated for two Academy Awards in the same year\nThe Academy of Motion Picture Arts and Sciences has had occurrences of actors nominated for two different Academy Awards in acting categories in a single year, with the first instance in 1938.\nProvided that they receive enough votes from the Academy in both categories to earn a nomination, there are no restrictions on male actors being nominated for both Best Actor and Best Supporting Actor or actresses being nominated for both Best Actress and Best Supporting Actress in any given year. The only two rules with regard to multiple nominations is that an actor or actress cannot receive multiple nominations for different performances in the same category (one nomination must be for a lead role and the other must be for a supporting role), and they cannot receive multiple nominations for the same performance. The second rule was introduced in 1944 after Barry Fitzgerald received a Best Actor nomination and a Best Supporting Actor nomination for his performance in Going My Way.As of 2022, 12 actors and actresses have been nominated for two different Academy Awards in the same year. The first was Fay Bainter, who received nominations for her performances in White Banners and Jezebel at the 11th Academy Awards. The most recent occurrence was the 92nd Academy Awards when Scarlett Johansson received (her first ever) nominations for Marriage Story and Jojo Rabbit. Seven of these actors and actresses received an Academy Award in one of the categories they were nominated in, but none have won two Academy Awards in the same year. Five did not receive an Academy Award in either category: Sigourney Weaver (nominations for Gorillas in the Mist and Working Girl), Emma Thompson (nominations for The Remains of the Day and In the Name of the Father), Julianne Moore (nominations for Far from Heaven and The Hours), Cate Blanchett (nominations for Elizabeth: The Golden Age and I'm Not There) and Johansson. Thompson is notable for not only her dual nominations, but also for being the only person to win Academy Awards for both acting and writing. In 1993, the only time to date, two actors were nominated in two categories each in a single year: Holly Hunter (for The Piano and The Firm) and Thompson (for The Remains of the Day and In the Name of the Father).\n\nNominees\nSee also\nList of actors nominated for Academy Awards for non-English performances\nPassage 2:\nFrançois Bégaudeau\nFrançois Bégaudeau (French pronunciation: [fʁɑ̃swa beɡodo]; born 27 April 1971) is a French writer, journalist, and actor. He is best known for co-writing and starring in Entre les murs (2008), a film based on his 2006 novel of the same name. The film won the Palme d'Or at the 2008 Cannes Film Festival and received an Academy Award nomination for Best Foreign Language Film in 2009.\n\nEarly life\nHe was born in Luçon, Vendée, France and was a member of the 1990s punk rock group Zabriskie Point. After receiving his degree in Literature, he taught high school in Dreux and in an inner city middle school in Paris.\n\nCareer\nBégaudeau published his first novel, Jouer juste in 2003. In 2005, he published Dans la diagonale and Un démocrate, Mick Jagger 1960-1969, a fictionalized account of the life of Mick Jagger. In 2006, his third novel entitled Entre les murs earned him the Prix France Culture/Télérama.Bégaudeau works as a movie critic for the French version of Playboy, having previously worked for the Cahiers du cinéma. He was also a regular contributor for several French magazines, including Inculte, Transfuge and So Foot. Since 2006, he has been a columnist for La Matinale and Le Cercle on Canal+ television.He worked on the screenplay for Entre les murs (2008), a film based on his 2006 novel of the same name, in collaboration with the film's director Laurent Cantet. Bégaudeau also starred as the lead in the film, which went on to win the Palme d'Or at the 2008 Cannes Film Festival. The film also earned an Academy Award nomination for Best Foreign Language Film in 2009, though it ultimately lost to Japan's Departures. The English-language version of Entre les murs was published in April 2009 by Seven Stories Press under the title The Class.\n\nWorks\nJouer juste, Éditions Verticales, 2003\nDans la diagonale, Éditions Verticales, 2005\nUn démocrate : Mick Jagger 1960-1969, Naïve Records, 2005\nEntre les murs, Éditions Verticales, 2006\nCollaboration for Débuter dans l'enseignement : Témoignages d'enseignants, conseils d'experts, ESF, 2006\nCollaboration for Devenirs du roman, Naïve Records, 2007\nCollaboration for Une année en France : Réferendum/banlieues/CPE, Gallimard, 2007\nFin de l'histoire, Éditions Verticales, 2007\nVers la Douceur, Éditions Verticales, 2009\nHistoire de ta bêtise, Éditions Fayard/Pauvert, 2019\nNotre Joie, Éditions Fayard/Pauvert, 2021\nPassage 3:\nList of actors with two or more Academy Awards in acting categories\nThe Academy of Motion Picture Arts and Sciences has given Academy Awards to actors and actresses for their performances in films since its inception. Throughout the history of the Academy Awards, there have been actors and actresses who have received multiple Academy Awards for Best Actor, Best Actress, Best Supporting Actor, or Best Supporting Actress. The only restriction is that actors cannot receive multiple nominations for the same performance. This rule was implemented after Barry Fitzgerald received a Best Actor and a Best Supporting Actor nomination for his performance in Going My Way.As of 2021, 44 actors and actresses have received two or more Academy Awards in acting categories. Katharine Hepburn leads the way with four (all Best Actress). Six have won exactly three acting Academy Awards: Daniel Day-Lewis (three Best Actor awards), Frances McDormand (three Best Actress awards), Meryl Streep (two Best Actress awards and one Best Supporting Actress award), Jack Nicholson (two Best Actor awards and one Best Supporting Actor award), Ingrid Bergman (two Best Actress awards and one Best Supporting Actress award), and Walter Brennan (three Best Supporting Actor awards). Brennan became the first to receive three or more Academy Awards (winning the third for a 1940 film), followed by Hepburn (1968), Bergman (1974), Nicholson (1997), Streep (2011), Day-Lewis (2012), and, most recently, McDormand (2020). Of the seven, only Nicholson, Streep, McDormand, and Day-Lewis are still living.\nWhile there is no restriction on a performer winning the Best Actor/Actress and Best Supporting Actor/Actress awards in the same year for two roles in two movies, this has yet to happen—although there have been occasions where performers have been nominated for both in the same year.\n\nList\n† = deceased\n\nSee also\nList of actors with two or more Academy Award nominations in acting categories\nList of actors nominated for Academy Awards for foreign language performances\nList of Academy Award records\nPassage 4:\nCharlie Wilson's War (film)\nCharlie Wilson's War is a 2007 American biographical comedy-drama film based on the story of U.S. Congressman Charlie Wilson and CIA operative Gust Avrakotos, whose efforts led to Operation Cyclone, a program to organize and support the Afghan mujahideen during the Soviet–Afghan War (1979–1989).\nThe film was directed by Mike Nichols (his final film) and written by Aaron Sorkin, who adapted George Crile III's 2003 book Charlie Wilson's War: The Extraordinary Story of the Largest Covert Operation in History. It stars Tom Hanks, Julia Roberts, and Philip Seymour Hoffman, with Amy Adams and Ned Beatty in supporting roles. It earned five nominations at the 65th Golden Globe Awards, including Best Motion Picture – Musical or Comedy, and Hoffman earned a Best Supporting Actor nomination at the 80th Academy Awards.\n\nPlot\nIn 1980, Congressman Charlie Wilson is more interested in partying than legislating, frequently throwing huge galas and staffing his congressional office with attractive young women. His social life eventually brings about a federal investigation into allegations of his cocaine use, conducted by federal prosecutor Rudy Giuliani as part of a larger investigation into congressional misconduct. The investigation results in no charge against Wilson.\nA friend and romantic interest, Joanne Herring, encourages Charlie to do more to help the Afghan people, and persuades him to visit the Pakistani leadership. The Pakistanis complain about the inadequate support of the U.S. to oppose the Soviet Union, and they insist that Wilson visit a major Pakistan-based Afghan refugee camp. The Congressman is deeply moved by their misery and determination to fight, but is frustrated by the regional CIA personnel's insistence on a low key approach against the Soviet occupation of Afghanistan. Wilson returns home to lead an effort to substantially increase funding to the mujahideen.\nAs part of this effort, Charlie befriends maverick CIA operative Gust Avrakotos and his understaffed Afghanistan group to find a better strategy, especially including a means to counter the Soviets' formidable Mil Mi-24 Hind helicopter gunship. This group was composed in part of members of the CIA's Special Activities Division, including a young paramilitary officer named Michael Vickers. As a result, Charlie's deft political bargaining for the necessary funding and Avrakotos' careful planning using those resources, such as supplying the guerrillas with FIM-92 Stinger missile launchers, turns the Soviet occupation into a deadly quagmire with their heavy fighting vehicles being destroyed at a crippling rate. Charlie enlists the support of Israel and Egypt for Soviet weapons and consumables, and Pakistan for distribution of arms. The CIA's anti-communism budget evolves from $5 million to over $500 million (with the same amount matched by Saudi Arabia), startling several congressmen. This effort by Charlie ultimately evolves into a major portion of the U.S. foreign policy known as the Reagan Doctrine, under which the U.S. expanded assistance beyond just the mujahideen and began also supporting other anti-communist resistance movements around the world. Charlie states that senior Pentagon official Michael Pillsbury persuaded President Ronald Reagan to provide the Stingers to the Afghans.\nGust vehemently advises Charlie to seek support for post-Soviet occupation Afghanistan, referencing the \ story of the lost horse. He also emphasizes that rehabilitating schools in the country will help educate young children before they are influenced by the \. Charlie attempts to appeal this with the government but finds no enthusiasm for even the modest measures he proposes. In the end, Charlie receives a major commendation for his support of the U.S. clandestine services, but his pride is tempered by his fears of the blowback his secret efforts could yield in the future and the implications of U.S. disengagement from Afghanistan.\n\nCast\nRelease and reception\nBox office\nThe film was originally set for release on December 25, 2007; but on November 30, the timetable was moved back to December 21. In its opening weekend, the film grossed $9.6 million in 2,575 theaters in the United States and Canada, ranking No. 4 at the box office. It grossed a total of $119 million worldwide—$66.7 million in the United States and Canada and $52.3 million in other territories.\n\nCritical reaction\nOn review aggregator Rotten Tomatoes, the film has an approval rating of 82% based on 205 reviews, with an average rating of 7.00/10. The site's critical consensus reads, \"Charlie Wilson's War manages to entertain and inform audiences, thanks to its witty script and talented cast of power players.\generally favorable reviews\A−\the first mass-appeal effort to reflect the most important lesson of America's Cold War victory: that the Reagan-led effort to support freedom fighters resisting Soviet oppression led successfully to the first major military defeat of the Soviet Union... Sending the Red Army packing from Afghanistan proved one of the single most important contributing factors in one of history's most profoundly positive and important developments.\We simply decided that the film would not make a profit.\The whole film shows Russians, or rather Soviets, as brutal killers.\lukewarm\the chance to produce what at least had the potential to be the Dr. Strangelove of our generation\I'm about to give you an NIE (National Intelligence Estimate) that shows the crazies are rolling into Kandahar.\" As he says this, the sound of jet airliners soar overhead, a premonition of the coming 9/11 attacks.\n\nGeorge Crile III, author of the book on which the film is based, wrote that the mujahideen's victory in Afghanistan ultimately opened a power vacuum for bin Laden: By the end of 1993, in Afghanistan itself there were no roads, no schools, just a destroyed country—and the United States was washing its hands of any responsibility. It was in this vacuum that the Taliban and Osama bin Laden would emerge as the dominant players. It is ironic that a man who had almost nothing to do with the victory over the Red Army, Osama bin Laden, would come to personify the power of the jihad.\nIn 2008, Canadian journalist Arthur Kent sued the makers of the film, claiming that they had used material he produced in the 1980s without obtaining the proper authorization. On September 19, 2008, Kent announced that he had reached a settlement with the film's producers and distributors, and that he was \"very pleased\" with the terms of the settlement, which remain confidential.\n\nAwards and nominations\nHome media\nThe film was released on DVD April 22, 2008, while a HD DVD/DVD combo was also made available\nPassage 5:\nHeureux Anniversaire\nHeureux Anniversaire (also known as Happy Anniversary) is a 1962 French short comedy film directed by Pierre Étaix. It won an Oscar in 1963 for Best Short Subject.\n\nCast\nRobert Blome\nPierre Étaix\nLucien Frégis\nLaurence Lignières\nGeorges Loriot\nIcan Paillaud\nNono Zammit\nPassage 6:\nBeyond the Hills\nBeyond the Hills (Romanian: După dealuri) is a 2012 Romanian drama film directed by Cristian Mungiu, starring Cristina Flutur and Cosmina Stratan. The narrative follows two young women at an Eastern Orthodox convent in Romania.\n\nPlot\nTwo Romanian orphaned young women, Voichița and Alina, visit a Romanian Orthodox convent during Lent, where Voichița tells Alina the altar includes an icon that grants wishes. Alina had been working in Germany, and the two girls were previously roommates at a children's home and had shared a physical relationship. The monastery is led by a 30-year-old Priest who speaks ill of declining faith in Western Europe, citing same-sex marriage, and forbids anyone outside of the faith from entering. He inquires about Alina to Voichița, who tells him Alina irregularly attends church and does not go to confession. They urge Alina to begin confessing. Alina hopes to sleep with Voichița, but Voichița tells her they must be cautious given it is Lent.\nSome time later after Alina has left the convent, Voichița retrieves her, but Voichița tells Alina she is now a nun, that she has chosen to be with God so she will never be alone, and her love of Alina is different from before. They return to the convent, but Alina asks Voichița that they escape together. After Voichița refuses, Alina attempts to jump down a well, but is restrained by the nuns and taken to the hospital. There, doctors restrain Alina to prevent her self-harm, after which they send her back to the convent to assist with recovery. There, the nuns read to Alina about sin. Alina begins a Black Fast, but when the Priest learns of this when Alina is not at the table, they see Alina is attempting to enter the altar to make a wish to the icon. The Priest admits the icon exists, but says entering the altar is a severe sin, and tells the nuns the Devil is in Alina and the convent.\nAlina remains tied down to a board with chains and towels. The nuns witness a worsening in her condition and take her back to the hospital. There, the hospital staff find Alina is dead on arrival, and observe the wounds on her wrists and ankles from the restraints. The staff tells the nuns this constitutes homicide and threatens to call the police and media. An officer investigates the convent. Seeing the board Alina was tied to, the officer interprets it as a cross. The officer also says forcible restraint leading to death is a homicide. The Priest denies criminal intent, saying the restraints were to prevent self-harm, and invoking the analogy of a parent's right to force children to take medicine, though the officer replies Alina was not a child and the Priest was not her guardian. The nuns also cite Alina's strength as mysterious, but Voichița says Alina studied martial arts. The police take the Priest and the nuns who tied up Alina away, with Voichița choosing to go with them.\n\nCast\nCosmina Stratan as Voichița\nCristina Flutur as Alina\nValeriu Andriuță as Priest\nDana Tapalagă as Mother superior\nCătălina Harabagiu as Antonia\nGina Țandură as nun Iustina\nVica Agache as nun Elisabeta\nNora Covali as Nun Pahomia\nDionisie Vitcu as Mr. Valerică\n\nProduction\nThe screenplay was inspired by two novels by the writer Tatiana Niculescu Bran, documenting the Tanacu exorcism, in which a young member of a monastery in Moldavia died in 2005 after an exorcism ritual. Mungiu was inspired to make the film after seeing the stage version in New York while promoting 4 Months, 3 Weeks and 2 Days.The film production was made through the director's company, Mobra Films. It also received production support from Belgium and France. It received €273,100 from Romania's National Centre for Cinema and €400,000 from Eurimages. Filming took place from November 2011 to February 2012.\n\nRelease\nThe film premiered in the main competition at the 2012 Cannes Film Festival, where it was screened on 19 May. At Cannes, Mungiu won the award for Best Screenplay, while Cristina Flutur and Cosmina Stratan shared the award for Best Actress. It was selected as the Romanian entry for the Best Foreign Language Oscar at the 85th Academy Awards, making the January shortlist. The film also won the Golden Ástor for Best Film at the 2012 Mar del Plata International Film Festival.\n\nCritical response\nDan Fainaru of Screen Daily wrote from Cannes: \Sight & Sound film magazine listed the film at #8 on its list of best films of 2012.\n\nSee also\nRomanian New Wave\nList of submissions to the 85th Academy Awards for Best Foreign Language Film\nList of Romanian submissions for the Academy Award for Best Foreign Language Film\nList of lesbian, gay, bisexual or transgender-related films of 2012\nPassage 7:\n78th Academy Awards\nThe 78th Academy Awards presented by the Academy of Motion Picture Arts and Sciences (AMPAS), took place on March 5, 2006, at the Kodak Theatre in Hollywood, Los Angeles beginning at 5:00 p.m. PST / 8:00 p.m. EST. The ceremony was scheduled one week later than usual to avoid a clash with the 2006 Winter Olympics. During the ceremony, AMPAS presented Academy Awards (commonly referred to as Oscars) in 24 categories honoring films released in 2005. The ceremony, televised in the United States by ABC, was produced by Gil Cates and directed by Louis J. Horvitz. Actor Jon Stewart hosted the show for the first time. Two weeks earlier in a ceremony at The Beverly Hilton in Beverly Hills, California held on February 18, the Academy Awards for Technical Achievement were presented by host Rachel McAdams.Crash won three awards, including Best Picture. Other winners included Brokeback Mountain, King Kong, and Memoirs of a Geisha with three awards and Capote, The Chronicles of Narnia: The Lion, the Witch and the Wardrobe, The Constant Gardener, Hustle & Flow, March of the Penguins, The Moon and the Son: An Imagined Conversation, A Note of Triumph: The Golden Age of Norman Corwin, Six Shooter, Syriana, Tsotsi, Walk the Line, and Wallace & Gromit: The Curse of the Were-Rabbit with one. The telecast garnered nearly 39 million viewers in the United States.\n\nWinners and nominees\nThe nominees for the 78th Academy Awards were announced on January 31, 2006, at the Samuel Goldwyn Theater in the Academy's Beverly Hills headquarters by Sid Ganis, president of the Academy, and actress Mira Sorvino. Brokeback Mountain earned the most nominations with eight total; Crash, Good Night, and Good Luck, and Memoirs of a Geisha tied for second with six nominations each. All five Best Picture nominees received corresponding Best Director nominations (the fourth occurrence in Oscar history since the Best Picture nominees roster was limited to five films).The winners were announced during the awards ceremony on March 5, 2006. Several notable achievements by multiple individuals and films occurred during the ceremony. Crash was the first Best Picture winner since 1976's Rocky to win only three Oscars. Best Director winner Ang Lee became the first non-Caucasian winner of that category. For this first time since the 34th ceremony held in 1962, all four acting winners were first-time nominees. At age 20, Keira Knightley was the second-youngest Best Actress nominee for her performance as Elizabeth Bennet in Pride & Prejudice. Best Supporting Actor winner George Clooney was the fifth person to receive acting, directing, and screenwriting nominations in the same year and the first person to achieve this feat for two different films. By virtue of his nominations for both Memoirs of a Geisha and Munich, composer John Williams earned a total of 45 nominations tying him with Alfred Newman as the second most nominated individual in Oscar history. \ became the second rap song to win Best Original Song and the first such song to be performed at an Oscars ceremony.\n\nAwards\nWinners are listed first, highlighted in boldface, and indicated with a double dagger (‡).\n\nAcademy Honorary Award\nRobert Altman — In recognition of a career that has repeatedly reinvented the art form and inspired filmmakers and audiences alike.\n\nFilms with multiple nominations and awards\nPresenters and performers\nThe following individuals presented awards or performed musical numbers.\n\nPresenters\nPerformers\nCeremony information\nDespite the negative reception from the preceding year's ceremony, the Academy rehired Gilbert Cates to oversee production of the awards gala. However, in an article published in The New York Times, it was stated that 2005 host Chris Rock would not return to host the show. According to a statement released by his publicist, \"He didn't want to do it in perpetuity, He'd like to do it again down the road.\" Furthermore, many media outlets speculated that several AMPAS members felt uncomfortable with Rock's disparaging comments about Colin Farrell, Jude Law, and Tobey Maguire. Initially, Cates sought actor and veteran Oscar host Billy Crystal to host the ceremony again. However, Crystal declined the offer citing his commitment to his one-man comedy show 700 Sundays.In January 2006, Cates announced that actor, comedian, and talk show host Jon Stewart, who had previously hosted two consecutive Grammy Awards ceremonies in 2001 and 2002, was chosen as host of the 2006 telecast. Cates explained the decision to hire him saying, \ In a statement, Stewart expressed that he was honored to be selected to emcee the program, jokingly adding, \Several other people and companies participated in the production of the ceremony. Bill Conti served as musical supervisor for the telecast. Media firm The Ant Farm produced a thirty-second trailer promoting the broadcast featuring clips highlighting past Oscar winners to the tune of the song \ by The Calling. Previous Oscar hosts such as Whoopi Goldberg and Steve Martin, and actors Mel Gibson, George Clooney, Halle Berry appeared in an opening comedic sketch. Actor Tom Hanks participated in a pre-taped comedic sketch lampooning Oscar speeches. Stephen Colbert (host of The Colbert Report, the sister program of Stewart's The Daily Show) narrated two different mock attack ads lampooning both the intense campaigning and lobbying during Oscar season put forth by film studios and political advertising during elections. Violinist Itzhak Perlman performed excerpts from the five nominees for Best Original Score.\n\nBox office performance of nominated films\nWhen the nominations were announced on January 31, the field of major nominees favored independent, low-budget films over blockbusters. The combined gross of the five Best Picture nominees when the Oscars were announced was $186 million with an average gross of $37.3 million per film. Crash was the highest earner among the Best Picture nominees with $53.4 million in domestic box office receipts. The film was followed by Brokeback Mountain ($51.7 million), Munich ($40.8 million), Good Night and Good Luck ($25.2 million), and finally Capote ($15.4 million).Of the top 50 grossing movies of the year, 35 nominations went to 13 films on the list. Only Walk the Line (19th), Cinderella Man (41st), Wallace and Gromit: The Curse of the Were-Rabbit (45th), and Crash (48th) were nominated for Best Picture, Best Animated Feature, or any of the directing, acting, or screenwriting. The other top 50 box office hits that earned nominations were Star Wars Episode III: Revenge of the Sith (1st), Harry Potter and the Goblet of Fire (2nd), The Chronicles of Narnia: The Lion, The Witch, and The Wardrobe (3rd), War of the Worlds (4th), King Kong (5th), Charlie and the Chocolate Factory (7th), Batman Begins (8th), March of the Penguins, (26th), and Memoirs of a Geisha (47th).\n\nCritical reviews\nSome media outlets received the broadcast positively. St. Louis Post-Dispatch television critic Gail Pennington praised Stewart's performance as host writing that he \ Film critic Roger Ebert said that Stewart was \ and added, \ Columnist Ray Richmond of The Hollywood Reporter commented, \Others media publications were more critical of the show. Television critic Rob Owen of the Pittsburgh Post-Gazette wrote that Stewart was more \. He added, \ Tom Shales from The Washington Post commented, \ Moreover, he derided the \ writing that it \ of the ceremony. Associated Press television critic Frazier Moore remarked, \ He also criticized the decision to play music over the winner's acceptance speeches calling it \"distracting and obnoxious.\"\n\nRatings and reception\nThe American telecast on ABC drew in an average of 38.94 million people over its length, which was an 8% decrease from the previous year's ceremony. Additionally, the show earned lower Nielsen ratings compared to the previous ceremony with 23.0% of households watching over a 35 share. Furthermore, it garnered a lower 18–49 demo rating with a 13.9 rating among viewers in that demographic.In July 2006, the ceremony presentation received nine nominations at the 58th Primetime Emmys. The following month, the ceremony won four of those nominations for Outstanding Art Direction (Roy Christopher and Jeff Richman), Outstanding Directing for a Variety, Music, or Comedy Program (Louis J. Horvitz), Outstanding Main Title Design (Renato Grgic, Alen Petkovic, Kristijan Petrovic, and Jon Teschner), and Outstanding Sound Mixing For A Variety, Music, or Animation Series or Special (Patrick Baltzell, Robert Douglass, Edward J. Greene, Jamie Santos, and Tom Vicari).\n\nIn Memoriam\nThe annual In Memoriam tribute was presented by actor George Clooney. The montage featured an excerpt of the theme from Now, Voyager composed by Max Steiner.\n\nSee also\n12th Screen Actors Guild Awards\n26th Golden Raspberry Awards\n48th Grammy Awards\n58th Primetime Emmy Awards\n59th British Academy Film Awards\n60th Tony Awards\n63rd Golden Globe Awards\nList of submissions to the 78th Academy Awards for Best Foreign Language Film\n\nNotes\na^ : Walt Disney has the most Oscar nominations for any individual with 64.\nb^ : Best Foreign Language Film nominee Paradise Now was initially nominated as a submission from Palestine. However, following protests from pro-Israeli groups in the United States, the Academy decided to designate it as a submission from the Palestinian Authority, a move that was decried by the film's director Hany Abu-Assad. During the awards ceremony, the film was eventually announced by presenter Will Smith as a submission from the Palestinian territories.\nPassage 8:\nFiddler on the Roof\nFiddler on the Roof is a musical with music by Jerry Bock, lyrics by Sheldon Harnick, and book by Joseph Stein, set in the Pale of Settlement of Imperial Russia in or around 1905. It is based on Tevye and his Daughters (or Tevye the Dairyman) and other tales by Sholem Aleichem. The story centers on Tevye, a milkman in the village of Anatevka, who attempts to maintain his Jewish religious and cultural traditions as outside influences encroach upon his family's lives. He must cope with the strong-willed actions of his three older daughters who wish to marry for love; their choices of husbands are successively less palatable for Tevye. An edict of the tsar eventually evicts the Jews from their village.\nThe original Broadway production of the show, which opened in 1964, had the first musical theatre run in history to surpass 3,000 performances. Fiddler held the record for the longest-running Broadway musical for almost 10 years until Grease surpassed its run. The production was extraordinarily profitable and highly acclaimed. It won nine Tony Awards, including best musical, score, book, direction and choreography. It spawned five Broadway revivals and a highly successful 1971 film adaptation and has enjoyed enduring international popularity. It has also been a popular choice for school and community productions.\n\nBackground\nFiddler on the Roof is based on Tevye (or Tevye the Dairyman) and his Daughters, a series of stories by Sholem Aleichem that he wrote in Yiddish between 1894 and 1914 about Jewish life in a village in the Pale of Settlement of Imperial Russia at the turn of the 20th century. The stories are based on Aleichem's own upbringing near modern-day Kyiv (fictionalized as Yehupetz). It is also influenced by Life is with People, by Mark Zborowski and Elizabeth Herzog. Aleichem wrote a dramatic adaptation of the stories that he left unfinished at his death, but which was produced in Yiddish in 1919 by the Yiddish Art Theater and made into a film in the 1930s. In the late 1950s, a musical based on the stories, called Tevye and his Daughters, was produced off-Broadway by Arnold Perl. Rodgers and Hammerstein and then Mike Todd briefly considered bringing this musical to Broadway but dropped the idea.\n\nInvestors and some in the media worried that Fiddler on the Roof might be considered \"too Jewish\" to attract mainstream audiences. Other critics considered that it was too culturally sanitized, \"middlebrow\" and superficial; Philip Roth, writing in The New Yorker, called it shtetl kitsch. For example, it portrays the local Russian officer as sympathetic, instead of brutal and cruel, as Sholom Aleichem had described him. Aleichem's stories ended with Tevye alone, his wife dead and his daughters scattered; at the end of Fiddler, the family members are alive, and most are emigrating together to America. The show found the right balance for its time, even if not entirely authentic, to become \. Harold Prince replaced the original producer Fred Coe and brought in director/choreographer Jerome Robbins. The writers and Robbins considered naming the musical Tevye, before landing on a title suggested by various paintings by Marc Chagall (Green Violinist (1924), Le Mort (1924), The Fiddler (1912)) that also inspired the original set design. Contrary to popular belief, the \.During rehearsals, one of the stars, Jewish actor Zero Mostel, feuded with Robbins, whom he held in contempt, because Robbins had testified before the House Un-American Activities Committee and hid his Jewish heritage from the public. Other cast members also had run-ins with Robbins, who reportedly \.\n\nSynopsis\nAct I\nTevye, a poor Jewish milkman with five daughters, explains the customs of the Jews in the Russian shtetl of Anatevka in 1905, where their lives are as precarious as the perch of a fiddler on a roof (\). At Tevye's home, everyone is busy preparing for the Sabbath meal. His sharp-tongued wife, Golde, orders their daughters, Tzeitel, Hodel, Chava, Shprintze and Bielke, about their tasks. Yente, the village matchmaker, arrives to tell Golde that Lazar Wolf, the wealthy butcher, a widower older than Tevye, wants to wed Tzeitel, the eldest daughter. The next two daughters, Hodel and Chava, are excited about Yente's visit, but Tzeitel illustrates how it could have bad results (\). A girl from a poor family must take whatever husband Yente brings, but Tzeitel wants to marry her childhood friend, Motel the tailor.\nTevye is delivering milk, pulling the cart himself, as his horse is lame. He asks God: Whom would it hurt \? The bookseller tells Tevye news from the outside world of pogroms and expulsions. A stranger, Perchik, hears their conversation and scolds them for doing nothing more than talk. The men dismiss Perchik as a radical, but Tevye invites him home for the Sabbath meal and offers him food and a room in exchange for tutoring his two youngest daughters. Golde tells Tevye to meet Lazar after the Sabbath but does not tell him why, knowing that Tevye does not like Lazar. Tzeitel is afraid that Yente will find her a husband before Motel asks Tevye for her hand. But Motel resists: he is afraid of Tevye's temper, and tradition says that a matchmaker arranges marriages. Motel is also very poor and is saving up to buy a sewing machine before he approaches Tevye, to show that he can support a wife. The family gathers for the \"Sabbath Prayer\".\nAfter the Sabbath, Tevye meets Lazar for a drink at the village inn, assuming mistakenly that Lazar wants to buy his cow. Once the misunderstanding is cleared up, Tevye agrees to let Lazar marry Tzeitel – with a rich butcher, his daughter will never want for anything. All join in the celebration of Lazar's good fortune; even the Russian youths at the inn join in the celebration and show off their dancing skills (\). Outside the inn, Tevye happens upon the Russian Constable, who has jurisdiction over the Jews in the town. The Constable warns him that there is going to be a \ in the coming weeks (a euphemism for a minor pogrom). The Constable has sympathy for the Jewish community but is powerless to prevent the violence.\nThe next morning, after Perchik's lessons with the younger sisters, Tevye's second daughter Hodel mocks Perchik's Marxist interpretation of a Bible story. He, in turn, criticizes her for hanging on to the old traditions of Judaism, noting that the world is changing. To illustrate this, he dances with her, defying the prohibition against opposite sexes dancing together. The two begin to fall in love. Later, a hungover Tevye announces that he has agreed that Tzeitel will marry Lazar Wolf. Golde is overjoyed, but Tzeitel is devastated and begs Tevye not to force her. Motel arrives and tells Tevye that he is the perfect match for Tzeitel and that he and Tzeitel gave each other a pledge to marry. He promises that Tzeitel will not starve as his wife. Tevye is stunned and outraged at this breach of tradition, but impressed at the timid tailor's display of backbone. After some soul-searching (\), Tevye agrees to let them marry, but he worries about how to break the news to Golde. An overjoyed Motel celebrates with Tzeitel (\).\nIn bed with Golde, Tevye pretends to be waking from a nightmare. Golde offers to interpret his dream, and Tevye \ it (\). Golde's grandmother Tzeitel returns from the grave to bless the marriage of her namesake, but to Motel, not to Lazar Wolf. Lazar's formidable late wife, Fruma-Sarah (\ is a Yiddish word for a devout Jew), rises from her grave to warn, in graphic terms, of severe retribution if Tzeitel marries Lazar. The superstitious Golde is terrified, and she quickly counsels that Tzeitel must marry Motel. While returning from town, Tevye's third daughter, the bookish Chava, is teased and intimidated by some gentile youths. One, Fyedka, protects her, dismissing the others. He offers Chava the loan of a book, and a secret relationship begins.\nThe wedding day of Tzeitel and Motel arrives, and all the Jews join the ceremony (\"Sunrise, Sunset\") and the celebration (\"The Wedding Dance\"). Lazar gives a fine gift, but an argument arises with Tevye over the broken agreement. Perchik ends the tiff by breaking another tradition: he crosses the barrier between the men and women to dance with Tevye's daughter Hodel. The celebration ends abruptly when a group of Russians rides into the village to perform the \. They disrupt the party, damaging the wedding gifts and wounding Perchik, who attempts to fight back, and wreak more destruction in the village. Tevye instructs his family to clean up the mess.\n\nAct II\nMonths later, Perchik tells Hodel he must return to Kyiv to work for the revolution. He proposes marriage, admitting that he loves her, and says that he will send for her. She agrees (\). They tell Tevye that they are engaged, and he is appalled that they are flouting tradition by making their own match, especially as Perchik is leaving. When he forbids the marriage, Perchik and Hodel inform him that they do not seek his permission, only his blessing. After more soul searching, Tevye relents – the world is changing, and he must change with it (\). He informs the young couple that he gives them his blessing and his permission.\nTevye explains these events to an astonished Golde. \, he says, \ Tevye asks Golde, despite their own arranged marriage, \ After dismissing Tevye's question as foolish, she eventually admits that, after 25 years of living and struggling together and raising five daughters, she does. Meanwhile, Yente tells Tzeitel that she saw Chava with Fyedka. News spreads quickly in Anatevka that Perchik has been arrested and exiled to Siberia (\"The Rumor/I Just Heard\"), and Hodel is determined to join him there. At the railway station, she explains to her father that her home is with her beloved, wherever he may be, although she will always love her family (\"Far From the Home I Love\").\nTime passes. Motel has purchased a used sewing machine, and he and Tzeitel have had a baby. Chava finally gathers the courage to ask Tevye to allow her marriage to Fyedka. Again Tevye reaches deep into his soul, but marriage outside the Jewish faith is a line he will not cross. He forbids Chava to speak to Fyedka again. When Golde brings news that Chava has eloped with Fyedka, Tevye wonders where he went wrong (\"Chavaleh Sequence\"). Chava returns and tries to reason with him, but he refuses to speak to her and tells the rest of the family to consider her dead. Meanwhile, rumors are spreading of the Russians expelling Jews from their villages. While the villagers are gathered, the Constable arrives to tell everyone that they have three days to pack up and leave the town. In shock, they reminisce about \"Anatevka\" and how hard it will be to leave what has been their home for so long.\nAs the Jews leave Anatevka, Chava and Fyedka stop to tell her family that they are also leaving for Kraków, unwilling to remain among the people who could do such things to others. Tevye still will not talk to her, but when Tzeitel says goodbye to Chava, Tevye prompts her to add \"God be with you.\" Motel and Tzeitel go to Poland as well but will join the rest of the family when they have saved up enough money. As Tevye, Golde and their two youngest daughters leave the village for America, the fiddler begins to play. Tevye beckons with a nod, and the fiddler follows them out of the village.\n\nMusical numbers\nPrincipal characters\nAll of the characters are Jewish, except as noted:\nTevye, a poor milkman with five daughters. A firm supporter of the traditions of his faith, he finds many of his convictions tested by the actions of his three oldest daughters.\nGolde, Tevye's sharp-tongued wife.\nTzeitel, their oldest daughter, about nineteen. She loves her childhood friend Motel and marries him, even though he's poor, begging her father not to force her to marry Lazar Wolf.\nHodel, their daughter, about seventeen. Intelligent and spirited, she falls in love with Perchik and later joins him in Siberia.\nChava, their daughter, about fifteen. A shy and bookish girl, who falls in love with Fyedka.\nMotel Kamzoil, a poor but hardworking tailor who loves, and later marries, Tzeitel.\nPerchik, a student revolutionary who comes to Anatevka and falls in love with Hodel. He leaves for Kyiv, is arrested and exiled to Siberia.\nFyedka, a young Christian. He shares Chava's passion for reading and is outraged by the Russians' treatment of the Jews.\nLazar Wolf, the wealthy village butcher. Widower of Fruma-Sarah. Attempts to arrange a marriage for himself to Tzeitel.\nYente, the gossipy village matchmaker who matches Tzeitel and Lazar.\nGrandma Tzeitel, Golde's dead grandmother, who rises from the grave in Tevye's \"nightmare\".\nFruma-Sarah, Lazar Wolf's dead wife, who also rises from the grave in the \.\nRabbi, the wise village leader.\nConstable, the head of the local Russian police, a Christian.\n\nCasts\nNotable replacements\nBroadway (1964–72)Tevye: Luther Adler, Herschel Bernardi, Harry Goz, Paul Lipson\nGolde: Maria Karnilova, Peg Murray, Martha Schlamme, Dolores Wilson\nTzeitel: Rosalind Harris, Joanna Merlin, Bette Midler\nLazar Wolf: Paul LipsonBroadway revival (2004–06)Tevye: Harvey Fierstein\nGolde: Andrea Martin, Rosie O'Donnell\nYente: Barbara BarrieBroadway revival (2015–16)Golde: Judy Kuhn\n\nProductions\nOriginal productions\nFollowing its tryout at Detroit's Fisher Theatre in July and August 1964, then Washington in August to September, the original Broadway production opened on September 22, 1964, at the Imperial Theatre, transferred in 1967 to the Majestic Theatre and in 1970 to the Broadway Theatre, and ran for a record-setting total of 3,242 performances. The production was directed and choreographed by Jerome Robbins – his last original Broadway staging. The set, designed in the style of Marc Chagall's paintings, was by Boris Aronson. A colorful logo for the production, also inspired by Chagall's work, was designed by Tom Morrow. Chagall reportedly did not like the musical.The cast included Zero Mostel as Tevye the milkman, Maria Karnilova as his wife Golde (both won a Tony for their performances), Beatrice Arthur as Yente the matchmaker, Austin Pendleton as Motel, Bert Convy as Perchik the student revolutionary, Gino Conforti as the fiddler, and Julia Migenes as Hodel. Mostel ad-libbed increasingly as the run went on, \. Joanna Merlin originated the role of Tzeitel, which was later assumed by Bette Midler during the original run. Carol Sawyer was Fruma Sarah, Adrienne Barbeau took a turn as Hodel, and Pia Zadora played the youngest daughter, Bielke. Both Peg Murray and Dolores Wilson made extended appearances as Golde, while other stage actors who have played Tevye include Herschel Bernardi, Theodore Bikel and Harry Goz (in the original Broadway run), and Leonard Nimoy. Mostel's understudy in the original production, Paul Lipson, went on to appear as Tevye in more performances than any other actor (until Chaim Topol), clocking over 2,000 performances in the role in the original run and several revivals. Florence Stanley took over the role of Yente nine months into the run. The production earned $1,574 for every dollar invested in it. It was nominated for ten Tony Awards, winning nine, including Best Musical, score, book, direction and choreography, and acting awards for Mostel and Karnilova.The original London West End production opened on February 16, 1967, at Her Majesty's Theatre and played for 2,030 performances. It starred Topol as Tevye, a role he had previously played in Tel Aviv, and Miriam Karlin as Golde. Alfie Bass, Lex Goudsmit and Barry Martin eventually took over as Tevye. Topol later played Tevye in the 1971 film adaptation, for which he was nominated for an Academy Award, and in several revivals over the next four decades. The show was revived in London for short seasons in 1983 at the Apollo Victoria Theatre and in 1994 at the London Palladium.\n\nBroadway revivals\nThe first Broadway revival opened on December 28, 1976, and ran for 176 performances at the Winter Garden Theatre. Zero Mostel starred as Tevye. Robbins directed and choreographed. A second Broadway revival opened on July 9, 1981, and played for a limited run (53 performances) at Lincoln Center's New York State Theater. It starred Herschel Bernardi as Tevye and Karnilova as Golde. Other cast members included Liz Larsen, Fyvush Finkel, Lawrence Leritz and Paul Lipson. Robbins directed and choreographed. The third Broadway revival opened on November 18, 1990, and ran for 241 performances at the George Gershwin Theatre. Topol starred as Tevye, and Marcia Lewis was Golde. Robbins' production was reproduced by Ruth Mitchell and choreographer Sammy Dallas Bayes. The production won the Tony Award for Best Revival.\nA fourth Broadway revival opened on February 26, 2004, and ran for 36 previews and 781 performances at the Minskoff Theatre. Alfred Molina, and later Harvey Fierstein, starred as Tevye, and Randy Graff, and later Andrea Martin and Rosie O'Donnell, was Golde. Barbara Barrie and later Nancy Opel played Yente, Laura Michelle Kelly played Hodel and Lea Michele played Sprintze. It was directed by David Leveaux. This production replaced Yente's song \ with a song for Yente and two other women called \. The production was nominated for six Tonys but did not win any. In June 2014, to celebrate the show's 50th anniversary, a gala celebration and reunion was held at the Town Hall in New York City to benefit National Yiddish Theatre Folksbiene, with appearances by many of the cast members of the various Broadway productions and the 1971 film, as well as Sheldon Harnick, Chita Rivera, Karen Ziemba, Joshua Bell, Jerry Zaks and others.The fifth Broadway revival began previews on November 20 and opened on December 20, 2015, at the Broadway Theatre, with concept and choreography based on the original by Robbins. Bartlett Sher directed, and Hofesh Shechter choreographed. The cast starred Danny Burstein as Tevye, with Jessica Hecht as Golde, Alexandra Silber as Tzeitel, Adam Kantor as Motel, Ben Rappaport as Perchik, Samantha Massell as Hodel and Melanie Moore as Chava. Judy Kuhn replaced Hecht as Golde on November 22, 2016, for the last five weeks of the run. Designers include Michael Yeargan (sets), Catherine Zuber (costumes) and Donald Holder (lighting). Initial reviews were mostly positive, finding Burstein and the show touching. The production was nominated for three Tony Awards but won none. It closed on December 31, 2016, after 463 performances. The U.S./Canadian tour of the Sher-directed production began in 2018 and was interrupted in March 2020 by the COVID-19 pandemic; it resumed in 2021 and continued into 2023. The role of Tevye has been played by Yehezkel Lazarov into 2022, Danny Arnold then assumed the role for several months, and the last months are being played by Jonathan Hashmonay.\n\nLondon revivals\nFiddler was first revived in London in 1983 at the Apollo Victoria Theatre (a four-month season starring Topol) and again in 1994 at the London Palladium for two months and then on tour, again starring Topol, and directed and choreographed by Sammy Dallas Bayes, recreating the Robbins production.After a two-month tryout at the Crucible Theatre in Sheffield, England, a London revival opened on May 19, 2007, at the Savoy Theatre starring Henry Goodman as Tevye, Beverley Klein as Golde, Alexandra Silber as Hodel, Damian Humbley as Perchik and Victor McGuire as Lazar Wolf. The production was directed by Lindsay Posner. Robbins' choreography was recreated by Sammy Dallas Bayes (who did the same for the 1990 Broadway revival), with additional choreography by Kate Flatt.A revival played at the Menier Chocolate Factory from November 23, 2018, until March 9, 2019, directed by Trevor Nunn and starring Andy Nyman as Tevye and Judy Kuhn as Golde. The production transferred to the Playhouse Theatre in the West End on March 21, 2019, with an official opening on March 27. Replacement players included Maria Friedman as Golde and Anita Dobson as Yente. The run closed on November 2, 2019.\n\nOther UK productions\nA 2003 national tour played for seven months, with a radical design, directed by Julian Woolford and choreographed by Chris Hocking. The production's minimalist set and costumes were monochromatic, and Fruma-Sarah was represented by a 12-foot puppet. This production was revived in 2008 starring Joe McGann.The show toured the UK again in 2013 and 2014 starring Paul Michael Glaser as Tevye with direction and choreography by Craig Revel Horwood.A revival played at Chichester Festival Theatre from July 10 to September 2, 2017, directed by Daniel Evans and starring Omid Djalili as Tevye and Tracy-Ann Oberman as Golde.\n\nAustralian productions\nThe original Australian production opened on June 16, 1967, at Her Majesty's Theatre in Sydney. It starred Hayes Gordon as Tevye and Brigid Lenihan as Golde. The production ran for two years. The first professional revival tour was staged by the Australian Opera in 1984 with Gordon again playing Tevye. A young Anthony Warlow played Fyedka.In 1998, 2005, 2006 and 2007, Topol recreated his role as Tevye in Australian productions, with seasons in Sydney, Brisbane, Melbourne, Perth, Wellington and Auckland. The musical was again revived in Melbourne and Sydney in 2015–2016 with Anthony Warlow as Tevye, Sigrid Thornton as Golde and Lior as Motel.\n\nOther notable North American productions\nTopol in 'Fiddler on the Roof': The Farewell Tour opened on January 20, 2009, in Wilmington, Delaware. Topol left the tour in November 2009 due to torn muscles. He was replaced by Harvey Fierstein and Theodore Bikel. The cast included Mary Stout, Susan Cella, Bill Nolte, Erik Liberman, Rena Strober, and Stephen Lee Anderson.National Yiddish Theatre Folksbiene mounted a Yiddish adaptation, Fidler Afn Dakh, at the Museum of Jewish Heritage in New York City, under the direction of Joel Grey, with a translation by Shraga Friedman that was first used in a 1965 Israeli production. The cast included Jackie Hoffman as Yente, Steven Skybell as Tevye, Daniel Kahn as Pertshik, Stephanie Lynne Mason as Hodel and Raquel Nobile as Shprintze. Previews began on July 4, and opening night was July 15, 2018. The production played through the end of that year. It then transferred to Stage 42, an off-Broadway theatre, with Skybell, Hoffman, Mason and Nobile reprising their roles. Previews began February 11, with opening night on February 21, 2019. Musical staging was by Staś Kmieć (based on the original choreography by Robbins), with set design by Beowulf Boritt, costumes by Ann Hould-Ward, sound by Dan Moses Schreier and lighting by Peter Kaczorowski. The production closed on January 5, 2020. It won the 2019 Drama Desk Award for Outstanding Revival of a Musical.\n\nInternational and amateur productions\nThe musical was an international hit, with early productions playing throughout Europe, in South America, Africa and Australia; 100 different productions were mounted in the former West Germany in the first three decades after the musical's premiere, and within five years after the collapse of the Berlin Wall, 23 productions were staged in the former East Germany; and it was the longest-running musical ever seen in Tokyo. According to BroadwayWorld, the musical has been staged \"in every metropolitan city in the world from Paris to Beijing.\"A Hebrew language staging was produced in Tel Aviv by the Israeli impresario Giora Godik in the 1960s. This version was so successful that in 1965 Godik produced a Yiddish version translated by Shraga Friedman. A 2008 Hebrew-language production ran at the Cameri Theatre in Tel Aviv for more than six years. It was directed by Rabbi Moshe Kepten, choreographed by Dennis Courtney and starred Natan Datner.Un violon sur le toît was produced in French at Paris's théâtre Marigny from November 1969 to May 1970, resuming from September to January 1971 (a total of 292 performances) with Ivan Rebroff as Tevye and Maria Murano as Golde. Another adaptation was produced in 2005 at the théâtre Comédia in Paris with Franck Vincent as Tevye and Isabelle Ferron as Golde. The Stratford Shakespeare Festival produced the musical from April to October 2013 at the Festival Theatre directed and choreographed by Donna Feore. It starred Scott Wentworth as Tevye. An Italian version, Il violinista sul tetto, with lyrics sung in Yiddish and the orchestra on stage also serving as chorus, was given a touring production in 2004, with Moni Ovadia as Tevye and director; it opened at Teatro Municipale Valli in Reggio Emilia.The musical receives about 500 amateur productions a year in the US alone.\n\nFilm adaptations and recordings\nA film version was released by United Artists in 1971, directed and produced by Norman Jewison, and Stein adapted his own book for the screenplay. Chaim Topol starred. The film received mostly positive reviews from film critics and became the highest-grossing film of 1971. Fiddler received eight Oscar nominations, including Best Picture, Best Director for Jewison, Best Actor in a Leading Role for Topol, and Best Actor in a Supporting Role for Leonard Frey (as Motel; in the original Broadway production, Frey was the rabbi's son). It won three, including best score/adaptation for arranger-conductor John Williams.In the film version, the character of Yente is reduced, and Perchik's song to Hodel \ is cut and replaced by a scene in Kyiv. The \ of the original Broadway production was exchanged for a grittier, more realistic depiction of the village of Anatevka.Theatre historian John Kenrick wrote that the original Broadway cast album released by RCA Victor in 1964, \, praising the cast. The remastered CD includes two recordings not on the original album, the bottle dance from the wedding scene and \ performed by Beatrice Arthur. In 2020, the recording was selected by the Library of Congress for preservation in the National Recording Registry for being \. Kenrick writes that while the original Broadway cast version is the clear first choice among recordings of this musical, he also likes the Columbia Records studio cast album with Bernardi as Tevye; the film soundtrack, although he feels that the pace drags a bit; and some of the numerous foreign versions, including the Israeli, German and Japanese casts.Metro-Goldwyn-Mayer and producers Dan Jinks and Aaron Harnick are planning a new film adaptation of the musical, with Thomas Kail directing and co-producing, and Steven Levenson penning the screenplay.\n\nCultural influence\nThe musical's popularity has led to numerous references in popular media and elsewhere. A documentary film about the musical's history and legacy, Fiddler: A Miracle of Miracles, was released in 2019.\n\nParodies\nParodies relating to the show have included Antenna on the Roof (Mad magazine #156, January 1973), which speculated about the lives of Tevye's descendants living in an assimilated 1970s suburban America. In the film Mrs. Doubtfire (1993), Robin Williams parodies \"Matchmaker\". In a 1994 Animaniacs parody, Pigeon on the Roof, the Goodfeathers decide to marry their girlfriends; song parodies include \"Scorsese\" (\"Tradition\"), \"Egg Hatcher\" (\"Matchmaker\") and others. In 2001, the H. P. Lovecraft Historical Society published a musical theatre and album parody called A Shoggoth on the Roof, which sets music from Fiddler to a story based on the works of H. P. Lovecraft. Spanish comedian and TV-host Jose Mota parodied \"If I Were a Rich Man\" with the song \"Si no fuera rico\" (\"If I weren't a rich man\Jews and Chinese Food\Fiddler on the Chair\When You Wish Upon a Weinstein\If I were a Rich Man\The Rosie Show\Competitive Wine Tasting\It's Hard to Be Jewish in Russia, Yo\". Chabad.org kicked off their 2008 \"To Life\" telethon with a pastiche of the fiddle solo and bottle dance from the musical.Broadway references have included Spamalot, where a \"Grail dance\" sends up the \"bottle dance\" in Fiddler's wedding scene. In 2001, Chicago's Improv Olympic produced a well-received parody, \"The Roof Is on Fiddler\", that used most of the original book of the musical but replaced the songs with 1980s pop songs. The original Broadway cast of the musical Avenue Q and the Broadway 2004 revival cast of Fiddler on the Roof collaborated for a Broadway Cares/Equity Fights AIDS benefit and produced an approximately 10-minute-long show, \"Avenue Jew\", that incorporated characters from both shows, including puppets.\n\nCovers\nSongs from the musical have been covered by notable artists. For example, in 1964, jazz saxophonist Cannonball Adderley recorded the album Fiddler on the Roof, which featured jazz arrangements of eight songs from the musical. In a retrospective review AllMusic awarded the album 4 stars, stating, \"Cannonball plays near his peak; this is certainly the finest album by this particular sextet\". That same year, Eydie Gormé released a single of \"Matchmaker\", and jazz guitarist Wes Montgomery recorded the same tune for his album Movin' Wes.In 1999, Knitting Factory Records released Knitting on the Roof, a compilation CD featuring covers of Fiddler songs by indie and experimental bands such as the Residents, Negativland, and the Magnetic Fields. Indie rock band Bright Eyes recorded an adaptation of \ on their 2000 album Fevers and Mirrors. Allmusic gave the album a favorable review, and the online music magazine Pitchfork Media ranked it at number 170 on their list of top 200 albums of the 2000s. In 2005, Melbourne punk band Yidcore released a reworking of the entire show called Fiddling on Ya Roof.Gwen Stefani and Eve covered \ as \ for Stefani's 2004 debut solo album Love. Angel. Music. Baby. in 2004. The song was inspired by the 1993 British Louchie Lou & Michie One ragga version of the same name. Stefani's version reached #7 on the Billboard Hot 100 chart, where it remained for over six months. It was certified gold by the RIAA and nominated for a Grammy Award for Best Rap/Sung Collaboration. It was also covered in 2008 and 2009 by the Capitol Steps, poking fun at Illinois politics, especially then-Governor Rod Blagojevich. The Santa Clara Vanguard Drum and Bugle Corps performs the \ from Fiddler as a \, including at the Drum Corps International World Championships.\n\nOther\nThe song \ is often played at weddings, and in 2011 Sheldon Harnick wrote two versions of the song, suitable for same-sex weddings, with minor word changes. For example, for male couples, changes include \.In 2015 a displaced persons camp southwest of Kyiv named Anatevka was built by Chabad Rabbi Moshe Azman to house the Jews fleeing the 2014 Russian invasion of Ukraine.\n\nAwards\nFiddler's original Broadway production in 1964 was nominated for ten Tony Awards, winning nine, including Best Musical, score, and book, and Robbins won for best direction and choreography. Mostel and Karnilova won as best leading actor and best featured actress. In 1972, the show won a special Tony on becoming the longest-running musical in Broadway history.\nIts revivals have also been honored. At the 1981 Tony Awards, Bernardi was nominated as best actor. Ten years later, the 1991 revival won for best revival, and Topol was nominated as best actor. The 2004 revival was nominated for six Tony Awards and three Drama Desk Awards but won none. The 2007 West End revival was nominated for Olivier Awards for best revival, and Goodman was nominated as best actor. The 2019 West End revival won the Olivier Award for best revival, and it received a further 7 nominations.\n\nNotes\nPassage 9:\n45 Years\n45 Years is a 2015 British romantic drama film directed and written by Andrew Haigh. The film is based on the short story \"In Another Country\" by David Constantine. The film premiered in the main competition section of the 65th Berlin International Film Festival. Charlotte Rampling won the Silver Bear for Best Actress and Tom Courtenay won the Silver Bear for Best Actor. At the 88th Academy Awards, Rampling received a nomination for Best Actress in a Leading Role.It was selected to be screened in the Special Presentations section of the 2015 Toronto International Film Festival and also screened at the 2015 Telluride Festival. It was released in the United Kingdom on 28 August 2015. The film was released in the United States by Sundance Selects on 23 December 2015.\n\nPlot\nFive years after retirees Kate and Geoff Mercer had to cancel their 40th wedding anniversary because of his heart bypass surgery, the comfortably-off, childless Norfolk couple are preparing to celebrate their 45th anniversary with dozens of friends at the Assembly House in Norwich. Their morning is somewhat disturbed when Geoff opens a letter telling him that the body of Katya, his German lover in the early 1960s, has become visible in a melting glacier where she fell into a crevasse on their hike in Switzerland over five decades ago.\nKate has been told about Katya previously by Geoff and seems initially unconcerned by his controlled disquiet. Geoff tells Kate that he and Katya had pretended to be married in order to be able to share a room in the more puritanical early 1960s. Because of this, the Swiss authorities consider him to be Katya's next of kin.\nAs the days pass and preparations for the party continue, Geoff continues to be moody and starts smoking again. One night, Geoff climbs into the attic to look at his memorabilia of Katya and only reluctantly shows a picture of her to an angrily insistent Kate. Kate notices that Katya appears to look much like Kate did when she was young, with similar dark hair.\nWhile Geoff is out at a reunion luncheon at his former workplace, Kate climbs the ladder to the attic. She finds Geoff's scrapbook filled with memorabilia from his time with Katya, including pressed violets from their last hike. She finds a carousel slide projector, loaded with images of Switzerland and Katya, next to a makeshift screen to view them. Kate is shocked to see slides showing that Katya was pregnant at the time of her death.\nKate also takes up smoking again and, upon learning of his visit to the local travel agency to inquire about trips to Switzerland, confronts Geoff about his recent behavior related to Katya, without revealing what she saw in the attic. She says that she now believes that many of their decisions as a couple were influenced by Katya. Geoff promises that their marriage will \"start again\", which the next morning he marks by serving her tea in bed and making breakfast for her. They attend their anniversary party in the historic Grand Hall. Geoff delivers a tearful speech in which he professes his love for Kate.\nThe first dance is announced, accompanied by the same first song from their wedding, \"Smoke Gets in Your Eyes\" by The Platters. As Geoff and Kate slow dance, she becomes increasingly awkward and rigid, while he becomes silly and playful. As the song ends, Geoff raises their hands together in the air as the party guests cheer, but Kate yanks her arm down. Geoff, apparently oblivious, dances away. Kate stands alone amid the mass of people on the dance floor.\n\nCast\nCharlotte Rampling as Kate Mercer\nTom Courtenay as Geoff Mercer\nGeraldine James as Lena\nDolly Wells as Sally\nDavid Sibley as George\nSam Alexander as Chris the Postman\nRichard Cunningham as Mr. Watkins\nKevin Matadeen as the Waiter\nHannah Chalmers as the Travel Agent\nMax Rudd as the Maître d'\n\nProduction\nFilming lasted over 6 weeks and concluded in May 2014.\n\nReception\nCritical response\nOn review aggregator Rotten Tomatoes, the film has an approval rating of 97% based on 213 reviews, with an average rating of 8.6/10. The website's critical consensus reads, \"45 Years offers richly thought-provoking rewards for fans of adult cinema – and a mesmerizing acting showcase for leads Charlotte Rampling and Tom Courtenay.\" On Metacritic, the film has a weighted average score of 94 out of 100, based on 36 critics, indicating \"universal acclaim.\"Mark Kermode described the film as a \"subtle examination of the persistence of the past and the fragile (in)stability of the present\" in The Observer, arguing that the lead performances \"turn an apparently everyday story of a marriage in quiet crisis into something rather extraordinary.\" He concludes the review by observing \"Like the final shot of The Long Good Friday, which lingers upon Bob Hoskins’s face as he revisits the events that brought him to this sorry pass, 45 Years shows us the past materialising in the expressions of those trapped in the present, staring into an uncertain future.\"\n\nAccolades", "answers": ["nominated for an Academy Award for Best Supporting Actor", "Academy Award for Best Supporting Actor"], "length": 11397, "dataset": "musique", "language": "en", "all_classes": null, "_id": "d38330e71e4ccaf9dacb5743005ac48880a86ad157c0e89d"}
|
| {"input": "Who is the sibling of the actress that played the little girl in Miracle on 34th street 1947?", "context": "Passage 1:\nChickasaw, Louisville\nChickasaw is a neighborhood in Louisville, Kentucky, USA. Its boundaries are West Broadway, 34th Street, Hale Avenue and Chickasaw Park.\nChickasaw Park is predominantly black and middle-class. Before integration, Shawnee Park was reserved for whites, while Chickasaw Park was reserved for blacks. Integration has led to a decrease in use for Chickasaw as more persons prefer the larger Shawnee to the north. In 1969, Elmer Lucille Allen, a scientist and artist from the Chickasaw Little League created the Chickasaw Little League. The little league was in operation for 3-4 years and was made to accommodate the children who lived in the Chickasaw neighborhood who could not participate in the little league held in Shawnee Park.Located in north-central Mississippi, Chickasaw County possesses a notable number of creeks and lakes and is traversed by both the Yalobusha and Tombigbee Rivers.\nPassage 2:\n4 Little Girls\n4 Little Girls is a 1997 American historical documentary film about the murder of four African-American girls (Addie May Collins, Carol Denise McNair, Cynthia Wesley, Carole Rosamond Robertson) in the 16th Street Baptist Church bombing in Birmingham, Alabama on September 15, 1963. The film was directed by Spike Lee and nominated for an Academy Award for Best Documentary.The events inspired the 1964 song \"Birmingham Sunday\" by Richard and Mimi Fariña, which was used in the opening sequence of the film, as sung by Joan Baez, Mimi's sister. They also inspired the 1963 tune \ by John Coltrane, which is also included in the soundtrack.\n4 Little Girls premiered on June 25, 1997, at the Guild 50th Street Theatre in New York City. It was produced by Lee's production company, 40 Acres & A Mule Filmworks, and Home Box Office (HBO).In 2017, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being \"culturally, historically, or aesthetically significant\".\n\nSynopsis\nA local chapter of the Ku Klux Klan placed bombs at the 16th Street Baptist Church and set them off as Sunday services prepared to commence on the morning of September 15, 1963. Four young girls, ranging in age from 11 to 14, were killed in the explosion, which also caused anywhere between 14 and 22 additional injuries. The deaths provoked national outrage, and, the following summer, the United States Congress passed the Civil Rights Act of 1964, which was signed by President Lyndon B. Johnson. The bombing is marked in history as a critical and pivotal moment in the Civil Rights Movement.\nThe film covered the events in Birmingham, Alabama, in 1963 related to civil rights demonstrations and the movement to end racial discrimination in local stores and facilities. In 1963, Rev. Dr. Martin Luther King Jr. arrived in the town to help with their strategy and to speak at the funeral of the four young girls. People of the community met at the 16th Street Baptist Church while organizing their events. The demonstrations were covered by national media, and the use by police of police dogs and pressured water from hoses on young people shocked the nation. The large number of demonstrators who were arrested resulted in local jails filling to capacity.\nThe film ends with the trial and conviction in 1977 of Robert Edward Chambliss, also known as Dynamite Bob, as the main person responsible for the bombing, though he is said to have been only one of four Klan members involved. The film also references black churches being set on fire in Birmingham in 1993, giving the impression that, while progress has been made, there are some things that still have not changed.\nLee uses interviews with family and friends of the girls, government officials, and civil rights activists, as well as home movies and archival footage, to not only tell the story of the four girls' lives, but also to provide a greater historical and political context of the times.\n\nProduction\nLee first became interested in making a film about the Birmingham bombing in 1983, when he was a student at New York University. After reading a New York Times Magazine article about the incident, he was moved to write to Chris McNair, the father of Denise, one of the victims, to ask for permission to tell her story on film. McNair turned down the young, aspiring filmmaker. \ Lee said in a 1997 interview with Industry Central's The Director's Chair. \According to McNair, he changed his mind about supporting Lee's film idea due to learning about the depth and precision of Lee's research. McNair said, \At first, Lee had intended to create a dramatic reproduction of the incident, but eventually, he decided that would not be the best approach, and the project became a documentary. Once he secured funding, he went to Birmingham with a small skeleton film crew, as he wanted the families be as comfortable as possible during the interviews. Sam Pollard served as a producer and the editor and Ellen Kuras was the director of photography of the film.\nLee had developed a relationship with Kuras while working on an HBO project called Subway Stories, which was an anthology of short films compiled by Jonathan Demme (though Lee's film did not make the final cut due, in part, to conflict between him and Demme). Kuras said of her desire to shoot 4 Little Girls, \"I was really interested because my background is in political documentaries ... I always felt that one of the reasons that I had got into filmmaking was that I wanted to use my craft to be able to say something about the human condition, however I could, in my own humble way. For me this was an opportunity to make a small contribution.\"\nLee's partnership with Sam Pollard had begun on Mo' Better Blues when Pollard was recommended to replace Barry Alexander Brown, who was unavailable because he was directing his own film, as editor. Pollard originally refused the overture because he was busy working on his segments of Eyes on the Prize, but ultimately, he accepted, and he has since become one of Lee's most frequent collaborators. Their first few films together were fiction, but Pollard's background was in documentary, and he was key to guiding the structure of 4 Little Girls. He said about his role: Basically it was to help with the conception of the structure, to edit it ... We spent a lot of time screening dailies together. We could come to 40 Acres at 7a.m., and we would spend three hours a day screening dailies for two weeks straight ... We talked, selected all the material that we liked, and I started working on the structure in the editing room. Spike was asking if he needed narration and what the structure should be. I basically said the structure should be that there are parallels—the family, the history of the community—and then they come together on the explosion.\n\nReception\nCritics and public\nThe film was nominated for an Academy Award for Best Documentary Feature. On Rotten Tomatoes, it holds an approval rating of 100% based on 27 reviews, with an average rating of 8.42/10. The website's critical consensus reads: \\n\nBox office\nIt was initially planned for the film to first be seen by the public when it was aired on HBO, but, after seeing the final product, the production team decided it was important to release the film in theaters before running it on television. Accordingly, 4 Little Girls opened in American theaters on July 9, 1997, and closed on October 2, 1997. It grossed $130,146 from a total of four theaters. In its opening weekend, it earned $13,528 from a single theater, which was 10.4% of its total gross. It cost approximately $1 million to make, funded by HBO.\n\nSee also\nCivil rights movement in popular culture\n1956 Sugar Bowl\ncivil rights movement\nTimeline of the civil rights movement\nPassage 3:\nSloane House YMCA\nThe Sloane House YMCA, also known as William Sloane House YMCA, at 356 West 34th Street in Manhattan was the largest residential YMCA building in the nation.It was sold in 1993 for $5 million and converted to rental apartments later. It is managed by Kibel Company.\nRelated papers are archived.Its pending closure was noted as part of a trend.\n\nSee also\nList of YMCA buildings\nPassage 4:\nDavid Bjornson\nDavid Bjornson (born 7 July 1947 in Selkirk, Manitoba) was a member of the House of Commons of Canada from 1988 to 1993, serving in the 34th Canadian Parliament for the Progressive Conservative party in the Selkirk riding. By career, he is an electrician.\nBjornson left federal politics after being defeated by Liberal candidate Ron Fewchuk in the 1993 federal election. Amid the Tory collapse that year, Bjornson was pushed into fourth place behind Fewchuk and the New Democratic and Reform candidates.\n\nExternal links\n\nDavid Bjornson – Parliament of Canada biography\nPassage 5:\nMr. Noodle\nMr. Noodle and his siblings – (Mister Noodle, Ms. Noodle, and Miss Noodle in 1998–2009 and Mister Noodle, Mister Noodle and Miss Noodle in 2017–present) – are characters who appear in the \ segments during the educational children's television program Sesame Street. Mr. Noodle was played by Broadway actor Bill Irwin, who had previously worked with Arlene Sherman, executive producer of Sesame Street and co-creator of \"Elmo's World\a dynasty of mimes,...in the tradition of great silent film comedians like Charlie Chaplin, Buster Keaton, and Harold Lloyd\enthusiastic kid voice overs\Elmo's World\" co-creator Judy Freudberg, \"Mr. Noodle, who never speaks, is all about trial and error. When you throw him a hat, he acts like he's never seen one before. Kids feel empowered watching him because they can do what he can't\". According to Sesame Street researcher Lewis Bernstein, the characters, whom he called \"bungling\", gave young viewers \"the opportunity to figure it out\" before the adults did.\nPassage 6:\nThe Little Orchestra Society\nNot to be confused by The Little Orchestra of LondonThe Little Orchestra Society is an American orchestra based at 630 9th Avenue, Suite 807 in New York City. It was founded in 1947 by Thomas Scherman, who served as its conductor until his death in 1979. From 1979 to 2011 the Orchestra was led by Dino Anagnost. Its membership has ranged between 45 and 60 musicians. The orchestra's name is borrowed from The Little Orchestra of London, which was formed by Felix Mendelssohn during the Bach Revival. In 2019, the Orchestra named David Alan Miller its new Artistic Advisor.\nIts first concert took place at Town Hall in Manhattan on October 27, 1947. In 1959 the orchestra toured to eight Asian countries including Vietnam, Hong Kong, India, and Japan, performing the music of Henry Cowell.Pierre Monteux guest conducted the orchestra on April 2, 1957, in a concert that included Johannes Brahms' Serenade No. 2 in A Major. Monteux had recorded the serenade in the preceding year, but this performance too was recorded.The orchestra commissions new works and has given 65 world premieres (by composers including Franz Schubert, Douglas Moore, and David Diamond), and more than 175 U.S. and New York premieres by such composers as Antonio Vivaldi, John Corigliano, and Christopher Rouse.\n\nDiscography\nLudwig van Beethoven, Octet in E-Flat Major, Op. 103 & Rondino in E-Flat Major, Grove 146, Thomas Scherman conducting, EMS Recordings #1, 1950\nHello, World!/The Greatest Sound Around, Eleanor Roosevelt, narrator (on Hello World!), words and music by Susan Otto and William R. Mayer, The Little Orchestra Society, Thomas Scherman, conductor, John Langstaff, tenor (on The Greatest Sound Around). RCA Victor Red Seal LM-2332, 1959\nPassage 7:\nMiracle on 34th Street\nMiracle on 34th Street (initially released as The Big Heart in the United Kingdom) is a 1947 American Christmas comedy-drama film released by 20th Century Fox, written and directed by George Seaton and based on a story by Valentine Davies. It stars Maureen O'Hara, John Payne, Natalie Wood, and Edmund Gwenn. The story takes place between Thanksgiving Day and Christmas Day in New York City, and focuses on the effect of a department store Santa Claus who claims to be the real Santa. The film has become a perennial Christmas favorite.\nMiracle on 34th Street won three Academy Awards: Gwenn for Best Actor in a Supporting Role, Valentine Davies for Best Writing, Original Story, and George Seaton for Best Writing, Screenplay. The film was nominated for Best Picture, losing to Gentleman's Agreement. In 2005, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being \"culturally, historically or aesthetically significant\". The Academy Film Archive preserved Miracle on 34th Street in 2009.Davies also wrote a short novelization of the tale, which was published by Harcourt Brace simultaneously with the film's release.\n\nPlot\nKris Kringle is indignant to find that the man assigned to play Santa in the annual Macy's Thanksgiving Day Parade is intoxicated. When he complains to event director Doris Walker, she persuades Kris to take his place. He does so well that he is hired to play Santa at Macy's New York City store on 34th Street.\nIgnoring instructions from the toy department head, Mr. Shellhammer, to recommend overstocked items to undecided shoppers, Kris directs one woman to another store to fulfill her son's Christmas request. Impressed by Kris's honesty and helpfulness, she informs Shellhammer that she will now become a loyal Macy's customer.\nAttorney Fred Gailey, Doris's neighbor, takes the young divorcée's daughter Susan to see Santa. Doris has raised her to not believe in fairy tales, but Susan is shaken after seeing Kris speak Dutch with a girl who does not know English. Doris asks Kringle to tell Susan that he is not Santa, but he insists that he is.\nWorried, Doris decides to fire him, but Kris has generated so much positive publicity and goodwill that the store's owner promises bonuses. To alleviate Doris's misgivings, Shellhammer suggests Granville Sawyer administer a \"psychological evaluation\", but Sawyer recommends Kris's dismissal. Meanwhile, Susan shows Kris a magazine photo of her dream house and tells him she wants it for Christmas; reluctantly he promises to do his best.\nIn the company cafeteria, young employee Alfred tells Kris that Sawyer convinced him that he is unstable simply because he enjoys dressing as Santa Claus. Kris immediately confronts Sawyer, eventually striking him on the head with an umbrella. Sawyer exaggerates his pain to have Kris confined to Bellevue Hospital. Tricked into cooperating and believing Doris to be in on the deception, Kris deliberately fails his examination and is recommended for permanent commitment. However, Fred persuades Kris not to give up.\nAt a hearing before Judge Henry X. Harper, District Attorney Thomas Mara gets Kris to assert that he is Santa Claus and rests his case, asking Harper to rule that Santa does not exist. In private, Harper's political adviser, Charlie Halloran, warns him that doing so would be disastrous for his upcoming reelection bid. Harper buys time by hearing further evidence.\nFred calls Macy as a witness and gets him to admit that he believes in Santa. On leaving the stand, Macy fires Sawyer. Next, Fred calls Mara's own young son, who testifies that his father told him that Santa is real. In the face of this, Mara has to concede the point, but goes on to demand that Fred prove that Kris is \ Santa Claus on the basis of some competent authority by the following day.\nMeanwhile, Susan writes Kris a letter to cheer him up, which Doris also signs. When a New York Post Office mail sorter sees Susan's letter, addressed to Kris at the New York courthouse, he suggests delivering all of the dead letters addressed to Santa Claus to Kris. As court resumes, Fred is told of the delivery of mailbags to the courthouse; he argues that the Post Office—a branch of the U.S. federal government—has acknowledged that Kris is the one and only Santa Claus by delivering the letters. When the judge insists on seeing them, Fred has them dump bag after bag on Harper's desk. Harper dismisses the case.\nOn Christmas morning at a party for Macy's employees, Susan loses faith in Kris when he admits he was not able to get her the house she wanted. However, after Kris offers Fred and Doris a route home that avoids traffic, Susan sees her dream house with a \"For Sale\" sign in front. Demanding that Fred stop the car, she runs into the house, exclaiming, \"Mr. Kringle is Santa Claus!\" Fred learns that Doris had encouraged Susan to have faith and suggests they get married and purchase the house. He then boasts that he must be a great lawyer since he proved an eccentric old man was Santa. However, when he and Doris spot a cane in the house that looks just like Kris's, he is not so sure.\n\nCast\nProduction\nMiracle on 34th Street was shot on location in New York City, with the Macy's Thanksgiving Day Parade sequences filmed live while the 1946 parade was happening. \"It was a mad scramble to get all the shots we needed, and we got to do each scene only once,\" Maureen O'Hara recalled in her memoir. \Although the film is set during the Christmas season, studio head Darryl F. Zanuck insisted that it be released in May, arguing that more people go to the movies in warmer weather. The studio rushed to promote it while keeping its Christmas setting a secret. Fox's promotional trailer depicted a fictional producer roaming the studio backlot and encountering such stars as Rex Harrison, Anne Baxter, Peggy Ann Garner, and Dick Haymes extolling the virtues of the film. In addition, the movie posters prominently featured O'Hara and Payne, with Gwenn's character kept in the background. The film opened in New York City at the Roxy Theatre on June 4, 1947. By contrast, modern home video packaging has Gwenn and Wood dominating the imagery, with the DVD release having Kringle in his Santa Claus costume.\nO'Hara was initially reluctant to take the role, having recently moved back to post-war Ireland. She immediately changed her mind after reading the script and came back to the United States for the film.\nArthur Jacobson, assistant director, filmed the Macy's Parade on Thanksgiving morning with nine cameras simultaneously. He said he \"plunked actors Edmund Gwenn and Natalie Wood in the department store cafeteria line during a weekday lunch-rush\". When Maureen O'Hara requested a special police escort for a Christmas shopping spree through Macy's he said \"I know New Yorkers. They aren't going to pay any attention to you. And don't wear a bandanna around your head or dark glasses. Just be normal.\"Throughout the process of getting this script accepted by the PCA, the movie underwent multiple different title changes, starting as My Heart Tells Me and then progressing into The Big Heart, It's Only Human, Meet Me at Dawn, and finally ended with the name Miracle on 34th Street. These title changes all happened within a four-month time period. These title changes occurred while the filmmakers were fixing any other discrepancies that the PCA required them to fix before the production of the film could begin.\n\nReception\nCritical reception\nMiracle on 34th Street mostly received positive reviews from critics. Bosley Crowther of The New York Times said: \ A critic for the BBC called it \The film is considered by many to be one of the best films of 1947, and it has been dubbed a \ by several publications. On Rotten Tomatoes, the film holds an approval rating of 96% based on reviews from 52 critics, with an average rating of 8.5/10. The website's critics consensus reads, \"Irrefutable proof that gentle sentimentalism can be the chief ingredient in a wonderful film, Miracle on 34th Street delivers a warm holiday message without resorting to treacle.\"The Catholic Legion of Decency gave the movie a \"B\", \"morally objectionable in part\" rating. This was mainly due to the fact that O'Hara portrayed a divorcée in the film.\n\nAccolades\nThe film won Academy Awards for Best Actor in a Supporting Role (Edmund Gwenn), Best Writing, Original Story (Valentine Davies) and Best Writing, Screenplay. It was also nominated for Best Picture, losing to Gentleman's Agreement.\nIt was ranked ninth by the American Film Institute on 100 Years... 100 Cheers, a list of America's most inspiring films. Miracle on 34th Street was listed as the fifth best film in the fantasy genre in the American Film Institute's \"Ten top Ten\" lists in 2008.In 2005, Miracle on 34th Street was selected for preservation in the United States National Film Registry by the Library of Congress as being \"culturally, historically, or aesthetically significant\".American Film Institute Lists\n\nAFI's 100 Years...100 Movies – Nominated\nAFI's 100 Years of Film Scores – Nominated\nAFI's 100 Years...100 Cheers – #9\nAFI's 100 Years...100 Movies (10th Anniversary Edition) – Nominated\nAFI's 10 Top 10 – #5 Fantasy Film\n\nHome media and colorization\nMiracle on 34th Street was first released on VHS and LaserDisc in 1987.\nIn 1985, it became one of the first full-length black and white films to be colorized. The 4½-month process was carried out by Color Systems Technology, Inc. In 1993, this version was released on VHS and LaserDisc, and was followed four years later by a \ on both formats, remastered by THX.\nThe first DVD release was in October 1999, featuring the B&W version alongside the original theatrical trailer and a TV spot. In November 2006, it was re-released as a two-disc \ DVD, with disc one containing an \ carried out by Legend Films. The second disc had the original black-and-white version and numerous extras, including The 20th Century Fox Hour's 1955 TV remake. Both discs also included a full-length audio commentary by Maureen O'Hara. The B&W disc has since been re-released several times, including in a pairing with the 1994 remake.\nIn October 2009, 20th Century Fox released the B&W version on Blu-ray with all previous extras, bar the TV remake.In 2017, the film was restored in 4K resolution; so far this version is only available via DCP.\n\nRemake\nA 1994 feature film starred Richard Attenborough, Elizabeth Perkins, Dylan McDermott, J. T. Walsh, Timothy Shea, James Remar, Jane Leeves, Simon Jones, William Windom and Mara Wilson. It was adapted by John Hughes from the Seaton script, and directed by Les Mayfield. Due to Macy's refusal to give permission to use its name, it was replaced by the fictitious \"Cole's\We feel the original stands on its own and could not be improved upon,\Shopper's Express\". Alvin Greenman (Alfred in the original version) played a doorman. The 1994 remake of the film had a more serious tone than the original 1947 film had and a large portion of the plot was rewritten, although the majority of both the plot and the characters remained intact. The 1994 film also added a subtext which described concerns about religious faith.\n\nIn other media\nThere are numerous remakes of the movie, as well as a Broadway musical.\n\nRadio\nLux Radio Theatre aired a one-hour adaptation of the movie on three occasions: on December 22, 1947, which starred the original cast including Natalie Wood; on December 20, 1948, without Natalie Wood's participation; and on December 21, 1954. There were also two broadcasts on Screen Directors Playhouse: as a half-hour play on December 23, 1949; and then as a one-hour play on December 21, 1950. All of these adaptations had Edmund Gwenn reprising his screen role.\n\nTheatre\nA 1963 Broadway musical version, entitled Here's Love, was written by Meredith Willson.\nThe novella was adapted into a stage play by Will Severin, Patricia Di Benedetto Snyder and John Vreeke in 2000. It is a favorite in many community and regional theaters during the Christmas season. The characters' names are those used in the novella, and the stage setting is distinctly late 1940s. Production rights are held by Samuel French, Inc.\n\nTelevision\nA 1955 one-hour television adaptation of the movie starred Thomas Mitchell as Kris, Macdonald Carey as Fred, Teresa Wright as Doris, and Sandy Descher as Susan. This version did not show the drunken Santa at all. Titled The Miracle on 34th Street, it originally aired as an episode of The 20th Century Fox Hour. It was later re-run as \.\nEd Wynn played Kris in a 1959 television adaptation of the movie. Also featured was Orson Bean. It was broadcast live and in color on NBC the day after Thanksgiving. NBC made a kinescope of the program, probably for broadcasting opening night on the West Coast. The copy was in a large collection of kinescopes donated by NBC to the Library of Congress and later unearthed by Richard Finegan, who reported his experiences in the December 2005 issue of Classic Images.\nA 1973 television version featured Jane Alexander, David Hartman, Roddy McDowall, Sebastian Cabot as Kris (without his natural beard; he was forced to shave and wear a false beard for the role), Suzanne Davidson, Jim Backus, David Doyle and Tom Bosley. It was adapted by Jeb Rosebrook from the George Seaton screenplay, and directed by Fielder Cook. Mrs. Walker's first name is changed to Karen in this version. This would prove to be the final version in which the department store was actually Macy's. David Doyle, who played R. H. Macy in this version, had played Mr. Sawyer in the original Broadway cast of Here's Love 10 years earlier.\n\nPuppets\nIn 2012, the flagship Macy's Department Store at Herald Square in New York City featured a 30-minute puppet version of the story within its Santaland display, featuring the voice talents of Broadway stars Brian Stokes Mitchell and Victoria Clark.\n\nAppearances\nA short clip of the film was seen on the kitchen television screen in Home Alone (a 1990 Christmas film released by Fox) and also the ending was seen in the den television screen in the 1996 film The Preacher's Wife.\n\nSee also\nTrial film\nList of Christmas films\nSanta Claus in film\nPassage 8:\nKate Kellaway\nKate Kellaway (born 15 July 1957) is an English journalist and literary critic who writes for The Observer.\n\nEarly life\nThe daughter of the Australians Bill and Deborah Kellaway, she is the older sister of the journalist Lucy Kellaway. Both siblings were educated at the Camden School for Girls, where their mother was a teacher, and at Lady Margaret Hall, Oxford, where she read English.\n\nProfessional life\nFollowing a period teaching in Zimbabwe between 1982 and 1986, she began her career in journalism at the Literary Review and became deputy to then editor Auberon Waugh around 1987.Kellaway later joined The Observer, where her posts have included features writer, deputy literary editor, deputy theatre critic and children's books editor. While The Observer's poetry editor, Kellaway was one of the five judges for the Booker Prize in 1995.Kellaway is married and has four sons and two step-sons.\nPassage 9:\nBit part\nIn acting, a bit part is a role in which there is direct interaction with the principal actors and no more than five lines of dialogue, often referred to as a five-or-less or under-five in the United States, or under sixes in British television, or a walk-on part with no dialogue.\nA bit part is higher than that of an extra and lower than that of a supporting actor. An actor who regularly performs in bit roles, either as a hobby or to earn a living, is referred to as a bit player, a term also used to describe an aspiring actor who has not yet broken into supporting or leading roles.\nUnlike extras, who do not typically interact with principals, actors in bit parts are sometimes listed in the credits. An exception to this practice is the cameo appearance, wherein a well-known actor or other celebrity appears in a bit part; it is common for such appearances to be uncredited.\nIn MGM's 1951 screen version of the musical Show Boat, the role of the cook Queenie (Frances E. Williams) was reduced from a significant supporting role in the stage version to a bit part in the film. Williams, whose appearance was not intended as a cameo, was not listed at all in the credits. On the other hand, William Warfield, whose role as Joe, Queenie's husband, was also drastically shortened in the film from the stage original, did receive screen credit because he sang \"Ol' Man River\there are no small parts, only small actors\Every character actor, in their own little sphere, is the lead\ has been lost, mislaid or stolen in the translation of it to the screen—and in the shift of its location from a British to an American middle-class milieu. What it is that is missing ... is the solid ring of truth, the artful illusion that the people in this stark family drama are real. The measure of its artificiality is in the performance that Rosalind Russell gives as a selfish and snobbish American woman who drives her husband, son and daughter to blank despair. Miss Russell is much too blithe and bouncy, too much of a bourgeois Aunty Mame, to convey a conviction of a woman who is a serious, sinister influence in her home. ... Obviously, Frances Goodrich and Albert Hackett coarsened and cheapened the original play in rewriting it into an American situation and idiom. But Delbert Mann really lost it in his fumbling direction of the cast.Reviewer Martin Russell of the San Francisco Examiner echoed similar sentiments: \However, critic Cyrus Durgin praised the film in his review for The Boston Globe: \\nPassage 11:\nLight as a feather, stiff as a board\nLight as a feather, stiff as a board is a game played by children at slumber parties. The phrase has also become established in popular culture as a reference to a levitation trick, and has been referred to in various media accounts. In performing magic this effect is known as abnormal lift.\n\nDescription\nOne participant lies flat on the floor, facing upwards. The others space themselves around that person, each placing one or two fingertips underneath the participant's limbs. The person closest to the head commonly begins by saying something like \"She's looking ill\she's looking worse\", which is also repeated several times. The general direction of the call-and-repeat describes how the person is looking worse and worse, followed by saying \"she is dying\", and, finally, \"she is dead\".\nVariations of the spoken part of the game occur. In a common, modern version, the person being lifted is told a story about their death and asked to imagine it happening to them. This is intended to unsettle the participants, and to convince them that something may have changed making it easier to lift the person than before.\nAll versions of the game end with the phrase \"light as a feather, stiff as a board\" chanted by those standing around the \"dead\" player as they attempt to lift their companion's body using only their fingertips. Some versions omit the story entirely and only the \ chant is used. After these repetitions, the person being lifted is described by the group as having become lighter or even entirely weightless.\nAnother variation of the game takes place with one person seated in a chair. Four volunteers agree to stand around the sitter, two on the sitter's left side and the other two on their right. Each of the four places two fingers under each corner of the chair's seat and the four together will attempt to lift the chair and sitter, which generally fails. The volunteers will then perform some small ritual, usually involving rubbing their hands together or circling the chair in various direction (counter-clockwise, walking backwards, etc.) After this ritual, the volunteers hold their hands over the sitter's head to \"transfer\" energy into the sitter, which will presumably make them weightless. The lifters then retry lifting the sitter the same way as before. Also, it can be that the lifters lift the person sitting in the chair; doing the rest of the ritual as so, but holding at the four main points of the body (under the knees on each side and under the shoulders).\n\nExplanation of the trick\nThe key to the trick is timing: each of the lifters must apply the lifting force at the same moment. When this is done, the weight of the subject is divided equally between each lifter, requiring each person to contribute only 12–20 kilograms (26–44 lb) of lift, to raise a 50–80-kilogram (110–176 lb) person.If the trick is performed without synchronising the lift, it will fail: as participants attempt to lift at slightly different times, they are instead performing a series of lifts by smaller groups, resulting in a much heavier weight per person. This fact may be used as a deliberate form of misdirection from the person explaining the trick, first asking the group to \"go ahead, try to lift\" to show that it cannot be done, and then asking them to try again on the count of three, where it succeeds.Some people who remember performing the trick as a child will have exaggerated their memory of the effect, recalling the performance as lifting the subject high into the air for some time, when in reality they would only have lifted them for a moment.\n\nHistory\nThe oldest known account of levitation play comes from the diary of Samuel Pepys (1633–1703), a British naval administrator. Pepys’s account of levitation play comes from a conversation with a friend of his, Mr. Brisband, who claimed to have seen four little girls playing light as a feather, stiff as a board in Bordeaux, France. Pepys’s account of Mr. Brisband’s experience reads:\n\nHe saw four little girls, very young ones, all kneeling, each of them, upon one knee; and one begun the first line, whispering in the ear of the next, and the second to the third, and the third to the fourth, and she to the first. Then the first begun the second line, and so round quite through, and putting each one finger only to a boy that lay flat upon his back on the ground, as if he was dead; at the end of the words, they did with their four fingers raise this boy high as they could reach, and he [Mr. Brisband] being there, and wondering at it, as also being afeared to see it, for they would have had him to have bore a part in saying the words, in the roome of one of the little girles that was so young that they could hardly make her learn to repeat the words, did, for feare there might be some sleight used in it by the boy, or that the boy might be light, call the cook of the \thouse, a very lusty fellow, as Sir G. Carteret's cook, who is very big, and they did raise him in just the same manner.\nPepys also spoke of the chant that accompanied this performance.\n\nThe next recording of the game being played comes from The Magician’s Own Book (1857). This account differs from that of Pepys, as it is a direct account of the game being played. Also, this account focuses on a different version of the game than the version played by the girls in Samuel Pepys’ account. In this account, the heaviest man at a party in Venice, Italy, sits in a chair, and is unable to be lifted by six other persons, initially. However, after coordinated hand-clapping and synchronized inhalations and exhalations, the man in the chair is able to be lifted on the forefingers of the six lifters.The phenomenon has been observed into modern times, often being described as a form of spiritualism or seance and considered anathema by some religious groups. It is widely considered a simple spooky party game along the lines of Bloody Mary and the telling of ghost stories.\nThe game appears in the 1996 film The Craft, which follows the story of four high school students as they familiarize themselves with witchcraft and various arcane experiments—one of which is light as a feather, stiff as a board. In the movie, the four young women are seen performing the version of the game described in Samuel Pepys’ diary, which involves one participant lying down, while the others kneel around her. The teenagers chant “Light as a feather, stiff as a board,” several times before lifting the participant into the air. In the movie, special effects are used to show the person levitating above the hands of the lifters.\nThe game appears in the South Park episode \, where Butters Stotch declares the other South Park Elementary girls, including Wendy Testaburger, \ for playing the game at a slumber party. Butters, as Marjorine, initially mistakes this for the girls \.\n\nSee also\nLight as a Feather (TV series)\n\nFootnotes\nSources\nIn-depth explanation of levitation including tricks from Answers.com\nHalloween is good clean fun October 30, 1998 Weekender Lexington Herald-Leader (KY) article for purchase link\nPajama game: Despite dramatic changes in culture and technology, girls' sleepovers have remained basically the same for generations by MaryEllen Fillo Hartford Courant Aug. 30, 2005 article for purchase link\nSamuel Pepys' diary highlights the experience during the London plague of 1665 as well as the Great Fire in 1666 \nLevitation Revisited by Elizabeth Tucker explains the origins of the game and discusses some of its occult history.\\\nThe Magician's Own Book contains an entry on page 341-42 which describes an account of the game being played at a Venetian party.\nThe Craft (1996) Light as a feather, Stiff as a board scene.\nVideo example 1\nVideo example 2\nPassage 12:\nMacy's Thanksgiving Day Parade\nThe Macy's Thanksgiving Day Parade is an annual parade in New York City presented by the U.S.-based department store chain Macy's. The Parade first took place in 1924, tying it for the second-oldest Thanksgiving parade in the United States with America's Thanksgiving Parade in Detroit (with both parades being four years younger than Philadelphia's Thanksgiving Day Parade). The three-hour parade is held in Manhattan, ending outside Macy's Herald Square, takes place from 9:00 a.m. to 12:00 p.m. Eastern Standard Time on Thanksgiving Day, and has been televised nationally on NBC since 1953. The Parade's workforce is made up of Macy's employees and their friends and family, all of whom work as volunteers.\n\nHistory\nEarly history\nIn 1924, store employees marched to Macy's Herald Square, the flagship store on 34th Street, dressed in vibrant costumes. There were floats, professional bands and live animals borrowed from the Central Park Zoo. At the end of that first parade, Santa Claus was welcomed into Herald Square. At this first parade, Santa was enthroned on the Macy's balcony at the 34th Street store entrance, where he was then crowned \"King of the Kiddies\". With an audience of over 250,000 people, the parade was such a success that Macy's declared it would become an annual event, despite media reports only barely covering the first parade.The Macy's parade was enough of a success to push Ragamuffin Day, the typical children's Thanksgiving Day activity from 1870 into the 1920s, into obscurity. Ragamuffin Day featured children going around and performing a primitive version of trick-or-treating, a practice that by the 1920s had come to annoy most adults. The public backlash against such begging in the 1930s (when most Americans were struggling in the midst of the Great Depression) led to promotion of alternatives, including Macy's parade. While ragamuffin parades that competed with Macy's would continue into the 1930s, the competition from Macy's would overwhelm the practice, and the last ragamuffin parade in New York City would take place in 1956.Anthony \"Tony\" Frederick Sarg loved to work with marionettes from an early age. After moving to London to start his own marionette business, Sarg moved to New York City to perform with his puppets on the street. Macy's heard about Sarg's talents and asked him to design a window display of a parade for the store.\n\nGrowth and changes\nThrough the 1930s, the parade continued to grow, with crowds of over one million people lining the parade route in 1933. The first Mickey Mouse balloon entered the parade in 1934. The annual festivities were broadcast on local radio stations in New York City from 1932 to 1941 and resumed in 1945, running through 1951.The parade was suspended from 1942 to 1944 as a result of World War II because rubber and helium were needed for the war effort. The parade resumed in 1945 and became known nationwide shortly afterwards, having been prominently featured in the 1947 film Miracle on 34th Street, which included footage of the 1946 festivities. The event had its first broadcast on network television in 1948 (see § Television coverage). From 1984 to 2019, the balloons were made by Raven Industries of Sioux Falls, South Dakota, through its Raven Aerostar division.Since 1985, the parade was traditionally led by the New York City Police Department Highway Patrol. In 2019, the cast of Sesame Street led the parade in honor of the show's 50th anniversary.\nFollowing an incident in 2005 where a balloon knocked over a street light and injured spectators (see § Injuries), new safety measures were incorporated in 2006 to prevent accidents and balloon-related injuries. One measure taken was the installation of wind measurement devices to alert parade organizers to any unsafe conditions that could cause the balloons to behave erratically. In addition, parade officials implemented a measure to keep the balloons closer to the ground during windy conditions. New York City law prohibits Macy's from flying the full-size balloons if sustained winds exceed 20 knots (23 mph) or wind gusts exceed 30 knots (35 mph); New York's tall buildings and mostly uniform grid plan can amplify wind velocity on city streets. This law, imposed in 1997, has never been activated, despite several close calls; the only time the parade balloons were ever grounded was in 1971. Each balloon has a risk profile to determine handling in windy conditions; taller, upright balloons are rotated to appear horizontal and face downward in such situations (as was the case in 2019, when a grounding was narrowly averted). The remaining floats and performances will continue as scheduled should the balloons be grounded.The 2018 parade was the coldest to date, with the temperature at 19 °F (-7.2 °C) during the event. The warmest was in 1933 at 69 °F (20.5 °C). The 2006 parade was the wettest with 1.72\specially rigged anchor vehicle framework of five specialty vehicles\[not be] a live parade, but something that will really give us that warmth and that great feeling we have on Thanksgiving day.\balloon race[s]\Blue Sky Gallery\float\balloon\balloon\vehicle\floalloonicle\float\balloon\vehicle\Heritage Balloons\live\virtual balloons\balloon handlers\The Mom and Pop Store\Underdog\Macy's Day Parade\" is a song by Green Day.\nIn 2008, a Coca-Cola CGI ad aired in the United States during Super Bowl XLII. The commercial's plot centered around Underdog and fictional Stewie Griffin balloons chasing a Coke bottle-shaped balloon through New York City. The spot ended with a Charlie Brown balloon holding the Coke balloon. The advertisement won a Silver Lion Award at the annual Lions International Advertising Festival in Cannes, France, that year, and the clip of the commercial with the Griffin balloon was featured in a Macy's commercial in October 2008 (along with clips from Miracle on 34th Street, I Love Lucy, Seinfeld and other media where Macy's was mentioned). The commercial was also referenced in an episode of Family Guy. Stewie, one of its main characters, is seen watching the parade only to see the balloon of himself in the parade.\nIn the 2016 reboot of Ghostbusters, the Ghostbusters fight a haunted balloon parade including several Macy's balloons from the 1920s, 1930s and 1940s.\n\nSee also\nSanta Claus parades\nList of Christmas and holiday season parades\nPassage 13:\nTora Suber\nTora Suber (born November 23, 1974) is a former professional basketball player who played for the Charlotte Sting and Orlando Miracle in the WNBA. She played a total of 83 games.\n\nHigh school\nSuber and Tina Nicholson were teammates at Downingtown High School in the early 1990s. Suber graduated in 1993. In total she recorded 2,420 career points and helped the team win four District 1 titles and two state crowns.\n\nWNBA Career\nOn April 28, 1997, Suber was selected with the 7th overall pick of the 1997 WNBA Draft by the Charlotte Sting. Her debut game was played on June 22, 1997 in a 59 - 76 loss to the Phoenix Mercury where she recorded 6 points, 3 rebounds and 2 steals. Suber would play her rookie and sophomore seasons as a member of the Sting, playing in 58 games, scoring a total of 321 points, 142 assists and 95 rebounds. She was waived by the Sting on May 29, 1999.After being waived by the Sting, Suber would go on to play her 3rd season with the Orlando Miracle. However, she had a significantly less role and although she played in 25 games, she only averaged 4.6 minutes per game and averaged 0.8 points.\n\nUnsuccessful WNBA Comeback Attempts\nAfter playing the 1999 season with the Miracle, Suber would never play in the WNBA again, but she did sign multiple contracts for teams in the early 2000's. One of those teams coincidentally being the Orlando Miracle. Suber would sign with the Miracle on May 3, 2001 but would get waived 8 days later on May 11, 2001. Since she missed out on the 2001 season, Suber would try her luck again in the 2002 WNBA season by signing with the Houston Comets, even participating in the team's Media Day on April 29, 2002. Unfortunately, she would never play a game for the Comets and would be waived on May 8, 2002.\nTwo years later in April 2004, Suber tried another comeback by signing once again with the Houston Comets as a free agent. However, she was waived a few weeks later on May 9, 2004Due to her 2001, 2002 and 2004 comebacks not coming to fruition, Suber's final WNBA game was the last game of the 1999 season as a member of the Miracle. That game was played on August 21, 1999 in a 68 - 74 loss to the Detroit Shock where Suber only played for 13 seconds. This game was also the final career game of fellow 1997 WNBA Draftee Wanda Guyton, who was a member of the Shock.\n\nPersonal life\nSuber was born prematurely to a 15-year-old mother. She earned a bachelor's degree in English literature at Virginia.\n\nCareer statistics\nRegular season\nPlayoffs", "answers": ["Lana Wood"], "length": 11920, "dataset": "musique", "language": "en", "all_classes": null, "_id": "9ad33ca0b5a3f7c880fc6f40db3d7de9c369111c302c9dfd"}
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| {"input": "Who is the father of the artist who painted Head I?", "context": "Passage 1:\nIvanoff Head\nIvanoff Head (66°53′S 109°7′E) is a small rocky headland, or probable island, which lies along the coast and is partly overlain by continental ice, situated 4 miles (6.4 km) west of the Hatch Islands at the head of Vincennes Bay, Antarctica. The feature was first mapped from aerial photographs taken by U.S. Navy Operation Highjump, 1946–47, and was named \"Brooks Island\" by the Advisory Committee on Antarctic Names in 1956. The name Ivanoff Head, inadvertently applied by Australia in 1961, has succeeded the earlier name in general use and is now recommended. Helicopter landings were made here by Australian National Antarctic Research Expeditions from the Magga Dan in February 1960. The feature was used as a rescue base when a helicopter crashed nearby, and was named after Captain P. Ivanoff, the pilot of the crashed helicopter.\n\nSee also\nBrooks Point\nPassage 2:\nFrancis Bacon\nFrancis Bacon, 1st Viscount St Alban (; 22 January 1561 – 9 April 1626), also known as Lord Verulam, was an English philosopher and statesman who served as Attorney General and Lord Chancellor of England under King James I. Bacon led the advancement of both natural philosophy and the scientific method and his works remained influential even in the late stages of the Scientific Revolution.Bacon has been called the father of empiricism. He argued for the possibility of scientific knowledge based only upon inductive reasoning and careful observation of events in nature. He believed that science could be achieved by the use of a sceptical and methodical approach whereby scientists aim to avoid misleading themselves. Although his most specific proposals about such a method, the Baconian method, did not have long-lasting influence, the general idea of the importance and possibility of a sceptical methodology makes Bacon one of the later founders of the scientific method. His portion of the method based in scepticism was a new rhetorical and theoretical framework for science, whose practical details are still central to debates on science and methodology. He is famous for his role in the scientific revolution, begun during the Middle Ages, promoting scientific experimentation as a way of glorifying God and fulfilling scripture.\nBacon was a patron of libraries and developed a system for cataloguing books under three categories – history, poetry, and philosophy – which could further be divided into specific subjects and subheadings. About books he wrote, \"Some books are to be tasted; others swallowed; and some few to be chewed and digested.\" The Shakespearean authorship thesis, which was first proposed in the mid-19th century, contends that Bacon wrote at least some and possibly all of the plays conventionally attributed to William Shakespeare.Bacon was educated at Trinity College at the University of Cambridge, where he rigorously followed the medieval curriculum, which was presented largely in Latin. He was the first recipient of the Queen's counsel designation, conferred in 1597 when Elizabeth I reserved him as her legal advisor. After the accession of James I in 1603, Bacon was knighted, then created Baron Verulam in 1618 and Viscount St Alban in 1621. He had no heirs and so both titles became extinct on his death of pneumonia in 1626 at the age of 65. He is buried at St Michael's Church, St Albans, Hertfordshire.\n\nBiography\nEarly life and education\nFrancis Bacon was born on 22 January 1561 at York House near Strand in London, the son of Sir Nicholas Bacon (Lord Keeper of the Great Seal) by his second wife, Anne (Cooke) Bacon, the daughter of the noted Renaissance humanist Anthony Cooke. His mother's sister was married to William Cecil, 1st Baron Burghley, making Burghley Bacon's uncle.Biographers believe that Bacon was educated at home in his early years owing to poor health, which would plague him throughout his life. He received tuition from John Walsall, a graduate of Oxford with a strong leaning toward Puritanism. He attended Trinity College at the University of Cambridge on 5 April 1573 at the age of 12, living there for three years along with his older brother Anthony Bacon under the personal tutelage of Dr John Whitgift, future Archbishop of Canterbury. Bacon's education was conducted largely in Latin and followed the medieval curriculum. It was at Cambridge that Bacon first met Queen Elizabeth, who was impressed by his precocious intellect, and was accustomed to calling him \.His studies brought him to the belief that the methods and results of science as then practised were erroneous. His reverence for Aristotle conflicted with his rejection of Aristotelian philosophy, which seemed to him barren, argumentative and wrong in its objectives.\nOn 27 June 1576, he and Anthony entered de societate magistrorum at Gray's Inn. A few months later, Francis went abroad with Sir Amias Paulet, the English ambassador at Paris, while Anthony continued his studies at home. The state of government and society in France under Henry III afforded him valuable political instruction. For the next three years he visited Blois, Poitiers, Tours, Italy, and Spain. There is no evidence that he studied at the University of Poitiers. During his travels, Bacon studied language, statecraft, and civil law while performing routine diplomatic tasks. On at least one occasion he delivered diplomatic letters to England for Walsingham, Burghley, Leicester, and for the queen.The sudden death of his father in February 1579 prompted Bacon to return to England. Sir Nicholas had laid up a considerable sum of money to purchase an estate for his youngest son, but he died before doing so, and Francis was left with only a fifth of that money. Having borrowed money, Bacon got into debt. To support himself, he took up his residence in law at Gray's Inn in 1579, his income being supplemented by a grant from his mother Lady Anne of the manor of Marks near Romford in Essex, which generated a rent of £46.\n\nParliamentarian\nBacon stated that he had three goals: to uncover truth, to serve his country, and to serve his church. He sought to achieve these goals by seeking a prestigious post. In 1580, through his uncle, Lord Burghley, he applied for a post at court that might enable him to pursue a life of learning, but his application failed. For two years he worked quietly at Gray's Inn, until he was admitted as an outer barrister in 1582.His parliamentary career began when he was elected MP for Bossiney, Cornwall, in a by-election in 1581. In 1584 he took his seat in Parliament for Melcombe in Dorset, and in 1586 for Taunton. At this time, he began to write on the condition of parties in the church, as well as on the topic of philosophical reform in the lost tract Temporis Partus Maximus. Yet he failed to gain a position that he thought would lead him to success. He showed signs of sympathy to Puritanism, attending the sermons of the Puritan chaplain of Gray's Inn and accompanying his mother to the Temple Church to hear Walter Travers. This led to the publication of his earliest surviving tract, which criticized the English church's suppression of the Puritan clergy. In the Parliament of 1586, he openly urged execution for the Catholic Mary, Queen of Scots.About this time, he again approached his powerful uncle for help; this move was followed by his rapid progress at the bar. He became a bencher in 1586 and was elected a Reader in 1587, delivering his first set of lectures in Lent the following year. In 1589, he received the valuable appointment of reversion to the Clerkship of the Star Chamber, although he did not formally take office until 1608; the post was worth £1,600 a year.In 1588 he became MP for Liverpool and then for Middlesex in 1593. He later sat three times for Ipswich (1597, 1601, 1604) and once for Cambridge University (1614).He became known as a liberal-minded reformer, eager to amend and simplify the law. Though a friend of the crown, he opposed feudal privileges and dictatorial powers. He spoke against religious persecution. He struck at the House of Lords in its usurpation of the Money Bills. He advocated for the union of England and Scotland, which made him a significant influence toward the consolidation of the United Kingdom; and he later would advocate for the integration of Ireland into the Union. Closer constitutional ties, he believed, would bring greater peace and strength to these countries.\n\nFinal years of the Queen's reign\nBacon soon became acquainted with Robert Devereux, the 2nd Earl of Essex, Queen Elizabeth's favourite. By 1591 he acted as the earl's confidential adviser. In 1592, he was commissioned to write a tract in response to the Jesuit Robert Parson's anti-government polemic, which he titled Certain Observations Made upon a Libel, identifying England with the ideals of democratic Athens against the belligerence of Spain. Bacon took his third parliamentary seat for Middlesex when in February 1593 Elizabeth summoned Parliament to investigate a Roman Catholic plot against her. Bacon's opposition to a bill that would levy triple subsidies in half the usual time offended the Queen: opponents accused him of seeking popularity, and for a time the Court excluded him from favour.When the office of Attorney General fell vacant in 1594, Lord Essex's influence was not enough to secure the position for Bacon and it was given to Sir Edward Coke. Likewise, Bacon failed to secure the lesser office of Solicitor General in 1595, the Queen pointedly snubbing him by appointing Sir Thomas Fleming instead. To console him for these disappointments, Essex presented him with a property at Twickenham, which Bacon subsequently sold for £1,800.In 1597 Bacon became the first Queen's Counsel designate, when Queen Elizabeth reserved him as her legal counsel. In 1597, he was also given a patent, giving him precedence at the Bar. Despite his designations, he was unable to gain the status and notoriety of others. In a plan to revive his position he unsuccessfully courted the wealthy young widow Lady Elizabeth Hatton. His courtship failed after she broke off their relationship upon accepting marriage to Sir Edward Coke, a further spark of enmity between the men. In 1598 Bacon was arrested for debt. Afterward, however, his standing in the Queen's eyes improved. Gradually, Bacon earned the standing of one of the learned counsels. His relationship with the Queen further improved when he severed ties with Essex—a shrewd move, as Essex would be executed for treason in 1601.With others, Bacon was appointed to investigate the charges against Essex. A number of Essex's followers confessed that Essex had planned a rebellion against the Queen. Bacon was subsequently a part of the legal team headed by the Attorney General Sir Edward Coke at Essex's treason trial. After the execution, the Queen ordered Bacon to write the official government account of the trial, which was later published as A DECLARATION of the Practices and Treasons attempted and committed by Robert late Earle of Essex and his Complices, against her Majestie and her Kingdoms ... after Bacon's first draft was heavily edited by the Queen and her ministers.According to his personal secretary and chaplain, William Rawley, as a judge Bacon was always tender-hearted, \. And also that \, \, and \.\n\nJames I comes to the throne\nThe succession of James I brought Bacon into greater favour. He was knighted in 1603. In another shrewd move, Bacon wrote his Apologies in defense of his proceedings in the case of Essex, as Essex had favoured James to succeed to the throne. The following year, during the course of the uneventful first parliament session, Bacon married Alice Barnham. In June 1607, he was at last rewarded with the office of solicitor general and, in 1608, he began working as the Clerkship of the Star Chamber. Despite a generous income, old debts still could not be paid. He sought further promotion and wealth by supporting King James and his arbitrary policies. In 1610, the fourth session of James's first parliament met. Despite Bacon's advice to him, James and the Commons found themselves at odds over royal prerogatives and the king's embarrassing extravagance. The House was finally dissolved in February 1611. Throughout this period Bacon managed to stay in the favor of the king while retaining the confidence of the Commons.\nIn 1613, Bacon was finally appointed attorney general, after advising the king to shuffle judicial appointments. As attorney general, Bacon, by his zealous efforts—which included torture—to obtain the conviction of Edmund Peacham for treason, raised legal controversies of high constitutional importance; and successfully prosecuted Robert Carr, 1st Earl of Somerset, and his wife, Frances Howard, Countess of Somerset, for murder in 1616. The so-called Prince's Parliament of April 1614 objected to Bacon's presence in the seat for Cambridge and to the various royal plans that Bacon had supported. Although he was allowed to stay, parliament passed a law that forbade the attorney general to sit in parliament. His influence over the king had evidently inspired resentment or apprehension in many of his peers. Bacon, however, continued to receive the King's favour, which led to his appointment in March 1617 as temporary Regent of England (for a period of a month), and in 1618 as Lord Chancellor. On 12 July 1618 the king created Bacon Baron Verulam, of Verulam, in the Peerage of England; he then became known as Francis, Lord Verulam.Bacon continued to use his influence with the king to mediate between the throne and Parliament, and in this capacity he was further elevated in the same peerage, as Viscount St Alban, on 27 January 1621.\n\nLord Chancellor and public disgrace\nBacon's public career ended in disgrace in 1621. After he fell into debt, a parliamentary committee on the administration of the law charged him with 23 separate counts of corruption. His lifelong enemy, Sir Edward Coke, who had instigated these accusations, was one of those appointed to prepare the charges against the chancellor. To the lords, who sent a committee to enquire whether a confession was really his, he replied, \"My lords, it is my act, my hand, and my heart; I beseech your lordships to be merciful to a broken reed.\" He was sentenced to a fine of £40,000 and committed to the Tower of London at the king's pleasure; the imprisonment lasted only a few days and the fine was remitted by the king. More seriously, parliament declared Bacon incapable of holding future office or sitting in parliament. He narrowly escaped undergoing degradation, which would have stripped him of his titles of nobility. Subsequently, the disgraced viscount devoted himself to study and writing.\nThere seems little doubt that Bacon had accepted gifts from litigants, but this was an accepted custom of the time and not necessarily evidence of deeply corrupt behaviour. While acknowledging that his conduct had been lax, he countered that he had never allowed gifts to influence his judgement and, indeed, he had on occasion given a verdict against those who had paid him. He even had an interview with King James in which he assured:\n\nThe law of nature teaches me to speak in my own defence: With respect to this charge of bribery I am as innocent as any man born on St. Innocents Day. I never had a bribe or reward in my eye or thought when pronouncing judgment or order... I am ready to make an oblation of myself to the King\nHe also wrote the following to Buckingham:\n\nMy mind is calm, for my fortune is not my felicity. I know I have clean hands and a clean heart, and I hope a clean house for friends or servants; but Job himself, or whoever was the justest judge, by such hunting for matters against him as hath been used against me, may for a time seem foul, especially in a time when greatness is the mark and accusation is the game. \nAs the conduct of accepting gifts was ubiquitous and common practice, and the Commons was zealously inquiring into judicial corruption and malfeasance, it has been suggested that Bacon served as a scapegoat to divert attention from Buckingham's own ill practice and alleged corruption.The true reason for his acknowledgement of guilt is the subject of debate, but some authors speculate that it may have been prompted by his sickness, or by a view that through his fame and the greatness of his office he would be spared harsh punishment. He may even have been blackmailed, with a threat to charge him with sodomy, into confession.The British jurist Basil Montagu wrote in Bacon's defense, concerning the episode of his public disgrace:\n\nBacon has been accused of servility, of dissimulation, of various base motives, and their filthy brood of base actions, all unworthy of his high birth, and incompatible with his great wisdom, and the estimation in which he was held by the noblest spirits of the age. It is true that there were men in his own time, and will be men in all times, who are better pleased to count spots in the sun than to rejoice in its glorious brightness. Such men have openly libelled him, like Dewes and Weldon, whose falsehoods were detected as soon as uttered, or have fastened upon certain ceremonious compliments and dedications, the fashion of his day, as a sample of his servility, passing over his noble letters to the Queen, his lofty contempt for the Lord Keeper Puckering, his open dealing with Sir Robert Cecil, and with others, who, powerful when he was nothing, might have blighted his opening fortunes for ever, forgetting his advocacy of the rights of the people in the face of the court, and the true and honest counsels, always given by him, in times of great difficulty, both to Elizabeth and her successor. When was a \ loved and honoured by piety such as that of Herbert, Tennison, and Rawley, by noble spirits like Hobbes, Ben Jonson, and Selden, or followed to the grave, and beyond it, with devoted affection such as that of Sir Thomas Meautys.\n\nPersonal life\nReligious beliefs\nBacon was a devout Anglican. He believed that philosophy and the natural world must be studied inductively, but argued that we can only study arguments for the existence of God. Information about God's attributes (such as nature, action, and purposes) can only come from special revelation. Bacon also held that knowledge was cumulative, that study encompassed more than a simple preservation of the past. \"Knowledge is the rich storehouse for the glory of the Creator and the relief of man's estate,\a little philosophy inclineth man's mind to atheism, but depth in philosophy bringeth men's minds about to religion.\The causes of atheism are: divisions in religion, if they be many; for any one main division, addeth zeal to both sides; but many divisions introduce atheism. Another is, scandal of priests; when it is come to that which St. Bernard saith \. A third is, custom of profane scoffing in holy matters; which doth by little and little deface the reverence of religion. And lastly, learned times, specially with peace and prosperity; for troubles and adversities do more bow men's minds to religion.\"\n\nArchitectural projects\nBacon built Verulam House to his own designs.\n\nMarriage to Alice Barnham\nWhen he was 36, Bacon courted Elizabeth Hatton, a young widow of 20. Reportedly, she broke off their relationship upon accepting marriage to a wealthier man, Bacon's rival, Sir Edward Coke. Years later, Bacon still wrote of his regret that the marriage to Hatton had not taken place.At the age of 45, Bacon married Alice Barnham, the 13-year-old daughter of a well-connected London alderman and MP. Bacon wrote two sonnets proclaiming his love for Alice. The first was written during his courtship and the second on his wedding day, 10 May 1606. When Bacon was appointed lord chancellor, \, Lady Bacon was given precedence over all other Court ladies. Bacon's personal secretary and chaplain, William Rawley, wrote in his biography of Bacon that his marriage was one of \"much conjugal love and respect\", mentioning a robe of honour that he gave to Alice and which \"she wore unto her dying day, being twenty years and more after his death\".However, an increasing number of reports circulated about friction in the marriage, with speculation that this may have been due to Alice's making do with less money than she had once been accustomed to. It was said that she was strongly interested in fame and fortune, and when household finances dwindled, she complained bitterly. Bunten wrote in her Life of Alice Barnham that, upon their descent into debt, she went on trips to ask for financial favours and assistance from their circle of friends. Bacon disinherited her upon discovering her secret romantic relationship with Sir John Underhill, rewriting his will (which had generously planned to leave her lands, goods, and income) and revoking her entirely as a beneficiary.\n\nSexuality\nSeveral authors believe that, despite his marriage, Bacon was primarily attracted to men. Forker, for example, has explored the \ of both Francis Bacon and King James I and concluded they were both oriented to \, a contemporary term that \The well-connected antiquary John Aubrey noted in his Brief Lives concerning Bacon, \. (\ in Renaissance diction meant generally \ rather than specifically a lover of minors; \ derives from the mythical prince abducted by Zeus to be his cup-bearer and bed warmer.)\nThe Jacobean antiquarian Sir Simonds D'Ewes (Bacon's fellow Member of Parliament) implied there had been a question of bringing him to trial for buggery, which his brother Anthony Bacon had also been charged with.In his Autobiography and Correspondence, in the diary entry for 3 May 1621, the date of Bacon's censure by Parliament, D'Ewes describes Bacon's love for his Welsh serving-men, in particular Godrick, a \"very effeminate-faced youth\" whom he calls \"his catamite and bedfellow\".This conclusion has been disputed by others, who point to lack of consistent evidence, and consider the sources to be more open to interpretation. Publicly, at least, Bacon distanced himself from the idea of homosexuality. In his New Atlantis, he described his utopian island as being \"the chastest nation under heaven\", and \"as for masculine love, they have no touch of it\".\n\nDeath\nOn 9 April 1626, Bacon died of pneumonia while at Arundel mansion at Highgate outside London. An influential account of the circumstances of his death was given by John Aubrey's Brief Lives. Aubrey's vivid account, which portrays Bacon as a martyr to experimental scientific method, had him journeying to High-gate through the snow with the King's physician when he is suddenly inspired by the possibility of using the snow to preserve meat:They were resolved they would try the experiment presently. They alighted out of the coach and went into a poor woman's house at the bottom of Highgate hill, and bought a fowl, and made the woman exenterate it.\nAfter stuffing the fowl with snow, Bacon contracted a fatal case of pneumonia. Some people, including Aubrey, consider these two contiguous, possibly coincidental events as related and causative of his death:The Snow so chilled him that he immediately fell so extremely ill, that he could not return to his Lodging ... but went to the Earle of Arundel's house at Highgate, where they put him into ... a damp bed that had not been layn-in ... which gave him such a cold that in 2 or 3 days as I remember Mr Hobbes told me, he died of Suffocation.Aubrey has been criticized for his evident credulousness in this and other works; on the other hand, he knew Thomas Hobbes, Bacon's fellow-philosopher and friend.\nBeing unwittingly on his deathbed, the philosopher dictated his last letter to his absent host and friend Lord Arundel:My very good Lord,—I was likely to have had the fortune of Caius Plinius the elder, who lost his life by trying an experiment about the burning of Mount Vesuvius; for I was also desirous to try an experiment or two touching the conservation and in-duration of bodies. As for the experiment itself, it succeeded excellently well; but in the journey between London and High-gate, I was taken with such a fit of casting as I know not whether it were the Stone, or some surfeit or cold, or indeed a touch of them all three. But when I came to your Lordship's House, I was not able to go back, and therefore was forced to take up my lodging here, where your housekeeper is very careful and diligent about me, which I assure myself your Lordship will not only pardon towards him, but think the better of him for it. For indeed your Lordship's House was happy to me, and I kiss your noble hands for the welcome which I am sure you give me to it. I know how unfit it is for me to write with any other hand than mine own, but by my troth my fingers are so disjointed with sickness that I cannot steadily hold a pen.\nAnother account appears in a biography by William Rawley, Bacon's personal secretary and chaplain:He died on the ninth day of April in the year 1626, in the early morning of the day then celebrated for our Savior's resurrection, in the sixty-sixth year of his age, at the Earl of Arundel's house in Highgate, near London, to which place he casually repaired about a week before; God so ordaining that he should die there of a gentle fever, accidentally accompanied with a great cold, whereby the defluxion of rheum fell so plentifully upon his breast, that he died by suffocation.\nHe was buried in St Michael's Church in St Albans. At the news of his death, over 30 great minds collected together their eulogies of him, which were then later published in Latin.\nHe left personal assets of about £7,000 and lands that realised £6,000 when sold. His debts amounted to more than £23,000, equivalent to more than £4m at current value.\n\nPhilosophy and works\nFrancis Bacon's philosophy is displayed in the vast and varied writings he left, which might be divided into three great branches:\n\nScientific works in which his ideas for a universal reform of knowledge into scientific methodology and the improvement of mankind's state using the Scientific method are presented.\nReligious and literary works in which he presents his moral philosophy and theological meditations.\nJuridical works in which his reforms in English Law are proposed.\n\nInfluence and legacy\nScience\nBacon's seminal work Novum Organum was influential in the 1630s and 1650s among scholars, in particular Sir Thomas Browne, who in his encyclopedia Pseudodoxia Epidemica (1646–72) frequently adheres to a Baconian approach to his scientific enquiries. This book entails the basis of the scientific method as a means of observation and induction.\nAccording to Bacon, learning and knowledge all derive from the basis of inductive reasoning. Through his belief in experimental encounters, he theorised that all the knowledge that was necessary to fully understand a concept could be attained using induction. In order to get to the point of an inductive conclusion, one must consider the importance of observing the particulars (specific parts of nature). \ Experimentation is essential to discovering the truths of Nature. When an experiment happens, parts of the tested hypothesis are started to be pieced together, forming a result and conclusion. Through this conclusion of particulars, an understanding of Nature can be formed. Now that an understanding of Nature has been arrived at, an inductive conclusion can be drawn. \Bacon explains how we come to this understanding and knowledge because of this process in comprehending the complexities of nature. \ Bacon described the evidence and proof revealed through taking a specific example from nature and expanding that example into a general, substantial claim of nature. Once we understand the particulars in nature, we can learn more about it and become surer of things occurring in nature, gaining knowledge and obtaining new information all the while. \ Bacon states that when we come to understand parts of nature, we can eventually understand nature better as a whole because of induction. Because of this, Bacon concludes that all learning and knowledge must be drawn from inductive reasoning.\nDuring the Restoration, Bacon was commonly invoked as a guiding spirit of the Royal Society founded under Charles II in 1660. During the 18th-century French Enlightenment, Bacon's non-metaphysical approach to science became more influential than the dualism of his French contemporary Descartes, and was associated with criticism of the Ancien Régime. In 1733 Voltaire introduced him to a French audience as the \"father\" of the scientific method, an understanding which had become widespread by the 1750s. In the 19th century his emphasis on induction was revived and developed by William Whewell, among others. He has been reputed as the \"Father of Experimental Philosophy\".He also wrote a long treatise on Medicine, History of Life and Death, with natural and experimental observations for the prolongation of life.\nOne of his biographers, the historian William Hepworth Dixon, states: \"Bacon's influence in the modern world is so great that every man who rides in a train, sends a telegram, follows a steam plough, sits in an easy chair, crosses the channel or the Atlantic, eats a good dinner, enjoys a beautiful garden, or undergoes a painless surgical operation, owes him something.\The Virginia Colony\Bacon, Locke and Newton. I consider them as the three greatest men that have ever lived, without any exception, and as having laid the foundation of those superstructures which have been raised in the Physical and Moral sciences\the guiding spirit in Colonization Schemes in 1610\the sole embodiment of Bacon's thought\", saying that Bacon's legal work \, and that in France \.Harvey Wheeler attributed to Bacon, in Francis Bacon's Verulamium—the Common Law Template of The Modern in English Science and Culture, the creation of these distinguishing features of the modern common law system:\n\nusing cases as repositories of evidence about the \"unwritten law\";\ndetermining the relevance of precedents by exclusionary principles of evidence and logic;\ntreating opposing legal briefs as adversarial hypotheses about the application of the \"unwritten law\" to a new set of facts.As late as the 18th century, some juries still declared the law rather than the facts, but already before the end of the 17th century Sir Matthew Hale explained modern common law adjudication procedure and acknowledged Bacon as the inventor of the process of discovering unwritten laws from the evidences of their applications. The method combined empiricism and inductivism in a new way that was to imprint its signature on many of the distinctive features of modern English society. Paul H. Kocher writes that Bacon is considered by some jurists to be the father of modern Jurisprudence.Bacon is commemorated with a statue in Gray's Inn, South Square in London where he received his legal training, and where he was elected Treasurer of the Inn in 1608.More recent scholarship on Bacon's jurisprudence has focused on his advocating torture as a legal recourse for the crown. Bacon himself was not a stranger to the torture chamber; in his various legal capacities in both Elizabeth I's and James I's reigns, Bacon was listed as a commissioner on five torture warrants. In 1613(?), in a letter addressed to King James I on the question of torture's place within English law, Bacon identifies the scope of torture as a means to further the investigation of threats to the state: \ For Bacon, torture was not a punitive measure, an intended form of state repression, but instead offered a modus operandi for the government agent tasked with uncovering acts of treason.\n\nOrganization of knowledge\nFrancis Bacon developed the idea that a classification of knowledge must be universal while handling all possible resources. In his progressive view, humanity would be better if access to educational resources were provided to the public, hence the need to organise it. His approach to learning reshaped the Western view of knowledge theory from an individual to a social interest.\nThe original classification proposed by Bacon organised all types of knowledge into three general groups: history, poetry, and philosophy. He did that based on his understanding of how information is processed: memory, imagination, and reason, respectively. His methodical approach to the categorization of knowledge goes hand-in-hand with his principles of scientific methods. Bacon's writings were the starting point for William Torrey Harris's classification system for libraries in the United States by the second half of the 1800s.\nThe phrase \ (or \), meaning \, is commonly attributed to Bacon: the expression \ (\) occurs in his Meditationes Sacrae (1597).\n\nHistorical debates\nBacon and Shakespeare\nThe Baconian hypothesis of Shakespearean authorship, first proposed in the mid-19th century, contends that Francis Bacon wrote some or even all of the plays conventionally attributed to William Shakespeare.\n\nOccult theories\nFrancis Bacon often gathered with the men at Gray's Inn to discuss politics and philosophy, and to try out various theatrical scenes that he admitted writing. Bacon's alleged connection to the Rosicrucians and the Freemasons has been widely discussed by authors and scholars in many books. However, others, including Daphne du Maurier in her biography of Bacon, have argued that there is no substantive evidence to support claims of involvement with the Rosicrucians. Frances Yates does not make the claim that Bacon was a Rosicrucian, but presents evidence that he was nevertheless involved in some of the more closed intellectual movements of his day. She argues that Bacon's movement for the advancement of learning was closely connected with the German Rosicrucian movement, while Bacon's New Atlantis portrays a land ruled by Rosicrucians. He apparently saw his own movement for the advancement of learning to be in conformity with Rosicrucian ideals.The link between Bacon's work and the Rosicrucians' ideals which Yates allegedly found was the conformity of the purposes expressed by the Rosicrucian Manifestos and Bacon's plan of a \"Great Instauration\", for the two were calling for a reformation of both \"divine and human understanding\", as well as both, had in view the purpose of mankind's return to the \.Another major link is said to be the resemblance between Bacon's New Atlantis and the German Rosicrucian Johann Valentin Andreae's Description of the Republic of Christianopolis (1619). Andreae describes a utopic island in which Christian theosophy and applied science ruled, and in which the spiritual fulfilment and intellectual activity constituted the primary goals of each individual, the scientific pursuits being the highest intellectual calling—linked to the achievement of spiritual perfection. Andreae's island also depicts a great advancement in technology, with many industries separated in different zones which supplied the population's needs—which shows great resemblance to Bacon's scientific methods and purposes.While rejecting occult conspiracy theories surrounding Bacon and the claim Bacon personally identified as a Rosicrucian, intellectual historian Paolo Rossi has argued for an occult influence on Bacon's scientific and religious writing. He argues that Bacon was familiar with early modern alchemical texts and that Bacon's ideas about the application of science had roots in Renaissance magical ideas about science and magic facilitating humanity's domination of nature. Rossi further interprets Bacon's search for hidden meanings in myth and fables in such texts as The Wisdom of the Ancients as succeeding earlier occultist and Neoplatonic attempts to locate hidden wisdom in pre-Christian myths. As indicated by the title of his study, however, Rossi claims Bacon ultimately rejected the philosophical foundations of occultism as he came to develop a form of modern science.Rossi's analysis and claims have been extended by Jason Josephson-Storm in his study, The Myth of Disenchantment. Josephson-Storm also rejects conspiracy theories surrounding Bacon and does not make the claim that Bacon was an active Rosicrucian. However, he argues that Bacon's \"rejection\" of magic actually constituted an attempt to purify magic of Catholic, demonic, and esoteric influences and to establish magic as a field of study and application paralleling Bacon's vision of science. Furthermore, Josephson-Storm argues that Bacon drew on magical ideas when developing his experimental method. Josephson-Storm finds evidence that Bacon considered nature a living entity, populated by spirits, and argues Bacon's views on the human domination and application of nature actually depend on his spiritualism and personification of nature.The Rosicrucian organization AMORC claims that Bacon was the \"Imperator\" (leader) of the Rosicrucian Order in both England and the European continent, and would have directed it during his lifetime.Bacon's influence can also be seen on a variety of religious and spiritual authors, and on groups that have utilized his writings in their own belief systems.\n\nBibliography\nSome of the more notable works by Bacon are:\n\nEssays\n1st edition with 10 essays (1597)\n2nd edition with 38 essays (1612)\n3rd/final edition with 58 essays (1625)\nThe Advancement and Proficience of Learning Divine and Human (1605)\nInstauratio magna (The Great Instauration) (1620) – a multi-part work including Distributio operis (Plan of the Work); Novum Organum (The New Organon); Parasceve ad historiam naturalem (Preparatory for Natural History) and Catalogus historiarum particularium (Catalogue of Particular Histories)\nDe augmentis scientiarum (1623) – an enlargement of The Advancement of Learning translated into Latin\nNew Atlantis (1626)\n\nSee also\nCestui que (defence and comment on Chudleigh's Case)\nRomanticism and Bacon\nScientia potentia est\nWorks by Francis Bacon\n\nNotes\nPassage 3:\nRed Head, Florida\nRed Head is an unincorporated community in Washington County, Florida, United States. It is located along State Road 79 north of Ebro, and is the home of a local airstrip named Red Head Airport.\nPassage 4:\nHead I\nHead I is a relatively small oil and tempera on hardboard painting by the Irish-born British figurative artist Francis Bacon. Completed in 1948, it is the first in a series of six heads, the remainder of which were painted the following year in preparation for a November 1949 exhibition at the Hanover Gallery in London. Like the others in the series, it shows a screaming figure alone in a room, and focuses on the open mouth. The work shows a skull which has disintegrated on itself and is largely a formless blob of flesh. The entire upper half has disappeared, leaving only the jaw, mouth and teeth and one ear still intact. It is the first of Bacon's paintings to feature gold background railings or bars; later to become a prominent feature of his 1950s work, especially in the papal portraits where they would often appear as enclosing or cages around the figures. It is not known what influences were behind the image; most likely they were multiple – press or war photography, and critic Denis Farr detects the influence of Matthias Grünewald.Bacon juxtaposes traditional elements of portraiture with loose, spontaneous brushwork. In some passages he has rubbed or brushed out (perhaps with a cloth) the paint, a technique art historian Armin Zweite describes as \. There are a number of ambiguous elements in the work. The hanging tassel rest just above the figure's right ear, giving the impression that it has hooked the head and is pulling it sideways. The gold railings suggest in the top right suggest the corner of a room, while those in the center background may be the headboard of a bed. The upper half is largely void of detail, while the lower portion, particularly the lower third has been heavily reworked, and consists of a blending of white, gray and black pigments.The use of heavy impasto gives the impression of animal skin; critic Robert Melville described the \"color of wet, black snakes lightly powdered with dust\". In 1951 Bacon said of his choice of colour and gloss; \"One of the problems is to paint like Velázquez, but with the texture of a hippopotamus skin\", and later \"I had an idea in those days that textures should be very much thicker, and therefore the texture of, for instance a rhinoceros skin would help me to think about the texture of the human skin\". Furthering this impression, the mouth and teeth resemble those of a howling fanged animal.Bacon began the Head series out of necessity; he was granted the 1949 exhibition at the Hayward a year in advance, but had not painted at all in 1947, and had only a few works he was happy with from 1948. Over time, the series became something quite apart from his initial idea; Head VI turned into the first of his many examinations of Velázquez's c. 1650 Portrait of Innocent X.\n\nSee also\nList of paintings by Francis Bacon\nPassage 5:\nSun Ce\nSun Ce (Chinese: 孫策; pinyin: Sūn Cè; Wade–Giles: Sun1 Ts‘ê4) (pronunciation ) (175 – 5 May 200), courtesy name Bofu, was a Chinese military general, politician, and warlord who lived during the late Eastern Han dynasty of China. He was the eldest child of Sun Jian, who was killed during the Battle of Xiangyang when Sun Ce was only 16. Sun Ce then broke away from his father's overlord, Yuan Shu, and headed to the Jiangdong region in southern China to establish his own power base there. With the help of several people, such as Zhang Zhao and Zhou Yu, Sun Ce managed to lay down the foundation of the state of Eastern Wu during the Three Kingdoms period.\nIn 200, when the warlord Cao Cao was at war with his rival Yuan Shao in the Battle of Guandu, Sun Ce was rumoured to be planning an attack on Xuchang, Cao Cao's base. However, he was assassinated before he could carry out the plan. Sun Ce was posthumously honoured as \ (長沙桓王) by his younger brother Sun Quan when the latter became the founding emperor of Eastern Wu.\nChen Shou's Records of the Three Kingdoms (Sanguozhi) describes Sun Ce as a handsome man who was full of laughter. He was also a generous and receptive man who employed people according to their abilities. As such, his subjects were willing to risk their lives for him. One detractor named Xu Gong, in a letter to Emperor Xian, compared Sun Ce to Xiang Yu, the warrior-king who overthrew the Qin dynasty. As a result, Sun Ce was also referred to as the \"Little Conqueror\" in popular culture. Sun Ce is depicted in the Wu Shuang Pu (無雙譜, Table of Peerless Heroes) by Jin Guliang.\n\nEarly life and career\nBorn in 175, Sun Ce was the eldest son of Sun Jian, a military general serving under the Eastern Han dynasty. In 190, a year after Emperor Ling died, the warlord Dong Zhuo usurped power, placing in the throne the puppet Emperor Xian. Regional warlords in eastern China then launched a campaign against Dong Zhuo. Sun Jian rendered his service to Yuan Shu, one of the leaders of the coalition. The attempt to oust Dong Zhuo soon failed and China slid into a series of massive civil wars. In the next year, Sun Jian was sent by Yuan Shu to attack Liu Biao, governor of Jing Province, but he was killed in an ambush.\nSun Ce brought his father's body to Qu'e (曲阿; present-day Danyang, Jiangsu) for burial and settled his mother down before heading for Danyang, where his maternal uncle Wu Jing was the governor. There he raised a small militia a few hundred in strength. This small force was far from sufficient for him to establish his own power so in 194 Sun Ce went to Yuan Shu. Yuan Shu was very impressed with Sun Ce and often lamented that he had no son like him. He also returned Sun Jian's former division of troops to Sun Ce.\nInitially, Yuan Shu promised to appoint Sun Ce the governor of Jiujiang but eventually gave the governorship to Chen Ji (陳紀). Later, when Yuan Shu was denied a large loan of grains from the governor of Lujiang, he sent Sun Ce to attack the latter, promising to make Sun Ce the governor of Lujiang should he succeed. When Sun Ce did, however, Yuan Shu again went back on his words and appointed someone else instead. The disappointed Sun Ce then began to contemplate leaving.\nMeanwhile, Liu Yao, who was by imperial decree the governor of Yang Province, occupied Qu'e as the regional seat Shouchun was already occupied by Yuan Shu. He then forced Wu Jing back west across the Yangtze River to Liyang (歷陽; present-day He County, Anhui). However, Yuan Shu claimed to be the rightful governor and sent Wu Jing and Sun Ce's cousin Sun Ben to attack Liu Yao. After they were unable to break down Liu Yao's defences for more than a year, Sun Ce requested to lead forces to assist the effort.\n\nConquest of Wu territory\nThough Yuan Shu knew Sun Ce intended to leave, he believed the latter would not be able to defeat Liu Yao. Thus he deployed the young general off with merely a thousand odd troops and a tiny cavalry force. Along with a few hundred more willing followers, Sun Ce proceeded to Liyang, where he boosted his strength to more than 5,000. He then launched an offensive across the Yangtze River and successfully occupied the strategic position of Niuzhu (牛渚; southwest of present-day Ma'anshan, Anhui) in 195.\nTwo of Liu Yao's allies then came south from Pengcheng and Xiapi respectively to aid him. Sun Ce chose to first attack one of them, Ze Rong, who made camp south of Moling. After suffering initial defeat in the hands of the aggressor, Ze Rong fell back in defence and refused to engage in battle. Sun Ce then marched further north and attacked Xue Li (薛禮) in Moling. Although Xue Li soon gave up the city and escaped, Liu Yao's subordinate Fan Neng (樊能) and others had regrouped their forces and launched a renewed attack on Niuzhu. Turning back, Sun Ce defeated Fan Neng and secured Niuzhu. He then began a second offensive against Ze Rong. However, he was struck by a stray arrow in the thigh. Returning to Niuzhu, he sent out false words that he was killed in battle. The exulted Ze Rong then sent a force to attack. Sun Ce led the enemies into an ambush and annihilated them. When Ze Rong heard that Sun Ce was still alive, he further reinforced his defences.\nSun Ce then temporarily gave up attacking Ze Rong and focused his forces on Qu'e. After all the surrounding areas were taken over by Sun Ce, Liu Yao gave up the city and escaped south to Nanchang, capital of Yuzhang Commandery, where he died later. Hua Xin, administrator of Yuzhang, joined Sun's forces. As Sun Ce implemented strict discipline among his troops, he won the instant support of the local people and gathered many talented men, such as Chen Wu, Zhou Tai, Jiang Qin, Zhang Zhao, Zhang Hong, Qin Song, and Lü Fan. He then pushed his force deeper into Yang Province and conquered Kuaiji along the southern shore of Hangzhou Bay, whose governor Wang Lang surrendered. Sun Ce made Kuaiji his base city and struck out at the wandering bandit army led by Yan Baihu. Yan Baihu sent his younger brother Yan Yu (嚴輿) to offer Sun Ce a position alongside Yan Baihu, but Sun Ce showed no mercy and personally slew the emissary. As Yan Yu was known among Yan Baihu's men as a fierce warrior, his death struck fear into their hearts and they were soon defeated. Sun Ce then appointed his relatives and a trusted subject to govern Danyang and Yuzhang, from which he divided a new commandery named Luling (廬陵). His campaign, from the occupation of Niuzhu to the conquest of the entire region southeast of the Long River, took less than a year. He then defeated and received the services of Zu Lang (祖郎), the Chief of Danyang, and Taishi Ci, the leader of the remnants of Liu Yao's forces; he then urged the surrender of Hua Xin, another one of the remnants of Liu Yao's forces. Thus, with the exception of the scattered but still numerous army of Yan Baihu, the lands south of the Yangtze were mostly pacified.\nThe barbarians of Shanyue tribe, however, were not easily dealt with. To counter the frequent rebellions of the Shanyue (who would continue to rebel for many years), Sun Ce appointed He Qi to a military rank with orders to subdue the Shanyue. He Qi became a highly successful general later; truly, his appointment by Sun Ce was the first important step to Wu's eventual subjugation of the Shanyue.\n\nLater life\nIn 197, Yuan Shu declared himself emperor – an act deemed treasonous against the Han dynasty. In a letter to Yuan Shu, Sun Ce denounced the move and broke ties with the former. In an effort to garner support from Sun Ce, the rising warlord Cao Cao then recommended him to be appointed General Who Attacks Rebels (討逆將軍) and enfeoffed as the Marquis of Wu (吳侯). In 199 Yuan Shu died of sickness along with his short-lived Zhong Dynasty. His cousin Yuan Yin (袁胤) feared Cao Cao and gave up Shouchun. Bringing along Yuan Shu's coffin and his former troops, he headed to Wan County (皖縣; present-day Qianshan County, Anhui) to seek refuge under Liu Xun (劉勳). As Liu Xun had insufficient food supplies in his realm to support the additional troops, he led a force south to pillage Haihun (海昏; east of present-day Yongxiu County, Jiangxi).\nSun Ce was en route to attack Huang Zu in Xiakou when he received the news. He then turned back and captured the poorly-defended Wan County, taking over all of Yuan Shu's 30,000 former troops. Hearing that his base city had been taken, Liu Xun headed west and sought help from Huang Zu, who sent a 5,000-strong naval force to assist him. Sun Ce pressed forward and defeated Liu Xun, who escaped north to Cao Cao. Sun Ce annexed more than 2,000 former troops and 1,000 ships of his enemy and came upon Huang Zu. Despite reinforcements from Liu Biao, Huang Zu was utterly defeated. During the battle, Sun Ce slew Liu Biao's officer, Han Xi (韓希), and completely routed Huang Zu's son, Huang She (黃射).\nThe victorious Sun Ce in 199 looked poised to take over the entire southern China. As he was threatened by rival Yuan Shao in the north and could not divide his attention, Cao Cao attempted to further reinforce the alliance with Sun Ce by marrying the daughter of his relative Cao Ren to Sun Ce's youngest brother Sun Kuang. Sun Ce in turn agreed to marry Sun Ben's daughter to Cao Cao's son Cao Zhang.\nThe former administrator of Wu Commandery, Xu Gong, had long opposed Sun Ce. Xu Gong wrote to Emperor Xian, recommending the emperor to summon Sun Ce to the capital as he deemed Sun Ce to be a hero comparable to Xiang Yu and too dangerous to be allowed to occupy a territory. However, the letter was intercepted by an official loyal to Sun Ce, who attacked and then had Xu Gong executed. Xu Gong's former servants then kept a low profile and waited for chance to revenge.\nIn the year 200, Cao Cao engaged in the decisive Battle of Guandu with Yuan Shao along the shores of the Yellow River, leaving the capital and his base city Xuchang poorly guarded. Sun Ce is said to have then plotted to attack Xuchang under the banner of rescuing Emperor Xian, who was a figurehead under Cao Cao's control. Preparations were underway for the military excursion when Sun Ce ran into three former servants of Xu Gong during a solo hunting trip. One of them managed to plant an arrow into Sun Ce's cheek before Sun Ce's men arrived and slew the assassins. Many differing accounts of Sun Ce's death exist (see below). One generally accepted scenario is that he died that same night.\nAnother possible scenario has Sun Ce living for quite some time. The physician told Sun Ce to rest still for a hundred days to allow the wound to heal, but Sun Ce looked into the mirror one day and, seeing his scar, became so enraged that he slammed his table. The large movement caused the wound to break and he died in the same night. Although he was survived by one son, Sun Ce passed his legacy to his younger brother, Sun Quan. When Sun Quan declared himself emperor of the state of Eastern Wu in 222, he honoured Sun Ce with the posthumous title \ (長沙桓王).\nSun Ce was succeeded by a posthumous son, Sun Shao (孫紹), as well as at least two (possibly three) daughters, married to Gu Shao and later Zhu Ji (朱紀), and Lu Xun respectively. Sun Shao bore one son, Sun Feng (孫奉), who was executed by Sun Hao for alleged treason due to his popularity.\n\nDispute over cause of death\nSun Sheng (孫盛) in his Exposition on Disparities and Similarities (異同評) discounted the theory that Sun Ce made plans to attack Xuchang. He believed that although Sun Ce was a rising power, he was threatened in the west by Huang Zu, who was defeated but not eliminated, in the north by Chen Deng, governor of Guangling Commandery, and in the south by indigenous tribes yet to be assimilated. These prevented Sun Ce from striking far out at Xuchang and moving the emperor to southeastern China. He further argued that Sun Ce died on the fifth day in the fourth month of 200, before the Battle of Guandu even took place.\nPei Songzhi, who annotated the Records of the Three Kingdoms, rebutted Sun Sheng, arguing that Huang Zu was newly broken and had yet to recollect his forces while the indigenous tribes were scattered and not much of a threat. Pei Songzhi believed that the first objective of Sun Ce's planned northward excursion was to attack Chen Deng, which would provide a platform for capturing Xuchang. On the other hand, Cao Cao and Yuan Shao had been engaging in skirmishes and small-scale battles before Sun Ce's death. Thus there was in fact no discrepancy in timing.\nA historically implausible legend regarding Sun Ce's death involves a highly respected Taoist priest of his time, Gan Ji (干吉), whom he condemned as a sorcerer due to his popularity. Despite petitions from his subjects and his own mother, Sun Ce ordered Gan Ji's execution. According to In Search of the Supernatural (搜神記) by Gan Bao (干竇), a compilation largely based on legends and hearsay, Sun Ce began to see apparitions of Gan Ji ever since the execution of the latter. After he was injured by assassins, Sun Ce was told by the physician to rest still to allow the wound to heal. However, he looked into the mirror one day and saw Gan Ji's face, whereupon he let out a cry and slammed the mirror. His wound broke and he died shortly. This version was adopted and further dramatised in the 14th-century historical novel Romance of the Three Kingdoms, in which Gan Ji's name was taken to be \ (于吉).\n\nFamily\nIn popular culture\nChinese opera\nIn Peking opera, Sun Ce's role is usually that of a hero or tragic hero, while his brother, Sun Quan is usually portrayed as a villain at worst or self-seeking at best. Several operas even toy with the idea that Sun Quan had Sun Ce assassinated so that he could take control of the warlord state, though there is no historical evidence to support this view. In the opera Fenghuang Er Qiao, Sun Ce borrows 3,000 troops from Yuan Shu and allies with the Qiao army, which is led by the Two Qiaos. Sun Ce, the protagonist of the opera, eventually gains Da Qiao's hand in marriage through a martial arts contest with the help of Zhou Yu and Xiao Qiao.\n\nFilm and television\nIn the 1983 Shaw Brothers Studio film The Weird Man, Sun Ce has Yu Ji executed and the sorcerer becomes a vengeful ghost. In this film Sun Ce is portrayed as the anti-hero and Yu Ji as the hero due to the controversy between them in the novel. The 1993 Hong Kong film Ninja in Ancient China is also adapted from this story except Yu Ji's apprentices try to avenge him.\nSha Yi portrayed Sun Ce in the 2010 Chinese television series Three Kingdoms.\n\nComics and anime\nIn the anime Yokoyama Mitsuteru Sangokushi, Sun Ce fights alongside his father against Dong Zhuo and is befriended by Liu Bei, Guan Yu, and Zhang Fei, with whom he trains to become a hero.\nThe protagonist of the manga/anime Ikki Tousen, Sonsaku Hakufu, is loosely based on the historical figure Sun Ce (\"Sonsaku Hakufu\" being the Japanese reading of Sun Ce's name and courtesy name). Her guardian, Shuuyu Koukin, bears the same name and personality as Zhou Yu.\nIn the anime Kōtetsu Sangokushi, Sun Ce is portrayed as a once kind-hearted and virtuous hero who was corrupted by the power of the Imperial Seal, causing him to kill its protector.\nIn the Chinese manhua The Ravages of Time, Sun Ce is a cunning, ruthless and manipulative character.\n\nVideo games\nSun Ce appears in Koei's Romance of the Three Kingdoms strategy game series.\nSun Ce is featured as a playable character in Koei's Dynasty Warriors video game series, as well as Warriors Orochi, a crossover between Dynasty Warriors and Samurai Warriors.\nSun Ce is also a legendary character in Creative Assembly's Total War: Three Kingdoms, the newest part of the Total War video games series which was released on May 23, 2019.\nSun Ce is also a playable character in the fighting game Sango Fighter 2.\n\nCard games\nIn the collectible card game Magic: The Gathering there is a card named \"Sun Ce, Young Conqueror\", in the Portal Three Kingdoms set.\n\nSee also\nLists of people of the Three Kingdoms\nEastern Wu family trees\n\nNotes\nPassage 6:\nGorgons Head\nGorgons Head (79°33′S 157°30′E) is a peak southeast of Mount Hughes in the Cook Mountains of Antarctica. The peak is sandstone with dolerite intrusions and is a sharp summit ridge. It was named after the Gorgons, three winged creatures of Greek mythology only one of which (Medusa) could be killed by having its head cut off.\nPassage 7:\nLouise of Savoy\nLouise of Savoy (11 September 1476 – 22 September 1531) was a French noble and regent, Duchess suo jure of Auvergne and Bourbon, Duchess of Nemours and the mother of King Francis I and Marguerite of Navarre. She was politically active and served as the regent of France in 1515, in 1525–1526 and in 1529.\n\nFamily and early life\nLouise of Savoy was born at Pont-d'Ain, the eldest daughter of Philip II, Duke of Savoy and his first wife, Margaret of Bourbon. Her brother, Philibert II, Duke of Savoy, succeeded her father as ruler of the duchy and head of the House of Savoy. He was, in turn, succeeded by their half-brother Charles III, Duke of Savoy.\nBecause her mother died when she was only seven, she was brought up by Anne de Beaujeu, who was regent of France for her brother Charles VIII. At Amboise she met Margaret of Austria (daughter of Maximlian and Mary of Burgundy), who was betrothed to the young king and with whom Louise would negotiate peace several decades later.\n\nMarriage\nAt age eleven, Louise married Charles of Orléans, Count of Angoulême, on 16 February 1488 in Paris. She only began living with him when she was fifteen, though. Despite her husband having two mistresses, the marriage was not unhappy and they shared a love for books.\nThe household of Charles was presided over by his châtelaine Antoinette de Polignac, Dame de Combronde, by whom he had two illegitimate daughters, Jeanne of Angoulême and Madeleine. Antoinette became Louise's lady-in-waiting and confidante. Her children were raised alongside Louise's own. Charles had another illegitimate daughter, Souveraine, by Jeanne le Conte, who also lived in the Angoulême chateau. She would later arrange marriages for her husband's illegitimate children.Their first child, Marguerite, was born on 11 April 1492; their second child, Francis, was born on 12 September 1494.\nWhen her husband fell ill after going out riding in the winter of 1495, she nursed him and suffered much grief when he died on 1 January 1496.\n\nWidowed and motherhood\nWhen she was widowed at the young age of 19, Louise deftly manoeuvred her children into a position that would secure for each of them a promising future. Though they remained in Cognac for two years, she moved her family to court at the ascension of King Louis XII, her husband's cousin.\nLouise had a keen awareness of the intricacies of politics and diplomacy, and was deeply interested in the advances in arts and sciences in Renaissance Italy. She made certain that her children were educated in the spirit of the Italian Renaissance, also helped by her Italian confessor, Cristoforo Numai from Forlì. She commissioned books specifically for them and she taught Francis Italian and Spanish.When Louis XII became ill in 1505, he determined that Francis should succeed him and that both Louise and his wife Anne of Brittany should be part of the regency council. He recovered and Francis became a favourite of the king, who eventually gave him his daughter Claude of France in marriage on 8 May 1514. Following the marriage, Louis XII designated Francis as his heir.\n\nMother of the King\nWith the death of Louis XII on 1 January 1515, Francis became king of France. On 4 February 1515, Louise was named Duchess of Angoulême, and on 15 April 1524, Duchess of Anjou.\n\nThe Bourbon inheritance\nHer mother having been one of the sisters of the last dukes of the main branch of Bourbon, after the death of Suzanne, Duchess of Bourbon, in 1521, Louise, on basis of proximity of blood, advanced claims to the Duchy of Auvergne and other possessions of the Bourbons. This led her (supported by her son) in rivalry against Charles III, Duke of Bourbon, Suzanne's widower, whom she proposed to marry in order to settle the Bourbon inheritance issue. When her suit was insultingly rejected by Charles, Louise instigated efforts to undermine him. This led to Charles' exile and his attempt to regain his lost status by waging war against the King. He died in 1527 having failed to regain his lost lands and titles. Louise recovered Auvergne from confiscations and became duchess in the name of her son.\n\nRegent\nLouise of Savoy remained politically active on behalf of her son in the early years of his reign especially. During his absences, she acted as regent on his behalf. Louise served as the Regent of France in 1515, during the king's war in Italy, and again from 1525 to 1526, when the king was at war and during his time as a prisoner in Spain.\nIn 1524, she sent one of her servants, Jean-Joachim de Passano, to London to open unofficial negotiations with Cardinal Wolsey for a peace treaty; the negotiations were not a success, although they may have prepared the ground for the Treaty of the More the following year.\n\nShe initiated friendly relations with the Ottoman Empire by sending a mission to Suleiman the Magnificent requesting assistance, but the mission was lost on its way in Bosnia. In December 1525, a second mission was sent, led by John Frangipani, which managed to reach Constantinople, the Ottoman capital, with secret letters asking for the deliverance of King Francis I and an attack on the Habsburg. Frangipani returned with a positive answer from Suleiman, on 6 February 1526, initiating the first steps of a Franco-Ottoman alliance.She was the principal negotiator for the Treaty of Cambrai between France and the Holy Roman Empire, which concluded on 3 August 1529. That treaty, called \"the Ladies' Peace\Bù Dá Peì Sī\Gold Medal Comedy Class\father of winter mountaineering,\, : [, ], : 11648, : , : , : null, : }
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| {: , : the most outstanding among Hoysala kings\he vied in glory with his grandfather\Hoysala imperialism\Establisher of the Chola kingdom\Hoysala emperor\Emperor of the south\Gloriously if briefly the Hoysalas were paramount throughout most of the Kannada speaking Deccan, and could pose a arbiters in the lusher lands below the Eastern Ghats\Emperor among poets\Bertie\rather distressed\I really think it would gratify her if you yourself proposed the name Albert to her.\I am all impatience to see the new one, born on such a sad day but rather more dear to me, especially as he will be called by that dear name which is a byword for all that is great and good.\Albert Frederick Arthur George\Bertie\may supplant the less favoured one\easily frightened and somewhat prone to tears\official mentor\Industrial Prince\made or marred\Lilibet\After I am dead, the boy will ruin himself in twelve months\I pray God that my eldest son will never marry and that nothing will come between Bertie and Lilibet and the throne.\When I told her what had happened, I broke down and sobbed like a child.\George VI\His Royal Highness Prince Edward\Royal Highness\Duke of Windsor\Royal Highness\the most unconstitutional act by a British sovereign in the present century\the Statute of Westminster had assumed full reality\the free and equal association of the nations of the Commonwealth\I am glad we have been bombed. It makes me feel we can look the East End in the face.\the closest personal relationship in modern British history between a monarch and a Prime Minister\You should worry, when I meet him, I always think he's after mine!\"In 1945, crowds shouted \"We want the King!\" in front of Buckingham Palace during the Victory in Europe Day celebrations. In an echo of Chamberlain's appearance, the King invited Churchill to appear with the royal family on the balcony to public acclaim. In January 1946, George addressed the United Nations at its first assembly, which was held in London, and reaffirmed \.\n\nEmpire to Commonwealth\nGeorge VI's reign saw the acceleration of the dissolution of the British Empire. The Statute of Westminster 1931 had already acknowledged the evolution of the Dominions into separate sovereign states. The process of transformation from an empire to a voluntary association of independent states, known as the Commonwealth, gathered pace after the Second World War. During the ministry of Clement Attlee, British India became the two independent Dominions of India and Pakistan in August 1947. George relinquished the title of Emperor of India, and became King of India and King of Pakistan instead. In late April 1949, the Commonwealth leaders issued the London Declaration, which laid the foundation of the modern Commonwealth and recognised George as Head of the Commonwealth. In January 1950, he ceased to be King of India when it became a republic. He remained King of Pakistan until his death. Other countries left the Commonwealth, such as Burma in January 1948, Palestine (divided between Israel and the Arab states) in May 1948 and the Republic of Ireland in 1949.In 1947, George and his family toured southern Africa. The prime minister of the Union of South Africa, Jan Smuts, was facing an election and hoped to make political capital out of the visit. George was appalled, however, when instructed by the South African government to shake hands only with whites, and referred to his South African bodyguards as \"the Gestapo\". Despite the tour, Smuts lost the election the following year, and the new government instituted a strict policy of racial segregation.\n\nIllness and death\nThe stress of the war had taken its toll on George's health, made worse by his heavy smoking, and subsequent development of lung cancer among other ailments, including arteriosclerosis and Buerger's disease. A planned tour of Australia and New Zealand was postponed after George developed an arterial blockage in his right leg, which threatened the loss of the leg and was treated with a right lumbar sympathectomy in March 1949. His elder daughter and heir presumptive, Elizabeth, took on more royal duties as her father's health deteriorated. The delayed tour was re-organised, with Princess Elizabeth and her husband, Philip, Duke of Edinburgh, taking the place of the King and Queen.\nGeorge was well enough to open the Festival of Britain in May 1951, but on 4 June it was announced that he would need immediate and complete rest for the next four weeks, despite the arrival of Haakon VII of Norway the following afternoon for an official visit. On 23 September 1951, he underwent a surgical operation where his entire left lung was removed by Clement Price Thomas after a malignant tumour was found. In October 1951, Elizabeth and Philip went on a month-long tour of Canada; the trip had been delayed for a week due to George's illness. At the State Opening of Parliament in November, the Lord Chancellor, Lord Simonds, read the King's speech from the throne. The King's Christmas broadcast of 1951 was recorded in sections, and then edited together.On 31 January 1952, despite advice from those close to him, George went to London Airport to see Elizabeth and Philip off on their tour to Australia via Kenya. It was his last public appearance. Six days later, at 07:30 GMT on the morning of 6 February, he was found dead in bed at Sandringham House in Norfolk. He had died in the night from a coronary thrombosis at the age of 56. His daughter flew back to Britain from Kenya as Queen Elizabeth II.From 9 February George's coffin rested in St Mary Magdalene Church, Sandringham, before lying in state at Westminster Hall from 11 February. His funeral took place at St George's Chapel, Windsor Castle, on the 15th. He was interred initially in the Royal Vault until he was transferred to the King George VI Memorial Chapel inside St George's on 26 March 1969. In 2002, fifty years after his death, the remains of his widow, Queen Elizabeth The Queen Mother, and the ashes of his younger daughter, Princess Margaret, who both died that year, were interred in the chapel alongside him. In 2022, the remains of Queen Elizabeth II and her husband, Prince Philip, were also interred in the chapel.\n\nLegacy\nIn the words of Labour Member of Parliament (MP) George Hardie, the abdication crisis of 1936 did \. George VI wrote to his brother Edward that in the aftermath of the abdication he had reluctantly assumed \ and tried \. He became king at a point when public faith in the monarchy was at a low ebb. During his reign, his people endured the hardships of war, and imperial power was eroded. However, as a dutiful family man and by showing personal courage, he succeeded in restoring the popularity of the monarchy.The George Cross and the George Medal were founded at the King's suggestion during the Second World War to recognise acts of exceptional civilian bravery. He bestowed the George Cross on the entire \"island fortress of Malta\" in 1943. He was posthumously awarded the Order of Liberation by the French government in 1960, one of only two people (the other being Churchill in 1958) to be awarded the medal after 1946.Colin Firth won an Academy Award for Best Actor for his performance as George VI in the 2010 film The King's Speech.\n\nTitles, honours and arms\nAs Duke of York, Albert bore the royal arms of the United Kingdom differenced with a label of three points argent, the centre point bearing an anchor azure—a difference earlier awarded to his father, George V, when he was Duke of York, and then later awarded to his grandson Prince Andrew, Duke of York. As king, he bore the royal arms undifferenced.\n\nIssue\nAncestry\nNotes\nPassage 3:\nThe King's Speech\nThe King's Speech is a 2010 historical drama film directed by Tom Hooper and written by David Seidler. Colin Firth plays the future King George VI who, to cope with a stammer, sees Lionel Logue, an Australian speech and language therapist played by Geoffrey Rush. The men become friends as they work together, and after his brother abdicates the throne, the new king relies on Logue to help him make his first wartime radio broadcast upon Britain's declaration of war on Germany in 1939.\nSeidler read about George VI's life after learning to manage a stuttering condition he developed during his own youth. He started writing about the relationship between the therapist and his royal patient as early as the 1980s, but at the request of the King's widow, Queen Elizabeth The Queen Mother, postponed work until her death in 2002. He later rewrote his screenplay for the stage to focus on the essential relationship between the two protagonists. Nine weeks before filming began, the filmmakers learned of the existence of notes written by Logue that were being used by his grandson Mark and Peter Conradi as the basis of a book, and were granted permission to incorporate material from the notes and book into the script.\nPrincipal photography took place in London and around Britain from November 2009 to January 2010. Hard light was used to give the story a greater resonance and wider-than-normal lenses were employed to recreate the Duke of York's feelings of constriction. A third technique Hooper employed was the off-centre framing of characters.\nThe King's Speech was a major box office and critical success. It was widely praised by film critics for its visual style, art direction, screenplay, directing, score, and acting. Other commentators discussed the film's representation of historical detail, especially the reversal of Winston Churchill's opposition to abdication. The film received many awards and nominations, particularly for Colin Firth's performance, which resulted in his first Academy Award for Best Actor. At the 83rd Academy Awards, The King's Speech received 12 Oscar nominations, more than any other film in that year, and subsequently won four, including Best Picture. Censors initially gave it adult ratings due to profanity, though these were later revised downwards after criticism by the makers and distributors in the UK and some instances of swearing were muted in the US. On a budget of £8 million, it earned over £250 million internationally.\n\nPlot\nAt the official closing of the British Empire Exhibition at Wembley Stadium, Prince Albert, Duke of York, the second son of King George V, addresses the crowd with a strong stammer. His search for treatment has been discouraging, but his wife, Elizabeth, persuades him to see the Australian-born Lionel Logue, a non-medically trained Harley Street speech defects therapist. \"Bertie\", as he is called by his family, believes the first session is not going well, but Lionel, who insists that all his patients address him as such, has his potential client recite Hamlet's \ soliloquy while hearing classical music played on a pair of headphones. Bertie is frustrated at the experiment but Lionel gives him the acetate recording that he has made of the reading as a souvenir.\nAfter Bertie's father, King George V, broadcasts his 1934 Royal Christmas Message, he explains to Bertie that the wireless will play a significant part in the role of the royal family, allowing them to enter the homes of the people, and that Bertie's brother's neglect of his responsibilities make training in it necessary. The attempt at reading the message himself is a failure, but that night Bertie plays the recording Lionel gave him and is astonished at the lack of stutter there. He therefore returns for daily treatments to overcome the physical and psychological roots of his speaking difficulty.\nGeorge V dies in 1936, and his eldest son David ascends the throne as King Edward VIII. A constitutional crisis arises with the new king over a prospective marriage with the twice-divorced American socialite Wallis Simpson. Edward, as the supreme governor of the Church of England, cannot marry her, even if she receives her second divorce, since both her previous husbands are alive.\nAt an unscheduled session, Bertie expresses his frustration that, while his speech has improved when speaking to most people, he still stammers when talking to David, at the same time revealing the extent of Edward VIII's folly with Simpson. When Lionel insists that Bertie himself could make a good king, Bertie accuses Lionel of speaking treason and quits Lionel in anger. Bertie must now face the Accession Council without any assistance.\nBertie and Lionel only come together again after King Edward decides to abdicate in order to marry. Bertie, urged ahead by Prime Minister Stanley Baldwin, ascends the throne as King George VI and visits Lionel's home with his wife before their coronation, much to the surprise of Mrs. Logue when she comes upon Queen Elizabeth having tea at her dining room table. This is the first time that she learns who her husband's patient has been.\nBertie and Lionel's relationship is questioned by the King's advisors during the preparations for his coronation in Westminster Abbey. The archbishop of Canterbury, Cosmo Gordon Lang, brings to light that George never asked for advice from his advisors about his treatment and that Lionel has never had formal training. Lionel explains to an outraged Bertie that at the time he started with speech defects there were no formal qualifications and that the only known help that was available for returning Great War shell-shocked Australian soldiers was from personal experience. Bertie remains unconvinced until provoked to protest at Lionel's disrespect for King Edward's Chair and the Stone of Scone. Only at this pivotal moment, after realising he has just expressed himself without impairment, is Bertie able to rehearse with Lionel and complete the ceremony.\nAs the new king, Bertie is in a crisis when he must broadcast to Britain and the Empire following the declaration of war on Nazi Germany in 1939. Lionel is summoned to Buckingham Palace to prepare the king for his speech. Knowing the challenge that lies before him, Lang, Winston Churchill, and Prime Minister Neville Chamberlain are present to offer support. The King and Logue are then left in the broadcasting room. He delivers his speech with Logue conducting him, but by the end he is speaking freely. Preparing to leave the room for the congratulations of those present, Logue mentions to the King that he still has difficulty enunciating w and the King jokes back, \\nAs the Royal Family step onto the palace balcony and are applauded by the crowd, a title card explains that Logue, who received the Royal Victorian Order for service to the Crown, was always present at King George VI's speeches during the war and that they remained friends until the King's death from lung cancer in 1952.\n\nCast\nColin Firth as King George VI\nGeoffrey Rush as Lionel Logue\nHelena Bonham Carter as Queen Elizabeth\nGuy Pearce as King Edward VIII\nTimothy Spall as Winston Churchill\nDerek Jacobi as Cosmo Gordon Lang\nJennifer Ehle as Myrtle Logue\nMichael Gambon as King George V\nFreya Wilson as Princess Elizabeth\nRamona Marquez as Princess Margaret\nPatrick Ryecart as Lord Wigram\nSimon Chandler as Lord Dawson of Penn\nClaire Bloom as Queen Mary\nOrlando Wells as Prince George, Duke of Kent\nTim Downie as Prince Henry, Duke of Gloucester\nEve Best as Wallis Simpson\nAnthony Andrews as Stanley Baldwin\nAndrew Havill as Robert Wood\n\nProduction\nDevelopment\nAs a child, David Seidler developed a stammer, which he believes was caused by the emotional trauma of World War II and the murder of his grandparents during the Holocaust. King George VI's success in overcoming his stammer inspired the young Seidler, \"Here was a stutterer who was a king and had to give radio speeches where everyone was listening to every syllable he uttered, and yet did so with passion and intensity.\" When Seidler became an adult, he resolved to write about King George VI. During the late 1970s and 1980s he voraciously researched the King, but found a dearth of information on Logue. Eventually Seidler contacted Valentine Logue, who agreed to discuss his father and make his notebooks available if the Queen Mother gave her permission. She asked him not to do so in her lifetime, and Seidler halted the project.\n\nThe Queen Mother died in 2002. Three years later, Seidler returned to the story during a bout of creative work inspired by a recovery from cancer. His research, including a chance encounter with an uncle whom Logue had treated, indicated he used mechanical breathing exercises combined with psychological counselling to probe the underlying causes of the condition. Thus prepared, Seidler imagined the sessions. He showed the finished screenplay to his wife, who liked it, but pronounced it too \"seduced by cinematic technique\". She suggested he rewrite it as a stage play to focus on the essential relationship between the King and Logue. After he had completed it, he sent it to a few friends who worked in theatre in London and New York for feedback.In 2005, Joan Lane of Wilde Thyme, a production company in London, received the script. Lane started talking with Simon Egan and Gareth Unwin of Bedlam Productions, and they invited Seidler to London to rewrite the play again, this time for the screen. Together, Lane and Bedlam Productions organised a reading of the play in Pleasance Theatre, a small house in north London, to a group of Australian expatriates, among whom was Tom Hooper's mother. She called her son and said, \.Instead of trying to contact his agent, Lane asked an Australian staff member to hand-deliver the script to Geoffrey Rush's house, not far away from hers in Melbourne. Unwin reports that he received a four-page e-mail from Rush's manager admonishing them for the breach of etiquette, but ending with an invitation to discuss the project further. Iain Canning from See-Saw Films became involved and, in Gareth Unwin's words: \"We worked with ex-chair of BAFTA Richard Price, and started turning this story about two grumpy men sitting in a room into something bigger.\" Hooper liked the story, but thought that the original ending needed to be changed to reflect events more closely: \"Originally, it had a Hollywood ending ... If you hear the real speech, he's clearly coping with his stammer. But it's not a perfect performance. He's managing it.\You still stammered on the W\I had to throw in a few so they would know it was me\lived in\subverted\[It] was very interesting while we were working on the film just to think tonally how far we could go and should go with the strength of George's stammer. I think a less courageous director than Tom [Hooper] – and indeed a less courageous actor than Colin [Firth] – might have felt the need to slightly sanitise the degree and authenticity of that stammer, and I'm really really pleased that neither of them did.\You can probably hear even from this interview, there are moments when it's quite infectious. You find yourself doing it and if I start thinking about it the worse it gets. If nothing else it's an insight into what it feels like.\because it puts human beings in their context\is consequently brilliant in the way he carries his body\as if to use the arm of the sofa as a kind of friend, as a security blanket?\low-wattage\steeped in strong tea\If you put a lens 6 inches from somebody's face, you get more emotion than if you're on a long lens 20 feet away,\I wanted the nervousness of the first day to percolate into his performances,\soft light\Some nips and tucks of the historical record, but mostly an accurate retelling of a unique friendship\You remember my fear of 'The King'. I give it every evening at dinner on board. This does not worry me any more.\resonantly and without stuttering\I don't think he ever swore in front of the King and he certainly never called him 'Bertie'\". Andrew Roberts, an English historian, states that the severity of the King's stammer was exaggerated and the characters of Edward VIII, Wallis Simpson, and George V made more antagonistic than they really were, to increase the dramatic effect.\n\nPolitics\nChristopher Hitchens and Isaac Chotiner have criticised the film for failing to indict the appeasement of the era or to portray Edward VIII's sympathetic attitude to Nazi Germany. The Guardian also corrected the portrayal of Stanley Baldwin as having resigned due to his refusal to order Britain's re-armament, when he in fact stepped down as \. Stanley's grandson, Earl Baldwin, was particularly unhappy with this film due to its factual distortions and portrayal of his grandfather as a dithering fool who misunderstood Hitler's intentions.Hugo Vickers, an adviser on the film, agreed that the alteration of historical details to preserve the essence of the dramatic story was sometimes necessary. The high-ranking officials, for instance, would not have been present when the King made his speech, nor would Churchill have been involved at any level, \Hitchens and Chotiner also challenged the film's portrayal of Winston Churchill's role in the abdication crisis. It is well established that Churchill encouraged Edward VIII to resist pressure to abdicate, whereas he is portrayed in the film as supportive of the Duke of York and not opposed to the abdication. Hitchens attributes this treatment to the \ surrounding Churchill's legacy. In a smart, well-made film \"would the true story not have been fractionally more interesting for the audience?\", he wondered.\n\nRealism\nMartin Filler acknowledged that the film legitimately used artistic licence to make valid dramatic points, such as in the probably imagined scene when George V lectures his son on the importance of broadcasting. Filler cautions that George VI would never have tolerated Logue addressing him casually, nor swearing, and the King almost certainly would have understood a newsreel of Hitler speaking in German. Filler makes the larger point that both the King and his wife were, in reality, lukewarm towards Churchill because of the latter's support for his brother during the abdication crisis.Commenting on the film's final scene on the balcony of Buckingham Palace, Andrew Roberts has written, \"The scene is fairly absurd from a historical point of view – Neville Chamberlain and Winston Churchill were not present and there were no cheering crowds outside Buckingham Palace.\" However, Roberts praises the film overall as a sympathetic portrayal of the King's \\n\nRelease\nCinema release\nThe film had its world première on 6 September 2010 at the Telluride Film Festival in the United States. It was screened at the 2010 Toronto International Film Festival, on Firth's 50th birthday, where it received a standing ovation and won the People's Choice Award. The cinema release poster was re-designed to show an extreme close-up of Firth's jaw and a microphone after Hooper criticised the first design as a \"train smash\". Tim Appelo called the original, air-brushed effort, which showed the three leads, \"shockingly awful\" though the new one \"really is worthwhile\".The film was distributed by Transmission Films in Australia and by Momentum Pictures in the United Kingdom. The Weinstein Company distributed it in North America, Germany, Benelux, Scandinavia, China, Hong Kong, and Latin America. The film was released in France on 2 February 2011 by Wild Bunch under the title Le discours d'un roi.\n\nRatings controversy\nThe film was initially given a 15 certificate by the British Board of Film Classification, due to a minute-long scene where Logue encourages the King to swear, which he could do without stuttering. At the London Film Festival, Hooper criticised the decision, questioning how the board could certify the film \ for bad language but allow films such as Salt (2010) and Casino Royale (2006) to have \ ratings, despite their graphic torture scenes. Following Hooper's criticism, the board lowered the rating to \"12A\", allowing children under 12 years of age to see the film if they are accompanied by an adult. Hooper levelled the same criticism at the Motion Picture Association of America, which gave the film an \"R\" rating, preventing anyone under the age of 17 from seeing the film without an adult. In his review, Roger Ebert criticised the \"R\" rating, calling it \"utterly inexplicable\", and wrote, \"This is an excellent film for teenagers.\"In January 2011 Harvey Weinstein, the executive producer and distributor, said he was considering having the film re-edited to remove some profanity, so that it would receive a lower classification and reach a larger audience. Hooper refused to cut the film, though he considered covering the swear words with bleeps. Helena Bonham Carter also defended the film, saying, \"[The film] is not violent. It's full of humanity and wit. [It's] for people not with just a speech impairment, but who have got confidence [doubts].\" After receiving his Academy Award, Colin Firth noted that he does not support re-editing the film; while he does not condone the use of profanity, he maintains that its use was not offensive in this context. \"The scene serves a purpose\", Firth states. An alternative version, with some of the profanities muted out, was classified as \"PG-13\" in the United States; this version was released to cinemas on 1 April 2011, replacing the R-rated one. The PG-13 version of this film is not available on DVD and Blu-ray.\n\nReception\nBox office\nIn Great Britain and Ireland, the film was the highest earning film on its opening weekend. It took in £3,510,000 from 395 cinemas. The Guardian said that it was one of the biggest takes in recent memory, and compared it to Slumdog Millionaire (2008), which, two years earlier, earned £1.5 million less. The King's Speech continued a \ atop the UK Box office, and earned over £3 million for four consecutive weekends, the first film to do so since Toy Story 3 (2010). After five weeks on UK release, it was hailed as the most successful independent British film ever.In the United States The King's Speech opened with $355,450 (£220,000) in four cinemas. It holds the record for the highest per-cinema gross of 2010. It was widened to 700 screens on Christmas Day and 1,543 screens on 14 January 2011. It eventually made $138 million in North America overall.In Australia The King's Speech made more than A$6,281,686 (£4 million) in the first two weeks, according to figures collected by the Motion Picture Distributors Association of Australia. The executive director of Palace Cinemas, Benjamin Zeccola, said customer feedback on the film was spectacular. \Of the film's net profit, estimated to amount to $30–40 million (£20–25 million) from the cinema release alone, roughly 20% was to be split between Geoffrey Rush (as executive producer), Tom Hooper and Colin Firth, who were to receive their bonuses before the other stakeholders. The remaining profit was to be split equally between the producers and the equity investors. The UK Film Council invested £1 million of public funds from the United Kingdom lottery into the film. In March 2011 Variety estimated that the return could be between fifteen and twenty times that. The Council's merger into the British Film Institute means that the profits were to be returned to that body.\n\nCritical response\nThe King's Speech has received widespread critical acclaim, with Firth's performance receiving universal praise. Bonham Carter and Rush were also widely praised with both going on to win BAFTAs and receiving Academy Award nominations. Review aggregator Rotten Tomatoes gives the film a score of 94% based on reviews from 297 critics; the film's average rating was calculated as 8.60/10. The website's critical consensus reads: \ Metacritic gave the film a weighted score of 88/100, based on 41 critical reviews, which indicates \. CinemaScore reported that audiences gave the film a rare \ grade. Empire gave the film five stars out of five, commenting, \ Lisa Kennedy of The Denver Post gave the film full marks for its humane qualities and craftsmanship: \, she said. Roger Ebert of the Chicago Sun-Times awarded the film a full four stars, commenting that \ Peter Bradshaw of The Guardian gave four stars out of five, stating, \Manohla Dargis, whilst generally ambivalent towards the film, called the lead performances one of its principal attractions. \ she wrote. The Daily Telegraph called Guy Pearce's performance as Edward VIII \"formidable ... with glamour, charisma and utter self-absorption\". Empire said he played the role well as \"a flash harry flinty enough to shed a nation for a wife.\" The New York Times thought he was able to create \"a thorny tangle of complications in only a few abbreviated scenes\". Hooper praised the actor in the DVD commentary, saying he \"nailed\" the 1930s royal accent. Richard Corliss of Time magazine named Colin Firth's performance one of the Top 10 Movie Performances of 2010.\n\nAllociné, a French cinema website, gave the film an average of four out of five stars, based on a survey of 21 reviews. Le Monde, which characterised the film as the \ and summarised it as \, nevertheless admired the performances of Firth, Rush, and Bonham Carter. It said that, though the film swept British appeasement under the carpet, it was still enjoyable.Slovenian Marxist philosopher and cultural critic Slavoj Žižek has incorporated the film into his critique of ideology by describing it as \ interpreting the king's stutter as evidence that he \"displays a minimum of common sense, experiencing the stupidity of seriously accepting that one is king by divine will\" and claiming that \"the task of the Australian voice-coach is to render him stupid enough to accept his being a king as his natural property.\" Žižek thus interprets the king's stutter as a case of what is referred to in Lacanian psychoanalysis as \Queen Elizabeth II, the daughter and successor of King George VI, was sent two copies of the film before Christmas 2010. The Sun newspaper reported she had watched the film in a private screening at Sandringham House. A palace source described her reaction as being \. Seidler called the reports \ the film could receive.\n\nDepiction of stuttering\nThe British Stammering Association welcomed the release of The King's Speech, congratulating the film makers on their \"realistic depiction of the frustration and the fear of speaking faced by people who stammer on a daily basis.\" It said that \"Colin Firth's portrayal of the King's stammer in particular strikes us as very authentic and accurate.\" The Royal College of Speech and Language Therapists welcomed the film, and launched their \"Giving Voice\" campaign around the time of its commercial release.Disfluency advocate Jonah Lehrer called the film \"an inspiring tale\" and praised its portrayal of the troubles suffered by Firth's character.\n However, Lehrer and other advocates criticized the film's depiction of stuttering as a result of emotional repression and childhood trauma. The treatment performed by Rush's character also drew criticism. Lehrer did admit it was a necessary artistic license: \Science journalist Jeremy Hsu wrote that the film \ However, similar to Lehrer, he disapproved that it perpetuated myths about the condition, namely its relationship with childhood trauma and overly strict parenting.Columnist Jane Ahlin praised the film as it \ At the same time, she stated, \ She criticized the depiction of family and social dynamics as causes of the condition, as well as the portrayal of stutterering as connected to emotional or psychological problems.\n\nAwards and nominations\nAt the 83rd Academy Awards, The King's Speech won the Academy Award for Best Picture, Best Director (Hooper), Best Actor (Firth), and Best Original Screenplay (Seidler). The film had received 12 Oscar nominations, more than any other film in that year. Besides the four categories it won, the film received nominations for Best Cinematography (Danny Cohen) and two for the supporting actors (Bonham Carter and Rush), as well as two for its mise-en-scène: Art Direction and Costumes.At the 64th British Academy Film Awards, it won seven awards, including Best Film, Outstanding British Film, Best Actor for Firth, Best Supporting Actor for Rush, Best Supporting Actress for Bonham Carter, Best Original Screenplay for Seidler, and Best Music for Alexandre Desplat. The film had been nominated for 14 BAFTAs, more than any other film. At the 68th Golden Globe Awards, Firth won for Best Actor. The film won no other Golden Globes, despite earning seven nominations, more than any other film.At the 17th Screen Actors Guild Awards, Firth won the Best Actor award and the entire cast won Best Ensemble, meaning Firth went home with two acting awards in one evening. Hooper won the Directors Guild of America Awards 2010 for Best Director. The film won the Darryl F. Zanuck Award for Best Theatrical Motion Picture at the Producers Guild of America Awards 2010.The King's Speech won the People's Choice Award at the 2010 Toronto International Film Festival, Best British Independent Film at the 2010 British Independent Film Awards, and the 2011 Goya Award for Best European Film from the Academia de las Artes y las Ciencias Cinematográficas de España (Spanish Academy of Cinematic Art and Science).\n\nSee also\nBertie & Elizabeth (2002), a television film which also addresses the stammering of the king (played by James Wilby). It was a co-production of PBS (Masterpiece Theatre) and Carlton Television.\nPassage 4:\nH. Vernon Watson\nH. Vernon Watson (1886–1952), better known under his stage name Nosmo King, was a popular English variety artist. He was touring the music halls before World War I, but he remained relatively obscure until the 1920s, when he went by Nosmo King. He was the father of actor Jack Watson.\n\nEarly years\nComing from a rural background near Peterborough, Watson showed a leaning towards things theatrical and it was evident that he had a rare talent for mimicry. In 1911, he turned professional, using his real name, doing impressions of the leading comedians of the day.\nThen, when Frank Tinney, the American black-faced comedian, came to the UK, Watson added an impression of him to his repertoire. He noticed that this impression gained him great applause, and when Tinney returned to the United States, Watson gave thought to a different style of act based on a black-faced personality.\n\nFame\nOpportunity for this came about in the early 1930s in Leeds, in the West Riding of Yorkshire, England, which boasted two variety theatres, run by two rival organisations. The Great Depression was beginning to bite, and on hearing that the rival theatre had lost its comic, he determined to double his income by doing both shows (four performances a night), travelling between the two theatres by taxi, disguising himself by blacking up.\nWatson had the black-face study ready, but was stuck for a name. Then inspiration came to his aid. The scene dock doors backstage were partly open and the two halves read \"No Smo\" & \"king\". That was it. From then on, the character would be Nosmo King.\nNosmo King became a huge star and a household name. The stage act of Nosmo King & Hubert developed when his son Jack Watson joined him as straight man directly from school. Vernon Watson made his last bow and he was to be Nosmo for good when his speciality became long comic monologues.\nDuring a later interview, he made two remarkable confessions. Someone pointed out that a cigar-smoking figure was hardly compatible with the name and suggested he gave up. This he found remarkably difficult, but he eventually accomplished it with the aid of snuff. The second confession was that he had never at any time set eyes on Frank Tinney.\nDuring World War II, Nosmo King reverted to going solo, the reason being that his son, playing \"Hubert,\" had joined up.\nThe end came for Nosmo King early in 1952 when Watson died in his sleep in his Chelsea flat.\nHe is buried in Thorney Cemetery near Peterborough, with \"Nosmo King\" on his headstone.\n\nActs\nOne of Nosmo's act starters was when a young pageboy would come over to him carrying his luggage. Once he had handed it to Nosmo, Nosmo would say to him \ and the boy would say \ (a colloquialism for two pounds) whilst making a V sign at him. Nosmo took this as an insult and would slap the boy across the face, then the boy would slap Nosmo across his face in return.\n\nSee also\nPaul Shannon, a Pittsburgh radio announcer, also used the name 'Nosmo King' for a character.\nNosmo King was the name of a 1994 album by jazz guitarist John Abercrombie and Andy LaVerne.\nSee also English singer Jonathan King who appeared on Top of the Pops in the early 1970s as Nosmo King. When he was asked about the name, he said it was a pun which I didn't get at the time as I was very young. He also implied that he had come up with the name himself.", "answers": ["Colin Firth"], "length": 12227, "dataset": "musique", "language": "en", "all_classes": null, "_id": "fd437e73a2d708b551e27a13db723a6aa13ca01f70d63cd1"}
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