Prompt:
Title: Lil' Kim

Background: Kimberly Denise Jones (born July 11, 1975 or 1976), known professionally by her stage name Lil' Kim, is an American rapper, songwriter, record producer, model, and actress. She was born and raised in Brooklyn, New York, living much of her adolescent life on the streets after being expelled from home. In her teens, Jones would freestyle rap, heavily influenced by fellow female hip-hop artists like MC Lyte and The Lady of Rage.

Section: Early life and career beginnings
Passage: Jones was born in the Bedford-Stuyvesant neighborhood of the New York City borough of Brooklyn, the second child of Linwood Jones, a former U.S. Marine, and Ruby Jones (later Ruby Jones-Mitchell). She has one older brother named Christopher. As a child, Jones attended Queen of All Saints Elementary School in Brooklyn. At the age of 9, her parents separated, and Jones was raised by her father, with whom she had a tumultuous relationship. After being kicked out of her house by her father, Jones dropped out of high school and started living out on the streets. While still a teen, Jones met The Notorious B.I.G. aka Biggie Smalls (real name Christopher Wallace), who was a key figure in both her personal and artistic life, particularly after Wallace gained popularity and influence through his relationship with Bad Boy Records, founded by Sean "Puff Daddy" Combs. Jones attended Sarah J. Hale Vocational High School for two and a half years. Many of her friends also went there and she would often skip school to hang out with them. Since her school work wasn't being completed, the decision was made for her to transfer to Brooklyn College Academy to finish her remaining year and half of school. It was the same school that fellow rappers Nas and Foxy Brown also attended. In 1994, B.I.G. was instrumental in introducing and promoting the Brooklyn-based group, Junior M.A.F.I.A., which included Jones, who adopted the stage name Lil' Kim and was only 19 at the time. The group's first and only album, Conspiracy, was released to mediocre reviews and moderate sales on August 29, 1995 and debuted at number eight on the U.S. Billboard 200 chart, selling 69,000 copies in its first week of release. Wallace wrote (and ghostwrote) most of the album's material. Three hit singles came from Conspiracy: "Player's Anthem", "I Need You Tonight", and "Get Money". The RIAA certified Conspiracy gold on December 6, 1995. "Player's Anthem" and "Get Money" were certified gold and platinum respectively. Lil' Kim's increasing popularity as a member of Junior M.A.F.I.A. allowed her to start a solo career shortly after the Conspiracy album was released, and she began working on what would become her debut album Hard Core by late 1995.

Question: What year did Lil Kim release her first album?
Answer: The group's first and only album, Conspiracy, was released to mediocre reviews

Question: In what year was Conspiracy released?
Answer: on August 29, 1995

Question: What was the next album released?


Prompt:
Title: Mark Lanegan

Background: During an interview for Pacific Northwest periodical "The Rocket" in 1996, he said that he drove a combine harvester. He came from a dysfunctional family that he tried to avoid, and was using drugs heavily by the age of 18, having already been arrested and sentenced to one year's imprisonment for drug-related crimes. He got out of jail by taking a year-long rehabilitation course. Around this time he met and befriended Van Conner with whom he would eventually form the Screaming Trees.

Section: Collaboration with Isobel Campbell (2004-2011)
Passage: In April 2004, Lanegan released an EP with former Belle & Sebastian vocalist Isobel Campbell, titled Time Is Just the Same. They would later release a single entitled "Ramblin' Man" for their collaboration album Ballad of the Broken Seas. Campbell wrote and recorded the majority of the album's tracks in Glasgow, with Lanegan adding vocals in Los Angeles. The record was well received by critics who likened the duo to Nick Cave and Kylie Minogue. In addition to providing vocals, Lanegan also wrote the track "Revolver" with Campbell. The album was nominated for the 2006 Mercury Prize. Lanegan and Campbell played four UK concerts in January 2007, with the London date being moved to a larger venue as a result of high demand for tickets. When making the decision to make a follow-up to Ballad of the Broken Seas, Campbell reflected: It was because he kinda disappeared for a year but in my heart I wanted to do another one because as soon as we'd finished Ballad of the Broken Seas I was writing new songs and I was like; "Oh God, I've got to get Mark to sing these." After a concert with Lanegan in January 2007, Campbell asked Lanegan if he would consider making a new album, Lanegan replied: "in a heartbeat". This time Lanegan flew to Glasgow to record the new album at the end of March for nine days to record the songs Campbell had written. After working with Lanegan, Campbell remarked: "It is his classic, effortless American voice that I love". She added "I think I was playing about with that a lot so there's a few of what Mark would call raunchy songs and a few ballads too". The album, Sunday at Devil Dirt, was released on May 5, 2008 with the track "Who Built the Road" being the only single released from it. A third collaborative album with Campbell was released on August 16, 2010 entitled Hawk. The pair toured to promote the album, including a set at All Tomorrow's Parties, December 10-12, 2010 (Bowlie 2) curated by Belle & Sebastian and shows in Australia in 2011. By the end of the tour the duo had ceased to function and each went their separate ways.

Question: Who is Isobel Campbell?
Answer: Lanegan released an EP with former Belle & Sebastian vocalist Isobel Campbell, titled Time Is Just the Same.

Question: How did they know each other?
Answer: CANNOTANSWER

Question: Did they do any other projects together?


Prompt:
Title: Pinhead (Hellraiser)

Background: Pinhead is a fictional character from the Hellraiser series, first appearing as an unnamed figure in the Clive Barker novella The Hellbound Heart. The name "Pinhead" is derived from a sobriquet given to him by the crew of the first Hellraiser film; he is first credited as such in Hellbound: Hellraiser II. Nearly thirty years after The Hellbound Heart was published, the character was given the designations the Hell Priest and the Cold Man in the sequels that followed, The Scarlet Gospels and Hellraiser: The Toll. Pinhead is one of the leaders of the Cenobites, formerly humans but transformed into creatures which reside in an extradimensional realm, who travel to Earth through a puzzle box called the Lament Configuration in order to harvest human souls.

Section: Design
Passage: Barker drew inspiration for the cenobite designs from punk fashion, Catholicism and by the visits he took to S&M clubs in New York and Amsterdam. For Pinhead specifically, Barker drew inspiration from African fetish sculptures. Initially, Barker intended Pinhead to have a navel piercing implying that the character had genital piercings. Barker's original "Hell Priest" sketches for Pinhead were eventually adapted into an officially licensed mask by Composite Effects, to be released in limited quantity to the public on 24 March 2017. This was done in celebration of the 30th Anniversary of Hellraiser. After securing funding in early 1986, Barker and his producer Chris Figg assembled a team to design the cenobites. Among the team was Bob Keen and Geoff Portass at Image Animation and Jane Wildgoose, a costume designer who was requested to make a series of costumes for 4-5 'super-butchers' while refining the scarification designs with Image Animation. In terms of lighting, Pinhead was designed so that shadows would swirl round his head. By July 1986, the shooting script positively identified the single pinheaded Cenobite from the earlier draft as clearly the leader. The upcoming Hellraiser: Judgment will update Pinhead's appearance from the previous films. As writer-director Gary J. Tunnicliffe explained, "This is a very no nonsense Pinhead. No glib one-liners, he's a little leaner and a little meaner. We especially tried to incorporate this into the make-up and costume; the cuts are deeper, the pins a little longer, his eyes are completely black and wardrobe is a little sleeker and more visceral. Someone on set described him as the 'bad ass' version of Pinhead." The flesh exposed on Pinhead's chest was redesigned as a rhombus in honour of Pinhead's master, the fictional character Leviathan.

Question: what is the significance of design?
Answer: Barker drew inspiration for the cenobite designs from punk fashion, Catholicism and by the visits he took to S&M clubs

Question: was it well-received?
Answer: CANNOTANSWER

Question: is there anything else interesting about design?
Answer: Barker intended Pinhead to have a navel piercing implying that the character had genital piercings.

Question: does he have other piercings?

CANNOTANSWER
Not enough information
Cannot answer
Do not know


Prompt:
Title: Girls Aloud

Background: Girls Aloud are an English-Irish pop girl group, which was created through the ITV talent show Popstars: The Rivals in 2002. The group comprised singers Cheryl, Nadine Coyle, Sarah Harding, Nicola Roberts and Kimberley Walsh. The group achieved a string of twenty consecutive top ten singles in the United Kingdom, including four number ones.

Section: Other endeavours
Passage: Girls Aloud came together with Mattel in 2005 to produce Fashion Fever Barbies. Each member designed the outfit and look of a doll modelled after themselves. In addition to live DVDs of their tours and both of Girls Aloud's television series, the group has also released Girls on Film and Style. Official calendars have also been issued annually from 2004 to 2009, the only exception being 2005. Girls Aloud co-wrote an autobiography titled Dreams That Glitter - Our Story. The book, named after a lyric in "Call the Shots", was published in October 2008 through the Transworld imprint Bantam Press. Before the release, OK! magazine bought the rights to preview and serialise the book. In 2007, Girls Aloud signed a PS1.25m one-year deal to endorse hair care brand Sunsilk. The girls filmed a television advertisement and appeared in and magazine advertisements, with each of the five members being the face of a different shampoo. The same year, Girls Aloud also sealed a deal with the UK division of Samsung. They endorsed mobile phones and MP3 players, made personal appearances and sang at Samsung events, and contributed to competition prizes, among other activities. The Samsung F210 Purple came with a 1GB memory card featuring Girls Aloud content. Girls Aloud appeared in television advertisements for Nintendo DS the following year. The girl group signed a deal to front a promotional campaign for a new low-calorie KitKat bar called "Senses" in March 2008. The chocolate bar manufacturer also sponsored Girls Aloud's Tangled Up Tour. The exact worth of the endorsement is unknown, but a figure of PS500,000 each has been suggested. Sales increased 6.8% in the United Kingdom. Beginning in 2009, Girls Aloud teamed with Eylure to release five sets of false eyelashes, each set designed by a different member of the band. A range of festival-themed lashes followed in 2010, while limited edition "10th Anniversary" lash was released in 2012. Similarly, to celebrate their tenth anniversary, each member designed a charm bracelet for Pandora, available as either a complete bracelet or a "starter" bracelet. Pandora is the official sponsor of the group's Ten: The Hits Tour.

Question: What is another endeavor the band had?
Answer: Girls Aloud came together with Mattel in 2005 to produce Fashion Fever Barbies.

Question: Are there any more?


Prompt:
Title: Seinfeld

Background: Seinfeld is an American television sitcom that ran for nine seasons on NBC, from 1989 to 1998. It was created by Larry David and Jerry Seinfeld, with the latter starring as a fictionalized version of himself. Set predominantly in an apartment building in Manhattan's Upper West Side in New York City, the show features a handful of Jerry's friends and acquaintances, particularly best friend George Costanza (Jason Alexander), former girlfriend Elaine Benes (Julia Louis-Dreyfus), and neighbor across the hall Cosmo Kramer (Michael Richards). It is often described as being "a show about nothing", as many of its episodes are about the minutiae of daily life.

Section: Themes
Passage: The series was often described as "a show about nothing". However, Seinfeld in 2014 stated "the pitch for the show, the real pitch, when Larry and I went to NBC in 1988, was we want to show how a comedian gets his material. The show about nothing was just a joke in an episode many years later, and Larry and I to this day are surprised that it caught on as a way that people describe the show, because to us it's the opposite of that." Seinfeld broke several conventions of mainstream television. The show offers no growth or reconciliation to its characters. It eschews sentimentality. An episode is typically driven by humor interspersed with the superficial conflicts of characters with peculiar dispositions. Many episodes revolve around the characters' involvement in the lives of others with typically disastrous results. On the set, the notion that the characters should not develop or improve throughout the series was expressed as the "no hugging, no learning" rule. Also unlike most sitcoms, there are no moments of pathos; the audience is never made to feel sorry for any of the characters. Even Susan's death elicits no genuine emotions from anybody in the show. The characters are "thirty-something singles with vague identities, no roots, and conscious indifference to morals". Usual conventions, like isolating the characters from the actors playing them and separating the characters' world from that of the actors and audience, were broken. One such example is the story arc where the characters promote a TV sitcom series named Jerry. The show within a show, Jerry, was much like Seinfeld in that it was "about nothing" and Seinfeld played himself. The fictional Jerry was launched in the season four finale, but unlike Seinfeld, it wasn't picked up as a series. Jerry is one of many examples of metafiction in the show. There are no fewer than twenty-two fictional movies featured, like Rochelle, Rochelle. Because of these several elements, Seinfeld became the first TV series since Monty Python's Flying Circus to be widely described as postmodern. Jerry Seinfeld is an avid Abbott and Costello fan, and has cited the Abbott and Costello Show as an influence on Seinfeld. "Everybody on the show knows I'm a fan. We're always joking about how we do stuff from their show. George and I will often get into a riff that has the rhythm from the old Abbott and Costello shows. And sometimes I'll hit George in the chest the way Abbott would hit Costello." The series includes numerous references to the team. George Costanza's middle name is "Louis," after Costello. "The Old Man" episode featured a cantankerous character named "Sid Fields" as a tribute to the landlord on the team's TV show. Kramer's friend is named Mickey Abbott. A copywriter for the J. Peterman catalog is named Eddie Sherman, after the team's longtime agent. In Episode 30, Kramer hears the famous Abbott and Costello line, "His father was a mudder. His mother was a mudder."

Question: What is a theme in the show?
Answer: The series was often described as "a show about nothing".

Question: What else is notable about the show?


Prompt:
Title: Epica (band)

Background: Epica is a Dutch symphonic metal band, founded by guitarist and vocalist Mark Jansen after his departure from After Forever. Born as a symphonic metal band with gothic tendencies, later Epica have incorporated into their sound strong death metal influences. Starting from the third album, even progressive metal attitudes have become evident. In addition, the band often uses thrash metal and groove metal riffs, black metal passages (mostly in the drum technique), power metal moments and references to Arabic music.

Section: Consign To Oblivion/The Score - An Epic Journey (2005-2006)
Passage: Their second release, entitled Consign to Oblivion, was influenced by the culture of the Maya civilization, which can be noticed on songs in the "A New Age Dawns" series. "A New Age Dawns" refers to the time system of the Mayan people, which extends up to 2012, and makes no reference of what may happen past said year. Consign to Oblivion was composed with film scores as a basis, with Hans Zimmer and Danny Elfman cited as major inspirations. The album features guest singing by Roy Khan (from Kamelot) on the song "Trois Vierges". Epica also joined Kamelot as a support band on parts of their tour for promotion of The Black Halo album, to which Simons had contributed her vocals on the track "The Haunting (Somewhere in Time)". Two singles were released from the album, "Solitary Ground" and "Quietus". Epica's non-metal album The Score - An Epic Journey was released in September 2005 and is the soundtrack for a Dutch movie called Joyride, though it could also be considered to be their third album. Mark Jansen describes the album as typical Epica, "only without the singing, without the guitars, no bass and no drums". In 2005 and 2006 Epica went on their first tour throughout North America with Kamelot. After the tour, drummer Jeroen Simons left the band because of his wish to pursue other musical interests. In Fall 2006, Simone once again contributed vocals to an album of Kamelot, this time on the tracks "Blucher" and "Season's End" on the album Ghost Opera. In December, Arien van Weesenbeek from God Dethroned was announced via Epica's official website as the guest drummer for their new album, but not as a permanent band member.

Question: what was a song on this album?
Answer: "A New Age Dawns"

Question: who was a singer on one of these albums?
Answer: The album features guest singing by Roy Khan (

Question: when was one of the albums released?


Prompt:
Title: James Baldwin

Background: His mother, Emma Berdis Jones, left his biological father because of his drug abuse. She moved to Harlem, New York, where Baldwin was born in Harlem Hospital. In New York, his mother married a preacher, David Baldwin, with whom she had eight children, born between 1927 and 1943; her husband also had one son from a previous marriage who was nine years older than James. The family was poor and Baldwin's stepfather was harder on him than on the rest of the children.

Section: Religion
Passage: During his teenage years, Baldwin followed his stepfather's shadow into the religious life. However, he became dissatisfied with ministry, considering it hypocritical and racist, and ultimately left the church because his father's expectation was that he be a preacher. The difficulties of his life, including his stepfather's abuse, led Baldwin to seek solace in religion. At the age of 14 he attended meetings of the Pentecostal Church and, during a euphoric prayer meeting, he converted and became a junior minister. Before long, at the Fireside Pentecostal Assembly, he was drawing larger crowds than his stepfather had done in his day. At 17, however, Baldwin came to view Christianity as based on false premises and later regarded his time in the pulpit as a way of overcoming his personal crises. Baldwin once visited Elijah Muhammad, leader of the Nation of Islam, who inquired about Baldwin's religious beliefs. He answered, "I left the church 20 years ago and haven't joined anything since." Elijah asked, "And what are you now?" Baldwin explained, "Now? Nothing. I'm a writer. I like doing things alone." Still, his church experience significantly shaped his worldview and writing. Baldwin reflected that "being in the pulpit was like working in the theatre; I was behind the scenes and knew how the illusion was worked." Baldwin accused Christianity of reinforcing the system of American slavery by palliating the pangs of oppression and delaying salvation until a promised afterlife. Baldwin praised religion, however, for inspiring some American blacks to defy oppression. He once wrote, "If the concept of God has any use, it is to make us larger, freer, and more loving. If God can't do that, it's time we got rid of him." Baldwin publicly described himself as not religious. A recording of him singing "Precious Lord, Take My Hand" a cappella was played at his funeral.

Question: Did Baldwin come from a religious family?
Answer: During his teenage years, Baldwin followed his stepfather's shadow into the religious life.

Question: Was he happy with his feelings on religion?
Answer: However, he became dissatisfied with ministry, considering it hypocritical and racist, and ultimately left the church

Question: Did he like that church?


Prompt:
Title: Gerry Mulligan

Background: Gerald Joseph Mulligan (April 6, 1927 - January 20, 1996) was an American jazz saxophonist, clarinetist, composer and arranger. Though Mulligan is primarily known as one of the leading jazz baritone saxophonists - playing the instrument with a light and airy tone in the era of cool jazz - he was also a significant arranger, working with Claude Thornhill, Miles Davis, Stan Kenton, and others. Mulligan's pianoless quartet of the early 1950s with trumpeter Chet Baker is still regarded as one of the best cool jazz groups. Mulligan was also a skilled pianist and played several other reed instruments.

Section: The pianoless quartet with Chet Baker
Passage: While arranging for Kenton, Mulligan began performing on off-nights at The Haig, a small jazz club on Wilshire Boulevard at Kenmore Street. During the Monday night jam sessions, a young trumpeter named Chet Baker began sitting in with Mulligan. Mulligan and Baker began recording together, although they were unsatisfied with the results. Around that time, vibraphonist Red Norvo's trio began headlining at The Haig, thus leaving no need to keep the grand piano that had been brought in for Erroll Garner's stay at the club. Faced with a dilemma of what to do for a rhythm section, Mulligan decided to build on earlier experiments and perform as a pianoless quartet with Baker on trumpet, Bob Whitlock on bass and Chico Hamilton on drums (later Mulligan himself would occasionally double on piano). These early live dates were recorded by Dick Bock on a portable reel-to-reel tape deck. Bock along with Roy Harte would soon after, start the Pacific Jazz label and release Mulligan's records. Mulligan's first recording sessions in Los Angeles were produced by Bock for Pacific Jazz. These three informal sessions took place in June, July, and August 1952 at the Hollywood Hills cottage of recording engineer Phil Turetsky. At these sessions, Mulligan, Chet Baker, and others recorded the material that was released as Pacific Jazz PJ LP-1 and later on PJ-8. Baker's melodic style fit well with Mulligan's, leading them to create improvised contrapuntal textures free from the rigid confines of a piano-enforced chordal structure. While novel at the time in sound and style, this ethos of contrapuntal group improvisation hearkened back to the formative days of jazz. Despite their very different backgrounds - Mulligan, a classically trained New Yorker, and Baker, from Oklahoma and a much more instinctive player - they had an almost psychic rapport and Mulligan later remarked that, "I had never experienced anything like that before and not really since." Their dates at the Haig became sell-outs and the recordings they made in the fall of 1952 became major sellers that led to significant acclaim for Mulligan and Baker. The recordings included singles such as "Motel" (1953) labelled as 'The Gerry Mulligan Quartet Featuring Chet Baker'. This fortuitous collaboration came to an abrupt end with Mulligan's arrest on narcotics charges in mid-1953 leading to six months at Sheriff's Honor Farm. Both Mulligan and Baker had, like many of their peers, become heroin addicts. However, while Mulligan was in prison, Baker transformed his lyrical trumpet style, gentle tenor voice and matinee-idol looks into independent stardom. Thus when upon his release Mulligan attempted to rehire Baker, the trumpeter declined the offer for financial reasons. They did briefly reunite at the 1955 Newport Jazz Festival and would occasionally get together for performances and recordings up through a 1974 performance at Carnegie Hall. But in later years their relationship became strained as Mulligan, with considerable effort, would manage to kick his habit, while Baker's addiction bedevilled him professionally and personally almost constantly until his death in 1988.

Question: When did he start working with Chet Baker?
Answer: During the Monday night jam sessions, a young trumpeter named Chet Baker began sitting in with Mulligan. Mulligan and Baker began recording together,

Question: When did they form the quartet?
Answer: These three informal sessions took place in June, July, and August 1952

Question: What instruments were in the quartet?
Answer: Baker on trumpet, Bob Whitlock on bass and Chico Hamilton on drums (later Mulligan himself would occasionally double on piano

Question: Did the make any recordings?
Answer: Mulligan's first recording sessions in Los Angeles were produced by Bock for Pacific Jazz.

Question: What was the name of the first album they recorded?
Answer: Pacific Jazz PJ LP-1 and later on PJ-8.

Question: What were the reviews like?
Answer: " Their dates at the Haig became sell-outs

Question: What songs were on that album?


Prompt:
Title: Gerry Mulligan

Background: Gerald Joseph Mulligan (April 6, 1927 - January 20, 1996) was an American jazz saxophonist, clarinetist, composer and arranger. Though Mulligan is primarily known as one of the leading jazz baritone saxophonists - playing the instrument with a light and airy tone in the era of cool jazz - he was also a significant arranger, working with Claude Thornhill, Miles Davis, Stan Kenton, and others. Mulligan's pianoless quartet of the early 1950s with trumpeter Chet Baker is still regarded as one of the best cool jazz groups. Mulligan was also a skilled pianist and played several other reed instruments.

Section: Last years
Passage: Throughout Mulligan's orchestral work and until the end of his life, Mulligan maintained an active career performing and recording jazz - usually with a quartet that included a piano. In June 1988, Mulligan was invited to be the first Composer-in-Residence at the Glasgow International Jazz Festival and was commissioned to write a work, which he titled The Flying Scotsman. In 1991, Mulligan contacted Miles Davis about revisiting the music from the germane 1949 Birth of the Cool album. Davis had recently performed some of his Gil Evans collaborations with Quincy Jones at the Montreux Jazz Festival and was enthusiastic. However, Davis died in September and Mulligan continued the recording project and tour with Wallace Roney and Art Farmer subbing for Davis. Re-Birth of the Cool (released in 1992) featured the charts from Birth of the Cool, and a new nonet which included Lewis and Barber from the original Davis band. Mulligan appeared at the Brecon Jazz Festival 1991. Mulligan's final recording was a quartet album (with guests), Dragonfly, recorded in the summer of 1995 and released on the Telarc label. Mulligan gave his final performance on the 13th Annual Floating Jazz Festival, SS Norway, Caribbean Cruise, November 9, 1995. Mulligan died in Darien, Connecticut, on January 20, 1996, at the age of 68, following complications from knee surgery. His widow Franca - to whom he had been married since 1976 - said he had also been suffering from liver cancer. Upon Mulligan's death, his library and numerous personal effects (including a gold-plated Conn baritone saxophone) were given to the Library of Congress. 'The Gerry Mulligan Collection' is open to registered public researchers in the library's Performing Arts Research Center. The library placed Mulligan's saxophone on permanent exhibit in early 2009.

Question: what ddid he do for the last few years
Answer: until the end of his life, Mulligan maintained an active career performing and recording jazz - usually with a quartet that included a piano.

Question: what did he record
Answer: Re-Birth of the Cool (released in 1992) featured the charts from Birth of the Cool,

Question: what other albums did he record


Prompt:
Title: The Clancy Brothers

Background: The Clancy Brothers were an influential Irish folk group, which initially developed as a part of the American folk music revival. Most popular in the 1960s, they were famed for their trademark Aran jumpers and are widely credited with popularising Irish traditional music in the United States and revitalising it in Ireland, paving the way for an Irish folk boom with groups like the Dubliners and the Wolfe Tones. The Clancy Brothers, Patrick "Paddy" Clancy, Tom Clancy, and Liam Clancy, are best known for their work with Tommy Makem, recording almost two dozen albums together as The Clancy Brothers and Tommy Makem. Makem left in 1969, the first of many changes in the group's membership.

Section: Famous sweaters and initial success
Passage: The Clancy Brothers' mother read news of the terrible ice and snow storms in New York City and sent Aran sweaters for her sons and Tommy Makem to keep them warm. They wore the sweaters for the first time at the Blue Angel nightclub in Manhattan, simply as part of their regular winter clothes. When the group's manager Marty Erlichman, who had been searching for a special "look" for the group, saw the sweaters, he exclaimed, "That's it! That's it! That's what you're going to wear." Ehrlichman requested that the group wear the sweaters on their upcoming television appearance on The Ed Sullivan Show. After they did, the sales of Aran sweaters rose by 700% according to Liam Clancy, and they soon became the Clancy Brothers and Tommy Makem's trademark costume. On 12 March 1961, the Clancy Brothers and Tommy Makem performed for around fifteen minutes in front of a television audience of forty million people for the first time on The Ed Sullivan Show. A previously scheduled artist did not appear that night, and the Clancy Brothers and Tommy Makem were given the newly available time slot on the show, in addition to the two songs they had initially planned to do. The televised performance and the success of the Clancys' and Makem's nightclub performances attracted the attention of John Hammond of Columbia Records. The group was offered a five-year contract with an advance of $100,000, a huge sum in 1961. For their first album with Columbia, A Spontaneous Performance Recording, they enlisted Pete Seeger, one of the leaders of the American Folk Revival, as backup banjo player. The record included songs that would soon become classics for the group, such as "Brennan on the Moor", "Jug of Punch", "Reilly's Daughter", "Finnegan's Wake", "Haul Away Joe", "Roddy McCorley", "Portlairge" and "The Moonshiner". The album was nominated for a Grammy Award in 1962. Around the same time that they recorded A Spontaneous Performance, the Clancy Brothers and Tommy Makem cut their final, eponymous album with Tradition Records. By the end of 1962, they released a second album with Columbia, Hearty and Hellish! A Live Nightclub Performance, and they played an acclaimed concert at Carnegie Hall. Additionally, they were making appearances on major radio and television talk-shows in America.

Question: What kind of sweaters did they make famous?
Answer: Aran sweaters

Question: What was their first popular song?
Answer: Brennan on the Moor", "Jug of Punch", "Reilly's Daughter", "Finnegan's Wake", "Haul Away Joe", "Roddy McCorley", "Portlairge" and "The Moonshiner".

Question: What else helped in their success?


Prompt:
Title: The Clancy Brothers

Background: The Clancy Brothers were an influential Irish folk group, which initially developed as a part of the American folk music revival. Most popular in the 1960s, they were famed for their trademark Aran jumpers and are widely credited with popularising Irish traditional music in the United States and revitalising it in Ireland, paving the way for an Irish folk boom with groups like the Dubliners and the Wolfe Tones. The Clancy Brothers, Patrick "Paddy" Clancy, Tom Clancy, and Liam Clancy, are best known for their work with Tommy Makem, recording almost two dozen albums together as The Clancy Brothers and Tommy Makem. Makem left in 1969, the first of many changes in the group's membership.

Section: Group's formation and Tradition Records
Passage: In March 1956, Tommy Makem was unemployed. He had recently moved to Dover, New Hampshire, where many of his family members had emigrated to work in the local cotton mills. He had found a job there making printing presses but had an accident when a two-ton steel press that he was guiding with his hand broke from its chain. The falling press tore the tendons from the bone in three of the fingers of his left hand. His hand in a sling, and knowing the Clancy brothers in New York, he decided that he would like to make a record with them. He told this to Paddy Clancy, who with the sponsorship of Diane Hamilton and the assistance of his brother Liam founded a record company, Tradition Records, in 1956. Paddy agreed and together he, Tom, Liam, and Tommy Makem recorded an album of Irish rebel songs, The Rising of the Moon, one of the new label's first releases. Paddy's harmonica provided the only musical accompaniment for this debut album. Little thought was given to continuing as a singing group. They all were busy establishing theatrical careers for themselves, in addition to their work at Tradition Records. But the album was a local success and requests were often demanded for the brothers and Tommy Makem to sing some of their songs at parties and informal pub settings. Slowly, the singing gigs began to outweigh the acting gigs and by 1959, serious thought was given to a new album. Liam had developed some guitar skills, Tommy's hand had healed enough he was again able to play tin whistle and bagpipes, and the times spent singing together had improved their style. No longer were they the rough, mostly unaccompanied group of actors singing for an album to jumpstart a record label; they were becoming a professional singing group. The release of their second album, this one of Irish drinking songs called Come Fill Your Glass with Us, solidified their new careers as singers. The album was a success, and they made many appearances on the pub circuit in New York, Chicago, and Boston. It was at their first official gig after Come Fill Your Glass With Us that the group finally found a name for themselves. The nightclub owner asked for a name to put on the marquee, but they had not decided on one yet. Unable to agree on a name (which included suggestions like The Beggermen, The Tinkers and even The Chieftains) the owner decided for them, simply billing them as "The Clancy Brothers and Tommy Makem". The name stuck. They decided to try singing full-time for six months. If their singing was successful, they would continue with it; if not, then they would return to acting. The Clancy brothers and Tommy Makem proved successful as a singing group and in early 1961, they attracted the attention of scouts from The Ed Sullivan Show.

Question: when did the group form?
Answer: in 1956. Paddy agreed and together he, Tom, Liam, and Tommy Makem recorded an album of Irish rebel songs,

Question: Who were the original members ?


Prompt:
Title: Marco Simoncelli

Background: Marco Simoncelli (Italian pronunciation: ['marko simon'tSelli]; 20 January 1987 - 23 October 2011) was an Italian professional motorcycle racer. He competed in the MotoGP World Championship for 10 years from 2002 to 2011. He started in the 125cc class before moving up to the 250cc class in 2006. He won the 250cc World Championship with Gilera in 2008.

Section: Death
Passage: On 23 October 2011, Simoncelli was involved in a collision with American rider Colin Edwards and fellow Italian Valentino Rossi during the Malaysian Grand Prix at the Sepang International Circuit. In fourth position during lap two, Simoncelli's bike lost traction in Turn 11 and it started to slide towards the gravel, but the tires regained traction and his bike suddenly veered across the track into the path of Edwards and Rossi, with Simoncelli hanging down on the right side. Simoncelli was struck in the lower body by Edwards and in the head by Rossi, in the course of which Simoncelli lost his helmet and Edwards was catapulted from his bike. The race was immediately red-flagged. Edwards suffered a dislocated shoulder. Simoncelli suffered much more severe injuries and was taken by ambulance to the circuit's medical centre. At 16:56 local time, less than an hour after the accident, it was announced that he had died from his injuries. Later, at a press conference involving members of the MotoGP Race Direction, Medical Director Michele Macchiagodena said that Simoncelli had sustained "a very serious trauma to the head, to the neck and the chest", and was administered CPR for 45 minutes. His body was flown home to Italy, accompanied by his father Paolo, his fiancee Kate Fretti, and Valentino Rossi. The family were greeted by Italian Olympic Committee president Giovanni Petrucci, before the body was transported to a theatre in Coriano, Rimini, where it was placed in an open coffin. Fans and visitors were then allowed to pay their respects, in a walk-through memorial that included his 250cc World Championship winning Gilera, plus his 2011 MotoGP Honda. An estimated 20,000 people attended his funeral at the Santa Maria Assunta parish church in Coriano on 27 October 2011, which was broadcast live on Italia 1 and Rai 2.

Question: How did he die
Answer: Simoncelli was struck in the lower body by Edwards

Question: What happened after the crash
Answer: The race was immediately red-flagged.

Question: How badly was he hurt
Answer: a very serious trauma to the head, to the neck and the chest", and was administered CPR for 45 minutes.

Question: Was there any punishment for the other rider

CANNOTANSWER
Not enough information
Cannot answer
Do not know


Prompt:
Title: Marco Simoncelli

Background: Marco Simoncelli (Italian pronunciation: ['marko simon'tSelli]; 20 January 1987 - 23 October 2011) was an Italian professional motorcycle racer. He competed in the MotoGP World Championship for 10 years from 2002 to 2011. He started in the 125cc class before moving up to the 250cc class in 2006. He won the 250cc World Championship with Gilera in 2008.

Section: MotoGP
Passage: Simoncelli got off to a slow start to the 2010 season, having suffered two preseason testing crashes at Sepang; the second of which cracked his helmet. After finishing eleventh on debut, Simoncelli improved over the rest of the season, finishing 16 of the 18 races in the points en route to eighth place in the championship with 125 points. His best finish was a fourth place in Portugal, missing a podium by 0.06 seconds to Andrea Dovizioso. In the 2011 season, Simoncelli was promoted to ride a factory Honda as part of the Gresini team, whilst Hiroshi Aoyama rode a satellite Honda for the team. Simoncelli was predicted to be the surprise package of the season. He finished fifth in the season opening race in Qatar, before falling from the lead of the wet race at Jerez. He secured his highest starting position to that point of 2nd, before falling on the first lap of the Estoril race. During the French Grand Prix at Le Mans, Simoncelli collided with Dani Pedrosa while they were battling for second. The resulting crash saw Pedrosa break his collarbone and Simoncelli received a ride-through penalty, eventually finishing fifth. Simoncelli initially rejected blame for the crash, claiming he braked no later than normal, and that he left Pedrosa room. Before the next race, however, he accepted that he needed to reflect on his riding style. Simoncelli was required to meet with race direction before the start of the racing weekend at Catalonia. On the track, Simoncelli secured his first MotoGP pole position, 0.016 seconds ahead of Casey Stoner. However, a poor start saw him drop to seventh managing only to recover one position to finish sixth. Simoncelli earned his first podium in the premier class, with a third place in the Czech Republic. His best MotoGP finish was second place in the Australian GP at Phillip Island.

Question: What was Simoncelli's best year in the MotoGP?
Answer: His best MotoGP finish was second place in the Australian GP at Phillip Island.

Question: How many did he compete against?
Answer: CANNOTANSWER

Question: What year was that?
Answer: In the 2011 season,

Question: So his last year was his best?
Answer: CANNOTANSWER

Question: What did he win?
Answer: Simoncelli earned his first podium in the premier class, with a third place in the Czech Republic.

Question: How did he begin racing?

CANNOTANSWER
Not enough information
Cannot answer
Do not know


Prompt:
Title: Converge (band)

Background: Converge is an American hardcore punk band formed by vocalist Jacob Bannon and guitarist Kurt Ballou in Salem, Massachusetts in 1990. During the recording of their seminal fourth album Jane Doe, the group became a four-piece with the departure of guitarist Aaron Dalbec and the addition of bassist Nate Newton and drummer Ben Koller. This lineup has remained intact since. They have released nine studio albums to date, beside three live albums and numerous EPs.

Section: You Fail Me (2004-2005)
Passage: In 1995 Converge released their first compilation album, Caring and Killing. The album featured tracks from the band's early work from the years 1991 to 1994. The album was originally released as a European exclusive through Lost & Found Records. However, Converge became dissatisfied with the way the label was handling the release and over charging fans for their hard to find older songs. The album was re-released through Hydra Head Records on November 17, 1997 in America to "make an overpriced release obsolete". In 1996 Converge released a four-song EP, Petitioning the Empty Sky. The EP was released through Ferret Music, it was one of the earliest releases through the at the time newly formed label. Later that same year the record was re-released with four new tracks added to it. Two years later, the record was reissued through Converge's new label Equal Vision Records on January 20, 1998 this version contained the previous eight tracks as well as three newly added live tracks, which were recorded during a radio broadcast. Due to the addition of the new tracks fans and sources consider this to be Converge's second studio album, while the band considers this a compilation album because the album is a collection of songs recorded at different times. In early 1997 the band's original bassist, Feinburg, left the band and was replaced with Stephen Brodsky. Also in 1997, the band signed to Equal Vision Records. On December 22, 1997 recording for the band's third studio album When Forever Comes Crashing began at Ballou's GodCity Studio and finished on January 3, 1998. On April 14, 1998 Converge released When Forever Comes Crashing through Equal Vision. In 1998, Brodsky left the band and was replaced by Newton, who initially joined the band as a part-time member while he was still active in another band, Jesuit. Jesuit later disbanded in 1999, allowing Newton to make Converge his main focus. In early 1999, the band's original drummer Bellorado left the band and was quickly replaced with John DiGiorgio, who also left the band in the same year. Koller joined Converge in late 1999, replacing DiGiorgio. Ballou selected Koller to temporarily fill-in while Converge searched for a more permanent replacement for Bellorado, as he was familiar with his work in previous bands, Force Fed Glass and Blue/Green Heart, a band that Ballou and Koller played in together. After working well with the band during some local shows in Boston, Converge made him an official member. Newton and Koller remain in the band to this day. In mid-2000 Converge self-released a three track demo record titled Jane Doe Demos, the demo was released on tour and were limited to 100 copies. The demo contained unreleased demo versions of "Bitter & Then Some" and "Thaw" from their at the time upcoming album Jane Doe. Converge entered the studio to begin recording in the summer of 2001. On September 4, 2001 Converge released their fourth studio album Jane Doe. It was met with immediate critical acclaim, with critics praising its poetic lyrics, dynamic range, ferocity and production. The album was also a commercial success in comparison to Converge's previous outings, and both the band and the album have developed a cult following since its release. It is the band's first studio album to feature Newton and Koller, and the last to feature Dalbec, who was asked to leave the band due to his devotion to his at the time side-project Bane. Converge's first tour in support of Jane Doe was in September, 2001 with Drowningman and Playing Enemy, however Drowningman later dropped out of the tour to work on a new album. In 2002 a music video was released for the track/tracks "Concubine/Fault and Fracture" from the album Jane Doe; the music video was directed by Zach Merck. On January 28, 2003 Converge released their second compilation album, Unloved and Weeded Out. The album was originally released as a three track EP in 1995. The 2003 album version contains all three tracks from the 1995 EP but in total features 14 tracks, some of which were previously released rarities while others were previously unreleased. On February 25, 2003 Converge released their first official DVD, The Long Road Home. The DVD is modeled after band home videos such as Metallica's Cliff Em' All release. Deathwish Inc describes the DVD as a "two disc collection that is as energetic and exciting as the moments the release captures". The DVD also comes with a bonus disk that included three full live sets from the band. In early 2004 the band announced that they were signing to Epitaph Records, having previously been signed to Equal Vision. When asked about the switch to Epitaph, Bannon stated "We are confident as artists and genuinely happy about the move. We are part of a diverse, quality roster with Epitaph, rich in both history and integrity. We've struggled for years looking for a supportive label to call home and after a decade we have found it." Converge began writing for You Fail Me after they recorded Jane Doe; they wrote on the road during sound checks of shows. Converge entered the studio to begin recording in March 2004 mainly at GodCity Studio. On September 20, 2004 Converge released their fifth studio album You Fail Me. It was the band's first to chart commercially, reaching number 171 on the Billboard 200. On February 14, 2005 a music video was released for the track "Eagles Become Vultures" from the album You Fail Me, the music video was directed by Zach Merck. Converge's first tour in support of You Fail Me started in September 2004 with Cave In and Between the Buried and Me. In 2005 Equal Vision reissued Petitioning the Empty Sky and When Forever Comes Crashing. These reissues gave the albums one new bonus track each; Petitioning the Empty Sky received an alternate version of the song "Love as Arson" and When Forever Comes Crashing received a demo version of the song "Bitter and Then Some". These reissues also came with new album artwork by Aaron Turner of Isis. Ballou stated in an interview he wanted to remix and remaster the albums because the quality of Converge's recordings had improved so much that the original recordings of these two albums were "becoming distracting". These reissues became the standard versions of these albums.

Question: What is You Fail Me?
Answer: "

Question: What number album was You Fail Me?
Answer: On September 20, 2004 Converge released their fifth studio album You Fail Me.

Question: Was the album a success?
Answer: It was the band's first to chart commercially, reaching number 171 on the Billboard 200.

Question: Did they win any awards?

CANNOTANSWER
Not enough information
Cannot answer
Do not know


Prompt:
Title: Dana Scully

Background: Dana Katherine Scully is a fictional character in the Fox science fiction-supernatural television series The X-Files, played by Gillian Anderson. Scully is an FBI agent and a medical doctor (M.D.), partnered with fellow Special Agent Fox Mulder for the first seven, and the tenth and eleventh seasons, and with John Doggett in the eighth and ninth seasons. In the television series, they work out of a cramped basement office at FBI headquarters in Washington, D.C. to investigate unsolved cases labeled "X-Files". In 2002, Scully left government employment, and in 2008 she began working as a surgeon in Our Lady of Sorrows, a private Catholic hospital - where she stayed for seven years, until rejoining the FBI.

Section: Characterization
Passage: Throughout the series, her Catholic faith served as a cornerstone, although a contradiction to her otherwise rigid skepticism of the paranormal. Due to her career in science and medicine, she drifted from her Catholic Christian upbringing but remained somewhat entrenched in her religious beliefs. Scully almost always wears a gold cross necklace, given to her by her mother as a Christmas present when she was fifteen. When she was abducted by Duane Barry, a self-proclaimed alien abductee, it was the only item left behind in Barry's getaway car. Mulder wore it as a talisman of her until Scully miraculously reappeared in a Washington, D.C. hospital. After she recovered from the trauma of her abduction, he returned the cross to her. The abduction visibly tested the limits of her faith -- Mulder believes that Scully was taken aboard an alien spaceship and was subjected to tests. However, because of Scully's skepticism, she believes she was kidnapped by men and subjected to tests, not aliens. She believes she could have been brought there by Barry, and she began to exhibit symptoms of post-traumatic stress disorder on a case involving a murdering fetishist named Donnie Pfaster. This psychological re-victimization continued after Pfaster escaped from prison five years later and again attempted to kill her in her home, ending only after she fatally shot him. She struggled with what motivated her actions to kill Pfaster, and questioned whether it was God compelling her to kill him, or "something else." Sometime after her recovery from cancer, Scully began to regularly attend Mass again. At the request of Father McCue, Scully got involved in a case concerning a paraplegic girl who was found dead in a kneeling position with her palms outstretched and eye sockets charred. After Scully discovered the girl was part of a set of quadruplets and two more were murdered, Father McCue shared with her the story of the seraphim and the nephilim, which Scully interpreted as a possible explanation for the deformations and deaths of the girls. Scully continued to have visions of Emily, and when the last girl died, Scully believed she was returning the girl to God. Upon her return to Washington D.C., she went to confession to gain peace of mind and acceptance for Emily's death. In confession she regretted her decision of letting the girl go. This suggests Scully had doubts about her faith. In the sixth season episode "Milagro", Agent Scully's vulnerability is exposed. In this episode, the murderer takes the victim's heart out. The suspect, a writer named Phillip Padgett, has a particular interest in Scully and is fascinated by her beauty and personality. When she goes to a church to observe a painting, the writer is there and talks to her about the Sacred Heart of Jesus. During the conversation he says she visits the church because she likes art, but not as place of worship. Scully doesn't say otherwise and later she says to Agent Mulder the writer told her her life story. All this suggests that Scully isn't a devout Roman Catholic, although she attempted to approach again the Catholic community and the Catholic faith to which she was devout in her youth, after handling the strange case presented in "Revelations" and also after dealing with life-threatening cancer during the fourth season.

Question: What was Dana's character like?
Answer: her Catholic faith served as a cornerstone,

Question: What are some personality traits?
Answer: rigid skepticism

Question: Is there anything else interesting?
Answer: she was abducted by Duane Barry,

Question: What happened after that abduction?
Answer: Mulder believes that Scully was taken aboard an alien spaceship and was subjected to tests.

Question: Anything else about her personality?


Prompt:
Title: Kevin Keegan

Background: Joseph Kevin Keegan, OBE (born 14 February 1951) is an English former football player and manager. A forward, he played for several clubs including Liverpool and Hamburger SV. He went on to manage Newcastle United, Fulham and Manchester City, winning promotion as champions in his first full season at all three clubs. He also managed the England national team.

Section: Southampton (1980-1982)
Passage: On 10 February 1980, Lawrie McMenemy called a press conference at the Potters Heron hotel, Ampfield to announce that the European Footballer of the Year would be joining Southampton in the forthcoming summer. The news caused surprise throughout the world of football and around the city of Southampton, as Southampton were a relatively small club. The club were beginning to become established in the top division, but this signing showed how persuasive their manager could be, especially when Keegan captained England in the 1980 European Championships in Italy. Keegan had a clause inserted into his contract when he joined Hamburg in 1977, giving Liverpool the option to buy him back. Liverpool, however, opted not to exercise this clause when he returned to England three years later. As late as November 2011, Keegan has stated, "I was with Lawrie [McMenemy] at a charity event the other day, and he said he phoned up Peter Robinson because he wanted me, but Liverpool had a clause. Peter said, 'No, we won't be signing him, definitely, we don't need him.'" It was therefore Southampton boss Lawrie McMenemy who snapped him up for PS420,000, and Keegan made his Southampton debut at Lansdowne Road in a pre-season friendly against Shamrock Rovers on 23 July 1980. Keegan's two seasons at The Dell saw him as part of a flamboyant team also containing Alan Ball, Phil Boyer, Mick Channon and Charlie George and in 1980-81 Saints scored 76 goals, finishing in sixth place, then their highest league finish. In the following season, Keegan was able to produce some of his best form and at the end of January 1982 Southampton sat at the top of the First Division table, but a run of only three wins from the end of February meant a rather disappointing seventh-place finish. Despite this, Keegan was voted the PFA Player of the Year and awarded the OBE for services to Association Football. Keegan had scored 26 of the team's 72 goals and was voted the club's Player of the Year. Keegan had fallen out with McMenemy over the manager's failure to strengthen Southampton's defence (which conceded 67 goals in 1981-82) while the team was at the top of the table. There were also rumours that McMenemy had charged the whole team of cheating after a 3-0 defeat by Aston Villa in April 1982 to which Keegan took great exception. Although Keegan joined Saints' next pre-season tour, he had already decided to move on to seek a new challenge, and a few days before the start of the 1982-83 season he signed for Second Division Newcastle United for a fee of PS100,000.

Question: Who is kevin
Answer: Ampfield to announce that the European Footballer of the Year would be joining Southampton in the forthcoming summer.

Question: Are there any other interesting aspects about this article?
Answer: Keegan had a clause inserted into his contract when he joined Hamburg in 1977, giving Liverpool the option to buy him back.

Question: Who else did he contract with or join
Answer: Liverpool, however, opted not to exercise this clause when he returned to England three years later.

Question: What did he do in 1980
Answer: Keegan made his Southampton debut at Lansdowne Road in a pre-season friendly against Shamrock Rovers on 23 July 1980.

Question: What happen in 1982


Prompt:
Title: George Osborne

Background: George Gideon Oliver Osborne  (born 23 May 1971) is a British Conservative Party politician, who was Member of Parliament (MP) for Tatton from June 2001 until he stood down on 3 May 2017. He served as Chancellor of the Exchequer under Prime Minister David Cameron from 2010 to 2016. He has been editor of the London Evening Standard since May 2017. Osborne worked briefly as a freelancer for The Daily Telegraph before joining the Conservative Research Department in 1994 and becoming head of its political section.

Section: Budget deficit
Passage: George Osborne was born in Paddington, London, as Gideon Oliver Osborne; he decided when he was 13 to be known by the additional first name of 'George'. In an interview in July 2005, he said: "It was my small act of rebellion. I never liked it [the name 'Gideon']. When I finally told my mother she said, 'Nor do I'. So I decided to be George after my grandfather, who was a war hero. Life was easier as a George; it was a straightforward name." He is the eldest of four boys. His father Sir Peter Osborne co-founded the firm of fabric and wallpaper designers Osborne & Little. His mother is Felicity Alexandra Loxton-Peacock, the daughter of Hungarian-born artist Clarisse Loxton-Peacock (nee Feher). Osborne was educated at independent schools: Norland Place School, Colet Court and St Paul's School. In 1990 he was awarded a demyship at Magdalen College, Oxford, where in 1993 he received a 2:1 bachelor's degree in Modern History. Whilst there, he was a member of the Bullingdon Club. He also attended Davidson College in North Carolina for a semester, as a Dean Rusk Scholar. In 1993, Osborne intended to pursue a career in journalism. He was shortlisted for, but failed to gain a place on, The Times' trainee scheme; he also applied to The Economist, where he was interviewed and rejected by Gideon Rachman. In the end, he had to settle for freelance work on the Peterborough diary column of The Daily Telegraph. One of his Oxford friends, journalist George Bridges, alerted Osborne some time later to a research vacancy at Conservative Central Office. He was appointed in September 2004 by then Conservative leader Michael Howard to the Shadow Cabinet, as Shadow Chief Secretary to the Treasury. Following the 2005 general election, Howard promoted him to Shadow Chancellor of the Exchequer at the young age of 33. Howard had initially offered the post to William Hague, who turned it down. Press reports suggest that the second choice for the post was David Cameron, who also rejected the job, preferring to take on a major public service portfolio (he was made Shadow Secretary of State for Education). Thus, Howard seems to have turned to Osborne as his third choice for the role. His promotion prompted speculation he would run for the leadership of the Conservative Party when Howard stepped down, but he ruled himself out within a week. Osborne served as campaign manager for David Cameron's leadership campaign, and kept the Shadow Chancellor's post when Cameron became leader later that year. When David Cameron was asked in 2009 whether or not he would be willing to sack a close colleague such as Osborne, he stated, "With George, the answer is yes. He stayed in my shadow cabinet not because he is a friend, not because we are godfathers to each other's children but because he is the right person to do the job. I know and he knows that if that was not the case he would not be there." At this time Osborne expressed an interest in the ideas of "tax simplification" (including the idea of flat tax). He set up a "Tax Reform Commission" in October 2005 to investigate ideas for how to create a "flatter, simpler" tax system. The system then proposed would reduce the income tax rate to a flat 22%, and increase the personal allowance from PS4,435 to between PS10,000 and PS15,500. However, the idea of a flat tax was not included in the 2010 Conservative Party manifesto. Each year between 2006 and 2009, Osborne attended the annual Bilderberg Conference, a meeting of influential people in business, finance and politics. In February 2013, the UK lost its AAA credit rating--which Osborne had indicated to be a priority when coming to power--for the first time since 1978. His March 2013 budget was made when the Office for Budget Responsibility had halved its forecast for that year's economic growth from 1.2% to 0.6%. It was described by The Daily Telegraph's economics editor as "an inventive, scattergun approach to growth that half-ticked the demands of every policy commentator, wrapped together under the Chancellor's banner of Britain as an 'aspiration nation'." However, it was positively received by the public, with the ensuing boost to Conservative Party support in opinion polls standing in marked contrast to the previous year's budget. The economy subsequently began to pick up in mid-2013, with Osborne's net public approval rating rising from -33 to +3 over the following 12 months. By March 2015 the annual deficit had been cut by about half of the initial target; thus, the debt-to-GDP ratio was still rising. Also, the United Kingdom national debt increased more during the five-year term than during the previous 13 years. Moreover, the economy deteriorated after the election owing to the uncertainty caused by the referendum. Reviewing his performance in July 2016, The Guardian said that the UK still had a budget deficit of 4%, a balance-of-payments (trade) deficit of 7% of GDP, and (apart from Italy) the worst productivity among the G7 nations. An Office for National Statistics graph including the period 2010-2016 shows a worsening balance-of-trade deficit. The Conservative manifesto for the 2015 general election contained a promise not to raise income tax, VAT, or national insurance for the duration of the parliament. Journalist George Eaton maintains that Osborne did not expect an outright Conservative majority, and expected his Liberal Democrat coalition partners to make him break that promise.

Question: What year did this take place?
Answer: The economy subsequently began to pick up in mid-2013, with Osborne's net public approval rating rising from -33 to +3 over the following 12 months.

Question: What was the general consensus regarding the budget? Were people upset?
Answer: it was positively received by the public,

Question: Anything else?


Prompt:
Title: Augustus Pugin

Background: Augustus Welby Northmore Pugin ( PEW-jin; 1 March 1812 - 14 September 1852) was an English architect, designer, artist, and critic who is principally remembered for his pioneering role in the Gothic Revival style of architecture. His work culminated in designing the interior of the Palace of Westminster in Westminster, London, England and its iconic clock tower, later renamed the Elizabeth Tower, which houses the bell known as Big Ben. Pugin designed many churches in England and some in Ireland and Australia. He was the son of Auguste Pugin, and the father of Edward Welby and Peter Paul Pugin, who continued his architectural firm as Pugin & Pugin.

Section: Conversion to the Roman Catholic Church
Passage: In 1834, Pugin converted to the Roman Catholic Church and was received into it the following year. Pugin's father, Auguste-Charles Pugin was a Frenchman who had immigrated to England as a result of the French Revolution, and probably, like many others, converted to the Anglican Church in order to obtain employment, because it was very improbable that any non-Anglican would obtain a governmental commission or tender, for example. British society at the time had many restrictions on any person not adhering to the state religion of the Church of England: Non-Anglicans could not attend a university, for example, or serve on parish or city councils, be a member of Parliament, serve in the armed forces, or even serve on a jury. A number of reforms in the early 19th century relieved these restrictions, the most important of which was the Roman Catholic Relief Act of 1829, which specifically abolished the restrictions. After 1829 it became, at least theoretically, possible for Roman Catholics to have a successful career; this was the context of A. W. Pugin's conversion to the Roman Catholic Church. However, his conversion also acquainted him with new patrons and employers. In 1832 he made the acquaintance of John Talbot, 16th Earl of Shrewsbury, a Roman Catholic sympathetic to his aesthetic theory and who employed him in alterations and additions to his residence of Alton Towers, which subsequently led to many more commissions. Shrewsbury commissioned him to build St. Giles Roman Catholic Church, Cheadle, Staffordshire, England, which was completed in 1846, and Pugin was also responsible for designing the oldest Catholic Church in Shropshire, England, St Peter and Paul Church, Newport.

Question: Did he convert to the roman catholic church?
Answer: In 1834, Pugin converted to the Roman Catholic Church and was received into it the following year.

Question: What did he do after immigrating to England?


Prompt:
Title: Augustus Pugin

Background: Augustus Welby Northmore Pugin ( PEW-jin; 1 March 1812 - 14 September 1852) was an English architect, designer, artist, and critic who is principally remembered for his pioneering role in the Gothic Revival style of architecture. His work culminated in designing the interior of the Palace of Westminster in Westminster, London, England and its iconic clock tower, later renamed the Elizabeth Tower, which houses the bell known as Big Ben. Pugin designed many churches in England and some in Ireland and Australia. He was the son of Auguste Pugin, and the father of Edward Welby and Peter Paul Pugin, who continued his architectural firm as Pugin & Pugin.

Section: Architectural commissions
Passage: Following the destruction by fire of the Palace of Westminster in Westminster, London in 1834, Pugin was employed by Sir Charles Barry to supply interior designs for his entry to the architectural competition which would determine who would build the new Palace of Westminster. Pugin also supplied drawings for the entry of James Gillespie Graham. This followed a period of employment when Pugin had worked with Barry on the interior design of King Edward's School, Birmingham. Despite his conversion to the Roman Catholic Church in 1834, Pugin designed and refurbished both Anglican and Catholic churches throughout England. Other works include St. Chad's Cathedral, Erdington Abbey, and Oscott College, all in Birmingham, England. He also designed the collegiate buildings of St. Patrick and St. Mary in St. Patrick's College, Maynooth, Ireland; though not the collegiate chapel. His original plans included both a chapel and an aula maxima (great hall), neither of which were built because of financial constraints. The college chapel was designed by a follower of Pugin, the Irish architect J. J. McCarthy. Also in Ireland, Pugin designed St. Mary's Cathedral in Killarney, St. Aidan's Cathedral in Enniscorthy (renovated in 1996), and the Dominican Church of the Holy Cross in Tralee. He revised the plans for St. Michael Church in Ballinasloe, Galway, Ireland. Bishop Wareing also invited Pugin to design what eventually became Northampton Cathedral, a project that was completed in 1864 by Pugin's son Edward Welby Pugin. Pugin visited Italy in 1847; his experience there confirmed his dislike of Renaissance and Baroque architecture, but he found much to admire in the medieval art of northern Italy.

Question: Are there any other interesting aspects about this article?
Answer: Following the destruction by fire of the Palace of Westminster in Westminster, London in 1834, Pugin was employed by Sir Charles Barry to supply interior designs

Question: When was the fire?
Answer: in 1834,

Question: What caused the fire?
Answer: CANNOTANSWER

Question: What happened after the fire?
Answer: Pugin also supplied drawings for the entry of James Gillespie Graham. This followed a period of employment when Pugin had worked with Barry

Question: Did he work in  any other buildings?
Answer: Other works include St. Chad's Cathedral, Erdington Abbey, and Oscott College, all in Birmingham, England.

Question: What was his most famous piece?
Answer: He also designed the collegiate buildings of St. Patrick and St. Mary in St. Patrick's College, Maynooth, Ireland; though not the collegiate chapel.

Question: where did he draw is inspiration?

CANNOTANSWER
Not enough information
Cannot answer
Do not know


Prompt:
Title: Anberlin

Background: Anberlin was an American alternative rock band formed in Winter Haven, Florida in 1998 and disbanded in 2014. Since the beginning of 2007, the band consisted of lead vocalist Stephen Christian, guitarists Joseph Milligan and Christian McAlhaney, bassist Deon Rexroat, and drummer Nathan Young. Members of Anberlin originally formed a band under the name SaGoh 24/7 in 1998, releasing two studio albums before disbanding, with the members having a change in musical direction and name. Anberlin was formed in 2002; within a year of forming, they had signed with semi-independent record label Tooth & Nail Records and released their debut album, Blueprints for the Black Market.

Section: Dark Is the Way, Light Is a Place (2010-2011)
Passage: In an interview with the South Florida Sun-Sentinel in December 2009, it was revealed by lead singer Stephen Christian that the band were tentatively due to enter the studio in the beginning of 2010, with a release probable later in the year. He said "it looks like we are going to go to the studio in January, February or March, right around that time". Drummer Nathan Young stated that the album would be "less poppy" and "darker". Christian posted on his Twitter account in December 2009, that his choice for an album name was "a go" but did not reveal the name. The band entered Blackbird Studios, Nashville, to begin recording the album in March 2010. It was announced on March 3 that the band would be working with Grammy Award-winning producer, Brendan O'Brien. The tracking of the album was completed on April 9, with mixing commencing on April 13, 2010. In an April 2010 interview with MyMag, Christian stated that the album's release date is "looking like late July or early August" 2010. However, in a May 2010 interview with Spin Magazine, McAlhaney stated that the album would be released in September 2010. In early June 2010, the album's release date was confirmed to be September 21, 2010. The band also began exposing their new music, with videos of live performances of the album's songs appearing online. A press release revealed on June 17 that Anberlin's fifth studio album would be titled Dark Is the Way, Light Is a Place, taking its title from a line in Dylan Thomas' "Poem on His Birthday". Along with the disclosure of a track listing, the press release also announced the album's lead single, "Impossible", which went to radio play on July 12, 2010. When asked about the possible impact of the new album, Stephen replied 'I feel like we're on the brink of something... either world domination or destruction, but either way we're on the brink'. Anberlin supported Thirty Seconds to Mars on their Closer to the Edge Tour with CB7 during April and May 2011.

Question: what happened in 2010?
Answer: Stephen Christian that the band were tentatively due to enter the studio in the beginning of 2010,

Question: what album did they record?


Prompt:
Title: Al Costello

Background: Giacomo Costa (14 December 1919 - 22 January 2000) was an Italian Australian professional wrestler best known by his ring name, Al Costello. Costello was the first professional wrestler to be nicknamed "The Man of a Thousand Holds" because of his innovative and very technical style. Costello was the creator and original member of the tag team The Fabulous Kangaroos, whose "Ultra Australian" gimmick complete with boomerangs, bush hats and the song "Waltzing Matilda" as their entrance music, existed in various forms from 1957 until 1983. Costello was either an active wrestler, or a manager in all versions of The Fabulous Kangaroos.

Section: Managing
Passage: In 1975, Costello surprised everyone by returning to professional wrestling as the manager of the team known as "The Love Brothers" (Hartford and Reggie Love). He actually stepped into the ring on occasion as part of special six-man tag team matches. After recovering from his hip surgery, Costello returned to active competition at age 56. The fact that he was able to recover from such a major injury is credited to his almost-fanatical style of healthy living. As a devout vegan, Costello credited his meat-free diet with his recovery, as well as the remarkable shape he was in for a man of his age. Costello reformed The Fabulous Kangaroos once more, this time teaming up with wrestler Tony Charles. The team defeated Dominic DeNucci and Chris Markoff to win Detroit's version of the NWA World Tag Team title, the same title that Costello and Kent had previously held. The Kangaroos title run was short, however, and they lost their gold to "Crazy" Luke Graham and Ripper Collins. In 1977, Tony Charles was replaced by Don Kent and the two reunited for a tour of Puerto Rico with the World Wrestling Council (WWC). In Puerto Rico, The Kangaroos arrived billed as the WWC World Tag Team Champions, once more to give a newly created title legitimacy. They dropped the titles to Carlos Colon and Jose Rivera on 12 March 1977 and remained in the WWC until 1978 chasing, but never regaining, the WWC World Tag Team Championship. After their tour in Puerto Rico ended, Don Kent returned to singles wrestling, and Costello refocused on managing.

Question: Who did he manage?
Answer: In 1975, Costello surprised everyone by returning to professional wrestling as the manager of the team known as "The Love Brothers" (Hartford and Reggie Love).

Question: Are there any other interesting aspects about this article?


Prompt:
Title: Belinda Carlisle

Background: Belinda Jo Carlisle was born in Hollywood, Los Angeles, California on August 17, 1958 to Harold Carlisle, a gas station employee, and his wife, Joanne (nee Thompson), a homemaker. Her mother met her father, who was twenty years her senior, at age eighteen, and Carlisle was born nine months later. She was named after her mother's favorite film, Johnny Belinda (1948). Carlisle was the first of seven siblings, with three brothers and three sisters.

Section: 2010-present
Passage: Carlisle's first venture into music was in 1977 as drummer for the punk rock band the Germs, under the name Dottie Danger. She was recruited into the band by Lorna Doom, whom she had met in an art class while a student at Thousand Oaks High School. However, her time in the band was short due to her contracting mononucleosis, and she never recorded or performed live with the Germs. According to Pat Smear, upon quitting, she introduced her friend, Donna Rhia, who became her replacement. Carlisle does appear on one recording introducing the band at a 1977 performance at the Whisky a Go Go, heard on the live album Germicide (1977). Around this time Carlisle did some back-up singing for Black Randy and the Metrosquad. Soon after leaving the Germs, she co-founded The Go-Go's (originally named the Misfits), with friends and fellow musicians Margot Olavarria, Elissa Bello, and Jane Wiedlin. Olavarria and Bello were soon out of the group and the new line-up included bassist-turned-guitarist Charlotte Caffey, guitarist-turned-bassist Kathy Valentine, and drummer Gina Schock. All five women were largely untrained musicians, and Carlisle recalls having to use tape as fret markers during their initial songwriting: "[Charlotte] had to show us how to plug in our amps," she said. The Go-Go's would go on to become one of the most successful American bands of the 1980s, helping usher new wave music into popular American radio, and becoming the first all-female band who wrote their own music and played their own instruments to ever achieve a No. 1 album, Beauty and the Beat, which featured the hits "We Got the Beat" and "Our Lips Are Sealed". The Go-Go's recorded two more studio albums on I.R.S. Records, including 1982's Vacation, which went gold. "Head over Heels", from their 1984 album Talk Show, made it to No. 11. In 1984, Carlisle made a foray into acting in the movie Swing Shift, starring alongside Goldie Hawn and Kurt Russell. In 2001, The Go-Go's reunited again and released an album of new material, God Bless The Go-Go's. Green Day's lead singer Billie Joe Armstrong co-wrote the only released single "Unforgiven". God Bless The Go-Go's received mixed reviews from critics. Peter Fawthrop of AllMusic wrote "Every bit as Go-Go's, that is, as their non-hits and less remarkable material. While The Go-Go's sound is intact, there is not a "We Got the Beat" or a "Head Over Heels" to be found. It is feasible that in this age of pop rebirth, The Go-Go's decided it was now or never ... The album doesn't attempt to update the band's sound with hip-hop moves or electronic frippery, for which God should bless 'em, indeed. The girls' hold on the current pop world remains so strong that Green Day's Billie Joe Armstrong co-writes a song ("Unforgiven") in impeccable Go-Go's drag". In spite of the mixed reviews, the album charted in the US Billboard 200, peaking at number No. 57. Around the time of The Go-Go's definitive reunion tour, Carlisle appeared nude for the cover feature and a full pictorial of the August 2001 edition of Playboy. In 2007, Carlisle released her seventh album, Voila, which was her first full-length solo studio album in more than ten years. The album was produced by John Reynolds and included Brian Eno on keyboards. Consisting of a mix of French pop tunes and chanson standards, including covers of Francoise Hardy and Edith Piaf classics, Voila was released via Rykodisc in the UK on February 5 and in the United States the following day, February 6, 2007. In early 2009, Carlisle was on the eighth season of Dancing with the Stars, paired with Jonathan Roberts. She was the first star to be eliminated from the competition, on March 17. In October 2009, Carlisle took over the role of Velma Von Tussle in London's West End production of Hairspray at the Shaftesbury Theatre. She remained with the show till late January 2010 and was replaced by Siobhan McCarthy. Between 2011 and 2012, Carlisle embarked on a United States tour with The Go-Go's, which included concerts at the Greek Theatre in Los Angeles in August 2011 and the Hollywood Bowl in September 2012. In March 2013, Carlisle released her first U.S. single in 17 years titled "Sun", an up-tempo pop song, which was included on "ICON", a new greatest hits compilation album. The single was also released in the United Kingdom. The song was written by Carlisle, Jane Wiedlin of The Go-Go's and singer-songwriter Gabe Lopez. Lopez also produced the song. While the track did not chart, it received positive reviews. In August 2013, Edsel Records released remastered, three-disc versions of Heaven on Earth, Runaway Horses, Live Your Life Be Free and Real. Each album comprised a remastered version of the original LP followed by the 7-inch or radio edits of each single from that album, a second disc of remixes and 12-inch versions of all the singles, and a DVD comprising the promotional videos for the singles. Some of singles and remixes had never previously been released on CD. In March 2014, a new Greatest Hits titled The Collection was released containing 18 hits and one new song, "Goodbye Just Go", along with a DVD of 18 videos. The album reached number 24 in the UK albums chart. Also in March 2014, another digitally remastered, five-disc retrospective collection titled Anthology was released. The anthology included "Dancing in the City", which had previously only been available on the Japanese LP/CD for the soundtrack to the 1987 movie Burglar, and "I Won't Say I'm in Love" which had previously only been released in 1997 as a CD single in France. It also included all three singles from her first album and all four singles from A Woman and a Man. Later in 2014, Carlisle's three other studio albums, Belinda, A Woman and a Man and Voila were re-issued by Edsel on CD, although there were a number of issues with their production. Carlisle confirmed in a radio interview in August 2015 that she has completed work on a new album, tentatively earmarked for release in January 2016. She commented that the music on the album will be partly inspired by Kundalini yoga, which she had taken up while pregnant in 1991/1992 and of which she had qualified as a teacher since becoming sober in 2005. Also in August 2015, Edsel released a box set of all the commercially released singles from Carlisle's studio albums, plus a bonus disc featuring a previously-unreleased recording of "In My Wildest Dreams", which had featured in the 1987 film Mannequin. In late 2016, the Go-Go's completed an international tour with Best Coast as a supporting act, which Carlisle stated would likely be their last tour together. Carlisle's eighth studio album, a selection of Gurmukhi chants titled Wilder Shores, was released in September 2017.

Question: Who is Belinda Carlisle?
Answer: Carlisle's first venture into music was in 1977 as drummer for the punk rock band the Germs, under the name Dottie Danger.

Question: What was she famous for?
Answer: Soon after leaving the Germs, she co-founded The Go-Go's

Question: What was the Go-Go's most major accomplishment?
Answer: helping usher new wave music into popular American radio,

Question: What kind of music did they release?
Answer: new wave music

Question: What else can you tell me?
Answer: In 2001, The Go-Go's reunited again and released an album of new material, God Bless The Go-Go's. Green Day's lead singer Billie Joe Armstrong co-wrote the only released single "Unforgiven".

Question: When was the last time they were together?


Prompt:
Title: Belinda Carlisle

Background: Belinda Jo Carlisle was born in Hollywood, Los Angeles, California on August 17, 1958 to Harold Carlisle, a gas station employee, and his wife, Joanne (nee Thompson), a homemaker. Her mother met her father, who was twenty years her senior, at age eighteen, and Carlisle was born nine months later. She was named after her mother's favorite film, Johnny Belinda (1948). Carlisle was the first of seven siblings, with three brothers and three sisters.

Section: Personal life
Passage: In 1986, Carlisle married political operative and film producer Morgan Mason, son of actor James Mason. He made appearances in Carlisle's music videos "Mad About You" and "Heaven Is a Place on Earth". They have one son, James, who was born in 1992. After the 1994 Northridge earthquake, Carlisle and her family moved to Europe, settling in the south of France. Carlisle and her husband lived between Frejus, a commune in Southern France, India, and the United States. In 2017 the couple moved to Bangkok, Thailand. In a 1990 interview with Spin, Carlisle stated that she was not close with her siblings or parents, saying: "I want to be close to them. I kind of feel uncomfortable. I think I feel guilty sometimes about my success in some ways." During the initial stages of her tenure with the Go-Go's, Carlisle developed a serious addiction to cocaine and alcohol that would span thirty years. Simultaneously, she had also developed an eating disorder, which she said stemmed from media comments regarding her appearance; Carlisle's excessive cocaine use helped keep her weight down. Additionally, Carlisle admitted to using LSD, quaaludes, and MDA regularly as both a teenager and adult. In a 2017 interview, she told The Guardian that she "couldn't believe she wasn't dead." After a three-day-long cocaine binge in 2005, Carlisle says she looked at herself in the mirror and "didn't see a light or a soul" in her eyes: "I just thought, 'I know I don't look like myself anymore.'" The same morning, she had an auditory hallucination telling her she would be found dead in a hotel room if she did not stop using drugs. The incident jarred Carlisle into seeking sobriety, and she has been sober since 2005. She told The Sydney Morning Herald in 2014: "I don't smoke anymore, I don't drink any more and I don't do drugs any more. I am very much into my Buddhism. I found turning 40 a real passage in time for me." Carlisle states in her autobiography Lips Unsealed: A Memoir that she has practiced Nichiren Buddhism as a member of the Soka Gakkai International since 2002, and she often mentions in press interviews that she chants Nam Myoho Renge Kyo daily. She has also credited the practice with helping her maintain sobriety.

Question: Did she marry?
Answer: In 1986, Carlisle married political operative and film producer Morgan Mason,

Question: did they have any kids?
Answer: They have one son, James, who was born in 1992.

Question: did they divorce?
Answer: CANNOTANSWER

Question: Are there any other interesting aspects about this article?
Answer: During the initial stages of her tenure with the Go-Go's, Carlisle developed a serious addiction to cocaine and alcohol that would span thirty years.

Question: Did she ever go to rehab?
Answer: The incident jarred Carlisle into seeking sobriety, and she has been sober since 2005.

Question: What else can you tell me?
Answer: "I don't smoke anymore, I don't drink any more and I don't do drugs any more. I am very much into my Buddhism.

Question: When did she stop all of this?
Answer: she has been sober since 2005.

Question: Does he practice buddhism?


Prompt:
Title: The Goon Show

Background: The Goon Show was a British radio comedy programme, originally produced and broadcast by the BBC Home Service from 1951 to 1960, with occasional repeats on the BBC Light Programme. The first series broadcast from 28 May to 20 September 1951, was titled Crazy People; subsequent series had the title The Goon Show, a title inspired, according to Spike Milligan, by a Popeye character. The show's chief creator and main writer was Spike Milligan. The scripts mixed ludicrous plots with surreal humour, puns, catchphrases and an array of bizarre sound effects.

Section: Surrealism
Passage: The Goon Show has been variously described as "avant-garde", "surrealist", "abstract", and "four dimensional". The show paved the way for surreal and alternative humour, as acknowledged by comedians such as Eddie Izzard. The surreality was part of the attraction for Sellers, and this exacerbated his mental instability especially during the third series. Many of the sequences have been cited as being visionary in the way that they challenged the traditional conventions of comedy. In the Pythons' autobiography, Terry Jones states "The Goons of course were my favourite. It was the surreality of the imagery and the speed of the comedy that I loved - the way they broke up the conventions of radio and played with the very nature of the medium." This is reiterated by Michael Palin and John Cleese in their contributions to Ventham's (2002) book. Cleese recalls listening to The Goon Show as a teenager in the mid-1950s "and being absolutely amazed by its surreal humour. It came at a key stage in my own development and I never missed a show". Additionally, Milligan played games with the medium itself. Whole scenes were written in which characters would leave, close the door behind themselves, yet still be inside the room. Further to this, characters would announce their departure, slam a door, but it would be another character who had left the room. That character would then beat on the door for re-admittance, the door would open and close and again the wrong character would be locked out.

Question: What was surrealist about The Goon Show?
Answer: The surreality was part of the attraction for Sellers, and this exacerbated his mental instability especially during the third series.

Question: Are there other examples of surrealism in the show?
Answer: The show paved the way for surreal and alternative humour, as acknowledged by comedians such as Eddie Izzard. The

Question: What did people say about the show?


Prompt:
Title: The Goon Show

Background: The Goon Show was a British radio comedy programme, originally produced and broadcast by the BBC Home Service from 1951 to 1960, with occasional repeats on the BBC Light Programme. The first series broadcast from 28 May to 20 September 1951, was titled Crazy People; subsequent series had the title The Goon Show, a title inspired, according to Spike Milligan, by a Popeye character. The show's chief creator and main writer was Spike Milligan. The scripts mixed ludicrous plots with surreal humour, puns, catchphrases and an array of bizarre sound effects.

Section: Impact on comedy and culture
Passage: In George Perry's book The Life of Python (1999) he comments: "In the Britain of 1950, humour was derived from three main sources: print, film and radio, and despite the advent of television, throughout the 1950s radio remained the dominant source of broadcast comedy. In this period, two radio comedy shows exercised a profound influence. The first was Take It From Here, with its polished professionalism. The other was The Goon Show, with its absurdity, manic surreality and unpredictability." On the influence of The Goons, Eric Sykes wrote that in the post-World War II years, "other shows came along but 'The House of Comedy' needed electricity. Then, out of the blue ... The Goons ...Spike Milligan simply blew the roof off, and lit the whole place with sunshine. At a cursory glance, The Goon Show was merely quick-fire delivery of extremely funny lines mouthed by eccentric characters, but this was only the froth. In The Goon Show, Spike was unknowingly portraying every facet of the British psyche". Sykes and Milligan, along with Ray Galton, Alan Simpson, Frankie Howerd and Stanley ("Scruffy") Dale, co-founded the writers' cooperative Associated London Scripts (ALS), which over time included others such as Larry Stephens. In his book Spike & Co (2006, pp. 344-345), Graham McCann says "the anarchic spirit of the Goon Show...would inspire, directly or indirectly and to varying extents, Monty Python's Flying Circus, The Hitchhiker's Guide to the Galaxy, The Young Ones, Vic Reeves Big Night Out, The League of Gentlemen, Brass Eye and countless other strange and bold new comedies". Other ALS-related comedies such as Sykes and A..., Hancock's Half Hour, Steptoe and Son, Beyond Our Ken, and Round The Horne influenced their own genres of comedy. Eddie Izzard notes that the Goons and Milligan in particular "influenced a new generation of comedians who came to be known as 'alternative'." In Ventham's (2002, p. 151) compilation, John Cleese notes that "In comedy, there are a very small number of defining moments when somebody comes along and genuinely creates a breakthrough, takes us into territory where nobody has been before. The only experiences to which I can compare my own discovery of the Goons are going to see N F Simpson's play One Way Pendulum ... or, later on, hearing Peter Cook for the first time. They were just light years ahead of everyone else."

Question: What was this show about?
Answer: The Goon Show, with its absurdity, manic surreality and unpredictability."

Question: What made this show so amazing
Answer: The Goon Show was merely quick-fire delivery of extremely funny lines mouthed by eccentric characters,

Question: Anything else made this show amazing?
Answer: In The Goon Show, Spike was unknowingly portraying every facet of the British psyche".

Question: Are there any other interesting aspects about this article?


Prompt:
Title: Drew Carey

Background: Carey is the youngest of Lewis and Beulah Carey's three sons and raised in the Old Brooklyn neighborhood of Cleveland, Ohio. When Drew was eight years old, his father died from a brain tumor. He played the cornet and trumpet in the marching band of James Ford Rhodes High School, from which he graduated in 1975. He continued on to college at Kent State University (KSU) and was a part of Delta Tau Delta Fraternity.

Section: Political views
Passage: Carey is an outspoken libertarian. He has expressed his political philosophy in the following terms: "I believe the answers to all the problems we face as a society won't come from Washington, it will come from us. So the way we decide to live our lives and our decisions about what we buy or don't buy are much more important than who we vote for." Carey expressed his distaste for the Bush administration's management of the Iraq War, specifically on the September 14, 2007, episode of Real Time with Bill Maher. He made donations to Ron Paul's presidential campaign for the 2008 election. On the September 26, 2008, episode of The Late Late Show with Craig Ferguson, Carey defined "libertarian" to host Craig Ferguson as "a conservative who still gets high." In 2016, he supported Libertarian Party presidential candidate Gary Johnson in his run for office, and was made an Honorary Chair of the campaign for California. Carey has spoken about his various political beliefs in several interviews, and in 1998, he led a "smoke-in" in defiance of California's newly passed no-smoking ordinance inside bars and restaurants. Carey has hosted a series of mini-documentaries called The Drew Carey Project on Reason.tv, an online project of Reason Foundation, a libertarian-oriented nonprofit think tank (for which Carey sits as a member of the board of trustees). The first episode, "Gridlock", addresses private highway ownership and was released on October 15, 2007. Other episodes discuss topics such as eminent domain, urban traffic congestion, and medical marijuana.

Question: Is Carey a Republican or Democrat?
Answer: libertarian.

Question: Was he vocal about his political views?
Answer: He has expressed his political philosophy in the following terms: "I believe the answers to all the problems we face as a society won't come from Washington,

Question: Did he donate money to any candidates?
Answer: He made donations to Ron Paul's presidential campaign

Question: Did he ever run for office?
Answer: CANNOTANSWER

Question: Did he have politicians on his show?

CANNOTANSWER
Not enough information
Cannot answer
Do not know


Prompt:
Title: Masoumeh Ebtekar

Background: Masoumeh Ebtekar (Persian: m`Swmh btkhr; born Niloufar Ebtekar; 21 September 1960) is current Vice President of Iran for Women and Family Affairs, being appointed on 9 August 2017. She previously headed Department of Environment from 1997 to 2005, making her the first female member in the cabinet of Iran since 1979 and the third in history. She held the same level of office from 2013 to 2017. Ebtekar first achieved fame as "Mary", the spokesperson of the students who took hostages and occupied the US Embassy in 1979.

Section: Vice presidency first term (1997-2005)
Passage: Ebtekar was the first woman to serve as Vice-President of Iran when the reformists came to power. Along with Zahra Shojaei, she participated in the first cabinet since the Islamic Revolution to include women. She has been described as a leftist in Mohammad Khatami's alliance. Ebtekar headed the Department of Environment for eight years, introducing major structural, organizational and directional changes enabling a re-engineering of the government body. During her tenure environmental awareness and support for civil society activism in this area was enhanced. Ebtekar's appointment led to the revelation of her past, and in the US questions were raised about whether President Khatami was aware of "how deeply" the hostage-taking and holding, and anger towards its foremost public defender, "affected both the American government and the American people." Many academics and literary critiques have written and expressed their views on her published memoirs. Following this, "some ambassadors" in Tehran reportedly stated they would no "longer meet with her" and would "discourage official contract with her office." In her memoirs published as the "Grapes of Shahrivar", Ebtekar repeatedly refers to her cordial and official contacts with not only Western Ambassadors, but also many European Ministers and Presidents as well.( chapters 8-16-23-26-30-32-33) On International Women's Day in 1998, as vice-president of environmental affairs, she made a speech condemning the oppression of women by the Taliban Movement in Afghanistan. Her performance caused comment by members of the Western news media in attendance as she herself was wearing a chador, a reminder of compulsory hijab in Iran which many in the West view as a violation of women's rights. In May 1999, the WorldNetDaily claimed that she and President Mohammad Khatami had been in the guest list of the 1999 Bilderberg conference held in Sintra, Portugal on June 3-6. This allegation was repeatedly denied by Ebtekar citing the fact that President Khatami had taken part in memorial ceremonies for Imam Khomeini on those days(3-6 of June) and on World Environment Day June 6 he had inaugurated the Provincial Center for Environment Research in Tehran. In March 2002, Ebtekar was a keynote speaker at the Meeting of Women Leaders on the Environment in Helsinki, sponsored by the Finnish Ministry of the Environment. In September 2002, Ebtekar participated in the World Summit on Sustainable Development, held in Johannesburg, South Africa. In May 2005, she chaired the International Conference on Environment, Peace, and the Dialogue Among Civilizations and Cultures, held in Tehran. This event was organized by Ebtekar's Department of the Environment and also by the United Nations Environment Programme.

Question: What was significant about 1997?
Answer: Ebtekar was the first woman to serve as Vice-President of Iran when the reformists came to power.

Question: What did she do in that office?
Answer: During her tenure environmental awareness and support for civil society activism in this area was enhanced.

Question: What did she accomplish?
Answer: On International Women's Day in 1998, as vice-president of environmental affairs, she made a speech condemning

Question: What did she condem?
Answer: the oppression of women by the Taliban Movement in Afghanistan.

Question: What did she do next in regards to this?
Answer: Her performance caused comment by members of the Western news media in attendance as she herself was wearing a chador, a reminder

Question: What did she do next?