Prompt:
Title: Ludwig Wittgenstein

Background: Ludwig Josef Johann Wittgenstein (; German: ['vItg@n,StaIn]; 26 April 1889 - 29 April 1951) was an Austrian-British philosopher who worked primarily in logic, the philosophy of mathematics, the philosophy of mind, and the philosophy of language. From 1929 to 1947, Wittgenstein taught at the University of Cambridge. During his lifetime he published just one slim book, the 75-page Tractatus Logico-Philosophicus (1921), one article, one book review and a children's dictionary.

Section: Family temperament and the brothers' suicides
Passage: Ray Monk writes that Karl's aim was to turn his sons into captains of industry; they were not sent to school lest they acquire bad habits, but were educated at home to prepare them for work in Karl's industrial empire. Three of the five brothers would later commit suicide. Psychiatrist Michael Fitzgerald argues that Karl was a harsh perfectionist who lacked empathy, and that Wittgenstein's mother was anxious and insecure, unable to stand up to her husband. Johannes Brahms said of the family, whom he visited regularly: "They seemed to act towards one another as if they were at court." The family appeared to have a strong streak of depression running through it. Anthony Gottlieb tells a story about Paul practicing on one of the pianos in the Wittgensteins' main family mansion, when he suddenly shouted at Ludwig in the next room: "I cannot play when you are in the house, as I feel your scepticism seeping towards me from under the door!" The family Palace housed seven grand pianos and each of the siblings pursued music "with an enthusiasm that, at times, bordered on the pathological." The eldest brother, Hans, was hailed as a musical prodigy. At the age of four, writes Alexander Waugh, Hans could identify the Doppler effect in a passing siren as a quarter-tone drop in pitch, and at five started crying "Wrong! Wrong!" when two brass bands in a carnival played the same tune in different keys. But he died in mysterious circumstances in May 1902, when he ran away to America and disappeared from a boat in Chesapeake Bay, most likely having committed suicide. Two years later, aged 22 and studying chemistry at the Berlin Academy, the third eldest brother, Rudi, committed suicide in a Berlin bar. He had asked the pianist to play Thomas Koschat's "Verlassen, verlassen, verlassen bin ich" ("Forsaken, forsaken, forsaken am I"), before mixing himself a drink of milk and potassium cyanide. He had left several suicide notes, one to his parents that said he was grieving over the death of a friend, and another that referred to his "perverted disposition". It was reported at the time that he had sought advice from the Scientific-Humanitarian Committee, an organization that was campaigning against Paragraph 175 of the German Criminal Code, which prohibited homosexual sex. His father forbade the family from ever mentioning his name again. The second eldest brother, Kurt, an officer and company director, shot himself on 27 October 1918 at the end of World War I, when the Austrian troops he was commanding refused to obey his orders and deserted en masse. According to Gottlieb, Hermine had said Kurt seemed to carry "...the germ of disgust for life within himself." Later Wittgenstein wrote: "I ought to have... become a star in the sky. Instead of which I have remained stuck on earth."

Question: Why did his brothers commit suicide?
Answer: The family appeared to have a strong streak of depression running through it.

Question: When did his brother commit suicide?
Answer: in May 1902, when he ran away to America and disappeared from a boat in Chesapeake Bay, most likely having committed suicide.

Question: When did his other brother commit suicide?
Answer: Two years later, aged 22 and studying chemistry at the Berlin Academy, the third eldest brother, Rudi, committed suicide in a Berlin bar.

Question: How did his family react?
Answer: His father forbade the family from ever mentioning his name again.

Question: How did their mother react?
Answer: CANNOTANSWER

Question: How did Ludwig deal with their deaths?
Answer: CANNOTANSWER

Question: What happened after their deaths?
Answer: The second eldest brother, Kurt, an officer and company director, shot himself on 27 October 1918 at the end of World War I,

Question: What happened after Kurt's death?
Answer: Later Wittgenstein wrote: "I ought to have... become a star in the sky. Instead of which I have remained stuck on earth."

Question: Did he write anything else about his brother's deaths?

CANNOTANSWER
Not enough information
Cannot answer
Do not know


Prompt:
Title: Spandau Ballet

Background: Spandau Ballet  are an English band formed in Islington, London in 1979. The band were inspired by, and an integral part of, the electro movement. They became one of the most successful groups to emerge during the New Romantic era. The band's classic line-up features brothers Gary Kemp and Martin Kemp on guitars, vocalist Tony Hadley, saxophonist Steve Norman, and drummer John Keeble.

Section: 1983-1989: International success and decline
Passage: The band released their third album, True, in March 1983. Produced by Tony Swain and Steve Jolley, the album featured a slicker pop sound. It was at this point that Steve Norman began playing saxophone for the band. Preceded by the title track which reached number one in various countries, the album also reached number one in the UK. Their next single, "Gold", reached number 2. The follow-up album, Parade, was released in June 1984, and its singles were again big successes in the charts in Europe, Oceania and Canada. The album's opening song, "Only When You Leave", became the band's last American hit. At the end of 1984, the band performed on the Band Aid charity single and in 1985 performed at Wembley Stadium as part of Live Aid. During this same year, Spandau Ballet achieved platinum status with the compilation The Singles Collection, which kept the focus on the band between studio albums and celebrated its five years of success. However, the album was released by Chrysalis Records without the band's approval and the band instigated legal action against the label. In 1986, Spandau Ballet signed to CBS Records and released the album Through the Barricades, in which the band moved away from the pop and soul influences of True and Parade and more toward rock. Though the first single, "Fight for Ourselves" peaked at 15 in the UK, the title track and the album both reached the Top 10 in the UK and Europe. After a hiatus from recording, the band released their next album, Heart Like a Sky, in September 1989. The album and its singles were unsuccessful in the UK, and the album itself was not released in the United States. It did, however, do well in Italy (where its singles "Raw" and "Be Free with Your Love" reached the Top 10) and also in Belgium, Germany and the Netherlands.

Question: What was the first indication of Spandau Ballet's success at the international level?
Answer: The follow-up album, Parade, was released in June 1984, and its singles were again big successes in the charts in Europe, Oceania and Canada.

Question: What were the notable songs from the album Parade?
Answer: The album's opening song, "Only When You Leave",

Question: How did the opening song do on the charts?
Answer: became the band's last American hit.

Question: Are there any other interesting aspects about this article?
Answer: Spandau Ballet signed to CBS Records and released the album Through the Barricades,

Question: How was the album received by the critics?
Answer: CANNOTANSWER

Question: What did the fans think of the new musical direction?
Answer: Though the first single, "Fight for Ourselves" peaked at 15 in the UK, the title track and the album both reached the Top 10 in the UK and Europe.

Question: Did they release another album after that?
Answer: After a hiatus from recording, the band released their next album, Heart Like a Sky,

Question: Did the band tour to support the a

CANNOTANSWER
Not enough information
Cannot answer
Do not know


Prompt:
Title: Spandau Ballet

Background: Spandau Ballet  are an English band formed in Islington, London in 1979. The band were inspired by, and an integral part of, the electro movement. They became one of the most successful groups to emerge during the New Romantic era. The band's classic line-up features brothers Gary Kemp and Martin Kemp on guitars, vocalist Tony Hadley, saxophonist Steve Norman, and drummer John Keeble.

Section: 1990-1999: Break-up and solo projects
Passage: In the 1990s, the band split up after a disagreement about royalties. Hadley, Norman and Keeble launched an unsuccessful court case against Gary Kemp for a share of Kemp's songwriting royalties from his work with Spandau Ballet. Although they vowed to appeal the verdict, they later decided against this. The three non-Kemp members then continued to tour as a trio, but they had to sell their shares in Spandau Ballet's company to Gary Kemp to pay off legal debts. Because the company owned the rights to the name of Spandau Ballet, the trio had to tour under the moniker "Hadley, Norman and Keeble, ex-Spandau Ballet". In 1990, the Kemp brothers played the lead roles in the film The Krays. Martin Kemp landed an acting role in the UK soap opera EastEnders. Gary Kemp also did more acting, appearing in a supporting role in the Whitney Houston hit The Bodyguard. In 1995 he released his only solo album, Little Bruises. Meanwhile, Tony Hadley tried to establish a solo career but with little success. After leaving EastEnders, Martin Kemp continued acting in various high-profile projects and appeared on TV in other roles. He wrote and directed his first film, Martin Kemp's Stalker. Gary Kemp wrote songs with Paul Stratham, who had written songs for Dido, continued acting on stage, in film and in television, and worked on the musicals Begbug and A Terrible Beauty with Guy Pratt. Steve Norman moved to Ibiza, where he formed a lounge band, Cloudfish, with Rafa Peletey and Shelley Preston in 2001. Hadley released three studio albums, landed the lead role in the musical Chicago and won the ITV reality show Reborn in the USA. In 1999, Hadley appeared as a guest vocalist on the Alan Parsons album The Time Machine, performing lead vocals on the song "Out of the Blue".

Question: what happened in 1990?
Answer: In the 1990s, the band split up after a disagreement about royalties.

Question: did they do solo work?
Answer: The three non-Kemp members then continued to tour as a trio,

Question: what about the kemp members?
Answer: In 1990, the Kemp brothers played the lead roles in the film The Krays.

Question: how did the film do?
Answer: CANNOTANSWER

Question: did they do anything else?
Answer: Martin Kemp landed an acting role in the UK soap opera EastEnders.

Question: what about the other kemps?
Answer: Gary Kemp also did more acting, appearing in a supporting role in the Whitney Houston hit The Bodyguard.

Question: did they go back to music?
Answer: In 1995 he released his only solo album, Little Bruises.

Question: who released the album?
Answer: Gary Kemp

Question: did he win any awards for his acting?

CANNOTANSWER
Not enough information
Cannot answer
Do not know


Prompt:
Title: Augustus Pugin

Background: Augustus Welby Northmore Pugin ( PEW-jin; 1 March 1812 - 14 September 1852) was an English architect, designer, artist, and critic who is principally remembered for his pioneering role in the Gothic Revival style of architecture. His work culminated in designing the interior of the Palace of Westminster in Westminster, London, England and its iconic clock tower, later renamed the Elizabeth Tower, which houses the bell known as Big Ben. Pugin designed many churches in England and some in Ireland and Australia. He was the son of Auguste Pugin, and the father of Edward Welby and Peter Paul Pugin, who continued his architectural firm as Pugin & Pugin.

Section: Reputation and influence
Passage: Eastlake, writing in 1872, noted that the quality of construction in Pugin's buildings was often poor, and believed he was lacking in technical knowledge, his strength lying more in his facility as a designer of architectural detail. Pugin's legacy began to fade immediately after his death. This was partly due to the hostility of John Ruskin. In his appendix to The Stones of Venice (1851), Ruskin wrote of Pugin, "he is not a great architect but one of the smallest possible or conceivable architects". Contemporaries and admirers of Pugin, including Sir Henry Cole, protested at the viciousness of the attack and pointed out that Ruskin's idea on style had much in common with Pugin's. After Pugin's death, Ruskin "outlived and out-talked him by half a century". Sir Kenneth Clark wrote, "If Ruskin had never lived, Pugin would never have been forgotten." Nonetheless, Pugin's architectural ideas were carried forward by two young architects who admired him and had attended his funeral, W. E. Nesfield and Norman Shaw. George Gilbert Scott, William Butterfield and George Edmund Street were influenced by Pugin's designs, and continued to work out the implication of ideas he had sketched in his writings. In Street's office, Philip Webb met William Morris and they went on to become leading members of the English Arts and Crafts Movement. When the German critic Hermann Muthesius published his admiring and influential study of English domestic architecture, Das Englische Haus (1904), Pugin was all but invisible, yet "it was he ... who invented the English House that Muthesius so admired". An armoire that he designed (crafted by frequent collaborator John Gregory Crace) is held at the Victoria and Albert Museum. It was shown at the Great Exhibition of 1851, but was not eligible for a medal, as it was shown under Crace's name and he was a judge for the Furniture Class at the exhibition. On 23 February 2012 the Royal Mail released a first class stamp featuring Pugin as part of its "Britons of Distinction" series. The stamp image depicts an interior view of the Palace of Westminster.

Question: what kind of reputation did he have?
Answer: the quality of construction in Pugin's buildings was often poor,

Question: what sort of buildings did he build?
Answer: CANNOTANSWER

Question: was there more to his reputation?
Answer: Pugin's legacy began to fade immediately after his death.

Question: when did he die?
Answer: CANNOTANSWER

Question: was there any other aspects to his reputation?
Answer: he was lacking in technical knowledge, his strength lying more in his facility as a designer of architectural detail.

Question: Are there any other interesting aspects about this article?


Prompt:
Title: Don Shula

Background: Donald Francis Shula (born January 4, 1930) is a former professional American football coach and player who is best known as the head coach of the Miami Dolphins, the team he led to two Super Bowl victories, and to the only perfect season in the history of the National Football League (NFL). He was previously the head coach of the Baltimore Colts, with whom he won the 1968 NFL Championship. Shula was drafted out of John Carroll University in the 1951 NFL Draft, and he played professionally as a defensive back for the Cleveland Browns, Baltimore Colts, and Washington Redskins. Shula was named 1993 Sportsman of the Year by Sports Illustrated.

Section: Early life and college
Passage: Shula was born in Grand River, Ohio, a small town along the Lake Erie shore in the northeastern part of the state. His parents, Dan and Mary, were of Hungarian origin, having immigrated when they were children. Shula's father Dan worked for $9 a week at a rose nursery and saved up to buy the small house where Shula spent his early childhood. The house was next door to a grocery store in Grand River owned by Mary's parents. Shula played football in his neighborhood as a child, but his parents forbade it after he got a gash on his face when he was 11. As Shula's family expanded--he had six siblings, including a set of triplets born in 1936--his father got a job in the local fishing industry for $15 a week, and later worked at a rayon plant in nearby Painesville, Ohio. Shula attended elementary school at St. Mary's, a private Catholic school in Painesville; his mother was a devout Catholic, and his father converted to the religion when they married. He later attended Thomas W. Harvey in Painesville and played on its football team starting in 1945. He did not try out for the team because of both his mother's prohibition on him playing and he was recovering from a bout of pneumonia, but an assistant football coach noticed him in a gym class and convinced him to join. Shula forged his parents' signatures to sign up. Within weeks of joining Harvey's football team, Shula was a starting left halfback in the school's single-wing offense. He handled a large portion of the team's rushing and passing duties, and helped lead the team to a 7-3 win-loss record in his senior year. It was the first time in 18 years that Harvey had a seven-win season. The team would have won a league title had it not lost an early game to Willoughby. Shula also ran track at Harvey and was an 11-time letterman in his three years there. As Shula prepared to graduate from high school in 1947, many men whose football careers were delayed by service in World War II were returning and competing for athletic scholarships. As a result, Shula was unable to get a scholarship and contemplated working for a year before going to college. That summer, however, he had a chance meeting at a gas station with former Painesville football coach Howard Bauchman, who suggested he ask about a scholarship at John Carroll University. Shula got a one-year scholarship at the private Jesuit school in University Heights, a suburb of Cleveland. It was extended to a full scholarship after Shula performed well in his freshman year, including in a win over Youngstown State in October 1948. He ran for 175 yards and scored two touchdowns substituting for the injured starting halfback. The same year, Shula considered joining the Catholic priesthood after a three-day retreat at John Carroll, but decided against it because of his commitment to football. During his senior year in 1950, he rushed for 125 yards in a win over a heavily favored Syracuse team.

Question: where was he born?
Answer: Shula was born in Grand River, Ohio, a small town along the Lake Erie shore in the northeastern part of the state.

Question: when was he born?
Answer: CANNOTANSWER

Question: wher were his parents?
Answer: His parents, Dan and Mary, were of Hungarian origin, having immigrated when they were children.

Question: where did he go to school?


Prompt:
Title: Don Shula

Background: Donald Francis Shula (born January 4, 1930) is a former professional American football coach and player who is best known as the head coach of the Miami Dolphins, the team he led to two Super Bowl victories, and to the only perfect season in the history of the National Football League (NFL). He was previously the head coach of the Baltimore Colts, with whom he won the 1968 NFL Championship. Shula was drafted out of John Carroll University in the 1951 NFL Draft, and he played professionally as a defensive back for the Cleveland Browns, Baltimore Colts, and Washington Redskins. Shula was named 1993 Sportsman of the Year by Sports Illustrated.

Section: Legacy
Passage: Shula set numerous records in his 33 seasons as a head coach. He is the all-time leader in victories with 347. He is first in most games coached (526), most consecutive seasons coached (33), and Super Bowl losses (four, tied with Bud Grant, Dan Reeves, and Marv Levy). His teams won seven NFL conference titles: 1964, 1968, 1971-73, 1982, and 1984. Shula's teams were consistently among the least penalized in the NFL, and Shula served on the Rules Committee, to help change the game to a more pass-oriented league. He had a winning record against almost every coach he faced, with several exceptions: Levy, against whom he was 5-14 during the regular season and 0-3 in the playoffs; John Madden, against whom he was 2-2 in the regular season and 1-2 in the playoffs for a total of 3-4; and Bill Cowher, against whom Shula was 1-2 late in his career. Don Shula also had losing records against Tom Flores(1-6) Raymond Berry (3-8), Walt Michaels (5-7-1), and Vince Lombardi (5-8). Shula also holds the distinction of having coached five different quarterbacks to Super Bowl appearances (Johnny Unitas and Earl Morrall in 1968, Bob Griese in 1971, 1972, and 1973, David Woodley in 1982, and Dan Marino in 1984), three of them (Unitas, Griese, and Marino) future Hall of Famers. He also coached Johnny Unitas to another World Championship appearance (in the pre-Super Bowl era) in 1964. The only other NFL coach to approach this distinction is Joe Gibbs, who coached four Super Bowls with three different quarterbacks (Joe Theismann, Doug Williams, and Mark Rypien), winning three times. Shula is honored at the Don Shula Stadium at John Carroll University, and the Don Shula Expressway in Miami. An annual college football game between South Florida schools Florida Atlantic University and Florida International University is named the Shula Bowl in his honor. The game's winner receives a traveling trophy named the Don Shula Award. On January 31, 2010, a statue of him was unveiled at Hard Rock Stadium.

Question: What legacy did Shula leave as a coach?
Answer: Shula set numerous records in his 33 seasons as a head coach. He is the all-time leader in victories with 347.

Question: Did he hold any other records as a coach?
Answer: He is first in most games coached (526), most consecutive seasons coached (33), and Super Bowl losses (four, tied with Bud Grant, Dan Reeves, and Marv Levy).

Question: Did he receive any awards?
Answer: Shula is honored at the Don Shula Stadium at John Carroll University, and the Don Shula Expressway in Miami.

Question: Did Shula lose to any coaches?


Prompt:
Title: Mohammad Amir

Background: Mohammad Amir was born in 1992 in Gujar Khan, Pothohar. Pakistan He was the second youngest of seven children. "Wasim Akram is my favourite, he's my idol.

Section: Making mark in international arena
Passage: On 9 November 2009 he scored 73 runs against New Zealand which was a record for a number 10 batsman in ODI history until Ravi Rampaul surpassed that record with scoring 86* when batting at number 10 position in 2011. In that innings, with his batting partner Saeed Ajmal, Amir added 103 runs to Pakistan's chase, only to fall short by 7 runs. He impressed the Pakistan cricket team, including Wasim Akram, who took credit for discovering Amir, although Akram later commented that Amir needed to gain more weight to aid his development. Later in 2009, Pakistan toured Sri Lanka and in the first One Day International match, he shared a 62 run partnership with fast bowler Umar Gul for the tenth wicket but Pakistan lost by 36 runs. He also played a game against New Zealand in 2009-2010. During a match in the third One Day International match, when Pakistan were reduced to 8 wickets for 86 runs, he scored 73 runs not out, making the highest score by a number 10 batsman in One Day International cricket and putting on a 103 runs, 10th wicket partnership with Saeed Ajmal. He was unable to get his side to their victory target of 212 runs, as Ajmal was declare out in the last over and Pakistan lost by just 7 runs. During the Test match series against Australia in 2010, at the Melbourne Cricket Ground, he took his first five wicket haul, taking the wickets of Australian batsmen Ricky Ponting, Michael Hussey and Michael Clarke. On 24 July 2010 he was influential in helping Pakistan win the 2nd Test match against Australia; the first Test match Pakistan had won against them in 15 years, which also drew the series 1-1. During this match he took 7 wickets overall, and was declared man of the match. Overall, in the second series, he was the leading wicket taker of both teams with his 11 scalps. In the summer of 2010, Amir was awarded the man of the match award for becoming the youngest player to ever take a five-wicket haul in England. He also became the youngest player to take 50 test wickets earning praise from several former international cricketers. In that eventful series against England, he took 19 wickets, the highest of the Pakistanis and third highest overall at an outstanding average of 18.3. He also took 2 five-wicket hauls.

Question: How did Amir come to international attention?
Answer: On 9 November 2009 he scored 73 runs against New Zealand which was a record

Question: What match was that in?
Answer: ODI

Question: What other records did he set?
Answer: the youngest player to ever take a five-wicket haul in England.

Question: What was the reaction in Pakistan?


Prompt:
Title: Mohammad Amir

Background: Mohammad Amir was born in 1992 in Gujar Khan, Pothohar. Pakistan He was the second youngest of seven children. "Wasim Akram is my favourite, he's my idol.

Section: 2017 ICC Champions Trophy
Passage: Amir played his second ICC ODI tournament in 2017 ICC Champions Trophy. During the first two games against arch rivals India and South Africa, Amir failed to pick up wickets but was economical with the figures of 0/32 (8.1) and 0/50 (10) respectively. It was Sri Lanka game where he picked up his first wickets. He picked important wickets of Angelo Mathews and Niroshan Dickwella and ended with figures of 2/53 (10). But his important contribution came from bat where he scored 28 from 63. Chasing Sri Lanka's target of 237, Pakistan were struggling at 162/7 before he arrived and, along with skipper Sarfraz Ahmed, shared an unbeaten stand of 75 to guide his team to their fourth semi final of their Champions Trophy. Amir missed the semi final against England due to back spasms. But his absences was barely noticeable as his replacement, Rumman Raees bowled well on debut with 2/44. Pakistan won that match by 8 wickets. Amir was pivotal for helping Pakistan win 2017 ICC Champions Trophy by claiming top three wickets against arch-rivals India in the Final. Amir entered his second ICC final. It was against India, who were in comfortable position. After Pakistan posted a challenging total of 338, it was Indian batsmen that needed to be taken care of. Their top three batsmen, Rohit Sharma, Shikhar Dhawan and Virat Kohli scored 70% of India's run in the tournament. Amir took them all out. He trapped Sharma on front for LBW where he was given a three ball golden duck. Then he took the Indian skipper for 5. Kohli, at first, was dropped by Azhar Ali at first slip. However, he didn't have to wait much to take the wicket of the best batsman in the world,making him edge next ball to point where Shadab Khan took a good catch. Amir got his third after he bowled cross seamer to Dhawan for 21. Amir finished with the figures of 3/16 (6). It was Amir's dream spell as his side bowled out the defending champions for 158, winning by 180 runs. Amir has rated Indian cricketer Virat Kohli as the best batsman in the world. Kohli also rated Amir as one of the 'toughest' bowlers to face in the world cricket. Amir's brother said that this was what he wanted to do. After that spot fixing scandal at same city, he wanted to make up for his wrongdoings and the spell in the final was something that brought his family to relief.

Question: What happened in 2017?
Answer: Amir played his second ICC ODI tournament in 2017 ICC Champions Trophy.

Question: Who was he playing for?
Answer: Pakistan

Question: Did he do well that tournament?
Answer: along with skipper Sarfraz Ahmed, shared an unbeaten stand of 75 to guide his team to their fourth semi final of their Champions Trophy.

Question: Who did they play in the semi finals?
Answer: Chasing Sri Lanka's target of 237,

Question: Did they win?
Answer: Pakistan won that match by 8 wickets.

Question: Who did they play in the finals?
Answer: Amir was pivotal for helping Pakistan win 2017 ICC Champions Trophy by claiming top three wickets against arch-rivals India in the Final.

Question: What else happened during the 2017 tournament?


Prompt:
Title: Jimmy Little

Background: James Oswald Little, AO (1 March 1937 - 2 April 2012) was an Australian Aboriginal musician, actor and teacher from the Yorta Yorta people and was raised on the Cummeragunja Mission, New South Wales. From 1951 he had a career as a singer-songwriter and guitarist, which spanned six decades. For many years he was the main Aboriginal star on the Australian music scene. His music was influenced by Nat King Cole and American country music artist Jim Reeves.

Section: Middle years:1980-1999
Passage: By the 1980s Little had turned to full-time acting, making his theatre debut in Black Cockatoos before appearing in director Wim Wenders' 1991 film Until the end of the World. As well as appearing in Tracy Moffatt's The Night Cries and Andrew Schultz's opera Black River, his teaching and community work earned him the title of NAIDOC Aboriginal of the Year in 1989. After winning that award Little returned to working in the music industry. In 1992, Little performed at the Tamworth on Parade and Kings of Country roadshows before releasing his 14th album, Yorta Yorta Man, in 1994. The same year, he was inducted into Tamworth's Country Music Roll of Renown, the highest honour an Australian country music artist can achieve. Messenger, a collection of contemporary songs reinterpreted through Little's smooth vocals, was released in June 1999 and peaked at No. 26 nationally, selling over 20,000 copies. It had been organised by Brendan Gallagher (from Karma County) and featured covers of well-known songs by Australian artists: "(Are You) The One I've Been Waiting For?" by Nick Cave, "The Way I Made You Feel" by Ed Kuepper and "Randwick Bells" by Paul Kelly. At the ARIA Music Awards of 1999 Messenger won Best Adult Contemporary Album and Little was inducted into the ARIA Hall of Fame. At The Deadly Awards of 1999 - the annual Aboriginal and Torres Strait Islander Music Awards - he won Best Male Artist of the Year and Best Single Release of the Year. By 2001 Messenger was certified by ARIA with a gold record for shipments of 35,000 units.

Question: What was his career choice?
Answer: By the 1980s Little had turned to full-time acting, making his theatre debut in Black Cockatoos before appearing in director Wim Wenders' 1991 film Until the end of the World.

Question: What happen next after he won that title


Prompt:
Title: Alison Moyet

Background: Moyet was born in the Essex town of Billericay to a French father and English mother. She grew up in the nearby town of Basildon, where she attended Janet Duke Junior School and then Nicholas Comprehensive at secondary level. After leaving school at 16, she worked as a shop assistant and trained as a piano tuner. She was involved in a number of punk rock, pub rock and blues bands in the South East Essex area during the late 1970s and early 1980s, including the Vandals, the Screamin' Ab Dabs, the Vicars and the Little Roosters (the latter featuring Garrie Lammin, formerly of Cock Sparrer).

Section: 1990s: Further recordings and hiatus
Passage: Following a period of personal and career evaluation, Hoodoo was released in 1991. The album sold respectably in the UK, and Moyet was nominated for a Grammy for the single "It Won't Be Long". However, the release of Hoodoo marked the beginning of an eight-year fight for Moyet to secure complete control of her artistic direction. Like many similar artists (including Aimee Mann and the late Kirsty MacColl), Moyet was reluctant to record a radio-friendly "pop" album simply for the sake of creating chart hits. Moyet's next album, Essex (1994), was also a source of controversy for her; in order for the album to be released, her label (now Sony) insisted that certain Essex tracks be re-recorded and re-produced, and that there be additional material remixed to create a more 'commercial' package. The video for the single "Whispering Your Name" again featured Dawn French. Following the release of Essex, Sony released a greatest hits compilation of Moyet's work. Singles entered the UK charts at No. 1 and, following a UK tour, was re-issued as a double CD set which included "Live (No Overdubs)", a bonus live CD. Upon re-issue, Singles charted again, this time in the Top 20. Due to prolonged litigation with Sony, Moyet did not record or release a new studio album for over eight years after the release of Essex. During this time, however, she recorded vocals for Tricky, Sylk-130, Ocean Colour Scene, The Lightning Seeds, and King Britt, and was featured on the British leg of the Lilith Fair tour. 2001 saw the release of The Essential Alison Moyet CD, and in 2002 The Essential Alison Moyet DVD. In 1995, she sang back-up vocals with Sinead O'Connor for one of Dusty Springfield's last television appearances, singing "Where Is a Woman to Go?" on the music show Later With Jools Holland.

Question: What did she do in 1990?
Answer: CANNOTANSWER

Question: What else did she record in the 1990's?
Answer: Hoodoo

Question: Did she receive an award?

CANNOTANSWER
Not enough information
Cannot answer
Do not know


Prompt:
Title: Jascha Heifetz

Background: Heifetz was born into a Russian-Jewish family in Vilna, Lithuania then part of the Russian Empire. His father, Reuven Heifetz, son of Elie, was a local violin teacher and served as the concertmaster of the Vilnius Theatre Orchestra for one season before the theatre closed down. While Jascha was an infant, his father did a series of tests, observing how his son responded to his fiddling. This convinced him that Jascha had great potential, and before Jascha was two years old, his father bought him a small violin, and taught him bowing and simple fingering.

Section: Career
Passage: Heifetz and his family left Russia in 1917, traveling by rail to the Russian far east and then by ship to the United States, arriving in San Francisco. On 27 October 1917, Heifetz played for the first time in the United States, at Carnegie Hall in New York, and became an immediate sensation. Fellow violinist Mischa Elman in the audience asked "Do you think it's hot in here?", whereupon the pianist Leopold Godowsky, in the next seat, replied, "Not for pianists." In 1917, Heifetz was elected as an honorary member of Phi Mu Alpha Sinfonia, the national fraternity for men in music, by the fraternity's Alpha chapter at the New England Conservatory of Music in Boston. As he was aged 16 at the time, he was perhaps the youngest person ever elected to membership in the organization. Heifetz remained in the country and became an American citizen in 1925. A possibly apocryphal story circulates that tells of an interaction with one of the Marx brothers: when he told the brother (usually Groucho or Harpo) that he had been earning his living as a musician since the age of seven, he received the reply, "Before that, I suppose, you were just a bum." In 1954, Heifetz began working with pianist Brooks Smith, who would serve as Heifetz's accompanist for many years until he chose Dr. Ayke Agus as his accompanist. He was also accompanied in concert for more than 20 years by Emmanuel Bay, another immigrant from Russia and a personal friend. Heifetz's musicianship was such that he would demonstrate to his accompanist how he wanted passages to sound on the piano, and would even suggest which fingerings to use. After the seasons of 1955-56, Heifetz announced that he would sharply curtail his concert activity, saying "I have been playing for a very long time". In 1958, he tripped in his kitchen and fractured his right hip, resulting in hospitalisation at Cedars of Lebanon Hospital, and a near fatal staphylococcus infection. He was invited to play Beethoven at the United Nations General Assembly, and entered leaning on a cane. By 1967, Heifetz had considerably curtailed his concert performances.

Question: How did his career start?
Answer: On 27 October 1917, Heifetz played for the first time in the United States, at Carnegie Hall in New York, and became an immediate sensation.

Question: Did he ever release music?

CANNOTANSWER
Not enough information
Cannot answer
Do not know


Prompt:
Title: Juan Sebastián Verón

Background: Juan Sebastian Veron (Spanish pronunciation: ['xwan sebas'tjam be'ron]; born 9 March 1975) is a retired Argentine footballer who as the chairman for Estudiantes de La Plata, where he had served as Director of Sports. A former midfielder, Veron's career started in Estudiantes, continued in Argentina's Boca Juniors, and included stints in several clubs in the Italian Serie A (where he won the Scudetto with Lazio and with Internazionale, and a UEFA Cup with Parma), and England's Manchester United and Chelsea. In 2006, Veron returned to Estudiantes, where he remained until his retirement in 2014, aside from a brief spell with Brandsen. He has announced his short return to first team will occur in Copa Libertadores 2017.

Section: Spell in England
Passage: After the 2000-01 season, he moved from Lazio to Manchester United on 12 July for a fee of PS24.3 million on a five-year deal, the most expensive transfer in English football at that time and becoming the first Non-UEFA player to break the English transfer record. On signing for Manchester United, he was quoted as saying that he had no fear of the Premiership. His spell at Old Trafford was not a great success. He had trouble adapting to the faster pace of the Premiership and was not allowed the same space and time on the ball. There was plenty of pressure on him at the start of his second season at Old Trafford and his performances did improve considerably, especially in the Champions League, where he excelled due to the slower tempo of the matches, scoring four goals, and was at the heart of United's successes in the group stages. However, injury meant that he missed much of the end of the season. Questions over his performance led to an expletive laden tirade against the media by manager Sir Alex Ferguson in support of Veron: "[Veron] is a fucking great player" were his parting words. "And you're all fucking idiots." However, fans and pundits alike agreed that the signing was an expensive flop. Veron later commented that the reason for his fitness problems and struggles with injuries at Manchester United were due to the less intense summer pre-season training in England. When Chelsea paid PS15 million for him two years on following the arrival of Roman Abramovich, Veron claimed that he wanted to stay and fight for his place at Old Trafford but Ferguson was willing to let Chelsea talk to him and he was eventually convinced by then Chelsea manager Claudio Ranieri that his future lay at Stamford Bridge, where he had much to prove. His transfer fee to Chelsea was about half that of his record-breaking transfer of just two years before. Veron made an excellent start to his Chelsea career by scoring the opening goal in a 2-1 victory over Liverpool at Anfield, but he fell away with injury problems as the 2003-04 season progressed and made only 15 appearances for Chelsea. The Times listed Veron's transfers to Manchester United and Chelsea among the 50 worst transfers ever in Premiership history. His several big-money transfers made Veron then the most expensive footballer in history with a cumulative total of PS77 million at that time.

Question: What was Spell in England?
Answer: His spell at Old Trafford was not a great success.

Question: Why wasn't it a great success?
Answer: He had trouble adapting to the faster pace of the Premiership and was not allowed the same space and time on the ball.

Question: What else was bad about his time at Old Trafford?
Answer: There was plenty of pressure on him at the start of his second season at Old Trafford

Question: Did he win games in the Champions League?


Prompt:
Title: Diponegoro

Background: Diponegoro was born on 11 November 1785 in Yogyakarta, and was the eldest son of Sultan Hamengkubuwono III of Yogyakarta. During his youth at the Yogyakartan court, major occurrences such as the dissolution of the VOC, the British invasion of Java, and subsequent return to Dutch rule. During the invasion, the Sultan Hamengkubuwono II, pushed aside in his power on 1810 in favor of Diponegoro's father, used the general disruption to regain control. In 1812 however he was once more removed from the throne and exiled off-Java by the British forces.

Section: Fighting against the Dutch
Passage: Dutch colonial rule was becoming unpopular among local farmers because of tax rises, crop failures and among Javanese nobles because the Dutch colonial authorities deprived them of their right to lease land. Diponogoro was widely believed to be the Ratu Adil, the just ruler predicted in the Pralembang Jayabaya. Mount Merapi's eruption in 1822 and a cholera epidemic in 1824 furthered the view that a cataclysm is inbound, eliciting widespread support for Diponegoro. In the days leading up to the war's outbreak, no action was taken by local Dutch officials although rumors of his upcoming insurrection had been floating about. Prophesies and stories, ranging from visions from the tomb of Sultan Ageng Tirtayasa to his contact with Nyai Roro Kidul, spread across the populace. The beginning of the war saw large losses on the side of the Dutch, due to their lack of coherent strategy and commitment in fighting Diponegoro's guerrilla warfare. Ambushes were set up, and food supplies were denied to the Dutch troops. The Dutch finally committed themselves to controlling the spreading rebellion by increasing the number of troops and sending General De Kock to stop the insurgency. De Kock developed a strategy of fortified camps (benteng) and mobile forces. Heavily fortified and well-defended soldiers occupied key landmarks to limit the movement of Diponegoro's troops while mobile forces tried to find and fight the rebels. From 1829, Diponegoro definitively lost the initiative and he was put in a defensive position; first in Ungaran, then in the palace of the Resident in Semarang, before finally retreating to Batavia. Many troops and leaders were defeated or deserted.

Question: When did he start fighting the Dutch?
Answer: Mount Merapi's eruption in 1822 and a cholera epidemic in 1824 furthered the view that a cataclysm is inbound,

Question: Was he successful in his fight against the Dutch?
Answer: Many troops and leaders were defeated or deserted.

Question: Did he try anything else before fighting?


Prompt:
Title: Diamond Rio

Background: Diamond Rio is an American country and Christian country music band. The band was founded in 1982 as an attraction for the Opryland USA theme park in Nashville, Tennessee, and was originally known as the Grizzly River Boys, then the Tennessee River Boys. It was founded by Matt Davenport, Danny Gregg, and Ty Herndon, the last of whom became a solo artist in the mid-1990s. After undergoing several membership changes in its initial years, the band has consisted of the same six members since 1989: Marty Roe (lead vocals, rhythm guitar), Gene Johnson (mandolin, guitar, fiddle, tenor vocals), Jimmy Olander (lead guitar, Dobro, banjo), Brian Prout (drums), Dan Truman (keyboards, organ, synthesizer), and Dana Williams (bass guitar, baritone vocals).

Section: 1991-1992: Diamond Rio
Passage: After Olander, Williams, and Johnson had recovered, the six musicians set to work on their debut album. In doing so, Johnson soon discovered that the injuries to his hands had altered his dexterity on the mandolin, and threatened to walk away after Powell offhandedly remarked that he would have Roe dub in his own tenor harmonies instead of having Johnson sing them. The band also had commitments to finish as the Tennessee River Boys, to the point that they occasionally had to promote themselves under both names in the same day. Arista Nashville released Diamond Rio's debut single, "Meet in the Middle", on February 6, 1991. As the lead single to their self-titled debut album, "Meet in the Middle" went on to spend two weeks at No. 1 on the Billboard Hot Country Songs charts, making Diamond Rio the first country music group ever to send its debut single to the top of that chart. Following its release, the band performed its first official concert as Diamond Rio on May 4, 1991. They shared the bill with Wild Rose, whose membership included Prout's then-wife, Nancy Given Prout. Released three weeks later with DuBois and Powell as producers, Diamond Rio was met with positive critical reception from critics such as Allmusic, Chicago Tribune, and Entertainment Weekly, which praised the band's vocal harmonies, instrumentation, and song choices. Four more singles were released from Diamond Rio, all reaching top 10 on the Billboard country singles charts: "Mirror, Mirror", "Mama Don't Forget to Pray for Me", "Norma Jean Riley" (which was previously the B-side of "Mama Don't Forget to Pray for Me"), and "Nowhere Bound", the latter two of which were co-written by Powell. Roe and Prout had found both "Mama Don't Forget to Pray for Me" and "Mirror, Mirror" by attending shows at the Bluebird Cafe in Nashville, a popular spot for performances by aspiring songwriters. Truman and an employee of Arista had found "Norma Jean Riley", which was originally titled "Pretty Little Lady" until DuBois remarked that the lady in the song should have a name: "It could be 'Norma Jean Riley', anything!" Johnson spoke positively about "Mama Don't Forget to Pray for Me", which was written and originally recorded by Larry Cordle, and the impact that it had on fans. He recalled a letter sent to him by a female fan who had run away from home and chose to return after hearing that song, and said that "We already didn't wanna do the drinkin' songs and stuff ... if you're gonna touch someone, touch them with something that's positive." Diamond Rio was later certified platinum by the Recording Industry Association of America (RIAA) for shipping one million copies in the United States. In addition, the band won the Academy of Country Music's Top Vocal Group for 1992, an award they would receive again in 1993, 1994, and 1997. They were also nominated for Top New Vocal Duet or Group by the same association in 1992. A cut from the album, the instrumental "Poultry Promenade", gave the band its first Grammy Award nomination.

Question: What happened to the band in 1991?
Answer: Arista Nashville released Diamond Rio's debut single, "Meet in the Middle", on February 6, 1991.

Question: Was the single a success ?
Answer: "Meet in the Middle" went on to spend two weeks at No. 1 on the Billboard Hot Country Songs charts,

Question: What album was "meet me in the middle" on?
Answer: As the lead single to their self-titled debut album, "Meet in the Middle"

Question: Are there any other interesting aspects about this article?


Prompt:
Title: Orson Welles

Background: George Orson Welles was born May 6, 1915, in Kenosha, Wisconsin, son of Richard Head Welles (b. Richard Hodgdon Wells, November 12, 1872, near St. Joseph, Missouri; d. December 28, 1930, Chicago, Illinois) and Beatrice Ives Welles (b. Beatrice Lucy Ives, September 1, 1883, Springfield, Illinois; d. May 10, 1924, Chicago).

Section: Goodwill ambassador
Passage: In late November 1941, Welles was appointed as a goodwill ambassador to Latin America by Nelson Rockefeller, U.S. Coordinator of Inter-American Affairs and a principal stockholder in RKO Radio Pictures. The mission of the OCIAA was cultural diplomacy, promoting hemispheric solidarity and countering the growing influence of the Axis powers in Latin America. John Hay Whitney, head of the agency's Motion Picture Division, was asked by the Brazilian government to produce a documentary of the annual Rio Carnival celebration taking place in early February 1942. In a telegram December 20, 1941, Whitney wrote Welles, "Personally believe you would make great contribution to hemisphere solidarity with this project." The OCIAA sponsored cultural tours to Latin America and appointed goodwill ambassadors including George Balanchine and the American Ballet, Bing Crosby, Aaron Copland, Walt Disney, John Ford and Rita Hayworth. Welles was thoroughly briefed in Washington, D.C., immediately before his departure for Brazil, and film scholar Catherine L. Benamou, a specialist in Latin American affairs, finds it "not unlikely" that he was among the goodwill ambassadors who were asked to gather intelligence for the U.S. government in addition to their cultural duties. She concludes that Welles's acceptance of Whitney's request was "a logical and patently patriotic choice". In addition to working on his ill-fated film project, It's All True, Welles was responsible for radio programs, lectures, interviews and informal talks as part of his OCIAA-sponsored cultural mission, which was regarded as a success. He spoke on topics ranging from Shakespeare to visual art at gatherings of Brazil's elite, and his two intercontinental radio broadcasts in April 1942 were particularly intended to tell U.S. audiences that President Vargas was a partner with the Allies. Welles's ambassadorial mission was extended to permit his travel to other nations including Argentina, Bolivia, Chile, Colombia, Ecuador, Guatemala, Mexico, Peru and Uruguay. Welles worked for more than half a year with no compensation. Welles's own expectations for the film were modest. "It's All True was not going to make any cinematic history, nor was it intended to," he later said. "It was intended to be a perfectly honorable execution of my job as a goodwill ambassador, bringing entertainment to the Northern Hemisphere that showed them something about the Southern one."

Question: What is a Goodwill ambassador?
Answer: The OCIAA sponsored cultural tours to Latin America and appointed goodwill ambassadors

Question: Was he good at it?


Prompt:
Title: Orson Welles

Background: George Orson Welles was born May 6, 1915, in Kenosha, Wisconsin, son of Richard Head Welles (b. Richard Hodgdon Wells, November 12, 1872, near St. Joseph, Missouri; d. December 28, 1930, Chicago, Illinois) and Beatrice Ives Welles (b. Beatrice Lucy Ives, September 1, 1883, Springfield, Illinois; d. May 10, 1924, Chicago).

Section: The Mercury Theatre on the Air
Passage: Breaking with the Federal Theatre Project in 1937, Welles and Houseman founded their own repertory company, which they called the Mercury Theatre. The name was inspired by the title of the iconoclastic magazine, The American Mercury. Welles was executive producer, and the original company included such actors as Joseph Cotten, George Coulouris, Geraldine Fitzgerald, Arlene Francis, Martin Gabel, John Hoyt, Norman Lloyd, Vincent Price, Stefan Schnabel and Hiram Sherman. "I think he was the greatest directorial talent we've ever had in the [American] theater," Lloyd said of Welles in a 2014 interview. "When you saw a Welles production, you saw the text had been affected, the staging was remarkable, the sets were unusual, music, sound, lighting, a totality of everything. We had not had such a man in our theater. He was the first and remains the greatest." The Mercury Theatre opened November 11, 1937, with Caesar, Welles's modern-dress adaptation of Shakespeare's tragedy Julius Caesar -- streamlined into an anti-fascist tour de force that Joseph Cotten later described as "so vigorous, so contemporary that it set Broadway on its ear." The set was completely open with no curtain, and the brick stage wall was painted dark red. Scene changes were achieved by lighting alone. On the stage was a series of risers; squares were cut into one at intervals and lights were set beneath it, pointing straight up to evoke the "cathedral of light" at the Nuremberg Rallies. "He staged it like a political melodrama that happened the night before," said Lloyd. Beginning January 1, 1938, Caesar was performed in repertory with The Shoemaker's Holiday; both productions moved to the larger National Theatre. They were followed by Heartbreak House (April 29, 1938) and Danton's Death (November 5, 1938). As well as being presented in a pared-down oratorio version at the Mercury Theatre on Sunday nights in December 1937, The Cradle Will Rock was at the Windsor Theatre for 13 weeks (January 4-April 2, 1938). Such was the success of the Mercury Theatre that Welles appeared on the cover of Time magazine, in full makeup as Captain Shotover in Heartbreak House, in the issue dated May 9, 1938--three days after his 23rd birthday. Simultaneously with his work in the theatre, Welles worked extensively in radio as an actor, writer, director and producer, often without credit. Between 1935 and 1937 he was earning as much as $2,000 a week, shuttling between radio studios at such a pace that he would arrive barely in time for a quick scan of his lines before he was on the air. While he was directing the Voodoo Macbeth Welles was dashing between Harlem and midtown Manhattan three times a day to meet his radio commitments. In addition to continuing as a repertory player on The March of Time, in the fall of 1936 Welles adapted and performed Hamlet in an early two-part episode of CBS Radio's Columbia Workshop. His performance as the announcer in the series' April 1937 presentation of Archibald MacLeish's verse drama The Fall of the City was an important development in his radio career and made the 21-year-old Welles an overnight star. In July 1937, the Mutual Network gave Welles a seven-week series to adapt Les Miserables. It was his first job as a writer-director for radio, the radio debut of the Mercury Theatre, and one of Welles's earliest and finest achievements. He invented the use of narration in radio. "By making himself the center of the storytelling process, Welles fostered the impression of self-adulation that was to haunt his career to his dying day," wrote critic Andrew Sarris. "For the most part, however, Welles was singularly generous to the other members of his cast and inspired loyalty from them above and beyond the call of professionalism." That September, Mutual chose Welles to play Lamont Cranston, also known as The Shadow. He performed the role anonymously through mid-September 1938. After the theatrical successes of the Mercury Theatre, CBS Radio invited Orson Welles to create a summer show for 13 weeks. The series began July 11, 1938, initially titled First Person Singular, with the formula that Welles would play the lead in each show. Some months later the show was called The Mercury Theatre on the Air. The weekly hour-long show presented radio plays based on classic literary works, with original music composed and conducted by Bernard Herrmann. The Mercury Theatre's radio adaptation of The War of the Worlds by H. G. Wells October 30, 1938, brought Welles instant fame. The combination of the news bulletin form of the performance with the between-breaks dial spinning habits of listeners was later reported to have created widespread confusion among listeners who failed to hear the introduction, although the extent of this confusion has come into question. Panic was reportedly spread among listeners who believed the fictional news reports of a Martian invasion. The myth of the result created by the combination was reported as fact around the world and disparagingly mentioned by Adolf Hitler in a public speech. Welles's growing fame drew Hollywood offers, lures that the independent-minded Welles resisted at first. The Mercury Theatre on the Air, which had been a sustaining show (without sponsorship) was picked up by Campbell Soup and renamed The Campbell Playhouse. The Mercury Theatre on the Air made its last broadcast on December 4, 1938, and The Campbell Playhouse began five days later. Welles began commuting from California to New York for the two Sunday broadcasts of The Campbell Playhouse after signing a film contract with RKO Pictures in August 1939. In November 1939, production of the show moved from New York to Los Angeles. After 20 shows, Campbell began to exercise more creative control and had complete control over story selection. As his contract with Campbell came to an end, Welles chose not to sign on for another season. After the broadcast of March 31, 1940, Welles and Campbell parted amicably.

Question: What was the Mercury Theatre on the Air?
Answer: Welles and Houseman founded their own repertory company, which they called the Mercury Theatre.

Question: What did this company do?
Answer: The Mercury Theatre opened November 11, 1937, with Caesar, Welles's modern-dress adaptation of Shakespeare's tragedy Julius Caesar --

Question: How did the play do?
Answer: After the theatrical successes of the Mercury Theatre,

Question: How successful was it?


Prompt:
Title: John Maynard Keynes

Background: John Maynard Keynes, 1st Baron Keynes  ( KAYNZ; 5 June 1883 - 21 April 1946), was a British economist whose ideas fundamentally changed the theory and practice of macroeconomics and the economic policies of governments. He built on and greatly refined earlier work on the causes of business cycles, and was one of the most influential economists of the 20th century and the founder of modern macroeconomics theory. His ideas are the basis for the school of thought known as Keynesian economics, and its various offshoots. During the Great Depression of the 1930s, Keynes spearheaded a revolution in economic thinking, challenging the ideas of neoclassical economics that held that free markets would, in the short to medium term, automatically provide full employment, as long as workers were flexible in their wage demands.

Section: Second World War
Passage: During the Second World War, Keynes argued in How to Pay for the War, published in 1940, that the war effort should be largely financed by higher taxation and especially by compulsory saving (essentially workers lending money to the government), rather than deficit spending, in order to avoid inflation. Compulsory saving would act to dampen domestic demand, assist in channelling additional output towards the war efforts, would be fairer than punitive taxation and would have the advantage of helping to avoid a post war slump by boosting demand once workers were allowed to withdraw their savings. In September 1941 he was proposed to fill a vacancy in the Court of Directors of the Bank of England, and subsequently carried out a full term from the following April. In June 1942, Keynes was rewarded for his service with a hereditary peerage in the King's Birthday Honours. On 7 July his title was gazetted as "Baron Keynes, of Tilton, in the County of Sussex" and he took his seat in the House of Lords on the Liberal Party benches. As the Allied victory began to look certain, Keynes was heavily involved, as leader of the British delegation and chairman of the World Bank commission, in the mid-1944 negotiations that established the Bretton Woods system. The Keynes-plan, concerning an international clearing-union, argued for a radical system for the management of currencies. He proposed the creation of a common world unit of currency, the bancor, and new global institutions - a world central bank and the International Clearing Union. Keynes envisaged these institutions managing an international trade and payments system with strong incentives for countries to avoid substantial trade deficits or surpluses. The USA's greater negotiating strength, however, meant that the final outcomes accorded more closely to the more conservative plans of Harry Dexter White. According to US economist J. Bradford DeLong, on almost every point where he was overruled by the Americans, Keynes was later proved correct by events. The two new institutions, later known as the World Bank and the International Monetary Fund (IMF), were founded as a compromise that primarily reflected the American vision. There would be no incentives for states to avoid a large trade surplus; instead, the burden for correcting a trade imbalance would continue to fall only on the deficit countries, which Keynes had argued were least able to address the problem without inflicting economic hardship on their populations. Yet, Keynes was still pleased when accepting the final agreement, saying that if the institutions stayed true to their founding principles, "the brotherhood of man will have become more than a phrase."

Question: What role did Keynes play in the Second World War?
Answer: Keynes argued in How to Pay for the War,

Question: What position did he hold?
Answer: Baron Keynes, of Tilton,

Question: Was he instrumental in helping the government pay for the Second World War?
Answer: Compulsory saving would act to dampen domestic demand,

Question: What method did he use to pay for the Second World War?
Answer: that the war effort should be largely financed by higher taxation and especially by compulsory saving

Question: Was he praised for his work during the Second World War?
Answer: Keynes was rewarded for his service with a hereditary peerage in the King's Birthday Honours.

Question: Is there anything interesting about his role in the Second World War?


Prompt:
Title: John Maynard Keynes

Background: John Maynard Keynes, 1st Baron Keynes  ( KAYNZ; 5 June 1883 - 21 April 1946), was a British economist whose ideas fundamentally changed the theory and practice of macroeconomics and the economic policies of governments. He built on and greatly refined earlier work on the causes of business cycles, and was one of the most influential economists of the 20th century and the founder of modern macroeconomics theory. His ideas are the basis for the school of thought known as Keynesian economics, and its various offshoots. During the Great Depression of the 1930s, Keynes spearheaded a revolution in economic thinking, challenging the ideas of neoclassical economics that held that free markets would, in the short to medium term, automatically provide full employment, as long as workers were flexible in their wage demands.

Section: First World War
Passage: The British Government called on Keynes's expertise during the First World War. While he did not formally re-join the civil service in 1914, Keynes travelled to London at the government's request a few days before hostilities started. Bankers had been pushing for the suspension of specie payments - the convertibility of banknotes into gold - but with Keynes's help the Chancellor of the Exchequer (then Lloyd George) was persuaded that this would be a bad idea, as it would hurt the future reputation of the city if payments were suspended before it was absolutely necessary. In January 1915, Keynes took up an official government position at the Treasury. Among his responsibilities were the design of terms of credit between Britain and its continental allies during the war, and the acquisition of scarce currencies. According to economist Robert Lekachman, Keynes's "nerve and mastery became legendary" because of his performance of these duties, as in the case where he managed to assemble - with difficulty - a small supply of Spanish pesetas. The secretary of the Treasury was delighted to hear Keynes had amassed enough to provide a temporary solution for the British Government. But Keynes did not hand the pesetas over, choosing instead to sell them all to break the market: his boldness paid off, as pesetas then became much less scarce and expensive. On the introduction of military conscription in 1916 he applied for exemption as a conscientious objector, which was effectively granted conditional upon continuing his government work. In the 1917 King's Birthday Honours, Keynes was appointed Companion of the Order of the Bath for his wartime work, and his success led to the appointment that would have a huge effect on Keynes's life and career; Keynes was appointed financial representative for the Treasury to the 1919 Versailles peace conference. He was also appointed Officer of the Belgian Order of Leopold.

Question: What was John  role in first world war?
Answer: The British Government called on Keynes's expertise during the First World War.

Question: How did he help the British?
Answer: Among his responsibilities were the design of terms of credit between Britain and its continental allies during the war, and the acquisition of scarce currencies.

Question: Which people were there to help him in the process?
Answer: CANNOTANSWER

Question: Which other names were mentioned in the First world war?
Answer: Chancellor of the Exchequer (then Lloyd George)

Question: Are there any other interesting aspects about this article?


Prompt:
Title: Chester Brown

Background: Chester William David Brown (born 16 May 1960) is a Canadian cartoonist. Brown has gone through several stylistic and thematic periods. He gained notice in alternative comics circles in the 1980s for the surreal, scatological Ed the Happy Clown serial. After bringing Ed to an abrupt end, he delved into confessional autobiographical comics in the early 1990s and was strongly associated with fellow Toronto-based cartoonists Seth and Joe Matt, and the contemporary autobiographical comics trend.

Section: Vortex and Ed the Happy Clown (1986-1989)
Passage: Chester William David Brown was born on 16 May 1960 at the Royal Victoria Hospital in Montreal, Quebec, Canada. He grew up in Chateauguay, a Montreal suburb with a large English-speaking minority. His grandfather was history professor Chester New, after whom Chester New Hall is named at McMaster University in Hamilton, Ontario. He has a brother, Gordon, who is two years his junior. His mother suffered from schizophrenia, and died in 1976 after falling down the stairs while in the Montreal General Hospital. Though he grew up in a predominantly French-speaking province and had his first mainstream success with his biography of French-speaking Metis rebel leader Louis Riel, Brown says he doesn't speak French. He said he had little contact with francophone culture when he was growing up, and the French speakers he had contact with spoke with him in English. Brown described himself as a "nerdy teeneager" attracted to comic books from a young age, especially ones about superheroes and monsters. He aimed at a career in superhero comics, and after graduating from high school in 1977 headed to New York City, where he had unsuccessful but encouraging interviews with Marvel and DC Comics. He moved to Montreal where he attended Dawson College. The program did not aim at a comics career, and he dropped out after a little more than a year. He tried to find work in New York, but was rejected again. He discovered the alternative comics scene that was developing in the early 1980s, and grasped its feeling freedom to produce what he wanted. At 19 he moved to Toronto, where he got a job in a photography lab and lived frugally in rooming houses. At around twenty, Brown's interests moved away from superhero and monster comic books towards the work of Robert Crumb and other underground cartoonists, Heavy Metal magazine, and Will Eisner's graphic novel A Contract with God (1978). He started drawing in an underground-inspired style, and submitted his work to publishers Fantagraphics Books and Last Gasp; he got an encouraging rejection when he submitted to Art Spiegelman and Francoise Mouly's Raw magazine. He became friends with film archivist Reg Hartt, and the two unsuccessfully planned to put out a comics anthology called Beans and Wieners as a showcase for local Toronto talent. In 1983 Brown's girlfriend Kris Nakamura introduced him to the small-press publisher John W. Curry (or "jwcurry"), whose example inspired the local small-press community. Nakamura convinced Brown that summer to print his unpublished work as minicomics, which he did under his Tortured Canoe imprint. The sporadically self-published Yummy Fur lasted seven issues as a minicomic. Brown soon found himself at the centre of Toronto's small-press scene. While he found it difficult at first, Brown managed to get the title into independent bookstores, the emerging comic shops, and other countercultural retailers, and also sold it through the growing North American zine network. Yummy Fur had respectable sales through several reprintings and repackaging. Brown and a number of other cartoonists featured in a show called Kromalaffing at the Grunwald Art Gallery in early 1984. He had become a part of Toronto's avant-garde community, along with other artists, musicians and writers, centred around Queen Street West. In 1986, at the urging of Brown's future friend Seth, Vortex Comics publisher Bill Marks picked up Yummy Fur as a regular, initially bimonthly comic book. Brown quit his day job to work full-time on Yummy Fur. Starting publication in December 1986, the first three issues of Yummy Fur reprinted the contents of the seven issues of the earlier minicomic, and Brown quit his job at the copy shop. Brown began to weave together some of the earlier unrelated strips into an ongoing surreal black comedy called Ed the Happy Clown. The bizarre misfortunes of the title character include being inundated in the faeces of a man unable to stop defaecating, being chased by cannibalistic pygmies, befriending a vengeful vampire, and having the head of his penis replaced by the head of a miniature Ronald Reagan from another dimension. A counterpoint to the at-times blasphemous Ed serial, Brown also began to run straight adaptation of the Gospels, beginning with the Gospel of Mark in a subdued style. What appeared a natural target of satire for the author of Ed was instead a continuing attempt of Brown's to find what he really believed, having been raised a Christian Baptist. The adaptations later continued with the Gospel of Matthew and the apocryphal "The Twin" from the Gnostic text Pistis Sophia, and Brown went through periods of agnosticism and Gnosticism. The offensive content of Ed caused it to be dropped by one printer, and is suspected to be behind Diamond Comic Distributors' decision to stop distributing Yummy Fur starting with issue #9. After The Comics Journal announced they would be investigating the issue, Diamond started distributing it again. In 1989 the first Ed collection appeared, collecting the Ed stories from the first twelve issues of Yummy Fur with an introduction by American Splendor writer Harvey Pekar and drawn by Brown. At this point, Brown had grown to lose interest in the Ed story as he gravitated toward the autobiographical approach of Pekar, Joe Matt, and Julie Doucet, and the simpler artwork of Seth. He brought Ed to an abrupt end in Yummy Fur #18 to turn to autobiography.

Question: What is Vortex and Ed the Happy Clown?
Answer: Vortex Comics publisher Bill Marks picked up Yummy Fur as a regular, initially bimonthly comic book.

Question: When did the comic start?
Answer: 1986,

Question: When did the comic end?
Answer: He brought Ed to an abrupt end in Yummy Fur #18 to turn to autobiography.

Question: Did Brown collaborate with anyone on the comics?
Answer: the first Ed collection appeared, collecting the Ed stories from the first twelve issues of Yummy Fur with an introduction by American Splendor writer Harvey Pekar

Question: How many comics were published?


Prompt:
Title: Chester Brown

Background: Chester William David Brown (born 16 May 1960) is a Canadian cartoonist. Brown has gone through several stylistic and thematic periods. He gained notice in alternative comics circles in the 1980s for the surreal, scatological Ed the Happy Clown serial. After bringing Ed to an abrupt end, he delved into confessional autobiographical comics in the early 1990s and was strongly associated with fellow Toronto-based cartoonists Seth and Joe Matt, and the contemporary autobiographical comics trend.

Section: Autobio and Drawn and Quarterly (1990-1992)
Passage: The 19th issue of Yummy Fur began his Brown's autobiographical period. First came the strip "Helder", about a violent tenant in Brown's boarding house; then "Showing 'Helder'", about the creation of "Helder" and the reactions of Brown's friends to the work-in-progress. With "Showing 'Helder'" Brown breaks from his earlier syle by giving the panels no borders and arranging them organically on the page--a style that was to characterize his work of this period. He found his friends were uncomfortable with his writing about their lives, and soon turned to his adolescence for source material. Brown began the first installment of what was to become the graphic novel The Playboy in Yummy Fur #21, under the title Disgust. The revealing, confessional story tells of the teenage Brown's feelings of guilt over his obsessive masturbating over the Playmates of Playboy magazine, and the difficulties he had relating to women even into adulthood. Critical and fan reception was strong, though it drew some criticism from those who saw it glorifying pornography. Playboy's publisher Hugh Hefner wrote Brown a letter of concern that Brown could feel such guilt in a post-sexual revolution world. It appeared in a collected edition titled The Playboy in 1992. Around this time, Brown had become friends with the cartoonists Seth and Joe Matt. The three became noted for doing confessional autobio comics in the early 1990s, and for depicting each other in their works. In 1993, they did an interview together in The Comics Journal's autobiographical comics issue. Seth had joined the new Montreal-based comics publisher Drawn and Quarterly, which had also started publishing Julie Doucet. D&Q's Chris Oliveros had been courting Brown to join as well, but Brown had felt loyal to Bill Marks for giving him his first break. When his contract came up in 1991, however, Oliveros offered Brown nearly double the royalty he was getting from Vortex. Brown moved to D&Q starting with Yummy Fur #25.

Question: When did Brown publish his autobio?
Answer: The 19th issue of Yummy Fur began his Brown's autobiographical period.

Question: What were critics' opinions of the work?
Answer: his friends were uncomfortable with his writing about their lives,

Question: What was Drawn?


Prompt:
Title: Steve Irwin

Background: Irwin was born on his mother's birthday to Lyn and Bob Irwin in Essendon, a suburb of Melbourne, Victoria. He was of Irish descent on his father's side. He moved with his parents as a child to Queensland in 1970, where he attended Landsborough State School and Caloundra State High School. Irwin described his father as a wildlife expert interested in herpetology, while his mother Lyn was a wildlife rehabilitator.

Section: Sporting activities
Passage: Irwin loved mixed martial arts competitions and trained with Greg Jackson in the fighting/grappling system of Gaidojutsu. Like many Australians, he was an avid cricket fan. This was seen during his visit to Sri Lanka where he played cricket with some local children and said "I love cricket" and "It's a shame we have to go catch some snakes now". This was seen during the Crocodile Hunter episode "Island of the Snakes". Having grown up in Essendon, Irwin was a fan of the Essendon Bombers, an Australian rules football club in the Australian Football League. Irwin took part in an Australian Rules football promotion in Los Angeles as part of "Australia Week" in early 2006. After his death, a picture of Irwin wearing a Bombers Guernsey was shown by ESPN.com in their Bottom 10 ranking of the worst Division I FBS college football teams after Week 1 of the season in tribute to him. Having lived in Queensland most of his life, Irwin was also a fan of rugby league. As a teenager, he played for the Caloundra Sharks as a second-rower, and as an adult he was known to be a passionate Brisbane Broncos fan and was involved with the club on several occasions. On one occasion after turning up to training he asked if he could tackle the largest player, Shane Webcke. Despite being thrown to the ground and looking like he'd been crushed he was jovial about the experience. Irwin laughingly shared the experience with the Queensland State of Origin squad before the 2006 series. Irwin also supported rugby union, being a fan of the national team, the Wallabies. He once wore a Wallaby jersey during a demonstration at the zoo. A behind-the-scenes episode of The Crocodile Hunter showed Irwin and the crew finding a petrol station in a remote part of Namibia to watch the Wallabies defeat France in the 1999 Rugby World Cup Final. Irwin was also a talented surfer.

Question: What kind of sports did Steve Irwin engage in?
Answer: Like many Australians, he was an avid cricket fan.

Question: What's another sport that he liked to play?


Prompt:
Title: Steve Irwin

Background: Irwin was born on his mother's birthday to Lyn and Bob Irwin in Essendon, a suburb of Melbourne, Victoria. He was of Irish descent on his father's side. He moved with his parents as a child to Queensland in 1970, where he attended Landsborough State School and Caloundra State High School. Irwin described his father as a wildlife expert interested in herpetology, while his mother Lyn was a wildlife rehabilitator.

Section: Controversies
Passage: A controversial incident occurred during a public show on 2 January 2004, when Irwin carried his one-month-old son, Bob, in his arm while hand-feeding a chicken carcass to Murray, a 3.8-metre (12 ft 6 in) saltwater crocodile. The infant was close to the crocodile, and comparisons were made in the press to Michael Jackson's dangling his son outside a German hotel window. In addition, some child welfare groups, animal rights groups, and some of Irwin's television viewers criticised his actions as irresponsible and tantamount to child abuse. Irwin apologised on the US NBC show Today. Both he and his wife publicly stated that Irwin was in complete control of the situation, as he had dealt with crocodiles since he was a small child, and based on his lifetime of experience neither he nor his son was in any danger. He also showed footage of the event shot from a different angle, demonstrating that they were much farther from the crocodile than they had appeared in the publicised clip. Terri Irwin said their child was in no more danger than one being taught to swim. No charges were filed; according to one journalist, Irwin told officials he would not repeat the action. The incident prompted the Queensland government to change its crocodile-handling laws, banning children and untrained adults from entering crocodile enclosures. In June 2004, allegations were made that he disturbed wildlife (namely whales, seals and penguins) while filming a documentary, Ice Breaker, in Antarctica. The matter was subsequently closed without charges being laid. After questions arose in 2003 about Irwin being paid $175,000 worth of taxpayers' money to appear in a television advertisement and his possible political ties, Irwin told the Australian Broadcasting Corporation (ABC) that he was a conservationist and did not choose sides in politics. His comments describing Australian Prime Minister John Howard as the "greatest leader in the world" earned him scorn in the media. Irwin was criticised for having an unsophisticated view of conservation in Australia that seemed more linked to tourism than to the problems Australia faces as a continent. In response to questions of Australia's problems with overgrazing, salinity, and erosion, Irwin responded, "Cows have been on our land for so long that Australia has evolved to handle those big animals." The Sydney Morning Herald concluded with the opinion that his message was confusing and amounted to "eating roos and crocs is bad for tourism, and therefore more cruel than eating other animals".

Question: What kind of controversies was he involved with?
Answer: Irwin carried his one-month-old son, Bob, in his arm while hand-feeding a chicken carcass to Murray, a 3.8-metre (12 ft 6 in) saltwater crocodile.

Question: Why is Steve Irwin considered to be controversial?


Prompt:
Title: Frank Turner

Background: Frank Turner was born in Bahrain where his father worked as an investment banker. Upon return to England, the family settled first in Winchester before moving to Meonstoke. Turner was educated at Summer Fields and subsequently on a scholarship at Eton College, where he studied alongside Prince William. He attended the London School of Economics where he read History.

Section: Tape Deck Heart, Mongol Horde and The Third Three Years (2013-2014)
Passage: Turner recorded his fifth studio album in Burbank, California, in October 2012. The reason for recording abroad the first time in California was that producer Rich Costey wouldn't come to England with all his equipment so he convinced Turner to record it in Burbank. Frank Turner announced via Twitter on 28 October 2012 that recording was completed, and mixing and mastering would be done in time for a March 2013 release date. During the November and December UK tour a free CD titled Good Hangs from Xtra Mile Recordings was distributed for free at Frank Turner shows, this included a yet-to-be-released Turner song titled "Tattoos" plus the Mongol Horde song "Casual Threats From Weekend Hardmen". On Christmas Day 2012, the song "Four Simple Words" was released on Xtra Mile Recordings' website as a free download along with the b-side "Cowboy Chords". On 4 January 2013, a video was shot for what would be the first single. On the same day Frank announced on Twitter that the single was the song "Recovery". On 9 January, Frank uploaded a photo to his Instagram page showing the names of all 13 songs that would feature on his new album. This included songs played during the UK and US tours of 2012 such as "Anymore", "Plain Sailing Weather", "We Shall Not Overcome" and "Tell Tale Signs". Frank also posted on his fan forum that an extended edition of his new album would be released that includes an extra 5 or 6 songs. On 19 February 2013, it was announced that Turner had signed a licensing deal with Interscope Records in the US for Tape Deck Heart. Following the release of the album Frank Turner embarked on a short UK tour. He has also been confirmed as the headline act for the Two Thousand Trees Festival and main stage slots at the Reading and Leeds festivals. Following the success of the album, Turner embarked on a UK arena tour, including a date at London's O2 arena. On 3 January 2014, Turner appeared on the BBC's Celebrity Mastermind answering questions on Iron Maiden, scoring 20 points in total (7 on his specialist subject), and coming first. In Q2 2014, Turner announced that he was currently in the process of making a sixth studio album. Turner said that it would most likely be out early 2015, although actual dates are uncertain at this time. In 2014 Turner and Mongol Horde released a full-length self-titled studio album, and toured in support of that album in late June, playing a run of smaller venues. In July of that year, Turner also announced a 15 Date UK tour, playing places that wouldn't normally feature live music such as local town halls. On 25 July 2014, Turner announced on his Twitter page that he was collating The Third Three Years. It was released on 24 November 2014.

Question: What year did Tape Deck come out?
Answer: On 19 February 2013, it was announced that Turner had signed a licensing deal with Interscope Records in the US for Tape Deck Heart.

Question: Where did he record the album at?
Answer: CANNOTANSWER

Question: Did he ever go on tour after releasing the album?
Answer: Following the release of the album Frank Turner embarked on a short UK tour.

Question: Were there any singles from tape deck heart?
Answer: On the same day Frank announced on Twitter that the single was the song "Recovery".

Question: What was the name of the sixth album?


Prompt:
Title: Dr. John

Background: Malcolm John Rebennack (born November 21, 1940), better known by his stage name Dr. John, is an American singer, songwriter, actor, pianist and guitarist, whose music combines blues, pop, jazz, boogie woogie and rock and roll. Active as a session musician since the late 1950s, he gained a cult following in the late 1960s following the release of his album Gris-Gris and his appearance at the Bath Festival of Blues and Progressive Music. He performed a wildly theatrical stage show inspired by medicine shows, Mardi Gras costumes and voodoo ceremonies. Rebennack has recorded more than 20 albums and in 1973 scored a top-10 hit with "Right Place, Wrong Time".

Section: Voodoo influence
Passage: Rebennack was always fascinated with New Orleans voodoo, and in Los Angeles he developed the idea of the Dr. John persona for his old friend Ronnie Barron. He recalls reading about the original Doctor John in his youth, a purported Senegalese prince who came to New Orleans from Haiti, a medicinal and spiritual healer. The Doctor was a free man of color who lived on Bayou Road and claimed to have 15 wives and over 50 children. He maintained a fascination with reptiles and kept an assortment of snakes and lizards, along with embalmed scorpions and animal and human skulls. His specialization was healing, and as such, in selling gris-gris, voodoo amulets that protected the wearer from harm. "Well, there was a guy the name of Dr. John, a hoodoo guy in New Orleans. He was competition to Marie Laveau. He was like her opposite. I actually got a clipping ... about how my great-great-great-grandpa Wayne was busted with this guy for runnin' a voodoo operation in a whorehouse in 1860. I decided I would produce the record with this as a concept." Rebennack imagined that this character could front an interesting stage show, while serving as an emblem of New Orleans heritage. Although initially the plan was for Barron to front the act assuming the identity of "Dr. John", while Rebbenack worked behind the scenes as Dr. John's writer/musician/arranger/producer, this didn't come to pass. Barron dropped out of the project, and Rebennack somewhat apprehensively took over the role (and identity) of Dr. John. Gris-Gris became the name of Dr. John's debut album, representing his own form of "voodoo medicine".

Question: What was the voodoo influence ?
Answer: Rebennack was always fascinated with New Orleans voodoo, and in Los Angeles he developed the idea of the Dr. John persona for his old friend Ronnie Barron.

Question: Did he release any albums with this persona ?


Prompt:
Title: Gypsy (musical)

Background: Gypsy is a 1959 musical with music by Jule Styne, lyrics by Stephen Sondheim, and a book by Arthur Laurents. Gypsy is loosely based on the 1957 memoirs of Gypsy Rose Lee, the famous striptease artist, and focuses on her mother, Rose, whose name has become synonymous with "the ultimate show business mother." It follows the dreams and efforts of Rose to raise two daughters to perform onstage and casts an affectionate eye on the hardships of show business life. The character of Louise is based on Lee, and the character of June is based on Lee's sister, the actress June Havoc.

Section: 2003 Broadway revival
Passage: A new Broadway revival began previews on March 31, 2003 and opened on May 1, 2003 at the Shubert Theatre. The director was Sam Mendes, with choreography by Jerry Mitchell and costumes and sets by Anthony Ward. Bernadette Peters played the role of Rose. The New York Times described Peters as "a surefire box office draw who nonetheless may surprise some Gypsy aficionados...How will the ladylike Ms. Peters fit into the role of Rose, a part indelibly marked by its brassy, belting originator, Ethel Merman?...'One of the main reasons I wanted to do the piece was to cast someone as Rose that was closer to Rose as she really existed,' Mr. Mendes said. 'She was a tiny woman. And she was a charmer. And so is Bernadette.'" Laurents had talked to Mendes ("Roughly five years ago" according to The New York Times in 2003) about directing the revival, and Mendes said "he was surprised by the idea of casting Ms. Peters as Rose". Laurents notes of his suggestions on this production are in his 2009 book Mainly on Directing 'Gypsy', 'West Side Story' and Other Musicals. In a 2004 interview Laurents said that Peters' portrayal of Rose was "brilliant, original, totally unlike any of the others" while criticizing Mendes for the "physical production" which Laurents said "was misconceived and hurt the show more than people realized." Gypsy had begun previews with a virtually bare stage, but by opening night this had been changed to a minimalist set. The cast featured John Dossett as Herbie, Tammy Blanchard as Louise, Kate Reinders as June and David Burtka as Tulsa. The production was nominated for four Tony Awards, including Best Revival of a Musical and Best Actress in a Musical. In his review, Ben Brantley in The New York Times wrote that "the surprise coup of many a Broadway season...Working against type and expectation under the direction of Sam Mendes, Ms. Peters has created the most complex and compelling portrait of her long career...There have been many illustrious successors to Merman as Rose...Only Ms. Peters, however, can be said to have broken the Merman mold completely." Gypsy twice set new box office records for the Shubert Theatre. Its gross of $853,476 for the week of June 9-14, 2003 was the highest ever gross for a non-holiday week and the subsequent June 15-21, 2003 box office gross of $874,397 represented the highest gross for a show in Shubert history. However, The New York Times announced that Gypsy would close on February 28, 2004, stating: "Gypsy sold well for most of 2003. But by early January [2004], with tourists gone and local theatergoers staying inside during a brutal stretch of weather, the production's sales grew increasingly weak. More important, the show's advance sale, the main indicator of a production's staying power, began to shrink rapidly. It stood at less than $2 million yesterday." After an increase in the gross, the show's closing was postponed indefinitely, but Gypsy finally closed on May 30, 2004 after 451 performances and 33 previews. The production is believed to have recouped a little more than half of its $8 million investment.

Question: what happened in 2003?
Answer: A new Broadway revival began previews on March 31, 2003 and opened on May 1, 2003 at the Shubert Theatre.

Question: was the revival successful?
Answer: One of the main reasons I wanted to do the piece was to cast someone as Rose that was closer to Rose as she really existed,'

Question: how long did it run?
Answer: Gypsy twice set new box office records for the Shubert Theatre.

Question: Are there any other interesting aspects about this article?


Prompt:
Title: Tim Kaine

Background: Kaine was born at Saint Joseph's Hospital in St. Paul, Minnesota. He is the eldest of three sons born to Mary Kathleen (nee Burns), a home economics teacher, and Albert Alexander Kaine, Jr., a welder and the owner of a small iron-working shop. He was raised Catholic. One of Kaine's great-grandparents was Scottish and the other seven were Irish.

Section: Committee assignments and caucuses
Passage: In the 113th Congress (2013-15), Kaine was on the Committee on Armed Services, the Committee on the Budget, and the Committee on Foreign Relations. In the current (114th) Congress, Kaine is on the same three committees, plus the Special Committee on Aging. In July 2013, Kaine was named chairman of the United States Senate Foreign Relations Subcommittee on Near East, South Asia, Central Asia and Counterterrorism. Within the Senate Armed Services Committee, Kaine is a member of the Subcommittee on Emerging Threats and Capabilities, the Subcommittee on Readiness and Management Support (for which he is the ranking member), and the Subcommittee on Seapower. Within the Senate Foreign Affairs Committee, Kaine is a member of the Subcommittee on State Department and USAID Management, International Operations, and Bilateral International Development (for which he is the ranking member), the Subcommittee on Europe and Regional Security Cooperation, the Subcommittee on Near East, South Asia, Central Asia, and Counterterrorism, and the Subcommittee on Western Hemisphere, Transnational Crime, Civilian Security, Democracy, Human Rights and Global Women's Issues. In January 2014, Kaine, with Republican Senator Rob Portman of Ohio, established the bipartisan Senate Career and Technical Education Caucus (CTE Caucus), which focuses on vocational education and technical education. Kaine and Portman co-chair the caucus. In 2014, Kaine and Portman introduced the CTE Excellence and Equity Act to the Senate; the legislation would provide $500 million in federal funding, distributed by competitive grants, to high schools to further CTE programs. The legislation, introduced as an amendment to the omnibus Carl D. Perkins Career and Technical Education Act of 2006, would promote apprenticeships and similar initiatives. Kaine and Portman introduced similar legislation, the Educating Tomorrow's Workforce Act, in 2017.

Question: What committee assignments did he take part in?
Answer: In the 113th Congress (2013-15), Kaine was on the Committee on Armed Services, the Committee on the Budget, and the Committee on Foreign Relations.

Question: What did he do on the committee of Armed Services?
Answer: Subcommittee on Emerging Threats and Capabilities, the Subcommittee on Readiness and Management Support (for which he is the ranking member), and the Subcommittee on Seapower.

Question: What title did he hold?
Answer: CANNOTANSWER

Question: Are there any other interesting aspects about this article?
Answer: In January 2014, Kaine, with Republican Senator Rob Portman of Ohio, established the bipartisan Senate Career and Technical Education Caucus (CTE Caucus), which focuses on vocational education and technical education.

Question: What did he accomplish as a committee member on the budget?


Prompt:
Title: Al Gore

Background: Albert Arnold Gore Jr. (born March 31, 1948) is an American politician and environmentalist who served as the 45th Vice President of the United States from 1993 to 2001. Gore was Bill Clinton's running mate in their successful campaign in 1992, and the pair was re-elected in 1996. Near the end of Clinton's second term, Gore was selected as the Democratic nominee for the 2000 presidential election but lost the election in a very close race after a Florida recount. After his term as vice-president ended in 2001, Gore remained prominent as an author and environmental activist, whose work in climate change activism earned him (jointly with the IPCC) the Nobel Peace Prize in 2007.

Section: Harvard
Passage: Gore enrolled in Harvard College in 1965; he initially planned to major in English and write novels but later decided to major in government. On his second day on campus, he began campaigning for the freshman student government council and was elected its president. Gore was an avid reader who fell in love with scientific and mathematical theories, but he did not do well in science classes and avoided taking math. During his first two years, his grades placed him in the lower one-fifth of his class. During his sophomore year, he reportedly spent much of his time watching television, shooting pool, and occasionally smoking marijuana. In his junior and senior years, he became more involved with his studies, earning As and Bs. In his senior year, he took a class with oceanographer and global warming theorist Roger Revelle, who sparked Gore's interest in global warming and other environmental issues. Gore earned an A on his thesis, "The Impact of Television on the Conduct of the Presidency, 1947-1969", and graduated with an A.B. cum laude in June 1969. Gore was in college during the era of anti-Vietnam War protests. He was against that war, but he disagreed with the tactics of the student protest movement. He thought that it was silly and juvenile to use a private university as a venue to vent anger at the war. He and his friends did not participate in Harvard demonstrations. John Tyson, a former roommate, recalled that "We distrusted these movements a lot ... We were a pretty traditional bunch of guys, positive for civil rights and women's rights but formal, transformed by the social revolution to some extent but not buying into something we considered detrimental to our country." Gore helped his father write an anti-war address to the Democratic National Convention of 1968 but stayed with his parents in their hotel room during the violent protests.

Question: What was Gore like while in Harvard?
Answer: Gore enrolled in Harvard College in 1965; he initially planned to major in English and write novels but later decided to major in government.

Question: How did he do there?
Answer: During his first two years, his grades placed him in the lower one-fifth of his class.

Question: Did he start applying himself more after that?
Answer: In his junior and senior years, he became more involved with his studies, earning As and Bs.

Question: Did he get into any trouble while there?
Answer: CANNOTANSWER

Question: Did he graduate?
Answer: graduated with an A.B. cum laude in June 1969.

Question: What else did he do with global warming at that time?

CANNOTANSWER
Not enough information
Cannot answer
Do not know