Prompt:
Title: Marching band

Background: A marching band is a group in which instrumental musicians perform while marching, often for entertainment or competition. Instrumentation typically includes brass, woodwind, and percussion instruments. Most marching bands wear a uniform, often of a military style, that includes an associated school or organization's colors, name or symbol. Most high school marching bands, and some college marching bands, are accompanied by a color guard, a group of performers who add a visual interpretation to the music through the use of props, most often flags and rifles.

Section: High step
Passage: Traditional Style bands, also known as Show Bands, are marching bands geared primarily towards crowd entertainment and perform on football fields. Typically, they perform a routine before the game, another at halftime, and sometimes after the game as well. Competitive show bands perform only one show that is continually refined throughout a season, while bands that focus on entertainment rather than competition usually perform a unique show for each game. These shows normally consists of three to five musical pieces accompanied by formations rooted in origin from Patterns in Motion, a book penned by band director William C. "Bill" Moffit, bandmaster of Purdue University All-American Marching Band and University of Houston Spirit of Houston. A recognizable style of show band is the one fielded by historically black colleges and universities (HBCUs). HBCU bands utilize the traditional "ankle-knee" high step and music selections are largely based on R&B, hip-hop, and contemporary popular music. In addition to traditional drill formations, HBCU bands feature heavily choreographed dance routines as part of their performances. Many of these bands may have a twirler line and/or a dancer line, but not necessarily flag twirlers. One of the most notable depictions of HBCU bands is the film Drumline. HBCU bands are a significant part of African-American musical culture and HBCU bands often surpass their associated football teams in popularity, a phenomenon that is uncommon among collegiate and high school marching bands. In 1989, as part of the celebrations for the bicentennial of the French Revolution, the Florida A&M University Marching 100, one of the most prolific HBCU bands in the country, was selected as the official representative of the United States in the bicentennial parade. Another style of show band is that used by many of the Big Ten Conference marching bands, a semi-military and semi-corps style. These bands perform a show that is designed to entertain the audience, but feature more traditional symphonic styles of music (marches, film scores, jazz, or older pop music) as well as some contemporary music. Big Ten style show bands have been influential in creating some of the earliest marching band innovations, and the style is used in high schools throughout much of the United States. Most show bands of either type include the traditional military band instrumentation of woodwinds, brass, and battery percussion. Some also include the front ensemble keyboard percussion, and may also incorporate the use of a color guard for flag, and rifle routines as well as a dance line. Many bands have auxiliaries that add a visual component to the performance. For ceremonial bands, this could be a traditional color guard or honor guard. For drum & bugle corps and corps-style field bands, this could include Dance lines, majorettes, Auxiliary units may be collectively referred to as color guard or visual ensemble. Auxiliaries may perform as independent groups. In the early 1970s, color guards began to hold their own competitions in the winter (after the American football season, and before the beginning of the summer drum and bugle corps season). These became known as winter guard. There are also numerous dance competitions in the off-season. The color guard of a marching band or drum and bugle corps may contain sabers, mock rifles, and tall flags. In modern bands, other props are often used: flags of all sizes, horizontal banners, vertical banners, streamers, pom-poms, even tires, balls, and hula hoops or custom built props. The color guard may also employ stage dressing such as backdrops, portable flats, or other structures. These can be used simply as static scenery or moved to emphasize block drill, and are often used to create a "backstage" area to store equipment and hide personnel. While military color guards were typically male, band color guards tend to be primarily female, though it is becoming more common for men to join as well. A few independent units are all-male. Guard members nearly always wear a special uniform or costume that is distinctive from that of the band, not necessarily matching in design or color. The men's and women's guard uniforms are usually designed in one of two ways: nearly identically, but with gender-specific parts (i.e. skirts) adapted for the use of the opposite sex; or complimentarily, with the two uniforms designed similarly but with variations in color or form. The color guard uniform, especially in a high school marching band, need not be in school colors; in fact, they rarely are. These uniforms are designed to represent a certain aspect of the halftime show, characterize the guard members through costumes, or tell some sort of story, and can thus be in any design or color (a surprisingly common complaint among the high school audience is that guard uniforms and equipment "aren't school colors"). Indoor color guards have become popular within high schools and universities throughout the United States. These groups perform a theme-based show in competitions after the outdoor marching band season ends. Indoor color guard shows are typically performed in school gymnasiums and are adjudicated. High step is a style of marching used by many colleges and universities, including most bands of HBCUs and the Big Ten. Three primary sub-variants of the high are used: The ankle-knee step involves bringing the foot up to the inside of the leg to the knee before coming down and forward. This is the style used by most bands from HBCUs. The chair step involves lifting the knee until the thighs are parallel to the ground, and with toes pointed downward. When the leg is elevated to its maximum height, a ninety-degree angle exists between the torso and the thigh, as well as between the thigh and shin. The leg is then lowered, and this is repeated in an alternating fashion between the legs. The style is used by many schools in the Big Ten. The extended high step, similarly to the chair step, involves the thigh being parallel to the ground and perpendicular to the body, but instead with the shin extended outward at a forty five-degree angle from the body and with toes pointed downward. The leg is then driven quickly back to the ground while the other leg repeats in this fashion. An integral part of this style of marching is known as stop action, meaning that all movement ceases momentarily at the apex of each step. This requires a band to have a great deal of stamina, though is effective visually. High step marching is often accompanied by a horizontal swing of the player's body and/or instrument.

Question: What is high step?
Answer: HBCU bands utilize the traditional "ankle-knee" high step and music selections are largely based on R&B, hip-hop, and contemporary popular music.

Question: What else did they utilize in band?
Answer: In addition to traditional drill formations, HBCU bands feature heavily choreographed dance routines as part of their performances.

Question: What are some other traditional drill formations?
Answer: Many of these bands may have a twirler line and/or a dancer line, but not necessarily flag twirlers.

Question: What else does the line consist of in the band?
Answer: Most show bands of either type include the traditional military band instrumentation of woodwinds, brass, and battery percussion.

Question: Are there other incorporation's they may have?


Prompt:
Title: Joe Diffie

Background: Joe Diffie was born into a musical family in Tulsa, Oklahoma, in 1958. His first musical performance came at age four, when he performed in his aunt's country music band. Diffie's father, Joe R., played guitar and banjo, and his mother sang. Following in his mother's footsteps, Diffie began to sing at an early age, often listening to the albums in his father's record collection.

Section: 2001-2004: In Another World and Tougher Than Nails
Passage: In 2001, Sony Nashville transferred Diffie from its Epic division to the Monument Records division. This move was due to a corporate decision that Epic had too many artists and Monument had too few. Cook and Wilson also produced his only album for Monument, which was titled In Another World. Regarding this album, Diffie told Billboard that its material had a common theme of love, and that he wanted to create a more contemporary sound through the production. The album's title track peaked at number ten on the country charts and number 66 on the Hot 100. Only one other single was released from the album: "This Pretender" (co-written by Rascal Flatts lead singer Gary LeVox), which failed to make the country music Top 40. In Another World received mixed reviews. Country Weekly reviewer wrote that Diffie "deals with adult emotions" and described the title track as "a shimmering ballad perfect for his expressive tenor." William Ruhlmann called the album "sturdy formula country", and Jeffrey B. Remz of Country Standard Time said that he "easily interpret[s]" the songs but "doesn't seem to be doing anything too dramatically different." After Monument closed its Nashville branch, Diffie began touring with Mark Chesnutt and Tracy Lawrence on the Rockin' Roadhouse Tour, which began in 2002. That same year, Diffie was inducted into the Oklahoma Music Hall of Fame. Diffie signed to the independent Broken Bow Records in 2003. His only album for the label was Tougher Than Nails, which he and Wilson produced with Buddy Cannon. It included five songs that Diffie co-wrote, as well as a duet with George Jones entitled "What Would Waylon Do". Tougher Than Nails produced a Top 20 hit in its title track, followed by "If I Could Only Bring You Back", which peaked at number 50 and spent only eight weeks on the charts. This latter song was also his last charting single. Erlewine said of the album's content, "there's nothing new, but there doesn't need to be", and Country Standard Time said that the album "shows that he's still got the talent that took him to stardom in the first place." In 2005, Jo Dee Messina released "My Give a Damn's Busted", which Diffie co-wrote and originally recorded on In Another World. Her version of the song, included on her album Delicious Surprise, was a number one single that year.

Question: Which album did he release first from the two?
Answer: In Another World.

Question: What year was it released?
Answer: 2001,

Question: What other songs can be found on the Another World Album?


Prompt:
Title: Joakim Noah

Background: Noah was born in New York City, to French singer and former world No. 3 tennis player Yannick Noah, winner of the French Open in 1983, and Cecilia Rodhe, Miss Sweden and fourth runner-up at Miss Universe 1978. His grandfather Zacharie Noah was a Cameroonian professional football player, winner of the Coupe de France in 1961. Noah lived in Paris, France from 1988 to 1998 and returned to New York City at age 13. He played high school basketball for the United Nations International School, Poly Prep Country Day School and Lawrenceville School.

Section: 2013-14 season
Passage: From December 28, 2013 to February 1, 2014, Noah had an 18-game streak of 10 or more rebounds, averaging 13.9 rebounds during that stretch. Such streak was ended on February 4, 2014 in a game against the Sacramento Kings as Joakim was ejected from the game after complaining due to a controversial foul call against him. Noah erupted and verbally abused the referees, resulting in a $15,000 fine from the NBA. On January 30, 2014, Joakim Noah was named a reserve in the 2014 NBA All-Star Game for the second time in his career. He played 21 minutes in the game (including the entire fourth quarter) and scored 8 points, collected 5 rebounds and had 5 assists while helping the East to win 163-155. On February 11, 2014, Noah recorded his fourth career triple-double in a 100-85 win against the Atlanta Hawks, finishing the game with 19 points, 16 rebounds and 11 assists. On February 19, 2014, Joakim accounted for 13 assists in a 94-92 road win against the Toronto Raptors. By doing so, he became the first NBA center with 3 games of 10+ assists in a season since Brad Miller of the Sacramento Kings in 2005-06 and the only center with 13 assists in a game since Vlade Divac in April 1996. On March 2, 2014, Noah recorded his fifth career triple-double with 13 points, 12 rebounds and 14 assists in a 109-90 win over the New York Knicks. Noah's 14 assists was the most ever by a Bulls center, and the most by a center in the NBA since 1986. Three days later, in a 105-94 win over the Detroit Pistons, Noah recorded yet another triple-double finishing the game with 10 points, 11 rebounds and 11 assists. Joakim finished the month of March with 120 assists, the most by an NBA center since Wilt Chamberlain had 155 in March 1968. On April 9, 2014, Noah had 15 points, 13 rebounds and 10 assists in a 102-87 road win against the Minnesota Timberwolves, his fourth triple-double of the season. On April 21, 2014, Noah was awarded the NBA Defensive Player of the Year award for the first time in his career. He is the second Chicago Bull to win the award, after Michael Jordan who won it in the 1987-88 season. On June 4, 2014, Noah was named to the 2014 All-NBA first team.

Question: What was the 2013-14 season like?
Answer: had an 18-game streak of 10 or more rebounds, averaging 13.9 rebounds during that stretch.

Question: Did he win any awards?
Answer: Joakim Noah was named a reserve in the 2014 NBA All-Star Game for the second time in his career.

Question: Are there any other interesting aspects about this article?


Prompt:
Title: Sanctus Real

Background: Sanctus Real is an American Christian rock band formed in Toledo, Ohio, in 1996. The group is composed of Chris Rohman (lead guitar), Mark Graalman (drums), and Dustin Lolli (lead vocals). The band is best known for their number one singles "Lead Me", "Forgiven", "Whatever You're Doing", "I'm Not Alright", "Don't Give Up", "We Need Each Other", "

Section: History
Passage: In 1996, lead singer and guitarist Matt Hammitt met guitarist Chris Rohman when they were both tenth graders attending Toledo Christian School in Ohio. They led youth worship at their school and church, and began writing their own music that year. Drummer Mark Graalman and bassist Matt Kollar soon joined, forming the band's original line-up. The group performed their first concert for several friends in the back of a warehouse in December 1996. They released a six-track demo tape in August 1997, and a five-track EP titled All This Talk of Aliens in January 1998. Sanctus Real's full-length studio album Message for the Masses was released on June 18, 1999, and shortly afterward, bassist Matt Kollar was replaced by Steve Goodrum. Following Message for the Masses, which was recorded in a garage, the band made plans to record tracks at a major studio. To earn money for the endeavor, Hammitt and Goodrum took telemarketing jobs for a few months, which were difficult and described by Hammitt as "the most dreadful [jobs] ever". They recorded three songs with producer Skidd Mills in Memphis, Tennessee, and after winning a local radio contest, decided to record an entire independent album with Mills. It was completed in 2000 under the title Nothing to Lose, and the band attended 2001's Gospel Music Week in Nashville to distribute copies of the project. From 1996 to 2001, Sanctus Real toured areas of the United States, and also sent demos to several Christian and mainstream record labels. After they received multiple recording contract offers in 2001, the band decided to sign with Sparrow Records. Matt Hammitt said, "At that point, we really had to do some soul searching and figure out where it was we were supposed to be ... Ultimately, we knew we could relate to kids in the church. We are passionate about our faith ... [and] from our personal experience, we felt this was the place we were supposed to be."

Question: When was the band formed?
Answer: In 1996,

Question: Who were the founding members?
Answer: lead singer and guitarist Matt Hammitt met guitarist Chris Rohman

Question: How did they get their start?
Answer: lead singer and guitarist Matt Hammitt met guitarist Chris Rohman when they were both tenth graders attending Toledo Christian School in Ohio.

Question: Did they tour?


Prompt:
Title: Lindsay McDougall

Background: Lindsay McAllister M "The Doctor" McDougall (born 3 March 1978) is an Australian rock guitarist and radio presenter. Since 1996, he has been the lead guitarist in punk rock band, Frenzal Rhomb alongside lead singer Jay Whalley. He has co-written songs with fellow band members including their highest charting single, "You Are Not My Friend".

Section: Frenzal Rhomb
Passage: In August 1996 Lindsay McDougall joined Australian punk rock band Frenzal Rhomb after original guitarist Ben Costello left to attend university and become an animal rights activist. Frenzal Rhomb had formed in Sydney in 1992 with mainstay Jason Whalley on lead vocals. In November 1996 the group issued a CD EP, Punch in the Face and, in January 1997, performed at Big Day Out. Late that year they toured the United States supporting less than jake with Blink-182 opening. In September 1997, the band released their third album, Meet the Family. It was their first to be certified gold by Australian Recording Industry Association (ARIA). The next Frenzal Rhomb LP, A Man's Not a Camel was released in March 1999 and was supported by a nationwide tour. It remains their highest placed album to date, reaching No. 11 on the ARIA Albums Chart. It spawned their highest charting single, "You Are Not My Friend", which reached No. 48. The song was co-written by McDougall with fellow band members Whalley, Lex Feltham and Gordy Forman. In April 2003 the band released Sans Souci, followed by Forever Malcolm Young in 2006. During 2003 McDougall organised Rock Against Howard, a compilation album, by various Australian musicians as a protest against incumbent Prime Minister, John Howard's government. It was released in August 2004, before the October federal election, when Howard's coalition was re-elected. Also that year, McDougall and Whalley formed a side-project, Self Righteous Brothers, as an alternative rock group and issued the album, Love Songs for the Wrong at Heart on Shock Records. A track, "There's No Town Like Snowtown" referenced the Snowtown murders and was labelled "insensitive" by the Adelaide Tourism Commission after being played on radio. For the album, McDougall provided lead vocals, acoustic and electric guitars, banjo, piano, violin, viola, cello, pan flute, glockenspiel, zither, timbales, and cymbals. In March 2009 Frenzal Rhomb undertook The Boys are Back in Brown Tour, the following year they toured Japan and played a number of festivals in Australia, including Come Together and Rollercoaster. In December 2010, they joined the No Sleep Til Festival Tour with punk and metal bands: Megadeth, Descendents, NOFX, Gwar and Dropkick Murphys. In August 2011 Frenzal Rhomb issued their next album Smoko at the Pet Food Factory.

Question: What was frenzal phomb?
Answer: punk rock band

Question: What was their first song?
Answer: Punch in the Face

Question: Are there any other interesting aspects about this article?


Prompt:
Title: Jimmy Greaves

Background: James Peter Greaves (born 20 February 1940) is a former England international footballer who played as a forward. He is England's fourth highest international goalscorer (44 goals), Tottenham Hotspur's highest ever goalscorer (266 goals), the highest goalscorer in the history of English top-flight football (357 goals), and has also scored more hat-tricks (six) for England than anyone else. He finished as the First Division's top scorer in six seasons. He is a member of the English Football Hall of Fame.

Section: West Ham United
Passage: In March 1970, Greaves joined West Ham United as part-exchange in Martin Peters' transfer to White Hart Lane. Brian Clough's Derby County had also been interested in Greaves, but he did not want to move away from London. In hindsight Greaves felt that Clough might have helped him revive his career, as he had done for Greaves' former Tottenham teammate Dave Mackay. Greaves later admitted his regret in making the move to Upton Park. He scored two goals on his "Hammers" debut on 21 March, in a 5-1 win against Manchester City at Maine Road. In January 1971, with Bobby Moore, Brian Dear and Clyde Best, Greaves was involved in late-night drinking, against the wishes of manager Ron Greenwood, prior to an FA Cup tie away to Blackpool. On arriving in Blackpool, Greaves and his teammates had been informed by members of the press that the game, the following day, was unlikely to go ahead due to a frozen pitch and the likelihood of frost that night. Believing that there would be no game the following day, Greaves drank 12 lagers in a club owned by Brian London and did not return to the team hotel until 1.45am. In fact, the match went ahead and West Ham lost 4-0. Greaves claimed the defeat was not a result of the late night, the drinking or the frozen pitch, but because the West Ham team in which he was playing was not good enough. As a result, the players were fined and dropped by the club. Greaves was struggling with his fitness and his motivation. He felt he had become a journeyman footballer and lost motivation as he believed that apart from Moore, Geoff Hurst, Billy Bonds and Pop Robson, few of his teammates could play good football. Towards the end of his career with West Ham Greaves began to drink more and more alcohol, often going straight from training in Chadwell Heath to a pub in Romford, where he would remain until closing time. He later admitted that he was in the early stages of alcoholism. His final game came on 1 May 1971 in a 1-0 home defeat to Huddersfield Town. Greaves scored 13 goals in 40 games in all competitions for West Ham.

Question: What sport did the main character play?
Answer: footballer

Question: What was the last team he played for?
Answer: West Ham.

Question: Did Jimmy like attending West Ham?
Answer: the West Ham team in which he was playing was not good enough.

Question: What year did Jimmy quit the Bees?
Answer: CANNOTANSWER

Question: Did Jimmy learn a lesson at West Ham United?
Answer: Greaves later admitted his regret

Question: Why did Jimmy leave West Ham at first?

CANNOTANSWER
Not enough information
Cannot answer
Do not know


Prompt:
Title: Kraftwerk

Background: Kraftwerk (German pronunciation: ['kRaftveak], "power station") is a German band formed in Dusseldorf in 1970 by Ralf Hutter and Florian Schneider. Widely considered to be innovators and pioneers of electronic music, they were among the first successful acts to popularize the genre. The group began as part of West Germany's experimental krautrock scene in the early 1970s before embracing electronic instrumentation, including synthesizers, drum machines, vocoders, and self-made instruments, in the middle of the decade. On commercially successful albums such as Autobahn (1974), Trans-Europe Express (1977), and The Man-Machine (1978), Kraftwerk developed a self-described "robot pop" style that combined electronic music with pop melodies, sparse arrangements, and repetitive rhythms, while adopting a stylized image including matching suits.

Section: International breakthrough: Autobahn and Radioactivity (1974-76)
Passage: The release of Autobahn in 1974 saw Kraftwerk moving away from the sound of its first three albums. Hutter and Schneider had invested in newer technology such as the Minimoog and the EMS Synthi AKS, helping give Kraftwerk a newer, "disciplined" sound. Autobahn would also be the last album that Conny Plank would engineer. After the commercial success of Autobahn in the US, where it peaked at number 5 in the Billboard top 200, Hutter and Schneider invested in updating their studio, thus lessening their reliance on outside producers. At this time the painter and graphic artist Emil Schult became a regular collaborator, designing artwork, cowriting lyrics, and accompanying the group on tour. The year 1975 saw a turning point in Kraftwerk's live shows. With financial support from Phonogram Inc., in the US, they were able to undertake a multi-date tour to promote the Autobahn album, a tour which took them to the US, Canada and the UK for the first time. The tour also saw a new, stable, live line-up in the form of a quartet. Hutter and Schneider continued playing keyboard synthesizers such as the Minimoog and ARP Odyssey, with Schneider's use of flute diminishing. The pair also started singing live for the first time, Schneider processing his voice with a vocoder live. Wolfgang Flur and new recruit Karl Bartos performed on self-built electronic percussion instruments. Bartos also used a Deagan vibraphone on stage. The Hutter-Schneider-Bartos-Flur formation remained in place until the late 1980s and is now regarded as the classic live line-up of Kraftwerk. Emil Schult generally fulfilled the role of tour manager. After the 1975 Autobahn tour, Kraftwerk began work on a follow-up album, Radio-Activity (German title: Radio-Aktivitat). After further investment in new equipment, the Kling Klang Studio became a fully working recording studio. The group used the central theme in radio communication, which had become enhanced on their last tour of the United States. With Emil Schult working on artwork and lyrics, Kraftwerk began to compose music for the new record. Even though Radio-Activity was less commercially successful than Autobahn in the UK and United States, the album served to open up the European market for Kraftwerk, earning them a gold disc in France. Kraftwerk made videos and performed several European live dates to promote the album. With the release of Autobahn and Radio-Activity, Kraftwerk left behind avant-garde experimentation and moved towards the electronic pop tunes for which they are best known. In 1976, Kraftwerk toured in support of the Radio-Activity album. David Bowie was among the fans of the record and invited the band to support him on his Station to Station tour, an offer the group declined. Despite some innovations in touring, Kraftwerk took a break from live performances after the Radio-Activity tour of 1976.

Question: Where as their international breakthrough?
Answer: Autobahn would also be the last album that Conny Plank would engineer. After the commercial success of Autobahn in the US, where it peaked at number 5

Question: Was there any successful singles from autobahn?
Answer: CANNOTANSWER

Question: Was that album successful?


Prompt:
Title: Gulzar

Background: Gulzar was born in a Kalra Sikh family, to Makhan Singh Kalra and Sujan Kaur, in Dina, Jhelum District, British India (now in Pakistan). In school, he had read translations of the works of Tagore which he recounted as one of his life's many turning points. Due to the partition, his family split and he had to stop his studies and come to Mumbai (then called Bombay) to support his family. Sampooran took up many small jobs in Mumbai to eke out a living, including one of in a garage at Vichare motors on Bellasis road (Mumbai).

Section: Lyricist
Passage: It was during his interactions in the PWA Sunday meetings that Shailendra and Bimal Roy encouraged him to join films. Gulzar began his career under film directors Bimal Roy and Hrishikesh Mukherjee. His book Ravi Paar has a narrative of Bimal Roy and the agony of creation. He started his career as a songwriter with the music director Sachin Dev Burman for the movie Bandini (1963). In films, he found an environment associated with literature in the group he worked with, including Bimal Roy, most of whose films were based on literary works. Shailendra, who has penned the rest of the songs in the movie requested Gulzar to write the song "Mora Gora Ang Layle", sung by Lata Mangeshkar. Directed and produced by Hrishikesh Mukherjee, the 1968 film Aashirwad had dialogues and lyrics written by Gulzar. Song lyrics and poems written by Gulzar gave the poetic attribute and the "much-needed additional dimension" to Ashok Kumar's role in the film. Ashok Kumar received the Best Actor at the Filmfare and at the National Film Awards for this role. Gulzar's lyrics, however, did not gain much attention until 1969's Khamoshi, where his song "Humne Dekhi Hai Un Aankhon Ki Mehekti Khushboo" (lit., "I have seen the fragrance of those eyes") became popular. Ganesh Anantharaman in his book Bollywood Melodies describes Gulzar's lyrics, with the purposeful mixing of the senses, to be "daringly defiant". For the 1971 film Guddi, he penned two songs, of which "Humko Man Ki Shakti Dena" was a prayer which is still sung in many schools in India. As a lyricist, Gulzar had a close association with the music director Rahul Dev Burman. He has also worked with Sachin Dev Burman, Shankar Jaikishan, Hemant Kumar, Laxmikant-Pyarelal, Madan Mohan, Rajesh Roshan, and Anu Malik. Gulzar worked with Salil Chowdhury in Anand (1971) and Mere Apne (1971); Madan Mohan in Mausam (1975), and more recently with Vishal Bhardwaj in Maachis (1996), Omkara (2006) and Kaminey (2009); A. R. Rahman in Dil Se.. (1998), Guru (2007), Slumdog Millionaire (2008) and Raavan (2010) and Shankar-Ehsaan-Loy in Bunty Aur Babli (2005). Gulzar took inspiration from Amir Khusrow's "Ay Sarbathe Aashiqui" to pen "Ay Hairathe Aashiqui" for Mani Ratnam's 2007 Hindi film Guru, which had music composed by A. R. Rahman. Another Ratnam-Rahman hit, "Chaiyya Chaiyya" from Dil Se.. also had lyrics written by Gulzar, based on the Sufi folk song "Thaiyya Thaiyya", with lyrics by poet Bulleh Shah. For another collaboration with Rahman for Danny Boyle's 2007 Hollywood film Slumdog Millionaire, Rahman and Gulzar won the Academy Award for Best Original Song for "Jai Ho" at the 81st Academy Awards. The song received international acclaim and won him a Grammy Award (shared with Rahman) in the category of Grammy Award for Best Song Written for a Motion Picture, Television or Other Visual Media. He also wrote a song for the Pakistani Drama Shehryar Shehzadi, and this song Teri Raza, has been sung by Rekha Bhardwaj and was composed by Vishal Bhardwaj.

Question: Which songs did Gulzar write ?
Answer: "Mora Gora Ang Layle",

Question: Who was the singer of this song ?
Answer: Lata Mangeshkar.

Question: Who else is a singer that sang lyrics by Gulzar ?
Answer: Rekha Bhardwaj

Question: Are there any other interesting aspects about this article?
Answer: Song lyrics and poems written by Gulzar gave the poetic attribute and the "much-needed additional dimension" to Ashok Kumar's role in the film.

Question: Which film is that ?
Answer: the 1968 film Aashirwad

Question: Who is the director he worked with the most as a lyricist ?


Prompt:
Title: Billy Graham

Background: William Franklin Graham Jr. was born on November 7, 1918, in the downstairs bedroom of a farmhouse near Charlotte, North Carolina. He was of Scots-Irish descent and was the eldest of four children born to Morrow (nee Coffey) and William Franklin Graham Sr., a dairy farmer. Graham was raised on a family dairy farm with his two younger sisters, Catherine Morrow and Jean and a younger brother, Melvin Thomas. When he was eight years old in 1927, the family moved about 75 yards (69 m) from their white frame house to a newly built red brick home.

Section: Discussion of Jews with President Nixon
Passage: During the Watergate affair, there were suggestions that Graham had agreed with many of President Richard Nixon's antisemitic opinions, but he denied them and stressed his efforts to build bridges to the Jewish community. In 2002, the controversy was renewed when declassified "Richard Nixon tapes" confirmed remarks made by Graham to Nixon three decades earlier. Captured on the tapes, Graham agreed with Nixon that Jews control the American media, calling it a "stranglehold" during a 1972 conversation with Nixon, and suggesting that if Nixon was re-elected, they might be able to do something about it. When the tapes were made public, Graham apologized and said, "Although I have no memory of the occasion, I deeply regret comments I apparently made in an Oval Office conversation with President Nixon ... some 30 years ago. ... They do not reflect my views and I sincerely apologize for any offense caused by the remarks." According to Newsweek magazine, "[T]he shock of the revelation was magnified because of Graham's longtime support of Israel and his refusal to join in calls for conversion of the Jews." In 2009, more Nixon tapes were released, in which Graham is heard in a 1973 conversation with Nixon referring to Jews and "the synagogue of Satan". A spokesman for Graham said that Graham has never been an antisemite and that the comparison (in accord with the context of the quotation in the Book of Revelation) was directed specifically at those claiming to be Jews, but not holding to traditional Jewish values.

Question: What did Billy Graham say to Nixon about the Jews?
Answer: Graham agreed with Nixon that Jews control the American media, calling it a "stranglehold" during a 1972 conversation with Nixon,

Question: Are there any other interesting aspects about this article?


Prompt:
Title: Billy Graham

Background: William Franklin Graham Jr. was born on November 7, 1918, in the downstairs bedroom of a farmhouse near Charlotte, North Carolina. He was of Scots-Irish descent and was the eldest of four children born to Morrow (nee Coffey) and William Franklin Graham Sr., a dairy farmer. Graham was raised on a family dairy farm with his two younger sisters, Catherine Morrow and Jean and a younger brother, Melvin Thomas. When he was eight years old in 1927, the family moved about 75 yards (69 m) from their white frame house to a newly built red brick home.

Section: Ministry career
Passage: While attending college, Graham became pastor of the United Gospel Tabernacle and also had other preaching engagements. From 1943 to 1944, Graham briefly served as pastor of the First Baptist Church in Western Springs, Illinois, which was not far from Wheaton. While there, his friend Torrey Johnson, pastor of the Midwest Bible Church in Chicago, told Graham that his radio program, Songs in the Night, was about to be canceled due to lack of funding. Consulting with the members of his church in Western Springs, Graham decided to take over Johnson's program with financial support from his congregation. Launching the new radio program on January 2, 1944, still called Songs in the Night, Graham recruited the bass-baritone George Beverly Shea as his director of radio ministry. While the radio ministry continued for many years, Graham decided to move on in early 1945. In 1948 at the age of 29, he became president of Northwestern Bible College in Minneapolis and the youngest president of a college or university in the country, from which he resigned in 1952. Graham initially intended to become a chaplain in the Armed Forces, but he contracted mumps shortly after applying for a commission. After a period of recuperation in Florida, he was hired as the first full-time evangelist of the new Youth for Christ (YFC), co-founded by Torrey Johnson and the Canadian evangelist Charles Templeton. Graham traveled throughout both the United States and Europe as a YFCI evangelist. Templeton applied to Princeton Theological Seminary for an advanced theological degree and urged Graham to do so as well, but he declined as he was already serving as the president of Northwestern Bible College. Graham scheduled a series of revival meetings in Los Angeles in 1949, for which he erected circus tents in a parking lot. He attracted national media coverage, especially in the conservative Hearst chain, although Hearst and Graham never met. The crusade event ran for eight weeks - five weeks longer than planned. Graham became a national figure with heavy coverage from the wire services and national magazines.

Question: When did Billy begin his ministry career?
Answer: While attending college, Graham became pastor of the United Gospel Tabernacle and also had other preaching engagements.

Question: Where did he work?
Answer: Graham briefly served as pastor of the First Baptist Church in Western Springs,

Question: How long did Graham work for the church?
Answer: From 1943 to 1944,

Question: What did Graham do for the church during this time period?
Answer: Torrey Johnson, pastor of the Midwest Bible Church in Chicago, told Graham that his radio program, Songs in the Night, was about to be canceled due to lack of funding.

Question: Did graham find funding or did the radio show get cancelled?
Answer: Graham decided to take over Johnson's program with financial support from his congregation.

Question: What was grahams biggest accomplishment as a minister?
Answer: Graham scheduled a series of revival meetings in Los Angeles in 1949, for which he erected circus tents in a parking lot.

Question: What were the circus tents for?
Answer: revival meetings

Question: What did he do as president of the bible college?

from which he resigned in 1952.
he resigned in 1952.


Prompt:
Title: Testament (band)

Background: Testament is an American thrash metal band from Berkeley, California. Formed in 1983 under the name Legacy, the band's current lineup comprises guitarists Eric Peterson and Alex Skolnick, lead vocalist Chuck Billy, drummer Gene Hoglan, and bassist Steve Di Giorgio. Since its inception, Testament has had numerous lineup changes, leaving Peterson as the only constant member. Billy replaced original singer Steve "Zetro" Souza (who left the band to join Exodus as the replacement of Paul Baloff) in 1986, prior to the recording of their first studio album, The Legacy, and has been a member of the band since.

Section: Next album (2017-present)
Passage: In a March 2017 interview with Japan's Roppongi Rocks, frontman Chuck Billy revealed that Testament had begun working on new material for their twelfth studio album, and planned to continue writing in the summer after their U.S. and European tours. Billy also expressed hope that the album would be released in 2018, stating, "We thought we'd have a record out after two years; it just ended up being four, because the process just... I don't know what happened, but it took forever. So this time, like, you know what? I don't wanna do that again. I told Eric exactly when we were done recording. I said, 'You know what? It's a great record now, but I don't wanna go through what I had to go through to do this again. So why don't we start writing now?' So we decided that when we're not on the road, let's get together and just jam and maybe come up and at least get to that point where we were with this record -- a bunch of ideas and riffs and lyrics." In a December 2017 interview with Metal Messiah Radio, Billy stated that Testament will start working on their new album after they finish touring in support of Brotherhood of the Snake in August 2018, hoping not to repeat the four year gaps between their last three albums. He explained, "If we can get a head start on riffs and ideas, and then hopefully after that, you know, really dig in to put out a record in 2019, sometime." Peterson confirmed in a February 2018 interview with RockSverige that he has begun the songwriting process of the album, and added, "Our plan was to end in August 2018 and maybe get into the studio by the end of 2018 and put the record out in 2019. But, you know, Slayer's announced [their farewell tour] and they want us to be a part of it. I would imagine, if that stuff happens, then things will get pushed back a little bit, but the initial plan is to have it out in 2019. [We're] ready for summer to do all the A markets for festivals and stuff. This summer we're not doing a lot of festivals; we're actually talking about bowing out of a couple to make other things happen with the Slayer farewell thing." In support of their twelfth studio album, Testament will reportedly embark on a revamped version of the Clash of the Titans tour with Megadeth, Slayer and Sepultura.

Question: What is the name of their album?
Answer: CANNOTANSWER

Question: What can you tell me about their next album?
Answer: a March 2017 interview with Japan's Roppongi Rocks, frontman Chuck Billy revealed that Testament had begun working on new material for their twelfth studio album,

Question: How successful have their albums been?
Answer: CANNOTANSWER

Question: What else can you tell me about their album?
Answer: Billy stated that Testament will start working on their new album after they finish touring in support of

Question: Are there any other interesting aspects about this article?


Prompt:
Title: Testament (band)

Background: Testament is an American thrash metal band from Berkeley, California. Formed in 1983 under the name Legacy, the band's current lineup comprises guitarists Eric Peterson and Alex Skolnick, lead vocalist Chuck Billy, drummer Gene Hoglan, and bassist Steve Di Giorgio. Since its inception, Testament has had numerous lineup changes, leaving Peterson as the only constant member. Billy replaced original singer Steve "Zetro" Souza (who left the band to join Exodus as the replacement of Paul Baloff) in 1986, prior to the recording of their first studio album, The Legacy, and has been a member of the band since.

Section: Dark Roots of Thrash and Brotherhood of the Snake (2013-2017)
Passage: Testament's second album, The New Order, was released in May 1988, and found the band continuing in a similar vein. The album was a minor success, peaking at number 136 on the Billboard 200, and managed to sell over 250,000 copies. In support of The New Order, Testament opened for Megadeth on their So Far, So Good... So What! tour in Europe, and toured the United States with the likes of Death Angel, Vio-Lence and Raven. After touring in support of The New Order, the band headed back into the studio to record their third studio album Practice What You Preach. Released in August 1989, the album minimized the occult and gothic themes found in the lyrical content of their first two albums, instead focusing on real-life issues such as politics and corruption. Practice What You Preach performed better on the charts than The New Order, reaching at number 77 on the Billboard 200, and included the hit single, the title track, which saw extensive airplay on Headbangers Ball. Testament toured for nearly a year behind Practice What You Preach with several bands, including Annihilator, Wrathchild America, Mortal Sin, Nuclear Assault and Savatage. By 1990, the album had sold over 450,000 copies. In October 1990, Testament released their fourth studio album Souls of Black. Although reviews were mixed, the album managed to sell respectably, in no doubt largely off the strength of the single title track, and saw the band perform on arena tours, including the European Clash of the Titans tour with Megadeth, Slayer and Suicidal Tendencies. They also opened for Judas Priest on their Painkiller tour from October to December 1990, and Slayer on their Seasons in the Abyss tour from January to March 1991. Attempting to reconnect with an audience distracted by the growing grunge movement, Testament released The Ritual in 1992. The Ritual saw a stylistic move away from thrash to a slower, slightly more traditional heavy metal sound. The Ritual peaked at 55 on the Billboard Hot 100, the band's highest chart position at the time, and the power ballad "Return to Serenity" managed to receive radio airplay, peaking at number 22. In support of the album, Testament toured Europe and North America, headlining their own tours, as well as opening for Iron Maiden on their Fear of the Dark tour, and Black Sabbath on their Dehumanizer tour. However, the success of The Ritual did not put an end to the tensions within the band. As early as 2009, Testament commenced writing new material for their tenth album. In an interview with Metalheadz, guitarist Eric Peterson stated that there were about four songs written and that "there's other guys in the band who like to play the more rock melodic style but the next one is gonna be a bit heavier." In a January 2011 interview during the 70000 Tons of Metal cruise, frontman Chuck Billy revealed that Testament had been working on six new songs, with four or five "maybe left to write," and would begin recording their new album by early March. On 18 May 2011, guitarist Alex Skolnick posted an update on his Twitter, saying, "Another tune done! My riffs from last week [plus] some of [fellow Testament guitarist Eric Peterson's plus] new ones we wrote today. Planning one more, then we've got more than we need." Testament began recording their tenth studio album on June 20, 2011. Drummer Paul Bostaph was unable to take part in the recording due to a "serious injury", although he was expected to rejoin when the band tours to support the album. Gene Hoglan, who played drums on the band's 1997 album Demonic, filled in for Bostaph. It was also reported that Lamb of God drummer Chris Adler would make a special guest appearance on a couple of bonus tracks. Testament appeared at the California dates of the summer 2011 Rockstar Energy Drink Mayhem Festival, replacing In Flames. On 14 July 2011, it was announced that the tenth Testament studio album would be called Dark Roots of Earth, which, after many delays, was released on July 27, 2012. Dark Roots of Earth debuted at No. 12 on Billboard 200, the band's highest chart position to date. Prior to the album's release, the band toured in the fall of 2011 with Anthrax and Death Angel. Overkill was invited to the tour, but due to the pre-production of their sixteenth studio album The Electric Age, they did not participate. It was announced on 1 December 2011 that Paul Bostaph had left Testament. Gene Hoglan recorded the drum tracks for Dark Roots of Earth and continues to play live with the band. In interviews, Testament have expressed pleasure in Hoglan's playing, and hope that he would continue playing with the band for the foreseeable future. In August 2012, guitarist Eric Peterson stated that Testament would record an eleventh studio album if Dark Roots of Earth did well. A week prior to the release of Dark Roots of Earth, Billy promised that Testament would not take "huge gaps" between albums anymore, and would "work hard and tour for two years or so," and try to release another album when they could. Hoglan has also said that he would "absolutely dig" to be a part of the writing of the next Testament album. On 13 September 2013, Billy told Rock Overdose that from January to April 2014, Testament would be writing and recording their eleventh studio album for a 2014 release. Testament released a live DVD/double album Dark Roots of Thrash on 15 October 2013. The release documents the band's sold-out headlining performance at the Paramount in Huntington, New York, in February 2013. On 13 January 2014, it was announced that bassist Greg Christian had left Testament again, and Steve Di Giorgio returned to the band as his replacement; it was also announced that he would be involved in the making of the band's next album. Christian has explained that the reasons he had left Testament for the second time were because of money disputes and differences with the band. Asked about in an April 2015 interview about Testament's plans to begin recording their new album, Peterson said that his "main goal" was to "get home [from tour] in June, finish it up and get in the studio by September." Billy also said that the band's goal was to have the album finished by Thanksgiving. Slovenian bassist Tilen Hudrap (Pestilence, Vicious Rumors, Paradox, Thraw) and Bay Area drummer Alex Bent (Arkaik, Dragonlord, Decrepit Birth, Battlecross) filled in for Di Giorgio and Hoglan in August at the prestigious Canadian open air festival Heavy Montreal, attended by more than 70 000 spectators. In May 2016, Billy confirmed the album would be entitled Brotherhood of the Snake. Of the album's lyrical content, he commented, "The Brotherhood of the Snake was actually a society about 6,000 years ago that debarred all religions. It was just a fascinating topic that caught our eye and attention and spawned a lot of songs. We're going with that vibe. There will be some songs that deviate, but the majority will be around that and aliens and religion. Then I'll probably tap into my native heritage and write some songs about that. It's not just going to be one concept, but there is some interesting stuff that we're finding to write about." Brotherhood of the Snake was released on October 28, 2016, and received generally positive reviews from critics, and scored Testament their second-highest chart position on the Billboard 200, reaching at number twenty. Shortly after its release, Testament embarked on an international tour with Amon Amarth, and toured North America in April-May 2017 with Sepultura, Prong, Infernal Tenebra and Dying Gorgeous Lies. The band also toured Europe with Annihilator and Death Angel in November and December 2017, and again in March and April 2018, with Annihilator and Vader supporting. Along with Anthrax, Lamb of God, Behemoth and Napalm Death, Testament will open for Slayer on their final North American tour, which will take place in the spring and summer of 2018.

Question: What happened in 2013?
Answer: On 13 September 2013, Billy told Rock Overdose that from January to April 2014, Testament would be writing and recording their eleventh studio album for a 2014 release.

Question: How did it do?


Prompt:
Title: The Carpenters

Background: The Carpenters were an American vocal and instrumental duo of Karen (1950-1983) and Richard Carpenter (b. 1946).  They produced a distinct soft musical style, combining Karen's contralto vocals with Richard's arranging and composition skills. During their 14-year career, the Carpenters recorded ten albums, along with numerous singles and several television specials. The siblings were born in New Haven, Connecticut, and moved to Downey, California, in 1963.

Section: Childhood
Passage: The Carpenter siblings were both born at Grace-New Haven Hospital (now called Yale-New Haven Hospital) in New Haven, Connecticut, to Harold Bertram (November 8, 1908 - October 15, 1988) and Agnes Reuwer (nee Tatum, March 5, 1915 - November 10, 1996). Harold was born in Wuzhou, China, moving to Britain in 1917, and the US in 1921, while Agnes was born and grew up in Baltimore, Maryland. They married on April 9, 1935; their first child, Richard Lynn, was born on October 15, 1946, while Karen Anne followed on March 2, 1950. Richard was a quiet child who spent most of his time at home listening to Rachmaninoff, Tchaikovsky, Red Nichols and Spike Jones, and playing the piano. Karen was friendly and outgoing; she liked to play sports, including softball with the neighborhood kids, but still spent a lot of time listening to music. She enjoyed dancing and began ballet and tap classes aged four. Karen and Richard were close, and shared a common interest in music. In particular, they became fans of Les Paul and Mary Ford, whose music featured multiple overdubbed voices and instruments. Richard began piano lessons aged eight, but quickly grew frustrated with the formal direction of the lessons and quit after a year. He had begun to teach himself how to play by ear by 11, and resumed studying with a different teacher. He took a greater interest in playing this time, and would frequently practice at home. By age 14, he was interested in performing professionally, and started lessons at Yale School of Music. In June 1963, the Carpenter family moved to the Los Angeles suburb of Downey. hoping that it would mean better musical opportunities for Richard. He was asked to be the organist for weddings and services at the local Methodist church; instead of playing traditional hymns, he would sometimes rearrange contemporary Beatles songs in a "church" style. In fall 1964, Richard enrolled at California State College at Long Beach where he met future songwriting partner John Bettis, Wesley Jacobs, a friend who played the bass and tuba for the Richard Carpenter Trio, and Frank Pooler, with whom Richard would collaborate to create the Christmas standard "Merry Christmas Darling" in 1966. That same fall, Karen enrolled at Downey High School, where she found she had a knack for playing the drums. She had initially tried playing the glockenspiel, but had been inspired by her friend Frankie Chavez, who had been drumming since he was three. She became enthusiastic about the drums, and began to learn complex pieces, such as Dave Brubeck's "Take Five". Chavez persuaded her parents to buy a Ludwig drum kit in late 1964, and she began lessons with local jazz players, including how to read concert music. She quickly replaced the entry-level kit with a large Ludwig set that was a similar set-up to Brubeck's drummer, Joe Morello. Richard and Karen gave their first public performance together in 1965, as part of the pit band for a local production of Guys and Dolls.

Question: where were they born?
Answer: The Carpenter siblings were both born at Grace-New Haven Hospital (now called Yale-New Haven Hospital) in New Haven, Connecticut,

Question: who were their parents?
Answer: Harold Bertram (November 8, 1908 - October 15, 1988) and Agnes Reuwer (nee Tatum, March 5, 1915 - November 10, 1996).

Question: did their parents stay married?

CANNOTANSWER
Not enough information
Cannot answer
Do not know


Prompt:
Title: Texas (band)

Background: Texas are a Scottish pop rock band from Glasgow. They were founded in 1986 by Johnny McElhone (formerly of the bands Altered Images and Hipsway) and Sharleen Spiteri on lead vocals. Texas made their performing debut in March 1988 at the University of Dundee. They took their name from the 1984 Wim Wenders movie Paris, Texas.

Section: 1999-2001: The Hush and The Greatest Hits
Passage: In April 1999, Texas released the first single from their forthcoming fifth studio album. "In Our Lifetime" peaked at No. 4 on the UK Singles Charts and was also included on the Notting Hill film soundtrack that year. The band's fifth album, The Hush, was released in May 1999 and charted at No. 1 on the UK Album Charts in its first week of release. A second single, "Summer Son", was released in August 1999, reaching No. 5, the band's seventh UK Top 10 single at that point. A third and final single, "When We Are Together", was released in November 1999 and narrowly missed the UK Top 10 (peaking at 12). The album was certified 3 x Platinum by the BPI for UK sales in excess of 900,000 copies. In October 2000, Texas released their first compilation album, The Greatest Hits. The album featured tracks spanning their career, from their 1989 debut to the current day and included three new songs. A new single, "In Demand" was released on 2 October 2000 and reached No. 6 in the UK, with a video that featured the actor Alan Rickman. When The Greatest Hits was released, it became the band's third consecutive album to debut at No. 1 in the UK. A second new single from the collection, "Inner Smile", was released at the end of 2000, also reaching No. 6 on the UK Singles Charts. The video for "Inner Smile" featured a homage to Elvis Presley (and specifically his '68 Comeback Special shows) with lead singer Sharleen Spiteri dressed and made up to look like Elvis in his famous black leather suit. In July 2001, a remix of "I Don't Want A Lover" was released which made the UK Top 20. By this time, The Greatest Hits album had become a huge success and was eventually certified 6 x Platinum by the BPI for UK sales in excess of 1.8 million copies. The single "Like Lovers (Holding On)" was featured during the closing credits of the 2000 animated feature film Titan A.E and also appears briefly in one scene as background music. The song was included on the Titan A.E. soundtrack as well.

Question: What is "hush"?
Answer: The band's fifth album, The Hush, was released in May 1999 and charted at No. 1 on the UK Album Charts in its first week of release.

Question: What was a song from this album?
Answer: A second single, "Summer Son", was released in August 1999, reaching No. 5, the band's seventh UK Top 10 single at that point.

Question: What was the first single?
Answer: "In Our Lifetime" peaked at No. 4 on the UK Singles Charts and was also included on the Notting Hill film soundtrack that year.

Question: So was the album a success then?


Prompt:
Title: Sally Ride

Background: The elder child of Dale Burdell Ride and Carol Joyce (nee Anderson), Ride was born in Los Angeles. She had one sibling, Karen "Bear" Ride, who is a Presbyterian minister. Both parents were elders in the Presbyterian Church. Ride's mother had worked as a volunteer counselor at a women's correctional facility.

Section: NASA career
Passage: Ride was one of 8,000 people who answered an advertisement in the Stanford student newspaper seeking applicants for the space program. She was chosen to join NASA in 1978. During her career, Ride served as the ground-based capsule communicator (CapCom) for the second and third space shuttle flights (STS-2 and STS-3) and helped develop the space shuttle's "Canadarm" robot arm. Prior to her first space flight, she was subject to media attention due to her gender. During a press conference, she was asked questions such as, "Will the flight affect your reproductive organs?" and "Do you weep when things go wrong on the job?" Despite this and the historical significance of the mission, Ride insisted that she saw herself in only one way--as an astronaut. On June 18, 1983, she became the first American woman in space as a crew member on space shuttle Challenger for STS-7. She was preceded by two Soviet women, Valentina Tereshkova in 1963 and Svetlana Savitskaya in 1982. The five-person crew of the STS-7 mission deployed two communications satellites and conducted pharmaceutical experiments. Ride was the first woman to use the robot arm in space and the first to use the arm to retrieve a satellite. Her second space flight was in 1984, also on board the Challenger. She spent a total of more than 343 hours in space. Ride had completed eight months of training for her third flight (STS-61-M, a TDRS deployment mission) when the space shuttle Challenger disaster occurred. She was named to the Rogers Commission (the presidential commission investigating the accident) and headed its subcommittee on operations. Following the investigation, Ride was assigned to NASA headquarters in Washington, D.C., where she led NASA's first strategic planning effort, authored a report titled "NASA Leadership and America's Future in Space" and founded NASA's Office of Exploration. After Sally Ride's death in 2012, General Donald Kutyna revealed that she had discreetly provided him with key information about O-rings (namely, that they become stiff at low temperatures) that eventually led to identification of the cause of the explosion.

Question: How Did her NASA career start?
Answer: Ride was one of 8,000 people who answered an advertisement in the Stanford student newspaper seeking applicants for the space program.

Question: What year did she get picked?
Answer: She was chosen to join NASA in 1978.

Question: What did she do at NASA?
Answer: During her career, Ride served as the ground-based capsule communicator (CapCom)

Question: Did she do anything else?
Answer: and helped develop the space shuttle's "Canadarm" robot arm.

Question: Was she ever in Space?
Answer: On June 18, 1983, she became the first American woman in space

Question: What space shuttle was she on?
Answer: on space shuttle Challenger for STS-7.

Question: Was she ever in Space again after this?


Prompt:
Title: Joe Hisaishi

Background: Mamoru Fujisawa (Teng Ze  Shou , Fujisawa Mamoru, born December 6, 1950), known professionally as Joe Hisaishi (Jiu Shi  Rang , Hisaishi Jo), is a Japanese composer and musical director known for over 100 film scores and solo albums dating back to 1981. Hisaishi is also known for his piano scores. While possessing a stylistically distinct sound, Hisaishi's music has been known to explore and incorporate different genres, including minimalist, experimental electronic, European classical, and Japanese classical.

Section: 1981-98: Anime film industry
Passage: In 1981 Hisaishi, with his new name, released his first album of art music, MKWAJU, and in 1982 the electropop-minimalist album Information. Then, in 1983, Hisaishi was recommended by Tokuma, who had published Information, to create an image album for Nausicaa of the Valley of the Wind. Hisaishi and the director of the animated film, Hayao Miyazaki, became great friends and would work together on many future projects. In 1985, he founded his own recording studio--the wonder station. Their collaboration has invited comparisons to the collaborations of Steven Spielberg and John Williams. This big break led to Hisaishi's overwhelming success as a composer of film scores. In 1986, Laputa: Castle in the Sky, would be the first feature to appear under the Studio Ghibli banner, and its gentle, faintly melancholic tone would become a familiar trademark of much of the studio's later output. And later, in the 1990s, Porco Rosso and Princess Mononoke were released. As Hisaishi strengthened his reputation as one of the budding anime industry's top musical contributors, his compositions (including eight theatrical films and one OAV) would proceed to become some of the very hallmarks of early anime in the 1980s and 1990s. Hisaishi also composed for such TV and movie hits as Sasuga no Sarutobi, Two Down Full Base, Tonde Mon Pe and the anime Tekuno porisu 21C (all 1982), Sasuraiger (1983), Futari Taka (1984), Hono no Alpen Rose (1985) and Oz no mahotsukai (1986). He also scored the sci-fi adventure series Mospeada (1983), which was later reworked (without his music) into the third segment of Carl Macek's compilation, Robotech. Other films he scored included Mobile Suit Gundam Movie II: Soldiers of Sorrow (1981), Mobile Suit Gundam Movie III: Encounters in Space, (1982), Birth (Basu) (1984), Arion (1986), Robot Carnival (1987), Totoro (1988), Crest of the Royal Family and Maison Ikkoku - Apartment Fantasy (both 1988), Venus Wars (1989), Kiki's Delivery Service (1989), Porco Rosso (1992) and Ocean Heaven (2010). He also did theme song arrangements and composed other anime opening, closing, and insert title theme songs such as Maho Shojo Lalabel (1980), Hello! Sandybell (1981), Meiken Jolie (1981), Voltron (1981), Ai Shite Knight (1983), Creamy Mami, the Magic Angel: Curtain Call (1986), and Kimagure Orange Road: The Movie (1988). As more exposure was given to Hisaishi and the anime industry, his career grew. He initiated a solo career, began to produce music, and created his own label (Wonder Land Inc.) in 1988. A year later, Hisaishi released his solo album Pretender as the first album under the new label.

Question: What happened during 1981-1998?
Answer: In 1981 Hisaishi, with his new name, released his first album of art music, MKWAJU, and in 1982 the electropop-minimalist album Information.

Question: What else is interesting about Joe and the Anime film industry?


Prompt:
Title: Enrique Iglesias

Background: Enrique Miguel Iglesias Preysler (; Spanish pronunciation: [en'rike mi'gel i'glesjas 'preizler]; born 8 May 1975) is a Spanish singer, songwriter, actor and record producer. He is widely regarded as the King of Latin Pop.

Section: 2010-2011: Euphoria
Passage: On 5 July 2010, Iglesias released his ninth studio album, Euphoria, his first work to be released under his new label, Universal Republic. The album is Iglesias's first bilingual album with seven original English songs and six original Spanish songs. The album won the Billboard Music Award for Top Latin Album, the Billboard Latin Awards for Latin Album of the Year and Latin Pop Album of the Year and was nominated for the Latin Grammy Award for Album of the Year. Iglesias worked with three producers whom he had collaborated with before; RedOne, Mark Taylor and Carlos Paucer. The album features collaborations with Akon, Usher, Nicole Scherzinger, Sunidhi Chauhan, Ludacris, DJ Frank E, Pitbull, Juan Luis Guerra and his third duet with Wisin & Yandel. In a joint venture with Universal Latino, Iglesias released different singles in both English and Spanish simultaneously to different formats. The first English single from the album, "I Like It", which features the rapper Pitbull, was released on 3 May 2010 in the U.S. and became a success, reaching No. 4 on the Billboard Hot 100. The song was also featured in the MTV reality series, Jersey Shore. "Cuando Me Enamoro" was released as the lead Spanish single from the album, and became the theme song of the Mexican telenovela of the same title, produced by Televisa. The song debuted at number eight and number twenty-five on the U.S. Latin Pop Songs chart and the U.S. Hot Latin Songs chart, respectively. The song became his twenty-fifth top ten single on the U.S. Billboard Hot Latin Songs chart and after four weeks of its release date it became his twenty-first No.1 song on this chart. In January 2011, the album's third English single "Tonight (I'm F**kin' You)" broke into the top ten on the Billboard Hot 100, also reaching No. 4. The song was released only for digital download in the United States but was featured on some editions of Euphoria in Europe and some Asian areas. The song became Iglesias' first number one on the U.S. Pop Songs and Radio Songs airplay charts. A remix version of the album track "Dirty Dancer" was released as the fourth English single and became his ninth Hot Dance Club Play chart topper, tying with Prince and Michael Jackson as the male with the most No. 1 dance singles. Further, "Ayer" served as the album's third Spanish single and seventh single overall. The Euphoria Tour took Iglesias across the U.S., Canada, the U.K. and several European countries. One of the tour's legs took him to Australia while fellow artist Pitbull joined him as an opening act. Prince Royce also served as opening act during the tour's second leg across North America. In August 2011, he released the single "I Like How It Feels" to radio. This was planned to serve as the lead single from the Euphoria album's proposed re-issue that never came to fruition, Euphoria Reloaded.

Question: Is Euphoria the name of an Enrique Iglesias album?
Answer: his ninth studio album, Euphoria,

Question: How was Euphoria received by the public?
Answer: reaching No. 4 on the Billboard Hot 100.

Question: Did Enrique tour in the 2010 to 2011 period?


Prompt:
Title: Warren Spahn

Background: Warren Edward Spahn (April 23, 1921 - November 24, 2003) was a Major League Baseball left-handed pitcher who played his entire 21-year baseball career in the National League. He won 20 games or more in 13 seasons, including a 23-7 record when he was age 42. Spahn was the 1957 Cy Young Award winner, and was the runner-up three times, all during the period when one award was given, covering both leagues. He was elected to the Baseball Hall of Fame in 1973, with 83% of the total vote.(His eligibility was delayed, under the rules of the time, by two years of token minor league play.)

Section: Baseball career
Passage: His major league career began in 1942 with the Braves and he spent all but one year with that franchise, first in Boston and then in Milwaukee. He finished his career in 1965 with the New York Mets and the San Francisco Giants. With 363 wins, Spahn is the 6th most winning pitcher in history, trailing only Cy Young (511), Walter Johnson (417), Grover Cleveland Alexander (373), Christy Mathewson (373), and Pud Galvin (364) on MLB's all-time list. He led the league in wins eight times (1949-50, 1953, 1957-61, each season with 20+ wins) and won at least 20 games an additional five times (1947, 1951, 1954, 1956, 1963). Spahn also threw two no-hitters (in 1960 and 1961, at ages 39 and 40), won 3 ERA titles (1947, 1953, and 1961), and four strikeout crowns (1949-52). He appeared in 14 All-Star Games, the most of any pitcher in the 20th century. He won the NL Player of the Month Award in August 1960 (6-0, 2.30 ERA, 32 SO) and August 1961 (6-0, 1.00 ERA, 26 SO) Spahn acquired the nickname "Hooks", not so much because of his pitching, but due to the prominent shape of his nose. He had once been hit in the face by a thrown ball that he was not expecting, and his broken nose settled into a hook-like shape. In Spahn's final season, during his stint with the Mets, Yogi Berra came out of retirement briefly and caught 4 games, one of them with Spahn pitching. Yogi later told reporters, "I don't think we're the oldest battery, but we're certainly the ugliest." Spahn was known for a very high leg kick in his delivery, as was his later Giants teammate Juan Marichal. Photo sequences show that this high kick served a specific purpose. As a left-hander, Spahn was able not only to watch any runner on first base, but also to not telegraph whether he was delivering to the plate or to first base, thereby forcing the runner to stay close to the bag. As his fastball waned, Spahn adapted, and relied more on location, changing speeds and a good screwball. He led or shared the lead in the NL in wins in 1957-61 (age 36 through 40). Spahn was also a good hitter, hitting at least one home run in 17 straight seasons, and finishing with an NL career record for pitchers, with 35 home runs. Wes Ferrell, who spent most of his time in the American League, holds the overall record for pitchers, with 37.

Question: When did Spahn make his professional debut?
Answer: His major league career began in 1942 with the Braves and he spent

Question: How long did he spend with them?
Answer: and he spent all but one year with that franchise, first in Boston and then in Milwaukee. He finished his career in

Question: Did he lead the league in any categorizes?
Answer: He led the league in wins eight times (1949-50, 1953, 1957-61, each season with 20+ wins)

Question: What was Spahn's win lose record?
Answer: With 363 wins, Spahn is the 6th most winning pitcher in history, trailing only

Question: How many strikeouts did he have?


Prompt:
Title: Bob Welch (musician)

Background: Welch was born in Los Angeles, California, into a show business family. Welch's father was movie producer and screenwriter Robert L. Welch, who worked at Paramount Pictures in the 1940s and 1950s, producing films starring Paramount's top box office stars, Bob Hope and Bing Crosby (solo, not as a duo). He also worked as a TV producer, responsible for the 25th Annual Academy Awards TV special in 1953 and The Thin Man TV series in 1958-59. Bob's mother, Templeton Fox, had been a singer and actress who worked with Orson Welles' Mercury Theatre in Chicago, Illinois and appeared on TV and in movies from 1962 to 1979.

Section: Fleetwood Mac
Passage: Welch struggled with a variety of marginal bands until 1971, when he was invited to join Fleetwood Mac, a British blues band that had lost two of its three front-line members, Peter Green and Jeremy Spencer, within a few months, and which was moving away from the blues genre. Along with fellow newcomer Christine McVie, a keyboardist/singer-songwriter (formerly of the British blues band Chicken Shack, and newly married to Fleetwood Mac founding bassist John McVie), Welch helped to steer the band in a more melodic direction, particularly after lead guitarist/singer-songwriter Danny Kirwan was fired from the band in 1972 after an argument with Welch. In the summer of 1971, the remaining members of Fleetwood Mac held auditions at their retreat in England, Kiln House, while seeking a guitarist to replace Spencer. Judy Wong, a friend of the band who served at times as their secretary (Kirwan's song "Jewel-Eyed Judy" was dedicated to her), recommended her high school friend Welch to the band. Welch (who has sometimes been described as Wong's high school boyfriend) was living in Paris at the time. The band had a few meetings with Welch and decided to hire him without actually playing with him or listening to any of his recordings. Welch was given the role of rhythm guitar, backing up lead guitarist Kirwan. It was felt that having an American in the band might extend Fleetwood Mac's appeal in the States. Welch eventually went to live in the band's communal home, a mansion called Benifold, which was located in Hampshire. Using mobile equipment borrowed from The Rolling Stones, the band recorded material for three albums at Benifold: Bare Trees, Penguin and Mystery to Me. The band's first album to feature Welch and McVie, Future Games, was recorded, however, at Advision Studios in London (as is cited on the back of the album jacket) and Bare Trees was mostly recorded at De Lane Lea Studios in Wembley. In September 1971, the band released Future Games, with the title song written by Welch. This album was different from anything the band had done up to that point. In 1972, six months after the release of Future Games, the band released Bare Trees, which featured Welch's song "Sentimental Lady". The song went on to become a much bigger hit for him five years later when he re-recorded it for his solo album French Kiss. Christine McVie also sang on the remake and was a producer of the song.

Question: When did Welch join Fleetwood Mac?
Answer: 1971, when he was invited to join Fleetwood Mac,

Question: What was his role with Fleetwood Mac?
Answer: Welch helped to steer the band in a more melodic direction, particularly after lead guitarist/singer-songwriter Danny Kirwan was fired

Question: What was the song?


Prompt:
Title: Bob Welch (musician)

Background: Welch was born in Los Angeles, California, into a show business family. Welch's father was movie producer and screenwriter Robert L. Welch, who worked at Paramount Pictures in the 1940s and 1950s, producing films starring Paramount's top box office stars, Bob Hope and Bing Crosby (solo, not as a duo). He also worked as a TV producer, responsible for the 25th Annual Academy Awards TV special in 1953 and The Thin Man TV series in 1958-59. Bob's mother, Templeton Fox, had been a singer and actress who worked with Orson Welles' Mercury Theatre in Chicago, Illinois and appeared on TV and in movies from 1962 to 1979.

Section: Friction
Passage: The band did well in the studio, but their tours were more problematic. Kirwan developed an alcohol dependency and became alienated from Welch and the McVies. Welch held contradictory attitudes towards Kirwan in the 18 months they were bandmates in Fleetwood Mac: On the one hand, their personal relationship was difficult as Welch felt that Kirwan was playing mind games with the band; and on the other hand, Welch had enormous respect for Kirwan's musicianship. In 1999, Welch stated: "He was a talented, gifted musician, almost equal to Peter Green in his beautiful guitar playing and faultless string bends." In a later interview, Welch said: "Danny wasn't a very lighthearted person, to say the least. He probably shouldn't have been drinking as much as he did, even at his young age. He was always very intense about his work, as I was, but he didn't seem to ever be able to distance himself from it... and laugh about it. Danny was the definition of 'deadly serious'." The end for Kirwan came in August 1972, during an American tour, when he stormed off stage in a violent rage after arguing with Welch. Before a concert on that year's US tour, Kirwan and Welch fought over tuning and Kirwan flew into a rage, smashing his guitar and refusing to go onstage. He reportedly smashed his head bloody on a wall in back of the stage, then moved into the sound booth to watch the show, where the band struggled without him as Welch tried to cover his guitar parts. After the fiasco of a show, he criticized the band. Fleetwood subsequently fired Kirwan, partly on the recommendation of Welch. The artistic direction of Fleetwood Mac essentially was left in the hands of Welch and Christine McVie.

Question: What is friction?
Answer: The band did well in the studio, but their tours were more problematic. Kirwan developed an alcohol dependency and became alienated from Welch

Question: Are there any other interesting aspects about this article?
Answer: On the one hand, their personal relationship was difficult as Welch felt that Kirwan was playing mind games with the band;

Question: Does it say what they argued about?


Prompt:
Title: Tupac Shakur

Background: Shakur was born on June 16, 1971, into an African-American family in the East Harlem section of Manhattan in New York City. His birth name was Lesane Parish Crooks. The following year, he was renamed after Tupac Amaru II, the 18th-century Peruvian revolutionary who was executed after leading an indigenous uprising against Spanish rule. His parents, Afeni Shakur (born Alice Faye Williams in North Carolina) and Billy Garland, were active members of the Black Panther Party in New York in the late 1960s and early 1970s.

Section: Death Row Records
Passage: In October 1995, Shakur was released from prison after serving nine months of a sentence for sexual assault and formed a new group called Outlaw Immortalz. Shakur joined the Death Row label, under which he released the single "California Love". On February 13, 1996, Shakur released his fourth solo album, All Eyez on Me. This double album was the first and second of his three-album commitment to Death Row Records. It sold more than nine million copies. The record was a general departure from the introspective subject matter of Me Against the World, being more oriented toward a thug and gangsta mentality. Shakur continued his recordings despite increasing problems at the Death Row label. Dr. Dre left his post as in-house producer to form his own label, Aftermath. Shakur continued to produce hundreds of tracks during his time at Death Row, most of which would be released on his posthumous albums Still I Rise, Until the End of Time, Better Dayz, Loyal to the Game and Pac's Life. He also began the process of recording an album, One Nation, with the New York-based Boot Camp Clik and their label Duck Down Records. On June 4, 1996, he and Outlawz released the diss track "Hit 'Em Up", a scathing lyrical assault on The Notorious B.I.G. and others associated with him. In the track, Shakur claimed to have had sexual intercourse with Faith Evans, the wife of Wallace, Shakur's former friend and rival, and attacked Bad Boy's street credibility. Shakur was convinced that some members associated with Bad Boy had known about the 1994 attack on him due to their behavior that night and the information that his sources gave to him. According to a 2005 interview with Jimmy Henchman, in Vibe magazine, after the attack, Shakur immediately accused Henchman, an associate of Bad Boy CEO Sean Combs, of orchestrating the attack. Shakur, therefore, aligned himself with Suge, Death Row's CEO, who was already bitter toward Combs over a 1995 incident at the Platinum Club in Atlanta, Georgia, which culminated in the death of Jake Robles, the friend and bodyguard of Suge Knight; Knight was adamant in voicing his suspicions about Combs' involvement. In the years following their killings, associates of both Shakur and The Notorious B.I.G. made comments indicating the pair, were it not for their deaths, would have reconciled. Collaborator Buckshot claimed in 2015 that Shakur defended him against Suge Knight, who had insisted that the East Coast rapper could not come with him to Las Vegas on the grounds of the ongoing hip hop rivalry. Shakur asserted that he would not board the plane unless accompanied by Buckshot and was described by the fellow rapper as looking "discomforted" while they recorded a song together in a studio after Shakur "tore up the plane tickets". During an August 15, 1996, appearance at the Brotherhood Crusade Rally, which featured several artists discussing the importance of voting, Shakur compared the sales of Death Row records to voters in the U.S. and the influence he and other artists had over an adoring fanbase.

Question: Who was the founder of Death Row Records?
Answer: CANNOTANSWER

Question: What year was Tupac affiliated with Death Row Records?
Answer: October 1995,

Question: What album or songs did he produce with this company?
Answer: album, All Eyez on Me.

Question: How successful was All Eyez on Me?
Answer: It sold more than nine million copies.

Question: In what year was All Eyez on Me released?
Answer: 1996,

Question: How successful was Hit 'Em Up?

CANNOTANSWER
Not enough information
Cannot answer
Do not know


Prompt:
Title: Jill Dando

Background: Dando was born at Ashcombe House Maternity Home in Weston-super-Mare, Somerset. She was the daughter of Jack Dando (February 1918 - February 2009), who died in Weston-super-Mare on his 91st birthday, and Winifred Mary Jean Dando (August 1928 - January 1986), who died of leukaemia aged 57. Her only sibling, brother Nigel (born 1952), worked as a journalist for BBC Radio Bristol but retired in 2017, having previously worked as a journalist in local newspapers since the 1970s. Dando was raised as a Baptist.

Section: Career
Passage: Dando's first job was as a trainee reporter for the local weekly newspaper, the Weston Mercury, where her father and brother worked. After five years as a print journalist, she started to work for the BBC becoming a newsreader for BBC Radio Devon in 1985. That year, she transferred to BBC South West, where she presented a regional news magazine programme, Spotlight South West. In 1987, she worked for Television South West, then worked for BBC Spotlight in Plymouth. In early 1988, Dando moved from regional to national television in London to present BBC television news, specifically the short on-the-hour bulletins that aired on both BBC1 and BBC2 from 1986 until the mid-1990s. Dando presented the BBC television programmes Breakfast Time, Breakfast News, the BBC One O'Clock News, the Six O'Clock News, the travel programme Holiday, the crime appeal series Crimewatch (from 1995 until her death) and occasionally Songs of Praise. In 1994, she moved to Fulham. On 25 April 1999, Dando presented the first episode of The Antiques Inspectors. She was scheduled to present the Six O'Clock News on the evening of the following day. She was featured on the cover of that week's Radio Times magazine (for 24 to 30 April). At the time of her death, she was among those with the highest profile of the BBC's on-screen staff, and had been the 1997 BBC Personality of the Year. Crimewatch reconstructed her murder in an attempt to aid the police in the search for her killer. After Barry George was charged with the murder but acquitted, Crimewatch made no further appeals for information concerning the case.

Question: Who is Jill Dando?
Answer: Dando's first job was as a trainee reporter for the local weekly newspaper, the Weston Mercury,

Question: How long was she there?
Answer: After five years as a print journalist, she started to work for the BBC

Question: Did she ever win any awards?

CANNOTANSWER
Not enough information
Cannot answer
Do not know


Prompt:
Title: The Prodigy

Background: The Prodigy are an English electronic dance music group from Braintree, Essex, formed in 1990 by keyboardist and songwriter Liam Howlett. The first line-up of the band also included Maxim (MC and vocalist), Keith Flint (dancer and vocalist), Leeroy Thornhill (dancer and live keyboardist), and female dancer and vocalist Sharky. Along with the Chemical Brothers, Fatboy Slim, and other acts, the Prodigy have been credited as pioneers of the big beat genre, which achieved mainstream popularity in the 1990s. The Prodigy first emerged in the underground rave scene in the early 1990s and have since achieved popularity and worldwide recognition.

Section: Music for the Jilted Generation (1993-1995)
Passage: In 1993, Howlett released an anonymous white label, bearing only the title "Earthbound I". Its hypnotic, hard-edged sound won wide underground approval. It was officially released as "One Love" later that year, and went on to chart at number 8 in the UK. The following year, the Prodigy's second album, Music for the Jilted Generation, debuted in the UK Albums Chart at number one, and jettisoned into positive reactions from album critics. Adding elements of big beat and electro-industrial to the mix, the album expressed a wider spectrum of musical styles, with heavy breakbeat-based tracks complemented by the concept sequence The Narcotic Suite and a rock-oriented inclination, "Their Law", featuring Pop Will Eat Itself. The album was later described as a "complex, powerful record that propelled dance music into stadiums with rock'n'roll swagger". The album was nominated for a Mercury Music Prize, although Howlett had reaffirmed his dedication to making the Prodigy a 'hard dance band', commercially successful but without compromise. The band managed to continue to prevent over-exposure in the media by refusing to appear on Top of the Pops or other television shows in the UK. To date, their only studio appearance on British television came when they appeared on the BBC2 series Dance Energy in 1991, performing "Everybody in the Place". In the ensuing years, their videos received a strong level of support by MTV Europe, which boosted their popularity across the continent. Keith Flint himself hosted an episode of the MTV show 120 Minutes in 1995. Following the international success of Music for the Jilted Generation, the band augmented their line-up with guitarist Jim Davies (a live band member who later joined the group Pitchshifter) in 1995 for tracks such as "Their Law", "Break and Enter 95", and various live-only interludes and versions. He was soon to be replaced by Gizz Butt of the band Janus Stark, who remained with the band for the next three years.

Question: what happened in 1993?
Answer: In 1993, Howlett released an anonymous white label, bearing only the title "Earthbound I

Question: was the album successful?
Answer: It was officially released as "One Love" later that year, and went on to chart at number 8 in the UK.

Question: did it have any hit singles?
Answer: CANNOTANSWER

Question: did they go on tour?

CANNOTANSWER
Not enough information
Cannot answer
Do not know


Prompt:
Title: The Prodigy

Background: The Prodigy are an English electronic dance music group from Braintree, Essex, formed in 1990 by keyboardist and songwriter Liam Howlett. The first line-up of the band also included Maxim (MC and vocalist), Keith Flint (dancer and vocalist), Leeroy Thornhill (dancer and live keyboardist), and female dancer and vocalist Sharky. Along with the Chemical Brothers, Fatboy Slim, and other acts, the Prodigy have been credited as pioneers of the big beat genre, which achieved mainstream popularity in the 1990s. The Prodigy first emerged in the underground rave scene in the early 1990s and have since achieved popularity and worldwide recognition.

Section: Formation and "Charly" (1990-1991)
Passage: The Prodigy were founded in Braintree, Essex, in 1990 by keyboardist and songwriter Liam Howlett. He had taken piano lessons in his youth and gained the ability to play difficult passages in just a few run-throughs. After he decided to pursue a music career, Howlett met dancer and vocalist Keith Flint in mid-1989 during an outdoor night party at which Howlett was spinning records. After Flint requested Howlett make a mix tape for him, Howlett obliged, returning a cassette several days later with a collection of his own songs on the other side. Howlett had scratched the word "Prodigy" onto the cassette, the same name as the Moog Prodigy analogue synthesizer, and Howlett's moniker. The tape was well-received by Flint and keyboardist Leeroy Thornhill who developed new dance sequences to the music and suggested to Howlett they begin a group together. They were soon joined by MC and vocalist Maxim, then known as Maxim Reality, and female dancer and vocalist Sharky, a friend of Flint's. Together they became the first line-up of the Prodigy. The group's first live gig occurred at Four Aces in Dalston, London. With a group secured, Howlett wrote, produced, and mixed a 10-track demo tape on a Roland W-30 sampling workstation keyboard, and approached Tam Tam Records with the hope of securing a record deal, but they declined. He then turned to XL Recordings, headed by Nick Halkes and Tim Palmer, who agreed to a meeting and subsequently picked up the demo. In February 1991, the band released the extended play What Evil Lurks on 12-inch vinyl, containing four songs that Howlett had produced on the demo. In August 1991, the Prodigy released their debut single "Charly", which samples dialogue from the Charley Says series of animated films produced by the Central Office of Information. It became a hit in the rave scene at the time, and reached number 3 on the UK Singles Chart, thus catapulting the band into the wider public attention. The success of "Charly" began a trend of mixing dance and "hardcore rave" tracks with cartoon samples, such as "A Trip to Trumpton" by Urban Hype and "Sesame's Treet" by Smart E's, which were a hit with speed and ecstasy-fuelled clubbers, but not to reviewers and critics, who dismissed the music as "kiddie rave" or "toytown techno".

Question: When did the band form?
Answer: in 1990

Question: Who were the members?
Answer: Howlett met dancer and vocalist Keith Flint in mid-1989 during an outdoor night party at which Howlett was spinning records.

Question: What was the first album they released?
Answer: With a group secured, Howlett wrote, produced, and mixed a 10-track demo tape on a Roland W-30 sampling workstation keyboard, and approached Tam Tam Records

Question: Did the 10 track demo tape have any singles?
Answer: In August 1991, the Prodigy released their debut single "Charly", which samples dialogue from the Charley Says series

Question: Did Charly get nominated for any awards?

CANNOTANSWER
Not enough information
Cannot answer
Do not know


Prompt:
Title: Michael Shermer

Background: Michael Brant Shermer was born on September 8, 1954 in Los Angeles. An only child, he was raised in Southern California, primarily in the La Canada Flintridge area. His parents divorced when he was four and later remarried, his mother to a man with three children, who became Shermer's step-sister and two step-brothers, and his father to a woman with whom he had two daughters, Shermer's half-sisters. His father died of a heart attack in 1986, and his mother of brain cancer in 2000.

Section: Personal life
Passage: As of 2007, Shermer lives in Altadena, California. He married Jennifer Graf, a native of Koln, Germany, on June 25, 2014. The ceremony was performed by Shermer's sister, Tina, who was ordained online for the occasion. Politically, Shermer has described himself as a lifelong libertarian. In a 2015 interview, Shermer stated that he prefers to talk about individual issues, lamenting that, in the past, people would refuse to even listen to him because of his self-description as a libertarian. In this same interview, he also mentioned that his research into gun control lead him to believe that some measures to reduce gun-related violence would be beneficial. The first president he voted for was Richard Nixon in 1972, which, in light of the Watergate scandal, he calls his "most embarrassing vote". In 2000, he voted for Harry Browne to "vote his conscience", on the assumption that the winner of the Al Gore - George W. Bush contest would be irrelevant. He later regretted this decision, believing that Bush's foreign policy made the world more dangerous, and he voted for John Kerry in 2004. Shermer has named Thomas Jefferson as his favorite president, for his championing of liberty and his application of scientific thinking to the political, economic, and social spheres. He says of Jefferson, "When he dined alone at the White House there was more intelligence in that room than when John F. Kennedy hosted a dinner there for a roomful of Nobel laureates." Shermer once opposed most gun control measures, primarily because of his beliefs in the principle of increasing individual freedom and decreased government intervention, and also because he has owned guns for most of his life. As an adult, he owned a .357 Magnum pistol for a quarter of a century for protection, although he eventually took it out of the house, and then got rid of it entirely. Though he no longer owns guns, he continues to support the right to own guns to protect one's family. However, by 2013, the data on gun homicides, suicides, and accidental shootings convinced him that some modest gun control measures might be necessary. Shermer also previously favored capital punishment, primarily in sympathy for victims' families, but later he came to oppose the death penalty, partially out of a resistance to giving the government too much power - in light of the hundreds of executed individuals who were later revealed to be innocent - and partially from his view that retributive justice is driven by humanity's baser instincts, and it does not effect restorative justice. He later changed his mind about the issue during research for The Moral Arc, reasoning that "[Capital punishment] is one of these barbaric practices that we need to get rid of. [The United States of] America is really the last of the 19 industrialized democracies to have the death penalty. (...) The Italian enlightenment philosopher Cesare Beccaria, on his book On Crimes and Punishments, put forward the idea that the punishment should fit the crime and that the criteria should be whether it keeps people from committing crimes, and the Death Penalty does not do that."

Question: When was he born?
Answer: CANNOTANSWER

Question: Is Michael married?
Answer: He married Jennifer Graf,

Question: When did they get married?
Answer: on June 25, 2014.

Question: Where has he lived?


Prompt:
Title: Harry Shearer

Background: Shearer was born December 23, 1943 in Los Angeles, the son of Dora Warren (nee Kohn; d. 2008), a bookkeeper, and Mack Shearer. His parents were Jewish emigrants from Austria and Poland. Starting when Shearer was four years old, he had a piano teacher whose daughter worked as a child actress. The piano teacher later decided to make a career change and become a children's agent, as she knew people in the business through her daughter's work.

Section: Le Show and radio work
Passage: Since 1983, Shearer has been the host of the public radio comedy/music program Le Show. The program is a hodgepodge of satirical news commentary, music, and sketch comedy that takes aim at the "mega morons of the mighty media". It is carried on many National Public Radio and other public radio stations throughout the United States. Since the merger of SIRIUS and XM satellite radio services the program is no longer available on either. The show has also been made available as a podcast on iTunes and by WWNO. On the weekly program Shearer alternates between DJing, reading and commenting on the news of the day after the manner of Mort Sahl, and performing original (mostly political) comedy sketches and songs. In 2008, Shearer released a music CD called Songs of the Bushmen, consisting of his satirical numbers about former President George W. Bush on Le Show. Shearer says he criticizes both Republicans and Democrats equally, and also says that "the iron law of doing comedy about politics is you make fun of whoever is running the place" and that "everyone else is just running around talking. They are the ones who are actually doing something, changing people's lives for better or for worse. Other people the media calls 'satirists' don't work that way." Since encountering satellite news feeds when he worked on Saturday Night Live, Shearer has been fascinated with the contents of the video that does not air. Shearer refers to these clips as found objects. "I thought, wow, there is just an unending supply of this material, and it's wonderful and fascinating and funny and sometimes haunting - but it's always good," said Shearer. He collects this material and uses it on Le Show and on his website. In 2008, he assembled video clips of newsmakers from this collection into an art installation titled "The Silent Echo Chamber" which was exhibited at The Aldrich Contemporary Art Museum in Ridgefield, Connecticut. The exhibit was also displayed in 2009 at Institut Valencia d'Art Modern (IVAM) in Valencia, Spain and in 2010 at the New Orleans Contemporary Arts Center. In 2006 Shearer appeared with Brian Hayes in four episodes of the BBC Radio 4 sitcom Not Today, Thank You, playing Nostrils, a man so ugly he cannot stand to be in his own presence. He was originally scheduled to appear in all six episodes but had to withdraw from recording two due to a problem with his work permit. On June 19, 2008, it was announced that Shearer would receive a star on the Hollywood Walk of Fame in the radio category. The date of the ceremony where his star will be put in place has yet to be announced.

Question: What was Le Show?
Answer: public radio comedy/music program Le Show. The program is a hodgepodge of satirical news commentary, music, and sketch comedy that takes aim at the "mega morons of the mighty media".

Question: How long did it run?
Answer: CANNOTANSWER

Question: When did he start Le Show?
Answer: Since 1983, Shearer has been the host of the public radio comedy/music program Le Show.

Question: Where does Le Show broadcast?
Answer: National Public Radio and other public radio stations throughout the United States. Since the merger of SIRIUS and XM satellite radio services the program is no longer available on either.

Question: What other radio work has he done?
Answer: In 2006 Shearer appeared with Brian Hayes in four episodes of the BBC Radio 4 sitcom Not Today, Thank You, playing Nostrils,

Question: Has he done more?
Answer: In 2008, Shearer released a music CD

Question: Was his music successful?
Answer: CANNOTANSWER

Question: Are there any other interesting aspects about this article?
Answer: Shearer has been fascinated with the contents of the video that does not air. Shearer refers to these clips as found objects.

Question: Does he use the material for other things?