Prompt:
Title: Bertrand Russell

Background: Bertrand Arthur William Russell, 3rd Earl Russell,  (; 18 May 1872 - 2 February 1970) was a British philosopher, logician, mathematician, historian, writer, social critic, political activist and Nobel laureate. At various points in his life, Russell considered himself a liberal, a socialist and a pacifist, but he also admitted that he had "never been any of these things, in any profound sense". Russell was born in Monmouthshire into one of the most prominent aristocratic families in the United Kingdom. In the early 20th century, Russell led the British "revolt against idealism".

Section: Early career
Passage: Russell had two siblings: brother Frank (nearly seven years older than Bertrand), and sister Rachel (four years older). In June 1874 Russell's mother died of diphtheria, followed shortly by Rachel's death. In January 1876, his father died of bronchitis following a long period of depression. Frank and Bertrand were placed in the care of their staunchly Victorian paternal grandparents, who lived at Pembroke Lodge in Richmond Park. His grandfather, former Prime Minister Earl Russell, died in 1878, and was remembered by Russell as a kindly old man in a wheelchair. His grandmother, the Countess Russell (nee Lady Frances Elliot), was the dominant family figure for the rest of Russell's childhood and youth. The countess was from a Scottish Presbyterian family, and successfully petitioned the Court of Chancery to set aside a provision in Amberley's will requiring the children to be raised as agnostics. Despite her religious conservatism, she held progressive views in other areas (accepting Darwinism and supporting Irish Home Rule), and her influence on Bertrand Russell's outlook on social justice and standing up for principle remained with him throughout his life. (One could challenge the view that Bertrand stood up for his principles, based on his own well-known quotation: "I would never die for my beliefs because I might be wrong".) Her favourite Bible verse, 'Thou shalt not follow a multitude to do evil' (Exodus 23:2), became his motto. The atmosphere at Pembroke Lodge was one of frequent prayer, emotional repression, and formality; Frank reacted to this with open rebellion, but the young Bertrand learned to hide his feelings. Russell's adolescence was very lonely, and he often contemplated suicide. He remarked in his autobiography that his keenest interests were in religion and mathematics, and that only his wish to know more mathematics kept him from suicide. He was educated at home by a series of tutors. When Russell was eleven years old, his brother Frank introduced him to the work of Euclid, which transformed his life. During these formative years he also discovered the works of Percy Bysshe Shelley. In his autobiography, he writes: "I spent all my spare time reading him, and learning him by heart, knowing no one to whom I could speak of what I thought or felt, I used to reflect how wonderful it would have been to know Shelley, and to wonder whether I should meet any live human being with whom I should feel so much sympathy". Russell claimed that beginning at age 15, he spent considerable time thinking about the validity of Christian religious dogma, which he found very unconvincing. At this age, he came to the conclusion that there is no free will and, two years later, that there is no life after death. Finally, at the age of 18, after reading Mill's "Autobiography", he abandoned the "First Cause" argument and became an atheist. Russell won a scholarship to read for the Mathematical Tripos at Trinity College, Cambridge, and commenced his studies there in 1890, taking as coach Robert Rumsey Webb. He became acquainted with the younger George Edward Moore and came under the influence of Alfred North Whitehead, who recommended him to the Cambridge Apostles. He quickly distinguished himself in mathematics and philosophy, graduating as seventh Wrangler in the former in 1893 and becoming a Fellow in the latter in 1895. Russell first met the American Quaker Alys Pearsall Smith when he was 17 years old. He became a friend of the Pearsall Smith family - they knew him primarily as "Lord John's grandson" and enjoyed showing him off. He traveled with them to the continent; it was in their company that Russell visited the Paris Exhibition of 1889 and was able to climb the Eiffel Tower soon after it was completed. He soon fell in love with the puritanical, high-minded Alys, who was a graduate of Bryn Mawr College near Philadelphia, and, contrary to his grandmother's wishes, married her on 13 December 1894. Their marriage began to fall apart in 1901 when it occurred to Russell, while he was cycling, that he no longer loved her. She asked him if he loved her and he replied that he did not. Russell also disliked Alys's mother, finding her controlling and cruel. It was to be a hollow shell of a marriage and they finally divorced in 1921, after a lengthy period of separation. During this period, Russell had passionate (and often simultaneous) affairs with a number of women, including Lady Ottoline Morrell and the actress Lady Constance Malleson. Some have suggested that at this point he had an affair with Vivienne Haigh-Wood, the English governess and writer, and first wife of T. S. Eliot. Russell began his published work in 1896 with German Social Democracy, a study in politics that was an early indication of a lifelong interest in political and social theory. In 1896 he taught German social democracy at the London School of Economics. He was a member of the Coefficients dining club of social reformers set up in 1902 by the Fabian campaigners Sidney and Beatrice Webb. He now started an intensive study of the foundations of mathematics at Trinity. In 1898 he wrote An Essay on the Foundations of Geometry which discussed the Cayley-Klein metrics used for non-Euclidean geometry. He attended the International Congress of Philosophy in Paris in 1900 where he met Giuseppe Peano and Alessandro Padoa. The Italians had responded to Georg Cantor, making a science of set theory; they gave Russell their literature including the Formulario mathematico. Russell was impressed by the precision of Peano's arguments at the Congress, read the literature upon returning to England, and came upon Russell's paradox. In 1903 he published The Principles of Mathematics, a work on foundations of mathematics. It advanced a thesis of logicism, that mathematics and logic are one and the same. At the age of 29, in February 1901, Russell underwent what he called a "sort of mystic illumination", after witnessing Whitehead's wife's acute suffering in an angina attack. "I found myself filled with semi-mystical feelings about beauty ... and with a desire almost as profound as that of the Buddha to find some philosophy which should make human life endurable", Russell would later recall. "At the end of those five minutes, I had become a completely different person." In 1905 he wrote the essay "On Denoting", which was published in the philosophical journal Mind. Russell was elected a Fellow of the Royal Society (FRS) in 1908. The three-volume Principia Mathematica, written with Whitehead, was published between 1910 and 1913. This, along with the earlier The Principles of Mathematics, soon made Russell world-famous in his field. In 1910 he became a University of Cambridge lecturer at Trinity College where he studied. He was considered for a Fellowship, which would give him a vote in the college government and protect him from being fired for his opinions, but was passed over because he was "anti-clerical", essentially because he was agnostic. He was approached by the Austrian engineering student Ludwig Wittgenstein, who became his PhD student. Russell viewed Wittgenstein as a genius and a successor who would continue his work on logic. He spent hours dealing with Wittgenstein's various phobias and his frequent bouts of despair. This was often a drain on Russell's energy, but Russell continued to be fascinated by him and encouraged his academic development, including the publication of Wittgenstein's Tractatus Logico-Philosophicus in 1922. Russell delivered his lectures on Logical Atomism, his version of these ideas, in 1918, before the end of World War I. Wittgenstein was, at that time, serving in the Austrian Army and subsequently spent nine months in an Italian prisoner of war camp at the end of the conflict.

Question: What lead up to his early carrer?
Answer: When Russell was eleven years old, his brother Frank introduced him to the work of Euclid, which transformed his life.

Question: Are there any other interesting aspects about this article?
Answer: Frank and Bertrand were placed in the care of their staunchly Victorian paternal grandparents, who lived at Pembroke Lodge in Richmond Park.

Question: Where was his father?


Prompt:
Title: Harry Chapin

Background: Harry Forster Chapin (December 7, 1942 - July 16, 1981) was an American singer-songwriter, humanitarian, and producer best known for his folk rock and pop rock songs, who achieved worldwide success in the 1970s and became one of the most popular artists and highest paid performers. He is also one of the best charting musical artists in the United States. Chapin, a Grammy Award winning artist and Grammy Hall of Fame inductee, has sold over 19 million records worldwide. Chapin, a dedicated humanitarian, fought to end world hunger; he was a key participant in the creation of the Presidential Commission on World Hunger in 1977.

Section: Biography
Passage: Chapin was born in New York City, the second of four children, who also included future musicians Tom and Steve. His parents were Jeanne Elspeth (nee Burke) and Jim Chapin, a legendary percussionist. He had English ancestry. The earliest Chapin to come to America was Samuel Chapin, who was the first deacon of Springfield, Massachusetts in 1636. His other great-grandparents on his mothers side had immigrated in the late 19th century. His parents divorced in 1950, with his mother retaining custody of their four sons, as Jim spent much of his time on the road as a drummer for Big Band-era acts such as Woody Herman. Chapin's mother married Films in Review magazine editor Henry Hart a few years later. His maternal grandfather was literary critic Kenneth Burke. Chapin's first formal introduction to music were trumpet lessons at The Greenwich House Music School under Mr. Karrasic (sic). Harry's younger brothers Tom and Steve were choirboys at Grace Episcopal Church in Brooklyn Heights, and through them Chapin met "Big" John Wallace, a baritone with a five-octave range, who later became his bassist, backing vocalist, and straight man onstage. Chapin began performing with his brothers while a teenager, with their father occasionally joining them on drums. Chapin graduated from Brooklyn Technical High School in 1960 and was among the five inductees in the school's Alumni Hall Of Fame for the year 2000. He briefly attended the United States Air Force Academy in Colorado Springs, Colorado and was then an intermittent student at Cornell University in New York State, but did not complete a degree. He originally intended to be a documentary film-maker and directed Legendary Champions in 1968, which was nominated for a documentary Academy Award. In 1971, he began focusing on music. With John Wallace, Tim Scott, and Ron Palmer, Chapin started playing in various nightclubs in New York City.

Question: When was he born
Answer: CANNOTANSWER

Question: Are there any other interesting aspects about this article?
Answer: Chapin was born in New York City, the second of four children, who also included future musicians Tom and Steve.

Question: Who was his parents
Answer: His parents were Jeanne Elspeth (nee Burke) and Jim Chapin, a legendary percussionist.

Question: How old was he
Answer: CANNOTANSWER

Question: What was his brothers name


Prompt:
Title: Michelle Kwan

Background: Michelle Wingshan Kwan (born July 7, 1980) is a retired American figure skater. She is a two-time Olympic medalist (1998 and 2002), a five-time World champion (1996, 1998, 2000, 2001, and 2003) and a nine-time U.S. champion (1996, 1998-2005). She is tied with Maribel Vinson for the all-time National Championship record. She competed at the senior level for over a decade and is the most decorated figure skater in U.S. history.

Section: Early competition
Passage: In 1991, Michelle Kwan and her sister Karen began training with Frank Carroll. After one year of coaching by Carroll, 11-year-old Michelle placed 9th at the junior level at the United States Figure Skating Championships. At the age of 12 in 1992, Michelle passed the gold test to become a senior-level figure skater despite the disapproval of her coach. In 1993, Kwan finished sixth at her first senior U.S. championships. The next season, she won the 1994 World Junior Championships. In 1994, Kwan finished second to Tonya Harding at the U.S. Championships, which ordinarily would have placed her on the U.S. team to the 1994 Olympic Games in Lillehammer, Norway. That place was instead given to 1993 national champion Nancy Kerrigan, who had been sidelined by an assault and battery (eventually connected to Harding's ex-husband Jeff Gillooly) after a practice session at those championships. The 13-year-old Kwan went to Norway as an alternate but did not compete. Kerrigan and Harding both dropped out of eligible competition before the 1994 World Championships. Because of this (and teammate Nicole Bobek not making out of the qualifying round), Kwan had the sole responsibility to ensure two entries for the U.S. at the 1994 World Championships by placing in the top ten. Kwan had an unusual mistake in the short program and placed eleventh in that portion of the competition, but skated a strong freestyle program and finished eighth overall. At the 1995 U.S. Championships, Nicole Bobek won the gold medal, while Kwan again placed second after struggling with her lutz jump in both the short program and free skate. At the 1995 World Championships, she placed fifth in the short program portion of the competition with a clean performance. She landed seven triple jumps in her free skating performance and placed third in that portion of the competition. She finished fourth overall.

Question: Which competitions did she compete in early on
Answer: In 1994, Kwan finished second to Tonya Harding at the U.S. Championships, which ordinarily would have placed her on the U.S. team

Question: Any other competitions or wins


Prompt:
Title: Ned Kelly

Background: Edward "Ned" Kelly (December 1854 - 11 November 1880) was an Australian bushranger, outlaw, gang leader and convicted police murderer. One of the last bushrangers, and by far the most famous, he is best known for wearing a suit of bulletproof armour during his final shootout with the police. Kelly was born in the British colony of Victoria as the third of eight children to Irish parents. His father, a transported convict, died shortly after serving a six-month prison sentence, leaving Kelly, then aged 12, as the eldest male of the household.

Section: Aftermath
Passage: Kelly's first documented brush with the law was on 15 October 1869 at the age of 14 when he was charged with the assault and robbery of Ah Fook, a pig and fowl trader of Chinese descent from Bright. According to Fook, as he was passing Kelly's house, Kelly approached him with a long bamboo stick, announcing that he was a bushranger and would kill him if he did not hand over his money. Kelly then allegedly took him into the bush, beat him with the stick and stole 10 shillings. According to Kelly, his sister Annie and two witnesses, Bill Skilling and Bill Grey, Annie was sitting outside the house sewing when Fook walked up and asked for a drink of water. Given creek water, he abused Annie for not giving him rain water, and Kelly came outside and pushed him. Fook then hit Kelly three times with the bamboo stick, causing him to run away. The visitor then walked away, threatening to return and burn the house down, and Kelly did not return until sundown. Historians find neither account convincing and believe that Kelly's account is likely true up to being hit by Fook but then Kelly probably took the stick from him and beat him with it. Kelly was arrested the following day for highway robbery and locked up overnight in Benalla. He appeared in court the following morning, but Sergeant Whelan, despite using an interpreter to translate Fook's account, requested a remand to allow time to find another interpreter. Kelly was held for four days and appearing in court on 20 October, was again remanded after the police failed to produce an interpreter. The charge was dismissed on 26 October and he was released. Sergeant Whelan disliked Kelly. Three months earlier when he had prosecuted Yeaman Gunn for possession of stolen mutton, Kelly testified that he had sold several sheep to Gunn that same day. The magistrate found Gunn guilty and fined him PS10. Furious that Kelly was not convicted for the robbery, Whelan kept a careful watch on the Kelly family and, according to fellow officers, became "a perfect encyclopedia of knowledge about them" through his "diligence". Following his court appearance, the Benalla Ensign reported, "The cunning of himself [Kelly] and his mates got him off", the Beechworth Advertiser on the other hand reported that "the charge of robbery has been trumped up by the Chinaman to be revenged on Kelly, who had obviously assaulted him". Fook described 14-year-old Kelly as being aged around 20 years. The following year, a reporter wrote that Kelly "gives his age as 15 but is probably between 18 and 20". Kelly, 5 ft 8 in (1.73 m) in height, was still physically imposing. When arrested, a 224-pound (102 kg) trooper was purportedly unable to subdue the then-15-year-old until several labourers ran to assist him and even then Kelly had to be knocked unconscious. On 18 September 1877 in Benalla, Kelly, while drunk, was arrested for riding over a footpath and locked-up for the night. The next day, while he was escorted by four policemen, he absconded and ran, taking refuge in a shoemaker's shop. The police and the shop owner tried to handcuff him but failed. During the struggle Kelly's trousers were ripped off. Trying to get Kelly to submit and taking advantage of his torn trousers, the Irish-born Constable Thomas Lonigan, whom Kelly later murdered at Stringybark Creek, "black-balled" him (grabbed and squeezed his testicles). During the struggle, a miller walked in, and on seeing the behaviour of the police said "You should be ashamed of yourselves". He then tried to pacify the situation and induced Kelly to put on the handcuffs. Kelly was charged with being drunk and assaulting police, and fined L3 1s, which included damage to the uniforms. Kelly said about the incident, "It was in the course of this attempted arrest Fitzpatrick endeavoured to catch hold of me by the foot, and in the struggle he tore the sole and heel of my boot clean off. With one well-directed blow, I sent him sprawling against the wall, and the staggering blow I then gave him partly accounts to me for his subsequent conduct towards my family and myself". It is reported that in the aftermath, Kelly ominously foreshadowed the crime that would eventually sentence him to death, and told Lonigan, "Well, Lonigan, I never shot a man yet. But if ever I do, so help me God, you'll be the first". New South Wales issued rewards totalling PS4,000 for the gang, dead or alive. The Victorian Government matched that amount, making the total reward for the Kelly gang PS8,000. The Board of Officers, which included Captain Standish, Supts Hare and Sadleir, centralized all decisions about any search for the Kelly gang. The reward money had a demoralizing effect on them: "The capture of the Kellys was desired by these officers, but they were very jealous as to where they themselves would come in when the reward money would be allotted. This led to very serious quarrels among the heads...". From early March 1879 to June 1880 nothing was heard of the gang's whereabouts. As Thomas Aubrey wrote in his 1953 Mirror article, In the months after Jerilderie, public opinion turned sharply against Commissioner Standish and the 300 officers and men of the police and artillery corps who crowded into the towns of North-Eastern Victoria. Critics were quick to point out that the brave constables took good care to remain in the towns leaving the outlaws almost complete freedom of the bush, their natural home. Constable Devine felt so humiliated by being locked up in his own jail cell that he disliked mention of the Kelly gang's visit to his town. He moved to Western Australia, and became a racecourse detective, a position he held until his death in 1927. Kenneally wrote of him, "He was a high spirited man and was generally regarded as a man who would rather fight than run. It was because the Kellys recognised his courage that they did not take him out of the cell to patrol the town [as they did with Constable Richards]".

Question: What was the aftermath?
Answer: Kelly's first documented brush with the law was on 15 October 1869 at the age of 14

Question: What happened during that interaction?
Answer: he was charged with the assault and robbery of Ah Fook, a pig and fowl trader of Chinese descent from Bright.

Question: Are there any other interesting aspects about this article?
Answer: Kelly approached him with a long bamboo stick, announcing that he was a bushranger and would kill him if he did not hand over his money.

Question: Did he ever get in trouble with the law again?


Prompt:
Title: Louis Jordan

Background: Louis Thomas Jordan (July 8, 1908 - February 4, 1975) was a pioneering American musician, songwriter and bandleader who was popular from the late 1930s to the early 1950s. Known as "The King of the Jukebox", he was highly popular with both black and white audiences in the later years of the swing era. Jordan was one of the most successful African-American musicians of the 20th century, ranking fifth in the list of the most successful black recording artists according to Joel Whitburn's analysis of Billboard magazine's R&B chart. Though comprehensive sales figures are not available, he had at least four million-selling hits during his career.

Section: Decline of popularity
Passage: In 1951, Jordan assembled a short-lived big band that included Pee Wee Moore and others, at a time when big bands were declining in popularity. This is considered the beginning of his commercial decline, even though he reverted to the Tympany Five format within a year. By the mid-1950s, Jordan's records were not selling as well as before, and he left Decca Records. The next label to sign Jordan was Aladdin Records, for which Jordan recorded 21 songs in early 1954. Nine singles were released from these sessions; three of the songs were not released. In 1955, Jordan recorded with RCA's "independent" subsidiary "X" Records, which changed its name to Vik Records while Jordan was with them. Three singles were released under the "X" imprint and one under the Vik imprint; four tracks were not released. In these sessions Jordan intensified his sound to compete with rock and roll. In 1956, Mercury Records signed Jordan and released two LPs and a handful of singles. Jordan's first LP for Mercury, Somebody Up There Digs Me (1956), showcased updated rock-and-roll versions of previous hits such as "Ain't Nobody Here but Us Chickens", "Caldonia", "Choo Choo Ch'Boogie", "Salt Pork, West Virginia", and "Beware!" Its follow-up, Man, We're Wailin' (1957), featured a more laid-back, "late-night" sound. Mercury intended this to be a comeback for Jordan, but it was not commercially successful, and the label let him go in 1958. He recorded sporadically in the 1960s for Warwick (1960), Black Lion (1962), Tangerine (1962-1965), and Pzazz (1968) and in the early 1970s for Black and Blue (1973), Blues Spectrum (1973), and JSP (1974). In 1962 he appeared on the album Louis Jordan Sings, by the British trumpeter and bandleader Chris Barber. Speaking in 2012, Barber recalled seeing Jordan in the early 1960s at the Apollo Theater in New York, with the intention of bringing him to the UK to record There for the first time: "playing with him was just frightening. It's a bit like an amateur guitar player from a back street who has just bought a Spanish guitar, working with Segovia. He didn't make you feel small, but he was just so perfect in what he did. ... I still remember watching him singing, but he would accompany himself on the alto, and you were convinced he was playing the alto while he was singing. ... the breath hadn't gone from his last word before he was playing his alto and it seemed to be simultaneous. ... He got a very raw deal from history... In the Chick Webb band there were two regular singers - Ella [Fitzgerald] and Louis Jordan. And yet really history has consigned him to just being a comedy vocal thing with a bit of rock and roll, and the first alto ... but he was such a consumately good singer that it's sad that he wasn't known more for it."

Question: When did the decline start?
Answer: By the mid-1950s, Jordan's records were not selling as well as before, and he left Decca Records.

Question: Did he release an album with Aladdin Records?


Prompt:
Title: Louis Jordan

Background: Louis Thomas Jordan (July 8, 1908 - February 4, 1975) was a pioneering American musician, songwriter and bandleader who was popular from the late 1930s to the early 1950s. Known as "The King of the Jukebox", he was highly popular with both black and white audiences in the later years of the swing era. Jordan was one of the most successful African-American musicians of the 20th century, ranking fifth in the list of the most successful black recording artists according to Joel Whitburn's analysis of Billboard magazine's R&B chart. Though comprehensive sales figures are not available, he had at least four million-selling hits during his career.

Section: "King of the Jukebox"
Passage: Jordan was born on July 8, 1908, in Brinkley, Arkansas, where his father, James Aaron Jordan, was a music teacher and bandleader for the Brinkley Brass Band and for the Rabbit Foot Minstrels. His mother, Adell, died when Louis was young. Jordan studied music under his father, starting out on the clarinet. In his youth he played in his father's bands instead of doing farm work when school closed. He also played the piano professionally early in his career, but alto saxophone became his main instrument. However, he became even better known as a songwriter, entertainer and vocalist. Jordan briefly attended Arkansas Baptist College, in Little Rock, and majored in music. After a period with the Rabbit Foot Minstrels (in which one of his colleagues was Leon "Pee Wee" Whittaker) and with local bands, including Bob Alexander's Harmony Kings, he went to Philadelphia and then New York. In 1932, Jordan began performing with the Clarence Williams band, and when he was in Philadelphia he played clarinet in the Charlie Gaines band. In late 1936 he was invited to join the influential Savoy Ballroom orchestra, led by the drummer Chick Webb. Based at New York's Savoy Ballroom, Webb's orchestra was renowned as one of the best big bands of its day and regularly beat all comers at the Savoy's legendary cutting contests. Jordan worked with Webb until 1938, and it proved a vital stepping-stone in his career--Webb (who was physically disabled) was a fine musician but not a great showman. The ebullient Jordan often introduced songs as he began singing lead; he later recalled that many in the audience took him to be the band's leader, which undoubtedly boosted his confidence further. This was the same period when the young Ella Fitzgerald was coming to prominence as the Webb band's lead female vocalist; she and Jordan often sang duets on stage, and they later reprised their partnership on several records, by which time both were major stars. In 1938, Webb fired Jordan for trying to persuade Fitzgerald and others to join his new band. By this time Webb was already seriously ill with tuberculosis of the spine. He died at the age of 34, after spinal surgery on June 16, 1939. Following his death, Fitzgerald took over the band. Jordan's first band, drawn mainly from members of the Jesse Stone band, was originally a nine-piece group, but he soon scaled it down to a sextet after landing a residency at the Elks Rendezvous club, at 464 Lenox Avenue, in Harlem. The original lineup of the sextet was Jordan (saxes, vocals), Courtney Williams (trumpet), Lem Johnson (tenor sax), Clarence Johnson (piano), Charlie Drayton (bass) and Walter Martin (drums). In his first billing, as Louie Jordan's Elks Rendez-vous Band, his name was spelled Louie so people would know not to pronounce it Lewis. The new band's first recording date, for Decca Records on December 20, 1938, produced three sides on which they backed an obscure vocalist, Rodney Sturgess, and two novelty sides of their own, "Honey in the Bee Ball" and "Barnacle Bill the Sailor". These recordings were credited to the Elks Rendezvous Band, but Jordan subsequently changed the name to the Tympany Five, since Martin often used tympani in performance. (The word tympany is also an old-fashioned colloquial term meaning "swollen, inflated, puffed-up", etymologically related to timpani, or kettledrums, but historically separate.) The various lineups of the Tympany Five (which often featured two or three extra players) included Bill Jennings and Carl Hogan on guitar, the renowned pianist-arrangers Wild Bill Davis and Bill Doggett, "Shadow" Wilson and Chris Columbus on drums and Dallas Bartley on bass. Jordan played alto, tenor and baritone saxophone and sang the lead vocal on most songs. Their next recording date, in March 1939, produced five sides, including "Keep a-Knockin'" (originally recorded in the 1920s and later famously covered by Little Richard), "Sam Jones Done Snagged His Britches" and "Doug the Jitterbug". Lem Johnson subsequently left the group and was replaced by Stafford Simon. Sessions in December 1939 and January 1940 produced two more early Jordan classics, "You're My Meat" and "You Run Your Mouth and I'll Run My Business". Other musicians who passed through the band in 1940 and 1941 included the tenorist Kenneth Hollon (who recorded with Billie Holiday) and the trumpeter Freddie Webster (from Earl Hines's band), who was part of the nascent bebop scene at Minton's Playhouse and influenced Kenny Dorham and Miles Davis. The prime of Jordan's recording career, 1942-1950, was a period of segregation on the radio. Despite this he had a crossover number 1 single, "G.I. Jive" backed with "Is You Is or Is You Ain't My Baby?" in 1944, thanks in large part to his performance with his orchestra of the song in the all-star wartime musical film Follow the Boys (Universal Pictures, 1944). Two years later, MGM's cartoon cat Tom sang "Is You Is or Is You Ain't My Baby?" in the 1946 Tom and Jerry cartoon short "Solid Serenade". Jordan appeared in the 1946 Monogram Pictures movie Swing Parade of 1946 and starred in the 1947 all-black, full-length Astor Pictures film Reet, Petite and Gone. During this period Jordan again placed more than a dozen songs on the national charts. However, Louis Jordan and His Tympany Five dominated the 1940s R&B charts, or (as they were known at the time) the "race" charts. In this period Jordan had eighteen number 1 singles and fifty-four in the Top Ten. According to Joel Whitburn's points-based analysis of Billboard chart placings, Jordan ranks fifth among the most successful artists over the period 1942-1995. From July 1946 through May 1947, Jordan had five consecutive number 1 songs, holding the top slot for 44 consecutive weeks. Jordan's popularity was boosted not only by his hit Decca records but also by his prolific recordings for Armed Forces Radio and the V-Disc transcription program, which helped to make him as popular with whites as with blacks. He also starred in a series of short musical films and made numerous "soundies" for his hit songs. The ancestor of the modern music video, soundies were short film clips designed for use in audio-visual jukeboxes. These were in addition to his part in Follow the Boys.

Question: When did Jordan start being the "King of the Jukebox"?
Answer: CANNOTANSWER

Question: Are there any other interesting aspects about this article?
Answer: Jordan studied music under his father, starting out on the clarinet.

Question: What other instruments did he play?
Answer: He also played the piano professionally early in his career, but alto saxophone became his main instrument.

Question: What was his first song?
Answer: own, "Honey in the Bee Ball"

Question: When was "Honey in the Bee Ball" released?


Prompt:
Title: Leonard Cohen

Background: Cohen was born on September 21, 1934, into a middle-class Canadian Jewish family residing in Westmount, Quebec, an English-speaking suburb of Montreal. His mother, Marsha (Masha) Klonitsky (1905-1978), was the daughter of a Talmudic writer, Rabbi Solomon Klonitsky-Kline, and emigrated to Montreal in 1927 from Lithuania. His paternal grandfather, whose family had moved from Poland to Canada, was Lyon Cohen, the founding president of the Canadian Jewish Congress. His father, Nathan Bernard Cohen (1891-1943), owned a substantial clothing store and died when Cohen was nine years old.

Section: Post-monastery records
Passage: After two years of production, Cohen returned to music in 2001 with the release of Ten New Songs, featuring a heavy influence from producer and co-composer Sharon Robinson. The album, recorded at Cohen's and Robinson's home studios - Still Life Studios, includes the song "Alexandra Leaving", a transformation of the poem "The God Abandons Antony", by the Greek poet Constantine P. Cavafy. The album was a major hit for Cohen in Canada and Europe, and he supported it with the hit single "In My Secret Life" and accompanying video shot by Floria Sigismondi. The album won him four Canadian Juno Awards in 2002: Best Artist, Best Songwriter, Best Pop Album, and Best Video ("In My Secret Life"). And the following year he was given Canada's highest civilian honor, the Companion of the Order of Canada. In October 2004, Cohen released Dear Heather, largely a musical collaboration with jazz chanteuse (and romantic partner) Anjani Thomas, although Sharon Robinson returned to collaborate on three tracks (including a duet). As light as the previous album was dark, Dear Heather reflects Cohen's own change of mood - he said in a number of interviews that his depression had lifted in recent years, which he attributed to Zen Buddhism. In an interview following his induction into the Canadian Songwriters' Hall of Fame, Cohen explained that the album was intended to be a kind of notebook or scrapbook of themes, and that a more formal record had been planned for release shortly afterwards, but that this was put on ice by his legal battles with his ex-manager. Blue Alert, an album of songs co-written by Anjani and Cohen, was released in 2006 to positive reviews. Sung by Anjani, who according to one reviewer "...sounds like Cohen reincarnated as woman... though Cohen doesn't sing a note on the album, his voice permeates it like smoke." Before embarking on his 2008-2010 world tour, and without finishing the new album which had been in work since 2006, Cohen contributed a few tracks to other artists' albums - a new version of his own "Tower of Song" was performed by him, Anjani Thomas and U2 in the 2006 tribute film Leonard Cohen I'm Your Man (the video and track were included on the film's soundtrack and released as the B-side of U2's single "Window in the Skies", reaching No 1 in the Canadian Singles Chart). In 2007 he recited "The Sound of Silence" on album Tribute to Paul Simon: Take Me to the Mardi Gras and "The Jungle Line" by Joni Mitchell, accompanied by Herbie Hancock on piano, on Hancock's Grammy-winning album River: The Joni Letters, while in 2008, he recited the poem "Since You've Asked" on the album Born to the Breed: A Tribute to Judy Collins.

Question: What did he do after he left the monastery?
Answer: After two years of production, Cohen returned to music in 2001 with the release of Ten New Songs,

Question: Did he have a favorite hobby?

CANNOTANSWER
Not enough information
Cannot answer
Do not know


Prompt:
Title: Raven-Symoné

Background: Raven-Symone Christina Pearman (; born December 10, 1985), (sometimes credited as Raven, also known mononymously as Raven-Symone) is an American actress, singer, songwriter, model, television personality, dancer, rapper and producer. She first appeared on television in 1989 on The Cosby Show as Olivia Kendall. She released her debut album, Here's to New Dreams in 1993; the single, "That's What Little Girls Are Made Of" charted number 68 on the US Billboard Hot 100.

Section: 1985-1993: Early life, The Cosby Show and Here's to New Dreams
Passage: Raven-Symone was born in Atlanta, Georgia, to Lydia (Gaulden) and Christopher Pearman. She has a brother, Blaize. As an infant, she worked for Atlanta's Young Faces Inc. Modeling Agency and was featured in local print advertisements. At age two, she worked with Ford Models in New York City and appeared in ads for Ritz crackers, Jell-O, Fisher-Price, and Cool Whip. At age three, her family moved to Ossining, New York where she attended Park School. In 1989, Raven-Symone auditioned for a role in the Bill Cosby movie, Ghost Dad. At the age of three, she was considered too young for the role, but Cosby liked her so much that he found a role for her on his show, The Cosby Show, as his step-granddaughter Olivia. She made her debut in the premiere episode of the show's sixth season, and remained until the series finale in 1992. She then appeared as the younger version of Halle Berry's starring character, a headstrong biracial slave, in the TV movie Queen: The Story of an American Family, based on the book by Alex Haley. In 1992, Raven-Symone began her singing career at the age of seven, when she signed with MCA Records. She spent that year and the next taking vocal lessons from Missy Elliott. Her debut album, Here's to New Dreams, was released on June 22, 1993, which spawned two singles: "That's What Little Girls Are Made Of" and "Raven Is the Flavor". "That's What Little Girls Are Made Of" reached No. 68 on the Billboard Hot 100. The album however was not successful, and due to low sales she was dropped from MCA Records in 1995. The album sold over 73,000 copies in the US.

Question: When did she begin on the Cosby show?
Answer: age of three, she was considered too young for the role, but Cosby liked her so much that he found a role for her on his show, The Cosby Show,

Question: What role did she play?
Answer: his step-granddaughter Olivia.

Question: When did she leave the show?
Answer: remained until the series finale in 1992.

Question: Where did she grow up?
Answer: At age three, her family moved to Ossining, New York where she attended Park School.

Question: What were her parents occupations?

CANNOTANSWER
Not enough information
Cannot answer
Do not know


Prompt:
Title: Raven-Symoné

Background: Raven-Symone Christina Pearman (; born December 10, 1985), (sometimes credited as Raven, also known mononymously as Raven-Symone) is an American actress, singer, songwriter, model, television personality, dancer, rapper and producer. She first appeared on television in 1989 on The Cosby Show as Olivia Kendall. She released her debut album, Here's to New Dreams in 1993; the single, "That's What Little Girls Are Made Of" charted number 68 on the US Billboard Hot 100.

Section: 1994-2001: Film debut, Hangin' with Mr. Cooper and Undeniable
Passage: In 1993, one year after The Cosby Show ended, she landed the role of Nicole Lee on the show Hangin' with Mr. Cooper. She made her debut in the first episode of the show's second season, and remained until the series finale in 1997. In 1994, during her time on the show Hangin' with Mr. Cooper, she had her first big screen role in the movie The Little Rascals, playing Stymie's girlfriend. The Little Rascals earned $67.3 million worldwide during its theatrical run. In 1996, Raven-Symone and her father founded RayBlaze Records, in which she signed a distribution deal with Crash Records for her second album Undeniable, which was released in May 1999. The album sold over 2,000 in US. The album yielded one single: a cover of Stevie Wonder's "With a Child's Heart". To support the album Undeniable, she went on tour as the opening act for fellow Jive artist 'N Sync's The 'N Sync Tour in 1998/1999. In 1998, she won her first major role in theatrical movie, she was cast in the Eddie Murphy comedy Dr. Dolittle, as Charisse Dolittle, the oldest daughter of Murphy's character. Dr. Dolittle earned $294.5 million worldwide during its theatrical run. In the same year, she also appeared in Zenon: Girl of the 21st Century as Nebula, her first production under Disney. In 2001, she reprised the role of Charisse Dolittle in the sequel Eddie Murphy comedy Dr. Dolittle 2. Dr. Dolittle 2 earned $176.1 million worldwide during its theatrical run. In the same year, she participated in two episodes of the comedy series, My Wife and Kids as Charmaine, Claire's pregnant friend, her first production under ABC.

Question: What was Raven-Symone's role in Hangin with Mr. Cooper?
Answer: Nicole Lee

Question: How did she get the role?
Answer: She made her debut in the first episode of the show's second season,

Question: How long was she on the show?
Answer: remained until the series finale in 1997.

Question: What was her film debut?
Answer: she had her first big screen role in the movie The Little Rascals,

Question: What character did she play?
Answer: playing Stymie's girlfriend.

Question: Who were some of her co-stars on the movie?
Answer: CANNOTANSWER

Question: What was her role in Undeniable?
Answer: she signed a distribution deal with Crash Records for her second album Undeniable,

Question: What are some of the singles on the album?
Answer: The album yielded one single: a cover of Stevie Wonder's "With a Child's Heart".

Question: Was the album well-received?
Answer: The album sold over 2,000 in US.

Question: What do critics have to say about her acting in film and on hangin with Mr. Cooper?

CANNOTANSWER
Not enough information
Cannot answer
Do not know


Prompt:
Title: Greg Chappell

Background: Gregory Stephen Chappell MBE (born 7 August 1948) is a former cricketer who represented Australia at international level in both Tests and One-Day Internationals (ODI). The second of three brothers to play Test cricket, Chappell was the pre-eminent Australian batsman of his time who allied elegant stroke making to fierce concentration. An exceptional all round player who bowled medium pace and, at his retirement, held the world record for the most catches in Test cricket, Chappell's career straddled two eras as the game moved toward a greater level of professionalism after the WSC schism. Since his retirement as a player in 1984, Chappell has pursued various business and media interests as well as maintaining connections to professional cricket; he has been a selector for national and Queensland teams, a member of the Australian Cricket Board, and a coach.

Section: World Series Cricket (1977-1979)
Passage: Chappell was happy for brother Ian to captain the WSC Australian team, which allowed him to concentrate on his batting. In the first season of WSC, he returned to type with 661 runs at an average of 60. The Australians struggled against the array of talented players assembled to represent the West Indian and World teams, and the emphasis on fast bowling destroyed the confidence of many batsmen, who took to wearing helmets for safety. Chappell eventually opted for a helmet with temple guards only - he never wore one with a grile. He never missed an opportunity to slip into a cap when facing medium pace or spin. In the final "Supertest" of the first season, Chappell captained the Australian team as his brother had suffered a broken finger. After four losses in five matches, the Australians turned matters around, thanks to a magnificent 246* by Greg Chappell, the highest innings played during the existence of WSC. However, the constant diet of fast bowling got to Chappell in the next season, and he managed to pass fifty in the Supertests just once. With a WSC tour of the West Indies looming, Chappell was diagnosed with Bell's Palsy and one side of his face was paralysed. Doctors and family advised him to miss the trip, but Chappell was determine to go and utilise a modified technique he had devised for facing the relentless fast bowling. After a slow start, Chappell hit the richest vein of form in his career. In quick succession, he peeled off 45 and 90 in Barbados, 7 and 150 in Trinidad, 113 in Guyana and finished his WSC career with 104 and 85 in Antigua, all scored against an attack of Andy Roberts, Michael Holding, Colin Croft and Joel Garner on their home wickets. Unfortunately for Chappell, WSC matches are not included in official statistics as he scored five hundreds in 14 Supertests and a total of 1415 runs at 56.6 average. In all, he missed 24 Test matches during his exile from official cricket.

Question: What position did Greg Chappell play during the World Series in 1977?
Answer: allowed him to concentrate on his batting.

Question: Did his team win?
Answer: in official statistics as he scored five hundreds in 14 Supertests and a total of 1415 runs at 56.6 average.

Question: Did he win any awards playing?

CANNOTANSWER
Not enough information
Cannot answer
Do not know


Prompt:
Title: Pancho Gonzales

Background: Ricardo Alonso Gonzalez (May 9, 1928 - July 3, 1995), usually known as Pancho Gonzales, and sometimes as Richard Gonzales, was an American tennis player who has been rated one of the greatest in the history of the sport. He won 14 major singles titles (12 Pro Slam, 2 Grand Slam) and was the dominant professional of the 1950s; he still holds the men's all-time record of being ranked world No. 1 for eight years. Gonzales was a ruthless competitor with a fierce temper. Many of his peers on the professional circuit were intimidated by him, and he was often at odds with officials and promoters.

Section: One of the greatest matches ever played
Passage: In 1969, it was Gonzales's turn to prevail in the longest match ever played till that time, one so long and arduous that it resulted in the advent of tie break scoring. As a 41-year-old at Wimbledon, Gonzales met Charlie Pasarell, a Puerto Rican younger than Gonzales by 16 years who revered his opponent. Pasarell won a titanic first set, 24-22, then with daylight fading, the 41-year-old Gonzales argued that the match should be suspended. The referee didn't relent, and thus the petulant Gonzales virtually threw the second set, losing it 6-1. At the break, the referee agreed the players should stop. Gonzales was booed as he walked off Centre Court. The next day, the serves, the volleys and all the prowess that made Gonzales a fiery competitor surfaced with trademark vengeance. Pasarell, seeking to exploit Gonzales's advanced years, tried to aim soft service returns at Gonzales's feet and tire him with frequent lobs. At one changeover Gonzales said, "Charlie, I know what you're doing - and it's not working!" Gonzales rebounded to win three straight sets, 16-14, 6-3, 11-9. In the fifth set, Gonzales saved all seven match points that Pasarell had against him, twice coming back from 0-40 deficits, to walk off the court the eventual winner in a 5-hour, 12-minute epic. The final score was an improbable 22-24, 1-6, 16-14, 6-3, 11-9. Gonzales went on to the fourth round of the championship, where he was beaten in four sets by Arthur Ashe. The match with Pasarell, however, is still remembered as one of the highlights in the history of tennis and has been called one of "The Ten Greatest Matches of the Open Era" in the November/December 2003 issue of TENNIS magazine. But it was not this match alone which gave Gonzales the reputation, among the top players, of being the greatest long-match player in the history of the game. The match would (largely due to the introduction of the tie break) remain the longest in terms of games played until the historic, 11 hours and 183 games long Isner-Mahut match at the 2010 Wimbledon Championships.

Question: What was the greatest match ever?
Answer: In 1969, it was Gonzales's turn to prevail in the longest match ever played till that time,

Question: How long did it last?
Answer: one so long and arduous that it resulted in the advent of tie break scoring.

Question: Who was his opponent?
Answer: As a 41-year-old at Wimbledon, Gonzales met Charlie Pasarell, a Puerto Rican younger than Gonzales by 16 years who revered his opponent.

Question: Did it end in a tie then?
Answer: Pasarell won a titanic first set, 24-22, then with daylight fading, the 41-year-old Gonzales argued that the match should be suspended.

Question: What happened in the third set?


Prompt:
Title: Pancho Gonzales

Background: Ricardo Alonso Gonzalez (May 9, 1928 - July 3, 1995), usually known as Pancho Gonzales, and sometimes as Richard Gonzales, was an American tennis player who has been rated one of the greatest in the history of the sport. He won 14 major singles titles (12 Pro Slam, 2 Grand Slam) and was the dominant professional of the 1950s; he still holds the men's all-time record of being ranked world No. 1 for eight years. Gonzales was a ruthless competitor with a fierce temper. Many of his peers on the professional circuit were intimidated by him, and he was often at odds with officials and promoters.

Section: Open tennis
Passage: Most of Gonzales's career as a professional took place before the start of the open era of tennis in April 1968, and he was therefore ineligible to compete at the Grand Slam events between the end of 1949 (when he turned pro) and the start of the open era in April 1968. As has been observed about other great players such as Rod Laver, Gonzales almost certainly would have won a number of additional Grand Slam titles had he been permitted to compete in those tournaments during that 18-year period. Jack Kramer, for instance, has speculated in an article about the theoretical champions of Forest Hills and Wimbledon that Gonzales would have won an additional 11 titles in those two tournaments alone. In May 1968, he was the first professional to lose to an amateur, the British player Mark Cox. The then-24-year-old Cox beat Gonzales at the British Hard Court Championships at Bournemouth, 0-6, 6-2, 4-6, 6-3, 6-3, in two and a quarter hours. The first major open tournament was the 1968 French Open, when Gonzales had just turned 40. In spite of the fact that he had been semi-retired for a number of years and that the tournament was held on slow clay courts that penalize serve-and-volley players, Gonzales beat the 1967 defending champion Roy Emerson in the quarterfinals. He then lost in the semifinals to Rod Laver. He lost in the third round of 1968 Wimbledon but later beat the second-seeded Tony Roche in the fourth round of the 1968 US Open, before losing an epic match to the Netherlands' Tom Okker.

Question: When did he play open tennis
Answer: Most of Gonzales's career as a professional took place before the start of the open era of tennis in April 1968,

Question: What happened in that year
Answer: he was therefore ineligible to compete at the Grand Slam events between the end of 1949 (when he turned pro) and the start of the open era in April 1968.

Question: why was he ineligible to compete
Answer: CANNOTANSWER

Question: What happened after that
Answer: In May 1968, he was the first professional to lose to an amateur,

Question: who did he play after


Prompt:
Title: Will Forte

Background: Orville Willis Forte IV was born in Alameda County, California. His father, Orville Willis Forte III, is a financial broker, and his mother, Patricia C. (nee Stivers), is an artist and former schoolteacher. He was raised in Moraga, before moving to Lafayette. He went by Billy in his early years until he was teased at school for it also being a girl's name, at which point he decided he would from there on be known as Will.

Section: Personal life
Passage: Forte is a supporter of the camp Wampler's Kids and recorded a promotional piece at SNL with Will Ferrell. Forte was a childhood friend of founder Steven Wampler and previously the national spokesman for SciEyes, a non-profit organization created to support research, training and public education in stem cell biology and to further the field by recognizing and supporting its potential for creating new therapies for the treatment of blinding and debilitating eye diseases. He was a primary donor towards the establishment of a research fellowship for third-year medical students at Duke Medical Center. He serves on the Board of Directors of the National Policy and Advocacy Council on Homelessness. Forte is especially close with his family. His mother has visited every film set he had worked on and made an appearance on the Mother's Day episode of SNL in which he sang a song to her on Weekend Update. Forte officiated his sister Michelle's wedding and filmed the birth of his niece and nephew. During a conversation with Scott Aukerman on the podcast Comedy Bang! Bang!, Forte discussed his parents' divorce and the family's decision to have Christmas together after his father's second divorce. During the same interview, Forte joked about his obsessive-compulsive disorder (OCD) tendencies with a story of listening to only one song in his office at SNL for an entire year because he wanted to challenge himself. During an interview with Larry King, Forte discussed his OCD as a challenge he had to overcome but not one he wished he did not have, as it is a part of his personality. In a feature on him and his new Fox series in February 2015, the writer of the article said that Forte mentioned OCD often but it was not clear if he had ever been formally diagnosed, though Forte related how he and a former girlfriend had gone through an OCD questionnaire and it concluded that Forte "should immediately talk to someone about this". Forte currently resides in Santa Monica, California. He purchased his home just two weeks before joining SNL and being forced to move to New York City; "It was not the greatest timing," he later said.

Question: dd he graduate?
Answer: CANNOTANSWER

Question: when did he graduate?
Answer: CANNOTANSWER

Question: did he marry?
Answer: CANNOTANSWER

Question: Does he have any kids?
Answer: CANNOTANSWER

Question: What influenced him?
Answer: Forte was a childhood friend of founder Steven Wampler and previously the national spokesman for SciEyes,

Question: What was life ike growing up?
Answer: Forte is a supporter of the camp Wampler's Kids and recorded a promotional piece at SNL with Will Ferrell.

Question: Are there any other interesting aspects about this article?


Prompt:
Title: Nikos Galis

Background: Nikolaos Georgalis (Greek: Nikolaos Georgales; born July 23, 1957), commonly known as either Nikos Galis (Greek: Nikos Gkales), or Nick Galis, is a retired Greek American professional basketball player. He was named one of FIBA's 50 Greatest Players in 1991, is an inaugural member of the FIBA Hall of Fame and was chosen as one of the 50 Greatest EuroLeague Contributors in 2008. Galis is widely regarded as one of Europe's greatest scorers to ever play the game, as well as one of the all-time greatest players in FIBA international basketball history. In 2017, he was inducted into the Naismith Memorial Basketball Hall of Fame.

Section: Greek career
Passage: Galis made the move across the Atlantic, and signed to play with Aris of Thessaloniki, Greece, in 1979. Panathinaikos and Olympiacos had also shown some interest in signing the newcomer, but it was Aris' interest that was the most persuasive. His move to the country helped Greek basketball reach heights never before imagined. In 1983, while playing in a game with the Greek national team against the North Carolina Tar Heels at Chapel Hill, Greece's shooting guard Galis, while being guarded by North Carolina's shooting guard Michael Jordan, scored 50 points during the game. He played in the 1986 FIBA World Championship, where he led all players in scoring average, with 33.5 points per game. In that tournament, he had a 53-point outburst against the Panamanian national basketball team. Galis next led the Greek national basketball team to the EuroBasket 1987 gold medal. Averaging 37.0 points per game during the tournament, he was named the MVP of the tournament, after scoring 40 points in the final against the Soviet Union national basketball team and its legendary player, Sarunas Marciulionis, for a 103-101 victory. Galis also led Greece to the second place at the EuroBasket 1989, averaging 35.6 points per game. Galis is most remembered from that tournament, for a stunning effort against the Soviet team led by Marciulionis, and its other star player, Arvydas Sabonis, in the semifinal game. He scored 45 out of his team's 81 total points in a dramatic, last-gasp 81-80 victory. The Greek team then settled for a second-place finish, after losing against the ever-dominant Yugoslavian national basketball team in the tournament's final.

Question: What team did Galis play for in Greece?
Answer: Aris of Thessaloniki, Greece,

Question: What position did he play for them?
Answer: shooting guard

Question: was he successful on that team?
Answer: He played in the 1986 FIBA World Championship, where he led all players in scoring average, with 33.5 points per game.

Question: Did they win that world championship?
Answer: CANNOTANSWER

Question: did he play for any other teams in greece?
Answer: CANNOTANSWER

Question: What other victories did he have while playing in greece?
Answer: Galis next led the Greek national basketball team to the EuroBasket 1987 gold medal.

Question: Who did they win against for the gold medal?
Answer: the Soviet Union national basketball team and its legendary player, Sarunas Marciulionis,

Question: which tournament was that?

EuroBasket 1987
EuroBasket 1987 gold medal.
EuroBasket 1989,


Prompt:
Title: Paul Simon

Background: Paul Frederic Simon (born October 13, 1941) is an American singer-songwriter and actor. Simon's musical career has spanned seven decades, with his fame and commercial success beginning as half of the duo Simon & Garfunkel, formed in 1964 with Art Garfunkel. Simon was responsible for writing nearly all of the pair's songs, including three that reached number one on the U.S. singles charts: "The Sound of Silence", "Mrs. Robinson", and "Bridge over Troubled Water". The duo split up in 1970 at the height of their popularity and Simon began a successful solo career, recording three acclaimed albums over the next five years.

Section: 1971-1976
Passage: After Simon and Garfunkel split in 1970, Simon began writing and recording solo material again. His album Paul Simon was released in January 1972, preceded by his first experiment with world music, the Jamaican-inspired "Mother and Child Reunion", at the time one of the few songs by a non-Jamaican musician to use prominent elements of reggae. The single was a hit, reaching both the American and British Top 5. The album received universal acclaim, with critics praising the variety of styles and the confessional lyrics, reaching No. 4 in the U.S. and No. 1 in the UK and Japan. It later spawned another Top 30 hit with "Me and Julio Down by the Schoolyard". Simon's next project was the pop-folk album, There Goes Rhymin' Simon, released in May 1973. It contained some of his most popular and polished recordings. The lead single, "Kodachrome," was a No. 2 hit in America, and the follow-up, the gospel-flavored "Loves Me Like a Rock" was even bigger, topping the Cashbox charts. Other songs like the weary "American Tune" or the melancholic "Something So Right" -- a tribute to Simon's first wife, Peggy, which received a Grammy Award nomination for Best Song of the Year -- became standards in the musician's catalog. Critical and commercial reception for this second album was even stronger than for his debut. At the time, reviewers noted how the songs were fresh and unworried on the surface, while still exploring socially and politically conscious themes on a deeper level. The album reached No. 1 on the Cashbox album charts. As a souvenir for the tour that came next, in 1974 it was released as a live album, Live Rhymin', which was moderately successful and displayed some changes in Simon's music style, adopting world and religious music. Highly anticipated, Still Crazy After All These Years was his next album. Released in October 1975 and produced by Simon and Phil Ramone, it marked another departure. The mood of the album was darker, as he wrote and recorded it in the wake of his divorce. Preceded by the feel-good duet with Phoebe Snow, "Gone at Last" (a Top 25 hit) and the Simon & Garfunkel reunion track "My Little Town" (a No. 9 on Billboard), the album was his only No. 1 on the Billboard charts to date. The 18th Grammy Awards named it the Album of the Year and Simon's performance the year's Best Male Pop Vocal. With Simon in the forefront of popular music, the third single from the album, "50 Ways to Leave Your Lover" reached the top spot of the Billboard charts, his only single to reach No. 1 on this list. Also, on May 3, 1976, Simon put together a benefit show at Madison Square Garden to raise money for the New York Public Library. Phoebe Snow, Jimmy Cliff and the Brecker Brothers also performed. The concert produced over $30,000 for the Library.

Question: What happened in 1971?
Answer: CANNOTANSWER

Question: What songs did he write and record?
Answer: "American Tune" or the melancholic "Something So Right" --

Question: Did he produce any solo albums?


Prompt:
Title: Bill Russell

Background: William Felton Russell (born February 12, 1934) is an American retired professional basketball player. Russell played center for the Boston Celtics of the National Basketball Association (NBA) from 1956 to 1969. A five-time NBA Most Valuable Player and a twelve-time All-Star, he was the centerpiece of the Celtics dynasty, winning eleven NBA championships during his thirteen-year career. Russell ties the record for the most championships won by an athlete in a North American sports league (with Henri Richard of the National Hockey League).

Section: As a competitor
Passage: Russell was driven by "a neurotic need to win", as his Celtic teammate Heinsohn observed. He was so tense before every game that he regularly vomited in the locker room; early in his career it happened so frequently that his fellow Celtics were more worried when it did not happen. Later in Russell's career, Havlicek said of his teammate and coach that he threw up less often than early in his career, only doing so "when it's an important game or an important challenge for him--someone like Chamberlain, or someone coming up that everyone's touting. [The sound of Russell throwing up] is a welcome sound, too, because it means he's keyed up for the game, and around the locker room we grin and say, "Man, we're going to be all right tonight." In a retrospective interview, Russell described the state of mind he felt he needed to enter in order to be able to play basketball as, "I had to almost be in a rage. Nothing went on outside the borders[] of the court. I could hear anything, I could see anything, and nothing mattered. And I could anticipate every move that every player made." Russell was also known for his natural authority. When he became player-coach in 1966, Russell bluntly said to his teammates that "he intended to cut all personal ties to other players", and seamlessly made the transition from their peer to their superior. Russell, at the time his additional role of coach was announced, publicly stated he believed Auerbach's (who he regarded as the greatest of all coaches) impact as a coach confined every or almost every relationship with each Celtic player to a strictly professional one.)

Question: How was Russell as a competitor?
Answer: Russell was driven by "a neurotic need to win",

Question: How did other athletes like him?
Answer: CANNOTANSWER

Question: What aspect of the game was he the best at?
Answer: Russell was also known for his natural authority.

Question: Did he win any major games?

CANNOTANSWER
Not enough information
Cannot answer
Do not know


Prompt:
Title: John Sebastian

Background: Sebastian was born in New York City and grew up in Italy and Greenwich Village. His father, John Sebastian (ne Pugliese), was a noted classical harmonica player and his mother, Jane, was a radio script writer. His godmother was Vivian Vance ("Ethel Mertz" of I Love Lucy), who was a close friend of his mother. His godfather and first babysitter was children's book illustrator Garth Williams, a friend of his father.

Section: The Lovin' Spoonful
Passage: Sebastian was joined by Zal Yanovsky, Steve Boone, and Joe Butler in the Spoonful, which was named after "The Coffee Blues," a Mississippi John Hurt song. The Lovin' Spoonful, which blended folk-rock and pop with elements of blues, country, and jug band music, became part of the American response to the British Invasion, and was noted for such hits as "Do You Believe in Magic", "Summer in the City", "Daydream", "Did You Ever Have to Make Up Your Mind?", "You Didn't Have to Be So Nice", "Darling Be Home Soon", "Jug Band Music", "Rain on the Roof", "Nashville Cats", and "Six O'Clock". The band, however, began to implode after a 1967 marijuana bust in San Francisco involving Yanovsky, a Canadian citizen. Facing deportation, he revealed the name of his dealer to police, which caused a fan backlash and added to the internal tension already created by the band members' diverging interests. Neither Sebastian nor Butler was involved in the matter, both being away from San Francisco at the time. Yanovsky subsequently left the band and was replaced by Jerry Yester, after which the band's musical style veered away from its previous eclectic blend and became more pop-oriented. Sebastian left the Lovin' Spoonful in 1968 and did not play with any later versions of the band, except for a brief reunion with the other three original members to appear in Paul Simon's 1980 film One-Trick Pony, and again for a single performance at their Rock and Roll Hall of Fame induction ceremony in 2000.

Question: What is the Lovin Spoonful?
Answer: The Lovin' Spoonful, which blended folk-rock and pop with elements of blues, country, and jug band music,

Question: Was this the name of an album?
Answer: CANNOTANSWER

Question: Did John Sebastian get married?

CANNOTANSWER
Not enough information
Cannot answer
Do not know


Prompt:
Title: Canned Heat

Background: Canned Heat is an American rock band formed in Los Angeles in 1965. The group has been noted for its interpretations of blues material and for its efforts to promote interest in this type of music and its original artists. It was launched by two blues enthusiasts, Alan Wilson and Bob Hite, who took the name from Tommy Johnson's 1928 "Canned Heat Blues", a song about an alcoholic who had desperately turned to drinking Sterno, generically called "canned heat" (from the original 1914 product name Sterno Canned Heat), After appearances at the Monterey and Woodstock festivals at the end of the 1960s, the band acquired worldwide fame with a lineup consisting of Hite (vocals), Wilson (guitar, harmonica and vocals), Henry Vestine and later Harvey Mandel (lead guitar), Larry Taylor (bass), and Adolfo de la Parra (drums).

Section: Hooker 'n Heat and the death of Wilson
Passage: With Taylor and Mandel gone, Vestine returned on guitar, accompanied by bassist Antonio de la Barreda who had played with de la Parra for five years in Mexico City and was previously a member of the groups Jerome and Sam & the Goodtimers. This lineup went into the studio to record with John Lee Hooker the tracks that would yield the double album, Hooker 'n Heat. The band had originally met Hooker at the airport in Portland, Oregon, and discovered they were fans of each other's work. Hooker and Canned Heat became good friends and Hooker had stated that Wilson was "the greatest harmonica player ever". The planned format for the sessions called for Hooker to perform a few songs by himself, followed by some duets with Wilson playing piano or guitar. The rest of the album featured Hooker with some backing by the group (sans Bob Hite, who co-produced the album along with Skip Taylor). The album was finished after Wilson's passing and became the first album in Hooker's career to make the charts, topping out at #73 in February 1971. Hooker 'n Heat would unite again in 1978 and record a live album at the Fox Venice Theatre in Los Angeles, released in 1981 as, Hooker 'n Heat, Live at the Fox Venice Theatre, under Rhino Records. Also in 1989, Canned Heat (and many others) guested on John Lee Hooker's album The Healer. Shortly after the original Hooker 'n Heat sessions, Wilson, who had always suffered from depression, was said by some to have attempted suicide by driving his van off the road near Hite's home in Topanga Canyon. Unlike other members of the band, Wilson did not have much success with women and was deeply upset and frustrated by this. His depression also worsened over time. On September 3, 1970, just prior to leaving for a festival in Berlin, the band learned of Wilson's death by barbiturate overdose; his body was found on a hillside behind Hite's home. De la Parra and other members of the band believed that his death was a suicide. Wilson died at the age of 27, just weeks before Janis Joplin and Jimi Hendrix.

Question: was hooker n heat an album
Answer: double album,

Question: What year did wilson die
Answer: 1970,

Question: how did he die
Answer: barbiturate overdose;

Question: where was he
Answer: his body was found on a hillside behind Hite's home.

Question: Was he partying with hite
Answer: CANNOTANSWER

Question: Where was he burried
Answer: CANNOTANSWER

Question: What else can you tell me interesting
Answer: The album was finished after Wilson's passing and became the first album in Hooker's career to make the charts, topping out at #73 in February 1971.

Question: did he win any other awards

CANNOTANSWER
Not enough information
Cannot answer
Do not know


Prompt:
Title: Train (band)

Background: Train is an American rock band from San Francisco, formed in 1993. The band currently consists of Patrick Monahan (lead vocals), Luis Maldonado (guitar), Hector Maldonado (bass, vocals), Drew Shoals (drums), Jerry Becker (keyboards, guitar), Sakai Smith (backup vocals), and Nikita Houston (backup vocals). With a lineup that included original members Monahan, Rob Hotchkiss, Jimmy Stafford, Scott Underwood, and Charlie Colin, the band achieved mainstream success with their debut album Train, which was released in 1998 with the hit "Meet Virginia". Train's 2001 album, Drops of Jupiter contained the lead single "Drops of Jupiter (Tell Me)", which won two Grammy Awards in 2002.

Section: 2001-2002: Drops of Jupiter
Passage: Drops of Jupiter, the band's second album, was produced by Brendan O' Brien, who has also worked with artists such as Pearl Jam, King's X, Bob Dylan, Bruce Springsteen & The E-Street Band and Neil Young. Before the release of the second album, the band released the single "Drops of Jupiter (Tell Me)". The song was a massive hit; it entered the Hot 100 on March 10, 2001, and spent over a year on the chart (54 weeks) before being relegated to the recurrents chart. The song won a Grammy Award for Best Rock Song, as well as a Grammy Award for Best Arrangement, which was written by Paul Buckmaster, known for his string arrangements for Elton John. (The band reportedly hired Buckmaster expressly to create a sound similar to his arrangement for John's "Burn Down The Mission".) The album Drops of Jupiter was released on March 27, 2001, and became Train's first multi-platinum album, with the success of the lead single. The album was Train's first top ten album, peaking at number six on the Billboard 200. The album was also a top ten hit in the United Kingdom, where it peaked at number eight. "She's on Fire", the second single from Drops of Jupiter was a modest success and was featured in the 2001 comedy The Animal and the 2003 animated comedy Rugrats Go Wild. The album was eventually certified double platinum in the United States and in Canada. It was also certified gold in Australia. During the Drops of Jupiter tour, the band released a live DVD of a sold out concert in the band's hometown of San Francisco at The Warfield. The DVD was titled "Midnight Moon" and featured Train's hits from the first two albums among others. The concert was recorded on May 26, 2001.

Question: What is the drops of Jupiter?
Answer: Drops of Jupiter, the band's second album,

Question: When was the album released?
Answer: it entered the Hot 100 on March 10, 2001,

Question: Did them winning get any other reorganization or was it featured somewhere else?


Prompt:
Title: Willie McCovey

Background: Willie Lee McCovey (born January 10, 1938), nicknamed "Mac", "Big Mac", and "Stretch", is an American former Major League Baseball first baseman. He played nineteen seasons for the San Francisco Giants, and three more for the San Diego Padres and Oakland Athletics, between 1959 and 1980. He batted and threw left-handed and was inducted into the Baseball Hall of Fame in 1986. One of the most intimidating power hitters of his era, McCovey was called "the scariest hitter in baseball" by pitcher Bob Gibson, an assessment with which Reggie Jackson concurred.

Section: Return to San Francisco (1977-80)
Passage: McCovey returned to the Giants in 1977. With Hank Aaron and Frank Robinson having retired at the end of the 1976 season with 755 and 586 home runs respectively, McCovey began 1977 as the active home run leader with 465. That year, during a June 27 game against the Cincinnati Reds, he became the first player to hit two home runs in one inning twice in his career (the first was on April 12, 1973), a feat since accomplished by only Andre Dawson and Jeff King. One was a grand slam and he became the first National Leaguer to hit seventeen. At age 39, he had 28 home runs and 86 RBI and was named the Comeback Player of the Year. On June 30, 1978, at Atlanta's Fulton County Stadium, McCovey hit his 500th home run, and two years later, on May 3, 1980, at Montreal's Olympic Stadium, McCovey hit his 521st and last home run, off Scott Sanderson of the Montreal Expos. This home run gave McCovey the distinction, along with Ted Williams (with whom he was tied in home runs), Rickey Henderson, and Omar Vizquel of homering in four different decades: the 1950s, 60s, 70s, and 80s. McCovey is one of only 29 players in baseball history to date to have appeared in Major League baseball games in four decades. In his 22-year career, McCovey batted .270, with 521 home runs and 1,555 RBI, 1,229 runs scored, 2,211 hits, 353 doubles, 46 triples, a .374 on-base percentage and a .515 slugging percentage. He also hit 18 grand slam home runs in his career, which is still a National League record.

Question: Why did Willie McCovey return to san francisco?
Answer: CANNOTANSWER

Question: Was he successful as being the active home run leader?


Prompt:
Title: B'z

Background: B'z (bizu, Bizu) is a Japanese rock duo, consisting of guitarist, composer and producer Takahiro "Tak" Matsumoto (Song Ben  Xiao Hong , Matsumoto Takahiro) and vocalist and lyricist Koshi Inaba (Dao Xie  Hao Zhi , Inaba Koshi), known for their energetic hard-rock tracks and pop ballads. B'z is one of the best-selling music artists in the world and the best-selling in their native Japan, having released 46 consecutive No. 1 singles, 25 No. 1 albums and sold more than 100 million records worldwide. In 2003, HMV Japan ranked the band at number 30 on their list of the 100 most important Japanese pop acts.

Section: Early works (1988-1990)
Passage: Tak Matsumoto, guitarist in Tetsuya Komuro's TM Network, had been extremely busy with various recording sessions and live performances. On 21 May 1988, Matsumoto released his first solo album, Thousand Wave. He saw this as the end of his solo career, and began his search for band members. He later met vocalist Koshi Inaba, who would later found B'z with him. At the time, Japan's music scene was loaded with many new bands being created. With all the digital sounds in mainstream music, the only sounds that they felt could not be expressed and replicated were the guitar and the human voice. As a result, they decided to keep it a two-man unit. On 21 September 1988, B'z made their debut with their first album, B'z, and single, "Dakara Sono Te o Hanashite (dakarasonoShou woLi shite)". Their music was very much a product of its times, with synthesizers and samplers sharing equal time with Matsumoto's guitar, producing an experimental sound, very different from their well-known hard rock sound of today. Instead of immediately performing live after a debut album, as many Japanese bands were doing, B'z chose to have a clear vision of how they wanted to perform and decided to wait until they had enough material to play for at least 90 minutes. The two concentrated on recording, raising the quality of their music. Their efforts resulted in a second album, Off the Lock, released on 21 May 1989. With this second album came their first series of live performances, known better to their fans as "Live-Gym". "Live-Gym No. 00" started in Nagoya, continuing into Osaka, and finished in Tokyo. Tickets were sold out on the day they became available. On 21 October, their first mini album, Bad Communication was released. The title track was a blend of rock and dance music, and is still a classic played during their "Live-Gyms." It charted for 163 weeks on the Oricon Charts. Their first nationwide tour, B'z Live-Gym No. 001, covered 16 shows around Japan. On 21 February 1990, their third album Break Through was released. To promote it, they started a tour with 22 shows nationwide. Their single "Taiyo no Komachi Angel", was released on 13 June and peaked at No. 1 on the Oricon Chart. Every single since that release has debuted at No. 1 on the Oricon charts. Wicked Beat, their second mini album, was then released on 21 June. In contrast to the many promotional efforts for Break Through, Wicked Beat received little promotion and the duo went back to the studio and began recording. Their 4th album, Risky was released on 7 November and went platinum. Their "Risky" tour, totaling 49 performances, also started in November. Their first music video, Film Risky, was recorded in New York City and London within 4 weeks, and was released on 16 December. With a barrage of releases, 1990 came to be the busiest year for B'z.

Question: What were some of the early works released?
Answer: On 21 September 1988, B'z made their debut with their first album, B'z,

Question: Are there any other interesting aspects about this article?
Answer: With all the digital sounds in mainstream music, the only sounds that they felt could not be expressed and replicated were the guitar and the human voice.

Question: Did they tour at all?
Answer: Their first nationwide tour, B'z Live-Gym No. 001, covered 16 shows around Japan.

Question: Did they work with any other artists?

CANNOTANSWER
Not enough information
Cannot answer
Do not know


Prompt:
Title: British Band

Background: The British Band was a mixed-nation group of Native Americans commanded by the Sauk leader Black Hawk, which fought against Illinois and Michigan Territory militias during the 1832 Black Hawk War. The band was composed of about 1,500 men, women, and children from the Sauk, Meskwaki, Fox, Kickapoo, Potawatomi, Ho-Chunk, and Ottawa nations; about 500 of that number were warriors. Black Hawk had an alliance with the British that dated from the War of 1812, giving them their colloquial name. The band crossed the Mississippi River from Iowa into Illinois in an attempt to reclaim their homeland and in violation of several treaties.

Section: Incursion
Passage: Sauk warrior Black Hawk, the leader of a band of Sauks near Rock Island at Saukenuk, was always in opposition to ceding Native American lands to white settlers and their governments. Black Hawk supported the invalidity of the Treaty of St. Louis (1804) of both the Sauk and Fox nations negotiated with the then Indiana Territory Governor William Henry Harrison. The treaty ceded territory, including Black Hawk's birthplace Saukenuk, to the United States. The Sauk are a consensus decision making society. Their representatives exceeded the authorization of merely taking under consideration what terms the United States government might put forth, bring them back to reach a consensus and then return with their treaty terms. The lack of the tribe discussing the treaty prior to being made official made it invalid by Black Hawk and other members of the tribe. The representatives never had the tribal authorization to unilaterally cede its lands. During the War of 1812 between the United Kingdom and the United States, Colonel Robert Dickson, an English fur trader, amassed a sizable force of Native Americans at Green Bay to assist the British in operations around the Great Lakes. Most of the warriors Dickson assembled were from the Potawatomi, Ho-Chunk, Kickapoo and Ottawa tribes. Dickson bestowed the rank of brevet Brigadier General on Black Hawk. He was given command of all Native Americans gathered at Green Bay, including the 200 Sauk warriors under Black Hawk's control. Black Hawk was then presented with a silk flag, a medal, and a written certificate of good behavior and alliance with the British. The certificate would be found 20 years later, after the Battle of Bad Axe, carefully preserved along with a flag similar to the one Dickson gave to Black Hawk. During the 1812 war, Black Hawk and his warriors fought in several engagements with Henry Procter on the borders of Lake Erie. He returned home to Saukenuk to find his rival Keokuk had become the tribe's war chief. After the war ended, Black Hawk signed a peace treaty in May 1816 that re-affirmed the treaty of 1804, a provision Black Hawk later protested ignorance of. Despite opposition by Keokuk and the US authorities, Black Hawk's band returned to Saukenuk in 1830 following their winter hunt. A year later they returned again, and Illinois Governor John Reynolds proclaimed it an "invasion of the state." Responding to Illinois Governor John Reynolds' call, General Edmund Pendleton Gaines brought his federal troops from St. Louis, Missouri to Saukenuk to insist on Black Hawk's immediate departure. Black Hawk left but soon returned to the west side of the Mississippi, threatened by Gaines' troops and an additional 1,400 militia called up by Reynolds on 25 June 1831. On 30 June, Black Hawk and the chiefs of the British Band were forced to sign a surrender agreement in which they promised to remain west of the Mississippi. At the end of 1831, stories spread throughout the settlements of the Upper Mississippi River Valley that the British planned to aid Black Hawk in the event of a war with the white settlers. According to U.S. Indian Agent Felix St. Vrain, a known ne'er-do-well named Billy Caldwell had delivered a message to the Sauk which reported the alleged British intentions. The New Galenian of Galena reported that Black Hawk's band would receive aid and ammunition from the British, and the tale was widely believed. The militia commander at Fort Armstrong, Major John Bliss, informed General Henry Atkinson of the rumor, and said a follower of Keokuk had reported to him that Black Hawk and Neapope were holding talks with bands of Potawatomi, Kickapoo, and Ho-Chunk. The talks mentioned the promises of the British, as well as word that the French Canadians intended to assist them. These events, combined with Black Hawk's 1812 alliance with the British, and occasional visits to Canada, attributed to his 1832 band becoming known by the moniker British Band. The term British Band was used frequently by American, Sauk, and Fox observers alike and served to distinguish Black Hawk's group from the rest of the tribes. When Black Hawk's Band crossed the Mississippi River from Iowa in April 1832 to return to their homeland in the Rock River Valley, it was under a British flag. Potawatomi Chief Shabbona stated it was the same flag that had been given on a visit to the British in Malden, Ontario, Canada. Observers at the time, from George Davenport, to St. Vrain, were certain that Black Hawk's intentions were to wage war against the United States. Historians generally believe that a more decisive action by General Atkinson, charged with prosecuting the war, in stopping Black Hawk's Band from moving up the Rock River may have prevented the war. Zachary Taylor made similar observations shortly after the war ended. In response to Black Hawk and his band's movements, Governor Reynolds issued a proclamation on 16 April, mustering five brigades of volunteers to form at Beardstown and to head north to force Black Hawk out of Illinois. Although one-third of all federal troops from the United States Army were eventually involved in the conflict, the 9,000 soldiers from the Illinois Militia provided the majority of U.S. combatants. The first named confrontation of the Black Hawk War occurred on 14 May 1832 and resulted in an unexpected victory for Black Hawk's band of Sauk and Fox warriors over the disorganized militia under the command of Isaiah Stillman. Soon after the Battle of Stillman's Run, at present-day Stillman Valley, the exaggerated claim that 2,000 "bloodthirsty warriors ... sweeping all northern Illinois with the bosom of destruction" sent shock waves of terror through the region. After this initial skirmish, Black Hawk led many of the civilians in his band to the Michigan Territory. On 19 May, the militia traveled up the Rock River trailing and searching for Black Hawk and his band. Several small skirmishes and massacres ensued over the next month in northern Illinois and present-day southern Wisconsin before the militia was able to regain public confidence in battles at Horseshoe Bend and Waddams Grove.

Question: what is the icursion about?
Answer: Hawk, the leader of a band of Sauks near Rock Island at Saukenuk, was always in opposition to ceding Native American lands to white settlers and their governments.

Question: Are there any other interesting aspects about this article?
Answer: the leader of a band of Sauks near Rock Island at Saukenuk, was always in opposition to ceding Native American lands to white settlers and their governments.

Question: Why did black hawk support teh invalidity  of the treaty of St. Louis?


Prompt:
Title: The Orb

Background: The Orb are an English electronic music group known for being the pioneers of ambient house. Founded in 1988 by Alex Paterson and The KLF member Jimmy Cauty, the Orb began as ambient and dub DJs in London. Their early performances were inspired by ambient and electronic artists of the 1970s and 1980s, most notably Brian Eno and Kraftwerk. Because of their trippy sound, the Orb developed a cult following among clubbers "coming down" from drug-induced highs.

Section: 2001-2004: Paterson, Fehlmann & Phillips
Passage: In 2001, Alex Paterson formed the record label Badorb.com as an outlet for Orb members' side projects. To promote both Badorb.com and Cydonia, the Orb toured internationally, including their first visit to the United States in four years. NME described the Orb's tour as "charming" and that they were "freed from the Floydian pretensions that dogged the band throughout the mid-'90s". The Orb, now composed of Paterson, Phillips, and Fehlmann, with guest John Roome, accepted an invitation to join the Area:One concert tour with Moby, Paul Oakenfold, New Order and other alternative and electronic artists. Though the Orb were paired with more mainstream artists during the tour such as Incubus, Paterson and Fehlmann made their next releases a series of several low-key EPs for German label Kompakt in 2002. The Orb found critical success on Kompakt; but Badorb.com collapsed soon after releasing the compilation Bless You. Badorb.com had released fourteen records over the course of fourteen months from artists including Guy Pratt (Conduit), Ayumi Hamasaki, and Takayuki Shiraishi, as well as the Orb's three-track Daleth of Elphame EP. Though Badorb.com was an internet-based record label, they only sold vinyl releases (with one exception, the Orb EP), which Paterson later remarked was a poor idea because "not many people... have record players". Though their musical style had changed somewhat since the 1990s, the Orb continued to use their odd synthetic sounds on 2004's Bicycles & Tricycles, to mixed reviews. The Daily Telegraph praised Bicycles & Tricycles as being "inclusive, exploratory, and an enjoyable journey"; other publications dismissed it as "stoner dub" and irrelevant to current electronic music. Like Cydonia, Bicycles & Tricycles featured vocals, including female rapper MC Soom-T who added a hip hop contribution to the album. The Orb left Island Records and released the album on Cooking Vinyl and Sanctuary Records. To promote the album, the band began a UK tour with dub artist Mad Professor. Though the Orb still pulled in large crowds, The Guardian noted that they lacked the intensity found in their earlier performances.

Question: When was this releaed
Answer: Paterson and Fehlmann made their next releases a series of several low-key EPs for German label Kompakt in 2002.

Question: Did they release any other hits?
Answer: CANNOTANSWER

Question: Did they tour any where else?


Prompt:
Title: Bernard Lewis

Background: Bernard Lewis, FBA (born 31 May 1916) is a British American historian specializing in oriental studies. He is also known as a public intellectual and political commentator. Lewis is the Cleveland E. Dodge Professor Emeritus of Near Eastern Studies at Princeton University. Lewis' expertise is in the history of Islam and the interaction between Islam and the West.

Section: Views and influence on contemporary politics
Passage: In 1936, Lewis graduated from the School of Oriental Studies (now School of Oriental and African Studies, SOAS) at the University of London with a BA in history with special reference to the Near and Middle East. He earned his PhD three years later, also from SOAS, specializing in the history of Islam. Lewis also studied law, going part of the way toward becoming a solicitor, but returned to study Middle Eastern history. He undertook post-graduate studies at the University of Paris, where he studied with the orientalist Louis Massignon and earned the "Diplome des Etudes Semitiques" in 1937. He returned to SOAS in 1938 as an assistant lecturer in Islamic History. During the Second World War, Lewis served in the British Army in the Royal Armoured Corps and as a Corporal in the Intelligence Corps in 1940-41 before being seconded to the Foreign Office. After the war, he returned to SOAS. In 1949, at the age of 33, he was appointed to the new chair in Near and Middle Eastern History. In 1974, aged 57, Lewis accepted a joint position at Princeton University and the Institute for Advanced Study, also located in Princeton, New Jersey. The terms of his appointment were such that Lewis taught only one semester per year, and being free from administrative responsibilities, he could devote more time to research than previously. Consequently, Lewis's arrival at Princeton marked the beginning of the most prolific period in his research career during which he published numerous books and articles based on previously accumulated materials. After retiring from Princeton in 1986, Lewis served at Cornell University until 1990. In 1966, Lewis was a founding member of the learned society, Middle East Studies Association of North America (MESA), but in 2007 he broke away and founded Association for the Study of the Middle East and Africa (ASMEA) to challenge MESA, which the New York Sun noted as "dominated by academics who have been critical of Israel and of America's role in the Middle East." The organization was formed as an academic society dedicated to promoting high standards of research and teaching in Middle Eastern and African studies and other related fields, with Lewis as Chairman of its academic council. In 1990, the National Endowment for the Humanities selected Lewis for the Jefferson Lecture, the U.S. federal government's highest honor for achievement in the humanities. His lecture, entitled "Western Civilization: A View from the East", was revised and reprinted in The Atlantic Monthly under the title "The Roots of Muslim Rage." His 2007 Irving Kristol Lecture, given to the American Enterprise Institute, was published as Europe and Islam. Lewis' influence extends beyond academia to the general public. He is a pioneer of the social and economic history of the Middle East and is famous for his extensive research of the Ottoman archives. He began his research career with the study of medieval Arab, especially Syrian, history. His first article, dedicated to professional guilds of medieval Islam, had been widely regarded as the most authoritative work on the subject for about thirty years. However, after the establishment of the state of Israel in 1948, scholars of Jewish origin found it more and more difficult to conduct archival and field research in the Arab countries, where they were suspected of espionage. Therefore, Lewis switched to the study of the Ottoman Empire, while continuing to research Arab history through the Ottoman archives which had only recently been opened to Western researchers. A series of articles that Lewis published over the next several years revolutionized the history of the Middle East by giving a broad picture of Islamic society, including its government, economy, and demographics. Lewis argues that the Middle East is currently backward and its decline was a largely self-inflicted condition resulting from both culture and religion, as opposed to the post-colonialist view which posits the problems of the region as economic and political maldevelopment mainly due to the 19th-century European colonization. In his 1982 work Muslim Discovery of Europe, Lewis argues that Muslim societies could not keep pace with the West and that "Crusader successes were due in no small part to Muslim weakness." Further, he suggested that as early as the 11th century Islamic societies were decaying, primarily the byproduct of internal problems like "cultural arrogance," which was a barrier to creative borrowing, rather than external pressures like the Crusades. In the wake of Soviet and Arab attempts to delegitimize Israel as a racist country, Lewis wrote a study of anti-Semitism, Semites and Anti-Semites (1986). In other works he argued Arab rage against Israel was disproportionate to other tragedies or injustices in the Muslim world, such as the Soviet invasion of Afghanistan and control of Muslim-majority land in Central Asia, the bloody and destructive fighting during the Hama uprising in Syria (1982), the Algerian civil war (1992-98), and the Iran-Iraq War (1980-88). In addition to his scholarly works, Lewis wrote several influential books accessible to the general public: The Arabs in History (1950), The Middle East and the West (1964), and The Middle East (1995). In the wake of the September 11, 2001 attacks, the interest in Lewis's work surged, especially his 1990 essay The Roots of Muslim Rage. Three of his books were published after 9/11: What Went Wrong? (written before the attacks), which explored the reasons of the Muslim world's apprehension of (and sometimes outright hostility to) modernization; The Crisis of Islam; and Islam: The Religion and the People. In the mid-1960s, Lewis emerged as a commentator on the issues of the modern Middle East and his analysis of the Israeli-Palestinian conflict and the rise of militant Islam brought him publicity and aroused significant controversy. American historian Joel Beinin has called him "perhaps the most articulate and learned Zionist advocate in the North American Middle East academic community". Lewis's policy advice has particular weight thanks to this scholarly authority. U.S. Vice President Dick Cheney remarked "in this new century, his wisdom is sought daily by policymakers, diplomats, fellow academics, and the news media." A harsh critic of the Soviet Union, Lewis continued the liberal tradition in Islamic historical studies. Although his early Marxist views had a bearing on his first book The Origins of Ismailism, Lewis subsequently discarded Marxism. His later works are a reaction against the left-wing current of Third-worldism which came to be a significant current in Middle Eastern studies. Lewis advocated closer Western ties with Israel and Turkey, which he saw as especially important in light of the extension of the Soviet influence in the Middle East. Modern Turkey holds a special place in Lewis's view of the region due to the country's efforts to become a part of the West. He is an Honorary Fellow of the Institute of Turkish Studies, an honor which is given "on the basis of generally recognized scholarly distinction and ... long and devoted service to the field of Turkish Studies." Lewis views Christendom and Islam as civilizations that have been in perpetual collision since the advent of Islam in the 7th century. In his essay The Roots of Muslim Rage (1990), he argued that the struggle between the West and Islam was gathering strength. According to one source, this essay (and Lewis' 1990 Jefferson Lecture on which the article was based) first introduced the term "Islamic fundamentalism" to North America. This essay has been credited with coining the phrase "clash of civilizations", which received prominence in the eponymous book by Samuel Huntington. However, another source indicates that Lewis first used the phrase "clash of civilizations" at a 1957 meeting in Washington where it was recorded in the transcript. In 1998, Lewis read in a London-based newspaper Al-Quds Al-Arabi a declaration of war on the United States by Osama bin Laden. In his essay "A License to Kill", Lewis indicated he considered bin Laden's language as the "ideology of jihad" and warned that bin Laden would be a danger to the West. The essay was published after the Clinton administration and the US intelligence community had begun its hunt for bin Laden in Sudan and then in Afghanistan.

Question: What was Bernard's view and influence on contemporary politics?
Answer: Lewis argues that the Middle East is currently backward and its decline was a largely self-inflicted condition resulting from both culture and religion,

Question: Who is the person hat oppose this view?
Answer: CANNOTANSWER

Question: Are there any other interesting aspects about this article?