Prompt:
Title: Ayumi Hamasaki

Background: Ayumi Hamasaki (Bang Qi  ayumi, Hamasaki Ayumi, born October 2, 1978) is a Japanese recording artist, record producer, actress, model, spokesperson and entrepreneur. Through her entire career, she has written all her lyrical content, produced her own music, and has sometimes co-composed her music. Born and raised in Fukuoka, Hamasaki moved to Tokyo at fourteen in 1993 to pursue a career in singing and acting. In 1998, under the tutelage of Avex CEO Max Matsuura, Hamasaki released her debut single "Poker Face" and debut major-label album A Song for XX.

Section: Childhood and early endeavors
Passage: Born in Fukuoka Prefecture, Hamasaki was raised as an only child by her mother and grandmother. Her father had left the family when she was three and never again came into contact with her. Hamasaki's mother worked to support the family, so Hamasaki was primarily taken care of by her grandmother. She described herself as a "tomboy" when she was a teenager, and as a "strange kid" who "liked to be alone". At age seven, Hamasaki began modeling for local institutions, such as banks, in order to supplement the family's income. She continued this career path by leaving her family at fourteen and moving to Tokyo as a model under SOS, a talent agency. Her modeling career did not last long; SOS eventually deemed her too short for a model and transferred her to Sun Music, a musicians' agency. Under the name of "Ayumi", Hamasaki released a rap EP, Nothing from Nothing, on the Nippon Columbia label in 1995. She was dismissed from the label when the album failed to chart on the Oricon. After this failure, Hamasaki took up acting and starred in B-movies such as Ladys Ladys!! Socho Saigo no Hi and television dramas such as Miseinen, which were poorly received by the public. From August 1995 to March 1996, Hamasaki also co-hosted the SoundLink "magazine" Hokago no Osama (After-school King) for the Nintendo Satellaview once a week with Shigeru Izumiya. Growing dissatisfied with her job, Hamasaki quit acting and moved in with her mother, who had recently moved to Tokyo. Hamasaki was initially a good student, earning good grades in junior high school. Eventually, she lost faith in the curriculum, thinking that the subjects taught were of no use to her. Her grades worsened as she refused to put her mind to her studies. While living in Tokyo, she attempted to further her studies at Horikoshi Gakuen, a high school for the arts, but dropped out in the first year. Hamasaki did not attend school or have a job, so she spent much of her time shopping at Shibuya boutiques and dancing at Velfarre, an Avex-owned disco club. At Velfarre, she was introduced to her future producer, Max Matsuura, through a friend. After hearing Hamasaki sing karaoke, Matsuura offered her a recording deal, but Hamasaki suspected ulterior motives and turned the offer down. He persisted and succeeded in recruiting her for the Avex label in the following year. Hamasaki started vocal training, but skipped most of her classes after finding her instructors to be too rigid and the classes dull. When she confessed this to Matsuura, he sent her to New York to train her vocals under another method. During her foreign sojourn, Hamasaki frequently corresponded with Matsuura and impressed him with her style of writing. On her return to Japan, he suggested that she try writing her own lyrics.

Question: What did she do in her childhood that's of importance?
Answer: Born in Fukuoka Prefecture, Hamasaki was raised as an only child by her mother and grandmother. Her father had left the family when she was three

Question: Why did he leave?
Answer: CANNOTANSWER

Question: What were some of her early endeavors?
Answer: At age seven, Hamasaki began modeling for local institutions,

Question: Where did she model?
Answer: for local institutions, such as banks, in order to supplement the family's income.

Question: Was she successful?
Answer: She continued this career path by leaving her family at fourteen and moving to Tokyo as a model under SOS, a talent agency. Her modeling career did not last long;

Question: Did she work with anyone of note?


Prompt:
Title: Ernest Shackleton

Background: Sir Ernest Henry Shackleton  (; 15 February 1874 - 5 January 1922) was a polar explorer who led three British expeditions to the Antarctic, and one of the principal figures of the period known as the Heroic Age of Antarctic Exploration. Born in Kilkea, Athy, County Kildare, Ireland, Shackleton and his Anglo-Irish family moved to Sydenham in suburban south London when he was ten. His first experience of the polar regions was as third officer on Captain Robert Falcon Scott's Discovery Expedition 1901-1904, from which he was sent home early on health grounds, after he and his companions Scott and Edward Adrian Wilson set a new southern record by marching to latitude 82degS.

Section: Between the Discovery and Nimrod expeditions, 1903-07
Passage: After a period of convalescence in New Zealand, Shackleton returned to England via San Francisco and New York. As the first significant person to return from the Antarctic, he found that he was in demand; in particular, the Admiralty wished to consult him about its further proposals for the rescue of Discovery. With Sir Clements Markham's blessing, he accepted a temporary post assisting the outfitting of the Terra Nova for the second Discovery relief operation, but turned down the offer to sail with her as chief officer. He also assisted in the equipping of the Argentinean corvette Uruguay, which was being fitted out for the relief of the stranded Swedish Antarctic Expedition under Nordenskiold. In search of more permanent employment, Shackleton applied for a regular commission in the Royal Navy, via the back-door route of the Supplementary List, but despite the sponsorship of Markham and of the president of the Royal Society, he was not successful. Instead, he became a journalist, working for the Royal Magazine, but he found this unsatisfactory. He was then offered, and accepted, the secretaryship of the Royal Scottish Geographical Society (RSGS), a post which he took up on 11 January 1904. On 9 April 1904 he married Emily Dorman, with whom he had three children: Raymond, Cecily, and Edward. In 1905, Shackleton became a shareholder in a speculative company that aimed to make a fortune transporting Russian troops home from the Far East. Despite his assurances to Emily that "we are practically sure of the contract", nothing came of this scheme. He also ventured into politics, unsuccessfully standing in the 1906 General Election as the Liberal Unionist Party's candidate for Dundee in opposition to Irish Home Rule. In the meantime he had taken a job with wealthy Clydeside industrialist William Beardmore (later Lord Invernairn), with a roving commission which involved interviewing prospective clients and entertaining Beardmore's business friends. Shackleton by this time was making no secret of his ambition to return to Antarctica at the head of his own expedition. Beardmore was sufficiently impressed with Shackleton to offer financial support, but other donations proved hard to come by. Nevertheless, in February 1907, Shackleton presented to the Royal Geographical Society his plans for an Antarctic expedition, the details of which, under the name British Antarctic Expedition, were published in the Royal Society's newsletter, Geographical Journal. The aim was the conquest of both the geographical South Pole and the South Magnetic Pole. Shackleton then worked hard to persuade others of his wealthy friends and acquaintances to contribute, including Sir Philip Lee Brocklehurst, who subscribed PS2,000 (2011 equivalent PS157,000) to secure a place on the expedition; author Campbell Mackellar; and Guinness baron Lord Iveagh, whose contribution was secured less than two weeks before the departure of the expedition ship Nimrod. On 4 August 1907, Shackleton was appointed a Member of the Royal Victorian Order, 4th Class (MVO; the present-day grade of Lieutenant).

Question: What happened in 1903
Answer: As the first significant person to return from the Antarctic, he found that he was in demand;

Question: In demand for what
Answer: the Admiralty wished to consult him about its further proposals for the rescue of Discovery.

Question: What are some other interesting aspects about this article?
Answer: In search of more permanent employment, Shackleton applied for a regular commission in the Royal Navy, via the back-door route of the Supplementary List,

Question: Why was it unsatisfactory

CANNOTANSWER
Not enough information
Cannot answer
Do not know


Prompt:
Title: Robert M. Price

Background: Robert McNair Price (born July 7, 1954) is an American theologian and writer, known for arguing against the existence of a historical Jesus (the Christ myth theory). He taught philosophy and religion at the Johnnie Colemon Theological Seminary. He is a professor of biblical criticism at the Center for Inquiry Institute, and the author of a number of books on theology and the historicity of Jesus. A former Baptist minister, he was the editor of the Journal of Higher Criticism from 1994 until it ceased publication in 2003.

Section: Hero archetype
Passage: He views Jesus of Nazareth as an invented figure conforming to the Rank-Raglan mythotype.  In the documentary The God Who Wasn't There, Price supports a version of the Christ myth theory, suggesting that the early Christians adopted the model for the figure of Jesus from the popular Mediterranean dying-rising saviour myths of the time, such as that of Dionysus. He argues that the comparisons were known at the time, as early church father Justin Martyr had admitted the similarities. Price suggests that Christianity simply adopted themes from the dying-rising god stories of the day and supplemented them with themes (escaping crosses, empty tombs, children being persecuted by tyrants, etc.) from the popular stories of the day in order to come up with the narratives about Christ. [Per the Kyrios Christos Cult] The ancient Mediterranean world was hip-deep in religions centering on the death and resurrection of a savior god. [...] It is very hard not to see extensive and basic similarities between these religions and the Christian religion. But somehow Christian scholars have managed not to see it, and this, one must suspect, for dogmatic reasons. [...] But it seems to me that the definitive proof that the resurrection of the Mystery Religion saviors preceded Christianity is the fact that ancient Christian apologists did not deny it! [...] A Christ religion modeled after a Mystery cult is a Mystery cult, [and against Mack's Christ cult] a Christ cult worthy of the name. This is what we expect Burton Mack to be talking about when he talks about Christ cults. Price notes that historians of classical antiquity approached mythical figures such as Heracles by rejecting supernatural tales while doggedly assuming that "a genuine historical figure" could be identified at the root of the legend. He describes this general approach as Euhemerism, and argues that most historical Jesus research today is also Euhemerist. Price argues that Jesus is like other ancient mythic figures, in that no mundane, secular information seems to have survived. Accordingly, Jesus also should be regarded as a mythic figure. But, Price admits to some uncertainty in this regard. He writes at the conclusion of his 2000 book Deconstructing Jesus: "There may have been a real figure there, but there is simply no longer any way of being sure."

Question: why was he a hero?
Answer: CANNOTANSWER

Question: Are there any other interesting aspects about this article?
Answer: He views Jesus of Nazareth as an invented figure conforming to the Rank-Raglan mythotype.

Question: why were these his views?
Answer: suggesting that the early Christians adopted the model for the figure of Jesus from the popular Mediterranean dying-rising saviour myths of the time,

Question: did they adopt it?
Answer: CANNOTANSWER

Question: did he have a family?

CANNOTANSWER
Not enough information
Cannot answer
Do not know


Prompt:
Title: Clint Eastwood

Background: Eastwood was born on May 31, 1930, in San Francisco, California, the son of Clinton Eastwood Sr. (1906-1970) and Ruth Wood (nee Runner; 1909-2006). Ruth later took the surname of her second husband, John Belden Wood (1913-2004), whom she married after the death of Clinton Sr. Eastwood was nicknamed "Samson" by the hospital nurses because he weighed 11 pounds 6 ounces (5.2 kg) at birth.

Section: Music
Passage: Eastwood favors jazz (especially bebop), blues, classic rhythm and blues, classical, and country-and-western music; his favorite musicians include saxophonists Charlie Parker and Lester Young, pianists Thelonious Monk, Oscar Peterson, Dave Brubeck, and Fats Waller, and Delta bluesman Robert Johnson. He is also a pianist and composer. Jazz has played an important role in Eastwood's life from a young age and, although he never made it as a professional musician, he passed on the influence to his son Kyle Eastwood, a successful jazz bassist and composer. Eastwood developed as a boogie-woogie pianist early on and had originally intended to pursue a career in music by studying for a music theory degree after graduating from high school. In late 1959 he produced the album Cowboy Favorites, released on the Cameo label. Eastwood has his own Warner Bros. Records-distributed imprint Malpaso Records, as part of his deal with Warner Brothers, which has released all of the scores of Eastwood's films from The Bridges of Madison County onward. Eastwood co-wrote "Why Should I Care" with Linda Thompson and Carole Bayer Sager, which was recorded by Diana Krall. Eastwood composed the film scores of Mystic River, Million Dollar Baby, Flags of Our Fathers, Grace Is Gone, Changeling, Hereafter, J. Edgar, and the original piano compositions for In the Line of Fire. He wrote and performed the song heard over the credits of Gran Torino. The music in Grace Is Gone received two Golden Globe nominations by the Hollywood Foreign Press Association for the 65th Golden Globe Awards. Eastwood was nominated for Best Original Score, while the song "Grace is Gone" with music by Eastwood and lyrics by Carole Bayer Sager was nominated for Best Original Song. It won the Satellite Award for Best Song at the 12th Satellite Awards. Changeling was nominated for Best Score at the 14th Critics' Choice Awards, Best Original Score at the 66th Golden Globe Awards, and Best Music at the 35th Saturn Awards. On September 22, 2007, Eastwood was awarded an honorary Doctor of Music degree from the Berklee College of Music at the Monterey Jazz Festival, on which he serves as an active board member. Upon receiving the award he gave a speech claiming, "It's one of the great honors I'll cherish in this lifetime."

Question: What kind of music does Clint Eastwood like?
Answer: Eastwood favors jazz (especially bebop), blues, classic rhythm and blues, classical, and country-and-western music;

Question: Does he play a musical instrument?
Answer: He is also a pianist

Question: Is he part of a record label?
Answer: Eastwood has his own Warner Bros. Records-distributed imprint Malpaso Records, as part of his deal with Warner Brothers,

Question: What music did his label release?
Answer: which has released all of the scores of Eastwood's films from The Bridges of Madison County onward.

Question: Did he make music for any other movies?
Answer: Eastwood composed the film scores of Mystic River, Million Dollar Baby, Flags of Our Fathers, Grace Is Gone, Changeling, Hereafter, J. Edgar,

Question: Has he received any awards?
Answer: The music in Grace Is Gone received two Golden Globe nominations by the Hollywood Foreign Press Association for the 65th Golden Globe Awards.

Question: Has he received any other important awards?


Prompt:
Title: Tristan Tzara

Background: Tristan Tzara (French: [tRista dzaRa]; Romanian: [tris'tan 'tsara]; born Samuel or Samy Rosenstock, also known as S. Samyro; April 16 [O.S. April 4] 1896 - December 25, 1963) was a Romanian and French avant-garde poet, essayist and performance artist. Also active as a journalist, playwright, literary and art critic, composer and film director, he was known best for being one of the founders and central figures of the anti-establishment Dada movement. Under the influence of Adrian Maniu, the adolescent Tzara became interested in Symbolism and co-founded the magazine Simbolul with Ion Vinea (with whom he also wrote experimental poetry) and painter Marcel Janco. During World War I, after briefly collaborating on Vinea's Chemarea, he joined Janco in Switzerland.

Section: Chemarea and 1915 departure
Passage: S. Samyro, a partial anagram of Samy Rosenstock, was used by Tzara from his debut and throughout the early 1910s. A number of undated writings, which he probably authored as early as 1913, bear the signature Tristan Ruia, and, in summer of 1915, he was signing his pieces with the name Tristan. In the 1960s, Rosenstock's collaborator and later rival Ion Vinea claimed that he was responsible for coining the Tzara part of his pseudonym in 1915. Vinea also stated that Tzara wanted to keep Tristan as his adopted first name, and that this choice had later attracted him the "infamous pun" Triste Ane Tzara (French for "Sad Donkey Tzara"). This version of events is uncertain, as manuscripts show that the writer may have already been using the full name, as well as the variations Tristan Tara and Tr. Tzara, in 1913-1914 (although there is a possibility that he was signing his texts long after committing them to paper). In 1972, art historian Serge Fauchereau, based on information received from Colomba, the wife of avant-garde poet Ilarie Voronca, recounted that Tzara himself had explained his chosen name was a pun in Romanian, trist in tara, meaning "sad in the country"; Colomba Voronca was also dismissing rumors that Tzara had selected Tristan as a tribute to poet Tristan Corbiere or to Richard Wagner's Tristan und Isolde opera. Samy Rosenstock legally adopted his new name in 1925, after filing a request with Romania's Ministry of the Interior. The French pronunciation of his name has become commonplace in Romania, where it replaces its more natural reading as tara ("the land", Romanian pronunciation: ['tsara]). Tzara was born in Moinesti, Bacau County, in the historical region of Western Moldavia. His parents were Jewish Romanians who reportedly spoke Yiddish as their first language; his father Filip and grandfather Ilie were entrepreneurs in the forestry business. Tzara's mother was Emilia Rosenstock, nee Zibalis. Owing to the Romanian Kingdom's discrimination laws, the Rosenstocks were not emancipated, and thus Tzara was not a full citizen of the country until after 1918. He moved to Bucharest at the age of eleven, and attended the Schemitz-Tierin boarding school. It is believed that the young Tzara completed his secondary education at a state-run high school, which is identified as the Saint Sava National College or as the Sfantul Gheorghe High School. In October 1912, when Tzara was aged sixteen, he joined his friends Vinea and Marcel Janco in editing Simbolul. Reputedly, Janco and Vinea provided the funds. Like Vinea, Tzara was also close to their young colleague Jacques G. Costin, who was later his self-declared promoter and admirer. Despite their young age, the three editors were able to attract collaborations from established Symbolist authors, active within Romania's own Symbolist movement. Alongside their close friend and mentor Adrian Maniu (an Imagist who had been Vinea's tutor), they included N. Davidescu, Alfred Hefter-Hidalgo, Emil Isac, Claudia Millian, Ion Minulescu, I. M. Rascu, Eugeniu Sperantia, Al. T. Stamatiad, Eugeniu Stefanescu-Est, Constantin T. Stoika, as well as the journalist and lawyer Poldi Chapier. In its inaugural issue, the journal even printed a poem by one of the leading figures in Romanian Symbolism, Alexandru Macedonski. Simbolul also featured illustrations by Maniu, Millian and Iosif Iser. Although the magazine ceased print in December 1912, it played an important part in shaping Romanian literature of the period. Literary historian Paul Cernat sees Simbolul as a main stage in Romania's modernism, and credits it with having brought about the first changes from Symbolism to the radical avant-garde. Also according to Cernat, the collaboration between Samyro, Vinea and Janco was an early instance of literature becoming "an interface between arts", which had for its contemporary equivalent the collaboration between Iser and writers such as Ion Minulescu and Tudor Arghezi. Although Maniu parted with the group and sought a change in style which brought him closer to traditionalist tenets, Tzara, Janco and Vinea continued their collaboration. Between 1913 and 1915, they were frequently vacationing together, either on the Black Sea coast or at the Rosenstock family property in Garceni, Vaslui County; during this time, Vinea and Samyro wrote poems with similar themes and alluding to one another. Tzara's career changed course between 1914 and 1916, during a period when the Romanian Kingdom kept out of World War I. In autumn 1915, as founder and editor of the short-lived journal Chemarea, Vinea published two poems by his friend, the first printed works to bear the signature Tristan Tzara. At the time, the young poet and many of his friends were adherents of an anti-war and anti-nationalist current, which progressively accommodated anti-establishment messages. Chemarea, which was a platform for this agenda and again attracted collaborations from Chapier, may also have been financed by Tzara and Vinea. According to Romanian avant-garde writer Claude Sernet, the journal was "totally different from everything that had been printed in Romania before that moment." During the period, Tzara's works were sporadically published in Hefter-Hidalgo's Versuri si Proza, and, in June 1915, Constantin Radulescu-Motru's Noua Revista Romana published Samyro's known poem Verisoara, fata de pension ("Little Cousin, Boarding School Girl"). Tzara had enrolled at the University of Bucharest in 1914, studying mathematics and philosophy, but did not graduate. In autumn 1915, he left Romania for Zurich, in neutral Switzerland. Janco, together with his brother Jules, had settled there a few months before, and was later joined by his other brother Georges. Tzara, who may have applied for the Faculty of Philosophy at the local university, shared lodging with Marcel Janco, who was a student at the Technische Hochschule, in the Altinger Guest House (by 1918, Tzara had moved to the Limmatquai Hotel). His departure from Romania, like that of the Janco brothers, may have been in part a pacifist political statement. After settling in Switzerland, the young poet almost completely discarded Romanian as his language of expression, writing most of his subsequent works in French. The poems he had written before, which were the result of poetic dialogues between him and his friend, were left in Vinea's care. Most of these pieces were first printed only in the interwar period. It was in Zurich that the Romanian group met with the German Hugo Ball, an anarchist poet and pianist, and his young wife Emmy Hennings, a music hall performer. In February 1916, Ball had rented the Cabaret Voltaire from its owner, Jan Ephraim, and intended to use the venue for performance art and exhibits. Hugo Ball recorded this period, noting that Tzara and Marcel Janco, like Hans Arp, Arthur Segal, Otto van Rees, Max Oppenheimer, and Marcel Slodki, "readily agreed to take part in the cabaret." According to Ball, among the performances of songs mimicking or taking inspiration from various national folklores, "Herr Tristan Tzara recited Rumanian poetry." In late March, Ball recounted, the group was joined by German writer and drummer Richard Huelsenbeck. He was soon after involved in Tzara's "simultaneist verse" performance, "the first in Zurich and in the world", also including renditions of poems by two promoters of Cubism, Fernand Divoire and Henri Barzun.

Question: what was Chemarea ?
Answer: short-lived journal Chemarea,

Question: did Tristan have a part in it?
Answer: the first printed works to bear the signature Tristan Tzara.

Question: what happened in 1915


Prompt:
Title: Michael Portillo

Background: Michael Denzil Xavier Portillo (born 26 May 1953) is a British journalist, broadcaster, and former Member of Parliament and Cabinet Minister of the Conservative Party. He was first elected to the House of Commons in a by-election in 1984. A strong admirer of Margaret Thatcher, and a Eurosceptic, Portillo served as a junior minister under both Thatcher and John Major, before entering the cabinet in 1992. A "darling of the right", he was seen as a likely challenger to Major during the 1995 Conservative leadership election, but stayed loyal.

Section: In government
Passage: In 1987, Portillo was given his first ministerial post, as Parliamentary Under-Secretary of State for Social Security; the following year, he was promoted to Minister of State for Transport. Portillo has stated that he considers "saving the Settle to Carlisle railway" was his greatest achievement. In 1990, Portillo was appointed Minister of State for Local Government, in which post he argued in favour of the ultimately highly unpopular Community Charge system (popularly known as "the Poll Tax"). He demonstrated a consistently right-of-centre line (exemplified by his insistence, in a well-publicised speech, of placing "clear blue water" between the policies of the Conservatives and other parties) and was favoured by Norman Tebbit and Margaret Thatcher, who said of him "[W]e expect great things of you, do not disappoint us". His rise continued under John Major; he was made a Cabinet Minister in 1992 as Chief Secretary to the Treasury and was admitted to the Privy Council the same year. He subsequently became Secretary of State for Employment (1994-95), and then Secretary of State for Defence (1995-1997). As Defence Secretary, Portillo became the object of criticism when he invoked the motto of the SAS, "Who Dares, Wins", at a speech at the 1995 Conservative Party annual conference. His high profile led to constant attention from the media, including Private Eye, which mockingly referred to him as "Portaloo". He was accused of vanity when the Alexandra Palace was hired to celebrate his ten years in politics. Some saw the Defence Secretary post as a reward for Portillo's cautious loyalty to Major during the 1995 leadership challenge of John Redwood, following Major's "back me or sack me" resignation as party leader. Many urged Portillo, the "darling of the right", to run against Major. He declined to enter the first round, but planned to challenge Major if the contest went to a second round. To this end, he set up a potential campaign headquarters, with banks of telephone lines. He later admitted that this had been an error: "I did not want to oppose [Major], but neither did I want to close the possibility of entering a second ballot if it came to that." Portillo acknowledged that "ambiguity is unattractive" and his opponents within the party later used Portillo's apparent equivocation as an example of his indecisiveness; "I appeared happy to wound but afraid to strike: a dishonourable position."

Question: What did he do in government?
Answer: In 1987, Portillo was given his first ministerial post, as Parliamentary Under-Secretary of State for Social Security;

Question: Are there any other interesting aspects about this article?
Answer: In 1990, Portillo was appointed Minister of State for Local Government, in which post he argued in favour of the ultimately highly unpopular Community Charge system (

Question: What kinds of issues was he involved in?


Prompt:
Title: Yair Lapid

Background: Yair Lapid was born in Tel Aviv. His father was journalist and politician Yosef "Tommy" Lapid and his mother is novelist and playwright Shulamit (Giladi) Lapid.

Section: Political career
Passage: On 8 January 2012 Lapid announced that he would be leaving journalism in order to enter politics. On 30 April 2012 Lapid formally registered his party, "Yesh Atid" (Hebrew: ysh `tyd, lit. "There's a Future"). The move was aimed to coincide with the general expectation in Israel for early elections to be held in the early fall of 2012. A few days after Yesh Atid's registration, in a surprise move, Israeli prime minister Benjamin Netanyahu formed a national unity government. It was then thought that Lapid's party would have to wait until late 2013 before it could participate in national elections. But in October 2012, following the departure of Kadima from Netanyahu's coalition over how to implement a Supreme Court decision ending the exemption from the military draft for the ultra-Orthodox, Netanyahu announced that elections would take place in late January 2013, affording Yesh Atid its first opportunity to run since its formation. In November 2012, Yesh Atid was polling an average of 11.6%, or 13-14 seats in the 120-seat Knesset. The final results of the January election showed the party winning an unexpected 19 seats, making Yesh Atid the second-largest party in the 19th Knesset. Lapid was named Israel's finance minister on 15 March 2013. Only nine months later, a survey was published showing a continuing trend of decreasing popularity with 75% of those polled claiming to be disappointed by his performance and his party would only achieve 10 seats in the Knesset as opposed to the 19 party members who were elected at the beginning of the year. On 2 December 2014, Lapid was fired from his post as finance minister by Prime Minister Benjamin Netanyahu.

Question: When did he get his start in politics?
Answer: On 8 January 2012 Lapid announced that he would be leaving journalism in order to enter politics.

Question: What did he want to do in politics?
Answer: Lapid formally registered his party, "Yesh Atid" (

Question: What did he do when he left journalism for politics?
Answer: On 30 April 2012 Lapid formally registered his party, "Yesh Atid" (Hebrew: ysh `tyd, lit. "There's a Future").

Question: What was his biggest accomplishment?


Prompt:
Title: Troubadour

Background: A troubadour (English: , French: [tRubaduR]; Occitan: trobador, IPA: [truba'du]) was a composer and performer of Old Occitan lyric poetry during the High Middle Ages (1100-1350). Since the word troubadour is etymologically masculine, a female troubadour is usually called a trobairitz. The troubadour school or tradition began in the late 11th century in Occitania, but it subsequently spread to Italy and Spain. Under the influence of the troubadours, related movements sprang up throughout Europe: the Minnesang in Germany, trovadorismo in Galicia and Portugal, and that of the trouveres in northern France.

Section: Trobadors and joglars
Passage: The Occitan words trobador and trobaire are relatively rare compared with the verb trobar (compose, invent), which was usually applied to the writing of poetry. It signified that a poem was original to an author (trobador) and was not merely sung or played by one. The term was used mostly for poetry only and in more careful works, like the vidas, is not generally applied to the composition of music or to singing, though the troubadour's poetry itself is not so careful. Sometime in the middle of the 12th century, however, a distinction was definitely being made between an inventor of original verse and the performers of others'. These last were called joglars, from the Latin ioculatores, giving rise also to the French jongleur, Castilian juglar, and English juggler, which has come to refer to a more specific breed of performer. The medieval jongleur/joglar is really a minstrel. At the height of troubadour poetry (the "classical period"), troubadours are often found attacking jongleurs and at least two small genres arose around the theme: the ensenhamen joglaresc and the sirventes joglaresc. These terms are debated, however, since the adjective joglaresc would seem to imply "in the manner of the jongleurs". Inevitably, however, pieces of said genres are verbal attacks at jongleurs, in general and in specific, with named individuals being called out. It is clear, for example from the poetry of Bertran de Born, that jongleurs were performers who did not usually compose.They often performed the troubadour's songs: singing, playing instruments, dancing, and even doing acrobatics. In the late 13th century Guiraut Riquier bemoaned the inexactness of his contemporaries and wrote a letter to Alfonso X of Castile, a noted patron of literature and learning of all kinds, for clarification on the proper reference of the terms trobador and joglar. According to Riquier, every vocation deserved a name of its own and the sloppy usage of joglar assured that it covered a multitude of activities, some, no doubt, with which Riquier did not wish to be associated. In the end Riquier argued--and Alfonso X seems to agree, though his "response" was probably penned by Riquier--that a joglar was a courtly entertainer (as opposed to popular or low-class one) and a troubadour was a poet and composer. Despite the distinctions noted, many troubadours were also known as jongleurs, either before they began composing or alongside. Aimeric de Belenoi, Aimeric de Sarlat, Albertet Cailla, Arnaut de Mareuil, Elias de Barjols, Elias Fonsalada, Falquet de Romans, Guillem Magret, Guiraut de Calanso, Nicoletto da Torino, Peire Raimon de Tolosa, Peire Rogier, Peire de Valeira, Peirol, Pistoleta, Perdigon, Salh d'Escola, Uc de la Bacalaria, Uc Brunet, and Uc de Saint Circ were jongleur-troubadours.

Question: What is the joglars?
Answer: a distinction was definitely being made between an inventor of original verse and the performers of others'. These last were called joglars,

Question: Are there any other interesting aspects about this article?
Answer: joglar was a courtly entertainer (as opposed to popular or low-class one) and a troubadour was a poet and composer.

Question: WHo used them?
Answer: CANNOTANSWER

Question: can you tell more more about what role the joglars payed?
Answer: They often performed the troubadour's songs: singing, playing instruments, dancing, and even doing acrobatics.

Question: What role did the trobadors play?


Prompt:
Title: The Get Up Kids

Background: The Get Up Kids are an American rock band from Kansas City, Missouri. Formed in 1995, the band was a major player in the mid-1990s emo scene, otherwise known as the "second wave" of emo music. As they gained prominence, they began touring with bands such as Green Day and Weezer before becoming headliners themselves, eventually embarking on international tours of Japan and Europe. They founded Heroes & Villains Records, an imprint of the successful indie rock label Vagrant Records.

Section: Guilt Show (2003-2004)
Passage: After signing to Doghouse, the band drove to Chicago to record their debut full-length album with producer Bob Weston of Shellac. The album was recorded in only two days, with the band leaving on Friday after Ryan Pope got out of school and finishing in the early hours of Sunday morning. Two months after recording the album, the band embarked on their first national tour with Braid and Ethel Meserve with the first date of the tour taking place the day after Ryan's high school graduation. It was on that tour that the band met James Dewees, the new drummer for Coalesce while the bands were playing together in Wilkes-Barre, Pennsylvania. After the show, the members of the two bands became close friends, eventually leading them to record a split 7-inch produced by Ed Rose entitled "The Get Up Kids / Coalesce". For the split, each band covered one of the other's songs in their own style. Coalesce did a post-hardcore cover of "Second Place", and The Get Up Kids recorded a power-pop rendition of "Harvest of Maturity". A few months later, the band released their debut full-length record Four Minute Mile, bringing a great deal of attention from critics, fans and labels alike. The band was invited to join Braid on their 1998 tour of Europe and the band rapidly created an overseas fanbase. While the band was receiving rapidly increasing national and international attention, they became unhappy with Doghouse Records' ability to keep up with the increasing popularity of the band. The Get Up Kids' announcement to leave Doghouse Records brought interest from prominent record labels including Sub Pop, Geffen and Mojo Records. The band made a decision to sign to Mojo, but before the contracts were signed, they began to have second thoughts. The main issue was over the label's insistence on owning merchandising rights, a large source of the band's income. Moreover, the band was insulted the label requested they re-record "Don't Hate Me" from Four Minute Mile for their next record, feeling that the label believed it was "the best that [they could] write". Before the deal with Mojo was official, the band met Rich Egan, founder of Los Angeles-based Vagrant Records. He convinced the band to sign to Vagrant instead, offering them $50,000 to record a second album, as well as their own imprint, Heroes & Villains Records. In 1998, James Dewees recorded his first solo album under the pseudonym Reggie and the Full Effect. While Dewees wrote the songs himself, he asked Matt Pryor and Rob Pope to help record some of the instrumentals. The resulting album, Greatest Hits 1984-1987 leaned heavily on the use of synthesizer keyboards for its sound. Their work together on the Reggie and the Full Effect album led Pryor to invite Dewees to collaborate with The Get Up Kids on Red Letter Day, a five-track EP produced by Ed Rose to fulfill their two-record deal with Doghouse. The cleaner, more focused sound of the EP provided the chance to experiment with the inclusion of keyboards and acts as a sonic bridge between the raw sound of Four Minute Mile and the more dynamic, produced style of their next studio album. After the release of Red Letter Day, Dewees became a full-time member as the band began recording their second studio album in Los Angeles in June 1999 with producer Alex Brahl. Before the album went into production, Vagrant Records co-owner John Cohen borrowed money from his parents, who had mortgaged their house in order to fund the production of the album. On September 21, 1999, the band released Something to Write Home About on Vagrant Records. The album's lyrics reflected the record label strife the band had experienced and their distance between friends and family back home after their move to Los Angeles. Something to Write Home About has been singled out as the band's only 'true' emo album, as the album's aesthetic fit more into the contemporary definition of the genre. Furthermore, the album single-handedly turned the struggling Vagrant label into one of the top indie labels in the country, selling over 140,000 copies after its release. Not only did the album make The Get Up Kids the poster children for emo, but it also launched the genre into a public consciousness broader than the scattered local scenes that had previously embraced it. The album gave Vagrant Records the financial backing to grow and sign a string of other bands. At the same time, the addition of keyboards alienated some fans who thought it moved the band away from the contemporary punk scene's DIY ethic. The Get Up Kids toured relentlessly for almost three years in promotion of the record. As well as touring Europe, Japan, and Australia, they shared bills with acts such as Green Day, The Anniversary, Koufax, Hot Rod Circuit, Jebediah, Weezer and Ozma. Their 2000 tour with The Anniversary and Koufax was sponsored by Napster. Their fanbase kept expanding through word of mouth. Venues booked months in advance could no longer hold the demand by the time the band arrived in town and fans were forced to stand outside to see them perform. To capitalize on anticipation for the band's next album, Vagrant Records released a rarities compilation Eudora in 2001. Eudora consisted of alternate takes, covers, and B-sides since the band's formation. Likewise, Doghouse released a re-mastered edition of Four Minute Mile and a compilation entitled The EPs: Woodson and Red Letter Day, combining the two Doghouse-owned EPs on one compact disc. In 2003 the band began recording their fourth studio album. The album would be the first recorded in Black Lodge Studios in Eudora, Kansas, a studio renovated and owned by the Pope brothers and producer Ed Rose. The writing process for the album was different from their past efforts, as most of the songs were written by only three of the band members. In the early stages of writing, Jim Suptic was on his honeymoon. James Dewees was involved in a difficult divorce, and much of his creative efforts inspired by those events went into the fourth Reggie and the Full Effect album Songs Not to Get Married To. While this led to a less collaborative effort than in the past, it gave the Pope brothers a more substantial role in writing than ever before. In an interview with Alternative Press, Pryor confirmed the song "Never Be Alone" was written by Rob Pope about his 2003 divorce from The Anniversary keyboardist Adrianne Verhoeven. This fractured approach to the writing process began to strain relationships in the band, at one point leading Suptic to consider quitting the band. Pryor drew lyrical inspiration from the lives of friends and people he knew, extracting stories of abuse, betrayal and guilt. The album's lyrics also delve into incidents of adultery ("Wouldn't Believe It", "How Long Is Too Long") and the album's first single "The One You Want" is said to be about a woman who Pryor says "Sucks the soul out of people". In March 2004, the band released their fourth studio album Guilt Show, produced by Ed Rose. Sonically, the album combined the more measured, sophisticated sound of On a Wire with the frenetic style of their earlier work. Guilt Show, which was titled after a misreading of a flier saying "Quilt show", was very well received both critically and commercially. The more pop-driven tone of the album reunited the band with many fans who were disenchanted after On a Wire, while also staying close enough to the evolution of the last album to interest newer fans and critics. However, their return was overshadowed by the booming popularity of other contemporary emo bands such as Dashboard Confessional, who invited the band to open for them on the 2004 Honda Civic Tour.

Question: When was the guilt show air?
Answer: In March 2004, the band released their fourth studio album Guilt Show,

Question: What is the guilt show?
Answer: their fourth studio album Guilt Show, produced by Ed Rose.

Question: When did he release?
Answer: In March 2004, the band released their fourth studio album

Question: How did the album do on the charts?
Answer: was very well received both critically and commercially.

Question: Are there any other interesting aspects about this article?
Answer: The Get Up Kids toured relentlessly for almost three years in promotion of the record.

Question: When was this released?


Prompt:
Title: The Get Up Kids

Background: The Get Up Kids are an American rock band from Kansas City, Missouri. Formed in 1995, the band was a major player in the mid-1990s emo scene, otherwise known as the "second wave" of emo music. As they gained prominence, they began touring with bands such as Green Day and Weezer before becoming headliners themselves, eventually embarking on international tours of Japan and Europe. They founded Heroes & Villains Records, an imprint of the successful indie rock label Vagrant Records.

Section: Influence
Passage: The Get Up Kids have had a lasting impact on the music scene, having been cited as inspirations to several prominent bands and artists. Blink-182 bassist and singer Mark Hoppus is a vocal fan, having proposed to his wife to The Get Up Kids song "I'll Catch You." They were also a major influence on the rest of the band, even at their peak popularity around the release of Take Off Your Pants and Jacket. The members of Fall Out Boy cite The Get Up Kids' influence, particularly their album Four Minute Mile. In a 2005 interview with Alternative Press, Fall Out Boy bassist Pete Wentz stated that the band had a huge influence on him and the other members of Fall Out Boy. "There should be a How To Be a Pop-Punk Kid starter kit with bands like Get Up Kids, so kids would know whose shoulders bands like us are standing on. Fall Out Boy would not be a band if it were not for The Get Up Kids." New Jersey based act Midtown has stated in interviews that they were heavily influenced by The Get Up Kids, among other groups. The Early November band members were all fans of, and influenced by, The Get Up Kids. The Early November song "Baby Blue" includes the line "I don't want you to love me anymore", a direct reference to the Get Up Kids song "No Love" both lyrically and melodically. The band Hellogoodbye have been vocal fans of the band and while on tour with Reggie and the Full Effect in 2007, two years after the breakup of The Get Up Kids, Hellogoodbye invited James Dewees and Matt Pryor onstage with them, and proceeded to back them in a cover of The Get Up Kids' song "Action & Action". The Canadian post-hardcore band Silverstein has cited the Get Up Kids as a major influence, and covered their song Coming Clean for a split 7" with August Burns Red in 2013. Claudio Sanchez of Coheed and Cambria cited Something to Write Home About as one of the albums that the band listened to and during the recording of their breakout album In Keeping Secrets of Silent Earth: 3. Despite their lasting influence on modern music, the band has attempted to disassociate themselves with many of the bands they inspired. Following the band's reformation, guitarist Jim Suptic undertook an interview with website Drowned in Sound, in which he said, "The punk scene we came out of and the punk scene now are completely different. It's like glam rock now. We played the Bamboozle fests this year and we felt really out of place... If this is the world we helped create, then I apologise." He went on to say they were grateful for the acknowledgements they have received, though explaining "the problem is most of [the bands they inspired] aren't very good."

Question: What bands did they influence?
Answer: The Get Up Kids have had a lasting impact on the music scene, having been cited as inspirations to several prominent bands and artists.

Question: Which bands did they influence?
Answer: The members of Fall Out Boy cite The Get Up Kids' influence,

Question: What other bands did they inspire?
Answer: New Jersey based act Midtown has stated in interviews that they were heavily influenced by The Get Up Kids,

Question: How did they influence the other bands?
Answer: The Early November band members were all fans of, and influenced by, The Get Up Kids.

Question: Did The Get Up Kids comment on these new bands?
Answer: the band has attempted to disassociate themselves with many of the bands they inspired.

Question: Why did they want to disassociate themselves from these bands?
Answer: The punk scene we came out of and the punk scene now are completely different.

Question: What else did they think about the new punk scene?


Prompt:
Title: Janet Gaynor

Background: Gaynor was born Laura Augusta Gainor (some sources stated Gainer) in Germantown, Philadelphia. Nicknamed "Lolly" as a child, she was the youngest of two daughters born to Laura (Buhl) and Frank De Witt Gainor. Frank Gainor worked as a theatrical painter and paperhanger. When Gaynor was a toddler, her father began teaching her how to sing, dance, and perform acrobatics.

Section: Marriages and Relationships
Passage: Gaynor was romantically involved with her friend and frequent co-star, Charles Farrell, during the time of their work together in silent film, until she married her first husband. Choosing to keep their relationship out of the public eye, Gaynor and Farrell were often assisted by mutual friend Douglas Fairbanks Jr. in maintaining the ruse. Looking back, Fairbanks would later recall, "We three were so chummy that I became their 'beard,' the cover-up for their secret romance. I would drive them out to a little rundown, wooden house well south of Los Angeles, near the sea. I'd leave them there and go sailing or swimming until [it was] time to collect them and then we'd all have a bit of dinner." According to Gaynor's biographer Sarah Baker, Farrell proposed marriage during the filming of Lucky Star (1929 film), but the two never followed through with it. In her later years, Gaynor would hold their different personalities accountable for their eventual separation. Gaynor was married three times and had one child. Her first marriage was to lawyer Jesse Lydell Peck, whom she married on September 11, 1929. Gaynor's attorney announced the couple's separation in late December 1932. She was granted a divorce on April 7, 1933. On August 14, 1939, she married MGM costume designer Gilbert Adrian in Yuma, Arizona. This relationship has been called a lavender marriage, since Adrian was openly gay within the film community while Gaynor was rumored to be gay or bisexual. The couple had one son, Robin Gaynor Adrian, born in 1940. Those rumors were never hinted at in newspapers or magazines. Gaynor and Adrian remained married until Adrian's death from a stroke on September 13, 1959. On December 24, 1964, Gaynor married her longtime friend, stage producer Paul Gregory, to whom she remained married until her death. The two maintained a home in Desert Hot Springs, California and also owned 3,000 acres of land near Brasilia.

Question: Who was Janet Gaynor romantically involved?
Answer: Gaynor was romantically involved with her friend and frequent co-star, Charles Farrell, during the time of their work together in silent film, until she married her first husband.

Question: How many times did Janet Gaynor marry?
Answer: Gaynor was married three times and had one child.

Question: Who did Janet Gaynor marry in 1939?


Prompt:
Title: Nick Carter (musician)

Background: Nickolas Gene Carter was born in Jamestown, New York, where his parents, Jane Elizabeth Schneck (nee Spaulding, previously Carter) and Robert Gene Carter (1952-2017), owned a bar called the Yankee Rebel. His mother is a Welsh, Irish, German, English, and a quarter American descents. Several years later, the family moved to Ruskin, Florida and managed the Garden Villa Retirement Home, where they added to the family. Carter's siblings are Bobbie Jean, (born January 12, 1982), Leslie (June 6, 1986 - January 31, 2012), and twins Aaron and Angel (born December 7, 1987).

Section: Solo career
Passage: In 2002, when the Backstreet Boys expressed a strong desire to leave their management company, The Firm, Carter chose to remain with them to manage his solo career. As the group began recording their new album without him, he started working on his first solo album. Now Or Never was released on October 29, 2002, and it reached No. 17 on the Billboard 200 chart and was certified gold, both in the United States and Canada. The lead single, "Help Me" achieved considerable worldwide success while the other single, "I Got You" was a minor hit in Europe. The album made the charts in many countries as well. He also launched a worldwide tour in support of the album. He was No. 9 of People Magazine's "50 Most Beautiful People" in 2000 and Cosmogirl magazine's "Sexiest Man in the World" in 2002, beating out such competition as actor Brad Pitt and rival pop star Justin Timberlake for the title, launching a media-hyped "rivalry" between Timberlake and Carter, culminating in an amicable 2009 meeting off camera on the set of Late Night with Jimmy Fallon where Carter defeated Timberlake in an arm wrestling match. "Man of the Moment". Archived from the original on April 11, 2013. Nick began work on his second solo album in 2003, but the recordings were aborted when the Backstreet Boys returned to the studio. One of the tracks from the earlier recording sessions was used as the theme song to the television series House of Carters in 2006. "Let It Go" was written by Nick Carter, Matthew Gerrard, and Bridget Louise Benenate. Carter recorded a duet with pop singer Jennifer Paige called "Beautiful Lie" in 2009. In 2010, Nick Carter started recording new songs for his second solo album, working with Rami Yacoub, Carl Falk, Toby Gad, Josh Hoge, Claude Kelly, among many others. Carter's new album titled I'm Taking Off, was released on February 2, 2011 in Japan, in Germany on June 3, 2011 and in the USA via iTunes on May 24. As of June 2011, Nick's second solo album reached No. 8 in Japan, selling over 20,000 copies. In 2014, Carter recorded a duet album with Jordan Knight from fellow boy band, New Kids on the Block, titled Nick & Knight which debuted at #24 on the US Billboard 200 and #14 in Canada. The tour to support the album ran through September-November 2014. On September 22, 2015, Carter released the first single from his new album, entitled "I Will Wait" on Vevo. The new CD, All American, was released on November 25, 2015. In support of the album, Carter toured in February and March 2016.

Question: when did he go out on his solor career?
Answer: In 2002, when the Backstreet Boys expressed a strong desire to leave their management company, The Firm, Carter chose to remain with them to manage his solo career.

Question: was the band upset by this?
Answer: CANNOTANSWER

Question: were there other songs or albums?


Prompt:
Title: Carmelo Anthony

Background: Carmelo Kyam Anthony (born May 29, 1984) is an American professional basketball player for the Oklahoma City Thunder of the National Basketball Association (NBA). Anthony attended Towson Catholic High School and Oak Hill Academy before playing college basketball at Syracuse. In Anthony's freshman season, he led the Orangemen to their first and only National Championship and was named the NCAA Tournament's Most Outstanding Player. Anthony then entered the 2003 NBA draft where he was selected with the third overall pick by the Denver Nuggets.

Section: Oklahoma City Thunder (2017-present)
Passage: On September 25, 2017, Anthony was traded to the Thunder in exchange for Enes Kanter, Doug McDermott and a 2018 second-round pick. On November 9, 2017, with only 12 points needed to move up in the rankings, Anthony passed Allen Iverson on the NBA all-time scoring list and moved to the 24th spot. He finished the game with 28 points. On November 26, 2017, Anthony passed Ray Allen on the NBA all-time scoring list and moved to 23rd place. On December 11, 2017, Anthony passed Vince Carter for 22nd on the NBA all-time scoring list. On January 4, 2018, in Oklahoma City's game against the Los Angeles Clippers as part of their LA back-to-back (on January 3 they beat the LA Lakers 133-96), Anthony scored 22 points moving past the New York Knick's Patrick Ewing into 21st place on the NBA all-time scoring list. On January 27, 2018, Anthony became the 21st NBA player to score 25,000 career points. In addition, he has 1,693 playoff points. On March 6, 2018, in Oklahoma City's game against the Houston Rockets, Anthony scored 23 points to move past NBA legend Jerry West into the Top 20 in the NBA career scoring list as he now has a total of 25,210 as compared to West's 25,192 total points. On March 19, 2018, in a 132-125 victory over the Toronto Raptors, Anthony scored 15 points to up his career total to 25,289 thereby moving past Reggie Miller into 19th place in the NBA career scoring ladder.

Question: In what team does Carmelo Anthony play?
Answer: On September 25, 2017, Anthony was traded to the Thunder in exchange for Enes Kanter, Doug McDermott and a 2018 second-round pick.

Question: In what team did Anthony play before playing for the Thunders?
Answer: CANNOTANSWER

Question: Has Anthony won any championships with the team?

CANNOTANSWER
Not enough information
Cannot answer
Do not know


Prompt:
Title: John Major

Background: Sir John Major  (born 29 March 1943) is a British politician who served as Prime Minister of the United Kingdom and Leader of the Conservative Party from 1990 to 1997. He served as Foreign Secretary and then Chancellor of the Exchequer in the Thatcher Government from 1989 to 1990, and was the Member of Parliament (MP) for Huntingdon from 1979 until his retirement in 2001. Since the death of Margaret Thatcher in 2013, Major has been the oldest living former Prime Minister. Born in St Helier, Surrey, Major grew up in Brixton.

Section: Black Wednesday
Passage: Major's second honeymoon as Prime Minister following his election victory did not last long. On 16 September 1992, the UK was forced to exit the Exchange Rate Mechanism (ERM) in difficult circumstances, in a day which would come to be known as "Black Wednesday", with billions of pounds wasted in a futile attempt to defend the value of sterling. The upheaval caused by the day's events was such that Major came close to resigning as Prime Minister, preparing an unsent letter of resignation addressed to the Queen. Although Major continued to defend Britain's membership of the ERM, stating that "the ERM was the medicine to cure the ailment, but it was not the ailment", the disaster of Black Wednesday left the Government's economic credibility irreparably damaged. Major kept his economic team unchanged for seven months after Black Wednesday before eventually sacking Norman Lamont as Chancellor of the Exchequer, replacing him with Kenneth Clarke. This came after months of press criticism of Lamont and a heavy defeat at a by-election in Newbury. His delay in sacking Lamont was exploited by Major's critics both inside and outside of his party, who used it to claim Major was too indecisive. Immediately after Black Wednesday, the Conservatives fell far behind Labour in the opinion polls and Major would never be able to regain the lead for the rest of his time as Prime Minister, being trounced in local council elections and the European parliament elections on the way, as well as suffering a string of by-election defeats which gradually wiped out the Conservative majority. Within a year of his triumphant election victory, public opinion on Major plummeted, with Black Wednesday, mine closures, the Maastricht dispute and high unemployment being cited as four key areas of dissatisfaction with the Prime Minister. Newspapers which traditionally supported the Conservatives and had championed Major at the election were now being severely critical of him almost daily. The UK's forced withdrawal from the ERM was succeeded by a partial economic recovery with a new policy of flexible exchange rates, allowing lower interest rates and devaluation, thereby increasing demand for UK goods in export markets. The recession that had started shortly before Major became Prime Minister was declared over in April 1993, when the economy grew by 0.2%. Unemployment also started to fall; it had stood at nearly 3 million by the end of 1992, but the spring of 1997 it had fallen to 1.7 million.

Question: What was Black Wednesday?
Answer: On 16 September 1992, the UK was forced to exit the Exchange Rate Mechanism (ERM) in difficult circumstances,

Question: Why was the UK forced to exit the ERM?

CANNOTANSWER
Not enough information
Cannot answer
Do not know


Prompt:
Title: Shahid Kapoor

Background: Shahid Kapoor was born in New Delhi on 25 February 1981 to actor Pankaj Kapur and actor-dancer Neelima Azeem. His parents divorced when he was three years old; his father shifted to Mumbai (and married the actress Supriya Pathak) and Kapoor continued living in Delhi with his mother and maternal grandparents. His grandparents were journalists for the Russian magazine Sputnik, and Kapoor was particularly fond of his grandfather: "He would walk me to school every single day. He would talk to me about dad, with whom he shared a great relationship, and read out his letters to me."

Section: Commercial fluctuations (2010-13)
Passage: In 2010, Kapoor reteamed with Ken Ghosh in Chance Pe Dance, a comedy-drama about a struggling actor, in which Kapoor's performance was described as "uneven" by Aniruddha Guha of Daily News and Analysis. He had a supporting role in Paathshaala, a drama about the education system in India, starring Nana Patekar, following which he starred in Yash Raj Films' Badmaash Company, a comedy-drama about a group of overambitious youngsters who become con men. Rachel Saltz of The New York Times praised Kapoor's look in the film, though Tushar Joshi of Mid Day thought that he was miscast. Kapoor's fourth and final release that year was Satish Kaushik's romantic comedy Milenge Milenge, which marked his fourth collaboration with Kareena Kapoor. Plagiarised from the Hollywood film Serendipity, the production was delayed since 2005. During its production in December 2004 at Phuket, Kapoor requested a delay in filming to attend the premiere of Dil Maange More. The delay may have saved the lives of the crew, since the hotel booked for them was destroyed during the 2004 Indian Ocean tsunami. With the exception of Badmaash Company, none of these films performed well commercially. Kapoor next appeared in his father's directorial Mausam (2011); co-starring Sonam Kapoor, the star-crossed romance set over a decade, took two years to complete. Considering the film to be his "dream project", Kapoor did not take on additional work while filming for it. For his role as an unambitious village boy who becomes an air force pilot, Kapoor trained to fly the F-16 Fighting Falcon. Rajeev Masand reviewed that "while he doesn't quite cut it as a convincing IAF pilot, Shahid Kapoor is terrific as the small-town brat". The film was a box office flop and Kapoor was later regretful for spending so much time on the project. The following year, Kapoor took on another romantic role in Kunal Kohli's Teri Meri Kahaani (2012), co-starring Priyanka Chopra. It tells the story of a pair of star-crossed lovers who are reincarnated in three different eras. Filmfare reviewed that "Shahid and Priyanka give it their best shot, but their charm doesn't make up for the absence of a genuine kahani [story]". The comedy Phata Poster Nikhla Hero from director Rajkumar Santoshi was Kapoor's first release of 2013. His role was that of Vishwas Rao, a struggling actor who masquerades as a policeman. Critical reviews on the film were negative, though Kapoor's performance was praised. As with his last few releases, the film earned little at the box office leading trade analysts to question his commercial appeal. This changed later that year, when he starred in Prabhu Deva's action film R... Rajkumar; despite a negative critical reception, the film earned over Rs995 million (US$15 million) worldwide, becoming Kapoor's highest-grossing release to that point. In a scathing review, Saibal Chatterjee of NDTV called the film a "massive mess" and wrote that Kapoor "ends up looking more moronic than macho" in it. Kapoor suffered from burn injuries on his back and hands while filming a stunt sequence in R... Rajkumar.

Question: What are some movies or shows he worked on?
Answer: In 2010, Kapoor reteamed with Ken Ghosh in Chance Pe Dance,

Question: What other shows or events did he apear in?


Prompt:
Title: Chamillionaire

Background: Hakeem Seriki (born November 28, 1979), better known by his stage name Chamillionaire (), is an American musician, rapper, entrepreneur, and investor from Houston, Texas. He is the CEO of Chamillitary Entertainment. Chamillionaire was also the founder and an original member of the Color Changin' Click until the group split in 2005. He began his career independently with local releases in 2002, including collaboration album

Section: 2005-2006: The Sound of Revenge
Passage: Chamillionaire's first major solo release The Sound of Revenge was released through Chamillitary Entertainment and Universal Records on November 22, 2005. The album debuted and peaked at number 10 on the Billboard 200 album chart in the United States. The album's lead single was "Turn It Up", featuring Lil' Flip produced by Scott Storch, followed by "Ridin'", featuring Krayzie Bone of Bone Thugs-n-Harmony produced by Play-N-Skillz; "Ridin'" reached number one on the Billboard Hot 100. Its video also was named "Best Rap Video" at the 2006 MTV Video Music Awards. In 2007, he won a Grammy Award for Best Rap Performance by a Duo or Group for "Ridin'". He was at that time signed with Michael 5000 Watts' Swishahouse label. Comedic performer "Weird Al" Yankovic made a parody of the song entitled "White & Nerdy", for his own album Straight Outta Lynwood. The third single from the album was "Grown and Sexy". Additionally, the bonus track "Grind Time" was featured in the video game NBA Live 06. The album was certified platinum by the RIAA, and a chopped and screwed version, screwed by OG Ron C, was released in February 2006. Guest appearances for the album included Lil' Flip, Natalie, Krayzie Bone, Bun B, Lil Wayne, Pastor Troy, Killer Mike, Scarface, singer Billy Cook, and his brother Rasaq. Chamillionaire won the Best New Artist award for the 2006 BET Awards The second installment to the Mixtape Messiah series, Mixtape Messiah 2, was released January 5, 2006. Later in 2006, Chamillionaire was featured in the singles "Get Up" by Ciara, "That Girl" by Frankie J, "Bet That" by Trick Daddy, "King Kong" by Jibbs, and "Doe Boy Fresh" by Three Six Mafia in 2007.

Question: What happened in 2005?
Answer: The second installment to the Mixtape Messiah series, Mixtape Messiah 2, was released January 5, 2006.

Question: What is The Sound of Revenge?


Prompt:
Title: Chamillionaire

Background: Hakeem Seriki (born November 28, 1979), better known by his stage name Chamillionaire (), is an American musician, rapper, entrepreneur, and investor from Houston, Texas. He is the CEO of Chamillitary Entertainment. Chamillionaire was also the founder and an original member of the Color Changin' Click until the group split in 2005. He began his career independently with local releases in 2002, including collaboration album

Section: 2008-2010: Final Mixtape Messiah, Venom, and Major Pain
Passage: In November 2008, Chamillionaire announced his plans for his third album, Venom, for release in early 2009. His sixth installment in the Mixtape Messiah series was to be a "prelude" to Venom. The first single from Venom was initially planned to be "Creepin' (Solo)", which featured Ludacris and ended up reaching #1 on the Billboard Bubbling Under R&B/Hip-Hop Singles chart. However, it is unclear whether or not the song will be included on Venom after Chamillionaire canceled and then reinstated the album. He announced that Mixtape Messiah 7 would be the final installment of the "Mixtape Messiah" series and that he cancelled Venom to create different material for his third album. Chamillionaire awarded his final Mixtape Messiah 7 to 100 winners of a contest which he ran on his website. The first disc from Mixtape Messiah 7 was launched for free download on August 4, 2009, just after 11:30 pm EST, while Disc 2 was released on August 6, 2009, just after 2:00 am EST. The next day the next Disc 3 & 4 dropped making it a 66 track compilation. On September 29, it was officially announced that Chamillionaire's third album would indeed be entitled Venom after a fan vote on his Web site. The first single from this upcoming album is titled "Good Morning". The album was scheduled to be released on June 22, 2010. Chamillionaire appeared on the remix for Weezer's song "Can't Stop Partying", from their album Raditude. He also joined Weezer for live performances as Lil Wayne, who is featured on the original version of the track, was convicted on gun possession charges and was unable to perform. On December 11, 2009, Chamillionaire performed a set for "Fort Hood Community Strong", an event described as a day of "healing, fun and entertainment" for those placed at the Fort Hood military base who were affected by the shooting that took place on November 5, 2009, killing 13 people. Other performers at the event included Nick Jonas, Dana Carvey and Zac Brown Band. On December 23, 2009, Chamillionaire announced via his YouTube page that he would be initiating a new mixtape series entitled "Major Pain" through his website by dropping a disc entitled Major Pain on February 2, 2010. Due to the 2010 NBA All-Star Game taking place in Dallas, Texas, Chamillionaire released a new song, "The Main Event", on February 11, 2010, via free download. It features fellow Texas rappers Paul Wall, Slim Thug & Dorrough. "Every artist on the song with me has independent hustle and strength in the streets," he said. "It's an All-Star song, so what better place to shoot the video than All-Star Weekend, right here in our own backyard." It was later released to iTunes on June 8, 2010. On Chamillionaire's official website, he stated "Right now the Venom album is set for March 16 and has been pushed back just like Lil Wayne's Rebirth, Game's Red album, and countless other hip hop albums that this happens to." The date was later pushed back to June 22, but was not released that day. Venom has been confirmed as cancelled as Chamillionaire has parted ways with Universal.

Question: was Missiah the last album
Answer: His sixth installment in the Mixtape Messiah series was to be a "prelude" to Venom.

Question: what year did messiah release
Answer: The first disc from Mixtape Messiah 7 was launched for free download on August 4, 2009, just after 11:30 pm EST, while Disc 2 was released on August 6, 2009,

Question: when did venom come out
Answer: Venom has been confirmed as cancelled as Chamillionaire has parted ways with Universal.

Question: why did he leave universal

CANNOTANSWER
Not enough information
Cannot answer
Do not know


Prompt:
Title: Big Sean

Background: Sean Michael Leonard Anderson (born March 25, 1988), known professionally as Big Sean, is an American rapper. Sean signed with Kanye West's GOOD Music in 2007, Def Jam Recordings in 2008 and Roc Nation in 2014. After releasing a number of mixtapes, Sean released his debut studio album, Finally Famous, in 2011. He released his second studio album, Hall of Fame, in 2013.

Section: 2011-12: Finally Famous and Detroit
Passage: In an interview on Conspiracy Worldwide Radio, Sean discussed the role Kanye West and No I.D. have had in the development of his first studio album's sonic direction as well as the challenges of being inside the studio with West. The album's lead single, "My Last", features vocals from Chris Brown and was produced by No I.D. According to Amazon.com, Big Sean's Finally Famous was delayed by a week, with a tentative release date set for June 28. Big Sean has revealed the cover art for his G.O.O.D. Music debut and explained that the one-week pushback was to be blamed on sample and feature clearance issues. The official track list was revealed on June 7. Finally Famous, Sean's debut studio album, was released June 28, 2011, and spawned three hit singles; "My Last", "Marvin & Chardonnay" and "Dance (Ass)". The album featured guest appearances from Lupe Fiasco, John Legend, Pharrell, Kanye West, Roscoe Dash, Wiz Khalifa, Chiddy Bang, Rick Ross, Nicki Minaj, Pusha T, and included production from No I.D., The Legendary Traxster, Andrew "Pop" Wansel, Xaphoon Jones and The Neptunes. When the songs "O.T.T.R." and "Flowers" were leaked in July 2011, speculation began of a new mixtape. Sean confirmed in an interview June 28, 2011 that a collaborative mixtape between him and "two other guys in hip-hop that are just killing it right now" will be released "in a couple of weeks". Wiz Khalifa and Curren$y, were the suspected featured rappers on the mixtape. However, Wiz Khalifa later confirmed that there would be no mixtape, claiming that the songs were created, "just for fun". In September 2011, Big Sean confirmed in an interview with the Daily Tribune that he'll be working on his second album during the I Am Finally Famous Tour and plans to release the album sometime in 2012. On October 19, 2011, Kanye West announced on his Twitter plans for a Spring 2012 GOOD Music album release. On April 6, 2012, "Mercy", the lead single from the GOOD Music compilation album, Cruel Summer, was released. The song, produced by newly signed in-house producer Lifted, features Big Sean along with Kanye West, Pusha T and southern rapper 2 Chainz. Big Sean then announced his fourth mixtape would be titled "Detroit" and would serve as a lead-in to his second studio album. He then began promoting the mixtape, releasing short versions of the songs on his YouTube page. On September 5, 2012, Big Sean released the mixtape Detroit which features guest appearances from fellow rappers J. Cole, Juicy J, King Chip, French Montana, Royce da 5'9", Kendrick Lamar and Tyga.

Question: What kind of music was on Finally Famous?
Answer: The album's lead single, "My Last", features vocals from Chris Brown and was produced by No I.D.

Question: What other songs were on the album?
Answer: three hit singles; "My Last", "Marvin & Chardonnay" and "Dance (Ass)".

Question: Were there any hit songs on Detroit?


Prompt:
Title: Big Sean

Background: Sean Michael Leonard Anderson (born March 25, 1988), known professionally as Big Sean, is an American rapper. Sean signed with Kanye West's GOOD Music in 2007, Def Jam Recordings in 2008 and Roc Nation in 2014. After releasing a number of mixtapes, Sean released his debut studio album, Finally Famous, in 2011. He released his second studio album, Hall of Fame, in 2013.

Section: 2013-15: Hall of Fame and Dark Sky Paradise
Passage: Big Sean pushed back the release date of his second studio album Hall of Fame, and was eventually released on August 27, 2013. The album has skits to give it a "classic feel", and includes features from multiple artists, including Lil Wayne, Miguel, and Nas. The album's production was primarily handled by No I.D., and Key Wane along with additional production from Hit-Boy, and Da Internz, Mike Dean, Travis Scott, Xaphoon Jones and Young Chop among others. Big Sean also stated in an interview that he was in the studio with fellow Detroit native Eminem. Sean went on to say they made a "Detroit classic" but he is unsure if it will be on Hall of Fame because of "timing issues". Hall of Fame had spawned five singles, "Guap", "Switch Up" featuring Common, "Beware" featuring Jhene Aiko and Lil Wayne, "Fire", and "Ashley" featuring Miguel. A month prior to the release of Hall of Fame, Big Sean told Complex that he had already begun work on his third album due to the inspiration from his new relationship. On September 12, 2014 Big Sean announced that he had signed with Roc Nation. Later that same day he released four new songs titled, "I Don't Fuck with You", "Paradise", "4th Quarter" and "Jit/Juke". Producers for these songs include, Mike Will Made It, DJ Mustard, Kanye West, DJ Dahi, Nate Fox, Da Internz, L&F, and Key Wane. "I Don't Fuck with You" was released to iTunes on September 19, 2014. In an interview with Sway Calloway, Sean confirmed that Lil Wayne will be featured on the album. On January 25, 2015 various artists who worked on Big Sean's upcoming third studio album such as Kanye West, Ty Dolla Sign, DJ Mustard, Drake, Travis Scott and Ariana Grande posted the album cover to Twitter or Instagram. The next day, Big Sean posted a trailer to his new album which revealed the album's release date as February 24, 2015. The album, Dark Sky Paradise debuted atop the Billboard 200 making it his first No. 1 album. He would lead with Video singles for songs entitled "IDFWU", "Blessings", "I Know", "One Man Can Change The World", and "Play No Games." As of February 1, 2016, Dark Sky Paradise was certified platinum. On December 31, 2015, Big Sean released a track recapping 2015, "What A Year (Ft. Pharrell Williams & Detail)".

Question: Is Hall of Fame an album?
Answer: Big Sean pushed back the release date of his second studio album Hall of Fame,

Question: Why did he push it back?
Answer: CANNOTANSWER

Question: Were there any singles released?


Prompt:
Title: Hound Dog (song)

Background: "Hound Dog" is a twelve-bar blues song written by Jerry Leiber and Mike Stoller. Recorded originally by Willie Mae "Big Mama" Thornton on August 13, 1952, in Los Angeles and released by Peacock Records in late February 1953, "Hound Dog" was Thornton's only hit record, selling over 500,000 copies, spending 14 weeks in the R&B charts, including seven weeks at number one. Thornton's recording of "Hound Dog" is listed as one of the Rock and Roll Hall of Fame's "500 Songs That Shaped Rock and Roll", and was inducted into the Grammy Hall of Fame in February 2013. "Hound Dog" has been recorded more than 250 times. The best-known version is the July 1956 recording by Elvis Presley, which is ranked number 19 on Rolling Stone magazine's list of the 500 Greatest Songs of All Time; it is also one of the best-selling singles of all time.

Section: Proceedings
Passage: Their requests for payment having been ignored, Robey and two other music publishers initiated unprecedented legal proceedings in April against the record companies that released these competing songs, alleging copyright infringement. As a result, Chess Records withdrew Brim's "Rattlesnake" from sale. In the Memphis courts, Lion Publishing Co. sought royalties and treble damages, claiming "Bear Cat" was "a dead steal". In May, Phillips responded: "There's a lot of difference in the words. As for the tune, there's practically no melody, but a rhythm pattern", adding that it is hard to differentiate between any two 12-bar blues songs. By June 1953 in a "precedent-setting" decision the Court ruled against Phillips, and upheld the charges of plagiarism, finding the tune and some of the lyrics of "Bear Cat" to be identical to those of "Hound Dog". Phillips was ordered to pay 2% of all of the profits of "Bear Cat" plus court costs. As this amounted to $35,000 compensation, Phillips was reduced to near bankruptcy, ultimately forcing him to sell Elvis Presley's Sun contract to RCA for $35,000 to raise the funds to settle his debts. On June 4, 1953, Jet reported that: "The Sun Record Company of Memphis agreed to pay $2,080 to a Texas Recording firm because its blues tune, Bear Cat, is too similar to Hound Dog. Lion Publishing Company of Houston, Tex., won the out-of-court settlement after contending in a court suit that Bear Cat was a "conscious imitation" of their own recording with "only minor variations." Sam C. Phillips of Sun Record agreed to pay Hound Dog owners two cents per record for 79,000 waxings of Bear Cat already sold and two cents a record for future sales. On July 8 Robey wrote to Phillips again, thanking him "kindly for your co-operation in this matter", but Phillips still refused to purchase a mechanical license for Thomas' "Bear Cat". Robey then instructed his company lawyer Irving Marcus to sue Phillips and Sun Records, hoping to use this as a test case to determine the legal status of all answer songs. While earlier pressings of Sun 181 bore the caption "(The Answer To Hound Dog)" above the A-side title, as a result of the legal action this was removed from all later pressings. In the 1980s, Sam Phillips conceded: "I should have known better. The melody was exactly the same as theirs, but we claimed the credit for writing the damn thing".

Question: When did the proceedings begin?
Answer: By June 1953 in a "precedent-setting" decision the Court ruled against Phillips, and upheld the charges of plagiarism,

Question: Who filed the suit?
Answer: Robey and two other music publishers initiated unprecedented legal proceedings

Question: What happened during the proceedings?
Answer: the Court ruled against Phillips, and upheld the charges of plagiarism,

Question: Are there any other interesting aspects about this article?
Answer: Phillips was ordered to pay 2% of all of the profits of "Bear Cat" plus court costs.

Question: How much money was involved?
Answer: As this amounted to $35,000 compensation, Phillips was reduced to near bankruptcy,

Question: What was their roll in all this?


Prompt:
Title: DJ Kool Herc

Background: Clive Campbell (born April 16, 1955), better known by his stage name DJ Kool Herc, is a Jamaican-American DJ who is credited with helping originate hip hop music in the early-1970s in The Bronx, New York City. Known as the "Founder of Hip-Hop" and "Father of Hip-Hop", Campbell began playing hard funk records of the sort typified by James Brown as an alternative both to the violent gang culture of the Bronx and to the nascent popularity of disco in the 1970s. Campbell began to isolate the instrumental portion of the record, which emphasized the drum beat--the "break"--and switch from one break to another. Using the same two turntable set-up of disco DJs, Campbell used two copies of the same record to elongate the break.

Section: The break
Passage: DJ Kool Herc developed the style that was the blueprint for hip hop music. Herc used the record to focus on a short, heavily percussive part in it: the "break". Since this part of the record was the one the dancers liked best, Herc isolated the break and prolonged it by changing between two record players. As one record reached the end of the break, he cued a second record back to the beginning of the break, which allowed him to extend a relatively short section of music into "five-minute loop of fury". This innovation had its roots in what Herc called "The Merry-Go-Round," a technique by which the deejay switched from break to break at the height of the party. This technique is specifically called "The Merry-Go-Round" because according to Herc, it takes one "back and forth with no slack." Herc told The New York Times that he first introduced the Merry-Go-Round into his sets in 1972. The earliest known Merry-Go-Round involved playing James Brown's "Give It Up or Turnit a Loose" (with its refrain, "Now clap your hands! Stomp your feet!"), then switching from that record's break into the break from a second record, "Bongo Rock" by The Incredible Bongo Band. From the "Bongo Rock"'s break, Herc used a third record to switch to the break on "The Mexican" by the English rock band Babe Ruth. Kool Herc also contributed to developing the rhyming style of hip hop by punctuating the recorded music with slang phrases, announcing: "Rock on, my mellow!" "B-boys, b-girls, are you ready? keep on rock steady" "This is the joint! Herc beat on the point" "To the beat, y'all!" "You don't stop!" For his contributions, Herc is called a "founding father of hip hop," a "nascent cultural hero," and an integral part of the beginnings of hip hop by Time. On August 11, 1973, DJ Kool Herc was a disc jockey and emcee at a party in the recreation room at Sedgwick Avenue. Specifically, DJ Kool Herc: extended an instrumental beat (breaking or scratching) to let people dance longer (break dancing) and began MC'ing (rapping) during the extended breakdancing. ... [This] helped lay the foundation for a cultural revolution. According to music journalist Steven Ivory, in 1973, Herc placed on the turntables two copies of Brown's 1970 Sex Machine album and ran "an extended cut 'n' mix of the percussion breakdown" from "Give It Up or Turnit Loose", signaling the birth of hip hop.

Question: What was the break?
Answer: Herc used the record to focus on a short, heavily percussive part in it: the "break".

Question: What did the break consist of?
Answer: Specifically, DJ Kool Herc: extended an instrumental beat (breaking or scratching) to let people dance longer

Question: How did it lead to a cultural evolution?


Prompt:
Title: Sherpa people

Background: Sherpa are a Tibetic ethnic group native to the most mountainous regions of Nepal, China, Bhutan and India, the Himalayas. The term sherpa or sherwa derives from the Sherpa language words shar ("east") and wa ("people"), a reference to their geographical origin in northeastern Tibet. Most Sherpa people live in eastern regions of Nepal; however, some live farther west in the Rolwaling valley and in the Helambu region north of Kathmandu. Tengboche is the oldest Sherpa village in Nepal.

Section: Religion
Passage: According to oral Buddhist traditions, the initial Tibetan migration was a search for a beyul (Buddhist pure-lands). Sherpas belong to the Nyingmapa, the "Ancient" school of Buddhism. Allegedly the oldest Buddhist sect in Tibet, founded by Padmasambhava (commonly known as Guru Rinpoche) during the 8th century, it emphasizes mysticism and the incorporation of local deities shared by the pre-Buddhist Bon religion, which has shamanic elements. Sherpa particularly believe in hidden treasures and valleys. Traditionally, Nyingmapa practice was passed down orally through a loose network of lay practitioners. Monasteries with celibate monks and nuns, along with the belief in reincarnated spiritual leaders, are later adaptations. In addition to Buddha and the great Buddhist divinities, the Sherpa also believe in numerous deities and demons who inhabit every mountain, cave, and forest. These have to be respected or appeased through ancient practices woven into the fabric of Buddhist ritual life. Many of the great Himalayan mountains are considered sacred. The Sherpas call Mount Everest Chomolungma and respect it as the "Mother of the World." Mount Makalu is respected as the deity Shankar (Shiva). Each clan reveres certain mountain peaks and their protective deities. Today, the day-to-day Sherpas religious affairs are presided over by lamas (Buddhist spiritual leaders) and other religious practitioners living in the villages. The village lama who presides over ceremonies and rituals can be a celibate monk or a married householder. In addition, shamans (lhawa) and soothsayers (mindung) deal with the supernatural and the spirit world. Lamas identify witches (pem), act as the mouthpiece of deities and spirits, and diagnose spiritual illnesses. An important aspect of Sherpa religion is the monastery or gompa. There are some two dozen gompas scattered throughout the Solukhumbu region. They are communities of lamas or monks (sometimes of nuns) who take a vow of celibacy and lead a life of isolation searching for truth and religious enlightenment. They are respected by and supported by the community at large. Their contact with the outside world is focused on monastery practices and annual festivals to which the public is invited, as well as the reading of sacred texts at funerals. Minority religions for Sherpas is Hinduism.

Question: What is the religion of the Sherpa people ?
Answer: Minority religions for Sherpas is Hinduism.

Question: What do the majority of Sherpas believe in ?
Answer: Sherpa particularly believe in hidden treasures and valleys.

Question: What deities or gods do they believe in ?
Answer: numerous deities and demons who inhabit every mountain, cave, and forest.

Question: Do Sherpa People have holy men ?
Answer: Buddha and the great Buddhist divinities,

Question: Where do Sherpa people pray ?
Answer: Monasteries

Question: Are there any other interesting aspects about this article?
Answer: The Sherpas call Mount Everest Chomolungma

Question: Is Mt. Everest a holy site for them ?
Answer: respect it as the "Mother of the World."

Question: How do shamans deal with the supernatural ?

CANNOTANSWER
Not enough information
Cannot answer
Do not know


Prompt:
Title: Asif Ali Zardari

Background: Asif Ali Zardari (Urdu: aSf `ly zrdry; Sindhi: aSf `ly zrdry; born 26 July 1955) is a Pakistani politician and the former co-chairperson of Pakistan People's Party. He served as the 11th President of Pakistan from 2008 to 2013, the first president born after Partition. The son of Hakim Ali Zardari, a landowner from Sindh, Zardari rose to prominence after his marriage to Benazir Bhutto in 1987, becoming the First Gentleman after his wife was elected Prime Minister in 1988. When Bhutto's government was dismissed by President Ghulam Ishaq Khan in 1990, Zardari was widely criticized for involvement in corruption scandals that led to its collapse.

Section: February parliamentary elections and coalition formation
Passage: He generally stayed out of his wife's first administration, but he and his associates became entangled in corruption cases linked to the government. He was largely blamed for the collapse of the Bhutto administration. After the dismissal of Bhutto's government in August 1990, Benazir Bhutto and Zardari were prohibited from leaving the country by security forces under the direction of the Pakistan Army. During the interim government between August and October, caretaker Prime Minister Ghulam Mustafa Jatoi, a Bhutto rival, initiated investigations of corruption by the Bhutto administration. Jatoi accused Zardari of using his wife's political position to charge a ten percent commission for obtaining permission to set up any project or to receive loans. He was tagged with the nickname "Mr. Ten Percent". He was arrested on 10 October 1990 on charges relating to kidnapping and extortion. The charges alleged an extortion scheme that involved tying a supposed bomb to a British businessman's leg. The Bhutto family considered the indictment politically motivated and fabricated. In the October 1990 elections, he was elected to the National Assembly while in jail. Bhutto and the PPP staged a walkout from the inaugural session of the National Assembly to protest Zardari's incarceration. He posted $20,000 bail, but his release was blocked by a government ordinance that removed a court's power to release suspects being tried in the terrorist court, which fast-track trials for alleged terrorists. The ordinance was later revoked and a special court acquitted him of bank fraud and conspiracy to murder political opponents. He was freed in February 1993. In March 1994, Zardari was acquitted of bank fraud charges. All other corruption charges relating to Bhutto's first term were dropped or thrown out of the courts. On March 25, 1991, the hijackers aboard Singapore Airlines Flight 117 demanded Zardari's release among other demands. The hijackers were killed by Singapore Commandos. In April 1993, he became one of the 18 cabinet ministers in the caretaker government that succeeded Nawaz Sharif's first abridged premiership. The caretaker government lasted until the July elections. After Bhutto's election, he served as her Investment Minister, chief of the intelligence bureau, and the head of the Federal Investigation Agency. In February 1994, Benazir sent Zardari to meet with Saddam Hussein in Iraq to deliver medicine in exchange for three detained Pakistanis arrested on the ambiguous Kuwait-Iraq border. In April 1994, Zardari denied allegations that he was wielding unregulated influence as a spouse and acting as "de-facto Prime Minister". In March 1995, he was appointed chairman of the new Environment Protection Council. During the beginning of the second Bhutto Administration, a Bhutto family feud between Benazir and her mother, Nusrat Bhutto, surfaced over the political future of Murtaza Bhutto, Nusrat's son and Benazir's younger brother. Benazir thanked Zardari for his support. In September 1996, Murtaza and seven others died in a shootout with police in Karachi, while the city was undergoing a three-year civil war. At Murtaza's funeral, Nusrat accused Benazir and Zardari of being responsible and vowed to pursue prosecution. Ghinwa Bhutto, Murtaza's widow, also accused Zardari of being behind his killing. President Farooq Leghari, who would dismiss the Bhutto government seven weeks after Murtaza's death, also suspected Benazir and Zardari's involvement. Several of Pakistan's leading newspapers alleged that Zardari wanted his brother-in-law out of the way because of Murtaza's activities as head of a breakaway faction of the PPP. In November 1996, Bhutto's government was dismissed by Leghari primarily because of corruption and Murtaza's death. Zardari was arrested in Lahore while attempting to flee the country to Dubai. Zardari called for no delays to the 8 January parliamentary elections and for the participation of all opposition parties. Other major political parties quickly agreed to participate, ending any chance of a boycott. Because of the turmoil after the Bhutto assassination, the elections were postponed six weeks to 18 February. In January 2008, he suggested that if his party did win a majority, it might form a coalition with Musharraf's Pakistan Muslim League-Q (PML-Q). He and Nawaz Sharif, leader of the Pakistan Muslim League (N) party (PML-N), threatened national protests if any vote-rigging was attempted. He himself could not run for Parliament because he had not filed election papers in November 2008, back when he had no foreseeable political ambition while Bhutto was alive. The PPP and the PML-N won the largest and second largest number of seats respectively in the February elections. He and Sharif agreed to form a coalition government, ending American hopes of a power-sharing deal between him and Musharraf. They agreed to restore the judiciary, but Zardari took a less stringent stance than Sharif. He met with U.S. ambassador Anne W. Patterson, who pushed for a pact with Musharraf. To strengthen the new coalition, he reached out to Awami National Party, the Muttahida Qaumi Movement, and Baloch nationalist leaders, who had all boycotted the elections. After weeks of speculation and party infighting, he said he did not want to become Prime Minister. In mid-March 2008, he chose Yousaf Raza Gillani for Prime Minister in a snub to the more politically powerful Makhdoom Amin Fahim.

Question: When did the coalition form?
Answer: In January 2008, he suggested that if his party did win a majority, it might form a coalition with Musharraf's Pakistan Muslim League-Q

Question: Who was the coalition formed with?
Answer: He and Sharif agreed to form a coalition government,

Question: Who did not want to become prime minister?


Prompt:
Title: Northrop Frye

Background: Herman Northrop Frye  (July 14, 1912 - January 23, 1991) was a Canadian literary critic and literary theorist, considered one of the most influential of the 20th century. Frye gained international fame with his first book, Fearful Symmetry (1947), which led to the reinterpretation of the poetry of William Blake. His lasting reputation rests principally on the theory of literary criticism that he developed in Anatomy of Criticism (1957), one of the most important works of literary theory published in the twentieth century. The American critic Harold Bloom commented at the time of its publication that Anatomy established Frye as "the foremost living student of Western literature."

Section: The order of words
Passage: The recurring primitive formulas Frye noticed in his survey of the "greatest classics" provide literature with an order of words, a "skeleton" which allows the reader "to respond imaginatively to any literary work by seeing it in the larger perspective provided by its literary and social contexts" (Hamilton 20). Frye identifies these formulas as the "conventional myths and metaphors" which he calls "archetypes" (Spiritus Mundi 118). The archetypes of literature exist, Frye argues, as an order of words, providing criticism with a conceptual framework and a body of knowledge derived not from an ideological system but rooted in the imagination itself. Thus, rather than interpreting literary works from some ideological 'position' -- what Frye calls the "superimposed critical attitude" (Anatomy 7) -- criticism instead finds integrity within the literary field itself. Criticism for Frye, then, is not a task of evaluation -- that is, of rejecting or accepting a literary work -- but rather simply of recognizing it for what it is and understanding it in relation to other works within the 'order of words'  (Cotrupi 4). Imposing value judgments on literature belongs, according to Frye, "only to the history of taste, and therefore follows the vacillations of fashionable prejudice" (Anatomy 9). Genuine criticism "progresses toward making the whole of literature intelligible" (Anatomy 9) so that its goal is ultimately knowledge and not evaluation. For the critic in Frye's mode, then, . . . a literary work should be contemplated as a pattern of knowledge, an act that must be distinguished, at least initially, from any direct experience of the work, . . . [Thus] criticism begins when reading ends: no longer imaginatively subjected to a literary work, the critic tries to make sense out of it, not by going to some historical context or by commenting on the immediate experience of reading but by seeing its structure within literature and literature within culture (Hamilton 27).

Question: What is the order of words meaning?
Answer: Frye argues, as an order of words, providing criticism with a conceptual framework and a body of knowledge derived not from an ideological system but rooted in the imagination itself.

Question: What contribution did his work make to the literary world?