Prompt:
Title: Cecil Rhodes

Background: Cecil John Rhodes PC (5 July 1853 - 26 March 1902) was a British businessman, mining magnate and politician in southern Africa who served as Prime Minister of the Cape Colony from 1890 to 1896. An ardent believer in British imperialism, Rhodes and his British South Africa Company founded the southern African territory of Rhodesia (now Zimbabwe and Zambia), which the company named after him in 1895. South Africa's Rhodes University is also named after him. Rhodes set up the provisions of the Rhodes Scholarship, which is funded by his estate, and put much effort towards his vision of a Cape to Cairo Railway through British territory.

Section: Diamonds and the establishment of De Beers
Passage: During his years at Oxford, Rhodes continued to prosper in Kimberley. Before his departure for Oxford, he and C.D. Rudd had moved from the Kimberley Mine to invest in the more costly claims of what was known as old De Beers (Vooruitzicht). It was named after Johannes Nicolaas de Beer and his brother, Diederik Arnoldus, who occupied the farm. After purchasing the land in 1839 from David Danser, a Koranna chief in the area, David Stephanus Fourie, Claudine Fourie-Grosvenor's forebearer, had allowed the de Beers and various other Afrikaner families to cultivate the land. The region extended from the Modder River via the Vet River up to the Vaal River. In 1874 and 1875, the diamond fields were in the grip of depression, but Rhodes and Rudd were among those who stayed to consolidate their interests. They believed that diamonds would be numerous in the hard blue ground that had been exposed after the softer, yellow layer near the surface had been worked out. During this time, the technical problem of clearing out the water that was flooding the mines became serious. Rhodes and Rudd obtained the contract for pumping water out of the three main mines. After Rhodes returned from his first term at Oxford he lived with Robert Dundas Graham, who later became a mining partner with Rudd and Rhodes. On 13 March 1888, Rhodes and Rudd launched De Beers Consolidated Mines after the amalgamation of a number of individual claims. With PS200,000 of capital, the company, of which Rhodes was secretary, owned the largest interest in the mine (PS200,000 in 1880 = PS12.9m in 2004 = $22.5m USD). Rhodes was named the chairman of De Beers at the company's founding in 1888. De Beers was established with funding from N M Rothschild & Sons Limited in 1887.

Question: When was De Beers established?
Answer: 13 March 1888,

Question: What was De Beers?
Answer: Consolidated Mines

Question: Did De Beers have any set backs or obstacles?


Prompt:
Title: RuPaul

Background: RuPaul Andre Charles (born November 17, 1960) is an American drag queen, actor, model, singer, songwriter, television personality, and author. Since 2009, he has produced and hosted the reality competition series RuPaul's Drag Race, for which he received two Primetime Emmy Awards in 2016 and 2017. RuPaul is considered to be the most commercially successful drag queen in the United States. In 2017, he was included in the annual Time 100 list of the most influential people in the world.

Section: 2011-2013: Glamazon, make-up and perfume line
Passage: In April 2011, coinciding with the finale of season 3 of RuPaul's Drag Race, RuPaul released his sixth studio album Glamazon, produced by Revolucian, who previously worked with RuPaul on his album Champion. The album charted on the Billboard Dance/Electronic Albums chart and the Billboard Top Heatseekers chart at number 11 and 8 respectively. In July 2011, RuPaul released another remix EP entitled SuperGlam DQ, which features remixes of tracks from Glamazon, remixes of the "Drag U Theme Song", and a new song, "Sexy Drag Queen". Starting in June 2011, the second season of RuPaul's Drag U aired. In late 2011, promotions for season 4 of Drag Race began. RuPaul made appearances on The Rosie Show and The Chew, and also attended a Drag Race NY Premiere party at Patricia Field's store in New York. Season 4 of RuPaul's Drag Race premiered on Logo on January 30, 2012, with RuPaul returning as the main host and judge. After season 4 ended, TV.com declared that it was the best reality TV show on television. In the fall of 2012, the spin-off RuPaul's Drag Race: All Stars premiered after a large fan demand. The show featured past contestants of the previous four seasons to compete. Season 5 of RuPaul's Drag Race premiered on January 28, 2013, with a 90-minute special and RuPaul returning as the main host and judge. On April 30, 2013, RuPaul released a single "Lick It Lollipop" featuring Lady Bunny, who RuPaul previously collaborated with on Champion. On October 25, 2013 RuPaul reported via Twitter that the new album would be released in January 2014. In fall of 2013, RuPaul joined forces with cosmetic manufacturers Colorevolution to launch his debut make-up line featuring ultra-rich pigment cosmetics and a beauty collection. Released alongside the line was a unisex perfume entitled "Glamazon". Talking to World of Wonder, RuPaul said: "Glamazon is for women and men of all ages and preferences who share one thing in common: They are not afraid to be fierce. For me, glamour should be accessible to all, and I am committed to helping the world look and smell more beautiful." The line was exclusively sold on the Colorevolution website in various gift sets.

Question: What was Glamazon?
Answer: his sixth studio album

Question: Did it have any singles?
Answer: remixes of the "Drag U Theme Song", and a new song, "Sexy Drag Queen".

Question: Did the album lead to any other roles?


Prompt:
Title: RuPaul

Background: RuPaul Andre Charles (born November 17, 1960) is an American drag queen, actor, model, singer, songwriter, television personality, and author. Since 2009, he has produced and hosted the reality competition series RuPaul's Drag Race, for which he received two Primetime Emmy Awards in 2016 and 2017. RuPaul is considered to be the most commercially successful drag queen in the United States. In 2017, he was included in the annual Time 100 list of the most influential people in the world.

Section: Early life and career
Passage: RuPaul was born in San Diego, California, on November 17, 1960. He was named by his mother, Ernestine "Toni" Charles, a Louisiana native; the "Ru" came from roux, which is the term for the base of gumbo and other creole stews and soups. When his parents divorced in 1967, he and his three sisters lived with their mother. At the age of 15, he moved to Atlanta, Georgia, with his sister Renetta to study performing arts. In the ensuing years, RuPaul struggled as a musician and filmmaker during the 1980s. He participated in underground cinema, helping create the low-budget film Star Booty, and an album by the same name. In Atlanta, RuPaul often performed at the Celebrity Club (managed by Larry Tee) as a bar dancer or with his band, Wee Wee Pole. RuPaul also performed as a backup singer to Glen Meadmore along with drag queen Vaginal Davis. RuPaul's first prominent United States national exposure came in 1989 with an extra role dancing in the video for "Love Shack" by The B-52's. In the early 1990s, RuPaul worked the Georgia club scene and was known by his full birth name. Initially participating in gender bender-style performances, RuPaul performed solo and in collaboration with other bands at several New York City nightclubs, most notably the Pyramid Club. He played opposite New York City drag performer Mona Foote (Nashom Benjamin) in the one-act science-fiction parody "My Pet Homo" written and directed by Jon Michael Johnson for Cooper Square Productions. He appeared for many years at the annual Wigstock drag festival and appeared in the documentary Wigstock: The Movie. In the 1990s, RuPaul was known in the UK for his appearances on the Channel 4 series Manhattan Cable, a weekly series produced by World of Wonder and presented by American Laurie Pike about New York's wild and wacky public-access television system.

Question: Where was RuPaul born?
Answer: San Diego, California,

Question: When did he start his career?


Prompt:
Title: Sakis Rouvas

Background: Rouvas was born on 5 January 1972 in the village of Mandoukion, near Corfu City on the island of Corfu, the eldest of four sons of Konstantinos "Kostas" Rouvas (an ambulance driver) and the teenaged Anna-Maria Panaretou (a duty-free shop clerk at the local airport). He has three brothers: Billy (b. Vasilios), Tolis (b. Apostolos, 1975) and Nikos (b. Nikolaos, 1991). The family was poor, and Rouvas began taking care of his brothers at age five. At age four, he exhibited athletic ability and took ballet classes as a child.

Section: Vocal style
Passage: Rouvas had no vocal lessons as a boy and taught himself primarily by ear, so during the recording of his first album he had to learn music theory in a short time. His voice developed significantly since his early teenaged performances. Rouvas' detractors have criticized his voice as average, or limited, contending that his appeal is based on image. Whatever the assessment of his voice, it has often been overshadowed by showmanship and appearance in the media; many preferred to watch him perform than to listen to him. These criticisms diminished by the second decade of Rouvas' career; his technical skills (range, power and versatility in particular) and expression are better appreciated. Rouvas has a tenor vocal range; although he can also sing low, in the F-clef range, he prefers to sing higher and can reach notes beyond the typical tenor high without falsetto, varying his dynamics from whispers to belts. His vocal power was evident in early recordings, notably on "Mia Fora" from Aima, Dakrya & Idrotas (the first album to showcase his vocal ability). During his 1997-98 hiatus, Rouvas received voice lessons from American coach Raz Kennedy focusing on rock and blues techniques. His subsequent sixth album, Kati Apo Mena, was a milestone in Rouvas' vocal development; he exhibited a consistent depth and dimension which previously appeared only sporadically on his first five albums. He won the Pop Corn Music Award for Best Male Vocal Performance twice in a row: for 1999's "Den Ehei Sidera I Kardia Sou" and 2000's "Se Thelo San Trelos" (the latter from 21os Akatallilos). By Live Ballads in 2006, Pavlos Zervas of Music Corner considered that Rouvas' voice had reached its most-mature form. Critic Tasos P. Karantis of Orfeas conceded that Rouvas sang with competence and technical precision, and his voice was easily recognizable. Ilias Malasidis of Athens 24 noted that Rouvas' voice was initially more intriguing than his material. His voice is best-suited to power ballads, his signature style due to his sensual tone. Reviewers have praised Rouvas' live performances, particularly his ability to execute "especially difficult and demanding songs", hold long, high notes and dance while singing. Down Town commended him for never using a playback track, common among Greek artists, but Billboard noted that an ability to sing well in English would increase his international appeal. During his career, Rouvas has perform in a number of genres, contemporary and traditional; in some songs (such as "O Iroas" from Iparhi Agapi Edo), he delivers spoken verses which have been described as a "light rap." He has also performed as a crooner styles and a classical tenor. Rouvas' defining characteristic as a vocalist has been his emotional expression. He maintains his voice with a strict organic food diet and avoiding alcohol and smoking, banning smoking in his dressing room. Singer-songwriter Stelios Rokkos, who collaborated with him for three seasons, described him as "probably the most disciplined singer I have ever met--in fact, to the point of insanity."

Question: What kind of vocal style does Sakis Rouvas have?
Answer: These criticisms diminished by the second decade of Rouvas' career; his technical skills (range, power and versatility in particular) and expression are better appreciated.

Question: What other criticisms are there?

CANNOTANSWER
Not enough information
Cannot answer
Do not know


Prompt:
Title: Sakis Rouvas

Background: Rouvas was born on 5 January 1972 in the village of Mandoukion, near Corfu City on the island of Corfu, the eldest of four sons of Konstantinos "Kostas" Rouvas (an ambulance driver) and the teenaged Anna-Maria Panaretou (a duty-free shop clerk at the local airport). He has three brothers: Billy (b. Vasilios), Tolis (b. Apostolos, 1975) and Nikos (b. Nikolaos, 1991). The family was poor, and Rouvas began taking care of his brothers at age five. At age four, he exhibited athletic ability and took ballet classes as a child.

Section: Film and television
Passage: After his 2005 move to Los Angeles Rouvas studied acting and received some training from his friend, Tom Hanks. He was interested in film since childhood, and a year and a half later he received an offer from Village Roadshow. In Rouvas' first feature film, Alter Ego (of which he was also associate producer), he played a role similar to himself. Before that, he dubbed English-language animated films in Greek. When comparisons between Rouvas and the character Stefanos in Alter Ego arose (with speculation that the character was autobiographical), he replied that despite similarities Stefanos was a "much more aggressive person." Rouvas adopted a new look for the film, credited by Nitro as reflecting the emo movement emerging among Greek youth. While Rouvas was attracted some critical praise for his foray into acting, others felt that it was too early to evaluate his acting talent. Rouvas' second film (the indie Duress) was a Hollywood psychological thriller in which he played a serial killer, against type for Greek audiences, and said the film was the most difficult thing he had done in his career until that point. Giannis Zoumboulakis of To Vima found Rouvas convincing in the film's cat-and-mouse plot: "You accept the proposal from the first moments, forgetting completely that the 'bad' guy in the story is the host of X-Factor", concluding that "Going against his own image, Rouvas creates a very exceptional psycho killer. With his gray-beige, old wool coat and grimy, parted hair and without his bright smile he creates from scratch a hero that is all his." Panagiotis Timogiannakis contended that Rouvas began showing a different side of himself in Alter Ego, noting that the lighting in both films did not flatter him. Timogiannakis wondered if Rouvas had deglamourized himself to receive serious roles: "He needs to clear up whether he wants to have a career of a star or of a role player. A born role player he does not seem to be. A born star he is." The 2006 Eurovision Song Contest was a springboard for glib host roles, such as for The X Factor. Producer Giannis Latsios said that Rouvas' presence contributed significantly to the show's success, calling his first-season performance "great" and adding: "We had a program that had to do with music and Sakis, on a collective level, is an icon that the generation which participates in this show has as an idol. He is a glowing character with much higher capabilities of expression and, if he decides to continue this path, will improve. He has immediacy, critique and most of all he gave to a program a luster, which was not standard from the beginning."

Question: What was his first tv appearance?
Answer: he received an offer from Village Roadshow.

Question: Did he accept and appear on the show?
Answer: CANNOTANSWER

Question: What was his next tv offer?
Answer: In Rouvas' first feature film, Alter Ego (of which he was also associate producer),

Question: Did he act in alter ego, or just sing?
Answer: he played a role similar to himself.

Question: What other films has he been in?


Prompt:
Title: Nancy Benoit

Background: After graduating DeLand High School, Nancy got a job answering phones at State Farm Insurance. When George Napolitano needed a beautiful young girl for the cover of the June 1984 edition of the pro-wrestling magazine Wrestling All Stars, fellow photographer Bill Otten suggested the 20-year-old Nancy Toffoloni Daus for the role. Nancy, who had worked as a model, often sat alongside her then-husband Jim.

Section: World Championship Wrestling (1996-1997)
Passage: After being dumped by Sandman and Scorpio in ECW, she once again resurfaced in WCW, first appearing on the January 22, 1996 episode of WCW Monday Nitro as one of many women who stood in the aisle and waved as Hulk Hogan and Randy Savage came to the ring. On the February 5 episode of Nitro she turned on Savage during his match with Chris Benoit and rejoined Flair, Arn Anderson, Brian Pillman, and Benoit in the then-current incarnation of the Four Horsemen. Miss Elizabeth also managed the stable. In 1996, Pillman had left the Horsemen, but they added Steve McMichael and his wife Debra in June, which didn't sit well with Woman. In her next angle, the two bickered, not getting along in general. The Four Horsemen were often given interview time on Nitro and when it came time for Debra to speak on the mic, she'd often go into a soliloquy regarding Woman's looks and fashion sense -- usually when the two weren't within the vicinity of each other. Despite the heavy tension, the two managers never had a physical altercation. At the same time, she started an on-screen relationship with Benoit, who at the time was involved in a feud with her real-life husband, Kevin Sullivan. On December 7, on WCW Saturday Night, during a post-match interview with Sullivan, a home movie of the couple canoodling in a kitchen was played in front of him. Woman taunted Sullivan by saying, "You can't find me" and "I'm my own woman," while Benoit added: "You consider yourself the master of human chess. Well, my bishop just took your queen". After the video, Sullivan stood there speechless, and his manager Jimmy Hart led him off stage. This feud between Benoit and Sullivan saw Woman clashing with Sullivan's then-valet Jacquelyn at ringside. In one match, the two ladies were strapped together, took shots at each other, and used the strap connecting them as a weapon against the men. Eventually, the Benoit-Nancy on-screen relationship developed into a real-life affair off-screen. Because of this, it is often joked that 'Kevin Sullivan booked his own divorce.' The two were indeed divorced in 1997. What's more, Sullivan lost a retirement match to Benoit. His intent had been to retire from in-ring action and focus on booking. Nancy's final WCW appearance (and professional wrestling appearance as Woman) took place on May 26, 1997 on Monday Nitro as she accompanied Benoit to the ring for a confrontation with Jimmy Hart regarding the whereabouts of Sullivan, who wasn't in the arena. On the following week's show, Benoit came alone to ringside without her by his side. After managing him for a little over half a year, no reason was given for Woman's sudden disappearance, and she was never mentioned on WCW programming again.

Question: What happened in 1996?
Answer: After being dumped by Sandman and Scorpio in ECW, she once again resurfaced in WCW, first appearing on the January 22, 1996 episode

Question: What happened in the episode?
Answer: one of many women who stood in the aisle and waved as Hulk Hogan and Randy Savage came to the ring.

Question: Did she wrestle or just wave?

CANNOTANSWER
Not enough information
Cannot answer
Do not know


Prompt:
Title: Shraddha Kapoor

Background: Shraddha Kapoor (born 3 March 1987) is an Indian actress and singer who works in Hindi films. The daughter of actor Shakti Kapoor, she began her acting career with a brief role in the 2010 heist film Teen Patti, and followed it with her first leading role in the teen drama Luv Ka The End (2011). Kapoor gained wide recognition for playing a singer in the commercially successful romantic drama Aashiqui 2 (2013), for which she received several accolades including a Filmfare nomination for the Best Actress. The following year, she portrayed a character based on Ophelia in Vishal Bhardwaj's critically acclaimed drama Haider (2014), an adaptation of William Shakespeare's tragedy Hamlet.

Section: Early life and background
Passage: Kapoor was born and raised in Mumbai in a mixed ethnic family. On her father's side, Kapoor is of Punjabi descent, and on her mother's side, she is of Marathi ancestry. She has said that she went through a tomboyish phase as a child and described herself as having a strong attitude, because of which she was deliberately picking fights with boys. Kapoor's family members include her father Shakti Kapoor and mother Shivangi Kapoor, her elder brother Siddhanth Kapoor, her two aunts Padmini Kolhapure and Tejaswini Kolhapure. She is the great-niece of the Mangeshkar siblings: Lata, Asha, Meena, Usha and Hridaynath.  Hailing from a family of actors, Kapoor desired to become an actress since a young age. Wearing her parent's clothes, she used to rehearse film dialogues and dance to Bollywood songs in front of the mirror. She also accompanied her father to various shooting locations in her childhood. During one of David Dhawan's shoots, Kapoor befriended actor Varun Dhawan, to play with him, and they were holding a torch pretending it to be a camera while delivering film lines to each other, and they were also dancing to Govinda's film songs. Kapoor did her schooling at Jamnabai Narsee School and at the age of 15, she shifted to the American School of Bombay, where she was schoolmate with actress Athiya Shetty and actor Tiger Shroff. In an interview with The Times of India, Shetty revealed that they all used to participate in dance competitions. Believing herself to be competitive at the age of 17, Kapoor played soccer and handball as she thought these games were challenging. When interviewed by The Hindustan Times in 2016, both Kapoor and Shroff admitted that they had a crush on each other in school, but never proposed to each other. Kapoor then enrolled in Boston University to major in psychology, but subsequently left in her freshman year to appear in her debut film after she was seen on Facebook by producer Ambika Hinduja, who cast her for a role in Teen Patti. In an Interview with the Filmfare magazine, Shakti Kapoor revealed that Kapoor was barely 16 years old when she was offered her first film by Salman Khan, after he was fascinated by one of her school play performances, but Kapoor, considering herself to be studious, rejected the proposal as she was also aspiring to become a psychologist. Kapoor was trained as a singer since her childhood as her maternal grandfather and mother are classical singers.

Question: Where did she grow up?
Answer: Kapoor was born and raised in Mumbai

Question: Did she go to school there?
Answer: Kapoor did her schooling at Jamnabai Narsee School and at the age of 15, she shifted to the American School of Bombay,

Question: What else did she do during her childhood?


Prompt:
Title: X Japan

Background: X Japan (Japanese: etsukusuziyapan, Hepburn: Ekkusu Japan) is a Japanese heavy metal band from Chiba, formed in 1982 by drummer Yoshiki and lead vocalist Toshi. Predominantly a power/speed metal band with heavy symphonic elements, they later gravitated towards a progressive sound with an emphasis on ballads. Besides being one of the first Japanese acts to achieve mainstream success while on an independent label, the group is widely credited as one of the pioneers of visual kei, a movement among Japanese musicians comparable to Western glam. Originally named X (etsukusu, Ekkusu), they released their debut album Vanishing Vision (1988) on Yoshiki's own Extasy Records a year after finalizing their line-up including bassist Taiji, lead guitarist hide and rhythm guitarist Pata.

Section: 1993-97: X Japan
Passage: Art of Life was released on August 25, 1993, by Atlantic Records, and consists solely of the 29-minute, heavily orchestrated title track. It debuted at number one, however the band only performed two concerts that year, as each member began solo careers. Aptly titled X Japan Returns, the concerts were held at the Tokyo Dome on December 30 and 31, marking the beginning of a New Year's Eve tradition that would last until the group's disbandment. The solo careers continued into the following year, with X Japan only performing four shows. The first two were the last two days of The Great Music Experience, and the others were December 30-31 at the Tokyo Dome, titled Aoi Yoru (Qing iYe , Blue Night) and Shiroi Yoru (Bai iYe , White Night) respectively. 1995 was also quiet, until November 19 when the band began the tour for their next album, Dahlia Tour 1995-1996. Around this time, the group dropped most of its original visual kei aesthetics in favor of a more casual look. While it wasn't released until November 4, 1996, singles from the album had been released as early as a few months after Art of Life. Though this caused Dahlia to contain relatively little new material, the album reached number one on the charts. The tour was originally scheduled to end on March 31, 1996, however, it was cut short when Yoshiki herniated cervical vertebrae after the March 13 show. They did however perform their tradition of two Tokyo Dome concerts on December 30-31, titled Resurrection Night (Fu Huo noYe , Fukkatsu no yoru) and Reckless Night (Wu Mou naYe , Mubona yoru). On September 22, 1997, at 1 pm, Yoshiki, hide, Pata and Heath held a press conference where they announced that X Japan would disband. Vocalist Toshi decided to leave the band as the glamorous, success-oriented life of a rock star failed to satisfy him emotionally, as opposed to a simpler life and career. He stated that he had made the decision back in April 1996, though it was not publicly disclosed. However, around twelve years later he confirmed what was long-reported in the media; that he was "brainwashed" via violence and abuse and conned out of money, leading to bankruptcy. X Japan performed their farewell show, titled The Last Live ~Last Night~, at the Tokyo Dome on December 31, 1997, making it the last of five consecutive New Year's Eves the group performed at the stadium. Although later that same day they played "Forever Love" at that year's Kohaku Uta Gassen, marking their true last performance.

Question: What happened in 1993?
Answer: Art of Life was released on August 25, 1993,

Question: How did the album sound?
Answer: consists solely of the 29-minute, heavily orchestrated title track.

Question: Was the album successful?
Answer: It debuted at number one, however the band only performed two concerts that year,

Question: Why did they only perform 2 concerts?
Answer: each member began solo careers.

Question: What happened with the solo careers?
Answer: On September 22, 1997, at 1 pm, Yoshiki, hide, Pata and Heath held a press conference where they announced that X Japan would disband.

Question: What happened after the announcement?
Answer: Vocalist Toshi decided to leave the band as the glamorous, success-oriented life of a rock star failed to satisfy him emotionally,

Question: What did he say about his decision?
Answer: He stated that he had made the decision back in April 1996, though it was not publicly disclosed.

Question: Did they have other performances?


Prompt:
Title: Rebel Wilson

Background: Rebel Melanie Elizabeth Wilson (born 2 March 1980) is an Australian actress, writer, and producer. After graduating from the Australian Theatre for Young People in 2003, she began appearing as Toula on the Special Broadcasting Service (SBS) comedy series Pizza and the sketch comedy series The Wedge. In 2008, Wilson wrote, produced and starred in the musical comedy series Bogan Pride. The following year, she won the Tropfest best actress award for her role in Bargain and made a guest appearance in City Homicide.

Section: Early career (2002-10)
Passage: Wilson studied at the Australian Theatre for Young People (ATYP). In 2003 she moved to New York after winning the ATYP International scholarship, which was funded by Nicole Kidman. While she was in New York, Wilson trained with The Second City. She appeared with the Sydney Theatre Company and performed at the Melbourne International Comedy Festival. She first came to the public's attention in 2002 with her stage musical The Westie Monologues, which she wrote, starred in and produced in Sydney. Her follow-up stage productions, which she wrote, produced and starred in include Spunks and Confessions of an Exchange Student. In Australia, Wilson is most known for her roles as Toula on the SBS comedy series Pizza and as various characters including Lucy, Fat Mandi and Karla Bangs on the sketch comedy series The Wedge. She played an Australian Idol mad schoolgirl in a series of Telstra advertisements shown during Australian Idol from 2004 to 2005. She also had roles in the feature films Fat Pizza and Ghost Rider. In 2008, Wilson created, wrote, produced and starred in the musical comedy series Bogan Pride on SBS One and also starred in the improvisational Nine Network series Monster House. In 2009 Wilson won the Tropfest Best Actress award for her role in the film Bargain. She has made appearances on the improvisational comedy show Thank God You're Here and the comedy game show Talkin' 'Bout Your Generation. She performed stand-up on the television special The Breast Darn Show In Town and guest starred in the Seven Network drama City Homicide and performed improv at the Upright Citizens Brigade in Los Angeles.

Question: What did she do first early in her career?
Answer: Wilson studied at the Australian Theatre for Young People (ATYP).

Question: What did she do in New York?


Prompt:
Title: Ion Heliade Rădulescu

Background: Ion Heliade Radulescu or Ion Heliade (also known as Eliade or Eliade Radulescu; Romanian pronunciation: ['i.on heli'ade r@du'lesku]; January 6, 1802 - April 27, 1872) was a Wallachian, later Romanian academic, Romantic and Classicist poet, essayist, memoirist, short story writer, newspaper editor and politician. A prolific translator of foreign literature into Romanian, he was also the author of books on linguistics and history. For much of his life, Heliade Radulescu was a teacher at Saint Sava College in Bucharest, which he helped reopen. He was a founding member and first president of the Romanian Academy.

Section: Final years
Passage: Later in 1859, Heliade returned to Bucharest, which had become the capital of the United Principalities after the common election of Alexandru Ioan Cuza and later that of an internationally recognized Principality of Romania. It was during that period that he again added Radulescu to his surname. Until his death, he published influential volumes on a variety of issues, while concentrating on contributions to history and literary criticism, and editing a new collection of his own poems. In 1863, Domnitor Cuza awarded him an annual pension of 2,000 lei. One year after the creation of the Romanian Academy (under the name of "Academic Society"), he was elected its first President (1867), serving until his death. In 1869, Heliade and Alexandru Papiu-Ilarian successfully proposed the Italian diplomat and philologist Giovenale Vegezzi Ruscalla as honorary member of the Academy. By then, like most other 1848 Romantics, he had become the target of criticism from the younger generation of intellectuals, represented by the Iasi-based literary society Junimea; in 1865, during one of its early public sessions, Junimea explicitly rejected works by Heliade and Iancu Vacarescu. During the elections of 1866, Heliade Radulescu won a seat in the Chamber as a deputy for the city of Targoviste. As Cuza had been ousted from power by a coalition of political groupings, he was the only Wallachian deputy to join Nicolae Ionescu and other disciples of Simion Barnutiu in opposing the appointment of Carol of Hohenzollern as Domnitor and a proclamation stressing the perpetuity of the Moldo-Wallachian union. Speaking in Parliament, he likened the adoption of foreign rule to the Phanariote period. The opposition was nevertheless weak, and the resolution was passed with a large majority. Among Ion Heliade Radulescu's last printed works were a textbook on poetics (1868) and a volume on Romanian orthography. By that time, he had come to consider himself a prophet-like figure, and the redeemer of his motherland, notably blessing his friends with the words "Christ and Magdalene be with you!" His mental health declining, he died at his Bucharest residence on Polona Street, nr. 20. Heliade Radulescu's grandiose funeral ceremony attracted a large number of his admirers; the coffin was buried in the courtyard of the Mavrogheni Church.

Question: What happened in the final years?
Answer: Until his death, he published influential volumes on a variety of issues,

Question: What type of issues?
Answer: CANNOTANSWER

Question: When did he die?
Answer: CANNOTANSWER

Question: Around what years did this occur?


Prompt:
Title: Billy Hughes

Background: William Morris Hughes,  (25 September 1862 - 28 October 1952) was an Australian politician who served as the seventh Prime Minister of Australia, in office from 1915 to 1923. He is best known for leading the country during World War I, but his influence on national politics spanned several decades. Hughes was a member of parliament from 1901 until his death, the only person to have served for more than 50 years. He represented six political parties during his career, leading five, outlasting four, and being expelled from three.

Section: Nationalist Party Prime Minister 1916-23
Passage: Hughes and his followers, which included many of Labor's early leaders, called themselves the National Labor Party and began laying the groundwork for forming a party that they felt would be both avowedly nationalist as well as socially radical. Hughes was forced to conclude a confidence and supply agreement with the opposition Commonwealth Liberal Party to stay in office. A few months later, the Governor-General, Sir Ronald Munro Ferguson, persuaded Hughes and Liberal Party leader Joseph Cook (himself a former Labor man) to turn their wartime coalition into a formal party. This was the Nationalist Party of Australia, which was formally launched in February. Although the Liberals were the larger partner in the merger, Hughes emerged as the new party's leader, with Cook as his deputy. The presence of several working-class figures--including Hughes--in what was basically an upper- and middle-class party allowed the Nationalists to convey an image of national unity. At the same time, he became and remains a traitor in Labor histories. At the May 1917 federal election Hughes and the Nationalists won a huge electoral victory. At this election Hughes gave up his working-class Sydney seat and was elected for Bendigo, Victoria, becoming the first of only a handful of people who have represented more than one state or territory in the Parliament. Hughes had promised to resign if his Government did not win the power to conscript. Queensland Premier T. J. Ryan was a key opponent to conscription, and violence almost broke out when Hughes ordered a raid on the Government Printing Office in Brisbane, with the aim of confiscating copies of Hansard that covered debates in the Queensland Parliament where anti-conscription sentiments had been aired. A second plebiscite on conscription was held in December 1917, but was again defeated, this time by a wider margin. Hughes, after receiving a vote of no confidence in his leadership by his party, resigned as Prime Minister. However, there were no credible alternative candidates. For this reason, Munro-Ferguson used his reserve power to immediately re-commission Hughes, thus allowing him to remain as Prime Minister while keeping his promise to resign.

Question: how was he as prime minister?
Answer: allowed the Nationalists to convey an image of national unity. At the same time, he became and remains a traitor in Labor histories.

Question: what were some things he did as Prime Minister?


Prompt:
Title: Red Skelton

Background: Richard "Red" Skelton (July 18, 1913 - September 17, 1997) was an American comedy entertainer. He was best known for his national radio and television acts between 1937 and 1971, and as host of the television program The Red Skelton Show. He has stars on the Hollywood Walk of Fame for his work in radio and television, and also appeared in burlesque, vaudeville, films, nightclubs, and casinos, all while he pursued an entirely separate career as an artist. Skelton began developing his comedic and pantomime skills from the age of 10, when he became part of a traveling medicine show.

Section: "I dood it!"
Passage: Skelton and Edna worked for a year in Camden, New Jersey, and were able to get an engagement at Montreal's Lido Club in 1934 through a friend who managed the chorus lines at New York's Roxy Theatre. Despite an initial rocky start, the act was a success, and brought them more theater dates throughout Canada. Skelton's performances in Canada led to new opportunities and the inspiration for a new, innovative routine that brought him recognition in the years to come. While performing in Montreal, the Skeltons met Harry Anger, a vaudeville producer for New York City's Loew's State Theatre. Anger promised the pair a booking as a headlining act at Loew's, but they would need to come up with new material for the engagement. While the Skeltons were having breakfast in a Montreal diner, Edna had an idea for a new routine as she and Skelton observed the other patrons eating doughnuts and drinking coffee. They devised the "Doughnut Dunkers" routine, with Skelton's visual impressions of how different people ate doughnuts. The skit won them the Loew's State engagement and a handsome fee. The couple viewed the Loew's State engagement in 1937 as Skelton's big chance. They hired New York comedy writers to prepare material for the engagement, believing they needed more sophisticated jokes and skits than the routines Skelton normally performed. However, his New York audience did not laugh or applaud until Skelton abandoned the newly written material and began performing the "Doughnut Dunkers" and his older routines. The doughnut-dunking routine also helped Skelton rise to celebrity status. In 1937, while he was entertaining at the Capitol Theater in Washington, D.C., President Franklin D. Roosevelt invited Skelton to perform at a White House luncheon. During one of the official toasts, Skelton grabbed Roosevelt's glass, saying, "Careful what you drink, Mr. President. I got rolled in a place like this once." His humor appealed to FDR and Skelton became the master of ceremonies for Roosevelt's official birthday celebration for many years afterward. Performing the "Doughnut Dunkers" routine led to Skelton's first appearance on Rudy Vallee's The Fleischmann's Yeast Hour on August 12, 1937. Vallee's program had a talent show segment and those who were searching for stardom were eager to be heard on it. Vallee also booked veteran comic and fellow Indiana native Joe Cook to appear as a guest with Skelton. The two Hoosiers proceeded to trade jokes about their home towns, with Skelton contending to Cook, an Evansville native, that the city was a suburb of Vincennes. The show received enough fan mail after the performance to invite both comedians back two weeks after Skelton's initial appearance and again in November of that year. On October 1, 1938, Skelton replaced Red Foley as the host of Avalon Time on NBC; Edna also joined the show's cast, under her maiden name. She developed a system for working with the show's writers: selecting material from them, adding her own and filing the unused bits and lines for future use; the Skeltons worked on Avalon Time until late 1939. Skelton's work in films led to a new regular radio show offer; between films, he promoted himself and MGM by appearing without charge at Los Angeles area banquets. A radio advertising agent was a guest at one of his banquet performances and recommended Skelton to one of his clients. Skelton went on the air with his own radio show, The Raleigh Cigarette Program, on October 7, 1941. The bandleader for the show was Ozzie Nelson; his wife, Harriet, who worked under her maiden name of Hilliard, was the show's vocalist and also worked with Skelton in skits. Skelton introduced the first two of his many characters during The Raleigh Cigarette Program's first season. The character of Clem Kadiddlehopper was based on a Vincennes neighbor named Carl Hopper, who was hard of hearing. Skelton's voice pattern for Clem was similar to the later cartoon character, Bullwinkle; there was enough similarity to cause Skelton to contemplate filing a lawsuit against Bill Scott, who voiced the cartoon moose. The second character, The Mean Widdle Kid, or "Junior", was a young boy full of mischief, who typically did things he was told not to do. "Junior" would say things like, "If I dood it, I gets a whipping.", followed moments later by the statement, "I dood it!" Skelton performed the character at home with Edna, giving him the nickname "Junior" long before it was heard by a radio audience. While the phrase was Skelton's, the idea of using the character on the radio show was Edna's. Skelton starred in a 1943 movie of the same name, but did not play "Junior" in the film. The phrase was such a part of national culture at the time that, when General Doolittle conducted the bombing of Tokyo in 1942, many newspapers used the phrase "Doolittle Dood It" as a headline. After a talk with President Roosevelt in 1943, Skelton used his radio show to collect funds for a Douglas A-20 Havoc to be given to the Soviet Army to help fight World War II. Asking children to send in their spare change, he raised enough money for the aircraft in two weeks; he named the bomber "We Dood It!" In 1986 the Soviet newspaper Pravda offered praise to Skelton for his 1943 gift, and in 1993, the pilot of the plane was able to meet Skelton and thank him for the bomber. Skelton also added a routine he had been performing since 1928. Originally called "Mellow Cigars", the skit entailed an announcer who became ill as he smoked his sponsor's product. Brown and Williamson, the makers of cigarettes, asked Skelton to change some aspects of the skit; he renamed the routine "Guzzler's Gin", where the announcer became inebriated while sampling and touting the imaginary sponsor's wares. While the traditional radio program called for its cast to do an audience warm-up in preparation for the broadcast, Skelton did just the opposite. After the regular radio program had ended, the show's guests were treated to a post-program performance. He would then perform his "Guzzler's Gin" or any of more than 350 routines for those who had come to the radio show. He updated and revised his post-show routines as diligently as those for his radio program. As a result, studio audience tickets for Skelton's radio show were in high demand; there were times where up to 300 people needed to be turned away for lack of seats.

Question: Was this a sketch by him?
Answer: "Junior" would say things like, "If I dood it, I gets a whipping.",

Question: who played junior?
Answer: Skelton performed the character at home with Edna, giving him the nickname "Junior"

Question: Where did he perform?
Answer: Skelton went on the air with his own radio show, The Raleigh Cigarette Program, on October 7, 1941.

Question: What acts did he perform on the show?
Answer: Skelton introduced the first two of his many characters during The Raleigh Cigarette Program's first season.

Question: Who were those characters?
Answer: The character of Clem Kadiddlehopper was based on a Vincennes neighbor named Carl Hopper, who was hard of hearing.

Question: Who was the other based on?
Answer: The second character, The Mean Widdle Kid, or "Junior", was a young boy full of mischief, who typically did things he was told not to do.

Question: Did audiences like the shows or the characters he played or wrote?
Answer: The phrase was such a part of national culture at the time

Question: Which phrase?
Answer: "I dood it!"

Question: What was it called in production?


Prompt:
Title: Real Love (Beatles song)

Background: "Real Love" is a song written by John Lennon, and recorded with overdubs by the three surviving Beatles in 1995 for release as part of The Beatles Anthology project. To date, it is the last released record of new material credited to the Beatles. Lennon made six takes of the song in 1979 and 1980 with "Real Life", a different song that merged with "Real Love". The song was ignored until 1988 when the sixth take was used on the documentary soundtrack Imagine: John Lennon. "

Section: Early origins
Passage: According to Beatles biographer John T. Marck, "Real Love" originated as part of an unfinished stage play that Lennon was working on at the time, titled The Ballad of John and Yoko. The song was first recorded in 1977 with a handheld tape recorder on his piano at home. Eventually the work evolved under the title "Real Life", a song which Lennon would record at least six times in 1979 and 1980, and then abandoned. The song was eventually combined with elements of another Lennon demo, "Baby Make Love to You". In June 1978, Lennon and his wife Yoko Ono told the press that they were working on a musical, The Ballad of John and Yoko, which had been planned during the previous year. Songs proposed to be included up to this point were "Real Love" and "Every Man Has a Woman Who Loves Him". In later versions, Lennon altered portions of the song; for example, "no need to be alone / it's real love / yes, it's real love" became "why must it be alone / it's real / well it's real life." Some takes included an acoustic guitar, while the eventual Beatles release features Lennon on piano, with rudimentary double-tracked vocals, and a tambourine. The version released in 1996 most closely reflected the lyrical structure of the early demo takes of the song. Lennon appears to have considered recording "Real Love" for his and Ono's 1980 album Double Fantasy. A handwritten draft of the album's running order places it as the possible opening track on side two. The song remained largely forgotten until 1988, when the take 6 of "Real Love" appeared on the Imagine: John Lennon soundtrack album. The song was also released on the Acoustic album in 2004. The demo with just Lennon on piano was issued in 1998 on John Lennon Anthology and then later on Working Class Hero: The Definitive Lennon.

Question: Who originally wrote Real Love?
Answer: Real Love" originated as part of an unfinished stage play that Lennon was working on at the time, titled The Ballad of John and Yoko.

Question: Where was the song Real Love written?
Answer: The song was first recorded in 1977 with a handheld tape recorder on his piano at home.

Question: How did the rest of the Beatles originally respond to the "Real Love" song?
Answer: CANNOTANSWER

Question: Were the Beatles broken up when Real Love was written by John Lennon?

CANNOTANSWER
Not enough information
Cannot answer
Do not know


Prompt:
Title: Karisma Kapoor

Background: Karisma Kapoor (born 25 June 1974) is a Bollywood actress. One of the most popular and highest-paid Indian actresses, Kapoor is particularly known for her work in female-centric films and her roles have been credited as a significant departure from the traditional portrayal of women in Hindi films. Kapoor is often regarded as the nation's most beautiful actress, and is the recipient of several accolades, including a National Film Award and four Filmfare Awards. Born and raised in Mumbai, she is a member of the Kapoor family, where her parents and other relatives are all involved in the Indian film industry.

Section: Sabbatical and later work (2003-13)
Passage: Kapoor was born on 25 June 1974 in Mumbai, to actors Randhir Kapoor and Babita (nee Shivdasani). Her younger sister, Kareena, is also an actress. Her paternal grandfather was the actor and filmmaker Raj Kapoor, while her maternal grandfather was actor Hari Shivdasani. Her great-grandfather was actor Prithviraj. She is the niece of actors Rishi and Rajiv, and insurance agent Ritu. Actor Ranbir Kapoor and businessman Nikhil Nanda are her first cousins, while actress Sasha Agha is her distant relative. Actress Sadhana was her mother's first cousin. According to Kapoor, the name "Lolo" was derived after her mother made a passing reference to the Italian actress Gina Lollobrigida. Both of her paternal and maternal grandparents were from Peshawar, Lyallpur and Karachi respectively, who moved to Bombay for their film careers before the partition of India. Kapoor is of Hindu Punjabi descent on her father's side, and on her mother's side she is of Sindhi and British descent. She was particularly inspired by the work of actresses Sridevi and Madhuri Dixit. Despite her family background, her father disapproved of women working in films, because he believed it conflicted with the traditional maternal duties and responsibility of women in the family. This led to a conflict between her parents and they separated in 1988. She and her sister Kareena were raised by their mother, who worked several jobs to raise them, until she made her debut in films as an actress. The couple reconciled in 2007, after living separately for several years. Kapoor studied at the Cathedral and John Connon School and later, for a few months at Sophia College. Kapoor made her acting debut in 1991 at the age of seventeen with the romantic drama Prem Qaidi, opposite debutante Harish Kumar. Upon release, the film emerged as a moderate box office success and received mixed reviews from critics, as did Kapoor's performance, with Taran Adarsh of Bollywood Hungama describing it as "mechanical". The following year, Kapoor's first five releases--Police Officer, Jaagruti, Nishchaiy, Sapne Sajan Ke and Deedar--flopped at the box office. Jaagruti and Nishchaiy marked her first two collaborations with Salman Khan, while Deedar marked her first collaboration with Akshay Kumar. She next starred in the action drama Jigar (1992), followed by the romantic drama Anari (1993), both of which emerged as box office hits and among the highest-grossing films of their respective years. Jigar marked Kapoor's first of several collaborations with Ajay Devgn, while Anari featured her in the leading role of Rajnandini, a princess who falls in love with her poor servant (played by Daggubati Venkatesh). Kapoor's next four releases of 1993 were the dramas Muqabla (which marked first of her many collaborations with Govinda), Sangraam, Shaktiman and Dhanwaan. With the exception of Muqabla, none of these films performed well either critically or commercially. In 1994, Kapoor had nine film releases; four of them -- Prem Shakti, Dulaara, Andaz and Aatish--were critical and commercial failures. Her first hit that year was David Dhawan's comedy film Raja Babu, opposite Govinda, in which she played Madhubala, an educated arrogant girl who calls off her engagement upon discovering her fiancee's illiteracy. Kapoor next played the blind wife of Govinda's character in the hit action drama Khuddar, following which she starred with Salman Khan, Aamir Khan and Raveena Tandon in Rajkumar Santoshi's highly acclaimed comedy film Andaz Apna Apna. Kapoor played Raveena Bajaj, the daughter of a London-based business tycoon, who travels to India in search of true love, and falls for Salman Khan's character. Although the film underperformed at the box office, it developed a significant cult following over the years since its release. Kapoor's final two releases of the year were the action drama Suhaag (alongside Ajay Devgn, Akshay Kumar and Nagma) and the comedy-drama Gopi Kishan (alongside Suniel Shetty and Shilpa Shirodkar), both of which were critically and commercially successful. In the former, she starred as a college student and Devgn's love interest, while in the latter, she played a police commissioner's daughter who falls in love with a criminal. In 1995, after appearing in the box office flops Jawab and Maidan-E-Jung, Kapoor starred as Malti, a rich girl who marries a poor coolie (played by Govinda) in David Dhawan's blockbuster comedy film Coolie No. 1. The feature garnered good reviews and emerged as a commercial success, grossing Rs911 million (US$14 million) in India. On her initial career struggle, she later said: When I first entered the industry, things were made tough for me. I am not saying that I was singled out. I think every star kid has to go through this. Everyone was so unfair to me. Other newcomers were praised for every little achievement, but I was not given an iota of acknowledgement. When it came to me, it was always, 'Okay, she has done well, but what's the big deal about her?'. Nobody gave a 17-year-old credit for doing my job reasonably well. In 2003, she starred in Baaz: A Bird in Danger, which was her only release that year. Later in the same year she made her television debut in the Sahara One soap opera Karishma - The Miracles of Destiny, in which she played a dual role of a grandmother and granddaughter. The serial ended after 260 episodes in 2004 and she took a sabbatical from full-time acting for several years. In 2006, Kapoor was seen in Mere Jeevan Saathi; the film had been shot and completed in 2003, but was delayed for three years. In 2007, Kapoor won the Koffee Award for Best Supporting Appearance. In 2008, alongside actor Arjun Rampal and director-choreographer Farah Khan, Kapoor began judging season four of the dance show Nach Baliye, and continued the following year with the comedy show Hans Baliye. In addition, she had a cameo in the song "Deewangi Deewangi" from the 2007 melodrama Om Shanti Om, and in 2008, was as guest on the reality television show Wife Bina Life (2010). Kapoor also ventured into voice acting, voicing for her younger sister Kareena in the role of Chhaya in the 2012 action thriller Bodyguard, which ranks among one of the highest-grossing Bollywood films of all time. Kapoor made her comeback as an actress with a leading role in Vikram Bhatt's supernatural thriller Dangerous Ishhq. Co-starring Rajneesh Duggal, the film spans a period of four centuries and tells four different love stories set in different time periods. Kapoor played four characters, one from each century. A major critical and box office failure, the film generated positive reviews for Kapoor's portrayal. Taran Adarsh of Bollywood Hungama commented: "Karisma Kapoor puts forth her best efforts, getting to deliver lines in varied dialects. She gets the dialects right, especially Urdu and Rajasthani, but there's not much scope for her to display her acting prowess". In 2013, Kapoor made a special appearance along with several other actors in the titular song of the anthology film Bombay Talkies, which was made to honour the Hindi film industry for completing a hundred years.

Question: What happened in 2003?
Answer: In 2003, she starred in Baaz: A Bird in Danger, which was her only release that year.

Question: Did she work in 2004?
Answer: The serial ended after 260 episodes in 2004 and she took a sabbatical from full-time acting for several years.

Question: What did she do next?
Answer: In 2006, Kapoor was seen in Mere Jeevan Saathi; the film had been shot and completed in 2003, but was delayed for three years.

Question: What work followed that ?
Answer: In 2007, Kapoor won the Koffee Award for Best Supporting Appearance.

Question: Did she win any other awards?
Answer: CANNOTANSWER

Question: What work did she do later?


Prompt:
Title: Maasai people

Background: Maasai are a Nilotic ethnic group inhabiting central and southern Kenya and northern Tanzania. They are among the best known local populations due to their residence near the many game parks of the African Great Lakes, and their distinctive customs and dress.The Maasai speak the Maa language (ol Maa), a member of the Nilo-Saharan family that is related to Dinka and Nuer languages. Some have become educated in the official languages of Kenya and Tanzania, Swahili and English.

Section: Influences from the outside world
Passage: Maintaining a traditional pastoral lifestyle has become increasingly difficult due to outside influences of the modern world. Garrett Hardin's article, outlining the "tragedy of the commons", as well as Melville Herskovits' "cattle complex" helped to influence ecologists and policy makers about the harm Maasai pastoralists were causing to savannah rangelands. This concept was later proven false by anthropologists but is still deeply ingrained in the minds of ecologists and Tanzanian officials. This influenced British colonial policy makers in 1951 to remove all Maasai from the Serengeti National Park and relegate them to areas in and around the Ngorongoro Conservation Area (NCA). The plan for the NCA was to put Maasai interests above all else, but this promise was never met.The spread of HIV was rampant. Due to an increase in Maasai population, loss of cattle populations to disease, and lack of available rangelands because of new park boundaries and the incursion of settlements and farms by other tribes (this is also the chief reason for the decline in wildlife-habitat loss, with the second being poaching), the Maasai were forced to develop new ways of sustaining themselves. Many Maasai began to cultivate maize and other crops to get by, a practice that was culturally viewed negatively. Cultivation was first introduced to the Maasai by displaced WaArusha and WaMeru women who were married to Maasai men; subsequent generations practiced a mixed livelihood. To further complicate their situation, in 1975 the Ngorongoro Conservation Area banned cultivation practices. In order to survive they are forced to participate in Tanzania's monetary economy. They have to sell their animals and traditional medicines in order to buy food. The ban on cultivation was lifted in 1992 and cultivation has again become an important part of Maasai livelihood. Park boundaries and land privatisation has continued to limit grazing area for the Maasai and have forced them to change considerably. Over the years, many projects have begun to help Maasai tribal leaders find ways to preserve their traditions while also balancing the education needs of their children for the modern world. The emerging forms of employment among the Maasai people include farming, business (selling of traditional medicine, running of restaurants/shops, buying and selling of minerals, selling milk and milk products by women, embroideries), and wage employment (as security guards/ watchmen, waiters, tourist guides), and others who are engaged in the public and private sectors. Many Maasai have moved away from the nomadic life to positions in commerce and government. Yet despite the sophisticated urban lifestyle they may lead, many will happily head homewards dressed in designer clothes, only to emerge from the traditional family homestead wearing a shuka (colourful piece of cloth), cow hide sandals and carrying a wooden club (o-rinka) - at ease with themselves.

Question: What kind of influences from the outside world is the article pertaining to?
Answer: Maintaining a traditional pastoral lifestyle has become increasingly difficult due to outside influences of the modern world.

Question: Has this been a positive thing for them or negative?
Answer: influence ecologists and policy makers about the harm Maasai pastoralists were causing

Question: What problems are they having?
Answer: policy makers in 1951 to remove all Maasai from the Serengeti National Park and relegate them to areas in and around the Ngorongoro Conservation Area

Question: Are there any other interesting aspects about this article?
Answer: increase in Maasai population, loss of cattle populations to disease, and lack of available rangelands because of new park boundaries and the incursion of settlements and farms

Question: What have they done to prevent bad influences from the outside world?


Prompt:
Title: Hugh McElhenny

Background: Hugh Edward McElhenny Jr. (born December 31, 1928) is a former professional American football player who was a halfback in the National Football League (NFL) from 1952 to 1964 for the San Francisco 49ers, Minnesota Vikings, New York Giants, and Detroit Lions. He was noted for his explosive, elusive running style and was frequently called "The King" and "Hurryin' Hugh". A member of San Francisco's famed "Million Dollar Backfield" and one of the franchise's most popular players, McElhenny's number 39 jersey is retired by the 49ers and he is a member of the San Francisco 49ers Hall of Fame. McElhenny first rose to stardom as a standout all-around player for Compton Junior College in 1948.

Section: Legacy
Passage: McElhenny gained 11,375 all-purpose yards in his thirteen-year career and retired as one of just three players to eclipse 11,000 yards. He was nicknamed "The King" while with the 49ers because he was "the most feared running back in the NFL." 49ers quarterback Frankie Albert gave him the nickname in the locker room following McElhenny's fourth game as a rookie, in which he returned a punt 96 yards for a touchdown against the Bears. He was elected to the Pro Football Hall of Fame in 1970, an honor he described as the highlight of his life. Others inducted in the class were contemporaries Jack Christiansen, Tom Fears, and Pete Pihos. His jersey number 39 is retired by the 49ers, and by virtue of his membership in the pro hall of fame, he was automatically inducted as a charter member of the San Francisco 49ers Hall of Fame in 2009. NFL Network ranked him the fourth most elusive runner of all time in 2007. McElhenny was inducted into State of Washington Sports Hall of Fame in 1963 and the College Football Hall of Fame in 1981. As of 2016, his 12 rushing touchdowns in 1950 and 13 in 1951 both remain in the top ten all-time for a Washington player in a single season, and his 28 career rushing touchdowns tie him for sixth in school history. On January 20, 1985, McElhenny participated in the opening coin toss at Super Bowl XIX at Stanford Stadium, along with U.S. President Ronald Reagan, who participated by video feed from the White House after having been sworn into his second term of office earlier that day.

Question: Are there any other interesting aspects about this article?
Answer: McElhenny gained 11,375 all-purpose yards in his thirteen-year career and retired as one of just three players to eclipse 11,000 yards.

Question: Did he win any awards?


Prompt:
Title: Meat Loaf

Background: Marvin Lee Aday was born in Dallas, Texas, the only child of Wilma Artie (nee Hukel), a school teacher and a member of the Vo-di-o-do Girls gospel quartet, and Orvis Wesley Aday, a police officer. His father was an alcoholic who would go on drinking binges for days at a time. Aday and his mother would drive around to all the bars in Dallas, looking for Orvis to take him home.

Section: The Rocky Horror Picture Show
Passage: During the winter of 1973, after returning from a short production of Rainbow in New York in Washington, D.C., Meat Loaf was cast in The Rocky Horror Show, playing the parts of Eddie and Dr. Everett Scott. The success of the musical led to the filming of The Rocky Horror Picture Show in which Meat Loaf played only Eddie, a decision he said made the movie not as good as the musical. About the same time, Meat Loaf and Steinman started work on Bat Out of Hell. Meat Loaf convinced Epic Records to shoot videos for four songs, "Bat Out of Hell", "Paradise by the Dashboard Light", "You Took the Words Right Out of My Mouth", and "Two Out of Three Ain't Bad". He then convinced Lou Adler, the producer of Rocky Horror, to run the "Paradise" video as a trailer to the movie. Meat Loaf's final show in New York was Gower Champion's Rockabye Hamlet, a Hamlet musical. It closed two weeks into its initial run. Meat Loaf later returned occasionally to perform "Hot Patootie - Bless My Soul" for a special Rocky Horror reunion or convention, and rarely at his own live shows (one performance of which was released in the 1996 Live Around the World CD set). During his recording of the soundtrack for Rocky Horror, Meat Loaf recorded two more songs: "Stand by Me" (a Ben E. King cover), and "Clap Your Hands". They remained unreleased until 1984, when they appeared as B-sides to the "Nowhere Fast" single. In 1976, Meat Loaf recorded lead vocals for Ted Nugent's album Free-for-All when regular Nugent lead vocalist Derek St. Holmes temporarily quit the band. Meat Loaf sang lead on five of the album's nine tracks. As on the "Stoney & Meatloaf" album, he was credited as Meatloaf (one word) on the "Free-for-All" liner notes.

Question: What is rocky horror picture show
Answer: Meat Loaf was cast in The Rocky Horror Show, playing the parts of Eddie and Dr. Everett Scott. The success of the musical

Question: When did he star in the musical
Answer: During the winter of 1973, after returning from a short production of Rainbow in New York in Washington, D.C., Meat Loaf was cast in The Rocky Horror Show,

Question: What did the crowd think of his part in the play

CANNOTANSWER
Not enough information
Cannot answer
Do not know


Prompt:
Title: Sheryl Crow

Background: Sheryl Suzanne Crow (born February 11, 1962) is an American musician, singer, songwriter and actress. Her music incorporates elements of pop, rock, country and blues. She has released ten studio albums, four compilations, a live album, and has contributed to a number of film soundtracks. Her songs include "All I Wanna Do" and "If It Makes You Happy."

Section: 1987-1992: Early years
Passage: After graduating from the University of Missouri, Crow worked as a music teacher at the Kellison elementary school in Fenton, Missouri. Teaching during the day gave her the opportunity to sing in bands on the weekends. She was later introduced to local musician and record producer Jay Oliver. He had a studio in the basement of his parents' home in St. Louis and helped her by using her in advertising jingles. Her first jingle was a 'back to school' spot for the St Louis department store Famous-Barr. Soon after she sang in commercial jingles for McDonald's (stated on the Today Show 4/19/17 she did not create) and Toyota. She was quoted in a 60 Minutes segment as saying she made $40,000 on her McDonald's ad alone. Crow toured with Michael Jackson as a backing vocalist during his Bad World Tour 1987-89 and often performed with Jackson on "I Just Can't Stop Loving You". She also recorded background vocals for performances for a number of established artists such as Stevie Wonder, Belinda Carlisle and Don Henley. In 1989, Crow contributed backing vocals to the Neal Schon track "Smoke of the Revolution" from his album Late Nite. Crow also sang in the short-lived Steven Bochco drama Cop Rock in 1990. That same year, her song "Heal Somebody" appeared in the film Bright Angel. The following year, she performed "Hundreds of Tears", which was included in the Point Break soundtrack, and sang a duet with Kenny Loggins on the track "I Would Do Anything", from his album Leap of Faith.

Question: What happened in the early years?
Answer: After graduating from the University of Missouri, Crow worked as a music teacher at the Kellison elementary school in Fenton, Missouri.

Question: Did she have any producers in her younger years or was she alone?
Answer: She was later introduced to local musician and record producer Jay Oliver.

Question: Did she sing in any shows in her early years?
Answer: Crow toured with Michael Jackson as a backing vocalist during his Bad World Tour 1987-89 and often performed with Jackson

Question: What were some of her other songs in the early years?


Prompt:
Title: Jean-Jacques Rousseau

Background: Jean-Jacques Rousseau (; French: [ZaZak Ruso]; 28 June 1712 - 2 July 1778) was a Genevan philosopher, writer, and composer of the 18th century, mainly active in France. His political philosophy influenced the Enlightenment across Europe, as well as aspects of the French Revolution and the overall development of modern political and educational thought. Rousseau's novel Emile, or On Education is a treatise on the education of the whole person for citizenship. His sentimental novel Julie, or the New Heloise was of importance to the development of pre-romanticism and romanticism in fiction.

Section: Rousseau, Voltaire, and Frederick the Great
Passage: After Rousseau's Emile had outraged the French parliament, an arrest order was issued by parliament against him, causing him to flee to Switzerland. Subsequently, when the Swiss authorities also proved unsympathetic to him--condemning both Emile, and also The Social Contract--Voltaire issued an invitation to Rousseau to come and reside with him, commenting that: "I shall always love the author of the 'Vicaire savoyard' whatever he has done, and whatever he may do...Let him come here [to Ferney]! He must come! I shall receive him with open arms. He shall be master here more than I. I shall treat him like my own son." Rousseau later expressed regret that he had not replied to Voltaire's invitation. In July 1762, after Rousseau was informed that he could not continue to reside in Bern, d'Alembert advised him to move to the Principality of Neuchatel, ruled by Frederick the Great of Prussia. Subsequently, Rousseau accepted an invitation to reside in Motiers, fifteen miles from Neuchatel. On 11 July 1762, Rousseau wrote to Frederick, describing how he had been driven from France, from Geneva, and from Bern; and seeking Frederick's protection. He also mentioned that he had criticized Frederick in the past and would continue to be critical of Frederick in the future, stating however: "Your Majesty may dispose of me as you like." Frederick, still in the middle of the Seven Years' War, then wrote to the local governor of Neuchatel, Marischal Keith who was a mutual friend of theirs: We must succor this poor unfortunate. His only offense is to have strange opinions which he thinks are good ones. I will send a hundred crowns, from which you will be kind enough to give him as much as he needs. I think he will accept them in kind more readily than in cash. If we were not at war, if we were not ruined, I would build him a hermitage with a garden, where he could live as I believe our first fathers did...I think poor Rousseau has missed his vocation; he was obviously born to be a famous anchorite, a desert father, celebrated for his austerities and flagellations...I conclude that the morals of your savage are as pure as his mind is illogical. Rousseau, touched by the help he received from Frederick, stated that from then onwards he took a keen interest in Frederick's activities. As the Seven Years' War was about to end, Rousseau wrote to Frederick again, thanking him for the help received and urging him to put an end to military activities and to endeavor to keep his subjects happy instead. Frederick made no known reply, but commented to Keith that Rousseau had given him a "scolding".

Question: What was Voltaire?
Answer: --Voltaire issued an invitation to Rousseau to come and reside with him,

Question: Are there any other interesting aspects about this article?
Answer: After Rousseau's Emile had outraged the French parliament, an arrest order was issued by parliament against him,

Question: What happened after he was driven from there?


Prompt:
Title: Nadia Comăneci

Background: Nadia Elena Comaneci was born on November 12, 1961, in Onesti, which is a small town in the Carpathian Mountains, in Bacau County, Romania, in the historical region of Western Moldavia. Comaneci was born to Gheorghe and Stefania Comaneci, and has a younger brother. Her parents separated in the 1970s, and her father (1936-2012) later moved to Bucharest. She and her younger brother Adrian were raised in the faith of the Romanian Orthodox Church.

Section: Early gymnastics career
Passage: Comaneci began gymnastics in kindergarten with a local team called Flacara ("The Flame"), with coaches Duncan and Munteanu. At age 6, she was chosen to attend Bela Karolyi's experimental gymnastics school after Karolyi spotted a friend and her turning cartwheels in a schoolyard. Karolyi was looking for gymnasts he could train from a young age and saw the two girls during recess. When recess ended, the girls ran inside. Karolyi went around the classrooms trying to find them, and eventually spotted Comaneci. (The other girl, Viorica Dumitru, went on to be one of Romania's top ballerinas.) Comaneci was training with Karolyi by the time she was seven years old, in 1968. She was one of the first students at the gymnastics school established in Onesti by Bela and his wife, Marta. Unlike many of the other students at the Karolyi school, Comaneci was able to commute from home for many years because she lived in the town. In 1970, she began competing as a member of her hometown team, and became the youngest gymnast ever to win the Romanian Nationals. In 1971, she participated in her first international competition, a dual junior meet between Romania and Yugoslavia, winning her first all-around title and contributing to the team gold. For the next few years, she competed as a junior in numerous national contests in Romania and dual meets with countries such as Hungary, Italy, and Poland. At the age of 11, in 1973, she won the all-around gold, as well as the vault and uneven bars titles, at the Junior Friendship Tournament (Druzhba), an important international meet for junior gymnasts. Comaneci's first major international success came at the age of 13, when she nearly swept the 1975 European Women's Artistic Gymnastics Championships in Skien, Norway, winning the all-around and gold medals on every event but the floor exercise, in which she placed second. She continued to enjoy success that year, winning the all-around at the "Champions All" competition and placing first in the all-around, vault, beam, and bars at the Romanian National Championships. In the pre-Olympic test event in Montreal, Comaneci won the all-around and the balance beam golds, as well as silvers in the vault, floor, and bars behind accomplished Soviet gymnast Nellie Kim, who was one of her greatest rivals over the next five years.

Question: What accomplishment was Nadia Comaneci the first gymnast to achieve?
Answer: became the youngest gymnast ever to win the Romanian Nationals.

Question: In what city did Nadia Comaneci earn the first perfect 10.0?

CANNOTANSWER
Not enough information
Cannot answer
Do not know


Prompt:
Title: The Thrills

Background: The Thrills are an Irish rock band, formed in 2001 in Dublin, Ireland. The band was founded by lead vocalist Conor Deasy and guitarist Daniel Ryan, guitarist and bass player Padraic McMahon, pianist Kevin Horan and drummer Ben Carrigan. Their big break came with their debut album, So Much for the City, which became an Irish number one and charted at number 3 in the UK. The band's sound has been described as "inspired by classic American pop of the late '60s and early '70s" by Rovi and "an ocean-soaked, harmony-heavy homage to California's dreamy dreams, shaking ground, and unrelenting sunshine" by Pitchfork Media.

Section: Extended break and Teenager
Passage: The band took an extended break after their second album, in an effort to evolve their sound. New material was written, and recording sessions took place in New York during 2006. Failing to meet the band's standards, many of these new songs were ultimately discarded, and remain unreleased. "We were definitely striving for a new standard," Deasy said in 2007. "We were willing to scrap months of work on songs, which is one of the reasons it took so long. We recorded maybe 30 songs." During an interview with indie music magazine Under The Radar in October 2007, Deasy stated: "We wrote about 30 songs for this album, and a lot of the songs we discarded. They weren't poor songs. They were perfectly good songs, but they were songs that could have fit on the first or the second album a little too easily." More new material was written, including "Midnight Choir" which became the opening track for Teenager and was also released as a single. At the suggestion of R.E.M., the five relocated to a renovated morgue (owned by Canadian musician Bryan Adams) in inner-city Vancouver to record their third album with Tony Hoffer, who had previously produced their debut album. Teenager was released in Ireland on 22 July 2007 and Central Europe on 25 July 2007. It failed to light up the British and Irish charts, but received mixed reviews, getting a Metacritic score of 71%, positive reviews from the BBC, 7/10 from the NME, a 6.9/10 from Pitchfork and a 2/5 review from The Guardian. A special CD/DVD edition of Teenager - which contained a film-length documentary about the band entitled The Thrills: The End of Innocence - was given limited release in the UK only.

Question: Why did The Thrills go on an extended break?
Answer: in an effort to evolve their sound.

Question: How long did they stay on break?
Answer: CANNOTANSWER

Question: Are there any other interesting aspects about this article?
Answer: Teenager was released in Ireland

Question: What was special about the album Teenager?
Answer: It failed to light up the British and Irish charts,

Question: Did the album have any hits at all?
Answer: CANNOTANSWER

Question: Did the band tour to support the album?

CANNOTANSWER
Not enough information
Cannot answer
Do not know


Prompt:
Title: Odissi

Background: Odissi (Odia: odd'ishii Odisi), also referred to as Orissi in older literature, is a major ancient Indian classical dance that originated in the Hindu temples of Odisha - an eastern coastal state of India. Odissi, in its history, was performed predominantly by women, and expressed religious stories and spiritual ideas, particularly of Vaishnavism (Vishnu as Jagannath). Odissi performances have also expressed ideas of other traditions such as those related to Hindu gods Shiva and Surya, as well as Hindu goddesses (Shaktism). The theoretical foundations of Odissi trace to the ancient Sanskrit text Natya Shastra, its existence in antiquity evidenced by the dance poses in the sculptures of Odissi Hindu temples, and archeological sites related to Hinduism, Buddhism and Jainism.

Section: Sequence
Passage: The Buddhist, Jain and Hindu archaeological sites in Odisha state, particularly the Assia range of hills show inscriptions and carvings of dances that are dated to the 6th to 9th century CE. Important sites include the Ranigumpha in Udaygiri, and various caves and temples at Lalitgiri, Ratnagiri and Alatgiri sites. The Buddhist icons, for example, are depicted as dancing gods and goddesses, with Haruka, Vajravarahi, and Marichi in Odissi-like postures. Historical evidence, states Alexandra Carter, shows that Odissi Maharis (Hindu temple dancers) and dance halls architecture (nata-mandap) were in vogue at least by the 9th century CE. According to Kapila Vatsyayan, the Kalpasutra of Jainism, in its manuscripts discovered in Gujarat, includes classical Indian dance poses - such as the Samapada, the Tribhangi and the Chuaka of Odissi. This, states Vatsyayan, suggests that Odissi was admired or at least well known in distant parts of India, far from Odisha in the medieval era, to be included in the margins of an important Jain text. However, the Jain manuscripts use the dance poses as decorative art in the margins and cover, but do not describe or discuss the dance. Hindu dance texts such as the Abhinaya Chandrika and Abhinaya Darpana provide a detailed description of the movements of the feet, hands, the standing postures, the movement and the dance repertoire. It includes illustrations of the Karanas mentioned in NatyaShastra. Similarly, the illustrated Hindu text on temple architecture from Odisha, the Shilpaprakasha, deals with Odia architecture and sculpture, and includes Odissi postures. Actual sculptures that have survived into the modern era and panel reliefs in Odia temples, dated to be from the 10th to 14th century, show Odissi dance. This is evidenced in Jagannath temple in Puri, as well as other temples of Vaishnavism, Shaivism, Shaktism and Vedic deities such as Surya (Sun) in Odisha. There are several sculptures of dancers and musicians in Konark Sun Temple and Brahmeswara Temple in Bhubaneswar. The composition of the poetic texts by 8th century Shankaracharya and particularly of divine love inspired Gitagovinda by 12th century Jayadeva influenced the focus and growth of modern Odissi. Odissi was performed in the temples by the dancers called Maharis, who played out these spiritual poems and underlying religious plays, after training and perfecting their art of dance starting from an early age, and who were revered as auspicious to religious services. After 12th-century, Odia temples, monasteries and nearby institutions such as the Nalanda in eastern Indian subcontinent came under waves of attacks and ransacking by Muslim armies, a turmoil that impacted all arts and eroded the freedoms previously enjoyed by performance artists. The official records of Sultan Firuz Shah Tughlaq's invasion in Odisha (1360-1361 CE), for example, describe the destruction of the Jagannath temple as well as numerous other temples, defacing of dancing statues, and ruining of dance halls. This led to a broad decline in Odissi and other religious arts, but there were some benevolent rulers in this period who supported arts particularly through performances at courts. During the Sultanate and Mughal era of India, the temple dancers were moved to entertain the Sultan's family and courts. They became associated with concubinage to the nobility. The Odissi dance likely expanded in the 17th century, states Alexandra Carter, under King Ramachandradeva's patronage. This expansion integrated martial arts (akhanda) and athletics into Odissi dance, by engaging boys and youth called Gotipuas, as a means to physically train the young for the military and to resist foreign invasions. According to Ragini Devi, historical evidence suggests that the Gotipuas tradition was known and nurtured in the 14th century, by Raja of Khurda. During the British Raj, the officials of the colonial government ridiculed the temple traditions, while Christian missionaries launched a sustained attack on the moral outrage of sensuousness of Odissi and other Hindu temple dance arts. In 1872, a British civil servant named William Hunter watched a performance at the Jagannath temple in Puri, then wrote, "Indecent ceremonies disgraced the ritual, and dancing girls with rolling eyes put the modest worshipper to the blush...", and then attacked them as idol-worshipping prostitutes who expressed their devotion with "airy gyrations". Christian missionaries launched the "anti-dance movement" in 1892, to ban all such dance forms. The dancers were dehumanized and stigmatized as prostitutes during the British period. In 1910, the British colonial government in India banned temple dancing, and the dance artists were reduced to abject poverty from the lack of any financial support for performance arts, combined with stereotyping stigma. Traditional Odissi repertoire sequence starts with an invocation called Mangalacharana. A shloka (hymn) in praise of a God or Goddess is sung, such as to Jagannath (an avatar of Vishnu), the meaning of which is expressed through dance. Mangalacharan is followed by Pushpanjali (offering of flowers) and Bhumi Pranam (salutation to mother earth). The invocation also includes Trikhandi Pranam or the three-fold salutation - to the Devas (gods), to the Gurus (teachers) and to the Lokas or Rasikas (fellow dancers and audience). The next sequential step in an Odissi performance is Batu, also known as Battu Nrutya or Sthayee Nrutya or Batuka Bhairava. It is a fast pace, pure dance (nritta) performed in the honor of Shiva. There is no song or recitation accompanying this part of the dance, just rhythmic music. This pure dance sequence in Odissi builds up to a Pallavi which is often slow, graceful & lyrical movements of the eyes, neck, torso & feet & slowly builds in a crescendo to climax in a fast tempo at the end. The nritya follows next, and consists of Abhinaya, or an expressional dance which is an enactment of a song or poetry. The dancer(s) communicate the story in a sign language, using mudras (hand gestures), bhavas (enacting mood, emotions), eye and body movement. The dance is fluid, graceful and sensual. Abhinaya in Odissi is performed to verses recited in Sanskrit or Odia language. Most common are Abhinayas on Oriya songs or Sanskrit Ashthapadis or Sanskrit stutis like Dasavatar Stotram (depicting the ten incarnations of Lord Vishnu) or Ardhanari Stotram (half man, half woman form of the divine). Many regionally performed Abhinaya compositions are based on the Radha-Krishna theme. The Astapadis of the Radha-Krishna love poem Gita Govinda written by Jayadeva are usually performed in Odisha, as part of the dance repertoire. The natya part, or dance drama, is next in sequence. Usually Hindu mythologies, epics and legendary dramas are chosen as themes. A distinctive part of the Odissi tradition is the inclusion of Moksha (or Mokshya) finale in the performance sequence. This the concluding item of a recital. Moksha in Hindu traditions means "spiritual liberation". This dance movement traditionally attempts to convey a sense of spiritual release and soul liberation, soaring into the realm of pure aesthetics. Movement and pose merge in a fast pace pure dance climax.

Question: What is Sequence?
Answer: Traditional Odissi repertoire sequence starts with an invocation called Mangalacharana.

Question: What happens next?


Prompt:
Title: Nicole Richie

Background: Richie was born in Berkeley, California, and has English, Mexican and Creole African-American ancestry. Her biological father, Peter Michael Escovedo, is the brother of Sheila E, and her biological mother is Karen Moss. When she was three years old, her biological parents agreed to let her move in with Lionel Richie because they could not afford to provide for her. "My parents were friends with Lionel," she told People in 2003.

Section: Television
Passage: In 2003, Richie and her then-best friend Paris Hilton starred in the reality series The Simple Life, in which they lived for a month with a family in the rural community of Altus, Arkansas. The series premiere debuted on Fox on December 2, 2003, to 13 million viewers, increasing Fox's reach among viewers 18-49. The series continued for a second and third season. Fox subsequently canceled the show after a dispute between Hilton and Richie, but it was aired by E! Entertainment Television for its fourth season, drawing nearly one million viewers and was followed by a relatively unsuccessful fifth season. Complications arose during production of the fifth season, with both Richie and Hilton facing major charges for DUI, and at risk of serving jail time. Hilton was sentenced to 23 days in jail, though this was after production of the season had finished. Richie accepted a plea agreement and was sentenced to four days in jail, again after production had wrapped. Despite talks of a sixth season, the series finished its run at the end of the moderately unsuccessful fifth season. In 2005, Richie made her acting debut in the comedic drama Kids in America. Richie has guest starred in television series including Eve, Six Feet Under and American Dreams, 8 Simple Rules for Dating My Teenage Daughter, and playing the recurring character Heather Chandler on Chuck. In July 2008, plans were announced to turn Richie's 2005 novel, The Truth About Diamonds, into a television series. On January 1, 2010, it was announced that Richie would appear as a guest judge on Project Runway. In early 2016, Richie auditioned for a role in the NBC sitcom, Great News, created by Tracey Wigfield and produced by Wigfield and Tina Fey, which is set in the world of television news. Although Richie's audition was not successful, she was later brought in to replace Kimrie Lewis-Davis in the supporting role of Portia, an anchorwoman at the news channel depicted in the series. The show's producers had initially cast Lewis-Davis as Portia, but decided to go in a different direction with the character after seeing the results of the pilot episode. When speaking about casting Richie in her first scripted series-regular television role, Fey explained: "She's a really funny person and has an instant likability. Those are instincts you can't teach. People have it or not. She has good timing without really pushing it."

Question: what shows did she appear on
Answer: In 2003, Richie and her then-best friend Paris Hilton starred in the reality series The Simple Life,

Question: what was the show about
Answer: The Simple Life, in which they lived for a month with a family in the rural community of Altus, Arkansas.

Question: was it popular
Answer: The series premiere debuted on Fox on December 2, 2003, to 13 million viewers, increasing Fox's reach among viewers 18-49.

Question: did she have any other shows


Prompt:
Title: Steve McQueen

Background: Terence Steven McQueen was born on March 24, 1930, at St. Francis Hospital in Beech Grove, Indiana, a suburb of Indianapolis. His father, William Terence McQueen, was a stunt pilot for a barnstorming flying circus who left McQueen's mother, Julia Ann (a.k.a. Julian; nee Crawford), six months after meeting her. Several biographers have stated that Julia Ann was an alcoholic.

Section: The 1970s
Passage: In 1971 McQueen starred in the poorly received auto-racing drama Le Mans. Then came Junior Bonner in 1972, a story of an aging rodeo rider. He worked for director Sam Peckinpah again with the leading role in The Getaway, where he met future wife Ali MacGraw. He followed this with a physically demanding role as a Devil's Island prisoner in 1973's Papillon, featuring Dustin Hoffman as his character's tragic sidekick. In 1973 The Rolling Stones referred to McQueen in the song "Star Star" from the album Goats Head Soup for which an amused McQueen reportedly gave personal permission. The lines were "Star ######, star ######, star ######, star ###### star/ Yes you are, yes you are, yes you are/Yeah, Ali MacGraw got mad with you/For givin' head to Steve McQueen". By the time of The Getaway, McQueen was the world's highest-paid actor, but after 1974's The Towering Inferno, co-starring with his long-time professional rival Paul Newman and reuniting him with Dunaway, became a tremendous box-office success, McQueen all but disappeared from the public eye, to focus on motorcycle racing and traveling around the country in a motor home and on his vintage Indian motorcycles. He did not return to acting until 1978 with An Enemy of the People, playing against type as a bearded, bespectacled 19th-century doctor in this adaptation of a Henrik Ibsen play. The film was never properly released theatrically. His last two films were loosely based on true stories: Tom Horn, a Western adventure about a former Army scout-turned professional gunman who worked for the big cattle ranchers hunting down rustlers, and later hanged for murder in the shooting death of a sheepherder, and The Hunter, an urban action movie about a modern-day bounty hunter, both released in 1980.

Question: What films did McQueen do in the 1970s?
Answer: In 1971 McQueen starred in the poorly received auto-racing drama Le Mans. Then came Junior Bonner in 1972,

Question: Are there any other interesting aspects about this article?


Prompt:
Title: Nick Cave and the Bad Seeds

Background: Nick Cave and the Bad Seeds are an Australian rock band formed in Melbourne in 1983 by vocalist Nick Cave, multi-instrumentalist Mick Harvey and guitarist Blixa Bargeld. The band has featured international personnel throughout its career and presently consists of Cave, violinist and multi-instrumentalist Warren Ellis, bassist Martyn P. Casey and keyboardist Conway Savage (all four from Australia), guitarist George Vjestica (United Kingdom), keyboard/percussionist Toby Dammit (United States) and drummers Thomas Wydler (Switzerland) and Jim Sclavunos (United States). The band has released sixteen studio albums and completed numerous international tours, and has been considered "one of the most original and celebrated bands of the post-punk and alternative rock eras in the '80s and onward". The band was founded in 1983 following the demise of Cave and Harvey's former group the Birthday Party, the members of which met at a boarding school in Victoria.

Section: Relocation to Germany and stylistic evolution (1985-1989)
Passage: After the departure of Race and Lane, the remaining members relocated to West Berlin, Germany, in 1985 and released a second album The Firstborn Is Dead. The album was heavily influenced by the gothic Americana of the American South and blues music, exemplified in songs such as "Tupelo" and "Blind Lemon Jefferson", which reference the birth of Elvis Presley and Blind Lemon Jefferson respectively. Released the following year, the cover version album Kicking Against the Pricks explored such influences more directly with renditions of material by Johnny Cash, John Lee Hooker and Lead Belly. The 1986 album also marked the arrival of Swiss drummer Thomas Wydler, a member of Die Haut, and featured guest appearances from Race, Pew, and Birthday Party guitarist Howard, who had briefly toured with the Bad Seeds as a substitute member in 1985. Pew's death from an epileptic seizure also occurred in 1986. The band garnered an increased following due to a second 1986 album release, Your Funeral, My Trial, which coincided with Adamson's departure. Tender Prey, the dark, brooding 1988 follow-up, saw the arrival of American guitarist Kid Congo Powers--Harvey made the transition to bass--and short-tenured German keyboardist Roland Wolf. The single "The Mercy Seat" chronicled an unrepentant prisoner on death row and further increased the group's critical acclaim and commercial attention. The track later received the honor being covered by Cash on his 2000 album American III: Solitary Man. Despite the increasing level of success, the drug-related issues of band members became problematic. The documentary film The Road to God Knows Where, directed by Uli M Schueppel, depicts a five-week period of the United States leg of their 1989 tour. Cave and his bandmates also pursued other creative ambitions around this time. In 1987, the Bad Seeds appeared in the Wim Wenders film Wings of Desire, and Cave was also featured in the 1988 film Ghosts... of the Civil Dead, which he and Race co-wrote. Cave's first novel And the Ass Saw the Angel was published in 1989.

Question: Where was he prior to Germany?
Answer: CANNOTANSWER

Question: When did he relocate?
Answer: the remaining members relocated to West Berlin, Germany,

Question: Are there any other interesting aspects about this article?
Answer: in 1985 and released a second album The Firstborn Is Dead.

Question: How did that album do?
Answer: CANNOTANSWER

Question: Did they tour during this time?

CANNOTANSWER
Not enough information
Cannot answer
Do not know