| 1. | |
| BLACK: | |
| O.S. “BRANDY” by LOOKING GLASS PLAYS. | |
| 1 EXT. FORD COBRA MUSTANG - DAY 1 | |
| SUPER: MISSOURI | |
| EARTH | |
| 1980 | |
| OVERHEAD SHOT: A ‘79 Cobra winds alongside the Missouri | |
| River, past swaying loosestrife, vibrant sugar maples, and | |
| oily self-pump gas stations. A hazy sun glints off the hood | |
| of the Cobra which, like its descendant the Milano, is | |
| orange and teal. | |
| We MOVE DOWN AND IN on a fresh-faced girl of 18 in the | |
| passenger seat: MEREDITH QUILL. As “Brandy” blasts from the | |
| car stereo, she pushes her fine, feathered hair from her | |
| mouth, and sings along, out-of-tune - | |
| MEREDITH | |
| Do do do do do do do do do do do! | |
| The driver, a MYSTERIOUS MAN in his 30’s, dressed in sleek, | |
| mod attire, LAUGHS. | |
| Meredith LAUGHS too. She SINGS and dances with abandon in | |
| her seat. She’s a lively goofball, and it’s apparent where | |
| Peter Quill received much of his personality. | |
| 2 EXT. DAIRY QUEEN/WOODS - MOMENTS LATER 2 | |
| The Cobra pulls beside this Dairy Queen in a desolate area. | |
| 3 EXT. WOODS BEHIND DAIRY QUEEN - MOMENTS LATER 3 | |
| The Mysterious Man helps Meredith down the steep hillside | |
| into the woods. “Brandy” continues to play on the car | |
| stereo in the lot behind them. Meredith GIGGLES. | |
| MYSTERIOUS MAN | |
| This way, my river lily. | |
| MEREDITH | |
| Where are you taking me? | |
| 2. | |
| The Mysterious Man shows her a STRANGE SPROUT nestled | |
| amongst the trees. | |
| A few inches tall and decidedly alien in nature, its | |
| delicate limbs twist and turn in a complex pattern. | |
| MEREDITH | |
| Oh. It’s beautiful. | |
| The Mysterious Man looks proudly at Meredith. With a | |
| perpetually excited glint in his eye, and the air of a | |
| self-empowerment guru, he is an intoxicating presence. | |
| MYSTERIOUS MAN | |
| I was afraid it wouldn’t take to | |
| the soil, but it rooted quickly. | |
| He nods toward the sky between the branches above. | |
| MYSTERIOUS MAN | |
| Soon it will be everywhere - all | |
| across the universe, fulfilling | |
| life’s one true purpose. | |
| MEREDITH | |
| Which is what? | |
| MYSTERIOUS MAN | |
| Expansion. | |
| The Mysterious Man takes her in his arms. He gazes into her | |
| eyes. She grows almost teary. | |
| MEREDITH | |
| I’m not sure what you’re talking | |
| about. But I like the way you say | |
| it. | |
| MYSTERIOUS MAN | |
| My heart is yours, Meredith Quill. | |
| MEREDITH | |
| I can’t believe I fell in love with | |
| a spaceman. | |
| And they KISS, with passion, and love. “DO DO DO DO DO DO | |
| DO DO DO DO DO!” sings Looking Glass as SOURCE BECOMES | |
| SCORE and we TILT DOWN to the plant. It TWITCHES AND GROWS | |
| AND TWISTS. | |
| 3. | |
| We PUSH IN ON IT, where we see the plant is made, not only | |
| of cellulose and leaves, but of a BRIGHT COSMIC LIGHT. And | |
| we KEEPING PUSHING IN, INTO THE PLANT ITSELF, more FLESH- | |
| LIKE than you’d imagine, where COLORFUL BACTERIA OVERCOMES | |
| US as “BRANDY” DISTORTS AND TRANSFORMS into something epic. | |
| O.S. A CRACK OF INTERDIMENSIONAL THUNDER | |
| SUPER: 34 Years Later | |
| 4 EXT. THE SOVEREIGN - OUTER SPACE 4 | |
| An artificial, golden planet, made of interlocking orbs, | |
| revolves around a blue sun. | |
| We PUSH IN on THUNDEROUS INTERDIMENSIONAL CRACKS on one | |
| small patch of planet. | |
| SUPER: THE SOVEREIGN | |
| 5 I/E. POWER STATION - DAY 5 | |
| A DIMENSIONAL CRACK SNAPS in the sky overhead. PETER QUILL | |
| looks from it to an old MATTEL ELECTRONICS FOOTBALL GAME | |
| converted into a tracker. A RED DOT APPROACHES. | |
| QUILL | |
| Showtime, a-holes! It’ll be here | |
| any minute! | |
| GAMORA (O.S.) | |
| Which will be its loss. | |
| Quill turns toward GAMORA, loading a rifle. DRAX, ROCKET, | |
| and BABY GROOT also ready themselves for battle in this | |
| grand, open-air power station. Dozens of BATTERIES are | |
| couched in conductor towers encircling them. Quill, Gamora, | |
| and Rocket wear flying rigs. | |
| QUILL | |
| Is that a rifle? | |
| GAMORA | |
| You don’t know what a rifle is? | |
| QUILL | |
| I thought your thing was a sword. | |
| GAMORA | |
| 4. | |
| We’ve been hired to stop an | |
| interdimensional beast from feeding | |
| on those batteries’ energy, and I’m | |
| going to stop it with a sword? | |
| QUILL | |
| (mumbling to himself) | |
| Don’t look at me like I’m stupid. | |
| You’re the one being all | |
| inconsistent. | |
| A LOUDER, LARGER CRACK: something seems to be fighting its | |
| way through the sky. | |
| GAMORA | |
| Drax, why aren’t you wearing one of | |
| Rocket’s aero-rigs? | |
| DRAX | |
| It hurts. | |
| GAMORA | |
| Hurts? | |
| DRAX | |
| (muttering) | |
| I have sensitive nipples. | |
| Rocket, who is working on a pair of speakers wired to | |
| Quill’s Walkman, LAUGHS HARD at this. Drax points at him. | |
| DRAX | |
| What about him?! What’s he doing?! | |
| ROCKET | |
| If I finish this, we can listen to | |
| tunes while we work. | |
| DRAX | |
| How is that a priority? | |
| ROCKET | |
| Blame Quill! He’s the one who loves | |
| music so much! | |
| QUILL | |
| I agree with Drax. It’s hardly | |
| important right now. | |
| ROCKET | |
| Oh, sure, okayyyy, Quill. | |
| Rocket WINKS at him. | |
| 5. | |
| QUILL | |
| No, I really agree with him. | |
| ROCKET | |
| Sure, I know. | |
| Rocket WINKS some more. | |
| DRAX | |
| I can clearly see you winking. | |
| ROCKET | |
| Damn. I’m using my left eye? | |
| Rocket hears a small GROWL. | |
| He looks down and sees Baby Groot - newly unpotted, only | |
| nine inches tall or so - angrily THROWING ASIDE some | |
| foraging Orloni. Then he looks up at Rocket, explaining: | |
| GROOT | |
| I am Groot. | |
| ROCKET | |
| They were not looking at you funny. | |
| AN EVEN LARGER CRACK! | |
| Rocket swirls as a GIGANTIC BEAST - a hundred-foot-long | |
| Lovecraftian monstrosity - BREAKS THROUGH THE | |
| INTERDIMENSIONAL RIFT. THE ABILISK is the color of a pinkie | |
| mouse with kaleidoscopic and deadly SPLATTER MATTER pulsing | |
| from its maw. | |
| ROCKET | |
| Well. That’s intense. | |
| Rocket, Quill, and Gamora JET-PACK OUT OF THE WAY, while | |
| they BLAST at the creature. Drax HOLLERS, CHARGING it with | |
| his twin blades. Quill TURNS ON his mask. | |
| But we FOCUS on baby Groot, who trots up to the stereo | |
| speakers and Walkman. | |
| He fiddles with two wires. They SPARK, the stereo POWERS | |
| UP, and “MR. BLUE SKY” by ELECTRIC LIGHT ORCHESTRA PLAYS as | |
| - | |
| THE CREDITS START | |
| Baby Groot DANCES IN-FOCUS in the foreground as the | |
| Guardians get PUMMELED by the beast OUT-OF-FOCUS in the | |
| background. | |
| 6. | |
| Baby Groot’s dancing is arrhythmic and many of his “dance | |
| moves” are nonsensical mixtures of trembling, swaying, and | |
| making weird faces. | |
| But it is joyous. | |
| As Groot struts, Quill comes ROLLING behind him. As he | |
| stands, he sees Groot dancing and looks at him, worried. | |
| QUILL | |
| Groot, look - ! | |
| A TENTACLE FLIES IN FROM OFF-SCREEN, KNOCKING Quill OUT-OF- | |
| FRAME as Groot dances on, blissfully unaware. | |
| Groot, smiling, dances onward, as DRAX, in the clutches of | |
| a giant tentacle, is SLAMMED NUMEROUS TIMES BESIDE HIM. | |
| Groot arrives at GAMORA, who is blasting at the OFF-SCREEN | |
| BEAST. | |
| GAMORA | |
| Get out of the way, Groot! You’re | |
| going to get hurt! | |
| Groot stops dancing. He WAVES at her. | |
| GAMORA | |
| Hi. | |
| She AERO-JETS back into the fray. | |
| As Groot DANCES, Drax FALLS directly behind him. | |
| Groot FREEZES. | |
| Drax stares at him a moment, suspicious. Groot stays | |
| frozen. | |
| Drax LEAVES, and Groot COMMENCES THE DANCE where he left | |
| off. | |
| Groot sees an INSECT FLYING BY. | |
| Suddenly dancing is forgotten and GETTING THIS BUG is all- | |
| important. He CHASES it. | |
| He HOPS up and grabs it from the air... | |
| And starts EATING it. | |
| 7. | |
| Rocket spots this and FLIES DOWN beside him, worried. He | |
| PRIES OPEN GROOT’S MOUTH with his fingers, frantically | |
| trying to get it out. | |
| ROCKET | |
| Spit it out! Spit it out! | |
| Groot COUGHS IT OUT. The bug FLIES crookedly away, one wing | |
| mulched. | |
| Rocket JETS OFF back toward the battle, muttering: | |
| ROCKET | |
| Disgusting. | |
| Groot sees something else and becomes furious. We follow | |
| his line of sight to a GRAZING ORLONI. | |
| Groot SCREAMS A WAR CRY and ATTACKS IT. He GROWS HIS | |
| BRANCHES AROUND IT, and the terrified Orloni DARTS AWAY, | |
| DRAGGING GROOT WITH IT. | |
| Groot’s anger becomes panic as he is DRAGGED AROUND BY THE | |
| ORLONI and can’t let go. | |
| The Orloni DARTS around the power station and underneath | |
| the RAGING BATTLE, a CRYING Groot bouncing along behind it. | |
| Finally, he LETS GO and goes TUMBLING, ROLLING directly | |
| INTO THE CAMERA. | |
| And then stands up and, as if none of it happened at all, | |
| starts DANCING AGAIN. | |
| We PAN and see the speakers and Walkman beside him, and we | |
| realize Baby Groot has traveled around the entire Power | |
| Station and has arrived back where he started - | |
| When Drax is FLUNG by the beast into the stereo system, | |
| SMASHING it. | |
| Groot stops dancing. Angry that Drax has ruined his fun, he | |
| picks up a piece of the stereo and beats him with it. | |
| CREDITS END. | |
| Drax stands and glares at the ferocious beast as Rocket, | |
| Quill, and Gamora BLAST at it without effect. | |
| DRAX | |
| The beast’s hide is too thick to be | |
| pierced from the outside. I must | |
| cut through it from the inside. | |
| 8. | |
| GAMORA | |
| Huh? | |
| Drax HOLLERS, CHARGING the creature. | |
| GAMORA | |
| Drax, no! That doesn’t make - | |
| The creature OPENS ITS ENORMOUS MOUTH, SCREECHING, and Drax | |
| LEAPS INSIDE IT, instantly swallowed up. | |
| QUILL | |
| What is he doing?! | |
| GAMORA | |
| He said the skin is too thick to be | |
| pierced from the outside, so he -- | |
| QUILL | |
| That doesn’t make sense! | |
| GAMORA | |
| I tried to tell -- ! | |
| QUILL | |
| Its skin is the same thickness from | |
| the inside as from the out! | |
| GAMORA | |
| I REALIZE THAT. | |
| 6 INT. BEAST’S STOMACH - DOESN’T MATTER 6 | |
| Drax HOLLERS as he SLASHES AWAY inside the goo of the | |
| beast’s stomach. To no avail. | |
| 7 I/E. POWER STATION - DAY 7 | |
| Quill reloads his pistol, thinking. | |
| QUILL | |
| Gamora, there’s a cut on its neck - | |
| Rocket, get it to look up. | |
| Quill and Rocket JET UP HIGH up over the creature as they | |
| BLAST REPEATEDLY at it. | |
| QUILL | |
| Hey, you giant Sea Monkey, up here! | |
| 9. | |
| Gamora’s rifle is jammed. She tosses it down. PULLS HER | |
| SWORD. SNAPS IT OPEN. | |
| The beast SCREECHES at Quill and Rocket FLYING overhead. | |
| The colorful SPLATTER MATTER FLIES FROM ITS MOUTH, | |
| BATTERING ROCKET, BURNING his clothes. | |
| But its neck is exposed, where the skin is thinner, and | |
| there is a small wound. | |
| Gamora DASHES, LEAPING HIGH into the air, and she PLUNGES | |
| her sword directly into the wound. | |
| She holds tight to the hilt as she FALLS, SLICING AN | |
| INCISION down the length of the creature’s neck. | |
| The beast WOBBLES, TOPPLES, and DIES. As it COLLAPSES, Drax | |
| SPILLS OUT of the wound. He raises his arms in victory. | |
| DRAX | |
| Ha ha! I have single-handedly | |
| vanquished the beast! | |
| Quill SCOFFS. Rocket SNORTS. Gamora stares at him, dead- | |
| eyed. | |
| Baby Groot throws a rock at him. | |
| DRAX | |
| What? | |
| 8 I/E. POWER STATION - MOMENTS LATER 8 | |
| The Guardians de-rig by the Anulax batteries. | |
| DRAX | |
| What are they called again? | |
| QUILL | |
| Anulax batteries. | |
| DRAX | |
| Harbulary batteries. | |
| QUILL | |
| That’s nothing like what I just | |
| said. But they’re worth thousands | |
| of units a piece. Which is why the | |
| Sovereign hired us to protect them. | |
| Rocket pulls out one of the ANULAX BATTERIES, checking it | |
| out. | |
| 10. | |
| Gamora, Drax, and Quill walk on. Rocket stays back a | |
| moment. | |
| Quill nods down the walkway, where GOLDEN SOVEREIGN | |
| CITIZENS stand at the edge of the station, gawking. | |
| QUILL | |
| Just be careful what you say around | |
| these folks. They’re easily | |
| offended and the cost of | |
| transgression is death. | |
| DRAX | |
| Sounds judgmental for a bunch of | |
| golden morons. | |
| QUILL | |
| That’s the kind of thing you might | |
| want to keep to yourself. | |
| GAMORA | |
| I’ll hold my tongue, as long as | |
| they deliver what was promised. | |
| 9 EXT. LAIR OF THE HIGH PRIESTESS - MORNING 9 | |
| An enormous golden palace in the shape of a globe, dappled | |
| by morning sunlight. | |
| AYESHA (O.S.) | |
| We thank you, Guardians, for | |
| putting your life on the line. We | |
| could not risk the lives of our own | |
| Sovereign citizens. | |
| 10 INT. LAIR OF THE HIGH PRIESTESS - DAY 10 | |
| HIGH PRIESTESS AYESHA is stunningly beautiful with golden | |
| skin. Her CHAMBERMAIDS and other DENIZENS flutter | |
| throughout her luxurious lair, all of whom are equally | |
| perfect. | |
| AYESHA | |
| Every citizen is born exactly as | |
| designed by the community, | |
| impeccable, both physically and | |
| mentally. We control the DNA of our | |
| progeny, germinating them in | |
| birthing pods. | |
| QUILL | |
| 11. | |
| I guess I prefer making people the | |
| old-fashioned way. | |
| AYESHA | |
| Well... perhaps someday you could | |
| give me a history lesson in the | |
| archaic ways of our ancestors... | |
| for academic purposes. | |
| QUILL | |
| Yeah, I mean, if it’s for research | |
| that could be pretty -- | |
| Quill sees Gamora staring at him. | |
| QUILL | |
| Pretty repulsive. I’m not into that | |
| kind of casual - | |
| GAMORA | |
| Oh, please. | |
| (to Ayesha) | |
| Your people promised something in | |
| trade for our services. Bring it | |
| and we shall gladly be on our way. | |
| Ayesha nods. | |
| Two SOLDIERS emerge with A WOMAN in a hood and cloak, her | |
| wrists bound by SHACKLES. They SHOVE HER TO HER KNEES and | |
| yank back her hood, REVEALING -- | |
| NEBULA. Her clothes are tattered. Her hand is now just a | |
| low-tech metal claw. | |
| She glares at Gamora. Gamora glares at her. Quill looks | |
| from one to the other, feeling the tension. | |
| QUILL | |
| (quietly) | |
| Family reunion. Yaaaay. | |
| AYESHA | |
| I understand she is your sister? | |
| Gamora roughly picks Nebula up, starts to go. | |
| GAMORA | |
| She’s worth no more to me than the | |
| bounty due for her on Xandar. | |
| AYESHA | |
| 12. | |
| Our soldiers apprehended her | |
| attempting to steal the batteries. | |
| Do with her as you please. | |
| QUILL | |
| Thank you, High Priestess Ayesha. | |
| Quill starts to go. | |
| AYESHA | |
| What is your heritage, Mr. Quill? | |
| Quill turns back towards her, uncomfortable with the | |
| question. | |
| QUILL | |
| My mother is from earth. | |
| AYESHA | |
| And your father? | |
| QUILL | |
| He’s... not from Missouri, that’s | |
| all I know. | |
| Ayesha stares at him as if she’s eaten something foul. | |
| AYESHA | |
| I see it within you, an unorthodox | |
| genealogy. A hybrid that seems | |
| particularly... reckless. | |
| Quill tries not to let this affect him, but it does. Rocket | |
| grins a huge, fake grin at Ayesha. | |
| ROCKET | |
| You know, they told me you people | |
| were conceited douchebags. But that | |
| isn’t true at all. | |
| Rocket turns to Quill and WINKS. The Guardians shift | |
| uncomfortably. | |
| ROCKET | |
| Oh, shit, I’m using my wrong eye | |
| again, aren’t I? | |
| (to Ayesha) | |
| I’m sorry. That was meant to be | |
| behind your back. | |
| Drax YANKS Rocket away. | |
| 13. | |
| Gamora and Quill head out of the lair. Drax and Rocket are | |
| a few paces behind. | |
| DRAX | |
| Count yourself blessed they didn’t | |
| kill you. | |
| ROCKET | |
| You’re telling me. You wanna buy | |
| some batteries? | |
| Rocket grins and shows Drax something hidden in his bag - | |
| TWO ANULAX BATTERIES. | |
| “LAKE SHORE DRIVE” by ALIOTTA, HAYNES, AND JEREMIAH PLAYS. | |
| Drax LAUGHS. Rocket SHUSHES him so Quill and Gamora don’t | |
| hear. | |
| 11 EXT. SOVEREIGN SPACE DOCK/THE MILANO - MOMENTS LATER 11 | |
| The Milano RISES into the blue sunset over the Sovereign | |
| Space Dock filled with golden, capsule-shaped ships. | |
| Rocket works the controls as they rise up. He speaks into | |
| the comm: | |
| ROCKET | |
| Let’s get baldy back to Xandar and | |
| retrieve that bounty! | |
| 12 INT. MILANO LOWER FLIGHT DECK - OUTER SPACE 12 | |
| Groot lies on the rear window peering out the back as they | |
| pass overhead. | |
| On the CASSETTE PLAYER AWESOME MIX VOL. 2 is playing; we | |
| PAN away from it, MOVING IN on Quill, looking perturbed as | |
| he takes off his jacket. | |
| Gamora is nearby, putting shackles on Nebula. | |
| GAMORA | |
| You all right? | |
| QUILL | |
| That stuff about my father. Who | |
| does she think she is? | |
| GAMORA | |
| I know you’re sensitive about that. | |
| 14. | |
| QUILL | |
| I’m not sensitive about it. I just | |
| don’t know who he is. | |
| Gamora nods. | |
| QUILL | |
| Sorry if it looked like I was | |
| flirting with her. I wasn’t. | |
| GAMORA | |
| I don’t care if you were. | |
| Gamora pushes Nebula to the rear of the craft. | |
| QUILL | |
| I think you do care. That’s why I’m | |
| apologizing. | |
| Quill watches her go, somewhat longingly. | |
| DRAX | |
| Gamora is not the one for you, | |
| Quill. | |
| Quill is startled to see Drax directly beside him. | |
| DRAX | |
| There are two types of beings in | |
| the universe. Those who dance, and | |
| those who do not. | |
| QUILL | |
| Uh huh. | |
| DRAX | |
| I first met my beloved at a war | |
| rally. | |
| DRAX | |
| Everyone in the village flailed | |
| about, dancing. Except one woman. | |
| My Ovette. I knew immediately she | |
| was the one. | |
| Quill nods, trying to be polite. | |
| DRAX | |
| The most melodic song in the world | |
| could be playing, and she wouldn’t | |
| even tap her foot. She wouldn’t | |
| move a muscle. One might assume she | |
| was dead. | |
| 15. | |
| QUILL | |
| Well, that is pretty hot, but-- | |
| DRAX | |
| It would make my nether regions | |
| engorge - | |
| QUILL | |
| All right, okay, fascinating, don’t | |
| need to hear it. I get your point, | |
| I’m a dancer and Gamora is not. | |
| Drax smiles kindly, clutches Quill’s shoulder. | |
| DRAX | |
| You just need to find a woman who | |
| is pathetic, like you. | |
| At the rear of the ship, Gamora roughly restrains Nebula. | |
| Nebula notices a bowl of fruit. | |
| NEBULA | |
| I am hungry. Hand me some of that | |
| yaro root. | |
| GAMORA | |
| No. It’s not ripe yet. And I hate | |
| you. | |
| NEBULA | |
| You hate me?! You left me there | |
| while you stole that stone for | |
| yourself. Yet here you stand, a | |
| hero, a Garden of the Galaxy! | |
| GAMORA | |
| A what? | |
| Nebula stares at her, confused. | |
| GAMORA | |
| ‘Guardians of the Galaxy.’ | |
| NEBULA | |
| Oh. | |
| GAMORA | |
| Why would we be ‘the Gardens of the | |
| Galaxy’? | |
| NEBULA | |
| 16. | |
| I don’t know. I thought it was | |
| stupid. | |
| GAMORA | |
| Yeah, it would be. | |
| NEBULA | |
| It’s still wordy. | |
| GAMORA | |
| I wasn’t the one who thought of it. | |
| NEBULA | |
| Your name doesn’t matter. I’ll be | |
| free of these shackles soon enough, | |
| and I’ll kill you, I swear. | |
| GAMORA | |
| No. You’ll live out your days in a | |
| prison on Xandar, wishing you | |
| could. | |
| WARNING LIGHTS FLASH. | |
| 13 I/E. MILANO FLIGHT DECK - MOMENTS LATER 13 | |
| Gamora MOVES UP from the stairs. Rocket and Quill are in | |
| the pilot seats. Drax is moving up from the back. | |
| QUILL | |
| We got an armed Sovereign fleet, | |
| approaching from the rear. | |
| Gamora takes the center seat, sees a REARVIEW SCAN: | |
| Golden, capsule-shaped, Sovereign OMNICRAFT, with a video | |
| screen on front and a blaster on each side - getting | |
| closer. | |
| GAMORA | |
| Why would they do that?! | |
| DRAX | |
| Probably because Rocket stole some | |
| of their batteries. | |
| Quill and Gamora look at Rocket, astounded. Rocket gawks at | |
| Drax, betrayed. | |
| ROCKET | |
| Dude. | |
| 17. | |
| DRAX | |
| Oh, right. He didn’t steal one of | |
| those. I don’t know why they’re | |
| after us. What a mystery this is. | |
| THE SOVEREIGN FIRE UPON THE MILANO. | |
| Quill does his best to evade their blasts. | |
| QUILL | |
| What were you thinking?! | |
| ROCKET | |
| Dude, it was really easy to steal. | |
| GAMORA | |
| That’s your defense? | |
| ROCKET | |
| Come on. You saw how that high- | |
| priestess talked down to us! I’m | |
| teaching her a lesson! | |
| QUILL | |
| Oh! I didn’t realize your | |
| motivation was altruism. A shame | |
| the Sovereign have mistaken your | |
| intentions and are trying to kill | |
| us. | |
| ROCKET | |
| Exactly. | |
| QUILL | |
| I WAS BEING SARCASTIC! | |
| ROCKET | |
| Oh no! You tricked me! You’re | |
| supposed to use a sarcastic voice! | |
| Now I look foolish! | |
| Drax points at Rocket and LAUGHS at him. | |
| QUILL | |
| SHUT UP, DRAX! You knew! You should | |
| have told us! | |
| Drax is aghast. He looks at Rocket. | |
| DRAX | |
| Did you tell him it was easy to | |
| steal? | |
| 18. | |
| ROCKET | |
| Are you kidding me? | |
| DRAX | |
| What? | |
| ROCKET | |
| You never listen to anything! | |
| GAMORA | |
| None of you listens! Can we please | |
| just put the bickering on hold | |
| until after we survive the massive | |
| space battle?! | |
| Rocket glances at Quill, nodding back at Gamora. | |
| ROCKET | |
| Whoa. Somebody woke up on the wrong | |
| side of the bed this morning. | |
| QUILL | |
| Do not try to bro down with me | |
| right now, dude. I will fricking | |
| punch you in your fricking face. | |
| ROCKET | |
| Real nice! Resorting to violence. | |
| QUILL | |
| More incoming! | |
| MORE SHIP FLY AT THEM from the front. | |
| ROCKET | |
| GOOD! I WANT TO KILL SOME GUYS! | |
| They twist and turn between the oncoming ships as ROCKET | |
| FIRES AT THEM, SCREAMING. They EXPLODE. | |
| On the front of the Sovereign ships is the VIDEO IMAGE OF A | |
| PILOT. | |
| SOVEREIGN PILOT (ON SHIP) | |
| Bloody hell! | |
| 14 INT. SOVEREIGN PILOT BAY - DAY 14 | |
| The same SOVEREIGN PILOT sits in a REMOTE POD. On a SCREEN | |
| in front of her we see ROCKET FIRING. | |
| The SHIP IS HIT and the SCREEN GOES STATIC. | |
| 19. | |
| The Pilot SHOUTS in anger, like a kid who lost at a video | |
| game. | |
| High Priestess Ayesha surveys from a walkway above; ROWS OF | |
| PODS containing PILOTS, all flying their Omnicraft | |
| remotely. | |
| 15 I/E. MILANO FLIGHT DECK 15 | |
| GAMORA | |
| You’re not killing anyone. Those | |
| ships are all remotely piloted. | |
| 16 INT. SOVEREIGN PILOT BAY - DAY 16 | |
| A SOVEREIGN ADMIRAL is beside Ayesha. | |
| AYESHA | |
| What is the delay, Admiral? | |
| ADMIRAL | |
| High Priestess, if we destroy their | |
| craft, we risk destroying the | |
| batteries. They’re extraordinarily | |
| combustible and could, in turn, | |
| destroy the entire fleet. | |
| AYESHA | |
| We have thousands of batteries and | |
| thousands of ships. Our concern is | |
| their slight against our people. We | |
| hired them and they steal from us? | |
| It is heresy of the highest order. | |
| The Admiral speaks into his comm. | |
| ADMIRAL | |
| All command modules - | |
| A FRIGHTENED SOVEREIGN PILOT, on the outskirts of the | |
| battle, hears the Admiral in his headset. | |
| ADMIRAL (O.S.) | |
| Fire with the intent to kill. | |
| A MEAN SOVEREIGN PILOT, FIRING at the Milano, smirks. | |
| 17 I/E. MILANO FLIGHT DECK - OUTER SPACE 17 | |
| 20. | |
| THE MILANO’S WING IS STRUCK. The EMERGENCY SYSTEMS FLASH | |
| ON. | |
| QUILL | |
| What’s the closest habitable | |
| planet? | |
| Gamora dances her fingers over the UNIVERSAL NEURAL | |
| TELEPORTATION NETWORK, clicking through “jump points” until | |
| she finds one. | |
| GAMORA | |
| It’s called Berhert. | |
| QUILL | |
| How many jumps? | |
| GAMORA | |
| Only one. But the access point is | |
| 47 clicks away. And it’s through | |
| that Quantum Asteroid Field over | |
| there. | |
| Quill spots, to his side, a HUGE FIELD OF SMALL, GLOWING | |
| ASTEROIDS, SWIRLING IN RANDOM PATTERNS, DISAPPEARING OUT OF | |
| SPACE and EMERGING AGAIN a few feet or a few yards away. | |
| Quill ZOOMS SIDEWAYS toward the field. | |
| DRAX | |
| Quill, to make it through that, | |
| you’d have to be the greatest pilot | |
| in the universe. | |
| Quill smirks. | |
| QUILL | |
| Lucky for us - | |
| ROCKET | |
| I am. | |
| Rocket FLIPS the pilot controls between them so that he’s | |
| the one piloting the ship. Quill gapes at him. | |
| The Milano DIVES into the QUANTUM ASTEROID FIELD, SWOOPING | |
| in and around the SWIRLING ATOMIZED STONES, barely missing | |
| them. | |
| The Sovereign ships FOLLOW. They are not pilots on par with | |
| Rocket, so most of the ships are immediately PELTED WITH | |
| STONES AND DESTROYED. | |
| 21. | |
| 18 INT. SOVEREIGN PILOT BAY - DAY 18 | |
| One after another the SOVEREIGN PILOTS screens go blank, | |
| and they FALL BACK, angry and upset. | |
| PUSH IN on Ayesha, barely containing her fury. | |
| 19 I/E. MILANO FLIGHT DECK - OUTER SPACE 19 | |
| Quill FLIPS the controls back, so he’s piloting again. | |
| ROCKET | |
| What are you doing?! | |
| QUILL | |
| I’ve been flying this rig since I | |
| was ten years old. | |
| ROCKET | |
| I was cybernetically engineered to | |
| pilot a spacecraft! | |
| Rocket FLIPS the controls back to him. | |
| QUILL | |
| You were cybernetically engineered | |
| to be a douchebag. | |
| Quill FLIPS the controls back to him. | |
| GAMORA | |
| Stop it! | |
| ROCKET | |
| Quill, later on tonight you’re | |
| gonna lay down in your bed and | |
| there’s gonna be something squishy | |
| in your pillowcase and you’re gonna | |
| be, like, ‘what’s this?’ and it’s | |
| gonna be because I put a turd in | |
| there. | |
| Rocket FLIPS the switch back. | |
| QUILL | |
| You put your turd in my bed, I | |
| shave you. | |
| ROCKET | |
| Oh it won’t be my turd, it will be | |
| Drax’s. | |
| 22. | |
| Drax LAUGHS cheerfully. Gamora glances at him. He explains: | |
| DRAX | |
| I have famously huge turds. | |
| GAMORA | |
| We’re about to die, and this is | |
| what we’re discussing? | |
| DRAX | |
| They raise havoc with the pipes. | |
| That’s why I do all the plumbing. I | |
| take responsibility for my actions. | |
| Unlike some people... | |
| Drax eyes baby Groot. | |
| QUILL | |
| Groot, he’s right, you have to | |
| start aiming inside the box. | |
| Groot looks ashamed. Quill FLIPS the controls back. | |
| GAMORA | |
| Stop it. | |
| Rocket SWITCHES it back. Quill SWITCHES it back. | |
| They’re nearing the end of the Asteroid Field when both go | |
| to switch it at the same time and -- | |
| WHAM! A LARGE ASTEROID SMASHES THROUGH the stern of the | |
| Milano. | |
| 20 I/E. MILANO LIVING AREA - OUTER SPACE 20 | |
| A CHUNK OF THE REAR OF THE CRAFT DISAPPEARS. | |
| Nebula IS SUCKED toward the hole - but, fortunately, her | |
| arms are shackled to a post, so she doesn’t fly out. | |
| Her face and body cover with frost. | |
| 21 I/E. MILANO FLIGHT DECK - OUTER SPACE 21 | |
| Everything FLIES AROUND THE SPACECRAFT, RUSHING THROUGH THE | |
| HOLE. | |
| Groot GOES FLYING, but Quill CATCHES HIM, and casually | |
| TOSSES him back to Drax -- | |
| 23. | |
| So that he can punch in a code, causing - | |
| 22 I/E. MILANO LIVING AREA - OUTER SPACE 22 | |
| A PROTECTIVE ENERGY SHIELD SLIDES UP in front of the hole. | |
| Nebula COLLAPSES to the floor. She yells upstairs -- | |
| NEBULA | |
| Idiots! | |
| 23 I/E. MILANO FLIGHT DECK - OUTER SPACE 23 | |
| Everyone catches their breath, relieved. | |
| ROCKET | |
| Well, that’s what you get when | |
| Quill flies. | |
| Gamora THROWS SOMETHING HARD at the back of Rocket’s head. | |
| ROCKET | |
| Ow! | |
| GAMORA | |
| There’s still a Sovereign craft | |
| behind us! | |
| The electronics FLICKER. | |
| QUILL | |
| Our weapons are down! | |
| GAMORA | |
| Twenty clicks to the jump. | |
| The Mean Pilot BLASTS at them from the sole Sovereign | |
| Craft, TAKING OUT another part of a wing. The Milano is | |
| TREMBLING. | |
| Drax starts climbing down into the living area. | |
| QUILL | |
| Where’s he going? | |
| 24 INT. SOVEREIGN PILOT BAY - DAY 24 | |
| A group of pilots have gathered around the Mean Pilot, | |
| rooting him on, like kids at a video arcade. | |
| 24. | |
| FRIGHTENED PILOT | |
| Come on, Zylak, you can do this. | |
| 25 I/E. MILANO LIVING AREA - OUTER SPACE 25 | |
| Nebula sees the bowl of yaro root has spilled in front of | |
| her. | |
| She reaches for a piece, but it’s KICKED OUT OF HER WAY. | |
| She looks up to see Drax, grabbing a cable on a spool | |
| attached to the wall. | |
| DRAX | |
| It’s not ripe. | |
| Drax HOOKS the cable to his belt. A folder on the wall | |
| reads SPACESUITS FOR EMERGENCY and, below that, in Rocket’s | |
| scrawl: OR FOR FUN. | |
| Drax pulls a small disk from the folder. He slaps it | |
| between his shoulder blades and a SHIMMERY SHEATH COVERS | |
| HIS ENTIRE BODY - a thin force-field spacesuit. | |
| 26 I/E. MILANO FLIGHT DECK - OUTER SPACE 26 | |
| Gamora watches THE MAP leading to the jump point. | |
| GAMORA | |
| Fifteen clicks. | |
| Another BLAST from the Sovereign craft HITS them. | |
| 27 INT. SOVEREIGN PILOT BAY - DAY 27 | |
| The pilots rooting on the Mean Pilot erupt into CHEERS. | |
| 28 I/E. MILANO LIVING AREA - OUTER SPACE 28 | |
| Drax grabs a huge rifle. | |
| He punches buttons on the wall. A SECOND PROTECTIVE SHIELD | |
| OPENS UP between him and Nebula, and THE FIRST PROTECTIVE | |
| SHEATH OPENS, exposing him to space -- | |
| 29 INT. SOVEREIGN PILOT BAY - DAY 29 | |
| 25. | |
| The Mean Pilot watches in awe as Drax JUMPS OUT the back of | |
| the Milano. | |
| 30 I/E. MILANO LIVING AREA - OUTER SPACE 30 | |
| Drax smiles. The cable UNSPOOLS and SNAPS TAUT when it | |
| reaches its end. | |
| Drax is DRAGGED HAPHAZARDLY by the Milano like a water sled | |
| on a boat. | |
| 31 I/E. MILANO FLIGHT DECK - OUTER SPACE 31 | |
| ON THE MAP, the jump point gets closer. | |
| GAMORA | |
| Ten clicks. | |
| 32 I/E. MILANO LIVING AREA - OUTER SPACE 32 | |
| The Mean Pilot BLASTS WILDLY at Drax, missing him by mere | |
| inches. | |
| Drax brings the sight to his eye. Aims at the ship. | |
| DRAX | |
| Die, spaceship. | |
| And he SHOOTS, BLASTING the Sovereign ship. | |
| 33 INT. SOVEREIGN PILOT BAY - DAY 33 | |
| The Mean Pilot SCREAMS as his lights go out. The Frightened | |
| Pilot shakes his head in disgust. | |
| FRIGHTENED PILOT | |
| You suck, Zylak. | |
| Zylak is really sad. | |
| 34 I/E. MILANO FLIGHT DECK - OUTER SPACE 34 | |
| As Quill and Rocket leave the asteroid field, it seems for | |
| a moment they’re scot-free... | |
| GAMORA | |
| Five clicks! | |
| 26. | |
| Then DOZENS OF OMNICRAFT pull around them on both sides. | |
| QUILL | |
| Son-of-a-! They went around the | |
| field! | |
| 35 INT. SOVEREIGN PILOT BAY - DAY 35 | |
| Ayesha smiles. | |
| 36 I/E. MILANO FLIGHT DECK - OUTER SPACE 36 | |
| It looks like the end of the road for the Guardians when - | |
| THERE IS A BLINDING BURST OF LIGHT AND ALL OF THE OMNICRAFT | |
| EXPLODE. | |
| 37 INT. SOVEREIGN PILOT BAY - DAY 37 | |
| Ayesha watches in shock as the screens in the pods go dead. | |
| ADMIRAL | |
| Someone destroyed all the ships. | |
| AYESHA | |
| What?! WHO?! | |
| But the Admiral doesn’t know. | |
| 38 I/E. MILANO FLIGHT DECK - OUTER SPACE 38 | |
| Rocket sees the BRIGHT WHITE LIGHT is emanating from an | |
| OVAL-SHAPED SPACECRAFT. | |
| ROCKET | |
| What is that?! | |
| Quill sees the FLICKERING framework of a JUMP POINT. | |
| QUILL | |
| Doesn’t matter! That’s the jump | |
| point! GO! GO! | |
| As they’re about to reach the jump point, Rocket sees a MAN | |
| standing casually atop the oval ship, LIGHT BURSTING | |
| THROUGH HIS BODY and into the craft - the source of the | |
| explosion. | |
| 27. | |
| ROCKET | |
| It’s a guy. | |
| Quill doesn’t see as the Milano DISAPPEARS INTO THE JUMP | |
| POINT. | |
| 39 I/E. MILANO LIVING AREA/DIRECTLY ABOVE BERHERT - DAY 39 | |
| The ship POPS IN HERE, TELEPORTING directly above the | |
| earth-like planet. Because the ship is in such bad shape, | |
| parts of it TEAR OFF AND SPIRAL AWAY as it enters this new | |
| atmosphere. | |
| 40 I/E. MILANO FLIGHT DECK - OUTER SPACE 40 | |
| Gamora sees Drax being dragged in the REARVIEW MONITOR. | |
| GAMORA | |
| Oh my God. | |
| 41 I/E. MILANO LIVING AREA/DIRECTLY ABOVE BERHERT - DAY 41 | |
| Drax WHIPS WILDLY OUT of the back of the ship. The CABLE | |
| SPOOL on the wall is coming off - | |
| 42 I/E. MILANO FLIGHT DECK/BERHERT FOREST - DAY 42 | |
| Quill sees a green forest APPROACHING UNBELIEVABLY FAST. | |
| He turns toward Gamora, but she’s gone. Instead Baby Groot | |
| is sitting alone, happily munching on candies as if he’s | |
| watching a movie. | |
| QUILL | |
| Groot, put on your seat belt! | |
| 43 I/E. MILANO LIVING AREA/DIRECTLY ABOVE BERHERT - DAY 43 | |
| The SPOOL DETACHES and FLIES toward the back, which would | |
| leave Drax in the upper reaches of the planet’s atmosphere | |
| - | |
| But Gamora has made it downstairs - she GRABS ONTO THE | |
| SPOOL with one hand while CLUTCHING onto a secure part of | |
| the ship with her other. As it SNAPS TIGHT, it nearly | |
| wrenches her apart. She GROANS. | |
| QUILL | |
| 28. | |
| Prepare for a really bad - | |
| The Milano HITS THE TREES, BARRELING OVER THEM. They PART | |
| and FLATTEN and SWAT at the windshield. | |
| Out back, Gamora HOLDS TIGHT despite searing pain, as Drax | |
| BOUNCES VIOLENTLY off the trees. | |
| DRAX | |
| Ow! Ow! Ow! Ow! | |
| And, eventually, the Milano comes to an ABRUPT STOP. | |
| SUPER: BERHERT | |
| Drax pushes himself up in the dirt. He CHUCKLES. He glances | |
| back at Gamora like the madman he is. | |
| DRAX | |
| That was awesome. | |
| Gamora nods, sure, yeah, okay, whatever, dude. | |
| 44 I/E. CRASHED MILANO - CLEARING - MOMENTS LATER 44 | |
| CRANE DOWN OVER THE SMOKING, BATTERED MILANO TO our heroes, | |
| and a still-shackled Nebula. | |
| GAMORA | |
| Either one of you could have gotten | |
| us through that field, if you had | |
| flown with what’s between your ears | |
| instead of what’s between your | |
| legs! | |
| QUILL | |
| If what’s between my legs had a | |
| hand on it, I guarantee I could | |
| have landed this ship. | |
| GAMORA | |
| It’s not funny, Peter. We almost | |
| died. Because of your arrogance. | |
| QUILL | |
| (re: Rocket) | |
| More like because he stoled Anulax | |
| batteries! | |
| DRAX | |
| They’re called Harbulary batteries. | |
| 29. | |
| QUILL | |
| No, they’re not! | |
| ROCKET | |
| You know why I did it, Star-Munch? | |
| Quill fumes. | |
| ROCKET | |
| Do you? | |
| QUILL | |
| I’m not going to answer to ‘Star- | |
| Munch.’ | |
| ROCKET | |
| I DID IT BECAUSE I WANTED TO. | |
| QUILL | |
| Dick. | |
| ROCKET | |
| What are we even talking about this | |
| for? We just had a little man save | |
| us by blowing up fifty ships! | |
| DRAX | |
| How little? | |
| Rocket shows him with his finger and thumb. | |
| ROCKET | |
| Like this. | |
| GAMORA | |
| A little one-inch man saved us? | |
| ROCKET | |
| Well, if he got closer I’m sure | |
| he’d be much larger. | |
| QUILL | |
| That’s how eyes work, you stupid | |
| raccoon. | |
| ROCKET | |
| Don’t call me a raccoon! | |
| QUILL | |
| Oh, I’m sorry, I meant to say | |
| ‘trash panda.’ | |
| Rocket pauses, unsure, looks at Drax. | |
| 30. | |
| ROCKET | |
| Is that better? | |
| DRAX | |
| I don’t know. | |
| QUILL | |
| It’s worse. | |
| ROCKET | |
| YOU SON-OF-A-!! | |
| Rocket LEAPS, SNAPPING at Quill, when Nebula looks up into | |
| the sky. | |
| NEBULA | |
| Someone followed you through the | |
| jump point. | |
| A HUGE SPACESHIP HOVERS overhead. | |
| The Guardians COCK THEIR WEAPONS as they FALL BACK-TO-BACK | |
| in tight formation. | |
| NEBULA | |
| Set me free. You’ll need my help. | |
| GAMORA | |
| I’m not a fool, Nebula. | |
| NEBULA | |
| You’re a fool if you deprive | |
| yourself a hand in combat. | |
| GAMORA | |
| You’ll attack me the moment I let | |
| you go. | |
| NEBULA | |
| (mumbly, unconvincing) | |
| No, I won’t. | |
| QUILL | |
| You’d think an evil supervillain | |
| would learn how to properly lie. | |
| DRAX | |
| I bet it’s the one-inch man!! | |
| The SHIP LANDS, CRUSHING ALL OF THE TREES AROUND IT. | |
| 31. | |
| A HATCH OPENS, and an adventurous, outer space frontiersman | |
| steps forward. He has grown hardened and haggard over the | |
| years, but he is definitely the MYSTERIOUS MAN from the | |
| beginning of the film. MANTIS, a creepy woman with | |
| antennae, emerges behind him. | |
| The Man smiles. | |
| MYSTERIOUS MAN | |
| After all these years, I’ve found | |
| you. | |
| QUILL | |
| Who the hell are you? | |
| MYSTERIOUS MAN | |
| I figured my rugged good looks | |
| would make that obvious. My name’s | |
| Ego. And I’m your Dad, Peter. | |
| 45 EXT. CONTRAXIA - OUTER SPACE 45 | |
| QUIET. A planet of mostly water and white icy patches of | |
| land, revolving around two overlapping suns. | |
| SUPER: CONTRAXIA | |
| M15 5127512731+X1955KX | |
| 46 EXT. THE IRON LOTUS - DAY 46 | |
| SNOW FALLS GENTLY over this sleepy, pastel-colored town of | |
| wood and stone buildings. | |
| PUSH IN on the Iron Lotus, a robot brothel and saloon. | |
| ASSORTED RAVAGERS, including KRAGLIN, as well as some | |
| ROBOTIC COURTESANS, are drunk and GIGGLING, trying to catch | |
| snowflakes on their tongues. | |
| 47 INT. IRON LOTUS SUITE - DAY 47 | |
| YONDU UDONTA is staring out the window as he puts on his | |
| pants. He looks utterly disconnected and alone. | |
| Behind him are three ROBOT COURTESANS. One pushes a button | |
| on her neck and she POWERS DOWN. | |
| TULLK (O.S.) | |
| Yondu! Come on down! | |
| 32. | |
| Yondu looks down at the street where an older Ravager, | |
| TULLK, drunkenly dances, waving for him to join. | |
| 48 INT. IRON LOTUS - MOMENTS LATER 48 | |
| Yondu exits his suite. Two bodyguards, BRAHL and HALF-NUT, | |
| salute and follow him as he descends the stairwell. | |
| At the bottom of the stairs a group of RAVAGERS in BLUE | |
| UNIFORMS LAUGH. A gruff, older warrior, STAKAR, and a man | |
| seemingly made of diamonds, MARTINEX are among them. | |
| Yondu stops when he sees them. He’s struck. Stakar LAUGHS | |
| as he tells a story - | |
| STAKAR | |
| And I was like, Aleta, I love you, | |
| but you’re crazy now, you always | |
| been - | |
| Yondu approaches Stakar with trepidation. | |
| YONDU | |
| Stakar. | |
| Stakar is surprised to see him. | |
| YONDU | |
| Been some time. I’d - | |
| STAKAR | |
| Seems like this establishment is | |
| the wrong kind of disreputable. | |
| The blue-coats turn and walk away. | |
| YONDU | |
| Stakar... | |
| Stakar glances at the PROPRIETOR as he passes her. | |
| STAKAR | |
| There are a hundred Ravager | |
| factions, Sneeper. You just lost | |
| the business of ninety-nine by | |
| serving one. | |
| PROPRIETOR | |
| Please, sir! Sir! | |
| Yondu stands there for a moment, hurt, as they head out the | |
| door. | |
| 33. | |
| But, little by little, his hurt turns to rage and he | |
| FOLLOWS. | |
| 49 EXT. IRON LOTUS - DAY 49 | |
| Yondu trots quickly toward Stakar and the others. | |
| YONDU | |
| You all can go to hell! I don’t | |
| care what you think of me! | |
| Stakar swirls toward him, furious. | |
| STAKAR | |
| Then why you following us for?! | |
| YONDU | |
| ‘Cause you’ll listen to what I got | |
| to say! | |
| STAKAR | |
| I don’t got to listen to nothing! | |
| You betrayed the code! Ravagers | |
| don’t deal in kids! | |
| YONDU | |
| I didn’t know what was going on - | |
| STAKAR | |
| You didn’t know ‘cause you didn’t | |
| want to know, ‘cause it made you | |
| rich! | |
| YONDU | |
| I demand a seat at the table! I | |
| wear the flames same as you! | |
| STAKAR | |
| You may dress like a Ravager but | |
| you won’t hear no Horns of Freedom | |
| when you die, boy, and the Colors | |
| of Ogord will not flash over your | |
| grave! | |
| STAKAR | |
| You think I take some pleasure in | |
| exiling you, you’re wrong. You | |
| broke all our hearts. | |
| Stakar and the others storm away. Martinex stays a moment, | |
| staring at Yondu, and then moves on too. | |
| 34. | |
| Yondu is left alone, shaken as the WHITE SNOW FALLS GENTLY | |
| on his blue face. | |
| NEARBY, a MONSTROUS RAVAGER leans in toward Kraglin, Tullk, | |
| GEF THE RAVAGER, OBLO, and RETCH. As he eyes Yondu, he | |
| WHISPERS: | |
| MONSTROUS RAVAGER | |
| First Quill betrays us and Yondu | |
| just lets him go, scot-free. Now | |
| he’s getting all riled over | |
| nothing. We followed him ‘cause he | |
| was the one wasn’t afraid to do | |
| what needed to be done. Seems like | |
| he’s going soft. | |
| KRAGLIN | |
| If he’s so soft why you whispering | |
| for? | |
| MONSTROUS RAVAGER | |
| You know I’m right, Kraglin. | |
| TULLK | |
| You best watch what you say about | |
| the Cap’n, Tay - | |
| RETCH | |
| Who the hell is that?! | |
| Tullk stops when he sees High Priestess Ayesha approaching | |
| beside them. The Chambermaids ROLL OUT a LONG BLUE CLOTH so | |
| she doesn’t touch unconsecrated ground. | |
| She STOPS at the carpet’s end. Does her best to force a | |
| smile. | |
| AYESHA | |
| Yondu Udonta, I have a proposition | |
| for you. | |
| Yondu looks at her. | |
| EGO (PRE-LAP) | |
| When your mother passed away, I | |
| hired Yondu to pick you up. | |
| 50 EXT. CAMPFIRE/CRASHED MILANO - NIGHT 50 | |
| Quill sits around a campfire with Ego, Mantis and the | |
| others, eating. Ego indulges heartily. | |
| 35. | |
| EGO | |
| I would have done so myself, but I | |
| was in the midst of an outlandish | |
| adventure at the time, battling | |
| demonic forces to save this | |
| dimension or some such nonsense - I | |
| can’t quite recall, it all bleeds | |
| together after awhile. But instead | |
| of returning you, Yondu kept you. I | |
| have no clue as to why. | |
| QUILL | |
| Because I was a skinny kid who | |
| could squeeze into places adults | |
| couldn’t, making thieving easier. | |
| EGO | |
| I’ve been trying to track you down | |
| ever since. | |
| DRAX | |
| I thought Yondu was your father. | |
| QUILL | |
| What? | |
| Drax stares at him. | |
| QUILL | |
| We’ve been together all this time | |
| and you thought Yondu was my | |
| actual, blood relative? | |
| DRAX | |
| You look exactly alike. | |
| ROCKET | |
| One’s blue. | |
| QUILL | |
| He wasn’t my father. Yondu was the | |
| guy who abducted me. He’d beat the | |
| crap out of me so I’d learn how to | |
| fight and he kept me in terror | |
| threatening to eat me. | |
| EGO | |
| Eat you?! | |
| QUILL | |
| Yes. | |
| EGO | |
| 36. | |
| That son-of-a-bitch. | |
| GAMORA | |
| How’d you locate us now? | |
| EGO | |
| Even where I reside, out past the | |
| edge of what’s known, we’ve heard | |
| tell of the man they call Star- | |
| Lord. | |
| He stands, handing his dish to Gamora. | |
| EGO | |
| Say we head out that way now? Your | |
| associates are welcome, even that | |
| triangle-faced monkey there. | |
| Rocket, self-conscious, feels his nose. | |
| EGO | |
| I promise you, it’s like no place | |
| you’ve ever seen. And there I can | |
| explain your very special heritage, | |
| and finally be the father I’ve | |
| always wanted to be. | |
| (almost teary) | |
| ‘Scuse me. I gotta take a whizz. | |
| Ego leaves. Quill looks at Gamora. | |
| QUILL | |
| Not buying it. | |
| GAMORA | |
| Peter, we need to take a walk. | |
| 51 EXT. CAMPFIRE/CRASHED MILANO - NIGHT 51 | |
| Ego is WHISTLING “BRANDY” and PEEING into the bushes. | |
| Mantis looks at Drax. She GRINS, or at least her best | |
| attempt at grinning. It’s kind of creepy. | |
| MANTIS | |
| I am Mantis. | |
| DRAX | |
| What are you doing? | |
| MANTIS | |
| 37. | |
| Smiling. I hear it is the thing to | |
| do to make people like you. | |
| DRAX | |
| Not if you do it like that. | |
| MANTIS | |
| Oh. I was raised alone on Ego’s | |
| planet. I do not understand the | |
| intricacies of social interaction. | |
| She points at Rocket. | |
| MANTIS | |
| Can I pet your puppy? It is | |
| adorable. | |
| DRAX | |
| (mischievous) | |
| Yes... | |
| She goes to pet Rocket: startled, he SWIRLS and SNAPS at | |
| her. | |
| MANTIS | |
| AHH! | |
| She pulls back her hand. Drax LAUGHS, heartily. | |
| DRAX | |
| That’s called a practical joke! | |
| She GIGGLES. | |
| MANTIS | |
| I liked it very much! | |
| They both LAUGH together. Nebula shakes her head with | |
| disbelief. | |
| 52 EXT. BESIDE CRASHED MILANO - MOMENTS LATER 52 | |
| Quill and Gamora enter this private spot; the campfire | |
| flickers through the trees beyond them. | |
| QUILL | |
| Give me a break! After all this | |
| time, and he just expects to be my | |
| Dad all of the sudden! | |
| GAMORA | |
| I hear you. | |
| 38. | |
| QUILL | |
| I mean, this could be a trap - the | |
| Kree purists, the Ravagers, now the | |
| Sovereign - they all want us dead. | |
| GAMORA | |
| I know, but - | |
| QUILL | |
| But what? | |
| GAMORA | |
| What was that story you told me | |
| about Zardu Hasselfrau? | |
| QUILL | |
| Who? | |
| GAMORA | |
| The wonderful television-singer | |
| man. He had a magic boat. | |
| QUILL | |
| David Hasselhoff? | |
| GAMORA | |
| Right. | |
| QUILL | |
| He had a talking car, not a magic - | |
| GAMORA | |
| Why did it talk again? | |
| QUILL | |
| Just to be a good friend, I guess. | |
| GAMORA | |
| And as a child you carried his | |
| picture in your pocket, and you | |
| told the other children he was your | |
| father, but he was out of town -- | |
| QUILL | |
| (embarrassed) | |
| Shooting Knight Rider or touring | |
| with his band in Germany. Why are | |
| you bringing this up now? I was | |
| drunk when I told you that. | |
| GAMORA | |
| I love that story. | |
| 39. | |
| QUILL | |
| I don’t. It’s just sad! I was so | |
| sad because I’d see the other kids | |
| off playing catch with their dads, | |
| and I wanted that, more than | |
| anything in the world. | |
| Gamora takes Quill’s hands in her own. | |
| GAMORA | |
| My point is, maybe this man is your | |
| Hasselhoff. I know it’s a long | |
| shot. But I lost my father as a | |
| child. I’d give anything... | |
| Quill nods, grudgingly. | |
| GAMORA | |
| If he ends up being evil, we’ll | |
| just kill him. | |
| Quill CHUCKLES. | |
| GAMORA | |
| What’s funny? | |
| 53 I/E. CRASHED MILANO - SUNRISE 53 | |
| Inside the ship, “THE CHAIN” BY FLEETWOOD MAC PLAYS on the | |
| cassette player. Nebula is angry. | |
| NEBULA | |
| You’re leaving me with that fox?! | |
| Rocket is SOLDERING the ship. | |
| GAMORA | |
| He’s not a fox. | |
| Gamora glances at Rocket as she grabs her outer-space- | |
| adventurer version of luggage. | |
| GAMORA | |
| Shoot her if she does anything | |
| suspicious. Or if you feel like it. | |
| Rocket GRUNTS. Gamora looks at a sad Baby Groot. | |
| GAMORA | |
| It will just be a couple days. | |
| We’ll be back before Rocket’s | |
| finished fixing the ship. | |
| 40. | |
| Gamora steps out. Rocket sees Groot, who is ABOUT TO CRY as | |
| he watches them go. | |
| Drax and Quill come from the back of the ship. | |
| DRAX | |
| What about your spool of songs? | |
| QUILL | |
| I have clones. | |
| DRAX | |
| What if the Sovereign come? | |
| QUILL | |
| There’s no way for them to know | |
| they’re here. | |
| DRAX | |
| I am uncertain about parting ways. | |
| QUILL | |
| You’re like an old woman. | |
| DRAX | |
| Because I am wise? | |
| Quill turns to Rocket as Drax and Gamora head toward the | |
| ship. He starts to say something nice - perhaps something | |
| conciliatory but -- | |
| ROCKET | |
| Hope daddy isn’t as big of a dick | |
| as you, orphan boy. | |
| Quill just shakes his head and SNICKERS. | |
| QUILL | |
| So what’s your goal here? To get | |
| everyone to hate you? ‘Cause it’s | |
| working. | |
| Quill turns back around with Gamora and Drax and walks | |
| away. | |
| Rocket looks at the others leaving as THE SONG BECOMES | |
| SCORE: I can still hear you saying you will never break the | |
| chain. | |
| Rocket watches them move away. | |
| IN SLOW-MOTION, Quill, Drax, and Gamora approach the oval | |
| ship. The slit opens. Ego, with Mantis, is waiting inside. | |
| 41. | |
| Ego smiles and CLASPS his hand on Quill as he enters. | |
| 54 INT. EGOS SHIP - SUNRISE 54 | |
| Quill sits back against the wall, alone, nervous. He looks | |
| across the way at a SLEEP CHAMBER, where Mantis helps Ego | |
| lie down on a slab. | |
| She places her hand on his forehead with her hand: her | |
| antennae ALIGHT. And he drifts off to sleep. | |
| Quill takes a small, folded piece of paper out of his | |
| pocket. | |
| It’s the PHOTO OF DAVID HASSELHOFF. | |
| He looks at it, then looks at Ego. Quill’s eyes fill with | |
| cautious hope. And the SONG ENDS. | |
| 55 EXT. BERHERT - MOMENTS LATER 55 | |
| Ego’s ship rises, blocking out the sun. | |
| 56 EXT. EGO’S SHIP - OUTER SPACE 56 | |
| The Orb moves through a rainbowish funnel of space and | |
| time; technology beyond what even the Guardians know. | |
| 57 INT. EGO’S SHIP - OUTER SPACE 57 | |
| Quill and Drax are drinking tea and LAUGHING with Mantis. | |
| QUILL | |
| Can I ask you a personal question? | |
| MANTIS | |
| Oh, no one has ever asked me a | |
| personal question! | |
| QUILL | |
| The antennae, what are they for? | |
| MANTIS | |
| Their purpose? | |
| Gamora ENTERS, pouring herself some tea. | |
| DRAX | |
| 42. | |
| Yes, Quill and I have a bet. | |
| QUILL | |
| You’re not supposed to say that. | |
| DRAX | |
| I say that if you are about to go | |
| through a doorway that is too low, | |
| your antennae will feel this, and | |
| stop you from being decapitated. | |
| QUILL | |
| Just making clear - if it’s | |
| anything else - any other answer - | |
| I win? | |
| Gamora smiles, warmed by the good-natured, by-now-familiar | |
| bickering between Quill and Drax. | |
| MANTIS | |
| They are not for feeling doorways. | |
| DRAX | |
| (bummed) | |
| Damn. I just lost my entire life’s | |
| savings. | |
| QUILL | |
| Three pairs of pants. | |
| MANTIS | |
| I think they have something to do | |
| with my empathic abilities. | |
| GAMORA | |
| What are - ? | |
| MANTIS | |
| If I touch someone I can feel their | |
| feelings - | |
| QUILL | |
| You read minds? | |
| MANTIS | |
| No. Telepaths know thoughts. | |
| Empaths feel feelings. Emotions. | |
| She looks at Quill. | |
| MANTIS | |
| May I? | |
| 43. | |
| Quill doesn’t stop her. Mantis, cautiously, touches him. | |
| Her hand quivers as his emotions shoot through her and her | |
| antennae ALIGHT. She is moved. | |
| MANTIS | |
| You feel love. | |
| QUILL | |
| Yeah, I guess, yeah, I have sort of | |
| a general, unselfish love for | |
| everyone. | |
| MANTIS | |
| No, romantic, sexual love. | |
| QUILL | |
| No. No, I don’t. | |
| Mantis nods at Gamora. | |
| MANTIS | |
| For her. | |
| QUILL | |
| No. | |
| Gamora is embarrassed. Drax starts LAUGHING UPROARIOUSLY. | |
| DRAX | |
| She just told everyone your | |
| deepest, darkest secret, Quill! | |
| HAHAHAHAHAHA!!! | |
| QUILL | |
| What the hell, dude? That’s a total | |
| overreaction. | |
| Drax SLAPS HIS CHEST. | |
| DRAX | |
| DO ME! DO ME! | |
| Mantis touches Drax. She grins brightly. | |
| MANTIS | |
| I have never felt such humor! | |
| She starts GIGGLING and before long both she and Drax are | |
| LAUGHING HYSTERICALLY. | |
| QUILL | |
| You got to be kidding me. | |
| 44. | |
| Drax and Mantis both point at Quill, clutching onto each | |
| other and FALLING OVER WITH LAUGHTER. Quill’s humiliated. | |
| QUILL | |
| That’s so incredibly uncool. | |
| Mantis wipes the tears from her eyes, composing herself. | |
| She goes to touch Gamora, who grabs her wrist though her | |
| clothes. | |
| GAMORA | |
| Touch me. And the only thing you’re | |
| going to feel is a broken jaw. | |
| Mantis smiles, nods, backs away. | |
| MANTIS | |
| I can also alter emotions, to some | |
| extent. | |
| QUILL | |
| Like what? | |
| MANTIS | |
| If I touch someone who is sad I can | |
| ease them into contentment, for a | |
| short while. I can make a stubborn | |
| person compliant. But I mostly use | |
| it to help my Master sleep. He lies | |
| awake at night, thinking about his | |
| progeny. | |
| Quill looks at her, struck by this. | |
| DRAX | |
| Do one of those on me! | |
| Mantis touches him. He grins expectantly. | |
| MANTIS | |
| Sleep. | |
| Drax COLLAPSES, INSTANTLY ASLEEP. Mantis smiles at the | |
| others, hoping she has pleased. Quill and Gamora look at | |
| Drax, SNORING. They’re surprised. | |
| GAMORA | |
| Is that real? | |
| QUILL | |
| It’s kind of like someone put a | |
| baby’s head on a big, muscular | |
| body, isn’t it? | |
| 45. | |
| FADE TO BLACK. | |
| O.S. ALIEN INSECTS CHIRP | |
| 58 EXT. CRASHED MILANO - NIGHT 58 | |
| Four moons shine over the forest. The campfire CRACKLES | |
| beside the Milano, and “SOUTHERN NIGHTS” BY GLENN CAMPBELL | |
| emerges from the cassette player within. | |
| The Monstrous Ravager and Kraglin lead a group of Ravagers | |
| up over a ravine. Dozens of M-Ships quietly lower behind | |
| them. | |
| Kraglin nods toward the sounds of Glenn Campbell in the | |
| distance. They raise their weapons. | |
| OVERHEAD SHOT: dozens and dozens of Ravagers come from | |
| different directions, surrounding the Milano. | |
| One Ravager cluster, lead by Half-Nut, CREEPS close enough | |
| to the Milano that they see the lights within the vehicle | |
| and can hear Rocket inside HUMMING along to the song. | |
| Half-Nut licks his lips in anticipation, closing in for the | |
| kill, when he steps on a small pedal. It CLICKS. | |
| A HUNDRED DARTS FLY AT THE GROUP from traps set in trees. | |
| They STICK INTO THE RAVAGERS’ BODIES, knocking them | |
| instantly unconscious. As one Ravager FALLS, a GUNSHOT is | |
| discharged. | |
| 59 INT. CRASHED MILANO - NIGHT 59 | |
| Nebula is awakened by the SHOT. She sees a frightened | |
| Groot, peering through a hole at the bodies falling. | |
| PULL BACK TO REVEAL, beside him, a futuristic walkie-talkie | |
| with ROCKET’S HUMS emerging. | |
| 60 EXT. CRASHED MILANO - PERCUSSIVE BOMB TRAP - NIGHT 60 | |
| Rocket is crouched on a limb in shadows above the Milano, | |
| smiling and HUMMING to “Southern Nights” into his comm. | |
| He spots A LARGER GROUP OF RAVAGERS APPROACHING THE MILANO | |
| from the other side, led by Retch. | |
| 46. | |
| Rocket LEAPS TOWARD THEM, from one tree limb to another | |
| like a squirrel. | |
| The GROUP enters a clearing close to the ship. A TALL | |
| RAVAGER looks up and spots Rocket LEAPING OVER THEIR HEADS. | |
| TALL RAVAGER | |
| There! | |
| The Ravagers BLAST at Rocket, following him. He HOPS from | |
| tree to tree as BULLETS WHIZZ PAST HIM, leading them right | |
| where he wants them. | |
| He stops in a tree at the end of the run. He holds a device | |
| with two buttons. He presses one of them. | |
| A PERCUSSIVE BOMB at the feet of the Ravagers BURSTS, | |
| sending half of them FLYING UP into the air. | |
| As the confused group on the ground watches, Rocket presses | |
| the second button and a second BOMB BURSTS. They FLY UP | |
| INTO THE AIR as well. | |
| Rocket SNICKERS, as he continues pushes the buttons and the | |
| two groups of Ravagers FLY UP and DOWN until the bombs are | |
| depleted of energy. | |
| Retch looks up from the ground, to see the little animal | |
| hopping away in the tree limbs overhead. | |
| 61 EXT. CRASHED MILANO - STICKY DISK TRAP - NIGHT 61 | |
| An EVEN LARGER GROUP OF RAVAGERS walk beneath the branches, | |
| MOONLIGHT FLICKERING ON THEIR FACES. | |
| TILT UP TO REVEAL ROCKET’S SILHOUETTE on a gnarled limb. | |
| He’s clutching an armful of small discs. He breathes | |
| shallowly, waits. As soon as the last Ravager is passing | |
| beneath him, he LEAPS onto his back. | |
| Rocket JUMPS FORWARD FROM ONE MAN TO THE NEXT, SLAPPING A | |
| STICKY-DISC to each of their heads - SLAP! SLAP! SLAP! | |
| SLAP! | |
| And then he LEAPS from the Ravager at the front of the line | |
| BACK UP INTO THE TREES. | |
| The men are confused. They bring their fingers to the | |
| sticky discs on their bodies. | |
| 47. | |
| Rocket smiles in the tree as he flicks a trigger. The | |
| STICKY-DISCS SEND ELECTRICITY COURSING THROUGH ALL OF THE | |
| MEN’S BODIES. | |
| They CONVULSE for a moment, then COLLAPSE. | |
| 62 EXT. CRASHED MILANO - CLEARING - NIGHT 62 | |
| Rocket LEAPS to the ground in a crouch. He sees Brahl | |
| approaching in front of him, and then another RAVAGER | |
| approaching from behind. They train their weapons on him. | |
| BRAHL | |
| Ain’t so tough now without all your | |
| toys, are you? | |
| Rocket LEAPS up onto Brahl’s face. | |
| He PUNCHES HIM IN THE THORAX so hard he can’t breathe. | |
| The other Ravager SHOOTS at him, but Rocket BACKFLIPS over | |
| the SHOT so Brahl is STRUCK instead. | |
| Rocket LANDS on the back of the shooter’s neck and RAPID- | |
| FIRE PUNCHES HIM in the head, until the man CRUMPLES to the | |
| ground, unconscious. | |
| As Rocket lands, he HEARS WHISTLING and he looks up to see | |
| -- | |
| YONDU’S ARROW FLYING THROUGH THE TREES, DIRECTLY TOWARD | |
| HIM. | |
| ROCKET | |
| Crap. | |
| Another high-pitched WHISTLE and the arrow STOPS ABRUPTLY, | |
| FLOATING with the tip almost grazing Rocket’s forehead. | |
| Yondu waltzes out of the trees with Tullk, Kraglin, the | |
| Monstrous Ravager, and many more. | |
| Rocket reluctantly raises his hands in surrender. | |
| YONDU | |
| Hey there, rat. | |
| ROCKET | |
| How’s it going, you blue idiot? | |
| YONDU | |
| 48. | |
| Eh, not so bad. We got a pretty | |
| good gig. A golden gal with quite a | |
| high opinion of herself offered us | |
| a large sum to deliver you and your | |
| pals to her, so she can kill y’all. | |
| 63 INT. CRASHED MILANO - NIGHT 63 | |
| Nebula looks out the window to see even more Ravagers | |
| surrounding Rocket. She looks at baby Groot. | |
| NEBULA | |
| Your friend. There’s too many of | |
| them. They’re going to kill him. | |
| Groot looks as if he’s about to cry. | |
| NEBULA | |
| He needs my help. If you care about | |
| him, you need to get me out of | |
| these bonds. | |
| Groot is unsure. | |
| 64 EXT. CRASHED MILANO - CLEARING - NIGHT 64 | |
| The Ravagers have entirely encircled Rocket. There’s no | |
| chance of escape. Though upset, he mostly holds it in. | |
| YONDU | |
| Pretty easy to find you, since we | |
| put a tracer on your ship back | |
| during the War over Xandar. | |
| ROCKET | |
| You give me your word you won’t | |
| hurt Groot, and I’ll tell you where | |
| the batteries are. | |
| YONDU | |
| Lucky for you my word don’t mean | |
| squat. Otherwise I’d actually hand | |
| you over. | |
| MONSTROUS RAVAGER | |
| Otherwise you’d what?! | |
| Yondu scowls at the Monstrous Ravager. | |
| YONDU | |
| 49. | |
| We’ll take the batteries. They’re | |
| worth a a quarter mil on the open | |
| market - | |
| MONSTROUS RAVAGER | |
| That priestess offered us a | |
| million! A quarter is only one | |
| third of that! | |
| YONDU | |
| A quarter ain’t one-th - | |
| OBLO | |
| A quarter is four times a million! | |
| We’re in the money! | |
| GEF THE RAVAGER | |
| No, idiot. A quarter is twenty- | |
| five. | |
| YONDU | |
| No - | |
| GEF THE RAVAGER | |
| We can’t even buy a pair of boots | |
| with twenty-five units! | |
| YONDU | |
| The point is, we aren’t stupid | |
| enough to help kill the Guardians | |
| of the Galaxy. We’d have the whole | |
| Nova Corps on us. | |
| KRAGLIN | |
| (realizing) | |
| That ain’t right. I just gotta say | |
| it this one time, Cap’n. | |
| Everyone looks at Kraglin. | |
| KRAGLIN | |
| No matter how many times Quill | |
| betrays you, you protect him, like | |
| none of the rest of us much matter. | |
| I’m the one what sticks up for you, | |
| me and Tullk. | |
| MONSTROUS RAVAGER | |
| Damn straight, lad. You’re right: | |
| he’s going soft. S’pose it’s time | |
| for a change in leadership! | |
| KRAGLIN | |
| 50. | |
| Uh - | |
| The Monstrous Ravager points his weapon at Yondu. | |
| Others follow his lead. | |
| A handful of others, including Tullk and the Innocent | |
| Ravager, raise their weapons in their Captain’s defense, so | |
| that the whole circle are aiming at one another. Kraglin is | |
| confused. | |
| TULLK | |
| Put you damn guns down! | |
| Rocket is in the center of the potential crossfire. | |
| ROCKET | |
| Hold on! There’s got to be some | |
| sort of peaceful resolution here! | |
| Or even a violent resolution, where | |
| I’m standing over there. | |
| Yondu glares at the Monstrous Ravager. His FIN LIGHTS UP | |
| and he starts to WHISTLE when - | |
| A GUNSHOT RINGS OUT; THE FIN IS BLOWN OFF THE TOP OF | |
| YONDU’S HEAD. The arrow CLATTERS to the ground. | |
| Rocket watches as Yondu, confused, TOTTERS there for a | |
| moment, and then COLLAPSES -- | |
| REVEALING NEBULA behind him, clutching a smoking pistol. | |
| Rocket looks at her, dead-eyed: really? | |
| She SHOOTS HIM WITH A BLAST OF ELECTRICITY, knocking him | |
| unconscious. | |
| The Ravagers gape at Nebula. | |
| NEBULA | |
| Well, hello, boys. | |
| She takes a bite from a piece of yaro root she stole from | |
| the Milano. As she chews, she becomes disgusted. | |
| She spits it out. | |
| NEBULA | |
| It’s not ripe. | |
| 51. | |
| 65 EXT. RED PLANET - MOMENTS LATER 65 | |
| Ego’s ship ARRIVES at a bold red planet, twisting in front | |
| of an enormous yellow sun, so close it seems like the sun | |
| is about to devour it. “MY SWEET LORD” BY GEORGE HARRISON | |
| PLAYS. | |
| SUPER: EGO’S PLANET | |
| G52 22C848T12F+E16UC22 | |
| 66 INT. EGO’S SHIP - SLEEP CHAMBER - OUTER SPACE 66 | |
| Mantis sets her hand on Ego’s forehead, waking him. | |
| 67 EXT. EGO’S PLANET/SPACEPORT - MOMENTS LATER 67 | |
| Ego’s ship lands in a spaceport. It organically JOINS the | |
| spot where it lands - strands of material actually linking | |
| up with the landing pad itself. | |
| From the front of the craft, a FLOATING TRAM emerges, with | |
| Ego, Mantis, Quill, Gamora, and Drax. | |
| As the TRAM GLIDES toward its destination, the Guardians | |
| are overwhelmed by transcendentally splendid surroundings. | |
| The plant life is colorful and alien. Tall, twisting | |
| obelisks seem to have no function other than beauty itself. | |
| EGO | |
| Welcome, friends, to my world. | |
| QUILL | |
| Wow. You have your own planet? | |
| EGO | |
| But a trifle, no larger than your | |
| earth’s moon. | |
| DRAX | |
| Humility. I like it. I too, am | |
| extraordinarily humble. | |
| Even Gamora smiles at the wonder of it all. | |
| Multicolored mercurial clumps FLOAT BY. | |
| Drax pokes one, and it BURSTS INTO A DOZEN VIBRANT HUES. | |
| 52. | |
| 68 EXT. TRAM/PALACE - MOMENTS LATER 68 | |
| Ahead of them looms an astounding palace atop a mountain. | |
| QUILL | |
| It’s beautiful. | |
| The tram STOPS. | |
| They step off it and toward the palace, Ego stops beside a | |
| large FOUNTAIN. | |
| EGO | |
| Peter, consider this a token of a | |
| father’s pride. | |
| Ego motions; the WATERS OF THE FOUNTAIN FALL AWAY, | |
| REVEALING a GIANT STATUE OF STAR-LORD: Quill stands | |
| heroically, with foolish-looking Guardians kneeling around | |
| him worshipfully. | |
| EGO | |
| A memorial to the War Over Xandar, | |
| when you single-handedly saved the | |
| galaxy. | |
| GAMORA | |
| Single-handedly? | |
| QUILL | |
| Whoa. It’s perfect. | |
| GAMORA | |
| You’ve got to be kidding. | |
| DRAX | |
| Why am I dead? Why did you all kill | |
| me?! | |
| GAMORA | |
| That’s Ronan. That’s you. | |
| Drax is sitting on Quill’s shoulder, with a raccoon tail. | |
| DRAX | |
| When was I that tiny? | |
| Gamora shakes her head in disbelief. They step past the | |
| statue and onto the steps approaching the palace. | |
| GAMORA | |
| 53. | |
| You own a planet and can destroy | |
| two dozen spaceships without a | |
| suit. What are you, exactly? | |
| EGO | |
| I’m what they call a Celestial, | |
| sweetheart. | |
| The Guardians STOP behind him, astounded. | |
| QUILL | |
| A Celestial. Like a... god? | |
| EGO | |
| Small ‘g’, son. At least on the | |
| days I’m feeling humble as Drax. | |
| He LAUGHS and walks up the stairs. | |
| 69 INT. PALACE - MOMENTS LATER 69 | |
| Ego SAUNTERS with Quill, Gamora, Drax, and Mantis, through | |
| the enormous open doors, toward huge DIORAMAS lining either | |
| side of the palace, like cosmic Stations of the Cross. | |
| EGO | |
| This form you see before you is | |
| only an extension of who I truly | |
| am. I don’t know where I came from, | |
| exactly. | |
| The DIORAMAS around them begin to ANIMATE: In the first, a | |
| FLICKERING BRAIN COMPOSED OF POLYCHROMATIC LIGHT FLOATS in | |
| space. | |
| EGO | |
| The first thing I remember is | |
| flickering, adrift in the cosmos - | |
| utterly and entirely alone. | |
| The flickering brain pulls cosmic dust and rocks into | |
| itself, ingesting them, GROWING. | |
| EGO | |
| I fed on the matter around me like | |
| plankton. I grew smarter and | |
| stronger. | |
| A hard metal shell forms around the brain, with channels | |
| running through for his energy to flow like rivers. | |
| EGO | |
| 54. | |
| I formed a sheathe to protect | |
| myself from the elements. | |
| Ego continues developing outward from the shell, growing | |
| the planet, then its beautiful landscapes and structures. | |
| EGO | |
| And continued building from there, | |
| layer by layer, the very planet you | |
| walk on now. I built the spires | |
| reaching up to the sky and the | |
| tunnels burrowing into its depths. | |
| QUILL | |
| Wow. | |
| EGO | |
| But I was no ant to be fulfilled | |
| solely by labor. I wanted more. I | |
| desired... meaning. | |
| In the core shell - the Self Chamber - the flickering brain | |
| floats, alone, perhaps sad. | |
| EGO | |
| There must be some life out there | |
| in the universe besides just me, I | |
| thought, and I set myself to task | |
| with finding it. | |
| The brain grows a SKELETAL FRAMEWORK OF LIGHT up from the | |
| self chamber and to the surface of the planet. He pulls | |
| molecules around this shape to create his “human” self. | |
| EGO | |
| I created what I imagined | |
| biological life might be like, down | |
| to the most minute detail. | |
| DRAX | |
| Did you make a penis? | |
| QUILL | |
| Dude. | |
| DRAX | |
| If he’s a planet, how did he make a | |
| baby with your mother? He would | |
| smush her. | |
| QUILL | |
| I don’t need to hear about how my | |
| parents, you know - | |
| 55. | |
| DRAX | |
| Why? My father would tell me the | |
| story of impregnating my mother | |
| every winter solstice. | |
| QUILL | |
| That’s disgusting. | |
| DRAX | |
| It was beautiful. You earthers have | |
| hang-ups. | |
| EGO | |
| Yes, Drax, I’ve got a penis. | |
| QUILL | |
| Oh my God. | |
| EGO | |
| It’s not half bad. I’ve also got | |
| pain receptors, a digestive system, | |
| and all the accompanying junk. I | |
| wanted to experience what it truly | |
| meant to be human as I set out | |
| amongst the stars. | |
| In another DIORAMA, Ego explores various uninhabited and | |
| barren planets. | |
| EGO | |
| I visited thousands of planets over | |
| thousands of years, one barren husk | |
| after the next until I found what I | |
| sought... | |
| Ego stares down at a CUTE ALIEN CHILD. | |
| EGO | |
| Life. I was not alone in this | |
| universe after all. | |
| Ego reminisces: wistful? Sad? It’s hard to tell. | |
| QUILL | |
| When did you meet my mother? | |
| EGO | |
| Not long after. | |
| Ego turns toward the last set of DIORAMAS. They show | |
| Meredith and Ego kissing and Ego with his hand on | |
| Meredith’s pregnant belly. | |
| 56. | |
| EGO | |
| It was with Meredith that I | |
| experienced love for the first | |
| time. I called her my river lily. | |
| And from that love, Peter, you. | |
| In the final DIORAMA we PUSH IN on the belly and see, | |
| inside the womb, VERY young Peter Quill, a fetus, himself | |
| encased in light. | |
| Quill looks up in amazement - this story is the story of | |
| himself. And Ego gazes at Quill with adoration. | |
| EGO | |
| I searched for you for so long. | |
| When I heard a man from earth held | |
| an Infinity Stone in his hand | |
| without dying, I knew you must be | |
| the son of the woman I loved. | |
| Ego puts his hand on Quill. Quill wants to believe, but he | |
| can’t quite let it go. | |
| QUILL | |
| If you loved her why did you leave | |
| her? | |
| 70 EXT. THE ECLECTOR - OUTER SPACE 70 | |
| The Ravagers’ massive ship FLOATS in space. | |
| SUPER: RAVAGER TERRITORY | |
| HE2 6SM6R16617+6241023 | |
| TULLK (O.S.) | |
| You can’t do this! | |
| 71 INT. ECLECTOR CENTRAL AREA - OUTER SPACE 71 | |
| Ravagers LAUGH as they DRAG Tullk across the floor while he | |
| STRUGGLES to get free. | |
| TULLK | |
| This is mutiny! Mutiny! | |
| They shove Tullk into a cylindrical room as a glass door | |
| CLOSES on him. | |
| © | |
| 57. | |
| He continues SCREAMING and SLAMMING ON THE GLASS, but we | |
| can barely hear him. | |
| Half-Nut smiles and presses a button. The outside of the | |
| compartment OPENS so that Tullk is SUCKED INTO SPACE. | |
| 72 EXT. THE ECLECTOR - OUTER SPACE 72 | |
| Tullk FLOATS AWAY, opening his mouth to scream, but he | |
| can’t. | |
| His FACE AND BODY SWELL QUICKLY and he EXPIRES there. | |
| As we CURL AROUND his lifeless body, we REVEAL the | |
| countless other CORPSES of Ravagers loyal to Yondu, leading | |
| like bread crumbs toward nothing at all. | |
| 73 INT. ECLECTOR CENTRAL AREA - OUTER SPACE 73 | |
| Yondu watches this, helplessly. He’s in a chair, his hands | |
| tied behind him. He’s a wreck, his headpiece destroyed, | |
| wires hanging from a gap in his head where the fin used to | |
| be. He sees the mutineers grab the innocent Oblo, DRAGGING | |
| HIM to the same fate as Tullk. | |
| OBLO | |
| Cap’n, help me! Cap’n?! | |
| Yondu drops his head in shame. | |
| MONSTROUS RAVAGER | |
| You’re the one what kilt those men | |
| by leading ‘em down the wrong path. | |
| He PUNCHES Yondu. | |
| MONSTROUS RAVAGER | |
| Because you’re weak. | |
| He PUNCHES him again. | |
| MONSTROUS RAVAGER | |
| And stupid. | |
| The Monstrous Ravager turns towards the Ravagers, who | |
| listen, rapt and vengeful. Nebula leans calmly against a | |
| wall, watching. Kraglin watches too, seemingly concerned. | |
| MONSTROUS RAVAGER | |
| 58. | |
| It’s time for the Ravagers to once | |
| again rise to glory with a new | |
| Cap’n... TASERFACE. | |
| The Ravagers SHOUT IN APPROVAL. Taserface throws his arms | |
| up in glory - when he hears SNICKERING. He stops. | |
| He and the other Ravagers turn and see Rocket, also in a | |
| chair with his arms secured behind him, GIGGLING. | |
| ROCKET | |
| I’m sorry. Your name is... it’s | |
| ‘Taserface’? | |
| TASERFACE | |
| That’s right. | |
| ROCKET | |
| Do you... shoot tasers out of your | |
| face? | |
| TASERFACE | |
| It’s metaphorical! | |
| ROCKET | |
| For what? | |
| Taserface thinks. Time for a new answer: | |
| TASERFACE | |
| It’s a name what strikes fear in | |
| anyone what hears it! | |
| ROCKET | |
| (doubtful) | |
| Really?... Okay, sure. | |
| Taserface screams at him, SPIT FLYING EVERYWHERE. | |
| TASERFACE | |
| You shut up! You’re next! | |
| Taserface goes back to Yondu, bringing out his blade. | |
| TASERFACE | |
| Udonta, I been waiting to do this | |
| for a long ti - | |
| Again they hear SNICKERING. Rocket is burying his mouth in | |
| his chest, TRYING TO STOP FROM CRACKING UP. | |
| TASERFACE | |
| What?! What?! | |
| 59. | |
| ROCKET | |
| I’m sorry, I’m so sorry. I just | |
| keep imagining you waking up one | |
| morning, looking in the mirror, | |
| and, in all seriousness, saying | |
| ‘You know what would be a really | |
| kickass name? Taserface!’ | |
| Nebula smirks. The Ravagers are TRYING NOT TO LAUGH. Rocket | |
| can’t stop LAUGHING. | |
| ROCKET | |
| What was your second choice?! | |
| Scrotum Hat?! | |
| The Ravagers all BUST OUT LAUGHING. | |
| TASERFACE | |
| New plan. We’re killing you first. | |
| Taserface SHOVES HIM BACK, ready to plunge the knife in | |
| him. | |
| Rocket’s smile disappears. He stares at Taserface with dead | |
| eyes. | |
| ROCKET | |
| Well, dying is certainly better | |
| than having to live an entire life | |
| as a moronic shitbag who thinks | |
| ‘Taserface’ is a cool name. | |
| Taserface goes to stab him, when - | |
| NEBULA | |
| That’s enough killing for today. | |
| Taserface turns toward her, irritated. | |
| TASERFACE | |
| Thought you were the biggest sadist | |
| in the galaxy. | |
| NEBULA | |
| That was when Daddy was paying my | |
| bills. The Priestess wants to kill | |
| the fox herself. And he - | |
| (re: Yondu) | |
| - has bounties on his head in at | |
| least twelve Kree provinces. | |
| Taserface glares at her. It’s obvious he’s considering | |
| attacking her. | |
| 60. | |
| NEBULA | |
| I assure you, I am not as easy a | |
| mark as an old man without his | |
| magic stick or a talking woodland | |
| beast. | |
| Taserface decides not to risk it. | |
| NEBULA | |
| I want ten percent of the take, and | |
| a couple more things. | |
| 74 INT. ECLECTOR DOCKING BAY HALL - LATER 74 | |
| Nebula is TRYING OUT A BRAND NEW HAND as Kraglin leads her | |
| through this hall. | |
| KRAGLIN | |
| We got a whole box of hands if that | |
| one don’t work out. | |
| NEBULA | |
| It’s fine. | |
| KRAGLIN | |
| You think them Kree is gonna | |
| execute the Cap’n? | |
| NEBULA | |
| The Kree consider themselves | |
| merciful. It will be painless. | |
| Kraglin comes to an open doorway beside a huge DOCKING BAY, | |
| and an M-SHIP decked out with lots of weapons. | |
| KRAGLIN | |
| Well, there it is, best ship we | |
| got. The location of Ego’s planet’s | |
| in the nav. We’ll wire you the ten | |
| percent when we’s paid. What you | |
| gonna do with your share? | |
| Nebula stops at the doorway. | |
| NEBULA | |
| 61. | |
| As a child my father would have | |
| Gamora and me battle one another in | |
| ‘training.’ Every time my sister | |
| prevailed my father would replace a | |
| piece of me with machinery, | |
| claiming he wanted me to be her | |
| equal. But she won, again and again | |
| and again. Never once refraining. | |
| Because of them, I am this. So | |
| after I murder my sister, I will | |
| buy a warship with every | |
| conceivable instrument of death. | |
| NEBULA | |
| I will hunt my father like a dog | |
| and I will tear him apart slowly, | |
| piece by piece, until he knows some | |
| semblance of the profound and | |
| unceasing pain I know every single | |
| day. | |
| Kraglin stares at her, weirded-out. | |
| KRAGLIN | |
| Yeah... I was talking about, like, | |
| a pretty necklace. Or a nice hat. | |
| Something that’ll make the other | |
| girls go ‘oooooo, that’s nice.’ | |
| Nebula gives him a look of pure death. | |
| KRAGLIN | |
| Anyway, uh, happy trails. | |
| 75 INT. PALACE COURTYARD - DAY 75 | |
| Quill looks up at a GIANT SCULPTURE of his mother. He is | |
| upset. Ego is behind him, watching him, sadly. | |
| QUILL | |
| My mother told everyone my father | |
| was from the stars. | |
| Quill turns to look at his father, somewhat accusatory. | |
| QUILL | |
| She had brain cancer - so everyone | |
| thought she was delusional. | |
| Ego looks sad, ashamed. | |
| EGO | |
| 62. | |
| Peter - | |
| QUILL | |
| Listen. I’d love to believe all of | |
| this, I really would - but you left | |
| the most wonderful woman ever, to | |
| die alone! | |
| Ego has tears in his eyes. | |
| EGO | |
| I didn’t want to leave your mother, | |
| Peter. But if I don’t return | |
| regularly to this planet, and the | |
| light within, this form will wither | |
| and perish -- | |
| QUILL | |
| So why didn’t you come back?! Why’d | |
| you send Yondu, a criminal, of all | |
| people, to fetch me?! | |
| EGO | |
| I loved your mother, Peter! I | |
| couldn’t stand to set foot on an | |
| earth where she wasn’t living! You | |
| can’t imagine what that’s like! | |
| QUILL | |
| I know exactly what that’s like! I | |
| had to watch her die! | |
| Ego stops, seeming to hear his son. He touches him. | |
| EGO | |
| Over the millions and millions of | |
| years of my existence I have made | |
| many mistakes, Peter. But you’re | |
| not one of them. Please give me the | |
| chance to be the father she would | |
| want me to be. | |
| Quill looks at him, vulnerable. | |
| EGO | |
| There are so many things I need to | |
| teach you. This planet, and the | |
| light within... they are a part of | |
| you. | |
| QUILL | |
| What do you mean? | |
| 63. | |
| Ego takes Quill’s hands in his own, gently, putting them in | |
| the correct position. | |
| EGO | |
| Give me your hands, son. Here. Hold | |
| them like that. | |
| Quill holds his hands apart. Ego steps back, holding his | |
| hands in the same way. | |
| EGO | |
| Now close your eyes and | |
| concentrate. Take your brain to the | |
| center of the planet. | |
| Quill concentrates. He holds his hand out. A white light | |
| emanates from it. | |
| EGO | |
| Yes! Yes! | |
| QUILL | |
| Whoa. | |
| The light disappears as quickly as it came. | |
| EGO | |
| Yes, yes - it’s okay. Just relax. | |
| Concentrate. You can do it. Bring | |
| it back. | |
| Quill concentrates and the LIGHT, once again, bursts up | |
| from the palms of his hands. | |
| EGO | |
| Yes, yes, now - shape it - | |
| Ego shows him, pulling in the molecules around him, so that | |
| the light itself forms into the shape of a ball. | |
| EGO | |
| Feel the energy. | |
| Quill tries to pull molecules into the ball. And, little by | |
| little, they come, and the ball glows brighter. | |
| EGO | |
| Yes. | |
| Quill laughs. Ego is JOYOUS. He almost looks as if he’s | |
| going to break down in tears. | |
| EGO | |
| 64. | |
| You’re home, Peter. | |
| Ego cups his hands. | |
| EGO | |
| Here. | |
| Quill, smiling, THROWS him the ball. Ego LAUGHS. He | |
| inspects the cosmic ball of light, and he throws it back to | |
| Quill. | |
| Quill LAUGHS, catching it, and throws it back. Ego moves | |
| back further. | |
| And Ego and Quill continue tossing the ball back and forth | |
| there, LAUGHING, a friendly father and son game of catch in | |
| the middle of a palace courtyard. | |
| 76 EXT. PALACE - DAY 76 | |
| Drax and Mantis sit here, soaking in the sun and gazing at | |
| the lush, flowing hills, like something an alien Maxfield | |
| Parrish would paint. | |
| DRAX | |
| How did you get here? | |
| MANTIS | |
| Ego found me in my larva state, | |
| orphaned on my homeworld. He raised | |
| me by hand, and kept me as his own. | |
| DRAX | |
| So you’re a pet? | |
| MANTIS | |
| I suppose. | |
| DRAX | |
| People usually want cute pets. Why | |
| would Ego want a hideous one? | |
| MANTIS | |
| I am hideous? | |
| DRAX | |
| You’re horrifying to look at, yes. | |
| Mantis seems sad about this. Drax notice this, feels bad. | |
| DRAX | |
| But it is a good thing. | |
| 65. | |
| MANTIS | |
| Oh? | |
| DRAX | |
| When you are ugly and someone loves | |
| you, you know they love you for who | |
| you are. Beautiful people never | |
| know who to trust. | |
| MANTIS | |
| Well, then I am certainly grateful | |
| to be ugly! | |
| (thinking) | |
| Poor Gamora. She can never trust | |
| anyone. | |
| Drax nods and stares out at spattered patches of water. | |
| DRAX | |
| Those pools remind me of a time I | |
| took my daughter to visit the | |
| Forgotten Lakes on my homeworld. | |
| She was like you. | |
| MANTIS | |
| Disgusting? | |
| DRAX | |
| Innocent. | |
| Drax stares out at them without expression. | |
| Slowly, Mantis TOUCHES his shoulder. | |
| And, as she does, TEARS INSTANTLY FLOW DOWN HER CHEEKS. She | |
| stares with Drax at the hills. They feel the sadness | |
| together: she cries while he’s stoic. | |
| MANTIS | |
| I have never met anyone like you, | |
| or your friends. You are filled | |
| with such... love. It is a thing I | |
| did not know existed, not like | |
| this, and I think... I think it may | |
| be the very finest of all things. | |
| It both hurts and soothes the | |
| heart. | |
| She looks at Drax. There is something she wants to say, but | |
| she is torn. | |
| MANTIS | |
| 66. | |
| Drax, there is something I must | |
| tell - | |
| GAMORA (O.S.) | |
| What’s going on? | |
| Drax and Mantis turn to see her behind them. She smiles. | |
| MANTIS | |
| I am learning many things. Like I | |
| am a pet and ugly. | |
| GAMORA | |
| You’re not ugly. | |
| (admonishing) | |
| Drax. | |
| Drax, confused, points at Mantis, as if her ugliness proves | |
| itself. | |
| GAMORA | |
| Mantis, can you show us where we’ll | |
| be staying? I’m getting eye-strain | |
| in this place. | |
| Mantis nods, yes. | |
| 77 EXT. PATH TO SLEEPING QUARTERS - MOMENTS LATER 77 | |
| Gamora, Drax, and Mantis walk across the sunset. | |
| GAMORA | |
| Why are there no other beings on | |
| this planet? | |
| MANTIS | |
| The planet IS Ego. A dog would not | |
| invite a flea to live on his back. | |
| GAMORA | |
| And you’re not a flea? | |
| MANTIS | |
| I’m a flea with a purpose. I help | |
| him sleep. | |
| Gamora curls around Mantis, cutting her off. | |
| GAMORA | |
| What were you about to say to Drax | |
| before I walked out? | |
| 67. | |
| Mantis looks around, worried. | |
| MANTIS | |
| Nothing. | |
| Gamora and Drax share a look: why is she so scared? Mantis | |
| moves on. | |
| MANTIS | |
| Your quarters are this way. | |
| 78 INT. ECLECTOR CELL - OUTER SPACE 78 | |
| Rocket HITS THE GROUND, hard. Yondu LANDS equally hard on | |
| the ground beside him. | |
| They look up to see Taserface, Gef the Ravager and an | |
| OBTUSE RAVAGER locking the cell door. | |
| TASERFACE | |
| We’ll deliver you to the Kree in | |
| the morning. Neither one of you | |
| gonna last much longer after that. | |
| Rocket crawls toward them as they walk away. | |
| ROCKET | |
| Okay, Taserface. See you later, | |
| Taserface. Hey, Taserface, tell the | |
| other guys we said hi, Taserface! | |
| Taserface glances back, perturbed, as he disappears around | |
| the corner. | |
| 79 INT. ECLECTOR HALLWAY - OUTER SPACE 79 | |
| Taserface, Gef, and Obtuse come around the hall. | |
| GEF THE RAVAGER | |
| What about the little plant? Can I | |
| smash it with a rock? | |
| TASERFACE | |
| No, Gef! It’s too adorable to kill. | |
| Bring it to the tailor. | |
| 80 INT. ECLECTOR CELL - OUTER SPACE 80 | |
| Yondu and Rocket settle. Yondu looks like a beaten man. | |
| 68. | |
| ROCKET | |
| No offense, but your employees are | |
| a bunch of jerks. | |
| YONDU | |
| I was a Kree battle-slave for | |
| twenty years when Stakar freed me. | |
| He offered me a place in the | |
| Ravagers. Said all I needed to do | |
| was adhere to the code. But I was | |
| young and greedy and stupid - like | |
| you stealing those batteries. | |
| ROCKET | |
| That was mostly Drax. | |
| YONDU | |
| Me and Stakar, and the other | |
| captains - we weren’t so different | |
| from you and your friends. The only | |
| family I ever had. But I broke the | |
| code. They exiled me. | |
| YONDU | |
| These ones here are the ones who | |
| followed - of course they’re jerks. | |
| Which is what I deserve. | |
| ROCKET | |
| Slow down, drama queen. You might | |
| deserve this, but I don’t. We gotta | |
| get out of here. | |
| YONDU | |
| Where’s Quill? | |
| ROCKET | |
| Went off with his old man. | |
| YONDU | |
| Ego? | |
| Yondu looks concerned. Rocket stares at him, picking this | |
| up. | |
| ROCKET | |
| Yeah. It’s a day for dumbass names. | |
| Yondu SNICKERS. | |
| ROCKET | |
| 69. | |
| You smiled and for a second I got a | |
| warm feeling, but then it was | |
| ruined by those disgusting-ass | |
| teeth. Ever heard of floss? | |
| Yondu’s smile disappears. | |
| YONDU | |
| You’re like a professional asshole | |
| or - ? | |
| ROCKET | |
| Pretty much a pro. Why didn’t you | |
| deliver Quill to Ego like you | |
| promised? | |
| YONDU | |
| He was skinny, could fit into | |
| places we couldn’t. Good for | |
| thieving. | |
| Rocket nods, GRUMBLES. | |
| YONDU | |
| I got an idea on how to get outta | |
| here. But we’re gonna need your | |
| little friend. | |
| 81 INT. BAR/QUADRANT FLIGHT DECK - OUTER SPACE 81 | |
| Baby Groot is wearing a tiny Ravager uniform. He reacts to | |
| clothes like a cat, struggling to take them off but unable. | |
| Ravagers are gathered around him, drunk and LAUGHING. They | |
| are CHANTING “MASCOT.” | |
| RETCH | |
| Lil’ feller’s all worked up! Needs | |
| a drank! | |
| Retch POURS ALCOHOL on him. The Ravagers LAUGH MORE as | |
| others POUR DRINKS on him as well. Groot SCREAMS at them, | |
| furious but helpless. | |
| RETCH | |
| Lookit how cute it is when it’s all | |
| riled up! | |
| HALF-NUT | |
| It’s Goddang precious! | |
| 70. | |
| 82 INT. ECLECTOR CELL - LATER 82 | |
| Groot, in shadows, MOPES down the hallway, looking | |
| traumatized. His clothes are torn and he’s soaked in | |
| alcohol. | |
| As he passes the cell, he hears - | |
| YONDU (O.S.) | |
| Hey, twig. C’mere. | |
| Groot sees Yondu and Rocket looking at him in the cell. He | |
| steps toward them. | |
| ROCKET | |
| Oh, man. What’d they do to you? | |
| YONDU | |
| Hey, you wanna help us get outta | |
| here? | |
| Groot NODS. Rocket looks unsure. Yondu speaks slowly. | |
| YONDU | |
| There’s something I need you to | |
| get, and bring back to me. | |
| Groot NODS. | |
| YONDU | |
| In the Cap’n’s quarters, there’s a | |
| prototype fin, like the thing I | |
| wore on my head. | |
| Groot NODS. | |
| YONDU | |
| There’s a drawer next to the bunk. | |
| It’s inside that. It’s red. You got | |
| it? | |
| Groot NODS EMPHATICALLY and DARTS OFF to get it. Yondu | |
| looks at Rocket, pleased. | |
| Rocket looks more than a bit uncertain. | |
| 83 INT. CAPTAIN’S QUARTERS - MOMENTS LATER 83 | |
| Baby Groot CREEPS into this dark room. DRUNKEN RAVAGERS are | |
| sprawled everywhere. | |
| 71. | |
| He spots a bureau. A drawer is half open. | |
| His face lights up. | |
| MOMENTS LATER | |
| Baby Groot stands outside of the cell, beaming, holding A | |
| PAIR OF SHORTS. | |
| YONDU | |
| That’s my underwears. | |
| ROCKET | |
| Yeah, I was pretty sure he didn’t | |
| know what you were talking about. | |
| You have to explain it more | |
| careful. | |
| YONDU | |
| All right. It’s a prototype fin - | |
| MOMENTS LATER | |
| Groot is back in front of the cell, holding a wriggling | |
| ORLONI in his hands. | |
| ROCKET | |
| That’s an orloni. It’s a fin, | |
| Groot. | |
| YONDU | |
| You explain it this time. | |
| Rocket starts to speak - | |
| MOMENTS LATER | |
| Groot looks hopeful, holding out a CYBERNETIC EYE. | |
| YONDU | |
| That’s Vorker’s eye. He takes it | |
| out when he sleeps. Go look again. | |
| Groot starts to SLINK OFF - | |
| ROCKET | |
| But leave the eye here. | |
| YONDU | |
| Why? | |
| Rocket CAN HARDLY SPEAK he finds it so funny. | |
| 72. | |
| ROCKET | |
| He’s gonna wake up tomorrow and | |
| he’s not gonna know where his eye | |
| is! | |
| MOMENTS LATER | |
| Groot is DRAGGING a LARGE PIECE OF FURNITURE to the cell. | |
| ROCKET | |
| That’s a desk. We told you it was | |
| this big. | |
| Rocket shows him how small it is with his hands. | |
| Groot makes a face like “Oh!” as if NOW he gets it. It’s | |
| all coming together. | |
| MOMENTS LATER | |
| Groot is holding a SEVERED TOE. | |
| ROCKET | |
| Tell me you guys have a | |
| refrigerator somewhere with a bunch | |
| of severed human toes. | |
| Yondu SUBTLY SHAKES HIS HEAD. | |
| ROCKET | |
| Okay, then let’s just agree to | |
| never discuss this. | |
| Yondu RIPS the Ravager patch off his jacket. | |
| YONDU | |
| The drawer you want to open. Has | |
| this symbol on it, okay? | |
| Groot takes it. He looks at Yondu and NODS. | |
| And then, slowly, HE PLACES IT ON TOP OF HIS HEAD. | |
| YONDU | |
| What? No. | |
| ROCKET | |
| He thinks you want him to wear it | |
| as a hat. | |
| YONDU | |
| That’s not what I said. | |
| 73. | |
| Groot takes it off his head. | |
| GROOT | |
| I am Groot. | |
| ROCKET | |
| (translating) | |
| He’s relieved that you don’t want | |
| him to. | |
| GROOT | |
| I am Groot. | |
| ROCKET | |
| He hates hats. | |
| GROOT | |
| I am Groot. | |
| ROCKET | |
| On anyone, not just himself. | |
| GROOT | |
| I am Groot. | |
| ROCKET | |
| One minute you think someone has a | |
| weird-shaped head. The next minute, | |
| it’s just because you realize part | |
| of that head is a hat. | |
| (to Groot) | |
| That’s why you don’t like hats? | |
| Groot nods. | |
| YONDU | |
| This is an important conversation | |
| right now? | |
| ROCKET | |
| No. Let’s try again. | |
| 84 INT. CAPTAIN’S QUARTERS - MOMENTS LATER 84 | |
| Taserface is SNORING and SLOBBERING in his bed. We see the | |
| Ravager Patch tossed up onto the bed beside him. Then | |
| Groot’s vines GROW up the bed, and he pulls himself up | |
| beside the sleeping giant. | |
| Groot clasps the Ravager patch in his hand and looks | |
| fearfully around. | |
| 74. | |
| He spots the Ravager symbol on a night stand drawer. | |
| He stares at the symbol in his hand, then at the drawer, | |
| then at the symbol, and then at the drawer again, and then | |
| one more time for good measure -- he wants to be very, very | |
| sure they’re the same. | |
| He creeps carefully towards the drawer, GROWING his vines | |
| out to grab the handle and PULL IT slowly open... | |
| He peers inside. | |
| Beside some writing instruments and a tin of candies, there | |
| lies a RED FIN, taller and more shark-like than Yondu’s | |
| current model. Groot smiles hugely, picking up - | |
| THE TIN OF CANDIES! He’s found it! | |
| KRAGLIN (O.S.) | |
| That ain’t it. | |
| Groot SWIRLS to see KRAGLIN, BACKLIT IN THE DOORWAY, | |
| LOOMING OVER HIM, intimidating as hell. And CUT TO -- | |
| 85 INT. ECLECTOR CELL - MOMENTS LATER 85 | |
| The RED FIN PLOPS DOWN at Yondu’s feet. | |
| Yondu and Rocket look up to see Kraglin, holding Groot. He | |
| stares at the ground - | |
| KRAGLIN | |
| I didn’t mean to do a mutiny. | |
| (pause, then, sadly) | |
| They killed all my friends. | |
| YONDU | |
| Go get the third quadrant ready for | |
| release. | |
| Kraglin SALUTES. | |
| ROCKET | |
| One more thing. | |
| Kraglin stares at him. | |
| ROCKET | |
| You got any clones of Quill’s old | |
| music on the ship? | |
| 75. | |
| 86 INT. ECLECTOR BATHROOM - OUTER SPACE 86 | |
| Brahl is shaving, when, suddenly, JAY AND THE AMERICAN’S | |
| “COME A LITTLE BIT CLOSER” STARTS PLAYING over the | |
| intercom. | |
| He looks up, confused. | |
| 87 INT. ECLECTOR HALLWAY/CELL - OUTER SPACE 87 | |
| TWO RAVAGERS outside the cell hear the MUSIC. They turn, | |
| unlocking the cell door. | |
| As they enter, THE CAMERA OVERTAKES them, arriving before | |
| they do at -- | |
| Yondu, sitting calmly; Rocket is finishing ATTACHING THE | |
| BIG-ASS FIN TO HIS HEAD. Its electrical systems POP on. | |
| PUSH IN ON the two surprised Ravagers trying to UNHOLSTER | |
| THEIR PISTOLS in time. | |
| Too late. | |
| Yondu WHISTLES. | |
| 88 INT. ECLECTOR CLOSET - OUTER SPACE 88 | |
| The ARROW FLIES OFF a shelf of supplies and SHOOTS TOWARD A | |
| WALL. | |
| 89 INT. ECLECTOR CELL - OUTER SPACE 89 | |
| The ARROW PUNCHES THROUGH THE WALL behind the Ravagers. | |
| They swirl to see it -- | |
| IT SHOOTS THROUGH ONE RAVAGER | |
| And THEN THE OTHER -- | |
| And then to Yondu; he CATCHES it, and STANDS. | |
| He SAUNTERS past the two Ravagers as they WOBBLE and FALL. | |
| Rocket and Groot follow. | |
| On the way out the door, Rocket looks down and sees TWO | |
| PISTOLS beside the dead Ravagers. | |
| 76. | |
| He smiles. | |
| 90 INT. CAPTAIN’S QUARTERS - OUTER SPACE 90 | |
| Taserface is awoken by JAY AND THE AMERICANS on the PA. He | |
| glances over to see the open drawer beside him, sans | |
| gargantuan fin. | |
| He SCRAMBLES for the comm, yelling into it -- | |
| TASERFACE | |
| He’s got it! | |
| 91 INT. BAR/QUADRANT FLIGHT DECK - OUTER SPACE 91 | |
| The hoard of Ravagers hear Taserface’s voice. | |
| TASERFACE (O.S.) | |
| HE’S GOT IT! YONDU’S GOT THE DAMN | |
| FIN! | |
| RETCH | |
| GO! | |
| 92 SERIES OF SHOTS - INT. ALL OVER THE SHIP - OUTER SPACE 92 | |
| ALL OF THE RAVAGERS all over the ship, in a panic, LOAD | |
| THEIR WEAPONS and HEAD TOWARD THE CELL. | |
| 93 INT. ECLECTOR HALLWAY - OUTER SPACE 93 | |
| Yondu and Rocket and Groot COME AROUND THIS CORNER IN SLOW- | |
| MOTION, the three biggest badasses in the history of | |
| cinema. | |
| A HOARD OF RAVAGERS, led by Brahl, FILE IN at the end of | |
| the hallway. | |
| But Yondu WHISTLES and the ARROW TWISTS QUICKLY BACK AND | |
| FORTH, SLICING THROUGH EACH OF THEM. | |
| Yondu SLAMS through a door into - | |
| 94 INT. ECLECTOR DOCKING BAY - OUTER SPACE 94 | |
| 77. | |
| Our heroes step onto a catwalk in this, the biggest space | |
| in the Eclector. There are catwalks throughout and dozens | |
| of docked M-ships. The SCURRILOUS RAVAGER sees them from | |
| above -- | |
| SCURRILOUS RAVAGER | |
| Down there! | |
| IN AN EXTREME WIDE ANGLE, we see the ARROW FLYING UP AND | |
| DOWN, BACKWARDS AND FORWARDS, CUTTING THROUGH ALL SORTS OF | |
| RAVAGERS, closer and further from CAMERA. | |
| We TRAVEL BEHIND YONDU AND ROCKET as BODIES FALL AROUND | |
| THEM IN SLOW-MOTION LIKE FIREWORKS. | |
| Groot looks up and sees RETCH looking down at him. | |
| RETCH FLEES in terror as Groot GROWS branches to pull | |
| himself up behind him. | |
| Groot HOWLS FURIOUSLY, TAKING CHASE. | |
| Retch YOWLS like a child as he frantically runs. | |
| But Groot GROWS HIS BRANCHES around RETCH’s legs, TRIPPING | |
| HIM. | |
| BAM! He FALLS, face first to the floor. | |
| And, with a WAR CRY, Baby Groot FLINGS the sadistic Ravager | |
| off the edge towards the abyss below. | |
| As RETCH FALLS past Yondu and Rocket, Baby Groot DROPS back | |
| down onto Rocket’s shoulder, and they push their way | |
| through the doorway - | |
| 95 INT. ECLECTOR SECURITY DOCK - OUTER SPACE 95 | |
| Yondu, Rocket, and Groot move into this area, where they | |
| look up at DOZENS OF SECURITY MONITORS encircling them | |
| showing Ravagers filing toward them from every part of the | |
| ship. | |
| Yondu WHISTLES as he watches the MONITORS - | |
| ON A MONITOR, the arrow FLIES out the wall. He whistles so | |
| that it strikes TWO RAVAGERS running towards them. | |
| It ZIPS out of that room and | |
| 78. | |
| 96 INT. DARK HALL - OUTER SPACE 96 | |
| A HOARD of Ravagers come running down a hall. The ARROW | |
| ZIPS overhead, smashing out all the lights so that the hall | |
| is completely dark, except for the DIM RED LIGHT OF THE | |
| ARROW. | |
| And we can just make out the RED LIGHT smashing through the | |
| body of every Ravager there and then on into -- | |
| 97 INT. SPACEPORT - OUTER SPACE 97 | |
| A YELLING CROWD OF RAVAGERS come, hungry for war, when the | |
| arrow SHOOTS THROUGH THE CHAINS holding a giant spaceship | |
| in place over their heads. | |
| It FALLS, instantly CRUSHING them all, and then zips on -- | |
| 98 INT. BAR - OUTER SPACE 98 | |
| Gef the Ravager is drunkenly drinking a mug of beer, when | |
| the arrow zips past him and through the mug, SHATTERING it. | |
| As Gef looks at the shattered mug, confused, the arrow | |
| comes flying back, ripping through Gef himself, FLINGING | |
| him off the bar stool. | |
| 99 INT. ECLECTOR SECURITY DOCK - OUTER SPACE 99 | |
| Rocket also uses the MONITORS to pinpoint where their | |
| attackers are. He methodically SHOOTS THROUGH the walls, | |
| striking the Ravagers as they get closer. | |
| WIDE OVERHEAD SHOT, the CAMERA REVOLVES as hoards of | |
| Ravagers GET CLOSE to Yondu and Rocket but the arrow and | |
| gunshots ZIP THROUGH THE WALLS taking them all down, one by | |
| one, like Busby Berkely gone mad. | |
| Then Yondu stops, seeing something on one of the MONITORS. | |
| Taserface, clutching a big ass gun, is marching down the | |
| hall towards them. | |
| Yondu WHISTLES, loudly and angrily. | |
| 100 INTERCUT - INT. ENGINE ROOM/SECURITY DOCK - OUTER SPACE 100 | |
| Taserface sees THE ARROW COMING AROUND A CORNER TOWARDS | |
| HIM. | |
| 79. | |
| Yondu WHISTLES again. | |
| The ARROW BURSTS INTO FLAMES. | |
| Taserface DODGES it. | |
| He turns to watch it go, CACKLING pridefully over his | |
| agility. | |
| But his smile quickly dissipates. | |
| The arrow PLUNGES into a giant tank - which EXPLODES, | |
| ENGULFING HIM. | |
| 101 EXT. ECLECTOR - OUTER SPACE 101 | |
| A huge portion of the giant spacecraft EXPLODES, leading to | |
| a domino effect of one part of the ship BURSTING after | |
| another. | |
| 102 INT. ECLECTOR SECURITY DOCK - OUTER SPACE 102 | |
| ROCKET is dumbfounded as he sees on the MONITORS the | |
| numerous EXPLOSIONS throughout the ship. | |
| ROCKET | |
| You maniac. The whole ship is gonna | |
| blow. | |
| 103 INT. ECLECTOR SECURITY DOCK - OUTER SPACE 103 | |
| A DOOR SWINGS OPEN and TASERFACE FALLS ONTO THE FLOOR, | |
| ENGULFED IN FLAMES, but furious. | |
| He angrily SLAPS off the flames as he reaches for a | |
| COMMUNICATIONS MODULE. | |
| 104 INT. ECLECTOR SECURITY DOCK - OUTER SPACE 104 | |
| YONDU | |
| Not the whole ship. | |
| Yondu catches the arrow and walks out. | |
| 105 INT. BAR/QUADRANT FLIGHT DECK - OUTER SPACE 105 | |
| 80. | |
| Kraglin ENTERS, pulling latches and flipping switches and | |
| twisting dials on elementary flight controls. | |
| 106 INT. ECLECTOR SECURITY DOCK - OUTER SPACE 106 | |
| With pained effort, Taserface PULLS UP A VIDEO SCREEN with | |
| a SOVEREIGN CHAMBERMAID. | |
| CHAMBERMAID (ON SCREEN) | |
| Who is this? You’re not supposed to | |
| be on this line. | |
| TASERFACE | |
| I’m sending you the coordinates for | |
| Yondu’s ship. | |
| 107 INT. QUADRANT FLIGHT DECK - OUTER SPACE 107 | |
| Yondu enters with Rocket and Groot. | |
| YONDU | |
| Release the quadrant. | |
| KRAGLIN | |
| Aye Capn’ | |
| 108 INT. ECLECTOR SECURITY DOCK - OUTER SPACE 108 | |
| TASERFACE | |
| I only ask one thing. That your | |
| High Priestess tells him the name | |
| of the man what sealed his fate: | |
| Taserface. | |
| The CHAMBERMAID laughs uncontrollably at his name. | |
| Taserface looks really sad as he EXPLODES. | |
| 109 INT. QUADRANT FLIGHT DECK - OUTER SPACE 109 | |
| As Rocket and Groot, frightened, feel the SHIP EXPLODING | |
| around them, Kraglin pulls up one final latch - | |
| 110 EXT. ECLECTOR - OUTER SPACE 110 | |
| THE ENTIRE REAR UPPER QUADRANT OF THE ECLECTOR DETACHES | |
| FROM THE REST OF THE SHIP, while the remains CONTINUE | |
| EXPLODING. | |
| 81. | |
| 111 I/E. QUADRANT FLIGHT DECK - OUTER SPACE 111 | |
| Rocket and Groot are amazed as the SHIP thrusts forward, | |
| away from the explosions. | |
| Kraglin keys into a JUMP POINT ahead. Nearby, Rocket pulls | |
| up the Navigation panel. | |
| KRAGLIN | |
| Where to, Cap’n? | |
| Rocket SETS THE DESTINATION: | |
| ROCKET | |
| Ego. | |
| YONDU | |
| NO, BOY! | |
| The Quadrant TREMBLES as they hit THE JUMP POINT. It BLOOPS | |
| out of present space, making the JUMP to - | |
| 112 EXT. DESERT - DAY 112 | |
| The Quadrant POPS into a blue sky above a DESERT with two | |
| fighting KRONANS. | |
| 113 INT. QUADRANT FLIGHT DECK - VARIOUS OUTER SPACE LOCATIONS 113 | |
| Inside the ship, Rocket, Yondu, Kraglin, and baby Groot | |
| hold on for dear life as the ship VIOLENTLY SHAKES and THE | |
| LOCATIONS OUTSIDE OF THE WINDOW RAPIDLY SHIFT. | |
| Their bodies DISTEND SLIGHTLY. Yondu is furious. | |
| YONDU | |
| It ain’t healthy for a mammalian | |
| body to hop over fifty jumps at a | |
| time. | |
| ROCKET | |
| I know that. | |
| YONDU | |
| We’re about to do seven-hundred. | |
| Rocket looks bummed. | |
| 114 EXT. PINK SKY - AMOEBA BLOBS - OUTER SPACE 114 | |
| 82. | |
| The Quadrant pops out of a jump point into this Pepto | |
| Bismol pink land, SMASHING THROUGH an AMOEBA-LIKE BLOB, and | |
| then through the next jump point. | |
| 115 INT. QUADRANT FLIGHT DECK - VARIOUS OUTER SPACE LOCATIONS 115 | |
| Kraglin, Yondu, Rocket, and Baby Groot all SCREAM, their | |
| entire faces and bodies distorting as if in some evil | |
| funhouse mirror. | |
| 116 EXT. RED PLANET LANDSCAPE - VARIOUS 116 | |
| The yellow sun CURVES SLOWLY WEST TO EAST over this | |
| magnificent landscape. | |
| “BRING IT ON HOME TO ME” BY SAM COOKE PLAYS. | |
| 117 EXT. SLEEPING QUARTERS - VERANDA - DAY 117 | |
| TILT DOWN to Quill, on this veranda, gazing out at the | |
| beauty. The Walkman is connected to small, jerry-rigged | |
| speakers nearby, PLAYING SAM COOKE. | |
| QUILL | |
| So I guess this could all be mine | |
| someday. | |
| Gamora isn’t paying attention. She’s fooling with a | |
| communications device, which has no reception. | |
| GAMORA | |
| Rocket? Rocket, you there? Dammit. | |
| Quill comes up behind her, messing with her. | |
| GAMORA | |
| What are you doing, Peter? | |
| QUILL | |
| Dance with me. | |
| GAMORA | |
| No. I’m not -- | |
| QUILL | |
| Come on. This is Sam Cooke, one of | |
| the greatest Earth singers of all | |
| time. | |
| 83. | |
| Gamora lets out an exasperated SIGH, but, reluctantly, | |
| starts DANCING with him. She is incredibly light on her | |
| feet. | |
| Quill smiles and Gamora, despite herself, does as well. He | |
| TWIRLS HER AND BRINGS HER BACK IN. This is definitely not | |
| the first time they’ve done this. | |
| QUILL | |
| Drax thinks you’re not a dancer. | |
| GAMORA | |
| If you ever tell anyone about this, | |
| I’ll kill you. | |
| They look at each other. | |
| QUILL | |
| When are we going to do something | |
| about this... unspoken thing | |
| between us? | |
| GAMORA | |
| What unspoken thing? | |
| QUILL | |
| This Cheers-Sam-and-Diane-guy-and- | |
| girl-on-a-TV-show-who-dig-each- | |
| other-but-never-say-it-’cause-when- | |
| they-do-the-ratings-would-go-down | |
| sort of thing? | |
| GAMORA | |
| There is no unspoken thing between | |
| us. | |
| QUILL | |
| Well, that’s a Catch-22. Because if | |
| you said there was, it would be | |
| spoken, and then you’d be a liar. | |
| So by saying there isn’t, you’re | |
| telling the truth, and admitting | |
| there is. | |
| GAMORA | |
| That’s not -- | |
| Gamora PULLS AWAY. | |
| GAMORA | |
| What we should be discussing right | |
| now is that something about this | |
| place doesn’t feel right. | |
| 84. | |
| QUILL | |
| What are you talking about? You | |
| were the one who wanted me to come | |
| here! | |
| Gamora moves into -- | |
| 118 INT. SLEEPING QUARTERS - DAY 118 | |
| GAMORA | |
| That girl, Mantis. She’s afraid of | |
| something. | |
| Quill follows her. He stops, staring at her, hurt and | |
| frustrated. | |
| QUILL | |
| Why are you trying to take this | |
| from me? | |
| GAMORA | |
| I’m not -- | |
| QUILL | |
| He’s my father. He’s blood - | |
| GAMORA | |
| You have blood on earth. You never | |
| wanted to return there. | |
| QUILL | |
| Again - you made me come here! And | |
| Earth?! Earth is the place my | |
| mother died in front of me. | |
| GAMORA | |
| No, it’s because that’s real, and | |
| this is a fantasy. | |
| QUILL | |
| This is real. I’m only half human, | |
| remember? | |
| GAMORA | |
| That’s the half I’m worried about. | |
| QUILL | |
| Oh, I get it. You’re jealous | |
| because I’m part god! You like me | |
| being the weak one! | |
| Gamora adds some pieces to her transmitter. | |
| 85. | |
| GAMORA | |
| Uh. You were insufferable to begin | |
| with. I haven’t been able to reach | |
| Rocket. I’m going to see if I can | |
| get a signal outside. | |
| QUILL | |
| You know, this isn’t Cheers after | |
| all. It’s whatever the show is | |
| where one person is willing to, you | |
| know, open themselves up to new | |
| possibilities, and the other person | |
| is just kind of a jerk who doesn’t | |
| trust anyone! It’s a show that | |
| doesn’t exist - it would never be | |
| made, it would be so horrible! It | |
| would get zero ratings! | |
| GAMORA | |
| You’re having a conversation with | |
| yourself! I don’t know what Cheers | |
| is! | |
| QUILL | |
| I finally found my family, don’t | |
| you understand that!? | |
| GAMORA | |
| I thought you already had. | |
| QUILL | |
| So this is how it ends, then? Our | |
| whole story. Like this? You and me? | |
| GAMORA | |
| Get it through your head, Peter. | |
| There is no you and me. There never | |
| was. | |
| Quill watches her leave. | |
| 119 EXT. EGO’S FIELDS - SUNSET 119 | |
| Gamora sits, alone in the fields, pouting, fuming. She | |
| stops, staring angrily inward. | |
| Two plants, nearby, flitter against one another in the | |
| wind, making a CLICKING sound. She side-eyes them. They | |
| don’t stop. | |
| She slices them off with her sword. | |
| 86. | |
| GAMORA | |
| Dammit. | |
| Gamora hears something. She turns to see, in the distance, | |
| an M-ship flying toward the planet. | |
| She watches as it gets closer and closer, and realizes it | |
| is FLYING DIRECTLY AT HER. | |
| Gamora RUNS. | |
| 120 INT. NEBULA’S SHIP - SUNSET 120 | |
| Nebula HOLLERS as she BLASTS HER GUNS, DIVING towards | |
| Gamora. | |
| 121 EXT. HILLSIDE - SUNSET 121 | |
| Gamora FLEES from Nebula’s ship like Cary Grant from the | |
| crop duster in North by Northwest as HUGE CHUNKS OF LAND | |
| EXPLODE on either side of her. | |
| Gamora leaps into a DITCH, LANDING HARD, as the M-Ship | |
| SWOOPS just a couple feet above her. | |
| GAMORA | |
| You psychopath. | |
| Gamora sees the M-Ship banking and FLYING BACK at her | |
| again. | |
| She stands and runs along the hillside as GUN BLASTS burst | |
| behind her. But Gamora sees a CAVERN, leading down into the | |
| earth. | |
| She DARTS into it. | |
| 122 INT. EGO’S CAVERN - FIRST/SECOND LEVELS - SUNSET 122 | |
| As Gamora RUNS down the cavern, she glances back over her | |
| shoulder where Nebula, insane with rage, continues FLYING | |
| towards her -- | |
| The M-SHIP ENTERS THE CAVERN, which is too small for it, | |
| CLIPPING ITS WINGS - but it keeps flying. It again BLASTS | |
| at Gamora as she FLEES - | |
| The BLASTS cause the ground to COLLAPSE around Gamora, and | |
| she FALLS, SMASHING DOWN THROUGH ONE LEVEL, to another | |
| level below, SLAMMING HARD on the ground. | |
| 87. | |
| The underside of the M-ship gets SCRAPED APART as it flies | |
| above her, and pieces of it come RAINING DOWN around her. | |
| Nebula ZOOMS towards a huge cavern wall. She tries to turn | |
| her ship in time, to no avail. | |
| She SIDESWIPES it, falling down, CRASHING on the ground, | |
| where she is now on the same level as Gamora. | |
| Gamora sees something beside her: it’s one of the ENORMOUS | |
| BLASTERS from the M-ship, attached to an AMMO RIG. | |
| 123 INT. NEBULA’S M-SHIP - SUNSET 123 | |
| Nebula sees Gamora, through the canopy, picking up the | |
| blaster, and clutching it. It is comically enormous. | |
| Nebula struggles to get free and out of the way, but her | |
| legs have been pinned in the crash - | |
| 124 INT. EGO’S CAVERN - SECOND/THIRD LEVELS - SUNSET 124 | |
| Gamora CLAMPS two metal switches together, MACHINE-FIRING | |
| THE GUN, as she walks forward. | |
| The front of the M-ship is peppered with blasts and then | |
| EXPLODES. | |
| The explosion causes the thin ground around it to COLLAPSE, | |
| and the entire ship FALLS BACKWARDS to an even LOWER LEVEL | |
| - BURSTING some more as it hits the ground. | |
| Gamora gazes down at the ship. | |
| 125 I/E. NEBULA’S SQUASHED M-SHIP - SUNSET 125 | |
| Nebula is a mess. Her legs are broken, trapped in the ship. | |
| There is a FIRE at her feet. | |
| She struggles, trying to get out, but her machine parts are | |
| SPARKING and she can hardly breathe. It seems as she’s | |
| going to die, when -- | |
| Part of the ship is TORN AWAY. She sees Gamora. | |
| Gamora GRABS HER, unceremoniously PULLING HER FREE, just as | |
| the M-ship EXPLODES, PITCHING THEM BOTH to the ground. | |
| 88. | |
| They lie next to each other. Nebula COUGHS as her legs are | |
| healing, CRACKING back into place. | |
| She looks over and eyes Gamora. | |
| And then she HOLLERS and attacks her. | |
| GAMORA | |
| Are you kidding me?! | |
| They FIGHT. | |
| Nebula snatches Gamora’s blade from her, and TUMBLES on top | |
| of her as she gains the upper hand. She holds the blade | |
| above Gamora, ready to plummet it into her. | |
| She wants to - she really does - but now that the moment is | |
| here... | |
| She SCREAMS in frustration, and falls back. | |
| NEBULA | |
| I win. | |
| Gamora eyes her, a little surprised. | |
| NEBULA | |
| I win. I bested you in combat. | |
| GAMORA | |
| Uh, no, I just spared your life - | |
| NEBULA | |
| You were stupid enough to let me | |
| live so - | |
| GAMORA | |
| You just let me live! | |
| NEBULA | |
| I WIN! | |
| GAMORA | |
| Nebula, I really don’t need this. | |
| My day has been bad enough - | |
| NEBULA | |
| I don’t need you always trying to | |
| beat me! | |
| GAMORA | |
| 89. | |
| I’m not the one who just flew | |
| across the universe because I | |
| wanted to win! | |
| NEBULA | |
| Don’t tell me what I want! | |
| GAMORA | |
| I don’t have to because you make it | |
| obvi - | |
| NEBULA | |
| YOU WERE THE ONE WHO WANTED TO WIN, | |
| I JUST WANTED A SISTER! | |
| Gamora stops suddenly, struck. Nebula is cracking. | |
| NEBULA | |
| You were all I had, but you were | |
| the one who needed to win! Thanos | |
| pulled my eye from my head and my | |
| brain from my skull and my arm from | |
| my body because of you! | |
| Gamora doesn’t know what to say. Nebula is almost instantly | |
| embarrassed. | |
| They sit there for a moment, saying nothing. | |
| 126 EXT. SLEEPING QUARTERS - NIGHT 126 | |
| The Quarters are entombed in stars. The dim sound of | |
| “BRANDY” comes from within. | |
| 127 INT. SLEEPING QUARTERS - NIGHT 127 | |
| Quill lies in bed, unable to sleep, listening to the song. | |
| EGO (O.S.) | |
| You all right, son? | |
| Quill turns to see Ego in the doorway. | |
| EGO | |
| I saw your girl stomp off earlier | |
| in quite a huff. | |
| Quill sits up, nods. | |
| QUILL | |
| Yeah. | |
| 90. | |
| Ego sits beside him. | |
| EGO | |
| It’s fortuitous you’re listening to | |
| this song. | |
| QUILL | |
| You know - ? | |
| EGO | |
| ‘Brandy’ by Looking Glass. A | |
| favorite of your mom’s. | |
| QUILL | |
| Yes. | |
| EGO | |
| One of earth’s greatest musical | |
| compositions. Perhaps its very | |
| greatest. | |
| QUILL | |
| Yeah, it is. | |
| EGO | |
| You and I, Peter, we’re the sailor | |
| in the song. | |
| Ego speaks along with the lyrics as they play. | |
| EGO | |
| He came on a summer’s day, bringing | |
| gifts from far away - like the | |
| child I put in your mother, or the | |
| freedom you brought Gamora. | |
| Quill listens. | |
| EGO | |
| Brandy, you’re a fine girl, what a | |
| good wife you would be. But my | |
| life, my love, my lady is the sea. | |
| The sea calls the sailor back. He | |
| loves the girl, but that’s not his | |
| place. The sea calls upon him as | |
| history calls upon great men, and | |
| sometimes we are deprived the | |
| pleasures of mortals. | |
| QUILL | |
| Well, you might not be mortal, but | |
| me - | |
| 91. | |
| EGO | |
| Death will remain a stranger to | |
| both of us as long as the light | |
| burns within the planet. | |
| Ego smiles. | |
| QUILL | |
| I’m immortal? That’s... really? | |
| EGO | |
| Yes, as long as the light exists. | |
| QUILL | |
| And I can use the light to make | |
| cool things? Like how you made all | |
| this? | |
| EGO | |
| It’ll take thousands of years of | |
| practice before you get really good | |
| at it . But, yes. | |
| QUILL | |
| Well, get ready for an eight | |
| hundred foot statue of Pac Man, | |
| then. With Skeletor. And Heather | |
| Locklear. I’m gonna make some weird | |
| shit. | |
| Ego puts his arm around him, smiles kindly. | |
| EGO | |
| I can’t wait to see your weird | |
| shit. | |
| QUILL | |
| Wow, that... | |
| EGO | |
| Came out a little disgusting. | |
| They CHUCKLE. | |
| EGO | |
| It is a tremendous responsibility, | |
| Peter. Only we can remake the | |
| universe. Only we can take the | |
| bridle of the cosmos and lead it | |
| where it needs to go. | |
| QUILL | |
| How? | |
| 92. | |
| Ego holds up his fingers, letting forth a flame of white | |
| cosmic light. Quill holds up his fingers, letting forth a | |
| smaller, less intense flame of white cosmic light. | |
| REVEAL MANTIS, IN THE HALL, around the corner, looking at | |
| Ego and Quill and the light emanating from their fingers. | |
| EGO | |
| Come with me. | |
| Mantis looks like she’s having a panic attack. | |
| 128 INT. DRAX’S SLEEPING QUARTERS - MOMENTS LATER 128 | |
| CLOSE-UP OF DRAX, sound asleep. | |
| MANTIS (O.S.) | |
| Drax! Drax! | |
| He WAKES to see a panicked Mantis sitting on the bed beside | |
| him. | |
| MANTIS | |
| Drax, we need to talk - | |
| DRAX | |
| Ugh. I am sorry, but I like a woman | |
| with some meat on her bones. | |
| MANTIS | |
| What? | |
| DRAX | |
| I tried to let you down easily by | |
| telling you I found you disgusting. | |
| MANTIS | |
| No! That’s not what I - | |
| Drax starts to GAG. | |
| MANTIS | |
| What are you doing?! | |
| DRAX | |
| I’m imagining being with you | |
| physically! | |
| MANTIS | |
| Drax, that’s not - I don’t like you | |
| like that. I don’t even like the | |
| type of thing you are. | |
| 93. | |
| DRAX | |
| (offended) | |
| Hey! There’s no need to get | |
| personal! | |
| MANTIS | |
| Listen! Ego’s gotten exactly what | |
| he wanted. I should have told you | |
| earlier, I am stupid. You are in | |
| danger. | |
| 129 EXT. NEBULA’S SQUASHED M-SHIP - NIGHT 129 | |
| Gamora and Nebula still sit here, quietly and awkwardly. | |
| Gamora glances down a twisting tunnel, where phosphorescent | |
| lights shine brightly. | |
| GAMORA | |
| What’s that? | |
| She moves towards it. Nebula, hesitantly, follows. | |
| 130 INT. PALACE - NIGHT 130 | |
| Ego and Quill enter the palace. | |
| EGO | |
| You need to readjust the way you | |
| process life. Everything around us | |
| - including the girl - is | |
| temporary. We are forever. | |
| QUILL | |
| Doesn’t eternity get boring? | |
| EGO | |
| Not if you have a purpose, Peter. | |
| Which is why you’re here. I told | |
| you how all those years ago I had | |
| an unceasing impulse to find life. | |
| Ego is standing underneath the diorama of him facing the | |
| little alien girl. | |
| EGO | |
| I didn’t tell you how when I did | |
| find it, it was all so... | |
| disappointing. | |
| 94. | |
| 131 INT. TWISTING CAVERNS - NIGHT 131 | |
| Gamora and Nebula move further down the cavern, stepping | |
| into light, getting closer. | |
| EGO | |
| And that is when I came to a | |
| profound realization. | |
| 132 INT. PALACE - NIGHT 132 | |
| EGO | |
| My innate desire to seek out other | |
| life was not so that I could walk | |
| among that life. | |
| Ego looks at his son, moved by the memories. | |
| EGO | |
| Peter, I had found meaning. | |
| Quill is taken aback. But Ego sets his finger lightly on | |
| his forehead, and the white light bursts through his son’s | |
| body. | |
| We see THE COSMOS IN QUILL’S EYES. He looks ecstatic, far | |
| beyond where he stands, and seems to finally understand. | |
| QUILL | |
| I see it. Eternity. | |
| 133 INT. TWISTING CAVERNS - NIGHT 133 | |
| Gamora and Nebula stop, in horror. | |
| GAMORA | |
| Oh my God. | |
| They are staring at piles and piles of skeletons of various | |
| species, thousands of them, seeming to go on forever. | |
| NEBULA | |
| We need to get off this planet. | |
| 134 EXT. GALAXY/UNIVERSE - OUTER SPACE 134 | |
| We see traces of the UNIVERSAL NEURAL TELEPORTATION | |
| NETWORK, the Quadrant a blinking light POPPING IN and OUT | |
| on a trail across the cosmos - | |
| 95. | |
| And then ZOOM BACK FURTHER TO THE UNIVERSE, the same | |
| blinking light making its way while ROCKET, YONDU, and | |
| KRAGLIN SCREAM. | |
| 135 EXT. ASTEROIDS - OUTER SPACE 135 | |
| WATCHERS swirl to the Quadrant SWISH past them and JUMPS | |
| OUT. | |
| They turn back to STAN LEE, in a spacesuit with a fishbowl | |
| helmet. | |
| STAN LEE | |
| Anyway, before I was so rudely | |
| interrupted, that time I was a | |
| World War II vet - | |
| 136 EXT. RED PLANET - OUTER SPACE 136 | |
| THE QUADRANT POPS INTO SPACE, EGO’S PLANET nearby. | |
| 137 INT. QUADRANT FLIGHT DECK - OUTER SPACE 137 | |
| Yondu, Kraglin, Rocket and Groot FALL OUT OF THEIR SEATS, | |
| RETCHING, clutching their stomachs. | |
| YONDU | |
| What the hell you doing, boy?! | |
| ROCKET | |
| I could tell by how you talked | |
| about him - this Ego is bad news. | |
| We’re here to save Quill. | |
| YONDU | |
| For what? | |
| (derisively) | |
| For ‘honor’? For ‘love’? | |
| ROCKET | |
| No! I don’t care about those | |
| things! I want to save Quill so I | |
| can prove I’m better than him! I | |
| can lord this over him forever! | |
| Yondu LAUGHS bitterly as he pulls himself up to the | |
| controls. | |
| Rocket yanks himself up beside him. | |
| 96. | |
| ROCKET | |
| What are you laughing at me for?! | |
| YONDU | |
| You can fool yourself and everyone | |
| else but you can’t fool me. I know | |
| who you are. | |
| ROCKET | |
| You don’t know anything about me, | |
| loser. | |
| YONDU | |
| I know everything about you. I know | |
| you play like the meanest and the | |
| hardest ‘cause you actually the | |
| most scared of all. | |
| ROCKET | |
| Shut up. | |
| YONDU | |
| I know you steal batteries you | |
| don’t need and you push away anyone | |
| who’s willing to put up with you, | |
| ‘cause just a little bit of love | |
| reminds you how big and empty that | |
| hole inside you actually is! | |
| ROCKET | |
| I said, shut up. | |
| YONDU | |
| I know the scientists what made you | |
| never gave a rat’s ass about you - | |
| ROCKET | |
| I’m serious, dude - ! | |
| YONDU | |
| Just like my own damn parents, who | |
| sold me, their own little baby, | |
| into slavery! I know who you are, | |
| boy, because you’re me. | |
| They stare at each other there, a mirror. | |
| ROCKET | |
| What kind of pair are we? | |
| YONDU | |
| The kind that’s about to go fight a | |
| planet I reckon. | |
| 97. | |
| ROCKET | |
| All right, okay, that’s - Wait. | |
| Fight a what? | |
| 138 INT. DRAX’S SLEEPING QUARTERS - NIGHT 138 | |
| Gamora, furious, BURSTS into the room. She sees Mantis | |
| standing with Drax. | |
| She RUNS to her, GRABBING HER by the neck -- | |
| DRAX | |
| Hey! | |
| And she SLAMS her against the wall. | |
| GAMORA | |
| Who are you people?! What is this | |
| place?! | |
| DRAX | |
| (re: Nebula) | |
| What is she doing here? | |
| NEBULA | |
| Just watching the fireworks. | |
| DRAX | |
| Gamora, let her go! | |
| GAMORA | |
| The bodies in the caverns, who are | |
| they?! | |
| MANTIS | |
| You are scared. | |
| Gamora, whose skin is touching Mantis, lets go of her neck, | |
| terrified. | |
| 139 INT. PALACE - NIGHT 139 | |
| The DIORAMAS all around Quill and Ego TRANSFORM into a map | |
| of the universe. Quill stares in his cosmic reverie at the | |
| PLANETS around him - thousands of them with pieces of EGO’S | |
| LIFEFORM - GLOWING COSMIC PLANTS - buried within them. | |
| EGO | |
| I call it the Expansion. It is my | |
| purpose. And now it’s yours as | |
| well. | |
| 98. | |
| QUILL | |
| It’s beautiful. | |
| Quill stares up at a DIORAMA: Ego grabs handfuls of his own | |
| body, engulfed in light, and plants the wriggling pieces on | |
| various planets. | |
| EGO | |
| Over thousands of years I implanted | |
| thousands of extensions of myself | |
| on thousands of worlds. | |
| In the DIORAMAS, the COSMIC PLANTS OVERGROW and COVER each | |
| of the planets, like chocolate on a malt ball. | |
| EGO | |
| I needed to fulfill life’s one true | |
| purpose: to grow and to spread, | |
| covering all that exists, until | |
| everything... is me. | |
| 140 INT. DRAX’S SLEEPING QUARTERS - NIGHT 140 | |
| Gamora backs away, recovering. | |
| GAMORA | |
| What did she do to me?! | |
| DRAX | |
| She already told me everything. | |
| 141 INT. PALACE - NIGHT 141 | |
| EGO | |
| I only had one problem. A single | |
| Celestial doesn’t have enough power | |
| for such an enterprise. But two | |
| Celestials - well now, that just | |
| might do. | |
| 142 INT. DRAX’S SLEEPING QUARTERS - NIGHT 142 | |
| MANTIS | |
| The bodies are his children. | |
| Gamora is horrified. | |
| 143 INT. PALACE - NIGHT 143 | |
| 99. | |
| On the DIORAMAS we see Ego with hundreds of species of | |
| female aliens. | |
| EGO | |
| Out of all my labors the most | |
| beguiling was attempting to graft | |
| my DNA with that of another | |
| species. I hoped the result of such | |
| a coupling would be enough to power | |
| the expansion. | |
| 144 INT. ECLECTOR HALLWAY - NIGHT 144 | |
| Yondu and Rocket walk here. | |
| EGO (O.S.) | |
| I had Yondu deliver some of them to | |
| me. It broke the Ravager code - but | |
| I compensated him generously. And, | |
| to ease his conscience, I told him | |
| I would never hurt them. | |
| 145 INT. PALACE - NIGHT 145 | |
| EGO | |
| That was true. They never felt a | |
| thing. But, one after the other, | |
| they failed me. None of them had | |
| the Celestial genes. Until you, | |
| Peter. Out of all my spawn, only | |
| you have carried the connection to | |
| the light. | |
| Peter smiles, an enchanted idiot, the cosmos in his eyes. | |
| 146 INT. DRAX’S SLEEPING QUARTERS - NIGHT 146 | |
| GAMORA | |
| We need to find Peter now and get | |
| off this damn planet. | |
| MANTIS | |
| Ego will have won him to his side | |
| by now. He has a way of - | |
| NEBULA | |
| Then we just go. | |
| GAMORA | |
| No. He’s our friend. | |
| 100. | |
| NEBULA | |
| All any of you do is yell at each | |
| other. You’re not friends. | |
| DRAX | |
| You’re right. We’re family. We | |
| leave no one behind. | |
| (To Nebula) | |
| Except maybe you. | |
| NEBULA | |
| Oh my god. | |
| 147 INT. PALACE - NIGHT 147 | |
| EGO | |
| For the first time in my life, I am | |
| truly not alone. | |
| Quill suddenly looks sad. | |
| EGO | |
| What is it, son? | |
| QUILL | |
| My friends. | |
| EGO | |
| That’s the mortal in you, Peter. | |
| QUILL | |
| Yes. I don’t need that. | |
| EGO | |
| What are we? | |
| QUILL | |
| Forever. | |
| EGO | |
| What are they? | |
| QUILL | |
| Temporary. | |
| EGO | |
| You think you love them. But love | |
| is merely an evolutionary trick in | |
| the service of reproduction. We are | |
| beyond such things. | |
| QUILL | |
| 101. | |
| Yes. | |
| EGO | |
| Now - | |
| QUILL | |
| But my mother. | |
| Ego looks at him, questioningly. | |
| QUILL | |
| You said you loved my mother. | |
| EGO | |
| That I did. My river lily, who knew | |
| the words to every song that came | |
| on the radio. I returned to earth | |
| to see her three times. I knew if I | |
| came back a fourth, I’d never | |
| leave. | |
| EGO | |
| The expansion, the reason for my | |
| very existence would be over. So I | |
| did what I had to do. But it broke | |
| my heart to put that tumor in her | |
| head. | |
| QUILL | |
| Wh- what? | |
| ZOLLY IN ON QUILL as the cosmos disappear from his eyes. | |
| Tears stream down his face. | |
| EGO | |
| I know that sounds bad - | |
| QUILL PULLS OUT HIS PISTOLS AND FIRES; THE BLAST TEARS | |
| THROUGH EGO, DISPERSING the MOLECULES forming his body. | |
| Quill SHOOTS at him AGAIN and AGAIN and AGAIN. The flesh | |
| disappears from Ego like bites from a cookie, exposing the | |
| angry alien skeletal form beneath. | |
| But, as the charge on Peter’s blasters wears out, Ego just | |
| looks at him, and, although he’s filled with holes, he’s | |
| merely disappointed. | |
| EGO | |
| Who in the hell do you think you | |
| are? | |
| 102. | |
| QUILL | |
| You killed my mother! | |
| EGO TRANSFORMS into DAVID HASSELHOFF. | |
| EGO | |
| I tried so hard to find the form | |
| that best suited you, and this is | |
| the thanks I get? | |
| And then, once again, BECOMES HIS USUAL FORM. | |
| EGO | |
| You really need to grow up. | |
| A SPIKY COSMIC LIGHT-PROPELLED TENDRIL SHOOTS UP from the | |
| floor behind Quill, and JUTS into Quill’s body. | |
| Quill is THRUST INTO THE AIR. He opens his mouth to SCREAM | |
| and WHITE LIGHT EMITS. | |
| EGO | |
| I wanted to do this together! But I | |
| suppose you’ll have to learn by | |
| spending the next thousand years as | |
| a battery, ‘Star-Lord’. | |
| 148 INT. DRAX’S SLEEPING QUARTERS - NIGHT 148 | |
| THROUGH THE WINDOW to the PALACE - PAN TO Gamora watching | |
| as her TRANSMITTER - the one she was trying to contact | |
| Rocket on - BEEPS. She answers. | |
| GAMORA | |
| Rocket?! | |
| Gamora follows Drax, Nebula, and a confused Mantis as they | |
| move out. | |
| 149 INT. LASER DRILL - OUTER SPACE 149 | |
| Rocket, Yondu, and Groot are CRAWLING into a huge LASER | |
| DRILL. | |
| ROCKET | |
| Keep that transmitter nearby so I | |
| can find you. We’re in an old piece | |
| of construction equipment Yondu | |
| once used to slice open the Bank of | |
| A’askavaria. | |
| 103. | |
| GAMORA (O.S.) | |
| Ego’s unhinged - | |
| ROCKET | |
| I know. Get ready. | |
| YONDU | |
| Drop it, Kraglin! | |
| 150 INT. QUADRANT FLIGHT DECK - OUTER SPACE 150 | |
| Kraglin YANKS a lever. | |
| 151 I/E. LASER DRILL - OUTER SPACE 151 | |
| An ugly, bulbous and uneven craft PLOPS from the Quadrant, | |
| and heads toward Ego’s surface. | |
| ROCKET | |
| I got a plan. | |
| YONDU | |
| What is it? | |
| ROCKET | |
| It’s pretty simple. | |
| 152 INT. PALACE - NIGHT 152 | |
| Ego walks calmly up beside the trapped Quill. He snatches | |
| the Walkman off of him. He stares at it. Quill can barely | |
| speak. | |
| QUILL | |
| NO. | |
| EGO PRESSES PLAY. A distorted version of “Brandy” plays. He | |
| stares at it - perhaps he’s feeling wistful sadness, or | |
| perhaps nothing at all. | |
| ‘Brandy, you’re a fine girl. What a good wife you would | |
| be.’ | |
| EGO | |
| ‘My life, my love, my lady is the | |
| sea’? Peter, THIS IS THE SEA. | |
| EGO CRUSHES THE WALKMAN IN HIS GRIP as Quill watches | |
| helplessly. | |
| 104. | |
| The POWER SURGES from Quill through the TENTACLE and | |
| throughout the entire PALACE -- | |
| 153 EXT. PALACE - NIGHT 153 | |
| As Gamora, Mantis, Drax, and Nebula run toward the Palace | |
| it BURSTS WITH COSMIC LIGHT, so brightly they have to | |
| protect their eyes. | |
| 154 INT. PALACE - NIGHT 154 | |
| EGO basks in the power and we TRAVEL down his legs -- | |
| 155 INT. RED PLANET/SELF CHAMBER - NIGHT 155 | |
| We FOLLOW THE ENERGY THROUGH THE SURFACE OF THE PLANET -- | |
| 156 THROUGH THE TWISTING VEINS OF LIGHT BENEATH -- 156 | |
| And INTO an ENORMOUS, METAL ORB, the SELF CHAMBER, which | |
| EXPLODES WITH LIGHT. | |
| Boom. | |
| 157 EARTH - EXT. WOODS BEHIND DAIRY QUEEN - MOMENTS LATER 157 | |
| We PUSH INTO the small plant - now a bit larger - that Ego | |
| planted at the very beginning of the film. | |
| It LIGHTS UP and GROWS, INSTANTLY BURSTING UPWARDS - | |
| 158 EARTH - EXT. DQ - MOMENTS LATER 158 | |
| The PLANT BURSTS UP BEHIND the Dairy Queen (now a modern | |
| DQ), a huge ORGANIC, BLOB-LIKE MASS OF LIGHT that comes | |
| down instantly on the building, CRUSHING it and everyone | |
| inside -- | |
| AND CONTINUING TO SPILL FORWARD, SPREADING. | |
| 159 INT. PALACE - NIGHT 159 | |
| EGO SUMMONS all his energy, when, SUDDENLY, a DOOR beside | |
| him SMASHES APART. | |
| 105. | |
| Drax has kicked through it and Gamora, Nebula and Mantis | |
| are with him. Ego turns to see them, then hears a RUMBLING | |
| above him. | |
| He turns to look at a window on the palace wall behind him. | |
| AND THE GIANT LASER DRILL COMES SMASHING THROUGH THE PALACE | |
| WALL. | |
| YONDU | |
| Hey there, Jackass. | |
| Ego looks surprised. | |
| The LASER DRILL lands on Ego, SQUASHING HIM. | |
| The tendril retracts from Quill as he falls and heaves for | |
| breath. | |
| 160 EARTH - EXT. STREET - DAY 160 | |
| The cosmic plant, barreling down the street, suddenly | |
| STOPS. | |
| 161 INT. PALACE/LASER DRILL - SUNRISE 161 | |
| Drax, Gamora, Nebula, and Mantis rush into the crumbling | |
| palace. | |
| The door on the side of the Laser Drill SLIDES OPEN. Baby | |
| Groot is standing there, smiling, and waving. | |
| DRAX | |
| Out of the way, dumber, smaller | |
| Groot. | |
| As Drax crawls in, Groot starts PUNCHING Drax as hard as he | |
| can. Probably because he called him dumb, but who’s to say. | |
| Gamora helps up Quill. | |
| GAMORA | |
| I told you something didn’t feel | |
| right. | |
| QUILL | |
| ‘I told you so.’ That’s really what | |
| I need right now. | |
| GAMORA | |
| 106. | |
| I came back, didn’t I? | |
| QUILL | |
| Because there’s an unspoken thing. | |
| GAMORA | |
| There is no unspoken thing. | |
| 162 INT. LASER DRILL - NIGHT 162 | |
| Drax, Mantis, Gamora, and Quill step inside the door. | |
| DRAX | |
| What are you doing? You could have | |
| killed us all crashing in here like | |
| that! | |
| ROCKET | |
| Uh, ‘Thank you, Rocket’? | |
| DRAX | |
| We had it under control. | |
| MANTIS | |
| We did not. That is only an | |
| extension of his true self. He will | |
| be back soon. | |
| QUILL | |
| (re: Nebula) | |
| What’s Smurfette doing here!? | |
| NEBULA | |
| Back rubs, dishes, killing gods, | |
| whatever I need to do to get a damn | |
| ride home. | |
| ROCKET | |
| She tried to murder me! | |
| NEBULA | |
| I saved you, you stupid fox. | |
| GAMORA | |
| He’s not a fox. | |
| GROOT | |
| I am Groot. | |
| ROCKET | |
| I’m not a raboon either! | |
| 107. | |
| GROOT | |
| I am Groot. | |
| ROCKET | |
| ‘Raccoon,’ whatever! | |
| Drax looks out the window. | |
| 163 INT. PALACE - NIGHT 163 | |
| TENTACLE-LIKE STRANDS BURST UP through the palace flooring | |
| all around the drill. | |
| 164 INT. PALACE - NIGHT 164 | |
| Drax turns to the others. | |
| DRAX | |
| How do we kill a Celestial? | |
| QUILL | |
| There’s the center to him - his | |
| brain, his soul, whatever it is, in | |
| some sort of shell -- | |
| MANTIS | |
| It’s in the caverns below the | |
| surface. | |
| Quill climbs up the ladder to see - | |
| QUILL | |
| YONDU? | |
| Nebula looks at Gamora. | |
| NEBULA | |
| If he’s got that fin back, I am so | |
| screwed. | |
| 165 I/E. PALACE - SUNRISE 165 | |
| Yondu THRUSTS the ship upward for takeoff. But TENTACLES | |
| wrap around the ship -- | |
| And YANK IT BACK DOWN into the floor, destroying the | |
| foundation of the palce. | |
| THE ENTIRE PALACE SLOPES. | |
| 108. | |
| 166 INT. LASER DRILL - SUNRISE 166 | |
| Everyone FALLS forward. | |
| YONDU | |
| Thrusters are out! | |
| Quill starts rewiring the mechanics. | |
| QUILL | |
| I guess I should be glad I was a | |
| skinny kid. Otherwise you would | |
| have delivered me to this maniac! | |
| YONDU | |
| You still reckon that’s the reason | |
| I kept you around, you idiot?! | |
| QUILL | |
| That’s what you told me, you old | |
| doofus! | |
| YONDU | |
| Once I figured out what happened to | |
| them other kids, I wasn’t gonna | |
| just hand you over. | |
| QUILL | |
| You said you were gonna eat me! | |
| YONDU | |
| That was being funny! | |
| QUILL | |
| Not to me!! | |
| ROCKET | |
| You people have issues. | |
| Quill sees THROUGH THE WINDSHIELD where EGO’S CREEPY | |
| SKELETAL is GROWING IN FRONT OF THEM. | |
| QUILL | |
| Of course I have issues that’s my | |
| fricking father!!... Thrusters are | |
| back up. | |
| Quill thrusts the ship FORWARD instead of up. | |
| It CRASHES through Ego and DOWN THE SLOPING FLOOR -- | |
| And OUT THROUGH the giant pane of glass at the end. | |
| 109. | |
| 167 I/E. LASER DRILL/CRACK IN THE PLANET - SUNRISE 167 | |
| Everyone holds on in what’s essentially the worst roller | |
| coaster drop ever. | |
| YONDU | |
| We should be going up! | |
| QUILL | |
| We can’t. Ego wants to eradicate | |
| the universe as we know it. We have | |
| to kill him. | |
| They PLUMMET toward a fissure in the earth below. It’s too | |
| small for the ship. | |
| QUILL | |
| Rocket! | |
| ROCKET | |
| Got it. | |
| Rocket BLASTS the lasers perfectly, CHIPPING AWAY PIECES of | |
| rock, forming an opening in the crack. | |
| They SMASH into the opening, barely fitting, leading down | |
| into the planet. | |
| Quill flies perfectly, TWISTING through tunnels and around | |
| corners. | |
| Rocket mans the lasers, BLASTING PIECES OUT OF PLACE just | |
| in time so they can SCRAPE through. | |
| ROCKET | |
| So, we’re saving the galaxy again? | |
| QUILL | |
| I guess. | |
| ROCKET | |
| Awesome. We’ll really be able to | |
| jack up our prices if we’re two- | |
| time-galaxy savers. | |
| QUILL | |
| I seriously can’t believe that is | |
| where your mind goes. | |
| ROCKET | |
| It was just a random thought, man! | |
| I thought we were friends! | |
| 110. | |
| ROCKET | |
| Of course I care about the planets, | |
| and the buildings, and all of the | |
| animals on the planets. | |
| QUILL | |
| And the people. | |
| ROCKET | |
| Meh. | |
| Mantis GIGGLES. | |
| MANTIS | |
| The crabby puppy is so cute he | |
| makes me want to die! | |
| DRAX | |
| Your suicidal thoughts sadden me, | |
| but your wish will likely come | |
| true. | |
| 168 I/E. QUADRANT FLIGHT DECK - OUTER SPACE 168 | |
| MEANWHILE, Kraglin is mellowly hanging out, eating some | |
| soup and listening to “WHAM BAM” BY SILVER as he sees | |
| something out in the distance of space. He looks a bit | |
| closer. | |
| SOVEREIGN OMNICRAFT ARE POPPING THROUGH JUMP POINTS ABOVE | |
| EGO’S PLANET. | |
| 169 EXT. AYESHA’S SPACECRAFT - OUTER SPACE 169 | |
| AYESHA is remotely piloting one of the ships. She looks | |
| determined and angry on the vid-screen. | |
| And, one by one, Sovereign OMNICRAFT POP IN all around her, | |
| until there is a large fleet. | |
| 170 INT. SOVEREIGN PILOT BAY - DAY 170 | |
| Ayesha, in full pilot gear, yells into her comm. | |
| AYESHA | |
| Pilots, release envoy units! | |
| 171 EXT. AYESHA’S SPACECRAFT - OUTER SPACE 171 | |
| 111. | |
| Smaller, more nimble robotic ENVOYS, like big pods with | |
| blasters for arms - detach from the front of every | |
| Omnicraft. | |
| AYESHA | |
| Our sensors detect the batteries | |
| are below the surface of the | |
| planet. | |
| 172 INT. SOVEREIGN PILOT BAY - DAY 172 | |
| AYESHA | |
| Dive! | |
| OVERHEAD SHOT: On the screens in all the pods, the envoys | |
| DIVE toward the planet from slightly different directions. | |
| 173 I/E. QUADRANT FLIGHT DECK - OUTER SPACE 173 | |
| Kraglin, in shock, watches the massive fleet of envoys | |
| diving downward. He grabs the comm. | |
| KRAGLIN | |
| Uhh... Cap’n? | |
| No answer. | |
| KRAGLIN | |
| Cap’n? | |
| 174 INT. LASER DRILL/CRACK IN THE PLANET - SUNRISE 174 | |
| Yondu doesn’t hear the CRACKLING SPEAKER beside him as they | |
| maneuver down through the fissure. Quill eyes him. | |
| YONDU | |
| So why’d Ego want you here? | |
| QUILL | |
| He needs my genetic connection to | |
| the light to help destroy the | |
| universe. He tried to teach me how | |
| to control the power. | |
| YONDU | |
| So could you? | |
| QUILL | |
| A little. I made a ball. | |
| 112. | |
| YONDU | |
| A ball? | |
| QUILL | |
| I thought as hard as a could, | |
| that’s all I could come up with. | |
| YONDU | |
| You ‘thought’? | |
| Quill nods. | |
| YONDU | |
| You think when I make this arrow | |
| fly I use my head? | |
| QUILL | |
| What do you use? | |
| They look at each other instead of where they’re going, and | |
| the CRASH into an overhanging piece of rock. | |
| The entire side door is RIPPED OFF. | |
| As the SCREECH through a smaller space and into -- | |
| 175 INT. PLANET’S HOLLOW/LASER DRILL - DAY 175 | |
| The Laser Drill DROPS into this enormous open space within | |
| the planet. | |
| The Guardians gather on the side of the ship open to the | |
| hollow, gazing out at its stunning beauty, lit by Ego’s | |
| white glow running throughout it. | |
| GAMORA | |
| Whoa. | |
| Mantis turns, looking through the portholes on the other | |
| side. | |
| MANTIS | |
| There! Thats Ego’s core. | |
| Mantis points at the Self Chamber, down below them. They | |
| twist down towards it. | |
| GAMORA | |
| That ore’s thick. Rocket, we’re | |
| gonna need to use the big laser. | |
| 113. | |
| Rocket nods, FLICKS switches. | |
| All the small lasers on the sides move through grooves to | |
| combine into one huge laser in the center of the ship: the | |
| MEGA-LASER. | |
| MANTIS | |
| We must hurry. It will not take Ego | |
| long to find us. | |
| ROCKET | |
| Keep it still! | |
| Quill steadies the craft as best he can beside the Self | |
| Chamber. But it’s an unwieldy beast, built for power, not | |
| precision. | |
| Rocket powers up the mega-laser and holds tight to the | |
| SHUDDERING CONTROLS as it DRILLS, BURNING a HOLE into the | |
| protective sheathe. It melts and drips down. | |
| QUILL | |
| We drill into the center, we kill | |
| him. | |
| Quill holds tight to the steering wheel. Yondu notices the | |
| BLINKING LIGHT on the comm. He taps it. | |
| YONDU | |
| What is it, Kraglin? | |
| KRAGLIN (O.S.) | |
| Um, remember that Ayesha chick? | |
| YONDU | |
| Yeah, why? | |
| Yondu looks out the window where AYESHA’S SQUADRON is | |
| SWOOPING OUT OF the cracks in the ceiling all around them. | |
| YONDU | |
| Aw, hell. | |
| Quill PULLS AWAY from the envoys. | |
| But the Sovereign envoys start BLASTING AT THE CRAFT all at | |
| once; the LASER LOSES POWER and the VEHICLE TURNS SIDEWAYS | |
| - | |
| Drax, Mantis, and Gamora GO TUMBLING from the hole in the | |
| side. Nebula and Groot grab onto the floor. | |
| 114. | |
| 176 INT. BELOW SELF CHAMBER - DAY 176 | |
| Gamora, Drax, and Mantis FALL from an incredible height. | |
| They LAND - ONE, TWO, THREE - WITH APLOMB. | |
| Gamora looks up and sees the Laser Drill CURL behind the | |
| Self Chamber as it tries to avoid the envoys’ BLASTERS. | |
| 177 INT. SELF CHAMBER/LASER DRILL - DAY 177 | |
| Nebula and Groot settle as the ship rights itself and | |
| BLASTS PIERCE the ship around them. | |
| Quill peers down at Rocket, who has jumped out of his seat | |
| and is pouring out the contents of his satchel. | |
| QUILL | |
| Why aren’t you firing the laser?! | |
| ROCKET | |
| They blew out the generator! I | |
| think I packed a small detonator. | |
| NEBULA | |
| A detonator is worthless without | |
| explosives! | |
| ROCKET | |
| We got these! | |
| Rocket shows Nebula the Anulax batteries. | |
| Quill leaves the controls to Yondu as he CLIMBS down beside | |
| Rocket, now messing with wiring on his BOMB. | |
| QUILL | |
| Is it strong enough to kill Ego? | |
| ROCKET | |
| If it is, it will cause a chain | |
| reaction throughout his entire | |
| nervous system. | |
| QUILL | |
| Meaning what? | |
| ROCKET | |
| The entire planet will explode. | |
| We’ll have to get out of here fast. | |
| I rigged a timer. | |
| 115. | |
| Rocket stuffs the bomb back in his satchel. Groot climbs on | |
| his back. | |
| Rocket and Quill slap on their AERO RIGS. | |
| QUILL | |
| Go! | |
| The run and jump out of the laser drill, FLYING ON THEIR | |
| AERO RIGS, avoiding the GUNFIRE. | |
| The ZOOM towards the blast hole on the side of the self | |
| chamber. | |
| 178 INT. OPENING OF BLAST HOLE - DAY 178 | |
| Rocket and Quill land here, messily, TUMBLING. | |
| 179 INT. BELOW SELF CHAMBER - DAY 179 | |
| Mantis is worried about something else entirely; the entire | |
| chasm begins TREMBLING and the walls start to MUTATE. | |
| MANTIS | |
| He’s coming. | |
| DRAX | |
| Didn’t you say you could make him | |
| sleep? | |
| MANTIS | |
| When he wants! He’s too powerful! I | |
| can’t! | |
| DRAX | |
| You don’t have to believe in | |
| yourself because I believe in you. | |
| They look ahead. They see, on the enormous wall in front of | |
| them, the LIGHT-FORM of a giant EGO SCREAMING ANGRILY. | |
| His SCREAM becomes a TUNNEL OF ROCKS RUSHING TOWARDS THEM | |
| like a train. | |
| Mantis sees a nerve bundle on the ground coming from Ego’s | |
| Core. Although afraid, she grabs it. | |
| MANTIS | |
| SLEEP! | |
| 116. | |
| She SCREAMS with effort and some pain as energy travels | |
| through the bundle and into the core, where it darkens. | |
| The LIGHT LEAVES THE ROCK FORMATION and it SLAMS into the | |
| ground in front of them, SPLASHING DIRT OVER THEM. | |
| But they are safe, shivering. Drax and Gamora look at each | |
| other. | |
| DRAX | |
| I never thought she’d be able to do | |
| it. With as skinny and weak as she | |
| appears to be. | |
| Mantis’s arm is TREMBLING. | |
| MANTIS | |
| I don’t know how long I can hold | |
| him! | |
| GAMORA | |
| You need to, girl. If you don’t | |
| keep Ego at bay, we all die. | |
| 180 INT. OPENING OF BLAST HOLE - DAY 180 | |
| Rocket shines a powerful PEN-LIGHT inside the cavity, | |
| exposing the interior, spattered with Swiss-cheese-like | |
| holes glowing with light. | |
| ROCKET | |
| The metal is too thick! For the | |
| bomb to work we’d actually need to | |
| place it on Ego’s core. And our fat | |
| butts ain’t gonna fit through those | |
| tiny holes. | |
| QUILL | |
| Well... | |
| Quill slowly eyes Groot, who is playing with a leaf on his | |
| arm and thinking about something else entirely. | |
| ROCKET | |
| That’s a terrible idea. | |
| QUILL | |
| Which is the only kind of idea we | |
| got left. | |
| Rocket SIGHS. He puts Groot on his back and MOVES with | |
| Groot deeper into the blast hole, mumbling to himself: | |
| 117. | |
| ROCKET | |
| Unbelievable. ‘Rocket, do this. | |
| Rocket, do that.’ | |
| Quill turns toward the opening. PUSH UP AND IN ON QUILL. | |
| QUILL | |
| Uh, what a day. | |
| He jumps out into the fray. | |
| 181 INT. PLANET’S HOLLOW - DAY 181 | |
| Quill FLIES UP as a ship FLIES in toward him BLASTING, and | |
| he’s about to fire back. MAN VS. SPACESHIP. This is most | |
| likely the beginning of the biggest, baddest fight scene | |
| ever, but instead we CUT TO - | |
| 182 INT. INSIDE BLAST HOLE - DAY 182 | |
| Quiet. Blasts in the deep background. Rocket places a tiny | |
| bomb in front of Groot. It is a small, simple device with | |
| two switches and two buttons. He explains, very carefully: | |
| ROCKET | |
| All right. First you flick this | |
| switch, then this switch. That | |
| activates it. And then you push | |
| this button, which will give you | |
| five minutes to get out of there. | |
| Whatever you do don’t push this | |
| button, because that will set off | |
| the bomb immediately, and we’ll all | |
| be dead. Now repeat back what I | |
| just said. | |
| GROOT | |
| I am Groot. | |
| ROCKET | |
| Uh huh. | |
| GROOT | |
| I am Groot. | |
| ROCKET | |
| That’s right. | |
| GROOT | |
| I am Groot. | |
| 118. | |
| ROCKET | |
| No! That’s the button that will | |
| kill everyone! Try again. | |
| Groot thinks. | |
| GROOT | |
| I am Groot. | |
| Rocket nods. | |
| GROOT | |
| I am Groot. | |
| Rocket nods. | |
| GROOT | |
| I am Groot. | |
| ROCKET | |
| No! That’s exactly what you just | |
| said! How is that even possible?! | |
| Which button is the button you’re | |
| supposed to push?! Point to it. | |
| Groot thinks. And he points to the one that will kill | |
| everyone. | |
| ROCKET | |
| NO!!! | |
| QUILL (O.S.) | |
| Hey, you’re making him nervous! | |
| Rocket runs to see, at the end of the hole, a sliver of the | |
| outside as Quill peeks in while SHOOTING at envoys. | |
| ROCKET | |
| Shut up! And give me some tape! | |
| Does anyone have any tape out | |
| there!? I want to put some tape | |
| over the death button! | |
| QUILL | |
| I don’t have any tape. Let me | |
| check. | |
| Quill disappears from the hole. As Rocket waits, he hears, | |
| amongst the chaos, faintly - | |
| QUILL (O.S.) | |
| Yo, Yondu, do you have any - ow! - | |
| do you have any tape?! | |
| 119. | |
| O.S. GUN BLASTS. | |
| We hear VOICES GRUMBLING. | |
| Rocket and Groot look around, waiting. Rocket is impatient. | |
| He coughs. Groot is like a bored kid in a waiting room. He | |
| shifts around and plays with the wires on the bomb. | |
| Quill reappears outside the hole, SHOOTING an envoy. | |
| QUILL | |
| No one has any tape. | |
| ROCKET | |
| Not a single person has tape? | |
| QUILL | |
| You have priceless batteries and an | |
| atomic bomb in your bag! If anyone | |
| had tape it would be you! | |
| ROCKET | |
| That’s exactly my point! I have to | |
| do everything! | |
| QUILL | |
| Dude, you’re wasting time! | |
| Rocket turns back to Groot, who has already taken the bomb | |
| and is heading towards the hole. | |
| He makes a “WHEEEEEE” sound and smiles brightly as he HOPS | |
| into the hole and SLIDES down as if on a water slide. | |
| Rocket, heavy-lidded, watches him go. | |
| ROCKET | |
| We’re all gonna die. | |
| 183 INT. PLANET'S HOLLOW/LASER DRILL - DAY 183 | |
| Yondu and Nebula, in the cockpit, are being overcome as | |
| blasts come through the walls. | |
| YONDU | |
| We’re done for without the | |
| generator. | |
| Nebula MOANS, frustrated. She flips open a section of the | |
| dashboard, then a part of her arm. | |
| 120. | |
| 184 INT. PLANET'S HOLLOW/LASER DRILL - DAY 184 | |
| The remaining Sovereign envoys have ENCIRCLED the battered | |
| Laser Drill, BLASTING IT TO BITS. | |
| Quill FLIES into the Laser Drill, SLAMMING into the wall. | |
| AYESHA (ON SHIP) | |
| Guardians! Perhaps it will provide | |
| you solace that your deaths are not | |
| without purpose. | |
| Nebula is feeding the wires from the craft into her | |
| mechanical arm. | |
| 185 INT. SOVEREIGN PILOT BAY - DAY 185 | |
| The actual Ayesha, fitted with the pilot gear, looks at the | |
| Laser Drill on the screen. | |
| AYESHA | |
| They will serve as a warning to all | |
| of those tempted with betraying us; | |
| don’t screw with the Sovereign. | |
| 186 INT. PLANET'S HOLLOW/LASER DRILL - DAY 186 | |
| Yondu works some switches: The LASERS slide back into the | |
| slots all over the ship. | |
| YONDU | |
| This is gonna hurt. | |
| NEBULA | |
| Promises, promises. | |
| Yondu flips ALL the switches; ALL THE POWER RUNS PAINFULLY | |
| OUT OF NEBULA’S BODY INTO THE VEHICLE -- | |
| AND THE LASERS BEAM OUT OF THE SHIP IN ALL DIRECTIONS AT | |
| ONCE, like a dangerous disco ball, slicing through almost | |
| nearly every single ENVOY. | |
| 187 INT. BELOW SELF CHAMBER - DAY 187 | |
| A BEAM ALMOST HITS Drax, but he LEAPS out of the way. Smoke | |
| rises from a hole in the ground between him and Mantis. | |
| DRAX | |
| Hey! | |
| 121. | |
| 188 INT. PLANET'S HOLLOW/LASER DRILL - DAY 188 | |
| With flair, Yondu spins the pilot’s wheel, so that the | |
| whole rig REVOLVES. | |
| Ayesha looks on, in horror as the BEAMS SLICE THROUGH the | |
| remaining CRAFT - and one is COMING HER WAY. | |
| AYESHA (ON SHIP) | |
| NO!! | |
| AYESHA’S ENVOY IS RIPPED APART. | |
| 189 INT. SOVEREIGN PILOT BAY - DAY 189 | |
| Ayesha SITS BACK. She looks around her at the other pods: | |
| all of them are down. | |
| AYESHA | |
| NO! NOOOOO!! | |
| 190 INT. PLANET'S HOLLOW/LASER DRILL - DAY 190 | |
| Quill sees FLAMING CHUNKS FLY into the rig... | |
| And FIRE SPILLING toward the ship’s engine, dripping fuel. | |
| QUILL | |
| We’re gonna blow! | |
| Yondu WHISTLES as the FLAMES HIT THE FUEL - | |
| 191 INT. BELOW SELF CHAMBER - DAY 191 | |
| Gamora watches as the ENTIRE LASER DRILL EXPLODES. She is | |
| stricken. | |
| GAMORA | |
| Peter? | |
| She sees a tiny body flying from the ship - it’s Nebula, | |
| who LANDS across from her on her feet. | |
| Gamora looks at her, worried. Nebula gives her what might | |
| be a little smile, and looks upward. Gamora follows her | |
| line of sight. | |
| 122. | |
| Quill is FLYING FROM THE EXPLOSION on his aero-rig. Yondu | |
| is holding onto a flying arrow: his one arm up straight, | |
| his heels touching. Quill looks at him and SNICKERS. | |
| YONDU | |
| What? | |
| QUILL | |
| You look like Mary Poppins. | |
| YONDU | |
| Is he cool? | |
| Quill looks at the man who raised him. He smiles. | |
| QUILL | |
| Yeah. He’s cool. | |
| Yondu looks out at the Guardians as he comes in for a | |
| landing. | |
| YONDU | |
| I’m Mary Poppins, y’all! | |
| Quill and Yondu LAND beside Nebula. Gamora sees Quill and | |
| MARCHES TOWARD HIM. | |
| The CAMERA CIRCLES GAMORA AND QUILL, FIERY SHIP FRAGMENTS | |
| RAINING DOWN AROUND THEM IN SLOW-MOTION, as if this is the | |
| greatest heavy metal video of all time. | |
| The other Guardians enter, one by one - Nebula, Drax, | |
| Yondu, Rocket FLYING DOWN on his aero-rig, and finally, | |
| Mantis, staring forward with concentration until -- | |
| A HUGE CHUNK OF SPACESHIP FLIES IN FROM THE SIDE, | |
| FLATTENING MANTIS. The others all look down at her in | |
| shock. | |
| QUILL | |
| Oh. Wow. | |
| Mantis, UNCONSCIOUS BENEATH a ship fragment, has lost hold | |
| of Ego. | |
| THE ENTIRE HOLLOW AROUND THEM BEGINS TO RUMBLE. THE GROUND | |
| AND WALLS THEMSELVES SHIFT and WAVER. | |
| The whole cavity is alive. Drax checks on Mantis. | |
| DRAX | |
| She’s just unconscious. | |
| 123. | |
| 192 INT. SELF CHAMBER TUNNELS - DAY 192 | |
| Groot RUNS and HOPS through the tunnels. He comes to a | |
| crossroads. | |
| He sees a COSMIC LIGHT emanating from one tunnel. He dashes | |
| off toward it. | |
| 193 INT. BELOW SELF CHAMBER - DAY 193 | |
| QUILL | |
| How long before the bomb goes off? | |
| ROCKET | |
| In the unlikely event Groot doesn’t | |
| kill us all, about six minutes. | |
| Yondu speaks into the comm on his lapel. | |
| YONDU | |
| Kraglin. | |
| 194 INT. QUADRANT FLIGHT DECK - DAY 194 | |
| Kraglin, NODDING OUT, abruptly wakes. | |
| YONDU (O.S.) | |
| We need the Quadrant for extraction | |
| in T-minus five minutes. | |
| KRAGLIN | |
| Aye, Cap’n! | |
| 195 EXT. BELOW SELF CHAMBER - DAY 195 | |
| Our heroes peer up to see the SURFACE OF THE PLANET | |
| UNFOLDING ABOVE THEM, so that THE BRIGHT SKY SHINES | |
| THROUGH. | |
| QUILL | |
| Someone needs to be up top when | |
| Kraglin arrives. Drax, take Mantis. | |
| Drax nods. He picks up Mantis. Quill grabs the aero-rig off | |
| himself and SLAPS it on Drax’s back, which AUTOMATICALLY | |
| WRAPS around his upper body. | |
| DRAX | |
| Ahhh! My nipples! | |
| 124. | |
| He FLIES UPWARD. | |
| The ground around them SPLITS INTO ENORMOUS CRACKS. Gamora | |
| sees a CRACK IN THE EARTH RUSHING TOWARD her and Quill, and | |
| she turns toward him. | |
| And Gamora’s side CRUMBLES AWAY, GAMORA FALLING DOWN with | |
| it. | |
| QUILL | |
| Gamora!! | |
| HUGE BURSTS OF EARTH SHOOT UP all around Drax, Yondu, | |
| Rocket, and Quill. | |
| The planet has formed GIANT TENTACLES THAT HURTLE towards | |
| our heroes. | |
| 196 EXT. LOWER RIFT - DAY 196 | |
| Gamora is PLUMMETING, seemingly to her death, when she | |
| looks over and sees Nebula FALLING just behind her. | |
| Nebula grabs Gamora’s arm and then grabs onto a passing | |
| cliff. | |
| They SNAP TO A STOP- OW! - hanging down off the side. | |
| Nebula tosses Gamora up onto a flat surface. | |
| As Nebula climbs up after her, Gamora looks at her, wary | |
| but surprised by this beneficence. | |
| NEBULA | |
| Oh, get over it. | |
| 197 EXT. BELOW SELF CHAMBER - DAY 197 | |
| Quill BLASTS a tentacle. | |
| Yondu WHISTLES, the ARROW WEAVING THROUGH TENTACLES around | |
| them. | |
| Rocket TOSSES a bunch of tiny bombs at some, which they | |
| stick to and EXPLODE. | |
| But they are by no means winning this fight. | |
| 198 EXT. PLANET SURFACE - DAY 198 | |
| 125. | |
| The giant Quadrant LOWERS toward the surface. | |
| 199 EXT. LOWER RIFT - DAY 199 | |
| Gamora looks at Nebula. | |
| GAMORA | |
| We have to get up to the extraction | |
| point! | |
| They look over the edge and see a huge RIFT OF LAND RISING | |
| QUICKLY. They look at each other and JUMP - | |
| They GRAB ONTO THE EDGE of the rising rift, CLUTCHING TO IT | |
| as it FLIES upward toward the open space above them. | |
| 200 EXT. PLANET SURFACE - DAY 200 | |
| Drax FLIES UP onto the surface; he sees the Quadrant | |
| waiting for him there. He DARTS for the ship. | |
| 201 INT. QUADRANT FLIGHT DECK - DAY 201 | |
| Kraglin opens the LOADING DOOR | |
| 202 EXT. PLANET SURFACE - DAY 202 | |
| But huge swatches of the planet reach up and GRAB onto the | |
| Quadrant, YANKING IT DOWN. | |
| 203 INT. QUADRANT FLIGHT DECK - DAY 203 | |
| Kraglin, freaking out, throws the thrusters into high gear. | |
| 204 I/E. PLANET SURFACE/QUADRANT LOADING BAY - DAY 204 | |
| The thrusters FLARE as the massive ship STRUGGLES to free | |
| itself from Ego’s tendrils. | |
| And it does PULL ITSELF UP for a moment, but the tendrils | |
| tighten, SLAMMING it back down. | |
| The whole Quadrant starts to TIP OVER. Kraglin falls down | |
| against the side of the ship. | |
| 126. | |
| Drax sees the ship FALLING TOWARDS HIM and he RUNS away | |
| from it in fear. | |
| But he arrives a the edge of a cliff. He crouches as the | |
| ship CONTINUES DOWN toward him, about to SQUASH both he and | |
| Mantis -- | |
| But Kraglin heroically CRAWLS his way back up to the | |
| controls as he dangles from them. He pushes on the | |
| thrusters, so that the ship goes back upright. | |
| Drax turns and again RUNS toward the Quadrant. | |
| 205 EXT. PLANET’S HOLLOW - DAY 205 | |
| Gamora and Nebula are still rising on the rift when they | |
| SLAM into a wall near the opening in the surface of the | |
| planet. | |
| 206 EXT. BELOW SELF CHAMBER - DAY 206 | |
| Quill turns and sees Ego, in his terrifying SKELETAL LIGHT | |
| FORM, STROLLING DOWN TOWARDS HIM as the land around him | |
| PARTS LIKE THE RED SEA. | |
| As Ego walks, THE DIRT AND MOLECULES AROUND EGO FORM ORGANS | |
| IN HIS BODY, piecing himself back together. | |
| Quill sees a tentacle SLAM Yondu to the ground and COVER | |
| HIS ENTIRE BODY. | |
| He turns to see Rocket HOLLERING as he FIRES at tentacles, | |
| but they OVERWHELM him. | |
| 207 EXT. PLANET SURFACE - DAY 207 | |
| The earth WRAPS AROUND Drax’s legs like quicksand, pulling | |
| him and Mantis down into it. | |
| 208 EXT. PLANET’S HOLLOW - DAY 208 | |
| Gamora and Nebula scramble, trying to CLIMB BACK UP, when | |
| TENDRILS WRAP AROUND THEM, stopping them from going | |
| further. | |
| 209 INT. SELF CHAMBER TUNNELS - DAY 209 | |
| 127. | |
| The walls are tightening around Groot. He grows his | |
| branches to try to stop them, but they aren’t working. | |
| He begins to CRY, like an actual baby, terrified, on the | |
| brink of suffocating. | |
| 210 EXT. BELOW SELF CHAMBER - DAY 210 | |
| Ego approaches his son. He is fully formed, and he is more | |
| truly “himself.” Alien. Dark eyes and pale skin. | |
| EGO | |
| I told you I don’t want to do this | |
| alone. | |
| 211 EXT. BELOW SELF CHAMBER - DAY 211 | |
| EGO | |
| You cannot deny the purpose the | |
| universe has bestowed upon you! | |
| And once again, the LIGHT TENDRILS STAB THROUGH QUILL’S | |
| BACK, thrusting him to his knees. | |
| Smaller light tendrils stab into his face and body. | |
| And we see the LIGHT being sucked out of Quill and up into | |
| the Self Chamber once more as it BURSTS WITH LIGHT. | |
| 212 EARTH - EXT. STREET - DAY 212 | |
| POLICE OFFICERS and bystanders are in the streets, snapping | |
| phone photos, etc, beside the HUGE, STILL SWATCH OF EGO’S | |
| LIFEFORM. | |
| OFFICER FITZGIBBON | |
| Please, everyone. Step back. I need | |
| you all to clear the - | |
| WEIRD OLD MAN | |
| What is that? | |
| The LIFEFORM ALIGHTS WITH ENERGY and MOVES again, SPILLING | |
| INCREDIBLY QUICKLY towards them. | |
| People abandon their cars in traffic as it RUNS OVER THEM. | |
| A WOMAN FALLS. People TRAMPLE around her. | |
| 128. | |
| But an old man’s hands reach in, helping her up. | |
| REVEAL GRANDPA QUILL, in his 70’s or 80’s now. | |
| GRANDPA QUILL | |
| Come on, ma’am. | |
| He HELPS the woman into an SUV. | |
| He SLAMS on the gas, SCREECHING AWAY from the enormous | |
| tidal wave of organic light. | |
| 213 XANDAR - I/E. STARBLASTER/CITY - DAY 213 | |
| EGO’S LIFEFORM smashes down the PARK WALLS and into the | |
| street. | |
| EGO | |
| (O.S) | |
| It doesn’t need to be like this | |
| Peter | |
| 214 EXT. BELOW SELF CHAMBER - DAY 214 | |
| Ego approaches his son. | |
| EGO | |
| Why are you destroying our chance?! | |
| 215 AAKON - EXT. AAKON CITY - NIGHT 215 | |
| AAKONS run from a giant wave behind them. | |
| EGO | |
| (O.S) | |
| Stop pretending you aren’t, what | |
| you are! | |
| 216 KREE HOMEWORLD - EXT. STEEP HILLSIDE - DAY 216 | |
| KREE MONKS run from the cosmic flesh as it pours down the | |
| hillside behind them. | |
| But it’s too fast, RUSHING OVER THEM. | |
| 217 PRIMITIVE PLANET - EXT. WETLANDS - DAY 217 | |
| 129. | |
| THOUSANDS OF ORLONI are darting in fear across this dusty | |
| desert, as it WASHES OVER them. | |
| EGO | |
| (O.S) | |
| One in billions.. | |
| 218 ARAGO-7 - EXT. STONY LANDSCAPE - DAY 218 | |
| THREE HURCTARIANS run, SCREAMING. | |
| EGO | |
| (O.S) | |
| Trillions, even more! | |
| 219 EASIK - EXT. FOREST - NIGHT 219 | |
| AN EASIK MOTHER clutches her BABY, covering it with her own | |
| body, as the spreading lifeform LOOMS UP behind her. | |
| She closes her eyes and waits for the worst. | |
| 220 EXT. BELOW SELF CHAMBER - DAY 220 | |
| Quill looks up at Ego, barely able to focus, as the | |
| molecules form skin over the muscle and skeleton and | |
| innards beneath. | |
| EGO | |
| What greater meaning could life | |
| possibly have to offer?! | |
| Yondu struggles beneath the tentacle beside Quill. | |
| YONDU | |
| I don’t use my head to fly the | |
| arrow, boy! I use my h - | |
| Quill hears this as the earth COVERS Yondu’s face. | |
| Quill LOOKS INWARD. And suddenly, everything becomes... | |
| QUIET. | |
| Tears come to Peter Quill’s eyes as he remember those | |
| around him and what they mean to him. And we see his | |
| MEMORIES. | |
| 130. | |
| - YOUNG PETER QUILL AND HIS MOTHER CUDDLED AND LISTENING TO | |
| MUSIC ON THE WALKMAN TOGETHER, EACH WITH ONE EAR PIECE. | |
| - QUILL AND DRAX LAUGHING HYSTERICALLY ON THE MILANO. | |
| - GAMORA AND PETER LOOKING INTO EACH OTHER’S EYES AND | |
| DANCING ON KNOWHERE. | |
| - QUILL AND ROCKET FLYING THROUGH THE SKY ON AERO-RIGS FOR | |
| THE FIRST TIME, SMILING AS THE AIR RUSHES THROUGH THEIR | |
| HAIR. BABY GROOT CLUTCHES HAPPILY ONTO QUILL’S BACK. | |
| - YONDU AND YOUNG QUILL IN THE FOREST. YONDU’S ARM IS ON | |
| PETER’S ARM AS HE TEACHES HIM HOW TO SHOOT. | |
| Quill looks back up at Ego as we HEAR the gentle chords of | |
| FLEETWOOD MAC’S “THE CHAIN” starts echoing throughout the | |
| hollow. | |
| He clutches his fist and we see the light growing within | |
| it. | |
| Bits of earth begin to ROLL UP AND SCRAMBLE AND SWIRL | |
| around Quill’s body, his arms, his legs, as if he’s pulling | |
| them towards himself with magnets. | |
| And Ego looks confused, as the GROUND QUAKES AROUND HIM. | |
| Quill glares at his father, his voice distorting with | |
| Celestial thunder. | |
| QUILL | |
| You shouldn’t have killed my mom | |
| and squished my walkman. | |
| Ahd a SOLID TORNADO OF EARTH PROPELS QUILL FORWARD. Ego | |
| tries to protect himself as Quill SLAMS into him, FLYING | |
| UPWARDS WITH HIM -- | |
| Quill raises his fist, NOW A GIANT CLUB. And he SMASHES | |
| Ego. | |
| As Ego loses his concentration -- | |
| 221 EXT. PLANET’S SURFACE - DAY 221 | |
| A pair of arms are protruding from the surface of the | |
| planet, still holding Mantis aloft. | |
| The earth falls away, and Drax, who was entirely covered, | |
| heaves for breath. | |
| 131. | |
| 222 EXT. CRACK IN PLANET - DAY 222 | |
| The TENDRILS FALL, freeing Gamora and Nebula as they GASP. | |
| 223 EXT. BELOW SELF CHAMBER - DAY 223 | |
| Yondu BREAKS THROUGH THE ROCKS around him, drawing in | |
| breath. | |
| The TENTACLES HOLDING ROCKET ALOFT CRUMBLE, and he looks | |
| around, confused. | |
| 224 EARTH - EXT. ST. CHARLES, MISSOURI - DAY 224 | |
| The WAVE PUSHES UP against the back of Grandpa Quill’s | |
| CAMARO and suddenly STOPS: | |
| the mountainous plant, a hundred stories high, is up | |
| against the back of the car. | |
| 225 EASIK - EXT. FOREST - NIGHT 225 | |
| The Easik Mother clutching her baby looks behind her; the | |
| wave has stopped. | |
| She clutches her baby to her chest, relieved. | |
| 226 INT. SELF CHAMBER TUNNELS - DAY 226 | |
| The tunnel around Groot SNAPS BACK to what it was. Once | |
| more he can see the light at the tunnel’s end, and one | |
| looks like a GIANT BRAIN composed of prismatic light. | |
| He RUNS forward. | |
| 227 INT. INSIDE BLAST HOLE - DAY 227 | |
| Rocket flies up and yells at Groot. | |
| ROCKET | |
| Groot! Groot, if you can can hear | |
| me, hurry up - I’m not sure how | |
| long Quill can keep him distracted! | |
| 228 INT. SELF CHAMBER CORE - DAY 228 | |
| 132. | |
| Groot ARRIVES at the end of the tunnel, and stops there. | |
| The center of the core holds a huge cosmic placenta, and, | |
| within that, EGO’S TRUE SELF, the COSMIC BRAIN. It ROILS | |
| FURIOUSLY, the reflection of its fight with Quill, | |
| thrashing around within this womb. | |
| Although afraid, Groot places the bomb on the placenta. | |
| Groot stares at both buttons, scared - he doesn’t know | |
| which one to pick. | |
| Groot makes a decision on which button to press. He goes to | |
| push the death button. | |
| Then his finger STOPS just millimeters from the button, | |
| TREMBLING. He thinks... | |
| And then changes the course of his finger, PUSHING THE | |
| CORRECT BUTTON. | |
| THE COUNTDOWN CLOCK COMMENCES. | |
| Baby Groot turns, terrified, and RUNS. | |
| 229 I/E. PLANET SURFACE/QUADRANT LOADING BAY - DAY 229 | |
| Drax moves with Mantis into the loading bay. He throws her | |
| down and climbs up a ladder. | |
| THE CAMERA SWINGS TO GAMORA AND NEBULA, climbing up to the | |
| surface in the dirt storm. | |
| 230 INT. PLANETS HOLLOW - DAY 230 | |
| Ego RISES on his own MOLECULAR TORNADO and STRIKES BACK at | |
| Quill. He YELLS as he SLAMS Quill against the wall, | |
| DRAGGING his face along the wall. | |
| He TOSSES Quill into a another wall. | |
| 231 EXT. BELOW SELF CHAMBER/PLANET’S HOLLOW - DAY 231 | |
| QUILL brings his ARM FILLED WITH LIGHT away from the wall, | |
| so that he causes a WAVE OF LIGHT AND ROCK around the | |
| interior of the hollow, FLYING TO EGO and knocking him | |
| aside. | |
| 133. | |
| Yondu protects his face as DIRT SWIRLS in the wake of the | |
| Quill/Ego battle. | |
| Rocket, carrying Groot, FLIES BACK DOWN beside him. | |
| ROCKET | |
| Yondu! We’re about to blow! | |
| YONDU | |
| Get to the ship. | |
| ROCKET | |
| Not without Quill. | |
| YONDU | |
| You gotta take care of the twig. | |
| ROCKET | |
| Not without you. | |
| YONDU | |
| I ain’t done nothing right my whole | |
| damn life, rat. You need to give me | |
| this. | |
| Rocket, hesitantly, nods. He grabs some things from his | |
| bag. | |
| He hands them to Yondu. | |
| ROCKET | |
| A space suit and an aero rig. I | |
| only have one of each. | |
| Yondu nods. Rocket nods too. | |
| Rocket starts to go, but STOPS and looks at Yondu. | |
| He wants to say something, but he doesn’t know what. Baby | |
| Groot does. | |
| GROOT | |
| I am Groot. | |
| YONDU | |
| What’s that? | |
| ROCKET | |
| He says welcome to the frickin’ | |
| Guardians of the Galaxy... only he | |
| didn’t use ‘frickin’. | |
| 134. | |
| YONDU | |
| Bye, twig. | |
| Groot waves. | |
| And Rocket FLIES UP toward the surface. Rocket mutters to | |
| Groot. | |
| ROCKET | |
| We’re gonna need to have a | |
| discussion about your language. | |
| 232 EXT. BELOW SELF CHAMBER/PLANET’S HOLLOW - DAY 232 | |
| Ego SLAMS Quill back against a wall. Ego pulls the huge | |
| rocks away from the wall, FLYING THEM TOWARDS HIM and | |
| BATTERING HIM THERE. | |
| Ego and Quill FLY TOWARDS each other. | |
| Ego uses the LIGHT TO BRING ROCKS TO HIS BODY, forming a | |
| giant AVATAR OF HIMSELF. | |
| Quill brings YELLOW ROCKS to his body, forming a GIANT PAC- | |
| MAN. | |
| Ego’s form flies into Pac-Man’s mouth, so hard there’s a | |
| SONIC BOOM. | |
| They fall, TUMBLING, still striking one another on the way | |
| down. | |
| They LAND HARD. | |
| 233 INT. SELF CHAMBER CORE - DAY 233 | |
| The timer counts down. A minute left. | |
| 234 I/E. PLANET SURFACE/QUADRANT LOADING BAY - DAY 234 | |
| Gamora and Nebula are caring for Mantis as Rocket and Groot | |
| ARRIVE. | |
| GAMORA | |
| Where’s Peter? | |
| Rocket doesn’t answer. Or he can’t answer. | |
| GAMORA | |
| 135. | |
| Rocket, where is he?! | |
| Rocket looks down at a timer in his hand. The time is | |
| almost there. | |
| GAMORA | |
| Rocket?! Rocket, look at me! Where | |
| is he?! | |
| Rocket just shakes his head a little. | |
| But Groot points sadly outside. | |
| GAMORA | |
| I’m not leaving without him. | |
| Gamora hardens. She stands and SNATCHES A RIFLE off the | |
| wall. | |
| She COCKS IT. | |
| She STARTS OUT the bay door -- | |
| When AN ELECTRICAL BLAST HITS HER from behind. | |
| She FALLS OVER, unconscious, REVEALING Rocket with his gun. | |
| ROCKET | |
| I’m sorry. I can only afford to | |
| lose one friend today. | |
| (into comm) | |
| Kraglin, GO! | |
| 235 INT. QUADRANT FLIGHT DECK - DAY 235 | |
| Drax looks uncertain as Kraglin presses thrust. | |
| DRAX | |
| Wait. Is Quill back? | |
| (into comm) | |
| Rocket, where’s Quill?! | |
| 236 I/E. PLANET SURFACE/QUADRANT LOADING BAY - DAY 236 | |
| Rocket looks sadly out the bay door as it CLOSES; Drax’s | |
| voice echoes on his comm. | |
| DRAX (O.S.) | |
| Where’s Quill?! WHERE’S QUILL?! | |
| 136. | |
| 237 EXT. BELOW SELF CHAMBER - DAY 237 | |
| Quill and Ego are exhausted, on their knees and leaning | |
| against one another like boxers after too many rounds. | |
| 238 INT. SELF CHAMBER CORE - DAY 238 | |
| The timer reads 00:26 seconds | |
| 239 EXT. BELOW SELF CHAMBER - DAY 239 | |
| Ego reaches for the core.. | |
| EGO | |
| No, we need to stop it! | |
| Quill throws him to the ground. But Ego comes back up, | |
| grasping his son’s jacket, pleading with him now. | |
| EGO | |
| Listen to me! You are a god! If you | |
| kill me, you’ll just be like | |
| everyone else! | |
| QUILL | |
| What’s so wrong with that? | |
| Ego looks at his son, scared. | |
| EGO | |
| NO - | |
| 240 INT. SELF CHAMBER CORE - DAY 240 | |
| The countdown reaches zero. The brain EXPLODES. | |
| 241 I/E. EGO’S NERVOUS SYSTEM - DAY 241 | |
| The explosion causes the life forces to BURST THROUGH THE | |
| ENTIRE PLANET. | |
| 242 EXT. BELOW SELF CHAMBER - DAY 242 | |
| Everything around Quill is EXPLODING. | |
| He looks down at his hands, where the glow FADES and | |
| DISAPPEARS. | |
| 137. | |
| He gazes up at the mammoth walls around him as they BLOW UP | |
| and COLLAPSE. | |
| He lowers at head, at peace with the death that’s coming, | |
| when, from the side, through the debris -- | |
| 243 YONDU IS FLYING TOWARDS HIM ON AN AERO-RIG. 243 | |
| Yondu GRABS him, almost a tackle, really, LIFTING HIM up | |
| and FLYING AWAY. | |
| 244 EXT. PLANET'S HOLLOW - DAY 244 | |
| As Yondu and Quill FLY UPWARD, the planet EXPLODES behind | |
| them, flames licking their heels, huge stretches of the | |
| planet caving in. | |
| 245 EXT. SKY - DAY 245 | |
| Yondu holds a surprised Quill as they SOAR up into the sky, | |
| YONDU | |
| He may have been your father, boy. | |
| But he wasn’t your daddy. | |
| QUILL | |
| What? | |
| YONDU | |
| I’m sorry I didn’t do it right. I’m | |
| damn lucky you’re my boy. | |
| Quill is touched. | |
| Yondu SLAPS the SPACESUIT disk onto Quill; THE SHIMMERY | |
| SHEATHE COVERS HIM. | |
| QUILL | |
| What? | |
| Yondu breathes out as completely as he can, emptying his | |
| lungs. And they EXIT THE PLANET’S ATMOSPHERE, bursting into | |
| - | |
| 246 EXT. SPACE - OUTER SPACE 246 | |
| Quill struggles to get free, but Yondu holds him there, | |
| trapping him, but it is also an embrace. The ENTIRE PLANET | |
| is COLLAPSING BEHIND THEM. | |
| 138. | |
| QUILL | |
| Yondu, you can’t! What are you | |
| doing? What are you doing?! | |
| Yondu’s jet pack expires its supply of fuel, and they STOP | |
| THERE, in space, FLOATING. | |
| Yondu’s grip weakens. Quill turns to face him. | |
| QUILL | |
| Yondu. Yondu, no! | |
| Yondu grabs his son’s face with both hands, looking and | |
| touching him with love. | |
| QUILL | |
| No. | |
| And Yondu’s FACE EXPANDS and his BODY GOES LIMP as he DIES | |
| there. And he starts to DRIFT AWAY. Quill grabs onto his | |
| shirt. He is CRYING. | |
| QUILL | |
| No! | |
| And, suddenly, behind Quill, Rocket and Drax PROPEL | |
| themselves toward him in aero-rigs, GRABBING him. | |
| FADE TO BLACK | |
| 247 INT. ECLECTOR CREMATORY - LATER 247 | |
| Yondu’s body lies on a plank here: Various colored cloths | |
| are laid in strips over his body and face, yaro lilies | |
| beneath him, red-fired pyres and Yondu’s toys all around. | |
| Rocket, Groot, Drax, Gamora, Mantis, and Kraglin surround | |
| the table. Quill is at the head. He has to say a few words. | |
| But it is not easy. | |
| QUILL | |
| The other day I told Gamora how I | |
| used to pretend my dad was David | |
| Hasselhoff. | |
| Rocket and Drax exchange a look. | |
| QUILL | |
| He’s a singer and actor from | |
| earth... a really famous guy. | |
| Drax nods. | |
| 139. | |
| QUILL | |
| And, you know, today it struck me. | |
| Yondu didn’t have a talking car, | |
| but he did have a flying arrow. And | |
| he didn’t have the voice of an | |
| angel, but he did have the whistle | |
| of one. And both David Hasselhoff | |
| and Yondu went on kickass | |
| adventures, and hooked up with hot | |
| women, and fought robots. So, the | |
| thing is, David Hasselhoff kinda | |
| did end up being my Dad after all, | |
| only he was Yondu. I had a pretty | |
| cool Dad. | |
| Quill starts to break down. | |
| QUILL | |
| And what I’m trying to say here is, | |
| that thing you’re searching for | |
| your whole life, sometimes it’s | |
| right there by your side all along | |
| and you don’t even know it. | |
| Gamora sees Nebula, watching from a darkened doorway, | |
| before she turns and walks away. She moves after her. | |
| Groot looks up at an upset Rocket. | |
| GROOT | |
| I am Groot? | |
| ROCKET | |
| Yeah. That’s the friend I was | |
| talking about. | |
| GROOT | |
| I am Groot. | |
| ROCKET | |
| He did call you ‘twig.’ | |
| 248 INT. QUADRANT SMALL HALLWAY - MOMENTS LATER 248 | |
| Gamora catches up to Nebula in the hall. | |
| GAMORA | |
| Nebula. | |
| Nebula turns toward her, but she doesn’t look her in the | |
| eye. | |
| 140. | |
| GAMORA | |
| I was just a child. Like you. I was | |
| concerned with staying alive until | |
| the next day - every day. And I | |
| never considered what Thanos was | |
| doing to you. I am sorry. | |
| Nebula nods. | |
| GAMORA | |
| I’m trying to make it right, | |
| everything I did. | |
| GAMORA | |
| There are little girls like you | |
| were - little boys - all over the | |
| universe - who are in danger. You | |
| can stay with us, and help them. | |
| NEBULA | |
| I’ll help them by killing Thanos. | |
| GAMORA | |
| I don’t know if that’s possible. | |
| Nebula shrugs: maybe. She turns to leave. But Gamora grabs | |
| her, perhaps too roughly. Nebula turns, ready to snap. | |
| And Gamora EMBRACES her. Nebula does not know how to react. | |
| GAMORA | |
| You’ll always be my sister. | |
| Tears well in Nebula’s eyes and, for just a moment, she | |
| embraces her sister back with one hand... | |
| Before pushing her away and leaving. | |
| 249 INT. ECLECTOR CREMATORY - MOMENTS LATER 249 | |
| The Guardians lift Yondu on the plank. A bulbous and rusty | |
| crematory is at the center of the room. It doesn’t burn | |
| with fire, but a SWIRLING, VIBRANT COSMIC ENERGY. | |
| They SLIDE YONDU IN as they watch with sadness and respect | |
| as his body is enveloped by the sparkling colors. Quill | |
| closes the door on the crematory. | |
| As Quill moves away, Kraglin approaches. | |
| KRAGLIN | |
| Pete. | |
| 141. | |
| Quill turns toward him. He’s holding something. | |
| KRAGLIN | |
| Cap’n found this for you in a | |
| junker shop. Said someday you’d | |
| come back to the fold. | |
| Kraglin puts an MP3 player in his hand. | |
| KRAGLIN | |
| It’s called a Zune - what everyone | |
| listens to on earth nowadays. It’s | |
| got three hundred songs. | |
| Quill nods, touched. | |
| QUILL | |
| Wait. | |
| Quill holds out Yondu’s arrow. Kraglin’s lip trembles. | |
| QUILL | |
| Rocket grabbed the pieces and | |
| reassembled them. I think Yondu | |
| would want you to have it. | |
| KRAGLIN | |
| Thank you... Cap’n. | |
| 250 EXT. QUADRANT - OUTER SPACE 250 | |
| Yondu’s SPARKLING ASHES ARE BLOWN OUT IN SPURTS FROM THE | |
| CREMATORY INTO SPACE. | |
| 251 INT. QUADRANT FLIGHT DECK - OUTER SPACE 251 | |
| Rocket, Drax, and Mantis are here, watching Yondu’s ashes | |
| in the vacuum of space, SWIRLING almost magically. | |
| 252 INT. CAPTAIN’S QUARTERS - OUTER SPACE 252 | |
| Quill sits down on the bed in Yondu’s quarters. He scrolls | |
| through selections on the Zune. | |
| He comes to “FATHER AND SON” by CAT STEVENS. | |
| He PRESSES PLAY. | |
| 142. | |
| He listens. As he does, Groot crawls up onto the bed, and | |
| then onto his lap. | |
| Quill offers him one of the ear buds. | |
| Groot holds it against his ear, amazed by the clarity of | |
| sound. Quill watches him, hearing the beauty of the song | |
| more through Groot’s face than the music itself. | |
| And they sit there together, listening to the music, a new | |
| father and son. | |
| 253 INT. M-SHIP - OUTER SPACE 253 | |
| Nebula FLIES AWAY, sad, perhaps regretful, but forcing her | |
| chin up to brace against what’s to come. | |
| 254 INT. QUADRANT SMALL HALLWAY - OUTER SPACE 254 | |
| Gamora watches, THROUGH A WINDOW, as Nebula leaves. | |
| 255 INT. QUADRANT FLIGHT DECK - OUTER SPACE 255 | |
| Rocket sees something by the ashes. His eyes alight. | |
| ROCKET | |
| They came. | |
| 256 INT. CAPTAIN’S QUARTERS - OUTER SPACE 256 | |
| Groot sees COLORFUL FLASHING LIGHTS out of the window. He | |
| pulls on Quill’s shirt to show him. | |
| They go to get a better view. | |
| 257 INT. QUADRANT FLIGHT DECK - OUTER SPACE 257 | |
| Drax and Rocket see Yondu’s COSMIC ASHES PULSING AND | |
| SWIRLING out in space as, one by one, enormous RAVAGER | |
| SHIPS arrive around them. | |
| They each FLASH SPECIFIC LIGHT SEQUENCES - and, with all | |
| the ships together - it looks like fireworks. | |
| DRAX | |
| What is it? | |
| 143. | |
| ROCKET | |
| I sent word to Yondu’s old Ravager | |
| buddies and told them what he did. | |
| Quill comes up behind them with Groot, just as Gamora | |
| enters. | |
| Quill smiles. | |
| QUILL | |
| It’s a Ravager funeral. | |
| 258 INT. HALLWAY - OUTER SPACE 258 | |
| Kraglin sees it from here. He SCREAMS with joy, and he | |
| slams his fist twice against his chest, a Ravager salute. | |
| 259 I/E. RAVAGER FLIGHT DECK 1 - OUTER SPACE 259 | |
| STAKAR and Martinex watch him there, moved. | |
| MARTINEX | |
| He didn’t let us down after all, | |
| Cap’n. | |
| STAKAR | |
| No, he did not, son. He did not. | |
| 260 I/E. RAVAGER FLIGHT DECK 2 - OUTER SPACE 260 | |
| CHARLIE-27, an enormous man, is wistful as he salutes. | |
| CHARLIE-27 | |
| Fare thee well, old friend. | |
| 261 I/E. RAVAGER FLIGHT DECK 3 - OUTER SPACE 261 | |
| ALETA is here, tears in her eyes, alcohol in her hand, an | |
| ALL-FEMALE RAVAGER CREW around her. | |
| ALETA | |
| See you in the stars, Yondu Udonta. | |
| 262 INT. QUADRANT FLIGHT DECK - OUTER SPACE 262 | |
| And the Guardians all watch, enchanted by the majesty. | |
| 144. | |
| ROCKET | |
| He didn’t chase ‘em away. | |
| QUILL | |
| No. | |
| ROCKET | |
| Even though he yelled at ‘em. | |
| Quill shakes his head. | |
| ROCKET | |
| And was always mean. | |
| Quill shakes his head. | |
| ROCKET | |
| And he stole batteries he didn’t | |
| need. | |
| Quill is surprised - what? And then he looks at Rocket, a | |
| little animal who doesn’t know the rules of how to be any | |
| more than a young boy whose tribe sold him into slavery. | |
| QUILL | |
| Of course not. | |
| Baby Groot is on Gamora’s shoulder. He reaches for Drax, | |
| who takes him. Baby Groot YAWNS and nuzzles into Drax’s | |
| shoulder, falling asleep. Drax lovingly pats his back. | |
| Gamora looks at Drax and Groot, and Rocket, and Mantis, | |
| taking it all in, this strange family of hers. She turns to | |
| Quill, staring at him with love. | |
| QUILL | |
| What? | |
| GAMORA | |
| It’s just some unspoken thing. | |
| Quill wraps his arm around her and she sinks into him. | |
| Mantis smiles and becomes teary and GASPS, overwhelmed, as | |
| she looks out the window. | |
| MANTIS | |
| It’s beautiful. | |
| DRAX | |
| It is. And so are you. | |
| (beat) | |
| On the inside. | |
| 145. | |
| They turn back to the window and they stand there together, | |
| our Guardians of the Galaxy, watching the Ravager funeral | |
| and the colorful dust of an old friend dance. | |
| And the shape of the dust seems to form something very | |
| close to an ARROW. | |
| Rocket sees this and he cries. | |
| THE END (NOT REALLY) | |
| RUN CREDITS. | |
| “SURRENDER” BY CHEAP TRICK PLAYS. | |
| 263 CREDIT BREAK 1 - INT. ECLECTOR HALLWAY - OUTER SPACE 263 | |
| SURRENDER is PLAYING HERE. Kraglin has had a version of | |
| Yondu’s fin implanted in his head. He looks nervously down | |
| at the arrow on the floor. | |
| He tries to WHISTLE. It just flips around like a dead fish. | |
| He WHISTLES again, and it FLIES UP, hitting a wall, and | |
| falls back down again. | |
| He WHISTLES again, and it ZIPS AWAY. We HEAR A SCREAM. | |
| Kraglin looks around the corner where Drax is sitting, the | |
| ARROW IMPALED in his chest, yelling in agony. | |
| Kraglin looks around, hoping no one saw him there, and he | |
| tries to slink away. | |
| MORE CREDITS as SURRENDER CHORUS KICKS IN: Mommy’s all | |
| right, Daddy’s all right, they just seem a little weird. | |
| 264 END CREDITS - INT. STAKAR’S SHIP - OUTER SPACE 264 | |
| Stakar looks sad, serious. | |
| STAKAR | |
| It’s a shame it takes a tragedy | |
| like losing Yondu to bring us all | |
| back together. But I think he’d be | |
| proud if he knew we were working as | |
| a team again. | |
| 146. | |
| Over Stakar we see this incredibly motley crew - MARTINEX, | |
| CHARLIE-27, ALETA, who is holding MAINFRAME (a robotic head | |
| in a cage), and the mouthless, wormlike KRUGARR, | |
| STAKAR | |
| What say we steal some shit? | |
| CHARLIE-27 | |
| In. | |
| MARTINEX | |
| Dope. | |
| MAINFRAME | |
| I MISSED you guys! | |
| Krugarr makes a hex symbol and TWO COLORFUL THUMBS-UP BURST | |
| in front of him. | |
| ALETA | |
| Hell. Yes. | |
| 265 END CREDITS - INT. BIRTHING PODS CHAMBER - DAY 265 | |
| Ayesha sits on a bench, brooding, disheveled and still | |
| furious. The Chambermaid cautiously approaches. | |
| CHAMBERMAID | |
| High Priestess, the Council is | |
| waiting. | |
| AYESHA | |
| They are perturbed I have wasted | |
| our resources. | |
| The Chambermaid smiles politely, nods slightly, agreeing in | |
| a circumspect manner. Ayesha stares across the way. | |
| AYESHA | |
| When they see what I have created | |
| here, their wrath will dissipate, | |
| though it will be some time. | |
| The Chambermaid looks where Ayesha is looking. | |
| CHAMBERMAID | |
| That is not just another birthing | |
| pod, ma’am? | |
| AYESHA | |
| 147. | |
| That, my child, is the next step in | |
| our evolution: more powerful, more | |
| beautiful, and more capable of | |
| destroying the Guardians of the | |
| Galaxy. | |
| A large, human-sized cocoon stands where Ayesha stares. | |
| AYESHA | |
| I think I shall call him... ‘Adam’. | |
| 266 BOX OVER CREDITS - INT. GROOT’S BEDROOM - OUTER SPACE 266 | |
| Quill is standing in the bedroom doorway, looking down. | |
| QUILL | |
| Dude, seriously, you got to clean | |
| up your room. It’s a complete mess. | |
| We REVEAL a gawky ADOLESCENT GROOT, hunched over, playing a | |
| video game, in this very messy room. | |
| ADOLESCENT GROOT | |
| I am Groot. | |
| QUILL | |
| I’m not boring, man. You’re boring. | |
| Once I got stuck on a planet where | |
| everyone was just lines and dots. I | |
| had to use geometry to get out of | |
| prison. Is that boring? | |
| Adolescent Groot shakes his head in disdain. | |
| QUILL | |
| You know what’s boring? Not doing | |
| the dishes. What’s boring is me | |
| tripping over your vines | |
| everywhere. | |
| Adolescent Groot SIGHS. | |
| QUILL | |
| Drax and I switched pants in the | |
| middle of that party last weekend. | |
| For no reason other than we’re | |
| awesome and very much not boring. | |
| Quill starts to walk away then comes back. | |
| QUILL | |
| 148. | |
| Once I got a venereal disease that | |
| made me float for three days... | |
| Don’t tell Gamora... it’s dormant, | |
| but... If that’s boring then, I | |
| guess I’m boring. | |
| He looks at him. | |
| QUILL | |
| I’m not boring. | |
| Groot ROLLS HIS EYES and makes an exasperated sound. | |
| QUILL | |
| What’s boring is when you roll your | |
| eyes like that at me and make an | |
| exasperated sound like I’m an old, | |
| boring, stupid idiot. | |
| Quill thinks. | |
| QUILL | |
| Now I know how Yondu felt. | |
| Quill begins to CRY. | |
| QUILL | |
| Yondu. | |
| CUT TO BLACK. | |
| THE END | |