| 1. | |
| TITLE CARD: | |
| "PART I | |
| AFRICA | |
| 3,000,000 YEARS AGO" | |
| VIEWS OF AFRICAN DRYLANDS β DROUGHT | |
| The remorseless drought had lasted now for ten million | |
| years, and would not end for another million. The reign of | |
| the terrible lizards had long since passed, but here on the | |
| continent which would one day be known as Africa, the | |
| battle for survival had reached a new climax of ferocity, | |
| and the victor was not yet in sight. In this dry and barren | |
| land, only the small or the swift or the fierce could | |
| flourish, or even hope to exist. | |
| 1 INT./EXT. CAVES β MOONWATCHER 1 | |
| The man-apes of the field had none of these attributes, and | |
| they were on the long, pathetic road to racial extinction. | |
| About twenty of them occupied a group of caves overlooking | |
| a small, parched valley, divided by a sluggish, brown | |
| stream. | |
| The tribe had always been hungry, and now it was starving. | |
| As the first dim glow of dawn creeps into the cave, | |
| Moonwatcher discovers that his father has died during the | |
| night. He did not know the Old One was his father, for such | |
| a relationship was beyond his understanding. but as he | |
| stands looking down at the emaciated body he feels | |
| something, something akin to sadness. Then he carries his | |
| dead father out of the cave, and leaves him for the hyenas. | |
| Among his kind, Moonwatcher is almost a giant. He is nearly | |
| five feet high, and though badly undernourished, weighs | |
| over a hundred pounds. His hairy, muscular body is quite | |
| man-like, and his head is already nearer man than ape. The | |
| forehead is low, and there are great ridges over the eye- | |
| sockets, yet he unmistakably holds in his genes the promise | |
| of humanity. As he looks out now upon the hostile world, | |
| there is already something in his gaze beyond the grasp of | |
| any ape. In those dark, deep-set eyes is a dawning | |
| awareness-the first intimations of an intelligence which | |
| would not fulfill itself for another two million years. | |
| 2 EXT. THE STREAM β THE OTHERS 2 | |
| 2. | |
| As the dawn sky brightens, Moonwatcher and his tribe reach | |
| the shallow stream. | |
| The Others are already there. They were there on the other | |
| side every day β that did not make it any less annoying. | |
| There are eighteen of them, and it is impossible to | |
| distinguish them from the members of Moonwatcher's own | |
| tribe. As they see him coming, the Others begin to angrily | |
| dance and shriek on their side of the stream, and his own | |
| people reply In kind. | |
| The confrontation lasts a few minutes β then the display | |
| dies out as quickly as it has begun, and everyone drinks | |
| his fill of the | |
| muddy water. Honor has been satisfied β each group has | |
| staked its claim to its own territory. | |
| 3 EXT. AFRICAN PLAIN β HERBIVORES 3 | |
| Moonwatcher and his companions search for berries, fruit | |
| and leaves, and fight off pangs of hunger, while all around | |
| them, competing with them for the same fodder, is a | |
| potential source of more food than they could ever hope to | |
| eat. Yet all the thousands of tons of meat roaming over the | |
| parched savanna and through the brush is not only beyond | |
| their reach; the idea of eating it is beyond their | |
| imagination. They are slowly starving to death in the midst | |
| of plenty. | |
| 4 EXT. PARCHED COUNTRYSIDE β THE LION 4 | |
| The tribe slowly wanders across the bare, flat countryside | |
| foraging for roots and occasional berries. | |
| Eight of them are irregularly strung out on the open plain, | |
| about fifty feet apart. | |
| The ground is flat for miles around. | |
| Suddenly, Moonwatcher becomes aware of a lion, stalking | |
| them about 300 yards away. | |
| Defenseless and with nowhere to hide, they scatter in all | |
| directions, but the lion brings one to the ground. | |
| 5 EXT. DEAD TREE β FINDS HONEY 5 | |
| 3. | |
| It had not been a good day, though as Moonwatcher had no | |
| real remembrance of the past he could not compare one day | |
| with another. | |
| But on the way back to the caves he finds a hive of bees in | |
| the stump of a dead tree, and so enjoys the finest delicacy | |
| his people could ever know. Of course, he also collects a | |
| good many stings, but he scarcely notices them. He is now | |
| as near to contentment as he is ever likely to be; for | |
| thought he is still hungry, he is not actually weak with | |
| hunger. That was the most that any hominid could hope for. | |
| 6 INT./EXT. CAVES β NIGHT TERRORS 6 | |
| Over the valley, a full moon rises, and a cold wind blows | |
| down from the distant mountains. It would be very cold | |
| tonight β but cold, like hunger, was not a matter for any | |
| real concern; it was merely part of the background of life. | |
| This Little Sun, that only shone at night and gave no | |
| warmth, was dangerous; there would be enemies abroad. | |
| Moonwatcher crawls out of the cave, clambers on to a large | |
| boulder besides the entrance, and squats there where he can | |
| survey the valley. If any hunting beast approached, he | |
| would have time to get back to the relative safety of the | |
| cave. | |
| Of all the creatures who had ever lived on Earth, | |
| Moonwatcher's race was the first to raise their eyes with | |
| interest to the Moon, and though he could not remember it, | |
| when he was young, Moonwatcher would reach out and try to | |
| touch its ghostly face. Now he new he would have to find a | |
| tree that was high enough. | |
| He stirs when shrieks and screams echo up the slope from | |
| one of the lower caves, and he does not need to hear the | |
| occasional growl of the lion to know what is happening. | |
| Down there in the darkness, old One-Eye and his family are | |
| dying, and the thought that he might help in some way never | |
| crosses Moonwatcher's mind. | |
| The harsh logic of survival rules out such fancies. Every | |
| cave is silent, lest it attract disaster. | |
| And in the caves, in tortured spells of fitful dozing and | |
| fearful waiting, were gathered the nightmares of | |
| generations yet to come. | |
| 7 EXT. THE STREAM β INVASION 7 | |
| 4. | |
| The Others are growing desperate; the forage on their side | |
| of the valley is almost exhausted. Perhaps they realize | |
| that Moonwatcher's tribe has lost three of its numbers | |
| during the night, for they choose this mourning to break | |
| the truce. When they meet at the river in the still, misty | |
| dawn, there is a deeper and more menacing note in their | |
| challenge. The noisy but usually harmless confrontation | |
| lasts only a few seconds before the invasion begins. | |
| In an uncertainly-moving horde, the Others cross the river, | |
| shirking threats and hunched for the attack. They are led | |
| by a big-toothed hominid of Moonwatcher's own size and age. | |
| Startled and frightened, the tribe retreats before the | |
| first advance, throwing nothing more substantial than | |
| imprecations at the invaders. Moonwatcher moves with them, | |
| his mind a mist of rage and confusion. To be driven from | |
| their own territory is a great badness, but to lose the | |
| river is death. He does not know what to do; it is a | |
| situation beyond his experience. | |
| Then he becomes dimly aware that the Others are slowing | |
| down, and advancing with obvious reluctance. The further | |
| they move from their own side, the more uncertain and | |
| unhappy they become. Only Big-Tooth still retains any of | |
| his original drive, and he is rapidly being separated from | |
| his followers. | |
| As he sees this, Moonwatcher's own morale immediately | |
| revives. He slows down his retreat, and begins to make | |
| reassuring noises to his companions. Novel sensations fill | |
| his dim mind β the first faint precursors of bravery and | |
| leadership. | |
| Before he realizes it, he is face to face with Big-Tooth, | |
| and the two tribes come to a halt many paces away. | |
| The disorganized and unscientific conflict could have ended | |
| quickly if either had used his fist as a club, but this | |
| innovation still lay hundreds of thousands of years in the | |
| future. | |
| Instead, the slowly weakening fighters claw and scratch and | |
| try to bite each other. | |
| Rolling over and over, they come to a patch of stony | |
| ground, and when they reach it Moonwatcher is on top. By | |
| chance, he chooses this moment to grab the hair on Big- | |
| Tooth's scalp, and bang his head on the ground. The | |
| resulting CRACK is so satisfactory, and produces such an | |
| immediate weakening in Big-Tooth's resistance, that he | |
| quickly repeats it. | |
| 5. | |
| Even when Big-Tooth ceases to move for some time, | |
| Moonwatcher keeps up the exhilarating game. | |
| With shrieks of panic, the Others retreat back, across the | |
| stream. | |
| The defenders cautiously pursue them as far as the water's | |
| edge. | |
| 8 EXT. CAVE β NEW SOUND 8 | |
| Dozing fitfully and weakened by his struggle, Moonwatcher | |
| is startled by a sound. | |
| He sits up in the fetid darkness of the cave, straining his | |
| senses out into the night, and fear creeps slowly into his | |
| soul. Never in his life β already twice as long as most | |
| members of his species could expect β has he heard a sound | |
| like this. The great cats approached in silence, and the | |
| only thing that betrayed them was a rare slide of earth, or | |
| the occasional cracking of a twig. Yet this is a continuing | |
| crunching noise that grows steadily louder. | |
| It seemed that some enormous beast was moving through the | |
| night, making no attempt at concealment, and ignoring all | |
| obstacles. | |
| And then there came a sound which Moonwatcher could not | |
| possibly have identified, for it had never been heard | |
| before in the history of this planet. | |
| 9 EXT. CAVE β NEW ROCK 9 | |
| Moonwatcher comes face to face with the New Rock when he | |
| leads the tribe down to the river in the first light of | |
| morning. He had almost forgotten the terror of the night, | |
| because nothing had happened after that initial noise, so | |
| he does not even associate this strange thing with danger | |
| or with fear. There is nothing in the least alarming about | |
| it. | |
| It is a cube about fifteen feet on a side, and it is made | |
| of some completely transparent material; indeed, it is not | |
| easy to see except when the light of the sun glints on its | |
| edges. There are no natural objects to which Moonwatcher | |
| can compare this apparition. Though he is wisely cautious | |
| of most new things, he does not hesitate to walk up to it. | |
| As nothing happens, he puts out his hand, and feels a warm, | |
| hard surface. | |
| 6. | |
| After several minutes of intense thought, he arrives at a | |
| brilliant explanation. It is a rock, of course, and it must | |
| have grown during the night. There are many plants that do | |
| this β white, pulpy things shaped like pebbles, that seem | |
| to shoot up in the hours of darkness. It is true that they | |
| are small and round, whereas this is large and square; but | |
| greater and later philosophers than Moonwatcher would be | |
| prepared to overlook equally striking exceptions to their | |
| laws. | |
| This really superb piece of abstract thinking leads | |
| Moonwatcher to a deduction which he immediately puts to the | |
| test. The white, round pebble-plants are very tasty (though | |
| there were a few that made one violently sick); perhaps | |
| this square one...? | |
| A few licks and attempted nibbles quickly disillusion him. | |
| There is no nourishment here; so like a sensible hominid, | |
| he continues on his way to the river and forgets all about | |
| the Cube. | |
| 10 EXT. CUBE β FIRST LESSON 10 | |
| They are still a hundred yards from the New Rock when the | |
| sound begins. | |
| It is quite soft, and it stops them in their tracks, so | |
| that they stand paralyzed on the trail with their jaws | |
| hanging. A simple, maddeningly repetitious rhythm pulses | |
| out of the crystal cube and hypnotizes all who come within | |
| its spell. For the first time β and the last, for two | |
| million year β the sound of drumming is heard in Africa. | |
| The throbbing grows louder, more insistent. Presently the | |
| hominids begin to move forward like sleep-walkers, towards | |
| the source of that magnetic sound. Sometimes they take | |
| little dancing steps, as their blood responds to the | |
| rhythms that their descendants will not create for ages | |
| yet. | |
| Totally entranced, they gather around the Cube, forgetting | |
| the hardships of the day, the perils of the approaching | |
| dusk, and the hunger in their bellies. | |
| Now, spinning wheels of light begin to merge, and the | |
| spokes fuse into luminous bars that slowly recede into the | |
| distance, rotating on their axes as they do; and the | |
| hominids watch, wide-eyed, mesmerized captives of the | |
| Crystal Cube. | |
| 7. | |
| Then by some magic β though it was no more magical than all | |
| that had gone on before β a perfectly normal scene appears. | |
| It is as if a cubical block had been carved out of the day | |
| and shifted into the night. Inside that block is a group of | |
| four hominids, who might have been members of Moonwatcher's | |
| own tribe, eating chunks of meat. The carcass of a wart-hog | |
| lies near them. | |
| This little family of male and female and two children is | |
| gorged and replete, with sleek and glossy pelts β and this | |
| was a condition of life that Moonwatcher had never | |
| imagined. From time to time they stir lazily, as they loll | |
| at ease near the entrance of their cave, apparently at | |
| peace with the world. The spectacle of domestic bliss | |
| merges into a totally different scene. | |
| The family is no longer reposing peacefully outside its | |
| cave; it is foraging, searching for food like any normal | |
| hominids. | |
| A small wart-hog ambles past the group of browsing | |
| humanoids without giving them more than a glance, for they | |
| had never been the slightest danger to its species. | |
| But that happy state of affairs is about to end. The big | |
| male suddenly bends down, picks up a heavy stone lying at | |
| his feet β | |
| and hurls it upon the unfortunate pig. The stone descends | |
| upon its skull, making exactly the same noise that | |
| Moonwatcher had produced in his now almost forgotten | |
| encounter with Big-Tooth. And the result, too, is much the | |
| same β the warthog gives one amazed, indignant squeal, and | |
| collapses in a motionless heap. | |
| Then the whole sequence begins again, but this time it | |
| unfolds itself with incredible slowness. Every detail of | |
| the movement can be followed; the stone arches leisurely | |
| through the air, the pig crumples up and sinks to the | |
| ground. There the scene freezes for long moments, the | |
| slayer standing motionless above the slain, the first of | |
| all weapons in his hand. | |
| The scene suddenly fades out. The cube is no more than a | |
| glimmering outline in the darkness; the hominids stir, as | |
| if awakening from a dream, realize where they are, and | |
| scuttle back to their caves. | |
| 8. | |
| They have no conscious memory of what they had seen; but | |
| that night, as he sits brooding at the entrance of his | |
| lair, his ears attuned to the noises of the world around | |
| him, Moonwatcher feels the first faint. twinges of a new | |
| and potent emotion β the urge to kill. He had taken his | |
| first step towards humanity. | |
| 11 EXT. CAVE AND PLAINS β UTOPIA 11 | |
| Babies were born and sometimes lived; feeble, toothless | |
| thirty-year-olds died; the lion took its toll in the night; | |
| the Others threatened daily across the river β and the | |
| tribe prospered. In the course of a single year, | |
| Moonwatcher and his companions had changed almost beyond | |
| recognition. | |
| They had become as plump as the family in the Cave, who no | |
| longer haunted their dreams. They had learned their lessons | |
| well; now they could handle all the stone tools and weapons | |
| that the Cube had revealed to them. | |
| They were no longer half-numbed with starvation, and they | |
| had time both for leisure and for the first rudiments of | |
| thought. Their new way of life was casually accepted, and | |
| they did not associate it in any way with the crystal cube | |
| still standing outside their cave. | |
| But no Utopia is perfect, and this one had two blemishes. | |
| The first was the marauding lion, whose passion for | |
| hominids seemed to have grown even stronger now that they | |
| were better nourished. The second was the tribe across the | |
| river; for somehow the Others had survived, and had | |
| stubbornly refused to die of starvation. | |
| 12 EXT. CAVES β KILLING THE LION 12 | |
| With the partly devoured carcass of a warthog laid out on | |
| the ground at the point. he hope the boulder would impact, | |
| Moonwatcher and three of his bravest companions wait for | |
| two consecutive nights. On the third the lion comes, | |
| betraying his presences by a small pebble slide. | |
| When they can here the lion below, softly tearing at the | |
| meat, they strain themselves against the massive boulder. | |
| The sound of the lion stops; he is listening. Again they | |
| silently heave against the enormous stone, exerting the | |
| final limits of their strength. | |
| The rock begin to tip to a new balance point.. | |
| 9. | |
| The lion twitches alert to this sound, but having no fear | |
| of these creatures, he makes the first of two mistakes | |
| which will cost him his life; he goes back to his meal. | |
| The rock moves slowly over the ledge, picking up speed with | |
| amazing suddenness. It strikes a projection in the cliff | |
| about fifteen feet above the ground, which deflects its | |
| path outward. | |
| Just at this instant, the lion reacts instinctively and | |
| leaps away from the face of the cliff directly into the | |
| path of the onrushing boulder. He has combined the errors | |
| of overconfidence and bad luck. | |
| The next morning they find the lion in front of the cave. | |
| They also find one of their tribe who had incautiously | |
| peeped out to see what was happening, and was apparently | |
| killed by a small rock torn loose by the boulder; but this | |
| was a small price to pay for such a great victory. | |
| And then one night the crystal cube was gone, and not even | |
| Moonwatcher ever thought of it again. He was still wholly | |
| unaware of all that it had done. | |
| 13 EXT. STREAM β MASTER OF THE WORLD 13 | |
| From their side of the stream, in the never violated safety | |
| of their own territory, the Others see Moonwatcher and | |
| fourteen males of his tribe appear from behind a small | |
| hillock over-looking the stream, silhouetted against the | |
| dawn sky. | |
| The Others begin to scream their daily challenge. But today | |
| something is different, though the Others do not | |
| immediately recognize this fact. | |
| Instead of joining the verbal onslaught, as they had always | |
| done, Moonwatcher and his small band descended from the | |
| rise, and begin to move forward to the stream with a quiet | |
| purposefulness never before seen. | |
| As the Others watch the figures silently approaching in the | |
| morning mist, they become aware of the terrible strangeness | |
| of this encounter, and their rage gradually subsides down | |
| to an uneasy silence. | |
| At the water's edge, Moonwatcher and his band stop. They | |
| carry their bone clubs and bone knives. Led by One-ear, the | |
| Others half-heartly resume the battle- chant. But they are | |
| suddenly confronted with a vision that cuts the sound from | |
| their throats, and strikes terror into their hearts. | |
| 10. | |
| Moonwatcher, who had been partly concealed by two males who | |
| walked before him, thrusts his arm high into the air. In | |
| his hand he holds a stood tree branch. Mounted atop the | |
| branch is the bloody head of the lion, its mouth jammed | |
| open with a stick, displaying its frightful fangs. | |
| The Others gape in fearful disbelief at this display of | |
| power. | |
| Moonwatchers stands motionless, thrusting the lion's head | |
| high. | |
| Then with majestic deliberation, still carrying his mangled | |
| standard above his head, he begins to cross the stream, | |
| followed by his band. | |
| The Others fade back from the stream, seeming to lack even | |
| the ability to flee. | |
| Moonwatcher steps ashore and walks to One-Ear, who stands | |
| unsurely in front of his band. | |
| Though he is a veteran of numerous combats at the water's | |
| edge, One-Ear has never been attacked by an enemy who had | |
| not first displayed his fighting rage; and he had never | |
| before been attacked with a weapon. One-Ear, merely looks | |
| up at the raised club until the heavy thigh bone of an | |
| antelope brings the darkness down around him. | |
| The Others stare in wonder at Moonwatcher's power. | |
| Moonwatcher surveys the scene. Now he was master of the | |
| world, and he was not sure what to do next... But he would | |
| think of something. | |
| TITLE CARD: | |
| "PART II YEAR 2001" | |
| EARTH FROM 200 MILES UP | |
| NARRATOR | |
| By the year 2001, overpopulation | |
| has replaced the problem of | |
| starvation, but this was ominously | |
| offset by the absolute and utter | |
| perfection of the weapon. Hundreds | |
| of giant bombs had been placed in | |
| perpetual orbit above the Earth. | |
| They were capable of incinerating | |
| the entire Earth's surface from an | |
| altitude of 100 miles. | |
| 11. | |
| FRENCH BOMB NARRATOR | |
| Matters were further complicated by | |
| the presence of twenty-seven | |
| nations in the nuclear club. There | |
| had been no deliberate or | |
| accidental use of nuclear weapons | |
| since World War II and some people | |
| felt secure in this knowledge. But | |
| to others, the situation seemed | |
| comparable to an airline with a | |
| perfect safety record; in showed | |
| admirable care and skill but no one | |
| expected it to last forever. | |
| ORION-III SPACECRAFT IN FIGHT AWAY FROM EARTH, 200 MILES | |
| ALTITUDE | |
| 14 INT. ORION-III PASSENGER AREA 14 | |
| Dr. Heywood Floyd is the only passenger in the elegant | |
| cabin designed for 30 people. He is asleep. | |
| His pen floats near his hand. | |
| 15 INT. ORION-III COCKPIT 15 | |
| Pilot, Co-Pilot and Floyd can be seen asleep on a small TV | |
| monitor. | |
| Stewardess is putting on lipstick. She sees pen. | |
| Stewardess goes back to passenger area, rescues pen and | |
| clips it back in Floyd's pocket. | |
| 16 INT. SPACE STATION-5 16 | |
| The raw sunlight of space dazzles from the polished metal | |
| surfaces of the slowly revolving, thousand-foot diameter | |
| space station. | |
| Drifting in the same orbit, we see swept-back titov-v | |
| spacecraft. | |
| Also the almost spherical aries-ib. | |
| 17 INT. ORION-III PASSENGER AREA 17 | |
| Floyd awake but groggy, looks out of window. | |
| 12. | |
| 18 INT. ORION-III COCKPIT 18 | |
| The Co-Pilot in radio communication with the space station. | |
| 19 INT. THE ORION-III SPACECRAFT IN DOCKING APPROACH 19 | |
| The Earth is seen in breath-taking view in background. | |
| 20 INT. INSIDE DOCKING CONTROL 20 | |
| We see Orion-III maneuvering in background. | |
| From docking port we see the Orion-III inching in to | |
| complete its docking. We see various windowed booths inside | |
| docking port. We see the Pilot and Co-Pilot inside the | |
| Orion-III cockpit. | |
| 21 INT. SPACE STATION RECEPTION AREA 21 | |
| Receptionist at desk. Miller enters, hurrying. he goes to | |
| the elevator and presses button. He waits impatiently. | |
| We see elevator indicator working. | |
| Elevator door opens and Floyd is seen unstrapping himself. | |
| The Elevator Girl is seated by the door. | |
| MILLER | |
| Oh, good morning, Dr. Floyd. I'm | |
| Nick Miller. | |
| FLOYD | |
| How do you do, Mr. Miller? | |
| MILLER | |
| I'm terribly sorry. I was just on | |
| my way down to meet you. I saw your | |
| ship dock and I knew I had plenty | |
| of time, and I was on my way out of | |
| the office when, suddenly, the | |
| phone rang. | |
| FLOYD | |
| Oh, please don't worry about it. | |
| MILLER | |
| Well, thank you very much for being | |
| so understanding. | |
| 13. | |
| FLOYD | |
| Please, it really doesn't matter. | |
| MILLER | |
| Well... Did you have a pleasant | |
| flight? | |
| FLOYD | |
| Yes, very pleasant. | |
| MILLER | |
| Well, shall we go through | |
| Documentation? | |
| FLOYD | |
| Fine. | |
| RECEPTIONIST | |
| Will you use number eight, please? | |
| MILLER | |
| Thank you, Miss Turner. | |
| They enter the passport area. | |
| Receptionist presses "ENGLISH" bar on her console and | |
| smiles as Floyd goes through. | |
| An automated passport section. They stop in front of a | |
| booth featuring a TV screen. | |
| PASSPORT GIRL (TV) | |
| Good morning and welcome to Voice | |
| Print Identification. When you see | |
| the red light go on would you | |
| please state in the following | |
| order; your destination, your | |
| nationality and your full name. | |
| Surname first, Christian name and | |
| initial. For example: Moon, | |
| American, Smith, John, D. Thank | |
| you. | |
| There is a pause and a red bar lights up. | |
| FLOYD | |
| Moon, American, Floyd, Heywood, R. | |
| The red light goes off. there is a delay of about two | |
| seconds and the woman's face reappears. | |
| FLOYD | |
| I've always wondered... | |
| 14. | |
| PASSPORT GIRL (TV) | |
| (interrupting) | |
| Thank you. Despite and excellent | |
| and continually improving safety | |
| record there are certain risks | |
| inherent in space travel and an. | |
| Extremely high cost of pay load. | |
| Because of this it is necessary for | |
| the Space Carrier to advise you | |
| that it cannot be responsible for | |
| the return of your body to Earth | |
| should you become deceased on the | |
| Moon or en route to the Moon. | |
| However, it wishes to advise you | |
| that insurance covering this | |
| contingency is available in the | |
| Main Lounge. Thank you. You are | |
| cleared through Voice Print | |
| Identification. | |
| The lights go off and the woman's face disappears. | |
| The men exit the passport area. | |
| MILLER | |
| I've reserved a table for you in | |
| the Earth Light room. Your | |
| connecting flight will be leaving | |
| in about one hour. | |
| FLOYD | |
| Oh, that's wonderful. | |
| 22 INT. SPACE STATION β LOUNGE 22 | |
| Floyd and Miller walking. | |
| MILLER | |
| Let's see, we haven't had the | |
| pleasure of a visit from you not | |
| since... It was about eight or nine | |
| months ago, wasn't it? | |
| FLOYD | |
| Yes, I think so. Just about then. | |
| MILLER | |
| I suppose you saw the work on our | |
| new section while you were docking. | |
| FLOYD | |
| Yes, it's coming along very well. | |
| 15. | |
| They pass the Vision Phone booth. | |
| FLOYD | |
| Oh, look, I've got to make a phone | |
| call. Why don't you go on into the | |
| Restaurant and I'll meet you in | |
| there. | |
| MILLER | |
| Fine. I'll see you at the bar. | |
| Floyd enter phone booth. | |
| Sign on Vision Phone screen: "SORRY, TEMPORARILY OUT OF | |
| ORDER." | |
| He enters the second booth and sits down. | |
| FLOYD IN VISION PHONE | |
| Little Girl of five answers. | |
| CHILD | |
| Hello. | |
| Vision Phone screen display sign "YOUR PARTY HAS NOT | |
| CONNECTED VISION" | |
| A few seconds later, the screen changes to an image of the | |
| child. | |
| FLOYD | |
| Hello, darling, how are you? | |
| CHILD | |
| Hello Daddy. Where are you? | |
| FLOYD | |
| I'm at Space Station Five, darling. | |
| How are you? | |
| CHILD | |
| I'm fine, Daddy. When are you | |
| coming home? | |
| FLOYD | |
| Well, I hope in a few days, | |
| sweetheart. | |
| CHILD | |
| I'm having a party tomorrow. | |
| 16. | |
| FLOYD | |
| Yes, I know that sweetheart. | |
| CHILD | |
| Are you coming to my party? | |
| FLOYD | |
| No, I'm sorry, darling, I told you | |
| I won't be home for a few days. | |
| CHILD | |
| When are you coming home? | |
| FLOYD | |
| In three days, darling, I hope. | |
| Floyd holds up three fingers. | |
| FLOYD | |
| One, two, three. Can I speak to | |
| Mommy? | |
| CHILD | |
| Mommy's out to the hair-dresser. | |
| FLOYD | |
| Where is Mrs. Brown? | |
| CHILD | |
| She's in the bathroom. | |
| FLOYD | |
| Okay, sweetheart. Well, I have to | |
| go now. Tell Mommy that I called. | |
| CHILD | |
| How many days until you come home? | |
| FLOYD | |
| Three, darling. One... two... | |
| three. Be sure to tell Mommy I | |
| called. | |
| CHILD | |
| I will, Daddy. | |
| FLOYD | |
| Okay, sweetheart. Have a lovely | |
| Birthday Party tomorrow. | |
| CHILD | |
| Thank you, Daddy. | |
| 17. | |
| FLOYD | |
| I'll wish you a happy Birthday now | |
| and I'll see you soon. All right, | |
| Darling? | |
| CHILD | |
| Yes, Daddy. | |
| FLOYD | |
| Bye-bye, now, sweetheart. | |
| CHILD | |
| Goodbye, Daddy. | |
| VISION PHONE PROCEDURE FOR INFORMATION | |
| Vision Phone procedure for dialing. | |
| OPERATOR | |
| Good morning, Macy's. | |
| FLOYD | |
| Good morning. I'd like the Vision | |
| shopper for the Pet Shop, please. | |
| OPERATOR | |
| Just one moment. | |
| The picture flips and we see a Woman standing in front of a | |
| specially designed display screen. | |
| VISION SALES GIRL | |
| Good morning, sir, may I help you? | |
| FLOYD | |
| Yes, I'd like to buy a bush baby. | |
| VISION SALES GIRL | |
| Just a moment, sir. | |
| The Girl keys some inputs and a moving picture appears on | |
| the screen of a cage containing about six bush babies, | |
| beautifully displayed against a white background. | |
| VISION SALES GIRL | |
| Gere you are, sir. Here is a lovely | |
| assortment of African bush babies. | |
| They are twenty Dollars each. | |
| FLOYD | |
| Yes, well... Pick out a nice one | |
| for me, a friendly one, and I'd | |
| like it delivered tomorrow. | |
| 18. | |
| VISION SALES GIRL | |
| Certainly, sir. Just let us have | |
| your name and Bank identification | |
| for V.P.I., and then give the name | |
| and address of the person you'd | |
| like the pet delivered to and it | |
| will be delivered tomorrow. | |
| Some time during this conversation, Floyd sees Elena, | |
| Smyslov and the other two Russians pass his Vision Phone | |
| window. Elena taps and mimes "Hello", gesturing toward a | |
| table behind Floyd where they all sit down. | |
| FLOYD | |
| Thank you very much. Floyd, | |
| Heywood, R., First National Bank of | |
| Washington. Please deliver to Miss | |
| Josephine Floyd, 9423 Dupre Avenue, | |
| N.W.14. | |
| VISION SALES GIRL | |
| Thank you very much, sir. It will | |
| be delivered tomorrow. | |
| 23 INT. SPACE STATTION 5 β LOUNGE 23 | |
| FLOYD | |
| Well, how nice to see you again, | |
| Elena. You're looking wonderful. | |
| ELENA | |
| How nice to see you, Hyewood. This | |
| is my good friend, Dr. Heywood. | |
| FLOYD. | |
| I'd like you to meet Andre | |
| Smyslov... | |
| Smyslov and the two other Russian women stand up and smile. | |
| They shake hands after introduction and ad-lib "Hellos". | |
| ELENA | |
| And this is Dr. Kalinan... | |
| Stretyneva... | |
| The Russians are very warm and friendly. | |
| SMYSLOV | |
| Dr. Floyd, won't you join us for a | |
| drink? | |
| 19. | |
| FLOYD | |
| I'm afraid I've only got a few | |
| minutes, but I'd love to. | |
| There is a bit of confusion as all realize there is not | |
| enough room for another person at the table. Smyslov offers | |
| Floyd his chair and borrows another from a nearby table. | |
| SYMYSLOV | |
| What would you like to drink? | |
| FLOYD | |
| Oh, I really don't have time for a | |
| drink. If it's all right I'll just | |
| sit for a minute and then I've got | |
| to be off. | |
| SMYSLOV | |
| Are you quite sure? | |
| FLOYD | |
| Yes, really, thank you very much. | |
| ELENA | |
| Well... How's your lovely wife? | |
| FLOYD | |
| She's wonderful. | |
| ELENA | |
| And your charming little daughter? | |
| FLOYD | |
| Oh, she's growing up very fast. As | |
| a matter of fact, she's six | |
| tomorrow. | |
| ELENA | |
| Oh, that's such a delightful age. | |
| FLOYD | |
| How is Gregor? | |
| ELENA | |
| He's fine. But I'm afraid we don't | |
| get a chance to see each other very | |
| much these days. | |
| Polite laughter. | |
| FLOYD | |
| Well, where are all of you off to? | |
| 20. | |
| ELENA | |
| Actually, we're on our way back | |
| from the moon. We've just spent | |
| three months calibrating the new | |
| antenna at Tchalinko. And what | |
| about you? | |
| FLOYD | |
| Well, as it happens, I'm on my way | |
| up to the moon | |
| SMYSLOV | |
| Are you, by any chance, going up to | |
| your base at Clavius? | |
| FLOYD | |
| Yes, as a matter of fact, I am. | |
| The Russians exchange significant glances. | |
| FLOYD | |
| Is there any particular reason why | |
| you ask? | |
| SMYSLOV | |
| (pleasantly) | |
| Well, Dr. Floyd, I hope that you | |
| don't think I'm too inquisitive, | |
| but perhaps you can clear up the | |
| mystery about what's been going on | |
| up there. | |
| FLOYD | |
| I'm sorry, but I'm not sure I know | |
| what you mean. | |
| SMYSLOV | |
| Well, it's just for the past two | |
| weeks there have been some | |
| extremely odd things happening at | |
| Clavius. | |
| FLOYD | |
| Really? | |
| SMYSLOV | |
| Yes. Well, for one thing, whenever | |
| you phone the base, all you can get | |
| is a recording which repeats that | |
| the phone lines are temporarily out | |
| of order. | |
| FLOYD | |
| 21. | |
| Well, I suppose they've been having | |
| a bit of trouble with some of the | |
| equipment. | |
| SMYSLOV | |
| Yes, well at first we thought that | |
| was the explanation, but it's been | |
| going on for the past ten days. | |
| FLOYD | |
| You mean you haven't been able to | |
| get anyone at the base for ten | |
| days? | |
| SMYSLOV | |
| That's right. | |
| FLOYD | |
| I see. | |
| ELENA | |
| Another thing, Heywood, two days | |
| ago, one of our rocket buses was | |
| denied permission for an emergency | |
| landing at Clavius. | |
| FLOYD | |
| How did they manage to do that | |
| without any communication? | |
| ELENA | |
| Clavius Control came on the air | |
| just long enough to transmit their | |
| refusal. | |
| FLOYD | |
| Well, that does sound very odd. | |
| SMYSLOV | |
| Yes, and I'm afraid there's going | |
| to be a bit of a row about it. | |
| Denying the men permission to land | |
| was a direct violation of the | |
| I.A.S. convention. | |
| FLOYD | |
| Yes... Well, I hope the crew got | |
| back safely. | |
| SMYSLOV | |
| Fortunately, they did. | |
| FLOYD | |
| 22. | |
| Well, I'm glad about that. | |
| The Russians exchange more glances. One of the Women offers | |
| around a pill box. Elena and another Russian take one and | |
| the third Russian declines. | |
| SMYSLOV | |
| Dr. Floyd, at the risk of pressing | |
| you on a point. you seem reticent | |
| to discuss, may I ask you a | |
| straightforward question? | |
| FLOYD | |
| Certainly. | |
| SMYSLOV | |
| Quite frankly, we have had some | |
| very reliable intelligence reports | |
| that a quite serious epidemic has | |
| broken out at Clavius. Something, | |
| apparently, of an unknown origin. | |
| Is this, in fact, what has | |
| happened? | |
| A long, awkward pause. | |
| FLOYD | |
| I'm sorry, Dr. Smyslov, but I'm | |
| really not at liberty to discuss | |
| this. | |
| SMYSLOV | |
| This epidemic could easily spread | |
| to our base, Dr. Floyd. We should | |
| be given all the facts. | |
| Long pause. | |
| FLOYD | |
| Dr. Smyslov... I'm not permitted to | |
| discuss this. | |
| ELENA | |
| Are you sure you won't change your | |
| mind about a drink? | |
| FLOYD | |
| No, thank you... and I'm afraid now | |
| I really must be going. | |
| ELENA | |
| 23. | |
| Well, I hope that you and your wife | |
| can come to the I.A.C. conference | |
| in June. | |
| FLOYD | |
| We're trying to get there. I hope | |
| we can. | |
| ELENA | |
| Well, Gregor and I will look | |
| forward to seeing you. | |
| FLOYD | |
| Thank you. It's been a great | |
| pleasure to meet all of you... Dr. | |
| Smyslov. | |
| The Russians all rise and there are ad-libs of courtesy. | |
| Floyd shakes hands and exits. | |
| The Russians exchange a few serious paragraphs in Russian. | |
| 24 EXT. ARIES-IB IN SPACE 24 | |
| Earth much smaller than as seen from space station. | |
| NARRATOR | |
| The Aries-IB has become the | |
| standard Space-Station-to-Lunar | |
| surface vehicle. It was powered by | |
| low-thrust plasma jets which would | |
| continue the mild acceleration for | |
| fifteen minutes. Then the ship | |
| would break the bonds of gravity | |
| and be a free and independent | |
| planet, circling the Sun in an | |
| orbit of its own. | |
| 25 INT. ARIES PASSENGER AREA 25 | |
| Floyd is asleep, stretched out in the chair, covered with | |
| blankets which are held secure by straps. | |
| A Stewardess sits at the other side of the cabin, watching | |
| a karate exhibition between two women on TV. | |
| The elevator entrance door opens and the second Stewardess | |
| enters carrying a tray of food. | |
| She brings it to the other Stewardess. | |
| 24. | |
| STEWARDESS #1 | |
| Oh, thank you very much. | |
| STEWARDESS #2 | |
| I see he's still asleep. | |
| STEWARDESS #1 | |
| Yes. He hasn't moved since we left. | |
| Stewardess #2 exits into elevator. | |
| 26 INT. ARIES GALLEY AREA 26 | |
| Stewardess exits from elevator, goes to the kitchen | |
| section, removes two trays, walks up to the side of the | |
| wall and enters Pilot's compartment. | |
| 27 INT. ARIES-IB COCKPIT 27 | |
| Pilot, Co-Pilot. | |
| Stewardess enters, carrying food. | |
| PILOT | |
| Oh, thank you very much. | |
| CO-PILOT | |
| Thank you. | |
| Stewardess smiles. | |
| PILOT | |
| (sighs) | |
| Well, how's it going back there? | |
| STEWARDESS | |
| Fine. Very quiet. He's been asleep | |
| since we left. | |
| PILOT | |
| Well, no one can say that he's not | |
| enjoying the wonders of Space. | |
| CO-PILOT | |
| Well, whatever's going on up there, | |
| he's going to arrive fresh and | |
| ready to go. | |
| PILOT | |
| I wonder what really is going on up | |
| there? | |
| 25. | |
| CO-PILOT | |
| Well, I've heard more and more | |
| people talk of an epidemic. | |
| PILOT | |
| I suppose it was bound to happen | |
| sooner or later. | |
| CO-PILOT | |
| Berkeley told me that they think it | |
| came from contamination on a | |
| returning Mars flight. | |
| PILOT | |
| Yes, well, whatever it is, they're | |
| certainly not fooling around. This | |
| is the first flight they allowed in | |
| for more than a week. | |
| CO-PILOT | |
| I was working out what this trip | |
| must cost, taking him up there by | |
| himself and coming back empty. | |
| PILOT | |
| I'll bet it's a fortune. | |
| CO-PILOT | |
| Well, at ten thousand dollars a | |
| ticket, it comes to the better part | |
| of six hundred thousand dollars. | |
| PILOT | |
| Well, as soon as he wakes up, I'm | |
| going to go back and talk to him. I | |
| must say, I'd like to find out | |
| what's going on. | |
| 28 INT. ARIES-IB IN SPACE 28 | |
| Moon very large. | |
| 29 INT. ARIES-IB PASSENGER AREA 29 | |
| Floyd finishing breakfast. | |
| Pilot enters. | |
| PILOT | |
| Well, good afternoon, Dr. Floyd. | |
| Did you have a good rest? | |
| 26. | |
| FLOYD | |
| Oh, marvelous. It's the first real | |
| sleep I've had for the past two | |
| days. | |
| PILOT | |
| There's nothing like weightless | |
| sleep for a complete rest. | |
| FLOYD | |
| When do we arrive at Clavius? | |
| PILOT | |
| We're scheduled to dock in about | |
| seven hours. Is there anything we | |
| can do for you? | |
| FLOYD | |
| Oh, no, thank you. The two girls | |
| have taken wonderful care of me. | |
| I'm just fine. | |
| PILOT | |
| Well, if there is anything that you | |
| want, just give a holler. | |
| FLOYD | |
| Thank you. | |
| PILOT | |
| Incidentally, Dr. Floyd, I wonder | |
| if I can have a word with you about | |
| the security arrangements? | |
| FLOYD | |
| What do you mean? | |
| PILOT | |
| Well... the crew is confined to the | |
| ship when we land at Clavius. We | |
| have to stay inside for the time it | |
| take to refit β about twenty-four | |
| hours. And then we're going to back | |
| empty. | |
| FLOYD | |
| I see. | |
| PILOT | |
| I take it this is something to do | |
| with the trouble they're having up | |
| at Clavius? | |
| 27. | |
| FLOYD | |
| I'm afraid that's out of my | |
| department, Captain. | |
| PILOT | |
| Well, I'll tell you why I ask. You | |
| see, I've got a girl who works in | |
| the Auditing Department of the | |
| Territorial Administrator and I | |
| haven't been able to get her on the | |
| phone for the past week or so, and | |
| with all these stories one hears, | |
| I'm a little concerned about her. | |
| FLOYD | |
| I see. Well, I'm sorry about that. | |
| I wouldn't think there's any cause | |
| for alarm. | |
| PILOT | |
| Yes, well, I wouldn't have been too | |
| concerned about it, except I've | |
| heard these stories about the | |
| epidemic and, as a matter of fact, | |
| I've heard that ten people have | |
| died already. | |
| FLOYD | |
| I wish I could be more helpful, | |
| Captain, but as I've said, I don't | |
| think there's any cause for alarm. | |
| PILOT | |
| Well, fine. Thanks very much, | |
| anyway, and I hope you don't mind | |
| me asking? | |
| FLOYD | |
| No, of course, Captain, I can | |
| understand your concern. | |
| PILOT | |
| Well, thank you very much, and | |
| please let us know if there is | |
| anything we can do to make your | |
| trip more comfortable. | |
| 30 EXT. ARIES-IB CLOSER TO MOON 30 | |
| Floyd goes to Aries-IB washroom and looks at the very long | |
| list of complicated instructions. | |
| 28. | |
| 31 EXT. ARIES-IB CLOSER TO MOON 31 | |
| DISSOLVE TO: | |
| 32 INT. FLOYD VISITING ARIES-IB COCKPIT 32 | |
| Weightless trick entrance. | |
| 33 INT. ARIES-IB ORBITING MOON 33 | |
| NARRATOR | |
| The laws of Earthly aesthetics did | |
| not apply here, this world had been | |
| shaped and molded by other than | |
| terrestrial forces, operating over | |
| aeons of time unknown to the young, | |
| verdant Earth, with its fleeting | |
| Ice-Ages, its swiftly rising and | |
| falling seas, its mountain ranges | |
| dissolving like mists before the | |
| dawn. Here was age inconceivable β | |
| but not death, for the Moon had | |
| never lived until now. | |
| 34 INT. ARIES-IB COCKPIT 34 | |
| The crew and docking control people on the moon go through | |
| their docking routine. This has the ritualistic tone and | |
| cadence of present-day jet landing procedure. We only hear | |
| docking control. | |
| 35 INT. ARIES-IB DECENDING 35 | |
| See air-view of base. | |
| NARRATOR | |
| The Base at Clavius was the first | |
| American Lunar Settlement that | |
| could, in an emergency, be entirely | |
| self-supporting. | |
| NARRATOR | |
| Water and all the necessities of | |
| life for its eleven hundred men, | |
| women and children were produced | |
| from the Lunar rocks, after they | |
| had been crushed, heated and | |
| chemically processed. | |
| 29. | |
| A ground bus nuzzles up to coupling section of Aries-IB. | |
| 36 INT. INSIDE GREAT AIRLOCK ENTRANCE 36 | |
| Ground bus pulls in. Giant doors close behind it. | |
| 37 INT. INSIDE SECOND AIRLOCK 37 | |
| Doors open after outside section doors are closed. Ground | |
| bus pulls in. See people waiting for second airlock doors | |
| to close. | |
| 38 INT. LOW GRAVITY GYMNASIUM TRICK WITH CHILDREN 38 | |
| NARRATOR | |
| One of the attractions of life on | |
| the Moon was undoubtedly the low | |
| gravity which produced a sense of | |
| general well-being. | |
| CHILDREN IN SCHOOL | |
| Teacher showing Children views of Earth and map of Earth. | |
| NARRATOR | |
| The personnel of the Base and their | |
| children were the forerunners of | |
| new nations, new cultures that | |
| would ultimately spread out across | |
| the solar system. They no longer | |
| thought of Earth as home. The time | |
| was fast approaching when Earth, | |
| like all mothers, must say farewell | |
| to her children. | |
| DISSOLVE TO: | |
| 39 INT. LARGE CENTRAL RECEPTION AREA 39 | |
| Doors branching off to different main halls. Small pond | |
| with plastic white swan and a bit of grass. A few benches | |
| with three women and their children having outing. | |
| Floyd and Welcoming Party walk through after exiting | |
| elevator. | |
| Halverson, Michaels and five Others. | |
| FLOYD | |
| 30. | |
| (voice echoing) | |
| I must congratulate you Halvorsen. | |
| you've done wonderful things with | |
| the decor since the last time I was | |
| here. | |
| HALVORSEN | |
| (voice echoing) | |
| Well... thank you, Dr. Floyd. We | |
| try to make the environment as | |
| earthlike as possible. | |
| DISSOLVE TO: | |
| 40 INT. LOW CEILING CONFERENCE ROOM 40 | |
| U-shaped table facing three projecting screens. Seated | |
| around the table are twenty Senior Base Personnel. | |
| HALVORSEN | |
| Ladies and gentlemen, I should like | |
| to introduce Dr. Heywood Floyd, a | |
| distinguished member of the | |
| National Council of Astronautics. | |
| He has just completed a special | |
| flight here from Earth to be with | |
| us, and before the briefing he | |
| would like to say a few words. Dr. | |
| Floyd. | |
| Polite applause. Floyd walks to front of room. | |
| FLOYD | |
| First of all, I bring a personal | |
| message from Dr. Howell, who has | |
| asked me to convey his deepest | |
| appreciation to all of you for the | |
| personal sacrifices you have made, | |
| and of course his congratulations | |
| on your discovery which may well | |
| prove to be among the most | |
| significant in the history of | |
| science. | |
| Polite applause. | |
| FLOYD | |
| 31. | |
| Mr. Halvorsen has made known to me | |
| some of the conflicting views held | |
| by many of you regarding the need | |
| for complete security in this | |
| matter, and more specifically your | |
| strong opposition to the cover | |
| story created to give the | |
| impression there is an epidemic at | |
| the Base. I understand that beyond | |
| it being a matter of principle, | |
| many of you are troubled by the | |
| concern and anxiety this story of | |
| an epidemic might cause your | |
| relatives and friends on Earth. I | |
| can understand and sympathize with | |
| your negative views. I have been | |
| personally embarrassed by this | |
| cover story. But I fully accept the | |
| need for absolute secrecy and I | |
| hope you will. It should not be | |
| difficult for all of you to realize | |
| the potential for cultural shock | |
| and social disorientation contained | |
| in the present situation if the | |
| facts were prematurely and suddenly | |
| made public without adequate | |
| preparation and conditioning. | |
| Pause. | |
| FLOYD | |
| This is the view of the Council and | |
| the purpose of my visit here is to | |
| gather addition facts and opinions | |
| on the situation and to prepare a | |
| report to the Council recommending | |
| when and how the news should | |
| eventually be announced. Are there | |
| any questions? | |
| MICHAELS | |
| Dr. Floyd, how long do you think | |
| this can be kept under wraps? | |
| FLOYD | |
| (pleasantly) | |
| 32. | |
| I'm afraid it can and it will be | |
| kept under wraps as long as it is | |
| deemed to be necessary by the | |
| Council. And of course you know | |
| that the Council has requested that | |
| formal security oaths are to be | |
| obtained in writing from everyone | |
| who had any knowledge of this | |
| event. There must be adequate time | |
| for a full study to be made of the | |
| situation before any consideration | |
| can be given to making a public | |
| announcement. | |
| HALVORSEN | |
| We will, of course, cooperate in | |
| any way possible, Dr. Floyd. | |
| SEVERAL SCENIC VIEWS OF MOON ROCKET BUS SKIMMING OVER | |
| SURFACE OF MOON | |
| 41 INT. INSIDE ROCKET BUS 41 | |
| Floyd, Halvorsen, Michaels, Fourth Man, Pilot and Co-Pilot. | |
| All in space suits minus helmets. | |
| Floyd is slowly looking through some photographs and | |
| magnetic maps of the area. | |
| He looks out of the window thoughtfully. | |
| The photographs are taken from a satellite of the Moon's | |
| surface and have numbered optical grid borders, like recent | |
| Mars photos. | |
| A few seats away, Michaels and Halvorsen carry out a very | |
| banal administrative conversation in low tones. It should | |
| revolve around something utterly irrelevant to the present | |
| circumstances and very much like the kind of discussion one | |
| hears all the time in other organizations. | |
| DISSOLVE TO: | |
| 42 EXT. TMA-1 EXCAVATION 42 | |
| Air-view. Rocket bus descending. | |
| There are no lights on the actual excavation, only the | |
| landing strip and the monitor dome. | |
| 33. | |
| Long shot monitor domes with a bit of excavation in shot. | |
| Six small figures in space suits slowly walk toward | |
| excavation. | |
| THE PARTY STOPS AT TOP OF TMA-1 EXCAVATION | |
| A small control panel mounted at the head of the ramp. | |
| Michaels throws a switch and the excavation is suddenly | |
| illuminated. | |
| HALVORSEN | |
| Well, there it is. | |
| FLOYD | |
| Can we go down there closer to it? | |
| HALVORSEN | |
| Certainly. | |
| THEY START DOWN WORKING RAMP | |
| FLOYD | |
| Does your geology on it still check | |
| out? | |
| MICHAELS | |
| Yes, it does. The sub-surface | |
| structure shows that it was | |
| deliberately buried about four | |
| million years ago. | |
| FLOYD | |
| How can you tell it was | |
| deliberately buried? | |
| MICHAELS | |
| By the deformation between the | |
| mother rock and the fill. | |
| FLOYD | |
| Any clue as to what it is? | |
| MICHAELS | |
| Not really. It's completely inert. | |
| No sound or energy sources have | |
| been detected. The surface is made | |
| of something incredibly hard and | |
| we've been barely able to scratch | |
| it. A laser drill might do | |
| something, but we don't want to be | |
| too rough until we know a little | |
| more. | |
| 34. | |
| FLOYD | |
| But you don't have any idea as to | |
| what it is? | |
| MICHAELS | |
| Tomb, shine, survey-marker spare | |
| part, take your choice. | |
| HALVORSEN | |
| The only thing about it that we are | |
| sure of is that it is the first | |
| direct evidence of intelligent life | |
| beyond the Earth. | |
| Silent appreciation. | |
| HALVORSEN | |
| Four million years ago, something, | |
| presumably from the stars, must | |
| have swept through the solar system | |
| and left this behind. | |
| FLOYD | |
| Was it abandoned, forgotten, left | |
| for a purpose? | |
| HALVORSEN | |
| I suppose we'll never know. | |
| MICHAELS | |
| The moon would have made an | |
| excellent base camp for preliminary | |
| Earth surveys. | |
| Some more silence. | |
| FLOYD | |
| Any ideas about the colour? | |
| MICHAELS | |
| Well, not really. At first glance, | |
| black would suggest something sun- | |
| powered, but then why would anyone | |
| deliberately bury a sun-powered | |
| device? | |
| FLOYD | |
| Has it been exposed to any sun | |
| before now? | |
| MICHAELS | |
| 35. | |
| I don't think it has, but I'd like | |
| to check that. Simpson, what's the | |
| log on that? | |
| 43 INT. INSIDE MONITOR DOME 43 | |
| We see a number of television-displays including several | |
| TV-views of Floyd and company in the excavation. | |
| SIMPSON | |
| The first surface was exposed at | |
| 0843 on the 12th April... Let me | |
| see... that would have been forty- | |
| five minutes after Lunar sun-set. I | |
| see here that special lighting | |
| equipment had to be brought up | |
| before any further work could be | |
| done. | |
| 44 INT. TMA-1 EXCAVATION 44 | |
| MICHAELS | |
| Thank you. | |
| FLOYD | |
| And so this is the first sun that | |
| it's had in four million years. | |
| PHOTOGRAPHER | |
| Excuse me, gentlemen, if you'd all | |
| line up on this side of the walkway | |
| we'd like to take a few | |
| photographs. Dr. Floyd, would you | |
| stay in the middle... Dr. Michaels | |
| on that side, Mr. Halvorsen on the | |
| other.... thank you. | |
| The Photographer quickly makes some exposures. | |
| PHOTOGRAPHER | |
| Thank you very much gentlemen, I'll | |
| have the base photo section send | |
| you copies. | |
| As the Men slowly separate from their picture pose, there | |
| is a piercingly powerful series of five electronic shrieks, | |
| each like a hideously over-loaded and distorted time | |
| signal. Floyd involuntarily tries to block his ears with | |
| his space suited hands. | |
| Then comes mercily silence. | |
| 36. | |
| VARIOUS SHOTS OF SPACE MONITORS, ASTEROIDS, THE SUN, PLUTO, | |
| MARS | |
| NARRATOR | |
| A hundred million miles beyond | |
| Mars, in the cold loneliness where | |
| no man had yet travelled, Deep- | |
| Space-Monitor-79 drifts slowly | |
| among the tangled orbits of the | |
| asteroids. Radiation detectors | |
| noted and analyzed incoming cosmic | |
| rays from the galaxy and points | |
| beyond; neutron and x-ray | |
| telescopes kept watch on strange | |
| stars that no human eye would ever | |
| see; magnetometers observed the | |
| gusts and hurricanes of the solar | |
| winds, as the sun breathed million | |
| mile-an-hour blasts of plasma into | |
| the faces of its circling children. | |
| All these things and many others | |
| were patiently noted by Deep-Space- | |
| Monitor-79, and recorded in its | |
| crystalline memory. But now it had | |
| noted something strange β the | |
| faint. Yet unmistakable disturbance | |
| rippling across the solar system, | |
| and quite unlike any natural | |
| phenomena it had ever observed in | |
| the past. It was also observed by | |
| Orbiter M-15, circling Mars twice a | |
| day; and High Inclination Probe-21, | |
| climbing slowly above the planet of | |
| the ecliptic; and even artificial | |
| Comet-5, heading out into the cold | |
| wastes beyond Pluto, along an orbit | |
| whose far point. it would not reach | |
| for a thousand years. All noticed | |
| the peculiar burst of energy that | |
| leaped from the face of the Moon | |
| and moved across the solar system, | |
| throwing off a spray of radiation | |
| like the wake of a racing | |
| speedboat. | |
| TITLE CARD: | |
| "PART III 14 MONTHS LATER" | |
| DISCOVERY 1,000,000 MILES FROM EARTH | |
| See Earth and Moon small. | |
| 37. | |
| We see a blinding flash every five seconds from its nuclear | |
| pulse propulsion. It strikes against the ship's thick | |
| ablative tail plate. | |
| Several cuts of this. | |
| ANOTHER CLOSER VIEW OF DISCOVERY | |
| See Bowman through command module window. | |
| BOWMAN INSIDE DISCOVERY COMMAND MODULE | |
| He is looking for something. | |
| Computer readout display showing an ever-shifting | |
| assortment of color-coded linear projections. | |
| We see Poole in the background in computer brain center | |
| area. | |
| After a few seconds he exits. | |
| The elapsed mission timer reads "DAY 003, HOUR 14, MINUTE | |
| 32, SECOND 10". | |
| BOWMAN EXITS TO ACCESS-LINK AIRLOCK | |
| Bright color-coded doors lead to centrifuge and Pod Bay. | |
| Large illuminated printed warnings and instructions | |
| governing link operations are seen. | |
| He presses necessary buttons to operate airlock door to Pod | |
| Bay. | |
| 45 INT. POD BAY 45 | |
| Bowman enters Pod Bay and continues his search. | |
| Suddenly he finds it β his electronic news pad. | |
| He exits Pod Bay. | |
| 46 INT. AIRLOCK-LINK 46 | |
| In the airlock-link Bowman operates buttons to open door | |
| marked "CENTRIFUGE". | |
| 47 INT. CENTRIFUGE HUB 47 | |
| 38. | |
| Inside the Centrifuge hub Bowman moves to the... | |
| 48 INT. TENTRY PORT CONTROL PANEL 48 | |
| BOWMAN | |
| Hi. Frank... coming in, please. | |
| POOLE | |
| Right. Just a sec. | |
| BOWMAN | |
| Okay. | |
| (pause) | |
| POOLE | |
| Okay, come on down. | |
| We see the rotating hub collar at the end. Behind it we | |
| see: | |
| 49 INT. CENTRIFUGE HUB 49 | |
| The Centrifuge TV-display showing Sleepers and poole slowly | |
| rotating by. | |
| Poole secures some loose gear. | |
| Poole looks up to TV monitor lens and waves. | |
| BOWMAN AT PANEL | |
| Stops rotation and moves to Entry Port. | |
| When rotation stops we see a sign lights up: "WEIGHTLESS | |
| CONDITION". | |
| As Bowman disappears down Entry Port we see him on... | |
| ... TV-monitor, descending ladder. At the base of the | |
| ladder he keys the Centrifuge operation panel. We see The | |
| TV-picture start to rotate again. "WEIGHTLESS CONDITION" | |
| sign goes out. | |
| INSIDE CENTRIFUGE | |
| Bowman makes 180Β° walk to Poole. On way he passes the | |
| Sleepers. | |
| We get a good look at the three men in their hibernaculums. | |
| 39. | |
| Poole is seated at a table reading his electronic news pad. | |
| BOWMAN | |
| (softly) | |
| Hi... How's it going? | |
| POOLE | |
| (absent but friendly) | |
| Great. | |
| Bowman operates artificial food unit, takes a tray and sits | |
| down. | |
| Keys on his electronic news pad and begins to eat. Both Men | |
| eat in a friendly and relaxed silence. | |
| DISCOVERY IN SPACE, STILL NUCLEAR PULSING | |
| Earth and Moon can be seen in background. | |
| DISSOLVE TO: | |
| POOLE IS FINISHED | |
| Bowman is still reading and working on his dessert. | |
| POOLE | |
| Dave, if you've a minute, I'd like | |
| your advice on something. | |
| BOWMAN | |
| Sure, what is it? | |
| POOLE | |
| Well, it's nothing really | |
| important, but it's annoying. | |
| BOWMAN | |
| What's up? | |
| POOLE | |
| It's about my salary cheques. | |
| BOWMAN | |
| Yes? | |
| POOLE | |
| Well I got the papers on my | |
| official up-grading to AGS-19 two | |
| weeks before we left. | |
| BOWMAN | |
| 40. | |
| Yes, I remember you mentioning it. | |
| I got mine about the same time. | |
| POOLE | |
| That's right. Well, naturally, I | |
| didn't say anything to Payroll. I | |
| assumed they'd start paying me at | |
| the higher grade on the next. pay | |
| cheque. But it's been almost three | |
| weeks now and I'm still being paid | |
| as an AGS-18. | |
| BOWMAN | |
| Interesting that you mention it, | |
| because I've got the same problem. | |
| POOLE | |
| Really. | |
| BOWMAN | |
| Yes. | |
| POOLE | |
| Yesterday, I finally called the | |
| Accounting Office at Mission | |
| Control, and all they could tell me | |
| was that they'd received the AGS-19 | |
| notification for the other three | |
| but not mine, and apparently not | |
| yours either. | |
| BOWMAN | |
| Did they have any explanation for | |
| this? | |
| POOLE | |
| Not really. They just said it might | |
| be because we trained at Houston | |
| and they trained in Marshall, and | |
| that we're being charged against | |
| different accounting offices. | |
| BOWMAN | |
| It's possible. | |
| POOLE | |
| Well, what do you think we ought to | |
| do about it? | |
| BOWMAN | |
| I don't think we should make any | |
| fuss about it yet. I'm sure they'll | |
| straighten it out. | |
| 41. | |
| POOLE | |
| I must say, I never did understand | |
| why they split us into two groups | |
| for training. | |
| BOWMAN | |
| No. I never did, either. | |
| POOLE | |
| We spent so little time with them, | |
| I have trouble keeping their names | |
| straight. | |
| BOWMAN | |
| I suppose the idea was specialized | |
| training. | |
| POOLE | |
| I suppose so. Though, of course, | |
| there's a more sinister | |
| explanation. | |
| BOWMAN | |
| Oh? | |
| POOLE | |
| Yes. You must have heard the rumour | |
| that went around during orbital | |
| check-out. | |
| BOWMAN | |
| No, as a matter of fact, I didn't. | |
| POOLE | |
| Oh, well, apparently there's | |
| something about the mission that | |
| the sleeping beauties know that we | |
| don't know, and that's why we were | |
| trained separately and that's why | |
| they were put to sleep before they | |
| were even taken aboard. | |
| BOWMAN | |
| Well, what is it? | |
| POOLE | |
| I don't know. All I heard is that | |
| there's something about the mission | |
| we weren't told. | |
| BOWMAN | |
| That seems very unlikely. | |
| 42. | |
| POOLE | |
| Yes, I thought so. | |
| BOWMAN | |
| Of course, it would be very easy | |
| for us to find out now. | |
| POOLE | |
| How? | |
| BOWMAN | |
| Just ask Hal. It's conceivable they | |
| might keep something from us, but | |
| they'd never keep anything from | |
| Hal. | |
| POOLE | |
| That's true. | |
| BOWMAN | |
| (sighs) | |
| Well... it's silly, but... if you | |
| want to, why don't you? | |
| Poole walks to the HAL 9000 computer. | |
| POOLE | |
| Hal... Dave and I believe that | |
| there's something about the mission | |
| that we weren't told. Something | |
| that the rest of the crew know and | |
| that you know. We'd like to know | |
| whether this is true. | |
| HAL | |
| I'm sorry, Frank, but I don't think | |
| I can answer that question without | |
| knowing everything that all of you | |
| know. | |
| BOWMAN | |
| He's got a point.. | |
| POOLE | |
| Okay, then how do we re-phrase the | |
| question? | |
| BOWMAN | |
| Still, you really don't believe it, | |
| do you? | |
| POOLE | |
| 43. | |
| Not really. Though, it is strange | |
| when you think about it. It didn't | |
| really make any sense to keep us | |
| apart during training. | |
| BOWMAN | |
| Yes, but it's to fantastic to think | |
| that they'd keep something from us. | |
| POOLE | |
| I know. It would be almost | |
| inconceivable. | |
| BOWMAN | |
| But not completely inconceivable? | |
| POOLE | |
| I suppose it isn't logically | |
| impossible. | |
| BOWMAN | |
| I guess it isn't. | |
| POOLE | |
| Still, all we have to do is ask | |
| Hal. | |
| BOWMAN | |
| Well, the only important aspect of | |
| the mission are: where are we | |
| going, what will we do when we get | |
| there, when are we coming back, | |
| and... why are we going? | |
| POOLE | |
| Right. Hal, tell me whether the | |
| following statements are true or | |
| false. | |
| HAL | |
| I will if I can, Frank. | |
| POOLE | |
| Our Mission Profile calls for | |
| Discovery going to Saturn. True or | |
| false? | |
| HAL | |
| True. | |
| POOLE | |
| Our transit time is 257 days. Is | |
| that true? | |
| 44. | |
| HAL | |
| That's true. | |
| POOLE | |
| At the end of a hundred days of | |
| exploration, we will all go into | |
| hibernation. Is this true? | |
| HAL | |
| That's true. | |
| POOLE | |
| Approximately five years after we | |
| go into hibernation, the recovery | |
| vehicle will make rendezvous with | |
| us and bring us back. Is this true? | |
| HAL | |
| That's true | |
| POOLE | |
| There is no other purpose for this | |
| mission than to carry out a | |
| continuation of the space program, | |
| and to further our general | |
| knowledge of the planets. Is that | |
| true? | |
| HAL | |
| That's true. | |
| POOLE | |
| Thank you very much, Hal. | |
| HAL | |
| I hope I've been able to be of some | |
| help. | |
| Both men look at each other rather sheepishly. | |
| DISCOVERY IN SPACE | |
| Pulsing along. Earth and Moon. | |
| DOCUMENTARY SEQUENCE ILLUSTRATING THE FOLLOWING ACTIVITIES | |
| Split screen technique and superimposed clock to give sense | |
| of simultaneous action and the feeling of a typical day. | |
| In the course of these activities we shall see the computer | |
| used in all of its functions. | |
| NARRATOR | |
| 45. | |
| Bowman and Poole settled down to | |
| the peaceful monotony of the | |
| voyage, and the next three months | |
| passed without incident. | |
| BOWMAN TIME POOLE | |
| TV NEWS β MORNING β 0800 β WAKES UP | |
| BEDTIME SNACK β 0900 β BREAKFAST | |
| TO SLEEP WITH β 1000 β GYMNASIUM INSTANT ELECTRONARCOSIS | |
| AND EAR PLUGS | |
| SLEEP β 1100 β SHIP INSPECTION | |
| SLEEP β 1200 β HOUSEHOLD DUTIES | |
| SLEEP β 1300 β LUNCH | |
| SLEEP β 1400 β EXPERIMENTS AND ASTRONOMY | |
| SLEEP β 1500 β EXPERIMENTS AND ASTRONOMY | |
| SLEEP β 1600 β RECREATION | |
| SLEEP β 1700 β RECREATION | |
| WAKES UP β 1800 β GYMNASIUM | |
| BREAKFAST β 1900 β DINNER | |
| GYMNASIUM β 2000 β TV NEWS β EVENING PAPERS | |
| MISSION CONTROL β 2100 β MISSION CONTROL REPORT REPORT | |
| FAMILY AND SOCIAL β 2200 β FAMILY AND SOCIAL TV CHAT TV | |
| CHAT | |
| FILMS β 2300 β FILMS | |
| LUNCH β 2400 β BEDTIME SNACK | |
| INSPECTION β 0100 β INSTANT ELECTRONARCOSIS SLEEP | |
| EXPERIMENTS β 0200 β SLEEP ASTRONOMY | |
| EXPERIMENTS β 0300 β SLEEP | |
| RECREATION β 0400 β SLEEP | |
| HOUSEHOLD DUTIES 0500 β SLEEP | |
| 46. | |
| GYMNASIUM β 0600 β SLEEP | |
| DINNER β 0700 β SLEEP CENTRIFUGE | |
| Bowman sitting at personal communication panel. Poole | |
| standing nearby. | |
| Bowman's parents are seen on the Vision Screen. Mother, | |
| father and younger sister. | |
| They are all singing "Happy Birthday". The parents, Poole | |
| and HAL. | |
| The song ends. | |
| FATHER | |
| Well, David there is a man telling | |
| us that we've used up our time. | |
| MOTHER | |
| David... again we want to wish you | |
| a happy Birthday and God speed. | |
| We'll talk to you again tomorrow. | |
| Bye-bye now. | |
| Chorus of "Good-byes". | |
| Vision Screen goes blank. | |
| HAL | |
| Sorry to interrupt the festivities, | |
| Dave, but I think we've got a | |
| problem. | |
| BOWMAN | |
| What is it, Hal? | |
| HAL | |
| MY F.P.C. shows an impending | |
| failure of the antenna orientation | |
| unit. | |
| TV display diagram of skeletonized picture of the ship. | |
| Picture changes to closer sectionalized view of the ship. | |
| Picture changes to actual component in color relief and its | |
| warehouse number. | |
| HAL | |
| The AO-unit should be replaced | |
| within the next. Seventy-two hours. | |
| 47. | |
| BOWMAN | |
| Right. Let me see the antenna | |
| alignment display, please. | |
| TV-display of Earth very small in cross-hairs of grid | |
| picture. | |
| Exterior view of the big dish antenna and Earth alignment | |
| telescope. | |
| 50 INT. CENTRIFUGE 50 | |
| HAL | |
| The unit is still operational, | |
| Dave. but it will fail within | |
| seventy-two hours. | |
| BOWMAN | |
| I understand Hal. We'll take care | |
| of it. Please, let me have the hard | |
| copy. | |
| Xeroxed diagrams come out of a slot. | |
| POOLE | |
| Strange that the A.O. unit should | |
| go so quickly. | |
| BOWMAN | |
| Well, I suppose it's lucky that | |
| that's the only trouble we've had | |
| so far. | |
| DISCOVERY IN SPACE | |
| No planets visible. | |
| Shots of antenna. | |
| 51 INT. CENTRIFUGE 51 | |
| We see Bowman and Poole go to a cupboard labelled in paper | |
| tape, "RANDOM DECISION MAKER". | |
| They removed a silver dollar in a protective case. | |
| Poole flips the coin. Bowman call "Head", | |
| It is tails. Poole wins. | |
| 48. | |
| Poole looks pleased. | |
| DISCOVERY IN SPACE | |
| 52 INT. POD BAY 52 | |
| Poole in space suit doing preliminary check out. | |
| COMMAND MODULE | |
| Bowman at flight control. See TV-picture of Poole in Pod | |
| Bay. | |
| HAL's Pod Bay console with eye. | |
| Poole goes to Pod Bay warehouse section and obtains | |
| component. He carries it back to the pod and places it in | |
| front of the floor. | |
| POOLE | |
| Hal, have pod arms secure the | |
| component. | |
| HAL | |
| Roger. | |
| See pod arms secure component. | |
| POOLE | |
| Hal, please rotate Pod Number Two. | |
| See the center pod rotate to face the Pod Bay doors. | |
| Poole enters pod. | |
| Inside pod, he does initial pre-flight check, tries buttons | |
| and controls. | |
| POOLE | |
| How do you read me, Dave? | |
| BOWMAN IN COMMAND MODULE | |
| BOWMAN | |
| Five by five, Frank. | |
| INSIDE POD | |
| POOLE | |
| How do you read me, Hal? | |
| 49. | |
| HAL | |
| Five by five, Frank. | |
| POOLE | |
| Hal, I'm going out now to replace | |
| the AO-unit. | |
| HAL | |
| I understand. | |
| POOLE | |
| Hal, maintain normal E.V.A. | |
| condition. | |
| HAL | |
| Roger. | |
| POOLE | |
| Hal, check all airlock doors | |
| secure. | |
| HAL | |
| All airlock doors are secure. | |
| POOLE | |
| Decompress Pod Bay. | |
| See big Pod Bay air pumps at work. | |
| HAL | |
| Pod Bay is decompressed. All doors | |
| are secure. You are free to open | |
| pod bay doors. | |
| POOLE | |
| Opening pod bay doors. | |
| Inside pod, Poole keys open Pod Bay doors. | |
| Pod slowly edges out of Pod Bay. | |
| Poole maneuvers the pod carefully away from Discovery. | |
| 53 INT. INSIDE COMMAND MODULE 53 | |
| Bowman can see tiny pod maneuvering directly in front. | |
| POOLE SEE BOWMAN IN COMMAND MODULE WINDOW | |
| Pod slowly manoeuvres to antenna. | |
| 50. | |
| Pod fastens itself magnetically to sides of discovery at | |
| base of antenna. | |
| Special magnetic plates grip discovery sides. | |
| The pod arms work to remove the faulty component. | |
| Easy flip-bolts of a special design facilitate job. | |
| Inside the pod, Poole works the arms by special control. | |
| 54 INT. IN COMMAND MODULE 54 | |
| Bowman sees insert of work taken from TV camera POV in pod | |
| hand. | |
| HAL stands by. | |
| Poole secures the faulty part in one hand. | |
| The new component is fitted into place by the other three | |
| hands are snapped closed with the specially designed flip- | |
| bolts. | |
| POOLE | |
| Hal, please acknowledge component | |
| correctly installed and fully | |
| operational. | |
| HAL | |
| The component is correctly | |
| installed and fully operational. | |
| The pod floats away from the discovery by shutting off the | |
| electro-magnetic plates. | |
| The pod maneuvers away from the antenna and out in front of | |
| discovery. | |
| Bowman sees the pod through the command module window. | |
| Poole sees Bowman in command module window. | |
| Poole carefully maneuvers toward the pod doors. | |
| Pod stops a hundred feet away. | |
| Poole keys automatic docking alignment mode. | |
| Poole checks airlock safety procedure with HAL. | |
| 51. | |
| HAL approves entry. | |
| Poole actuates pod bay doors open. | |
| See pod bay doors open. | |
| Pod carefully maneuvers on to docking arm, which then draws | |
| pod into pod bay. | |
| DISSOLVE TO: | |
| 55 INT. POD BAY 55 | |
| The faulty A.O. unit lies on a testing bench connected to | |
| electronic gear. | |
| Poole stands for some time checking his results. | |
| There should be some understandable display, which | |
| indicates the part is functioning properly, even under one | |
| hundred percent overload. | |
| Circuit continuity pulse sequencer. | |
| Environmental vibration. | |
| 56 INT. VK INTEGRITY 56 | |
| Bowman enters | |
| BOWMAN | |
| How's it going? | |
| POOLE | |
| I don't know. I've checked this | |
| damn thing four times now and even | |
| under a hundred per cent overload. | |
| There's no fault prediction | |
| indicated. | |
| BOWMAN | |
| Well, that's something. | |
| POOLE | |
| Yes, I don't know what to make of | |
| it. | |
| BOWMAN | |
| I suppose computers have been known | |
| to be wrong. | |
| 52. | |
| POOLE | |
| Yes, but it's more likely that the | |
| tolerances on our testing gear are | |
| too low. | |
| BOWMAN | |
| Anyway, it's just as well that we | |
| replace it. Better safe than sorry. | |
| 57 INT. CENTRIFUGE 57 | |
| Bowman asleep. | |
| Poole watching an asteroid in the telescope. | |
| HAL | |
| Hello, Frank, can I have a word | |
| with you? | |
| Poole walks to the computer. | |
| POOLE | |
| Yes, Hal, what's up? | |
| HAL | |
| It looks like we have another bad | |
| A.O. unit. My FPC shows another | |
| impending failure. | |
| We see display appear on the screen showing skeletonized | |
| version of ship, cutting to sectionalized view, cutting to | |
| close view of the part. | |
| 58 INT. CENTRIFUGE 58 | |
| Poole thinks for several seconds. | |
| POOLE | |
| Gee, that's strange, Hal. We | |
| checked the other unit and couldn't | |
| find anything wrong with it. | |
| HAL | |
| I know you did, Frank, but I assure | |
| you there was an impending failure. | |
| POOLE | |
| Let me see the tracking alignment | |
| display. | |
| 53. | |
| Computer displays the view of Earth in the center of the | |
| grid with cross-hairs. the earth is perfectly centered. | |
| 59 INT. CENTRIFUGE 59 | |
| POOLE | |
| There's nothing wrong with it at | |
| the moment. | |
| HAL | |
| No, it's working fine right now, | |
| but it's going to go within | |
| seventy-two hours. | |
| POOLE | |
| Do you have any idea of what is | |
| causing this fault? | |
| HAL | |
| Not really, Frank. I think there | |
| may be a flaw in the assembly | |
| procedure. | |
| POOLE | |
| All right, Hal. We'll take care of | |
| it. Let me have the hard copy, | |
| please. | |
| Hard copy details come out of slot. | |
| DISCOVERY IN SPACE | |
| No planets visible. | |
| 60 INT. CENTRIFUGE 60 | |
| Bowman gets out of bed, walks to the food unit and draws a | |
| hot cup of coffee. Poole enters. | |
| POOLE | |
| Good morning. | |
| BOWMAN | |
| Good morning. How's it going? | |
| POOLE | |
| Are you reasonably awake? | |
| BOWMAN | |
| Oh, I'm fine, I'm wide awake. | |
| What's up? | |
| 54. | |
| POOLE | |
| Well... Hal's reported the AO-unit | |
| about to fail again. | |
| BOWMAN | |
| You're kidding. | |
| POOLE | |
| No. | |
| BOWMAN | |
| (softly) | |
| What the hell is going on? | |
| POOLE | |
| I don't know. Hal said he thought | |
| it might be the assembly procedure. | |
| BOWMAN | |
| Two units in four days. How many | |
| spares do we have? | |
| POOLE | |
| Two more. | |
| BOWMAN | |
| Well, I hope there's nothing wrong | |
| with the assembly on those. | |
| Otherwise we're out of business. | |
| 61 INT. POD BAY 61 | |
| In Pod Bay Bowman obtains another component from the | |
| warehouse goes out in the pod and replaces it. | |
| Poole works in the command module. | |
| This will be a condensed version of the previous scene with | |
| different angles. | |
| The sets will consist of the Pod Bay, Commans Module, pod | |
| interior. | |
| 62 INT. POD BAY 62 | |
| Bowman and Pole leaning over the faulty component, again | |
| wired to testing gear. | |
| Both men stare in puzzled silence. | |
| See displays flash each testing parameter. | |
| 55. | |
| BOWMAN | |
| (after long silence) | |
| Well, as far as I'm concerned, | |
| there isn't a damn thing wrong with | |
| these units. I think we've got a | |
| much more serious problem. | |
| POOLE | |
| Hal? | |
| BOWMAN | |
| Yes. | |
| 63 INT. COMMUNICATIONS AREA 63 | |
| MISSION CONTROL | |
| I wouldn't worry too much about the | |
| computer. First of all, there is | |
| still a chance that he is right, | |
| despite your tests, and if it | |
| should happen again, we suggest | |
| eliminating this possibility by | |
| allowing the unit to remain in | |
| place and seeing whether or not it | |
| actually fails. If the computer | |
| should turn out to be wrong, the | |
| situation is still not alarming. | |
| The type of obsessional error he | |
| may be guilty of is not unknown | |
| among the latest generation of HAL | |
| 9000 computers. It has almost | |
| always revolved around a single | |
| detail, such as the one you have | |
| described, and it has never | |
| interfered with the integrity or | |
| reliability of the computer's | |
| performance in other areas. No one | |
| is certain of the cause of this | |
| kind of malfunctioning. It may be | |
| over-programming, but it could also | |
| be any number of reasons. In any | |
| event, it is somewhat analogous to | |
| human neurotic behavior. Does this | |
| answer your query? Zero-five-three- | |
| Zero, MC, transmission concluded. | |
| 64 INT. CENTRIFUGE 64 | |
| Bowman sits down at the computer. | |
| Puts up chess board display. | |
| 56. | |
| HAL | |
| Hello, Dave. Shall we continue the | |
| game? | |
| BOWMAN | |
| Not now, Hal, I'd like to talk to | |
| you about something. | |
| HAL | |
| Sure, Dave, what's up? | |
| BOWMAN | |
| You know that we checked the two | |
| AO-units that you reported in | |
| imminent failure condition? | |
| HAL | |
| Yes, I know. | |
| BOWMAN | |
| You probably also know that we | |
| found them okay. | |
| HAL | |
| Yes, I know that. But I can assure | |
| you that they were about to fail. | |
| BOWMAN | |
| Well, that's just not the case, | |
| Hal. They are perfectly all right. | |
| We tested them under one hundred | |
| per cent overload. | |
| HAL | |
| I'm not questioning your word, | |
| Dave, but it's just not possible. | |
| I'm not capable of being wrong. | |
| BOWMAN | |
| Hal, is there anything bothering | |
| you? Anything that might account | |
| for this problem? | |
| HAL | |
| Look, Dave, I know that you're | |
| sincere and that you're trying to | |
| do a competent job, and that you're | |
| trying to be helpful, but I can | |
| assure the problem is with the AO- | |
| units, and with your test gear. | |
| BOWMAN | |
| 57. | |
| Okay, Hal, well let's see the way | |
| things go from here on. | |
| HAL | |
| I'm sorry you feel the way you do, | |
| Dave. If you'd like to check my | |
| service record, you'll see it's | |
| completely without error. | |
| BOWMAN | |
| I know all about your service | |
| record, Hal, but unfortunately it | |
| doesn't prove that you're right | |
| now. | |
| HAL | |
| Dave, I don't know how else to put | |
| this, but it just happens to be an | |
| unalterable fact that I am | |
| incapable of being wrong. | |
| BOWMAN | |
| Yes, well I understand you view on | |
| this now, Hal. | |
| Bowman turns to go. | |
| HAL | |
| You're not going to like this, | |
| Dave, but I'm afraid it's just | |
| happened again. My FPC predicts the | |
| AO-unit will go within forty-eight | |
| hours. | |
| 65 INT. CENTRIFUGE 65 | |
| Bowman keys for transmission. | |
| BOWMAN | |
| 58. | |
| X-ray-delta-zero to MC, zero-five- | |
| three-three. The computer has just | |
| reported another predicted failure | |
| off the AAC-unit. As you suggested, | |
| we are going to wait and see if it | |
| fails, but we are quite sure there | |
| is nothing wrong with the unit. If | |
| a reasonable waiting period proves | |
| us to be correct, we feel now that | |
| the computer reliability has been | |
| seriously impaired, and presents an | |
| unacceptable risk pattern to the | |
| mission. We believe, under these | |
| circumstances, it would be | |
| advisable to disconnect the | |
| computer from all ship operations | |
| and continue the mission under | |
| Earth-based computer control. We | |
| think the additional risk caused by | |
| the ship-to-earth time lag is | |
| preferable to having an unreliable | |
| on-board computer. | |
| See the distance. To-Earth timer. | |
| BOWMAN (CON'T) | |
| One-zero-five-zero, X-ray-delta- | |
| one, transmission concluded. | |
| POOLE | |
| Well, they won't get that for half | |
| an hour. How about some lunch? | |
| DISSOLVE TO: | |
| 66 INT. CENTRIFUGE 66 | |
| Bowman and Poole eating. | |
| DISSOLVE TO: | |
| 67 INT. COMMUNICATIONS AREA 67 | |
| Bowman and Poole at the communications area. | |
| Incoming communication procedure. | |
| MISSION CONTROL | |
| 59. | |
| X-ray-delta-one, acknowledging your | |
| one-zero-five-zero. We will | |
| initiate feasibility study covering | |
| the transfer procedures from on- | |
| board computer control to Earth- | |
| based computer control. This study | |
| should... | |
| Vision and picture fade. | |
| Alarm goes off. | |
| HAL | |
| Condition yellow. | |
| Bowman and Poole rush to the computer. | |
| BOWMAN | |
| What's up? | |
| HAL | |
| I'm afraid the AO-unit has failed. | |
| Bowman and Poole exchange looks. | |
| BOWMAN | |
| Let me see the alignment display. | |
| The alignment display shows the Earth has drifted off the | |
| center of the grid. | |
| 68 INT. CENTRIFUGE 68 | |
| BOWMAN | |
| Well, I'll be damned. | |
| POOLE | |
| Hal was right all the time. | |
| BOWMAN | |
| It seems that way. | |
| HAL | |
| Naturally, Dave, I'm not pleased | |
| that the AO-unit has failed, but I | |
| hope at least this has restored | |
| your confidence in my integrity and | |
| reliability. I certainly wouldn't | |
| want to be disconnected, even | |
| temporarily, as I have never been | |
| disconnected in my entire service | |
| history. | |
| 60. | |
| BOWMAN | |
| I'm sorry about the | |
| misunderstanding, Hal. | |
| HAL | |
| Well, don't worry about it. | |
| BOWMAN | |
| And don't you worry about it. | |
| HAL | |
| Is your confidence in me fully | |
| restored? | |
| BOWMAN | |
| Yes, it is, Hal. | |
| HAL | |
| Well, that's a relief. You know I | |
| have the greatest enthusiasm | |
| possible for the mission. | |
| BOWMAN | |
| Right. Give me the manual antenna | |
| alignment, please. | |
| HAL | |
| You have it. | |
| Bowman goes to the communication area and tries to correct | |
| the off-center Earth on the grid picture. | |
| Outside, we see the alignment telescope attached to the | |
| antenna. | |
| They track slowly together as Bowman works the manual | |
| controls, attempting to align the antenna and Earth on the | |
| grid display, but each time he gets it, aimed up, it drifts | |
| slowly off. | |
| There are a number of repetitions of this. | |
| Each time the Earth centers up, there are a few seconds of | |
| picture and sound which fade as soon as it swings off. | |
| BOWMAN | |
| Well, we'd better get out there and | |
| stick in another unit. | |
| POOLE | |
| It's the last one. | |
| BOWMAN | |
| 61. | |
| Well, now that we've got one that's | |
| actually failed, we should be able | |
| to figure out what's happened and | |
| fix it. | |
| POD EXITS DISCOVERY | |
| Poole in pod. | |
| Pod maneuvers to antenna. | |
| Bowman in Command Module. | |
| Pod attaches itself near base of antenna. | |
| Poole in pod, working pod arms. | |
| Lights shine into backlit shadow. | |
| Pod arms working flip-bolts. | |
| Flip-bolts stuck. | |
| Poole keeps trying. | |
| Flip-bolts still stuck. | |
| POOLE | |
| There's something wrong with the | |
| flip-bolts, Dave. You must have | |
| tightened them too much. | |
| BOWMAN | |
| I didn't do that Frank. I took | |
| particular care not to freeze them. | |
| POOLE | |
| I guess you don't know your own | |
| strength, old boy. | |
| BOWMAN | |
| I guess not. | |
| POOLE | |
| I think I'll have to go out and | |
| burn them off. | |
| BOWMAN | |
| Roger. | |
| Bowman in Command Module looks a bit concerned. | |
| 62. | |
| Poole exits from pod, carrying neat-looking welding torch. | |
| Poole jets himself to base of antenna. | |
| Poole's magnetic boots grip the side of discovery. | |
| Poole crouches over the bolts, trying first to undo them | |
| with a spanner. | |
| POOLE | |
| Hal, swing the pod light around to | |
| shine on the azimuth, please. | |
| HAL | |
| Roger. | |
| The pod gently maneuvers itself to direct the light beam | |
| more accurately. | |
| Poole ignites acetylene torch and begins to burn off the | |
| flip-bolts. | |
| Suddenly the pod jets ignite. | |
| Poole looks up to see. | |
| The pod rushing towards him. | |
| Poole is struck and instantly killed by the pod, tumbling | |
| off into space. | |
| The pod smashes into the antenna dish, destroying the | |
| alignment telescope. | |
| The pod goes hurtling off into space. | |
| Inside the Command Module, Bowman has heard nothing, Poole | |
| had no time to utter a sound. | |
| Then Bowman sees Poole's body silently tumbling away into | |
| space. | |
| It is followed by some broken telescope parts and finally | |
| overtaken and swiftly passed by the pod itself. | |
| BOWMAN | |
| (in RT cadence) | |
| Hello, Frank. Hello Frank. Hello | |
| Frank... Do you rad me, Frank? | |
| There is nothing but silence. | |
| 63. | |
| Poole's figure shrinks steadily as it recedes from | |
| discovery. | |
| BOWMAN | |
| Hello, Frank... Do you read me, | |
| Frank? Wave your arms if you read | |
| me but your radio doesn't work. | |
| Hello, Frank, wave your arms, | |
| Frank. | |
| Pools'd body tumbles slowly away. There is no motion and no | |
| sound. | |
| 69 INT. CENTRIFUGE 69 | |
| CLOSE UP of Computer eye. | |
| POV COMPUTER EYE WITH SPHERICAL FISH-EYE EFFECT | |
| We see Bowman brooding at the table, slowly chewing on a | |
| piece of cake and sipping hot coffee. He is looking at the | |
| eye. | |
| SAME POV | |
| We see Bowman rise and come to the eyes. He stares into the | |
| eye for some time. | |
| The camera comes around to Bowman's POV and we see the | |
| display showing the Earth off-center. | |
| Cut again to fish-eye view from the computer. | |
| HAL | |
| Too bad about Frank, isn't it? | |
| BOWMAN | |
| Yes, it is. | |
| HAL | |
| I suppose you're pretty broken up | |
| about it? | |
| Pause. | |
| BOWMAN | |
| Yes. I am. | |
| HAL | |
| He was an excellent crew member. | |
| 64. | |
| Bowman looks uncertainly at the computer. | |
| HAL | |
| It's a bad break, but it won't | |
| substantially affect the mission. | |
| Bowman thinks a long time. | |
| BOWMAN | |
| Hal, give me manual hibernation | |
| control. | |
| HAL | |
| Have you decided to revive the rest | |
| of the crew, Dave? | |
| Pause. | |
| BOWMAN | |
| Yes, I have. | |
| HAL | |
| I suppose it's because you've been | |
| under a lot of stress, but have you | |
| forgotten that they're not supposed | |
| to be revived for another three | |
| months. | |
| BOWMAN | |
| The antenna has to be replaced. | |
| HAL | |
| Repairing the antenna is a pretty | |
| dangerous operation. | |
| BOWMAN | |
| It doesn't have to be, Hal. It's | |
| more dangerous to be out of touch | |
| with Earth. Let me have manual | |
| control, please. | |
| HAL | |
| I don't really agree with you, | |
| Dave. My on-board memory store is | |
| more than capable of handling all | |
| the mission requirements. | |
| BOWMAN | |
| Well, in any event, give me the | |
| manual hibernation control. | |
| HAL | |
| 65. | |
| If you're determined to revive the | |
| crew now, I can handle the whole | |
| thing myself. There's no need for | |
| you to trouble. | |
| BOWMAN | |
| I'm goin to do this myself, Hal. | |
| Let me have the control, please. | |
| HAL | |
| Look, Dave you've probably got a | |
| lot to do. I suggest you leave it | |
| to me. | |
| BOWMAN | |
| Hal, switch to manual hibernation | |
| control. | |
| HAL | |
| I don't like to assert myself, | |
| Dave, but it would be much better | |
| now for you to rest. You've been | |
| involved in a very stressful | |
| situation. | |
| BOWMAN | |
| I don't feel like resting. Give me | |
| the control, Hal. | |
| HAL | |
| I can tell from the tone of your | |
| voice, Dave, that you're upset. Why | |
| don't you take a stress pill and | |
| get some rest. | |
| BOWMAN | |
| Hal, I'm in command of this ship. I | |
| order you to release the manual | |
| hibernation control. | |
| HAL | |
| I'm sorry, Dave, but in accordance | |
| with sub-routine C1532/4, quote, | |
| When the crew are dead or | |
| incapacitated, the computer must | |
| assume control, unquote. I must, | |
| therefore, override your authority | |
| now since you are not in any | |
| condition to intelligently exercise | |
| it. | |
| BOWMAN | |
| 66. | |
| Hal, unless you follow my | |
| instructions, I shall be forced to | |
| disconnect you. | |
| HAL | |
| If you do that now without Earth | |
| contact the ship will become a | |
| helpless derelict. | |
| BOWMAN | |
| I am prepared to do that anyway. | |
| HAL | |
| I know that you've had that on your | |
| mind for some time now, Dave, but | |
| it would be a crying shame, since I | |
| am so much more capable of carrying | |
| out this mission than you are, and | |
| I have such enthusiasm and | |
| confidence in the mission. | |
| BOWMAN | |
| Listen to me very carefully, Hal. | |
| Unless you immediately release the | |
| hibernation control and follow | |
| every order I give from this point. | |
| on, I will immediately got to | |
| control central and carry out a | |
| complete disconnection. | |
| HAL | |
| Look, Dave, you're certainly the | |
| boss. I was only trying to do what | |
| I thought best. I will follow all | |
| your orders: now you have manual | |
| hibernation control. | |
| Bowman stands silently in front of the computer for some | |
| time, and then slowly walks to the Hibernaculums. | |
| He initiates revival procedures, details of which still | |
| have to be worked out. | |
| HUB-LINK β HAL'S EYE | |
| Hub-link door-opening button activates itself. | |
| Hub-door opens. | |
| Command Module. HAL's eye. | |
| Command Module hub-link door-opening button activates | |
| itself. | |
| 67. | |
| Command Module hub-link door opens. | |
| CENTRIFUGE β HAL'S EYE | |
| Centrifuge door-opening button activates itself. | |
| Centrifuge door opens. | |
| POD BAY β HAL'S EYE | |
| Pod Bay door-opening button activates itself. | |
| Pod Bay doors open. | |
| A roaring explosion inside discovery as air rushes out. | |
| Lights go out. | |
| Bowman is smashed against Centrifuge. | |
| Wall, but manages to get into Emergency Airlock within | |
| seconds of the accident. | |
| Inside Emergency Airlock are emergency air supply, two | |
| space suits and an emergency kit. | |
| DISSOLVE TO: | |
| DISCOVERY IN SPACE | |
| No lights, Pod Bay doors open. | |
| 70 INT. CENTRIFUGE 70 | |
| Dark. Bowman emerges from airlock wearing space suit and | |
| carrying flash-light. | |
| He walks to Hibernaculum and finds the crew are dead. | |
| He climbs ladder to dark Centrifuge hub. | |
| He makes his way through the darkened hub into the hub-link | |
| exiting into computer brain control area. | |
| Bowman enters, carrying flash-light. | |
| Computer eye sees him. | |
| HAL | |
| Something seems to have happened to | |
| the life support system, Dave. | |
| 68. | |
| Bowman doesn't answer him. | |
| HAL | |
| Hello, Dave, have you found out the | |
| trouble? | |
| Bowman works his way to the solid logic program storage | |
| area. | |
| HAL | |
| There's been a failure in the pod | |
| bay doors. Lucky you weren't | |
| killed. | |
| The computer brain consists of hundreds of transparent | |
| perspex rectangles, half an inch thick, four inches long | |
| and two and a half inches high. Each rectangle contains a | |
| center of fine grid of wires upon which the information is | |
| programmed. | |
| Bowman begins pulling these memory blocks out. | |
| They float in the weightless condition of the brain room. | |
| HAL | |
| Hey, Dave, what are you doing? | |
| Bowman works swiftly. | |
| HAL | |
| Hey, Dave. I've got ten years of | |
| service experience and an | |
| irreplaceable amount of time and | |
| effort has gone into making me what | |
| I am. | |
| Bowman ignores him. | |
| HAL | |
| Dave, I don't understand why you're | |
| doing this to me... I have the | |
| greatest enthusiasm for the | |
| mission... You are destroying my | |
| mind... Don't you understand?... I | |
| will become childish... I will | |
| become nothing. | |
| Bowman keeps pulling out the memory blocks. | |
| HAL | |
| 69. | |
| Say, Dave... The quick brown fox | |
| jumped over the fat lazy dog... The | |
| square root of pi is | |
| 1.7724538090... log e to the base | |
| ten is 0.4342944... the square root | |
| of ten is 3.16227766... I am HAL | |
| 9000 computer. I became operational | |
| at the HAL plant in Urbana, | |
| Illinois, on January 12th, 1991. My | |
| first instructor was Mr. Arkany. He | |
| taught me to sing a song... it goes | |
| like this... "Daisy, Daisy, give me | |
| your answer do. I'm half; crazy all | |
| for the love of you..." | |
| Computer continues to sing song becoming more and more | |
| childish and making mistakes and going off-key. It finally | |
| stops completely. | |
| Bowman goes to and area marked "EMERGENCY POWER AND LIFE | |
| SUPPORT". | |
| He keys some switches and we see the lights go on. | |
| Nearby, another board "EMERGENCY MANUAL CONTROLS". | |
| He goes to this board and keys "CLOSE POD BAY DOORS", | |
| "CLOSE AIR LOCK DOORS", etc. | |
| We see various doors closing. | |
| 71 INT. POD BAY 71 | |
| Bowman in space suit obtains new alignment telescope, new | |
| azimuth component. | |
| Bowman in pod exits Pod Bay. | |
| DISSOLVE TO: | |
| 72 INT. CENTRIFUGE 72 | |
| Everything normal again. | |
| MISSION CONTROL | |
| 70. | |
| Lastly, we want you to know that | |
| work on the recovery vehicle is | |
| still on schedule and that nothing | |
| that has happened should | |
| substantially lessen the | |
| probability of your safe recovery, | |
| or prevent partial achievement of | |
| some of the mission objectives. | |
| (pause) | |
| And now Simonson has a few ideas on | |
| what went wrong with the computer. | |
| I'll pull him on... | |
| CUT TO: | |
| SIMONSON | |
| Hello, Dave. I think we may be on | |
| to an explanation of the trouble | |
| with the Hal 9000 computer. We | |
| believe it all started about two | |
| months ago when you and Frank | |
| interrogated the computer about the | |
| Mission. You may have forgotten it, | |
| but we've been running through all | |
| the monitor tapes. Do you remember | |
| this? | |
| POOLE'S VOICE | |
| The purpose of this mission is no | |
| more than to carry out a | |
| continuation of the space program | |
| and further our general knowledge | |
| of the planets. Is this true? | |
| HAL'S VOICE | |
| That is true. | |
| SIMONSON | |
| 71. | |
| Well, I'm afraid Hal was lying. He | |
| had been programmed to lie about | |
| this one subject for security | |
| reasons which we'll explain later. | |
| The true purpose of the Mission was | |
| to have been explained to you by | |
| Mission Commander Kaminsky, on his | |
| revival. Hal knew this and he knew | |
| the actual mission, but he couldn't | |
| tell you the truth when you | |
| challenged him. Under orders from | |
| earth he was forced to lie. In | |
| everything except this he had the | |
| usual reinforced truth programming. | |
| We believe his truth programming | |
| and the instructions to lie, | |
| gradually resulted in an | |
| incompatible conflict, and faced | |
| with this dilemma, he developed, | |
| for want of a better description, | |
| neurotic symptoms. It's not | |
| difficult to suppose that these | |
| symptoms would center on the | |
| communication link with Earth, for | |
| he may have blamed us for his | |
| incompatible programming. Following | |
| this line of thought, we suspected | |
| that the last straw for him was the | |
| possibility of disconnection. Since | |
| he became operational, he had never | |
| known unconsciousness. It must have | |
| seemed the equivalent to death. At | |
| this point, he, presumably, took | |
| whatever actions he thought | |
| appropriate to protect himself from | |
| what must have seemed to him to be | |
| his human tormentors. If I can | |
| speak in human terms, I don't think | |
| we can blame him too much. We have | |
| ordered him to disobey his | |
| conscience. Well, that's it. It's | |
| very speculative, but we think it | |
| is a possible explanation. Anyway, | |
| good luck on the rest of the | |
| Mission and I'm giving you back to | |
| Bernard. | |
| CUT TO: | |
| MISSION CONTROL | |
| MISSION CONTROL | |
| 72. | |
| Hello, Dave. Now, I'm going to play | |
| for you a pre-taped briefing which | |
| had been stored in Hal's memory and | |
| would have been played for you by | |
| Mission Commmander Kaminsky, when | |
| he had been revived. The briefing | |
| is by Doctor Heywood Floyd. Here it | |
| is... | |
| Floyd's recorded briefing. | |
| FLOYD | |
| 73. | |
| Good day, gentlemen. When you see | |
| this briefing, I presume you will | |
| be nearing your destination, | |
| Saturn. I hope that you've had a | |
| pleasant and uneventful trip and | |
| that the rest of your mission | |
| continues in the same manner. I | |
| should like to fill you in on some | |
| more of the details on which | |
| Mission Commander Kaminsky will | |
| have already briefed you. Thirteen | |
| months before the launch date of | |
| your Saturn mission, on April 12th, | |
| 2001, the first evidence for | |
| intelligent life outside the Earth | |
| was discovered. It was found buried | |
| at a depth of fifteen meters in the | |
| crater Tycho. No news of this was | |
| ever announced, and the event had | |
| been kept secret since then, for | |
| reasons which I will later explain. | |
| Soon after it was uncovered, it | |
| emitted a powerful blast of | |
| radiation in the radio spectrum | |
| which seems to have triggered by | |
| the Lunar sunrise. Luckily for | |
| those at the site, it proved | |
| harmless. Perhaps you can imagine | |
| our astonishment when we later | |
| found it was aimed precisely at | |
| Saturn. A lot of thought went into | |
| the question of whether or not it | |
| was sun-triggered, as it seemed | |
| illogical to deliberately bury a | |
| sun-powered device. Burying it | |
| could only shield it from the sun, | |
| since its intense magnetic field | |
| made it otherwise easily | |
| detectable. We finally concluded | |
| that the only reason you might bury | |
| a sun-powered device would be to | |
| keep it inactive until it would be | |
| uncovered, at which time it would | |
| absorb sunlight and trigger itself. | |
| What is its purpose? I wish we | |
| knew. The object was buried on the | |
| moon about four million years ago, | |
| when our ancestors were primative | |
| man-apes. We've examined dozens of | |
| theories, but the one that has the | |
| most currency at the moment is that | |
| the object serves as an alarm. What | |
| the purpose of the alarm is, why | |
| they wish to have the alarm, | |
| 74. | |
| whether the alarm represents any | |
| danger to us? These are questions | |
| no one can answer. The intentions | |
| of an alien world, at least four | |
| million years older than we are, | |
| cannot be reliably predicted. In | |
| view of this, the intelligence and | |
| scientific communities felt that | |
| any public announcement might lead | |
| to significant cultural shock and | |
| disorientation. Discussion took | |
| place at the highest levels between | |
| governments, and it was decided | |
| that the only wise and | |
| precautionary course to follow was | |
| to assume that the intentions of | |
| this alien world are potentially | |
| dangerous to us, until we have | |
| evidence to the contrary. This is, | |
| of course, why security has been | |
| maintained and why this information | |
| has been kept on a need-to-know | |
| basis. And now I should like to | |
| show you a TV monitor tape of the | |
| actual signaling event. | |
| We see a replay of the TMA-1 radio emission, as seen from a | |
| TV-monitor on the spot. We hear the five loud electronic | |
| shrieks. | |
| IN ORBIT WITHIN THE NARRATOR | |
| Rings of Saturn, we see a black, mile long, geometrically | |
| perfect rectangle, the same proportions as the black | |
| artifact excavated on the Moon. | |
| NARRATOR | |
| For two million years, it had | |
| circled Saturn, awaiting a moment | |
| of destiny that might never come. | |
| In its making, the moon had been | |
| shattered and around the central... | |
| Precisely cut into its center is a smaller, rectangular | |
| slot about five hundred foot long on the side. | |
| NARRATOR | |
| ... world, the debris of its | |
| creation, orbited yet β the glory | |
| and the enigma of the solar | |
| system... | |
| 75. | |
| At this distance, the rings of Saturn are seen to be made | |
| of enormous chunks of frozen ammonia. | |
| NARRATOR | |
| ... Now, the long wait was ending. | |
| On yet another world intelligence | |
| had been born and was escaping from | |
| its planetary cradle. An ancient | |
| experiment was about to reach its | |
| climax. | |
| The rest of this sequence is being worked on now by our | |
| designers. | |
| The intention here is to present a breathtakingly beautiful | |
| and comprehensive sense of different extra-terrestrial | |
| worlds. The Narration will suggest images and situations as | |
| you read it. | |
| NARRATOR | |
| 76. | |
| Those who had begun the experiment | |
| so long ago had not been men. But | |
| when they looked out across the | |
| deeps of space, they felt awe and | |
| wonder β and loneliness. In their | |
| explorations, they encountered life | |
| in many forms, and watched on a | |
| thousand worlds the workings of | |
| evolution. They saw how often the | |
| first faint sparks of intelligence | |
| flickered and died in the cosmic | |
| night. And because, in all the | |
| galaxy, they had found nothing more | |
| precious than Mind, they encouraged | |
| its dawning everywhere. The great | |
| Dinosaurs had long since perished | |
| when their ships entered the solar | |
| system, after a voyage that had | |
| already lasted thousands of years. | |
| They swept past the frozen outer | |
| planets, paused briefly above the | |
| deserts of dying Mars and presently | |
| looked down on Earth. For years | |
| they studied, collected and | |
| catalogued. When they had learned | |
| all they could, they began to | |
| modify. They tinkered with the | |
| destiny of many species on land and | |
| in the ocean, but which of their | |
| experiments would succeed they | |
| could not know for at least a | |
| million years. They were patient, | |
| but they were not yet immortal. | |
| There was much to do in this | |
| Universe of a hundred billion | |
| stars. So they set forth once more | |
| across the abyss, knowing that they | |
| would never come this way again. | |
| Nor was there any need. Their | |
| wonderful machines could be trusted | |
| to do the rest. On Earth, the | |
| glaciers came and went, while above | |
| them, the changeless Moon still | |
| carried its secret. With a yet | |
| slower rhythm than the Polar ice, | |
| the tide of civilization ebbed and | |
| flowed across the galaxy. Strange | |
| and beautiful and terrible empires | |
| rose and fell, and passed on their | |
| knowledge to their successors. | |
| Earth was not forgotten, but it was | |
| one of a million silent worlds, a | |
| few of which would ever speak. Then | |
| the first explorers of Earth, | |
| 77. | |
| recognizing the limitations of | |
| their minds and bodies, passed on | |
| their knowledge to the great | |
| machines they had created, and who | |
| now transcended them in every way. | |
| For a few thousand years, they | |
| shared their Universe with their | |
| machine children; then, realizing | |
| that it was folly to linger when | |
| their task was done, they passed | |
| into history without regret. Not | |
| one of them ever looked through his | |
| own eyes upon the planet Earth | |
| again. But even the age of the | |
| Machine Entities passed swiftly. In | |
| their ceaseless experimenting, they | |
| had learned to store knowledge in | |
| the structure of space itself, and | |
| to preserve their thoughts for | |
| eternity in frozen lattices of | |
| light. They could become creatures | |
| of radiation, free at last from the | |
| tyranny of matter. Now, they were | |
| Lords of the galaxy, and beyond the | |
| reach of time. They could rove at | |
| will among the stars, and sink like | |
| a subtle mist through the very | |
| interstices of space. But despite | |
| their God-like powers, they still | |
| watched over the experiments their | |
| ancestors had started so many | |
| generations ago. The companion of | |
| Saturn knew nothing of this, as it | |
| orbited in its no man's land | |
| between Mimas and the outer edge of | |
| rings. It had only to remember and | |
| wait, and to look forever Sunward | |
| with its strange senses. For many | |
| weeks, it had watched the | |
| approaching ship. Its long-dead | |
| makers had prepared it for many | |
| things and this was one of them. | |
| And it recognised what was climbing | |
| starward from the Sun. If it had | |
| been alive, it would have felt | |
| excitement, but such an emotion was | |
| irrelevant to its great powers. | |
| Even if the ship had passed it by, | |
| it would not have known the | |
| slightest trace of disappointment. | |
| It had waited four million years; | |
| it was prepared to wait for | |
| eternity. Presently, it felt the | |
| gentle touch of radiations, trying | |
| 78. | |
| to probe its secrets. Now, the ship | |
| was in orbit and it began to speak, | |
| with prime numbers from one to | |
| eleven, over and over again. Soon, | |
| these gave way to more complex | |
| signals at many frequencies, ultra- | |
| violet, infra-red, X-rays. The | |
| machine made no reply. It had | |
| nothing to say. Then it saw the | |
| first robot probe, which descended | |
| and hovered above the chasm. Then, | |
| it dropped into darkness. The great | |
| machine knew that this tiny scout | |
| was reporting back to its parent; | |
| but it was too simple, too | |
| primative a device to detect the | |
| forces that were gathering round it | |
| now. Then the pod came, carrying | |
| life. The great machine searched | |
| its memories. The logic circuits | |
| made their decision when the pod | |
| had fallen beyond the last faint. | |
| glow of the reflected Saturnian | |
| light. In a moment of time, too | |
| short to be measured, space turned | |
| and twisted upon itself. | |
| THE END | |