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+{"doc_id":"doc_0","qid":"","text":"[PREVIOUSLY_ON]You make jumps you can't explain, Will. The evidence explains. Then help me find some evidence. I wouldn't put him out there! Should he get too close, I need you to make sure he's not out therealone. I don't think the Shrike killed that girl in the field. This girl's killer thought that she was a pig. You think this was a copycat? I think I can help good Will, see his face. Hello? They know.(gunshots)You said hewouldn't get too close. See?(gunshots)(knocking)Jack: We're here!(police radio chatter)Will: Could be a permanent installation in your Evil Minds Museum.Jack: Well, what we learn about Garrett Jacob Hobbs will helpus catch the next one like him. There's still seven bodies unaccounted for.Will: Yeah, well, he was eating them.Jack: Had to be some parts he wasn't eating.Will: Not necessarily.Jack: All right, what if Hobbs wasn'teating alone? It's a lot of work. Disappearing these girls, butchering them, and then not leaving a shred of anything other than what's in this room.Will: Someone he hunted with.Jack: Someone who is in a coma, whoalso happened to be someone he hunted with.Will: Abigail Hobbs is a suspect?Jack: We've been conducting house-to-house interviews at the Hobbs residence, and, uh, at this property also. Hobbs spent a lot of timehere. Spent a lot of time with his daughter here. She would make the ideal bait, wouldn't she?Will: Hobbs killed alone. Ah... someone else was here.[SCENE_BREAK](Applause)Will: Thank you. Please stop that. This ishow I caught Garrett Jacob Hobbs. It's his resignation letter. Does anybody see the clue? There isn't one. He wrote a letter, he left a phone number, no address. That's it. Bad bookkeeping and dumb luck. (gasping)Garrett Jacob Hobbs is dead. The question now is how to stop those his story is going to inspire. (projector click) He's already got one admirer. A copycat.[SCENE_BREAK]Will: Hi.Alana: How are you, Will?Will: Uh, Ihave no idea.Alana: Um, I didn't want you to be ambushed.Will: This is an ambush?Alana: Ambush is later. Immediately later soon to now. When Jack arrives, consider yourself ambushed.Will: Here's Jack.Jack: Howwas class?Will: Um, they applauded. It was inappropriate.Jack: Well, the review board would beg to differ. You're up for a commendation. And they've, uh, okayed active return to the field.Alana: The question is, do youwant to go back to the field?Jack: I want him back in the field. And I've told the board I'm recommending a psych eval.Will: Are we starting now?Alana: Oh, the session wouldn't be with me.Jack: Hannibal Lecter's abetter fit. Your relationship's not personal. But if you are more comfortable with Dr. Bloom-Will: No, I'm not going to be comfortable with anybody inside my head.Alana: You've never killed anyone before, Will. It's adeadly force encounter. It's a lot to digest.Will: I used to work Homicide.Jack: The reason you currently used to work Homicide is because you didn't have the stomach for pulling the trigger. You just pulled the triggerten times!Will: Wait, so a psych eval isn't a formality?Jack: No, it's so I can get some sleep at night. I asked you to get close to the Hobbs thing. I need to know you didn't get too close. How many nights did you spendin Abigail Hobbs' hospital room, Will?Will: Therapy doesn't work on me.Jack: Therapy doesn't work on you because you won't let it.Will: And because I know all the tricks.Jack: Well, perhaps you need to un-learn sometricks.Alana: Why not have a conversation with Hannibal? He was there. He knows what you went through.Jack: Come on, Will. I need my beauty sleep![SCENE_BREAK]Will: What's that?Hannibal: Your psychologicalevaluation. You are totally functional and more or less sane. Well done.Will: Did you just rubber stamp me?Hannibal: Yes. Jack Crawford may lay his weary head to rest knowing he didn't break you and our conversationcan proceed unobstructed by paperwork.Will: Jack thinks that I need therapy.Hannibal: What you need is a way out of dark places when Jack sends you there.Will: Last time he sent me into a dark place, I broughtsomething back.Hannibal: A surrogate daughter? You saved Abigail Hobbs' life. You also orphaned her. That comes with certain emotional obligations, regardless of empathy disorders.Will: You were there. You savedher life too. Do you feel obligated?Hannibal: Yes. I feel a staggering amount of obligation. I feel responsibility. I've fantasized about scenarios where my actions may have allowed a different fate for Abigail Hobbs.Will:Jack thinks Abigail Hobbs helped her dad kill those girls.Hannibal: How does that make you feel?Will: How does it make you feel?Hannibal: I find it vulgar.Will: Me too.Hannibal: And entirely possible.Will: It's not whathappened.Hannibal: Jack will ask her when she wakes up, or he'll have one of us ask her.Will: Is this therapy, or a support group?Hannibal: It's whatever you need it to be. And, Will, the mirrors in your mind can reflectthe best of yourself, not the worst of someone else.[SCENE_BREAK]Boy1: What is that?Boy2: I bet it's marijuana.Boy3: Mushrooms. Look, they got tubes to water 'em or something.Boy2: No, it's a marijuanaplant.Boy1: That's not marijuana.[SCENE_BREAK]Beverly: I'm pretty sure firearm accuracy isn't a prerequisite for teaching.Will: Well, I've been in the field before.Beverly: Now you're back in the saddle. Ish.Will: Ishindeed. Took me 10 shots to drop Hobbs.Beverly: Zeller wanted to give you the bullets he pulled out of Hobbs in an acrylic case, but I told him you wouldn't think it was funny.Will: Probably not.Beverly: I suggested oneof those clackin' swingin' ball things.Will: That would've been funny.Beverly: You're a Weaver. I took you for an isosceles guy.Will: I have a rotator cuff issue so I have to use the Weaver stance.Beverly: You aretight.Will: I got stabbed when I was a cop.Beverly: Yeah, I got stabbed in the third grade with a number two pencil. Thought I was gonna get lead poisoning.Will: Uh, no lead in pencils; It's graphite.Beverly: See if thathelps with the recoil.Will: That was better. You come all the way down here to teach me how to shoot?Beverly: No. Jack sent me down here to find out what you know about gardening.(crow cawing)Jack: So, Lectergave you the all-clear. Therapy might work on you after all.Will: Therapy is an acquired taste which I have yet to acquire. But, uh, it served your purpose. I'm back in the field.Jack: Local police found tire tracks on ahidden service road and some small animal traps in the surrounding area.Will: He wanted to keep his crop undisturbed.Jack: The only thing missing is the scarecrow.[SCENE_BREAK]Jimmy: OK, we've got nine bodies,various stages of decay, and as you can see, all very well fertilized.Beverly: He buried them in a high-nutrient compost. He was enthusiastically encouraging decomposition.Brian: They were buried alive with theintention of keeping them that way. I mean, for a little while.Jimmy: : Long enough for the fungus to eat away any distinguishing characteristics.Brian: Line and rebar were used to administer intravenous fluids afterthey were buried. He was feeding them something.Will: No restraints?Jimmy: Just dirt.Beverly: The other end of the air-supply system comes up over there.It isn't a very considerate clean air solution, which clearlywasn't a priority, 'cause he isn't lazy.Will: No, he's not.Beverly: You find any shitakes?Brian: : No.Jack: Welcome back.[SCENE_BREAK]Detective: Tell Sam to give me a call, will you? Thank you. Excuse me.Freddie: I'mone of the parents of the explorers who found the bodies. I wanted to thank you for being so good with all the boys.Detective: Those boys were very brave.Freddie: They are good boys.Detective: Yeah.Freddie: You're alocal police detective?Detective: Yes ma'am.Freddie: Would it be an imposition to ask a few things? The boys are gonna have questions and I just want to be as honest with them as-Detective: Of course.Freddie: Canyou, uh, tell me what that man is doing over there by himself?Detective: He's some kind of special consultant. Works for the FBI.Freddie: Huh.(sound muted)(soft ambient pulse)(Sound returns.)Will: I do not bind hisarms or legs as I bury him in a shallow grave. (ventilator pumping) He's alive. But he will never be conscious again. He won't know that he's dying. I don't need him to. This is my design.[SCENE_BREAK]Detective: Ithink your family's leaving.Freddie: We drove separately.[SCENE_BREAK](muffled gasp) (Will gasping)Will: I need an EMT!(person gasping)Katz: EMT! We need an EMT!Officer Zeller: Don't touchhim![SCENE_BREAK]Will: This may have been premature.Hannibal: What did you see? Out in the field.Will: Hobbs.Hannibal: An association?Will: A hallucination. I saw him lying there in someone else's grave.Hannibal:Did you tell Jack what you saw?Will: No!Hannibal: It's stress. Not worth reporting. You displaced the victim of another killer's crime with what could arguably be considered your victim.Will: I don't consider Hobbs myvictim.Hannibal: What do you consider him?Will: Dead?Hannibal: Is it harder imagining the thrill somebody else feels killing, now that you've done it yourself? The arms.Why did he leave them exposed? To hold theirhands? To feel the life leaving their bodies?Will: No, that's too esoteric for someone who took the time to bury his victims in a straight line. He's more practical.Hannibal: He was cultivating them.Will: He was keepingthem alive. He was feeding them intravenously.Hannibal: But your farmer let his crops die. Save for the one that didn't.Will: Well, and the one that didn't died on the way to the hospital, though they weren't crops; Theywere the fertilizer. The bodies were covered in fungus.Hannibal: The structure of a fungus mirrors that of the human brain an intricate web of connections.Will: So maybe he admires their ability to connect the wayhuman minds can't.Hannibal: Yours can.Will: (laughs) Yep. Um yeah, not physically.Hannibal: Is that what your farmer is looking for? Some sort of connection?[SCENE_BREAK]Hannibal: Have a good evening,Will.[SCENE_BREAK]Hannibal: Miss Kimball?Freddie: Yes.Hannibal: Good evening. Please come in.[SCENE_BREAK]Freddie: I've, uh, never seen a psychiatrist before. And I am unfortunately thorough, so you're one ofthree doctors I'm interviewing. It's more or less a bake-off.Hannibal: I'm very supportive of bake-offs. It's important you find someone you're comfortable with.Freddie: I can imagine you as my therapist, which is good.If I can't visualize opening up emotionally, I know it would be a problem.Hannibal: May I ask why now?Freddie: Do you mind if I ask you a few questions first?Hannibal: Of course not.Freddie: I love that you've writtenso much on social exclusion. Since that's why I'm here, I was wondering-Hannibal: Are you Freddie Lounds?Freddie: Ah...Hannibal: This is unethical, even for a tabloid journalist.Freddie: I am, uh, I am soembarrassed.Hannibal: I'm afraid I must ask for your bag.Freddie: What?Hannibal: Your bag. Please hand it over. I'd rather not take it from you. Thank you.Freddie: I was recording our conversation.Hannibal: Ourconversation? Yours and mine?Freddie: Yes.Hannibal: No other conversation?Freddie: No.Hannibal: You were very persistent about your appointment time. How did you know when Will Graham would be here?Freddie:I may have also recorded your session with Will Graham.Hannibal: You didn't answer the question. How did you know?Freddie: I can't answer that question.Hannibal: Come. Sit by me. Delete the conversations yourecorded. Doctor-patient confidentiality works both ways. Delete it, please. You've been terribly rude, Miss Lounds. What's to be done about that?[SCENE_BREAK][ \u0000 J.S. Bach: Cello Suite No.4: Prelude ]Hannibal:Loin, served with a Cumberland sauce of red fruits.Jack: Um, loin. What kind?Hannibal: Pork.Jack: Wonderful. I don't get many opportunities to, uh, eat home-cooked meals. My wife and I both work, and, uh, as hardas I tried not to, I did wind up marrying my mother.Hannibal: Your mother didn't cook?Jack: She did, she did. I only wish she didn't. There was this meal she used to prepare. She liked to call it \"oriental noodles\".Spaghetti, soy sauce, bouillon cubes, and spam. I was raised thin as a youngster.Hannibal: Well, next time, bring your wife. I'd love to have you both for dinner.Jack: Thank you. Mmm. Lovely. So, why do you think WillGraham... came back to see you?Hannibal: I'm sure he recognizes the necessity of his own support structure if he is to go on supporting you in the field.Jack: Well, I believe that a guy like Will Graham knows exactlywhat's going on inside of his head, which is why he doesn't want anyone else up there.Hannibal: Are you not accustomed to broken ponies in your stable?Jack: You think Will Graham's a broken pony?Hannibal: I thinkyou think Will is a broken pony. Have you ever lost a pony, Jack?Jack: If you're asking me whether or not I've ever lost someone in the field, the answer is yes. Why?Hannibal: I want to understand why you're sodelicate with Will. Because you don't trust him, or because you're afraid of losing another pony?Jack: I've already had my psych eval.Hannibal: Not by me. You've already told me about your mother. Why stopthere?Jack: (laughing) Oh, great. All right. Mmm...[SCENE_BREAK]Will: What were they soaked in?Jimmy: A highly concentrated mixture of hardwoods, shredded newspaper, and pig poop perfect for growingmushrooms and other fungi.Brian: It was not the mushrooms, though. They all died of kidney failure.Beverly: Dextrose in all the catheters. He probably used some kind of dialysis or peristaltic to pump fluids after theircirculatory systems broke down.Will: Force-feeding them sugar water?Jimmy: You know who loves sugar water? Mushrooms.They crave it.Brain: Recovering alcoholics. They crave sugar. Uh, don't take that personally,buddy.Jimmy: Oh, I'm not recovering.Brain: Feed sugar to the fungus in your body, the fungus creates alcohol, so it's like friends helping friends, really.Will: It's not just alcoholics who have compromised endocrinesystems. They all died of kidney failure? Death by diabetic ketoacidosis.Beverly: Did you know they were diabetics?Brain: We don't know they were diabetics.Will: No, they're all diabetics. He induces a coma and putsthem in the ground.Beverly: How is he inducing diabetic comas?Will: Changes their medication. So he's a doctor or a pharmacist or he works somewhere in medical services.Beverly: He buries them, feeds them sugarto keep them alive long enough for the circulatory systems to soak it up.Jimmy: So he can feed the mushrooms!Brian: We dug up his mushroom garden.Will: Yeah, he's gonna want to grow a newone.[SCENE_BREAK]Ms. Speck: I'm picking up a prescription for Gretchen Speck.Eldon: Gretchen Speck (typing) - Horowitz.Ms. Speck: Oh, it's just Speck. We're divorced. I lost the hyphen, kept the ring.Eldon:Insulin.Ms. Speck: Yes.Eldon: Oh. Oh, it's the wrong one. Just-Ms Speck: Uh-oh.Eldon: No, no, it's OK. Just gonna be one second. There. There you go. Oh, could you sign here please? And that's your correctaddress?Ms Speck: Yeah. Thank you.Eldon: Thank you.[SCENE_BREAK]Eldon: Mrs. James. If you could sign here, please? Thank you.[SCENE_BREAK]Jack: She's the chain's 10th diabetic customer to disappear afterfilling a prescription for insulin, second to disappear from this exact location.Will: And the other eight?Jack: All over the county. One pharmacist all over the county as well.Will: Floater, huh?Jack: Floater's floating righthere. Still logged in at his work station. Everyone please stop what you are doing. Put your hands in the air! Special Agent Jack Crawford. Which one of you is Eldon Stammets?[SCENE_BREAK]: Eldon was just here. Justnow.Will: Is his car still in the parking lot?Jack: His car![SCENE_BREAK]Will: Give me your baton. Ugh! (ventilator pumping) She's alive!Jack: EMTs! Now! All right. We know his name, we have his address, we have hiscar.Jimmy: Jack. We just checked the browser history at Stammets' work station.Jack: Am I gonna wanna hear this?Jimmy: No. And yes, but mostly no.[SCENE_BREAK]Brian: Freddie Lounds. TattleCrime.com.Beverly:\"The FBI isn't just hunting psychopaths, they're headhunting them \"too, offering competitive pay and benefits in the hopes of using one demented mind-\"Jack: Keep going.Beverly: It's about Will.Jack: Go on.Beverly:\"One demented mind to catch\" She goes into a lot of detail.Jack: Son of a bitch.[SCENE_BREAK]Hannibal: You are naughty, Miss Lounds.[SCENE_BREAK](knocking on door)Freddie: Who is it?(knocking on door)Who isit? Ah!Brian: : All clear.Freddie: I appreciate the pageantry, Agent Crawford, but you can't arrest me for writing an article.Jack: You entered a federal crime scene without permission.Freddie: Escorted by adetective.Jack: Under false pretence!Freddie: It is as good as permission.Jack: You lied to a police officer.Freddie: You can't arrest me for lying.Jack: You got all that information from a local detective?Friddie: Lots oftalk about your man Graham. Not to mention the rivalry of who gets the collar. A local police detective looking for a pissing contest with the FBI might have some insight.Jack: And evidently did.Friddie: Sure did.Jack:You know, the unfortunate timing of your article allowed a murderer to escape. You were in Minnesota. You were in the Shrike's nest. You know how I know? 'Cause you left one of these hairs behind. You contaminatedthe crime scene. Just like everywhere you go, you contaminate crime scenes. That's obstructing justice. I can indict you for obstructing justice.Friddie: I'd appreciate it if you didn't.Jack: You don't write another wordabout Will Graham and I won't have to.Brian: You used me.(monitor beeping)(ventilator pumping)(footsteps)Alana: \"He and the Grandmother discussed better times.\", The old lady said that \"in her opinion, Europe wasentirely to blame for the way things were now. She said\"Will: What are you reading?Alana: Flannery O'Connor. When I was Abigail's age, I was obsessed. I even tried to raise peacocks because she raised peacocks. Butthey were really stupid birds.Will: You could be reading to a killer.Alana: Innocent until guilty and all that. I'm about to broach the subject of that \"Takes One to Know One\" article.Will: Oh, that. Did Jack sendyou?Alana: No, I sent me.Will: I don't think we've ever been alone in a room together, have we?Alana: I haven't noticed. Have we? Not that we're necessarily alone now.Will: Yeah, right. Back to \"Jack Crawford's crimegimp\".Alana: It certainly creates an image. I don't need to talk about it if you don't.Will: No, no, we can talk about or not talk about whatever you want. Actually, I was I was just enjoying listening to you read.Alana:Abigail Hobbs is a success for you.Will: She doesn't look like a success.Alana: Don't feel sorry for yourself because you saved this girl's life.Will: I don't. I don't feel sorry for myself at all. I feel, um I-I I feel, umgood.[SCENE_BREAK]Detective: Don't know where you got half that information. It wasn't from me.Freddie: I may have made some inferences.Detective: They think I told you all of it.Freddie: They saw you talking tome.Detective: They think it's my fault Stammets escaped.Freddie: I'm sorry I got you fired.Detective: I wasn't fired. I was suspended.Freddie: They're gonna fire you. Jack Crawford will make sure of that.Detective:You- You stir the hornet's nest, and I'm the one who gets stung?Freddie: I can help you get work outside the force, if you want me to. I know people in private security.Detective: Not the first cop you got fired.Freddie:Guarantee you it pays better. Right now, future you is thanking me-Eldon: I read your article. Tell me about Will Graham.[SCENE_BREAK]Freddie: Hey, Jack.Jack: Miss Lounds? Go ahead and stand down, officer. MissLounds, are you all right?Freddie: Where's Will Graham?Jack: We have an eyewitness to the murder. We don't need Will Graham.Freddie: No, that's not why I'm asking.Jack: Someone find me Will Graham! This is aboutWill? Freddie: He was talking about people having the same properties of a fungus.Jack: Stammets?Freddie: Thoughts leaping from brain to brain. They mutate, they evolve.Jack: Well, what does he want with WillGraham?Freddie: Someone who understands him. Graham was right. Stammets is looking for connections.Jack: What did you tell him? I need to know what you told Eldon Stammets about Will Graham.Freddie: I toldhim about the Hobbs girl.Jack: What did you tell him?Freddie: Everything. He wants to help Will Graham connect with Abigail Hobbs. He's gonna bury her.[SCENE_BREAK](ding!)Will: Sorry.(ding!)(phone ringing)Hello? -[lt's Jack.] [Are you at the hospital?] Yes, I am. [Stammets knows about Abigail Hobbs.] Where is she? Abigail Hobbs, the girl in 408. Where is she?Nurse: They took her for tests.Will: Who took her? Who tookher?!Nurse: I don't know!Will: Hey! (grunting in pain) What were you gonna do to her?Eldon: We all evolved from mycelium. I'm simply reintroducing her to the concept.Will: By burying her alive?Eldon: The journalist"}
+{"doc_id":"doc_1","qid":"","text":"[EXT. LAS VEGAS CITY (STOCK) - NIGHT][EXT. ABERNATHY RESIDENCE - DRIVEWAY -- NIGHT](The lamp post light over the driveway flickers out then goes back on again.)[INT. ABERNATHY RESIDENCE - MASTERBEDROOM -- NIGHT](Open on a framed photo on the bedside table of a man and a woman smiling. Camera moves over and across the bed to the closed bedroom door. Under the door through the crack we see swirlingsmoke seeping into the bedroom.)[MARTHA JAMES' BEDROOM](MARTHA JAMES sleeps quietly in her bed.)[SAM ABERNATHY'S BEDROOM](Camera sweeps low across the floor - along the thrown puzzle pieces litteringthe carpet and over to the bunk bed ladder. It rises up and finds SAM ABERNATHY sleeping in bed.)[SCENE_BREAK][SABRINA'S BEDROOM](The focus is on the neatly made bed and the stuffed animal on it. Smoke risesup from the floor to cover the bed like a cloud completely obscuring it from our vision.)[SCENE_BREAK][EXT. ABERNATHY RESIDENCE - FRONT YARD - NIGHT - LATER](The bedroom windows explode and a stream offire bursts out of the house. A fireman walking across the lawn ducks instinctively.)Fireman: Go pull a line towards the garage.(The house is on fire and fire fighters are attempting to put it out.)(Two firemen assistMARTHA JAMES and JESSICA ABERNATHY out of the house.Jessica Abernathy: Sam?Fireman: (o.s.) Knock it down.Jessica Abernathy: (hysterical) Sam? Where is Sam?Fireman: You're going to be all right.(The firemenlead MARTHA JAMES and JESSICA ABERNATHY across the lawn and away from the house fire.)Jessica Abernathy: What about Sam?! Sam!Fireman: I'm going to need you to stay right here, ma'am.Jessica Abernathy:Sam. Where is he? Where is...?(A FIREMAN pushes the door open and exits the house. He's carrying SAM ABERNATHY in his arms.)Fireman: Hey, I got one more!(The FIREMAN carries SAM over to his mom and themedic.)Fireman: Here you go, pal. You stay right here with your mom.(The MEDIC takes SAM'S hand.)Fireman: Ma'am, is there anybody else in there?Jessica Abernathy: No.(The FIREMEN open another hose and aim itat the house. The house is on fire.)[SCENE_BREAK](CATHERINE and NICK carry their kits and walk toward WARRICK who is standing on the side on the driveway next to the Arson Investigator, JACK. They're bothwatching the fire.)Catherine: Hey.(WARRICK and JACK turn around.)Nick: What's with the 911 page? Fire's not even out yet.Warrick: Jack's an arson investigator. We were here on this same street ten days ago.Jack:Garage fire a few houses down. Deemed intentional.Catherine: So you think it's a serial?Warrick: I don't know, but I'm keeping my eyes peeled. Maybe they came back to take a look.Fireman: (o.s.) We got anotherone.(A FIREMAN comes out of the burning house carrying a body.)Fireman: Got another one.(He makes his way toward the medics. JESSICA ABERNATHY is completely confused, but she recognizes her owndaughter.)Jessica Abernathy: Sabrina?Fireman: We need a paramedic right now. She's not breathing.(JESSICA kneels down next to her daughter.)Jessica Abernathy: Sabrina, what are you doing here? You weren'tsupposed to be here. Sabrina?(The MEDICS work on SABRINA, but she's already gone.)Jessica Abernathy: (sobbing) Please help me. Please.Catherine: I think our arsonist just turned into a murderer.(Camera rises upabove the scene of the PARAMEDIC working on SABRINA as sounds of her mother sobbing are heard.)FADE TO END OF TEASER ROLL TITLE CREDITS[SCENE_BREAK]FADE IN[EXT. ABERNATHY RESIDENCE --NIGHT](The CORONERS zip up the body bag with SABRINA ABERNATHY inside and put the gurney in the back of the CORONERS' van. CATHERINE and JESSICA ABERNATHY stand off to the side watching.)JessicaAbernathy: She wasn't even burned.Catherine: Smoke inhalation happens really fast. I'm so sorry. I heard you say she wasn't supposed to be home tonight. Was she with her dad?Jessica Abernathy: My husband diedfive years ago in a car accident. She ... was at her friend Molly's house for a sleep-over. At least she was when I went to bed.Catherine: What time was that?Jessica Abernathy: I don't know, 11:00, 11:30.Catherine:Mrs. Abernathy, do you have any idea what may have caused the fire?Jessica Abernathy: I go to bed, I make sure the lights are off, lock the doors.Catherine: Do you know anyone who might want to set fire to yourhome?Jessica Abernathy: I go to work. I take care of my kids and my mother, and that's my life.[SCENE_BREAK][FRONT YARD - NIGHT - CONTINUOUS](NICK faces the crowd and takes photos of the curiousonlookers.)Nick: Thanks a lot.(He snaps more photos, then puts the camera down.)Nick: Okay, folks, any information you feel like you may have...(MARTHA JAMES taps NICK on his shoulder.)Martha James: How am Igoing to get my fosamax?Nick: Oh, well, I'll make sure you have your medications by breakfast, okay? You're going to be all right. Everything's okay.(A FIREMAN appears and pulls MARTHA JAMES off to the side.)Nick:This man will take care of you, okay?[FIRETRUCK (PARKED) - FRONT SEAT - NIGHT -- CONTINUOUS](SAM ABERNATHY points to something up above expecting the FIREMAN sitting next to him to explain it to him.WARRICK stands just outside the open passenger seat door and listens.)Sam Abernathy: What does that one do?Fireman: That one? That turns on the siren, so we can get to places really fast.Sam Abernathy: To helppeople burning inside?Fireman: That's right.Sam Abernathy: But not my sister.Fireman: Yeah. (He puts a hand on the little boy's shoulder.) I'm sorry, buddy.Sam Abernathy: It's okay.(SAM looks at the FIREMAN wholooks past SAM at WARRICK.)[SCENE_BREAK][EXT. LAS VEGAS CITY (STOCK) - NIGHT][INT. CASINO - BATHROOM -- NIGHT](In the middle of the bathroom floor is a very large dead man wearing a red shirt with \"735\"in white on the front.)Brass: So the morning cleaning crew found him. No ID, but this was in his pocket.(BRASS explains what he knows to SARA and GRISSOM. He shows the paper to SARA.)Sara: Looks like some kindof code.(She looks at the wordlist.)Grissom: \"735\"?Brass: His goal weight? (BRASS shrugs. He gives up while he's ahead.) I'm going to talk to housekeeping.(He turns and leaves the rest room. SARA and GRISSOM stepforward to get to work. GRISSOM puts his kit down on the floor next to the body.)(He opens his kit and removes a camera. He takes a photo of the head wound.)Grissom: That's a nasty head wound.Sara: It's alwaysreassuring to see an empty soap dispenser in a public bathroom.(SARA hands the bagged note to GRISSOM. She leans in close over the bathroom counter and looks at the cracked mirror with blood running down thefront.)Sara: So I'm thinking this is how the vic got his head smashed in.(Through the reflection in the mirror, we see GRISSOM stand up behind SARA to look at the mirror.)(Quick flashback to: [BATHROOM - EARLIER]ADAM BRENNER hits his forehead against the mirror. The mirror cracks and ADAM falls back to the floor. Someone standing behind him steps aside.)(End of flashback. Resume to present.)(GRISSOM holds out a swab.SARA takes it from him.)Sara: Thank you.(She takes a sample of the blood on the mirror.)(GRISSOM puts on his latex gloves while staring at the blood stain on the floor. He sees something on the blood.)Grissom: It'scommon to find something in blood. Uncommon to find something on blood.(SARA watches him as he picks up the black thing. He looks down at the body and checks the eyes.)Grissom: Petechial hemorrhaging.Asphyxia.Sara: Head bashed in and asphyxiated. No soap was the least of his problems.(GRISSOM glances up at SARA.)[SCENE_BREAK][EXT. LAS VEGAS COMMUNITY (STOCK) - DAY]Jack (arson Investigator): (V.O.)The smoke detectors' batteries are all dead.[INT. ABERNATHY RESIDENCE - SABRINA'S BEDROOM -- DAY](JACK, the arson investigator, shows CATHERINE, WARRICK and NICK through the house.)Jack (arsonInvestigator): Sabrina's was the only bedroom that sustained any fire damage at all.Catherine: Her mother thought that she wasn't home.(WARRICK takes a photo.)Catherine: But she wasn't asleep.Jack (arsonInvestigator): Not in her bed.(CATHERINE walks over to the small space and finds SABRINA'S hide-away - books and other junk - evidence that a teenager had been there.)(Quick flashback to: SABRINA sits in the smallspace reading the book while music blares in the background.)(End of flashback. Resume to present.)Warrick: That would explain why the firemen didn't find her right away.(WARRICK takes a photo.)Jack (arsonInvestigator): But it doesn't explain what she was doing down there.Catherine: If you can explain the behavior of teenagers, more power to you.[KITCHEN](JACK kicks at the burned linoleum on the floor.)Jack (arsonInvestigator): Adhesive they use to put this stuff down is highly flammable. Crack in the linoleum, the fire will just seek it out and go for it.(CATHERINE looks up at the fluorescent lights on the ceiling. WARRICK takes aphoto of the things on the floor.)(CATHERINE looks at the burned stove. WARRICK tries the back door. He opens it and closes it.)Warrick: (to JACK) This door's unlocked.Jack (arson Investigator): The firemen said theyonly used one point of entry and exit: The front door.Catherine: Mrs. Abernathy said that she locked all the doors before bed.Warrick: Well, this could be how Sabrina got in. Comes home late, forgets to lock the doorbehind her. It's an opportunity waiting to happen.Jack (arson Investigator): Let's check out the living room.(He turns and leads them into the next room.)[LIVING ROOM]Jack (arson Investigator): A few cheap, woodpanel walls. Polyester curtains, couple of fake plants. All highly flammable.(CATHERINE picks up an unburned bottle of alcohol.)Catherine: Plus ... a bar full of liquid fire with a low flash point.(She throws the bottleaside. JACK sees the broken table on the floor.)Jack (arson Investigator): Coffee table.(They both approach the remains of the sofa.)Catherine: Couch?Jack (arson Investigator): At some point, I think this was acouch.Catherine: This looks like a liquid pour pattern. High-intensity burn. You think this could be the point of origin?(Quick CGI flash to: The couch is on fire and burning. End of flash. Resume to present.)Jack (arsonInvestigator): I think this is the area of heaviest damage. The fire spread up and out towards the kitchen.(JACK takes out a tape measure. His voice fades into the background.)[DOOR](WARRICK kneels in front of theback door and fingerprints the door knob.)[DRIVEWAY](Meanwhile out in the car port, NICK looks around and finds a stack of newspapers only slightly burned. He moves the papers and looks at the concrete burnsunder it.)[LIVING ROOM](CATHERINE works on the sofa when WARRICK approaches her. He puts his kit down.)Catherine: How'd you do?(NICK walks into the room carrying the stack of newspapers.)Warrick: Uh,couple of weak partials. What you got, partner?Nick: Newspapers. I found them in the carport.Catherine: That's on the other side of the house.Nick: Yeah, it's kind of weird. Completely out of the path of the fire and thefiremen said they didn't put them there.Warrick: You know the fire down the street was in the garage.Nick: Well, maybe he started in the carport, Sabrina came home, provided access to the inside of thehouse.Catherine: Did they find an accelerant at the first scene?Warrick: Lighter fluid from the garage.Catherine: So maybe part of the M.O. is that he uses accelerants that are present.Nick: Let's hope he stuck aroundlong enough to witness the damage.[SCENE_BREAK][INT. CSI - A/V LAB -- DAY](NICK and WARRICK go through the video of the observers in the crowd.)Warrick: This is home video from the first fire.Nick: It looks likeeverybody's neighbor.Warrick: Well, they say arsonists often commit crimes where they feel most familiar. The last fire was set during the day in the garage when the family was out of town.Nick: A neighbor wouldknow when people were out of town.Warrick: Or when the door was left unlocked.Nick: If this is a serial situation, to go from an empty garage to a whole house full of people, we're talking about a major escalationhere.Warrick: Well, a match was found at the first fire. If we could find a match in the debris of the second fire, then we may know for sure.(On the monitor, a woman stands near the fire truck.)Nick: Oh, she looksfamiliar. Hang on. I may have something.(He goes to the next video.)Nick: She was at both fires. I got her name off the canvas.Warrick: Let's run her.Nick: Yeah.(NICK does a name check and finds something. Sheis:Name: VIVA CHARLESAddress: 22 SUTTER STREETLAS VEGAS, NVs*x: FEMALECriminal Records: ATTEMPTED ARSONMARCH 03, 2000Nick: She has a record.[SCENE_BREAK][INT. CSI - INTERVIEW ROOM --DAY](NICK interviews VIVA CHARLES.)Nick: You were arrested for attempted arson?Viva Charles: I was exonerated.Nick: I have you on film at both fires on cell crook road.Viva Charles: I am not an arsonist.Nick:That's not what your file says.Viva Charles: The law doesn't make much of a distinction between arsonists and pyromaniacs.Nick: What is the distinction?Viva Charles: I don't set fires for money or with the intent tocause damage.Nick: But you do set fires?Viva Charles: Mmm. You go home at night, and you feel a little lonely, you put in a racy video.Nick: No, no, no. We're not talking about me.Viva Charles: I go home, I rip openmy junk mail, and I put it in the fireplace. It's an impulse control disorder ... but it's private. I don't burn down houses and kill children.Nick: Maybe not on purpose, but accidents do happen.[SCENE_BREAK][EXT. LASVEGAS CITY (STOCK) -- MORNING][INT. CSI - LAB - MORNING](GREG walks into the lab. NICK is already there with a pack on the table in front of him.)Greg: You rang?Nick: Yeah. Greg, how'd you like to be listed asan assist on an arson case?Greg: Is that a rhetorical question?Nick: Cool. I collected these matchbooks from the pyromaniac's house, who was ... kind of hot, actually.Greg: Really? You dig chicks who dig fire?(NICKsmiles and doesn't answer the comment.)Nick: Yeah. This, uh ... this match was used to start a garage fire a couple of weeks ago. See if you can find a match to ... (NICK empties the pack onto the table. Dozens ofmatchbooks spill out.) ... one of those. Thanks, pal.(He pats GREG on the shoulder and leaves the lab.)[SCENE_BREAK][INT. CSI - FORENSIC AUTOPSY -- DAY](The two CORONERS work on ADAM BRENNER.)Robbins:All right, David. The three most common ways to asphyxiate: Strangulation, suffocation and...David Phillips: Choking.Robbins: Good.David Phillips: With this guy, my money's on choking.(ROBBINS and DAVID PHILLIPSwork on the body.)Robbins: Scissors.(DAVID PHILLIPS hands ROBBINS the scissors. He removes a portion of the body's trachea to check for blockage.)Robbins: Hold this please. Thank you, David.(He cuts the tracheaopen and finds a LOGOS piece: \"S\". ROBBINS looks at DAVID PHILLIPS.)Robbins: Hmm.[SCENE_BREAK][INT. CSI - GRISSOM'S OFFICE -- DAY](ROBBINS reports his findings to GRISSOM. GRISSOM holds up theLOGOS piece.)Grissom: An \"S\"?Robbins: Cause of death.(Quick flashback to: [BATHROOM] ADAM BRENNER chokes on the piece.)Robbins: (V.O.) I found it in the trachea.(End of flashback. Resume to present.)Grissom:So, he swallows a tile and tries to give himself a Heimlich?(Quick flashback to: [BATHROOM] ADAM BRENNER is choking on the puzzle piece. He looks around for something to help jar it out of him. He slams himselfagainst the counter. He tries again and hits his forehead against the mirror, cracking it. He falls to the floor.)(End of flashback. Resume to present.)Robbins: Or not. I found these in his stomach.(ROBBINS shows theother letters to GRISSOM.)Robbins: You don't swallow six of them by accident.[SCENE_BREAK][INT. CSI - LAB -- DAY](GREG works on the assignment NICK gave him. He goes through each matchbook one by one,comparing the match found at the first arson scene with every matchbook.)[SCENE_BREAK][INT. CSI - GARAGE -- DAY(NICK and WARRICK go through the things brought into the lab from the crime scene. GREG walksinto the room.)Greg: Your hottie's matchbook collection came up dead.Nick: Hmm. Doesn't mean she didn't do it.Greg: True.Nick: You know, arson's usually a property crime. Did you ever find out the Abernathys'financial situation, Warrick?Warrick: According to Catherine, Jessica Abernathy had major credit card debt but minimal insurance-not even enough to cover what she had. Besides, people tend to remove mementoswhen they know what's coming.(WARRICK picks up the burned photo of JESSICA and her husband. The same photo that used to be on the bedside table.)Greg: So, if the pyro didn't do it for love, and Mrs. A didn't do itfor money, who's left?(NICK looks at the headline from the stack of newspapers found in the car port.)Nick: Maybe the high school baseball team.(He reads the headline out loud.)Nick: McKinley High SchoolGazette.Nick: This is tomorrow's edition with the lead story by editor-in-chief Sabrina Abernathy, entitled \"Varsity Hazing Ritual.\" Now listen to this ... \"The question is not whether the so-called student athletes shouldbe expelled, but whether or not they should be arrested.\"(The article continues: \"This latest case of Varsity hazing is having serious repercussions not only with the school, but across the entire state. The studentsconcerned may face serious charges including involvement with prostitution. \"Every four years we get a new set of students that ready to 'one-up' the previous groups ... \")(The two paragraphs repeat.)Warrick: Why,what'd they do?Nick: Apparently, something with several hookers and a lot of testosterone.Greg: Whatever happened to toilet paper and trees?[SCENE_BREAK][INT. CSI -- LAB](GRISSOM places two of the six tilescollected from the body on the table in front of him. An X and a V.)(SARA walks into the lab.)Sara: Hey. DNA came back. Blood from the bathroom floor's a match to the vic. Blood from the bathroom mirror isnot.Grissom: That's interesting.Sara: Hmm. (She looks over at the pen, paper and tiles in front of him.) What are you doing?Grissom: Anagrams.Sara: You think the letters might be a message from thekiller?(GRISSOM continues to write down possibles on his list:VEXINSVENIXSVEXISNNEIS ... )Sara: (thinking out loud) Six letters. What is that? That's 720 possible combinations, not all of them words, of course.(Shemoves the tiles.)Sara: Hmm. You, uh, missed one.(V-I-X-E-N)(GRISSOM glances at SARA who smiles back at him. BRASS walks into the room.)Brass: Hey. We got an ID. Off your DB's prints. His name is AdamBrenner.Sara: That guy has a record?Brass: Well, sort of. He's a civil servant. He's a postal worker from Orlando.Grissom: Do we know why he came to Vegas?Brass: (smiles) Oh, you're going to lovethis.[SCENE_BREAK][INT. HOTEL - MAIN COMPETITION ROOM -- DAY](Rows of tables are set up where dozens of pairs play LOGOS at the 2004 WESTERN REGIONAL LOGOS TOURNAMENT.)(BRASS, GRISSOM andSARA interview one of the TOURNAMENT ORGANIZERS.)Organizer: Adam Brenner was one of our top division one players. Ranked in the high 1,800s.Grissom: Is that like the elo system in chess?Organizer: Logos hasall the skill of chess combined with the cruel whimsy of fate. Adam once set a tournament record by scoring 735 points in a single game.Sara: It was on his t-shirt.Organizer: Justifiably. It's an incredibleachievement.Brass: So, how did the other players feel about that kind of smack-down?Organizer: You actually suggesting that somebody here killed Adam?(GRISSOM looks at the tournament in play in the room behindthem.)Brass: Cruel whimsy of fate. Guy's from out of town, takes a cab from ..., checks into the hotel. The only thing on his hotel bill is four meals a day. No phone calls. So everybody he talked to is in this room. We'regoing to need a list of his opponents.[SCENE_BREAK][EXT. MCKINLEY HIGH SCHOOL BASEBALL FIELD -- DAY](NICK interviews the Baseball team coach, RICK CHILSON, while his son, CODY CHILSON, is out on the fieldpracticing his hitting. An OFFICER stands behind the two men.)Rick Chilson: What's with the cop?Nick: We're just talking.Rick Chilson: Ah, about what?Nick: (loudly) Sabrina Abernathy died in her home in a fire onSaturday night.(CODY CHILSON hears the comment and misses the ball.)Rick Chilson: Hey! What'd I tell you -- you don't waste a good pitch!Nick: Cody, where were you around 1:00 A.M. on Saturday?Cody Chilson: Inbed.Rick Chilson: Cody's in bed every night at 10:00. He gets up at 5:00 to go running.Nick: Except for the nights he's with the team pulling a train on a hooker.(CODY lets another ball pass by as he stares at"}
+{"doc_id":"doc_2","qid":"","text":"ARC OF INFINITYBY: JOHNNY BYRNEPart TwoFirst Air Date: 5 January 1983Running time: 24:42[SCENE_BREAK]MAXIL: Take them away.[SCENE_BREAK]ZORAC: Each and every time the Doctor returns to Gallifreythere's violence.HEDIN: Perhaps it is we who should modify our approach.ZORAC: He resisted the guard!HEDIN: We send armed guards when a friendly face and a welcoming hand would have sufficed. Are yousurprised that he resisted?[SCENE_BREAK]NYSSA: He's hurt. He must have proper medical attention.MAXIL: He'll recover.MAXIL: The compound is guarded. If you try to leave again, my men will shoot to kill. See thatthe Doctor knows.[SCENE_BREAK]THALIA: Well, where is he?CASTELLAN: The Doctor tried to evade security. Some force had to be used. He'll be brought here as soon as he's recovered.THALIA: The situation is critical,Castellan.CASTELLAN: Of that fact I am more than aware. If I may pass? I must give my report to the Lord President.[SCENE_BREAK]DOCTOR: Not the most welcoming return.NYSSA: They've taken the mainspace-time element.DOCTOR: That's the only way to keep me and the TARDIS here.NYSSA: What do we do now?DOCTOR: We need a link. Something to prove the connection between this creature and Gallifrey.NYSSA:And how are we going to find that?[SCENE_BREAK]CASTELLAN: Maxil. The Doctor is secure?MAXIL: Yes.CASTELLAN: The High Council wish to see him the moment he's recovered. And Maxil? See that he's there, or youanswer to me.[SCENE_BREAK]TANNOY: KLM announces the arrival of the delayed flight from London.STUART: Excuse me. Tegan Jovanka?TEGAN: Yes.STUART: Robin Stuart.TEGAN: Oh.STUART: I'm a friend ofColin's.TEGAN: Hello. Colin told me you were travelling round together. Is he here?STUART: I'm afraid not.TEGAN: Oh. He is all right?STUART: Look, let's go into town and I'll tell you all about it,okay?[SCENE_BREAK]MAXIL: You're to come with us, Doctor.DOCTOR: There's no need for all the fire power.MAXIL: They have orders to kill at the slightest sign of resistance.DOCTOR: The Council Chamber, Isuppose.MAXIL: Yes.DOCTOR: My companion is not involved in this.MAXIL: Move. My orders are to take you both.[SCENE_BREAK]TEGAN: Two coffees, please.TEGAN: When did you last see Colin?STUART: Well, it'sdifficult.TEGAN: What do you mean, difficult?STUART: It's hard to explain. He's disappeared.TEGAN: Disappeared? Couldn't he have just wandered off?STUART: You're not going to believe this.[SCENE_BREAK]DOCTOR:Councillors.HEDIN: Doctor. A pleasure to see you again.DOCTOR: And you, Hedin. Nyssa, my old friend, Councillor Hedin. Councillors, my companion, Nyssa of Traken.THALIA: You are welcome to Gallifrey,Nyssa.NYSSA: Thank you.ZORAC: Well, Doctor, an unpleasant business, this. I'm sure you understand why the Lord President was forced to recall you.DOCTOR: Given the chance, I would have returnedwillingly.CASTELLAN: You've never proved as cooperative in the past.THALIA: If you remember, you were asked to return Romana, and you failed to do so.DOCTOR: Romana chose to stay in E-space.HEDIN: That's allpast history.DOCTOR: Yes. Well, now that I'm here, Thalia, have you given any thought to what's happened?THALIA: There hasn't been much time, Doctor.DOCTOR: Has anyone checked to see if my biodata extractshave been removed from the Matrix, Castellan?CASTELLAN: What are you suggesting, Doctor?DOCTOR: I would have thought that was obvious. None of this could have happened unless the creature had thatinformation.CASTELLAN: I should have thought the most importantZORAC: Councillors. The Lord President.BORUSA: You too have regenerated.DOCTOR: Indeed, President Borusa.BORUSA: And Nyssa of Traken, isn'tit? Sorry to have kept you waiting. Please be seated, Councillors.BORUSA: This session of the High Council of Time Lords is now in progress.[SCENE_BREAK]TEGAN: It's the sort of thing the Doctor gets up to.STUART:Doctor?TEGAN: A friend of mine. Have you reported this to the police?STUART: Of course, but do you think I could tell them the same story?TEGAN: Colin has disappeared.STUART: He's a foreign national, a hitchhiker.Unless there's proof of violence, they're not interested. It's the same in any country.TEGAN: We'll see about that.STUART: I can't get involved. What I've said is the truth, but I've lost my passport. I can't risk making afuss.TEGAN: Marvellous, isn't it. First I lose my job. Not to worry, I think. I'll go and see my favourite cousin, cheer myself up. Now this.STUART: I'm sorry. What do you want to do?TEGAN: Tell me your story again,every detail. Then we'll go to the police. It's all right. I'll handle it alone.[SCENE_BREAK]BORUSA: The space-time parameters of the Matrix have been invaded by a creature from the anti-matter world. We know itscomposition and how unstable is the magnetism that shields it. The creature must be expelled immediately if we are to avert disaster.DOCTOR: Without knowing its purpose here.BORUSA: Its presence here must be ourfirst concern. Anti-matter cannot co-exist in harmony in our universe.DOCTOR: Lord President, this creature is here now because it bonded with me. To do so it needed something very special, full and precise details ofmy biological makeup. Now, I didn't pass this information on. Somebody did. The question is who.CASTELLAN: We considered this, Doctor, but the implications are quite preposterous.DOCTOR: Chancellor, can bondingoccur without the full imprint of a so-called bioscan?THALIA: Not to my knowledge. But the power of this creature is outside the limits of what we know, Doctor.DOCTOR: Lord President, I ask for time to have this fullyinvestigated.BORUSA: I'm sorry, Doctor, but we must deal with the situation as it exists now. The time factor involved leaves only one course of action open to us. Commander!BORUSA: You know that capitalpunishment has long been abolished here in Gallifrey, but there is a precedent for a situation like this. Have you nothing further to say, Doctor?DOCTOR: I have a great deal to say.NYSSA: You can't do this! You mustdestroy the creature.BORUSA: Child, do you think we have not considered this? The creature is shielded. We have no way of tracing it.NYSSA: So you're prepared to kill the Doctor?BORUSA: Commander! Remove theDoctor to the security compound. As soon as the warrant is issued, you will convey him to a place of termination. I'm sorry, Doctor.NYSSA: No! You can't!DOCTOR: Executing me will not alter the fact there's a traitor atwork on Gallifrey![SCENE_BREAK]STUART: What did they say?TEGAN: Foreigners get themselves lost all the time. They'll make routine enquiries. Which means, as you said, they'll do nothing.STUART: Did you tell themabout the crypt?TEGAN: Only that Colin was last seen there.STUART: So what now? We can't just abandon Colin.TEGAN: You are telling me the truth?STUART: Yes, I am.TEGAN: Let's see if we can find Colinourselves.[SCENE_BREAK]NYSSA: Time Lords, I beg of you, think what you're doing. The creature knew the TARDIS' location, time zone coordinates, bioscan. That information could only have come from here, fromGallifrey.CASTELLAN: Only the High Council of Time Lords can extract such data from the Matrix. You too accuse us of treason.NYSSA: Can you deny the possibility? At least give the Doctor time.BORUSA: There is notime, nor can proof of what you say change things. We must prevent the full bonding.NYSSA: But the Doctor is innocent.THALIA: What would you have us do? Spare the Doctor and condemn untold billions todestruction? That is the choice we face here.[SCENE_BREAK]DAMON: Doctor.DOCTOR: Damon!MAXIL: I must speak to the Doctor.DOCTOR: He is a friend of mine.MAXIL: I have my orders.DOCTOR: You don't have torelish them so much.[SCENE_BREAK]BORUSA: We have listened to what you say, but the decision must stand.HEDIN: Lord President, in view of what she says, couldn't we at least delay carrying out thejudgement?THALIA: We can't risk it, Hedin.ZORAC: We're sorry, child, but truly there's no other choice.NYSSA: So much for your justice.CASTELLAN: All that remains is the warrant of termination. The precise wordingshould be in the Matrix.HEDIN: What would we do without your diligence.BORUSA: This session of the High Council is now adjourned.[SCENE_BREAK]DAMON: Nyssa of Traken, I am Damon, a friend of the Doctor's. Wemust talk, but not here.[SCENE_BREAK]HEDIN: Castellan.HEDIN: I'm worried by what both the Doctor and his companion have said.CASTELLAN: The possible connection between this creature and Gallifrey?HEDIN:Yes. And the fact that a Time Lord could be a traitor. You do intend to pursue it?CASTELLAN: They were both overwrought.HEDIN: But if it were trueCASTELLAN: I'm sure I'd know if such a serious breach of security hadoccurred.[SCENE_BREAK]NYSSA: You're sure it was the Doctor's biodata extract?DAMON: Yes, I managed to pass it to him on his way to the compound.NYSSA: We must tell the High Council immediately.DAMON: Butwho to trust? Only members of the High Council have access to biodata information.NYSSA: We must find a way to speak to the Doctor.DAMON: That could be difficult. He's closely confined.[SCENE_BREAK]TIME LORD:The Doctor is to be terminated.OMEGA: Good. You are prepared?TIME LORD: Yes. The Matrix is already programmed.[SCENE_BREAK]MAXIL: You wanted to see me?DOCTOR: Your guards will not allow me to leave theconsole room.MAXIL: They have their orders.DOCTOR: If I'm to die, I want to prepare myself mentally. For that I need to be alone.MAXIL: Which is the nearest room?DOCTOR: My companion's. It has already beensearched.MAXIL: Then you may withdraw. But be sensible, Doctor. If you try to lose yourself in the corridors of the TARDIS, my men will hunt you down, and your death will be far from dignified andpainless.[SCENE_BREAK]HEDIN: Nyssa, Damon.NYSSA: We had to see you, Councillor.HEDIN: I'm deeply sorry for what has happened.NYSSA: Councillor Hedin, we need your help.HEDIN: Anything I can do.NYSSA:We must see the Doctor. Can you arrange it?HEDIN: Difficult. The Castellan is very possessive about his charges.DAMON: The Doctor isn't a criminal.HEDIN: True, but what has happened makes him verydangerous.NYSSA: Please, try.HEDIN: I said difficult, Nyssa, but not impossible. Especially with one so sensitive to public opinion as the Castellan is.[SCENE_BREAK]DOCTOR: My bioscan.[SCENE_BREAK]STUART: I justdon't think it's wise, that's all.TEGAN: I'm not scared to go into that crypt, if that's what you mean.STUART: Look, I feel bad enough about Colin. What if something happens to you?TEGAN: Don't worry on my account.How much further is it?STUART: Just over the next bridge.[SCENE_BREAK]MAXIL: Wait here.DAMON: I feel there is something wrong.NYSSA: What?DAMON: The Castellan agreed too quickly to our visiting the Doctor.Even if he knows he can't refuse, he always attempts to make it appear he's granting you permission. I mean, that's the Castellan's way.[SCENE_BREAK]DOCTOR: So soon? What about myappeal?[SCENE_BREAK]MAXIL: You have visitors, Doctor.NYSSA: Doctor.DOCTOR: How did you get in here?NYSSA: Councillor Hedin arranged it with the Castellan.DOCTOR: Well, that's very generous of the Castellan.Come, we'll walk while we speak.MAXIL: You're to talk here, where I can see you.DAMON: Castellan said we might be alone.DOCTOR: Excellent. Well, Damon, what news of my old companionLeela?[SCENE_BREAK]DAMON (OOV.): Er, she's, she's well, and very happy.DOCTOR (OOV.): I was so sorry to miss her wedding. Still, perhaps I'll get to see her before I (out of range)CASTELLAN: You're a fool,Maxil.[SCENE_BREAK]DOCTOR: In here. Maxil has just planted a listening device in the console room. Well now, we have proof my biodata extract was removed from the Matrix.NYSSA: So there is a traitor.DOCTOR:Indeed. And a disaster in the making. Unless I'm mistaken, Gallifrey could lose control of the space-time Matrix.DAMON: But that's impossible.DOCTOR: That's exactly what the High Council think. So, we must see whatwe can do to stop it happening. Look, Damon, I know you've already risked a great deal for me, but could I impose on you a little further?DAMON: Anything.DOCTOR: I need another space-time element for the TARDIS.Preferably without a recall circuit.DAMON: I'll see what I can do. Anything else?DOCTOR: Yes. You could check to see if the Matrix is aware of any details concerning power equipment, movement,transportation.DAMON: Right.DOCTOR: Well, Commander, our time is up so soon. Well, Nyssa, that's my final word. No appeals. We must accept the decision of the High Council. Understood?[SCENE_BREAK]TEGAN:This is it?STUART: Yes. The entrance to the crypt is over there, behind the fountain, but I found a back way in behind the house.[SCENE_BREAK]NYSSA: It's impressive.DAMON: We must hurry. I must first check thecoding for a Type Forty time rotor.[SCENE_BREAK]CASTELLAN: Well?MAXIL: All is in order, Castellan.CASTELLAN: No appeals? No last minute requests?MAXIL: Nothing. The Doctor seems to be taking it quite well, infact.CASTELLAN: You are extremely privileged, Maxil. It's given to very few to supervise the destruction of a Time Lord. It has in fact only happened once before.MAXIL: The warrant is issued?CASTELLAN: Yes. Summonthe Doctor.[SCENE_BREAK]TIME LORD: It is time, my friend. The Council have been summoned to the place of termination. You have little time. Can you do it?OMEGA: All will be ready here.[SCENE_BREAK]OMEGA: Doprecisely as you have been instructed. To the controls.[SCENE_BREAK]NYSSA: What is it?DAMON: The alert. The Doctor is being taken to the place of termination. We're too late.NYSSA: They'll execute him now, thisinstant?DAMON: Yes.DAMON: No, Nyssa. Look, you can't stop them now.NYSSA: Help me!DAMON: Please, Nyssa, please. You'll die too.NYSSA: We can't fail him, Damon. You finish assembling the time element. Nowplease, I want this thing open.DAMON: It's madness.NYSSA: You must get to the TARDIS and fit the element into place. If all goes well, we'll need to leave in a hurry.DAMON: Be careful and, and goodluck.[SCENE_BREAK]DOCTOR: I trust you know what you are doing?BORUSA: You know the choice we have to face, Doctor. Our duty, if not our conscience, is clear.DOCTOR: And the decision was unanimous?BORUSA:There was one dissenter, your good friend Councillor Hedin.DOCTOR: Thank you, Hedin. I much appreciate all you've done.BORUSA: By the authority vested in me as laid down by Rassilon, I, Lord President Borusa, andin harmony with the majority of the Time Lords here present, we are resolved[SCENE_BREAK]GUARD: Halt![SCENE_BREAK]BORUSA: By reason of cruel but unavoidable necessity, we have no recourse but to exercisethe final sanction of termination. Commander Maxil, this warrant empowers you to carry out judgement.MAXIL: Guards, bring the Doctor forward.[SCENE_BREAK]OMEGA: Align scan coordinates.[SCENE_BREAK]NYSSA:Over here, Doctor.DOCTOR: No! Nyssa, I will not have blood spilt to save my life.BORUSA: Nyssa of Traken, I command you to lay aside that weapon.NYSSA: Doctor, quickly!THALIA: Obey the Lord President, or you toowill die.CASTELLAN: You cannot escape, girl.NYSSA: Don't you understand? The Doctor was betrayed. His bioscan was extracted from the Matrix. Doctor, tell them.DOCTOR: They're right, Nyssa. We cannotescape.NYSSA: But we're ready to leave.DOCTOR: Please. You must obey the Lord President. I know what I'm doing. The weapon, please?DOCTOR: Lord President, my companion acted from misguided loyalty. She willcause no further trouble. In return, I ask that she is allowed to go free.BORUSA: Thank you, Doctor. For your sake, we will overlook it.[SCENE_BREAK]OMEGA: Activate booster terminal, now![SCENE_BREAK]MAXIL:Judgement has been carried out, Lord President."}
+{"doc_id":"doc_3","qid":"","text":"OPEN IN LORELAI'S FRONT YARD[An airport shuttle van drops Lorelai and Rory off in front of their house, then pulls away]LORELAI: Agh!RORY: And we're home.LORELAI: How long does a freakin' van ride take?RORY:Not that long!LORELAI: Everybody in the world's life flashed before my eyes. That's how much time I had. I thought we were gonna die on that van.RORY: It seemed a good possibility.LORELAI: Ugh, that van ride feltlonger than our train ride from Paris to Prague, and we had that group of French boys singing Sk8er Boi and smelling like a soccer field sitting all around us.[Babette comes out of her house and rushes over tothem]BABETTE: Oh my God, you're back! Morey, they're back! Are you hurt? Are you bleeding?LORELAI: Oh, we're fine.BABETTE: You're fine? They're fine! Morey!MOREY: [opens his front door] Yeah?BABETTE: They'refine!MOREY: Okay. [goes back inside]BABETTE: What the hell happened to you two? According to the itinerary that Rory gave me, you were supposed to be home on Saturday.LORELAI: The itinerary that Rory gaveyou?BABETTE: So when you girls didn't show up, we panicked! Morey?MOREY: [opens front door] Yeah?BABETTE: Didn't we panic?MOREY: Yeah. [goes inside]LORELAI: Hey, Morey, you ever thought about just stayingout here at times like these?BABETTE: By Sunday night, I was a complete basketcase. I thought you'd been kidnapped by some crazy Sandinistas or something.LORELAI: 'Cause the Sandinista movement is so popularin France.BABETTE: So, finally, I just started calling consulates.RORY: Consulates?LORELAI: How many consulates?BABETTE: Ah, jeez, all of 'em. Anyhow, you're here. Let's go inside, I wanna hear all about Europe.Morey, I'm going in!MOREY: [calls from his house] Okay.[Babette goes into Lorelai's house]LORELAI: You gave her an itinerary?RORY: I thought it would be good for someone to know where we were.LORELAI: Oh, yougave her an itinerary and she called every consulate in the world.RORY: If we were caught smuggling hash over the border and we were thrown in some Turkish prison, wouldn't you want someone to know that we werein Turkey?LORELAI: Where'd we get this hash we were smuggling?RORY: You were at a café, you met a guy, he was sweet-talking you, he put the stuff in your purse when you weren't looking.LORELAI: At least tell mehe was cute.RORY: He was not bad for a hash dealer.LORELAI: Hm.[they walk into the house]BABETTE: [calls from the kitchen] I'm making cocoa!LORELAI: She's making cocoa 'cause you gave her an itinerary.RORY: Imay have given her the itinerary, but you're the one who got us busted for drug smuggling.LORELAI: Reality has absolutely no place in our world.[they walk to the kitchen]BABETTE: Okay, I wanna hear all aboutEurope. Come on, tell me, what'd you see?LORELAI: Well, everything. Uh, Notre Dame, the Roman Baths, St. Peter's Basilica.RORY: Mom touched the Pope.BABETTE: You're kidding!LORELAI: Actually, I just touched hiscar. Then one of the Swiss guards in the fruity cool clothing busted me.RORY: Luckily, Mom's fluent in flirting.LORELAI: And flirting with a guy in a pompom hat and a skirt is quite an accomplishment.BABETTE: Well, itsounds like you had a terrific trip.RORY: It was. [Lorelai signals for her to fake a yawn, and Rory does]LORELAI: Aw, are you okay, hon?RORY: Yeah, I'm just a little sleepy.BABETTE: Aw, of course, you girls must bewiped. I'll, uh, get out of here.LORELAI: Oh, but thanks, Babette.BABETTE: Well, goodnight, sleep tight. I'll talk to you tomorrow. Morey, I'm coming home! [leaves]RORY: I'm gonna go unpack.LORELAI: Oh, unpacktomorrow.RORY: No, if I leave stuff packed overnight, everything's gonna get gross.LORELAI: Everything's already gross.[they walk into Rory's bedroom]RORY: Ahhh.[Rory walks to the closet as Lorelai gets on thebed]LORELAI: Oh my God, your bed feels good.RORY: Do not get comfortable. I will sleep on top of you if I have to.LORELAI: Oh man, smell this. [holds up a pillow]RORY: What?LORELAI: I forgot that pillows don'thave to smell like feet. You know, I have to say, I think it's good I did this hostel thing in my thirties, and I'll tell you why.RORY: [hugging the clothes in her closet] I missed you, I missed you all!LORELAI: If I had doneit in my twenties or teens, I would've been naïve enough to think that hostels were exotic and romantic. But once you're in your thirties, you've lived enough to know they're gross and should be avoided at allcosts.RORY: [to her clothes] I had a dream about you in Copenhagen. You were there, and you, and you, and you.LORELAI: Listen, since we slept on the plane, we should go to sleep now, but get up really earlytomorrow. We don't wanna blow this whole week being jet-lagged. We need to establish normal sleeping patterns.RORY: Fine.LORELAI: Okay. I'm gonna go take a shower and leave you alone to make out with yoursock drawer.RORY: Close the door.[Lorelai leaves. Rory pulls open her sock drawer]RORY: Hello, boys.[opening credits]CUT TO LORELAI'S HOUSE[Rory is organizing the souvenirs in the living room. Lorelai walks downthe steps talking on the phone]LORELAI: [on phone] Gilmore, Lorelai, yes. My daughter's name is Lorelai also. Well, very confusing or, in your case, extremely convenient. Uh, no, see, we were never missing, it was abig mistake.RORY: Who are you talking to?LORELAI: Belgium.RORY: Ah.LORELAI: [on phone] Yes, uh huh, Babette Dell. She got our arrival dates mixed up and she was just worried, but we're fine, we're here. We justloved your fries. Okay, sure, bye bye. [hangs up] Okay, Belgium's done, Lisbon's calling me back, Berlin had no idea what I was talking about, and Paris is pissed.RORY: At who?LORELAI: Ugh, who knows? Okay, I'mtaking a break and then I'm taking on the Netherlands. I still cannot believe Babette did this.RORY: She just loves us.LORELAI: Well, be a little less lovable, would you, 'cause it's costing me a fortune. Try being one ofthose kids where people are like, \"Oh really, she was kidnapped? Hey, well, thin the herd.\"RORY: Very nice. Hey, who are the rosary beads for?LORELAI: They're mine.RORY: What do you need rosary beadsfor?LORELAI: They're cute.RORY: They're for prayer.LORELAI: Well, pray they match my blue suit?RORY: They have just upgraded you to a queen-size bed, Jacuzzi tub, junior suite in hell.LORELAI: Hm. Oh, Pietaplacemat?RORY: Oh, Gypsy.LORELAI: How are you feeling?RORY: You know, not bad. Just a little spacy.LORELAI: Like a cold medicine buzz?RORY: Maybe we got lucky and missed the jet lag.LORELAI: I hope sobecause we have a very big week ahead of us.RORY: Oh yeah?LORELAI: Yes. In fact, I have here in my hand a schedule of all the activities we are going to partake in over this week, the final week of Rory Gilmore's lifebefore she enters the ivy-covered hallowed halls of Yale University.RORY: Schedule, please.LORELAI: Okay. Today we get these presents out to our friends and then we hit the mall.RORY: Got it.LORELAI: Tomorrow weget an early start and we hit three of the crappier movies that are out.RORY: And then we have dinner at Grandma's.LORELAI: Which I will conveniently not put down on my list in the hopes that that magically goesaway. Uh, okay, the next day we hit New York, see your fancy art galleries, hit the Strand.RORY: Yes!LORELAI: Pizza at John's. Um, Sunday, pick up all the stuff you need for school, and then there's a barbecue atSookie's. Monday is mani/pedi, facial, haircut, go to the psychic, and stock up for Tuesday, the day of all days - Godfather I, II, and III, with extra showings of the Sofia death scene over and over as long as theMallomars hold out.RORY: The perfect day!LORELAI: I agree.RORY: And I think we have just enough of the biscotti that we brought back from Milan to last us the rest of the week.LORELAI: Oh, good. Well, everything'sin order, so, uh, let's get going and get this stuff out of here.RORY: Okay.LORELAI: Wow, we sure have a lot of gifts. Do we like this many people?RORY: I didn't think so. Maybe we're getting soft in our oldage.LORELAI: Okay, well, I guess we should get some tote bags.RORY: What tote bags?LORELAI: We must have tote bags.RORY: Where would we get tote bags?LORELAI: Excuse me, every woman who's everpurchased seventy-five dollars worth of Clinique products has some tote bags.RORY: We don't have tote bags.LORELAI: Well, how are we supposed to get this stuff out of here?CUT TO SIDEWALK[Lorelai and Rory walkdown the street wearing their backpacks]LORELAI: Now we're the quirky backpack ladies.RORY: One of the kinder nicknames that have been attributed to us.LORELAI: Let's just be very efficient about this. Okay, we'llstart with Patty, work our way clockwise around the town, end with Andrew. And let's stick with the 'my mom touched the Pope' anecdote. It's quick, it's peppy, and everybody likes a nice Pope story.RORY: Do we havetime to stop at Luke's? I'm starving.LORELAI: Absolutely. This is our week, this week we do anything we want.RORY: I like this week.LORELAI: Hey, I wonder if Luke and Nicole actually went on that cruise.RORY: Ithought he was going.LORELAI: Yeah, I know, but I wonder if he actually went.RORY: Why wouldn't he?LORELAI: Well, I don't know. Because he'd have to pack and leave, plus he'd have to buy a bathing suit.RORY:Well, I hope he went. He could use a good vacation. Plus, he really seems to like Nicole.LORELAI: Mmhmm. Yeah, he does. Oh, hey, looks like the soda shop is open.RORY: Oh, cool.[They stop outside the soda shop andsee Luke and Taylor arguing inside]LUKE: I am gonna kill you.TAYLOR: Oh, please, you are not.LUKE: I am, too. I'm gonna kill you. I should've killed you before. I should've killed you the minute you put up thoseunicorn topiaries in the park, but, hey, hindsight, right?RORY: Aw, I've missed that.LORELAI: What do you think, biscotti moment?RORY: Absolutely.[Lorelai and Rory eat biscotti while they watch Luke and Taylorargue]TAYLOR: You don't have to yell, Luke.LUKE: You put a giant window in my wall.TAYLOR: So what?LUKE: A giant window! Right here! You can see my entire diner. And when I'm in my diner, I can see your wholestupid store.TAYLOR: I don't understand why yours is a diner and mine is a stupid store.LUKE: Look at this place! Look at you. All you need is six dancing penguins and Mary Poppins floating in the corner to bring backtwo of the worst hours of my childhood.TAYLOR: I don't think you had a childhood. I think you came out a bitter surly killjoy.LUKE: You can't change the basic structure of this place without my okay! What?TAYLOR:Your hand is near the wax lips.LUKE: So?TAYLOR: If you could just move it so you don't accidentally touch the candy. Lucas. [Luke rummages through the different boxes of candy] What are you doing? You stop thatright now!LUKE: [throws candy in the air] Look at all the pretty candy!TAYLOR: Agh, stop it right now!LORELAI: [gasps] Oh my God!RORY: Hm, what? What's the matter?LORELAI: Luke.RORY: Yeah, he's finally lostit.LORELAI: No, we forgot Luke.RORY: We forgot Luke what? Oh, we forgot to bring him back a gift. Oh no!LORELAI: We kept putting it off and putting it off.RORY: We couldn't find anything good enough.LORELAI: Weshould've gotten him that bullfighter's uniform.RORY: Well, so what do we do?LORELAI: Well, we have to just pick up something here and we'll tell him that we got it in Denmark.RORY: Pick up what?LORELAI:Something.RORY: What? This is Stars Hollow. Everything you buy here has a Hello, Kitty stamped on the bottom.LORELAI: Well, we have to get him something. We cannot go into Luke's empty handed.RORY:Great.LORELAI: Come on.RORY: I'm hungry.CUT TO SOOKIE AND JACKSON'S HOUSE[Lorelai and Rory walk up to the house]LORELAI: Hey, Sookie![Sookie rushes off the porch to greet them]SOOKIE: [squeals] You'reback!LORELAI: We're back![they all hug; Jackson comes out of the house]JACKSON: Hey, don't squish baby!SOOKIE: I missed you so much!LORELAI: We missed you so much.SOOKIE: Ah, look at you! You lookolder.RORY: Oh, thanks, Sookie.SOOKIE: So how was it, was it wonderful?LORELAI: Oh -SOOKIE: I wanna hear everything you did and everything you ate. Oh, was it warm? I read it was warm. How was Barcelona?Did you see the gaudy apartments? Ooh, did you see a bullfight? Did you see Anne Frank's house? Did you cry? Was Steven Speilberg there, huh? Oh, hey, I hear you touched the Pope! Are you hungry? Do you wantanything to eat? I've got quiche.[they walk into the house]LORELAI: Hold on one sec here, missy. I need to look at you. Sideways, please.SOOKIE: Okay.LORELAI: Hello, hi, nice to see you. I'm your Auntie Lorelai, andthis is your Auntie Rory. Say hi, Rory.RORY: Hey.LORELAI: Come over here.RORY: Oh, no, I'm good.SOOKIE: Come on, Rory, rub my stomach.RORY: I'd rather not.LORELAI: Rory's a chicken.SOOKIE: So isJackson.JACKSON: Hey, I'm gonna like it when it comes out.LORELAI: So what did the ultrasound say, boy or girl?SOOKIE: It's a -JACKSON: Buh-buh-buh-buh-buh-buh-buh.LORELAI: It's a buh? What's abuh?JACKSON: [reveals a button pinned to his shirt] Read.LORELAI: [reads button] \"I do not want to know the s*x of my baby.\"JACKSON: That's right. I'm going old school on this.SOOKIE: And he's being completelystubborn.RORY: But you know?SOOKIE: Of course I know. I had little clothes to buy -JACKSON: Buh-buh-buh-buh-buh-buh!SOOKIE: What? I said nothing about the s*x.JACKSON: You said little, and now I know it'sgoing to be little.LORELAI: Jackson, seriously, you don't wanna know?JACKSON: Hey, in the old days, the guys would pace back and forth in the waiting room until a pretty nurse in a nice white outfit would come outand say, \"Congratulations - it's a 'insert your chosen s*x here'.\" Ricky Ricardo didn't know, Dick van Dyke didn't know, and by gum, if it was good enough for Rick and Dick, it's good enough for me.LORELAI: Well, Iwanna know.JACKSON: Rory, what do you say? Be on my side.SOOKIE: Jackson, there are no sides.JACKSON: We can be in that waiting room together, pacing, waiting, we'll get you a nice suit. What do you say?RORY:Okay, sure. I'm on Jackson's side.JACKSON: Great. Welcome to 1954. [gives her a button]RORY: Happy to be here.LORELAI: Well, I wanna know.SOOKIE: Come on, I'll tell you outside.LORELAI: Sure you don't wannago?RORY: Read the button, missy.LORELAI: Okay.[Lorelai and Sookie leave]RORY: So, you hear about that whole Sputnik thing?JACKSON: Oh, Eisenhower's on top of it.RORY: Hm.CUT TO OUTSIDE[Lorelai and Sookiewalk out back to the shed]LORELAI: So Jackson's really not gonna be in the delivery room with you?SOOKIE: Nope.LORELAI: Does that bug you?SOOKIE: Hey, I don't like Jackson to see me shave my legs, so. . .I'mopening the shed! Okay, are you ready?LORELAI: For what?[Sookie opens the shed; it's filled with blue baby products]LORELAI: [gasps] It's a boy!SOOKIE: It's a boy!LORELAI: Oh, Sookie, you're having a boy!SOOKIE:I know! Jackson will finally have that son to prune the trees with.LORELAI: My God, it's so exciting. A boy! Oh, a little boy. I know nothing about little boys.SOOKIE: Me neither.LORELAI: Man, you're prepared, aren'tyou?SOOKIE: Yes, I am.[They sit down in chairs in the shed]LORELAI: It's so nice to be home.SOOKIE: It's nice to have you home.LORELAI: Hey, have you seen Luke lately?SOOKIE: Briefly.LORELAI: I guess he wenton that cruise, huh?SOOKIE: Yup.LORELAI: That's good. That's good he went. He needed a vacation. He works hard, that one. Always cooking, making the coffee, taking the orders.SOOKIE: You know, I think somethinghappened on that trip of his.LORELAI: What do you mean?SOOKIE: Well, the day he got back, Jackson and I went into the diner and I asked him how his trip went. He couldn't get away from me fast enough.LORELAI:Really? Was Jackson wearing that creepy button?SOOKIE: Nope. Luke just seemed kind of freaked out about something.LORELAI: What?SOOKIE: I don't know.LORELAI: You think he and Nicole had a fight orsomething?SOOKIE: I don't know.LORELAI: He didn't say anything?SOOKIE: Nope. He just walked around acting weirder than normal.LORELAI: Huh. Wonder what that's all about. So. . . are you gonna name himLorelai?SOOKIE: Absolutely. That wouldn't be confusing at all.LORELAI: Great.CUT TO SIDEWALK[Lorelai and Rory walk down the street. Lorelai is carrying a jar of jam.]RORY: I cannot believe you.LORELAI: What? It'sthe perfect gift for Luke. Fine fancy jam from France.RORY: Fine fancy jam from Jackson's pantry.LORELAI: I don't know what you're talking about. I am looking right here at this beautiful hand-crafted label and it says\"Fruits de la Terre.\"RORY: You didn't even spellcheck to make sure you got the French right.LORELAI: Yes, well, I think it adds an authentic touch. See, in my world, the person who made this jam was an illiterateorphan. . .Sochelle.RORY: As in Sochelle Crab.LORELAI: Yes, exactly. Sochelle was born by the sea, or so said the note left in the bassinet when the nuns found her on the steps of Notre Dame.RORY: Oh, good, thereare nuns.LORELAI: Every sad story needs nuns. Anyhow, Sochelle had nothing - no father, no mother, no friends, no education. All she had was a burning desire to make great jam, and now she's the most successfuljamstress in Paris.RORY: Luke's gonna know.LORELAI: No, he is not.RORY: Well, as much as I would like to be there when you give Luke your heartfelt gift, I'm gonna go give Lane her gift.LORELAI: All right, but ifyou're not there, I'm gonna get all the credit for this.RORY: Exactly as it should be.LORELAI: Give Lane a hug for me.RORY: I will. Don't give him the jam.LORELAI: I can't hear you, I'm too far away.CUT TO LUKE'SDINER[Lorelai walks in]LORELAI: Bonjour, Luke. Pouvez-vous attacher vos chausseurs?LUKE: What?LORELAI: Uh, hi, Luke. Do you know how to tie your shoes?LUKE: Very good.LORELAI: Yup. It came in handy, let metell you. Not one shoelace fatality on my watch. [he sets a mug in front of her] You remembered.LUKE: Yup. A couple things about you stick. You have a good time?LORELAI: Vos odeurs de chat.LUKE: What'sthat?LORELAI: Your cat smells.LUKE: You must've been a big hit with the salon set.LORELAI: The trip was incredible, we had the best time. We were supposed to come back on Saturday.LUKE: I know.LORELAI: Keepingtabs on me?LUKE: Always safer to know which direction the tornado's coming from.LORELAI: Anyhow, we were in London and we ran into this group of girls who were heading to Ireland to stake out the ClarenceHotel.LUKE: Why?LORELAI: Because U2 owns it and Bono hangs out there.LUKE: Ah. Him again.LORELAI: So then we jumped on a train and we headed to Ireland - incredibly beautiful, by the way - and we sat in a barfor two days and did nothing but eat soda crackers and funky cheese and he never showed.LUKE: Que sera.LORELAI: Hm. [sips her coffee] Mm, still good. I told 'em about you over there, Señor Swanky-pants.LUKE:Can't tell you how grateful I am to have you as my press agent.LORELAI: And we got you something.LUKE: You did?LORELAI: Yes, we did.LUKE: You didn't have to do that.LORELAI: What are you talking about? We donot go to Europe and come back without bringing something for Luke. Here. [hands Luke the jar of jam]LUKE: Jam.LORELAI: Yes, fancy French jam.LUKE: Fruits de la Terre. Very impressive.LORELAI: It's handmade bythis woman in Paris who has the most amazing story.LUKE: Really?LORELAI: Yeah. Orphaned.LUKE: Uh huh.LORELAI: And illiterate.LUKE: Okay.LORELAI: Just had nothing in her life, you know, except this burningdesire to be the world's greatest jamstress. And she's famous now and, uh, you know, she only makes three bottles of that stuff a year and that's one of 'em, and I brought it all the way across the, uh. . .I got it fromSookie's house.LUKE: No.LORELAI: How did you know?LUKE: Just a wild guess.LORELAI: I swear, we tried to get you something, but nothing was good enough.LUKE: No, forget it. I didn't get you anything on my tripeither. We're even.LORELAI: Oh, yeah, how was the cruise?LUKE: Oh, it was. . .you know.LORELAI: Not really, I've never been on a cruise. So. . .LUKE: It was fine.LORELAI: Okay. So, you and Nicole had funthen?LUKE: Yeah, yeah, yeah, yeah. You want more coffee?LORELAI: Uh, eh, oh. So what did you?LUKE: Where?LORELAI: On the boat? What did you and Nicole do on the boat?LUKE: Oh, uh, you know, we flutteredaround and ate, and there was a magic show and a singer and pillow mints, and you know, that's it.LORELAI: But you and Nicole had a good time, you got along, and. . .LUKE: Yeah. Uh, I'm gonna go check on yourfood.LORELAI: Okay. [Luke walks away] I didn't order anything yet.CUT TO SIDEWALK[Kirk is hanging up a poster in front of the market as Rory walks by]RORY: Hi, Kirk.KIRK: Bienvenido, señora Gilmore.[Rory sees"}
+{"doc_id":"doc_4","qid":"","text":"[Scene: Paige's car. Paige is driving along the road, talking on her phone to Phoebe.]Paige: Okay, so I've stopped at five herb shops but I finally found some eye of newt. So if it's good enough for Shakespeare'switches, I figured it'd help us put a serious dent in Cole.Phoebe: Look, we've tried everything to vanquish him but nothing works, okay. So I just say we watch our backs and get on with our lives. Speaking of which, doyou think eye of newt would work on the woman that's trying to sue me?Paige: Is she demonic?Phoebe: Well, she's demonically stupid. Paige, I am seriously worried that I'm going to lose my job over this.Paige: Forgiving bad advice in your column?Phoebe: No, the advice wasn't bad, I never told her she should leave the guy at the altar.Paige: Either way, what happened to freedom of the press?Phoebe: Well, apparently some dirtbag lawyer is finding a way around it. (Paige passes a demon wearing a suit, standing on the side of the road. He waves his hand and something blows on her car. Her car spins out of control and Paige screams.) Paige?(Paige's car crashes into another car and she is knocked unconscious.) Paige, are you okay? Paige, do you hear me? Are you okay? Paige.[Scene: A demonic strip bar. Women in bikinis are dancing on the stage, whiledemonic men watch them close by. Cole is amongst the demons, watching a dancer straight in front of him. The demon from the street shimmers into the middle of the room, who a waitress bumps into. He looksaround and approaches Cole.]Demon: Cole.Cole: How'd it go?Demon: It was beautiful.Cole: Was the other driver hurt?Demon: Oh, yeah.Cole: Good.Demon: Now all you gotta do is a little mind control on the witnessesand maybe a cop, and we're golden.Cole: Let's get outta here.(Cole starts to get up but a dancer walks over and pushes him back down.)Dancer: No time for one little dance?Cole: Kaia, I was waiting for youearlier.Kaia: I'll make it up to you.Demon: Boss.(Cole gives him a look and he walks away.)Cole: You know what I want.(Kaia shapeshifts into Phoebe and gives him a lap dance.)Opening Credits[Scene: Hospital. Room.Piper, Phoebe and Paige are there. Paige is in the hospital bed, Phoebe sits on the end of the bed, and Piper sits beside in a chair.]Piper: Are you sure you don't want to call Leo?Paige: No, no, it's just a mild concussionand besides, I don't deserve to be healed. I know better than to talk on the phone and drive, I don't know what I was thinking.Piper: Do you remember what happened?Paige: I was speaking to Phoebe and then thenext thing I know the car just started spinning out of control.Phoebe: Hm, it's kinda like my career.Paige: Oh, honey, it's not that bad is it?Phoebe: I think it is. The newspaper's lawyers wanna meet with me and I don'tthink it's because they're huge Phoebe fans.Piper: Well, I'll see you your career and raise you my club. The health inspector's coming back today and the plumbing just exploded, again.Paige: What is going on with us?Is Mercury in retrograde?Phoebe: Have you thought about using a magical band-aid?Piper: I'd do it in a heartbeat if I wasn't afraid of the personal gain consequences.Phoebe: See, this is why demons always have theupper hand, you know. They can use their magic whenever they want to.Paige: Yeah, well, you know, that's what separates good from evil.Phoebe: Yeah, I know that but it's still very tempting. I mean, you could fixyour plumbing, I could turn some lawyers into toads.Piper: Aunt Phoebe, little wiccans have very big ears that can hear you.Phoebe: Oh, I'm sorry, baby, I was only kidding! Mostly. (to Paige) Are you going to be okaybecause I have to go get fired now.Paige: You are not getting fired and I'm fine.Phoebe: From your mouth and god's ears. (She kisses Paige on the head and turns to Piper's stomach.) Okay, bye, my little niece.(Shekisses Piper's stomach.)Piper: You're smashing me.Phoebe: I love you.Piper: Get off me!(Phoebe leaves.)Paige: This is no segue but you and I need to talk about vanquishing Cole.Piper: 'Cause we don't have enoughproblems at the moment?Paige: No, because he's actually our biggest problem at the moment. Okay, look at Phoebe, it's totally beaten her down.Piper: I don't know, she seemed kind of cheerful considering the state ofher career.Paige: That's this wonderful thing called denial. Okay, the Phoebe I know would never roll over for lawyers like that. This morning when I was talking to her about vanquishing Cole, she told me I was wastingmy time. I'm telling you she is off.Piper: Alright, okay, already. Well, we'll spend the afternoon with our noses in potions. But can I go save the soul source of our income first?Paige: Yeah, go, I'll see you later.Piper: Areyou okay to orb?Paige: I'm perfectly fine to orb. Go.Piper: Alright.(Piper leaves the room. Paige gets up to get dressed and two police officers knock at the door.)Cop #1: Paige Matthews?Paige: Yeah?Cop #1: You'reunder arrest.[Scene: Cole's office. Cole's there. The demon stands at the doorway.]Demon: Felony hit and run. She's going down.(He walks over to Cole.)Cole: And P3?Demon: Health inspector's there, our guys are inplace. I've gotta say, using the law to bring down the Charmed Ones was genius, sir. They'll never figure it out.Cole: Oh, they will figure it out, it'll just be too late. (He shows him some blueprints of the manor.) TheHalliwell manor. The doorway to the spiritual nexus. All the power that we need.Demon: Oh, man. Right under the witches' house. Who knew?Cole: I did.Demon: Is that why they're so damn strong?Cole: Ah, partly.The Nexus packs a punch. The power can go either way, in good hands, good gets a power boost. But when we tap into it, evil spreads.Demon: How far?Cole: Far enough. The police, the politicians, and Phoebe. She willbe consumed by evil and she will finally give into our love and then I will torture and kill her sisters and we'll live happily ever after.Demon: Sir, I thought the point of all this was to give you the power to reorganise theUnderworld above ground.Cole: Yes, it is, it is. But to be united, evil must have a happy leader and for me to be happy, I need... (Phoebe walks in carrying a picnic basket.) Phoebe, what are you doing here?Phoebe: Icame to see you, baby. I thought we could have a little picnic.(She walks over to him and gives him a big kiss on the lips.)Cole: Kaia, what the hell do you think you're doing?(Phoebe shapeshifts into Kaia.)Kaia: Damn,how'd you know it was me?(She curls her hair around her finger.)Cole: Well, for starters Phoebe hates me and she doesn't drink and she uses a little less tongue.Demon: Since when does a stripper follow a guy backfrom work?Cole: Hey, hey, hey, Dex, go easy, she's got a little crush.Dex: With all do respect, sir, Kieran demons are manipulative vixens and this one has an agenda that goes way beyond a little crush.Cole: Sure, shecan smell power, can't you Kaia? Maybe she wants to be my new queen.Kaia: Just send this one away and I'll prove my worth.(She strokes his chest.)Cole: I'm afraid I can't, I'm in love with someone else.Kaia: But Ican give her to you, I can be her.Cole: No. You're good for the occasional dance but beyond that I need the real thing.Dex: Alright, you heard him, get out and stay gone. Otherwise, I'll make sure you do.(Kaia stormstowards the door.)Cole: Not like that. Go out the way you came in. In this office we keep up appearances.(Kaia shapeshifts into Phoebe.)Phoebe: You want me, I can feel it.(She leaves.)Dex: Insolent.Cole: Hotthough.[SCENE_BREAK][Scene: P3. Piper, Leo and the Health Inspector are there. The Inspector has stamped a file saying 'condemned'.]Piper: Oh, no, no, no, don't do that. Come on, you've gotta give me anotherchance.Health Inspector: And why is that?Piper: Because, because, because...Leo: Because we've been in business nearly four years and we haven't failed an inspection yet.Health Inspector: Well, I'd have to disagreewith that, Mr. Wyatt. You've failed two this week.Piper: Yeah, but this week has been bad, like strangely bad and we'll have the plumbing fixed tomorrow so can't you just come back then?Health Inspector: Well, yourrecord has been impeccable until now. (A rat squeaks and crawls past his feet.) Whoa, hello. (Piper gasps.) Rats too.Piper: No! No, we don't have rats. They don't live here. They're just, they're just trying to ruin mylife.Health Inspection: Rodent infestation takes longer than a day to clear up. Close down, address the problem, and we'll schedule another inspection in a few weeks.Piper: I won't need another inspection in a fewweeks because if I stay closed that long, I'll be out of business.Health Inspector: Sorry, there's nothing I can do.Leo: Alright, well, I'll show you out.(Leo and the Inspector head for the door. Piper grabs a broom.)Piper:Where are you? (She chases the rats with the broom.) I hate you, I hate you. Go home! Get out of here you plague spreading, club ruining rodent. I will get you!(She tries to blow up the rat but misses and gets a chair.Leo walks back in.)Leo: Piper, what are you doing?Piper: Diminishing the rodent population obviously.Leo: Come on, honey, we're gonna get through this.(Piper goes over and sits on the stairs.)Piper: Yeah, we will butthe club won't. How can this be happening? I mean, I know I've neglected the club since I've been pregnant but not this much.Leo: These things happen, it's just bad luck.Piper: No, it is more than bad luck, it issabotage, it is... it's demonic.Leo: What?Piper: Well, yeah. Phoebe's lawsuit, Paige's accident... Well, that's it, it's all part of it, it has to be.Leo: Why?Piper: Because I said so and if not, we're losing the club which is justnot an option.(Piper and Leo leave the club. The rats turn into two demons.)Rat Demon #1: Damn. She missed me by this much.(They blink out.)[Scene: Police Station. Paige, Darryl and a cop are there.]Cop: This way,Ms. Matthews. (The cop stands Paige next to a wall with the lines to measure her height. He walks over to the camera.) No film.Darryl: Try the filing cabinet. She's not going anywhere.(He walks away.)Paige: Why, whyam I not going anywhere? You've always helped us before.Darryl: With your other problems. This is not others.Paige: I am not so sure.Darryl: Paige.Paige: I didn't do what they're saying I did. And if anybody is tryingto set me up it would be a de... others.Darryl: Officer Garcia is not others, nor is he in league with any others, he's a good cop and he saved my ass on many occasions.Paige: Oh my god, I think I see what is going onhere. Phoebe's lawsuit, Piper's club... You have to get me out of here otherwise it's just going to get worse.Darryl: Listen, I am a Lieutenant now, I can't just bend the rules like I used to. (The cop comes back with film.Darryl hands Paige a board with her name on it.) Even if I could, this is legal problems. I-I can't just make those go away.(Paige holds up the board and the cop takes the photo.)[Scene: The Bay Mirror. Elise's office.Phoebe and Elise are there.]Elise: We can't just make it go away. She have a strong case for malice.Phoebe: I don't understand. How does she have a strong case?Elise: She is claiming that a result of your own bitterdivorce, you've made it your mission to destroy other marriages.Phoebe: That is ridiculous.Elise: (reading from newspaper) \"If you have any doubts, any doubts at all, I suggest you flee at the speed of a baby cheetahat suppertime.\"Phoebe: I was using hyperbole.Elise: I know that. But she's collected dozens of similar clips and she's threatening to go to the press with her story. And as a newswoman I can tell you, it's a goodstory.Phoebe: Okay, well, isn't controversy good for sales?Elise: It may be good for the enquirer but I've worked very hard to build this paper into a respectable news source.Phoebe: Can't we just pay her off? We haveto have insurance for this type of thing, right?Elise: She doesn't want money. She wants you fired. It's like she's on some kind of vendetta. I'm sorry, Phoebe, I have to suspend you without pay while our lawyers try towork this out.(Phoebe gets up.)Phoebe: Cole.Elise: Excuse me?(Phoebe leaves.)[Scene: Manor. Foyer. Piper opens the front door to let Darryl in.]Piper: Darryl, have you heard from Paige? Because she was supposed tocome straight home from the hospital but...Darryl: Paige is in jail. We tried to call you but...Piper: What? For, what for?Darryl: Reckless endangerment and felony hit and run.Piper: What?(Suddenly, Paige orbsin.)Paige: Oops.Darryl: You have got to be kidding me.Piper: Paige, Darryl said you were in jail.Paige: Oh, I am. I mean, I was, I will be. Just as soon as I figure out what demon is doing this to me.Darryl: You justdisappeared from jail?Paige: No! I put pillows in the bed first. It always worked at my parents house.Darryl: Paige!Paige: What? You weren't gonna help me so I had to help myself. Whether you believe it or not, there isa demon behind this.Darryl: At two o'clock, they're gonna come get you for your bail hearing. If you're not there, that's my ass. Everybody knows we're friends. They're gonna just think I let you go.Paige: I will be thereat two o'clock.(Darryl leaves.)Piper: See ya.Paige: Okay, he hates me.Piper: Yeah, he does. But for what it's worth I'm with you. Leo's doing the Elder thing.Paige: Oh, let me guess, you didn't pass the inspection?Piper:Nope.Paige: Let's just cut to the chase, shall we? Our problems are legal, right? Who's the only demonic lawyer we know?Piper: Cole. And he has gone off the deep end lately. But how is ruining our lives gonna help himget Phoebe back?Paige: I don't know. But until we figure it out we should keep her out of it.[Scene: Cole's office. Cole is there sitting at his desk. Phoebe barges in, angrily.]Phoebe: You slimy son of a bitch.Cole:Phoebe, is that you?Phoebe: What are you? Evil and blind? Yeah, it's me. (Cole slowly covers over the manor's blueprints with some files.) Look, why don't you just admit that you're behind this. Admit it so I can usemagic to fight you.Cole: I don't know, uh, I don't know what you're talking about.(She slams the door shut and walks over to his desk.)Phoebe: Look, Cole, my career is the most important thing to me. Okay, so is thatyour plan to take it away from me so that I come running to you for comfort?Cole: Phoebe, I love you and I don't know what's going on but maybe I can help. Would you like me to kill someone for you? Or-or your boss,perhaps? (Phoebe gets so mad she throws all his files on his desk up in the air.) Hey, hey, hey, hey!Phoebe: I might not be able to use magic but...Cole: You're sexy when you're mad, you know. I can't wait until I getto kiss you again.Phoebe: Cole, I will never be with you again. I hate you, I hate you. Do you get that?Cole: Hate is good. It's passionate, intense, it's-it's-it's a breath away from love. (Phoebe laughs and throws a fewmore papers in the air before she spins around and leaves.) Ah, she's great.[Cut to the hallway. Phoebe storms passed Kaia, who's sitting in a chair, covering her face with a magazine.][Cut to Cole's office. Kaia walksin.]Cole: What do you want?Kaia: Just to give you want you want.(Kaia morphs into Phoebe.)[Cut to the elevator. Phoebe is impatiently waiting for the doors to open. She gives up and uses the stairs. The elevatordoors open and Piper and Paige walk out. They head for Cole's office.]Piper: So what are we gonna do?Paige: We're gonna tell him we're on to him and it's not gonna work.(They walk into Cole's office and see Cole andPhoebe making out on his desk. They watch in shock.)[SCENE_BREAK][Scene: Outside Cole's office. Hallway. Piper and Paige are there, looking grossed out.]Paige: I can't believe I saw what I just saw.Piper: Well,believe it 'cause I saw it too.Paige: How, why is she kissing him?Piper: I don't know but I say we go back in there and we pull her out by her hair.Paige: No, no, we can't make a scene. Okay, we need a plan.Piper:Okay, here it is. We go home, we vomit...Paige: And?Piper: That's all I got so far.Paige: Okay.[Cut to inside Cole's office. Cole and Kaia/Phoebe stop kissing.]Kaia/Phoebe: Oh, come on, baby, it was just gettinggood.Cole: Not good enough. You'll never be as good as the real Phoebe and you should stop trying.Kaia/Phoebe: You're right. I'll never be as good, I'll be better. I know tricks the real Phoebe's never even heard ofbefore.Cole: I've been patient with you up until now. This is the last time I'm gonna say this. Leave and don't come back.(Phoebe morphs into Kaia.)Kaia: You don't know what you're missing.(She leaves.)[Cut to thelobby. Dex is waiting by the elevators. Phoebe walks past him and he grabs her.]Dex: Hey! What did I tell you? Cole has some serious work to do and I will not have you distracting him.Phoebe: Cole... What the hell?Who are you?Dex: Get it through your thick head. The leader of the Underworld will never have a whore as his queen.Phoebe: Did you just call me a whore?(Kaia walks out of the elevators.)Dex: Kaia?(Dex shimmersout with Phoebe.)[Scene: Manor. Foyer. Piper, Paige and Leo are there.]Leo: There's not, there's no... Are you sure?Paige: Leo, we saw Phoebe and Cole tongues locked, hands groping all over each other.(Sheshivers.)Leo: Okay, didn't need the visual.Piper: Well, maybe he has her under some kind of mind control. I mean, he can do that, that's possible, right?Leo: Right. I think right now he could do pretty much anything hewanted.Piper: Why? What do you mean?Leo: Well, the Elders have sensed a major surge in demonic activity. They think that evil is organising under a new leader.Paige: Oh, that's just great because the last time Colewas the leader of the Underworld, he took Phoebe as his queen and we were completely blindsided by it that time too. Oh my god, that's why she didn't want me to try to vanquish him.Piper: She was talking thismorning about being tempted.Paige: She was trying to warn us and we didn't even see it.Piper: Okay, this just can not be happening, people. I mean, Phoebe would not do this to us. I mean, it can not, can not, can notbe happening!Leo: Okay, let's just calm down, okay. The last time Phoebe was evil she was under the influence of her demonic pregnancy.Piper: So what, you're saying you think she's pregnant again?Leo: No! I justthink that maybe we're underestimating her. Maybe there's something that we're missing.Piper: Ugh.Paige: We saw what we saw.Leo: Okay, well, maybe she's under a spell. Or-or maybe there was some informationthat she wanted and she was using s*x as a tool.Piper: Okay, I like the sound of that. Slutty and manipulative, that's better than evil any day.Leo: So let's not panic. Let's talk to Phoebe and give her the chance toexplain what's going on. (The clock chimes two o'clock.) By the way, Darryl called.Paige: Oh.[Cut to the police station. Jail cell. Paige orbs in bed. Darryl and a guard approach the cell.]Darryl: She's not ready.Guard:The judge won't wait.Darryl: Paige?(The guard unlocks the gate. Paige gets out of bed.)Paige: Oh, hey, guys, what took you so long? (She walks out of the cell.) Coming, Darryl?[Scene: Cole's apartment. Phoebe andDex are there. Dex has a hold of Phoebe.]Phoebe: Ow! Hey!Dex: I wouldn't have to hurt you if you stopped trying to get away.(Cole appears in the room.)Cole: What happened?Dex: I mistook her for the other one andI said too much. I thought I'd bring her here until the end of the operation.Cole: Good thinking.(He throws an energy ball at Dex and vanquishes him.)Phoebe: Well, as much fun as this has been...(She heads for thedoor.)Cole: I'm sorry, Phoebe, but Dex is right, I can't let you leave.Phoebe: Leo!Cole: Save your voice. This place is magically protected. I can't have you people sensing what I'm doing in here. (He waves his arms andthe windows and doors glow.) Now all the windows and doors are blocked. Please, sweetie, just trust me on this one, I don't want you getting hurt trying to escape.Phoebe: Alright, don't call me sweetie. You can't holda person prisoner and then call them sweetie.Cole: You know, I didn't intend this. I just can't have you running off to your sisters and protecting the Nexus, okay? It is way too important for us.Phoebe: Wait, theNexus?Cole: Dex didn't tell you about that?Phoebe: No, no he didn't. He just told me you were trying to reorganise the Underworld.Cole: Oops. Don't be mad. I only want the Nexus so that you can come back to eviland we can be together.Phoebe: Uh, Cole...Cole: I'm so sorry, I had to involve your work. I just needed you distracted while I ruined Piper's club and put Paige in jail.Phoebe: Paige is in jail?Cole: Listen, I'd love to stayand chat but all this considered I need to speed up my plan.Phoebe: Well, Cole, my sisters are gonna realise that I'm missing and Leo is gonna try to sense me and when he can't they're gonna come straight toyou.(Cole laughs.)Cole: Um, thanks for the concern, but I think I've got my bases covered.(Cole waves his hand and Kaia (morphed into Phoebe) appears beside him.)Kaia/Phoebe: I knew you'd want me again.Cole:Ignore her.Phoebe: Oh my god.Kaia/Phoebe: Oh, no, not god, Kaia!Cole: Just listen to her voice.Phoebe: You're sick, you know that? You need help. Are-are you sleeping with me? I mean, her.Kaia/Phoebe: You're sick,"}
+{"doc_id":"doc_5","qid":"","text":"New York is dangerous littered with thieves we've no morals here we just do as we please but I don't wanna go home where they all stare at me 'cause I'm tattooed and fired up and drunk and obscene. You wear yourreligion like a war sweater, you ask for the truth but you know you could do so much better and you sat on your fences and you screamed, \"no retreat\" so what will your legacy be?AT CLOTHES OVER BROSJulian : I loveyour daughter. I'm in love with her. Would you ask her to call me, please?I look closely to which speaks from pride. I love you I swear it I would never lie but I fear for our lives and I fear your closed eyes. 'cause youwear your religion like a war sweaterAT CLOTHES OVER BROSBrooke : Well, you're here late.Victoria : Yeah. The competition never sleeps.Brooke : Any messages?Victoria : Uh, no. Nothing that matters.And youscreamed, \"no retreat\" so what will your legacy be? And what will your legacy be?AT LUCAS'S HOUSESawyer: Ouain !Lucas : Shh, shh. It's okay. Daddy's here.AT THE HOSPITALLucas : You know. If you keep lettingthese root-beer floats go to waste, I'm gonna have to start drinking them. I'm kidding. They'll be here when you wake up. You know who else will be here when you wake up is, uh... god, our beautiful daughter. She's,uh... You should see her. She's amazing, Peyton. But she needs you. And so do I. Come on. You promised. You promised.OUTSIDE THE HOSPITALJulian : You need to go home, Brooke. You've been awake for the betterpart of the last four days, and it's not healthy.Brooke : I need to be here when she wakes up. What is that?Julian : Every fashion magazine I could find.Brooke : But you just saidJulian : Yeah, but I knew when I said youneeded to go home that you'd say you needed to be here when Peyton woke up, because you're stubborn, Brooke Davis.Brooke : You don't know me.Julian : I think I do.Brooke : She needs to wake up.AT REDBEDROOM RECORDSMia : Yeah, I know. Everything's fine. Just, you know, call if you hear anything, okay? Thanks, Haley.Chase : No word?Mia : No ... word. Lucas must be so freaked out.Chase : Peyton's a badass.She'll be okay. What you got there?Mia : My new record.Chase : Let me see that. My girl's such a rock star. You did good, Mia Catalano.Mia : We did good ... me and Haley and Peyton. Peyton really should be here forthis ... Red bedroom records. Can I help you? Um, Peyton's not here right now, but ... she'll be back soon.AT THE HOSPITALLucas : You know, I, uh ... I'm in a little... I'm in a little over my head here. I took her home,and, uh ... I'm doing what I can, but... but she needs her mom. I need her mom. She doesn't even have a name. We were supposed to do that together. I can't do this without you. And I'm just ... afraid ... that we'regonna lose you, and it's just gonna be the two of us. And she doesn't even have a name.Peyton : Sawyer. Her name's Sawyer, okay?Lucas : Okay. Sawyer Scott. God, you scared me. Oh, my god.Brooke :Peyton.Peyton : You said you would disown me if I left without permission.Brooke : Yeah. I'm about to be your second-best girl when you meet your new one.Peyton : Is she okay?Lucas : She's beautiful.Peyton : Can Isee her?Brooke : She's right outside. Hang on.Lucas : I should get the doctor.Peyton : No. I just want it to be you and me and our daughter for a minute.Lucas : Okay.Karen : Well,well.Lucas : Mom.Karen : My baby'shad a baby. And she's beautiful.Peyton : Hi, Sawyer. Do you remember me? I missed you. I'm gonna love you forever. She's perfect.AT SCOTT'S HOUSEJamie : Hey, dad, when you get back to Charleston, tell Nino heneeds to stop shooting so much, okay?Nathan : Nino's not there, buddy.Jamie : How come? Did they fire him?Nathan : He's playing for the clippers now. They called him up.Jamie : When are they gonna call you up,dad?Nathan : I don't know, Jamie. Maybe never.Jamie : It's okay. At least you're still a chief.Nathan : Yeah. All right. All set.Jamie : I'll take it.Nathan : Thanks, buddyAT BROOKE'S HOUSEJulian : What's that?Brooke :Sam's new home.Julian : I miss that girl.Brooke : Yeah. So I guess you have to be getting back to L.A.Julian : Yeah. I mean ... I mean, we're prepping the new movie.Brooke : Yeah, I haven't even asked what it'sabout.Julian : You know, boy meets girl, boy loses girl. Anyway, it was great getting to spend time with you, Brooke, even considering the circumstances.Brooke : Yeah, you too. Thank you ... for staying with me.Julian: Yeah, well, I wanted to make sure Peyton was gonna be okay.Brooke : Of course. Well ...Lay your ray down you're the one. I could run, I could run for the life of me but where would that get me? Where would thatlead? I'm a fool for waiting so long 'cause you come around, come around come around, come around to me there's something in between you and IJulian : I love you, Brooke Davis. I love you so much.Brooke : Don'tsay it. Just kiss me. You feel like breathing come around, come around, come around, come around to me. Can't you see you're my life?AT LUCAS'S HOUSEKaren : Do you want me to take her so you can get somerest?Peyton : Mm, no. I want to hold her forever. Hey, Karen, thank you... for the way you raised Lucas and the man that you taught him how to be.Karen : You're welcome. But I was just being a mom. You'll see.Comearound, come around, come around, come around to me come around to meAT MOUTH'S OFFICEMouth : Hey, what are you doing down here?Millicent : I don't want to go back to New York.Mouth : And I don't want youto go back to New York.Millicent : But I have to.Mouth : I know.Millicent : I'm just gonna have to talk to Brooke.Mouth : And say what?Millicent : \"I don't want to go back to New York. \"Mouth : Straight and to the point.I like it. Come on.OUTSIDE LUCAS'S HOUSEKaren : I remember sitting on these steps, talking to you about joining the ravens.Lucas : That seems so long ago.Karen : It feels like yesterday, actually. Lily wrote you aletter.Lucas : She's writing already? What, was she born, like, four days ago?Karen : No, that was your daughter, dad.Lucas : Yeah, whatever, grandma Karen.Karen : Look, I know you can't stay, but before you go, Ijust really ... I really wanted to say thank you.Karen : Lucas...Lucas : No, no, no, no, no, no. You helped me through all of it. And you were selfless and strong. And ... if I'm half the parent that you were, then Sawyer isgonna be just fine.Karen : She's gonna be more than fine.Lucas : Remember how you always told me to see the magic in the world? I still do.AT THE GYMNASIUMMan : Nate? Bobby wants to see you.Nathan : Whathappened to all my stuff?Man : Bobby wants to see you.AT SCOTT'S HOUSEHaley : What are you doing home?Nathan : Do you remember that green dress you wore to the Maths-ketball school for Jamie?Haley : TheOppenheimer school. Yeah.Nathan : You look amazing in that dress. I was thinking we could take a trip to charlotte. You could wear that dress. We could take Jamie.Haley : Nathan, what happened?Nathan : I'm not onthe Chiefs anymore.Haley : I'm sorry, baby.Nathan : It's okay. What do you say, Haley James? Want to take the boy to Charlotte? Maybe we could see a basketball game? I mean, I kind of have to be there anyway,considering ... I'm the Bobcats' new point guard.Haley : What?Nathan : I'm the point guard for the Charlotte Bobcats. I got called up.Haley : You're in the NBA?Nathan : I'm in the NBA. Thank you. Thank you forbelieving in me, Haley.Haley : Thank you for being worth it!AT WITHEY'S HOUSEDan : Please. I assume that's loaded.Withey : I bought this gun hoping to see your face again. I'll just say you broke in, came at me.Dan: You'd be doing me a favor.Withey : You look like a haunted man. I heard you have a heart problem. It's not surprising. You've always had a heart problem.Dan : I wish I'd gone back in that game ... the statechampionship. When I look back at my life and see where it all went wrong, that's where I always end up ... fourth quarter, time running down, sitting on the bench at the state championship, and refusing to play. Atnight, in my dreams, I do go back in. And in my dreams, I take it back. All of it. And then I wake up. I'm sorry. I'm sorry for that day and every day since. I'm sorry for what I did to Keith ... and to the people who lovehim.Withey : Did you ever love him?Dan : Not enough.AT BROOKE'S HOUSEBrooke : Hi, Sam. It's me. No, everything's fine. I was just thinking about you, and ... and I was wondering ... How's your life? Are youhappy?AT MOUTH OFFICE / SCOTT'S HOUSEJerry : New lead coming out of commercial.Mouth : Is this for real?Jerry : Yeah.Mouth : Woooo : Sorry.Nathan : Jamie, sports is up next.Jamie : What's the big deal? I gotwifi on my phone.Haley : Get over here and watch with us.Mouth : Last night in the NBA, the Charlotte Bobcats quietly made a move that most sports fans wouldn't have noticed, adding a point guard to their roster forthe rest of the season. But we're leading with that story because this point guard is a local legend who overcame adversity and difficult circumstances in pursuit of a dream. Last night, the Charlotte Bobcats called up aformer Tree Hill Raven, a great guy, and a good friend, Nathan Scott. Jamie Scott, hug your dad for all of us because he just made it to the NBA, and we couldn't be more proud. In other news around the league, theLos Angeles clippers are ...Haley : Jamie.Jamie : I knew you could do it!Nathan : You're gonna kill me before I even play in a game, buddy!AT WITHEY'S HOUSEDan : I was supposed to be dead months ago. I used towonder why I was still alive. And then I realized ... I'm not. I'm dead. And this is my hell. Lucas got married and had a baby girl. And Nathan ... he's got Jamie. And I get to see the happiest moments of their lives, but... I don't get to feel those moments. I don't get to be a part of their lives.Withey : You created that, Danny.Dan : Pull the trigger. Take the pain away! Please. Please.Withey : Maybe you're still here forredemption.OUTSIDE WITHEY'S HOUSEWithey : There's still time, son.Nathan : I just came to tell my coach I made it to the NBA. How you doing, coach?Withey : Good to see you. It's a great surprise. I see you'rekeeping in shape.AT BEDROOM RECORDSChase : This track is awesome!Mia : Thanks.Chase : And the record officially drops tomorrow?Mia : Tomorrow night. Sinning in New York City.Chase : And then ... you tour.Mia :For a couple months, yeah.Chase : Listen, I ... I know you're gonna go on tour and this record's gonna blow up, and just know that art of me wants to be really selfish with you. But I'm not gonna be that way because... well ... because the rest of the world deserves to see your greatness, too.Mia : My heart's ... not going anywhere.Chase : Promise?Mia : Promise.AT CLOTHES OVER BROSMillicent : Mia's new record?Brooke : Yeah.It's really good. She's actually doing a signing in New York tomorrow night. Maybe you could go ...Millicent : Yeah!Brooke : About that ... if you weren't gonna be here in tree hill instead.Millicent : Wait. What?Brooke :The store's gonna be back up and running soon, and I need you here to run it.Millicent : But what about New York? Don't you need someone there?Brooke : I do, but your boy is here.OUTSIDE LUCAS'S HOUSEDan : Hi,Peyton.Peyton : What do you want?Dan : I just wanted ... could I hold her?Peyton : No. Why?Dan : Because she's the only one in my world who doesn't know what I've done.Peyton : Just for a second.Take your laststep.Dan : I'd forgotten what it was like. She's so beautiful. What's her name?Peyton : Sawyer.Dan : Sawyer Scott. And now, said max, let the wild rumpus start.Peyton : Where the wild things are.Dan : I used to readit to Nathan. It seems like another life ago.Peyton : It was.Dan : I know you're gonna have to tell her about me someday. I'm sorry for that. Hallelujah for these eyes she your painted life. Hallelujah for the touch of skinto skin with mine. Hallelujah for this mind that keeps our souls combined. Hallelujah for this life that let me be your child have your mind, have your strength to stay alive keep your eyes open with mine now oh, no. Youfollowed the roadAT MOUTH'S OFFICEMillicent : How would you like your old roommate back?A face without words can last a lifetime it's never the same so don't say goodbyes that last forever now hold on just for awhile but I'll be by to see you someday soon now please hold on tonight oh, 'cause I'm old and I don't know why. Hallelujah for these eyesAT CLOTHES OVER BROSVictoria : Tell me about ... Julian. Brooke. What kind ofman is he?Brooke : The kind who's gone.Hallelujah for this mind that keeps our souls combined now. Hallelujah for this life that let me be your child.AT THE CIMETERYNathan : I finally made it, Q. Something tells meyou already know that. I miss you, buddy. Oh, and, Q, you're right ... It's a comeback. Thank you.You're a traffic light of fire you're a man who I believe will never dieAT LUCAS'S HOUSEBrooke : Hi.Peyton : HiBrooke :Luke around?Peyton : No. He had to take Karen to the airport. She had to get back.Brooke : She's so beautiful.Peyton : Yeah, I kind of like her.Brooke : So how does it feel, P. Sawyer? You have a family now. You ...you have this whole other life to look after.Peyton : It feels just like I dreamed it would.Brooke : Can I hold her?Peyton : Yeah! Got her?Brooke : Oh, yeah. Hi, Sawyer. I'm your aunt Brooke, and I am gonna spoil you.Yes, I am, Sawyer Scott.Peyton : Sawyer Brooke Scott.Brooke : Really?Peyton : Yeah.Brooke : See, I always knew you were a Brooke. And it is a really good name, baby Brooke.Peyton : Just like I dreamed. And whatabout your dreams, Brooke Davis?AT CLOTHES OVER BROSBrooke : Are you going somewhere?Victoria : Back to New York. The designs are excellent. The new line should stabilize the company. There's nothing left forme to do here. There are a few things that I need to leave you with. We need to call our publicist and arrange a series of interviews announcing your return to the company. You need to speak with the people at red andorganize some sort of charitable contribution.And you need to fly to Los Angeles and tell that boy that you love him.Brooke : What?Victoria : When I was young, there was a boy who loved me, and I loved him back. Buthe wasn't from my circle of friends, and he was different than what my parents expected ... so I let him go. And not a day has gone by that I don't regret it.Brooke : Why haven't you ever told me this?Victoria : BecauseI've been a terrible mother. I have a daughter who is ... strong and bright, kindhearted, so beautiful ... and I've nearly broken her with my inability to open my heart. But I haven't broken her. She's just as strong andbeautiful and kindhearted as ever. She simply misnamed her company. Because if this boy Julian loves you ... and you love him ... That's all that matters. That is the most important thing. And the clothes canwait.Victoria : This is for you.Brooke : What is it?Victoria : It's the company. It's all yours ... 100%.Brooke : But why?Victoria : I'd rather have my daughter than a company.Brooke : But you loved this company.Victoria: Yeah. I did. And I was wrong. I should have loved you more ... and the company less. I just didn't know how.Brooke : Mom? I want you to stay on ... and run things from New York.Victoria : You're keeping me?Brooke: You're good at what you do. And besides ... you're my mother.Victoria : My daughter. My daughter. I love you so much. And I'm so proud of you.AT MOUTH'S OFFICEJerry : 60 seconds, Mouth.Mouth : Thanks, Jerry.Thanks. I thought you took off.Millicent : I just wanted to watch my boy work.Mouth : I like that ... being your boy.Millicent : I like it, too. Skills called. They're gonna watch the game with us.Mouth : Great. Soundsperfect.Millicent : It does, doesn't it?Jerry : We're back in 10!Mouth : God, I love my life. A full slate in the NBA kicks off tonight with the Charlotte Bobcats, who recently called up Nathan Scott. The team says that Scottwill take his physical ...Mouth : Take a look at yourself in a mirror. Who do you see looking back?Haley : Is it the person you want to be?AT SCOTT'S HOUSEJamie : You made it.Nathan : We made it.Dan : Or is theresomeone else you were meant to be ... the person you should have been, but fell short of?Mia : Is someone telling you, you can't or you won't? Because you can.AT NEW YORKChase : Could you write, \"Thanks for the45 seconds of heaven\"?Mia : 30. Wait for me?Chase : Hell, yeah.Chase : Believe that love is out there.AT THE GYMNASIUMMan : From the university of maryland, 6'2\" point guard, wearing number 12, NathanScott!Nathan : Believe that dreams come true every day. Because they do.Peyton : Sometimes happiness doesn't come from money or fame or power. Sometimes happiness comes from good friends and family andfrom the quiet nobility of leading a good life.AT LOS ANGELESMan : We're gonna try the lights now, okay, Julian?Julian : Okay.Brooke : You told me that someday I'd be ready to let someone in. I think today mean tobe \"someday\".Julian : Believe that dreams come true every day. Because they do.Julian : If this was a movie, you'd kiss me right now.Brooke : No. I'd say, \"I love you,\" and then I'd kiss you. I love you.Brooke : Believethat dreams come true every day. Because they do.ON THE ROAD IN THE COMETLucas : Take a ride with me, Peyton Sawyer?Peyton : Don't you mean Peyton Scott?Peyton : So take a look in that mirror and remindyourself to be happy, because you deserve to be. Believe that.Lucas : And believe that dreams come true every day. Because they do."}
+{"doc_id":"doc_6","qid":"","text":"Glenn: Lola, we have some good news and some bad news. The good news is, you don't have cancer.Lola: Ohh!Glenn: Cat just put nair in your shampoo.Cat: Because you ate my lunch from the refrigerator.Glenn: Andthe bad news is, she also put a chemical in your iced tea which turns your nose into a tennis ball. But it only lasts a second. So basically, everything's okay. Everything's okay.Owen: Chief! Can't you see I'm busy?Chief:Sometimes I wish I was a mirror.Lola: Hey, Dori, my round sheet is empty. Is that a mistake?Dori: Doesn't look like it.Owen: This place is empty. What gives?Dori: There are no admissions today, and we justdischarged the last child.Cat: Are you saying there are no more patients left in the hospital?Beth: Guys, what do we do with all our time?Sy: Listen, I'm going into town to register the new ambulance.Glenn: Sy! Sy! Sy!Before you go, there are no patients left to treat. Any extra tasks you need us doing?Sy: As a matter of fact, thank you, Glenn. There's a lot of things to be done. First off, the organ supply room needs cleaning.Blake:I'll do it! [ Laughs ] Psych!Sy: Wear gloves this time.Blake: I'll do it my own way.Sy: And then, most importantly, the patients' records, all right? Now, look at this -- completely disorganized. These have been handeddown from administrator to administrator. You know how important this is to me. Glenn, will you take care of reorganizing this entire room?Glenn: I will not let you down, sir.Sy: I would never have asked you, son, if Ididn't believe in you.Chet: Are they falling in love?Owen: Yes.Sy: All right, Glenn is in charge, everybody.Sy: You know what, Lola? That is a great idea. The animal-testing lab is filthy.Lola: [ Scoffs ] Should have said,\"I'd rather clean the Dylan McDermott lab.\"Sy: Who's gonna come with me? It's a great adventure. Dori! Perfect!Dori: Ohh!Sy: Let's go!Blake: Hey, Rosa. Working hard or hardly working?Rosa: [ European accent ] Oh,somewhere in between, Mr. Dr. Downs.Blake: I see what you're saying. You're not working as hard as you can be, but you're certainly not working.Rosa: [ Chuckles ]Blake: Oof. This uterus expired on Tuesday. Youknow what? I figure we have a 10-day grace period.Rosa: Expiration dates are really just suggestions.Blake: I like the way you think, lady.Rosa: You know, being around all these organs is making me hungry. Wouldyou like to come to my home for lunch?Sal: Attention, staff. My dick. That is all.Lola: Hey, chief.Chief: Oh. Owen isn't interested in me. Do you think he noticed I use a walker?Lola: Oh, I'd love to girl-gab, but I justinjected all these stem cells into that handicapped monkey.[ Screeches ]Chief: He doesn't need glasses or his walker?![ Gasps ]Stem cells cure handicaps! Mama want!Lola: No! Chief, no! Oh, God!Chief: [ Gasping ]Wait a minute. I don't feel anything at all. Thanks for nothing, whore!Lola: Wait. Chief. Think fast![ Gasps ]Amazing!Chief: Oh, my God.Lola: Look at that. Oh, my God.Chief: I'm cured! Stem cells? What a greatidea!Glenn: [ Laughs ] Okay. What do you say, guys? Let's get busy!Cat: I'm not doing donkey dick.Glenn: Look, Cat --Chet: What part of \"donkey dick\" don't you understand, ass-kisser?!Glenn: All right. So, how doyou want to do this? My favorite letters are I, T, V, Q, and S, so, obviously, I'll take -- aaaah! Oh, my God. For a second there, I thought that was a real airplane. What's the deal, Cat?Cat: Glenn, this is a free day! Imean, do you really want to spend it organizing records, or do you want to spend setting them? Am I right, guys?[ Peppy music plays ][ Music stops ]Okay, let's go![ Music resumes ][ Both laughing ]Glenn: Come on,guys!Are we doctors or are we... Dart doctors?[ Music continues on radio ]No! No, no, no! The ladies' room is right there! Sy, where are you?Owen: Ha-cha-cha! Whew. Ooh. Hey, there. You new at this hospital?Chief:In a way.Owen: What's your name, beautiful?Chief: My name? Uh, I-- it's... it's, uh, uh... [ Sneezes ]Chief: My name... Ooh, I -- ouch. It's, uh... hey.Chief: Uh...it's chief. Uh, chief...Smith.Owen: Oh. Well, we haveanother lady here named chief, but she's ugly.Chief: Oh, really?Owen: Yeah. She's about as ugly as a big pile of poo.Chief: Oh.Owen: Mm-hmm. She's so ugly, a poo takes a her.Chief: Hmm.Owen: If a dog wanted toeat his own poo, he would make a mistake and eat her.Chief: Yeah.Owen: For all intents and purposes, she is poo.Chief: Ohhh.Owen: When she goes to the toilet store, they tell her to \"go around back 'cause that'swhere we let the poo in.\"Chief: Oh, God.Owen: If you do a Google image search of the word \"poo,\" pictures of poo show up, but then there's a picture of her. Mm. Crazy people smear her on the walls.Chief: There'smore.[SCENE_BREAK]Rosa: Hi! Hi. We're hungry, mama! We're hungry!Rosa: They're saying they're hungry.Blake: Yeah, yeah. No, I heard them. They spoke English.Rosa: Come and sit. Back in Ukraine, I was hospitaladministrator. I loved it so. Oh, thank you, grandma. I work at Childrens just to be around the administrating.Blake: Sort of like a lower-stakes \"Good Will Hunting.\"Rosa: Exactly.Blake: Yeah. [ Laughs ] Mmm. Thissoup is incredible. Is there a secret ingredient?Rosa: Oh, yes. [ Chuckles ] Love.[ Folk music plays ][ Laughter ][ Up-tempo music plays ]Cat: Glenn, come on.Let yourself go.Glenn: Ahh...Cat: Dance.Glenn: Oh, youknow what? You're right. The files can wait. I got to dance! I got to dance![ All cheering ]Lola: Whoa, Glenn!Chet: Yeah!Lola: All right!Cat: What?!Glenn: Hey!Pool! Pool! Aah![ All cheering ]Lola: [ Vomits ]Glenn: Freeday! [ Laughs ]Blake: Thank you so much, Sasha.Really nice meeting you, Andrash. And you, too, Tiffany. Don't ever change. And you... [ laughs ] This day has been wonderful.Rosa: No!Blake: But we -- we have aconnection. I'm Robin Williams, you're Matt Damon. Let's make love, like they did in the movie.Rosa: No! No! I don't like you like that! Please, Dr. Blake, leave!Blake: Let me kiss her on the mouth! Rosa! No! No! No!No! Mwah! Mwah! No![ Both laughing ]Owen: I'll tell you what, chief Smith, I'm gonna go get us some mai tais.Don't you go anywhere.Chief: Don't you worry.Both: Rowr![ Both laugh ]Chief: Mmm.Lola: Hey! Thinkfast![ Gasps ]Chief: Wait a minute.Let me put on my -- my glasses.Owen: Poo chief, where did chief Smith go?! You got to help me find her!Chief: Her is me! Her is me! \u0000 For your sins \u0000Glenn: Hey, Blake, where haveyou been?Blake: Well, let's just say that I've been to another world and I fell in love, and it was not mutual, and I was forcibly removed.Cat: Aw, sweet.Glenn: Are those patients' files?Cat: Yeah.Glenn: Why are youthrowing them into the fire?!Cat: Don't you get it? I don't know.[ Cellphone vibrates ]Glenn: Sy's on his way back.Lola: If only any of us knew something about administrating, then we could fix this.Blake: Wait aminute!Guys, I have an idea. Wait right here, okay? Do you have a sec?Rosa: No.Blake: Come on. Everybody, this is Rosa. She's my girlfriend. She can fix this.Rosa: Not your girlfriend. Blake told me the situation. Wewould have to re-create all the files by calling every patient and getting their medical history. It's impossible.Glenn: Oh, I failed.Blake: Impossible? [ Laughs ] Nothing's impossible if you follow your heart. Not evenlove.Cat: Hi. I'm calling from Childrens hospital. I was wondering, were you ever a patient here?Beth: And when was his last vaccination?Blake: What do you think your weight was in 1975?Lola: I'm still at work. Wehave to re-create these stupid patient files we burned in a hallway campfire.Owen: She's so ugly that monkeys take her out of their butts and throw her at people at the zoo.Cat: And that's it. We did it!Lola: Ohh!Cat:We did it!Glenn: That's it?! We replaced all the files?Cat: No, just this one single file, but you act like it's not that impressive.Sy: Glenn! What the hell happened here?!Cat: Sy, it's fault--Glenn: No, Cat.Cat: Oh.Glenn: Igot to own this. Yeah, we burned the files. And we'd do it again, 'cause, news flash, Sy -- I don't want to run your hospital, 'cause as a surgeon, I make sick money, and you live in a condo at the Harborlight Mall.Sy: Iadmit it. I was wr-- I was wr-- I was wro--Glenn: Sy's having a stroke! Everybody come quick!Chet: I got it! I got it!Lola: No! No! No!Blake: Thank you, Rosa. You've been great.Rosa: I did literally nothing and nothinggot fixed.Blake: Eh, tomayto, tomahto.Sy: No, I just had trouble saying I was wrong. It's a tic. Eh, it's a living.Sal: Attention, staff. When I say \"That is,\" you say \"All.\" That is... that is all."}
+{"doc_id":"doc_7","qid":"","text":"Gabe: Ugh, man. My delts are blasted. I wish they had a chart for how much protein powder to scoop for a 180 pound man with no fat.Dwight: Protein powder, huh? You cut it with water? Why don't you just takeestrogen? [swallows powder] [coughs] There you go boys. See how papa takes care of you? [kisses bicep] Mwah.[SCENE_BREAK]Gabe: I remember when people thought biceps were all that. They'd flex them all nightat the discotheque.Dwight: Oh, I bet you think it's all about core, huh?Gabe: Yeah.Dwight: Oh, please.Gabe: Core's critical. There are four tenets of pilates that I live my life by. One - lengthen. Two - elongate.Jim:Listen, guys, I think we all want to know the same thing, right? Who's the strongest? Well, there's only one way to solve that - flat curl contest.[SCENE_BREAK]Jim: All right, here we go everybody. May the manliestman win. Go.Dwight: Feast on this, Lewis.Gabe: I love the burn. The burn is where I live.Jim: Come on, Gabe, you can't handle his hamstrings. You're getting hypno-thigh-zed.Gabe: Speed set. One. Two.Jim: Here, thisis for your elbows, for your elbows.Dwight: Oh, thank you.Jim: You're welcome.Gabe: Five. Six.Jim: Quick phone call from you guys, keep going,All: Eight, nine, ten.Gabe: We got it?[SCENE_BREAK]Dwight: Very funnyJim.Gabe: Yeah, Jim. Way to mock us for perfecting our bodies.Robert: Everyone, conference room, now. [Dwight and Gabe stand up, falling over]Jim: All right, easy there, grandpa.Dwight: I don't need your help.Jim:Okay. You don't need my help?Dwight: Here, here... Just...[SCENE_BREAK]Andy: Morning.Erin: Hey.Andy: Somebody left in such a hurry this morning that she forgot... these.Erin: Oh.Andy: You know the only thingmore delicious than your feet is the feast that I am going to prepare for everyone.Erin: Andy, if you're gonna hang out for a while, uh...Andy: What's this?Erin: This dumb rule Robert made, he just wants visitors to signin.Andy: Is this Robert's attempt to embarrass me?Erin: No, of course not. It's just - I think it's like if we make an exception for you, then we have to make an exception for the water guy, and then, it's like, where doesit end? So just... [puts visitors tag on Andy][SCENE_BREAK]Andy: Why is it when other people spend all their time at the office, they're rewarded for it, and when I do it, I am told it's a little much? ...Is it because I amnot an employee anymore, because that's what it feels like.[SCENE_BREAK]Jim: All right, well, enjoy the alumni game.Dwight: Good, we have a deal?Jim: Thanks Janet.Dwight: Thanks so much Earl.Jim: Wow,simultaneous sale.Dwight: And they said it couldn't be done. Boom!Jim: Screw 'em.Andy: Lot going on guys. What's happening?Jim: Binghamton branch closed last night and their clients are up for grabs.Andy: Thatwas a fine branch. Things are really bad under Robert California, I guess. It's like a festival of poo.Jim: Hey, hey, come on, language.Dwight: Yeah, and we're not interested in your sour grapes, okay? Jim, tell himwhere he can stick his grapes.Jim: In the fridge.Dwight: No, Jim, the butt, in his butt.Jim: Sorry, man, I can't focus on zingers. There's too many potential clients.Stanley: You two better watch yourselves.Phyllis: Yeah,the Syracuse branch can't be happy you're taking New York clients.Robert: Shh... shh... [vomits in trash can]Jim: Robert?Oscar: Why did Binghamton close?Robert: Can everyone just, please... I had a one-mansaturnalia last night, in celebration of the finalization of my divorce. I got into a case of Australian reds, and - how should I say this - Columbian whites. What - what is this about, uh, Binghamton?Kevin: The branchclosed. Forever.[SCENE_BREAK]Robert: Closing the Binghamton branch never occurred to me before today. Or, I guess, last night. But, in vino veritas as they say, I'm not gonna start doubting my drunken selfnow.[SCENE_BREAK]Nellie: I got your voicemail. From - from last night.Robert: Wonderful.Nellie: And the answer... is yes, yes, yes, yes, and never. [leaves]Robert: Pam, when's the last time you lived so intensely thatyour brain literally couldn't hold the memories in?Pam: Oh, it was this summer -Robert: Apparently, I left a phone message for Nellie last night, and I need you to find out what I said.Pam: Um, I am a little busy.Robert:Yes, 'course. Why don't you list the things that would keep you from helping me.Pam: Yeah, I can make you a list.Robert: Let's do it now. What's number one?Pam: Why don't I help you now?Robert: There we go.Pam:Okay.[SCENE_BREAK][Andy cooking food by reception, Harry walks in]Harry: Who the hell are Jim Halpert and Dwight Schrute?Erin: Jim, Dwight, what are your last names?Dwight: And you are...Harry: HarryJannerone, Dunder Mifflin Syracuse.[shocked look from Jim]Harry: What the hell's all this?Andy: Uh, cherries jubilee over homemade gelato.Harry: You live well down here in P.A. I want to talk to you guys right now.Oh, and Lloyd Gross too. Which one's that guy?[SCENE_BREAK]Jim: The salesmen have a commission cap, but we figured out a way around it.Dwight: Lloyd Gross is a fictional salesman we invented to - how do I putthis - steal from the company. Embezzle. To commit fraud.Jim: Okay, it sounds sketchy, but it helps us get more money.Dwight: Yes.Jim: Pam made a drawing of Lloyd. He is a blend of all the salesman. [showssketch][SCENE_BREAK]Dwight: [pointing at Toby] There he is. That's Lloyd.Toby: Me?Creed: Yeah, you.[SCENE_BREAK]Harry: Where do you get off crossing state lines?Toby: Now, we're actually a lot closer toBinghamton than you are. Kimosabe.[SCENE_BREAK]Toby: I like to think Lloyd Gross is a no-nonsense guy who doesn't back down from anybody. And he calls people \"Kimosabe\".[SCENE_BREAK]Harry: They're NewYork. We're New York. Sate line is the dividing line. That's the way it's always been.Jim: There's actually not a rule that says that.Dwight: That's true.Toby: That's true. There's no rule. You can check the employeehandbook. Oh, can I check the employee handbook Lloyd? Well, does it say anything about me choking a man with my bare hands?Toby: No.Dwight: Wait, no? Are you kidding me? You told me there was a rule. Icould've choked so many people by now.Harry: Stay out of my state. It's in your best interest to stay out of my state.Toby: I've seen guys like you. Big guys who like to push the little guys around. Lloyd Gross eatsbullies like you for breakfast.Harry: Just stay out of New York, Lloyd.Toby: Hey, text from the old wife. Gonna take that. [runs outside]Jim: How about this? How about we just ask Robert? Can we all agree that maybethe C.E.O should decide this?Harry: Robert's here. Look at us. Bickering like schoolgirls, looking around the room for things to hit each other with. I don't think we were doing that.Dwight: Chair, lamp, plant, table leg,Jim's leg.[SCENE_BREAK]Robert: Where's the Advil, Jim? I think I've hit my limit on the Tylenol - Oh.Andy: [Doing dishes] Sorry, not Jim.Robert: Andrew, what do we have to do to get rid of you? Hire you back andsend Erin back to Florida?Andy: Message received loud and clear. Just have to get the caramelized sugar off the pan before it dries.Robert: Oh, for god -Harry: Robert California. What a surprise you're here inScranton.Robert: Harry...Harry: So why would you close Binghamton down without a transition plan in place?Robert: How do you mean?Andy: I forgot, a... a pan, uh -Harry: No, no, no, no, no, kid, stay there, do yourdishes, go ahead.Robert: Harry there is a time for every decision, predetermined many years ago. There's no benefit in questioning why this particular decision seems... so poorly timed.Dwight: Okay, what are youdeciding? We get a say.Harry: Listen, Robert, I don't have time. There's a big client in play. Prestige direct mail solutions -Dwight: Don't listen to him.Harry: Used to be Binghamton's -Dwight: Nope.Harry: I want it, it'smine.Dwight: Prestige is ours. Okay, they're responsible for half of the junk mail on the eastern seaboard. We get them. We already put a call into them, Robert.Harry: We need you to make a decision.Dwight: Make adecision.Robert: I have decided. Neither of you are to have any contact with either Prestige or any other Binghamton client until I have figured out how to divide things up. As Solomon once said... [Andy walksout][SCENE_BREAK]Andy: Some bizarre energy in this place today. Robert is going off the rails, making some funky decisions. Like why is nobody gonna call on Prestige? That is a huge client. [walking to car] I mean,they could give their business to the first person to walk in the door. Could be any idiot. Any idiot at all.[SCENE_BREAK]Robert: Shaping a company is, in a sense, similar to training a geisha. You have to mold notmerely the physical form, but also the character. The two must harmonize. Are they still there? [camera pans to right, Harry, Dwight, and Jim watching Robert in conference room] They want a decision who gets the bigclient. Well, they can wait. I'll still be talking about geishas long past their bedtime. You know, I trained as one.[SCENE_BREAK]Harry: Is it just me or is our boss a freakin' weirdo? [stands up, walks outside] I'm gonnaget some air.Dwight: Jim, you know what would be really dastardly? If we snuck out of here and got to the client first.Jim: [Gets up and looks out Nellie's office window] He's running!Dwight: Damn it!Jim: Damnit.[SCENE_BREAK]Dwight: Wha - what is this supposed to be?Jim: It's a monkey.Dwight: Jim, great real. This is not a monkey. It's got a hula skirt and a blue nose.Jim: Hold on, hold on. Is this him?Dwight: What?Jim:Is that him?Dwight: It's him! Do something! Get out!Jim: What? What am I gonna do? I don't -Dwight: Go slash his tires! Go dent his hood. [Jim opens passenger door] That's it? Oh, that's great. That's like a fivesecond delay.Jim: Dwight!Dwight: Come on, let's go! Does this thing have turbo? Nitrous? Hit the nos.Jim: Nos? You mean like in fast and furious?Dwight: Yeah.Jim: Oh, yeah, definitely have nos.Dwight: Hit thenos.Jim: Are you sure?Dwight: Yes.Jim: Brace yourself. 3... 2...Dwight: Got it. Go.Jim: 1. Here we go! [turns on wipers][SCENE_BREAK]Andy: Hello. Andy Bernard to see the C.E.O.Receptionist: Oh, do you have anappointment?Andy: No, I do not.Receptionist: Okay, I think I can squeeze you in.Andy: Seriously? 'Cause I could just be anyone. I mean, I thought I was gonna have to convince you.Receptionist: He's really not thatbusy.Mr. Ramish: Is there someone here to see me?Receptionist: Yes, this man.Mr. Ramish: Come on in. [Andy walks in][SCENE_BREAK]Pam: So...what do you make of this Robert California guy? I mean, what does aguy like that do on an average weeknight?Nellie: Oh. Oh, I'll tell you what he does.Angela:: [walks in] Hello! Hello, my clucking hens. Got room for another in the roost? Huh? Don't worry, I won't lay anegg.[SCENE_BREAK]Angela:: Robert sent me to take over if Pam fails. If? [laughs][SCENE_BREAK]Angela:: I have been crunching numbers all day. Math is for boys. I need girl talk.Gabe: Did someone say girltalk?[SCENE_BREAK]Gabe: Sometimes I wonder if I have ovaries in my scrotum, because I am great at girl talk.[SCENE_BREAK]Gabe: Have you guys been watching any good Korean soap operas? I'm pretty deep intoHee-Jungcinderella girl. Although, I definitely fast-forward through the young-Tae storylines.Nellie: Do you think I'd like that, or is it important to have an Asian fetish?Gabe: Uh, I think you're gonna need to have anAsian fetish. Yeah. [chuckles] It'll be upsetting if you don't.[SCENE_BREAK]Andy: I'm a former paper executive. I know the product. I know the margins. I can save you 25% on your costs.Mr. Ramish: Why haven't Iheard of you? You got any references?Andy: No. I'm a rogue.Mr. Ramish: Uh-huh.Andy: Which is the best part. That means you will be my first customer and your business will get 100% of my attention. Now... [pullsout business card] I have written down my personal phone number. You call this anytime.Mr. Ramish: Every salesman I've ever met has given me his personal phone number.Andy: Of course they have. Which is whyI'm giving you a key to my house. [gives key to C.E.O] Whatever you need - anytime, night or day - you just stop on by.Mr. Ramish: You want me to drive to your house if I need paper.Andy: Maybe you just wantsomeone to talk to. Maybe... you need a place to crash for a couple of days. My wireless password is eat pray love. Easy to remember.[SCENE_BREAK]Dwight: Ready? Go! Go, go, go, go, go, go, go, go, go, go, go.[takes off belt, ties doors together]Dwight: [Running] Ahhh! [Slides into elevator]Jim: You all right?Dwight: Yeah. [Doors about to close, hand stops them] Oh.Jim: Ah! [Harry walks in]Jim: [Dwight pushes button forfloor two] Dwight, what are you doing?Dwight: Go, go! Take the stairs! Now!Jim: What are you talking about?Dwight: Just run! Take the stairs!Jim: I don't even know where the stairs are!Dwight: I'll stall him. Go!Jim:God!Harry: [Dwight jumping] What are you doing?Dwight: I'm gonna activate the seismic failsafe. We'll be stuck between floors for hours. [pants fall down] Oh. [Jim runs in] My pants fell down.Jim: What?Dwight: Mypants fell down! I don't have a belt![SCENE_BREAK]Dwight: [walks into lobby] Hello, sir. Good day. Dwight K. Schrute. Dunder Mifflin, Scranton. Forgive my pants, they fell down. An appointment with Mr. Ramish,please. Right now is fine. No, no, no, I was here first. Dwight K. Schrute. Dunder Mifflin, Scranton.Mr. Ramish: What's going on?Dwight: Well -Harry: Mr. Ramish, Harry Jannerone. Dunder Mifflin, Syracuse -Dwight: Iwas here first.Mr. Ramish: Oh, oh, oh, oh, oh, okay.Dwight: I already made an appointment... with your secretary.Mr. Ramish: Let me stop you all right here. I've already picked a new paper supplier.Dwight: Wait, it'snot D.M Utica, is it?Mr. Ramish: No, no, it's not Dunder Mifflin at all actually. It's... Big Red Paper Company.Jim: Big Red Paper Company?Mr. Ramish: Mm-hmm.[SCENE_BREAK]Andy: Yes, yes,yes![SCENE_BREAK]Harry: Give me a cup of coffee.Dwight: Me too. Or do you also have a monopoly on thirst?Jim: All right, guys. It didn't work out for any of us, so... we're still on the same team. Let me getthese.Dwight: No. Let him get his own. It's Syracuse money.Harry: You know, your partner's got a lotta attitude. But I like that. How long you guys been dating?Dwight: Jim couldn't land me in a thousand years.Jim:But you're saying there's a chance.Dwight: Shut up.[SCENE_BREAK]Pam: [Walks into conference room] Hey.Robert: Hmm.Pam: I stole Nellie's phone.Robert: Excellent. Excellent. Though troubling that your firstinstinct is thievery.Pam: What do you want from me?Robert: Now we get to the bottom of Nellie's \"yes, yes, yes, yes, never.\"Phone: Hi, Nell, it's mom. Do keep your chin up. It can't be as bad as you described.Robert:Oh yes it can.Phone: This is MasterCard. You are over the limit. Send the minimum payment of $448 by Monday, or we will be forced to send it to collections.Robert: Shopaholic.Pam: Sounds like it.Robert: Yeah.Phone:Hi, sis. Is your boss still hitting on you?Robert: Ah.Phone: This is Annie from second nests. I'm sorry, but the Romanian orphanage felt more comfortable with a two-person nuclear family than a single mother, so, we'regonna hold out for that.Pam: Okay, that's enough. [grabs phone]Robert: Pam, we need to get to the bottom of this.Pam: No, no, no!Robert: No, come on.Pam: Robert! Okay, oops! I deleted them all. They're alldeleted.Robert: Pam, Pam, you've completely bungled this!Pam: Ah. Ahh. [walks out][SCENE_BREAK]Pam: Hey.Nellie: Can I do it, Pam? Can I put off a gold Arabian sandal?Pam: Um... yes. Definitely. With your hair-Nellie: Oh!Pam: Certainly. Um... you dropped your cell phone.Nellie: Oh, gosh.Pam: Yep.Nellie: Thank you. I'm... so stupid.Pam: No. My goodness. You have a lot going on. With Robert and everything.Nellie: Oh, god,Pam. Don't get me started.Pam: No, I will not.Nellie: You've just got me started. Robert... is... a filthy beast. I mean, don't you get the feeling, he's just thinking of fifteen different ways to do you?Pam: Well -Nellie: Imean, the man talks of nothing but s*x.Pam: But sometimes he talks about flesh... and bacchanals.Nellie: I cannot even tell you what he left on my phone last night.Pam: No... don't. Just put it out of your mind.Nellie:Pam, what is your address? I'm gonna send you a pair of these gold harem shoes. Oh, no. You don't -Nellie: Oh yes. Come on, a little gold Arabian slipper.[SCENE_BREAK]Nellie: Things are looking up. I might be amother soon. I have MasterCard right where I want them. And... I have a new friend. A friend. At work.[SCENE_BREAK]Robert: [Erin opens door] Erin.Erin: There's a call for you on line one.Robert: Who is it?Erin: Hesays salvation. No last name.Robert: Yeah, hello?Andy: [in car] You once put me on a list of the losers in the office. Well, this loser just got your biggest client to give him all their business. So hire me back, thatbusiness is yours. Don't, and I will find another buyer.Robert: You're blackmailing me.Andy: It's just business.Robert: Ah, well, I will not be blackmailed by some ineffectual, privileged, effete, soft-penised debutante.You wanna start a street fight with me, bring it on. You're gonna be surprised by how ugly it gets. You don't even know my real name. I'm the *bleep* lizard king. [disconnects]Andy: Whoa. Well I gave him a chance.[gets out of car, walks to house]David: [opens door] Andy Bernard.Andy: You got a minute?David: Um... I'm in the middle of a piano lesson.Andy: I wanted to see if I could interest you in an investment. DunderMifflin.David: Dunder Mifflin. [closes door] Now... why would I want that? It's worth half of what it was three years ago.Andy: Exactly. And you know better than anyone that with the right management it could be worthtwice what you would pay for it today.David: Why don't you come in? [Andy walks in, closes door][SCENE_BREAK]Harry: So what would you do if you weren't selling paper?Jim: Oh, man, I'd have to sell beets. Probablysubmit them for competitions.Dwight: What?Jim: Yeah! I know it sounds stupid, but nationals has always kinda been a dream of mine.Dwight: How have we never talked about this before? Wait. You don't even careabout nationals.Harry: Nothing?Jim: I don't know. I've always wanted to own a bike shop, but what about you?Harry: I'd like to sell one big thing, you know? Like... a plane. One sale, I'm out.Jim: That soundslovely.Harry: Anyway, Robert's gonna run this company into the ground, so... We won't be doing this in six months."}
+{"doc_id":"doc_8","qid":"","text":"[In a shop in New York City]Jenny: So you, you deliver the dresses and I take the accessories.Seller (showing ornaments of jewels): You have chosen which one?Jenny: Oh, no! I'm helping Blair. I am not invited, thenwe'll see.Seller (hooking him a bracelet on your wrist): See! In case.Jenny: Oh!Seller: We put it on the note of your friend.Jenny: Oh, uh no, no!Seller: The girls invited to the ball are our best customers. You will be ourmodel of an evening and you will make us the bracelet after.[SCENE_BREAK][In the room of Blair]Serena: Kati told me about custom corsets, crowns, wigs ... What is this madness?Blair: This is a masked ball. The goalis that nobody recognizes. But I expected a little something extra for Nate tonight! It's a game, a sort of treasure hunt. It will begin with an index, which will take him to a lady of honor, which will lead to a second index...Serena: Wait, wait! You got the ladies?Blair: If he finds me before midnight, before the masks come off, the treasure is for him!Serena: And what is it? (Blair a mischievous smile) Oh! Well yes, I'm stupid. Sorry.Blair:You know, j'me myself that after all that happened, or rather all that is past, I had to do a little effort.Serena: I find it very romantic B. Really. And if you do not want me to come tonight I would understand ...Blair: Oh,but it will not! No! You can not not be there. In fact, I want you to give the last index. Will you be my maid of honor?Serena: What! You really want to be me?Blair: I see this event as a new beginning. J'te J'lui trust andhave faith.Serena: Well, I'd be more than honored to serve you Majesty!Blair: Either way you go with Dan?[In the kitchen of Humphrey]Dan: A ball?Rufus (Jenny looking package all required): You knew that yoursister's name was Cinderella?Dan: And I bet your charming half-sister is Blair Waldorf!Jenny: It's true that she asked me a few services but I'm glad to help.Rufus: And she has to thank you with a prompt and adress?Jenny: I would have deserved. The ballroom, the costumes ... it's gonna be insane! It's weird that Serena you have not mentioned.Dan: But why? This is not because we went out twice together we are forced toremain glued to each other.Jenny: Well I must deliver it all. Let me know if you need a tuxedo! Dan (Rufus just looking at him): Well what! This is a masked ball, she must say that I will find it rather ridiculous, provingthat she knows me pretty well.[In the room of Blair]Serena: I know! Wait, a masked ball! I know, I know he will find it completely ridiculous. You imagine a wolf and a tuxedo, frankly?Blair: We adore you! To go outwith you would be able to do anything. Even wearing a dress my mother if it is. And then not worry, I'm sure he has nothing planned tonight. Who would ever think to invite this guy?Serena: You're disgusting! I know.In fact, it might be better if there's masks, as if it y'en high school who hates it and recognize them well.Blair: Come on, invites Dan Humphrey. That's an order![In the kitchen of Humphrey]Dan: I did not say that Iwould not. Serena invites me if it would be rude not to give it my company.Rufus: It would be very cruel!Dan: But she did not invite me so ...Rufus: If you want to accompany him, what to do. Be a little daring.Dan: Thefestival takes place in a few hours. I have more time to really prepare myself for the idea of being bold.Rufus (Dan's cell phone ringing): This is Serena?Dan: Oh no, it's Vanessa!Rufus: Vanessa! Been a long time. Youpick right?Dan: But if, of course I'll win. (On phone) Hello! Vanessa?Vanessa (on phone): Winner! It's me.Dan (on phone): So what's new? It's going to Vermont?Vanessa (on phone): You always have my book \"TheCrying of Lot 49\"?Dan (on phone): Uh ... I know.Vanessa (on phone): Will you check?Dan (on phone): Uh ... right! It's been over a year that has not spoken, you make me an old book ads![In Dan's room]Dan (onphone): I know where I belong.Vanessa: Look at the window!Dan: Vanessa!Vanessa: Surprise!Dan: Wow! But I can not believe it!Vanessa: How are you?Dan: I can not believe it's great. -What are you doinghere?Vanessa: My parents let me live with my sister that I finish my studies here.Dan: So that means ...Vanessa: I came to stay.Dan: Wow! It is ...Vanessa: A great new hope?Dan: Oh yes! Wait it is! Yes, of course. Itis still unexpected. This is unexpected news. (His phone rings) Oh!Vanessa: Go pick up. I'm starving and I can smell waffles. Rufus!Rufus: Vanessa!Vanessa: Surprise![In the room of Dan / Blair's Bedroom]Dan (onphone): Serena! Are you okay?Serena (on phone): Hi! Are you okay? Uh ...Blair: Go go ahead.Serena (on phone): Uh ... I actually wanted to know if you had anything planned tonight?Dan (on phone): Uh ... Tonight?Nah, nah, nah, nothing. Why?Serena (on phone): Super because I have a night, finally you will surely find it completely sucks, but ...Dan (on phone): Always try.Vanessa: Even cooler, these waffles are screaming! Thekitchen of Rufus failed me. It's true! Hey Rufus! You got whipped cream?Serena (on phone): Who was that?Dan (on phone): Uh ... It is my sister. What-you wanted to tell me?Jenny (arriving in Blair's room with anarmful of bags): Hi, this is me! You want me to ask it where?Blair: It's good, you can put it all here. (Showing a small table) I left you a different list.Jenny (taking the list): Ah!Dan (on phone): Hello! There wassomeone?Serena (on phone): Excuse me, uh ... What?Dan (on phone): Uh, you were going to ask you something.Serena (on phone): No, uh ... no.Dan (on phone): Are you sure?Serena (on phone): No, forget it. Thankyou. I must leave you.Dan (on phone): Oh, okay.Serena (on phone): Bye.Vanessa: Well, what do we do tonight?Serena: I need a partner![SCENE_BREAK][In entry of Archibald]Howard: Damn, Anne! I thought I saidno starch.Anne Howard! It's been 19 years we're going in the same dyer. Your shirts are ironed as usual. You know it's not that get upset.Howard: What annoys me is that I want to be perfect for the evening Eleanor.I'm not allowed to make mistakes. Anne Eleanor knows that you are best placed to introduce his company public, it's you she will choose. Be yourself, it will be fine.Howard: Well, j't'appelle office, huh. I must reread theoffer.Nate: Mom!Anne: Oh, Nate!Nate: Is that-Dad is in trouble?Anne: Tales of the work, not worry about that.Nate: Sure.[SCENE_BREAK][On the streets of New York City]Vanessa: Wow! I love New York. Y'avaitcinoch one 'and they went to Woodbury as films for kids: \"Babysittor\" one year showing.Dan: Well, Vin Diesel has to be funny after all.Vanessa: I can not make up my mind, there's too many things. I rather prefer thatyou choose.Dan (evasively): Yes, as you will.Vanessa: You, you do not want us to go to the movies? You were perhaps other projects like a wild s*x with all the rich kids of your private school waiting their inheritancewisely?Dan: Yeah, besides the limousine is waiting for me.Vanessa: Cool! We will tag the tires or even die! So, it makes you weird me being there?Dan: No, why? Why it would make me weird?Vanessa: Because. Youtold me some things when I'm gone.Dan: Things you immediately asked me to withdraw.Vanessa: Because j'quittais New York, but now I'm here.Dan: Yeah, except it's been over a year, you see. It's been a lot ofthings in a year.Vanessa: And I hope you'll tell me everything! Tonight? Last meeting? Angelica? Any chick that ...Vanessa & Dan: Unless sittor Baby!Dan: Okay, I'll book.Vanessa: It's cool to see you Humphrey!Dan:J'te do not say.[SCENE_BREAK][In the office of Howard]Chuck: What is you're looking for exactly?Nate: Evidence.Chuck: What? An aversion that your father committed to starch? J'compatis to death, inherit the neckcollar. You have asked about the money had disappeared?Nate: Yes, he told me he had made the transfer of accounts. The next day, everything was normal.Chuck: Then why you worry? Financial transactions a bitdodgy, parents who yell at ... this is our daily lot. (A packet of drugs from the book falls into the hands of Nate) Chi Chi breaks the coconut! I'm in shock! I thought that you did not use as tea.Nate: It's not forme.[SCENE_BREAK][In the living room of the Waldorf]Blair: Oh no, but that he takes what Dan Humphrey! Serena acted as if nothing had happened but j'vois although she drools. We need to find him someone.Kati:But we will not have time.Isabel: The best ones are already taken this evening.Blair: Stop you scroll! Serena deserves to get hotter. If he has other plans: he cancels them. If he has a girlfriend: it has dropped. And if itis at the other end of the world, chartered a private jet-it! Not disappoint me.Interior decorator: Ca you please? (Proposing a hookah)Eleanor: It is a wonder! Oh!Blair: Do-it was a bang, mom?Eleanor: Honey?Blair: Idid not know you was addict!Eleanor: It's a, a hookah. And it is wonderful. It goes with the Moroccan theme of my evening!Blair: Why you transform our house into an opium den to celebrate your contract withBendel?Eleanor: Why not?[SCENE_BREAK][On the streets of New York City]Blair (on machine): Hi this is Blair! Sorry not to respond to you I'm getting ready for the masquerade ball! So this evening, if you recognizeme, which I doubt. Ciao!Nate (on machine) Hi B. It's me. I, uh ... I really need to talk to you is, this is about my father and, uh ... We must, I wanted to talk to you then call me as soon as you have asecond.[SCENE_BREAK][In the living room of the Waldorf]Jenny (laden with parcels): Uh, I think everything is there.Blair: Thank you're an angel. I do not know what I would have done without you.Jenny: Nah, it'snothing. I thought it was funny.Blair: Good! Besides that you learn things. (Seeing the bracelet Jenny) And you seem to learn fast: very pretty bracelet. Vintage, right? Diamonds seem true.Jenny: That's because theyare. The head of the shop lent me.Blair: Why did he do this? (Jenny embarrassed) Oh my little Jenny! You do still not believe that you were coming tonight?Jenny: I was hoping for a bit, maybe ... Yeah.Blair: You knowthat the graders are not going to a masquerade, it is the rule.Jenny: Yeah I know but as I saw that there were five dresses ...Blair: Oh! This is the bare minimum. Think I do a stain or tear my dress!Jenny: Yeah, sure. Ishould remember. Have fun tonight!Blair: It's yes. And not be sad, your time will come, I promise! Well let j'te I must prepare myself.[SCENE_BREAK][In Serena's room]Lily: Do you think Eleanor Waldorf will find thisplace enough folk? I have a doubt.Serena: Go with a goat! Eleanor hates us to do things by halves.Lily (seeing the ball dress of Serena): I feel that too.Serena: Wait, me about it! In Waldorf, the theme party isperpetuated from mother to daughter.Lily: You're not with Dan?Serena: Uh ... Nah. Dan is already taken tonight.Lily: But by what?Serena: The question is: by whom?Lily: Han, I had not realized. In fact, to be honest, itrelieves me. At your age, do not deprive themselves of papilloner.Serena: You can talk about you! It is your rider sexy tonight?Lily: What? Nah, you're kidding. Who do you want me to go! I'm going to try this dress andsee if I can find a goat. Edward (by mail) \"Hi Serena! Kati Farkas gave me your email. \"Serena (by mail): \"Oh! Hello! Who are you? \"(Looking at his profile) You're not Dan but never mind, it will do.[In the living room ofHumphrey]Dan (answering machine): Hi Jenny! I have a great scoop for you: Vanessa returned to New York. We will s'faire a movie tonight, so I know not if you go to the ball or not but I wanted to know if you wantedto come. So uh ... I'm gonna book it. So, call me.Gossip Girl (his blog): \"Calling all White Knights! Why friends of Serena Van Der Woodsen to find him a suitor? Fairy tales are they at this point out of fashion for theprincesses are reduced to simply a replacement? I may be old fashioned, but to be a happy end, the knight must sometimes move your ass and seal his faithful steed! \"[In Serena's room / In the living room ofHumphrey]Edward (by mail): \"So what do we do tonight? \"Dan (tuxedos on site): It is perhaps time to be bold after all.Serena (by mail): \"You have a mask? \"[SCENE_BREAK][In the living room of the suite of Van DerWoodsen]Serena (opening the door): Nate! Hello! -What are you doing here? J'croyais that you were, uh ... You're going to be late?Nate: I'm sorry to bother you, it's ... You got a minute?Serena: Yes, of course.Between.Nate: Thank you!Serena: Yes. (Nate having him tell it all) It may be an old remnant, something that dates back 80, a memory of a night at the Limelight and the Tunnel ... Our parents were more crap thanus.Nate: This is recent. Yes, and I'm not surprised one second. I reckon my father to problems frica.Serena: You tried to tell him?Nate: Yeah. In fact that annoys me is that it makes me believe that all is well. Looks likemy parents have signed a secret pact to act like robots.Serena: I do not think this is a secret pact if it. I think all our parents have signed it.Nate: It's okay, I'm more a kid. He let me stay away.Serena: Look, if whatyou believe is true, it probably should be scared. So it will take you to be a little more perseverance if you want it to really listen to you. (Nate annoyed) Hey, not give up! (Nate taking his hand) It's better that you go. Imust prepare myself and all that.Nate: Yeah, uh ... I, too, and I thank you for listening.Serena: It's nothing. Yes, that's normal.Nate: Chuck wanted to test the merchandise and B. messaging was on so it was cool thatyou're here.Serena: At your service. See you tonight, okay?Nate: Okay. At any time! Ciao![SCENE_BREAK][In the living room of Humphrey]Vanessa: Hey! Is it-I can enter?Rufus: Oh, hello! You go out with Dantonight?Vanessa: We're gonna get a movie. And you're going where? Humphrey in a suit and tie. Hmm, I smell a tryst but ...Rufus: But my wife left me.Vanessa: Yeah, but what-happens with Allison? Dan told me shewas still in Hudson. J'croyais it was like for the summer.Rufus: J'le thought also.Vanessa: Oh, I see. We'll talk another time, it looks complex.Rufus: Where-I f*cked my keys?Vanessa: You do not need keys, the windowof Dan this is simpler. Where he is anyway?Rufus: It will not be long in my opinion. So, uh ... Dan looked pleased to see you.Vanessa: Why? It surprises you?Rufus: Well, uh ... if I may, when you're gone, you've brokenher heart.Vanessa: And bah I got home. I hated living away from New York, and away from Dan.Rufus: You told him?Vanessa: No, not yet. But I plan to tell her tonight, before or after the movie, I know not yet. I havefound yet. It will not be obvious.Rufus: Yeah.Vanessa: Hmm ... (finding the keys to Rufus)Rufus: Oh! Thank you! Uh ... You know it, uh ... he spent a lot of things in your absence.Vanessa: Yes, that's what Dansaid.Rufus: But you've always been close. I'm sure it'll get.Vanessa: Wish me luck!Rufus: You too!Vanessa: So where are you going dressed like that?Rufus: Oh, it's just a party.Vanessa: With a friend?Rufus: Uh ... It'snot quite the word I would use. See you later!Vanessa (his phone rings) Hello!Dan (on phone): Hey, where is this-that you're in?Vanessa (on phone): I'm with you.Dan (on phone): Oh! Oh, you're ahead.Vanessa (onphone): Yes, j'pouvais not wait.Dan (on phone): Uh ... I tried to reach you before you go, I want a lot.Vanessa (on phone): Because I'm ahead?Dan (on phone): Nah, because, um ... I, I completely forgot that I had anessay to do for Monday so I'll work all night, but, but I rattraperais. Promised, swore!Vanessa (on phone): With Pierogi?Dan (on phone): J't'appelle tomorrow.Vanessa: Jenny! Hello!Jenny: Hi! (Starting in hisroom)Vanessa: Jenny, what does that matter?[SCENE_BREAK][In the living room of the Waldorf]Rufus (arriving with Lily): Remind me why I must see it as a favor!Lily: Rufus! Look around you. Since when you did notattend the greatest figures of our world? Enjoy it to make you understand, to revive your career faltering, for your little gallery became a place in disaster.Rufus: Han, you've become the patron saint of former rockstars!Lily: Oh yeah? You were a star? Listen, go away if you want, j't'assure. Allison would probably furious to know that you come with me this evening, even if it's in your best interest.Rufus: J'me care what Allisonthinks.Lily: So much the better! I'll introduce you to our hostess. Eleanor!Eleanor: Ah!Lily: This is divine! Really, it's like to Marrakech.Eleanor: Oh Lily! Nan but what a surprise! I did not know if you would be in goodcompany.Lily: Oh!Eleanor: Is not he cute!Rufus: I'm not ...Lily: It's Rufus Humphrey.Eleanor: It is a pleasure.Rufus: Enchanted.Lily: That's good couscous that I see there?Eleanor: Yes, help yourself!Bart (accompaniedby Carissa): Hi Eleanor!Eleanor: How are you? Miss Magic!Lily: Wow!Rufus: Have you seen anything?Lily: No, it's nothing. I love her dress.Bart: Lily!Lily Bart!Bart: Good evening!Rufus: Hi!Bart: Uh, I present to youCarissa.Carissa: Yes, enchanted. Carissa! (Reaching for Lily)Lily (the greeting): Hi!Rufus: Rufus! (Shaking hands)Carissa: Magic!Bart: Well, well, glad to have seen you.Lily: Yes, me too.Bart: Good evening.Lily: Youtoo.Carissa: Good evening!Rufus: You and Bart Bass? Ah, j'comprends better! This is to make him jealous that you invited me? Lily Han, j't'en please! This is ridiculous.Rufus: You know I find it pretty quite flatteringactually. But you could have found better than me.Lily: Not in so little time.Howard: Eleanor! Salamalikum!Eleanor: Oh!Howard: How are you? This evening is fantastic!Eleanor: Thank you, you're anangel.[SCENE_BREAK][In Jenny's room]Vanessa: So basically, this girl makes you a slave?Jenny: Nan, her maid instead.Vanessa: That's what Jane Austen called slaves.Jenny: At the same time she ever said that Iwould go to the ball. I render him service or not.Vanessa: Hin, hin! Do not try to find excuses, after all you did you deserve to go!Jenny: J'croyais that you found the masked balls totally cheesy!Vanessa: This is only myopinion. But if you really want to go, it's not that girl that will prevent you.Jenny: Nothing to it, I mean, I even have a dress!Vanessa: I have a friend who works as a costume designer at BAM, we will pay it. Whatelse?Jenny: I have no invitation.Vanessa: We go through the door. What else?Jenny: If Blair sees me she'll be furious!Vanessa: So this is a chance that you wear a mask.[SCENE_BREAK][In the ballroom masked]GossipGirl: With us on the side of the Upper East Side, appearances can be deceiving. Keep your eyes open and beware of familiar faces![Before the ballroom masked]Jack: Welcome! It is here or there?Dan: Well, that'swhere the lights and zigzag over there it's cars, it avoids them better. Wait, you will see clearer without this stuff! (Him touching his mask)Jack: Yeah, it's not stupid.Dan: Hi! Hey, what's your name?Jack: JackHartmann!Dan: Hi Jack Hartmann! I went out into the air.Vigil of the ball: Oh, okay. (She opened the gate)Dan: Thank you![In the entrance to the masked ball]Vanessa (doing so will pass quietly by the back door):Thank you! (Looking at holding Jenny) Well, let me see.Jenny: Look, I know that you disapprove of worldliness to death these rich kids and all, but ...Vanessa: I'll reprogrammerais any hour. (Taking the mini-bag andgiving it a Jenny fan) That I care, it's hideous. Go, go!Vanessa: Han, thank you![In the ballroom masked]Blair: We'll start the party girls.Gossip Girl (Serena dancing with Edward):-What did I tell you aboutappearances? Oh yes, they could be misleading!Dan: Oh!Gossip Girl: But mostly, we do believe that what we see.[In the entrance to the masked ball]Vanessa: Hey! You would not see my girlfriend? It was me who hisbag and I have his key shot. (A guy the ball making him \"no\" to the head)[In the ballroom masked]Blair: Nah, but what does that makes Nate? He should have found Kati & Isa '! It's late and I cooled!Chuck: You'restunning beauty. If I was ya man, I would not need clues to find you.Blair: That I doubt it for a second.Chuck (watching Jenny): Who is this chick?Blair: Probably the kind that embeds the tape.Chuck: This is the kind Ilike.Blair: Forget it! Nate go get and put it in the right direction.Chuck: All in good time. (Starting to see Jenny)Blair: Han!Chuck: Hi dear angel! You must be my lucky charm. (Seeing her wrist) And I have a lucky charmthat has taste.Jenny: It seems not, since I speak with you!Chuck: Beautiful and cruel. Everything I love. You could dance with a poor devil?Jenny: We could burn this step and find a quiet corner.Chuck: I'll take out thechampagne.Jenny: And I the quiet corner.[SCENE_BREAK][In the living room of the Waldorf]Howard: Introduce your company public is a huge responsibility and it is better to rely on his first impression. It is even youwho taught me, Eleanor!Eleanor: You know I adore you, this is not the problem. But you have no experience in this field. I met with counselors in Calvin and I must admit that I found remarkable presentation.Anne:Enough about business, you are bored our hostess. I thought of one thing when your daughter is fiancera with Nate, I would offer him the ring of my great-grandmother.Eleanor: The Van Der Bilt in that person had"}
+{"doc_id":"doc_9","qid":"","text":"Originally written by Adam Chase[Scene: Monica and Rachel's, Phoebe, Chandler, and Ross are there, Rachel is serving brownies.]Rachel: Here you go Pheebs. Who else wants one of my special homemadebrownies?Chandler: I will have one. (Ross and him both take one.)(Phoebe takes a bite and spits it out and screams.)Chandler: Okay, I'm not gonna have one.Ross: Neither will I. (they both put back thebrownies.)Phoebe: No, no, it's just my tooth.Chandler: All right I'll have one. (he and Ross take another brownie,)Ross: So what's a matter, you need a dentist? I've got a good one.Phoebe: No thanks, I have a goodone too. I just, I, I can't see him.Chandler: See that is the problem with invisible dentists.Ross: Why? Why can't you go to him?Phoebe: Because, every time I go to the dentist, somebody dies.Chandler: That is soweird, because every time I go to the dentist, I look down the hygienist's blouse.Rachel: Phoebe, what? Umm...what?!Phoebe: Yeah, yeah, first there was my aunt Mary, and then there was umm, John, my mailman,and then my, my cowboy friend 'Albino Bob'.Rachel: And all these people actually died?Phoebe: Yes, while I was in the chair! That's why I take such good care of my teeth now, y'know, it's not about oral hygiene, I flossto save lives!Ross: Pheebs, come on, you didn't kill anybody, these people just happened to die when you went to the dentist. It's, it's, it's just ah, a coincidence.Phoebe: Well tell that to them. Oh! You can't, theirdead.OPENING CREDITS[Scene: Central Perk, Ross, Rachel, and Phoebe are there.]Ross: Thanks, Gunther. (takes the plate Gunther serves him and Rachel comes up and kisses him) (to Rachel) Hey! (to Gunther)Umm, can I get a napkin too?Gunther: Oh, like you don't already have everything.Phoebe: (trying to bite into an apple) Ow! Ow! (drops the apple in disgust.)Rachel: Phoebe, your in pain, would you just go to thedentist, just go.Phoebe: All right, fine, fine, but if you're my next victim, don't come back as a poltergeist and like suck me into the TV set.Rachel: I promise.Phoebe: Although, don't feel like you can't visit.Joey:(entering with Monica) Hey, is, is, is Chandler here?Ross: (patting his clothes like he is looking for his wallet) No, no he's not.Monica: You guys, Joey just saw Janice kissing her ex-husband.Ross: What? (to Joey) Sowhat are you going to do? I mean how, how are you going to tell Chandler?Joey: Well, I was thinking about that and I, I think the best way would be, to not.Rachel: Joey, you can't keep this to yourself, if you knowabout this, you have to tell him.Joey: It'll kill him. I mean it'll, it'll just kill him.Phoebe: Well, you could wait 'til I go to the dentist, maybe I'll kill him.[Scene: Monica and Rachel's, All are there except for Chandler.]Joey:(looking out the window) Ewww! Ugly Naked Guy is using his new hammock. It's like a Play-Doo Fat Factory.Phoebe: Well, I'm going to the dentist, so listen, okay, just be on the look out for anything that, that, that youcan fall into, or, or that can fall on you, or... All right, just look out! Okay, And um, I also just wanna, I just wanna tell you all that um...... (starts to cry and runs out)Ross: Okay, I have a problem I have to go into workfor a few hours, some kids messed up the Homo Sapien display.Joey: What did they do?Ross: Well, they painted over the word 'Sapien' for one thing, then they rearranged the figures, let's just leave it at that.Monica:So, do you want me to watch Ben for you?Ross: Yes, that's what I was going to ask, thank you.Rachel: Whoa! Wait! Hello! What about me?Ross: You? You! Want to watch Ben? (in the background Monica mouths 'Don'tworry, I'll be here the whole time.' to Ross.) Yes! That'd be great, no, I just wanted to ask Monica, because I know how empty her life is. (Monica sarcastically mouths 'Yeah!' and holds up her thumb.)Joey: Hey-hey,Ross?Ross: Yeah.Joey: I've got a science question.Ross: Hmm?Joey: If the Homo Sapiens, were in fact 'Homo-sapien', is that why there extinct?Ross: Joey, Homo Sapiens are people.Joey: Hey-hey, I'm notjudging.[Scene: Monica and Rachel's, Monica and Rachel are babysitting Ben.]Rachel: (holding Ben) Look Benny, spoon. (moves it back and forth) Spoon. Come on! All right, y'know what I think he's bored.Monica:Here. Ben, do you wanna play the airplane game, do you wanna show Rachel? Come here. (takes Ben) We're gonna do something fun. Okay. (throws Ben up in the air a little bit and catches him) Weee!! (moves intothe living room and does it again) Weee!! (starts to walk back into the kitchen as she does it again, and hits Ben's head on that wooden beam across the ceiling.)[cut to later]Monica: (to Ben) Who's so brave, you're sobrave, yes you are, you're so brave.Rachel: Okay. Okay honey, he's fine, he's fine, let's just put him down. Come here, Ben. (sets him on the couch) See that's a good boy. (to Monica) How could you do that to him!!Ross trusted me, what is he going to say?!Monica: He's not gonna say anything, because we're not gonna tell him.Rachel: We're not?!Monica: No we're not.Rachel: All right, I like that.Monica: Okay.Rachel: So we'reokay, we're okay, we're okay, (starts to exam Ben) aren't we? No, we're not okay, we're not okay, there's a bump, there's a bump.Monica: Oh my God! Well push it in! Push it in!Rachel: I cannot push it in!Monica:Okay, we're gonna need a distraction.Rachel: Okay, okay, okay.Monica: I got it!Rachel: Okay.Monica: The second that Ross walks in that door, I want you take him back to your bedroom and do whatever it is that youdo that makes him go, (high pitched) rweee!!Rachel: Or. We could put a hat on his head.Monica: A hat! Yes! We need a hat.Rachel: We need a hat..Monica: Where are we gonna find a tiny little hat?Rachel: Oh, oh, oh,I'll get 'Rainy Day Bear'!! (runs to get him)Monica: Because he'll know what to do? (Rachel comes out of her room with a bear that's dressed in a rain suit.) Oh my God, you're a genius!Rachel: Oh God, oh God, it'ssowed on though.Monica: Give it. Give it.Rachel: Okay.(Monica takes the bear, grabs his hat, and rips off his head.)Monica and Rachel: Oh!!Rachel: Oh, it's just like a bloodbath in here today.[Scene: The street,Chandler and Joey are walking past a jewelery store.]Chandler: Hey! Hold on a minute, hold on a second. Do you think these pearls are nice?Joey: I'd really prefer a mountain bike.Chandler: Janice's birthday is comingup, I want to get her something speacial. Come in here with me.Joey: Whoa, whoa, whoa, wait, whoa. Do you ah, want to get her something speacial, get her flowers, get her candy, get her gum, girls lovegum.Chandler: That's a good idea, 'Dear Janice have a Hubba-Bubba birthday'. I would like to get her something serious.Joey: Oh, you want something serious. Y'know what you should do, you should get her one ofthose um, barium enemas. Those are dead serious.Chandler: All right. Look, I'm gonna go in here, and you don't buy me anything ever. (starts to go into the store)Joey: (stopping him) No, no, you can't, you can't,okay, you can't, you can't buy her pearls, you just can't, you can't, you can't.Chandler: Why not?!Joey: Oh God. Uh, okay, here's the thing, this is the thing, okay, the thing is...Chandler: What is the thing?Joey: Okay. Iwent down to the 'Mattress King' showroom and, and I saw Janice, kissing her ex-husband.Chandler: (shocked) What?Joey: They were in his office.Chandler: Well she, she wouldn't do that, she's with, she's withme.Joey: I'm telling you man, I saw it.Chandler: Yeah, well, you're wrong! Okay, you're wrong.Joey: I'm not wrong! I wish I was. I'm sorry. Bet that barium enema doesn't sound so bad now, huh?[Scene: Monica andRachel's, Monica and Rachel are dressing up Ben in the entire rain suit from Rainy Day Bear.]Monica: It just makes more sense as an ensemble.Rachel: Right.Monica: Besides, it takes the focus off the hat.Phoebe:(running through the door) No! Oh! You're alive! You're alive!Rachel: See Pheebs, I promised you no one would die, didn't I?Phoebe: Yeah, well, we'll see about that. Can I use your phone? I just wanna call everyone Iknow.Monica: Sure, we have no money, go ahead.Phoebe: (on phone) 'Hey! You're not dead! Okay, see ya!'Ben: Monica.Monica: Oh my God! He just said my name! Did you hear that?Ben: Monica bang!Rachel: Okay, Iheard that.Monica: Did he just say 'Monica bang'?Rachel: Uh-huh.Monica: Oh my God! He's gonna rat me out!Ben: Monica bang!Monica: Oh-ho-ho, sweetie, sweetie, you gotta stop saying that, now. It's no big deal, it'snot even worth mentioning, you see we all do it all the time. See watch this, Ben, Ben, Ben. (goes over and starts hitting her head on the post) Ow, Monica bang! (does it again) Everybody bang. (repeats) Ben bang.(repeats) Rachel bang. (repeats) Bang, Rachel bang! Oh, isn't that fun?Rachel: (goes over and hits her head on the post) Look at that! (repeats) Look at that! (repeats) We all do it. (repeats) Okay, I'm stoppingnow.Monica: You okay?Rachel: Oh yeah! Y'know, if it's not a headboard, it's just not worth it.[Scene: Chandler and Joey's, Chandler is waiting for Janice to arrive, and is angrily fllipping through a magazine.]Janice:(entering) How's my Bing-a-ling?Chandler: Ah, I don't know, you tell me. Anything you ah, wanna tell me, because, if you ah, you should, if you, you would, tell me.Janice: Why are your eyes so white?Chandler: Youtell me! Maybe, it's because I was just fooling with my ex! Oh no-no-no-no, no-no-no-no, that was you!!Janice: Oh my God!!Chandler: All right!Janice: How did you know?Chandler: Joey told me, he saw you twokissing.Janice: In the park?Chandler: No! In his office! How many kisses were there?Janice: Just those two!Chandler: Wh-wh-why, wh-why, why, why was there kissing!? There should be no kissing!!Janice: Oh, I'msorry honey, I'm so, so, (nasally) haaaaa! I'm so, so sorry, I just (nasally) haaaaaa! But I, oh what happened was, I-I-I can't breathe. Can you get me a bag, or something?Chandler: (giving her a bag) Here.(Janicestarts to breath into it and sucks in the reciept, and then spits it out.)Janice: The receipt.Chandler: I'll take it! All right look, I gotta know. Are you finished with me? (Janice shakes her head no) Are you finished withhim? (Janice shakes her head no) Do you still love him? (Janice shakes her head yes) Do you still love me? (Janice shakes her head yes) All right look, (grabs the bag) I'm gonna need an actual answer here okay, sowhich is it, him or me? (his phone starts to ring)Janice: I don't know.Phoebe: (rushing in) Okay. If you're alive you answer your phone![SCENE_BREAK][Scene: Monica and Rachel's, Monica, Rachel, Phoebe, and Joeyare there.]Monica: Okay, Ben, I won't tell your daddy that you had ice cream for dinner, if you don't tell about our little bonking incident.Rachel: Monica, number one, I don't think Ben understands the concept ofbribery, and number two, I... (Joey starts laughing in the background) (to Joey) What?!Joey: You said number two.Rachel: I also said number one.Joey: I know. (giggles harder)Ross: (entering) Hey! Everyone.Rachel:Hi!Ross: How's my little boy?Rachel: He's perfect, he's never been better.Ross: (noticing the outfit he is wearing) What'd you do, take him whaling?Ben: Monica.Ross: Oh my God, he just said your name, that's great!Good job Ben.Ben: Monica bang!Monica: Oh that's right, that's what I'd sound like if I exploded.Phoebe: Woo-Hoo! The curse is broken! I called everybody I know, and everyone is alive.Joey: Uh.Phoebe: What?Joey:Ugly Naked Guy looks awfully still. (Phoebe runs to the window and gasps.)[Cut to later, all except Chandler are staring out the window at Ugly Naked Guy.]Phoebe: Oh my God! I killed him! I killed another one! Andthis curse is getting stronger too, to bring down something that big.Rachel: Well maybe he's just taking a nap.Joey: I'm tellin' ya, he hasn't moved since this morning.Monica: All right, we should call somebody.Ross:And tell them what? The naked guy we stare at all the time isn't moving.Rachel: Well, we have gotta find out if he's alive.Monica: How are we gonna do that? There's no way.Joey: Well, there is one way. His window'sopen, I say, we poke him.[SCENE_BREAK][Scene: Chandler and Joey's, Chandler is throwing darts, as Joey enters.]Joey: Hey! Y'know how we ah, save all those chopsticks for no reason we get when we get Chinesefood?Chandler: Yeah.Joey: Well, now we got a reason.Chandler: What?Joey: Well, we're fashioning a very long poking device.Chandler: All right.Joey: Hey uh, what's a matter?Chandler: I talked to Janice.Joey: Oh myGod, is she going back to him?Chandler: She doesn't know. Says she loves us both. Y'know I woke up this morning and I was in love, well I was happy. Y'know it serves me right for buying that twelve pack of condoms.And now I can't even return them, because she choked on the reciept!Joey: What are you ah, what are you gonna do?Chandler: I don't know, y'know. What, what, would you do?Joey: Well, it doesn't matter what Iwould do.Chandler: Come on, tell me.Joey: All right, you're probably not gonna want to hear this but ah, if it was me, and this is just me, (Chandler gets ready to throw another dart) I would ah, I would bowout.Chandler: What? (turns around quickly still ready to throw the dart and Joey quickly ducks and hides behind the chair) What are you, what are you talking about?Joey: They have a kid together, y'know. They're like,they're like a family, and if, I don't know, there's chance they could make that work, I know I wouldn't want to be the guy who stood in the way of that. Are you okay? Do you wanna ah, come poke a nude guy?[Scene:Monica and Rachel's, Ross has just finished putting Ben to sleep, and is entering from Rachel's room.]Ross: Well, he's finally alseep. About that ah, bump on his head?Rachel: Are you, are you, are you sure it's ah, anew bump? I mean, no offense, I've always thought of Ben as a fairly bumpy headed child.Ross: It's okay if he bumps his head, kids bump their heads all the time, y'know, it was your first time babysitting, I figured youdid the best you could.Rachel: (confidently) I did!Ross: I know! I'm saying you have to watch them all the time.Rachel: I did!! I watched! I watched! I watched Monica bang his head against that thing!Ross: Monica didit?(Monica runs into the kitchen from the terrace.)Ross: Monica?Monica: Yeah.Ross: Umm, did you notice anything wierd about Ben today?Monica: No. Why?Ross: Well, I was just playing with him, and y'know we weredoing the alphabet song, which he used to be really good at, but suddenly he's leaving out 'e' and 'f.' It's like they just ah, I don't know, fell out of his head.Monica: Really?!Ross: Oh, and also, he's, he's walkin' kind offunny, his left leg is moving a lot faster than his right leg, and he's in there just sort of y'know... (walks around in a circle)Monica: Oh my God, I wrecked your baby!! (runs into the bedroom)Rachel: I hope it's still funnywhen you're in hell.Monica: (coming out of the bedroom) You jerk! You know how much I love that kid! (starts to chase Ross around the living room)Ross: Monica bang! Monica bang! (runs into one of the posts)Ow!Rachel: I'll get the hat.[Scene: Central Perk, Chandler and Janice are there.]Chandler: Janice, I have something I need to tell you, and I want you to let me get through it, because it's, it's, it's not gonna beeasy.Janice: Okay.Chandler: I think you should go back with Gary. I don't wanna be the guy that breaks up a family, y'know when my parents split up, it was because of that guy. Whenever I would see him I wasalways think y'know 'You're the reason, you are the reason why their not together.' and I hated that guy. And it didn't matter how nice he was, or how happy he made my Dad.Janice: Wow!Chandler: Yeah, well. It's theright thing to do.Janice: Oh! You're right. Oh God. But, before I can say 'good-bye', there's something I really need you to know, Chandler. The way I feel about you, it's like, I finally understand what Lionel Richie'sbeen singing about. Y'know, I mean what we have, it's like movie love, you're my soulmate, and I can't believe we're not going to be spending the rest of our lives together.Chandler: Then don't leave me!Janice:What?Chandler: Forget what I said, I was babbling! Pick me!Janice: No, you were right, you were right. I mean, I-I-I've got to give my marriage another chance.Chandler: No you don't! No, no, no, I say you have togive your divorce another chance.Janice: (standing up) I'm sorry. (hugs him)Chandler: Ohhh. Don't go.Janice: No, I-I-I gotta go. (she starts to walk away, but Chandler doesn't let her go.)Chandler: No. No! No!No!Janice: Honey, honey, people are looking.Chandler: I don't care! (turns around and to the people watching them) I don't care!!Janice: Yeah, um, I'm, I'm leaving now. (tries to get her leg out of Chandler's grasp,she finally does, but Chandler takes off her shoe.)Chandler: You can't leave! I have your shoe!Janice: Good-bye Chandler Bing. (walks out with one shoe)Gunther: Rachel has those in burgendy.[Scene: Monica andRachel's, Joey, Rachel, Monica, Phoebe, and Ross are holding the giant poking device.]Joey: All right now remember, something this big and long is going to be difficult to manouver, fortunately I have a lot ofexperience in that area.Ross: Can we please focus here, a naked man's life hangs in the balance!Phoebe: I'm telling you he's dead. What we are about to have here is a dead fat guy on a stick.Joey: All right, ladies andgentlemen, let's poke. (they start to advance the giant poking device) Steady. Steady. Okay, a little higher. Careful of the angle. Okay, okay, we're approaching the window (as he says this the camera cuts to their viewof Ugly Naked Guy, so that we actually see him!) Thread the needle. Thread the needle.(They thread the needle and start poking him, he then stirs.)Phoebe: He's alive! He's a-live!!!Monica: And yet, we're still pokinghim.Joey: Okay, retract the device, retract the device.Ross: He does not look happy.Rachel: Hey-hey, now he's showing us his poking device.Joey: Hey, that's never gonna make it all the way over here,buddy!CLOSING CREDITS[Scene: Chandler and Joey's, Chandler is listening to a Lionel Richie album]Chandler: (singing) 'I'll hold you close in my arms. (Phoebe enters) I can't resist your charms. And love....'Phoebe:(joining him) 'Love....'Chandler and Phoebe: 'I'll be a fool for you. I'm sure, you know I don't mind.'Chandler: (high pitched) 'No you know I don't mind.'Chandler and Phoebe: 'Yes! You mean the world the world to me.Oh..'Chandler: 'I know.'Phoebe: 'I know.'Chandler: 'I've found.'Phoebe: 'I've found....'Chandler and Phoebe: '...in you, my endless (Phoebe goes high pitched, Chandler goes low pitched) love.' (they both look at eachother.) 'My endless love.' (once again they don't match tones, and they just look at each other)"}
+{"doc_id":"doc_10","qid":"","text":"Countryside Merlin and Arthur are galloping. They reach the top of a hill overlooking a small village.Arthur: You know what you need after a hard day's hunt?Merlin: Sleep?Arthur: A nice cold tankard of mead.Merlin:(muttering) Mead. They arrive in the village, dismount and tie their horses up.Arthur: No better place to measure the mood of your people than the local tavern.Merlin: This is one of those moments where I tell you thatsomething isn't a good idea and you ignore me, isn't it?Arthur: You're learning, Merlin. Slowly, but you're learning. Now remember, in here you're not my servant. I'm just a simple peasant as everyone else. They arewalking in the direction of the tavern.Merlin: The simple's part right.Arthur: What?Merlin: I said the sun is very bright.Arthur: Yeah, yeah it is.[SCENE_BREAK]The tavern The place is packed and noisy. Arthur and Merlinsit at a table. The innkeeper, a plump woman, arrives to take the orders.Innkeeper: Afternoon. What'll it be? Oh, you're a handsome fellow!Arthur: (swelling with conceit) Well, you wouldn't be the first to sayitInnkeeper: Oh, no sorry, I was talking about your friend here.Arthur: Him?Merlin: Thank you.Arthur: (looking pretty upset) Two tankards of meat, please.Merlin: I was wrong. Coming here was a great idea. The dooropens and a scary man comes in. Chatters stop. He walks through the tavern. Everybody is staring at him.Dagr: Afternoon, Mary. Business looks good.Mary: We have our better days.Dagr: I don't suppose you'llbegrudge me my share then. Mary throws a couple of coins on the bar. He counts the coins.Dagr: And the rest?Mary: That's all we've got. The bandit grabs Mary and threats her with a dagger.Dagr: I'll not askagain.Arthur: Take your hands off her. The bandit tries to hit Arthur who avoids him, and pushes him into a shelf. They stare at each other.Dagr: I'm going to make you pay for that.Merlin: (laughing) I'd like to see youtry. The bandit whistles and a group of scary men come into the tavern.Arthur: You had to open your big mouth, didn't you, Merlin? A young man stands up.Young Man: You two have got yourselves in a bit of a pickle,haven't you?Arthur: You should get out of here while you have the chance. The young man is drinking a tankard.Young man: You're probably right. The young man holds the tankard to the bandit, smiles and puncheshim on the nose. It's the beginning of the brawl.Merlin: ARTHUR!Arthur: Merlin! Behind you! Merlin ducks to avoid a flying chair. Two big men are threatening Merlin.Merlin casts a spell: Aetslide bencpe. A bench fliesand knocks them out. Merlin goes behind the bar. Mary and Merlin are crushing jugs on bandits. Merlin uses magic to throw a stack of plates on a bandit. The young man is fighting close to the bar.Young man: Pass thejug. He starts drinking. A bandit tries to hit him. He ducks and punches the bandit.Young man: What do they call you then?Merlin: Merlin. They shake hands.Young man: Gwaine. Pleasure to meet you. He turns andbreaks the jug on a bandit's head.Gwaine: Such a waste. The brawl goes on. Arthur is fighting against the chief of the bandits. The man takes his dagger and is about to stab Arthur. Gwaine throw himself in front of thebandit, saving Arthur. The bandit is knocked out and Gwaine is stabbed in the leg. He tries to get up, but he falls and knocks himself on a bench. He lies on the ground unconscious. Merlin comes to examine him.Arthur:How is he? Merlin starts bandages Gwaine's leg.Merlin: Not good. He's losing a lot of blood...[SCENE_BREAK]Outside the tavern The bandit is at the stocks, people are throwing rotten vegetables to him. Gwaine, stillunconscious, is lying on Arthur's horse.Arthur: If this man ever troubles you again, word is to be sent to Camelot. Soldiers will be here within a day.Mary: How can you make a promise like that?Arthur: Because I'm theKing's son. Prince Arthur.Mary: Prince Arthur! Prince Arthur in my tavern! Arthur and Merlin are leaving the village.Mary: Come on! The villagers throw more rotten vegetables at the bandit in stocks --- Opening Credits--- Merlin s chamber Arthur and Merlin are carrying Gwaine onto Merlin's bed. Gaius takes a look at the wound.Gaius: Merlin, fetch me some fresh water, towels, needle and a silk thread.Merlin: And honey?Gaius: You'relearning. It helps fight the infection.Arthur: But he'll be all right?Gaius: Providing he's strong.Arthur: He's that, all right. The man saved my life, Gaius. He's to be given anything he needs. Arthur leaves theroom.[SCENE_BREAK]Merlin's chamber, the next morning Gwaine is waking up. Merlin comes into the room, carrying a tray with food.Gwaine: What am I doing in this bed?Merlin: You were wounded. Arthur wanted tomake sure that you were treated by his physician.Gwaine: Arthur?Merlin: Prince Arthur. You saved his life.Gwaine: If I had known who he was... I probably wouldn't have. He's a noble.Merlin: Yeah, but he's a goodman.Gwaine: (snorting) if you say so.Merlin: Well, you're a hero. The King wants to thank you in person. Gwaine almost spits what he is drinking.Gwaine: Please, no. I've met a few kings... Once you've met one, you'vemet them all.Merlin: He'll probably give you an award.Gwaine: I'm not interested. Besides, I've got everything I need right here.Merlin: Why did you help us?Gwaine: Your chances looked between slim and none. Iguess I just kind of liked the look of those odds.[SCENE_BREAK]Arthur's chamber Merlin is opening the curtains.Arthur: How's Gwaine?Merlin: Recovering... Merlin looks out of the window. Knights are arriving in thecourtyard.Merlin: Who's that? Arthur goes to the window and has a look.Arthur: Ah, Sir Derian! He's here for the melee.Merlin: Oh, yeah the tournaments where the knights ride around hitting each other with bluntweapons for no good reason.Arthur: A little more to it than that...Merlin: Really? All I've ever seen is people getting the seven bells knocked out of them, so the last man standing can be called the winner.Arthur:(patronizing) the melee is the ultimate test of strength and courage.Merlin: Are you sure we are talking about the same thing?Arthur: Well I wouldn't expect you to understand. You're not a knight.Merlin: Well, if itmeans I don't get clobbered round the head, I'm glad of it.Arthur: Well, I'm afraid it doesn't. Arthur throws a cup at the back of Merlin's head.Merlin: Ouch!Arthur: I need that lot cleaned by noon. Merlin rubs his neckand leaves the room.[SCENE_BREAK]A village, in the house of an old sorcerer, CylferthCylferth: The Stulorne blades, just as you requested. The two bandits inspect the swords.Ebor: They're blunt.Dagr: That in onlyhow they appear. Dagr cuts Ebor's shirt with the sword. They both laugh loudly.Cylferth: Why should you want such a weapon?Dagr: That's none of your business old man. You have the crystals?Cylferth: Money first.Dagr gives the old man a purse. He comes back with a casket, containing crystals. Dagr wants to take them.Cylferth: Not yet! He casts a spell on the crystals.Cylferth: (chanting) Pecce treowan andwlitan heora framgesihoe eallra. The crystals start shining. The old man gives Dagr the casket.Cylferth: The wearer of these crystals will be able to take on the form of whoever's blood they touch.Dagr: Thank you.Cylferth: Thank you.He starts counting the coins from the purse when Chief stabs him in the back.Ebor: Now what?Dagr: Now, Ebor, we can take our revenge on Prince Arthur of Camelot. They both burst out laughing and they leave thehouse.[SCENE_BREAK]Merlin's room Gwaine is putting on his boots. Church bells chime. He goes to the window, opens it and looks down at Camelot.[SCENE_BREAK]Street of Camelot Gwaine is walking, he noticesGwen. He snatches a flower and catches Gwen to give her the flower.Gwaine: I believe this belongs to you.Gwen: I don't think so. It's not my colour.Gwaine: Well, let us see. Gwaine puts the flower in Gwen'shair.Gwen: I bet you've got a whole bunch of those to hand out.Gwaine: Yours is the only one. Gwen smiles and tries to leave.Gwaine: I'm Gwaine. Gwaine takes out his hand, they shake hands, but Gwaine does not letGwen go.Gwaine: You haven't told me your name. He keeps holding Gwen's hand.Gwaine: You look like a princess to me. So it's probably something like Sophia or Esmeralda! That's it! Princess Esmeralda! Gwainebows to Gwen.Gwen: Stop it, people are staring.Gwaine: Not until you tell me your name.Gwen: It's Gwen.Gwaine: There, that wasn't so hard, now was it? Gwen tries to move past him. He tries to take abasket.Gwaine: A princess should not have to lump her washing around.Gwen: Unfortunately, I'm not a princess.Gwaine: Ah, but you see, you are to me. She giggles.Gwaine: This is not working is it?Gwen: No, notreally. But I like that you tried and that you know when to give up. She takes the flower out of her hair.Gwen: You'd better have this in case someone else takes your fancy.Gwaine: I've eyes only for you.Gwen: I'msure. Gwen goes finally goes her way, Gwaine chuckles and goes his way.[SCENE_BREAK]In the woods Dagr and Ebor are spying on two knights who are camping.Sir Ethan: How much further would you say it is fromCamelot?Sir Oswald: Half a day's ride. The journey is almost over.Dagr: It is for you. Crackle of branchesSir Ethan: Oswald! Dagr stabs Oswald. He starts fighting against Ethan. Ethan is stabbed in the back by Ebor. Aservant runs out of one of the tents. Ebor sees him.Ebor: Dagr! Dagr throws a dagger to the servant and kills him. The two bandits giggle.Dagr: The crystals. Ebor hands him the casket. Dagr takes one of the crystalnecklaces and wipes the blood of his sword on it. The crystal shines. Then he put on the necklace. Oswald is still lying dead on the ground. Another Oswald is standing by him. He's touching his face.Ebor: You look good,Dagr.Dagr/Oswald: Sir Oswald! Ebor bows to him.Ebor: Sorry, sir.Dagr/Oswald: That's all right. Dagr takes the second necklace.Dagr/Oswald: Your turn. Then we can take our rightful place in the melee. Dagr/Oswaldand Ebor/Ethan are riding to Camelot.[SCENE_BREAK]Castle courtyard Arthur, followed by Merlin, walks down the steps to welcome the two knights.Arthur: Sir Oswald! The knights dismount.Arthur: I didn't think you'dbe brave enough to show up.Dagr/Oswald: And miss the chance of putting you on your backside? They hug.Arthur: You've never managed it before.Dagr/Oswald: That was then. This is now. Arthur punches him andturns to the other knight who introduces himself.Ebor/Ethan: Sir EthanArthur: This is my servant, Merlin. He loves hard work, so anything you need, just give him a call.Dagr/Oswald: Believe me, Iwill.[SCENE_BREAK]Guests 'chamberDagr/Oswald: MERLIN! Merlin opens the door, carrying a huge trunk with difficulty.Merlin: Here it is! D/O smirks.Dagr/Oswald: What took you so long?Merlin: It weighs aton...Stairs... Seven flights...Ebor/Ethan: That's very kind of you. Merlin is rubbing his arm and about to leave the room.Dagr/Oswald: But you can't leave it there.Merlin: I can't?Dagr/Oswald: It's in the way.Merlin: Ok.Where do you want it?Ebor/Ethan: Over there, by the bed. Merlin takes the trunk and carries it by the bed.Dagr/Oswald: Oh, no. The other side. Merlin drags the trunk on the other side of the bed.Ebor/Ethan: It's goingto get in my way there.Merlin: Where do you want it?Dagr/Oswald: On the top of the wardrobe.Merlin: On the TOP?Ebor/Ethan: You're absolutely right, Oswald. That's exactly where it should be. Merlin painfully putsthe trunk on the top of the wardrobe, Dagr/Oswald opens the lock with his sword and everything falls out.[SCENE_BREAK]Gaius's chamber Merlin is slurping the soup almost without breathing.Gaius: It's very hard towork out whether you're eating or inhaling that soup.Merlin: I haven't had anything all day. Sir Oswald had me at his beck and call.Gaius: How is he?Merlin: Awful. He treats me like dirt.Gaius: That doesn't sound likethe young man I knew. He always struck me as a rather kind and thoughtful soul.Merlin: Then he must've changed.Gaius: You must remember that not all masters are good to theirs servants as Arthur. Merlin spitsgreen soup he was eating at Gaius's face.Gaius: Thank you, Merlin.Merlin: Sorry. The door opens and Gwen peeks in.Gwen: Merlin, I think you need to come with me.[SCENE_BREAK]Camelot tavern Gwen and Merlinare staring at a note. Close to them, the innkeeper looks rather cross.Merlin: You drank all this?Gwaine: With some help from my new friends.People in the tavern cheer: Yeah!Innkeeper: He says that he hasn't got anymoney... so it looks like you'll have to pay. The innkeeper grabs Merlin and lifts him from the floor.Merlin: I can't afford this.Innkeeper: Better find someone who can. Gwaine starts laughing and falls on theground.[SCENE_BREAK]Merlin's chamber Merlin helps a staggering Gwaine into his room.Gwaine: You're the best friend I've ever had.Merlin: You seem to have quite a few. They both laugh.Gwaine: I'd love to seeArthur's face when he gets that bill.Merlin: Right. What is it with you and nobles?Gwaine: Nothing. My father was a knight in Caerleon's army. He died in a battle, leaving my mother penniless. When she went to theking for help, he turned her away.Merlin: You didn't know him?Gwaine: Just some stories that I've been told.Merlin: I know how that feels. I met my father just briefly before he died.Gwaine: Why?Merlin: He wasbanished.Gwaine: What had he done?Merlin: Nothing... He served the king.Gwaine: But the king turned against him. That doesn't surprise me.Merlin: Arthur's not like that.Gwaine: Maybe, but none of them are worthdying for, huh! Gwaine laughs, hits his head on the wall and goes on laughing.[SCENE_BREAK]Arthur's chamber, the next morning Merlin enters carrying a tray with food.Merlin: Sorry, I know I'm late.Arthur: Not atall.Merlin: Um, good...Arthur: Are you sure you're all right? You're not sick? Unsteady, about to burst into a song.Merlin: No. Why? Arthur takes a note and start reading.Arthur: 14 quarts of mead, 3 flagons of wine, 5quarts of cider.Merlin: I can explain.Arthur: 4 dozen pickled eggs!Merlin: That was Gwaine. He went to the tavern and... he couldn't pay for it.Arthur: So you said I would?Merlin: Mmm, if I hadn't, that innkeeper hewould have strung us both up.Arthur: I fail to see the downside.Merlin: You said he should be given anything he needs.Arthur: FOUR DOZEN PICKLE DEGGS!Merlin: I'm sorry. I'll pay for it.Arthur: You most certainlywill...[SCENE_BREAK]Throne hallGwaine: Arthur's a thoroughbred little braggart. Gwaine and Merlin are polishing boots.Merlin: Why?Gwaine: Making us to this.Merlin: I think it's fair.Gwaine: For the entire army!Gwaine points at dozen of boots waiting to be polished.Merlin: If you admitted your father was a knight you wouldn't have to...Gwaine: Maybe, but I'm not making the same mistakes he did. Anyway, my father alwaystreated his servants well.Merlin: You didn't know him!Gwaine: Well, I like to think that he did. What about yours?Merlin: No. He didn't have any servants. He didn't have anyone...Gwaine: When did he die?Merlin: Abouta year ago... I'd just wish I had the chance to know him better. There's so much he could've taught me.Gwaine: But you did get to meet him.Merlin: Yeah.Gwaine: If there's one thing that I learnt from my father's life,it's that titles don't mean anything. It's what's inside that count. Gwaine slaps Merlin's knee with a brush.Merlin: Ow![SCENE_BREAK]Outside the castle Arthur is practicing; he is attacking a dummy dressed as aknight.Dagr/Oswald: You look like you need a bit of practice.Arthur: Ah? Do you think so?Dagr/Oswald: I know so. Dagr/Oswald gestures to Merlin to get a sword. Arthur and D/O start fighting.Arthur (bragging): You'rerusty. You're not as quick as you used to be.Dagr/Oswald: Still quick enough to hit you.Arthur: I thought you were left-handed.Dagr/Oswald: Yes I am. I... just wanted to give you a chance. Dagr/Oswald changes handto hold his sword.Dagr/Oswald: How about we make this more interesting? 50 gold coins first clean hit.Arthur: Make it a hundred. Arthur manages to pin his arm, Dagr/Oswald cannot fight any more.Arthur: You cankeep your money. Arthur, satisfied, leaves the field.Ebor/Ethan: Don't worry, in the melee there'll be two of us.Dagr/Oswald: With the Stulorne blade, I'll fillet the little brat. Merlin seems to have overhead theconversation. Dagr/Oswald spits.[SCENE_BREAK]Guests 'chamber Merlin is bringing pieces of armour in the room. The he starts removing dirty plates from the table. He discovers 2 swords. He tries to examine theblades and he gets cut by one of them. Dagr/Oswald and Ebor/Ethan enters the room.Dagr/Oswald: What're you doing with that, boy?Merlin: I was just tidying...Dagr/Oswald: Keep away from things that don't concernyou. Merlin takes the dirty plates and leaves the room.[SCENE_BREAK]Gaius's chamber Gaius is bandaging Merlin's finger.Merlin: To the eye the sword appeared blunt, but when I touched it...Gwaine: You were lucky...I've seen those blades in action. They are forged using sorcery.Gaius: But what would they want with such a blade?Merlin: I think they mean to kill Arthur in the melee.Gaius: But in front of all those people?Gwaine: It'sthe perfect cover. If they succeed, nobody will suspect it was intentional.Merlin: I need to warn Arthur.Gaius: Merlin, Sir Oswald is a knight; he comes from a well-respected family. You can't accuse him without aproof.Merlin: Then we need that blade...Gwaine: I'll get it.Merlin: What if they catch you? What reason would you have to be in Sir Oswald's chambers? No, it's safer if I do it.[SCENE_BREAK]Guests' chamber Oswald isasleep. Merlin sneaks into the room and opens a big trunk, where he finds the blade. Then he notices the crystal, shining on Dagr/Oswald's chest. He walks toward him and sees Dagr's face in the crystal. Dagr wakes upand grabs Merlin by the hand.[SCENE_BREAK]Gaius's chamberGwaine: Merlin should be back by now.Gaius: I know.Gwaine: I'm going to see what's going on. Gwaine leaves the room.Gaius:Gwaine...[SCENE_BREAK]Guest's chamber Merlin is standing against the wall a dagger is thrown just above his head.Merlin: I was just rearranging the bedclothes. That's all. Dagr/Oswald throws anotherdagger.Dagr/Oswald: You hear that, Sir Ethan. He was just rearranging the bedclothes. Dagr/Oswald throws a third dagger.Ebor/Ethan: My mistake he's not the snivelling thief I thought he was. Dagr/Oswald tries toattack Merlin with a sword. Merlin ducks.Merlin: I thought you might be cold.Dagr/Oswald: Of course you did. Merlin ducks again as Dagr/Oswald is trying to hit him again with his sword.Gwaine: Is there a problemhere?Dagr/Oswald: No. Now leave.Gwaine: You all right, Merlin?Merlin nods and mouths: No.Dagr/Oswald: I thought I told you to leave.Gwaine: I wasn't talking to you.Ebor/Ethan: How dare you speak to a knight likethat? Ebor/Ethan attacks Gwaine. Gwaine disarms him and catches his sword. Dagr/Oswald attacks Gwaine.Merlin: Careful!Gwaine: Don't worry I can handle this thug. They start fighting. Ebor/Ethan attacks Gwainefrom behind, hits Ebor/Ethan in the face and knocks him down. Dagr/Oswald attacks Gwaine again.Merlin: Watch out! Gwaine disarms Dagr/Oswald. Sir Leon comes into the room.Sir Leon: What's going on? Gwainelooks at Sir Leon and Dagr/Oswald knocks him down.Dagr/Oswald: This man attacked me. I demand an audience with the King.[SCENE_BREAK]Merlin and Gaius are walking in a corridor.Merlin: It's not Sir Oswald, it'sthe thug from the tavern, Dagr...He's using a magical crystal to change his appearance...[SCENE_BREAK]Throne Hall Two guards are dragging Gwaine into the hall. His hands are chained.Dagr/Oswald: Sire, this manattacked me with a sword. He tried to kill me. Gwaine is kneeling on the floor.Uther: Is this true?Gwaine: I stepped in to protect Merlin.Dagr/Oswald: I tried to talk to him. He was like a man possessed. I'm sure that SirEthan will back me up.Ebor/Ethan: Indeed. I can vouch for his every word.Gwaine: He's a liar!Uther: I will have your tongue; how dare you speak to a knight in that way!Gwaine: Nobility is defined by what you do, notby who you are. These men are anything but. They are arrogant thugs!Arthur: Gwaine!Dagr/Oswald: You see, Sire, how he behaves.Uther: I have heard enough! For a commoner to attack a nobleman is in violation ofthe knight's code.Dagr/Oswald: I couldn't agree with you more, Sire. He must be an example of.Arthur: Sir Oswald, please...Dagr/Oswald: Nothing less than his execution will give me satisfaction.Arthur: Father, Iunderstand how this must look. It's an embarrassing situation. Sir Oswald is a dear friend and our guest here in Camelot. But Gwaine is my guest here too. He may not be of noble birth, but I can vouch that he has anoble heart.Uther: How can you say that when you see the way he behaves?Arthur: Gwaine risked his life to save mine. I beg you, please. If a knight's word is his bond, then I give you may word. Gwaine is a good"}
+{"doc_id":"doc_11","qid":"","text":"Roof Thunder is rumbling. Merle is on the roof hallucinating.Merle: That's right. You heard me, bitch. You got a problem? Bring it on if you're man enough, Or take it up the chain if you're a pussy. You heard me, youpussy-ass noncom bitch. You ain't deaf. Take it up the damn chain of command or you can kiss my lily-white ass. That's right. That's what I said. You heard me. And then this idiot, he takes a swing, You know, andwell... He laughs hysterically.Merle: Oh, you should've seen the look on his face when I punched out his front teeth. Yeah, five of 'em. Pow! Pow! Just like that. Huh. Oh my god. 16 months in the stockade... Oh, that'swhat them teeth cost me. That was... That was hard time, but by god, it was worth every minute of it Just to see that prick spit his teeth out on the ground. Yes sir, worth every minute. Merle continues to try and pullhimself off of the pipe, but he is unable to get loose.Merle: Oh no. No no! No no! No no! God! God! No no! God! Jesus! No no, merciful Christ! No no. No no. God, help me! God! God! Jesus, please! Jesus, please. Helpme! Come on now! Merle sees Walkers trying to get through the door. They are unable to break it because of the chain that T-Dog put on it.Merle: Help me. No no. Oh, no no. Oh my god. Shh shh shh shh shh. Merlestarts crying.Merle: No, Jesus. Jesus. No no no no no no. Please. I didn't behave, I know. I know I'm being punished. I know. I... Oh, I deserve it. I deserve it. I've been bad. Help me now. Show me the way. Go on, tellme what to do. Tell me. Tell me. God! Merle rolls under the pipe and uses his belt to try. He gets the saw that is lying close to him.Merle: That's okay. Never you mind, silly Christ boy. I ain't begged you before. I ain'tgonna start begging now. I ain't gonna beg you now! Don't you worry about me! Begging you ever! I'll never beg you! I ain't gonna beg you! I never begged you before. Oh sh1t. No! He continues to try and get the sawwhile the Walkers try to break through the door.OPENING CREDITSTruckMorales: Best not to dwell on it. Merle got left behind. Nobody's gonna be sad he didn't come back... Except maybe Daryl.Rick: Daryl?Morales:His brother. Behind them, the group hears Glenn in his car.Glenn: Whoo-hoo! Glenn speeds past them and continues to holler about how much fun he's having.Morales: At least somebody's having a good day. CampJim hangs some cans around the perimeter so they can hear Walkers.Girl: Give it back.Boy: Stop it.Girl: No!Boy: I found it.Girl: No!Boy: Give it.Woman: Mijo, leave your sister alone.Boy: Why?Woman: Come on. Lori isgiving Carl a haircut.Lori: Baby, the more you fidget, the longer it takes. So don't, okay?Carl: I'm trying.Lori: Well, try harder.Shane: If you think this is bad, wait till you start shaving. That stings. That day comes,you'll be wishing for one of your mama's haircuts.Carl: I'll believe that when I see it. Shane chuckles.Shane: I'll tell you what... you just get through this with some manly dignity and tomorrow I'll teach you somethingspecial. I will teach you to catch frogs.Carl: I've caught a frog before.Shane: I said frogs... plural. And it is an art, my friend. It is not to be taken lightly. There are ways and means. Few people know about it. I'm willingto share my secrets. Carl looks at Lori unsure of what to say.Lori: Oh, I'm a girl. You talk to him.Shane: it's a one-time offer, bud... not to be repeated.Carl: Why do we need frogs, plural?Shane: You ever eat froglegs?Carl: Eww!Shane: No, yum!Lori: No, he's right. Eww.Shane: When you get down to that last can of beans, you're gonna be loving those frog legs, lady. I can see it now... \"Shane, do you think I could have asecond helping, please? Please? Just one?\"Lori: yeah, I doubt that. Shane chuckles.Shane: Don't listen to her, man. You and me, we'll be heroes. We'll feed these folks cajun-style Kermit legs.Lori: I would rather eatmiss piggy. Yes, that came out wrong. Shane laughs.Shane: Heroes, son, spoken of in song and legend. You and me, Shane and Carl. Carl and Shane laugh. The conversation is interrupted with the beeping of Glenn'scar alarm.Man: Hey, Dale, can you see what that is?Shane: Talk to me, Dale!Dale: I can't tell yet.Amy: Is it them? Are they back?Dale: I'll be damned.Amy: What is it?Dale: A stolen car is my guess. Glenn pulls in andsays hello.Dale: Holy crap. Turn that damn thing off!Glenn: I don't know how!Shane: Pop the hood, please. Pop the damn hood, please.Amy: My sister Andrea...Shane: Pop the damn hood!Glenn: What? Okay okay.Yeah yeah yeah. Yeah yeah!Amy: Is she okay? Is she all right? He pops the hood so Shane can disconnect the battery to turn the alarm off.Glenn: She's okay! She's okay!Amy: Is she coming back?Glenn: Yes!Amy:Why isn't she with you? Where is she? She's okay?Glenn: Yes! Yeah, fine. Everybody is. Well, Merle not so much.Shane: Are you crazy, driving this wailing b*st*rd up here? Are you trying to draw every Walker formiles?Dale: I think we're okay.Shane: You call being stupid okay?Dale: Well, the alarm was echoing all over these hills. Hard to pinpoint the source. I'm not arguing. I'm just saying. It wouldn't hurt youto think thingsthrough a little more carefully next time, would it?Glenn: Sorry. Got a cool car. The group sees the truck arrive. TruckMorales: Come meet everybody. Survival Camp Andrea gets out of the truck.Andrea: Amy.Amy:Andrea! Andrea runs up to Amy and the two sisters hug.Andrea: Oh!Amy: Oh my god! You scared the sh1t out of me. Morales gets out of the truck and his wife and children runs up to him.Boy: Papi! Daddy!Morales:Hey. Come here, sweetie. Hey. I told you I'd be back, didn't I? Carl is still sad and we can see that he wishes that Rick would come back when the groups return. Shane looks at them.Dale: You are a welcome sight.Dale and Morales hug. Both laugh.Dale: I thought we had lost you folks for sure.Shane: How'd y'all get out of there anyway?Glenn: New guy... he got us out.Shane: New guy?Morales: Yeah, crazy Vato just got intotown. Hey, helicopter boy! Come say hello. Rick gets out of the truck.Morales: The guy's a cop like you. Rick walks up and Shane is the first to see him. Carl and Lori then turn over and he sees Rick. Rick also sees Carland Lori.Rick: oh my god. Carl and Lori run up to Rick.Carl: Dad! Dad! Rick takes Carl in his arms, crying.Rick: Carl. Oh! He kisses Carl on the cheek and approaches Lori. He hugs them both. Shane is surprised to seeRick, but isn't as happy as he should be. He feigns a smile as Lori looks at him. Rick smiles at him and Shane smiles back. Survival Camp Later that night, Rick is sitting down with the group around a fire camp.Rick:Disoriented. I guess that comes closest. Disoriented. Fear, confusion... all those things but... Disoriented comes closest.Dale: Words can be meager things. Sometimes they fall short.Rick: I felt like I'd been ripped outof my life and put somewhere else. For a while I thought I was trapped in some coma dream, something I might not wake up from ever.Carl: Mom said you died.Rick: She had every reason to believe that. Don't youever doubt it.Lori: When things started to get really bad, they told me at the hospital that they were gonna medevac you and the other patients to Atlanta, and it never happened.Rick: Well, I'm not surprised afterAtlanta fell.Lori: Yeah.Rick: And from the look of that hospital, it got overrun.Shane: Yeah, looks don't deceive. I barely got them out, you know?Rick: I can't tell you how grateful I am to you, Shane. I can't begin toexpress it.Dale: There go those words falling short again. Paltry things. Nearby, Ed puts another log on his fire.Shane: Hey, Ed, you want to rethink that log?Ed: It's cold, man.Shane: The cold don't change the rules,does it? Keep our fires low, just embers so we can't be seen from a distance, right?Ed: I said it's cold. You should mind your own business for once. Shane gets up and walks over to Ed's fire.Shane: Hey, Ed... Are yousure you want to have this conversation, man?Ed: Go on. Pull the damn thing out. Go on! Carol, his wife, pulls the log out of the fire. Their daughter, Sophia, watches as Carol pulls the log out.Shane: Christ. Shanestomps the flames out.Shane: Hey, Carol, Sophia, how are y'all this evening?Carol: Fine. We're just fine.Shane: Okay.Carol: I'm sorry about the fire.Shane: No no no. No apology needed. Y'all have a good night,okay?Carol: Thank you.Shane: I appreciate the cooperation. Shane rejoins the other group.Dale: Have you given any thought to Daryl Dixon? He won't be happy to hear his brother was left behind.T-Dog: I'll tell him. Idropped the key. It's on me.Rick: I cuffed him. That makes it mine.Glenn: Guys, it's not a competition. I don't mean to bring race into this, but it might sound better coming from a white guy.T-Dog: I did what I did.Hell if I'm gonna hide from him.Amy: We could lie.Andrea: Or tell the truth. Merle was out of control. Something had to be done or he'd have gotten us killed. Your husband did what was necessary. And if Merle got leftbehind, it is nobody's fault but Merle's.Dale: And that's what we tell Daryl? I don't see a rational discussion to be had from that, do you? Word to the wise... We're gonna have our hands full when he gets back from hishunt.T-Dog: I was scared and I ran. I'm not ashamed of it.Andrea: We were all scared. We all ran. What's your point?T-Dog: I stopped long enough to chain that door. Staircase is narrow. Maybe half a dozen geeks cansqueeze against it at any one time. It's not enough to break through that... Not that chain, not that padlock. My point... Dixon's alive and he's still up there, handcuffed on that roof. That's on us. TentRick: I found you,didn't I?Carl: I love you, dad.Rick: I love you, Carl. Rick kisses Carl goodnight and then joins Lori on the other side of the tent. Rick kneels down and passionately kisses Lori. Rick then lies next to Lori.Rick: I found youboth.Lori: Yeah.Rick: I knew I would.Lori: You're getting cocky now, a little bit.Rick: No. No, I knew. Walking into our home, finding an empty house, both of you gone.Lori: I'm so sorry.Rick: I knew you were alive.Lori:How?Rick: The photos were gone, all our family albums. Lori chuckles and grabs one of them.Rick: I told you so.Lori: Now you're getting cocky, huh? A lot. They look at some photos from Carl's last birthday. Rick handsher the photo from his squad car.Rick: It belongs in here.Lori: Baby, I really thought I would never see you again. I'm so sorry... For everything. I feel like... When you were in the hospital, I just... I wanted to take it allback... The anger and the bad times. But the mistakes... Rick kisses her.Rick: Maybe we got a second chance. Not many people get that. Rick and Lori continue to kiss. Rick notices his wedding ring on Lori'snecklaceRick: I wondered where that went.Lori: Do you want it back?Rick: Of course. Lori takes it off and puts it back on Rick's ring finger. Rick and Lori start to get passionate and Lori turns out the lantern. Rick looksover at Carl sleeping.Lori: He won't wake up. The two proceed to make love. Outside Up on the RV, Shane is sitting alone and watches the Grimes' tent. He puts his hat on and seems very upset. Thunder is stillrumbling. Tent The next morning, Rick wakes up and sees that Lori and Carl are not in the tent. Outside He walks out and sees that everything is fine.Rick: Morning.Man: Morning.Rick: Hey.Woman: Hi.Carol:Morning.Rick: Morning.Carol: They're still a little damp. The sun'll have 'em dry in no time.Rick: You washed my clothes?Carol: Well, best we could. Scrubbing on a washboard ain't half as good as my old maytag backhome.Rick: That's very kind. Thank you. Rick approaches Glenn who is visibly upset that Dale has torn apart some of the spare parts on the car that he brought in.Glenn: Look at 'em. Vultures. Yeah, go on, strip itclean.Dale: Generators need every drop of fuel they can get. Got no power without it. Sorry, Glenn.Glenn: Thought I'd get to drive it at least a few more days.Rick: Maybe we'll get to steal another one someday. Rickfinally finds Lori.Lori: Morning, officer.Rick: Hey.Lori: You sleep okay?Rick: Better than in a long time.Lori: Well, I didn't want to wake you. I figured you could use it. God. What?Rick: I've been thinking about the manwe left behind.Lori: You're not serious. Shane drives back to the camp with water.Shane: Water's here, y'all. Just a reminder to boil before use.Lori: Are you asking me or telling me?Rick: Asking.Lori: Well, I think it'scrazy. I think it is just the stupidest way to break your son... Suddenly, the group hears screaming.Carl: Mom!Lori: Carl? Everyone starts to race down to the screaming.Man: It's over there!Carl: Dad!Lori: Baby!Girl:Mama! Mommy!Glenn: Rick!Lori: Carl! Rick grabs a pole and runs down to the site.Man: Over here, boy! Come on, come on!Lori: Carl! Baby!Carl: Mom!Rick: You're okay?Lori: I've got him. I've got him.Lori: Nothing bityou? Nothing scratched you?Carl: No, I'm okay. The group comes upon a Walker that is busy eating the carcass of a deer. Andrea and Amy come up and notice how disgusting it is. When the Walker sees them, it startsto turn on them. Rick, Shane, Glenn, Jim, and Morales start to beat on it with their objects. Dale finishes it off by chopping its head off with an axe. Dale is shocked.Dale: It's the first one we've had up here. They nevercome this far up the mountain.Jim: Well, they're running out of food in the city, that's what. They hear branch snapping and footsteps. Daryl Dixon comes out of the forest and seems very upset that the Walker.Dale:Oh, Jesus.Daryl: Son of a bitch. That's my deer! Look at it. All gnawed on by this... filthy, disease-bearing, motherless poxy b*st*rd! He kicks the carcass of the WalkerDale: Calm down, son. That's not helping.Daryl:What do you know about it, old man? Why don't you take that stupid hat and go back to \"on golden pond\"? I've been tracking this deer for miles. Gonna drag it back to camp, cook us up some venison. What do youthink? Do you think we can cut around this chewed up part right here?Shane: I would not risk that. Daryl sighs.Daryl: That's a damn shame. I got some squirrel... about a dozen or so. That'll have to do. Suddenly, thehead of the Walker starts to move its teeth.Amy: Oh god.Daryl: Come on, people. What the hell? Daryl shoots it with one of his arrows.Daryl: It's gotta be the brain. Don't y'all know nothing?[SCENE_BREAK]SurvivalCamp The group comes back at camp.Daryl: Merle! Merle! Get your ugly ass out here! I got us some squirrel! Let's stew 'em up.Shane: Daryl, just slow up a bit. I need to talk to you.Daryl: About what?Shane: AboutMerle. There was a... There was a problem in Atlanta.Daryl: He dead?Shane: We're not sure.Daryl: He either is or he ain't!Rick: No easy way to say this, so I'll just say it.Daryl: Who are you?Rick: Rick grimes.Daryl:Rick grimes, you got something you want to tell me?Rick: Your brother was a danger to us all, so I handcuffed him on a roof, hooked him to a piece of metal. He's still there.Daryl: Hold on. Let me process this. You'resaying you handcuffed my brother to a roof and you left him there?!Rick: Yeah. Daryl goes to attack him, but Rick shoves him off.T-Dog: Hey! Watch the knife! Daryl pulls his knife out, but Shane is able to come upbehind him and put him in a chokehold.Shane: Okay. Okay.Daryl: You'd best let me go!Shane: Nah, I think it's better if I don't.Daryl: Choke hold's illegal.Shane: You can file a complaint. Come on, man. We'll keep thisup all day.Rick: I'd like to have a calm discussion on this topic. Do you think we can manage that? Do you think we can manage that?Shane: Hmm?Daryl: Mmm. Yeah. Shane lets him go.Rick: What I did was not on awhim. Your brother does not work and play well with others.T-Dog: It's not Rick's fault. I had the key. I dropped it.Daryl: You couldn't pick it up?T-Dog: Well, I dropped it in a drain.Daryl: If it's supposed to make mefeel better, it don't.T-Dog: Well, maybe this will. Look, I chained the door to the roof... So the geeks couldn't get at him... With a padlock. It's gotta count for something.Daryl: Hell with all y'all! Just tell me where he isso that I can go get him.Lori: He'll show you. Isn't that right?Rick: I'm going back. Lori walks into the RV. Survival Camp Later, Rick gets his police uniform on. He walks past Shane.Shane: So that's it, huh? You're justgonna walk off? Just to hell with everybody else?Rick: I'm not saying to hell with anybody... Not yo Shane...Shane: Lori least of all. Tell her that.Rick: She knows.Shane: Well, look, I... I don't, okay, Rick? So could youjust... Could you throw me a bone here, man? Could you just tell me why? Why would you risk your life for a douche bag like Merle Dixon?Daryl: Hey, choose your words more carefully.Shane: No, I did. Douche bag'swhat I meant. Merle Dixon...The guy wouldn't give you a glass of water if you were dying of thirst.Rick: What he would or wouldn't do doesn't interest me. I can't let a man die of thirst... me. Thirst and exposure. Weleft him like an animal caught in a trap. That's no way for anything to die, let alone a human being.Lori: So you and Daryl, that's your big plan?Glenn: Oh, come on. Rick turns to Glenn and Glenn is upset.Rick: Youknow the way. You've been there before... In and out, no problem. You said so yourself. It's not fair of me to ask... I know that, but I'd feel a lot better with you along. I know she would too.Shane: That's just great.Now you're gonna risk three men, huh?T-Dog: Four. Daryl huffs.Daryl: My day just gets better and better, don't it?T-Dog: You see anybody else here stepping up to save your brother's cracker ass?Daryl: Whyyou?T-Dog: You wouldn't even begin to understand. You don't speak my language.Dale: That's four.Shane: It's not just four. You're putting every single one of us at risk. Just know that, Rick. Come on, you saw thatWalker. It was here. It was in camp. They're moving out of the cities. They come back, we need every able body we've got. We need 'em here. We need 'em to protect camp.Rick: It seems to me what you really needmost here are more guns.Glenn: Right, the guns.Shane: Wait. What guns?Rick: Six shotguns, two high-powered rifles, over a dozen handguns. I cleaned out the cage back at the station before I left. I dropped the bagin Atlanta when I got swarmed. It's just sitting there on the street, waiting to be picked up.Shane: Ammo?Rick: 700 rounds, assorted.Lori: You went through hell to find us. You just got here and you're gonna turnaround and leave?Carl: Dad, I don't want you to go.Lori: To hell with the guns. Shane is right. Merle Dixon? He's not worth one of your lives, even with guns thrown in. Tell me. Make me understand.Rick: I owe a debtto a man I met and his little boy. Lori, if they hadn't taken me in, I'd have died. It's because of them that I made it back to you at all. They said they'd follow me to Atlanta. They'll walk into the same trap I did if I don'twarn him.Lori: What's stopping you?Rick: The walkie-talkie, the one in the bag I dropped. He's got the other one. Our plan was to connect when they got closer.Shane: These are our walkies?Rick: Yeah.Andrea: So usethe CB. What's wrong with that?Shane: The CB's fine. It's the walkies that suck to crap... Date back to the '70s, don't match any other bandwidth... Not even the scanners in our cars.Rick: I need that bag. Okay?Lori:All right. Rick approaches Carl.Rick: Okay? Carl nods yes. Survival Camp Later, Rick and T-Dog approach Dale and Jim.Rick: Rumor is you have bolt cutters.Dale: Maybe.T-Dog: Yeah, we get to that roof, though, we'llneed to cut that chain and the handcuffs.Dale: I never like lending tools. The last time I did... And yes, I am talking about you... Let's just say your bag of guns wasn't the only bag that was dropped. My tools got leftbehind with Merle.Rick: We'll bring your tools back too. Think of the bolt cutters as an investment.Dale: Sounds like more of a gamble. Dale gives it to him.Dale: What do I get in return?Rick: What do you want?Dale:How about one of those guns you bring back? My pick.Rick: Done.Jim: Dale, let's... Sweeten the deal a bit. Now that cube van of yours...Rick: What about it?Jim: The RV's radiator hose is shot. That's a problem if weneed to get somewhere and wanna get very far. And the hose on that van is just about a perfect match... Well, enough that I can make it fit.Rick: I'll tell you what... we get back, you can strip that van down to the baremetal. Daryl beeps on the horn.Daryl: Come on, let's go!Rick: Thank you. Shane stops Rick.Shane: Hey, Rick, got any rounds in the python?Rick: No.Shane: Last time we were on the gun range, I'm sure I wound upwith a few loose rounds of yours.Rick: You and that bag... like the bottom of an old lady's purse.Shane: I hate that you're doing this, man. I think that it's foolish and reckless. But if you're gonna go, you're takingbullets.Rick: I'm not sure I'd want to fire a shot in the city, not after what happened last time.Shane: That's up to you. Well... Four men, four rounds. What are the odds, huh? Well, let's just hope that... Let's just hopefour is your lucky number, okay?Rick: Thank you.Shane: All right. Rick gets in the truck and they take off. Tent Carl is lying down in the tent after Rick leaves. Lori comes to see himLori: Hey. You know, I bet they'll be"}
+{"doc_id":"doc_12","qid":"","text":"Ted from 2030: Kids, in my early days of being a professor, I had one simple goal: give a lecture that changes someone's life. Then one afternoon in 2010, I achieved that goal.Ted's classTed: Unfinished. Of all thewords you could use to describe La Sagrada Familia... Brown, pointy, weird... The one that really seems to stick is \"unfinished.\" Why? Because on June 7, 1926, the architect Antoni Gaudi... Whose beard was alsobrown, pointy, weird and unfinished......was run over by a bus. And so, his greatest masterpiece would remain forever...Ted from 2030: But first, let's back up a few days.A few days earlier - The BarBarney: Ted, lookacross the bar. Three chicks: one hot, one kind of hot and one who I'm assuming is really funny. We ride! What's wrong?Ted: I don't know. Got a burger coming.Marshall: Bro, I told you, if you ever need a wingman,I'm your guy.Barney: Yeah, I'm not going to go through that again.[FLAHBACK]Barney: Hi. Barney Stinson.Marshall: And I'm Marshall, Barney's wingman.Barney: Thank you for your time.[END OF FLAHBACK]Barney:Fine. I'll have a three-way with hot and kind of hot while Giggles works the camera. I ride!Robin: So, get this: Last night, I was watching TV, and it turns out, some random satellite channel picks up a certain localChicago newscast.[FLASHBACK](Robin is watching TV in her appartment)TV Speaker: And now, the 11:00 News with Don Frank.[END OF FLASHBACK]Ted: Oh, man, it's bad enough to have to go through a horriblebreakup, but then have that person pop up on your TV? Are you okay?Robin: Well, I'll admit, at first, I felt a little weird. But after the initial shock, I realized something: I've moved on. Finished with that. It was apeaceful moment of closure.Ted: That's great. Good for you.Robin: Yeah, thank you.Lily: Where's the poop, Robin?Robin: Excuse me?Lily: When I was a kid, I had a dog named Bean. Whenever he made the face thatyou're making right now, you just knew he pooped somewhere in the house. Where's the poop, Robin?Robin:I don't know what you're talking about.Lily: Where's the poop, Robin? Robin:There's no poop.Lily: Where'sthe poop? Robin:Okay. So it wasn't entirely a peaceful moment of closure.[FLASHBACK](Robin is watching TV, drinking a beer)Robin: Hey, Don, here's some breaking news: there's a zit breaking ou on your forehead.Finished with that.[END OF FLASHBACK]Robin: Look, I'm not proud, but Don left so quickly that I never got the chance to have that final showdown. So yelling at him, even on TV, felt kind of good. And you know what?Now I truly am over him.Ted: That's great.Robin: Thank you.Lily: Good for you. Where's the poop, Robin?Robin: Damn it! Okay, in the process of truly getting over him, I may have called him and left an... indelicatevoice mail.[FLASHBACK](Robin is on the phone with Don's vocal)Robin: I am gonna kill you. I'm gonna fly to Chicago, kill you, put your stupid face on a deep dish pizza and eat it. And then maybe catch a Bears game.But mostly the killing and eating your face thing.[END OF FLASHBACK]Lily: Give me your phone. We're deleting Don's number.Robin: Don't worry. I am never doing that again. It was a one-time thing.Lily: Prove it.Delete contact.Robin: There. Deleted.(Barney comes back)Marshall: Back already. How was flying solo? And by \"solo,\" I mean so low that you got shot down.Barney: Look, I didn't get shot down. Trust me, I'll get theyes. Barney Stinson always gets the yes. This is all part of the plan. After initial contact, I'm now in the ignoring phase.Lily: Barney, why can't you just take a girl out to dinner like a normal person?Barney: Golden rule:I do not buy dinner to get the yes. Dinner's a very intimate activity. It requires a level of connection and eye contact that s*x just doesn't. Call me old-fashioned, but I need to have s*x with a girl at least three timesbefore I'll even consider having dinner with her.Ted from 2030: The next day, at the university, I had a surprise visitor.At the universityTed: What are you doing here? Oh, God! You're dating one of my students. It'sRachel, isn't it? Barney, I know she wears provocative sweaters, but she's 19! Now I'm gonna have to hear all about it, right? Go on, tell me every detail.Barney: No, you pent-up old perv. I brought you a present.Recognize this?Ted: It's my building.Ted from 2030: Kids, you may remember that, a few years earlier, I was chosen to design the new Manhattan headquarters for Goliath National Bank. It was the opportunity everyarchitect dreams about. And when the project was ultimately scrapped... it broke my heart.Barney: Do you remember how awesome it was to be co-workers... Nay, bro-workers?Ted: Wait a minute. Y-You don'tmean...Barney: Ted Mosby, it's back on. We're gonna build your building.[CREDITS OPENING]The barMarshall: This is awesome... You're designing our new headquarters. Now, there will be voices that tell you a hockeyrink on the roof is unfeasible. You've got to shut those voices out.Ted: Actually, I think I'm gonna say no.Robin: No? Are you kidding me?Lily: But designing a building in New York City is your lifelong dream.Ted: I donot want to work for GNB again. Those guys are evil. No offense, Marshall.Marshall: Dude, none taken. Yes, GNB is, the Empire from Star Wars. But the Death Star's gonna get built either way. And don't you think thearchitect of the Death Star is pretty psyched to have that thing on his space resume? I mean, yes, his design was flawed in the sense that a single bullet fired into a particular vent would explode the whole thing.Ted:For all we know, that was the contractor's fault.Marshall: But that won't happen on your watch... you know why? Because you're Ted Mosby! And you are gonna design the most beautiful, ventless, Rebel-proof buildingin Manhattan, with clearly marked emergency stops for every trash compactor on the detention level.Ted: Look, I know this is hard to understand, but right now, I have a quiet, simple, happy little life. And I like it thatway. I know what my answer has to be.Barney's officeTed: I can't take the job, Barney. I'm done with that life. No hard feelings?Barney: Of course not.Ted: All right.Ted from 2030: And I thought that was the end ofthe story. But then that night...The BarTed: I'm telling you, no architect would ever design a giant exposed vent right over a Death Star's core reactor. That's Space Architecture 101. It had to be the contractor. Barney,back me up. Barney. Dude, this is important.Barney: I need another drink.Ted: Marshall, you want anything?Marshall: No, I'm fine.Ted: Okay, I get that he's mad at me for turning down the job, but acting like I'm noteven here?Marshall: Wait, you turned down the job? When?Ted: This morning.Marshall: That's so weird. Just, like, an hour ago, when we were leaving work...[FLASHBACK](Barney's office)Marshall: So, you still thinkTed's gonna take the job?Barney: Please. I'll get the yes. Barney Stinson always gets the yes.[END OF FLASHBACK]Ted: Am I wrong or is that exactly what Barney says when he's putting the moves on a girl?Marshall:Exactly. I mean, it's almost like he's putting the moves on you.Ted: Yeah, more like the opposite. He's been ignoring me all night. Barney wants me to take the job so bad he's putting the moves on me?Marshall: I hopethat's his end game. Actually, I don't. I like you two together.Ted: I don't buy it. That's crazy, even for Barney.Marshall: Okay, well, think about it. We've seen his moves countless times. What does he do after he'sdone ignoring a girl?[FLASHBACK]Barney: Chrissy, I love your glasses.Chrissy: Really?Barney: They totally pull focus up from that whole chin situation you got going on. To Chrissy.[END OF FLASHBACK]Marshall: Thebackhanded compliment to lower her self-esteem... a proven winner.Ted: But Barney hasn't done...Barney: Ted, I admire your loyalty. You've had that hairstyle forever. You don't care that it's out of fashion or that it'sbeen co-opted by the lesbian community. You stick with it. To Ted.Robin's appartment - Lily comes inRobin: Hey, Lily!Lily: Don't \"Hey, Lily\" me. I smelled poop all the way from the hallway.Robin: Oh, no, not thisagain.Lily: Where's the poop, Robin?Robin: Okay, I left Don another message.[FLASHBACK]Robin: \"This just in\" is what I'm gonna say when I'm stabbing you.(END OF FLASHBACK]Lily: But that's impossible. Youdeleted his number.Robin: I tried to. But then this thing popped up on my phone that said, \"Are you sure?\" And I wasn't sure. I can't lie to my phone.Lily:Oh, sweetie, I totally understand. Delete it!Robin: It's not thateasy, okay? You're not just deleting a number, you're deleting a part of your life. You know, all those memories, all those experiences. It's like you're admitting they're gone forever.Lily: I know, sweetie. I know. Deleteit!Robin: Okay, if it's that easy, I'm gonna delete one of your numbers from your phone, see how you like it.Lily: My \"plezh.\" If you can find a number in there that I don't call regularly, I'll gladly delete it.Robin: SuperKicks Karate.Lily: No, not that one. That's my dojo.Robin: You have a dojo?Lily: I took an introductory karate class.[FLASHBACK]Lily: Ops, wrong room. Where do the grown-ups go for the real karate class?Boy: What'sthe matter, lady? You scared?Lily: Of you? Please. I'm a kindergarten teacher.Boy: I hated kindergarten. All three times.[END OF FLASHBACK]Lily: But I'm totally gonna sign up for more lessons.Robin: How long agodid you take that class?Lily: I don't know. It was around the time when everyone was going, \"Wassuuuuuuup!\"Robin: How do you even remember that? Lily, this is a number that you will never dial again.Lily: Imight.Robin: No, no. But you keep it in your phone because it reminds you of a version of yourself that you could be, even if it's a version of yourself that you'll never become. And that's okay.Lily: No, it's not. Okay,you know what? There, gone. Your move, Scherbatsky.[SCENE_BREAK](Ted and Marshall enters the appartment)Ted: I finally know what your kind goes through. I get it now.Robin: For the last time, I don't care howbig it was, it is not the same as giving birth.Marshall: No! Barney's been \"putting the moves\" on Ted.Lily: Oh, that sucks. Although I like you two together.Marshall: No, he's been doing it to try to get Ted to design thenew GNB Tower.Robin: Which moves are we talking about? Did he do the thing where he brags on himself in the form of a complaint?[FLASHBACKS]Barney: Man, every time I take out my business card and women seethe GNB logo, they throw themselves at me. I miss the chase. It sucks! (...) Man, the courtside Knicks seats that are available to all upper level GNB employees are too close to the action. I keep getting sweat on mysuit. It sucks! (...) Man, GNB's benefits package is so comprehensive it gives me the freedom to see any doctor I want. It sucks![END OF FLASHBACKS]Ted: He did.Robin: And the intense eye contactthing?[FLASHBACK]Barney: So, Ted, would you like to split some jalapeno poppers?[END OF FLASHBACK]Ted: Okay. Yep.Robin: And the thing where he establishs intimacy through physical contact?[FLASHBACK]Ted:You know why jalapeno poppers are so good? It's the cream cheese.Barney: That is so true.Ted: Yeah... Cream cheese has a mild flav-flavor so it... it balances out the spiciness of the jal... the spiciness of the...Dude![END OF FLASHBACK]Robin: So at any point in this did you say, \"Barney, I know what you're doing, and it's not going to work. I am not taking that job\"?Ted: Well, I mean, not exactly in those...Lily: You're lovingthis.Ted: No.Lily: You are. You're loving the attention.Ted: It's nice to be wanted, okay? And, yes, this is a new vest. Thank you all for noticing. Oh, that's right, you didn't. Barney did!Robin: Oh, Teddy, you are so goingto spread your legs and design that building.Ted: I am not that kind of architect. So get this...(Ted goes into his room)Lily: Robin never deleted Don's number.Robin: Oh, everyone thinks it's so easy. Give me yourphone. Let's delete one of yours.Marshall: Okay. No problem. If you can find a number that I don't need or shouldn't have in here, be my guest, but good luck. I keep my phone tight.Robin: Edwin.Marshall: Oh, no, notthat one. That's the booker for the club that my band plays at. You know, my all-lawyer funk band... you remember... The Funk, the Whole Funk and Nothing but the Funk.[FLASHBACK](Ted, Lily and Robin are listeningto Marshall's band playing)*Your witness lied so your case is sunk, hah! I sentence you to a life of funk Counselors, how do you plead? Funky. *[END OF FLASHBACK]Robin: You guys played one gig four years ago. I'mdeleting it.Marshall: No, no, we're gonna... we're gonna play another gig again. Probably really soon. It's just we all got super busy, and... We're not going to play another gig again, are we?Lily: Probably not,baby.Robin: See, it's hard to hit that delete button, isn't it?Marshall: Well, it's just that without that number in my phone, I'm just a corporate lawyer working 60 very un-funky hours a week.Robin: Sorry, Marshall. Butif I have to, you have to.Lily: Okay. Your turn.Barney's office - Ted comes inTed: Barney, I gotta tell you something.Barney: Oh, that reminds me. I got you a little airplane. It represents the spirit of adventure. Do youlike it, Ted? Do you?Ted: Stop it. Stop looking at me like I'm the only person in the world who matters. I'm not designing the GNB Tower.Barney: Yeah, I know. You turned it down. We hired someone else.The barTed:Can you believe it? He's resorting to the oldest move in the book. The classic, \"pretend to take the offer off the table so I'll want it more.\" It's so obvious, right? As if that's going to make me be like, \"Oh, God, I nevershould have said no.\"Marshall: It's not a move, dude. I executed the paperwork for the new architect this morning. Barney wasn't lying.Ted: Oh, God, I never should have said no! Come on, GNB didn't really hire a newarchitect. This is just one of Barney's moves.Marshall: It's not a move, dude. The senior partners were getting impatient. I thought you didn't even want the job.Ted: I didn't! I don't! I don't. I don't!Barney's office - Tedcomes inTed: Okay, I'll do it!Barney: What? Ted, it's too late.Ted: I'll design it for half of what you're paying the other architect. And you know I will do stuff they would never do. Lobby stuff.Barney: Wow, half? Ted, onbehalf of Goliath National Bank...Marshall: Okay, it's a move.Ted: What?Barney: Dude!Marshall: There is no other architect. I'm sorry, I'm sorry I lied. I was being Barney's wingman, and I never get to be thewingman.Ted: You guys lied to me?Barney: You're the world's worst wingman. You know what? I'm out of here.Marshall: I can do better. Take me back. You son of a bitch!Ted: Look, I can't do business with people wholie to me.Barney: We only lied to you to make you realize that you want this job.Ted: No, I don't. I mean, I know I said I did, but that's only because I fell for the same creepy, pickup artist voodoo of yours thatcountless women...Barney: 236.Ted:...before me fell for. Wow, respect.Marshall: No... Ted... you want to do this, okay? You're just scared of getting hurt again. But you can't let fear steal your funk. That is good. Thereis a song in there. Excuse me.Barney: Come on, Ted! This is your dream.Ted: No, it's not. Not anymore. And you know what? Letting go of that dream was the best decision I ever made. You guys actually think I havesome lingering itch to be an architect? Work 20 hours a day and weekends? To get ulcers and pull my hair out and worry and doubt myself and then at the end of it all, have the rug pulled out from under me? I lovebeing a professor, okay? All that stupid crap they tell you about how fulfilling teaching is? It's all true. I'm happy, and I'm not letting go of that. My answer's no.The bar - Robin comes inRobin: Hey, guys.Lily: Where'sthe poop, Robin?Robin: How do you do that? You are like a bomb-sniffing dog, except with poop. You are a poop-sniffing dog.Marshall: I think that's just called a dog.Lily: Where's the poop, Robin?Robin: Fine. I calledDon again.[FLASHBACK]Robin: Hey, Don! It's Robin again. Look, I am sorry for all the calls. It's just, I saw you on the news, and it made me a little crazy for a minute. I guess I wasn't as over our breakup as I thought.But I want to say, from the bottom of my heart, I am going to kill you. No... No, I'm not. I am happy for you. And that Asian slut on your Facebook page. She's dead, too.[END OF FLASHBACK]Lily: I thought you deletedhis number.Robin: I did, but it turns out, I memorized it. You can't delete contacts from your brain, Lily.Lily: Well, you have to try. If you ever want to have closure...Robin: I am never going to have closure. Okay?Closure doesn't exist. Okay, one day, Don and I are moving in together, and the next thing I know, he's on a plane to Chicago. It just... ended. And no matter how much I try to forget that it happened, it will have nevernot happened. Don and I will always be a loose end. We'll always be...Ted's classTed: Unfinished. Gaudi, to his credit, never gave up on his dream, but that's not usually how it goes. I mean, usually, it isn't a speedingbus that keeps the brown, pointy, weird church from getting built. Most of the time, it's just too difficult or too expensive, or too scary. It's only once you've stopped that you realize how hard it is to start again. So youforce yourself not to want it. But it's always there. And until you finish it, it will always be...Barney's officeTed: Hey, Barney. Hey, Rachel. Rachel, why aren't you in class?Rachel: Why aren't you in class?Barney: Yeah,Ted. Why aren't you in class? You son of a bitch. I'll call Marshall. We'll draw up the contract.Ted: Not so fast. I'm not that easy.Ted from 2030: And so I made Barney break his golden rule. I made him take me out todinner before I finally gave him the thing he always got. Yes. And even though it didn't happen right away...Robin's appartmentTV Speaker: And now, the 11:00 News with Don Frank.(Robin makes a phone call)Voice:Bueno?Robin: Who is this?Voice: No hablo ingles. Quien es?Robin: I'm sorry. Is this 917-456... I'm sorry, 465... No, wait.Ted from 2030: Robin finally got some closure, too.Robin: Sorry. Wrong number. Finished withthat.Lily arrives at the dojoLily: Hey, punk! Bit of advice. Next time you step on a kindergarten teacher's neck, you better finish the job.Man: I knew this day would come."}
+{"doc_id":"doc_13","qid":"","text":"[What happened in the previous episode.][PREVIOUSLY_ON]Aria: It's too hard to sit in this room every day and call you Mr. Fitz. Okay, I can't pretend like I don't know you.Hanna: I'm really sorry, mom.Ashley: Forwhat?Hanna: The cop.Spencer: We're meeting Melissa's fiancé.Wren: Does she have to know everything?Spencer: Stop, stop. We can't.Wilden: This is no longer a missing person's investigation. It's a murder.Hanna: Isthis waiting thing something you really want, or is it because of your dad?Sean: No, it's me. It's... It's my choice.Maya: So, I'm corrupting you.Ben: What are you so weirded out about?Emily: I think there's somethingwrong with me.Pam: You lost a dear friend. You need to find a way to say good-bye.[In the woods]Hanna: Whose idea was this, again?Spencer: Emily's mom.Emily: The shed was me. My mom just said we should dosomething for us.Hanna: Well, couldn't we do something without mosquitoes?Aria: They're not mosquitoes, they're gnats.Hanna: Whatever! They're small and annoying, and they're flying up my nose.Spencer: Well,they're attracted to your perfume. And your hair product. And your lip gloss.Hanna: So, what are you saying, I attract flies?Aria: Gnats.Emily: Why do I feel like this is the wrong way?Spencer: No, this is it. I rememberthat tree. It's the halfway point. There's 136 steps left to the shed.Emily: Have you been out here since... Alison?Spencer: Me? No. No way.Aria: But you remember that tree.Hanna: You guys, it's not that weird. Imean, we came out here in eighth grade like, every day... even after.Spencer: I think this is totally the wrong place to do this. Whatever you call it.. shrine.Emily: It's not a shrine. It's just a place to remember Alison.What's wrong with that?Spencer: Doing it way out here makes it look like we have something to hide.Emily: You're worried what other people think?Spencer: Well, aren't you? Do you really want to give that creepyDetective more reasons to question us?Emily: Hanna, why are you so quiet?Hanna: I'm trying to keep the bugs in my nose and out of my mouth.Emily: You're allowed to have an opinion on this.Hanna: You want myopinion? I say we hold off and not remember her 'til we know for sure she's not still here.Everybody: What?Aria: What are you talking about?Emily: You think she's still alive?Spencer: Hanna, they found her body.Aria:Stop. I'm officially scared. Can we just not...Hanna: You know, you asked for my opinion. I don't believe she's really gone.Spencer: We went to her funeral!Ashley: Yeah, and when we left we all got a text fromher.Emily: It wasn't her. Someone is messing with us.Hanna: How do you know? And what about all those nasty messages? I mean, how does this \"A\"person know stuff only Ali knew?Aria: Okay, this conversation isgiving me a hive.Hanna: That's a bite. Mosquito.Emily: Spencer, have you gotten any more messages?Spencer: Haven't you?Branches rustlingEmily: What was that? Did you hear that?Aria: Yes, I heard that. I'mstanding right next to you.Hanna: Hello? Is anybody out there?Spencer: It's probably a rabbit.Hanna: Hello?Spencer: It's a rabbit, Hanna. It's not gonna answer you.Emily: Can we just get to the shed?More branchesrustlingHanna: Okay, that is definitely not a rabbit. Someone's out there.Emily: Let's turn around.The girls' cellphones ring[Opening credits][In Hanna's kitchen]Wilden: Morning.Hanna: Where's my mother?Wilden: Iguess she ran upstairs for somethin'. I'm trying to figure out what makes this stuff spreadable. You want a waffle or somethin'?Hanna: No. Thanks.Wilden: There she is. It's canola oil!Ashley: Darren, why don't you getdressed? I'll take care of breakfast.Wilden: Yeah.Hanna: So what, he lives here now?Ashley: Take out the milk.Hanna: Is this a permanent thing?Ashley: Would you keep your voice down, please?Hanna: God, it wasone pair of sunglasses, and they were last season's.Ashley: Hand me the waffles.Hanna: Mom, you don't have to do this.Ashley: Do what?Hanna: Squeeze his grapefruit.Ashley: We will talk after breakfast.Hanna: Idon't eat breakfast, and neither do you.Ashley: Look. Until he gets the store to drop the charges for your shopping spree, we're not kicking anyone to the curb. The last thing we want is an enemy on the policeforce.Hanna: I get it, okay? But I didn't count on having to buy him a father's day card, either.Ashley: Hanna! The situation is delicate. By the way, if you're buying anyone a card, it should be me.[At arestaurant]Byron: Well, you're pretty far into it.Aria: Yeah, I've got, like, 60-some pages left, and I don't want it to end.Byron: You should read her biography next.Ella: The father-worship thing becomes a lotclearer.Aria: Well, I would worship both of you a lot more... if you got me another one of these.Ella: Uh, the poppy seed? We'll split it. Make sure your father doesn't drink all my coffee, please.Byron: Do you like yourteacher?Aria: What?Byron: Your English teacher. Do you like him?Aria: Oh! Yeah. Uh, he's okay.Byron: What's his name again?Aria: Mr. Fitz. Hey, maybe I'll... I'll check out that biography at school. What's itcalled?Byron: I've got a copy of it in my office. I'll bring it home. It might inspire you.Aria: To what, write a novel?Byron: You've got it in you.Meredith: Byron?Byron: Hey! Hi. How you doing?Meredith: Sorry. I didn'tmean to interrupt.Byron: No, no, no, that's okay.[Flashback in the street where Aria sees his father kissing Meredith][Back at the table]Byron: Uh... Um, Aria this is, uh, Meredith Sorenson. She also teaches in thedepartment, uh, my department, and this is Aria, my daughter.Meredith: Oh, Aria! Hi. Of course you are. Did you get my message?Byron: Yes I did, and I'm sorry I haven't had a chance to call you back.Meredith:That's okay, they just need he referral by Monday, and...Byron: I'll get to it as soon as I get back to campus. Is there an e-mail, or...Meredith: Here. So, how does it feel to be home? This town must seem a little dullafter spending a whole year overseas.Aria: Not really.Byron: Okay, well, I'll, uh... I'll send that before lunch.Meredith: Thanks. I'm so glad I ran into you. Nice to meet you. Welcome home.Meredith leavesAria: Whycan't she graduate?Byron: She has. I told you. She's now a teaching assistant. Not mine, but her office is across the hall. I can't pretend like she doesn't exist, Aria. It's a small college.Aria: Mm, not small enough.[Inthe Hastings' kitchen]Veronica: You can't avoid seeing people, sweetie. It is what it is.Melissa: And what's that... Sad? Humiliating? Pathetic? All of the above? Just... take someone else. I don't want to have to explain awedding that's never gonna happen to every last club member.Spencer: Morning.Veronica: Hey.Melissa: Excuse me.Melissa throws wedding magazines in the trashSpencer: Where's Dad?Veronica: He left for theoffice.Spencer: Already? So he ran without me? Why didn't he just knock on my door?Veronica: He was busy. He was helping Melissa dispose of some things that... Wren left behind.Melisssa: Unfortunately, you weren'tone of them.Spencer: How many times am I going to have to say it?Veronica: Oh, girls, please! I can't arbitrate on one cup of coffee.Melissa: Who's calling the paper to pull the announcement? It was hard enoughchanging my status on Facebook!Veronica: I'll take care of the newspaper.Melissa: What about the engagement dinner? Do I have to make that call?Veronica: No, honey, of course not. Just look up the number and I'llleave a message. To Spencer Where are you going?Spencer: I'll eat in my bedroom.Veronica: Oh, no, you won't. I just dry-cleaned your bedspread. Sit at the table.Spencer: I don't think I'm welcome.Melissa: That'snever stopped you before.Spencer: I did not invite your fiancé to kiss me Melissa. For the last time, he made the move on me!Veronica: Spencer, please.Melissa: Right, you just sat there like a throw pillow with yourtongue down his throat!Spencer: Look, I get it! You're upset and I feel for you, but don't dump it all on me. Maybe you should be asking yourself why Wren felt the need to... I'm sorry. Okay? I'm not perfect, but I don'twant to be accused of something that I didn't do!Veronica: Oh, stop please. Both of you! Go get dressed for school. You can take your muffin to go.[In the street]Mona: Ah! Totally love this color. We should've stockedup on a few more tubes.Hanna: Well, I only have two hands. Keep it.Mona: Why, is your mom asking to see receipts?Sean: It's hilarious.Hanna: Sean! What's so funny?Sean: Nothin'. Noel's just out of control. Mm, yousmell good.Noel: Save something for tomorrow night.Mona: What's tomorrow night?Sean: Noel's parents are leaving town.Noel: It means the party of the year is officially on. Think big, think wild, think parental units ina different time zone.Sean: I gotta get to practice. Save that smell.Noel and Sean leaveMona: So, the pressure's on.Hanna: What do you mean?Mona: Not all of us have a Sean to wear to that party, and I'm not gonnaspend the night guarding the bushes so you can jump each other's bones.Hanna: Okay, we're not gonna be doing it in the bushes.Mona: Whatever. Have you guys even done it yet?Hanna: It's not a race, Mona.Mona:Okay mom, seriously. No one's pushing you to be natty ho, but you guys have been going out for months. If you're not together in that way, how do you know you're together-together? How long can you wait beforeyou lose him?[Near Hanna and Mona were]Maya: I was going to offer you a ride, but your bike's faster than my car.Emily: I passed you? I didn't even see you.Maya: I saw you. You took that corner on one wheel.Ben:Got ya!Emily: Ben, stop.Ben: Fine. I can wait one more day. Well, you guys heard, right? Noel's doing his cabin party tomorrow night.Maya: Is this one of Rosewood's pagan rituals?Ben: Kinda. There was definitelysome howling last year.Emily: Why don't you come with us? Please, come. It'll be fun.[In the corridors of the high school]Ezra: Good morning.Aria: Hi.Ezra enters his classroomAria: Russian history?Spencer: Yeah.Aria:How many AP classes does it take until your brain explodes?Spencer: I'm already drowning in there.Aria: Why, what's drowning for you, B+?Spencer: First paper's due Monday, and I've written two words. Myname.Aria: Well, what's going on? Hey, you're not still freaked out about what happened in the woods yesterday, are you? Look, we do not have to do this thing for Ali until we figure...Spencer: No, it's not just that.It's... It's everything. Is there any chance your family wants to adopt me?Toby & Jenna walk in front of themEmily has a flashback - Toby's carrying Jenna.Maya: Who is that?Emily: Toby Cavanaugh.Maya: Who'she?Emily: He's, uh, an older kid who used to go here and got sent away to a reform school or something.Maya: Why?Emily: He had a... He set fire to a garage, and his stepsister... she was in it.Maya: Should I bescared?Emily: What? No.Maya: See you later.Emily: Bye.Aria: He's back, too? When did that happen?Hanna: Maybe she needs help sending radioactive e-mails.Spencer: Yeah, or he may be sending a few of hisown.Wilden: Hanna.Aria: Cops on campus too.Wilden: I just spoke with your principal, asked him if we could have a chat.Hanna: No, I have to get to class.Wilden: Don't worry. You've been excused. Let's go.Hanna &Wilden leaveAria: What is going on? Why just her?Emily: Probably thinks she's the easiest to crack.Spencer: She is.Jenna: Whisper, whisper, whisper. Almost feels like Alison's still here.Flashback in which we see thebarn burning and the girls running[In Wilden's office]Wilden: I keep coming back to this ninth grade shaft, of you and Alison on the steps.Hanna: What about it?Wilden: Well, you made a lot of changes between ninthand tenth grade. Lost some weight, started styling your hair like Alison's.Hanna: Is that a crime?Wilden: No, just an observation.Hanna: No, she helped me make those changes.Wilden: Did she, really? Did she everregret it? Start seeing you as her competition?Hanna: Nobody competed with Alison. You'd be stupid to even try.Wilden: Why?[Flashback at the restaurant of the high school probably]Ali: Ask him. You'll never knowunless you ask. Now.Hanna: Um, Sean? Did you hear about the party at Noel kahn's?Sean: I heard.Hanna: I don't know. I was thinking about going, so I'm just wondering if you want to go too, with me.Ali: Everybody'sgoing. She's going, I'm going. Why aren't you?Sean: Oh, yeah, no, I guess I am.[Back in the office]Wilden: What about this guy ? Did she ever talk about him?Hanna: What?Wilden: Stay with me, Hanna. It'simportant.Hanna: Why? What's the point?Wilden: The point is I'm trying to flesh out the details of that summer.Hanna: So you can ask me how much weight I lost? By making it look like hefty Hanna wanted Alisondead so I could replace her?Wilden: I'm not questioning you as a suspect, Hanna. We're just having a chat. Besides, one can't underestimate how much the past informs the present.Hanna: Really. So, you're still thatsame party boy you were in the class of '96? Did you call me down here to do keg stands?Wilden: Wow, looks like somebody's been doing their own homework.Hanna: I like to know who's joining us for breakfast. And,by the way, my tenth-grade picture isn't even in that yearbook. I had mono and missed the deadline. Now, my makeup picture is in my living room, which you must've seen while you were wearing a towel. Is that howthe police build their cases these days?[SCENE_BREAK][In the corridors of the high school]Spencer: What are you doing? Is that a new phone?Aria: Yeah, I'm checking my Kin. I'll just write on Hanna's wall fromhere.Emily: If she's not answering texts, what makes you think she's checking Facebook?Aria: It's worth a try.Hanna: What's going on?Aria: We've been trying to get ahold of you. What happened in there?Hanna:Nothing, just the same old stupid questions.Spencer: You were in there for an hour, Hanna. What else did he ask?Hanna: Nothing. He just took a couple calls, and I just sat there, waiting for him to shut up.Aria: Well, ishe gonna question all of us alone now?Hanna: Who knows? Look, let's do this at lunch, okay? I have to hit the ladies' before my next class.Spencer: Is she being weird?Emily: She's being weird. I'll see you guys atlunch.Spencer: Bye.[In Ezra's classroom]Aria: Hey.Ezra: Hey. Are you here to ask about the homework assignment?Aria: Do you have plans this weekend?Ezra: I'm thinking we should talk about the homeworkassignment.Aria: So you do have plans.Ezra: I don't.Aria: Okay, well, there's... This opening at the gallery where my mom works, and I promised I'd help out, so if you're free...Ezra: Do you think that's wise, hangingwith you and your folks, a parent-teacher conference over free wine?Aria: Okay, fine. It's a bad idea. What... if we met up afterwards? I could tell them I'm going to Noel kahn's party.Ezra: Maybe you should. Go to theparty.Aria: Why... would I want to do that?Ezra: So your classmates don't suspect you've lost interest in your peers.Aria: Too late. Ezra, I want... Oh.A woman entersMrs Welch: Ezra.. Oh, Sorry. Excuse me.Ezra: No,it's fine. Come in, Mrs. Welch. Um. So, are we clear about the homework assignment?Aria: Yes, totally. If I have any questions, I'll reach out to you.Ezra: Great.Aria: Thank you, Mr. Fitz.[In front of Wren's\"squat\"]Wren: Did your sister send you here?Spencer: God, no. She has no idea I even called you. Things were never great between us, but... now it's like the hurt locker. It just gets worse every day.Wren: I'm sorry tohear that.Spencer: So, you're living here now?Wren: Squatting. It's not exactly the Hastings manor, but I have a whole sofa to myself.Spencer: Wren, I need your help.Wren: We only have the one sofa. Can you sleepon a ping-pong table?Spencer: Look, I need you to tell them what really happened.Wren: I tried. They won't return my phone calls.Spencer: I know I'm not completely innocent in all of this. I've done a lot of stuff thatI'm not proud of, but... not that night. I never wanted you guys to break up.Wren: I don't think it would matter what I said. Once your parents decide how they're gonna think of someone, it's royal decree. You'rebrilliant, you're rubbish. There's very little in between.Spencer: Could you at least try my dad again?Wren: Spencer, put your efforts elsewhere. My guess is that your jail sentence will be commuted the moment youscore a winning point or ace a test.Spencer: This might not be that simple.Wren: Give it time. Look, I know I made a bloody mess of it, and I'm sorry for putting you in the middle of it. But perhaps my real mistake wasfalling for the wrong sister.Spencer: Um, I should go. It's just the 4:00 train, and I have this huge paper to write that's due Monday.Wren: You gotta get back to that wretched place called home, right.[In the girls'locker room of the high school]Emily: Hello? Hello? Anybody here? Hello?Ben appearsOh, God!Ben: Damn! You're jumpy.Emily: How did you get in here?Ben: Walked.Emily: Yeah, well, if somebody catches you...Ben:I'll take my chances. Besides, we need some alone time.Emily: I... need to get dressed.Ben: Don't bother.Emily: I can't do this now. My mom's expecting me.Ben: What's up, Em? Last week you were all over me in mycar. This week I'm some marching band geek with funyun breath. What's going on?Emily: Nothing. I've just... got a lot on my mind, okay?Ben: All right. Maybe you need to relax.Emily: Ben, I can't do this rightnow.Ben: What?Emily: Seriously, stop it. Hey, you're acting strange. Ben, get off me! Get off! Stop it!Toby comes in, and fights with BenThat's enough! Okay? Stop.Ben: Is this creep a friend of yours? Is he the reasonyou're acting like this?Emily: Ben, get over yourself, okay?Ben: Get over myself?Emily: It's done. We're over.[Ella's office]Ella: The owner refuses to use a computer, which is only mildly irritating, because half of thesecontacts died during the Reagan administration. That was fast. This is my daughter, Aria. Also known as my savior, because when I got here, there were about three cups. Thank you, my dear. Uh, this is Meredith. Sheworks with your dad.Meredith: We've met, actually. Nice to see you.Ella: Meredith just wandered in. She's looking for somebody who shows alternative art.Meredith: And your mother's been very helpful. Thank you somuch, Ella.Ella: Oh, you're welcome. So, we'll see you tonight?Meredith: Mm-hmm.Ella: Okay.Aria: Tonight?Ella: Yeah, I invited her to the opening, which may be a success now that we don't have to eat Cobb saladwith our fingers. Thank you. I'll see you later.Meredith: For Sure. Bye-bye.Aria: You can't come tonight.Meredith: Why not?Aria: You know why not, and so do I... But my mom doesn't.Meredith: I don't know whatyou're talking about.Aria: Look, I saw the way you were looking at my dad yesterday. I have eyes, so just find someone who's available. My dad isn't.[The Marins' kitchen]Ashley: How are you getting home? If there'sany drinking, I will pick you up.Wilden: Or I could take you, if you don't mind riding in the squad car. I wouldn't use the cuffs.Hanna: I'll be fine, thanks.Hanna leavesWilden: What? It was a joke.Ashley: So, have youheard from the store? Are they prosecuting or... or not?Wilden: No, I haven't heard, but I have a call into them, so...Wilden takes a bracelet in Hanna's bagAshley: What are you doing?Wilden: Where have I seen thisbefore? It's nice. Is that from you?Ashley: Alison gave it to her.Wilden: That's right. She mentioned that at school today.Ashley: Why were you at her school?Wilden: I was interviewing Hanna again. That's my dayjob.Ashley: Why was my kid being questioned a second time?Wilden: Because she's close to the victim, and because kids keep secrets.Ashley: Not mine. And if you're thinking she knows more than she's letting on,you're out of line. Sticky fingers is a long way off from what you're talking about.Wilden: Okay, easy mama bear. It's just a routine investigation.Ashley: Well, then you're gonna need a search warrant to go through herpurse.Wilden: So, can I help with dinner?Ashley: Yeah.She gives him the pizzaHave it someplace else. Breakfast, too.[At Noel's]Maya: Come on, lighten up.Emily: I should've stayed home.Maya: Why, 'cause you brokeup with somebody? What are you supposed to do, spend the rest of the school year hiding under your bed?Emily: There he is.Maya: Did you do that to his face? Damn. It's a good color on him.Hanna: Hey, Em.Sean:Yo, what just happened?Ben: So, you decided to come after all.Emily: Yeah, I did. Just not with you.[In the Hastings' kitchen]Spencer transfers Melissa's homework on her laptop and puts her name where Melissa's onewas written.Veronica enters, Melissa followsSpencer: Hey. Hi, how was the club?Veronica: Chilly. Nobody who works there can figure out a thermostat. Did you eat?Spencer: Yeah, I made some pasta if you'rehungry.Melissa: I'm not eating pasta. I don't need to be depressed and fat.Veronica: Good point. I'll make a salad. Let me get out of these clothes.She leavesMelissa: Wren called. He told me you went into the city"}
+{"doc_id":"doc_14","qid":"","text":"Scene: The apartment.Sheldon: Hello, I'm Dr. Sheldon Cooper. Welcome to Sheldon Cooper Presents Fun with Flags. Before we get started, I'd like to announce the winner of our design your own flag competition. But Ican't. The only entry was from GameyGamer75, and I know that was a jpeg of your buttocks. Now this week we have a very special episode where we explore the flags of the popular entertainment franchise, Star Trek.And to help me, I'm pleased to introduce Internet personality, former star of Star Trek: The Next Generation, and the only guy I know lucky enough to be immortalized in one sixteenth scale. Set phasers to fun for myfriend, Wil Wheaton.Wil: Hi, Sheldon. Thanks for having me. I'm happy to be here.Amy: Cut.Sheldon: What's wrong?Amy: Sorry, Sheldon, you were brilliant as always. Wil, that was a little wooden.Wil: Wooden?Amy:Don't worry, it wasn't terrible. Just, this time, try to say it the way people sound. And action.Sheldon: My friend, Wil Wheaton.Wil: Hi, Sheldon. Thanks for having me. I'm excited to be here.Sheldon: So, Wil, what doyou have for us first?Wil: Well, this is an exciting one. This is the flag of the United Federation of Planets. Now what's interesting about this flag...Amy: Cut.Wil: What was wrong with that?Amy: It's called Fun with Flags.They're not at half-mast, nobody died. Let's try and keep it upbeat.Wil: Um, no offence, but I've been acting since I was a kid. I think I can handle a Web show without a lot of direction.Sheldon: It's true. In 1982, Wilplayed the voice of Martin the mouse in The Secret of NIMH. You moved me.Amy: You'll have to forgive me. This is my first time directing, I just want it to be good.Wil: So do I.Amy: Great. So, this time let's try morereal boy, less Pinocchio. And action.Wil: And cut. You realize that I'm doing this for free, right?Amy: Yes. And so far, we're still not getting our money's worth. Let's try it again. Everybody's having fun. Andaction.Sheldon: So, Wil, what do you have for us first?Wil: Well, this is an exciting one. This is the flag of the United Federation of Planets.Amy: Cut.Wil: Problem, first-time director?Sheldon: Oh, none that I could see. Isaw a man who loved flags almost as much as I do. I got goose bumps.Amy: He was overacting on purpose.Sheldon: Really? He reminded me of a young William Shatner.Wil: Listen, Sheldon, I'm really happy to do thisfor you, but not if she's gonna be a huge pain in the ass the whole time.Amy: You gonna let him speak to me like that?Sheldon: Well, you're my girlfriend and I don't want you to be upset. Then again, Wil Wheaton's myfriend and I don't want him to be upset. Hmm, this is a sticky wicket. (To Wil) What do you think?Amy: Can I speak to you for a second?Sheldon: I'll be right back. Feel free to play with yourself.Amy: I don't care foryour friend, he's being rude to me. You need to ask him to leave.Sheldon: Amy, I can't just ask Wil Wheaton to leave. He's a minor celebrity. Once you explain who he is, many people recognize him.Amy: Fine. Thenmaybe I should go.Sheldon: Could you? That would solve everything. You are the best. I'll see you at dinner tonight?Amy: You sure you wouldn't rather have dinner with your friend Wil Wheaton?Sheldon: Come to thinkof it, I would! You, little lady, are on fire. Credits sequence.Scene: Howard's bedroom.Bernadette: Every time we eat dinner here, your mother refuses to let me help with the dishes.Howard: Don't take it personally.She likes doing them by herself so she can lick the plates with no one looking.Bernadette: You ready to go?Howard: Yeah, let me just grab a couple of fresh turtlenecks.Bernadette: I don't understand why you keepyour stuff here when there's plenty of room at home.Howard: What are you talking about? All I have here is a few sweaters, books, bank stuff, computers, mail, collectibles, medicine and my electric body groomer. Ooh,there's my plaid dickie. Oh, got this at the Goodwill store for 50 cents. Can you believe it?Bernadette: 50 cents sounds right. Let's go.Howard: You know, it's kinda late. Why don't we just spend the nighthere?Bernadette: Because we don't live here.Howard: I know.Bernadette: Do you? You said when you got back from space you were gonna move into my apartment, but half the time we stay here.Howard: That's nottrue.Mrs Wolowitz (off): Howard, I'm doing laundry. You want me to put anything in for you?Howard: There's some underwear in the hamper.Mrs Wolowitz (off): Oh, good, I got that new stain stick to try out.Howard:Thank you, I only put it on the list two weeks ago. Okay, I see what you're getting at. How about this weekend I'll box up all my things and move them to our place.Bernadette: Thank you.Howard: The lightsabres aregonna look great in the living room.Bernadette: Or in the closet. We can decide later.Mrs Wolowitz (off): Howard, help, my hand's stuck in the garbage disposal.Howard: Let go of whatever piece of food you'reholding.Mrs Wolowitz (off): Are you kidding? It's a perfectly good chicken leg.Scene: The apartment.Leonard: Hey, look who's out after dark, like a big boy.Sheldon: I was out raising heck with Mr. Wil Wheaton. Fourhours more and we would have closed down the HomeTown Buffet.Leonard: I thought you had plans with Amy.Sheldon: Yeah, I did, but then Wil called Amy a pain in the A-S-S. She got huffy and left, then Wil and Iheaded out to dinner. That place really did remind me of my hometown. Because there we also have a HomeTown Buffet.Leonard: Hold on. Wil and Amy had an argument?Sheldon: Yes, quite the kerfuffle.Leonard:Then Amy got mad and left?Sheldon: Walked right out the door.Leonard: And you?Sheldon: Enjoyed a delightful dinner at a reasonable price. The manager recognized Wil and let us sit right next to the frozen yoghurtmachine. Right next to it. I was closer to it than I am to you right now.Leonard: Buddy, I think Amy might be upset.Sheldon: Why's that?Leonard: Because your friend was rude to her, and then you went to dinner withhim.Sheldon: You're just repeating what I said. It's like living with a lactose-intolerant parrot.Leonard: Trust me, call her.Sheldon: Fine. It's a shame you didn't go to dinner with us, because the buffet you're about toenjoy only serves humble pie, a dessert much less tasty than frozen yoghurt. I was this close.Amy (on skype): What?Sheldon: You'll appreciate this. Leonard has some ridiculous notion that you're mad at me. Tell himyou're not mad at me. Go ahead, set him straight.Amy: I'm mad at you, Sheldon.Sheldon: Hmm. Eat one of your Luna bars. Very often when women think they're angry, they're really just hungry.Amy: I'm not hungry.Your friend insulted me, and you didn't do anything.Sheldon: Precisely, I didn't do anything. Now does someone feel like checking her emotional math?Leonard: Keep going, buddy, you're doing great.Amy: Sheldon, I'myour girlfriend, and you should have taken my side. That's it. End of story. Good night.Sheldon: Wow, Amy's mad and Leonard was right. What a weird day.Scene: The Cheesecake Factory.Penny: Hey. Sorry this tookso long. But you used to work here, you know how it is.Bernadette: Kitchen slammed again?Penny: No, I'm a terrible waitress, remember?Bernadette: So, is there anything I can do to help you with the movetomorrow?Howard: Now that you mention it, I was thinking tomorrow might not be great.Bernadette: What's your excuse this time?Howard: No excuse. It's just, you know, I'm Jewish, and technically, we're notsupposed to drive or carry anything on the Sabbath. So this one's on God.Bernadette: That might be a little more convincing if you didn't have a mouthful of bacon cheeseburger.Howard: My religion's kindaloosey-goosey. Basically, as long as you got your schmekel clipped and don't wear a cross, you're good.Bernadette: Howie, you promised you'd move.Howard: And I will.Penny: Yeah, right.Howard: I will. I'm obviouslynot going to live in my mother's house for the rest of my life. I'm not a child.Penny: I've seen her burp you.Howard: She did not burp me. She was patting me on the back, and I happened to burp. Don't you have othertables you should be waiting on?Penny: Yeah, but I told you, I'm not good at my job. Bernadette, listen to me. He is never gonna leave.Bernadette: I'm starting to think you're right.Howard: All right, I've had enough ofthis. I'm a grown man, I have a successful career, for the love of God, I've been to space. I will move out when I'm ready, and I don't need anyone badgering me into it.Penny: Wow, excuse me.Howard: That was justfor her benefit. I'll move tomorrow. I love you. Don't leave me.Scene: Amy's apartment.Sheldon: (Knock, knock, knock) Amy. (Knock, knock, knock) Amy. (Knock, knock, knock) Angry Amy.Amy: What?Sheldon: I'vebeen thinking about what happened, and I hope this gift will make things better.Amy: Star Trek DVDs? Why would I want this?Sheldon: First of all, you're welcome. And furthermore, not being familiar with WilWheaton's body of work, there was no way for you to know you were being rude to a national treasure. Get ready for 130 hours of I told you so. (She hands him back the DVDs and slams the door) Fine. I'll just tell youwhat happens. Episode one, Encounter at Farpoint. Fade in. The new Enterprise heads out on its maiden voyage to contact the Bandi people of Deneb IV. Enter Wesley Crusher, played by my buddy... (Amy opens door,grabs DVDs, slams door again) She's hooked.[SCENE_BREAK]Scene: Howard's bedroom.Raj: Wow. An end of an era.Howard: Boy, if these walls could talk.Leonard: They'd say, why does he touch himself somuch?Howard: Yeah. I can't believe I'm not going to live here anymore. This has always been my bedroom. Right here is where my mom used to mark my height.Leonard: Oh, yeah. Fifth grade. Sixth grade. Seventhgrade. Eighth grade. Ninth grade.Howard: I remember when I was five, hiding under this desk with all my Halloween candy. Had some Peanut M&M'S, went into my first anaphylactic shock and had to be rushed to thehospital. Came home, celebrated with a Snickers, went into my second anaphylactic shock.Raj: When did you figure out you were allergic to nuts?Howard: Sometime around the third Almond Joy.Leonard: Okay. Youwant to start loading this stuff into the truck?Howard: Yeah, I guess. Hey, would you do me a favour? Go on ahead. I just want one last moment alone in my old room.Leonard: We're not standing outside by the U-Haulwhile you fondle yourself.Howard: Fine, let's go.Scene: The Cheesecake Factory Bar.Penny: Hey. What brings you in?Sheldon: Penny, if you wouldn't mind, I'd like to have a conversation about girls.Penny: I had afeeling we'd have a talk like this sooner or later. Are you finally getting fuzz in weird places?Sheldon: Penny, please, I'm on the horns of a relationship dilemma. And for the record, I had a full pubis of hair by the time Iwas 19.Penny: And for the record, bleugh. So what are you drinking?Sheldon: Well, it's been a rough day. I usually go chamomile tea, but I don't think that's going to cut it.Penny: You could have a Long Island IcedTea.Sheldon: Will that calm my nerves?Penny: It's calmed the pants off me a couple of times.Sheldon: Sold.Penny: Oh. So, the heart you got from the wizard giving you trouble?Sheldon: The trouble isn't with me,Penny, it's with your gender. Someday, scientists will discover that second X chromosome contains nothing but nonsense and twaddle.Penny: Yeah, Amy told me what happened. Look, just apologize. It'll warm hertwaddle.Sheldon: It's a Band-Aid at best. See, the core problem is that Amy and Wil do not like each other. Which is baffling because they're both crazy about me. And I like them, which indicates they're bright andinteresting and/or were on Star Trek.Penny: Honey, you can't make people like each other.Sheldon: Not true. Leonard made me like you. And let me tell you, that was a hard row to hoe. Cheers, pal. Ooh. Boy, that is atreat that's hard to beat. Get the Mad Hatter on the horn, I'm having a tea party.Penny: You might want to pace yourself.Sheldon: I drink tea all the time. I think I know what I'm doing.Penny: Far be it from me tocriticize a man with a full pubis. Look, Sheldon, your problem is not Wil Wheaton, okay? Your problem is the way you treated Amy.Sheldon: My problem is I'm out of tea.Penny: Come on, someone insulted yourgirlfriend and you just let him do it. I thought you Texas guys stood up for your womenfolk.Sheldon: Penny, please, I think I've evolved beyond my simple rustic upbringing.Penny: Sorry.Sheldon: On the other hand,that low-down polecat done wronged my woman.Penny: Welcome to Long Island, Tex.Sheldon: Amy deserves better. You know, when we buy the Planter's deluxe mix, she eats all the Brazil nuts so I don't have to lookat them. She's a unique blend of saint and squirrel.Penny: Yeah, that she is. Here you go.Sheldon: I'm a callous egomaniac. She's gonna leave me.Penny: No, she won't.Sheldon: No, she won't. I'm great.Scene:Howard and Bernadette's apartment.Howard: Okay, I have now officially moved out of my mother's house. You are now the only woman in my life who I'll see naked in the bathroom.Bernadette: I know this wasn'teasy. You doing okay?Howard: Oh, I'm fine. It's just her I'm worried about.Bernadette: Aw, she'll be okay. She's a grown woman.Howard: I know. It's just ever since my dad left, I've felt responsible for her.Bernadette:That's a lot for a kid to deal with.Howard: She was just so sad all the time. I was the only person who could cheer her up. Well, me and Ben and Jerry.Bernadette: She's lucky you were there.Howard: You know, she'swhy I first got into magic. I would do little shows for her, hang up a bedsheet like it was a curtain, put on a top hat and cape. And part way through the act, I would say I needed a volunteer from the audience to be mybeautiful assistant and invite her up on stage. I can still remember the way she'd smile. For a few minutes, she'd forget how lonely she was.Bernadette: Aw, crap. Let's go.Howard: Where we going?Bernadette: Grab abox. We'll sleep at your mother's place tonight.Howard: No, but I want to live here.Bernadette: Well, you should've thought of that before you told me the stupid magic trick story.Howard: Can't we talk aboutthis?Bernadette: No husband of mine is gonna break his mother's heart!Scene: Wil Wheaton's house.Sheldon: (Knock, knock, knock) Wil Wheaton! (Knock, knock, knock) Wil Wheaton! Wait, how many was that?Wil:Hey, Sheldon, what's up?Sheldon: Wouldn't you like to know?Wil: Have you been drinking?Sheldon: Just tea. S'the best tea I've ever had.Wil: Why are you here?Sheldon: I'll tell you. I'm from Texas. Need I saymore?Wil: Yeah, actually, a little more would be helpful.Sheldon: You insulted my woman. I'm here to defend her honour. Two! It was two. (Knock, knock, knock) Wil Wheaton! Now prepare yourself for what maycome.Wil: Oh, Sheldon, do you really think we're gonna fight?Sheldon: My fists are not up here because I'm milking a giant invisible cow. They're up to beat an apology out of you.Wil: Okay, I'm sorry.Sheldon: Well,that was a long bus ride for not very much.Wil: Are you okay?Sheldon: You're asking a lot of questions, Wil Wheaton. As a matter of idle curiosity, which of your shrubberies do you feel would benefit from a thoroughvomiting? Never mind, I'll choose. (Vomits) You were so good in Stand by Me.Scene: The apartment.Sheldon: Hello, I'm Dr. Sheldon Cooper. Welcome to Sheldon Cooper Presents Fun with Flags. Get ready for a veryspecial episode where we explore the flags of the popular entertainment franchise, Star Trek. And to help us, I'm pleased to introduce a special guest, surprisingly, it only took gas money and the promise of free food toget him here, Mr. LeVar Burton.LeVar: Hey, Sheldon, it's a pleasure to be here. Well, we've got some interesting flags for...Amy: Cut. Yikes, this guy is worse than Wil Wheaton.Sheldon: I don't know what she's talkingabout, but I'm obligated to agree with her. She's my girlfriend.LeVar: Ah, I hear you, brother. I still get lunch, right?"}
+{"doc_id":"doc_15","qid":"","text":"Psy's officeSummer: Thanks for seeing me on such short notice.Psy: I'm glad you came. What brings you in?Summer: Well, I've changed a lot since I got to college. New friends, new interests, new clothes.Psy: Well,that's perfectly normal.Summer: I know. But... I think throwing myself into all these new things is just a way of avoiding dealing with what happened to my friend...who, um... who died.Psy: Well, grief often comes infive stages.Summer: Yeah, but I haven't really been grieving. Why is this happening? Life is so unfair! I'd do anything to change things. Please, just name it, and I'll do it. Nothing matters anyway. But this is so not fair!I'm sorry, I have rage issues. I think she would want me to move on. So that's what I'm going to try to do.Psy: I'm proud of you, Summer. You've made astounding progress, and all in one week.Summer: It's kind of arelief in a way. Now I can go back to being me.Psy: What do you mean by that?Summer: Well, this whole save the planet thing, it was a crutch, right? And nothing against handicapped people, but crutches? Ew.Psy: Alot of people do change when they go to college.Summer: Well, not me. I love shopping, tanning and celebrity gossip, always have, always will. But I think I have to. If I ever want things to be good with my boyfriendagain.Psy: Summer, just promise you'll take it slow.Summer: Totally. At the airportRyan: Hey, man.Seth: Hey, dude, I know, three hour time difference, but, Ryan, she's going to dump me.Ryan: It's okay, I'mawake.Seth: Oh, good. Ryan, she's going to dump me.Ryan: No one believes that, all right? Summer loves you.Seth: The old Summer loved me. But new Summer is upon us, and Providence is the place that spawnedher.Ryan: Summer is just dealing with what we're all dealing with, okay? She'll come around.Seth: What if she doesn't? This is my last shot. Otherwise, the girl with the violent temper and good hygiene is nothing but achildhood memory.[SCENE_BREAK]Seth: Careful, lady, my girlfriend's going to be here any second.Summer: Shut up, Cohen.Seth: Hey, you just punched me. My baby's back.Généric At the beachSandy: You look goodout there.Ryan: Thanks.Sandy: I got to get you on a surfboard.Ryan: Not a chance.Sandy: How about some breakfast? I could use some intel on Seth and Summer.Ryan: You know what, I can't, but, uh, I think they'redoing all right. You know? Doing the long distance thing.Sandy: How about you? How are you doing?Ryan: Good, good. Better, once I get my first day of work under my belt.Sandy: Well, Pavo Guapo is lucky to haveyou working there.Ryan: Me, too.Sandy: Now I got an excuse to come by for your shrimp tacos.Ryan: Yeah, Kirsten warned me about that. You're limited to two a week.Sandy: Oh! I knew I should have divorced thatdame.Ryan: Well, it's not forever.Sandy: You're still accepted to Berkeley for next year. I'm just glad you're getting back to your old self. You know? Back home again. New job.Ryan: I'm just trying to stay busy andearn some extra money.Sandy: And hook me up with some shrimp tacos.Ryan: Yeah, right. I'll work on that. I'm going to walk back. I'm kind of sweaty.Sandy: Yeah, I wasn't offering you a ride. Hey, Ryan? Hang inthere. Brown's college - Summer's bedroomSeth: Wow, that was a lot better than what I was imagining on the plane.Summer: You were imagining it on the plane?Seth: Not like that. When you called me here, I wassure you were going to break up with me.Summer: Well, I know I'm not the one that usually apologizes in this relationship, but I'm sorry about everything. I turned into a liberal zealot just to distract myself from myown grief. I'm not even into all this stuff.Seth: So the old you is back?Summer: In all of my artificially tanned glory.Seth: Thank God 'Cause I was not sure that the new you and old me were really working.Summer:Yeah, the new me kind of smelled weird. Well, what would you have done if I didn't go back to being me?Seth: I had a plan to coax the old Summer out. The Valley, Season Three? Summer: Awesome! AtCohen'sKirsten: I checked on Ryan. Did he leave already?Sandy: Yeah. He seemed to be doing okay. I was hoping to hang with him while Seth is away. Poker, maybe shoot a little pool, but his new job is going to makethat tough.Kirsten: Well, I could rack a few balls with you.Sandy: You are so smart and sexy and gorgeous. But sometimes a man just needs to hang with the guys.Kirsten: Well, that I'm not.Sandy: You know, Jimmyleft, Caleb died, then Jimmy left again. Even Neil's gone. Look, I wasn't a pennant winner, but at least I had a bullpen, you know?Kirsten: It's baseball talk. I got it. Why don't you give Jason Spitz a call? You're alwayssaying how funny he is. Why don't you ask him to do something?Sandy: Yeah, yeah... I don't know. I mean, it's a little weird for a guy to ask another guy to do something right out of the blue like that.Kirsten: Sincewhen is Sandy Cohen afraid of acting weird?Sandy: Well, Spitz is pretty funny. He's allegedly a scratch golfer. He likes the Dodgers. I could live with that.Kirsten: It sounds perfect for you.Sandy: Yeah, but what am Igoing to do? I'm going to give him a call or what? Ask him out?Kirsten: Come on. Why don't you use some of that Sandy Cohen charm? I'm sure he won't be able to resist.Sandy: It's been a long time since I been outthere, honey. What if Spitzy doesn't like me?Kirsten: Are you calling him Spitzy now?Sandy: No, not yet. Do you think he'll go for it? At Roberts'Julie: Well, that's very generous of you. Thank you, Neil. Bye.Kaitlin: Sohow's Seattle? Is that short, sassy lady still bossing Dr. Roberts around the hospital?Julie: Neil is fine. He's going to let us stay in the house as long as we want.Kaitlin: Well, nice work, Mom.Julie: I wish I could take allthe credit, but it was actually Neil's idea. He's really very sweet.Kaitlin: Oh, you miss him. Well, don't worry. We'll find you another old dude to pay for all your stuff and cheat on you.Julie: Is that what I'm teachingyou?Kaitlin: Mm, pretty much.Julie: Well, no more. Now that we have our housing situation handled, I am officially giving up men. Good one.Kaitlin: That'll last a week, max.Julie: I'll take that wager, young lady. AndI'll make one with you. I will not so much as bat an eyelash at a man, and you will stay out of trouble.Kaitlin: You cannot live without a man. not even for a week.Taylor: Morning, roomies Anyone want a proteinscramble?Julie: Nice to see you're making yourself at home, Taylor.Taylor: Well, thanks for making me feel at home, Jules. Summer's room is just adorable. And I don't know how I ever lived without a homegym.Kaitlin: Oh, this came for you today. Who's Henry Michael?Taylor: Uh... Oh, Henri Michel? That's just, um, my French husband. I'm sure it's nothing. Excuse me.Julie: You see? Man drama-- who needs it?Kaitlin:Hey, Ernesto's looking pretty hot. Nice six-pack.Julie: Where?Kaitlin: Gotcha. At Ryan's workplaceRyan: Taylor, hey.Taylor: Hi, Ryan. Are you working at El Pavo Guapo? You know, that means a handsome turkey?Ryan:That's why I took the job.Taylor: Hey, do you know when Seth's going to be back? I really need to talk to him.Ryan: Sorry, gone for the weekend.Taylor: You know, that shirt really brings out your eyes.Ryan: It's black.What are you doing here, Taylor?Taylor: Just in the mood for Mexican.Ryan: Mm-hmm.Taylor: Maybe the Macho Nacho Burrito wrap with extra guac. And... Oh, um, a favor.Ryan: No, no, no, sorry.Taylor: With Sethgone, you're the only one I can turn to.Ryan: Well, I'm honored.Taylor: Okay, so, I'm trying to get divorced, and I just found out that Henri Michel... Oh, that's my French husband. Um, he's coming to Newport and Iknow he's going to try and talk me out of it, and I could really use you there.Ryan: No.Taylor: I'm afraid to be alone with him. I'm afraid of his sensual powers. Ryan, the man is a sexual Jedi. Whatever he asks you todo, you just do it. It doesn't matter how depraved...Ryan: Okay, some people are trying to eat here, including me someday, so...Taylor: Ryan, please. If I go alone, I'll be back in France next week. You don't know howhard it was to leave. Seth and Summer are gone,my mom kicked me out, and... I have no one else. Look, just do me this one favor, and I'll leave you alone.Ryan: Promise? At Brown's college - Summer's bedroomChe:Knock, knock. Hey, Summer, can you fact-check this flier on solar panels? It's for the rally tomorrow.Summer: Che, I'd like to talk.Che: Sure, man. What's up?Summer: I haven't been completely honest with you aboutwho I really am. This is my shoe collection. There's leather, suede, and the occasional calfskin boot.Che: Whoa, my friend.Summer: These are my magazines. I know which stars pump gas just like us, and who's onpump watch. And this is Marissa. She was my best friend, um, but she died in a car accident on graduation night.Che: Summer, I'm sorry. That's-That's really heavy.Summer: Yeah, well, it's so heavy that I couldn'tdeal, so... I put all my energy towards being an activist, but that's not who I am. These shoes and these magazines-- that's me, but I hope we can still be friends.Che: All I can do is be me, whoever that is. It's, uh... it'sDylan. The guy's a genius. Look, Summer, if you've found your place in this world, I am nothing but happy for you.Seth: Hey. I put some cream in your coffee. I figured you'd be back on dairy.Summer: Hey, uh, Che,this is my boyfriend, Seth. Seth, this is Che.Che: Summer, you have a twin flame. I wish I knew you were coming into town. I would have made you a bracelet.Seth: Oh, hey. Uh, where I come from, we just sayhey.Che: Well, to borrow your native tongue, hey. Listen, forget what I said about the rally. We got plenty of warriors for the fight. You two, just... be.Summer: Thanks, Che.Seth: What's that?Summer: It's garbage. AtSandy's officeSandy: Hi, Jason. How you doing?Jason: I just had a meeting with Kaminsky.Sandy: Oh, the slowest talker in the world. It took forever. Forever.Jason: Good to see you, man.Sandy: Hey, uh... you gotany plans this weekend?Jason: Sandy, I've been working the past six Saturdays.Sandy: No, no, I didn't mean that. I'm just saying that we could, you know, you and I, uh, we could do something.Jason: Dosomething?Sandy: Poker, pool, you know, a little small ball. If you're free. If not, no worries.Jason: Can I get back to you on that?Sandy: Oh, sure, yeah. Whatever. Brown's college - Summer's bedroomSummer: God,this is so disgusting.Seth: I don't know, I think you're being too hard on April. Derek's knee was... it was really messed up.Summer: No, I just... I don't like this show anymore. All they do is create fake problems forfake people just to distract viewers from the real problems in the world.Seth: Well, I don't think the network would go for a sexy teen soap set in the Damascus, but we can turn it off if you want. I just thought you likedit.Summer: I'm just distracted. I haven't been keeping up on how much blow Lindsay Lohan's doing. And did you hear about JT and Cameron?Seth: No, what?Summer: I don't know. That is the point. I'm going to goget one of my magazines.Seth: That sounds like the old Summer. I'm going to stay here and, uh, keep watching. You know, I have this thing where if I start something, I have to finish. Is that like a disease or acondition?Summer: Don't really know, Cohen. I'm reading about who got lipo. Yatch clubRyan: You know, you might want to relax.Taylor: Distract me. Tell me about this, um, cage fighting. It's something that I've beenmeaning to get into.Ryan: Yeah? Yeah? Ask me another favor, I'll be happy to show you.Taylor: Oh, Ryan Atwood with a side of sauce. I like it. You're going to have to do better, though, 'cause right now all I ca think ofis him, my husband, and his arms, his smell... making love in the barn in Burgundy.Ryan: Sounds like the perfect guy. Why would you want to divorce?Taylor: Well, despite being agnostic in most things, I do believe intrue love. And this was not it. Well, back to you and your life. What is your favorite fruit?Ryan: Peaches.Taylor: Oh, he used to say my breasts were like two, soft...Ryan: Is that him?Taylor: No, that's... hislawyer.Lawyer: Madam.Ryan: Is everything okay?Taylor: No, not exactly.Ryan: What did he say? What's wrong? What's going on?Taylor: Oh, I just told him you were a soccer fan.Ryan: Oh. Yeah, I like soccer. AtBrown's college - Summer's bedroomSeth: Sorry today was such a bust. Summer; What are you talking about? We totally cleaned out the mall.Seth: Well, you threw your smoothie at a lady on the street.Summer: Hey,that fur did not look faux.Seth: Yeah, I just feel like your mind is someplace else.Summer: My mind is on this adorable sweater right here. I'm going to try it on' with that bag we bought, because how cute would theylook together? Now, if you don't mind, a little privacy.Seth: Well, I enjoy watching you take off your clothes, I'm sure I'll enjoy watching you put them on.Summer: Hey, this is a very intense process.Seth: All right,actually this is perfect. I wanted to head over to Thayer Street and do a walking tour of ethnic foods. I can't be moving here if the shwarma is not up to par.Summer: Well, bring me a kabob.Che: Hey,Summer.Summer: Che, hey, I wanted to know how the rally went.Che: We marched, we chanted, and along the way, we may have even opened up a few eyes. We'll see.Summer: Oh, that sounds great.Che: Yeah,Summer, what are you doing?Summer: Trying on a sweater. Hey, Seth and I are going to watch a movie here later if you want to come by.Che: No, I can't. We're prepping for tomorrow night's debate.Summer:Debate?Che: They agreed to grant us an audience with the dean, present our proposal. Only thing not powered by the fuel of the sun is our passion.Summer: Uh, well, tell everyone I said hi, and good luck.Che: Yeah,thanks. So do you like it?Summer: Huh? Like what?Che: The new sweater.Summer: No. Yatch clubKirsten: So you're really giving up on men?Julie: Men are to me, what Chardonnay is to you. One sip and I'm upsidedown on a chandelier.Kirsten: Not that you've ever done that. What's your point, Julie?Julie: I'm just trying to set a good example for Kaitlin, develop my own interests, maybe my career, that is, if you'd still have me asa partner.Kirsten: As I told you, New Matchis there for you whenever you want.Julie: Thanks, Keeks. I was hoping you'd say that. Okay, so, I have so many new ideas about expanding. I went online. I checked outsome office... Oh, there's Taryn.Kirsten: Wow, she looks amazing. Did she have some work done?Julie: She's had something.Taryn: Kirsten, great to see you. Julie, I'm so sorry about Neil. I hope you plan to sue. Youknow, just because you aren't legal doesn't mean you're not entitled to some sort of...Kirsten: Oh, it's Sandy. Excuse me. Hi, honey.Sandy: Hey, guess what?Kirsten: I'm not good at guessing.Sandy: I'm goingout.Kirsten: I'm jealous, with who?Sandy: Spitz! Spitzy to me.Kirsten: He called?Sandy: He called.Kirsten: How about that? How about that?Sandy: Maybe a little golf, maybe a drink after, watch the game.Kirsten:Golfing, game watching, suddenly not so jealous.Taryn: Thanks, but I don't think I'll be needing a dating service anymore.Julie: Really? I didn't know you were seeing anyone.Taryn: Oh, not someone... someones.Young ones. Men our age are so complicated. Young guys just like to have fun. And they are so grateful for a woman who knows what she's doing.Julie: Oh, so grateful, and limber.Taryn: Hey, a group of us are goingout tomorrow night. You should come.Julie: Uh, I'm trying to be a role model.Taryn: Oh, mm-hmm. I'll call you.Kirsten: Did Taryn run off already? Mm-hmm. What's she doing?Julie: Him. HarbourBrad: Hey, Kaitlin! Wegot a guy who can hook us up with fake I.D.'s. It's awesome.Kaitlin: Yeah. I think I'll pass.Brad: You've wanted a fake I.D. since you were six.Eric: Yeah, come on.Brad: Yeah, and the guy's leaving town nextweek.Kaitlin: Well, where is he going?Eric: He's going to prison.Brad: Yeah, for fraud. Because he's awesome.Kaitlin: Look, you guys, I made a bet with my mom that I'd stay out of trouble. And this definitely soundslike trouble.Brad: Dude, not if we don't get caught.Eric: Dude, seriously.Brad: Yeah, dude, seriously.Kaitlin: Well, with a foolproof plan like that, how can I say no?[SCENE_BREAK]At Ryan's workplaceTaylor:Garcon?Ryan: Ah! Taylor ! It's been a few hours since your last Macho Nacho. You must be starving.Taylor: I was thinking of the mol. And, um, one more tiny little favor.Ryan: Does it involve me standing around whileyou speak French? 'Cause I've already done that.Taylor: No, no, no. I actually just need your signature. You see, before I can get divorced, I have to have someone attest to my character.Ryan: That's in French.Taylor:It's just the usual boilerplate. You know, never been to prison- well, me, not you. Never been married before, no contact with livestock, blah, blah, blah. So I think I have a pen.Ryan: Uh, you know, actually, can I signthat after work? Just leave it here.Taylor: Sure. Yes, okay. Thank you very much. So you don't speak French at all?Ryan: No, why?Taylor: Well, it must have been really boring for you today. Sorry. Brown's collegeChe:Hey, Seth, man, what's up?Seth: Hey, I got some extra baba ghanoush.Che: Oh, baba ghanoush. No thanks, man.Seth: I'm all right. Where's Summer? I gave her a little time-out. It's not easy having houseguests.Che: What?! I thought you guys were having this great day, purchasing luxury goods, and eating things with faces.Seth: Honestly, it could have gone a little better. I mean, you know, I support her, whatevershe's into, but I really need this to work 'cause...Summer: The people have spoken! We are of one voice, one mind and one heart! Yeah! I will not sleep, I will not eat, I will not rest until this hypocrisy ends. Solar panelson all of our dormitories, or we revolt!Student: Who's with Summer? Yeah!All: Yeah! Yeah! PoolhouseRyan: Hey, man, how's your French?Seth: Old Summer's been replaced by the real Summer, and she lookssuspiciously like the new Summer.Ryan: So she's still in her \"Go Green\" phase?Seth: I don't think it's a phase, man. I think this is her life now, and it's obvious I don't fit in it. Uh, sorry, gotta go. Ryan! Hey, wait, I'vegot to talk to you about Taylor... what...? Brown's collegeSummer: Didn't mean to eavesdrop.Seth: It's okay.Summer: Well, I knew you were lying last night when you said nothing was wrong.Seth: Nothing is wrong;you're doing what people do at college-- discovering who you really are.Summer: Believe me, I am as surprised as you are. But I'm still going to shave my legs and wash my hair, and be the best girlfriend that Ican.Seth: Well, you know, who can ask for more than that?Summer: Think of all the new subjects we'll have to talk about.Seth: I did explain the concept of recycling to you in tenth grade.Summer: See, there's lots ofplaces where we could use your help, Cohen. Brown's college - Che's bedroomChe: Please come in. Enter.Seth: Hey... Oh! You're really nude. Why don't I... let me come back.Che: No! Wait right there. I have a gift foryou. My song.Seth: Wow. Wow. That's really, uh... Anyways, listen, I kind of need your help.Che: Yeah, bro, one second. Uh, I'm actually really honored you would ask me.Seth: Oh, hey, that's cool, we can shake. Wecan shake. We can shake. And we're touching. Golf courseSandy: Oh! Fore!Jason: Yeah, hi. Sorry!Sandy: Rob, what are you doing?Jason: Yeah, yeah, yeah. Bye. I'm sorry about that. My, my kid's got a rash. I got togo to the pharmacy after this.Sandy: Oh, sorry.Jason: Take another one. It was my fault.Sandy: No, no, no! You're up. I'll play it from the parking lot.Jason: I think I hit your car. It'd be an improvement. Sandy..uh...You know, my kid doesn't have a rash. My wife's just calling, making sure I'm having a good time, you know, because I don't have that many guy friends anymore.Sandy: Who does? Who's got the time?Jason: Iknow, it's work, family, then more work, you know? When did it get so hard?Sandy: Well, when we were kids, all you had to do was ask, hey, want to play some ball? And we didn't have any cell phones.Jason: I turnedmine off. I'm really sorry about that.Sandy: Oh! I'm so sorry, man! I'm so sorry. It's the office. I'm turning it off.Jason: I think I hit your car anyway. At Cohen'sKirsten: I love this space and I love the windows.Julie:Plus it's by the beach, so there'd be lots of foot traffic and eye candy, not that I'm looking.Kirsten: So I'll make an appointment for us for Monday? Are you doing anything tonight?Julie: No, Kaitlin's with the twins,working on a science project, so I have the night all to myself.Kirsten: Well, Sandy's out with a friend. Do you want to do something? I don't know-- takeout and a movie?Julie: Two women spending Saturday night athome together. I love it. How very Whatever Happened To Baby Jane.Kirsten: Go ahead, you can take it.Julie: No, that's okay. Just a sec. Hello?Taryn: It's Taryn. You joining us tonight?Julie: Uh, actually, I'm here with"}
+{"doc_id":"doc_16","qid":"","text":"EXT. NEW YORK CITYFuture Ted VO: Now I remember a lot of stories from back in the days before I met your mother, but there's one story I don't remember. Uncle Marshall still refers to it as the pineapple incident.Thenight started like any other. We were downstairs at the bar.INT. MACLAREN'S(Lily, Marshall, Ted, Robin and Barney sit at booth, Carl comes over with drinks)Carl: On the house.Everyone: Whoa.Carl: It's my ownconcoction. I call it the Red Dragon.Everyone: Wow. Thanks, Carl.(Carl walks away)Ted: We're not really doing shots, are we?Lily: I hope not.Barney: No, no.Lily: These look kinda like blood.Marshall: OK, I know thatyou've all dismissed this theory before, but is there any chance that Carl is a vampire?Barney: That's ridiculous.Marshall: I'm serious. Think about it. He always wears black, we never see him in the daylight, only afterdark.Robin: Oh my God, that does describe a vampire, or you know, a bartender.(Everyone but Marshall laughs)Robin: Well, I should go get dressed.Ted: Where are you going, buddy? Hot date?Lily: I'll say, she's goingout with a billionaire.Robin: Lily, I told you not to call him that.Ted: Wait, you're really going out with a billionaire?Robin: He's not a billionaire. He's a hundred millionaire. Why do people always round up?Ted: So, uh,where's Thurston Howell taking you?Robin: A charity dinner.Lily: Yeah, $2000 a plate.Robin: $1500, Stop rounding up. And it's for third world hunger.Barney: You gonna put out?(Everyone looks at Barneyincredulously)Barney: What? There's only one reason he's taking her to this dinner and it's not so little Mutu can get his malaria pills.Lily: I think my soul just threw up a little bit.Robin: Well, I'm gonna be late. You guyshave fun. Bye.(Robin gets up and leaves)Ted: See ya.Lily: Bye.Marshall: You OK?Ted: Sure, why?Marshall: I don't know. Girl of your dreams dating a billionaire.Ted: OK, first of all, hundred millionaire. And second,she's not the girl of my dreams. We're just friend. Look, it would not be smart if we got together. I mean, I'm looking to settle down. She's looking for...(Barney starts snoring, Ted stops talking)Barney: What? Youdone? Great. Check out table number four. See that little hottie on the end. She's short but has an ample bosom. I love it. She's like half-boob. Let's go.(Barney stands up)Ted: Yeah, and say what? What's our bigopening line?Barney: Daddy's home.Ted: Daddy's home?Barney: Yeah.Ted: You want us to go over there right now and say to those girls, 'daddy's home.' Really think about that, Barney.Barney: Hm. Yeah, I think it'spretty solid.(Barney walks away from their booth over to table four)Marshall: OK, think about this, is there even a single item on the menu that has garlic in it?Lily: Garlic fries.Marshall: OK, well, I'll get back toyou.(Barney walks back to their booth)Ted: Oh, daddy's back. See, if you'd taken a moment to think about that...Barney: (holding up small yellow piece of paper) Then Daddy wouldn't have gotten this seven-digitFather's Day card from Amy, huh?Ted: That worked. I hate the world.Barney: Ted, your problem is all you do is think, think, think. I'm teaching you how to do, do, do.Marshall: Doo-doo.Barney: Totally.Ted: So, I thinka lot. I happen to have a very powerful brain. It can't be helped.Barney: Oh yes it can.(Barney puts a shot in front of Ted)Marshall: InterestingBarney: Ted, I believe you and I met for a reason. It's like the universe wassaying, hey, Barney, there's this dude, he's pretty cool but it's your job to make him awesome. Your brain screws you up, Ted. It gets in the way. It happened with Robin, it happened with half-boob. And it's gonna keepon happening until you power down that bucket of neuroses inebriation-style.Ted: So, what? You want me to do a shot.Barney: Oh no. I want you to do five shots.Marshall: Oooh, more interesting.Ted: Barney, I thinkyou've officially...Barney: No, don't think. Do.Marshall: Ted, he's right. You overthink. Maybe you should overdrink.Marshall, Barney: Drink, drink, drink, drink...Ted: Ah, Lily, will you tell these guys how stupid they'rebeing?Lily: Guys, you are being immature and moronic and drink, drink, drinkMarshall, Lily, Barney: Drink, drink, drink, drink, drink...(Ted takes a shot)Marshall, Lily, Barney: Yes! Drink, drink, drink...Ted: Let me tellyou something about this brain, OK?(Ted takes second shot)Marshall, Lily, Barney: Drink! Drink, drink...Ted: Even alcohol cannot stop this brain.(Ted takes third shot)Barney: I love it, I love it, I love it.Marshall, Lily:Drink, drink, drink...Ted: This brain, dear mortals, is no ordinary brain.(Ted takes fourth shot)Marshall, Lily, Barney: Drink, drink, drink, drink...Ted: This is a superbrain.(Ted takes fifth shot)Ted: This brain isunstoppable. This brain...(screen blacks out)Future Ted VO: And that's all I remember, except for a few hazy memories.(black screen with white swirls spinning around and fire on the side, pineapple spins around, thewords, \"I am Ted, please call\" spin around)Future Ted VO: But really, the next thing I remember is waking up the following morning.INT. TED'S BEDROOM(Ted lying in bed rolls over to his right side to see pineapple onhis bedside table, gets up slightly looking surprised, rubs side of head and gets up and notices girl sleeping next to him on other side)Future Ted VO: So, there were some unanswered questions.(Ted sits up in bed andputs on some sweatpants)Future Ted VO: How much did I drink? How did I sprain my ankle?(Ted gets up and grabs left ankle in pain)Future Ted VO: And who was this girl in my bed?INT. APARTMENT(Lily and Marshallsitting in living room area, Ted walks in from his room) Lily: There's our rock starTed: OK, what the hell happened last night?Marshall: You really don't remember, Superbrain?Future Ted VO: So, Uncle Marshall and AuntLily filled me in.(flashback to previous evening at bar, Marshall, Lily, Barney and Ted sit at booth, Carl walks over)Carl: And how did you guys like the shots?Ted: I drank all five, bitch.Marshall: (laughing) I love drunkTed.Ted: Marshall thinks you're a vampire.(Marshall laughs and then gives Ted a stern look)Carl: If he pukes, one of you guys cleans it up.(Carl walks away)Lily: No dibs. (Lily puts index finger on her nose)Marshall:Oh. (Marshall puts index finger on his nose)(Barney moves top put his index finger on his nose)Barney: No....Dammit.Ted: How quickly you all forget. I haven't puked since high school. I am vomit-free sinceninety-three. Vomit free since ninety-three. That's funny. I'm funny.(Ted gets his cell phone out)Lily: Who are you calling?Ted: Robin.Marshall: Oh, bad idea.Barney: No, no, that's a great idea. That's the whole point ofgetting drunk. You do things you would never do in a million years if you were sober.Lily: Says every girl you've ever slept with.(Lily puts her hand up for a high-five from Barney)Marshall: (pointing to Lily) Saywhat?!(Barney shakes his head, Lily puts her hand down)Ted: Hello Robin, it's Ted.(Robin sitting in back of limo dressed up, talking on phone with Ted)Robin: Oh hi Ted.(Ted on phone)Ted: Hello Robin, it's Ted.(Robinon phone)Robin: Hi Ted. Sounds like you're having fun.Ted on phone)Ted: Robin, have I ever told you that I'm vomit-free since ninety-three?(Robin on phone)Robin: Listen, Ted, I can't really talk right... '93? Dude,that's impressive.(Ted on phone)Ted: I don't say this enough, but you're a great woman, and a great reporter. You should be on 60 Minutes. You should be one of the minutes.(Robin on phone)Robin: That's sweet andodd. But I'm kinda on a date right now.(Ted on phone)Ted: Yeah, and I disagree with Barney. Just 'cause this guy is spending a lot of money doesn't mean you have to put out. Take it slow, Robin, take it slow.Slow.(Robin on phone)Robin: Bye Ted.(Ted on phone)Ted: Slow.(Lily takes away Ted's phone)Marshall: Wow, right, that's why we don't do shots.Lily: Friends don't let friends drink and dial.Ted: I need that phoneback.Lily: You'll get this back at the end of class.Barney: Ding, class dismissed. Here you go, kid, you call whoever you want.(Barney takes phone from Lily and returns it to Ted)Ted: Thank you kind sir. At leastsomeone appreciates the fact that I'm doing and not thinking. And now I don't think I won't not go to the bathroom.(Ted walks away)Lily: Was that necessary? He is not making smart decisions. Barney: Exactly. It'slike, what's he gonna do next. I don't know, but I want to find out.(Cheap Trick's \"Voices\" starts playing on the jukebox)Marshall: Cheap Trick? Oh Ted.(Robin in car, her phone rings, she answers)Robin: Hello again,Ted.(Ted on phone singing along with jukebox)Ted: Hey, it's me again.(Robin on phone smiles)Ted: (singing along with jukebox) Plain to see again.(Ted jumps up on table)Ted: (singing along with jukebox) Please can Isee you every day?Ted: (yelling to everyone in bar) I love everyone in this bar.Marshall: And we love you, drunk Ted.Ted: (singing along with jukebox) I'm a fool again.(Robin in car on phone with mouth wideopen)Ted: (singing along with jukebox) I fell in love...(Ted falls off table)(Robin on phone)Robin: Ted?(back to present scene in apartment)Ted: Well, that explains the ankle.Lily: And then we brought you home and putyou to bed.Ted: Was there anyone else in there with me?(Lily and Marshall get up and run over to Ted's bedroom door, Ted limps behind them, Lily opens door and she and Marshall peek in room to see girl lying onbed, Lily closes the door)Lily: There's a girl in there.Ted: I know.Marshall: And a pineapple.Ted: I know.Lily: Who is she?Ted: I don't know.(Ted sees his jacket burnt)Ted: What the hell happened to my jacket?Marshall: Whoa.Lily: That girl in there is alive, right? Ted: I should call Barney, maybe he knows what happened.(Marshall gets his phone out of his pocket and dials and gives to Ted, sound of phone ringing frombathroom, Lily, Ted and Marshall walk into the bathroom, Lily pulls curtain aside to find Barney lying in the tub)Barney: Hello.Ted: Why are you sleeping in our tub?Barney: The porcelain keeps the suit fromwrinkling.Lily: Wait, were you here when I went to the bathroom in the middle of the night?Barney: Don't worry, I slept through it. (laughs) I totally didn't sleep through it. For a little girl, you've got a big tank.Marshall:How did you get in here anyway? We put Ted to bed around one.Barney: Oh, you put Ted to bed all right.(flashback to Marshall and Lily putting Ted to bed)Ted: You guys take care of me. You guys are the best. I loveyou guys so much.Lily: Good night, Ted.Marshall: Love you too, buddy.(Lily turns out light, Marshall and Lily leave Ted's bedroom and close door, Ted asleep on his bed)(Ted enters MacLaren's)Ted: I'm back babydoll!Barney: Hey, hey hey hey, he rallies. And the night begins now.(Barney and Ted high-five)Barney: All right, game face on. Carl, two more. All right, all right, what do we think of this one?Ted: I think....Barney:Ehhh! Trick question, no thinking. You know what time it is? It's do o'clock. Let's ride.Ted: Bring it.(Barney walks over to table and sits down next to girl, Ted walks in another direction)Barney: Have you metTed?(Barney gestures behind him and finds that Ted's not there, sees Ted standing by jukebox with his phone) Barney: Excuse me.(Barney walks over to Ted)Barney: You're calling Robin.Ted: I'm calling Robin.Barney:Ted, as your mentor and spiritual guide, I forbid you from calling her.Ted: Oh yeah? What you gonna do?Barney: If you complete that call, I will set your coat on fire.Ted: You're bluffing.(Ted completes call toRobin)Ted: Hello, Robin, it's Ted.(Robin at dinner, answers phone)Robin: Ted, for the last time, stop.(Robin hears Ted screaming)Robin: Ted!(back to present scene at apartment, Ted, Barney, Lily and Marshall sitaround living room)Ted: You set me on fire.Barney: Real suede wouldn't have gone up so fast. You got robbed, this is a blend.Ted: You set me on fire. And who's the girl in my bed?(Barney looks at Lily and Marshall andTed, stumbles over to Ted's room and peeks in, closes door and stumbles back to living room) Barney: There's a girl in your bed.Marshall: And a pineapple. Am I the only one who's curious about the pineapple?Barney:Who is she?Ted: I have no idea.Barney: Nice.Ted: You really don't know who that is?Barney: No, after I hosed you down with a beverage gun, I brought you back here.Ted: I better not have gotten burned.(Ted pulls upsleeves to check his skin, notices writing on his right arm)Ted: Did any of you write that?Lily: (reading what's on Ted's arm) Hi, I'm Ted, if lost, please call...Who's number is that?Ted: I don't know.Marshall: Dude, callit. Hold on, I'm gonna make some popcorn.(Marshall runs to kitchen)(Marshall runs back from kitchen with bowl of popcorn)Marshall: OK, you can call now. God, this is intense, I love it.(Ted calls number on arm)Guy:Hello.Ted: Uh, hi, who is this?Guy: You called me, who's this?Ted: It's Ted.[SCENE_BREAK]INT. MACLAREN'S(Carl on phone)Carl: It's Carl, from the bar.INT. APARTMENT(Ted on phone)Future Ted VO: And then Carlfilled us in.(flashback to Barney putting Ted to bed)Ted: Barney, you've always taken care of me. You are a gentleman and a scholar. Go into my stable and take my finest stallion. He's yours, his name isWindjammer.(Ted lies down)Barney: Sleep it off, bra.(Barney turns off light and closes down behind him)(Ted enters MacLaren's)Ted: I'm back, baby doll! Ted: And I am gonna throw up.(Ted walks over tobathroom)(back to present scene)Ted: I threw up? My streak is over. Vomit-free since '05 doesn't sound good. Sorry, Carl, go on.(flashback to Ted talking to Carl at bar)Ted: Carl, did you know the word karaoke isJapanese for empty orchestra? Isn't that hauntingly beautiful? Are you a vampire? Carl: I am cutting you off. Go home and get some sleep, Ted.Ted: Yeah, sun's gonna come up soon. Wouldn't want to be around forthat, would we?Ted: Hey, how easy do you think it'll be to sneak into the zoo? I have to see some penguins, like right now.Carl: Give me your arm.(Ted puts arm on bar)Carl: This way, if you pass out in thegutter...(Carl writs on Ted's arm, Ted starts laughing)Ted: That tickles.Carl: Someone will call me and I will come get you.Ted: Thanks Carl. We can't just be friends, we're attracted to each other and we both knowit.Carl: Excuse me?Ted: Me and Robin. Me and Robin, I have to make one more call.(Ted makes call on his cell phone)Carl: Yeah, this'll go good.Ted: Hey, it's me again. Look, who are we kidding? You and I are bothattracted to each other. We're young, we're drunk, half of us anyway. And we only get one life, so shy don't you come over to my apartment and we'll think of something stupid to do together? Really? Great. Wait,really? Great.(back to present scene)Ted: Thanks Carl.Ted: It's Robin. That's Robin in there.Marshall: Did you guys?(Barney puts up hand for high-five)Barney: Oh come on. You've gotta give me this one. Those fiveshots got you farther with Robin than your brain ever did. See what happens when you don't think? You do! More importantly, you do Robin. Come on.(Ted high-fives Barney)Lily: All right, right over here.(Lily and Tedhigh-five)Ted: Still, what does this mean? Are we dating now? I mean, I never pictured it going down this way, but maybe that's how it had to happen. I mean, think about it...Barney: Someone get him a shot, he'sthinking again.Marshall: Maybe it's not such a bad idea to think about this one. You and Robin went down this road before, you got dinged up pretty bad.Lily: You know who might have something to say about Ted'sfuture with Robin? Robin. Go wake her up.Ted: Wake her up and say what?Barney: Daddy's home.(Ted limps over to his room)Marshall: Good luck buddy.INT. TED'S BEDROOM(Ted limps in, phone rings, Ted hurriedlyanswers it)Ted: Hello.(Robin in cab on phone)Robin: Ted, it's Robin.(Ted looks at girl lying in bed then looks at phone then back to girl, puts phone back to his ear)Ted: Are you sure?INT. APARTMENT(Ted closesbedroom door behind him and walks over to living room)Ted: Hey, Robin, how are you?(Lily, Barney and Marshall look at each other)(screen splits in two with living room scene on top half of screen, Robin in cab onphone on bottom half)Robin: Ted, I think you and I should have a talk about those phone calls last night. Do you mind if I swing by?(While Robin is talking, Lily, Barney, Marshall and Ted whisper to each other about girlin bed)Marshall: Ask her about the pineapple.Ted: Yeah, sure, come on over.Robin: Thanks.(Robin hangs up phone, full screen of apartment scene)Ted: No, wait, don't, no.(Ted hangs up phone)Ted: She's coming over.Crap.Lily: Wait, this is killing me. We have to find out who that girl is.(Trudy walks into the living room)Trudy: Trudy. My name is Trudy.Future Ted VO: And then Trudy filled us in.(flashback to previous evening at bar,Trudy sitting at booth with three girlfriends)Trudy's friend: I'm just surprised you didn't dump him sooner.Trudy: I know, it's two years of my life I'm never getting back. A little part of me just wants to jump the bonesof the next guy I see.(Barney walks over)Barney: Daddy's home.Trudy: Or the one after that.Barney: OK, fair enough. I've got to prove a point to a friend, so you just gave me your number and your name isAmy.(Barney takes out yellow paper and pen from inside jacket pocket, scribbles on paper)Barney: Ladies.(Barney puts pen back in his pocket and walks away)(flash forward to Ted standing on table while singing)Ted:I love everyone in this bar.Trudy's friend: Look at that idiot go.Trudy: He's kinda cute.(Ted falls down and Trudy and her friends laugh)(flash forward to Trudy washing her hands in the ladies room, Ted walks out ofstall)Ted: What are you doing in the men's room? What am I doing in the ladies' room? Oh right, I came in here 'cause I thought I was gonna throw up.Trudy: Did you?Ted: I did not.(back to present scene)Ted: And thestreak continues. Vomit-free since '93.(Ted and Marshall high-five)Ted: Sorry, Trudy, go on.(flashback to Trudy and Ted in ladies room)Trudy: I liked your performance.Ted: What? The karaoke? Domo arigato.Trudy: Iwish I had your guts, getting up and making a complete idiot of myself.Ted: Do it.Trudy: I don't know. Still, I've had a pretty serious week. I could sure stand to do something stupid.Ted: I'm something stupid, dome.Trudy: You're funny.Ted: Hey, can I call you sometime? Trudy: OK.(Ted gets his phone out) Trudy: Here, let me.(Trudy takes it and puts her phone number in)Ted: Why do they call it karaoke anyhow? Was itinvented by a woman named Carrie Okie? These are the kinds of things I think about. Trudy: Karaoke is Japanese for empty orchestra.Ted: That's hauntingly beautiful.(Ted presses send and Trudy's phone rings)Ted:Hey, it works.Trudy: Then I guess you're gonna have to call me.(Trudy walks out of ladies room)(flash forward to Ted and Carl talking at bar)Ted: I need to make one more call.(Ted gets phone out, cut to Trudy sittingin back of cab, her phone rings and she answers)Trudy: Hello.(screen divides into two with Trudy talking on phone on left side, Ted on phone on right side)Ted: Hey, it's me again.Trudy: Hey.Ted: Look, who are wekidding? You and I are both attracted to each other. We're young, we're drunk, half of us anyway. And we only get one life.(back to present scene, Ted, Barney, Lily and Marshall listen to Trudy telling story in livingroom)Trudy: So I came over here. And now I'm really, really embarrassed.Marshall: Dammit, Trudy, what about the pineapple? Sorry.(knock on door)Ted: Uh, Robin's here. Um, look, Trudy, I need you to hide in mybedroom.(Ted grabs Trudy's hand and drags her to his room)Trudy: Why, is that your girlfriend?Ted: No, that's not my girlfriend. Look, it's complicated.Trudy: You're married. Yeah, I can't believe I did this.Ted: No, I'mnot married. Um, I'll explain after you hide.(Trudy goes into Ted's room, Ted goes over and opens front door)Ted: Hi.Robin: Hey guys.Barney: Robin.Lily: Hi Robin.Barney: Top of the morning.Ted: Um, sorry I keptcalling you like that. I was very drunk.Robin: No kidding. Those calls were really weird. Look, Ted, maybe we need to talk.Lily: Let's go get a snack.(Lily stands up)Marshall: I love to snack.(Marshall stands up)Barney:I'm good.(Lily pulls Barney up, Marshall, Lily and Barney walk over to kitchen)Ted: Come on, those calls weren't that weird.(Robin clears her throat, gets her phone out of her purse, presses button and phone replaysTed's call to Robin)Ted: (recording form phone) Robin! Come hang out! OK, I'm gonna make this sound until you come hang out.(Ted makes weird sound)Robin: That goes on for three-and a half minutes.Ted: Withouta breath? That's gotta be some kind of record.Robin: Ted, you can't do this. Please, we're to be friends and now you're making it all confusing.Ted: No I'm not. Look, I just turned off my brain for the night. Nothing'schanged, you've moved on, I've moved on.Robin: Really, you moved on?Ted: Yes. What, you don't believe me?(Robin exhales)Ted: Oh, OK.(Ted limps over to his room)Ted: Trudy, come on out.(Ted points to Robin)"}
+{"doc_id":"doc_17","qid":"","text":"(Continuing from last week. Sydney and Ana kneel in front of the case, staring at its contents. It starts to beep. Acid starts bubbling up through two tubes at either side of a piece of paper which is centered inside. It hasbinary digits written on it -- 0s and 1s. Ana and Sydney start memorizing it, saying out loud. The acid starts covering the piece of paper. The sheet disintegrates. They stand.)SYDNEY: Did you get it?ANA: Did you?(Theytake off, running in opposite directions.)SYDNEY: Dixon, I'm ending transmission!(Inside the SD-6 van, an agent sits with Dixon.)AGENT: She turned off her mic, I've lost her signal.(Sydney runs through the alley of thefield.)SYDNEY: 0-0-1-0. Did you get that?(Vaughn is still in L.A.)VAUGHN: Got it.SYDNEY: I'm giving SD-6 the wrong number!VAUGHN: What? No, no, no, no, you give them exactly what--SYDNEY: I'm not giving themthe right sequence! There is no way, forget it!VAUGHN: Sydney, listen to me! This is critical! Sydney, you give them the number. That's an order.SYDNEY: An order?VAUGHN: Yes.SYDNEY: We have to have a long talkwhen I get back to Los Angeles!(Sydney runs up to the SD-6 van and crawls in.)SYDNEY: Dixon, I've got the code! 0-1-0-0-0-1-1-0-0--(In the K-Directorate van, Ana tells the code to her agents.)ANA: Null, adin, null,adin--(Sydney and the agents in the van, Dixon takes it down.)SYDNEY: 1-0-0-0-1-1-0-0-1-1-1. Just two ones. Then--(In the K-Directorate van.)ANA: Null, adin, null, adin, null, null, adin, null--(SD-6 van.)SYDNEY:1-1-0-1. That's it. 1-1-0-1.DIXON: You did good.(In Los Angeles, inside a yellow parked van. Sydney, Vaughn and Weiss.)SYDNEY: You do NOT give me orders!VAUGHN: Maybe I do--SYDNEY: I could have easily misledSD-6--VAUGHN: You're not thinking this through!SYDNEY: ...That's what I'm here for!VAUGHN: Just stop talking for a second! If you'd given SD-6 a bogus code, what would have happened when Ana gaveK-Directorate the correct sequence?SYDNEY: Who cares? They would have thought I made a mistake!VAUGHN: Oh, and what, that Ana didn't? She would've given them the correct code, they would have seen the codeindicate at Athens, K-Directorate would head there, SD-6 would have nothing. They would suspect you. Sydney, we have to be very careful here. We have to be wildly, crazy careful. If SD-6 suspects you in the least, it'sover.SYDNEY: Ana's been the enemy for three years. In Berlin I realized she wants SD-6 to burn almost as much as I do.VAUGHN: As far as the C.I.A.'s concerned, the only thing worse than SD-6 getting its hands oncritical information is if K-Directorate gets it first. Ana is still your enemy.(Credit Dauphine. Sloane and Russett walk together.)SLOANE: You're not into mysticism, are you?RUSSETT: Mysticism.SLOANE: Neither am I.But keep an open mind, it'll help. The code was written in 1489. The guy who wrote it was some sort of Nostradamus. His name was Milo Rambaldi.RUSSETT: This binary was witten by a fifteenth century fortuneteller.How come I've never heard of him?SLOANE: His designs were so advanced, they just assumed he was insane. On some of his drawings, he made lists of part numbers. I.D. numbers of actual technology notmanufactured until now. This year. It's real, it's a hunt. This man spent the last ten years of his life working on one project. We don't know whether it's a weapon, a fuel source, a transportation system. Based on thelittle we do know, its technology is beyond anything we have ever seen. How's your wife? I forgot to ask.RUSSETT: Uh, good. Yours?SLOANE: Actually, Emily's a bit under the weather. Thanks for asking. Come on.(Theyenter the board room where Marshall and Sydney sit.)SLOANE: Did you read the report?SYDNEY: They found nothing.SLOANE: This is Anthony Russett, he's transferring here from Jennings. He's working on the UCOfile. You've already met Marshall. This is Sydney Bristow.RUSSETT: I know your father.SLOANE: We read the code you recovered. Accordingly, we sent a team to Athens. So, I just got a phone call from SD-3, he saidthere was no evidence to anything pertaining to Rambaldi. And we were there first. Turns out, we made a giant mistake. But so did K-Directorate.MARSHALL: In our rush to decipher the Rambaldi enigma, wemisinterpreted the code. It left us with two series of digits. We assumed longitude and latitude. But he was using a compression scheme. I should have seen that. Instead of sending a team to Athens, we should havebeen headed to Malaga, Spain.SLOANE: Which is where you're going. There's a five-hundred-year-old church sitting on the exact site of Rambaldi's coordinates.SYDNEY: What am I looking for?SLOANE: We don't know.The only clue we have, if it is indeed a clue, are two words that were part of a code: Sol d'oro.RUSSETT: Golden sun.(Malaga, Spain. Sydney shines a flashlight in the church, she looks over the pews for the clue. Shelooks around, turns to see the painted glass window at the back of the church. In the center is a golden sun. Sydney takes a desk and stands on top if it. She touches the golden sun and unscrews its center. The goldencircle is the clue. She looks at it in her hands, and jumps down. Ana, from behind her, takes her by the throat and snatches the golden sun away from her.)ANA: I was hoping you'd come.(Sydney kicks Ana and Ana'sgun goes sliding down the floor. Sydney punches her, roundhouse kicks. Ana drops the sun. Sydney flips Ana and dives behind a pew while Ana fires her gun at the pews, destroying many of them. Sydney flinches whileon the floor, covering her head. She sees the sun lying nearby. Ana slinks closer with her gun in hand. She sees the sun, bends down and gets it. Sydney comes up from behind and hits her on the head with a woodenpost with religious markings on it. The gun flies. Ana grabs a long candle stick holder and slaps Sydney in the head with it. Sydney lands on her back on a table. Sydney grabs Ana's hand and holds it above all thecandles that are lit. Ana snatches her hand away, yelping in pain. Sydney quickly moves and handcuffs Ana's hand to the table post. She struggles like a caged animal. Sydney takes the sun, and walks out.)(In Sydney'shouse, Sydney and Francie sit on the sofa eating Chinese food. Sydney holds the matchbook, looking at it.)SYDNEY: You haven't said anything to Charlie?FRANCIE: I needed to talk to you first.SYDNEY: It's just amatchbook with someone's number.FRANCIE: Yeah, someone named Rachel who \"truly loved tonight.\"SYDNEY: You have to ask Charlie about it.FRANCIE: Yeah.SYDNEY: I mean, what else are you going todo?FRANCIE: Have you ever spied on anyone? Okay, I know it's totally beneath me, but Charlie has been so distant lately, and every time I ask him what's wrong, he's like, \"Nothing, baby. Everything's cool. It's allfine.\"SYDNEY: You don't believe him.FRANCIE: He has law review in an hour.SYDNEY: You want to follow hm.FRANCIE: So much, I cannot even tell you.SYDNEY: I think spying on your boyfriend generally sets a badrelationship precedent.FRANCIE: What if he's cheating on me?(Across the street from Francie and Charlie's house, Sydney and Francie sit in Sydney's vehicle. Francie eats some candy.)FRANCIE: You're a really goodfriend, you know that?SYDNEY: Yes, I do. (smiles) So, this thing happened with Will the other night.FRANCIE: What, did he come on to you?SYDNEY: No, no. I kissed him.FRANCIE: What? You kissed Will Tippin? Areyou kidding me?SYDNEY: I know. Stop it. We were in the apartment by ourselves after you and Charlie left and we had all those drinks...FRANCIE: I don't believe it. You must have been really drunk. Hey, there he is.Start the car, start the car.SYDNEY: No, you wait 'til he's a block away.FRANCIE: Look at you getting all into it.SYDNEY: Everyone knows you wait.FRANCIE: I don't know you wait.SYDNEY: You wait.FRANCIE: What's hedoing?(A car pulls up beside Charlie, its horn honking. Charlie walks over to the driver's side. A blonde woman gets out, and hugs him. They kiss briefly. Sydney looks at Francie. Charlie puts his duffel bag in the girl'strunk. Francie looks devastated.)FRANCIE: Okay. I guess he's not going to law review.(Will's office. He's on the phone, sitting at his desk. Jenny stands nearby.)WILL: H-E-C-H-T. You're certain? Okay. Thank you. Ipromise, I won't call again. (hangs up) Danny was supposed to be registered at a medical conference in Singapore.JENNY: You already told me. Litvack wants the baptist church copy.WILL: But I checked all theconferences twice. He's not registered at any of them.JENNY: I know...(His phone rings.)WILL: Will Tippin.(Sydney's at her house, watering plants.)SYDNEY: Hey, it's me.WILL: Hey. Hi. Uh, how'd your trip go?SYDNEY:Okay. How are you?WILL: Good. Uh, uh, busy. Listen, you don't feel weird about what happened, right?SYDNEY: A little.WILL: Me too. What is that?SYDNEY: We'll talk about that later. Listen, Francie and I saw Charlielast night with another woman.WILL: What? You're kidding.SYDNEY: Yeah. She spent the night at my place. She's here now, she's sort of a mess.WILL: Oh, God...SYDNEY: And the bank called. Uh, I might have anothertrip.WILL: You take an insane amount of trips.SYDNEY: Would you mind dropping by later? Just check on her and make sure she's okay.WILL: No, yeah, yeah, yeah, of course.SYDNEY: Thank you. I should go.WILL:Okay. Go. I'll talk to you later. Bye.(He hangs up. Jenny stands there, watching.)JENNY: That was Sydney. You're different when you talk to Sydney.WILL: Don't analyze me. Go. Can you get me the number of, uh, theguy who works for the airport? What's his name? Luis Scourza? What?JENNY: If you want me to do something for you, you say please.WILL: Please. Scourza, okay? You know, \"please\" is implicit, Jenny!(CreditDauphine. Sydney is at her desk, filing something. She sees her dad walking through. She gets up.)SYDNEY: Dad. You have a meeting with Sloane?MR. BRISTOW: McCullough.SYDNEY: Psych evaluation?MR. BRISTOW:Routine. It's nothing I'm not used to, nothing I look forward to, but, uh, such is the nature of the job.SYDNEY: So, Berlin. It worked out. My meeting with K-Directorate. We got the code. That was smart.MR. BRISTOW:Well, I should go. I'll see you later.SYDNEY: Dad... could we have dinner? How about Thursday, do you have plans?MR. BRISTOW: No. Thursday. Dinner. That'll be fine.(Board meeting. Sloane, Russett, Dixon, Sydney,Marshall.)SLOANE: Analysis is working full-time on the piece you brought back from Spain. This is not glass. They know that. It's a synthetic polymer. They believe it was made at least five hundred years ago.DIXON:Before there were synthetic polymers.SLOANE: And so the mystery continues. Meanwhile, we have another situation. This is last year's United Commerce Organization. Administerial conference. A number of groups ledplanned attacks against the proceedings. Zero defense among them. Word is they're planning to attend the conference this year in Sao Paulo.RUSSETT: Luc Jacqnoud should be landing in Morocco within the nextforty-eight hours.SYDNEY: I thought he was in Le Sante for stabbing a police officer.RUSSETT: Released twenty-six months early. He's obviously got ties to French justice. Intel reports he'll be in Morocco to meet aclient.DIXON: I.D. on the client?SLOANE: None. That's your job. You're Kate Jones, and Justin Bernell. You're traveling with Mindspring Learning Tours. You arrive on Wednesday. Your objective is to monitor themeeting, I.D. the client, and make sure whatever Jacqnoud is up to, doesn't happen.SYDNEY: Is Mochtar the contact?SLOANE: He's meeting you at the airport. (to Russett) This is an Egyptian commando. We recruitedhim two years ago. Marshall.MARSHALL: (standing) Okay. Ahem. How is, uh, everyone? Hi, or -- right. Okay. You're going in with the usual tech -- camera, comm gear, and sat relay, but this-this is new. (holds up apurse) Now, this looks just like a normal purse that you would wear out with going out with your lady friends. Put your feminine things in there, but, a parabolic microphone. (points to center of the design) Has a lasertransmitter that works in a three hundred yard radius, and oh, and I also added a low frequency tantalum wind filter that will eliminate any unwanted sounds below a hundred and fifty hertz. Not that you're going to bein any wind. I mean, you're probably not going to be in any wind, but let's say that you were in some wind, you know, like a light breeze, like a (whistles). Or even a strong wind, like, a gust, like a (blowing air). This?Nothing. Silent. Wind filter. (sits)(Inside psych evaluation room. Mr. Bristow has pads over his face for monitoring purposes. Machines beep around him. McCullough sits nearby.)MCCULLOUGH: You feel light, thin air,and as you continue moving downward, you feel more and more relaxed. The escalator continues down and the closer you get to the light, the more relaxed you feel.(We see inside Jack's mind. Anescalator.)MCCULLOUGH: (voice over) The escalator seems to continue forever, and you feel safe and relaxed.(White light. In Jack's mind, we're transported to a baby's room. A crib sits in the corner with a stuffedteddy bear.)MCCULLOUGH: (V.O.) Still listening to my voice, you keep going and the farther you go, the more comfortable you feel.(A woman is holding a baby gently in her arms. We're assuming it's Jack's wife,Sydney's mom. Suddenly, the woman turns and it's... Sydney. Holding the baby.)SYDNEY: It's only a matter of time before I find out the truth.(In the evaluation room, Mr. Bristow snaps to attention, lookingterrified.)MCCULLOUGH: Jack?MR. BRISTOW: Just give me a minute, will you?(He pulls the pads off his face and exits. Outside the room, he desperately tries to control himself. He calmly buttons his jacket.)(Car wash.Sydney is inside the waiting area while her car gets a washing. Vaughn approaches, looking disheveled. Well, more than usual.)VAUGHN: Sorry I'm late.SYDNEY: That's all right. You okay?VAUGHN: Yeah. Turns out weknew Jacqnoud was traveling, but we thought he was going to Bahrain. But what we don't know is why SD-6 is so interested in the U.C.O.SYDNEY: You sure you're okay?VAUGHN: Yeah. I just, uh--SYDNEY: Did youhave a fight with your wife?VAUGHN: My what?SYDNEY: Your wife.VAUGHN: What wife? I have no wife.SYDNEY: No, there was a picture in your office. You and that woman. I thought you were married.VAUGHN: No.She and I are not remotely m-- You thought I was married this whole time?SYDNEY: I guess so. What's the big deal?VAUGHN: Nothing. So when you get an idea on who he's meeting and/or details of that meeting, justcall the usual number. Hit the eight key. We'll dead-drop in the trash can. Why did you ask me if I had a fight with my girlfriend?SYDNEY: I don't know. Did you?VAUGHN: Huge. Good luck in Morocco.SYDNEY:Thanks.(He leaves, looking more stressed than before.)(Morocco. At the airport, Sydney and Dixon walk to the curb. They see a man, Mochtar, who waves to them. They approach.)MOCHTAR: Look at you!SYDNEY: It'sbeen a while!(She kisses him on both cheeks.)MOCHTAR: Ah, hello!DIXON: How have you been?MOCHTAR: Lately, too busy. Too many people with dangerous toys.SYDNEY: Any news on Jacqnoud?M0CHTAR: Yes. Afriend tells me he's meeting a client today in the local marketplace. I've got a good spot for us.DIXON: Any word on the client?MOCHTAR: Big mystery. We still don't know. Come, I'm parked right over there.(Sydney'shouse. Francie talks on the phone to Sydney.)FRANCIE: Charlie has called my cell phone six times.SYDNEY: You still haven't seen him?FRANCIE: No. I want him to suffer. I'm not even going to tell him where I am. Howis Chicago, did you get there okay?(Cut to Sydney, in Morocco, putting on her disguise.)SYDNEY: Yeah. Chicago's fine. Look, let me just sy one thing, just so someone's saying it. There might be anexplanation.FRANCIE: He got into a car with a woman I have never met.SYDNEY: Just talk to him. Tell Charlie what you saw. You owe him that.FRANCIE: Maybe after he calls me a few more times.SYDNEY: Call me ifyou need me, okay? Love you.FRANCIE: Love you.[SCENE_BREAK](Sydney, complete in her disguise, goes out to the balcony to see Mochtar and Dixon setting up video cameras and cameras for the op.)SYDNEY: How'sthe view? (takes purse) You want to give this a test run? Can you hear me?DIXON: Loud and clear.MOCHTAR: Jacqnoud just walked in.DIXON: Who's he with?M0CHTAR: Uh, looks like he's solo.DIXON: (to Sydney)You're ready.SYDNEY: I'm going shoppin'!DIXON: Bring us back something, would you?SYDNEY: That's the plan!(She leaves and walks down to the market, looking around. She gets closer. Jacqnoud sitsalone.)SYDNEY: Are you picking this up?DIXON: Yeah. The mic's hot.SYDNEY: He's still alone.(A man tries to sell her something.)SYDNEY: No, no, no, I don't understand. Don't understand. Sorry.(Jacqnoud greets aman at his table.)SYDNEY: The meet just got here.(In the balcony, Mochtar and Dixon looks. Dixon takes pictures.)DIXON: Got him! Mochtar, you know this guy?MOCHTAR: No, but I'm going to try and get an I.D. rightnow.(Mochtar runs to another set up around the hallway. The laptop connects, scanning the picture for identification of the man meeting with Jacqnoud.)(Downstairs, the men meet.)SUARI: Nice to finally meet you inperson. Everything worked getting here?JACQNOUD: Yes, thank you. Merci beaucoup.SUARI: So, how are we doing?JACQNOUD: You mean phase three?SUARI: What were the results?JACQNOUD: You will be veryhappy. If Patel's going to be our delivery man, I'll need the piece by tomorrow.SUARI: As long as the financial arrangements can be made, that shouldn't be a problem.JACQNOUD: Bon. Salut.(The bodyguard stares atSydney. She looks away.)SYDNEY: Dammit! The litle guy's bodyguard. I know him.DIXON: What?SYDNEY: From Corisca, two years ago. The son of a bitch broke my arm.(She starts walking away. The bodyguard looksup, and sees the camera lens in the balcony.)DIXON: Mochtar, pack up! We've got to get out of here!(The bodyguard sees shadows scurrying along up on the balcony.)SYDNEY: (walking) We have somebody.(Sydneytries to leave.)DIXON: Syd, get out of there!(The bodyguard stops her.)BODYGUARD: You. I know you.SYDNEY: I'm sorry. You're talking to me?BODYGUARD: I think you remember me, too.(He throws her in a smallpart of the market, she falls to the ground behind the curtain. He advances.)SYDNEY: I'm sorry. I don't know who you are.BODYGUARD: Tell me why you're here, or this time I do more than just break you arm.(Sydneykicks a table in the air, catches it, throws it at him, smashes his head in twice. He pushes her up against the wall, she flips off of it. Kicks him in the back. Hits him with an empty pot three times. He falls. The curtainopens, and an elderly couple -- tourists -- walk in, shocked.)SYDNEY: He wanted to charge me fifty dollars. That's too much.(Upstairs, Dixon frantically packs up. Gunshots are heard. Dixon freezes. Sydney runs up thestairs.)SYDNEY: Dixon! Dixon! Dixon, do you copy!(Sydney stops running when she sees Mochtar's lifeless body. She takes off her glasses. Down the hall, punches are being thrown as more bodyguards try beating upDixon and Sydney. She fights one of the men. Another guy manages to pin Dixon down on a table, but he jumps up, kicking the man.)DIXON: Are you okay?SYDNEY: I'm fine!(Helicopter whirring overhead. Sydney getssome of the gear and stops at Mochtar. Touches his head. When she takes her hand away, she sees his blood on her palm. Dixon stops behind her.)DIXON: We have to go.(Sydney stares at Mochtar, and leaves.)(AtSydney's house, she arrives home from her trip. She puts her bag down.)FRANCIE: Hey.SYDNEY: Hi.FRANCIE: How was your trip?SYDNEY: It was awful.FRANCIE: Syd, I'm sorry.SYDNEY: What's going on withCharlie?FRANCIE: I'm meeting him for coffee. He knows something's up. If he doesn't have an explanation, if he can't exactly explain why he was kissing some whore instead of going to law review, I'm going to killhim.SYDNEY: Don't say that.(Will appears behind them.)WILL: She's on a rampage. She wasn't even going to go out with him, I had to force her to go out with him. (smiles sweetly at Sydney) Hi.SYDNEY: Hi.FRANCIE:Let me ask you something. You think it's going to go all right?SYDNEY: I do.(The girls hug. Only this time, Sydney hugs a little longer, needing that comfort after the day she's had.)FRANCIE: Love you.SYDNEY: Loveyou.FRANCIE: See you, Will!WILL: Good luck. Let me get that for you.(He gestures to Sydney's luggage. Francie leaves.)SYDNEY: Thanks.WILL: You look exhausted.SYDNEY: Pretty good assessment.(Inside Sydney'sbedroom, Will sits down on her bed with the luggage at his feet.)WILL: So, hey, I was thinking about what happened. You know, that, uh, you know, that kiss. Yeah. And, uh, I think I've figured out why it was so"}
+{"doc_id":"doc_18","qid":"","text":"(audience laugh)Lucas (reading): \"It has been a long time since New Years on the roof\". \"Remember that\"? \"I know we've been avoiding it but now the flowers are blooming and it is Spring: the season of love\"! \"Hi! Myname is Lucas Friar and I am here to talk about us\".Maya: Do we have to talk about this?Lucas: We have to make some decisions!Riley: We have chosen to completely forget about this! (yells) He's in my room!Cory(O.C.): You have to make some decisions!Lucas (reading): \"This is very hard for me. We have to be very careful about what's going on, because I don't want to--\"Riley (interrupts): .. lose either one of you as myfriends?Lucas (continues reading): \".. lose either one of you as my friend\".Maya: You were with him when he wrote this?!Riley: No. Maya, I think we just all know what's at stake here.Maya: Nothing's at stake here. Justtell me right now: nothing will affect our friendship.Riley: (shrugs) It won't.Lucas (pretending to read): \"What... about... what... I... want\"?(audience laugh)Riley: One card for each word...Maya: Why did he dothat?Riley: Emphasis.Maya: Why did he do that?!Riley: Lucas, what do you want?Lucas: I don't want anything bad to happen to us... but I especially don't want to be responsible for something bad happening betweenthe two of you!Maya: We know that.Riley: Why do you think we like you?Maya: What's it say on your last card?Lucas: Oh, I'll get to it.(audience laugh)Lucas: See? I have different feelings for each of you and I don'tentirely understand them.Riley: We don't understand this either.Lucas: That's why the smartest thing to do would be to make the right decision, right now, and just move on.Riley: Great! How do we do that?Maya: Youmean, choose one of us over the other? What happens then?Riley: That would be the end of us.Maya: What's it say on your last card?Lucas (reading): \"I don't want this to be the end of us\"![SCENE_BREAK](Thememusic playing)\u0000 I've been waiting \u0000 \u0000 For a day \u0000 \u0000 Like this to come \u0000 \u0000 Struck like lightning \u0000 \u0000 My heart's beating like a drum \u0000 \u0000 On the edge \u0000 \u0000 Of something wonderful \u0000 \u0000 Face to face with changes \u0000\u0000 What's it all about? \u0000 \u0000 Life is crazy \u0000 \u0000 But I know \u0000 \u0000 I can work it out \u0000 \u0000 'Cause I got you \u0000 \u0000 To live it with me \u0000 \u0000 I feel all right, I'm gonna take on the world \u0000 \u0000 Light up the stars, I've got some pagesto turn \u0000 \u0000 I'm singing \"Go-o-o\" \u0000 \u0000 Oh, oh, oh, oh \u0000 \u0000 Take on the world, take on the world \u0000 \u0000 Take on the world \u0000 \u0000 Take on the world, take on the world \u0000 \u0000 Take on the world \u0000[SCENE_BREAK][ INT. JohnQuincy Adams Middle School - Classroom - day ][SCENE_BREAK]Legacy!(audience laugh)Why is Farkle a goose?Riley: That's the Einstein Academy Goose. Oh! Of course. The Einstein Academy Goose. Why is it onFarkle's desk?Maya: Einstein captured Farkle. It was their end of the year prank.Maya: So, since they took our mascot...Riley: We took theirs, and now we are even.(audience laugh)Farkle is not our mascot.Maya: Whatwould you call him?(audience laugh)Where's Zay? They got Zay too? Zay is back in Texas; he's at Vanessa's Spring Formal.all: Ooo-oo-oh. Alright guys, listen up. It's your last week of school. This is my last chance toteach you something.Maya: You have more to teach us? I have so much more I wanna teach you. So much more... I mean, you guys are gonna be leaving this place; what will you be leaving behind? What is yourlegacy? I want to talk about not just what you've gotten from this place... but what you've given.Maya: He's right! We still haven't thought of our class prank! I was thinking we could let all of the air out of school.Everybody would just be like (makes strangling noises). That would be hilarious.Farkle: I'll tell you what's hilarious: nobody saved me! Why did nobody save me?!Riley: Farkle, we looked for you for a whole five minutesand then we took the goose.(audience laugh)Maya: He's the new you!Donnie Barnes, regular goose. I'd see that movie.(audience laugh)Farkle: Oh, please. Farkle cannot be replaced by a goose. Farkle is unique andone of a kind. (at goose) Hah!(Goose honks back)(audience laugh)Farkle: You don't know me.[SCENE_BREAK][ INT. Matthews Kitchen - night ][SCENE_BREAK]Riley: You haven't taught me enough!Did I teach you topass the mashed potatoes?Riley: Yes. Well then, there's a test on that right now.(audience laugh)You passed!(audience laugh)Funny Daddy.(audience laugh)What's bothering you Riley?Riley: Everything gets harder.Everything gets harder and you didn't tell me! Were you going to tell me? You didn't tell her? Only every day. You tell her. Life gets harder. Tell her Auggie.Auggie: I'm doin' fine!(audience laugh)Riley: We're graduatingmiddle school. We're supposed to be in the middle of our education. The only thing I'm in the middle of is a big mess with two of the people I care most about in the world.Why?Riley: Because we're not talking about it?Because Maya and I both like Lucas and so we know none of us is going to get hurt, so we're all scared to move. You know what makes me happy?Riley: How could you be happy about any of this? Because you'retalking to us about it. No matter what happens to you, we always want to be a part of what happens to you.Riley: You always will be. Thanks Riley. That's the greatest legacy any parent could have. Well, you guys areboth going to be fine, and there is nobody stronger than Maya; nothing can break her. I just don't see it.(Maya enters and falls to her knees.)Awwww, it's a poor baby. It's a poor, poor baby. Come here. Come here.Aww... (hugs Maya) Maya. No matter what happens it is nobody's fault.Maya: Yes it is. Whose fault do you think it is?Maya: Matthew's! (points) Well, of course!Maya: You didn't teach us enough we don't know how tohandle this, and now we're leaving, and you're staying behind, and you didn't teach us enough.Riley: Yeah, Dad, you're more than a teacher, you're like a father to me.(audience laugh)Thanks, Riley. He's the bestteacher you're ever going to have and if there is one thing I know for sure he's taught you, it's how to express yourselves to each other, in the best possible way. And as long as you do that, there is nothing to worryabout.Lucas (reading): \"Hi! It's me, Lucas Friar\".(audience laugh)Lucas (reading): \"Since no-one knows what to do, I made a choice\".OK, I'm a little worried.Lucas (reading): \"I choose to stop--\" Lucas, put the cardsaway. Say what you need to say.Lucas: You both mean the world to me, and I would never do anything to hurt either one of you... so I choose to stop. You won't decide, so I did, and I decided we're just friends. That'sall we are. I don't want this to be the end of us.[SCENE_BREAK][ INT. John Quincy Adams Middle School - Classroom - day ][SCENE_BREAK]You came into this place, a bunch of young kids, who didn't know very much,and now look at ya: young men and women ready for what's next. Snap out of it. Get in here!(audience laugh)What are you doin'?Lucas: We value our friendship too much to look at each other.(audience laugh)Turnyour chair around. Get in your seat.(audience laugh)Now, the most important thing you can do in life is give people a reason to remember you. The people who do that are the ones we study in here. So, your lastassignment from me, and for yourselves, is to figure out what you'll give back.Maya: What?Lucas: I looked at Riley.Maya: I know, I saw.Lucas: So, I'm looking at you to even it up!Maya: Oh, well, a girl always wants tobe looked at to be evened up.(audience laugh)Lucas: We're just friends, and I love your outfit.Riley: (screams) Hey! (slams both hands on the window)Lucas: Your hair smells nice!Maya: You smelled her hair?(audiencelaugh)Lucas!Lucas: I'm dying here!(audience laugh)What are you grateful for? Who do you want to remember you?(Riley enters and sits down)Do something about it... right now. Now, get outta here!(The class leaveand Riley is still in her seat)Riley: I'm not ready to leave this place.[SCENE_BREAK][ INT. John Quincy Adams Middle School - Corridor - day ][SCENE_BREAK]Ms. Kossal: What's going on?Maya: I'm graduating, Ms.Kossal... and I wanted to say goodbye... and thank you for believing in me.Ms. Kossal: I expect great things from you, Maya. You've been given a real gift... so grow! And when you feel something you know the rest ofus feel, explain it to us... Paint us a picture.Maya: I'll try.Ms. Kossal: I'm glad I had the chance to be your teacher.(Ms. Kossal hugs Maya)[SCENE_BREAK]Farkle: Just a quick goodbye, Mr. Norton, we both knowemotion has no place in science.Mr. Norton: Quite right, my dear boy. So, from one scientist to another, see you on Mars.(audience laugh)Farkle: Mr. Norton, can we just stop being scientists for one second?Mr. Norton:Well, let me remove the protective goggles of my soul! Clear outta here!(audience laugh)Farkle: I'm really gonna miss you, sir.Mr. Norton: The feeling's mutual, my boy.Farkle: Is it possible feelings are stronger thanscience?Mr. Norton: Hm. Keep discovering, Farkle.[SCENE_BREAK]Janitor Harley: Me?Lucas: Yeah. I wanted to say thank you.Janitor Harley: Why? I left some kind of impression on you? Clear outta here!(audiencelaugh)Lucas: Mr. Matthews told me I had to make a real difficult choice once.Janitor Harley: I was at a crossroads; I was standing on the corner of Maple Street and Alcatraz.Lucas: How did you make the rightdecision?Janitor Harley: I always try and make sure this bench here is polished up and looking nice and inviting for you to sit on. You know why I do that?Lucas: Why? (sits)Janitor Harley: Because, you kids come andgo, but this bench stays right here and all the problems of the universe get decided on it. I respect a nice place where good decisions get made. Gettin' a little worn down... A little old as time goes by, but aren't we all?Thanks for saying goodbye to me, Lucas. Means a lot to me. Make good decisions.[SCENE_BREAK][ INT. John Quincy Adams Middle School - Classroom - day ][SCENE_BREAK]Riley: I don't wanna go. I'm not ready forhigh school... and I don't wanna go.Why not?Riley: 'Cause we did great here. This was the time of our lives; we were kings, Matthews.(audience laugh)Riley: What will I be next year?Not kings.Riley: No. The opposite ofkings. Freshmen. Worms. Worse than worms freshmen. You'll be fine Riley. You all will.Riley: Also... and I don't say this a lot but... I like you.(audience laugh)You do?!Riley: Yeah. You said you had a lot more to teachus. And I will. You're my daughter.Riley: What about the rest of my friends, Dad? You need to teach all of us more. We're a mess. We shouldn't feel we don't know how to feel and you need to teach us how to not feel.What?Maya: You got one last lesson for the road? Yeah. I do.Maya: Well, I've never said this before but... you have my attention.(audience laugh)Good! This one's important. I've gotten to watch you guys becomefriends, and I've gotten to watch you grow. You guys grew up so fast... and I've been trying to teach you to keep your feelings inside...Riley: And you were right. Look at us. I was wrong! Your teacher was wrong. I can'tkeep you in this place. You've outgrown it. You guys are graduating to whatever comes next. You know why?Maya: No. You've earned it.Maya: How do we know when we're ready? Same way we know anything. Let'stake one last test and see.(all groan)Farkle: Yay![SCENE_BREAK]Riley: Are you even allowed to do this? It's the last day of school.I'm still your teacher. I can do whatever I want. Besides, this test isn't for a grade. Thisis a test to find out what you have actually learned here. Question one: What's the secret to life? Maya.Maya: People change people. And for extra credit?Maya: What us does for them? What does that mean?Maya: Howwe help those who are less fortunate than us? And are you an \"us\" or \"them\"?Maya: I'm an \"us\". I'm very blessed. We all are.Question two: Sneak attack. Riley?Riley: Pearl Harbor. And for extra credit?Riley: MissyBradford tried to tear our friendships apart. Lucas was new here and she tried to throw a sneak attack. I think that was the moment we all realized what we really meant to each other. The moment we all cametogether. Good! Farkle, Canada?Farkle: Our greatest allies are the people right next to us. Lucas...Lucas: I think I was the most changed by these people. I know that whatever I'm feeling, I can just tell my friends andeverything would be okay.Riley: Will it?Lucas: I guess we'll see.Maya: I thought we stopped?Riley: I thought we were just friends.Lucas: We're not. We're no good at it. We can't even look at each other any more. Idon't need any note cards now that we have different feelings now. And that's why your teacher was wrong. I can't hold you back from what you feel. Congratulations! You've all passed this test with flying colors.Farkle:What happens now? Now you graduate, Farkle. You walk out of here with everything you've learned... and you live life. You live it. You face whatever comes. This is going to be the greatest test of your friendshipyet.Maya: Wow. I made it to high school. We're gonna need some good teachers, Matthews.Yeah. So... one last thing: How will the school remember you?Lucas: I have an idea.Maya: What's our prank?Riley: I have anidea.[SCENE_BREAK][ INT. John Quincy Adams Middle School - Corridor - day ][SCENE_BREAK]Riley: And that concludes our tour of the big, bad John Quincy Adams Middle School.Maya: Not so scary, right?Lucas: Youguys are gonna do great here.Maya: There's one more thing before you guys go.Lucas: We wanted to give you something from our class to yours.Riley: We think one of the greatest legacies in life is friendship.Lucas:And no matter what happens in your new school, friends should always have a place where they can sit, and talk, and work things out.Because sometimes, life throws you all up and knots people together for a reason.Is that what you were feeling? What's that?(audience laugh)Riley: I think everybody should leave their mark.Maya: We work very well together.(Plaque on the bench reads):THIS FRIENDSHIP BENCH dedicated by Riley,Maya, Lucas, Farkle and ZayPEOPLE CHANGE PEOPLE\u0000 We got time, got time \u0000[SCENE_BREAK][ EXT. John Quincy Adams Middle School - night ][SCENE_BREAK]Katy Hart: Congratulations, baby girl, you are now themost educated person in our family.Maya: Mom! You didn't graduate middle school? Here you go.Katy Hart: OK, it was a joke. (audience laugh) I am a high school graduate, with three days college under my belt, and ifI hadn't taken neurobiology, perhaps I'd still be there, so take classes you understand, honey.(audience laugh)Congratulations, Farkle, only four more years 'til Princeton.Farkle: I wanna go wherever my friends go.C'mere. Look at this place! Different view than when we were growing up. I'm glad you're here with us, Zay. So, how was the Formal? Vanessa likes me better now than when I lived there. Now she's always missin' me'cause I'm gone... You know, I got this whole love thing figured out. Don't be there.(audience laugh)Got this impossible choice to make right now. You know what you should do? What? Don't be there.(audiencelaugh)But I wanna be there. Well, then you deserve what you get. (audience laugh) What's it gonna be? You got two great people, one follows the rules, one likes to break 'em... Yeah. One very blonde. One verybrunette. Yup. Gotta choose, man. I know! So, who do you like better? Me or Farkle?(audience laugh)Ha-ha-ha-ho. Congratulations Riley, you did it! Mmm... I had help. You would've been fine without me. I don't reallysee it that way, Dad. None of us do. Thank you for teaching my daugher so well. My pleasure. I don't think Farkle would have reached his full potential without you, Cory. Thanks Minkus. He had a lot to live up to.Thanks. That's why we want to see that he does! Of course he will. I don't really think you understand, Dad. What? Their class prank. Oh, you haven't hear about that? Nooo. What'd they do? Well, we started talkingabout legacy... About what we left behind... And what we don't want to leave behind... What we wanted to take with us... This is good! We stole something from school. You what?! This is good.(audience laugh)Well, putit back! Nope. It's ours now. We captured the real John Quincy Adams Mascot and we're taking it home with us. What did you guys do? We stole you! I told you this was good.(audience laugh)What are you talkin'about? I called up Uncle Jonathan and I told him that you had a lot more to teach us. She got you promoted, Daddy! Of course, the superintendent of schools didn't want to move teachers around for only one student,so there would have to be a lot of other people who thought you knew what you were doing. So, the parents put together a little petiton, got some signatures, and we presented it to him. I was veryconvincing.(audience laugh)How many parents? All of 'em. We want our children to have the best. You're going to high school, Cory... again!(audience laugh)We get to stay together. You said that you had a lot more toteach us... and now you can![SCENE_BREAK][ INT. Apartment - night ][SCENE_BREAK]Riley: Still like him?Maya: Yeah. You?Riley: Yeah.Maya: OK. I'll check again tomorrow.(audience laugh)Lucas: Any change?Riley:No. I've felt the same way about you ever since I fell into your lap on the subway.Lucas: You? (looks at Maya)Maya: There was this camp fire, y'see... You and me, I was in a far away place, there was a million stars inthe sky... What do you think?Lucas: I think I don't want anybody to be hurt.Riley: I think we don't know how to stop that.[SCENE_BREAK]Maya: Still like him?Riley: Yeah. You?[SCENE_BREAK]Maya: Yeah.(audiencelaugh)Maya: Still like--Lucas: Yeah.Riley: OK."}
+{"doc_id":"doc_19","qid":"","text":"MAWDRYN UNDEADBY: PETER GRIMWADEPart OneFirst Air Date: 1 February 1983Running time: 24:03[SCENE_BREAK]IBBOTSON: A 1929 Humber 16/50 open tourer, Imperial model. Do you realise this car has thesame chassis as the three and a half litre Humber Super Snipe?TURLOUGH: Crude, heavy and inefficient.IBBOTSON: This car is a classic, Turlough.TURLOUGH: It's dull and fat and ugly. Just like you, Hippo.IBBOTSON:Turlough!TURLOUGH: We're going for a ride.IBBOTSON: You can't drive the car!TURLOUGH: Watch me.IBBOTSON: We'll be caught.TURLOUGH: Who will know?IBBOTSON: Oh, Turlough, we can't.TURLOUGH: Oh, comeon, Hippo. Just to the end of the drive and back. You're not afraid, are you? Come on.IBBOTSON: Turlough![SCENE_BREAK]IBBOTSON: Hey, you said just to the end of the drive. But you haven't got a license,Turlough.TURLOUGH: So, who needs one?IBBOTSON: Oh, go back to the school, please. Oh Turlough, slow down, please. You're on the wrong side of the road, Turlough!TURLOUGH: This car's a classic. Isn't that whatyou said, Hippo?IBBOTSON: Look out![SCENE_BREAK]TURLOUGH: Who are you?GUARDIAN: A friend.TURLOUGH: What is this place?GUARDIAN: There's no need to be afraid.TURLOUGH: Then tell me who youare.GUARDIAN: Your guardian. One who has your interests at heart.TURLOUGH: Am I dead?GUARDIAN: Merely sleeping.TURLOUGH: I don't think I'd really care if I were. I hate Earth.GUARDIAN: You would like toleave?TURLOUGH: Is it possible?GUARDIAN: All things are possible.TURLOUGH: Then get me away from here, please.GUARDIAN: But first, we should have to discuss terms.[SCENE_BREAK]RUNCIMAN: He'll be all right.No bones broken. Just a slight concussion.HEADMASTER: It's a wonder they weren't both killed. What's the damage at your end, Brigadier?BRIGADIER: Eh? In thirty years of soldiering, I've never encountered suchdestructive power as I have seen displayed here and now by the British schoolboy. Well, how is he?RUNCIMAN: He's been lucky, He'll be all right.[SCENE_BREAK]GUARDIAN: We haven't much longer. I need to knowthat I have your assent to our arrangement. You will find me the most accommodating of partners.TURLOUGH: But murder. I'm not sure I could go that far.GUARDIAN: You will be destroying one of the most evilcreatures in the universe. He calls himself the Doctor.TURLOUGH: Why can't you destroy him? You have the powers.GUARDIAN: I may not be seen to act in this. I must not be involved.TURLOUGH: I need time tothink.GUARDIAN: There is no time. Yes or no?TURLOUGH: Don't send me back to Earth, please.GUARDIAN: Yes or no?TURLOUGH: Yes.[SCENE_BREAK]RUNCIMAN: He's coming round.BRIGADIER: Steady on, old chap.You had a bit of a knock.[SCENE_BREAK]TEGAN: Doctor? I am free of the Mara, aren't I?DOCTOR: Tegan, Tegan, Tegan.TEGAN: I'm scared.DOCTOR: There isn't any need to be.TEGAN: I'm still having terribledreams.DOCTOR: It's your mind's way of coping with the experience. You've suffered a great deal.TEGAN: That could have been prevented if that Dojjen person had destroyed the Great Crystal.DOCTOR: No, hecouldn't. The Mara during the process of its becoming. It had to be trapped between modes of its being.TEGAN: The feelings of hate. Doctor, I couldn't go through it again.DOCTOR: Well, you're completely free of itnow, Tegan. For you, the Mara is dead forever.NYSSA: For all of us, I hope.DOCTOR: Indeed.TEGAN: Can you take me back to Earth?NYSSA: You want to leave us?TEGAN: I want to rest. I want to be surrounded byfamiliar things.NYSSA: You'll forget the Mara, Tegan. It won't always be as painful as it is now.DOCTOR: Warp ellipse cut out?NYSSA: Can't be. That would mean we were near an object in a fixed orbit in time as well asspace.DOCTOR: And what's the probability of that?NYSSA: Several billion to one against.TEGAN: Are you trying to scare me, or is this your way of telling me we've broken down again?DOCTOR: I'm afraid it's muchmore serious than that.[SCENE_BREAK]MATRON: Right, into bed with you, young man.TURLOUGH: Oh, Matron, I'm perfectly all right.MATRON: Mild concussion and shock. You heard what Doctor Runciman said. Wedon't want complications, do we?TURLOUGH: I'm not going to bed.MATRON: Just this once you can do as you're told. You're in enough hot water already.TURLOUGH: Matron, where did this come from?MATRON: It wasin your jacket, and that was in a fine old mess, I don't mind telling you.MATRON: Good afternoon, Headmaster.HEADMASTER: Is it, I wonder. Well, Turlough, how are you feeling?TURLOUGH: Much better, thank you,sir.HEADMASTER: Which is more than the Brigadier can say for his car. I don't understand you. You make no effort at games, you refuse to join the CCF, you do little or no work in class though you have a first-ratemind, and now this.TURLOUGH: I wasn't driving, you know, sir.HEADMASTER: What?TURLOUGH: The Brigadier's car.HEADMASTER: But Ibbotson saidTURLOUGH: I didn't want Ibbotson to get into trouble, sir. I onlywent along in case he got hurt. I knew he wasn't really able to drive it, and, wellHEADMASTER: I see.MATRON: Ahem. Turlough must get some sleep, Headmaster.HEADMASTER: Of course, Matron. I'll look in againlater.TURLOUGH: So you are real. I thought it was just a dream.GUARDIAN (OOV.): Waking or sleeping, I shall be with you until our business is concluded.[SCENE_BREAK]NYSSA: Are we safe?DOCTOR: There's achance something's on a collision course with the TARDIS.TEGAN: Don't you know?DOCTOR: Well, there's a chance of anything. Statistically speaking, if you gave typewriters to a tree full of monkeys, they'd eventuallyproduce the works of William Shakespeare.NYSSA: Doctor!DOCTOR: Now, you and I know that at the end of the millennium they'd still be tapping out gibberish.DOCTOR: And you'd be tapping it out right along sidethem. I only asked you a simple question.NYSSA: Doctor, something's coming straight for us!NYSSA: We've got to get out of the way.DOCTOR: We can't. We've converged with the warp ellipse.NYSSA: Doctor!DOCTOR:Hold this steady.TEGAN: We're going to crash.DOCTOR: I'll try and materialise on board the ship. Hold tight![SCENE_BREAK]TURLOUGH: Why am I still on Earth?GUARDIAN: Patience, Turlough. Already the elements ofchance are ranged against the Doctor. Soon he will be separated from the TARDIS and in your power. Go to the hill, boy, to the obelisk, and wait. There I will instruct you further.[SCENE_BREAK]HEADMASTER (OOV.):You realise, Ibbotson, what you did is a criminal offence. If it weren't for the good name of the school, I'd hand you both over to the police.HEADMASTER (OOV.): I shall be writing to your parents, needless tosay.BRIGADIER: Ahem.BRIGADIER: Ah, Ibbotson. And what have you got to say for yourself?IBBOTSON: Please, sir, I'm very sorry, sir, but it wasn't my fault, honestly. I'm really sorry, sir.BRIGADIER: Ah,Headmaster. I trust you flogged that young man within an inch of his life?HEADMASTER: Thank you, Brigadier, but I feel that we should wait until Turlough is restored to health before we take any legal or disciplinaryaction.BRIGADIER: You realise that car was unique?HEADMASTER: Quite, but I feel sure that you will agree that we must do what is best for the school.BRIGADIER: Yes, well. Oh, if you say so, Headmaster. Mind, youcan't really take it out on Ibbotson. It's my view that he was led into this by Turlough. Oh, we've got a rotten one there.HEADMASTER: I'm not so sure. I had a word with Turlough. He said he only went along to protectIbbotson.BRIGADIER: Pah. Cunning as a fox. You don't believe him, of course.HEADMASTER: I don't know. I'd be reluctant to jeopardise the boy's future.BRIGADIER: Have you spoken to his parents?HEADMASTER: Ithought you knew. They're dead. I deal with a solicitor in London, and a very strange man he is, too.[SCENE_BREAK]IBBOTSON: Are you awake, Turlough?TURLOUGH: What do you want?IBBOTSON: Listen, the Head'sgoing to write to my parents. The police may be called into investigate. We could be expelled.TURLOUGH: It's all right, Hippo. I've spoken to the Head. I told him it was all my fault.IBBOTSON: I say, did you really,Turlough?TURLOUGH: So you won't get the boot, just beaten, I expect.IBBOTSON: Oh. Well, they'll beat you when you're better.TURLOUGH: Oh no, they won't.IBBOTSON: Hey, you can't get up until Doctor Runcimansays so.TURLOUGH: Goodbye, Hippo.IBBOTSON: Oh, Turlough, you can't leave me on my own! Oh please, Turlough![SCENE_BREAK]TEGAN: Strange ship.NYSSA: No sign of any passengers.TEGAN: Probably havingcocktails with the Captain.NYSSA: What?TEGAN: Well, I mean it's more like the Queen Mary than a spaceship.TEGAN: I take it back. It's not the Queen Mary, it's the Marie Celeste. You'd think on a long journey they'dwant something a little more cheerful.NYSSA: Everything on this ship is designed for pleasure.DOCTOR: I have a weird feeling the warp ellipse will be travelling for a very long time. Possibly through infinity.NYSSA:Well, it's certainly no prison ship.[SCENE_BREAK]IBBOTSON: Where are we going?TURLOUGH: Don't ask questions. (quietly) What am I supposed to do?IBBOTSON: Oh, Turlough, what's happening? Who are youtalking to?IBBOTSON: Oh, wait for me.[SCENE_BREAK]TEGAN: Could you fly this thing, Doctor?NYSSA: You don't fly a ship like this, it's in perpetual orbit.DOCTOR: Amazing.NYSSA: Doctor?DOCTOR: There's a lengthof flight indicator. This ship's been in orbit three thousand years.TEGAN: No wonder there's no one on board.[SCENE_BREAK]IBBOTSON: Now what?TURLOUGH: We wait.GUARDIAN (OOV.): The base of the urn. Pressit. Release the camouflage screen protecting the capsule.[SCENE_BREAK]NYSSA: Doctor, look at this.DOCTOR: Mmm. Transmat terminal.NYSSA: And in the transmit mode.TEGAN: The crew escaped in a liferaft?DOCTOR: Well, someone certainly left the ship, almost six years ago.TEGAN: Where to?DOCTOR: Earth.[SCENE_BREAK]IBBOTSON: What is it?TURLOUGH: A transmat capsule. Don't you knowanything?[SCENE_BREAK]DOCTOR: The ship's orbit takes it within range of Earth for six years.TEGAN: Someone might come back.DOCTOR: Any time. Come on, let's get back to theTARDIS.[SCENE_BREAK]IBBOTSON: Keep back!IBBOTSON: Turlough![SCENE_BREAK]GUARDIAN (OOV.): The controls of the vessel are of no interest to you, Turlough.TURLOUGH: But it's a ship! I can gethome!GUARDIAN (OOV.): I did not bring you here so that you could return home. Your concern is with the Doctor.GUARDIAN: You will obey me in all things.TURLOUGH: Let me go.GUARDIAN: Remember theagreement between us.TURLOUGH: Yes.GUARDIAN: You will seek out the Doctor and destroy him.TURLOUGH: Of course. I will seek out the Doctor and destroy him.[SCENE_BREAK]DOCTOR:Quickly.[SCENE_BREAK]IBBOTSON: Sir! Sir!IBBOTSON: It's Turlough, sir.BRIGADIER: What?IBBOTSON: We were on the hill, sir, and there was this great big silver ball, and Turlough went inside anddisappeared.[SCENE_BREAK]TEGAN: Now what?DOCTOR: The TARDIS won't dematerialise.[SCENE_BREAK]BRIGADIER: If you took more regular exercise, Ibbotson, not only would your body be less disgusting, butyou'd enjoy a healthier imagination.IBBOTSON: I didn't imagine it, sir.BRIGADIER: Take it from me, boy, a solid object just can't dematerialise. Turlough![SCENE_BREAK]TEGAN: What's happening?DOCTOR: Iwonder.DOCTOR: I might have known.NYSSA: Doctor?[SCENE_BREAK]TEGAN: Where are you going?[SCENE_BREAK]DOCTOR: The transmat beam, it's been operated. The signal is interfering with the TARDIS.NYSSA:Look. It must have just returned.TEGAN: Well, how is the transmat signal jamming us?DOCTOR: Well, the capsule and the TARDIS must be dimensionally very similar, and the beam's still functioning. It's supposed tocut out when the capsule completes its journey.TEGAN: Well, can you switch it off?DOCTOR: I hope so.TEGAN: I hope so too. I don't fancy a non-stop mystery tour of the galaxy.DOCTOR: Ah.NYSSA: You found thefault?DOCTOR: In a manner of speaking. It's on Earth.TEGAN: Earth?DOCTOR: If these readings are correct, it's 1983 on Earth.TEGAN: So?DOCTOR: Well, the capsule originally left the ship six years ago.TEGAN:1977.DOCTOR: Yes. I wonder what it's been up to all that time. Come on, back to the TARDIS.TEGAN: Doctor, wait.NYSSA: What's the matter?TEGAN: Well, if that thing's back, then someone could be on board theship.[SCENE_BREAK]DOCTOR: Who are you?[SCENE_BREAK]HEADMASTER: Turlough again.MATRON: I'm sorry, Headmaster, but he was missing when I came in with Doctor Runciman. And there's no sign of Ibbotsoneither.HEADMASTER: I must talk to the Brigadier.MATRON: I sent a boy round to his quarters, but the Brigadier's disappeared too.[SCENE_BREAK]DOCTOR: This is Turlough.TEGAN: Where did you come from?DOCTOR:The transmat capsule.TEGAN: Earth?TURLOUGH: The capsule just appeared. It was very strange.NYSSA: And you just walked in?DOCTOR: Seven, eight. All set.NYSSA: Where are you going?DOCTOR: Earth, via thetransmat capsule.TEGAN: Is it safe?DOCTOR: Well, it worked one way. Once I've disconnected the beam jamming the TARDIS, you should follow me through to Earth.TURLOUGH: May I come with you?DOCTOR: You'llbe safer in the TARDIS.TURLOUGH: Please?DOCTOR: All right, why not. See you on Earth.NYSSA: Good luck.[SCENE_BREAK]DOCTOR: Come on.[SCENE_BREAK]DOCTOR: It's a pity those things don't have a widerrange. Still, at least we're here in one piece. Transmat capsules can do very nasty things to organic structures if they're not properly maintained.[SCENE_BREAK]TEGAN: I don't trust that boy.NYSSA: Oh, I don't know. Ithought he was rather nice.TEGAN: Nobody from Earth is just going to walk into a transmat capsule.NYSSA: As you did into the TARDIS on the Barnet bypass?[SCENE_BREAK]GUARDIAN: In the name of all that is evil,the Black Guardian orders you to destroy him now!GUARDIAN: Now, boy. Do it now!"}
+{"doc_id":"doc_20","qid":"","text":"\"The Baby in the Bough\"[SCENE_BREAK]TEASER(Open: Freeway stock. Night. Booth's Car exterior. Booth's Car interior. BOOTH is driving.)BRENNAN: What do you know about the Cayman Islands?BOOTH: Greatdiving, you know? Lots of sea turtles. Why? Are you going?BRENNAN: No. My accountant wants me to set up a tax shelter there.BOOTH: Tax shelter?! Exactly how loaded are you?BRENNAN: (indignantly) That is anoffensive way to phrase the question. (she pauses, and mumbles) Quite loaded. I'm betting on a seven figure advance for my next book.BOOTH: Seven figures. Wow. With-without the decimal point?BRENNAN:(defensively) The publishers make considerably more.BOOTH: What's the first of those seven figures?BRENNAN: A prime number. What do you do with your money?BOOTH: I use it for food and rent.(Cut to Booth's Carexterior on freeway.)(Cut to: firemen and emergency workers grouped around a crash site in Pendleton. There are fire trucks, police cars and an ambulance. A sports car has run off the road. The area is muddy andwooded. It is night and the site is lit with floodlights on stands. The firemen are packing up hoses and calling to each other as they work. SHERIFF DELPY, BOOTH and BRENNAN walk into shot.)FIREMAN: (inbackground) Hey, this is all done get over to-BOOTH: (to DELPY) Hey. What have we got here?DELPY: You Agent Booth?BOOTH: (shaking his hand) Special Agent Booth. How you doing?DELPY: Sheriff Delpy.BOOTH:This here's my partner-BRENNAN: I can introduce myself. Doctor Temperance Brennan.BOOTH: Somebody ran the car off the road?DELPY: Yeah. Well, it makes it impossible to get any traceable tire marks.(BRENNANapproaches the victim, who is a burned husk still seated in the driver seat of the open top car.)BRENNAN: The victim was doused with gasoline and then set on fire.DELPY: Farmer three miles away saw the smoke,called it in.Brennan: Female. Probably in her early twenties. Preauricula sulcus on the iliac. She's given birth.BOOTH: Ran off the side of the road, set on fire... Somebody wanted her dead.DELPY: Well that's why I needyour help. I only got six deputies covered four hundred square miles. We're stretched thinner than plastic wrap.BRENNAN: Compound fractures to the right tibia and fibula. (BOOTH opens the hood of the car and noticesa diaper bag in the back seat.) Crushed manubrium; massive skull trauma. (BABY ANDY cries and BOOTH looks up quickly as BRENNAN continues her examination) I'm not certain yet whether she died in the accident orthe fire-BOOTH: Ssssh! You hear that? (The SHERIFF and BRENNAN listen) Everybody! Keep quiet! Stop workin'! (To Brennan) Did you hear that?BRENNAN: Sounds like a cat. (They all look around.)BOOTH: A baby.(He looks up. The camera looks down on BOOTH and BRENNAN from the treetops. Pan across to reveal BABY ANDY in a car-seat, lodged in the branches.DELPY: Holy crap.BOOTH: Get a ladder down here now!FIREMAN:All right, let's move!(Cut to DELPY and EMERGENCY WORKER holding BABY ANDY as they walk alongside the emergency vehicles to BOOTH and BRENNAN)DELPY: There's not even a scratch on the boy. It's amiracle.BRENNAN: Well, hardly! Car-seats are specifically engineered to protect the child.BOOTH: From what? Flying out the back of a car and landing in a tree? (BABY ANDY squawks) Oh, look at him, Bones. He looks alittle fussy there. Why don't you pick him up and give him a cuddle?BRENNAN: What? Just because I have breasts doesn't mean that I have magical powers over infants. You're the one with the son.BOOTH: All right,fine. I'll take him. Here you go. (He hands her the diaper bag.) You have fun with the diaper bag. You look good. (he takes BABY ANDY) Come on, little man! Whoa-ho. Hi! Why don't you say hi to your grumpy oldAuntie Bones.BRENNAN: No! I am not grumpy! (To the SHERIFF) The-the vinyl seat melted and fused to the body so we need that brought back to the Jeffersonian. And the driver's door for particulate evidence.DELPY:(Sniffing) The kid smells a little ripe. Might want to take care of that.BOOTH: Ye-eah. (He sighs) Okay, Bones, I'm gonna have to change him. Just hold on to him here (holding BABY ANDY out for Bones to take). Hereyou go. Here you go. Okay? Got him?BRENNAN: What? Oh! Woah! Arrrgh.BOOTH: Okay. Here we go. (Taking off his suit jacket) We'll work together on this one. (He lays his suit jacket on the wide back step of a firetruck) Changin' Diapers 101. ( BRENNAN passes him BABY ANDY) Here we go. Here we go, little big man. Okay. watch your-Here. Right here. Look at that. All right. Get me a diaper there, Bones.BRENNAN: Right. Thereyou go.BOOTH: Thanks. Baby powder.BRENNAN: You know, Booth, I have better things to do with my time. (She looks through the bag) There's no powder.BOOTH: No powder?BRENNAN: Yeah. Hey. Wait a minute.(She pulls a key from the bag and shows it to BOOTH.)BOOTH: Where'd that come from?BRENNAN: There's a rip in the lining of the bag. Seems like someone was trying to hide it.BOOTH: Okay. I'll get an evidence bagand I'll ask EMT if they have any baby powder. Just watch him. (He jogs away.)BRENNAN: Wait. Wait. Wait! Booth. There's a baby! I don't feel comforta-. (She trails off, exasperated. BABY ANDY gurgles.) Coochie-coo?(BABY ANDY cries.) Oh! No no! No need to fuss! Obviously something is upsetting you. Children have toys; you must have some. Let me see. (She rummages in the bag, retrieving a purple stuffed elephant.) You know,elephants are not purple. This is wrong. ( BABY ANDY cries. BRENNAN sighs). Hey, look at that: he flipped over!BOOTH: Bones! That's because you gotta *watch* him. Jeez. Woah. Okay, look, little big man. If you'regonna be in my jacket, we gotta get you out of that diaper. Woah. Okay, where's the key?BRENNAN: I put it on your jacket.BOOTH: Next to the baby?BRENNAN: Yeah.BOOTH: Are you crazy? Do you know that babiesput everything in their mouth, Bones? He could have swallowed the key! It's so dangerous. All right. Okay. ( He picks up the BABY ANDY whilst BRENNAN looks for the key) Shh shh shh shh. The *key*, Bones. look forthe key.BRENNAN: It's not here. Oh, no. He must've... swallowed it.BOOTH: (In synchrony) Swallowed it. (BABY ANDY cries.) Okay. (BOOTH hands BABY ANDY to BRENNAN) Here you go. Get used to him.BRENNAN:What do you mean?BOOTH: That key was evidence. You know how chain of custody works. That kid stays with us until we get the key back.(BRENNAN looks at him. BABY ANDY pees down her leg,)BRENNAN: Ugh.Argh.BOOTH: (Takes the still-peeing BABY ANDY.) Wooh. That's a stream.TITLES.ACT ONE.(Open: Medico-Legal-Lab. CAM, ANGELA and ZACK stand in a line looking down at something offscreen.)ANGELA: I have neverseen anything so gorgeous on this table before.CAM: Or so alive!(Camera looks down from above at ZACK, ANGELA and CAM standing along one side of an examination table. BABY ANDY lies on it, laid on a piece ofcloth and burbling happily.)ZACK: Why is Doctor Brennan the official custodian?ANGELA: She's registered as a foster parent. Russ asked her to do it after he began his prison term.CAM: Russ wants to make sure hisstep-daughters are taken care of if anything happens to Amy.ZACK: Prodigious saliva production.HODGINS: (Walking into shot carrying a security swipe-wand metal detector.) Okay. Now we can determine if the littleguy really *did* swallow the key, or if he has been falsely accused. (HODGINS passes the wand over BABY ANDY. The wand squeals as it passes over BABY ANDY's abdomen.)CAM: Well, unless he's already had a hipreplacement, it sounds like there's a key in there.ANGELA: He liked it! Do it again. (HODGINS wiggles the wand over BABY ANDY, who chuckles and squirms.)BRENNAN: What are you doing?HODGINS: (Grinning) Wewere just- (He sees BRENNAN'S expression and becomes serious.) We verified that the baby did indeed swallow the key.BRENNAN: Then you should X-Ray him to get a clean view. He's not a plaything. (To Zack.) Andyou're supposed to be examining the victim.ANGELA: We thought it would be bad form to examine the remains in front of the baby. You know, creepy formative memory?BRENNAN: Then would you mind taking him fora little while so that we can work?ANGELA: I'd love to. (She gathers up BABY ANDY, smiling. ANGELA looks at HODGINS. who laughs indulgently.) Get used to it. I want, like, a million of these.HODGINS: Cool. (Angelacarries BABY ANDY away. HODGINS to CAM) What do you think she meant by \"a million\"? Two?(Scene: Booth's Office. BOOTH is looking through some photographs. AGENT CHARLIE BURNS knocks on hisdoor.CHARLIE: Agent Booth?BOOTH: Yeah?CHARLIE: Got a hit on your burned car. It was registered to a dead guy.BOOTH: A dead woman driving a dead man's car.CHARLIE: Plates expired five years ago. Dead guy'sfamily said they sold the car for scrap to a junkyard in Seneca Rocks, West Virginia.BOOTH: Let me guess: junkyard guy sells off the old heaps to people who wanna get off the grid.CHARLIE: He used to. Operation gotshut down two years ago. No one's seen him since.BOOTH: Let me know if forensics finds anything to help Bones id. the remains.CHARLIE: (Nods.) Is it true that Doctor Brennan's taking care of the baby? Becausethat's something I'd pay to see.BOOTH: (Studying his photographs.) Goodbye, Charlie.(Medico-Legal Lab-forensics platform.)ZACK: The victim exhibits enlarged hypertrophic lesions and multiple muscleattachments.BRENNAN: The result of strenuous activity, most likely occupational.CAM: The ligamenta flava shows evidence of whiplash. All the para-mortem injuries are consistent with vehicular trauma. She was deadprior to immolation.BRENNAN: Zack, grind some bones so Hodgins can perform an isotope analysis. We might be able to figure out where she lived.ANGELA: (Walking in to the room) Junior made us a littlepresent.BRENNAN: The key. Finally.ANGELA: Not yet. This is just the usual present, but with one major difference. (Angela opens the diaper she is holding to show a pink-soaked seat.)ZACK: I assume pink isn't anormal color for this type of thing.CAM: Does yours ever look pink?ZACK: No, but I'm not an infant.BRENNAN: Where is the baby?ANGELA: Asleep in your office. I was gonna start the facial reconstruction,so...BRENNAN: He's my charge; I'll sit with him.CAM: (Picking up the diaper.) Let me run some tests. See what I can find.ZACK: Actually, one time when I was visiting my cousins, we ate a lot of beets, and the nextday-CAM: Zack, really. Too much sharing.(Cut to BRENNAN and BOOTH walking around the Medico-Legal Lab Floor)BOOTH: You know, you look very mom-like with that baby monitor.BRENNAN: I have a responsibilityunder state law as a foster parent. I've already bought him toys and clothes.BOOTH: Ah, so you've bought him some clothes?BRENNAN: Well, I sent an intern, who apparently loves bears, which in reality would devoura small child.(BRENNAN and BOOTH round the corner to meet HODGINS at the base of the Forensics Platform)HODGINS: I tested the ground bone for strontium.BRENNAN: Strontium is an element found in mostrocks.HODGINS: Human beings absorb it through the consumption of local vegetation and water. (He brings up a map on his computer) Over time, the isotope collects in the bones, meaning-BOOTH: You could use it tofigure out where someone's from. (BRENNAN and HODGINS look at BOOTH in surprise.) That is right, people. I am a constant surprise.(The baby monitor transmits BABY ANDY whimpering.)BRENNAN: I don'tunderstand. He's been fed; he's changed; I patted him, and now he's just...complaining.BOOTH: He's acting like a real baby.HODGINS: The victim was from northern West Virginia. Tucker County to be moreprecise.BRENNAN: Well, are you sure she's from Tucker County? The crash was in Pendleton.HODGINS: Very sure. Particulate matter collected from the salvaged area of the car contained guano from a Corynorhinustownsendii virginianus.BRENNAN: So we know where to look. (She stares at the baby monitor, which is still transmitting BABY ANDY's cries).BOOTH: Are you gonna get him?BRENNAN: I figured you'd get him.BOOTH:Don't you have a \"responsibility under state law\"?BRENNAN: But you're the baby daddy.BOOTH: Baby daddy?!BRENNAN: You have prior experience with pre-verbal infancy.BOOTH: You can be the daddymommy.ANGELA: (Enters, with BABY ANDY) Okay, you two had better get your act together or I'm suing for custody. (ANGELA hands BRENNAN a head shot of a young white woman with dark brown hair.) This is myrendering of the victim.BRENNAN: Numerous genetic similarities. Cam's running DNA tests to be sure, but I'm comfortable with the assessment that this was the child's mother.BOOTH: He misses his mother. He'ssad.(BRENNAN takes BABY ANDY)BRENNAN: We need to go to Tucker County.(Fade to Booth's Car. Huntsville, Tucker County.)BOOTH: The last coal mine closed about eight years ago. This place is a ghosttown.BRENNAN: The local economy was devastated.BOOTH: Yeah. That could be why our victim was driving a junker. She couldn't afford registration, insurance... You know, I don't wanna sound insensitive here, butI'm telling you: real estate? It's gotta be a steal. I mean, you could build yourself a beautiful house on the river. I could come out and fish. You could put in one of those media rooms. You know, I saw a one hundredand three inch flat-screen TV-BRENNAN: I don't need another residence, Booth.BOOTH: Just, you know, tryin' to give you a little financial advice.(BRENNAN looks at BABY ANDY in the back seat.)BRENNAN: He seems sopeaceful. He has no idea that he's all alone.BOOTH: Well, maybe that wasn't his mom. Maybe there's a dad.BRENNAN: No-one filed a report, Booth. No-one's worried about him.BOOTH: Yeah, well, you are.(They sharea look. BRENNAN looks out her window and sees a man working in the front yard of a dilapidated house on the otherwise deserted street.)BRENNAN: There's someone. (BOOTH pulls over.)PAUL: You people are from thegovernment?BOOTH: Yes, sir. With the FBI.PAUL: (Nods toward to BABY ANDY) Ah. Training them up young, I see.BOOTH: If you could just... help us.PAUL: Right. Just like the government helped us when the bridgewashed out. When they closed the school.BRENNAN: Well, the business and industry left the area. The local tax base is non-existent. The government can't be expected to provide services without the fiscal means to doso.PAUL: What'd she say? Are you from France or somewhere?(BOOTH chuckles)BRENNAN: Economies live and die just like any organism. When they expire, the logical thing to do is to move.PAUL: This land is part ofme. I've lived here all my life, my father before me, his father..!DOROTHY: Paul. Who're you hollering at now?PAUL: They're from the government.DOROTHY: (Seeing BABY ANDY) Oh my god! You have no right. Noright at all! Taking people's children away?BOOTH: (Moving to cover BABY ANDY) Hey, hey!DOROTHY: You should be ashamed. That girl does the best she can to provide for Andy.BOOTH: Andy? Do you know thisbaby?DOROTHY: (suspiciously) Yeah. Folks up the street? Carol and Jimmy Grant? They take care of him when his mom works.BOOTH: (Shows her the head shot.) Is that his mother?DOROTHY: Looks like her. But youshould check with the Grants. What's goin' on? Has something happened?(Cut to THE GRANTS, interior. BOOTH is showing the head shot to CAROL GRANT)CAROL: Yeah, that's Meg. Meg Taylor. We all went to highschool together: me and Jimmy and Meg, and Meg's husband, Lou.JIMMY: Back when we had a high school.BOOTH: Meg's husband, does he still live around here?JIMMY: Uh, I've not seen him lately. Not that I'd wantto. He's in and out of jail, does anything for a drink, left Meg before Andy was born.CAROL: I'm not sure he's laid eyes on Andy more'n twice.JIMMY: Meg worked herself to the bone for this boy.CAROL: We couldn't haveone of our own so we were real happy to help Meg out.JIMMY: Meg would have to, heh, pry her away from him at the end of the day.BRENNAN: Where did she work?CAROL: Ah, Fallbrook Rubber? They recycletires.JIMMY: They turn them into ground coverings, you know, for playgrounds and such. It's one of the only places left around here to work.BOOTH: And how about the two of you. You're both currently, what,unemployed?JIMMY: No, uh, I work part-time, looking after some of the buildings they shut down.CAROL: Jimmy used to teach high school and I did some project management, mostly for construction, but now... Wedo what we can.JIMMY: This town used to be something. I mean, we were on the scenic route. You know, people would come to visit. It wasn't all coal.CAROL: What'll happen to Andy, because we can watchhim.BOOTH: He's gonna have to stay with us for now. Tell me where Meg lived?(Huntsville: A denim-clad man is leaning in the doorway of a decrepit building. A sign swings above his head. The windows are boardedover. Booth's Car drives past and we hear BRENNAN talking.)BRENNAN: Looks like everything's closed down around here.BOOTH: Yeah, probably lost all its customers. With no bridge, the highway routes all the trafficaway from the town-(BRENNAN'S phone rings.)BRENNAN: Brennan.CAM: Got the scoop on the poop.(Cut to Medico-Legal Lab: ZACK in the foreground; CAM in the background talking on the phone.)CAM: It waspharmaceutical dye used to color the phenobarbital that showed up on his tox. screen.BRENNAN: Andy had phenobarbital in his system?CAM: Oh, his name's Andy? Adorable. I had a dog named Andy. That came outwrong.ZACK: Why does he have phenobarbital in his system?CAM: It's often prescribed for seizures.ZACK: Perhaps the infant is epileptic.BOOTH: Hey! Don't say that. Andy's going to be just fine.CAM: Well, he was stillbreastfeeding, so there's a slight chance he ingested the drug that way but... the depth of color makes it unlikely.BRENNAN: We're on our way to check out his mother's home. I'll see if I can find a prescriptionbottle.(BOOTH and BRENNAN pull up at a trailer park by some train tracks.)BRENNAN: Okay.BOOTH: Nono no no no no no no no.BRENNAN: What?BOOTH: No no no no. Look, the front door is open. You stayhere.BRENNAN: But-BOOTH: Bones, there is a baby involved. If you hear gunfire, anything like that, drive away.BRENNAN: Bu-I'm not leaving you.BOOTH: Yes you will, because this is about the baby, not me. Promiseme.BRENNAN: (Looks at the baby for a long moment.) I promise.(BOOTH approaches the trailer, weapon drawn. He cautiously enters to see LOU, a man with wild hair, ransacking the place. LOU looks up. BOOTH aimshis weapon.)BOOTH: Okay. Easy. Both hands to the ceiling, nice and easy. Right there. (LOU makes a break for it and BOOTH detains him easily.) Yeah. Easy! God! (BOOTH handcuffs LOU.) You know, I asked you verynicely.BREAK(Trailer, exterior. Booth's Car, interior. BRENNAN and BABY ANDY are inside.)BRENNAN: We will find out what happened to your mother. I promise. You know, Booth is an excellent investigator and, I don'tlike to boast, but I am the best in my field. (BABY ANDY squalls) What do you want? Ah. How, how about some visual and auditory stimulation? Okay. Let's see. Um.(Trailer, interior, BOOTH is hustling LOU to the frontdoor)LOU: I told you, I'm Meg's husband. I live here.BOOTH: If you live here, why'd you break the front lock?LOU: I didn't do it! Somebody else broke in. And when I saw it I thought I'd come in and check onMeg.BOOTH: Oh, so, you live here or came by to check on Meg? Which one is it?LOU: Ugh, all right now you're getting me all confused.BOOTH: Yeah, I bet.LOU: Look, Meg bails me out sometimes. If she can. And whenI saw she wasn't here, I just figured I'd, you know, help myself.BOOTH: How often do you steal from your wife?LOU: It's not stealing. She likes to help me.BOOTH: Well, Meg's dead. She was killed.LOU: How?BOOTH:You seem shocked.LOU: Well, of course I am!BOOTH: Where were you last night?LOU: (Dazedly) Last night? (BOOTH claps his hands sharply in LOU's face) I don't remember.(Booth's Car, interior. BABY ANDY continuesto cry. BRENNAN waggles her hands at him.)BRENNAN: Phalanges! Phalanges. Phalanges! Dancing phalanges. Dancing phalanges! Yeah-hah-hah. Booth thinks bones are dry and boring, but- show me yourphalanges.(BABY ANDY wiggles his fingers.)BOOTH: (Walking a handcuffed LOU to car) Hey, Bones. Her husband, real genius, doesn't even remember where he was last night.BRENNAN: We've got your son in here. Hismother's dead and now you're the only one-LOU: Oh, no no no no no. I never wanted to have a kid. She did it because she thought it would, uh, straighten me out, but I told her I couldn't handle a kid because I'm a"}
+{"doc_id":"doc_21","qid":"","text":"3.03 - Application AnxietyOPEN AT LORELAI'S HOUSE[Lorelai and Rory are on the sofa watching \"The Brady Bunch Variety Hour\"]RORY: This is sublime.LORELAI: It was the golden age of television.RORY: The music,the costumes, the sets.LORELAI: All cylinders were fired on this one, boy!RORY: And who knew that they all had such musical talent?LORELAI: And such far out booty shaking abilities, as well.[The mailman walksthrough the front door and sets the mail on the bench]EDDIE: Mail, ladies.LORELAI: Thanks, Eddie![Eddie walks back out; Rory walks over to get the mail]RORY: Did you see that TV Guide had this on their list of theworst fifty shows of all time?LORELAI: I know! Who are they to judge?RORY: I know, it's on my top fifty best.LORELAI: Yeah, right after \"Holmes and Yoyo\" and \"Hee Haw Honeys.\" Oh, Rory, get back here! They're inclown suits and headed for the pool.RORY: Oh my God.LORELAI: Honey, come here.RORY: It's here.LORELAI: What's here?RORY: My application to Harvard.LORELAI: Oh my God. [walks over to look at it] It'sbeautiful.RORY: Impressive letterage, huh?LORELAI: Oh, yeah, it's so. . .RORY: Very.LORELAI: Can I hold it?RORY: Be careful.LORELAI: Oh, it's heavy, heavy with importance.RORY: I feel dizzy.LORELAI: Are you surethat's not just the sight of Robert Reed in the tight clown pants?RORY: Oh, geez. Let the record show that when my application to Harvard arrived, we were watching \"The Brady Bunch Variety Hour.\"LORELAI: You don'tlose points for that, do you?RORY: I hope not. Man, this morning I was reading Dead Souls \u0000 it couldn't have come then?LORELAI: Well, we'll just tell people that's what you were doing, and that I was studying a reallybig globe. They'll never know.RORY: You can keep a secret?LORELAI: Not so far, but there's always a first.RORY: Dead Souls and a really big globe.LORELAI: Deal. [looks at TV] Oh, kayaks![opening credits]CUT TOLORELAI'S KITCHEN[Lorelai sits at the table with the Harvard application while Rory gets a drink from the refrigerator]LORELAI: Come on, come on, I wanna get started.RORY: Hold your horses there little Miss HorsieHolder.LORELAI: They're going to expect a higher level of wit when you're at Harvard. Oh, watch that drink.RORY: I'm nowhere near it.LORELAI: Well, keep it that way. This is an uncontaminated area. I even cleanedthe table using something other than the sleeve of my sweater and spit. [shows her a bottle of cleanser]RORY: Lovely image. I'll be careful.LORELAI: All right, here we go. First question. Uh! Oh my God.RORY:What?LORELAI: \"What were you doing the moment you received this application?\" counts for fifty percent of your eligibility.RORY: Stop.[Lane walks out of Rory's bedroom]LANE: I need help.LORELAI: With what?RORY:She's writing her drummer-seeks-rock-band ad.LANE: And it's not reading right to me. Could you guys look it over?RORY: Let's see \u0000 \"Drummer with strong beat seeks band into the Accelerators, the Adolescents, theAdverts, Agent Orange, the Angelic Upstarts, the Agnostic Front, Ash. . .\" You went alphabetically.LANE: Seemed tidy.LORELAI: And a little OCD.RORY: And a little long.LANE: I can't make cuts.RORY: It's three pages,single spaced \u0000 make cuts.LANE: But this is the cut-down version. I mean, just from the letter A, I excluded AC/DC, the Animals, and A-Ha, footnoted as a guilty pleasure.RORY: If we can't get through it, no onecan.LANE: Okay.RORY: Okay.LANE: I'll try to make cuts, but no guarantees. [goes back into Rory's bedroom]LORELAI: Okay, personal information. . . state your full name. Better not get that one wrong.RORY: I'lltry.LORELAI: And nickname, if any.RORY: That would be Rory.LORELAI: Or Droopy Drawers.RORY: That was never my nickname.LORELAI: Wrong, I called you that as a baby.RORY: What?LORELAI: That's right. Youhad these little OshKosh cords and they were way too big and once at the mall, they fell right down to your knees and I said, \"Whoa, there, Droopy Drawers!\" \u0000 and I'm just afraid if we don't answer everythingaccurately, the Harvard police will come and hit you with an atlas and say something mean in Latin.RORY: How would they know that you called me Droopy Drawers?LORELAI: Well, we could be at a Harvard event and Icould slip up and say, \"Pass me a lobster puff, Droopy Drawers,\" and they could hear me, and that'll be that.RORY: How \u0000bout you don't drink at any of these Harvard events?LORELAI: Okay, parental information.Mother \u0000 breathtaking.RORY: I think they just want your name.LORELAI: Father \u0000 ostracized. Personal statement.RORY: Oh, the essay \u0000 the big kahuna.LORELAI: You can evaluate a significant experience that's hadan impact on you. How \u0000bout that time your drawers dropped at the mall?RORY: Enough with the drawers.LORELAI: Or you can write about a person who has had a significant influence on you.RORY: You?LORELAI: Orone of your authors, Faulkner or. . .RORY: Or Sylvia Plath.LORELAI: Hm, might send the wrong message.RORY: The sticking her head in the oven thing?LORELAI: Yeah. Although she did make her kids a snack first,shows a certain maternal instinct.[Lane walks out of Rory's bedroom]LANE: Okay, I just crunched the numbers and at two thousand words and twenty-five cents a word, this stupid ad's gonna cost five hundred dollars!That's five months worth of Minwaxing end tables at my mom's store. I give up.RORY: No, don't give up. Just cut down your influences to the most important ones, like with David Bowie.LANE: Gotta have Bowie.RORY:But do you have to list every album he ever recorded plus your personal rating between one to ten?LANE: Maybe not.LORELAI: And what's with Jackson Browne making the list?LANE: Ah, see, cool people know that he'smore than a mellow hippie-dippy folkie, that he actually wrote some of Nico's best songs and was in fact her lover before he bored us with \"Doctor My Eyes.\" That will separate the poseurs from the non-poseurs.RORY:Wax on, wax off.LANE: I hate this. [goes back into bedroom]LORELAI: Okay, what activities interest you?RORY: All of them except for the sports.LORELAI: I thought you were the lacrosse kid.RORY: Mom, just amodicum of seriousness as we do this would be much appreciated.LORELAI: Hm, so, circle all of them except sports. Oh, they want a picture. How about the one of us sticking our heads through the carved out holes ofJohnny Bravo and SpongeBob Squarepants?RORY: There's the seriousness I crave.[Lane opens the bedroom door]LANE: I'm going to have to crank the Ramones if I have to make deep cuts.[Lane shuts the door, and asecond later, music starts blaring from the room]RORY: We'll move outside.LORELAI: The outside's contaminated.[Rory grabs the bottle of cleanser and they walk out the back door]CUT TO LUKE'S DINER[Dean andRory are sitting at a table. Luke refills Rory's coffee mug]RORY: Thank you.LUKE: Do they let kids drink coffee before school?RORY: Why, do you think it might lead to harder stuff? Lattes, cappucinos. . .LUKE: Forget Iasked. [walks away]RORY: So, what are you doing Saturday?DEAN: Just my usual chores.RORY: Your usual chores, John-boy?DEAN: Well, what else do you call house jobs?RORY: I call them the stuff you avoid untilthe Environmental Protection Agency steps in.DEAN: Why do you ask?RORY: I thought we could see a movie or something.DEAN: You're not free.RORY: How do you know?DEAN: \u0000Cause you'll be working on yourapplication all weekend.RORY: No, I'm not.DEAN: Really?RORY: It's not due for weeks, and I already have my essay topic picked out.DEAN: Which is?RORY: Hillary Clinton.DEAN: Sounds perfect.RORY: I know. She's sosmart and tough and nobody thought she could win New York but she did and she's doing amazing, and have you heard her speak?DEAN: Only when you've played me the thousands of hours of C-SPAN footage youtaped.RORY: She's a great speaker, strong and persuasive with a wonderful presence, and even those suits of hers are getting better.DEAN: I'd include that in the essay.RORY: Anyhow, now that I have Hillary, all Ineed is a date for Saturday. Suggestions?DEAN: You're on.RORY: Great. Oh, there's my bus. Sip. [sips coffee] Kiss. [they kiss] And bye.DEAN: Bye.[Rory exits the diner and runs to catch her bus as Luke walks over tothe table]LUKE: Fast runner.DEAN: It's the coffee.LUKE: Not your face?DEAN: Excuse me?LUKE: Sorry, just missed my youth for a second. I'm back. Coffee?[Luke looks out the window and sees Taylor takingphotographs of the store next to the diner]CUT TO CHILTON HALLWAY[Rory is waiting outside the auditorium while Paris argues with a teacher]PARIS: Everyone always says that! This is my speaking voice. This is itsnatural volume! Fine, fine! [walks over to Rory and they walk into the auditorium]PARIS: Short-sighted morons.RORY: What now, Paris?PARIS: We went to all this trouble to set up this stupid seminar. I say we, but let'sface it, I did most of the work, and Mr. Hunter won't let me do it the way I want.RORY: The panelists are up there. We sit across from them and ask questions. What's the problem?PARIS: It's boring and predictable anddone to death. I wanted Charlie Rose.RORY: To ask the questions?PARIS: His style. I wanted us sitting at a round table with black backdrops.RORY: But the audience won't be able to see anything.PARIS: I was workingwith the losers in the AV club to project it on a giant video screen. And all Mr. Hunter said was, \"Paris, this isn't the Beatles at Shea Stadium.\" Nice anachronism, huh? Like they had video screens in sixty-three. Hisreferences are as topical as his suits.MR. HUNTER: [on stage] Ladies and gentlemen, can I have your attention please? We can get this seminar started. I'd like to bring up the organizers of this little event, Paris Gellarand Rory Gilmore.[There are two tables on the stage. A man and a woman are seated at one of them; Rory and Paris walk on stage and sit at the other]PARIS: Thank you, Mr. Hunter. Everybody, this is a seminar called\"The Business of Getting In.\" Its goal is to help guide us through the torturous process of applying to, and getting into, the right college. My panelists are Jim Romaine, admissions officer at Princeton University, andIvy-League college consultant, Rose Samuels. Welcome, panel.RORY: Yes, welcome.PARIS: Now, panel, you're addressing a group of kids just beginning the stressful process of applying to college. Question \u0000 what isthe biggest mistake a person can make on his or her application? Mr. Romaine?MR. ROMAINE: Well, forgetting to send it in would be the worst mistake, but perfunctory answers would be high on my list.PARIS:Explain.MR. ROMAINE: I'm talking about run of the mill responses, a lack of originality, particularly in the essay category. If I read one more over-adulating piece of prose about Hillary Clinton and her profoundinfluence, my head will explode.MS. SAMUELS: I hear that. Sometimes a mistake like that comes from writing what one thinks an admission officer wants to read.MR. ROMAINE: Big mistake.MS. SAMUELS: Andsometimes it's just a lack of original thought.MR. ROMAINE: Just as big a mistake.PARIS: Personal anecdote \u0000 when I was twelve and I was writing the first of my trial essays in practice for the day I'd write my realessay, I chose Hillary Clinton. Then I realized every braindead bint in a skirt would be writing about Hillary, but it was good to clear the pipes. Now, what are some other mistakes?MR. ROMAINE: Well, small thing, but ifyour printing is bad, that says something we don't like. If your extracurriculars and volunteer activities are too by-the-book, that says something we don't like.MS. SAMUELS: Yes, those activities should have apersonality behind them \u0000 a focus, a direction. I've seen applications where the student has circled every activity listed. Again, you're trying too hard there. One can't be interested in everything.MR. ROMAINE: They'rethe ones who've had college paraphernalia on their walls their whole lives.MS. SAMUELS: Too hungry, it's a little immature.PARIS: Interesting, interesting. Rory, do you wanna ask a question?RORY: No.PARIS:What?RORY: No, thank you.PARIS: Okay. So, how early should a student get an application in?MR. ROMAINE: By the due date. Earlier makes no difference. It's a complete myth that there's a benefit to be derived fromearly admission. I do think it's important to talk about the interview process. I believe it's an opportunity to weed out the hyper-intense candidate. . .CUT TO ELDER GILMORE RESIDENCE[Lorelai and Emily walk into theliving room]EMILY: So, she's meeting you here?LORELAI: Yeah, she had a thing after school, a rumble or something. She said she'd be over after.EMILY: A rumble?LORELAI: Yeah, a bunch of kids meet in an alley, theypirouette, they pull knives, it's a whole to-do.EMILY: So she's meeting you here?LORELAI: Yes, she's meeting us here. Where's Dad?EMILY: The magazines. [walks away]LORELAI: That was weird. . .andunresponsive.[Lorelai walks over to the couch as Emily returns with a stack of magazines]EMILY: These are college issues of various magazines. I've been collecting them for a couple of months now.LORELAI: Oh, well,Rory's probably seen all those, but thanks anyway.EMILY: Have you read these?LORELAI: No.EMILY: Well, you should. I've unearthed some shocking statistics. I mean, do you have any idea how hot the competition isto get into a school like Harvard?LORELAI: Well, yeah, it's very hot. It's one of the top schools in the country.EMILY: In the world. People from China, Russia, India, children from every country apply to Harvard. There'smore competition than ever before.LORELAI: Really, Mom, I know all this.EMILY: With the dot-com bust and the job market dwindling and the stock market going up and down like a yo-yo, everyone and his brotherknows the best chance for success and financial security is not just to go to college, but to go to a top college.LORELAI: Thank you, got it, appreciate the info.EMILY: Every child that applies has the same high gradepoint average, they've taken the same AP classes, and they're all on the student council.LORELAI: They're not all that identical.EMILY: One college admissions officer said that he sometimes puts a random stack ofapplications in the yes pile and the rest in the no pile because he knows it doesn't make any difference. He doesn't even so much as glance at them.LORELAI: That does not sound real.EMILY: And now it's the in thingfor young Hollywood celebrities to go to universities. What do they call themselves, the Brat Pack?LORELAI: About a hundred years ago.EMILY: They get into wherever they want based on name recognition. I waswatching TV and that insipid Kate Hudson was talking about going to a university. If she decides to go to Harvard, she'll get right in over Rory, who we know is more qualified.LORELAI: How \u0000bout a drink, Mom? Youwant a drink, \u0000cause I sure do.EMILY: Lorelai, hold on here. What are we gonna do about this?LORELAI: Look, there is no we, okay? It's me \u0000 me and Rory \u0000 that's the we. I appreciate your concern and yourprodigious research, but it's all gonna be fine. Rory's special.EMILY: Well, you know that and I know that but those idiots at Harvard may not necessarily know that.RORY: [calls from hallway] Hello?LORELAI: Uh, we'rein here, honey, and hurry![Rory walks into the living room]RORY: Hi Grandma.EMILY: Hello Rory. You look flushed.RORY: I ran from the bus stop, I'm okay. Mom, hey, I've been trying to call you \u0000 can I talk to you fora second?EMILY: Is something wrong?RORY: No, I just need to talk to Mom about something, that's all. We'll be quick.LORELAI: Okay, hon. We'll be back.CUT TO RICHARD'S STUDY[Rory and Lorelai walk in]RORY: I'mnot getting into Harvard.LORELAI: What? Who says?RORY: Well, I'm completely unprepared, and I have no original thoughts!LORELAI: No, no, don't blame yourself, it's not you. It's those jerks at Harvard \u0000 I hatethem!RORY: What?LORELAI: Well, apparently, it doesn't matter how qualified you are, those lazy-ass admissions officers just take applications and stick it in the yes and no piles without even glancing at them!RORY:Well, it won't matter because my Hillary Clinton essay will be just like every other girl's Hillary Clinton essay because apparently that's all we can think of. I'm such a hack.LORELAI: Is it true everyone has the sameGPA? How is that possible?RORY: Because we all take the same classes and we all give the same perfunctory run-of-the-mill responses. And I'm interested in too many things, I have to limit them. I'm gonna circletravel on my application. From now on, that is what I am interested in, travel.LORELAI: No, no, don't do that, no! Because all those people coming from China and India and God knows where else, they're all nuts fortraveling \u0000 that's why they're traveling here! And and jobs are dropping and dot-com bombing and something's acting like a yo-yo, I don't know what but it's not good! And over my dead body is Kate Hudson gettingyour spot, let me just say that right now!RORY: Mom, you're freaking out!LORELAI: Yes, I'm freaking out!RORY: Well, you can't freak out, I'm freaking out! [cell phone rings] Hello?PARIS: What the hell did Romainemean when he was going on about weeding out the hyper-intense in the interview process? He stopped just short of calling me by name, I'm losing it!RORY: Not now, Paris.PARIS: I tried to throw the questioning overto you because I was about to heave and you left me hanging so I had to come home and heave.RORY: I'll talk to you tomorrow, Paris. [hangs up]PARIS: Wait!LORELAI: Okay, we gotta calm down here.RORY: So, setan example.LORELAI: Hey, I'm human, too.RORY: My forehead is burning up.LORELAI: My heart is beating so fast, it's gotta slow down.RORY: Okay, just. . .let's take a breath.LORELAI: Okay. This freaking out is notgood.RORY: It sucks.LORELAI: We can do this. If others can do this, we can do this!RORY: Well, I'm not so sure anymore.LORELAI: That is unacceptable!RORY: Well, I don't wanna accept it.LORELAI: Then wewon't.RORY: Well, what do we do?LORELAI: I don't know. We definitely need some sort of perspective.RORY: I think we need therapy.LORELAI: And booze! For those of us over twenty-one. Okay, are we calming? Arewe less-freaked?RORY: I'm totally freaked out.LORELAI: Well, hide it!RORY: I can't hide it.LORELAI: Then prepare yourself for an evening of magazine recitations by Emily \"DJ Doom-meister\" Gilmore.RORY: I'll hideit.CUT TO LORELAI'S HOUSE[Lorelai is making coffee in the kitchen when the phone rings]LORELAI: [answers] Hello? . . . No, Lane should be here any minute. Is this about the ad? . . . Well, uh, give me your numberand she'll call you back. . . Okay, then, what's the number of the dude whose couch you're sleeping on? . . .Uh! Dude doesn't have a phone? Well, try back later, dude. Thanks. [hangs up] Rory, are you up? If not, getup! [phone rings again] And where's Lane? She's supposed to be fielding these. [answers phone] Hello? No, she's not, may I take a message? [Lane walks in through the back door] Oh, wait a minute \u0000 here she is,hold on. [holds out the phone toward Lane]LANE: Sorry. [answers phone] This is Lane. [walks out of kitchen][Rory walks out of her bedroom]LORELAI: Hey.RORY: Hey.LORELAI: Aw, what's up?RORY: I didn't sleep sowell.LORELAI: Poor thing.RORY: I'm fine. I'm just a little bummed.LANE: [on phone] No, wait, wait, wait, progressive rock is a really passé style now but I listed it as an influence because it was a progenitor of greatthings that came afterwards. I mean, I contend that you can draw a straight line from Yes to Jethro Tull to the Jam to Nirvana, bing bang boom. . . Who are the Jam? [to Rory and Lorelai] That's disturbing. [walksaway]LORELAI: Hey, maybe instead of going to college, you should drop out and I could quit my job and we can form an all-girl band with Lane, you know, like Bananarama. We could call it Tangerinarama orBanana-fana-fo-fana-rama. . .or something. Honey, I'm just kidding, you gotta go to college.RORY: I'm up for anything at this point. I gotta go. I'll see you later?LORELAI: Feel better, okay?RORY: I will.LANE: You arenot telling me that you did not know that Kim Deal was in the Pixies before the Breeders! I refuse to accept that! [hangs up] These kids have no sense of history.CUT TO LUKE'S DINER[Luke walks up to a customer atthe counter]LUKE: Hey Tom, what's up?TOM: Nothing much. Why don't you get me a ham on rye, mustard, no mayo.LUKE: You got it.[A young boy walks up to the counter]BOY: Hi.LUKE: You got money?BOY: Yes,sir.LUKE: What can I get ya?BOY: Let's see. How about a nice, cold egg cream?LUKE: A what cream?BOY: An egg cream. A nice and cold one.LUKE: What is that?TOM: It's like, uh, milk and soda water with flavoring,isn't it?LUKE: You asking me?BOY: Nice and cold.LUKE: I heard that part.TOM: Used to get them at Coney Island.LUKE: Go to Coney Island, kid.[The boy leaves, and another boy walks up to the counter]BOY: Sir, can I"}
+{"doc_id":"doc_22","qid":"","text":"Act 1 Scene 1 - KACL[Fade in. Frasier is on the air.]Frasier: Gosh, it's been such fun talking about psycho-pharmacological solutions to maladaptive personality traits that I can't believe the three hours is almost gone.Up next is the news followed by...[Roz raps on the window and holds up a note that reads 'BIKE-A-THON\".]Frasier: Oh, but Roz is reminding me that next Saturday is the first annual KACL AIDS Bike-A-Thon. It's boundto be an afternoon of family, fun, and lots of surprises, so dust off your velocipedes and I'll see you there.[He disconnects and stands up as Kenny comes in.]Kenny: Great pitch, Doc. So, uh, what are thesurprises?Frasier: Well, first and foremost: I am not going.Roz: But you just told them you'd see them there.Frasier: Yes, Roz, I'm merely getting the rubes into the tent. I will gladly give my money, but spending theafternoon riding bicycles with a bunch of hooligans is not my idea of fun.Kenny: It's just kids and families.Frasier: Yes, well so was the KACL family picnic at the zoo, until those urchins jostled me into the orangutangrove. Let metell you: orangutans are not the playful gentlemen of the trees the nature shows claim.[Julia walks in.]Julia: Hello.Kenny: Hey, Julia.Frasier: Julia.Kenny: You're goin' to the Bike-A-Thon, right?Roz: Oh,don't embarrass her, Kenny. I mean, it's gotta be tough, finding a comfortable bike seat when you're such a tight-ass.Julia: This from a woman who \"peddles\" her ass all over town.[Roz starts for her.]Roz: Okay,lady...[Frasier grabs Roz and pulls her back.]Frasier: All right, stalemate. Well done, well done. Keep moving, come on.[He ushers her back to her booth.]Kenny: So, Bike-A-Thon, you're in, right?Julia: Nah, I can't bebothered, I'll just send a check.Kenny: Oh, cheese and rice, what's wrong with you people?Julia: Relax, Kenny, I'm just pulling your leg. How can I not go? This is funding AIDS research, for God's sake. I know you thinkI'm heartless and self centered, but at least give me credit for being human.Kenny: Well, Frasier's not goin'.[Frasier lets out a forced, fake laugh.]Frasier: What? Kenny, come on! I was pulling your leg too! I tell youwhat, we should have a fund raiser for your sense of humor. All right, I'll see you there.[He claps Kenny on the back, then crosses through Roz's side of the booth.]Roz: You're pathetic.Frasier: I know.[He exits. Fadeout.]Scene 2 - Frasier's Apartment Building[Fade in. Martin is hurrying to catch the elevator.]Martin: Hold it![He hurries and presses the button so the doors open again. He steps inside, then notices the other person. Itis Cora Winston, the mother of Frasier's upstairs neighbor, last seen in [9.24] \"The Love You Fake.\"Martin: Cora. Hi.Cora: Marty.[The doors close and the elevator starts up. Martin looks nervous, Cora looks firmlyahead.]Martin: Visiting your son?Cora: Yes.Martin: Cora, I'm sorry, but I gotta ask you. What happened? I thought we had a pretty nice thing, but then you stopped returning my calls.Cora: Why don't you ask yourother girlfriend?Martin: What other girlfriend?Cora: That bizarre English lady who told me to leave you alone. Because she was in the British Secret Service and had a license to kill.[The doors open.]Cora: Here's yourstop.Martin: Oh, geez, that was Daphne's mother. She had a thing for me, but it was never mutual.[The doors close and the elevator continues.]Martin: Did she show you a badge? Always ask to see a badge.Cora: Iknew she wasn't a secret agent. But she was pretty convincing about the two of you.Martin: Oh, Cora, I'm so sorry. It's not true.[The doors open again and they step out into the foyer on Cam's floor.]Cora: I'm sorrytoo. I should have asked about her.Martin: Well, hey, it's cleared up now. Maybe we could pick up where we left off. Or skip ahead, your choice.Cora: That would've been nice, but I've been seeing someonelately.Martin: Oh, sure, of course you have. Stupid of me.Cora: But I'm very glad to see you again. Please give Eddie my love.Martin: Oh, yeah. He'll be sorry he missed you. He liked your ankles.[She goes into Cam'sapartment. When the door closes, Martin smacks his cane against the floor in frustration, then turns and mashes the button for the elevator, furious. Fade out.]Scene 3 - Frasier's Apartment[Fade in. Gertrude andDaphne are on the couch. Niles is leaning against the table behind it. Frasier hurries in.]Frasier: Oh, sorry for the hold up, guys. Ah, listen, I think it's best if we take separate cars to the flower show. See, later I have togo buy a bicycle.[Daphne gets up and heads to the kitchen.]Niles: For whom?Frasier: Well, for me. I've been dragooned into riding for the KACL AIDS Bike-A-Thon.Niles: Poor devil, spending the day on a bike. I don'tenvy you.[He starts seriously, but a malicious grin breaks through. Daphne sticks her head out of the kitchen.]Daphne: Niles, why don't we enter the Bike-A-Thon?[She ducks back into the kitchen, leaving Niles stunnedand nervous. He looks to Frasier, who is grinning.]Frasier: You had to see that coming.[Daphne comes out of the kitchen.]Daphne: We can all go to the shop together, after the flower show.Niles: Sure, whynot.Gertrude: Oh, you two would look so cute on matching bicycles.Niles: I guess it would be a kick, eh Frasier?Gertrude: Not you two, ya nit! You and Daphne.[Martin comes in, slams the door and points atGertrude.]Martin: You!Gertrude: Hello.Martin: I just had a very interesting discussion with Cora Winston. Seems someone claiming to be my girlfriend scared her off.Gertrude: Oh dear. Is she the woman from thebookstore?Martin: No. The bookstore?!Daphne: Mum, is this true?Gertrude: Well, I'm sure I don't know what Marty's talking about, but it was probably back when we were an item.Martin: We were NEVER an item! NowI would like for you to leave.Frasier: Now Dad, calm down. I'm sure you can talk this over with Cora and have a good laugh afterwards.Martin: Ha ha! Very funny. Now that she's practically married to this guy.Gertrude:[rising] Oh, Martin, I'm sorry. I guess didn't realize...Martin: Apology not accepted. You went too far, we are no longer speaking.Gertrude: Marty...Niles: No, no, Mrs. Moon. Mrs. Moon...shut up.[He ushers her out thedoor.]Frasier: Uh, Dad, we're leaving now. We're going over to the flower show and after that we're going to a sporting goods store to buy a couple of bikes.Martin: Nice try, Fras, but I'm too mad to laugh.[Frasier,nonplussed, just closes the door behind him. Fade out.]Scene 4 - The Sporting Goods Store[Fade in. Frasier and Niles are with a salesman, looking over a selection of bikes.]Niles: This one has good lines. You have anywithout this bar here?Salesman: You mean girl's bikes. Sure.Niles: Good. 'Cause my wife's a girl and she'll need one of those.Salesman: Nice. Maybe I'll go see how she's doing.[He walks off. Niles covers hisface.]Frasier: Niles, we can't stall much longer. I mean, one seems as good as the next, is there anything else we need?Niles: Hmm, let me see. Oh, yes, I know. We need to know HOW TORIDE THEM!Frasier: Shh! Wewill learn.Niles: Oh, as easy as that? Look at these machines, Frasier. These are BICYCLES! There is nothing between you and the ground but the ground itself.Frasier: Yes! And if a child of FOUR can ride one, then socan we.Niles: That's what we said when we were six! If Daphne finds out, she'll probably...[He breaks off as a man in biking gear comes over to look at the bikes they're standing at.]Frasier: Metal spokes. I likethat.Niles: I should buy the horn separately.Frasier: Uh-huh.[The man walks away.]Niles: That was close.Frasier: Niles, I am not going to look like an idiot at that Bike-A-Thon. Tonight, I am going to a parking lot andcome hell or high water, I am going to master cycling. You're welcome to join me.Niles: I guess I could sneak out. Perhaps it's time to slay the dragon.Frasier: That's the stuff, brother.[The customer comes over bythem again.]Niles: Call me crazy, but I like a bouncy tire.Frasier: Two bouncy tires and a...taut chain. That's good ridin'.[They smile bravely until the customer heads off again.]Niles: Where did you learn all that? Thatwas really good.Frasier: Just a matter of confidence, Niles.[SMASH CUT TO - Frasier's apartment, later that night. Frasier comes in the front, struggling with his new bike and muttering. Niles is behind him.]Niles: All amatter of confidence, he says.[Frasier turns the lights on to reveal that they are covered with scratches and bruises.]Frasier: Yes, well perhaps two people who don't know how to ride bikes shouldn't try to teach eachother.Niles: A good teacher doesn't yell at his student.Frasier: Nor does a good teacher throw a stick at his student![Niles clutches his knee.]Niles: I thought it would make you try harder.Frasier: Oh, you're going tomake a hell of a dad!Niles: Oh, what are we going to do?Frasier: Let's not panic. We still have two days before the Bike-A-Thon. Surely the library has shelves devoted to this topic.Niles: I don't have time for that!Daphne wants to go biking tomorrow afternoon.Frasier: Well, then you're just going to have to tell her that you don't know how to ride.Niles: I can't! It's too late! If I was going to do that, I should have done it at thebike store. But NOOO! You, YOU said we could teach ourselves! You said no one would be the wiser![As he continues to shout, Frasier makes calming gestures.]Frasier: Niles...Niles: \"Two bouncy tires and a taut chain\"you said!Frasier: Niles...Niles: And now look! My spokes are bent, my pants are stuck, and there's blood on the headlight, and blood everywhere...[He breaks down as Frasier tries to comfort him.]Frasier: Niles, thatwasn't your fault. That jogger should have been wearing a reflective vest. Come on. Come and sit down. I'm going to get you a nice sherry.[He heads for the sherry. Niles tries to move, but his pants are still stuck in thechain so he carries the bike with him. Fade out.]Act 2 Scene 1 - Cafe Nervosa[Fade in. Niles is sitting at a table, Frasier is getting coffee at the counter. Roz comes up behind him.]Roz: Hi, Frasier.Frasier: Oh, hi Roz.You're welcome to join me and Niles.Roz: Oh, I can't. I'm on my way to meet Alice and her sitter. Alice wants to practice riding her bicycle for Saturday.Frasier: Really?Roz: Mm-hm, she loves it. I mean, she had thatbike one day before she made me take her training wheels off.Frasier: Tell me, does she ever find that she feels as though her feet are frozen to the pedals? Stuck in a confused, arrhythmic battle between forward andreverse, until finally, with no locomotive momentum whatsoever, she keels over like a felled tree?Roz: I don't think so.Frasier: Well good, good. Because... that's a real thing that happens to some kids.[He sits downwith Niles as Roz steps to the counter. Daphne and Gertrude come in.]Daphne: Hey, Frasier.Frasier: Oh, hello Daphne, Mrs. Moon.[They all say hello to each other as the ladies sit.]Daphne: I'm afraid I have some badnews.Niles: What is it?Daphne: Someone stole our new bikes.Niles: My God, are you sure? [to waiter] Can I get a refill? That's terrible.Frasier: You know, that's curious. Niles, didn't that salesman say nothing couldbreak those titanium locks?Niles: You're right. I must not have locked them properly. Foolish Niles.Gertrude: You know, I spotted a couple of bikes in the storage room, behind the furnace. Perhaps you could borrowthose.Niles: No, I don't think so. The theft has soured me on the whole bike experience and what were you doing behind the furnace anyway?Gertrude: Drinking.[Martin walks up to the table.]Martin: Hello Daphne,Niles, Frasier.Gertrude: Hello, Martin.Martin: How are the three of you doin'? Mind if I join you?Niles: Sure.[Martin pulls another chair up to the table.]Gertrude: Oh, you're not still angry at me, are you?Martin: Coffeeplease.[Roz stops on her way out.]Roz: Hi.Niles: Hey, Roz.Roz: Wow, everybody's here today.Martin: Yeah, grab a seat, I'd love to have a lady sit next to me.[Gertrude looks very put out.]Roz: Thanks, I can't. I'm onmy way to the park. I just got a call from the babysitter. Alice did a wheelie![The others all sound happy at this.]Roz: Well, I'll see you guys later.Frasier: That's great, Roz. Bye-bye.[She leaves.]Frasier: Well,someone's raising a real little showoff.Martin: Now, now, not everyone was meant to ride a bike.Daphne: What does that mean?Martin: Well, I'm just saying my boys are good at other things. Indoor things.[Daphnecasts a suspicious look at Frasier.]Daphne: Oh, no. You don't mean...Niles: Yes, Daphne. Frasier doesn't know how to ride a bike.Frasier: Well, neither do you!Niles: Frasier!Frasier: Well, she was bound to find out! [toDaphne] We never learned.Martin: I tried teachin' 'em, but I had to take them to the hospital so many times, social services started sniffin' around.Niles: All these years, it's been our secret shame.Frasier: Yes, and ithasn't been easy concealing it, either. People are always saying in conversation \"It's just like riding a bike.\" I can smile, and nod. But I only understand it in theory.Niles: We tried to teach ourselves last night.Frasier:Oh, can you imagine a sadder tableaux: two grown men trying to gain mastery over a child's toy and failing miserably.Niles: Even more pathetic: a grown man faking the theft of his and his wife's bicycles. I disgustmyself. I'm so sorry, Daphne.Daphne: Niles, you've no need to apologize. Lots of people don't know how to ride.Niles: Really?Gertrude: No.Daphne: It doesn't matter. I can take you to the park and teach you. I'll teachyou both.Frasier: Really, Daphne?Daphne: Yes.Niles: Daphne, I adore you.[He kisses her.]Gertrude: No, seriously. Who?Frasier: Thank you, Daphne.Niles: You know, I'm afraid my bike may be too damaged toride.Daphne: So we'll borrow one from someone in the building. I promise you, you two are going to learn how to ride bikes.Martin: You're a good wife, Daphne. And I'll bet you were a good daughter when your motherwas alive.[Gertrude crosses her arms and glares at him while everyone else tries to not be involved. Fade out.]Scene 2 - The Park[SCENE_BREAK]CYCOLOGY[Fade in. Frasier is there with his bike, Niles is on agrade-school bike with high handlebars and a banana seat. Daphne is standing just off the path.]Frasier: Helmet.Niles: Check.Frasier: Pads.Niles: Check.Frasier: Cup.[Frasier adjusts his athletic supporter, but Nilestouches the sport bottle on the handlebars.]Niles: Check.Daphne: All right. Now remember: keep your eyes open and pedal quickly. I just want to get an idea of your individual skill levels. All right, everyone ready?And...go![The boys lift their feet up to the pedals, but don't push off or pedal. They twitch for an instant, then fall against each other, propped up. Being on the shorter bike, Niles is about elbow high withFrasier.]Daphne: Okay, good start. Now, let's try again, but this time further apart.[Frasier pulls his bike away from Niles'.]Frasier: Okay. I think this is going to be all right.Niles: Yes, this isn't so bad.Daphne: All right.And...go![The boys bring their feet up, then put them right back down for balance. After a couple of false starts, they start moving forward, terrified looks on their faces. Daphne watches them, smiling.]Daphne: Yes,very good.[Her expression quickly becomes worried as there are sounds of crashing and pain. She starts forward, darting from side to side, unsure which of them needs help more.Music from \"The Barber of Seville\"begins playing as we see a montage of Niles and Frasier trying desperately.][N.B. This theme was also used in the 1979 Oscar-winning film \"Breaking Away\" about an American small-town teenager who becomes soobsessed with a team of Italian bike race champions that he creates an Italian persona for himself, including listening to Rossini's operas.][Frasier seems to be getting along, until he sees a tree. Focusing on it with ahorrified look, he crashes into it and falls down.Daphne is running alongside Niles on his small bike. They pass behind a hedge and only Daphne and the bike emerge. Daphne stops and looks around for herhusband.Frasier again crashes into the tree and falls over.Niles is exhausted and reaches for the sports bottle. However, he is unable to get it loose. Later, he unwraps a power bar to eat. But he pulls the wrapper all theway down and his snack falls to the ground while Frasier watches. He opens the spout on the sports bottle and picks the bike upright so he can drink from it.Niles and Daphne are at the \"killer tree\", urging Frasier to theside. He makes the turn and avoids the tree, looking happy. Niles and Daphne cheer him on, then watch him circle around until they have to quickly move aside before Frasier once more strikes the tree head on andends up on the ground.Daphne again runs alongside Niles. They disappear behind the hedge, the music reaches its finale... and this time Niles emerges alone on the bike, smiling triumphantly. Daphne jumps up anddown and claps her hands, proud and happy. The music ends.Now that Niles has learned, they focus on Frasier.]Frasier: It's that damned sycamore! It's got a magnetic hold on me.Daphne: That's because you keepfocusing on it. Whatever you do, put it out of your mind. The more you think about it, the worse it gets.Niles: You're a cloud, scudding across a clear blue sky.Frasier: I'm a cloud.[He takes off again.]Niles: You're acloud. A cloud...[Frasier looks worried for a moment, but manages to swerve away from the tree.]Frasier: I AM a cloud! I'm flying! Look, I'm riding a bike.[He's ecstatic, but is soon passed by a young girl on a bike withtraining wheels, then a pregnant woman jogging, then a gray-haired man on a razor scooter. Nonetheless, he seems happy at his accomplishment. The finale of the music repeats. Fade out.]Scene 3 - Frasier'sApartment[Fade in. The doorbell rings and Martin hurries to answer as it rings again.]Martin: I heard ya. I'm comin'.[He opens the door to reveal Gertrude, holding some flowers and a sandwich.]Gertrude: Hello.[Martinslams the door in her face and starts walking away. She pounds on the door and he goes back again.]Martin: Oh, geez![He opens the door and speaks before she can.]Martin: Look. I'm sorry. I'm still ticked. I'm notproud of it, but I have to do the right thing and that means hold this grudge.Gertrude: Ah! You're talking to me. I knew you would.[He slams the door in her face again. Cut to - the entryway as she turns around. Cora isjust coming off the elevator.]Gertrude: Oh, you're here to see Marty?Cora: Actually, I think not.[She turns away.]Gertrude: Look, no. This isn't what it looks like. I'm here to apologize. But since he's not talking to me, Iguess I can say me piece to you. Now, first of all, don't be scared. I'm not a secret agent and I don't have a license to kill. Back when I said all that to you, I wasn't really in me right mind, anyway. I mean, I'd justseparated from me husband and...well, maybe I hoped Marty would be some kind of...knight in shining armor. But we were never a couple, though.Cora: It was a pretty rotten thing you did.Gertrude: Yes, I know, dear,just awful. In me defense, I've done much worse. And besides, between you and the girl at the bookstore, I liked you better.[Cora looks a little confused at this. Cut to - inside the apartment. Martin is relaxing in hischair when the doorbell rings. Rolling his eyes, he gets up.]Martin: Sonovabitch![He goes to the door and opens it to reveal Cora holding the flowers and sandwich, a big smile on her face.]Martin: Cora! Hi, come onin.[She enters and hands him the things and he sets them on the table behind the couch.]Cora: Hi. I ran into a friend of yours.Martin: Oh, she's no friend of mine.Cora: Well, she had some nice things to say about you.Maybe we could talk about it at dinner tomorrow.Martin: I thought you were seeing someone.Cora: I don't see him here.Martin: I guess not. Pick you up at seven?Cora: Seven it is. So...who's this girl from thebookstore?Martin: See you tomorrow.[He ushers her out the door and shakes his fist in a victory gesture. Fade out.]Scene 4 - The Bike-A-Thon[Fade in. Lots of people are lined up under a banner marked Start andFinish. Frasier and Niles are at the front, Niles still with his borrowed bicycle.]Martin: Never thought I'd see the day. This is really somethin'.Frasier: Thanks Dad.Daphne: That's right. You faced your fears and youbested them.Niles: Yeah, thanks to you.[He gives her a kiss.]Niles: And who knows? Maybe this is just be the beginning. There are still mountains to conquer. The diving board, for instance.Frasier: Orcartwheels.Martin: Be careful out there, Son.Frasier: I will, Dad. Thanks. I guess I better go take my place, huh?Martin: Okay.[Frasier wheels his bike over to where Kenny and Julia are waiting.]Frasier: Kenny,Julia.Kenny: Hey, Doc.Julia: Hi.Frasier: So, have a good ride.Kenny: Not gonna happen. These shorts are already bunchin' me somethin' fierce. Excuse me.[He gets off his bike to get more comfortable.]Frasier: Prettyexciting.Julia: Thrilling. You don't mind if we don't ride together, do you? I like to go at my own pace.Frasier: No, not at all. You don't have to feel like you have to keep up.[She laughs at this.]Julia: Right. Well, what do"}
+{"doc_id":"doc_23","qid":"","text":"OLIVIA POPE's APARTMENTOlivia: Why are you here? You can't be here.Fitz: I didn't kill Amanda Tanner.Olivia: I know. Her baby it wasn't yours. But it could have been.Fitz: Really? You really want me to detail for youhow and where and in what positions Amanda Tanner and I had s*x? Would that help make you feel better? 'Cause I'll do it.Olivia: No.Fitz: You left me. I was unhappy. She was there. One time. I-- I made amistake.Olivia: I don't want to talk about it. You cheated on your mistress with your girlfriend. Let's just leave it at that.Fitz: She wasn't my girlfriend. Don't you ever call yourself a mistress. We both know better.Olivia:Why are you here?Fitz: Cyrus got this in the mail a week ago. It's a s*x tape. I'm on it. I need you to hear it.Olivia: I definitely don't want to hear you and Amanda Tanner having s*x.Fitz: Olivia. I need you to listen tothis.[SCENE_BREAK]GRANT CAMPAIGN HEADQUARTERSFitz: Well, there's no way to sugarcoat it. We got our ass handed to us by Sally Langston in Iowa last night. So, anyone have any great ideas? Anyone?Jeannine:We have to swing farther right. We haven't said a thing about gay marriage, school prayer-Fitz: Oh, come on. It's not our stances on the issues. We are not getting our message out there. People don't know where Istand. The problem is--Olivia: Your marriage. It looks like you don't screw your wife Which would be fine, except that family values matter to Republicans. It's why they vote for who they vote for. And since Sally's gotJesus firmly on her side, that just leaves family. Marriage. And yours, whatever the truth may be from the outside, it looks cold, distant, dead. Where is your wife, by the way? People want to like who they're voting for.Voters thought Al Gore was a big stiff until he stuck his tongue down Tipper's throat. They put George W. in office because he and Laura seemed like a fun couple to have a beer with. People have to want to invite you infor dinner; and right now, you and your wife are standing in their doorway, not looking at each other, letting in the cold air. That's why you lost Iowa. It's why you'll lose New Hampshire.Fitz: And you are?Olivia: Olivia.Pope.Fitz: Fire her.Cyrus: Ah, she's great, right? A pistol. Lives for her work, a political nun, best student I ever had.Fitz: Fire her.Cyrus: 'Cause she said what every staffer on your campaign was afraid to say?Fitz: Justget rid of her.Olivia: I'll charge my hotel room to the campaign. Don't worry. I haven't had a chance to raid the hotel minibar. Liv best of luck, Governor.Cyrus: Let's be clear about something. I run a sausagefactory.Fitz: Which makes me ... sausage?Cyrus: Handsome, highly qualified, smart, idealistic, and energetic sausage. The stump, the electrifying speeches, the baby kissing that's all you. The nitty-gritty, morallybankrupt, back-alley-brawling rest of the game, that's me. It's filthy and thankless, and it's my hallelujah, heroin, and reason to breathe. And you, you don't have half the stomach for it, so you go and you make nicewith Olivia Pope. Get her back, or you can find another sausage maker.Fitz: Ms.Pope? Ms. Pope, wait. I, I apologize for firing you.Olivia: Why?Fitz: Why do I apologize?Olivia: Why did you fire me? I had a job, a payingjob, from which I took a leave of absence to do a favor for my friend Cyrus because I am good. I am brilliant. I would eat, breathe, and live Fitzgerald Grant every minute of every day. You would be lucky to have me.Just because you don't like hearing the truth about yourself-Fitz: I loved hearing what you had to say. I agree with every word. Very astute. And you're right. I would be lucky to have you. Look ...Olivia: This is why youfired me ...Fitz: Can we just...?Olivia: Go back in there and work.Fitz: Okay.Olivia: Okay.[SCENE_BREAK]PRESIDENTIAL CAMPAIGN PANCAKE BREAKFAST / OLIVIA POPE'S APARTMENTFitz: Oh, it's perfect to meet you.Yeah, thank you for having us. How are you, Sally? Hi.Olivia: Put down the butter.Abby: I don't know what you're talking about.Olivia: I can hear my mixer again, Abby. Butter won't fix it.Abby: So are you a rabidRepublican yet? Hello? Liv?Olivia: He's got ... something I can work with.Abby: Go to it then. You don't have to check on me every day. I'm not deranged. I'm just divorced.Olivia: So stop feeling sorry for yourself. Getout of my kitchen. Call my friend Stephen. He's fun.Abby: Stop trying to get laid. Maybe I'll buy a gun.Olivia: Ohh-kay. Bye!Cyrus: Ooh, he's good, our boy. You'd never know he's dying to rip Langston's throatout.Olivia: If only he were that good at faking it with his wife we wouldn't be losing.Amanda: Schedule of events?Olivia: Thanks.Cyrus: What's your name?Amanda: Amanda.Cyrus: Thanks, Amanda. I don't care whichcampaign you're volunteering for, I want to thank you for coming out today.[SCENE_BREAK]US ATTORNEY'S OFFICEDavid: Alissa, cancel your plans. We're working late tonight.[SCENE_BREAK]GIDEON WALLACE'SAPARTMENTQuinn: Mm. This is really good.Gideon: I know.Quinn: No, I mean like award-winning good, like you should quit your job. 'Cause let's face it, you're kind of a crap reporter.Gideon: Mm-hmm.Quinn: Go outon the road in your car and sell this grilled cheese. Wait. You have a car, right? 'Cause I can't date you if you don't have a car.Gideon: I have a car. I also ... I have ... A deadline tomorrow.Quinn: Oh. Yeah, I sh- I'msorry. I should go.Gideon: No. No. I didn't mean that. You shouldn't go. You should stay. I just have to work for a couple of hours, but you should stay here, naked. And beautiful. And here, in my bed. Stay here.Please.[SCENE_BREAK]US ATTORNEY'S OFFICEDavid: Ah, did you get moo shu chicken? No wonder it took you so long. How do you even walk in those?Alissa: I got whatever you ordered. And these shoes aren't madefor walking. They are made for getting me laid, specifically, they are for the very hot bartender at the Black Cat, where I would be having a drink right now if I didn't happen to work for an obsessive-compulsive slavedriver who makes me fetch him dinner at 10:30 on a Thursday night.David: You know, if you spent less time at the Black Cat and more time studying for the bar exam, you wouldn't be fetching your boss anythingbecause at law firms, they have assistants for that.Alissa: Lots of lawyers fail the bar.David: All lawyers pass the bar. That's what makes them lawyers. Alissa, eat something. We have a murder to solve.Alissa: No, wedon't. Coroner says it's a suicide, and the police agree with her, which is why I went home two hours ago, because work was over.David: Amanda Tanner. 27. Single. 13 weeks pregnant. Worked as an aide at the GrantWhite House till just a couple weeks ago when she abruptly resigned and botched a suicide attempt. Then she becomes a client of Olivia Pope's, and we pull her dead body out of the river. Don't you find that interesting?Well, pretend you do, for me. Now if you did happen to find any of this remotely fascinating, incongruous, intriguing, worthy of our time, what's the first question you might ask about Amanda Tanner?Alissa: Well, um,who in the White House would want her dead?[SCENE_BREAK]PRESIDENTIAL CAMPAIGN STOPMellie: You canceled all our events for the next two days? Yes.Fitz: The primary's in less than a week. We can't miss twodays of campaigning.Cyrus: New Hampshire's a small state.Mellie: I have a literacy fund-raiser in nashua tomorrow. I can't possibly cancel that.Olivia: That's why I canceled it for you.Mellie: Maybe I'm dense, but Ihave to confess, I don't really know what you want from us.Olivia: First off, I'd like you to actually talk to each other.Mellie: We talk all the time, Ms. Pope. Not to each other, you don't. House parties, town hallmeetings, baseball games you barely look at each other.Mellie: Fine. We will add a couple of events to the schedule where we are together.Olivia: That won't do it. You two need to be a couple. A believable, loving,dedicated couple. Or you might as we throw it in right now. Why don't we give you two a moment?Fitz: Why are you fighting this? It's what you wanted. It's what you've always wanted.Mellie: What I wanted? You arethe one running for President.Fitz: Oh, please, like you're not running for First Lady? You're dying to get into that White House. You're practically redecorating already.Mellie: Okay, there it is. I am the ambitiousmonster. I'm the Iron Lady. I have done everything for you! I have sacrificed my career for you. I have had kids for you. There is not a single thing in my life I have not given up so that you could be President!Fitz: Inever asked you for any of that.Mellie: And all I get in turn is this perpetual resentment!Fitz: So what would you prefer? That I ignore you? That we don't talk at all? 'Cause that's pretty much how it's been the past fewyears, and that's worked okay.Mellie: Now you're just being juvenile.Fitz: Look, we BOTH know...Cyrus: This is why they don't talk to each other.Fitz: No ... 'Cause you're afraid it would get out and kill uspolitically.Mellie: If they found out, we'd be dead in the water!Fitz: Fine! Then if living on Pennsylvania Avenue is that important to you, we better suck it up and start acting like this isn't a deadmarriage![SCENE_BREAK]OUTSIDE PRESIDENTIAL CAMPAIGN STOPJames: Governor, you're 5 points down in New Hampshire. Taking time out from the primary for a parent-teacher conference isn't that a littlerisky?Fitz: If it's a choice between losing touch with your family and losing a primary. That's not really a choice, is it?[SCENE_BREAK]PRESIDENTIAL PRIMARY PREPARATIONOlivia: You can't wear this tie on morningTV.Fitz: What?Olivia: It's too distracting. Take it off. Give me your tie, please. Give me your tie. Take it off. Off, off, off, off. Thank you. Okay.Fitz: You decide who you're voting for?Olivia: I'm apolitical.Fitz: You don'tsleep, you rip ties off innocent bystanders for me, you're killing yourself 24/7 to get me elected, and I don't even have your vote.Olivia: Well, you're gonna need to earn it, like any othercandidate.[SCENE_BREAK]INTERVIEW WITH FITZ & MELLIEReporter: If my research is right, you were first in your class at Harvard Law.Mellie: That's right. Oh, and uh, Fitz did fine, too.Cyrus: Not bad.Olivia: They'restill not touching.[SCENE_BREAK]GRANT CAMPAIGN ICE CREAM SOCIALFitz: One more. There you go. One more.Mellie: Very good job.Olivia: That's great.Mellie: It's your turn. It's your turn, Fitz.Fitz: Okay, it's myturn. Mm-hmm. Delicious!Olivia: Oh, wipe it off ... Wipe it off.Cyrus: Wipe it off.Olivia: Wipe it. Wipe it off. Wipe it off, Mellie. Come on.Cyrus: Come on.Fitz: Oh. Thank you.Olivia: Perfect.Mellie: Ice cream,anyone?[SCENE_BREAK]LANGSTON CAMPAIGN HEADQUARTERSSally: Ugh! Who in the holy hell is running that campaign?Billy: As far as I know, they haven't made any official changes.Sally: Oh, yeah? That is a big,old pile of dung, Billy Chambers, and you know it. That is not the Fitzgerald Grant I ran against in Iowa. That is a candidate, Billy. A down-home, charming, red-blooded candidate who's stealing my votes. Hell, I'mhalfway to voting for him. Now I want to find out who's responsible so we can see what we're dealing with here.Billy: I'm on it.Sally: Billy, it is not in God's plan that I lose New Hampshire.Billy: Senator, I promise you,we will not lose New Hampshire.[SCENE_BREAK]GRANT CAMPAIGN STOP (NEW HAMPSHIRE)Fitz: I'm a little superstitious, so we're not gonna have any victory speeches until tomorrow night, after everyone's voted.But for now, I just really want to say thank you. Okay? Thanks. It's all you guys.Fitz: Olivia Pope I don't know how you do it.Olivia: Oh, if we're passing out credit, Governor, you and Mellie deserve most of it. You twoseem to be doing much better.Fitz: I think you underestimate how good a politician I am.Cyrus: We're not gonna win New Hampshire.Fitz: What are you talking about? The polls have us up by-Cyrus: Story's coming outin the morning paper, 6:00 A.M. They'll be reading about it over their damn coffee, right before they vote.Olivia: What story? What's coming out?Cyrus: Mellie's having an affair.[SCENE_BREAK]RESTAURANT BARTV:Senator Sally Langston won the New Hampshire Republican primary Tuesday, with 98% of the precincts reporting. Most attribute the voters' change of heart to new allegations that Governor Grant's wife is involved inan extramarital affair.Billy: Now you can't blame this one on me. You did a hell of a job with those two. The thing is, this isn't a story that goes away. You know, you can't spin a dead marriage. Sally and Doug, on theother hand ... they're like a couple of teenagers who can't keep their hands off each other. It's kinda gross, actually.Olivia: Billy Chambers.Billy: Thanks for meeting me, Olivia.Olivia: What do you want?Billy: Concedebefore South Carolina, and we'll give you the V.P. slot.Olivia: I'll take my check.Billy: Come on. You and I on the same team? We'd be unstoppable. We could play the spin machine, wrangle reporters, have nice mealson the trail. Do you like barbecue?Olivia: Are you asking me to concede or out on a date?Billy: Maybe a little bit of both.Olivia: I hate barbecue.Billy: You're awfully confident for someone who's got no cards left toplay.Olivia: Oh, I always have cards left to play.[SCENE_BREAK]GRANT CAMPAIGN HEADQUARTERS / WASHINGTON D.C. STREETFitz: This is the man who's gonna save my campaign?Olivia: Governor, if they look likeweapons, they're hard to keep secret.Huck: You're late.Olivia: Blame this guy. Cyrus, give us a minute. Huck, are you ready to reenter the real world today?Mellie: Is he wearing pants?Huck: Paul Mosley. Literacy policyadvisor for-Mellie: We all know who he is. He was advising me on literacy. But that's it. End of story. I would never-Fitz: Honey, it's not necessary. We believe you.Huck: They were following you. Did you knowthat?Mellie: What?Huck: A guy like me, but, like, cleaner, has been following you for over seven months. Taking these photos, gathering evidence to use against you, just waiting for the chance.Fitz: How'd you getthese?Huck: Anything digital, it's all just out there. Patterns of ones and zeros waiting to be gotten.Cyrus: All these late night meetings it doesn't look good.Olivia: And the story's picking up traction because Mosley'snot denying it.Cyrus: They must be paying him off.Huck: I pulled up all his financials. His password is \"literacy.\"Olivia: What's he got? Swiss accounts? Cayman Islands?Huck: Uh, just small amounts. Uh, tiny stepproductions. Here's another $4. 19.Cyrus: Hardly damning. Keep looking.Huck: Well, small payments are interesting, too.Fitz: Why is that?Huck: Well, he's been getting quarterly payments from Tiny Step Productions.Tiny ones going back 30 years.Olivia: You ready to try something new?Abby: I was thinking of going savory, but what's up?[SCENE_BREAK]TINY STEP PRODUCTIONS OFFICEAbby: Excuse me.Receptionist: Hello.Abby:What do you do here?Receptionist: We're a feature film company.Abby: Oh? What kind of films?Receptionist: Specialty films, ma'am.Abby: Like educational or ...[SCENE_BREAK]OUTSIDE GRANT CAMPAIGN BUSCyrus:No way!James: No, no way what?Cyrus: You lost your seat on the bus when you ran that Mosley- Mellie affair nonsense of a story without even running it by me.James: I called for comment. You didn't pick up.Cyrus: Iexpected more from you, James.James: Don't bully me for doing my job, Cy. \"Times\" ran that story, too.Cyrus: Claire, you're off the bus, too. Ask James why.Fitz: Hey, Liv?Olivia: Yeah.Fitz: We on top of this, gettingthis guy to come clean?Olivia: I'm on it.Fitz: What does that mean, \"you're on it\"?Olivia: I got a guy.Fitz: You got a guy? Another guy? Hells angel? Mobster? A kindhearted felon who owes you a favor?Olivia:Technically, he's on probation.[SCENE_BREAK]PAUL MOSLEY'S HOUSETV: Don't forget the little pinkie toe. Mm! Mwah! Mm!Harrison: Toe sucking not my thing, but I admire the technique, no matter the application.And you, Paul Mosley, a.k.a. Brock\"The Mouth\" Stone hahaha! You got mad skills. You commit.Paul: Get the hell out of my house.Harrison: No wonder they made eight sequels of \"Twinkle Toes on Parade.\"Paul: I'mcalling the cops.Harrison: Save your minutes. I already did. I figured they'd need a patrol or two to manage the media circus that's gonna be tearing up your front lawn in about four minutes. You see this, yourtoe-sucking highness, is your golden opportunity to fervently deny any remotely romantic involvement with Mellie Grant before you are a national joke and the entire literacy community that holds you in such highesteem reads all about your lengthy and decorated career as an artist of toe-rotica. Wow! Can I get an amen, Paul?[SCENE_BREAK]REPUBLICAN PRESIDENTIAL DEBATE, SOUTH CAROLINASally: We have thetechnology. We should aerial drone the hell out of our Southern borders and protect our legal citizens. Unless, of course, governor grant wants to open up his Santa Barbara ranch for amnesty ...Kendal: The nextquestion is for you, Governor Grant. Your marriage has received a lot of attention during this primary campaign. And while allegations of infidelity have been dismissed, criticism lingers amongst voters. Why do youthink that is?Cyrus: We knew it was coming.Fitz: I think that a lot gets lost in translation between real life and packaged news footage. You can't capture 20 years of marriage in a in a snapshot. You can't capturechemistry with a photo op. I know what some people perceive and what the ... the whispers are, but ... The most honest thing that I can tell you about myself right now, Kendal, is that I'm a man in love with anincredible woman.[SCENE_BREAK]HOTEL ELEVATORCyrus: There's the man!Crowd: Whoo!Cyrus: Congratulations!Crowd: Congratulations! Yeah! Uh-huh! Whoo![SCENE_BREAK]GIDEON WALLACE'SAPARTMENTGideon: Hi. This is Gideon Wallace from \"The D.C. Sun.\" We spoke last week about Amanda Tanner in 3-B. Yes, I do know what time it is. Hey, I know it's late, but I- do you know who's looking afterAmanda's dog? I think it's a golden retriever. Do you know who's watching it for her? Her boyfriend? Really?[SCENE_BREAK]US ATTORNEY'S OFFICEAlissa: Look at these logs. This girl is signing into the White House atthe crack of dawn and signing out in the wee hours, every day. You know what I think? I think work and play overlapped. Think about it. She never goes home, so where's she doing it? The White House, that's where.Oh, like you wouldn't.David: So she was sleeping with someone in the White House, as apparently, any red-blooded American would.Alissa: And plus, it's gotta be someone in the parts of the West Wing she's logginginto.David: Come on.Alissa: That totally narrows it down.David: To 57 employees of the male persuasion. So the question remains who's her baby daddy?Alissa: Did you just say \"baby daddy\"?[SCENE_BREAK]GRANTCAMPAIGN HEADQUARTERSOlivia: I need the latest poll numbers for Alabama, Arizona, Georgia, Arkansas, Oklahoma.Woman: I'm on it.Olivia: Super Tuesday is coming, people, and it's gonna kill us if we don't stay ontop of it.Fitz: Morning.Olivia: Good morning, Governor Grant. Did you need something?Fitz: No, just ... no.Olivia: Good.Fitz: I'm married.Olivia: I know.Fitz: I'm running for President.Olivia: I know.Fitz: I can't.Olivia: Idon't want you to.Fitz: But just stand here with me, for one minute. Let's not go back in there or talk or think or ... For one minute, we just stand here, and I'm not the candidate and you're not the campaign fixer.We're just us. One minute, for one minute. Just ... stand here with me.Olivia: One minute.Mellie: Oh! Liv, there you are. You've really got to look at what they have me wearing at the town hall tonight. I really think it'stoo much.[SCENE_BREAK]GRANT CAMPAIGN BUSCyrus: Just got the tracking polls for Super Tuesday. You're still down with women. They're for Sally and they're not changing their mind.Fitz: I crushed her in thatdebate. The whole country saw it.Olivia: It's hard to win over women when there's a viable female candidate in the race. We've been waiting a long time.Fitz: So what do we do?Cyrus: We've got the oppo on her. Threewitnesses all willing to speak on the record about snorting coke at a frat party with Sally Langston, back when she was just a Tri Delt.Olivia: It won't work. You can't nail Sally Langston on morality. Sally found God,Cyrus. Once you find God, all is forgiven. That's kind of the point.Cyrus: No, the point is we can't win without women.Fitz: No. You take the opposition research and you put it in the garbage. We're playing the rest ofthe game above board, win or lose.Cyrus: Okay.[SCENE_BREAK]GRANT CAMPAIGN EVENT, GEORGIAFitz: And that's exactly why I think deregulation is a good thing, like this pie. Do y'all really get to eat this all thetime?'Cause if you do, I'll have to spend a lot more time down here.Mellie: I'm sorry. I just I can't do this anymore.Fitz: Mel?Mellie: It's okay, honey, I just I need to say it. Um ... A few months ago, Fitz and I found out"}
+{"doc_id":"doc_24","qid":"","text":"(In 1988, a little boy is reading a book)Ted from 2030: When your Uncle Marshall was ten years old, he read a book called Life Among the Gorillas. It was written by an anthropologist named Dr. AureliaBirnholz-Vazquez, it told the story of the year she spent living among the Western Lowland Gorillas of Cameroon. When Dr. Birnholz-Vazquez came to the local community college to give a lecture, Marshall, theyoungest member of the audience, raised his hand with a question.Marshall: What advice do you have for a budding anthropologist?Dr. Birnholz: So you want to be an anthropologist?Marshall: Yep. When I grow up, Iwant to go live with the gorillas, just like you did.Ted from 2030: What she said next changed his life.Dr. Birnholz: Oh, that's wonderful, but I'm afraid you can't. They'll all be dead by then...[in 2006]Marshall:...and ifeconomic sanctions and trade restrictions aren't enforced, the destruction of the rainforests will continue and over a million species will be wiped out.Ted: So you don't want coffee.Marshall: I'm saying that the coffeeindustry is causing irreversible...Ted: All right. I'm pouring it out.Marshall: Okay, one cup. The kid needs to be alert. First day on the job and everything.Ted: I still can't believe you're going all corporate on us. \"The kid\"has become \"the man.\"Marshall: Okay, it's just an internship to make a little money. After law school, I'm going to work for the NRDC. They're gonna stop global warming.Ted from 2030: Well... I mean... they did theirbest.Lily: Here's your sack lunch.Marshall: Okay, I love you because, one, you made me a sack lunch and two, you laugh every time you say the word \"sack\".Lily: I love you, Marshmallow.Marshall: I love you.Ted: Ilove you too, Marshmallow.Marshall: Uh-oh. Ted?Ted: Oh, no. No, she didn't.Marshall: Yeah. Yeah, she did.Ted: Another care package?Ted from 2030: Another care package. I'd been in a long-distance relationship withVictoria for nearly a month. Long-distance relationships are a bad idea.Marshall: How many is that so far?Ted: Three.Lily: And how many have you sent her?Ted: In the mail or in my mind? Zero. She's up three-zip. Oh!Cupcakes! Great. I bet they're delicious, too. Yup, they're delicious. Damn it! I don't deserve these delicious cupcakes. God, I hate myself right now.Marshall: God, that is so me at 15.Ted from 2030: Marshall was goingto work for a big corporation called Altrucel. Altrucel was most well-known for making the yellow fuzzy stuff on the surface of tennis balls. I mean, this was a huge company, so they did other things... But mostly theywanted the public to focus on the yellow fuzzy stuff. Anyway, Marshall managed to score an internship in their legal department because he knew someone who worked there.Barney's office(Barney's on thephone)Barney: Go for Barney.Voice: Mr. Stinson, this is Willis from lobby security. Sorry to bother you, but we've had reports of a sasquatch loose in the building.Barney: A sasquatch?Voice: That's right, sir, a Bigfoot.We don't want to alarm you, but he's been spotted on your floor.Barney: Yes! Look at you. You suited in an unmistakably upward direction.Marshall: Whoa. That is a butt-load of motivational posters.Barney: Yeah, hell,yeah. I got 'em all: Teamwork, Courage, Awesomeness...Marshall: There's one for awesomeness?Barney: Yeah, I had it made. Sit.Marshall: Hey, so, now that I'm working here, are you finally going to tell me exactlywhat your job is?Barney: Please.Man #1: My dawg!Man #2: My dawg!Barney: Hey, Blauman, Bilson, this is Marshall. These guys are in legal. You're gonna be working with them.Marshall: Marshall Eriksen. Nice to meetyou.Bilson: Nice tie. Steak sauce.Blauman: Oh, steak sauce! For true, though.Marshall: Where, I don't, I don't see...Barney: Marshall? Sidebar. Your tie is steak sauce. It means A-1. A-1? Get it? Try to keep up.Bilson:Okay, Eriksen, let's get to work. It's 2:00 a.m. It's raining outside. Ding dong! What? The doorbell? Oh, hello, Jessica Alba in a trench coat and nothing else. But wait-- knock, knock. Somebody's at the backdoor?Marshall: I don't have a back door.Bilson: Oh, my gosh, Jessica Simpson? What a surprise. Two Jessicas, you gotta pick one. What do you do? Go.Marshall: Right. Well, uh... I'm engaged, so--Bilson: Fiancee's outof town. What do you do? Go.Marshall: We're still engaged, even if she's...Bilson: Okay, fiancee's dead. Hit by a bus. What do you do? Go.The BarTed: Sure you don't want one?Robin: How many of those have youeaten?Ted: Four. Teen. No, just four. And the icing from two more. So, anyway, here's the problem.[FLASHBACK]Ted: Hey, it's Ted. I guess you're asleep. Anyway, I got the care package, and it's just great. Here,listen... Mmm. Mmm![END OF FLASHBACK]Ted: So I'm standing there, my mouth full of this delicious relationship-winning cupcake... And... I said something dumb.[FLASHBACK]Ted: Oh, and, um... don't worry, yoursis in the mail. I sent it a couple days ago. And it's awesome. Really, really awesome.[END OF FLASHBACK]Ted: Why did I say that? I think frosting makes me lie.Robin: Oh, Teddy boy.Ted: Yeah. So now, whatever Isend her, she'll know I sent it after I talked to her. So that's the problem. You work on that. I'm gonna eat this cupcake.Robin: All right, here's what you do: Put together a care package of stuff from New York-- someH&H bagels, an Empire State Building keychain... and then, top off the package with a New York Times... Ready? From three days ago.Ted: That's brilliant. You're brilliant. You know, it's funny, not so long ago, I wascoming to Marshall and Lily for advice on how to impress you.Robin: That is funny.Ted from 2030: And here's why it was funny.[FLASHBACK]Ted from 2030: Little did I realize, a few weeks earlier, here's what Robinwas saying to Lily about me.Robin: Okay, fine, I have feelings for him.[END OF FLASHBACK]Ted: Now it's ironic, the girl I used to like is helping me impress the girl I now like.Robin: The irony is clear, Ted.TheappartmentLily: Hey! How was your first day?Marshall: I don't wanna talk about it. The guys I work with are a bunch of jerks.Lily: What?Marshall: They're jerks!Lily: What makes them jerks?Marshall: Forget it, I don'twant to talk about it. Well, like today at lunch..[FLASHBACK]Bilson: What do you got there, Ericksen? Mommy pack your lunch?Marshall: For your information, my fiancee did.Blauman: Oh... Does she cut the crusts offyour sandwich, too?Marshall: No.Blauman: What's that?Marshall: Nothing. Give it.Bilson: \"Dear Marshmallow. Good luck today. I love you. Lilypad.\"Marshall: Give it.Bilson: P.S. If you've unfolded this note, your kissalready got out. Quick-- catch it.\"Marshall: Give it back. Hey, give it. Gimme... Give it![END OF FLASHBACK]Lily: Oh, screw those guys! We're adorable.Marshall: I know. God. It's like freshman year all over again. Onlythis time, my sweet dance moves aren't going to be enough to win them over. Not even Old Reliable.Lily: Sweetie... It would be cool to have some extra money, but, but, if you're unhappy, it's not worth it.TheBarMarshall: I quit.Barney: What? No. We're having so much fun. You, me, working together. It's great.Marshall: We're not even working together, Barney. I'm in the legal department and you're... Seriously, what is itthat you do?Barney: Please.Marshall: I'm sorry, dude, this corporate thing, it's just... it's not for me.Barney: Oh, of course it's not for you. It's for Lily.Marshall: What?Barney: Marshall. Lily's a catch. But do you reallythink you're going to hang onto a girl that great without the package?Marshall: The package?Barney: The package. The house. The car. Sending your kids to a great school. A vacation once in a while.Marshall: Lilydoesn't care about that stuff.Barney: Well, no-- now she doesn't, but how's she going to feel in a couple years, when she's supporting you on a kindergarten teacher's salary while you're off in court defending some...endangered... South American... flying beaver.Marshall: She'll be happy.Barney: Okay. But will you be happy knowing you could have made her a lot happier.At Marshall's workBilson: And all four are totally naked. Yougotta choose one. What do you do? Go.Marshall: I guess, uh... Bea Arthur.Bilson: Ahh! Wrong! Betty White. Clean this stuff up, Eriksen.The BarRobin: So, did she get the awesome care package yet?Ted: Yep.Yesterday.Robin: Did she love it?Ted: Ooh, she loved it.Robin: So what's the problem?Ted: So I was talking to her last night. And, I should tell you, we've been talking on the phone every other night for, like, an hourand a half. Eventually you just run out of stuff to say.[FLASHBACK]Ted: What did you have for lunch today? Oh. Rye bread. Yeah.[END OF FLASHBACK]Robin: Oh, Teddy boy.Ted: I'm usually so good at being aboyfriend, but this never-seeing-each-other thing, it's a bitch. Maybe it just can't be do. I think it's clear what I have to do.Robin: It's pretty clear.Ted: I have to go to Germany and surprise her.Robin: Totally what Iwas thinking. Get out of my head, man!Barney's officeMarshall: Barney, how do I get these idiots to leave me alone?Barney: Marshall, consider the penguins.Marshall: The penguins?Barney: On the wall.Marshall:\"Conformity. It's the one who's different that gets left out in the cold.\" This is a motivational poster?Barney: Look at yourself, Marshall. You're not happy. And you know why? Because you're different. Now, I supposeyou could learn to love yourself for the unique little snowflake that you are, or... you could change your entire personality, which is just so much easier.[SCENE_BREAK]The appartmentLily: Change your personality?That is so awful, and not at all motivational.Marshall: Not necessarily. Okay, at first, I was appalled, but then I realized it's just like Dr. Aurelia Birnholz-Vasquez in Life Among the Gorillas. I have to gain the acceptanceof the herd by behaving exactly like one of them. It's an anthropological study. Isn't that cool?Lily: It sounds kinda like peer pressure.Marshall: No, no, no. It's totally anthropological and it's cool and I'm doing it.Lily:Yeah, I'm pretty sure it's peer pressure. We have an assembly every year.Marshall: I'm portraying someone who succumbs to peer pressure.Lily: All right, but if those guys try to pressure you to smoke, what do yousay?Marshall: Only when I'm drunk.Lily: Good boy.Ted from 2030: And so, to fit in with the gorillas, Marshall had to learn to act like a gorilla, and that meant gorilla lessons.The BarBarney: Okay, I'm psyched aboutthis. But if I'm going to mentor you, I need to know you're psyched about this, too.Marshall: Oh, I am. I'm, I'm psyched.Barney: Yeah, but it's one thing to say it, it's another thing to show it. Show it.Marshall: I'mpsyched!Barney: What was that? Marshall, I should feel tremors of psychitude rock my body like a seizure. That was like a declawed pregnant cat on a porch swing idly swatting at a fly on a lazy Sundayafternoon.Marshall: Wow, that was really specific.Barney: Show me you're psyched! Let's do this! Ow! That hurt!Marshall: So badly.Barney: And then you slip it to the guy with a discreet handshake and he'll get itdone.Marshall: Right. Get what done?Barney: Whatever.Marshall: Cool. And what guy is this?Barney: There's always a guy.Marshall: Okay, all right, I, uh, I think I'm ready.Barney: You sure? You want to practice yourstory one more time?Marshall: All right. So dude, check it. I'm in San Diego with two of my bro-sephs from Kappa, and they're all, \"Yo, Eriksen, let's roll to the strip clubs.\" So I'm, like, \"Snapadoo!\" So we find thischoice nudie nest near the airport......and that is when the bouncer kicked us out. Now, I have no idea if Svetlana ever got her green card, but dudes, fake diamond ring? Worth every penny, bruh.Blauman:Eriksen...that was steak sauce!Bilson: Great story.The appartmentTed from 2030: The next moning, I was about to buy my ticket to Germany when I got an e-mail.Ted: Uh-oh.The BarVictoria's voice: \"Hey, Ted, sorry Imissed your call last night. This long-distance thing sucks, huh? Listen, I've been thinking and I really need to talk to you tonight. I'll call you at 11:00. Victoria.\" So?Ted: So she's going to dump me. Has anyone eversaid, \"Listen, I've been thinking,\" and then follow it up with something good? It's not like: Listen, I've been thinking, Nutter-Butters are an underrated cookie. What else can it be? What could she possibly have to say tome that she couldn't write in an e-mail?Robin: I cut off all my fingers? Ted, you're a great guy. I know it, you know it, she knows it. I would bet you a gazillion dollars-- no, I'm even more confident. I would bet you afloppity jillion dollars that she's not calling to break up with you.Ted: Thanks. You're right. I'm being crazy. So I should still buy that plane ticket, right?Robin: I'd wait.The Appartment(Marshall is on the phone, Lily ispainting)Marshall: 'Sup, Blauman? E-bomb here. We still on for karaoke? Dope. I'm going to rock you on the mike so hard your hears are going to bleed gravy. Catch you on the flip, butt puppet.Lily: Okay...what do youthink?Marshall: Steak sauce.Lily: Steak sauce?Marshall: Yeah.Lily: Look, you know, whatever anthropology you do at work is your business, but please don't act like that around here.Marshall: Lily, when Dr. AureliaBirnholz-...Lily: No, when Dr. Australia Birdbath-Vaseline came home from the gorillas, she didn't run around picking nits out of people's hair and-and throwing feces. I'm begging you just, just leave it at theoffice.Marshall: Why?Lily: Because you're acting like one of those guys, and those guys are lame.Marshall: Okay, those guys were mean at first, yes, but they're actually good guys, and if you got to know them, thenyou would see that. Come karaoke with us tonight, and you'll see how totally not that lame they are, okay?Lily: Okay.At the karaokeBlauman: But wait, knock-knock, back door, who's there? Angelina Jolie... wait, in awheelchair. What do you do? Go.Bilson: Dude, Scarlett Johannsen with no arms, any day of the week. Yeah.Lily: You're right. They're delightful.Marshall: So, Barney, you gonna sing anything?Barney: Nah. I'm so overkaraoke.Marshall: Really? I thought you'd be totally into it.Barney: Oh, don't get me wrong. I'm good. The best, really. But it's the greatest samurai who lets his sword rust in its scabbard.Lily: Oh, baby, they have oursong. Let's do \"Don't Go Breaking My Heart.\"Bilson: What?Marshall: \"Don't Go Breaking My Heart.\" Elton John, Kiki Dee.Bilson: No way. You got to go with some Black Sabbath.Lily: Well, actually, Marshall and I havethis little dance routine.Marshall: \"Iron Man.\" I could do \"Iron Man.\"Blauman: Steak sauce.Bilson: Steak sauce, dude.Blauman: Should we tell him? All right, Eriksen, I've got some good news. On Monday, Bilson and Iare going to talk to Montague in HR. When you graduate, we want you working with us. What do you say? Yes!Bilson: That's my man!Blauman: I told you he would. Aw, we're gonna own the office.Lily: Okay, that wasgross. When were you going to tell me you changed your entire career path?Marshall: Nothing has changed, okay? I still want to help the environment. I just thought that maybe I could make some money for a fewyears. We could buy an apartment, send our kids to good schools. You could quit your job and focus on your painting. I know that you say you don't need it, but... I love you and I want to give it to you anyway. I wantto give you the package.Lily: The package?! You've already given me the package. You've got a great package, Marshall. I love your package.Marshall: Lily, you're the most incredible woman I know, and you deserve abig package.Lily: Your package has always been big enough. You may not realize this, Marshall Eriksen, but you've got a huge package.Robin's work place(Robin is on the phone with Ted)Robin: Hello.Ted: Why hasn'tshe called yet?Robin: Okay, you're making yourself crazy. It's Saturday night. Go out and do something.Ted: No, what's the point of going out? I got a girlfriend... for now. Besides, if I go out, who's going to watch thenews? I'm, like, half your viewership.Robin: I'm flattered you think we have two viewers. She's not going to break up with you, Ted. You're awesome.Ted: Thanks. Anyway, it's almost 11:00. I should let you go. Break aleg.Ted from 2030: And so I was sitting at home, waiting for the phone to ring, something occurred to me.Ted: I'm actually sitting at home waiting for the phone to ring.At the karaoke(Ted arrives)Barney, singing:*He's giving you the blues. You want to graduate, but not in his bed. Here's what you got to do Pick up the phone...*Ted: Marshall.Marshall: Hey, hey.Ted: Dude, I feel like I haven't seen you in a month.Marshall: Yeah.Yeah. How you doing?Ted: I think Victoria's about to break up with me.Marshall: Oh, God, I'm sorry, man.Ted: Yeah, well, honestly, I'm having trouble remembering what she looks like. The more I try to picture her,the more I can't. Like, I remember how she makes me feel. I just... I don't completely remember her. It's like I'm trying to preserve something that's already gone.Marshall: Preserving something that's already gone.Sounds like environmental law.Ted: I don't know. We struggle so hard to hold onto these things that we know are going to disappear eventually. And that's really noble, but even if you save every rainforest from beingturned into a parking lot, well, then where are you going to park your car?Barney, singing: *Done dirt cheap! Dirty deeds. Done dirt cheap! Dirty deeds. Done dirt cheap! Dirty deeds and they're done dirt cheap, ow.Dirty deeds and they're done dirt cheap...* Uh, rockupied. Dude, what...?(Marshall says something to Barney, who then passes him the microphone)Next up, Marshmallow and Lillypad.Marshall: *Don't go breakin' myheart*Lily: *I couldn't if I tried*Marshall: *Honey, if I get restless*Lily: *Baby, you're not that kind...*Ted from 2030: It turns out some things are worth preserving. But here's the real question: It's 2:00 a.m. Yourfriends are still out singing karaoke, but you're home early 'cause you're expecting a call from your girlfriend in Germany, who was supposed to call four hours ago. And then the phone rings.Ted: Hello.Robin: Hi, Ted.It's Robin. Um, listen, I know it's late, but, uh, do you want to come over?Ted from 2030: What do you do? Go."}
+{"doc_id":"doc_25","qid":"","text":"Lina:You're going, and that's it.Russ: Oh, my God. I got your stupid vasectomy. Isn't that enough?Lina: No. You've blown off three follow-up appointments.Russ: I don't need a follow-up visit. I know that itworked.Lina: How could you possibly know that?Russ: Because I... eyeballed it.Lina: What?Russ: My stuff. It's practically clear. Seriously, you could store contact lenses in it.Lina: I am moving on. I'm getting rid of allthe baby stuff from the garage. Do you think that's easy for me?Russ: Even that bassinet? Even the bassinet. You need to move on, too.Russ: I just don't want to be told that I have meaningless semen.Lina: If youwant to get anywhere near any of this... You're gonna have to take care of that.S01E06Russ: I thought you took lessons.Frankie: I'm still scared.(Frankie whimpers) Russ: I want a refund, then. Get this on.Girl: Whatare you doing? Everybody can see you.Girl 2: What's the big deal? Nobody's here.(Indistinct chatter, laughter)Russ: Can I ask you something?Am I invisible?Shepard: I don't know what that means.Lina: He's beenupset because some girls changed in front of him.Shepard: Say what?AJ: Boobs or beaver?Russ: That's not the point.Shepard: N-no, I-I'm gonna allow that.Russ: They didn't care what I saw.Shepard: Oh. Well, Godbless you.AJ: No, no, no. I see... I see your point, here. I mean, for all she knows, you're-you're a rapist. You're a...Russ: Yeah. AJ:...sick, sexual maniac who follows her home, studies her patterns. Maybe you borrow auniform from an old cop buddy who owes you a favor. \"Is there a problem, officer?\" Rag. Ether. Nightmare.Russ: Yeah, I... I think I-I was just trying to say, like, I-I want women to feel uncomfortable changing aroundme. Is that so much to ask?Lina: I'm uncomfortable changing in front of you. (Phone ringing)Shepard: Tammy. Mind if I...?Jess: Get it? No, please, get it. Yeah.Shepard: Hey, Tammy, what's up? Okay.Lina: Who'sTammy?Jess: Tammy is a musician that Shep has been working with.Lina: So he's getting back into the music business?Jess: I don't know. Maybe. It's just nice to see him, uh, excited. It's a nice change from hissuper-intense depression. And I just feel like it's so great to see him get off the couch and go to work and... Put on pants.Lina: Right.AJ: Pants are for losers. You're wearing pants right now, dude.Lina: Yeah.AJ: Not uphere.Shepard: Right. No, it's on ventura. No, but come around the back. Right. And they can, they can set up whenever they get there. Yeah, we'll all be there. All right. Great. All right, buddy. See you tomorrow. Hey,just got some great musicians for Tammy's session tomorrow. It's gonna sound really, really good.Jess: Do you know that when you work, it makes me so hot?Shepard: Really? How hot?Jess: Well, let's say probablyabout doggy-style hot. I-I don't want to put on the knee brace.Jess: Uh-huh. 'Cause it pulls. You know, it's not... All right, doggy it is.Didi: Bowman?Russ: Hey.Didi: You have a co-pay of $550.Russ: Sounds right.Didi:You need to pay it.Russ: Totally.Didi: Today.Russ: Oh. I don't... I don't have that kind of cash on me.Didi: Oh, we take credit cards.Russ: Well, I have the cards, but... not the credit. You're going to have to pay thebalance of this procedure.Russ: Yeah, I'll pay it. Just not today.Didi: Let's reschedule, then. We'll get something on the books after the payment is all squared away.Russ: All right. Have a great day.Child: My name isAlbert Einstein and I was born in Germany in 1879. I developed the theory of relativity.Russ (Whispering): Look, it's not my fault, okay? We tried. It's over.Lina: Seriously? What is wrong with you?Russ: I'minvisible?Lina: Here's what you're going to do. You're gonna go back in that office, and write down that woman's name and scare the sh1t out of her.Russ: How? Tell her that your wife already sent the check and if theydon't see you right away, that you're gonna stop payment on it and let it go to collections. Tell her that.Russ: You're getting pretty good at this.Lina: No, being broke makes you crafty.Russ: So then why don't you comewith me and then you can do the talking.Lina: I can't. I have to take the baby stuff today.Russ: Come on. I... Don't make me go back to that cock-butcher.Father: You guys want to take this outside?Russ: I'm sorry.We're so sorry.Lina (Whispers): Sorry.Russ: Your son looks great.Lina: It's his daughter.Russ: It's your daughter. Look... she looks great. You're going back to the cock-butcher.Russ: Hey, I never got your name.Didi:Didi.Russ: Oh, great name. So, Didi, there was a mix-up before. Uh, it turns out my wife already sent the check. Really?Russ: But if I don't see the doctor right now, we're gonna cancel the payment. And then it will goto collections, Didi. And they will call us and I will be forced to mention your name. Didi. So you'd better polish your résumé. Because you'll get fired.Didi: Why would I get fired?Russ: Because they'll call. And they'llknow. I don't know. I... it made sense when my wife said it. I just need to see the doctor right now, okay? Hello? Didi... please? Oh, what am I, invisible now?Doctor: Who says you're invisible? I see you standing rightthere, Mr. Bowman.Russ: Thank you, doctor.(Didi sighs)Lina: Bye-bye, baby sh1t. (Grunts)Hi. Whew. Lot of memories here.Employee: Okay, you just have to estimate how much this stuff cost you.Lina: Um... myyouth. Every time I cough, I pee a little.Employee: I'll write down \"$50.\"Lina: Can I ask you a question? Who gets this stuff?Employee: Regular people. People who need it.Lina: Do you think that I could meet theperson who gets my stuff? I'd love to put a face with a, you know...Employee: Doesn't really work like that. (Gasps)Lina: I think I'm gonna need a minute.Shepard: She'll be here soon. Well, how long do you have thestudio?Shepard: I'm... by the hour.Jess (Chuckling): Okay.Shepard: So whenever she gets here, we'll... that's when we'll go. (Phone rings) Oh, hey, could be her. And it is. Hey. What's up?Jess: Sorry. (Chuckles) Trustme, this is worth it. She's really hot. She has the talent of a much uglier girl.Shepard: That's... Well, listen, that's your call. You-you do what you guys need. Uh-huh. \"Oh, that's all right. So, you feel better?\" She says,\"no, 'cause I've been throwing up. I've been throwing up for the last couple of days.\"Jess: Uh-huh. So I said, \"hey, what are you, pregnant?\" Guess what.Jess: No. She's pregnant?Shepard: She's pregnant. She and herboyfriend are gonna take the kid. They're gonna raise the kid in Iowa. So they're going to Iowa.Jess: That's gonna ruin her career.Shepard: What do you want me to do?Jess: Oh, my God, you know what you need todo.Shepard: No, I don't. I don't know what I need to do.Jess: Tell her to get rid of it.Shepard: The baby. Get rid of the... That's what I should tell her?Jess: Yeah, look at how happy you are. You love working with thisgirl.Shepard: I didn't love it.Jess: Yes, you did, and you haven't... you...Shepard: It was fun, it was fun.Jess: Oh, my God, you haven't been this happy since you left the label. All right, she's a good singer; I was tryingto help her out, but it's over.Jess: No.Shepard: So that's okay. It's over.Jess: Don't just do that.Shepard: Now it's over.Jess: Tell her about Liz Phair's abortion. I don't know what you're saying now. Tell her that rightbefore Liz Phair was, like, about to break out, she got pregnant, but then you talked about it, and you arranged for her to get an abortion, and then nine months later...(Blows raspberry) You know, she's a hit instead ofa mother. (Chuckles)Shepard: That never happened.Jess: That-that... just, PJ Harvey then, if that makes more sense to you.I never met PJ Harvey, none of...Jess: She probably doesn't even know who that is, either.She'll be embarrassed to ask. Okay, what is wrong with you? These... this is crazy.Jess: Nothing is wrong with me.Shepard: There's nothing to say to her. She wants... it's her life. It's her life, so she...Jess: Tell her thathaving kids is gonna ruin her life. So our little baby boy is ruining your life?Jess: No, he's not ruining my... you're ruining my life.Shepard: Okay.Jess: Don't do this. I know what you're thinking, and that's, youknow...Shepard: Really? What am I thinking? You need to do it, do your thing, fine.Shepard: Can I just say, a lot of the sh1t that comes out of your mouth cannot go back in.Jess: You could just get on the phone andjust, like, talk to her is all I'm saying.Shepard: You know what?Jess: You could just put in the effort and do that. I'm gonna talk to her, okay. Try-try to not talk now. Do me that favor.[SCENE_BREAK]Doctor: Okay, let'ssee. Mm-hmm. Well, the good news is, the incision healed nicely. Everything looks perfectly boring.Russ: Boring? Boring is good. Boring is what you want. Just one thing left to do.Russ: Shots?Doctor: Semen.(Groans)(Indistinct conversations)Hey, where do I go? I got to give this...Father: One-sixth of 12.Daughter: Two.Father: Let's do two-fifths of 100.Russ: Really? Right here?Didi: Be sure to lock the door.Father: Are youasking me or are you telling me?Daughter: 21.Father: 21. Okay, one-sixth of 12.Daughter: Two.Father: Three-quarters of 100.Daughter: 75. (Sighs)(Muffled conversations)Daughter: I divide the circumference by pi,right?Father: That's right.Daughter: But then how do I get the area?Father: Okay, for the area, it's pi times 2r. See, we just multiply the diameter by pi.Russ: That's wrong. Father: What about this here? A third of15.Daughter: Five.Oh, the hell with this. It isn't gonna work.Father: One-half of 20?Daughter: Uh, ten.Didi: You all set?Russ: No, I haven't even started. I'm having a little trouble with the, well, the materials.Didi: Whatkind of trouble?Russ: It's just the magazines. They're soft-core. I just, I... It's my second favorite core.Didi: Don't they have a DVD?Russ: Yeah, it's lesbians. Lesbian p0rn just makes me feel like a third wheel, youknow? It's like, what do they need me for? I'm just gonna get in the way. If you have anything, you know, like, under the desk or in a box or something, with dudes and chicks, that'd be awesome, but no gang bangs,okay? No threesomes. Nothing in a moving vehicle, okay? Because I get carsick.Didi: Do you want to come back at another time and bring your own materials?Russ: Oh. All right, I got this. Excuse me, do you mindkeeping it down, okay? I just, I have a... I have a meeting in there, so...Father: She has a test tomorrow.Russ: This is an important meeting.Father: Well, this is an important test.Russ: Maybe a little help, Didi?Father:Third of 15.Daughter: Five.Father: One-half of ten.Daughter: Five.(Horn honking) (Phone ringing)Lina: What's up?Russ: Hey, I need your help.Lina: They still wouldn't see you?Russ: No, I got in. I just... I need you totake me home.Lina: What?Russ: What are you wearing?Lina: Russ, no. I'm not having phone s*x with you.I'm in a thrift store.Russ: Lina, seriously, come on. The p0rn here sucks, okay? And there's some asshole in thelobby doing homework with his daughter.Lina: This is so unfair.Russ: I don't care. I just... I need you to do something, okay? I did your script, now you do mine.Lina: No, this is not a good time. I just handed over thebassinet. It's official. No more babies. Now I have to figure out my life. I'm just, I can't. Well, can we figure it out after I come?(Sighs)Lina: What do you want me to say?Russ: Well, first change your attitude.Lina(Softly): What do you want me to say?Russ: There you go. I got my shorts off. You're naked.I want you to tell me how I'm gonna enter you.Lina: Regular. No, wrong, okay? Today we do my positions.Lina: Oh, we'regonna be here all day.Russ: Just... start cowgirl, okay, and then reverse it.Lina (Weakly): Yee-haw.Russ: Lina, please, I'm in a room right off of a... lobby with people right on the other side.Lina: Okay, okay, fine. So, Ipush you down on the bed.Russ: Okay, good. And then I climb up on top of you...Russ: Okay. Lina:...and put you inside me. Yeah, and my hands are all over your...Lina: Oh, yeah, you're grabbing my ass. Russ:...tits,yeah.Lina: I mean my tits, yeah, that's right.Russ: Yeah, that's good.Lina: Now I'm sitting on top of you and... Oh, you're so deep.Russ: Yeah, put it inside.Lina: Oh, my God.Man: How much is this jacket? There's nosticker. Yeah, I don't work here, sorry, dude.Russ: Who was that?Lina: You don't know him. Okay, where were we?Russ: Uh, you were riding me.Lina: Okay, right, so I'm riding you. I'm riding you so hard.Russ: That'sgood, yeah.Lina: It feels so good, I'm digging my fingernails into your shoulders.Russ: Yeah, it feels good.Lina: Yeah, it does?Russ: Yeah.Lina: Yeah, you like that?Russ: Yeah, yeah, yeah, yeah.Lina: Okay, so nowyou're, you're sliding in and out of me, and... oh, I'm so wet. And you put your finger in my butt.Lina: Okay, yeah, I'm gonna do that, too. Oh, yeah. Yeah, come, baby. Come on, that's right.Russ: I want to come insideyou.Lina: Okay, yeah.Russ: Yeah, I'm gonna put another baby in you...Lina: No, you're not. Russ, no!Russ: Yeah, I'm gonna make a baby.Lina: Russ, knock it off!Russ: That's it! Aw, you're gonna be so pregnant!Lina:You're being weird.Russ: Aw! Lina, come on!Lina: You come on! We're not doing that anymore. It's weird.Russ: Why can't I just pretend?Lina: I don't want to.Russ: I just need to feel like I'm still... dangerous. Orsomething.(Sighs)Lina: I get it. Okay.Okay, so, so I'm riding you.Russ: Yeah. Yeah, I'm gonna put a baby in you. Yeah.Lina: Yeah, you are, yes. Baby, I want you to come inside me. I want you to, I want you to shoot itup inside me.Russ: Uh-huh, I'm gonna shoot it so deep.Lina: You're gonna make me so pregnant... oh, my God!Russ: I'm gonna make you so pregnant! That's it. I want you to make me so pregnant. Can you do thatfor me? Can you? Can you? Can you put a baby in me?Russ: Yeah, I'm gonna put a baby in you.Lina: Do it! Come inside me. I want you to make a baby. That's right, yeah. Get me pregnant, come on. Come on, get meso pregnant. Oh, God, yeah!Russ: Yeah, keep going. Don't stop.Lina: Shoot all over my eggs, come on! Yeah, I'm gonna shoot on your eggs. Oh, my cum's going on your eggs!Lina: Okay? You make me pregnant? Willyou knock me up?Russ: I'm gonna make you pregnant! I'm gonna make you pregnant! Oh!Lina: Make a baby, yeah!Russ: Oh! Okay.(Moaning)Oh, wow. Please tell me you got it in the cup.Russ: I think I did. I thinkmost of it. Oh, my God.Father: The area is pi times 2r. Okay. All right, I'll see you at home. We need waffles.Russ: Okay.Daughter: Diameter...Father: Mm-hmm. Daughter:...is pi, right?Father: Yeah, that's right. Couldyou remind me how to get the area?Russ: Might be a little spicy. I had chorizo for lunch. Oh, and by the way, the area of a circle is pi-r-squared. Duh.Father: The r, that's the r.Daughter: Oh.Lina: You bought mybassinet.Woman: Who?Lina: That's my bassinet. Well, I just donated it, literally I just donated it. I hope your baby's as happy in there as-as my girls were.Woman: Oh, yeah, I would never put a baby in this piece ofsh1t. It's for my ferret. Actually can you mind holding him while I light my cigarette? It's really more of a coffin to bury him in. 'Cause he has cancer. So, you say it's called a-a bassinet?(Water splashing) (Harrisoncooing)Jess: Ooh, make little splashes?(Dinging nearby) There's too much splashing in the bath. And too many bubbles for one little baby.Shepard: Hey.Jess: Hi. How'd it go with Tammy?Shepard: She's on her way toDavenport.Jess: Is that the name of a clinic?Shepard: No. It's a place in Iowa.Jess: Aw. Your daddy's a good man. But he didn't want our meal ticket to get an abortion. Isn't that right, daddy?Shepard: Stop.Jess:What? That's what happened.Shepard: What, are you mad?Jess: You can't make people do things that they don't want to do, right?Shepard: And I really don't want to be managing some kid. I don't. Hi. Hi! Hey. Wantto watch a movie tonight? Uh, you know, I can't. I'm gonna go to the office. But, um, take a rain check.(Harrison giggles) (Coos) (Shepard sighs)Russ: Hey.Lina: Hmm?Russ: Do you want to have a date?Lina: Mm... I'mnot taking my shirt off.Russ: That's okay. But can we talk about the pregnant stuff again?Lina: No chance.Russ: Come on.Lina: No.Russ: Well, then, can we pretend that I'm a cashier at Ralphs and you're, um,returning some old lettuce?(Lina laughs)Lina: Oh, look at this lettuce.Russ: Ah...Lina: It's so wilted.Russ: Yes, yes! It is.Lina (Laughing): You're so weird!Man: Hey.Jess: Hey.Man: Can I sit with you?(Jess laughs)Jess:Sure.(Man clears throat)Man: Are you alone?Jess: Uh..."}
+{"doc_id":"doc_26","qid":"","text":"Teleplay by: Sheryl J. AndersonStory by: Sanford Golden[SCENE_BREAK][Scene: Manor. Prue, Piper and Phoebe walk in the kitchen carrying shopping bags.]Piper: Any day that brings new shoes is a good day.Phoebe:Are you kidding? This was a great day. Yoga, pedicures, shopping, lunch. When have we had more fun?Prue: It's nice to bond through something other than vanquishing for a change.Phoebe: Yeah, but I gotta hand it tothose pesky little demons. They sure have brought us closer together.Prue: Maybe you should write them a thank you note.(Prue turns on the TV.)Reporter: Early this morning when an argument between neighbours ata block party turned into a street parole, residents of several apartment buildings...Prue: Ugh.(She turns off the TV.)Piper: Some people are just crazy.Prue: Doesn't it seem like this kind of stuff has been happening alot here lately?Phoebe: Random social violence is encouraged by a general D clan and ethical thinking. Well, according to my sociology professor. He said that we don't think about the big questions enough.Prue: Thebig question is how did you stay awake through his class?Phoebe: Not only did I stay awake but I actually enjoyed it. Which is why I bought this book. (She gets a book out of a bag.) It's filled with really deep profoundquestions, which would actually make a good bar game at P3.Piper: Oh, great, solve the problems of the world while doing Jell-O shots.Phoebe: Okay, let's see if I can find a really good one. (She puts on her glassesand opens up to a page in the book.) Okay, what if a building was on fire? Do you save five strangers or one sibling?Prue: I thought that you said that these were hard questions. That's easy, sibling.Piper: Ofcourse.Phoebe: Ditto. Okay, my turn, my turn.(Phoebe hands Prue the book. The doorbell rings.)Piper: Okay, don't answer anything until I answer that.Phoebe: Okay, faster though, faster.(Piper answers thedoor.)Piper: Hi.Leo: Hi.(They kiss.)Piper: Since when do you ring instead of orb?Leo: Well, I'm just trying to respect everybody's space since the three of you have been so, uh...(Prue and Phoebe walk in.)Phoebe: Hey,Leo.Leo: Tight these days.Prue: So, um, are you here for all of us?Leo: No, this isn't business. I was just about to invite Piper to an early dinner before her Paula Cole show.Piper: Oh.Leo: Oh, do you have otherplans?Piper: Uh, not exactly. We've just been hanging out all day spending some quality non-magic time.Leo: Oh, alright, no problem. Rain check?Prue: Um, Piper, why don't you go with Leo? I mean, we're totally coolwith it. Pheebs and I will go to the club early, keep an eye on things.Piper: I have a new assistant manager and she's all checked out so she can take care of things.Phoebe: Still, we'll go and make sure everything'sokay. We'll bring the book, maybe stir up some trouble.Prue: How about stirring up some margaritas?Phoebe: Ooh, that's good.(They link arms and walk back in the kitchen.)Piper: So it's a date.Leo: Alright.[Scene: Onthe street. Leo and Piper are in Piper's car. They pull up at a stop sign.]Piper: I didn't mean that I didn't enjoy being with you, all I meant was that Phoebe and Prue would've enjoyed the restaurant too.(A guy in a carpulls up behind them and starts honking his horn and yelling.)Leo: I wish you were normal sisters, they're never this close.Piper: And it's a problem that we are?Leo: No. It just seems that sometimes I'm breaking up agreat party when I wanna be alone with you.(They guy behind them continues honking the horn.)Piper: Leo, I have room for all of you in my life and in my heart.Leo: I still need to know which room's mine because...(The guy drives around them and speeds around the corner.) Okay.[Cut to the guy. He crashes into a Ute with crates of fruit in the back and the fruit flies out of it onto the road. Piper and Leo pull up.]Piper: Oh, no.(The man that was driving the Ute gets out and storms over to the other guy driving the car. He pulls him out of the car and they start fighting. Other people try to break up the fight. One guy picks up a watermelon andthrows it at Piper's car. It smashes all over the windshield. Piper and Leo get out.) What on earth? (They walk over near the fighting men. The guy throws another watermelon towards Piper and Leo but Piper freezes itbefore it can hit them. Everyone else freezes except Leo and one of the four horseman is standing near by. The horseman looks around confused. He then sees Piper and Leo and starts running.) Leo?Leo: I see him.(Piper runs after him.) Wait, Piper, you don't know what he is. (Leo runs after Piper.)[Cut to the horseman. He runs around the corner of a building and suddenly a horse appears. He jumps on the horse and theydisappear. Piper and Leo run around the corner and wonder where he went.][Cut to a field. The four horsemen on horses suddenly appear, galloping along.]Opening Credits[Scene: P3. Paula Cole is singing. Prue andPhoebe are sitting at the bar watching her. The bartender hands back the book to Prue. Paula Cole finishes her song.]Paula: Thank you, P3, you've been great. Thank you.(Piper and Leo walk up to Prue andPhoebe.)Phoebe: Hey, I can't believe you guys missed Paula Cole, she was awesome.Piper: We saw a pretty awesome show ourselves.Prue: I thought that you guys went to dinner.Piper: We did and then for dessert wedid a little demon hunting.Prue: What happened?Piper: Well, there was this road rage thing and it was completely out of control, so I froze the entire street except for this a guy in a suit.Leo: And he takes off. Yoursister doesn't listen to me so we chase him down into an alley. Nothing, he vanished into thin air.Phoebe: Wait, a demon that causes road rage?Piper: I don't know if he caused it or was attracted by it.Prue: Well, thekind of creature that gets off in that kind of thing would certainly explain why the city's been such a mess lately. He's probably some lower level mischief maker.Leo: As soon as we figure out who he is and what hewants will be better for everyone.Piper: Yeah, except for those of us who have to get rid of him.Phoebe: Okay, we can sit around here being pessimistic or we can go to the house and check the Book ofShadows.[Scene: A field. The four horsemen are there.]War: What happened?Strife: First of all I wanna let you all know that I was out on the field and things are looking good. The public is really responding.War:But...Strife: We might have a problem.War: Did you screw up?Strife: No, why would you assume that?Famine: Please don't fight.Death: It's all they know how to do.Strife: A freezing witch saw me. Caught meworking.War: A good witch?Strife: I would say so. She chased me, I think she thought she could stop me.War: That is a problem.Strife: Fixable. I think we can still move forward with our plan and still make ourdeadline.Famine: But the deadline's 7:00 tomorrow night. The source is gonna...War: Find her and kill her.Famine: How are we gonna find her?War: Set a trap. If she's a good witch she'll want to stop us. All we have todo is give her something she'll want to stop.[Scene: Manor. Attic. Phoebe and Piper are there. Phoebe's flipping through the Book Of Shadows.]Piper: Wait, stop right there.Phoebe: The demon of cruelty.Piper: Hardensthe heart, corrodes the soul...Phoebe: And is a woman.Piper: Oh, oops.(Prue and Leo walk in.)Prue: Hey, so how is it going?Piper: In big fat circles. We've been reading all night and there's no one in here that matchesthe guy I saw.Phoebe: We do have a list of six potential matches though.Piper: But there's no picture so we're sort of shooting in the dark. My best guess is the demon of anarchy.Leo: Hey, you can't just guess. Alright,you have to be sure. It's very dangerous to engage an enemy unless you know who he is and what he wants.Piper: Leo, honey, we have done this a couple of times.Leo: No, I didn't mean...Prue: You know, Leo, itwould be great to know every single thing about our enemies but that's not always the case.Leo: I know, but...Phoebe: And if this guy is causing riots we can't just hang out and wait for inspiration, you know.Leo:Okay, three against one. I-I just, I was working that's all.Phoebe: Okay, so no offense to the Whitelighter but we're going with the Demon of Anarchy, right?Prue: Yes, the Demon of Anarchy.Piper: Okay, so this potiondoesn't even require a double boiler.Phoebe: And it's your basic iambic pentameter chant. It's a very nice simple vanquish.Piper: Okay, so all we have to do now is figure out where this guys gonna show up next.Prue:Alright, well, who do we know that would be keeping track of anarchy?[Time lapse. Prue is on the phone with Morris.]Morris: Yeah, Prue, but the department has all sorts of violence and the captain is calling in civildisturbances. In my professional opinion the whole city's lost its friggin' mind. We got street riots, looting, arson. We're two crimes away from being placed on tactical alert. You're not calling to tell me that all thistrouble's because of you know what, are you?Prue: Yeah, well, possibly. We're actually researching that right now. We were kinda calling for your help.Morris: Look, I really can't leave right now.Prue: No, no, no, I-Iunderstand and we're not quite there yet but it would really help to know where the latest hotspot is.[Scene: In a street. Police cars are there with emergency lights flashing. People are rioting. Prue, Piper and Phoebeget out of the car.]Prue: Don't freeze them yet. Don't let him know that we're here.Piper: Alright, alright.Phoebe: What the hell is wrong with these people?(They start walking through the crowd.)Piper: I can not wait tokick this guys butt all the way back to... (Phoebe and Piper get split up from Prue.) Alright, alright, this way, this way. (Piper spots Strife standing near by.) That's him, that's him.Phoebe: Well, let's go introduceourselves.Piper: Prue!(She points to Strife. He sees them and runs off. Prue runs after him and Phoebe and Piper follow behind. Strife runs in an alley and around the corner where the other three horseman are.)Strife:There are three of them.(Prue runs around the corner.)Prue: There's four of you?(War walks towards her. She tries to use her power but it doesn't work. He grabs her. Piper and Phoebe come around thecorner.)Phoebe: Prue!War: Stop or I'll snap her neck. (to Strife) Start the chant.(Strife starts a chant in a weird language.)Prue: (to Piper and Phoebe) Start the damn chant.(Phoebe and Piper get a piece of paper out oftheir pockets and starts the chant.)Phoebe, Piper: \"Sower of discord, your works now must cease, I vanquish thee now, with these words of peace.\"(Piper throws a potion at Prue and War's feet and smoke rises aroundthem. A bright light appears and then Prue and War disappear into a vortex.)Piper: Prue?Death: What the hell?(The horseman disappear.)Phoebe: What just happened?Piper: I think we just vanquished oursister.[SCENE_BREAK][Scene: Continued from before.]Piper: She's gone.Phoebe: We don't know that.Piper: Phoebe, we killed Prue.Phoebe: Piper, stop it okay. I don't wanna hear that.Piper: You think I wanna say it?I'm the one who made the potion, Phoebe, it's my fault.Phoebe: Okay, how about having a little faith. Alright, our magic has never let us down before.Piper: Well, there's a first time for everything isn't there.Phoebe:She's not dead.Piper: How do you know that?Phoebe: Because, Piper, I have no choice but to believe in us and in our magic. Come here. (She puts her arm around her.) Okay, look, if she were dead, we would see herspirit, right? So maybe because we brought the wrong spell something weird happened. Maybe it just sent them some place.Piper: Where?Phoebe: I don't know but I believe that we can figure it out and I need you tobelieve that too. We have Leo and we have the book and we have each other. We can save Prue. There's gotta be a way.[Scene: Horsemen's Headquarters. The three horsemen are there.]Famine: There's no way, he'sdead and so are we.Strife: He's not dead, he can't be dead. Maybe shifted to another plane but he can not be dead. Only the source can kill us. We are the anointed ones. The four horsemen of the apocalypse.Death:The source won't hesitate to kill us of we miss our deadline.Famine: We were so close. How did this happen?Death: Somebody got sloppy and attracted a witch.Strife: We will not fail.Death: Other teams have failed.They blew it and they paid the price.Famine: Which we will too if we miss our deadline. And then he'll kill us and take four willing souls from in there and anoint them. They'll be the next four horsemen.Strife: Glad tosee you two aren't giving up.Death: We need War. He's the big gun. He's the one who's gonna set nation against nation and do all the heavy work.Strife: Then we'll get him back.Famine: By 7:00?Strife: We have to.Now just listen to me, alright.Death: Who got vanquished and left you boss?Strife: I have a plan. Do you have a plan? Oh, of course you have a plan, the same plan you always have. Kill them all.Death: You looking fora fight?Strife: It's my specialty.Famine: We don't have much time. Hear him out.Strife: All we have to do is find out where he is. Let's pull out the old books, do some research. Alright, he has to be somewhere, we willbring him back. There's gotta be a way.[Apocalypse - 3 hours to go][Scene: Manor. Attic. Leo's there. Phoebe and Piper walk in.]Phoebe: Maybe if we break down the spell and the potion.(Piper walks over to Leo andthey hug.)Leo: I am so sorry.Phoebe: Did you find anything?Leo: I've been looking.Piper: And? Tell us you've found something.Leo: Look, I have been through the whole book and I can not find anything that matchesthe four beings you described.Phoebe: What about disappearances?Leo: Nothing.Phoebe: Okay, we have to look under botched vanquishes.Leo: Phoebe, I checked it all. I have been through the whole book. There is noexplanation for what happened to Prue.Piper: But you agree she's not dead. (silence) I don't understand. Wait-wait, I, wait a minute, I-I can't do this. Phoebe tells me to have hope and you're telling me that there isn'tany? I just need to know.(A breeze blows through the room. Piper gasps.)Leo: Are you okay?Piper: She's here.Phoebe: Who's here?Piper: Prue. She went right through me, I felt her presence. It's hard to describe butdidn't you see her in the wind?Phoebe: She's in the wind?Piper: No, Phoebe, it's like she-she spoke to me, she's alive.Phoebe: Okay, are you sure because if she's in the wind doesn't that mean that she's a spirit?Piper:No.Leo: No, she could be on another plane trying to break through.Phoebe: Okay, well, then we have to help her. (calling out) Uh, Prue? Prue, honey, are you still here? Help us find you, Prue. (The pointer on the spiritboard moves.) H, E, L, P. Honey, how can we help you? (Phoebe gasps.)Piper: What was that? Did she do it to you too?Phoebe: No, it was something else. Or someone else. Evil. Cult.(A bubble-like figure appears andlands on the spirit board. You see Prue's face in it for a second and it disappears.)Piper: What is that? Prue?(Then a red bubble-like figure appears and chases the other around the room.)Leo: She's alive but she's introuble.Piper: Okay, so she's alive and if she can find us then we can find her.Phoebe: So it must be the four suit that's after her. Maybe the combination of our magic did this to them.Leo: Which means we need tofigure out who those suits are.Piper: Okay, Leo, you go ask your bosses whoever they are, whatever they are, who those guys are and how to get our sister back. Now orb faster.(Leo orbs out. Phoebe walks over to theBook Of Shadows.)Phoebe: Wind.Piper: Wind?Phoebe: What else? Can you think of anything else?Piper: Mist.[Scene: Horsemen's headquarters.]Famine: I've checked everywhere. I can't figure out whathappened.Strife: I'm telling you it is the witches. They did this, they must know.(A guy walks up to Death.)Death: What?Guy: You should know we're losing momentum across the board especially in war. Peace hasbroken out in several areas this afternoon.(They guy leaves.)Death: Damn it. If we're going down, we're not going alone. Let's find those damn witches and take them down too.(War shows up on the TV.)Famine: War.It's him, he's alive.Death: Hang in there, partner. We'll get you back then we'll punish those witches.War: No, cease fire. Cooperation.Strife: Wait, you want us to work with the witches?War: Get them to freeme.Famine: How are we supposed to find them?War: Ask the source.[Scene: Manor. Conservatory. Phoebe and Piper are there. Piper's staring at the spirit board and Phoebe's taking notes from the Book OfShadows.]Phoebe: I still haven't found her ---- but I think I have an idea of where Prue might be.Piper: And how to get her back? Because we have to do that before this thing hurts her.Phoebe: Well, remember whenLeo said that Prue might be on another plane? Well, maybe we banished her somehow. Now, there are eleven planes of existence.Piper: Eleven planes? We don't have time to search eleven planes. Prue's been quiet fora really long time, maybe we're too late.Phoebe: Piper, stay with me, okay. We can not give up.(Leo orbs in.)Piper: Did you find out where she is?Leo: No, but I have a message from them.Piper: She's not...?Leo: No,no. While I was there they was contacted by their counter parts on the other side.Phoebe: Are you telling me evil called good and good answered?Leo: These suits that you're dealing with have the highest possibleconnections. Their bosses talk to my bosses.Piper: About Prue?Leo: About the whole situation. They wanna have a meeting with you.Piper: Uh, what could they possibly want from us? They already have Prue.Leo: Prueand their partner are trapped in another world between good and evil. And the only way to release them is for good and evil to cooperate. You have to work with the suits.Piper: Are we allowed to do that?Leo: Look, allthey told me was to give you the message and to let you decide whether you wanted to do it.Phoebe: Did they mention what they think we should do?Leo: Free will. It's a big thing with them.Phoebe: Wonderful. Sowhere's the meeting?Leo: You're gonna do it?Phoebe: I'm sorry, Leo, did you show up to the party late? Of course we're gonna do it.Leo: Phoebe, you can never get into bed with evil, you know that. It could be atrap.Piper: Leo, thank you for your opinion but your bosses did say that they were leaving the decision up to us so maybe you should too.Leo: Look, I can't. Alright, the last time that you went up against this evil youlost Prue. Alright, now you're gonna go up against it again? Both of you could be lost this time.Phoebe: But we're not gonna go up against them, we're gonna work with them, right?Leo: But they'll betray you. Alright,this is how evil works. This is why evil loves free will so much. Because humans use it to follow their heart. And evil takes advantage of that.Piper: So Leo, what are our options?Leo: You have to try and save her byyourselves.Phoebe: But Leo, we don't know how. We have to work with them.Leo: But you don't even know who they are.Phoebe: We tried to find them but they weren't in the book.Leo: Which means they probablyaren't even demons or warlocks anyway.Phoebe: Okay, then what are they?Leo: In the hierarchy of demons. Ferocious, impossible to vanquish. And these went to extraordinary lengths to ask for this meeting. Whoknows what'll happen when the four of them are reunited.Piper: I don't care what happens, we just want Prue back.Leo: So do I but this is not the way.Phoebe: Leo, it's the only way we know. We have to savePrue.[Scene: A field. Piper and Phoebe are waiting there.]Piper: This is where we were supposed to come, right?Phoebe: Right.Piper: And it's not a trap, right, please tell me we're doing the right thing.(The horsemenappear.)Phoebe: Or we're making the biggest mistake in the world.Strife: Thank you for coming. And you are?Piper: Anxious to get this over with, let's go.Strife: Are you in a hurry?Phoebe: You stalling?Strife: You wantyour sister back?Piper: Do you want your friend back?Strife: Let's do business.(He holds out his hand. Piper hesitates for a moment but then shakes his hand. You hear a crack of thunder.)[SCENE_BREAK][Scene:Manor. Conservatory. Phoebe, Leo and the three horsemen are there. Phoebe picks up a plant off the table and the horsemen step back in alarm.]Horsemen: Whoa, hey, what are you doing?Phoebe: Just makingroom.Strife: Of course. (Strife reaches in his coat and Phoebe gasps.) Taking notes. (He pulls out a pen.)Phoebe: Of course.Strife: Old habits are hard to break. I'm sure we can put that all aside and get thisdone.Famine: Or die trying.(Piper walks in.)Leo: (whispers to Piper) You know, it's bad enough working with them but to bring them here.Piper: To the manor where we're the strongest and safest or maybe weshould've gone to their place not that they offered.Leo: And why not? Hmm? Why give up home field advantage unless they're hiding something.Piper: Of course they're hiding something, they're evil.Phoebe: Okay, if"}
+{"doc_id":"doc_27","qid":"","text":"DRAGONFIREPART TWORun time: 24:40[SCENE_BREAK]Lower level[SCENE_BREAK]Mel: Hang on, are you sure this is the right way?Ace: Course I'm sure. Don't you trust me?Mel: I don't know. What with the dragonand all that.Ace: The dragon. It's just something to frighten little children with. It's like witches and goblins. There ain't no such thing.Ace: Wicked!Mel: Get down!Ace: That's not a real dragon. That was a laserbeam.Mel: Look out![SCENE_BREAK]Ice cliff[SCENE_BREAK]Glitz: It's no use, Doctor. I've located the Ice Garden but there's a distinct absence of dragon or treasure.The Doctor: Glitz, I sympathise with yourdisappointment, but I'm about to plummet to my death.Glitz: Oh, I suppose you want me to risk my neck and come and help you.The Doctor: Glitz!Glitz: All right, all right. Don't get your delicates in a twist.The Doctor:Glitz![SCENE_BREAK]Refrigeration room[SCENE_BREAK]Kane: Belazs, you astound me. Those two girls should have been searched when they were arrested. You seem to be taking advantage of my former feelings foryou. Be warned, the past is an empty slate. I demand absolute loyalty now and forever, and I don't forgive those who betray me. The girls must be stopped before they reach Glitz and the Doctor. They must beeradicated.Kane: What could be more appropriate than to despatch some of Glitz's former crew after the girls. He betrayed his crew, now they can have their revenge. Everyone should be allowed his moment ofrevenge.[SCENE_BREAK]Base of the Ice cliff[SCENE_BREAK]The Doctor: I say, thank you.Glitz: It's no use, Doctor. Even if we did find the treasure, it'd take us longer than seventy two hours, and Belazs said if I didn'treturn Kane's money within seventy two hours they'd confiscate my spacecraft.The Doctor: Why don't you explain the problem to him?Glitz: Oh, he'd slice his own mother up to make a point. If he was a mortician, thecorpses would keep their eyes open.The Doctor: Ah.Glitz: In fact, if Kane knew we were after the...[SCENE_BREAK]Refrigeration room[SCENE_BREAK]Glitz (O.C.): Dragon's treasure, your life expectancy wouldn't belooking too clever at the moment. He's a cold man, Doctor. Cut him open and you won't find a heart, just a lump of ice.[SCENE_BREAK]Base of the Ice cliff[SCENE_BREAK]The Doctor: These types never have any senseof fair play.Glitz: Exactly. Which is why I've come to the conclusion that play it by the rules is a mug's game. I have decided to hijack the Nosferatu. Which is where you come in, Doctor.The Doctor: Ah, hang on there aminute, Glitz. I'm engaged in a project of scientific curiosity. I mean, that dragon, or whatever it may turn out to be, could be an undiscovered species.Glitz: Look, I'll do you a good deal. You help me get the Nosferatuback, and I'll give you the treasure map so's you and Mel can go looking for this dragon. I can't say fairer than that, can I?The Doctor: You have me there, Glitz. Without the map, I'll never find the creature.Glitz: You'rea man of insight and logic, Doctor.The Doctor: All right, then. Where's the Nosferatu berthed?[SCENE_BREAK]Refrigeration room[SCENE_BREAK]Glitz (O.C.): In the lower docking bay.[SCENE_BREAK]Restrictedzone[SCENE_BREAK]Kane: A work of artistry, my friend. Incandescent artistry. I could almost believe Xana lives again. A unique beauty, yes, but more than that, a criminal genius also. Oh, what a waste. It should havebeen I who was killed escaping arrest, not you.[SCENE_BREAK]Top of the Ice cliff[SCENE_BREAK]Ace: You're joking. I'm not going down there.Mel: Look, there's the Doctor's brolly. We must be on the right track.Ace:What did he have to come this way for? I could break my neck.Mel: How are we going to get down there?Ace: Hang on.[SCENE_BREAK]Lower docking bay[SCENE_BREAK]Glitz: There's only one guard. Do you think youcan occupy him while I slip on board?The Doctor: I'll do my best.Glitz: Go on, then. Away you go.The Doctor: Excuse me. What's your attitude towards the nature of existence? For example, do you hold any strongtheological opinions?Guard: I think you'll find most educated people regard mythical convictions as fundamentally animistic.The Doctor: I see. That's a very interesting concept.Guard: Personally, I find most experiencesborder on the existential.The Doctor: Well, how do you reconcile that with the empirical critical belief that experience is at the root of all phenomena?Guard: I think you'll find that a concept can be philosophically valideven if theologically meaningless.The Doctor: So, what you're saying is that before Plato existed, someone had to have the idea of Plato.Guard: Oh, you've no idea what a relief it is for me to have such a stimulatingphilosophical discussion. There are so few intellectuals about these days. Tell me, what do you think of the assertion that the semiotic thickness of a performed text varies according to the redundancy of auxiliaryperformance codes?The Doctor: Yes.[SCENE_BREAK]Nosferatu[SCENE_BREAK]Glitz: Ah, my ship. Soon be light years away from this place.Belazs: I wouldn't touch those controls if I were you.[SCENE_BREAK]Base ofthe Ice cliff[SCENE_BREAK]Ace: Wicked. And the bilge bag said this was too dangerous for girls.[SCENE_BREAK]Nosferatu[SCENE_BREAK]Belazs: This spacecraft is mine.Glitz: Hang on, the seventy two hours aren't upyet. You said if I could get hold of the grotzits I could have the Nosferatu back.Belazs: Then I shall just have to make sure you don't manage to find the money in time. I shall have to make very sure.The Doctor: Hello.Not interrupting anything, am I?Belazs: What are you doing here?The Doctor: That's a very difficult question. Why is everyone round here so preoccupied with metaphysics?Glitz: I think she's going to kill us, Doctor.TheDoctor: Ah. An existentialist.Belazs: Quiet! Only one of us can leave Iceworld aboard the Nosferatu, and one way or the other it's going to be me.Glitz: What about the boss, Mister Kane? Does he know of your littleenterprise?Belazs: Kane doesn't own me.The Doctor: Oh, I think he does. I think he bought you like he buys everything in Iceworld.Belazs: What would you know about it?The Doctor: I think he bought you a long timeago. He paid seventeen crowns for each of Glitz's crew. How much did he pay for you? Was it worth it? Were you worth it?Belazs: That's what I sold myself for, Kane's mark. I ought to cut my hand off for doingit.Belazs: Go on, then. Kill me!Glitz: Well, come on, Doctor. We've got the Nosferatu back. Let's get out of here.The Doctor: No, Glitz. You can't go on stealing everything you want, like this Stradivarius and that Dutchmaster. Pay Kane back his debt, even if it costs a thousand crowns, ten thousand crowns. Pay back the debt. And as for you, your debt to Kane, I don't think you'll be able to pay it off. Ever.[SCENE_BREAK]Restrictedzone[SCENE_BREAK]Kane: The whole of eternity has held its breath for this moment. But no one must ever see your work. It exists, that is enough. No one can ever look upon your work and live. Gaze on it and diefulfilled.[SCENE_BREAK]Lower levels[SCENE_BREAK]Mel: What's the matter?Ace: Shush. Did you hear that?Mel: Hear what?Ace: I thought I heard something.Mel: Well, what kind of something?Ace: I don't know. Canyou see anything?Mel: Look out!Ace: Run!The Doctor: I think we go straight on. Either that, or we don't.Glitz: Well, now that we've found the Dragonfire, what's next on your list of tourist attractions, Doctor?TheDoctor: Well, I'm not absolutely certain this one's over yet.The Doctor: It must be generating a spot temperature in excess of fifteen hundred Celsius.Mel: Right, cover your ears.Ace: Ace! Yeah, good job. Throw theother one.Ace: Yeah, go for it, tiger. That was well brill.Mel: We're not in the clear yet.Ace: I don't believe it. Not after two cans of Nitro. Nothing can survive that. Come on, Mel, shift!Mel: Okay!Ace: Come on! Come on,wake up.Mel: Oh, what happened?Ace: It's all right, doughnut. He's gone.Glitz: Get back, Doctor.The Doctor: No, Glitz, don't.Glitz: Why?The Doctor: We've got no right to kill.Glitz: Why didn't it kill us?The Doctor:Perhaps we'd better ask it.[SCENE_BREAK]Refrigeration room[SCENE_BREAK]Kracauer: Can't sleep, Belazs?Belazs: How old do you think I am, Kracauer?Kracauer: Thirty three, thirty four?Belazs: And how old do youthink I was when I first agreed to join Kane? Sixteen. That was a long time ago. Do you see this?Kracauer: Yes, the mark of the sovereign.Belazs: You'd have thought it would begin to disappear after twentyyears.Kracauer: We sold ourselves. We knew what we were doing. We had a choice.Belazs: I was sixteen.Kracauer: Even at sixteen we had a choice.Belazs: He'll kill us. He'll find someone younger and he'll kill us unlesswe kill him first.Kracauer: How do you propose to do that?Belazs: With heat. Even here in Iceworld it's too warm for him. I've seen inside the restricted zone. That's where he keeps his refrigeration unit. He has toreturn there whenever his body temperature rises too high.[SCENE_BREAK]Lower levels[SCENE_BREAK]Ace: Do you want some coffee?Mel: Oh, thanks.Ace: Do you know what I did for a job when they threw me out ofschool?Mel: No.Ace: I worked as a waitress in a fast food cafe. Day in, day out, same boring routine. Some boring life. It was all wrong. It didn't feel like me that was doing it at all. I felt like I'd fallen from anotherplanet and landed in this strange girl's body, but it wasn't me at all. I was meant to be somewhere else. Each night I'd walk home and I'd look up at the stars through the gaps in the clouds, and I tried to imagine whereI really came from. I dreamed that one day everything would come right. I'd be carried off back home, back to my real mum and dad. Then it actually happened and I ended up here. Ended up working as a waitressagain, only this time I couldn't dream about going nowhere else. There wasn't nowhere else to go.[SCENE_BREAK]Restricted zone[SCENE_BREAK]Kane: One day, when we return home, I shall erect colossal statues inyour honour.Computer: Current ambient temperature minus ten Celsius. Target temperature minus a hundred and ninety three Celsius. Cabinet temperature dropping.[SCENE_BREAK]Lower levels[SCENE_BREAK]Ace:There's something I've never told anyone. Do you promise not to laugh, and not to tell no one?Mel: Of course.Ace: It's my name. It's not really Ace. My real name's Dorothy. That's how I knew they couldn't be my realmum and dad. My real mum and dad would never have given me a naff name like Dorothy. Come on.[SCENE_BREAK]Restricted zone[SCENE_BREAK]Computer: Minus one hundred and fifty. Minus one hundred andsixty. Minus one hundred and seventy.Computer: Cabinet temperature rising. Minus one hundred and sixty.[SCENE_BREAK]Ice junction[SCENE_BREAK]Mel: Down there?Ace: I suppose so.The Doctor: Ah, Mel, you'vebrought my umbrella.Mel: Oh, Doctor!Ace: Professor! Bilge bag.Glitz: What's that?The Doctor: Now, now, stop this squabbling. There's no place for animosity on a serious scientific undertaking.Mel: Do you mean thedragon?The Doctor: Well, it's not so much a dragon as more of a semi-organic vertebrate with a highly developed cerebral cortex.Ace: And it's got laser beams in its eyes. It tried to kill us.Mel: Yes.The Doctor: Really?Well, I wonder what you did to annoy it?Ace: It just came at us, Professor. No warning.The Doctor: Really. Well, let's see what this vertebrate with laser beams has got to say for itself.The Doctor: Hello. Where mightyou have popped up from, then?Mel: He's been sent by Kane, Doctor.Ace: He's got masses of them frozen in his deep freeze.The Doctor: Cryogenesis, eh?Glitz: Hang about. I'd recognise that mutinous expressionanywhere.Ace: Friend of yours, is he?Glitz: Pudovkin, old son, you've no idea how pleased I am to see you again.The Doctor: It's no good, Glitz. Ace says he's been cryogenically frozen.Glitz: What about the time wecaptured that space freighter loaded up with all that natural fruit alcohol. We got well dehydrated that night, didn't we?The Doctor: It's no use. Deep cryogenics freezes the neural pathways.Glitz: Oh, come on, old son.A joke's a joke. It's me, Sabalom Glitz.The Doctor: It's completely impossible for him to recall any events prior to cryogenesis.Pudovkin: I remember.The Doctor: Except in cases of overwhelming hatred oranger.Pudovkin: I remember how you always had the best of our pickings.Glitz: I don't recall.Pudovkin: I remember. I remember how you sold our entire crew to Kane to be frozen as mercenaries.Glitz: Oh now, comeon, old son, don't go jumping to conclusions.Ace: I thought he was a friend of yours.Glitz: More of an acquaintance, actually.The Doctor: We don't mean you any harm. Do you understand?Mel: It's friendly.Ace: It wantsus to go with it, Professor.The Doctor: Well, let's see what our new friend wants to show us, shall we?[SCENE_BREAK]Restricted zone[SCENE_BREAK]Computer: Warning, defrost threshold crossed. Cabinet temperaturerising. Plus one Celsius. Plus two Celsius. Plus three Celsius.Computer: Plus four Celsius.Kane: What's happening? Can't breathe. Too warm. Kracauer, what is this?Kane: No, not my statue. No! Who has desecrated themonument? Who?Kane: Belazs.Computer: Target temperature minus a hundred and ninety three Celsius. Temperature dropping to zero Celsius. Minus ten Celsius. Minus twenty Celsius.[SCENE_BREAK]SingingTrees[SCENE_BREAK]Mel: This is beautiful, Doctor.Ace: Here, I can hear singing. Where's it coming from, Professor?The Doctor: I think he wants us to watch.Ace: What's he doing, Professor.The Doctor: Ah, so that'swhat this is all about, a polydimensional scanning imager. And I bet the creature's using itself as the energy source.Archivist: Planetary archives, criminal history segment ninety three twelve oh three. Two of the mostvicious examples of the criminal mentality have been the leaders of the notorious Kane-Xana gang. Until its demise, this gang carried out systematic violence and extortion unequalled in its brutality. In view of the sheerevil of his crimes, Kane is to be exiled from the planet Proamon and never allowed to return home. He will be banished to the barren planet of Svartos, which has a permanently frozen dark side on which he cansurvive.[SCENE_BREAK]Refrigeration room[SCENE_BREAK]Kane: Ah, my dear Belazs. You know, I've been thinking. I've been thinking of your request to leave. You've been with me a long time now. I've grown veryfond of you, but I've been thinking it over carefully and I've decided. You may leave me.Belazs: Leave?Kane: Whenever you wish. Go in fortune and happiness.Kane: You traitor. I've been planning my revenge for threethousand years. How can you stand in my way now I am so close?[SCENE_BREAK]Singing Trees[SCENE_BREAK]Archivist: Kane's partner, the woman Xana, killed herself during the final siege of the gang'sheadquarters to avoid being arrested and tried for her crimes.The Doctor: Fascinating.Mel: Well, that explains about Kane, but where does the creature come from?Glitz: And what about the fabulous treasure? Is thisit?The Doctor: Oh, no, no. We might be deep beneath Iceworld, but Kane could find his way here easily enough. No, the treasure's got to be somewhere else, somewhere beyond Kane's reach. What does he fearmost?Ace: Heat. It'll kill him.The Doctor: Precisely. And what better way of protecting the real treasure than to leave a fire-breathing dragon to guard it? What better protection than if the dragon is the treasure.Mel:The creature, the treasure?The Doctor: Am I right? Are you the one that everyone's looking for, treasure?Glitz: It must be worth a fortune.The Doctor: No, look past the gold and the gemstone, Glitz. Look at the fireinside. A source of intense optical energy.[SCENE_BREAK]Restricted zone[SCENE_BREAK]The Doctor (O.C.): Look at it through Kane's eyes. See it as an evil mind would see it.Kane: At last. After three thousand years,the Dragonfire shall be mine."}
+{"doc_id":"doc_28","qid":"","text":"[PREVIOUSLY_ON]DELILAH: Sanctum was colonized by a team from Earth made up of families... the Primes.GABRIEL: Not everyone believes in the divinity of the Primes.RUSSELL: Children of Gabriel. Nonbelieversmust be purified!WOMAN: Die, nonbelievers!CLARKE: No!RUSSELL: It will be your great honor to become one with Simone Prime.CLARKE: I tried to do better. And then I lost my mom.RAVEN: The Flame. We have totake it out. I'm not the Commander anymore.INDRA: Raven, Sheidheda.NIYLAH: Where did he go?GABRIEL: No one has ever come out of the Anomaly.- OCTAVIA: Hope.- HOPE: I'm so sorry, Octavia.- ECHO: Knife!-BELLAMY: No!Octavia! Octavia![INDISTINCT CHATTER ON RADIO]Octavia![SOBBING]Bellamy? Bellamy!- [GASP] - Whoa, whoa, easy.HOPE: Where am I? You're OK. Uh, Bellamy she's awake. Who are you? I was aboutto ask you the same. Octavia called you Hope. The name Diyoza chose for her unborn child. Diyoza? Octavia? You're, uh... you're hurt. Let me take a look. Let me see.[THUD][COUGHING]Hope,wait![GRUNTING]Bellamy! Echo!ECHO: We're not alone. Back inside. Watch the girl. She's already gone. Come on. We can still catch her. Something else came through. Welcome to the party. Where's Bellamy? It tookhim towards the Anomaly. No, no, no, no. Time's not behaving. We have to get to him first. Echo, you can't shoot what you can't see. Stop talking. I'm opening up a path. Follow me![GUNFIRE][DOG BARKING]MADI:Hello.You said I could start school today. Why are we here? I thought maybe you'd like to see our new home. Russell built it for Simone so she'd have a place that reminded her of the farm she grew up on, back onEarth, before the bombs. Picasso comes with it. We can keep her? Thank you, Clarke.[DOG BARKING]CLARKE: Let's go inside.MADI: Come on, girl.I don't know what I like less... lying about the Flame or making Madipretend she's still Commander. Indra thinks it could split Wonkru. You don't agree? I do, and I know we need them unified to keep the peace here. Just... I worry about Madi. Yeah. For now, we keep it quiet. Indra cansay that she speaks for heda. But Madi is out of it. She finally gets to be a kid. Come on. There are plenty of rooms for all of us.[INDISTINCT CHATTER OUTSIDE]INDRA: Heda. If you don't mind, you're neededelsewhere.- CLARKE: Where?- INDRA: We've been here a day, and Wonkru hasn't seen her.GAIA: Mother, don't be so dramatic. Go on, Madi. Eat your lunch. It's OK. Come on, girl. Let's go.[INDISTINCT CHATTEROUTSIDE]MAN: Hey, Madi.She seems OK.- INDRA: She is.- GAIA: She will be.GAIA: There's never been an ex-Commander before. We don't know how having the Flame removed will affect her. Not to mention beingtaken over by... Sheidheda's gone. Are we sure about that? He's gone. I didn't mean... I... I would just feel better if I knew where that code ended up, that's all.CLARKE: Ok. Then on your next supply run to themothership, you can search the computer again. Meantime, we have to establish a routine. Not just for Madi but for all of us. Sanctum is broken, and it's our job to put it back together. If we focus on that, we'll be OK.Now let's eat so we can get back to work. One of us needs to represent the Commander. And I'm hungry. Mothers and daughters. I'm sorry. It's OK, Raven. I'm fine.[DOOR OPENS AND CLOSES][INDISTINCTCHATTER]MAN: \u0000 I got darkness on my mind \u0000\u0000 so the question Mark, it keeps me looking... \u0000 Her motor functions seem normal.CLARKE: Madi, come on. Let's eat. I want to show you your new room. OK. Come on,Picasso.MURPHY: I see you took the master suite.NIYLAH: To the victor go the spoils. We all share the clothes, though.EMORI: It's fine, Clarke. Our room is fine. A little tight, but we'll make it work. Maybe Daniel andKaylee Prime should live in the palace. Daniel and Kaylee Prime saved your ass, Miller. But a thank you would do.EMORI: Speak for yourself. That palace is...INDRA: No one lives in the palace, least of all us. Being seenas conquerors will only make keeping the peace harder. Ahem. Our first meal in our new home. To absent friends. And departed ones- MILLER: To Abby.- ALL: To Abby.Hey! What the hell is your problem? I'm sorry, butI'm not just gonna sit here while he drinks to the woman that he got killed. I didn't know what Russell was gonna do. OK, I... Clarke, you have to believe me. I didn't know. I believe you. Dwelling on the past is notgoing to get this compound running. And it won't get our compound built.[BREATHING HEAVILY]What the...[GROANING LOUDLY]INDRA: The people of Sanctum have lost their way of life, but many still believe in thePrimes.They blame us. Faith is a powerful thing. A dangerous thing. We can expect conflict between believers and nonbelievers. To make matters worse, the Children of Gabriel are here. Sanctum is their home, too.They want Russell Prime and anyone who believes in him dead. At the moment, they, too, are our allies. Add to that hardened criminals from Earth who Wonkru was at war with a few days ago, and I say we have ourhands full being the keepers of the peace. At the point of a gun? Until we're sure all the guns are rounded up, Wonkru will be armed.MURPHY: An army of cannibal peacekeepers, huh? What could go wrong? Remind meagain how long we gotta wait until our compound gets built. Two years if everything goes perfectly.MAN: Hey! Get away from there! So years.[INDISTINCT CHATTER]INDRA: All right. Stop staring.It's time to go towork. Heda. Go learn something, OK? Bodyguards? Yeah. But not so close and make sure they leave her alone. Copy that. Too many people.RAVEN: Good thing A.L.I.E.'s not around. There you are. Thank God. James,what is it? The reactor again? No. This is more explosive than that.NIKKI: What's the matter? Cat got your tongue?I'd love for you to say that again.TREY: Wait. Don't hurt him. Please.JORDAN: Trey, it's OK. I justmeant this palace is sacred to them. I'm sure we can find you someplace else... Don't mind my wife. She's more bark than bite. Hmm.NELSON: This looks like fun. Criminals and fools. What seems to be theproblem?HATCH: There's no problem. Me and my friends here, we're just looking for a place to lay our heads. You can't do it here. This unholy shrine is now controlled by the Children of Gabriel.TREY: Like hell itis.NELSON: Oh. Maybe you didn't hear, but your gods are dead and they are not coming back this time. Tell that to Russell Prime, null. I will. Right before we burn him at the stake. You think killing our god will get yourparents to love you again?[NELSON AND TREY GRUNT]Now my money's on the guys with the guns.[DOORS OPEN, GUNS COCK]INDRA: Children of Gabriel, stand down, now.The other guns. Here comes the part wherethe convicts take the blame.CLARKE: Wrong. But when we woke you to clear the ground for our compound, you agreed to stay in tents. The palace is off limits.MILLER: That goes for the Children of Gabriel, too. OK. OK,yeah, that's... that's fine. We'll... we'll take your scraps for now. But if we're gonna do the work, then we're gonna hold you to the meaning of the words \"our compound.\" Mm. Let's go. Jordan. You weren't at thefarmhouse. We saved you a room. I'm OK above the tavern. Clarke, these people want to see Russell.INDRA: Out of the question.NELSON: I told you, you'll see him when he burns. Maybe take a log off the fire. No oneis burning at the stake. Not anymore. Then what's being done with him? We haven't figured that out yet. But he's being well cared for. We can't just take your word for that. You're talking about the man who killed hermother. I suggest you say thank you and be on your way. Indra, it's OK. Look, you seem to get on just fine with Jordan. If you won't take my word for it, how about you take his?[DOOR OPENS]JORDAN: I know whatthat's like.To lose your family years ago and yesterday at the same time. Did you kill yours? Didn't think so. You understand a bare whisper of the agony I feel. Is that why you're not eating? Or sleeping, from the looksof it? I don't need sleep or food. I need death! You look surprised. Or is that concern I see? Why are you here? Your people wanted to make sure you're being treated well. Why do they trust you? Never mind. I don'tcare. Tell them I'm being treated better than I deserve. Now get out! I think you should have this. [SIGH] You were adjusted. So, now you believe in the divinity of the Primes? Is that it? No. I know you're just a manwho lost his way. Then tell me... what did you see? You got a glimpse. A glimpse? Of the truth greater than us all. Yes. No. I don't know. Let me guess. You saw this. You saw it, too? Of course. I created all of Sanctumin its image. What does it mean? I stopped trying to answer that question years ago. Looks like it's your cross to bear now. Unless you're prepared to do the same to me, we're done here.[DOOR CLOSES]ECHO:Bellamy! Call out if you can hear me![BOTH PANTING]What the hell are you doing? Making sure we're not being followed. Followed by what? Have you ever seen anything like that? No.[RUSTLING][GUNSHOT]GABRIEL:Hope, no, stop.[WOMEN GRUNTING]I don't want to hurt you. Who are you? Where's Octavia, and why are they taking Bellamy to the Anomaly? Bellamy's gone?GABRIEL: You know him? You remember? No. You calledto him from the tent. This... was in my arm. \"Trust Bellamy.\" I don't remember putting it there, but I think I must have. It's another code. Like the one on Octavia's back. What's it for?- HOPE: I don't know.- ECHO:Stop lying!GABRIEL: Easy. Octavia lost her memory, too. Must be a result of moving through the Anomaly.- HOPE: What's the Anomaly?- ECHO: You tell us.GABRIEL: It's the sound you hear. You said Octavia's nameright before you stabbed her. You remembered then, and you remember now. The Anomaly was on top of us then. Yeah, yeah, yeah, then she lost her memory when it receded... taking Octavia with it. Why just her?Why the memory loss? None of this makes any sense, but, my God, it's incredible. We need to get to Bellamy. How fast can you run? I don't know. Let's find out.[INDISTINCT CHATTER][MEN CHEERING]MURPHY:Clowns to the left of me, jokers to the right.EMORI: Stop it.Here. Listen to this. Kaylee changed because of love, too. Isaac, a null, made her see what they'd become. Aww. Farmer loving the pig she leads to theslaughter. Jackson didn't mean it, John. You didn't kill Abby. Russell did. I told her that it was gonna be good for her. I told them that Abby could make Nightblood out of bone marrow. You did that to save us all. Ihelped Josephine convince Abby that she was Clarke. Blessed is Daniel. Blessed is... I... I'm so sorry, my lord. I got this. It's OK. He's clearly had enough. Look, you got it all wrong. I know you think that I'm...RAVEN:Daniel, can I... Can I talk to you? I just need a minute. Act like you hardly know me. What the hell are you talking about? This place is a powder keg. Oh, this is good. Miss morality wants us to be Primes.Newsflash: youare Primes. That bad choice has sailed. But if these people actually believe you're Daniel and Kaylee, it may still do us some good. The answer's no. Daniel. He blames himself for Abby.RAVEN: This can't be good. How'sRussell?- TREY: What'd he say?- JORDAN: It's OK.TREY: Don't tell me it's OK. We have to help him. Everyone, let's go. Let's go.NELSON: Children of Gabriel, let's move.- RAVEN: Here we go again.- MAN: Get out of theway. Move.It's a riot again.JORDAN: Trey, just hang on for a second.TREY: Free Russell Prime! How dare you put him in a cage!NELSON: A cage is better than he deserves.[INDISTINCT SHOUTING]TREY: Everyone.Wehave to go back and get Russell out of there.CLARKE: Hey. They're going for Russell.TREY: Let us see our god! Let us see him! Give us Russell! I'm moving him to the palace where we can protect him.CLARKE: We saidthe palace was off limits. Every battle plan is perfect till the first shot is fired.RAVEN: And the Children of Gabriel?INDRA: They'll be unhappy. It's either this, or we execute him now and be done with it. Hey, thanks foryour help.He wants to be killed. That's all I told them.Then let's give him what he wants. Death to Primes![CROWD SHOUTING \"DEATH TO PRIMES\"]We have to do this now.NELSON: Death to Primes! Get back, getback! We're moving you someplace safe. Why are you protecting the man who killed your mother? Excellent question. If I could kill you for what you did, I wouldn't hesitate. Get him out of here.[INDISTINCTSHOUTING]NELSON: There he is!Death to Primes!TREY: We won't let you kill him!JORDAN: Hang on! We can figure this out. Get out of the way. We are moving him to the palace for his own safety.JORDAN: Nobody hasto get hurt! Indra, stop!TREY: You don't belong here![INDISTINCT SHOUTING][SCENE_BREAK][LOUD BANG]Have we learned nothing? Huh? Let them pass! We can trust Wonkru. After all... we are one. We areone.[CROWD MURMURING \"WE ARE ONE\"]- Let's go. - Russell!- MAN: Let's go.- SECOND MAN: Right now.\"We are one\"? It's from Kaylee's journal. Her slogan when she stopped oblation. You are so hot right now.Sister. My idea. Good one. Of course, now the Children of Gabriel want them dead. The lengths some people will go to live in a castle.EMORI: We get to live in the castle?MILLER: If they're gonna get murdered in theirsleep, better there than at the farmhouse with us.RAVEN: He does have a point. I need my hours. OK. For now. At least until they kill you. Why did you draw these? Mm, I don't know. I was bored while they wereteaching us about the Primes. Why are they still doing that if they know the truth? I suppose sometimes belief is stronger than the truth.[FOOTSTEPS][DOOR OPENS]Hi. Sorry we're late. No problem. I hope you don'tmind that Madi and I already ate. You know, while you were off rebuilding Sanctum by hand. Who knew putting a broken society back together would be hard work? Clarke... I don't care that you're late. I care why youare.CLARKE: Madi, Indra's right. We have a lot of work to do. Stop it. Talk to me. I know what it's like to lose a mom. And I can help. Hey. I'm still here. You didn't lose me. Not you, Clarke. She died in my arms. I knowwhat that's like. Well, the woman I floated was not my mom. I'm fine, Madi. Really. I'm going to bed.[SIGH]Not my finest moment.INDRA: Don't be so hard on yourself. You handled that well.GAIA: You would thinkthat. After my father died, crying was forbidden. We were at war. It made you strong. It made me become a Fleimkepa. The question is, who is the fleimkepa without a Flame? We all have to find our own new path. Ijust realized I never thanked you. The Flame was your whole world, and yet you chose to save Madi. I can't imagine how hard that must have been for you. Thank you. You should, um, see this. She's drawing memoriesthat are not her own. Sheidheda? I don't know. It could be any of the Commanders or all of them. I'll keep an eye on it. I'm glad she has you in her life. The night Wanheda knelt to Heda. I'm sorry I missed that. Seemslike another world.[EXPLOSION IN THE DISTANCE]New world. Same problems. I got Madi. Go on. Thank you. Wait. Wait, wait, wait. Too much toxin in the air. I am not in the mood to see my ghost right now, areyou?[INHALES][PANTING]GABRIEL: Ray guns. Cool.If it shoots, it can be shot at. That was a bad shot, even from far away. Echo? Echo, what are you doing? Testing a theory. A theory? If you're wrong... She's notwrong. It's not trying to kill us. We're not playing by the same rules. Echo, look around you. The particulate matter moves in response to motion. They come close enough... I'll have a target.ECHO: To set the trap, wehave to open up a lead. Follow me.[LOW THRUM]Listen.[LOW THRUM]Here it comes. No one move, or it won't come close enough.ROAN: Once a killer, always a killer. You just said don't move. Roan? You didn't use theantitoxin, Echo. Echo, it's not real.ROAN: Without Bellamy, who will you follow?- ECHO: Shut up.- GABRIEL: Quiet.- ECHO: Now he's in my shot.- GABRIEL: Shush!Answer the question, Ash.ROAN: Without someone tofollow, who are you? A girl who killed her only friend and stole her name?ROAN: The honorless spy who would do anything for her queen, even betray the man she now claims to love? Echo? Echo, it's close. I can dothis.OCTAVIA: Hope. You have to stay quiet. No matter what you hear, you stay quiet. Do you understand? Hope, it's just in your mind.OCTAVIA: I promise you, Mommy and Aunty O will come back for you. Now,shhh... No, no, don't... Stay down.GABRIEL: Echo, they're right there. Take the shot. Now. Pull the trigger now. I'm sorry.[MAN SCREAMING]ECHO: Gabriel, there could be more.We have to go. Now.GABRIEL: We needto know what we're dealing with.- ECHO: Gabriel...- GABRIEL: Hold on.[LABORED BREATHING]He's just a man. Same tattoos as yours.[GUNFIRE]- GABRIEL: Listen.- ECHO: What is it?GABRIEL: The Anomaly. It'squieter. They're shutting it down. What does that mean?GABRIEL: It means they can control it. What if it means they're taking Bellamy through and they don't want us to follow?GABRIEL, SOFTLY: Let's go.- ECHO:Bellamy!- GABRIEL: No, no, no, no, no.- GABRIEL: Slow down. Echo.- ECHO: It's closing!GABRIEL: We go through together. If we're even seconds apart, we could be separated by months. OK?INDRA: We heard anexplosion. Miller, report.MILLER: They blew up a container on the lower level to pull our attention away from the palace. There's a dozen hardcore believers outside Russell's quarters right now. The adjusters are back intheir bibs. Our guards at their door, they withdrew without engaging.CLARKE: That was the right call, Miller. No one else should die because of what they believe. What other reason is there to die?NELSON: I couldn'tagree more. What the hell is he doing here? He's unarmed. The Children of Gabriel have demands.- CLARKE: Get in line.- NELSON: You want peace, we want Russell Prime.The people that live here should decideRussell's fate, not us.NELSON: This is our home, too. We were thrown out like garbage. My parents are still here and I don't even know who they are. The Primes did that. I'm sorry that happened to you. But we're notletting you have Russell. Either Russell Prime dies, or Kaylee and Daniel do.MILLER: Come on, Nelson. You know they're not Daniel and Kaylee. You want them to play dress-up so you can control the sheep, fine. ButRussell Prime is ours. You have till tomorrow's second moon to decide. The man does deserve to die, Clarke. Maybe. But the kind of society I want my child to grow up in doesn't take an eye for an eye. Clarke, he killedyour... Fine. We'll clear out the fanatics. No. No more violence. So, how do we do it? We don't. Russell does. I'll get Jordan. He's in the tavern.TREY: We invoke the names of the Primes as we pray. Josephine...Simone... Priya... Russ... Faithful, block the way. She just wants to see Russell. You were gonna search me, right? You wouldn't be dumb enough to let someone bring a gun in to see your god.JORDAN: It's OK, Trey.You can trust her. Let her pass. They didn't unchain you. I wouldn't let them. I need you to order your people to leave the palace. Tell me, Clarke... How do you go on after you lose everything? You take a breath. Thenanother. That's it. Now will you give the order or not? If I'd have killed Madi when I had the chance, you'd understand. Wait. I have something for you. Simone left these here, after she was resurrected. They were yourmother's. I thought you'd want them back.[BOTH GRUNTING]For my mother! Get up. Is this what you want? Yes. Do it. Pull the trigger. Set me free.[SOBBING]I'm so sorry.SHEIDHEDA: Hello, Russell Prime. I preferyour new body. Where is this place? Who are you?MILLER: Clarke, open the door![POUNDING ON DOOR][INDISTINCT SHOUTING OUTSIDE][CLARKE SOBBING][POUNDING AND SHOUTING CONTINUE]Looks like youburn after all. Please. Do not leave me here. What would you want Madi to do?[INDISTINCT CHATTER][PEOPLE COUGHING]No! Let it burn. Sanctum is free! There are no kings or queens or Primes here! We have no usefor a palace. We are the last of the human race, and we've all made mistakes. Tomorrow, Russell Prime dies for his.[CROWD CHEERING]"}
+{"doc_id":"doc_29","qid":"","text":"An Initiative briefing.Maggie: This is your objective.Narrator: Previously on Buffy the vampire slayer.Walsh: .. demon classed as the Polgara speciesEngelman: ...bone skewers jut from the creature's forearms duringbattle. It's imperative not to damage its arms.Buffy: Why exactly can't we damage this polka thing's arms?Cut to Engelman and Walsh in a lab.Engelman: She's an unnecessary risk.Cut to Walsh speaking toBuffy.Walsh: Two of our hostiles broke freeCut to Buffy faces the two demonsWalsh: and escaped into the tunnelsCut to Walsh and Riley in the Initiative.Walsh: She's dead Riley.Riley: I don't understand. On themonitors behind them.Buffy: Professor Walsh if you think that's enough to kill me. you really don't know what a slayer is.Cut to Walsh musing in lab.Walsh: She wants a fight we'll give her one.Cut to Buffy talking.Buffy:It's not safe for any of us.Cut to Walsh musing in lab.Walsh: And then when she least expects it, ahhh. She is impaled by a skewer.Walsh: Adam.Adam: Mommy.cut to Giles apt. This scene is a direct continuation of theprevious episode with a time gap of perhaps one to five minutes. Buffy is talking to Giles, Willow, Xander, Anya and Spike.Buffy: So Maggie sends me down into the sewers with one of those blasto guns and the nextthing I know it's raining monsters.Xander: Hallelujah.Buffy: And then this gate slams down behind me and I-I try to use the gun but it goes pfft.Giles: You're saying that Maggie Walsh set you up?Buffy: That's exactlywhat I'm saying. She sent me on a one way recon.Spike: Got to hand it to you goldilocks - you do have bleeding tragic taste in men. I've got a cousin married to a regurgitating {{frovilops}} demon {that's} got betterinstincts than you.Buffy: What does my taste in men have to do with this?Spike: You think Riley was out knitting booties for your future offspring while Maggie stringing you up? Anya, Xander and Giles are silent.Buffy:You guys think Riley had something to do with this.Giles: Um, probably not but we, uh, be remiss if we didn't think all the possibilities {through}.Buffy: {Great./Right.} Remiss. No! No, Maggie made sure that he wasnowhere around when she sent me on this very special make Buffy dead assignment.Willow: Plus Riley he seems like he wouldn't tell a little white lie let alone a whole bunch of big dirty ones.Xander: That's why theycall it the secret forces Will, cause they kinda keep the whole lying thing to themselves.Buffy: All I know is that Maggie has it in for me which means the Initiative has it in for me.Xander: I'm guessing the mad scientistisn't too keen on the fact that the entire scooby gang knows that the Initiative is up to no good.Buffy: Which brings us back to the not safe for any of us concept.Giles: What could have happened to make ProfessorWalsh want to kill you?Buffy: I don't know, uh. She wasn't keen on the fact that I was asking a lot of questions that's for sure.Anya: So you were getting too close to something.Giles: Clearly. Although one can onlyimagine what she'd be so desperate to hide.cut to An Initiative exit. A being exits. Adam is sewn together from parts of different demons. He has a metal brace on his left leg, there are metal parts on the left side of hisface and the back of his head, his right breast, his right shoulder and forearm of his right arm. The only recognizably human portion is the right upper side of his face and his hair. His left eye is red. He had green andgrey-pink demon parts sewn together and there is a huge scar or seam with what could be links of a large chain reinforcing it running down the middle of his chest. He is a mix of demon, Frankenstein monster andTerminator/Borg. It smiles. roll creditsBuffy: Everybody grab a weapon. We've gotta move. Buffy hands Xander an ax and Anya a grappling hook (like a fisherman might use.)Xander: Storm the Initiative. Yeah let's takeon those suckers.Buffy: I was thinking more that we'd hide.Xander: Oh thank God.Giles: I think perhaps we should talk about this.Buffy: We need to relocate someplace we're less likely to be found. We need to comeup with a plan.Willow: We could go to my place.Buffy: The Initiative guys know how close we are. They'll automatically check the places that you hang out. Xander, what about your basement? The guys haven't seen ustogether that much and there's enough room.Willow: Ooh Plus mirrored ball.Xander: Cool! Come on down and boogie at Xander's hideaway.Anya (less happy): Yes, come boogie.Giles: Absolutely not! I will not squat inthat dank hole.Spike: What, it was good enough for me, but you're above it all?Giles: Precisely. Besides I-I don't see why we can't stay right where we are. Pfft. It's very unlikely that those Initiative boys are going tocome round here to look for uh_ Door bangs open. Riley enters.Riley: Buffy! God Buffy are you ok? What happened?Buffy: You know?Riley: I know something went down. umph. Tell me.Buffy: Maggie tried to killme.Anya: It didn't work, but they're all upset anyway.Riley: Ok listen I need you to go over everything step by step. There has to be..has to be some kind of mistakeXander: There was no mistake. And how do youknow something happened?Riley: I was on a mission but I came back and... I'm not sure.. Look let's just keep her heads and not jump to any _ Riley stops and is staring.Buffy: What?Riley: That's hostile 17.Spike: No,I'm just a friend of Xaannderr's. Pfftt. Spike drops his drawl.Spike: Bugger it. I'm your guy.Buffy: This is Spike. He's um.. It's a really long story b-but he's not bad anymore. Spike jumps up.Spike: Hey! What am I, ableeding broken record? I'm bad it's just I can't bite anymore. Thanks to you w*nk*rs. Spike indicates Riley with a head movement.Riley: We've been looking all over the place for him - but you've known where's he'sbeen all along.Buffy: It's not like that.Riley: Then what is it like?.. What's he doing here?Spike: Leaving you swabs to your dramatics, thanks. I've got my stories on the telly for that. Spike puts on his black leathercoatSpike: By the by. If you're trying to kill her. Spike leans back with a big grin and two thumbs up. (His Fonzie imitation?) Buffy and Willow roll their eyes. Spike runs out the door into the sunlight covering his headand arms with his coat.Riley: Buffy, what is this? You're hiding an H.S.T.?Xander: Why don't you just back off and let her ask the questions, Jack? Your boss just tried to make monster food out of her. Riley looksaround. Giles crosses his arms. Riley: I-I didn't see much, I wasn't there unnhhh. All I know is that Professor Walsh told me you were dead but then I saw you on the monitors. Ummph. {look} This isn't ProfessorWalsh. Ummph. There must be something making her act this way. Something ummph I don't know, controlling her.Giles (softly): We think Buffy may have been becoming too inquisitive. That she was getting close tosomething that Professor Walsh was trying to hide. Do you have any idea what that might be?Buffy: What about 314? Maybe that's it.Riley: Maybe she was trying to test you. What if it was only a drill?Buffy: Then whydid she tell you I was dead? Riley it wasn't a test.Giles (softly): See I've heard rumors that the Initiative isn't all that we've been told. That, um, secretly they're working toward some darker purpose, something thatmight harm us all.Riley: No! That's - that's not what happens there.Buffy: Riley!Riley: I would know!Buffy: No one is sure of anything, ok? We're were just trying to sort it out.Riley: I can't be here. I'll sort it out on myown.Buffy: Riley.Riley: No. Just, umph, I'm sorry. Riley leaves.Cut to A forested area. A small boy, perhaps 7 to 9, is squatting and playing with a silver armored doll. His bike is beside him. Adam sees the boy andapproaches.Adam: What am I? The boy stands.Boy: You're a monster.Adam (resigned?): I thought so. Adam (curious?): What are you?Boy: Me? I'm a boy.Adam: A boy. How do you work?Boy: I don' know. I just do.Boy points to bone skewer/spur coming of Adam's wrist.Boy: What's that for? Adam raises his wrist to look at the skewer, then looks at the boy. Adam smiles.Cut to Riley wandering the campus at night. He passes acouple on a bench. A solitary student passes him.Cut to Engelman entering darkened lab. He flicks the light switch several times but nothing happens.Engelman: Dr Walsh? Engelman closes the door slowly.Engelman:Adam? Engelman slips and falls. He sees red on his hands and realizes it is blood. He looks to see the puddle leads to a body. He trembles and scrambles back.Cut to Mirrored ball in Xander's basement. Zooming andengine sounds are heard. Reflected light from the ball strikes Giles in the eye waking him. He is sleeping in plastic furniture. Pan past a makeshift curtain to Willow, Anya and Buffy in bed watching television. WileyCoyote drops a wrecking ball on a chain. The ball misses the Roadrunner and instead of stopping halfway up, continues in a full circle, taking out Wiley Coyote.Buffy: That would never happen.Willow: Well, no Buff,that's why they call them cartoons, not documentaries.Giles: Must we have the noise. My head is splitting. Giles is standing and turns off the tv.Willow: Well, look who's cranky bear in the morning.Giles: Yes I can'timagine why I didn't sleep well in my beach ball.Anya: Every time you moved it made squeaky noises. It was irritating.Giles: Really. I'm surprised you could hear it over your Wagnerian snoring.Buffy: Ok you guys,could we not please? Everything's screwed up enough without you two doing scenes from my parent's marriage.Anya (to Giles): Sorry.Giles (to Anya): {Sorry/Sallright.}Buffy: Thank you.Willow: It'll be ok Buffy, Riley'sjust confused, that's all.Buffy: I don't know. It just seems like things could get heavier. His whole world's falling apart.Anya: And after everything you've been through with Angel. You really should get yourself a boringboyfriend. Like Xander. You can't have Xander!Buffy: That was the idea. Riley was supposed to be Mr. {{Joe Guy.}} We were going to do dumb things like hold hands through the daises going tra-la-la.Willow: PoorBuffy. Your life resists all things average.Anya: So dump him. But you can't have Xander!Buffy: I'll try and remember that. It's too late anyway - I'm already at the I hurt when he hurts, I smile when he smilesstage.Anya: I hate that part.Buffy: I'll just have to make it work. Xander comes down the stairs carrying a breakfast tray with orange juice and some food.Xander: Turn on the tv. Now! Willow does so and lays downagain.TV Announcer: Sunnydale is still reeling from news of the crime. A source in the coroner's office tells us that the boy was stabbed with what looks like some kind of large skewer and his body was then mutilated.Police have not named a suspect and the killer is still at large.Buffy: The Polgara demon had a skewer in its arm. That's the one that Maggie insisted we bring back alive. Giles: She must have sent it after you.Buffy: Andit got distracted... God.Willow: Buffy, its not your fault. Anya shakes head.Willow: How could you know?Giles: She's right. You mustn't blame yourself. Xander shakes head.Buffy: I'm not going to. I'm going to the crimescene to see what I can find out. Buffy stands.Buffy: You guys research the Polgara demon. I want to know where it is. When I find it I'm going to make him pay for taking that kid's life, I'll make him die in ways hecan't even imagine.Anya's eyes lower. Buffy: That probably would have sounded more commanding if I wasn't wearing my yummy sushi pajamas.Cut to Frat house. Riley starts walking up the stairs. Forest sees himand catches up.Forrest: Hey. Where've you been all night? Well, congratulations. I see you and Buffy have finally gotten past the shy phase.Riley: I wasn't with Buffy. I had to be alone, think some thingsthrough.Forrest: What things? Riley enters his room and closes the door behind Forest.Forrest: This is mighty ominous. Forrest: What's up man?Riley: Professor Walsh tried to have Buffy killed. Forrest: What? Did Buffytell you that, I mean do you have any proof?Riley: I saw enough to know it's true.Forrest: I don't get it. Why?Riley: I dunno. Buffy thinks that she's getting too close to something - that Professor Walsh has somesecret.Forrest: I wouldn't put it past Buffy to get on Professor Walsh's bad side. She tends to put her nose where it doesn't belong.Riley: What?Forrest: She's a pain. Always wanting to know why this and whythat?Riley: And you're saying she should die because of that?Forrest: I don't know. Maybe Professor Walsh found out that Buffy was up to something bad. That ever cross your mind?Riley: Why does it bug you so muchthat I'm hanging with her? Is it because she's a better soldier than you?Forrest: It bugs me that she's using you to infiltrate our operation.Riley: So you saying that she's a spy? Hmpph You're crazy.Forrest: Riley thinkabout it. The professor's not stupid, she tried to kill Buffy, maybe Buffy needed killing. Graham enters.Graham: Guys.Riley: Not now {Brian/Graham/Brad}. Graham doesn't leave.Forrest: What is it?Graham: ProfessorWalsh is dead.Cut to Initiative lab. Riley goes to see Walsh's body. Two scientists kneel over it. Military garbed types are standing guard. Forrest arrives moments later.Forrest: Look at that wound. She's been staked,wouldn't you say brother?Riley: What?Forrest: Only one person I can think of that who could do something like that.Riley: You better not be saying what I think you're saying. When we don't know a person did this - thePolgara demon has skewers. Riley walks off. Forrest walks after him.Forrest: {No way } man that's your girlfriend's m.o. Riley grabs Forest's shirt.Riley: That's a serious accusation. You better be ready to deal with theconsequences. Forrest shoves Riley back.Forrest: Bring em on. That supernatural freak has blinded you and I'm sick of it.Riley: That's enough.Engelman: Stand back {man/Finn}. Show some respect. Listen,everybody's upset but arguing isn't going to help anything and it's certainly not what Professor Walsh would want.Riley: No sir.Engelman: Alright, good. Now Washington is sending in a team to do an internalinvestigation. I've been told we have to wait for their word.Riley: What do you mean wait? This has to be the work of the Polgara demon we captured last week.Engelman: Probably. It looks like last night the Polgaraescaped through tunnel 72. Riley: It's out loose somewhere?Engelman: I'm afraid so.Riley: Then we have to go after it.Engelman: My orders from Washington are for a total lock down until they arrive. I'm sorry. Now,return to your quarters. There's nothing you can do here.cut to Riley and some commandos alone.Riley: Listen. Engelman can talk all he wants, but I'm still in charge 'til the brass gets here and tells me otherwise and Isay we've got a demon to hunt. Now suit up for armed patrol And by that I mean loaded guns, men. Target practice is over. We're {going} for blood.Cut to daylight. The Initiative is entering mausoleums or burialcrypts.various voices: Move. Let's go inside. Establish a perimeter. {unintelligible} back. Forrest and Graham enter a crypt.Forrest: Somebody's been staying here.Graham: What do you think, a homeless guy?Forrest:Could be - or a squatter of the demon variety.Graham: Not the Polgara.Forrest: Who cares? I see a demon - it dies. Graham puts his hand on the tv.Graham: It's warm. Both remove cover of a fixed stone coffin only tofind bones and a black shroud/dress.Forrest: Damn. Forrest smashes the tv with the butt of his gun as he leaves.Forrest: Animals! Spike peeks out from beneath the bones and the black dress or shroud. He exhales.cutto The crime scene. Buffy looks from a distance. Yellow tape surround a policeman, someone in plain clothes and two ambulance personnel. Behind Buffy Riley approaches past a policeman dressed in commandogarb.Riley: Buffy. Hey. Buffy: Hey.Buffy: Look I'm sorry about earlier. I know that {{au burn?}} came on pretty strong. And the Spike thing isn't as tweaked as it looks. Ok maybe it is but there's an explanation thatalmost makes sense. Hello. I'm apologizing here. And I-I think that's pretty big of me considering I'm the one who was almost made a demon sandwich. This is the part where you throw me a bone.Riley: Maggie's dead.silenceRiley: Happy now?Buffy: How can you ask me that? Of course I'm not happy. What happened?Riley: That's classified.Buffy: Classifie_ The Polgara. It got her and escaped. Didn't it?Buffy: I'm gonna find it. I'mgonna find it and destroy it. And then you can stop asking me how happy all this death makes me. She walks awayCut to knocks Tara opens her door.Willow: Howdy.Tara: I just got your message a minute ago. I was inclass. But I was about to call you.Willow: I had so much fun the other night, those spells.Tara: Yeah, that was nice.Willow: I hope you don't think that I just come over for the spells and everything. I mean ,I really likejust talking and hanging out with you and stuff.Tara: I know that. But you wanna do a spell.Willow: Yeah. Tara giggles.Willow: But only because it's really important. There's this..Tara: No you don't have to explain Idon't mind really. I've been uh thinking about that last spell we did... all day.Willow: You have?Tara: Mmmhmmm.Willow: Well this one should be really fun too. We conjure the goddess Thespia to help us locatedemonic energy in the area.Tara: The goddess Thespia. Are you sure we're ready for that?Willow: You and me! This is beneath us.Tara: Ok. exhales Tara: If you say so.cut to bar Buffy enters. Willy cringes and movesdown to the end of the bar after tilting his head to tell Buffy to move down there. Demons are drinking, hanging out.Willy: You're killing me here.Buffy: Oh missed you too. Joint's jumping.Willy: Yeah ya know. I'mmaking some changes with my life. Getting away from my old image.Buffy: You mean as a double dealing snitch.Willy: Uh Hunh. I know you're going think I'm blowing smoke, but after those Apocalypse demons nearlydid me in I had an experience of the spiritual variety.Buffy: That's swell really. But I need to know if you've heard anything about a Polgara demon doing some killings in the last few days.Willy: You see that's the thing.I don't talk behind people's backs no more. And I'm bringing some class to the joint, ya know. It's Willy's Place now, see. Brings in a better clientele. I got one of those deep fryers. These demons just go crazy forchicken fingers. Look - if they see me dealing with you then I'm just the same old Willy working both sides of the street.Buffy: I'm going to have to punch you aren't I?Willow: Just once and it don't have to hurt, justmake it look good. Buffy cocks her arm.Willy: Ohhh. Oww.Buffy: Not yet. I haven't touched you Willy: Sorry right, right, g-go ahead. Wait. Willy (loudly): No! I can't talk to you! Buffy punches him. She doesn't seem tohave held back. Willy grabs his nose.Willy: Ohhh! Owwww!Buffy: What have you heard about the Polgara?Willy: Heard there was one around a week or two back. Word was you got him. You and those army guys.Buffy:And that was the last you heard?Willy: Yeah as far as I know he's off the streets.Buffy: What about those army guys? What do you know? You heard anything about 314? Beads rattle as Riley enters.Buffy: What are youdoing here? Following me?Riley: You told me you were tracking the Polgara demon, I thought I'd help. But now I see you're not hunting demons you're socializing with them. Again! I thought you were supposed to bekilling these things not buying them drinks.Buffy: Oh that's smooth, officer Riley. They teach you those undercover moves in special forces?Riley: No I'm serious Buffy. What are you doing here?Willy: Just cooling herdogs like the rest of us. Why don't you sit down, relax?Riley: I want you to tell me. Who are you?Willy: No kidding. How about I get you some chicken fingers on the house?Riley: Hey think you could shut up!Willy: LookI'm just saying.Riley: I said shut up! Or maybe you'd like to go back to the lab with me. I'm sure the coats would love to classify a - whatever you are.Buffy: Leave him alone Riley, he's human.Riley: So he's human.Riley is trembling.Buffy: You're shaking.Riley: He just harbors demons. Which makes him a good guy like you? Riley grabs Buffy's arms.Riley: The truth, Buffy, now!Buffy: You have the truth. You are just screwed upbecause of what happened to Professor Walsh to see it. Now let go of me. Buffy breaks his grip. An old woman starts to leave. Riley: Hold it you! Riley turns with drawn pistol pointed at the woman.Riley: No leaving til Isay so! His hand is trembling.Willy: Hey! We got new rules here, no killing.Riley: Right. Except rules don't seem to apply much these days do they? Like if I shot you right now I don't know if I'd have a corpse on myhands or one pissed off vampire.Buffy: Riley.Riley: I mean who do you believe? First it sounds like lies, then it sounds like truth. Buffy (softly): Riley. Silence. The old woman starts crying. Perhaps she says please inbetween sobs. Riley's hand continues to shake. Riley puts gun down on bar, smashing glasses. Riley trembles and Buffy steps closer.Riley: Oh what's happening to me?=3D=3D=3Dcut to Xander's basementRiley sits on"}
+{"doc_id":"doc_30","qid":"","text":"Jim: Damn, lost another file. Going to have to reboot. Again. [Windows reboot sound] Hey, Dwight, do you want an Altoid?Dwight: What do you think?[SCENE_BREAK]Jim: In school, we learned about this scientist whotrained dogs to salivate at the sound of a bell by feeding them whenever a bell rang. For the last couple of weeks I've been conducting a similar experiment.[SCENE_BREAK]Jim: [Windows reboot sound] Dwight, wantan Altoid?Dwight: Okay.[SCENE_BREAK]Jim: [Windows reboot sound] Altoid?Dwight: Sure[SCENE_BREAK]Jim: [Windows reboot sound] Mint Dwight?Dwight: Inbwit? Yes.[SCENE_BREAK]Dwight: [Windows rebootsound] [Dwight holds out his hand, sighs]Jim: What are you doing?Dwight: I...Jim: What?Dwight: I don't know. My mouth tastes so bad all of a sudden. [nasty, dry mouth-smaking noise][SCENE_BREAK]Michael:Always the bridesmaids, right ladies?Photographer: Okay, for this next one everyone hop out. Just Phyllis and Dad. Actually, let's bring Mom back in. And the sisters. And you, and you, and you.Great.[SCENE_BREAK]Michael: Phyllis is getting married. And I am in the wedding party. She has asked me to push her father's wheelchair down the aisle. So, basically, I am co-giving away the bride. Since I pay hersalary it is like I'm paying for the wedding. Which I'm happy to do. It's a big day for Phyllis. But it's an even bigger day for me. Employer of the bride.[SCENE_BREAK]Phyllis: Yes, I put Michael in my wedding. It was theonly way I could think to get six weeks off for my honeymoon. No one else has ever gotten six weeks before.[SCENE_BREAK]Pam: Phyllis... ended up using the exact same invitations as Roy and me. So it was kind oflike being invited to my own wedding. And I was like 'Wait, thought I called that off'.[SCENE_BREAK]Jim: So what's in the box?Stanley: A toaster, you?Karen: A toaster.Stanley: Unbelievable.[SCENE_BREAK]Dwight:Hello, Angela.Angela: Hi, Dwight.Dwight: You look as beautiful as the Queen of England.Angela: Thank you. Don't linger. Break left. Left![SCENE_BREAK]Dwight: The Shrutes have their own traditions. We usually marrystanding in our own graves. Makes the funerals very romantic, but the weddings are a bleak affair.[SCENE_BREAK]Jim: Those flowers are nice.Karen: Yeah. P and R?Jim: Phyllis and Robert.Karen: Ah, ofcourse.[SCENE_BREAK]Pam: Also, Pam and Roy.[SCENE_BREAK]Michael: There she is. I swear Phyllis you are as beautiful as the first day you started work at Dunder Mifflin.Phyllis: Thanks, Michael. That's sweet. Sameas when you said it outside.Michael: How you doin'? You excited.Phyllis: Yes, very.Michael: Me, too. If you need to vomit, that is ok. I did. Do you want to talk about tonight?Phyllis: No.Michael: You're probably worriedabout pleasing Bob. A lot of pressure. Phyllis, did you break wind? It's okay, if you did. It's a very natural reaction. It's your wedding. And you're nervous...Phyllis: That wasn't me.Michael: Okay... umm... I'm sure thatBob... Wow. That is... that is pungent. I lost my train of thought. Aaah... Are you set on that hairstyle?Phyllis: I thought it was...Michael: Here, let me...Phyllis: Michael... No.Michael: Just cover up that baldpatch.Phyllis: I don't need your... thank you. No, Michael please... I just need some time alone.Michael: Okay.[SCENE_BREAK]Michael: You might be surprised to learn that I've only been to one other wedding. It'sactually a very cute story. My Mom was marrying Jeff. And they asked me to be ring bearer. I was understandably emotional and somehow my pants became wet.Michael: [in video of Michael as a kid] I hateyou!Michael: Long story short: Jeff's dog ended up as ring bearer. And the irony is that after the ceremony that dog peed on everything and nobody said 'boo'.[SCENE_BREAK]Dwight: Why are all these people here?There are too many people on this Earth. We need a new plague. Who are all these people?Jim: You know what? I bet a lot of them are wedding crashers.Dwight: No way.Jim: Did you ever see that movie?Dwight: Ofcourse I saw it.[SCENE_BREAK]Dwight: I saw Wedding Crashers accidentally. I bought a ticket for Grizzly Man and went into the wrong theatre. After an hour, I figured I was in the wrong theatre, but I kept waiting.That's the thing about bear attacks, they come when you least expect it.[SCENE_BREAK]Jim: You know I just wish, I wish, I had the investigative powers to smoke some of these guys out.Dwight: Once again, Jim, I willtake care of this. I will locate the wedding crashers and report them to Phyllis. That way I won't have to get her a gift.[SCENE_BREAK]Kevin: [to Toby's date] Hi. I'm Kevin. [to Toby] Where did you find her?Toby: At thegym.Kevin: Riiight. The gym. [snickers][SCENE_BREAK]Kelly: Could you scoot over? You're on my dress.Meredith: I thought you're not supposed to wear white to a wedding.Kelly: I know but there was anemergency.[SCENE_BREAK]Kelly: I look really good in white.[SCENE_BREAK]Michael: This strappy young lad sitting here is Phyllis' father, Albert, and he is quite the ladies' man, aren't you Albert, hah? Ah, ringbearer. Icould have done better. I will do better. I am going to be better. I can't believe I'm actually doing this! Ooh! Are you ready for this, Albert? I am. Let's do it.[SCENE_BREAK]Pam: That's my dress.Michael: [whispers tofather] That's ok. [Albert gets out of his wheelchair and starts walking]Dwight: It's a miracle.Crowd: [generalized clapping]Michael: This is bull****![SCENE_BREAK]Michael: Me walking Phyllis down the aisle wassupposed to be the highlight of the wedding. And now... the wedding has no highlight.[SCENE_BREAK]Michael: I can't believe I pushed that... that guy's lazy ass around all day... until he was ready to stand up and stealthe show. That's... well... I got news for you, Albert. If that's your real name. The show's not over.[SCENE_BREAK]Priest: And do you, Phyllis, take Bob Vance, Vance Refrigeration, to be your lawfully weddedhusband?Phyllis: I do.Michael: Ladies and Gentlemen, may I present to you for the first time as a couple, Mr. and Mrs. Bob Vance!Priest: And do you, Bob...Michael: Oh, shiii...Priest: ... take Phyllis to be your lawfullywedded wifeBob Vance: I do.Priest: You may now kiss the bride.Michael: Ladies and Gentleman, for the first time as a couple, Mr. and Mrs. Bob Vance. [generalized clapping and cheering] Yeah! That's what I'm talkingabout![SCENE_BREAK]Angela: Congratulations, Phyllis. You look lovely. Your dress is very white. So white, my eyes are burning.Phyllis: Thanks Angela.[SCENE_BREAK]Michael: Congratulations, Bob. You're a goodman. But just know... if you ever lay a finger on Phyllis, I will kill you.Bob Vance: If you ever lay I finger on Phyllis, I'll kill you.Michael: Agreed. No fingers will be laid on Phyllis. [to Albert] Oh, decided to sit down again,huh? Great. Bet you can hear me, too.[SCENE_BREAK]Dwight: Best of luck, Phyllis. Also I'm going to need to see a copy of the guest manifest as well as photographs of the caterers.Phyllis: I don't have that,Dwight.Dwight: Dammit, Phyllis![SCENE_BREAK]Kelly: Are you all right? This must be so awful for you.Pam: What do you mean?Kelly: Well... this was supposed to be your wedding.Pam: Oh... um... no. That's... um...That's actually fineKelly: There's no way it's fine. I'm sorry. If I was you, I would just like freak out and get really drunk and then tell someone I was pregnant.Pam: Okay, that's a lot of good ideas.Thanks[SCENE_BREAK]Dwight: 'Scuse me, sir. How do you know the happy couple?Uncle Al: Who?Dwight: The bride and groom? What are their names?Uncle Al: Oh, I... I don't... I'm not sure.Dwight: Oh I get it, I getit, come on, freeloader. Let's move it. Come on. Come on.Uncle Al: Okay, Okay. Where are we going?Dwight: Got to find yourself another wedding to crash, my friend.Uncle Al: Oh![SCENE_BREAK]Michael: Phyllis! Areyou happy with everything? What can I do to make it more perfecter?Phyllis: It's beautiful. Why don't you find your seat. Enjoy the buffet.Michael: I'm already on it. The chicken? Totally undercooked. I sent itback.Phyllis: It's fish.Michael: I will take care of that.[SCENE_BREAK]Michael: I do. I know a fair amount about fine food... and drink. This is a white.[SCENE_BREAK]Kevin: No this is not our first wedding. This is theTHIRD wedding that Scrantonicity has played. We also played our bassist's wedding and our guitarist's wedding.[SCENE_BREAK]Kevin: Attention, everyone. Attention, please. I am supposed to ask if anyone has seenUncle Al. He is old and has brown eyes and dementia. His family is very concerned. It is a very serious situation. [sings] Roxanne. You don't have to put on your red light.[SCENE_BREAK]Roy: Hey.Pam: Hey.Roy: I knowI normally don't notice these kind of things but uh... This wedding's really nice! I mean, the flowers and stuff? Phyllis has got some great taste.Pam: You're kidding me, right?Roy: I know you're probably not going toremember this, right? But um... Those color roses? I got you those color roses for our prom.Pam: Roy, I picked those flowers. Phyllis just stole all of my ideas for our wedding.Roy: I uh guess I wasn't really too involvedin the planning.Pam: Yeah.Roy: Sorry about that.Pam: It's okay.Roy: You think this sucks for you? I was the one who actually wanted to get married.[SCENE_BREAK]Randy: Phyllis, you're a wonderful woman. Andyou're a hell of a bowler!Crowd: [cheering and clapping]Unknown: She is.Randy: Cheers.Crowd: Cheers.Michael: Thank you, Randy. That was great. Thank you. Thank you very much. Hi, I'm Michael Scott and for thenext forty minutes, I'm going to be your tour guide through the lives of Phyllis Lapin and Bob Vance. One of the great, seemingly impossible, love stories of our time. My name is Michael Scott. Webster's Dictionarydefines \"wedding\" as the fusing of two metals with a hot torch. Well, you know something. I think you guys are two metals. Gold medals. For those of you who don't know me, I'm Michael Scott, Phyllis' boss. To quotefrom The Princess Bride \"Mawige...[SCENE_BREAK]Michael: The most important part of a speech is the opening line. When time is not a factor, I like to try out three or four different ones.[SCENE_BREAK]Michael:Phyllis and Bob: their celebrity couple name would be Phlob. You look at her... and she's kind of matronly today, but back in High School, I swear, her nickname was 'Easy Rider'. Now as for Bob... Bob Vance...BobVance: Oh okay. That's enough.Michael: is a guy that...Bob Vance: Thanks, Michael. Give me...Michael: he works... Okay hold, hold on, hold on. Look. Look. I didn't say anything when Phyllis' dad upstaged me at theceremony. And I think you owe me this. Kay.Bob Vance: Give me the microphone.Michael: No. I'm not going to...Bob Vance: Give me... Give me the microphone, Michael.Michael: Ok. All right.Bob Vance: You're out ofhere!Michael: Oh. Yeah. You're out of here! You're... Yeah. I hate you![SCENE_BREAK]Jim: Hey.Pam: Hey!Jim: When are we going to get to see some of those famous Beesly dance moves?Pam: Oh... I'm pacingmyself.Jim: Come on. Get out there. Give the people what they want.Pam: No. I'm such a dorky dancer.Jim: I know. It's very cute.[SCENE_BREAK]Jim: Hypothetically, if I thought Pam was interested, then... No, it'stotally hypothetical.[SCENE_BREAK]Michael: Come... Come on!Dwight: I can't let you in, Michael.Michael: Dwight, just...Dwight: No, it's Bob and Phyllis' orders.Michael: Look, I just wanted to go in and quietly sit andhave a piece of cake. I'm not even going to dance one song.Dwight: You are a real life wedding crasher and I must bounce you. I'm sorry, it gives me no pleasure.Michael: OK.[SCENE_BREAK]Roy: Hey, they're playingour song.Pam: Yeah, that's weird. I thought they only played the Police.Roy: I know. Uh... I gave them twenty bucks. You want to dance?[SCENE_BREAK]Michael: [sings] ee... I was meant for you... buppity du bombu.[SCENE_BREAK]Roy: [to Pam] Hey, want to get out of here?[SCENE_BREAK]Jim: Here's a 'not hypothetical'. I'm really happy I'm with Karen.[SCENE_BREAK]Karen: [sings] Every little thing she does is magic. Everylittle thing she do just turns me on. Even though my life before was tragic. Now I know my love for her goes on. Every...[SCENE_BREAK]Women: One... Two... Three. Ahhhh! [Phyllis throws the flowers, Ryan knocksthem out of Kelly's hands, Toby's date gets them][SCENE_BREAK]Toby: Toby! Yeah![SCENE_BREAK]Michael: I just want Phyllis to have a great day.Uncle Al: Phyllis and you will be great together.Michael: We are greattogether. We are a great team.Uncle Al: The Celtics were a great team.Michael: Yes. Yes. They were. Robert Parrish! I should talk to her. I don't want this to ruin her honeymoon.Uncle Al: Nobody ever helped me. I hadto do it myself. Even the doctor didn't know!Michael: Dude, keep it together. I listened to you for half an hour even though most of that stuff went right over my head.[SCENE_BREAK]Michael: Phyllis. Phyllis! Wait!Please. I'm sorry. I just... I just wanted to make this a day to remember.Phyllis: You found Uncle Al!Michael: Yeah. Yeah. He's kind of a weirdo.Phyllis: Thank you, Michael.Michael: You're... You'rewelcome.[SCENE_BREAK]Michael: They say that your wedding day goes by in such a flash that your lucky if you even get a piece of your own cake. I say that's crazy. I say let them eat cake. Margaret Thatcher saidthat about marriage. Smart broad.[SCENE_BREAK]Michael: Be careful. Oh no!! [Phyllis and Bob smear cake on each other's face] Oh wow! Phyllis! Phyllis! You look like a clown! Here. Get me! Get me! [Michael smearscake on his own face]"}
+{"doc_id":"doc_31","qid":"","text":"THE YEAR 2030LIVING ROOM(Daughter and Son sitting on couch)Future Ted: So kids, there are many buildings New York City.EXT. NEW YORK CITY BUILDINGSFuture Ted: Thousands of apartments. Millions of stories.And even though it's been decades and someone else lives there now, there's one apartment in particular that will always be our apartment. I have so many great memories of that place.EXT. APARTMENT(Marshallsitting on couch playing video game)Future Ted VO: Marshall playing video games.(Lily painting on fire escape, drops paintbrush)Future Ted VO: Lily painting on the fire escape.Mr. Madsen: Hey!Lily: Sorry, Mr.Madsen.(Ted in kitchen making coffee)Future Ted VO: And me making the coffee. I had this coffeepot that was probably 50 years old at that time, and it made truly terrible coffee. We called it ShockyTed: Pluggingin.Marshall: Saving game.(Ted plugs in coffeemaker and lights flicker and Ted gets shocked)(Interior shots of apartment)Future Ted VO: I loved every last detail of that place. Right down to the incredibly tacky swordswe hung on the wall. I never wanted any of it to change. But that's not how life works.(Marshall and Ted sitting in living room, Lily and Robin enter through front door holding four paper bags)Lily: You guys will neverbelieve what just happened to us.Robin: I don't even believe it myself.Lily: We were in Queens and we decided to stop by my apartment.INT. LIVING ROOM, YEAR 2030(Daugher and Son sitting on couch lookingbewildered)Daughter: Wait, her apartment? I thought Aunt Lily lived with you and Uncle Marshall.EXT. STREET(flashback to Lily and Robin walking to Lily's apartment)Lily: I could see how you would think that but Ihave to have my own place. It's an independence thing.Robin: When was the last time you were there?Lily: Three months ago.(Robin laughs)Lily: What? It's like fat pants. You hope you never have to use 'em butyou're glad to know they're there.(Lily and Robin stop walking, Lily looks confused)Lily: What the hell?Robin: What?Lily: This is my apartment.Robin: Where?Lily: Right here.INT. CHINESE RESTAURANT(Lily and Robinenter through front door)Lily: What the hell?Robin: Lily, this is a Chinese restaurant.Lily: No, no, this was my apartment. My dresser was right...(Lily looks around to point out to Robin where her dresser would be)Lily:That's my dresser! And this is my closet.(Lily opens closet door)And I spilled nail polish there. There's the stain.(Lily and Robin look at something on carpet)(Waitress walks in from kitchen)Waitress: Hi, how many?(Lilylooks up at Waitress) Waitress: Lily.Lily: Yes, you know me?Waitress: Yeah, from your homecoming picture. You're much prettier in person.Lily: Yeah, I know, the bangs were a mistake. Where's my stuff? Waitress: It'sall in the back. We could wrap it up for you. You want it to go?Lily: This is my apartment!Waitress: Not anymore.INT. APARTMENT(back to Lily and Robin telling this story to Ted and Marshall)Ted: No way. You'remaking this up.Marshall: Yeah, the building would have had to give you some sort of notice.(back to Chinese restaurant flashback)Waitress: They sent you a notice about this.Lily: When?Waitress: Three months ago.Here's your mail minus the magazines.(back to everyone in apartment)Marshall: Well, still, legally, they can't just toss you out onto the street. You have a lease.(back to Chinese restaurant scene)Lily: OK so I didn'thave a written lease as such but, but go ask my landlady, Mrs. Conroy.(Lily turns to Robin)Lily: She may be 98 years old but she's still...(Lily turns back to Waitress)Lily: She's dead, isn't she?Waitress: Never even sawthe bus.INT. APARTMENTLily: My apartment is a Chinese restaurant. What am I gonna do?Ted: Come live with us.Lily: Really?Ted: Of course.Marshall: You sure about this, Ted?Ted: Yeah. I mean, you basically live hereanyway. It's not like it'll change anything.INT. BAR(Barney, Robin and Ted sit at booth)Barney: No, it's like it'll change everything. Oh, Ted, you are so screwed.Ted: What? What are you talking about?Robin: And why isthat girl checking you out?(Girl at another table is looking at Barney)Barney: Because I look good. Now focus, you and Marshall are roommates. You have an amazing apartment. Marshall and Lily just got engagedTed:Yeah, so?Barney: So, you're not still gonna be his roommate when he gets married, are you? Someone's going to move out. So who's it gonna be?Robin: Come on, Barney, I'm sure they've talked about who gets theapartment. You talked about who gets the apartment, right?Ted: Yeah, we've talked about it.(flashback to Ted and Marshall playing video games in their apartment)Marshall: So, when Lily and I get married, who'sgonna get the apartment?Ted: Oh, that's a tough one. You know who I think could handle a problem like that?Marshall: Who?Ted: Future Ted and Future Marshall.Marshall: Totally. Let's let those guys handle it.(back toTed, Barney and Robin in bar)Ted: Dammit Past TedBarney: You blew it, dude. Now that Lily's there, it's a whole new dynamic. They're edging you out.Ted: That's crazy. They're not edging me out. Marshall's my bestfriend.(Barney exhales loudly)Ted: One of my best friends. He wouldn't do that to me.Barney: Just keep your eyes open. That's all I'm saying, Ted. Little things are gonna be changing around that apartment.Robin:Come on, Barney, you're just being paranoid. OK, seriously, what is this girl's deal?(Girl at other table waves at Barney, Barney waves back)Barney: Sort of on a date with her.Ted: What?Barney: I found her online. I'mtired of the whole bar scene, the one-night hookups. I'm looking for a soul-mate, someone who I can love and cuddle, or so it says in my profile. (evil laugh) But this girl, she wants the same stuff and it's bumming meout. All right, Ted, call me from the hospital.Ted: All right.Robin: You're going to the hospital?Ted: No, see, he's gonna go back over there and I'm gonna call him and he's gonna pretend that it's an emergency call froma family member at the hospital.Robin: Oh, Lord, fake emergency? That is lamest, most pathetic cop-out in the book. I expect more from you, Barney.Barney: Well, stay tuned, I'm working on some stuff. But in themeantime, wish me luck.(Barney gets up to sit with Girl)Robin: So, are you gonna talk to Marshall?Ted: He's gonna want the apartment. I'm gonna want the apartment. It's gonna lead to an argument, so no.Robin:Hm, that's real healthy. So, when a serious issue comes up, your response is just to avoid it.Ted: I should really make this call.(Ted takes out his cell phone and starts dialing)Robin: Ooh, can I do it?(Ted pushes phoneover to Robin)(Barney's phone rings, he answers)Barney: Hello? Robin: Hi there, sexy.Barney: Hello, Aunt Kathy, what's up?Robin: Oh, nothing. Just sitting here, thinking about you, hot stuff.Barney: An accident? Well,is Uncle Rudy gonna be OK? Robin: Aunt Kathy's got an itch that only you can scratch, big boy.Barney: Oh God! Why did he think he could build his own helicopter?Robin: Come on, daddy, break me off a piece of thatwhite chocolate.Barney: Well, if he needs a transplant, he can have mine. I'll be right there.(Barney stammers and gets up to leave, walks by Ted and Robin's booth)Barney: See you guys later.(Barney walks out ofbar)INT. APARTMENT(Lily is painting by fireplace, Ted is sitting on couch drinking coffee, Marshall is at table studying)Ted: Ah, this'll be nice, the three of us living together. I think it's a good setup.(Marshall smiles atTed and Lily, Lily smiles back)Ted: Man, this coffee's great. It's really great. Too great.(Ted puts down coffee cup and runs to kitchen and sees a different coffeemaker)Ted: What happened to Shocky?(Ted noticesShocky in trash can and gasps)(Ted carries new coffeemaker into living room)Ted: What's this? Lily: My coffeemaker from my apartment. Makes great coffee, right?Ted: Yeah, definitely. I mean, so doesShocky.Marshall: Really? I always thought Shocky's coffee tasted kinda rusty.Ted: Yeah, no, it did. I mean, I kinda liked the rusty taste. I'm used to it. I don't know.Marshall: Also Lily's coffeemaker doesn't, you know,shock you.Ted: No. You gotta admit, that shock, wakes you up in the morningMarshall: You know what else wakes you up in the morning? Coffee.Ted: That's great. You're right. Roomies! I love it.INT. BAR(Robin, Tedand Barney sitting at table)Ted: They're edging me out. They're totally edging me out. I didn't' believe it but you're right.Barney: Told you. That Lily, she's a shrewd one.Robin: Yeah, she got you a nice newcoffeemaker. How dare she!Ted: It's not just the coffeemaker.INT. APARTMENT(Lily painting, Marshall studying close by, Ted walks into living room from his bedroom)Lily: Done. The painting's done.Marshall: That isgreat.Ted: Nice.Marshall: Where do you wanna hang it?Lily: I don't know. Um, over the piano?Ted: Yeah, that would be a good place for it. Too bad the swords are there. We kinda love those swords.Marshall: Well,those swords have been up there a long time.Ted: I know, right? I'd really miss them too. So, maybe Marshall's room?Lily: OK.INT. BAR(Robin, Ted, and Barney at table)Ted: He was gonna take the swords down. Canyou believe that?Robin: Ted, why don't you just talk to him? He's your best friend.(Barney makes protest sounds)Robin: One of your best friends. The point is, maybe it's time for some healthy communication.Barney:Healthy communication? That's the worst idea ever. Look, you held off their first advance. That's good. Now it's time to counter-strike.Ted: Yeah, well, what am I supposed to do?Barney: You gotta mark your territory,and I don't mean missing the toilet. You gotta do something big.Ted: What, like buy a new sofa?Barney: Bigger.(Barney looks over and sees Katie enter bar)Barney: Katie's here. OK, real quick, last night, epiphany! Irealized what the world of dating needs. Ready? A lemon law.Robin: A lemon law, like for cars.Barney: Exactly. From the moment the date begins you have five minutes to decide whether you're going to commit to anentire evening. And if you don't, it's no hard feelings just good night, thanks for playing, see you never. Huh? Huh? The lemon law, it's gonna be a thing, possibly starting right now.(Barney walks over to booth whereKatie is sitting and sits down)Barney: Hi Katie. Barney.Katie: Hi, it's good to finally meet you.(Barney looks over at Ted and looks back at Katie)Barney: Hm, yeah. Katie, you are about to be a part of history.(Barneytalks to Katie and she gets up to leave)Barney (yelling to Katie as she leaves): Tell your friends. Barney (to Robin and Ted at other table): It's gonna be a thing.[SCENE_BREAK]KITCHEN(Marshall making sandwich, Lilygrabs some drinks from the refrigerator)Lily: Man, Ted's been acting weird. He started labeling all his food. He even carved \"Ted\" into that block of cheese.Marshall: Yeah. Well, now it's Ed's.Lily: He's not cool with memoving in.Marshall: No, that's not it. I mean, you basically lived here all along. Ted loves you.Lily: So, what's he PMS'ing about?(Lily and Marshall take food into other room to eat at table)Marshall: I don't know. Butwhen he's ready to talk to me about it he'll come and talk to me about it.Lily: Are you kidding? You guys never talk about anything.(knock on front door)Lily: He'll just let it fester under the surface until he doessomething big and passive-aggressive.Marshall: You clearly don't know Ted.(Marshall opens front door)Delivery guy: Delivery for Ted Mosby.LIVING ROOM(Marshall sitting on couch, large red phone booth is next tocouch, Ted walks in through front door)Marshall: Your English phone booth arrived.Ted: Oh, awesome. It's great, right?Marshall: Yeah, I guess. Just not sure if Lily's gonna like it.Ted: Well, I like it, so I'm just gonnakeep it right here, if that's cool.Marshall: Of course, we all live here so we should all be able to have things the way we want them.Ted: Exactly.Marshall: GreatMarshall: Terrific.(Marshall walks over to painting)Marshall:You like the phone booth. It stays. I like this painting so I'm just gonna hang it...right here on the wall.(Marshall takes swords down and throws them down on the ground, hangs painting in their place)Ted: Oh, so it'slike that, is it?Marshall: Bring, bring.(Marshall walks over to phone booth and picks up phone)Marshall (in British accent): Oh hello governor, oh it's like isn't it? Cheerio.(hangs up phone)Marshall: Yeah, it's likethat.Ted: I want this apartment.Marshall: Well, I want it too.BAR(Girl #2 standing at table Barney's sitting at)Girl #2: You're a jerk.(Girl #2 walks away)Barney: No, I'm a visionary. Lemon law, it's gonna be athing!(Barney walks over to Robin at bar)Robin: For the record, your little lemon law is a symbol of everything that's wrong with our no-attention span society.Barney: No, wrong, lemon law is awesome.Robin: It takeslonger than five minutes to really get to know someone. You keep giving up on people so quickly, you're gonna miss out on something great.Barney: OK, you're on a blind date, sitting across the table is thatguy.(Barney points over to geeky guy)Barney: You really think it'll take more than five minutes to realize there will be no date number two?Robin: Yes I do. For all I know, that guy's my soul-mate.Barney: Bad move,Scherbatsky.(Barney goes over to geeky guy)Barney: Hi, have you met Robin?Kevin: Hi.Robin: Hi.INT. APARTMENT(Ted and Marshall talking)Ted: All right Marshall, we're deciding right now who gets this apartment. Itmay lead to an argument, but we're settling this.Marshall: Or we could flip a coin.Ted: Yeah, let's flip a coin.Marshall: Flip it.Ted: OK, I'm flipping it, here I go.Marshall: Flip it.Ted: OK, here I go.Marshall: Flip it.Ted: I'mflipping. But before I do, I just wanna say something. You didn't even wanna move in here in the first place. You said a pre-war building was bad for your allergies.Marshall: That was five years ago. Now you can getprescription-level antihistamines over the counter. Oh snap. What else you got?Ted: OK, I'm flipping. Heads or tails.Marshall: You don't need two roomsTed: Heads or tails, Marshall. Like you need two rooms?Marshall:We might be starting a family soon.Ted: Oh, no you're not. There's no way you're having a baby while you're in law school. It's gonna be at least three years.Marshall: It could be sooner, we're not that careful with ourbirth control Two-zip.Ted: Oh, come on, you know damn well I move out that room's going unused.Marshall: Oh, and I suppose you'll get a new roommate? Who's it gonna be? Barney? You know he cooks naked.Ted:Yeah, well, at least Barney wouldn't take the swords down.(Ted runs over to the swords, picks up a sword)Ted: We were bros! These swords represent our bro-hood. And you took 'em down to make room for yourfiance's stupid painting?Marshall: My fiancé...suddenly, she's my fiancé.(Marshall picks up other sword) Marshall: Lily's a part of who I am. And if you're such a bro, she's a part of who you are too. She's a bro byextension.Ted: I deserve this apartment, Marshall.(Ted taps Marshall's sword with his sword)Marshall: No more than I do.(Marshall taps Ted's sword with his sword)Ted: Great, so let's flip for it.(Ted taps Marshall'ssword with his sword)Marshall: Flip it.(Ted gets ready to flip coin, Ted and Marshall start sword fighting)Ted: So, is this how we're deciding who gets the apartment?Marshall: I guess so.Ted: How are we doing thisexactly? Is this like to the death?Marshall: We should probably figure that out.(Marshall swipes at Ted, Ted jumps back and falls into chair)Ted: It's OK, it's OK.(Ted gets up and goes to other side of room)Ted: Can Iobserve something?Marshall: That this is kinda awesome?Ted: Totally.Marshall: I can't believe we didn't do this before.Ted: I know!INT. RESTAURANT(Robin and Kevin sitting at table, waiter dressed in futuristiccostume serves them drinks)Robin: Thank you.Kevin: I can't believe this. I'm sitting here with a beautiful woman I just met eating at my favorite restaurant. Sweet.Robin: It's a nice place. It's good to know the futurehas ribs.Kevin: In the future food will most likely be served in gel-cap form. Plus cows will probably have died out by then... or be our leaders.(Robin's cell phone rings)Robin: Just a second.(Robin answers herphone)Robin: Hello.(Barney on phone looking at his watch)Barney: (laughs) Time's running out, Scherbatsky. Last chance for the lemon law.(Robin on phone)Robin: Leave me alone.(Barney on phone looking at hiswatch)Barney: 4:56, 4:57, 4:58.(Robin on phone)Robin: We're only just getting to know each other.(Barney on phone)Barney: Say I'm right and this could all be over. This could be your call from the hospital.(Robinhangs up phone)Robin: Sorry.Kevin: Let me guess, there's been a crazy accident and you have to go.Robin: No, I would never do that. I don't wanna go anywhere. I'm all yours.Kevin: Look, if you're a hooker, I don'thave a lot of money.INT. APARTMENT(Marshall and Ted hit swords, Ted spins around and they hit swords again)Marshall: That was awesome.Ted: I know.Marshall: Do it again.Ted: OK, but this time, jump up and I'llswipe your legs.(Marshall and Ted hit swords, Ted spins around and they hit swords again, Marshall jumps up and Ted swipes sword beneath his feet, the continue sword fight)Ted: Look. Here's why I should get theplace. You and Lily, you get to be married. What do I get, right? I get to be unmarried, alone, minus two roommates. And on top of that I could be homeless. Does that seem fair?Marshall: Oh, boo-freakin-hoo.Ted:What?Marshall: Woe is me. I'm not married yet. My ovaries are shrinking. Ted, if you wanted to be married by now you would be but you're not. And you know why? Because you're irrationally picky. You're easilydistracted and you're utterly anhedonic.Ted: Anhedonic?Marshall: Anhedonic. It means you can't enjoy anything.Ted: The hell I can't. I'm enjoying this.Marshall: I know, this rules.(Marshall and Ted continue swordfight)Marshall: Hey, I'm sorry I took the swords down.Ted: That's OK, it led to this totally rad sword fight, didn't it?Marshall: Yeah it did.(Marshall is standing on table and they lock swords)Marshall: You remember whenwe first got these swords?Ted: It was the day we moved in.(flashback to day they moved in, Marshall is assembling coffee table, Ted just mounted swords on wall)Ted: Congratulations, Marshall. We live in anapartment with swords on the wall.Marshall: List of lifelong dreams, you're not half as long. Crap. I'm missing one of the screws for this tableTed: Just use this wood glue, it'll hold.Marshall: Yeah.(back to present scene,Lily enters apartment through front door, table collapses under Marshall and he falls back towards front door, Lily screams, Ted screams with horror with hands to face)INT. RESTAURANT(Robin is on phone)Robin: OhGod, I'll be right there.(Robin hangs up phone)Robin: Kevin, I'm so sorry. I have to go. My friend's been stabbed with a sword.Kevin: Hab slosi quch! You have no honor. You know, if you felt this way you could havejust been upfront.Robin: No, I swear that was a real call. I just...Oh forget it.(Robin gets up and leaves restaurant) INT. HOSPITAL WAITING AREA(Ted and Marshall sitting, Marshall's holding flowers)Marshall: I stabbedLily. I stabbed my fiancé.Ted: Come on, Marshall, do you really think she's still your fiancé? I'm kidding. Hey, I think you guys should have the apartment. Marshall: But you fought so bravely for it.Ted: I wasn't fightingfor the apartment. I was fighting for...I don't know...for everything to stay the way it is. But I'm not gonna get that, so, seriously, take the place, it's yours.(Robin and Barney enter waiting area)Robin: Is sheOK?Marshall: They're just patching her up. She's gonna be fine.Barney: So get this, I was on a date with this girl, Jackie.(Ted, Marshall and Robin look at him surprised)Barney: What? You said she's fine. So, anyway, Iwas on date with this girl, Jackie.INT. BAR(Barney sitting at table with Jackie)Barney: Wow, Jackie, you make a really great first impression. I have a feeling that tonight you might end up being Jackie O.Jackie: Yeah,I'm sorry, I'm gonna have to lemon law you.INT. HOSPITAL WAITNG ROOMBarney: It's out there, it's a thing. The lemon law is a thing. Damn, I should have called it Barney's law.Robin: But you're totally...Ted: Just lethim have this one.(Doctor exits examining room to go into waiting area)Doctor: All set. She said she'd like to see the knights of the poorly constructed round table?Marshall: That's us.(Marshall and Ted get up and gointo examining room)INT. EXAM ROOM(Ted and Marshall stand sheepishly in front of Lily, Lily sits on exam table with right shoulder bandaged)Lily: A sword fight?Marshall, Ted: Sorry, Lily.Lily: On Monday, I'm gonnahave to tell my kindergarten class who I teach not to run with scissors that my fiancé ran me through with a frickin' broad sword.Marshall: Well, just to be fair, it didn't go all the way through.Lily: I'm sorry, is this adiscussion of the degree to which you stabbed me?Marshall: You're right. I'm sorry. We were fighting to see who gets the apartment. And I won.Ted: Uh, you didn't win. I gave it to you.Marshall: Uh, you know, if I"}
+{"doc_id":"doc_32","qid":"","text":"EXT. HOUSE, NIGHTA fierce thunderstorm blows outside a remote manor house.INT. HOUSE, PARLOUR, NIGHTA young WOMAN enters the parlour to see an older MAN surrounded by tables of electronicequipment.WOMAN: How are we looking?MAN: (nervously) Oh... about ready, I think.WOMAN: Any thoughts on the, er, interference?MAN: (sits) Erm, a stray FM broadcast, possibly? But I've fitted some ferritesuppressors and some RF chokes. Just in case. (stands and puts a camera around his neck) Are you sure you want to go through with this? I mean, the last time was very...WOMAN: But she's so lonely.MAN: Excellent,then. Excellent.The MAN sits down, puts on a headset and taps on a microphone before speaking into it.MAN: Caliburn House, night four, November 25th, 1974. 11.04pm.He nods to the WOMAN and she takes a fewsteps forward to the archway at the base of the stairs. The MAN stands and holds up a parabolic microphone and aims it towards the arch.WOMAN: I'm talking to the spirit that inhabits this house. Are you there? Canyou hear me? I'm speaking to the lost soul that abides in this place.The microphone picks up some static and hissing sounds. The MAN looks over to one of the machines that records energy levels. The needles aremoving over the paper.WOMAN: Come to me. Speak to me. Let me show you the way home.A high-pitched whine comes over the headphones, causing the MAN to shout out and pull them away from his ears. Themachinery reacts, registering the sound. A distorted screaming can be heard, The WOMAN backs out of the dark hallway.WOMAN: Let me show you the way home!The MAN picks up the camera and begins clicking awayas he faces the archway. At each click, a misty white figure appears, an arm stretched out towards them. It comes closer and the WOMAN gasps as the figure appears to pass through her. She falls against a chair andthe MAN goes to her.MAN: Emma?He holds her and helps her stand. He puts his hands on her shoulders and she grips his lapels.EMMA: She's so...MAN: So what?EMMA: Dead.There is a knocking at the front door andboth turn their heads. They walk slowly to the main door.INT. HOUSE, FRONT DOOR, NIGHTThe MAN pulls the door open and there's no one there. The DOCTOR sticks his head out from behind the other door.DOCTOR:Boo! Hello, I'm looking for a ghost.MAN: And you are...?CLARA: (stands beside DOCTOR) Ghostbusters![SCENE_BREAK]Matt Smith[SCENE_BREAK]Jenna-Louise Coleman\"Hide\" By Neil CrossPRODUCER MarcusWilsonDIRECTOR Jamie Payne[SCENE_BREAK]INT. HOUSE, FRONT DOOR, NIGHTDOCTOR: (holds up psychic paper) I'm the Doctor.MAN: Doctor what?DOCTOR: If you like. And this is Clara. (walks past MAN)INT.HOUSE, PARLOUR, NIGHTThe DOCTOR walks into the parlour, excited. He runs over to the machines. The others follow.DOCTOR: Ah, but you are very different! You are Major Alec Palmer. Member of the Baker StreetIrregulars, the Ministry of Ungentlemanly Warfare. (whispers to ALEC) Specialised in espionage, sabotage and reconnaissance behind enemy lines. You're a talented water-colourist, professor of psychology AND... ghosthunter! (shakes ALEC'S hand) Total pleasure. Massive.EMMA: Actually, you're wrong. Professor Palmer spent most of the war as a POW.DOCTOR: Actually, that's a lie told by a very brave man involved in very secretoperations. The kind of man who keeps a Victoria Cross in a box in the attic, eh? But you know that! Because you're Emma Grayling... (walks over and air-kisses both cheeks) the Professor's companion...EMMA:Assistant.DOCTOR: It's 1974 - you're the assistant and \"non-objective equipment\". (looks to CLARA who is by equipment) Meaning \"psychic\".CLARA: Getting that. Bless you, though.The DOCTOR walks over to the areaby the equipment.ALEC: Relax, Emma. He's Military Intelligence. (to DOCTOR) So what's all this in aid of?CLARA sits on the desk.DOCTOR: Health and safety! Yeah, the Ministry got wind of what's going on down here.Sent me to check that everything's in order.ALEC: They don't have the right.DOCTOR: Don't worry, Guv'nor, I'll be out your hair in five minutes. (looks at equipment and snaps fingers) Oh! Oh, look! Oh, lovely. (sitsnext to CLARA and plays with a switch) The ACR 99821. Oh, bliss, nice action on the toggle switches. You know, I do love a toggle switch. Actually, I like the word \"toggle\". Nice noun. Excellent verb. (CLARA touches aswitch and the DOCTOR slaps her hand) Oi, don't mess with the settings.The DOCTOR stands and takes the sonic screwdriver from his inside jacket pocket and scans ALEC and EMMA.ALEC: What's that?DOCTOR:Gadget. Health and safety. Classified, I'm afraid. (stops under arch) You know, while the back room boffins work out a few kinks. (turns back around and scans archway)EMMA: What's it telling you?DOCTOR: It's tellingme that you haven't been exposed to any life-threatening transmundane emanations. So... (spins around and claps his hands) where's the ghost? (walks over to them and picks up lit candelabrum) Show me theghost.There is an eerie whooshing and the DOCTOR smiles.DOCTOR: It's ghost time.EXT. HOUSE, NIGHTOutside the storm still rages.INT. HOUSE, HALL, NIGHTThe DOCTOR walks down the dark hall, the candelabrumthe only source of light. ALEC is on his heels. EMMA and CLARA follow.ALEC: I won't have this stolen out from under me, do you understand?DOCTOR: Erm, no, not really, sorry.ALEC: I will not have my work stolen,then be fobbed off with a pat on the back and a letter from the Queen. Never again! This is my house, Doctor, and it belongs to me.CLARA: This is actually your house?ALEC: It is.CLARA: Sorry. You went to the bankand said, \"You know that gigantic old haunted house on the moors? The one the dossers are too scared to doss in? The one the birds are too scared to fly over?\" And then you said, \"I'd like to buy it, please, with mymoney.\"ALEC: Yes, I did, actually.CLARA: That's incredibly brave.CLARA hears creaking and looks around nervously.DOCTOR: Listen, Major, we just need to know what's going on here.ALEC: For the Ministry?DOCTOR:You know I can't answer that.ALEC: Very well. Follow me. (leaves)INT. HOUSE, PARLOUR, NIGHTALEC has set up a board with pictures and notes of the history of the house and the ghost. The DOCTOR is using thecamera to take pictures of himself. CLARA sits and talks with EMMA.CLARA: So what's an empathic psychic?The DOCTOR walks between them to the small bar and starts looking at the bottles.EMMA: Sometimes I...sense feelings. The way a telepath can sense thoughts. Sometimes, though. Not always.The DOCTOR takes a drink of milk right from the bottle.DOCTOR: The most compassionate people you'll ever meet, empathics.And the loneliest. I mean, exposing themselves to all those hidden feelings - all that guilt, pain and sorrow and...CLARA sees EMMA'S discomfort and puts a hand on the DOCTOR'S arm.CLARA: Doctor?DOCTOR:Yes?CLARA: Shh.The DOCTOR looks at EMMA. ALEC is ready to show them the board.ALEC: Would you, er, care to have a look?The DOCTOR, CLARA and EMMA walk over.ALEC: Caliburn House is over 400 years old butshe's been here much longer... the Caliburn Ghast. She's mentioned in local Saxon poetry and Parish folk tales. The Wraith of the Lady, the Maiden in the Dark... the Witch of the Well.CLARA: Is she real? As in, actuallyreal?ALEC: Oh, she's real. In the 17th century, a local clergyman saw her. He wrote that her presence was accompanied by a, \"dreadful knocking, as if the Devil himself demanded entry.\" During the war, Americanairmen stationed here left offerings of tinned Spam. The tins were found in 1965, bricked up in the servants' pantry, along with a number of handwritten notes. Appeals to the Ghast... \"For the love of God, stopscreaming.\"CLARA: She never changes. The angle's different, the framing, but she's always in exactly the same position. Why is that?The DOCTOR gets the candelabrum and holds it closer, examining the photos.ALEC:We don't know. She's an objective phenomenon. But objective recording equipment can't detect her...DOCTOR: Without the presence of a powerful psychic.ALEC: Absolutely. Very well done.EMMA: She knows I'mhere...They turn to look at EMMA.EMMA: I can feel her... calling out to me.CLARA: What's she saying?EMMA: \"Help me.\"Behind them, a shadow passes the doorway quickly. CLARA turns her head, sensing something,but sees nothing.DOCTOR: \"The Witch of the Well\". So where's the well?ALEC leads the DOCTOR over to a table on which rests plans of the house.ALEC: A copy of the oldest plan that we could find, there is no well onthe property. None that we could find, anyway.CLARA is staring at the photographs when the DOCTOR comes up behind her and taps her on the head. She gasps and turns on him.DOCTOR: (whispers) Youcoming?CLARA: (whispers) Where?DOCTOR: (whispers) To find the ghost.CLARA: (whispers) Why would I want to do that?DOCTOR: (whispers) Because you want to, come on. (starts for the door)CLARA: (whispers)Well, I dispute that assertion.The DOCTOR stops and turns around. He sees EMMA watching them. He nods his head to get CLARA to move.DOCTOR: (whispers) I'm giving you a face. Can you see me? Look at myface.CLARA: (whispers) Fine. (walks over) Dare me.DOCTOR: (whispers) I dare you. No takesies-backsies.CLARA shakes her head and takes the candelabrum from the DOCTOR and heads through the door. TheDOCTOR claps his hands and laughs before following CLARA.EMMA: The Music Room is the heart of the house.INT. HOUSE, HALL, NIGHTThe DOCTOR and CLARA walk down the dark corridors.CLARA: (whispers) Say weactually find her. What do we say?DOCTOR: (whispers) We ask how she came to be... whatever she is.CLARA: (whispers) Why?DOCTOR: (whispers) Because I don't know. And ignorance is... what's the opposite ofbliss?CLARA: (whispers) Carlisle.DOCTOR: (whispers) Yes! Yes, Carlisle. Ignorance is Carlisle.As the DOCTOR and CLARA leave a particular hall, there is a snarling and scraping sound and a part of something can beseen in the shadows.INT. HOUSE, KITCHEN, NIGHTThe DOCTOR and CLARA examine the room by candlelight. The DOCTOR ducks a cobweb. He checks the teapot sitting on the table.INT. HOUSE, PARLOUR,NIGHTEMMA stands by the fireplace. ALEC is at the desk, looking at the plans.EMMA: Is he really from the Ministry?ALEC: Er, I don't know. He's certainly got the right demeanour. Capricious... brilliant.EMMA: (walksover) Deceitful.ALEC: Yes! Ha... he's a liar... but, you know, that's often the way that it is... when someone's... seen a thing or two. Experience makes liars of us all. We lie about who we are... about what we'vedone...EMMA: And how we feel?ALEC: Yes... always, always that.EMMA walks her fingers along to desk towards ALEC'S hand.ALEC: (nervously) You know, I have to... have to be getting on with things The, erm, theequipment and so forth.EMMA: Of course.ALEC walks away.INT. HOUSE, MUSIC ROOM, NIGHTThe DOCTOR and CLARA enter the room. A harp stands in one corner and there are music stands placed around the room.The DOCTOR scans with the sonic. CLARA stops in the centre and looks around.DOCTOR: Ah, the Music Room. The heart of the house. Do you feel anything?CLARA: No.DOCTOR: Your pants are so on fire.CLARA walksfurther into the room until she is by the DOCTOR. The sonic isn't working properly so the DOCTOR taps it against his hand and blows on it.CLARA: Do you feel like you're being watched?DOCTOR: What does beingwatched feel like? Is it that funny tickly feeling on your neck?CLARA: That's the chap.DOCTOR: Then, yes, a bit. Well, quite a big bit.The DOCTOR puts away the sonic and walks towards the door, stopping just in frontof it. CLARA hears a whoosh and turns around. The DOCTOR takes a step closer to the door and exhales. His breath can be seen. Creaking and scraping is heard.CLARA: I think she's here.The DOCTOR steps forward andexhales. Nothing. He steps back, exhales and sees his breath again.DOCTOR: Cold spot. Spooky. (turns around) Cold... (steps forward) warm. (back) Cold... (right) warm... (back) cold... (left) warm... (back) cold...(towards door) warm... (back) cold.A creaking is heard. The DOCTOR draws a chalk circle on the floor to mark the cold spot.CLARA: Doctor? Doctor!DOCTOR: What?CLARA: I'm not happy.DOCTOR: No.The DOCTORleaves the room while CLARA is looking the other way. She turns back and sees him leaving.CLARA: Hey! (runs after the DOCTOR across the circle)INT. HOUSE, PARLOUR, NIGHTThe needles on the machine startmoving. ALEC looks over. It stops and starts again. He walks over and looks at the measurements.INT. HOUSE, MUSIC ROOM, NIGHTSteam rises from the chalk circle and the line disappears.INT. HOUSE, HALL,NIGHTThe DOCTOR and CLARA are walking past a window when they hear a thudding.CLARA: (whispers) What was that?There are two more thuds. They both breathe out and it is visible. A gust of air blows out thecandles. They look at each other, stunned.INT. HOUSE, PARLOUR, NIGHTEMMA walks into the room.ALEC: Does it seem colder?ALEC looks at the thermometer and the mercury drops to zero.INT. HOUSE, HALL,NIGHTThe DOCTOR blows on his hands and rubs them together as he and CLARA look at the window as it frosts.INT. HOUSE, PARLOUR, NIGHTEMMA looks to the archway.EMMA: She's coming.INT. HOUSE, HALL,NIGHTA loud thudding echoes.CLARA: OK, what is that?DOCTOR: (leans on elbow against wall) It's a very loud noise. It's a very loud, very angry noise.CLARA: But what's making it?!DOCTOR: I don't know. Are youmaking it?There's another loud thud and, with a start, the DOCTOR rushes over to stand beside CLARA.CLARA: Doctor?DOCTOR: Yes?CLARA: I may be a teeny, tiny bit terrified.DOCTOR: Yes?CLARA: But I'm still agrown-up.DOCTOR: Mainly, yes, and...?CLARA: There's no need to actually hold my hand.The DOCTOR holds both hands out in front of him.DOCTOR: Clara?CLARA: Yes?DOCTOR: I'm not holding your hand.They slowlylook behind them, and, in a flash of lightning, see the outline of *something*. They scream and run.INT. HOUSE, PARLOUR, NIGHTThe DOCTOR and CLARA run down the stairs. ALEC looks over at them. A whirling darkdish materializes just as the DOCTOR reaches the bottom of the stairs. The DOCTOR takes out the sonic and scans.DOCTOR: Has this happened before?ALEC: Never!DOCTOR: Camera! Camera! (takes camera fromALEC'S unresisting hands)The DOCTOR takes pictures of the spinning dish. It spins faster and cracks begin to form inside it. EMMA is still looking at the archway. She gasps and the figure appears in what seems to be awood. There is an eerie, distorted shouting. CLARA turns her head and sees it as well.CLARA: Doctor?!The DOCTOR turns around and continues to take photos with the camera. EMMA is becoming overwhelmed with thecontact to the figure.GHOST: Help me!EMMA collapses and ALEC catches her. There is a crash from upstairs and CLARA looks up.CLARA: Doctor.The DOCTOR, EMMA and ALEC follow CLARA'S gaze. The DOCTOR slowlywalks up the stairs where a message glows on the wall: Help Me. It fades away and the spinning disc disappears.LATERCLARA pours a whisky for EMMA and one for herself before sitting down in that area beside thebar.EMMA: (sips and makes a face) Ugh! I'd rather have a nice cup of tea.CLARA: Me too. (stands and takes the glass from EMMA) Whisky's the 11th most disgusting thing ever invented.EMMA puts her head on herhand and sighs.INT. HOUSE, DARK ROOM, NIGHTWhile ALEC develops the new photos, the DOCTOR looks at the ones clipped to string criss-crossing the room.DOCTOR: I had a little peek at your records, back at theMinistry. You've certainly seen a thing or two in your time - disrupting U-Boat operations across the North Sea, sabotaging railway lines across Europe, Operation Gibbon, the one with the carrier pigeons - brilliant! I dolove a carrier pigeon.ALEC: I did my duty but then so did thousands of others - MILLIONS of others... I was just luck enough to come back.The picture developing is of the DOCTOR with the ghost in thebackground.DOCTOR: Yes but, how does that man, that war hero end up here, in a lonely old house, looking for ghosts?ALEC: Because I killed... and I caused to have killed... I sent young men and women to theirdeaths... but here I am, still alive, and... it does tend to haunt you. Living, after so much of... the other thing.INT. HOUSE, PARLOUR, NIGHTCLARA: So, you and Professor Palmer, have you ever... y'know?EMMA:No.CLARA: Why not? (picks up kettle) You do know how he feels about you, don't you? You of all people?EMMA: I don't know. People like me... sometimes, we get our signals mixed up. We think people are feeling theway we want them to feel... you know, when they are special to us. When, really, there's nothing there.CLARA: (hands EMMA cup) Oh, this is there.EMMA: How do you know?CLARA: Because it's obvious. It sticks outlike a... big chin.INT. HOUSE, DARK ROOM, NIGHTALEC: See, I was alone and unmarried and... I didn't mind dying. I mean, not for that cause. It was a very, very fine cause...defeating the enemy.DOCTOR: And if youcould contact them, what would you say?ALEC: Well, I'd very much like to thank them.DOCTOR: Uh-huh. (takes photo from tray) Ping! (clips it up)ALEC: What do you think she is?DOCTOR: Not what I thought she'dbe.ALEC: What did you think she'd be?DOCTOR: Fun. Can I borrow your camera? (ALEC hands it to him) Ta. (leaves)INT. HOUSE, PARLOUR, NIGHTEMMA: What about you... and the Doctor?CLARA: (sits with teacup)Oh, I don't think so.EMMA: Good.CLARA: Sorry?EMMA: Don't trust him... there's a sliver of ice in his heart.DOCTOR: (O.C.) Clara!EXT. HOUSE, NIGHTThe DOCTOR and CLARA run down the back of the steps in the rain.CLARA is huddled under her umbrella. They stop a few feet from the TARDIS. CLARA has her arm wrapped around the DOCTOR'S.CLARA: (whispers) I've got this weird feeling it's looking at me. It doesn't likeme.DOCTOR: The TARDIS is like a cat - a bit slow to trust (runs to TARDIS) but you'll get there in the end. (goes inside)CLARA looks back at the house before running to the TARDIS and knocks on the door.INT.TARDISThe DOCTOR hurries from the console to the door and opens it for CLARA. He heads back to the console.CLARA: (enters) Hey! (closes the door and looks around for a place to put the umbrella) You need a placeto keep this.DOCTOR: I've got one. (points) Or I had one... I think I had one. (starts looking around) Look around, see if you find it. Did I have one? Am I going mad? (sees CLARA shaking the umbrella and takes it fromher) No, not in here! How do you expect her to like you? She's SOAKING wet! It's a health and safety nightmare. (sets umbrella on chair and goes back to console)CLARA: (looks up at TARDIS ceiling and whispers)Sorry.The TARDIS seems to gurgle in response.CLARA: (goes to console) So... where we going?DOCTOR: Nowhere. We're staying right here. Right here, on this exact spot - if I can work out how to do it.CLARA: So,when are we going?DOCTOR: (laughs) Oh, that is good. That is top-notch.CLARA and the DOCTOR high-five. The DOCTOR walks away.CLARA: (leans against console) And the answer is...?DOCTOR: (stops and spins)We're going always. (goes down steps)CLARA: \"We're going always.\"DOCTOR: TOTALLY!The DOCTOR reaches up for something out of CLARA'S view.CLARA: That's not actually a sentence.DOCTOR: (comes back withorange spacesuit) Well, it's got a verb in it. What do you think? (holds it up and spins)CLARA: Colour's a bit boisterous.DOCTOR: I think it brings out my eyes.CLARA: Makes my eyes hurt.The DOCTOR drops his arms,dejected by CLARA'S comment.EXT. HOUSE, NIGHTThe TARDIS dematerializes.INT. HOUSE, NIGHTALEC and EMMA watch from a window.ALEC: Did you see where he went? I could hear an engine but I can't see anylights.There is a flash of lightning and behind them, in the next window, the ghost is reaching out to them.EXT. TARDISThe DOCTOR steps out of the TARDIS wearing the spacesuit. The surface of the planet is volcanicwith a dark grey sky. He scans with the sonic before picking up the camera to take a few pictures.INT. TARDISCLARA takes a step towards the door just as the DOCTOR bursts in, hands up. The door closes behind him.Steam rises from the suit.DOCTOR: Back off! Hot suit! Hot, hot, hot! (walks to console)CLARA: When are we?DOCTOR: About six billion years ago. It's a Tuesday, I think. (flips a lever)The DOCTOR and CLARA walkthrough a prehistoric jungle with large insects. The DOCTOR takes another photo.EXT. HOUSE, DAYIt what appears to be the late Victoria era, the DOCTOR takes a photo of the back of the house.INT. TARDISThe"}
+{"doc_id":"doc_33","qid":"","text":"[The Kerwin House - Ashley's Room](While getting ready for school, she's talking to her friend Terri on the phone.)Ashley: This is gonna be the best year ever! (Working on her poster for Degrassi student councilpresident.) The first thing we need to do to, Terri, we need to get you a boyfriend. It'll happen. Trust me. Uh, Terri, I am not a shoe in (as she leaves the room, we see her poster which says \"Ashley Kerwin Your ChoiceFor Degrassi Prez\" with her picture in the center) We won't even know if I'm president till the final vote is counted (closes her door.) Yeah, I just need to have a shower and get dressed. Oh, no, not again. Ter, I've gottago. All right, I'll see you at school. Bye (hangs up with Terri) (Knocks on the bathroom door- goes back and forth a minute between showing Toby in the bathroom and her outside the door) Toby, out.Toby: How do youknow it's me? It could be your mom, could be my dad.Ashley: They have their own bathroom.Toby: Then, go use it. I just got here.Ashley: Toby, come on, be reasonable. I have to get to school to put up my electionposters.Toby: Aren't you the only one running? (Opens the cabinet and sees Ashley's bra hanging in the shower)Ashley: Toby, remember what Dr. Fried said? \"A generous attitude makes for a generous family.\" Now,get out the bathroom, now! Toby, what will it take you to open that door?Toby: Just say \"please\".Ashley: Please.Toby: (while fixing his hair) Now say \"Toby Isaacs is the coolest kid at Degrassi. Way, way cooler thanany stupid grade 8 could ever hope to be.\"Ashley: Toby, I have to get something?Toby: Get what? Your hairbrush? Your eyeliner? Your (opens the door with her bra on) training bra?Ashley: Mom!Themesong.[Degrassi]Toby: I mean, I hadn't even spit out my toothpaste and she wanted in.JT: Maybe you should explain to Ashley that bathroom time is private time.Toby: She'd probably go and cry to her mommy.JT:Really?Toby: She has no sense of humor and she's a neat-o-holic. Yesterday, I left my gym socks on the couch, she freaked.JT: Your gym socks can reek something fierce.Toby: Just 'cause me and dad move in to theirhouse, Ashley treats me like...JT: Dirt? Gum stuck on her shoe?Toby: All of the above. So, ready for Day 1 of the rest of our junior high lives?JT: What do you think?[Inside Degrassi](Terri is helping Ashley put up herposters.)Ashley: Dr. Fried says we need to work together and become more like siblings.Terri: You fight all the time, you can't stand the sight of each other, you're already acting like siblings.Ashley: I mean I don'tmind his dad Jeff, and I'm glad my mom's happy, but Toby, he's everywhere. He's like a little mosquito that keeps buzzing in your ear.Terri: Hey, Ash, maybe when you're president, you can get him expelled.Ashley:Yeah, from my life.(A blond girl named Paige comes up to them. She's wearing a red shirt that says \"Hottie\", blue capris, and sunglasses)Paige: Hey, guys. Haven't seen you all summer. How are you doing? (As shetalks, the camera moves up from her feet to her face)Terri: Paige?Paige: New year, new look, new Paige (a guy stares at her and hits a locker.) You're putting up your campaign posters already?Ashley: The election's onFriday.Paige: Wow, you'd rather on the issues than your appearance. That's so...admirable.Paige walks away.[Another part of Degrassi](Emma and Manny are coming into school.)Emma: Manny, there's nothing to beafraid of.Manny: Nothing but the grade 8's.Emma: They're only a year older than us.Manny: Yeah, a whole year to think of ways to make us suffer.(Emma drops some papers. As she goes to pick them up, Spinner andJimmy approach them. Spinner steps on the papers.)Spinner: Hall pass.Emma: What?Spinner: You're not allowed on school property without a hall pass.Emma: But, we didn't get one.Spinner: Then you'll both have toleave.Manny: But, we can't. It's the first day of school.Spinner: (To Jimmy) Grade 7's are such geeks.(Spinner and Jimmy leave. Emma picks up her papers.)[Outside a room](Toby and JT walk up to the room that'shomeroom, but the door's locked.)Toby: (To Emma and Manny) Hey, guys.Emma: Hey.Manny: Hi. That's our homeroom?Emma: Cool.(The bell rings. Mr. Simpson comes to the door and un-locks it.)Mr. S: Hey, guys.Sorry I'm late. Hey, Em. Okay, here we go. (As the kids enter the room and sit down) All right, just choose your own seats for the time being. Okay, welcome to Degrassi Community School. I'm Mr. Simpson, I'm yourhomeroom and Media Immersion teacher. And I gotta say you guys really lucked out, I mean it. This is by far the coolest homeroom in the entire school. First order of business: These are the code of conduct forms(passing them out to everyone), concerning the computers, and the internet, all right? I wanna get these out of the way before we get to know one another (takes JT's hat off his head).[Ms. Kwan's homeroom (grade 8with Ashley, Paige, Spinner, etc)]Ms. Kwan: Some of you I know already and a few of you are new faces altogether. Welcome. Gavin Reginald Mason.Spinner: Um, I prefer Spinner.Ms. Kwan: This year will I have to giveyou, what was it, another 14 detentions?Spinner: Not if you don't want to.Ms. Kwan: Learning and good grades are all important here at Degrassi, but so is getting involved in the school.Paige: (raises her hand) That'swhy I'm starting a spirit squad this year Ms. Kwan. We so need one.Ms. Kwan: Great, Paige. That's so industrious of you. And speaking of industrious, Ashley?Ashley: Yes?Ms. Kwan: The first day of school and youalready have a professional campaign under way? Excellent start.Ashley: Thank you[Hallway](Starts with a close-up of Ashley's poster.)P.A.: Students are reminded that 3:15 today is the deadline for student councilnominations.(Emma and her friends are walking.)Emma: See, Manny, this isn't so bad, isn't it?Manny: As long as we don't run into that jerk again.(They stop in front of Ashley's poster.)Emma: Is that yourstep-sister?Toby: She's not my step-sister. We just to be stuck in a forced living arrangement.Manny: Well, I think she's pretty.Toby: Ashley hates I live in her house and she hates that I go to her school. Which she'sobviously never heard of democracy.Emma: What are you talking about?Toby: This election. No one's even running against her. She's a shoe-in.Emma: Why don't you run?Toby: Because it would provoke a rupture inour fragile family dynamic. It's family counseling speak for \"my dad would kill me\".Manny: So? Get someone else to run.JT: Yeah, right. Who'd wanna run for student council? The whole thing's a joke.Toby: Did u sayjoke?JT: No way, Toby. I am not going a joke campaign.Toby: Come on, JT. It's the perfect way to stick it to Ashley.JT: But this is my first day at Degrassi.Toby: Exactly. You're in the same boat as a large percentage ofthe student body. Which is why they'll love you. Come on, JT, this is your once of a lifetime opportunity.JT: For you to stick it to Ashley.Toby: No, for you to practice your stand-up material on a large perceptiveaudience.JT: Keep talking.Toby: You want to be famous, right? This is instant fame. Just think: assembly the whole school hanging on your every word.JT: And you'll do all the work?(Toby nods.)JT: Deal. Here we areright here. What if I win?Toby: Trust me. You don't stand a chance.[Hallway]Ashley: The poster's a little low on the left. Just bring it.Liberty: Ashley Kerwin. We haven't met. I'm Liberty Van Zandt and I'm running forsecretary. We're gonna be a great team. Just think. I'd like to discuss a few ideas so our policies will be in sync. First, I think we should tackle a lack of the school newspaper.Ashley: Why don't we wait until after theelection?Liberty: Great. Um, your poster's a little high on the left.(She leaves. Jimmy comes up to Ashley and puts his arm around her (which means they're boyfriend/girlfriend))Jimmy: What was that all about?(Theywalk away.)[Classroom](Toby is making copies of something- we see it says JT's name on it, which means it must be posters.)Mr. S: You do know it's 10 cents a copy?(Toby tries to make them stop.)[Hallway](Toby'sputting up JT's posters.)Ashley: I'm gonna make so many changes at this school, Terri. And not just superficial stuff. I want the students to feel heard.(They stop when they JT's posters.)Terri: Uh, Ash....Ashley: Whatis that?Toby: Oh, a poster without your picture on it.Ashley: JT Yorke. That annoying little friend of yours?Toby: What's wrong Ashley? Afraid of a little competition?Ashley: You are so wasting your time. Schoolpresident is always in 8th grade.Toby: Well, uh, this year that's going to change.(Ashley and Terri walk past Toby.)Toby: 'Bye, Ashley.[Hallway](Someone comes to JT with a camera.)Boy: Hey, JT. Why do you wannarun for president?JT: Why do I wanna run for president? Uh, that's a good question.Toby: In one word people: democracy. The backbone of our fine nation.JT: Hear, hear!Toby: He is, people, our great alternative. In aworld dominated by cruel selfish 8th graders, JT is our last shining hope.JT: I couldn't have said it better myself. Thank you, Degrassi.[Outside]Liberty: A grade 7 running for president? I wouldn't be caught dead votingfor him. Besides, I think Ashley and I, Liberty Van Zandt, will make an excellent team.[Another part of school]JT: If elected, I, JT Yorke, will do what a real politician would do: absolutely nothing. And, like a truepolitician, I will accept bribes.(Ashley and Terri are watching.)Ashley: People are actually paying attention to him?Terri: He's pretty funny. If you like total amateur humor. You're not actually worried are you?Ashley:No.JT: I, JT Yorke: Unknown, unremarkable...[Hallway](Someone with a camera is talking to Emma.)Emma: Personally, I think it's great. Grade 7's have just as much right to run for school president as anyone. I'mvoting for JT.[Outside]Ashley: Greater representation the school boards.Terri: (passing out fliers) And up-to-date recycling programs.Ashley: I'll even get us a night dance. All it costs is a vote.[JT's speech tostudents.]JT: What about the staff washrooms? (It shows Ashley watching) I'll bet you any money that they have softer toilet paper. If you elect me, I'll those staff washrooms, our washrooms. So vote for JT. You'll dothe right thing. I know you will. (To Toby) It's working.Toby: (sees Ashley watching) I know.JT: Vote for JT. It'll do you good. You'll love me. Nice to meet you.[SCENE_BREAK][Kerwin House: Kitchen]Ashley: TobyIssacs, you shrimp, who are you doing this to me?Toby: I'm not doing anything. JT's running for president and I'm just helping him out.Ashley: JT doesn't care about the school.Toby: How do you know? Guess what:Degrassi doesn't revolve around you. Anyone can run.Ashley: The guy is an idiot! And he doesn't know anything because he just got thereAshley's mom, Kate, walks in.Kate: Ashley, What's the problem?Ashley: Great.Take his side again. Don't even try to figure out what we're talking about. I mean, I put all my effort into this race...Toby: There was no race. Now there is.Kate: Toby, are you running against Ashley?Ashley: No, hisfriend, JT, is.Toby: I'm helping my best friend run his campaign. What's wrong with that?Ashley: What's wrong is he's only doing it to bug me.Kate: Come on, Ashley, I'm sure he's not.Ashley: But Mom....Kate: Tobyhas every right to help run his best friend's campaign.[The Next Day- Kerwin Bathroom](Ashley, in curlers, knocks on the door.)Toby: Today's the big day. Written your defeat speech yet?Ashley: JT is not going towin.Toby: You wish. Just think: you're about to lose to a 7th grader.(Ashley goes in the bathroom.)[Degrassi Hallway](Someone is taping Paige.)Paige: Hi. My name's Paige + of course Ashley's going to win today.Sure, some students may resent her for being perfect, but, Ashley always get what she wants, so why would today be any different? Actually, I'll tell why today is different. See, I just got these brand new glasses and Ithink they look rather nice with my outfit, don't you? Oh, and my belt. Please get a close-up of the belt. Thanks. And my new purse so everyone can see all that I own. What do I have in here? This, this isn't mine.(Thecameraman starts to walk away.)Paige: (O.S.) Hello! I'm not done here![Computer room](Toby and JT are on it, checking polls for president.)Toby: Look at this! You've got as much support as Ashley!JT: It's just somestupid poll.Toby: This is before your speech (show a close-up of the poll: Ashley- 48%, JT- 52%). Forget Ashley. You're on the verge of making Degrassi history! Am I the only one excited here?JT: I thought the planwas to make her sweat.Toby: Exactly! The closer you come to beating her, the sweater she gets.JT: Yeah, well, I'm getting pretty sweaty too. Because if I win this thing, I'll have to do a lot of work.[Another part ofschool](Someone is taping Liberty.)Liberty: It would be tragic if Ashley lost today. But if she did, and if I, Liberty Van Zandt, am elected as secretary, I would work closely with JT to ensure excellent standards of studentgovernment.[Hall](JT closes his locker and starts to head to class when Spinner and Jimmy grab him.)JT: Uh, hi.Spinner: You're coming with us.JT: What? What did I do? I'm going to be late for class, you're going to belate for class. That's a lot of lateness. Do you want to get a dentition? I know I don't. What did I do?[A classroom]Ashley is in there waiting.JT: Is this about the election? If I promise you something you got a problemwith, just tell me and I'll change it. Really, I will(They drop him on the floor.)Ashley: Thanks. That's all for now.(They leave. JT gets up.)JT: What's going on?Ashley: Here's the deal: you quit the race for schoolpresident and I give you 50 bucks.JT: 50 bucks?Ashley: 5-0. Okay, 60.JT: You see, I'd jump at that but I've got this older brother. He just lost the race for school president.Ashley: 65.JT: My parents were shattered.They had to go on Prozac. I can't put them through that again.Ashley: 80 bucks and that's my final offer.JT: 80's good.Ashley: Glad to hear it. But for that amount, I want a show. I want you to quit in front of the wholeschool.JT: At assembly? Cool. I still get to say my speech.Ashley: Half now, the rest after. (Gives him the money)JT: It was a pleasure doing business with you, Ms. President. (Puts out his hand but she doesn't shake it)I'll go now.(He grabs his bag and leaves.)[Hall]Manny: Once the election's over, I head straight home.Emma: And avoid Spinner.(Spinner comes up behind them and hits Manny with a spitball.)Manny: Ow.(Holds herneck and starts to cry.)Emma: Oh, great. Now look what you've done.Spinner: I was just kidding around.Terri: Wow that's so cool, Spinner. Making a grade 7 girl cry.Spinner: Look, I didn't mean to make hercry.Emma: Well, you did. Congratulations.(Spinner walks away.)Emma: It's ok, Manny. He's gone.Manny: I knew it would work. Always does on my brother.(They walk away.)[Hall](Toby catches up to JT.)Toby: Shebribed you?JT: She paid me.Toby: It's wrong.JT: Wrong? What about this campaign?Toby: What about it?JT: We did this just to get back at your step-sister.Toby: She's not my step-sister!P.A.: Would all candidatesplease report to the stage?JT: Look, if it makes you feel any better, we'll split it. 50/50.Toby: I don't want her blood money. It's just helping Ashley get exactly what she wants...again.[Assembly](Liberty is finishing herspeech.)Liberty: And in conclusion, I promise that if elected, I, Liberty Van Zandt, will fulfill my responsibilities as student council secretary with enthusiasm and even more enthusiasm. Thank you. (Applause as shesits)(Mr. Raditch comes to the mike.)Mr. R: Thank you very much, Liberty, for that enthusiasm. Next up, our two candidates for school president. Each will have 3 minutes to deliver their speeches and we will beginwith, JT Yorke. (Applause)(JT goes to the mike.)JT: Ladies and gentleman, it's a long year. You gotta vote for me. You need something to laugh at. Now if I could just say a few words about my presidential platform, thisspeech would be a whole lot shorter. But, seriously, if there's one thing I've learned in my zero years of political experience, well, it's nothing.Toby: Ashley! (She ignores him) Ashley!(She gets up and goes out thedoor.)Ashley: What?Toby: You bribed JT.Ashley: No I didn't.Toby: Yes you did. I saw the money. It's corruption.Ashley: Oh, how thrilling. You learned a new word.Toby: Oh you want thrilling? Wait'll I go up on stageand tell everyone what you did.Ashley: But, JT took the money.Toby: No, he excepted it as evidence.Ashley: You wouldn't.Toby: Oh, I will. I'm heading up there and telling everyone what a fraud Ashley Kerwinis.Ashley: Fine. My life's a disaster anyway. It might as well get worse.Toby: Your life's a disaster?Ashley: I want my mom to be happy and I've tired to be nice, but the moment you moved in, everything become allabout you.Toby: About me? Do you have any idea what's it like living in your house?Ashley: Please! My mom dotes on you. She doesn't care what I feel, as long as you're happy.Toby: What?Ashley: And now I can't getaway from you. You're everywhere: at home, at school, even in my campaign.Toby: That's not true...Ashley: I wanted just one thing that you couldn't take away from me. But you found a way. Please. Before you go upthere and publicly humiliate me, just listen to my speech. Then decided if you don't think I deserve to be President.[Inside Assembly]JT: She's got the looks, she's got the brains, she's got the brains, she's goteverything. Don't pity her; pity me. Thank you. Oh, and by the way, I quit the race for school prez. Vote Ashley. (Sits down)Mr. R: Well that's rather interesting. JT, you sure? (He nods) Well, I still think we'd like tohear what Ashley has to say. Ashley? Ashley? (To JT.) We'll talk later.[Outside Door]Ashley: Please.Mr. R (O.S.): Ashley?[Kerwin House - Outside]Ashley: No way!Jimmy: Yeah, whatever, I'm not lying.Ashley: Yeah,right. Well, thanks, uh, and I'll see you tomorrow. (They hug)Jimmy: Congratulations, Ms. President.(Jimmy leaves. Ashley walks over to Toby, who is sitting at a table.)Ashley: So, is this what defeat looks like or justguilt?Toby: Congratulations, Ashley.Ashley: Yeah, whatever.Toby: I mean it. Congratulations. You deserved to win.Ashley: Ok, what have you done with the real Toby Isaacs?Toby: it's not my fault JT's in trouble forriding the joke campaign. I should've never put him up to it.Ashley: You're right. You shouldn't have.Toby: Ash, I'm trying to apologize here. I knew it would drive you crazy. I just couldn't stop myself.Ashley: You hateme that much?Toby: Sometimes.Ashley: I gotta admit sometimes I feel the same way about you. The fact is Toby, we have to live with each other in the same house and that sucks, right?Toby: You can say thatagain.Ashley: But does it have to such this much?Toby: Maybe not.Ashley: Maybe not. Are we bonding here?Toby: Bonding? Us?Ashley: Well, the first time in a month, I don't wanna rip your eyes out.Toby: Wow, Dr.Fried would be so proud."}
+{"doc_id":"doc_34","qid":"","text":"MUSIC IN:EXT. HOUSE - DAYJODY: It's a great neighborhood. Very quiet, very private. It has an oversized backyard. That's a big plus. The whole house has been newly renovated. There are upgrades all over the place.Stainless appliances, air-purification system. Total move-in condition. The furniture is rented, but if you like it, I can have the company make you a deal.[SCENE_BREAK]INT. LIVING ROOM - DAY(DOOR OPENS)JODY:Amy, you are going to love the kitchen, but first I'm going to show you guys the living room. It has a wall-mounted flat screen and a gas log fireplace. You won't believe how easy this is. One push of a button. Isn't thatcozy?(SFX: FIRE LIGHTS)(SFX: JODY GASPS/ SCREAMS)(MUSIC UP AND OUT)(THEME MUSIC UP OVER OPENING TITLE/SCENES/ CREDITS AND OUT)[SCENE_BREAK]INT. LIVING ROOM - DAYDUCKY: Make sure youcapture the back of his head, too, if you would be so kind.MCGEE: You got it.JIMMY: Sorry!MCGEE: (OVERLAP) Sorry!DUCKY: There's no rush, gentlemen. Our patient isn't going anywhere.MCGEE: Well, Ducky, the oldGibbs is back.DUCKY: The old Gibbs?GIBBS: McGee! Over here. Hands and knees. On the floor.MCGEE: Okay. Um... you're not going to step on me, are you? Footprints! Footprints. Looking for footprints. It's a prettytight weave.DUCKY: It looks like sisal. It's a naturally stiff fiber, woven from the leaf of the cactus plant. It doesn't mat, trap dust or build static. Makes it ideal for carpeting, but personally, I prefer a good shag. From acriminal-investigative standpoint.MCGEE: I don't see any dirty footprints.DUCKY: I think it's safe to assume that our friend didn't stroll in here on his own.TONY: You look happy to see me, Boss! (BEAT) Oh, it's thecoffee. Ran the military ID our local LEOs got off the body. Lance Corporal James Finn stationed at Quantico. Went UA when his unit was shipped to Iraq six months ago.MCGEE: Looks like he's got a pretty good reasonfor not showing.GIBBS: Find out where he was buried.DUCKY: It won't be far, McGee. Had the trip been longer, some bits would have fallen off.MCGEE: Okay, I'll check the backyard.TONY: Scene's not going to sketchitself.(F/X: JIMMY BUMPS INTO TONY)(SFX: JIMMY GROANS)DUCKY: Perhaps it would be better if you fetched the gurney, Mister Palmer. I've seen all I need to see here.JIMMY: Yes, Doctor.(PASSAGE OF TIME)TONY:It's a tidy crime scene.DUCKY: Quite. It appears to be a body drop. A tertiary crime scene. Or quaternary. Or quinary. I could go on.TONY: Oh, you did. It's an odd decorating choice. Although the corpse does give theplace a certain lived-in look.DUCKY: You can see, he brushed the dirt off his face.TONY: Oh, geez!!(F/X: TONY BUMPS INTO GIBBS)TONY: Sorry.DUCKY: Hello. (CHUCKLES) Nicrophorus americanus. Also known as thecarrion beetle. Come here, you little monkey! Ah ah! Yeah, a reminder that Shakespeare got it wrong. We are not food for worms. It's the flies and beetles that feast upon us.GIBBS: I'm more interested in why someonedid this, Doctor.DUCKY: Well, then I'll have to research the predatory, manipulative, grandiose nature of this behavior. But my first impression is that we're dealing with a complete loon.TONY: That Master's in psych isstarting to pay off, Ducky.(SFX: DUCKY CHUCKLES)[SCENE_BREAK]EXT. HOUSE - DAYJODY: Merciful God in Heaven! I have seen a lot of things selling real estate, but can you imagine walking in and seeing that?ZIVA:When was the last time you were here?JODY: Yesterday morning for a showing.ZIVA: And everything was normal?JODY: There was no rotting corpse in the living room if that's what you mean.ZIVA: Who else hadaccess?JODY: A couple of dozen real estate women. The keys are in a lock box on the front door.ZIVA: Who's the owner?JODY: A local contractor... and me. I buy and Bob fixes. We split the profits.ZIVA: Bob?JODY:Robert Whitehead. The contractor.ZIVA: A number where he can be reached?JODY: Yeah.ZIVA: So who put the body here? You or Bob?JODY: Neither of us! You know, it is an empty house. If you're looking to ditch abody, that's a real plus.RICK: Jody! I came as fast as I could. Are you okay?JODY: It's my husband. I called him. (TO RICK) Just duck under the tape, Rick.ZIVA: Stop! It's a crime scene!RICK: Crime scene. Honey, youall right?ZIVA: She's fine.JODY: I am not fine. I had to cancel my one o'clock showing!MCGEE: (V.O.) I think I found where he was buried...[SCENE_BREAK]EXT. BACK YARD - DAYMCGEE: I checked for footprints, but itrained last night. So everything is pretty washed out.GIBBS: You got access?MCGEE: Well, there's side access at street level. Chain link fence around the yard, but anyone with gloves could have scaled it.ZIVA: Wait forme!TONY: Did the real estate agent solve the big mystery?ZIVA: No. But she owns the property with a contractor, and every real estate agent in town had access.TONY: I think the mystery is how they expect to sell ahouse for six hundred grand when it only has two and a half bathrooms.MCGEE: Well, you know what they say. Location, location.... location. So, judging from the marks around the edges, I'd say the digger used agarden spade. The soil is not real packed, so it would have been easy digging for a male or female.GIBBS: You see that?MCGEE: Black plastic bags.TONY: Garbage bags.GIBBS: Body bag. Get it back to Abby. Have asoil sample. I want ground-penetrating radar.MCGEE: Uh, Boss, those techs are booked weeks in advance. I'm going to tell them it's an emergency, and I will not budge until they show.GIBBS: Who's staying withMcGee?ZIVA: I can, if you want Tony to check out the other real estate women.TONY: Fine with me.GIBBS: Tony! Stay with McGee.ZIVA: You shouldn't have licked your chops like a hungry wolf.MUSICAL BRIDGETO:INT. SQUAD ROOM - DAYTONY: Much better. Before I smelled like dirt and sweat. Now I smell like dirt, sweat, and sandalwood.ZIVA: Good morning! What are you doing at my desk?!TONY: I couldn't find mydeodorant, so I used yours.ZIVA: You, you didn't.TONY: Yeah, we're partners. What's the big deal?ZIVA: A hair!TONY: Come on. You attach electrodes to men's testicles. You're getting squeamish about a hair? I'm notgoing to feel bad. Those ground-radar techs didn't show 'till dawn. McGee and I watched the sunrise together. It was very \"Brokeback Mountain.\"MCGEE: He had me at \"Howdy.\"ZIVA: How romantic. I'm sorry I missedit.MCGEE: Well, I can show it to you on my new phone. It takes video. Behold the majesty of the sun.ZIVA: On a two inch screen? Are we all getting those?MCGEE: Nope. I bought it.ZIVA: Expensive?MCGEE: Notreally.TONY: Ha! Yeah, really. You've been dropping a lot of cash lately, McGee. New phone, new watch, new teeth. What's up?GIBBS: Ducky matched the dental records. The body downstairs is Lance Corporal Finn.Ziva, when did you - McGee! How long does it take to put on a clean shirt?MCGEE: Ten seconds. With buttons a little longer. (BEAT) Rhetorical question.ZIVA: Contractor's off the hook. He's been out of town for a week.Going to check on the real estate agents this morning.TONY: That's all you did?ZIVA: No, while you and McGee were watching the sunrise, I was pulling Lance Corporal Finn's SRB, and I have to say it was.... spotty. Hewas UNC on the range and failed his swim qual.GIBBS: So they made him a supply clerk.ZIVA: Right. Six months ago he signed out on a three day pass before deploying to Iraq, and he never returned home.GIBBS:Get me his C.O.TONY: He's in Iraq. (BEAT) I'll contact MTAC.MCGEE: I've put in a request for Finn's bank records, earning statements, and medical records.TONY: Night wasn't a total loss. Ground radar picked up ashovel about ten feet from the gravesite. Already sent it to Abby.(GIBBS WALKS O.S.)MCGEE: Yep. The old Gibbs is back.[SCENE_BREAK]INT. ABBY'S LAB - DAYGIBBS: Do you see something, Abs?ABBY: Beauty. Imean it's tragic, but if you were to see this tableau in a museum, you'd swear it was a brilliant commentary on the human condition.GIBBS: What? A corpse staring at the TV set?ABBY: It says it all.GIBBS: Well, itdoesn't say who put him there, or why?ABBY: That's for us to find out. (GASPS) You shaved your mustache! I liked you with a little hair on your face.GIBBS: I've still got my eyebrows.ABBY: Good point. I found Finn'sblood, hair, and fingerprints on the plastic. So he was probably wrapped in it. But I didn't find any other prints on the plastic or the shovel.GIBBS: Any chance of grabbing the gravedigger's sweat off the handle?ABBY:After being underground, it's unlikely. Strange case, huh? I had this friend once that used to display road kill in his living room. He got an NEA grant --GIBBS: Abby?ABBY: Next I analyzed the soil. It's compost material,rocks, and small sticks. Nothing's over an inch long. That indicates it was processed through a screen.GIBBS: Pretty clean for dirt.ABBY: Well, it's a commercial product. But the house was just re-landscaped, so it's notsurprising. I sent the acidity levels to Ducky. I then inventoried Finn's personal items.GIBBS: Got anything with a date on it?ABBY: Nope, sorry. No credit card or purchase receipts. I guess he was a cash guy. I mean, ifyou can call a guy with thirty-one dollars and seventy-one cents a cash guy. His clothes were Dockers from Sears. No judgments. The shirts are large, the shoes are off-brand. And his underwear are boxer/briefs, likeyou wear, Gibbs.GIBBS: You're fishing, Abs.ABBY: So, are they regular boxers? Trunks? Bikinis? Nothing?(GIBBS WALKS O.S.)[SCENE_BREAK]INT. AUTOPSY ROOM - DAYDUCKY: Mister Palmer, have you finished thechromatographic analysis of his volatile fatty acid?JIMMY: Yes, Doctor.DUCKY: Well, let's plug the numbers into the computer and see how long our friend has been leaking into the topsoil. Agent Gibbs will be here soon,and he will ask...(SFX: DOORS SLIDE OPEN)GIBBS: How'd the Lance Corporal die, Doctor?DUCKY: How he died may take me a while. Try when did he die?GIBBS: That's my next question.DUCKY: That I can answer. It'sa tricky calculation. One has to factor in temperature, soil acidity, and the variety and volume of insects who now call Lance Corporal Finn home.GIBBS: Give me a round number.JIMMY: Ninety-two days with a threepercent margin of error.DUCKY: It would appear you deserted before you died.(SFX: DOORS SLIDE OPEN)ZIVA: Gibbs, Lance Corporal Finn's fiancé is upstairs. She saw a report in the local news last night.GIBBS: How,Doctor?DUCKY: As soon as I know, you'll know.(SFX: DOORS SLIDE OPEN)ZIVA: Her name is Siri Albert. She's twenty-five.[SCENE_BREAK]INT. SQUAD ROOM - DAYZIVA: Lives in Manassas and works as a physicaltherapist.TONY: Finn's fiancé is here. I put her in the conference room.ZIVA: You did? I did!TONY: No, I did.ZIVA: His fiancé?TONY: Yeah, his fiancé.ZIVA: Tall. Light brown hair.TONY: Red head.(DOOR OPENS)(MUSICUP AND OUT)MUSIC IN:INT. CONFERENCE ROOM - DAYSIRI: Someone has made a huge mistake. James isn't dead. He's been writing me letters from Iraq.ZIVA: It's a common name.SIRI: The news said he was born inJackson, Pennsylvania. It's a small town.ZIVA: That James Finn has been dead three months.SIRI: He left for Iraq three months ago. I saw him the morning he went away, and I just got a letter from him last week. Hesays he misses me and he's working a lot.GIBBS: We'll need those.SIRI: Okay. But I want them back.[SCENE_BREAK]INT. SQUAD ROOM - DAYREBECCA: It's his handwriting. I recognize it. They've been coming formonths. Now I want to know who that other woman is!?TONY: We're not here to talk about that.REBECCA: Is she saying that she's engaged to Jimmy, too? (LAUGHS) 'Cause if that's true, he'd better hope he's dead, orelse I'll kill him!MUSICAL BRIDGE TO:INT. CONFERENCE ROOM - DAYSIRI: James and I connected on a deep spiritual level. From then on, anytime he was in town, he was with me.ZIVA: How often did you seehim?SIRI: He would come and go a lot, but I understood. That's how it is with Special Ops.ZIVA: Lance Corporal Finn's record does not indicate he was involved with Special Operations.SIRI: He said his missions weretop secret. He wanted to tell me more, but he didn't want to put me in danger.TONY: (V.O.) When did you last see...[SCENE_BREAK]INT. SQUAD ROOM - DAYTONY: .... Lance Corporal Finn?REBECCA: Six months ago,before he left for Iraq.TONY: How'd you meet?REBECCA: At a bar two years ago. I was there with some girlfriends, and when I got up to go to the lady's room, he blocked my path. Said he couldn't keep his eyes off ofme.MCGEE: And that worked?REBECCA: What worked is that when we talked, he had something to say. Most guys won't shut up about their online war games. But this guy, he had seen real action. And I was feelingpatriotic that night. So I invited him to come home with me. The s*x was fantastic.[SCENE_BREAK]INT. CONFERENCE ROOM - DAYZIVA: When did you two get engaged?SIRI: About a week before he left. James wantedto borrow thirty thousand.ZIVA: Did he tell you what the money was for?SIRI: Gambling debts. And if he didn't pay, they were gonna hurt him.GIBBS: Who?SIRI: He said it was better if I didn't know, because of thedanger.REBECCA: (V.O.) Look!MUSICAL BRIDGE TO:INT. SQUAD ROOM - DAYREBECCA: I didn't give him the money! I loaned it to him.MCGEE: So you drew up a legal document?REBECCA: No, but we had an oralagreement. I mean, he promised to pay me back... with interest! I mean, I maxed out all of my cards! So you better find that money!MUSICAL BRIDGE TO:INT. CONFERENCE ROOM - DAYZIVA: What was he like thelast time you saw him?SIRI: He was sweet. We made love right before he left.GIBBS: Did he use a condom?SIRI: I'm on the pill. (BEAT) We were engaged.[SCENE_BREAK]INT. HALLWAY - DAYGIBBS: (INTO PHONE)Abs, can DNA still be recovered from Lance Corporal Finn's skivvies?(BEGIN TELEPHONE INTERCUTS)ABBY: (V.O./FILTERED) It would take the ...(SCENE CUT)ABBY: (INTO PHONE) ...cooperation of weather andprotection. He was wrapped in plastic, and it's been cold, so there's...(SCENE CUT)ABBY: (V.O./FILTERED) ... a decent chance.GIBBS: (INTO PHONE) Well, run the tests. We'll do a cheek swab on his fiancés.ABBY:(V.O./FILTERED) Wait.(SCENE CUT)ABBY: (INTO PHONE) Did you say fiancés? Like plural? Huh. Kinky! (END TELEPHONE INTERCUTS)[SCENE_BREAK]INT. CONFERENCE ROOM - DAYSIRI: Ah. Is that it?ZIVA: For now,Siri. I need to follow you home and pick up his belongings.SIRI: I want them back when James returns.ZIVA: He's dead. He can't return.SIRI: Look, I know he's not dead. I would feel it in my heart. We're soulmates.MUSICAL BRIDGE TO:INT. AUTOPSY ROOM - DAY(SFX: SIRI GASPS/CRIES)SIRI: (CRYING) No.MUSICAL BRIDGE TO:INT. SQUAD ROOM - DAYTONY: Agent Lee, I need legal help. We have a suspect who'srefusing a cheek swab.LEE: I'll file for a DNA search warrant. What's the name?TONY: Rebecca Kemp. I'll email you the info. Listen, do you miss working with us?LEE: I think the legal department is more my speed.Why? Do you miss me?TONY: Uh, sure. (TO GIBBS) Boss! Agent Lee is getting us our cheek swab.GIBBS: Is Rebecca paranoid or guilty?TONY: Uh, might just be angry. At Finn, us, and the world.GIBBS: Go back withher to her apartment. Get Finn's stuff. And no, I don't want to wait for a search warrant.(REBECCA SIGHS)(ZIVA AND SIRI WALK INTO THE SQUAD ROOM)ZIVA: I'll grab my coat. Wait at the elevator.SIRI:Okay.REBECCA: Hey, you! Where's my money!? Yeah, you! Did you and Jimmy spend it!?SIRI: Please get away from me! I don't know you.REBECCA: I am Jimmy's fiancé.SIRI: James loved me!!REBECCA: He usedyou.SIRI: (SHOUTS) You liar!!(SFX: GIRLS FIGHT/WRESTLE)TONY: Chick fight!REBECCA: Get off of me!(MUSIC OVER ACTION/GIRLS FIGHTING)SIRI: Get off! Get off of me!ZIVA: Stop it!GIBBS: Hey, get off her! Getoff her!(ELEVATOR DINGS/ DOORS OPEN)(SFX: GIRLS SHRIEK B.G.)GIBBS: Get up!!(SFX: REBECCA GASPS)[SCENE_BREAK]INT. AUTOPSY ROOM - DAYGIBBS: How'd this guy die, Doctor?DUCKY: As I told you, when Iknow, you'll know.GIBBS: Know faster.DUCKY: Shaving off your mustache has brought back your usual impatience.GIBBS: Good! That means I'm doing my job.DUCKY: I do have a potential cause of death, but it's byno means airtight. You see this fracture?GIBBS: Well, yeah. You're pointing right at it.DUCKY: The brain revealed an epidural hematoma, verified by this CAT scan. Though it's far from massive. Statistically, it's onlyfatal in about seventeen percent of cases.GIBBS: Blunt force trauma?DUCKY: Most likely. We're looking at a baseball bat or a golf club. Perhaps wielded by a disgruntled fiancé.GIBBS: You tell me how, I'll figure outwho.(SFX: DOORS SLIDE OPEN)MUSICAL BRIDGE TO:INT. MTAC ROOM - DAYSHEPARD: (INTO PHONE) Intelligence has placed La Grenouille in Nairobi. That might mean a shipment to Somalia. We'll continue tomonitor these activities. Just do your best.GIBBS: Mission trouble?SHEPARD: That's need-to-know. Initiate the video conference Special Agent Gibbs requested. (TO GIBBS) Have you figured out why somebody wouldunbury a body?GIBBS: That's need-to-know.SHEPARD: You can't pull that one with me, Jethro. I'm your boss.TECHNICIAN: (V.O.) Iraq standing by, Ma'am.STENGEL: (ON MONITOR) I got your email concerning LanceCorporal Finn. I assume you've been over his SRB.GIBBS: Yeah, we have, Skipper. We'd like to know what's not on the record.STENGEL: (ON MONITOR) Finn wasn't one of my stronger Marines. Wasn't surprised hewent U.A.GIBBS: Did he have any enemies in the company?STENGEL: (ON MONITOR) He was well-liked. Played poker. Not well, but covered his debts. Liked to talk about his sexual exploits in detail. You know howMarines love that.GIBBS: How does a dead Marine stateside send letters home from Iraq?STENGEL: (ON MONITOR) I wondered about that myself. Get over here, Marine! Meet Lance Corporal Hagan... soon to bePrivate Hagan. Before deployment, Finn gave him... a couple hundred bucks to pop letters in the mail to two women. First batch started six months ago. The second three months later. Got enough to last the rest of ourdeployment.GIBBS: I'm going to need those.STENGEL: (ON MONITOR) I'll send them on the next flight out.SHEPARD: Two fiancées....is that a Marine thing?GIBBS: Oh, that's need-to-know, too, Director.MUSICALBRIDGE TO:INT. ABBY'S LAB - DAYABBY: Do you see it yet?MCGEE: No.ABBY: Keep looking!MCGEE: Abby, I've been staring at this thing for five minutes. I don't see anything that I would consider to be art.ABBY: Butyou took the picture!MCGEE: Just because Ducky told me to. I'm sorry.ABBY: That's okay. I'm sure you find other things beautiful.MCGEE: Like Gibbs breaking up a chick fight?ABBY: I can't believe I missedthat!MCGEE: Well, I've got good news. Guess what is now playing on McGee TV?ABBY: I hug and kiss technology!(SFX: VIDEO PLAYS)SIRI: (ON TAPE) You liar!!(SFX: GIRLS SHOUT B.G.)ABBY: Oh, meow! Which one'sSiri?MCGEE: The one Gibbs is pulling off the other girl.ABBY: It's always good to have a face to put with genetic material.MCGEE: Did you get a match on her off of Finn's clothing?ABBY: Yeah, but not just her. There's aparty in Finn's pants. I found genetic material from two distinct females.MCGEE: Siri and...ABBY: The mystery woman.MCGEE: That would explain why Rebecca refused a cheek swab. Told us she hadn't seen him in sixmonths.ABBY: Play it again.MCGEE: Plus, Rebecca's got a lot of anger in her.ABBY: Oh, I wouldn't assume Siri is innocent.MCGEE: Why not?ABBY: Look at the fight. Siri initiates it. She may not be as sweet as shelooks.GIBBS: (ON TAPE) Get off her!ABBY: This is my favorite part.GIBBS: Which part?[SCENE_BREAK]INT. EVIDENCE GARAGE - NIGHTTONY: I was lucky to get out of Rebecca's apartment alive. She threw this at myhead.ZIVA: Wow. Finn was reading Moby Dick?TONY: No, she was throwing it. I took it so she couldn't re-arm.ZIVA: Okay, let's see what he had at Siri's place. Razor and a toothbrush.TONY: Razor and atoothbrush.ZIVA: Three pairs of white underwear.TONY: Three pairs pinkish underwear.ZIVA: One white sock with a gold toe.TONY: Don't you hate it when you leave one black sock at one fiancé's house, and the otherone at the other's house?ZIVA: One pair of blue jeans.TONY: One black mesh t-shirt. Do women really like these?ZIVA: Depends on who's wearing it.TONY: So if I'm--ZIVA: No! It's not much to go on.(SFX: DOORSSLIDE OPEN/ CLOSE)TONY: Only one place left to check. Ha ha!ZIVA: Ha! Tony just put his hands in another man's pocket, and it made him very happy.TONY: Found a pre-paid calling card.GIBBS: That's it?ZIVA:Yes.GIBBS: No engagement rings?TONY: Do you want those, too? (BEAT) I'll go to Siri's and get the ring, and any other gifts Finn might have given her. McGee, you've got Rebecca.ZIVA: How could they have been so"}
+{"doc_id":"doc_35","qid":"","text":"Originally written by Chris Brown. Transcribed by Dan Silverstein.[Scene: Central Perk. The whole gang is there, Ross is showing pictures of his new baby boy, Ben, to the group.]ROSS: And here's little Ben noddingoff...MNCA: Awww, look at Aunt Monica's little boy!PHOE: Oh, look, he's got Ross's haircut!RACH: Oh, let me see! [grabs picture] Oh, God, is he just the sweetest thing? You must just want to kiss him all over![Ross ispractically drooling over Rachel at this point.]ROSS: [quietly] That would be nice.[Chandler, annoyed with Ross's fawning, makes a 'pfft' noise.]RACH: Pardon?CHAN: Nothing, just a little extra air in my mouth. Pffft.Pffffffft. [walks over to where Joey is seated][Joey is looking at his check.]JOEY: Hey, Chan, can you help me out here? I promise I'll pay you back.CHAN: Oh, yeah, right, OK... inlcuding the waffles last week, you nowowe me... 17 jillion dollars.JOEY: I will, really. I'll pay you back this time.CHAN: [sigh]... And where's this money coming from? [gives money to Joey]JOEY: Well... I'm helping out down at the NYU Med School withsome... research.ROSS: [overhearing] What kind of research?JOEY: Oh, just, y'know.... science.ROSS: Science. Yeah, I think I've heard of that. [everyone's interest is piqued, they all look over]JOEY: [sigh]... It's afertility study.[Rachel laughs.]MNCA: Oh, Joey, please tell me you're only donating your time.JOEY: Alright, come on you guys, it's not that big a deal. Really... I mean, I just go down there every other day and... makemy contribution to the project. Hey, hey, but at the end of two weeks, I get seven hundred dollars.ROSS: Hey.PHOE: Wow, ooh, you're gonna be making money hand over fist!Credits[Scene: Monica's apartment.Monica and Phoebe are preparing for a barbecue for Rachel's birthday.]MNCA: OK, we got the cole slaw, we got the buns...PHOE: We've got the ground-up flesh of formerly cute cows and turkeys, ew... [hands meat toMonica][Chandler and Joey enter with charcoal.]CHAN: [in a deep voice] Men are here.JOEY: We make fire. Cook meat.CHAN: Then put out fire by peeing, no get invited back.MNCA/PHOE: Ewww!MNCA: Oh Joey,Melanie called, said she's gonna be late.JOEY: Oh, OK.PHOE: So how are things going with you two? Is she becoming your [provocatively] special someone?JOEY: I don't know, she's, uh.... she's pretty great.MNCA:Yeah? What does she think of your little science project?JOEY: What, you think I'm gonna tell a girl I like that I'm also seeing a cup?MNCA: Man's got a point.JOEY: Well, the tough thing is, she really wants to have s*xwith me.CHAN: Crazy bitch.JOEY: Yeah, well, I still got a week left to go in the program, and according to the rules, if I want to get the money I'm not allowed to conduct any... ersonal experiments, if you know what Imean.MNCA: Joey... we always know what you mean.[Time lapse. Chandler and Joey are making the fire, Monica and Phoebe are inside. Ross enters, carrying luggage.]PHOE: Hey.MNCA: Hey.ROSS: Hey. [Phoebe seeshis bags]PHOE: How long did you think this barbecue was gonna last?ROSS: I'm going to China.PHOE: Jeez, you say one thing, and...MNCA: You're going to China?ROSS: Yeah, i-it's for the museum. Someone found abone, we want the bone, but they don't want us to have the bone, so I'm going over there to try to persuade them to give us the bo--it's--it's a whole big bone thing. Anyway, I'm gonna be gone for like, uh... like aweek, so, uh, if you wanna reach me, y-you can't. So here's my itinerary [hands a sheet of paper to Monica]. Um... here's a picture of me... [hands it to Monica]PHOE: Oh, let me see! [takes the picture]ROSS: [toMonica]: Could you take it to Carol's every now and then, and show it to Ben, just so he doesn't forget me?MNCA: Yeah.[Phoebe puts the picture of Ross up to her face.]PHOE: Hi, Ben. I'm your father. I am... the head.Aaaaaahhhh.... [puts picture down, sees Ross staring at her] Alright, this barbecue is gonna be very fun.ROSS: Hey, is Rachel here? Um, I wanted to wish her a happy birthday before I left.MNCA: Oh no, she's outhaving drinks with Carl.ROSS: Oh. [pause] Hey, who's Carl?MNCA: You know, that guy she met at the coffeehouse.ROSS: No.PHOE: Oh, well, see, there's this guy she met at the--ROSS: At the coffeehouse,right.PHOE: So you do know who he is! [laughs, Ross stares at her] Sorry.ROSS: OK, I'm gonna go say goodbye to the guys.PHOE: Oh, hey, y'know what? Tell them that bone story.[Ross goes outisde on thebalcony.]ROSS: Hi.JOEY: Hey!CHAN: Hey!ROSS: [sigh]....I have to go to China.JOEY: The country?ROSS: No no, this big pile of dishes in my mom's breakfront. Do you guys know who Carl is?CHAN: Uh, let's see...Alvin... Simon... Theodore.... no.ROSS: Well, Rachel's having drinks with him tonight.JOEY: Oh no! How can she do that when she's never shown any interest in you?!?CHAN: Forget about her.JOEY: He's right, man.Please. Move on. Go to China. Eat Chinese food.CHAN: Course there, they just call it food.ROSS: Yeah... I guess. I don't--I don't know. Alright, just... just give her this for me, OK? [gives Chandler a gift forRachel]JOEY: Listen, buddy, we're just looking out for you.ROSS: I know.JOEY: We want you to be happy. And I may only have a couple beers in me, but... I love you, man. [Joey gives Ross a hug]CHAN: I'm still on myfirst. I just think you're nice.[Time lapse. Melanie (MELN), Joey's girlfriend, is there with Joey, Chandler, Monica, Phoebe, and Rachel. Ross is gone.]MELN: Anyway, that's when me and my friends started this whole fruitbasket business. We call ourselves 'The Three Basketeers.'JOEY: Like the three musketeers, only with fruit.CHAN: [sarcastic] Ooooh. [looks dumbfounded at Joey's stupidity]MNCA: [gets up] OK, how does everybodylike their burgers?RACH: Oh, no, no, no. Presents first. Food later. [walks into living room][Everyone follows Rachel to the living room. Monica pulls Joey aside.]MNCA: Hey, hold on there, tiger. How's it going? How youholding up?JOEY: Well, not so good. She definitely thinks tonight is the night we're gonna... complete the transaction, if you know what I--[Monica rolls her eyes.]JOEY: Then you do. Heh, heh.MNCA: So, uh, have youever thought about being there for her?JOEY: What do you mean?MNCA: Y'know, just be there for her.[Long pause... Joey looks confused.]JOEY: Not following you.MNCA: Think about it.[They both walk over to whereRachel is opening her gifts. Rachel sees her first gift is a fruit basket.]RACH: OK, I'm guessing this is from...[Melanie smiles.]RACH: Well, thank you, Melanie.CHAN: [pointing out a gift] OK, this one right here is fromme.RACH: [picks it up] OK... ah, it's light... [shakes it]...it rattles... it's... [opens it] Travel Scrabble! Oooohhh, thank you! [she gives it back to him][Chandler looks dejected. Rachel picks up another gift.]RACH: Thisone's from Joey... feels like a book. Thinks it's a book... feels like a book. And...[opens it]...it's a book!PHOE: Oh, it's Dr. Seuss!JOEY: [to Rachel]: That book got me through some tough times.MELN: There is a littlechild inside this man!CHAN: Yes, the doctors say if they remove it, he'll die.[Rachel picks up the next gift.]RACH: Who's this from?CHAN: Oh, that's Ross's.RACH: Oh... [opens it]... [sees it is a pin] Oh my God. Heremembered.PHOE: Remembered what?RACH: It was like months ago. We were walking by this antique store, and I saw this pin in the window, and I told him it was just like one my grandmother had when I was a littlegirl. Oh! I can't believe he remembered!CHAN: Well, sure, but can you play it on a plane? [pats his Travel Scrabble game]PHOE: Oh, it's so pretty. This must have cost him a fortune.MNCA: I can't believe he didthis.CHAN: Come on, Ross? Remember back in college, when he fell in love with Carol and bought her that ridiculously expensive crystal duck?[Everyone looks at him. He realizes he just spilled the beans about Ross'scrush on Rachel.]RACH: What did you just say?CHAN: [panicked] ahem... um... Crystal duck.RACH: No, no, no.... the, um, the... 'love' part?CHAN: [stuttering incoherently] F-hah.... flennin....RACH: Oh.... myGod.CHAN: [rubbing his temples] Oh, no no no no no....JOEY: [pats Chandler on the leg] That's good, just keep rubbing your head. That'll turn back time.[SCENE_BREAK][Scene: Same as before, a few momentslater.]RACH: I mean, this is unbelievable.PHOE: I know. This is really, really huge.CHAN: No it's not. It's small. It's tiny. It's petite. It's wee.PHOE: Nuh-uh. I don't think any of our lives are ever gonna be the same everagain.CHAN: OK, is there a mute button on this woman?MNCA: I think this is so great! I mean, you and Ross! D-did you have any idea?RACH: No! None! I mean, my first night in the city, he mentioned something aboutasking me out, but nothing ever happened, so I just... [to Joey]: W-well, what else did he say? I mean, does he, like, want to go out with me?JOEY: Well, given that he's desperately in love with you, he probablywouldn't mind getting a cup of coffee or something.RACH: Ross? All this time? Well, I've got to talk to him. [gets up to leave]CHAN: [quickly] H-He's in China!JOEY: The country.MNCA: No, no, wait. [checks Ross'sitinerary] His flight doesn't leave for another forty-five more minutes.CHAN: What about the time difference?MNCA: From here to the airport?CHAN: Yes! [Rachel walks towards door] You're never gonna make it!MNCA:Rachel, what're you gonna say to him?RACH: I-I-I don't know.CHAN: Well then maybe you shouldn't go.JOEY: He's right, cause if you're just gonna, like, break his heart, that's the kind of thing that can wait.MNCA:Yeah, but if it's good news, you should tell him now.RACH: I don't know. Maybe I'll know when I see him.PHOE: Here, look, alright, does this help?[Phoebe gets up, holds the picture of Ross up to her face.]RACH:Noooo... look, all I know is that I cannot wait a week until I see him. I mean, this is just too big. Y'know, I just, I've just gotta talk to him. I... I gotta... OK, I'll see you later. [opens door]CHAN: Rachel, I love you! Dealwith me first! [she leaves][Scene: Airport. Ross has headphones on, and is listening to a 'How To Speak Chinese' tape. Occasionally, he makes an outburst in Chinese in accordance with the tape. He is getting on thejetway. The flight attendant (FLGT) is there.]ROSS: [something in Chinese]FLGT: Alright!ROSS: Ni-chou chi-ma! [walks onto jetway][Rachel runs into the airport, trying to catch Ross, moving people out of theway.]RACH: Ross! Excuse me, pardon me, excuse me....[Rachel gets up to the jetway.]FLGT: Hi!RACH: Hi.FLGT: May I see your boarding pass?RACH: Oh, no, no, I don't have one. I just need to talk to my friend.FLGT:Oh, oooh. I'm sorry. You are not allowed on the jetway unless you have a boarding pass.RACH: No, I know, but I--he just went on. He's right there, he's got the blue jacket on, I... can I j-just...FLGT: No no no! Federalregulations!RACH: OK, alright, OK, um... then could you please, uh... just give him a message for me? Please? This is very important.FLGT: Alright. What's the message?RACH: Uh... I don't know.[Scene: On the jetway.The flight attendant enters, walks past Ross, and approaches an older man with his wife who is also wearing a blue jacket.]FLGT: Sir? Sir? Excuse me, sir? Uh... I have a message for you.MAN: [confused] What?FLGT:It's from Rachel. She said that she loved the present, and she will see you when you get back.MAN: [to wife]: Toby... Oh, for God's sake, I don't know what she's talking about! There's no Rachel! Don't give me thatdeep freeze.[Scene: Joey's bedroom. He and Melanie are in bed together.]MELN: Mmmmmm... Oh, Joey, Joey, Joey... I think I blacked out there for a minute!JOEY: Heh, heh. It was nothin'.MELN: Well, now we'vegotta find something fun for you! [she starts kissing his chest]JOEY: [panicked] Uhhh.. y'know what? Forget about me. Let's, uh... let's give you another turn.MELN: [surprised] M-Me again?JOEY: Sure! Why not?MELN:Boy, somebody's gonna get a big fruit basket tomorrow.[Joey starts to kiss her.]MELN: Oooh, I gotta tell you... you are nothing like I thought you would be.JOEY: How do you mean?MELN: I don't know, I-I guess I justhad you pegged as one of those guys who're always 'me, me, me.' But you... you're a giver. You're like the most generous man I ever met. I mean... you're practically a woman.[Scene: Monica's apartment. Monica,Phoebe, and Rachel are there. Monica is holding the wrapping paper from one of Rachel's gifts.]MNCA: Uh, so, uh, Rach, uh... do you wanna save this wrapping paper, I mean, it's only a little bit torn... so are you gonnago for it with Ross or should I just throw it out?RACH: I don't know. I don't know... I thought about it all the way there, and I thought about it all the way back... and, uh, oh, you guys, y'know, it's Ross. Y'know what Imean? I mean, it's Ross.PHOE/MNCA: Sure.RACH: I don't know, I mean, this is just my initial gut feeling... but I'm thinking... oh, I'm thinking it'd be really great.MNCA: Oh my God, me too! Oh! Oh, we'd be likefriends-in-law! Y'know what the best part is? The best part is that you already know everything about him! I mean, it's like starting on the fifteenth date!PHOE: Yeah, but, y'know, it's... it would be like starting on thefifteenth date.MNCA: Another good point.PHOE: No, I mean, I mean, when you're at the fifteenth date, y'know, you're already in a very relationshippy place. Y'know, it's... you're committed.RACH: [confused]Huh?PHOE: Well, I mean, then what happens if it doesn't work out?MNCA: Why isn't it working out?RACH: I don't know... sometimes it doesn't.MNCA: Is he not cute enough for you?RACH: No!MNCA: Does he not makeenough money?RACH: No, I'm just....PHOE: Maybe there's someone else.RACH: Wha--MNCA: Is there? Is there someone else?RACH: No! There is.. there is noone else!MNCA: Then why the hell are you dumping mybrother?!?[SCENE_BREAK][Scene: Chandler and Joey's apartment. Chandler is eating breakfast, Joey quietly opens his bedroom door.]CHAN: Hey, big--JOEY: Shhhh!CHAN: [quietly] --spender.JOEY: She's stillasleep.CHAN: So how'd it go?JOEY: Oh, it was amazing. You know how you always think you're great in bed?CHAN: The fact that you'd even ask that question shows how little you know me.JOEY: Well, it's like, lastnight, I couldn't do the thing that usually makes me great. So I had to do all this other stuff. And the response I got... man, oh man, it was like a ticker tape parade!CHAN: Yes, I know, as it happens my room is veryvery close to the parade route.JOEY: It was amazing! And not just for her... uh-uh. For me, too. It's like, all of a sudden, I'm blind. But all my other senses are heightened, y'know? It's like... I was able to appreciate iton another level.CHAN: I didn't know you had another level.JOEY: I know! Neither did I![Scene: Monica's apartment, one week later. Monica is seated, Rachel comes out of her bedroom.]MNCA: Hey, great skirt!Birthday present?RACH: Yeah.MNCA: Oh, from who?RACH: From you. I exchanged the blouse you got me.MNCA: Well, it's the thought. Hey, doesn't Ross's flight get in in a couple hours? At gate 27-B?RACH: Uh, yeah.Uh, Monica, y'know, honey, I've been thinking about it and I've decided this--this whole Ross thing, it's just not a good idea.MNCA: Oh, why?RACH: Because, I feel like I wouldn't just be going out with him. I would begoing out with all of you. Oh, and there would just be all this pressure, and I don't wanna--MNCA: [gets up] No, no, no, no, no, no pressure, no pressure!RACH: Monica, nothing has even happened yet, and you'realready so...MNCA: I am not 'so'! OK, I was a teensy bit weird at first, but... I'll be good. I promise.[Door buzzer goes off. Rachel answers it.]RACH: Who is it?VOICE: It's me, Carl.RACH: C'mon up.MNCA: Behind mybrother's back? [Rachel glares at her] ... is exactly the kind of crazy thing you won't be hearing from me.[Scene: Chandler and Joey's apartment. Chandler is seated, and the apartment is filled with baskets of fruit. Joeyenters, check in hand.]JOEY: Seven hundred bucks!CHAN: Alright, you did it! Do we have any fruit?JOEY: Man, hell of a two weeks, huh? Y'know what, though? I really feel like I learned something.CHAN: Really? So,you're gonna stick with this 'it's all for her' thing?JOEY: What, are you crazy? When a blind man gets his sight back, does he walk around like this? [Joey closes his eyes and walks around with arms spread.][Scene: Thebalcony of Monica's apartment. Rachel is having drinks with her date, Carl.]CARL: I'm just sayin', if I see one more picture of Ed Begley, Jr. in that stupid electric car, I'm gonna shoot myself! I mean, don't get mewrong... I'm not against environmental issues per se.... it's just that guy![Rachel looks bored. At this point, Ross--a figment of Rachel's imagination-- shows up on the balcony and starts talking to her.]ROSS: I can'tbelieve you'd rather go out with him than me.RACH: Would you excuse me, please? I'm trying to have a date here.ROSS: Fine, just stop thinking about me.[She tries, and Ross disappears momentarily. He reappears,standing closer to her.]ROSS: Can't do it, can you?RACH: So I'm thinking about you. So what?ROSS: I don't get it. What do you see in this guy, anyway?RACH: Well... he happens to be a very nice... guy....CARL: Imean, come on, buddy, get a real car!ROSS: Rachel, come on. Give us a chance.RACH: Ross, it's too hard.ROSS: No, no, no... why, because it might get weird for everyone else? Who cares about them. This is aboutus. Look, I-I've been in love with you since, like, the ninth grade.RACH: Ross, you're like my best friend.ROSS: I know.RACH: If we broke up, and I lost you...ROSS: Whoa, whoa, whoa. What makes you think we'regonna break up?RACH: Well, have you been involved with someone where you haven't broken up?ROSS: [pause] No. But... it only has to happen once. Look, you and I both know we are perfect for each other, right? Imean... so, the only question is... are you attracted to me?RACH: I don't know... I mean, I've never looked at you that way before.ROSS: Well, start looking.[They kiss. Ross walks away, and then fades out.]RACH:Wow.CARL: Exactly! And you just know I'm gonna be the guy caught behind this hammerhead in traffic!RACH: Right! You're right!CARL: Heh... y'know?RACH: You know what?CARL: What?RACH: I forgot... I amsupposed to pick up a friend at the airport. I am so sorry! I'm so... if you want to stay, and finish your drinks, please do.... [gives him her drink] I mean--I'm sorry. I-I-I gotta go. I'm sorry.[Rachel leaves.]CARL:But...[Scene: Airport. Madonna's Take A Bow plays in the background. Rachel waits at the gate with flowers.]RACH: [sifting through crowd] Excuse me, pardon me, excuse me, excuse me, sorry. Hi.[Scene: Jetway. Theold man who the flight attendant delivered Rachel's message to gets off the plane, his wife still upset with him.]MAN: For God's sake, will you let it go? There's no Rachel![A Chinese woman getting off the plane dropsone of her bags. Ross gets off next.]ROSS: Oh, hey, hey, I got that.[Ross picks up the bag... then he and the woman (JULIE) kiss.]JULIE: Oh, thanks, sweetie.ROSS: No problem. I cannot wait for you to meet myfriends.JULIE: Really?ROSS: Yeah.JULIE: You don't think they'll judge and ridicule me?ROSS: No, no, they will. I just... uh...ROSS/JULIE: Can't wait.ROSS: Come on, they're gonna love you.[Scene: Close-up of Rachel,eagerly awaiting Ross's arrival... not knowing he is getting off the plane with another woman.]"}
+{"doc_id":"doc_36","qid":"","text":"RED BEDROM RECORDJamie is sitting at the piano singing \"I don't want to be\" with David Degraw himself besides himDAVID : Let me take this part.(David Degraw sings alone)DAVID : You're a cute kid.JAMIE : Thankyou.DAVID : You're welcome.OUTSIDE LUCAS' HOUSEWe see news papers throw at his door. Few days has passedINSIDE CLUB TRICWe see Lucas drinking in different clothes.IN THE STREETWe see water balloonsthrow everywhereIN THE HOSPITALDan is at Reverend Carter bedsideBROOKE AND PEYTON'S HOUSEBrooke is looking at a board that says Angie has 8 more days with her. Then she goes play with herBROOKE : Hey,you. Whatcha got there? What's that?THE APARTMENTWe see Deb sneaking out of Skills' bedroomMOUTH'S OFFICEMouth's boss is disregarding himNATHAN AND HALEY'S HOUSEHaley is waking up and finds Chesterbesides her instead of NathanTREE HILL GYMNathan is practicing aloneNATHAN AND HALEY'S HOUSEJamie is standing in front of the poolOUTSIDE CLOTHES OVER BROSMillicent arrives at work, avoiding water balloons,and looks at the roof before entering the store. She seems annoyed.LUCAS' BEDROOMJamie is in front of Lucas who's still asleep, with a pillow over his headJAMIE : I think you drink too much.LUCAS : I think you'reright.NATHAN : Damn. Think somebody got thrown through a plate-Glass window. Dude, it seriously smells like ass in here.JAMIE : And rotten cheese.LUCAS : Go away.JAMIE : Ew, and bad breath.LUCAS : I said, \"goaway.\"(Lucas throws away the pillow and we find out that he has a mohawk)JAMIE : Ho...NATHAN : Holy crap.LUCAS : What?NATHAN : Have you seen your head?LUCAS : Not lately.NATHAN : You have amohawk.LUCAS : I do?(Jamie jumps on the bed and plays with Lucas' mohawk)JAMIE : Awesome. Can I get one, daddy?NATHAN : Sure, if you want to look goofy like your uncle Lucas.JAMIE : Kind of like he has a tail...just on his head.NATHAN : Jamie, why don't you go get Luke a bottle of water, huh?JAMIE : Okay.(Jamie leaves the room)NATHAN : I thought we were gonna see you at that school-Board hearing.LUCAS :Yeah.NATHAN : They suspended you, Luke. 10 games.LUCAS : There's only 11 left.NATHAN : Not for you.(Jamie comes back with the bottle)JAMIE : Here you go!NATHAN : All right, Jamie. Let's get going.JAMIE : Okay.Bye, uncle Lucas. Cool hair.(Jamie goes outside)NATHAN (to Jamie) : Wait for me right there, okay?(Nathan closes the door)NATHAN : Look, Luke... I know from experience whatever answers you're looking for... You'renot gonna find them like this... Trust me. I know it sucks that Lindsey's dating, And it sucks that you grabbed that player, but don't make it worse. The darkness doesn't have any answers, Luke.BROOKE AND PEYTON'SHOUSEBrooke is in bikini, ready to go to the beach with AngieBROOKE : Okay, you silly rabbit. We're going to the beach. Yes, we are. Just me and my funny bunny. Did you hear that? Did you hear what I called you?Did you hear what mama...(Brooke stops, surprised by what she's just said. Then the phone rings)BROOKE (on the phone) : Hello? Yes, this is she. But... there must be some mistake. She has eight days left... But she'srecovering from surgery, so... No, I understand... Okay. Bye-Bye.(Brooke hangs up)BROOKE (to Angie) : They want you to go home today. But that can't happen.LUCAS' BEDROOMLucas is looking at his mohawk in themirror when Haley walks inHALEY : Oh, well, well. What...what is all thisLUCAS : Not sure.HALEY : I would laugh if this whole thing wasn't such a mess.LUCAS : What whole mess?HALEY : You, your head... All of it. Youand I are going for a drive. But, first, we're gonna fix the ferret above your face.LUCAS : Why?HALEY : We're taking a drive because I'm your best friend and you need me. And we are fixing your... Very punk-Rockhaircut because I have a 5-Year-Old son who unfortunately wants to look just like his uncle Lucas.(Lucas sits on the chair and Haley starts shaving his head)NATHAN AND HALEY'S HOUSENathan and Jamie are watchinga basketball game on TV. Jamie has a mohawk tooJAMIE : So, how's the comeback going?NATHAN : It's not a comeback.JAMIE : Quentin says it is.NATHAN : Quentin's wrong. And, by the way, nobody's sporting thefaux hawk anymore, dude.JAMIE : I'm bringing it back.(Jamie makes a shoot in his small hoop with rolled-up socks)JAMIE : So, what team do you think you're gonna play for in the NBA?NATHAN : Jamie, come here... Iknow you're really excited about this, but... I'm probably never gonna play in the NBA.JAMIE : Sure, you will.NATHAN : Geez, kiddo. You're playing with rolled-Up socks? What happened to your ball?JAMIE : I lost it... Igot to go feed Chester(Jamie leaves)INSIDE LUCAS' CARHaley is with Lucas, who's driving.HALEY : I got to ask you something. Did you tell Peyton that you hated her?LUCAS : Maybe. I was a little wasted.HALEY : Luke,you can be such a jackass sometimes. She is in love with you. You probably broke her heart.LUCAS : Oh, I didn't break her heart. You're being dramatic.HALEY : I'm being dramatic. Stop here.LUCAS : The light'sgreen.HALEY : Just stop.LUCAS : All right. We're sitting at a green light. Now what?(People starts honking)HALEY : Just wait for it.LUCAS : Haley, the light's green! Wait for what?!(At this time, a red water balloonsmashed the windshield)HALEY : Kind of like Peyton's heart, don't you think? I'll be right back. You shouldn't stay here.(Haley leaves the car)LUCAS : Okay.THE ROOF OF CLOTHES OVER BROSPeyton is looking at thestreet, Haley arrives.HALEY : Hey.PEYTON : You said it made you feel better.HALEY : It's gonna be okay. Haley is alone, taking their predictions from the wall. When she's done, Lucas arrives.HALEY : All right. All clear,you goof.LUCAS : No Peyton?HALEY : No. You need to apologize to her.LUCAS : Hey, remember all the water-Balloon battles we used to have up here?HALEY : Don't change the subject. Actually, now that you mentionit, it was junior year, the boy-Toy auction. We had that water-Balloon fight up here, and you saw my tattoo of Nathan's jersey number for the first time.LUCAS : You mean your slutty little tramp stamp.HALEY : I am sobarely your friend right now.LUCAS : Sorry.HALEY : The point is, I was so scared that night. I was falling in love for the first time, and I was so unsure. But I did it. And while it hasn't been easy, it has beeneverything.(After a blank)HALEY : We're not kids anymore, Luke. You know... It really hurts me to watch what you're doing.LUCAS : Lindsey said no, Hales, I said yes.HALEY : Don't give me that, Luke. I'm being honestwith you right now, and you need to be honest with yourself. What do you want? If Lindsey's the girl that you're in love with, great. If it's Peyton, great. If it's Brooke, just please... Stop hiding your heart... I meanit.(Haley leaves him alone)MOUTH'S OFFICEMillicent comes to see MouthMILLICENT : Hi. How's your day?MOUTH : Well, I cleaned the bathroom, washed the news van, returned some shoes for the weather ladybecause apparently the straps cut into her \"cankles,\" and they hired a new sports guy... Steve.MILLICENT : How about I buy you some lunch? Come on.THE HOSPITALDan arrives with flowers in Reverend Carter's room,who's unconsciousDAN : Reverend Howard Carter. I did a little research. Man of faith, lived a good life. Tough run, though. Diabetes, stroke. You know, it's not exactly benevolent of you to lie there and take a heart thatcould be put to better use. In fact, it's really quite selfish. Don't you agree?(Dan grabs his head and makes him nod)DAN : \"Yeah, I agree. Yes, I do.\"(A nurse enters the room)NURSE : Morning.DAN : Good morning. Thereverend was looking a little uncomfortable.NURSE : Would you like to give him this pillow?DAN : Actually... I just might.NATHAN AND HALEY'S HOUSENathan is watching by the terrace door. Deb comes homediscreetly behind himNATHAN : Hey, look. It's my mom doing the walk of shame. Maybe we should hire a nanny for you. Out with a guy you met on a p0rn site.DEB : Not p0rn... Erotica.(Deb goes to her room andNathan goes outside, where he finds Jamie's ball, inside the pool)Nathan comes to see Jamie in his room, who's with ChesterNATHAN : Hey, buddy. Thought you might want to go for a swim.JAMIE : No, thanks.NATHAN: It's been a while. I don't think I've seen you in the pool since your accident.JAMIE : It's okay. I have to feed Chester.NATHAN : Jamie, are you afraid?JAMIE : No. I just don't want to.NATHAN : Are you sure? It mightbe fun.JAMIE : No, thank you.(Nathan puts Jamie's ball on his bed before leaving)DR COPELAND'S OFFICEDr Copeland examines AngieCOPELAND : Well, I think I found the problem.BROOKE : You did?COPELAND : Yes.Uh, you have an incredibly cute baby here, and you don't want to send her home.BROOKE : But are you sure she's well enough?COPELAND : Brooke, Angie's tough days are over, okay? And she was very brave aboutthem. It's time for you to be brave.BROOKE : But I was supposed to have eight more days with her. We were supposed to go to the beach.COPELAND : Well, that's how the program works. They take the first flightavailable. Anyway, look, um... When the silence sets in... And it will... Be proud of this. Okay? You've done a great thing here, Brooke. But it's time for Angie to go home... Today.BROOKE : Yeah.TREE HILL GYMNathanis practicing with Quentin. Jamie is watchingQUENTIN : So you got something for me, man?NATHAN : Just shut up and check the ball, \"Q.\"QUENTIN : Oh... Crossover's a little rusty, son. Huh? Fake this guy. Ha ha ha.Where that a.C.C. Game at, Nate? Hmm? First-Team all-American? NBA lottery? Huh? Ugh, up out of here, man.(Nathan tries to make a shot but Quentin stops it)NATHAN : Damn it!QUENTIN : The fadeaway, Nate?Really? Are you serious? The fadeaway is weak, man! Weak! Come on, man. Let's go again.NATHAN : No, man. I'm not feeling today. I'm done.QUENTIN : Hey, J. Scott... Why don't you run out in the hallway and get ussome waters?JAMIE : Okay.(Jamie starts going)QUENTIN : Hey. You see any hot psycho nannies out there, You run back in here, okay?JAMIE : Not funny.(Jamie leaves)QUENTIN : What's going on, Nate?NATHAN : I'mjust out of shape.QUENTIN : No, man. That ain't it. That is not it. Now, every day we do this, and every day you play soft.NATHAN : Well, maybe that's because I can't do this anymore.QUENTIN : Really? Maybe you justscared to, right? Huh? Easier to have your dream taken away than give it a shot and fail, right?NATHAN : I'm not scared.QUENTIN : Right? You not scared? Well, you playing scared.NATHAN : I'm not scared.QUENTIN :You playing scared!NATHAN (yelling) : I am not scared, man!(Jamie comes back and hears his father yelling. Nathan sees him)NATHAN'S CARJamie and Nathan get in the car after practice. Nathan is still angryJAMIE :I'm... I'm afraid to go in the pool, daddy.NATHAN : Yeah, but, uh... You went in the pool all the time before your accident, Jamie, and you loved it. You know you can still do it.JAMIE : I know. I'm just...scared.(After ablank)JAMIE : It's okay if you don't play anymore.NATHAN : Thanks, son.PEYTON'S OFFICEHaley enters the office.HALEY : I'm dying here.(Peyton doesn't answer)HALEY : You okay?PEYTON : Huh? Yeah. Uh, I-I just gota weird e-Mail from Mia saying she met this guy out on tour that said he knew Ellie. So it just caught me off guard... How come you're dying?HALEY : Oh, because I'm having trouble writing lyrics for this melody thatyou liked.PEYTON : Okay, what do you got so far?HALEY : So far I've got nothing.PEYTON : All right. How about... \"I hate you, bitch. You ruined my life\"? Does that do anything for you?HALEY : You know what? I dohave some words for you, even though they're not mine. Lucas and I, we used to write our predictions every year before the school year started. Sort of what we hoped would happen.PEYTON : Lame.HALEY : You knowyou're jealous.PEYTON : Kind of.HALEY : Anyway, I'm gonna violate my friendship rule here because you're at, like, code red.(Peyton starts reading)HALEY : \"Peyton sawyer will become Peyton Scott.\" That was, like,eighth grade. He got a little cocky sophomore year. \"Make out with Peyton sawyer... or more.\" And, \"this year, I'll talk to Peyton Sawyer.\" \"Try again with Brooke... Brooke Davis.\"(Both laugh)HALEY : Well, that... But,you know, this is how much he doesn't hate you. It's a whole lifetime's worth.PEYTON : I know. I know. That's... That's what he writes. But what he says is a totally different story.HALEY : Sometimes people write thethings that they can't say.LUCAS' BEDROOMLucas is putting parts of license plates on his wall. Someone knocks at the door.LUCAS : Come on in. It's open.(Lindsey comes in)LINDSEY : Hi.LUCAS : Hi.(Lindsey is lookingat what Lucas was doing)LINDSEY : This is nice, Luke.LUCAS : Lindsey, what are you doing here?LINDSEY : Uh... I needed to talk to you about something, but... You wouldn't answer your phone.LUCAS : You lookgood.LINDSEY : You look hung over.LUCAS : Yeah, well... There's a girl I almost married started dating again. And after that, well, things just kind of went dark.(He laughs)LINDSEY : The book's done.LUCAS : Oh, comeon. The... The ending needs work. I haven't even written a dedication yet.LINDSEY : You can e-Mail the dedication.(After a blank)LINDSEY : The book's done, Luke. It's perfect. So... I think this is goodbye. And goodbyeshouldn't happen over the phone.(She kisses him on the check and starts leaving)LUCAS : Lindsey... Do you ever miss me?LINDSEY : I should go.(Lindsey leaves. We see Lucas' phone vibrating on the bureau, it's avoice mail from Brooke)BROOKE AND PEYTON'S HOUSEBrooke is leaving the house with Angie and all her stuffs. She lets drop the purple monkey on her way outNATHAN AND HALEY'S HOUSENathan comes to seeJamie in his bedroomNATHAN : What you doing, buddy?JAMIE : Looking at your trophies.NATHAN : You know, someday, you're gonna have your own trophies.JAMIE : Think so?NATHAN : Oh, yeah. I know so. Trophies,awards... Maybe even a monument. And then maybe someday you'll have a son of your own that's even greater than any award or accomplishment. Come here. Don't be afraid to be great, son. Okay? 'Cause you are.And the world isn't strong enough to beat James Lucas Scott. I promise. We love you.MOUTH'S OFFICEMillicent and Mouth come back from lunch. They walk by a new guySTEVE : Hi, I'm Steve, the new sportsguy.MILLICENT : Hi, Steve. That's the better sports guy.OUTSIDE NATHAN AND HALEY'S HOUSEWe see Jamie in his swim suit putting on his wingsTHE HOSPITALDan is at Reverend Carter bedsideDAN : The truth is, I'mscared, okay? The countdown's on. And I've got to wait for this damn beeper to go off before I can get a heart... After you get one. You're the one who's lived a good life. I'm the one who needs time to make amends.So why don't you just take one for the team, huh? And if you do... I'll use my time for redemption. Okay?(Nothing happens)DAN : You suck, Carter.THE AIRPORTBrooke is about to let go AngieBROOKE : I love you, littlegirl, and I always will, okay? You're gonna have a great life. Don't forget me, okay?(Angie is crying. Brooke too)OUTSIDE NATHAN AND HALEY'S HOUSENathan and Haley are watching Jamie jumping in the poolJAMIE :I'm James Lucas Scott!(Nathan and Haley joins him in the pool)THE AIRPORTAngie is gone, Brooke turns around and sees LucasBROOKE : You got my message.(Lucas nods)BROOKE : I told you not to come.LUCAS : Iknow.BROOKE : She's gone, Luke.LUCAS : I know.(Lucas takes her in his arms. Brooke burst into tears)OUTSIDE NATHAN AND HALEY'S HOUSEWe see Nathan and Haley playing with Jamie in the poolTHERIVERCOURTWe see Peyton painting a messageMOUTH'S OFFICEWe see Mouth kissing MillicentTHE HOSPITALWe see Dan taking off the Reverend's oxygen mask and then looking at Jamie's note he had in hispocket.OUTSIDE NATHAN AND HALEY'S HOUSEThey are all three still in the poolNATHAN : You did it, buddy. I knew you could. Come here. All right, you ready?JAMIE : Yeah!NATHAN : One... two, three.(Nathan throwsJamie)THE HOSPITALDan is holding a pillow in front of the Reverend, thinking of choking him. Then he changes his mind and just put the pillow under the Reverend head.DAN : Okay, Carter... It's up to you. Butsometimes a guy just needs a sign there's some hope for him, you know?(Dan shows Carter Jamie's note)DAN : Hope.THE AIRPORTWe see Lucas and Brooke leaving the airportMOUTH'S OFFICEMillicent and Mouth arealone in an officeMOUTH : Thanks for the lunch, and telling the new sports guy off. But I should probably get back to being shunned.MILLICENT : I'm sorry it's so hard for you now.MOUTH : You know something? I standby what I did. Luke was really hurting, and it just felt insidious somehow to broadcast that pain.(Jerry interrupts them)JERRY : Mouth, how many men's basketball championships has UCLA...MOUTH : Eleven(Jerryleaves)MOUTH : I don't know what to do now.MILLICENT : Omaha.MOUTH : Not without you.MILLICENT : Then I'll go, too.MOUTH : Really? You'd go with me?MILLICENT : Yes. I'd go anywhere with you, MarvinMcfadden.(She kisses him)BROOKE AND PEYTON'S HOUSEWe see Brooke sitting on her couch alone, sad, holding the purple monkeyTHE RIVERCOURTLucas lights up the court and is surprised when he sees Peyton'sdrawing. A comet and few sentences \"I will always love you - Peyton\"INSIDE NATHAN AND HALEY'S HOUSEJamie comes from the pool, followed by Deb. Haley is writing and Nathan is ready to go practieDEB : Jamie,you're tracking water all over the house! I can't get him out of that pool now.NATHAN : Dude, dry off and get your jersey on. We're going back to the gym.JAMIE : We are?!NATHAN : Yeah. Nathan and JamieScott.(Jamie leaves and Deb still follows him)DEB : Oh, Jamie!(Haley comes toward Nathan)HALEY : You know what? You still make my heart race.(Nathan laughs)HALEY : You do. I'm serious. Feel this.(She presses hishand against her chest)HALEY : And my heart is so full of pride and love and joy right now because of you.(They almost kiss but her cell phone rings)HALEY : It's my other boy.(He kisses her)NATHAN : All right. I'll seeyou. I love you.(He leaves)HALEY (on the phone) : Hey.THE RIVERCOURTLucas is sitting on the court. Haley joins himHALEY : Wow. Very Peyton.(Lucas nods)LUCAS : Lindsey stopped by today.HALEY : She'shere?LUCAS : Uh, not anymore. I had to go see Brooke.HALEY : The trifecta. How nice. What did Lindsey want?LUCAS : She wanted to tell me that my book's done. Well, everything except the dedication. She said Icould e-Mail that to her.(After a blank)LUCAS : I'm thinking about... Taking off for a little while, you know?HALEY : Lucas, please stop running. Come on... You got to let go of this dark weight you're carryingaround.LUCAS : This morning... Nathan told me the darkness doesn't have any answers.HALEY : He's right. You saw him after his accident. And look at him now.LUCAS : Yeah.HALEY : You know that romantic notionthat all the garbage and the pain Is actually really healing and beautiful and sort of poetic? It's not. It's just garbage, and it's pain. You know what's better? Love. The day that you start thinking that love is overrated isthe day that you are wrong. The only thing wrong with love and faith and belief... Is not having it.THE AIRPORTLindsey is on the phoneWOMAN : hey, they want to do a conference call about the Lucas Scottgalleys.LINDSEY : Okay, just, uh, have them call my cell. And then you should take off. Thanks.WOMAN : Hey, Lindsey, did you tell him?LINDSEY : No. Bye.(She hangs up and looks at her messages. She reads thededication Lucas sent to her:\"...to all those lost souls who have forgotten to believe in the immensity of love\". Then she calls Lucas, crying, but reaches his voice mail)LINDSEY (to the voice mail) : Hi, Luke. Just gotyour dedication... and... I guess I'm one of those lost souls because... I lied to you. I said I was seeing someone, and I wasn't. The truth is... I was afraid of the immensity of your love, and I thought... Well, I justwanted you to know... You asked me if I miss you. Of course I miss you. That's all I do.THE RIVERCOURTLucas is still there, alone, and he is on the phone. Probably with his voice mailBROOKE AND PEYTON'SHOUSEBrooke is still sitting on the couch. Lucas enters.LUCAS : Hi.BROOKE : Hi. They're supposed to call me as soon as Angie's home safe.LUCAS : Where's Peyton?BROOKE : I don't know. Probably at work. I didn't tellher Angie was leaving for sure.LUCAS : And you told me not to come to the airport. Why?BROOKE : I don't like you guys to see me like this... Vulnerable.LUCAS : That's how I always see you, Brooke. And I think it'skind of beautiful. You know, um... I've been thinking about all the things you've done for... Angie and Rachel and me and... All kinds of people. You save people, Brooke Davis. It's what you do. Thanks for letting me"}
+{"doc_id":"doc_37","qid":"","text":"-[Real World]-(Henry is in a convenience store by the comic books. He's flipping through one when a girl, who is roughly Henry's age, approaches him.)Ava: Whatcha reading?Henry: The Hulk versus Wolverine.Ava: I'mAva. I think I've seen you around school. You're in Miss Blanchard's class, right?(Henry nods. Another boy close to their age walks up to Ava.)Nicholas: Almost ready, Ava?Ava: This is my brother, Nicholas.Nicholas: Hi.Come on - let's go.Ava: You want to come hang out?Henry: Sure!(The three go to leave the store, but are stopped by the owner.)Mr. Clark: Where the hell do you think you're going? Open up your bag.Henry: What?Mr.Clark: Don't think I didn't see you rob me. Open your bag.Henry: I didn't take anything.(Mr. Clark takes Henry's bag and looks through it. He pulls out a fistful of candy.)Mr. Clark: And a liar, too.Henry: That's why youwere talking to me. So your brother could put that stuff in there.Mr. Clark: Henry... I'm shocked. And you two - just who do you think you are?-[Fairy Tale World]-(In the forest, a man is hacking at a tree with an axeuntil he manages to topple it. Gretel and Hansel appear from behind another tree.)Father: Ah! A fine specimen. The wood it provides will keep our family's hearth warm this winter.Gretel: Can't I have an axe?Father:Huh?Gretel: You did say you wanted me here so I could help.Father: That I did. So, here's your task - take the cart, go fill it with kindling. The drier the better.Gretel: Okay.Father: And have your brother accompanyyou.Gretel: Okay.(Gretel picks up the end of the cart and goes to leave.)Father: Wait!(The Father removes the compass from around his neck and places it over Gretel's head.)Father: Take this.Gretel: Yourcompass?Father: So you don't get lost. A family always needs to be able to find one another.Gretel: Yeah.Father: Okay. Go. Be safe.(Hansel and Gretel take the cart and go deeper into thewoods.)[SCENE_BREAK](Hansel and Gretel are still collecting kindling for their father. Hansel has a slingshot and is shooting rocks into the forest.)Gretel: It's getting late. We should go.(She takes his slingshot.)Hansel:Hey! Give it back. Come on, Gretel! Give it back.Gretel: No, Hansel. We need to get back to Father.Hansel: Fine.Gretel: Follow me.(Gretel leads them to the area where their father was cutting down trees. However,there is no one there.)Gretel: This is where we left him.Hansel: So why isn't he here?Gretel: Father!Hansel: Father!(They hear a noise in the distance and start running in that direction.)Gretel: Father! Father!Father!(They end up coming to a road that cuts through the woods. When they turn to head down it, they encounter several of the Evil Queen's guards on horseback, as well as the Evil Queen's carriage. Two of theguards drag Hansel and Gretel to the carriage. The Evil Queen steps out.)Evil Queen: What are you doing in my forest?-[Real World]-(Mr. Clark, Regina, Henry, Ava and Nicholas are at the convenience store.)Mr. Clark:Well, I'm sorry, Madam Mayor, but your son was shoplifting.Regina: Were you?(Henry shakes his head.)Mr. Clark: Look for yourself.Regina: My son doesn't eat candy. And he knows better than to steal. It was obviouslythose two. We're going.(Regina and Henry head for the door. Emma walks in just before they get a chance to leave.)Emma: Henry. What happened?Regina: Miss Swan, must I remind you that genetics mean nothing.You're not his mother and it's all taken care of.Emma: I'm here because I'm the Sheriff.Regina: Oh, that's right. Go on - do your job. Take care of those miscreants.(Regina and Henry leave the store.)Emma: Did youcall their parents?Mr. Clark: Uh, the number they gave me was disconnected.Emma: Did you guys give Mr. Clark a fake number?(Ava and Nicholas shake their heads.)Emma: Then why's it disconnected?Ava: Cause ourparents couldn't pay the bill.Emma: And you guys are just trying to help out, huh?Ava: Please - please don't arrest us. It will just make things worse for our parents.-[Fairy Tale World]-(Hansel, Gretel, and the EvilQueen are still on the road in the forest.)Gretel: Please forgive us. We didn't mean to bother you, we just... We just lost our father.Evil Queen: Two helpless children. Lost and alone. A family torn asunder. Such a sadand moving story. Guards - seize them!(Gretel takes out Hansel's slingshot.)Gretel: Hansel, run!(Hansel runs into the forest. Gretel flings a rock at the approaching guard, which disorientates him enough for her to getaway. Gretel follows Hansel into the forest. The guard starts to chase after them, but the Evil Queen stops him. Hansel and Gretel are running up a hill, when the Evil Queen dissipates and appears in front of them.)EvilQueen: Running from me is foolish.(Hansel and Gretel attempt to get away, but the Evil Queen summons a group of vines to catch them. The vines wrap around them, leaving them immobilized on the ground.)EvilQueen: Foolish, but also brave. And that bravery may just have saved you and your family's lives.(The Evil Queen vanquishes the vines.)Gretel: You... You're letting us go?Evil Queen: Oh, I'm doing so much more thanthat. I'm going to find your father.Hansel: You are?Gretel: Why?Evil Queen: Because you two are going to do something for me.Gretel: And then, you'll take us home?-[Real World]-(Emma pulls up to Nicholas and Ava'shouse.)Emma: This it?(Ava nods. Emma takes off her seatbelt and goes to get out of the car, but Ava stops her.)Ava: Please, no. If our parents see you, they'll be so embarrassed.Emma: Did Henry tell you about mysuperpower?Ava: We just met him.Emma: I have the ability to tell when anyone is lying. Tell me the truth - money problems aside, is everything okay at home?Ava: Yeah, we're great. Can we go?Emma: Alright.(Avaand Nicholas get out of the car with a bag of stuff and go up the stairs of the house. They stop at the front door, turn around, and wave at Emma. Emma drives off.)Ava: She's gone. We're good.(They don't go inside thehouse, and instead go back down the stairs. They go around back, where they jump a fence. They end up behind an abandoned house, which they enter through the basement. Inside, Ava unpacks the things theypicked up from store and Nicholas sits on the bed. Suddenly, they hear a noise coming from upstairs. When they go to investigate, they end up finding Emma.)Emma: Why'd you guys lie to me? Where are yourparents?Ava: We don't have any.[SCENE_BREAK](At Mary Margaret's apartment, Ava and Nicholas are eating at the table, while Emma and Mary Margaret talk off to the side. Emma is holding a file about thekids.)Emma: Do you know them? Do they go to your school?MMB: I've seen them, but... I had no idea. None of us did.(Emma opens the file she's holding.)Emma: Ava and Nicholas Zimmer. They said their mother wasa woman named Dory Zimmer. She died a few years ago. No one seems to know her or remember her.MMB: And the father?Emma: There isn't one. At least not one that they know.MMB: What does, uh... What doesSocial Services say?(Emma gives Mary Margaret a look.)MMB: You didn't report them.Emma: I report them, I can't help them. They go into the system.MMB: The system that's supposed to help.Emma: Yeah, thesystem I knew and was in for sixteen years. Do you know what happens? They get thrown into homes where they are a meal ticket - nothing more. These families get paid for these kids and as soon as they're too muchwork, they get tossed out and it all starts over again.MMB: But they're not all like that.Emma: All the ones I was in.MMB: What? We're just going to adopt them?Emma: I want to look for their father. They don't knowhim. He may not know they exist.MMB: And you think if he knows, he'll want them?Emma: I don't know. But what I do know, is it's hard enough finding foster families to take one kid that isn't theirs, let alone two. It'stheir best shot, or-(Ava, who was eavesdropping, interrupts. She is in tears.)Ava: We're going to be separated?Emma: No. That's not going to happen.Ava: Please - please don't let it.[SCENE_BREAK](Emma enters theoffice of Mr. Krzyszkowski.)Emma: Excuse me. Mr...Krzyszkowski?Mr. Krzyszkowski: Yeah, it's Krzyszkowski. Everyone calls me K.Emma: Mr. K. I am Sheriff Swan. I'm hoping to look at the birth certificates of Ava andNicholas Zimmer.Mr. Krzyszkowski: Alright, just, uh, fill out this form - in triplicate.(He pulls out three identical forms.)Emma: Okay.(Emma starts to fill out the forms, while Mr. Krzyszkowski looks through a filingcabinet.)Mr. Krzyszkowski: I'm so sorry. Those documents have been recently removed.Emma: By who?[SCENE_BREAK](Emma confronts Regina in Regina's office.)Regina: Don't worry, Miss Swan. You can relax. I'vecontacted Social Services. Turns out these kids are on their own. They need help.Emma: Which is exactly what I'm trying to do. I'm trying to find their father.Regina: Well, he doesn't exist.(Regina hands Emma afile.)Emma: He has to.(Emma opens the file. The Father section of the birth certificate only has 'Unknown' written in it.)Regina: Well, of course, biologically, he exists. But there's no record of him. Which means we haveno choice - these children need a home, so they will be put into the foster system.Emma: Storybrooke has a foster system?Regina: No, but I've contacted the state. Maine's group homes, unfortunately, are filled. Butthey put us in touch with two homes in Boston - a boy's home and a girl's.Emma: They're separating them?Regina: I don't like it, either. But we've got no choice. You need to have them in Boston tonight.Emma:Me?Regina: Well, you wanted to be Sheriff. This is what sheriffs do. Yes, you're taking them.Emma: No. I promised them they wouldn't be separated.Regina Well then, perhaps you should stop making promises youcan't keep. These children need a home. I'm just trying to find the best one. -[Fairy Tale World]-(The Evil Queen, Hansel, and Gretel are walking through the woods. Gretel is fiddling with her compass.)Evil Queen: Whatis that?Gretel: My father's compass. He gave it to me so I could find him, but now it's broken. When are you going to tell us where we're going?Evil Queen: This is close enough.Gretel: Close enough to what?Evil Queen:The home of the Blind Witch.Hansel: That doesn't sound good.Evil Queen: She has something of mine. And I need you to get it back.Gretel: What is it?Evil Queen: Something I need to defeat a very wicked and powerfulenemy. It's kept in a black leather satchel inside her house.Gretel: Well, why don't you get it yourself? How come you need us?Evil Queen: Because the house is protected by magic. I can't enter. But, luckily, the spelldoesn't work on children. You'll have to wait here until nightfall. And then, once the witch is asleep, you can sneak in.Gretel: And if we do this, you promise you'll find our father?Evil Queen: Oh, indeed, I will. But there'sone more thing - the witch's house is...unique. And because of this, you have to take special precaution once you're inside.Gretel: Like what?Evil Queen: No matter what you do, no matter how you're tempted - don'teat anything.(The Evil Queen pulls back a branch, revealing the Blind Witch's gingerbread house.)-[Real World]-(Emma is in her office at the station. She has a pile of files and papers on her desk, which she's sortingthrough. Henry, who has his book with him, enters the room.)Henry: Any luck?Emma: No.(He puts the book on the desk and flips through it.)Henry: I know who they are. They're brother and sister, lost, no parents -Hansel and Gretel.Emma: Anything in there about the dad?Henry: Just that he abandoned them.Emma: Great. Sounds like a familiar story. Whoever this guy is, he could be in Laos by now.Henry: No, he's here.Emma:Just how do you know that?Henry: Cause no one leaves Storybrooke. No one comes here, no one goes. It's just the way it is.Emma: I came here.Henry: Because you're special. You're the first stranger here -ever.Emma: Right - I forgot. Well, if he's around here anywhere, I'm going to find him.Henry: Can you tell me about him?Emma: I don't know anything yet.Henry: Not their father - mine. I told you about your parentsand now, you're even living with your mom.Emma: Mary Margaret isn't... She's... Never mind.Henry: Please?Emma: I was pretty young. I'd just gotten out of the foster system and the only job I could get was at thistwenty four hour diner just off the interstate. And, um... Your dad was training to be a fireman. He always got the worst shifts, so he'd come in and order coffee and pie and sit at the counter and always complain thatwe didn't sell pumpkin pie. But he always came back the next night anyway.Henry: Did you get married?Emma: Oh, no. Nothing like that. We just... We hung out a few times outside of work and...life happened. His gotbetter and mine got worse and... I got into some trouble.Henry: And you went to jail.Emma: Yeah. Before I went, I... I found out I was pregnant with you. And I tried to contact him, and I found out that he died savinga family from a burning apartment building. So, you think I'm a saviour, Henry - he was. Your father was a real hero.Henry: Do you have anything of his? Something you can remember him by. Something I couldsee.Emma: I... I don't. Henry, I'm sorry. I got to go. I may know how to find this guy.[SCENE_BREAK](Ava and Nicholas are eating cookies at Mary Margaret's. Emma comes downstairs with a box.)Emma: I want toshow you guys something.(Emma pulls a blanket out of the box.)Nicholas: What's that?Emma: It's my baby blanket. It's something I've held onto my whole life. That's the only thing that I have from... From myparents. I've spent a lot of time with a lot of kids in your situation, and all of them - all of us - we held onto stuff. I want to find your father, but I need your help. Is there anything of his you've held onto?Ava: I mighthave something. But if I give it to you, you'll make sure we stay together, right?Emma: Right.(Ava pulls a compass on a chain out of her pocket and hands it to Emma.)Emma: A compass.Ava: Our mom kept it. She saidit was our dad's.Emma: Thank you.Ava: Did you find them?Emma: Who?Ava: Your parents.Emma: Not yet. But I'm going to find yours.-[Fairy Tale World]-(Hansel and Gretel are outside the gingerbread house. Hanselgoes to eat icing off the side of the house, but Gretel stops him. Gretel opens one of the windows, and the two enter. Inside, there is a table full of sweets. The two whisper to each other.)Hansel: How can you be sureshe's sleeping?Gretel: I can't. And remember what the Queen said - not even a lick.(They see the Blind Witch asleep by the fireplace, along with the leather satchel hanging on the wall.)Hansel: You're right.Look.Gretel: And there's the satchel.Hansel: What do you think's inside it?Gretel: Does it matter? All that matters, is getting it to the Queen so she can find Father.(Gretel goes to grab the bag. Hansel, who stays behindby the table of sweets, picks up a cupcake. Gretel removes the bag from its hook, but when she turns around, she sees Hansel take a bite of the cupcake. The Blind Witch awakens. There's a pile of bones at her feet.Hansel and Gretel run for the exit, but the Blind Witch magically locks the door. They try the window, but they are locked, as well.)Blind Witch: I smell dinner.-[Real World]-(Emma enters Mr. Gold's pawn shop. Mr. Goldis at the counter polishing a lamp.)Mr. Gold: Emma. How lovely to see you. I'm flattered you'd take time off your busy schedule for me. What could I do for you, Sheriff?Emma: I'm looking for information on this oldcompass. Any idea where it could have come from?Mr. Gold: Well, well. Look at the detail. You know, this is crystal. This jeweled setting... In despite the rather unfortunate shape it's in, this is actually a very unusualpiece. The person who owned this obviously had great taste.Emma: And where would someone like that buy it?Mr. Gold: Right here, of course.Emma: You know him?Mr. Gold: Indeed. A piece like this is difficult toforget.Emma: Do you happen to remember who bought it?Mr. Gold: Well, I'm good with names, Miss Swan, but maybe not that good. However, as luck would have it, I do keep quite extensive records.(He walks over toa small filing cabinet on the counter and looks through it.)Mr. Gold: And... Yes, here we are.(Mr. Gold pulls out an index card. However, he doesn't read it to Emma.)Emma: What's your price?Mr. Gold:Forgiveness.Emma: How about tolerance?Mr. Gold: Well, that's a start. The compass was purchased by a Mr. Michael Tillman.Emma: Anything else?Mr. Gold: Just a name. But I generally find that's all that oneneeds.(Emma goes to leave the shop.)Mr. Gold: Good luck with your investigation.(Emma leaves. The camera pans to the index card, which turns out to be blank.)[SCENE_BREAK](Emma has found Michael at a garage,where he works as a mechanic. He reads the kids' file and looks at their pictures.)Michael: Not possible.Emma: Actually, it is.Michael: Well, I'm sorry, but Dory - she wasn't my, um... It was just once.Emma:Sometimes, that's all it takes.Michael: I met her when I was camping and we, um... No. It's not possible. I don't have twins.Emma: Yes, you do. You have twins that have been homeless ever since their mother passedaway. You have twins who have been living in an abandoned house because they don't want to be separated from each other. You have twins who are about to be shipped off to Boston, unless you step up and takeresponsibility for them.Michael: Look - I can barely manage this garage. I can't manage two kids. And why are you so sure they're mine?Emma: Besides the timing...(Emma pulls out the compass.)Emma: Have youever seen this?Michael: I lost this.Emma: Let me guess - twelve years and nine months ago? I know it's a lot - believe me, I know. A month ago, a kid showed up on my doorstep - I gave up for adoption - asking forhelp with...something. And I ended up moving here for him.Michael: I heard about that - it's the Mayor's son. But staying in town is... It's a lot different than taking him in.Emma: I don't have my kid because I don'thave a choice. You do. Those kids did not ask to be brought into this world. You brought them into this world - you and their mother. And they need you. And if you choose not to take them, you are going to have toanswer for that every day of your life. And sooner or later, when they find you - because believe me, they will find you - you're going to have to answer to them.Michael: I'm really sorry. I am. I don't know anythingabout being a dad. If it's a good home you're looking for, it's not with me.[SCENE_BREAK](Henry, Ava and Nicholas are baking at Mary Margaret's. The phone rings and Mary Margaret answers it.)MMB: Hello?Emma:Hey, it's me. I need you to come outside right away.MMB: Is everything okay?Emma: Don't say anything in front of the kids, but no, it's not.[SCENE_BREAK](Emma and Mary Margaret meet outside.)Emma: He doesn'twant the kids.MMB: And you don't want to tell them.Emma: I can't. Because all I'll be telling them is that the false hope I gave them is exactly that.MMB: The truth can be painful, Emma, but it can also becathartic.Emma: I agree with the painful part.MMB: Well, hey, look - you told Henry the truth that his father's dead and he's handling it great.Emma: I didn't tell him the truth.MMB: What?Emma: Henry's father was nohero and trust me - he does not need to know the real story. Maybe we can hide the kids. Just until we can find a family for them. Someone to take care of them.MMB: Yes, hiding the twelve year olds is a goodplan.Emma: You have a better idea?MMB: Emma, maybe there isn't an idea. Maybe you just have to-(Regina approaches the two on the sidewalk.)Regina: Sheriff. Shouldn't you be on the interstate?Emma: What areyou doing here?Regina: Seeing to it that you do your job.Emma: You know, you don't have to check up on me. I know what I have to do.Regina: Really? Because those kids are supposed to be in Boston tonight.-[FairyTale World]-(The Blind Witch locks Hansel and Gretel in a cage. She sticks her arms through the bars and feels around for them.)Blind Witch: Where are you?(The Blind Witch grabs Hansel's arm.)Blind Witch: Oh, yes.Nice and tender. A succulent roast, you'll make.(The Blind Witch walks away from the cage and walks over to the oven. She opens the oven's door and sticks her hand inside to test the temperature. In the cage, Hanseland Gretel whisper to each other.)Hansel: Gretel, she's going to cook me! We've got to do something - quick!Gretel: Stay calm. When she opens the cage to get you, don't try to fight. And while she's carrying you to theoven, grab the key that's in her pocket and toss it to me through the bars.Hansel: She's coming. She's coming - I can't do it! I'm going to die!(She approaches the cage.)Blind Witch: Gravy or butter? Which shall itbe?(The Blind Witch sticks her hand through the bar and feels Gretel's face. Gretel kicks Hansel and he yells out in pain, causing the Blind Witch to think Gretel is Hansel. The Blind Witch unlocks the cage door and pulls"}
+{"doc_id":"doc_38","qid":"","text":"[Gilbert's house](Elena is sleeping. Jonas is in the bathroom, looking at her. She hears noise so she wakes up suddenly. She gets up and goes outside her bedroom. She looks everywhere. She hears a noise behind herso she turns herself and sees Alaric, naked. He has a bowl in his hands)Alaric: ElenaElena: I heard something(Jenna arrives. They're uncomfortable)Jenna: That was us. I'm sorry(Jonas is in Elena's bedroom. He takesElena's hair from her hairbrush and some of other stuff, including a picture of her)Alaric: Well, I'm naked so I'm gonna go(He leaves and goes in Jenna's bedroom)Jenna: I'm really really sorryElena: It's okay, Jenna.Don't worry about itJenna: I know he's been staying over a lot. Are you sure it's okay?Elena: Seems like things are goodJenna: They are extremely goodElena: Then I'm extremely okay with that(She goes in herbedroom and lay on her bed. Jonas is waiting in the bathroom. Once she's closed her eyes, he goes outside the bathroom and leaves the house)[The tomb](Stefan and Damon are going under the church ruins to talk toKatherine)Damon: Let's to it(They open the tomb's door)[Gilbert's house](Elena opens the door. Stefan and Damon are here)Stefan: Hey, can we talk?Elena: Why?Damon: We went to see KatherineElena: Come onin(They enter the house)[The tomb](The door of the tomb is opened)Katherine: Please, come on in. There's many room for all of usDamon: I rather poke my eyes outKatherine: Hmm, there are such pretty eyesStefan:We're here for the moonstoneDamon: Feel like tossing it over?Katherine: Tell you what, you get a little witch to hocus pocus me out of here and you get whatever you wantStefan: I thought you liked it in here. Nice andsafe where Klaus can't get to youKatherine: I've time to reconsiderDamon: Meaning you're hungryKatherine: I'm starving, Damon and dirty but above all, I'm bored. At least running from Klaus was not boring so herethe deal: you get me out of here, you get the moonstone and I'll disappear from Mystic Falls forever. Let me know what you decide(She shows them the moonstone and leaves)[Gilbert's house](Elena, Damon andStefan are in the kitchen)Elena: You don't believe her, do you?Damon: No, of course not. We just want the moonstoneStefan: According to Rose's friend Slater, there's the way to destroy the spell that Klaus wants tobreakDamon: No spell, no doppelganger sacrifice so ergo you liveElena: How do you destroy it?Stefan: By releasing it from the moonstoneElena: How do you guys even know this is gonna work?Damon: 'cause we havea crafty witch on our sideElena: You discussed with BonnieStefan: She agreed to do anything she could to help usElena: It's Katherine who has the moonstone. She's not gonna give it to youStefan: We're gonna get itfrom herDamon: Well, what he means to say is we will pray for her cold dead head if we have toStefan: Bonnie just needs to find a way to release the seal long enough for us to get in, get the moonstone and get out intime for her to return itElena: Whoa, seems like you guys have already all planned outDamon: Yep, we're awesomeElena: Except for one thing. I don't want you to do itStefan: What are you talking about? Elena, wedon't have a choiceElena: What about Klaus?Stefan: We'll find him right after we get the moonstoneElena: Is that before or after that he kills everyone that I care about, including the two of you(She looks at Damon. Heseems stunned)Stefan: Elena, if we can dispel the moonstone, we can save your lifeElena: I know, everybody keeps saying that(She leaves. They look at each other)[Mystic Falls' high school](Bonnie is talking withLuka)Luka: So your grams waited you were in high school to tell you that you're a witch?Bonnie: She brought it up before but I just thought she was drunk. In my defense, she wasLuka: So then you're like newBonnie:Newish. I still have some growing painsLuka: Like?Bonnie: Physically it's becoming a lot harder. I have a bad reaction to it sometimesLuka: Your noise bleeds?Bonnie: Yeah and I pass out sometimesLuka: It's becauseyou're trying to do too much on your own. You need helpBonnie: From what?Luka: From nature, the elements. Just things you could dry your power from. Do you have channel to another witch before?Bonnie: What isthat?Luka: Say we put our energy together and we can double our strength. I'll show you. Let me see that bracelet(She gives him her bracelet and he gives her his army necklace)Luka: I want you to stand very still andconcentrateBonnie: I don't get itLuka: I knowBonnie: What are we doing?Luka: We're channeling. They're personal idioms we activate as talisman. Now concentrate(She closes her eyes, reopens it and looks athim)Bonnie: What is that?(He smiles and closes his eyes. The wind is strong. The leafs fly. Everyone runs because there is a lot of wind. Bonnie and Luka are still and have their eyes closed. They open their eyes again.They smile)(She laughs. Jeremy arrives)Jeremy: What's with that weather, uh?Luka: It's global warming man. I don't know. I got to go. See you later BonnieBonnie: Bye Luka(She smiles)Luka: Bye(He smiles andleaves)Jeremy: The guy is weird, uh?Bonnie: No he's not(She still has Luka's necklace in his hands. Her phone rings. She looks at it)Jeremy: What is it?Bonnie: It's Damon[Salvatore's house](Elena enter the house.Rose is here. She only wears a nightgown)Rose: It's not nice to leave a girl naked so early in the morning(She sees Elena)Rose: Sorry, I thought you were...Elena: I... sorry. I...Rose: There is no one else hereElena:Actually I came to talk to youRose: Then I should probably get dressed(She smiles)(They both are in the living room. Rose is dressed)Rose: It's a bad ideaElena: No, it's not. From what Stefan told me your friend Slaterobviously has more information about Klaus. You and Damon just gave up before you got itRose: Because somebody blew up a coffee shop with us in itElena: There's more to learn. We just have to find a way to learnitRose: Why are you coming to me with this?Elena: Because you owe me. One word from me and Damon Stefan could have killed you for kidnapping meRose: Or maybe it's because you know that they wouldn't wantyou doing thisElena: We're having a disagreement, okay? They're willing to risk everyone that i love and I'm notRose: They're just trying to protect youElena: And you've proven you couldn't care less whether I'mprotected or not so we're back to you taking me to SlaterRose: What exactly do you hope to achieve by this?Elena: How would you like to be able to walk during the daylight?Rose: I've been the slave to shadows for500 years, what do you think?Elena: I think I know a witch who's willing to do whatever it takes to help if you're willing to make a deal[Mystic Falls' high school](Tyler is playing basketball. Matt rejoins him)Matt: Heyman, how are you doing?Tyler: Good and you?Matt: I pissed myself for picking a fight with you and I'm feeling guilty for what happened to Sarah. I mean, I've been dodging you for days because I didn't know what tosay to youTyler: Don't worryMatt: I'm really sorry. Please know that(He leaves and meets Caroline)Caroline: MattMatt: HeyCaroline: How are you?Matt: I've been better. I got to get to classCaroline: Okay(He leaves.She rejoins Tyler)Tyler: You two still on the outs?Caroline: Looks like it. You realize there is almost a full moon?Tyler: Vampires don't have enough problems? You want to take on mine?Caroline: Have you thought aboutit? The whole wolf thing? Do you know what you're gonna do?Tyler: I have a planCaroline: Well...Tyler: Kind of privateCaroline: I headed the prom comity, not to mention I single handedly organized this town cleanupcampaign and you're really gonna turned out my help?[Salvatore's House](Bonnie is talking with Stefan, Damon and Jeremy)Bonnie: I might be able to lower the tomb spell long enough for you to get in there and grabthe moonstone from KatherineJeremy: How? It took both you and your grams last time and look what happened to herBonnie: I'm aware of what happened. I've learn a few new thingsJeremy: Bonnie...(She looks atStefan)Bonnie: How will you get it?Stefan: She hasn't been feeding. She's weaker, we're not(Damon shows her a glass of blood)Bonnie: You wouldn't be underestimating her, do you?Stefan: It's a plan. Is it perfect?What plan is?Jeremy: Let me do it. I've got my ring, I could get in, get out and no spell necessaryDamon: Jeez thank you 16 years old child. Why didn't we think about that? Why are you even here?Bonnie: Maybe I canhelp better the plan. Do you have anything that belongs to Katherine?(Damon looks at Stefan)[Somewhere. An apartment](Rose knocks on the door but nobody respond)Rose: Slater? Slater, it's Rose. Open up!(Shelooks at Elena)Rose: He's not home, sorryElena: uh uh. We didn't come all the way out of here for nothing(Rose opens the door with her strength)Rose: Off to you(They enter)Rose: Slater?(She finds Slater'sbody)Rose: I don't think he's gonna be much help(Elena rejoins her and sees the body too. Then she looks everywhere and finds a lot of papers and computer. She looks at the papers)Elena: Looks like whoever blew upthe coffee shop found him and killed him for his informationRose: Yeah, probably for helping people like us. The guy was a vampire omeneck. Knowing too much information just beat him in the ass(Rose opens thecurtains)Elena: What are you...?Rose: tempted glass, UV rays can't penetrate(She looks through the window)Rose: I used to just come here and watch the day(Elena is looking at a picture of Slater and a girl)Elena: I'msorry about SlaterRose: Any luck?(Elena looks at one of the computers)Elena: its password protected, I can't get inRose: Then this is pointless, let's just go(They hear noise)Rose: Stay here(She leaves to see what thenoise is. She goes in a room and finds a girl)Rose: Alice?Alice: Rose(She embraces Rose. She's crying. Elena looks at them)[Salvatore's House]Stefan: This belonged to Katherine. I found it with her things after Ithought she was dead but it was hers(He gives Katherine's portrait to Katherine. She takes it and puts it in a bowl. She puts a few drops of water on it. It burns. She closes her eyes and cast a spell in Latin)Damon:What was this?Bonnie: I can turn the metal into ash, blew the ashes on her and it will incapacitate her for a minute or two. Long enough for you to get the stone and get out(Her nose bleeds but nobody sees her so shecleans it)[The woods](Tyler and Caroline are walking)Tyler: Matt takes it pretty hardCaroline: I know. It's better this wayTyler: I get itCaroline: You do?Tyler: Yeah. You can't be honest with him. It's not really fair to bewith someone not really let them know who you are. I get it(He keeps walking toward the old Lockwood property)Tyler: Right over here. There's a cellar that goes to our old propertyCaroline: I knowTyler: Youdo?Caroline: I know that this is the old Lockwood propertyTyler: Watch your step(They go in the ruins)Tyler: I'm guessing that's where Mason was headed the night he turned. It's this wayCaroline: Did Mason tell youabout this place?Tyler: Mason bolted before I trigger the curse but I found these(He shows her nails marks on the wall)Caroline: Look oldTyler: And these bolt and chains. I need new chains but the bolt can still hold(Heshows her how resistant the bolt is)Tyler: I think that's what this place was use for. Full moons(She looks everywhere and finds something)Caroline: What's this?(She takes what she's found. She opens it in front ofTyler. It's a diary)Caroline: Was it Mason's?(He looks at the diary and begins to read)Tyler: \"August 31. My body is changing. I'm edgy, angry and impatient. I get some black out, I forget what I say or do. I'm notmyself. Not since Jimmy's death. What's happening to me?(He looks further in the diary)Tyler: He chronicled everything. \"The full moon is tonight\"Caroline: Does he say what happened?(He finds a memory stick at theend of the diary. He takes it and looks at it. He looks at Caroline)[Salvatore's house](Bonnie puts the ashes on the table)Stefan: We should get the torchesDamon: Alaric's stakes are in my trunk. Bonnie?Bonnie: Goahead. I'm almost done(They leave. Bonnie is alone with Jeremy)Jeremy: What are you doing? You're not strong enough(She puts a finger on his mouth and looks at him)Bonnie: I'll be fineJeremy: You could gethurtBonnie: and Elena could die. I'll be fine. I promiseJeremy: I got this okay? Go get me something to put this in, alright?(She smiles and goes get him what he asked her. While she doesn't watch, he takes some ofthe ashes)[Slater's apartment](Rose is comforting Alice. She rejoins Elena who's preparing some tea)Rose: She found him a few minutes before we didElena: How is she?Rose: Overreacting. Big timeElena: Herboyfriend just died. There's no such thing as overreactingRose: The tears are for her. She didn't care of Slater. She was only dating him long enough to see if he'll turn her(They both look at Alice. Elena rejoins her andgives her a cup of tea)Alice: Thank you(She looks at Elena)Alice: You look really familiar. Did you know Slater?Elena: Not personally, no. I just knew that he kept detail records of all of his vampire's contacts and I washoping that he could point me towards KlausAlice: Doubtful. Klaus doesn't want to be pointed outElena: Do you know Slater's computer password?Alice: Are you seriously asking me that right now? I just saw myboyfriend with a stake through his heartElena: I understand that. Do you know his password?Alice: Who do you think you are?(She drinks. Elena looks at Rose and get closer to Alice)Elena: What if I could convince Roseto turn you?(Alice is surprised. Rose is not happy about this)Elena: Will you show us his files then?(Alice is on one of Slater's computer. Elena and Rose are with her)Alice: Someone's been here. The hard disc iscompletely wiped outRose: Probably by the one who killed himAlice: Lucky for you, Slater was paranoid. Everything's backed up on a mode server(Rose looks at Elena to speak to her)Rose: You know that she's notgoing anywhere near of my blood, right?Elena: I know but she doesn't(She gets closer to Alice to see the computer. Rose smiles. Alice has entered the computer thanks to the password)Alice: Kristen Stewart. God, wasit obvious?Elena: These are all leads to vampires?Alice: Slater was obsessed. Almost as much as meRose: What about that one: Cody Webber? They exchanged dozens of emails about ElijahAlice: I could call him(Elenagives her the phone)Elena: Tell him that we're trying to send a message to Klaus: the doppelganger is alive and she's ready to surrenderRose: What?!Alice: Oh my god! I knew I recognized youElena: Get him themessage please(She goes in another room. Rose rejoins her)Rose: What are you doing?Elena: I'm getting Klaus's attentionRose: If Klaus knows that you're alive, he'll find you and he'll kill you(Elena's face isdetermined. Rose understands)Rose: Which is exactly what you wanted all alongElena: It's either me or my familyRose: So all of this is a suicide mission so that you could sacrifice yourself and save everyone else?(Alicerejoins them)Alice: Cody is on his way and he really wants to meet you[The Tomb](Katherine stops and sees Jeremy)Katherine: The youngest Gilbert. This is an intriguing surpriseJeremy: I'm here for themoonstoneKatherine: Yeah, the stone. It's very popular todayJeremy: Just give it to meKatherine: Naïve little Gilbert. If you want it, you're gonna have to come here and get it(He drives a stake through her. Sheremoves it but he throws her the ashes. She falls on the floor. She unconscious)Jeremy: I kind of figured you'd say that(He looks if the moonstone is on her but she's not)Jeremy: Come on, where is it?(He goes furtherin the tomb and finds it at the bottom of the tomb, on a rock. He runs to get out of the tomb but Katherine rushes over him and bites him. He throws the moonstone out of the tomb)[SCENE_BREAK][The woods](Bonnierejoins Stefan and Damon at the church ruins)Bonnie: Sorry I'm late. I degrabed the grimoire from homeDamon: Jeremy couldn't take the pressure, uh?Bonnie: He said he'd be here(Bonnie and Stefan go in the tomb.Damon's phone rings. He answers. It's Rose)Damon: Not a good time RoseRose: Don't be angry with meDamon: Why, what did you do?Rose: You need to get to Richmond immediatelyDamon: Tell me[TheTomb](Bonnie and Stefan are in front of the tomb's door. They prepare everything. Stefan sees the moonstone on the floor and rushes over it)Stefan: What the hell?Bonnie: Is it the moonstone?(Katherine stops at thetomb's door. Hers lips are full of blood)Katherine: I hate to interrupt but today have been full of surprises(She shows them Jeremy. He doesn't looks well. He has a bite mark on his neck)Jeremy: I'm sorry. I took somepowderKatherine: Don't worry, I know that he's wearing his ring so no matter how many times I kill him, he'll just be coming back for more. So, I'm gonna be in the back playing with my new little toy and you guys justgive me a howl when you got the tomb open[Jonas and Luka's house](Jonas is with Elijah. There are all the things he's stolen from Elena's bedroom on the table)Elijah: So how exactly does the spell work?Jonas: Giveme your hand(Elijah gives his hand. Jonas cuts it with a knife)Jonas: Place it here(Elijah puts his hand on Elena's picture)Jonas: Now take my hand(Elijah takes Jonas's hand)Jonas: Close your eyes, relax your mind andlook for her(Elijah closes his eyes. Jonas closes his eyes too and cast a spell in Latin)[Slater's apartment](Elena is looking through the window. She sees Elijah's face in it. She turns herself to see if he's here)[Jonas andLuka's house](Elijah opens his eyes)Jonas: You saw her, didn't you?Elijah: I know exactly where she is[The tomb](Bonnie is turns on the torches)Stefan: Where the hell is Damon?Bonnie: We can't wait; we have to gethim out of thereStefan: She's fed, she has her strength backBonnie: We still have what's left of the ash. Do you think you can get close enough?Stefan: I don't have a choiceBonnie: It's gonna take me sometimeStefan: How long?Bonnie: I don't know, a whileStefan: Just get me in there as soon as you can[Jonas and Luka's house](Luka arrives)Jonas: So how was school?Luka: Revealing[The Tomb](Bonnie is casting thespell)[Jonas and Luka's house](Luka doesn't seem good)Jonas: What's wrong?Luka: Nothing(Luka touches his neck but he's necklace's not here anymore)[The Tomb](Bonnie is still casting the spell. She's Luka'snecklace in her hands)[Caroline's house](Caroline and Tyler are in the living room. Tyler puts the memory stick in the computer. It's a videotape from Mason)Mason: \"September 15, 2 hours from the first full moonsince I triggered the curse\"Tyler: He tapped his first transformation(Caroline looks at the diary)Caroline: There's nothing... September 16. He wrote about everything the next day(She reads)Caroline: \"I chose thegarage. I could double the door. It was far from the street so no one could hear. I bolted hooks to the floor for the carabineers\". Like for mountain climbing?(Tyler is looking at the tape)Tyler: Retractable cables(In thetape, Mason drinks something)Caroline: It's wolfs pain. \"I dilated wolfs pain with water to weaken myself but I could barely get it down without plucking. It felt like I was drinking battery acid. Over an hour passed andnothing happened. It got do quiet I could hear my own blood pumping and that's when...\"(On the video, Mason is screaming and moving because of the pain)Caroline: \"I kept thinking at black out and not feel it but Idid. I felt all of it\"(Mason is on the floor, crying because of the pain. He's asking for help)Caroline: How long is it?Tyler: 3 hours in(He advances the video)Tyler: 4 hours(He keeps advancing it)Tyler: 5 hours. How longthis is last?(On the video Mason's eyes change and he screams. Tyler gets up. He's almost crying)Tyler: I can't. I can't do that. Caroline, whatever that was, I can't go through that[Slater's apartment](Elena is drinkingwater. She looks at Alive but then she turns herself and is face to face with Damon)Damon: What are you doing here?Elena: What are you doing here?(She looks at Rose)Elena: You called him?Rose: I'm sorry,Elena.Elena: You said that you understoodDamon: She lied(She looks at Damon. Alice arrives)Alice: Damon SalvatoreDamon: Get rid of herAlice: No way(Rose catches her arm and takes her to another room)Damon:Come on, we're livingElena: NoDamon: I said we're livingElena: I'm not going with youDamon: You do not get to make decisions anymoreElena: When have I ever made a decision? You and Stefan do that for me butthis, this is my decisionDamon: Whose gonna save your life while you're making decisions?Elena: You're not listening to me, Damon. I don't want to be saved. Not if it means that Klaus is gonna kill every single personthat I loveDamon: Get your ass out the door before I through you over my shoulder and carry you out myself(He catches her arm but she doesn't want to. She wants to beat him with her fist but he catches it and get"}
+{"doc_id":"doc_39","qid":"","text":"[Gilbert's house](Elena and Stefan are in Elena's bed. Stefan is sleeping. Elena is looking at him)Stefan: You're staringElena: I'm gazingStefan: It's creepyElena: It's romantic(He puts a pillow on his head. Elenaremoves it. They kiss)Elena: Oh, this is bad of usStefan: Yes it isElena: If Katherine finds out...(He kisses her)[Katherine's bedroom](Mason and Katherine are kissing)Katherine: Shut, Miss Flowers will think I'm a floozyif I have a man in hereMason: Why are you staying here?Katherine: Because I like this little bed and breakfast, don't you?Mason: I love it(They kiss passingly)[Gilbert's House](Elena and Stefan are still kissing andhugging)Elena: Okay, I need be in the showerStefan: Love it, let' go!Elena: No, just me. I'm late. I'm decorating at the Lockwood charity thingStefan: What do you know! So am iElena: Do you thing that's really a goodidea to be at their house today? Mason Lockwood tried to kill you[Katherine's bedroom](Katherine and Mason are still in Katherine's bed)Katherine: Where is the moonstone?Mason: Somewhere safeKatherine: Don't youtrust me?Mason: I don't trust anyone[Gilbert's house]Stefan: I don't trust Mason. I want to be there today to keep an eye on himElena: Okay but then we can't touch or talk and no lingering staresStefan: No, none ofthatElena: What do you think will happen if Katherine founds out that we are fake fighting?[Katherine's bedroom]Katherine: Scary will kill youMason: No, you won't(She kisses him on the neck and bites him)Mason:Ouch! Kat, easy!Katherine: Did I hurt you? Sorry[Gilbert's house](Elena pricks herself with a needle)Elena: OuchStefan: Did it hurt?Elena: It's okay. A little bit every day to make you stronger, right?(He drinks the bloodon her finger)[Katherine's bedroom]Mason: What happen once I give you the moonstone?Katherine: We'll live happily ever after. I promiseMason: I'll bring it tonight, I promise[Gilbert's house]Stefan: I promise, we'regonna get through thisElena: I love you, Stefan[Katherine's bedroom]Katherine: You know I love youMason: I love you too(They kiss)[Salvatore's house](Someone is knocking on the door. Damon opens it. It'sJeremy)Jeremy: I need to talk to youDamon: And why I need to talk to you?Jeremy: Tyler Lockwood has to kill someone to activate his curse. He's not a werewolf yetDamon: Whoa, fascinating. Not enoughJeremy: ButMason Lockwood is and he's looking for a moonstone, a special roc related to the werewolves legend. That's why is hereDamon: A moonstone?Jeremy: And I know where it isDamon: And you're bringing me thiswhy?Jeremy: Do I need a reason? Look, I just want to help, okay?Damon: What your sister say about this little discovery?(Jeremy doesn't answer)Damon: Oh, you haven't told her, have you?Jeremy: Well, Elenadoesn't want me getting involved in all thisDamon: And you're a Gilbert, you just can't help yourself. Whoa, your search for life's purpose is as obvious as it is tragicJeremy: You're gonna let me in or not?(He goes intothe house. Damon closes the door)[Lockwood Mansion](Everyone is preparing for the masquerade ball. Jenna is talking with Carol)Carol: Jenna, thanks for helping rundle the volunteersJenna: Off course, for a goodcause. Plus, I have always been a sucker for the masquerade ballCarol: So was Richard. This was always his favorite party of the year(Matt and Tyler are carrying a table)Carol: Boys! Be careful with that! It's from theeighteen hundreds(She rejoins them. Jenna sees Stefan and rejoins him)Jenna: Stefan, hey!Stefan: HeyJenna: I'm cooking dinner tonight. Rick will be there, you should comeStefan: You know, Elena and I, were kind oftaking a pauseJenna: Really? That's not what it sounded like this morning. Bad sleeper. You know what? I heard nothing(She smiles and leaves)(Bonnie is carrying a box. Elena is there too)Elena: You're hereBonnie: I'mhere(Bonnie is looking around her)Elena: Caroline's not coming. I told youBonnie: Just making sureElena: You know, eventually, you're gonna have to talk to herBonnie: Could you make it a little less obvious you're onher sideElena: There are no sides, BonnieBonnie: Come on! Since Caroline became a vampire, you barely seen each other. Losing Caroline was bad enough; I didn't think I'd lose you tooElena: Come with meBonnie:Where?Elena: Not here. Some place quiet. We have to talk(She takes Bonnie's hand and they leave)[Salvatore's house](Liz is in her cell. Caroline arrives)Caroline: You didn't eat much. Good news: Doctor Damon saidthe vervein is almost out of your system. So With any luck, you'll be freshly compelled and back in your own bed by tonight(Liz doesn't answer)Caroline: Are you really just gonna pretend like I don't exist?Liz: Yes. Soplease goCaroline: As usual, you don't care. Got it. Just like before I was a vampire. It's not like I died or anythingLiz: Are you... Are you really dead?Caroline: Yes, I am nowLiz: How is it possible?(Alaric arrive with abox)Damon: Rick!(Alaric sees Jeremy)Alaric: What are you doing here?Jeremy: Helping Damon. I'm the one who found out about the moonstoneAlaric: does Elena know you're here?Jeremy: Don't exactlyDamon: Whatyou got?Alaric: This is Isobel research's from Duke. Her assistant send it to meDamon: Vanessa, the hottieAlaric: Vanessa yes. Do you remember the old Aztecs curse she told us about?Damon: Son of the moon, bla blabla blaJeremy: an Aztec curse? CoolAlaric: Yeah, supposedly vampires and werewolves used to run freely until a shaman put a curse on them, limitating their power. Since then, werewolves can only turn on a full moonand vampires are weakened by the sunDamon: Most of them anywayAlaric: According to the legend, the werewolf part of the curse is sealed with a moonstoneJeremy: What do you mean sealed?Damon: It's a witchthing, whatever seals the curse is usually the key onto unsealing the curseAlaric: Maybe Mason Lockwood believes he can use the moonstone to break the curseDamon: If we start believing in some supernatural witchymojo legend from a picture book, we're idiots. Where is the stone now?Jeremy: TylerDamon: Can you get it?Jeremy: YeahDamon: You see, know your life has a purposeJeremy: So you do believe it?Damon: This is thesame book that says the werewolf bite kills a vampire. Ignoring it make me an even bigger idiot. Let's go[Lockwood Mansion](Elena and Bonnie are walking on the Lockwood property)Bonnie: I can't believe thisElena:it's a lot, I know. Katherine's gonna do everything that she can to drive me and Stefan apart and Caroline just got trapped in the middleBonnie: It's not that you and Stefan are pretending to fight, is that I didn't evenknow you guys were fighting at allElena: I'm sorry, I don't want to keep things from you but you've made it pretty clear where you stand with the whole vampire thingBonnie: So that makes me the unman outElena:No, Bonnie, of course notBonnie: I know where I stand, Elena and I know where you stand but where do we stand?Elena: You're my best friend, Bonnie. I didn't mean to let this craziness with Caroline get in the way ofthat but she needs you tooBonnie: not yet, I just... she's a vampire, I can't. I think we should get back(Mason is carrying a box. He sees Stefan)Mason: Hey StefanStefan: Hey Mason(Mason is chocked)Mason: I wasn'texpecting you here or anywhereStefan: Yeah, I had this little accident but I'm fine knowMason: What did you do to Sheriff Forbes?Stefan: she's fine too but for now on you'll have to do your own dirty workMason: Not aproblem(He leaves and bumps into Bonnie. She feels something)Mason: Excuse me(Stefan understands that something's going on so he rejoins Bonnie)Stefan: What's the matter? Are you okay?Bonnie: When I touchedhim, I saw somethingStefan: What do you mean? Like a vision?Bonnie: I saw ElenaStefan: You saw Elena?Bonnie: He was kissing herStefan: No Bonnie. Elena wouldn't kiss... you didn't see Elena, you sawKatherine(Elena sees Stefan and Bonnie talking together. Damon rejoins her)Elena: Damon. What are you doing here?Damon: Looking for my baby bro. Speaking of... you should tell yours to stop following mearoundElena: What's going on?Damon: Ask him(Jeremy arrives)Elena: Jeremy, what is he making you do?Jeremy: He's not making me do anything, Damon and i...Elena: No way, no, no, no, no. There is no \"Damonand you\". There's Damon and whoever Damon is using, and those people, they end up dead. Whatever is going on Jeremy, I want you to stay out of itJeremy: I don't really care what you want, Elena. It's because ofyou that I'm in this mess in the first place so I'm sorry, you don't really get to tell me what I'm gonna do(He leaves)(Stefan is talking with Damon)Damon: Katherine's with Mason Lockwood?Stefan: You missed it. Hegot in the town after she did, it makes perfect senseDamon: I know but Mason Lockwood?! Werewolf thing aside, the guy is a surfer. She's got to be using him, it has to beStefan: Using him for what?Damon: MasonLockwood's looking for a moonstone that allegedly can break the full moon werewolf curse. Maybe Katherine wants it as wellStefan: Why?Damon: Well... no idea. This is the beauty of Katherine; she's always up tosomethingStefan: So how are we gonna find this moonstone?Damon: Jeremy is gonna get it from TylerStefan: Why would you involve Jeremy?Damon: He's playing Indiana Jones, he involved himself(Matt and Tyler arehelping decorating)Matt: She's this amazing girl one minute and then this raging jealous freak the nextTyler: Look, you know what I think about Caroline Forbes. She's an insecure narcotic bitchy little twigMatt:Hey!Tyler: But the girl's got heart, she means well. You just get the mean with the best sometimesMatt: Yeah. I'm gonna go get an extra. I'll be right back(He leaves. Jeremy rejoins Tyler)Jeremy: Hey manTyler:Hey!Jeremy: Hey, so I did a little research on that stone you showed meTyler: What? Why?Jeremy: I don't know. Curiosity, boredomTyler: What did it say?Jeremy: Well, it turns out that it's part of this Aztec legend butI want to make sure it's the same kind of stone. You think I could check it out again?Tyler: No. I gave it to my uncleJeremy: Why did you do that?Tyler: Because I'm done with legends and curses. I don't want anythingto do with it, okay?Jeremy: Yeah, yeah sure. It's probably...(Stefan and Damon had listened to the entire conversation. They look at each other)(Elena is texting Stefan. She asks him if everything's okay. Stefanreceives it and tells her that he's with Damon and Bonnie and that he'll fill her later. Stefan and Damon rejoin Bonnie)Bonnie: Okay. This is as far as I goDamon: OkayBonnie: What do you want?Damon: A favorBonnie:That's not gonna happenDamon: So predictable(He looks at Stefan)Damon: that's why I brought himStefan: I know how you feel about helping us out but since you're the one that linked Mason with Katherine, wefinally have an opportunity to get an upper hand on both of them so just hear us outDamon: Pretty pleaseBonnie: I'm listening(Stefan's phone is ringing. It's Elena)Stefan: I have to throw Elena in on what's goingon(He looks at Damon)Stefan: Can you play nice please?(He answers)Stefan: Hey, what are you doing? You shouldn't be calling meElena: I know but I have no idea what's happening. Damon's got Jeremy intosomething and you've got Bonnie with you and I'm sorting stupid masquerade masks for Misses LockwoodStefan: Alright, it's okay. Hold on(He leaves. Damon is talking to Bonnie)Damon: All you have to do is touchMason Lockwood again to see if he gave Katherine the moonstoneBonnie: My visions don't work like that; I don't get to ask questionsDamon: How inconvenient. Although, let's about that witchy mojo you do with me.You know the fun one, when my brain burst into flames? What is that?Bonnie: That's me giving you an aneurysm. Your blood vessels go pop but you heal quickly so I do it over and over againDamon: Is it vampirespecific?Bonnie: It'd work on anyone with a supernatural healing abilityDamon: Good. Good, goodBonnie: Damon, I'm not gonna help you hurt himDamon: Mason Lockwood's a werewolf, Katherine's evil. They're thebad guys. Really? You're gonna play morality police with me right now? Let me explain it to you another way: they're a threat to Elena. You witch, are gonna get over yourself and help usStefan: Yeah, he meant that asa question with a \"please\" on the endDamon: Absolutely(Mason is going to his car)Mason: Hey, can you remove you van? I'm blocked in(He sees Bonnie trying to remove a table from the truck)Mason: Hey, how did youget stucked to that by yourself?Bonnie: All the guys baled. Something about draft pix, I don't know, I don't speak that languageMason: Here, let me give you a hand(He helps her with the table but she uses her powerson him. He holds his head because he's in pain and fall on the floor)Bonnie: Sorry(Damon arrives and kicks him on the face. Mason is unconscious. Bonnie goes into Mason's car. Damon and Stefan put Mason in thetrunk. Damon goes into Mason's car and leaves with Bonnie.)[Salvatore's house](Caroline is in the cell with her mother)Caroline: So I mainly drink from blood bags. It's not as good as the fresh stuff but it beats theanimal blood that Stefan's been trying to get me to drinkLiz: So you steal the blood from the hospital?Caroline: Damon does. I've been pilfering his supply so...Liz: As long as you have blood, you don't need tokill?Caroline: I want to. It's my basic nature now but on a healthy diet, I can control it. I'm getting better at it. I'm better than Stefan. He's a bit of a problem drinker, a blood-aholicLiz: I don't want this for youCaroline:I know but when life gives you lemons... Damon's home(Damon and Bonnie are in the library. Damon puts Mason in a chair)Bonnie: Here's his bag as requestedDamon: Okay, grab that cornerBonnie: Why are we doingthis?Damon: Because I don't want to stain the carpetBonnie: I knew you were gonna say something like thatDamon: You're judging again(They put a blanket under the chair)Bonnie: He's not gonna be out muchlonger(Damon takes chains from Mason's bag)Damon: Looks like this guy used to be in tied up(Bonnie takes Mason's head in her hands)Damon: What are you doing?Bonnie: You're looking for a moonstone and I'mtrying to help you find itDamon: Oh good, yeah. Find out if he gave it to Katherine and find out where she is and find out what they're gonna do with it once they get it(Damon is tying Mason. Bonnie concentrates herselfwhile she touches Mason's head)Bonnie: Somewhere small, dark, there's waterDamon: Like a sewer?Bonnie: No. Like a well? That can't be right? Yeah. It's a wellDamon: Why would it be in a well?Bonnie: I told you, Ionly get what I get(Mason catches Bonnie's wrist but Damon releases her)Bonnie: That's it. That's all I gotDamon: Hey judgy! Thank you(She looks at him and leaves. He's alone with Mason)Damon: Come on. Wake upwolf boy(He punches him on the face)(Bonnie is leaving but Caroline arrives)Caroline: Hey!Bonnie: Hi. How's your mom? Elena filled me on everythingCaroline: I'm gonna take her home tonightBonnie: Caroline... don'tremind, I've got to goCaroline: Did you find the moonstone thing?Bonnie: Not yet. Hey, do you remember that old well where we used to play when we were kids?Caroline: YeahBonnie: It's on the woods. Do youremember where?Caroline: On the edge of the old Lockwood property. Why?Bonnie: I think that's where Mason is keeping the moonstone. I got to goCaroline: Well, I can go with youBonnie: No, it's okay(She looks atCaroline who's disappointed)Bonnie: SureCaroline: Okay[SCENE_BREAK][Lockwood Mansion](Matt and Elena are helping preparing the masquerade ball)Matt: So where's Caroline? This is like her thing. I can't believeshe's not hereElena: She has something else to doMatt: Is she seeing someone?Elena: Matt, come on. No, she's not(Stefan arrives. Elena looks at him. Tyler arrives to)Tyler: Anyone's seen Mason?Stefan: He took off.He said he wasn't sure when he'd be backTyler: It's so weird(He leaves. Stefan receives a text from Bonnie. She's telling him to look in the well, next to the old Lockwood property. Stefan looks at Elena. She goestoward him but he tells her no with his head. She's upset and looks at Matt)Matt: I'm not even gonna askElena: I'll be right back(She leaves)[Salvatore's house](Mason is chained to the chair. Damon is heating up aniron bar in the chimney. Mason is screaming. Damon looks at him)Damon: Someone's feisty(Damon goes toward Mason. Mason can't stop moving. He fell on the floor with the chair)Mason: What?!(Damon puts the ironbar into Mason's chest. Mason screams)Damon: You can hurt, good to know. I was afraid you'd gonna be some beast mess with some with no affinity for pain(Damon looks at Mason's wound. It's healing)Damon: Oh,you heal quickly. Not good. I guess I'll just have to keep an applying pain(He gets back the chair. Mason screams. Damon heats up the iron bar again)Damon: So... Katherine. How do you know her? What is she upto?(Mason doesn't answer)Damon: I have all day(He puts the iron bar into Mason again)[The woods](Stefan arrives at the well. Elena rejoins him)Elena: What's going on?Stefan: You shouldn't be hereElena: I know butI am. What's going on?Stefan: Bonnie thinks the moonstone is down here(He opens the well. He looks into it with a lamp)Elena: Hey. Be carefulStefan: I'll only be down there for a minute(He goes into the well but he'sfull of vervein. Stefan's skin is burning)Stefan: Elena!Elena: Stefan?!Stefan: Elena!Elena: Stefan, what's happening?! What's going on in there?!Stefan: Vervein. Oh my god! Help!Elena: Stefan!(Elena is trying to takethe chains but they're too heavy. Caroline arrives)Caroline: Elena!Elena: Caroline, Stefan's down there and the chain is rusty(Caroline tries to go into the well but Elena catches her)Elena: No, no, no! You can't, it's fullwith vervein. Caroline, we've got to get him out. Now!(Caroline takes the chain)[Salvatore's house]Damon: When did you two meet? Did she seduce you and tell she loved you? You're supernatural so she can't compelyou. I'm she used her other charms. Katherine's good that way(Jeremy arrives)Damon: I thought I told you to leaveJeremy: I found something in Rick's boxes stuffDamon: What is it?Jeremy: I did a search on myphone, it's a plant: Aconitum Vulparia. Grows in the mountain of the northern hemisphere, communally known as \"Aconite\", \"blue rocket\" and \"Wolf spin\"(Damon looks at the plant)Damon: What else did youread?Jeremy: Well, every source says something different. One myth says it causes lycanthropy, which sounds bogus. Another one says that it protects people and another one says, well it's toxic(Mason whimpers.Damon looks at him)Damon: I'm guessing toxic(He takes the plant and goes toward Mason)Damon: What's Katherine doing in Mystic falls?(Mason doesn't answer so Damon puts the plant on Mason's cheek. Mason'sskin burn)Damon: Why is she here?Mason: She's here with me! Why are you asking? Jealous?!Damon: How rude of me. I just realize I didn't offer you anything to eat(He puts the plant in Damon's mouth)Damon:Yummy![The woods](Elena is chaining herself to go into the well)Caroline: I got you okay?(Bonnie arrives)Bonnie: What's going on? You took off in a blurCaroline: I heard Elena screaming. Help her, now! Are youready?Elena: Yeah(Elena goes into the well with the help of Caroline. She arrives at the bottom of the well. She founds Stefan unconscious into the vervein. Stefan's face is scalded. She attaches Stefan with thechains)Caroline: Elena, what's going on down there?Elena: Follow up!(Caroline is pulling Stefan from the well. Elena stays in it. Bonnie unties Stefan and puts him on the floor)Caroline: Elena! Ready for you!Elena: Holdon! I need to find the stone(Elena looks everywhere)Caroline: Hurry!Elena: Hold on! I think I found it!(She finds a wooden box and takes it but a snake is on her arm. She screams. Another snake is on her. She can'tstop screaming)Caroline: Elena! What's going on?!Elena: I got it. Come on, bring me up!(Caroline brings Elena up. Bonnie unties her. Elena sees Stefan)Elena: Oh god! Stefan!(She cuts herself with a rock and gives herblood to Stefan. He drinks it)Elena: I've got the stone, Stefan. Stefan, it's gonna be okay, everything's gonna be okay[Salvatore's house](Damon is still torturing Mason)Damon: Why do you want themoonstone?Mason: Screw you!Damon: Ahhh! Wrong answer!Jeremy: If he was gonna say anything, he would have already!Damon: I'm taking your eyes nowMason: The well! You'll find it there!Damon: I know where itis. I want to know what it does and why you want itMason: I'm getting it for KatherineDamon: Why?Mason: She's gonna use it to lift the curseDamon: Of the moon? Now, why would a vampire help a werewolf break acurse that keeps him from turning whenever they want?Mason: So I wouldn't have to turn anymoreDamon: Why?Mason: Because she loves me!(Damon laughs)Damon: Now I get it. You're just stupid. Katherine doesn't"}
+{"doc_id":"doc_40","qid":"","text":"[Scene: Magic School. Library. Paige, a man, and his daughter are there.]Paige: So the wizard didn't realise the weight of the book. And after he put them on the shelves, they blew up everywhere and he had tore-conjure the entire library magically. But because he was a wizard, it only took him a couple of minutes. (The man and the daughter giggle.) Yeah, it's a cute story. (under her breath) The first couple thousand timesyou tell it.Man: Excuse me?Paige: Nothing. That's pretty much the bulk of the tour. Would you like to know anything about the facilities, students, teachers?(Suddenly, Drake comes flying out of a room and he crashesagainst a wall.)Drake: Boy. That was swinging! Hi.Paige: Hi. This is Professor Drake. This is April, one of the students who's applying.Drake: Oh, salutations. How do you do? Hello.Paige: Drake is our visiting lecturer onadvanced magical compositions.Drake: In this case, magical musical compositions. That's the use of meter and tempo in spell casting and conjuring. (They hear a grunt and a loud noise coming from the room.) Oh, thetroll is here. Why don't we see if he'll dance for us. Come on. (They stand at the doorway.) Hey, you put them down! All of 'em.April: Wow, will I get to take his class?Drake: Sure, why not?Paige: Yeah, actually,Professor Drake's gonna be going on sabbatical in about a week.Drake: That's right. I forgot about that little wrinkle. But with eager minds, and the power of magic, it's midsummer madness all the time. Now, if you'llexcuse me, I gotta cut in.Opening Credits[Scene: Street. A security officer is standing in front of an abandoned building, pointing a gun. People are panicking and trying to get away from him.]Security Officer: They'llburn! They'll burn! Don't you understand? They'll burn. We have to help them. (The police pull up.) I don't want to hurt anybody. We have to help them! They're burning. (The police get out of the car and point theirguns at him.) I don't wanna hurt nobody, but I need somebody to listen. We need help. (A police officer tackles him to the ground.) You don't understand. You don't understand. The fire...Police Officer: Relax, pal,you're under arrest. (He handcuffs him.) Get up.Security Officer: We gotta help Marie!Police Officer: Just calm down, buddy. Come on, everything's gonna be okay.Security Officer: No, it won't. You don't understand.The fire. You have to let me go so I can get help! They're gonna burn! They're gonna burn!(Screams are heard from a muddy hole in front of the building.)[Scene: Manor. Piper's Bedroom. Piper and Leo are therepacking a suitcase. Wyatt is sitting on the bed.]Piper: Uh, rain gear for the kids?Leo: Yes.Piper: Camera and film?Leo: Of course.(Piper picks up an Italian dictionary and flips through it.)Piper: Extra room for my...Pattini?Leo: (thinks) Pattini.Piper: Shoes. It's not a vacation in Italia if you don't have new shoes. (Leo laughs.) What's the matter?Leo: I don't know. I guess I still don't think that this is such a good idea.Piper: Whynot? In Hong Kong, we'll buy you some suits or bootleg DVDs or something.Leo: It's not the shopping. It's this whole world vacation thing. I just think we should stay here and wait for the Elders' decision on me.Piper:Absolutely not. That's precisely why we should be going. Look, we're all together, we deserve a vacation. And we're not gonna sit around and wait for the other pattini to drop, so that's that. We're going.Leo: But whatabout the travel and the cost?Piper: Oh, for god sakes, Leo. We're orbing.Leo: Okay, well, what about Phoebe and Paige?Piper: What about them?Leo: Well, they made us this big send-off dinner last night.Piper: Oh,please. They ordered pizza.Leo: Right. And we're not helping with the clean up.Piper: Wow, if that's the best you got, you really do need a vacation.Leo: But...Piper: Arresto! Look, Phoebe and Paige just remade theworld. I think they can handle the kitchen. Now, unless you have any more objections... (They pick up Wyatt and Chris and their bags.) Leaning Tower of Pisa, here we come.(Leo orbs them all out of the room.)[Cut tothe Kitchen. Phoebe is on the phone. Paige is at the sink cleaning the dishes.]Phoebe: I know, but Elise, why can't we just do the interview here? You know, kind of like an Ask Phoebe at home thing. Oh, yeah, the placelooks great! (Paige makes a face.) Yeah, call them, I'll hold on.Paige: That sounds exciting.Phoebe: I guess.Paige: What do you mean? You have Cosmo profiling you. That'd be great at any time. Sheesh.Phoebe: Iknow, but I still want to make the most out of my day.Paige: Phoebe, you asked to meet me here at... 8:22. That's not making the most of your day. That's some sort of weird OCD thing. What's going on?Phoebe: Idon't know. Maybe meeting Drake and realising what little time he has left has made me want to make the most of the time I have left? You know, time's a'wastin'.Paige: Yeah, well, at least you're not wasting all yourtime at Magic School.(The doorbell rings. Still on the phone, Phoebe heads for the front door.)Phoebe: (to phone) Yeah, Elise, I'm still here. Oh, they can move it, that's perfect. (Paige follows Phoebe to the front door.)Just as long as the shoot's over by 3:00, 'cause I'm speaking at City College. All right, I'll be there in like twenty-five minutes.(Phoebe hangs up.)Paige: Sheesh, woman. You're a machine.Phoebe: Every momentcounts. Can you do me a favour and help me get this place cleaned up by 2:00? Great, thanks. (Phoebe opens the door.) Hey, Darryl, how you doing? Gotta go.(Phoebe grabs her coat.)Darryl: Hey, hold on a second. Ineed your help. Hi, Paige.Phoebe: I was afraid you were gonna say that.Paige: What's the matter?Darryl: I'm not sure, but I think I've been around you guys long enough to know when something is not right.Paige:What do you mean? Something magically wrong?Darryl: I don't know what else it can be.Phoebe: Listen, I'm on the clock here, so you gotta speed this up a little.Darryl: Okay, look, my friend Mike, my mentor, actually.He's the one that brought me into the force. I think that... he might be, you know, possessed, maybe. He's not crazy. I don't care what anybody says. I mean, Mike would not hurt a fly.Paige: Whoa, wait. Back up to thepossessed thing, please.Darryl: Well, since Mike retired, he's been working at this jewelry store as security on Market. And lately he's been having these... episodes.Phoebe: What kind of episodes?Darryl: Well, they'vebeen happening more and more frequently lately until yesterday when he just snapped. He started waving his gun around, talking about he's gonna die in some terrible fire at Cabaret Fantome.Paige: I haven't heard ofthat place.Darryl: Look... I haven't asked you guys for help like this before.Phoebe: Okay. Well, if I move my staff meeting to 11:00 and my 1:00 to 1:30, I should be able to help you right now. So I will check thearchives for the club, Paige, you go with Darryl and check out this Mike guy, and we'll meet back here at like, I don't know, 1:10.(Phoebe leaves. Paige shrugs her shoulders.)[Scene: Bay General Hospital. A Room. Mikeis strapped to a bed. He is yelling and trying to get free.]Mike: No! I need... I need somebody to listen to me! I don't have much time. You understand? I don't have much time!(Paige and Darryl stand at thedoorway.)Darryl: You see what I mean?Paige: It doesn't seem demonic.Darryl: Not demonic? I'm telling you, he doesn't even know who I am. He acts like he doesn't even know who he is.Mike: Help! Let me get out ofhere!Paige: He mostly seems afraid and panicky. All right, here goes. (They walk over to Mike.) Hi, I... I'm...Mike: Marie.Paige: No, I'm Paige. Who's Marie?Mike: My fiance. She's trapped too.Paige: Trappedwhere?Mike: At the club with everybody else.Paige: Cabaret Fantome?Mike: Yes! Yes, you know it? Yeah, yeah, yeah. You believe me?Darryl: Just relax, Mike.Mike: No! My name is George. I keep telling you that! We'regonna die. Don't you understand that?Darryl: If that's not possession, what is it?[Scene: Magic School. Phoebe and Paige are there. Phoebe shows Paige an old newspaper.]Phoebe: Cabaret Fantome, deadly fire. MaybeDarryl's friend isn't so crazy after all. The Count's club was the biggest, most corrupt in the city. Right until it burned down, killing everyone inside.Paige: Okay, why would the Count set the fire in the club, only to die init himself?Phoebe: I don't know, maybe he couldn't get out fast enough?Paige: Maybe we should talk to George.Phoebe: George? Who's George?Paige: If I'm right, he's somebody who died in the fire. I think he's aspirit that's possessed Mike and he's crying out for help.Phoebe: Yeah, but why would he need help? The fire happened over a hundred years ago.(Drake walks in.)Drake: Help from the pain of being a lost soul, perhaps.Paige asked me to do a little research in between classes.(He drops a book on the table.)Phoebe: \"Possessions, Confessions, and Ghostly Obsessions: A demon's guide to everything magical.\"Drake: Yeah, I used to sellthese things lair to lair. Talk about a tough item to move.(The book opens.)Phoebe: \"Lost souls are spirits of the dead, unable to move on because of spiritual confusion.\"Drake: That's when souls die a violent deathtogether. The fires of Gomorrah, the Flood, Pompeii. (The book starts to shake.) I would step back. The book likes to show off a little, don't you?(A rope flies out of the book.)Phoebe: What the hell?Drake: Don't beafraid, it's simply illustrating a point. When souls die at once, the good ones can't move on because the bad ones are holding them back. And vice versa. They're lost, they're stuck in their respective afterlives, unawareof their tragic fate. It's really sad, actually.(The book slams shut.)Phoebe: Okay, but if they're unaware, how are we supposed to help George?Drake: We can't. Unless we enter his world and find out which one of thosebad souls is holding him back.Phoebe: Excuse me?Drake: Well, this spell would get us there, but I'm not gonna tell you what it is unless you take me.Phoebe: Wait, us?Drake: How many chances do we have to go to the1890s?Paige: It's not going to the 1890s that's the problem. It's getting back from the 1890s.Drake: Don't you worry there, little lady. The spell will only keep us with the souls till the moment they become lost. In thiscase, it's when the fire begins.Paige: Okay, how do we free George?Drake: I don't know, we wing it.Paige: Uh, okay. I don't know. I'm gonna go check out some other things.(Paige walks away.)Drake: All right. Youdon't have to go, but you do.Phoebe: I can't. I have an interview today.Drake: Interview shminterview. How does an interview weigh in against the fate of an innocent? And if we are to help, your premonition skillscould prove essential. And it is the next logical step in our whirlwind romance.Phoebe: What whirlwind romance?Drake: The one we'd be having if we had time. Come on, I don't have long to live, I'm dying here. A soulneeds your help. So, what do you say?(Phoebe sighs.)[Scene: Street. Phoebe, Paige and Drake pull up outside a large abandoned building.]Paige: Are you sure this is the place?Phoebe: It says here it's where thecabaret used to be.Paige: A vacant lot after 106 years?Drake: It's probably haunted. Or better yet cursed. Cool, let's go.Paige: Is there a special reason we can't do this from home?Drake: The closer we are to wherethe souls were lost, the better the chances of finding the exact one we are looking for. Excuse me. Safety first.(He gets out of his seat and climbs over to the back seat where Phoebe is. Phoebe giggles.)Phoebe: Whatare you doing?Drake: Getting comfortable. What else? You don't want my body... slumped in the front seat. It's too conspicuous. Phoebe, living isn't about tasks. It's about living.(Drake clicks his fingers and an oldsheet of paper appears in his hand.)Phoebe: All right. Paige, are you gonna make sure Elise bumps my interview two hours?Paige: I'm all over it.Phoebe: And we will be back before two hours?Drake: Yeah. We'll returnjust when the fire begins. Which, based on what you said about George, seems imminent. \"Free our souls from their shells, see where the lost spirits dwell, long enough to find their pain, quick enough to returnagain.\"(Phoebe and Drake fall asleep.)[Cut to inside Cabaret Fantome. 1890s. Phoebe and Drake appear on a staircase. Phoebe is wearing a red feathery dress and Drake is wearing a black tuxedo.]Phoebe: Oh, my.(They look around and see men and women drinking and talking. A man is playing a piano.) This is...Drake: Fantastic. Well, you look stunning.Phoebe: Why, thank you. You don't look so bad yourself.Drake: Well, thankyou very much.(Phoebe takes Drake's arm and they walk down the stairs.)Phoebe: So, what do we do now?Drake: We mingle.(They walk through the room. A man sitting at a table near by with some women standsup.)Count Roget: Ladies, please. (The women walk away.) Toulouse, who the hell is that?(A man turns around and looks at Phoebe and Drake.)Toulouse: Never seen 'em before, boss.Count Roget: Nor have I. Find outwho they are.(Phoebe and Drake notice Count Roget staring at them.)[SCENE_BREAK][Scene: Cabaret Fantome. Continued from before. Phoebe and Drake are walking through the room.]Drake: Pardon us.Phoebe: Soall these people are stuck in some, like, ghostly limbo? As if the fire never happened?Drake: It happened. Otherwise they wouldn't be here.(Drake watches a woman walk past them.)Phoebe: All right, keep your eyes inyour socket, buddy. We're here for George, remember?Drake: That doesn't mean we can't enjoy ourselves. Come on, it's 1899. You may not remember, but I do. What, the Gilded age? It's a time when everyonethought life couldn't possibly get any better. There was science, there was art. There was peace and love. And romance. Everything was a celebration.Phoebe: This is a celebration? Everyone's dead, just like...Woman'sVoice: George? George? (A woman walks up to a fortune teller sitting at a table.) What did you do to him?Fortune Teller: I'm afraid I don't know what you're talking about.Woman: Don't lie to me. I saw him over heretalking to you and now he's gone.Fortune Teller: What can I say? He likes my cards. Still, I don't know where he is. Now, if you'll excuse me.(A man sits at the fortune teller's table. The woman walks away.)Phoebe: Uh,excuse me? I couldn't help but overhear. Do you know George?Woman: Who are you?Phoebe: That doesn't matter. But what does matter is that George came to us for help. About the fire?Woman: What fire? What areyou talking about? I don't have time for this.(The woman walks away.)Phoebe: She doesn't know about the fire either?Drake: That's because it hasn't happened yet. Not as far as she's concerned. Not as far as they'reall concerned.Phoebe: Huh?Drake: Don't you see? They're doomed to repeat the last few hours over and over again. It's like a never-ending loop.Phoebe: Well, that's just terrible. What could possibly cause such athing?Drake: What or who?(They look over at Count Roget. Toulouse walks up to Count Roget.)Count Roget: Well?Toulouse: Well, they're not the law. I don't know where they came from.Count Roget: I'm moreinterested in how they got in. And if they're my way out.Toulouse: What do you mean?Count Roget: Toulouse, what if I was to tell you everyone in this room has been reliving this same night for over 100 years? Likerats on a wheel. I mean, nobody knows it but me. And what if, no matter what anybody did, or how hard they tried, there's absolutely no way out? And all the drinking and gambling and... the girls. Well, what if theydidn't mean squat? What if, you'll love this, I told you that it was going to be like that forever? Forever. What would you say then?Toulouse: Well... Would I get to keep my tips?Count Roget: Bring me a Scotch.Champagne for the lady, and a cigar for the gentleman. I want them to be comfortable when I meet them.Toulouse: Yes, sir.[Scene: Manor. Conservatory. Paige has put Phoebe and Drake on the chairs.]Paige: Okay, ifyou guys are not back in two minutes, I'm calling Piper. (The doorbell rings. Paige walks into the foyer and opens the door. Elise and the photographers are there.) Hey, Elise. What are you doing here?Elise: Well, whatdo you mean? I'm here with Cosmo for the photo shoot. Where's Phoebe?Paige: Uh, Phoebe... Didn't you get her message? She said she's gonna have to reschedule.Elise: What?Paige: Yeah, just for a couplehours.(Elise walks inside and closes the door.)Elise: I never got the message to push the shoot. Are you out of your mind? We're talking national exposure here for her column. The kind you can't buy, and the deadlineis tonight! And no, I can't just... (Elise sees Phoebe asleep in the chair in the conservatory.) Phoebe? Phoebe, we talked about this. (Elise heads for the conservatory.) You blow it with Cosmo once, you don't get asecond chance. What is the matter with her?(Paige stands in front of Elise, stopping her from walking any further.)Paige: Well... I'd say that she's got food poisoning.Elise: Food poisoning!Paige: Shh. I think the moreshe can sleep, the quicker she'll get better.Elise: When? When is she gonna get better?Paige: Well, like I was trying to say... A couple hours. Have you thought about doing it at the office?(They walk back towards thedoor.)Elise: Well, that is where I originally wanted it, but...Paige: See? You're brilliant. Really, a brilliant woman. Okay, I promise you'll have her there.Elise: She better be.(Elise leaves. Paige walks into theconservatory.)Paige: Piper! Piper, Leo! (Piper, Leo, Wyatt and Chris orb in.) How was the vacation?Piper: This better be an emergency. We were just about to go for a gondola ride. (Paige points to Phoebe and Drake.)Per l'amor di dio!(Leo translates.)Leo: Oh, for the love of god.[Scene: Cabaret Fantome. A fan dancer walks on stage and talks to the piano player. Phoebe and Drake are sitting at a table. Count Roget is sitting at atable beside them.]Drake: Hey, a fan dance. I love a fan dance. Wait'll you see this. (Phoebe looks uninterested.) Nevermind.Count Roget: Yes, it is quite a sight. A beautiful woman onstage, nothing between her andthe audience except two ostrich plume fans. The allure of the dance is to watch how she moves with the fans. Showing only what she wants, not an inch more.Phoebe: Is the dance ever performed by a man?CountRoget: So tell me, my new friends, how exactly do you know George?Phoebe, Drake: What makes you think that we do?Count Roget: Well, I saw you talking to his fiance, Marie. She seems terribly distraught, doesn'tshe?Phoebe: She doesn't know what happened to him.Drake: Do you?Count Roget: I've been concerned about him recently. Keeping an eye on him, you know. He is my best barkeep, after all.Phoebe: And you don'tknow what happened?Count Roget: I wish I did. So, how did you come to learn about Cabaret Fantome?Phoebe: Word gets out.Drake: Hard to keep a place like this hidden forever.Count Roget: Do you like thecigar?Drake: Quite.Count Roget: They're hand rolled in Havana, and shipped to my dealer Philippe, special. He's right across the street actually. Would you like to take in the night air, pay him a visit? He loves newcustomers.Phoebe: Sure. Care to join us?Count Roget: Sadly, I am unable to leave the club.Drake: And why is that?Count Roget: Because as they say... the show must go on, right?Piano Player: Ladies and gentleman,please welcome your host, Count Roget.(Count Roget stands up.)Count Roget: Feel free to enjoy the show from here. It's a once-in-a-lifetime experience.Phoebe: We're dying to see it. (Count Roget walks up on stage.Everyone applauds. Suddenly, a glass window shatters and you can see a fire on the other side. Everyone screams and runs for it. The clock says 12:00.) Right on time.(Another window shatters near the fortune teller.Everyone screams.)Drake: Could have waited till after the show. Come on, we gotta get to the spot.(Everyone tries to escape and the doors slam shut. The place is going up in flames. Chandeliers fall.)Maria:George!(Phoebe and Drake head for the stairs.)Phoebe: We have to help her.Maria: George, where are you!Drake: We can't. We stay, we burn. Don't worry, she'll be back tomorrow.[Scene: Bay General Hospital.Room. Mike is struggling to get free from his bed. A nurse is trying to control him.]Mike: The fire!(Darryl runs in.)Darryl: What's wrong? What's going on? Go, go get some help!Nurse: Right away.(The nurse runsoutside. Mike glows and calms down.)[Cut to the Cabaret Fantome. Phoebe and Drake are at the top of the stairs. George suddenly appears in the room.]George: Marie! (Marie runs over to him. They hug.) Just holdon.(Count Roget sits down at a table. He sees Phoebe and Drake vanish.)[Cut to the Manor. Conservatory. Piper and Paige are there. Leo walks in.]Leo: There's nothing in the Book that tells us how to get them back.So... Since I can't talk to the Elders...(Phoebe and Drake suddenly wake up.)Paige: Phoebe?Piper: Are you all right?Phoebe: I don't know.[SCENE_BREAK][Scene: Manor. Conservatory. Continued from before.]Phoebe:"}
+{"doc_id":"doc_41","qid":"","text":"CRU - StreetRusty : I'm telling you, Baldwin's rules for ring closure, they don't even apply. Dr. Albert's wrong.Dale : Then somebody better change Baldwin's rules between now and the final.Rusty : Dr. Albert is notinfallible, Dale.Dale : If you define \"infallible\" as I do in this situation as in \"holds my future in her hands,\" then yes, she is. What you looking at? Dr. Albert? Did she hear you say she wasn't infallible? Please, Lord, grantme invisibility...Rusty : No. It's the girl from my American lit class. Just don't stare so much.Dale : That girl right there? I hate to say this, but I liked it better when you weren't on the prowl.Rusty : That's the Moby Dickgirl.Dale : I'm not real sure I'm comfortable with that statement either.Rusty : Last week, in my American lit class, Mr. Ellman pointed to me and he's like, \"Mr. Cartwright,\" and I said, \"No, please call me Ishmael.\"Both: Emma cracked up.Dale : It's such a good story. Every time.Rusty : She got the joke. I think she gets me. You know how rare that is?Dale : No, not really. But what I do know is that obsessing, particularly in the carnalrealm, distracts the mind from important matters, like solid-state chemistry.Rusty : My work in solid-state chemistry is not suffering because of Emma.Dale : Well, mine is. If you like this girl, for heaven's sake, andmine, just ask her out.Rusty : She laughed at my joke, she didn't give me her phone number. Look how she closes her book first, and then takes her last sip of coffee. Dale ? No !Dale : She'll meet you for coffee tonightat the espresso farm, don't thank me. Let's start with exo-digs, you take favored, I'll take unfavored. You wanna sit down or you wanna just keep standing here? Come on. ZBZ HOUSE - Living roomFrannie : What'sgoing on?Casey : Caroline, Laurie, and Amy have been invited to Lambda Sig pink rose formal.Frannie : It's fantastic.Ashleigh : We're finally moving out of the social dog house. Under the amazing leadership of CaseyCartwright.Frannie : So when do we call the Omega Chis? To build on the momentum? The Lambda Sigs are the second hottest house on campus. Now that they've officially taken us off Greek death row with theseinvitations, this is the perfect time to push for a full pardon by setting up a mixer with the first hottest house... the Omega Chis. If you thought that was a good idea.Casey : Actually, I think it's a... terrible idea.ZBZ Girl: But the Omega Chis are a rightful social counterpart.Casey : Rightful social counterpart B.J.K.Ashleigh : \"Before Jen K.\"Casey : And the shunning Omega Chi gave us after the article was published? Not to mentionB.P.H.Ashleigh : Before... Paris Hilton?Casey : Before public humiliation? The back-to-school carnival. Am I the only one who remembers the kissing booth debacle? The way the Omega Chis publicly humiliated us? Whyshould we reward them for treating us like that? No, ladies. ZBZs will find their way to the top on their own merits. And in the meantime... We can celebrate, and strengthen from within. How about a game night? Wecan order pizza, bake cookies...Frannie : Great, that sounds great. It sounds great. Credits CRU - Dale & Rusty's roomRusty : 7:00, 8:00.? 7:00 sounds great. No. That's fine. Yeah, all right. I'll see you then. All right,bye. She wants to bring her roommate along on our date.Dale : That can't be a good sign.Rusty : If she didn't want to be alone with me, why didn't she just break the date?Dale : Pity can be a pretty powerful emotion.Or... She likes you so much already, she wants to show you off.Rusty : All right, maybe I should bring somebody to... To keep her roommate busy. So I can have a little one-on-one time with Emma.Dale : That's à goodidea. Maybe get one of your frat bros to go along.Rusty : No, I don't wanna have to explain how this whole stupid date thing happened to any of the guys at the fraternity. Especially if it's go up in flames. How aboutyou go with me? You're the one who got me into this.Dale : Rusty, I know you haven't been able to see me in action. You know, pure girls being somewhat in short supply here at CRU. I'm known in certain circles asquite the ladies' man. I wouldn't wanna show you out there.Rusty : What circles are those?Dale : Purity pledge circles. I was voted \"most likely to have the opportunity to become impure, but have the supremeself-control not to\" three years running in high school. I just don't want to risk our friendship over some girl.Rusty : I'm willing to take the risk.Dale : All right, then. If that's the way you want it, roomie. But beforewarned. I have no control over this charisma. ZBZ HOUSE - HallwayRebecca : That sounds terrible. Poor thing! So I'll call you later. That was Cappie. He's sick.Casey : Yeah, I'm suddenly feeling a little nauseousmyself.Rebecca : Not having a boyfriend is nothing to get yourself upset about. You don't need a man to have a fulfilling life. You could be the next mother Teresa or Rosie O'Donnell. Caroline and Mandy have alreadyleft for the movies yet?Casey : Wait, you're not going to see Cappie?Rebecca : He's sick.Casey : Really? OK. I saw Mandy...Rebecca : What?Casey : It's just... When Cappie and I were together, I always took care ofhim when he was sick. But... He's probably not even thinking about that right now. Maybe you can just send him a nice warm e-card. I'm sure it'd mean a lot to him. CRU - GardenAshleigh : Okay, I'm here. So what'swith all the secrecy?Frannie : We needed to talk somewhere away from the house. I'm worried about Casey.Ashleigh : Frannie, I know you've supposedly gone through this whole personality overhaul thing, but I'm kindof weirded out when you start talking about your concern for Casey.Frannie : This is not about me. Didn't you notice how everyone was looking at her when she nixed mixing with the Omega Chis? And I know you heardsomeone call her \"Lizzi.\"Ashleigh : So? Casey, Lizzi. It's an understandable mistake.Frannie : Casey is seriously being blinded to what's good for the house and herself by this Evan-shaped mental block. Which I know Ihelped to put there. That's why I'm doing everything I can to get everyone back to their rightful places.Ashleigh : If you feel so strongly about this, why don't you talk to Casey about it?Frannie : Because she might bekind of weirded out. Don't let her blow this opportunity, Ash. ZBZ HOUSE - Ashleigh & Casey's roomCasey : Not wanting to have a mixer with the Omega Chis couldn't possibly have anything to do with my feelings forEvan. I don't have feelings for Evan. It doesn't matter to me if he's arrogant, or rude, or dismissive... I don't even notice.Ashleigh : Yeah, I can see that. Did you know that Amanda gets PE credits for massaging thevarsity boys during swim meets? We should just go...Casey : The Omega Chis publicly humiliated the ZBZs at the back-to-school carnival. Right?Ashleigh : From where I was standing, Case, it looked more like... Evanhumiliated you. But I could be so wrong.Casey : No, Ash. You're right. It was about Evan and me. But he is an Omega Chi and I am a ZBZ.Ashleigh : Yes, you are. And you're the best president ever.Casey : And thereare 50 other girls in this sorority, who didn't get dissed and who want to resume relations with the Omega Chis.Ashleigh : 50 hot, desirable Omega Chis, including Calvin, who might be waiting for an opportunity todisagree with Evan Chambers.Casey : That part would be gratifying.Ashleigh : I'm social chair. I can extend the invitation.Casey : Thanks Ash, but this isn't just about the party. It's about normalizing relations. I needto do it. I can do it.Ashleigh : Wanna go fondle some swimmers first?Casey : You are such a good friend. CRU - CaféEmma : So how did you meet?Rusty : Did you guys meet here? You can go first.Emma : No, youfirst.Dale : Luck of the draw. Housing office saw fit to put us two brainiacs on the engineering dorm.Rusty : Dale, we don't need...Dale : Honors floor. I got a 2210 on my sats. Rusty here got about the same.Tina : I got2250.Dale : 780 in math. Tina 790.Rusty : Dale's very proud of his accomplishments.Emma : It's okay. Tina's not easily intimidated.Rusty : I see that.Emma : So how are you liking american lit?Rusty : Honestly, I amfinding Moby Dick a little long and kinda stiff. I can't believe I just said that.Emma : I say things I don't mean to say all the time. Why do you think I don't talk in class?Rusty : Well, I just figured you were so far aheadof the discussion, you were just waiting for the rest of the class to catch up.Emma : I wish. Mostly I'm just trying to stay awake. Which I guess brings us back to Moby Dick being...Rusty : A little long and stiff.Tina : Isthat what I think it is?Rusty : What, what is?Dale : His pledge pin? Or his scarlet letter, if you will? He's in a frat.Rusty : We prefer \"fraternity.\" I'm pledging Kappa Tau Gamma.Tina : The Greek system should bebanned from college campuses.Dale : You got a 2250 on your sats, and you're down on the Greeks?Emma : Well, the Greeks aren't so bad.Tina : Emma, they're this totally ritualistic, secretive society.Rusty : I thinkyou may be taking it a little bit too seriously.Tina : You don't think it's serious when an organization takes monies from general students services fees, but doesn't allow all students to participate in its activities?Rusty :Well, the same could be said for most clubs on campus and sports teams.Emma : I could use some more coffee.Rusty : I can get that for you.Dale : You know, I've started an organization you may be interested in,U-Sag.Tina : U- sag? What does that stand for?Dale : University students against Greeks. CRU - StreetRusty : That was a complete disaster.Dale : Are you kidding? That was great. That Tina's a real spitfire.Rusty :Dale, this was supposed to be my date with the new girl, and it turned into the Greek inquisition. They didn't even want us to walk them back to their dorms.Emma : Hey Rusty !Dale : If Tina wants to call me, tell herit's okay. I'm serious.Emma : I just wanted to apologize for abandoning you tonight. I'm not much good with confrontation.Rusty : Your roommate likes it enough for both of you.Emma : I know. I probably shouldn'thave brought her. I didn't really know you, and anyway, I'm really sorry. See you in class?Rusty : Maybe we can try it again? Just you and me? Friday night?Emma : Sure. Why not?Dale : Did you tell her to call me?OMEGA CHI HOUSE - HallwayEvan : Casey ?Casey : Hey!Evan : Hey!Casey : I was looking for Dino.Evan : Dino?Casey : The Omega Chi president?Evan : Yeah, I know. I know who he is. He's not here right now. Whatdid you want to talk to him about?Casey : Just some Greek business. If that's okay with you.Evan : Why wouldn't it be with me? Just that the OCs and the ZBZs aren't exactly doing business anymore. But if you wantme to tell Dino you stopped by, I'll tell him.Casey : You know what? Never mind. I don't have to talk to him after all. KT HOUSE - Cappie's roomRebecca : Cap ?Cappie : That's my girl ?Rebecca : Hey ? Thought maybeyou could use a massage or maybe a sponge... I thought you had a cold.Cappie : I do. I also have pink eye.Rebecca : Bummer. Well, there's some tea. I've gotta go.Cappie : Wait. What's under the white coat,doc?Rebecca : It's... nothing that should be seen through... Crust.Cappie : Is it really that bad? Okay, hold on. Here we go. Better?Rebecca : A little. What?Cappie : I didn't think that you'd come.Rebecca : Why not?Casey took care of you when you were sick, right?Cappie : Well, yeah, but, I mean, you're not... Tea! What is this, Earl Grey?Rebecca : It's chamomile. Is there anything else I can do for you?Cappie : I don't wannaimpose. Let's see. Would you mind... Heating that up? Yeah, it's just a little cold. Thanks. And maybe some Chicken noodle soup in a cup, in, like, the mug, you know? It's always better when it's in a mug for whenyou're sick. With some of the little oyster crackers on top. I'm sorry. It's probably a good thing you wore the coat. ZBZ HOUSE - Living roomAshleigh : So the social committee is planning a game night, and I'm taking apoll on board games.Frannie : More like boring games.ZBZ Girl : What we should be planning is a great party with the Omega Chis.Casey : I couldn't agree more. Which is why I went to the Omega Chi house just nowto discuss the possibility of mixing with us.Frannie : My God, that's fantastic.Casey : But they said no.Ashleigh : Really?Frannie : Did you talk to Dino?Casey : We're still poison as far as they're concerned. But whocares, right? We don't need the Omega Chis to be the best sority at CRU. We are the ZBZs. We have the Lambda Sigs. We have game night. Now I'm gonna go change my clothes. And then let's scatter somegories.Ashleigh : She did what she could. I guess. CRU - Dale & Rusty's roomRusty : CD, cD jacket. Think I'm set.Dale : Were you able to include any \"Darwin lied\"?Rusty : I tried, Dale, but damnation seems like a littlebit of a romance killer.Dale : You know what Emma's gonna like, anyway?Rusty : I don't, which is why I emailed her a detailed questionnaire with multiple options in each musical category. She hasn't sent it back,though, so I thought I'd give her some choices that she can cross-reference while deciding.Dale : Man, that's my third email from Tina today. She's really chompin'at the U-Sag bit. I think she's gonna come by ourmeeting tomorrow.Rusty : I don't get the attraction. Tina's one of the most abrasive people I've ever met.Dale : I'm just not intimidated by strong women. And U-Sag is a big tent organization. CRU - CaféAshleigh : OhCalvin ! Over here.Calvin : Let me just go grab some coffee.Ashleigh : No! Sit.Calvin : Or... not.Ashleigh : Why don't we have mixers anymore?Calvin : \"We\" meaning \"you and I\"?Ashleigh : \"We\" meaning ZBZ andOmega Chi. You guys totally shut down the idea of having a mixer with us? What's up with that?Calvin : I still have no idea what you're talking about.Ashleigh : Casey said that she got a seriously strong negativereaction from Dino when she invited you guys to mix with us.Calvin : Really? That's weird. When it comes to getting back together with the ZBZs, my sense is most of the guys are fine with it, including Dino.Ashleigh : Ineed you to do something for me.Calvin : Okay, let me just grab...Ashleigh : No. So this is what I need you to do. CRU - Emma & Tina's doorRusty : \"Indelible.\" Crap.Girl : See you at dinner, Tina.Rusty : Hey Tina.Tina :What are you doing with our white board?Rusty : I just came by to drop off a CD for Emma, and it just fell off. And I thought I would just take it back to my dorm room, slap some adhesive on it, and bring it back.Tina :It fell?Rusty : Crazy? Good thing I was here. And I have adhesive in my room, so... I'm gonna go.Tina : I can't speak for Emma, but I really don't appreciate being part of these little frat pranks. Give me back my whiteboard.Rusty : This has nothing to do with the fraternity.Tina : Then give it back. Don't you think it would have been simpler to just erase it?Rusty : Yes, but... Okay, I used their marker, and it's indelible. Whoknew?Tina : Yeah, they're in the middle of this feud with these guys down the hall. Hey, if you could find one with a corkboard, that'd be great.Rusty : Hey, can you just give this to Emma for me?Tina : Any message?Something... Short and limp?Rusty : Just say it's from Rusty. Here. OMEGA CHI HOUSE - Meeting roomCalvin : All right. Look, we all know the ZBZs have been looked down upon ever since the article. But it's old news.I think it's time we gave them a second chance. They're the same girls that we partied with last semester, and they're awesome. I just don't think we should keep punishing them for something that could havehappened to any of us.Evan : I think my little brother is well-intentioned, but, in this particular case, missguided. I mean, come on, guys. The events of the past few months have just shown us who they really are. Imean, they're a house... That... Always puts their own interests first, and ultimately can't be trusted. I mean, no matter how much we might wanna trust them.Dino : Do you really believe that?Evan : Look, if this isabout having a mixer, the Tri Pis are always available.Calvin : A little too available.Dino : Why don't we put it to a vote? All those in favor of continuing to shut out the ZBZs? All those opposed. ZBZs have it. ZBZ HOUSE- Ashleigh & Casey's roomCasey : What, did they just announce a new season of \"America's Next Top Model\"?Ashleigh : Better! Kyle, the Omega Chi social chair, just came by to invite the Zeta betas to mix with themthis weekend.Casey : Wow, that's... That's so not what they said before. But great.Ashleigh : We're gonna have to scramble a little to get the registration forms and keg application into the dean's office in time. Butwhere there's a will, there's a way to get through with the new party restrictions. Right?Casey : Right. We're back on with the Omega Chis. I wonder how all of this happened.Ashleigh : Case, did you ever actually talk toDino about a mixer?Casey : Why would you even ask me that?Ashleigh : 'cause I talked to Calvin. And from what he was hearing at the house, it didn't sound like you had.Casey : Let's go see that... That was really fun.Right? I really meant to. I wanted to. I went over there, and Evan answered the door, and he was all cold and judgey. I knew what I should say, but I couldn't talk. I couldn't give him the satisfaction of knowing Iwanted anything from him.Ashleigh : It's one night. One night that'll make two houses very happy. And all you have to do is sign our half of the registration forms and get through a few hours with Evan. And I have aplan for that. CRU - Dale & Rusty's roomRusty : Hey, guys. Emma loved the CD. I just got a text from her. \"T-h-x\" with an exclamation point.Sanjay : A bake sale?Ted : Car washes?Dale : Just keep reading. So I guessshe wasn't phased by the white board incident.Rusty : I told you, Dale, she gets me. I just want to give her a couple more song choices before class.Sanjay : This is truly ambitious.Rusty : What are you guys doing?Dale: We're meeting with Tina later that afternoon about U-Sag. I just want the guys here to be up to speed on all our suggestions.Rusty : That's a lot of suggestions.Dale : Tina's a real dynamo. And I feel like, you know,it's my job now to harness all her energy.Sanjay : That sounds dirty.Ted : You think everything sounds dirty.Dale : Guys, could we focus?Tina : Dale? You ready?Dale : Come in. Hey. Let me introduce you to Sanjay andTed.Sanjay : Hi.Ted : Hi.Tina : Sanjay, Ted. Ishmael. So are you guys ready to go? I had a bunch of posters made up.Dale : Posters? But, I mean, we haven't really went over...Tina : We gotta grow this thing. I've got ahammer, and the rest of you guys could just use your shoes. Come on, guys, let's go! Hurry up!Rusty : Nice harnessing. Got extra shoes? KT HOUSE - Living roomRebecca : Anybody know where the charger to Cappie'slittle video game machine is?Heath : Nope.Rebecca : I don't suppose you have any saltine crackers. Anybody?KT Guy : How 'bout some peanuts? They're warm.Rebecca : Works for me! Okay. I will pay anyone $200 totake this tray up to Cappie's room and watch Reba with him. We're on season five!Heath : No one goes into Cappie's room when he's sick.KT Guy : It's like going into the Bermuda Triangle. With germs.Heath : The onlyone brave enough to do that was...Rebecca : Casey. I know.KT Guy : I hear she never left his side.Heath : Yeah, she was a real angel of mercy. CRU - ClassroomRusty : Hey...Emma : Hey!Rusty : I also brought you aset of push pins. Because, look, it's got a corkboard on it. And a new set of dry erase pens. 'cause you don't want any more accidents.Emma : No, that's for sure. Thanks.Rusty : And I got you a cup of coffee. Careful.And a full selection of additives.Emma : Wow.Rusty : Last, but not least, here is a few more song samples, an updated hard copy of the cd questionnaire. I figured, since you hadn't responded, you were having troubledownloading the attachment.Emma : Rusty, this is amazing. The only bad thing is now I feel like a real jerk for having to postpone our date tonight.Rusty : Oh.Emma : I have a paper due on Monday for my philosophyclass. And I... Thought I'd be a lot further along than I am. So now I have to work on it all weekend. I'm really sorry.Rusty : That's okay. When you're dating a student, you have to expect these kinds of things,right?Emma : Right.[SCENE_BREAK]OMEGA CHI HOUSE - PartyAshleigh : There, now you only have to come in contact with Evan once. When you check his ID. And stamp his hand. Or his face.Casey : Ash !Ashleigh :Like you wouldn't love to.Rebecca : Nice to see the Greek world back on its axis.Casey : How's Cappie? Contagious?Rebecca : Probably. Whatever.Casey : Enjoy your soda.Rebecca : Thanks, Casey.Casey : This nightnot be so bad after all.Ashleigh : There's Calvin. Are you okay here?Casey : Sure, I'm fine. Have fun.Ashleigh : Thanks.Casey : Hey, Evan Let me just stamp your hand and then you can go get started.Evan : You're ZBZparty patrol?Casey : Your guy hasn't shown up yet.Evan : Actually, he has. It's me. OMEGA CHI HOUSE - PartyFrannie : Oh, my God. Is this a reunion of... More than just our houses? Or just an incredibly awkward"}
+{"doc_id":"doc_42","qid":"","text":"[Salvatore's House](Elena is lying in the cell and starting to desiccate. Damon and Stefan are upstairs)Damon: That's the calmest desiccating vampire I've ever seen. I remember when you starved me down there for 3days. I would've wept at your feet for an orange peelStefan: Look, she's not gonna beg for blood. Begging means desperation. Emotion. She's still in no-humanity zoneDamon: How hungry does she have to be beforewe can torture some feelings back into her?Stefan: A lot hungrier than she is now, apparentlyDamon: So, what are we supposed to do in the meantime?(Katherine enters)Katherine: Maybe I can provide a littleexcitementStefan: KatherineKatherine: The one and only. Sort of. So, when's the welcome home party?Damon: Wow. Look who went and got bold. Last time I checked, Klaus was plotting your eternal demiseKatherine:Well, it doesn't matter anymore, because Klaus is goneStefan: Wait. What do you mean he's gone?Katherine: Let's just say that werewolf girl Hayley turned out to be just the thing we needed to get Klaus out of ourlives for good[New Orleans](Haley is at a bar. She looks at the bartender)Bartender: Third time in here this weekHaley: I'm obsessed with The Gumbo, Jane-AnneJane-Anne: The old ladies in the ninth ward say mysister Sophie bleeds a piece of her soul into every dishHaley: I asked around the quarter about my familyJane-Anne: And?Haley: Nothing. Zero. Can't find a single person who remembers themJane-Anne: Because,Hayley, people like you were run out of here years agoHaley: What do you mean, people like me?Jane-Anne: In the Bayou, they call the werewolves Roux-Ga-Roux. You head out there; you'll find what you're lookingfor. Be careful. It's the last place you'd ever want to go(Jane-Anne and Sophie are in a cemetery)Sophie: Don't do it. Please. What if I'm wrong about her?Jane-Anne: That's the beauty of you. You're never wrong. She'sthe only way we're gonna get to KlausSophie: Can we get someone else to do the spell?Jane-Anne: Who? Half the witches don't believe you. The other half are too scaredSophie: Because they know we're gonna getcaught, Jane-AnneJane-Anne: We don't have any other option. Now go. You know what you need to do(Haley arrives at the bayou and has a problem with her car)Haley: What the... uhh! Are you kidding me?(She getsout of the car and takes her phone)Haley: Hey, I'm looking for a tow service(A tour guide is leading a bunch of tourists)Tour Guide: Welcome to the dark side of New Orleans, a supernatural playground where the livingare easily lost and the dead stick around and play(Klaus smiles)Mystic Falls[Rebekah's House]Rebekah: New Orleans? What the hell is Klaus doing there?Elijah: Evidently, there are witches conspiring against him. So,knowing our brother, this was a mission to silence and slaughterRebekah: Well, the French quarter witches are not a lot to be trifled with. You don't suppose they've found a way to kill him once and for all, doyou?Elijah: Rebekah, in the name of our family, you might try to dial down your gleeRebekah: What family? We are 3 distrustful acquaintances who happen to share a bloodline. I for one hope they've found a way tomake that traitorous b*st*rd rot[New Orleans](Klaus sees a woman and goes to her)Klaus: Good afternoon. Time for one more?Woman: I have nothing to say to youKlaus: Oh, now, that's not very amiable, is it? Youdon't even know meWoman: I know what you are. Half-vampire, half-beast. You're the hybridKlaus: I'm the original hybrid, actually, but that's a long story for another timeMystic Falls[Rebekah's House]Rebekah:Where are you going?Elijah: To find out who's making a move against our brother, and then... I'll either stop them, or I'll help them. Depending on my mood(He leaves)[New Orleans]Klaus: I'm looking for someone. Awitch. Perhaps you might be able to help me find her. Jane-Anne DeverauxWoman: Sorry. I don't knowKlaus: Well, now, that's a fib, isn't it? Now, you see... I know that you're a true witch amongst this sea of poseurs.So, enough with the fabrications. I've quite a temperWoman: Witches don't talk Outta School in the quarter. The vampire won't allow it. Those are the rules. I don't break Marcel's rulesKlaus: Marcel's rules? Where doyou suppose I might find Marcel?(Marcel is singing in a bar. When he stops, he goes to the bar and sees Klaus)Marcel: KlausKlaus: MarcelMarcel: Must be 100 years since that nasty business with your papaKlaus: Has itbeen that long?Marcel: Way I recall it, he ran you out of town. Left a trail of dead vampires in his wakeKlaus: And yet how fortunate you managed to survive. My father, I'm afraid, I recently incinerated to dustMarcel:Well, if I'd known you were coming back in town, if I had a heads-up...Klaus: What, Marcel? What would you have done?Marcel: I'd have thrown you a damn parade. Niklaus Mikaelson. My mentor, my savior, my sire.Let's get you a drink. It is good to see youKlaus: It's good to be home. Although please tell me the current state of bourbon street is not your doingMarcel: Ha ha ha ha! Something's gotta draw in the out-of-towners;otherwise, we'd all go hungryKlaus: I see your friends are daywalkersMarcel: Yeah, yeah, I shared the secret of your daylight ring with a few buddies. Just the inner circle, though. The familyKlaus: Tell me. How did youfind a witch willing to make daylight rings?Marcel: I got the witches here wrapped around my fingerKlaus: Is that so? I'm looking for a witch by the name of Jane-Anne Deveraux. Has some business with meMarcel:Looking for Jane-Anne? Then you probably ought to come with me. Ha ha! Showtime!(Marcel and Klaus are outside. A crowd gathers)Marcel: How's the family?Klaus: Those who live hate me more than everMarcel:Forget them. If your blood relations let you down, you make your own, huh? You taught me that. And what's mine is yours, as always. Even my nightwalkers, the riff-raffKlaus: They're hardly subtle, are they?Marcel:It's the quarter. Ain't no such thing as subtle, baby(Marcel's mignons bring Jane-Anne)Marcel: Jane-Anne Deveraux. Give it up for Jane-Anne. Come on. Jane-Anne Deveraux, you have been accused of the practice ofwitchcraft beyond the bounds of the rules set forth and enforced by me. How do you plead? Oh. Was that convincing? I studied law back in the fifties. It's all I know. Seriously, J, tick tock. You know the drill. How do youplead?Jane-Anne: I didn't do anythingMarcel: That's a lie. You know it, I know it, and you hate that I know it. It drives you witches crazy that I'm aware of your every move. That you can't do magic in this town withoutgetting caught. So, why don't we just cut to the chase, huh? You tell me what magic you're brewing. Tell me. I'll grant you leniency. Hey, I am, after all, a merciful manJane-Anne: Rot in hell, monsterMarcel: I'll tell youwhat. I'll give you one more chance. Or not(He kills her. Klaus rejoins him)Klaus: What was that?Marcel: Hey. Come walk with me. Witches aren't allowed to do magic here. She broke the rulesKlaus: I told you I wantedto talk to herMarcel: Hey, I'm sorry. I got caught up in the show. Those witches, they think that they still have power in this town. I have to show them that they don't. I never waste an opportunity for a show of force.Another lesson that I learned from you. And besides, anything that you could've gotten out of her, I can find out for you, and I will. I promiseKlaus: Well, whatever it was, doesn't matter anymore, does it?Marcel: Good.Then let's eat, because all that spilled blood makes me hungry(He leaves. Klaus talks to one of Marcel's minions)Klaus: Hey. Thierry, isn't it? Any more Deveraux witches where she came from?(Sophie is cooking. Sheturns herself. Klaus is here)Sophie: You're KlausKlaus: I am. And you're upset. Sophie, isn't it? I assume this is because of what I just witnessed with your sister on the corner of Royal and St. AnnSophie: Did you enjoythe show?Klaus: It was a little melodramatic for my tastes. What did your sister want with me? Why did Marcel kill her?Sophie: I see you brought friendsKlaus: They're not with meSophie: They're with Marcel. That's allthat matters. I know you built this town, but this is his town now. He killed my sister because she broke the rules. So, I talk to you in front of them, I'm next(He rejoins the 2 men at the bar)Klaus: Are you twogentlemen following me?Man: Marcel said we're your guidesKlaus: Oh, he did, did he? Well, then, let me be exceedingly clear about something. If either of you following me again, you'll do so without the benefit of aspine(The waitress rejoins them)Camille: Sorry for the wait. If you're here for the gumbo, I'm about to break your heart. We just ran outKlaus: Your oldest scotch for my two friends here, love. Marcel wants to knowwhat I'm up to, he can ask me himself(Sophie is outside, alone. She hears a door close and the men who were inside are here)Sophie: The doors work, you knowMan: You doing magic?Sophie: I'm praying to my deadsister. Go ahead. Pay your respectsMan:. Don't make this a thing, Sophie. The hybrid was looking for Jane-Anne. Marcel wants to know whySophie: Oh, that sounds like witch business. I'd say ask her yourself, but Iguess you can't seeing as how Marcel killed her(They're about to kill her but Elijah intervenes and kills them)Elijah: I'm Elijah. You've heard of me?Sophie: YesElijah: So, why don't you tell me what business your familyhas with my brother?(Klaus arrives at a party, looking for Marcel. He catches one of his men)Klaus: Where's Marcel?Man: Who the hell's asking?Klaus: I assume you're jokingMan: I only answer to MarcelKlaus: Well,then, in that case, perhaps you'll answer to this. You're aware the bite of a werewolf can kill a vampire? Well, as you can see, I'm half-werewolf, so I'm gonna ask you one more time! Where is Marcel?(Marcelarrives)Marcel: H-hey. I'm right here. I'm right here. Easy, now. Diego's just looking out for me. Nobody harms myguys. Those are the rulesKlaus: I don't care about your rules, Marcel. I don't need chaperones. Whyare you having me followed?Marcel: Come here. I get it, huh? Show of force. You made your point. Let it go, friend. For meKlaus: Fine. Why don't you show me what you've done with the place while you explain exactlywhat it is you've been up to in my town?Marcel: Follow me(Marcel and Klaus are on a balcony)Marcel: Look at that skyline. That there, that's progress. More hotels, more tourists, more fresh blood. And the humans? Itaught them to look the other wayKlaus: And what of the witches? In my time, they were a force to be reckoned with, and now they live in fear. How do you know when they're using magic?Marcel: Maybe I got a secretweapon, an ace up my sleeve, something that gives me complete control over all the magic in this townKlaus: Hmm. Is that a fact?Marcel: Might be. Or maybe I'm just bluffing(He eats something)Klaus: You takevervain?Marcel: 'Burns like a bitch. But I figure I should limit the number of things I'm vulnerable to. Don't be mad about that chaperone thing. I told my guys to look out for you, that's all. That's what we do here...Look out for each other(They see Camille walking alone)Marcel: Mmmmm. New bloodKlaus: The bartender, walking alone at night. She's either brave or dumbMarcel: Let's see. Brave, I let her live, Let's see. Brave, I lether live, dumb, she's dessert(He jumps above the balcony and lands behind Camille)Marcel: You know, it's not safe here aloneCamille: You know, I have a black belt in karate(Klaus looks at them. Elijah's here)Klaus:Evening, ElijahElijah: NiklausKlaus: What an entirely unwelcome surpriseElijah: And what an entirely unsurprising welcome. Come with meKlaus: I'm not going anywhere. Not until I find out who's conspiring againstmeElijah: I believe I just found that out for you(Klaus and Elijah are in a cemetery)Klaus: What are we doing here?Elijah: Want to know what the witches have in store for you? Follow me(They enter a crypt. Sophie iswaiting for them)Klaus: Sophie Deveraux. What is this?Elijah: He's all yours. ProceedSophie: You know you're famous in this town? Witches tell bedtime stories about the powerful vampire Klaus. We know Marcel wasnothing but an orphaned street rat until you made him what he is. And now he's out of control. He does what he wants. He kills who he wants. I'm gonna stop him... And you're gonna help me(Klaus looks atElijah)Klaus: This is why you brought me hereElijah: Hear her outKlaus: I don't need to hear her out. I assure you, love, there is not a thing on this earth that will matter enough for me to waste even 30 more secondsof my timeKlaus: Elijah, what madness is this?(Haley enters)Haley: Klaus... You need to listen to themKlaus: You're all out of your minds if you think some liquor-fueled one-night stand... No offense, sweetheart...Means a thing to meSophie: Marcel may be able to keep us from practicing real magic in this town, but as keepers of the balance, we still know when nature has cooked up something new. For example, I have a specialgift, of sensing when a girl is pregnantKlaus: What?Haley: I know. It's impossibleKlaus: What are you saying?Elijah: Niklaus... The girl is carrying your childKlaus: No. It's impossible. Vampires cannot procreateSophie:But werewolves can. Magic made you a vampire, but you were born a werewolf. You're the original hybrid, the first of your kind, and this pregnancy is one of nature's loopholesKlaus: You've been with someone else.Admit it!Haley: Hey. I spent days held captive in a freakin' alligator bayou because they think that I'm carrying some magical miracle baby. Don't you think I would've fessed up if it wasn't yours?Sophie: My sister gaveher life to perform the spell she needed to confirm this pregnancy. Because of Jane-Anne's sacrifice, the lives of this girl and her baby are now controlled by us. If you don't help us take down Marcel, so help me, Hayleywon't live long enough to see her first maternity dressHaley: Wait, what?Elijah: Enough of this, if you want Marcel dead, he's dead. I'll do it myselfSophie: No. We can't. Not yet. We have a clear plan that we need tofollow and there are rulesKlaus: How dare you command me? Threaten me with what you wrongfully perceive to be my weaknesses? I won't hear any more liesElijah: Niklaus. Listen(They hear the baby'sheartbeat)Klaus: Kill her and the baby. What do I care?(He leaves)(Elijah rejoins Klaus)Elijah: NiklausKlaus: it's a trick, ElijahElijah: No, brother. It's a gift. It's your chance. It's our chanceKlaus: To what?Elijah: To startover. Take back everything we lost. Everything that was taken from us. Niklaus, our own parents came to despise us. Our family was ruined, we were ruined, and since then, all that you have ever wanted, all that wehave ever wanted, was a familyKlaus: I will not be manipulatedElijah: So, they're manipulating you. So what? With them, this girl and her child, your child... liveKlaus: I'm gonna kill every last one of themElijah: Andthen what? Then you return to Mystic Fall to resume your life as the hated one, as the evil hybrid? Is it so important to you that people quake with fear at the sound of your name?Klaus: People quake with fear becauseI have the power to make them afraid. What will this child offer me? Will it guarantee me power?Elijah: Family is power, Niklaus. Love, loyalty. It's power. This is what we swore to one another a thousand years ago,before life tore away what little humanity you had left, before ego, before anger, before paranoia created this person before me... Someone I can barely even recognize as my own brother. This is us. The Original family.We remain together, always and forever. I am asking you to stay here. I will help you and I will stand by you. I will be your brother. We will build a home here together. So, save this girl Save your childKlaus: NoMysticFalls[SCENE_BREAK][Rebekah's House](Rebekah is on the phone with Elijah)Elijah: He's doing what he does. Given a chance at happiness, Klaus runs in the opposite directionRebekah: Then let him run. That child, ifit's even his, is better off without himElijah: He's not better off without that child, Rebekah, and neither are weRebekah: Darling, kind Elijah. Our brother rarely brings us anything but pain. At what point in yourimmortal life will you stop searching for his redemption?Elijah: I'll stop searching for his redemption when I believe there is none left to be found(She hangs up. Katherine is here)Rebekah: I'd give you a play-by-play,but you have the air of someone who's been lurking and listeningKatherine: He'll come around. You know Elijah. He won't stop until he's convinced Klaus to do the right thingRebekah: I know you consider yourself anexpert in brotherly dynamics, but you don't know my brothers half as well as you think you doKatherine: You're wrong. Klaus won't be able to walk away from this. He and I are the same. We manipulate, we thirst forpower, we control, we punish, but our actions are driven by one singular place deep insideRebekah: And what's that?Katherine: We're alone. And we hate it. Tell Elijah to call me when he comes home. I'll be waiting forhim(She leaves)[New Orleans](Klaus goes back to the party and rejoins Marcel)Marcel: Hey, man. Where'd you run off to?Klaus: You mean your minions aren't still documenting my every move?Marcel: Someone putyou in a mood. What can I do?Klaus: What you can do is you can tell me what this thing is you have with the witchesMarcel: We're back to that?Klaus: Yeah, we're back to thatMarcel: You know I owe you everything Igot, but I'm afraid I have to draw the line on this one. This is my business. I control the witches in my town. Let's just leave it at thatKlaus: Your town?Marcel: Damn straightKlaus: That's funny. Because when I left 100years ago, you were just a pathetic little scrapper still trembling from the lashes of the whips of those who would keep you down, and now look at you. Master of your domain. Prince of the city. I'd like to knowhowMarcel: Why? Jealous? Hey man, I get it. 300 years ago, you helped build a backwater penal colony into something. You started it, but then you left. Actually, you ran from it. I saw it through. Look around.Vampires rule this city now. We don't have to live in the shadows like rats. The locals know their place. They look the other way. I got rid of the werewolves. I even found a way to shut down the witches. The bloodnever stops flowing and the party never ends. You want to pass on through? You want to stay a while? Great. What's mine is yours, but it is mine. My home, my family, my rulesKlaus: And if someone breaks thoserules?Marcel: They die. Mercy is for the weak. You taught me that, too. And I'm not the Prince of the quarter, friend. I'm the King! Show me some respect(Klaus loses his temper and bites one of his minions)Klaus: Yourfriend will be dead by the weekend. Which means I've broken one of your rules. And yet I cannot be killed. I am immortal. Who has the power now, friend?(He leaves)(Camille looks at a painting. Klaus rejoinsher)Camille: The hundred dollar guyKlaus: The brave bartender. Camille. That's a French nameCamille: It's a grandma's name. Call me Cami. Amazing, isn't he?Klaus: Do you paint?Camille: No, but I admire. Everyartist has a story, you knowKlaus: And what do you suppose his story is?Camille: He's... angry. Dark. Doesn't feel safe and doesn't know what to do about it. He wishes he could control his demons instead of having hisdemons control him. He's lost, alone. Or... maybe he just drank too much tonight. Sorry. Overzealous psych majorKlaus: No. I think you were probably right the first timeCamille: So...(Klaus has disappeared)(Klaus issitting alone on a bench. Elijah rejoins him and sits down next to him)Klaus: Are you here to give me another pep talk on the joys of fatherhood?Elijah: I've said all I needed to sayKlaus: I forgot how much I liked thistownElijah: I didn't forget. All the centuries we've spent together and yet I can count on one hand the number of times that our family has been truly happy. I hated leaving hereKlaus: As did IElijah: What is on yourmind, brother?Klaus: For a thousand years, I lived in fear. Any time I settled anywhere, our father would hunt me down and... chase me off. He made me feel powerless, and I hated it. This town was my home once,and in my absence, Marcel has gotten everything that I ever wanted. Power, loyalty, family. I made him in my image and he has bettered me. I want what he has. I want to be KingElijah: And what of Hayley and thebaby?Klaus: Every King needs an heir(Elijah is walking in the cemetery with Sophie)Elijah: So, how do you propose this will work?Sophie: Your brother needs to cement his place in Marcel's world. His inner circle, thedaywalkers... That's where we begin. They're his friends. His family. We'll be hitting him where it hurts(Thierry is sick. Everyone is gathered around him, including Marcel. Klaus enters)Klaus: I had time to sleep on itlast night. I'm not your enemy. Where my family and I failed this town... Marcel succeeded. My blood will heal him. As though it never happened. The quarter is your home, but I would like to stay a while, if I'm still"}
+{"doc_id":"doc_43","qid":"","text":"Ted from 2030: Kids, when your best friend loses someone...Marshall: My dad's dead? Ted from 2030:...you drop everything and rush to his side only to find yourself standing there with no idea what to do or say.AtMarvin's funeralTed: This is the toughest time in Marshall's life and I feel absolutely useless. What can we do to help?Lily: Don't look at me. This morning Marshall said, \"I have to pee.\" And I, \"Don't worry, baby, I'll doit for you.\" Halfway through the pee, I'm, like, \"This doesn't even make sense!\"Robin: Well, uh, I've been to a couple funerals, so I know my role: I'm Vice Girl. Whatever Marshall needs to get through this day, I got itright here.Ted: Cigarettes, alcohol... Are these firecrackers? My God, Robin, you somehow crammed Tijuana into a purse.Robin, hushing: Be cool, nerds!Lily: Marshall's mom hasn't eaten, slept or sat down since we gothere. Wait! That can be my role! I'll take care of Judy!Robin: Yeah, but doesn't Marshall's mom hate you--the fact that you two aren't very close?Ted, whispering: Sweet save.Lily: Okay, yes, Judy and I aren't besties,but today, whatever she needs, I'm there. I'm on Judy duty.Ted: \"Judy duty.\"Barney: She said \"doody.\"Robin: Really, guys? At a funeral?Ted: Uh, okay, while not all of us possess your lofty sense of decorum,Drug-DealerFrom-An-'80s-After-School-Special, we have to laugh today. It's healthy.Barney: Wait a minute! Today, we are gonna make Marshall laugh.Robin: How?Barney: Ted, what's the one thing that always crackshim up?Ted: Internet footage of a guy getting hit in the nuts.Barney: Internet footage of a guy getting hit in the nuts, exactly! So we are gonna get our bro a four-star nad rattler. You search knees, feet, banisters, firehydrants and diving boards, and I'll cover bats, rackets, hockey sticks, golf clubs and riding crops.Ted: What about animals?Barney: Uh... Claws, paws, talons, hooves, beaks and clenched monkey fists. We can dothis!Marshall: Hey, guys, sorry, uh... I left my charger back in New York, so my phone's out of juice. Does anyone have...?Robin: Outlet or USB?Marshall: Uh, outlet. Thank you. Oh...Lily: Wow, you really do haveeverything in there, don't you?Ted: You're like Mary Poppins, if her magic purse was also filled with drugs.Robin: \"If\"? Ted, the kids in that movie jumped into a painting and spent 15 minutes chasing a cartoon fox.\"Spoonful of sugar...\"? Grow up.Reverend: I'm so sorry for your loss, Judy.Judy: Thank you, Reverend.Reverend: Unfortunately, I can't. My daughter in Chicago just went into labor. But I'm leaving you in the capablehands of my second-in-command: my son.Marshall: Your son?Reverend: Oh, you remember Trey. I'll go grab him.Marshall: Guys... Trey Platt terrorized me growing up. He was, he was the toughest bully inschool.Trey: 'Sup Marshall.Marshall: Hello, Trey. Long time. Mm-hmm. I was not aware that you had become a reverend.Trey: Yeah, well, your lunch money finally ran out. Kidding!Barney: Marshall Eriksen, you coulduse a laugh.Ted: Yeah! This video is entitled, \"Little League Coach Gets Hit in the Nuts by a Foul Ball and Then Vomits in a Garbage Can.\" I don't wanna give anything away. Let's just watch.(bat connects with ball, mangroans, vomits)Barney & Ted: Oh!Barney: See? 'Cause, 'cause he got hit...Ted:...right in the nuts,Barney & Ted: The fat kid just runs away.Marshall: Trey Platt. I can't believe my father's funeral service is being led byTrey \"The Noogie Machine\" Platt.Ted: That guy gave you noogies? What, did he carry a stepladder?Marshall: He made me carry it.Trey: So, my dad has these questions he asks to help create a theme for the service, orwhatever. Question one: \"What were your last words with the deceased?\" Lame. Question two:Judy: Wait... My last words with Marvin were lovely. I've been thinking about them a lot.Marshall's brother #1: Me, too. Wewent for a hike in the snow and had this amazing talk.Marshall's brother #2: My last day with Pop, he taught my son how to skate.Trey: Well, this is clearly yielding nothing. Thanks, Dad. Guess I'll have to fill the timewith some jokes... again.Judy: \"Last words\" seems like a good theme. Marshall, do you remember the last thing your father said to you?[FLASHBACK]Judy: Bye, sweetie.Marshall: Bye, Mom.Marvin: Son, there'ssomething I want to say before I leave.Marshall: Yeah, Dad?Marvin: Could I snag that extra pork chop for the flight?Marshall: I was gonna make a sandwich with that, Dad. Dad, don't they have food on theplane?Marvin: Yeah, but plane food is ass.[END OF FLASHBACK]Marshall: \"Plane food is ass.\" Those are the last words my father will ever say to me. Right after I denied the man a pork chop. Oh, God. Wait! I'm wrong!I'm wrong! That wasn't it! They couldn't find a cab so my dad called up from the street.[FLASHBACK]Marvin: Marshall! Looks like rain out here! I couldn't find an umbrella in your closet! You know who probably has anumbrella?Marshall: And then, well, see, my dad grew up in a small town, in another generation, so sometimes - totally well-meaningly - he'd say stuff like...Marvin: The Koreans across the hall! Hey, the Koreans are atrustworthy and generous people!Marshall: Dad...Marvin: I betcha one of the Koreans has an umbrella! Heck, they're Koreans![END OF FLASHACK]Marshall: My dad's last words to me were a string of odd racialstereotypes.Robin: All that stuff was really nice!Lily: Yeah! It's positive racism!Marshall: This is worse than the pork chop.Barney: This next clip is entitled, \"Guy Playing Bagpipes Gets Hit in the Nuts by Low-FlyingSeagull\"Ted: Let's see what happens.Barney: Here he comes... Oh! Oh! 'Cause he gets hit right in the nuts.Ted: And then the fat kid loses his swim trunks.Barney: Fall off. Shorts just fall right off.Marshall: No, wait--I'm wrong. That wasn't it. They couldn't find a cab, so I went down there.[FALSHBACK]Marshall: Hey, you were right. The Kangs did, in fact, have an umbrella.Marvin: Of course they did.Judy: Bye, sweetie.Marshall:Bye, Mom.Marvin: Hey, son, I just want to leave you with a little advice. Rent Crocodile Dundee III. I caught it on the cable last night. It totally holds up![END OF FLASHBACK]Marshall: Crocodile Dundee III is thesecond-best of the Croc trilogy, so maybe I can live with that. (cell phone beeps) Oh, sorry, my phone's charged.Man: I, uh, I hear you're a woman who can get things.Robin: I've been known to locate certain objectsfrom time to time.Man: I need vodka and dirty playing cards.Robin: I got ya.Marshall: Oh, my God.Lily: What is it?Marshall: I have a voice mail from my dad.Lily: You have a voice mail from your dad?Robin:How?Marshall: My phone's been out of juice, so he must've called me the day the he, uh...Lily: Baby, are you okay?Marshall: I hold in my hand the last words my father will ever say to me. I'm gonna hit play.Robin:What's wrong?Marshall: What if it's worse than Crocodile Dundee III? I can't do this. I can't... My mom is about to collapse. I'm gonna...Lily: Wait-- no, no, baby... Baby, I got it. Let me.Robin: You should listen to it.Just don't put too much pressure on it.Ted: She's right. I mean, this idea that someone's last words have to be profound and meaningful? I mean, who can live up to that?Barney: Exactly. All those \"famous last word\"people supposedly said? They're all made up. Like that patriotic dude, Nathan Hale, from third-grade history?[FLASHBACK]Nathan Hale: My I only regret is I have but one life to lose for my country.[END OFFLASHBACK]Barney: You know what his real last words were?[FLASHBACK]Nathan Hale: I'm peeing my pants![END OF FLASHBACK]Barney: True story.Robin: The point is, last words are overrated.Ted: Look, think of itthis way: you get to hear your dad's voice one last time.Marshall: I should go listen to this... alone, okay? I'll be back.(Marshall steps away)Woman: Hey, so, um, I heard you might have...Robin: You heard right.(whispering: ) I'm getting a reputation. So, what you need, mama? Come here.(Robin walk away with the woman)Lily: Guys, listen to what just happened.[SCENE_BREAK][FLASHBACK]Lily: Judy, do you need a break?I'm happy to cook for a while.Judy: You think your snobby New York cooking is better than mine-- admit it! Well, go ahead, Lily, why don't you just whip up a batch of your fancy tofu sushi bagels! And choke onthem![END OF FLASHBACK]Ted: Whoa. Are you okay?Lily: Listen![FLASHBACK](Judy yawns)Judy: I'm gonna go take a nap.[END OF FLASHBACK]Lily: Judy's finally sleeping and it's all because of me! Guys, I have arole: I'm Judy's bitch! Yeah!Ted: Well, but this day is tough on you, too. You sure you can absorb all that?Lily: Yeah! Robin gave me a little orange pill from her purse. I don't know what's in it, but things are flowin'pretty smooth right now.Robin: Hey, stay hydrated.(Marshall comes back)Barney: So?Marshall: I couldn't listen to it. Guys, this is hard.Lily: We know, baby. But you'll always wonder, if you don't. Your dad loved you. Italmost doesn't matter what he said.Barney: It doesn't. That's true.Marshall: Guys, guys, what if-- God forbid-- all of your dads died right now? What would their last words to you have been? Seriously.Ted: I knowmine. When I was in Cleveland last month, I went to visit my dad at his... post-divorce bachelor pad.[FLASHBACK]Ted's dad: Been fun bro-ing out with you tonight, T-Dawg.Ted: Yeah... so glad we can we can talkabout our s*x lives now. That's totally an improvement.Ted's dad: I hooked up with a younger woman the other week-- Donna Bromstead.Ted: My prom date?!Ted's dad: How far did you get, T-Dawg?Ted: I have togo.[END OF FLASHBACK]Marshall: How would you like those to be your father's last words?Ted: Well, they might be. Donna Bromstead's husband is a cop.Marshall: Lawyered. Lily?[FLASHBACK](phone ringing)Lily:Hello.Lily's dad: Lily, it's Dad. Listen, I'm sort of in jail for not paying taxes for the last 25 years. ut bright side, I thought of a great new board game. \"Tax Evasion\", ages six to ten. Which is, ironically, what I might belooking at. Anyway, Pumpkin, I need $15,000.Lily: Fooled ya. Leave a message after the beep. We'll get back to ya. Beep.[END OF FLASHBACK]Marshall: Lawyered. Robin?[FLASHBACK]Robin's dad: And so, despite theendless disappointment you've caused me, I pray that this will finally be the year you achieve something of actual significance. I'd love to stop lying to my friends about you being in a coma. Anyway, the point is, happybirthday, RJ.[END OF FLASHBACK]Ted: That's awful.Robin: No, here's the awful part.[FLASHBACK]Robin: You remembered my birthday![END OF FLASHBACK]Marshall: Lawyered. Now can we all just admit that lastwords are, in fact, a big deal?Everyone: Yes.Barney: Man, I always thought I had it rough not really knowing my dad, but... now I realize at least I'll never have to suffer like this. Our next video is called \"GermanShepherd Activates Tennis Ball Cannon While Fat Kid Sips Energy Drink.\"Marshall: Barney, please, Barney! It's... No more videos, okay? I just need a minute.Judy: Okay... okay, who is responsible for this? Who gotCousin Daphne drunk? She is 15 years old.Robin: Whoa, they grow big out here.Barney: And here's your phone number back.Robin: Judy, I...Lily: I did it.Judy: What possible excuse could you have for this?Lily: I'mfrom New York. We think getting minors drunk is funny.Judy: There's nothing funny about getting minors drunk! You should be ashamed, Lily! Ashamed! Mmm! Oh, cripes, that's tasty. Mmm! Mmm!Lily: That salad's thefirst food she's eaten in two days. Sure, it's mostly cheese, mayonnaise and jelly beans, but it counts.Ted: Well, at least someone's helping. We haven't made Marshall laugh once.Barney: Yeah. Showing videos of guysgetting hit in the nuts wasn't going to do anything. I'm just stupid.Ted: Stupid.Barney: What we need to do is hit each other in the nuts.Ted: Yes. Nothing beats the immediacy of live theater. But which one of us isgoing to take the hit?(Barney hits Ted in the nuts) So that's it? No discussion?Marshall: I'm not going to listen. \"Rent Crocodile Dundee II\" are the last words that my father will ever say to me, and I think I can live withthat.Ted: Is he laughing?Ted from 2030: Marshall really did think he could live with that. That is, until later, at the memorial service.Judy: My last talk with Marvin was so lovely.Ted from 2030: The stories his motherand brothers told were so perfect.Marshall's brother #1: Then he picked my crying son up off the ice. He gave him a hug and said, \"Champ, it doesn't matter if you fall down once in a while.\"Marshall's brother #2: Andas we hiked, a little deer appeared on the path. She hopped over to Dad and started eating-- right out of his hand.Judy: And then he kissed me and he said...Marshall's brother #1: \"I will always be proud ofyou\"\"Marshall's brother #2: \"Life is such a gift.\"Judy: \"You know something, gorgeous, I'm the luckiest man alive.\"Barney, his voice breaking: Lame.Ted: These stories suck.Robin: Doesn't hold a candle to yourCrocodile Dundee thing.Lily: You're up next, baby.Marshall: I just need some air.Lily: Baby, are you okay?Marshall: I have to listen to it. It's a pocket dial. It's nothing.Lily: Hey, so it's a pocket dial. You have so manygreat memories with your dad. Who cares about the last one?Barney: She's right. Your dad was hilarious.Marshall: You guys don't get it, okay? None of you do. My dad was my hero. And he was my teacher. And he wasmy best friend. He always came through for me. And now he's just gone. And what am I left with? (scratchy electronic sounds) Thanks a lot, God! Thank you! You took my father, the greatest man that I have everknown, and you ripped him off this Earth, way too young! And he'll never get to meet our kids, Lily. (scratchy sounds continue) But we got this voice mail. Thank you so much for the voice mail! It's a great comfort!'Cause whenever I'm starting to feel lonely or sad, or-- or you know what, or maybe a little bit cheated, at least I got the sound of his pocket to console me. How is this fair? You know, like, an entire human life and itjust ends for no reason, and... and what are we left with?(scratchy sounds continue)Marvin's voice: Marshall? Oh, looks like I've been calling you for almost five minutes. How's my pocket sound? (laughing) Oh, sorryabout that, buddy. Um, anyway, your mom and I had such a great time seeing you. I love you.Lily: Looks like your dad came through one last time.Marshall: \"I love you.\" My father's last words to me are \"I loveyou.\"Marvin's voice: Ooh, and let me know if you find my foot cream. That fungus thing is acting up again.Marshall: \"I love you.\" My father's last words to me are \"I love you.\"Everyone: Yes. Yes, they were. We heard it.Loud and clear.Marshall: Bye, Pop.Ted from 2030: So Marshall finally got up to speak. Funny thing, though...Marshall: Then my father said the last words that he'll ever say to me: \"Rent Crocodile Dundee III. I caught iton the cable last night and it totally holds up.\"Ted from 2030: He decided to keep Marvin's real last words just for himself.Judy: Thanks.Lily: For what?Judy: I know what you've been doing today. And I really neededit.Lily: Any time.Judy: That dress makes you look like a Kansas City whore. Sorry, dear. Last one.At Judy'sMarshall: Oh, man. I should have rented Crocodile Dundee III.Ted: Okay, seriously, how are you doingthat?Marshall: Thanks. I'll be right back. And if I don't come back, well, then these are my last words to you all. I really, really, really love you guys. Now I'm going to go drop a deuce.Ted from 2030: Last words-- it's alot of pressure, kids.Ted is making a phone callTed: Hi, Dad.Lily is also making a phone callLily: Hi, Dad.Robin is calling her dad.Robin: Hi, Dad.Barney is calling his mother.Barney: Hey, Mom. I'm ready to meet my dad."}
+{"doc_id":"doc_44","qid":"","text":"In the Mayor's office. Faith is sitting at the desk with her eyes closed. A present is laying on the desk in front of her. The Mayor stands by her side.Mayor: Alright, you can open them up now. Faith sees the present andsmiles up at him.Faith: Fab. What's the occasion?Mayor: Faith! As if I need a reason to show you my affection. Or appreciation for running a small errand at the airport.Faith: Airport? What's next? Gonna want me tohelp a buddy of yours move a sofa?Mayor: This isn't a free ride, young lady. You know, I'm beginning to think that somebody's getting a little spoiled. Maybe I should take this back.Faith: (clutches the present) Sorry...Sir.Mayor: That's my girl. (chuckles) Another cookie? (Faith takes one) Now. A package is arriving tomorrow night from Central America. Something, and I can't stress this enough, something crucially important to myAscension. Without it ... Well! What would Toll House cookies be without the chocolate chips? A pretty darn big disappointment, I can tell you. (giggles) Open your present. (she does) There. That look on your face is myreward. The present is a knife with an intricate design.Faith: This is a thing of beauty, boss.Mayor: Well, it cost a pretty penny. So, you just take good care of it. And you be careful not to put somebody's eye out withthat thing, until I tell you to.Faith: Any particular eyes in mind?[SCENE_BREAK]Night, in a graveyard. Angel and Buffy are fighting a pair of vampires. Buffy trips her opponent into Angel's legs.Buffy: Sorry,honey!Angel: That's okay. They finish off both vampires.Buffy: Well, there's something you don't see every day. Unless, of course, you're me.Angel: That was bracing. Want to do another sweep?Buffy: It's what I livefor. Sad to say.Angel: You too tired?Buffy: No. It's just... Do you get the feeling that we're kind of in a rut?Angel: A rut?Buffy: You never take me any place new.Angel: What about that fire demon nest in the cave bythe beach? I felt that was a nice change of pace.Buffy: So this is our future? This is how we're going to spend our nights when I'm fifty and you're ... the same age you are now. They hear a growl offstage.Angel: Let'sjust get you to fifty.Buffy: Liking that plan. Opening credits.[SCENE_BREAK]In the Summers house. Buffy sits at the table, flipping through a book. Joyce enters from the hall.Joyce: Buffy? When were you going to tellme?Buffy: Alright, busted. I didn't think you'd miss them. (takes off earrings)Joyce: You were accepted to Northwestern University. Honey, I'm so proud of you! That's wonderful!Buffy: (less enthusiastic) Right! It'swonderful.Joyce: I mean, it's not cheap, but, uh, I know we can make it work if your father pitches in. Not that Northwestern is your only option. It's a great school, though. I am so proud of you.Buffy: You said thatbefore.Joyce: And will again soon.Buffy: Mom, you know that I can't ... I-I just can't decide on a school right now. I mean I want to sleep on it, you know, mull it over. Raise them up my inner flagpole, see which one Isalute.Joyce: I know, sweetheart. I'm just so pleased that you have so many choices. Ooh, you know what? Your aunt Arleen and her family are in Illinois. I've got to call and tell them. Oh, Buffy?Buffy: I know, you'reproud of me.Joyce: Ah, don't forget to put my earrings back in my dresser before you go out. Arleen? Hi! It's Joyce. How you doing? Listen, you are never going to believe where Buffy got accepted toschool![SCENE_BREAK]Daylight on campus. One guy sits at a picnic table. A second guy drops a paper bag on the table and sits opposite the first guy.Guy #2: Here you go.Guy #1: Thanks.Snyder: (swoops in) Okay,what's in the bag?Guy #1: My lunch.Snyder: Is that the new drug lingo? (takes the bag, looks inside)Guy #1: No, it's my lunch.Snyder: (drops the bag on the table) Sit up straight. (marches off) Camera zooms pastSnyder to another table: Willow and Oz sit opposite Buffy.Willow: Sounds like your mom's in a state of denial.Buffy: More like a continent. She just has to realize that I can't go away.Willow: Well, maybe not now, butsoon, maybe. Or maybe I too hail from Denial Land.Buffy: Faith's turn to the dark side of the Force pretty much put the proverbial kibosh on any away plans for me. UC Sunnydale - at least I got in. You! I mean I can'tbelieve you got into Oxford!Willow: It's pretty exciting.Oz: That's some deep academia there.Buffy: That's where they make Gileses.Willow: I know! I could learn and, and have scones. Although I-I don't know how Ifeel about going to school in a foreign country. Xander is sitting at a nearby tree reading Jack Kerouac's _On the Road_.Xander: Everything in life is foreign territory. Kerouac. He's my teacher. The open road is myschool.Buffy: Making the open dumpster your cafeteria?Xander: Go ahead, mock me.Oz: I think she just did.Xander: We Bohemian anti-establishment types have always been persecuted.Oz: Well, sure. You're all soweird.Willow: I think it's neat, you doing the backpack, trail mix, happy wanderer thing.Xander: I'm aware it scores kinda high on the hokey-meter, but I think it will be good for me. You know, help me to find myself.Cordelia walks between the table and Xander's tree.Cordelia: And help us to lose you. Everyone's a winner.Xander: (getting up) Well, look who just popped open a fresh can of venom. Hey, did you hear about Willowgetting into Oxnard?Willow: Oxford.Xander: Oxford. And M.I.T. and Yale and every other college on the face of the planet. As in your face I rub it.Cordelia: Oxford? Whoopee! Four years in tea-bag central. Soundsthrilling. And M.I.T. is a Clearasil ad with housing. And Yale is a dumping ground for those who didn't get into Harvard.Willow: I got into Harvard.Xander: Any clue on what college you might be attending so we can startcalculating minimum safe distance?Cordelia: None of your business. Certainly nowhere near you losers!Buffy: Okay, you guys, don't forget to breathe between insults.Cordelia: I'm sorry Buffy. This conversation isreserved for people who actually have a future. (leaves)Oz: An angry young woman.Willow: Oh Buffy, she was just being Cordelia, only more so. Don't pay any attention to her.Xander: She's definitely got a chipgoing.Willow: Maybe if you didn't goad her so much?Xander: I can't help it. It's my nature.Willow: Maybe you need a better nature.[SCENE_BREAK]Buffy and Wesley walk into the library.Wesley: I don'tunderstand.Buffy: Well, I don't think I can talk any slower, Wes. I want to leave.Wesley: What? Now?Buffy: No, not now. After I graduate, you know, college?Wesley: But, you're a Slayer.Buffy: Yeah, I'm also a person.You can't just define me by my Slayer-ness. That's ... something-ism. Giles is listening from the door of his office.Giles: Buffy, I know we've talked about you going away...Buffy: I got into Northwestern.Giles: That'swonderful news. Good for you.Wesley: Alright, everyone. Monsters, demons, world in peril?Buffy: I bet you they have all that stuff in Illinois.Wesley: You cannot leave Sunnydale. By the power invested in me by theCouncil, I forbid it. (said while crossing his wrists over his heart - watcher authority hand signal?) Buffy rolls her eyes and turns her back on Wesley.Giles: Ah yes, that should settle it.Wesley: (counting on fingers) Faithgone bad, and the Mayor's Ascension coming up, ...Buffy: I know it's complicated. I'm aware that my graduation may be, among other things, posthumous, but... What if I stop the Ascension? What if I captureFaith?Giles: I very much hope you will.Buffy: If I do that, then all you guys have to do is keep the run of the mill unholy forces at bay through mid-terms and I'll be back in time for Homecoming, and every school breakafter that. Can we at least think about it?Wesley: Perhaps if circumstances were different.Buffy: I'll make them different.Wesley: What?Buffy: I'm tired of waiting for Mayor McSleaze to make his move while we sit onour hands counting down to Ascension Day. I mean, let's take the fight to him.Wesley: No. No! Much too reckless. We're at a distinct disadvantage. We don't know anything about the Mayor's Ascension...Giles: She'sright. Time's running out. We need to take the offensive. (to Buffy) What's your plan?Buffy: I gotta have a plan? Really? I can't just be proactive with pep?Giles: No. You want to take the fight to them? I suggest thefirst step would be to find out exactly what they're up to.Buffy: Oh. I actually knew that. I thought you meant a more specific plan, you know, like with maps and stuff. Great. We'll find out what they're upto.[SCENE_BREAK]Night, at the airport. A small plane taxies to a stop and a man leaves the plane carrying a box. A vampire waits by a limo with a briefcase.Box man: Is he in the car?Vampire: No, I'll take you to him.(opens the limo door) Camera zooms in to show the box handcuffed to the man's right hand. The man kicks the limo door shut.Box man: The Mayor was supposed to be here in person with the money. Well, the pricejust went up. I don't like surprises. Impact sound. The head of an arrow appears through the front of his shirt - Faith has shot him through the back.Faith: Surprise. Faith climbs down from her hiding place andapproaches the body.Vampire: You killed him.Faith: What are you, the narrator? Keys to the cuffs? The vampire searches the man's clothing.Vampire: Nothing. Faith pulls out her flashy new knife.Vampire: That won'tcut through steel.Faith: No, but it will cut through bone.Fade to commercial.[SCENE_BREAK]Night. The limo pulls up in front of City Hall. Faith carries the box inside. Buffy is watching from the bushes.Cut to inside theMayor's office. Faith kicks in the door and carries the box inside.Mayor: Hey ho! There it is! Hahahaha! Ah, what happened to the courier? I was supposed to pay him.Faith: Hunh. Made him an offer he couldn't survive.(takes the money)Mayor: (chuckles) You are one heck of a girl, you know that? I mean geez, the initiative, the - the skill.Faith: Go on, go on. (sits down)Mayor: I will. You know, I'll tell you, if Buffy ... (Faith props herfeet on the desk. The Mayor frowns.) Hey hey hey hey. (Faith drops her feet.) If Buffy Summers walked in here and said she wanted to switch to our side, I'd say (snaps his fingers) no thanks, sister, I've got all theSlayer one man could ever need. (chuckles) Faith sighs.Mayor: What?Faith: Nothing.Mayor: Oh, it's cause I used the B-word, huh? Don't tell me you're still sore about that whole Angel-Buffy thing.Faith: No, I'm over it.She can have him.Mayor: Better believe she can. She deserves that poor excuse for a creature of the night. You, on the other hand, can do better. Faith is fidgeting and begins toying with the clasp of the box. TheMayor slams his hands down on top of the box.Mayor: Don't do that.[SCENE_BREAK]Night. The limo pulls to a stop in a parking lot. The vampire driver hears a noise and looks back through the rear window. Buffysmashes the driver's side window with her fist and pulls his upper body out of the window.Buffy: (peppy) So, what's in the box?Cut to the library. Buffy sits at the table looking at a book. Xander and Wesley lookon.Buffy: The Box of Gavrock. It houses some great demonic energy or something which His Honor needs to chow down on come A-Day. Giles and Willow enter. Giles carries some large drawings.Wesley: What'sthat?Giles: Maps. And stuff.Willow: Plans for City Hall. They were in the Water and Power mainframe.Buffy: The box is being kept under guard in a conference room on the top floor. (points to a map sheet) There.Unfortunately, that's all I could get out of my informant before his aggressive tendencies forced me to introduce him to Mr. Pointy.Wesley: Well, now, here's what I think we should do...Buffy: I figure we can enterthrough the skylight. I'll take Angel with me.Giles: Agreed.Xander: And there's a fire ladder on the east side of the building, (points) here.Wesley: Yes, yes, fine, but we still need to consider whether the Mayor...Giles:It won't be enough to simply have possession of the box.Willow: Right, we have to destroy it. Not just physically - ritually, with some down and dirty black magic.Wesley: Hang on. We don't know what such a ritualwould require.Giles: (flipping through a book) I think the Breath of the Atropyx is standard for this sort of thing. Fairly simple recipe. Xander? Wesley attempts to read over Giles's shoulder but Giles hands the book toXander.Xander: I know. I'm ingredient getting guy.Wesley: Alright, stop! I demand everyone STOP this instant! (everyone looks at him) I'm in charge here and I say this is all moving much too fast. We need time tofully analyze the situation and devise a proper and strategic strategem.Buffy: Wes, hop on the train or get off the tracks.Wesley: The Mayor will most assuredly have supernatural safeguards protecting the box. (silence)Oh, we all forgot about that, did we?Buffy: Looks like a job for Wiccan girl. What do you say, Will? Big time danger.Willow: Hey, I eat danger for breakfast.Xander: But oddly enough, she panics in the face of breakfastfoods.Buffy: Let's get to work. The gang files past Wesley. Giles pushes a map into Wesley's hands. Wesley mopes for a moment, then turns to follow.[SCENE_BREAK]Daylight. Xander is walking along a street andpauses at the window of a shop. He sees Cordelia inside holding up a dress. He starts, stops, looks for a moment more. He goes inside.Xander: I have a theory. Your snide remarks earlier? I'm guessing grapes a little onthe sour side. Didn't get into any schools, did you? The grades were there, but ooh, if it weren't for that pesky interview. Ten minutes with you and the Admissions Department decided that they'd already reached theirmean-spirited superficial princess quotas.Cordelia: And once again, the gold medal in the Being Wrong event goes to Xander \"I'm as stupid as I look\" Harris. (takes envelopes from her purse) Read 'em and weep, creep.USC, Colorado State, Duke, and Columbia.Xander: Wow! These are great colleges. I'm guessing they must have seen a different side of your father's money.Cordelia: (snatches the letters away from him) Goaway.Xander: Sure! If you'll excuse me, I have to go back to helping to save some lives. Carry on. I know that you have some important accessorizing to do. Xander leaves. Cordelia looksunhappy.[SCENE_BREAK]Night. A dark van stops in a parking lot. Wesley is driving, Giles rides shotgun. Buffy, Angel, and Willow get out.Giles: Now remember, if anything should go awry, Wesley and I will create adiversion.Wesley: Let's synchronize our watches. I have twenty-one four... Buffy and Willow are holding up their bare wrists.Wesley: Yes, typical.Willow: Maybe we could just count. One one thousand, two onethousand, ...Giles: Be careful, all of you. The trio marches off. Giles turns to Wesley.Giles: Tea? Angel pulls down the fire ladder. Willow starts climbing.[SCENE_BREAK]In the library. Oz places a large ceramic pot on apedestal. Xander enters carrying a paper bag.Oz: You got the goods?Xander: Yeah. (starts pulling plastic baggies out) Essence of toad, twice-blessed sage, maybe that's the toad?Oz: Well, we better be sure. Destroyingthis box is supposed to be a pretty delicate operation.Xander: Well, then, they shouldn't leave it in the hands of the lay people.Oz: Oh, Willow laid it out for us pretty well. (shows him Willow's papers)Xander: Wow! Sheeven drew helpful diagrams. That's the pedestal.Oz: And the ingredients. And us. See, there's you and there's me.Xander: Well, how can you tell which is which? I mean, they both look kinda stick-figurey to me.Oz:Well, this one's me. See the little guitar.Xander: Oh, gotcha.Oz: Nobody like my Willow.Xander: No sir, there is not. Oz moves to the pot and drops three gold pieces in.Oz: Okay, toad me. Xander throws him a plasticbag.[SCENE_BREAK]Night, on the roof of City Hall. The trio can see the box through the skylight. Angel opens the skylight. Buffy hands Willow a book and a bottle containing salt or sand. Willow reads a spell (in Latin?)while pouring the sand over the box. As the sand falls, a blue force field appears around the box, then suddenly disappears.Willow: (big smile) Oh yeah, I'm bad.Buffy: Four stars, Will. Now get going.Willow: I'm gone.Willow leaves by the fire ladder. Angel fits Buffy with a harness and sets up a pully system. He lowers her down over the box (like the Mission Impossible movie)Buffy: Got it! As she lifts the box off the table, an alarmbell rings. Angel is pulling on the cord, but Buffy doesn't move.Buffy: Angel!Angel: It's jammed.Buffy: I'd like very much to come up now, please. Angel!Angel: I know! Two vampires enter the room with a growl.Buffy:Don't suppose you want to help me get down. (they growl) Didn't think so. Angel leaps down to the table. They fight. Buffy gets in a neat kick using a vertical spin in the trapeze harness, then gets out of it. Buffy andAngel escape the room with the vampire guards in pursuit. Cut to outside. Buffy and Angel run out of the building and dart right. As the vampires leave the building, the black van accelerates past the door and thevampires chase it. Buffy and Angel stand up and watch from their hiding place in the bushes, then run the other way.[SCENE_BREAK]In the wrecked conference room. The Mayor surveys the damage while the vampireguards stand with their heads down.Mayor: Well, this is very unfortunate. I just had this conference room redecorated, for Pete's sake. At taxpayers' expense. And, oh yeah ... (the cheerful facade breaks and with aburst of rage, he smashes a chair) They've got my box. Faith walks in, holding a knife to Willow's neck.Faith: Yeah they do, but looky what we got. Big smile from the Mayor.Fade to commercial.[SCENE_BREAK]In thelibrary. Scooby Gang minus Willow.Buffy: How did you guys let ... How did this happen?Giles: We thought she stayed with you.Angel: They must have grabbed her when she hit the ground. Buffy, I'm sorry.Buffy: Look,it's nobody's fault, okay. We just need to focus and deal. Oz, I swear I won't let them hurt her.Xander: We go back. Full-on assault.Giles: They'll kill her.Wesley: We're assuming they haven't already.Buffy: No. No, theyknow what she means to us. She's too valuable as long as we still have the box. We trade.Wesley: We can't.Buffy: No, it's the safest plan. (to Giles) It's the only way, right?Giles: It might well be.Buffy: Look, we callthe Mayor and arrange a meeting.Wesley: This box must be destroyed.Xander: I need a volunteer to hit Wesley.Wesley: Giles, you know I'm right about this.Buffy: Wes, you want to duck and cover at thispoint?Wesley: Damn it, you listen to me! This box is the key to the Mayor's Ascension. Thousands of lives depend on our getting rid of it. Now I want to help Willow as much as the rest of you, but we will find anotherway.Buffy: There is no other way.Wesley: You're the one who said take the fight to the Mayor. You were right. This is the town's best hope of survival. It's your chance to get out.Buffy: You think I care about that? Areyou made of human parts?Giles: Alright! Let's deal with this rationally.Buffy: Why are you taking his side? The outbursts of Buffy, Giles, and Wesley clash for a moment, then Wesley's voice breaks out of thebabble.Wesley: You'd sacrifice thousands of lives? Your families, your friends? Oz has been sitting through all this. He gets up and walks behind Wesley.Wesley: It can all end right here. We have the means to destroythis box. Oz picks up the pot for the box-destroying ritual and throws it into a display case, smashing both to shards. Everyone looks at each other.Buffy: Giles, make the phone call.[SCENE_BREAK]In City Hall, in amusty storeroom. Willow is banging on a locked window, trying to open it. She gives up on the window and pulls out a desk drawer, making a lot of noise. A vampire guard enters the room.Guard: What are youdoing?Willow: Oh, uh, I'm looking for a sucking candy, cause my mouth gets dry when I'm nervous, or held prisoner against my will. The vampire slowly approaches her with a hungry look.Willow: And suddenly I'mthinking sucking isn't a good word to use around vampires. Hey! Did you get permission to eat the hostage? I don't think so. You're going to be in some trouble when the Mayor ...Ow! The vampire grabs her shouldersand presses her against a wall.Guard: Just a little taste. As he leans in for the bite, a pencil from the desk drawer floats up behind him and stabs him in the back. He crumbles to dust. Willow leaves the room and startsdown a hallway. A door opens and she hears Faith and the Mayor. Willow quickly hides in another room and listens as they pass.Faith: She's not gonna be brain-dead but she'd be to come back here tonight.Mayor: Everhad a dog?Faith: What?Mayor: I did. Rusty. Irish setter. A dog's friendship is stronger than reason, stronger than it's own sense of self-preservation. Buffy's like a dog, and hey, before you can say Jack Robinson, you'llget to see me kill her like one. Faith and the Mayor walk down the hall. Willow starts to run the other way, but stops at the open door to the Mayor's office. She enters, closes the door, and finds the Mayor's cupboard of"}
+{"doc_id":"doc_45","qid":"","text":"[Restaurant \u0000 Jen, Joey and Audrey sit at a table for a meal. A waitress is taking their order.]Waitress: Great. I'll be right back with your drinks, ladies.Audrey: This place got an amazing write-up in timeout: Boston.I'm really glad I decided to tag along.Joey: You mean invite yourself.Audrey: Will you stop? (Jen's cell phone rings) Nobody believes that you don't adore me.Jen: (answering her phone) Hello?Joey & Audrey: (singing)Char-lie!Jen: (into phone) Ha! Hi.Audrey: (to Joey) So do we like this Charlie?Joey: We don't really know this Charlie. She seems to keep this Charlie pretty much to herself.Audrey: I'm a little concerned. This is allsounding very \u0000Nine 1/2 Weeks\u0000 to me. (Jen hangs up) Booty call?Jen: Pretty much. Yeah.Audrey: Oh! I knew it.Joey: Are you gonna go?Jen: I don't know. I could use the snuggles.Audrey: See, that's what I missmost about not having a boyfriend-- the snuggling. It's better than s*x. If only guys knew how easy it was to make us happy.Joey: Yeah, but you know what? Even if they did know, they'd still screw it up. Snuggling tothem is merely just a means to an end.Jen: I mean, I've been seeing Charlie for a week, and the only thing that I really know about him is that his boxers are from The Gap.Audrey: Well, there are worse things, youknow?Jen: Such as?Audrey: Well, for instance, he could be a tighty-whitey guy.Jen and Joey: Oh!Jen: Oh, good point!Joey: Ok. On that note... I'm gonna go to the bathroom, and when I get back, I'd like it very much ifthis week's episode of \u0000s*x and the City\u0000 had come to an end.Jen: Ok, Charlotte.(Joey heads to the bathroom when she stops short. Her face turns serious as they show what she's looking at \u0000 A guy who looks likePacey scene through a window in the door to the kitchen. As a waitress comes out of the kitchen, the door swings open and Pacey is in full view. Opening credits.)[Restaurant \u0000 Joey moves to a bench near therestroom, followed by Jen.]Joey: I wonder how long he's been in town.Jen: 3 and 1/2 weeks.Joey: You think it's been that long?Jen: Yeah, I'm positive.Joey: You knew?Jen: Only that he was in Boston, not that he wasworking at this restaurant. I swear.Joey: Why didn't you tell me?Jen: Because he made me promise not to.Joey: I should go.Jen: No, Joey... don't you want to see him or talk to him?Joey: Of course I want to see him,but he obviously doesn't want to see me.Jen: No-- you don't know that.Joey: 3 1/2 weeks. Jen, if he wanted to see me, he would have, and if he wanted to see me, he wouldn't have asked you not to tell me. (she getsup and walks out)[Grams' House \u0000 Dawson is in the living room when Grams returns with blankets and a pillow.]Dawson: Grams, thank you again for letting me stay here.Grams: I quite enjoy having an expatriatesleeping on my sofa. Makes it feel like Paris in the twenties around here. Alas, no crepes, but I did bake you some Rice Krispie squares for your bus trip tomorrow.Dawson: Oh, how can I be so sure about something andso nervous about doing it at the same time?Grams: Staying in Boston. It's a big decision.Dawson: Well, I can handle it. It's just telling my parents I'm worried about.Grams: Well, they might surprise you.Dawson:Maybe I should just give it more time.Grams: Because of your busy schedule?Dawson: Because I-- I don't even know what I'm gonna tell them.Grams: The truth will set you free.Dawson: The truth will tick them off.Maybe a letter.Grams: If Moses could face Pharaoh, you can face your parents.[Frat House \u0000 People are partying and drinking while Jack and \u0000Blossom\u0000 sit on the couch playing PS2. They are yelling and laughingover the game they are playing, until Jack finally scores and they cheer.]Blossom: Oh, yes! Whoo! Yes! You are the man, Jack. You the man.Jack: All right. Man can't breathe.Blossom: (introducing Jack to someone)Jack, this is Polar Bear.Jack: Hey!Polar Bear: Welcome to Sigma house, Jack. Good to have you.Jack: (shaking hands) Thanks, man.Polar Bear: How are your classes going?Jack: Not bad. Not bad.Polar Bear:Thompson's Astro class is a bitch, huh?Jack: (surprised) Yeah. It is, actually. That's the one class I'm really struggling with. How'd you know that?Polar Bear: (handing him a business card) Call me. We'll talk about thetopic of your pop quiz next week.Pete: (walking up) Blossom, this the guy?Blossom: Jack McPhee, Pete Willard.Pete: How you doing, Jack? Welcome to the house.Jack: Thanks.Pete: So you get any time on the linkslately?Jack: Oh, man, I wish. It's kind of hard to scare up a golf game with the college crowd.Blossom: Pete's on a full-ride golfing scholarship at Boston Bay.Jack: I don't think we're playing the same game.Pete: Ah,you can shoot under par at Capeside Country Club, you can hang. So you interested in helping me humiliate a couple of ATO's Sunday morning?Jack: Yeah, I'd love to.Pete: All right, man. Good to meet you.Jack: Cool.Thanks.Pete: Later, buddy.Blossom: (handing him a plate with a baked potato and a glass of beer) Here you go, man.Jack: You got to be kidding me. How do you know so much about me?Blossom: A bid to Sigma Ep isfor life. Before we extend that privilege, we pretty much make sure we know everything about each guy rushing the house.Jack: Actually, Blossom, look, I think I should probably\u0000Blossom: Excuse me. I think a pledgejust accepted his bid. I got a new brother. (he walks off to join a bunch of frat guys carrying another guy around and singing the Sigma Ep song.)[Restaurant \u0000 Kitchen. Pacey is peeling potatoes when Karen walks inwith a salad.]Karen: This loudmouthed blond girl just returned her Caesar salad because of the anchovies. [Imitating Audrey] She, like, hates anchovies.Pacey: So?Karen: You wouldn't understand.Pacey: You want toknow something I really don't understand? Danny hires me on as the new cook, right? But then he won't let me cook. I don't know about you, but this, to me, looks a lot like potato peeling.Karen: You're not wearing thehat. Why aren't you wearing the hat? There are health regulations, you know.Pacey: I would sooner slap on a pair of chaps, ok?Karen: Fine, Pacey. Don't wear the hat.Pacey: All right. Is it just me, or are you not likingme so much tonight? What? Now you're not even talking to me?Karen: I'm working.Pacey: No, you're waiting.Karen: I'm thinking.Pacey: Well, you're usually talking.Karen: Did it ever occur to you that I might actuallyhave other things to do besides stand around the kitchen and yak it up with the new prep cook?Pacey: You see a prep cook? Because that actually refers to somebody who would cook, which I'm not doing. All I'm doingis peeling potatoes, so I know you couldn't be talking to me.[Charlie's Dorm \u0000 Jen shows up for her booty call.]Jen: Just so you know, um, this is not gonna become a regular thing.Charlie: What's not?Jen: You calling,me just showing up here in the middle of the night like this.Charlie: Yeah, but you didn't just show up. You know, I could have gotten a pizza in less time than it took you. Actually, two pizzas, deep-dish, Chicago-style.(he starts to kiss her)Jen: Chicago? Is that where you're from?Charlie: (trying to kiss her) Not exactly.Jen: Well, um... where exactly?Charlie: Do we really need to talk about this right now?Jen: Yes... because we'vebeen, you know, whatever for a week now, and I feel like I don't know the most basic things about you.Charlie: (kissing her) Come on. Sure you do.Jen: Where'd you grow up?Charlie: (more kissing) All over.Jen:Where d you go to high school, then?Charlie: Lots of places.Jen: (breaking free from Charlie) Ok, see... that's what I mean. These-- these are not real answers.Charlie: Come on. So? The real answers are boring andlong.Jen: And what? You only provide them on a need-to-know basis?Charlie: Yes. Highland park, Illinois. Not exactly the birthplace of cool. All right?Jen: There. Wasn't so hard, was it?Charlie: It was torture.[Capeside\u0000 The Leery Residence. Dawson stands in the backyard looking at the Creek. Suddenly Mitch comes outside.]Mitch: Dawson?Dawson: Hey, dad.[Leery Residence \u0000 Living room. Dawson is looking at thecouch.]Dawson: New couch.Mitch: Your mom's been on a redecorating kick ever since you left.Dawson: I like it.Mitch: I miss my old one.Gale: (coming downstairs) Dawson! Oh, I can't believe it! What a surprise! Oh! Isthis really you?Dawson: It's really me.Gale: Oh, look at you! Oh, my God. You are thin as a rail.Mitch: I want to hear about L.A. You get that deal with Dreamworks yet?Gale: Did you get the cookies that I sentyou?Dawson: No, actually, I didn't. I haven't gotten the cookies because I haven't gotten my mail in L.A. For over a week.Mitch: Class is really that intense, huh? Well, good. You'll learn something.Dawson: I haven'tgotten my mail because I haven't been in L.A.Gale: Uh, I don't get it.Dawson: I've been in Boston.Gale: Uh... still not getting it.Dawson: Um... guys, USC Is not for me. I want to drop out. I know this comes as asurprise to both of you, but I spent the whole summer in L.A., And I went to every single one of my classes, and the main thing that I learned about LA is that LA is just not where I want to be right now.Gale: AndBoston is?Dawson: All my friends are in Boston.Gale: Oh, honey. You'll make new friends in California. It just takes some time.Dawson: Mom, it's more than that. It's more than that. I'm... I'm at a profound crossroadsin my life, and I know that if I don't choose this path, I'm going to have significant regrets.Gale: Hmm Where would you live?Dawson: Uh, with Jack and Jen at Grams'.Gale: What would you do?Dawson: Find a newschool.Gale: Oh, Dawson.Dawson: Mom, I know I sound like a complete flake, but I promise you, I've given this a lot of thought.Mitch: I've given this some thought myself, and I've decided... you're not droppingout.Dawson: It doesn't work like that, dad.Mitch: If you're going to stand here and talk to me about crossroads and paths so you can drop out of school and go crash on a sofa, then don't presume to talk to me likeyou're an adult. (he walks out of the room)Gale: (Lily starts to cry through the monitor) Oh! Lily, I know how you feel. (she goes upstairs leaving Dawson alone.)Dawson: Welcome home.[Joey's Dorm \u0000 Joey is cleaningout something as Audrey tries to get her to open up.]Audrey: Ok. So who's the guy?Joey: What guy?Audrey: The guy who you saw at the restaurant last night that obviously has some huge impact on your life.Joey:Audrey, the only guy that has an impact on my life right now is James Joyce, and I can't focus on him until I get this room in order.Audrey: You know... back in L.A., I was something of a therapist to a lot of my friends.People would call me all the time to talk about their problems. Some even paid the surcharge to call from the valley, and lucky you, you've got me here whenever you want me.Joey: Lucky me.Audrey: So why don't youstop cleaning up the mess and tell me about him?Joey: Don't you have a lacrosse team to date or something?Audrey: I have this theory about you. You want to hear it?Joey: No.Audrey: You love academia because ofthe rules, and you hate relationships because of the lack of them. So do you want to see him or not?Joey: Yes. No. Yes, but only if he wants to see me, and he obviously doesn't.Audrey: Ha! God, you're dense. Ofcourse he wants to see you.Joey: What makes you say that?Audrey: Because... you're beautiful and you don't know it. Because you're smart and you don't believe it. You're the kind of girl that guys never get over.Joey, you're the kind of girl that other girls get compared to.Joey: I don't-- I don't want to make him feel uncomfortable.Audrey: Why do I think you don't want to make yourself feel uncomfortable?Joey: It'scomplicated. I mean, it ended messy, and I don't want to make things worse.Audrey: Joey, no one's gonna grade you on how you handle this, you know? No one's gonna come along and tell you what's expected so youknow how to succeed. Relationships are messy. That's their nature. They start messy, and they end messy, and if you ever want to have another relationship in your life, you better just stop worrying about themess.[Frat House \u0000 the following day. Jack sleeping on the couch when he is woken up by Blossom.]Blossom: (handing him an envelope) Do you know what this is, McPhee?Jack: I'm not even sure where Iam.Blossom: The inner chapter room. Sigmas don't let you drink and drive. We plan on keeping our house. See these pictures on the wall? Every one of these Sigma men looked at the very same thing you're looking atright now. This is your future, Jack. Open it.Jack: (opening his invitation) Wow! What happens if I accept?Blossom: You live in the house, you eat your meals here, your problems become our problems, your success,our success. We're your brothers, your family. What do you think, Jack?Jack: I--I don't know what to think. It's all kind of overwhelming.Blossom: There comes a point in every man's life when he has to ask himself thatone fundamental question-- am I in or am I out?Jack: Yeah... yeah, I've asked myself that question, actually, and I think you guys really need to know the answer. (they all look at him) I'm gay.Blossom: (the guyslaugh a little) You thought we didn't know that?Jack: Most people are surprised.Blossom: Most people aren't Sigma people. You're sigma people, Jack. You're one of us.Jack: You mean, there's other guys in the housethat are gay?Blossom: You'd be the first.Jack: Most fraternities are not particularly well known for, you know, their tolerance towards alternative lifestyles.Blossom: Which is precisely why we need you in this house,McPhee. Listen, Sigma Ep has a reputation for being one of the roughest, party-hearty, alpha male fraternities on campus, a reputation which is not entirely unfounded. The dean wants us to diversify. The dean getswhat the dean wants, so, yes, Jack, we know you're gay, and we want you in this house because you're gay.[Charlie's Dorm \u0000 Jen and Charlie are in bed together.]Jen: So...what's your favorite color?Charlie: I don'tknow. The color of your eyes.Jen: (covering Charlie's eyes) And that would be?Charlie: This is ridiculous. You think I've been sleeping with you for a week and I don't know what color your eyes are?Jen: Humorme.Charlie: Brown.Jen: With subtle flecks of green.Charlie: Look, it's not entirely my fault that we just happen to have a completely normal, healthy, active s*x life.Jen: What are you saying? That it's my fault?Charlie:No. I'm just saying that neither one of us has very much in the way of self-control.Jen: Huh! You don't think that we could go a day without having s*x of any kind?Charlie: A day? Are you insane, woman? We'd be luckyto make it 12 hours.Jen: What's the matter? Afraid you couldn't hold out?Charlie: Now, you see... I know I can hold out. I'm just not sure you can.Jen: Well, all right, then. Bring it on. 12 hours, starting right now, nos*x. (Charlie moves to kiss her. Jen sounds unresisting.) No. No. What--oh! Huh.Charlie: Maybe we should get out of bed.Jen: Good idea.[Restaurant \u0000 Pacey is still working on potatoes the next day. Karen walksin.]Pacey: So is it me? Did I forget to replace the paper towels in the employee washroom? (she ignores him) You know, Brecher told me that the waitresses were moody, but you, Madame, are off the charts, and thatguy is a total, complete, and utter wackjob, because he caught me touching one of the pans today, and the guy almost snapped. \"Put down the ironclad and step away from the stove.\"Karen: Allclad.Pacey: Huh?Karen:Why would he let you mess with something you don't even know the name of?Pacey: Oh, come on. Just hate him with me for a second, would you? You know, nothing'll bond two colleagues quicker than bitching aboutthe boss.Karen: We're not colleagues. This isn't a law firm. I wait for people. You cook for them.Pacey: Uh, no. I don't actually cook for them. I just get to cut their potatoes into paper-thin slices for reasons that are,quite frankly, beyond me.Karen: The whole job is beyond you.Pacey: Ok. What's the problem?Karen: He's got you doing classic culinary prep work. You have to wear the hat so that some nice young woman who's hereon her first date doesn't puke in the ladies' room when she finds a strand of your greasy hair in her pumpkin puree, and the only problem I have is that I'm working with someone whose sole qualification for this job ishis gender.Pacey: Well, you see, this is good. We're making progress now because you just exploded on me. I just have no idea why.[Capeside \u0000 Dawson's Room. Dawson sits on the floor next to his bed when Mitchwalks in.]Mitch: When I was your age, I used to spend hours and hours just sitting around thinking about my life.Dawson: Why'd you stop?Mitch: Well, I guess I got too busy living it to sit around reflecting onit.Dawson: I hope I never get to that place.Mitch: Dawson... I am sleeping in the room with a baby monitor. I'm tired, so don't B.S. me. You and I both know what this is about. This is about a girl.Dawson: You say thatlike it's a bad thing.Mitch: You've been making movies ever since you were a little boy. I first heard about USC when you were 10, and for the last 4 years, it's been the frigging mantra of the leery household. So whatdo you do? You work your tail off. You overcome hell and high water and the kind of adversity that would send ordinary kids running for cover, and you actually do the impossible, and you get yourself in. You did it,Dawson. You...did it. Now here you are... your whole life ahead of you, and you're thinking about chucking it all away? What are you-- you crazy?Dawson: Maybe a little.Mitch: You want to talk about standing at acrossroads, fine, but for God's sake, choose your own path.Dawson: Dad, that's what I'm trying to do.Mitch: No, you're not. You're following Joey down hers. I know how much she means to you, but do you really thinkit's wise to make major life decisions based on someone else? Remember, this isn't high school anymore. The stakes are high. Your decisions have real consequences.Dawson: God, come on. Dad, honestly, do you thinkI don't know that? You think I don't know that this is the most important decision of my life?Mitch: Then make the right one.Dawson: Dad, it's not that simple.Mitch: It really is. Dawson... I have lived twice as long asyou, and I'm just trying to give you the benefit of my experiences.Dawson: Dad, I can't live the life that you want me to have. I can't live the life that you choose for me, all right? I have to have my own.Mitch: Yourown?Dawson: Yes.Mitch: Fine. Here's the opportunity to have the life you've wanted ever since you were a little boy. (hands him an airline ticket) I booked you on the 3:30 tomorrow. Seize this opportunity, Dawson.Seize it. It'll be gone in a moment... and that's life.[SCENE_BREAK][Leery Residence \u0000 Dawson sits on a blanket outside with Lilly. Gale and Mitch sit in the distance watching them.]Gale: I've got a little confession tomake. It's completely and utterly selfish, but I totally want him to drop out of USC and come back and be close to us.Mitch: When I saw him out there standing in the yard, my heart pretty much leapt out of my chest,and I thought, \"God, I miss this kid.\" I miss having him around and seeing him across the table at dinner. I miss hearing what he thinks about whatever movie he's just seen. Do you know how much I love my life? Ihave this amazing family. I mean, I know everybody says that, but, trust me, I've been around the block long enough to know that what we have here is so incredibly rare. But you see... it's the only thing I've everreally been good at.Gale: Oh, honey.Mitch: No, no, no. I'm a family man. I can say with relative certainty that I will never write a poem... (Gale laughs) Or paint a painting or make a movie that will change the world.Just wasn't in the cards for me, and that's ok because maybe, just maybe... our son will do that. (Gale kisses him) What was that for?Gale: What can I say? I love my boys.[Charlie's Dorm \u0000 Jen and Charlie are tryingto not have s*x.]Jen: (looking through a newspaper) This is working. This is totally working. Two people, two cups of coffee, just doing what people do who don't have s*x.Charlie: Going to a movie?Jen: Mm-hmm. Um,check this out. Fellini retrospective-- la strada, la dolce vita...Charlie: Uh, no, I can't do it. No subtitles.Jen: No subtitles?Charlie: No. I can't stand them. You know, if I want to read, I'll pick up a book.Jen: Whathappened to \"I'll see anything\"?Charlie: Well, anything without subtitles.Jen: Not even action movies? No John Woo, Jackie Chan, Crouching Tiger?Charlie: Is this some kind of problem for you?Jen: No. No. No. No. Imean... it's not like a difference of opinion on subtitles spells doom for a relationship, right? I mean, so what really? So what that I have an overwhelming physical attraction to somebody who categorically rejects thevery best that world cinema has to offer just because he's a little too lazy to read the words on the screen.Charlie: Now, see? You're mad. No, no. This is good. This is good. This is what I was talking about-- us getting"}
+{"doc_id":"doc_46","qid":"","text":"\"The Skull in the Sculpture\"[SCENE_BREAK](Open: Junk yard. Two drunken guys are climbing a fence with barbed wire)CHUNKY: My dad thinks I'm selfish, so I want to steal him some spare parts for hisbirthday.DUANE: You're a good son, man.CHUNKY: Hey, dude, I'm not moving.DUANE: Dude, your jacket is caught on the barbed wire. Bounce around a little bit, and you'll come loose.CHUNKY: (falls to the ground.laughs) That worked great.(The two begin staggering around stacks of compressed vehicles)DUANE: So, what kind of car does he have?CHUNKY: Old one. Toyota FJ-40. He loves that thing. More than me, that's forsure.DUANE: Check it out!CHUNKY: Oh, wow! (The two run towards a stack of cars) Can you imagine if I gave him that golden side mirror? I could glue it on his truck. (begins pulling out side mirror) Got to be gentle.It's coming. (Mirror comes off and blood begins to run out of the car)DUANE: The car is bleeding.CHUNKY: There's something back there.(Pulls out sheet of glass to reveal a skull. Both scream.)(Cut to a restaurant bar.Sweets is sitting at the bar. Angela walks up)ANGELA: Okay, look, just to be clear, I asked you out for a drink to talk, not because I'm desperate for male company.SWEETS: You think of me as male company?WAITER:(off camera) Can I get you anything?ANGELA: Vodka up, please. And my grandson here will have another of whatever that is.SWEETS: Oh, sidecar, but no, I'm fine. Okay, one more, one more. I'm cabbing it. (turns toAngela who is now leaning on the bar facing the rest of the room) You just got divorced and broke up with your fiancé. It's totally understandable that you don't feel like s*x.ANGELA: I feel like s*x.SWEETS:Oh.ANGELA: s*x is what I feel like. Now, I could jump Hodgins, but doesn't seem fair somehow. Do you agree?SWEETS: Well, what matters is that it doesn't seem fair to you.ANGELA: Oh, I hate it when shrinks dothat.(both turn back to the bar)ANGELA: Look, I've been alone now for quite a while, which is not like me.SWEETS: Yeah, well, when we open ourselves emotionally and get hurt, we're reluctant to allow ourselves to bethat vulnerable again.ANGELA: It's been, like, six weeks.SWEETS: That's a-a...ANGELA: Long time.SWEETS: (looks down uncomfortably) Yes, of course it is.ANGELA: The longest I've gone without since I lost myvirginity. At age 16.SWEETS: Hmm.ANGELA: Which is the normal age.SWEETS: Sometimes older is just fine, too.ANGELA: I'm not promiscuous, Sweets. I don't sleep with just anybody. I do require an emotionalconnection. Spiritual, actually.SWEETS: Mm-hmm.ANGELA: It's spiritual to me. And fun, of course. Who doesn't like s*x, right?SWEETS: Hey! Didn't we order these drinks a long time ago?ANGELA: You'reright.SWEETS: (looks at Angela in surprise) About what?ANGELA: I have been protecting myself. Without the risk of pain, there can be no possibility of pleasure or joy or love.SWEETS: Yes, yes, and-and regaining thatwillingness to take a risk-- that can take time.ANGELA: No.SWEETS: No?ANGELA: I am done protecting myself. I'm ready to move on. You're good.SWEETS: Hey.(both turn back to the bar as the waiter brings theirdrinks)ANGELA: You really are.WAITER: Here you go SWEETS: Thank you.ANGELA: (raising her glass for a toast) To love, huh? And joy. (they clink glasses. Angela raises her voice and looks around) And s*x!(Sweetslaughs awkwardly)(Cut to the Medico-Legal-Lab - in front of Forensics Platform. Brennan and Hodgins are looking at the crushed car with the skull as Cam, Daisey, and Angela stand behind them. Hodgins is using aflashlight.)HODGINS: Looks like someone with a crooked nose was trying to get rid of our friend here.BRENNAN: There's no way to know that the killer had a crooked nose.DAISY: You mean, the mob? It was a mobhit.CAM: He clearly wasn't wearing a seat belt.HODGINS: We're going to need the Jaws of Life to pry this guy out of here.(Cam and Hodgins begin walking around the car)BRENNAN: No. That could compromise theremains.DAISY: It seems that any viable examination pre-extraction is impossible, unless somebody has X-ray vision. (laughs awkwardly)CAM: (to Brennan) I meant to warn you that Ms. Wick came up in therotation.DAISY: This time you'll be glad I'm here, Dr. Brennan, I promise.(Brennan and Angela exchange a look of annoyance)DAISY: The height of the nasal root points to a Caucasian. The large brow ridges suggest amale.BRENNAN: We need cause of death.(Angela begins to walk around the car)DAISY: Of the Caucasian male? What can be seen of the temporal, zygomatic and frontal bones indicates that they're in multiplefragments, possibly from the crushing of the car.CAM: We have access to blood and fluids. I'll run a tox screen.BRENNAN: (begins to walk around car. All four are now on seperate sides) Booth is checking the records atthe junkyard to see who brought in the car and when it was processed.HODGINS: I'll use an endoscope to retrieve any particulates without disturbing the remains.(Brennan's cell rings. She answers and walksaway)BRENNAN: Brennan.ANGELA: (to Hodgins) Hey, have you been seeing anybody?HODGINS: Listen, I don't want to be rude, but I just don't think that's any of your business.ANGELA: I haven't.HODGINS: Me,either.ANGELA: But I'm going to start.HODGINS: Right, yeah. Me, too. I mean, like, right away.ANGELA: Sweets agrees that it's time.HODGINS: Sweets?ANGELA: We shouldn't fear putting our hearts outthere.HODGINS: Sweets.DAISY: That's so beautiful.CAM: And so inappropriate over a decomposing body.(Brennan walks by)BRENNAN: Booth found out who delivered the car to the junkyard for crushing.(Cut tosidewalk at night. Booth and Brennan come walking around the corner)BOOTH: Invoice was made out to B & B Enterprises. This was the sixth car that was crushed and sent back to this address.BRENNAN: Oh, so youthink there might be five more bodies?BOOTH: Well, you know what? If this is mob-related, and we bring down the big boys...BRENNAN: Yeah.BOOTH:...we will sell the movie rights for a fortune.BRENNAN: But what ifit's not the mob?BOOTH: Come on. Do the math, Bones.BRENNAN: Well, the math wouldn't indicate motive or identify a suspect. And you haven't even provided enough variables...BOOTH: It's a figure of speech,Bones, all right?(They stop in front of a building)BOOTH: Here we are. Woah, woah, woah, woah (pulls Brennan back who was walking towards stairs) What goes first?BRENNAN: Gun goes first.BOOTH: That'sright.(They start walking up the stairs)BRENNAN: But if you get shot?BOOTH: Don't say things like that. You're gonna jinx me, all right?BRENNAN: Well, if you're relying on superstition for safety, perhaps I should carrythe gun.BOOTH: (stopping in front of a set of glass doors) No, you are definitely not carrying a gun.(pulls out lock pick) Give me some space, all right? (leans down and begins to pick the lock)BRENNAN: Is thatlegal?BOOTH: Look, if anybody asks, the door was open.BRENNAN: (whispering) No, it isn't. (Booth looks at her and she realizes what he means) Ah... Right. (Booth pulls out gun and they enter)(cut to the interior ofthe building. More crushed cars are in the room as they enter. Movement is heard in the background. A woman comes from a room around the corner)BOOTH: Okay, what the hell are you supposed to be?BRENNAN:(pointing at the ground) Booth?BOOTH: What?(camera cuts to show a large blood stain)BRENNAN: Look at this.BOOTH: What is it?HELEN: Blood.(cut to opening credits)(Cut to: In a gallery. Camera pans over morecrushed vehicles and an image of Geoffrey. FBI forensics team is working throughout the room. Brennan is looking at a video while Booth looks at a sculpture nearby)BRENNAN: The artist did a series of six sculpturesover the past two years.BOOTH: (holding a pamplet) Sculptures? Whoa. These things are going for hundreds of thousands of dollars.BRENNAN: (as they begin to walk through the room) All cultures put a great value onart.BOOTH: Yeah, art. A nice bowl of fruit, uh, dogs playing poker. If I sold all the crap that was in my garage, I could retire. I'd make a fortune.(They stop by a sculpture. Helen is standing in front of them)HELEN:Geoffrey's work is a brilliant examination of consumerism and the destruction of the soul.BRENNAN: I see twisted metal.HELEN: Well, you need to look beneath the surface.BOOTH: Oh, we did, and we found a deadbody, which is exactly why you're not going anywhere.(FBI tech Marcus Geier walks up)MARCUS: Agent Booth?BOOTH: Yeah.MARCUS: The luminol is showing evidence of blood all over the floor.HELEN: Of course itis.BOOTH: Excuse me?HELEN: Kiko was here.BOOTH: Kiko?HELEN: Kiko, the performance artist. Pig's blood is an integral and crucial part of her work.BRENNAN: Is that even legal?BOOTH: Well, we'll decide what's pigand what isn't. Pull some samples.MARCUS: Okay. (walks away)HELEN: I've already called my lawyer.BOOTH: That's great. Tell him to meet you down at the FBI offices.HELEN:(laughing) Oh, I didn't call him for me.You see how much these works are worth. You are liable for any damages.BOOTH: (laughing) Damage?BRENNAN: They're crushed cars.BOOTH: They're wrecks.HELEN: Fortunately, your ignorance and lack ofappreciation of Geoffrey's work don't affect its value.BOOTH: (to the room at large) Okay, all right, guys. Careful handling the junk. Apparently, it is art. All right?ROXIE: (walking into the room and stopping to addressBooth and Brennan) Uh, perhaps I could help? I'm Roxie Lyon, Geoffrey Thorne's assistant.BRENNAN: Does the artist make a habit of encasing corpses within his sculptures?ROXIE: Excuse me?BOOTH: Well, we foundone of these crushed cars and traced it back here to this address.MARCUS: (walking back over to the group) We've done the best we can without ripping one of these things apart.BOOTH: No accordion-deadbodies?MARCUS: The cadaver dogs can identify human blood. They didn't find any.ROXIE: (walking to Helen)Oh, my God. Helen?HELEN: Yes?ROXIE: Do you think Geoffrey might have actually done it?HELEN: No. Thatwas all just depressed artist talk, Roxie. You should know that. You were a depressed artist yourself.BOOTH: (walking over with Brennan) Hello? Do you want to explain this to me?ROXIE: Uh, recently Geoffrey's beentalking about finding a way to make himself part of the art.BRENNAN: Do you mean literally?HELEN: The ultimate artistic act.ROXIE: Geoffrey was depressed, and he said he felt like he'd reached his limit as anartist.BOOTH: We'd like to show you a picture of the remains, only if you're up for it.BRENNAN: I suggest you don't look at the person, but rather this distinct ring.HELEN: That's Geoffrey.ROXIE: I know that ring. Idesigned it myself. It's Geoffrey.HELEN: (looking up and speaking as if to herself) Bravo, Geoffrey.BRENNAN: You are an extremely unlikable woman.BOOTH: Mr. Thorne have any enemies?HELEN: Why? It's obvious hedid this himself.BRENNAN: To you, perhaps, but we actually require evidence.ROXIE: Anton DeLuca.(Booth looks at her meaningfully)ROXIE: He's an artist and a rival of Geoffrey's. They had a pretty big argument herethe other night.BOOTH: About what?HELEN: What all artists argue about-- money.(Cut to the Medico-Legal forensics lab. Cam is working at a desk, Hodgins walks in carrying a large piece of machinery)HODGINS: Youknow what this is?CAM: Jaws of Life.HODGINS: 23,000 pounds per square inch of raw prying power.CAM: You really want to be the one to use that, don't you?HODGINS: It's not displaced sexual frustration.CAM: Ofcourse not. (turns to look at Hodgins)HODGINS: I am totally cool if Angela wants to date already, or, I mean, again.CAM: pointing to the other room) Right. You do know the point is to remove the human remains frominside the car with minimal disruption of the evidence?(Hodgins puts the Jaws of Life on a table)CAM: (turning back to her computer) Though, these tox results are suggesting suicide.HODGINS: (walking over to herdesk) You got these from the tissue samples?CAM: Mostly skin, some brain matter.(camera shows computer screen with data on each drug listed)CAM: Clonazepam, lamotrigine, quetiapine, venlafaxine, (turns to lookat Hodgins) hydrocodone, oxycodone and codeine.HODGINS: Wow. Anti-anxiety drugs, mood stabilizers, anti-psychotics, antidepressants and painkillers.CAM: He was under psychiatric care. Even spent a week in thepsych ward last March.HODGINS: So, our victim could very well have been dead from an overdose before he was crushed.CAM: Can't tell for sure. Long-time abusers build up a tolerance, so, this could have been atypical Wednesday night for the guy.HODGINS: Best way to find out is to crack her open, baby.(picks up Jaws of Life. Cam looks at him with a questioning look)HODGINS: I didn't mean \"baby.\"CAM: Carefully, Dr.Hodgins. Like removing a baby bird from an egg.(cut to the floor in front of the forensics platform. Hodgins puts on safety glasses)HODGINS: Stand back, ladies. This is about to get medieval.(Angela smiles as Daiseylooks uncomfortable. Caroline walks in as Hodgins is about to begin work. She is followed by Helen, Roxie, and a man, most likely the lawyer.)CAROLINE: Ah, ah, ah, ah, ah. Sorry, cheri. Apparently, this is an historicpiece of art.HODGINS: It's a hard car shell with a gooey corpse filling.DAISY: I've already collected textile, tissue and bone samples.CAROLINE: That was before I got here.(begins walking around thesculpture)CAROLINE: Here on in, this is an historic piece of art. These fine people persuaded a judge of that and got a temporary injunction.HODGINS: Oh, this sucks.ANGELA: Roxie?ROXIE: Angie?ANGELA: Roxie!(thetwo walk to each other and hug. Cam walks past and over to Hodgins and Caroline)ANGELA: My God...ROXIE: Hi! What are you doing here?CAM: What's going on?HODGINS: Those two are old friends from college-- ifthat's the same Roxie.(Angela and Roxie walk off)DAISY: Luckily, I took initiative and got those samples before the injunction.CAM: Injunction?HODGINS: This heap is considered art.CAM: Well, it's... gorgeous. Wheredoes this leave our investigation?CAROLINE: You can still examine it. You just can't disrupt it in any way. Don't worry. This is only temporary. We'll see how artistic people are feeling when it starts stinking. Just don'tscratch it.CAM: Don't scratch the crushed automobile, which encases a rotting, dead body?CAROLINE: Good! We understand each other.(loud noise as Hodgins puts the Jaws of Life back on the table)(cut to awarehouse that's being used as an artists studio. Anton Deluca is working on a sculpture)ANTON: Geoffrey Thorne dead? This is a... great day for the art world.(Booth and Brennan turn to follow him as he worksthroughout the scene)BOOTH: Yeah, well, last time you were seen together, you were arguing.ANTON: Well, we never saw each other without arguing, so...BRENNAN: You disliked Geoffrey Thorne?ANTON: Well, let'sjust say between his work and his guts... I don't know which I hated more.BOOTH: Yeah, well, artistically speaking, crushing him up in his own work, that would be very, uh, symbolic.ANTON: Is that what happened?(launging) Oh, that, that's hilarious. He crushed himself inside one of his stupid car sculptures? An exhibitionist right to the bitter end.ANTON: How Po-Mo.BOOTH: Po-Mo?BRENNAN: Uh, Post Modern.ANTON: Let me tellyou, Geoffrey's hermetic aestheticism was choked with tawdry pastiche. He had plastic intentions and weak enterprise.BOOTH: All right, someone I understand less than you.BRENNAN: This is asymmetrical and yet stillpleasing to the eye.BOOTH: Okay, I take that back. Why don't you just say it's... pretty?ANTON: I don't do pretty.BOOTH: Okay. Simmer down there, Picasso. You get a compliment, you be polite.ANTON: I don't dopolite either.BRENNAN: Maybe that's why you're broke.ANTON: Who gave you my name? Was it that Kabuki ghoul, Helen Bridenbecker?BRENNAN: Shouldn't you be trying harder to look innocent?BOOTH: Yeah. Howlong have you and Thorne hated each other?ANTON: You can write down, since before the big bang.BRENNAN: Oh, no. There was no \"before\" before the big bang, because time didn't exist. If there are no organizingproperties...BOOTH: Bones, I'm just going to write down, it's been a while. All right? So, why were you arguing at the gallery?BRENNAN: We heard it was about money.ANTON: Well, I might have said he was a sell-out.Usually do. But I didn't think to kill him. Now it's too late, right?BOOTH: Well, if you didn't kill him, then, uh, who did?ANTON: I'd look at his girlfriend if I were you.(Brennan and Booth confused)BRENNAN: No one hasmentioned a girlfriend.ANTON: Roxie. His \"assistant.\" He said he was gonna leave all his money to her. I mean, this is kind of basic stuff you guys should know, right?(cut to the sculpture in the medico-legal lab. Daisyis standing behind Cam, who is inserting a scope into the sculpture)DAISY: Did you have like buckets of coffee this morning? You're very shaky.CAM: Could you take a step back, please?(Cam begins using the scope asDaisy watches the video feed)DAISY: A little more. Just a little more. Like tip-toeing mice.CAM: Oh, rats.DAISY: Do you want me to try? Let me try. I'm very dexterous.(Brennan walks over looking around the room.Cam sighs and hands Daisy the scope)DAISY: Oh, you won't be sorry.(Brennan empties the bucket over the sculpture. Beetles crawl through the sculpture.)BRENNAN: I was going to say that I had an accident overhere, but I don't like lying.CAM: You dumped a bucket full of domestic beetles onto this work of art. They'll strip the flesh off our victim in no time.BRENNAN: Within 30 hours. Am I fired?CAM: Au contraire Remind me ofthis moment around Christmas bonus time.DAISY: I'm in!BRENNAN: Uh, good work, Ms. Wick.(Brennan and Cam walk over to where Daisy is working)DAISY: Well, we could've been here hours ago if Dr. Saroyan wouldhave given me the endoscope sooner.CAM: Thanks for mentioning that.DAISY: There's too much flesh to really get an idea of the bone damage.BRENNAN: 30 hours. (walks away)(cut to an interrogation room. Booth isinteviewing Roxie as Sweets observes and talks to Booth through an earpiece)ROXIE: I was Geoffrey Thorne's assistant for almost four years.SWEETS: Okay, I suggest you start with the mundane, and then workyourself up to the sexual stuff.BOOTH: So did you have a sexual relationship with your boss?SWEETS: Okay, that's the total opposite of my suggestion.ROXIE: No. No.BOOTH: So what was the nature of yourrelationship?ROXIE: I assisted Geoffrey. I handled the details of his day-to-day life. Are you sure it's Geoffrey?SWEETS: Prevaricate, keep her guessing.BOOTH: Yes, we're positive.SWEETS: (sighs) Why am Ihere?BOOTH: As his personal assistant did you get him his drugs?ROXIE: If you mean his prescriptions, then... yes, I picked them up for him and I reminded him to take them.SWEETS: Ask her if Thorne was clinicallydepressed.BOOTH: He was depressed, right?ROXIE: Yes. He was... suicidal. Seeing a shrink.BOOTH: (looking towards the one-way mirror) That's why you're here.ROXIE: Because you think Geoffrey took anoverdose?BOOTH: If he killed himself, I mean, wouldn't he have left a suicide note?ROXIE: Yeah, I would think that he would have... left me a message.BOOTH: (flipping through papers) Look, if you weren't sleepingwith Thorne, then why did he name you the sole beneficiary of his estate?ROXIE: Geoffrey's will?BOOTH: Yeah, it's... about one million dollars. Look at that.(Booth puts a page in front of her)ROXIE: I had no idea thathe was going to do that.SWEETS: Perhaps jealousy is her motive for killing Thorne. Why else would she deny sleeping with him?BOOTH: I don't think so.ROXIE: I swear.BOOTH: No, there was another reason why youweren't sleeping with Thorne.mIsn't that right, Roxie?ROXIE: Angela told you, didn't she?SWEETS: Told us what?BOOTH: Why don't you tell me.ROXIE: I'm gay. I'm a lesbian. I've never been with a man in my life and Inever will.SWEETS: oh, that changes everything.(the medico-legal lab. Booth, Brennan and Angela are walking down the stairs to the main floor)BRENNAN: So, according to his will, Roxie stands to inherit Thorne'sentire estate.ANGELA: She said they were close.BOOTH: Well, people usually leave money like that to a wife or a lover.ANGELA: I don't think so.(they continue walking through a hallway)BOOTH: Because?ANGELA:Because Roxie's an old friend and she'd have told me.BRENNAN: Well, she says she's a lesbian.BOOTH: Delicacy, Bones.BRENNAN: What? It's not an affliction, Booth.ANGELA: Yes, Roxie is gay. At least she was whenwe were together.BOOTH: In school?ANGELA: Yes.BOOTH: Oh, you heard rumors.ANGELA: No, I have firsthand knowledge.BOOTH: Oh, you walked in on her, that's awkward.ANGELA: (stopping in front of a station and"}
+{"doc_id":"doc_47","qid":"","text":"Scene 1: FoS - Sookie, Gabe, Godric, Eric, Jason, Sarah, Steve, Brent, KyleSookie, Gabe, Godric and Hugo are in the basement. Sookie is rebuttoning her dress while Godric is taking care of Gabe.Gabe: Godric, it'sme!Godric kills the man.Godric [To Sookie]: You should not have come.They both hear screams.Sookie: Bill!Godric: No.[Closing his eyes] I'm here my child. Down here.Eric appears.Eric: Godric.He kneels down.Godric:You were a fool for sending humans after me.Eric: I had no other choice. These savages they... they seek to destroy you.Godric: I'm aware of what they've planned. [Pointing Hugo] This one betrayed you.Sookie: He'swith the fellowship. They set a trap for us.Eric: How long has it been since you've fed?Godric: I require very little blood anymore.The alarms start.Godric: Save the human. [To Sookie] Go with him.Eric: I'm not leavingyour side until you are...Godric: I can take care of myself.Sookie: Come on! We have to go.Godric: Spill no blood on the way out. Go!Eric and Sookie leave the room.CreditsJason is lying on the ground and notices thered stain on his chest.Jason: I'm alive.He stares at Sarah.Jason: Holy sh1t. God saved me. I'm safe.Sarah Newlin: Oh for Heaven's sake grow a brain cell! [Showing the gun] Paintballs!Jason: What... You crazybitch!Sarah Newlin: I let you into my house, into my bed and into my heart. All I stood for, all I believed in, I violated to be with you!Jason: Okay.Sarah Newlin: I gave you everything for a lie. You're worse thanJudas.Jason: Why, what did he do to you?Sarah Newlin: Ugh. f*ck you! [shoots him again, in the groin]Jason: OOHH OHHH SWEET JESUS. OK, I'm sorry OK? Just, tell me what you want me to say, don't shoot meagain...Sarah Newlin: You came to prey on me; to ruin the sacred vow I made to my husband then like a coward you ran!Jason: No, I didn't... Okay, I ran. But it wasn't from you. It was from your husband and his crazyweapon collection. Why'd you have to go and tell him?Sarah Newlin: Tell him? I didn't tell him anything. He's the one who told me!Jason: [standing] Wait, wait, wait, wait. Told you what?Sarah Newlin: There are wolvesin our hen house. We must defend our flock.Jason: [confused] What's that got to do with-Sarah Newlin: We have your sister!Jason: Sookie's in the church?Sarah Newlin: She came in yesterday, spouting the same liesyou told!Jason: Now you listen to me. She's got nothing to do with this.Sarah Newlin: You Stackhouses... you're nothing but a bunch of heartless, two-faced vampire fuckers!Jason: [grabbing the paint gun and pushingher down] Don't you ever talk about my sister like that! If I find out any of you so much has touched her, I'm gonna come back here...and it won't be with no f*ckin' PAINT GUN!Jason takes the car and leaves.Back tothe FoS Church, people are running away.Steve one Loudspeaker: Brothers and sisters, we are on lockdown. Women with children, please take them to our classroom buildings. Men, and able-bodied women, securitypersonnel will provide you with stakes and silver just outside the chapel. Our Soldiers of the Sun are on their way to protect our church, but safely evacuate the building now. Brothers and sisters, the hour is uponus!Eric and Sookie are watching them getting out of the church.Eric: I could have you out in seconds.Sookie: There are kids out there.Eric: All those humans wouldn't think twice about hurting us.Sookie: Why didn't youbring Bill with you?Eric: His attachment to you is irrational. It clouds his judgment. He would kill every child in this church to save you.Sookie: Why aren't you?Eric: I'm following Godric's orders and getting you out,that's all.Sookie: He's your maker isn't he?Eric: Don't use words you don't understand.Sookie: You have a lot of love for him.Eric: Don't use word I don't understand...Eric looks furtively at the entrance door.Kyle: Let'slock it up! Keep quiet! Alright lock it up, nobody comes through here...Eric walks out toward the members of the fellowship.Sookie: Eric, no!He turns back and leans down to Sookie.Eric: Trust me.He walks toward outthe entrance door.Kyle: Is it locked? Did you check on... did you...Eric: [Taking a cheerful happy-go-lucky voice] Oh Hey y'all! How's it going? Steve sent me over there to man the exit here. Think I can take it fromhere.Kyle: By yourself?Eric: Ha... Yeah!Kyle: You're big and all but there's a vampire on the loose.Eric: Oooh...Brent: Where's your stake?Eric: Oh [laughing] Dang! I forgot!Kyle gives Eric a suspicious look.Eric: Maybe Icould borrow yours if... if that's okay.Another guy looks at him suspiciously.Brent: I can't do that... Get your own.Eric:[Back to his usual voice] I'd very much like to borrow your stake.Brent: Yeah, yeah that'd be okay Iguess.Brent hands Eric the stake while Kyle is about to stake Eric.Sookie: STAKE!Eric turns and punches Kyle and Brent down. As Rich goes to stake him, Eric grabs him by the throat and points the stake to Rich's neck,Sookie rushes over.Sookie: Eric! You don't have to kill him.He lets go of Rich.Eric:[Opening the door] Come on!People are rushing over.Rich: Those arrows are wood. You'll never make it through.Sookie: Eric, throughthe sanctuary.They enter the sanctuary.Eric: Where's the exit?Sookie: Back that way.Steve: There are several exits, actually. For you, the easiest one takes you straight to hell.Members of the FotS enter theroom.Sookie: Let us leave. [To the members] Save yourselves. No one has to die.Steven: The war has begun you evil whore of Satan. You vampires cast the first stone by killing my family. The lines have been drawn.You're either with us, or against us. We are prepared for Armageddon.Sookie: The vampire you're holding prisoner got away. He's a sheriff. He's bound to send for help.Steve: I'm not concerned with Godric. Anyvampire would do for our grand celebration, and we got one right here.He points to Eric. Sookie looks at Eric, and he looks her back.Eric: I'll be fine.He walks toward the altar.Steve: Brothers and sisters, there will be aholy bonfire at dawn [laughing].Scene 2: Hotel Carmilla - Bill, Barry, Lorena, Hoyt, JessicaIn Bill's room:Lorena: [Pushing Barry against the door] Look dear, room service sent a gift for us.Barry: No. No I don't doany...Lorena takes Barry by his throat.Lorena: Aaah... Heart's pounding. It's so much tastier. How considered of you.Bill suddenly turns his head.Bill: Sookie!Lorena: [Looking annoyed] That bothersome human. Justlike an alarm o'clock you can't switch off. Bla bla bla bla... and ten minutes later bla. [Softly touching Barry's throat] I give you first bite.Bill: I am NOT hungry.Lorena: Oh! Come now. As I recall, you appetite wasalways... insatiable. This human attitude for your girlfriend is charming and all but we both know better. [Turning to Barry] Don't we?Barry: Please... I don't wanna die.Bill: [Angry] Let him go!Lorena: [Laughing] I will...soon.Barry: No!Lorena gets her fangs out and bites Barry, who's screaming.Bill's looking away. She ends the biting part, looking oddly at Barry's throat.Lorena: This one's different. I've never tasted... [Holding Barry'schin] What are you? [Sound of something being torn]Lorena turns to see Bill throwing a TV in her face. She lands on the floor. Bill smashes her head with the TV and throws it away. He takes Barry with him and theyleave the room.In Hoyt and Jessica's room.Hoyt and Jess are still making love.Hoyt: ...okay? Are you okay? I'm not hurting you?Jessica: No... Not anymore... Goodness shut up. Keep going.Bill suddenly enters theroom.Jessica screams while Bill is embarrassed and looks away.Hoyt: I... I don't know what you heard but... those were screams of pleasure. [To Jessica] Right?Jessica: [Hiding her face with her hands] Oh mygod...Bill: If you truly care for her, you will take her to your car this very moment and drive her back to Bon Temps before the sun comes up.Hoyt: Now?Bill: Now!Bill leaves.Scene 3: Merlotte's - Lafayette, Tara,EggsLafayette: [Putting down a tarot card] Lovers... Oh sh1t hooker...Tara: What? Isn't the Lovers good?Lafayette: Not for you. In this position it calls for a sacrifice in matters of the heart. You're going to have to makea choice.Tara: But it might turn out well, right?Lafayette: You wanna see your future?A door is being opened, Lafayette is about to turn the card.Eggs: Tara, help me.The card is the Justice. Lafayette looks at Tara andthen at Eggs.Eggs: I need to, talk, to you.Tara: Huh... y-yeah, sure.Lafayette picks up his cards.Lafayette: I'm gonna go and clean a grill or some... [Leaving the table].Tara: [While Eggs is sitting where Lafayette was amoment ago] Say something, you're freaking me out.Eggs: What time is it?Tara: What...Eggs: What TIME is it?Tara: It's... ten past twelve. We just closed, why?Eggs: Look...It happened again, I've lost the last coupleof hours.Tara: Are you sure?Eggs: Yeah.Tara: You don't remember anything?Eggs: I mean, after I left you, I got in my car and, baby, next thing I know I'm over... past Parish Road and I'm over by the lake. And I wakeup on the ground. It's freezing cold. And I don't even know how I got there. Tara, what the hell is wrong with me?Tara: It's okay. It's okay. I'm here. Lafayette, you okay to close up?Lafayette: Yeah... yeah y'all go onahead.Tara: Come on, let's get you home.Tara and Eggs leave the Merlotte's.Scene 4: FotS - Jason, a guyJason is coming back to the camp.Guy: Hey hey, who are you?Jason: It's okay. I'm with the fellowship. Yougotta let me in.Guy: Sorry bro, we're in lockdown. There's a vamper inside.Jason: Yeah. That's why they sent for me. I'm a cadet with the light of day institute. Came strapped. [Pointing his ring] Honesty.Guy: Dude,Honesty. Come on!Jason: Let's move.They enter the church.Guy: Now, we got the vamper surrounded. He's got some having fangbanger chick with him. I'm gonna take you to Steve.Jason: No. I go it.Guy: No he needsyou to... hey... Is that a paintball gun?Jason: Uh oh... [Punching the guy with the paintball gun]. Yeah. It is.Scene 5: Merlotte's- Sam, officer, lady on the phoneBack to Bon Temps.Sam is sleeping in his car until theringing of the phone. The phone call comes from the Merlotte's.Sam: Who is this? [The other person hangs up].Sam opens the door of the Merlotte's.Sam: Hello?He notices the light in the storeroom. He takes a lookand finds Daphne lying against the wall, a bloody hole at the place where her heart should be.Sam: Oh! Jesus Christ!He gets out and looks for garbage's bags; he puts it on the bottom of Daphne's body and gets out. Hecalls for the police.Lady on the phone: Renard Parish sheriff's department. What's your emergency?Right after hearing a voice he sees the blue lights of the police's cars.Officer: Sherrif's department. Anyone inthere?Lady on the phone: Is anyone there? This is the sherrif's department. May I help you? [Sam looks around, panicked]. Hello?Scene 6: Sookie's House - MaryannMaryann is singing while cooking. She starts cuttinga heart and adds the pieces in the frying pan.Scene 7: FotS - Eric, Steve, Bill, Sookie, Jason, Stan, GodricEric is groaning in pain, strapped to the altar with silver.Steve: You see? Justice as our Lord our Savior wasbetrayed for 30 pieces of silver, a few ounces of silver can betray a child of Satan to the world!Sookie: That doesn't make any sense. How can you people listen to him?Eric: I... I offer myself in exchange for Godric'sfreedom. And the girl's as well.Steve: That's noble. But she's just as culpable as you are. She's a traitor to her race. The human race. She hardly deserves our mercy. [To Eric] Maybe we should tie her to you so you canmeet the sun together. [Walking toward Sookie] Hope this marshmallow will roast up nicely.Everyone turns around when hearing the doors being opened.Bill: Sookie!She smiles while Bill's rushing over.Steve: [Pointinga gun against Sookie] One more step, vampire, and the girl dies.Bill: If you shoot her, everybody here will die! Let her go now.Steve: [To Sookie, annoyed] Honestly, what do they see in you? [To the FotS members]Soldiers, some silver chains for our friend here.Sookie: Don't, he's done nothing to you.Bill: Sookie, I'll be fine.Jason: NEWLIN!He shots Steve's hand, the gun falls down.Jason: Let her go, fuckwad.Jason who shots inSteve's head. (Green shot)Steve: AH... AOUH!Bill rushes and kicks down the guys holding Sookie. Meanwhile Jason is being assaulted by 2 members of the FotS.Steve: Son of a bitch! [Still groaning in pain]Sookie goesto Eric, to help him.Bill: Sookie!She takes off the silver chains.Sookie: Let's go!Eric goes straight away to Steve, takes him by the throat and pushes him down.Sookie: Do not kill him!Jason: KILL HIM! Kill them*therf*cker!Steve: Go ahead. Murder us. Murder us before God. We are willing to die.All the members look at him, shocked.A bunch of vampires enter the room.Stan: Steve Newlin! You have pushed us too far. Youexpect us to sit on our thumbs while you round up your men to come lynch us? We'll kill you first. Same way we did your father.Sookie: Oh God no...Steve: [Screaming out of anger] Murderer!Stan: Destroy them. All ofthem.Stan gets his fangs out and all the vampires zoom through the room ready to kill.Sookie: Bill, Eric stop them!Bill: We have to go now!Godric: Enough!Everyone stops.Godric: [Standing in the hall] You came for meI assume. Underling.Stan: Yes sheriff.Godric: These people have not harmed me. You see ? We can coexist. Mr. Newlin, I do not wish to create bloodshed when none is called for. Help me set an example. If we leaveyou in peace, will you do the same?Steve: I will not negotiate with subhumans! Kill me.Woman: No!Steve: Do it. Jesus will protect me.Godric: I am actually older than your Jesus. I wish I could have known him, but Imissed it. [To the FotS Members] Good people, who of you is willing to die for this man's madness? [The room remains silent] That's what I thought. Stand down, everyone. People, go home. It's over now.Sookie: Ohthank god, Bill.Bill: It's all right, you're safe now. You're safe.Steve: Please don't leave me.Godric: [To Steve] I daresay my faith in humankind is stronger than yours. Come.Stan: Sir. After what these humans havedone to you. Has it. Come.Eric: [To Sookie] Are you sure you're okay?Bill: [Angry] She's fine! Go with your maker.Jason: Sookie... Sook... come here [Holding her]. Ah I'm so sorry. Can you please forgive me?Sookie:What were you doing with those people? Are you out of your mind?Jason: Yeah I was. Just [Looking at Steve] that son of a bitch, it's like he sucked out my brain and planted all his own babies in there.Steve: You knownothing. On the final day of reckoning, we'll see who goes to Heaven, and who goes to Hell.Jason: [Smiling, almost laughing] I reckon I've already been to Heaven. It was inside your wife. [Punches Steve].Bill goes toJason.Sookie: Jason, come on!Bill pushes Jason away from Steve.Sookie: Come on!Jason: Take your ring! Honesty my ass, shityhead. White suit motherfu... Go home preaching ...They leave.Scene 8: Merlotte's - Bud,Sam, Kenya, AndyBud: Come on Sam, we can't tell you that. That's why it's called an anonymous tip. We can't tell you who phoned it in.Sam: They wanted you to find me! Why would I keep a body in my ownrefrigerator? It... It was a woman's voice?Bud: Sam!Kenya: There's a rumor saying you were having a relationship with the deceased, is that true?Sam: Yeah.Kenya: And you don't seem too beat up about it.Sam: Iguess we kind of broke up.Kenya: Were you angry?Bud: That must leave some hurt feelings.Sam: Listen, y'all have to trust me. This is bigger and crazier than you can even imagine.Kenya: I'll say... This is the secondtime in 2 weeks a woman's been found in your bar with her heart missing.Bud: And the third time a waitresses of yours has ended up dead.Sam: Oh Come on! That was Rene Lenier! You can't use that against me!Come on Bud, Kenya, listen to yourselves. You know me.Bud: I'm not sure we do. You got no birth records, no social security number; we can't even find where you went to High School.Sam: It's hard to explain.Bud:Save it son. Nothing about your past ever checks out. Won't you just tell us what happened tonight?Andy: What the... Oh oh! Hold up, Bud. You don't think it's Sam, do you?Kenya: Let me get him.Bud: Hold on Kenya.[To Andy] You're on suspension. How did you hear about this?Andy: Still got my radio. I'm not here as a cop okay, I'm a witness. You have the wrong guy.Bud: What?Andy: Sam's not the one you want, he's the victim.I saw him nearly get killed last night.Bud: By who?Andy: The bull!Kenya: The what?Bud: Oh, Andy. He thinks he saw some kind of bull.Andy: With claws. A bull... in a dress... with claws [Mimicking the claws].Bud: OkAndy. You're babbling again...Kenya: I could shut him up.Andy: And your vic, the victim down there, she's part of this whole group of crazy people who was trying to get him [Pointing Sam]. I tried to fight them allbut... [Showing his arm] War wound. I'm corroborating here, Sam. Tell them, help me.Sam: If I told you that's what happened, would you believe me?Kenya and Bud looks at Andy.Andy: Oh,sh1t![SCENE_BREAK]Scene 9: Sookie's house - Tara, Eggs, MaryannTara: [To Eggs] But you're not the only one. I blacked out last night, Arlene blacked out. Maybe there's some kind of gas leak or something.Eggs: Butwhat about Andy Bellefleur. He... he said he saw all of us.Tara: Andy is the only one we know that is out of his mind.Eggs: Tara, I had this sick feeling I did some real bad.Maryann: Knock knock. Hope I'm notinterrupting.Eggs: No, just trying to piece together everything we've been doing in the past couple of days.Maryann: Hum... sounds like somebody's been enjoying himself a bit too much. Tell you what! Why don't easeup on the parties, for a little while? Take it easy. Hey! Snack's ready.They go to the kitchen.Maryann: Ho ho... Hope you're hungry.Tara: Oh my god! That looks amazing, what is it?Maryann: Hunter's soufflé.Eggs: Ididn't know hunters make soufflés.Maryann: Most don't. Dig in.Tara digs in the soufflé which \"red sauce\" is flowing over. Eggs gives Tara a bite.Tara: Wow yeah! What is in that? Is that the rabbit you caught?Maryann:[Smiling] Among other things.Tara licks her hand.Tara: [To Eggs] You have got to try this.Eggs: Hmm. Oh my god.Maryann laughs. Tara and Eggs keep eating.Scene 10: At Godric's Party - Stan, Jason, a woman,Godric, Eric, Bill, SookieWoman: [To Godric] Thank you sir.Stan: Welcome home sheriff. We are all very relieved. [Godric nods]Jason: I just want to say I'm real sorryfort what the fellowship put you through.Godric:You helped save many lives today, Mr. Stackhouse. Please know you have friends in this area whenever you visit.Jason: Thanks man but I don't know if I'll be wanting to come back any time soon.Jason leaves andmeets Eric.Eric: Hail the conquering hero.Jason: Oh no. I'm no hero.Eric: Well you are in this town. But in my area, we know you well as a buyer and user of vampire blood. And that's a very grave offense.Jason: Yeah,listen, I don't do that anymore.Eric: All things considered however, we'll call it even. But you won't be doing it again.Jason: Yes... no, no... got it!Eric: Good boy. Run along.Jason leaves... Eric smiles.Sookie: [To Isabel]Thanks this is great. [To Bill] You've avoided being alone with me all night.Bill: Nonsense. With all this commotion there's hardly been time...Sookie: Bill. I was in that basement for 2 days, you don't even wanna knowwhat almost happened to me down there. Where were you?Bill: Sookie it's...Sookie: \"It's complicated\" is not an answer. Every time I've need you, you've... always come running even in broad daylight. What keptyou?Bill: hum... I was held.Sookie: Held? Like kidnapped? By who? By Eric?Eric: Hmmm heard my name... I hope you were speaking well of me.Sookie: Why should I? You let me walk into a trap.Eric: I regret that. If Ihad known it was possible...Sookie: You did know. But because it was Godric, you'd risk anything.Eric: The bond between a vampire and his maker is stronger than you can imagine. Perhaps one day you'll find out.Billglares at Eric. Sookie looks at Bill, then Eric, and the last one looks at Bill while smiling.Scene 11: Compton House - Hoyt, JessicaJessica and Hoyt enter the house, kissing deeply.Hoyt: [Laughing] Wow wowwow...Jessica: [Laughing] What's the matter? What, you don't love me anymore?Hoyt: I just don't think... Bill might not like us doing this stuff in his house.Jessica: He'll never know. Come on, you drove so fast, I knowyou want to again. Besides, we got two hours before dawn. I can't believe I waited so long. We are gonna do it every single night whether you want to or not. You still want to, don't you?Hoyt: Well, sure, yeah. It's justthat Sookie and Bill might come in any minute.Jessica: We got the house to ourselves. I promise. I've never wanted anything so bad in my life. Make love to me again. Please. Do me. Now. (They begin to make love)Wait, stop, stop.Hoyt: Sorry. What happened?Jessica: I don't know. It just... I mean, it's felt like...Hoyt: Is that blood again?Jessica: Oh, my God. No, no, no, no, no.Hoyt: What, Jessica, what?Jessica: It grew"}
+{"doc_id":"doc_48","qid":"","text":"Is this on?(Beeps)Well, it's been a month since my last Val vlog.(Beeps)Was this going the whole time?(Beeps)Well, it's been a month since my last Val vlog, and I have some really big news. But first, I just want to givea shout-out to my subscriber who said, \"I love it when you do impressions.\" (Laughs) Well... (Mimics Edith bunker) I have very big news that I'm very excited to tell you about. (Giggles) That's my Edith Bunker. Playedby the wonderful... (Beeps) Jean Stapleton! Okay. (Beeps) I should get to my news. Uh... I've been cast in an HBO show.Mark: Why are you telling people you're... Ugh, God. Mark, I thought you left. Why are yousneaking up? Well, I'm not sneaking up. I came to get something. And why are you telling people that you're doing that show? We talked about that. Well, okay, to be fair... Okay, you said, \"no effing way\" and left theroom. I was trying to have a safe discussion and you left the listening circle. Oh, is that what I did? Yeah. Okay. I'm listening. Tell me again why you'd ever want to do that show. It's HBO, Mark. I'll be an actress on anHBO show. Do another HBO show. Okay, I'll just put my name on the sign-up sheet for that. Okay, now it sounds like you're not listening. Okay. All right. Listen, I hear that, okay? I hear that. So you go. Okay. I'mexpressing concern that... You're doing something that's a not-so-flattering version of yourself, written by a drug-addicted... Okay. Asshole, who's just gonna... Yeah. Okay. Right. I'll go. First of all, I'm not playing me.HBO was very clear about that.Okay, and B: Paulie's different now, okay? He's been through rehab. Val... Twice. Two rehabs. People don't change. Ooh. Okay. You just got me. What was that? It's oatmeal. It's really inthere. Steel-cut? That's okay. And he cast me, okay? Paulie cast me in it. So he has changed, Mark. All right? Mark, please, it's HBO, okay? They do all those award-wining shows, right? Like \"Mad Men.\" Is that HBO?Well, they're always smoking on it. I just thought... Oh, no, you're right. You're right. That's A&E. Yeah. So... Well, they have \"Game of Thrones.\" You like that one, right? You always fall asleep to that one. Yeah, that'sgood. Right. Well, here we are at HBO. (Chuckles) New member of the family. (Gasps) Okay, look at this. Oh, \"s*x and the City.\" Started it all. Guess I'm one of the girls now, huh? Oh, all right. Here we go. \"TheSopranos.\" Started it all... In a different way, you know. Don't know that one, actually. No. I don't know it. Oh, and then... \"New Girls,\" huh? Now, this one, she's real special. That, um, Lela Durham. I think it's LenaDunham. Well, I don't... There, that... no, I'm right. Lena, yeah. Really excited to see this one. Can't wait for that.Man: Valerie? Huh? Oh. Hi. We're ready for you. Okay. Take my purse.Mickey: Mm-hmm. Thanks. Okay,here we are. Okay. Yeah, probably a six... I gotta go. Hi. Hello, hello, hello. Pretty office. So pretty. Smells pretty too. (All laugh) Oh, thanks. Oh, yeah, they're with me. Oh. Right. Yeah. Valerie, it's great to see you.Uh-huh, you too. Okay, great. Thanks, so... Valerie, this is Rada. Hi. Current programing. Hi. Okay. Yeah. Such a pretty name.Rada: Thank you.Woman: You know Connor and James? Sure do. Yeah.Val: Wow, gang's allhere, huh? Right, 'cause you said you wanted to see us all. Uh, is there a problem? No. Oh, no. Everything's fine. Great. Yeah. No, I just... I had a couple questions. No, first, just about the film crew... you need to moveover a little bit.Val: So... Yeah, we should talk about that. What's this for? Well, this is... oh, this is just, you know, BTS footage.You know, it's BTS: Behind the scenes. And I just thought, you know, if you want it, youcould have BTS for SR.Sr: \"Seeing Red.\" (Clattering) Oh, watch the blinds, Ivan. (Under her breath) Do better.(Laughing)Maybe we could use it for web content, social media...Val: Oh. Yeah, 'cause these kids havebeen following me around everywhere.Val: And the great thing is, they're cheap. You know? So it won't cost you much. And I just think it's real important to support young people getting a leg up in the business. Yeah,we'd have to use a union crew. Yeah, then they're gone. (Laughs)Val: They're going back to school. Oh. You know, so everybody wins. Okay!Val: Great. Okay. Um, can I ask you something about the schedule?Connor:Hold that thought. Holding.(Laughing)When you had your show, \"The Comeback,\" which I loved, you had a really great producer. Who was that? Oh, from \"The Comeback\"? Jane.Connor: Jane who? Um, Jane... Uh,Jane Jane.Woman: Jane Benson. That sounds right. Yeah. No, I've worked with her. Oh, okay. Well, then let's get her. Or I'll get her, 'cause I know her. Jane Benson, yeah. Yeah. Great. Okay. Okay. Good.James: Wait,you wanted to say something about the schedule also? Yes, I did. Thank you.(Clattering)Val: Just... sorry. (Laughs)Ivan. (Chuckling) Need a union crew.(All laughing)Val: But they're great. They've been learning.Um...I did want to talk to you about... yeah, it's all just happening so fast. You know, want to get my ducks in a row. You know, so I was wondering when do we start? What, like, six weeks? No, we're starting next week. Oh,we moved it up. We wanted to get these on air for spring. Okay. That's fast. I just wanted time to... You know... Prepare. Prepare what? Prepare... Well, prepare. (Emphatically) Prepare. Oh, no. You don't needanything. Well... okay. Oh, no, no, no. You don't need to do anything. You are perfect. Thank you. You're perfect too.(All chuckling)We need to see what we saw in the audition. You're one of the few actresses who stilllooks real. Uh-huh.James: That's why we hired you. Oh. Okay. Right. Doctor, I only got a week to heal, so what can we do? Oh. Valerie. Yeah. Yeah. Wasn't talking to anybody. Um, forgot. We would like to invite you tosee the Golden Globes next week. Oh, okay. You're part of the HBO family now. Aw. We'll see you then. We throw an amazing after-party. Yeah. Yeah. I am so excited about this. I loved \"The Comeback\" and \"I'm It.\"Oh, thank you! Yeah, I saw it at the museum of broadcasting.Val: Uh-huh. Okay. That means it's a classic. That's nice. That's in Beverly Hills. Right. Yeah. Across from the... Nate 'n Al's. Yeah. Mickey, please tell meyou're still in touch with Jane.Val: Okay, there's nothing. All green, and I know we're not at a golf course. This trip to \"Jane-ville\" is a long way to go. That email looked like a definite no to me, Red. Well, no such thingas a definite no, okay? What's the name of that road again? Oh... It's, uh... 4325 Yasidro Sage road. And I know this is her current address because I didn't get my Christmas newsletter back. Okay, we're nowhere. Oh,so many people are dead. Didn't that sign back there say that? All right, I need to pay attention. Didn't realize I'm gonna have to leave bread crumbs.(Chuckles)Oh.Mickey: I think you made a wrong turn, hon.(Dogbarking)Mickey: Oh, there it is.Val: I don't want to hit the dogs.Aw, look at this.(Barking continues)(Goat bleating)Val: Wow.Look at where we are. Jeez, the sun. Where's my sombrero? Oh, you wanna get it? Yeah. I'mgonna need it. My face will look like little orphan Annie.Val: Uh-huh. Oh, look! Horses!Val: Yeah, I saw them. Yeah.Mickey: What's wrong with that one's leg? It's bandaged. Oh, yeah. Supposed to shoot them, right?\"They shoot horses, don't they?\" That movie...Ivan: No. You should Netflix it. Yeah. Okay.(Horse whinnies)Oh! (Val laughs) Jane, Jane. Sound familiar? (Val laughs) Oh my God.Jane: Valerie! I thought, \"who is this?\"And then I saw the cameras and I knew it was you. You never give up. Well, you do. You're really off the grid here, huh? Well, I'm not really off the grid. If I was, I wouldn't have gotten your email about the Paulie G.thing. Oh, yeah. Okay.(Chuckles)Val: All right, okay. Yeah.Come in. Thank you. Yeah. Come on. Yeah.(Dog growls)(Loud clattering)Oh, look out. Watch it. Bust up the joint. Don't worry about that. Here, let me fix thatfor you, Jane. Oops. Yeah, it's... okay. Okay. Go ahead.Jane: Hey, Mickey.Mickey: Hey, sweetie.(Jane sighs)Val: Oh, wow.Val: This is nice.Mickey: Oh my goodness.You own this? Yeah.Val: Aww. Wow, good for you. \u0000Looks like we made it. \u0000 (Laughs) Neil Diamond. So good. I think it's Barry Manilow. Huh? I get it... I get it, Jane. I get it. Get why you live all the way out here, away from everything. You know, good for you. Yeah.So, Valerie... Um, thank you for thinking of me, but I'm not interested. So...Jane: Would you guys like some tea? Sure. Yeah, while we talk? Yeah, let's talk about it. All right. I make a mean tea. Whoa, carefulthere.Jane: All right. Oh. Okay. Yeah. Watch it. You gotta be careful, Ivan. Sorry.(Chuckling)Val: See why I need you?Val: So, um, Jane, I know you said you weren't interested in doing a reality show again.Um, thankyou. But you know what, this is HBO, and they asked for you, okay? They know who you are. Yeah, I met with someone there when I was trying to get distribution for my documentary. Well, okay. Now maybe they'llrevisit distri-buting it. Okay? Get people to see it. Who knows what can happen? Yeah. Actually, yeah, some people did see it and then that happened.Val: Is that an Oscar? Is it real? Can I pick it up? (Jane chuckles)Yeah. (Val gasps) Yeah? Oh my. Ooh. Oh.Okay. Wow. \"Best documentary short: The Hidden Women of Treblinka.\" What is that? Uh, it's about lesbians in the holocaust. Oh. Important. Yeah. 'Cause it got you this. Wow,so, \"Jane Benson and Joanne Meyer\"? Yeah, Joan. That's my ex. Oh! Oh. I didn't know you were... what, that I was Jewish or a lesbian? Well, both, you know. Double whammy. Well, nice to meet you, Jane Benson:Jewish lesbian with an Oscar. Good for you. Good for you.(Sighs)Wow. Doesn't mean anything. \"Doesn't mean anything\"? (Laughs) It's an Oscar! Ooh, and I made banana bread. Oh. I don't eat that, but... I'll havesome. Tyler, make sure that you get me with the Oscar. You know what, Mickey? Here. Will you take a picture of me with the Oscar? Just wanna make sure. I want it on my phone. Yeah. Take another one for safety.And another one. Another one. Just one more. (Mickey laughs) Jane, taking pictures with your Oscar. I know, I'm right in the room. Oh. (Laughs) Couldn't see you, I was blinded by the gold. (Laughs) Oh, wow. Look atthat. Makes a good doorstop...Val: Doorstop. (Laughs) 'cause it doesn't matter. \"It doesn't matter\"?Jane: I still had trouble raising money for my next one. Oh. I have an unfinished movie about the Taiwanese boatwomen in my barn. Nobody even wants to know about it. Well, maybe HBO wants to know about it. Right? Oh, no can do. I'm a lightweight. Mickey? Oh, hello! Mm, that's right. Well... Oooh. Yeah, oh, no. Uh-uh. Sorry.Nope, not 21. You just work the camera, okay? I'm 25. Well, okay, I don't want the other kids to feel bad. All right. Yeah. Go ahead. Is this butter? It's goat butter. Is that a thing? Yeah. The horses like the goats. Youneed to... okay. Come up. Aww.Jane: That way. There you go. Yeah. They're rescue horses. They're, like, traumatized when they come in, and the goats are, like, entry-level. So the horses get comfortable with thegoats, and then they get comfortable with people, and so that's goat butter. Do you have anything in a pump or a spray? Mickey... trying to talk business with Jane. (Giggles) So, Jane, seriously, how 'boutit?(Sighs)Nothing? You're not gonna say anything? You were so uptight around Paulie. Uptight? I-I was... I wasn't uptight. Oh, were you just trying to get me to smoke that? Oh, fine. I will. I'll do it. I'll do it. You knowwhy? Because I'm not uptight. See? (Coughs) I'm not uptight at all, I'm... you know what? Paulie's changed. This is good stuff. (Laughs) It is. It is. You know, I don't know, Jane. (Teakettle whistling) Did you know...That he was, um... (Inhales) Doing heroin? When we were shooting \"room and bored.\" Yeah. I saw him shoot up once. You did? You didn't say anything. It wasn't about him. That's right. Yeah. Oh, sorry. I'm hoggingthe bogart. Mm, I forgot how good butter tastes. I feel bad enough about what I did to you on camera the first time.Val: Well, I'm fine. I'm fine. You were just doing your job, you know. And you're good at your job,Jane, that's why everybody wants you. I'm sorry. I just don't see the point of it all.Val: Oh. Okay. Well, all right. You don't see the point in anything. But, you know, um... How about people? Do people count? Youknow? I need you. I mean, I'm not a lesbian, and I'm not a Taiwanese boat person, but I need you. I need to feed the horses. Okay. That's... all right. I get it. So... I give up. We'll go.Jane: Oops. Wait a sec, I got it. Allright.Val: Oop.Mickey: Hup hup. I'm sorry that I couldn't help you. Oh, well, that's... thanks for talking to me. Are those the... is that the... those are the rescue horses? They're just so beautiful, you know. Just think ofhow many more you could rescue with the money that you'd make doing the show.(Dog barks)Did you answer and I missed it? No. Okay. Well, all right. I give up. That's okay. (Giggles) Okay. Oh, is that the barn? Isthat where you have the... Taiwanese boat ladies that you can't finish because you don't have the money? Is that where that is? All right, you're making me feel bad. Well, look... I mean, I'm sorry, but I just... all I hearyou say is that, you know, \"I don't have money to do the things that I really want to do,\" and I'm here offering you money to do those things and a do-over with me. Right? So...(Goat bleats)[SCENE_BREAK]Mr. Mark.Hello, Jane. Valerie?-Val: Mm-hmm? You have company.Val: Oh? Okay. Yeah.Mark: W-why are they here? I thought this was going to be different than \"The Comeback.\" It's completely different, Mark. This is about anactress on a TV show. They're just here to pick me up. Hi. Come on in. Hi, Jane. Where is she?Val: Oh, hi. Hi, hon. Hi, Tyler. Say hi to your Uncle. See? Kept him on the crew, and not just for me, it's a big deal for himtoo. Hey, Tyler. Learning a lot?Val: Well, of course he is. You know, Jane has an Oscar. Good. I don't want to be on this. Okay. Message received. Okay? (Laughs) He's so cute. Silly Mark. You're so cute. You're socute.(Chuckles)Hi. What's that? Oh, hi.Jane: Yeah, that's Nail.Val: Nail? Yeah. Hi.Jane: And hawk and chip.Val: I got it.Jane: Over there.Val: Hawk. Chip.Jane: Yeah, I got it. I got it.Val: Thank you. Yeah. Sorry. That'snice of you, but... (Jane laughs) ... Jane should do my mic.Val: Oh! Okay. I almost forgot the big news. Um... You know how you and I have been talking about how we wanna try having date night more? Okay. Well,you and I are going to the Golden Globes. What? Uh-huh. That's cool. (Laughs) That's a smile. Just me and you? Just me and you, and Mickey, and Billy, and... You know. Yeah. Just get your tux ready. Yeah. (Laughs) Iactually gasped. (Laughing) That's real. Jane, we're not gonna see that, are we?Jane: What? Me gasping. Well, she's not gonna use anything she doesn't need. Well, what does that mean? It means I'm late for thestylist, okay? They just came to pick me up, but then you started a conversation. I didn't start a conversation. So, let's go everyone. (Cellphone ringing) Oh, forgot my phone. Well, that could have been bad. Who's Dr.Jadra? Oh, um, that's not important. I can just call him back. (Ringing continues) I can call him back. Isn't he the guy... Yeah. You know, I'm just gonna... Get a little Botox. You know, everyone in Beverly Hills gets alittle Botox.Mark: All right. All right. Did you forget what happened the last time? With the fillers and the Botox and the... well, yeah. I was... I wanted to get surgery, 'cause it's safer, you know, but I only have aweek... All right. You want to see what happens? So I'm just gonna do this. What are you doing? Oh, no! Okay. No, no, no. No, that's not... oh, no! Jane, this... no, this is what happens with fillers. Okay. No. That's allright. I got it. Come on. Thank you. That's not necessary, Mark. Either you want to be on camera or you don't want to be on camera. You guys ready? He's filming his reality show, so that's happening. I know that show.Okay. Oh, no. This one only airs in China. China, smart. Yeah. Okay, everybody. Here we go.Val: Okay.Val: There he is.(Val laughs)Brad Goreski. Hello, Valerie Cherish. Hi. How are you? Goo... oops. All righty. Can'toperate cars either. Mickey, don't.(Whispers)Yeah, yeah. I got it. I got it. I got it. Um, should we try it again? Sure, yeah. Okay. In five, six, seven, eight...(Laughing)(Val laughing) Right? Brad Goreski! Hello, ValerieCherish!(Speaking Chinese)Who is this? Oh, this is Valerie Cherish. Nice to meet you. I'm Brad's assistant. Oh.Val: Yeah. Okay. (Laughs) I didn't... I didn't know. Let's take a look at the rack. That one, not this one.(Chuckles) Cute. Comedy doesn't translate. I think this would look really pretty with your hair. Uh-huh. You have to try this. Uh-huh. That's... it's a lot of feathers. Um, it's just not me, I don't think. Yeah, but you knowwhat I love about this one is that it's so modern, and I'd love to see you in something modern for a change. Sure. Yeah. Yeah. Okay. Great. Try that. Thank you. Okay. All right. (Softly) Even though I'd never wear it ina million years. It's a goodie.(Woman laughing)Val: No.Val: Oh, no.Val: No.Let's see it, Val.Val: Oh. Um... No, I don't... it's not right. You know, it's... no. No. Not me. Well, come on out.Val: Um, I'm good in here. Youknow.Val: I don't think... oh. Oh, I like it. Well, I... no. Yeah, I think it's worth seeing. It... you know what? Let's just move along, okay? 'Cause it's just... it's not me. Yeah, I know. You don't have to wear it to theGolden Globes, Val. We just need to see you in a couple of looks for this. You know the drill, you had a reality show. Yeah. Yeah. Just for fun. Yeah. Yeah. We're gonna have fun. Okay. Sure. Exactly. Yeah. Okay. Here Icome. Great. Okay. Well... This one's fun, huh? Look at that. (Laughs) Isn't that something?Brad: I love the idea. But it's not you. Well, yeah. That's what I said in there. You know, but... Look like I fell asleep in a birdsanctuary. Huh? Who's my prom date? Big bird? (Laughs) Okay. Try another one. Which... what's next, Brad? Actually, I have one that I'd love for you to see. It's a-mazing.Val: Is it normal?Val: That's pretty. Yeah, thatwill be fun.(Gasps)Somebody say, \"Golden Globes\"?(Doorbell rings)Housekeeper: Oh! Look at Mr. Mike!Hats off. Here we come. Those beautiful girls!(Val laughs)Uh, limo's here. Well, here we are, four on the town. Gotthe tickets, Mark? Yes, I do. Okay. Let's go.Jane: How are we getting in? Huh?Jane: How are you going to get us in? Oh, well, they don't need tickets, right? They're press. Everybody needs a ticket.Housekeeper:Uh-oh.(Chattering, cameras flashing)Mark: Wow.You know, Billy was pretty upset. Well, Billy's a publicist, and he should understand. What about Mickey, just rolling with it, huh? You were so cute though, telling him.I'll go this time, Mickey. You go next. Oh, I don't know. I felt bad. No, don't. Don't. You're my man, okay? You're my husband, my everything, and you got to come. Gotta have you, and Jane and the crew. May I seeyour tickets, please?Val: Oh. Uh, yes. Omar, could you take them to suite 806. Have a nice evening. What's 806? What is that? A viewing party. I'm sorry, the awards are in there. Where are we going? To a viewingparty in one of the suites. Right that way, ma'am. Well, we're guests of HBO. The HBO party is downstairs after. Oh, no. See, Val, it says, \"viewing suite\" right there. No, but I... what? Okay. I didn't see that, Mark. Ididn't know. Well, I mean, we can still see it, right? Yeah. Yeah, in the viewing suite. Let's see who else is in there. It could be fun. Okay, thank you. Okay. This is it. Okay. Yeah? Yeah. Oh, yeah. I'm ready. All right.Ta-da. Okay.(Indistinct chatter)Wow. Pretty.(Women speaking Russian)Well... Who are these people?(Speaking Russian)Val: I don't know.Val: Guests of HBO, I guess.Are they speaking Russian? Is that what that is?Yeah, probably. They look like Russian whores. And how would you know that? Huh? (Laughs) I think they are. Well, I need a drink. I'm gonna get you a drink, okay? I just saw Paulie G. so I should probably sayhi.Mark: Okay.Val: Right? Well, I don't have to say hi to him, do I? Well, why don't I get you a drink, and then you can say hi. Okay. All right. That'll help.Mark: Oh, and some cheese or something. Sure. Yeah. Thanks.Hello.(Speaks Russian)Don't understand.Man: Hi, what can I get you? Um... what should I have? Oh, you know what? Two of those. Thank you. Yeah. Coming right up.(Chattering, laughing)Hello, hello, hello. Hello,Valerie and her cameras. (Laughs) Yeah.Bartender: Ma'am. Oh, thank you.Bartender: Sure, enjoy. Thank you very much. So... Aye. What's Jane doing here?Val: Um... you didn't know?Paulie G: No. What is this, \"TheComeback\" comeback? Oh. You're not doing that to me again, are you? No. Absolutely not. No. HBO called. They wanted her. Right? Yeah. Yeah, but... You know what? Don't worry. We're in good hands, because... It'snot that same cheesy TV stuff that you hate, you know. I don't know if you know, but Jane, um, she does documentary films, and she has an Oscar. Wow. Yeah, I know. For a holocaust movie... or lesbians... lesbian"}
+{"doc_id":"doc_49","qid":"","text":"ACT ONE Scene One - KACLFADE IN Frasier is listening to a caller.Marie: [v.o.] Um, you see, Dr. Crane, there's this man I'd like to go out with, but he's forty years old and he's never been married. Do you think thatmeans something?Frasier: Well, it could mean he has a fear of commitment... or it could mean he's just been lucky!He laughs at his own wit, then realizes no one is laughing with him.Frasier: Marie, that was ajoke.Marie: [sighs audibly] Did I mention I'm calling from a pay phone?Frasier: Alright, alright, Marie, um... I would say give him a shot, but uh... I'd keep that caution bulb lit. Thank you for your call, Marie. [punches abutton] Who's next, Roz?Instead of handing him over to his next caller, Roz interjects with her own on-air opinion.Roz: If you ask me, it's divorced people you have to watch out for. Someone's never been married - itmight just mean they're a careful shopper. Whereas your divorcé will bite into any old piece of fruit without even giving it a squeeze first.Frasier: The preceding was an unbiased opinion from my never-been- marriedproducer, Roz, who, incidentally, has squeezed more fruit than Tropicana. [irritably] May we take another call, please?Roz: We could, but it's time for a station break.Frasier: [surprised] Oh. Oh well then, we'll be rightback after this.He punches a button and removes his headphones, then enters Roz's booth. She is already up and on the way out.Frasier: Roz, didn't we just take a break?Roz: The lot was full this morning - I had topark at a meter. I'll be right back.Frasier: Oh. Fine, just hurry.Roz pauses and turns back to Frasier. Neither of them notice Bulldog come into the hallway, then bend over to tie his shoe.Roz: [pausing] Do I haveheadphone hair? [off his look] Well, I may have to flirt my way out of a parking ticket!Frasier: Oh, just go!Roz: OK, OK!As Frasier re-enters her booth, Roz turns and runs - and flips, literally head over heels, overBulldog, and crashes to the floor. Frasier rushes back out to see Roz lying on the floor and Bulldog getting up.Roz: [clutching her ankle] Ow, ow, ow, ow!Frasier: My God! [hurrying over] Are you alright?Bulldog: I gotthe wind knocked out of me, but I guess I'm OK.Gil comes over.Roz: Ow, ow, my ankle!Frasier: Here, Roz. [bending down and touching her leg] Does this hurt?Roz responds with a deafening screech of pain.Frasier:Alright, there's no nerve damage at least.Gil: Still, one ought to have an X-ray.Frasier: Yeah, come on.They start to help her down the hallway, with an arm around each of their shoulders.Roz: Frasier, Frasier, theshow!Frasier: No, that's alright, Roz, I'll get someone to fill in for me.Roz: No, I mean right now! You've got dead air.Frasier: Oh, God!He lets go of her, almost dropping her to the floor again, and rushes back into thebooth.Bulldog and Gil help a moaning Roz into a chair by the side. The former sits next to her and the latter kneels by her leg.Bulldog: [to Gil] Take the shoe off.Roz: [in pain] Oh, oh...Gil: [on removing her shoe] Oh,dear.Roz: [worried] What is it?Gil: [distastefully] I see it's been a while since our last pedicure.Roz shoots a disgusted look at Bulldog.[SCENE_BREAK]BED AND BOREDScene Two - Roz's apartment The living roomshares the same space as the bedroom, and Roz is seated on the queen-sized bed, her injured ankle propped up on a cushion. She is trying to paint her toenails. The doorbell rings.Roz: [calling] Who is it?Frasier: [frombehind the door] It's Frasier.Roz: It's open.Frasier pulls open the door and enters. He is carrying a white box.Frasier: Hi, Roz. How were things at the emergency room?Roz: Frustrating. You know how it is - you'resitting there in complete agony and every crybaby with a gunshot wound waltzes right in ahead of you. How was it after I left?Frasier: It was OK. Weird Bruce from Engineering took over for you. [looking around] That'squite a boot collection. Wouldn't it be easier just to put notches in your bed post?Roz: Those are mine. You hate the way I've decorated, don't you?Frasier: No, no. Matter of fact, I admire your courage.Roz: [noticingthe box] Is that for me?Frasier: Oh, yes. [hands it to her] Freud said that there are only two things we need to make us happy: work, and love.Roz: Aw, thanks, Frasier! [opens the box] So you brought mework.Frasier: Well, I thought answering some of the fan mail that had been piling up would give you something to do. And remember, this time death threats don't get photos.Roz's patented death stare is interruptedby a knock on the door.Roz: Who is it?Bulldog: [from behind the door] It's Bulldog!Roz: Shh! Pretend we're not here.Frasier: Roz, you just said, \"Who is it?\"He goes to the door and opens it. We see Bulldog, clutchingsome white paper bags in his hands.Bulldog: Hey, Doc!Frasier: Hey, Dog.Bulldog: Hey, Roz! [noticing his surroundings] Wow! The whole place is a bedroom! [barks]Roz: What are you doing here?Bulldog: Well, I kindafeel responsible for you being on the disabled list. So I brought you some deli.Frasier: Nothing says I'm sorry like fatty meats.Bulldog: [walking into the kitchen] You got your pastrami, coleslaw... OK, where's the frenchfries? I ordered french fries!We hear him slamming his hand on a hard surface.Bulldog: THIS STINKS! THIS IS TOTAL B.S.! [comes out of the kitchen] That apron boy is gonna...! [notices another white bag on the E-Ztable next to Roz's bed] Oh, here they are.He grabs them and goes back into the kitchen.Frasier: To think he does it all without steroids.Bulldog: [coming back out] You want me to stick these in the oven?Roz: Actually,I'm not really very hungry.Bulldog: Oh. Then I guess you're not thirsty either? [pulls out a bottle of Wild Turkey]Roz: Glasses are on the top shelf.He heads back into the kitchen, bottle in hand.Frasier: None for me,Bulldog. I'm off to the opera.Roz: [desperate] You can't leave!Bulldog: [calling] Hey, no ice cubes!Roz: [calling back] Just chip whatever you can off the edge of the freezer. [whispering to Frasier] If you leave me, he'llhit on me!Frasier: Roz, with a sprained ankle?Roz: You know what it's like in the jungle - they always go after the sick and the lame.Frasier: Roz, I'd like to stay, but I'm meeting people at the opera. I've got thetickets!Bulldog: [entering with two glasses] Here we go. I'll get you more ice in a minute when the feeling in my forehead comes back.Frasier: Well, curtain's going up. [opens the door and turns back] Listen, Roz, if youneed anything, feel free to call me absolutely anytime. Well, except for the next three hours, of course. I'm at the opera. Oh, no, no, no... four hours, it's Wagner. Um... oh, then I've got a late supper, then right to bed,I've got an early squash game... tell you what, let's just say call me absolutely anytime after four tomorrow afternoon.He opens the door and exits, leaving Roz quite effectively in the doghouse.Bulldog: Hey. [clinks herglass with his] This is nice. You and me, having a drink together.Roz: [draining her glass] Yeah. It's been fun. Bye! [slams her glass onto the E-Z table]Bulldog: How come you only painted two toenails?Roz: [sighing]'Cause it hurts too much when I reach.Bulldog: You want me to finish them for you?He sits himself down on the bed, picking up the bottle of nail polish.Roz: No, please, it's OK.Bulldog: Hey, it's a nice colour. Goes withthe bruise.Roz: Bulldog, I mean it. Stop it.Bulldog: Hey, you got nice feet!Roz: Really? You don't think they're too big?Bulldog: You kidding? I could get this whole thing in my mouth, easy.[starts painting her nails]Roz:[semi-suspicious] You know, it's really nice of you to do all this for me. Kind of surreal... but nice.Bulldog: Oh, I figure if I'm nice to you... maybe you'll be nice to me.Roz: [pushing herself off the bed] I knew it, I knewit! You come over here acting all sympathetic, but you're still the same old horny, low-class slimeball you've always been!Bulldog: Hey, before you say something that ends up offending me... look, all I wanted to askyou is if, you'd be interested in producing my show.Roz: [shocked] What?Bulldog: Yeah, I'm not real crazy about the guy I got now. And let's face it - you're the best producer there is.Roz: You really think I'm thebest?Bulldog: Hey, that goes without saying.Roz: [obviously won over] Well, Frasier goes without saying it every day. [sits back down]Bulldog: Well, you don't have to answer right now, just take your time and thinkabout it. But I gotta warn ya, when I set my mind on something, I get it. I once wanted to interview George Foreman. He said no... but I got him. [starts painting again] I had to paint his toenails FOUR times, but I gothim![SCENE_BREAK]Scene Three - Frasier's apartment Roz is seated on the couch, her injured leg in Daphne's lap. Daphne is giving her a massage.Daphne: You've been wrapping your bandage too tight. You've got tokeep the blood flowing to the injured ligaments.Roz: Daphne, that feels great. Whatever Frasier's paying you, it's not enough.Daphne: Actually, I'll need a raise to get me to \"not enough.\"The door opens, and Martinenters, followed by Niles.Martin: Hey, Roz!Roz: Hey, Martin, what's going on?Martin: Oh, Niles bought me some new shoes!Daphne: [mock approvingly] Oh yes, look! They have tassels!Niles moves to hang up his coat,oblivious to Daphne's sarcasm.Niles: Aren't they exquisite? Those shoes were individually handmade by an artisan toiling in a hilltop village above Florence. [goes to the bar to pour himself a drink] The man is a herothere. It's an event when he completes a pair of shoes. They ring the cathedral bell and the whole town celebrates.Roz: There's a town that needs a bowling alley.Frasier now enters through the front door.Frasier:Evening, all!Niles: Hello!Roz: Hey, Frasier!Frasier: Oh Roz, Roz! Did you hear the show today? I was at the top of my form! I did a brilliant job of cutting a narcissist down to size!Niles brings him a drink.Frasier: Oh,thank you, Niles. So... He stops, noticing Martin's footwear.Frasier: Ooh, Dad! New shoes? Do I hear cathedral bells?Martin: Ring-a-ding-ding!He gets up and moves to the kitchen.Frasier: Oh, Roz, I also wanted toapologize for leaving you last night. I hope you didn't spend the whole evening fending off Bulldog's advances.Roz: Oh, no! Bulldog's not so bad! We actually had a good time!Frasier: [laden with sexual innuendo]Ohhh?Roz: What \"ohhh?\"Frasier: Well, I couldn't help noticing he came in to work this morning wearing the same clothes he had on yesterday.Niles: [laden with double sexual innuendo] Ohhhh??Martin: [walking backto his chair] What's going on?Niles: Roz slept with Bulldog last night.Roz: I did not! How could you think that?Frasier: Well, I mean - dropping by, bringing a little gift? It was obvious he was after something!Daphne:Well, that's not fair! Dr. Crane is always dropping by and bringing me little gifts and he's not after anything!Niles looks decidedly uncomfortable.Roz: [indignantly] I did not sleep with Bulldog - he didn't even hit on me.He did want something, though - he wanted me to leave you and come be his new producer.Frasier: [skeptically] Oh, well! I wonder why he said that!He trades a knowing look with Niles.Roz: Because he really wantsme.Frasier: Yes well, I think that goes without saying.Roz: For his show.Frasier: Oh Roz, Bulldog knows the blunt approach won't work with you, so he's being more subtle. But his ultimate goal remains to... well,to...Roz: [snappishly] To what?Niles: To play Aeneas to your Dido. [pause] Sorry you had to hear that, Daphne.Daphne: Oh, that's alright. As usual, I haven't the foggiest idea what you're talking about.[N.B. In anearlier draft, the line was, \"dip his biscotti in your latte.\" Also, for lay persons, Aeneas is a figure from classicalliterature: a hero of the Trojan War who escaped to Carthage, and had a passionate affair with the queen,Dido, before abandoning her to go to Italy and found the city of Rome (or so Virgil tells us).]Roz: You know, this is so insulting. You think Bulldog wants me to come work for him because he wants to get me into hisbed. It doesn't even occur to you that he thinks I'm a good producer.Frasier: Roz, don't you think you're being just a tad naive?Roz: I'll tell you what naive is. Naive is someone who thinks he can stand there and talk tome like that without getting a crutch up his butt!Frasier: Roz, I can see how he's manipulating you! I'm an expert in human behavior!Roz: Oh, really? [to Daphne] Excuse me. [stands up angrily] I've heard your expertadvice! The only mental disorder you've ever cured is insomnia!Martin laughs, and Frasier gets extremely riled-up.Frasier: Well, I'm surprised you had time to listen, what with being so busy with your ultra-demandingproducer tasks! Answering phones and pushing buttons! My God, a cockatoo with a strong beak could do what you do!Roz: Then hire one, because I'm taking the job with Bulldog!She picks up her crutches and stormsout - or tries to, but it's hard to do with a pair of crutches and only one good leg.Roz: [hobbling towards the door] That's it! I am outta here! [and hobbling...] Take a picture, 'cause I'm not in your life! [still hobbling]You have seen the last of me! [finally reaches the door and says triumphantly] Sayonara! [realizes] Oh damn, my purse.Roz starts hobbling pitifully back to the couch on her crutches, with everyone looking on.END OFACT ONEACT TWOScene Four - KACL Frasier is in his booth, as per normal, but he has a new producer in the form of Bruce.Frasier: Well Bruce, I see we are loaded with callers here. What line is next?Bruce: What's yourfavorite number?Frasier: [tolerantly] Three.Bruce punches a button. We hear a dial tone.Bruce: Damn. What's your other favorite number?Frasier: [annoyed] Why don't you just let me handle this?[He pushes abutton.]Frasier: Hello, you're on the line with Frasier Crane. I'm listening.Francesca: [v.o.] Hi, Dr. Crane. Um, my name is Francesca and I'm calling about my boyfriend. Well, he says he loves me, but I just can't getover this fear that I'm going to come home one day and he's not going to be there. I don't know. It probably stems from my childhood when my father left us.Frasier: Oh Francesca, you are suffering from a fear ofabandonment. But trust me, I'm here for you.Francesca: Thank you, Dr. Crane. I'm always so afraid that people I count on will just disappear and I'll be left with...Her voice is suddenly cut off, to be replaced by adisconnected dial tone. Frasier stares at Bruce with truly ferocious venom in his gaze.Bruce: Sorry!Frasier: [slightly panicked] Francesca, please... we had a little technical glitch there. But we were almost out of timeanyway. Please, if you'll call in tomorrow, I'll make sure you're the first order of business. Please call. Well, we're just about wrapped up here, folks... I'll see you tomorrow, Seattle.Frasier removes his head phones,then walks into the producer's booth slowly, menacingly.Bruce: [cheerfully] Good show, Dr. Crane.Frasier: You think so, Bruce?Bruce: Yeah!Frasier: Well, call me old-fashioned but when my show starts out with ascreeching noise that could shatter crystal, then moves on to an open mike while I'm eating a bag of potato chips, then disconnects two manic-depressives and a woman with a fear of abandonment, I don't think it's ashow we should be mailing off to the Smithsonian!Bruce: Don't worry, man - you'll do better tomorrow.Bruce gives Frasier a comforting, condescending pat on the back and leaves. Frasier is incensed. He begins to walkback into his booth just as Bulldog wheels his usual equipment in, with Roz following behind him with a clipboard.Bulldog: Yeah, it's going to be a great show, Roz. I can feel it.Roz: Yeah, I'm psyched. You've got about aminute to show time.Frasier: Hello, Roz.Roz: Hello, Frasier.Bulldog: Hey, Doc! Long week no see. Hope you haven't been avoiding me because I stole your chick.Frasier: Oh, Bruce and I are getting along splendidly!Roz:Yeah, I heard Bruce. What happened, the cockatoo want too much money?Frasier, unable to reply, smiles sardonically, and trades sarcastic goodbyes with Roz.Frasier: Bye, Roz.Roz: So long, Frasier.He just closes thedoor behind him when who should he run into but Gil Chesterton.Gil: Oh, a moment, Frasier, please! I'm sure word has reached your ear already about the frutti de mare party I'm throwing to celebrate our fair city'sgreat bounty from the sea.Frasier: Yes, yes. I'd love to come.Gil: Well, aye, there's the rub! You see, I've already invited Roz. With this rift between you two, well, the tension in the air will be thicker than mycioppino!Frasier: Well, Gil, I'm sure that rift will soon be over. Before long, Bulldog will prove that all he's wanted all along is just to get his hands on Roz.He looks into the booth.Frasier: Ooh... in fact that moment mayhave arrived.He peers eagerly into the booth to see Roz bending down to pick up some papers she's dropped.Frasier: Look, she's bending over! Oh turn around, Bulldog!Gil: Oh, yes! Isn't that what golfers refer to as\"teeing it up?\"Frasier: [excitedly] Alright, he moves in... and he... [dejectedly] ...helps pick up the papers!Gil: Oh, I'm so sorry, Frasier. I too entertained hopes for low comedy.Bulldog starts his show, with Roz in theproducer's booth.Bulldog: Attention, sports fans! [blows a whistle and hits his gong] You're back in the doghouse with Bulldog Briscoe!He barks twice, and Roz meows like a cat.Bulldog: Let's talk football, Sunday's lock:Broncos over the Raiders. Easy money, huh, Roz?Roz: Yeah, right! And men just want to cuddle. L.A. humiliated Denver last month!Bulldog: Wh-Wh-What? Hey, do I tell you how to cook and clean? Denver's doo! It's acomplete no-brainer.Roz: Well then, it's right up your alley!She toots a horn at Bulldog defiantly. Frasier and Gil lean back from the window.Gil: You know, I'm no sports fan - but they really are quite delicioustogether.Frasier: Yes well, enjoy it while you can. Bulldog can't keep his libido in check forever.Gil: [condescendingly] Well, of course you're right. And then Roz will come crawling back to you.Frasier: Yes. In themeantime, I have to find someone halfway competent to produce my show. How hard could that be?RUN: Frasier's question is answered by the short scene that follows - it is a montage of all the candidates Frasierauditions for the job of Producer, and is set to the song, \"They Call Me Mr. Pitiful.\"Frasier is seated in his booth in various stages of distress and disarray as the following people inhabit Roz's usual dominion:- an old ladywho smokes so much Frasier can barely see her through the haze;- a lady who obviously has a fetish for cats, having decorated the entire studio with pictures of cats and the control panel with a real live cat;- anEXTREMELY well-endowed blonde who is greatly distracting when she bends over;- an over-worked neurotic who gets too stressed by all the calls coming in, and eventually throws up his hands in despair;- and finally,an old man (Ed) who seems to have fallen dead asleep in his chair. Frasier is suitably worried. He removes his head- phones and gets up, slinging his coat over his shoulder. His shirt is un-tucked... something we don'toften get to see in a well-groomed man like Frasier.[SCENE_BREAK]NILES MEETS THE GOATBOYScene Five - Café Nervosa Niles and Frasier are standing at the counter, having coffee.Niles: You think you had a badweek? This morning, Maris and I woke to the sound of our gardener, Yoshi, hacking his way through our prize topiary!Frasier: Well Niles, I've never understood why you wanted your hedges to be sculpted into theshapes of animals.Niles: Well, we're both animal lovers. But Maris is unable to have pets. She, she distrusts anything that loves her unconditionally. Anyway, there was Yoshi, drunk as a lord, swinging hishedge-trimmer recklessly over his head. Before we could calm him, he had transformed Maris's prize stallion into some sort of obscene... goat-boy. The poor woman is inconsolable.Frasier: Well, thank you, Niles. You'vebeen a great deal of help. There are worse things than seeing one's career go down the toilet - I could have my hedges cut into unattractive shapes.Niles: It's always about you, isn't it?Frasier: Well, I'm sorry! But I'mjust the slightest bit panicky that I'm never going to get Roz back! I've been waiting for weeks for Bulldog to make his move, and against all natural laws, he hasn't!At this point, Daphne enters the café, talking to Martinover her shoulder.Daphne: Come along! [seeing the two brothers] Oh! Hello! I thought we might run into you two here.Martin: Yeah! Daphne and I have been out buying shoes. [to Niles] Oh, not that I don't appreciatethe ones that you bought me, but... I thought I'd save those for special occasions, when only tassels will do. But hey, get a load of these!He turns and walks a few steps off, showing he's now wearing new sneakers,with little pressure-activated blinkers in the heels.Martin: They light up when I walk away!Frasier: Doesn't everyone?Daphne: Well, I see Mr. Congeniality here is still spreading sunshine wherever he goes.Frasierremains standing while Martin and Daphne sit at a table.Niles: Apparently things didn't go very well on his show today.Martin: Oh, really? Well, you know these things go in cycles. I mean, take Bulldog's show - he's just"}
+{"doc_id":"doc_50","qid":"","text":"Karen: So do you want to see it or not?Jim: I don't know. Feel like... Friday night crowds...Karen: Oh my God, you're like, agoraphobic.Jim: Agoraphobic?Karen: Yeah.Jim: Really?Karen: Yeah! You would rather sit onyour couch and watch a Phillies game, than go out to a movie with your awesome girlfriend.Jim: Absolutely correct.Kevin: Later, Jim.Jim: Kev, have a good weekend.Karen: Bye. Ok, so this is what's gonna happen.You're gonna suck it up.Jim: Here we go...Karen: ...and we're gonna go to dinner.Jim: Ok...Karen: And then we're gonna go to the movies.Jim: Sounds good.Roy: Hey Halpert!Jim: Hey... [Roy lunges towards Jim]Pam:ROY!Karen: [shrieks]Pam: Roy don't! [Dwight pepper-sprays Roy]Roy: [screams in pain] Ahh God!Dwight: Pam, please call security![SCENE_BREAK]Dwight: Everyday, for eight years, I have brought pepper spray intothis office to protect myself and my fellow employees. And everyday, for eight years, people have laughed at me. Well, who's laughing now? [Dwight blinks and winces in pain from the pepperspray][SCENE_BREAK]Michael: No need for consternation, everything is under control.Jan: Michael, last Friday one of your employees attacked another employee in your office!Michael: It was a crime of passion, Jan,not a disgruntled employee. Everyone here is extremely gruntled.Jan: [sigh] Is Toby there?Michael: No...Toby: I'm... here, Jan.Jan: Ok, what... what is the situation Toby?Toby: Well, we fired Roy, obviously. And Jimwon't press charges against Roy or the company.Jan: Thank God.Toby: Yeah, um, but now apparently Darryl has some issue with his...Michael: No, he has been wanting a raise for a couple of months and he's justusing this Roy thing as leverage.Jan: All right, well are you gonna take care of this?Michael: Yeppers.Jan: What did I tell you about \"yeppers?\"Michael: I don't... remember.Jan: I told you not to say it. Do you rememberthat?Michael: Yeesh...[SCENE_BREAK]Pam: I really don't want to talk about it. I don't mean to be rude, but I just... I don't want to comment on what happened. It sucked.[SCENE_BREAK]Jim: I guess... all thingsconsidered, I was lucky Dwight was there. And Roy was lucky that Dwight only used pepper spray. And not the nunchucks or the throwing stars.[SCENE_BREAK]Jim: Hey man, I never got a chance to thank you... forstopping Roy. Thank you.Dwight: Thank you not necessary and thus, not accepted. I saw someone breaking the law and I interceded.Jim: Okay. Um... Got you something.Dwight: Don't want it.Jim: You don't knowwhat it is.Dwight: Don't want it. Won't open it. Don't need it. Won't take it. Citizens do not accept prizes for being citizens.[SCENE_BREAK]Jim: It was a little glass display case for his for his bobblehead. That wouldhave made us even, I think. He saves my life, I get him a box for his desk toy. Even Steven.[SCENE_BREAK]Dwight: No, don't call me a hero. Do you know who the real heroes are? The guys who wake up everymorning, and go into their normal jobs, and get a distress call from the commissioner, and take off their glasses and change into capes and fly around fighting crime. Those are the real heroes.[SCENE_BREAK]Oscar:Angela, Roy's check. He's coming in later to pick it up.Kevin: Man, I cannot believe I missed the fight.Oscar: It was crazy.Angela: You saw it? Describe it please.Oscar: Well, I heard some shouting. And I look over andRoy's by reception and you could just tell he's gonna punch somebody. Jim says something. Roy stomps over there. All of the sudden, BAM. Roy goes down, and Dwight's standing there like an action hero.Angela:Oh...Oscar: It was insane!Angela: [flustered] Well... good for Dwight.[SCENE_BREAK]Michael: Ok I want you to be Darryl and ask me for a raise, because I want to try out some of these negotiation tactics on you.Jim:Where'd you get that?Michael: Wikipedia.[SCENE_BREAK]Michael: Wikipedia... is the best thing ever. Anyone in the world can write anything they want about any subject, so you know you are getting the best possibleinformation.[SCENE_BREAK]Michael: Ok, Darryl, ask me for a raise.Jim: Hey, Mike. Since Roy left I've been doing a lot more work, and I need a raise.Michael: Hmm, well that's interesting Darryl. I think... [mumblingsoftly] that maybe you should... [mumbling jibberish]Jim: I can't hear you.Michael: What I'm saying is that, [continues to mumble jibberish]Jim: Still nothin'.Michael: Ok, see what I did?Jim: No.Michael: By leaningback, and by whispering, I established a dominant physical position.Jim: Nice.Michael: Ok, let's try another one. Um...Jim: Okay.Michael: Walking out of the room unexpectedly.Jim: And what happens in thisone?Michael: It's a surprise.Jim: Okay.Michael: Go ahead, ask me for a raise.Jim: Can I have a raise?Michael: [gets up and begins to walk out of the room]Jim: [softly] s*x, Steve Martin, Terri Hatcher.Michael:What?Jim: What?Michael: No, what did you say?Jim: I didn't say anything. I was waiting to see what happened.Michael: Oh it... sounded interesting... what you were gonna...[SCENE_BREAK]Dwight: I saw theperpetrator advance toward the victim at a high rate of speed. His head was thrown back, his shoulder and arm cocked indicating an attack position. Perp grabbed the victim. I removed my weapon from its securehiding place.Toby: Which is where?Dwight: Irrelevant. Discharged it at a distance of a little over a meter into the perpetrator's eyes, nose, and face area. Rendering him utterly and completely disabled. Then I contactedthe authorities. The end.Toby: Thanks Dwight.[SCENE_BREAK]Kelly: That is the bravest thing I have ever heard.Ryan: I can't imagine what I would have done.Kelly: I can. You would have left me to fend for myself.Like that time we were on the Ferris Wheel and that kid dropped a milk shake on me and you just laughed.Ryan: Well that was funny, that's why.Kelly: Oh it was?Ryan: Mm-hmm.Kelly: Okay, well the next time thatyou get scared, that you think a murderer's in your apartment in the middle of the night...Ryan: Okay.Kelly: ...and you call me, to calm you down...Ryan: You know what? I didn't---Toby: Can you stop...Kelly: ...youcan just call somebody else 'cause I'm not gonna do it anymore, Ryan. I'm not.Toby: There's a bunch of people back here, maybe...Ryan: Well, don't talk to me about calling people in the middle of the night...Toby:Guys...Kelly: I call you in the middle of the night to tell you that I love you![SCENE_BREAK]Toby: I don't think Michael intended to punish me, by putting Ryan back here with Kelly. But, if he did intend that? Wow.Genius.[SCENE_BREAK]Michael: [knock on door] Yeah.Darryl: You ready for me?Michael: Yes, yeah, absolutely. Have a seat.Darryl: Cool.Michael: You know what? Actually, let's go into the conference room.Darryl:Okay.Michael: No, you know what? Let's stay here. No let's go... Yeah let's go to the conference room.[SCENE_BREAK]Michael: Tactic number six. Change the location of the meeting at the last second. Totally throws'em off.[SCENE_BREAK]Michael: Number 14, declining to speak first. Makes them feel uncomfortable, puts you in control.[SCENE_BREAK]Michael: [long pause] I am declining to speak first.Darryl: Okay, I'll start. It'spretty simple really. I uh, I think I deserve a raise. I'm scheduled to get one in six months, but I'd like that to be moved up to now.Michael: Hmm. Ohh, Darryl. You are a good worker, and a good man. I just, you know,times are tight. And I just don't think corporate is going to go for this right now.Darryl: Are you wearin' lady clothes?Michael: What?Darryl: Are you wearin' lady clothes? Those look like lady... pants.Michael: No, this isa power suit.Darryl: That there's a woman's suit.Michael: [Darryl laughs] I do not buy woman's clothes. I would not make that mistake again.Darryl: I'ma call Roy, man.Michael: Ohh... kay.Darryl: This is gonna makehim feel better.Michael: All right.Darryl: This is too good.Michael: Alright, you know what? Pam, could you please tell Darryl that this is not a woman's suit?Pam: Oh my God, that's a woman's suit!Kevin: You're wearinga woman's suit?Michael: No, I do, I, I wear men's suits, OK? I got this out of a bin.[SCENE_BREAK]Michael: There were these huge bins of clothes, and everybody was rifling through them like crazy, and I grabbed one.And it fit! So I don't think that this is totally just a woman's suit. At the very least it's bisexual.[SCENE_BREAK]Kevin: Who makes it?Michael: Uh, [reading the inside of his jacket] MISSterious. And it is mysteriousbecause the buttons are on the wrong side... that's the mystery.Phyllis: Look, it's got shoulderpads, and did you see that lining?Michael: Okay.Phyllis: Did you see...Michael: Would you stop it, please?Jim: So, none ofthat tipped you off?Michael: It's European, OK? It's a European cut.Pam: Michael, the pants don't have any pockets.Michael: No, they don't. See? [Michael lifts his jacket tail, sticks out his back side and showsPam]Pam: [Laughing, covering her mouth]Michael: Italians don't wear pockets.[SCENE_BREAK]Pam: It's been a really rough couple of days... This helps a little.[SCENE_BREAK]Karen: Hey, maybe you want to comeover and raid my closet?Michael: No, I don't want to do that because I'm twice your size anyway.Darryl: Yeah, he look like Hillary Clinton.Michael: Um, let's just do this in 15 minutes.Darryl: Okay, can you just standright there? [snaps camera phone picture] I gotta send some e-mails.[SCENE_BREAK]Michael: Negotiations are all about controlling things. About being in the driver's seat. And make one tiny mistake, you're dead. Imade one tiny mistake. I wore woman's clothes.[SCENE_BREAK]Kevin: Karen, how do you feel that Roy tried to kick your boyfriend's ass over another woman?Karen: I feel great, Kevin. Thank you.Stanley: You musthave been scared out of your mind.Karen: Well, you know it happened so fast I didn't really have time to be scared.Angela: What happened, exactly? I wasn't here, so I haven't really heard the whole story.Karen: Um,well, Jim and I were talking and Roy walked in looking super angry.Angela: Mm-hmm.Karen: And he's a big dude, you know? And all of a sudden, Jim pushed me out of the way, and Roy cocked his fist, and then bam,Dwight sprays him and knocks him on his butt.Angela: [flustered] Goodness.[SCENE_BREAK]Karen: When I heard Jim and Pam had kissed, my reaction was to have lots of long talks with Jim about our feelings. Royjust attacked him. I'm not sure which one Jim hated more.[SCENE_BREAK]Michael: Let's get down to business. Why don't you tell me why you think you deserve a raise.Darryl: Well, it's simple Mike. I mean we mergedthese two branches right? So now we're shipping twice as many orders as we used to. With Roy gone we got a smaller crew. And I'm pickin' up all of his slack, so I think I should be compensated fairly, by gettin' araise.Michael: [mumbles jibberish]Darryl: What? I can't hear you.Michael: [mumbling softly] That was a very good point.Darryl: I can't--- what, Mike? Are you---Michael: [mumbling softly] You make a very compellingargument.[SCENE_BREAK]Pam: Sorry I almost got you killed.Jim: Yeah, that was nuts.Pam: He could have broken your nose or something. Crazy. It's just so stupid. I mean, getting back with Roy and everything. Imean, what was I thinking, right?Jim: No, I mean, you guys really seem to have a strong connection.Pam: Not anymore. It's, um... It's completely over now.Jim: We'll see. I'm sure you guys will... find you way back toone another someday.Pam: Jim... I am really... sorry.Jim: Oh, yeah. Don't worry about it.[SCENE_BREAK]Michael: I am going to give you a piece of paper. I want you to write down how much you want, and I want youto slide it back across the desk to me.Darryl: Why can't I just... tell you?Michael: Because, that is the way these things are done. In... films. [Darryl writes the amount and starts to hand the paper to Michael] No,slide--- slide it, yes.Darryl: There you go.Michael: Oh. [scoffs] Come on. Be serious.Darryl: I am serious, Mike. That's a 10% raise. That's what I want.Michael: I... I can't give you that, I--- I don't make thismuch.Darryl: Come on, be for real Mike.Michael: I don't. Want me to prove it to you? There is... a pay stub.Darryl: [laughs] Are you serious? You're earning this?Michael: Plus perks, yes.Darryl: Mike, this is barely morethan I make. You been here ten years, dog. [laughs]Michael: Fourteen years.Darryl: Ho-ho!Michael: No, please, please...Darryl: Oh, I'm sorry Mike, some of my folks got to hear about this one. [texting on cell phone]Ah. [laughs]Michael: Ok, let's take 15, again.[SCENE_BREAK]Michael: A boss's salary isn't just about money, it is about perks. It... for example, every year I get a $100 gas card... Can't put a price tag onthat.[SCENE_BREAK]Jim: Ok, if you don't want a gift, at least let me buy you a beer, or lunch or something.Dwight: When Han Solo returns to the Death Star in the Millennium Falcon, and shoots down the TIE fightersand saves the Rebel cause, do you think he does so for a free beer?Jim: Boy I---Dwight: No. And why are you so interested in buying me something Jim, what's your angle?[SCENE_BREAK]Jim: It's like when he annoysme and I want to screw with him to get him back, he never sees it coming. But now, I want to be nice to him, and actually give him something, and he's like an eel. I just can't grab onto him. It's infuriating.Karen:Maybe you just feel guilty about all the pranks.Jim: Well... yes, that's probably what it is. So what do I do?Karen: Hmm... I don't know. Maybe you should go back out there and sell paper so we can go on atrip.[SCENE_BREAK]Kevin: Michael, here's the, uh, $15 I owe you.Michael: Oh, thank you.Kevin: Yeah. I heard you might need it. So...Creed: Here's the $40 you gave me.Michael: I didn't give you $40.Creed: In a wayyou did.[SCENE_BREAK]Stanley: Yeah, I heard how much Michael makes. I still think he's way overpaid.[SCENE_BREAK]Darryl: [on cell phone] Fourteen years. Fourteen. I know. [laughing] Ok, alright. I gotta go.Later. [hangs up]Michael: Okay. Okay, here's the straight... dope. No tricks. No Wikipedia.Darryl: What?Michael: I talked to corporate, and they told me that I can only give you a 5% raise.Darryl: That's 'cause of you,Mike. They're not gonna give the workin' man more than the boss.Michael: Well what am I supposed to do?Darryl: Get your own raise. You gotta get out there and earn, son.Michael: I'm not gonna go out and ask for araise right now. That is ridiculous.Darryl: Well, when they merged the two branches together, they put you in charge. Okay, and we're shippin' more now than we ever have.Michael: [exhales] That's true.Darryl: Yeahthat's true. You gotta call your girl, and get paid. Show her who wears the pants in the relationship.Michael: You know what? I should.Darryl: Yeah, you should.Michael: I have been a loyal employee for a longtime.Darryl: Fourteen years long.Michael: You know what? I deserve a bump.Darryl: Make it happen, cap'in.Michael: I am makin' it happen, sergeant.[SCENE_BREAK]Creed: I remember it was very late at night, like11, 11:30. Big fella comes in screamin' about God knows what. I think maybe Halpert had stolen his car. [Angela rolls her eyes] Something like that. So the big fella pulls out a sock filled with nickels. Then Schrutegrabs a can of hairspray and a lighter---Angela: You're useless.[SCENE_BREAK]Jan: Why don't we talk next month, after the quarter ends?Michael: No, Jan. I've never asked for a raise in 14 years. This is long overdue.I wanna do it today.Jan: Today. All right, well, uh, if you want to do it today, we should meet in person, and uh, can you get here by five?Michael: Yshhyah. Um, yeah. I'll leave right away.Jan: Great. Uh, and listen.Because of our, uh, our... you know, situation, we're gonna need to have a third party present.Michael: Yes, I'm bringing Darryl.Jan: Da--- Darryl from the warehouse?Michael: Mm-hm.Jan: No, Michael. We, we need anHR rep. So, uh, I think you should just bring Toby.Michael: Hey, I'd rather kill myself.Jan: Michael, he's your branch's HR rep...Michael: [talking over Jan] No, Toby is terrible. Toby is the worst human being I've everknown.Jan: ...and we need someone else, in the room, because of our relationship. You know this. Michael, either Toby comes with you, or we don't do it.Michael: [sighs] Fine.[SCENE_BREAK]Kelly: You are somean.Ryan: I don't know what you're talking about.Kelly: Yes you do, Ryan Bailey Howard. You called me stupid.Ryan: No, I said your idea was stupid.Michael: Toby, come on. Let's go.Toby: Where?Michael: Where?I'm gonna smack you in the head with a hammer. Come on, let's go.Kelly: What is so stupid about wanting to name a baby Usher?Toby: Alright.Kelly: Usher Jennifer Hudson Kapoor.Ryan: Don't you see why that'sinsane?Kelly: Oh, so I'm crazy now?[SCENE_BREAK]Darryl: Comfortable, Mike?Michael: Yeah. Fine.Darryl: How about you, man. Comfortable?Toby: No.Michael: [imitating Chris Tucker] Don't ever touch a black man'sradio! ...Chris Tucker. Rush Hour. I won't touch yours, by the way.Darryl: Thank you.Michael: Well...Darryl: I haven't been to New York in a long time.Michael: Mm, the Big Apple.Darryl: Maybe I'll stay overnight. Got acousin lives down there.Toby: How would we get home?Darryl: Oh you could stay too. He's got a big place.Michael: Maybe I'll stay.Darryl: Mm, it's not that big.Michael: Well...Darryl: Busses, though. They get you homequick.Michael: [mouth full of pretzels] Oh, I...[SCENE_BREAK]Kelly: And all of a sudden, Dwight stood up and was like \"No!\"Angela: Then what'd he do? [Kelly's phone rings]Kelly: You should just read the report thatToby did. He took everyone's stories. [answering phone] Dunder Mifflin, customer service, this is Kelly. Oh yeah I could totally help you with that. Ok, let me just get the folder out. Okay, it seems here that you ordered12,000 reams of paper. Oh, 12 reams...[SCENE_BREAK]Hunter: Hey guys, Jan is ready for you.Darryl: Okay, bring it home now. And don't forget the new black man phrase I taught you.Michael: Pippity poppity, giveme the zoppity.Darryl: Yes sir. Remember that. I'll be right outside if you need meMichael: All right.[SCENE_BREAK]Darryl: Yeah, I taught Mike some new phrases. I want him to get the raise, I... just can't helpmyself.[SCENE_BREAK]Roy: [to Jim] Hey man, uh... I'm sorry. [Jim motions \"Don't worry about it\"] [Roy receives his check from Angela] Thanks. [to Pam] Can I, like, see you after work for coffee, or...something?Pam: I don't know.Roy: Please. I just got some stuff I gotta say to you. [Pam nods, meekly]Kevin: [as Roy is walking out] Jim--- Roy--- Look out!Jim: Thanks, Kev. I'm good though.[SCENE_BREAK]Jan:Thank you, Hunter. [to Michael and Toby] Hello. Come in. [exhales] Ah, Okay.Michael: Who's the boy toy?Jan: That's my new assistant.Michael: Were you going to tell me that you hired James Van Der Beek?Jan: I haveto call you the second I get a new assistant?Michael: Be nice to get a memo, we are lovers.Toby: Hi, Jan.Jan: Hi, Toby. [clears throat] First--- [Michael clears his throat] First off, Michael, this is a salary negotiation. Allmatters regarding our personal relationship have to be set aside. Are we clear?Michael: Pippity poppity.Jan: Right now we can offer you a 6% raise.Michael: Six percent? After all we've been through?Jan: Oh,God.Michael: I got you... jade earrings.Jan: Michael---Michael: No!Jan: Michael---Michael: No. You gonna play it like this? You give me a good raise, or no more s*x. [Toby begins to write] [to Toby] What are youwriting, perv-ball?Toby: Just preparing for the deposition.[SCENE_BREAK]Toby: This may be the first time that a male subordinate has attempted to get a modest scheduled raise by threatening to withhold s*x from afemale superior. It will be a groundbreaking case when it inevitably goes to trial.[SCENE_BREAK]Roy: I'm so sorry, Pammy. I really wasn't gonna do anything. But then I... kept thinkin' about you two together, and... Ijust thought you guys were really good friends, or... or maybe he was gay or somethin'... Not that that's wrong.Pam: I'm sorry too. I just, I think that we both made some bad choices.Roy: So you gonna start datin'Halpert then?Pam: Um... no. No, he has a girlfriend.Roy: Oh yeah... Wait a minute, you... broke off our wedding for the guy.Pam: No, there were a lot of reasons.Roy: But you're not even gonna try to go out with him?[Pam meekly shakes her head] I don't get you Pam.Pam: I know.[SCENE_BREAK]Dwight: What's this?Jim: What's what?Dwight: Certificate of Bravery, from the Scranton Police Department. \"Recognizing outstandingcitizenship from a very brave young man. Dwight K. Schrute\"Jim: Wow. I guess word got around. That's a nice... honor.Dwight: Please. They hand these out to little kids. Look. There's a teddy bear in a policeman'scap.Jim: [under his breath] Didn't think you'd notice...[SCENE_BREAK]Michael: Why don't you just take that pen and stab me in the heart. This is me, Jan. This is me!Jan: Okay, Michael. Please, why don't we just take"}
+{"doc_id":"doc_51","qid":"","text":"RESURRECTION OF THE DALEKSBY: ERIC SAWARDPart OneRunning time: 46:24[SCENE_BREAK]STIEN: Which way?GALLOWAY: Does it matter?MAN: Where are we?MAN: Run!STIEN: Where've they gone?GALLOWAY:Where'd you think. Come on.[SCENE_BREAK]LYTTON: That was a shambles.TROOPER: The escape was prevented?LYTTON: They got out of the warehouse. It should never have happened. And who ordered the use ofmachine pistols?TROOPER: Standing orders. Nothing anachronistic is to be taken to Earth.LYTTON: So instead we slaughter valuable specimens. Next time, stun lasers are to be used.TROOPER: It was an unfortunatemistake.LYTTON: Make it your last, otherwise the next execution squad will be coming for you.[SCENE_BREAK]TEGAN: Are you all right?DOCTOR: I can't free the TARDIS from the Time Corridor!TEGAN: Is thereanything you can do?DOCTOR: No, too much turbulence. Hold on. Things must stabilise soon.[SCENE_BREAK]STIEN: What if they're still in there, waiting?GALLOWAY: We must warn our ownpeople.[SCENE_BREAK]STIEN: Use the Time Corridor?GALLOWAY: You said you were a soldier. Have you no sense of loyalty?STIEN: I'm a Quartermaster Sergeant. I'm not combat trained. I can't afford your sort ofprinciples. Look at me, I'm not exactly in condition. I can't even run properly.GALLOWAY: You're pathetic.STIEN: That too.[SCENE_BREAK]TURLOUGH: Doctor, we're weaving in time.DOCTOR: Yes, yes, I know.TEGAN:Can't we materialise?TURLOUGH: No, not until we're free of the Time Corridor. We risk break-up.TEGAN: Is that true?DOCTOR: Not if I have anything to do with it.TEGAN: Oh, no.[SCENE_BREAK]GALLOWAY: They'vegone.STIEN: They could have closed the Time Corridor down. Let's get out of here. I'm scared.GALLOWAY: The entrance to the corridor is round here somewhere.STIEN: There's nothing there now. What wasthat?GALLOWAY: A rodent.STIEN: Wearing combat boots?GALLOWAY: Back to the stairs, quick.[SCENE_BREAK]STIEN: Can you see anything?GALLOWAY (OOV.): Get out of here!STIEN: Galloway?STIEN:Galloway!STIEN: Oh, Galloway.[SCENE_BREAK]TEGAN: What are we waiting for?DOCTOR: The right moment. The time stress on the TARDIS varies greatly. I'm waiting for the right moment to break out of the TimeCorridor.TEGAN: Can I get to my room? I feel sick.DOCTOR: Too late, Tegan. Hold on.DOCTOR: Hold on![SCENE_BREAK]TROOPER: Check list completed. All systems functioning.LYTTON: Raise the force shield. Alltroopers to battle stations. Battle speed![SCENE_BREAK]TEGAN: Doctor, I can't stand much more.DOCTOR: Hold on.DOCTOR: We're free.TURLOUGH: Is it over?DOCTOR: For the moment. Are you all right?TEGAN: Yes,I think so.[SCENE_BREAK]MERCER: I don't believe this. How long has the station been in this state?STYLES: Since regular inspections ceased.MERCER: This place is falling to pieces.STYLES: Huh. And you're seeing it ona good day. If you wanted to see everything spick and span, you shouldn't have asked for a transfer to a prison. Come on![SCENE_BREAK]MERCER: How'd you cope with that mess?STYLES: By ignoring it. My onlyconcern is the medical welfare of the crew and the prisoner.MERCER: Isn't that rather a narrow view of your responsibilities?STYLES: Oh, do shut up, will you? It's the only way to stay sane. You've only been here threedays. You know nothing.MERCER: I've been here long enough to learn that the morale on this station is appalling.STYLES: If the Captain doesn't care, why should I?MERCER: Why, indeed?STYLES: Look, my tour of dutyfinishes here in eight weeks. I'm dependent on a good report from the Captain for my next promotion.MERCER: I see.STYLES: Oh no, I don't think you do. If I don't get a good report, I could be here for another twoyears.MERCER: If Control were aware of the morale on this station, the Captain wouldn't be in command.STYLES: It's been tried before, usually by inexperienced new boys like you. And the way you're carrying on, youare going to end up exactly like the others.MERCER: Meaning?STYLES: Dead. You are the third security officer we've had here in two years. [/i][SCENE_BREAK]TURLOUGH: Doctor, we're travelling parallel to the TimeCorridor.TEGAN: Where are we going?TURLOUGH: Twentieth century Earth, it seems.[SCENE_BREAK]OSBORN: How long is your tour of duty?MERCER: Two years.OSBORN: Oh? The Captain normally allows newarrivals to settle in before subjecting them to the tedium of Officer of the Watch. What did you do?MERCER: I complained.OSBORN: Someone should have warned you.MERCER: I had every right. Have you seen thestate of the defence system?OSBORN: You fear an attack?MERCER: That's not the point.OSBORN: Oh, I wouldn't worry about it. The only ship we ever see around here is our own supply vessel.CREWMAN: I think youmay have spoken too soon. Sensors have picked up a ship in warp drive just enter the exclusion zone.MERCER: Inform the Captain.OSBORN: I wouldn't bother him. Not yet. It could be anything. Let the fighters check itout first.MERCER: What?OSBORN: They'll be grateful for the practice.[SCENE_BREAK]TEGAN: Have you calculated where we are?DOCTOR: Well, the instruments are still affected by turbulence, but I think it's 1984,London. Found it!TURLOUGH: Doctor, where are you going?DOCTOR: The Time Corridor. I want to find out what all this is about.[SCENE_BREAK]OSBORN: Fighter leader has made visual contact. It's a battlecruiser!MERCER: Go to Red Alert. Inform the Captain.CREWMAN: Sensors report we're being scanned, sir.MERCER: Red Alert at once![SCENE_BREAK]DOCTOR: Such neglect. A hundred years ago this place would havebeen bustling with activity.TEGAN: It might be again when we find out who's operating the Time Corridor.DOCTOR: Come on. Trouble with you, Tegan, you have no imagination.TEGAN: That's because I can't getworked up about a load of crumbling brickwork.[SCENE_BREAK]MERCER: Operate the deflector shield.CREWMAN: Power building.MERCER: Seal airlocks.OSBORN: The battle cruiser has attacked the fighters.MERCER:Can we give them any supporting fire?OSBORN: No, not at the moment.CREWMAN: All but airlock three is sealed.MERCER: Alert maintenance.CREWMAN: We've been hit!MERCER: What's happening?OSBORN:Engineering report.MERCER: What's happening?OSBORN: Engineering report damage to the generating plant.CREWMAN: Cruiser's closing in, sir.OSBORN: I've lost contact with the fighters.MERCER: Open fire. I said,open fire!CREWMAN: I can't! We don't have enough power for the laser cannon. We are defenceless.CREWMAN: Look, we should surrender!MERCER: No!OSBORN: But we can't fight. We don't even have a deflectorshield.STYLES: Mercer! How much longer is this slaughter to continue?MERCER: Where's the Captain?STYLES: Dead, along with half the crew.OSBORN: Battle cruiser preparing to dock.MERCER: Which airlock?OSBORN:Three. Maintenance team's still working on it.MERCER: I want every available man down there. Block the corridor with anything they can find.STYLES: More killing?MERCER: Your bile would be better directed againstthe enemy, Doctor.STYLES: How long before they dock?MERCER: Three minutes. We'd better go down to the airlock.STYLES: Right.MERCER: Should we be boarded, destroy the prisoner.OSBORN: Goodluck.[SCENE_BREAK]STIEN: Don't come in here. Soldiers.DOCTOR: What?DOCTOR: He'll be all right.TEGAN: Look at the way he's dressed.DOCTOR: He must have come down the Time Corridor.STIEN: You've got tohelp me.DOCTOR: What happened?[SCENE_BREAK]MERCER: Check how much longer the maintenance crew will be.STYLES: Right.MERCER: The cruiser's docked.STYLES: The cruiser's docked.MERCER: Get the shielddown!STYLES: Come on, pull!STYLES: Pull![SCENE_BREAK]STIEN: I must rest. I'm hungry. I haven't eaten since yesterday.DOCTOR: Who's controlling the Time Corridor?STIEN: I don't know. Have you got anything toeat?TEGAN: Where are you from?STIEN: Earth, but not all the prisoners are from the same period. Are you sure you haven't got anything to eat?DOCTOR: Relax. I'm going into the warehouse.STIEN: No! I told you,there are soldiers.DOCTOR: Perhaps they can tell us what's going on, hmm?[SCENE_BREAK]STIEN: The Time Corridor's on the next level. Be careful.[SCENE_BREAK]MERCER: Wait until I give the order.CREWMAN 2:Okay.MERCER: Fire!STYLES: Now. Now!DALEK: Under attack. Withdraw. Regroup.DALEK 2: Under attack.DALEK: Withdraw.DALEK 2: Withdraw.DALEKS: Withdraw. Withdraw. Withdraw.[SCENE_BREAK]DALEKS(OOV.): Regroup.LYTTON: Fools! I told you this would happen. They mined the corridor.BLACK: We do not want excuses. The attack must continue.LYTTON: Only this time, as I planned.DALEK: You will show morerespect for the Supreme Dalek.LYTTON: Your battle tactics won't work. Their position is too strong.BLACK: You may proceed. We shall try your plan. But should you fail, you will beexterminated.[SCENE_BREAK]TURLOUGH: Dark, isn't it.DOCTOR: Look around.STIEN: I can't see Galloway's body.TEGAN: Look, Doctor. Bullets.DOCTOR: Recently fired.TEGAN: Hardly alien.DOCTOR: Why advertisewho you are, hmm?TEGAN: Where's Turlough?DOCTOR: Turlough?TEGAN: Where's he gone?DOCTOR: Turlough![SCENE_BREAK]ARCHER: Did you hear that?CALDER: No, sir.ARCHER: I thought I heardvoices.[SCENE_BREAK]STYLES: How long before they try again?MERCER: Soon.STYLES: Can't we board, take the fight to them?MERCER: I think not.MERCER: Fire!MERCER: Masks down! Masksdown![SCENE_BREAK]MERCER: Move it! We're finished. It's every man for himself.CREWMAN: Oh, no, every man for himself?MERCER: Destroy the prisoner.OSBORN: It's not working! Come withme.[SCENE_BREAK]DOCTOR: Turlough!ARCHER: May I help you, gentlemen? This is private property.DOCTOR: Er, yes, I'm sorry about this. A friend of mine wandered in here by mistake, and we're looking forhim.ARCHER: I don't see him.LAIRD: What's going on?ARCHER: Precisely what I'm trying to find out.[SCENE_BREAK]OSBORN: Come on, come on![SCENE_BREAK]TROOPER: The bridge has been secured, sir.LYTTON:Good. We must join them.DALEK: The Doctor has been detained in the warehouse.BLACK: Despatch a Dalek. He must be brought to our ship at once.DALEK: I obey.[SCENE_BREAK]OSBORN: Oh, does nothing workproperly?OSBORN: Try here. What's that smell?MERCER: Well, it can't be the prisoner.[SCENE_BREAK]ARCHER: Time Corridors. Alien beings. Really.STIEN: You may not believe us but all we need is a minute or twomore. The entrance to the Time Corridor is on this level, somewhere.DOCTOR: Interesting. You don't disbelieve us, do you?ARCHER: Of course I disbelieve you. I've never heard such nonsense.DOCTOR: What have youdiscovered?ARCHER: Nothing. Take them away.LAIRD: Tell them, Colonel. They've guessed most of it already.ARCHER: Are you from the Press?DOCTOR: What have you found?ARCHER: Quiet.DOCTOR: Tell me! Alienobjects?ARCHER: You'd better inform HQ about what's happened.CALDER: Okay, sir.[SCENE_BREAK]OSBORN: Right, explosive charges primed. What is that smell?OSBORN: Keep back!MERCER: Help me!OSBORN:Stay away!MERCER: What's happening to me?TROOPER: Disarmed.LYTTON: Release Davros.[SCENE_BREAK]CALDER: It's heavy static. Can't get through to HQ.DOCTOR: A side effect of the Time Corridor.ARCHER: Bequiet.ARCHER: Who's that?DOCTOR: Don't harm her, please. She's a friend.[SCENE_BREAK]TEGAN: Sorry, Doctor. Look!ARCHER: What is it?DOCTOR: A Dalek. Take cover!DALEK: Exterminate. Exterminate.Exterminate! Exterminate! Exterminate! Exterminate![SCENE_BREAK]LAIRD: Where did they come from?STIEN: The Time Corridor.LAIRD: From the ship you were on?STIEN: Must be.LAIRD: What do theywant?TEGAN: I hope we never find out.DOCTOR: Aim for the eyepiece, the stalk at the top of the dome.DALEK: My vision is impaired. I cannot see. My vision is impaired. I cannot see.DOCTOR: Quickly!DALEK: I cannotsee. My vision is impaired. I cannot see. Warning. Warning.DOCTOR: Open the door!DALEK: I cannot see! I cannot see! Warning! Emergency!DOCTOR: Stand clear!LAIRD: She's all right. We should get herdownstairs.DOCTOR: While you're doing that, I'd like a hand with the debris outside.[SCENE_BREAK]DALEK: The Dalek sent to the warehouse has been destroyed.BLACK: How is that possible?DALEK: The Doctor wasaided by the Earth soldiers.BLACK: Seal the warehouse terminal of the Time Corridor. We will deal with the Doctor in due course.[SCENE_BREAK]STYLES: Where precisely are we going?MERCER: Keep your mask down.There could still be gas around.STYLES: So what. I'd rather die quickly than painfully of dehydration. Exactly how much longer are we going to wander around this place?MERCER: Look, as far as we know, there are onlyfour of us still alive. We can't fight the Daleks alone.STYLES: Only minutes ago you were prepared to fight till the bitter end.MERCER: And look where it got me. A dead crew.STYLES: Then don't let it be fornothing.MERCER: What can we do?STYLES: Have you forgotten? This station has a self-destruct system.[SCENE_BREAK]TROOPER: He's very still. Is he dead?LYTTON: I think not.[SCENE_BREAK]CALDER: Soon beready.LAIRD: We could all do with something a bit stronger. How's your friend upstairs?CALDER: He's dead.DOCTOR: How is she?LAIRD: She's sleeping naturally.CALDER: Tea, sir?ARCHER: Thank you.DOCTOR: Whodiscovered these cylinders?CALDER: Builders. They're converting the warehouse into flats. Thought they were unexploded bombs.DOCTOR: Have you tried to open one?LAIRD: They haven't even scratched thecasing.ARCHER: Do you think the Daleks have anything to do with this?DOCTOR: It would be an enormous coincidence if they didn't.[SCENE_BREAK]DAVROS: Who are you?LYTTON: Commander Lytton.DAVROS:Commander? My Daleks do not need troops.LYTTON: You'd still be in prison or dead if it weren't for my men.DAVROS: You speak as though my Daleks are no longer capable of war.LYTTON: A lot has happened duringyour imprisonment.DAVROS: The war with the Movellans is over?LYTTON: Yes, although casualties were very high.DAVROS: It is to be expected.LYTTON: I'm talking about Dalek casualties.DAVROS: Dalekcasualties?LYTTON: They lost, Davros. They were totally defeated.[SCENE_BREAK]CALDER: Zero three to HQ. Zero three to HQ. Over.ARCHER: Keep trying.DOCTOR: You must get reinforcements.CALDER: Zero threeto HQ.ARCHER: I can't conjure them out of the air. I have to find a telephone.LAIRD: I'll go. You're needed here.ARCHER: This is more than a military matter now. I have to speak to the Ministry of Defence. We'll need amassive troop involvement.CALDER: Zero three to HQ. Zero three to HQ. Over.DOCTOR: I'll come with you.ARCHER: You're the only one who knows anything about fighting Daleks. Your duty'shere.[SCENE_BREAK]BLACK: He is a companion of the Doctor.DALEK: He should be destroyed.BLACK: He would be better used as bait. The Doctor is sentimental and emotional. He will come after the boy. This will aidthe Dalek plan. Allow the boy to roam freely.[SCENE_BREAK]MERCER: We'll rest for a moment.STYLES: Don't you get funny ideas? I'd give anything for a glass of cool spring mountain water.MERCER: Quiet.Down!MERCER: Fire!STYLES: Careful.MERCER: Uniforms.STYLES: Uniforms.[SCENE_BREAK]LAIRD: Here, take these. It'll help your head.DOCTOR: I won't be long. I must get back to my ship.CALDER: Sir.DOCTOR: Imust find Turlough.CALDER: Yes, I understand how you feel, sir, but I must ask you to wait till the Colonel gets back.DOCTOR: No, no, no, no. There is isn't time. Turlough's on board the Dalek ship.CALDER: I'm surethe Colonel won't be long.STIEN: Let him go.CALDER: I can't.[SCENE_BREAK]SOLDIER: Help!CALDER: Are you all right, lad?DOCTOR: Be careful.STIEN: I was terrified it was a Dalek.DOCTOR: It was, or at least, theremains of one.CALDER: He's still alive.DOCTOR: We have to find it before it tries to kill again.[SCENE_BREAK]LYTTON: You all right?DAVROS: There are malfunctions in my life-support system. I require anengineer.LYTTON: We must board the Dalek ship.DAVROS: I must remain close to my cryogenic chamber. It may be necessary for me to be refrozen.LYTTON: There is a time factor. The space station transmitted adistress call.DAVROS: It will take days for a task force to arrive.LYTTON: Not if the signal's been intercepted by a patrol ship.DAVROS: Then you will shoot it down! I cannot be moved.[SCENE_BREAK]BLACK: Order anengineer to attend Davros.DALEK: We should leave here at once.BLACK: Without Davros, we have no future. He must be made to believe that we serve him.[SCENE_BREAK]STIEN: This is a waste of time. The mutantcould have escaped using the Time Corridor.DOCTOR: True, so why are you being so tentative in your search?STIEN: We don't know for certain.DOCTOR: Precisely. That's why we're searching the warehouse.CALDER:What's it look like?DOCTOR: Oh, you won't mistake it. The moment you find it, it'll try and kill you.[SCENE_BREAK]ARCHER: Gentlemen, you've saved my life. I'm Colonel Archer, Bomb Disposal Squad. I have to makean urgent call. May I use your radio?ARCHER: Please?ARCHER: Thank you. It's dead.[SCENE_BREAK]DAVROS: Tell be about the Dalek defeat.LYTTON: You already know most of it. The Daleks and the Movellans werelocked in an impasse. Each time their respective fleets attempted a stratagem, it was instantly anticipated and countered by their opponent's battle computer.DAVROS: Two totally logical war machines unable toout-think each other. Fascinating. If only I'd been there.LYTTON: Then the Movellans found the answer.KISTON: Sorry, sir.DAVROS: Quickly, tell me.LYTTON: They developed a virus which exclusively attacks theDaleks. The fleet was destroyed. Those who survived went to separate parts of the universe to escape the risk of further infection and work on a cure.DAVROS: Have they succeeded?LYTTON: Not yet.DAVROS: So, theyhave returned to their creator. Like an errant child, they have come home once more, but this time they will not abuse me. This time, I shall take my rightful place as their Supreme Being, and under my control, theDaleks shall once more become triumphant!LYTTON: Will you be able to find an antidote?DAVROS: Of course.LYTTON: A lot of research has already been done.DAVROS: I am Davros. The Daleks are my creation. Ifnecessary, I shall genetically re-engineer them. Have you finished?KISTON: Almost, sir.DAVROS: I will need a laboratory.LYTTON: There is one already prepared for you.DAVROS: I shall work here, on thestation.LYTTON: I've explained. There isn't time.DAVROS: I cannot risk an accident. If the virus were to escape on board the Dalek shipLYTTON: Every precaution has been taken.DAVROS: I work here! Or not atall.LYTTON: I'll see what can be arranged.DAVROS: Hurry. There is much work to be done.KISTON: I've finished, sir.DAVROS: Close the panel.[SCENE_BREAK]BLACK (OOV.): I order you to obey Davros.LYTTON: Andwhat happens when the task force arrives from Earth?BLACK (OOV.): We shall be gone. I have a plan that will force Davros to leave of his own free will. Until then, you must supply him with everything he demands.Allow him access to the Space Station's laboratory.[SCENE_BREAK]KISTON: As you command.LYTTON: What happened?DAVROS: A small accident.LYTTON: Are you all right?KISTON: I caught my hand. It's nothing,sir.[SCENE_BREAK]STIEN: It isn't here. We haven't found the entrance to the Time Corridor, either.DOCTOR: Temporarily disconnected, I would think.CALDER: Doctor.STIEN: What is it?DOCTOR: Nothing, nothing. Goon with the search.STIEN: So much for the conqueror of the universe. I told you it had gone.STIEN: Is it dead?DOCTOR: Would you care to take a look? How is he?CALDER: It's more shock than physical. Come on, lad.Let's get you downstairs. Come on, you'll be all right.LAIRD: What happened?DOCTOR: The Dalek wasn't quite dead, I'm afraid. Here, take this.CALDER: Give us a hand with him.LAIRD: Of course.DOCTOR: We mustget back to the TARDIS. I have to find the Dalek ship.STIEN: I'm not going back there. They'll kill me.DOCTOR: I need your help.STIEN: Help? Huh. You don't know how much of a coward I am.DOCTOR: Well, you cantake this opportunity to show me. Come along.[SCENE_BREAK]MERCER: Kill him!STYLES: Wait. At least question him first.[SCENE_BREAK]TEGAN: What happened? What was that shooting?CALDER: A small problem"}
+{"doc_id":"doc_52","qid":"","text":"113 - Le Morte d'Arthur \"In a land of myth and a time of magic, the destiny of a great kingdom rests on the shoulders of a young boy. His name: Merlin.\" Forest Arthur's hunting party sneaks through thewoods.ARTHUR: Merlin, spear. Merlin drops it on him.ARTHUR: Do you have any natural gifts, Merlin?MERLIN: No. Well, let me think. I'm not naturally rude or insensitive.ARTHUR: Just naturally irritating. They moveforward and hear growling noises. Arthur catches Merlin's expression.ARTHUR: It's probably more scared of you than you are of it. Arthur signals to his knights where to go. Questing Beast jumps out at them. Arthurdrops his spear and they all run. Merlin falls. Arthur and Sir Bedivere help him up. Bedivere subsequently falls and gets killed by the beast.MERLIN: Have we lost it?ARTHUR: Who's missing?MERLIN: Where's SirBedivere?SIR BEDIVERE: *scream* Castle - Council Chamber Of DoomGAIUS: The creature you describe has all the characteristics of the Questing Beast.ARTHUR: Surely that's a myth.GAIUS: According to the oldbooks, the appearance of the Questing Beast is supposed to foreshadow a time of great upheaval.UTHER: Gaius, it's an old wives' tale.ARTHUR: Look, whatever it is, it's spreading panic. The people fear it will enter thecity.UTHER: Then we must kill it. Arthur, gather the guard together. You ride at dawn.GAIUS: I beg you, Sire, do not dismiss this. The beast is an omen. I've seen it come before, the night your wife Ygraine passedaway.UTHER: I've told you not to speak of that night again. I have conquered the Old Religion. It's warnings mean nothing to me now. Arthur will destroy the beast and we will no longer suffer at its hand. Gaius'sChambersGAIUS: This is no ordinary beast, Merlin.MERLIN: Don't worry.GAIUS: No, listen to me, you don't understand. Uther may not respect the Old Religion, but it is very real. To face a beast such as this, you mustunderstand where it came from.MERLIN: What do you mean?GAIUS: At the very heart of the Old Religion lies the magic of life and death itself. The Questing Beast carries that power. One bite, you die, and there is nocure. Morgana's Chambers Morgana dreams of the dragon flaming, Merlin yelling \"NO!\", Arthur and Merlin running in the woods, Arthur lying sick in bed, and the Questing Beast. Morgana bolts up in bedscreaming.GWEN: Morgana? Morgana?! Wake up. Gwen struggles with flailing Morgana.GWEN: Wake up, it's me! It's Gwen! Stop it! It was just another dream.MORGANA: It was terrifying.GWEN: Oh, it's going to bealright. Gwen hugs Morgana. Castle - Main Square Arthur speaks to his knights.ARTHUR: You've seen the foe we face. It's a creature of nightmare, but you are the best knights in the realm. We can, and we will, kill itbefore it harms another citizen of our kingdom. Arthur draws his sword.ARTHUR: For the love of Camelot! The knights draw swords.KNIGHTS: For the love of Camelot! Morgana rushes out of the palace in hernightgown, hysterical.MORGANA: Arthur!ARTHUR: Morgana, what are you doing?MORGANA: You cannot face this! Morgana tries to grab him, Arthur struggles with her.ARTHUR: Morgana, go back to bed. There isnothing to be afraid of.MORGANA: Please, Arthur. I have seen terrible things! You cannot go!MERLIN: She probably had a bad dream, Sire. I'll take her to see Gaius.MORGANA: No! I will not let you go!ARTHUR: Please,Merlin, get her inside.MORGANA: No! Arthur hands her off to Merlin and motions for the guards to come down. Merlin guides Morgana up the steps.MERLIN: I will make sure he's safe, My Lady. I promise.MORGANA: No!Merlin hands her off to the guards.MORGANA: No! Guards lead her inside. Forest Arthur and knights sneak through the woods. Arthur finds gigantic paw print.ARTHUR: Let's follow the trail. They hear growling andheavy footfalls.ARTHUR: Keep close. They find and enter beast's lair. Merlin and Arthur split from the rest. they hear hissing.MERLIN: What is it?ARTHUR: Shh! Questing Beast sneaks up on them. Arthur pushes Merlinout of the way and takes on the beast. The beast claws him in the chest, throwing him to the ground. It moves in on Arthur. Merlin tries to distract it by waving his torch.MERLIN: Hey! Hey! Merlin uses magic to pick upArthur's dropped sword.MERLIN: Fléoge! Bregdan anwiele gefeluc! Merlin enchants the sword and magically throws it into the Questing Beast, killing it. Merlin goes to Arthur and shakes him.MERLIN: It didn't bite you. Itdidn't. Merlin sees blood on his hand.MERLIN: Arthur?! Somebody help me! Gaius's Chambers Merlin clears a table with one sweep. Guards place Arthur's stretcher on it.GAIUS: What's happened? Gaius looks at Arthur'swound.GAIUS: He's been bitten.MERLIN: I tried to save him.GAIUS: You must tell the King.MERLIN: There must be something you can do.GAIUS: I wish there was.MERLIN: I'll find a cure.GAIUS: Merlin!MERLIN: Trustme! Merlin bolts into his room.GAIUS: Can you hear me, Sire?MERLIN: Here. Merlin brings out magic book.GAIUS: The King'll be here any moment!MERLIN: He can't die. It is my destiny to protect him. We haven't doneall the things we're meant to do.GAIUS: That is a lament of all men.MERLIN: Gaius, he's my friend.GAIUS: Then save him. Merlin uses magic to flip through the book.MERLIN: Gestathole. Nothing happens. Merlin flipsthrough the book again.MERLIN: Thurhhaele. Nothing happens.MERLIN: Maybe the spells need time to take effect.GAIUS: The bite of the Questing Beast is a death sentence that no magic can overturn.UTHER: Where isthe Prince?! Where is my son?! Uther enters.UTHER: Arthur! Merlin magically closes his magic book.UTHER: Do something, Gaius!GAIUS: I am trying, your majesty.MERLIN: Gaius will find a cure. He will not let himdie.GAIUS: I will do everything in my power. Uther desperately picks up Arthur himself.UTHER: I'll bear him to his chamber. Castle - Main Square Uther walks through the Square with Arthur in his arms, Merlin andGaius following. Uther collapses in his grief. Four knights come to bear Arthur inside as the King weeps on his knees. Morgana opens a window and watches the scene below. Dragon's Cave Merlin rushes to the Dragon'sCave.MERLIN: I have failed Arthur, failed in my destiny.KILGHARRAH: And yet, you would not be here if that were true.MERLIN: He was bitten by the Questing Beast. He's going to die.KILGHARRAH: Does he stillbreathe?MERLIN: Only just.KILGHARRAH: Then there is still time to heal him.MERLIN: I've tried. I cannot save him.KILGHARRAH: You do not know how to save him.MERLIN: But you can tell me how?KILGHARRAH:Perhaps. It will not be easy.MERLIN: I will do anything.KILGHARRAH: Anything?MERLIN: Please, just tell me what I have to do!KILGHARRAH: Very well. The Questing Beast is a creature conjured by the powers of theOld Religion. You must use the same ancient magic to save him.MERLIN: But the Old Religion died out centuries ago.KILGHARRAH: The Old Religion is the magic of the earth itself. It is the essence which binds all thingstogether. It will last long beyond the time of men.MERLIN: But how can that help me save Arthur?KILGHARRAH: You must find those who still serve it. Those who hold dominion over life and death.MERLIN:Where?KILGHARRAH: Go to the place that men call the Isle of the Blessed, where the power of the ancients can still be felt. There you will discover Arthur's salvation.MERLIN: Thank you. Thank you.KILGHARRAH: AndMerlin, the young Pendragon must live, no matter what the cost. Gaius's ChambersGAIUS: Merlin, you're back. I need your help. You must get this to Arthur to ease his passing.MERLIN: No. We have to save him. Merlinstarts packing food.GAIUS: You've already tried.MERLIN: The beast comes from the Old Religion. The cure must come from there as well.GAIUS: There are not many left with such an art.MERLIN: You said yourself, theOld Religion is still alive, and there is an island beyond the White Mountains...GAIUS: No!MERLIN: The Isle of the Blessed...You know it?GAIUS: It was said to be the centre of the Old Religion, the focus of itspower.MERLIN: Why did you keep this from me?GAIUS: Because it was too dangerous, Merlin.MERLIN: It's our only chance! I have to find it!GAIUS: And once you are there, what will you ask?MERLIN: For Arthur to besaved.GAIUS: The Questing Beast chose Arthur. That means the Old Religion has decided his fate.MERLIN: Then I will convince them to change their minds!GAIUS: It is not that simple! The High Priests have the powerto mirror life and death, but there will be a price to pay. They will demand a life in return. Merlin, please, I beg of you.MERLIN: I'm sorry, Gaius. Whatever the price is, I will pay it gladly. Arthur lies dying in his bed.Castle - Gate Merlin prepares his horse to leave. Gaius approaches him.GAIUS: Here. Gaius hands Merlin rolled parchment.GAIUS: You'll need a map. And I'm going to give you this. My mother gave it to me. Merlinunwraps tiny package.GAIUS: It's a rabbit's foot.MERLIN: To keep you safe.GAIUS: It was said to protect you from evil spirits. It's rubbish. I don't believe in superstition. I don't know why I gave it to you. Gaius reachesto take it back.MERLIN: No. I want it. Thank you. (sigh) You've got to keep Arthur alive until I get back. Merlin mounts and rides off through the woods. Arthur's Chambers Arthur stirs in his fevered sleep. Uther watcheshim.UTHER: Shh. Sleep, Arthur. Countryside Merlin travels through the countryside with the map.KILGHARRAH (voiceover): You must travel to the place that men call the Isle of the Blessed. Beyond the WhiteMountains. Through the Valley of the Fallen Kings. To the north of the great seas of place name: Marador, you will find a lake. Arthur's Chambers Gaius is asleep in the chair next to Arthur's sick bed. Gwen enters andknocks on the door to wake Gaius.GWEN: Gaius? You should get some rest.GAIUS: He must not be left alone.GWEN: I will nurse him. Gaius leaves. Gwen takes the towel from Arthur's forehead, dips it in a bowl ofwater, and sits on the bed to tend to him.GWEN: You're not going to die, Arthur. I'm telling you. Because I know that one day you will be King. A greater king than you father could ever be. It's what keeps me going.You are going to live to be the man I've seen inside you, Arthur. I can see a Camelot that is fair and just. I can see a king that the people will love and be proud to call their sovereign. For the love of Camelot, you haveto live. Arthur's Chambers A crowd gathers outside Arthur's window holding candles. Uther watches from the Griffin Landing window. Gaius comes up behind him.GAIUS: Is there anything I can get yourmajesty?UTHER: The people have begun to say goodbye.GAIUS: He's not yet gone, Sire.UTHER: But he will not recover.GAIUS: Not without a miracle.UTHER: I don't believe in miracles. Lake / Isle Of The Blessed Merlinapproaches the lake, steps in a little boat.MERLIN: Astyre. The propels boat across the lake. Merlin steps out into the fortress on the island and looks around.MERLIN: Hello?NIMUEH: Hello, Merlin.MERLIN: You.NIMUEH:Do you know who I am?MERLIN: Nimueh. You can't be who the dragon meant.NIMUEH: And why is that?MERLIN: You tried to kill me.NIMUEH: Before I understood your importance.MERLIN: And Arthur.NIMUEH: Arthurwas never destined to die at my hand, and now it seems I will be his salvation.MERLIN: So you know what I've come to ask?NIMUEH: Yes.MERLIN: Will you do it?NIMUEH: I do not have the power to mirror life itself andyet give nothing in return.MERLIN: I know that a price will be asked.NIMUEH: To save a life, there must be a death. The balance of the world must be restored.MERLIN: I willingly give my life for Arthur's.NIMUEH: Howbrave you are, Merlin. If only it were that simple.MERLIN: What do you mean?NIMUEH: Once you enter into this bargain, it cannot be undone.MERLIN: Whatever I have to do, I will do. His life is worth a hundred ofmine.NIMUEH: The Cup of Life, blessed by centuries of powerful sorcerers so that it contains the very secret of life itself. If Arthur drinks water from the Cup, he will live. Merlin takes the Cup.NIMUEH: Tídrénas. Nimuehmakes it rain on Merlin for a moment. Merlin collects the water in the Cup. Nimueh takes the Cup and pours the water into a small, decorative canteen.NIMUEH: The bargain is struck. I hope it pleases you. Merlin ridesinto Camelot the next morning. Gaius's ChambersGAIUS: Merlin!MERLIN: We need to give this to Arthur. Merlin hands Gaius the decorative canteen.GAIUS: What is it?MERLIN: Water drawn from the Cup of Life. IfArthur drinks from it, he will recover. Please hurry. Gaius begins to walk out, but stops and faces Merlin.MERLIN: What are you waiting for?GAIUS: What price did you pay to redeem his life? Whose life did youbargain?!MERLIN: We don't have time.GAIUS: Merlin!MERLIN: Don't worry, Gaius! Everything's going to be alright. Gaius and Merlin giving Arthur the water. Uther enters.UTHER: What are you doing, physician? Whatare you giving him?GAIUS: It's a... It's a tincture made from the lobelia plant, an ancient remedy for poisonous bites.UTHER: A cure?GAIUS: We hope.UTHER: Do you really think it will have some effect?GAIUS: It's ourlast resort, Sire. Perhaps you should allow him to rest.UTHER: I will not leave him. Gaius and Merlin exit. Uther sits by Arthur's bedside. Castle - Central Corridor Gaius and Merlin head down the corridor. Morgana grabsMerlin's arm and pulls him into an alcove.MORGANA: Please, Merlin, you must beware. This is only the beginning. Merlin pulls away and continues down the corridor. Arthur's Chambers Gaius paces in Arthur'sChambers, Uther sleeps hunched over the bed. Arthur wakes. Uther wakes.UTHER: Arthur. Arthur looks around and puts his head back down. Gaius's Chambers Gaius enters in his chambers where Merlin ispacing.GAIUS: The Prince lives. Arthur's ChambersUTHER: I thought we'd lost you.ARTHUR: Don't worry, Father, I'm not going to die. I think there's someone watching over me, keeping me from harm.UTHER: Maybeyou're right. On your long journey to become King, you will need a guardian angel. I shall inform the court that their Prince lives. Gwen enters as Uther exits. she puts down the towels she's carrying and looks anxiouslyat Arthur. Arthur opens his eyes and turns to look at her. Gwen smiles in relief.GWEN: I knew it. I said you'd be alright.ARTHUR: I can remember you talking to me.GWEN: You can?ARTHUR: You stroked myforehead.GWEN: I was tending to your fever.ARTHUR: You never lost faith.GWEN: I was just talking.ARTHUR: Tell me again what you said?GWEN: I don't remember.ARTHUR: Yes, you do.GWEN: No, I don't.ARTHUR:Come on. Something about \"the man I am inside.\"GWEN: No, I never said that.ARTHUR: Guinevere...GWEN: I have to get these washed, Sire. Gwen exits hurriedly with the dirty cloths. Arthur grins inamusement.[SCENE_BREAK]Merlin's Chamber Merlin sits on his bed, waiting to die, while a thunderstorm whips through the night. A figure enters the Camelot on foot. A trembling diseased hand opens the door to thePhysician's Chambers. We see Morgana bolting awake screaming. Morning comes and Merlin is still alive. He rushes out of his room.MERLIN: Gaius! I'm alive! Gaius is crouching over a collapsed figure on thefloor.MERLIN: What is it? What's happened?GAIUS: Merlin, stay there!MERLIN: What's wrong?GAIUS: No, don't! Merlin walks over to see Hunith, covered in sores, struggling to breathe on the floor.MERLIN:Mother!HUNITH: Merlin.MERLIN: What's happened to her?GAIUS: She's gravely ill.MERLIN: Do something!GAIUS: If I could.MERLIN: Please, Gaius!GAIUS: Merlin, this is no ordinary illness.MERLIN: This cannothappen.GAIUS: Who did you meet at the Isle of the Blessed?MERLIN: Nimueh.GAIUS: Nimueh?!MERLIN: It was as you said. She demanded a price, but I bargained my life, not my mothers.GAIUS: Merlin. I wish therewas something I could do.MERLIN: I will make you better. I will. Dragon's CaveMERLIN: You knew this would happen! You had me trade my mother's life for Arthur's!KILGHARRAH: You said you would doanything.MERLIN: Did you know my mother would die?KILGHARRAH: I knew the price would be a heavy one.MERLIN: But you sent me anyway.KILGHARRAH: We need Arthur to live.MERLIN: I'm not one ofyou!KILGHARRAH: We are both creatures of the Old Religion. It is the source of your power.MERLIN: What's that supposed to mean?KILGHARRAH: Your destiny is to protect the young Pendragon until he claims hiscrown. And when he does, magic can be returned to the realm. Only then will I be free.MERLIN: Oh. So that's all you cared about? I thought you were my friend.KILGHARRAH: I am more than that, Merlin. I am yourkin.MERLIN: No. The only family I have is my mother, and you had me murder her.KILGHARRAH: Her life has not been taken in vain. We will achieve great things together, you and I.MERLIN: You will never be released!For what you've done, I'll make sure you never see the light.KILGHARRAH: Merlin! The Great Dragon breathes fire at him.MERLIN: Gescildan! Merlin blocks the flames.MERLIN: You won't see me again. Gaius'sChambers Merlin returns.MERLIN: Where is she?GAIUS: She's sleeping.MERLIN: I have to save her.GAIUS: You cannot.MERLIN: If the balance of the world needs a life, then Nimueh must take mine.GAIUS: No,Merlin.MERLIN: Yes. I will return to the island.GAIUS: You are young. Your gifts, your destiny are far too precious to sacrifice.MERLIN: My destiny? This is my mother. My powers mean nothing if I cannot save her. Youhave taught me so much. Taught me who I am. Taught me the purpose for my skills. Taught me that magic should only be used for great deeds. But most of all, you have always taught me to do what is right.GAIUS:Merlin.MERLIN (sniffle): I need to say goodbye to Arthur. Arthur's Chambers Merlin enters as Arthur is pouring himself a drink, his other arm in a sling.ARTHUR: Ah, Merlin.MERLIN: How are you?ARTHUR:Good.MERLIN: I'm pleased.ARTHUR: Yes. I owe it all to Gaius.MERLIN: I need to talk to you.ARTHUR: You still haven't got it yet, have you? I decide when we need to talk.MERLIN: Not today.ARTHUR: I sometimeswonder if you know who I am.MERLIN: Oh, I know who you are.ARTHUR: Good.MERLIN: You're a prat. And a royal one.ARTHUR (chuckle): Are you ever going to change, Merlin?MERLIN: No, you'd get bored. Butpromise me this, if you get another servant, don't get a bootlicker.ARTHUR: If this is you trying to leave your job...MERLIN: No. I'm happy to be your servant. Till the day I die.ARTHUR: Sometimes I think I know you,Merlin. Other times... *shakes head*MERLIN: Well, I know you. And you're a great warrior. One day, you'll be a great king.ARTHUR: That's very kind of you.MERLIN: But you must learn to listen as well as youfight.ARTHUR: Any other pointers?MERLIN: No. That's it. Just...don't be a prat. Merlin's Chamber Merlin enters his chamber where Gwen is sitting by Hunith's bedside.GWEN: Gaius had to go and get some supplies. Heasked me to keep an eye on her until you got back.MERLIN: Thank you.GWEN: I'm sorry.MERLIN: No, she'll get better.GWEN: I've tried to make her feel comfortable.MERLIN: You have such a good heart, Gwen. Don'tever lose that. Gwen leaves and Merlin goes to sit with his mother.MERLIN: I'm going to make you well again. I promise. You'll see.HUNITH: You're such a good son.MERLIN: But I don't want you to worry about me. Iknow that the gods will look after me, and that one day I will see you again.HUNITH: I will miss you.MERLIN: I will miss you, too. Merlin takes out the rabbit's foot and gives it to his mother. Gaius's Chambers Merlincomes out of his room and begins packing for his trip the next morning.MERLIN: Gaius? Merlin finds a note with his name on it. Merlin reads it while Gaius travels to the Isle of the Blessed.GAIUS (voiceover): DearMerlin, My life is already near to its end. There has, for the most part, been very little purpose to it, very little that will be remembered. In contrast, Merlin, your life is destined for greatness. Live by the tenets I havetaught you, and I believe you will, in time, become the greatest warlock ever. To have known you has been my greatest pleasure, and to sacrifice myself for you is but an honour. You are and always will be the son Inever had.MERLIN: No! Merlin rides out of Camelot. Isle Of The Blessed Gaius steps out of the boat onto the island.NIMUEH: I never thought I'd see you here again.GAIUS: My Lady.NIMUEH: It's a long time since youcalled me that.GAIUS: I come to ask for your help.NIMUEH: As you did once before for Uther? You did not like the outcome.GAIUS: I offer a chance for you to atone for the death of his wife.NIMUEH: I have saved thelife of her son. What more do you ask for?GAIUS: That this time, you take a just price. Merlin intends to offer his life for his mother's. I want you to take mine in his place.NIMUEH (laughs): With all my powers of"}
+{"doc_id":"doc_53","qid":"","text":"2.10 - The Bracebridge DinnerOPEN IN STARS HOLLOW[Lorelai and Rory are building a snowman in the center of town.]LORELAI: How do you like that mouth?RORY: Um, it's not very mouthlike.LORELAI: Oh, I think itworks.RORY: It's tilted to the side.LORELAI: Yeah, no, it was intentional. It gives her a unique expression.RORY: Like she had a stroke?LORELAI: Fine, I'll just use the Mrs. Potato Head lips.RORY: No, forget it, leavestroke-mouth. It's not like we're gonna win this anyway.LORELAI: Whoa, bad attitude.RORY: Mom, face it. That is the single most incredible snowman I have ever seen. [looks at a man working on an elaborate snowsculpture]LORELAI: I'm sorry, that snowman is way over the top, way too showy. It's screaming 'I'm incredible, I'm special, look at me.'RORY: Kind of the point of a snowman-building contest.LORELAI: Hmm, I hatethis man with every fiber of my being.RORY: He looks nice.LORELAI: He's a ringer.RORY: How do you figure?LORELAI: Someone recruited him, promised him a handsome sum, financed his theatrical snowmanaccoutrements, so he could snatch victory away from a deserving local in order to bag the contest prize for himself.RORY: Seems a little elaborate considering that the prize is a set of new US quarters.LORELAI: Oh,we're ignoring him now. So, what are we gonna do on your school break?RORY: A lot of nothing.LORELAI: Sounds good.RORY: Plus some homework.LORELAI: And a lot of movies.RORY: Oh, we have to rent Godfather3 on DVD.LORELAI: You're kidding.RORY: In the audio commentary, Coppola actually defends casting Sofia.LORELAI: Now that is fatherly love. What's all this homework you have to do?RORY: Just stuff for thepaper.LORELAI: What? Why?RORY: Because Paris wants the first issue back to be a double issue, so we have to prep over break and she says the news never sleeps.LORELAI: What about Paris, does she eversleep?RORY: I think she periodically makes a whirring noise and then just shuts down.LORELAI: Well, you can't work the whole time.RORY: I won't, I promise. Oh my God.LORELAI: What?RORY: He's powerbuffing.LORELAI: Aw, now that is just wrong.RORY: We're competing against the Michelangelo of snow.LORELAI: And we're Ernest Builds a Snowman.RORY: We shouldn't look at him anymore.LORELAI: Heads down,stay focused.RORY: We can do this.LORELAI: Absolutely.[their snowman's head falls off]RORY: Let's get some coffee?LORELAI: Right behind you.OPENING CREDITSCUT TO INDEPENDENCE INN[Michel is at the frontdesk on the phone. In the background, Rune is jumping up and down trying to dust a picture frame.]MICHEL: [oh phone] Yes, you can rent a car in Manhattan and return it in Hartford. That's that's no problem, sir. Yes.Yes, you can return it to Bradley International. That's that's very convenient. Or you you can um, you - hold please. [puts phone down, walks over to Rune and grabs his arm]RUNE: Ah!MICHEL: Stop that.RUNE: Stopwhat?MICHEL: Stop jumping like a Mexican bean.RUNE: Well, Lorelai asked me to dust the picture frames. How do you suggest that I clean the top, smartie? [Michel takes the picture off the wall] Well, I didn't knowthat you could do that.MICHEL: Yes, I am miraculously talented, aren't I?RUNE: I thought an alarm would go off like in The Thomas Crown Affair.MICHEL: That would be if this was a museum, and you were a manallowed in museums.LORELAI: Hey, no bickering in the lobby, guys.RUNE: Where are we allowed to bicker?CUT TO INDEPENDENCE INN KITCHENSOOKIE: You've got all the mushrooms? You double checked?JACKSON:I've triple checked. I've quadruple checked.SOOKIE: The shitake, the nameko, the chanterelle?JACKSON: Once again, I've got it all.SOOKIE: The matsutake? The makeniya?JACKSON: Uh wait.SOOKIE: What?JACKSON:I don't have makeniya.SOOKIE: You don't have makeniya?JACKSON: I don't have makeniya.SOOKIE: I made it up. [giggles] You passed the test.JACKSON: Don't test me.[Lorelai walks in the kitchen]LORELAI: Hey, theauditions are starting. You wanna come watch?SOOKIE: Ooh, yes!JACKSON: Auditions for what?SOOKIE: Musicians.LORELAI: For the Bracebridge Dinner.JACKSON: Geez, you guys are going crazy with thisdinner.SOOKIE: Jackson, I told you, this dinner is not just about food. We are recreating an authentic 19th century meal.LORELAI: The servers are all gonna be in period clothing, they're gonna speak period English.Here, look at the costumes.JACKSON: Nice.SOOKIE: We're talking seven courses here. Soup, fish, Peacock Pie, the Baron of Beef, the salad, then the Plum Pudding and the Wassail.LORELAI: And there's gonna be a bigraised platform where the Squire of Bracebridge is going to preside over the festivities.SOOKIE: Yeah, he tastes the foods and makes pronouncements. He's like the host of the evening, and his costume is thecoolest.LORELAI: Ah.JACKSON: It all sounds great.SOOKIE: Oh, it is, it is. By the way, you're playing Squire Bracebridge. Ready?LORELAI: Let's go.SOOKIE: Yeah. [they leave]JACKSON: Huh? What was that?CUT TOLOBBYSOOKIE: What are we looking at today?LORELAI: Okay, this is the last on our list. We've already got our trumpets, our madrigal singersJACKSON: Uh, sorry to interrupt but I'm not playing SquireBracebridge.LORELAI: We've got all our servers lined up. This is just for recorder players and harpists. Hi. Uh, lay some on us guys.[two recorder players play]SOOKIE: Hey, you cats really know how to blow thosethings.LORELAI: You've got the gig. I will call you later with the details. Thanks.[the recorder players leave]JACKSON: So are we clear on this? I'm not playing Squire Bracebridge. Sorry you were under the impressionthat I'd do this.SOOKIE: When do the guests arrive?LORELAI: Thursday at four - on their own jet.SOOKIE: After buying out the whole inn.LORELAI: Must be nice to have money.SOOKIE: Uh! Hey, you know what struckme today?JACKSON: Was it the fact that I'm not the Squire - did that strike you?SOOKIE: We are crazy for doing this.LORELAI: We're beyond crazy. We are 'Anne Heche speaking her secret language to God and lookingfor the spaceship in Fresno' crazy.SOOKIE: Oh Quiness, nokka don atta.LORELAI: Il ek notra doska donne.JACKSON: And springing this on me at the last minute too, I mean, that's just manipulative.[a chef comes outof the kitchen]CHEF: Sookie, fire! [leaves]SOOKIE: I gotta get back in the kitchen. You'll handle the harp?LORELAI: You got it.JACKSON: All right, okay, I'll do it. I'll play Squire Bracebridge if that's what you want.Geez.SOOKIE: Thanks Sweetie. [walks to kitchen]JACKSON: As long as it's not just because I fit the costume. It's because I fit the costume, isn't it? [leaves]LORELAI: [to harpist] Go ahead.[Lorelai's cell phone ringswhile the harpist is playing]LORELAI: [answers phone] Hi, it's Lorelai.CHRISTOPHER: Hey Lor, it's me.LORELAI: Oh, hi Chris, how are you?CHRISTOPHER: Good, good. You, uh, got a minute?LORELAI: Uhoh.CHRISTOPHER: It's not an uh oh, I just wanted to run an idea by you.LORELAI: Run it.CHRISTOPHER: Now it's totally your call and I don't want to step on any plans you've already made, but I know Rory has abreak in school coming up, and I was wondering if you'd be cool with her coming to visit for a couple of days.LORELAI: Uhh, a couple of days? You mean she'd stay the night?CHRISTOPHER: Yeah, it's totally your call.Where are you, heaven?LORELAI: Do you even have room for someone to stay?CHRISTOPHER: Not just room - a room. A designated guest room. Sherry fixed it up really nice.LORELAI: Aww, good forher.CHRISTOPHER: So what do you think?LORELAI: I don't know. It's awfully last minute.CHRISTOPHER: It's totally last minute. You can say no and there'll be no hard feelings.LORELAI: Well, it's really up to Rory tosay yes or no.CHRISTOPHER: So you're cool with it?LORELAI: Yeah, sure, if Rory is, yeah.CHRISTOPHER: Great, that's great. Uh, thank you. I'll let you run it past her and you can get back to me whenever. Nopressure.LORELAI: No pressure.CHRISTOPHER: Talk to you later.LORELAI: Yeah, talk to you later.CUT TO ELDER GILMORE RESIDENCE[Emily, Richard, Lorelai and Rory are eating dinner silently. Rory get Lorelai'sattention and gestures for her to say something.]LORELAI: So what are your travel plans Dad?RICHARD: Hmm?LORELAI: You and mom, you always go out of town this time of year.RORY: Last year it was theBahamas.RICHARD: Yes, that's right, it was.LORELAI: I remember you had fun too. You said the Bahama mians were real nice. The Bahamites? The Bahamamamamians?RORY: The Bahamians.LORELAI: Yes. They werenice.EMILY: They were nice.LORELAI: So, what are your plans?EMILY: We're not going anywhere this year.RORY: Why not? Oh, well yeah, it can be really nice just to stay at home sometimes because you can do funthings that you normally wouldn't have time for.LORELAI: Yeah, like play Running Charades, and get out that Slip 'n Slide.RICHARD: We'll see.EMILY: Yes, we'll see.RICHARD: Would you all excuse me? I have to makesome calls. Say goodbye before you leave, will you?LORELAI: Yeah, sure Dad.[Richard leaves]LORELAI: When is this awfulness with work gonna resolve itself?EMILY: I don't know. The man is so sensitive. He reads somuch into every little perceived slight.LORELAI: Yeah. I remember one time when I was a kid, Dad had put on some weight, and he bought a new suit to try to cover it up. And he wore it for us and he said, 'How do Ilook?' and I said, 'You look fat.' [pause] But I guess that wasn't really a perceived slight so, I'll think of another example.CUT TO INDEPENDENCE INN LOBBY[Sookie is lecturing to a group of people; Kirk is transcribingeverything she says on his laptop.]SOOKIE: Keep in mind during the Bracebridge Dinner, we are not just servers, we are performers, so any time you're with a guest, you must be in character and you must speak OldEnglish. It's a world we're creating here, so whatever we can do Kirk, you're driving me crazy!KIRK: Who me? [reads transcript] 'Whatever we can do to Kirk you're driving me crazy.' Yeah, me. Ah, sorry.SOOKIE: Okay,now guys, look at the materials I gave you, and tell me if a guest asks you how the food's coming, what would be the appropriate Old English response? Rune!RUNE: Greetings!SOOKIE: You just read the first thing onthe list, didn't you?RUNE: Maybe.SOOKIE: Guys, the correct response: Ah, oven's day with baked meat choke!RUNE: Question?SOOKIE: Yeah?RUNE: What color dress will I be wearing when I say this?JACKSON: Rune,don't be an idiot.RUNE: Well, this is stupid.JACKSON: Shut up and pay attention to Sookie. She worked very hard to bring this about.KIRK: Yes, but unfortunately we don't all share intimacies with her, so she doesn'tcut us any slack.JACKSON: She doesn't treat me differently.KIRK: She's called you Peaches three times. It's all in the transcript.RUNE: Sookie, instead of talking in Old English, can I just talk like an old man?SOOKIE:What?RUNE: Hey you kids, get off my lawn!SOOKIE: No, no you cannot just talk like an old man.[Lorelai walks into the lobby]SOOKIE: Hi, honey, what's the matter?LORELAI: They're snowed in.SOOKIE: Who's snowedin?LORELAI: The Bracebridge group. They're stuck in Chicago. The dinner's off.SOOKIE: No.LORELAI: Yes.SOOKIE: I'm gonna cry.LORELAI: I offered to fund the instant invention of a molecular transport device but theyjust didn't go for it.SOOKIE: Oh, that makes me so mad. And so sad. I'm smad!RUNE: Sookie, does this mean that my pockets wileth not with money get choked? That sounded like Old English. Cool, huh?CUT TOLUKE'S DINER[Lorelai, Sookie, and Rory are sitting at a table]SOOKIE: I've got thirty pounds of aged beef, trays and trays of trout, mountains of pruned tarts. I diced pumpkins until my hands turned orange. I've gotpumpkin hands.LORELAI: Take a sipSOOKIE: How can you stay so calm about this?LORELAI: There's nothing we can do about it.RORY: I can't believe they got snowed in.LORELAI: All that work, all that extra help wehired. Oh well. At least they paid for it already. We didn't lose any money.SOOKIE: Yeah I guess. You know, I could still make up the dinner for the three of us.RORY: Yeah, but then it would be like the three of us, allalone in the dining room.LORELAI: It would be like The Shining, except instead of Jack Nicholson, we have Rune.[Luke walks over to them]LUKE: You girls want anything besides coffee?SOOKIE: Hey, what aboutLuke?LUKE: What about him?SOOKIE: He eats, and Jess eats. Doesn't Jess eat?LUKE: What's she doing?LORELAI: I think she's inviting you for dinner.SOOKIE: Yeah, come on, join us. It'll be fun. You like PeacockPie?LUKE: I'm a hundred percent sure I don't.LORELAI: There'll be normal food too.RORY: And decorations.SOOKIE: And music.LORELAI: Come on, it'll be fun.LUKE: WellLORELAI: Hey, you know what? Let's inviteeveryone.SOOKIE: Everyone who?LORELAI: Everyone everyone.SOOKIE: Everyone everyone who?LORELAI: Everyone we know, everyone we like.RORY: And they could even stay in the inn. All those empty rooms, allthose uneaten pillow mints.LORELAI: An out of control, over the top slumber party!SOOKIE: I love it!RORY: Me too!LORELAI: Done! Spread the word.LUKE: I haven't said I'd come yet so I'm certainly not gonnasuddenly become your messenger boy. [Lorelai stares at him] Eight o'clock?LORELAI: Seven.LUKE: Right.CUT TO FRONT OF STARS HOLLOW HIGH[Dean walks out of the school, Lane walks over to him.]LANE:Deano.DEAN: Hey Lane. Are you going to this big shindig at the inn tonight?LANE: Yeah, I'm just trying to trick my mom into not going with me.DEAN: How's that coming along?LANE: How's that Pixies reunion comingalong?DEAN: Well, I'll see you and your mom there.LANE: Bye.DEAN: Bye.[Lane leaves. Dean sees Jess fighting with another kid and goes over to break it up.]BOY: Keep it up pal, you'll get hurt.DEAN: Whoa, heyguys! Guys, come on, break it up guys! Quit it! Hey, hold it man, get off me! [Dean tries to pull Jess away; Jess tries to punch him] Whoa, hey, get off me man, I'm not fighting you! Jess, knock it off man! What the hellis your problem?JESS: Nothing.DEAN: You saw it was me, Jess. Why'd you keep punching?JESS: Had momentum.DEAN: Well I was trying to help you.JESS: I don't need you help, but thanks for offering.CUT TOLORELAI'S HOUSE[Lorelai sits on the couch as Rory walks in with some drinks.]LORELAI: Hey, did Bootsy RSVP?RORY: Yeah, he's coming.LORELAI: Thanks. Is he bringing anybody?RORY: He's coming solo.LORELAI:Okay. I'm gonna put him in room 16 with Luke.RORY: You can't do that.LORELAI: Come on, let me have my fun.RORY: Luke's coming with Jess.LORELAI: Well, I'll put Jess in with Miss Patty.RORY: There will be no Jessleft in the morning.LORELAI: You stink.[Rory sits in the armchair and picks up a pile of cards]RORY: Are these last year's cards or this year's?LORELAI: This year's, of course.RORY: Don't scoff. Last year's set were stillsitting here 'til Halloween.LORELAI: Hey, if that's a crack at my housekeeping skills...well then, okay.RORY: Wow.LORELAI: What?RORY: This is one ugly looking baby. Whose baby is this?LORELAI: That's your secondcousin's Stan's. Poor kid.RORY: Ugh, he got Stan's everything.LORELAI: That's not even the ugliest baby in the bunch.RORY: You're kidding. [looks through the pile] Ouch!LORELAI: That's the ugliest baby in thebunch.RORY: I don't understand why people put pictures on cards.LORELAI: Do they not understand we are unapologetic mockers?RORY: There's an unexplained innocence in the world. Hey, I didn't see this.LORELAI:See what?RORY: Dad.LORELAI: Oh.RORY: And the woman I'm assuming is Sherry.LORELAI: Uh, did I not show you that? Huh.RORY: They've got a cute little puppy and everything.LORELAI: Oh, I must've put it in thestack and forgotten to tell you about it. Well, there it is.RORY: Nice looking lady.LORELAI: Mm hmm. Like a young Tammy Faye Baker.RORY: But prettier than that.LORELAI: Oh, I didn't mean not pretty. Hey, questionabout the room list.RORY: Yeah?LORELAI: Room 31 - why is it empty?RORY: Oh yeah, I wanted to run an idea by you.LORELAI: Run it.RORY: I thought maybe a certain depressed man and his wife could staythere.LORELAI: Woody and Soon-Yi?RORY: Grandma and Grandpa.LORELAI: Ugh, you've got to be kidding.RORY: But this could help to cheer him up.LORELAI: I'll send him a Def Jam Comedy tape. That'll cheer himup.RORY: It's a really good thing to do.LORELAI: We'll donate money to charity, that's a good thing too. We'll stop kicking dogs.RORY: Mom.LORELAI: All right, I'll pencil them in, but they'll probably say no.RORY: Yeah,but we're not gonna hope that they say no, right?LORELAI: Right.RORY: Right, because that would be really bad karma, especially on top of making fun of the ugly babies.LORELAI: Uh, I have a new year's resolution foryou: become more cynical and self absorbed.RORY: I'll work on it.CUT TO INDEPENDENCE INN[The night of the Bracebridge Dinner, Lorelai and Rory are in the lobby]RORY: Hey, how's Sookie doing in there?LORELAI:Ah, well, she's paper bagging it.RORY: What?LORELAI: You know... [Lorelai breathes into a pretend paper bag]RORY: Oh, so she's right on schedule.[Babette and Morey walk into the inn.]BABETTE: Hey dolls.LORELAI:Hey!RORY: Hi, welcome.MOREY: Are we the first ones here?LORELAI: Yes, you are.BABETTE: Now don't you freak out. Morey hates being the first anywhere. He thinks it hurts his street credibility.MOREY: Charlie Parkerwas late to everything.BABETTE: Charlie Parker had more drugs in him than a Rite-Aid. Forget Charlie Parker.RORY: You guys are in room 8. It's all ready for you.BABETTE: Thanks, doll. C'mon Morey. We can be latefor dinner if it'll make you feel better.MOREY: A little.BABETTE: Yeah.[they walk away as Lane walks into the inn]LANE: Hey!RORY: Are you alone?MRS. KIM: Lane!LANE: My wedding night's gonna be veryinteresting.RORY: Hi Mrs. Kim. I'm glad you guys could come. You guys are in room 12.MRS. KIM: Thank you. Hello Lorelai, thank you for inviting us.LORELAI: Our pleasure. Do you need help bringing in the rest of yourstuff?MRS. KIM: This is my stuff. Don't need any more stuff. People have too much stuff.LORELAI: You know you're right. People have too much stuff. Absolutely.[Mrs. Kim and Lane walk away]RORY: Says the womanwith 64 pairs of shoes.LORELAI: Thus proving my point. What is Paris doing here?RORY: She had to bring me the newspaper stuff tonight. She just couldn't wait.LORELAI: A robot, she's a robot. Hi! [walks away]RORY:Hey.PARIS: So here are the materials in the double issue. Some of the articles are gonna need complete rewrites.RORY: Drag.PARIS: Madeline's 500 words on test anxiety spends 400 of them arguing that stretchcorduroy is the best material for low-rise jeans.RORY: Well, let's see. Corduroy is a fabric, and the fabric of society is weakened when studentsPARIS: You can't get there.RORY: Yeah, it doesn't look like it. I'll get righton this tomorrow.PARIS: What about tonight?RORY: I'm busy tonight.PARIS: Doing what?RORY: Well, this.PARIS: Oh. What is this?RORY: It's kind of a big dinner party.PARIS: Oh. Okay, well, I'll get out of your way.Call if you need to talk things through, and oh - she uses the Prince version of writing. A letter U for you and a picture of an eye for an I.RORY: Wow.PARIS: Yeah.RORY: Hey Paris, do you have anything going ontonight?PARIS: What's that supposed to mean?RORY: It's supposed to mean, do you have anything going on tonight?PARIS: Well, my parents are out of town, so my Portuguese nanny will make dinner and then I'lleither get back to reading the Iliad or we'll play Monopoly. I crush her every time.RORY: Well I was just thinking, maybe you want to stay for dinner?PARIS: Here?RORY: Yeah. We have a ton of food, and it's like awhole big show and everything, and if you're not doing anythingPARIS: Rereading the Iliad a third time is not not doing anything. I'm not pathetic.RORY: I know you're not. I just thought it might be fun, that'sall.PARIS: Well, I'll have to make a call.RORY: Good, make it.PARIS: I just have to let Nanny know. [takes out cell phone and dials] Nanny? É Paris. Vou jantar com Rory hoje à noite. Eu telefono no caminho de casa.Tchau.[Dean and Clara walk into the inn]DEAN: Hey.RORY: Hello there. Hey Clara. Nice, is that a Stella McCartney?CLARA: It's a Wal-Mart.RORY: Well, it's very pretty.CLARA: My mom bought it for tonight.RORY: She'sgot good taste.DEAN: [sees Jess walk in] I didn't know he was coming.RORY: Who?DEAN: Jess.RORY: Yeah. Is that a problem?DEAN: Not really.RORY: Dean.DEAN: It's just that, he got into this fight with this guy atschool, and when I broke it up he started in on me.RORY: He hit you?DEAN: He tried.RORY: Why would he do that?DEAN: Don't ask me to explain that jerk. [Jess waves] He better not do that all night.CUT TO"}
+{"doc_id":"doc_54","qid":"","text":"[ INT. TARDIS ][SCENE_BREAK]( Clara and the Doctor come bursting through the TARDIS door, laughing and joking with each other. A bright light is behind them. )Clara: I told you it'd work!The Doctor: It very nearlyate you for dinner.Clara: Oh, admit it. I totally saved your life.The Doctor: It wasn't going to eat me.Clara: ( laughs ) I totally saved you from having to marry that giant sentient plant thing. That bit where I jumpedover the side? That was amazing! Hah! I knew you were impressed!The Doctor: The second most beautiful garden in all of time and space, and we can never come back here because you, Miss Oswald, decided...( TheTARDIS phone rings )Clara: Hello?Rigsy (O.C.): Clara? Finally. It's Rigsy.Clara: Oh. Rigsy. Hey. What's wrong?Rigsy: So I have this, er... It kind of looks like a tattoo.Clara (O.C.): Seriously? I gave you this number foremergencies.Rigsy: It's an emergency, trust me. Just...Rigsy (O.C.): Come and take a look at it. Please.The Doctor: Who said you could give out my number?Clara: Look, look, no matter how bad it is, we cannot takeyou back down your timeline just to fix a tattoo.Rigsy: That's just it. I didn't get a tattoo. And it's... It's counting down.Clara: Sorry, what?( Rigsy holds up a mirror and we see the number 538 on the back of his neck.)Rigsy: The tattoo - it's a number and it's counting down to zero.Clara: Hang tight. We'll be right there.Rigsy: Hurry. Please.( We see the number closer and it changes to 537 )VWORP! VWORP![SCENE_BREAK][ INT.Rigsy's apartment - Day ][SCENE_BREAK]( From outside the building, we see a flashing light in one of the windows and we hear the sound of the TARDIS materializing. Inside, we see a baby in a pink cot. )The Doctor:Did you make this human?Rigsy: Lucy? Yeah, she's mine.Clara: Hello. Oh, Rigsy, she's gorgeous.The Doctor: She's better than that. She's brilliant. ( The Doctor stands up and raises his voice. ) What are you doingrunning round getting tattoos when there's...Clara: Shh!Rigsy: Look, I didn't \"get\" anything. I woke up this morning and it was just there. Jen noticed it.The Doctor: OK, show me this tattoo you didn't get, then. It's atattoo. It's very boring.Rigsy: No, wait. Just keep watching.( The Doctor picks up a book and leafs through it. )Clara: What were you doing last night?Rigsy: That's just it - yesterday was a total blank. Jen said I left thehouse before dawn, I missed work, and I didn't get back till after midnight. No-one saw me all day.( We see the number change to 532. )The Doctor: Oh, that's not boring. That is very not boring.( The Doctor puts onhis glasses and they chirp and hum. )Clara: What? What is it?The Doctor: OK, Local Knowledge, you're coming with us. Bring the new human. ( The Doctor enters the TARDIS, then steps back out again. ) No! Don'tbring the new human. I'll just get distracted.[SCENE_BREAK][ INT. TARDIS ][SCENE_BREAK]( We hear some tones and a beam of light moves down Rigsy's body. )The Doctor: If you want your extremities to stayattached, stand absolutely still. If not, we can provide a small bag, you can take them home at the end.Clara: ( looking at a monitor ) Rigsy, your phone. It's like they've wiped it, but only the last day. No location data,no texts, nothing. You're sure the screen wasn't cracked before yesterday?Rigsy: Mm-hm.The Doctor: Oh, right, OK, here we go. ( looking at the scan results on a monitor ) Ah... Good. Weird. Good and weird.Rigsy:Can I...?The Doctor: Oh, yes, yes. Of course. ( snaps his fingers ) First off... in the last 24 hours, you've had significant contact with alien life-forms, right here in the centre of London.Rigsy: OK, so why don't Iremember anything?The Doctor: You've been retconned.Rigsy: Huh?Clara: What-conned?The Doctor: Amnesia drug. Your pre-frontal cortex is marinating in it. Oh, there's something else! Something... Er... not good.Weird.( The Doctor moves over towards Clara, while picking up some white cards from the console. He begins looking through them in front of Clara. )Rigsy: What's he doing?Clara: He's making an effort to be nice.TheDoctor: ( hushed ) There is no nice way to say you're about to die.Rigsy: What?!The Doctor: Rigsy...Rigsy: No, no, no, no, don't start using my actual name now! Call me Pudding Brain, call me Local Knowledge,whatever. Just don't call me Rigsy. You're going to save me. You're a doctor. That's what you do.The Doctor: OK. OK... Yes, OK, let's do this thing. First up, stop the countdown. 526 minutes, right! OK. Yes, you knowwhat, Local Knowledge, I don't know who did this to you or why. But I do almost certainly know... how to find them.( The Doctor pushes some buttons and pulls a lever. )[SCENE_BREAK][ Library - Day][SCENE_BREAK]( The TARDIS materializes on the pavement beside a stone building. The Doctor, followed by Clara and then Rigsy exit the TARDIS and walk away from us. Cut to: looking down a long, wide corridorwith high vaulted ceiling. The three walk towards us. )The Doctor: There have always been rumours. Stories passed from traveller to traveller, mutterings about hidden streets, secret pockets of alien life right here onEarth. Like a smuggler's cove, only not a cove, because it's right here. Right in the middle of the capital.Rigsy: The hidden places are in the Great British Library?The Doctor: No. The maps are. ( The Doctor indicates aroom with \"Map Room\" on the door and they enter. ) I never put stock in it. London streets that suddenly disappeared from human view? No. ( The Doctor unrolls a bundle of maps on a desk. ) You lot are alwaysoverlooking things, but whole streets? That would be excessive, even for you. If the stories are true, though, there should be a street on one of these old maps that no longer exists in the real world.Clara: Like a trapstreet, only not.The Doctor: What did you say?Clara: A trap street. You know, when someone's making a map, a, um... cartographer, uses a fake street, throws it into the mix, names it after one of his kids or whatever.Then if the fake street, the trap street, ever shows up on someone else's map, they know their work's been stolen. Clever, right?The Doctor: My God. A whole London street just up and disappeared and you lot assumeit's a copyright infringement.Rigsy: So we're looking for a trap street?The Doctor: We're looking for a trap street and we're not going to find it here.[SCENE_BREAK][ INT. TARDIS ][SCENE_BREAK]The Doctor: Theglasses are tracking your eye movements. Just keep looking straight down and...Clara: I know! Focus on the buildings directly below me.The Doctor: Whatever they're using, it only hides the street itself. It prevents youfrom noticing there's even something missing. They're somehow making our eyes skate right over it. Let's call it a misdirection circuit.( Rumbling )Rigsy: Clara!( She whoops and laughs )( She whoops )Clara: Hello,London!( She laughs )Clara: I'm good. I'm good.Rigsy: She enjoyed that...way too much.The Doctor: Tell me about it. It's an ongoing problem. Here. Keep it steady. Just move it slowly over the grid. When we're done,we'll have a map of the areas of the grid that Clara couldn't focus on.[SCENE_BREAK][ EXT. Pedestrian Precinct - London - Day ][SCENE_BREAK]Clara: So, these are the bits my eyes skated over.The Doctor: OK, wesplit up. Clara, that way. Local Knowledge... Forget the way you usually look at the world. This street's going to be hiding in plain sight.[SCENE_BREAK][ EXT. London Street - Day ][SCENE_BREAK]Clara: 22, 23...TheDoctor (O.C.): If you see something unusual or notable, dismiss it. Just keep walking. But if there's a bit of London so unremarkable that you don't even think about it... stop. You could very well be standing rightoutside a trap street. Count everything that you see.Clara: Four, five, six...The Doctor (O.C.): Because when you hit the area around a trap street, it's very likely you'll lose count.The Doctor: 79... 80... 81... 82.Youngboy: Huh?The Doctor: Remember - 82.Boy's Mum: Come along!Young boy: 82!The Doctor (O.C.): You'll lose count because the misdirection circuit is creating confusion in your mind. Details won't add up. Reality willhave glitches in it. Like when you try to read the same simple sentence three times over...Clara: One, two, three...The Doctor (O.C.): ..and the meaning just won't sink in.Clara: Got ya.[SCENE_BREAK][ EXT. LondonStreet Corner - Day ][SCENE_BREAK]The Doctor: Clara! Clara!Rigsy: Clara!Clara: It's off this street, I am certain.The Doctor: We're very close.[SCENE_BREAK][ INT. TARDIS ][SCENE_BREAK]The Doctor (O.C.): Weneed to distract our other senses. Clara, go back to the TARDIS. Pick up all my most annoying stuff.( Phone beeps )[SCENE_BREAK][ EXT. London Street - Day ][SCENE_BREAK]The Doctor: What happened to the stuff Iasked you to bring?Clara: Someone called you. Yesterday, 6am. Blocked number.[SCENE_BREAK][ Flashback ]Man: She's dead.[ End Flashback ][SCENE_BREAK]The Doctor: What is it? What are youremembering?Clara: Rigsy, what is it?Rigsy: You can't see it? There!Clara: I see it. You?The Doctor: 50 minutes left. Hoodie up, Local Knowledge. They know what you look like in there.[SCENE_BREAK][ EXT. LondonAlley / Courtyard ][SCENE_BREAK]Rigsy: How come I saw it when you guys couldn't?The Doctor: You were upset, weren't you? Something slipped through the retcon memory, something that took over your wholemind, something juicy. So the misdirection circuit lost its power over you.Clara: Surely people wander in here all the time, then, distracted, on their phones or whatever?The Doctor: Perhaps they do...( Alarm rings )(He growls )Man: Three at once. That's new.Rump: Hang about. ( sniffs ) This one don't smell human.Kabel: Name, species and case for asylum. Quick as you like.The Doctor: Asylum?Kabel: The reason you're here. Thereason you need sanctuary. Why didn't they use the protocol?Rigsy: I saw through the circuit again. I saw them. They're definitely not human.Rump: You do know this is a refugee camp?The Doctor: Yeah, ofcourse.Ashildr: Of course he does! Now that you've told him.Rump: Mayor Me.Clara: Ashildr!Ashildr: Ashildr?The Doctor: That's your name. I keep telling you that.Ashildr: Do you? Infinite lifespan, finite memory - itmakes for an awkward social life. You must be Clara Oswald. You're as beautiful as your photos.Clara: We met.Ashildr: Yes, I know. It's in my diaries. Oh, don't look like that! I enjoyed our conversations. I've read themmany times.Clara: OK, that's...slightly odd. But nice. Um, hang on, so this is where you've been. That's why he lost track of you. Oh, come on, please. It's really cute, he thinks I don't know. He's got this whole secretroom in the TARDIS where he collects mentions of you.Ashildr: It's not cute. It's surveillance.The Doctor: It's professional interest.Ashildr: Precautionary measure.The Doctor: Still saving the world from me,then?Ashildr: It's still here, isn't it?Clara: He lost track of you in the early 1800s. I wondered if you were...Ashildr: Oh, no. I let him know I was OK.The Doctor: I saw you.Ashildr: No. I got your attention.The Doctor:Yes, you did, and you have. Now we need your help. Someone in this place is in control of a Quantum Shade.Rump: ( snarls ) I knew I recognised that smell.Ashildr: Oh.Clara: Ashildr? What's going on?The Doctor:You.Ashildr: How do you know this man?Clara: Hang on. You did this to Rigsy?The Doctor: What have you done?Ashildr: This man committed a crime. I sentenced him.Clara: Sentenced him?Ashildr: I also gave himenough time to return home and say goodbye to his family.The Doctor: You flooded his brain with retcon! Till we showed up, he didn't even know he had to say goodbye.Ashildr: I'm afraid no intruder leaves this placewithout a memory wipe. With respect, that will include you.Clara: Oh, the hell it will!The Doctor: Ashildr, given we're all going to forget this conversation anyway, perhaps you could tell us what happened here yesterdayto necessitate a death sentence?Ashildr: Fine, I'll show you. Mr Kabel, Mr Rump. Permit them entry.The Doctor: No! You've already endangered one of my friends. I want your personal guarantee you will not endangeranother.Clara: Shut up, I can handle myself.Ashildr: I guarantee the safety of Clara Oswald. She will be under my personal protection. That is absolute.Kabel: If that's your wish, Mayor Me.Ashildr: This way.Rump:Murderer.Clara: What did you say?Rigsy: Murderer. He called me a murderer.[SCENE_BREAK][ EXT. Alley ][SCENE_BREAK]The Doctor: So you're still calling yourself Me, then?Ashildr: Me?The Doctor: MayorMe.Ashildr: Mayor is a title. I give myself a title for the same reason you do, Doctor - something to live up to.The Doctor: Difficult, isn't it? How long have you been here?Ashildr: Since Waterloo.The Doctor: Thebattle?Ashildr: No, the station. Really, Doctor. Tread carefully while you're here. Some of your greatest enemies are within a few feet of you. As far as you're concerned, this is the most dangerous street inLondon.Clara: Fascinating. Now, can we skip to the part where you want Rigsy dead for some reason?Woman: It's him! He's back!Ashildr: It's best we get him inside first.Man (O.C.): Murderer. You're not welcomehere.Rigsy: They look at me as if they want to kill me themselves.Man (O.C.): Don't want your kind round here.Man (O.C.): Murderer!( Hissing )Ashildr: Like I said, it's best we get inside.Woman (O.C.): Filthymurderer!Rigsy: Wait, Clara. Look.The Doctor: This misdirection circuit of yours is remarkable. The cloaking device that hides the street, makes everyone look like humans.Ashildr: It's no device. It's the Lurkworms.Quite something, aren't they? The light is a telepathic field. It normalises everything you see, places it within the compass of your expectations, your experiences. You can bypass them, of course.The Doctor:Aiyaah!Ashildr: Don't worry. We're perfectly safe.The Doctor: Yes, a phrase I find is usually followed by a lot of screaming and running and bleeding.Ashildr: I brokered a truce. We have strict rules against violence here.Rules every creature must abide by if they wish to remain on the street.Man (O.C.): Get away from us! Don't want your kind round here.Ashildr: What's better, that they're in here with me, peaceful and cooperative, orout there on Earth like the Zygons? We haven't had an act of violence on this street for 100 years, until yesterday, when your friend here attacked one of our most vulnerable residents.Clara: How did Rigsy even get in?I mean, we barely managed it...[SCENE_BREAK][ INT. House - Entrance Hall ][SCENE_BREAK]Clara: .. and we knew what we were looking for...Ashildr: She was found at the entrance of the street. No weapon on thescene, but the cause of death is likely the head wound. Seems she was knocked to the cobblestones.Clara: \"Seems\"? You've sentenced Rigsy to death yet you don't know exactly what's going on?Ashildr: He was foundover the body. My people were angry, frightened. I had to act.Clara: This is ridiculous, this is...The Doctor: What was her name?Ashildr: Anah. We're keeping her here until someone can take her home for burial.TheDoctor: She's a Janus!Ashildr: She escaped slavery. She fled here with her child.The Doctor: The child. A daughter?Ashildr: No. A boy.Clara: Is that bad?The Doctor: No, it's not bad, it's just unhelpful. A daughtermight've seen who killed her mother. The female Janus is psychic. One face sees into the future, the other looks behind her, into the past.Clara: I think we saw her son outside.Rigsy: Clara, what if I did do it? I mean, Iwouldn't have meant to hurt her, but... What if I wandered in and saw what she really looked like? What if I freaked?The Doctor: You didn't just wander in here. You were called here at 6am by a number from a mysteryphone.Clara: There is no way you did this.Ashildr: So, what then? You think someone called him here? Set him up?Clara: Yes!Chronolock Guy(O.C. outside): Mayor!Clara: Obviously! Which means one of your pet aliensout there is the real killer.( Banging on door )Chronolock Guy(O.C.): I just need to talk to her.Ashildr: Excuse me. I'm sorry.The Doctor: Yes. Please, go. It's not like we've got a ticking clock or anything.ChronolockGuy(O.C. outside): Mayor, I beg of you, please...The Doctor: 41 minutes.[SCENE_BREAK][ EXT. Courtyard ][SCENE_BREAK]Chronolock Guy: Lock me up, throw us out, anything but this. Please. I only took it to saveher.Ashildr: How many minutes left?Rump: Two, Madam Mayor.Ashildr: This man stole medical rations. He broke a rule of the street and he stole from all of you. And yes, I can remove the chronolock. But I won't. Ourrules keep us safe.Chronolock Guy's Wife: Give it to me. Please. Tell me I can have it. One word. Say it. Say yes.Chronolock Guy: I did this to save you, you silly old thing. You really think I could lose you now?Rigsy:What's happening?The Doctor: It's called a Quantum Shade. It's kind of a spirit. Once it's bound to a victim, you could flee across all of time and all of the universe, it would still find you.( Raven caws )Kabel: Don't run.Stay with her.( Raven caws )Chronolock Guy's Wife: Don't go!Kabel: Why do they always run?Chronolock Guy: Help me, somebody, please!The Doctor: At least give him a merciful death.Ashildr: Do you think aCyberman fears a merciful death?Chronolock Guy: Help me, please!Ashildr: Peace on this street depends on one thing. To break it in any way is to face the raven.Chronolock Guy: Please help me![SCENE_BREAK][ EXT.Alley ][SCENE_BREAK]( He pants )( He screams )( People gasp )( Raven caws )[SCENE_BREAK][ EXT. Courtyard ][SCENE_BREAK]Ashildr: I have no wish to harm your friend if he's innocent, Doctor. Question anyone.Examine the body. But it's not me you need to convince of Rigsy's innocence. It's them.( Crowd murmurs )Clara: OK, we split up. Cover more ground. I'm good cop, you're bad cop.The Doctor: No, no, we don't haveto... Can I not be the good cop?Clara: Doctor, we've discussed this. Your face.The Doctor: Oh, yes. Forget about cops. Forget about finding the real killer. You heard Ashildr. All we have to do is persuade these creaturesthat it isn't Rigsy. And fast.( Baby cries, on phone )Rigsy (on phone): Ssh! Ssh!Jen (O.C. on phone): She's been like this all day.Rigsy (on phone): Listen, you be good for your mum, OK? I'm doing my best to get hometo you guys.Jen (O.C. on phone): She won't stop crying.Rigsy (on phone): Yeah, I know. Yeah, she can probably tell you're upset.Clara: Rump? It's, em, Rump, isn't it? That man's wife. She said something. \"Give it tome, tell me I can have it.\" What did she mean?Rump: Two ways to survive a Quantum Shade. The Shade's master removes the chronolock... or you can give it to someone else.Clara: Give it? You can just...Rump: No,you can't just push it on someone. It's not that simple. It has to be taken willingly. The death's already locked in. You can pass it on, but... you can't cheat it.Rigsy: You're serious? You actually expect me to give you mydeath sentence?Clara: Ssh! Go on, I've always wanted a tattoo. You know, something small. Discreet.Rigsy: Clara. Cut it out.Clara: Weren't you listening? I'm under the Mayor's personal protection. And it's absolute,apparently. Look, she controls the raven, so I will never have to face it. This is clever.Rigsy: But this is putting you in danger.Clara: No, this is us talking the opposition into their own trap. This is Doctor 101. We'rebuying time. We get all the aliens on our side in the next half an hour, and then we reveal I've got the chronolock, not you, and boom! We buy ourselves more time to find the real killer.Rigsy: The Doctor would neverlet you do this.Clara: Doctor 102 - never tell anyone your actual plan. He'll have a tantrum when he finds out. And then, when we confront Ashildr, she'll want to take the chronolock off just to shut him up. Whathappens if you don't go home tonight to Jen and Lucy, eh? If you never go home? You really want your little girl growing up without a father just because he wouldn't take a risk? You trusted us to save you, so trust us.Come on.Rigsy: OK. All right. How do we do this, then?Clara: Well, I was kind of hoping that would be it. I say I want it, you say, \"You can have it\" - done deal. Hey, turn around, let me see.( Caws )Rigsy: So this isyour life, then? Bouncing around time, saving people?Clara: No, not every day. Sometimes Jane Austen and I prank each other. Oh, she is the worst. I love her. Take that how you like.[SCENE_BREAK][ INT. Ale House][SCENE_BREAK]The Doctor: Are you sure it wasn't someone from the street?Rump: I've told you already there wasn't anyone up that end of the street except Anah and the human.The Doctor: I've identified 27different species on this street so far, 15 of whom are known for aggression. Why is it so hard to believe one of them is capable of murder?Rump: Capable of murder? Yeah. Capable of killing Anah? No.The Doctor: Whynot? What's so special about her?Habrian Woman: It was the way she looked at you. Like she understood.Elderly Woman: One glance into your past and she felt it all. Every battle, every loss.The Doctor: So you just"}
+{"doc_id":"doc_55","qid":"","text":"Me. It's chubby chic. The wedding's not really happening, is it? - The wedding's off? - No. Ten minutes ago, you said you were engaged.- EMMA: Well, it's not happening - MOTHER: I mean, I don't - because she's gay! -Just stop interrupt (GULPING)MOTHER: We're going. David wanted to pop in and water the plants. He's got such a toxic energy. Dad's dead.(SOBBING)You sure it's true (SUCKS TEETH) but convenient? - Convenientthat his dad died? - Well Without her, you would have nothing. You barely have me and You probably won't be here much longer.(DAVID SOBS)(SEXUAL MOANING)- Mom? - Did anything happen last night?EMMA: OhGod. I'm sorry, I don't feel safe when she does that. Sally, let's go.(PANTING)- That was incredible. - Mm.(WHISPERING): Did you like it when I toe-fucked you? - Mm, yeah. - Yeah. - So tired. - Yeah. - I felt like I was,like - Pretty tired. pushing my toe into a little wet shoe. Tiny sticky shoe.(HUMMING)Little butterfly on your cheek. - Yeah. - Mm. Boop, boop, boop, boop, boop, boop-boo. Big fat butterfly. - Yeah, okay.- (BOTHLAUGH)- Meet the scratchy beetle.- (GRUNTS)Hello. Hmm, that's so nice. - I kind of like being still. - Mm.- (BUZZING)- Okay. Mr. Buzzy Bee! Maybe how about no more animals in my face for now?- (BLOWING)- Okay.Sorry. Was I too much? No, no. I can't get enough of you. You know, I miss you when you're asleep. I miss you at work. - I know. - Can we Skype again tomorrow? Um, it's really difficult for me because you know, I'vegot so much work on, and - It's no wonder you're tired. - Yeah. You know, if you want to go back to your place and get a change of clothes, that might be a good idea. God, no. I'm fine, honestly. I, um, found a reallycute pair of your knickers, actually. 'Cause I was, um turning mine inside out. I have to tell you, it kind of just reaches a point where, you know Mm. Well, normally, after two days, it's Well, yeah. Yeah. Mine yet really,really gloppy. Like, you know, like, crusty and have big pooh stripes. Oh, God.(KINGS OF CONVENIENCE'S \"TOXIC GIRL\" PLAYING)In the sky the birds are pulling rain (ELEANOR HUFFS) In your life a curse has got aname Makes you lie awake all through the night Hi, Nigel. She's intoxicated by herself Nigel. Every day she's seen with someone else EMMA: What are you looking at baby? Mustard pillows?(SPEAKINGINDISTINCTLY)(EMMA GIGGLING)KATE: Sally?- KATE: Hi!- DAN: Hi, Sal.SALLY: Hi.How are you? - Hi. I'm Dan. Hi, nice to meet you. - Hi. I'm Emma. Haven't seen you for ages. You never answer your phone. - I do.How are you? - I've been ringing you. - Where have you been? - Just here, in the shops.DAN: Doug, I'm in furniture hell, mate. How long did you stay at Wonky-Tonks? - Is that Dan Barrow-Felfe? - Yes, yes. Oh, myGod. That's amazing. - How do you know him? - He's my husband? Oh, God. Well done. So what's this about an engagement? Huh? This ? - Is David absolutely thrilled? - It's good to see you. We've got to We've got togo. Sorry. Um, I was wondering, can I be a real w*nk*r (LAUGHS) and give you my show reel? - Yeah, yeah, yeah, yeah. Great. Brilliant. - Thank you. - Are you an actress? - Yeah. Emma De Florentier. - Nice name. -Yeah. I'm such a big, big fan.- DAN: I'll check it out.- SALLY: We have to go. - Sorry? - I've got an appointment. - What appointment? - The thing that I was talking to you about. Okay. We should hang out! It's so greatto meet you guys. - So good. We've got to go. - You've got amazing eyes.DAN: I love you.SALLY: We've really got to go. - Stop it.- KATE: Easy tiger.(WHEELCHAIR MOTOR WHIRRING)- (THUDS)- (LAUGHSCOYLY)Great minds. I'm actually just trying to do a tiny bit of work, - and have a quiet little coffee, so - Oh. Lovely to, lovely to see you, Eleanor. Mmm. Yay. Thank you. Mmm. Mmm.(GLUGGING)Mmm,mmm.(GLUGGING)(RHYTHMIC GLUGGING)You okay? - Yeah. Help yourself, by the way. - I'm okay. - I'm fine. - No, I insist.(GIGGLES)- (CLICKS, WHIRS)- I'm okay, yeah.(CAMERA SHUTTER CLICKING)- Cake? - No,thanks. Okay, more for me.(GIGGLES)You've pimped up your pimped up your ride. Did I? - Amazing. - Just a bit of fun. May I get the bill, please?(ALARM CLOCK RINGING)SALLY: Hi.- Hey.- (PHONECLATTERS)(CHUCKLES NERVOUSLY)- Hey. - Hi. I just made lunch. - Thank you. - Little potatoes. - My little baby potato. - I've got to go to work. Oh, honey, please don't go to work. Why do you have to go to work? -I'm gonna miss you. - I've got to. Oh, my God. Okay? Emma, I've got to go to work now. We can't do that. What are you doing? God, I just My phone Come on, I can't be late for work again, Emma. I just really need totaste your pussy. - I need to taste your pussy. - Oh, my God.(PANTING)Please, Em. I can't be late for work.- (EMMA PANTING)- Oh, God. Oh, it tastes like the sea.- (MOANS)- Em.(EMMA PANTING RAPIDLY)Oh, yeah.Yeah! - f*ck! - Oh, yeah! - Oh, sh1t! - Yeah! - f*ck. - Oh, me, too. f*ck, sh1t, sh1t, sh1t! - f*ck. - Yeah, yeah, you're coming! Oh, my God! Jesus! It's f*cking 10:30!- (EMMA PANTING)- f*ck! Emma, I've got to go. -f*ck. I'm really sorry. - What the f*ck are you doing? I'm really f*cking late for work.EMMA: Jesus Christ, what is wrong with you? sh1t, sh1t, sh1t. - I'm so sorry, I've just - What is wrong with you? Sorry.I've got toSALLY: Ow! f*ck. - What? - Did you just kick me? What are you talking about? - I've got to go. - Why are you being so weird? You're really scaring me. We should get therapy.(ELECTRONIC MUSIC PLAYING)Bounce I'mso sorry. God.MICK: Ah, you've not missed much. Just a load of desperate dads perving at the waitresses. Nige' included. Mind you, he's hit the jackpot, there, lucky sod.- ELEANOR: Do you think?- MICK: Yeah. Shelooks very manly to me. You should come to one of my keep fit sessions. Maybe I will. Yeah. - Are you a widower? - Oh, no. No. - Just got one of them faces. - Right. Yeah. You got a nice, big body, though. Thank youvery much. - Should just tone up a bit. - Yeah, sure. Yeah, well, maybe I'll come to one of your classes. - Yeah, you should. - Yeah. I mean, I've got good upper body strength, but, um, my legs are quite weak. - Hmm.- Um, withered. Not withered, but quite - Do you lift much, Nigel? - Lift? - Yeah, actually lift. - Uh, just things around the house. So sorry, Deborah. All the clocks at home are wrong. Oh, yeah, right. I suppose the dogate your homework, as well. Honestly, you're clearly not taking this promotion seriously at all, Sally. Oh, no. No, thanks. Can I get one? Thanks very much. Evening. Glad you could make it. Ha, ha, ha. That's not funny.Deborah just gave me a bollocking. - Oh. - Who's your new friend? That's Roquette. Yeah, she's a fitness instructor. - Roquette. - Yeah. Like the leaf, you know, strong, peppery. The French twist. She does abounce-back class for people coming out of relationships. - Getting them back on the horse. - Mm-hmm. - This is the class. - Oh, hi. - Hi. - Hello, there.- NIGEL: That's for you.- BOTH: Thank you. - Cheers. - Oh, cheersto you. Yeah, you should come around. You know, for some mac and cheese one night.NIGEL: That sounds nice. Yeah. You can still eat nice food, but just Bounce it off? - I bounce it off every morning. - Yeah, me too.Mum, I need a sh1t. Little charmer, isn't he? - She's fun. - Yes. Yeah, she is. Full of beans. Legend. Did I just I'd be a little bit careful. - Why? - Yeah, she looks very aggressive. No, I mean, she's got a child.ELEANOR:But you like kids, though, don't you, Nigel? I love kids. Me too. Luckily, I, um, froze my eggs, so What about you, Mick? Do you ever fancy kids?(SCOFFS)If I did, it's not something I'd admit to.(GASPS)BELINDA: Areyou okay for drinks?I would love, um, a cortado. There's just water. Um, so, why don't we start by you telling me a little bit about, um, what's going on for you at the moment. - Um - Sorry, I can see that you've got ahot drink. Oh, yes, no, that's an herbal tea that I made in my own time, so It's fine. I think, um I don't think we really, um, need therapy. Yeah, I mean, you know, everything's pretty good, really. I think it's justteething problems. And just mopping up a few sort of - Stains? - Uh, yeah. Issues. Emotional stains. Right. Okay. I feel like when I first met - Emma, you know, she was really attractive. - Yeah. Really fun. Really, umsmart. And then, as the weeks went on, I think I saw another side of her - Sides of her that I really don't like, at all. - Mm. She actually she kicked me in the shin - when I was going to be late for work. - Mm-hmm. Sortof play, a playful ? - Yeah. - I didn't like it. I mean, I don't remember it, but I'm sure it would've been a It was either, you know, when you get that reflex in the knee - Yes.- EMMA: with a small hammer? Or it was aplayful tussle. - Yeah. - Like horseplay. So it's about perception. I imagine if it's new, there's a lot of Sally's body that you're wanting to really get your hands on, and explore. Absolutely. There's no bit that I don't wantto - Dig into. - Dig into. - Okay. - But Sally just has some real kind of blocks about (CLEARS THROAT) certain sexual things I'd like to do. What sort of things? I just really like exploring the body - using different parts ofthe body. - Mm-hmm. Just give me an example What sort of ? Well, I was trying, to, um I don't know if you've heard of nose f*cking - Mm-hmm.- EMMA: in the anus. - Right. - I tried that.- BELINDA: And whathappened? - I'm sorry, I'm not very comfortable talking about this. She just didn't really like it, um, or Mm-hmm. And what was it, Sally, that you found difficult? There's some tissues there if you want some. I think it'spartly she didn't know what was happening. - Okay. - I perhaps should have told her before. - But that's not very spontaneous, so - Mm-hmm. - Was it that, or ? - Yeah, I found it frightening. Frightening? Okay, uh Ionly knew she was really frightened when she broke wind. - Okay.- SALLY: I really didn't like it. You didn't like it? I'd love it if she did that to me. Would you consider that, Sally? No. - No? - I sort of almost tried - tomake her do that.- BELINDA: Popping around? Well, I was just, I tried to sort of sit on you, didn't I, one morning. Reversed myself onto her face, but Well, it's very sensitive of you to just start to try that out and gentlyum, encourage Sally. I pretended I was looking for something - Right. - on the bed, and just sort of - you know - Wiggled back. And that wasn't something that you wanted to No. I should have had a bath first, maybe,but Wonderful. Wonderful. - You okay?- BELINDA: Yeah, have a tissue. - I'm fine.- BELINDA: Are you sure? - Yeah. - Ba-ba-ba-da, ba-ba-ba-ba-dah Could you fill up my sippy cup? Yeah. Yeah. Sorry if I'm a bit hyper.Amazing weekend. - Really? - Yeah. Me and Nigel. Yeah, we went to this art exhibition. Amazing! He loves his cake. That's me feeding him.- SALLY: Yeah?- ELEANOR: Yeah.(GIGGLES)- You okay? - Yeah. I saw onDavid's Instagram that the engagement's on hold. Which I suppose means off? Honestly, ha Men! Ba-ba-ba-da, ba-bi-da-ba Ba-ba-ba-ba ba-ba - (CRASHING) - Ba-ba-ba-ba, ba-ba-ba-di-da-ba It's okay. It's fine. Baba, ba-da ba ba SALLY: No, I mean, I do want you to meet her. You know, she's my best friend.EMMA: Is Dan definitely going to be there?SALLY: Yeah, I'm sure.EMMA: Okay, cool. Do I look okay?SALLY: Umm.Yeah.KATE: Hi. Oh, thank you.- SALLY: Oh, hi.- KATE: Darling. - Aw, it's so nice to meet you properly. - And you. And you. There you are. Thank you for this. That looks lovely. Mm, it's quite expensive wine, so I hopeit's nice. Thank you, thank you. Me loves me booze.- ALL: Cheers. - To new friends. Yes, yes. Oh, yeah. So you're an actress? - Yeah. - And a musician.- KATE: Wow. - Yeah, I've actually, um - I've got my CD if youwant to pop that on. - Thank you. It's my 14th album, but, um, yeah - Pop it on. - Wow, I will do. Okay. - Thank you. - Yeah. Yeah. - I know Bryan Ferry really well.- KATE: Do you? Oh, should I get that? It's boilingover. Oh, God, thank you. I'm sorry! It's all just a bit much for me.EMMA: Oh, my God, it's only pasta. - Are you okay with that? - No, I don't eat gluten, actually. Uh, I've got I might have some gluten-free I don't likegluten-free stuff. It's horrible. It's really dry. There's salad, and I'm sure we can we'll get you something, I'm sure. - I could do a bit of this.- SALLY: Lovely.EMMA: That tomato was on the counter, just now. - I'll cut upanother one. - Just a bit paranoid about salmonella and stuff.- KATE: It's all very clean.- EMMA: Do you have a cleaner? - Yes, I do. Yeah, yeah. I just can't do everything. - You try, though, don't you. You know what, Ido. I do. You know, I'm constantly, you know EMMA: What do you do? Well, just, I'm a mom with the kids at the moment. Um - Is that everything? - Yeah. Oh, my God. Who is this?- KATE: Molly. You should really be inbed.- DAN: Hey.- EMMA: Hi.- DAN: Why is Molly still up?KATE: I was going to take her back to bed, but do you want to take her back to bed?DAN: I'm so tired. I've just got so much work on. Do you mind? Okay, fine.I'll do it, then. Will you just give them a bit of bruschetta or something? Bruschetta, it is.- KATE: I'll be a minute.- SALLY: Good night. - How are you doing? - Really good. - Good. How are you? - Yeah, good. So whatare you working on right now? Doing a movie, and, um, yeah, with, um, Marion Cotillard. Oh, I love Marion Cotillard. Yeah, she really is the best. She's amazing. - So you're an actress.- EMMA: Yeah. - Yeah. Right. - Imean, I do lots of things, don't I. Music, acting, dancing. But yeah, acting's my biggie right now. Anything I'd have seen? You can probably name the most recent movies and I've been in them. - Okay. - But I'm sort ofquite chameleon-esque. So It's possible you won't recognize me.DAN: Right. Okay. Yeah. I'm trying to think, my latest. What's the last film you saw? Um, Testament of Youth, which is, um - a wonderful film. Have youseen it? - Yeah, about the war? Yeah, I was in that one. - Who did you play in that? - I actually played a male soldier. Right. Why? Just 'cause I you know. Why not? - Right. Yeah.- EMMA: It's gender-ism. - And so she'splaying ? - She's playing an autistic baker. You got me at autistic baker.- (DAN LAUGHS)- I mean, wow. But I would love to be involved. Cool. Yeah, well, I mean, it's kind of We've sort of finalized casting, so - That sideis done. - Things change. Don't they, I mean Yeah, I mean, they can do. They can. And Marion, you just don't know if she's going to find it all too much. - At her age. - Yeah. Yeah. I mean Let's hope not. But, um Areyou guys good for food? - Yeah. - Well, no. It's just, it's, um Unfortunately it's just pasta - This must be the kids' food. - which I can't eat. No, your wife seemed to think that was what we were having, but Kate! Kate!Kate! What's happening with the food? Is this ? Well, who's the pasta for?KATE: I'll be down in a minute! Shall I go and see if she needs a ? No, no, no, no. She'll be fine. - Cherry tomato? - Please. - Thank you. Thanks,Dan. - Sal? Yeah. Sure. Thanks.KATE: So, Emma, where are you from? Wow, 20 questions!(LAUGHS)Um, kind of all over the place. It's like a really eclectic upbringing. Mm. All around Europe. - Wow. - I kind of I justdon't really like to talk about it, actually. - Sorry. - Is it painful? No, it's just that I've got really famous parents and I just - don't like to make a big deal out of it. - Have you? Who? Well, my dad um, is was Oh, God. It'sIs Stanley Kubrick.- KATE: What? - Stanley f*cking Kubrick? No f*cking way! - Kind of adds up, right?- DAN: Wow! You didn't you didn't say that. Yeah, I mean, sort of his brother, as well, 'cause my mum was never,you know, totally sure. But, um Did he have a brother? I thought he was, like, the classic only child. No, no, no. He did. He did. Yeah, it's really sad, actually, 'cause they kept the brother just locked away. Um, theykept him down in the cellar of the house - Oh, f*ck. - with a padlock, and they - He was kind of very deformed, very big.- KATE: Oh, God. He was, like, 40 stone, even as a child. - Oh, f*ck. - I think he had, like, extralimbs and stuff. - Oh, f*ck. - sh1t.- EMMA: I know.- KATE: sh1t. They would just throw meat and dead rats under the door.- DAN: Oh, f*ck.- KATE: sh1t.EMMA: I know. I mean, my mum still slept with him. You know,Stanley was the golden boy, and, um Derek was just, um not loved. But Mum said it was a pity f*ck.- (BABY CRYING)- Oh, sh1t.- EMMA: I know, it's so sad.- KATE: Sorry. - Do you want me to go?- KATE: No. No, it'sfine. Not unless you're secretly lactating. Oh, my God. You breastfeed. Yes, of course I do. Yeah. That will seriously ruin your tits. Well, I think it's bit game-over on that one. Isn't it, Dan? Hey. Tits are tits, um?(BABYSCREAMING)[SCENE_BREAK]EMMA: God bless her.Must be so hard when you've had a kid to still to even feel attractive, let alone look it. She looks so washed out. - Yeah. - Yeah. You look fine, but it must be reallyhard for you to sort of come home to that every night. It's pretty full-on at the moment. But we're in the bubble. We're right in the bubble. But yeah. Do you work out, or ? Yeah. I mean, I try to, yeah. What is it,Pilates, or ? Um, I do Pilates. I do rock climbing. I mean, rock climbing, that's my thing. Yeah. That's my go-to. It's like me and my parkour. - You do parkour? Wow. - Yeah. I like to go into urban areas and just jumpacross really high buildings. - Yeah. Yeah. - It's a big stress-buster for me. That's cool. So what is what is going on with you guys? - I mean, we're friends, really, first and foremost, aren't we? - Friends havings*x.SALLY: Are you sure Kate's all right, because I could go up there EMMA: It's always the quiet ones. Aw, you're so great. I feel like we're really connecting. Yeah, it's really good to meet you. Also, I noticed you wearcowboy boots. - Yeah. I do.- EMMA: That's amazing.DAN: Oh, wow.- EMMA: That's crazy!- DAN: Kate hates them. She's always, like, \"not the f*cking cowboy boots.\" - EMMA: It's like, f*ck off.- DAN: I f*cking lovethem. I got given them I did a movie a couple of years ago and I got given them on that, and I just can't take them off. - Same. - That's insane. This is one of the best dinners I've ever had. It really is. It's really goodfun, it really is. It's great. I'm loving this. I am f*cking loving this. I really am. - Is it hot in here? Really hot. - It is hot. It is quite hot, yeah. Kate! Kate. - Kate!- KATE: What? Could you turn the thermostat down? We'rebaking down here. - Kate! - It's fine.KATE: Don't tell Dan.SALLY: So you like her? Yeah. She seems really Yeah, yeah, she is, I think. Yeah, she's really She's so talented. She makes these, um smoothies in the morning.With like eight different vegetables. In the beginning they made me really, really sick. But I'm vomiting a lot less now, which is great. - Really. - They make you really buzzy for about 20 minutes. And then this kind ofwall of exhaustion hits, and you know, just floors me, but - You know, I feel good. - Wow. It's a purge thing. She's really into detox. You know, you've got to get all the old you out, and then replace it with vegetables.-EMMA: Hey. - Hey. - Sorry, is it okay to come in? - Come in. Yeah, yeah, yeah. - Wow, so this is your little secret hideout place. - Yeah. - Have a sniff around. - God, you've got so many incredible awards and stuff.Yeah, my trinkets and my baubles.(BOTH LAUGH)What's this little wooden driftwood heart? That was from the Congo. Um, and they had this incredible film festival there. They only have about a hundred people, butreally good films. Really special films. - Cool. - Yeah. Is that, like, Congolese wood? - It's Congalese wood, yeah, yeah. - I love Congo. - Yeah, if you've never been, go. - Oh, I've been. - Go. - I've been. - Well, go again,you know. - Well, okay. Oh, my God. What's this?DAN: Oh, wow. My Damon hat. That was given to me by Matt Damon. - Really? - Yeah, we did a musical together called The Orangutan. It's about an orangutan whobecomes a fireman. And he gave it to me on the last day. Look at this.(CHUCKLES)- Faster! Faster, Damon, faster!- (BOTH LAUGH)I mean, like, you literally were on a horse? If you met him, you'd love him. - Did youhave s*x with him? - No. He's a filthy fucker, yeah. Yeah, he really is.- EMMA: I love humor. - Yeah, me, too. Big fan. I've got to ask. You've always been gay, right? No, no. I've been kind of everything, really.- DAN:Okay. - How about you? - Well, you know, I've had my fun in the sun. - Yeah? But fun's over now? - I hope not.- MOLLY: Daddy! Molly, sweetheart. Go back to bed. Come on. It's okay. Let me put her to bed. I've noneed for the Hall of Radiohead. Why don't you have a little look-see at my show reel. I think you might kind of like the, um DAN: I'm liking this already.(EMMA MOANING WITH PLEASURE IN VIDEO)Night, Mobs. Ooh!Ooh! Ah! Ah!EMMA: You seriously need to go to sleep, okay, sweetheart? Got all those for later, okay? There we go.(MOANING CONTINUES ON VIDEO)sh1t. Sorry about that. - Don't apologize. - It's, um It's this WernerHerzog movie where he kept getting me to m*st*rb*t*. Wow. Nice bod. - Do you want to do some coke? - Always. Yeah. I shouldn't. I'm kind of NA, but what the f*ck? Just a little fat one. I should tell you I can"}
+{"doc_id":"doc_56","qid":"","text":"Originally written by Alexa Junge. Transcribed by Joshua Hodge.[Scene: Moondance Diner. Ross, Phoebe, Joey, and Chandler are sitting at the counter, Monica is working. Monica is wearing her costume, including bigfake breasts.]MONICA: So, I'll get candles and my mom's lace tablecloth, and since it's Rachel's birthday, I mean, we want it to be special, I thought I'd poach a salmon.ALL: Ohhh.MONICA: What?ROSS: Question. Whydo we always have to have parties where you poach things?MONICA: You wanna be in charge of the food committee?ROSS: Question two. Why do we always have to have parties with committees?JOEY: Really. Whycan't we just get some pizzas and get some beers and have fun?ROSS: Yeah.PHOEBE: Yeah, I agree. Ya know, I think fancy parties are only fun if you're fancy on the inside and I'm just not sure we are.MONICA:Alright. If you guys don't want it to be special, fine. You can throw any kind of party you want.[Joey is staring at Monica's breasts]MONICA: Joey they're not real. I start miles beneath the surface of these things, ok,they're fake. See [squeezes her breast] honk honk.CHANDLER: Wow, it's, it's like porno for clowns.OPENING TITLES[Scene: Central Perk. Chandler, Ross, Joey, Phoebe, and Monica are planning Rache's birthdayparty.]ROSS: I talked to Rachel's sisters, neither of them can come.MONICA: Ok, um so, I still have to invite Dillon and Emma and Shannon Cooper.JOEY: Woah, woah, woah, uh, no Shannon Cooper.PHOEBE: Why nother?JOEY: Cause she uh, she steals stuff.CHANDLER: Or maybe she doesn't steal stuff and Joey just slept with her and never called her back.MONICA: Joey that is horriable.JOEY: Hey I liked her, alright. Maybe, maybetoo much. I don't know I guess I just got scared.PHOEBE: I'm sorry, I didn't know.JOEY: I didn't think anyone'd buy that, ok.[Rachel enters]ROSS: Hi honey, how did it go?RACHEL: Agh, it was the graduation fromhell.CHANDLER: Ya know, my cousin went to hell on a football scholarship.RACHEL: Ya know, I mean this is supposed to be a joyous occasion. My sister's graduating from college, nobody thought she would. It's a truetestament to what a girl from long island would do for a Celica.MONICA: So what happened?RACHEL: My parents happened. All they had to do was sit in the same stadium, smile proudly, and not talk about the divorce.But nooo, they got into a huge fight in the middle of the commencement address. Bishop Tutu actually had to stop and shush them. But you know what, you know what the good news is? I get to serve coffee for thenext 8 hours.PHOEBE: Ok, so I guess we don't invite her parents.MONICA: Well, how bout just her mom?CHANDLER: Why her mom?MONICA: Cause I already invited her.PHOEBE: Ooh, ooh, did you ask StacyRoth?JOEY: Oh no, can't invite her. She also steals.[Scene: Monica and Rachel's apartment. Chandler, Joey, Monica, and Phoebe are setting up for the party.]PHOEBE: Ok, here are the birthday candles. Where's thebirthday cake?MONICA: Ok, we're not having birthday cake, we're having birthday flan.CHANDLER: Excuse me?MONICA: It's a traditional Mexican custard dessert.JOEY: Oh that's nice. Happy birthday Rachel, here'ssome goo.[knock at the door]MONICA: [answers the door] Dr. Greene. Oh my God it's Rachel's dad. What're you doing here?MR. GREENE: What? The father can't drop by to see the daughter on her birthday?MONICA:No no, the father can, but um, since I am the roommate I can tell you that she's not here and I'll pass along the message, ok. So bye-bye.MR. GREENE: Ohhh, you're having a parteee.MONICA: No, no, not a party. Justa surprise gathering of some people Rachel knows. Um, this is Phoebe and Chandler and Joey.MR. GREENE: I'll never remember all of that. So uh, what's the deal? Rachel comes home, people pop out and yell stuff, isthat it?CHANDLER: This isn't your first surprise party, is it sir?[knock at the door, Monica answers to see Mrs. Greene]MRS. GREENE: Hi Monica.[Monica slams the door back shut]MONICA: Chinese menu guy. Forgot themenus.CHANDLER: So, basically just a Chinese guy.JOEY: Uh, hey, Dr. Greene, why don't you come with me, we'll put your jacket on Rachel's bed.MR. GREENE: Alright, that sounds like a two person job. [they walkinto Rachel's bedroom]MRS. GREENE: Well, my goodness, what was that?MONICA: Sandra, I am so sorry, I thought you were Rachel and we just weren't ready for you yet.MRS. GREENE: You thought I wasRachel?CHANDLER: Yes because uh, you look so young.PHOEBE: And because you're both, you know, white women.MRS. GREENE: Oh, I missed you kids. Well, should I put my coat in the bedroom?CHANDLER: NO! No,I'll take that for ya.MRS. GREENE: Oh well thank you. Such a gentleman. Thank you. [Chandler takes the hot pink coat and grimaces at it] Ahh, it all looks so nice, so festive, all the balloons... [Chandler, rememberingthat Joey and Mr. Greene are in the bedroom, throws her coat in a cupboard] The funniest thing happened to me on the way here. I was...[Joey peeks out]PHOEBE: [cutting Mrs. Greene off] Ha-ha, that's great, ha-ha. Ican't wait to hear the rest of it, ya know, but I really have to go to the bathroom so... Hey, come with me. Yeah, yeah, it'll be like we're gal pals, ya know, like at a restraunt. Oh, it'll be fun, c'mon. [they go in thebathroom]MONICA: Oh my God, oh my God, oh my God.CHANDLER: Ok, think, what would Jack and Chrissy do?JOEY: [peeks back out] Ok, now that your coat is safely in the bedr-, [sees that the coast is clear] oh, okwe can come back out in the living room.MONICA: So uh, Joey and Chanlder, I, I think it's time that you take Dr. Greene over to your place.CHANDLER: Uhh, yes, absdolutely, um. Why again?MONICA: Because that'swhere the party is you goon. See this is just the staging area.JOEY: Right this is staging.CHANDLER: Yeah, this more than anything else, is the staging area.JOEY: [as they're walking out, Dr. Greene questioninglygestures at the Happy Birthday sign over the door] This is clearly in the wrong apartment. [they all walk across the hall][Scene: Later on in the hallway between the apartments. Chandler is showing people to theparties.]CHANDLER: Alright you guys are off to party number one [ushers 3 guys into Monica's apartment] and you, you are off to party number two [ushers four women into his apartment. Two guys try to follow andChandler blocks them and shoos them off to Monica's apartment] Alright fellas, let's keep it movin', let' keep it movin.MONICA: Chandler could you at least send some women to my party? [buzzer goes off] Alright that'sRoss.CHANDLER: Ok, they're coming, shhh. [Runs into Monica's apartment and grabs one last girl to take to his apartment]RACHEL: Ohh, thank you for the wonderful dinner.ROSS: Thanks for being born.RACHEL: Ohh,thank you for my beautiul earrings, they're perfect. I love you.ROSS: Oh, now you can exchange them if you want, ok.RACHEL: Now I love you even more.[they kiss and Ross backs her into her apartment and turns onthe lights]ALL: Surprise.RACHEL: Oh my gosh, wow. Monica. Oh my god. Mom. This is so great.MRS. GREENE: Happy birthday sweetie.RACHEL: Wow you, you. I had no idea.ROSS: Really?RACHEL: No, I knew.ROSS:All right.MONICA: Ok, everybody, there's food and drinks on the table. Go across the hall.ROSS: What?RACHEL: What?MONICA: Right now, Joey and Chandler's, go now.RACHEL: Why.MONICA: Just go.[they walkacross the hall]ALL: Surprise.MR. GREENE: Happy birthday sweetpea.RACHEL: Daddy.[Ad break. Time lapse. Still at party at Chandler and Joey's. Rachel is talking to Chandler and Ross.]RACHEL: Both of them are here,both of them, both of them are here?CHANDLER: Well, we could count again.RACHEL: I can't believe this is happening.ROSS: You know what, this is ridiculous, ok. This is your birthday, this is your party. I say we justput 'em all together and if they can't deal with it, who cares.RACHEL: I do.ROSS: That's who.CHANDLER: Look, are you gonna be ok?RACHEL: Well, I have to be, I don't really have a choice, I mean, you know, I couldlook at the bright side, I get two birthday parties and two birthday cakes.CHANDLER: Well, actually just one birthday flan.RACHEL: What?CHANDLER: It's a traditional Mexican custard dessert...Look talk to Monica, she'son the food committee.[Time lapse. Chandler runs out of the bathroom.]CHANDLER: Joey, Joey. Hey, some girl just walked up to me and said, 'I want you Dennis,' and stuck her tounge down my throat. I love thisparty.JOEY: Quick volleyball question.CHANDLER: Volleyball.JOEY: Yeah, we set up a court in your room. Uh, you didn't really like that grey lamp, did you?CHANDLER: Joey, a woman just stuck her tounge down mythroat, I'm not even listening to you.GIRL'S VOICE: Dennis.CHANDLER: Ok, that's me. [runs back]RACHEL: Listen honey, can you keep dad occupied, I'm gonna go talk to mom for a while.ROSS: Ok, do you have anyideas for any openers?RACHEL: Uhh, let's just stay clear of 'I'm the guy that's doing you daughter' and you should be ok.[Back in Monica's party]MONICA: Ok people, I want you to take a piece of paper, here you go,and write down your most embarassing memory. Oh, and I do ask that when you're not using the markers, you put the caps back on them because they will dry out.[Back in Chandler and Joey's party]ROSS: Hi Dr.Greene. So, uh, how's everything in the uh, vascular surgery....game?MR. GREENE: It's not a game Ross, a woman died on my table today.ROSS: I'm sorry. See that's the good thing about my job. All the dinosaurs onmy table are already dead.[Back in Monica's party]MONICA: Listen you guys, I don't mean to be a pain about this but, um, I've noticed that some of you are just placing them on. You wanna push the caps until youhear them click. [she demonstrates, Gunther starts to walk to the door] Gunther, where're you going?GUNTHER: I um, was sorta thinking about maybe...MONICA: No. No you can't go. No this is fun. Come on we're justgetting started. Here, here's your marker.PHOEBE: Listen if you wanna go, just go.GUNTER: No, she'll yell at me again.PHOEBE: Alright, I can get you out.GUNTHER: What?PHOEBE: Shh. In a minute, I'm gonna createa diversion. When I do, walk quickly to the door and don't look back.[Back at Chandler and Joey's party]MR. GREENE: I think I need a drink.ROSS: Oh, here, I, I'll get it for ya. Whad'ya want?MR. GREENE:Scotch.ROSS: Scotch. Alright, I'll be back in 10 seconds with your scotch on the rocks in a glass.MR. GREENE: Neat.ROSS: Cool.MR. GREENE: No no no, no no no, neat, as in no rocks.ROSS: I know.[Back at Monica'sparty]MR. GREENE: Oh hello Ross, where have you been?ROSS: Hi. Uh, I have been in the bathroom. Stay clear of the salmon mousse.MRS. GREENE: Oh, scotch neat. Ya know, that's Rachel's father's drink.ROSS: Oh,mine too. Isn't that neat, scotch neat. Would you excuse me? [walks out in the hallway, Mr. Greene is walking out of Chandler and Joey's apartment] Hey, hey, where you uh, sneakin off to mister?MR. GREENE: I'mgetting my cigarettes out of my jacket.ROSS: No. no.MR. GREENE: Whad'ya mean no?ROSS: No, um, see 'cause that, that is, that is the staging area. If you go in there, it'll ruin the whole illusion of the party. Yeah, Ithink you take your scotch back in there and I will get your cigarettes for you sir.MR. GREENE: Get my glasses too.ROSS: All righty roo. [closes the door] What a great moment to say that for the first time. [goes to getthe cigarettes and glasses]MONICA: Ok, the first person's most embarassing memory is, 'Monica, your party sucks.' Very funny.PHOEBE: Oh no, ooh, ooh, did somebody forget to use a coaster?MONICA: What? [sheruns over to where Phoebe is, Phoebe signals for Gunther to go] I don't see anything.PHOEBE: Great, I'm seeing water rings again.MRS. GELLER: Ross, whose glasses are those?ROSS: Mine.MRS. GREENE: You wearbi-focals?ROSS: Um-hmm. [puts them on] I have a condition, apparently, that I require two different sets of focals.MRS. GREENE: Did you know my husband has glasses just like that?RACHEL: Well those are verypopular frames.ROSS: Neil Sedaka wears them.GUY: [to Phoebe] I hear you can get people out of here.MRS. GREENE: Rachel, you didn't tell me your boyfriend smoked.RACHEL: Yeah, like a chimney.ROSS: Ohh, bigsmoker. [Packs the cigarettes and flings one on Mrs. Greene in the process. Finally gets one in his mouth and it look really out of place] Big big smoker. In fact I'm gonna go ou into the hallway and fire up this bad boy.[as he walks into the hall, he comes face to face with Mr. Greene]MR. GREENE: Are you wearing my glasses?ROSS: Yes. [pulls them off and hands them to Mr. Greene] I was just warming up the earpieces for you.MR.GREENE: Thank you. Is that one of my cigarettes?ROSS: [pulls the cigarette off his upper lip and hands it to Mr. Greene] Yeah, yes it is, I was just moistening the tip.[SCENE_BREAK][Back in Monica's party. Phoebe istalking to a guy and two girls at the party.]PHOEBE: Ok, ok, she's taking the trash out so I can get you out of here but it has to be now, she'll be back any minute.GIRL 1: What about my friend Victor?PHOEBE: No, onlythe three of you, any more than that and she'll get suspicious.GIRL 1: Alright, let me just get my coat.PHOEBE: There isn't time. You must leave everything. They'll take care of you next door.GIRL 1: Is it true they havebeer?PHOEBE: Everything you've heard is true.[Back at Chandler and Joey's party. Everyone is dancing and having fun.]MONICA: Could you guys please try to keep it down, we're trying to start a Boggletournament.[Chandler and Joey stop dancing and laugh at her]MONICA: You, and you, you're supposed to be at my party. And Gunther! What are you doing here?GUNTHER: Um [gestures to dance floor]PHOEBE:[enters with the three people she got out] Ok, welcome to the fu-oh.MONICA: Phoebe.PHOEBE: Alright, I'm sorry but these people needed me. They work hard all week, it's Saturday night, they deserve to have a littlefun. Go.MONICA: Ya know, my party is fun. I mean, maybe it's a little quieter, less obvious sorta fun but, you know, if people would just give it a chance... [volleyball hits her in the head from behind][Back at Monica'sparty]RACHEL: You want me to see a therapist?MRS. GREENE: Sweetheart, you obviously have a problem. You've chosen a boyfriend exactly like your father.RACHEL: Ok mom, you know what, fine, I'll make anappointment ok, but you know what, right now, I gotta go, I gotta go do a thing.[Chandler and Joey's party]MR. GREENE: Did you know your mother spent $1200 dollars on bansai trees. I felt like Gulliver around thatplace.RACHEL: Daddy, daddy, you know what, I really wanna hear more about this, I really do, but I just have, I just have to do a, some stuff.[Monica's party]MRS. GREENE: You work and you work and you work at amarriage but all he cares about is his stupid boat.[Chandler and Joey's party]MR. GREENE: You work and you work and you work on a boat...MRS. GREENE: He always ridiculed my pottery classs...MR. GREENE: ...andyou sand it and you varnish it...MRS. GREENE: ...but when all is said and done, he still drinks out of the mugs.MR. GREENE: ...and her yoga and her Bridges of Madison County...MRS. GREENE: ...the scotch and thecigarettes...MR. GREENE: ...and the bansai's and the chiuaua...MRS. GREENE: ...I may have only been in therapy for three weeks now dear but...MR. GREENE: ...what the hell does she want with half a boat...[Scene:The hallway after the party. Rachel is sitting there.]CHANDLER: [running out of his apartment after a girl] Ok, ok, you can be shirts and I'll be skins. I'll be skins. [sits down beside Rachel] Hey, how you holdin' up there,tiger? Oh, sorry, when my parents were getting divorced I got a lot of tigers. Got a lot of champs, chiefs, sports, I even got a governor.RACHEL: This is it, isn't it? I mean, this is what my life is gonna be like. My momthere, my dad there. Thanksgiving, Christmas. She gets the house, he's in some condo my sister's gonna decorate with wicker. Oh, Chandler how did you get through this?CHANDLER: Well, I relied on a carefullyregimented program of denial and, and wetting the bed.RACHEL: Ya know, I just, so weird. I mean I was in there just listening to them bitch about each other and all I kept thinking about was the fourth ofJuly.CHANDLER: Becasue it reminded you of the way our forefathers used to bitch at each other?RACHEL: It's just this thing. Every year we would go out on my dad's boat and watch the fireworks. Mom always hated itbecause the ocean air made her hair all big. My sister Jill would be throwing up over the side and my dad would be upset becasue nobody was helping and then when we did help he would scream at us for doing itwrong. But then when the fireworks started, everybody just shut up, you know, and it'd get really cold, and we would all just sort of smush under this one blanket. It never occured to anybody to bring another one. Andnow it's just...CHANDLER: I, I know. [Hugs her. Ross walks out and Chandler puts her in his arms.][Scene: Monica's party. She is seeing off the last of the guests.]MONICA: Ok, thanks for coming, I hope you guys hadfun.MRS. GREENE: Alright, Monica dear, I'm gonna hit the road. Now I've left my 10 verbs on the table. And you be sure and send me that finished poem.MONICA: Ok will do. So glad you came.MRS. GREENE: I think Isaw Rachel out in the hall.MONICA: Ok, let me go check. Your mom want's to say goodbye.RACHEL: Oh ok.MRS. GREENE: Happy birthday sweetie.RACHEL: Ok.[Mr. Greene opens the door to Chandler and Joeysapartment. Ross sees him and runs to the door forcing him back in then holds onto the door knob.]JOEY: Ahh, you drive safe.MRS. GREENE: Ross, what're you doing.ROSS: I'm getting ready for the water skiing. [Mr.Greene opens the door which pulls Ross in] How are you doing?CHANDLER: Well, uh, Dr. Greene, where are you going?MR. GREENE: To get my coat.GUYS: No no no.MR. GREENE:Alright, alright, I can get my owncoat.[the guys form a wall between Mrs Geller and Mr Geller and dance across the hall as he walks across]CHANDLER: Sorry, we're on a major flan high.PHOEBE: Oh no, you're not supposed to be here. This is thestaging area, you should, it's all wrong, you should leave, ya know, get out. [opens the door, the guys are right there] Or perhaps you'd like a creme d'menthe.MR. GREENE: I have to be heading to my chateau, thankyou.PHOEBE: Oh all right, then I guess we're going back into the hallway.JOEY: Thanks for coming Mrs. Greene. [grabs her and kisses her to distract her. She goes limp in his arms. Mr. Greene leaves.] Well, ok, youtake care.MRS. GREENE: Oh, you kids [she caresses his face and chest] Well, this is the best party I've been to in years.MONICA: Thank you.CLOSING CREDITS[Scene: Monica and Rachel's apartment. Close up of theflan on the table with birthday candles.]MONICA: Ok everybody, it's time for flan.CHANDLER: Yup, get ready for the gelatenous fun.JOEY: Kinda looks like that stuff you get when you get a bad infection.MONICA: Ok,that's enough.PHOEBE: Ok Rachel, make a special flan wish.RACHEL: Ok, I've got one. [blows out the candles. Somebody calls out 'heads up' and the volleyball lands in the flan] Wow, those things almost never cometrue."}
+{"doc_id":"doc_57","qid":"","text":"Narrator: Our nation is built upon a history of battles fought over honor, family, and power. These bloody and iconic chapters define what it truly means to be an American. These are Blood Feuds. At the height of theKlondike Gold Rush, Skagway, Alaska is America's last frontier.[Gunshots]Skagway is the entrée to the gold fields. Control Skagway, and you control the wealth of the Yukon.Narrator: Two men are locked in a powerbattle for the town. Put that rope down. One is \"Soapy\" Smith, a notorious criminal driven by greed. Soapy was the king of the frontier continent.Narrator: The other is Frank Reid, a vigilante bent on revenge. Reid killeda man because of his bad temper. Soapy Smith has too much control over this town. There was a tension. And this tension slowly built.Narrator: It's an epic feud that starts with money but will end in blood.Smith: Bringthem in, dead or alive... That statement guaranteed bloodshed in Skagway. I'm Soapy Smith. I've run the cleverest con games in the west. But now, I'm here in Skagway, Alaska to clean up on the Yukon Gold Rush.This is a town I mean to own. And Frank Reid ain't gonna stand in my way. Name's Frank Reid. The frontier is a place where a man can build something new. But Soapy Smith and his scams are making things hard forme. I mean to put a stop to it. You can't stop me. My God. Don't shoot.Narrator: Frank Reid's and Soapy Smith's fates collide in 1897, during the great Klondike Gold Rush. The front pages of newspapers screaming,\"Gold. Gold. Gold.\"Narrator: As news spreads, men from all over the west pack their bags and board ships bound for Alaska. They came from San Francisco. They came from Portland. They came from Seattle. TheYukon offered a get-rich-quick type of thing.Narrator: But most of the men have no idea what they're in for. What you saw from the boat was a forbidding landscape, towering mountains. It was cold.Narrator: There aretwo main harbors that lead to the Yukon trail where the gold is. Dyea is the most direct route, but it's through the notoriously treacherous Chilkoot Trail. The other longer but less rigorous path is via a desolate outpostcalled Skagway.Spangenberger: Skagway comes from an old Indian name meaning cruel, deadly winds coming down.Narrator: In the harsh early days, Skagway becomes the first place where many newcomers to theYukon would pitch their tent. Some of these men are here to try out their luck in the gold fields. Others see a chance to make money off the miners. And many are here to put their pasts behind them. There was apopular song during the Gold Rush which was called \"What was your name in the States?\" You could leave your entire past behind. You could start over again.Narrator: One man looking for a new start is a toughfrontiersman from the western states named Frank Reid. He's a land surveyor and former soldier who is trying to escape from a dark past. Reid had killed a man in Oregon.Spangenberger: He killed him because of hisbad temper. It was a neighbor that there was just some animosity brewing between them. The neighbor passed by him without acknowledging him. And that offended Reid's sense of honor.Hutton: The altercation was areal reflection of his demand for respect. He had a real edge to him.Narrator: Haunted by the killing, Reid yearns to put his demons behind him and contain his hair-trigger temper. He had a checkered past, but hewanted stability. He wanted something better.Narrator: Reid sees the Klondike as his chance for redemption. I don't think Reid was looking so much for the gold as for the opportunities that the Gold Rush was gonnacreate. He sees a new chance to remake himself 'cause that's what the west is all about.Narrator: When Reid arrives in Skagway in the summer of 1897, he's one of the early settlers. It's totally a sea of mud. Heavenhelp you if you fell 'cause you're likely just to drown in the muck.Narrator: The cold and the mud are only part of the problem. With no rules or oversight in this harsh environment, Skagway is a lawless place. But FrankReid sees promise. He teams up with some other settlers who share his vision to create a real town from the chaos and mud.Man: Where do we get started? Well, I was a surveyor down in the lower 48. I thought maybeI could help lay out your roads. He's looking for an opportunity. And, of course, he has the skill set, which no one else has, to lay out the town. He's rewarded with a secure place amongst the leaders ofSkagway.Narrator: Soon, there are primitive streets, a stable, and an inn to house some of the miners. Frank Reid's mission is now to tame this town and create law and order from the frontier chaos. He wants to be afounding father of something great.Narrator: Thus far, he's been able to keep his violent temper in check. But he's about to meet a foe who will ignite his fury and spark an epic battle for the town that soon turnsdeadly. One of the newer arrivals in Skagway is Jefferson Randolph Smith. He's a man on the run from his bad reputation. Jeff was the king of the frontier con men. That's what he's most well known for. Step right up.Who feels like trying their luck today? Three-card monte.Narrator: He's a slippery character, true to his nickname... Soapy Smith. You got the lucky streak in your eye. How about you step up there? Just a dollar to play,huh? This one right here. All right. I got the ace of spades. And they're dancing. They're flying.Narrator: Having just arrived in Skagway, this infamous con man keeps a low profile at first in order to scope out the town.With a history of organizing major cons and robberies all over the west, he's currently on the lam from Denver, Colorado, where he was the kingpin of a powerful crime syndicate and had been wanted for murder. Therewere several times where he was arrested for possibly killing people. But most of the time, it was swept under the rug. And he had enough power to get out of the charge and get out of a prison sentence.Hutton: Hebought and paid for protection from the police. He had been very, very successful. Oh. Better luck next time, all right? Who's next? Step right up!Narrator: But when Soapy's corrupt ways finally get him run out ofDenver, he's forced to find somewhere new. When he hears of the Gold Rush in Alaska, he arrives in Skagway with a singular mission... Take this town for all it's worth. As he always does in a new place, Soapy findssome accomplices and sets up shop by opening a saloon. The legend has it that Soapy arrived and right away began working the machinery behind the scenes, as he had done in all of his others towns, setting up thegang and setting up his various establishments.Narrator: The saloon has gambling tables, whiskey flowing around the clock, and ladies of the night. In this den of sin, Soapy and his gang run their scams and robberies.Soapy is about con operations, and he's about pickpockets and stealing people's money when they're in bed with a prostitute. This is the way he makes his money. And, of course, he's running crooked cardgames.Narrator: With all this debauchery and theft and the unsavory characters who come with it, crime and violence begin to emerge in this small frontier town.[Gun cocks, gunshot]Hutton: For Frank Reid and otherswho had come into Skagway hoping to establish something good, Soapy Smith was an incredible threat.Narrator: As legend has it, after hearing rumors of Smith's illegal ventures, Reid stops by Soapy's saloon toconfront him.And he seethes with anger over the depravity he discovers inside. Whoa! When Reid sees a drunk causing trouble at the bar, he snaps... Get the hell out of here. ... and throws the scoundrel out. Reid'sfocus quickly turns to Soapy, the criminal who threatens to destroy Skagway. Reid thought that Jefferson Randolph Smith was a scourge on the community, that he was bad for business, that they didn't need to havehis kind around.Narrator: Soapy knows Frank Reid is one of the town pioneers who stands for law and order, so he expected this visit would come eventually. But he doesn't like anyone putting a hand on his customers.I appreciate you trying to protect my place. But I don't mind a guy getting drunk. That's sort of the idea of the business. I want to see this place get built up, not torn down by a bunch of drunks. They weren'timmediately hostile to each other, but they certainly weren't friendly, either. And so there's a tension.Narrator: Soapy tries to determine how much of a threat this lawman might be.Soapy: So, what brings you up here?You ain't out hunting for gold in the fields. You aiming to stick around, settle down? It's the wrong place for that. I intend to stick around.Narrator: The men part ways, but both can see it's only a matter of time beforethe two collide.Hites: Frank Reid was trying to find an opportunity, trying to get Skagway built. Soapy just wanted to continue the old ways.Narrator: Soapy knows that Frank Reid could pose some serious problems forhim. Reid is dedicated to shutting down Soapy's illegal operations to prevent Skagway from falling into corruption and lawlessness like so many other old west towns had in the wake of the civil war. Reid had traveled allover the west to boom towns before. He knew the kind of people that lived there. And, of course, the arrival of Soapy Smith was just a nightmare. Here is exactly the sort of con artist that had been run out of all sorts oftowns. He's the last thing that they wanted in Skagway.Narrator: Determined to rid the town of gambling and thievery, Reid meets with the other founding fathers to sound the alarm and get organized. The group said,\"Okay. We're gonna take on the job of trying to keep some semblance of civilization here.\"Narrator: In this distant frontier town with no police force or militia, the men band together with one goal in mind... to establishlaw and order in Skagway. I'm here to propose Skagway is kept a safe city. Hear, hear. Somebody's got to keep order. The pioneers of Skagway have to make their own government and their own rule. I propose thatwe form a committee to deal with some of the welfare issues of this city.Narrator: The group calls itself \"The Committee of 101,\" named after the many members who joined the cause. For the Committee of 101, forFrank Reid, it's all about power, and it's all about money. We have a real opportunity here to become very, very wealthy. But to have money, you've got to have decency and safety and law and order. Let's makeSkagway into the jeweled city of the northwest.Narrator: But the new Committee of 101 knows there's one thing standing directly in their way... Soapy and his gang of thieves. They couldn't do much about it at thatpoint. It was too early on.Narrator: As a first order of business, a U.S. marshal is appointed. But deep down, Reid knows he may have to personally step in to keep Soapy in line. There's no question that Frank Reid isone of the few men in town with a real reputation. He certainly is one of the few men in town who everyone knew had killed someone.Narrator: Meanwhile, Soapy Smith is busy quietly building his criminal empire. Hehas already won over the more corruptible merchants in town to support his cons, promising he'll never fleece a local, just the miners passing through. Some merchants were behind him. As long as they weren't a partof the actual cons, they could look the other way and just profit from it. Soon, hundreds of men are on his payroll. And Soapy, ever the smooth talker, starts winning over the rest of the town, as well.Hutton: He's sucha charmer, he's soon got everybody in his pocket. Some of them are in his pocket 'cause he's filling their pockets. But a lot of folks are just won over by this guy. He's so charming.Narrator: Soapy Smith and his criminalsoap gang have big plans for Skagway. And he's not gonna let Frank Reid stop him. The battle for Skagway will soon be fought and will end in blood.[Gunshot]Narrator: It's 1897.In the wild frontier town of Skagway,Alaska, Frank Reid and other citizens have formed a committee to maintain the law. These men want to build a community, and they want to make money. But to have money, you've got to have law andorder.Narrator: Standing in Frank Reid's way is con artist Soapy Smith and his criminal soap gang. His method of making money is by scamming the miners who come through town. His newest business is a telegraphcompany to take advantage of lonely miners trying to reach loved ones back home. I'd like to send a telegram to my wife. Of course. Go in, \"want to send a telegram.\" The telegrapher would write down your messageand then hammer out your message right there on the wire. Louise, I arrived at this here place safe. So people would come in. They'd pay $5 and send a telegram. But, of course, it was all fake.Hites: There were notelegraph wires strung to Skagway in 1897. Okay. That'll be $5. Thank you, sir.Narrator: The money is rolling in. And this is just one of Soapy's scams. When Frank Reid hears rumors about Soapy's growing criminalenterprise, he's furious.Hites: If word gets out that Skagway is a dangerous place to bring your gold out through, all the gold for the entire Klondike is gonna go out through other port cities. Skagway will be destroyedeconomically.Narrator: According to legend, Reid decides to confront Soapy about his scams. But he has to be careful. Soapy's goons are everywhere. And Reid doesn't want his bad temper to get the best of him. Youknow, I don't begrudge a man for making a buck. But I don't like the way you're going about it. I'm not hurting anybody in this town. Me and my boys are only fleecing money off of these miners on their way out to theKlondike. Now, some of those boys don't even know how to survive out there anyways. I'm saving their lives.Narrator: Reid warns him, the Committee of 101 will no longer tolerate Soapy's scams.Hutton: Reid and hisfriends were determined to shut down Soapy's operations. You know, this little problem of yours will go away real quick if you just look the other way.Hutton: One of the ways you survived on the frontier as long asFrank Reid had is you don't allow people to push you around. I can't do that.Narrator: But Soapy won't be pushed around either. There's only one man in Alaska who can get me if I'm ever got. You'll be the man to do it.I know.Narrator: Soapy knows his interests are directly threatened by Reid and his committee. And he's not prepared to let that happen. So he recruits some of Skagway's roughest elements to be bodyguards. And hestarts to carry around his own formidable weapon wherever he goes... an 1892 Winchester rifle.Spangenberger: This 1892 Winchester was a handy gun and certainly good as a man killer.Narrator: But tough guy FrankReid remains unafraid. Everyone can feel a confrontation is coming. And, soon enough, it does. It starts with one of Soapy's men, a bartender in a popular saloon. It was a bartender by the name of John Fay and apatron who was drunk and angry that he had lost some money in the saloon. And he complained. Hey, bartender, I said I want my change.Narrator: John Fay has allegedly pocketed the drunk customer's change. It'sone of Soapy's common scams. It was done, usually, to people passing through. But it wasn't done often to people who were locals or local working men because it brought on bad business.Fay: You ain't gettingnothing back. Had enough of your damn... get the hell out of here. I'm... I'm coming back! Fay says, \"you do that, I'm gonna shoot you when you come back in,\" and threw him out of the saloon.Narrator: Undeterred,the drunk patron runs to get help outside the bar. And he runs into, by chance, deputy Marshal Rowan going by him in the streets.Narrator: The marshal agrees to go back with him to the bar to settle the dispute.Hites:They go back into the saloon. As they go through the door, Fay shoots both of them.[Gunshots][Woman screams]McGrath is dead instantly. And Rowan, the deputy marshal, is taken off to Doc Moore's office, wherethey lay him down. He dies there.Narrator: John Fay, one of Soapy's men, has now killed the deputy marshal and another Skagway citizen. The gunman runs to Soapy for help. Fay ran to him for protection. Now,Soapy, being the fixer, he grabbed Fay and hid him.[SCENE_BREAK]Narrator: News of the killings circulates through town and reaches the Committee of 101. There's been a shooting at the people's saloon. John Faykilled two men, and one of them was Marshal Rowan. Let's go! Yeah. Come on.Narrator: Enraged, the Committee of 101 knows that the time has come to take a stand against these criminals and is determined to findjustice for the innocent men shot down in cold blood. This is the first time since his new life in Skagway that Reid risks showing flashes of the temper that could lead to murder. The noose is grabbed.[All shoutingindistinctly]But Soapy isn't about to let one of his men get taken by this mob. He's gonna show his rival, Frank Reid, that he won't give up control of the town without a fight.Narrator: It's January 1898. In Skagway,Alaska, a lawless gold-rush town on the verge of chaos, John Fay, an associate of criminal boss Soapy Smith, has killed two men...[Gunshots]... in cold blood. Fay shot both men dead. Now, there was a mob, and theywere hungry for revenge.Narrator: Furious, the Committee of 101 rallies to seek justice for the murdered citizens. This could be their shot to take down Soapy, the criminal boss of Skagway. But Soapy Smith isn't aboutto let the committee get one of his men. Soapy, of course, got John Fay and had him protected by some of his friends. It's time we take the law into our own hands, gentlemen. You're a bunch of cowardly, rope-pullingsons of bitches.Hites: As legend has it, Soapy literally stands in front of the angry crowd and says, you know, \"if anybody tries to get to Fay, they got to come through me.\"Narrator: The standoff represents two verydifferent men... One on the side of law and order, the other, crime and corruption. Bring Fay out here, Soapy. You're protecting a murderer. He killed two men in cold blood and one, the only lawman in this town.[Allshouting indistinctly]Narrator: Soapy can see he's outnumbered, so he tries a different tack... his gift for persuasion.Put that rope down, Reid. We hold to the law here, not vigilante justice. No lynching is gonna go onhere tonight. Not many people can talk down a violent mob, one that wants to hang. But Soapy was so good at talking his way out of problems.Narrator: He convinces the crowd that he is the one who is standing up forthe law and a fair trial, and that the Committee of 101 is nothing but a group of reckless vigilantes.Hutton: Soapy's pretending to be a law-and-order man when, of course, he's leading the outlaws. It's so frustrating forReid, who sees Soapy for what he is. And yet, Soapy wins over everybody. Go home, now. I'll make sure Fay doesn't go anywheres until the law gets here.Narrator: For Frank Reid, it's a humiliatingdefeat.Spangenberger: The vigilantes and Frank Reid, I'm sure they thought, \"Okay, boys. This is our chance. Now we can get rid of Soapy.\" But it didn't work. And I'm sure they were very angry.Narrator: To makematters worse, in the days following, Soapy plays up the role of town hero. And many townspeople are won over despite the fact that Soapy is protecting a murderer. The con man uses his deep pockets to win overmore support. He helped start churches and helped people in need. If somebody was sick or in trouble, he would help them out.Narrator: But Soapy's public good deeds can't mask what Reid knows is really going on inSkagway. Crime and violence is spiraling out of control.Haydn: Skagway had become so notorious as a place where people got clipped of all their money that they didn't want to even go into the town.Narrator: OnMarch 7th, 1898, a young miner named Peter Clancy Bean is ambushed on a road outside Skagway. The same day, Skagway records a shocking 12 robberies.Hites: As the story goes, Skagway was a wicked place littlebetter than Hell on earth, probably the roughest place in the world.[Woman screams]Narrator: Reid blames Soapy and his goons for it all.Everything that he fought for is being destroyed. And he's being played for thefool. It's no longer enough to try and stop Soapy from pulling his scams in town. Now he wants the con man gone from Skagway for good. The day after the murder, the committee posts a public warning that all buncoand sure-thing men best leave town.Hites: Warning... All con men and other objectionable characters are hereby notified to leave Skagway on the White Pass road immediately.Narrator: There is only one objectionablecharacter the Frank and the committee are after... Soapy Smith. This broadside was literally published and nailed around town overnight.Narrator: But Soapy is undeterred.Hites: He responded with a flyer that said tothe Committee of 101, \"no vigilantes will be tolerated in this town,\" signed, \"The Law and Order Committee of 317.\" 317 was the address of his saloon.[Laughs]It was a joke. It was a response immediately showing"}
+{"doc_id":"doc_58","qid":"","text":"1.20 - P.S. I Lo...OPEN AT LUKE'S DINER(Lorelai and Rory are sitting at a table. Lorelai is in the middle of telling a story.)LORELAI: So then he starts ripping my twenty dollar bill into like a million pieces. And I'mthinking to myself, there is a store full of people, why am I the one on line with the crazy magician? (Rory yawns) Okay, I'll cut to the end. So he couldn't put it back together again and he had to pay me back inquarters.RORY: Very good story.LORELAI: You look tired.RORY: I just haven't been sleeping very well lately.LORELAI: How come?RORY: Just have a lot on my mind.L: Anything I can do?R: Flag down the coffee.L: Armgoing up now. Honey, you gotta wake up. Wanna play?R: One, two, three?L: I'll go first.(They both stare out the window.)R: And one.(Older man walks by.)L: Pass.R: Why?L: Because I'm not Anna Nicole Smith.Next.R: Two.(Teenage boy on a skateboard goes by.)L: Hmm, pass.R: Why?L: Because I'm not Mary Kay LeTourneau.R: Okay.(Luke comes to the table while they are staring out the window.)LUKE: What are youlooking for?L: My new husband.R: She's already passed up two perfectly good prospects.L: But I'm feeling pretty good about number three.LUKE: Do I want to know what you're doing?R: Hey, Luke came to the table,does that make him number three?LUKE: No.L: You don't even know what we're doing.LUKE: The safest answer in anything involving the two of you is no.L: We're playing one, two, three, he's yours.LUKE: I didn'task.R: You can take the first guy that walks by, or if you decide to pass, assuming there's somebody better out there, you can take the next guy that walks by, or if you don't take him, you're automatically stuck withthe third guy.L: Got it?LUKE: I'm not playing.L: Well of course not. Its still my turn.R: Okay, guy number 3 is crossing the street right now.(All three of them stare out the window.)LUKE: Why am I looking?L: Becauseit's like a train wreck.(They see Kirk walking towards the diner.)L: Aww, no!R: Daddy!L: Not Kirk!R: Maybe he'll buy me a pony.L: I wanna go back to the old guy.(Kirk walks in the diner. Luke walks over to him.)LUKE:Congratulations man.KIRK: Uh, thank you.(Lorelai and Rory start giggling.)KIRK: What?L: NothingKIRK: Okay, did somebody put the kick me sign on my back again?(Lorelai and Rory are laughing.)KIRK: It wasn'tfunny last week and it's not funny now! I have asthma.(Kirk leaves the diner.)R: Mom, quick he's leaving!L: Oh no, Kirk come back, I love you! Drat. All right, your turn.R: I don't know Mom. You already got Kirk, how'sa girl to top that?L: You're right, he's yours.R: And one.(They stare out the window. Dean walks by. Rory gets a sad look on her face.)L: Okay, so, we should order.R: Yeah, ordering's good.(OpeningCredits)INDEPENDENCE INN(Lorelai is sitting at a table in the lobby organizing folders. Michel, who is behind the counter, answers the phone.)MICHEL: Independence Inn, Michel speaking.MAX: Yes, is Ms. Gilmorethere?MICHEL: I'm sorry, she's busy, how may I assist you?MAX: Actually, I need to speak to Ms. Gilmore.MICHEL: Is this business or personal?MAX: Personal.(Michel walks over toward Lorelai and tosses the phone onthe table. Lorelai picks it up.)MAX: Is anybody there? Hello?L: Yes, Hello, hi.MAX: Lorelai?L: Max!MAX: Is this a bad time?L: No such thing. Where are you?MAX: I am in the teacher's lounge.L: Hmm, what are youwearing?MAX: Nothing.L: You must be very popular.MAX: And chilly.L: I thought we had a chat date tonight.MAX: We did, but I was thinking about something and I wanted to run it by you.L: Okay.MAX: So. .L: Ooh,hey, make a gorilla sound.MAX: Why?L: I want to play Wild Kingdom.MAX: I am not making a gorilla sound.L: I'll tell you what color underwear I'm wearing. (pause) Had you considering the gorilla sound, didn't I?MAX:Yup.L: I'm good.MAX: Okay, I need you to be serious now.L: Says the man with no pants.MAX: We've been having these very successful phone calls for a couple of weeks now.L: Yes we have.MAX: And I think that allthe talking has done us a lot of good.L: Yes it has.MAX: So I was thinking that maybe this weekend instead of a phone call, we should have a date. Let's have dinner.L: Hmm, at the same restaurant?MAX: At the sametable.L: Interesting idea.MAX: I think its time.L: You know what? So do I.MAX: Saturday night, 8 o'clock?L: Okay, wear some pants.MAX: I make no promises.L: Bye.CUT TO SIDEWALK(Rory is sitting on the curbreading a book. Lane walks over to her and drops a small bag of chips into her lap. Rory stands up and Lane hands her a small bag from the market.)LANE: Salt and vinegar.R: Thank you.LANE: Here's your gum, yoursoda, your New Yorker, and your dental floss.R: Aw, they didn't have the minty kind?LANE: They were out.RORY: Well, this is good too.(They start walking)LANE: He wasn't in there.R: What?LANE: Dean. He wasn't inthere.R: Oh.LANE: In case you were wondering.R: I wasn't.LANE: Okay, well I just thought you might be. So I mentioned it.R: Well, I'm not.LANE: Okay.R: Okay.LANE: I just thought you'd might like to know for futurereference that Dean is not in the store on Wednesdays so you can mark it down on that little list you're hiding from me that says where Dean is so that you can avoid him at any time.R: I was not avoiding themarket.LANE: Oh, my mistake.R: I wasn't.LANE: Okay. So what are you doing tonight?R: Well homework, and then homework, and if I get all that done in time, some homework. You?LANE: I have to meet my sciencepartner.R: Fun.LANE: Yes, science is fun.R: Call you later?LANE: Okay.R: Hey Lane?LANE: Yeah?R: You're sure he wasn't in there?LANE: I asked.(Rory pulls a small notepad out of her pocket and writes on it.)CUT TOSIDEWALK(Lorelai walks past a store as Luke walks out of the store.)L: Hey.LUKE: Oh hey.L: Doing a little shopping?LUKE: Yeah, I just had a couple things to pick up.L: At the cat club?LUKE: Yeah.L: You had a couplethings to pick up at the cat club?LUKE: Yeah I did, okay?L: Okay, I just never took you for a cat lover, a 97 year old woman, or. . . Hey what'd you buy?LUKE: Nothing.L: You've got a little bag there.LUKE: I knowthat.L: It's got a cat paw stamped on it and a little cat nip bow.(Luke hands her the bag.)L: Wise man. (Lorelai pulls a pot holder out of the bag.) Wow, pot holders.LUKE: Yes.L: Little kitty pot holders. (she pushes abutton that makes them meow.) They meow.LUKE: It's a present.L: For someone you hate?LUKE: It's Rachel's birthday okay. And don't say anything, she doesn't want anybody to know. She hates birthdays.L: Not asmuch as she's gonna hate these pot holders.LUKE: I don't know how to buy gifts, okay, I don't like to buy gifts. I don't like getting gifts. I mean, this whole give giving and getting process is completely insane.L: Therant begins!LUKE: I mean suddenly, on a certain date, the level of my affection for a person isn't measured by the way that I treat them or what we share.L: No!LUKE: I mean just because I didn't buy her furry slippersor a giant shoe tree, all of a sudden, I suck.L: Luke, stop. You know you cannot give her these pot holders.LUKE: Yeah I know.L: Why don't you go to the mall and walk around a little?LUKE: No, no malls.L: Luke.LUKE:I hate malls.L: Ladies and gentlemen, rant number two.LUKE: They underpay employees and overprice merchandise, they contribute to urban sprawl, they encourage materialism, and the parking's a horror. You drivein, you pay a buck, and even if you're only there for five. .L: Okay, Emma Goldman, I'll tell you what. I'll go for you.LUKE: You're gonna shop for me?L: I've got the day off tomorrow. I was gonna go anyway.LUKE:You're serious?L: I'll go get a bunch of stuff, all returnable. I'll bring it to you. You can pick what you want and the rest I'll return. I'll do all the work; all you'll have to do is point.LUKE: Point.L: One finger, preferablyyour index.LUKE: I don't know.L: Luke, this is the first special occasion you and Rachel have shared since she's been back. Don't you want to give her something nice?LUKE: Well I am taking her out to dinner.L:Luke.LUKE: Yeah, I gotta get her something nice.L: So then let me help.LUKE: All right, thank you.L: Oh, you're welcome.(Luke hands her his credit card.)LUKE: Nothing too out there, okay? She's not into all thattrendy stuff. She likes simple, clean nature, okay. Elephants, candles, okay. Oh hey, if you can find a candle shaped like an elephant, that would . .L: Okay, you know what, I've got it all under control.LUKE: Okay,thanks.L: Okay. (Lorelai hands him back the bag with the pot holders in it.) Get rid of these.CUT TO KIM'S ANTIQUES(Dean knocks on the door and walks in.)DEAN: Hello? Lane? Are you here?(Mrs. Kim suddenlyappears from behind a room divider, startling Dean.)DEAN: Geez.MRS. KIM: Who are you? Why you call Lane?DEAN: I Uh.MRS. KIM: How you know Lane?DEAN: Well. . .MRS. KIM: You date her?DEAN: No.MRS. KIM:You try to?DEAN: No.MRS. KIM: Then why you here?DEAN: I . . .MRS. KIM: Empty your pocketsDEAN: Okay, I'm gonna go now.(Lane comes running down the steps.)LANE: Dean! Wait, wait.MRS. KIM: Who'sDean?DEAN: I'm Dean.MRS. KIM: How you know Dean?LANE: We go to school together.MRS. KIM: You do?DEAN: Yeah, we're science partners.MRS. KIM: You don't talk!DEAN: Sorry.MRS. KIM: You're sciencepartners?LANE: Yes Mama, I invited him over to work.MRS. KIM: Work?LANE: On our science project.MRS. KIM: Reproduction?LANE: Spores, molds and fungus.MRS. KIM: Science project?LANE: Yes.MRS. KIM: Forschool?LANE: Yes Mama.MRS. KIM: You're not dating?LANE: No Mama.MRS. KIM: Okay, follow me. (leads them into the kitchen) You sit here. You sit here. I'm going over there, when I come back over here, thesechairs will be in same place. No moving, you understand?LANE: Yes mama.DEAN: Not you, him!DEAN: Uh, yes, I understand.MRS. KIM: I see all. (Mrs. Kim leaves the kitchen.)DEAN: So that's your mom?LANE: That'smy mom.DEAN: Has she seen Patton?LANE: She just gets uptight about boys.DEAN: I sensed something like that.LANE: Its nothing personal.DEAN: I know, I'm sure once she gets to know me she'll. . .LANE: Oh no,she'll hate you forever. It's just nothing personal.DEAN: Uh, we should probably get started.LANE: Chapter twelve?DEAN: Sounds good. (They both open their books and start reading.) Is this weird for you?LANE: Alittle.DEAN: Me too. I didn't know if maybe Rory told you to hate me or something.LANE: That's not Rory.DEAN: Yeah I know. How is she?LANE: Good.DEAN: Good?LANE: Good-ish.DEAN: Oh.LANE: Less good thanish.DEAN: Yeah? How much less?LANE: You know we're breaking our agreement.DEAN: What agreement?LANE: Out agreement not to talk about Rory.DEAN: We didn't have an agreement not to talk about Rory.LANE:Well it was an unspoken agreement.DEAN: Well it was really unspoken 'cause nobody spoke it.LANE: Well I just think that if we have to study together it would be better if we didn't discuss Rory.DEAN: Fine.LANE: Fine.(pause) You know, she can't go into the market.DEAN: Why not?LANE: Because you're there.DEAN: Not on WednesdaysLANE: Already noted.DEAN: [Sigh]LANE: Can I ask you a really personal question?DEAN: You canask, I might not answer.LANE: Do you think you and Rory will ever get back together?DEAN: Hey, how about we go back to the no talking about Rory agreement?LANE: Look, I'm just saying that I . . .(They look up andsee Rory standing in the doorway)R: I should've called. I'm sorry.(Rory leaves. Lane gets up and follows her outside.)LANE: Rory! I'm sorry I didn't tell you.R: It doesn't matter.LANE: I didn't think you'd want toknow.R: I got it.LANE: Rory stop. (Rory keeps walking.) Okay, that's the opposite of stop.R: Lane, forget it. You didn't tell me, now I know. Life goes on.LANE: Don't be mad.R: I'm fine. I have to go.CUT TO RORY'SBEDROOM(Rory is asleep in bed. Lorelai bangs on her door, then walks in and jumps on her bed.)L: Time to get up. Hey, I have a huge dilemma that I need your opinion on.R: What!L: Am I more beautiful today than Iwas yesterday?R: Oh boy.L: I'm just not sure. I mean at first I looked in the mirror and I thought, well yes, definitely, huge improvement.R: Can I have my pillow back?L: But then I thought maybe its not that I'm morebeautiful today. Maybe I was just as beautiful yesterday, only I lacked the self-esteem to recognize it.R: I'm gonna go take a shower.L: Well, hurry up and I'll drive you to school.R: No thanks. (Gets out of bed andwalks over to her bureau.)L: Why so charming this morning?R: I had an annoying visit from the Stars Hollow wake up fairy. Where's my tie?L: In your drawer.R: I'm looking in the drawer.L: Hmm. Check the livingroomR: Why would my tie be in the living room?L: Because it's been seeing the doily on the coffee table. I'm sorry, I did not want you to find out this way.R: Don't take this personally, but get out.L: Okay, you'recrabby. Do you know what the perfect cure for crabbiness is? A fabulous trip to the mall. Huh? What do you say? You can blow off school and come with me. We can shop, go to the movies, maybe talk a little.R: Nothanks.L: Come on, just this once. It might make you feel better.R: I feel fine and I don't want to shop.L: Honey, I know you've been in a funk over Dean, but you have to try not to dwell on it all the time.R: I'm gonnabe late for school.L: Okay, then just meet me in town around four, and we'll get some Indian food and spoil our dinner. What do you say to that?R: Whatever.L: Hey, love the enthusiasm. Hey, does \"Up With People\"know about you?CUT TO LUKE'S DINER(Luke answers the phone and takes an order while Lorelai walks into the diner carrying several shopping bags.)LUKE: Luke's. Yeah. Hang on. Okay. Cheeseburger. Fries well.Vanilla shake. Coke. Yes we have salad. One salad with cheese, one with ranch. Got it, 20 minutes. (hangs up the phone) What the hell is this?L: The results of my shopping trip all accomplished in two hours.LUKE:Impossible.L: I'm a savant.LUKE: And everything's returnable.L: Yes, yes, now sit down and relax. Let me show you what I got.LUKE: Can I have my credit card back?L: Fine. (Takes the card out of her purse and handsit you Luke.)LUKE: Looks tired.L: Where's Rachel?LUKE: She's out running some errands.L: Good. Okay, last week we were talking about Meryl Streep and the whole accent thing and Rachel said that she loved \"Out ofAfrica\" but she'd never read the book, remember?LUKE: Nope.L: Okay, so I was like, \"Are you crazy? Isak Dinesen is amazing, I love her.\" Which is kind of crap because I'd never read the book either, but Rory told meit was amazing, so I felt pretty confident in my recommendation of \"Out of Africa\". (Pulls the book out of a shopping bag and hands it to Luke.)LUKE: You bought her a book?L: No, you bought her a book, to be put inher brand new camera bag. (Pulls the camera bag out of another shopping bag.)LUKE: She's got a camera bag.L: It's nylon.LUKE: So?L: This one's leather. Beautiful leather. Feel it, smell it.LUKE: I'm not gonna smellthat bag.L: Fine, don't smell it, but trust me, she's gonna love it. Her old bag is falling apart so she was gonna get a new one eventually and now you will have beaten her to it.LUKE: So it's practical.L: And pretty!LUKE:Well, that seems right.L: You like?LUKE: Yeah thanks.L: Good.LUKE: What's all this? (gestures to the other shopping bags.)L: Well Luke, timing is a beautiful thing.LUKE: It is?L: It is. So I'm at the mall, and I've alreadyfound Rachel's gifts, and I've had two sugar cinnamon pretzels and I'm buzzed on the sugar and jazzed about the purchases and I decide to take a victory lap through Bloomingdale's, and it just so happens that therewas an amazing sale in the men's department. I mean gorgeous stuff. Look at this. (pulls a sweater out of a bag) Huh! Forty percent off! I got three different colors!LUKE: For who?L: For you.LUKE: For me?L: Yeah.(walks over to another bag and pulls out a pair of pants) And then of course, beautiful pants. So soft, I don't know what this fabric is but I think I wanna have its baby.LUKE: Okay, hold on a minute here.L: (walks overto another bag and pulls out a belt.) Also, I got this fabulous belt to go with the sweater and the pants. Simple. Black. But look at the buckle.LUKE: I don't need a belt.L: Great buckle! Sixty percent off, can you believeit?LUKE: No I cant. Look. .L: (walks over to another bag and pulls out some shirts) Oh and I also picked up a couple of shirty shirts in case you didn't have a nice one to go with your suit.LUKE: What suit?L: This one!(grabs a garment bag, holds it up, and unzips it)LUKE: Did no one at that mall notice that you were going through some sort of psychotic episode?L: This suit. 175 percent off.LUKE: You were not supposed to beshopping for me.L: Well I thought you might like a little something new to wear when you take Rachel out tonight.LUKE: Well thank you but take it back.L: Aw, just try them on.LUKE: No way.L: You might like how youlook.LUKE: I'm fine with the clothes I have.L: Okay, see this blazer? It was 175 thousand percent off.LUKE: Why the sudden need to dress me?L: I just thought you might look nice in some of these things and sincethey were 600 thousand percent off. .LUKE: No!L: Come on Luke, just try something on. How about this sweater?LUKE: No!L: Okay, how about the pants? Pretty pants!LUKE: I'm not trying anything on.L: Hey, its notlike the lumberjack look will ever go out; it won't. But just once wouldn't it be nice not to be dressed like an extra from \"Seven Brides for Seven Brothers\"?LUKE: Take it back.L: Come on. Just the jacket. Just once, betoo sexy for your shirt and do a little dance on the catwalk.(Luke walks into the back of the diner while Lorelai chases him with the suit.)LUKE: Get away from me you mental patient!CUT TO CHILTON(Max Medina islecturing to the class. Rory is staring out the window, not paying attention.)MAX: If we read his works in order we can see his progression from a narrative of clear simplicity to one of one of rich complexity. Now this isnot homework but I strongly urge you, if you have not already read \"The Art of Fiction\", read it. It's a remarkable manifesto that contains basic trues that still apply to fiction in any form.(Paris notices Rory not payingattention and points it out to Louise and Madeline.)MAX: All right, so Henry James, the man of the moment. Pick your book. Read it carefully. A full report on my desk one week from today. Any questions? Ms. Gilmore,any questions?(Paris pushes her book onto the floor to get Rory's attention.)PARIS: Oops.MAX: Ms. Gilmore?R: Yes?MAX: Did you hear the assignment?R: Um no, I'm sorry.MAX: Henry James. Pick your novel. A reporton my desk in one week. You got it?R: Yes. I got it.(Bell rings. Students get up to leave.)MAX: See you tomorrow.(Paris walks over to Rory.)PARIS: You didn't take one note. You resorting to the osmosis theory oflearning?R: Why do you care?PARIS: I don't, just making an observation.R: Great, we'll build a dome over you and jam a telescope in your head.MAX: Ms. Gilmore, can I talk to you for a minute?R: Oh, okay.LOUISE:Tootles.MADELINE: Ta.PARIS: I'll get working on that dome.(All the students leave. Max leans on his desk and talks to Rory.)MAX: So, how are you?R: Fine.MAX: Seemed a little distracted today.R: Oh. I didn't sleepwell last night.MAX: You've seemed to be a little distracted for quite a while now.R: My grades are fine.MAX: I'm not concerned about your grades. I'm concerned about you. Look Rory, I know that you've been goingthrough kind of a tough time lately and I just want you to know, if you want to talk, I'm here.R: Tough time?MAX: Breakups are really hard. We've all been there.R: How do you know about that?MAX: Your mom toldme.R: She what?MAX: Please, don't be upset at her. It just came out in one of our conversations. She was very concerned about you, very frustrated because. .R: You've been talking to my mom?MAX: Well yes.R:Since when?MAX: Its been a couple, 3 weeks now I guess.R: Are you dating?MAX: No, not really, I mean we were talking about possibly this weekend having dinner. You didn't know anything about this, did you? (Roryshakes head her head no) Well the look on your face makes perfect sense now. I'm sorry. I didn't mean to spring this on you like this.R: Its fine, don't worry about it.MAX: I'm sure your mom was gonna tell you soon.R:I'm sure too.MAX: Okay, so . .R: Bus.MAX: Excuse me?R: If I don't go I'm gonna miss it.MAX: Right, go ahead.R: Thanks for the talk.MAX: Any time.(Rory leaves)CUT TO LUKE'S DINER(Lorelai is sitting at the counter.Clothes and bags are spread all over one of the tables.)L: Come on!LUKE (from off camera): I hate you, very much.L: Save the sweet talk for Rachel. Get out here!(Luke walks out from the back of the diner wearingsome of the new clothes.)L: Excuse me sir, do you know where Luke is?LUKE: Very funny.L: Oh my God, Luke, is that you?LUKE: I feel ridiculous.L: That's because you don't have the belt on. (Takes the belt out of the"}
+{"doc_id":"doc_59","qid":"","text":"Kevin: I'm running to the bar to watch the games with the guys. Oh, no, no, no.Kevin: Why? Why? Where did that shirt come from? I don't know. Found it in the back. I figured I haven't worn it in a while... It needs togo way back, further. Why would I change? Yeah. Why would you change? Why would you wear that?Kevin: I don't know. Mommy, Daddy, look what I found in the toilet. Where did you get that, sweetheart? I made it.You made that? You made it? Yes, you did.Kevin and Jenny: Don't squeeze it. That was sh1t. She has sh1t in her hand. Mm-hm. Why is she picking up sh1t? I've read about this before. It's like fun with feces. Fun withfeces? I've taken dumps before. It's fun, you take a picture of it. Send it to friends. Disgusting. You don't whip it around your head like a churro. Just let her grow out of it. You're the mother, deal with this. Don't tellanybody. I'm not gonna tell anyone. Nobody knows about this poop situation. Obviously.Ellie: I'm putting it in the kitchen. Okay, honey... No, no, no, baby, don't. To two of my good friends. Mr. Frank Gore and Mr.Andre Johnson. Leading the Double Ent-Andres to victory. This is my worst nightmare. Losing to you. I was expecting a little bit of a challenge this week. But your team is so terrible. Oh, stop. This is like Freaky Friday.Like, Kevin has gone into Andre's body. The roles have reversed. Guess what. I'm your mother, but I'm cool now. What do you mean? You reversed roles and he's crushing you. I'm Jamie Lee Curtis, you're LindsayLohan. I'm cool, you're not. This is what I lost to?Pete: Wow. You know, I do talk a lot of smack, guys, but it's only because I can: [BEEPING] What does that mean?Andre: Back it up. I can back up my smack talk, myfriend.[PETE & ANDRE BEEPING]Okay, really? Stereo? When the guy's right, he's right. Knows what he's doing. Hi, I got off the phone with the out-of-towners. Vince would like me to give you the number for a shelter...because Andre beat your ass so bad. That's nice. All this can be fixed. All you have to do is win. I will win, okay, but there's something strange going on here. Can I just say, next week, I would like to extend aninvitation to you... to watch the games at my house and have a meal provided by my lovely wife. I have not been invited over since the arrival of The First Human Child. Have you been? I don't know if I have securityclearance. I don't. Do you? No, I haven't been through the scanners. We got a dog. Ellie can play with the dog. You've got a dog?Ruxin: Come over. Enjoy my home, watch the games. It will be lovely. That'd beexciting.Ruxin: Yeah, Sofia's excited. She's gonna be cooking some famous dish. That should be good. Oh, Sofia's gonna be there. Yeah, my wife's gonna be at my house.Taco: Oh, cool. I haven't seen her in a while.She's fun, she's cool.Andre: You want us to bring anything? Yeah. You know what you can bring is a condom... so that you can just go to town on Kevin like you did last week.[ANDRE BEEPING]Backing it up. It's allright, buddy. How's your lineup looking?Pete: It's not good. It is listed as questionable. Questionable, what does that mean? No one knows what that means. It's like if I start him, and he doesn't play... I have nothing inthe bank, got no backups.I'm screwed.Yeah, you have no outs. They know if they're playing. They know. They should tell us. We should have a direct phone line to these guys. Not to mention, I'm playing Andre thisweek.And rumor is, he actually beat someone last week.I mean, can you imagine losing to that guy? Are you happy now? Are you finished? You've really... You've done enough to my psyche. It could happen to anyone,all right? Gotta go. All right, bye. Hey, you. What are you doing here? What are you doing here? I had a couple meetings. I'm in between. Great to see you. Let's go grab a drink.Andre: I, um... You know what, I can'tbecause I have to do a house-call thing. You're a plastic surgeon. Yeah. Do you have, like, an emergency spider vein, or a tit popped or something like that? What happened? Good one. I'd love to hang out, but I gottado this. Kidding aside, I gotta say something. Uh, we break your balls about the league... but you're really doing well and I'm happy for you. Well, guess what. I've always been this good. I've always been a champion.And you know what I've been doing is I've been sowing and now I'm reaping. Planting the seed and then I've grown into a beautiful flower... and now everyone wants to smell me. So smell it?[SNIFFS]You smell that?What? It's bullshit, man. Oh, really? You're out there. I see you. You're out there. You got your games you're playing. You got people on the side you're paying to help you out. There's maybe even a dungeon. You got aguy down there. All right, I'm onto you. You know what I smell? Ah, yes, it's, uh, the smell of jealousy... with a tinge of admiration... and just a whiff of sadness.Good luck because I'm gonna: [ANDRE BEEPING] Oh,here we go. Back it up. Back it up. What's up, Dre? Oh, what's up, ballers?Jd: Dre. What's up, man? High-five.Jd: There he is.Robert: Oh, yeah, buddy. All right. Dr. Dre, you are killing it. You are dominating thisleague. Tell me something I don't know. Andre Potter and the Fantasy Zone is coming for you. All right, so watch out. This week I'm up against you. I know you're gonna beat me. I dominate the waiver wire. Andre, Ithought maybe this week...Andre: Whoa. What'd you call me? l... Andre.Andre: No, no, no. Here I'm Dre, okay? I'm sorry. Heh. I'm so sorry.Andre: All right? Hey, it's cool.Man: You accept my apology? Accepted. Wewere thinking of going to Hammer's house in Wrigleyville, just hanging. Watching all the games... No, guys. No Sundays. We'll do the weekend afterwards. No Sundays. How many times do I have to tell you? Wannatalk on Sundays, don't call me. Text me. We'll take it.Andre: There you go. Yeah, we're good. Let's all agree that we are The League of Extraordinary Fantasy Gentlemen. No, no, instead of The League of ExtraordinaryFantasy Gentlemen... I think that we should change it to The Fantasy League of Extraordinary Gentlemen. Oh, triple snap. Right? Boom, boom, boom! Boom, boom, boom!Pete: All right, LT. How's the ankle, bud?Questionable. Questionable. What does that tell me? All right. You wanna play it that way? All right, that's fine. Hi, this is Pete. I'd like to speak with Terry Bradshaw, please. Yeah, it's a personal matter so just returninghis call. Hey, is Bradshaw around? Yeah, Pete needs him. Hi, I have Peter calling for Mr. Bradshaw. Pete. P-E-T-E, for Terry. Yeah, it's Uncle Pete. Let me talk to Terry.Man: Hey, Pete, it's Terry. Hi, Terry. Hey, UnclePete, is everything all right?Is there a problem?Uh, no, no problem. But, you know, I was just...I was thinking about football...I was actually worried about IT this weekend. This is not my Uncle Pete. No, it's me, it'sUncle Pete. Come on. You used to sit on my lap, pony rides, Pete. No, my Uncle Pete had his larynx taken out. He talks through a hole in his neck now. It's a miracle. Cut the crap, buddy, all right? You think I've neverbeen pumped for some fantasy-football information? I once had a policeman... pull me over just to see whether or not he should start Kurt Warner... or Donovan McNabb. Just hook me up once, please. Is LT gonnaplay? You got some balls, kid. Two small ones but I'm trying to use them.I do admire that.I'll answer your question. Yes, definitely. Yes?Absolutely.Starting, good shape. I am sending you a fruit basket, sir. Thank you.You know this number? Yes, sir. Lose it. Thank you, sir, thank you. Bradshaw on the phone, LT on the field. Unstoppable.Ruxin: Oh...Sofia: Hi. Almost game time. Let's do it.Ruxin: Hold your horses. Hold your horses,okay? We gotta talk some ground rules. If you don't mind sanitizing your hands before you see baby Jeffrey. Don't ask these people, tell them. Cover yourself in this. Put it on the rug rat. Taco, take a bath in it. Can Idrink it?Pete: It's like holy water. Let us all anoint our hands before we touch the baby Jesus... for he has come to save the world. You joke, but it's true.Taco: Oh, hey.Pete: Oh, yeah. It's a baby. Look at the baby.Goodness. He's beautiful.Sofia: He is.Jenny: He's wonderful. Yeah. Beautiful? He's got the Ruxin face.[GROANING]We used to be two. Now we're a Holy Trinity.Taco: It's beautiful. How'd your mom like the christening?I told her the church was like a really progressive synagogue. Who did you go with for godparents? It was supposed to be Pete and Meegan until: [IMITATES EXPLOSION]Sofia: Yeah. Just because I'm single that doesn'tdisqualify me from being a godparent. Seriously, I have been a great godfather to Ellie. Have I not? Whoa, I thought I was Ellie's godfather.[JENNY CLEARS THROAT]Ruxin: Yeah.Yes, you know, you are. I was thinkingof something different, and you're a great godfather. Yeah, because when you guys die of cancer, car accident, whatever... I'm gonna move into your house. Bring my puzzles, my slingshot, my Sega Genesis. Gonnahang out with Ellie all day. It's gonna be awesome. Taco, I'm gonna be around a long time, okay? Yeah, but she probably won't. I'm standing right here. I'm just saying that... Unless the son of Ruxin starts spouting offthe scores, I think... All right, you're excused. Thank you.Sofia: Yes. Get all single men out of here. Anyone with communicable diseases. So, Jenny... Suck it, Ruxin. Hi, buddy. Hi, buddy. Yeah. Ellie, you wanna meetJeffrey?Kevin: Come here, sweetie. Step up and say hello. Hello. Ellie is such an angel.Jenny: Thank you.Sofia: She is so well behaved.Jenny: She is so smart. They pick up things at that age.Kevin: Oh, yeah. She pickseverything up. Picks it up and she moves... She's brilliant. I have some snacks for you guys, but please don't fill up. I have a very big, delicious lunch coming up. Sounds good. Nice TV. Need help in the kitchen? I do.Well, let's do it, girlfriend. All right, Taco, bring it on.Taco: What do we got here?Kevin: Easy does it, sweetheart. Be easy. Oh, look at this.Ruxin: Hey.Kevin: Oh, hi. Guys, everybody, this is Cale.Pete: What? I loveCale. Can I pet him? Ellie, go outside. You named your dog Cale? Yeah. I told you in confidence that we were trying to have another baby. If it was a boy, we wanted to name it Cale. It's a great name. We can share thename. No, we're not sharing Cale. No, I'm not... The dog looks like a Cale. I mean, look at him, he's a Cale. I hate you. You screwed me here. Because now, instead of Cale, we're gonna have to name him after one ofher uncles. What's that name? Moral. Moral MacArthur. He sounds like a Civil War general. Can you change your dog's name? This dog's real, your baby's hypothetical. And I think a mistake.Kevin: Dick. Sorry, I can'ttalk to you right now, bye.Kevin: Oh, God.[ALL BOOING]Hey, your week two champion has arrived.Kevin: Oh, stop, all right? It's week three. Get over it, sit down.Andre: Center seat for the winner. Sit down. There's acrack. You wanna sit there? Watch it.Jenny: Just go.Pete: Pick a nice seat there.Kevin: Get here on time. That's Cale's seat, but I'll let you sit in it. By the way, awesome name. Great dog.Ruxin: Thanks. Ruxin, why arewe watching a baby in picture-in-picture here? What's happening? I got Jeffrey on the baby cam there, so we can watch him... while the game is going on. Wait, that's baby Jeffrey? Yeah. I heard if you look directly athim, he'll blind you. The Ark of the Covenant, he melts your face. That smells delicious. You're a good helper, Taquito. Oh, merci.Sofia: Here, let me taste, let me taste. Mm-hm. Good? Good? Here. All it needs is for youto try it. Ahh. Weird to you at all? This?Sofia: You're so awesome. No. There's a man in your kitchen performing your husbandly duties with your wife. Doesn't bother you? Does it bother me... that Taco is in my kitchenblanching carrots... while I'm out here drinking beer and watching football? No. No, it doesn't bother me. I do not have a great butt. You do have a great butt. I have a theory. So in horse racing, oftentimes they'll bringin a lesser horse... get the mare all riled up, excited, feeling it. And right as he's about to blow, they yank him out... and bring in the breeding stallion. Hello. Heh, heh. You have a great butt. You got that Latin buttgoing on, seriously. So Taco's essentially your teasing stallion? Nailed it. Don't you spank me. Don't you spank me. Wait, I noticed that you're starting it this week. That's a bold choice, right?Jenny: You played it thisweek? Yeah, of course I did. How do you know he's gonna play? I feel pretty confident about it.[SCENE_BREAK][CELL PHONE RINGING]Sweet ringtone. You changed it from Limp Bizkit? Yep. Hey.[LAUGHS]Hey, hey,giggly, it's rude to talk on the phone in front of your friends. This is the third call.Andre: Hold on one sec? Are you dealing now? What's happening? Okay, I'm sorry, I'm sorry. He didn't know it was a bye week? Oh,dude, I am going to crush the Hammer. I gotta go, man. I can't talk to you, it's...[KEVIN CLEARS THROAT]Um, I gotta go. What you doing? Checking out these books. Yeah? Who you talking to? No one. I'm gonna askyou one more time. Who you talking to? I'm in another league. I knew it. How long have you been in it? Is this serious?Andre: I love it. I'm a king there, they love me. What? And it's been the best three weeks of mylife. They don't make fun of me. They like me. They think I'm funny... Settle down a bit, we're gonna... We're hearing you, and we're gonna try harder. You're gonna stop making fun of my teeth? No. Yes. You're notgonna keep on making jokes? You mean that the semen's dissolving all the enamel? I knew it. Go ahead, laugh. I know it's in there.Pete: Don't laugh. Yeah, laugh it up.Pete: That wasn't funny. You're right. It's hilariousto you guys. But I have a disease. A periodontal disease. I can show you the prescriptions I have for a special toothpaste. So does my grandfather. I'm sorry. That's exactly what I'm talking about. Those guys, you knowwhat they say? \"Oh, Andre, is that too hot for you? Oh, Andre, we care about your enamel.\" Do they say, \"Oh, Andre, can we shoot it in the back of your mouth\"?Pete: We're getting off track here. Sometimes we're notthe best at expressing our emotions. But that's why you belong. You're the glue that holds the whole group together. You're the centerpiece. You're like the honeydew in a fruit salad, you know. Nobody likes thehoneydew. But you need it because it fills up space. The point he's saying is this is less about you than it is about us. Without you, we'd eat our own, man. Can I bring maybe one of those guys? No, not a chance.No.Pete: We need you to take care of this. Want you to call those guys, break up with that league. Okay. Well, we'll see. You know what's important. Make that call. Yes, Maurice Jones-Drew, three touchdowns. Give mesome sugar. Yeah. Hey, where's Ellie? Seriously? Yeah. I put her down for a nap a half-hour ago. Oh, good thinking. Lunch is ready.Jenny: Awesome.Pete: Food.Jenny: It smells really good, Sofia. Fantastic.Kevin: Getsome food and head back to the table. Nope. Uh-uh. That's not lunch. Follow me. Where are we going? You guys are in for quite the treat. Lots of yum-yums for your tum-tums.Sofia: Ta-da!Andre: All right.Sofia: Havea seat. Is it just like grab a plate and then...Pete: Exciting. No, you sit down. Have a seat.Kevin: Great. This is Sunday, relax. It's a long lunch, and we have lots of food coming out. First course is shrimp cocktail. Enjoy.Thanks, Sofia. Looks great. Thanks. Thank you. First course? First course? What? Of how many? Don't know. Three or four. Goods not as advertised, Ruxin. Excuse me, I apologize if I wanted to bask in the reflectiveglow of my close friends. We wanna watch the football games. What are you doing? f*ck you, Ruxin!Kevin: Jesus, Andre. Look, guys, relax. Look, my wife is in the mood to cook a Sunday lunch. If I'm not allowed towatch the games, none of you can watch the games. That's very sweet, thank you. I have put the games on pause. All we need to do is respect the pause. That doesn't work. We just need to go on an informationlockdown. Doesn't work. I don't trust you. This one's a spy. Me? You don't trust me? I don't trust him, look at that shirt. I don't trust myself in my heart. I don't trust any of you, but I'm willing to try. Don't touch me.We need to police each other... like in Communist Russia. This is gonna be, like, football Gestapo. No, that's Germany. They both got it done.[TACO IMITATING AIRPLANE ENGINE]Salad plane, coming through.Sofia:You're so funny.Kevin: Yes.Ruxin: All right. Second part of course one, guys, let's get those greens. Sofia thought that maybe we should do this buffet-style.Pete: Good idea. Let's do it.Sofia: He had this great idea...How food like this has to be savored.Sofia: Yes.Taco: Gotta sit and enjoy it. Enjoy each other's company. That's what we were doing. In the other room, watching football. Yeah, right. Hey, dig in everyone. Allright.[SPEAKS IN ITALIAN]Taco: Mmm.Sofia: Mm.Taco: Let's do it.I'm done. Done. Done. Paella time. Beep, beep.Kevin: Aww! He means, oh, yeah.[PEOPLE CHEERING]They're watching the games next door. Whatgame is on now? We're missing everything. Abide by the pause. This is bullshit. Abide by the pause. This is lovely, thank you very much.Sofia: Thank you. I'm just gonna go to the restroom. Thank you very much. Oh,I'll show you where it is. I know where it is. No, we remodeled. I think I can find it. I insist. How far are you gonna take this? All the way. You wanna hold it? lf I have to. And here comes the soup. Watch out, it's pipinghot.Sofia: Awesome. Can we get one cool for Andre? He actually has really sensitive teeth. Yeah. Really? Absolutely, you do. You deserve that. Yeah, I do. Um, I gotta go make a call. You're not going anywhere. I haveto check in with a patient.Kevin: Let him go. Hey, you guys are unbelievable. But, um... there is another league. What is he saying to his patient? Something like, \"Hey, I heard this is an emergency. It's me, Dr. Andre.\"[IN WHINY VOICE] \"Oh, Dr. Andre, you know those calf implants you gave me? Well, it's making it hard to get... my bedazzled Ed Hardy skinny jeans up over my legs.\" I wanna be with you guys. I wanna be on theparty bus. But I can't. Because I already got a party bus. And those guys are great.Ruxin (in whiny voice): \"Oh, you wearing a stupid hat?\"[IN NORMAL VOICE]\"You know I am. I'm Dr. Andre.\" Just tell the rest of TheFantasy League of Extraordinary Gentlemen that I'm sorry. And tell Hammer I'll miss him most of all. Hey, you take care of business? Yeah, it's over. Thank you so much for coming to our lunch. Thank you, Taco. I hopeyou had a great time. Wait, so... Are we finished? Yes.Pete: Thank you very much, it was excellent.Kevin: Thank you. Guys, there's some dessert, guys.Pete: Finally. Jesus.Jenny: Wait, wait.Kevin: Hurry up, sit, sit,sit.Jenny: Stop.Pete: Go.Hello, everyone. I'm Terry Bradshaw from Fox Sports Studio.This NFL update: Star running back LaDainian Tomlinson of the San Diego Chargers... will not start today...What?...as the Chargershost the Miami Dolphins.Andre: I told you.You lie.[ANDRE LAUGHS]You lost, I win. Two weeks in a row.[CELL PHONE RINGS]Two for two. Could happen to anyone. Hello?Bradshaw: Hey, Pete, it's Terry Bradshaw. Hellothere. You think I'm gonna let you cheat your friends just so you can win? Man, I was kind of hoping you would.Ain't gonna happen.And one other thing, you hear me? What's that? I hated my Uncle Pete, you dickhead.Great. Who was that? That's my new mortal enemy. Andre? Meegan? The dude deep-dicking Meegan? Scintillating dinner conversation? Terry. It looks like you better sell your house, because only winners live here.Slam. Andre, that actually doesn't play. Try something else. I got a slam list. Oh, good, good, yeah. What?Andre: Slam list.Pete: Slam list. In case you have to battle-rap someone? Okay, this is a good one. Um...[INBRITISH ACCENT]You better be careful, my lady... because Jack the Ripper's slicing up losers.[IN NORMAL VOICE]Right?Pete: I can't even come back from that. And that's why I write it down. Cale, come here.[DOGBARKING]Cale? Cale's made a doodie. Some Bud Light Lime for Andre. How you doing, baby?Sofia: Mmm. This whole day has been amazing. Oh, yeah? Lunch turned out so delicious.Ruxin: Mm-hm. Oh, I had so muchfun. Good. And we're gonna have fun. Mm-hm. Oh, really? Well, good.[RUXIN CHUCKLES]I got the spoons and the cinnamon for the coffee.Ruxin: All right. He's such a good helper. He is. Looks like you kids got thisunder control. Hey, can you give my girl a foot rub if she needs one? Foot rubs are my specialty. Thank you, Ruxin. It's the least I could do. You have any peppermint oil? You know I do. All right, I'll take care of yourlittle footsies.Pete: Oh, he's not getting up. Oh, no. He hurt his ankle. Frank Gore's... Frank Gore's out, man. Who...? Who's got his backup? Glen Coffee? Yeah, who's got Glen Coffee? I don't know who's got GlenCoffee. I would think that it would be... Hey, give me. Ow, ow!Pete: Don't even.Ruxin: Refresh! Refresh. Refresh. Oh! Ladies and gentlemen, the newest member of the Double Ent-Andres... Mr. Glen Coffee. That was"}
+{"doc_id":"doc_60","qid":"","text":"[Scene: Manor. It's night time. Phoebe walks in. All the lights are turned off.]Phoebe: Hello? Anybody home? Sister witches, guess what?(Phoebe walks in the living room and turns on the light. Piper is there making outwith a guy on the couch. She jumps up.)Piper: Oh, oh. Are you nuts?Phoebe: What are you doing?Guy: Hi.Phoebe: Hi.(Piper freezes the guy and walks over to Phoebe.)Piper: Ooh.Phoebe: Hi.Piper: Sister witches? Ican't believe you said that. What's the matter with you?Phoebe: How was I supposed to know that you were gonna be here with anybody? Last I heard that you were meeting a banker friend about the loan. (She looksat the guy and then back at Piper.) Is this the credit check?Piper: It's not what you think. We were just... we-we... were just kissing, that's all.Phoebe: Piper, you don't have to justify it. You're single. You're responsible.You're way overdue in the s*x department. I say go for it.Piper: I'm not way overdue. Alright, maybe a little, but that's besides the point. I would never just sleep with a guy to get something. You know thatPhoebe:Piper, give yourself a break. You're going through a lot right now. No job, straining to buy the club, you haven't heard from Leo in weeks.(Prue walks in through the front door. She's on her phone.)Prue: Alright, well,the preview is at five and the auction Sunday at eleven.Piper: Oh no, Prue. Go back outside. Go on. Hurry!(Prue looks at them for a second, then goes back outside. Piper stands back next to the guy and heunfreezes.)Guy: So, you must be Prue.(He stands up.)Phoebe: Uh, no. Actually...(Prue comes back inside, still on the phone.)Prue: (on phone) Alright, great, yeah, I'll see you then.(Prue hangs up.)Phoebe: She's Prue.I'm Phoebe.Piper: Rob, can we take a rain check on the rest of the evening? It's getting kind of crowded in here.Rob: Okay, sure.(Rob grabs his coat and heads for the door.)Piper: Yeah. Okay, um, so I'll meet youtomorrow at the club at noon. Great. Thanks for dinner.Rob: Okay, alright. (They kiss.) Bye.Piper: Bye.(Rob leaves. Piper closes the door and turns to her sisters, who are grinning.)Prue: So, did you get the loan?Piper:Hopefully. I'll find out tomorrow.Prue: Well, my fingers are crossed.(Prue and Piper start to leave the room.)Phoebe: Wait, you guys. Where are you going?Prue: Well, I have an auction coming up. I have clients tocall.Phoebe: Wait, you guys. Don't you even know what tomorrow is? It's our one year anniversary of becoming witches. Hello?Piper: Tomorrow is? Really?Prue: So...Phoebe: So? So? It's a day to celebrate. And not justbecause it's our anniversary but because it falls on one of the most powerful wiccan days of the year. The autumnal equinox. Now, according to this witch that I met today at bookstore...Piper: Hold it. A witch?Prue: Youdidn't tell her about us, did you?Phoebe: Well, yeah, sure I did. Why not? I mean, I didn't tell her that we're magical witches, obviously. Look, I'm sorry but I think after everything we've been through it's important tolearn as much as we can about who we are. Forewarned is forearmed.Prue: And I think that we should leave well enough alone. I mean, we've been demon-free for over a month now, I'd like to keep it that away.Piper:Amen to that.(Prue and Piper walk out of the room.)[Scene: Manor. Attic. The next morning. The Book Of Shadows opens up by itself and the pages start to flip. Phoebe races in.]Phoebe: Prue! Piper!(Prue and Pipercome in.)Prue: What's going on?Phoebe: Uh, I don't know!Piper: Why does the book do that? How does the book do that?(They go over to the Book and look at the page it opens up to.)Phoebe: \"Rite of passage. Fight itwith the Power of one or else...\"(A vortex opens in the wall and a gust of wind blows through the attic. A demon is sitting in the vortex. Prue hesitates to use her power and the demon steals the Book. The vortexcloses.)Piper: What the hell was that?Phoebe: The Book Of Shadows? Where's the Book of Shadows?Piper: So much for being demon-free.Opening Credits[Scene: Manor. Attic. Prue, Piper and Phoebe are there. Prueand Piper are picking up pieces of paper that blew across the room. Phoebe is knocking on the wall where the vortex opened.]Piper: Did you find anything?Phoebe: Nothing. But whatever it was literally came out ofnowhere and disappeared into nowhere.Piper: Well, it took the Book of Shadows somewhere. And he's powerful too. No other demons been able to steal the book.Prue: But if he's so powerful, why didn't he killus?Phoebe: He probably didn't want to go up against you.Prue: Me? What do you mean?Phoebe: That's what the Book of Shadows says. Fight it with The Power of One. That's gotta mean your power. It's thestrongest.Prue: Says who?Phoebe: Says every demon or warlock we've ever gone up against.Piper: She's right, Prue. The power of one's gotta mean you, otherwise it would've said the Power of Three. The onlyquestion is how are we gonna find this demon. We don't know anything about him.Phoebe: Well, we better think of something fast because without the Book of Shadows, we're not the Charmed Ones anymore.(Thedoorbell rings.)[Cut to downstairs. Phoebe is coming down the stairs.]Phoebe: Coming. (She walks into the foyer and opens the door. A 16-year old girls stands there.) Uh, hi...Jenny: Can I use your phone,please?Phoebe: Uh, well, actually, we're...Jenny: Please? It's an emergency. Please?Phoebe: Okay. Come on in. It's right around that corner.(The girl walks in and picks up the phone. Prue and Piper walk in thefoyer.)Piper: (to Phoebe) Are you out of your mind?Phoebe: What was I supposed to do? Say no? Look at that poor girl.(They look at her.)Dan: (outside) Jenny? Jenny, come on. Talk to me.(A cute guy in his late 20'slet's himself inside.)Prue, Piper and Phoebe: Whoa!Jenny: (on phone) International Operator please. Saudi Arabia.Prue: Saudi Arabia?Dan: I'm sorry. We're moving in next door. Or at least we're trying to. Our phone'snot hooked up yet.Phoebe: So, you're our new neighbours?Dan: Name's Dan. Uh, Dan Gordon.Jenny: (on phone) I don't care if the circuits are busy. I have to talk to my mum.Dan: And that's my niece Jenny. Who'sobviously not talking to me. Jenny, sweetie, come on.(Jenny hangs up and storms outside.)Dan: I'm sorry. It's nice meeting you.Phoebe: You too. (Dan leaves.) I saw him first!Piper: Demons now, drooling later.Prue:Look, I have to meet my client before the preview.(Prue starts to leave.)Phoebe: Oh, wait a minute. The scariest demon we've ever run across opens up some portal in our attic, and steals the Book of Shadows and youwant to go into the office?(Prue nods and walks away.)Phoebe: Wh- (She turns to Piper) What's the matter with her?Piper: It's the first demon she's faced since Andy died. Maybe it's bringing up some badmemories.[Scene: On another plane. The demon that stole the Book of Shadows turns to the back of the Book and reads a spell backwards.][Scene: Park. Witches have gathered for the Equinox celebration. Piper andPhoebe are also there.]Piper: What are we doing here?Phoebe: Celebrating the Equinox. Can't you just feel it? The energy in this place? It's a convergence.Piper: It's a crock. I thought we were supposed to meet yourwitch friend.Phoebe: We are. This is where she told us to meet her. Now, please just relax.Piper: Relax? My life was a mess before our little wake up call this morning, remember?(Stevie arrives.)Phoebe: Oh,Stevie!(They go over to her.)Stevie: Hey, Phoebe. I'm so glad you could make it.Phoebe: Um, actually, we are not here for this. We needed to talk to you about something. This is my sister, Piper.Piper: Hi.Stevie: Hey,Piper, it's very nice to meet you. Are you witch too?Piper: Uh, sorta... maybe... I don't know. Uh, is everybody here one, also?Stevie: Oh, no. No, no, no... It's just a group of believers, women who know of this specialplace and who've come to celebrate. By the way, happy anniversary.Phoebe: That's what we wanted to talk to you about. Why did you say that today was gonna be a powerful day for us?Stevie: Because youranniversary falls on the Equinox. Which is a powerful day in and of itself for you, this convergence of powers is even stronger. The potential greater. All you have to do is connect. You wanna try it?Phoebe: Try it?How?Stevie: Let us begin.(Stevie joins the other women.)Piper: I don't wanna connect.Phoebe: We have to connect.Piper: I don't wanna try it.Phoebe: Okay, but we have to because...Piper: Why?Phoebe: What havewe got to lose, okay?(Piper and Phoebe turns around and notice all the women have taken off their clothes.)Piper: Well, apparently we've got our clothes to lose.Phoebe: I see that.(Phoebe pulls Piper behind a rock walland Phoebe starts taking off her clothes.)Piper: No. Whoa, Whoa. Wait. What are you doing?Phoebe: When in Rome.Piper: No-no-no! We're not in Rome, Phoebe. We're in California. And it's illegal here.Phoebe: It'stotally natural, okay? Go for it. Come on.Piper: God. This is ridiculous. Can I keep my shoes on?Phoebe: Yeah, but that's it.Piper: We've got absolutely zero, zero information.Phoebe: Everybody's naked, not justyou.Piper: And now we're naked.Phoebe: Shh, okay? Shh.Grams' voice: The Power of Three.Phoebe: Did you just hear that?Piper: Hear what?Grams' voice: The Power of Three.Phoebe: That. Grams?Piper: Grams?(Piper looks around and tries to cover herself up.) What? Where? I don't hear anything.[SCENE_BREAK][Scene: Bucklands. Mrs. Milton is looking at some items up for auction. Prue walks in the room.]Prue: Mrs. Milton.Hi. I'm sorry to keep you waiting.Mrs. Milton: Oh, no problem. I was just looking around.Prue: Well, I think that we'll have a great turnout for the preview. We've been getting an excellent response to your husband'scollection.Mrs. Milton: I'm not surprised.Prue: Now, the opening bid prices may look a little low, but don't worry. It should attract a lot of buyers, which should result in a bidding war. It's the best way to sell inventorylike this at top dollar. Is that all right with you?Mrs. Milton: I guess I'm having a little more trouble letting go of John's things than I thought.Prue: That's only natural. It's not easy.Mrs. Milton: I suppose that you dealwith death quite a bit in your line of work, don't you? I mean, like this, auctioning off some poor widows inheritance.Prue: This? Unfortunately, yes.Mrs. Milton: I just keep going over and over in my mind the last time Isaw him before the accident. And I keep thinking if only I'd done something or said something to stop him from getting in the car, maybe he'd still be alive.[Scene: Outside a large building that's up for sale. Piper pullsup in her car. She gets out and walks inside.][Cut to inside. Rob is there looking around. Piper comes down the stairs.]Piper: Oh, god, Rob. I'm so sorry I'm late. Uh, I got stuck at this thing and then my sister needed aride, and I'm so totally screwed on the loan now, aren't I?Rob: Don't be ridiculous. I'm just looking around, checking things out.Piper: It needs a lot of work, uh, I know that. But that's not a problem and just becausethe last two owners went bankrupt, doesn't mean it can't work. I've done three separate marketing studies and found a 68% interest in the target clientele.Rob: Piper...Piper: Plus, running a restaurant is very similar torunning a club.Rob: You've already shown me all this. I've got it. I've got everything, except for an understanding of why you wanna put yourself in a position to fail like this.Piper: Uhh...Rob: Clubs are an extremelyhigh risk business, Piper. You could lose your shirt.Piper: Well, it wouldn't be the first time today. Look, I know what I'm getting myself into. I know the risks and actually it's a lot less risk and a lot a less expensive thanstarting my own restaurant, which is what I really wanted to do. The point is, I'm tired of working for somebody else and helping them realizing their dreams. I wanna run my own place. This place. And I can do it, too.But not without your help.Rob: Well, at the risk of you never wanting to go out with me again... Congratulations.Piper: I got it?Rob: You go itPiper: Yay!(Piper hugs him and they kiss.)Rob: Hmm.Piper: Oh.(They startmaking out.)[Cut to Abraxas. He says another spell backwards. Jeremy appears wielding a knife.]Abraxas: Were you vanquished by the Charmed Ones?Jeremy: Yeah. Why?Abraxas: I'm giving you a second chance.[Cutback to Piper and Rob. They are still kissing.]Grams' Voice: The Power of Three.(Piper pulls away.)Piper: Did you hear that?Grams' Voice: The Power of Three.Rob: Hear what?(Piper looks around.)Piper: Grams?(Jeremyappears and knocks Rob unconscious. Piper screams and backs away.)Jeremy: You're dead, witch.(Piper freezes him.)Piper: Oh my God. Jeremy?[Cut to Prue's office. Prue's sitting at her desk. The phone rings.]Prue:Hello?Piper: Prue, thank god you're there. Jeremy...Prue: Piper, calm down...Piper: Just attacked me.Prue: Jeremy? That is impossible. We vanquished him a year ago.[Cut back to Piper.]Piper: Well, apparently he gotunvanquished somehow. And since we don't have the Book of Shadows, we're gonna have to remember the spell together. I'm conferencing Phoebe. (She presses a button on the phone.) Phoebe, are youthere?Phoebe: AT&T, the Power of Three.[Cut to Prue.]Prue: Okay, wait. Wasn't that it? The Power of Three will set us free.Piper: Grams...(Jeremy unfreezes.)Piper: Whoa!(She freezes him again.)Prue: What's thematter?Piper: He's...(Jeremy unfreezes and Piper freezes him again.)Piper: He's fighting through my freezes. He's adjusting or something.Phoebe: Uh, okay, put us on the speakerphone. We have to say ittogether.(Jeremy unfreezes.)Jeremy: (laughs) You're not getting away from me this time.(Jeremy attacks her with his dagger. She ducks and tries to get out of the way.)Piper: Whoa! Whoa!Phoebe: Piper!Piper: Hurry!Now! Hurry, now, now, now!Prue, Piper and Phoebe: \"The Power of Three will set us free.\" (They repeat it another three times.)Prue: Piper?Phoebe: Piper?Piper: Ow. Ow.Prue: Piper?Piper: It's okay. He's gone.Again.[SCENE_BREAK][Scene: Building. Rob is on a stretcher. Piper is crouching down beside him.]Rob: How can you not have seen who attacked me? How is that possible?Piper: I don't know. I guess I was blocked orsomething and then he just sort of disappeared, you know?Rob: I'm starting to understand why this place keeps going under.Piper: Oh, no. It's not a bad crime area. Not at all.Rob: Well, it's something I'm going to bechecking into. I can assure you of that.Paramedic: Excuse me, ma'am.(The paramedics carry Rob up the stairs. Prue walks past and looks at him.)Rob: Yeah, hi, how ya doin'?(Prue goes over to Piper.)Prue: Are youokay?Piper: Physically, yeah. I think my loan's on shaky ground. I couldn't exactly tell Rob, \"It was just a warlock. Don't worry about it\".Prue: Oh, it would be a shame if the loan didn't work out, I mean, this place isgreat. I used to come here. It has a lot of potential.Piper: Yeah? You think so?Prue: Mmm hmm.Piper: Care to loan me sixty grand?Prue: Hmm. Any ideas on where Jeremy came from?Piper: No, but I don't want to runinto any of the other demons we've already vanquished.Prue: Well, hopefully Phoebe can find some answers in those new books of hers.Piper: I sure wish she had our book to look it at. Feels kind of lost without it.Although...Prue: Although what?Piper: It was weird but right before Jeremy appeared, I swore I heard Grams.Prue: Grams?Piper: I was positive it was her. She said \"The Power of Three\". And Phoebe said she heard hersay it this morning. Maybe Grams was trying to warn me, warn us.[Scene: Manor. Living room. Phoebe is typing something on the laptop computer. She hears Kit meow and looks out the window. She sees Jenny sittingon the stairs holding Kit. Phoebe continues to type on her computer but changes her mind and goes outside.][Cut to Jenny. Phoebe walks over to her and sits down.]Phoebe: Hey there. It's Jenny, right?Jenny:Yeah.Phoebe: We didn't really get to say hello before. My name is Phoebe. Phoebe Halliwell. And this is Kit the cat. Get it? Kit Kat. Little play on words. So, shouldn't you be in school?Jenny: I'm taking a weekoff.Phoebe: Really?Jenny: For the move, you know.Phoebe: So you're moving in with your uncle?Jenny: Well, just for the school year. Until my mom and dad come back.Phoebe: From Saudi Arabia?Jenny: My dad's withthe state department. So, he gets transferred a lot.Phoebe: That sucks. So, did you ever get in touch with your mum?Jenny: It doesn't matter.Phoebe: If it matters to you, it matters. Your secret is safe with me.Jenny:Well, it's almost that time of the month, you know? And, well, I need some...Phoebe: Tampons?Jenny: Right, yeah.Phoebe: And you don't want talk to your uncle about it?Jenny: But I did. But he went out and boughtsanitary napkins...Phoebe: Ugh.Jenny: Like that's gonna work. This is so embarrassing.(Phoebe looks at Kit's collar, which has the triquetra symbol hanging from it.)Jenny: So, do you think maybe you could get somefor me instead?Phoebe: Uh... sure... but... a connection.Jenny: But what?(Piper pulls up in the driveway next door.)Phoebe: Uh, I'm really sorry, Jenny, but I have to go.(Phoebe picks up Kit.)Jenny: Fine.Phoebe: Look.I would love to help you out but I gotta believe that your parents wouldn't have left you with your uncle if they didn't think you could trust him at stuff like this. Ask him again. And if he still screws it up, remember,we're open 24 hours, 7 days a week, right next door, okay?(Jenny smiles. Phoebe goes back over to the manor.)Phoebe: Piper, wait up. I think I figured out how to find who the demon is. All we have to do is ask theBook of Shadows.Piper: What?Phoebe: It's been right in front of us the whole time.(She shows Kit's collar.)Piper: Kit's collar?Phoebe: No, the triquetra. The symbol of the Power of Three. Our symbol. Maybe that's whatGrams has been trying to tell us.Piper: Phoebe, you're rambling.Phoebe: No, Stevie said all we would have to do is find our connection, right? That if we did, we'd be able to tap into the Power of the Equinox. Well, thishas got to be it, the Triquetra. It's us. It's on the cover of the Book of Shadows.Piper: I still don't understand how can we ask the Book of Shadows for help when we don't have the book.(Phoebe pulls Piperinside.)Piper: Ugh![Cut to inside the manor. Conservatory. Piper and Phoebe are standing in front of the spirit board.]Piper: The spirit board?Phoebe: It told us how to find the Book of Shadows, didn't it? It can do itagain. All you have to do is believe. Now come on. We're stronger together.Piper: (sighs) OkayPhoebe: Come on. Okay. Close your eyes and feel it.(They touch the pointer.)Gram's Voice: The Power of Three.Phoebe:Did you hear that?Piper: Grams?(Piper looks around. The pointer moves.)Phoebe: A.Piper: B-R-A-X-A-S.Phoebe: Abraxas?(They look at each other.)[Cut to Abraxas. He turns to another spell in the Book of Shadowsand starts to read it backwards.][Cut back to the manor. Piper is sitting on the couch in the living room. Phoebe walks in, reading from a book.]Phoebe: Okay, I found it. \"Abraxas - A demon of the astral plane whodestroy witches by demonising their powers.\" Okay, but what does that have to do with the Book of Shadows?Piper: Well, that's where our powers come from, isn't it? Maybe Abraxas it turning it evil somehow.Phoebe:That would definitely undo our spells. And explain why Jeremy all of a sudden became unvanquished.Piper: And the Woogyman.Phoebe: When did the Woogyman become unvanquished?Piper: A couple of secondsago.(Phoebe looks behind her and sees the Woogyman. They jump up.)Phoebe: Freeze it.Piper: It doesn't freeze, remember? The spell. What's the spell? Spell, spell...Phoebe: \"I am light. I am one too strong to fight.\" Ican't remember the rest.Piper: Yes you can. Okay, we can. Uh, \"Return to dark, where the shadows dwell. You cannot have this Halliwell\".Piper and Phoebe: \"Go away and leave my sight. And take with you this endlessnight\".(The Woogyman is vanquished.)Piper: That wasn't so hard.Phoebe: It's a good thing we were together.Piper: Abraxas must be reading the book backwards. That's how he's turning it evil.Phoebe: How do youfigure?Piper: The spell to vanquish Jeremy was at the back of the book. And the spell to vanquish the Woogyman was right before that.Phoebe: Which means more are on their way.Piper: Uh-huh.Phoebe: We gottawarn Prue.Piper: Uh-huh. (They walk into the foyer and Phoebe touches a photoframe. She gets a premonition. In the premonition, Nicholas the warlock, is attacking Prue at Bucklands.) What? What happened?Phoebe:I saw the warlock Nicholas, killing Prue.[Scene: Bucklands. Prue is walking down the corridor. She stops when she sees Mrs. Milton. Prue's assistant approaches her.]Guy: Prue, your sister Phoebe's on the phone.Prue:Oh, uh, tell her that I'll call her back.Guy: She said it's important.Prue: She always says that it's important. Just tell her I'll call her back. It's okay. Thanks. (Prue goes over to Mrs. Milton.) Mrs. Milton.Mrs. Milton: Oh,"}
+{"doc_id":"doc_61","qid":"","text":"VERONICA VOICEOVER: Previously on Veronica Mars... Bonnie exits through the back of the Pi Sig house, much to Dick's disgust, in 308 \"Lord of the Pi's.\"DICK: What the hell, Bonnie?BONNIE: Another cute frat boy.What the hell?In the Food Court, Veronica assures Landry in 307 \"Of Vice and Men.\"VERONICA: I was never gonna tell anyone about your...situation with the dean's wife. In his bedroom, Logan explains to Veronicawhat happened in Mexico.LOGAN: The whole motel was going up in flames. We had to get out of there.VERONICA: You didn't stick around to try to help? You didn't see if everyone was okay?Logan drops his head inshame. In the Food Court, Veronica elects to ignore Logan's call which Logan watches her do it in 308 \"Lord of the Pi's.\" He's devastated. Elsewhere on campus, Keith and the dean speak to the \"rescued\" Selma HearstRose.SELMA: I'm on my way to vote. Fate of the Greeks in my hands and all.DEAN O'DELL: How are they faring?SELMA: Screw 'em. They're out of here.Veronica and Mac are awoken by Parker's scream in 301\"Welcome Wagon.\" Parker looks at her shaved head in the mirror in horror.PARKER: Someone raped me! Veronica reassures Keith in 308 \"Lord of the Pi's.\"VERONICA: The Hearst rapist has everyone on edge. Endpreviously.EXT - HEARST COLLEGE, PI SIG FRATERNITY HOUSE - NIGHT.Music: \"Right Here, Right Now\" by Fatboy Slim.LYRICS: Right here, right now Right here, right now Right here, right now Right here, right nowRight here, right now Right here, right now Right here, right now Right here Right here, right now Right here, right now Right here, right now Right here, right now Right here, right now Right here, right now Right here,right now Right hereThe Pi Sigs are having a party. Outside the house, a stage is set up outside the back of the house. People are dancing on the stage and on the lawns, most holding white plastic cups. The place ispacked as is evident as the camera swings around. It comes to a rest on the two people standing on the roof of the porch of the house. Holding a white cup and a red cup respectively, Piz and Mac are staring out at theguests. Mac is looking increasingly concerned.MAC: You seen Veronica? Piz, without ceasing his scan of the crowd, shakes his head.PIZ: Not in a while.INT - HEARST COLLEGE, BENES HALL - NIGHT.The music getslouder as the scene shifts to Veronica, running for dear life in the corridors of Benes Hall. She hits a wall, casts a terrified look back and then races on. She reaches stairs and runs up them, sobbing. She comes toanother corridor and hurries to the door of Wallace and Piz's room. She bangs on it desperately.VERONICA: Wallace, Piz, help! There's no response and she sinks down to the floor. Her nose is bloody and she has anasty gash over her left eye. She pants and looks over at the way she came. As she turns her head back, she becomes aware of a pair of legs coming to a stop next to her. Her eyes travel slowly up the body in fear. Endmusic: \"Right Here, Right Now\" by Fatboy Slim. Opening credits.LILITH HOUSE GIRLS: [singing offscreen] Na-na-na-na Hey, hey...White writing across a black screen states that it is two days earlier.EXT - HEARSTCOLLEGE - DAY.The Lilith House girls, led by Nish, Fern and Claire, are celebrating in a one-float parade. They have created the float with a dune buggy and a trailer, with a large pink pig in a diaper at the back of thetrailer. The pig wears a neck comprised of the Greek letters pi, sigma and sigma. A large poster for Lilith House is attached to the dune buggy, and one saying \"Good Bye!\" to the trailer. Some tipping polystyrenecolumns and glittering gold lengths of tinsel complete the decorations. The girls, standing in the trailer in front of the pig, are exuberant, clapping and singing \"Na Na Hey Hey (Kiss Him Goodbye).\"LILITH HOUSE GIRLS:[singing] Hey, goodbye Na-na-na-na, na-na-na-na Hey, hey, hey, goodbyeTheir song continues in the background. Reactions differ from the students they pass, some giving thumbs up and some giving thumbs downand booing. Veronica watches the float pass.VERONICA VOICEOVER: If the Lilith House's mission was to protect women on campus, I'm not sure this display is doing the trick. Sure, the Board of Trustees voted todismantle the Greek system, but there's still a rapist at large. That hasn't changed.LILITH HOUSE GIRLS: Hey, hey, hey, goodbyeDICK: Sponduly!Veronica turns and looks over her shoulder at hearing Dick's shout. Dickand Logan emerge from one of the college buildings, laughing and joking around. There is some conversation too faint to hear. Veronica observes their playfulness.VERONICA VOICEOVER: Ah. So the boy can still smile.Seems like a week since I've seen his teeth. She rises from her perch and walks towards them. Logan sees her and the smile fades.VERONICA: Hey, handsome.DICK: Shh. Not in front of the old man. He's the jealoustype.Logan is much more quiet and serious.LOGAN: Hey.VERONICA: Hello, Dick.Veronica looks over at the float, still circling the area.VERONICA: I can't believe they got such a perfect likeness. Did you actually modelfor them? Logan and Dick look over at the float.DICK: Yeah, you know, that reminds me. They left out one important detail. Excusez-moi.LILITH HOUSE GIRLS: [singing] Na-na-na-na Hey, hey, hey, goodbyeDick stepsup onto the low wall next to where they are standing. He drops his pants and moons the float. Veronica turns away in disgust with a gasp.DICK: [shouting] Take a picture, ladies. It'll last longer. Dick wiggles and slapshis bare bum to the cat calls of the girls. Dick pulls up his pants and jumps down.VERONICA: Great job, Dick. I'm sure you won that debate.LOGAN: Well, he's a master debater.DICK: You two kiss, hold hands, head tothe soda shop for some malts. I'm out of here.Dick waits to be persuaded to stay.DICK: Okay. Don't try and stop me. Dick backs away, still hoping for an invitation that is not forthcoming. Finally, Veronica and Loganare alone. Veronica leans in towards the again serious Logan.VERONICA: You weren't outside my criminology class. She intimately takes hold of his shirt, pulling him in ready for a kiss.VERONICA: I waited. Loganshuffles uncomfortably.LOGAN: Yeah.VERONICA: Something wrong?She smiles. Logan, on the other hand, is gearing himself up. He takes a moment staring down at the ground before getting it out. He finally looks herin the eye.LOGAN: I can't do this anymore, Veronica. Veronica stares at him in disbelief. Logan looks back at the ground frequently as he continues.LOGAN: You know, I've been thinking, and, uh...this isn't working. Youknow, I don't think I quite measure up to the person that you want me to be and...and I just can't take feeling like a disappointment anymore.VERONICA: Logan, I don't-LOGAN: Hey, let me get this out, okay? Theother thing...you told me you weren't built to let people help you.VERONICA: That's not exactly what I said.LOGAN: It's close. And you know what? I'm not built to stand on the sidelines.Veronica nods her head, hereyes glistening with tears.LOGAN: I don't know, I think we have a choice. And I think we can take a tough but survivable amount of pain now... Logan pauses, staring at her.LOGAN: Or stay together and deal withunbearable pain later. Veronica lets out a deep breath.LOGAN: So, I vote for the pain now. Having expelled her breath, Veronica nods imperceptibly. Logan himself is close to tears as he looks down on her.LOGAN: ButI'm always here...if you need anything. He steps forward, puts his hands on either side of her neck and kisses her on the forehead.LOGAN: [resigned] But you never need anything. Veronica can't speak. Logan looksdown at her in pain and then takes a step back. He turns and hurries away. Veronica takes a breath to hold herself together.INT - HEARST COLLEGE, DEAN'S OFFICE - DAY.Weevil is fixing the dean's television. Thepicture on screen of a woman addressing an audience is jerky and interrupted by static. Dean O'Dell is lounging on the small leather sofa in his office, watching him.WEEVIL: Yeah, but heavyweights weren't always afreak show, man. Ali, Frazier, those were fighters, you know? Just seems nowadays...DEAN O'DELL: All the talent's in the lower weight classes. You're so right. The average fight fan? He doesn't care.Weevil swivels theTV back into place, the picture now as it should be.WEEVIL: You should be good. You gonna test it? The dean uses the remote and flicks on a couple of channels, including one featuring Vincent Price.DEAN O'DELL: Hotdamn, I'm back in business. What would I do if you ever left me?WEEVIL: Call human resources and have them send a replacement?O'Dell shrugs.WEEVIL: It's just a guess. Listen, you don't have high-def yet. I'll swingby when the receiver gets in. Page me if it goes out again.DEAN O'DELL: Thanks, Eli.As Weevil leaves the office, he passes Mindy on her way in. She sees him lounging on the couch.MINDY: Oh, hard at work, Isee.DEAN O'DELL: This job is easy. To what do I owe the pleasure?MINDY: I brought you the minivan.She holds out some car keys, embellished with a furry ball. He takes them reluctantly.MINDY: You're gonna have tohaul around Gram's drums tonight. Just got called up to Sacramento to meet with Helm's people.DEAN O'DELL: Can't they send Wally?MINDY: Wally's going, too. I need the Volvo keys.She holds out her hand. O'Delldigs in his pocket.DEAN O'DELL: Gonna be bored. I may be forced to speak to our children. He hands over the Volvo keys.MINDY: Oh, remind them of how things used to be. She sits down on the couch next tohim.MINDY: They love that. She leans in to give him a quick kiss. The dean is more interested in something more substantive and pulls her back in for a longer one. She avoids it by presenting her cheek.MINDY: I'll behome tomorrow by noon. She pulls away, much to his disappointment and puzzlement.MINDY: Okay? You can order pizza, can't you?DEAN O'DELL: I'm sure someone will show me.Mindy chuckles. They are interruptedby a knock on the open door. Cora, the dean's (new? - what happened to Angela?) assistant, pokes her head around the door jamb.CORA: Dean O'Dell, I'm sorry for interrupting.DEAN O'DELL: What is it?Mindy takesthe opportunity to extract herself from the dean's arms and exits.CORA: I have a man waiting for you who doesn't have an appointment. He won't give me his name or put out his cigar.DEAN O'DELL: Is that so?Thedean gets up from the coach and goes to the door of his office.INT - HEARST COLLEGE, DEAN'S OUTER OFFICE - CONTINUING.A man is sitting on the couch seen in 306 \"Hi, Infidelity.\" He's reading a paper and puffingon a big fat cigar. He looks up at the dean, who looks a little stunned on seeing him.MEL: Cyrus, we need to talk.INT - HEARST COLLEGE, DEAN'S OFFICE - DAY.Cut to a few moment later as an ashtray is set down infront of the man, Mel, who is settled on one of the chairs in front of O'Dell's desk.DEAN O'DELL: So, Mel, what can I help you with?Mel has a deep, gruff voice.MEL: You know what I liked best about my days here atHearst, Cyrus? The dean shakes his head and takes a guess.DEAN O'DELL: A quality education? Mel chuckles long and loud at that.MEL: No. It was hanging out on the front porch of my frat, watching the girls go by,drinking beer. I had such a good time here at Hearst, in fact, that I've been very generous over the years. Wouldn't you say I've been generous? Mel makes it sound like a threat and O'Dell nods haplessly with furrowedbrow.INT - HEARST COLLEGE, FOOD COURT - DAY.A plate of pasta with a piece of garlic bread on the side is served up to Veronica.SERVER: Here you go. Veronica takes it unenthusiastically. She is in the queue withMac and Wallace next to her. They watch with concern as Veronica stares listlessly down at her food. Veronica doesn't move. Mac glances at Wallace, then back at Veronica.MAC: Veronica? Veronica looks up, as ifcoming out of a trance.VERONICA: I'm fine. Mac and Wallace speak simultaneously.MAC: I know. We know. But it's okay if you're not.WALLACE: Nobody said you weren't. You're Veronica Mars.Veronica hurries toreassure them.VERONICA: I'm fine, seriously. I just told the two of you 'cause I figured you should know. I'm not looking for a pity party.WALLACE: That's good. I always get stuck blowing up the pity balloons.MAC: Isthere anything that we can do for you?VERONICA: Nope. I...we're done with this topic. I just shared some info. Moving on.Veronica's smile doesn't reach her eyes. The three of them are joined by Piz who joins the endof the line.PIZ: Hey, gang. What's the word? Is it \"avuncular\"? All three stare at him. Piz is oblivious to the mood.PIZ: No? Just a shot in the dark. Hey, set your dials to K-Ruff tonight. I mean, we're already moving onas to what to do with the whole Greek Row ghost town next semester. He laughs.PIZ: I got this one guy coming on the show - wants to turn it into an ROTC training battlefield. Quality radio, people. Veronica is staringat the floor whilst the other two continue to stare at him as if he was from outer space. Piz's smile finally starts to fade in his confusion.PIZ: What?INT - MARS INVESTIGATIONS - DAY.Keith finishes pouring two cups ofcoffee in the small kitchenette. O'Dell is standing at the door to the kitchenette.KEITH: You say your wife doesn't kiss you like she used to?DEAN O'DELL: I know how it sounds, Keith.Keith hands one of the cups to thedean.KEITH: How long you been married?DEAN O'DELL: Six years.Keith moves out of the kitchenette, but O'Dell stays by the door, so Keith leans the other side of the door frame to face him.KEITH: Simply soundsnormal, Cyrus. I'm sure everything's fine. O'Dell takes a swig from his \"Life Ain't Fair\" mug.DEAN O'DELL: Still, I'd like to be able to shake this feeling. She's on the 4:30 to Sacramento. She is, as she usually is,travelling with her associate, Wally Wernkey. He's handsome, he's a bit more age-appropriate for my wife, and I've seen him wipe Ranch dressing from her chin at a faculty function. Keith nods sagely. The dean is alittle desperate.DEAN O'DELL: Will you take the case, Keith? Keith sighs.INT - MARS RESIDENCE - DAY.Keith is at the kitchen counter, writing a note to Veronica on a post-it, when he hears her enter the apartment. Hedoesn't look up.KEITH: Hey, there you are. Veronica sees his bag on the counter.VERONICA: Going somewhere? Keith does Charlie Chan, which slightly startles Veronica.KEITH: Oh, very good, number-one daughter.You might make a detective yet. He glances at her as she slouches against the counter.KEITH: I'm off to Sacramento. Husband thinks his wife is fooling around in capital city. Here's my hotel information. He passesover the post-it, sticking it on the counter in front of her. Veronica nods. He has picked up her mood and looks at her with concern.KEITH: You all right, honey?VERONICA: Logan and I broke up.KEITH: I'm sorry to hearthat. Are you okay?Veronica nods.KEITH: I can put off this assignment.VERONICA: No, you go. I'm fine. Just kind of unexpected.KEITH: You sure?Keith rubs her back. Veronica nods again and speaks softly.VERONICA:Go. Keith leans forward and kisses her on the forehead. He takes another look at her before walking around her and grabbing his bag. He looks back at her. She's staring into space. He pauses with his hand on thedoor.KEITH: Honey? Veronica turns to him with a smile.VERONICA: [firmly] Go. A little reluctant, Keith goes out the cut. Cut to later as Veronica steps into the shower. She takes a deep breath and turns to wet her hair.She turns back and is finally losing her composure. She starts to cry.INT - HEARST COLLEGE, RADIO STATION - NIGHT.The Food Court outside the station as seen through the large window is in full operation. Piz has acouple of guests - a conservatively dressed girl and a boy in combat gear.PIZ: We're back and we're talking about Greek Row. Jennifer?JENNIFER: Dean O'Dell refused to even read our proposal to turn one of thedeserted Greek houses into a residence for devoutly Christian students. Had I been lobbying on behalf of the African American students or gay students, would I have been dismissed out of hand like that? No way.PIZ:Uh...as always, we have an empty chair here for Dean O'Dell, should he ever accept We Were Just Talking's standing invitation to join us on-air and defend himself.Piz points to his other guest.PIZ: Lieutenant McGee,you have a radical plan for what should become of the Greek houses. They all turn around at the sound of the door to the studio opening. Dean O'Dell strides in. He points to the broadcast table and paraphernalia.DEANO'DELL: Which one of these is mine? Piz, somewhat surprised, indicates the empty chair next to him.PIZ: T-take that one. As the dean clears his throat, Piz gestures to his engineer to switch on the dean's microphonebefore returning to the broadcast. He claps.PIZ: And like magic, we have our illustrious dean here with us. Dean O'Dell, What do you got for us?DEAN O'DELL: I felt it was imperative to get this news out as quickly aspossible to the student body. It was recently discovered that one of our Board of Trustees members who voted to abolish the Greek system at Hearst owns property currently leased by several of the Greek houses. Dueto this conflict of interest, his vote has been nullified.A few people in the Food Court are starting to take an interest and gather at the window.DEAN O'DELL: Hearst Charter dictates that the dean of the university isallowed to cast the, uh, dissenting vote in just such an occurrence, and I voted to retain the Greek system. A couple of boys sitting at one of the tables stands and cheers. One of the girls gathered at the window does adisgusted \"What?\" Behind her, the boys high-five.DEAN O'DELL: Thank you for your time. That is all. The dean stands and exits as quickly as he arrived. Piz's guests are disappointed.PIZ: Uh, all righty, then. TheGreeks are back. Let's go to the phones. There are a few lines flashing on the telephone in front of Piz. He selects the first.EXT - HEARST COLLEGE - DAY.Music: unidentified. It's the turn of the Pi Sigs to celebrate. Beingtoo lazy/pissed/uncreative to make a float, they simply ride around in an SUV with big wheels. A few frat brothers, including a shirtless Dick, stand on the back seat, appearing through the sun roof. They whoop andcheer as they drive slowly around the campus.DICK: Yeah! Whoo! Yeah! What's up, girls? Ha-ha!Like the Liliths before them, they garner differing reactions from the students they pass. End music unidentified. Music:\"Have You Never Been Mellow\" by Olivia Newton-John.LYRICS: Have you never been mellow? Have you never tried-The dean is also driving through the campus, listening to his choice of music on the radio/CD player.He peers in astonishment at the sight of the Pi Sigs. End music: \"Have You Never Been Mellow\" by Olivia Newton-John. Music: Unidentified. Outside, Dick continues to cheer.DICK: Yeah! Whoo! The SUV slowly passesthe dean as he stares up at them. End music unidentified. Music: \"Have You Never Been Mellow\" by Olivia Newton-John.LYRICS: Have you never been happy Just to hear your song? Have you never let someone else bestrong? Running around as you do with your head up in the cloudsThe dean shakes his head and then carries on. He slows as he sees two small groups of girls hanging around the entrance to the parking area. Theystare at him as he passes the first group. In front of him, Fern emerges from behind a parked van. She walks into the road, blocking his path. In the empty parking space beside the van is another, larger group of girlswaiting. Dean O'Dell stops the car and stares at Nancy. He jerks back when an egg hits the windshield. It signals all the other girls to throw eggs and attack the car, rocking it in place, shouting as they do.ANGRYGIRLS: Rapist! Traitor! Pig! You're gonna pay for what you did to us!End music: \"Have You Never Been Mellow\" by Olivia Newton-John.INT - HEARST COLLEGE, DEAN'S OUTER OFFICE - DAY.The dean, clearly flusteredby events, bursts through the door from the corridor, heading for the inner sanctum of his office.DEAN O'DELL: Get me a roster of all the women of Lilith House.CORA: You have a guest.O'Dell pauses and turns to facehis assistant, seeing as he does Keith sitting in a chair in the corner behind her.CORA: I told him that without an appointment-DEAN O'DELL: Keith, come right in.INT - HEARST COLLEGE, DEAN'S OFFICE -CONTINUING.Keith follows O'Dell into the inner office.DEAN O'DELL: Have a seat.KEITH: Thanks.Both men take their seats. Keith gets out a notebook.DEAN O'DELL: So...what you got?KEITH: Only good news. You havenothing to worry about except, perhaps, your apparent lack of gaydar.DEAN O'DELL: I don't know what that is.KEITH: Wally Wernkey's gay.O'Dell leans back in his chair, surprised.KEITH: Your wife spent the night inher room alone, and Wally, on the other hand, visited, in succession... Keith reads off his notebook.KEITH: The Boathouse, Oilcan Harry's, and Taboo.DEAN O'DELL: Let's both just forget that I ever doubted my"}
+{"doc_id":"doc_62","qid":"","text":"[PREVIOUSLY_ON]Wynn: This is not what we discussed on the telephone.Raylan: I figure you're good enough that no one can link the hitters from last night to you.Wynn: Thank you.Raylan: Except, of course, for Gary.He seems like a bit of a loose end. I'd leave the country, but that's entirely up to you.Wynn: Are we finished?Raylan: As long as you understand that the next time we have this conversation, there won't be aconversation.Ava: Devil, you want sugar? [ Gasps ] Devil!Dickie: Hello, Ava.Ava: Oh!Dickie: It's the top of the 1st, Raylan. Hey, batter, batter, batter, batter, batter...Boyd: Cut him down. Now, God damn it.Dickie:Wait, Raylan! Come on. Listen to me. You ain't getting to Loretta without me, and you know it.Raylan: Boyd?Boyd: He shot Ava.Raylan: I'm gonna need him for a little bit.Boyd: What, are you asking me... Or are youtelling me?Raylan: Makes you feel better, you can tell people I asked.Winona: I want you to leave this alone. I want you to leave it to the authorities. This is not your problem, Raylan.Raylan: I promise you I will befine.Winona: Okay. Take me to work. And go to Harlan. But I can't promise you I'm gonna be here when you get back.Raylan: I need you and your boys to put your guns down.Doyle: And why would we do that?Raylan:Maybe you don't want to see your brother's brains fly Guys! Cease fire![ Siren chirps ]Winona: Was I speeding?Winona Hawkins?Winona: Yeah. Ma'am, this is a courtesy stop. Chief deputy Art mullen's been trying toreach you.[ Indistinct talking over P.A. ]Winona: Hi.Art: Hey.Winona: How is he?Art: He's sleeping right now.But he's gonna be all right. The bullet went right through his side, just under the ribs. Didn't hit any vitals.He's a lucky son of a gun.Winona: Look, Art, I, um... Um...Art: End of the hall, Winona. First door on the left.[ Monitor beeping ][ Gunshots ][ Shell casings dropping ]Raylan: [ Sighs ][ Exhales deeply ][ Whirring ][Whirring stops ][ Sighs ][ Grunts ][ Inhales sharply ]I even tried a cross-pull. I don't think I've done that since Glynco.Art: How'd that work for you?Raylan: Won't be doing it again.Art: [ Laughs ] Did you trylefty?Raylan: So I could shoot the side of a barn?Art: All right, we'll try one more week of medical restriction, and then I'll issue you some hand grenades. You're a lucky man, Raylan.Raylan: I got shot, Art.Art: Onlything that saved you was all that body fat you got going on there.Raylan: Starting to feel uncomfortable.Art: Why? We're alone. Crowder's here.Raylan: Didn't wear your suit.Boyd: Boy, you say that as if I've only gotthe one and not a whole closet full.Raylan: [ Chuckles ] I'm sorry. You didn't wear your black suit.Boyd: Well, I can see by the hitch in your step you're still not 100%.Raylan: Yeah. How's Ava?Boyd: She's moving notso different from you. She's healing. So was I right not to wear my suit?Raylan: Well, we don't have a strict dress code.Boyd: Well, it just occurred to me that Raylan Givens invites me up to Lexington. Chances are Imight find myself in front of a judge before the day is out.Raylan: Why? Did you do something you shouldn't have?Boyd: Well, that's a pretty low bar, Raylan.Raylan: [ Laughs ] Nah, trooper Tom Bergen, up there inyour world, he says within a day of Mags killing herself, all her marijuana-drying sheds got cleaned out.Boyd: I wasn't aware that marijuana interdiction fell under the marshals' purview.Raylan: He also said that thefloorboards in the sheds had been torn up, ceilings pulled down, walls opened up, like someone was looking for something, which does fall under the marshals' purview... Recovering ill-gotten gains. Mags' bank accountshave been seized along with her property, but there's still a sizeable amount of money missing.Boyd: How sizeable, Raylan?Raylan: Well over $10.Boyd: Well, now, if I found that kind of money, I'd be in Mexico bynow.Raylan: Boyd, I've been to Mexico. I don't think you'd like it.Boyd: How so?Raylan: There's a lot of Mexicans.Boyd: Raylan, if a book could only be judged by its cover, you'd be a best seller.Raylan: Hmm.Boyd: Arewe done?Raylan: Looks like. Sorry for wasting your time.Boyd: Never a waste of time to spend a moment with my good friend Raylan Givens. Tell you what. I'll ask around. See if I can't get a line on that money foryou.Raylan: I appreciate it.Boyd: In exchange for an apology.Raylan: I'm sorry. What?Boyd: I want you to apologize.Raylan: For the crack about the Mexicans?Boyd: By the time I got out of Wade Messer's house,Dickie Bennett was tuning you up like it was his birthday and you were his piñata, only I don't think there would have been candy pouring out.Raylan: You're saying you saved my life.Boyd: Are you saying Ididn't?Raylan: I would suggest what you're looking for is a \"thank you,\" not an apology.Boyd: Well, now, follow my logic, Raylan. I had my own plans for Dickie on account of his shooting Ava, but you said you neededhim, so I let you have him under the condition that you would return him to me once his services had been rendered.Raylan: [ Scoffs ][ Sighs ]I'm sorry. Did you see a creek out in the lobby? Some pretty green treesand cut-off mountains? Do you think we're in the \"har\"? I am a deputy U.S. Marshall, Boyd.Boyd: You're a Givens, Raylan.Raylan: And you think I'm gonna hand a man over to you to be murdered like he is, what, somepig I borrowed from you?Boyd: You gave me your word.Raylan: I got half a mind to kick...Boyd: [ Grunts ]Art: R-a-y-l-a-n.[ Grunting in distance ]Recovering from a GSW. That stands for \"gun...\"Boyd: No resistancehere, officer! There's no resistance here!Raylan: Hey, Boyd. Should have wore the suit.Boyd: [ Laughs ] No resistance, officer! I'll see you, Raylan!\u0000 On this lonely road \u0000 \u0000 trying to make it home \u0000 \u0000 doing it by mylonesome \u0000 \u0000 pissed off, who wants some? \u0000 \u0000 I'm fighting for my soul \u0000 \u0000 God get at your boy \u0000 \u0000 you try to bogard \u0000 \u0000 fall back, I go hard \u0000 \u0000 on this lonely road \u0000 \u0000 trying to make it home \u0000 \u0000 doing it bymy lonesome \u0000 \u0000 pissed off, who wants some? \u0000 \u0000 I see them long, hard times to come \u0000Mm, mm, mm. This is great country. Ooh![ Laughs ]First time, and I already love it here. The way the pastures roll off intothe distance. The horses... I have never seen such beautiful horses. Thank you. Thank you. May I sit? Please. Two coffees. Now, you want a little kick? Mr. Arnett likes a little kick. Oh, yeah, he'll have a little kick. No.He won't. Just black. Thank you. Mm-hmm. Thank you, Yvette. You can go now.[ Sighs ]You're banging her, aren't you? I beg your pardon? And now you've lost her respect. That's hardly your concern. Well, in a way itis. See, she's your public face, and she is not selling the same story as you are.[ Clears throat ]Uh... Who's he? Oh, Mr. Nix is one of my brokers. Could he sit where I could see him?[ Laughs ]That's good. Now, whydon't you state your business, enjoy your coffee, and then get the hell out? Detroit is concerned. Look, when you go back to Detroit, you just tell them that the properties that I'm holding are poised to rebound, andwhen they do, they're gonna be worth twice what I paid for them. Wow. So, what do you think they're worth right now, today? No, I don't really have a current assessment. That's okay. 'Cause I do. You picked a shittytime to get into commercial real estate, and now you're under water. Detroit did not make an investment, Emmitt. It made a loan, which you assured them that you would repay as per the agreement. 250 will bring youcurrent. I could have that in two weeks. Emmitt, you read the business pages. Things are getting...Tough all over. So, if you can't have the money here by tomorrow, I suggest you tell me right now.[ Sighs ]I'll have ittomorrow. That's great. I'll see you tomorrow. Said you were looking for work. Everybody's been wondering what happened to all that Bennett weed.Devil: And you get first crack at it, courtesy of Mr. Boyd Crowder.Just his way of showing his appreciation for a new business partner. Well, let's get to it, then.Arlo: There's more in the tractor shed out back. Lee! Go take a look! A-Ron. Get over here and help me.Arlo: Devil.Devil:Yeah?Arlo: Ava's here.[ Bird squawking ]Devil: Ava.Ava: Devil.Arlo throwing a party?[ Both chuckle ]Devil: No, we, uh, got a buyer for the pot.Rodney Dunham.Ava: \"Hot rod\" Dunham? Out of Memphis?Devil: Now,we're taking care of this, Ava... me, Arlo, and Johnny.Ava: Yeah?Devil: Yeah.Ava: I don't see Johnny.Devil: Well, he'll turn up.Ava: Yeah? You figure Boyd's locked up, you'll just go into business for yourself.Devil: Ah, itain't like that. Boyd allowed us how he might sell it. We're just acting on his behalf.Ava: Mm.Arlo: Dunham wants a word.Ava: Tell him to come on out.Arlo: Come on out, Dunham.Devil: I got this, Ava. Ooh! Aah, thatsmell can really take the wind right out of you.Arlo: Tell me about it.Ava: Mr. Dunham, Ava Crowder. I'm proud to know you, ma'am.Ava: Likewise. I've seen all I need to see.Devil: Oh, yeah? What's your offer? All I gotto offer is advice... next time you want to pull a big score like this, don't bag the plants wet.Devil: What, is there a problem? How long's this been sitting here?Arlo: About three weeks. You got mold, you got mildew,you got rats and mice eating on it out in the shed.Devil: Are you saying it's all gone to sh1t? That's not what I'm saying. [ Sighs ] I'm saying you can probably salvage...Two or three grand if you get to cleaning rightnow.Devil: No, this is 120 kilos of premium weed! Three weeks ago...Maybe.Ava: We were thinking that we might...Devil: I'm talking to the gentleman.Arlo: Let us handle it, Ava.Devil: Now, you as much as told me onthe phone that you was gonna take the whole lot. I told you I'd look at it.Devil: No, no, unh-unh, no, no, no, no. Here's how it works. You want to keep buying quality bud, you gonna have to take all this off ourhands.Ava: Devil!Devil: Stay out of this! Pull your head out of your ass, son. This is serious weight, and these are dangerous times. Now, you want this to get ugly? It can.Ava: Of course that's not what we want, Mr.Dunham. We appreciate you coming by. You're lucky I was already in Knoxville. If I'd come eight hours from Memphis for this , I'd be obliged to kick somebody's ass!Devil: Mm-hmm.Ava: Understandable, sir. Thankyou. Ma'am.[ Vehicle doors open, close ]Ava: [ Sighs ]That go about the way you expected?Arlo: I could use a drink.Devil: Amen to that.Ava: [ Sighs ]Winona: You know you got 21/2 bottles of whiskey on ice and nobeer?Raylan: That can happen. Wait. You can't drink any of that sh1t anyway.Winona: Well, I can have one.Raylan: Who says?Winona: My mom. She used to have a couple drinks a night when she was carrying me.She'd put her ashtray, balance it on her great big belly.Raylan: That explains a lot.Winona: [ Chuckles ] How you doing?Raylan: I've been better.Winona: Well, you still look good.Raylan: What do you mean,\"still\"?Winona: You are not getting any younger, kiddo.Raylan: I'm so glad you're here.Winona: You ready to get back in action?Raylan: Oh, Art said another week of light duty, and that was before the fight.Winona:That's not what I'm talking about.Raylan: [ Moaning, grunting ]Winona: You okay? Did that hurt?Raylan: I'll manage.[ Both moaning and grunting ]Raylan: [ Breathes deeply ]Winona: So, what's going on?Raylan: Whatare you asking?Winona: I just... it feels like there's something on your mind.Raylan: Do you know about the newborn baby in the delivery room?Calls his daddy over and says, \"how do you think that feels?\"Winona: Isthat what you were thinking about?Raylan: Maybe a little.Winona: You know the baby's the size of a walnut right now, don't you?Raylan: Mm-hmm. You know it's gonna get bigger, too, right?Raylan: W-well,yeah.Raylan: Mm. Maybe we need more room.Winona: [ Sighs ] After all the time I spent redecorating?Raylan: Well, much as I appreciate you putting lipstick on this particular platypus...Winona: [ Laughs ]Raylan:...Maybe we should... I don't know... start looking for a house or something.Winona: Mm...And leave all this?[SCENE_BREAK][ Doorbell rings ]Yeah? [ Shakily ] I got a large olive and eggplant. [ Chuckles ]Sorry, son, I didn't order a pizza. I did.[ Sighs ][ Clears throat ]Where would you like me to put them? Put them on the desk and sit. Mm, these are way nicer than the piece of sh1t I wear. But I'm not complaining.Keeps good time. You don't remember me, do you? Never seen you before in my life. Oh, you've seen me. You just didn't notice me. But I know you. You're Delmer Coates. You used to own that watch store over onClinton. Couple of kids tried to rob you. You shot them. Dumb asses didn't know you had a gun under the counter. Couple other guys tried after that, right? Yeah. You shot and killed four men. You're one tough son of abitch. But I come in here and ask you for the watches, and you just lay down. Yeah. What was I supposed to do? I was hoping you'd pull on me, give me some lip. You just hit the silent alarm and wait for the cavalry tocome. I know all about your security system. I'm the guy who put it in. When I ordered the pizza, I took your security system offline. Took me less than 30 minutes, which is more than I can say for you, slick. Youunderstand why I ain't paying for that pizza, right?[ Whimpers ]Now, I don't like wearing a mask. I'm too pretty. So I am gonna have to kill you. But I'll tell you what... There's this game I like to play. I'm gonna put thisgun between us and have the pizza man count it down from 10. When he gets to 1, we both go for it, so you got the same chance I got. That sounds fair, right? Start counting. I-I don't think I should be inv... beinvolved in this. Count.[ Inhales deeply ][SCENE_BREAK][ Shakily ] 8...[SCENE_BREAK][ Screams ]I win.[ Latches click] [ Gasps ]I didn't see anything. I'm not gonna say anything. I swear. Are you gonna eat thatpizza? No! Take it![ Breathing heavily ][ Knock on desk ]Raylan: What's up?Tim: Somebody killed a Mr. Delmer Coates last night along with a pizza delivery boy.They also emptied his safe.Raylan: I regret their passing.So?Tim: Well, whoever killed them took Mr. Coates' security system offline, which is not so easy considering...Raylan: I'm gonna stop it there. Were either Mr. Coates or the pizza delivery man federal fugitives?Tim: No,but Fletcher \"the ice pick\" Nix is. He's charged with interstate flight. The stab wounds on the victim's hands are consistent with an ice pick.Raylan: Can't help you. I'm on light duty. Maybe Rachel.Tim: Oh, yeah, I'drather take her, but, uh...Raylan: \"But, uh,\" what?Tim: Wynn Duffy's security system did the installation.Raylan: Is there a question attached to this?Tim: Well, Duffy's the only lead I got, and I thought you might helpme out.Raylan: Why would you think that?Tim: 'Cause you had that thing.Raylan: Had what thing?Tim: Where you two killed Gary together.Raylan: That's funny. That's funny. Excuse me. I'm out of staples, and I'mgetting a little light on paper clips.Tim: Come on, man.Raylan: \"Come on, man.\" Have you not been listening? I cannot leave my desk.Tim: Just say you're on lunch.Raylan: I can't talk to Duffy.Tim: Sure youcan.Raylan: No, I can't.Tim: Why not?Raylan: Last time I saw him I said our next conversation wasn't gonna be a conversation.Tim: Well, this is a different conversation.[ Car door closes ]Tim: What?He's not gonnaremember something you said that long ago.Raylan: [ Sighs ] [ Sighs ] He doesn't want to talk to you.Raylan: Well, that makes two of us.Wynn: Who don't I want to talk to?Raylan: [ Exhales deeply ]Wynn: Raylan. Towhat do I owe the pleasure?Raylan: Deputy Gutterson has some questions for you.Tim: Gentleman named Delmer Coates was murdered last night. Name ring a bell?Wynn: Not offhand. Should it?Tim: Well, youinstalled his security system about two years ago. It was a whispertech series \"c.\"Wynn: That's a good system.Tim: Whoever killed Coates disabled it first. Since you install so many of them...Wynn: I'm sorry, I justhave to ask. Are you two accusing me of being involved or are you just asking me for information?Raylan: Whichever applies.Wynn: I don't think it'd very good for business if I went around murdering my own clients,do you?Tim: Well, it might be worth it if they had a safe full of expensive merchandise.Wynn: All my clients have expensive merchandise. That's why they buy security sys...Raylan: Just answer the question, or shutyour mouth.Wynn: I can only imagine how frustrating this must be for you, Raylan. It'd be so much easier to just beat a confession out of me, wouldn't it?Raylan: That's still an option.Wynn: As a matter of fact, as Irecall, last time we met, you told me next conversation we had wasn't gonna be a conversation.Raylan: This is a different conversation.Wynn: Oh.Tim: You ever hire an installer named Fletcher Nix? Favorite toy's an icepick.Wynn: That's not exactly standard equipment.Raylan: That ain't exactly an answer.Wynn: Raylan, I am so sorry. I would love to be of more help, but I got to get back to watching women's tennis. Close the door,Mike.[ Exhales sharply ][ Door slams shut ]Raylan: [ Sighs ]Well, the man's a piece of sh1t, but I believe him.Tim: You do?Raylan: He didn't flinch when you mentioned Delmer Coates.Tim: No, but when I mentionedthat ice pick...Raylan: Yeah, he flinched a little.Tim: Well, maybe this one's above his pay grade. Who's he work for?Raylan: Emmitt Arnett. Dixie mafia shot-caller out of Frankfort.Tim: Okay, how about you go talk tohim? You drop me off at the corner. I'll keep an eye on Duffy.Raylan: Excuse me?Tim: Or, you know, you can go back to the office, get your paper clips, do the p-p dance, whatever makes you feel happy, Raylan.[ Cardoor closes ]Raylan: [ Grunts ][ Engine turns over ][SCENE_BREAK]Wynn: [ Sighs ]Emmitt, is there anything you want to tell me? What is this, 20 questions?Wynn: You hired one of my own guys to go after one of myclients? Where'd you get that idea?Wynn: Don't insult my intelligence, Emmitt! I'm talking about Fletcher, the ice pick. Hey, baby? Baby, pull that door a minute, will you? I didn't think he was still one of yourboys.Wynn: He isn't one of my boys. Do you know why? Because he's a federal fugitive, which means that anything he does points right back at me, which raises the obvious question, was that your intention, Emmitt?No! No, look. [ Sighs ] It d-didn't go as planned. I'm on my way into the office to meet him, and that'll be the end of it.Wynn: Well, let me know how that goes. And, by the way, Raylan Givens is on his way to talk toyou.[ Sighs ]Damn.[ Buzzer sounds ]Boyd: Oh, it sure is good to see you.Ava: You okay?Boyd: I'm fine.How are you?Ava: Well, it sucks talking to you through this glass.Boyd: They're transferring me to Tramble.Everything okay?Ava: [ Inhales deeply ] You know that cord of wood we got stacked behind Arlo's house?Boyd: I thought maybe we could sell some.Ava: Yeah, but your old buddy from Memphis came by, said hecouldn't use any of it.Boyd: Not a piece?Ava: Mnh-mnh. He said it was starting to rot. Didn't seem to have any good ideas about what we should do with it, either.Boyd: [ Sighs ] Well... [ Inhales deeply ] Burn it.Ava: Allof it?Boyd: All of it. I wouldn't want to attract any termites or any other pests.Raylan: [ Sighs ][ Cellphone rings ]Yeah? What's the problem? Uh-huh. Yeah. Small world.[ Elevator bell dings ]I'll tell you later. You wantme to handle it? All right. Have it your way.Raylan: Something I can help you with? I like your hat.[ Elevator bell dings ]Raylan: [ Sighs ]There much call for cowboys these days?Raylan: You would be surprised.Yeah?Raylan: Yep. Whoa. Hey. It's not your floor. Change of plan. See you again.Raylan: Emmitt? Marshal! [ Chuckles ] I didn't hear you come in.Raylan: Sorry. Looking for Mr. Arnett. Uh, he won't be coming intoday.Raylan: [ Sighs ] You know where I can find him? I can try to find out. Or maybe there's something I can do for you. My daddy had a hat kind of like yours.Raylan: Oh, yeah? Except the brim was smaller.Raylan:Businessman's Stetson. That's it. Can I be honest with you?Raylan: I'd like to think so. I don't think Mr. Arnett's in the real-estate business.Raylan: What makes you say that? Mostly just the people who come around. Imean, they don't look like real-estate folks. They don't even look like contractors or property managers or maintenance people. They're just sketchy.Raylan: Like Wynn Duffy. Exactly! And this new guy, Fletcher Nix. Heis super creepy. Ohh.Raylan: What do you know about him? Nothing. Except he was supposed to come into the office this morning for a meeting, but Mr. Arnett canceled at the last minute.Raylan: Why'd he cancel? Mm.They rescheduled.Raylan: Rescheduled for...? Can I just say... It is so nice talking to a man who's interested in what you have to say. I mean, none of Mr. Arnett's colleagues are very good conversationalists, to say theleast.Raylan: Must be difficult. They rescheduled for...? Tonight. But I don't have to be there. Thank goodness.Raylan: Do you know where? Um...Near a cab stand at Jefferson and Main.Raylan: Yvette, may I offer you"}
+{"doc_id":"doc_63","qid":"","text":"Act One.Scene One - Frasier's Apartment. It's the early evening. Frasier is playing a tune on the piano, Martin is looking through some old police work, and Daphne is busying herself in the kitchen. Frasier turns round tofind Eddie staring at him.Frasier: Dad, he's doing it again! Must this dog stare at me all the time?Martin: I don't know. Eddie - must ya? [Eddie carries on staring] Apparently he must.Frasier: [to Eddie:] What is sofascinating about me? What is it? Do you imagine I am a large piece of kibble? Am I some sort of canine enigma? Think about it, get back to me.Daphne enters carrying a tray of food.Daphne: Here we are, gents,dinner's up. [to Martin:] Can I give you a hand clearing up your papers?Martin: No, you better let me. I need to keep these in a particular order.Daphne: What is all this, anyway?Martin: Oh, it's an old case of mine fromthe police force - the \"Weeping Lotus\" murder.Frasier: Dad, I can't believe you're still trotting this old thing up. He's been trying to solve this case for twenty years.Martin: Yeah, and I'm not stopping until I do solve it.You adopt certain instincts when you're a cop. And my instinct tells me that this case can be cracked. There just must be one small thing I keep overlooking. [tidies papers]Frasier: There is - who the murderer was.[laughs]The doorbell sounds and Frasier goes to answer it as Daphne and Martin chat.Daphne: It's nice you feel so dedicated.Martin: It's a hobby. Some guys build a boat in their garage, I try to figure out why a maniacwould kill a hooker and try to stuff her entire body into a bowling bag. It's relaxing!At this point Frasier opens the front door to Niles who is carrying a bottle of wine. He enters and hands the wine to Frasier.Frasier:Hello, Niles.Niles: Sorry I'm late, Frasier. Just as we were leaving, Maris had a run-in with a rude directory assistance operator and it shattered her calm.Frasier: Have you ever considered that maybe Maris is a bit highstrung? Maybe she should see someone.Niles: She's seen everyone, why do you think she was calling directory assistance?Daphne: Evening, Dr. Crane.Niles: Hello, Daphne. It's so good to see you again. [she puts themeal down] What an enchanting scent you're wearing.Daphne: [smells herself] Must be the ranch dressing. Won't Mrs. Crane be coming?Niles: No, I'm afraid. And please, no more of this \"Doctor\" and \"Mrs. Crane\"formality. To you, it's Niles and... [stumped] er...Frasier: Maris.Niles: Yes, Maris.Martin: Glad you could join us, Niles.Niles: Oh, I wouldn't have missed it.Martin: Well, I guess the food's all ready: why don't we just goahead and start?Everyone sits down except Daphne who begins to take her food into the kitchen.Daphne: Well, enjoy.Martin: Where are you going?Daphne: I thought I'd have mine in the kitchen.Martin: Don't beridiculous.Niles: Yes, we can't have you eating by yourself in the kitchen. I'll join you.Martin: No. We're all eating right here, like a family, end of discussion.Daphne: Well, isn't this nice? Feels just like home.Niles: I'mfamished.Frasier: Me, too.Niles and Frasier begin to eat...Martin: You boys still say a prayer before you eat?They relent and pretend they do. All four close their eyes and hold their hands together. As Martin begins hisprayer, Niles stares at Daphne as Eddie stares at Frasier. Daphne does not notice with her eyes shut. However, Frasier notices Eddie's skin-creeping look.Martin: We thank you, Lord, for the food we're about to eat. Youhave blessed our table with your palm. And thank you, Lord, for bringing this family together and we also thank you for the other gifts you have given to us. And may we always be able to share with those lessfortunate...Frasier: [to Eddie:] OH, WILL YOU STOP STARING!Niles: [off guard:] I wasn't staring!Martin: [takes what he can get] Amen.They all settle down. Daphne looks at Niles a little suspiciously as he begins themeal conversation.Niles: So Frasier, did you happen to read Derek Mann's column today? You were mentioned.Frasier: No, I missed it.Niles: Just as well, it wasn't flattering.Frasier: I still would have liked to have seen itanyway.Niles: Oh, why didn't you say so? [takes it out of his pocket]Daphne: If I may ask, who's Derek Mann?Martin: He writes that \"Mann About Town\" column for the Times. The things that guys comes out with,sometimes he's really funny - what did he say about you?Frasier: [reading:] \"I hate Frasier Crane.\"Martin: [laughs, then:] Oh, sorry.Frasier: That's it. \"I hate Frasier Crane.\" That's it?Martin: Oh, don't let it botheryou.Frasier: Well, actually it doesn't, dad. I knew when I chose a career in the public eye that I'd be open to certain criticisms, it's the price I pay for my celebrity. Thank you, Niles, for bringing me the paper, and thankyou for highlighting it in yellow! Now, who would like some wine?Daphne: Oh, I'll have some.Frasier goes to pour some as Niles compliments Daphne.Niles: Daphne, this salad is exquisite.Frasier: [sitting down:] Nowwhy would he say that?Martin: Must be the carrots, he always did like them.Frasier: Not the salad, Derek Mann. I mean, why would he write a thing like that? I've never done anything to him, the attack is totallyunwarranted. I'm a healer, for God's sake.Martin: Oh, for crying out loud!Frasier: Dad, I have every right to feel upset about this - I will not enjoy my dinner until this is where it belongs - in the trash.Frasier goes to binit as Niles tries to stop him.Niles: Oh, oh, there was an article in there I wanted to save.Martin: On what?Niles: Nothing.Martin: Come on, I'm interested.Niles: Oh, let's drop it.Martin: Why can't you tell me?Niles: Allright, it was all about Margaret Thatcher's secret for growing prize-winning zinnias. Are you happy?Martin: [beat] Not really.[SCENE_BREAK]OH, YEAH...Scene Two - Radio Station. The following afternoon Frasier istaking a call on air in his booth as Roz listens.Frasier: All right, Lorraine. Now, calm down and try and listen to what I'm going to say to you. Will you do that?Lorraine: [v.o:] Okay.Frasier: All right, good girl. Now yourproblem...Lorraine: [beep] Oh my gosh, another call waiting - someone else is trying to get through. Do you mind if I take it?Frasier: No, no. Go right ahead. [she does] Well, certainly a very interesting situation she'sgot herself into. Don't you think so, Roz?Roz is busy eating and reading magazines. She has to quickly chew her food, put down her books just for the simple:Roz: Yes.Lorraine: Okay, I'm back.Frasier: All right,Lorraine. Now listen very carefully to what I'm going to tell you. Your problem seems...Lorraine: [beep] Oh, I'm sorry, I'll be right back.Frasier: For someone who's got so many problems she certainly is popular.[laughs]Lorraine: Okay, go ahead Dr. Crane. I'm here. [beep] Oh, I don't believe it - another call.Frasier: Hold it there, Lorraine. The reason why you want to take that other call is the same reason that you want tochange your career and break up with your boyfriend. You're obsessed with what you think you're missing. The better offer, the call on the other line. Well, you've got to take one call at a time from now on. Fullyexplore and experience each one in its turn and you'll be a stronger person for it. Do you follow me, Lorraine?Lorraine: Okay, I'm back!Frasier: Thank you for your call. [hangs up] Well, we've only got two minutes left,so I would like to end today's program on a personal note. As some of you may know, yesterday I was mentioned in Derek Mann's \"Mann About Town\" column. He said, and I quote, \"I Hate Frasier Crane\"... \"I HateFrasier Crane\". [sarcastic:] What trenchant criticism. Move aside Voltaire, step back in the shadows H.L. Mencken, there's a new kid in town. One can only wonder how many hours Derek Mann sat in the glow of hiscomputer screen before his trembling fingers sprang to life and pecked out this cheft'ouerve: \"I Hate Frasier Crane.\" A lesser critic would have wasted our time by presenting a well thought-out, point by point,constructive critique of this show. No, not our Mr. Mann. So dear listeners, when Mr. Mann's column arrives on your front doorstep - read it, enjoy it, but above all, treasure it. For one day this man will be joining thePantheon of the immortals. And if we're lucky... it'll be one day soon. I'm Dr. Frasier Crane. [signs off]Frasier presses the off air button, and twirls his microphone around before blowing on it as if it were his weapon,then \"holsters\" it in his belt.[SCENE_BREAK]YEAH!Scene Three - Café Nervosa. The following afternoon Frasier is drinking a coffee in the café with Roz when Niles enters and sits with him.Niles: Frasier, how funnyrunning into you here.Frasier: I'm always here.Niles: Yes well, you weren't here twenty minutes ago: have you seen today's \"Times\"?Frasier: [knowing what's coming:] No.Niles: Lucky for you I saved you this copy.Take a look at Derek Mann's column.Frasier: You know, this is the second time in as many days that you have given me a paper. Have you ever considered getting yourself a route?Niles: [to Roz:] Hello, I don't believewe've met.Roz: Yes we have, Niles, three or four times. Roz Doyle.Niles: Oh, of course. It was at the... it was during the... well, I'm far too successful to feel awkward. Where did we meet?Roz: The radio station.Niles:Ah, I'll take your word for it. Nice to see you again. [then, to Frasier:] Mr. Mann heard your program yesterday.Frasier: So I see. [reading:] \"Yesterday afternoon, Dr. Frasier Crane got on my case for not giving him apoint by point criticism of his radio show. Well, he asked for it, so here goes.\"Roz: [noticing:] Oh my god, his entire column is about your show.Niles: Not very flattering either. Towards the end he even attacks your\"dimwitted sidekick call screener.\"Roz: [appalled:] That's me!Niles: Oh, now I remember you!Frasier: [reading:] \"It's hard to say what I hate most about Crane's show - his pompous, sanctimonious style, his constantself- congratulatory references to his own life, or his voice: a mock- sympathetic tone so sickly sweet one wonders if the man graduated from medical school or from some mind-controlling cult.\"Niles: It's continued ontwelve.Frasier: I've read enough!Waiter: [asking:] Can I get you something?Frasier: [to Niles:] How can the man think something like that?Waiter: It's my job, I'm a waiter.Frasier: We don't want anything, thankyou.Roz: Frasier, I know this stinks, but in a couple of days it'll blow over.Frasier: Oh, perhaps you're right. As angry as it makes me, to retaliate would be to stoop to his level. So the best response is no response atall.[SCENE_BREAK]Scene Four - Radio Station. Soon after these comments he is already shouting into his microphone about the recent newspaper report.Frasier: [angry:] \"Pompous and sanctimonious,\" am I?! Well,this Mann character can't even write grammatical sentences! Every five words there's one of his precious \"dot, dot, dots.\" Must be because he likes writing all those dots with the crayon he writes this drivel in!Roz, wholooks like she has been listening to him rant for quite a while, tries to steer him back to the show.Roz: Dr. Crane, on line two we have Stewart who's having a problem with delayed gratification.Frasier: Well, he's justgoing to have to wait! I don't know who this Derek Mann thinks he is, but if he thinks he can hide behind his newspaper like some sniveling schoolchild cowering behind a tree, then I say let's expose this Derek Mannforwhat he is: not a man at all, but half a man! [to Roz:] Now what line did you say Stewart was on?Roz: He hung up.Frasier: Well, I'm leaving all sorts of bodies in my wake today. Let's see who's on line five. [hepresses button:] Hello, this is Dr. Frasier Crane - I'm listening.Derek: [v.o:] Good, because I was listening too.Frasier: And you are?Derek: Derek Mann.Frasier: [regretting:] I see.Derek: Look, nobody calls me half aman - especially some Ivy League twit. So what do you say we settle this like men?Frasier: Are you implying that you want to fight me?Derek: I'm not implying, I'm saying.Frasier: Fight, as in a fist fight?Derek:[sarcastic:] No, I thought we might throw pies at each other! So are you up to it, or aren't you man enough?Frasier: [thinks] We'll be right back after these messages.Frasier signs off for commercials as we fade out.EndOf Act One. (Time: 11:05) Act Two.Scene One - Radio Station. The scene resumes where we left off. The commercials have finished and Frasier gets back to his radio show.Frasier: And we're back. Well, we have asurprise caller on the line: Derek Mann.Derek: [v.o:] So what's it going to be, Crane, are you going to fight me or not?Frasier: Oh, you can't be serious.Derek: Just like I figured, you're chicken.Frasier: No, I just don'tthink that civilized people behave that way. You know, Roz, perhaps our listeners have an opinion about that subject? Who do we have on the line?Roz: Well, lines one through eight are people who think you'rechicken.Derek: You're chicken, Crane. Admit it!Frasier: I am not chicken!Derek: [squawks like a chicken]Frasier: We are mature thinking people, not cavemen!Derek: [squawks some more]Frasier: Alright, if you want afight so bad, I'll give you a fight! You just say the time and place!Derek: Kinsley square, right outside your office, by the old statue. Noon tomorrow. Don't back out!Frasier: I won't! Don't you back out either because Iknow where your office is too, and I know where you live, and I'll track you down! Now who else out there wants a piece of me?![SCENE_BREAK]ET TU, EDDIE?Scene Two - Frasier's Apartment. That evening Martin issearching through his old case as Daphne passes him.Daphne: Having a look at that old murder case again?Martin: Yeah, I've dug out the old crime scene photos.Daphne: Well, don't be a greedy guts - let me have alook.Daphne has a look at the photo of the girl. After a while her psychic powers kick in.Daphne: Her name was Helen.Martin: Yeah, it was. [knowing her trick:] Ah, you must have seen it on some of my papers I've hadlying around here.Daphne: No, I just got this feeling when I touched the picture.Martin: You're putting me on.Daphne: She had a lot of men in her life.Martin: No kidding: she was a hooker!Daphne: No, I mean she hadfour brothers.Martin: [surprised:] That's amazing. She did have four brothers. What else are you getting? Well, come on, tell me more.Daphne: I can't just turn it on and off like a faucet.Martin: Give it a try, will you?Please. What else are you getting?Daphne: Nothing. [suddenly:] No, wait. I see a man.Martin: Yeah?Daphne: A well-dressed man. He's wearing wing tips and a trench coat.Martin: Yeah? Yeah?Daphne: He's getting offan elevator... he's walking down a long hallway... she doesn't know he's coming... he's opening the door...At this moment, a well-dressed man enters the apartment wearing wing tips and a trench coat - it'sFrasier.Frasier: Hello, everyone.Daphne: Sometimes I get my signals crossed.Frasier: What's going on?Martin: Well - unless you killed a hooker when you were twelve - nothing much!Daphne: We heard your showtoday. I just loved the way you handled that Derek Mann.Martin: You made your old man proud. Yet the best part was when he challenged you to a fight and you stood right up to him.Frasier: [worried:] Yes I did, didn'tI?Martin: I can't wait to see that.Frasier: Oh, I'm not actually going to go through with it, dad.Martin: What are you talking about?Frasier: Well, I already won our little war of words. What would I stand to benefit bygoing through with actually going through with a fist fight?Martin: Frasier, maybe I'm misunderstanding here... he challenged you and you're backing down?Frasier: Well, mature people are supposed to use theirintellect to settle their differences.Martin: A man doesn't just turn his tail and run - that's not the way I brought you up.Frasier: Are you encouraging me to fight?Martin: You bet I am - you gave the guy yourword.Frasier: Yes, but I didn't even know what I was saying - I hadn't even had lunch yet.Martin: I might have known this would have happened. It's Billy Kreizel all over again.Frasier: What did you say?Martin:Something about a Billy Kreizel, I believe.Frasier: I can't believe you're dragging that up - that was thirty years ago.Daphne: Who's this Billy Kreizel?Frasier: Oh, he was this kid in fifth grade that used to tormentme!Martin: So one day Frasier made fun of Billy's crewcut.Frasier: Well, he started it by making fun of the elbow patches on my blazer!Martin: Well, the point is, they were supposed to meet for a fight after school. Only\"Patches\" here didn't show up!Frasier: I had a clarinet lesson!Martin: You don't need to remind me of that! Billy's old man was a cop, too. Boy, the guys rode me about that excuse of yours for years. Every time Icouldn't make it out for a drink they used to say, \"What's the matter? You got a clarinet lesson?\"Daphne: [wondering:] Couldn't you and Billy have met after the clarinet lesson?Frasier: Daphne, would you please excuseus for a moment!Daphne: [gets up:] I have a feeling I'm going to be excused quite a lot in this house.She exits to the kitchen.[SCENE_BREAK]Frasier: [sarcastic:] Dad, I am sorry if I embarrassed you for not fightingBilly Kreizel thirty years ago. But the situation is not the same now.Martin: It's exactly the same.Frasier: I am an adult now, I've been to medical school, I hold a certain position in this city - I do not settle mydifferences with brawling.Martin: The man challenged you and you accepted.Frasier: Dad, I can't believe this. You won't be happy until I come home with a black eye.Martin: I just want you to do what you said youwere going to do. You know, you can talk about your medical school, your intellect, your place in this city, but you know what? It's all one big clarinet lesson... I can't even look at you.Martin exits to the kitchen, angrywith his son. Frasier is left with little dignity and looks at Eddie for a little support. However, even Eddie turns his face away from him. Frasier can only sulk.[N.B. Billy Kreizel is the name of a boy who bullied directorDavid Lee in the sixth grade.][SCENE_BREAK]REQUIEM FOR A LIGHTWEIGHTScene Three - Café Nervosa. The next day, Frasier is preparing for the big fight whilst chatting with Roz.Roz: So, I step out of the shower, Ilook out of the window and I notice the garbage man looking right in at me. So I say, \"Did you get a good look?\" And he says, \"Not completely, turn around.\" Then he smiled, and he's missing a tooth, and that's whenthe romance went right out of it for me.Frasier: Roz, why are you telling me this story?Roz: I'm trying to take your mind of the fact that in five minutes you're going to walk right out into that square and get your clockcleaned.Frasier: Well, has it ever occurred to you that I might actually win this fight?Roz: Your shoe's untied. [Frasier checks his tied shoes] If you fell for that one, you're going down and you're going down hard.Niles:[enters] Frasier, there's quite a crowd forming out there. Secretaries with bag lunches, business men, children with balloons...Frasier: All that's missing is a mariachi band.Niles: They're setting up.Roz: Well, I better gofind a great place in the crowd. I'll be off to the left, Frasier, for when you tear his ear off and want to throw it to a beautiful senorita.She leaves the Café. Niles looks at Frasier.Niles: Frasier, as your brother and as yourfriend - why are you doing this?Frasier: It's Billy Kreizel.Niles: [looking around:] Where?Frasier: [shakes head] He's not here, Niles. It's just that I ran away from him when I was ten.Niles: I remember.Frasier: Youknow, I've been running ever since. You know, this is where it stops. I'm not running anymore.Niles: What is it that makes us Crane boys such targets?As he says this, he takes his nail file out of his coat pocket andbuffs his nails. He blows on them and offers the file to Frasier which he refuses.Frasier: [sarcastic:] Chalk it up to random violence! Niles nods in agreement and exits the café. Martin enters.Martin: Hey, there.Frasier:Dad? What are you doing here?Martin: Look son, I said a couple of things last night that maybe went over the line.Frasier: Look dad, if you were worried that you talked me into something that I wasn't ready to do -well, you're wrong. You can relax. I took this on for myself.Martin: Good.Frasier: Who told you that I was going through with it, anyway?Martin: Oh, let's just say a father knows certain things about his son.They smile.Daphne enters.Daphne: Good news, I parked in front of a broken meter. We're getting a freebie. Well, good luck, Dr. Crane, with the fight.Frasier: Thank you, Daphne. Any psychic predictions on the outcome?Daphne:Actually, yes. But don't worry, I'm frequently wrong.Frasier removes his jacket and tie. Niles comes in.Niles: Frasier, Frasier, there's something I want you to see. [points out of window:] There, the man standing to theleft of the statue - I recognize his picture from the newspaper, that's Derek Mann.Frasier: He's gigantic!Daphne: [looking out:] My God, you could show a movie on his back!Martin: Are you sure you want to go throughwith this?Frasier: Yes, yes I am.Frasier throws a few shadow punches to loosen himself up.Martin: Good, you'll be fine. Just remember this is a street fight and not a boxing match. So fight dirty and throw the first"}
+{"doc_id":"doc_64","qid":"","text":"[PREVIOUSLY_ON]Lou: I think starbright is a really good fit for her. (Quietly) Because it'll give her a chance to catch up. Catch up? Ms. Wadsworth doesn't think that Katie is ready. She's beautiful.Bob: She's nearingthe end of her pregnancy. I like you, Ty, you impress me. Ah, well, you know I already have a job. Well, with this grant I can match what Scott pays. You really gonna do this? You left me no choice. I saw the video,Amy. I saw you kissing Ahmed. I'm not working for Ahmed anymore. So come on, let's take it for a spin before I have to ship it back.(Truck roars)Ty: Whooo!Amy: I'll see you tonight?Ty: Absolutely. (Small laugh) Youknow, maybe you could just tell Bob Granger that you thought you start work tomorrow not today.Amy: Right?Ty: No... I gotta go.Amy: Okay. We'll see you tonight.Ty: Okay. See ya.Amy: Bye.(Truck doorshuts)(Engine starts and hums)(Ty honks)(Hooves thunder)Sandra: Okay. Go easy! That's it, Georgie! Okay. Not bad. Do you wanna work on your \"backward thunder\"?Georgie: Yeah sure. (Georgie clicks her tongue)(Grunts with effort) I messed up at the end. Can I go again?Sandra: Sorry, Georgie, you've run out of time. There's another girl signed up.But I only had a half hour. Can I just have ten more minutes? Please? I'm nevergonna get the practice time I need to audition for the extreme team.Sandra: I can't keep my students waiting. And you've still got plenty of time to get ready for that audition. Don't stress.(Gate clanks and squeaksopen)Olivia: Are you finally finished?Georgie: What are you doing here?Olivia: What do you think? I'm taking lessons just like you. Only, Sandra gives me private ones. She says I'm a natural.(Truck rumbles up)Tim:Hi.Casey: Hey Tim!Tim: I heard you were pulling out of town.Casey: Yeah. I got a string of rodeos from longview right through to Southern Montana. So... I'll be gone for a few weeks.Tim: Well, we never got that lunchwe talked about.Casey: Well, you never asked so...(Surprised laugh)Tim: This is me asking.(Laughs)Well, that sounds good.Tim: Okay.Casey: Name the date.Tim: Okay.Casey: No pressure. (Laughs) Bye!Lou: Surelythe doctor can see her before then? I mean, four months? That's crazy... No. I-I appreciate that you have a waiting list but... but what if there is a cancellation? Yes. No, please, please do let me know. Thank you. Fourmonth wait. Can you believe that?Peter: You know, just because some know it all principal at an overpriced preschool thinks she's not ready does not mean there is anything wrong with our daughter, sweetheart.Lou:Dr. Lauder is the best special education psychologist in the field, honey. I mean, there's no harm in checking, right?Peter: Okay. Yeah, absolutely. I won't mention it again.Lou: How was your class?Jack: Wrongquestion.Georgie: It sucked!Lou: Hey language...Georgie: Okay. Well, it did. And I barely had any time on Chaplin. And too many people signed up so there weren't enough horses. Oh, and guess who's taking privatelessons with Sandra?Georgie: Guess!Lou: I-I don't know.Georgie: Olivia!Lou: Olivia. Great.Georgie: Yep. She couldn't stand that I was doing something she wasn't. So she just had to signed up. And that was the onlyreason she signed up. Agh. I'm so mad! Hi Katie.Katie: Hi.(Phone rings)Lou: Grandpa, it might be the clinic...Jack: Hello. Hang on, is Amy...?Lou: No. She rode over to Ty's. She'll be back soon.Jack: No, I'm sorry she'sriding her horse back from Ty's place. But I'm sure she won't be that long.Right. Have a good one. Who was it? You will never guess.(Hooves thud)(Horse snorts)(Hooves thunder)Ahmed: Hello. I was hoping I would runinto you. You look beautiful.S08E04\u0000 And at the break of day you sank into your dream \u0000 \u0000 You dreamer \u0000 oh-oh-oh... \u0000 You dreamer \u0000 you dreamerAmy: What are you doing here? Why aren't you in Europe withthe rest of your team?Ahmed: It's a pleasure to see you too.Amy: (Scoff) I'm sorry it's just...Ahmed: I was compelled to come back. What else could I do? You were ignoring all my emails and texts. Well...Ahmed: Andthen the truck. I don't understand why you would return the truck. It was a bonus for all your hard work. It was too big of a gesture. I wasn't comfortable with it.Ahmed: It would have been valuable when we are backworking at Hillhurst. You wouldn't always be depending on other peoples' vehicles. I'm not coming back to work at Hillhurst. I told you that. No. You said you weren't coming back to the tour. That's not what I said. Nowyou're saying you don't want to be my head trainer here at Hillhurst? Not possible. Of course you are staying on. No. I'm not. I thought you understood. Why would you walk away from something you excelled at, thatyou enjoyed. Ahmed, you know why... All right. I admit the circumstances were slightly awkward... before you left France... You're just tired from the tour. When you have time to relax, rethink, you will see things moreclearly.Amy: Ahmed...Ahmed: Can I at least accompany you home? (Frustrated sigh) Sure.(Door creaks open)(Birds chirping, howling)Bob: I am freaking out here, man. Four new animals have been dropped off sinceyesterday! Four!A bear cub that turned up in someone's garbage. Two coyote cubs, and a porcupine that we gotta check for rabies.Ty: Absolutely. Yeah.Bob: Oh, and hey, see that feed shipment that just arrived? Takecare of that. Also the llama fence over there looks like the side is sagging. If it is, fix it.Ty: Yeah, I can handle that.Bob: Oh and on top of everything else, the pregnant wolf is about to pop. So take a look at her for me?Will do.Bob: Thanks, bud.Lou: Yes, but are you sure that's necessary? Because I'd really like to see Dr. Lauder not... I understand. Yes, thank you.Tim: Hi.Lou: Oh hi. Dad. Okay, so apparently she should see a specialeducation evaluator if we can't get an appointment with Dr. Lauder. What do you think?Tim: What?Lou: A special education evaluator. It's for Katie.Tim: Oh. Listen, you two, don't stress this. There is nothing wrongwith my grand daughter. Thank you, Tim. I couldn't agree more.Tim: That's gotta be a first, general.Tim: Lou.Tim: Ahmed is back.Lou: What?! Now that is a relationship worth nurturing.Lou: Yes, so you've said. Dad.Dad, come back here! Dad... Just wait a second.Tim: Ahmed! Good to see you! Congratulations on a successful tour.Ahmed: Our success was greatly due to your daughter's expertise. Well, I think it calls for acelebration. Why don't join us for dinner tonight? What's do you say? Is it okay, Lou?Ahmed: I would love to, but I will have to take... what do you call it? A rain check. Another evening would be wonderful. Huh.Ahmed:I will talk to you soon, Amy. Ha.Amy: Georgie is that a trick ridding saddle on Phoenix? There's no way. Phoenix is a great horse but he's not a trick riding horse. Phoenix can do anything. Including trick riding. So,Ahmed is back. That's just great, isn't it?Amy: Georgie! You are not trick riding on Phoenix!Georgie: Relax. I'm just getting him used to the saddle!Tim: Lou. Lou. I don't understand why you're ticked off with me forinviting Ahmed to dinner?Lou: Because, it's just...Tim: It's-it's what? It's not very hospitable.Lou: What? I'm not prepared to invite a prince to dinner at the last minute, okay?Tim: I don't-I don't think he'd care, okay?The guy- he's down to earth.Jack: Yeah. For a guy who owns a private jet.Tim: Let's not forget how kind he wad to Amy when she was injured. He was very, very generous. We should all remember that. So I don't seewhat the problem is.Georgie: Good boy, Phoenix. You like this saddle, don't you? (Phoenix snorts) Whoa! Oof!Amy: Georgie! Come on now, you said you weren't gonna do a trick! You could have really hurt yourself orPhoenix!Georgie: Okay! Okay!Amy: No. It's not okay! You need to learn to think before you make these crazy decisions!Georgie: You should talk.(Georgie clicks her tongue, Phoenix snorts)Amy: You know I'mright.Georgie: You have to talk to Sandra!Maybe she can give me some extra time on Chaplin after school or something.Peter: You got a lot going on after school already.Georgie: Well, I need to practice time or elseI'm not gonna make the extreme team. Please can I have private lessons, like Olivia?Peter: No. You can't because we can't afford it, Georgie, okay? And you have to understand that things aren't always gonna go theway you want them to, all right?Georgie: Obviously. (Bowl clanks on the floor) Peter: Oops!Katie: Can you pick up my plate, please!Ty: Sorry, I'm late, everyone.Lou: Honey, it's a bowl. Can you say, pick up my bowl? Ijust come straight from work, I didn't have time to change there.Amy: How did it go?Ty: It was great! The place is amazing! It's a little disorganized. Nothing we can't whip into shape. I got to baby-sit a bear cub today.Oh, that's what I'm smelling. (Laughs)Georgie: How is the wolf?Ty: She's about ready to have her babies. Yeah-oh, I forgot to look at the llama fence today!Georgie: What?Ty: Shoot! I have to do thattomorrow.Georgie: They have lamas?Ty: Yeah. They do.Georgie: I love lamas. They spit!(Laughing)Tim: So Amy, honey, what's your plan?Amy: What do you mean my plan?Tim: Well, Ahmed is back. So what-what'syour plan?Are you gonna head up to Hillhurst?Ty: Ahmed is back in town? I thought he was in Europe with his team.Lou: Does anyone want seconds on the salad?Amy: I'm okay.Tim: I tell you, the guy - he is sofriendly, huh? Wasn't he this afternoon?Ty: Oh, you saw him today?Amy: Uh, yeah, I ran into him on the way back from your place. You know what? I made pie. Who's up for coffee and pie?(Screen door creaksshut)Ty: So Ahmed... What was that about?Amy: (Heavy exhale) Take a guess.Ty: He came all the way back here to try and talk you out of your decision?Amy: Yeah. But I set him straight.Ty: That's my girl. Stick toyour guns.Ty: I'll call you tomorrow. I gotta work late so I might miss dinner.Amy: Okay.(SUV rumbles)(Knock on door) Jack: Come in.Jack: Ahmed. Welcome back!Ahmed: Hello. Thank you.Jack: Look who'shere.Hello. I'm on my way to an auction in Black Diamond. I would love you to come with me. Look over the horses I'm interested in. Give me advice.Jack: Amy's got a great eye that's for sure.Amy: Ah, it's just youknow, I can't. I have chores pilling up.Jack: Oh, I'll do your work for you. You should go. Catch up on the tour news. It's just-it's a little short-notice... You know, I'm not ready. Take your time. Okay. Uh, yeah. I'll justneed a few minutes. Ahmed, would you mind if Ty came?Ahmed: Not at all.Amy: He's just really good at auctions.Jack: Yeah.Ahmed: I'll wait for you outside.Amy: Okay. Nice to see you, Mr. Bartlett.Jack: You too. Havefun.Ahmed: Thank you.(Door shuts, dialing beeps)Ahmed: There's one animal in particular that is interesting to me. A belgian warmblood. Incredible lineage. I look forward to your opinion.Amy: Yeah, of course.Amy:So... did I tell you about the new business that Ty has started? He and a partner are buying rodeo prospect horses. and training them. They're actually really good at it. I've been helping train some of the horses.(Phonechimes)Excuse me. (Phone beeps on) Hello, Ty.Ty: I can't meet you. Bob just called. He's got called out on an emergency pick up. So I need to go into work right now. I'm sorry. But you can deal with him though,right?Amy: Yeah. Of course. Absolutely. I love you.Ty: Okay. Love you.Ahmed: Everything all right?Amy: Yeah, um, Ty just can't come. He got called into work.(Door slams shut)All I remember is it was crazy backthan.Casey: Well, you were crazy. You had partied and rodeoed and then partied some more. Thanks for this, by the way. This is so much better than a restaurant.Tim: From a restaurant.(Casey giggles)Casey: So thatyear... You just won your 3rd consecutive all round cowboy trophy, right?(Chuckles) Oh. Your 4th? Who's counting? Do you remember that big dance after stampede? And nobody went home until noon the nextday.Tim: Yeah, yeah. I don't remember that.(Casey chuckles)You know what I remember? And what I miss? It's the atmosphere. You know, once that gets in your blood...Casey: Well, if you really do miss it, maybe youshould come with me on my rodeo tour.(Chuckles)That atmosphere still exists. There's nothing like it. I don't know.Lou: There was a cancellation? Fantastic. No. Absolutely, we can make it. Thank you for letting meknow.Peter: Here we go. Dr. Lauder's office, there is a cancellation.Peter: I gathered that.Lou: They can see Katie in an hour. Honey, he is so hard to get into. You know he has a huge-Peter: Waiting list. Yeah, I knowyou told me. Um, I guess that's why he's the best.Lou: I'm just saying, he can give us a reliable opinion on Katie. I don't see why you're fighting me on this? He's a really good doctor.Katie: No doctor!Lou: Katie? Katie!Honey... (Katie slams the door)Ty: Oh great. They're out! C'mon, guys! Go this way! No. No. No. No! Here we go! Here we go! Come on! Come on! Come on! Come on! It's okay. (Llama spits) Oh! What was that?!Aghhh![SCENE_BREAK]Amy: Oh! Oh! You missed your turn. The auction is that way.Ahmed: We're going to make a small detour. I have something else I need your advice on.Lou: Come on, Katie, we really have to gonow.Katie: No, mamma.Lou: (Sighs) Okay. Honey, it's gonna be really, really fun. You can colour pictures and play with toys.Katie: No needles.Lou: No needles. I promise.Lou: Look. You can bring Mookie if you want.Do you wanna bring Mookie? Katie please.(Sighs)(Hooves thunder)Sandra: Nice work! All right, Georgie, you're up.Georgie: All right. (Clicks tongue)(Hooves thunder)Sandra: That was great! You're doing really well.Now with just a little bit more practice...That's the problem. I can't practice. It's not that I don't have the time. It's that I don't have a horse. Chaplin isn't available very often. I know. But what can I say? He's a popularhorse, Georgie. All the girls want their lessons on him.Olivia: Nice, huh? My dad just got him for me yesterday. His name is winner and that's just what I intend on doing.(SUV rumbles)(Buttons click)(Tires crunch)(Birdschirp)Amy: Wow. Is this a hotel?Ahmed: No. No. A private residence. What do you think?Amy: It's amazing... It's huge...Ahmed: Not really. Just over 13,000 square feet. I'm thinking of buying it. I'd be glad to get yourhonest opinion about it. You know I value it on everything... not just auction horses. Hmm?Come. I want to show you around. It's quite impressive.Amy: Yeah.Ahmed: 147 acres. Totally private. Took them years tolandscape it. Everything had to be brought in. Apparently in the summer this is a massive rose garden. The best in Alberta I'm told. And the views are spectacular. Don't you think?Amy: It's beautiful. I've really neverseen anything like it. Your house in France is incredible. It is. But I feel the need to put down some roots here as well. And I'll show you the inside too. And the stables. I think you will love the stables. I'm happy to seeyou're wearing my necklace. Well, this is from the team. No, it was from me. I bought it alone for you. You see, Amy. I want to give you things. I've never wanted to give anything to any other person in my life. Ahmed,please...Ahmed: No. Hear me out. I'm a man who has been accused of being... unfeeling. I'm not proud of it. It was simply the way I was raised. Emotion doesn't come easily to me. But I know it now. How it feels. AndI must tell you because I'm not sure I will ever feel this way again.Amy: Ahmed...Ahmed: No. It has to be said. You have to know. I'm in love with you. You see, Amy... I've been feeling this way for a very, very longtime. Amy, please, listen to me. You are the only woman ever in my life that I can be completely myself with. The only woman that will tell me the truth about myself. The only woman I have ever had feelings for insuch a strong undeniable way.Amy: Ahmed, I'm flattered. I really am, but this can't happen, okay? We can be friends, but-but that's it. I'm engaged. I'm in love with Ty.Ahmed: Are you?Amy: Yes!Ahmed: Then why didyou kiss me?Amy: I-I didn't kiss you. You kissed me. You gave me every reason to. I don't make a habit of kissing random girls.Amy: If I gave you that impression, I am sorry. But I thought I made it perfectly clearthat night how I felt. That we are friends and team mates, and nothing more. You know, Ahmed, I really enjoyed and valued our relationship, but given the circumstances, we need to end this. Look, I think it's fair toeither of us to continue. I need some distance. Some distance. All right. Of course. I understand.Amy: Do you?Ahmed: Yes. I will drive you home.(Wolf groans in discomfort)Ty: Whoa, whoa, easy girl. Easy. I'm notgonna hurt you.She's fighting me a bit. That's a good sign. She's got her strength back. She's hydrated. And she's looking a lot better than when I first saw her.Bob: I know. Well, that's why I hired you. Hey... goodgirl.(Panting)Lou: So you were pretty quiet the whole way home. What did you think?Peter: Uh, that it was a complete waste of time and energy to be honest with you. We did it, right? So... Good. Find out soon.Lou:Okay? Hey honey...(SUV rumbles)Ahmed: I want you to know I meant every word I said. Perhaps you should take some time to think.Amy: I am sorry, but there's nothing for me to think about.Ahmed: Amy, I thinkyou have to open your mind to life's possibilities.I know what I want in life. And I already have it. Goodbye Ahmed.Lou: He said that? He actually said that he loved you?Amy: Yes. He did!Lou: Oh Amy...Amy: Lou, Iknow I never gave him any signs that we were more than just co-workers, or friends... I don't think I did anything to lead him on. And I've asked myself that over and over again. Look, we were friends, okay? Justfriends. And I told him that the night of the party. And I didn't think he listen to me. I don't think he listened to me today! I don't know what to do, okay? I have no idea. And... do I tell Ty?Lou: No! Do not tell Ty, okay?You've tried that in the past and it didn't work out. I know, but Lou... Amy, just deal with this Ahmed situation as swiftly and smoothly as you can on your own. Be firm with him and he will go away. And then everythingwill go back to normal. I want that. I just don't wanna hurt Ty. You know, I love him so much. And I don't want... (Georgie sobs)Lou: You know Ahmed is just used to getting exactly what he wants. Don't worry,okay?Georgie: It's all my fault.Lou: No! Georgie!(Georgie slams door) Peter: What's that all about?Lou: Pour me a glass of wine and I'll tell you all about it.(Sobbing)Amy: Georgie. Hey... There's no reason to cry. It'snot your fault.Georgie: Yes it is.Amy: How?Georgie: Because I was the one who found the video.Amy: You did?Georgie: Yes, I followed your tour online. And it was on some stupid blog.Amy: But I thoughtLou...Georgie: I'm the one who showed her... And I should have kept it to myself! I am so sorry.Amy: No. You have no reason to apologize.Georgie: But I blamed you for what happened at that party. It was all thatstupid Ahmed's fault. I am so sorry. Will you ever forgive me?Of course. It's okay.(Birds chirp)Jack: So how did the appointment go?Lou: The doctor said he would let us know. He seemed pretty noncommittal.Jack:Hmm. See, it's my opinion that you know, people they look at this stuff and get all wrought up about it before they even know if there is anything really wrong.Okay, grandpa... I have a sore knee today, Lou. And I betif I looked up \"sore knee\" on the Internet I'd find a bunch of articles and opinions that end up making me think I have to have my whole damn leg cut off at the hip. I'm just arming myself, okay? In case... You'rescaring yourself, Lou. If there's a problem, which I very much doubt, you and Peter, you'll work it out. We all will. A word to the wise... take that Internet stuff with the grain of salt. It betrays as much as itenlightens.Lou: Were there any messages on the home line?Georgie: Just one. From guess who? Olivia.Lou: What did she want?Georgie: I don't know, I didn't call her back. But did I tell you that her parents bought herher very own trick riding horse?Lou: Really? Well, that will free up some time on Chaplin.Georgie: Not really. I mean, there's a line up of kids waiting to ride Chaplin. So, she's got her own trick riding horse when I don'teven have a trick horse to practice on.Lou: Honey...Ty: Hey there!Amy: Hey...Ty: Our mamma wolf is about to give birth tonight. So I might have to take off early.Amy: Oh, okay.Ty: This looks good.Amy: Uh... Hey,you don't happen to know a trick riding horse that's orphaned, do you?Ty: Hmm. I don't know. Maybe. I'll give Caleb a call. See what's he's got on the go.Georgie: Really? That'd be awesome!Tim: Hey, look who'scoming to dinner! Well, now that you have all that experience from the tour, Amy I think you can name your price when it comes to training, but you owe a lot of thanks to Ahmed here. He's the one who took the leap offaith. It wasn't a leap of faith. I was quite confident that Amy had the knowledge and the personality to excel at being a head trainer. And I was proven right. I do hope that it increases the quality of your clientele, I also"}
+{"doc_id":"doc_65","qid":"","text":"[Gilbert's House](Elena is in her bed but she can't sleep)(She's in the kitchen. Connor appears behind her)Connor: Can't sleep?(She turns herself but he's not here. She looks around. He reappears)Connor: You know...It makes sense. Guilty conscienceElena: You're not here. I'm... I've got to be dreamingConnor: Then how do you know that I'm not here?Elena: Because you're...Connor: Come on. Say itElena: Because you'redeadConnor: Yes. I am. Was that the first time that you've taken a human life?Elena: You're a ghost. It's got to be... You're a ghost. That's... that's what's happening right now. Jeremy. Jeremy!(He wakes up)Elena:You're a ghost. You're haunting me. You're a ghost. You're haunting meConnor: Can a ghost do this?(He strangles her from behind. She punches him with her elbow and then pushes him on the table. He gets up andcomes back toward her. She takes a knife and stabs him in the neck. She removes the knife. It was Jeremy)Elena: Oh my god! Oh! Jer! Jer!(He collapses)Elena: Jer! Jer! No, no, no! No! No. No, Jer! Jeremy!(Jeremy ison the couch, still dead. Elena and Damon are with him)Elena: I can't believe this happened. What... what am I going to say to him?Damon: Thanks for not ditching the family ring after it drove Ric crazy? You shouldhave called StefanElena: I don't want to talk to him. He's been lying to me, and hiding things from me. He compelled Jeremy to forget God knows whatDamon: In all fairness, I mean, I think you killing him kind oftrumps that. I mean, you should have called StefanElena: I don't trust him right now, Damon(Stefan enters)Stefan: HeyDamon: P.S... I called StefanStefan: What happened? Why didn't you call me?Elena: I just... Ineed to go upstairs and shower. Clean all the blood off my hands(She goes upstairs and Jeremy wakes up)Stefan: Welcome back. How you feeling?Jeremy: What happened?Damon: Long story. Buy the e-book(Stefangoes in Elena's bedroom. She's there)Stefan: Elena? Hey. Listen, I know you're still upset about yesterday, and I get it. Believe me. But just... let me help youElena: I don't want your help right now, StefanStefan: Butyou'll accept Damon's?Elena: Don't make this about Damon! You've been working with Klaus doing God knows what, and don't insult me by trying to deny itStefan: Listen, it's not what you think, ok?Elena: I don't knowwhat to think but I do know that I don't want to talk to you and I don't really want to be around you right nowStefan: Look, please, just...Elena: No. This is my brother's blood on my hands, Stefan. I stabbed him in theneck last night, so forgive me if I'm not in the mood to listen you try to talk your way out of this(She goes in the bathroom and slams the door)[Lockwood's Mansion](A hybrid pours alcohol to Haley. Tyler enters andshe looks at him, smirking)Tyler: You're still going? I drank enough last night. And then I slept, which is what you guys should have doneHybrid: We're just paying our respects to DeanTyler: That's great, Chris, butwould you pay them at a bar instead?Haley: Don't be mad. We're celebrating our fallen hybrid friend(She makes him drink but he doesn't want to. She wipes his mouth with her finger and then sucks her finger, lookingat him. Klaus enters)Klaus: Well, don't let me interruptTyler: I didn't know you were hereKlaus: Clearly. Thought I'd just pop 'round to celebrate Dean's successful retrieval of the vampire hunter. Yet when I arrived, Ilearned that not only was Dean unsuccessful, but that Elena killed the hunterHaley: Well, maybe if you had let Dean use force on Connor instead of sending him in on a suicide mission...Klaus: Maybe you should mindyour business, wolf girlTyler: What do you care if Connor's dead, anyway?Klaus: I have my reasons. They have ceased to matter. Cheers(He drinks. Someone knocks on the door. Tyler opens. It's Caroline. She giveshim a box)Caroline: Brought your stuff. Old laptop, your Jersey, the charm braceletTyler: Car... This isn't a good timeCaroline: Just take it(Klaus rejoins them)Klaus: Caroline. By the break-up drama unfolding beforeme, I assume you've met Haley. All right, come on, let's go. Let's leave them alone. Your talents are needed elsewhereTyler: For what?Klaus: I think you've got more important things to deal with, mate(He leaves, hishybrids following him. Caroline looks at Haley and closes the door. Then she smiles do does Haley)Caroline: Do you think he bought it?Haley: Hell, I bought itCaroline: Thanks for the head's up that he was here,HaleyTyler: You girls are good liars(Then he kisses Caroline and Haley looks at them)[Gilbert's House](Elena is in the shower. Suddenly, the water becomes blood. She looks at the water but it's normal. She looks ah theshower and there's blood. She takes a towel and gets out)(Damon is in the kitchen, cleaning. Stefan enters)Damon: Where'd Jeremy go?Stefan: School. Bonnie has him volunteering for some occult exhibitDamon: Ormaybe he didn't want to linger in a house where his sister just jammed a knife in his neck(Stefan's phone rings. He looks at it)Stefan: It's KlausDamon: Ooh, time to face the music, pay the piper, dance with thedevilStefan: You know, I'm glad you find this amusing. If he finds out I told you about the cure, he'll kill both of usDamon: Quit avoiding him. You're being shady. Shady people get outed(Stefan answers)Stefan: I don'twant to talk about itKlaus: Well, I can't imagine why, what with you ruining all my plans for a hybrid-filled futureStefan: Well, it wouldn't happened if you hadn't sworn me to secrecyKlaus: Life's full of ifs, Stefan. Let'sextenuate the positives, shall we? The hunter was one of five. We'll find another. It may take centuries, but we've got nothing but time, right?Stefan: You're using your calm voice today. Who's getting killed?Klaus: Notyou, if that's what you're worried about. But I am concerned about your beloved. Have the hallucinations started yet?(Stefan looks at Damon)Stefan: What do you know about that?Klaus: I'll tell you. Where youare?Stefan: I'm at her houseKlaus: How convenient. So am i(He arrives at the house and knocks on the door)(Stefan opens the door and goes out)Klaus: You know, this would all be a lot more civilized if I was justinvited insideStefan: Bad enough I'm out here talking to you. What do you know?Klaus: I killed the Original five hunters, remember? When one kills a hunter, there's a bit of a consequenceStefan: What kind ofconsequence?Klaus: Hunters were spelled by witches to kill vampires. If you prevent one from fulfilling his destiny, then he'll take you down with himStefan: What do you mean? Connor's deadKlaus: I mean, Connor'sdeath won't prevent him from making Elena his final vampire kill. She'll need to come with me now. I'll lock her up; keep her away from any sharp, wooden objectsStefan: She's not going anywhere with youKlaus: But ifwe leave her alone, she'll take her own life before the day is outStefan: She's stronger than thatKlaus: Is she? Believe me, it's for her own good(Elena is in her bedroom, dressing up. She looks at herself in the mirrorand then opens a drawer. Connor is behind her. She surprised and turns herself. He touches the blood on his neck)Connor: Would you like some? You seem to enjoy it when you drink from meElena: I wasn't myself. Iwas angryConnor: Were you yourself when you snapped my neck with your bare hands?Elena: You staked me!Connor: 'Cause you're a monster and you deserve to die. Admit it!Elena: No(She enters the kitchen.Damon's there but when he gets up, it's Connor)Elena: Damon...Connor: Decomposition starts in the first 24 hours. I'm rotting in an unmarked grave because of youElena: No!(She runs and Damon looks ather)Damon: What's wrong? Elena!(She gets out. Klaus turns himself. He takes her and disappears. Damon comes out and looks at Stefan)[Mystic Falls' High School](Jeremy looks at the tattoo on his hand. Matt rejoinshim)Jeremy: Hey, do you see anything on my hand? What if I told you I saw the beginning of a mark like Connor's?Matt: Are you serious?Jeremy: It showed up after he died. He told me that I was a potential; thatthat's why I could see his markMatt: So what does that make you, like the next chosen one or something?(April rejoins them)April: Hey, guys(She's holding a big roc)Matt: Hey April(Shane's there too)Shane: Way to lether do the heavy lifting. I found her wandering the hallways with this. Just teasing. I'm the guy who wrangles all the freaky stuff, Atticus Shane. Please, call me Shane, I beg you. Thank you guys for helping, I reallyappreciate it. Y'all get free admission to my free exhibit(He smiles and leaves. April look at them)April: Why does he look so familiar?Jeremy: No ideaApril: Hey, um, have you guys seen Rebekah? She said she wasgoing to help me look into what caused the explosion at my dad's farm, and then she just...Matt: Disappeared, yeah, I know[Gilbert's House]Bonnie: You lost her?!Damon: Well, \"lost\" is a very strong word. We justtechnically don't know where she isStefan: I'm more worried about what Klaus said about this hunter's curseBonnie: How does Klaus even know about this?Damon: How does Klaus know anything? The guy's like abillion year's oldStefan: He said it was a witch's curseBonnie: You know if I could do anything to help, I would, but I...Damon: But nothing. Wave your magic wand, hocus pocus, be gone, hunter, ghosts,whateverBonnie: The spirits won't let me do the magic I need to break the curse. But I can ask Shane for help. He knows everything about everythingStefan: Great. You two do your thingDamon: Where yougoing?Stefan: To get her back(He leaves)[Klaus' Mansion](Chris opens the door to a room and Klaus enters with Elena, holding her)Elena: Let go of me!Klaus: Certainly(He lets go of her)Klaus: I apologize for the lack ofwindows. It's to preserve the art. And, of course, to prevent you from taking off your daylight ring and burning yourself to death in the sunElena: I'm not going to kill myself. I would never do thatKlaus: Oh, but you'llwant to. I did. Problem is, I'm immortalElena: You went through this?Klaus: Yes, I did. For 52 years, four months and nine days. I was tormented... In my dreams. My every waking moment. Relentless, never-endingtorture. It was the only period of my life when I actually felt timeElena: So you knew that this would happen if Connor died. That's why you got involved. Did Stefan know, too?Klaus: All he knew was that the hunter hadto be kept alive. You should have listened to him when he said he had it covered, loveElena: What else does Stefan know?Klaus: Well, that's one of life's little mysteries, isn't it?Elena: How did you make it stop?Klaus: Ididn't. Eventually it just stopped. The hallucinations tend to appear in strange forms. Don't say I didn't warn you[A road](Stefan is on the phone with Caroline)Stefan: He's got Elena. I need Tyler to get the other hybridsaway so I can get her out. I know I'm probably asking the impossible, but...Caroline: Actually... You're not[Lockwood's Mansion](Stefan is in the living room with Tyler and Caroline)Tyler: Haley is the one that helpedme break the sire bond. She showed me what to do. How to help. When she showed up here, I thought it was just coincidence. But it turns out she's been helping one of them. Her friend Chris. And she came to help usget the rest of them out from under KlausStefan: So... Are you telling me that Chris isn't sired anymore?Caroline: That's exactly what he's telling you[Klaus's Mansion](Chris enters Elena's room with some stuff)Chris:Clothes, toothbrush. Klaus said you're going to be here until he figures out where to put youElena: Just please go away(Chris leaves but Connor appears)Connor: I can't. I'm going to be with you forever. A constantreminder of what you've become. So tell me. How did it feel to drain the life out of me?Elena: It was horrible. It was the worst thing that I've ever doneConnor: You're lyingElena: No, I'm notConnor: Yes, you are. Tellthe truthElena: I am telling the truthConnor: You're lyingElena: Fine! I liked it. I loved the taste of your blood. Are you happy?Connor: I'm not happy, Elena. I'm dead. Did you know I had a family? A brother?ParentsElena: I'm sorry. I'm really sorryConnor: Are you sorry about your parents? It's your fault they diedElena: Don'tConnor: They ran off Wickery Bridge with you in the car, but they weren't supposed to be there,were they? They died because of you. You know I'm not going to stop until you've taken your last miserable breathElena: I'm not going to let you do this to meConnor: Then get rid of me. Kill yourself. You never wantedto be a vampire in the first place. Now look at what you've become. A monster. And you deserve to die. You don't want to listen to me? Fine(Katherine appears)Katherine: Then how about you and I have a littlechatElena: Katherine?Katherine: Did you miss me?[SCENE_BREAK][Mystic Falls' High School](It's professor's Shane exhibit)Shane: You're looking at what people believe to be the world's first tombstone. This item wasdonated to Whitmore college last month(April, Matt and Jeremy are listening)April: Oh, I just remembered how I know him. Through my dadMatt: That guy knew your dad?April: Yeah. He taught a theology seminar atWhitmore last yearShane: ...belonged to a very powerful witch. A witch so powerful, in fact, that Silas... That was his name... Created a spell that would grant him... Immortality. Now legend says that Silas did the spellwith the help of a lady witch who loved him, a woman named Qetsiyah. Sadly for Qetsiyah, Silas wanted to give immortality to another woman. So Qetsiyah killed her and buried Silas alive, leaving him powerless,immortal, and alone. This might actually be the origin story of hell hath no fury like a woman scorned(Damon and Bonnie are here)Damon: You got this?Bonnie: Yeah. I'll bring him to youShane: Now it's said that Silaswants to rise again. Regain his power. Wreak havoc on the world. Maybe we should be afraid. Or maybe it's all a bunch of crap and that's just an old rock. All right, listen, enjoy exploring the exhibit. I'll be around toanswer any questions. Thank you for coming(He rejoins Bonnie)Shane: Hey. You made itBonnie: Nice cautionary tale. Qetsiyah sounds like a bad assShane: Nothing compared to Silas[Klaus' Mansion]Katherine: Ugh,don't you ever stop crying? Poor Elena, always the victim. Except now you're a killer. What does Stefan think of the new you?Elena: Shut upKatherine: The girl he fell in love with is gone, you know. You're like me now.Maybe worseElena: I made a mistake. I can do betterKatherine: No. You can't. You're a vampire. You'll kill again. It'll change you, and it'll keep changing you until you're just like meElena: I am nothing likeyouKatherine: I was you before you even existed. And when Stefan knew the real me... He hated me. Now he's going to hate you, too. Well, at least you still have DamonElena: Shut up![Mystic Falls' HighSchool](Damon is sitting in Alaric's classroom, at his desk. He takes a bottle in a drawer and drinks)Damon: You're missing all the adventure, pal(Bonnie and Shane enter)Bonnie: Shane, this is my friend Damon. He'skind of an expert on this stuff, tooDamon: I audited your class. It's very enlighteningShane: That's right, I remember you. What's your specialty?Damon: The origin of the speciesShane: Oh, I think Darwin would armwrestle you for that distinctionDamon: Not that speciesShane: You're into the monster stuff. All right, awesomeDamon: I was kind of hoping that you might have stumbled upon this at some point... Maybe(He gives hima paper. Shane opens him. Bonnie looks at him)Shane: This is the hunter's mark. Where did you get this?Damon: Came to me in a dream. You know anything about the hunter's curse?Shane: Why, you got a deadhunter in the trunk of your car or something?Damon: Metaphorically speakingShane: Legend says that if a hunter is killed by that which he hunts, then that person will be cursed to walk the earth and torment themtill...Bonnie: Until...Shane: Until a new hunter's awakened and their legacy's passed on. They're called \"potentials\"(Damon takes his phone)Shane: Listen, I have a bunch of research on it, why don't I go grab it foryouDamon: That would be great. Hey, thanks(Shane leaves)Bonnie: How are we supposed to find a potential hunter?Damon: Yeah, about that...(He's on the phone)Damon: Little Gilbert. Your services areneeded[Klaus' Mansion](Chris is in the living room with Tyler and Stefan)Tyler: Thanks for meeting usChris: Yeah, well, make it fast. Klaus will be back soonTyler: No, he won't[Mystic Grill](Klaus is at the bar, drinkingwine. Caroline rejoins him)Caroline: Place looks pretty good considering your hybrid got blown up in itKlaus: Caroline. To what do I owe the pleasure?Caroline: I want you to give Elena backKlaus: Ahh. They sent you tosweet talk me. Well, good form, but I'm afraid I can't do itCaroline: Why not?Klaus: She needs my help. Look, I'm not going to burden you with the gory details. I know you have enough on your plate alreadyCaroline:That's none of your business, actuallyKlaus: Yes, well, just know that if Tyler was still sired to me, he never would have hurt you. I wouldn't have let him. Can I at least offer you a drink?Caroline: Yeah. Thanks(Hesmiles)[Klaus' Mansion](Stefan and Tyler are still there)Stefan: All you need to do is give me access to Elena and I'll take it from thereTyler: Please, man. Help us, and then you can disappear. You'll be freeChris: Yeah,until Klaus sends one of his other hybrids after meTyler: Haley and I got your back. We'll make sure nothing happens(Elena has her eyes closed. Katherine has reappeared)Katherine: You were such a good girl whenyou were a human. Always willing to sacrifice yourself for your friends. Except, weren't they usually the ones that ended up getting hurt?Elena: I never wanted thatKatherine: Bonnie lost her grams because of you. Hermom almost turned into a vampire because of you. You know, she probably secretly hates you. Did you ever think of that? I bet she'd be relieved if you were goneElena: I'm not going to kill myselfKatherine: Why not?Your very existence brings people nothing but pain. I mean maybe it was worth it when you were worth it. But you're nothing now. You're a monster, Elena. You deserve to die(Chris rejoins the 2 hybrids guardingElena)Chris: Klaus said you two have to go to TylerHybrid: WhyChris: Something about his girl Caroline. I'll take over here(He looks at the hallway. Stefan rejoins him. Chris gives him the key)(Elena is sitting on thefloor. Stefan enters)Stefan: Elena. Hey(She sees Connor instead of Stefan)Elena: No. No, no, noStefan: Hey, it's meElena: No, stay... Stay away from meStefan: Let me help you(She breaks a post from the bed andrushes over him)Stefan: No, Elena, stop!(But she sees Connor instead. She pushes him against the wall and stabs him in the gut. She leaves)[Mystic Falls High School](Bonnie and Damon are in the cafeteria)Bonnie:How did I not know any of this stuff about Jeremy?Damon: The witch who loses her powers gets left out of the important conversations(Jeremy rejoins them)Jeremy: Is everything ok?! Is it Elena?Bonnie: We figuredout how to help her. You need to kill a vampireJeremy: Oh, great. Give me a stake. I'll kill Damon right nowDamon: Easy, van Helsing. We'll get you one. Don't worryBonnie: Before you do this, you need to know whatyou're getting yourself into(Damon's phone rings. He answers. It's Stefan)Damon: You can rest easy, brother. We figured out how to solve our little Elena problemStefan: Yeah, well, now we have a bigger one. I lostherDamon: What? Again?Stefan: She's in bad shape. I tried to help her, but she attacked me. Listen, you go find her, all right? Talk her down. She'll listen to you. Just tell me what I need to do to end this[MysticGrill](Caroline is at the bar, looking at her phone. She receives a text from Stefan)Caroline: So here's the thing. I didn't just come here to try to get you to release ElenaKlaus: You don't sayCaroline: I came here todistract you so that Stefan could go to your house and break her out, which he did. And don't get mad, but then he lost her(He gets up quickly)Caroline: Klaus!Klaus: Caroline. You're beautiful, but if you don't stoptalking, I will kill youCaroline: They figured out how to stop the hallucinationsKlaus: Okay. You have 10 seconds to tell me[Middle of Nowhere](Elena is walking, remembering everything that happened since hertransformation. Connor appears next to her)Connor: Are you ready to die yet? You know it's your only way out of this(Katherine appears on her other side)Katherine: You can't take back what you did. It can never beundone. You're a monster and you deserve to die(She's at Wickery Bridge but she seems surprised. Katherine and Connor both disappear. She looks around and seems upset but resigned. She gets closer to the edgeand looks at the water below. Her mother appears next to her)Miranda: It's ok, sweetieElena: Mom?Miranda: I know what you're going through. And it's ok. This bridge is... Where your life should have ended. Not just"}
+{"doc_id":"doc_66","qid":"","text":"[Rebecca riding bus and then running into a school. Meets up with Melanie]Melanie: Why are you late?Rebecca: You're not going to like the answer.Melanie: I already know the answer.Rebecca: I missed thebus.Melanie: I don't doubt it, no bus stops near Brad's. You spent the night, the alarm didn't work. Or maybe it did.Rebecca: I didn't sleep with him.Melanie: Girl, there's...[Interrupted]Rebecca: I missed thebus!Melanie: There's something either very wrong with you, or there's something very wrong with him.Rebecca: There's nothing wrong with him.Melanie: Please tell me you know that for a fact.Rebecca: Melanie, Igotta go.Melanie: You're lying aren't you?Rebecca: I wouldn't lie to you. [Turns to class of 5 year olds] Good morning guys!Class: Good morning Miss Rebecca!Rebecca: Everybody's in their seats?Class: Yes!Rebecca:Ok, Sidney, why don't you tell us what you did this weekend. Come on, Sidney, we know you're not shy.Sidney: How come we always have to tell you what we did, and you never tell us what you did?Class:[giggles]Rebecca: Ok, I had a really great weekend, but you can't tell Miss Melanie, ok?Sidney: What did you do?Rebecca: I made a new friend. It's so much fun to make new friends, isn't it?Class: Yeah, Yes, etc.Girl 2:Did you tell you mom and dad about your new friend?Rebecca: Absolutely! You should never keep anything from your parents. And I told them [gibberish]Class: [giggles]Rebecca: Wh..Class [more giggles]Rebecca:[gibberish]Class: [Laughs and giggles][Rebecca goes to the board and starts writing]Class: C, A, T, HSidney: \"The.\"Boy: We know that word, \"the.\"[Rebecca collapses, on the board the words \"call the nurse\" arewritten](Evil commercials...bane of my existence!)[House and Wilson are walking through the hallway. All you can see is their hands and legs, showing that House is using a cane and limping. Wilson is the only one ofthe two wearing a lab coat.]Wilson: 29 year old female, first seizure one month ago, lost the ability to speak. Babbled like a baby. Present deterioration of mental status.House: See that? They all assume I'm a patientbecause of this cane.Wilson: So put on a white coat like the rest of us.House: I don't want them to think I'm a doctor.Wilson: You see where the administration might have a problem with that attitude.House: Peopledon't want a sick doctor.Wilson: Fair enough. I don't like healthy patients. The 29 year old female...House: The one who can't talk, I liked that part.Wilson: She's my cousin.House: And your cousin doesn't like thediagnosis. I wouldn't either. Brain tumor, she's gonna die, boring.Wilson: No wonder you're such a renowned diagnostician. You don't need to actually know anything to figure out what's wrong.House: You're theoncologist; I'm just a lowly infectious disease guy.Wilson: Hah, yes, just a simple country doctor. Brain tumors at her age are highly unlikely.House: She's 29. Whatever she's got is highly unlikely.Wilson: Proteinmarkers for the three most prevalent brain cancers came up negative.House: That's an HMO lab; you might as well have sent it to a high school kid with a chemistry set.Wilson: No family history.House: I thought youruncle died of cancer.Wilson: Other side. No environmental factors.House: That you know of.Wilson: And she's not responding to radiation treatment.House: None of which is even close to dispositive. All it does is raiseone question. Your cousin goes to an HMO?Wilson: Come on! Why leave all the fun for the coroner? What's the point of putting together a team if you're not going to use them? You've got three overqualified doctorsworking for you. Getting bored.[Cut to Rebecca, into the nose, and up the blood stream. Cut to House looking through an MRI of Rebecca's head.]Foreman: It's a lesion.House: And the big green thing in the middle ofthe bigger blue thing on a map is an island. I was hoping for something a bit more creative.Foreman: Shouldn't we be speaking to the patient before we start diagnosing?House: Is she a doctor?Foreman: No,but...House: Everybody lies.Cameron: Dr. House doesn't like dealing with patients.Foreman: Isn't treating patients why we became doctors?House: No, treating illnesses is why we became doctors, treating patients iswhat makes most doctors miserable.Foreman: So you're trying to eliminate the humanity from the practice of medicine.House: If we don't talk to them they can't lie to us, and we can't lie to them. Humanity isoverrated. I don't think it's a tumor.Foreman: First year of medical school if you hear hoof beats you think \"horses\" not \"zebras\".House: Are you in first year of medical school? No. First of all, there's nothing on the CATscan. Second of all, if this is a horse then the kindly family doctor in Trenton makes the obvious diagnosis and it never gets near this office. Differential diagnosis, people: if it's not a tumor what are the suspects? Whycouldn't she talk?Chase: Aneurysm, stroke, or some other ischemic syndrome.House: Get her a contrast MRI.Cameron: Creutzfeld-Jakob disease.Chase: Mad cow?House: Mad zebra.Foreman: Wernickie'sencephalopathy?House: No, blood thiamine level was normal.Foreman: Lab in Trenton could have screwed up the blood test. I assume it's a corollary if people lie, that people screw up.House: Re-draw the blood tests.And get her scheduled for that contrast MRI ASAP. Let's find out what kind of zebra we're dealing with here.[Cut to House standing at the elevator, he sees Cuddy and presses the down button twice]Cuddy: I wasexpecting you in my office 20 minutes ago.House: Really? Well, that's odd, because I had no intention of being in your office 20 minutes ago.Cuddy: You think we have nothing to talk about?House: No, just that I can'tthink of anything that I'd be interested in.Cuddy: I sign your paychecks.House: I have tenure. Are you going to grab my cane now, stop me from leaving?Cuddy: That would be juvenile.[Both enter the elevator]Cuddy: Ican still fire you if you're not doing your job.House: I'm here from 9 to 5.Cuddy: Your billings are practically nonexistent.House: Rough year.Cuddy: You ignore requests for consults.House: I call back. Sometimes Imisdial.Cuddy: You're 6 years behind on your obligation to this clinic.House: See, I was right, this doesn't interest me.Cuddy: 6 years, times 3 weeks; you owe me better than 4 months.House: It's 5:00. I'm goinghome.Cuddy: To what?House: Nice.Cuddy: Look, Dr. House, the only reason that I don't fire you is because your reputation still worth something to this hospital.House: Excellent, we have a point of agreement. Youaren't going to fire me.Cuddy: Your reputation won't last up if you don't do your job. The clinic is part of your job. I want you to do your job.House: Well, like the philosopher Jagger once said, \"You can't always get whatyou want.\"[Scene of hospital from above, cut to hallway, Rebecca in wheelchair with Cameron, Chase, and Foreman around.]Rebecca: You're not my doctor. Are you Dr. House?Chase: Thankfully no. I'm Dr.Chase.Cameron: Dr. House is the head of diagnostic medicine. He's very busy, but he has taken a keen interest in your case.[Cut to MRI room, Rebecca is on the table]Foreman: We inject gadolinium into a vein. Itdistributes itself throughout your brain and acts as a contrast material for the magnetic resonance imagery.Cameron: Basically, whatever's in your head, lights up like a Christmas tree.Foreman: It might make you feela little light-headed.Nurse: Dr. Cameron. I'm sorry I have to stop you, there's a problem.[Cut to House, busting into Cuddy's office]House: You pulled my authorization.Cuddy: Yes, why are you yelling?House: No MRIs,no imaging studies, no labs.Cuddy: You also can't make long distance phone calls.House: If you're gonna fire me at least have the guts to face me.Cuddy: Or photocopies; you're still yelling.House: I'm ANGRY! You'rerisking a patient's life.Cuddy: I assume those are two separate points.House: You showed me disrespect, you embarrassed me and as long as I'm still work here you have...[interrupted]Cuddy: Is your yelling designedto scare me because I'm not sure what I'm supposed to be scared of. More yelling? That's not scary. That you're gonna hurt me? That's scary, but I'm pretty sure I can outrun ya.Cuddy: Oh, I looked into thatphilosopher you quoted, Jagger, and you're right, \"You can't always get what you want,\" but as it turns out \"if you try sometimes you get what you need.\"House: So, because you want me to treat patients, you aren'tletting me treat patients.Cuddy: I need you to do your job.[House comes out of Cuddy's office; Wilson and the ducklings are there]House: Do the MRI, she folded. [Ducklings leave, House turns to Wilson] I've gotta dofour hours a week in this clinic until I make up the time I've missed. 2054. I'll be caught up in 2054. [He walks into the clinic] You better love this cousin a whole lot.[Cut back to MRI room Rebecca is back on the table.She is pushed into the machine.]Cameron: All right Rebecca, [over intercom] we know you may feel a little claustrophobic in there, but we need you to remain still.Chase: [over intercom] Ok, we're gonnabegin.[Machine starts up and makes weird sounds]Rebecca: I don't feel so good.Chase: It's all right. Just try to relax.[Rebecca starts choking. Cool shot of inside her throat. You can see that it closes up]Cameron:Rebecca? [over intercom] Rebecca? [back in booth] Rebecca! Get her out of there.Chase: Ah she probably fell asleep; she's exhausted.Cameron: She was claustrophobic 30 seconds ago, she's not sleeping. We gotta gether out of there!Chase: It'll just be another minute.Cameron: She's having an allergic reaction to gadolinium. She'll be dead in two minutes.Foreman: Hold her neck.Cameron: Oh, she's ashen.Foreman: She's notbreathing. Epi point five.Cameron: Come on, I can't ventilate.Foreman: Too much edema, where's the surgical airway kit?Chase: Yep, coming.[Cool cutting into Rebecca's neck sounds, and real colored blood for achange. They get her bagged.]Chase: Good call.(And we're back to commercials...blah...)[Cut into hospital room, next day. Rebecca has a ventilator hooked up to her, and the ducklings are present]Chase: We'll getthat tube out of your throat later today.Cameron: Just get some rest for now.[They leave to hallway, House is there.]House: Told you, can't trust people.Cameron: She probably knew she was allergic to gadolinium,figured it was an easy way to get someone to cut a hole in her throat.House: Can't get a picture, gonna have to get a thousand words.Foreman: You actually want me to talk to the patient? Get a history?House: Weneed to know if there's some genetic or environmental causes triggering an inflammatory response.Foreman: I thought everybody lied?House: Truth begins in lies. Think about it.Foreman: That doesn't meananything,does it?[House walks away][House enters the clinic...dun dun dun!]House: 12:52 PM Dr. House checks in, please write that down. Do you have cable TV here somewhere? General Hospital starts in 8minutes.Cuddy: No TV, but we've got patients.House: Can't you give out the aspirin yourself? I'll do paperwork.Cuddy: I made sure your first case was an interesting one.House: Cough just won't go away, runny noselooks a funny color.Cuddy: Patient admitted complaining of back spasms.House: I think I read about something like that in the New England Journal of Medicine.Cuddy: Patient is orange.House: The color?Cuddy: No,the fruit.House: You mean yellow; it's jaundice.Cuddy: I mean orange.House: Well, how orange?Cuddy: Exam room 1.[Cut to House in exam room 1 with Orange Guy]Orange Guy: I was playing golf and my cleat gotstuck. I mean, it hurt a little but I kept playing. The next morning I could barely stand up. Well, you're smiling so I take it that means this isn't serious.[House takes out his pills]Orange Guy: What's that? What are youdoing?House: Painkillers.Orange Guy: Oh, for you, for your leg.House: No, 'cause they're yummy. You want one? It'll make your back feel better.[Guy nods and House gives him a painkiller]House: Unfortunately, youhave a deeper problem. Your wife is having an affair.Orange Guy: What?!House: You're orange, you moron! It's one thing for you not to notice, but if your wife hasn't picked up on the fact that her husband has changedcolor, she's just not paying attention. By the way, do you consume just a ridiculous amount of carrots and mega-dose vitamins?[Guy nods]House: The carrots turn you yellow, the niacin turns you red. Get somefinger-paints and do the math. And get a good lawyer.[House leaves the room][Cut to House in another exam room, this time with a little boy]House: Deep breath.Little boy: It's cold.House: Has he been using hisinhaler?Mother: Not in the past few days. He's, um, only ten. I worry about children taking such strong medicine so frequently.Little boy: What happened to your leg?[After saying this the little boy starts to wheeze alittle, and continues throughout the entire time that House is talking.]House: Your doctor probably was concerned about the strength of the medicine, too. She probably weighed that danger against the danger of notbreathing. Oxygen is so important during those prepubescent years, don't you think? Ok, I'm gonna assume that no body's ever told you what asthma is, or if they have, you had other things on your mind. A stimulanttriggers cells in your child's airways to release substances that inflame the air passages and cause them to contract. Mucus production increases, cell-lining starts to shed. But the steroids, the steroids...stop theinflammation. The more often this happens...[trails off and starts to leave the room]Mother: What? \"The more often this happens...\"what?\"House: Forget it. If you don't trust steroids, you shouldn't trust doctors.[Houseleaves][Cut to Rebecca's room]Rebecca: My mother passed away three years ago. She had a heart attack, and my father broke his back doing construction.[Cameron's pager goes off]Cameron: It's House, it's urgent.I'm sorry.[They go outside the room and see House waiting for them there]Cameron: You couldn't have knocked?House: Steroids. Give her steroids, high doses of prednisone.Foreman: You're looking for support for adiagnosis of cerebral vasculitus.Cameron: Inflammation of the blood vessels in the brain is awfully rare. Especially for someone her age.House: So is a tumor. Her SED rate was elevated.Foreman: Mildly.Cameron: Thatcould mean anything, or nothing.House: Yeah, I know. I have no reason to think that it's vasculitus except that it could be.If the blood vessels were inflamed that's gonna look exactly like what we saw on the MRI fromTrenton County, and the pressure's gonna cause neurological symptoms.Cameron: You can't diagnose that without a biopsy.House: Yes, we can, we treat it. If she gets better we know that we're right.Cameron: And ifwe're wrong?House: We learn something else.[Cut to overview of hospital, and then back into Rebecca's room]Rebecca: Why steroids?Chase: Just part of your treatment. You haven't had many visitors. Noboyfriend?Rebecca: Three dates. I wouldn't have stood by him if her were vomiting all day.Chase: Well, what abut work? You must have friends from work.Rebecca: Pretty much everybody I like is 5 years old. A nursesaid you're stopping my radiation.Chase: We're just trying some alternative medications. So, where's your family from then?Rebecca: Steroids aren't an alternative to radiation.Chase: The tests weren't reallyconclusive.Cameron: We're treating you for vasculitus, it's the inflammation of blood vessels in the brain.Rebecca: It's not a tumor? I don't have a tumor?[Cut to hallway with Cameron and Chase]Chase: You shouldhave told her the truth. It's a long shot guess.Cameron: [to nurse] Thank you. [To Chase] If House is right, no harm, if he's wrong we've given a dying woman a couple days hope.Chase: False hope.Cameron: If therewas any other type available I would have given her that.[Cut to classroom where Foreman is smelling the floor]Sidney: Why are you smelling Billy's pants?Foreman: I'm not.Sidney: Looked like you were.Foreman: Iwas smelling the floor.Sidney: Oh.Foreman: Do you have any pets in this class?Sidney: No, but we used to have a gerbil, but Carly L. dropped a book on it.Foreman: Careless.Sidney: Do you need to smell it?Foreman:No, I'm smelling for mold. I don't need to smell it.Sidney: You can smell our parrot.Foreman: You said you didn't have any pets in this class.Sidney: A parrot is a bird.[Cut to House and Foreman eating lunch with someSoap on the TV that has House's attention more than Foreman does]Foreman: Parrots are the primary source of psitticosis.House: It's not the parrot.Foreman: Psitticosis can lead to nerve problems and neurologicalcomplications.House: How many kids were there in the class?Foreman: 20.House: How many are home sick?Foreman: None, but...House: None, but you think that 5 year olds are more serious about bird hygiene thantheir teacher. You've been through her home?Foreman: She lives in Trenton. I can go up to her room tomorrow morning and ask her for the key.House: Would the police call for permission before dropping by to checkout a crime scene?Foreman: It's not a crime scene.House: Far as I know she's running a Meth Lab out of her basement.Foreman: She's a kindergarten teacher!House: And if I was a Kindergarten student I would trusther implicitly. [Sigh] Ok, I'll give you a for instance. The lady back there, who made your egg-salad sandwich. Her eyes look glassy, did you notice that? Now hospital policy is to stay home if you're sick, but if you'remaking $8.00 an hour, then ya kinda need the $8.00 an hour right? The sign in the bathroom says that employees must wash after using the facilities, but I figure that somebody who wipes snot on a sleeve isn't hyperconcerned about sanitary conditions. So what do ya think? Should I trust her? I want you to check the patient's home for contaminants, garbage, medication...[interrupted]Foreman: Whoa, oh, I can't just break intosomeone's house.House: Isn't that how you got into the Felker's home? [pause] Yeah, I know, court records are sealed, you were 16, it was a stupid mistake, but your old gym teacher has a big mouth. You should writea thank you note.Foreman: I should thank him?House: Well, I needed somebody around here with street smarts. Ok? Knows when you're being conned, knows how to con.Foreman: I should sue you!House: I'm prettysure you can't sue somebody for wrongful hiring.Foreman: But I'm pretty sure I can sue if you fire me for not breaking into some lady's house.[Foreman eats the rest of the sandwich][Cut to House sitting and reading\"Spring's hottest people' Magazine, Cuddy walks in]House: I'm doing research. People are fascinating aren't they?Cuddy: Why are you giving Adler steroids?House: Well, she's my patient that's what you do withpatients. You give them medicine.Cuddy: You don't prescribe medicine based on guesses. At least we don't since Tuskeegee and Mengele.House: You're comparing me to a Nazi? Nice.Cuddy: I'm stopping thetreatment.House: She's my patient.Cuddy: It's my hospital.House: I did not get her sick, she is not an experiment, I have a legitimate theory about what's wrong with her.Cuddy: With no proof.House: There's neverany proof. 5 different doctors come up with 5 different diagnoses based on the same evidence.Cuddy: You don't have any evidence. And nobody knows anything huh? Then how is it that you always assume you'reright?House: I don't, I just find it hard to operate on the opposite assumption. And why are you so afraid of making a mistake?Cuddy: Because I'm a doctor. Because when we make mistakes people die.[She walks offup the stairs]House: Come on.[House thinks about going up the stairs, but decides against it]House: People used to have more respect for cripples you know! [Turns to a guy in a wheelchair] They didn't really.[Cut toCuddy entering Rebecca's room. Rebecca is eating voraciously.]Cuddy; So, how ya feeling?Rebecca: Much better, thanks. Are you Dr. House? I thought he was a he, but...?Cuddy: No. Don't eat too much toofast.Rebecca: Thank him for me.Cuddy: Right.[Cuddy exits the room, and House is standing there, Cuddy is a bit surprised by him standing there.]House: Should I discontinue the treatment, boss?Cuddy: You gotlucky.[She walks off]House: Cool, huh?[Cut to the outside of the hospital, and back into Rebecca's room, it's now night and Wilson is there]Wilson: Ok, once again.[Rebecca takes a deep breath]Wilson: Good.Rebecca:Am I ever gonna meet Dr. House?Wilson: [scoffs] Well, you might run into him at the movies or on the bus.Rebecca: Is he a good man?Wilson: He's a good doctor.Rebecca: Can you be one without the other? Don't youhave to care about people?Wilson: Caring's a good motivator. He's found something else. [Has Rebecca grab his hands] Feel this?Rebecca: umhmmWilson: How about this?Rebecca: umhmmWilson: Ok squeeze. [Pause]"}
+{"doc_id":"doc_67","qid":"","text":"Int. Sydney's apartment. She looks at herself in the mirror with a weird/curious look, then walks over to the sink and sits down. Then, pushing the tap up to let the water run, she puts a kettle under the tap and fills itup. She walks over to the stove and let the water boil, while picking up a box and reading its contents of a sachet. A man runs across the translucent doors and he pushes them open. It's Vaughn, grocery bag in hishands.VAUGHN: Back! Sydney looks up, a smile growing on her face.SYDNEY: Hey. What took you so long?VAUGHN: Traffic light out on Venice. She still has a weird look on her face as he comes over and kissesher.SYDNEY: Would you look at something for me?VAUGHN: Yeah.SYDNEY: See an eyelash? (Widens her left eye with her hand) Something itches like hell.VAUGHN: (he looks) No.SYDNEY: Sure?VAUGHN: Yeah, maybethose contacts you wore on the Ireland mission irritated your eye. She doesn't look too convinced.SYDNEY: Yeah. Vaughn starts taking the groceries out of the bag and Sydney peers into the bag.SYDNEY: What'sthis?VAUGHN: What do you think about Orecchietti?SYDNEY: I don't think I've ever heard of it. Vaughn takes a cutting knife out. The sound made is loud and crisp, and Sydney has a weird look on her faceagain.SYDNEY: Wait a minute, don't tell me you cook.VAUGHN: (A smile on his face) There are a lot of things about me you don't know.SYDNEY: You clean, too? (She's still looking through the grocery bag)VAUGHN:I've been known to. Why, you thinking about hiring me?SYDNEY: Why would I hire you when I get you for free?VAUGHN: (small laugh) Are you taking a bath?SYDNEY: (She walks behind him) Maybe. (There's asomewhat cheeky look on her face) Maybe we're gonna take a bath. Close up shot of Vaughn cutting the broccoli. He accidentally cuts his finger.VAUGHN: Ah, damn it. Sydney rushes over immediately, a look ofconcern etched on her face.SYDNEY: You okay?VAUGHN: Yeah, I'm fine. (Sydney takes his hand to inspect the wound)SYDNEY: Let me see. (She applies pressure to it)VAUGHN: It's nothing.SYDNEY: Not nothing. (Theylook at each other and Vaughn looks pleased at her concern.) Scene changes. The background music now sounds like it's coming from the radio. We get another closeup of their hands, and this time Sydney is putting abandaid over the wound. Vaughn looks at her and smiles a little, and she puts his finger to her mouth and kisses it.SYDNEY: Here you go. All better.VAUGHN: You're gonna make a great mom.SYDNEY: Yeah, maybe.The statement seemed to have hit a raw nerve. She stands up, presumably to place the bandaid box to its place and in front of the mirror again.SYDNEY: Just that, my mom wasn't exactly the best role model.VAUGHN:Well the good news is that, you're nothing like your mother. Suddenly a warped voice in a voice over.VOICEOVER: You're not there yet, Sydney. She looks up in mild shock, then meets the eyes of Vaughn.SYDNEY: Didyou hear that?VAUGHN: What. (It was almost as if it was a statement and not an answer...)SYDNEY: Radio.VOICEOVER: You need to go further back. Follow VaughnVAUGHN: It's just the radio, Syd. If you don't like itwe can turn it off. She seems to like that idea a lot.SYDNEY: That's right. Vaughn switches off the radio, then smiles.VAUGHN: How about a nice bottle of wine with this bath?SYDNEY: That would be great. Vaughn walksaway, and Sydney looks in the mirror again. This time, she is shocked by what she sees. Something odd is reflected; a blue hue. Sydney sees herself being held on a chair with electrodes stuck to her forehead and shesquints. The scene changes into the actual scene of her being tortured for information. The camera view is now a mesh of colours which focuses slightly, and as it pans it occurs that we're looking through Sydney's eyes:She sees a doctor.SYDNEY: Who are you?DOCTOR: Shh. Syd, sit still. We're almost there, Sydney. He takes a syringe.DOCTOR: We almost have what we need. We just need to go a little further. Sydney squints andlooks utterly confused. She sees him sucking liquid into the syringe and asks.SYDNEY: What are you doing to me?DOCTOR: Nothing for you to worry about. I'm just trying to help you relax.SYDNEY: Why? What do youwant? (The doctor shushes her)DOCTOR: I just need to find a vein... A distorted voice fills the room.DISTORTED VOICE: Stop. Are you certain this won't harm the baby?DOCTOR: Quite certain.SYDNEY: (almost as ifgetting out of a stupor) Wait, the baby... don't...DOCTOR: (towards the one-side mirror) But if you want your answer you're going to need to let me do my job.SYDNEY: Who is that behind there? Who's behindthere?DISTORTED VOICE: Okay, you may proceed.SYDNEY: If you hurt my baby... (he sticks the syringe in) I swear to you... (tears stream down her cheeks) I will kill you. We see the view from Sydney's eyes again,and the doctor gets blurred. End of scene.SAN FR[A]NCISCO2 DAYS EARLIERExt. Rain is pouring down and camera pans to a woman serving noodles.WOMAN: You like? We see Peyton at the receiving end.PEYTON: Yes,I like very much!WOMAN: It's nice to see girl like you eating noodle. My granddaughter, she tell me, 'too many carbs!' Peyton smiles politely and barely eats two mouthfuls of noodles before the door rings open. A manin a suit walks through the door and she jumps on her feet.PEYTON: Thank you! I'm late for a date!WOMAN: Okay! Bye bye! She rushes off and catches up with the man in the suit through the rain.PEYTON: Excuse me,Mister! Thank god, I'm supposed to meet some friends in the [Mission?] district. My cab driver from Oackland just dropped me off here and zoomed off. I - I've been trying to find a cab, and no one here seemsto...MAN: There's a stand two blocks over the right.PEYTON: Thank you! He turns to walk away and she calls him again.PEYTON: Oh, do you know what time it is? He comes back and looks at his watch.MAN: Yeah, it's -(she stabs him and blood spews out from his mouth)PEYTON: Nice watch. (She pulls the knife out and places him against the wall, rummaging through his pockets and takes his watch off, looking furtively around(Because, like, there isn't anybody on that street, you know.) and walks away) She walks quickly through the same door and walks up the stairs, fiddling with the watch which is now on her wrist. Stopping at a door,she pushes three knobs up and gets green light, then placing the wristwatch on a sensor.ACCESSING...AGENT ZACHARY TURNERACCESS GRANTEDThe door opens and she enters the room, stopping at the nearestdesk. There is another agent at his own desk.AGENT: Again Turner? You'll miss your plane. Peyton types.AGENT MICHAEL VAUGHNAGENT: You missed that pickup in Cartagena, I'm gonna hear it from the Director.Shepresses enter while looking at the other agent, worried. Lots of technical effects before the screen stops at SERVER 4 SLOT 29. The agent turns around just as she walks towards server 4 presumably.AGENT: What didyou forget this time? He gets up and looks, while the camera pans to Peyton looking for the server - still - and finally reaching it. The agent looks at the computer (still beeping away) and Peyton takes a handdrill toloosen the screws of slot 29. He walks the way of server 4; and Peyton continues to loosen the remaining screws. The agent finally reaches the spot - Peyton isn't there anymore. He starts to walk away, then looks atslot 29: it's open, so he walks towards it... Peyton jumps from behind and strangles him with a cord, asphyxiating him. She kicks him in the calf and he goes down on his knees, and she tightens the cord. He struggles...then dies. Peyton retrieves the data, puts it in her handbag and leaves, taking a last look at the dead agent.Cut to outside. The first agent she killed is still propped up against the wall... Then slumps to the wet ground.Nice noodle woman comes around.WOMAN: Mister! You okay?! Peyton walks through that same door again, one ear against her cellphone.PEYTON: This is agent 4962 Bravo. Requesting for technician. Cuts to DeSantisin his office.DESANTIS: This is he.PEYTON: Dr. DeSantis, this is Kelly Peyton.DESANTIS (VO): Were you able to retrieve Agent Vaughn's files?Peyton: Yes. I'm exiting Chao Ke Street now. Camera pans to nice noodlewoman who exclaims in anguish as she pokes at the dead agent.(the background sounds of the woman screaming)PEYTON: I'll run the analysis in the attaché (?)DESANTIS: Excellent. I'll let our benefactors know.(Referring to the background sound) What is that noise?PEYTON: You know how it is. Rough neighbourhood.She clips the phone off. Off the camera, we see her walking away and the dead agent is still lying on theground; the background sounds still filled with screams and shouts...Cut to the Alias Theme(Or now is the time in Alias when we (used to, until the episode!) dance!)Camera pans over a nice shot of the skyscrapers ofLA.(camera cuts to the interior of a hospital. The doctor leads the way and Jack is in front of Sydney)(Voiceover) DOCTOR LYNN: After your initial triage and check-in, we'll bring you up here into the labouring anddelivery room.SYDNEY: So this is where I'll be getting my epidural.DOCTOR LYNN: Yes, it is. (she laughs lightly) If you want one.SYDNEY: I do. I'm - I'm not a big fan of pain.JACK: Are there any adjustments Sydneyshould be making to her life style? I'm sure her boss at the bank would be (he pauses slightly) happy to lighten her workload.DOCTOR LYNN: No, she's fine. I tell mothers staying active for as long as they can is a goodthing.They stop in the middle of the ward.DOCTOR LYNN: You must be excited. Won't be much longer now.SYDNEY: Oh no, the due date's still three weeks away.DOCTOR LYNN: Sure it is, but you never know. Yourbaby might be in a hurry. You're far enough along (camera cuts to Sydney's slightly shocked expression) if your water broke today we could expect a healthy delivery. (Sydney nods)SYDNEY: Wow, I, uh I didn't knowthat. (Doctor's pager beeps)DOCTOR LYNN: My service. I need to run. (she smiles at Sydney) I'll see you next week for your check-up. Sydney seems overwhelmed, but nods anyway.SYDNEY: Okay. They start walkingout of the ward. Cut to Jack's slightly humoured expression:JACK: So, any day.SYDNEY: Well she said it could be any day. (she shrugs it off, but her expression on her face remains slightly surprised) They stop at thenursery, and the camera pans on a baby. His father is looking at him lovingly, and the camera pans back on Sydney's forlorn expression. Jack looks at Sydney awkwardly, then reaches into his pocket.JACK: I havesomething for you.SYDNEY: What? He hands her a little wrapped gift and she looks surprised.SYDNEY: A gift?JACK: Technically, no (she starts pulling at the ribbon), it's already yours. I'm just... returning it. She opensit, all the while sharing a smile on his face. It's a little rattler.JACK: Your mother and I bought it when you were born. You wouldn't let it out of your sight 'til you're almost three. Reminds me of the time when I couldkeep you safe. (Sydney is full of gratitude, then of sadness)SYDNEY: It's beautiful, Dad, thank you. Scene cuts to APO. Marshall is doing some soldering work. Grace walks in.GRACE: You wanted to see me?MARSHALL:Oh, yeah, hey! Agent Grace! (he puts the soldering pen down and then takes his protective glasses on) Listen, I was doing some housekeeping: logging aliases, uh, safe house authorisation, family contacts. You know.The sucky part of my job. (Grace cracks a little smile) And I came across... a mistake in your file so I contacted Langley, turns out I don't have a proper clearance to my own job.GRACE: What did you find?MARSHALL:Marriage certificate from 7 years ago. Listen, if it supports just an outdated alias I probably ought to resend it sooner or later... you know.GRACE: (shaking his head a little) It's not a mistake. I was married.MARSHALL:Really. I'm sorry, I never heard you mention that.GRACE: For three years. Didn't work out.MARSHALL: Totally understand that. I mean, it's a - it's a struggle to -GRACE: (curtly) Hey do me a favour. Next time you havea question about my personal life, why don't you call me before Langley?MARSHALL: (stupefied) Absolutely. I - I'm really sorry. His computer starts beeping.MARSHALL: Uh oh. Camera pans to the computerscreen:Breached apx: Currenttime }{ - 0400 hoursDocuments Compromised: Agnet Mortality Logs Contact Protocol Database Audio Field Journals Biometries logs and tables >> additional undetermined docs.Perpetrator identified as [pf21] Prophet Five ...GRACE: I'll get Jack. (He walks away.) Cuts to APO briefing room. Jack is standing up while Sydney, Dixon, Grace, Marshall and Rachel sits around the table.JACK: Fourhours ago an agency facility storing closed matters was breached. (He presses on a button and the screen displays Peyton) Security cameras identifies the perpetrator as an operative of Prophet Five.RACHEL: KellyPeyton.DIXON: Do we know what she took?JACK: Among the archives, were files of all our agents killed in the line of duty. Their contact protocols, audio field journals biometric read-outs (Sydney *looks* athim)SYDNEY: They were Vaughn's files, weren't they? (He looks at her) You were going to have to say it eventually.JACK: (nods) Yes, that's right. Sydney looks at him then looks away.DIXON: Why would they wantVaughn's files?JACK: Isn't clear at the moment, which leaves us in a vulnerable position.SLOANE: Vaughn's investigations of Prophet Five were off-the-books; it's unlikely he kept those records on CIA files.JACK: I'vetasked Tom and Marshall on disabling all of Vaughn's official protocols. (he looks at Dixon) I'll like you to locate any of his old contacts to ensue a warning. Sloane will oversee Rachel in analysing the remainder of theintel.SYDNEY: Me? (She looks on, earnest)JACK: Though I would prefer to keep you close by, I know that's not an option. (There's a hint of a smile as he talks to Sydney. She gives him a \"Well, what can you do aboutme?\" look) Given her intimate knowledge of Prophet Five and her association with Vaughn, you should meet with Renee Rienne (Sydney nods) and see if she has any idea of what they may be looking for.SYDNEY: Yup,okay. (She collects the files and starts to leave. The others follow suit.) The camera pans to Sloane for a moment before moving back to Jack.JACK: Sydney. (She stops in front of him) You should know, when it comesto Vaughn... I take it quite personally. She nods.SYDNEY: I know, dad.JACK: We're gonna fix this. It's the expression of eternal gratitude again. She walks away abruptly, and the camera focuses on Jack... It's almostas if he has got something up his sleeves...Cut to some technician's place. It's Peyton's office. On someone's screen there are Vaughn's photos (the one the other man from Welcome to Liberty Village superimposed onthe diver's suit). Peyton strides across the office.PEYTON: (to a group of people) Anything?WOMAN: Listen to this. (Peyton walks to her cubicle)PEYTON: The location?WOMAN: Not quite. But I think Vaughn shared itwith Sydney Bristow. Peyton puts on the earphones.VAUGHN ON RECORDING: And I met this afternoon to discuss the protocol for her SD-6 counter-missions. I briefed Agent Bristow on the full scope of the operation.How far it reaches.PEYTON: Go back.VAUGHN ON RECORDING: I briefed Agent Bristow on the full scope of their operation. How far it reaches.WOMAN: She knows where it is. Cuts to DeSantis.DESANTIS (on thephone): And you're certain Agent Vaughn communicated this intelligence to her? Cuts to Peyton.PEYTON: Yes, according to his own CIA report. (she has a pleased look on her face) but it was several years ago. There'sno guarantee Sydney will remember.DESANTIS: (over the phone) That's of no concern. (Cuts to him) An associate of mine will be able to refresh her memory. I'll forward you the contact protocols of Doctor GonsaloBoris. He is going to ask for a lot of money. Tell him I will pay half. Have him waiting for me at the Athena facility.PEYTON: Then, you're suggesting that we abduct Sydney Bristow. (over the phone) Which you realisemight compromise our larger agenda.DESANTIS: We've been searching for more than 30 years and this is the closest we've come to retrieving Horizon. (over the phone) If Sydney Bristow can tell us where it is, wemust act immediately. It's a chance we have to take. Peyton switches off the call connection.MA[D]RIDExt. The busy streets of Madrid. The camera pans to a park, and a group of giggling school girls walk past Sydney,who is sitting on a bench. She looks around. Renee arrives.SYDNEY: Hello Renee.RENEE: You look beautiful. Sydney looks down at her stomach.SYDNEY: Doctor says it's my last week to fly.RENEE: (sits down besideSydney) Which means this is a special visit.SYDNEY: Prophet Five is targeting some of Vaughn's CIA files. I need to know, did he make a record of your investigation?RENEE: No. It was all in our heads. (Sydney looks alittle disappointed)SYDNEY: Then was there anything that Vaughn was working on, or - or any leads, or contacts that might be of value to Prophet Five now?RENEE: What's in the files?SYDNEY: Presumably everythinghe's worked on: SD-6, The Covenant, The Alliance...RENEE: Then, no. It's impossible. All he worked on SD-6 ...(Sydney notices two goons coming towards them)SYDNEY: (cuts in) Where did you park?RENEE: I walked.Why?SYDNEY: Let's move. (They get up and walk quickly)RENEE: There's a police station at the corner, you'll be safe.SYDNEY: Just take it easy, it might be nothing (re: Renee reaching into her pocket to take out herknives) The two goons get their guns out.RENEE: Go. Renee turns swiftly and throws her knives like daggers into their hearts and they stumble and fall. Sydney walks in front and screeching tires are heard. She isstopped by a van and two men clothed in black gets hold of her and injects her with a tranquilliser. She is rendered unconscious.RENEE: (shouts) Sydney! She sees two black vans driving away and takes out her gun,running after one of the vans. She shoots at the driver, and blood splatters up the windscreen. The van crashes into a car, then she takes out another gun (how many weapons does this woman keep in her pocketsanyway?) and starts shooting at the storage space. She opens it and sees Desantis.RENEE: You... Where are they taking her? (he doesn't answer, so she shouts) Where are they taking her?CUT TO BLACKDOCTOR: Ijust sedated her with a drug (?) cocktail which should take full effects within minutes. (it looks like he is speaking to whoever is behind the one way mirror) It's a chemical process of forced hypnosis which will effectivelynumb the body but leaves the mind partially lucid, allowing me to access any (camera pans to Sydney) part of her memory you'd like.He walks to his desk again.DOCTOR: Which means, it's now time to tell me what it isyou're looking for.DISTORTED VOICE: First I'd like some prove that this technique would work.DOCTOR: Of course. He fiddles with some buttons on the machine that Sydney is hooked up on, then facesSydney.DOCTOR: Tell me your name. Sydney doesn't respond, and the doc tasers Sydney on her chin. She reacts physically.DOCTOR: Tell me your name...SYDNEY: Sydney Bristow.DOCTOR: That's it, girl. Sydney, Iwant you to remember Michael Vaughn... He uses the taser on her, this time on her forehead, and she reacts physically again.DOCTOR: Find him. Sydney is now struggling with her tears and trying her hardest not tocry.DOCTOR: Find him and remember the time when you were both happy... A time that was meaningful... Go back, Sydney... Find him... Sydney seems to be resisting, yet the scene transits to flashes of Vaughn in theplane (Search and Rescue)SYDNEY: (whisper) Vaughn...[SCENE_BREAK]Cut to Sydney on the plane. She looks at her safety guard and a weird look is on her face; she adjusts the guard. Vaughn comes forward and sitsnext to her, just like it was in Search and Rescue.VAUGHN: I had it all planned out. (Cut to Sydney's bewildered face)SYDNEY: Vaughn...?VAUGHN: No, just, please; let me do this.SYDNEY: Do what?VAUGHN: I wasgoing to take you to the beach, Santa Barbara, go for a walk, maybe; maybe during a sunset. But now, now we're here, and I have no idea (cut to Sydney who is still feeling extremely confused) what we're about tojump into. He reaches into his pocket and fishes the ring box out, opening it for Sydney.VAUGHN: I don't know if I'll get another chance to do this.SYDNEY: But, Vaughn, we already did this. (She shows him her ring onher finger)VAUGHN: (frowning) I don't understand.SYDNEY: (as if a light dawns upon her...) I think I do. The people you were looking for. The people behind Prophet Five. I think they're holding me. (she looks aroundconspicuously)VAUGHN: How do you know about Prophet Five?SYDNEY: You told me and they shot you.VAUGHN: What, they shot me? No, I'm here.SYDNEY: I know... They injected me with something, they hypnotised"}
+{"doc_id":"doc_68","qid":"","text":"At Degrassi, Emma is walking into school as Jay is lifting up AlexAlex: Ow, stop.Amy: I love how mature your boyfriend is.Alex: Put me down. Great the first doctor's note I have that isn't a forgery and Mr. 'I can pick upa girl' has to make it look all suspicious.(Emma and Jay look at each other, so he kisses Alex.)Nate: Hey Emma, did JT say where we're supposed to leave our costumes?(Emma kisses Nate, as Jay, Snake and Manny allwatch shocked.)Nate: I've had more conversations with the janitor than I've had with you.Emma: I was acting. Just kissing all my nerves out pre-dress rehearsal. But don't worry Nate. I'll wait for my cue next time!Inthe library, Jay grabs EmmaJay: Are you hot for Dracula? Or are you trying to mess with me?Emma: Are you gonna be in the ravine again tonight? Are we gonna party? I think I need another bracelet.Jay: I don't likebeing messed with, okay?Emma: I know.Mr. Simpson: I need a minute with my daughter.Jay: Oh that's adorable, sir.Mr. Simpson: Cut the commentary Jason. Go.(Jay leaves.)Emma: And stand by for concerned fatherfigure lecture.Mr. Simpson: You come in at 3 in the morning hysterical, crying, wanting to talk about the shooting and now you're kissing random guys?Emma: It wasn't random.Mr. Simpson: Please Em. Let me, let mebe here for you. Let me talk to you.Emma: The bell's gonna go.At the hospital, Marco is taking a picture of Jimmy and a nursePaula: Thanks Marco. Taping this one right to my computer monitor. Take careJimmy.Jimmy: Poor nurse Paula. She's gonna miss me, but home has a full fridge and a wide screen.Marco: Craig and I can come, hang out, without visiting hours! We can play Kid Elrick as loud as we want!Craig:Yeah, your dad can tuck you in instead of nurse Paula!Jimmy: She's the only thing I'm gonna miss about this place.(Jimmy's dad knocks on the door.)Jimmy: Block the doorway pops! No time for speed bumps. Youready?Mr. Brooks: You look good Jim.Jimmy: I don't like you look good Jim.Mr. Brooks: The rails they're putting in at the condo, they're not done. Not yet.Jimmy: So?Mr. Brooks: So I'm all over the contractors.Jimmy:So?Mr. Brooks: One more week tops! Maybe sooner if I can string it.Craig: Mr. Brooks, Jimmy gets around well.Mr. Brooks: I know Jimmy's made great progress but I can't be with him 24/7 right now and I don't wantsomething happening. Something that's gonna trash all the progress that he's made.Marco: He really wants to go. What about Mrs. Brooks or a nurse?! I mean we could even help out!Jimmy: Forget it guys.Whatever.In the auditorium, Danny is on stageDanny: Sixteenth, May. Castle Dracula, his avital prison and die in it's prisoner. Worse. I fear I may be going mad! (He keeps talking and it cuts to Emma & Manny)Manny:If Nate was fifty and fat you could have caused cardiac arrest.Emma: Anything for the theatre!Liberty: Shh!Manny: I need complete teen girl details! Why, good, tongue, like it or not. Bring the answers overtonight.Emma: I have to go to the ravine tonight. I'm meeting some people.JT: Is it too much to ask for silence in the peanut gallery!Danny: There in the moonlight were three young women. Three...JT: Am I evergonna get three of them?Amy: Alex was at the doctor's. She should be back.(Alex and Jay come rushing in.)Jay: Lexy it was nothing. Come on!JT: Lexy is late for her scene!Alex: You want a scene JT?! Hey best friendAmy let's give JT a scene! *She smacks Amy nice and hard* Tell me about the ravine Amy! About how you went down on my boyfriend, Amy and the bracelets you got for it!Amy: I didn't sleep with him!(Manny seesEmma covering up her bracelets.)Alex: By who's definition?!Jay: Let's step outside Alex.Alex: Don't touch me. Don't talk to me. I'll deck your smug face too!At the hospitalPaula: Shake it off mopey Brooks.Jimmy: I'mnot mopey!Paula: You know a chair's only a prison if you let it be.Jimmy: Stop the inspirational quotes. I'm not buying it.Paula: What you shouldn't buy is your dad's attitude. You and I both know Jimmy Brooks can dowhatever he sets his mind to. At least I know it. Outside the schoolManny: It doesn't take Sherlock Holmes to figure it out. Why would you hook up with Jay? Are you in love with him?Emma: No! Of course not.Manny:So, what do you get out of it?!Emma: That's a really stupid question.Manny: No, what you're doing is stupid. You're letting a disgusting bottom feeder use you to serial cheat on his girlfriend!Emma: Should you really bepreaching to anyone about that?! We're not having real s*x.Manny: It's pretty close.Emma: But I'm not getting pregnant.Manny: Why are you trying to hurt me?Emma: Cause you won't leave me alone!Manny: You'rebetter than this! You're better than what you're doing!Emma: What do you know about who I am or what I'm worth or anything?! At the hospitalMarco: Special delivery from the sorry your dadda sucks pizzeria!Jimmy:Uh I'll hold out till tomorrow.Craig: What's tomorrow?Jimmy: Student council prez man gets you both out of school and then you come over here and bust me out.Craig: Sounds like trouble.Marco: (stuttering) I'm notgood with trouble.Jimmy: I need to see something beyond you two and these ugly ass walls.Marco: Tomorrow.Craig: You're Houdini on wheels!Jimmy: (Pulls out a newspaper) Okay and Houdini wants to see Kid Elricklive tomorrow night! Yeah! At the ravineEmma: Hey have you seen Jay?Some guy: Hang with me instead. You could use another friend right?Emma: Friends with benefits.Some guy: Hey we could all use a good benefittoo.Emma: Maybe next time.(Emma leaves and finds Jay's car.)Emma: Jay. Can I climb in? I went to the ravine, but you weren't thereJay: My day kind of sucked in case you didn't notice.Emma: So let's make you feelbetter.Jay: Alex is sick with some thing. She thinks I gave it to her and she won't talk to me so I don't feel like it tonight.Emma: Oh you gonna cry now?!Jay: You are one cold girl.Emma: There's a ton of guys whowould love a chance to be with me.Jay: Right now, I'm not one of them.At the hospital, Marco and Jimmy are wearing black hoodsJimmy: It's uh sweet of you to bring this incredible disguise. Hate to tell you but uh itdoes absolutely nothing to hide this enormous shiny mass of scrap metal that I'm sitting in.Marco: I though it'd be cool to look like ninjas. Hush! He's coming! Here he comes!(Craig walks in wearing a trench coat and ahat.)Craig: I'm here for Dr. Shinklehatin.Receptionist: I'm sorry?Craig: I mean Dr. Shpitzlehaven.Receptionist: Sir I'm afraid we don't have anyone here by that name.(The phone rings.)Receptionist: HS Rye RecoveryCentre. Good afternoon.Craig: Dr. Shpilkimishin?!?Marco: (On a cell phone) This is uh, This is uh, Dr. Smitgiztinsky. It's an emergency of the highest degree.(Craig starts breathing loudly and grabs hischest.)Receptionist: Are you okay sir?Craig: Go get Dr. Shunckenhoser!Marco: The man in front of you is uh extremely dangerous. I ask you to leave the area. Abandon it now!Receptionist: (As she's getting up to runaway) Could you uh wait here sir...Craig: Go get Dr. Shuckenhoser!(The guys quickly rush for the door.)Marco: Go! Go! Let's go![SCENE_BREAK]In the auditoriumEmma: Jay! Jay. Um...about last night.Jay: Youalright?Emma: Yeah. It's just a sore throat. That's all. I don't care about Alex or anything you know. Really I don't.JT: Raw egg, honey and lemon. DrinkEmma: JT! My voice is just tired. That's all.JT: Just drink okay?You told me you'd be able to do the show, so you're gonna do the show, period.Emma: Ugh. This stuff is so rude. In a classroomTeacher: Come on, take your seat the both of you!JT: Public health nurse? Oh goody.Another evil omen to put me at calm.Nurse: Show of hands. Oral s*x is safer than regular intercourse?(A few people put up their hands.)Nurse: Okay. We think there's been a mini outbreak. Here. At Degrassi. Ofthis.Manny: Gonorrhea!?!(Everyone looks at her.)Manny: Sorry. Did I just say that out loud...?Nurse: It's not a very nice word is it? Gonorrhea. And how do you know if you have gonorrhea? Well...some symptoms aregenital dischard, bleeding, burning, orally you might get a fever or sore throatJT: Hey Em. You got something to tell us?Emma: Shut up.Nurse: And sometimes those with the disease show no symptoms at all. Lucky,you might think. Think again. Untreated gonorrhea can cause arthritis, heart disease, infertility. Okay. Recognize this? (Picture of a condom) Good. If you've had any s*x without using one of these you are at risk. Thisapplies to oral s*x as well. Especially if you've had it with a bunch of people or if your partner has.At the concertJimmy: That was so incredibly stupid.Craig: You're here aren't you?! Breathing fresh bar air.(Two girlswalk by and smile at Jimmy.)Marco: Mr. mobility just got checked out.Jimmy: It was more like a 'what's with the gimp, drive-by'.(Jimmy backs his chair into a guy who spills his food.)Jimmy: Oh. Man, I'm so sorry.Theguy: Leave it.Jimmy: You sure? I'm really sorry. Okay guys lets go back. Now.Craig: Not unless the Kid is performing live in your hospital. Come on!Backstage at the schoolLiberty: I can't believe I have to be Alex. Tellme you're as nervous as I am!Manny: Is the Pope a Catholic? Does Jay have gonorrhea?Emma: Manny.Manny: Amy and Alex happen to be sick? What are you gonna do out there?Emma: I'm Emma. I play the part ofMina.Manny: If you have any conscience at all you will not kiss Dracula.(Emma gives her a dirty look and grabs her stuff.)Manny: Emma!Back at the concertJimmy: The Kid's gonna be on any second. I can't see athing.Marco: There aren't really any wheelchair seats. There aren't any seats.Craig: Maybe there's some down in front.Marco: Maybe there's a manager.Jimmy: You guys can't leave me here.Craig: Just two seconds, okbuddy?!(The show starts.)Jimmy: Excuse me! Excuse me! Excuse me! I can't really see.The guy: No problem man.(Jimmy wheels his chair to the front and he starts rocking out in his chair.)In the auditoriumNate: Thenmy brain says come to you. You shall cross land or sea to do my bidding and to that end...this!Emma: But no. I cannot. Dracula...(He leans in and doesn't kiss her.)Emma: What are you doing?!Nate: Keep going.Emma:What have I done? What have I done to deserve such a fate?! I have walked in meekness and righteousness all my days! God pity me!(He grabs her, the lights go out and people start clapping.)BackstageEmma: Youthrew the scene. That was completely unprofessional!Nate: I'd rather be that than diseased.Emma: What did you say?Nate: There isn't enough antibiotic in the world that would make me kiss you. And that little smoochin the hall the other day, who knows what I caught from that! Thanks so much!Jay: Screw him.Emma: Why did you do this to me?Jay: I didn't do anything!Emma: You gave me a social disease!Jay: You said you didn'tcare. Even this morning you said that!Emma: Just leave me alone okay!Jay: Look I never told Alex about you Emma. I liked how you had virtue or whatever.Emma: I don't. Not any of that.Jay: Come on. Who are youtrying to fool? Everybody knows. Everybody knows about the real you! Just-(Emma leaves and watches the play sadly from the side.)At the hospital, the guys are going back to Jimmy's roomCraig: Man we were soclose, the Kid was basically sweating on us!Marco: I am never gonna shower.Craig: What?!(The guys are laughing, and when they get to the room and Jimmy's dad is standing there waiting.)Mr. Brooks: Your nursecalled. Furious!Jimmy: So what are you gonna do? Ground me? Look. Today was an obstacle course okay? And I brought my A game. I had an A game!Mr. Brooks: James listen.Jimmy: No, I'm ready to come home!Now you have to be ready for it!Mr. Brooks: Will you be here tomorrow morning?Jimmy: Depends. What are you offering?Mr. Brooks: Find you a home care person to fill in the gap, be with you all the time.Okay?Jimmy: Okay. Thank you.At Emma'sSpike: She was so amazing. I couldn't believe it was the same girl.Mr. Simpson: Kate Hepburn was reborn.Spike: Did we wake you, Ms. Hepburn?Emma: I wasn't asleep.Mr.Simpson: Post show adrenaline. Probably feel fantastic right now, huh?Spike: And for the record Snake and me walking on egg shells around you is officially over. Our girl's back!Emma: I just wanted you to be proudbefore. How brave and perfect I was. And after everything happened and Rick died, I couldn't hold onto it anymore.Spike: You don't have to be brave or perfect ever. Just be you.Emma: But what if I don't like me verymuch right now? (Emma starts crying) I need somebody to take me to the clinic.Spike: Are you sick? Do you have a fever?Emma: I just need to go to the health unit. Tomorrow.Mr. Simpson: There's something goingaround the school right now, but it's a very specific group. And Em, if you're worried, there's a good chance you don't have to be.Emma: I have to be.Spike: Emma.Emma: Just say you'll take me. Just say. (Spike hugsher, as she's still crying) Scenes for next weekVoiceover: With Jimmy's return to school, Spinner must now face the truth.Spinner: I would have come, but things got crazy...Jimmy: I understand. I probably should havebeen there with you instead of at the hospital getting a bullet removed from my spine.Voiceover: And reveal what really happened that day.Jimmy: Rick put me in this chair for life!"}
+{"doc_id":"doc_69","qid":"","text":"Opening scene - Hospital - the first thing we see is a black screen with the sound of a siren, and what sounds like a dispatch message. I cannot make out the actual words sorry. we see the hospital doors open andparamedics rushing a stretcher inside, there is a bright light so its difficult to see everything - all the talking in this scene is very echoey, and distant. it's very reflective of the situation. there are also a few voiceoversfrom 224, which I think were done great!)Paramedic: I got a gun shot wound exited the right clavicle, punctured an artery(we see a close up of Trey, and the other paramedic is holding a breathing thing over his mouth.a doctor comes down the corridor, putting a gown on)Dr: he still aliveParamedic: not for longV.O Ryan: how could you man...I would'a done anything for you(we see Trey kind of moving his head a little, then we see theceiling of the hospital as if we are seeing what Trey is seeing. we then see Ryan & Marissa coming in through the hospital doors, they both look worried and scared)V.O Trey: look man, it was messed up, I wasstoned(an officer comes into the shot and walks over to Ryan and Marissa as they are coming in)Officer: we've still got some more questions for you(Ryan walks passed the officer and over towards Trey)Ryan: I've jusgotta see if he's gonna be ok(we see Trey, still with the breathing thing over his mouth, being pushed away. there is another voice over here but its at the same time as the next line so I cant tell what it is, its possibly ascream/cry from Marissa)Marissa: (worried, to a nurse) he's not gonna die, right(behind Marissa we see Seth and Summer enter, they both look worried as well, and they are looking in the direction ofMarissa/Ryan/Trey. behind them we can see the ambulance Trey came out of)V.O Ryan: it wasn't my idea Trey, I didn't wanna steal that car(we see another shot of Trey, which is a close up of his bloody face, and alittle of his chest. here we see a bit of the hospital roof and light, but also blended into it is the scene where Trey pulled the gun on Ryan at his apartment in 224. its been done similar to how we saw the Ryan/Marissa'who are you' scene during the Ryan/Lindsay car conversation of 208 . its a blink and you'll miss it deal :))V.O Trey: hey man I went away for it an uh you got the good lifeV.O Ryan: so you had to destroy it, you had tohurt her, huh(the last thing we see is Trey pointing the gun at Ryan, then we see the hospital light again and Trey being rushed down the corridor. Ryan comes around the corner, behind Trey, the doctor and theparamedics)Ryan: hey, he's my brother, is he gonna be okDr: he'd be better if someone hadn't shot him(the Dr and paramedics move the stretcher closer to the bed, nurses are also there)Dr: he's lost alot of blood so(turns around and sees Ryan) Jesus what the hell happened'a youRyan: (looks at Dr) nothing I'm fineDr: (yells) could someone look at this kid(Ryan turns away from the Dr and everything goes blurry)Officer: just assoon as we're done talking to him(we see a close up of Ryan, and he has a noticeable bruise, and bloody nose, he also looks out of it. he looks away from the officer and back at Trey. we see Trey being moved over tothe bed, then someone squeezing the breathing thing over his mouth. we then see Marissa and Summer standing together near the hospital doors, an officer is with them)Marissa: (yells) Ryan(Ryan turns to faceMarissa, she puts her hand out to Ryan helplessly)Officer: (holding the gun) did you discharge this weapon manMarissa: (looks at officer, frustrated) yes I already t-Ryan: (yells urgently) don't answer him, don't sayanything(the officer near Ryan looks over towards Marissa, shocked. Marissa looks at Ryan and shrugs. the background goes out of focus, Seth comes into the shot clearly on the right hand side)Seth: you ok (Ryanlooks at him)Dr: we're losing him(Ryan turns towards where they are working on Trey. we see a very quick flashback of Trey and Ryan, then we see them still working on Trey, squeezing the breathing thing. Ryan looksaway from Trey and back towards Seth, dazed. we see how Ryan is seeing, which is Seth as wavy, then squashed/ stretched)Seth: you alright(Ryan looks at Seth, blinking and breathing heavily. his vision is nowbordering on blurry. we can see Marissa out of focus in the background still. Sandy comes through the hospital doors)Sandy: Ryan (Ryan looks at him, still blinking and dazed) Seth...you ok(Ryan is now seeing Sandy asshort/fat, and wavy. we see Ryan looking at Sandy & Seth, growing more and more disoriented till he falls and passes out on the floor. we see what he is seeing as he falls, then we hear the thud and see Ryan on hisstomach next to Treys bed. - we then abruptly cut to the pool house where Ryan has jolted himself awake. he blinks and slightly lifts his head, we can see a bit of sun on his cheek. he looks freaked out. he then lifts hishead more and opens his eyes wider. he rubs his hand down his face, and sniffs. we then see Ryan sitting up on his elbow in bed, we can also see a silhouette at his door, and then we hear a knock. Seth opens the doorand walks in, in true Seth style, lol)Seth: hey man, I jus wanted you ta know that uh (stops and looks at Ryan worried) you okRyan: (looks at Seth, then looks away and sighs) I just had the worst nightmare (raiseseyebrows)Seth: yeah, I got some...bad newsRyan: it wasn't a dream (closes eyes) yeah, yeah I know (opens eyes)Seth: well that lawyer guys on his way over so...Ryan: (softly) thankyou(Seth turns and leaves. we seea close up of Ryan who looks worried)Cooper-Nichol veranda - we see an aerial shot of the pool, and Marissa and Summer sun-baking beside it. think 201. it then changes to a front on shot of them, but it's as if it's ontop of the pool water, half way through Summers line it changes to a close up of them. Marissa has her head back, with sunglasses onSummer: you know Coop, if you had of asked what we'd be doing the weekendbefore senior year (thinks) I probably would've said a road trip to Rosarito or rush week at SU with college boysMarissa: an waiting to get charged with manslaughterSummer: (shakes head) wouldnt'a made the list(looks at Marissa) mm-mm...(reassuringly) your gonna get through this Coop (looks at Marissa with one eye open, one closed from the sun) your innocent you were saving Ryan's lifeMarissa: (lifts head) try explainingthat to RyanSummer: he understands why you did it he's not mad (shakes head)Marissa: its jus like this... weird horrible thing (lays head back) hanging over us...like the elephant in the room...or an intensive careunitSummer: (frowns) before Trey I never actually knew anyone in a coma (shakes head) well I mean on the valley there's someone in a coma (Marissa frowns) like every week but I think they only do that so that whenthe person wakes up another actor can play the part (nods, confidently)Marissa: (raises eyebrows) unfortunately if Trey wakes up he's still gonna be Trey...if he wakes up (looks down)Summer: you've got'to admit Coop(Marissa looks at her) whatever happens, Ryan facing off with Trey to avenge your honour, god that is SO-FREAKING-HOT (Marissa doesn't say anything) ...in a mythic, biblical, Samurai Western kind of wayMarissa: Ireally wish that helped me sleep at night Summer (puts head back)Summer: (frowns, concerned) you're still not sleepingMarissa: I shot someone Sum (Summer looks at her, then away) an even if he lives, which...is abig if, I'm still gonna have'to live with that for the rest of my lifeSummer: (nods) oh (puts head back & closes eyes) senior yearMarissa: (scoffs) should be all time (half smiles)(we see the backs of the pool chairs and ashot of the house)CUT TO: Cohen kitchen - Sandy pours a whole pot of coffee into a tall mugDDA: thaaanks a bunch, SandySandy: if a pot'n a half isn't enough to get you through the morning (holds out mug) I canmake some moreDDA: that'd be great (drinks)(Sandy looks at the DA and then picks up the pot to refill it)Sandy: sorry for the mess, its ben a little hectic (looks over) Seth'll be right downDDA: (frowns) and Mr.AtwoodSandy: he's gettin' dressed, well the kids've ben through alot this summer with all this hangin over them, and now school is startingDDA: which is why the DA wants to get moving, we waited as long as we couldfor the other Mr. Atwood to wake up but I'm getting alotta calls from parents...DA's under alotta pressure ta prosecute (drinks)Sandy: except there's nothin ta prosecute, Marissa's protected under the defense of others(looks at DDA) of course your boss may not find that very sexyDDA: quite true...(looks at Sandy) DA's not lookin to go after MarissaSandy: (looks at DDA, annoyed) Ryan's innocent...you got his statement at the scenean hersDDA: look at the record Ryan's got, his history of violence...an Caleb Nichols daughters the one blowin away ex cons with a forty fiveSandy: (looks at DDA) she saved Ryan's lifeDDA: what was he doin over atTreys in the first place, his brother tried to rape his girlfriend (Sandy pours more coffee) we've got causeSandy: yeah, an ya got witnessesDDA: well the only people who saw the gun go off were Mr. Atwood Miss Cooperan the other Mr. Atwood, who (raises eyebrows) may or may not wake upSandy: (turns to face DDA) if you go after Ryan even if he's brought in on charges...social services could take him away from usDDA: whichexplains Miss Coopers motivation to cover for him (nods confidently) Mr. Atwood's got alot more to lose(Sandy glares at the DDA then turns back to the coffee)DDA: where is your wife anywaySandy: (sighs) she's outtatownCUT TO: Suriak Treatment Centre garden - we see a close up of Kirsten, as the scene goes on we see that she is in a group therapy session and Dr Woodruff is there leading itKirsten: my name is Kirsten an I'm analcoholicGroup: hi Kirsten(we can now see they are all seated on chairs around the fountain)Dr W: Kirsten your progress here at Suriak has ben...truly wonderful to watch (nods) your a model patient for...everyonehere(everyone looks towards Kirsten, however one patient near Kirsten looks more interested than the rest. a woman who is one person away from Kirsten, we find out later her name is Charlotte)Kirsten: (shy) well Idon't know about that...I mean Shelley is definitely better at poker (Shelley looks worried) she's cleaned me out(everyone laughs)Kirsten: (smiles, looks down) but...being here has given me the clarity tounderstand...why I turned to alcohol in the first placeDr W: an...do you feel comfortable sharing with the group uh why that wasKirsten: uh sure...I mean we're all in this together...I uh (thinks) I guess it begins andends with my dad (nods, frowns) he was (shakes head, closes eyes) an amazing man (shrugs) but controlling...and...I realised that I was living his life not mine (Dr W listens) after my mother died I did everything(Charlotte is listening intently) I could to please him (sighs) but I realised that no matter how hard I worked or how hard I tried-Charlotte: it was never enough (Kirsten looks at her) ...I'm sorryKirsten: (suprised) uh,no (looks at Charlotte) no its true it was never enough, became my mantra (smiles) ...I was never a good enough wife or a mom (raises eyebrows) because I wasn't a good enough daughterDr W: (points at Kirsten) thepower that comes with that kind of difficult realisation, will be invaluable after you leave usKirsten: are you trying'to get rid'a me (smiles)(everyone laughs)Dr W: well, it sounds to me like uh Suriak's work is done(Kirsten smiles, then looks unsure) you'll need ta get a sponsor...an attend meetings...but there's no reason you can't do that from your home(Charlotte looks at Kirsten, as if she knows Kirsten isn't ready yet)Kirsten:great (forces a smile)CUT TO: Cohen dining room - Ryan is sitting on one side of the table with his hands clasped together in front of him, and the DDA is sitting opposite him. Sandy is standing at the end of the table,close by. this scene changes between Ryan and Seth, kind of a blend of their 2 depositions so you'll know who's it was depending on who is talking, Ryan or SethDDA: Mr. Atwood (Ryan looks away) do you swear to tellthe truth an nothing but the truth so help you god-Ryan: (fed up) I do (sighs)DDA: well then you won't mind if I record this deposition (slides recorder across the table)Seth: sure, record it, release it on ITunes, I hopeit's a really big hitSandy: (not amused) just answer the questionsRyan: (looks at Sandy) I've already answered all of these questions (looks at DDA) I have nothing new'to say (looks down)DDA: well your previousstatement came at the hospital...it was traumatic its ben a couple'a months maybe you remember things differently nowSeth: I remember everything exactly as I told youDDA: well then you can tell me againRyan: ...I(leans forward) confronted Trey about what had happened and that's when he pulled the gun on meSeth: then we called Marissa to see if maybe she could stop RyanRyan: an that's when Marissa saved my lifeDDA: youmean, that's when Marissa shot Trey (Seth nods) an you witnessed the shootingSeth: well it was clear w- when we got there what had happenedDDA: just answer the questionRyan: (yells, fed up) no I did not (calmer)I didn't- (raises eyebrows) an-an an I didn't shoot him (Sandy looks at DDA)DDA: young fingerprints are on the gunRyan: yeah because I put the safety back on to make sure it didn't go off again(we see a close up ofthe recorder)Ryan: we-we (agitated, sighs) ...we weren't exactly thinking at the timeDDA: so one final question, what were you afraid (frowns) was going to happen between Ryan an his brother...why were you tryingto stop him(Seth doesn't say anything, Sandy looks down)DDA: you went to Treys that night to kill your brother (Ryan looks at him) didn't you Mr. Atwood(Ryan swallows and doesn't say anything. we see a close up ofthe recorder just as it stops recording)CUT TO: Cooper-Nichol veranda - Jimmy is setting the table and Julie is in front of him looking at herself in the reflection of a windowJimmy: (puts plate down) so what kind'a foodd'you think prosecutors likeJulie: (fixes hair) cause that's what's important here Jimmy (sighs, turns around) ok so (holds out hands) does this look like the outfit the mother of an innocent girl would wearJimmy: yeahwell at least somebody has their priorities in order...Julie: (sighs) I just hope Marissa listens to me, and our attorney, the last thing we need is her admitting ta the DA that she shot someoneJimmy: Jules (looks at Julie,confused) she already admitted itJulie: she wasn't in a right frame of mind when she spoke to the police...its not like she's a trained assassinJimmy: uh-huh so-so (frowns) what's our story, Trey shot himself...in thebackJulie: no, Jimmy, be reasonableJimmy: she's not gonna lie an say Ryan did it, they already have her statementJulie: nobody believes her, they all think she's protecting himJimmy: (looks at Julie) so you want Ryanto go away for thisJulie: ...all I know is that before he moved to Newport our lives were alot more normal, stableJimmy: (nods) uh-huh so it's his fault that I went bankrupt an nearly went to jail, an you married CalebNichol (raises eyebrows) only to watch him drown in a pool annnn Trey got shot (moves closer to Julie)Julie: (not amused) Jimmy, not everything I say is meant literally, I'm venting (faces Jimmy) look I wish none'athis ever happened but it did, an we have a chance to be a family again...I don't wanna lose that (Jimmy puts his hand on her shoulder) l w- put out some crudités' an the guda ill go see if Marissa's out of theshower(Julie goes inside and Jimmy turns around, looking worried)CUT TO: Pool House - Ryan comes out of the bathroom with a towel over his shoulder and Seth comes to the open doors from outsideSeth: (calls out)hey, you decent (Ryan shuts the bathroom door) thought maybe you could...use a post-depo-dipRyan: (holds up the towel) I just showeredSeth: mmm a fair point, then we'll stay away from aquatic activity somethingland locked maybeRyan: (thinks) I'm gonna visit TreySeth: I was gonna go with a movie, this bein the time when Hollywood dumps their crappy would be blockbusters which we could mock (touches his chest) an thusfeel better about ourselvesRyan: (ignoring Seth, stands) you got the keys (raises eyebrows)Seth: but (puts up finger) visiting your comatose brother in the I.C.U that's...also an excellent way ta relax an blow off steamso ill driveRyan: awesome(Seth turns around and goes out the doors. Ryan is behind him)CUT TO: Cooper-Nichol veranda - Jimmy, Julie, the DDA from earlier and Mr. Esbenshade are standing together near thetableJulie: (holding jug) Mr. Caldwell, would you like some more lemonade (smiles) Mr. Esbenshade(Mr. Esbenshade shakes his head and mouths 'no thanks' at Julie)Julie: oh come on its ok for a prosecutor an defenseattorney to have a glass of lemonade together (Mr. Esbenshade smiles) we're all human beings hereJimmy: (frowns) I'm not so sure about these guys(Julie turns around and looks at Jimmy. Marissa and Summer comeout the door)DDA: Miss Cooper(Marissa and Summer reluctantly walk over, they both look unsure)DDA: I'm Deputy District Attorney Chris Caldwell ill be conducting this depositionMarissa: hi (looks down) uh where doyou want us ta sitDDA: actually (looks at Summer) Miss Roberts cant be present (Marissa frowns) we wouldn't want you influencing her testimonyMarissa: (confused) she (points) knows what you know which is thetruth, which is what I already told you peopleDDA: Miss Roberts (raises eyebrows) if you could please wait inside(Summer doesn't know what to do. Marissa and Summer look at each other)Julie: Summer, we have HBOon demand, every season of s*x and The City, knock yourself out(Summer looks at Julie. Marissa looks down, sadly. the mean DDA guy from earlier takes out the recorder and puts it on the table)Summer: Mariss you'llbe ok, I'm jus gonna wait insideMarissa: (to Julie & Jimmy) look I already told everybody everything, I don't wanna have'to go through this again (Jimmy looks down) talk about all of it in front of these strangers(points)Esbenshade: Marissa I need to remind you this deposition is binding, your testimony in court can't waver from what is said hereMarissa: (frustrated) I already told the truth so what's the problemDDA: theproblem, Miss Cooper, is that your testimony lacks credibility(Summer Marissa and Esbenshade look at him, Marissa looks down. Julie looks at Jimmy)DDA: Miss Roberts please wait inside(DDA, Marissa & Mr.Esbenshade go to sit at the table)Jimmy: come on Summer(Jimmy puts his hand on Summers back and leads her inside)DDA: now Miss Cooper, I'm going to have'to swear you in(Marissa turns to look at Summer, wesee a close up of her face and she looks vulnerable. Summer looks at Marissa helplessly before going inside - i just have to say that you can really see how much Marissa/Summer need each other in this scene)Julie: it'llbe ok Marissa(Marissa glances at Julie before looking down, upset)CUT TO: The I.C.U - as the camera pans across we see through the blinds that Ryan is sitting next to Treys bed, we can also hear some hospitalannouncements faintly. the shot changes and we can now see that Seth is also in the room, leaning against the door frame. Trey is still in a coma and Ryan is leaning forward staring at himSeth: I kinda like him thisway he's a better listener (Ryan blinks and looks down) ...sorry, I get talkative around coma patients it's a (frowns) compensation thing, ill give you guys a minuteRyan: wait just uh(Ryan turns to Seth then back toTrey, he stands and leaves the room. the camera zooms in on Treys hand and after a few seconds his pinky finger very noticeably moves - out in the corridor Ryan and Seth are walking together)Ryan: sorry man (raiseseyebrows) I don't even know why I came here (Seth listens) that night I wanted to kill him now id do anything to take it backSeth: well you can't blame yourself an you can't change what happenedRyan: yeah but Imean Trey could'a tried to make it work, living in town I mean I had my brother here(Ryan and Seth are now outside near the ambulance bay)Ryan: now everything's screwed up an he's the only family I got leftSeth:(looks at Ryan) well that's not exactly true(Ryan realises and half smiles then looks down. back in Treys room we see the monitor that he's hooked up to, that goes out of focus and Treys head comes into focus, his eyessuddenly open and look around)CUT TO: Cohen living room - on the TV we see a video game of baseball being played. half way through Seth's lines we see that Ryan and Seth are sitting on the couch togetherSeth: ok Ijus have'to say that I still support the recent decision (Ryan looks at him) (swallows) in the wake of all the violence we've experienced to ban any games with ninjas or guns (frowns)Ryan: yeah, but?Seth: weeell it'sjust I don't understand any of the rules to this...\"baseball\" they call itRyan: (looks at Seth) you mean America's pastimeSeth: (looks at Ryan, unsure) eah, feels like more of a fad to me buddy I don't really see it catchin"}
+{"doc_id":"doc_70","qid":"","text":"Since you're in beach buggies, you will now drive to the beach at the northernmost point of Namibia, where it meets Angola. It's 1.000 miles away.Richard: We have got to find this road. This is not gonna be too cleverin the dark. Listen. I shall find the Southern Cross.Richard: Oh, this is a bad idea! We are now trusting our lives to an orangutang who thinks he's Patrick Moore.James: 24 hours of cold, misery, to achieve exactlynothing. I mean, it is exactly nothing.Richard: Oh, it's coming in!(JEREMY YELLS)This is the best desert I've ever been to. Holy sh1t!Richard: Oh!(YELLS)Jeremy: What it actually is is a big, orange killingengine.Jesus!(LAUGHS)Richard: (LAUGHS) Oh, my God!Please make it! Please! Just need to find a road now. This is not funny any more. I don't want another night in the desert. Oh, my God. I could go east, I could gowest.Richard: Whichever way you go, it goes somewhere. Yes! It is the road to freedom.(THUD)What the hell was that? What I'm driving here, or attempting to drive, is Apollo 13.Jeremy: It was morning by the time Inursed my wounded car into Windhoek, and my well-rested colleagues were full of admiration for how I'd pulled off such a feat. Is that the first thing you thought of? What? Tear a hole in it. What's that gonna do? Ineeded to get to the bleed valve on the radiator, which is there. Is it? And, to make life doubly difficult... I trod on my spectacles.(RICHARD LAUGHS)That is tragic, trying to fix it with one lens. I was trying to fix it. Andthe only eye I can close is this eye. You can't close your left eye? I can't close my left eye. Why didn't you put them on upside down? You'd have the lens over the other eye. That is logic there. Oh, yeah.(LAUGHS)Comeon, let's go. We've got a lot to do.Jeremy: No! The one thing we have established now is that, with the exception of Windhoek, which is the capital, Namibia is a tough and arduous place. Yeah. Have you bought maps?No. Have you got tenting equipment of any sort? Have you got somewhere to sleep other than the desert floor? No. So why don't we, today, get prepared for the next leg of the - big leg of the journey? That is a goodidea. We'll do that. That's not a bad idea. We'll grant ourselves a day of... shopping. Mm. First of all, would you permit me to chisel some of the cheddar that has grown in my underpants away? Well, not here.Jeremy:Having de-cheesed my body parts, we headed out to get the necessary supplies.Richard: The thing is, if we go mesh, it'll keep the sun off but it won't keep the light out. That will wake us up early. That's 1.5 kilograms.But- Hammond, the first thing you need to know before we start shopping in here is James and I are in charge.Richard: Well...James: Sorry, he's right. No, you're not. You don't know anything about camping.James,Jeremy: Exactly. How does that make you in charge? Because we know it's all terrible. If we leave it to you, we'll all end up sleeping in small green triangles. The camping you know about is in the Lake District, whereyou deliberately make yourself miserable. I'm sorry, he's right. It is possible, I think, with a bit of ingenuity and money, to make tenting bearable.Jeremy: Richard Baden-Hammond disagreed, so we went our separateways. Correct, incorrect. Exactly. Do you agree? But I'd go even more correct. Oh, yes! Perfect. Roll it out on the desert floor... you're home. Oh, James! Le Creuset! See, Hammond would hate this, because this weighsmore than a tent. Which it does, actually. A lot more. And it weighs more because it is a quality item. Exactly. Pocket trowel. Pocket soap. Here we go. Pasta spoon. Yeah, good idea. I find that bottle opener a bit...lightweight. Yeah, more expensive is what we're looking for. You see, look at this, James. This is the sort of thing Hammond would think is a chair. Ooh! That's all you need. That's your whole... stove. That's it. Is it gas?It is, isn't it? I presume so. For two, you could get a small chicken in there, or... a pheasant. We're getting there now. So that folds down to that. Yeah.Jeremy: The next morning, we headed out once more, with thecamping gear James and I had bought bringing up the rear. And besides stocking up with essentials, Hammond and I had used our day off in Windhoek to modify our cars. To solve my overheating problems, I've fitted aram-air scoop, which shovels refreshing, cooling air into the radiator as I go along. And, as you may have noticed, I've fitted a spoiler. My only complaint, really, about my beach buggy was its lack of performance inthird and fourth gears. Couldn't up power from the engine and I don't want to stress it, so I could lighten it. I've stripped away the superstructure here and the passenger seat, anything spare. That means this car is30-40 kilos lighter than it was before. Jeremy, why has your car sprouted a green moustache?Jeremy: Well, it's a spoiler for added downforce at the front end, which you need in a rear-engine vehicle. This thing will beunbelievable through the corners now, it really will. Like a 911. And I tell you what, even with your new lightweight buggy, you're no match for what I've got here this morning. Yeah, I'm sorry, mate. This is quicker. Itis not. It is. Right, Richard Hammond, I challenge you to a race. OK, you're on. Idiot.Jeremy: We shall find a race track and we shall do racing. Well, you carry on. I'm not doing any racing. That's utterlypointless.Jeremy: On the outskirts of the city, we found a rather excellent circuit where we could do timed laps, and James could try out his new vacuum cleaner.(VACUUM WHIRS)James: Oh, yes.Are you ready? No.Why not? Temperatures and pressures. This is a racing machine. Look at it. It's a plastic beach buggy parked near a V8. With aero. Really? In...(REVVING)...three, two, one, go!(REVVING STOPS)Yeah, I'm gonna do itin gear. Give it a shot. I'm gonna try that. In- No! Throttle's jammed. Yes. (STAMMERS) Jammed. In- No! You can keep saying \"in\" till the cows come home. The throttle...(VACUUMING, JAMES HUMSTUNES)(REVVING)Three, two, one, begin!(BOTH YELL)Why... Why have you stopped? Ah. Well, erm...(ENGINE STOPS)The throttle may have gone a bit open.(IGNITION FAILS)Yeah. My throttle is totally broken.Anyway, Hammond... Yeah? Any car which can wheelie off the line... is going to be able to beat yours, and would have done. So... Sorry. You're saying because your car started, well, 50 yards away over there,wheelied, was uncontrollable, slammed back down and broke itself, it's the best on the track?Jeremy: Yes. Well, much learned. Really useful. Glad we did it.Richard: With Jeremy's endlessly troublesome car fixed again,we scooped up James' Dyson and continued northwards towards the finish line at the border with Angola. The going was smooth and easy and eerily quiet, which begged a question. Now, apparently, Namibia is themost dangerous place in the world to drive. There are more accidents per head then anywhere else, and car accidents are the first and most common cause of death in young adults. How? How can that be so? I mean...the place is empty. In Britain, there are 250-260 people for every square kilometre. Here... it's two. Two! This makes the Australian outback look like Monaco. Monkey! Monkey! Huge anus! Did you see that thing'sanus?James: I, however, was not thinking about population statistics or monkeys' bottoms. I was just happy to be on a smooth surface in a car that wasn't filled with dust. I shall relax... with the lovely view. Sadly,though, a few miles later...(RATTLING)Ow! Ow! Oh, my nuts! Ow!(GROANS)Stop it! Ow! Ow! Agh! James May? Yes, I can hear you, but it's very uncomfortable and my car has... has cut out.James: Ow!Jeremy:Mercifully for James, we eventually arrived at a game reserve, which we decided would be an ideal place to set up camp for the night.(UNZIPPING)Richard: Right.(CHUCKLES)That's what we need.Jeremy: As Hammondbuilt his canvas hovel... James and I were looking forward to a more civilised evening in the tents we'd bought, and which had been erected by the butler we'd also bought.James: Thank you, Giovanni. Tuck your shirtin, man! It's not a bloody caravan site. Erm... I'm just thinking, dinner. Mm. Do you mind if I get changed? No, exactly. I'm gonna have a shower. Mm. Or I may have a bath, actually. Why not? Giovanni, could you runthe baths?Jeremy: Apparently, this place has got oysters. Really? Here? Yeah. I know, it's extraordinary. Who knew? Are you coming for some dinner?Richard: What do you mean, \"Coming for dinner\"? I'm cooking here.There's a restaurant just down there. A restaurant? Yeah, just down there. I don't want to go. I'm cooking this. I'm doing it properly, camping. Well, come and- I'll join you after dinner.Jeremy: Whatever.James: He'ssuch a peasant, isn't he?Jeremy: It's just unbelievable.(METALLIC CLANGING)Jeremy: That evening in the restaurant, Hammond never did join us.But James and I were not short of company. Oh, look, there's rhinos!There's actual rhinos! And they've been dehorned. They've had to take its horn out to stop poachers shooting it. But you know what the poachers are doing? They shoot the dehorned ones, because if they track for acouple of days, a rhino, and then it's got no horn, they shoot it, and then they'll never track it again, so it saves time. Do you know how much you get for a rhino horn now? On the... On the market? Yeah, in Vietnam.I'm guessing it's a lot.[SCENE_BREAK]So that's more expensive than gold. Good God. Even the nub that's left that he's got is still worth, I don't know, thousands of dollars. I was gonna say, no matter how carefully youdehorn it, there's still horn going down into its nose.Jeremy: That's such a tragedy, that, you know.James: Yeah. I want to do something about this while we're here. I'm sure we could come up with something. I'm surewe could.[SCENE_BREAK]Richard: The next morning, I woke to find I'd been recruited into the Clarkson and May Rhino Protection Squad.They were even convinced that our beach buggies would be ideal for tracking thepoachers. I can't deny, they do have a point about the whole rhino thing. It is ridiculous. Two rhinos killed every day in Africa by poachers, and then sold to a market that believes it's a cure for cancer, impotence, evenhangovers. But are we necessarily the right men to tackle it head-on in the field? Ow! (YELLS) Wouldn't we be better just popping a \u0000coin in a jar and letting somebody who knows what they're doing solve it? Well, I'vegot a tranquilizer gun from the place where we were last night, but... I can't see anyone to shoot.Jeremy: Figuring that the poachers probably didn't use the main road, we went off to look in the bush.James: Whatabout over there?Richard: No poachers. Tyre marks. It may be some poacher. Oh, no, wait. BF Goodriches. This is James May.Richard: Just so you know, this is stupid.Jeremy: What's stupid?Richard: How would yourecognise a poacher when you saw one? And when you find one, what are you gonna do? Shoot him. All we're doing on our journey is driving three beach buggies to the Angolan border. Yeah. Which doesn't further thecause of humanity.James: Exactly.Richard: And this does, does it? We've got a day, Hammond. Give us 24 hours. 24 hours. Then, I promise, we'll get back on the road.Jeremy: Once our sceptical colleague had agreed,I decided to change tack, abandon the cars and search from the air, using some beach-front parasailing equipment. Jeremy? Yes? If we don't make it, please know that I hate you. There's not a breath of wind, so don'tbe stupid. Oh, my parachute's been... Oh, hello!Richard: Goodbye.(JEREMY YELLS)Richard: sh1t!Richard: That's not worked at all.Jeremy: OK. Right, I'm not gonna do that.Clearly, my solution was too dangerous forus, so we sent Giovanni up instead.(FAINT YELLING)Look, he's going over there. He's gonna crash and die. No, he's been blown a bit sideways but- - And downwards.(YELLING CONTINUES)He didn't sign up for this, didhe?Jeremy: Giovanni failed to spot any poachers, so we told him to stop messing about and get back to camp to pour some drinks, whilst we had a rethink. Everything we've tried has gone wrong. So let's accept it nowand move on. We can go. No. I think the poachers only go out at night. Oh, for God's sake. We'll let the sun set, get some tactical kit. Rifles. Come on, Hammond. You gave us 24 hours before you took our guns andbadges.James: He did.Richard: OK. I think a couple more beers, head out there. I agree. Let it get dark. Be patient.Jeremy: Yes. Hunters are patient, aren't they? Exactly.Jeremy: Once darkness had fallen, we gotkitted out with tranquilizer guns and tactical kit and headed back into the bush with a very unsure Richard in tow. I mean, I'd like to stop poachers, but out here at night, what is the poacher-to-lion ratio? What am Imore likely to find?Jeremy: What you have to do is look for rhino tracks, cos that's what the poachers will be following. Literally the most manly thing I've ever done. (IN AMERICAN ACCENT) Grand Tour for men,splashing all over.(GUN FIRES)Richard: Ow!Jeremy: Bloody hell!Richard: You stupid bastards!Someone's shot me!Richard: Hammond? Hammond? Hammond?James: Clarkson, you moron.Jeremy: Hammond? Right,well, I have to be honest, yesterday was a total waste of time. We achieved nothing. All we did achieve was we seem to have wounded Mr Hammond, who er... well, we couldn't wake him up this morning at all. Andbecause we needed to get going, we've a long way to go, we've had to improvise.(HELICOPTER WHIRS)Aaargh! What the (BLEEP)? What the (BLEEP) is this? You bastards!(YELLS)Jeremy: Back on the ground, Jamesand I had our own problems.(RATTLING)Oh, God! Ow! Ow! This is very good for the gravel rash that I got... during my parachute accident yesterday. Oh, that hurts. What we could really do with is a rain shower todampen this dust down.James: I think it's unlikely. Yeah, there's no evidence that rain is on its way, I would say.Jeremy: Soon, word came over the radio that Hammond was on his way to rejoin us... and that he wasn'tin the best of moods. What was that? (GRUNTS) What was that about? We didn't want to leave you behind. You wouldn't wake up. No, obviously, you didn't want to leave me behind, so you did the logical thing, which issuspend me from a helicopter whilst asleep. Yes. Most people would arrive at the same conclusion. No, you didn't! You were having a laugh! Do you realise how rough the first road was that you haven't had to drive on?And you got a helicopter ride, which we haven't had. You wouldn't be laughing and sniggering so much if I'd fallen out of that thing, as I could have done. Well, it wouldn't be funny. No, it just wouldn't beinteresting.(JEREMY SNIGGERS)Jeremy: With the rhino fiasco behind us, we got back to the job in hand... which was to reach the Angolan border, and therefore prove that beach buggies are brilliant go-anywheremachines and not just frivolous toys.Today, however, that theory would be seriously tested. Oh, for God's sake!(GROANS)(GROANS) Ow! Ow! Ow! Ow! Ow! Ow! Ow! Christ on a bike! I hate to admit this, but I'm jealousof Hammond. I wish I'd fitted that suspension on my car. How is this car gonna stand up to this punishment all day? Well, since it had been designed by me and made from 40-year-old components, the answer wasdepressingly predictable. The alternator, as you can see, has come off its hinge. The bolt's supposed to go in there and it's just come off. And the bolt, well, that's somewhere back there, 100 miles. So, my alternator isnow held on with a screwdriver that I've hammered into place. And we're running well. Oh. I don't know what I'm gonna do about it, but I don't have a fan belt on there. I've got a problem. (SIGHS) Another five miles,another fan belt. I'm gonna need a pair of tights. And it wasn't just me. I've been through all of that, all of that, the ignition cut-out switch. I've got some weird gremlin.Jeremy: This road is just shaking these cars topieces.James: Naturally, Jeremy decided that the only way of keeping his car in one piece was to drive very quickly. My optimum speed is 2.800 rpm, that being my only dial, really. That way, I'm skipping over the topof the ridges. Unfortunately, at this speed, my V8 was emptying the petrol tank every 31 miles. And one of the items we'd forgotten to buy at the camping shop was a funnel. Right, wind's dropped. Here we go. Drink!(GROANS) This is completely safe. Some of the petrol is... Oh, my giddy aunt! The roads are getting worse. Even though the going was appalling... the beach buggies, amazingly, were, more or less, still in one piece.However, as the relentless pounding wore on, the same could not be said of James. Agh! Oh, my God! Honestly, my bones are going to shatter.(GROANS)I've had enough of this. What I'm doing is I'm trying to softenup the front suspension, and I'm gonna soften the tyres as well. I've done quite a bit under here. Now I'm going to let a bit of air out of the tyres.(AIR HISSES)James: This made a huge difference.(CLATTERINGCONTINUES)This is rubbish! Stop! But it didn't stop. It went on... and on. That day, I did 350 miles, and every single one of them was filled with pain, dust and misery. And that's why, the following morning, I came upwith a radical plan. Don't drive on the road, drive near it. I did a bit alongside the road. Admittedly only half a kilometre, but it was bliss by comparison. It was like driving on a freshly resurfaced Silverstone. We don'thave to stray miles from it. I agree, that would be foolish, cos we could just end up as skeletons. But, honestly, it's agony in mine. I've got neck ache, headache. I hate it. Right, I tell you what, Hammond. I tell you whyI like his idea. If it is smooth off-road, it's more comfortable for us. If it's hopeless out there, we can blame him. Fair enough.Jeremy: With that settled, we left the road and set out on Highway May. I'll give James onething, it is smoother than the road, but I am doing 3 mph. I mean, yeah, I like off-roading, I do, but... this isn't exactly quicker, is it?Jeremy: Sadly, a short while later, we didn't even have smooth going for us. Ow!(GROANS) Ow! Ow! Ow! Oh, spiffing. (GROANS) James, I hope you're happy with this. How bad must it have been for him if this is better? Oh, God al-bloody-mighty! What an idiot that man is! Yeah, this is a lot lessbumpy. Oh, Christ! Jesus! Is this better? Really? Stop moaning!(GRUNTS)Jeremy: Hammond, my entire throttle assembly has disintegrated.Richard: I can't see why. I'm sure this is all helping it.Jeremy: Perfectly allright on the road.Yeah, I don't know why more people don't drive their cars on the road. Stop blaming your failures on the scenery. Every bone in his crotch... that's what I'm gonna break. Every single one of them. Andthen, if it were at all possible, May Tours got even worse. Oh! Oh, God! The dust! Agh! What is this Star Trek special effect we've arrived in? Oh, my God! I am swimming through dust. I'm actually swimming in it. Oh,dear, oh, dear!James: We had driven into something called fesh fesh, a sand as fine as talcum powder. Oh, shite! And this had made Ali G even more cross.(REVVING)I can't see a bloody thing now. I've got to... I can'teven find James May to kill him.(GROANS)Jeremy: OK, the engine's boiling and I'm stuck.All my electrics have gone haywire My... It's still trying to turn the motor over. The battery's dead. Are you stuck, James? Er...(COUGHING FIT) (COUGHING) I think I'm stuck. Well done, James. Improved our lot no end. So the situation is... Hammond has broken his car, you're stuck, and mine's overheated. Are we going to say, James, thatyour idea was stupid? It was stupid.Jeremy: With even Sergeant Stubborn admitting defeat, it was time to throw in the towel. So we got ourselves sorted out, got a wash in the river and headed back to theroad.[SCENE_BREAK]There you go. Freshly ironed linen shirt with epaulettes that matches my beach buggy. Ironed by Giovanni. Despite everything, our beach buggies had covered 750 miles of our 1,000-mile journey,and we were now well into the tribal regions of northern Namibia... which is picture-book Africa. Well, this is all a bit too beautiful for words along here. Look at this. Tribal Namibia, I like it. Where we are now, it'sgenuinely... Well, what would you say, \"unspoiled\"? Yeah. People do live the lives they've led here for thousands of years. Oh, no! Oh, no! I'm dying! Annoyingly, the James May excursion had caused more damage thanI'd realised. Oh, now this is stuck on. Oh, bugger. Then, instead of the breakdown-recovery service, some topless ladies arrived...(SHRIEKING AND SINGING)Richard: Hello....which made knowing where to look a bitdifficult. Oh! Erm... Concentrate on the job, Richard. This is unusual. I mean, normally the AA would have done.(SINGING CONTINUES)Thank you! Very good.(SINGING CONTINUES)Oh, there's more.Jeremy: I, too, wasnursing wounds as a result of May Tours. I do seem to have lost...(ENGINE CHUGS)...one of my cylinders somehow. I'm driving a V7. Basically, this is now Spitty Spitty Bang Bang. So, at the lunch stop, Richard and I"}
+{"doc_id":"doc_71","qid":"","text":"THE TIME MEDDLERDENNIS SPOONER5:40pm - 6:05pm[SCENE_BREAK]1: INT. MONASTERY. MAIN HALL(STEVEN pulls the doors fully open.)STEVEN: We can get inside.(They crouch down and walk inside thesarcophagus.)[SCENE_BREAK]2: INT. MONK'S TARDIS. CONSOLE ROOM(They push open the doors and stand up straight as they find themselves in a familiar looking gleaming control room.)VICKI: (Totally amazed.)It's a TARDIS. The Monk's got a TARDIS!(STEVEN and VICKI walk towards the console which is similar to the DOCTOR'S but on a raised dais. They examine the controls.)[SCENE_BREAK]3: INT. MONASTERY.PASSAGEWAY(Sword still in his hand, the DOCTOR continues to interrogate the MONK.)DOCTOR: I repeat my question: Which fires and what are they for?MONK: All right then. They're a signal for King Hardrada andthe Viking fleet.DOCTOR: I see.MONK: They'll think it's a landing place. They'll come in unsuspecting! And then...DOCTOR: Well? Out with it!MONK: I'm going to destroy them!(The DOCTOR looksaghast.)[SCENE_BREAK]4: INT. MONK'S TARDIS. CONSOLE ROOM(VICKI runs her hands across the controls. Some feet away, STEVEN has found something of interest...)STEVEN: Hey, Vicki. Come and take a look atthis. He's...he's got a sort of fantastic private collection.(A small side room off the console room contains hundreds of pieces of art. Oil paintings hang off the walls, gilded statues clutter the floor area in betweenexpensive antique furniture.)VICKI: He's got something from every period and every place.(STEVEN spots something out of place in all these riches. He goes over to a box full of foot long futuristic rockets and kneelingdown, picks one up.)STEVEN: Hey, come and take a look at this.(He picks one up. VICKI has found a small notebook and she carries it in her hands as she walks over and crouches next to STEVEN.)STEVEN: It's likesome kind of neutron bomb, I think.VICKI: Pretty unpleasant looking things, whatever they are.(She reads the notebook.)STEVEN: Hey, do you know...these could be fired by that weapon we saw on the clifftop. Huh, Iwonder what he wants to do? Sink a ship?VICKI: He could sink a whole navy with that lot, I should think.STEVEN: Yes but the point is why would he want to?VICKI: Why has he done a lot of things? Listen tothis...STEVEN: Why? What have you got there?VICKI: A logbook. A sort of diary. Listen: \"Met Leonardo Da Vinci...\"STEVEN: Who?VICKI: Da Vinci - listen! \"Met Leonardo Da Vinci and discussed with him the principles ofpowered flight.\"STEVEN: What? Da Vinci lived in the...middle ages... I know he tried to build a...flying machine, a sort of aeroplane...VICKI: I know and according to this it was the Monk who put him up to it. And listento this: \"Put two hundred pounds in a London bank in 1968. Nipped forward two hundred years and collected a fortune in compound interest\"![SCENE_BREAK]5: INT. MONASTERY. PASSAGEWAYDOCTOR: So that's it!You're a time meddler! No wonder you wanted to get rid of me. And what are you trying to...get up to this time? Mmm?MONK: (Smiling.) I'm sure you'll approve Doctor.DOCTOR: Are you quite mad? You know as wellas I do the golden rule about space and time travelling - never, never interfere with the course of history.MONK: And who says so? Doctor, it's more fun my way! I can make things happen ahead of their time!DOCTOR:Is that so?MONK: Yes indeed. For instance, do you really believe the ancient Britons could have built Stonehenge - without the aid of my anti-gravitational lift?DOCTOR: And what mischief are you up to now?Mmm?MONK: Mischief? No, no. A master plan! A master plan to end all master plans!DOCTOR: Oh, is that so?MONK: The whole course of history changed in one single swoop.DOCTOR: By wiping out the Vikingfleet?MONK: Exactly, Doctor, exactly! Of course, obviously, I don't have to remind you that the main reason William the Conqueror won the Battle of Hastings, was because King Harold had to march to Stamford Bridgeand defeat the Vikings first.DOCTOR: So you plan to save him the journey? Hmm?MONK: That's right. Precisely! A fresh army, no desertions. Why King Harold will kick William back to Normandy before knows whathappened. It's quite a plan, eh?DOCTOR: (Gleefully.) Doh, yes! It's quite a plan! It's quite a plan, yes!(The DOCTOR paces round a column as the MONK smiles at his new \"ally\".)DOCTOR: I count myself a very fortunateperson indeed, to be here, in the time - (Suddenly angry.) to prevent this disgusting exhibition!(The smile disappears off the MONK'S face.)MONK: You haven't prevented it yet, Doctor.DOCTOR: Haven't I? Where is thismachine?MONK: I don't allow anybody in there?DOCTOR: (Holding the sword at the MONK'S face.) Where is it? Hmm?(The MONK pushes the sword to one side.)MONK: This way, Doctor.DOCTOR: Hmm!(The MONKleads the DOCTOR away.)[SCENE_BREAK]6: INT. MONASTERY. PASSAGEWAY OUTSIDE CELL(Holding the back of his head, SVEN staggers out of the DOCTOR'S former cell.)SVEN: Ulf? Ulf, where are you? Ulf?(Hestorms off to find his companion. ELDRED appears from around a column and wide-eyed, watches him go.)ELDRED: Vikings![SCENE_BREAK]7: INT. MONASTERY. PASSAGEWAY(SVEN finds ULF still bound and gagged.He undoes the gag.)ULF: Where've you been?SVEN: (Untying ULF'S hands.) The Monk tricked me into a cell...then knocked me out.ULF: Can't you even guard one old man?SVEN: You haven't done better yourself.Come on. We should get back to the forest.ULF: No, we'll stay here.SVEN: Here?ULF: Safer than being outside. Unless you prefer to meet the Saxons again.SVEN: They wouldn't take us so easily this time. Nor would webe hampered by the mead.ULF: Maybe not. But I'll choose the monks...and whatever treasure may be stored inside these walls.SVEN: (His eyes lighting up.) Treasure...![SCENE_BREAK]8: INT. MONASTERY. MAINHALL(Still at swordpoint, the MONK leads the DOCTOR into the main hall and towards the sarcophagus. The MONK looks uneasily at the sword.)MONK: Oh...(The DOCTOR laughs.)MONK: Well, here we are. that's mytime ship.DOCTOR: Oh, that's it eh? This horrible block of stone.MONK: This horrible block of stone, as you call it, is a perfect Saxon sarcophagus.DOCTOR: A Saxon what?MONK: Sarcophagus.DOCTOR: Yes...quiteso.MONK: And more in keeping with the period, I would say, than a modern police box? (Laughs.) What's the matter, Doctor? Can't you repair your camouflage unit?DOCTOR: Now, now, now, don't try and bamboozleme. It so happens that your \"machine\" fits into this monastery, but it's sheer luck.MONK: Luck? Luck? Oh no, there's no luck about it. I couldn't have picked a better place for my headquarters than this. A desertedmonastery right on the coast, gullible peasants who believe everything I say to them. Ha ha! No Doctor! No, I planned to materialise my ship right on this very spot, disguised as a sarcophagus and here it is!DOCTOR: Isee, and all this is part of your master plan? Hmm?MONK: Precisely!(The DOCTOR laughs.)MONK: There's nothing hit or miss about my machine.DOCTOR: Oh, isn't there now? Well, let's have a look at this greatwonder, hmm?(They walk round the sarcophagus.)DOCTOR: Yes, well, tell me, er, how does one exactly get into this, er, sarcophagus, hmm? (The MONK laughs.) Hammer and chisel?(The MONK'S laughs stops.)MONK:This way Doctor.(He ducks down to enter the door, then rises up again...)MONK: Oh, er, mind your head.(He ducks back down.)[SCENE_BREAK]9: INT. MONASTERY. ENTRANCE HALLWAY(ELDRED quietly makes hisway to the front door and pulls back the bolt. He opens the door and leaves.)[SCENE_BREAK]10: EXT. MONASTERY(Looking round and seeing that no one is near, ELDRED clutches his wounded shoulder and runsoff.)[SCENE_BREAK]11: INT. MONK'S TARDIS. CONSOLE ROOM(VICKI and STEVEN have found the scroll with the MONK'S ticklist on it.)STEVEN: ...Destroy Viking fleet, Norman landing, Battle of Hastings - Meet KingHarold? Well, it seems to tell the whole story.VICKI: Why Steven? Why is he planning to do it? What's his reason?DOCTOR: Ah, that's a very good point, my child, indeed, a very good point. I must ask him thatmyself!(The DOCTOR and the MONK have entered the TARDIS. VICKI runs over to the DOCTOR and joyfully hugs him.)VICKI: Doctor! You're safe!DOCTOR: Safe?STEVEN: Oh, are we glad to see you, Doctor.DOCTOR:Safe? Oh, my dear! Of course I'm safe. Good gracious me! I see you found the machine. (He passes STEVEN the sword.) Keep your eye on that, young man. I thought I'd told you to wait outside the TARDIS.VICKI: Oh,er, we...STEVEN: Yes...well, we, er...DOCTOR: (Looking at the console.) You know, all this is very surprising. That's a Mark 4!MONK: Yes, yes, indeed.VICKI: Is that later than yours, Doctor?DOCTOR: Hmm?VICKI:(Suddenly remembering.) Oh!...I forgot all about it.DOCTOR: (Examining the console.) Oh...forgot? Forgot what, child? Hmm?VICKI: Doctor...Doctor...DOCTOR: Hmm?VICKI: We haven't...got a time machine...anymore.DOCTOR: Haven't we now? Oh, I say! Well...well, I...I wonder what that's supposed to mean, hmm?VICKI: Well, you know...you know we left it on the beach.DOCTOR: Yes, I remember very well, yes. It sohappens that I was there at the time! My dear, I may appear a little half witted at times, but I...VICKI: (Trying to speak.) Doctor!DOCTOR: (Exasperated.) Oh!VICKI: The tide came in.DOCTOR: Oh is that all, mychild?STEVEN: Well, isn't that enough?DOCTOR: The water cannot affect the TARDIS. It won't wash away. It'll still be there when the tide goes down. Now stop fretting, my dear. (Turning to the MONK.) Well, I mustconfess, er, I do congratulate you. It's a splendid machine. Although I do note there's been quite a few changes?MONK: Oh, yes indeed, Doctor. In fact this one is fitted with the automatic drift control.DOCTOR: Oh, Isee, yes, of course. And, er, thereby you can suspend yourself in space with absolute safety.MONK: Precisely, Doctor. By the way, I tried to get into your police box but the door was locked. (Laughs.) What type's yours,Doctor?DOCTOR: (Curtly.) Mind your own business.(The MONK chuckles.)STEVEN: Look, I take it you both come from the same place, Doctor?DOCTOR: Yes, I regret that we do but I would say that I am fifty yearsearlier. (Turning back to the MONK.) Now when are you going to answer my questions, hmm?MONK: Which questions?DOCTOR: The reason for this deliberate destruction.MONK: I...I want to improve things.DOCTOR:Improve things! Hmm! Improve things, yes, that's good! Hmm hmm. Very good. (Snaps.) Improve what, for instance?MONK: (Almost to himself.) Well, for instance, Harold, King Harold - I know he'd be a good king.There wouldn't be all those wars in Europe, those...those claims over France went on for years and years. With peace the people'd be able to better themselves. With a few hints and tips from me...they'd be able tohave jet airliners by 1320! Shakespeare'd be able to put \"Hamlet\" on television...DOCTOR: He'd do what?MONK: The play \"Hamlet\" on television...DOCTOR: Oh, yes, quite so, yes, of course, I do know themedium!MONK: Yeah...STEVEN: We're you going to kill the Vikings?MONK: Yes...yes, I...I was. You see, if I didn't then King ...DOCTOR: What are we going to do with this fellow, hmm? What can we do with this man?He's utterly irresponsible. Hmm! (He paces round the console.) He wants to destroy...the whole pattern of world history. Hmm.(Whilst VICKI and STEVEN concentrate on the DOCTOR'S words, the MONK makes a run forthe door.)VICKI: Steven! Doctor!DOCTOR: Hmm?(They run after him out of the door.)DOCTOR: Oh, quick, quick![SCENE_BREAK]12: INT. MONASTERY. MAIN HALL(The MONK runs from the sarcophagus and straightinto the arms of SVEN and ULF.)MONK: Ah! Long live King Hardrada!(The DOCTOR, VICKI and STEVEN have come out of the MONK'S TARDIS. The little man points to them.)MONK: Those are your enemies, there!Quick![SCENE_BREAK]13: EXT. SAXON SETTLEMENT(A large group of noisy villagers have gathered outside WULNOTH'S hut. Sword in hand, WULNOTH addresses them, trying to convince them that they are in danger.EDITH stands by his side.)WULNOTH: The old man...the old man who journeyed here spoke of a Viking invasion descending on us!(The villagers look astonished and turn to each other with mutters of \"VikingInvasion?\".)WULNOTH: And the Monk asked us to light beacon fires on the clifftops.(The villagers all cry out. EDITH shouts over their clamour.)EDITH: The old man spoke the truth! He had no reason to lie.(There aremore cries.)WULNOTH: Fires on the clifftops would guide the ships in to land. Viking ships!(The crowd cries out again.)EDITH: We know and respect the monastery as a place of worship. But what of the Viking spy whopasses himself off as a monk?(The crowd cries out again. Suddenly, EDITH points.)EDITH: Look!(ELDRED staggers into the settlement. Various people say \"Eldred!\" in shock. The man himself is supported by WULNOTHand EDITH. HE is very weak.)ELDRED: The monastery...WULNOTH: What of it? What have you seen?ELDRED: Vikings...(The crowd repeat \"Vikings? in surprise\".)ELDRED: The Vikings...hiding there...(The crowd cryout.)EDITH: Is that enough? Do you need more proof?(The crowd cry \"No!\".)WULNOTH: Arm yourselves! We know how to treat the raiders!(The villagers run off to gather arms.)[SCENE_BREAK]14: INT. MONASTERY.PASSAGEWAY(SVEN and ULF are carrying the box of rockets through the monastery. The box is heavy and the two Vikings have to stop and rest.)MONK: Come along, come along, if we want to send signals to yourships, we mustn't delay like this, you know.ULF: What are these things?MONK: They are, er, they're charms, my son, to guide your ships to sheltered waters. (Laughs.) Come along.(The two Vikings look at each other,then pick the box back up and walk off with it.)MONK: I know you don't understand but, believe me, your ships will know they're there! (Laughs.).[SCENE_BREAK]15: INT. MONASTERY. MAIN HALL(His feet and handsbound, STEVEN hops down some steps at the back of the main hall and to the base of the sarcophagus where the DOCTOR and VICKI are sat - similarly bound. The DOCTOR seems to be asleep. STEVEN sits next toVICKI.)STEVEN: I can't find a sharp enough stone anywhere. Those Vikings sure know how to tie knots.VICKI: It looks as though that Monk's going to get away with it after all.STEVEN: Yes, but he can't, can he? Well, Idon't know much about history but I do know that William the Conqueror did win the Battle of Hastings.VICKI: Up 'til now he did. If the Monk changes it, I suppose...our memories will change as well.STEVEN: Whatabout the history books?VICKI: Mmm, that's all right. They're not written yet. They'll just write and print the new version.(STEVEN thinks about this.)STEVEN: But that means that...the exact minute...the exact secondthat he does it...every history book, every...well, the whole future of every year and time on Earth will change, just like that and nobody'll know that it has?VICKI: I suppose that's...what I'm trying to say.STEVEN: Well,there's more to this time travelling than meets the eye.(He looks over at the DOCTOR.)STEVEN: What's the matter with the Doctor? He's not gone to sleep has he?(VICKI shuffles over to him.)VICKI: Doctor, are youawake?(The DOCTOR'S eyes open. He is instantly alert.)DOCTOR: Wide awake, my dear. As a matter of fact, I was just turning over in my mind what we're going to do with this Monk fellow. He won't listen, he'sdetermined to have his own way. He's got to be stopped. He must be stopped![SCENE_BREAK]16: EXT. FOREST(WULNOTH, EDITH, ELDRED and the other villagers stealthily make their way through the forest towardsthe monastery. They are armed with staves and spears. They disturb some birds in the trees and pause to see if it has alerted any of their enemies who may be in hiding. After a second, WULNOTH moves themon.)[SCENE_BREAK]17: INT MONASTERY. ENTRANCE HALL(The MONK with ULF and SVEN arrive in the entrance hall with the box of rockets.)MONK: Come along, come along, yes, yes, they are rather heavy, aren'tthey, but they're a sort of special charm, you understand?ULF: And where are we taking them?MONK: To the clifftop. Now come along. I won't be stopped. Hurry - I'll open the door for you.(He does so.)MONK: There.Come.(ULF and SVEN carry the box outside.)[SCENE_BREAK]18: EXT. MONASTERY(They are immediately attacked by the Saxons. ULF and SVEN drop the box and run inside the monastery, pursued by thevillagers.)[SCENE_BREAK]19: INT. MONASTERY. ENTRANCE HALL(The MONK hides, unseen, behind the door as the pursued and the pursuers run past, all shouting. He thinks they have all come through the door and isabout to step out of hiding, but two more run in, making him dive for cover behind the door again. With a look of worry now that his plans are upset, he hitches up his habit runs outside themonastery.)[SCENE_BREAK]20: EXT. MONASTERY(He is not as safe as he hoped, as immediately behind him are the two Vikings followed by the roaring Saxons.)[SCENE_BREAK]21: INT. MONASTERY. MAINHALL(EDITH has found the three travellers and she is untying their bonds.)DOCTOR: Oh...ah...yes, thank you. Thank you indeed. Oh, it's a good thing for us that you decided to make a search, hmm?EDITH: Oh,without your help, we'd never have known the Monk was a Viking spy, would we?DOCTOR: Ah, yes, the Monk now - was he caught, hmm?EDITH: Now Wulnoth and the others will not let him escape nor the two Vikingsthat are with him.DOCTOR: Hmm, yes, yes, no doubt they'll catch up with him and, er , the rest of them. But, er, that Monk you know, still worries me. I think he's got some tricks left up his sleeve.EDITH: Hmm. Whereare you going to now?DOCTOR: Oh, we shall continue with our travels.EDITH: Oh you must come back to the village with us before you go...DOCTOR: Yes...EDITH: ...so we can bid you farewell.DOCTOR: Oh, yes,certainly, certainly, but we have one or two things to do here at the monastery first. But, er, we don't want to delay you, er, we'll follow on? Hmm?(EDITH picks up her spear and leaves.)DOCTOR: Ahh, what a charmingwoman! Hmm, charming! Well, now you two, come along, we've got a lot to do.STEVEN: Well, such as what?VICKI: Shall we go back to the TARDIS?DOCTOR: You know we can't do that, my child, not until we stop thistime meddler. Have either of you got a pencil and paper on you? Hmm?VICKI: No.STEVEN: No, 'fraid not.DOCTOR: Well now, be a good fellow and go into the machine and try and find one.STEVEN: (Stepping away.)Yes, OK Doc.DOCTOR: Hmm?STEVEN: (Stopping.) ...tor!(STEVEN steps behinds the sarcophagus.)VICKI: Who are you going to write to?DOCTOR: The Monk, of course, Hmm hmm! Who else?[SCENE_BREAK]22: EXT.FOREST(SVEN and ULF run into a clearing. They pause to gain their bearings, then run on. A second later, the MONK runs into the clearing. He sees the Vikings.)MONK: Here - this way.(They turn back.. The MONKpoints.)MONK: Behind that tree there, there's an old well. We can hide there, quick!(The Vikings run off to hide in the suggested place. The MONK runs off in another direction. The Vikings come back.)SVEN: There's nowell there...!ULF: Where's he gone?(The Villagers surround them and start stabbing them with their spears and staves...)[SCENE_BREAK]23: INT. MONK'S TARDIS. CONSOLE ROOM(The DOCTOR is now out of hismonks habit and back in his normal attire. He crouches underneath the console of the MONK'S TARDIS undoing a lead. He then gingerly pulls out a perspex electronic box. He puts his finger into the space in the consolepreviously occupied by the box and receives a small shock.)DOCTOR: Ooh! (Shouts.) Mr Taylor! Where are you with that string, dear boy?(STEVEN and VICKI run up.)STEVEN: Here you are Doctor. I foundsome.DOCTOR: Good gracious me, come along.(VICKI crouches under the console with the DOCTOR who starts tying the string round the lead which connects the perspex box to the console.)VICKI: What's that thingunder there, Doctor?DOCTOR: (Snaps.) Now keep your nose out, my child, never mind.(VICKI just looks closer.)DOCTOR: (Snaps again.) Did you hear what I said? Keep your nose away. Do you want to get a shock?This is a very dangerous business. Now keep still, all of you. Tie this in a knot.(The DOCTOR does so. He then stands.)DOCTOR: Now, the vibrations...ticklish...get back, get back!(Letting the perspex box danglecarefully from the underneath of the console, he backs towards the doors with the long length of string connected to the box in his hand. VICKI and STEVEN are behind.)DOCTOR: Now you two, go outside. I'll follow in a"}
+{"doc_id":"doc_72","qid":"","text":"Opening scene - Harbor school - Ryan and Seth are just arriving. Ryan is on his bike and Seth is riding his skateboardSeth: so Alex an I kissed, an you spent the whole night at the bus stop talking to LindsayRyan: Iknow somehow the double date worked out(Seth is now walking, and Ryan is pushing his bike)Seth: yeah, i'm proud'a you, so what's next for you two love birds huh, maybe chatting at the train station, whisperingsweet nothings at the (laughs) airport, Ryan i'm workin off the bus stop motif? Bro (puts his hand up for a 'hi five')Ryan: yeah I got it (Seth laughs) (unsure) I don't know what's next, i'm jus gonna take things slow, nopressureSeth: yeah? what about asking her to the big dance (points)(a big banner gets raised in front of them which blocks our view of them. the banner is blue and white with 'The SnO.C.' written in dark blue letters.on the far right corner is 'WINTER DANCE' in smaller writing)Ryan: oooh no, the winter danceSeth: yeah do it man listen i'm gonna take Alex so take Lindsay an then we can have the double date that we were supposeto haveRyan: (unsure) uh it jus seems a little soon, I mean what if she's had the weekend to think about it an just decides we should be lab partners, all we did was talkSeth: (closes his eyes) Ryan Atwood, are youscared of a girlRyan: no I just (shrugs) I might like her an...I don't know every time there's a big party to go to-Seth: something goes terribly arrayRyan: yyeeaahhSeth: yeah but usually to you (points) maybe this ismy year to shoulder that burdenRyan: (looks at Seth) you're not really the fist fighting type...Seth: well your not really the type to be scared of a girl (shakes his head) just ask her to the dance, it's the only way you'llknow how she feels(Ryan looks at the banner, then at Seth)Ryan: maybe ill jus go alone (unsure)(Seth looks at Ryan. Ryan looks at Seth then back towards the banner)CUT TO: Summer and Marissa in the halls, atSummer's locker.Summer: (off screen) Coop you cannot go aloneMarissa: why not (shrugs) it's just a school danceSummer: it is not just a school dance, it is the SnO.C. the one night where winter comes to Newportbeach (shuts her locker) and your first dance of the year as social chair(they are now walking away from the lockers. Zach moves next to Marissa)Zach: what happened to DJMarissa: oh I didn't ask him (Zach looks ather) my moms chairing the host committee, she'd (laughs) freakZach: your mom doesn't like himSummer: she doesn't know about it him (raises her eyebrows)Marissa: (looks at Summer but talks to Zach) it's not histype of thing anyway(Ryan and Seth walk over to them)Ryan: hey(Seth waves. Summer unenthusiastically waves back while Marissa is talking)Marissa: hey guys you still haven't bought your SnO.C tickets yet so can Iput you down for four?Ryan: yeah I don't know about thatSeth: ah you should take the misses(Zach looks at Seth, clearly not happy)Summer: hey Cohen you should invite that girl from Saturday night, yeah, oh god- Iforgot she totally pulled (Marissa is trying not to laugh) a Houdini on your ass (Zach closes his eyes, clearly not liking this side of Summer)Seth: oooh right, you must be talking about Lindsay not Alex the one I (clickshis fingers then makes a gun with his fingers) made out with (blows his finger like it's the tip of a gun)Summer: oh i'm sorry Alex my mistake, an here i'm feeling sorry for the wrong girlZach: I should probably get toclass (walks off)Summer: you know you just really should make sure she wears comfortable shoes so she doesn't twist her ankle when she's running awaySeth: yeah? like-like him (points to Zach walking out thedoor)Summer: uh (goes after Zach) (yells) Zach (runs between Ryan and Seth) waitSeth: (smiles) that worked out rather nicelyTheme Song - California by Phantom Planet Cohen kitchen - Sandy is on the phone tryingto get hold of CalebSandy: Caleb its me, I still haven't heard back from you about settin up another meeting with Renee Wheeler an her attourney (Kirsten comes in) (sighs) so do me a favor an call me back will ya(hangs up) (to Kirsten) how bout some eggsKirsten: (holding plans) you okSandy: yeah, how bout an omletteKirsten: I know i'm not spose'to ask about the caseSandy: honey even if I could talk about it, i'd have nothinto tell yaKirsten: my dads still not talkingSandy: w-what could he possibly have done that he'd rather go ta jail then admit to...unless...life with Julie Cooper is tougher then we thoughtKirsten: what're you gonnadoSandy: the only thing I can do, ask for a continuance...buy some time an...find out what he's hidingCUT TO: Harbor school - Ryan walks into a class room, and Lindsay is at a desk about to sit down. Ryan smiles thenwalks over to herRyan: (softly near her ear) hey, how you doinLindsay: (turns around) hi (smiles) uh good, i'm-i'm good um...I thought about what you said on the weekend an...you were so sweet...and sohonestRyan: i'm glad cause um...there's this danceLindsay: uh yeah um (Ryan has a huge smile on his face) actually I don't think so (Ryan's smile disappears) I mean I...would love...to go out with you but (Ryan looksat her, confused) we're lab partners, can you imagine...how awkward its gonna be if we break upRyan: (looks at Lindsay stunned) we haven't even gone out yetLindsay: it's already awkward, let's face it relationshipsalmost always end badly an this way...we can be friends for the rest of our livesRyan: ...so you just wanna be friendsLindsay: I think we should be(Ryan nods and walks away, disappointed. the lights go out in the classroom. Ryan looks over at Lindsay then takes his bag off and goes to sit down)CUT TO: Bell goes and we see kids coming out of class rooms. we hear a cell phone ring then see Marissa coming out of a classroom into thehallwayMarissa: (answers her phone) hello(we see DJ standing out in Harbor parking lot, the SnO.C. banner is in the background)DJ: hey is now a bad timeMarissa: (smiles) where are youDJ: i'm in the parking lot, doyou think you can get away for lunch (smiles)CUT TO: Marissa's bedroom at the mansion. - we see Marissa from about her waist up, fall back on her bedMarissa: I...really like our lunch breaks(we see DJ move into theshot, on top of her. he leans down and kisses her)DJ: (softly) so, what's the SnO.C.(they both laugh/smile)Marissa: it's just this dance (Marissa moves out from under DJ and leans on her elbow. he's sort of the same,their noses are almost touching) we never get snow here so we kind of have'ta make it (kisses DJ) ourselvesDJ: oooh, it sounds like fun (kisses Marissa's neck)Marissa: actually its very Harbor, you'd probably hateit(laughs)DJ: (stops kissing her neck) guess it's a good thing that no ones asked me thenMarissa: I would of...its just i'm kind of running it so I figuredDJ: you don't wanna be distracted by havin to...I don't know finallyintroduce me to your friendsMarissa: i'm sorry...but (shrugs) I figured id be so busy i'd be a bad date, if you-DJ: its cool (smiles) i'd rather be alone with you anywayMarissa: (smiles) well we could go out afterward, orwe could just stay in(Marissa kisses DJ and they go back to laying down, DJ moves on top of her. we hear a door shut and see Julie coming through the front door of the mansion, she walks in and picks up the mail. shebegins to flick through it then hears Marissa and DJ, I can make out Marissa saying 'that tickles, i'm serious'. - we then go back to Marissa's room and see them still making out heavily, Marissa moves so that DJ is nowunderneath, she's sort of leaning over him and undoing his shirt. once Marissa has it un done DJ sits up and Marissa lies back. Julie opens the door)Julie: Marissa...(Marissa gasps then sits up so she's next to DJ)Julie:(shocked) oh my god(Marissa sits up more and pulls her singlet down to cover her stomach/back)Julie: (frowns) the yard guyMarissa: m-momJulie: what're you doing home from schoolMarissa: i'm on my lunch break(moves off the bed) and now if you'll excuse me (picks up her things) I have'to get backDJ: I better get to workJulie: (to DJ) no you don't, your fired (points) (to Marissa) and you young lady, are groundedMarissa:(scoffs) like that's gonna keep me from seeing him, come on DJJulie: (to DJ as he walks passed) you stay away from my daughter you hear me(DJ looks at Julie then walks out. Julie glares at DJ)CUT TO: Newport group- Kirsten is talking to her secretary? Sandy comes inKirsten: oh thanks Michelle, did my dad call (takes messages)Michelle: no an i've tried him on his cell and at homeSandy: heyKirsten: hey (walks over to Sandy)how'd it go with the judgeSandy: well not only was my motion for a continuance denied, trials now ben fast tracked (Kirsten looks at him) we've got less then two weeks(now they are inside Kirsten's office. Sandy picksup her phone)Sandy: i'm callin Caleb again (dials)Kirsten: how could I of not see this comingSandy: oh honey come on, how could'ya havephone msg: your call has ben forwarded (Sandy hangs up)Kirsten: I've benworking with him side by side all this time, how could I of not known that he was bribing this woman from the city councilSandy: if that is what he was doing...?Kirsten: what'did she say at her depositionSandy: nothing(shrugs) her lawyer wouldn't let her answer any'a my questionsKirsten: ya can't talk to her without a lawyerSandy: well...I couldKirsten: that would be unethicalSandy: yeah, strictly speaking (Kirsten looks at him) butdesperate times... (Kirsten shakes her head) i'm just sayin if I happen to run into the womanKirsten: (worried) I don't want you getting yourself in trouble over thisSandy: oh honey (kisses Kirsten on the cheek) it's alittle late for that(Sandy leaves and Kirsten turns around and sighs, she looks worried)CUT TO: Harbor student lounge - Ryan is standing at the bench of the food/drink bit and Zach walks over to himZach: hey, Ryan,you know where I can buy my SnO.C. ticketsRyan: can't say I doZach: you're not goingRyan: uhhh noZach: no one to go with?Ryan: I had someone to go with, she jus...didn't...wanna go with me (frowns) uh what's upare you goin with SummerZach: definitely, its a given right...except of course for CohenRyan: ah I don't think he's askin SummerZach: I don't think...he has to, I mean even if he doesn't ask her somehow the nightsgonna end up about themRyan: ah I get that, believe me (raises his eyebrows) but uh I think it's really over, I mean Seth has a new girl nowZach: really (raises his eyebrows) so he's over SummerRyan: oh yeah,definitely (Zach nods) (not so confident) I think so...h-he wants to be...(Zach looks down)CUT TO: The Bait shop - a guy wheels some beer cartons in for Alex and in the background Seth comes inSeth: (sighs) helloAlex, how are we todayAlex: here finally, can you carry these to the storeroomSeth: the storeroom, sure, maybe you'd like ta show me where it is(Alex looks at Seth, and Seth winks at her sexily)Alex: alright, Cohen weneed to workSeth: ok, if by work you mean (coughs) make out uh-hmAlex: no, by work I mean workSeth: alright, no romance in the work place, that's fine I can respect that, but in that case Harbor schools annualSnO.C. balls comin up...wha'dya say, little dancing a little faux snowAlex: obviously you got the wrong idea Saturday night (shakes her head) because you an me it's... (laughs) not happening (walks away)Seth: ...ok,ok except you did kinda kiss meAlex: ah-huh (smiles) it was fun!Seth: (confused) it was fun...that's it, it didn't mean anything to youAlex: dude, it was just a kissSeth: ok then why didn't you just shake hands(Alexlooks at Seth then walks over to the beer guy and kisses him)Alex: thanks Homer, see ya ThursdayHomer: (smiles) thankyou(Homer walks away and Seth stands there stunned)Seth: ...you just kissed the beerguyAlex: so it is just a kiss, right Mandy(Alex turns and kisses Mandy, Seth stands behind them so we can see his face between theirs, Seth has his mouth open)Mandy: right (smiles, then walks off)Alex: so Saturdaynight was (shrugs) fun but...that's all (Seth nods, stunned) those...sodas aren't gonna carry themselves to the store room(Alex walks off and Seth frowns, still stunned by what just happened)CUT TO: Harbor parkinglot - Ryan and Seth pull up in the range roverSeth: d'you think its offensive ta say that like...all women are crazyRyan: probably to womenSeth: (frowns) it makes no sense man Alex kisses me an then she turns rightaround an she kisses HomerRyan: who's HomerSeth: (frowns) the beer guy, an he's not a looker either an then after that she turns right around and kisses MandyRyan: (frowns) Mandy's a girlSeth: yeahRyan:wowSeth: no, I couldn't even enjoy it so (emphasised) consumed was I with how crazy women areRyan: ugh believe me I know (gets out) I spent all night at a bus stop talking to Lindsay everything's great, next thing Iknow, she dumps me before we even go outSeth: crazyRyan: I knowSeth: I know (gets out) i'm tellin ya man, women are so freakin crazy I wouldn't be suprised if next time we see em, Alex is draggin me to thestoreroom an Lindsay's askin ya to the danceRyan: uh I don't think so (sighs)Seth: which part you an Lindsay or me an Alex gettin it on(we hear a car door slam, then see Marissa struggling to carry boxes and rolled upcardboard for the dance)Ryan: hey (Seth waves)Marissa: (smiles) heySeth: (walks over) how are you, you need a hand with somethinMarissa: sureSeth: alright (takes box from Marissa and passes it straight to Ryan{lol, typical Seth} Ryan be a gentleman, i've got class (walks off)Ryan: what'do you need me to grabMarissa: umm, in my car is a penguin {I have no idea how she managed to say that straight faced! lol)Ryan: (looksat Marissa) a penguin(the next thing we see is Ryan carrying a HUGE stuff penguin over his shoulder, the head is towards the camera, and the butt is behind him. he has to hold it with one hand cause he has thecardboard box under the other arm. you can tell he's struggling, lol. Marissa is walking next to him)Marissa: (sees) be careful!Ryan: oh don't worry, i'm fineMarissa: it's the penguin i'm worried about, he's veryexpensiveRyan: (out of breath) oh is he, well uh oh (the penguin tips forward and he starts to lose his grip on the box) oh oh ohMarissa: (panics) oh my god, no Ryan(Marissa takes the weight of the head so they areboth holding half. Ryan starts to muck around with Marissa, there is dialogue here, I think Ryan says (in a penguin voice) 'my legs went floppy my legs went floppy, then Marissa says 'that's not funny'. it's really nice tosee them laughing with each other. we see Lindsay on the stairs and she looks over at them. at this point Marissa has dropped the rolled up cardboard she was holding, and just has hold of the penguin. Seth standsnext to Lindsay who looks jealous)Seth: its not too late (points) you can still ask him to the SnO.C.(we see Ryan with the penguin held above his head, he's chasing Marissa with it. Marissa picks up one of the rolled upcardboards)Marissa: (laughing) you have no idea how hard it is to plan one of these events(Marissa whacks Ryan with the cardboard, Ryan smiles)Seth: Ryan? love's to danceLindsay: he's gonna think...i'm crazySeth:oh ho ho, he knows your a girl, he expects it (walks off)(Lindsay watches them more, we see Ryan running off with the penguin, and Marissa chasing him with the cardboard. we then go to a class room. Marissa andRyan walk in. it looks like Marissa is using it as 'SnO.C.' headquarters because there are decorations and things in there)Marissa: mm I have your tickets for the dance an no arguments ok, cause it's for charityRyan:(puts the box down) if I buy the thing do I have'to go i'm kinda dateless at the momentMarissa: yeah, me tooRyan: what about you an DJ, I thought you guys wereMarissa: we're hanging out but...it's a school dance anI think he'd feel weird about itRyan: hey it's my school, I feel weird about itMarissa: yeah me too an i'm the one throwing the thingRyan: guess you can't not go huhMarissa: I wish, both my parents are hosting (getsthe tickets out) hey you know what why don't we go together (Ryan looks at her) as friends of course but at least that way we wouldn't have'to be aloneRyan: uh that's trueMarissa: (smiles) great, so sevens good(Ryanpoints at her then leaves the room)CUT TO: Summer walking down the hall, Seth is standing near a locker and sees her, he thinks about going over to her and you can tell he's torn. Summer walks passed and he walksnext to herSeth: hello Summer, you look lovely today are those manolo'sSummer: what'do you need CohenSeth: well I need helpSummer: no argument hereSeth: see it turns out Ryan's good for some things ummmcomic books, bench pressing, engine repair but sometimes...a more feminine point of view is requiredSummer: you're asking me for girl adviceSeth: an I know its...really weird cause you know you an I are notanymore, the thing is Summer...truthfully you are the only person in my life that I... (closes his eyes) your right this is...really weird an bad, i'm sorry (walks away)Summer: no itsSeth: it's really its coolSummer: its ok,i'm listeningSeth: reallySummer: kind of (picks up a magazine)(they walk over to the couch and sit down)Summer: uh-hmSeth: ok, alright so you remember that girl from Saturday right, the one that I-Summer: youmade out with an were rubbing my nose in itSeth: so I thought y'know she likes me right so I asked her to the danceSummer: she said noSeth: right, an then she kissed two people...right infront'a me (raises hiseyebrows)Summer: damn, she's goodSeth: at what, besides kissing thoughSummer: well...she's playing you hot an cold and so far Cohen you've just ben hotSeth: SummerSummer: not that kinda hot, you need'a coolit down Cohen, you gotta go like...iceman on her ass, see how she likes itSeth: was that your first Xmen referenceSummer: topgun (smiles)Seth: topgunSummer: mm-hmmSeth: hey that's one of the greatest lovestory's of our time(we see Zach walk in, he looks over and sees Summer sitting with Seth, he's not happy. we see them close up, Seth says something about 'an F14 then Summer hits Seth on the head playfully withher magazine. Zach watches then turns away)CUT TO: Outside a law office, there is a sign but I couldn't make out the name - Renee Wheeler is walking towards her car, I assume her lawyer works there. just as Reneegets close to her car Sandy gets out of hisSandy: Ms. Wheeler (Renee turns around) Sandy Cohen, Caleb's attourneyRenee: Mr. Cohen you know I can't speak to you without my attourney presentSandy: with all duerespect Miss Wheeler ya didn't say a word to me when your attourney was presentRenee: I had nothing to say, i'm not the one on trial hereSandy: then why'd the DA indight you tooRenee: (looks at Sandy) ask mylawyer, your going to be hearing from him as well as the bar association, goodbye Mr. Co-Sandy: you're hidin somethin Ms. Wheeler we both know it, look whatever is goin on between you an CalebRenee: there isnothing going on between me an CalebSandy: oh ok well there was...wasn't there (Renee looks at him) so you had an affair so what its over, why not come forward...why risk both of ya goin to jail over-overnothingRenee: I have to go ill see you in court (gets in her car)(Sandy watches, helpless)CUT TO: Harbor classroom - Lindsay walks in, and over to Ryan who is already sitting at a table.Lindsay: (smiles) heyRyan:(indifferent) hey (writing in his school book)Lindsay: ...so iiiiv'e ben thinking aaannndd well (Ryan glances at her quickly) yes...I would love to go to the dance with youRyan: (suprised) you wouldLindsay: yesRyan:umm (frowns) i'm kinda goin with someone else nowLindsay: ohRyan: yeahLindsay: with Marissa...Ryan: (not looking at Lindsay) yeahLindsay: god, of course umRyan: but only because you said-Lindsay: no, no I knowan...I was right the first time (Ryan looks at her) really I don't...I don't even like dances soo (laughs) have fun(Lindsay starts her work, and Ryan goes back to his. Lindsay looks at him then looks back down, Ryan looksat her)CUT TO: Summer walking in the halls, she walks up to Zach who is at his lockerSummer: hey (touches Zach's back) missed you at lunchZach: yeah I was...in the library I had to finish a history paperSummer: uhlibrary god how can you work in there, it is like sooo quietZach: look I got world lit so I gotta go (walks away)Summer: well hey (Zach stops) um I was thinking maybe before the dance we could like go-Zach:yeah...about that (looks down) um...it turns out i'm not gonna be able to go (Summer nods, sad) I got family stuff, sorrySummer: ok well unless you're like grieving over the death of a family pet...we're going to theSnO.C.Zach: why don't you just ask Cohen...i'm sure he'd love to take ya(Summer doesn't know how to respond, Zach walks off. Summer sort of rolls her eyes then says ugh)CUT TO: The Bait shop - Seth comes in onthe top floor, Alex sees (shes also up top but over the side) and gets up to go over to himAlex: hey great your here, the floors need sweeping an mopping and I know how much you looovvveee cleaning the bathroom so"}
+{"doc_id":"doc_73","qid":"","text":"Rebekah (voiceover): My brothers and I are the first vampires in history, the Originals. Three hundred years ago, we called New Orleans home. Now, we've returned, drawn by a witch who seeks to use my brotherKlaus' unborn child as leverage in a brewing war. But his quest for power has turned brother against brother, leaving our family more divided than ever. Now that Elijah has returned, can our family unite to face thisnew threat?MIKAELSON MANSION[Klaus and Elijah sit opposite each other in the living room, both reading. Klaus is reading \"A Poison Tree\" by William Blake, and Elijah is reading one of his mother's grimoires. A deadgirl lays on the coffee table as they listen to classical music. After a moment, Rebekah enters]Rebekah: So, this is what you do the first time we're back together as a family? Vampire book club?Klaus: [continuesreading] Reading edifies the mind, sister. Isn't that right, Elijah?Elijah: Yes, that's quite right, Niklaus.Rebekah: And what's this business? [gestures to the dead girl on the table]Elijah: This is a...[gestures as thoughhe's searching for a word]...peace offering.Klaus: I presumed, after so much time desiccating in a coffin, that my big brother might be a bit peckish.Elijah: And I explained to my little brother, that forgiveness cannot bebought. I'd simply prefer to see a change in behavior that indicates contrition, and personal growth.[Klaus rolls his eyes guiltily, and Elijah gestures to the girl]Elijah: Not this nonsense.Klaus: Well, I couldn't very welllet her go to waste, could I? [grins]Rebekah: Well, I suppose I'll go fetch the rubbish bin, because she's staining a two hundred-year-old carpet.[Elijah looks up from his book to see the girl bleeding out onto the table,where the blood drips onto the floor]Elijah: Ah, yes.Klaus (voiceover): [recites \"A Poison Tree\" by William Blake]I was angry with my friend:[Klaus looks at Elijah]I told my wrath, my wrath did end. I was angry with myfoe:[Marcel walks into the Palace Royale Hotel, looking for Klaus]I told it not, my wrath did grow And I watered it in fears,[Cami brings flowers to her brother's grave, to find that someone spray painted \"MURDERER\"over the headstone]Night and morning with my tears; And I sunned it with smiles,[Father Kieran pulls wooden boards off the windows of the church, and waves to a group of men standing outside the door]And with softdeceitful wiles. And it grew both day and night,[Klaus looks at Elijah, and then to Hayley, who walks through the room, her hand on her pregnant belly]'Til it bore an apple bright. And my foe beheld it shine. And heknew that it was mine, And into my garden stole[Klaus watches Elijah set down the grimoire and follow Hayley into the kitchen]When the night had veiled the pole; In the morning glad I see My foe outstretched beneaththe tree.[In the kitchen, Elijah finds Hayley making herself breakfast, and rooting through the fridge. Elijah leans in the doorway]Elijah: [smiles] Good morning.Hayley: [smiles] Hey.[Rebekah enters through the backdoor, dragging a trashcan behind her]Hayley: Listen, I know I'm the only one in this house that actually drinks milk, but would it kill any of you to make sure it's on the grocery list?Rebekah: Speaking of, add bleach.[stomps through the kitchen and into the living room to clean up the mess]Elijah: [digs around in a cupboard as Hayley pulls ice cream out of the freezer] You know, I do hope my siblings were hospitable to you, in myabsence.Hayley: In your absence, as you like to call it, which is a way-too-polite way of saying that your brother put a dagger in your heart...[looks up to see Elijah bringing a bowl, a spoon, and a bag of cereal to thecounter] I have been attacked by French Quarter vampires, I've had to live in a house with a secret dungeon full of coffins, and I was nearly murdered by witches who are convinced my baby is Lucifer.[Elijah smilessympathetically as he pulls orange juice and milk out of the fridge, pours Hayley a bowl of cereal, and then fills it with milk]Hayley: [notices the milk] Oh...milk. [beat] They've been fine. Your siblings are weirdlyprotective, I know I have you to thank for that.Elijah: I'm just happy to see that you're in one piece. [smiles] So, back to the murderous witches. [hands her the bowl of cereal] I have some concerns.Hayley: They'reevil. And, my life is still magically linked to Sophie Deveraux, which is not comforting.Elijah: Yes, I think it's time we took care of that little problem.Rebekah: I am all for it. As soon as they're unlinked, we get to leavethis crap town. [drags the dead girl's body across the kitchen floor] Who do we have to kill?Elijah: [thinking] Probably no one.[Hayley looks at him questioningly]Elijah: Alright, potentially everyone. [turns toleave]TITLE AND OPENING CREDITSROUSSEAU'S[Sophie chops up vegetables and talks to Sabine, who is sitting on one of the tables]Sophie: [gestures to table and makes a face] I cook on that, you know!Sabine:Don't get cranky with me! I'm the only witch who still likes you.Sophie: [stirs gumbo] Yeah, it's not like I'm trying to save the witch heritage or anything. [turns to Sabine]Sabine: They'll come around. They're justold-school, and scared.Sophie: Scared of what? Your prophecy about the hybrid baby? Agnes and her freak-show minions had a real field day with that one.Sabine: I can't help what I see, Soph. [shakes head]Sophie:[smiles] Well, if you're psychic, I'm Martha Stewart! [walks toward table to grab some celery] Scootch![Sophie returns to her table, and Sabine hops down to join her. She sees a shadow in her peripheral vision and getssuspicious. Suddenly, two people in black masks come out]Sabine: What the...?[One of the masked people backhands Sabine across the face, and she as she falls, she hits her head on the table and falls unconsious.Sophie tries to fight the other two masked people off, but they blow some powder in her face that makes her pass out as well]MIKAELSON MANSION[Rebekah scrubs at the bloodstains in the carpet as Klaus continues toread \"A Poison Tree.\"]Rebekah: Poetry about poisoned apples from dead trees. Looks like someone's worried about impending daddyhood.Klaus: [shakes head] Nonsense. Elijah's back. In his presence, all problems turnto pixie-dust and float away![Rebekah side-eyes him and grins, and Klaus grins back. Elijah joins them in the living room]Elijah: Strange, I don't recall any pixie-dust from the darkness of the coffin I was recently forcedto endure.[Elijah opens Esther's grimoire and flips through it]Rebekah: What are you doing with Mother's spellbook?Elijah: Well, in exchange for my freedom, I promised the witch Davina that I would share a few pagesfrom Mother's grimoire. To help her learn to control her magic. I thought we'd begin with a little unlinking spell.[Rebekah and Klaus look at each other in confusion]Rebekah: [stunned] Wait, you want to use her tounlink Hayley from Sophie Deveraux?Elijah: Sophie brought us here under false pretenses! She doesn't just want us to take down Marcel and his minions, she wants to take Davina back. So, she yolked her own cause toours, with magic threats and half-truths! Well, no more. As of now, our deal with Sophie Deveraux is null and void.[Klaus and Rebekah grin]Elijah: Niklaus, I need you to come with me. I need five minutes alone withDavina, you need to make certain that I am not interrupted. [points to Rebekah and thinks for a moment] You stay here and watch Hayley.Rebekah: How did I get elected super-nanny?Klaus: More importantly, who puthim in charge? [follows Elijah out of the room]NIGHTWALKER BAR[Marcel sits alone, drinking a bottle of scotch, as various vampires around him feed on humans at the tables around him. Josh sees Marcel, andapproaches him]Josh: Hey. Is everything okay?[Marcel gives him a look]Josh: Uh, can I get you something?Marcel: Look, I know you want a daylight ring, kid. Little heads up? I got guys eighty years ahead of you.Josh:[nods nervously] Noted. Sorry.Marcel: [watches him walk away] Wait! You know Klaus Mikaelson. I asked you to give him a lift home a couple of times? To the Palace Royale Hotel, right?Josh: [stammers] Uhhh,yeah...the Palace Royale.Marcel: See, I stopped by his hotel, to say sorry about an argument we had. Turns out he lied about living there. Lied! Do you ever hear the phrase, \"Uneasy is the head that wears thecrown?\"Josh: Uhhh...Lord of the Rings?Marcel: No, Shakespeare. When I was a kid, Klaus taught me how to read with those plays. All about a king who gained the world, but lost his soul. But now, I get it! You see,when it's all said and done, and you look around at the empire you built, the only thing that matters is who you can trust!Josh: There's gotta be somebody, somewhere that you can trust? \"To stick to you, through thickand thin, to the bitter end.\" Sam and Frodo, The Fellowship of the Ring. [shrugs]Marcel: [nods slowly] Yeah, there is someone. We used to be best friends. [pats Josh on the arm as he leaves]DAVINA'S ATTICROOMDavina is sketching with charcoal on her easel when Elijah arrives and leans against the doorway and knocks on the door. Davina smiles]Elijah: [holds up pages of grimoire in a cloth] I made you apromise.Davina: [smiles] Come in!ST. ANN'S CATHOLIC CHURCH[Cami sits in the confession room with Father Kieran]Cami: Forgive me, Father, for I have sinned. It's been...oh, a year, since I've had a goodconversation with you.Kieran: Camille.Cami: You've been avoiding me, Uncle K.Kieran: My favorite niece? Never!Cami: Don't lie. This is a church! [beat] Besides, I came about professional advice. [beat] AboutSean.DAVINA'S ATTIC ROOM[Davina spreads a page of Esther's grimoire on her table]Davina: It's a spell of unknotting?Elijah: This is a sanguinum knot. The witches use it as representational magic. If you can unknotthis using that spell, you will have taken a step towards learning control. This is one of my mother's later spells. It requires much more power than you realize. Now, if you can perform this, then I shall return withanother page. [walks toward the door, then turns back to her] A spell of your choosing, next time. [smiles, then leaves]ST. ANN'S CATHOLIC CHURCH[Cami and Father Kieran are still in the confessional]Cami: I guesssince I'm a masochist, I went by Sean's grave today and--Kieran: Damn it, I was hoping to get that cleaned up before you saw it. I hope it didn't upset you too much.Cami: It didn't bother me at all. That's the problem.That's why I'm here. I slept like a baby every night this week. Even though my brother hacked nine priests to death, not two feet from this confessional. [beat] A guy I've been seeing, Marcel, has been blowing me off.Whatever, I've been on two dates with the guy, and I'm more upset about THAT than seeing \"MURDERER\" scrawled across my brother's grave.Kieran: [hesitates] It's called healing, Cami.Cami: For months, after themassacre, I couldn't think of anything else. And then suddenly...nothing. I need to feel that pain! Without it, I feel...broken! Empty! Like, there's someone to blame...and...I'm letting them get away with it.Kieran:Listen, if you have found a way to turn it off, don't question it! The only person that is responsible for Sean's behavior is...Sean.Cami: Do you really believe that?Kieran: Yes. I do.[Cami stares at her uncle through thescreen for a moment, before she gets up and walks out of the church. Kieran sighs. Up in the balcony, Klaus watches Cami leave, and frowns]LAFAYETTE CEMETERY MAUSOLEUM[Sophie is awake now, and strugglingagainst the grips of the masked people who knocked her out. The masked people shackle Sophie to chains hanging from the ceiling]Sophie: Let go of me![Agnes enters with a bag and sets it on a table]Agnes: Leave herbe.Sophie: Killing me to get to Klaus, or his baby is not the answer!Agnes: [roots through her bag] I'm not gonna kill you Sophie, I was there the day you were born. I am the last remaining Elder of our coven. It is myduty to protect our power, and our power means nothing if that baby grows another day. [turns to face Sophie] Sabine's omen was clear. That baby will bring death to us all.Sophie: [scared] What are you gonnado?[Agnes holds up a large, old-looking metal syringe with a long needle]Sophie: [terrified] No, no, Agnes, no. No, no, don't![Agnes holds Sophie's head down and stabs the needle into her neck]MIKAELSONMANSION[In her bedroom, Hayley yells in pain as she grasps her neck. When she pulls her hand away, she notices blood on her fingers. Rebekah hears her shout, and walks in]Hayley: AHH!Rebekah: What the hell wasthat?Hayley: Hell if I know, it felt like I was being stabbed.[Hayley and Rebekah get a dawning realization that something bad is happening]ROUSSEAU'S[Elijah and Klaus find Sabine on the floor of the kitchen and Elijahhelps her up]Elijah: [gruffly] What happened?Sabine: It was Agnes. [rubs head as she looks around] Her men took Sophie.Klaus: Day one with you in charge, brother, and already the witch linked to Hayley has beenabducted by zealots.Elijah: [to Sabine] Where is she?Sabine: If I tell you where Agnes is, you'll just kill her.Klaus: Isn't that obvious?Sabine: Look, I know she's a little...coo-coo, but she's our last living Elder. Thatmight not mean a lot to you, but it means plenty to us. The Elders are the one ones who can do important spells.Elijah: Like completing the Harvest ritual?Sabine: [confused] You know about that?Elijah: Oh, you'd beastounded by the things I know.Klaus: [to Sabine] Allow me to entertain you with today's list of priorities. One, unlink your friend Sophie so she no longer controls the fate of the woman carrying my child. Two, convincemy brother to accept my heartfelt apologies for some recently dodgy behavior. Three...there is no three.Elijah: I believe what my brother is attempting to communicate, here, is that neither the life of this Elder, nor theHarvest ritual, nor your coven's connection to magic are of any relevance to him, whatsoever. [beat] Now talk.THE GARDEN[Marcel walks through the gate to the Garden, and approaches Thierry's \"cell\" amid the groansof pain of the other \"inmates.\"]Marcel: Thierry.Thierry: [weak and groggy] Marcel. Come to punish me again?Marcel: Someone asked if there was anyone I ever trusted. I only came up with one name. You. So, Thierry,you and I are gonna have a little talk about Klaus Mikaelson. [grabs a sledgehammer and starts to break down the wall of bricks surrounding Thierry]MIKAELSON MANSION[Rebekah enters a room where Hayley issitting in an armchair]Rebekah: Time for the demon spawn to snack!Hayley: I really wish you wouldn't call her that.Rebekah: Oh, sorry, have you picked another name yet? [holds out basket of fruit] Take one, theplantation's lousy with them.[Hayley chooses an apple and grasps it in her hand]Hayley: I feel fine...which is weird. I'm sure it's Sophie-related.Rebekah: Then, do me a favor, and don't die on my watch! I'll never hearthe end of it.Hayley: You know, when I first met you, I thought you were a real bitch.Rebekah: [smiles] What changed your mind?Hayley: Oh, I still think you're a bitch! [smiles] I've just grown to like that aboutyou.Rebekah: [chuckles] Aw, well, that's sweet of you to say. [face turns serious] Remember it when I'm gone.Hayley: Gone? Where are you going?Rebekah: I only came to town to make sure everything was okay withElijah. He's fine, and he hasn't punished Klaus for daggering him, so...as usual, they'll be thick as thieves, and I'll be left to clean up the mess. [beat] It's time for me to fly the coop.Hayley: Oh...[goes to bite the apple,but then starts to feel woozy]Rebekah: [frowns] What's wrong?Hayley: [shakes head] I dunno, probably morning sickness...Rebekah: [places hand on Hayley's forehead] Oh, you're burning up, actually.LAFAYETTECEMETERY[Klaus and Elijah have found Sophie, and they break Sophie free from her chains]Sophie: [groans in pain as shackles break] Agnes stuck me with a needle. Cursed objects were created a long time ago. Weuse them so we don't get busted by Marcel for doing magic. The one she used is called the Needle of Sorrows. It was cursed in 1860 when...Klaus: Jump ahead a few decades and tell us what it does, love?Sophie: It hasonly one purpose: to kill a child in utero by raising her blood temperature.[Klaus and Elijah are both stunned and furious]Elijah: It's for a miscarriage.[Sophie nods]Elijah: So, how much time do we have to fixthis?Sophie: It will do what it's meant to by tonight's high tide. And believe me, it will work. I saw her use a similar object on a kid who went mad and killed a bunch of priests.Klaus: I'd like to have a chat with thisAgnes. Where can I find her?Sophie: You won't! There are a thousand places she could hole up to wait it out.Elijah: That's precisely why we need to unlink you from Hayley. No more danger toward her or thechild.Sophie: [shakes head in confusion] No, what? If I am not linked to Hayley, I lose my leverage on you. We had a deal!Elijah: We are not on the same side, Sophie Deveraux. Our deal no longer stands![Sophie isoutraged][SCENE_BREAK]THE GARDEN[Marcel hands Thierry, who is sitting on a step, a canteen of blood, and sits down beside him]Thierry: Does this mean you're pardoning me?Marcel: Aw, you know I can't do that.You broke my number one rule, you killed a vampire, T. I let that go, it'll make me look weak.Thierry: [chugs blood] I warned you about Klaus.Marcel: Yeah, I should've listened. This guy's been in my town for months,but hiding where he lays his head at night. What else is he hiding, is what I want to know! I didn't listen to you before, but I sure as hell am now. Tell me what happened the night that got you put in here, and youmight find yourself out by Mardi Gras.Thierry: The night of the Masquerade Party, you sent us rousting in the Cauldron to mess with the witches. So, when Max came in rousting, he went straight for Katie's throat. Now,you said to roust, you didn't say to kill. Now, he's a nightwalker. I'm a daywalker. I told him to stop, and he wouldn't. So I stopped him. That night's on endless loop in my head. I think Max was compelled.Marcel: No.All my guys are on vervain.Thierry: Not if Klaus drained him! Max went missing for a couple days before the rousting, right?Marcel: T, they found stuff you and your girl stole from me in her shop.Thierry: Have you everbeen in the Jardin Gris? You can't find your own hand in front of your face in there! And yet somehow, someone went in there, and after a couple minutes, found some stolen goods?[Marcel wipes at his face anxiously,but he is obviously considering Thierry's words]Thierry: Go there! See for yourself! But I'm telling you, besides Max, somebody else in the crew had to be compelled. Watch your back. [takes another swig from thecanteen]ST. ANN'S CATHOLIC CHURCH[Father Kieran has put up a \"Substance Abuse Anonymous\" sign in order to meet with some city officials]Mayor: So, a few tourists go missing. Okay, we can spin it, no problem.But do you know how hard it is to sell a gas leak story to the city council when a bunch of church windows magically explode?Father Kieran: Mr. Mayor, what is this, an electoral debate? Marcel overstepped, I will handleit.[Klaus enters through front doors]Klaus: Easier said than done. Marcel is quite the little warrior.[Police officer tries to stop him, but Klaus breaks his fingers]Mayor: Who the hell are you?Klaus: My name is Klaus. Andyou lot are the Faction. Pillars of the community who maintain the city's supernatural balance. Well, I should know. I created this group. Only, in my day, it was a bunch of pirates and corrupt politicians. [looks aroundat all the men] Looks like nothing's changed.Kieran: One thing has: it's exclusively human now. No vampires allowed, especially no Originals.Klaus: [laughs] I haven't come to join! I've come to ask this group to utilizeit's considerable resources to find a witch Elder called Agnes. All I need is an address.Kieran: And, uh, why would we want to help you?Klaus: What if I told you that Agnes was the answer to a question you've beenasking since you ran screaming from this town? That she is the witch who hexed your nephew, Sean?Kieran: We'd need some time to discuss--Klaus: I DON'T. HAVE. TIME.[Kieran chuckles]Klaus: Nor do I like beingasked to wait.Kieran: You may have all the vampires in this town cowering in fear, but right now, you are dealing with the humans. And unless you plan on killing all of us, I politely suggest you do as I say, and give ustime to discuss it. [gestures widely to the other men in the room]Klaus: [leans in and lowers voice] You know what I like about you, Father? Is you're aware of our reputation, and yet still, you stand tall against me.[beat] Admirable! You have one hour. [turns to leave]Kieran: [speaks once Klaus is gone] I want that witch. Cell phone records, our guys in the 9th.Mayor: For the vampire?Kieran: [sighs] No. For me.DAVINA'S ATTICROOM[Davina continues to work on the unlinking spell Elijah gave her. She holds her hands over the knot and reads from the page]Davina: Phesmatos omnio legares coldate sangorium.[Davina stares at the knot, which"}
+{"doc_id":"doc_74","qid":"","text":"Scene: A corridor at the University.Leonard: On the other hand, some physicists are concerned that if the super collider actually works, it will create a black hole and swallow up the Earth ending life as we know it.Raj:Psh, what a bunch of crybabies. No guts, no glory man. Leonard (looking at an orange notice on the noticeboard): Hey, check it out, the school of pharmacology is looking for volunteers.Raj: We are testing a newmedication for social anxiety, panic attacks, agoraphobia and obsessive compulsive disorder. Why would they be looking for test subjects here?Leonard: I don't know, Raj. Maybe the comic book store doesn't have abulletin board. (Sees crowds in the corridor) What's going on?Howard: Shhh! Hot girl in Sheldon's office.Leonard: Sheldon's office? Is she lost?Howard: Don't think so. I followed her here from the parking lot.Leonard:Maybe she's his lawyer.Howard: Well she's free to examine my briefs.Leonard: Howard...Howard: I know, I'm disgusting, I should be punished. By her, oh look, I did it again.Girl: Well, that should do it.Sheldon: Thankyou for coming by. (He rises from his desk. Everyone rushes to look nonchalant.) Hello.Leonard: Oh, hey buddy.Sheldon: Buddy.Howard: Sorry I'm late, I'm working on a project that may take me up on the next spaceshuttle.Sheldon: How can you be late, I wasn't expecting you at all.Howard: Nobody ever expects me, sometimes you just look and... BAM! (shakes girl's hand) Howard Wolowitz.Leonard: Sheldon, are you going tointroduce us?Sheldon: Oh, alright, this is Missy, Missy this is Leonard and Rajesh and you've already met Howard.Missy: It's nice to meet you.Leonard: You too, swell, also.Howard: Yeah.Leonard: So, how do you twoknow each other.Missy: Oh, he once spent nine months with my legs wrapped around his head.Leonard: Excuse me?Sheldon: She's my twin sister, she thinks she's funny but frankly I've never been able to see it.Missy:It's because you have no measurable sense of humour, Shelly.Sheldon: How exactly would one measure a sense of humour? A humourmometer?Howard: Well, I think you're delightfully droll. Or as the French say, TresDrole.Missy: Okay, so let me see if I got this. Leonard, Howard and... I'm sorry what was your name again. (Raj looks uncomfortable, turns and walks away, disappears round corner. He then reappears, takes theorange paper from the noticeboard and leaves again.)Sheldon: Rajesh. Credits sequenceScene: The same.Leonard: So Missy, what brings you all the way from Texas?Howard: Was it perhaps destiny, I think it wasdestiny.Missy: My friend's getting married in Disneyland tomorrow night.Howard: Destiny, thy name is Anaheim.Missy: And I had to drop off some papers for Shelly to sign for my dad's estate.Sheldon: The papers couldhave been mailed, Mom just sent you here to spy on me, didn't she.Missy: I guess that's why they call you a genius.Sheldon: They call me a genius because I'm a genius. Tell Mom that I currently weigh 165 pounds,and that I'm having regular bowel movements. Enjoy the wedding, goodbye.Leonard and Howard together: Woah, woah.Leonard: If the wedding's not until tomorrow, why don't you stay with us tonight?Missy: Oh, Idon't think so. Shelly doesn't like company. Even as a little boy he'd send his imaginary friends home at the end of the day.Sheldon: They were not friends, they were imaginary colleagues.Leonard: Look, you're here,we have plenty of room.Sheldon: No we don't.Howard: Come on, Shelly, she's family.Sheldon: So what? I don't issue invitations to your mother.Missy: Well it would be nice not to have to drive out to Anaheim in rushhour.Sheldon: And don't ever call me Shelly.Leonard: So it's settled. You'll stay with us.Howard: I'll walk you to your car. You're in structure 3 level C, right?Sheldon: What just happened?Scene: The apartment.Missy:So anyway, we're eight years old, and Sheldon converts my easy-bake oven to some kind of high-powered furnace.Leonard: Hee-hee, just classic.Sheldon: I needed a place to fire ceramic semi-conductor substrates forhome-made integrated circuits.Missy: He was trying to build some kind of armed robot to keep me out of his room.Sheldon: Made necessary by her insistence on going into my room.Missy: Anyway, I go to make thoselittle corn muffins they give you, there's a big flash, next thing you know my eyebrows are gone.Howard: Ha-ha, not your eyebrows?Missy: Yep. I had to go through the entire second grade with crooked eyebrows myMom drew on.Sheldon: Is that what that was? I just assumed that the second grade curriculum had rendered you quizzical. Penny (knocking and entering, holding up a pair of superman undershorts.): Hey, Leonard,you left your underwear in the dryer downstairs.Leonard: Those are not mine.Penny: Really, they have your little name label in them.Leonard: Yeah, no, I do, I use those... uh... just to polish up my... spear-fishingequipment. I spear fish. When I'm not crossbow hunting, I spear fish. Uh, Penny, this is Sheldon's twin sister, Missy. Missy, this is our neighbour Penny.Missy: Hi.Penny: Wow, you don't look that much alike.Howard:Can I get a hallelujah.Sheldon: Fraternal twins come from two separate eggs, they are no more alike than any other siblings.Howard: Hallelujah.Raj (running in): Hey, guess what. I've been accepted as a test subjectfor a new miracle drug to overcome pathological shyness.Penny: Hey, good for you, Raj.Raj: Yes, I'm very hopeful. Hello Missy. (He waves his hand. It keeps waving.) They mentioned there may be side effects.Scene:The same, later.Raj: So, Missy. Have you ever met a man from the exotic subcontinent of India?Missy: Well, there's Dr Patel at our church.Raj: Ah yes, Dr Patel, good man.Howard: Do you like motorcycles, 'cos I ride ahog.Raj: A hog? You have a two cylinder scooter with a basket on the front.Howard: You still have to wear a helmet.Raj: Have you ever heard of the Kama Sutra?Missy: The s*x book?Raj: The Indian s*x book. In otherwords if you wonder wonder who wrote the book of love, it was us.Penny (to Leonard): Hey, Sheldon's sister's pretty cute, I w....Leonard: I wasn't staring!Penny: I didn't say you were, I just said she was cute.Leonard:Oh. Huh, um, maybe, if you like women who are tall... and perfect.Penny: Sheldon, why are you ignoring your sister?Sheldon: I'm not ignoring my sister. I'm ignoring all of you.Leonard: I brought snacks.Missy: Oh my!Gherkins and....Leonard: Onion dip, it's onion dip.Missy: Oh.Leonard: We don't entertain much.Raj: Missy, do you enjoy pajamas?Missy: I guess.Raj: We Indians invented them. You're welcome.Howard: Yeah, well mypeople invented circumcision. You're welcome!Penny: Missy, I'm going to go get my nails done. Do you want to come?Missy: God yes. Thanks.Penny: You're welcome.Missy: Bye guys.Howard: Bye Missy.Leonard: ByeMissy, see you.Penny: Goodbye Leonard!Leonard: Uh, yeah, no, uh, bye Penny.Howard: Okay, you two have to back off.Raj: Why should I back off, you back off dude.Leonard: Excuse me, this is my apartment andshe's my roommate's sister.Howard: So what, you've already got Penny.Leonard: How do I have Penny? In what universe do I have Penny?Howard: So I can have Penny?Leonard: Hell, no!Sheldon: Excuse me, can Iinterject something. I'm ordering pizza online, is everyone okay with pepperoni?Leonard: Sheldon, can I talk to you in private?Sheldon: I guess. Don't worry, I was going to order you cheeseless.Leonard: Thankyou.Sheldon: That's okay. Lactose intolerance is nothing to be embarrassed about.Howard: I'm a fancy Indian man, we invented pajamas!Raj: Hey, look at me, I don't have a foreskin.Scene: Sheldon'sbedroom.Leonard: Sheldon, are you aware that your sister is an incredibly attractive woman?Sheldon: Hmmm? She certainly has the symmetry and low body fat that western culture deems desirable. It's noteworththat at other points in history, heavier women were the standard for beauty because their girth suggested affluence.Leonard: That's fascinating, but I...Sheldon: I didn't say it was fascinating, I said it wasnoteworthy.Leonard: Alright, noted. But my point is that Koothrappali and Wolowitz... they're hitting on your sister.Sheldon: Oh. Okay. You know, I don't want to criticise your rhetorical style but, we'd be a lot furtheralong in this conversation if you'd begun with that thought.Leonard: That's great, but I....Sheldon: What I'm saying is that we took quite an unnecessary detour from what I now understand to be your thesis.Leonard:Whatever. You have to do something about it.Sheldon: Why?Leonard: Because she's your sister.Sheldon: I don't understand. Yes, we shared a uterus for nine months, but since then we've pretty much gone our ownseparate ways.Leonard: Okay, uh.... oh, consider this. With your father gone, it is your responsibility to make sure that Missy chooses a suitable mate.Sheldon: I hadn't considered that. We do share DNA.Leonard:Uh-huh.Sheldon: So there is the possibility, however remote, that resting in her loins is the potential for another individual as remarkable as myself.Leonard: Exactly. And, you owe it to yourself and to posterity toprotect the genetic integrity of your sister's future offspring.Sheldon: You're right. If someone wants to get at Missy's fallopian tubes, they'll have to go through me.[SCENE_BREAK]Scene: The living room. Raj andHoward are on the floor, fighting.Raj: I am Shiva the destroyer, I will have the woman!Howard: I'm warning you, I was judo champion at math camp.Sheldon: Alright, that's enough juvenile squabbling, stop it, stop it Isay. I'm going to settle this right now. Neither of you are good enough for my sister.Howard: Who are you to decide that?Leonard: He's the man of his family, you have to respect his wishes.Sheldon: You're out too, bythe way.Leonard: Say what?Sheldon: It's nothing personal, I'd just prefer if my future niece or nephew didn't become flatulent every time they eat an Eskimo pie. Howard (to Raj, who is smiling): What are you sohappy about?Raj: I'm not happy, it's the medication, I can't stop smiling. (Waves hand at mouth. It keeps waving.)Sheldon: Now that Leonard's made me aware of how high the genetic stakes are, we have to face thefact that none of you are suitable mates for my sister.Howard: Wait a minute. Leonard made you aware of that?Leonard: We all make mistakes, let's move on.Raj: Excuse me, but I think you're missing a bigopportunity here.Sheldon: How so?Raj: Everybody knows genetic diversity produces the strongest offspring. Why not put a little mocha in the family latte.Sheldon: In principle you have a point, but as a practicalmatter, need I remind you that it takes experimental pharmaceuticals to simply enable you to speak to the opposite s*x.Raj (waving finger at him): I think you're focussing entirely too much on the drugs. (Finger keepswaving. Leonard has to reach out and stop it.)Howard: Is it 'cause I'm Jewish, 'cause I'd kill my Rabbi with a porkchop to be with your sister.Sheldon: This has nothing to do with religion. This has to do with the fact thatyou're a tiny, tiny man who still lives with his mother.Leonard: Sheldon, you are really being unreasonable.Sheldon: Am I? Here. Eat this cheese without farting and you can sleep with my sister.Missy (who has justentered): Oh really?Sheldon: Oops.Missy: Shelly, can I speak to you for a minute? Alone?Sheldon: Why does everyone suddenly want to talk to me alone? Usually nobody wants to be alone with me. Leonard (to Pennywho is standing next to him grinning): We all make mistakes, let's move on.Scene: Sheldon's bedroom.Missy: Okay. I'm not even going to ask why you're pimping me out for cheese. But since when do you care at allabout who I sleep with?Sheldon: Truthfully, I've never given it any thought, but it has been pointed out to me that you carry DNA of great potential.Missy: What on earth are you talking about?Sheldon: Let me explain.You see, I'm a superior genetic mutation, an improvement on the existing mediocre stock.Missy: And what do you mean, mediocre stock?Sheldon: That would be you. But residing within you is the potential for anotherme. Perhaps even taller, smarter and less prone to freckling, a Sheldon 2.0 if you will.Missy: Sheldon 2.0?Sheldon: Exactly. Now, I am not saying that I should be the sole decider of who you mate with. If you're notattracted to the suitor then the likelihood of conception would be reduced.Missy: You have got to be kidding me!Sheldon: Not at all. Frequent coitus dramatically increases the odds of fertiliziation.Missy: Okay Shelly, sitdown. Now I've lived my whole life dealing with the fact that my twin brother is, as Mom puts it, one of God's special little people.Sheldon: I always thought I was more like a cuckoo bird. You know, a superior creaturewhose egg is placed in the nest of ordinary birds. Of course the newly hatched cuckoo eats all the food, leaving the ordinary siblings to starve to death. Luckily for you, that's where the metaphor ended.Missy: I thoughtit ended at cuckoo. Now you listen to me, if you want to start acting like a brother who cares about me, then terrific. Bring it on. But you try one time to tell me who I should be sleeping with, and you and I are going togo round and round the way we did when we were little. Remember? (Sheldon hurriedly crosses his legs.)Sheldon: I have an alternate proposal.Missy: Go on.Sheldon: You donate eggs. We will place them in cryogenicstorage. I will find an appropriate sperm donor for your eggs, have them fertilized and implanted in you, that way everybody wins.Scene: The living room. Sheldon enters limping, holding his groin area.Sheldon:Correction. Missy can date whoever she wants.Scene: The same, later.Howard: Look, we have to settle this.Leonard: I agree. Sheldon's sister is hiding at Penny's because we've all been hitting on her at the sametime.Raj: She's not hiding. She needed privacy to call her grandmother who's apparently very sick. Oh, and then I believe she has to wash her hair.Howard: Oh, you poor, deluded b*st*rd.Raj: Don't start with medude.Howard: You want to go again? Let's go.Leonard: Sit down.Howard: Okay.Leonard: If we're going to fight over Missy, let's do it the right way. The honourable way.(Time shift. Sheldon enters to hear sounds offighting. It becomes apparent that the guys are playing a boxing game on a Nintendo Wii.)Leonard: And he's down!Howard: Come on, come on, get up.Leonard: Stay down, bitch. Yeah, ha ha, natural selection atwork.Sheldon: I weep for humanity.Leonard: Excuse me while I go tell Missy the good news. (Leaves and knocks on Penny's door.)Penny (answering): Ah, hey Leonard.Leonard: Hi Penny, how's it going. Listen, thatguy Mike that you were dating, is that still going on?Penny: Uh, pretty much, why?Leonard: Nothing, just catching up. By the way, may I speak to Missy please?Penny: Of course.Missy: Hi, Leonard, what's up?Leonard:Well, since you're leaving tomorrow I was wondering if you'd like to go out to dinner with me?Missy: That's so sweet. But no thanks.Leonard: Oh. You have other plans, or...?Missy: No.Leonard: Oh. Alright uh... enjoythe rest of your evening.Missy: Thanks. See you.Leonard (returning): Um, here's something we didn't anticipate.(Time shift. Penny opens door to Howard.)Penny: What do you want, Howard?Howard: I'm fine, thanksfor asking. I've come to call on Missy.Penny: Missy?Missy: Hi Howard.Howard: The amazing Howard. Do you like magic?Missy: Not really. No.Howard: Then you are in for a treat. Behold, an ordinary cane. (Taps againstdoorpost. While humming he tries to perform a trick, but the cane falls in half with a yellow handkerchief flying out. Howard has to retrieve the pieces.) Da-dah! (Emerges with the handkerchief, on which are written thewords \"will you go out with me?\")Missy: No.Howard: Okay. (Does something with hands, from which another yellow handkerchief emerges. This one reads \"are you sure?\" Missy closes the door.)(Time shift. Pennyopens the door to Raj.)Penny: Missy?Raj: Thank you. I apprec.... (looks panicked) apprec.... appreeee.... oh-oh.Penny: Oh, honey, is your medication wearing off? (Raj nods.)Missy: Oh, hi, cutie pie. I was hoping you'dshow up.(Raj attempts to speak. All that emerges is a high pitched wail. After a few more attempts he turns and leaves down the stairs, still making the same sound.)Missy: We had a dog who made a noise like that.Had to put him down.Scene: The stairwell. Missy and Sheldon are descending.Missy: Any news you want me to pass along to Mom?Sheldon: Well, she might be interested to know that I have refocused my researchfrom bosonic string theory to heteronic string theory.Missy: Yeah, I'll just tell her you said hey.Sheldon: Okay, well, it was pleasant seeing you, other than that business with my testicles. (Holds out hand toshake.)Missy: Come on, Shelly. (Hugs him. He looks uncomfortable, then hugs back half heartedly.) I want you to know I'm very proud of you.Sheldon: Really?Missy: Yup, I'm always bragging to my friends about mybrother the rocket scientist.Sheldon: You tell people I'm a rocket scientist?Missy: Well yeah.Sheldon: I'm a theoretical physicist.Missy: What's the difference?Sheldon: What's the difference?Missy: GoodbyeShelly.Sheldon: My God! Why don't you just tell them I'm a toll taker at the Golden Gate Bridge? Rocket scientist, how humiliating."}
+{"doc_id":"doc_75","qid":"","text":"ACT ONEON THE PLUS SIDE SHE DID LOSE TWO POUNDSScene 1 - Int. Frasier's Studio at KACL Frasier is seated in his booth. Roz stands beside him, sorting through papers.Frasier: Oh Roz, I managed to get some reservations at San Gennaro tonight. [standing] I thought we'd go celebrate your birthday.Roz: [looking up] Oh, that is so sweet, but I have a date. With that waiter we met at lunch yesterday.Frasier: [disbelieving] You're going out with that guy?Roz: I didn't have enough for a tip.Frasier: Keep in mind the service wasn't that good. [pause] Well, the reservation won't go to waste. I can always take Niles.Roz: Niles? Again? You know, your entire social life consists of going out with your brother. [pause] Don't you think you're getting into kind of a rut? You're still young! You need to go out and get drunk...Frasier walks around her toward the door of the booth.Roz: [cont'd] Wake up in some stranger's bed and not even remember how you got there.Frasier: [opening door] In other words, exchange my life for yours.Roz: Well, do what you want. But you know what? You could shake up your life every once in a while, do something spur of the moment. Once, I finished work on a Friday and hopped a plane to Acapulco, and I didn't pack anything but my toothbrush.Frasier: Oh, yes, yes, I do remember you calling in sick one Monday morning with a mariachi band in the background.Roz: Well, I was sick.Frasier: Mmm-hmmm. [closes door][SCENE_BREAK]Scene 2 - Int. Frasier's living room at the Elliot Bay TowersDaphne: [opening front door] Oh, Doctor Crane!Niles: Daphne.Niles walks into the apartment to place his coat on the sofa. Daphne closes the door after him. When he turns back toward her, she has turned her back to him. She is wearing a yellow sundress which is unzipped to her lower back.Daphne: Thank God you're here. My zip's stuck.Niles: Oh.Niles walks to her and reaches for the zipper, watching her lower back intently.Niles: Good thing I got here when I did.Daphne: Don't be afraid to grab hold and give it all you've got.Niles: [looking up at the back of her head] Okay.Daphne: Sometimes pulling it down a bit helps.Niles: [looking up again] Okay. [pause] Oh, dear. I've zipped my tie into your dress. It won't come loose.Niles leans down to examine his predicament.Daphne: Oh, let me see! Daphne turns to look, jerking Niles by the tie in the process.Daphne: Oh, I'm sorry! It is stuck, isn't it? Well, maybe some liquid soap from the powder room will loosen it up.Daphne walks to the bathroom, dragging Niles by the tie. He is leaned over, his face very close to her rear - most likely a delightful scenario for him. Just as Daphne has her hand on the knob to the bathroom, Frasier walks in the front door, taking in the scene before him. He stares skeptically for several moments as he closes the door behind him.Frasier: Niles, there's something on your tie.Daphne: [grinning] Doctor Crane was helping me with my dress, and now he's caught.Frasier: Yes, he is. [walks to Daphne, pushing Niles to the side slightly] Allow me. [frees the zipper] Ah, there. All right, there we go.Frasier walks over to hang up her coat, and Daphne walks toward the breakfast table.Daphne: What a relief. I was just about to step right out of this dress and embarrass poor Doctor Crane to death.Niles: Well, we all have to die of something. [gazing longingly]Frasier: Oh Niles, I managed to score some reservations tonight at San Gennaro. You up for a little Italian?Niles: Actually, I'm going out with Maris, so I guess you could say I'm up for a little Episcopalian. [laugh]Frasier: [laughs, walking toward wet bar] Like some sherry?Niles: Yes, thank you.Frasier: So, those counseling session must be going very well.[pouring sherry]Niles: They are! So, tonight, we thought it would be a kick to recreate our very first date.Daphne: [sitting at table] Oh, that's sweet.Martin walks in the front door with Eddie on his leash.Niles: Hey, dad. In fact, that day my car was in the shop, so I'm here to borrow Dad's car just like I did back then. [Frasier hands him his sherry] Just saying that makes me feel so young. \"Gee, Dad, can I borrow the car?\"Martin: You did that twice on the phone, and I didn't find it cute then. [reaching in pocket, pulling out keys] Here you go.Martin tosses his keys to Niles underhanded. However, they sail right by him and are caught by Frasier, who is standing behind him.Frasier: [handing Niles the keys] I just can't picture Maris in Dad's '82 Impala.Niles: Neither could she, at first. I'll never forget the look of wonder on her face at touching vinyl for the first time. She said it made her feel cheap and dirty, and she liked it.[proud] I was her first bad boy. [sits on couch]Frasier: Uh-huh. Yes, I remember the way you used to carry your inhaler around rolled up in the sleeve of your t-shirt. [gesturing to Daphne at the table and Martin coming out of the kitchen] Oh, how about you two? You guys want to join me for dinner tonight?Martin: Oh sorry, Sherry's cooking me dinner tonight.Daphne: And I have a date with Greg.Frasier: Greg? I don't believe I've met him yet.Martin: I have. He's gorgeous. [stares all around] Well, he is.Daphne: He's certainly the best-looking man I've ever been out with. Of course, he doesn't have a thought in that pretty little head of his. [distantly] Hmmm, this could be the one.Martin: [going to sit in chair] But you know, Frasier, maybe I can have Sherry cook for me some other time.Frasier: No, no. You don't have to put yourself out on my account, Dad. [notices answering machine blinking] Oh Dad, did you happen to check this message?Martin: No, I don't touch that thing.Message: [V.O.] Hi, it's Laura. We're getting an extra day of rehearsal, so I'm coming in tonight instead of tomorrow. American, Flight 11, 10:30. Can't wait. Bye!Frasier: Great news, Laura's in town!Niles: Who's Laura?Frasier: A stranger who called my machine by mistake.END OF ACT ONEACT TWOScene 1 - Int. the restaurant - San Gennaro Frasier stands at the maitre 'd's booth in the restaurant, his arm propped against it casually.Frasier: Reservation for Doctor Frasier Crane.Maitre \u0000: From the radio, yes?Frasier: Yes. Ooh, actually my date canceled, so it'll just be me.Maitre \u0000: I see, sir. [lowers voice] Table for one.Frasier: There is no need to lower your voice. I'm not ashamed to dine alone. eally, as a man of some celebrity, I can serve as a symbol to others who might otherwise be afraid to do so. I mean, really it's okay, it's actually even preferable to sit and dine alone rather than listen to someone who's too much in love with his own voice prattle on endlessly.Maitre \u0000: Well, you convinced me, sir. I'll see if your table's ready.The Maitre 'D leaves the room, and Frasier is left alone, looking decidedly less comfortable.Maitre \u0000: [loudly] Doctor Crane? Your table for one is ready.He holds a menu out for Frasier, who takes it and slinks to his table, which is positioned right in the center of the room.Frasier: Uh, listen, is it possible to move to... to have a table elsewhere? I feel just a bit conspicuous right here.Waiter: I'm very sorry, sir, but they're all reserved. But don't worry, most of our patrons only have eyes for each other.Frasier: Very well.Frasier sits. The waiter begins to fix the place setting, clinking glasses together very loudly. Other diners begin to look at the table.Waiter: I'm so sorry, sir.Frasier: Perfectly all right. Just because I'm alone doesn't mean I'm lonely. Perhaps I could have a glass of your house cabernet.A young boy approaches as Frasier fixes his napkin in his lap.Johnny: Hi.Frasier: Hello. What's your name?Johnny: Johnny. How come nobody's sitting with you?Frasier: Well, that's a bit complicated, Johnny.Johnny: My mom and dad said it's okay if you come sit with us.Frasier: Oh, well, that's a very... very sweet offer, and I know it's hard for a young boy to understand, but really, there's nothing wrong with someone eating by himself.Johnny: You know, one time I was really bad at school and the teacher made me eat lunch all by myself.Frasier: Oh, well that gave you an opportunity to think about your actions, didn't it?Johnny: Nope. I just cried.Frasier: [rolls eyes] Run along, Johnny.Johnny leaves. The waiter approaches.Waiter: Your glass of cabernet, sir.Frasier: Oh, thank you.Waiter: Oh, and I see your candle has gone out. [shouts] Enrico![claps loudly]Frasier: Please, stop! Tonight, I'd prefer to just... dine in the shadows, thank you.An attractive woman approaches.Woman: Excuse me. Are you here by yourself?Frasier: As a matter of fact I am, yes.Woman: I was hoping you'd say that! Would you mind if I -[gestures at the other chair at the table]Frasier: Oh, good Lord, yes. I've actually been sitting here hoping somebody would- [realization passing over him] make good use of that chair.As the woman takes the chair away...Amanda: AAAHHHH! [jumps up] Of course I'll marry you!The scream has startled Frasier, who spills his cabernet all over his shirt.Ethan: Oh, sorry for the commotion, folks. [notices spilled wine, walks over] Oh, gosh, is that our fault? Listen, let me pay for the dry cleaning!Frasier: Oh, not to worry, not to worry.Maitre \u0000: Congratulations, you two! Here's to young love!Husband: [standing with his wife] Well, as long as we're all sharing good news, my wife just told me that we're having twins.Ethan: Now that I've already interrupted all of your meals, I'd just like to share my joy with everyone here. [gazes at his fiance] To Amanda, my future bride, I will love you every day of my life, and I hope that, when we die, it's at the exact same moment so that neither of us will have to spend even one second alone again.Everyone applauds, including Frasier, but VERY grudgingly. He looks around, frowns, thinks a bit, and finally stands and walks over to Johnny's table.Frasier: Hi, um, Johnny said I could eat with you.[SCENE_BREAK]LOVE AMONG THE RUINSScene 2 - Int. Frasier's living room at the Elliot Bay Towers. Frasier walks in the front door of his apartment. Martin and Daphne are sitting at the breakfast table.Martin: Hey, Fras, how was your dinner?Frasier: [walking slowly behind the couch] Not since Quasimodo strolled the streets of medieval Paris have so many people uttered the phrase, \"That poor man.\"Daphne: I'm sure it wasn't as bad as all that.Frasier: Oh? [opens his overcoat to reveal his red shirt and tie]Daphne: Oh, dear.Frasier: [walks to hang up his overcoat] The height of the evening came when the entire staff of waiters delivered the birthday cake that I'd ordered for Roz and neglected to cancel. [pause] They sang to me. [walks over to lean against Martin's chair]Martin: It's not your birthday.Frasier: Staying right with the story as usual, Dad. Anyway, after dinner I took a long stroll, and it suddenly struck me: I'm single. I'd gotten accustomed to thinking of myself as recently divorced, but that was five years ago. I'm forty- three, and I'm alone.Martin: Hey! [stands and walks to kitchen] I have something that'll cheer you up. I brought you some of Sherry's mock apple pie. [comes out] It's called \"mock\" cause they uses crackers instead of apples.Frasier: Good! [doorbell; Frasier walks to answer door] Nothing spoils an apple pie like apples. [opening door] Oh, Niles.Niles: Frasier! Oh, what happened?Frasier: Well-Niles: No, let me guess. [leans in] Robust color, fruity bouquet. I'd say that's an amusing little merlot.Frasier: Cabernet. [closes door]Niles: [walking past him] Oh. Well, it's still amusing.Daphne: So, did you and Mrs. Crane enjoy recreating your first date?Niles: [standing behind chair at the breakfast table; very excited] Oh yes, my Maris remembered details that I'd forgotten. For example, when I brought her home after the restaurant, we took a stroll around the grounds. Suddenly, Marta appeared on the balcony playing the part of Maris's late father. She was liquored up on Rob Roys and firing Swedish meatballs at me from an antique blunderbuss.Frasier: [glances down at answering machine] Dad, am I the only one in this household who checks this machine?Laura: [V.O.] Hi, Molly. Laura again.Frasier: Again.Laura: [V.O.] Is that Tom on the machine? He sounds nice. Anyway, I just called to remind you I'll have my cello with me.Translation: you might want to clean out your car this time to make room. I know, toujours la grande souer. Anyway, I can't wait to see you guys. I've been on my own way too much lately. See you at 10:30, Flight 11. Love you. Goodbye.[N.B. French, \u0000lways the big sister.?/i>]Daphne: Too bad there's no way to call her back. She's gonna be stranded at the airport.Frasier: Oh no, she won't, she'll take a cab.Daphne: You know, that happens a lot. People leaving wrong messages. And after hearing a stranger's voice like that, it always starts me wondering what they must be like.Martin: Oh, you can't really judge what a person's like from the voice.Niles: [looking at Sherry's mock apple pie on the breakfast table] That's true. I was once told that I sound - imagine the impertinence - [enunciating] \"UP-TIGHT.\"Daphne: Well, she sounds to me like a very attractive woman. Intelligent -Niles: She speaks French.Frasier: I always loved the name Laura.Martin: Hey Frasier, you know, that was gonna be your name if you were a girl.Frasier: Really?Martin: Yeah! Your mother always wanted Priscilla, but I never liked the nickname \"Prissy.\"Niles: [cutting a slice] Mmmm, I never much cared for it, either.Frasier smiles at the irony and sits down on his couch.Daphne: You know, Doctor Crane, this Laura sounds like she might just be a perfect match for you. If you left now, you could meet that plane.Frasier: [laugh] Oh, please, Daphne, a couple phone calls and you're fixing us up already.Daphne: But think about it! She plays the cello. You'd like that.[stands and walks toward Frasier]Niles: She appreciates neatness. [following Daphne]Martin: She expresses affection easily. That's good. [receives stares from everyone] Well, pardon me for growing a little, okay?Daphne perches on the arm of the sofa. Martin sits in his chair. Niles stands between them.Niles: She did mention being on her own too much. So we know she's available.Frasier: Oh, sure it's fun to speculate, but, come on, you can't seriously be suggesting-Daphne: But why not? I can't imagine a more exciting way to meet. The woman of your dreams steps off a plane, and there you are to rescue her.Niles is watching her tenderly. Very sweet.Martin: Oh, yeah, you can't beat meeting somebody in a romantic way. That's the way it was with me and your mom.Niles: You met Mother over the chalk outline of a murder victim.Martin: So? It was romantic to us.Daphne: I met a boy in a cute way once. I was eighteen and visiting Stonehenge and this smashing young man came up to me and told me he was an actual descendent of the Druids.Frasier: Boy, is that the one place that line would work.Niles: I met someone once flying home from college. I got bumped into first class, found myself sitting there next to a positively ravishing woman. She was a bit older and I was trying desperately to be suave, so when she leaned over and suggested we join the Mile High Club, rather than admit I was unfamiliar with the term, I whispered back, \"I really don't travel enough to make that worthwhile.\" [pauses, takes a sip of sherry] God, that was twenty years ago. [starts to chuckle, then] Nope, still can't laugh about it.[N.B. For those of you unfamiliar with the term, an invitation to \"join the Mile High Club\" is an offer to have s*x on an airplane.]Frasier stands and walks back over to the message machine. He hits a button.Laura: [V.O.] Hi, Molly. Laura again. Is that Tom on the machine? He sounds nice. Anyw-Frasier stops the machine and turns around.Frasier: She likes the sound of my voice. She's called me twice today. That's already the best relationship I've had this year.Martin: So, are you going?Frasier: Maybe. Oh, I don't know.Daphne: There's nothing worse than when you look back on a missed opportunity.Frasier: What the hell! [runs to grab his overcoat]Daphne: Oh, I'm so excited.Frasier: I can't believe I'm actually doing this! [runs to the door]Niles: Frasier, before you go-Frasier: No, Niles, stop right there! Don't say another word to me! I'll never do something this impulsive if I stop to overthink it. Just let me get the hell out of here before I change my mind!He slams the door behind him. Several moments go by before he opens it again and dashes toward his room.Frasier: But not before I change my shirt.[SCENE_BREAK]Scene 3 - Int. airport People are de-boarding the plane. Several people hold signs. The first says, \"IBM.\" The second says, \"DR. THOMPKINS.\" Frasier, clearly nervous, stands with a sign with crude capital letters:\"LAURA.\"Then Laura, a beautiful woman in her thirties, appears, maneuvering her cello case with the help of a flight attendant.Laura: Thanks for all your help. I can take it from here.Frasier: [leaning forward, speaking hesitantly] Uh, Laura? Looking for Molly?Laura: Yes, I am. Molly sent a driver?Frasier: Oh, no, no, no. [sincere smile] I'm not a driver, I'm a psychiatrist, I'm here to help you.Laura: [long pause] Molly's having me committed?Frasier: No, no, no! I'm Doctor Frasier Crane.Laura: Oh, from the radio!Frasier: Oh, you know me!Laura: Yes, I've heard your show, it's great! But your knowing me is just - weird.Frasier: Well, actually... you left a couple messages on my machine today by mistake.Laura: Oh, no. I must've gotten my sister's new number wrong.Frasier: I didn't want you waiting around for someone who wasn't coming.Laura: So you came all the way down here? What're you, like the nicest guy in the world?Frasier: Yes. Yes, I am. Well, speaking of nice, I would be delighted to drive you to your sister's home.Laura: Oh, no, no, no, I'll take a cab.Frasier: Are you sure? It's no trouble at all.Laura: Well, she lives an hour away. But, uh, listen, could I buy you a drink just to say thank you?Frasier: Yes, I'd love that. [gesturing to the instrument case] May I take your cello?Laura: Aaahhhh... I checked my cello, this is my purse.Long pause; Frasier seems confused, totally at a loss as to what to say.Laura: [jokingly annoyed] I think that's funny. Why doesn't anybody laugh at that?Frasier: That is funny! Here. [takes case, leads them toward airport bar] So, are you with an orchestra? [puts cello case to the side]Laura: With a chamber music group, actually. We're based in LA, but we travel quite a bit. [sits] I grew up here, so it's always nice to come back. I miss it.Frasier: So, what'll you have?Laura: Um... I think I'll have a glass of sherry.Frasier: [pleasantly surprised] Two.Laura: Not that you can expect that much from airport bar sherry. [guiltily] Oh, goodness. Don't I sound like the perfect snob?Frasier: [dreamily] Yes... [catches himself] I mean, I agree with you about the sherry. So... um... why did you choose the cello?Laura: When I was around eleven, my father took me to the symphony. And this sounds a little silly, but when I heard the cello, it sounded sad, like it needed me.Frasier: [moved] That's not silly. It's lovely.Laura: I was always an odd kid. All my girlfriends had posters of David Cassidy. I had Pablo Cassall.Frasier: I had Sigmund Freud. [laughs]Laura: But did you kiss him every night before you went to bed?Frasier: Well, I... I was tempted to, but he just would've read too much into it! [they laugh; their drinks come] Oh, thank you.Laura: I don't think I've ever shared a drink with a psychiatrist. I'm worried that you must be analyzing me.Frasier: Well, if I am, my diagnosis so far is that I... I can't find a single thing wrong with you.Laura: [takes sip of sherry] Actually, it's quite good!Frasier: Yes. My second pleasant surprise this evening.Laura: Frasier, maybe I'm misreading you here, but - I'm married.Frasier: [slowly, very disappointed] Oh... somehow I jumped to the conclusion that you were single. Wasn\u0000 there something in your message about having been on your own too much, lately?Laura: Oh, I've been away on tour.Frasier: Oh... Well, I guess by now you've probably figured out that my coming down here wasn't entirely the act of a Good Samaritan. More like a lonely Samaritan. Guess it makes me seem sort of desperate.Laura: No... I think it makes you seem sort of romantic. I used to do things like this when I was single. It was fun.Frasier: Clearly, you were better at being single than I am.Laura: Oh, come on. Let me ask you a question. How did you feel, coming down here?Frasier: I felt... completely exhilarated. In fact, it's the most fun I've had in recent memory.Laura: Exactly. The anticipation, the excitement, the hope. Marriage is the death of all that.Frasier: I hope you didn't write your own vows.Laura: [laughs] I'm not down on marriage. It's just that marriage can be great, but so can not being married.Frasier: I suppose. [pause] Well, you're smart, lovely, talented, able to look at the bright side of things. I'm getting more disappointed by the moment.Laura: [sincerely] I'm sorry it didn't turn out the way you wanted.Frasier: Oh, don't be. Look, I really did have fun. You know, it's not very often that I do something impulsive.Laura: Well, maybe you should. [pause] Well, I really should be going.Frasier: Oh, no, here, allow me. Allow me. I'm the nicest guy in the world, "}
+{"doc_id":"doc_76","qid":"","text":"[Scene: Church. Brendan and a priest are there.]Brendan: I wake up at night, my heart pounding, a voice whispering in my head your a fraud, you can't fool God.Priest: These are not new fears, Brendan. I've watchedyou grow, wept for you, rejoiced in you, you are not a fraud. I know your heart.Brendan: You don't know my family, father. Generations of evil. Evil that's in my blood.Priest: The blood of the sacrament washes itclean.Greg: Hello, Brendan.Paul: Long time no see.Brendan: How'd you find me?Greg: Yeah, good to see you too. Didn't mean to interrupt your conversation. We'll wait outside for you so we can have a familyreunion.[Scene: Outside the church. Prue, Phoebe and Piper are getting stuff out of the van.]Prue: Hey, you know what? The next time the Quake does a food pantry why don't you call some guys.Piper: Yeah, I'll justgo through my handy guy rolodex.Phoebe: Which I believe now stops a 'J' for Josh or is it 'B' for boyfriend.Piper: I don't wanna talk about it.Phoebe: Why not Piper? You know you like him and he calls you all the time.Why don't you just go out with him?Piper: I told you because I'm too busy with work and my instincts are telling me to lay low.Prue: Always trust your instincts.Phoebe: Who's side are you on?(They see somenuns.)Piper: Now they have the right idea.Phoebe: Who, the nuns?Piper: Yep, nice safe environment.Phoebe: Yeah, if you like monks.Piper: Stress free, no need to worry about guys, no wardrobe.Phoebe: No wardrobe?Okay, now you're scaring me.Piper: Um, whose pen is this?Prue: Oh, it's uh, Brendan's I think, you know the cute guy that signed for the food, remember?Phoebe: I remember him, yes.Piper: Good, then you can take itto him. I think he's in the church office.Phoebe: Okay, just don't go taking any vows while I'm gone, alright? (Piper hands Phoebe the pen and Phoebe has a premonition.) Oh, oh, cute guy, I just saw him being attackedby a warlock. I think it was here somewhere.Prue: Alright, let's split up.[Cut to inside the church. Brendan and his brothers are there.]Greg: Give it up little brother. You're praying to the wrong deity. Aren't youBrendan. I mean after all, we can't deny who we are.Brendan: You don't scare me Greg.Greg: Sure I do. (He turns into a warlock.) We've come a long way to find you. We're not leaving until you join us.Paul: PleaseBrendan, we don't want to hurt you.(Greg hits Brendan and he falls to the floor.)Greg: Did you really think the church could save you?(Greg picks up Brendan up off the floor. He goes to hit him again but Prue entersthe church.)Prue: Hey! (She uses her powers and Greg flies across the room.) Piper! Phoebe!Greg: We'll come back for you. (They run off.)Phoebe: Prue?Prue: You guys over here! (to Brendan) Are youalright?Brendan: Yeah, thanks. (He runs off.)Prue: Wait, where ...?Piper: Hey!Phoebe: What happened?Prue: I don't know, but uh, I'm gonna go find out.Opening Credits[Scene: In a room. Brendan's brothers arethere. One brother is staring at a lizard.]Paul: Amazing reflex's. Check it out.Greg: Should've kept a closer watch on Brendan all these years. Shouldn't of left him alone.Paul: Seriously, you gotta see this, watch.Greg:I'm sick and tired of you and this freakin' lizard.Paul: Yeah? Too bad. (Greg goes to hit him.) No! I'm sorry, okay. Just stay away from my pet, that's all I ask. Maybe we should let Brendan go. I mean we don't reallyneed him. It's not like we don't already have our powers.Greg: Without his powers we can't complete our triangle, the whole prophecy of the royal coven. He must accept his heritage. He must be initiated as awarlock.Paul: Initiated how? We can't force him to kill an innocent.Greg: Well, maybe not, but we can store his inner nature. The part he thinks is suppressed. Make him wanna kill.Paul: By tomorrow? Not a chance.Once he's been ordained, he's safe. He can never become a warlock.Greg: In which case, we will have to kill him.[Scene: Halliwell house. The phone rings.]Phoebe: Hello? Oh, hello Josh, how are you?Piper: I won't callhim back.Phoebe: Yeah, she's right here, hold on a second. Oops.Piper: You're doomed. (She takes the phone.) Hello. No, it's alright I'm always up this early. What's that? My horoscope said that? Oh well, that's ashame 'cause I have to work Friday night. Yep, Saturday too.Phoebe: (to Prue) Okay, I have to go change the cat litter.Prue: Phoebe.Phoebe: What? What is the problem? She likes him, he likes her.Prue: The problemis it's none of our business.Piper: I, I've got to go now, but thanks for calling though. Yeah, well, I gotta go to work. I'll be there all day and all night. Yep, gotta go, bye.Phoebe: Okay, you know what? It's your life, ifyou wanna be a nun, God speed.Piper: Thank you. Now back to our warlock crisis. Why do we think they're after, what's his name again?Prue: Brendan, and I don't know, I couldn't find him. But I've seen him at thechurch before and I'm hoping that the parish priest can help.Piper: Yeah, well, you better hope Brendan doesn't tell anybody about your powers or else we got bigger problems than just warlocks.Prue: Yeah, but I don'tthink he will. There's something in his eyes, I don't know, it seemed like he wasn't surprised by it. Alright, um, I've gotta go. I'll call you guys if I find out anything.Piper: Do you want us to go with you?Prue: You haveto work remember. (She leaves. The phone rings and Phoebe gets up to answer it.)Piper: Don't you dare answer that. Sit down.[Scene: Church.]Prue: Excuse me.Priest: Yes.Prue: Father Austin?Priest: Yes.Prue: Hi. I'mPrue Halliwell. My sister helped co-ordinate the food for last night.Priest: Piper. Of course. I'm very grateful to her, it was a wonderful evening. Except for what happened in here.Prue: Actually, that's why I'm here. Doyou know someone named Brendan, i think he was one of the volunteers?Priest: I know Brendan very well. You don't think he had anything to do with this?Prue: No. No, no, no, no. Um, but I did see two other mentrying to hurt him. I mean he's fine, he got away alright but I don't think they're gonna stop trying.Priest: He always said they'd come.Prue: Excuse me?Priest: It's just something I know Brendan's been wrestling hiswhole life.Prue: Do you know where I might be able to help him?Priest: You? How?Prue: I can't really tell you that father, I'm sorry. It's kind of personal, I just have to ask you to trust me.[Scene: Quake.]Phoebe: Sothe lunch rush is almost over and you're closed till dinner right?Piper: Yeah, why?Phoebe: Just curious. Have you heard from Prue yet?Piper: No, not yet. (Phoebe stares at her.) What? Why are you staring atme?Phoebe: Because I'm worried about you that's why.Piper: Oh, Phoebe don't start.Phoebe: No, Piper something's up. You're turning down dates with a guy that you like, extolling the virtues of convent living, you'vebeen working double shifts three times a week, this is not the Piper I know and I'm worried.Piper: Don't be. Everything is fine.(Josh walks up behind them.)Josh: I would like a glass of Clara Jenson please. Ninety threeif you got it.Piper: Josh.Josh: Good start. You recognized me.Piper: What are you doing here? (quietly to Phoebe) Phoebe!Phoebe: (quietly) What?Piper: This is such a surprise.Josh: Well, I tell ya, I'm gonna cut right tothe chase here. You wanna get all hot and sweaty with me? I'm kidding, kidding. I'm on my way to the gym and thought since I can't buy you dinner, we could um, work out together.Piper: I'll be right back.Phoebe: Uh,so will I.Piper: I'm gonna kill you.Phoebe: Why? A little exercise, a nice steam, a trip to the juice bar, what could it hurt?Piper: My job. I'm at work. I can't just up and leave.Phoebe: Okay, well, I could baby-sit for youwhile you're gone.Piper: The restaurant? I don't think so.Phoebe: What, it's not like anything's gonna happen. You said it yourself, you're closed until dinner. Come on, it is just a work out. The worst case scenario,you're in better shape by the time you check into the nunnery.Piper: Okay, fine. But only if it will get you to shut up.Phoebe: It will.Piper: Good.Phoebe: Fine. (She gives Josh the thumbs up sign.)Josh: Thankyou.Phoebe: You're welcome.[SCENE_BREAK][Scene: Stables. Brendan is there with a little girl.]Brendan: Are you sure you've never ridden a horse before?Little girl: I've never even seen a horse before. Except ontelevision.Brendan: Well, you're a natural at it. Keep your grades up and maybe you could come ridingagain.Little girl: Promise? (He nods.) Ah, a spider! Kill it.Brendan: Oh, no. He's just trying to find his way homethat's all. Besides, all life's precious to God you know. (Prue walks up behind them.) Here, don't be afraid. Trust me. (He puts the spider in her hands.) There you go. (He sees Prue.) Ah, why don't you take him in thestables and set him free. (She leaves.)Prue: You're braver than me.Brendan: How'd you find me?Prue: Father Austin told me you would be here. We need to talk.Brendan: Look, uh ...Prue: Prue.Brendan: Prue. If you'reworried about me telling anyone about your secret, you don't have to. It's safe with me.Prue: Yeah, well, that's good to know but why? I mean most people would be pretty freaked out if they saw what yousaw.Brendan: I'm not like most people.Prue: Yes, I know. Most people aren't attacked by warlocks.Brendan: I don't wanna talk about that. (He gets on his horse.)Prue: Okay. Ah, hi, just can I borrow this for a minute.(She gets on a horse.)Man: Sure, go ahead.(They gallop off. Prue gallops past Brendan.)Brendan: Hey, wait up. (They slow down.) If you keep your grades up maybe you can come riding again too.Prue: Oh, youpromise?Brendan: Who are you anyway?Prue: Oh, well, that's not fair, I asked you first.Brendan: I'm not quite sure I know the answer to that I'm afraid.Prue: Well, as far as I can see you're too good to be true, I meanchurch volunteer, great with kids, loves horses, spiders.Brendan: Not all spiders. Hate black widows.Prue: That's a good thing.Brendan: What?Prue: Brendan, you're in danger, serious danger.Brendan: I know.Prue:What, how do you know? I can help you.Brendan: No you can't. You're lucky they didn't hurt you, they could of killed you last night.Prue: Who could of? Who are they?Brendan: It doesn't matter. After tomorrow I'll besafe from them forever.Prue: What happens tomorrow?Brendan: I become a priest.[Scene: Rock climbing place. Piper is half way up the wall.]Piper: (Angrily to herself) A little sweat, a nice steam, trip to the juice bar. Iwill kill you Phoebe. (Josh comes down the wall and stops where Piper is.)Josh: How ya doin'?Piper: (Does a fake laugh) Great. Never better.Josh: You're lookin' great. Come on, I can't believe you've never done thisbefore.Piper: Yeah, well, believe it.Josh: You want me to keep you company on the way up?Piper: Oh no, I'll meet you, I'll meet you down there.Josh: Alright, I'll see you in a few.(He goes down the wall. Piper starts toclimb the wall again but slips and falls but Josh catches her before she hits the ground.)Piper: Wow, talk about falling for a guy. (He puts her down and she freezes him. She gets out her phone and calls Phoebe.) I can'tbelieve I said that.Phoebe: Hello, Quake.(You see the sink overflowing and water is everywhere.)Piper: Phoebe.Pheobe: Hey, Piper, how's is going?Piper: Bad, real bad.Phoebe: Uh, really? Why?Piper: You wanna knowwhy? I'll tell you why. Because we shared the look.(You see Phoebe trying to stop the water from squirting out of the tap.)Phoebe: The look?Piper: You know, the look that proceeds the kiss. You look at each other thesame time, you smile at each other the same time.Phoebe: Well, that's great. I knew you'd have a good time.Piper: No, Phoebe, this is exactly what I did not want to happen. Is that water I hear running?Phoebe: Uh,water? I don't know, maybe just a little. Hey, you know, just out of curiosity, if you were the water shut off valve, where would you be?(Piper hangs up and Josh unfreezes.)Josh: Hey, uh, where'd you get thephone?Piper: Uh, Phoebe just called, there's an emergency at the restaurant. I gotta go. (She kisses him on the cheek.) Um, I had a really great time, thanks.Josh: You're welcome.[Scene: Church. Father Austin is onthe floor and is badly hurt. A warlock is next to him. Prue enters the church and sees what has happened. The warlock sees Prue and turns back into a human. It's Brendan.]Brendan: Prue. (He runs off. Two nuns seewhat's happened.)Nun: Dear God.Prue: Call 911. Hurry. (She runs after Brendan.)[Cut to outside. Prue trips Brendan by using her powers.]Brendan: Prue, wait. You don't understand.Prue: Don't I?Brendan: I didn't hurtfather Austin. I found him like that, I swear.Prue: Before of after you turned into a warlock?Brendan: After. When I saw what they did to him I was crazed. The rage turned me into a warlock. Look, don't believe me Idon't care. Just at least let me call the paramedics, please. Don't let him die. I'm begging you.Prue: They've already been called.Brendan: Thank you.Prue: Do you actually expect me to believe that you're a goodwarlock?Brendan: No. There's no such thing. I can explain it to you if you let me. I can make you understand. I won't hurt you. I need your help.Prue: For what?Brendan: To stop the other warlocks. To stop mybrothers.[SCENE_BREAK][Scene: Outside church. The paramedics are putting Father Austin in the ambulance. Andy and Morris are there.]Morris: I got an eye witness. A nun. Saw someone she ID'd as Brendan Rowe.Apparently Mr. Rowe lives in the rectory. You alright?Andy: No, I'm not. Father Austin's my priest. He gave me my first communion. What kind of animal would do this?Morris: You wanna follow him to thehospital?Andy: No. I wanna catch the scum that did this to him.[Scene: Quake. Piper gives the man that fixed the water a cheque.]Piper: (to a man) Thank you.Man: Thank you.Piper: (to Phoebe) You should of calledme.Phoebe: I know, I know. But you had a good time, right?Piper: Unfortunately.Phoebe: Do you confuse yourself when you do that?Piper: I just, I don't know Phoebe, it seems like every guy I've liked lately has beena warlock, a ghost, or otherwise unavailable like Leo. I was just trying to save myself some grief with Josh.Phoebe: But Josh is available, and human too ... I think.Piper: I just don't want to be disappointed again. I'mtired of falling for the wrong guy, human or supernatural.Phoebe: Well, I am sorry. If I had of known that you wanted to take a dating hiatus, I wouldn't of pushed so hard. Are you mad at me?Piper: No, I'mgrateful.Phoebe: Yeah?Piper: You followed my instincts. I don't know what I'd do without you.[Scene: Prue and Brendan are taking a walk.]Brendan: A warlock naturally comes from two warlock parents like Greg andPaul do. But they're just my half brothers, I had a different mother.Prue: A human mother?Brendan: Yes. A wonderfully, human mother.Prue: So then we have something in common. My father was human.Brendan:The only difference is he came from good. Mine came from pure evil. Descended from an ancient warlock line intent on furthering the Rowe coven. Three brothers destined to become the most powerful force of evil theworld has ever known.Prue: The evil charmed ones.Brendan: Only I went into hiding. I wanted to break the chain. Make amends for all that my family's done.Prue: By becoming a priest?Brendan: Embracing God in thatway is the only way to lose my power and my warlock nature forever. And with it keep the Rowe coven from ever being. I've been at war with myself all my life, Prue. Running from the evil inside me. I guess it finallycaught up.Prue: You can fight it. Fight them.Brendan: No I can't. My brothers are too powerful, they're relentless. They'll keep hurting the people I care about until I give in. They'll even hurt you.Prue: I can take care ofmyself. It's you I'm worried about.Brendan: Ahh, don't worry about me. I know what I have to do. I have to kill my brothers before they trick me into killing somebody else. You'll have to follow me to their place, andthen and your sisters will have to kill me.[Scene: Greg and Paul's place.]Paul: Everything's ready.Greg: Good. He's coming. This is amazing. Just as his approach my power quickens. It's as if I'm reaching out for him.For completion, do you feel it too? (Brendan enters the room.) Brother.Brendan: I'm here to kill you Greg.Greg: Well, I'm glad. Anything less, I'd be disappointed. But first you're gonna need this. (He gets a knife.)Paul:It's okay, Brendan, take it. (He does so.)Brendan: I know this wasn't your doing Paul. But I'm gonna have to kill you too.Greg: But me first. (Brendan and Greg start fighting.) Yes, come on, you're feeling it now. Comeon, I dare ya, you're almost there. In your blood, this is us, this is your birth right.(Brendan sees a woman tied to a table with candles around her.)Brendan: What the hell?Greg: Isn't the heat intoxicating? But you needto kill. Oh, yes, that's it.[Cut to Prue, Piper and Phoebe.]Phoebe: Got here as soon as we could, we just didn't have time to go to the house and get the Book of Shadows.Prue: Yeah, I don't wanna have to kill Brendantoo.Piper: But you said on the phone he's a warlock.Prue: Yeah, I know he is but if we can vanquish his brothers before he turns, we might be able to save him okay.[Cut back to the warlocks. Brendan is holding theknife just above the woman's throat.]Greg: One clean thrust and you're both a piece.(Prue, Piper and Phoebe barge through the door.)Prue: Brendan, no!(Prue uses her powers to untie the woman. Paul flings his handout and lightning flies out if his fingertips landing near them. They run into the other room.)Paul: Three witches. We can't defeat them without Brendan and we haven't got him yet. (They run away. Prue, Phoebe andPiper run back into the room.)Piper: (to woman) It's okay, you're safe.Prue: No, don't take the blind fold off she'll see us. We'll call for help.Phoebe: Prue, he's a warlock.Prue: I know.[SCENE_BREAK][Scene: Sameplace. There is now police and lots of people there.]Officer: (to Morris) I'll take that.(A man walks past Morris.)Morris: Minimal traffic.Man: See if he needs the photos.Morris: I'll give it to him. Victim's a little shaken upso give her some air okay.[Cut to Andy and the victim.](He gives her some tea.)Andy: Here you go.Woman: Thank you.Andy: You okay to talk a little more?Woman: Yeah, um, I just gotten to my car and I'm loadingthe groceries in the back and then they just came out of nowhere.Andy: Was this guy, Brendan Rowe, one of them? (He shows her a picture.)Woman: No. But I remember them calling one of the other ones that. I wasblind folded and I think they drugged me or something 'cause the next thing I remember I was here. I felt the tip of the knife. He was gonna kill me. But she made him stop.Andy: She?Woman: One of the women thatcame. Um, Prue, I think her name was Prue.Andy: Thanks. Stay with her. (He points to a woman officer. He walks up to Morris.) The bastards painted a cult symbol on her chest as a target. She's lucky to still bealive.Morris: Did she I.D. Brendan Rowe.Andy: Yeah, said two others blind folded her. Brought her here for him to kill her. (He starts to leave but Morris stops him.)Morris: Where you going?Andy: I'm gonna get to thebottom of this once and for all.[Scene: Halliwell house. Prue's room.]Prue: Hey, um, you can sleep in my room and I'll sleep with Piper.Brendan: Why?Prue: Because Phoebe kicks.Brendan: No, I mean why are youdoing this, why are you so kind to me after what I almost did?Prue: Yeah, but you didn't and that's what's important. You didn't come to your brothers will.Brendan: Only thanks to you. They had me Prue. Right wherethey wanted. I could feel the evil inside taking me over. It was so strong, so powerful. If you and your sisters didn't come in when you did.Prue: You would of stopped yourself. You wouldn't of hurt her.Brendan: Howcan you be so sure when I'm not even sure myself?Prue: Because you're a good person Brendan, I've seen it at church, Father Austin's words, at the stables with that little girl. Your good side is much stronger than yourevil side, you just have to keep fighting it until your ordination in the morning. And then you're home free. And we are gonna make sure you get there on time.(There's some silence and they stare into each other'seyes.)Brendan: How many temptations do I have to endure?(They move into a kiss.)Prue: Uh, okay, I'm gonna go. Night.Brendan: Night.[Cut to downstairs.]Piper: He was about to drive a knife in that woman'sheart.Phoebe: Yeah, you couldn't of missed that right?Prue: I didn't. I saw Brendan NOT punch the knife in her.Phoebe: Yeah, that's because we stopped him.Prue: Then why isn't she dead?Piper: Because we showedup.Prue: No, because we followed him. Because last night Phoebe had a premonition of Brendan being attacked. That makes him the innocent that we're suppose to protect.Phoebe: Not necessarily. I mean maybe wewere directed to him so that we could save the real innocent. The woman.Piper: Which we did and now you've brought her would be killer, a warlock no less in our house. How do you know he won't try to kill us? That's"}
+{"doc_id":"doc_77","qid":"","text":"MAWDRYN UNDEADBY: PETER GRIMWADEPart FourFirst Air Date: 9 February 1983Running time: 24:33[SCENE_BREAK]TEGAN: What do you mean?DOCTOR: I can only regenerate twelve times. I have already done sofour times.TEGAN: So?DOCTOR: Don't you see? Eight of them, eight of me.TEGAN: They want your remaining regenerations?DOCTOR: It's the only way to end their mutation.NYSSA: Is that possible?DOCTOR: With thisequipment, yes.BRIG '83: Let's get back to the TARDIS before they become hostile.TEGAN: Come on, Doctor, we've got to get out of here.MAWDRYN: We're scientists, not warriors. We have no weapons. The Doctorcan only help us of his own free will.TEGAN: What you want is murder eight times over.MAWDRYN: No. What we desire is our own death.[SCENE_BREAK]GUARDIAN (on scanner): Turlough, my plans are in hazard. Thisfriend of the Doctor'sTURLOUGH: The Brigadier?GUARDIAN (on scanner): He is present on the ship in two aspects.TURLOUGH: That isn't possible.GUARDIAN (on scanner): It is forbidden, but not impossible. He hastravelled through time in the TARDIS.TURLOUGH: But if the two aspects convergedGUARDIAN (on scanner): The instability could destroy everything. You must find the Brigadier who travelled with the Doctor'scompanions.TURLOUGH: Leave here?GUARDIAN (on scanner): You will obey me. The two Brigadiers must be kept apart.TURLOUGH: What about those creatures?GUARDIAN (on scanner): They are harmless. They onlythreaten the Doctor.[SCENE_BREAK]MAWDRYN: We did not know that our experiments would bring endless mutation.DOCTOR: You have the regenerator, the facilities of the laboratory. Continue your experiments, findhow to reverse the process.MAWDRYN: We have known for many years that the process is irreversible.MUTANT: We have experimented for centuries.MUTANT 2: We have tried to discover a remedy.MUTANT: There isno remission.MAWDRYN: Only you, as a Time Lord, can help us.[SCENE_BREAK]TURLOUGH: Hello, Brigadier.BRIG '77: Who the devil are you?[SCENE_BREAK]DOCTOR: I cannot do what you ask.MAWDRYN: You cannotrefuse.DOCTOR: I must.MAWDRYN: So be it, Doctor. Leave now, with your friends. But accept the consequences of your actions.NYSSA: What does he mean?DOCTOR: I don't know.BRIG '83: Back to theTARDIS?[SCENE_BREAK]BRIG '77: So you're Turlough? Yes, Tegan told me about you.TURLOUGH: I've come to take you to the Doctor.BRIG '77: The Doctor? You know where he is?TURLOUGH: Of course. Comeon.BRIG '77: Not so fast. Keep in the shadows. We have some disagreeable fellow passengers.TURLOUGH: They're harmless.BRIG '77: That remains to be seen.[SCENE_BREAK]MUTANT: The Doctor was our onlyhope.MUTANT 2: He must not be allowed to escape.MAWDRYN: My friends, do not despair. The Doctor will soon return. And of his own free will.[SCENE_BREAK]DOCTOR: You see, Brigadier, thanks to your imperfectmemory there is now a Lethbridge Stewart some six years your junior at loose in this ship.BRIG '83: Good heavens. You mean that I did go with Nyssa and Tegan in the TARDIS in 1977?TEGAN: And were we glad of thecompany.[SCENE_BREAK]BRIG '77: This Doctor, what does he look like?TURLOUGH: Older than me, younger than you.BRIG '77: No, I mean, is he normal?TURLOUGH: Of course.BRIG '77: So, that deformed creature inthe TARDIS was an imposter.TURLOUGH: Exactly.[SCENE_BREAK]TURLOUGH: Doctor, the Brigadier's here.BRIG '77: Doctor?BRIG '77: Turlough, what are you up to?[SCENE_BREAK]BRIG '77 (OOV.):Turlough![SCENE_BREAK]TEGAN: No sign of Turlough.BRIG '83: I never trusted that boy.NYSSA: He must be here somewhere.DOCTOR: Well, I hope so, because I've got to get the TARDIS away from here.NYSSA: Andseparate the two Brigadiers.BRIG '83: Ah, now, hang on a minute. I've been thinking about that.DOCTOR: There isn't time to think, Brigadier.BRIG '83: Doctor, we are talking about six years of my life.DOCTOR: Well,you're perfectly all right in 1983. Obviously your 1977 self came to no physical harm.BRIG '83: Well, maybe not, but I don't want to have spent a year or two in limbo on this ship.NYSSA: Look.DOCTOR: Stay here, all ofyou.[SCENE_BREAK]DOCTOR: Turlough, listen very carefully. We have a problem with the Brigadier.TURLOUGH: What is it?DOCTOR: The two time zones. The Brigadier did go with Tegan and Nyssa. There are now twoLethbridge Stewarts on this ship.TURLOUGH: I understand.DOCTOR: Now, I will take the Brigadier in the TARDIS back to 1983 Earth.TURLOUGH: And me?DOCTOR: You must find the other Brigadier and take him to thetransmat capsule. You'll be quite safe, the mutants won't harm you.TURLOUGH: But the transmat beam doesn't work.DOCTOR: It will. The capsule is locked into the TARDIS' homing device. It will transmat to the centreof the TARDIS. I wired the device myself.TURLOUGH: Of course.DOCTOR: Now, when you arrive, whatever you do, stay in the capsule. Don't let the Brigadier out until I give you the word. Now,quickly.[SCENE_BREAK]NYSSA: Will the mutants really travel for the rest of time?DOCTOR: I'm afraid so.NYSSA: That's terrible.DOCTOR: Sometimes you have to live with the consequences of your actions. Now, let'sget away from here.[SCENE_BREAK]MUTANT: The Time Lord has left us.MUTANT 2: Can we be certain he will return?MAWDRYN: He will return.[SCENE_BREAK]DOCTOR: It takes a remarkably cunning set of thecoordinates to clear a warp ellipse.TEGAN: Doctor?DOCTOR: This is a temperamental old thing, but I'm getting remarkably good at sortingNYSSA: Doctor, something's happening.DOCTOR: Not at all. We're on course forthe Brigadier's school. You see, there was a problem withBRIG '83: Doctor!NYSSA: Doctor, do something.BRIG '83: What on Earth is happening?DOCTOR: I don't know.BRIG '83: It's like Mawdryn in thelaboratory.DOCTOR: Mawdryn? That's it! They've been contaminated.TEGAN: Doctor, do something.DOCTOR: No, don't touch them. The transfiguration can be controlled.NYSSA: Stop!DOCTOR: Stop. That's it.Travelling through time is accelerating the degeneration.BRIG '83: You've stopped the TARDIS?DOCTOR: Well, more than that. We're going back to where we started. I just hope it induces a proportional remission.BRIG'83: It's working.DOCTOR: Are you two all right?NYSSA: I think so.TEGAN: Doctor, what went wrong?BRIG '83: Look at them out there. I'll bet they knew this was going to happen.[SCENE_BREAK]MUTANT: The TimeLord has returned, as you predicted.MAWDRYN: The Doctor is not with us yet. He will not give up so easily.[SCENE_BREAK]DOCTOR: You were infected when you carried Mawdryn into the TARDIS. The journey to hisship would have made it worse.TEGAN: Infected? You mean their mutation is a disease?DOCTOR: Well, it shouldn't be. I can only assume their constant experimenting to correct their error brought about a viral sideeffect.BRIG '83: Well, why haven't we got it?DOCTOR: I don't know.NYSSA: So we can't time travel.TEGAN: We don't need to. All we need to do is get the TARDIS back to Earth.DOCTOR: That won't work. I've got toprogramme a temporal deviation to escape the warp ellipse.BRIG '83: Are we stuck on this ship?DOCTOR: I wonder. If I reverse the polarity of the neutron flow[SCENE_BREAK]BRIG '77: So, you've stopped pretendingto be the Doctor.MAWDRYN: The Doctor is in the TARDIS.BRIG '77: What?MUTANT 2: This man also is in the TARDIS.MUTANT: He is a deviant.MUTANT 2: There has been temporal duplication.MAWDRYN: The TARDISwill soon return. The imbalance could be cataclysmic. For your own safety you must return to the Earth at once.BRIG '77: Without the TARDIS?MAWDRYN: Quickly.[SCENE_BREAK]BRIG '83: So far so good.DOCTOR:Oh, no.BRIG '83: But nothing's happening.DOCTOR: Oh yes, it is.[SCENE_BREAK]MAWDRYN: You will return to Earth immediately in the transmat capsule.BRIG '77: How the deuce do you expect me toMAWDRYN: Getin.BRIG '77: Look, if you think I'm trusting myself to this baubleMAWDRYN: The capsule is programmed for Earth. Quickly.[SCENE_BREAK]NYSSA JR: It's no good, Doctor.DOCTOR: We're travelling in the oppositedirection out of the ellipse. It's having a reverse effect.TEGAN JR: Stop! Stop!DOCTOR: Someone's trying to operate the transmat capsule. Must be Turlough taking your other half to the centre of the TARDIS.BRIG '83:Can the capsule do that?DOCTOR: Only when the TARDIS is clear of the ship. Until that happens, the transmat can't take place. The capsule will return to its terminal.DOCTOR: It's no good. I can't get clear of the shipwithout hurting Nyssa and Tegan.NYSSA: What are we going to do?[SCENE_BREAK]GUARDIAN (OOV.): You have failed me!TURLOUGH: No.GUARDIAN (OOV.): The Brigadier is still free.TURLOUGH: That's not myfault.GUARDIAN (OOV.): Why did you not transport him in the capsule, as the Doctor instructed.TURLOUGH: The Doctor? But I'm supposed to be working against him.GUARDIAN (OOV.): Imbecile! Why should you notprofit by the Time Lord's cunning?TURLOUGH: I'm sorry.GUARDIAN (OOV.): So near the annihilation of the Doctor and you risk all with your negligence and stupidity.TURLOUGH: I can still keep the two LethbridgeStewarts apart.GUARDIAN (OOV.): If you fail me again, I shall destroy you.[SCENE_BREAK]TEGAN: We can't stay in the TARDIS for ever.BRIG '83: Well, Doctor?[SCENE_BREAK]NYSSA: You knew that wouldhappen.MAWDRYN: Yes, Nyssa.NYSSA: You infected us. You passed on the mutative pattern.MAWDRYN: Yes, but not deliberately.TEGAN: What happens to us now?MAWDRYN: You will remain in the ship.TEGAN: Forthe rest of our lives?MAWDRYN: You're fortunate. Your journey will be short. Ours is without end.BRIG '83: We are not leaving them on this ship.MAWDRYN: Take them with you in the TARDIS and they will die.BRIG'83: Are you telling me that with all the facilities on this ship, you can't come up with some sort of antidote?MAWDRYN: We have no restorative for Tegan and Nyssa.BRIG '83: Doctor, have you got any ideas? ... Yousaid in the laboratory that the Doctor could help you through that machinery.MAWDRYN: That is true, but only of his own free will.BRIG '83: Well then, surely he can do the same for Nyssa and Tegan.MAWDRYN: That isa question you must ask the Doctor.BRIG '83: Well, Doctor?TEGAN: Doctor?NYSSA: Doctor?DOCTOR: Take me to your laboratory.[SCENE_BREAK]MAWDRYN: The Doctor chose to involve himself. Soon he will be a TimeLord no longer. That is his reward for compassion.[SCENE_BREAK]BRIG '77: Doctor! Where is he?[SCENE_BREAK]DOCTOR: You will activate the energy transfer, Brigadier. It will take several moments for the charge inthe machine to build up. You can read off the countdown to the moment of exchange. Are you all right?BRIG '83: Yes.MUTANT: Do not be afraid. When the moment comes, we will all share in the life force of theDoctor.MUTANT 2: Our mutation will end.MUTANT: You will no longer be contaminated.NYSSA: And the Doctor won't be a Time Lord any more.[SCENE_BREAK]TURLOUGH: Brigadier?Brigadier![SCENE_BREAK]MAWDRYN: My brothers in exile, we approach the ending.DOCTOR: Activate, Brigadier, now.[SCENE_BREAK]GUARDIAN (OOV.): So near the supreme moment! The Brigadiers must notconverge. Stop him, or I shall destroy you all![SCENE_BREAK]BRIG '83: Twenty seconds. Nineteen.[SCENE_BREAK]TURLOUGH: Brigadier! Brigadier, come back![SCENE_BREAK]BRIG '83: Thirteen, twelve, elevenBRIG'77: Doctor, Tegan. What the devil?DOCTOR: No, Brigadier, get out of here!BRIG '77: What do you think you're doing? Who on Earth?BRIG '83: I remember.[SCENE_BREAK]TURLOUGH (OOV.): It'scracked.[SCENE_BREAK]DOCTOR: Are you all right?NYSSA: I think so.TEGAN: What happened?DOCTOR: A massive discharge of energy exactly synchronising with the moment of transfer.TEGAN: Is the Brigadierdead?DOCTOR: I don't think so.NYSSA: Doctor.DOCTOR: It's all right, old friend.BRIG '83: Oh, sorry about that, Headmaster. Touch of vertigo. It won't happen again. What the devil's been going on?DOCTOR: Nyssa, Iwant you to take the Brigadier back to the TARDIS, right to the centre, and keep him there until I give you the all clear. You'll be quite safe.TEGAN: This one must be all right. He belongs in 1977.DOCTOR: Amazing. TheBrigadier's timing. A millisecond either way andTEGAN: And what?DOCTOR: At the moment of transfer, the power didn't come from me.TEGAN: Where did it come from?DOCTOR: Well, from the TARDIS, really. The twoBrigadiers just shorted out the time differential.TEGAN: You mean zap?DOCTOR: Yes, that's right. Zap.TEGAN: Can Nyssa and I still time travel?DOCTOR: You're as good as new.TEGAN: Can you stillregenerate?DOCTOR: I am a Time Lord.TEGAN: Look at Mawdryn.MAWDRYN: It is finished, Doctor. Can this be death?TEGAN: They're all dead.DOCTOR: They would have travelled for the rest of time, Tegan. Death wasall they wanted. Come on, we must get the Brigadier back to 1977.TEGAN: Before we go, Doctor, thank you. You were prepared to risk everything for us.DOCTOR: Come on.[SCENE_BREAK]BRIG '83: Look, what's beengoing on?NYSSA: The Doctor will explain later.[SCENE_BREAK]TEGAN: What's that noise?DOCTOR: The ship is dying with the mutants.TEGAN: It's come out of orbit?DOCTOR: Yes. Hurry.[SCENE_BREAK]RUNCIMAN:Brigadier?RUNCIMAN: Brigadier, what happened? I came as soon as I got your message.RUNCIMAN: You'll be all right.[SCENE_BREAK]BRIG '83: My word, you've been making some changes in here, Doctor.DOCTOR:One has to move with the times. How are you feeling?BRIG '83: Haven't felt so well for, for at least six years.DOCTOR: There we are, 1983. Back to school, Brigadier.[SCENE_BREAK]DOCTOR: Goodbye.BRIG '83:Goodbye, Doctor. If ever you're passing. Where's Turlough?DOCTOR: Turlough. He left in the capsule.NYSSA: He can't have done. If the Brigadier was still in the ship, he never used the transmat system.TEGAN: Theauto-destruct! We've got to get back to the ship. Come on![SCENE_BREAK]TEGAN: Oh, Turlough.NYSSA: You're safe.TEGAN: We thought you were on Mawdryn's ship.TURLOUGH: I'm not that easy to get rid of.TEGAN:So it seems.TURLOUGH: Doctor, may I join you?DOCTOR: I think you already have."}
+{"doc_id":"doc_78","qid":"","text":"A recap of 212 \"Army of Ghosts\".OPENING CREDITSINT. TORCHWOOD, SPHERE CHAMBERThe Daleks advance upon Rose, Mickey and Doctor Singh, with cries of \"exterminate! \".ROSE (shouts): Daleks!They fall silent,taken aback.ROSE (CONT'D): You're called \"Daleks\".The Daleks do not respond, seeming to simply observe her. Rose walks towards them.ROSE (CONT'D): I know your name. (Takes lab coat off). Think about it: howcan I know that? A Human... who knows about the Daleks. And the Time War. If you wanna know how, then keep us alive. That's all I'm asking. Me and my friends.MICKEY: Yeah, Daleks. Time War. Me too.The Dalek'seye-piece swivels around to look at Mickey.RAJESH: Yeah. And me.DALEK SEK (to Rose): You will be necessary. (to Dalek Jast): Report: what is the status of the Genesis Ark?DALEK JAST: Status: hibernation.DALEKSEK: Commence awakening.DALEK THAY: The Genesis Ark must be protected above all else.The Dalek turns to the Genesis Ark, which also emerged from the sphere. It clamps its suction arm to the side of theArk.MICKEY (to Rose, still pointing his gun at the Daleks): The Daleks, you said they were all dead.ROSE: Never mind that, what the hell's a Genesis Ark?INT. TORCHWOOD, RIFT CHAMBERJACKIE: What's down there?She was in that room with the sphere. What's happened to Rose?The Doctor is leaning against a wall.THE DOCTOR (abruptly): I don't know.Jackie starts to cry. The Doctor goes to her.THE DOCTOR (CONT'D): I'll findher. I brought you here, I'll get you both out. You and your daughter. Jackie, look at me. Look at me.Jackie looks up at him, eyes red from tears.THE DOCTOR (CONT'D) (sincerely): I promise you. I give you my word.ACyberman approaches Yvonne, who is sat at her desk.CYBERMAN: You will talk to your central world authority and order global surrender.YVONNE (without even a trace of fear): Oh, do some research. We haven't got acentral world authority.CYBERMAN: You have now. I will speak on all global wavelengths.The Doctor puts on his 3D specs.CYBERMAN (CONT'D): This broadcast is for human kind.INT. HOUSEA frightened family huddledin their living room watch this broadcast on the television.CYBERMAN (CONT'D): Cybermen now occupy every land mass on this planet. But you need not fear. Cybermen will remove fear.As the camera pans round, wesee that a Cyberman is standing over the family, guarding them. The marching of Cybermen can be heard outside the house.CYBERMAN (CONT'D): Cybermen will remove s*x and class and colour and creed. You willbecome identical. You will become like us.EXT. SUBURBAN STREETCybermen emerge from every house along a street in unison.EXT. BRIDGEChaos on a bridge, people running, screaming, the military shooting at theCybermen with no effect whatsoever. The Cybermen aim their own weapons, blowing up a truck, killing the soldiers. Finally one soldier manages to hit a Cyberman and it goes up in flames.INT. TORCHWOOD, RIFTCHAMBERThe Doctor, Jackie, Yvonne and one of the Cybermen observe the proceedings far below from the top of Torchwood Tower.CYBERMAN: I ordered surrender.THE DOCTOR: They're not taking instructions. Don'tyou understand? You're on every street, you're in their homes. You've got their children. (Angrily). Of course they're gonna fight.INT. TORCHWOOD, SPHERE CHAMBERDALEK SEK: Which of you is leastimportant?ROSE: What's that supposed to mean?DALEK SEK: Which of you is least important?ROSE: No, we don't work like that. None of us.DALEK SEK: Designate the least important!RAJESH: This is myresponsibility.ROSE (holding him back): No, don't!Rajesh ignores her and stands before the Dalek dejectedly.RAJESH: I er, I represent the Torchwood Institute. Anything you need, you... come through me. Leave thesetwo alone.DALEK SEK: You will kneel.RAJESH: What for?DALEK SEK: Kneel.Rajesh kneels. The surrounding Daleks direct their eye stalks onto him.DALEK SEK (CONT'D): The Daleks need information about current Earthhistory.RAJESH: Yeah well I can give you a certain amount of intelligence but nothing that will compromise Home Land security...DALEK SEK: Speech is not necessary. We will extract brainwaves.The three Daleksadvance upon Rajesh and position their suction arms around his head. Rajesh is showing the first signs of fear.RAJESH: Don't... I... I'll tell you everything you need. No. No!He shouts out in agony before the Dalekscrush his skull. Mickey makes towards him but Rose holds him back, knowing it's already too late.INT. TORCHWOOD, RIFT CHAMBERCYBERMAN 1: Scans detect unknown technology active within spherechamber.CYBERMAN 2: Cybermen will investigate.A Cyberman pushes two terrified members of staff roughly before him.CYBERMAN: Units 10 65 and 10 66 will investigate sphere chamber.CYBERMEN: We obey.INT.TORCHWOOD, RIFT CHAMBERThe Daleks let Rajesh's blackened corpse fall to the ground.DALEK SEK: His mind spoke of a second species invading Earth infected by the superstition of ghosts.ROSE: You didn't need tokill him!DALEK CAAN: Neither did we need him alive.DALEK SEK: Dalek Thay, investigate outside.DALEK THAY: I obey.INT. TORCHWOOD, CORRIDORTwo Cybermen march down a corridor to investigate the spherechamber.INT. TORCHWOOD, SPHERE CHAMBERDalek Thay leaves the sphere chamber.INT. TORCHWOOD, RIFT CHAMBERCYBERMAN: Units open visual link.INT. TORCHWOOD, CORRIDORThe two Cybermen clamp afist to the logos on their chests.INT. TORCHWOOD, RIFT CHAMBERA visual of the area occupied by the two Cybermen appears on Yvonne's laptop.CYBERMAN: Visual contact established.INT. TORCHWOOD, SPHERECHAMBERDALEK SEK: Establish visual contact. Lower communications barrier.A projection appears in the area previously occupied by the sphere, showing Dalek Thay's point of view. He meets with the twoCybermen.INT. TORCHWOOD, RIFT CHAMBERThe Doctor starts as he sees the Dalek for the first time on Yvonne's laptop.DALEK THAY: Identify yourselves.INT. TORCHWOOD, CORRIDORCYBERMEN: You will identifyfirst.INT. TORCHWOOD, RIFT CHAMBERDALEK THAY: State your identity.The Doctor is staring at the image on the laptop, like this is worse than he could have ever imagined.INT. TORCHWOOD, CORRIDORCYBERMEN:You will identify first.DALEK THAY: Identify!INT. TORCHWOOD, SPHERE CHAMBERMICKEY: It's like Stephen Hawkins meets the Speaking Clock.INT. TORCHWOOD, CORRIDORCYBERMEN: ...illogical, you willmodify.DALEK THAY: Daleks do not take orders.CYBERMEN: You have identified as Daleks.DALEK SEK: Outline resembles the inferior species known as \"Cybermen\".INT. TORCHWOOD, RIFT CHAMBERJACKIE (to theDoctor, scared of the answer): Rose said about the Daleks. She was terrified of them. What have they done to her, Doctor? Is she dead?The Doctor turns to her with frightening suddenness.THE DOCTOR (throughgritted teeth): Phone.JACKIE (whispers): What did you...?THE DOCTOR: Phone!Jackie surreptitiously hands the Doctor her phone so the Cybermen do not notice. The Doctor dials Rose's number and holds the phone tohis ear, obviously frantic with worry.INT. TORCHWOOD, SPHERE CHAMBERRose answers her phone, but cannot talk for fear of drawing attention to herself. The Daleks and the Cybermen are bantering all the while.INT.TORCHWOOD, RIFT CHAMBERTHE DOCTOR: She's answered, she's alive.Jackie claps her hands over her mouth.THE DOCTOR (CONT'D): Why haven't they killed her?JACKIE: Well, don't complain!THE DOCTOR: Theymust need her for something.INT. TORCHWOOD, SPHERE CHAMBERDALEK JAST: We must protect the Genesis Ark.INT. TORCHWOOD, RIFT CHAMBERTHE DOCTOR (hearing this through the phone): The GenesisArk?He puts on his 3D glasses and looks at the laptop again.CYBERMAN: Our species our similar, though your design is inelegant.INT. TORCHWOOD, CORRIDORDALEK THAY: Daleks have no concept ofelegance.CYBERMEN: This is obvious. But consider, our technologies are compatible. Cybermen plus Daleks, together, we could upgrade the Universe.DALEK THAY: You propose an alliance?CYBERMEN: This iscorrect.DALEK THAY: Request denied.The Cybermen immediately thrust their fists out, ready to shoot.CYBERMEN: Hostile elements will be deleted.They shoot at the Dalek, but the rays simply bounce off itsarmour.DALEK THAY: Exterminate!The Dalek aims at both Cybermen, one after the other, and they collapse onto the floor.INT. TORCHWOOD, RIFT CHAMBERCYBERMAN: Open visual link.INT. TORCHWOOD, SPHERECHAMBERThe Cyberman addresses the Daleks in the sphere chamber through the projection screen.CYBERMAN: Daleks, be warned: you have declared war upon the Cybermen.INT. TORCHWOOD, RIFTCHAMBERJackie's eyes widen in horror.INT. TORCHWOOD, SPHERE CHAMBERDALEK SEK: This is not war. This is pest control.INT. TORCHWOOD, RIFT CHAMBERCYBERMAN: We have five million Cybermen. How manyare you?INT. TORCHWOOD, SPHERE CHAMBERDALEK SEK: Four.INT. TORCHWOOD, RIFT CHAMBERCYBERMAN: You would destroy the Cybermen with four Daleks?!DALEK SEK: We would destroy the Cybermen withone Dalek. You are superior in only one respect.CYBERMAN: What is that?INT. TORCHWOOD, SPHERE CHAMBERDALEK SEK: You are better at dying. Raise communications barrier!The screen goes static.DALEK JAST:Wait!INT. TORCHWOOD, SPHERE CHAMBERTHE DOCTOR (clicking the phone off): Lost her.INT. TORCHWOOD, SPHERE CHAMBERDALEK JAST: Rewind image by nine rells.The Doctor is in frame in thebackground.DALEK JAST (CONT'D): Identify grid seven gamma frame.They zoom in on the Doctor.DALEK JAST (CONT'D): This male registers as enemy.Rose beams.DALEK SEK (turning on her): The female's heartbeathas increased.MICKEY: Yeah, tell me about it.DALEK SEK: Identify him.ROSE: All right then... if you really wanna know... that's the Doctor.The Daleks roll backwards sharply.ROSE (CONT'D): Five million Cybermen,easy. One Doctor? Now you're scared.INT. TORCHWOOD, RIFT CHAMBERCYBERMAN: Quarantine the Sphere Chamber. Start emergency upgrading. Begin with these personnel.Yvonne struggles and shouts as they dragher away.YVONNE: No, you can't do this! We surrendered! We surrendered!They begin to drag Jackie and the Doctor away too, but then :CYBERMAN: This one's increased adrenaline suggests he has vital Dalekinformation.Jackie screams back at the Doctor as she is dragged away and he shouts back over her, trying to reassure her.JACKIE: You promised me! You gave me your word!THE DOCTOR (as she is dragged out ofsight): I'll think of something!INT. TORCHWOOD, SPHERE CHAMBERDalek Thay enters the sphere chamber.DALEK THAY: Cyber threat irrelevant. Concentrate on the Genesis Ark.The black Dalek, Sek, presses itssuction arm to the side of the Genesis Ark.MICKEY (to Rose): Why are we being kept alive?ROSE (after a pause): They might need me.MICKEY: What? What is it?Rose is just staring at the Daleks, fear in her eyes.INT.TORCHWOOD, CORRIDOR / NEW OFFICESThe Cybermen have taken Yvonne and Jackie down to the curtained area. They are marching the personnel behind the curtains to be upgraded. The place is full of screamingand the sound of drills, sparks flying.JACKIE: What happens in there? What's upgrading mean? What do they do?YVONNE (looking and sounding slightly sick): I think... I think they remove the brain... sorry, um... Ithink they remove the brain and they put it in a suit of armour. That's what these things are. They're us.CYBERMAN: Next.Yvonne is dragged away.JACKIE (shouting after her): This is your fault! You and yourTorchwood. You've killed us all!YVONNE (shouting tearfully): I did my duty for Queen and Country.She wrenches her arm away from the Cyberman's grip and faces the area where the humans are being upgraded,steeling herself to walk in.YVONNE (CONT'D) (to herself): I did my duty. I did my duty. Oh, God. I did my duty.She walks in. Jackie winces at the sound of her screams and the sparks flying from behind the curtain.INT.TORCHWOOD, RIFT CHAMBERThe Doctor is sitting on the window sill in silence. A Cyberman approaches him.CYBERMAN: You are proof.THE DOCTOR: Of what?CYBERMAN: That emotions destroy you.THE DOCTOR:Yeah, I am. (Glances to the side). Mind you, I quite like hope. Hope's a good emotion. And here it comes.The Cyberman follows his gaze. A group of people dressed in black suits, wearing helmets and carrying gunsappear out of thin air. One of them shouts to the others and they shoot at a row of Cybermen, immediately destroying them. The Doctor rolls out of the way and crouches in a corner of Yvonne's office as the lastCyberman has his head blown off. The man responsible speaks to the Doctor in a familiar voice.JAKE: Doctor, good to see you again.He takes off his helmet, it's Jake. The Doctor's eyes widen.THE DOCTOR: Jake?!JAKE:The Cybermen came through from one world to another, and so did we.The Doctor stares at him, looking more concerned than pleased.INT. TORCHWOOD, CORRIDORA Cyberman drags a struggling Jackie along, butlets go of her as he speaks to one of his fellows.CYBERMAN 1: Cyber Leader One has been terminated.CYBERMAN 2: Explain, download shared files.Jackie takes this opportunity to sneak away.CYBERMAN 1: I will beupgraded to Cyber Leader.Jackie dashes down a back stair well as fast as she can.INT. TORCHWOOD, RIFT CHAMBERJAKE (to his group): Defend this room. Chrissie, monitor communications.The Doctor puts on his 3Dglasses, using them to look at the group.JAKE (CONT'D): Kill one Cyber Leader and they just download into another. Move!They hurry from the room to do as they're told, leaving the Doctor alone with Jake.THEDOCTOR: You can't just... just... just hop from one world to another. You can't.JAKE: We just did. With these.He chucks the Doctor what looks like a large yellow button on a chain, to be worn around the neck.THEDOCTOR: But that's impossible. You can't have this sort of technology.JAKE: We've got our own version of Torchwood. They developed it. Do you wanna come and see?THE DOCTOR: No!But too late, Jake's pressed thebutton and they both disappear.INT. PARALLEL TORCHWOOD, RIFT CHAMBERThey reappear in the same room, except it's considerably darker and looks as though there has been a recent struggle. There are wires andequipment strewn all over the floor.JAKE: Parallel Earth, parallel Torchwood. Except we found out what the institute was doing and the people's republic took control.THE DOCTOR (urgently): I've gotta get back. Rose isin danger. And her mother.PETE (walking in followed by two soldiers): That'd be Jackie.The Doctor looks up in surprise.PETE (CONT'D): My wife in a parallel universe. And as for you, Doctor, at least this time I knowwho you are.THE DOCTOR (running over to him): Right, yes, fine, hooray. But I've gotta get back. Right now.PETE (maddeningly calm): No, you're not in charge here. This is our world, not yours. And you're gonnalisten for once.The Doctor looks at him darkly, falling silent.INT. TORCHWOOD, SPHERE CHAMBERWhilst the Daleks are crowded around the Genesis Ark, Mickey shows Rose his own yellow button.MICKEY: I couldtransport out of here, but it only carries one and I'm not leaving you.ROSE: You'd follow me anywhere. What did I do to you all those years ago?MICKEY: Guess I'm just stupid.ROSE (squeezing his hand): You're thebravest man I've ever met.MICKEY: What about the Doctor?ROSE: Oh, all right. Bravest Human.They smile.MICKEY: Well, I can't think what the Daleks need with me. I'm nothing to them.ROSE: You could be...whatever's inside that Ark is waking up and I've seen this happen before.INT. DALEK CELLFlashback to 106. Rose, full of pity, places her hand on the Dalek's armour.ROSE (CONT'D) (voice-over): The first time I saw aDalek, it was broken. It was dying. But I touched it. The moment I did that... I brought it back to life.The Dalek wrenches free of its chains. End flashback.INT. TORCHWOOD, SPHERE CHAMBERROSE (CONT'D) (keepingher voice low): As the Doctor said... when you travel in time in the TARDIS, you soak up all this... um... background radiation. It's harmless, it's just there. But in the Time War, the Daleks evolved so they could use itas a power supply.MICKEY (gazing at her): I love it when you talk technical.ROSE: Shut up. If the Daleks have got something inside that thing that needs waking up...MICKEY: They need you.ROSE: You've travelled intime, either one of us would do.MICKEY: But why would they build something they can't open themselves?DALEK SEK (suddenly interjecting): The technology is stolen. The Ark is not of Dalek design.ROSE: Then whobuilt it?DALEK SEK: The Time Lords. This is all that survives of their Home World.The four Daleks are shuffling around the Ark.ROSE: What's inside?DALEK SEK: The future.Rose stares at the Ark and the surroundingDaleks with fearful apprehension.INT. PARALLEL TORCHWOOD, RIFT CHAMBERThe Doctor is pressed up against the white expanse of wall in the parallel Torchwood, squinting as if trying to hear something. Pete standsbehind him.PETE: When you left this world, you warned us there'd be more Cybermen. So we sealed them inside the factories.The Doctor steps away from the wall.JAKE: Except people argued. Said they were living. Weshould help them.PETE: And the debate went on. But all that time, the Cybermen made plans. Infiltrated this version of Torchwood, mapped themselves onto your world, and then vanished.THE DOCTOR: When wasthis?PETE: Three years ago.They stroll back down the room.THE DOCTOR: It's taken them three years to cross the void, but we can pop to and fro in a second. Must be the sheer mass of five million Cybermen crossingall at once.PETE : Yeah, Mickey said you'd rattle off that sort of stuff.THE DOCTOR: Oh, where is the Mickey-boy?PETE: He went ahead first. Any chance to go and find Miss Rose Tyler.THE DOCTOR: She's yourdaughter. You do know that? Did Mickey explain?PETE: She's not mine. She's the child of a dead man.Now they've reached the window. They look down at the scene below.PETE (CONT'D): Look at it. A world of peace.They're calling this \"The Golden Age\".THE DOCTOR: Who's the President now?PETE: A woman called Harriet Jones.THE DOCTOR (exhales): I'd keep an eye on her.PETE: But it's a lie. Temperatures have risen by twodegrees in the past six months. The ice caps are melting. They're saying all this is gonna be flooded. That's not just global warming, is it?THE DOCTOR: No.PETE: It's the breach.THE DOCTOR (irked): I've been trying totell you, travel between parallel worlds is impossible. Then the Daleks break down the walls with the sphere...PETE: Daleks?THE DOCTOR: Then the Cybermen travelled across, then you lot, those disks, every time youjump from one reality to another, you rip a hole in the universe. This planet is starting to boil. Keep going and both worlds will fall into the Void.PETE: But you can stop it, the famous Doctor...? You can seal thebreach?THE DOCTOR: Leaving five million Cybermen stranded on my Earth.PETE: That's your problem. I'm protecting this world, and this world only.THE DOCTOR (laughs softly, looks him up and down): Hm... PeteTyler... I knew you when you were dead. Now here you are, fighting the fight... alone... (Steps closer to him). There is a chance... back on my world... Jackie Tyler might still be alive.PETE: My wife died.THE DOCTOR:Her husband died. Good match.PETE: There's more important things at stake. (pleading). Doctor... help us.THE DOCTOR (backing away): What? Close the breach? Stop the Cybermen? Defeat the Daleks? Do youbelieve I can do that?PETE (confidently): Yes.THE DOCTOR: Maybe that's all I need. (grins). Off we go, then!INT. TORCHWOOD, RIFT CHAMBERThe Doctor, Jake and Pete appear. The Doctor rushes to the phone.THEDOCTOR: First of all, I need to make a phone call. You don't mind?JAKE (to the soldiers): You two, guard to door.Pete watches the Doctor as he hurriedly dials Jackie's number on the phone in Yvonne's office.INT.TORCHWOOD, STAIRWELLJackie is running down the stairs when her phone rings.JACKIE (answering the phone): Help me! Oh, my God, help me.INT. TORCHWOOD, RIFT CHAMBERTHE DOCTOR: Jackie, you're alive!Listen...He shushes her as she screeches hysterically down the phone at him.JACKIE : They tried to download me but I ran away!THE DOCTOR: Listen, tell me, where are you?INT. TORCHWOOD, STAIRWELLJACKIE (stillrunning down the stairs): I don't know! Staircase.INT. TORCHWOOD, RIFT CHAMBERTHE DOCTOR: Yeah, which one? Is there any... any sort of sign? Anything to identify it?JACKIE: Yes! A fire extinguisher!THE"}
+{"doc_id":"doc_79","qid":"","text":"THE SEEDS OF DOOMBY ROBERT BANKS STEWARTPART ONE6:00pm - 6:25pm[SCENE_BREAK]1, EXT: ANTARCTICA(The wind blows and the snow falls in the Antarctic region. Icebergs bob up and down within therough ocean. In blizzard-like conditions, a man with heavy-weather clothing is kneeling in the snow by a wall, digging with a small pickaxe. Another man joins him, wearing similar clothes. He kneels and communicateswith his companion, necessarily shouting because of the howling wind. The two men are Charles Winlett, and Derek Moberley, workers on an Antarctic research station.)MOBERLEY: Come on Charles, we've got enoughsamples, surely!WINLETT: This isn't ice - this is something else. Have a look.(He reaches down and extracts a small round object, frozen with ice and snow, but unrecognizable to both men.)MOBERLEY: What isit?WINLETT: Don't know! Let's get it back to camp.(They both stand up ready to leave.)[SCENE_BREAK]2, INT: RESEARCH STATION - LABORATORY(After an exterior shot of the research station, the round object isbeing examined on a table by the third member of the research team, John Stevenson. He scrapes away the excess ice to reveal a solid, rough, dark green pod or egg. Moberley and Winlett enter.)MOBERLEY: Animal,vegetable, or mineral?STEVENSON: Vegetable.WINLETT: Yes, that's what we thought.(Stevenson holds up the pod on a tray in front of them.)STEVENSON: The cutaneous creasing is unmistakable. When it's properlythawed out I can...confirm it with a cytology test.(Winlett is prodding the pod with a scalpel.)WINLETT: The skin looks as hard as iron.STEVENSON: Yes, it is a bit of a cannonball. How deep in the permafrost wasit?WINLETT: About the er... 9th layer.MOBERLEY: And that means it's been there for ooh...20 thousand years? What do you make of it, John?STEVENSON: Nothing at all yet.MOBERLEY (joking): Oh, and I thought youwere meant to be a botanist.STEVENSON: I've not seen anything remotely like it.WINLETT: It looks tropical to me, like a gourd.MOBERLEY: Oh rubbish Charles. If it's from the late Pleistocene period, it can't be tropical.It's a few million years since this part of Antarctica was rainforest.WINLETT: Oh that's the accepted theory. Discoveries like this have destroyed accepted theories before now. Isn't that right, John?(Stevenson is far lesscasual about the situation than the others. Without even listening to Winlett, he hesitantly touches the pod a few times with his finger. Winlett tries to get his attention but he seems distracted and confused.)WINLETT:...John?STEVENSON: ...hmm? Sorry.MOBERLEY: Is something wrong?STEVENSON: ...Don't you feel it?MOBERLEY: Feel what?STEVENSON: I don't know - there's something... odd...something...you don't feelit?MOBERLEY (laughing): It must be that rice pudding you had for lunch!(Winlett laughs, but Stevenson doesn't. He steps closer to Moberley.)STEVENSON: I'm not joking. ... It's alive. That's it. It's alive.MOBERLEY: Areyou serious?!STEVENSON: Yes.WINLETT: How can you tell?STEVENSON: I don't know - but I'm certain that this is a living organism.(Moberley breaks the intense atmosphere.)MOBERLEY: ...Yes well I think we shouldhave some coffee.WINLETT: Coffee and a game of three-handed crib. Come on!(He takes Stevenson around the shoulders and leads him off. Stevenson doesn't relax, and he turns back to look at the pod.)STEVENSON:I'll transmit pictures to London, they might have some idea.WINLETT: John, come on![SCENE_BREAK]3, INT: WORLD ECOLOGY BUREAU - OFFICE(A man in a suit is getting a file from a cabinet. He is Richard Dunbar ofthe World Ecology Bureau.)DUNBAR: Sir Colin insists that I show you these photographs which have just been received from my expedition.(As the camera follows him, it shows that it is the Doctor whom Dunbar istalking to. He is sitting on Dunbar's desk and he seems more interested in his yo-yo than what Dunbar is saying.)DUNBAR: Personally, I don't think you can help us.DOCTOR: Don't you? Well...(Dunbar reluctantly handshim the file. Dunbar looks around uncomfortably.)DOCTOR: Do sit down, Mr. Dunbar.(Unable to sit in his own chair as the Doctor would be almost on top of him, he walks all the way around the far side of the desk andsits in the chair usually provided for the visitors.)DUNBAR: These pictures have baffled all the experts. The only reasonable explanation seems to be that the pod is from some extinct species of plant.(The Doctor spinsaround to face Dunbar, he sits in Dunbar's chair and there is a bang as he rests his boots on Dunbar's desk. He doesn't look up from the file.)DOCTOR: Have you considered an alternative explanation.DUNBAR: Nameone.DOCTOR: Well...that it might have originated in outer space.DUNBAR (amused): My dear Doctor, if you've seen anything like that before, you must have a very powerful telescope.DOCTOR (unimpressed): Mr.Dunbar, how long is it since there was vegetation in Antarctica?DUNBAR: I thought you were the expert in these matters. Well as a matter of fact, that's one of the things our expedition is trying to discover. It wasfound fairly deep in the permafrost; say...20-30 thousand years under the ice...DOCTOR: Ssh. It might still be ticking.DUNBAR: What?(The Doctor suddenly seems interested and he stands up abruptly, walking aroundthe desk.)DOCTOR: A time-bomb, Mr. Dunbar, a time-bomb. Are you in contact with the expedition?DUNBAR: My superior, Sir Colin Thackeray has a daily video link. Ten minutes of satellite time.DOCTOR: Good. Tellthem to keep a constant guard upon the pod, and not to touch it until I arrive.DUNBAR: You're leaving immediately?DOCTOR: Why not? I've got my toothbrush.(He turns around and for some reason has a toothbrush inhis hand. He starts to leave but ducks back in for a few more words.)DOCTOR: Remember, no touch pod - could be dangerous.(He shuts the door. Dunbar stares incredulously after him for a while, then turns to his deskand picks up a phone.)DUNBAR: Sir Colin? Dunbar here. That chap you called in from UNIT - is he quite sane?![SCENE_BREAK]4, INT: RESEARCH STATION - LABORATORY(Stevenson measures the pod with a pair ofpincers. He looks worried about the measurement and mutters to himself. He gets up and goes to the door.)STEVENSON: Charles?WINLETT (oov): Yes?STEVENSON: Here a minute.(Winlett enters and they walk over tothe table to look at the pod.)WINLETT: What's up?STEVENSON: It's growing.WINLETT: Eh?STEVENSON: It's grown five centimetres since this morning.WINLETT: Are you sure?STEVENSON: Check it yourself if you don'tbelieve me.WINLETT: But it doesn't seem possible.STEVENSON: I knew there was still life there - I said so didn't I?WINLETT: But it's just a pod, I mean...no root system. How can it grow without feeding?STEVENSON:Sunlight, Charles - ultra-violet radiation.WINLETT: But plants need nitrogen.STEVENSON: I believe this is fundamentally different. ... We may be cultivating something that is going to...shatter all our ideas about plantgrowth.WINLETT: Yes, well er...don't get carried away John.(He gets up and starts to leave.)WINLETT: Remember what London said.STEVENSON: What do you mean?WINLETT: That we leave this thingalone.(Stevenson looks annoyed and walks over to Winlett.)STEVENSON: Until this Doctor character arrives, why should we? It's our pod.WINLETT: John, we're working for the World Ecology Bureau.STEVENSON: Ohhe's probably some old crank that Thackeray's dug up out of retirement! He'd have no more idea about the pod than we have.WINLETT: We'll soon find out, he's due in tomorrow.STEVENSON: And who needs him. It'sour discovery. The less said about it the better.[SCENE_BREAK]5, INT: CHASE ESTATE - NURSERY(There is a shot of a large mansion. Inside, a butler, Hargreaves, is showing a man into a nursery. The man is Dunbar.He carries a suitcase. They approach the main part of the nursery, where a small man in a suit can be seen with his back to them. Hargreaves announces Dunbar.)HARGREAVES: Mr. Dunbar, of the World EcologyBureau, sir.(Hargreaves leaves. Dunbar waits for the man to turn around. Harrison Chase, owner of the mansion, is a small eccentric man wearing a black suit and black gloves. Finally deciding to notice Dunbar, hewalks towards him.)CHASE: I don't think I've had the pleasure. And what is your bureau doing about bonsai?DUNBAR: Bonsai, Mr. Chase?CHASE: Mutilation and torture, Mr. Dunbar. The hideous, grotesque Japanesepractice of miniaturizing shrubs and trees. What is your bureau doing about that?DUNBAR: Well...I...CHASE: No answer. You are concerned about the fate of the blue whale, and the natterjack toad - and the loveliest,most defenceless part of creation; the great kingdom of plant life receives no protection at all.DUNBAR: We try to conserve all the endangered species.CHASE: I'm delighted to hear that, Mr. Dunbar. Of course you knowof my concern...my mission: to protect the plant life of Mother Earth?DUNBAR: I do, Mr. Chase - which is why I've come to show you something. A totally new kind of plant.(Dunbar opens his suitcase and retrievessome photographs.)CHASE (angry): Hybrids! A crime against nature!DUNBAR: No, not a hybrid. It's a mysterious unidentified pod recently discovered by one of our expeditions.(He hands the suddenly interested Chasethe photographs.)CHASE (excited): Where was this found?DUNBAR: There's a theory that it's floated through space from some other biosphere. The really important thing is, it may be still viable and able togerminate.CHASE: Mr. Dunbar. I asked you where this pod was found.DUNBAR: In the Antarctic. Now in our violent and uncertain world, Mr. Chase, anything could happen. Such a valuable specimen could easilydisappear...for a price?CHASE: Where in the Antarctic? I should want to know the precise location.(Dunbar gets an envelope from his pocket and hands it to Chase. Chase walks over and picks up a column-shapedobject, an intercom of some sort.)CHASE: Hargreaves?HARGREAVES (oov): Yes, sir?CHASE: You and Mr. Scorby please.HARGREAVES (oov): Certainly sir.(He puts down the intercom. He opens the envelope as Dunbarapproaches behind him.)DUNBAR: X marks the spot.CHASE: Forethought and initiative, Mr. Dunbar, two excellent attributes. We shall meet again very soon to discuss your...remuneration.DUNBAR: You're verykind.(There is a knock on the door.)CHASE: Come.(Hargreaves enters with a tall, tough-looking man.)HARGREAVES: Yes, sir?CHASE: Hargreaves, show Mr. Dunbar out.HARGREAVES: This way, Mr. Dunbar.(Theyleave.)SCORBY: You wanted to see me, Mr. Chase?CHASE: Yes, Scorby. I'm sending you on a little errand, and I want you to take Mr. Keeler with you.[SCENE_BREAK]6, INT: RESEARCH STATION - LABORATORY(Thepod sits in its place on the table. Winlett wakes up from a doze. He sips his coffee and puts the cup back down, resting his arm near the pod. He looks at it for a while, then slowly drops back to sleep. Suddenly the podstarts to crackle and it opens outwards. A long weed-like vine grows out from the pod and attaches itself to Winlett's arm! Winlett wakes up and is terrified. He struggles away from the table, seemingly in great pain,staggering and falling onto the ground.)WINLETT: Aaah...Derek...![SCENE_BREAK]7, INT: RESEARCH STATION - LIVING QUARTERS(Stevenson hears the scream and jumps off his bunk.)STEVENSON: Was thatCharles?MOBERLEY: What? What's happening?(They both hurry out to find Winlett.)[SCENE_BREAK]8, INT: RESEARCH STATION - LABORATORY(They find Winlett on the ground.)STEVENSON: Charles?(Stevenson rollsWinlett over onto his back, and alarmingly Winlett's face is now green and his skin is completely rough! His unconscious eyes stare out into nothingness.)[SCENE_BREAK]9, INT: WORLD ECOLOGY BUREAU - OFFICE(Inthe near future, Sir Colin Thackeray talks to Dunbar.)THACKERAY: This Telex from Stevenson, what do you make of it?(Dunbar picks up the piece of paper and reads it.)DUNBAR: 'Pod carries infection, Winlett seriouslyill, Medicaid needed urgently.' Could have been more informative, Sir Colin.THACKERAY: He probably doesn't know any more. I have ordered Medical Team to go to the base, but I understand the weather conditions arebad. It's bound to take at least a day or two.DUNBAR: The people from UNIT should be arriving now, perhaps they can help.[SCENE_BREAK]10, EXT: RESEARCH STATION(A helicopter begins to land near the base. Ashort time later, with heavy snow falling, Moberley comes out to greet the Doctor and Sarah. Moberley and Sarah are dressed heavily, while the Doctor has not changed his attire at all. Everyone has to shout over thewind and the noise of the helicopter.)MOBERLEY: Hello! So you made it! Welcome to the loneliest spot on Earth. You must be the Doctor.DOCTOR: Yes.MOBERLEY: We were expecting someone much older.DOCTOR:Well I'm only 749, used to be even younger!MOBERLEY: Derek Moberley.SARAH: Sarah Jane Smith. The young Doctor's assistant.DOCTOR: How many of you live here?MOBERLEY: Anything up to a dozen, but of coursewe're down to three at the moment. Let's get inside...SARAH: Yes.DOCTOR: Where are the others?MOBERLEY: Out at the South Bend (?) not 60 miles away, measuring the ice caps, if they're getting this kind ofweather they're welcome to it! Come on.(Much to Sarah's relief, they finally make it inside.)[SCENE_BREAK]11, INT: RESEARCH STATION - CORRIDOR(Sarah removes a glove and puts her frozen finger in her mouth towarm it up.)SARAH: How do you stand it?MOBERLEY: Oh, sometimes it gets quite warm. 10 degrees below freezing.SARAH: Crikey, I feel as though I've got frostbite already!MOBERLEY: I'll get you something hot todrink in a tick.(He turns to the Doctor.)MOBERLEY: Er, are you okay dressed like that, you don't seem to notice the cold.DOCTOR: I haven't come ten thousand miles to discuss the weather, Mr. Moberley; can I see thesick man?MOBERLEY: Yes of course, down this way.[SCENE_BREAK]12, INT: RESEARCH STATION - SICK BAY(The now almost unrecognizable form of Winlett is lying on a bed. The Doctor and Stevenson standnearby.)STEVENSON: He seems to be conscious, but he hasn't spoken a word since last night.DOCTOR: What's his body temperature?STEVENSON: Well that's the amazing thing. I've been trying to keep him warm butit's dropping hourly.DOCTOR: And the pulse rate?STEVENSON: His body temperature is 46; his pulse rate is 18 a minute. I'm no medical expert, but on those figures he should be dead, shouldn't he?DOCTOR: Iwonder.(The Doctor pulls back the sheet to reveal Winlett's body; no longer does he have human skin, and instead he is fully covered in green plant-like skin.)STEVENSON: Good grief! It wasn't like that an hourago.DOCTOR: Then it's accelerating. How long before a medical team arrives?STEVENSON: Well it's difficult to say in these conditions. Hopefully tomorrow.DOCTOR: I don't think that's going to be soon enough, Mr.Stevenson.[SCENE_BREAK]13, INT: RESEARCH STATION - LIVING QUARTERS(Moberley passes a cup of coffee to Sarah, who looks very cold.)MOBERLEY: There, that ought to warm you up.SARAH: Thanks.(She drinkssome coffee.)MOBERLEY: Better?SARAH: Mm. So you say you just found this pod lying there empty.MOBERLEY: Yes, and Charles in that state. Now does that make any kind of sense to you?(An alarm goes offnearby.)MOBERLEY: Would you excuse me? Radio.SARAH: Oh sure.(He gets up.)[SCENE_BREAK]14, INT: RESEARCH STATION - SICK BAYSTEVENSON: Have you any idea what it could be, Doctor?DOCTOR: Yes. That'swhy I came here.STEVENSON: I thought you came here to see the pod.DOCTOR: Exactly - before anything happened. Unfortunately it already has! Where's the lab?STEVENSON: I'll show you.(Theyleave.)[SCENE_BREAK]15, INT: RESEARCH STATION - LABORATORY(Moberley is on the radio.)MOBERLEY: Okay Mike, but try to get something moving, his condition is pretty desperate. Over.MIKE (radio): Understood.Out.(Stevenson and the Doctor walk in.)MOBERLEY: Bad news, John. That was Mike Wilson at South Bend. The medical team's turned back.STEVENSON: What about Charles? Did you tell them how bad heis?MOBERLEY: They were in white out conditions and their Snow Cat's fallen intro a crevasse. But Mike is in touch with the Royal Marine Survival Team - they might be able to help. They'll try again as soon as theweather lifts.STEVENSON: Well that'll be too late! He's dying! Isn't he Doctor?DOCTOR: No.STEVENSON: I thought you said in the sick bay...DOCTOR: It's more serious than death, Mr. Stevenson. He's changingform.STEVENSON: Changing form?DOCTOR: Yes. We need a blood test.MOBERLEY: I'm a zoologist - I could prepare a specimen slide if it'll help?DOCTOR: Yes it would help, thank you.MOBERLEY: Right.(He leaves. TheDoctor has only one word for Stevenson. He leans in closer and stares at him.)DOCTOR: Pod.STEVENSON: It's over here.(They move over and Stevenson picks up the tray with the opened pod on it. The Doctorexamines it.)DOCTOR (quietly, but furious): Why did it open? Why?STEVENSON: Well that...that could be my fault. It was frozen stiff when we took it out of the ice. I was certain there was still life there. I put in under alamp and it started to expand.DOCTOR: Mr. Stevenson, what you have done could result in the total destruction of all life on this planet.(Stevenson stares back in disbelief.)[SCENE_BREAK]16, INT: RESEARCH STATION- SICK BAY(Moberley takes the blood sample from Winlett. He puts it down and looks at the monster his friend has become. His condition is even worse than before.)MOBERLEY: Charles? We're trying our best Charles.Help's on its way.(He gets up sadly and with one final look back, he leaves.)[SCENE_BREAK]17, EXT: ANTARCTICA(A pickaxe is digging in the ice. It is the Doctor, covered in snow. Sarah and Stevenson watchnearby.)SARAH: Doctor? Doctor, what are we looking for?DOCTOR: Are you sure this is the place, Stevenson?STEVENSON: Yes, and if you told us what you were doing, perhaps we could help.(The Doctor doesn't evenbother to look up. He keeps digging until he finds something in the ice.)DOCTOR: Yes! Just as I thought!SARAH: Another pod!STEVENSON: How did you...Will there be any more?DOCTOR: No. They travel in pairs - likepoliceman.SARAH: What are we going to do with it - buy it a truncheon?DOCTOR: No. Take it into custody and keep it in the freezer.[SCENE_BREAK]18, INT: RESEARCH STATION - LABORATORY(Night time, Stevensonputs the pod into a big freezer.)STEVENSON: Well that ought to keep it cool.SARAH: Who sold you that, an Eskimo?STEVENSON: I know a freezer seems superfluous out here, but we do need it to keep snow sample in -until they're analysed.MOBERLEY (oov): Doctor?DOCTOR: Hmm?(Moberley is looking in a microscope.)MOBERLEY: Take a look at this blood sample.(The Doctor goes over to look.)DOCTOR: How's Winlett?MOBERLEY:Winlett. He's barely recognisable. It's as if he's turning into some sort of a hideous monster.DOCTOR: That's exactly what is happening, Moberley.MOBERLEY: Yes but there must be an answer.DOCTOR: You can justincrease the magnification...ah...yes! Take a look at that.(Moberley looks.)MOBERLEY: These aren't blood platelets?DOCTOR (to Stevenson): Do you recognise them?(Stevenson looks. He is shocked by what hesees.)STEVENSON: Schizophytes.DOCTOR: Exactly.STEVENSON: I don't believe it. It's not possible.SARAH: Would someone mind explaining what these schizophytes are please?STEVENSON: The smallest known livingorganisms. Plant bacteria.SARAH: Plant bacteria, in someone's bloodstream?DOCTOR: Interesting, isn't it. A human being whose blood is turning into vegetable soup.SARAH: Listen...(They hear the sound ofengines.)MOBERLEY: That's very low by the sound of it.STEVENSON: It's the medical aircraft. Quick Derek, get the landing strip (?) lights on.MOBERLEY: They won't see anything in this blizzard (?)(They go back intothe living quarters, their voices hard to hear over the engine noise.)[SCENE_BREAK]19, INT: RESEARCH STATION - LIVING QUARTERS(Moberley and Stevenson are getting dressed to go outside.)SARAH: Should wecome out and help you?MOBERLEY: No, John and I know our way around out there - it's easy to get lost.SARAH: Okay.MOBERLEY: You ready?STEVENSON: Ready.MOBERLEY: Right.(They leave.)SARAH: Will they beable to help that man?DOCTOR: I don't know Sarah. He's halfway towards becoming a Krynoid.SARAH: Krynoid?DOCTOR: Yes. A progression of the pod.SARAH: So you recognised it.DOCTOR: Yes, I was fairly certainwhen I saw the photographs. Now I'm sure.SARAH: Well, what is a Krynoid? I mean, what does it do?DOCTOR: I suppose you could call it a galactic weed. Except it's deadlier than any weed you know.SARAH: In what"}
+{"doc_id":"doc_80","qid":"","text":"THE ARMAGEDDON FACTORBY: BOB BAKER AND DAVE MARTINPart SixRunning time:25:09[SCENE_BREAK]DRAX: Over here, Doctor!DRAX: Doctor, over here! Look at that.DOCTOR: You shrank the wrong man,Drax.DRAX: No, I was aiming at you.DOCTOR: Why didn't you shrink the mute? The TARDIS door's open.DRAX: Right, I've got it. Now listen. One of us creates a diversion and you fly over there and shut thedoor.DRAX: Nasty. Yeah, and we can't use the dimensional stabiliser in here 'cos there's not enough room for when we get back to normal size. We'd just fill up the crack.DOCTOR: Like putty.DRAX: Do you mind? Yeah,you've got problems.DOCTOR: Yes. The door's open so the Shadow can go in there and take the Key to Time. Romana can't help and the time loop must be at breaking point by now.DOCTOR: When the countdownreaches zero, up goes Atrios, Zeos and all.DRAX: Life presents a dismal picture, you might say.DOCTOR: Yes, you might say that. And of course there's the Marshal.DRAX: The Marshal? He's on our side.DOCTOR:No.DRAX: No. Oh well. Where's he fit in?DOCTOR: He's in the time loop as well, making a rocket attack on Zeos. Unless, of course, Shapp and Merak get in contact with him.DRAX: Where are they?DOCTOR: Back onAtrios, I hope.[SCENE_BREAK]SHAPP: Atrios control to Marshal. Marshal? Come in, Marshal. Oh, it's useless. He either can't or won't answer. And this time loop device isn't going to hold things back for ever, isit.MERAK: No, not unless the Doctor can find the sixth piece, and the sixth piece is somehow connected with Astra.SHAPP: But she denies all knowledge of it?MERAK: All conscious knowledge, yes. But if she's the onlyone who knows then secret, and if the knowledge is implanted, then it must have affected her, made her different in some slight way that might just show up in analysis.SHAPP: Yes, but she's not here.MERAK: But herrecords are, on your computer.[SCENE_BREAK]MARSHAL: Fire![SCENE_BREAK]DRAX: Well, we've got one thing in our favour.DOCTOR: Oh?DRAX: Mobility.DOCTOR: Mobility.DRAX: Well, if we're only this high, we'repractically invisible, aren't we?DRAX: Except we daren't move.DOCTOR: Yes. If the Shadow gets the five pieces from the TARDIS, which he undoubtedly will, it's up to us to get the sixth piece.DRAX: Yeah, but you don'tknow what it looks like, do ya? I reckon you're banjaxed, my old son. End of the road. Finito.DOCTOR: The Shadow said I'd already seen it. It must be Astra.DRAX: Astra?DOCTOR: She must have it. Let's see where thiscrack leads, shall we?DRAX: It's better than getting the boot.[SCENE_BREAK]SHADOW: The Doctor has eluded me, but he has made his last mistake. See, the door is open! The Key to Time is mine! Enough!Bwahahahaha!ROMANA: He thinks we're just going to stand by and let him walk away with everything we've worked for. Come on, let's get out of here.ASTRA: In this place.ROMANA: What?ASTRA: My destiny is here,in this place. Not on Atrios, not on Zeos. Here.ROMANA: Astra, listen. You're not under the Shadow's influence any more. Now, let's get out of here before he comes back.ASTRA: No, I must stay. I am the sixth princessof the sixth dynasty of the sixth Royal House of Atrios.ROMANA: Yes, yes, but we must get out of here before the Shadow comes back!ASTRA: This is the time of my becoming, my transcendence.ROMANA: What areyou talking about?ASTRA: Metamorphosis.[SCENE_BREAK]DRAX: Yeah, here we are. Right, now, there's the T junction. Right down to the dungeon, left onto the Shadow's lair.DOCTOR: What? You mean there's a wayin he doesn't know about?DRAX: Well, it will be when it's finished, but a couple of midgets like us won't be much good on a pick and shovel, will we?DOCTOR: No. No, no. no. But if we get K9 up there, we won't need apick and shovel, will we. We can still give the Shadow a surprise.DRAX: Well, let's normalise then, shall we?DOCTOR: No, no, Drax, no. Small is lovely.DRAX: Big is better, though, innit?[SCENE_BREAK]SHADOW: Now,the moment I have waited for! Open the door.SHADOW: Light! Too much light! You, fetch me the Key. Hurry.SHADOW: When the Key is mine, I shall dispel the light, and darkness and night shall reign.SHADOW:Ah.[SCENE_BREAK]ASTRA: Destiny. My destiny is near.ROMANA: Astra, remember you're the sixth princess of the sixth Royal House of the sixth dynasty.ROMANA: And we're looking for the sixth segment of the Key toTime. Oh, you're in greater danger even than we imagined.[SCENE_BREAK]SHAPP: Have you found it?MERAK: I think so, yes.SHAPP: What is it?MERAK: A molecular anomaly buried in the genetic structure of the RoyalHouse of Atrios and passed from one generation to the next, until finally, Astra.SHAPP: What's it mean?MERAK: I imagine it means that her every living cell is part of this Key of Time, and that to save us, Astra must bedestroyed. You see?SHAPP: Hey, where are you going?[SCENE_BREAK]DOCTOR: Everything all right, K9?K9: Affirmative.DOCTOR: Control box in position?K9: Control box in position.DOCTOR: Batteries charged?K9:Affirmative.DOCTOR: Test the blaster, K9.DRAX: Ow!DOCTOR: Blaster working, K9?K9: Affirmative.DOCTOR: You all right, Drax?DRAX: Just about. That bit gets hot.DOCTOR: I'd sit somewhere else, if I were you.Ready, K9?K9: Affirmative.DOCTOR: Now remember, it's absolutely vital to convince the Shadow that you're still under his control. This whole plan depends on how well you can act. Got it?K9: Affirmative,master.DOCTOR: Keep it simple, K9.K9: The Doctor and Drax have been eliminated.DOCTOR: Okay, K9. Now forward. You're on.K9: Master.DOCTOR: Did you ever get to Troy, Drax? Little place in AsiaMinor.[SCENE_BREAK]MERAK: The third planet. Show me.[SCENE_BREAK]SHADOW: The fulfillment of that for which I have waited since eternity began.[SCENE_BREAK]K9: Preparing forblasting.[SCENE_BREAK]SHADOW: You see, Princess, you cannot escape your destiny.ASTRA: My destiny.SHADOW: It is for this that you were born. The sixth child of the sixth generation of the sixth dynasty of Atrios.Born to be the sixth and final segment of the Key to Time. Come, Princess, prepare yourself.ASTRA: I am ready.SHADOW: Ah!MERAK: Astra!SHADOW: What is this?K9: Apologies, master.SHADOW: You mechanicalidiot.K9: But there is an intruder here.SHADOW: I ordered her to eliminate him.K9: It shall be done.SHADOW: Wait. Where is the Doctor?K9: Ahem. The Doctor and Drax have been eliminated.SHADOW: Good. Thenthese two shall stay and witness my moment of glory, my apotheosis.K9: (quietly) Master.SHADOW: Mine at last!K9: Now, master.ROMANA: No, you'll break the time loop!MERAK: Millions will die!SHADOW: A smallbeginning. Bwahahahahaha!DOCTOR: The stabiliser, Drax, now!SHADOW: You interfering fool. No one can resist the power of darkness!DOCTOR: Quick, back to the TARDIS! Quick![SCENE_BREAK]DRAX: You go on,Doctor. I'll hold them off.DOCTOR: How will you get back?DRAX: The transmat shaft. See you on the TARDIS.[SCENE_BREAK]SHADOW: Stop him! He must be stopped! Stop him![SCENE_BREAK]DOCTOR:Good.ROMANA: Come on, Merak.DOCTOR: Come on, Romana. Merak, get inside!MERAK: No!DOCTOR: Quick, get inside, man!MERAK: No, Doctor, I'm staying here.DOCTOR: What!MERAK: I'm staying here to look forAstra.ROMANA: But what about the Shadow?MERAK: Astra! Astra!DOCTOR: No, Romana, come on.[SCENE_BREAK]DOCTOR: Set the coordinates for Zeos.ROMANA: We're murderers. First Astra and nowMerak.DOCTOR: Romana, it wasn't our idea to use the Royal House of Atrios as carriers, was it?ROMANA: No, but what happened to Astra was our fault. We're just pawns here to do the Guardian's dirty work.DOCTOR: Idon't like it any more than you do, but it's done. Have you set those coordinates yet?ROMANA: Is that all you can say? She was a living being, and now what is she? A component. And Merak thinks she's still alive. Nopower should have that right, not even the Guardians. We must do something!DOCTOR: Well, you could start by setting the coordinates for Zeos.ROMANA: Why?DOCTOR: Romana, you get carried away. If you don't setthose coordinates, millions of people will die and this time it really will be our fault. Have you forgotten the time loop?ROMANA: No, I hadn't forgotten the time loop. Can't you put the new segment in?DOCTOR: In lessthan a second?[SCENE_BREAK]DOCTOR: Quick, cutters. Cutters!DRAX: Here, what a mess in here.DOCTOR: Listen, Drax. Drax, don't just stand there. What colour?DRAX: Green, I think.DOCTOR: What?DRAX: Well,it's a long time since I done it. Er.ROMANA: Quickly, Drax.DRAX: Just a minute. Don't fluster me.ROMANA: Hurry!DRAX: I've got a diagram somewhere.DOCTOR: Drax!ROMANA: Drax!DOCTOR: Drax!DRAX:Right.ROMANA: Drax!DOCTOR: Drax!DRAX: Pyramid, green! I told you.DRAX: Well, you didn't have to make such a mess of it all.DOCTOR: Drax. You took your time. Where's K9?DRAX: We found young Merak lyingthere dead to the world. Carrying him slowed us right down.DOCTOR: Really. How is he?DRAX: Well, he'll live.ROMANA: Doctor.DOCTOR: Yes.ROMANA: Aren't we forgetting something?DOCTOR: I don't thinkso.ROMANA: The Marshal!DOCTOR: What? The Marshal.ROMANA: Come on!DOCTOR: Quick![SCENE_BREAK]MARSHAL: Fire!MARSHAL: Taste the moment of victory. Any second now, beautiful mushrooms will blossomand burst.MARSHAL: No! No, it's the wrong target![SCENE_BREAK]SHADOW: Sire. Sire. I have failed. The Doctor has accomplished his purpose. He has the Key to Time. I have failed.GUARDIAN: I expected no less ofyou, you whimpering wraith.GUARDIAN: But your death is already encompassed in my designs, for now the Doctor shall release the Key to me, and chaos shall break upon the universe![SCENE_BREAK]DOCTOR: Whata shot, Marshal! Ha, ha, well shot!ROMANA: Doctor, he hit the planet of evil and he was aiming at Zeos!DOCTOR: Well, I can't help what he was aiming at.ROMANA: What did you do?DOCTOR: A mere nothing. A meredeflective forcefield set up for a millisecond set up between the Marshal and Zeos, bounced the missiles smack onto the planet of evil.ROMANA: Is that all?DOCTOR: Yes.DRAX: Well, he might have told us, mightn't he,dog? We was expecting to get blasted into infinity.K9: Affirmative.DOCTOR: Well, I'm sorry about that. I don't know what I'm apologising for. I just saved your lives! Can I drop you somewhere, Drax?DRAX: No thanks.I've got a contract job on down there.DOCTOR: Contract job? No armaments, I hope.DRAX: No. Reconstruction, war damage, scrap and that. Me and the Marshal's going fifty-fifty.ROMANA: You and the Marshal?DRAX:Yeah, well, he's out of a job now, isn't he. I mean, no war, no job, so I took him on.DOCTOR: When did you arrange this?DRAX: In about half an hour's time, I should think.DOCTOR: I see. Fifty-fifty?DRAX: Well,sixty-forty, know what I mean?DOCTOR: Ah.DRAX: And if you ever want to get rid of that thing (the complete Key) just let me know, won't you.DOCTOR: I'll let you know. Bye, bye, Drax.DRAX: Right then. Byeall.ROMANA: Goodbye.DRAX: Remember me to Gallifrey.DOCTOR: Bye, bye, Drax.ROMANA: Goodbye.ROMANA: Right, I'll set the coordinates for Gallifrey, shall I?DOCTOR: Why Gallifrey?ROMANA: Well, that's wherewe're going, isn't it?DOCTOR: We have the power to do anything we like. Absolute power over every particle in the universe. Everything that has ever existed or ever will exist. As from this moment are you listening tome, Romana?ROMANA: Yes, of course I'm listening.DOCTOR: Because if you're not listening I can make you listen, because I can do anything.DOCTOR: As from this moment there's no such thing as free will in theentire universe. There's only my will, because I possess the Key to Time!ROMANA: Doctor, are you all right?DOCTOR: (normal) Well of course I'm all right. But supposing I wasn't all right. This thing makes me feel insuch a way I'd be very worried if I felt like that about someone else feeling like this about that. Do you understand?ROMANA: Yes.DOCTOR: What do you understand?ROMANA: That the sooner we hand this over to theWhite GuardianBOTH: The better!GUARDIAN (on scanner): My congratulations to you, Doctor.DOCTOR: Oh, thank you, sir, thank you.GUARDIAN (on scanner): You performed your task with admirable dispatch. Theuniverse has much to thank you for.DOCTOR: Well, it was a pleasure, sir. Wasn't it a pleasure, Romana?ROMANA: Doctor, that's not the President.DOCTOR: What's the President got to do with it?GUARDIAN (onscanner): I can change my form or shape at will, my dear child. I appeared to you as the President so as not to alarm you.DOCTOR: Just be careful who you're talking to.ROMANA: Sorry, IGUARDIAN (on scanner): Youhave the Key to Time, Doctor?DOCTOR: Ah. Oh, I have, I have indeed, sir. Do you like it?GUARDIAN (on scanner): Do I like it? Yes, yes, I suppose you could say that I like it.DOCTOR: Yes, we're very proud of it, sir.Aren't we, Romana, proud of it?ROMANA: What? Oh, yes, yes.DOCTOR: What happens now, sir? You said, if I remember in our first conversation, that once it was assembled it would stop the entire universe and enableyou to restore the natural balances of good and evil throughout the whole of the universe.GUARDIAN (on scanner): That is correct, Doctor. So, will you release the Key to me that I may do this?DOCTOR: Certainly, sir,yes, certainly, of course. Key to Time, I command you. Could I ask you something, sir?GUARDIAN (on scanner): Yes, Doctor?DOCTOR: It's just that, well, the Key is already assembled, sir. I mean, couldn't you restorethe balances now?GUARDIAN (on scanner): Yes, Doctor, but I must have the Key for safe keeping. It is an awesomely powerful key.DOCTOR: Oh yes, sir, yes, and mustn't be allowed to fall into the wrong hands. I quiteunderstand, sir, yes. Key to Time, I command. What about the sixth segment?GUARDIAN (on scanner): What about it, Doctor?DOCTOR: Well, I mean, as you know, sir, the sixth segment was in fact a human being, andI mean, if the pieces are maintained in their present pattern it means that she'll be imprisoned forever, sir.GUARDIAN (on scanner): That is, of course, regrettable.DOCTOR: Very regrettable.GUARDIAN (on scanner):But with the fate of the universe at stake.DOCTOR: Quite. You can't be too careful. I quite understand. Key to Time, I command that you stay exactly where you are!GUARDIAN (on scanner): Doctor! You have fullyactivated all the TARDIS' defences!DOCTOR: We can't be too careful, can we? And it would be a terrible tragedy for the universe if it suddenly turned out that I was colour blind.GUARDIAN (on scanner): Doctor, releasethe Key to me immediately!DOCTOR: Unable to distinguish between the White Guardian and the Black Guardian.ROMANA: Doctor, what do you mean?DOCTOR: Look.DOCTOR: Don't you see? The White Guardian wouldnever have had such a callous disregard for human life.ROMANA: Of course. Astra, the sixth segment. He would have dispersed it immediately.GUARDIAN (on scanner): Doctor, you shall die for this!DOCTOR: I thinknot. Remember, the Key to Time is still mine, rage all you like.GUARDIAN (on scanner): I shall destroy you for this! I will disperse every particle of your being to the furthest reaches of eternity!DOCTOR: Ah well, I wishI could stay and watch you try, but you know how it is. Places to go, people to see, things to do. Romana?ROMANA: Yes?DOCTOR: When I give the signalROMANA: Yes?DOCTOR: Dematerialise.DOCTOR:Now![SCENE_BREAK]ASTRA: Hello, Merak.MERAK: Astra? Astra, where are you?ASTRA: I'm here.MERAK: Astra.[SCENE_BREAK]DOCTOR: You see? I think of everything.ROMANA: Doctor?DOCTOR: Hmm?ROMANA:What exactly have you done with the Key to Time?DOCTOR: Key to Time? Oh, well, I just scattered it round through space and time.ROMANA: I see. So where are we going?DOCTOR: Going? I don't know.ROMANA: Youhave absolutely no sense of responsibility whatsoever.DOCTOR: What?ROMANA: You're capricious, arrogant, self-opinionated, irrational and you don't even know where we're going.DOCTOR: Exactly.ROMANA:What?DOCTOR: Well, if I knew where I was going, there'd be a chance the Black Guardian would, too.ROMANA: Oh.DOCTOR: Hence this new device.ROMANA: What is it?DOCTOR: Well, it's called a randomiser and it'sfitted to the guidance system and operates under a very complex scientific principle called pot luck.DOCTOR: Now no one knows where we're going. Not even the Black Guardian.ROMANA: Not even us."}
+{"doc_id":"doc_81","qid":"","text":"Bull: I'm Dr. Jason Bull. I'm not a lawyer. I'm an expert in what's called trial science. I study the jury's behavioral patterns. I know what they're thinking before they do. Everything my team learns gets plugged into amatrix, which allows us to assemble a shadow jury that is scary in its predictive efficiency. The verdict you get depends on me. And that's no bull. Don't tell me plane crashes are bad luck. You think that Malaysia flightjust disappeared? Statistically, flying is still the safest way to travel. It's a business, isn't it? They need to be held accountable. You have to trust the pilot, but... it's a leap of faith. You get on a plane without a secondthought. But you have no idea who's flying it.(thunder rumbling)(plane rattling)Flight attendant: Ladies and gentlemen, we'll be starting our descent into Albany in just a few moments.(crying)Flight attendants will becoming through the cabin to pick up any last-minute trash items. As a reminder, we're entering some rough air, so please remain in your seats with seatbelts fastened.(plane continues rattling)Ma'am.(sniffles)You reallyneed to take your seat. I'm so sorry. This needs to be up, sweetie.(rumbling grows louder, passengers gasping)(passengers screaming)Benny: It's a simple question, Mr. Stowman.Vince: In the world history of stupidquestions, that is the stupidest question.Marissa: Our client just torpedoed jurors two and eight.12 thinks he's a rebel. Lifelong fan, but I...Vince: w*nk*r.Marissa: There goes 12.Vince: No further questions. This is afterthree days of witness prep. We've seen worse. Maybe once. This is getting very tiresome, Dr. Bull. Hey, hey. I totally get it. You had a monster hit, and some one-hit wonder comes out of the woodwork and says youstole the hook to his song? It's your song. That's right. And it hurts, Dr. Bull. It hurts. I know it hurts. And that's why we're gonna prove that it took you ten years to write this song. And that it comes... (hits chest) fromyour soul.(quietly): I know it's about the collapse of your first marriage. And I'm sorry. But you see these people? They're the jury. They're normal, everyday folks who come home one day, open their mail, and theyhave a jury summons. They're like my fans? That's exactly what they are. They're the same people who throw panties on stage and cheer for you. And you got to see them like that. You got to talk to them likethat.Marissa: Bull? Rock on. Go get 'em.Marissa: Bull. All right. Sir Vincent needs a fresh jury. Thank you guys very much. Bull.News anchor: In the storm, Essence Airlines Flight 1372 went down approximately threemiles from Albany Airport. As you can see from the wreckage behind me, all 62 passengers are presumed dead. The president of Essence Airlines is on the line. Call back.(newscast continues)Hamilton-Sena and theusual airline litigation firms are calling to sign us up. Crash is less than an hour old, and the vultures are already circling, huh?Bull: Missing the runway does seem to inspire lawsuits. Sorry, I'm still the new guy, but...you handled aviation suits before? Every crash in the last ten years. And, uh, Bull's a pilot. Maybe it's because I'm a pilot. Just spoke with a former colleague from the FBI. Was it...? Wasn't terrorism. Tried to land in astorm with wind shear.News anchor: A shocking new development, a miracle perhaps. The nose cone of the plane was severed from the fuselage upon impact. Sources tell us that one of the pilots was pulled from thecockpit alive. Never heard of a pilot surviving a crash. On a crash like this. Before we sign any client... Victim or airline... We're gonna talk to this pilot.(sighs)Man: Essence Airlines and supporting industries have allbeen named in a separate wrongful death filing.The pilot is also being sued.(reporters clamoring)There are security concerns, because of death threats. What's the pilot's status? Thank you. That's all for today. If youneeded any convincing lawyers are overpaid, the firm owns 18 floors of prime New York real estate. Best behavior, Dr. Bull. It's a pleasure to meet you, Capt... Captain Mathison. I'm glad you fully recovered. Dr. Bull,thank you. I can't say the last four months have been easy, but I'm here. Oscar Weber. I'm her attorney.(chuckles): Oh! Gosh, yeah. I've heard so much about you, Oscar. Thanks for taking an interest in this case, Dr.Bull. Not sure there's a need here for what you do. Getting the truth? Winning? We may not even take this case to trial. Captain Mathison here has been charged with gross negligence. If she were to lose in court, shemay be facing criminal charges.Taylor: Dr. Bull, how did you know I was Captain Mathison and not him? Well, you don't bounce when you walk. So clearly you're former military, and you're wearing aviator sunglasses,so I figured... pilot. Plus, one look at Oscar, and... there's no way he's a pilot. All right, let's go hear this flight recording.Taylor (over computer): Passing outer marker, ILS Approach 1-6, good to land.Man: Radarcontact, cleared to land runway 1-6. Ceiling 2-0-0. Visibility one-quarter mile, wind one-niner-zero, variable 25 gust... Tower Albany to Flight 213...Electronic voice: Wind shear. Wind shear.Copilot: Wind shear, loss 20knots.Taylor: Cross-control 0500.(urgent chatter)Can't... What are you doing?Taylor: Throttle's up! On the go... got to take it around! Full power, full power... That's not protocol.Taylor: Clean it up, full power!Electronicvoice: Terrain... Pull up. Terrain... pull up.Taylor: Five more seconds! Brace! Brace!(sustained beep)Man: Tower Albany, I've lost them off-screen.You need a minute? I'm okay. Sounds like you did the best you could ina hell of a storm. I considered flying on to Boston early on, but the storm was worse there, so... We started our descent, and... (sighs) we hit a massive wind shear.Weber: The challenge is gonna be the NTSB report. Itsays... Captain Mathison failed to follow emergency protocol and lost control of the plane.Marissa: The NTSB says 80% of crashes are caused by pilot error.Bull: It's not exactly a fair fight when the pilots usually aren'taround to defend themselves.Weber: The flight recorder backs up the report. A jury is going to be inclined to believe it. Unless someone bothers to give them a credible alternative explanation. Her own copilotquestioned her decision. And you can read the mind of a dead man? Good for you, Oscar. Do you think you lost control? I don't remember. I wish I could tell you why I did what I did that day, but it just...Weber: To mypoint, the plaintiffs are gonna find that very convenient. She had six broken ribs. And a severe concussion. Memory loss does happen with head trauma. You were in the military? I flew 139 sorties over Iraq. Got over12,000 flight hours. So what's the last thing you do remember? The wind shear alarm. Then I woke up in the hospital. They told me everyone on the flight... And there were no survivors. And you feel responsible. Myplane went down and I lost 62 souls. Of course I feel responsible. I am responsible.Weber: Taylor, no one wants to see you endure a long, difficult trial. Let me work with the airlines. We can hash out a settlement forthese families. Lord knows what a jury is going to come back with. We'll know. Excuse me? We'll know what a jury's gonna come back with. We'll know because that's what we do. That's what trial science is. Andsomething to remember, Mr. Weber. Just because Taylor feels responsible doesn't mean she's to blame. Captain Mathison, I'd like to take your case. Huh. Okay, s-so what do we do next? My team and I go to work. Ididn't sleep for a week after that plane went down. I was lead mechanic on the gate that day. Couldn't help but wonder if I'd missed something. How you sleeping now? Eight hours a night. Look, I did all my preflightchecks. The NTSB was all up in here and they still cleared my crew. The plane wasn't ten years old. There was barely a grease spot on the repair log. So it was okay to fly. Waxed and ready to go. Well, that report saidthat the pilots did their own inspection before takeoff. Why is that? They're required to do a walk-around. But it wasn't both of them that day, it was just the copilot. Is that standard procedure? It's always the copilot.She did her walk-around like she was supposed to. What do you... what do you mean \"she\"? There are lady copilots. Well, the lady wasn't the copilot on that flight. She was the captain. I mean... Damn.Judge: Ladiesand gentlemen of the jury, have you reached a verdict? Guilty of gross negligence. Verdict. Guilty. Guilty.Marissa: We've questioned all of our mock jurors, and they've all found Captain Mathison guilty. Let me work onher image. Maybe we're sending the wrong message. I have some ideas that could balance her military edge. Worth a shot. We varied our emphasis on her military record, her stellar pilot rating, nothing's changed theoutcome.Judge: Mr. Foreman, have you reached a verdict?Foreman: We have, Your Honor. In the case of Berman et al. v. Mathison, we find the defendant not guilty. Not guilty? That's amazing. How'd he do that? It isamazing. All we had to do was adjust one basic assumption about the case. Which one? Meet our client, Captain Taylor Mathison. Uh, ladies and gentlemen, all this case needed was a man's touch.(clicks tongue)Sorry.I'm just the messenger. Not the misogynist.Benny: So, juries are finding her guilty because she's a woman.Marissa: But the data shows that when it comes to female pilots, there is a clear gender bias. Yeah, but it's not1977. There are women in power everywhere. Well, it's subconscious. Things people aren't even aware of, like getting the door for a woman.Bull: Benny's always been chivalrous.Cable: I don't get it. Is it really difficultto open a door? It's back to where women wore farthingales.(chuckles): Farthingales. What's a farthingale? It's basically like wearing an upside-down umbrella. All right, my point is we have to dial gender bias intoTaylor's defense. Which is? Which is... ...an unavoidable wall of wind tragically brought down Flight 1372, and not even the skills of a great pilot could save them. Okay. All right, I'm gonna play devil's advocate. How dowe prove she didn't lose control of the plane if she can't even remember what happened? Start with the flight recorder. Yeah, about that. You're aware that it only covers the last 30 minutes before the crash?Chunk: Myphone holds 1,000 hours of music, but a black box taps out halfway through a Wayne Newton album? I tap out halfway through a Wayne Newton album. Black box is only a piece of the puzzle. Okay, Danny, I want aplay-by-play in the 24 hours of Taylor's life before the crash. And, Cable, focus on the flight itself. Fill in the blanks. Danke schoen. That's a Wayne Newton reference for your benefit, Chunk.(sighs)Bull: Cute kids.I takeit you and your copilot were close. Yeah. Ken and I were best friends. Mary and the kids are like family to me. They miss their father. It's hard for them to understand why I came home and he didn't. And Mary's mad atme. Been sitting here over an hour, and she's barely said a word. I don't know, sometimes I think she... blames me for Ken's death. Or maybe I'm just a reminder of what happened. You know, those families, they actlike I don't care about the victims, but... I think about those people every day. The void they left. The futures they don't get to have.I just keep asking myself: did I panic? You know, did I, did I, did I take a maneuverthat was too risky? Taylor, something tells me you didn't. Women drivers. We've all heard the expression. Maybe even said it in the heat of the moment, even though female drivers have a higher safety record thanmen. Care to watch the mock trial? No, thanks. I'm, uh, looking for my client. You know, he really should be talking about her record as an Air Force pilot. He will, but first we need to call out the bias. Once people aremade aware, they tend to compensate. You did one mock trial and determined that the whole world has it in for female pilots? We did five. And it's not a conspiracy. Implicit bias literally means you don't know it's there.So, you strike all the male jurors? No, because women display as much gender bias as men do. Hmm. Can you scare me up a cup of coffee? No, it's fine. I was just about to grab myself a cup. Okay, great. Look, I knowDr. Bull has three PhDs in psychology, but he's not an attorney. And there are so many unknowns to overcome at trial. We're just getting started. By the end of this process, we will know which types of jurors we wantand which to exclude. All I know is, if Taylor is smart, she will settle with the plaintiffs and make this whole thing go away.Benny: Is a decorated Air Force fighter pilot, who flew 139 sorties over Iraq. Where's thedouche? Looking for Taylor. Did you spit in this? No. But don't drink it.Chunk: You're in the spotlight the minute you walk into the courtroom. Dr. Bull says I need to look strong, but not aggressive, confident, but notarrogant. Well, blue conveys confidence. And navy adds a sense of remorse. I like your style. Thanks. How did you end up here? I arrived via Vogue magazine. Really? Mm-hmm. Weren't you a defensive back forGeorgia? Well, I was that, too, before I was this. I knew it. You almost won the Heisman. Weren't you gonna go pro? Draft didn't work out too well for me. Why isn't she in her uniform? Oh, we can do that, if you wantto make this look like a military tribunal. In court, we want her to look like a human being, not a pilot. Mr. Weber, I heard you were in the office. Taylor, I know Dr. Bull has convinced you that he has some sort of magicformula that will make a jury see past the facts and exonerate you. Chunk, would you give us a second? And, uh, tell Benny I need to see him. Mm-hmm.Weber: While Dr. Bull has been searching for biases, I've been intouch with the airline, who are negotiating a settlement with the plaintiffs. A settlement? Yes. It's a very generous offer to the victims' family, as it should be, and it protects you from any financial liability. What do youneed from me? I need you to agree to the findings of the NTSB report.Bull: The report that finds her at fault. A-And if I do that, I'll be reinstated? Well...Bull: No. Fired. And unemployable and never able to fly again.She killed 62 people. No, Oscar. An airplane crash killed 62 people, not your client. Marissa mentioned you were pushing for a settlement. That struck her, because even though she's a woman, she's quite good withnumbers. So, she had Cable, also a woman, also good with computers, do some digging. It seems that your contract with Taylor stipulates the less the airline pays the families, the more your firm makes. That seemslike a conflict of interest, but then again, you have all that office space to pay for. That's why I hate lawyers. That's my... bias. So you have a financial incentive for me to settle? It's called a reverse contingency fee. It'show the airline controls damages. That, and by blaming you. Taylor. This is in your best interest. Do not let him twist this. Can I fire my attorney? Of course you can. Especially since he was supplied to you by theairline. You're relieved, Mr. Weber. See how easy that was? Dr. Bull, you're a piece of work. I like those glasses. Dr. Bull, I can't afford my own attorney. It's all right. We have someone. The best, really. Hey. What's upwith Weber? Looked pissed. Captain Mathison, meet your new lawyer. Is this normal? For you to sub in for a real trial? It's been about a year since I've been inside a real courtroom. What kind of law did you practice? Iwas a prosecutor in the D.A.'s office. Yale Law, Supreme Court clerkship. He was a pit bull. If I were on trial, Benny's the only lawyer I'd want. Why did you leave? I got fired. Wait till you hear why.(gavel bangs)Allright, prospective jurors have been sworn in. Mr. Dworkin, you may begin your voir dire. Thank you, Your Honor. Ladies and gentlemen of the jury, I'm going to ask all of you some questions to see if you can honestlyand fairly assess this case. This trial is a suit over...Taylor (quietly): How do you know who has this bias against female pilots? We ask them.Marissa (over earpiece): Okay, we have six strikes left. Who's up first? Thelovely Martha Plemmons. Martha Plemmons, 58. High school librarian. Crossword enthusiast.(quietly): The key is not to let anyone know what we're screening for, so our questions have to be a little off.Benny: Ms.Plemmons... what would someone say they didn't like about you? Your Honor, this isn't a job interview. What's the defense going for here? It's his nickel, Mr. Dworkin.(whispers): Please. I-I guess I can be a little pushysometimes.(laughs)I accessed the district's HR department. Martha's filed two complaints for equal pay against a male counterpart. I think she nailed \"a little pushy.\"Marissa: Yeah, and self-aware. That means she'd beopen to assess her own hidden bias on gender.Bull: Two complaints for equal pay sounds pretty aware of gender bias. She only has 47 friends. I don't think she's gonna win Miss Congeniality on this jury.Bull: We don'tneed her to. She'll have an opinion and stick with it.The question is: will her opinion help or hurt us?Cable: I'd say help. Her last book purchase was Sheryl Sandberg's Lean In. She gave it five stars. That is key. If wecan establish a gender bias against Taylor, Martha is gonna resent the airline big-time.Bull: Yeah, I've been watching her. Every time she looks at Taylor, she has admiration. She'll be on our side. Good for the defense,Your Honor. Okay, let's do an online search together. \"Three black teenagers.\" But if I change \"black\" to \"white...\" Your Honor, what is this? Race-baiting? Anybody surprised by this? That's just some PCnonsense.[SCENE_BREAK]Cable: This guy would win troll of the year for the things he posts online.Marissa: Mr. Varni is not what I would call enlightened. He's not gonna recognize gender bias if it was full frontal infront of him. I say bounce. Strike, Your Honor. All right, let's talk about Dave Lemanski.Marissa: Professional storm chaser. Should be respectful of the power of Mother Nature, but... also a self-described expert. Well, atleast he'll understand the effects of wind shear. Yeah, uh, he may not be afraid of a Tennessee twister, but he seems to run from the opposite s*x. Surprise, storm chasing's a total sausage fest.Bull: I'm looking at hisbody language. He's not a happy camper. He's antsy just sitting through voir dire. Okay, the data on Lemanski is mixed. On the plus side, he will pay attention to weather conditions during the crash, but it's unclear thathe'll recognize his gender bias. Who do we have if we bounce him?Cable: We get... \"Rod the Bod,\" trainer-slash-model-slash-vitamin salesman.Marissa: Uh, Rod's social media is loaded with narcissisticself-congratulatory dude speak. I saw him checking out a young lady in the gallery. The guy's here to find a date. Total lack of awareness. He's gonna be a huge problem for us. Okay. Into the storm we go. We've gotourselves a jury.Marissa: Seven women, five men.Benny: Good for the defense, Your Honor. I'm a high school librarian. I'm a high school librarian. I'm a single mom and teach fifth grade. I'm a single mom and I teachfifth grade. My favorite hobbies are Sudoku and model trains. My favorite hobbies are Sudoku and model trains. For every juror, we hire what we call a \"mirror juror.\" How can they be exactly the same? Well, Marissa'screated an algorithm that can track a person across 404 different variants. We put them in the courtroom for the entire trial.Marissa: They wear biometric watches that allow us to track their emotional responses toevents in the courtroom. And with an astonishing degree of accuracy, they respond just like the actual jury. Here we have a dermatologist, a Spanish teacher, and a Web designer. We've identified them asopen-minded. Lemanski is impulsive, a self-described expert... Could go either way. But these four are followers. They'll go with the wind. And what about those two? That's Frederick West, infantry soldier. All aboutpersonal responsibility. But if he senses you're making excuses, we'll lose him. Orville Maynard, on the other hand... retired English professor. Didactic. Despite a history of celebrated liberal causes, his personal syllabusreads like a tribute to dead white men. And he's spent his career lecturing, not listening. (sighs) So what do we do? We learn their habits, lexicon, everything about them. And then we connect with them, with the helpof our mirror jurors. One juror at a time.Dworkin: It is tragic that the lone survivor of this crash is the only one here to speak of it. It's even more tragic that she has no memory of what she did. Of losing control of aplane, before smashing it to the ground killing all 62 passengers.Marissa: We're getting good feedback from the biometric watches. So far, our mirror juror for number 11 is responding most favorably to opposingcounsel, particularly when they mention the number of victims.Benny: Captain Taylor Mathison is a decorated Air Force fighter pilot who flew 139 sorties over Iraq.Bull: Juliette Lee scratched her neck after she looked atTaylor. Something's making her uncomfortable. How's her mirror looking? She is clearly liking Taylor's military service. Looks like our best in with Juliette is to keep focusing on Taylor's experience as a fighter pilot. So"}
+{"doc_id":"doc_82","qid":"","text":"Outside the jailSean: Hey sight for sore eyes.(Sean walks out and hugs Emma.)Sean: Ah yeah.(They kiss.)Sean: I'm free all thanks to you.Emma: All I did was help you get a lawyer.Sean: You got me a hearing. Yougot my sentence reduced.Emma: And two years of probation.Sean: Whatever. I'm out. Now we can be together. The perfect girl and the guy who doesn't deserve her. Man I missed you.(Emma kisses him.)Emma: Imissed you too. A lot.Sean: Yeah? I also missed bacon double cheeseburgers with the works.Emma: I see jail hasn't turned you vegetarian.Sean: Sorry. Been dreaming about it for months.Emma: I guess I could putmy carnivorous objections aside just this once, but first it's present time.(She hands him the picture that Spike took of them on their first date.)Sean: Is that really us?Emma: Six uber long years ago.Sean: Sometimes Iwish I could stop time. Go back.Emma: To bad hair, braces and general pubescent awkwardness? No thanks.Sean: Back to a time when you were proud of me.(Emma runs her hand through his hair and touches hisface.)At Emma's houseMr. Simpson: So how was the sofa? Not too lumpy?Sean: No it was great. Thanks. I really appreciate you guys letting me crash here until I get back on my feet.Spike: What are your plans nowthat you're out?Emma: Already with the grilling?Spike: I know you two are more than just friends Em. A mother gets to ask.Sean: That's cool. Jay is hooking me up with his boss. Apparently they need a newmechanic.Mr. Simpson: What about school? Have you given any thought about coming back to Degrassi?Sean: I got expelled.Mr. Simpson: Well maybe I could talk to her.Sean: No. I mean no thank you. I really don'twant to set foot in that place again.Emma: Tell them about Cameron's Custom Cars.Sean: Someday I want to open up my own shop.Mr. Simpson: That sounds like a fine plan if you can find a bank manager who'swilling to lend money to a high school dropout.Spike: Couple that with your record.Emma: Mom it's his first day out of jail. Can you go easy, please?Spike: Sorry. We're really glad you're here Sean.Mr. Simpson: Andwe're sure you're gonna figure it all out. Your life I mean. You've got lots of time for that. In the hallway(Danny and Derek are running in the halls and they run right into Mr. Perino, spilling his drink and breaking hismug.)Mr. Perino: Hey! How many times have I told you guys no running in the halls?!Danny and Derek: Sorry Mr. Perino.Mr. Perino: Sorry? Look at me! Look at my shoes. They're ruined.Derek: (under his breath) Sobuy some new ones.Mr. Perino: Are you sure you want to use that tone with your teacher? Believe me you don't want me to make your lives difficult.Mr. Simpson: Guys go get the mop from the janitor. Clean this messup, capiche? Go.Mr. Perino: Smart asses, you know? They drive me crazy.Mr. Simpson: Just uh try to remember they're just kids. Right Dom?(He walks away without saying anything.)Mr. Simpson: Dom!At thegarageTony: Engine runs out.Sean: It's loose timing chain.Tony: Shimmy in the steering. You know how to fix it?Sean: Yeah. You machine the front rotors.Tony: Jay was right. You know cars.Sean: Cars are my life. Youknow, if you know how they work, they never let you down.Tony: Spoken like a true mechanic. Tell you what, we got a Lexus with a faulty AC. Go to work.Sean: You, you mean I got it? I got the job?Tony: Yeah not forlong if you don't get to work.Sean: Yes sir. Woo! I got it man.Jay: What'd I tell you? In Mr. Perino's classDanny: After years of fighting, the second world war came to an end with the bombing of Hiroshima. Once theThird Rake finally surrendered, the iron curtain divided Europe-Mr. Perino: I think it's time this presentation surrendered and by the way it's Reich, not Rake. You're done.Danny: But you cut me off.Mr. Perino: Theassignment was to summarize an event in your own words. Not bore everyone by copying the damn thing from your textbook.Danny: It's not my fault history's so boring.Mr. Perino: Well it might be to you, but I'llassure you history's a fascinating discipline.(Danny sits down behind Derek.)Derek: He was a teacher.Mr. Perino: Who said that? Mr. Higg you got something to say? Don't be a clown. Be a man and say it.Derek: Okay Iwill. Can't you give Danny a break? I mean he's trying his best.Mr. Perino: Tell you what instead of giving Daniel a zero for plagiarism, detention both of you and tomorrow I'll let you help him redo his presentation.Atthe garage(Emma tries to sneak up on Sean.)Sean: Hey gorgeous.Emma: How did you do that?Sean: You're a lousy sneaker and every car has at least three mirrors.(He kisses her.)Sean: Mwah!Emma: Based on thefact that your freshly pressed white shirt is now forgotten on the tool bench, you got the job?Sean: Your little pep talk helped. Thanks and a big shout out to Jay! He totally went to the mat for his bud, huh? My bestfriend and my girlfriend. The only two people I can count on.Jay: Girlfriend? Well I guess not even jail time can keep you two lovebirds apart, huh?Sean: We should all hang out, huh? Catch up on old times?Jay: YeahSean's not caught up on old times.Emma: Old times are overrated.Sean: Alright well uh, well I'm all done here. I'm gonna take my girl out for dinner.Jay: Go have fun. I'll lock up.Outside the schoolDanny: Detentionrocks. I'd take it over history class any day.Derek: Plus we got Perino off our backs for now. Hey later.Danny: Later.(Danny leaves and Derek sees Mr. Perino standing by the bus stop.)Derek: Hey Mr. Perino.Mr. Perino:Derek.Derek: Something wrong with your car?Mr. Perino: Why? Did you do something to it?Derek: No. I just thought...bus stop.Mr. Perino: What, no funny jokes? You're not much of a comedian outside of class, areyou?Derek: I'm sorry.Mr. Perino: Don't pull that innocent act with me.Derek: Uh I think I'm gonna walk home.(Derek starts to leave when Mr. Perino steps in front of him.)Mr. Perino: Let me make myself clear. Showme some respect or we've got a serious problem, understood?(Derek walks away.)At Emma's houseEmma: Where is my lucky bra? The one that gives me Manny boobs.Manny: What's the big deal? You're just going ona date with Sean.Emma: It's not a date. It's the date. The \"he's finally back in my life and everything has to be perfect\" date.Manny: And you're just trying to live up to the pedestal that he's putting you on.Emma:There's nothing wrong with having a boyfriend who thinks you're amazing.Manny: Unlike those shoes, nobody's perfect.Emma: Least of all me. I went by the garage today and Jay was there.Manny: Three's definitelynot company.Emma: Jay is Sean's best friend. How do I even begin to tell him what I did with Jay in the ravine?Manny: You were single. It was a crazy time. What were you supposed to do, sit home and knit?Emma:I'm not sure that Sean's gonna see it that way.Manny: If he really loves you then he should. After hours at the DotSpinner: Okay I will be back in an hour to lock up. Don't break anything.Sean: We won't. Thanksman.(Spinner leaves Sean and Emma alone.)Sean: It's not much, but jail does a number on a guy's savings.Emma: The place, the candles, the tofurkey...everything is perfect.Sean: It is perfect. You're perfect.Emma:I've still made mistakes.Sean: You're talking to the master of mistakes.Emma: So you won't hold them against me?Sean: Of course not. Why? Is there something you need to tell me about?Emma: No. It'sjust...stupid.Sean: Nothing you say is stupid Em. You're the smartest person I know.At the garageSean: Hey last night I thought Emma was dropping hints. Did something happen?Jay: No. It was probablynothing.Sean: If there was something, you'd tell me, right?Jay: Forget it. You're not hearing it from me.Sean: Jay come on. After everything I've been through, I can handle it.Jay: Fine, but I warned you. Alright whileyou were gone, Emma and I kind of fooled around.Sean: You had s*x.Jay: No. No, no, no. I mean not really. It depends how you look at it. I had more than she did.Sean: I can't believe this. You and Emma?Jay: Dudedon't overreact. Look you'd just broken up with Ellie. You and Emma hadn't been a thing for like years. It just kind of happened. Once. You said you could take it.Sean: Just shut up, okay? Shut up.Jay: Man I'msorry.Sean: I said shut up.(Sean walks away angry.)[SCENE_BREAK]At DegrassiEmma: Sean? What are you doing here? Shouldn't you be at work?Sean: Never mind. Did...did you and Jay have a thing lastyear?Emma: Who told you that?Sean: Wrong answer.(Sean tries to walk away, but Emma stops him.)Emma: Sean! It was two years ago. Right after I had a gun pointed at my face. To say I was super duper messed upwould be an understatement.Sean: How could you do that? And with Jay?! The thought of you two together makes me want to-Emma: What happened to \"I won't hold it against you\"?(Sean leaves and Peter walks byEmma.)Peter: Lover's quarrel?At the garage(Sean walks by Jay without saying anything.)Jay: Take it we're not cool?Sean: Don't talk to me.Tony: Jay get on the Lexus. Mr. Lane is my best customer.Jay: Uh you wannahand me that ratchet?Sean: Get it yourself.Jay: Look it was over a year ago man. Just let it go.Sean: I'm not gonna let it go, alright? You took something that was good and you ruined it. Just like you always do.Jay:Right, right make me the bad guy. Alright whatever helps you sleep at night.Sean: You didn't care about Emma. You used her! You took advantage of her.Jay: I didn't take advantage of anybody. The truth is she chasedme dude. She damn near begged me to let her do it.(Sean pushes Jay, he pushes him back and Sean tries to punch him, but misses and hits the wall.)In science classScience teacher: So each group is now holding adifferent part of the human body. I want you to explain in essay form the function of your part.Manny: Well this should be easy.(Emma stabs her pencil into the heart.)Manny: Em! You're killing Johnny Carcass-man! Hisheart's not gonna work with a pencil in it.Emma: I'm sorry. I was imagining it belongs to Sean, who found out about me and Jay from Jay.Manny: Ouch. Hope you had a soft landing when you fell off thatpedestal.(Emma starts stabbing the pencil over and over again into the heart.)Manny: Easy cuckoo bananas! This is one of the few classes that I'm not failing.Emma: What is it with guys and their ridiculous doublestandards? They can do whatever they want, but a girl makes one mistake and her rep is tarnished for life!Manny: Look I know your little visit with Jay in the ravine may not have been on the Emma Nelson highlightrail, but no guy has the right to judge you. Especially Sean.In Mr. Perino's class(Danny and Derek walk into the room.)Mr. Perino: Derek can I uh talk to you a minute?(They go into the hall.)Mr. Perino: Look I just wantto make sure there's no misunderstanding about last night.Derek: Well what you said Mr. Perino...was kind of threatening.Mr. Perino: Derek you're a smart kid. I hate seeing you waste your potential. I was just tryingto motivate you.Derek: More like you freaked me out.Mr. Perino: Look what do you say we just forget it even happened?Derek: Yeah. Yeah I guess.Mr. Perino: Good. Look go in there and knock that presentation out ofthe park, okay?At the garageMr. Lane: You remembered to change the oil?Sean: There's an oil change charge on the bill, isn't there?Mr. Lane: I've noticed a bit of pulling lately. Um how is the tire pressure?(Sean kicksthe tire.)Sean: Seems fine to me.Mr. Lane: Maybe I should talk to your boss.Sean: You have a problem with my work, then you take it up with me. So do we have a problem?Mr. Lane: I have a mechanic with anattitude.(Sean steps up to him threateningly and he takes a step back scared.)Jay: Hey Sean back off! Look I'm sorry sir. His problem, it's with me.Sean: Tell Tony I quit.(Sean leaves and kicks the tool bench over.)InMr. Perino's classDerek: And in late October 1945 the United Nations was formed.Danny: To promote human rights and prevent future world wars.Mr. Perino: Nice job you two. Okay, who's my next victim? Jackson?You ready?(He doesn't say anything.)Mr. Perino: Blank stare. Figures. Did anybody not stay up all night playing video games and looking at nudie pictures on the Internet? Take the zero.Derek: Why do you have to belike that sir?Mr. Perino: Do you have a problem Mr. Higg?(Derek doesn't say anything.)Mr. Perino: I didn't think so. Alright who's gonna butcher another presentation or do I have to keep handing out zeros?Hmm?(Derek takes his bag and walks out of the classroom.)Mr. Perino: Hey! Where are you going?!(Derek starts talking to Mr. Simpson in the hallway.)At Emma's, Sean is packingEmma: Classic Sean. When the goinggets tough, the Sean gets going.Sean: Not much to stick around for.Emma: So the minute you find out I'm not perfect you run away?Sean: Not perfect? I'd say!Emma: Well what do you expect Sean? I'm a real person!In three months I'll be old enough to vote, to legally drink in Quebec. I'm not the girl you knew in grade seven anymore.Sean: What happened to you?Emma: I grew up! Maybe you should try it.Sean: My parents kickedme out when I was twelve, alright? I grew up in a hurry. I needed to, to survive.Emma: All you did was build a wall between yourself and the world, to hide behind!Sean: You let me down. My parents let me down. Theschool system let me down. I'm just saving myself from more.Emma: So all your problems are someone else's fault, right?Sean: It's not my fault you did that to Jay.Emma: And you'll never let me forget it, willyou?(Sean starts walking away.)Emma: Okay little boy, I give up.At the bus station(Sean's ticket falls out of his pocket along with the picture Emma gave him and he watches a couple with their arms around eachother.)Outside Ms. Hatzilakos' office(Mr. Perino leaves angrily and Mr. Simpson walks over to Derek.)Derek: Did he get fired?Mr. Simpson: No, but uh Ms. Hatzilakos is launching an investigation.Derek: I should havekept my mouth shut.Mr. Simpson: No you did the right thing Derek. Ready to give your side of the story?Derek: Is it okay if I'm a little scared?Mr. Simpson: Don't be. Okay I'll be in there with you. Come on.(They goinside and Mr. Simpson looks back at Mr. Perino.)At Emma's houseSean: This isn't supposed to happen.Emma: Didn't have to, but you made it.Sean: When I came back here from Wasaga, Emma...it wasn't for school orto open a garage. It was none of that.Emma: Funny thing is you got what you came for. Then you blew it.Sean: Don't give up on me. Please.Emma: I can't be perfect Sean. I can't be everything you need all thetime.Sean: Good! I want you to challenge me. I want you to call me on my crap.Emma: Sure, but if we're gonna have a real relationship you need to save yourself from yourself sometimes.Sean: I'll ask Tony for my jobback, okay? I'll get my high school equivalency. I'll start looking for my own place.Emma: And what about us?(He kisses her.)Sean: I want to get to know you again Em.Voiceover: In 2007, the series that pushes thelimits is going there again.(A group of guys are shown walking outside. Ellie is shown with Jesse. Marco and Dylan are sitting together.)Dylan: Oh dear.Mia: I trusted you with my daughter!(Manny is crying at a hospitaland Sean is hugging her.)Manny: This is my fault.Sean: It's not.Voiceover: Someone will return.(Craig and Ellie are kissing and Ellie pushes him away.)Ellie: You b*st*rd. It's all gonna be lies!Voiceover: Someone willfall.(Derek looks upset.)Nic: Lakehurst has declared war on your school.JT: You want a war? You got it.(Emma and Sean look at each other, Manny is dancing with some guy, a party is going on, Toby is kissing Mia, Ellieis covering her mouth shocked, Toby is getting punched in the stomach, Jay is getting a drink splashed in his face, Emma is at the party, Nic is kicking someone, Craig is singing with a bloody nose, Emma looksshocked, someone is holding a knife.)Voiceover: And someone will die.Liberty: Somebody help!"}
+{"doc_id":"doc_83","qid":"","text":"Recap 311 \"Utopia\".The quiet of an alleyway is disturbed as the time vortex opens and the Doctor, Martha and Jack appear groaning.MARTHA: Oh, my head!DOCTOR: Time travel without a capsule. That's a killer.Jackcracks his neck before they leave the alley. They walk along a main street taking in their surroundings.JACK: Still, at least we made it. Earth, 21st century by the looks of it. Ha, ha, talk about lucky.DOCTOR: Thatwasn't luck, that was me.Back on Malcassairo, the Doctor uses his sonic screwdriver on Jack's vortex manipulator as he and Martha try and keep the Futurekind out.DOCTOR: Hold still! Don't move! Hold it still!JACK:I'm telling you, it's broken! It hasn't worked for years!DOCTOR: That's because you didn't have me. Martha, grab hold! (Takes Martha's hand and places it on top of the manipulator). Now!They disappear. The Doctor,Martha and Jack are sitting in an area in the middle of a pedestrian-only road.JACK: The moral is, if you're gonna get stuck at the end of the universe, get stuck with an ex-Time Agent and his vortexmanipulator.MARTHA: But this Master bloke, he's got the TARDIS. He could be anywhere in time and space.DOCTOR: No, he's here. Trust me.Looks around and sees Saxon campaign posters plasteredeverywhere.MARTHA: Who is he, anyway? And that voice at the end, that wasn't the professor.JACK: If the Master's a Time Lord, he must have regenerated.MARTHA: What does that mean?JACK: Means he's changedhis face, voice, body, everything. New man.The Doctor notices a homeless man tapping a repeating rhythm on an enamel mug.MARTHA: Then how are we gonna find him?The tapping echoes.DOCTOR: I'll know him,the moment I see him. Time Lords always do.MARTHA: But hold on. (Notices posters). If he could be anyone... We missed the election. But it can't be...The Doctor stands slowly, as does Jack. They walk towards a giantscreen showing the news. Martha follows.NEWSCASTER: Mr Saxon has returned from the Palace and is greeting the crowd inside Saxon Headquarters.The screen shows Saxon walking downstairs with an entourage,Lucy, his wife, at his side.MARTHA: I said I knew that voice. When he spoke inside the TARDIS. I've heard that voice hundreds of times. I've seen him. We all have. That was the voice of Harold Saxon.DOCTOR: That'shim. He's Prime Minister.PHOTOGRAPHER (on screen): Mr Saxon, this way, sir. Come on, kiss for the lady, sir.DOCTOR: The Master is Prime Minister of Great Britain. (Saxon kisses the woman at his side). The Masterand his wife.SAXON (steps forward to speak to the press): This country has been sick. This country needs healing. This country needs medicine. In fact, I'd go so far as to say that, what this country really needs, rightnow... is a doctor.Smiles into the camera.OPENING CREDITSSaxon is walking down a hall in Number Ten, Lucy beside him, clerks handing him files as he passes.CLERK 1: Finance report, sir.CLERK 2: Military protocol,sir.CLERK 3: EC directive, sir.CLERK 4: Annual budget, sir.CLERK 5 : ... recommendations.Saxon stops outside the door to the Cabinet Room.LUCY: I'm so proud of you, Harry.As they kiss, we see Tish Jones walkup.SAXON: Bless.TISH: Uh, sir... If you don't mind me asking... I'm sorry, but it's all a bit new. What exactly do you want me to do?SAXON: Oh yes, what was it, uh...?TISH: Tish. Letitia Jones.SAXON: Tish. Well then,Tish... You just stand there and look gorgeous. (Enters the Cabinet Room). A glorious day. Downing Street rebuilt, the Cabinet in session. Let the work of government begin. (Throws files into the air and the contentsscatter). Oh, go on. Crack a smile. It's funny, isn't it? Albert, funny? No? Little bit?ALBERT DUMFIRES: Very funny, sir, hm. But... but if we could get down to business, there is the matter of policy, of which we have verylittle...SAXON: No, no, no, no. Before we start all that, I just want to say... thank you. Thank you one and all, you ugly, fat-faced bunch of wet, snivelling traitors.DUMFRIES: Yes, quite. Very funny. But I thi...SAXON:No, no. That wasn't funny. (Stands). Hm, you see, I'm not making myself very clear. Funny is like this. (Exaggerates smile). Not funny is like this. (Exaggerates frown). And right now, I'm not like this... (smiles), I'mlike this... (frowns), because you are traitors. Oh yes, you are! As soon as you saw the vote swinging my way, you abandoned your parties and you jumped on the Saxon bandwagon. So... (sits) this is yourreward.Takes a gas mask from under the table and slips it on.DUMFRIES: Excuse me, Prime Minister, do you mind my asking... what is that?SAXON (muffled): It's a gas mask.DUMFRIES: I beg your pardon?SAXON(lifts mask): It's a gas mask.Puts mask back on.DUMFRIES: Yes, but, uh, why are you wearing it?SAXON (muffled): Well, because of the gas.DUMFRIES: I'm sorry?SAXON (lifts mask): Because of the gas.Replacesmask.DUMFRIES: What gas?SAXON (leans back): This gas.The speakerphones in the centre of the table pop up and emit a white gas. The Ministers start coughing and choking. They have no means of escape.DUMFRIES(points): You're insane!Saxon merely raises both thumbs. Dumfries collapses dead onto the table. Saxon, with the mask still on, begins tapping out a rhythm on the table with his fingers.Martha takes the Doctor andJack to her flat.MARTHA: Home.DOCTOR: What have you got? Computer, laptop, anything? (Jack tries to make a call on his mobile). Jack, who are you phoning? You can't tell anyone, we're here!JACK: Just somefriends of mine, but there's no reply...MARTHA: (hands Doctor the laptop) : Here you go. Any good?JACK (takes the laptop): I can show you the Saxon websites. He's been around for ages.Sits at desk.MARTHA: That'sso weird though. It's the day after the election. That's only four days after I met you.DOCTOR: We went flying all around the universe while he was here the whole time.MARTHA: You gonna tell us who he is?DOCTOR:He's a Time Lord.MARTHA: What about the rest of it? I mean, who'd call himself the Master?DOCTOR: That's all you need to know. (To Jack) : Come on, show me Harold Saxon.Martha checks her answering machine.There's one from Tish.TISH: Martha, where are you? I've got this new job. You won't believe it. It's weird, they just phoned me up out of the blue. I'm working for...MARTHA (shuts off machine): Oh, like it matters.Tishis following a reporter, Vivien Rook, through the office, trying unsuccessfully to turn her away.TISH: I'm sorry, but you're not allowed in...VIVIEN: Harold Saxon: A Modern Churchill. It's the definitive think piece on theman himself. (Hands a copy of the article in question to Tish). Oh, come on, sweetheart, you must've read it!TISH: Um, not really, sorry. I'm new.VIVIEN: Mr Saxon does like a pretty face. But I'm here to see MrsSaxon.TISH: You can't just go barging in!Vivien enters the sitting room where Lucy is alone, massaging her feet.VIVIEN: Mrs Saxon, Vivien Rook, Sunday Mirror. (Holds up press card). You've heard of me.LUCY: Oh,can't I just have an hour to myself? It's been a hell of a day.VIVIEN: Oh, strike while the iron's hot, that's what I say, Lucy. I can call you Lucy, can't I? Now, everyone's talking about Harold Saxon, but I thought \"Whatabout the wife?\" All I need is twenty minutes.LUCY: Oh, I think maybe we should wait.Looks nervously to connecting door.VIVIEN: The headline's waiting to print: The Power Behind the Throne.LUCY (intrigued):Really?VIVIEN: Britain's First Lady.LUCY: Gosh.VIVIEN: Front page.LUCY: Oh, well, I suppose... Oh, go on then. Twenty minutes.VIVIEN: Excellent! Thank you! Oh, oh, what was it? Oh, Tish. Now you can leave usalone. Hands Tish her coat.TISH: No, but I'm supposed to sit in.Looks to Lucy.VIVIEN: No, no. It's... it's only a profile piece. You know, hair and clothes and nonsense. There's a good girl. Out you go. That's it. (PushesTish out the door and closes it). Mrs Saxon, I have reason to believe... that you're in very great danger. All of us, in fact. Not just the country, but the whole world. (Lucy scoffs). I beg of you, hear me out.LUCY: Whatare you talking about?VIVIEN: Your husband is not who he says he is. I'm sorry, but it's a lie. Everything's a lie.A campaign commercial for Saxon plays with noteworthy supporters.SHARON OSBOURNE: I'm votingSaxon. He can tick my box any day.McFLY: Vote Saxon! Go Harry!ANN WIDDECOMBE: I think Mr Saxon is exactly what this country needs. He's a very fine man. And he's handsome too.Jack stops the commercial onthe website.JACK: Former Minister of Defence. First came to prominence when he shot down the Racnoss on Christmas Eve. (Turns to Doctor) : Nice work, by the way.DOCTOR: (sitting on couch arm) : Oh,thanks.MARTHA: He goes back years. He's famous. Everyone knows his story. Look. Cambridge University, Rugby blue, won the Athletics thing, wrote a novel, went into business, marriage, everything. He's got a wholelife.VIVIEN: All of it. The school days, his degree, even his mother and father. It's all invented. (Holds up photo). Look, Harold Saxon never went to Cambridge. There was no Harold Saxon. The thing is, it's obvious. Theforgery is screaming out and yet no one can see it. It's as if he's mesmerized the entire world.LUCY: I think perhaps you should leave now.VIVIEN: 18 months ago he became real. This is his first, honest-to-Godappearance, just after the downfall of Harriet Jones. And at the exact same time, they launched the Archangel Network.LUCY: Mrs Rook, now stop it.VIVIEN: Even now they say that the... the Cabinet has gone intoseclusion. I mean, what does that mean, \"seclusion\"?LUCY: How should I know?VIVIEN: But I've got plenty of research on you. Yes, good family, Roedean, not especially bright but essentially harmless. (Sits besideLucy). And that's why I'm asking you, Lucy. I'm begging you. If you have seen anything, heard anything, even the slightest thing that would give you cause to doubt him...LUCY: I think...VIVIEN: Yes?LUCY: There wasa time when we first met, I wondered... But he was so good to my father. And he said...VIVIEN: What? Just tell me, sweetheart.LUCY: The thing is... I made my choice.VIVIEN: I'm sorry?LUCY: For better or for worse.Isn't that right, Harry?Saxon has joined them, leaning on the connecting door.SAXON: My faithful companion.VIVIEN: Mr Saxon. Prime Minister, I-I-I was just having a little joke with poor little Lucy. I, I didn'tmean...SAXON (walks to centre of room): Oh, but you're absolutely right. Harold Saxon doesn't exist.VIVIEN: Then tell me... who are you?SAXON: I'm the Master and these (holds out his hands) are my friends.Foursmall metal spheres appear and float about him.VIVIEN: I'm sorry?SAXON: Can't you hear it, Mrs Rook?VIVIEN: What do you mean?SAXON: The drumbeat. The drums coming closer and closer.The spheres headtowards Vivien spikes now sticking out from their lower halves.SPHERE 1 (female voice): The lady doesn't like us.The spheres advance on Vivien, the spikes spinning.SPHERE 2 (male voice): Silly lady.SPHERE 3 (malevoice): Dead lady.Vivien screams. Lucy and Saxon exit the room and shut the door, deadening the screams. Saxon takes a breath and opens the door. The screams continue. Saxon winces and closes the door. He opensand closes the door again quickly, putting a fist to his mouth.LUCY (sighs): But she knew. Harry, she knew everything. You promised. You said Archangel was 100%.SAXON: Um, 99, 98?LUCY: But if she's askingquestions, then who else? How much time have we got?Saxon holds his arms out and pulls her into a hug.SAXON: Tomorrow morning, I promise. That's when everything ends.Jack is making tea in the kitchen.JACK:But he's got a TARDIS. Maybe the Master went back in time and has been living here for decades.The Doctor is sitting at the desk.DOCTOR: No.JACK: Why not? Worked for me.DOCTOR: When he was stealing theTARDIS, the only thing I could do was fuse the coordinates. I locked them permanently.From Utopia. The Doctor is holding out the sonic screwdriver and the TARDIS console sparks.DOCTOR: He can only travel betweenthe year 100 trillion and the last place the TARDIS landed. Which is right here, right now.JACK: Yeah, but a little leeway?DOCTOR: Well... 18 months, tops. The most he could have been here is 18 months. So how hashe managed all this? The Master was always sort of... hypnotic but this is on a massive scale.MARTHA: I was gonna vote for him.DOCTOR: Really?MARTHA: Well, it was before I even met you. And I liked him.JACK: Metoo.DOCTOR: Why do you say that? What was his policy? What did he stand for?MARTHA (dreamy): I dunno. He always sounded... good. (Fingers start tapping). Like you could trust him. Just nice. He spoke about... Ican't really remember, but it was good. Just the sound of his voice.DOCTOR: What's that?MARTHA (startled): What?DOCTOR: That! That tapping, that rhythm! What are you doing?MARTHA: I dunno. It's nothing. It'sj... I dunno!A tune plays from the website. \"SAXON BROADCAST ALL CHANNELS\" appears onscreen.DOCTOR: (turns on the TV) : Our lord and master is speaking to his kingdom.Onscreen Saxon is sitting in front of theornate fireplace in the Cabinet Room.SAXON: Britain, Britain, Britain. What extraordinary times we've had. Just a few years ago, this world was so small. And then they came, out of the unknown, falling from the skies.Clip from ALIENS OF LONDON. You've seen it happen... Big Ben destroyed, a spaceship over London. Clip from ARMY OF GHOSTS. All those ghosts and metal men. Clip from RUNAWAY BRIDE. The Christmas star thatcame to kill. Time and time again the government told you nothing. Well not me. Not Harold Saxon. Because my purpose here today is to tell you this... citizens of Great Britain... I have been contacted. A message, forhumanity, from beyond the stars.Nods to someone off camera. A video plays of one of the spheres delivering the message.SPHERE (female voice): People of the Earth, we come in peace. We bring great gifts. We bringtechnology and wisdom and protection. And all we ask in return is your friendship.SAXON: Ooh, sweet. And this species has identified itself. They're called the Toclafane.DOCTOR: What?!SAXON: And tomorrow morningthey will appear. Not in secret, but to all of you. Diplomatic relations with a new species will begin. Tomorrow, we take our place in the universe. Every man, woman and child. Every teacher and chemist and lorry driverand farmer. And every... oh, I don't know... medical student?The DOCTOR whips around to look at Martha before turning the TV around to find a bomb ready to go off. The Doctor grabs the laptop as they rush out intothe street just as the front window of her flat explodes.DOCTOR: All right?JACK: Fine, yeah, fine.DOCTOR: Martha? (Martha is using her mobile). What are you doing?MARTHA: He knows about me. What about myfamily?DOCTOR: Don't tell them anything!MARTHA: I'll do what I like! Mum? Oh my God, you're there.FRANCINE: Course I'm here, sweetheart. You all right?MARTHA: I'm fine. I'm fine. Mum, has there been anyoneasking about me?We see Francine is not alone. The same blonde woman from \"42\" is there listening in on the conversation.FRANCINE: Martha, I think perhaps you should come 'round.MARTHA: I can't! Notnow!FRANCINE: No, but it's your father. We've been talking and we thought we might give it another go.MARTHA: Don't be so daft! Since when?FRANCINE: Just come 'round. Come to the house, we cancelebrate.MARTHA: You said you'd never get back with him in a million years.FRANCINE: Ask him yourself.Hands phone to Clive.CLIVE: Martha, it's me.MARTHA: Dad? What are you doing there?CLIVE: Like your mothersaid, come 'round. We can explain everything.MARTHA: Dad? Just say yes or now. Is there someone else there?CLIVE (pause) : Yes! Just run!Gets up and heads for the door.FRANCINE: Clive!CLIVE: Listen to me! Justrun! (Is grabbed by two men). I don't know who they are!FRANCINE: We're trying to help her! Martha, don't listen to him!MARTHA: Dad! What's going on? Dad?Francine and Clive yell at each other as he is taken out ofthe house.MARTHA: I gotta help them!Runs to her car.DOCTOR: That's exactly what they want! It's a trap!MARTHA: I don't care!The Doctor gets into the front passenger seat while Jack takes the back. Clive is fightingas he's being taken to the waiting van.CLIVE: Get off! (Neighbours look to see what's going on). It's your fault, all of you! You voted Saxon! You did this!Francine watches from the front door. Martha drives recklesslydown the road.DOCTOR: Corner!Martha takes the corner tightly, tyres squealing.SINISTER WOMAN: Mr Saxon, we have Condition Red on the Jones plan. We're taking them in. All of them.A man grabs Francine by thearms.FRANCINE: But I was helping you!Martha is waiting for a call to connect on her mobile.MARTHA: C'mon, Tish. Pick up.Tish is walking downstairs at Number 10.TISH: Martha, I can't talk right now. We just madefirst contact. Did you see... (Two men take her by the arms and carry her backwards up the stairs). What are you doing?! (Drops phone). Get off! Linda, tell them!Martha, Jack and the Doctor hear it all.MARTHA: What'shappening?! Tish! (Glances at the Doctor). It's your fault! It's all your fault!FRANCINE: I was helping you! Get off me! (Martha comes around the corner and stops the car). Martha, get out of here! Get out!SINISTERWOMAN: Target identified.The police take position.DOCTOR: Martha, reverse.SINISTER WOMAN! Take aim...The police aim their weapons at the car.DOCTOR: Get out, now!Martha reverses into a 3-Point turn.SINISTERWOMAN: Fire!The police open fire.JACK: Move it!As they take off down the road, bullets shatter the rear window.SINISTER WOMAN: Take them away.Francine and Clive are locked away in the van. Francine watches herdaughter escape.MARTHA (upset and sarcastic): The only place we can go... planet Earth. Great.DOCTOR: Careful!JACK: Now, Martha, listen to me. Do as I say. We've gotta ditch this car. Pull over. Right now!Theyleave the car and head off on foot.DOCTOR: Martha, come on!MARTHA (on mobile): Leo! Oh, thank God! Leo, you gotta listen to me. Where are you?Leo is walking along a promenade with his girlfriend and theirson.LEO: I'm in Brighton. We came down with Boxer. Did you see that Saxon thing on telly?MARTHA: Leo, just listen to me. Don't go home, I'm telling you. Don't phone Mum or Dad or Tish. You've gotta hide.LEO(unbelieving): Shut up.MARTHA: On my life. You've gotta trust me. Go to Boxer's. Stay with him. (We see SAXON listening in from the Cabinet Room). Don't tell anyone! Just hide!SAXON: Ooh, a nice little game ofhide-and-seek. I love that. But I'll find you, Martha Jones. Been a long time since we saw each other. Must be, what, one hundred trillion years?MARTHA: Let them go, Saxon. (The Doctor wheels about). Do you hearme?! Let them go! Saxon only smiles.DOCTOR (takes the phone from Martha) : I'm here. SAXON (serious, takes phone off speaker) : Doctor.DOCTOR: Master.SAXON: I like it when you use my name.DOCTOR: Youchose it. Psychiatrist's field day.SAXON: As you chose yours. The man who makes people better. How sanctimonious is that?DOCTOR: So... Prime Minister.SAXON: I know. It's good, isn't it?DOCTOR: Who are thosecreatures? 'Cause there's no such thing as the Toclafane. It's just a made-up name like the Bogeyman.SAXON: Do you remember all those fairy tales about the Toclafane when we were kids? Back home. Where is it,Doctor?DOCTOR: Gone.SAXON: How can Gallifrey be gone?DOCTOR: It burnt.SAXON: And the Time Lords?DOCTOR: Dead. And the Daleks... more or less. What happened to you?SAXON: The Time Lords onlyresurrected me because they knew I'd be the perfect warrior for a Time War. I was there when the Dalek Emperor took control of the Cruciform. I saw it. I ran. I ran so far. Made myself human so they would never findme because... I was so scared.DOCTOR: I know.SAXON: All of them? But now you, which must mean...DOCTOR: I was the only one who could end it. And I tried. I did. I tried everything.SAXON: What did it feel like,though? Two almighty civilizations burning. Oh, tell me, how did it feel?DOCTOR: Stop it!SAXON: You must have been like God.DOCTOR: I've been alone ever since. But not anymore. Don't you see, all we've got is eachother.SAXON: Are you asking me out on a date?DOCTOR: You could stop this right now. We could leave this planet. We could fight across the constellations if that's what you want. But not on Earth.SAXON: Toolate.DOCTOR: Why do you say that?SAXON:: The drumming. (Drums fingers on table). I thought it would stop but it never does. Never ever stops. Inside my head, the drumming, Doctor. The constantdrumming.DOCTOR: I could help you. Please, let me help.SAXON: It's everywhere. Listen, listen, listen. (Taps table). Here come the drums. Here come the drums.A man leaning on a building by the Doctor begins"}
+{"doc_id":"doc_84","qid":"","text":"(Camera focuses on the water. Faces can be seen in the background, Derek looking into the tub, Cristina poking out from around her locker, Bailey in the ambulance bay, George at the crash scene, Alex with Jane Doe,Izzie with Rick, Ellis in her hospital bed, and Lisa walking away from the dock)MVO: Like I said disappearances happen. Pains go phantom, blood stops running, and people fade away.(Meredith is swimming and fighting.She emerges from the water and is trying to surface.)MVO: There's more I have to say. So much more. But I've disappeared.(Meredith sinks into the water and the water calms as bubbles appear)(Cristina is at anurse's station.)Nurse Kate: Did you check on Kramer in 2309 because his x-rays are done and I don't know what to do?Tyler: Higgins in 2312 needs diet orders before...Cristina: Done and done. I need you to monitorCollins in 2323. Page me if his systolic drops below 90. I gave him a low dose of dig to lower his heart rate. And have either of you seen Dr. Grey?Kate: Uh, I checked on her earlier but she's a little sedatetoday.Cristina: Not Dr. Ellis Grey. Dr. Meredith Grey.Kate: No.Tyler: Not since this morning.Cristina: Fine. Um, if there's anything emergent page me in the pit.(Carly's OR)Carly: George, did you find him? Is Chris ok? Ishe awake? Is he...?Bailey: Answer Mrs. Height, O'Malley.George: Chris is fine. He's glad you're ok and he'll be waiting for you after surgery. He's being very braveCarly: That's my Chris. That's my boy. Thank you, Dr.O'Malley. Thank you so much.(George goes to leave and Bailey walks with him)Bailey: Dr. O'Malley. Hold up a second. What happens when the happy mother in there wakes up and her son isn't there to greet her? Whatthen? How you gonna explain that? O'Malley?George: If she wakes up after surgery because of my lie, I'm ok with that Dr. Bailey.Bailey: Find that child.George: Yes, ma'am.(Jane Doe's room)Richard: Her echo'sshowed cardiac tamponade.Burke: So out first priority is stabilize the traumatic pericardial infusion.Addison: Keeping mom alive means keeping baby alive. I'll monitor the surgery while he operates.Burke: I'll notify theOR.(Burke leaves as Alex enters)Alex: Chief, we've got a mob scene in the clinic of people looking for missing family members and nothing but a two hour old list of patients.Richard: No one has any more informationthan you do. The police are asking us questions. Search and rescue can't track it. Well have to do it ourselves.Alex: Is there some kind of system that...?Richard: You're the system, Karev. Figure it out.(Richardleaves)Alex: How's she doing?Addison: Well, we won't know until we get her up to the OR. She's still a Jane Doe?Alex: Yeah.Addison: To be in that condition and have no one that even knows.Alex: What?Addison: She'sall-alone. It makes you think. I mean, if I went missing would anyone even know I was gone.(The accident scene)Friend: Do something.Izzie: He's still seizing, there's nothing more I can do.Vince: You're supposed toput something in his mouth so he can't bite his tongue. Aren't ya?Izzie: Nobody's putting anything in his mouth. We just have to just him ride it out.Vince: What are you gonna do? You can't just let him die.Izzie:They're gonna come soon, in a little while, and they'll get him out.Vince: You said we don't get much time.Greg: What if they don't get him out from there before he...Izzie: I don't know. I don't know, ok? I don'tknow.Vince: Please, you can't quit on us now. You just...you just gotta try something else.Izzie: I'm out of practice. I've been watching. For weeks, I've just been watching. And I...I'm sorry. I'm sorry.Vince: Youstopped the bleeding, that was good. Come on please. I...I know this guy. I believe in him. I believe he can make it. You gotta believe in it too. You gotta believe you can do this, please. Don't stop now.Izzie: Who's gota cell phone?(All three of them hand their cell phones to Izzie)(Derek is walking through the trauma scene)Derek: You guys good? You ok? Yeah, what do you got?Paramedic: Severely severed leg but he's got his arterytied off so...something.Derek: Yeah, who tied off the artery? (He looks at the coat on the business man and sees Meredith's name badge) Dr. Grey? This is her jacket.Paramedic: We found him like this. She must havemoved on.Derek: Yeah, ok.(Derek looks up and sees Lisa standing there all-alone.)Doctor: Doc?Derek: Yeah. What is it? Just stabilize the fracture and get him to the hospital as soon as possible. (He makes his wayover to Lisa) Hi. You ok? Did a doctor bring you here? Huh, Meredith? Meredith ok?(Lisa shakes her head no and the scene changes to Meredith under water. She is no longer swimming or struggling in any way. She ismerely sinking.)(George is in the clinic with the picture of Chris. He is walking around looking at the boys in the room. He stops at one little boy)George: Hi, my name's George. Is your name Chris?Boy: No.George: (Tothe man nearby) Is he...? Thank you. (To the boy) Thank you, very much.(George leaves the clinic as Alex enters. The people see Alex entering and flock to him.)Man: Do you have a new list?Alex: Uh, not yet.Man:Nothing? How can there be no new information?Angry Lady: Isn't there someone you can call? Someone who knows something.Alex: Uh, nobody knows anything right now. (The crowd begins yelling at Alex) Quiet! Allright, that list is all I have for you and it sucks but that's it.(The crowd is yelling again)Angry Lady: I can't believe you don't have some kind of a system. I mean...Alex: Give me a minute to think, I'll come up with adamn system.(The crowd disperses with the attitude that Alex should be more understanding)Sydney: I just want you to know that I understand you're under a lot of pressure. If you...if you just need to sit for aminute, or if you need a hand, or a hug.(Alex sees a Polaroid camera on the counter. He takes it and walks off. Sydney looks like she feels very useless)(Richard is in the gallery above Jane Doe's surgery when his cellphone rings)Richard: Chief Webber.Izzie: Oh, chief, I gotta guy here and we can't extricate him...Richard: Hold on, who is this?Izzie: ...and I've tried everything...Richard: Hold on. Who is this?Izzie: It's Izzie Stevens.I'm at the dock. I've got a patient with a depressed skull fracture and probably an inter-cranial bleed.Richard: Is he showing signs of increased pressure?Izzie: Yes, his left pupil is blown, he's gone limp, he's seizing andnow his right pupil is dilating.Richard: He could be herniating. What's your ETA to the hospital.(Richard is now in the hallway)Izzie: That's what I'm saying, we can't get him out. He's stuck under a car and we can't gethim out.Richard: Ok, first you've got to stay calm.Izzie: I can't stay calm. Calm was over minutes ago, calm is gone, calm is an impossibility. I've got his best friends here and I can't let him die. So, please just tell mewhat I need to do.Richard: You need to do some burr holes.Izzie: Burr holes? I can't do burr holes out here.Richard: Do you want to save his life, Stevens?Izzie: Yes.Richard: All right, I need a minute to checksomething out in the book and then I'll talk you through it.Izzie: You're looking it up in a book?Richard: I'm not a neurosurgeon, Stevens. And I want to make sure we get this right. (Loudly to the people around him)Somebody find me a copy of Boardman's Neurosurgery.(Mark walks up)Mark: Everything ok?Richard: You know anything about making burr holes?Mark: Done it a couple times.Richard: Good, don't go anywhere.Stevens, listen to me.Izzie: (To Vince and his friends) I'm gonna need a drill.Vince: There's one in my truck.Friend: What do you need a drill for?Izzie: I've gotta drill holes in your friend's head.(Vince and his friends alllook at Izzie like she is insane. Izzie looks rather nauseous.)(George is in the ER looking for Chris. He is looking over, under and behind everything. He looks behind the curtain that is near Cristina.)Cristina: Hello, I'msuturing here.George: Sorry.Cristina: You just get back?George: Yeah. Um, I'm looking...have you, uh, seen any lost children down here?Cristina: Is Meredith back too? Cause I need her it's really important. This kidsmissing, his mom's in surgery.Cristina: What kind of surgery?George: This kids lost. You didn't see it today, Cristina. You weren't out there.Cristina: I know.George: Have you seen any lost kids down here, ornot?Cristina: Not.George: Ok.Cristina: Do you know where Meredith is?George: I'm leaving.Cristina: Yeah, I know.(Alex is in the clinic tacking polaroids of the injured to the bulletin board)Alex: All right, if you canidentify the patient, please write their name on their picture.Sydney: I've got markers.Alex: These patients are in surgery and these patients are in the ICU.Man 2: This is Patina. Is she ok?Alex: Uh, yeah. She's in theOR, stable. Ok, all these people have been transferred from other hospitals.Sydney: And I have the details.Alex: (To Sydney) If it's ok, I've gotta a case I need to check on.(Alex starts to leave and is stopped by AngryLady)Angry Lady: My husband's not on that board.Man: Kelly Winters, she's not either.Angry Lady: What does that mean?Alex: It's...it's...they could be in shock or walked away from the site or...Angry Lady: Just sayit. A lot of people died. They're dead.Alex: We don't know that.Man: So, how can we know?Man 3: My wife? She wasn't in these photos either but she's pregnant. Is it possible you just didn't see her?Alex: She'spregnant?(Lisa and Derek are at the scene. She looks very frightened and is trying to look around for some familiar landmark or person. Derek is holding her hand.)Derek: What? It's ok. Just think. Where is she? Whichway did she go? It's ok. Take your time. Take all the time you need, you're doing great. What is it?(Lisa spots a red cross sign and walks toward it)Derek: Good.(They stop on the dock. Lisa stares out into thewater.)Derek: Ok, use your words. Where exactly is Meredith.(She points into the water and Derek looks terrified)(Meredith is still sinking and then the scene changes to Jane Doe's surgery)Burke: The leak in the heartis coming from the right atrium.Addison: Are you gonna put her on bypass cause that could compromise the baby.Burke: No, I can fix her heart while it's still beating. Push 40 milligrams of abizonole.(Alex enters)Alex:Found her husband. I found him. She's not a Jane Doe. Her name's Casey. Casey Clarke. (Addison gives him a look) What?Addison: How do you know?Alex: What?Addison: How do you know it's Casey Clarke?Alex: Wellshe's pregnant and...Addison: There were hundreds of people on that ferry, Alex. Hundreds. And chances are that more than one were pregnant. Now, do not give that man hope unless you are certain. Do not give himhope until you've checked every last body in the morgue.Alex: Dr. Burke can I, uh...(He holds up the camera)Burke: Yes, make it fast.(Alex leaves)Addison: I gotta tell ya, this group of interns...Burke:Emotional.Addison: Head strong.Burke: Hot headed, stubborn, they think they know everything. And you can only give them so much rope before they hang themselves with it. It's like they lose all rationality. Theywon't listen to reason.Addison: Geez Preston, don't hold back.(The monitor starts beeping)Addison: It's getting hypotensive. All right, I'm seeing some late decels in the fetal heart monitor. Baby is not getting enoughblood.Burke: Almost...just got one...more stitch. Got it, turn on the Echo.Addison: Baby's heart rate stabilized.Burke: Hmm, think we've seen the worst of it.(Alex enters the stairwell where George is squatting andlooking at a map of the hospital)Alex: What's the deal?George: Do you know how massive this hospital is? How many people, not just sick people, not to mention, if I'm a little kid, how many places can I hide. He'slittle. A little kid could hide anywhere.Alex: What you're looking for a kid?George: Yeah. His mom's in surgery and I um...if I don't find him Bailey will...well to start she'll change her son's middle name to Elvis orTupperware or...I'm not kidding, anything will be better than George.Alex: I know a place a kid might be.George: Really.(George and Alex are in the morgue. Alex is taking pictures)George: You could have warnedme.Alex: You didn't check down here, right?George: No.Alex: So, stop whining and tell me if you find a pregnant chick. You know, you're not the only one with a detail that sucks. You know, I'm supposed to deal withthese freaked out families. I'm not good with people; they should just let me stick to patients.George: Patients are people, especially kids.Alex: You know what I mean.George: He's face down. How does that...? Comehere and help me turn his body right.Alex: Dude.George: Don't tell me it doesn't matter. God, I swear to...Alex: Dramatic much?George: This doesn't bother you? Any of this? All this death, it doesn't mean anything toyou?Alex: I'm working, why would it?George: Yeah but I was working when...Caucasian female about 30 years old. She's...she's pretty. She looks about 7 months pregnant.(Alex takes a picture)(The scenes, Greg isholding the phone up)Richard: Now remember Stevens that drill just isn't going to stop like a neurosurgical drill. So, as soon as you feel the release in pressure, stop the drill or you'll pierce his brain.Izzie: Even if I don'tsee blood?[SCENE_BREAK](Mark and Richard are in an x-ray room)Mark: Trust your instincts Stevens, trust the feel of it.Izzie: I'm ready. No, wait, I need to clean the drill off, one more time.Richard: You've cleaned ita dozen times Stevens, it's as clean as it's gonna get. You ready?Izzie: Yes.Richard: Ok, place three fingers above the ear and two or three fingers in front of that on the side where the first pupil blew.Izzie: Gotit.Richard: All right, now use the scalpel to make a vertical scalp incision down to the skull.Friend: Jeez.Izzie: I see a lot of blood, a lot.Mark: Superficial bleeders, nothing to worry about.Richard: Are you at theskull?Izzie: Yes.Richard: Drill a hole in the middle of the incision.(Friend hands her a power drill)Vince: Oh, god.Izzie: Ok, that can't happen. Do you understand me? Sounds can't happen. Freaking out can't happen.Because if you freak out, I'm gonna freak out. And I'm the one holding a power drill to your friend's brain. So, if you're gonna vomit, if you're gonna make sounds, step away. If you're gonna stay here you have to pull ittogether, ok?Vince: I'm good, doc.Izzie: Ok, I'm ready.Mark: The temporal bones only gonna be a couple millimeters thick.Izzie: Ok, I'm in. But the dura looks fine.Richard: You're gonna have to go in again.Izzie:Frontal lobe, right?Richard: That's right. Just behind the hairline, a few centimeters off the midline.Mark: This bone will be thicker, about five times as think as the temporal bone.Izzie: Ok, got it. Second holedown.Mark: What do you see?Izzie: I think I see...blood. I see blood.Richard: Ok, now this is important. Drill around the hole to expand the opening. You have to try and relieve the pressure.Izzie: Ok. Ok. The hole isabout 2 centimeters around now. I see blood, I definitely see blood.Richard: Try to evacuate as much of the clot as you can.Izzie: With what? I don't have suction.Mark: Use your finger, gauze, anything.Izzie: I seeclotted blood.Richard: No arterial?Izzie: No.Richard: Good, now how does the dura look? Is it bulging or does it look lax?(Mark and Richard both look proud of Izzie)Izzie: Looks like it's pulsating regularly with theheartbeat. That's another good, right?Richard: That's great, Stevens. If it's pulsating that means blood and oxygen are entering the brain. Now, pack it with gauze so you can minimize the bleeding.Izzie: Ok, get therescue rig in here.Richard: Nicely done, Stevens.Vince: Is that it, is he gonna be ok?Izzie: We've relieved the pressure on his brain but he's still got a lot of other injuries.Friend: Hey, his eyes are open.(They all have amoment of relief)(Lisa is standing on the dock staring into the water when a coast guard officer walks up)Coast Guard: Hey kid! Kid! You ok? You need to come with me. Kid?(He picks Lisa up and starts to carry heraway. As he is walking you hear coughing and then Derek walks onto the dock with a very blue and very, very lifeless Meredith in his arms)(Derek is in the ambulance performing CPR on Meredith)Derek: 1, 2, 3, 4,5...1, 2, 3, 4, 5.Paramedic: ETA's five minutes.Derek: 1, 2, 3, 4, 5...1, 2, 3, 4, 5.(Derek continues CPR with no response from Meredith)(George enters Carly's OR)George: How is she doing?Bailey: Good, no intestinaldamage. Missed all her vital organs, she's almost done here. You find her son?George: I've looked everywhere. I've been in contact with the scene, with Mercy West, with Seattle Presbyterian, I've checked in the...he'slost. Or...Or, uh.Bailey: He's in the water. So, when she wakes up I get to inform her that she's not going to die, she's just gonna want to die.George: I'm sorry, I'll...I'm gonna keep looking.Bailey: Yeah, you dothat.(Izzie arrives at the hospital with Rick in the ambulance. Richard rushes out to greet her.)Izzie: His right pupils not dilating anymore. He's normal tensive but his pulse is still up in the 130's.Richard: Ok, what's hisneurological status?Izzie: GCS is eight. I'm sorry, I ran out of sterile drapes, I had to use some guys t-shirt. It wasn't sweaty or anything, he was a clean guy but...Richard: Ok, call the OR, tell them we're comingup.Izzie: I also dropped the scalpel in the field and by that time I had used all the alcohol swabs on the drill bit. So, I think we should load him up on antibiotics. Lots and lots of antibiotics.Richard: Stevens, you put adrill through a man's skull and didn't hit his brain. You saved his life. Get cleaned up and get to the OR, you've got work to do.Izzie: The OR?Richard: Yes, the OR, you're officially off of probation.(Izzie passes Cristina inthe hall)Izzie: Oh, Cristina! Oh my god, you are not gonna believe what I just did. I'm gonna tell you but you are not gonna believe it. You're gonna think I made the whole thing up.Cristina: You're back? Wait, isMeredith back?Izzie: I drilled a hole into this guy's skull.Cristina: What?Izzie: Several holes actually, with a drill I borrowed from a guy named Vince. Packed the whole with freaking tissue then brought him back hereand now I get to scrub in on his craniotomy.Cristina: So, you haven't seen Meredith.Izzie: It was like a ride, this crazy roller coaster ride with like adrenaline shooting out of my ears. You think that my hands would beshaking but they weren't, there was no shaking. Did I mention the drill?Cristina: Ok, Izzie, I get it. You are a hero, I am jealous. But I need to know where the hell Meredith is.Izzie: Ok...I don't know where the hellMeredith is but...she should be back here. I didn't see her at the scene. The scene where I was a rockstar, by the way. Did I mention I'm off probation?(Izzie starts to walk away and Cristina gives her a look)Izzie:Rockstar!(Alex is in the clinic and has the pictures of the dead people from the ferry accident)Alex: These photos are fatalities. I know it's difficult but please try to ID who you can.(The people go to the board and slowlytake the pictures of their loved ones. Alex is finally touched by the situation)(Rick's OR)Mark: We've agreed to let you do the honors. A few more burr holes to start the craniotomy.Izzie: Really?Mark: You saved his life,you might as well help finish what you started. After I strip off the periosteom you can see what a high-speed neurosurgical drill feels like.Izzie: Drill, please.(Izzie holds the drill smiling)(Alex is in the clinic and sees thedevestation of the crowd. He looks around and understands all of it finally. He walks up to the husband of the pregnant woman)Man 3: I have...we have two pregnant women. One of them is...she's in bad shape. She'spretty beat up. She might be hard to recognize.Man 3: That...I don't know. What color's her hair?Alex: Brown, reddish.Man 3: My wife is blonde, brownish but blonde.Alex: Well sometimes the blood makes it lookdarker like that, red. I know you can't tell from the photo but her eyes their pretty distinctive.Man 3: Casey's eyes are very distinctive.Alex: Brown but not that really dark, dark brown but golden and really warm.Man 3:It's not her. Casey's are blue, very, very blue.Alex: I'm sorry.Man 3: I thought you said you...had two pregnant women.Alex: Yeah, we um...the other one is um...she's...Man 3: Oh, god...oh no...Casey. Oh, Casey.(Alexsees the loss around the room)(The ambulance with Derek and Meredith arrive and Bailey is in the ambulance bay to get it)Bailey: What do we got?Paramedic: Jane Doe, hypothermic, drowning.Derek: She's not JaneDoe, it's Meredith Grey. It's Meredith.Bailey: Derek! Derek, Derek, how long she been down?Derek: I don't know. She's alive, she's alive.Bailey: Derek!Derek: She's alive.Bailey: Ok, look. I need you to help me get herinside. (Loudly) Clear a trauma bay, stat! Move it!(Burke walks up to Cristina who is in the ER still doing sutures)Cristina: How was your surgery Dr. Burke?Burke: Well, the patient is out of the woods now, Dr. Yang.Thanks for asking.(Cristina yanks the stitch she is doing)Patient: Ow!Cristina: You're numbed.Patient: Whatever. It looked harsh.Cristina: (To Nurse) Here, finish this please.(Cristina walks into an empty room and"}
+{"doc_id":"doc_85","qid":"","text":"VERONICA VOICEOVER: Previously on Veronica Mars... Veronica pops her head around the door of Keith's new office in the sheriff's department in 315 \"Papa's Cabin.\" Cut to the Mars residence and Veronica makingdinner as Keith arrives home.VERONICA: So it's true what they say. There's a new sheriff in town?KEITH: Until the special election, anyway.Cut to Mac and Bronson on his doorstep in 310 \"Show Me the Monkey.\"MAC:Do you like movies?BRONSON: Let's go.Cut to moments later as Mac surprises Bronson with a kiss. Cut to Veronica and Piz in the Food Court at Hearst College.PIZ: I know what I like. Why waste my time?VERONICA:Like, why bother with something not good just because it's something?Logan catches Veronica outside Tim's office in 315 \"Papa's Cabin.\"LOGAN: You know, I was thinking of asking Parker out, and I wanted to makesure it was cool with you. She puts on a brave face.VERONICA: Of course. Thank you for asking.LOGAN: Sure. I know we're friends.Veronica nods.VERONICA: Yeah. Veronica points to Tim's office.VERONICA: See ya.And good luck. End previously.INT - HEARST COLLEGE, FOOD COURT - DAY.Veronica is standing in a queue. She's pensive, playing with a strand of hair. There are three couples in front of her in the queue between herand the person at the front of it -- Logan.SERVER: What can I get you?LOGAN: Uh, coffee with cream.Logan looks back at Veronica. He turns back to the woman at the counter.LOGAN: Actually, could I get a couple ofthem?SERVER: Sure.She hands him the coffees.LOGAN: Thank you. Logan walks back to the end of the queue.LOGAN: Here. He slips one of the cups into her hand, almost surreptitiously.LOGAN: I hate to think of youunder-decaffeinated. She smiles as she takes it.VERONICA: Danke. They walk away from the counter together.VERONICA: It's 8am. Shouldn't you be in a wet suit somewhere? He shrugs and grins.LOGAN: Early PolySci.VERONICA: And you're actually going?LOGAN: Yeah. I even bought this amazing pen that accents text in neon colours.Veronica gasps exaggeratedly.VERONICA: A highlighter!LOGAN: Lots of advancements sincethe last time I buckled down. How 'bout you?VERONICA: Uh, \"Violence in Early Adolescence.\"LOGAN: Ah. Need me to autograph your textbook?VERONICA: Thanks, but...Veronica trails off and points to hercoffee.VERONICA: So, what do I owe you for the cup of joe?LOGAN: Nah, just pay-it-forward.Logan hesitates briefly before hurrying on nonchalantly.LOGAN: Hey, by the way, I'm throwing a birthday party for Parkerthis weekend. I was studying up; I watched My Super Sweet 16. Which reminds me, you don't know where I can get a dozen eunuchs, do you?VERONICA: Not offhand. I could make some calls.Veronica fakes a laugh tokeep up the mutually casual banter in which they are indulging.LOGAN: Hmm. Well, if you're not busy, I know she'd really like you to be there. We both would. Think about it. Logan walks away, leaving Veronica staringafter him.INT - MARS INVESTIGATIONS - DAY.The fish are swimming happily in the tank in Keith's office. Veronica finishes feeding them and walks back to Keith's desk. She checks some papers on which she is working.Footsteps sound in the outer office and an Arab woman, Sabirah Krimani, appears at the open door.SABIRAH: Is Mr. Mars in?VERONICA: No, sorry. We've shut down for a while.The woman is disappointed.VERONICA:You own Babylon Gardens, don't you? She nods.VERONICA: My dad and I get takeout there all the time. I went to high school with your daughter. Sabirah Krimani steps forward, disinterested in small talk.SABIRAH:Our restaurant was vandalised. Rocks through our window. They spray-painted \"Terrorist\" on our door. Is there someone who can help us? Veronica's eyes glint with determination and she smiles.VERONICA: I believethere is.INT - THE BREAK - NIGHT.The Break is a busy bar with loud music playing. The most prominent sign in the bar besides the one declaring the bars name is a notice declaring Thursday nights as \"College Night.\" Ayoung man is slumped at the bar counter. A hand pushes a pad of paper and a pen at him.MURPHY: Jimmy! The boy doesn't move. The bar owner, Mr. Murphy, slaps his arm to rouse him.MURPHY: Hey, your tab. Hey,come on. Jimmy lifts his head up.MURPHY: Sign it and hit the road. Jimmy grabs the pen and pad and signs it. He grabs the nearly empty glass of beer in front of him and drains it as he slides off the barstool. He pusheshimself away from the bar as Murphy collects the pad.EXT - THE BREAK - NIGHT.Jimmy staggers outside and crosses the road without looking. A car honks his horn, but Jimmy's slow and only action is to hold up hishands in front of his face. The screen whitens in the glare of headlights to the sound of the sickening thud as the car hits him.EXT - BABYLON GARDENS - NIGHT.From inside the restaurant, Sabirah turns the sign on thedoor from \"Come in, we're open\" to \"Sorry, we're closed.\"VERONICA VOICEOVER: Tomorrow I'll set the cameras. Tonight it's the old-fashioned stake-out. Veronica is in her car, parked opposite the restaurant on theother side of the street, watching the front of the building.VERONICA VOICEOVER: I took this case so I wouldn't have time to dwell on Parker's birthday party and now, here I am, sitting in a car with nothing but a wholelot of dwelling time on my hands. Veronica jumps slightly at the soft knock on the passenger side window made by the girl who has appeared at the side of the car. She looks over at the intruder and rolls down thewindow. The girl leans into the car.AMIRA: Veronica Mars? VERONICA: Amira. Long time, no see. AMIRA: Yeah. Like since my senior year, when you made my Pirate Points worth less. VERONICA: Wow. Good memory.The two girls share polite smiles.VERONICA: I heard you were at Hearst, but I haven't seen ya.AMIRA: Yeah, different circles, I guess. What are you doing out here?VERONICA: Your mom hired me to watch the place incase there are any more...incidents.Amira laughs in disbelief.AMIRA: My mom hired you? Veronica nods.VERONICA: Yep.AMIRA: Have a blast.Amira backs away from the car and Veronica closes the window with thetouch of a button.INT - THE BREAK - NIGHT.The bar is now empty but for Murphy, who is cashing up, and Keith who approaches the bar counter.KEITH: I just got off the phone with County. The kid's never going towalk again. Any idea what a nineteen-year-old was doing drinking in here?MURPHY: His ID said he was twenty-one.KEITH: Yeah, I saw it. It also said he was six three, two twenty, and blond.Murphy shrugs helplessly ina \"What you gonna do\" way. Keith is unimpressed.EXT - BABYLON GARDENS - NIGHT.The door of the restaurant bursts open and a man comes out, followed by Sabirah. This is Rashad, Sabirah's husband and Amira'sfather. He waves at Veronica in her car across the street, beckoning her. As Veronica opens the door to get out, he shouts to her.RASHAD: You can go home now. We will pay for the time that you put in. Veronicastrides towards them..RASHAD: But I can handle it myself. It was a mistake for my wife to hire you.SABIRAH: It was not a mistake.Veronica stands before them, a little uncomfortable as they argue.SABIRAH: You fallasleep out here in your car. You work too hard to be able to stay up all night.RASHAD: This is the Mars girl. Her father is the acting sheriff. Have you thought about Nasir? Besides, this is no job for a girl, a classmate ofAmira's.Amira is also outside, watching the debate quietly.SABIRAH: What choice did I have? I knew you would react this way. Surprise. In the street, there's a loud shout and the sound of a fast-approaching engine.Veronica looks up and to her left to see a yellow pick-up truck bearing down on them. A couple of the occupants are standing in the back, aiming at them with sights that have lights on them. Operatic-like music swells.Shots are fired. A laser sight and a splurge of red appears on Rashad's chest as he staggers at the impact. Sabirah screams. Amira turns to run but is hit in the back. Veronica dives out of the way of the speedingvehicle, landing hard on the pavement. Veronica looks down at her coat. She's been hit by yellow paint. She glares at the departing truck. Opening credits.INT - BABYLON GARDENS - NIGHT.Now inside the restaurant,Veronica groans at the pain in her shoulder where she was hit by the paintball. Amira passes behind her, staring at her now-removed sweater in regret.AMIRA: Ack. Cashmere! Rashad is angry and pacing.RASHAD: Whyis this happening?VERONICA: Not a great time to be Arab in America.RASHAD: Twenty years we've been in this country! Huh?He picks up a small flag from a set on the counter and waves it..RASHAD: Twenty years,we've been Americans. I make Yankee Doodle Damn Dandee. He gestures wildly at a poster on the wall, under another American flag. It's an Uncle Sam poster with Rashad's face PhotoShopped in under the message \"Iwant you for Babylon Garden's [sic].\"RASHAD: And now this?VERONICA: The license plate was removed, but I caught a glimpse of a bumper sticker. It should be enough to go on.AMIRA: [sceptically] Really? Unless itwas a \"Hello, my name is...\" sticker, how's that gonna do any good?VERONICA: The person who owns that pick-up has a child who's an honour student at Neptune Middle. Do you want me to track him down ornot?Rashad looks over at his wife and daughter helplessly before looking back at Veronica.INT - MARS RESIDENCE - NIGHT.Veronica enters the apartment. Keith is sitting at the kitchen counter reading anewspaper.KEITH: [with disgust] Look at these ads. Veronica shuts the door behind her and joins him at the counter.KEITH: \"Two for Tuesday,\" \"It's Raining Gin\"... Keith is looking at a page of advertisements for bars.Genski's promises a \"Suds 'n Study Sat\" with Mexican bottles and draft pints at $2 together with a \"Bucket 'O Beer Bonanza\"! The Sand Bar uses George Washington's portrait to advertise its \"Dollar Shots Night.\"KEITH:\"Dollar Shots Night\"...VERONICA: Let me change first. Man, you party hard.Veronica saunters off towards her room, ignorant or ignoring Keith's serious mood.KEITH: It's a college paper. Only a quarter of the studentsat Hearst are twenty-one. Veronica turns back to him and sags against the counter.VERONICA: [tiredly] I'm not sure where this rant is going.KEITH: A nineteen-year-old kid was drinking at a bar called The Breaktonight with a gumball-level ID. He stumbled out and a car hit him. It looks like he'll never walk again.Keith returns his attention to the ads.KEITH: \"Bucket 'O Beer Bonanza\"... You have any idea if they're known forunderage drinking? Veronica laughs.VERONICA: Famous for is more like it. It's nicknamed The Cake for how easy it is to get in but most of the campus area bars are pretty lax. Veronica clearly doesn't see this as anybig deal but notes Keith glaring at her.VERONICA: From what I've heard, 'cause the only buckets I order come in original and extra crispy. She heads for her bedroom. Keith stares after her.INT - SHERIFF'SDEPARTMENT - DAY.Deputy Sacks hands out sheets of paper to the other eleven deputies gathered in the main office. Keith is facing them, leaning back against the main counter.KEITH: I have it on good authority thatThe Break and other campus-area bars on the list you're receiving are knowingly serving underage students. I want surprise checks in every one of these bars tonight. Deputy Gills glances at the list.GILLS: Looks likemy credit card statement. The deputies laugh and Keith smiles indulgently.SACKS: What's the priority level, Sheriff?KEITH: Well, obviously if you get a call, take it, but otherwise, I want these bars scared straight.Thedeputies start to break away, less than enthused.KEITH: Gentlemen. Jim Wilson was nineteen. I want this taken seriously.DEPUTY: Yes, sir.The other deputies mutter their acquiescence. Gills heads for Sacks to have aquiet word.GILLS: You used to work for him. Is he always like this? Sacks folds his arms and glances at Keith.SACKS: I wouldn't test him. Gills looks over at Keith himself before wandering away.INT - NEPTUNE MIDDLESCHOOL - DAY.A teacher holds her hand up in front of a class of boys and girls, aged about twelve.MRS. HILLS: We have a guest in honours homeroom today. Miss Mars is doing a survey about gun awareness for hercollege criminology course. Veronica is standing at the front of the class next to Mrs. Hills. She gives a little wave.MRS. HILLS: I trust you will give her your full attention as honour points are in effect. Mrs. Hills steps tothe side of the room, leaving Veronica at the front of the class. One of the students raises his hand. Veronica points to him.RONALD: What does a criminologist do?VERONICA: Oh, grads usually go into work in lawenforcement. I'm considering pursuing a career at the FBI.RONALD: [scoffing] You're a girl.MRS. HILLS: [sharply] Ronald.VERONICA: Actually, Ronald, did you know that on average, girls develop faster than boys andhave higher levels of cognitive functioning, including math calculation, written language, and verbal fluency?Ronald isn't impressed and shrugs.RONALD: So? Veronica smiles and points towards him.VERONICA: Wellput, Ronald. We need fireman, too. The students in the class, particularly the girls, chuckle appreciatively.VERONICA: We all know guns are dangerous, but I also study the dangers and implications of the impact of toyguns, like pellet guns, BB guns, or paintball guns. Raise your hand if you have a family member who owns a pellet or BB gun. A number of the students raise their hands.VERONICA: Now, how about paintball guns? Fourstudents put their hand up.VERONICA: Okay, now, whose family has a big, yellow pick-up truck. Mrs Hills' smile disappears as she digests this. She looks over at Veronica quizzically.MRS. HILLS: Miss Mars? I'm sorry.I'm not sure I understand where this is going. Veronica ignores her until she gets a good look at the one child whose hand is in the air. The boy look Arabic.VERONICA: Yep. Me either.EXT - NEPTUNE STREET - DAY.Aschool bus drives off, having delivered the boy to a house outside of which stands the yellow pick-up truck. Veronica, pulled up on the other side of the road, watches him as he goes into the house. She pouts, confused.She grabs her stuff and exits the car, walking up the pathway to the house. She stops and looks around as if she's heard something but it's not until she starts moving again that we hear the distant sounds of thelaughter of game-playing youths.VOICES: Oh, ho, ho, man! You got hit again! All right! Okay, okay, it's cool. Shoot-shoot! There you go! Yes! Yes! Veronica follows the sounds of voices to a structure at the side of thehouse. There's a warning sign on the door and a window at the top. She peers in. She sees two guys watching a third play a video game. On the wall next to the door, she sees paintball guns. Inside the room (which hasanother Danny Mo poster decorating the wall), there's a fourth boy also watching the stoned-out gameplayer.VOICES: Oh, God, what are you doing, man! Watch out for-! Ohhh. Intent on the game, they notice nothinguntil a splatter of paint hits the television screen. They react in shock, jumping up and turning around to face Veronica, now armed with a paintball gun. An Arabic-looking boy of around seventeen confronts her.BRETT:Yo, bitch, what up? Veronica responds by firing the gun. He jerks back as a splodge of neon green paint hits him square in the chest.VERONICA: Stings. I know, because you shot me last night. Brett has the grace tolook abashed.VERONICA: I've got some bad news for you boys. I'm close with the local sheriff and he simply hates hate crimes. Self-hate in your case. Brett looks bemused. The stoned guy behind him has only justcaught up with events.TOWELIE: Dude, she shot you.VERONICA: Keep up, Towlie.BRETT: Self-hate? What?VERONICA: Spray painting the front of Babylon Gardens? Ringing any bells?BRETT: What?Veronica parrotsJules in Pulp Fiction.VERONICA: Say what again, I dare ya. I double dare ya.BRETT: What?Veronica shoots him again, this time in the shoulder. He grabs the spot with a groan.BRETT: Ah, God! Someone wrote\"terrorist\" at Babylon Gardens?VERONICA: [a la Jules] Check out the big brain on Brett! I'll give you a hint. It was you.BRETT: We didn't do anything like that!Veronica lifts the gun and takes aim.BRETT: [desperately] Ican prove it. Veronica lowers the gun. Cut to later. On the television screen are shots taken by a camera from the pick-up truck as the guys shoot random people in the streets.BRETT: Look! White people. On screen, acouple are targeted to the sound of whoops and hollars from the boys.BRETT: You see? Anyone's a target.VERONICA: So I'm straight. Your defence is that you shoot everyone, not just Arabs.Brett shrugs. Veronica'sattention is caught by something she sees on screen.VERONICA: Is that Mr. Clemmons? On screen, it is indeed Van Clemmons, attacked by them as he walks towards his car.CLEMMONS: [on the video] Ow, ow, ow,ow.TOWELIE: Yeah, nailing Clemmons was sweet.The two boys behind him are smirking. They all jump when Towelie is hit in the chest by a paintball. He's so out of it that it takes a couple of beats before he even reactsto the pain. The other boys laugh.BRETT: Do I look like someone who would spray paint \"terrorist\" on a Middle Eastern restaurant? Veronica gives him a hard look before accepting this. She still has the paintball gun atthe ready.VERONICA: Fine. Give me the DVD. Brett bends down to collect it from the player.VERONICA: Anymore drive-bys and that finds its way back to the sheriff. Now. Everyone grab their Visine. You have anappointment.EXT - BABYLON GARDENS - DAY.Brett looks up sullenly as he, Towelie and one of the other boys clean the pavement of paint immediately outside the restaurant. Rashad is standing over them.RASHAD:Hey, you! I still see some green by the door jamb. Towelie gets up and heads for the indicated area where the fourth boy is already working. Rashad turns and looks up at Veronica who is up on a stepladder, fixing acamera.RASHAD: Are you sure these aren't the same vandals who did the spray painting? Veronica climbs down the stepladder.VERONICA: Pretty sure. She carries on past him, and Sabirah comes out of the restaurant,carrying a small cloth banner.SABIRAH: Are you sure we should hang one on the door again? I mean, are we asking for trouble?RASHAD: I won't be intimidated, Sabirah.She's unconvinced and turns to Veronica, who ischecking out the playback from the cameras on her computer.SABIRAH: What do you think? They stole the last one we put up.RASHAD: Don't ask her. This isn't about her.Veronica turns to look at the banner as Sabirahshoos her husband to shut up. Veronica returns her attention to the computer as she responds.VERONICA: If it was me, I'd put one up twice as big. Rashad grins, as does Veronica. On her screen, the cameras she hasinstalled are working, showing the boys continuing in their work.RASHAD: You see? Two to one. Democracy in action. He takes the banner from his wife, who smiles.INT - NEPTUNE GRAND HOTEL, LOGAN'S SUITE -NIGHT.Dick is sitting on the couch, his laptop on the ottoman in front of him. Logan walks around the back of the couch. He glances down at Dick as he adjusts his necklace.LOGAN: Hey, I gotta run some errands for theparty. Thanks for all your help, by the way. Dick, oblivious to the complaint, leans back with satisfaction.DICK: Check it out. Two hot chicks I met on MySpace. Both in play. Both eager to meet the Dickster face-to-face.Question. And I need you to dig deep here. Which one do I invite? Logan, having put on his watch and grabbed his phone, leans down to get a better look at the screen. The page for the first girl is up. Dick adds thesecond page so pictures of both can be seen.LOGAN: Um...hmm. Lazy eye might work to your advantage.DICK: Ha! Trick question! Just goes to show how whipped you are. The correct answer is \"both.\"LOGAN: And ifthey both show?DICK: Then I do a quick heat check. Whichever's engine's running hotter gets Dick.Logan heads out as Dick continues to stare at the objects of his interest.LOGAN: You mean \"whomever's.\"DICK:Whatever.INT - SHERIFF'S DEPARTMENT - NIGHT.Keith and Deputy Gills talk quietly up at the counter in the darkened office.GILLS: What can I say? We hit them all, full sweeps. They were clean.KEITH: Deputy Gills,you don't find it strange? College towns, surprise inspections, and not one of my deputies issues a single citation?Sacks, working at his desk, glances up at them with interest, but firmly keeping his head down.GILLS:Not really. Those bars do a good job of keeping the minors out. I hate to say it but the kid who got hit? He's the exception.KEITH: [softly sarcastic] What are the odds?INT - MARS RESIDENCE - DAY.Veronica sinks ontoher desk chair and checks her computer.VERONICA VOICEOVER: So let's see how Babylon Gardens survived the night without me. She pulls up the video from the surveillance camera.VERONICA VOICEOVER: All seems"}
+{"doc_id":"doc_86","qid":"","text":"IMAGE OF THE FENDAHLBY: CHRIS BOUCHERPart ThreeRunning time: 24:22[SCENE_BREAK]LEELA: Doctor? What's the matter? Where is he? Doctor![SCENE_BREAK]LEELA: Doctor?DOCTOR: No, no.BOTH: Are you allright?LEELA: You are very heavy.DOCTOR: How did you find me?LEELA: Well, I just felt something was wrong so I followed the feeling.DOCTOR: Yes.LEELA: I did!DOCTOR: Yes, of course you did.LEELA: Hey.DOCTOR:What?LEELA: Have I saved your life?DOCTOR: Yes. I was careless. Come on, get up. Come on.DOCTOR: You're becoming a metracion generator, aren't you.LEELA: Is it alive?DOCTOR: Yes. It's using appropriate geneticmaterial to recreate itself.LEELA: What is it?DOCTOR: Shush. I think it's the Fendahl. It grows and exists by death.LEELA: Most creatures do. That is what you told me.DOCTOR: The Fendahl absorbs the full spectrum ofenergy, what some people call a life force or soul. It eats life itself.LEELA: That must be what the old woman saw.DOCTOR: What?LEELA: Huge and dark, she said. Hungry for her soul.DOCTOR: And she's stillalive?LEELA: Yes.DOCTOR: Take me to her.LEELA: What about that?DOCTOR: It's indestructible.LEELA: Well, what about the sonic time scan?DOCTOR: No, no, first thing's first. Fendelman can operate that before theimplosion for about a hundred hours, give or take a few minutes.LEELA: But he might already have used his hundred hours.DOCTOR: That's a risk I'll have to take. Come on, let's go.[SCENE_BREAK]COLBY: What's thatfor?FENDELMAN: That is a running log. Some of the scanner components have a limited life.COLBY: Ninety eight hours fifty six minutes forty three point seven seconds. You've been busy with thisequipment.FENDELMAN: It has been a joy.COLBY: A labour of love, even. If man really is descended from aliens like this, why haven't we found evidence of it before?FENDELMAN: Because we were not looking.COLBY:Oh, come on.FENDELMAN: No, we were not looking for this kind of evidence, and without the scanner we would not have found this. Adam, in all research there must be a single discovery. What is it the Chinese say?That a journey of a thousand miles begins with but a single step.COLBY: This isn't a step, it's a jump. And to rather an illogical conclusion.FENDELMAN: You shall see. I have already reprogrammed the computer. Thistime it will give a visual interpretation of what the scanner picks up. On this screen, Colby, you shall see the true genesis of homo sapiens.[SCENE_BREAK]STAEL: Thea.THEA: Max.STAEL: I'm glad you are awake, Thea.I want you to understand why I brought you here. You are the medium through which the ancient power of this place is focused.THEA: What are you doing?STAEL: The scanner awoke the power. You know about thescanner, of course. I've been watching you for some time, you see. Through you, I shall conjure and control the supreme power of the ancients.THEA: Oh, Max, don't be so ridiculous.STAEL: You will sleep now, while weprepare.THEA: Max! Max, you're a fool.STAEL: I shall be a god.[SCENE_BREAK]TYLER: Is this him? Is this your man? Oi, do you know what's going on? My Gran in hell of a state.DOCTOR: Come on, Mrs Tyler, wakeup.LEELA: Come on, old woman, wake up. Wake up now.TYLER: Oi, what do you think you're doing? Leave her alone.DOCTOR: Do you know what's wrong with her?TYLER: Well, no, butDOCTOR: I do. Make sometea.TYLER: Tea?DOCTOR: Tea. She does drink tea?TYLER: Well, yeah.DOCTOR: Off you go and make some. Use the best china. Four cups laid out on a tray. Off you go. Oh, and some fruitcake.TYLER: Anythingelse?DOCTOR: No.DOCTOR: I love fruitcake. Come on, Mrs Tyler. This is no way to behave when you've got visitors. We've come for tea.LEELA: And fruitcake.DOCTOR: And fruitcake.[SCENE_BREAK]FENDELMAN:There, Colby, do you see it?STAEL: Turn it off!FENDELMAN: Where have you been, Stael. I needed you here.STAEL: Turn off the scanner!COLBY: Doctor Fendelman, I think you have an industrial relationsproblem.FENDELMAN: What are you talking?FENDELMAN: Have you lost your mind?STAEL: The scanner.FENDELMAN: No.COLBY: Relax, Max. I'll do it.FENDELMAN: Why, Stael?STAEL: I am not yet ready. My followersare not yet here.COLBY: Followers? Well, that's impressive.STAEL: Shut up, Colby, or I will kill you now. Outside, both of you.FENDELMAN: Is this some sort of joke, Max?COLBY: Oh no, Max isn't famous for his sense ofhumour, are you, Maxie?STAEL: I shall not warn you again, Colby.COLBY: You're going to kill us anyway, aren't you?STAEL: That depends on whether I enjoy having you worship me.[SCENE_BREAK]DOCTOR (OOV.):Then you mix the peanuts with the treacle[SCENE_BREAK]DOCTOR: Throw in the apple cores very hard, put the lot in a shallow tin and bake in a high oven for two weeks. (quietly) It's too late. She's slipping away.Come on.MARTHA: Here, just a minute.DOCTOR: What is it?MARTHA: That ain't the way to make a fruitcake.DOCTOR: Mrs Tyler! (laughs)MARTHA: Here, well, if you'm going to stay, you may as well sit yourselvesdown. I'll have the tea ready in a jiffy.TYLER: It's here, Gran.MARTHA: But that ain't the best china, John. And there's fresh cake in the other tin. Why, I'm sorry. When did I ask you to tea? I ain't never seen you aforein my life.DOCTOR: You were slipping away, Mrs Tyler.MARTHA: Slipping away?DOCTOR: Yes, psychic shock. I needed something normal to bring you back to reality. How long have you lived here, Mrs Tyler?MARTHA:Why should I tell 'ee ought?DOCTOR: Tell her I'm trying to help.TYLER: He's only trying to help, Gran.MARTHA: You mind your place, John.TYLER: Oh, now, no, we won't have none of those games. Now, Ted Moss andhis cronies is up to something. It's something bad, and you're involved. Now, you tell him what he want to know.MARTHA: I ain't involved in anything. I were consulted. A lot of people consult me. You know I've got thesecond sight.DOCTOR: Yes. So you've lived in this cottage all your life, haven't you, Mrs Tyler.MARTHA: Why should I tell 'ee ought?DOCTOR: Well, telepathy and precognition are normal in anyone whose childhood wasspent near a time fissure, like the one in the wood.TYLER: He's as bad as she is. Here, what's a time fissure?DOCTOR: It's a weakness in the fabric of space and time. Every haunted place has one, doesn't it? That's whythey're haunted. It's a time distortion. This one must be very large. Large enough to have affected the place names round here. Like Fetchborough. Fetch. An apparition, hmm?MARTHA: How do 'ee know somuch?DOCTOR: I read a lot. What did you see in the wood, Mrs Tyler?MARTHA: I didn't see ought with my eyes.DOCTOR: Then with your mind. Did it have a human shape?MARTHA: No.DOCTOR: Mrs Tyler, I mustknow. Did it have a human shape?MARTHA: No, it didn't.DOCTOR: Mrs. Jack, do something for me.TYLER: If I can.DOCTOR: It could be dangerous.TYLER: How?DOCTOR: I want you to keep an eye on the Priory. I mustknow who comes and goes. We'll be back tomorrow sundown.TYLER: Right.MARTHA: Here, girl.LEELA: Yes?MARTHA: Take this. 'Tis a charm will protect 'ee.MARTHA: I cast it for Ted Moss, but 'tis too late forhim.LEELA: Thank you.MARTHA: John.TYLER: Yes, Gran?MARTHA: I seed that figure he spoke of in a dream. 'Twere a woman.[SCENE_BREAK]FENDELMAN: How long have you been planning this, whatever it is you'replanning?STAEL: Ever since Mrs Tyler's visions began to come true.FENDELMAN: Visions? Oh, come now, Max. You have a first class brain. Use it!COLBY: First class brain? He's an occult freak. One of those feebleinadequates who thinks he communes with the devil. Oh, is that it, Max? Gonna summon up the devil, huh?STAEL: Unlike you, I am not a crude lout, Colby. The grimoires do not impress me. Mrs Tyler's paranormalgifts and the race memory she draws on, these were the signposts on the road to power.COLBY: Spare us the after dinner speech.STAEL: I look forward to your terror, Colby.FENDELMAN: I trusted him.COLBY: I didn't,and I'm going to end up just as dead as you, if that's any consolation.FENDELMAN: But why is he doing this?COLBY: Fendelman, it doesn't matter why. What matters is he's doing it, to us, unless we can get free beforehis so-called followers arrive. Hey, what about the security guards?FENDELMAN: In my absence, they are to take their instructions from him.[SCENE_BREAK]DOCTOR: The fifth planet's a hundred and seven millionmiles out and twelve million years back, so we've no time to lose.LEELA: Do you think this thing, the Fendahl, comes from the fifth planet?DOCTOR: Well, it came from it a long time ago, before your species evolved onEarth.LEELA: How did it travel?DOCTOR: What?LEELA: Well, you said there's only one. It could not build a spacecraft. How did it get to Earth?DOCTOR: Well, it. Well, it probably used that enormous stockpile of energyto project itself across space.LEELA: Oh, you mean the way lightning travels.DOCTOR: No. Yes, well, something like that. Humans speak of astral projection, travelling psychically to different planets. That could be arace memory.LEELA: Race memory?DOCTOR: Yes. You see, sometimes people dream they've been to other places. It's, er, déjà vu. No? Leela is sleeping on the console room floor. She wakes and has her knife readywhen the Doctor enters.)DOCTOR: No, no, no. Put it away, put it away. It's a good thing your tribe never developed guns. They'd have woken with a start one morning and wiped themselves out.LEELA: There wassomething chasing me. I, I couldn't move. Just a dream, I suppose.LEELA: Hey, what's wrong?DOCTOR: I've been checking the old data banks. There's no record at all of a fifth planet.LEELA: Does thatmatter?DOCTOR: Well of course it matters! We Time Lords are a very meticulous people. You have to be when you live as long as we do. All information is recorded.LEELA: Perhaps there wasn't any.DOCTOR:What?LEELA: Information.DOCTOR: What?DOCTOR: Of course. That's why there's no record of the planet.LEELA: Why?DOCTOR: That impression's produced by a time loop.LEELA: Time loop?DOCTOR: Yes, a time loop.All memory of a planet's been erased by a circle of time, making data and its records invisible. Only a Time Lord could do that.LEELA: That's very clever.DOCTOR: That's criminal! We've been on a wild goose chase.We'd better get back. Let's hope we're not too far round that time loop.LEELA: Is there anything I can do?DOCTOR: Yes. No, no. I'll just set the coordinates and we're on our way.[SCENE_BREAK]MARTHA: The Tower,struck by lightning.TYLER: Still no sign of him. Sundown, he said.MARTHA: I didn't reckon he'd be reliable. Never trust a man as wears a hat.TYLER: Well, Granddad always wore one.MARTHA: And a wicked old devil hewere, too.TYLER: I wear one.MARTHA: Ah, but I give it to 'ee. That's different. Here, put this in your pocket.TYLER: More charms! Look, I'm not one of your punters, Gran.MARTHA: But 'tis Lammas Eve.TYLER: Look,you know that I don't believe in all that.MARTHA: Most round here do. And when most believe, that do make it true.TYLER: Most people used to believe that the Earth was flat, but it was still round.MARTHA: Ah ha, butthey behaved as if 'twere flat. Here, just for me.TYLER: All right, then, if it makes you happy.MARTHA: Oh, I want they two cartridges.TYLER: What, you going rabbiting, Gran?MARTHA: I'm going to fill 'em withsalt.TYLER: Salt?MARTHA: Salt's the best protection there be.TYLER: Evil spirits again, eh, Gran?MARTHA: You can laugh, John, but I know the old ways. Better than them up at the Priory, any road. You'd best get upthere. We don't want 'em meddling in things they don't understand.[SCENE_BREAK]CORBY: What is that?FENDELMAN: A remote control unit connected to the scanner.CORBY: He's linking up that old bone with yourscanner? Why?FENDELMAN: The power source! Colby, I think I know.[SCENE_BREAK]LEELA: We're going to be late.DOCTOR: Well of course we're going to be late! It's obvious we're going to be late! I'm sorry. I'msorry. The question is, where is it getting the power from? Inducted biological transmutation takes a lot of power. There isn't that sort of power available in the Priory.LEELA: What is it? Have you hurt yourself?DOCTOR:I've got it. It is available in the Priory. The skull's absorbing the energy released when the scanner beam damages the time fissure. Why didn't I think of that before?LEELA: Even you can't think of everything.DOCTOR: Ican't?LEELA: No.DOCTOR: No. Well, I should have thought it. I was frightened in childhood by a mythological horror.LEELA: Oh.DOCTOR: Too frightened to think clearly.LEELA: Tsk, tsk, tsk.[SCENE_BREAK]STAEL: Thewaiting is over. Prepare yourselves.FENDELMAN: Don't do it, Stael!CORBY: Shut up, you fool. Let him electrocute himself.FENDELMAN: He will kill us all. Listen to me, all of you! He is a madman!FENDELMAN: You muststop him! Stop him now, before he plunges everything into chaos and death!COLBY: I'll plunge you into chaos and death if you don't shut up.FENDELMAN: You don't understand. I see now what will happen.STAEL: Youdo?FENDELMAN: Max, listen. The Doctor asked if my name was real. Fendelman. Man of the Fendahl. Don't you see? Only for this have the generations of my fathers lived. I have been used! You are being used!Mankind has been used![SCENE_BREAK]TYLER: Ain't in here, either.MARTHA: Oh, the house is empty, then. Oh, I don't hold with all this. 'Tis agin nature.TYLER: That sounded like a shot. Here, are there anycellars?MARTHA: Oh, there are cellars all under here, but they haven't been used for years.TYLER: Yeah, well they're being used now.MARTHA: Come on, boy. Ow!TYLER: You all right, Gran?MARTHA: Well, what do youthink?[SCENE_BREAK]COLBY: You murdering lunatic.STAEL: The way to power is open![SCENE_BREAK]MARTHA: Oh, dammit, boy, that hurt.MARTHA: Listen, John. There's summat comin'. Can you hear it? Summatcomin'.DOCTOR: Are you all right?TYLER: Damn, I'm glad to see you. You're not a moment too soon.MARTHA: No, a moment too late. Listen.DOCTOR: Come on, let's get out of here.LEELA: Doctor!DOCTOR:What?LEELA: That dream! I can't move!TYLER: My legs. I can't move my legs!MARTHA: Look! Look!"}
+{"doc_id":"doc_87","qid":"","text":"The Space Pirates5:15pm - 5:40pm[SCENE_BREAK]1: SPACE(A huge beacon - a large decagonal structure made of eight pre-fabricated sections, a docking station and a power shield section - hangs in the blacknessand silence of space. The words on the side of the structure designate it as \"ALPHA 1\". A smaller black, pointed ship moves up next to and docks with the beacon.)[SCENE_BREAK]2: INT. SPACE BEACON ALPHA ONE.AIRLOCK(The pressure gauge in the airlock reaches normal and the doorway from the new ship buzzes opens to admit three men dressed in helmets and space armour. They carry various pieces of equipment. One ofthem is an older moustached man - DERVISH. He is dressed in a uniform and helmet of the same ilk. He watches as one of the other two men moves to the doorway which leads into the beacon itself and starts to openit.)[SCENE_BREAK]3: SPACE(Soon, outside the beacon, two men in helmeted spacesuits traverse along the hull. As they do so, they attach a small magnetic devices to the outside of the beacon along with a propulsionunit.)[SCENE_BREAK]4: INT. SPACE BEACON ALPHA ONE. PASSAGEWAY(CAVEN, the leader of the raiders, walks into the beacon from the airlock. He wears a ribbed and armoured uniform with a helmet which coversmost of his head but leaves his nose, mouth and cold eyes exposed.)CAVEN: Dervish... (Shouts.) Dervish!(DERVISH walks up to him from within the beacon.)DERVISH: We're nearly finished.CAVEN: Abouttime.DERVISH: Our men are just coming. We'll detonate by radio beam.CAVEN: Right, hurry it up.(The other two men return and they all re-enter their ship. The door to the airlock buzzes closed behindthem.)[SCENE_BREAK]5: SPACE(The ship moves away from the beacon. A radio signal transmits from the ship and, seconds later, a huge explosion takes place that breaks the beacon up into its componentsections.)[SCENE_BREAK]6: SPACE(A V-Ship, a large military cruiser with the registration number V41-LO, moves through space. It is flat with an small Eagle design on the front of the ship.)[SCENE_BREAK]7: INT.V-SHIP FLIGHT DECK(Inside the ship, the flight deck is on two levels. The upper level, whose front panel is decorated also with an Eagle insignia, is the command area whilst the flight technicians sit on the lower level. Alarge monitor screen dominates one of the walls of the lower level. All the occupants of the ship wear space-age military uniforms consisting of silvery suits with metallic interlocked diamond collar insignia. MAJOR IANWARNE, the young American second in command, walks into the room and past TECHNICIAN PENN, another young man with dark hair and a moustache, on the lower level.)MAJOR IAN WARNE: Everything all right,Penn?TECHNICIAN PENN: Fine, sir.MAJOR IAN WARNE: Fine.(WARNE makes his way up to the upper level by way of some steps at the back and approaches an older grey-haired man who sits in a command chairoverlooking the flight deck. The dais in front of the chair is covered by a large astral grid-map. At the back of the command level is a small monitor screen.)MAJOR IAN WARNE: You sent for me, sir?(GENERAL HERMACKlooks up and speaks in a rich clipped tone.)GENERAL HERMACK: Ah yes. Ian, sit down.(WARNE sits in the chair next to him.)MAJOR IAN WARNE: Thank you.GENERAL HERMACK: Any information on that beacon signalyet?MAJOR IAN WARNE: No sir. There's been no response to the secondary emergency circuits either.GENERAL HERMACK: No, there wouldn't be.MAJOR IAN WARNE: Sir?GENERAL HERMACK: What do you think hashappened to that beacon?MAJOR IAN WARNE: Well, it's difficult to say, sir. It could be a failure in the solar energy store.GENERAL HERMACK: No, the emergency power would operate and we'd get a May-Daysignal.MAJOR IAN WARNE: Well?(WARNE considers, then...)MAJOR IAN WARNE: Oh, you don't think this is a mechanical failure, sir?GENERAL HERMACK: No, no, I don't. These beacons are practically fool proof.MAJORIAN WARNE: You got any ideas?GENERAL HERMACK: Yes, I have. And I must be right - Argonite! These beacons are almost entirely constructed of Argonite.MAJOR IAN WARNE: Of course, sir! What are you going to doabout it?(HERMACK turns to the controls in front of his chair and switches on the ship wide communications. He picks up a microphone and speaks into it as all the personnel on the flight deck stop and listen to theechoing message...)GENERAL HERMACK: (Into microphone.) Attention all personnel. This is General Hermack. Your V-Ship is now fifty days and many billions of miles out from Earth. You're entering the fourth sector ofour galaxy. In this sector for some time now, Earth Government has been aware that a highly organised gang of criminals have been roaming the space ways, and preying upon defenceless cargo ships. The main targetof these criminals is Argonite, the most valuable mineral known to man, and so far only found on the planets of the Fourth Sector. A government space beacon marking the approaches to the planet New Sarum hasceased transmitting its navigation signal. These beacons, as you know, are constructed of Argonite. It is my belief that the criminals are attacking the government navigation beacons and plundering the Argonite. Therecan be no other explanation for its failure. This being the case, I have decided to...abandon our present mission and to investigate the missing beacon in the New Sarum sector. I want all section commanders on thebridge at twenty hundred hours, sector four, solar time. Resume normal duties until then.(He switches off and turns back to WARNE who gestures to the grid map.)MAJOR IAN WARNE: There are eighteen space beaconscra...scattered across this sector, sir.GENERAL HERMACK: Seventeen, Ian, until the one at New Sarum's replaced.MAJOR IAN WARNE: Seventeen. And they're millions of miles apart.GENERAL HERMACK: Mmmhmm.MAJOR IAN WARNE: So how can we be sure which one the pirates are likely to attack next?GENERAL HERMACK: (Smiles.) Ha ha! We can't.MAJOR IAN WARNE: Well exactly. The odds are seventeen to one againstus being in the right place at the right time.GENERAL HERMACK: Ah! With our speed, I think we can cut those odds a bit.(He also points to the map.)GENERAL HERMACK: Now, there are four beacons in the Pliny SolarSystem here. That is where we'll start our patrol.[SCENE_BREAK]8: SPACE(Beacon \"ALPHA 7\" is as seemingly as peaceful in the blackness of space as its recently destroyed counterpart. Again, the sleek, pointed shipdocks with the structure.)[SCENE_BREAK]9: INT. SPACE BEACON ALPHA SEVEN. AIRLOCK(Again the airlock gauge rises and the door to the newly arrived ship buzzes open. CAVEN and DERVISH both enter the airlockfollowed by the two space-suited pirates who again carry their equipment and start to ready it. CAVEN watches the two men impatiently.)CAVEN: (Urgently.) Come on! Speed it up.DERVISH: Caven, I don't likethis.CAVEN: Nobody's asking you to like it. Just get those scissor charges laid into position.DERVISH: If we attack any more beacons we'll have the whole of the Interstella Space Corps in this sector.CAVEN: Look. As ofthis moment, the Space Corps has its hands full of trouble. Brush fire wars in three different sectors . There's never been a better time for getting rich.(DERVISH opens the door to the beacon.)DERVISH: Right lads. Nowwe'll lay four charges along the main axle, then we'll attach booster charges around the hull. Okay.(The two pirates move into the beacon. DERVISH is about to follow but CAVEN stops him.)CAVEN: You're a goodengineer, Dervish. Just do your job and leave the Space Corps to me, eh?DERVISH: Okay, but I worked ten years for Earth Government.CAVEN: You should've stayed with them. They'd have given you apension.(CAVEN laughs.)DERVISH: Attacking Government property is one crime they make sure never pays.CAVEN: Sixteen hundred tons of pure Argonite pays all right, Dervish. To me this is like a floatingbank.(CAVEN laughs again and the two men step into the beacon.)[SCENE_BREAK]10: SPACE(The two space-suited pirates float along the outside of Beacon Alpha Seven, again placing charges and a propulsionunit.)[SCENE_BREAK]11: INT. V-SHIP FLIGHT DECK(WARNE is on the lower command deck and stops before the station of TECHNICIAN PENN.)MAJOR IAN WARNE: What range are the forward scanners set for,Penn?TECHNICIAN PENN: Fifteen hundred, sir.MAJOR IAN WARNE: Well, reset them at, er, two thousand. Right?TECHNICIAN PENN: Very good, sir.MAJOR IAN WARNE: And keep a sharp eye on that screen. There arelots of rogue asteroids in the Pliny System.TECHNICIAN PENN: Sir.(WARNE steps up to the upper deck where HERMACK is giving instructions to another part of the V-Ship through the tannoy system.)GENERALHERMACK: (Into microphone.) Oh and one thing more. Make sure the Minnow ships are fully fuelled, and put the detonation heads on their missiles. Report back as soon as that is done.(HERMACK finishes giving hisinstructions.)MAJOR IAN WARNE: We're approaching the Pliny system now, sir. We've made scanner contact with the four beacons. They're functioning normally.GENERAL HERMACK: Ah good.(He looks over the astralchart and indicates one point on it.)GENERAL HERMACK: Now this - the planet Ta here - is the main one in the system. We'll orbit here for a few weeks and see what happens.MAJOR IAN WARNE: So that's Ta,huh?GENERAL HERMACK: Ah, you've heard of it?MAJOR IAN WARNE: Yeah, that's the headquarters of the Issigri Mining Corporation. The most productive planet in the entire galaxy.GENERAL HERMACK: Hm hmm.Madeleine Issigri has built quite a place there. Which is one reason for basing ourselves in the Pliny system.MAJOR IAN WARNE: Why's that a reason, sir?GENERAL HERMACK: Well, if we're out here long, Ian, the menwill need somewhere for rest and recreation. Deep space sickness is the one thing we can't chance.(PENN calls up from his lower deck station.)TECHNICIAN PENN: Major Warne?MAJOR IAN WARNE: What is itPenn?TECHNICIAN PENN: I've got a contact sir. At...(He checks the radar scanner.)TECHNICIAN PENN: Beacon Alpha Seven.MAJOR IAN WARNE: Well hold on it. Any identification?TECHNICIAN PENN: No sir. Too faraway.(HERMACK studies PENN'S screen from the upper level.)GENERAL HERMACK: Ah, it's a space ship right enough. Check central flight information, Ian, and see if anyone should be out there.MAJOR IAN WARNE:Right sir.(WARNE walks off to check and HERMACK shouts our an order to his crew.)GENERAL HERMACK: Change course for Beacon Alpha Seven.(He then speaks through the ship's tannoy system.)GENERAL HERMACK:(Into microphone.) Bridge to Power Room, I want ten seconds main boost.(The rising sound of the engines echoes through the room. WARNE returns with his report.)MAJOR IAN WARNE: According to flight information,sir, there should be no ships in the area within the next seventeen days.GENERAL HERMACK: Ah, well whoever they are they've not yet reported to central flight information.MAJOR IAN WARNE: Do you think it's thePirates?GENERAL HERMACK: It could be. Though some of these commercial flights don't always like to report their whereabouts, er, for reasons of their own. Anyway we shall soon know.[SCENE_BREAK]12: SPACE(Thepirate ship moves away from Beacon Alpha Seven and off into space.)[SCENE_BREAK]13: INT. V-SHIP FLIGHT DECK(This movement shows on PENN'S radar screen.)TECHNICIAN PENN: She's backing off, sir.GENERALHERMACK: Keep track of her.(The blip on the screen gathers pace as they all watch.)[SCENE_BREAK]12: SPACE(The pirate ship moves further off.)[SCENE_BREAK]14: INT. V-SHIP FLIGHT DECKTECHNICIAN PENN:She's moving quite fast, sir.MAJOR IAN WARNE: Got a good turn of speed for a commercial.GENERAL HERMACK: Is Beacon Alpha Seven still functioning?(WARNE checks a reading.)TECHNICIAN PENN: Yes, sir. Verystrong signal.GENERAL HERMACK: Ah, well, that's something.MAJOR IAN WARNE: Maybe they were just picking up emergency supplies, sir. Some of these beacons do carry reserve medical and oxygenequipment.TECHNICIAN PENN: (Puzzled.) Sir, I've... got another signal coming in now. It's a UHF!MAJOR IAN WARNE: UHF? Well that's reserved for demolition teams.GENERAL HERMACK: Well, put it onaudio.TECHNICIAN PENN: Yes sir.(PENN does as instructed and the warbling signal is heard across the flight deck issuing from a loudspeaker.)[SCENE_BREAK]15: SPACE(Space Beacon Alpha Seven explodes, again notinto fragments but into its component pre-fabricated sections.)[SCENE_BREAK]16: INT. V-SHIP FLIGHT DECKTECHNICIAN PENN: Alpha Seven's broken up, sir!GENERAL HERMACK: (Angrily.) Argh! Right under ournoses. Main boost.(Again the sound of the rising engines is heard.)TECHNICIAN PENN: Lost the beacon, sir. No more signal.MAJOR IAN WARNE: No there won't be. It's probably in a dozen separate bits bynow.GENERAL HERMACK: Penn, hold contact with that pirate ship!TECHNICIAN PENN: Yes, sir.GENERAL HERMACK: At least we can be sure they don't get away. Ian give me a projected arrival, time.(WARNE checks aconsole.)MAJOR IAN WARNE: Three hours, sir. Maybe I can get a visual on the main scanner.(In place of the image of the radar signal, a picture of a pirate ship and the beacon fragments appears on the front viewscreen.)MAJOR IAN WARNE: There she is, sir. And that's what's left of the beacon.GENERAL HERMACK: (Pleased.) Oh we've got them cold, Ian! We'll be onto them long before they get rid of that salvaged scrap.MAJORIAN WARNE: Yeah, providing she doesn't see us approaching, sir.GENERAL HERMACK: They don't know...TECHNICIAN PENN: That ship looks fast...GENERAL HERMACK: They don't know we're in the samearea.(Suddenly the image on the screen starts to become less distinct.)GENERAL HERMACK: What's wrong with the scanner?MAJOR IAN WARNE: Seem to be losing visual contact, sir.TECHNICIAN PENN: The ship'smoving away, sir.GENERAL HERMACK: What?TECHNICIAN PENN: Just started to go...and the beacon debris's going with her.GENERAL HERMACK: Hold that contact, Penn!TECHNICIAN PENN: It's no good, sir. She'sgoing too fast.GENERAL HERMACK: They must have twice our speed.MAJOR IAN WARNE: Maybe the minnows can hold her?GENERAL HERMACK: Not at this distance. They haven't the fuel.TECHNICIAN PENN: Lostcontact, sir.GENERAL HERMACK: (Resigned.) Oh...hold the same course.TECHNICIAN PENN: Sir.GENERAL HERMACK: Keep searching.MAJOR IAN WARNE: They must have attached rocket units to the beacon, sir, theway it moved off.GENERAL HERMACK: Yes. They're very well organised. They cut the beacon into several manageable pieces by means of scissor charges, then shoot the bits off to some pre-arranged collection point.Very clever.MAJOR IAN WARNE: And quick. It cuts down the time they're at risk. And they just burn out the Argonite at their leisure.GENERAL HERMACK: Ian, we shall have to rethink our tactics. We shall never catchthem by normal patrol methods.MAJOR IAN WARNE: What else can we do, sir?GENERAL HERMACK: (Thinks.) Man the beacons.MAJOR IAN WARNE: Man them?GENERAL HERMACK: It's the only answer. We'll drop smallparties of four or five men on each beacon, and give them rations and supplies for two months. Well all these mark five beacons were designed as emergency survival centres.MAJOR IAN WARNE: Yes sir, but I don'tthink anybody has ever tried living on them. Some of these beacons are pretty primitive.GENERAL HERMACK: (Snaps.) I'm not interested in men's comfort, Major! Set course for the nearest beacon.MAJOR IAN WARNE:Yes, sir.[SCENE_BREAK]17: SPACE(Some time later, the V-Ship docks with another Space Beacon - Alpha Four, in order to carry out HERMACK'S strategy.)[SCENE_BREAK]18: INT. SPACE BEACON ALPHA FOUR.AIRLOCK(The airlock pressure rises and the hatch from the V-Ship opens to admit the dark-skinned LT. SORBA and four other men who carry their guns and rations for their protracted stay. WARNE follows them intothe airlock and small box-shaped communicator with a round aerial on top of it.)MAJOR IAN WARNE: Here's your radio, lieutenant. It's beamed automatically to main control. All you have to do in the event of trouble ispress this button, right?LT. SORBA: Don't worry, I'll press it.MAJOR IAN WARNE: Remember your main job here is to give us the earliest possible warning in the event of the pirate ship approaching right?LT. SORBA:And after that, we fight them.MAJOR IAN WARNE: After that, I think you'll have to, Joe. Good Luck.LT. SORBA: Thank you.MAJOR IAN WARNE: See you in about six weeks.LT. SORBA: I hope.(WARNE goes through theairlock and back into the V-Ship. The door closes behind him.)[SCENE_BREAK]19: SPACE(The V-Ship disconnects from the Beacon and moves off.)[SCENE_BREAK]20: INT. V-SHIP FLIGHT DECK(WARNE walks backonto the flight deck through the opening door as HERMACK gives the order to go onto their next destination.)GENERAL HERMACK: Set a course for Alpha Nine.TECHNICIAN PENN: Very good, sir.MAJOR IAN WARNE: Itold Lieutenant Sorba we'd be back in about six weeks, sir.GENERAL HERMACK: Or much earlier if the pirates raid Alpha Four. How's morale on the picket?MAJOR IAN WARNE: Oh, it's pretty high sir. I think they'rehoping for the chance of a party.GENERAL HERMACK: They understand they have to shoot on sight?MAJOR IAN WARNE: Yes sir, I told them. No, anybody poking their nose aboard Alpha Four will find plenty of troublewaiting for 'em.[SCENE_BREAK]21: INT. SPACE BEACON ALPHA FOUR. COMPUTER BAY(The TARDIS materialises in the middle of this potential battlefield. Its arrival point is a cramped computer bay in one of thesections.)[SCENE_BREAK]22: INT. SPACE BEACON ALPHA FOUR. COMPANIONWAY(Meanwhile, LT. SORBA is briefing three of his men in one of the narrow companionways of the beacon. As he does so, the fourth of hisSPACE GUARDS climbs down a ladder into the companionway.)LT. SORBA: Now we're going to be here for about six weeks. Settle down...(The SPACE GUARD pushes through him comrades.)SPACE GUARD: 'Scuseme.LT. SORBA: ...and keep your eyes open. Take care about...SPACE GUARD: (Interrupts.) Sir!LT. SORBA: What? What are you doing here? Why aren't you in the observation tower?SPACE GUARD: There's somethingin the computer bay, sir.LT. SORBA: Something? Well what do you mean by that?SPACE GUARD: I heard something in there, sir - a noise.LT. SORBA: All right, we'd better check it out then. Come on.(The men run offtowards the computer bay with their guns held.)[SCENE_BREAK]23: INT. SPACE BEACON ALPHA FOUR. COMPUTER BAY(The DOCTOR steps out of the TARDIS and looks round his darkened surroundings. The TARDIS isat the back of the small compartment on a raised platform. In front of the platform is a square piece of machinery.)DOCTOR: Oh dear.(ZOE, dressed in light-coloured hotpants and matching top, steps out of the TARDISbehind him.)ZOE: Well, what's wrong?DOCTOR: Well, I...well, I don't think we're...we're quite where I expected.(JAMIE mutters in no great surprise. The DOCTOR spots the piece of machinery and starts to look overit.)DOCTOR: But never mind. This looks very interesting.JAMIE: Interesting? A piece of old machinery?DOCTOR: Yes. I...I've never seen a computer quite like this before, Jamie.(ZOE starts to look round thecompartment.)ZOE: It looks like some sort of control room.DOCTOR: Yes, but what does it control?JAMIE: Ah, well I think we'd better get out of here before somebody catches us.ZOE: Good idea.(She indicates a doorto her left.)ZOE: There's a door here.JAMIE: No, Zoe, I meant in the TARDIS.DOCTOR: Jamie, stop worrying. There's obviously nobody here.JAMIE: Well, how do you know that?DOCTOR: Well, this machine isprogrammed to operate by itself.JAMIE: Eh?ZOE: Yes, but what does it do?DOCTOR: Well, I'm not sure Zoe, but I...I think we're on an unmanned spacecraft in a...in a fixed orbit. We're...we're too far away fromanywhere to be a...a weather satellite. Let's see what, er, what clues we can find through here, shall we?(They are about to leave the computer bay through the hatchway indicated by ZOE into the corridor when JAMIEsees a floor panel opening in the upper level of the bay.)JAMIE: What's that?DOCTOR: What?(Before JAMIE can answer, SORBA pops his head through and starts firing at the trio.)JAMIE: Doctor!ZOE: Oh Jamie,run!(The DOCTOR, JAMIE and ZOE bolt into the corridor, but away from the computer bay and the TARDIS. JAMIE slams the hatch behind him.)[SCENE_BREAK]24: INT. SPACE BEACON ALPHA FOUR. CORRIDORJAMIE:"}
+{"doc_id":"doc_88","qid":"","text":"EXT. CITY STREET, NIGHTStreetlights flicker and a few people mill about the park across from Sanderson & Grainger department store.INT. STORE, LADIES DEPARTMENT, NIGHTA young clerk, KELLY, and hersupervisor, SHONA, are serving the last customer of the night.SHONA: Thank you. (gives customer his bag)KELLY: I better cash up then? S'pose John-Joe can just wait for me? (doesn't move)SHONA: No, I'll do it, youhead off.The lights in the store flicker.KELLY: When's the council going to fix this? Last night my telly went off in the middle of Top Model.SHONA: John-Joe's waiting. I'll do the changing rooms, too.KELLY: Oh, thanks,Shona.KELLY leaves and SHONA looks at the lights nervously.INT. OWENS HOUSE, FRONT HALL, NIGHTThe hall light flickers as CRAIG and SOPHIE come down the stairs. SOPHIE has a coat on.SOPHIE: There's a list onthe fridge.CRAIG: I saw it.SOPHIE: And I've labelled the food And sort of numbered it.CRAIG: Sophie, you don't need to number food.SOPHIE: It's just a suggestion. Also, my mum might phone.CRAIG: Might?SOPHIE:And your Mum. And my Dad. And you know, just some people.CRAIG: I can cope on my own! Now, please, go and have a rest. You need it. I love you.SOPHIE: I love you, too. (hugs him) And thank you for this. And Ido know you can cope on your own. And I may have drawn some arrows in the fridge.CRAIG: You do really have to go.CRAIG picks up her bag and walks her outside.INT. STORE, LADIES CHANGING ROOMS,NIGHTSHONA walks into the changing rooms and sees clothes strewn about the floor as the lights continue to flicker.SHONA: Kelly!SHONA bends over to start picking up the clothes. The curtain over the last roomwaves.SHONA: Hello? Sorry, we need to close up? Two minutes, OK? (continues to pick up clothes)INT. OWENS HOUSE, KITCHEN, NIGHTCRAIG is sitting at the table talking on the phone.CRAIG: Mum, it's not just you.I'm phoning everybody. I'm texting the world. Craig Owens can do it on his own. No-one is coming to help me! (knock on the front door) Mum, I'm going to have to call you back. (shuts off the phone and rubs his eyesas the knocking continues) I'm coping, I'm coping on my own... I'm coping on my own! (walks to the front door)EXT. OWENS HOUSE, FRONT DOOR, NIGHTCRAIG: (opens door) I'm coping on my own!DOCTOR: Hello,Craig! I'm back!CRAIG: She didn't? How could she phone you?DOCTOR: How could who phone me? Nobody phoned me, I'm just here. (peers inside) You've redecorated! I don't like it.CRAIG: It's a different house, wemoved.DOCTOR: Yes, that's it.CRAIG: Doctor, what are you doing here?DOCTOR: Social call. Thought it was about time I tried one out. How are you?CRAIG: I'm fine.DOCTOR: This is the bit where I say. \"I'm fine, too\"isn't it? I'm fine, too. Good. Love to Sophie, bye!The DOCTOR turns and walks away but stops when the light at the front door begins to flicker.DOCTOR: Something's wrong! (goes inside)CRAIG shuts the door.INT.OWENS HOUSE, HALL, NIGHTThe DOCTOR is scanning with the sonic. He then goes upstairs.DOCTOR: On your own, you said. But you're not... you're not on your own!CRAIG: (follows) Just, shhh!DOCTOR: Increasedsulphur emissions. And look at the state of this place. What are you not telling me?CRAIG: Doctor, please!DOCTOR: Shhh!CRAIG: No, you shhh!DOCTOR: Shhh!CRAIG: Shhh!DOCTOR: No, you shhh! (goes to bedroomdoor)CRAIG: Doctor!INT. STORE, LADIES CHANGING ROOMS, NIGHTSHONA is still cleaning up when she sees the shadow of a pair of legs appear in the last changing room.SHONA: (walks closer) Hello, who's inthere?INT. OWENS HOUSE, HALL, NIGHTThe DOCTOR opens the bedroom door and rushes in.INT. OWENS HOUSE, ALFIE'S ROOM, NIGHTWe see the room is a nursery with stuffed toys and cloth hangings on the walls.The DOCTOR doesn't see any of this.DOCTOR: Whatever you are, get off this planet!ALFIE starts to cry and CRAIG goes over to the crib.CRAIG: Oh, you've woken him!INT. STORE, LADIES CHANGING ROOMS,NIGHTSHONA stops just outside the curtain.SHONA: Hello? You all right?SHONA opens the curtain and screams. Inside is a CYBERMAN, albeit one that is dirty and scratched.[SCENE_BREAK]Matt Smith Karen GillanArthur Darvill\"Closing Time\" By Gareth RobertsProducer Marcus WilsonDirector Steve Hughes[SCENE_BREAK]INT. OWENS HOUSE, KITCHEN, NIGHTThe DOCTOR closes the freezer door and turns to CRAIGDOCTOR: Sowhen you say on your own...CRAIG: (holding ALFIE) Yes, I meant on my own with the baby, yes. Cos no-one thinks I can cope on my own. Which is so unfair. Because...I can't cope on my own with him! I can't. He justcries. All the time. I mean, do they have off-switches?DOCTOR: (sits at table and flips through a pregnancy book) Human beings. No. I've checked.CRAIG: (puts ALFIE in high chair) No, babies.DOCTOR: Samedifference. Sometimes this works though. (puts forefinger in front of his lips) Ssh.ALFIE quiets.CRAIG: Can you teach me to do that?DOCTOR: (now looking at baby books) Probably not.CRAIG: Oh, please come on, Ineed something, I'm rubbish at this.DOCTOR: At what?CRAIG: Being a dad. You read all the books, they tell you you'll know what to do if you follow your instinct. I have no instinct! That's what this weekend's about,trying to prove to people I can do this one thing well.DOCTOR: (laughs at the book and closes it) So what did you call him? Will I blush?CRAIG: No, we didn't call him \"the Doctor\"!DOCTOR: No, I didn't think youwould.CRAIG: He's called Alfie. What are you doing here anyway?As CRAIG prepares tea, the DOCTOR leans over and listens to ALFIE.DOCTOR: Yes, he likes that, Alfie. Though personally he prefers to be calledStormageddon, Dark Lord of All.CRAIG: Sorry, what?DOCTOR: That's what he calls himself.CRAIG: How do you know that?DOCTOR: I speak baby. (stands)CRAIG: Of course you do! I don't even know when his nappyneeds changing. (sits) I'm the one supposed to be his dad.DOCTOR: Oh, yeah. He's wondering where his mum is? (massages CRAIG'S shoulders) Where is Sophie?CRAIG: Gone away with Melina for the weekend. Needsa rest.DOCTOR: (to ALFIE) No, he's your dad, you can't just call him 'Not-Mum'.CRAIG: Not-Mum?DOCTOR: That's you. Also, Not Mum, that's me. And everybody else is...(leans in front of ALFIE) \"peasants.\" That's a bitunfortunate. (tickles ALFIE's head)CRAIG: What are you here for?DOCTOR: I just popped in to say hello. (almost puts a piece of chalk in his mouth)CRAIG: I checked down stairs when I moved in. And next door, bothsides, they're humans. Is it the fridge? Are there aliens in my fridge?DOCTOR: I just want to see you, Craig! Cross my hearts. (each hand crosses a heart) I've been knocking about on my own. A farewell tour. One lastthing, popping in to see you, then I'm off to the Alignment of Exedor.CRAIG: The Alignment of Exedor?DOCTOR: 17 galaxies in perfect unison. Meant to be spectacular, I can't miss it. Literally can't. It's locked in a timestasis field, I get one crack at flying my TARDIS straight into it, if I get my dates right. (looks at newspaper) Which I have.CRAIG: Sounds nice.DOCTOR: (picks up the paper again) So this is me popping in and poppingout again. Just being social, just having a laugh. (slowly) Never mind that.CRAIG: Never mind what?DOCTOR: Nothing.CRAIG: (stands) No, you noticed something. You've got your noticing face on. I have nightmaresabout that face.The DOCTOR puts a hand over his face and spins around as CRAIG talks.DOCTOR: Nope, given up all that, done with noticing things. (lights flicker) Didn't even notice that, for example. Got to go. Goodseeing you, Craig. (shakes CRAIG'S hand) Goodbye, Stormageddon. (air kisses ALFIE on each cheek)ALFIE starts fussing as the DOCTOR walks away.CRAIG: No, no, wait, wait, could you do the shushing thing?Shhh.DOCTOR: No, it only works once, and only on life forms with underdeveloped brains.CRAIG: Hang on, you said farewell tour? What do you mean, farewell?DOCTOR: Ssh...CRAIG can't speak.EXT. OWENS HOUSE,STREET, NIGHTThe DOCTOR walks down the street talking to himself.DOCTOR: Just go. Stop noticing. Just go! Stop noticing! Just go. Stop noticing. Just go. Stop it! (sees the streetlight flicker) Am I noticing? No, no Iam not. And what I am not doing is scanning for electrical fluctuations. (scans with sonic) Oh, shut up, you! I'm just dropping in on a friend, the last thing I need right no is a patina of teleport energy, I'm going. Going!Not staying. Going. I am through saving them. (rests head on TARDIS door) I'm going away now.INT. STORE, TOY DEPARTMENT, DAYThe DOCTOR is demonstrating a remote control helicopter for a group ofchildren.DOCTOR: It goes up-tiddly up, it goes down-tiddly down-down! For only £49.99, which I think is a bit steep but then again it's your parents' cash and they'll only waste it on boring stuff like lamps andvegetables, yawn!CRAIG enters pushing ALFIE in a stroller. He's on his mobile with SOPHIE.CRAIG: Yeah, Soph... Just enjoy your holiday! Yeah, coping.DOCTOR: Nobody panic, but I appear to be losing control.CRAIG:Yeah, love you.The helicopter comes down behind CRAIG. The DOCTOR sits on the display table.DOCTOR: Oops. (kneels on the floor and gathers the children around him) Guys, guys, ladies and gentlemen, while I dealwith this awkward moment you go and find your parents/guardians! Try in lamps! (gives one girl a high five before they leave) Craig!CRAIG: What the hell are you doing here?DOCTOR: I'm the Doctor, I work in a shopnow. Here to help. They gave me a badge (points) with my name on in case I forget who I am, very thoughtful, as that does happen.CRAIG: You were leaving... the alignment of Exeter, what about that? One chance tosee it, you said.DOCTOR: Well, I was on my way, saw a shop, got a job, you got to live in the moment, Craig. (turns away) Mind Yappy.CRAIG: What?DOCTOR: Yappy. The robot dog. Not so much fun as I remember.(strokes YAPPY) You look awful!CRAIG: I haven't slept, have I? I still can't stop him crying. I even tried singing to him last night.DOCTOR: Yeah, he did mention that...he thought you were crying, too. He didn't get awink. Yappy, say goodbye to Craig and Stormageddon. (pretends to be the dog) \"Goodbye, Craig, goodbye, Stormageddon.\"As the DOCTOR sets Yappy down, something whizzes across the floor at the other end of thedepartment.DOCTOR: What was that? (heads down the aisle)CRAIG: You're here for a reason, aren't you? You noticed something, and you're investigating it.The DOCTOR gets down on his hands and knees.CRAIG:Because it's you, it's going to be dangerous and alien.DOCTOR: (stands) It might not be.CRAIG: Doctor, I live here, I need to know!DOCTOR: No, you don't.CRAIG: My baby lives here, my son.DOCTOR: Sheila Clark,went missing Tuesday. Atif Ghosh, last seen Friday. Tom Luker, last seen Sunday.CRAIG: (picks up newspaper) Why's that not on the front page?DOCTOR: Page one has an exclusive on Nina, a local girl who got kickedoff Britain's Got Talent. These people are on pages seven, 19, 22. (pushes the stroller) No-one's noticed yet, they're far too excited about Nina's emotional journey, which in fairness, is quite inspiring.CRAIG: And whatelse?INT. STORE, CHILDREN'S, DAYDOCTOR: These funny old power fluctuations... which just happen to coincide with the disappearances.CRAIG: That's just the council, putting in new cables. Isn't it?The DOCTORstops in front of the lift that is blocked by construction tape.DOCTOR: Oh, yes, that's it, mystery solved, oh, wasting my time, now you can go home and (uses sonic on lift) I can go to Exedor, goodbye, and here's alift.CRAIG: It says out of order.DOCTOR: Not any more. (pulls down tape) See? Here to help.The lift doors open and the DOCTOR starts to push the stroller inside. CRAIG takes over.CRAIG: It says, \"danger\".DOCTOR:Oh, rubbish, lifts aren't dangerous.CRAIG: Do I look like I'm stupid?ALFIE gurgles.INT. STORE, LIFT, DAYDOCTOR: Quiet, Stormy! Oh, all right, there's more. (enters lift and uses sonic on the panel) Just between you,me and Stormy, don't want to frighten my punters. Someone's been using a teleport relay, right here in this shop. Missing people last seen in this area. (places his finger on CRAIG'S lips) Before you ask, CCTV's beenwiped.CRAIG: A teleport? (stammers) A teleport? Like a beam me up teleport, (uses hand motions) like you see in Star Trek?DOCTOR: Exactly. Someone's been using a beam me up Star Trek teleport. Could bedisguised as anything.CRAIG: But a teleport? In a shop? That's ridiculous!The lights flicker again and they are no longer in the lift. CRAIG hasn't noticed.INT. CYBERSHIP, DAYCRAIG: What was that? Was that the lightsagain?DOCTOR: (squeaky) Yes, that's it. That's all, it's the lights.CRAIG: Why did you say that like that?DOCTOR: (high) Like what? (normal) Like, like what?CRAIG: Like that, in that high-pitched voice.DOCTOR: Justkeep looking at me, Craig. Right at me, just keep looking.CRAIG: Why?DOCTOR: Well, because, because, because... (CRAIG starts to turn around and the DOCTOR grabs his arms) I love you.CRAIG: You loveme?DOCTOR: Yes, Craig. It's you. It's always been you.CRAIG: Me?The DOCTOR puts his arms around CRAIG'S shoulders, trying to hide the fact he's taken out the sonic.DOCTOR: Is that so surprising?CRAIG: Doctor,are you going to kiss me?DOCTOR: Yes, Craig. Yes, I am. Would you like that? Bit out of practice, but I've had some wonderful feedback. (puckers up)CRAIG: Doctor, no, I can't, I'm taken... (turns around and sees theship) Oh, my God!DOCTOR: Or we could just hold hands if it make you'd feel more comfortable?CRAIG: What is happening?A Cyberman appears in the distance and sees them.DOCTOR: Well, first of all, I don't reallylove you, except as a friend.The Cyberman walks towards them.CRAIG: And what is that?With a scream, the DOCTOR uses the sonic on the machinery sending them back to the lift just as the Cyberman was about toreach them.INT. STORE, LIFT, DAYDOCTOR: Quick reverse!CRAIG: What the hell just happened?INT. STORE, CHILDREN'S, DAYThe lift opens and the DOCTOR strides out, followed by CRAIG pushing thestroller.DOCTOR: They must have linked the teleport relay to the lift, but I've fused it! They can't use that again. Stuck up there on their spaceship.CRAIG: What were those things?DOCTOR: Cybermen.CRAIG: Ship?Space ship? We were in space?EXT. CITY STREET, NIGHTThe DOCTOR and CRAIG look up at the sky as the DOCTOR scans with the sonic.DOCTOR: It's got to be up there somewhere, can't get a fix, it must beshielded.CRAIG: You fused the teleport. You sorted it. They can't come back.DOCTOR: I've just bought myself a little time. Still got to work out what they're doing before I can stop it.CRAIG: But if they've got theteleport and they're evil, why haven't they invaded already?DOCTOR: Craig... take Alfie and go.CRAIG: No!DOCTOR: No?CRAIG: No, I remember from last time, people got killed, people that didn't know you. I knowwhere it's safest, for me and Alfie. And that's right next to you.DOCTOR: Is that so?CRAIG: Yeah, you always win, you always survive!DOCTOR: Those were the days.CRAIG: I can help you, I'm staying!DOCTOR:Craig...(shakes head) Craig, all right, all right... maybe those days aren't quite over yet. Let's go and investigate... I mean, there's no immediate danger now.INT. STORE, JEWELRY, NIGHTThe DOCTOR and CRAIG walkin with the stroller. The DOCTOR greets an older woman behind the counter.DOCTOR: Good afternoon, Val.VAL: Hello.The DOCTOR starts to walk over to the counter, but CRAIG grabs his arm.CRAIG: Where am Iinvestigating?DOCTOR: Well, look round. Ask questions. People like it when you're with a baby, babies are sweet, people talk to you. That's why I usually take a human with me.CRAIG: So I'm your baby?DOCTOR:You're my baby! (hugs CRAIG)From the counter, VAL watches and smiles. CRAIG leaves with ALFIE. The DOCTOR tries on a pair of sunglasses.VAL: Hope you don't mind me saying, Doctor, but I think you look ever sosweet, you and your partner and the baby.DOCTOR: Partner. Yes, I like it. Is it better than 'companion'?VAL: Companion sounds old-fashioned. There's no need to be coy these days.DOCTOR: You've not noticedanything unusual around here lately, Val?VAL: Well...DOCTOR: Yes, yes?VAL: Mary Warnock saw Don Petheridge snogging Andrea Groom outside the Conservative Club on his so-called day off 'golfing'.DOCTOR: Yeah.Maybe this wasn't such a good idea after all.The DOCTOR air-kisses VAL on each cheek and starts to walk away.VAL: And then there's that silver rat thing.DOCTOR: (turns) What?INT. STORE, LADIES DEPARTMENT,NIGHTAs CRAIG walks through pushing the stroller, we see a \"silver rat thing\" zip across the floor. CRAIG stops to give himself a pep talk.CRAIG: All right, Alfie, you watch Daddy investigate. You look cute, I'll do thetalking.CRAIG approaches KELLY, who is holding bras up for size. CRAIG leans in a little close.KELLY: Good afternoon, sir, can I help you?CRAIG: Hiya! (holds out his hand) I'm Craig!KELLY: (ignores CRAIG'S hand)Yeah?CRAIG: Do you mind, if I just ask you some questions?KELLY: Y'what?CRAIG: Just between you and me, in confidence, have you noticed anything unusual? Interesting?KELLY: Y'what?CRAIG: Talk to me aboutladieswear.KELLY: (backs away) George!A large security guard walks over.CRAIG: Hi, George... nice uniform.INT. STORE, TOY DEPARTMENT, NIGHTThe DOCTOR is under a table scanning with the sonic. He has a largenet in his other hand.DOCTOR: A silver rat. (stands) Glowing red eyes.VAL: Yes, then it zizzed off. I wanted to get one for my nephew, but stockroom say there's no such item.DOCTOR: I bet they do. (puts awaysonic)VAL: Well, what was it then? Answer me that.INT. STORE, LADIES DEPARTMENT, NIGHTGEORGE: Can I help you, sir?CRAIG: Have you seen how cute my baby is? Look at his face. (backs away pulling stroller) I'mgoing to head off actually. All right, whoa..(knocks over a stand)INT. STORE, TOY DEPARTMENT, NIGHTThe DOCTOR and VAL hear the sound of stands falling over.VAL: What's all that hullabaloo?DOCTOR: Umm. That'llbe my partner! (hands VAL the net and runs off)VAL: Aww!INT. STORE, LADIES DEPARTMENT, NIGHTCRAIG is trying to pick up the items. ALFIE is crying.GEORGE: Make a habit of hanging round in womens' wear,sir?CRAIG: I'm sorry, oh, ssh, ssh, Alfie, come on. (rocks the stroller)KELLY: He's a pervert, look at him.The DOCTOR runs over.DOCTOR: Hello, everyone! Here to help.KELLY: Hello, Doctor.GEORGE: Hello,Doctor.DOCTOR: Hello. Has anyone seen a silver rat? No, OK. Long shot, I see you've met my friend, Craig. Nice uniform George. (gives him the \"OK\" sign and whistles)GEORGE: Thank you, Doctor. If he's with you,that's all right then.KELLY: Sorry. I thought he was hassling me, 'cause that's the last thing I need today. 'Cause Shona's not turned up, right, so I'm doing twice the work for the same money.DOCTOR: Ssh!KELLY stopstalking.CRAIG: Please teach me how to do that.DOCTOR: No hold on... Un-ssh! Shona?KELLY: My supervisor. She's meant to be in today but never showed up.DOCTOR: Where did you last see her?INT. STORE, LADIESCHANGING ROOMS, NIGHTThe DOCTOR and CRAIG walk along the changing room corridor.CRAIG: How do you do that? It's a power, isn't it, some sort of weird alien hypnotic power, I bet you excrete some sort of gasthat makes people love you.DOCTOR: Would that I could, Craig.The DOCTOR opens a curtain and a woman screams. He closes the curtain.DOCTOR: Sorry, Madam. (opens curtain) I'd try that in red if I were you.(closes curtain)CRAIG: I'm right though, aren't I?DOCTOR: (peers into another room) You love me, I've never excreted any weird alien gases at you.CRAIG: I don't love you! Don't start that again.ALFIEgurgles.DOCTOR: Yes, I know. Of course he does. Of course you do, we're partners.CRAIG: But I did exactly what you would have done, and I nearly got arrested!ALFIE makes some more noises.DOCTOR: Stormythinks you should believe in yourself more. (scans with the sonic)CRAIG: Great, now my baby is reviewing me.The DOCTOR steps into the last room.DOCTOR: Here. Right here Last night, a Cyberman tookShona.CRAIG: A Cyberman...I thought it was a little silver rat?DOCTOR: It's not a rat. It's a Cybermat!CRAIG: All right don't have a go at me just cos I don't know the names.[SCENE_BREAK]INT. STORE, LADIESDEPARTMENT, NIGHTThe DOCTOR and CRAIG walk through the department.DOCTOR: Cybermats are infiltrators. Very small, very deadly... they collect power like bees collect pollen. One of them's been sucking theelectrical energy from this area. But why a shop, you know, why not a nuclear power station?CRAIG: OK, why?DOCTOR: Let's ask it. We wait for the shop to shut, we stake the place out, and grab ourselves a"}
+{"doc_id":"doc_89","qid":"","text":"[Salvatore's House](Elena and Stefan are training)Stefan: And?Elena: That did nothing for me. How was it for you?Stefan: Again. Good. Now, focus on letting it goElena: Or we could skip the sublimating part and youcan tell me where she is so that I can rip her head offStefan: I don't know where Katherine is and even if I did, I wouldn't tell youElena: Stefan, you're the one who told me to channel all of my emotions into one singlefeeling.Stefan: I realize that. I just figured it would be love, or hope, or compassion. Not unwavering hatred for a ruthless vampire that's 500 years older than you. Give me 50 pull-upsElena: You wanted to kill Klauswhen you got your emotions backStefan: I know and I couldn'tElena: You don't think I can kill Katherine?Stefan: I don't think you really want toElena: Maybe you're right. Maybe I just want to feel the warmth of herchest cavity as I rip out her heart and watch her face as she realizes I took it from her. Nah, I just want to kill her. It's that simple. I'm gonna go shower[Mystic Grill](Rebekah is at the bar with Matt)Rebekah: So, let meget this straight. You send out a notice of your impending graduation, and people feel obliged to give you money?Matt: Pretty muchRebekah: Sounds brilliant. Why aren't you participating?Matt: I don't have a whole lotof familyRebekah: Well, that makes two of us. Besides, I don't think it was my mother's dream to see me in a cap and gown. How about your mom?Matt: Let's just say I'm not holding my breath for a graduationcheck(Caroline and Elena are sitting on a table outside)Caroline: Stamp, please. Thank youElena: You don't have to pretend to be nice to me, Caroline. I know this is just a ploy to keep me distractedCaroline: You'redone? I'm only on my second batchElena: We have family friends in Denver. Other than that, no one cares that I'm graduating. And to be honest, neither do ICaroline: You know, that's how you feel now, but once youget through this hating Katherine phase...Elena: Wait. Do you know where Katherine is?Caroline: No. Why would I know where she is?Elena: Yeah, but Caroline, if you did, you would tell me, right?Caroline: Elena,you're obsessingElena: Caroline, listen to me. If you know where Katherine is, you have to tell meCaroline: I don't. Elena... Chill.[The Woods](Bonnie and Katherine are in the woods)Katherine: Hello! Could you be anycreepier? Why are we here?Bonnie: You want me to make you truly immortal so that nothing can kill you. To do that, I need to talk to Qetsiyah, which means I need to lower the veil to the other sideKatherine: That stilldoesn't explain why you made me trudge through mud in $500 bootsBonnie: A few miles that way, 12 hybrids were killed at the Lockwood cellar. And a few Miles that way, 12 humans died at the Young farm. And this isthe site where 12 witches were killedKatherine: 13 if you don't get to the pointBonnie: It's the expression triangle. I need to charge all 3 points and channel the mystical energy from Silas's tombstone. Once thathappens, I can drop the veil inside the 3 points and just long enough to get what I needKatherine: And what exactly do you need?Bonnie: Silas has done nothing but torment my friends. Now he wants to unleash hell onearth. He's evil. In 2,000 years, only one person has been able to put him downKatherine: Let me guess. QetsiyahBonnie: If I can contact her, I can ask her how to do it. Now hand me the rockKatherine: You're gonnaflood Mystic Falls with dead, supernatural creatures so that you can ask a 2,000-year-old witch not one but two favors? Ha! I think I'll take my business elsewhere(She can't leave)Katherine: What the hell?Bonnie: Ilinked us. Which means you're stuck with me for the day. Silas can be anyone. If he gets in your head and figures out I don't need a full moon to do the spell, it's over. Now, about that tombstone[Mystic Falls'Hospital](Stefan rejoins Damon)Damon: You just missed the donutsStefan: Yeah, I was with Elena burning off a few thousand hate-filled calories. What happened to you helping me?Damon: Help? Yes. Prolonging theinevitable, waste of my timeStefan: Hmm. You're avoiding. How unexpectedDamon: I'm not avoiding. Elena's only goal is to end Katherine's life, and that's not gonna just magically disappear with Pilates and a juicecleanse(Liz rejoins them)Liz: Hey, guys. Thanks for comingDamon: Hey. Why were we invited?Liz: Well, the hospital has kept the blood banks empty ever since they were raided last month. We thought at the veryleast, it would help keep the vampire population awayStefan: And it didn't?Liz: See for yourself(They go to a room)Liz: There were 4 other victims in this wing. Each one almost completely drained of blood. You think it'sSilas?Damon: Or a doctor with some very questionable bedside mannerLiz: But 5 victims? It's a lot of blood and it's not like he can take it with himStefan: Unless he's fueling up for something bigLiz: Big? Any detailswould be helpful, considering I'm dealing with 5 grieving families out there and a psychic killer on the looseDamon: Silas wants Bonnie to do a spell to drop the veil from the other sideLiz: I have no idea what thatmeansDamon: It's an invisible wall that separates our plane from the plane of all dead supernatural creatures. Now, Silas wants that to go away so he can take the cure, die, and not have to spend an eternity in asupernatural purgatoryLiz: And when do you suppose Silas plans on doing this?Damon: Next full moon. Tomorrow night[Old Lockwood Cellar](Bonnie and Katherine arrive)Katherine: Ugh. That old Lockwood cellar reeksof wet dog. I'll be staying up hereBonnie: You obviously don't know how this works(They enter)Katherine: You realize I'm not just some wandering child in a supermarket, right? I'm a vampire that can kill youBonnie:Whatever happens to me happens to you. Do you really think I want you here?Katherine: And what is here? Oh. Right. 12 dead hybrids. This should be good[Mystic Grill](Caroline, Rebekah and Matt are at thebar)Caroline: Is it supposed to rain tonight?Rebekah: Do I look like a meteorologist?(They look at Elena)Caroline: Someone needs to do something, before she explodesRebekah: I got this(She rejoins Elena)Rebekah:Drink. You're putting everyone on edge. So. What's the deal? I'm new to this whole emotional switch situationElena: It's not complicated. See that dart board? All I can picture is Katherine's faceRebekah: So, youremotions are on, they're just dialed to rageElena: Look, Rebekah, I get that we had our Thelma and Louise thing back when I had my humanity off, but let me make one thing clear... We're not friends(Caroline rejoinsthem)Caroline: What about us? Are we still friends? All those things you said when your humanity was off, is that how you really feel?Elena: Caroline, I really don't feel like going down memory laneCaroline: Well, whatabout when you said, and I quote, \"you're a repulsive, blood-sucking, control freak monster\"? Did you really mean those things?Elena: If you're waiting for an apology, you're not gonna get one. I can't let myself feelbad, because if I feel bad, then I feel everything, and... We've all seen how well I handle that(The power's out. They go outside)Rebekah: The power's completely outCaroline: I'll call my mom! Maybe she knows what'sgoing on[The Young Farm]Bonnie: 12 humans burned to death here. They died in vain for SilasKatherine: What did you do?Bonnie: I linked the final hot spot. It's time to drop the veil[Mystic Falls' Hospital](Damon, Lizand Stefan are looking at a map)Liz: The power outages originated at 3 different places in town... the Young farm, the Lockwood estate, and a blown transformer off old Miller RoadStefan: These are the locations of theSilas massacres. It's the expression triangnle. Bonnie must be doing the spellDamon: So much for needing a full moonLiz: I know something else. One of the power company guys has a daughter who goes to schoolwith Bonnie. He saw her leaving the Young farm an hour ago with ElenaStefan: But Caroline's with ElenaDamon: Looks like Bonnie Bennett has a new doppelganger friendLiz: So, how do we find them?Stefan: Well, theymust be somewhere in the triangle. My guess is right in the middleDamon: And where exactly might that be?[Mystic Falls' High School](Damon and Stefan arrive. Elena rejoins them)Stefan: Where's Caroline?Elena:Inside looking for Bonnie. I think we should split up. Damon and I can look outside while you and Caroline look insideStefan: All right. Let me know if you find anything(He leaves)Damon: Someone's an eagerbeaverElena: Where's Katherine?Damon: Now I get it. One brother shoots you down, you ask the other one. GreatElena: You know, don't you?Damon: Do you not notice all the end of the world crap going on rightnow?Elena: Tell me that you don't want her dead. After everything that she did to you. Stringing you along for hundreds of yearsDamon: Elena, we don't need to list all the reasons that I hate Katherine. What we needto do is find Bonnie. Come onElena: I don't care about Bonnie. I care about killing KatherineDamon: They're together. Ok? So maybe you should do a little less threatening and a little more looking. Come on(Stefanrejoins Caroline in the cafeteria)Stefan: Hey. There you are. Any luck?Caroline: I searched the whole school. She should be here(They hear a noise)Caroline: What was that?(They go in the cold room)Stefan: Hmm. Iceis meltingCaroline: It just doesn't make any sense. This is the center of the triangle. If she's gonna do the spell, she has to do it here. This is where they should beStefan: Actually, I think we're in the right place. Justthe wrong elevation(Bonnie and Katherine are in the caves below the school)Bonnie: Ok. This is the center of the triangle. I'm ready. Now give me the tombstoneKatherine: The fact that this spell hinges on some crappyhunk of blood-rock does little to inspire my confidenceBonnie: It's filled with the calcified blood of Qetsiyah, one of the strongest witches in the world(Damon is on the phone with Stefan)Damon: If I remember correctly,I think there's an entrance in the basementStefan: Where's the basement?Elena: Off the boiler roomDamon: You hear that? I'll meet you there(He hangs up and looks at Elena)Damon: You're gonna have to stayhereElena: Are you kidding me?Damon: We really need to stop Bonnie from doing this spell, and if you get all murderous and screw it up...Elena: Is that really the reason?Damon: As self-righteous as Stefan is, he has apoint. Behind your rage, there is a tidal wave of feelings. All of your guilt, all your grief. Every emotion you've ever put off. And killing Katherine's gonna let it all in, and if you can't handle it, then we're back to squareoneElena: And if I can? What if killing Katherine takes away all that grief and guilt? What if killing Katherine finally lets me feel all the good things that I've lost? Damon, help me. As soon as I get over this hurdle, I'll beme. I'll be able to think clearly. I'll be myself and everything will go back to normalDamon: She's strong. And crafty. And you'll dieElena: Then at least I'll die trying(Bonnie is doing the spell)Katherine: What ishappening?Bonnie: I'm channeling the expression triangle. It's done. The veil is down(Damon Is lying on the ground. Alaric appears)Alaric: Need a hand?Damon: So, this is either really good or really badAlaric: It'sgood to see you, too, DamonDamon: I'd say the feeling was mutual, except a lot of people aren't exactly who they say they are around hereAlaric: You think I'm Silas? Are you kidding me?Damon: Uhh. See, this putsus in a bit of a pickle, 'cause that is exactly what Silas would sayAlaric: Now, would Silas know about locker 42?(Damon embraces him)Damon: Hang on. If I can see you, and I can touch you that means the little witchdid it. She dropped the veilAlaric: Well, not completely. It's only down inside the expression triangle. If I step outside of it, it's back to ghost worldDamon: Where's everybody? I figure with the veil down, it'd be likeghost-a-paloozaAlaric: Not every ghost has a reason to come back to Mystic Falls. Just the ones like me, looking out for their idiot best friendsDamon: I'm more worried about the ones looking out for theirenemies[Mystic Grill](Matt and Rebekah are alone)Matt: This wind is weird. One minute it was blowing like a hurricane. Now nothing, not even a breezeRebekah: Looks like something wicked finally cameMatt: Youknow, you don't have to be here. I mean, technically, one of us is getting paidRebekah: But it's fun. And kind of cozy. With the storm outside and the candlelight. And us(Someone enters)Rebekah: Oh, my God. KolKol:Greetings from the dead. So, who fancies a drink?Rebekah: I thought I'd never see you againKol: Spare me the waterworks, sister. I've already watched you grieve. Lasted a full 24 hours, remember?Matt: I'massuming this means Bonnie dropped the veilKol: Not completely, and not for long. But who am I to give up an opportunity for revenge? My killer's already dead, but his sister's just as culpable. So maybe you couldhelp me find herMatt: If you hurt Elena...Kol: Oh... I'm going to. But please, continue. I'm curious as to where you're going with thisRebekah: You've made your point, Kol. LeaveKol: First tell me where I can findElenaRebekah: She left here hours ago. We don't know where she is. Now get outKol: I see you finally got the quarterback to pay attention to you. How's the throwing arm, champ?[Mystic Falls' High School](Katherineand Bonnie are still in the caves)Katherine: Tick tock, BonnieBonnie: Stop talking. I can't reach out to Qetsiyah with you breaking my concentration every 5 secondsKatherine: Bonnie. Did you hear that? Someone'scomingBonnie: Will you be quiet?Katherine: I have vampire hearing, Bonnie, and there's someone here. Unlink me so that I can go stall them while we wait for Qetsiyah to show upBonnie: I'm not letting yougoKatherine: Then at least give me some slackBonnie: Fine. Go. Stop them(Katherine is in the tunnels)Katherine: Silas? Come and get me(Elena arrives)Elena: Hello, KatherineKatherine: I let you out of your cage andthis is how you thank me?Elena: No. This is how I thank you(Bonnie is screaming. Stefan and Caroline enter)Stefan: Bonnie. Bonnie, what happened?Bonnie: Katherine. Find Katherine. We're linkedCaroline: Then unlinkher. You go. I'll stay with Bonnie(Elena is still fighting with Katherine)Elena: You have done nothing but suck the happiness out of my life. Uhh. Well, now I get to kill youKatherine: No, wait, pleaseElena: Good-bye,Katherine(Stefan intervenes)Elena: Stefan!Katherine: Thanks for the save, handsomeStefan: Get the hell out of here before I kill you myselfKatherine: Really? I'm your biggest problem rightnow?[SCENE_BREAK][Mystic Grill](Rebekah is taking care of Matt)Rebekah: You know, I could just cure this for you easily, right?Matt: I'll be fineRebekah: Why won't you ever let me help you?Matt: It's not you, it's...Look, people in this town have a bad habit of turning into vampires and I'd like to graduate High School as a human. I think there's a first aid kit in the backRebekah: Ok(She goes in the back and findsCaroline)Rebekah: Caroline, how are you still here... Oh my godCaroline: I have to keep cutting[Mystic Falls' High School](Caroline is with Bonnie)Caroline: Bonnie, are you ok?Bonnie: Yeah, now that I unlinkedherCaroline: What are you doing down here?Bonnie: Waiting for QetsiyahCaroline: You might be waiting a while. Qetsiyah's not coming, BonnieBonnie: But... I saw Caroline. How? I thought you couldn't get inside myheadSilas: That's what I wanted you to think. I can make you see whatever I want you to see. Am I a disfigured monster? Of course not. A monster is what I wanted you to see. That's the beauty of all this. You have noidea who I am. Or what I look like. Or how deep I am inside of your head. You thought that you were more powerful than me? I'm stronger than you can imagine. I defeated the hunter's curse in minutes. You thoughtthat you could betray me. You can't. I will always be one step ahead(Stefan is still with Elena)Elena: How could you save her? She was as good as deadStefan: Yeah, and so was Bonnie. Bonnie used a spell to linkherself to Katherine, so if you killed her, Bonnie would be dead, tooElena: How do you know that?Stefan: Because I saw her, Elena. You almost killed your best friendElena: I don't believe youStefan: Really?Elena: Younever wanted me to kill Katherine. Why are you protecting her, Stefan?Stefan: Listen to yourself. Your rage is making you crazyElena: Do you still have feelings for her?Stefan: This isn't even about Katherine. This isabout Jeremy. What, you think that killing her will take all that pain away? It won'tElena: Oh, but beating up cinder blocks will?Stefan: No. It's a distraction. Just like killing Katherine, just like turning your emotions off.The truth is, there are no shortcuts. You are a vampire, Elena. Loss is part of the deal. Look, I've been alive for 163 years. I have lost more loved ones than I can count and it hurts me every single timeElena: So,there's no hope. You're saying I'm hopelessStefan: No. I'm saying you have to face your grief. But you don't have to do it alone. I can help youElena: Oh, of course you can. God, Stefan, always trying to help and yourconcern for me is just like...Stefan: You're transferring some rage on me. That's goodElena: I don't need to transfer anything. I can hate two people just fineStefan: Elena...Elena: Just like the cinder block.Nothing[Mystic Grill](Rebekah is trying to help Caroline)Rebekah: Caroline, hey. Snap out of itCaroline: I need to bleed. Silas wants me to bleedRebekah: Stop it. You're hallucinatingCaroline: Just let me do this. I needto do thisRebekah: You're going to cut your hand's off(Matt is on the phone with Damon)Matt: She's been here the whole time. That means Silas is with youDamon: PerfectMatt: Yeah, it gets worse. The veil's down. Kolcame by looking for Elena. Seemed a little pissedDamon: Do you have any good news for me, Donovan?Matt: We'll handle this. .Just watch your back[Mystic Falls' High School](Damon is with Alaric)Damon: Call Stefan.Tell him about Caroline. Tell him to keep an eye on Elena. God knows he'll do a better job than meAlaric: Stefan? Isn't she your girlfriend?Damon: Who knows? I know she was sired to me. I know her emotions were off.I know she's so full of rage she wants to rip Katherine's head off...Alaric: But you have no idea how she feels about you and now you're freaking outDamon: Call Stefan[Mystic Grill]Matt: Have you tried compellingher?Rebekah: I can't. She's on vervainCaroline: Let me go!Rebekah: Look, Caroline, you're graduating and Uncle Bob and Aunt Mary really want you to graduate with both your handsCaroline: I need to keep cutting. Ineed to keep cutting. I need to keep cuttingRebekah: Stop!Caroline: Bitch!Rebekah: That is the Caroline I know and loathe[Mystic Falls' High School]Bonnie: Stay away from meCaroline/Silas: Gladly. Once you finishthe spell. Then when the veil is dropped completely, I can take the cure. I just want to pass on, Bonnie. I'll even let you kill me. I'll be out of your life for goodBonnie: But every dead supernatural creature will beroaming the earthCaroline/Silas: Well, if you don't help me, I'll be roaming the earthBonnie: I was never gonna drop the veilCaroline/Silas: I'm curious. What was your plan? Pow-wow with Qetsiyah? Brainstorm ways toput me down? Qetsiyah's not coming. She wants me on the other side with her. For eternityDamon: Bonnie? Bonnie?Caroline/Silas: That sounds familiar(He takes Alaric's appearance)Alaric/Silas: Maybe Damon willconvince youBonnie: I won't let you...Caroline/Silas: You won't let me what? You feel that, Bonnie? The air. Thinning. Barely enough to breathe[Mystic Falls' Cemetery](Elena goes to Jeremy's grave)Elena: '\"Brother andfriend\"? What genius came up with that one? I give up, Jer. I really wanted to kill her for you, but... There's no point. Stefan's right. It's just a distraction. And... I can't. I can't do this. I can't... I can't move on, and Idon't want to. If that makes me weak, then fine, I'm weak. But I can't handle you... I can't handle you being gone... And I can't handle feeling like this anymore(Kol arrives)Kol: Hello, old friend. Pity about your brother.Guess it's just me against you now[Mystic Falls' High School](Bonnie can't barely breathe. Sheila appears)Sheila: Bonnie. This isn't real, Bonnie. Feel the air in your lungs. Break throughBonnie: Silas?Sheila: Would Silastry and save your life? Now, breathe, child. ThereBonnie: I was so worried about youSheila: I know but I'm okay. I've been watching over youBonnie: I messed up. I'm sorrySheila: You can still stop SilasBonnie: No, Ican't. Qetsiyah was able to immobilize him so he couldn't feed and get into people's heads. I don't know how to do that. I don't know how to put him downSheila: You can do that. Expression is the manifestation of yourwill. You can do anything. I don't like it, but sometimes, there are no choices. But you are strong enough. You can do this(Damon is in the caves and stumbles upon Alaric)Alaric: Whoa. It's just me. I called Stefan. He's"}
+{"doc_id":"doc_90","qid":"","text":"\"Wipe Out\" 29th Episode of RoswellProduction Code: 2ADA07[SCENE_BREAK](Episode begins with a tour bus heading towards Roswell)(At the Evans household, Diane Evans is trying out her cooking skills)Diane: It's afrijoles frittata. Martha Stewart serves it to her guests in the Hamptons. So. Um...Phillip! It's gonna get cold! Get in here!Max: Who needs a nice big glass of juice?Isabel: I'll get it.Max: I warned you about getting her asubscription to that magazine. How long are you gonna keep avoiding me?Isabel: I'm not avoiding you. We destroyed a race of people. I'm just trying to get past it. Juice?Max: You sure there's nothin' else?Isabel: I'msure. Thanks.(The tour bus keeps heading closer to Roswell)(Kyle and Sheriff Valenti are fishing. Kyle appears to have caught a fish)Kyle: Dad. Dad. There.Sheriff: Whoa, whoa, whoa, whoa.Kyle: Ohhh...Sheriff: Ok.Take it easy. Take...whoa, whoa.Kyle: It's, like, gonna break this thing.Sheriff: Just bring it in closer.Kyle: Ok, I'm tryin'. I'm tryin'. But I need your help. It's like...Sheriff: All right, a little closer.Kyle: There we go.There we go. There we go.(Sheriff Valenti gets the fish off of the hook)Sheriff: Whoo-hoo! Oh, man! Heh heh heh hoo!Kyle: Ok, look out.Sheriff: Whoa! The bagley bang-o-lure does it every time. Here you go. Get agood grip.Kyle: Whoa!Sheriff: We'll be eatin' like kings tonight.Kyle: That's gorgeous. That's beautiful!Sheriff: Ho! Ha ha!(Kyle releases the fish back into the stream)Kyle: Go, buddy.(Sheriff Valenti is dumbfounded bywhat Kyle just did. He was looking forward to eating that fish)Kyle: It's the circle, dad. The circle of life.(Switch to Liz and Maria in Maria's Jetta)Liz: Would you step on it, please? My dad is gonna implode if we don't getthis thing back by the lunch rush.Maria: It's your first day back in uniform. We have one break in an 8 hour shift, and the man sends us 30 miles out of town on an errand.Liz: Well, he let us stay on the clock.Maria: I'msorry, Liz. I love your father dearly. I do. But this is totally Kathie Lee.(We see a billboard sign for the UFO center. It's been defaced, with a glowing green rod stuck through it. A green pulse from the rod is shot atRoswell)(Back in Evans household, Mrs. Evans asks Max about Liz while everyone tries out her cooking)Diane: Max, how's that cute Liz Parker, honey? She hasn't called here in awhile.Max: Could I please have somemore fritatta?Diane: Oh, sure, honey! I'm so glad you like it!(Diane Evans goes to get another serving of fritatta for Max, when the plate that she was carrying drops to the floor. She's disappeared)Isabel: Mom?(Liz andMaria, who were outside of Roswell when the green pulse went off, arrive in town to find cars stopped in the middle of the road)Maria: Why are all these cars stopped?Liz: What's going on? Maria, w-what's goingon--Maria!(Maria swerves into a baby stroller)Maria: Oh, God! I didn't see it! It was just...it was just there, and I was going too fast.(Liz and Maria check the stroller, but there isn't any baby in it. Liz looks around andnotices a lawn mower going around in circles without a driver)Liz: What? What?! Oh, my gosh, look!Maria: What?!Liz: Where is everybody?(The bus arrives in Roswell. Tourists start stepping out, including Nicholas. It'sapparent now that the bus is full of skins)Skin Tour Guide: Welcome to Roswell, New Mexico, folks...UFO capital of the world and last stop on our tour. Everyone, remember their sunscreen while you're out andabout.Skin Tourist: Thank you.Nicholas: Let's find some aliens.(Opening credits)(We see Sheriff Valenti and Kyle driving back to Roswell. They stop at a billboard of the UFO Center that has been defaced)Sheriff (onradio): Deputy Hanson, we've got some property defacement up by the Chaparral Turnout. I need you to rustle up a ladder and, uh, take care of it.Sheriff: You could've told me you didn't want to go fishing.Kyle: No, Idid. I wanted to fish. I just...it's just now I enjoy it from a different perspective.Sheriff: Different seems to be the story of your life these days. The guys don't come over to watch games anymore. You hang wind chimesin my backyard, burn compost sticks in the kitchen.Sheriff (on radio): Hanson!Kyle: It's called ylang-ylang, and it opens the mind.Sheriff: You know what? If you laid off the mumbo jumbo, you might get a date everyonce in awhile.Sheriff (on radio): Hanson!Kyle: Any other areas where'd you like to point out my incompetency, dad, or is the list complete at fishing and dating?Sheriff (on radio): Hanson, if I get back to the stationand find you sipping a damn frappuccino...Sheriff: My one day off!(Sheriff gets in his car and starts driving into Roswell)(Meanwhile, at the Evans household, Isabel has searched upstairs and can't find either of herparents)Isabel: I can't find dad. Max? Max! Max!(Max opens the door and enters)Isabel: Where were you?Max: The neighbor's house is empty, too.Isabel: What's happening?Max: I don't know.(Isabel grabs the phoneand calls someone)Isabel: Oh, come on. Come on.(No one answers. Isabel slams the phone)Isabel: No! Mom and dad are missing! They're gone. Oh, God. Are we the only ones left?(At Michael's apartment, Courtneyhas successfully changed into the new husk in the bath tub)Michael: You put the husk on?Courtney: The fit is ok.Michael: Feels like real skin.Courtney: For now. The husk wasn't fully mature, and I don't know how longit's gonna hold up. You saved my life...by stealing this.Michael: Well, you saved ours in Copper Summit.(The telephone rings)Michael: Here's a towel, and here's a robe.Michael (on phone): Yeah?Max: It's me. Meet usat the Crashdown right away.(Scene shifts to the streets of Roswell. Maria and Liz are investigating)Maria: Look. Look, look. It's still warm.Maria/Liz: Ahh!Maria: Ok, let's just go back to the car, ok?Liz: Ok!Maria:Ok.(Liz and Maria head back to the car. Liz finds a piece of skin on the ground)Liz: Wait! This is not good.(At the Crashdown, Max, Michael, Isabel, and Courtney are searching around)Max: No one's back there,either.Isabel: Everyone's gone.Michael: Every human. Whoever's doing this is trying to single us out.(Liz and Maria arrive at the Crashdown)Courtney: Well, there goes that theory.Maria: Michael!Liz: Max, what...whathappened? We...we just got back from Dexter.Max: Our parents disappeared. It seems like the whole town is gone. All the humans, at least.Liz: Well, why not us?Isabel: I'm sorry.Liz: What is going on here? Everyone'sgone? They're gone, like dead?Max: We don't know that.(Maria calls Alex)Maria: Pick up the phone, Alex.Max: All we can do right now is focus on the fact that we have each other.(Maria finds a CD on the counter)Maria:Alex's band just burned a new CD, and he couldn't wait to show me.Isabel: First thing we need to do is figure out who did this.Liz: We know who did this. The skins.Maria: Yeah. We found one of those snake skin thingsoff of Elm street.Courtney: Nicholas.Isabel: This is our fault.Tess: No. It's her's. You led the skins straight to Roswell, Courtney!Michael: She's with us, Tess.Tess: What did your people do to the town?Courtney: They'renot my people.Max: Stop pointing fingers. We're the ones who destroyed their harvest. They're here to settle the score with all of us.(Isabel has been looking out the window. He sees people approaching)Isabel: Intothe bathroom. They're coming. Now.(Nicholas and Ida enter)Isabel: There's two of them...Nicholas and Ida. Hide us.Nicholas: Check in the back.(Nicholas walks to where the bathroom door was)Maria: Oh, please don'tlet me die like elvis.(Nicholas walks over to the wall and taps on the mirror that Tess has created in his mind to replace the bathroom door)Nicholas: Mom?!Ida: Don't pick. There's nobody back there or upstairs,sir.Nicholas: Look in the mirror. You're shedding.Ida: Ohh...it's the heat. Why couldn't those brats be from Seattle?Nicholas: Let's get you back to the moisture chamber. This haphazard searching is going nowhere.Ida:What's plan \"B\"?Nicholas: We'll search the town...street by street, building by building, inch by inch. I'm not stopping til we find them.(Nicholas and Ida leave. Everyone comes out of the bathroom. Tess weaklystumbles to the counter)Tess: I've never come up against power like that before. It feels like...someone took a sledgehammer to my head.(Liz leaves through the door to the kitchen. Max notices her and follows)Max:I'll be right back.(Max finds Liz in her room)Liz: My mom always listened to Elvis Costello on laundry day. I am so scared.Max: What happened to your family...to all the humans...it's our fault.Liz: We haven't lost themyet. We have to stay strong.Max: Yeah.(Max sees Liz's bed and the images from the other night return)Max: I should get back down.Isabel: Max!(Max and Liz rush downstairs. Courtney is on the floor. Her skin is verywrinkled)Isabel: She just collapsed.Michael: Max, you gotta help her.Max: Let's get her upstairs.(Everyone helps Courtney to the bathroom)Maria: Um...ok, maybe we should take her clothes off?Liz: Got her?(Isabelshuts the door on the guys)Liz: Ok.Isabel: What now?Liz: Um...you know, from what...from what she said, the husk is starving. It's looking at her thighs like they're 2 canned hams.Courtney: I heard that, you bitch.(Lizand Tess help Courtney into the tub)Liz: Uhh!Isabel: Well...what if we tempt it with food from...from outside the membrane...sort of like an all-you-can-eat buffet or something?Liz: Yeah. Yeah. I mean, it's worth a try.We need, like, some vitamins and minerals and...and nutrients.Maria: Ok. We've got ginko, bee pollen, echinacea, C, D, E, calcium, St. John's wort, and Pamprin. What? I was dating Michael Guerin.(Outside, Michaeland Max are scouting with Liz's telescope)Max: Main street looks clear. I just wish I knew where they were hiding.Michael: You think she'll be ok?Max: I don't know. You and Courtney have gotten close.Michael:Yeah.Max: How's Maria feel about that?Michael: Why do you care? You've never been interested in my social circles before.Max: You were never sleeping with the enemy before.Michael: And I'm not now.Max: Then whywas she at your apartment this morning?Michael: 'Cause she wanted to show me how the husk fit. That's it.Max: Good.Michael: Let me take a look.(Back in Liz's bathroom, Courtney seems to have recovered from thenutrient bath)Tess: Pretty quick recovery, don't you think? This \"I've fallen and can't get up\" routine seems a little too convenient. I think it's time for a Q&A. What exactly did the skins do?Courtney: I don't know.(Tesspulls the drain plug and the nutrient bath starts to go down the drain)Courtney: No.Isabel: What happened to our families?Courtney: Time exists in multiple subset dimensions on our planet. Nicholas must have atechnology to impose one or more of these here.Isabel: Speak English.Courtney: It's like being on Pacific and Eastern and Central and Mountain time all at once. Human bodies can't function. They simply disappear.Liz:To where? Where are our parents, our friends...Alex? Where is everyone? Are they dead? Wha...Maria: Water's getting low.Courtney: Somewhere! Another dimension, another plane of existence! I don't know where!They seem to have just...shifted.Maria: Well, can we get 'em back?Courtney: I don't know. Please.(Tess replaces the drain plug)Isabel: Why haven't Liz and Maria disappeared?Courtney: I don't...I don't know.Maria: Wewere out of town this morning. Thank God.Courtney: It probably bought you some time.Maria: Ok. So, what did she mean by \"buy us some time\"?Liz: Don't worry about it. She said we slipped through a window. We'llbe fine.(A skin sees them and goes after Liz and Maria)Liz: Oh.Maria: Run!Liz: Come on! Go! Go! Go!(Maria climbs through the counter window. Liz tries to follow but the skin grabs her feet)Maria: Go, go, go, go, go,go!Liz: Maria!(Maria pulls on Liz's hands, while the skin pulls on her feet)Maria: Go! Go! Go!Liz: Maria! Aah!(Sheriff Valenti appears and shoots the skin in the back)Skin: Unhh!Liz: Oh. Careful, Sheriff! He's a skin!Skin:Yaahh!(The skin knocks the Sheriff to the ground and makes a quick escape)Liz: Oh, my...oh...Kyle: Dad! Dad, you ok? You ok? You all right?Sheriff: Ohh!(A few moments later, in the Crashdown)Max: If guns don'twork, how do we kill them?Courtney: Take the heaviest thing that you can find...and smash this as hard as you can. It breaks the seal in the husk...permanently.Isabel: What about Nicholas? What can he do?Courtney:All the things you can...times a thousand. But the thing you should be the most afraid of...is this.(Courtney points to her head)Courtney: He can get inside of your head and take anything that he wants. Basically, herapes you of your memories and your thoughts.Sheriff: We've gotta get everybody to a safer location.Max: The UFO center. It's a former bomb shelter. There are no windows and fewer ways in and out. After we geteveryone situated, you, me, Michael, Isabel, and Tess will start picking them off one by one.Kyle: What about me?Max: You're not someone I trust. Let's move.(Everyone is in an alley across from the UFO Center)Max:There's not much cover, so we should split up into groups.Sheriff: Good idea.Max: You ok?Sheriff: Yeah. Michael, Kyle, take Courtney. You guys go first.Max: When you're in, we'll send the next bunch.Sheriff: All right,go.[SCENE_BREAK](Michael, Kyle, and Courtney make it to the UFO Center. Michael opens the door with his power)Sheriff: I'll take Tess, Liz, and Maria. You two OK bringin' up the rear?(Max nods)Sheriff: Ready?Tess:Ok.(Sheriff Valenti, Liz, and Tess move)Max: We're gonna be ok.Isabel: Max, if I ask you to do something, will you just do it, no questions asked?(Max nods)Isabel: You go. Make sure everyone else is safe. I'm gonnafind Nicholas.Max: No.Isabel: Max...you don't understand. He's after me.Max: Why, Isabel? What really happened in Arizona? We're stronger together than we are apart.Isabel: You're right. I'm sorry.Max: Don't worryabout it. I'm gonna make sure it's safe. And then we're up. Ok. The coast is clear. You go ahead, and I'll follow you. Ready?(Max turns around to find that Isabel has slipped away. He goes to look for her)(Isabel walksaround and finds the tour bus. Someone is playing with a remote-controlled car. As Isabel walks up to the bus, the car runs into her)Nicholas: Boo.(Inside the UFO Center)Michael: I brought you some water if you want.We're gonna pull together the ingredients for another bath. Ok?Courtney: It won't work. It's...I'm dying.Michael: No. No. No, that's not an option. Ok, there's...there's gotta be something that we can do. Courtney,what?Courtney: You won't want to do it.Michael: Just say it. What is it?Courtney: The granilith.(Inside Brody's office)Kyle: I can't call out of town.Liz: Kyle. Kyle. Um, do you see this jump on the graph? There was somesort of, like, electric disturbance that leveled off here.Kyle: When?Liz: Um...10:30 this morning.Kyle: Right about when everyone went poof.Liz: Kyle, if the energy field was turned on...Kyle: Maybe it can be turnedoff.Liz: Exactly. I mean, we just need to find the source. If we can shut it off, maybe we can bring everyone back.(Sheriff Valenti enters)Sheriff: Liz...will you excuse us for a second?Kyle: Don't worry, dad. I'm stayin'out of everyone's way.Sheriff: Kyle...do you remember what you did the night after your mom left?Kyle: I lent you Mr. Squishels.Sheriff: You were worried about me, and you didn't want me sleeping alone, so you didinstead. That was a brave thing for a 6-year-old to do, and I was...and I was proud of you.Kyle: Mm-hmm.Sheriff: I remember the first time you tied your own shoes...and when we, uh...we took the training wheels offof your bike.Kyle: Ok, pop, knock it off.(Sheriff stumbles)Sheriff: I...Kyle: You...dad. You all right?Sheriff: I'm in awe of you every day, son. And I apologize for not recognizing the man that you're becoming...becauseyou're a darn...you're a darn good one.(Sheriff Valenti disappears in front of Kyle's eyes)Kyle: No! Dad!(Max arrives at the UFO Center)Tess: Did you find her?Max: Where's Michael?Tess: He's in the back.(Maris pacesaround. She walks by an exhibit with a mannequin in a window. She turns around and walks back and notices the mannequin is missing now. A skin steps out and blasts Maria with an energy blast)Maria: Tess!(Tesssneaks behind the skin and kicks its seal self-destruct button)Tess: They found a way in. We've gotta go.Max: All right. We'll head for the school. It's our turf. Get your dad.Kyle: I can't. He disappeared right in front ofme.Liz: You know, the skins' time dimension must be catching up with those of us that are...Maria: Human. Who's next?(Kyle sees a UFO Center postcard and recognizes the sign in it. It's the one he and his dad sawearlier that was defaced)Kyle: That time field is coming from the billboard out by Chaparral Turnout. My dad spotted a green rod stuck through it this morning. We thought it was a prank. I'm heading out there.Max: No.We stick together.Kyle: Hey, I've been really nice about following your orders, Senor Presidente, but if I can do something to help bring some people back or ensure that Liz, Maria, and I live to see another day, I'mgonna do it.Max: Kyle. Look...take Bradford Alley all the way out of town. It's a straight shot. You can't get boxed in.Kyle: Thanks.Max: Good luck...to all of you.Kyle: I'll take care of her.(Kyle leaves and Liz follows himafter staring at Max for a brief moment)Maria: Um...I know how you hate when things get all goopy, so...Michael: Yeah. So I'll see you soon.Maria: Yeah.Michael: No. I will.(Maria leaves)Max: Ok. It's the four of us onfoot. If we stick to the side streets, we can...Tess: What's wrong?Max: Where's Courtney?(Inside the skins' bus, Isabel is handcuffed to the railing)Isabel: Uh...Nicholas: I knew it was only a matter of time before yourejoined our side, Vilandra.Ida: Tryin' to ambush my baby. I should pull out your filthy eyes and grind 'em into dust.Isabel: I came to make a deal.Nicholas: And what could you possibly have to offer us?Isabel:Me.Nicholas: You always were a flighty little princess. Jewels before studies. That's our Vilandra. We have you, you beautiful moron.Isabel: I think you're the one who doesn't understand.Nicholas: Leave us.Ida: Youcan't possibly think that this woman...Nicholas: Do you really want to finish that sentence? Leave. Now.Ida: All right.(Ida leaves)Nicholas: Go ahead.Isabel: The last time we were together, you awakened something inme. I remembered things from our past. You and me.Nicholas: Our forbidden meetings.Isabel: I came here for you. I know what's hiding behind that husk.(Nicholas motions with his hand and the handcuffsdisappear)(Isabel acts like she's going to kiss Nicholas, but at the last instant, she pushes him to the ground. She reaches for his fanny pack when Ida comes in and knocks Isabel out)Isabel: Uhh!Nicholas: Mom, whatare you doing?!Ida: Saving you, sir!Nicholas: She was no threat! Damn it, now she's no good at all! I'm sick of this!Ida: What do you want to do now?Nicholas: Kill every last one of 'em.(Liz, Maria, and Kyle are on theirway to the billboard)Maria: If we get out of this...Kyle: When we get out of this...Maria: Things are gonna change for me. I'm gonna start spending more time with my mother. I'm gonna...I'm gonna write more to mygrandmother. I mean, these are the people who gave me life, you know?Liz: No! I can't leave it like this!Maria: Excuse me?Liz: Max. No, I walked out on him without explaining what happened between you andme.Maria: Huh?Liz: I didn't even say good-bye!Kyle: Look, you've got a job to do. Max has got a job to do. When everybody's done with their job, you can make nice.Liz: He'll never know!Kyle: He's Max. He'll alwaysknow. Right?(Liz disappears)Maria: Liz? Ohhh...(Maria and Kyle arrives at the billboard)Maria: Not Liz. I need Liz.Kyle: Maria, Maria, look, look, look, look. She's coming back. They all are. All right. Now, Liz saidsomething about generators and electric fields.Maria: So how does electricity work?Kyle: Why are you lookin' at me? We were both in the same remedial science class for 3 years.Maria: Basically, we have to...um, blowits fuse, right?Kyle: That means we mess with the current. Do you have jumper cables?Maria: Yeah.(A skin appears)Kyle: Buddha, forgive me, but I'm gonna kick your ass!(The skin rushes Kyle and he flips him over.Kyle goes to the car to the get \"the club\". He knocks the skin with it and then knocks the seal self-destruct button)Kyle: Maria...(Kyle disappears)(Back in town, Nicholas finds Courtney who's lying on theground)Nicholas: When my soldiers told me what they had found, I had to see for myself. What's the matter, Courtney? Too weak to run?Courtney: Leave me alone.Nicholas: You always were the social butterfly,Courtney. Always the first to make new friends. But what I want to know is...where are yours hiding?Courtney: I think I see a chest hair, Nicholas. Way to go.Nicholas: Fine. We'll do this the hard way.(Nicholas grabsCourtney's head and starts draining her mind)Courtney: Ohh! Ohhh!Nicholas: Let's see...you had scrambled eggs for breakfast. Then you slipped into that husk that punk stole from us.Courtney: No! No.Nicholas:"}
+{"doc_id":"doc_91","qid":"","text":"[ The apartment ]Sheldon: What color would you like to be?Leonard: Well, I'd like to be green, but you know you always take it.Sheldon: That's not true. Any color's fine with me. Yeah, I could be a-a combination ofblue and yellow.Leonard: Blue and yellow make green.Sheldon: Well, then it's settled.Penny: Hi. Ready to go?Sheldon: Oh, good news, we ordered lunch, so we can all stay here and play Lord of the Rings Risk.Amy:Sheldon, we said that we would play games with you tonight.Sheldon: Oh, no, we'll still be playing it tonight, this game can easily take eight hours.Penny: Sweetie, you really thought I'd want to do this?Leonard:No.Penny: Well, did you tell him that?Leonard: Yes.Penny: Did you say it out loud with words?Leonard: No.Penny: I don't want to spend the whole day playing a board game.Sheldon: Yeah, well, you may change yourmind when you hear that this is the new expanded edition which contains a more complete map of Middle Earth, now including the Haradwaith Territories.Amy: I will literally race you to the car.Leonard: No, no, no,come on, don't leave. Just try it.Penny: No. We're always doing what you guys want. Just once, it'd be nice if you did something we wanted.Sheldon: You want to be green?Leonard: You know, they really have tried tolike a lot of the same stuff we're into.Penny: Yeah, we do game nights and video game nights and we watch movies with director's commentary.Amy: Oh, my favorite, George Lucas can talk all the way through StarWars, I say one word and I'm banished to the kitchen.Penny: Yeah, today Amy and I are deciding what we're all gonna do.Leonard: You got it, you girls are in charge.Penny: Thank you.Amy: Sheldon?Sheldon: Fine.Now that we're not playing, you can be green.Leonard: Thank you.Sheldon: And since you're green this time, I can be it next time.Penny: All right, let's see. What's something fun the guys would never take us to do?Oh, I know, we could go horseback riding.Amy: I actually can't. My hips don't open wider than 22 degrees. I rode a very thin pony once. On the first bump, just popped right off.Penny: All right, well, what do you wantto do?Amy: There's a craft and folk art museum on Wilshire.Penny: Well, that's Wilshire's problem. Come on, you know, there, there's got to be something fun we could do that the guys will hate.Leonard: Hang on, whydo we have to hate it?Penny: Three words, Doctor Who convention.Leonard: I did not force you to go to that.Penny: You walked out of the house in a fez and bow tie. I went so you didn't get beat up.Leonard: I wasn'tgonna get beat up.Penny: You were, but somehow I held myself back.Sheldon: You know what you could make us do? Ice-skating. The cold air will trigger Leonard's asthma and it plays right into my well-known fear ofgetting flattened by a Zamboni.Leonard: Now you're helping them find ways to make us miserable?Sheldon: Well, I'm sorry, Leonard, I'm a problem-solver, it's what I do.Amy: I actually can't go ice-skating. I haveunnaturally brittle ankles.Penny: Is there any part of your body that's normal? (chuckles)[SCENE_BREAK]\u0000 Our whole universe was in a hot, dense state \u0000[SCENE_BREAK]\u0000 Then nearly 14 billion years ago expansionstarted... Wait! \u0000[SCENE_BREAK]\u0000 The Earth began to cool \u0000[SCENE_BREAK]\u0000 The autotrophs began to drool, Neanderthals developed tools \u0000[SCENE_BREAK]\u0000 We built the Wall \u0000[SCENE_BREAK]We built thepyramids[SCENE_BREAK]\u0000 Math, Science, History, unraveling the mystery \u0000[SCENE_BREAK]\u0000 That all started with a big bang \u0000[SCENE_BREAK]Bang![SCENE_BREAK][ Howard and Bernadette's apartment ]Raj: Oh,my God, oh, my God, oh, my God.Howard: Will you please relax?Raj: I can't take it, dude.Bernadette: You okay?Raj: No, I'm not okay. I feel like I'm gonna jump out of my skin.Bernadette: I told you not to wax downthere. It's itchy when it grows back.Raj: I'm worried about the New Horizons space probe.Bernadette: What's he talking about?Howard: Nine years ago he was part of a team that launched a spacecraft to collect dataabout Pluto, and it's finally close enough, so this morning it turned itself on.Raj: We hope. The signal has to travel over three billion miles. So it's gonna be hours before we know if it even survived.Howard: Now we getto see him flip out because he's worried it was demolished by space ice.Raj: Space ice is no joke. I can't even watch Frozen anymore.[SCENE_BREAK][ The apartment ]Amy: Ooh, the philharmonic is playing Beethovendowntown.Sheldon: Before you say yes, it's not the movie about the big dog.Penny: How come we can't think of something we both want to do?Amy: Because you always pick what we do and I just go along withit.Leonard: Ah, interesting, we're being accused of making you do things you don't like, and here you are, doing the same thing to poor Amy.Sheldon: You should point out the hypocrisy of that.Leonard: That's what Iwas doing.Sheldon: Oh, that wasn't clear. Try it again, but this time drive it home with how do you like them apples, Missy?Penny: All right, keep thinking.Sheldon: You're making it too complicated. Why not stick to thebasics? Go shopping for clothes while Leonard and I sit in those uncomfortable chairs and hold your purses, hmm? I know I'd hate that. Leonard?Leonard: Well, yeah.Sheldon: Well, then, it's settled?Amy: What do yousay? Sounds kind of perfect.Penny: It does, somehow he managed to take all the fun out of it.Sheldon: Well, once again, it's what I do.[SCENE_BREAK][ Howard and Bernadette's apartment ]Raj: Oh, another two hoursto go. The wait is killing me.Howard: I know. I get it. When I was in the Soyuz capsule returning from the space station, plummeting toward Earth at 17,000 miles per hour...Raj: Before you finish, is this a story aboutpatience and waiting or just another reminder that you went to space?Howard: A story can do two things.Raj: Ugh, I feel like I'm gonna have a heart attack.Howard: You work in pharmaceuticals, don't you haveanything you can give him?Bernadette: All I have is our new urine flow drug. Won't help with his anxiety, but it's so strong, when he pees he'll fly around the room like he's got a jet pack.Raj: I can't stop thinking aboutit.Bernadette: You know, worrying won't have any effect on what happens.Raj: I know.Howard: Maybe you need to do something more productive.Raj: Okay. If I make this shot in the trash can, the probe will havearrived in perfect working order.Howard: So, in addition to being crazy, you're resting the fate of the mission on your athletic prowess.Raj: Yes.Howard: The man who crashed his stationary bike.Raj: I didn't crash it,okay? My playlist was too up-tempo, I got light-headed and I fell off. Okay. It all comes down to this.Howard: You happy? Now you can relax.Raj: What kind of scientist are you? Everyone knows you got to make twoout of three.[SCENE_BREAK][ Clothes shop ]Leonard: This isn't so bad.Sheldon: That's easy for you to say. Your chair's not facing the lingerie section. Boy, that's a lot of panties.Amy: You guys comfy? This might takea while.Sheldon: I don't understand why women insist on making a big production out of buying clothes.Penny: No, you're right, we should do what you do. Have our mom send us pants from the Walmart inHouston.Sheldon: They have a man there who understands my personal style.Penny: Bye.Leonard: Uh, I've got some bad news. There's no cell service in here.Sheldon: Oh. Well, that's all right. There were plenty ofways to pass the time before smart phones were invented.Leonard: That's true.Sheldon: I'll look them up. Son of a biscuit.Leonard: Sheldon, it's fine.Sheldon: No, it's not fine. What kind of store in the 21st centurydoesn't at least have Wi-Fi? I'm going to call their corporate office. Son of a biscuit.[SCENE_BREAK][ Clothes shop - later ]Sheldon: Let's see, my armies are going to attack the Shire from Buckland. And I roll a five anda three.Leonard: Okay. And to defend, I roll two sixes. I win.Sheldon: Boy, double-sixes again. You know, if I hadn't seen it with my own eyes, I wouldn't believe it. I wonder how long we're gonna be stuckhere.Leonard: I don't know, but the girls do a lot for us. It's the least we can do.Sheldon: Oh, that's true. I suppose it's only fair we make compromises.Leonard: Look at you, being all mature.Sheldon: I don't know whyyou're so surprised. If there's one thing I know about after living with you for so many years, it's how to compromise.Leonard: I, I'm sorry? You make compromises for me?Sheldon: All the time.Leonard: On Earth? Inour lives? That, that, that we're living?Sheldon: Oh, yes. I, just yesterday, you had a, a big piece of lettuce stuck in your teeth at lunch. Did I say anything? No. I compromised and kept my mouth shut. Like youshould've, because everyone was laughing at you.Leonard: That is not a compromise. A compromise is me driving you everywhere because you refuse to learn how.Sheldon: Oh, I learned how. Amy taught me.Leonard:What? Then. then why don't you do it?Sheldon: Uh, well, it's scary. And sometimes I get the pedals mixed up. But, more importantly, driving me to work is one of the things that gives your life purpose. I can't take thataway from you, so what do I do? Oh, come on, I'm practically feeding you the answer. I compromise.[SCENE_BREAK][ Raj's car ]Raj: Hey, uh, thanks for keeping me company.Howard: I'm happy to. I think getting outof the apartment will do you good. So, where we headed?Raj: If it's okay with you, I'd like to go to temple.Howard: Buddy, trust me, you don't want to convert to Judaism. I mean, I know I make it look cool, but it's notall briskets and dreidels.Raj: I meant a Hindu temple.Howard: Oh. Okay. It's not like Indiana Jones and the Temple of Doom, right? Some bald guy with horns isn't gonna rip my heart out.Raj: Dude, that movie's animperialist fantasy that makes the followers of a beautiful and peaceful religion look like a bunch of bloodthirsty barbarians.Howard: You love that movie.Raj: Yeah, it's pretty great.Howard: I'm surprised to see yousuddenly get religious.Raj: Why?Howard: Well, because I've known you for ten years and you've never gone to temple, you never talked about believing in God, and last Diwali I watched you eat two pounds of sacredcow at a Brazilian steak house.Raj: Religion is a very personal thing. I do go to temple, I just, I don't talk about it.Howard: Yeah, but you're a scientist.Raj: So?Howard: So, as a scientist, you believe the way tounderstand the universe is through facts and evidence, and now you're counting on some blue chick with a hundred arms to help you?Raj: That is so offensive. Does everything you know about Hinduism come fromIndiana Jones?Howard: No. There's also Apu from The Simpsons.Raj: Well, lots of scientists believe in God. Okay? Newton, uh, Faraday, uh, Pascal, all were believers. Even Einstein was famous for attacking quantumtheory on the grounds that God does not play dice with the universe.Howard: Well, of course he believed in God. he slept with Marilyn Monroe.Raj: Actually there's no proof of that.Howard: You believe in your religion,I'll believe in mine.[SCENE_BREAK][ Store changing rooms ]Amy: How's it going in there?Penny: Uh, not really a great outfit for work, unless something opens up in the hookers and whores division. Hey, can I ask yousomething?Amy: Sure.Penny: Do I really force you to do things you don't want to?Amy: Yeah, but it's okay.Penny: How is it okay?Amy: I promised myself, if I ever got friends, I'd do whatever they said. Really, I'mlucky you found me before a cult did.Penny: Well, you know, that was a long time ago. You're a different woman now. You're smart, you've got great friends, you've got a boyfriend, you're pretty, you have zero fashionsense, but, anyway, tonight we're gonna do whatever you want.Amy: Really?Penny: Absolutely. You name it, we're doing it.Amy: Basket weaving at the craft museum.Penny: Well, you named it.[SCENE_BREAK][ Thestore ]Sheldon: Oh, here's another one. I wish that the apple pancake mix was on the top shelf because it starts with an A, but I don't put it there because I don't want you breaking one of your little legs when you'resupposed to be making my breakfast.Leonard: Is it my turn to talk about the compromises I make?Sheldon: I wasn't done, but go ahead. He said, compromising.Leonard: Because of you, I'm not allowed to adjust thetemperature in my own home. I'm not allowed to whistle. I don't wear shoes that might squeak.Sheldon: Well, you're a physicist, not a circus clown.Leonard: Sheldon, do you realize I don't live with the woman I lovebecause of you? No other reason. Just you.Sheldon: Is that true?Leonard: Yes, it's true. The last time I brought it up, you had an emotional breakdown and got on a train and ran away.Sheldon: Well, given my historyon the subject, t seems a little reckless to bring it up now.Leonard: You have no idea how much you inconvenience the lives of everyone around you. It's exhausting.Sheldon: You know what? You think you're sotolerant, but the truth is you're mean to me a lot. Yeah, you think that I don't notice all those sarcastic comments and those eye rolls, but I do. Hmm? I have excellent peripheral vision. On a good day, I can see myears.Leonard: Sheldon, I, I'm sorry if I hurt your feelings. I've been holding a lot of this in for a while.Sheldon: Well, I'm sorry, too. And if you want to live with Penny, then I think you should.Leonard: Do you meanthat?Sheldon: Yes. Yeah, just put on your squeaky shoes and eee-eee-eee your way out of my life.Leonard: Come on, don't get upset.Sheldon: I'm not upset. I'm just imagining a world without my best friend init.Leonard: Sheldon.Sheldon: It's okay.Leonard: I'm not leaving your world. I'm just talking about living across the hall.Sheldon: I understand. Either way, I want you to know that I'm aware of how difficult I can be. SoI just want to say thank you for putting up with me.Leonard: Buddy.Penny: How are you guys getting along? What? Why are there tears?Leonard: Everything's fine. We just started talking about livingarrangements.Amy: Are you crazy? You know he's a flight risk.Sheldon: That's exactly what I told him.Penny: Sheldon, we know this is a sensitive subject, and Leonard's not gonna move out until you're ready.Sheldon:Well, what if you did it gradually?Leonard: All right. How about we start with two nights a week I live with Penny?Sheldon: How about one night and I let you whistle?Leonard: Okay.Sheldon: When I'm nothome.Leonard: You got it.Sheldon: There we go, compromising again. We really are the best.[SCENE_BREAK][ Temple car park ]Howard: Here we go, my first Hindu temple.Raj: You see behind the fountain, that towerthat looks like a pyramid? It's called a Sikhara. It symbolizes the, the connection between the human and the divine.Howard: Huh. I always thought it was mini golf.Raj: All right. Shall we?Howard: Yeah. Just, uh, isthere anything I should know before I go in?Raj: Like what?Howard: Like am I dressed okay?Raj: Really? So every other place you've been, you thought this was fine?Howard: I know you're under a lot of pressure, soI'm gonna let that pass.Raj: Sorry. You're right. I'm so stressed. But you know what, whenever I walk into that temple I realize that whatever happens, it's okay. We're all part of an immense pattern, and though wecan't understand it, we can be happy to know that it's, it's working its will through us.Howard: That's nice.Raj: Whether you call it God or the universe or the self, we're all interconnected, and that's just a beautiful...Son of a bitch, that guy just dinged my car. S, seriously? You were just gonna drive away? Like my life isn't hard enough right now. A space probe might be destroyed, my parents are going through an awful divorce,the guy who cuts my dog's hair just gave her bangs.Howard: Raj.Raj: You saw her. She looks like Jim Carrey from Dumb and Dumber.Howard: Raj, you just got a text. The probe turned on. It's fine.Raj: Oh, good.Namaste, Grandpa.[SCENE_BREAK][ Craft museum ]Leonard: I thought this was gonna be boring, but it's actually kind of fun.Penny: Don't tell Amy that. We'll be here every Sunday.Amy: Sheldon, that really is anexcellent basket.Sheldon: It's not a basket. It's a soldier's helmet from 16th century China.Amy: Very nice.Leonard: Yeah, it looks great.Sheldon: I saw that.[SCENE_BREAK][ Penny's bedroom ]Leonard: Well, roomie,it's only one night a week, but it's a start.Penny: I know. I'm really proud of Sheldon.Leonard: Yeah, I'm proud of him, too.Sheldon (in Penny's living room): Can you keep it down? Some of us are trying to sleep outhere."}
+{"doc_id":"doc_92","qid":"","text":"In the gymnasium, people are setting up for a blood driveMarco: So for tomorrow Ellie I need you to hand out stickers, okay? Craig I need you to pack the blood bags. And Alex, Alex!Alex: This I will not bewearing.Marco: It's for TV, Caitlin Ryan's community show? Look when people see Degrassi, I want them to think cute and cuddly.Alex: I'm going to clobber you.Marco: That's not cuddly. And as a president speaking tohis vice...Alex: Alright. Calm down. Everything has to be perfect.Ellie: She's right. What you've done for the school this year, ever consider running a second term?Alex: (dancing around in the mascot head) Four moreyears! Four more years!Marco: I can't. I was thinking of picking up a few extra credits this summer. This way, I can graduate after first semester's done, maybe even move in with Dylan before university. My boyfriend?Alright you guys know I'm gay, right?Ellie: Um I'm stuck on graduating early.Craig: I'm on move in with Dylan.Marco: Guys it's not that big a deal! Okay it's huge. Outside Degrassi, there's a sign that says 'blood drivetoday'Dylan: So you'll call before you come over for the party? Marco? Today's gonna go fine.Marco: There's been a bee in this car for the entire ride. Fear is my friend.Dylan: You know a year ago you would havejumped out of a moving vehicle.Marco: Yeah well, a year ago I wasn't with you.(They kiss.)Marco: Go. Back to your dorm. I'll see you tonight at the party.In the gymnasium, Spike is giving bloodSpike: It's likebreastfeeding, only out of your arm.Emma: I think it's faster if you're quiet.Caitlin: (on camera) So you inherited a school where a student died and another paralyzed.Ms. Hatzilakos: Not the best situation to assumePrincipal, I agree.Caitlin: And yet you've managed to turn it all around.Ms. Hatzilakos: Oh no. Not me! Marco is the hero here. Organizing the dances, the assemblies, that's where the work has been.Caitlin: You donatedyet Marco?Marco: Well I'm planning...(Alex jumps on him in the Panther suit.)Marco: Alex! Stop tackling me!Caitlin: Uh cut!Ms. Hatzilakos: So when is this gonna air?Caitlin: Eight tonight and I wanna add shots ofMarco donating, when you're recovered.At the dot, Spinner is working and Jay is tapping a spoon against a glassSpinner: If I'm still serving you ten years from now kill me, all right?Jay: Well study hard and stay inschool. Oh right! You got us expelled.Spinner: Here you go ladies. Uh Clare will be with you in a moment to take your order.Old lady: We asked for lemon with our water.Spinner: Uh, you can't bring a dog in here.Oldlady: I didn't hear complaints. Ladies? We'll have the lunch menu instead.Spinner: I'm going off shift, so Clare will...Old lady: And lemon for the water and a bowl for Baby Bear here. So she can have some too, yes!Back in the gymnasium, Marco is about to donateMarco: So if I pass out and start drooling, swear you'll stop filming?Nurse Davis: Mr. Del Rossi? Could you please ask them to stop filming for just a minute?Caitlin: Uhwe're not shooting the whole giving of blood. We're just gonna shoot a few frames of the President.Nurse Davis: I'm sorry Ms. Ryan.Marco: Is there some kind of problem?Nurse Davis: Uh there's a question here thatyou answered yes beside.Marco: It asks, if I'm male and if I've had...with another male.Nurse Davis: Yes, if you've had s*x.Marco: So?Nurse Davis: Well it's policy you have to understand, um but I can't let you be adonor. In the principal's office, Spinner is holding a flower potMs. Hatzilakos: You shouldn't be here Gavin.Spinner: I, I didn't make an appointment. I was afraid you wouldn't see me. I just want you to know this beingexpelled, I'm not taking it like it's a vacation. I've been keeping up in my textbooks.Ms. Hatzilakos: You were supposed to return those.Spinner: But I need them to write exams.Ms. Hatzilakos: You don't get to dothat.Spinner: So that's it? I just lose my whole year?Ms. Hatzilakos: I'm willing to offer summer school.Spinner: But that only gives me two credits. That's not even enough to graduate. I mean that's a whole year of mylife I have to do over. That's not fair!Ms. Hatzilakos: What's not fair is that Rick Murray is dead as an indirect result of your bullying.Spinner: I need to finish my year Ms. H!Ms. Hatzilakos: No.(Spinner throws the flowerin the garbage and leaves.)In the gymnasiumMarco: (On his cell) Dylan? Hey it's me. Look just please call me, whenever. I'm here.(He walks over to Ellie, Craig & Alex.)Craig: Why is your blood any more risky thanours?Ellie: Don't they test everything anyway?Marco: There's nothing wrong with me. I've only been with Dylan, he's only been with me. Even then we were totally safe!Alex: So stop whining. Start complaining. There'syour soapbox. Use it!Marco: Caitlin! Hey!Caitlin: Hey.Marco: How's this for a story? Prejudice and homophobia at local high school.Caitlin: I'd say we're on you.Marco: Nurse Davis? Hey.Nurse Davis: Yeah?Marco:Hi.Nurse Davis: Hi.Marco: I, I want, look I want to ask why blood management refuses gay people from giving blood.Nurse Davis: Um, um well it's policy. I'm not a spokesperson so I can't really commentfurther.Marco: Fine. (To the camera) My name's Marco del Rossi, Student Council President. Today a student was denied as a blood donor because of his sexuality.Nurse Davis: That's not the reason.Marco: Then whatis?Nurse Davis: Well there is, within the gay community, there is an increased risk of HIV infection.Marco: Saying that is lumping up all gay people as diseased. I listened in health class and anybody with a pulse can getHIV.Nurse Davis: Yes but...Ms. Hatzilakos: Marco? Please? (She stops the filming) Thank you. Thank you. Look this blood drive, you should be so proud of yourself for everything you've done. Look at all thesepeople.Marco: My whole point is that I'm supposed to be one of them!Outside Degrassi, Jay is trying to steal a bike and kicks itSpinner: Hey!Jay: You want a kick, too?Spinner: That's my bike, goof-bag.Jay: Yeah wellit's your fault I'm so bored!Spinner: So? I'm stuck with you! Haven't I been punished enough?Jay: Not yet.Spinner: Know what... bike stealing? It's kid's stuff. But real stealing from Degrassi... At Dylan's dorm, Marcowalks into his room and sees Dylan making out with another guy and boltsDylan: Marco! Marco wait!Marco: No.Dylan: About Eric, I meant to tell you. He's a friend from Psych class.Marco: There's other ways, betterways of breaking up Dylan!Dylan: Who's breaking up? Honey I'm in university now and there are people here, really interesting people that, that I really like.Marco: Oh yeah like Eric.Dylan: I love you and I don't wantto stop seeing you. What I'd like to do is open things up a bit. You know see other people.(Marco shoves Dylan and leaves.)Outside DegrassiMarco: (on his cell) He wants to open things up.Ellie: (on her cell) He's acolossal jerk.Marco: (Sees his friends and closes his phone) It's so humiliating. First I get rejected as a blood donor, now by Dylan. Maybe the blood people were right.(Alex smacks Marco on his head.)Marco: What iswrong with you?Alex: My ex, formerly known as Jay Hogart, screwed around with every girl at this school. It's not a gay thing. Promiscuity, it's a guy thing.Craig: Hey. Didn't I hear that you clocked Amy for beingequally trampy?Ellie: Oh and how's Ash, Craig? Or are you back with Manny? It's hard to tell, especially when you secretly dated them at the same time.Craig: Let's just call it a people thing.Ellie: Let's call it a choice.Monogamy wow, what a difficult concept.Marco: I just want my boyfriend back.Craig: He's got a party tonight right? Well then back is what we'll get him.[SCENE_BREAK]At night, inside Degrassi(Spinner and Jay werehiding in cupboards until the janitor left.)At Dylan's dormCraig: Girls and boys? I didn't think Dylan's dorm would be quite so co-ed.Marco: You see him yet?Craig: Who?Marco: Dylan!Dylan: Hey! I'm really happy youcame.Marco: Yeah? That's good...Craig: I'm gonna go uh see what they're stocking for pop. Gentlemen...Dylan: Come on. In Degrassi(Jay and Spinner are throwing toilet paper around in the gym, then stacking a bunchof chairs in the hall and just goofing around.)At the partyMarco: Craig um look. Everything's unfolding pretty good so if you don't want to you don't have to stay!Craig: Are you kidding?! It's eight o'clock.Dylan: What'seight o'clock?Marco: Oh Caitlin Ryan! Degrassi! Me at the blood drive. Can I? Thanks. (He turns on the TV)Caitlin: (On that TV) You inherited a school where a student died, another paralyzed.Ms. Hatzilakos: (On theTV) Not the best situation to assume Principal, I agree.Caitlin: (On the TV) And yet you've managed to turn it around.Ms. Hatzilakos: (On the TV) Oh no. Not me! Marco is the hero here. Organizing the assemblies, thedances, that's where the work has been.Marco: Ah tell me my head doesn't look that big.Craig: Your hair, that's what's big.Dylan: It looks great. You look great.Caitlin: (On the TV) And so Degrassi has risen from theashes of a tumultuous school year thanks to this week's local hero Marco Del Rossi.Marco: Wait. No wait. Wait for it. I think this is it.Caitlin: (On the TV) I'm Caitlin Ryan.Marco: That's it? No there's more. There's themnot letting me give blood and then I-Eric: Dylan? We're toasting to summer with kamikazes!Dylan: Wait a second.Marco: It's nothing. Go. Kamikaze. Whatever.Dylan: I'll be right back.Marco: Dylan got me out of thecloset last year. Yet here I was, my turn to make him proud. What I should be doing is making him jealous.Craig: Uh... Back at Degrassi, Spinner finds the yearbooksSpinner: What do we have here? Degrassi: A year ofmemories.Jay: I said something worth something. I always like counting how many times I'm in this thing. The way I see it the less, the better. Oh crap. One. The last thing I want to see is me smiling goofy andhanging off my bestest friend. No. Two. I'm a freak! A failure. Nothing compared to you though, I mean you're, you're all through this thing.(Spinner sees a bunch of pics with him and his friends and throws the bookdown.)Jay: You alright there, Spinster?Spinner: Follow me. Grab some more.At the partyMarco: Hi. Hi, I'm Marco.Mike: Mike.Marco: Mike! So uh Mike! I was thinking of coming here next year. I was actually thinkingabout residence. But so far the only room I've seen is Dylan's.Mike: You want like a tour?Marco: Yeah, no a tour would be great and maybe I could see your room? You know to compare.Mike: Okay, um it's two floorsdown, 403. Just give me a sec to clean up okay?Marco: Okay. I'll see you in a bit...Mike.Mike: Marco... At Degrassi, SpinnerJay: Yo where'd you disappear?Spinner: Science lab. I got fluid of the lighter kind.(He startspouring the fluid on the yearbooks and pulls out a lighter.)Jay: Seriously it's bonfire night? Look I know math wasn't your strongest subject, but yearbooks plus fire equals the whole school up in flames. Oh yeah and usin jail. Put the toy away, flip-head.Spinner: You're stopping me?(Jay smacks the lighter out of his hands.)Jay: Shocking but true.Spinner: You're a freak in the same way that I am.Jay: Yeah well at least I'm not torchingthe school.(Jay smacks the lighter away from Spinner and the guys start fighting.)Jay: You want your former friends to suffer?! Huh? Do you?Spinner: I want 'em back.Jay: Listen as your friend substitute, I'm tellingyou. This isn't the way. It's not.Spinner: I just want 'em back.Jay: Come on man we got to clean this up.In the stairwell at Dylan's dormCraig: You know you are a great guy. The most honest, down-to-earth, nicestperson that I know. You're a little short, but that just adds to the cuteness. That I would find you to be. If you were a girl or I was not a guy. (Points to himself) Is not gay. Just tell me this is helping.Marco: You're tellingme what I really want to hear. I appreciate it, thanks. If you want to help tell me I'm an idiot.Craig: You're an idiot?Marco: I can't go downstairs. I can't stay here. I can't talk to Dylan. What do I do?!Dylan:Marco?(Marco kisses Craig so that Dylan can see.)Dylan: I um, wow.Craig: So when in doubt you kiss Craig?!Marco: I gotta settle this with Dylan.Craig: Yeah you do! You really, really do!(Marco leaves and pulls Dylanout of the party.)Marco: I love you.Dylan: Likewise, but what was that?Marco: Dylan a lot of things aren't making sense right now.Dylan: So what do you want me to say?Marco: It made you jealous?Dylan: It wasCraig!Marco: I don't want you to see other people. I don't like it and I'm not gonna like it and I'm not gonna feel bad that it bugs me.Dylan: It bugs you?Marco: It bugs me.Dylan: It doesn't have to okay? How I feelabout you, this changes none of that.Marco: That's fine and okay. But you see it changes how I, how I feel about me.Dylan: My freedom. That's important to me right now. I can't give that up.Marco: Then you and me?I can't. And it's over.(Marco leaves crying.)In Ms. Hatzilakos' officeSpinner: Ms. H?Ms. Hatzilakos: Gavin I don't have time to argue.Spinner: You mentioned summer school.Ms. Hatzilakos: I offered. Youdeclined.Spinner: Uh then what if I take it at another school or by correspondence and make the credits up that way? Could I come back next fall? There, there are two things that I want: to finish school and to get myfriends back. But someone, someone's got to give me a chance. Please?Ms. Hatzilakos: Here are the forms and summer school schedule, aka your chance. Gavin? Don't screw it up. At the news stationCaitlin: HeyMarco!Marco: Hey! So the blood drive, it was a huge success. Thank you so much for covering it.Caitlin: My pleasure.Marco: I just had a question about the scene I started in the gym? Are you gonna air that at adifferent time or...?Caitlin: Actually some people here would rather bury that part of it.Marco: Oh. Okay.Caitlin: Uh no it's not okay, actually. I'm sick of seeing AIDS being viewed as a solely homosexual disease. I'vetried to do something about it before. Last year I even went to Africa. One word, educating. You know if you're interested in volunteering, I've got some friends we could talk to.Marco: Yeah sure! I'm interested.Caitlin:Interested enough in spending some time in Africa or the Caribbean?Marco: Yeah! Yeah, of course.Caitlin: It would mean giving up your entire summer. Any big plans?Marco: I did... have some. But you know how it iswith plans. They change."}
+{"doc_id":"doc_93","qid":"","text":"Act One.Scene One - Radio Station. Frasier is signing off for the show. Roz is in her booth.Frasier: Till tomorrow then, this is Dr. Frasier Crane wishing you...Roz knocks on the booth. Frasier looks around a sees agrumpy old man looking in through the screen.Frasier: Oh, yes. Be sure to tune in later for the final broadcast of KACL's loveable curmudgeon, Chester Ludgate. You know, most of us here at the station were surprisedto hear that he was retiring. I for one thought he'd never leave. [presses button]Roz: [enters] So, should we order a pizza?Frasier: Sorry?Roz: Those PSA's you promised you'd help me with are due tomorrow.Frasier:Oh gosh, Roz, I really am sorry. You know, it seems Mrs. Delafield's daughter is coming here to join us as an intern. I promised Kenny I'd show her around and take her to dinner.Roz: So, while I'm working late, eatingmy vending-machine dinner, you'll be out having a gourmet meal with some cute rich girl.Frasier: Oh, you can make anything sound unfair.Roz exits to her booth as Kenny and the cute rich girl, Poppy, enter the booth.Poppy is like a character out of \"Clueless\": Long blond hair, dressed totally in a red \"girly\" outfit with red high heels and red hand bag. She speaks with an annoying, ditzy accent.Kenny: Hey, Doc.Frasier: Kenny, andwho have we here?Kenny: Dr. Frasier Crane, I'd like you to meet Miss Poppy Delafield. Well, gotta run. [swiftly exits]Frasier: Poppy, what a pleasure to meet the daughter of our beloved station owner. So, what bringsyou to KACL?Frasier cannot get a word in throughout the following.Poppy: Well, I was in Paris last month - or was it Madrid? - No, Paris, and I said to myself, \"that's enough gallivanting for you, young lady, it's time toget a job.\" So I flew home and asked my mother, Minnie, if I could nose around and see if some job, you know, spoke to me at one of her radio stations, or TV stations or newspapers. But not her brewery, thank youvery much! So, here I am. Sleeves rolled up, ready to learn. Is this where you do your show? Of course it is, there's your mike right in front of me. Earth to Poppy!She laughs; Gil walks past the booth in thecorridor.Poppy: There's Gil, I met him earlier. Hi, Gil!She waves, Gil runs away. Frasier also waves and then wonders what he is doing and looks back at Poppy, who carries on.Poppy: Nice man. I think it's marvelouswhat you do. To really help people. Unlike the psychiatrists I've been to, both of whom had some sort of, I don't know, narcolepsy. I sympathize, but if you can't stay awake, don't be a psychiatrist!Behind her back,Frasier removes his cell phone, dials a number, and then hides it in his pocket.Poppy: To do what you do, to face that microphone day after day and know that for the next three hours you're going to have to talk andtalk and talk? I could not do it! I would freeze! Literally freeze!She laughs giddily. Then the phone on the console rings, stopping her.Frasier: Excuse me. [grabs the phone] Hello? Yes, Dad. All right, calm down, calmdown. Was there much blood?Poppy: Oh my gosh!Frasier: All right, Dad, I'll be there as soon as I can, hang on a second. [puts phone to chest, to Poppy] I'm terrible sorry, there's been a small emergency at home. I'mgonna have to pass on today, may I take a rain check?Poppy: Oh, and we were having such a nice chat.Roz enters.Frasier: This is Roz, my producer. You know Roz, I'll gladly do those promos if you would be so kind asto take Poppy to dinner and answer her questions.Roz: Sure, if you don't get bored listening to me drone on about radio.Frasier: Oh, I don't think there's much chance of that!Poppy whizzes Roz out of the booth,chatting to her on the way.[SCENE_BREAK]Scene Two - Frasier's Apartment. Frasier and Daphne are sitting at the dining table. Martin enters and hurries Eddie into the apartment, checking the hallway forpeople.Frasier: What the hell is happening?Martin: Well, remember last week when Eddie killed his first rat? And how proud I was? I told you that story, right?Frasier: Yes, Dad, you told us. If you had a guitar you wouldhave written a ballad.Martin: Well, we were just down in the basement and I saw another rat. I said, \"go get him, boy!\" So just as he picked him up, had him in his teeth, shaking the life out of him, and I hear this littlebell, ting-a-ling. And I thought, \"that's funny - rats don't wear bells!\"Daphne: Oh, little Robbie Greenberg's missing hamster!Frasier: Yes, I read that flyer. He was offering a ten dollar reward.Martin: Well, the most wecan claim at this point is about six-fifty.Frasier: You know Dad, this is actually your fault. You know if you hadn't encouraged him after he killed his first rat he wouldn't have moved on to murdering hamsters!Martin:Well, what are you talking about? We don't know it was Eddie who killed him. He might have had a heart attack, or some kind of seizure when he bounced off the boiler!The doorbell sounds. Frasier crosses the room andopens the door to Niles. He is carrying a magazine and two tickets. A smile is beaming across his face.Frasier: Niles!Niles: Prepare to whoop like a sweepstakes winner. Cancel our dinner! I've scored us two seats, frontrow for the event of the season.Frasier: You mean...?Niles: Yes.Frasier: But...?Niles: I know! [proudly holds up the tickets]Frasier: Niles!Martin: [aside to Daphne] I love it when they do it this way, I can pretend it's aSeahawks game.He sits in his chair as Frasier eagerly takes the tickets and scans them.Frasier: My God, it's for the Cecilia Bartoli concert! My God, they've been sold out for months. How on earth did you score thesetickets?Niles: I simply phoned the box office and said this is Niles Crane, the new arts critic for \"The Monocle.\"Frasier takes in a gasp of half delight for his brother and half jealousy as Niles slaps the magazine on thetable.Daphne: \"The Monocle.\" Isn't that that magazine they hand out to rich people in all the snootiest apartment buildings?Niles: And the snootiest hotels.Frasier: How could this happen, Niles?Niles: I was at a partythrown by the publisher, Olga Suerbread. The pretentious fop who had the job before me was there too, spouting sheer drivel about Leonard Bernstein. Being polite I kept my tongue sheathed. Until he referred toBernstein's conducting as \"overrated.\"Frasier: [indignant] I assume you pounced?Niles: [dignified] Like a ninja! By the time I had finished with him, Olga could see I was a far better critic than that arrogantposeur.Daphne: She fired him right there?Niles: Well, he was leaving anyway for his junior year abroad.Frasier: Well, it's a post. Congratulations are in order. You know, who would have thought my little brother aprofessional music critic?Niles: Oh, oh, and not just music. I can review anything I want. Theater, dance, art exhibits.Frasier: You don't say?Niles: Yes, from now on, wherever we go, I'll be armed with my trusty padand penlight.Frasier: Wherever we go? What fun.Niles: [takes some opera glasses from his pocket] I'll have to take a damp cloth to these opera glasses, although I don't know what will we use them for, sitting in thefront row? Unless it's to scan the faces of the jealous people behind us.Niles exits to the powder room.Martin: So, are you sure you're okay with Niles getting this critic job?Frasier: Why wouldn't I be, Dad?Martin: Oh,come on, I know what it's like with you two when one of you gets something the other one doesn't have. It's like when you were kids. Niles got a telescope, so you had to have a telescope. You got that funny littleguitar, Niles...Frasier: Dad, it was called a lute!Martin: Oh yeah, whatever.Frasier: Dad, believe me, I do not envy Niles his critic's job. As kids we would aggravate the situation by flaunting our toys in each other'sfaces. We're much more mature than that now, all right?Niles enters from the powder room.Frasier: Niles, you know, it's about time we got going. We don't want to be late for the curtain.Niles: [flaunting] Don't be silly,I'm press now. They'll hold it.Niles walks out with great esteem, his chin pointed up. Frasier grovels behind him, ignoring Martin's smug look.[SCENE_BREAK]HOW A POPPY BECOMES HEROINScene Three - CaféNervosa. Front stage, Frasier and Roz are having a coffee and a chat together. Meanwhile upstage, Poppy is telling a weary crowd around her (including Gil and Kenny) about her life.Poppy: So, that's how it ends: Bminus average, ten extra pounds and still no boyfriend.Front stage, Frasier and Roz watch on.Roz: I see Poppy's having a little party.Frasier: That's not a party, that's a hostage situation.Roz: Thank God today is herlast day. You know, this morning she cornered me by the coffee machine and told me her whole life story. I just wanted to grab her by the throat and say, \"What am I, your biographer? Shut up!\"Frasier laughs. Gilfinally gets out of the \"party\" and arrives at Frasier's table.Gil: Dear God! I thought I'd never break free. I feel like a mongoose at the mercy of a chatty cobra.Gil exits as Niles enters with a newspaper.Niles: Hello, all. Isee you all ready have the \"Times.\" I'm quoted there today.Frasier: In the \"Times?\"Niles: Yes, here, [shows Roz the bit] it's in an ad for \"St. Joan\": \"'Incandescent,' Niles Crane, 'The Monocle.'\"Roz: [stands] Wow!Excuse me while I go and tell all my friends I know you!Roz goes off to the counter as Niles takes her seat.Niles: [yawns] Forgive me. Olga and I were up till all hours at a party for the \"Royal Shakespeare Company.\"I'm rubbing pretty impressive shoulders these days. And to think it's all because I have a small column.Frasier: [keeping his eyes on his newspaper] That would certainly be the Freudian interpretation!Niles: If I were toreview that attitude I would say it was a chilling portrait of malice and envy.Frasier: Oh Niles, I'm not the least bit envious that you get to spout off in that glorified cat-box liner.Niles: You just can't stand it that myopinion means more than yours. That the arts community looks to me for my insight, my approval, my thumbs-up.Frasier: I think we both know what your thumb's up these days!Niles's temper flares, and he getsup.Niles: That's a good one, Frasier. Perhaps you should use it in your column. Oh, that's right - you don't HAVE one!He exits and Roz joins Frasier with their coffees.Frasier: That smug jackass!Roz: Frasier, you have aradio show. If you wanted to say what you thought of a play, what's stopping you?Frasier: It's not the same thing as being a real critic, Roz. You don't get free tickets... you don't get quoted... forget hobnobbing.Roz:My God, this competition between you and your brother is sick. Your obsessive one-upmanship. You're both going to end up bitter old cranks like Chester Ludgate.Frasier: You know, you do raise a good point, Roz.Roz:Thank you.Frasier: Chester's time slot is free, I could do my own arts show.Kenny passes, trying to hide from Poppy.Frasier: Kenny? Listen, Roz just had a wonderful idea.Kenny: Yeah, doc?Frasier: What do you sayabout yours truly hosting a bouncy little show about the arts in Seattle?Kenny: Culture? Wow! That's a great idea, let me chew on that and I'll get back to you.Kenny exits.Frasier: Great! You see, Roz, he loved yourideaRoz: That was not my idea.Frasier: It was too your idea.Roz: It was not...Kenny enters again.Kenny: Look, Doc, honestly, I feel kinda bad about what I just did. I let you think there was a chance that I might youlet you do this culture show and... there's not.Frasier: No chance at all?Kenny: No. I mean, come on Doc. You, culture, opera. Who's listening? Not me! [laughs]Kenny exits.Frasier: Damn! I think my show's a goodidea.Roz: Well, Kenny's the station manager and he doesn't.Frasier: You know what, frankly, I don't like his attitude. He acts as if he owns the station but he doesn't. Someone else does.Roz: Poppy!Frasier: The nextbest thing, her mother!Roz: No, Poppy.Roz points to Poppy who is coming over. Roz quickly picks up her bag and exits.Poppy: Hi, Frasier.Frasier: Hello, Poppy. Gosh, would you care to join?Poppy: I can't. Mummy'staking me shopping. She spoils me something horrible, I guess it's an \"only child\" thing. Anything I want, I just have to ask.Frasier: [getting an idea] Anything you want? Well, that's interesting. You know, Poppy, wecould join each other for lunch after your shopping spree.Poppy: Oh, I'd love it.Frasier: Would you really? You know, it just seems a shame you leaving the station and us never really getting to know one another.Poppy:Oh, it hasn't been easy. I mean, with you having those dental appointments everyday.Frasier: [guilty] Yes. Let me walk you out. [stands up]Poppy: You know, I should get the name of your dentist. I can't find one Ilike. They're always giving me Novocaine when I don't need it and then it's hours before I can talk again.Frasier: Oh yes, well, I can give you his number, although I'm not sure he'd be any different.Frasier and Poppyexit. End of Act One. Act Two.Scene One - Frasier's Apartment. Daphne is sat, irritated, on Martin's chair. Frasier and Poppy are sat on the sofa with wine and paté on the table. The last chords of a Beethoven piece isbeing played on the stero. Frasier is air- conducting as Poppy is laid back listening.Frasier: Divine Beethoven. Extraordinary, isn't it?Poppy: Oh, yeah. And do you know what makes it more amazing?Frasier:What?Poppy: [declares] He was deaf!Frasier reacts to this. Daphne just stares at her as if she's mad.Frasier: Daphne, more paté please.Daphne picks up the paté dish still staring at Poppy before she exits to thekitchen.Frasier: Poppy, I can't tell you how wonderful it is to meet someone who shares my passion for the arts. It's a rare thing to find in Seattle, believe me.Poppy: Is it?Frasier: Oh yes, sadly. If only more peoplewere better informed about our city's rich cultural treasures. [hinting] But what can we as mere radio folk do?Poppy: Well... [delayed reaction] What about a radio show all about the arts in Seattle?Frasier: Oh my God,Poppy, that's a wonderful idea. How do you do it, you just pull these things out of the air! Good Heavens, of course we'll have to find ourselves a proper host, but who?Poppy: Well someone very smart.Frasier: Oh,indeed.Poppy: And cultured.Frasier: [French] Bien Sur!Poppy: And with a lovely speaking voice.Frasier: [articulated] Oh, I don't think we need to look too far.Daphne enters with the paté.Daphne: Here you go. It's veryrich, so don't spread it on too thick!Poppy: Frasier, I'm so glad you're on board with this.Frasier: You know, my only concern is will Kenny go for it? You see, he's a bit of a Philistine. It might be better if the suggestioncame not actually from us but from... [no response] someone else.Poppy: Who?Frasier: Well, someone with more authority, power, influence... [no response] Someone older... [no response] A woman perhaps...[noresponse]Daphne: [fed up] Your mother! He means your mother!Poppy: Oh, what a great idea. I'll call her. [stands]Frasier: Here, use mine.Poppy: Thank you.Frasier hands Poppy his mobile, she sits and dials.Poppy:Hello, mummy. I'm with Frasier Crane and we think there should be an arts show on KACL. But I really like this idea! So, you'll call Kenny and tell him you want this, okay? Love you too, okay, bye. [hangs up]Frasiersmiles at Daphne, Daphne gives a sarcastic smile back.Poppy: And the first show should be?Frasier: Why don't we start tomorrow? But we'll need something to review.Poppy: That revival of \"A Streetcar Names Desire\"opens tonight.Frasier: Brilliant, let's go together. I'll see you at the theater.Poppy gets up to the door and is greeted by Martin who enters with Eddie.Martin: Oh, Poppy.Poppy: [to Eddie, loudly as if he is a baby]Hewwo, wittle Eddie, did you have a good walk? [Eddie runs off]Martin: Actually, we've just been to the vets.Poppy: [standing in door way] I had the cutest little dog when I was young, named Mr. Poops, every time wetook him to the vet\u0000s he...Martin slams the door on her, drowning out her ramblings.Daphne: You took Eddie to the vet, is he sick?Martin: No, it turns out the building security camera caught Eddie taking out RobbieGreenberg's hamster. So this Greenberg kid's trying to make Eddie out to be some kind of pit bull, he's organizing some petition to get him banned from the building.Frasier: [repressing glee] Oh Dad, that'sterrible.Martin: Yeah, it is. I don't know, I just wanted everyone to see what a nice, calm, friendly dog Eddie was.Frasier: Why did you take him to the vet?Martin: Tranquilizers. They don't even work anyway. I gaveEddie one of those pills on the ride home, they didn't do a thing to him. I don't know, I think maybe he needs something else.Daphne: Uh, Mr. Crane?Daphne points to Eddie laid, seemingly unconscious, on the upstagefloor. Martin looks.Frasier: Looks like all he needs is a lava lamp and some sitar music.The doorbell sounds. Frasier crosses to the door and opens it to Niles.Frasier: Niles!Niles: Well, I'm glad to see you're in a bettermood. I was hoping you'd lend me your Tennessee Williams biography. I have to review that revival of \"Streetcar\" tonight and I wanted to throw in some background stuff.Frasier: Well, I'm sorry Niles, you know,normally I would have lent it, but I'll be needing it myself for my own review.Niles: Oh. Well, in that case I'll... [realizes] What?Frasier: Oh, that's right, you wouldn't have heard. You see, starting tomorrow I'll be doingmy own little arts show on KACL, twice weekly.Niles: You envious reptile!Frasier: [picks up plate] Paté?Niles: I achieve one thing, one tiny distinction you don't have, and what do you do? You run whining to Kenny forextra airtime.Frasier: I did no such thing!Daphne: No, he went to that Poppy woman instead.Niles: Poppy?!Frasier: [to Daphne] Is this a panel discussion?Niles: You loathe Poppy!Frasier: I do not, I think she'sdelightful, [to Daphne] isn't she?Daphne: She's an idiot!Niles: You conniving copy-cat! You have to have whatever I have.Frasier: I don't have what you have. My audience is twice as large as yours is!Niles: Well, atleast my audience can read!Frasier: How dare you review my audience!Niles: I'll review anything I want to!Niles and Frasier, bickering, exit to the kitchen. Martin is laid back in his chair listening to them as Daphnewatches Eddie.Daphne: [referring to Eddie] I've never seen him like this. Eyes bulging, tongue lolling out...Martin: Oh, he always gets that way when he fights with Niles![SCENE_BREAK]Scene Two - Radio Station. Rozis in her booth getting ready for the show as Frasier enters.Frasier: Good morning, Roz.Roz: Hi.Frasier: Are you ready for our debut? I'm thinking of calling the show, \"Frasier Crane's 'I'll Say'.\" But with the \"I'll\" speltlike a theatre aisle.Roz: [sarcastic] That should work real well on radio! You better watch out for Kenny, I heard he's pretty mad at you for going over his head.Frasier: He can't be mad at me, the whole thing wasPoppy's idea. [Poppy runs by outside] Oh, here she is now, come to wish me luck.Frasier and Roz enter the main booth where Poppy also enters.Poppy: I was afraid I wouldn't get here in time.Frasier: Oh, here, here.[sits her down in his chair] We've got a few minutes to go before the show starts. Take a seat, catch your breath. Oh gosh, I'm really glad you made it. You know, it wouldn't be a proper debut without you.Poppy: Wow!All these buttons, how do you do it?Frasier: Oh, it's not that complicated, really. You know, I turn on the mike here, these are my call buttons. Oh, and I push this button here if I want to cough. [shows her]Poppy: Howdoes it make you cough?Roz and Frasier share a glance.Frasier: You know, Poppy, I hate to rush you, but we've just a couple of minutes before the show so...Poppy: [screams and stands up, only to sit back down againtaking a script out of her handbag] I better get a move on. [reads her script]Frasier: Poppy, what are you doing?Poppy: Getting ready for my show.Roz: [confused] One minute!Frasier: Your show?Poppy: Well, okay,our show. After all, it was your idea for me to do it. [shouts] Everybody, everybody come in here, please.Everybody from the corridors comes to the doorway to listen to her. Even Kenny and Gil stand by.Poppy: Before Ibegin my new show I just want to say a few words. Yesterday, I was ready to leave KACL. To run away like I have from so many other challenges. It was the support of one man, Frasier Crane, [Frasier looks horrified atwhat he's done] that helped me overcome this shyness many people may have observed in me, and to follow my dreams. [crying] Oh my God, I want to cry.Gil: We all do.Roz: [angry] Ten seconds!Poppy gives a littleshriek of excitement. Everyone exits apart from Poppy, who puts on the headphones. Roz to her booth. Kenny, Gil and Frasier to the corridor.Gil: How could you do this to us?Frasier: I had no idea she intended tostay.Kenny: That's not what her mother told me!Gil: And I thought I'd seen some cruel pranks in the army.Frasier: I assure you, she is way out of her depth here. Any moment she'll realize she's in over her head, she'llbe begging me to go in there and take over for her.Meanwhile, Poppy's show begins.Poppy: [slow, excruciating voice obviously reading from a script] \"A Streetcar Named Desire\" is a very powerful Broadway play. It was"}
+{"doc_id":"doc_94","qid":"","text":"(Fade to black. Cut to rolling coastline of beach houses. Cut to Sydney running through a park. This is not a leisurely run. She looks more as if she's pushing herself, perhaps running from the demons in her life. Sheslows and stops, removing headphones from her ears and bending over to take a drink from a water fountain.)Sloane (voiceover): Hello, Sydney.(Sydney looks up, shocked. Cut to see Sloane standing ten feet awayfrom her.)Sydney: What do you want?(She switches off her walkman radio. Sloane walks toward her, clutching a small bottle of water in his hand.)Sloane: The Covenant is about to make a move.Sydney: If you havesome intel, protocol is you pass it through Lauren Reed. She's your handler.Sloane: Well, Ms. Reed is very able, but I'm afraid she can't possibly comprehend the intricacies of serving two masters simultaneously. Youwere brilliant at it. The way you would walk into my office, look me in the eyes and lie to me. (He nods.) For me to succeed in my new work as a double agent for the Covenant, I'll need your help.Sydney: Your needsdon't concern me.Sloane: You'll find the details on toureurope.eu. It's encoded in a photo of the Vatican. The password is \u0000Credit Dauphine\u0000 for old time's sake.(Sydney looks away slightly, arms crossedimpatiently.)Sydney: Clever.(Sloane takes a swig from his water bottle, then dries his mouth with the back of his hand.)Sloane: Hmm I miss LA. I miss Emily. I miss the friendship with your father. (sighs) I miss yourconfidence and trust. Perhaps, I can get it back someday?Sydney: You will never have my confidence and trust or my father's friendship and respect ever.(Sloane just studies Sydney and then smirks slightly as if she'sjust said something funny.)(Cut to Vaughn dressed in full hockey gear, minus helmet, at the rink, skating hard across the ice surface.)Weiss (voiceover): You don't want any of \u0000Weiss on Ice\u0000 Come on,buddy!(Vaughn takes a shot that goes right by Weiss, dressed in full goalie gear.)Weiss: All right, I wasn't ready! Wait \u0000til I say the words, \u0000I'm ready.\u0000(Vaughn lines up about 15 feet away from Weiss and shootsfour pucks (wristshots) in quick succession at him. Weiss protests between each one.)Weiss: Whoa! Hey! Hey! Hey! Hey! Hey! Hey! Hey! . Dude, what's the matter with you?(Vaughn, skating backwards, resetting formore shots. His voice is brooding.)Vaughn: Nothing.(Vaughn takes another shot, which Weiss catches in his catching glove. He tosses it back out on the ice toward Vaughn.)Weiss: My brother used to do this.Vaughn(skating about restlessly): Do what?Weiss: Shut down like you're doin'. Get all quiet and \u0000tough guy'.Vaughn (taking another shot): That's not what I'm doing.(Vaughn goes back to skating restlessly.)Weiss: Yeah,he'd deny it, too. Then he'd brood and get mopey, like you're doin'. Finally, it got too much for him he'd have to come around and tell me what the problem was(Vaughn stops skating and lets out a large impatientsigh.)Vaughn: It's been three weeks since I learned that Sydney murdered Lazarey I've been lying to my wife for three weeks.Weiss: Vaughn, I know guys who've lied to their wives for a lot longer than that(Vaughngives Weiss a dirty look.)Vaughn: You understand that the reason your brother didn't like talking to you is because you say stupid things, right?(Vaughn fires an annoyed slapshot off the boards to the right (fromVaughn's angle) of the goal. It makes a loud noise and skitters away.)Weiss: Listen you were ordered not to say anything, right? This isn't your choice!Vaughn: Yeah, and she was ordered to figure out who murderedLazarey I mean, that's my point. I'm actively engaged in preventing her from doing her job. (He shakes his head and sighs with frustration again.) She's gonna find out, I mean, you know she is(Weiss nods with a littlesigh.)Weiss: and that you're protecting SydneyVaughn: Yeah See where I'm going with this?Weiss: Well This is why people from the CIA should not get married to people from the NSC, man. Don't poop where yousleep(This response is not what Vaughn is looking for; it only irritates him more.)Vaughn: Thanks a lot(Vaughn fires a wicked slapshot right at Weiss' right pad. It connects hard and Weiss collapses to his knees in thenet as Vaughn skates off.)Weiss: Oh! .Okay .You know what? That hurts(Cut to evening scene of a narrow European street. STRASSBURG. Cut to a dark nondescript van driving down the street. Cut to a Covenantmember, not one we've seen before, holding out a manila envelope.)Member: This is where Lang will be(Cut to Sark, taking the envelope.)Sark: I'll take care of it.Member: It must be done a certain way. There's an aextraction required.Sark: I assume you've stepped out the detailsMember: Yeah, your partner's been briefed.Sark: My partner!? I don't think so.Member: This is not a requestSark: Look, if you don't trust me by nowperhaps you should be in business with someone else and you can tell that to San'ko.(The Member just laughs as an unamused Sark looks on. Cut to an overhead aerial view of downtown LA by day. Cut to the JTFConference room.)Dixon: We've logged on to Tour Europe and downloaded Sloane's intel. The Covenant is after a device that will give them access to Russia's strategic arsenal. It was designed by this man (shows apicture on screen), Robert Lang, hardware engineer for a German security firm.Jack: Lang was approached by someone posing as a Russian defense official. They contracted him to design a test for security flaws intheir nuclear command and controls system.Marshall: This guy Lang created this really cool device. Basically, take it to any missile silo in all of Russia and it interfaces with the launch control console, bypasses allsecurity protocols: initiation codes, the commander's launch key irrelevant.Sydney: It's a skeleton key for Russia's nuclear weapons?Marshall: Yeah and to be honest, I'm just a little bit jealousLauren: Did they everdeliver it to the Covenant?Jack: No. He discovered that the man who hired him wasn't actually Russian defense, at which point, Lang went on the run to prevent the Covenant from getting what he'd invented.Dixon:This is a picture of what he used to look like. (Nods to picture still up on monitor.)Jack: According to Sloane's intel, Lang has surgically altered his appearance to hide from the Covenant.Dixon: We know that tomorrownight Lang is scheduled to meet this man (picture flashes up on screen) Heinrich Strauss at the Club Delphi in Milan. He's picking up new identity papers.Jack: Remember, Sloane's intel came from the Covenant, soobviously they're looking to grab Lang and this skeleton key.Dixon: Sydney and Vaughn you need to get to Lang before the Covenant does. You leave tonight. Marshall will go over op tech. Lauren, Sydney I need amoment. (They wait while the others file from the room. Dixon approaches them.) Given the current situation, I need to make a change. (Dixon looks at Sydney.) I want you to take over as Sloane's handler.Sydney(speechless for a moment and then): No, I'm sorry that is not a good idea.Lauren: While it's not my favorite part of the job, can I ask why I'm being replaced?Dixon: It's not an indictment. It's that Sydney is morefamiliar with the players(Sydney gives a confused look at Lauren and then to Dixon.)Sydney: What players? There's Sloane and Sark that's it.Dixon: No. There's another. (pause while realization starts to dawn onSydney's face) Sydney Allison Doren is alive.(Pain and shock appears on Sydney's face. She looks away. Then she looks up and asks in disbelief)Sydney: She's alive?(Cut to the back of a van door opening and Sarkbeing shoved out of it by the Covenant member he'd been talking to. Sark turns around to look at the man.)Member: You can thank me later(He closes the door. As the van starts to drive away, Sark turns around. Cutto a closeup shot of a high heeled shoe as it steps out from an open car door. We watch the door shut and the shoes walk toward Sark. The camera pans up: Black high heels, black stockings, black miniskirt, blackjacket. The woman is walking toward Sark (The camera is behind her.) Cut to Sark's reaction. His eyes widen in complete shock. Cut to who he's looking at. It's Allison Doren stopping in front of him. She leans in to kisshim, and then)Allison: You look like you've seen a ghost.(Cut to black. Alias theme. End of Act One.)[SCENE_BREAK](Cut to an external view of what is apparently a European hotel at night. Cut and pan across abedside table to Sark and Allison in bed, apparently naked. Sark is spooned behind Allison.)Sark: I truly thought you were dead the last two years. You'll have to start at the beginning or the end, after the last time Isaw youAllison: Will Tippin discovered what had happened that his girlfriend had been killed and I'd been doubled to take her place.(Flashback to the beginning of the fight scene between Allison and Will, when she triesto strangle him.)Allison (voiceover): He had to be eliminated.(Cut back to Allison and Sark in bed.)Sark: What happened with Bristow? When the Covenant found you, you were both unconscious.Allison: I can onlyremember that in bits and pieces. (Flashback to the scenes from \u0000The Telling\u0000 of the fight as she speaks). She came home I realized that she knew she aimed the gun at me (cut back to the present) The next thing Iremember, it was three weeks later and I woke up in a Covenant run hospital outside of Marseilles. Took me six months to fully recover. I've been working for them ever since.Sark: Were you behind them extracting mefrom the CIA?Allison: I wish I could claim credit for that. I only learned you were working for us recently.Sark: My tenure began shortly after my father's murder. They freed me in exchange for my inheritance.Allison:Who killed your father?Sark: I don't know but I intend to find out.(Allison turns in bed, her back more to Sark now. He fingers her shoulder.)Sark: Bristow should have to pay for these scars (Sark leans down and kissesher shoulder, presumably on her scars)Allison: She will.(Allison turns and Sark kisses her.)(Cut to an aerial view of the Observatory.)Lauren (voiceover): I'm no longer Sloane's handler. Dixon gave that job to SydneyBristow. (We see on Lauren's face that this still bothers her.)(Cut to Lauren sitting next to Lindsay on a bench. They aren't looking at each other, almost as if they are meeting secretly.)Lindsay: Good. That frees you upto focus on the Lazarey murder. We have a source working inside the Russian government who's agreed to help us out.Lauren: They have the assassin's identity?Lindsay: Not yet. But apparently they hold informationthat could lead us to it.Lauren: Then why aren't they using it? Lazarey was a Russian diplomat. You'd think they'd want that answer more than any of usLindsay: The Covenant doesn't want anyone to know they'rebehind the assassination.Lauren: And your source believes their reach extends so far within the Russian government that they can make that happen.Lindsay: You leave tonight. Any leak, and our source could becompromised and killed. That means no one at the CIA can know about this, including your husband.(Lauren reacts to this news. The dread forms in her eyes and she sighs heavily and looks away. She's not lookingforward to having to lie to Vaughn.)(Cut to two open suitcases on a bed. Slowly pan upward to see Vaughn packing. He's dressed in only a dark pair of pants. His boxer shorts peek out the top of the waistband, andwhat looks like it could be a gauze bandage can barely be seen under that. He puts a shirt inside his suitcase.)Vaughn: ViennaLauren: I know surprised me, too(Lauren walks out from presumably the bathroom carryingsome clothing, crosses behind Vaughn, around the side of the bed to the opposite side. She's dressed in skimpy black bra and panties and black high heels. She drops a black dress into the other suitcase and startsslipping her legs inside a black skirt.)Vaughn (continuing to pack): For how long?Lauren: Oh, you know how they go it's a NATO security briefing. Two days at the most.(I must mention here that even though Lauren isbarely dressed, Vaughn barely even looks at her. I don't know if that is supposed to mean anything here, but I mentioned it just in case it does.)(Vaughn looks up at Lauren suspiciously. There's a touch of doubt on hisface. He's not sure he believes her.)Vaughn (pauses, then): I'm surprised Lindsay reassigned you to cover a briefing(Lauren sits down on the bed. From our angle, we can see she's nervous and bothered about havingto lie.)Lauren (slightly breathless, trying to sound cheerful): I know but he said he needs me there couldn't exactly say no, could I?(Lauren bends forward a little; we see her grimace. She plays with her earringnervously. Vaughn gives her back another look of almost betrayal as if he knows she's lying.)Lauren (in a quiet voice): What about Milan?(Cut to Vaughn slipping on a navy blue button down shirt. His face says he's hurtthat she's lying to him, because he knows she is. He plays with the collar of his shirt and starts to button it.)Vaughn: Should be a quick turnaround. Be back in a day.(Lauren turns her head to the side and then standsup to face Vaughn.)Lauren: When we get back when we're done with this(Vaughn looks up to meet her eyes. He's tense; we can see it in the way his jaw is set.)Lauren: we need to go away.(Vaughn gives her a tinyknowing smile.)Vaughn: The desert?Lauren (shaking her head): Anywhere(They lock eyes. Vaughn smiles a little and then the smile fades slightly as he continues to stare at her.)(Cut to a car driving away from usbehind a row of warehouses. MOSCOW. Cut to Lauren and the contact inside one of the warehouses talking in hushed tones.)Lauren: My superior indicated, Mr. Tipucoff, that you have some information for us.Tipucoff:How does a British woman become an American spy?Lauren: I'm not a spy. And though I grew up in London, I was born in the United States. Now that you know my life story, I have some questions myself. Yourgovernment's running a probe into this. I would think you'd want to bring closure to your own investigation. Why come to us?Tipucoff: I already explained this to your superiors.Lauren: I want to hear it formyself.Tipucoff: Andrean and I were, um colleagues, since our time together at St. Petersburg University.Lauren: I'm sorry.Tipucoff: I have for some time now, suspected the existence of a mole whom I believe is stillloyal to the Covenant. (pulls his hand out of his pocket and hands Lauren a digital recorder) This is a file of digital recordings, which chronicles hundreds of phone calls made or received by our deceased diplomat,Andrean Lazarey. Perhaps the murderer can be traced to one of these calls. I trust that you'll see that justice is done for my murdered comrade.(He starts to walk away.)Lauren: Where can I contact you?(Tipucoff turnsand looks back.)Tipucoff: You can't. We never had this conversation.(Tipucoff walks away. Cut to black.)(MILAN. Push through the A. An overhead shot of a streetcorner at dusk. Cut to Vaughn, in black leather jacket,holding a Palm Pilot in what is apparently their surveillance van. Vaughn speaks louder than normal, as if speaking to someone in another room.)Vaughn (playful, joking): So that camera that Marshall gave us is aminiaturized X-ray camera What do you want to bet this thing's leaking radiation?(Cut to a sliding curtain door as it opens. Sydney emerges in costume: Chin length flip hairdo, blonde on top with dark hair underneaththe top layer; 60's style white sequin minidress and calf high white go-go boots, topped with a white suede coat with a fur collar. She steps out. He looks up at her, smile still touching at the corners of his mouth. Hiseyes widen as the smile slips off his face. His mouth gapes open slightly and he leans back in his chair, unable to stop staring at her. Sydney breaks eye contact first and looks away uncomfortably.)Sydney: So we'relooking for Lang(Vaughn takes the subtle hint and gets back in game mode. He looks away momentarily and then back, more in game mode.)Vaughn: Yeah the camera's supposed to ID his plastic surgery.(Sydneywalks over and sits next to Vaughn as he continues to explain.)Vaughn: It'll transmit images back to my PDA that Marshall programmed to identify fractures, scar tissue, implants anyone who's been under theknife.(Sydney looks down at her lap. She appears troubled. This doesn't escape Vaughn's notice.)Vaughn: You okay?(Sydney looks up, meets his eyes.)Sydney: Mmmhmmm.(Vaughn looks down, playing with thePDA.)Vaughn (not looking at Sydney): Is it Allison?(He looks up at her. He knows.)Sydney: Since I learned that she's alive I keep wondering Does she still look like her? Does she look like Francie?(Vaughn continues tomeet her eyes, his understanding and empathy plain.)Sydney: Because if she does? As much as I know I should keep her alive to maybe try to figure out the last two years of my life? All I'll wanna do is kill her.(Theireyes meet.)(Cut to Francie, dressed in black, apparently on the rooftop of the club. Sark walks toward her, handing her an envelope.)Sark: Heinrich Strauss he's the man providing Lang with identity papers. As wespeak, he's getting drunk in the club.Allison: I'll keep an eye on him.(Cut to Vaughn, picking up the necklace that Marshall made for the op.)Vaughn: The camera's in the stone.(He holds the necklace out.)Sydney(quietly): Do you mind?Vaughn (just as quietly): No.(Cut to closeup on Sydney's fingers unbuttoning her coat to slip it off her bare shoulders. We see the pendant appear on the front of her dress and then pull up. Thecamera pans upward to Sydney's face as Vaughn's hand rests against her shoulder as he does up the clasp of the necklace. It brings back memories for her. Slide over to Vaughn's face. He's just as affected by themoment, if not more. He pulls his hands away slowly and just as slowly pulls the fur collar back into place. Sydney looks down sadly.)Sydney (barely above a whisper): Thank you.(Cut to Allison pulling on fingerlessleather gloves. She opens a soft case, exposing a sniper rifle. She locks a silencer in place, lifts the rifle to look down the telescoping sight. She locks a clip in place and cocks it. She zips up her black leather jacket andsays, apparently to Sark )Allison: Let's go.(Cut to Sydney's go-go boot. She pulls aside her ankle length coat, exposing the calf high boots, wide expanse of leg, and a gun harness strapped on her upper thigh. She slipsa pistol inside it, saying)Sydney: Let's go.(Cut to inside the club, pan down from the ceiling to Sydney as she begins to work the crowd.)Vaughn (voiceover, on comms): Okay, we're looking for someone with massivefacial reconstruction. Lang's about 5' 10\u0000, 170 pounds.(Cut to a closeup of the necklace.)Sydney (voiceover): How's the camera working?Vaughn (on comms): Video's linking up now.(Cut to view of video coming up onVaughn's PDA. Cut to Vaughn on a balcony above the dance floor, surveying the scene.)Vaughn: Signal strength's at 100%.(Cut to view from above of Sydney making her way to the bar counter.)Sydney (voiceover):I'll start looking for Lang.Vaughn (on comms): Hey, check out that guy to your left.(Cut to Sydney as she looks over her shoulder at a young man in black wearing spectacles. She gives him a seductive smile, plays withher necklace and says)Sydney: Buy me a drink?(The man puts up a finger to attract the bartender's attention. Sydney looks around as she waits to hear from Vaughn. Cut to Vaughn looking at the PDA, then to theimage on the PDA. The program searches the man's face. He's not a match. Cut to Vaughn.)Vaughn: Nothing.(A new song starts to play. As the man holds out the drink to her, she waves her hand and starts to walkaway saying,)Sydney: I love this song.Vaughn (on comms as Sydney works the crowd): Okay, nothing there Keep moving Oh! Check out that guy with no rhythm(Sydney grabs both the man's hands and starts dancingwith him while Vaughn checks out his face. Cut to Vaughn.)Vaughn: No, only a nose job not enough to be Lang.(Cut back to Sydney. She dances for another moment, then moves on. Cut to a view of the crowd fromSydney's pendant.)Vaughn (voiceover): Chin implant at 3 o'clock(Cut to Vaughn looking at his PDA)Vaughn: Collagen lips straight ahead(Cut to Vaughn's PDA as he focuses in on a woman in a low cut white satin gownshimmying to the music. An X-ray interpretation of the shot reveals )Vaughn (jokingly sarcastic): Okay, those breasts are real(Cut to Sydney as she smiles at Vaughn's joke. Cut back to Vaughn.)Vaughn (joking): Whatdo you think? Should I get my nose done?Sydney (as she surreptitiously turns on her comm.): Maybe a little taperingVaughn (on comms): Get the bump removed?(Cut to Vaughn.)Vaughn: Whoa, wait, wait, wait goback. Go back to your left, 2 o'clock.(Sydney takes a step back, turning her pendant.)Sydney: Right there?(Cut to the man the pendant is pointing at.)Vaughn (voiceover): Yeah, yeah hold it just like that.(Cut to"}
+{"doc_id":"doc_95","qid":"","text":"[INT. GRISSOM'S PLACE - KITCHEN -- DAY](BLUR IN on a glassware pot on the stove.)Madeline Klein: (V.O.) Nobody knew he was coming, Conrad. Nobody knew his name.(Grissom is making soup.)Madeline Klein:(V.O.) Well, if you'd stop talking for a minute, you'd understand.[SCENE_BREAK][INT. COURTHOUSE - JURY ROOM - DAY](The large jury room is empty.)Madeline Klein: (V.O.) The investigation's been compromised.Lives are at risk.(CUT TO: A legal pad and file are placed on the conference table. Another set of paper and file is placed on the table.)(CUT TO: The jurors are sworn in. There's a board with crime scene photos up in thebackground.)Madeline Klein: (V.O.) How many people do the right thing anymore? Have a conscience? Don Cook didn't even know what he saw.[SCENE_BREAK][INT. POLICE DEPARTMENT - INTERVIEW ROOM](DonCook sits at the interview table.)Madeline Klein: (V.O.) El Matocho doesn't kill for the thrill or because he was abused as a child.[EXT. NIGHT](Emilio Alvarado walks away and under a lamppost. It's light enough toidentify him. The large tattooed letters on the back of his head are easily identified: L-A-T.)Madeline Klein: (V.O.) He kills because it's his answer to everything.(He walks away.)[SCENE_BREAK][EXT. NIGHT](A car is onfire, burning from the inside.)Madeline Klein: (V.O.) I had him eyewitnessed. It was enough for an indictment. No indictment, no trial. He goes free and La Tijera gets stronger. So don't patronize me by saying thismight be an accident.[SCENE_BREAK][EXT. NIGHT](Fire crew and other personnel are at the site, the car fire is out and smolders. It's covered with foam.)Madeline Klein: (V.O.) I'm not asking you for advice here, I'mtelling you: I want Grissom.(A black car pulls off the side of the road. The door opens and Madeline Klein steps out of the car. She's on the phone continuing her conversation with Conrad Ecklie.)Madeline Klein: (tophone) Maybe the reception sucks out here.(She closes the car door and heads for the site.)Madeline Klein: (to phone) I said I want Grissom. Say I asked for him personally.(She hangs up.)(She walks over to theforensic techs standing near the site drinking coffee and waiting.)Madeline Klein: I don't want anyone touching anything. Thanks for all your help, guys.Tech: (o.s.) Yes, ma'am.(She turns and walks over toBrass.)Madeline Klein: Case is reassigned to Grissom.Brass: He's home sick, Maddy.Madeline Klein: Yeah, I heard all about it from Ecklie. Blah, blah, blah. The point that he and you seem to be missing is that I have 18grand jurists sifting through evidence, trying to help me indict one of the deadliest gangs this city has ever ...Robbins: (shouts, interrupts) Who's in charge of the scene?!(Robbins, a coroner's assistant and David Phillipsare with the body. David is examining the body.)(Brass points to Maddy.)Madeline Klein: I am. (mutters) For God's sake.(Maddy and Brass head for the body.)Madeline Klein: Madeleine Klein, Deputy DA.Robbins: AlbertRobbins, Clark County Coroner.Brass: Talk to me, David.David Phillips: Confirms it's Don Cook.(David hands the wallet to Brass.)Madeline Klein: This is on us.Brass: What do you got, Doc?Robbins: Other than theobvious burns over the better part of his body, there's this.(David and the assistant roll the body to show the wound on the back.)Brass: He was shot.[SCENE_BREAK][INT. GRISSOM'S PLACE - NIGHT](Grissom is in thekitchen cooking soup. An aria plays over the sound system. Grissom coughs and it's obvious he's sick.)(Hank sits on the kitchen floor nearby.)(Grissom stirs the soup cooking on the stove. He tastes it with a woodenspoon. The phone rings.)(Grissom picks up his cell phone and looks at it.)4:00 AMCALL FROMECKLIE(Grissom turns the phone off.)(Hank makes a sympathetic bark. Grissom turns and looks at Hank. Hank looks back athim.)FADE TO END OF TEASER ROLL TITLE CREDITS[SCENE_BREAK][EXT. ROADWAY -- DAY](Two police cars are parked at angles on the road and a strip of crime scene tape is tied between them to block the roadway.Catherine is doing a walk-through on the road as she talks to Grissom on the phone.)Catherine: (to phone) Let me run it down for you. Isolated stretch of Route 2, burned car on the shoulder, burned male victim out ofthe car 20 feet away.(She walks past Greg, who is busy with a clipboard. A scarf is wrapped around his neck. She continues toward Madeline Klein, who is standing near her car.)Catherine: (to phone) Single gunshotwound to the lower back. Passing motorist called it in. Fire department arrived within 12 minutes. Fire burned so hot, they had to use foam to put it out, which, of course, is never good for us.Madeline Klein: Where ishe?(Maddy takes the phone from Catherine and walks as she talks. Catherine walks along with her.)Madeline Klein: (to phone) I've been waiting over an hour for you. What, are you walking here? (pauses) How manytimes have I gotten out of bed in the middle of the night for you, Gil? (pause) Yeah. Yeah, well, I'd like to phone it in, too. I left an AA meeting for this. That trumps walking pneumonia.(Maddy hands the phone back toCatherine.)Madeline Klein: Here you go, eyes-and-ears.(Maddy turns and leaves.)Catherine: We'll keep in touch.INTERCUT WITH:[INT. GRISSOM'S PLACE - DAY](Grissom pours a packet of powder into hisdrink.)Catherine: (from phone) So the Deputy DA got out of bed for you? Whose bed?Grissom: (to phone) Talk to me about the road.Catherine: (from phone) All right.(Catherine is on the road. Warrick is there snappingphotos.)Catherine: (to phone) The debris path starts approximately 100 yards from where the vehicle came to rest.(Warrick puts an evidence marker down on the road.)Grissom: (from phone) Show me what yousee.(Catherine takes photos of the road around her and e-mails the photos to Grissom. She heads for the burned car.)[INT. GRISSOM'S PLACE -- DAY](Grissom sits on the couch as he works on the laptop. Hank lies onthe couch behind him.)(He opens the first e-mail photo and looks at it.) Gil.Grissom @ lvpd.csi.com Catherine Willows(a)lvpd.csi.com Case #080403 - 1916 GG Crime Scene PhotosDate: 04/03/08Time: 8:13 AM)(Warrick notes Greg is wrapped with his scarf around his neck.)Warrick: What are you doing, a catalog shoot? Where's your matching hat with your pom-pom?Greg: Leave me alone. I have a cold. (looks at clipboard)So, based on the debris pattern, the victim was driving the car when the blaze started. Swerving all over the road. Probably because he was on fire.(Warrick and Greg look down the road.)START: VISUALIZATION(Thevictim's car zooms through the road. It is on fire as it swerves this way and that, tires screeching. It heads straight through Warrick.)(Greg turns and watches the car swerve off the side of the road and stop where thecurrent burned car is.)END: VISUALIZATION(Greg looks at Warrick.)Greg: What do you think?Warrick: Sounds about right.(Catherine approaches the burned car and takes a photo of the back end.)(She moves in closerand notes a discarded shoe on the grass near the closed driver-side door. She hears a loud sneeze.)Catherine: Gesundheit.(Nick sniffles. He's in front of the car)Nick: Thanks. Boy, I hope I'm not getting sick. I'm notfinding any pour patterns on the exterior. The hood and the front quarter panels are down to the primer and the front tires are burnt down to the rim. Think the fire probably started in the enginecompartment.Catherine: New car engines don't catch fire, not by accident.Nick: Now we'll have to get it back to the lab for a closer look.Catherine: And guys on fire don't stop to close doors.(Catherine snaps a photo ofthe closed door.)Nick: No, no, I talked to the battalion chief about that. He said the driver's side was open when his boys showed up, and that the pressure from the hose probably closed it.Catherine: Probably?(mutters) Hosers.(Catherine looks at the back of the car.)Catherine: Nick, come here.(Nick joins her. She points to the back of the car.)Catherine: Um. Clear that off, would you?(Nick wipes the foam off the bumper toreveal a tag: L-A-T.)Nick: \"L-A-T.\" That's La Tijera's tag.[SCENE_BREAK][INT. GRISSOM'S PLACE - DAY](Grissom is in his bathrobe as he goes to answer the front door. Maddy walks in carrying a file box.)MadelineKlein: Boy, you look like hell. I need sugar. You got a soda?(Grissom closes the door.)Grissom: Nice to see you, too, Maddy.(Maddy puts the file box down on the table. Grissom heads down the steps and toward thekitchen.)Madeline Klein: Six months' worth of investigation; two months working with the grand jury; five low-level indictments against the LATs. Why you? (mutters) 'Cause you're the only one who won't screw itup.Grissom: My team won't screw it up.Madeline Klein: Oh, right. Your team. Warrick Brown got mixed up with a crooked judge. Sanders ran down a civilian while on duty. Ms. Willows lied about being at a crime scene,among other things.(Maddy holds a disk and opens the file box.)Madeline Klein: And who can forget Stokes, your straight arrow? Suspected of killing his hooker girlfriend. (Grissom returns.) How does the song go? \"Youcall me up, I get 'em out of it\"? If it weren't for me, you'd have no team.Grissom: Are you done?(He opens the soda can and offers it to her.)Madeline Klein: Sorry. You have a ... ?(She holds up the disk. Grissom takesit from her and gives her the soda.)(Grissom goes to play the disk. Maddy sits down.)Madeline Klein: This was recorded two weeks ago. This guy had no idea that what he saw was the key to bringing down La Tijera andtheir leader, El Matocho.(Grissom picks up the remote and plays the disk as he settles on the couch. It's a video recording of Brass' interview with Don Cook date-stamped March 19, 2008, at 1:18 PM.)Don Cook: (fromdvd) Okay, I know this is my third violation, but I was not speeding. I-I blew past that light because I had a fight with my wife.Brass: (from dvd) Listen, you're not here for a traffic violation, okay? Now, after you ranthe red light, the street camera didn't pick you up at the next intersection. Where'd you go?Don Cook: (from dvd) Okay, look, I, I cannot have my license suspended. I have a vending machine business.Brass: (fromdvd) You're not here for a traffic violation. Let's get that straight. Now, did you see anyone in particular? Do you remember that night?Don Cook: (from dvd) Yeah, yeah, no. Um, yeah, there was, there was a guy whowalked past my car.Brass: (from dvd) Okay.Don Cook: (from dvd) I thought I was gonna get robbed on top of everything else.Brass: (from dvd) Can you identify him, hmm?Don Cook: (from dvd) Sure, yeah. He walkedunder a streetlight. I saw him. I saw him real clear. He, um ... He was Hispanic ... uh ... I don't know, bald, scary looking.(Maddy pauses the video and goes through the file folder.)Madeline Klein: \"LAT\" carved into thecheek of the victim is the signature of El Matocho, La Tijera's number one.(She hands Grissom a photo. On it is \"LAT\" carved on a man's cheek.)Madeline Klein: He killed gang leader, Little Gordo, but he was a ghost--noface, no name.INSERT: FLASHBACK[INT. CAR (PARKED) -- NIGHT](Don Cook is in his car and parks. He looks out and sees Alvarado walking away.)Madeline Klein: (V.O.) Until Don Cook ID'd Emilio Alvarado coming outof Little Gordo's house around the time of the murder.RESUME SCENE.(Grissom looks at the photos.)Madeline Klein: Turns out Alvarado was caught up in a gang sweep day after the murder. Parole violation. He got 30days. PD thought he was just another lowlife. Due to be released in 52 hours. Can't indict Alvarado with a dead witness. We need to prove conspiracy.Grissom: You need to prove that Alvarado ordered a hit on yourwitness.Madeline Klein: How long do you think it'll take you to bone up on these and put a suit on?[SCENE_BREAK][INT. POLICE DEPARTMENT - BRASS' OFFICE - DAY](Cody Cook, Don Cook's wife, takes out a cigaretteand looks at Brass. She sits on the couch in Brass' office.)Cody Cook: Can I smoke in here?Brass: Uh, no. It's a ... it's a government building.(She toys with the unlit cigarette. Brass pulls up a chair and sitsdown.)Brass: I'm very sorry for your loss. So when was the last time you saw Don?Cody Cook: Last night. We go to my folks' house every Sunday.Brass: Mrs. Cook, did you know that your husband was going to testifybefore a grand jury?Cody Cook: We talked about it. I told him I didn't want him to do it. But he found out about this girl, what the gang did to her.Brass: Did he confide in anyone else?Cody Cook: He said it was asecret.Brass: Did you tell anyone?Cody Cook: No. Well ... sort of. I told my mom and dad and my best friend, Jenny. She's my hairdresser. I tell her everything.Brass: I'm gonna need their phone numbers.Cody Cook:Did I do something wrong?[SCENE_BREAK][INT. CSI - FORENSIC AUTOPSY - DAY](The victim's partially burned body is on the table as David stands above it taking photos. Robbins stands behind the body, working onit. Catherine walks in.)Catherine: Oh, hey, Dave, nice haircut. What gives?(David steps down from the stepladder.)David Phillips: Oh, Mrs. Phillips. An extreme makeover.Catherine: Mm. Oh, make sure you get thosephotos to Grissom.David Phillips: I'm all over it.(David leaves.)Robbins: Sign of a good marriage. Wife still wants to change him. So your vic's burns are concentrated on the face, hands, knees and feet. It's consistentwith an engine fire.(Quick flashback to: Don Cook sits in the car behind the steering wheel when the dashboard in front of him catches fire. He puts his hand and arm up to deflect the fire, but it doesn't work.)(Hescreams.)(He grips the steering wheel and his hands catch on fire. He screams.)(End flashback.)(Robbins hands Catherine a small container with the bullet inside. She looks at it.)Catherine: Jacketed hollowpoint. Onecannelure. Looks like a .38.Robbins: Yeah. Entered through the right renal artery. That's COD.[SCENE_BREAK][INT. CSI - GARAGE - DAY](Nick is working under the hood of the car. He pulls out some wires. On the floorat his feet is a mat with various parts removed from the car.)(Nick coughs. He gets back to work. He coughs again.)(Greg walks in.)Greg: Wow. I bet it reeks in here.(Nick looks at him and shakes his head.)Nick: Iwouldn't know.Greg: Thank God for stuffy noses.Nick: Yeah.Greg: DA Klein asked Grissom, who asked Catherine, who told me to tell you that we need to figure out if the victim was shot before he got in the car, whilehe was in the car or after he got out.Nick: Okay ... uh ... there was no blood trail at the scene. Fire pretty much took care of that. And I doubt you're gonna find any trace of blood in that burnt-up driver seat.Greg:Wow, I've got to give her more than that.Nick: Be my guest.(Greg heads over to the car. He coughs and sneezes. Nick continues working under the hood.)(Greg looks at the front seat. Nick pulls out a piece inside theengine. He coughs.)(Greg examines the seat belt buckle.)Greg: Skin on a seat belt buckle. You know, if I got shot and I'm trying to get away, I'm not gonna take the time to put my seat belt on.Nick: Eliminates the firstscenario.Greg: So either the shooter kidnaps him and shot him while he was driving ...Nick: I don't know. Greg, I think we would have found evidence of somebody else inside the vehicle.Greg: Which leaves us with thelast scenario.(Quick flashback of: The car is burning. Don Cook is on fire and screaming as he staggers outside the car. Someone else is there holding a gun and fires. End flashback.)Nick: I think I just found my reasonfor getting out of bed this morning.(Nick pulls out a piece of burned cloth.)Nick: Check it out. The same guy that tampered with the car could have followed. Made sure the job was done.[SCENE_BREAK][INT.COURTHOUSE - JURY ROOM - DAY](Madeline Klein and Grissom break the news to the grand jury.)Marie Leahy (juror): Who killed him?Juror 1 (woman): Do you have evidence that the witness was murdered?RandomJuror (man): How did they kill him?Madeline Klein: One at a time, Miss Leahy.Marie Leahy (juror): Do you know who killed him?Grissom: We don't know yet. Our investigation is still ongoing.Juror 2 (man): What wasthe guy gonna tell us?Madeline Klein: Until Dr. Grissom can corroborate Mr. Cook's testimony, I can't tell you the content.Tim O'Shea (juror): Mr. O'Shea. We've been locked up in here ten hours a day, two months, allcloak-and-dagger. La Tijera doesn't know we're investigating them, so they couldn't know about the witness.Grissom: Well, we found their signature at the crime scene. So it's possible they do know.Tim O'Shea: If theygot to this witness, could they get to us? I have a family.Random Juror (man): (o.s.) So do I.Marie Leahy: I want to know how the gang found out about Don Cook.Tim O'Shea: Me, too. Or else I want off thisjury.(Grissom and Maddy exchange looks.)[SCENE_BREAK][INT. GRISSOM'S PLACE](Grissom opens the door and finds Brass in the hallway holding some files.)Brass: Hi. I ... uh ... brought some more files on thecase.(Grissom looks at Brass.)Brass: Got any coffee?Grissom: I got lots of tea.Brass: Good.(Brass walks in. Grissom closes the door. Brass heads inside.)Brass: You know, when we first asked Cook to testify he said no,and ... uh ... but ... you know, I couldn't let it go.(They stop at the counter where Grissom prepares the cup of tea as he listens.)Brass: So I called him up about a week later and ... uh ... took him to lunch and I showedhim a picture of ... uh ... of a girl that they had killed, you know. She was 16, innocent, beautiful. She was raped, shot, and urinated on. And when that didn't kill her, they slit her throat. So I had him on the hook. WhenI told him that ... uh ... you know, if he testified, I'd protect him and his family if the case ever came to trial. On Friday, he called Maddy, said he changed his mind, he'd testify. And on Sunday ... he was dead. I couldn'tprotect him.(Grissom hands him the cup of tea.)Brass: Thanks.[SCENE_BREAK][EXT. LAS VEGAS CITY (STOCK) - DAY][INT. CSI - GARAGE -- DAY](Nick is still working on the car. He picks up a heavy tray of car partsand groans. He coughs as he carries the tray to the counter. He drops the tray on the counter and quickly covers his mouth to cough. He looks at his gloved hands.)Nick: Oh.(He removes his gloves, tosses them asideand grabs the glove box only to find it empty.)(Warrick walks in.)Warrick: Hey, buddy.Nick: (turns around) Hey.Warrick: Oh, man, you look beat up.Nick: I feel beat up.Warrick: Why don't you ... uh ... take a break. Igot this.Nick: No, no, I'm cool. I can push through it.Warrick: Yeah.(Warrick chuckles.)Warrick: You're ... uh ... breaking the lab's budget for rubber gloves here, dawg. Listen, get some rest, man. You'd do the same forme.Nick: Yeah, okay. I processed the driver's side. I was about to get to the passenger's side glove box. (heads out) I owe you one, man.Warrick: Yeah, you do.(Nick sneezes as he leaves.)Warrick: Ooh.(Warrick opensthe passenger side door and gets to work. He picks up a crowbar and pries the burned glove compartment open. He sticks his hand inside and pulls out the bottom of the compartment.)(Warrick is at the worktable andchisels away at the melted hard plastic. He finds a revolver.)(Warrick cleans the base of the revolver and finds the registration number: CC89048Z.)(He runs the number through the ATF database:FIREARM SERIAL NO:CC8 9048ZMAKE: SMITH & WESSONMODEL: MODEL 36CALIBER: .38 SPECIAL (.38+P)(He finds a match:NAME: RICHARD P. O'MALLEYADDRESS: 26887 ROUTE 2, NORTH LAS VEGASFIREARM SERIAL NO: CC89048ZMAKE: SMITH & WESSON[SCENE_BREAK][EXT. ROAD / O'MALLEY RESIDENCE - DAY](Brass' car turns into the O'Malley driveway. He parks.)(Brass gets out of the car and heads for the front door.)Cue Sound:(PRE-LAP) DOOR KNOCKING[EXT. O'MALLEY RESIDENCE - DAY](Richard O'Malley opens the door.)Brass: Mr. O'Malley? Detective Jim Brass. Can I talk to you again?Richard O'Malley: Sure.Brass: Ballistics has confirmedthat your son-in-law was killed with your gun.Richard O'Malley: Wait a minute. You told me this morning he died in a car fire.Brass: I know what I told you, but why didn't you tell me about the gun?(Mrs. O'Malley walkspast carrying a laundry basket. She pauses to listen.)Brass: How did it end up in his car?Richard O'Malley: (to his wife) Go inside. (She walks away.) (to Brass) I gave it to him.Brass: Why?Richard O'Malley: Because heasked me for it.(Quick flashback to: Richard O'Malley shows the gun to Don Cook.)Richard O'Malley: All right, look, it's got five rounds in it. There's no safety on it.(He gives the gun to Don.)Don Cook: So all I got to dois just point it and shoot it?Richard O'Malley: Yeah. Now look, if you think you're being followed, don't be a hero. Call the police.(End flashback. Resume.)Richard O'Malley: Hey, look, I begged Donnie not to testify. Heand Cody had everything to lose. They were doing great with their vending machines. No grandkids yet, but that's probably 'cause their marriage was shaky already. Cody has her mother's temper. She loved him,"}
+{"doc_id":"doc_96","qid":"","text":"Ted (2030): Each architect has a building that changed his career. For me it was to my 31st birthday. It was not a museum or a concert hall or a skyscraper. It was something else.Man: We opened a restaurant calledthe Rib Town, we want it shaped... The band of friends is to McClaren's. Ted:... hat cowboy. Listen, I need this job. I have no other option.Robin: You can always do prof.Ted: I have not worked as hard to finish in acrappy job. Get me wrong, Lily.Lily: I was pissed 3 times this morning. I can not say.Ted: I pass this building, so I see you in three days. He leaves the bar to go home and get to drawing.Ted (2030): The next threedays, I worked as ever. And it led me... nowhere. Barney enters the apartment where Ted is still trying to design a building.Barney: What are you doing?Ted: A hat-shaped building.Barney: It's time to talk?Ted:No.Barney: What do you think of Robin?Ted: I have to really work, so...Barney: Awesome. Say that is a tailor and you have found a nice suit. A nice suit Canada. Superb chest. You try it, but it does not suit youperfectly. So you return it. Then I try it. I'm not too keen... a suit that you have caught the eye, but at the same time, I love this costume.Ted: Buy the costume. It is important to you. Tell him how you feel.Barney: ButTed, remember your answer, because... The costume is Robin. I know! Okay?Ted: I'm with you.Barney: Now. For I have explained.Ted: What... Ted Barney greenhouse in his arms.GENERICMarshall: Come on, man,you're on it for three days without stopping. This is your birthday. Come have a beer on the roof.Ted: Impossible, the presentation is tomorrow. These hats are not alone.Marshall: That's a big restaurant for tourists.Just put wide doors and chairs strengthened. Birthday beer on the roof. Let's go!Ted: Why do you want as I go on the roof? You made me a surprise party?Marshall: What? We brought you a surprise party, lastyear.Thou shalt have no surprises on two holidays. The fact that the world has come to the first was surprising. Not? Two surprises on Christmas! It is very strong! It is very strong! Great!(Marshall goes on the roof)Super... It still will not mount.Robin: Come on. This is boring! I knew it was a bad idea.Marshall: Yes, Robin, I know. This festival is... is... a disaster.It was my idea. I take responsibility. There is one thing to do.Lily:Marshall, no.Marshall: Lily, I have to! (He stands on the edge of the roof) It's useless to procrastinate.Ted (2030): I should explain. A few years earlier...Flashback Ted, Marshall and Barney are on the roof with aninflatable pool.Barney: Forget it. It really is not class. At best, it sucks.Marshall: You know who knows how to live? These people.Ted (2030): The terrace of the building next door. A paradise waiting for us behind a pitof 2 or 3 meters. And the best...Marshall: It looks to be a... sacred... spa.Barney: Owl. How do we go? We will do what? Jump? Marshall mounted on the edge of the roof.Marshall: I can jump it.Ted: Recently, you needtwo tries to get up from the couch.You can not skip it.Marshall: Really?Ted: Really.Marshall: Look.Ted (2030): But he did not jump. An hour later... Marshall is always on the edge of the roof while Ted and Barney are inthe pool.Barney: Actually, it's not bad.Ted: Right?Ted (2030): And the following years, he continued to try. But each time, without exception... He did not jump. End flashbackMarshall: Do not worry. If I can jumptonight, it will save the evening.Lily: Honey, come down here, please.Marshall: When Evel Knievel rode his rocket star on the shore of Snake River Canyon, you think his wife said \"Honey, come down here '?Lily: For thelast time, I'm not Linda Knievel! I will never be Linda Knievel!Marshall: No need to remind me. Ted is still on the drawing of his building.Lily: Marshall, do not do that. Do not jump, please.Marshall: Sorry, but I haveto.Lily: You can not.Marshall: Why?Lily: You want a reason? You're going to have one. I am pregnant.Marshall: My God! My God, really? I saw you look fat...Lily: I was lying, b*st*rd! Go ahead, jump! I hope u gonnadie!Marshall: This is the permission I needed.Barney: Look, Robin... I must tell you something.Robin: Wait. Before that, I must tell you something.Barney: What is it?Robin: I think I love you. Ted is a goat in herkitchen. Marshall is still on the edge of the roof when the phone rings from Lily.Lily: This is Ted. Everyone! Ted, are you?Ted: She's here, Lily. She looks at me.Lily: What?Ted: The goat.Ted (2030): I have already toldyou some of the history of the goat. Fash-backTed (2030): When Aunt Lily a farmer invited to speak to his class how he brought the goat, and told the class what he would do later. How Aunt Lily, in a fit of kindness,bought a goat to commute his sentence. End flashbackBarney: It's been an incredible thing. I was talking to Robin, I would tell him my feelings, but just before, you will believe what ever she said. FlashbackRobin: Ithink I love you. End flashbackLily: You said what?Barney: In your opinion? What we can say to that? FlashbackBarney: Robin, you're great listening. You're really great, but we're friends. This is not a good idea.Robin:You must be right. Have fun.Barney: You too, sweetie. End flashbackLily: What?Barney: Once she told me that, more than feelings. I'm more in love.Lily: You were in love with her, throughout the year and when shefeels the same, you love him more.Barney: It's not great? Ted draws again and again while the goat eats a cloth.Ted: It's a wuss. Not food. (He takes the mop in the bathroom and closes the door behind him) How...?On the roof, Marshall is still trying to jump from the roof terrace managed to go next door.Marshall: It is. It... is... go! It is.Barney: Tracey, tell Lily what you just said.Tracey: What I just arrived in New York?Barney: No,how you've arrived there.Tracey: I just get off the bus from Iowa.Barney: Come off the bus from Iowa! How lucky that apprentice... dancer off the bus from Iowa... meeting... the producer of the Rockettes?Tracey: Ibelieve in a classic story of showbiz.Lily: Honey, you're there. You're really there.Barney: You can make us one of those rum and beer, that your father loves so much?Tracey: Of course!Lily: Damn.Barney: What?Lily:Everyone always says, \"Do not tell Lily. Lily can not keep a secret. \"And, usually, they are right. But this time I kept the secret. And here you come with that crap and you force me to become the Lily will spill thebeans!Barney: What song? There was a piece?Lily: There was a song. FlashbackBarney: The costume is Robin. I know! Okay?Ted: I'm with you.Barney: Now. As I explained...Ted: What... Barney takes Ted into hisarms while Robin is in her room and heard everything.Robin: sh1t. Marshall, Lily and Robin are at the bar.Lily: He said that? My God! What an incredible surprise!Robin: You know since when? Lily is 8 months.Robin:And you've said anything since? Bravo.Marshall: Bravo, Lily. I mean, what a bomb. Who saw this coming?Robin: You know since when?Marshall: 7 months and 29 days.Robin: I will do what?Lily: I know. Are you gonnado?Robin: I'll marry Barney in a large church. We'll move to New Hampshire and open cottages.Marshall: Really?Robin: No! This is Barney. I mean... This is Barney. But it's Barney. I have to say no.Lily: Boy, you'regoing to break her... The thing that this black mud pump through his veins.Robin: You're right. For the first time he likes a girl, she pushes him away? And not just any girl. It's going to destroy it.Marshall: OK, first...Second, there is a trick you can try. It's risky, but it can pay off. Lack of anything better, I'll call it... The Mosby.Robin: The Mosby?Lily: No, she can not mosbyser.Marshall: It could squarely mosbyser.Robin: What is theMosby?Marshall: Do you remember your first time with Ted? You wanted to get on the train Ted, visit his yard.Robin: I was ready to jump the turnstile.Marshall: What changed everything? Ted and Robin dance.Ted: Ithink I love you.Robin: What?Robin: The Mosby! It's great! And... excuse me.Marshall: You're really pretty, but abnormally high and you will not believe in ghosts. End flashbackBarney: So... when she said love me, shemeant... otherwise.Lily: That's it. It worked well. You are back to normal.Barney: Yes. It's true. And it's great. It's great. (Tracey returns) So Robin does not like me.Lily: No.Barney: Why?[SCENE_BREAK]At theapartment...Ted: Mr. Goat? (He tries to open the bathroom but the door is closed) M. The goat? Enough. (He manages to enter) Crazy Goat. I do not understand your fascination with this mop. It should be normal witha brain the size of a... The goat runs toward him. On the roof...Lily: Marshall, you can pick up Ted?Marshall: I was about to jump. You've not heard saying \"OK\" loop?Lily: I'm sorry. Go ahead and jump.Marshall: It'sgood. Sorry, everyone. Lily does not want me jumping. (He descends from the rim) Thank God. Marshall found Ted lying on the ground and the goat on top of him.Ted: The hospital! At the hospital...Lily: What hashappened?Ted: It happened... you left a wild animal in our apartment. I've been attacked.Lily: This is the sweetest and adorable goat in the world.Ted: \"The sweetest and adorable goat in the world\"?Ted (2030): Ilacked sleep, it was certainly not like that, but that's how I remember it. Flashback Ted struggles with the goat. End flashbackDoctor: You're the one who wanted to be a goat?Ted: It's the goat jumped on me! Can Igo?Doctor: Yes. But remember, \"Bee\" means \"bee\".Ted: Great, I'm late for my presentation. Thank you, Mr. Goat.Lily: Mr. Goat? It's a girl. Her name is Missy.Marshall: You got beat by a girl. Ted leaves the roomfollowed by Marshall and Lily.Barney: So... You're in love with me?Robin: What? Yes. Much.Barney: You can stop. Lily told me everything.Robin: Damn, Lily!Barney: I can not believe it.Robin: It's just... You mean tome, Barney. And... This kind of stuff, the emotional side. This is not your type. I thought you avoid that.Barney: Maybe I will not avoid it. I am perhaps. I have not wanted for a long time. But with you, it does not lookso...difficult. I know not. I thought... you felt the same.Robin: Maybe. I know not. I am not good to face the feelings.There is clearly something... between us. Maybe my head said, \"stifles it in the bud\" because myheart said... something else. Listen... I feel for you. Maybe even that I love you.Barney: It's going pretty fast, do not you think?Robin: What?Barney: We're good friends. Why risk everything? Friends?Robin:Friends.Barney: My God. You just do it again. You've mosbysé!Robin: But no.Barney: But if, little flirtatious.Robin: You're right. I've just mosbyser.Barney: Why are you scared to try?Robin: Because I'm afraid of how Icould love you.Barney: Bad idea.Robin: You're right. There must be a mistake.Barney: No.Robin: I love you.Barney: Friends.Robin: Friends, then.Barney: I love you.Robin: Let's get married.Barney: No, you'resmothering me.Robin: OK, forget it. They kiss.Barney: You know what? We'll see later.Robin: Yeah, let's go. They finally come out of the hospital room.Ted (2030): It was a long and crazy night, but in the morning,against all odds, I made my presentation.Ted: There he is, gentlemen. Rib Town. Is it not? Is it not?Man: Ted, listen. You are great and you did a... great job, and you'll make other restaurants very happy one day,but... we...decided to go... in another direction.Ted: What?Man 2: Treat yourself with... Rib Town!Ted: Sven... At the apartment...Marshall: I'll tell you, I will eat more chops.Barney: Yeah, right.Marshall: I will not eat..never... chops! Before Ted!Ted: It's a disaster. How I will recover?Lily: OK, I'm just asking. You really want to recover?Ted: What does that mean?Lily: Architecture is killing you and it kills us to see her kill you.You'relike the goat with the mop. You want it so much, and whenever the world try to get the resume, it hooks you. But you know what? This is only a wimp. Why do you want?Ted: Because I have to be an architect. This is...That's the plan.Lily: In the crapper, the plan. I wanted to be a famous artist.Marshall wanted to be environmental lawyer. Robin wanted to be a TV reporter.Robin: I am a TV reporter. I am on the air at 4am.Lily: Itcontinues? Bravo.Robin: What someone looks, please.Lily: Barney wanted to be a violinist. Need not tell me. You can not draw your life as a building. It does not work like that. You must live it and draw it to itself.Ted:So what, I should do anything?Lily: Look what the world tells you to do and took the leap.Marshall: You're right. You're completely right. I love you, Lily.Lily: A metaphorical leap. A metaphorical leap!All: Do not do that.Not cool. Marshall arrives and jump off the roof on the terrace opposite.Marshall: I did it!Lily: Honey, you did it!Marshall: I can do anything!Lily: It's true!Marshall: I bought a motorcycle!Lily: No, not at all!Marshall: OK,sorry. Come on, guys. Robin jumps in turn, then Barney, followed by Lily and Ted.Ted (2030): This is the year that I was left at the altar. The year I was a bartender tared Knocked The year I got fired. The year I gotbeat by a goat. A girl goat, and more. Yet it was the best year of my life. Because if this had not happened, I never had the best job of my life. But most importantly, I would not have met your mother, because as youknow... It was in this class.Of course, this story is just beginning."}
+{"doc_id":"doc_97","qid":"","text":"3.09 - A Deep-Fried Korean ThanksgivingOPEN AT LORELAI'S HOUSE[Lorelai and Rory are on the couch watching television]RORY: I like these women.LORELAI: I love these women.RORY: Poor Edie.LORELAI: WhichEdie?RORY: Little Edie. She's just trying to sing and her mom won't stop talking.LORELAI: Big Edie was so beautiful in her day.RORY: They were both pretty.LORELAI: I can't believe they were related to Jackie.RORY:Well, the Kennedy's kind of hid them in the background for many years.LORELAI: Well, when you're a Kennedy, how do you even choose who in the family to hide?RORY: It's a tough choice.LORELAI: Somethingbeautiful about them though. They're cool, they're free.RORY: Yeah, and they're memorable. Most people are very forgettable. And they're happy.LORELAI: They had their cats.RORY: And their raccoons.LORELAI: Andtheir pretty house.RORY: And each other.LORELAI: Add a few years and they're us.RORY: Yeah. . .yeah.LORELAI: Yeah.[opening credits]CUT TO THE INDEPENDENCE INN KITCHEN[Sookie rushes around givinginstructions]SOOKIE: Rhiana, run it through the sieve again, I want it smooth as glass. Don't cut corners, people!LORELAI: Is she melting down?MICHEL: Like butter on a skillet.LORELAI: Sookie. . .SOOKIE: Just a sec,hon. How's your love life, Pete? A little frustrated, I bet. Wondering how I know that? \u0000Cause you're taking it out on my egg whites. Gently, fold them gently. Cheryl \u0000 you're slicing not dicing, I can hear it in the chop.Adjust, my friend.LORELAI: Sookie, whoa, whoa, whoa, whoa. Hey, let's talk.SOOKIE: I'm extremely lacking in time here.LORELAI: What's going on?SOOKIE: Uh, chaos? Uh, a travesty of cooking? It's a salmonellalaboratory in here!LORELAI: Sookie, the kitchen will be in good hands.SOOKIE: But not in my hands.LORELAI: It'll be in Bob hands. Bob has great hands.SOOKIE: No, you know what Bob has? Bob has two seconds toget the hollandaise off the flame before I break his neck!LORELAI: Sookie, listen, you hired Bob. You trained him in your image. He's great, and he's subbed for you before.SOOKIE: But this is Thanksgiving, he hasnever done Thanksgiving.LORELAI: He's ready, he'll sub for you seamlessly. Even Big Joe Newsanchor's have substitutes.SOOKIE: And that's the thing. They still say, \u0000And now the CBS Evening News with Dan Rather.'You see? Dan is still associated with it even though he's off snorkeling or something, just like I'm gonna be associated with the dinner because Bob is substituting for Sookie. Excuse me one minute.[Sookie startsrummaging through the trash can]MICHEL: Oh, this can only be good.LORELAI: Sookie, that's the garbage. Stop rooting through the garbage.SOOKIE: I will when people stop throwing away useful stuff!LORELAI: Drop,drop the, drop the tops, drop them, drop them. Come here, come here, come here. Now, Sookie, listen to me because you're torturing yourself here.[Emily walks in and stands behind Lorelai]SOOKIE: Emily,hi.LORELAI: Oh, that's nice. That's very high school. Stick with me here.SOOKIE: Good to see you.LORELAI: Yeah, ah, that's funny. You know who's behind you? It's Joseph Stalin, my good friend. What are you doingback from the dead, Joe?EMILY: Lorelai.LORELAI: Oh, Mom! Ah, geez, you scared me.EMILY: You heard Sookie greet me.LORELAI: Oh, I thought it was a joke.EMILY: Like comparing me to Joseph Stalin?LORELAI: Iwasn't comparing you to Joseph Stalin.EMILY: I'm in a hurry. Can we speak for a minute?LORELAI: Yeah, I guess, for a minute. So, were you in the area or something?EMILY: Not really.LORELAI: Then what are youdoing here?EMILY: I wanted to talk to you.LORELAI: Phone's out of order?EMILY: Let's not play games here.LORELAI: Games?EMILY: I've called several times the past few weeks and you've skillfully avoided everycall.LORELAI: No, that's not true. I've left messages on your machine.EMILY: Yes, messages. And then if I happened to pick up, you'd hang up. Or if the maid picked up, you'd ask for me, then claim you were drivingthrough a tunnel so you might get cut off, and then you'd make garbling noises and hang up.LORELAI: Fine, Mom, we're talking now. What's up?EMILY: Are you feeling well?LORELAI: You came all the way out here toask me that?EMILY: Well, you've been sick these past few Friday's for dinner, so I was concerned. That's why you didn't come, right, because you were sick? So are you better? You look fine.LORELAI: Oh, it's themakeup. I'm still. . .uh, these allergies really just hit me like a ton of bricks.EMILY: I've never heard you mention allergies before.LORELAI: I'm a silent sufferer.EMILY: Well, I certainly hope you're feeling better nowbecause I want you to come to dinner tomorrow night.LORELAI: Tomorrow? Tomorrow's Thanksgiving.EMILY: Yes, it is Thanksgiving. And before you sift through the dozen or so excuses you always have on hand, letme have my say. You've missed two dinners and avoided my calls because you're mad at us about what happened at Yale. But I want you and Rory at Thanksgiving this year.LORELAI: Mom \u0000EMILY: If you have plans\u0000LORELAI: We do have plans.EMILY: Alter them. Now, there'll be other people there, so the focus won't be on you, and you may even be able to get by without saying more than \u0000hello', \u0000goodbye', and \u0000pass thegravy'.LORELAI: We already have plans.EMILY: Your father and I are going out of town the next day and we'll be gone all of December, including Christmas, so it's the last chance for the family to be together for therest of the year.LORELAI: Look \u0000EMILY: And I want you to remember that I am not the one who set the meeting for Rory behind your back. I want you there, Lorelai. And if you're still sick, I don't want a doctor's note.I want your doctor himself to come to my house and convince me that it's true, got it?LORELAI: Got it.EMILY: See you tomorrow.CUT TO CHILTONTEACHER: The multi-layered membrane systems of the cytoplasm arethe smooth endoplasmic reticulum, the rough endoplasmic reticulum, and the golgi body. Now, the smooth endoplasmic reticulum is concerned with the manufacture of lipid molecules. [bell rings] We'll continue on thisnext week. Keep up on your reading please.MADELINE: That was really distracting.PARIS: Oh. Well, by all means, Madeline, you should point out to the faculty that their annoying custom of teaching is distracting youfrom more important things like nail filing and daydreaming about marrying Ryan Phillippe.LOUISE: Uh, he's already married.PARIS: Then whatever strawhead actor isn't.MADELINE: This was bad. For the last fiveminutes, every single thing she said sounded dirty.LOUISE: Yeah, same here.PARIS: Good God.MADELINE: I mean, reticulum? Come on.LOUISE: Plus, the golgi body. I mean, is it me or is that majorlypornographic?PARIS: My life with the Banger sisters.RORY: So, changing the subject. . .PARIS: Hallelujah.RORY: What's everybody doing for Thanksgiving?PARIS: I can't even talk about Thanksgiving.RORY:Louise?LOUISE: I\u0000m having dinner with my dad.MADELINE: Isn't he still in jail?LOUISE: Yes, but his company donated some treadmills for the inmates so he swung a special trailer for dinner that they're gonna set upfor us in the parking lot. We have it for about two hours and then one of the Manson girls gets us.MADELINE: You're lucky it's in that order.PARIS: My Thanksgiving is turning into a Wes Craven movie.RORY: Howso?PARIS: I called shelters to volunteer to serve food. It's Thanksgiving \u0000 you'd think they have needs. Nope. Every stupid soup kitchen in town turned me down because they have enough volunteers.MADELINE:Bummer.PARIS: I'm on a couple waiting lists, but it doesn't look good.RORY: I've never heard of too many volunteers.PARIS: Who are all these jackasses who volunteered anyway? They can't all be students like me.They're not all putting it on a college application. I get something out of it and these other people don't get a thing. Talk about selfish.LOUISE: Sore subject.RORY: What are you up to, Madeline?MADELINE: I've gotmore college applications to fill out. Backups, safety schools.LOUISE: I've got some of that, too. I'm so behind.PARIS: I told you guys to have those things done by now.LOUISE: Sorry, Mom.PARIS: It's not about beingsorry. It's about being prepared. I got Harvard and my backups in weeks ago.MADELINE: Okay, all you're doing is making me more nervous. I'll see you guys Monday.LOUISE: Same here.RORY: Yup, see you guysMonday.PARIS: Harvard is going to be expecting Thanksgiving shelter work. They'll know I called too late and it will totally impugn my organizational skills. By the way, you know I ultimately do all these things for thegood of mankind, right?RORY: Oh yeah.PARIS: Sometimes I don't think I come off that way.RORY: No.[Paris' cell phone rings]PARIS: [answers phone] Hello? . . . Yes, thanks for returning my call. . . nothing? But wait,wait, wait \u0000 just stick me at any old pot. I'm small, you won't even know I'm there, I'll even bring my own ladle. . . .Oh, now, come on, work with me here. I've got a slotted spoon. . . Well, what about coffee orcondiments? You got condiments covered? . . . I'm sorry, can I speak to your supervisor? . . . My attitude? What about your attitude? I'm trying to help people. It's Thanksgiving. . .CUT TO STARS HOLLOW[Lorelai andRory are walking down the sidewalk]RORY: So she coldcocked you, huh?LORELAI: She bit me, incapacitated me with her poison, and devoured me whole.RORY: But how are we going to go to four Thanksgivingdinners?LORELAI: It's not four, is it?RORY: Lane's house, Sookie's, and we always stop by Luke's. . .that's three, and Grandma and Grandpa is four.LORELAI: Ah, we're mad, Edie.RORY: We're us, Edie.LORELAI: Well,we've gotta go to my parents' or we'll be brought up on war crimes. Lane's is always super early, so that's easy to catch. Sookie's is mid afternoon.RORY: Luke's the toughie.LORELAI: Guess that's the one we'll have toskip.RORY: Bummer.LORELAI: I know, but he won't care. Holidays are nothing to him anyway.[Kirk walks out of The Chat Club with several bags]LORELAI: Hey Kirk. Discover a new freaky fetish?KIRK: What?LORELAI:Nothing. You buy a cat?KIRK: Yup. I'm very excited.LORELAI: You seem it. So what's all this?RORY: I'm assuming there's nothing left in the store.KIRK: Actually, there are a number of things left.RORY: No, I meant youseem to be buying a lot of stuff.KIRK: Oh, sorry. My excitement must be clouding my ability to judge comedic hyperbole.LORELAI: So where'd you get the cat?KIRK: A lady had a bunch of them at the grocery store andKirk seemed to take an instant liking to me.LORELAI: Kirk?KIRK: Yes?LORELAI: No, I mean, the cat's name is Kirk?KIRK: Yup.LORELAI: Weird coincidence or. . .KIRK: I named him Kirk.LORELAI: Isn't thatconfusing?KIRK: Not when you think about it.[Lorelai thinks about it]LORELAI: No, it's still confusing.KIRK: I like the name, and whenever I call Kirk's name, I obviously won't be calling myself.LORELAI: True.KIRK:Although when my mom calls for Kirk, that may be confusing. Maybe I can get her to say CatKirk when she's calling Kirk, and HumanKirk when she's calling me.RORY: That would keep it straight.KIRK: I'm glad I raninto you. See ya.LORELAI: See ya, HumanKirk.RORY: Bye HumanKirk.[Kirk walks away]RORY: He's always been a cat person, he's just never had a cat.LORELAI: Hm.CUT TO LUKE'S DINER[Lorelai and Rory walkin]LORELAI: Hey. Anywhere?LUKE: Anywhere.LORELAI: [to customer at table] Hm, would you mind moving?LUKE: I hate when you do that.LORELAI: It's my showstopper.LUKE: An empty table.LORELAI: Ah. You readyto order?RORY: I'm ready.LUKE: Don't bother, saw you coming, already ordered your Wednesday usual \u0000 the French dip, extra fries, the every-Wednesday cherry pie.RORY: Such service.LORELAI: Oh, and such a foodrut we're in.RORY: Thank you, Luke.LUKE: I gotta get back to stuffing my turkey.LORELAI: Oh, honey, do you have time to do that and prep your Thanksgiving food?LUKE: Stop it.RORY: Here, here.LUKE: It's a tediousjob.LORELAI: Well, what if we told you you could stuff one less?LUKE: What do you mean?LORELAI: We got jammed. Shanghaied by my mother and what with the other things we have going. . .well, too manycommitments, not enough us.LUKE: So?RORY: We can't make it tomorrow.LUKE: Oh, okay, fine.LORELAI: It was beyond our control.LUKE: That's fine, whatever. I'll be right back. [walks away]LORELAI: Um, okay, Imay be crazy, but he almost looked. . . .RORY: Disappointed.LORELAI: Yes, disappointed. We disappointed Luke.RORY: I didn't think it was possible.LORELAI: Our powers are greater than we know.RORY: He actuallylikes it when we come for Thanksgiving. All these years and we never knew.LORELAI: Hm, he's the Grinch and we're Cindy Lou Who.RORY: So Cindy Lou, what do we do?LORELAI: I got it.[Lorelai picks up her cell phoneas Luke walks over]LORELAI: [on phone] Oh, uh, perfect. That works great. Okay, bye now. [hangs up] Sorry, I'm just clarifying the schedule for tomorrow. As luck has it, we can make it. We'll definitely be here.LUKE:It's okay.LORELAI: No, it's all cleared. That was my mom, and, uh, the time's just gonna work out just fine.LUKE: Really, you don't have to. I already stopped prepping the last turkey.LORELAI: Well, start prepping itagain \u0000cause we are coming.LUKE: I don't want you to feel like you have to come.LORELAI: This is tiring.RORY: I can kneel behind him and you can push him over.LORELAI: It may come to that.LUKE: It won't be ahassle?LORELAI: It won't be a hassle.LUKE: You sure?LORELAI: We're coming, now go away and let us eat. Shoo, shoo.[Luke walks away]RORY: That was very nice.LORELAI: Well, I hate disappointing people.RORY:Okay, now, practical question. . . how are we going to eat four Thanksgiving dinners?LORELAI: How? Rory, what are we if not world champion eaters?RORY: It's too much food.LORELAI: It's not too much food. This iswhat we've been training for our whole lives. This is our destiny. This is our finest hour.RORY: Or final hour.LORELAI: No, no. Get inspired and tomorrow I guarantee you, we will be standing on the Olympic platformreceiving our gold medals for eating. We are not Michelle Kwan-ing this.RORY: Okay, okay, four dinners.LORELAI: Yeah, we'll skip the rolls.RORY: That'll help. You know, we might wanna consider not eating much nowin preparation for our finest hour. A little fasting so that we can enjoy more tomorrow, hm?LORELAI: Unnecessary.RORY: Yeah.CUT TO OUTSIDE[On Thanksgiving morning, Lorelai and Rory are walking toward themarket]RORY: What's on the list?LORELAI: Flowers for everyone we're visiting and cranberry sauce for the Kims.RORY: Tums.LORELAI: You mean amateur pills?RORY: Just in case.LORELAI: Okay, Tums.RORY: I'll dothe flowers.LORELAI: I'll do Doose's.RORY: Thank you.[Lorelai goes into the market. Jess walks up behind Rory]JESS: Hey there.RORY: Hey. [he kisses her, but Rory pulls away] Wait, stop.JESS: What?RORY:Stop.JESS: What are you doing?RORY: Come on. [Rory pulls him down the sidewalk a little, then kisses him]JESS: What was that?RORY: That was a kiss.JESS: What's with the relocation before the kiss?RORY: It's tooearly.JESS: Too early? Too early for what?RORY: For kissing like that.JESS: What's the rule, no kissing before noon?RORY: No, it's too early to do this here.JESS: Where, in the street?RORY: In the street, with peoplewatching...JESS: What people?RORY: In front of Doose's.JESS: Ah, Doose's.RORY: We shouldn't flaunt it.JESS: But I want to flaunt it.RORY: It doesn't feel right.JESS: He's a big boy Rory.RORY: I know.JESS: It's notthe first time a couple's broken up.RORY: It is for us.JESS: This is insane.RORY: Please, let's not flaunt it, please?JESS: For how long?RORY: Until it's comfortable.JESS: Before we're on Social Security?RORY: I promise,we can kiss secretly.JESS: Yeah, or we can wear Three Stooges masks all the time, that way no one will know who we are.RORY: I can be Curly.JESS: I'll be Moe.RORY: Probably too silly.JESS: Yeah, probably.RORY:This will get better over time, I promise. But until then, let's just play it cool.JESS: Hey, I'm Frank at the Sands.RORY: That's cool.CUT TO INSIDE DOOSE'S MARKET[Lorelai is shopping]LORELAI: Oh, hey, Kirk. Doingyour holiday shopping?KIRK: Well, shopping, yes, and it is a holiday, but my shopping isn't holiday related, so technically no.LORELAI: Oh, what happened there?KIRK: Oh, nothing, just a little scratch.LORELAI: Lookslike a big scratch. Wow, Bactine, Neosporin, Mercurochrome \u0000 what's with all the pharmacologicals?KIRK: Oh, well, Kirk and I are going through a little adjustment period, that's all.LORELAI: CatKirk?KIRK: It's nobiggie, and this looks a lot worse than it is.LORELAI: Yeah, I can see that. So how'd it happen? Were you playing or something?KIRK: We haven't actually played yet. This happened when I accidentally walked into theroom without announcing myself.LORELAI: Excuse me?KIRK: I've discovered Kirk likes my presence announced before I enter any room that he's in.LORELAI: You have to announce yourself?KIRK: Yeah, just a quick,\u0000Is it okay if I come in?' from the adjacent room. Otherwise, he gets a little testy.LORELAI: Hence the scratch.KIRK: It's just a small laceration. Again, no biggie.LORELAI: Kirk, he got your neck!KIRK: That was anothermistake of mine. I put his food bowl down in front of him. He doesn't like that. Or she doesn't.LORELAI: She? I thought Kirk was a boy.KIRK: That was just a guess. He actually hasn't exposed his underside to me yet.Or hers.LORELAI: Well, here's hoping your cat exposes itself to you soon.KIRK: From your mouth to God's ears. See ya.LORELAI: See ya.[Lorelai walks over to Dean]LORELAI: Hi there.DEAN: Hi.LORELAI: So you pulledthe Thanksgiving shift, huh?DEAN: Yeah, I get time and a half.LORELAI: Well, good, good. It's good to see you.DEAN: Same here. Um, so, I gotta work.LORELAI: Right, right. That Taylor's a dictator.DEAN:Yeah.LORELAI: Dean, wait. Um, look, we live in a teeny tiny little hamlet here. I mean, stick it in an envelope and we could mail the whole town for a buck-forty. It makes avoiding people tough anduncomfortable.DEAN: I know.LORELAI: I hate hiding from people, especially when I don't wanna hide from them. You were a pal. You were so good to Rory. You were the best first boyfriend a mother could've hopedfor.DEAN: Thanks.LORELAI: It's okay to keep avoiding me if you want. I just wanted you to know that you don't need to, okay? Just because you and Rory broke up doesn't mean we did.DEAN: Good. That's good tohear.LORELAI: Well, Happy Thanksgiving.DEAN: Yeah, Happy Thanksgiving.CUT TO OUTSIDE[Lorelai walks out of the diner with a bag. Rory is waiting with several bouquets of flowers]LORELAI: Aw, pretty!RORY: Yeah,good selection today. You get everything?LORELAI: And then some. Look.RORY: Chocolate turkeys, nice!LORELAI: I think they'll add a festive air.RORY: Definitely. So, was he in there?LORELAI: Yeah, he was.RORY:Good, good. I hope he's good. Did he seem good?LORELAI: He seemed good. He's getting time and a half.RORY: Good, good.LORELAI: So, let's go eat.RORY: And eat and eat.LORELAI: And eat and eat and eat.RORY:And eat and eat and eat and eat. . .LORELAI: And eat and eat and eat and eat. . .RORY: And eat some more.LORELAI: And eat and eat.CUT TO KIM'S ANTIQUES[Mrs. Kim opens the door; Lorelai and Rory are on theporch]MRS. KIM: Ah, the Gilmores. Happy Thanksgiving.LORELAI: Happy Thanksgiving.RORY: Happy Thanksgiving.MRS. KIM: Come in.LORELAI: She's in a good mood this year.RORY: Downright chipper.LORELAI: So,um, Mrs. Kim, we, uh, we brought gifts.RORY: Flowers.LORELAI: And cranberry sauce, our little Thanksgiving tradition.MRS. KIM: Thank you, can never have too much.RORY: That's what we say.LORELAI: Plus, achocolate turkey.MRS. KIM: What should I do with this?LORELAI: Oh, I don't know, let the kids share it.MRS. KIM: And then send a blank check to their dentist?LORELAI: They don't have to eat it, they can play withit.MRS. KIM: Play with chocolate? It's missing its head.LORELAI: Ooh, that one's ours. Here, this one has a head. There ya go.MRS. KIM: Okay. [walks away]LORELAI: My arms are too short to box with Mrs. Kim.RORY:The singing's already begun.LORELAI: Mm. Who's that playing guitar? He looks familiar.RORY: Oh my God, that's Lane's Dave.LORELAI: Oh, yeah, it is. He's all neat and tidy.RORY: He's gone corporate.LORELAI: He'sgone Korean.[Lane walks by and sees them]LANE: Oh, hey, hi.RORY: Hey yourself. Hey, how'd you get your mom to let you \u0000LANE: Come on, girls, let's get you some punch. [leads them to the other room]RORY:What's going on?LANE: That is not Dave Rygalski.LORELAI: Oh, intrigue.RORY: Who is it?LANE: I mean, not the one that I'm in a band with. That is Dave Rygalski, local Christian guitar player that my mom and I met"}
+{"doc_id":"doc_98","qid":"","text":"TREE HILL HIGH SCHOOLBrooke, Lucas, Peyton, Skills, Mouth are following Nathan and Haley, who is in labor, to the ambulance. Lucas receives a text message and leaves.TREE HILL POLICE STATIONDan walks inDAN :My name is Dan Scott. I killed my brother.TREE HILL HOSPITALKaren is in the operating room, unconsciousDOCTOR : Her heart rate's dropping.OB : Come on, Karen. Just breathe. Haley is in the labor room, withNathanOB : Come on, Haley, just breathe.NATHAN : You're doing good, baby. You're doing so good. I'm right here. Karen's operating room, Lucas is behind the window, watching.LUCAS : Come on, mom. I'm righthere.(we hear the monitor, her heart stops)DOCTOR : She's coded.LUCAS : Mom!KAREN'S DREAMShe is alone in a beautiful park when Keith arrivesKEITH : Karen?(She jumps in his arms and they kiss, then a little girlarrives)LITTLE GIRL : Yuck!KAREN : Who's that?KEITH : Don't you know?KAREN : She's our daughter.LITTLE GIRL : Mommy! Daddy! Come play with me!(Both join the girl)LITTLE GIRL : What flower is this,mommy?KAREN : This is a lily.(the girl goes play in the park)KAREN : Oh, she's beautiful.KEITH : Just like her mother.LITTLE GIRL : Mommy, come with me.KEITH : You should go watch over her. I'll wait for you. It'sokay. I'll be right here.(They kiss and Karen goes to see her daughter)LITTLE GIRL : Come with me, mommy!KEITH : Look for me in the lilies.KAREN : There's my girl. These are for you. It's a beautiful lily.TREE HILLHOSPITALBack in Karen's operating room, they shock her and we hear her heart beating againDOCTOR : Stats and vitals rising. We got her back.TREE HILL HIGH SCHOOLBrooke is still where the ambulance was, shefinds Haley's valedictorian speech and reads itBROOKE (voiceover) : Now is the time for us to shine, the time when our dreams are within reach and possibilities vast. Now is the time for all of us... to become the peoplewe've always dreamed of being. This is your world. You're here.\"TREE HILL HOSPITALHaley is giving birth to their childOB : It's a boy.BROOKE (voiceover) : You matter.NATHAN : Just relax.HALEY : You're adad!NATHAN : You did so good. You did so good. We have a son. We have a son.HALEY : I want to see him. (Haley takes the baby in her armsHALEY : Hi. Hi, baby.BROOKE (voiceover) : The world is waiting.HALEY :Welcome to the world, James Lucas Scott. Look, that's your daddy.NATHAN : He's so beautiful.HALEY : That's your daddy.SCOTT'S HOUSE, 2 WEEKS LATERNathan is holding his son, watching basketball and listeningrap music. Haley walks inHALEY : Unbelievable. He's only mellow when we play rap music? What happened to the classical music I played for nine months?NATHAN : I got a confession to make. Every time you fellasleep, I went to old-school hip-hop. That's my boy, isn't it? That's my boy. You like some old-school hip-hop, huh? Yeah.GRAVEYARDKaren is sitting in front of Keith's grave, holding their daughter.KAREN : Hi, Keith.It's us. Her name is Lily. Lily Roe Scott. Hi. I'm gonna be seeing you in her every day.SIDE OF A ROADPeyton is outside her car with the hood opened, Lucas arrives in his carLUCAS : You've got to be kidding me.Again?PEYTON : I guess.LUCAS : Doesn't look like anything's wrong. You sure it won't start? Peyton?(Lucas closes the hood, Peyton is sitting inside the car)PEYTON : Oh, the car's fine. I was just feeling sentimentalabout the first time we spoke.LUCAS : Feeling sentimental, or avoiding packing for your trip to Los Angeles with Brooke tomorrow?PEYTON : I don't want to go. I mean, I do want to go. I'm just... I'm gonna missyou.LUCAS : Come on, look. At least you know what you're gonna do.PEYTON : You still haven't decided yet?LUCAS : I just didn't see this other thing coming, you know?PEYTON : Can I help you?LUCAS : I don't thinkso. I just keep telling myself that... there will be some significant moment when I will know what to do. How about you? Can I help you?PEYTON : Yeah. Remember when your mom was in the hospital, and you askedme just to lie with you and heal you?LUCAS : Yeah.PEYTON : I think I could use some of that healing before tomorrow.LUCAS : I can do that.SCOTT'S HOUSENATHAN : So, you know, there's a big party tonight, kind ofa last hurrah for all the seniors.HALEY : I know, but what are we gonna do with the baby?(Deb walks in)DEB : Cue the crazy grandmother. And F.Y.I., if either of you ever calls me \"grandmother\" in public, I'll use mygun. Which is at the range, safe from the most beautiful baby boy in the world. Next to you, Nathan, of course. Oh, who am I kidding? You are the cutest. You, you, you. Go. I'll watch him.HALEY : Oh, I don'tknow.NATHAN : We're underage, mom, and there's gonna be drinking, alcohol, probably some drugs.DEB : You're going to the party, and you're going to have fun. We insist. Now go. Bring me home some drugs. Isn'tgrandma funny? Isn't she?PARTY HOUSE IN THE WOODLots of people are arriving at the partyBROOKE : Wow. So, what's the deal with this party, anyway?MOUTH : At midnight, the Tree Hill high computers changeover, and the juniors become seniors.BROOKE : So, what happens to us?CHASE : We're gone.BROOKE : I don't want to be gone.CHASE : Well, you got until midnight.MOUTH : Hey, let me ask you guys something. Doesit look like I'm wearing a blouse?BROOKE : I like it.CHASE : Uh, it's a little...MOUTH : Great. I'm the blouse man. It looks like I'm competing in men's ice dancing, doesn't it?CHASE : No, it looks like you're winningmen's ice dancing.BROOKE : Stop it. It's fine.CHASE : I'm just playing. As long as you don't have wine coolers in that bag, you're good.MOUTH : You know what? You guys go ahead. I'm gonna, uh, grab myjacket.(Mouth leaves)CHASE : Hey, listen. I'm gonna stay out of your way tonight 'cause you got a lot of people to say goodbye to before you leave tomorrow.BROOKE : Thanks.Lucas and Peyton arrive at thepartyPEYTON : Maybe I don't even have to go. I mean, what do interns do anyway? They, like, answer phones. I already know how to answer phones. Look... Hello?LUCAS : You're going, and you're gonna have fun.Haley and Nathan arrive at the partyHALEY : Okay, we'll have fun. I just saying, maybe I should give Deb one quick call just to check in.NATHAN : Hales, come on, I miss the boy, too, but we're not gonna be thosecrazy, obsessive parents. You need to enjoy one last night with all your friends.HALEY : Okay, I won't call.NATHAN : All right. Tonight's gonna rock. Brooke and Chase are walking all the way to the entranceBROOKE :Tonight's gonna suck. I can't believe they're gonna erase us.CHASE : No, I see possibilities in a night like this. It's your last chance to tell someone you love them, maybe apologize to an old friend, try something new.Tonight has greatness written all over it. I can feel it.BROOKE : Okay.GUY : Name.BROOKE : Brooke Davis.GUY : I'm sorry. I've got strict orders not to admit Brooke Davis.BROOKE : Excuse me? Whose stupid party isthis, anyway?RACHEL : Mine, bitch. And your fat ass isn't invited.BROOKE : Oh, my god. Rachel finds MouthRACHEL : Well, if it isn't the only guy to ever leave me in a hotel room before the s*x.MOUTH : Well, well.Come here. Where you been? What are you doing here?RACHEL : Well, where I've been's a long story. What I'm doing here's pretty easy. I missed you.MOUTH : I missed you, too.(Brooke arrives)BROOKE : Hang outwith her too long, you're gonna end up in Honey Grove. I need to borrow you. Come with me, boy and friend.MOUTH : Where to?BROOKE : Someone's playing spin the bottle.MOUTH : Spin the bottle? What are we...13?BROOKE : Shut up. God. Look, if you ask me, it's really stupid that we all ever stopped playing spin the bottle, so quit being so grumpy.MOUTH : Hey, you'd be grumpy, too, if a girl you had history with just showedup out of the blue.(They both walk inside the house and find Shelly, already playing spin the bottle)SHELLY (surprised) : Mouth.BROOKE (to Mouth) : You were saying?(Mouth leaves)BROOKE : Hi.Haley is alone, on thephoneHALEY : Hey, Deb, hi. It's... It's me. I... I'm sorry to bother you. I just wanted to... check in, yeah. Everything's great? Great. Okay, good, good. All right. Thanks. Oh, also, can you just not tell Nathan that Icalled this time... or last time? Thanks. Also, uh, before you go, he really likes his little... giraffe.(Rachel arrives behind her and flicks her in the back of her head)HALEY : Ow!RACHEL : That's for soaking me at the lastparty. The bitch slap, I deserved.(Rachel starts leaving, Haley throws her glass at her back)HALEY : That's for flicking me in the back of the head.(Haley leaves)RACHEL : I'm gonna miss this.Nathan is on the roof, Lucasjoins himLUCAS : Is that Nathan Scott, big-time college basketball player?NATHAN : Small-time college basketball player.LUCAS : Well, whatever, but... congratulations, man... on everything. How'sfatherhood?NATHAN : It's awesome. How's brotherhood?LUCAS : Awesome.(they exchange pictures)NATHAN : She's beautiful, Luke.LUCAS : Handsome kid. Looks like his uncle.(They stay in silence for a while)NATHAN: We got to go see him.LUCAS : Yeah, I know. But what do you say to your father the murderer?NATHAN : Whatever we say, we just get it over with. I'm tired of carrying it around and avoiding him.LUCAS : Let's do ittonight. Let's stop running from him.NATHAN : Okay. Okay, we'll go later tonight, then. May need a few drinks first.(Nathan starts leaving)NATHAN : Lucas... I'm sorry I didn't believe you.LUCAS : I'm sorry I wasright.Brooke is looking at her cell phone, Chase sent her a videoCHASE (message) : Brooke Davis, look to your right, and you'll see the hottest guy at the party.(Brooke looks at Chase, but Haley arrives)HALEY :Hey.BROOKE : Hi, tutor mom. How you feeling... you having fun or you worried about the kid?HALEY : Um, I am... worried... about you, too. I'm gonna miss you this summer.BROOKE : Okay, don't. Don't do that. Don'tmake me cry 'cause I'm barely holding it together as it is.HALEY : Nathan and I want you to be James' godmother.BROOKE : Okay, that's gonna do it. Haley. I would be honored to be his godmother, and I promise youthat, unlike my ungodly mother, I will so kick ass at this.HALEY : I know you will... as long as you don't say \"kick ass\" around him too much.BROOKE : Right, sorry.Shelly is alone, Peyton comes see herPEYTON : Likeyour leather. You're Shelly, right?SHELLY : Yeah. Uh, we had current events together, right?PEYTON : Yeah. Hey, I just want to tell you, I think Clean Teens is really cool.SHELLY : Thanks. I... kind of ended it.PEYTON :Well, it's still really brave of you. I totally would have joined if I didn't love s*x so much. That's a joke.SHELLY : Yeah.(Rachel joins them)RACHEL : Man, Clean Teen wardrobe sure has changed. I want back in.(Brookeand Haley arrive too)BROOKE : Look at this. It's like a Clean Teen reunion. All we need now is Chase, but... honestly, he's not that clean. He appreciates the art of a dirty text message.(Bevin arrives and grabs the girlsto dance)RACHEL : I don't suppose the Clean Teen dances much.SHELLY : Oh, please. I was doing the whole slut thing long before you, bitch.Skills is inside the houseSKILLS (singing) : \"If you wanna be my lover Yougot to get with my friends\"(Lucas arrives)SKILLS : What? It's catchy.LUCAS : You believe in miracles, Skills? 'Cause there's no way in hell a couple of vagabonds like us walked off the River Court and won the StateChampionship.SKILLS : Yeah. Hey, you know my joint ain't too far from U.N.C. this year, right? We gonna be boys for life.LUCAS : Hey, you guys play Nathan and Whitey next season?SKILLS : December 9th, 3:00, andI plan to score at 3:01, 3:02, and 3:03. You gonna be there, right?LUCAS : We'll see.SKILLS : \"We'll see\"? Kill all that \"boys for life\" talk, dog. Matter of fact, we ain't even friends right now.LUCAS : Right.SKILLS : Beright back.(Skills leaves when Nathan arrives)NATHAN : Hey, Skills. All right. Let's go see Dan.LUCAS : You sure?NATHAN : Yeah, I'm sure. Why? Aren't you?LUCAS : I don't know.[SCENE_BREAK]INSIDE PRISONDan isin his cellPOLICE OFFICER : Scott. Visitation.(Karen arrives in front of his cell)KAREN : I have a daughter. Her name is Lily. And someday, when she's old enough, she's gonna ask me where her daddy is... Who hewas... and how he died. And on that day, I'm gonna look into her beautiful eyes... eyes that don't know of malice... and jealousy... and evil... and I'm gonna say... \"Your father loved his younger brother very much, andthat brother took him from you for your entire life. He made sure you would never know your father.\"DAN (crying) : Karen.(Karen spits on the window and leaves)PARTY HOUSE IN THE WOODBrooke is watchingeverybody from a far, aloneSKILLS : You must be drinking, baby.BEVIN : No, I don't wanna drink. I just wanna be upside down. This isn't funny.(Lucas arrives)LUCAS : So, you ready to leave tomorrow?(He sees hercrying)LUCAS : Hey, what's wrong?BROOKE : I don't know. I just, um... I know moving on is a good thing. I guess I'm just scared. You know? High school's safe, and I'm not sure I'm ready for the real world.LUCAS :For the past few months, I've been writing this... I guess in part so I could remember it all. But, um... here.(Lucas opens his book and gives it to her)BROOKE (reading) : \"She was fiercely independent. Brooke Davis...Brilliant and beautiful and brave. In two years, she'd grown more than anyone I had ever known. Brooke Davis is gonna change the world someday, and I'm not sure she even knows it.\"LUCAS : You're gonna do great,Brooke. The world doesn't stand a chance.BROOKE : Thank you.Shelly is in the middle of the crowdGIRL : Hey, Shelly. Nice moves.SHELLY : Thanks.GUY : Hey, Shelly... nice skirt. So, you gonna let me slide you out ofthat at church camp again or what? Come on... slut.(Mouth arrives)MOUTH : What did you say?SHELLY : Mouth, it's okay.MOUTH : No, it's not okay.GUY : Oh, no? Whatever, geek.(The guy pushes Mouth)SHELLY :What are you doing?GUY : Do you believe this?(Mouth gets off the ground)GUY : You know, I was gonna take it easy on...(Mouth punches the guy in the face)MOUTH : Yeah, me, too.MOUTH (to Shelly) : He's sorry. Youlook great.Nathan is showing some pictures of his sonREESE : Oh, my gosh. Nathan, your baby is so beautiful.NATHAN : He is, isn't he?(Haley arrives)HALEY : Hi. Sorry. Can we just have a second?REESE :Congratulations, Haley.HALEY : Thank you, Reese.(The girls leave)HALEY : Um, we need to go home.NATHAN : Why? What is it?HALEY : I know we promised we wouldn't do this, but I called just to check in on thebaby, and Deb's not answering the phone, there's no busy signal, no answering machine, and she's not answering her cellphone.NATHAN : Okay, let's not freak out, okay? It doesn't mean my mom's not on top ofit.HALEY : Your mom the former drug addict, attempted murderer, who dropped a loaded gun in the café?NATHAN : It wouldn't hurt to check.HALEY : Right.Mouth and Shelly are sitting on a couchSHELLY : I thoughtabout calling you a million times. Are you mad at me?MOUTH : No. I just stayed away because you asked me to. No, uh, Clean Teen shirt, huh?SHELLY : No. It was time to end it. I was just trying to find my place, youknow?MOUTH : Yeah. You'll always be important to me, Shelly.(Mouth starts leaving)SHELLY : Mouth.(She hugs him)MOUTH : I like the skirt.Peyton finds Brooke alonePEYTON : Hey, you. What have you been upto?BROOKE : Flirting with Lucas.PEYTON : Oh, yeah? How'd that turn out?BROOKE : Meh. So, so. Love triangles are so high school.PEYTON : Seriously.BROOKE : We made it, didn't we? Through all the tragedy andjealousy and confusion... We made it.PEYTON : Yeah. Hoes over bros, right?BROOKE : I love you, P. Sawyer.PEYTON : I love you, too, B. Davis. Fergie, Junk and Mouth are sitting on the roof, Skills joins themSKILLS :Almost midnight... end of an era. Four years of high school and zero girlfriends for Junk and Fergie.JUNK : My girlfriend's canadian.SKILLS : Man, whatever. What you thinking about, Marv?(Mouth spins the bottle, whichpoint Brooke)MOUTH : I'll be right back.(Mouth jumps from the roof, walks toward Brooke and kiss her)JUNK, FERGIE, SKILLS (screaming) : Hey, Mouth, what's...SKILLS : Yeah, Mouth! That's my dog!MOUTH : I alwayswanted to do that.(Mouth leaves and passes Chase)MOUTH : Sorry.BROOKE : Um... did you...CHASE : I-I said you could hang out. I didn't say you could make out.BROOKE : Do you see what happens when you leaveme alone all night? I mean, seriously, thank you for letting me say goodbye to all my friends, but you're the one I want to finish the night with.CHASE : I was hoping you were gonna say that.BROOKE : How about youkiss me till I have to leave tomorrow?CHASE : It's a start. Come on.SCOTT'S HOUSEDeb is sitting with Jamie sleeping in her arms. Haley and Nathan walk in.HALEY : Deb?NATHAN : Mom? Mom, what happened to thephone?DEB : I unplugged it.NATHAN : Why?DEB : Because the two of you were driving us crazy.HALEY : The two of us?NATHAN : I might have called a couple of times.DEB : Six times.HALEY : You crazy, obsessiveparent.DEB : You called eight.HALEY : I missed him.DEB : He's fine. But go back to the party and have fun. You have the rest of your lives to worry about children. Trust me.(Deb leaves)HALEY : All right. You want to goback?NATHAN : Yeah. Hey, hold on a second. You're gonna be a great mom, you know that? Actually, you already are a great mother, and that's very sexy.HALEY : Really? We don't have to go back right away.NATHAN: You're absolutely right.PARTY HOUSE IN THE WOODBrooke and Chase are in a car, kissing. Brooke starts to get undressedCHASE : Did I mention this was the greatest night of my life?BROOKE : Well, you said it was anight to be great and to try new things, so I figured we'd do both at once.CHASE : You're gonna change the world someday, Brooke Davis.BROOKE : Yeah, so I've been told.CHASE : Be gentle with me. Lucas and Peytonare alone, sitting on a bench, far from the partyLUCAS : I don't want you to go.PEYTON : What?LUCAS : I'm sorry. I just... I've been trying to put a good face on. God, I love you so much, Peyton.PEYTON : So you wantme to stay?LUCAS : Yeah.PEYTON : Then I'll stay.LUCAS : No, you won't. I want you to stay. But I won't let you. And do you know why? Because I've told you before... You are destined for greatness. And it startstomorrow morning.PEYTON : It's not gonna matter anyway... whether I stay or I go... with us... 'cause I'm gonna love you forever, Lucas Scott.(Nathan an Haley join them)NATHAN : Yeah, so am I.PEYTON : Hey,where have you guys been?HALEY : I don't know. Around. Hey, um, you got a sec, Luke?LUCAS : Yeah.(Haley and Lucas go for a walk, Nathan sits with Peyton)PEYTON : All right, let me see that baby. Oh, god.NATHAN: Not bad, huh?PEYTON : Good work, buddy.NATHAN : I made that.Brooke and Chase are still in the carCHASE : So, tell me that was the greatest 60 seconds of your life.BROOKE : Stop. It was great.CHASE : So greatyou're gonna stay?BROOKE : Mmm... not really that great.CHASE : Suddenly I feel used. But it's okay, considering I've been used by Brooke Davis.BROOKE : Shut up. You know I'm lying. I am gonna miss you. Ialready do. You've become such a big part of my life, sometimes I think it's strange that I didn't know you till now.CHASE : It's okay. Put me in your heart and go see everything, Brooke. And then come back to me.Haley and Lucas are walkingHALEY : I'm sad. I am sad. I... It just hit me today that you and I have been together pretty much every day of our lives, and we're gonna have to say goodbye soon. We're notgonna...LUCAS : Hales.HALEY : Look, I just... I really want you to know that I love you and there's a reason why our son's middle name is Lucas. You had Keith, and James is gonna have you. And, um... Nathan and Iwould like for his uncle Lucas to also be his godfather.LUCAS : Thank you. I would love to.HALEY : Good. I just... I hope he learns how to follow his heart like you do. I'm really gonna miss you, Luke.LUCAS : No, you'renot.HALEY : What do you mean? What's so funny?LUCAS : Do you want to hear a secret?(Lucas whispers something to Haley)HALEY : Oh, Luke.Rachel is inside the house, Brooke comes to see herRACHEL : Hey. Whereyou been?BROOKE : Having s*x.RACHEL : You're funny.BROOKE : I have something for you.(Brooke gives Rachel her diploma)BROOKE : Turner gave it to me. Happy graduation.RACHEL : You told him the truth, didn'tyou?BROOKE : Maybe.RACHEL : You know, of all the schools I got suspended from... I'm glad I graduated from this one.BROOKE : Me too.Lucas joins Nathan who's aloneLUCAS : I've been thinking about Dan.NATHAN :Yeah?LUCAS : Why should we go see him?NATHAN : You mean tonight?LUCAS : No, I mean... I mean at all. I mean... he's had control over us since we were born. These are our lives, not his. I say we go on without"}
+{"doc_id":"doc_99","qid":"","text":"Act 1Scene 1 - Frasier's Apartment. Frasier is seeing a guest off the premises. Both are dressed in tuxedos, as are Niles, Martin and Bulldog who are also in the room. Roz and Daphne are decked out in eleganteveningwear.Frasier: [opening the front door as the guest walks out] Glad you came back with us. I hope you had a good time. Well, I can't tell you how much fun this has been. Listen, now that you know the way don'tbe a stranger. OK. Good night! [closes the door after the man] Who the hell was that?Niles: He's not from the station?Roz: I never saw him before.Daphne: He was table-hopping like crazy during the awards.Martin:That's 'cause he was our waiter.Frasier: Well, that's the last time I say, \"everybody back to my place!\"Bulldog: [holding up his SeaBea] Who cares about that guy? This is a great night.Roz: For you, maybe. The rest ofus lost.Bulldog: Hey, it's not important whether you win or lose. It's an honour just being nomin... [breaks into laughter] I couldn't get through that crap on stage, I can't get through it now!Roz: Frasier, do you mind if Iuse your phone?Frasier: No, not at all. Who are you calling? It's practically midnight.Roz: Oh, I promised my grandmother I'd leave her a message telling her how we did. [dials the number then starts speaking into thephone] Hey Gammy, it's Roz. Guess what? We won again! We're all here celebrating.Roz holds up the phone to indicate they make some kind of noise of celebration. All they can muster is a half-hearted \"YEAH!\"sounding completely unconvincing.Roz: Listen, I gotta go. It's getting crazy here but I'll talk to you tomorrow. Bye-bye.Niles: You lied to \"Gammy?\"Roz: Well, she's old and it makes her happy. She smiled for a weekwhen I won the Miss Seattle Pageant!Frasier: You know, Roz raises a very interesting philosophical question...Martin: [preparing for the worst] Oh, here we go. Buckle up!Frasier: Is it always morally wrong to lie? Weare taught that it is. Though obviously there are certain occasions when a lie would be acceptable.Bulldog: Yeah, like the lies you tell a chick in bed. \"You're the best I've ever been with\"; \"Your thighs don't look thatfat\"; \"Don't worry, I've had a vasectomy.\" [Bulldog notes the disgusted faces around the room] Hey, screw you guys! I'm an artist; we live by different rules.Niles: An argument can certainly be made that a lie is goodwhen it spares someone unnecessary pain. I'm reminded of Maris's brief flirtation with active wear when I assured her, \"You look fine, darling. Spandex is supposed to blouse!\"Frasier: You know, Lilith actually told methe other day that Frederick has taken to lying. Yes, he told all of his friends that Lilith is an alien. [laughs]Martin: Seems as good an explanation as any!Frasier: He also told them that she wears her hair in a bun to hidethe third eye in the back of her head. [laughs again]Roz: How did Lilith find out?Frasier: Well, apparently she was driving him and Toby to a Junior Mensa meeting, she looked in the rearview mirror and saw that theywere making faces at the other cars. So, never have the words \"I can see you!\" caused so much screaming and wetting of pants!Laughter all around.Daphne: I did my fair share of fibbing too. I once told my schoolchums I was born with a tiny embryonic twin attached to my hip. [Daphne laughs hilariously whilst the others look slightly perturbed] Of course they were horrified and it didn't help my social life at all. [sighs] But for awhile there it was nice having a sister.Niles nods his head in sympathy before subtly removing the glass of champagne from Daphne's hand and passing it to Frasier who nods his head in agreement.Niles: Oh.Remember in prep school when we were so desperate to avoid The President's Physical Fitness Test...Frasier: ...that we lit a match underneath the fire alarm and all the sprinklers went off.Niles: And we blamed thatdelinquent kid, John Rajeski.Frasier: Yes.Martin: [appalled] You did what?Frasier: What's wrong?Martin: You two swore up and down to me that you never set off that alarm.Frasier: [laughing] Well, of course we weren'tgoing to tell you.Martin storms off into the kitchen.Niles: For Heaven's sake, Dad, you can't be mad. We were kids.Martin: [turning back] You know, the headmaster said it was you two. I went down there and raisedhell with him. I said, \"My kids don't lie.\" Because of you that Rajeski kid got expelled!Frasier: [shocked] Expelled? If we'd have known that was going to happen we would have told the truth.Niles: [unrepentant] Notme. He was a brute and a meanie.Frasier: You're right. He used to make the most merciless fun of me, about how I always wore my gym shorts in the shower. He used to call me \"Shorts In The Shower Boy.\" You don'thave to be witty to be cruel.Martin: Well, I don't give a damn what that kid did. Getting him expelled was worse. [angrily] I'm going to bed. Good night, everybody.Everyone says good night as Martin goes through tothe bedroom.Frasier: Well, I guess that brings an end to our little debate. Apparently there are no good lies.Bulldog: Hey, hey, it's getting kinda heavy in here. We gotta liven this place up, huh? Hey, I know - partygames, huh? All right Doc, I'm going to need a blindfold, whipped cream and a glass coffee table. [everyone looks mystified] What? Nobody went to camp?Roz: [getting up] Forget it, Bulldog. These guys are no fun.[grabs his butt as she walks past] You know what? I know a great after-hours place where we can go get a few drinks.Bulldog: [rushing after Roz to the front door] Now you're talking. Hey, if things go well I know anafter after-hours place. And I got the keys.Roz: Mmm. You get the elevator; I'll get my coat.Bulldog: You're on.Bulldog rushes out and Roz closes the door behind him, firmly locking it.Roz: No good lies, my ass!Daphnelaughs and Frasier and Niles toast each other with their champagne.[SCENE_BREAK]Scene 2 - Café Nervosa. Niles walks in and sees Frasier sitting down. Niles hangs up his coat before sitting down. It is apparent thatboth brothers are wearing exactly the same suit right down to the shirt and tie.Niles: Good morning, Frasier.Frasier: Oh, good morning, Niles... [suddenly notices Niles's suit] Oh dear God - it's finally happened. This isthe thanks I get for introducing you to my personal shopper. I gave her specific instructions to write down every article of clothing that I had purchased so we could avoid this sort of calamity!Niles: I didn't use Renaldo.This suit just caught my eye while I was shopping for shoes.Niles and Frasier suddenly stop and stare tentatively at each other's shoes. They both reel back in horror as they realise they've got the same as well.Niles:[annoyed] Well, why didn't you also take my strong chin and swimmer's build?Frasier: Oh please.Niles: Obviously we have to sit apart.Frasier: Sit down! There's something I need to talk to you about. I doubt mostpeople are as tuned to these things as you and I are. I'm sure they won't even notice.At this point the waitress approaches with two coffees.Waitress: [to Frasier] Here you are, double espresso. [to Niles] I took achance and brought you the same thing. [leaves]Frasier: After our conversation last night I couldn't stop thinking about our getting John Rajeski expelled. I didn't sleep a wink.Niles: You can't be serious?Frasier: Youmean it didn't bother you? Where is your conscience?Niles: Perhaps it fell into the quad - along with my hall monitor beret when John hung me from the flagpole! He was going to be expelled sooner or later. You cannotguilt me into feeling bad.Frasier: Yes, well, no one hated him more than I did but I still think we owe him an apology. Can I borrow your phone, Niles?Niles: Certainly. [hands over phone then suddenly realises] You'renot going to call him?Frasier: I am.Niles: Are you insane?Frasier: [speaking into the phone] A number for a John Rajeski, please? [speaking to Niles] Niles, my conscience won't rest until the two of us have said we'resorry. [speaking into phone] Oh yes, connect me please.Niles: Leave me out of this. I'm not sorry. But don't tell him that. And if he asks, I'm living in Italy. No, no, France. No, Italy!Frasier: [speaking into the phone]Yes, hello. Is John Rajeski there, please? It's an old friend... Oh, I'm terribly sorry to hear that. Thank you. [hangs up] Niles, it's worse than we thought - he's in prison.Niles: [smug] Well... who's wearing shorts in theshower now?Frasier: Well, joke all you like. I still can't help thinking this is all our fault.Niles: How?Frasier: Well, he was always on the cusp. Maybe he couldn't get into another prep school. Maybe he had to go to public.Got in with the wrong crowd. Couldn't hold on to a job. He could turn to a life of crime.Niles: Frasier. Sometimes bad things happen to bad people. We did not set him on the path to prison.Frasier: Yes, well until I'msure of that fact my conscience will not rest. I have got to speak with him. [to waiter] Can I have the check, please?Niles: [incredulous] You're not going down to the jail?Frasier: Yes, I am. I invite you to join me.Niles:[sarcastic] Yes, that's a good idea, Frasier. The Crane boys going to a prison in matching outfits![SCENE_BREAK]DEAD MAN TALKINGScene 3 - The prison. Frasier is nervously walking round a room bare except for atable and two chairs in the middle of the floor. John Rajeski is brought in by a guard.[N.B. John Rajeski is actually the name of one of the show's producer's assistants. He appears as a Cafe Nervosa waiter in [3.24],\"You Can Go Home Again.\"]John: Frasier Crane?Frasier: John.John: [smiling and shaking his hand] Hey. How's it going?Frasier: Well, fine. And you?John: Eh... [shrugs and waves at his surroundings] What brings youdown here?Frasier: Well, I don't know if you get the alumni magazine, but I became a psychiatrist, and I'm currently conducting a study on men behind bars and how they got there... [notices John's fists] That's anawfully nasty bruise on your knuckles.John: [laughs] I caught some guy using my comb. I really hate it when people touch my stuff.Niles: Oh, yes. I remember my brother Niles once sat in your chair in the cafeteria. AsI recall you put him on a tray and ran him through the dishwasher.John: Yeah, class clown - that was me. [both laugh at this] How is Niles, anyway?Frasier: Ah, er... ah, he's abroad now.John: Really? Whoa, that musthave hurt.Frasier: No, no, I mean, er... yes, I suppose it did! Well anyway, it would be an enormous help in my study if you could perhaps pinpoint the moment or event in your life that led you to here.John: Ah, that'seasy. I'm doing time for passing a bad check.Frasier: Ah. [begins writing in his notebook]John: You see, I wanted to get my wife something nice. We're going through a rough time recently. I was scared she was goingto leave me, you know?Frasier: [relieved] Well, that was quick and painless. We've identified the point where you fell off the beam. [gets up to leave]John: Actually though, I was already on probation. I did some timeabout ten years back for driving a car that didn't belong to me.Frasier: And that was your first infraction?John: Yeah.Frasier: [getting up again] Well then, case closed, mystery solved. A young man yields to the lure ofa bright and shiny car. Is there anything more tragic?John: I did have a juvenile record.Frasier: [sitting down again] Apparently there is.John: I got in a high school fight.Frasier: You did say high school, not prepschool?John: Oh, yeah, yeah, yeah. This is way after you knew me. I went bad then. Always getting into fights. Of course I wouldn't have been there in the first place if I hadn't have gotten thrown out of that goodschool me and you were in. That had a big effect on me you know?Frasier: Yes well, perhaps we could continue our backward journey through...John: [getting up] No, no, no. That was a bum rap. Somebody pulled thefire alarm and they blamed me for it. They said I did it but I didn't do it.Frasier: [becoming visibly worried] Let's discuss your early childhood.John: [stamping his fist off the desk in anger] You know, the more I thinkabout it, this all started the day I got thrown out of prep school. Ever since then my life's been crap! CRAP![now banging the desk in rage]Frasier: [hurriedly gathering his notebook and getting up] I think I have all theinformation I need now.John: Sorry, I didn't mean to blow like that.Frasier: Well, that's all right, John. [shaking hands with John] Thank you for your time.John: I got plenty of it. I'll see you, huh?Frasier: [nervouslythinking as John knocks on the door to leave] No, no, John. There's just one more thing. [turns to the guard who's ready to take John back] One second, please. [turns to John] There's something I need to tell youabout, something that I did in school that I'm not very proud of...At this point a very large, very burly fellow prisoner covered in bruises and a neck cast appears at the door.Prisoner: Yo, John. Sorry I touched yourcomb, man.Needless to say Frasier looks frightened out of his wits as the prisoner scuttles off.John: So what did you do?Frasier: Er... well, I, er... I peeked over your shoulder once during an algebra quiz.John:[jokingly] And I'm the one who gets expelled?John is led away by the guard leaving Frasier wondering how he can break the news to John.End of Act 1[SCENE_BREAK]Act 2Scene 1 - Frasier's Apartment. Martin issitting back in his chair. Daphne opens the front door to a limping, leaning Niles.Daphne: Evening, Dr. CraneNiles: Hello, Daphne, Dad.Daphne: Something wrong with your back?Niles: I injured it this morning playingsquash. I had to make a dive to save match point.Daphne: Well, I've got just the thing to take care of that. You take off your jacket, I'll be right back. [goes to the powder room]Niles: You're too kind. You know, Ishould never even have attempted a move like that. It was sort of a cross between a pirouette and a flying scissor kick.Daphne looks suitably impressed before closing the door.Martin: You hurt yourself adjusting theseat in your Mercedes again, didn't you?Niles: Quiet!Daphne returns with a small tub of something.Daphne: All right, pull out your shirttails and lay facedown on the sofa. I can guarantee you within a minute you'll befeeling much better. [Niles lies down and mutters a moan of satisfaction] I haven't even touched you yet!Niles: I started without you.Daphne proceeds to rub Niles's back with some sort of liniment.Martin: [concerned]Hey, wait a minute. You're not gonna use that stuff on him, are you? She used it on me one time, it burned like hell!Daphne: Oh, hush up, old man. It helped you, didn't it?Martin: It nearly killed me!Daphne: Listen tothe big tough policeman. You don't hear your son complaining, do we, Dr. Crane?Niles: [in heaven] Not a bit! Frost me like a cake!Martin: Well, just wait a minute. It goes on cool but it then it turns into ablowtorch.Daphne: Well, I guess now we know who the real man in the family is, don't we?Niles: I should say we d...[winces slightly] Ooh!Martin smiles at him.Daphne: Is it starting to warm up?Niles: [wincing a littlemore] Ahh, yeah! It's a... refreshing heat, like those towels they give you on the airplane. [clearly feigning pleasure] Whoooo!Daphne: I'm not hurting you, am I?Niles: No, no. I'm just a little ticklish back there.He bitesdown on the pillow to muffle his screams.Martin: Well, I guess you are the tough one!Daphne: [getting up] There you go.Martin: Oh, no, wait a minute, Daphne - you missed a big spot right there.Niles: [hastily gettingup] No, that's OK! Because it's all done now! Thank you, Daphne! [in agony] A few minutes ago I was bent over in pain, [rushes for the kitchen bounding over the coffee table] but now look at me, I'm running!Nilesheads straight for the refrigerator, finds a bag of frozen peas and stuffs them down the back of his shirt, followed by the tub of ice cream. He turns around and desperately rubs his back against the fridge. Back in theliving room Daphne is talking to Martin.Daphne: How is that hip of yours, anyway?Martin: Back off, witch woman!The front door opens and Frasier walks in.Daphne: Evening, Dr. Crane.Frasier: Evening, Daphne.Martin:How did you get on at the jail?Frasier: Horribly! The man is convinced that getting thrown out of prep school was the beginning of his life of crime.Martin: Been thinking that all these years?Frasier: [disconsolate] No. Isort of connected the dots for him!Martin: You tell him it was you?Frasier: I intended to, but I became convinced that the man would be willing to perform unspeakable atrocities on the responsible party orparties.Martin: Well, you probably made the right call. Knowing you, you'd beat yourself up worse than he would anyway.Niles: [emerging from the kitchen] I hope you remembered to tell him I was anexpatriate.Frasier: I told him you were an ex-something. [Niles looks confused.] You know, I just feel so guilty. I have done this man a terrible injustice.Daphne: You know, Dr. Crane, I've always believed life has a wayof balancing itself out. Yes, you may have treated this man unfairly, but think of all the people you've helped on your show. Just yesterday you reconciled that couple on the brink of divorce and today you helped Mollyfrom Tacoma overcome her addiction to Swedes.Martin and Niles both stop what they're doing and look up confused.Frasier: That was sweets, not Swedes!Daphne: I thought it was strange when you told her to limitherself to one or two after meals.Frasier: You know, perhaps I just have an overactive conscience. It's not enough that I help other people, I want to help this man.Niles: Well, I hope you do, Frasier because then finallyyou'll stop torturing the rest of us with all your... [bends over and suddenly cries out in agony] Oh, pain's back!Martin: Not to worry. She's got more liniment.Niles: [suddenly standing upright still in agony] Oh, pain'sgone!Daphne: Come on now. Be brave. [drags Niles's behind her] Let's go into the loo and I'll give you a second coat.Niles stretches out his hand in a last-ditch bid to stay out of Daphne's clutches but Martin just smilesat him as he is dragged into the powder room.Frasier: You know, Dad, Daphne gave me a thought. I'm a skilled couples' therapist. John did mention that he was having marital problems...Martin: Oh, Jeez!Frasier:[heading for the phone] No, no, Dad. This is perfect, this is perfect. I may have ruined the last 25 years of this man's life but with my gift I could save the next 25. [speaks into the phone] Yes, a listing for a JohnRajeski, please.Martin: I'm telling you, Frasier, don't get mixed up with this guy. He's a felon.Frasier: Dad, just relax, please - I know what I'm doing. [speaks into the phone] Mrs. Rajeski? Hello, you don't know me butI'm...A piercing scream comes from the bathroom as the second coat is obviously being applied.Frasier: Why - well, that's remarkable. Yes, I am a friend of your husband's![SCENE_BREAK]Scene 2 - Susan Rajeski'sapartment. Frasier knocks on the door and Susan opens.Frasier: Mrs. Rajeski?Susan: Wow, it's really you - Frasier Crane!Frasier: May I?Susan: Oh gosh, I'm sorry. Please, please come in. [Frasier walks in] You know,you're kind of like a God at work. [Frasier looks a bit humbled] Please, please sit down.Frasier: [sitting down] Thank you. Let me cut right to the chase. John told me that you two were going through a bit of a roughpatch and I was wondering if there was anything I could do to help?Susan: Well, I love John. I really do, but there is a problem. It's just a little difficult talking about it, you know? I mean, it's a little embarrassing -especially face-to-face.Frasier: Well, I'll tell you what. Just pretend I'm on my radio show, [turns his back to Susan] and now you're just another caller.Susan: OK. Well, Dr. Crane, it's a sexual problem.Frasier:Ah.Susan: You see, I can only get really turned on when there's something that makes the whole situation sort of dangerous.Frasier: [turning round] Dangerous?Susan: You're looking at me.Frasier: [turning backround] Sorry.Susan: Like doing it in a car.Frasier: Well, that's not so dangerous.Susan: You must be some driver.Frasier: [realises] Oh. And you've never had an accident?Susan: No, I'm on the pill!Frasier: [back stillturned] So how long have you had this particular kink?Susan: [standing up starts playing with her buttons] Well, I don't know really. It kind of started around the time that I first met John. I was working in aconvenience store, I caught him shoplifting. Next thing I knew we were rolling around on the Slurpy machine and I'd already pressed the silent alarm so I knew that the cops were on their way...She rips off her dress toreveal a sexy black negligee. Frasier is still sitting on the couch, back turned, unaware.Susan: That's when I realised what really turns me on - knowing I could get caught at any moment. [leaps onto Frasier'slap]Frasier: [horrified] Oh, Dear God! He's out of jail, isn't he?Susan: He could walk in at any time.Frasier: He'll kill us!Susan: [writhing in pleasure] Ooh, touch me here and say that.Frasier: [struggling up with Susanstill attached] ARE YOU CRAZY?! He doesn't even let people touch his comb!Susan: I know. What's that all about?Frasier: [backing off] You might like to put your dress back on, straighten up before he gets home.As"}
+{"doc_id":"doc_100","qid":"","text":"[Up-tempo music plays.]You're alive As long as the streets are living I single you out I don't want to want to go home The sun will rise OSCAR: Jesus, Lester. What's the damn hurry, mate?TREVOR: [Laughs.] Not again,Trev. It just encourages him. want to go home He ain't saying it'll be easy You want to go there, do you, bro? Come on, boy. There.[Laughs.]Whoo! This broken bell will keep on ringing Boy, it's true Oh. Hello, Madison.Jean. Still come to see your mum, then?[Chuckles.]She expects it.MRS.MARLOWE: Oh, so many these days forgotten the moment they've gone.MADISON: Well, not Mum.She'd never stand for that sort of nonsense. -No. She wouldn't. - Mm. I think she'll be happy knowing I'm still right here where I belong.MRS.MARLOWE: Datura!Really. Hey. Hey. Come on, bro. Dig it in. - [Horn honks.] - Hey!CYCLIST: Hey! - Animal! - Let's go!Game on. Come on, lads. You're on, Lester.[Grunting.]Come on, Trevor. Not even sweating. Come on. Come on, Trevor, you loser! Whoo![Laughs.]TREVOR: Lester!Lester! Lester! Stay back![Cellphone rings.]- Mike. -Theoretically, do you think it's possible to train a bull to kill on command? Oh, you're still banging on about that? Well, you have to admit it's intriguing. That Collins guy was an idiot. I thought that was the officialverdict. Not in those exact words. But yeah. Essentially, yes.- SIMS: So? - [Sighs.] Maybe I'm being too optimistic about the human race, but I find it hard to believe that someone can be that stupid. Yeah, well, thereare some spectacularly stupid people - out there. - I know. But, in theory, do you think it's possible to train a bull to kill on command? Look, Mike, I have to go. It might be your day off, but it's not mine, and, actually,I've got a death to deal with. Should I be there? No, no. It's a middle-aged cyclist pushed it too hard. Heart attack. So why are CIB involved?SIMS: The uniform branch are stretched, so I stepped in. The good news is,Breen lost rock-paper-scissors, so I sent him to inform next of kin. Oh, so you've got time to talk about the bull thing. Uh [Imitates static hissing.] We're breaking up, Mike. I'll talk to you later. - [Cellphone rings.] - Oh,good Lord. Another one? - Yes, another one.- GREENE: Who? Lester Nyman. Heart attack yesterday. - Oh, dear.- MADISON: Will you come in, or do I send this out? Uh, no, no. I'll come in. Good. Everything will beready this afternoon.[Police radio chatter.]In theory, you can train any animal. I mean, they trained orcas, right? And that didn't turn out so well for both man or beast. But if you can train a big fish, you can train a bull,right? Orcas are mammals, not fish. But a bull is a mammal.- SIMS: Yes. - Here we go. Thank you. Got you a trim. Look, Mike, I'd love to dwell on your bull-as-assassin theory, but I have a dead cyclist to process here.Oh, on that note, when I told Mrs. Nyman about the death of her husband, she was a little weird.[Knocking.]- Yes? - Mrs. Tammie Nyman? - Yes. - Detective Constable Breen. Um, I-I have some bad news. Can I comein? Uh Wait. Did you say \"Nyman\"?BREEN: Yeah. Wife of Lester Nyman, the dead guy on the bike. The bull thing happened on the Nyman farm. I thought bull guy was Collins. Yeah, but the witness was a Trevor Nyman,the farmer. Trevor Nyman, Lester Nyman's brother, was the first man at the scene when Lester dropped dead. So, what are we thinking here? - A very good question, indeed. - [Cellphone rings.] Gina, what can I do foryou? Mike. It always makes me laugh when you answer your phone, \"Gina, how can I do you?\" That's not actually what I say, Gina. It's more \"what can I do for you?\" Same thing. No. What's up? Or perhaps down. Thisis a Mr. Lester Nyman. Ah. The cyclist. - Okay. - Yes. The face-first thing is unusual. Yes. Heart attack, wasn't it? Yes. I sourced his records, and given his medical history, a heart attack is most likely. But if he had aheart condition, what was he doing riding to the top of Whakamoho Mountain? Mm, because cycling is awesome? - It is? - Man. Machine. Fresh air. Gets the blood flowing. Feel the tingle of life in your extremities. Youdon't like cycling, Mike? - Never been a fan, no.- KADINSKY: Pity. I think Lycra brings out the best in men. Okay.[Clears throat.]Uh if it was a heart attack, what am I doing here? This. You see this rash? - [Remoteclicks.] - This reaction, it troubles me. I hear you on that. Not what I would expect. - Chafing? - No. No signs of friction. And chafing would be lower between legs. This is a reaction to something. - Poison? - Call itinstinct, but something is not right about this. I'll notify the coroner. I was hoping you would say that.BREEN: You know, instead of \"poison\" and \"bull,\" you could have just written \"stupid\" and \"death wish,\" right? Orjust not written anything at all, - because there's no evidence - Yet. Yet to suggest that either of these are anything other than what they are. - There's a rash.- SIMS: Maybe they changed their laundry detergent, andhe had a reaction to that. Meanwhile Manu Collins. Is there something to suggest there's anything out of the ordinary? Apart from everything? So, where's the bull now?TREVOR: We put it in another paddock. Thought itwas probably best. Are you saying Manu Collins just ran straight at the bull? Like I said, we were out here, talking, and You've heard of the festival of San FermÃn, right? - [Bull bellows.] - The running of the bulls? TheSpanish celebration of fleeing with soiled trousers? Yeah.MANU: Well, that's what I'm gonna do with my money. Yeah, see, I want to be one of those guys who gather where the bulls are released, and then, when theyemerge out onto the street, - run towards the bulls. - [Sighs.] But then, at the last minute, turn around and then run with them. Yeah. Yeah, that's what I'm gonna do.TREVOR: What are you doing? I'm so totally gonnabe that guy. Whoo-hoo-hoo-hoo-hoo![Laughs.]They stress the bull out, running at it like that. The bull just did what bulls do when they get stressed.[Manu laughing, bull bellows.]Maybe he would have made it. But -Ooh! Ooh! sh1t! - [Bull snorts.] But by the time I distracted it Oi! Phft! Phft! it was way too late.[Thud, Manu coughs.]Was Mr. Collins prone to doing things like that? You mean being an idiot? Yeah, I guess. I don'tknow. I only knew him a couple of days.[Gunshot.]That'll be Mrs. McTavish. She works here. She reckons once they've done something like this, you [Sighs.] you don't want 'em 'round. I see a candidate for a DarwinAward maybe, but not for murder.[Sighs.]Trevor Nyman has been a witness to or first on the scene of two deaths over, what, the last two months? Bad run of luck for Trev.BREEN: Yeah, and then some. It's not been agood year for the Nyman clan. Six months ago, Trevor's father, Karl Nyman, killed himself. Put a shotgun in his mouth out at the farm. Guess who found the body. And then, two weeks ago, a Jethro Nyman drownedwhile Jet-Skiing off the coast of Riverstone. Way off. Any mention of Trevor in relation to that? Nope. Missing for a week before the body washed up.SIMS: Anything to suggest foul play? Not as yet. You know, it couldjust be a run of really lousy luck for the Nymans. No one has that much bad luck. Come on. Oh.[Sighs.]SHEPHERD: This really is a great spot, isn't it?TREVOR: Yeah, it is.Look, is there some kind of problemhere?SHEPHERD: Not at all. It's just a routine follow-up about your brother Lester's death. Oh, there was nothing I could do. He was dead by the time I got there.SHEPHERD: I'm sorry for your loss. - Thank you. - Orlosses, actually. There's been a bit of a bad run for your family lately. Yeah, I suppose. Your father died a while back? He committed suicide, yeah. Bit of a shock, I imagine. No, not really. He was dying anyway. He justchose where and when. So it wasn't a surprise? Well, it wasn't pleasant walking into that barn, but no, it wasn't a surprise. And, um, now your brother.TREVOR: Lester knew he had a dodgy ticker. He took it as achallenge. In what way? He thought he could laugh in the face of death. Death won. Jethro Nyman Is he a relation?TREVOR: He was. A cousin. And Manu Collins also a cousin, you said.TREVOR: Sort of. Sort of? At myfather's will reading, we learned that he had a whole other family. - Over in Riverstone. - Oh. So less of a cousin and more of a half brother? - Yeah.- SHEPHERD: You learned this - upon reading of the will?- TREVOR:Yep. Look, what the hell has this got to do with my brother Lester - having a heart attack? - Oh! Just tell him. - He'll find out anyway.- TREVOR: [Sighs.] This is Mrs. McTavish. She kind of runs the house. No \"kind of\"about it. It's a will. It's a public document. Police want to find out, all they have to do is look. My father's will and the reading was somewhat of a revelation. Why all the chairs?MADISON: For all the people asked toattend the will reading. What, as witnesses? - No.- MRS.McTAVISH: Oh.Bloody typical. I have to bring in me own bloody chair. Take a seat, Trevor.[Mid-tempo music plays.]Madison. Been so long since we've spokenDon't even know what you would say Still I made some promises, and I keep 'em anyway 'Cause somewhere there's a place Where the light keeps shining through MADISON: Come in. I'll be talking with myself tonightStill no word from you There should be one more person. Magnus Nyman. Spoken to Dad lately? Haven't spoken to the old b*st*rd in I don't know two years. He didn't come to Dad's funeral either. His own brother, andhe didn't show. Okay, well, let's proceed without him. For those who don't know me, I'm Madison Mathers, a lawyer with the firm of Emerson, Bogart & Nash. Karl Nyman has appointed me to be the executor of his lastwill and testament. As part of this will, he stipulated that I assemble you all here for the reading of said will. Thank you all for coming. \"I, Karl Harald Nyman, being of sound mind and body, do hereby declare\" You don'tneed to bore them with the details, boy. Just get to the bit about Tonto.[Chuckles.]The tontine.MRS.McTAVISH: Yeah, that thing.My father, in his will, left this farm, the bank accounts, everything, to 10 people in theform of what is called a tontine. Uh, sorry. A what? I think we all better have a nice cup of tea. - Hmm?- TREVOR: [Sighs.] So, a tontine is named after a bloke by the name of Lorenzo de Tonti in the 1600s as a kind ofinsurance/investment thingy. But the guts of it A group of people share something of value. When one of them dies The surviving members divvy up the share between them. Something like that, yeah. So, where, once,10 people owned the Nyman farm, now there are - Seven.- SHEPHERD: Mm. Or six, depending on the whereabouts of Magnus Nyman. Okay, so, let's say there are seven. What was once a 10% share is now a BREEN:14.[SCENE_BREAK]I'm quite good at doing maths in my head. Okay, Mr. Maths Genius, what does the remaining person get?[SCENE_BREAK]- SHEPHERD: You are good.But does that include spouses?BREEN: No. Ashare in a tontine is a right of survivorship to only those within the original group. How apt.BREEN: But who are all these people? So Okay, so, we've got the sons, Lester and Trevor. Okay. And then there's the brother,Magnus, and the nephews, Jethro and Oscar. Got that. Uh, but then there's this other family? We learned he had kids to this other woman over in Riverstone when he was dying. Wasted on pills, he decided to tell us.First time I ever laid eyes on them was at the funeral. That added to the fun. The mother of this second family Is she still around? Dead. Years ago. Like most of the women in Dad's life. Okay, other family. I got that.But then, there's this half brother?SIMS: From yet another mother. Up north. Did you meet Dion Waters at your father's funeral, too? Nah. He didn't crawl out of the woodwork until the will reading.SHEPHERD: And he'sdefinitely your father's son? Yeah. Got the DNA tests and everything to prove it. And Dion's mother? Going back to that thing about my dad and the women he shacked up with She has passed away?BREEN: Andthen?SHEPHERD: Trusted family retainer. And one gets the sense that she wears the pants around the farm. Not unusual to reward someone like that in a will, I'd say. But then, what the hell did Reverend Greene do toearn it? That is a good question. Okay.[Clears throat.]I get that there's motive. Millions of dollars' worth of motive, if you wind up owning the farm. And, yes, there are some dead bodies and some missing people. Butwe still don't have any actual murders, - do we? - [Cellphone rings.] Or maybe we do. Gina? So, with Lester Nyman, it wasn't a heart attack? Yes, it was a heart attack. A big one. It basically exploded. But why his heartexploded It's interesting. - Which is? - Caffeine. Lester Nyman had extreme levels of caffeine in his blood. So the guy drank too much coffee?KADINSKY: No. We are talking off the scale. Also elevated levels ofsalbutamol. Asthma medication. - Lester was also asthmatic? - Yes. And he had no sense of taste. Is that a medical thing? Taste, as in taste, smell. No bad fashion sense. Well, you could argue that with the Lycra.There's nothing wrong with Lycra on men. He gets hit on the head as a boy. Loses the sense of smell and taste. It happens. How is this important? He drank some kind of energy drink from this bottle. So much caffeine.Anyone with the sense of taste, it would be way too bitter. Because Lester couldn't taste anything He drinks, and the asthma medicine, salbutamol, opens up the blood vessels, which allow the caffeine an easy runstraight to his heart. So he did drink too much caffeine.KADINSKY: Way too much caffeine. Well above anything you would expect. Second point He not only drank it. Remember the rash on his bottom? - Well, hard notto.- KADINSKY: An allergic reaction, most likely to caffeine in his shorts. - Sorry? - His padding in his shorts was soaked in a caffeine solution. So he's also absorbing through the skin and up through his bottom. Somuch caffeine invading system. Tick, tick, tick. Boom! Heart explodes. So this wasn't an accident? A caffeine solution must be made and then put in the shorts. How can that be accident? I think now we have ahomicide.[Mid-tempo music plays.]Yeah, but how can we prove number one? Especially since the murder weapon has been roasted and eaten with Yorkshire pudding. Good point. Sorry. That was a bad joke. No, Iknow. But it may not be number one. We need to look into that. - Another possibility. - Yes? Tammie Nyman, wife of Lester. As I mentioned, she was odd when I told her of Lester's death. Are you sure you don't wantme to come in? I'm happy to stay. No. Um No, I-I need to call people. - Thank you. - Right. Again, our condolences. Thanks.[Door closes.]Talk to her again, and we will start talking to the rest. Along what lines, exactly?Oh, let's just call it loose ends for now. What loose ends? Just routine. That's all. In the case of any unexpected death, there are always questions, I'm afraid. - Lester's death was unexpected? - Wasn't it? I'd beentelling him for bloody years to ease up, but no. Always had to keep on pushing it. You mean with his medical history? Yes, with his medical history. Well, some people deal with mortality by pretending it doesn't exist.No, it was more than that with him. He always had to meet it head on, challenge it. Survival of the fittest. It's what his ruthless father drilled into him. His father, who committed suicide? Yeah. Is that irony? Yeah, Iguess it is.TAMMIE: So, what are your routine questions? Or are you already asking them? The gear Lester was wearing - His MAMIL outfit? - Sorry? Middle-Aged Man in Lycra.[Chuckles.]Right. Well, there was a rash. Itmight have been a reaction to something in his shorts. A loose end, as I say, in determining the cause of death. And nothing to do with me. - I wasn't saying that it was. - No, I mean, it was literally nothing to do withme. All of his cycling gear, from his stinky clothes to his bloody bike I never touched any of it. It was his department. Right. Okay. Is that all your loose ends? Not quite. There were quite high levels of caffeine inLester's bloodstream.TAMMIE: That'll be his foul-tasting drink. You'll need to talk to his cousin about that. - Which cousin? - Oscar. Owns High Health in town. That's where he bought it from. It's horrendous stuff. But,of course, Lester had no sense of taste.[Sighs.]I hope that's the last of your loose ends, Detective, 'cause I've got other things I need to do.[Door closes.]Yeah, it hasn't been a stellar few months for our family. Startingwith your uncle's suicide. Oh, I guess. But Karl always preached controlling your own destiny. And then Manu Collins. I only met him a couple of times. Bit of an idiot was my take. And then your brother. Yeah. Well,that was his own bloody fault. Jethro liked two things in life getting pissed and hooning 'round on his Jet Ski. Not two things that should go together, in my book. And now your cousin Lester. Yeah, Lester knew the risks.Every time he came in here, I'd lecture him, and he'd just laugh it off. Not one to listen. So when he and Trev took off that day, it was typical. He never could back down from a challenge. You were on the ride that day?Oh, yeah. Like every other Sunday. You were not one of the riders spoken to at the top of the hill. Oh, I don't normally do that climb. Yeah, too much like hard work. No, I rode back to my car, packed up, and headedhome like usual. Am I one of these loose ends you're asking about? No. So, was there anything unusual about the ride that day? You mean apart from Lester dying? Yeah, apart from that. Actually, there was. Yeah,before we left. Lester and that meathead Dion, they were going at it big-time, and eventually that lawyer woman, she must have told them to pull their heads in. And what? What are you gonna do? - Sort him out. - Pissoff, mate. That bloody clown is gonna ruin everything if we don't get together and stop him. What exactly was it that was gonna be ruined? Lester's plans for the family farm. Which were? Parcel it up, sell it off. Andwhat did this Dion guy want? No idea. He shot past us on the road that day.[Horn honks.]- Animal!- OSCAR: Jesus! But I haven't seen him 'round since. No great loss. Is he one of these, uh, loose ends?[Breathesdeeply.]Maybe he is. Thanks very much.[Suspenseful music plays.][Snoring.]- Reverend? - Hmm? Yes? What? - Detective. - Morning. Communing with a higher power, were we? In a manner of speaking, Isuppose.[Sighs.]I had a terrible night's sleep last night.SHEPHERD: Well, it's good to see you back. I never really left. But I thought, with our dealings last time GREENE: No, no. The church is very accepting these days.One might go so far as to say progressive. And also short-staffed. How can I help?SHEPHERD: Lester Nyman. He died over the weekend. Yes, I'm aware of that. Madison Mathers, the lawyer acting for the estate,contacted me yesterday. About the tontine? It's, um It's happening, isn't it?SHEPHERD: What is? Someone's killing off the other members. What makes you think that?GREENE: Now every time Ms. Mathers calls me tosign the new distribution document Three times now. I can't help but wonder if I'll be next. - Hence the sleepless night? - Nights. To die for something you didn't want in the first place It plays on the mind. How did youbecome a part of the tontine? In the last few months of his life, Karl Nyman started attending services. He would sit at the back, making notes. Then, afterwards, he would I don't think \"interrogate me\" is too strong aterm about my sermon. Everything you say is propaganda for a God that doesn't exist. I'd like to think I gave people some semblance of hope. And when they die, they'll go to some magical kingdom in the sky?Hogwash! The life you make for yourself here on Earth is the only one you'll ever have! I must say, there were some days when he almost convinced me. So, why did he then leave you 10% of everything he owned? Iwondered that myself until I read his letter. What letter is this?GREENE: At the will reading, everyone received a letter from Karl Nyman.SHEPHERD: And what did this letter say? It repeated things Karl had said to myface that I was a snake-oil salesman for a false god and he hoped that, through the inheritance, I would come to understand the error of my ways. How exactly would it do that? At first, I thought it meant that I wouldbe tormented by guilt at receiving such an undeserved bequest. Then people started dying and I realized it was a death threat. It was Karl Nyman saying I would, one day, learn there is no heaven, there is no God. Oh.Not that Karl Nyman was ever going to get to meet him. There's another place for people like that. Not a big fan, Mrs. Marlowe? Oh, the whole lot of them. They were never any good. And the things that went on on thatfarm Such as? Oh, I couldn't possibly say. These four walls? No, I'd rather not say. But what I will say is that they both have a very dark streak. Karl and Magnus? Two peas in a rotten pod in my book. I'd keep as faraway from that mob as possible, if I were you. Thank you for the moral support, Jean. According to Reverend Greene, Karl Nyman didn't believe in God. I'm not sure that helps anything. Any luck with Jethro Nyman's"}
+{"doc_id":"doc_101","qid":"","text":"[EXT. LAS VEGAS CITY (STOCK) - NIGHT][EXT. CONSTRUCTION SITE -- NIGHT](A lone figure carries a body through the construction site. His feet stagger in the dirt under the weight.)VARIOUS DISSOLVES OF: Theman continues to carry the body through the construction site.(The man adjusts his hold on the barefooted body wrapped in a blanket. He starts walking across a board leading to the still drying concrete. He tosses thebody onto the concrete. The body lands with a splat, unrolls and the body comes to a halt.)(The man nearly loses his balance as he looks at the body out on the concrete. He rolls his eyes.)FLASH TO:[EXT.CONSTRUCTION SITE -- DAY](The man is stuck waist-deep in the concrete. Brass leads Catherine and Grissom to the man in the concrete next to the body.)Brass: Construction crew found him when they came intowork this morning. The woman's dead. The guy's still alive, but he's not talking. Wouldn't even give me his name, even after I gave him my name.(Catherine starts laughing as she heads over to look at thebody.)Grissom: Did you, uh, pull his wallet?Brass: No, everything is just the way I found it. I mean, I figure some knucklehead, you know, came in off the street, found him, figured he had a free pass, and picked hispocket.(The man in the concrete shakes his head. Catherine can't seem to stop laughing.)Brass: Anyway, I'm, uh ... I'm talking to people. I'll, uh, I'll let you know what we find out.Grissom: Catherine ... Do you need aminute?Catherine: Yes, I'm ... Yes, I'm ... (clears throat) I mean ... No, Gil. I'm good.(Catherine walks back to the man in the concrete.)Catherine: So, how's your day going?Max: Lady ... the best day I ever had isworse than the worst day you've ever imagined.Catherine: Oh, I doubt that.Grissom: Who's your lady friend?Max: Never saw that woman before in my life.Catherine: Uh, look, you're not going anywhere. It'll be a lotbetter for you if you just cooperate and tell us what happened.Max: You want to know what happened?Catherine: Mm-hmm.Max: Figure it out yourself.Grissom: That's the fun part.(Catherine chuckles.)FADE TO ENDOF TEASER ROLL TITLE CREDITS[SCENE_BREAK][EXT. LAS VEGAS CITY (STOCK) - DAY](Sirens wail in the distance.)[EXT. APARTMENT COMPLEX -- DAY](The residents wait outside. Nick and Warrick walk into thecomplex. They pass the guard posted at the gate. They meet up with Sofia.)Sofia: Hey.Warrick: Hey.Stokes: Que pasa?Sofia: One of the residents reported smelling a gas leak at 6:00 a.m.(She leads them up thestairs.)Sofia: He, uh, called the gas company. They arrived; they evacuated the building.Nick: I'm surprised anyone picked out a gas leak through the rest of the stench around here.(They reach the secondfloor.)Warrick: Yeah, smells like used diapers.[INT. IVANOVNA RESIDENCE - DAY - CONTINUOUS](She leads them into the apartment.)Sofia: The gas boys traced the leak to this apartment, and that was when theyfound ...(She leads them into the kitchen where someone has their head stuck in the open oven.)Sofia: -- this.Nick: Whoa.(Nick walks around the body and looks inside the oven.)Sofia: Alyona Ivanovna. Manager saidshe's lived here alone for 27 years.Nick: Head in the oven ... It's kind of a classic, huh?(Warrick sees a broken dish on the wash rack.)Warrick: Maybe not. I mean, this apartment is neat as a pin. A lady this tidywouldn't leave a broken dish in a rack like that, you know?(He snaps a photo of the dish.)Sofia: It doesn't necessarily indicate foul play.(Nick snaps digital pictures of the body while Warrick continues to take photos ofthe apartment.)Sofia: I checked the doors and the window. There's no sign of forced entry.(Warrick notes the broken phone, twisted on the wall.)Warrick: What do you make of this? A busted phone ...(Quick ZOOM to aCU of the gray hair on the phone.)Warrick: -- with gray hairs in it.(Nick looks at the old woman's hair.)Nick: She's definitely got gray hair.[SCENE_BREAK][EXT. CONSTRUCTION ISTE -- DAY](The paramedic squirtswater into Max's mouth and puts some goggles over Max's eyes.)Catherine: (o.s.) Okay, David. Let's roll her over together.(Catherine and David are with the body. They flip the body over. Max watches from the side.The paramedic is applying sunscreen to the top of Max's bald head.)David Phillips: Single stab wound, just below the sternum. It feels domestic. Crime of passion? CATHERINE: Maybe?David Phillips: Goodpoint.[SCENE_BREAK](The workers use a jackhammer on the concrete around Max. Catherine covers her eyes as the dust fills the air around them.)Catherine: Hey! Hey! Hey!(She motions for the worker to stop. Thejackhammer stops.)Catherine: You ready to give me a name?(Max doesn't say anything.)Catherine: You know, you are in a very deep hole, in every sense of the word, my friend. Think about that while we chisel youout. It's going to take a few hours ... assuming we're careful. See ya.(Max waves to her as Catherine gets up and leaves.)[SCENE_BREAK][INT. IVANOVA RESIDENCE - KITCHEN -- DAY](Warrick spreads the white sheeton the floor as Nick and David Phillips help get Alyona Ivanovna out of the oven. They place her on the sheet.)Nick: It's just a guess, but I'd say she's in rigor.(Warrick snaps photos of the body.)David Phillips:Blunt-force trauma on the forehead, and on the base of the skull.Warrick: I doubt very highly that those were self-induced.(Warrick shines his flashlight on the inside of the oven.)Warrick: Look at that: it'sdented.(Quick flash to: Someone shoves the old woman into the oven. End of flash.)Warrick: Looks like she may have been slammed into her own oven.Nick: Yep.David Phillips: She's been dead at least twelvehours.(Camera zooms in toward something behind her ear.)Nick: I've got a substance on her ... right ear. She doesn't really look like the hair gel type.(Warrick snaps photos.)Nick: Hang on a second, fellas. Look atthat.(Nick reaches in and takes out the woman's bottom teeth.)Nick: Her dentures ... they were in upside down.(Very strange.)[SCENE_BREAK][INT. CSI - HALLWAY - DAY](Grissom finds Greg in the hallway.)Grissom:Hey. You're coming with me. We got another 419 out by Nellis.Greg: Wow, busy night. Any details?Grissom: They tell me it tastes just like chicken.[SCENE_BREAK][EXT. MANNLEIGH CHICKEN -- DAY](Grissom andGreg walk past the officers as they head for the warehouse. Outside, there are moveable cages filled with chickens.)[INT. MANNLEIGH CHICKEN -WAREHOUSE - DAY](The plant is quiet. Grissom and Greg walk insideand meet up with Brass, who waits by the body. The body is in the basin in some water.)Brass: The dead guy in the bath is Raymundo Suarez. He works the night shift. He cleans the equipment from 8:00 p.m. to 4:00a.m. The day-shift guys came in, found him like this. The foreman here called it in.Grissom: This basin is designed to transfer an electrical current.Plant Foreman: Of course it does. It's a stun bath. We use it to stun thechickens before they go into the next room.Brass: Where they get their throats cut.Plant Foreman: Which is why we electrocute them first. It's humane.Greg: Was the current on when you found the body?PlantForeman: No, sir, it was off; it stays off all night. Hey, uh, how long is this gonna take?Brass: As long as it takes.Plant Foreman: I got a lot of birds piling up outside. They're gonna die out there in that heat.Brass: Well,it's not like they're gonna do any better in here. Come on, I want to talk to your crew.(Brass leads the plant foreman out of the area. Grissom looks up at the equipment.)Greg: Maybe he was high. Passes out and fallsin?Grissom: How does he end up face down in the middle of the bath?Greg: Kind of tough to drown in three inches of water.Grissom: Not impossible, though.(Quick flash of: Raymundo Suarez is face down in the water.He seizes and shakes from the electrocution.)Grissom: (V.O.) If he hit the water when the current was on, his muscles could've contracted, making it impossible for him to get out.(Someone comes and turns the switchoff.)Greg: (V.O.) But the machine's off at night, and it was off when they found the body.(End of flash.)Greg: Which means someone turned it off after he was dead.Grissom: Yeah. (beat) Who?[SCENE_BREAK][EXT.MANNLEIGH CHICKEN - DAY](Outside, the workers are being interviewed by officers. The chickens continue to sit in their cages.)(Brass interviews Ernie Dell.)Brass: All right, what's your name, and what do you dohere?Ernie Dell: Name's Ernie Dell. Maintenance man. I work 3:00 to 11:00.Brass: Mm-hmm. You see the victim last night?Ernie Dell: Uh, yeah, and Raymundo was just fine when I left.Brass: You and Raymundo getalong?Ernie Dell: Kept my nose out of his business; he kept his out of mine. Didn't have a problem with him.Brass: But you know somebody who did?Ernie Dell: Well, between you and me, the guy you ought to betalking to is Ike Mannleigh.Brass: Oh. You mean the guy who owns the company?Ernie Dell: Well, Raymundo's pretty far down on the pecking order.Brass: You think the big boss had a problem with him?Ernie Dell: No.Not unless you think a guy banging your wife is a problem.(Quick flash of: Raymundo and Mrs. Mannleigh kiss and undress among the clucking chickens. Ernie Dell sees them from behind the chicken cages. End offlash.)Ernie Dell: Can't blame him, though. Bubbles Mannleigh is a cheap whore.Brass: Did you and Bubbles take a tumble?Ernie Dell: Me? Nah. Reminds me too much of my mother. Besides, uh ... Bubbles likes thedark meat.[INT. MANNLEIGH CHICKEN -WAREHOUSE - DAY](Greg snaps photos of the body and surrounding areas while Grissom looks around.)(Grissom kneels in front of the electrical switch and moves it alittle.)(Greg finds something. He snaps a photo and picks up a used condom.)Greg: Unappetizing place to get your rocks off.Grissom: Not if you have a poultry fetish.(Grissom looks around and finds something. Heheads over to a box tucked away in the corner. Greg glances up at him.)Greg: You got something?Grissom: Yeah, I think so.(Grissom opens the box and finds a miniature plant replica complete with dead bodyinside.)Grissom: One more chance.WHITE FLASH TO:[INT. MINIATURE PLANT](Camera swoops around the plant basin and dead body face-down inside.)[SCENE_BREAK][INT. CSI - LAYOUT ROOM - DAY](TOP VIEWDOWN: One by one, the camera moves across the miniatures lined up on the table. First the most recent miniature of the Mannleigh Chicken Plant, then the Penny Garden room.)INSERT: SCENE FROM 7X07: POSTMORTEM(Someone smashes Penny Garden into the window. She falls on the glass and dies.)(Cut to: Grissom moves the pillow on the chair aside and finds the image of a doll on the pillow.)BACK TO SCENE.(Thecamera continues to move to the first diorama found of Izzy Delancy's kitchen.)INSERT: SCENE OF 7X02: BUILT TO KILL (2)(Someone comes up behind Izzy Delancy and hits him on the back of his head.)(Cut to:Grissom picks up the framed photo of Izzy carrying his baby. Behind the frame is a partial image of a doll.)BACK TO SCENE.[CU: PHOTOS](Pan over a XCU photo of the doll, then on the image of the doll on thepillow.)(Grissom turns around from the board full of photos of various views of the dioramas. He puts his glasses on and picks up the scope. He puts one end in the latest diorama and the other end up against hiseye.)SCOPE VIEW: Grissom looks through the diorama, covering a lot of ground. He sees the door and an image in one of the door's windows.(Grissom peels off the image and looks at it under a magnifying glass. Hesmiles. It's of a red-haired doll on the ground - partially on the grass and on concrete with blood spatter under the head.)Sara: (o.s.) You look like a kid who's just found the prize at the bottom of a Cracker Jacksbox.(Sara walks in the room.)Grissom: Definitely some kind of doll.Sara: It sure is.(Grissom turns around and indicates the other doll photos on the board.)Grissom: Three different views of the same dead doll. Maybethis is more than a signature. Maybe there's something these victims have in common.Sara: First two victims were white, third Hispanic, two men, one woman, one rich, two poor, one young, two old, one famous, twoobscure ...Grissom: Yeah.(He picks up a blurry photo.)Grissom: And unfortunately, this is the best lead we have for their killer.INSERT: SCENE FROM 7X07: POST-MORTEM. The killer delivers the box on the frontporch.(Sara takes the blurry photo.)Sara: This is the most that Archie could get off that video?Grissom: Yeah, well, with the equipment we have here.Sara: I'm getting Raymundo's cell phone records. I'm gonna see ifany of his calls are a match to the numbers that Penny Garden and Izzy Delancy had in common.Grissom: Whatever happened with that number we got off the disposable cell phone? Any luck with that?Sara: Disposablephone numbers are assigned by the carrier to the phone distributors. It took a little bit of legwork, but I did find the store where the phone was sold.Grissom: Let me guess. It was paid for with cash.Sara: Yeah. (Sarasees the information on the bottom of the photo.) Mannleigh Chickens.Grissom: What about it?(She picks up the file folder.)Sara: I'll let you know.(She heads for the door. Grissom looks at her. She looks back.)Sara:See how it feels?(Sara suppresses a smile and leaves Grissom there.)[SCENE_BREAK][INT. CSI - FORENSIC AUTOPSY - DAY](There are three bodies on exam tables. Catherine waits while Doc Robbins signs DavidPhillips' clipboard.)David Phillips: You know, we're getting kind of backed up in here.Robbins: The only one I hear complaining about it is you.(He gives the clipboard back to David. David leaves.)Robbins: Your cementlady's approximately 40 to 45 years old. COD is exsanguination due to laceration of the right ventricle. Wound seven centimeters long, five millimeters wide.Catherine: That looks like it could be a double-edged blade.It's pretty thick, too.Robbins: Well, it passed into the heart--(Quick CGI flash of: A blade pierces the heart and it bleeds out.)Robbins: (V.O.) with a, uh, point of entry midline just below the xiphoid process.(End of CGIflash.)Catherine: Upward thrust.Robbins: I just said that.Catherine: Okay. Any idea what the weapon might have been?Robbins: If I knew, I would've told you. I got to get to work. Taxpayers are getting their money'sworth tonight.(Robbins steps away to the next body. We hold on Catherine.)[SCENE_BREAK][CAMERA](Max holds the identification plate as his photo is taken. There is no ID number or name on the board.IDNO.DATELAS VEGAS POLICE DEPARTMENT. )(The camera flashes.)(Max blinks and turns to the side. The camera flashes again.)(Max steps out of camera frame.)[SCENE_BREAK][INT. POLICE DEPARTMENT -INTERVIEW ROOM - DAY](An officer leads Max into the room. Catherine dips his hands into a bowl)Catherine: Thank you.Max: Tingles.Catherine: You take them out, he puts them back in.Max: What is it?Catherine: It'sacetic acid.Max: Do you do feet? I got a bunion that could use some soaking.(Catherine takes his hands out and towel dries them.)Max: What's this do?Catherine: Takes your fingerprints.Max: Mmm.(She puts his handson the box.)Max: Good luck with that.(Brass walks in.)Brass: How's Mr. Hoffa?Max: Hey, Jim. Cathy and I are just getting reacquainted. Will Gilbert be stopping by?Brass: I take it we don't have a name yet.Catherine:No.Brass: I bet you ten bucks that I have you made by 9:00 p.m.Max: You're on.[SCENE_BREAK][EXT. OUTSIDE IVANOVNA APARTMENT -- DAY](Nick and Warrick step out of the apartment. Nick is on the phone.)Nick:(to phone) Okay, Hodges. What do you got?Hodges: (from phone) The green trace on your old lady.INTERCUT WITH:[INT. CSI - HALLWAY - DAY](Hodges walks through the hallway with the results while talking on thephone with Nick.)Hodges: Adipic acid, disodium phosphate, sodium citrate, fumaric acid, Yellow #5, Blue #1, BHA, a whole lot of gelatin, and sugar.Nick: Which is?Hodges: Oh, come on. There's always room for it.Nick:Just tell me what it is, Hodges.Hodges: Jell-O. Lime Jell-O.Nick: Lime Jell-O?Hodges: I tell you what. You tell me why.(Hodges hangs up.)[SCENE_BREAK][XCU: GREEN JELL-O](Through the green Jell-Osludge on thefloor, ants crawl all over it.)CAMERA ZOOMS OUT on the ant-infested green spot on the floor.[EXT. OUTSIDE IVANOVNA APARTMENT -- DAY](Warrick looks down and notices the green Jell-O spot on the ground. Hetakes his camera out and follows the trail of ants and Jell-O.)(He takes a photo.)VARIOUS DISSOLVES OF:(Warrick and Nick follow the trail. Warrick snaps photos and Nick puts down evidence markers.)(Dissolve to:Nick hands Warrick evidence marker 8. He puts it on the ground and snaps photos.)(Dissolve to: FAR SHOT. Nick and Warrick continue following the trail to the end of the floor.)(Dissolve to: Nick and Warrick follow thetrail to the next building.)(Dissolve to: Nick puts down evidence marker #39. Warrick snaps photos. Warrick puts the next evidence marker #16 down in front of the door.)(They look at the apartment door.)[INT.APARTMENT - DAY](The door bursts open. An officer and Sofia quickly check the apartment.)Sofia: Clear.(Warrick puts his gun away. He and Nick enter the apartment. He sees another spot of green Jell-O on thefloor.)Officer: (o.s.) Clear.(Warrick snaps photos of the Jell-O spots. Nick points them out as they head toward the kitchen.)(They enter the kitchen and see the smears on the floor.)Nick: Oh, boy. Looks like somebodycleaned up in a hurry. More green Jell-O.(Warrick continues to snap photos. Nick takes out a swab.)Warrick: Sofia, you get a tenant's name for this apartment?Sofia: According to the management office, thisapartment's a sublet, has been for years. He's not seen who lives here.(Nick tests the swab.)Nick: I got blood, too.(Warrick looks out the window.)Warrick: This place has a direct view of the old lady's apartment.(Sofiaand Nick join Warrick and look out the window as well.)Warrick: So, what, the guy's killing the old lady, --(Quick flash of: VIEW ON WINDOW. The curtains are closed and all we see are the shadows behind them. Theman on the other side pushes the curtain aside and looks out.)Warrick: (V.O.) -- he sees he's being watched, and he, what, comes back here and whacks the witness?(End of flash.)Nick: It's possible. But why get rid ofthis body and leave the old lady?[SCENE_BREAK][INT. CSI - A/V LAB -- DAY](Grissom and Sara are watching an IZZY DELANCY ad.)Izzy: (from video) Hi. I'm Izzy Delancy. And back in my bad old days, I'd do almostanything to sell albums.(The caption on the bottom of the ad runs: PLEASE DONATE! - 1-800-555-0199 -LITTLE CREATURES GREAT & SMALL - WE NEED YOUR HELP! )Izzy: (from video) People even accused me ofbiting the heads off live chickens on stage. I'm not proud of that. But I've worked hard to change. And with the help of the good Lord, fourteen years of therapy and two loving wives, I humbly believe I've madeprogress. But this story is not about Izzy Delancy. It's about something much, much bigger: cruelty. Did you know that every day in the United States, more chickens are killed than all the people in the Rwandangenocide? Now, you may argue, \"Izzy, African people are not a food source.\" Well, you're missing the point entirely. Cruelty is cruelty, whether the victim be a chicken or a malnourished African.(Sara pauses thead.)Grissom: Where did you find this?Sara: I like animals, and after the Delancy murder, I brushed up on my history. As it turns out, three years ago, Izzy Delancy had a midlife awakening and became an animal rightsactivist. He starred in and financed this PSA targeting Mannleigh Chickens as the epitome of everything that is wrong in the slaughter industry.(Sara continues the ad. This time, it's for MANNLEIGH CHICKEN. Thecaption on screen reads: MANNLEIGH CHICKEN TV COMMERCIAL.)Ike Mannleigh: (from ad) It takes a manly man to make a Mannleigh chicken.(On screen, Ike Mannleigh leans forward and crows like a rooster. Thecaption reads: IKE MANNLEIGH, C.E.O.)(The ad continues.)Izzy Delancy: (from ad) Now, perhaps you've purchased Mannleigh Roasters, Fryers or Assorted Parts at your local grocery store, and you believe you'reeating chicken. But what you're really eating is cruelty. Our undercover investigators secretly recorded workers at a Mannleigh processing plant throwing loose animals up against the wall, stomping up and down onthem, kicking them across the room.(Sara pauses the ad.)Grissom: How bad did Mannleigh get hurt by this?Sara: His sales dropped 60%. He launched a very expensive PR campaign to rehabilitate his image, includingretrofitting a plant with cruelty-free equipment. His business never recovered. He probably hated Delancy.(Grissom nods.)[SCENE_BREAK][INT. POLICE DEPARTMENT - INTERVIEW ROOM -- DAY](Brass talks with Ike"}
+{"doc_id":"doc_102","qid":"","text":"Narrator: America's top ghost hunters relive their most extreme assignments.(Woman screams)This house is beyond haunted.Narrator: Hardened veterans of the paranormal, these are the cases that truly tested them.There was a evil presence in that house.Woman: Oh (bleep) what the hell?Man: Dude, I got goose bumps. It's in here.Narrator: In Colorado, a ghost causes havoc at a restaurant before turning its fury at the owner. Wefelt genuinely physically threatened.(Screams)Narrator: In Massachusetts, an investigator is forced to confront his own worst fear.It was a horrific nightmare.(Woman screaming)Narrator: And in the great lakes, animaginary friend turns out to be something much more sinister...Luke? ...And puts a boy in grave danger. Nothing is sacred. That's scary.Narrator: Some 30 miles northeast of Denver, Colorado, lies the small town offort Lupton. One of the town's most popular restaurants is wholly Stromboli, the passion project of owner Melissa Rickman. Wholly Stromboli's been a dream of mine since I was about 20. Just for years, it's all I couldthink about. I daydreamed about it. So when I got laid off from corporate America, my husband said, \"well, why don't you do it?\"Narrator: The restaurant opens in 2010, and not long afterwards, mysterious andconfusing things start to occur. I would walk in for the morning, set down my coffee, turn off the alarm. Come back, and my coffee was gone. And I thought, \"oh, I left it in the car.\" Then, go out, and it's not in the car,so come back, and... There's the coffee. Wow. Okay. There's no logical explanation for that. There's -- there's none.Narrator: The activity soon intensifies. Thank you so much.(Child giggles)Oh, my god! An apparition ofa little girl starts appearing in the restaurant. I hadn't had any experience prior to this with ghosts, but it's not my imagination. No, no, no, no, no.(Child giggling)Narrator: And soon, there would be no doubts.Rickman:I walked into the kitchen to talk to the sauté chef, and every pan comes just flying off the shelf.(Woman screams)And with such force. It was just foom! -- right on the floor. Oh, my god! Like, \"holy cow.\" The chef, shewas terrified.(Women screaming)It's scary.Narrator: Fearing for the safety of her staff and customers, Melissa contacts a group of paranormal investigators.Estep: Melissa called me out of her mind with worry. Shewanted to get to the bottom of some of the activity that was going on there. She wanted to be able to tell her staff that they had no reason to be afraid.Narrator: Richard Estep has spent over 20 years researchingclaims of ghostly activity.Estep: I've learned that 90% of claims of the paranormal have no grounding, so it's very easy to say that you don't believe in ghosts and you may never encounter one. But at some point inyour life, statistically, there's a chance that you will, and at that point, it's going to make you change your entire world view.Narrator: Melissa's experiences convince Richard to look into her case.Estep: I was satisfiedthat there was enough evidence there to merit us going on site at wholly Stromboli. Something clearly is going on.Narrator: First, Richard looks into the history of the property that houses the restaurant.Estep: Thebuilding was built in the early 1900s and owned by a local businessman named Edgar St. John.(Girl coughing)And he had a daughter named Julia who tragically is said to have died at the age of 7 ofpneumonia.(Coughing continues)Narrator: Could this be the little girl that haunts the dining room and is responsible for all the activity in the restaurant?Richard assembles his team and heads to fort Lupton to findout.Estep: Most of the activity, it's in the basement, which is where the voices have been heard. And that's where I want to direct my investigation. The sounds, the echoes, and the acoustics are very, very creepy andspooky. Even I am starting to feel that there is an oppressive atmosphere down in this basement. Melissa is the focus of a lot of the activity here, so we wanted Melissa with us.Narrator: Also present is Richard'sco-investigator, Robbin Daidone. I've been a paranormal investigator almost 18 years, so I've had a lot of experience. Pretty seasoned. I don't think there's much I haven't seen. There was definitely a sense when westarted the investigation that there was something present, perhaps. There was a feeling of being watched.(Girl laughing)Narrator: They don't have to wait long before their feelings are vindicated.(Girl laughing)Estep:The voice of a young girl is heard.This is a voice that's laughing out of the darkness.(Girl laughing)Oh, my god. And then we started to see equipment after equipment fail. We have EMF meters, thermometers, Geigercounter failing. We had several sets of cameras fail. Batteries were reading dead. And this is classic in the paranormal field. One set of batteries fails? oh, that's a shame. Twice? huh. That's kind of odd. Three times?There is something in here that is taking this juice and is using it for its own purposes. I was a little on edge. Melissa looked a little nervous. There was definitely a feeling in the air like this may be a time for somethingto occur.Narrator: Gaining an energy, the activity intensifies to become physical. Something just touched me. I saw that! I saw her hood get tugged. It was like physically somebody tugged her hoodie, but, you know,there was nobody there. Something just pulled my jacket! Something just pulled me. That sent a different kind of chill through the investigative team. So now you start looking out of the corner of your eye, you startlooking at every shadow with a renewed level of suspicion.(Tapping)We hear the sound of footsteps on the floor above, which would be the restaurant floor, coming down through our ceiling in thebasement.(Tapping)(Tapping continues)They're childlike footsteps running across the floor.Narrator: Richard leads the team upstairs, hoping to catch a glimpse of the little-girl ghost, Julia. But when they arrive, they'reshocked by what they see.Estep: This is a solid shadow figure. I've heard about them all my career. I'm seeing it. It's incredible. Genuinely taken aback. Suddenly, I see this shadow figure. I'm stunned.Rickman:Disbelief. Disbelief and \"oh, my gosh. I can't believe we just saw that.\"Narrator: The encounter forces Richard into a troubling realization. The ghost of Julia is not the only entity haunting the restaurant. Who knowswhat it is, and who knows what its intentions are?Narrator: Believing the shadow has moved to the basement, the team heads back downstairs.Rickman: Immediately, people were a little bit apprehensive. There'sdefinitely a creep factor.Estep: We start asking questions, very respectfully, \"we invite any spirit that might be present to make its presence known, to talk with us.\" If there's someone here, please present yourself.Who are you?! Are you attached to Melissa?!Narrator: The entity doesn't want to talk. It has other, more sinister plans. I started to feel pressure in my chest, just like heavy, weighted down. Oh, god. Oh, mygod.(Groans)Narrator: In a haunted restaurant in Colorado...Something just pulled my jacket! ...Paranormal investigator Richard Estep and his team have encountered an entity in the basement. Oh, god. Now ownerMelissa Rickman is overwhelmed by a sinister force. I started to feel pressure in my chest, just like heavy, weighted down. Oh, god. Um, and I can't really explain why, but suddenly, I began to cry, sobbing, just sobbinguncontrollably, just the most sad feeling I've ever had.(Crying)Daidone: I was mostly concerned for her emotional well-being.I could see that she was emotionally frayed. She was just one big bundle ofnerves.(Sobbing)And then that emotion transformed into anger. And suddenly, Melissa is getting very, very aggressive.(Growling)Melissa becomes someone else. (Breathing heavily) Melissa! During that time, I felttruly angry. I was -- I was pissed, and I couldn't -- I couldn't tell you why. And every time she said something, I retorted, although I didn't feel like it was me.Estep: So, as a paramedic for 14 years in emergencymedical services, I've seen a number of psychotic episodes. This wasn't that. This was something that presented very, very differently and had a very different vibe to it. You shut up, you (bleep) (bleep)(Growls)I wasfeeling threatened. It wasn't like I was choosing to say things. It just felt like they were just coming out of my mouth. And I felt horrible. I said some things to her that I would never say. I was terrified. I was reallyscared.Narrator: Richard is beginning to fear that Melissa is becoming possessed. We know that it's not Melissa herself that's doing this. We know that there is something that is goading her on, that is provoking her tothis type of behavior. It felt like all of the emotion in my body just welled up and exploded. And then I heard Robbin say, \"her fists are clenched.\" She's saying, \"I want to hurt you, and I want to hurt you bad.\" And, ofcourse, I'm becoming concerned. I'm watching her for any sudden movement. She's only a foot or two away from me. I am gonna kill you! And Melissa was getting ready to attack.(Melissa screaming)It's completelyunpredictable. It's completely out of character, and that adds an element of danger to our investigation, and we had to very quickly break that up.(Screaming)This is the first case my team has worked on where we feltgenuinely physically threatened by somebody present on the scene. Very concerning, absolutely. Absolutely. So, we actually decide that we're going to wrap up the investigation earlier than we ordinarily would and helpcoax her back to normal.Narrator: As soon as she leaves the basement, Melissa is released from the entity's grasp. I don't remember saying half the things I said. I don't. I would've told you that that wasn't me. Whenwords are just flying out of your mouth and you don't know why, it's pretty unnerving. My assessment of wholly Stromboli is that they have multiple entities there. We have one that appears to be a little girl. We havethis older male shadow figure. It's difficult to tell what the purpose is of whatever is haunting the restaurant. Is it simply seeking attention, or is there something darker and more sinister?Narrator: To protect her fromfurther attacks, they perform a blessing on Melissa. Out! out, demon! Begone! Whatever possessed her seems to have been removed. But the spirit of the little girl remains. Our line cooks still hear a little girl eithergiggling and playing or crying in the basement.(Girl giggling)I don't mind sharing the space with the tenants of the past. The building wouldn't be there if it weren't for them, so if they want to hang out, I'm all right withthat.Narrator: But Richard worries that the negative entity may yet return. Right now I'm content to just monitor and watch and wait for Melissa to call me if things should take a turn for the worse again. I'm notentirely sure yet, but I do know that the last chapter in the story of the wholly Stromboli haunting has not yet been written.Narrator: Coming up, when a child's imaginary friend turns out to be something much moresinister...(Boy screaming)...An investigator has to call in backup to save the boy. It was definitely demon-induced.(Speaking in tongues)Narrator: But first, when a young family is tormented by paranormal activity, oneinvestigator is forced to confront his worst fears.Something was gonna grab me.(Woman screaming)Narrator: The historic town of Medway, Massachusetts, is home to Greg and Lyla Pierson.Their lives should be full ofjoy and happiness after celebrating the birth of their first child. But recently, troubling things have started to happen.(Baby crying)They hear a child's voice coming through the baby monitor when their child is withthem. When the Piersons go to investigate... The baby's room is completely empty.(Baby crying)After establishing that they're not just picking up interference from a neighbor's baby monitor, they start to worry theirchild could be in danger and contact a paranormal investigator. Joe Cetrone is the founder of dark hauntings research and has been investigating the supernatural for over 15 years. He knows firsthand what it's like tobe haunted by a child's spirit.Cetrone: I recall when I was younger, was laying in my bed, a child ghost came up to my bed and just kind of walked toward me, and it just stared at me. Its face was pale. Eyes wereblack.(Child screams)After that, I was never the same, and ever since then, I've had a phobia of child spirits.(Child screaming)So when I received the e-mail from the Pierson family, it immediately sends a shiverthrough me.Narrator: If Joe agrees to help the Piersons, he will have to face his greatest fear.Cetrone: I don't want to know that if I refuse the case, maybe that child is gonna go on being terrorized by something. Iknow how that feels.(Child screams)It, uh -- it was gonna be an experience for me, but I was willing to take that chance.Narrator: Joe heads to Medway to begin the investigation.Cetrone: When I first arrived,everything appeared to be normal from the outside. Now the question was, what was happening inside?(Baby crying)(Knock on door)I first walked in the house. Everything was fine. Nothing unusual. I didn't feelanything. But at that point, I figured it was best to just proceed with an assessment and a walk-through. Ended up in the child's room. It was a regular, normal room -- Stuffed animals, toys, crib, everything in place. Iwasn't sensing anything at all.Narrator: Joe begins to think there's a more rational cause for the strange activity.Cetrone: There's many explanations as to a voice coming over a baby monitor, picking up differentfrequencies everywhere. Checked it, see if there was any short in the wire or something to just give me an indication that maybe there's a plausible reason why a voice is coming through that monitor, but I couldn't findanything.Narrator: Relieved he hasn't an encountered a child spirit, Joe tells the family he can find no trace of anything paranormal in the house. But that's when things changed.(Tapping)Narrator: In Massachusetts, ayoung family is being tormented by a child spirit.Investigator Joe Cetrone has agreed to help, despite his own fears. I've had a phobia of child spirits.Narrator: Now the activity has escalated.(Tapping)Cetrone: Out ofnowhere, I hear this sound of something walking upstairs.(Tapping)And it sounded like little feet walking across. Really quick. We all looked up. I was like, \"did you hear that?\" I was totally, like, \"what is going onhere?\"(Tapping continues)Then I hear a sound coming out of the baby monitor.(Child talking)We heard a child speaking through the baby monitor. But the only thing, it was -- it wasn't their child. I see the light... And Ijust see it turn off. Something turned that baby monitor off. I knew there was something happening. It definitely was creepy. It struck me and -- and brought me that fear. Took me back to when I wasyounger.[SCENE_BREAK]Boy: No! not again! It just made my skin crawl. I'm battling two things -- The fact that this family is dealing with something coming over that monitor. Simultaneously, I'm also dealing with myfears, just the fact that it might a child spirit.Boy: No! not again!Narrator: Forced to confront his own demons, Joe is rocked to the very core. But he refuses to abandon the Piersons and calls for immediatebackup.Cetrone: At that point, I had my investigator come to the case with me. He said could I come down. Right away I could sense fear in his voice. There's something that he doesn't want to deal withalone.Narrator: Steve sets up his camera in the baby's room. As I was filming the room, I sensed that darkness, that -- that feeling of something's going on, and I could feel something electric in the room.Narrator:While Steve is upstairs, Joe heads into the basement.Cetrone: I set the camera up, turned it on. And that's when I felt a sense that there was something there.(Tapping)I hear the footsteps going across. I startedfeeling that something was gonna grab me. I don't know if it was just because of my phobias. I just kept seeing a child's face. Just that frightening image. I was scared. I felt it was playing tricks with me, a game ofhide-and-seek. And at that point, I knew that it was following me. That fear escalated. That was, like, the first time that I got spooked by something I couldn't see or verify.(Child screams)(Breathing heavily)I knew itwas getting to me. I was afraid of it.Narrator: Rattled, Joe radios Steve for help. I heard Joe yell my name, \"Steve, come here!\" And I felt that urgency. I could hear it in his voice. All right. Be there in asecond.Narrator: Almost immediately, the spirit focuses its attention on Steve. Right when I turned to go walk towards the stairs, I had the chills.Narrator: On a case in Massachusetts, investigator Joe Cetrone is beingtormented by his own deepest fear, a child spirit. I felt it was playing tricks with me.Narrator: Now the entity is turning its focus on fellow investigator Steve pate.Pate: As I started heading towards Joe, there was astuffed animal, a giraffe. But I didn't think anything of it. Right when I turned to go walk towards the stairs... It came flying right at me. It flew off the shelf, hit my head. I had the chills. I could feelit.[SCENE_BREAK]I've watched a million horror movies, but that, to happen to you in real life, it's freaky. That was it. It freaked me right out.Narrator: Worried about provoking the spirit further, Joe and Steve leave thehouse to figure out what they're dealing with and how to get rid of it.Cetrone: I reviewed all the evidence that we possibly could. There were no orbs, there were no EVPS, there was nothing strange. Other than whathad happened to us while we were there and in real-time, there was no evidence that I can gather.Narrator: When Joe returns the next day, Lyla Pierson has some chilling news.(Baby crying)She's spoken with aneighbor who told her that a young boy who lived in the house years ago tragically drowned.Cetrone: Based upon my research, if a child died prematurely or a tragic accident happened, sometimes that energy, thatresidual, leftover energy, that child may not be ready to move on.(Baby crying)A lot of time, they'll cling to their home, they'll cling to something that resembled its family, whether it was a mom or another child. And Istarted to realize, that spirit of that boy was there to watch over that child, to be part of a family. I think the child spirit wanted to stay in the house. It's like with the stuffed animal. The child didn't want me to lea-- Wasletting me know he wanted to be part of that family.Narrator: Joe offers to cleanse the house, but Lyla refuses.Cetrone: She had sympathy. Her whole thoughts of it being threatening or anything dangerous to herself orher child just went away, and she says, \"you know, I'm okay. I feel validated by everything.\"Narrator: She sees the spirit not as a threat but as a guardian angel watching over her child. She was welcoming it in, andshe was okay with it.Narrator: The experience also has a profound effect on Joe. I think, for me, it did bring a little healing. I was always fearful of child spirits, but not every situation that comes up is always evil innature or negative. And when a child-spirit case comes up again, at least I know I can go into it in a different way and not have those fears that I had. Yeah, it did that for me.Narrator: Imaginary friends are usually aninnocent part of growing up. But sometimes they turn out to be something else, something evil that can threaten to take over the child completely. The quiet suburban neighborhood of Burlington, Ontario. It should bean idyllic place to grow up. But in one house, Karen Baines has become worried about her son.Luke: No! Luke? I didn't do that.(Speaking indistinctly)Luke, who are you talking to? It begins when Luke becomesobsessed with a mysterious imaginary friend that he refuses to talk about. In the basement, the family starts hearing strange footsteps and whispering voices.(Door creaking)Then Luke is beset by terrifyingnightmares.Luke: Mom! What's wrong? My door's doing it. He says there's something evil out to get him. Luke? Luke? Desperate and terrified for the safety of her child, Karen reaches out to a paranormal investigator.She was panicked, she was anxious, and she wanted us in as soon as we could get there.Narrator: Michelle Desrochers has been actively investigating ghosts since 2004. A founding member of Canada's most haunted,Michelle is a veteran of over 50 cases. What I've learned about the paranormal is that things are never what they seem to be. You never really know what you're getting yourself into.Narrator: Michelle needs nopersuasion to take on this investigation.Desrochers: This case was very personal to me. This was home base. This happened in my city of Burlington, literally one major street away from me.Narrator: As soon asMichelle enters the house, she senses evil.Desrochers: I felt something's not right. I felt anxious. Everything in my fiber was telling me that there was something a lot more malevolent in that house than just an"}
+{"doc_id":"doc_103","qid":"","text":"UNDERWORLDBY: BOB BAKER AND DAVE MARTINPart FourRunning time: 22:53[SCENE_BREAK]JACKSON: Cover him!TALA: Captain.JACKSON: Go on, Tala. Forward, Tala.JACKSON: Withdraw!JACKSON: Come on, pull!There we are.[SCENE_BREAK]DOCTOR: Quickly now. Stay calm. Everybody stay quite calm. Calm. K9, back to the ship. Check all the systems. We're leaving in a hurry.K9: Affirmative.DOCTOR: There must be anotherway back to the Oracle. Jackson? Jackson, can you and the crew hold them off?JACKSON: We'll certainly mount an attack, Doctor.DOCTOR: Good. Leela?LEELA: Hmm?DOCTOR: You come with me.LEELA: I'm staying tofight.DOCTOR: You'll come with me. Idas, you too. Have you got a sword?IDMON: Take care, son. Take care.DOCTOR: Jackson. Right, Jackson.JACKSON: Ready. Now![SCENE_BREAK]JACKSON: Forward.RASK:Security. They're driving us back.DOCTOR: This way.LEELA: No.DOCTOR: What?LEELA: Something's there.DOCTOR: What?DOCTOR: Where does that lead?IDAS: I don't know.[SCENE_BREAK]RASK (OOV.): They aretoo strong for us! I need reinforcements.TARN: Hold them. You must hold them.LAKH: I order you to stand and fight. We must protect the Oracle.RASK (OOV.): But Master, we cannot hold for very muchLAKH: Noexcuses! Stand and fight.HERRICK: There's no stopping us now. A hundred thousand years of searching, General. There's no stopping us now. I smell victory.ANKH: Wait. Let us consider which is more important, theOracle or these cylinders.LAKH: The Oracle.ANKH: Then should we not give them what they want and let them depart?LAKH: But what they want does not exist.ANKH: The Oracle will know. Why should we destroy eachother?LAKH: Very well.ANKH: These cylinders you speak of, tell us what they look like. If they are indeed here, you shall have them and take them to your comrades.HERRICK: You would set me free?ANKH:Yes.HERRICK: Well, there are two of them. Solid gold, stamped with the mark of Minyos, the length of a man's hand.ANKH: Good.LAKH: Tell Rask to arrange a truce.[SCENE_BREAK]LEELA: Doctor, we're here.Look.[SCENE_BREAK]ANKH: The intruders are defeating us. They will destroy us, destroy you, unless they are given these cylinders.ORACLE: Then shall not they be destroyed by that which they so desperatelydesire?ANKH: Can it be done?ORACLE: Cannot all things be done?[SCENE_BREAK]LEELA: They have given up without a fight.DOCTOR: Yes, it certainly seems like it.LEELA: Why?DOCTOR: I don't know.DOCTOR: Let'stake a look.[SCENE_BREAK]JACKSON: No return of fire. What's going on?ORFE: There are two of them.JACKSON: No, wait. Could be a trick. Be ready.RASK: I have been ordered to speak with you.JACKSON:Surrender?RASK: Truce.JACKSON: On what terms?RASK: The terms are that you take what you came for and depart, leaving us to our way. If not, your comrade will be executed.JACKSON: What comrade? Herrick isdead.RASK: You think so, Captain?HERRICK: I got them. The Quest is over. The Quest is over.HERRICK: The Quest is over.JACKSON: At last.[SCENE_BREAK]DOCTOR: Stay here.ORACLE: What is it that youwant?DOCTOR: The cylinders. The race bank of the Minyans.ORACLE: Have they not been given?DOCTOR: Well, that's what I'm asking.ORACLE: Who are you to dare question my word?DOCTOR: Well, who do I have tobe to dare question your word? I'll give you a clue, shall I? If it wasn't for my people, you wouldn't have seen the light of day.ORACLE: People? What people?DOCTOR: The ones the Minyans call the gods.ORACLE: Gods?There are no gods but me. Have I not created myself? Do I not rule? Am I not all-powerful?DOCTOR: Well, yes, here you are, yes, but nowhere else. You're just another machine with megalomania. Another insaneobject, another self-aggrandising artefact. You're nothing. Nothing but a mass of superheated junk with delusions of grandeur.ORACLE: Nothing? Am I not the keeper of the race bank?DOCTOR: What did yousay?ORACLE: I am the keeper.DOCTOR: Ah ha! Then you've still got them.ORACLE: I am the keeper.DOCTOR: Keeper? You're nothing but a box, and I've got the key. (to Idas) Give me that.ORACLE: Destroy!Destroy!ORACLE: No! Destroy!LEELA: Doctor, they're coming. Come on!ORACLE: Destroy!LEELA: Doctor, leave it! Come on!ORACLE: Destroy!LEELA: Doctor, hurry! Come on now!ORACLE: Destroy him!LEELA: Hurry,Doctor!DOCTOR: Almost there.LEELA: Hurry, they're coming.ORACLE: Destroy him!LEELA: Doctor!ORACLE: Destroy! Destroy! Destroy! Destroy! Destroy him!DOCTOR: No hard feelings.LEELA: Come on!ORACLE:Destroy him!ANKH: After them. They must not meet the others.[SCENE_BREAK]LEELA: Which way? Which way?DOCTOR: They know this place better than we do.IDAS: The tunnels! Through there. They'll never find usthrough there.[SCENE_BREAK]TARN: They've reached tunnel seven, Master.ANKH: Good. Close it down and collapse it.[SCENE_BREAK]IDAS: Quickly, through here. This was formed by the last skyfall. We should besafe in here.LEELA: Safe?LEELA: What are you doing?DOCTOR: I'm just wondering what they've given Jackson.[SCENE_BREAK]JACKSON: The Quest is over. Set course for Minyos Two. K9, how do we stand forlaunch?K9: Fuel absorption incomplete.TALA: We've enough to get away, but it'll be a slow journey.HERRICK: I say we go.ORFE: We've got what we came for.JACKSON: Right, prepare to launch.K9: Negative.JACKSON:What?K9: Personnel incomplete. Doctor and the mistress not on board.JACKSON: Find them. Tell them we're going. Now!K9: Affirmative.[SCENE_BREAK]IDAS: We're trapped. Don't you understand, Doctor? We'retrapped.LEELA: Yes, we're going to be here for ever.DOCTOR: No. They'll come and dig us out.LEELA: Who?DOCTOR: Well, whoever it was buried us.LEELA: Why should they bother?DOCTOR: Because we've gotsomething it wants. The Oracle, remember?[SCENE_BREAK]ANKH: The cylinders must be replaced. Order a party of slaves to tunnel seven.TARN: And the bodies of the intruders, Master?ANKH: Into thecrusher.[SCENE_BREAK]TALA: Five, four, three, two, one.ORFE: Secondary check complete.JACKSON: Third and final check. Commence countdown. Come on, Doctor, come on.ORFE: Forty tolaunch.[SCENE_BREAK]DOCTOR: What kept you, K9?K9: Gratitude is unnecessary. Speed is vital.[SCENE_BREAK]ORFE: Ten, nineJACKSON: Run up on drive.ORFE: Eight.TALA: Drive running.ORFE: Seven,six.JACKSON: Pressurise.ORFE: Five, four, three, twoJACKSON: Prepare to blast out.ORFE: One.DOCTOR (OOV.): Stop![SCENE_BREAK]DOCTOR: Here are your race banks.JACKSON: (coming down the stairs) Thenwhat are those?DOCTOR: That's what I intend to find out.DOCTOR: K9, what do you make of these?K9: Analysis indicates fission grenades.DOCTOR: What?K9: Do not proceed. Impossible to defuse. Explosive contentsin excess of two thousand megatons.DOCTOR: Two thousand megatons?JACKSON: How much time have we got?DOCTOR: I don't know.JACKSON: What are we going to do?DOCTOR: I think I'd better get rid of them,don't you?K9: Affirmative.LEELA: Doctor, wait![SCENE_BREAK]LEELA: Which way did he go?IDAS: I don't know.LEELA: He may have need of us. We'll try this way.[SCENE_BREAK]ORACLE: Why? Why have they notbeen found?ANKH: The slaves are digging.ORACLE: Shall they not be found? Are they not my purpose?LAKH: They shall be found. It shall be done.[SCENE_BREAK]IDAS: It's no good. We've lost him.LEELA: Comeon.[SCENE_BREAK]DOCTOR: Excuse me, I'm a stranger here myself. Could you direct me to the Oracle?RASK: Guards! I'll take those, Doctor.DOCTOR: What, those? I wouldn't if I were you. They won't do youanyRASK: Give them here. You, take care of him. And make sure you finish him off this time. Then bring this lot back to the Citadel.DOCTOR: You're making a terrible mistake. Those are the wrong ones.RASK: You cando better than that, Doctor.DOCTOR: Ah, well, er.DOCTOR: Look, getting rid of me isn't going to solve anything. Those cylinders were bombs. Why don't we just wait a few minutes and then we can all go together,hmm?LEELA: Doctor! Doctor, are you all right?DOCTOR: Yes, yes, I think so. Come on, let's get out of here. We've got no time. Tell them they've got no time.IDAS: Listen to me! The prophecy's being fulfilled. Our godhas come to save us. We can escape to the stars. Hurry!LEELA: We must hurry!IDAS: Yes, come on, come on.LEELA: Come on![SCENE_BREAK]TARN: You have found them. Well done, Rask. Quickly.ANKH: They havebeen found.ORACLE: Replace them, quickly.ORACLE: They must never leave my keeping again.[SCENE_BREAK]DOCTOR: Quiet! Quiet, everyone. Come on, here.DOCTOR: Now listen to me. I want you to stay calm, andwhen I say, go quickly but quietly. Ready? Take this little one. Off you go now. Come on. Come on.[SCENE_BREAK]DOCTOR: Come on, come on. Plenty of room for everyone. Everything's going to be all right. All right,all right.JACKSON: What's going on? Get off, all of you. Off the ship! Get out!DOCTOR: What are you doing? Never mind that!JACKSON: What are you doing? We can't take all these people!DOCTOR: No! Comeon.JACKSON: We can't. We're too low on fuel.DOCTOR: This planet's going to explode.JACKSON: Then get them off. Get off!DOCTOR: Why?JACKSON: I must safeguard the race bank.DOCTOR: Why?JACKSON: Why?The future of our people.DOCTOR: Listen, Jackson. This is your people. This is your race. Descendents of the people who came on the P7E.JACKSON: But we can't take the extra weight.DOCTOR: Look this planet isgoing to explode, Jackson. Your only hope is to go, and go now. Go, Jackson, go!DOCTOR: Right. Sit down, everybody. Sit down. Now, stay very calm.[SCENE_BREAK]HERRICK: Outer section sealed.JACKSON: Run upon drive.TALA: Drive running.JACKSON: Pressurise.ORFE: Check.JACKSON: Prepare to blast out.[SCENE_BREAK]DOCTOR: Get down. Right down, right down.[SCENE_BREAK]TARN: They've cleared the surface. Notlong now and they'll all be blown to bits.[SCENE_BREAK]ORACLE: These are not the cylinders! Get rid of them or we shall all be destroyed.ANKH: Where?ORACLE: Get rid of them! Get rid of them!ANKH: But where?There's no time.ORACLE: Get rid of them! Get rid of them!ANKH: We can't.ORACLE: Then defuse them!ANKH: How?[SCENE_BREAK]JACKSON: More power!TALA: I'm trying.ORFE: We're falling back.JACKSON: Morepower!TALA: There is no more.ORFE: The planet's gravity's pulling us back, sir.DOCTOR: Everything all right, Jackson?TALA: We don't have enough power to reach escape velocity.JACKSON: You know why, don't you,Doctor? It's the extra weight, isn't it, Doctor.DOCTOR: Oh, come on, Jackson, be brave. Sit down.[SCENE_BREAK]ANKH: It is not possible.ORACLE: Why? Why?LAKH: You made it so.ORACLE: Then I have failed in myduty, and deserve destruction.[SCENE_BREAK]DOCTOR: There she goes. If you wanted power, Jackson, get ready to ride out the blast.ORFE: We made it!JACKSON: Speed?TALA: Four sevenths light.JACKSON:Course?ORFE: One two zero, sir.JACKSON: How long to Minyos Two?HERRICK: Three hundred and seventy years, sir. That's nothing, is it?JACKSON: Doctor!DOCTOR: Yes?JACKSON: Aren't you coming with us to MinyosTwo?DOCTOR: No, no, no time. I'm very busy. Goodbye, Jason.ORFE: Goodbye.HERRICK: Goodbye![SCENE_BREAK]LEELA: Doctor?DOCTOR: Hmm?LEELA: Why did you call him Jason?DOCTOR: Who?LEELA:Jackson.DOCTOR: What? I called Jackson Jason?LEELA: Yes. Is Jackson Jason?DOCTOR: No, Jackson isn't Jason.LEELA: Well, is Jason Jackson?DOCTOR: No, no, no. Jason was another captain on a long quest.LEELA: Idon't understand.DOCTOR: Ah. He was looking for the Golden Fleece.LEELA: Did he find it?DOCTOR: Yes, yes. He found it hanging on a tree at the end of the world. Perhaps those myths are not just old stories of thepast, you see, but prophecies of the future. Who know? What do you think, K9?K9: Negative.DOCTOR: What did he say?LEELA: Negative.DOCTOR: Negative? Can he paint? Hmm? Negative.LEELA: Negative."}
+{"doc_id":"doc_104","qid":"","text":"Degrassi Community School(Toby and JT are heading in.)Toby: 28 hours, 14 minutes, 7 seconds. 28 hours, 14 minutes...JT: Would you stop with the countdown please?Toby: Sure, you've got Parents' Day in thebag.JT: What? Ok, you Einstein. Me, brain-dead.Toby: I mean, your parents aren't homesuidal maniacs.JT: I thought Kate and Jeff were getting along great.Toby: I'm not talking about Kate.JT: Whoa. Your mom'scoming tomorrow? Oh, man. I should sell tickets. Remember that time at camp when they both came to pick you up?Toby: Don't remind me.JT: Can't you just ask your mom not to come?Toby: Sure, if I want to start anuclear custody war.JT: Maybe they won't start screaming this time.Toby: Yeah. Maybe Mr. Armstrong will your parents about the \"D\" on your last math test.JT: How much time do we have left?Toby: 28 hours, 13minutes, and 17 seconds. 28 hours, 13 minutes, and 16 seconds. 28 hours, 13 minutes, and 15 seconds.HallToby: The way it works now is perfect. Every other weekend with my mom, the rest of the time with my dad.And as long as they don't have to talk to each other, everything's fine.JT: Sorry, man. I didn't know it was that serious.Toby: Yeah, well, it is that serious.JT: Hey, we could contaminate the water foundations with E coli,that way they'd have to shut down the school, right?Toby: There probably is E coli in the foundations.Mr. S: (as he's taking a drink) Actually, we test our water on a daily basis, boys. It's fine.(Bell rings.)Mr. Simpson'shomeroomMr. S: Ok guys, quiet down. (JT and Toby come in behind him) We don't have Ashley today, but we do have this week's News About Kids broadcast.Emma: Uh, NAK again.Mr. S: Em? Something you wannashare?Emma: No, Mr. Simpson. (She sits down)(Mr. Simpson turns on the tv. The NAK people appear on screen.)Ryan: Hi, I'm Ryan, and this is Nicole. And welcome to NAK: News About Kids. Today we'll be talkingabout that infests major cities everywhereNicole: And we're not talking cockroaches, we're talking squeegee kids.Ryan: Stalking street corners, waiting to pounce on un suspecting cars. (Shows footage as he talks).Hijacking your hard-earned cash to waste on drugs and tattoos. (Shows Emma watching.)Nicole: Are squeegee kids legit or lazy? Are they using their \"cool\" trend for today's media saturated youth?Mr. S: Rememberguys, you're here for media studies after lunch.(The students leave for class.)Manny: Em, it was just a TV show.Liberty: Squeegee kids are very annoying.Emma: No, squeegee kids are poor. They live on the street andwash windows. It's their living.Liberty: My father says that if another one of those ragamuffins tries to dirty up his window, he'll call the mayor. He knows the mayor.(Liberty walks away.)Emma: Last week NAK told usto join the army. What's tomorrow? A hole in the O-Zone is good because it makes a better tan? Imagine being a squeegee kid. Out in the cold, no school, no parents.Toby: No parents?Emma: Toby this isn't a joke.(Starts to walk backwards, so she bumps into Sean.)Manny: He stared right at you.Emma: Yeah, because I bumped right into him.Girls' Washroom(Ashley is at the mirror looking at her face. Paige and Terri comein.)Paige: Oh, here we go again.Ashley: Here we go what again?Paige: Every time NAK claims your airspace, you go all manic-depressive.Ashley: That is so not true. I just- look at this zit!Terri: That's a pore and Paigehas a point.Ashley: Terri...Terri: I don't get why you gets so bothered. Everybody loves your morning announcements. Even Heather Sinclair said you were better than those lame-o NAK hosts.Paige: Oh, yeah, bigaccomplishment. They're total freaks.Terri: Heather even has an agent. You could totally get an agent.Paige: Heather Sinclair has an agent? With that overbite?Terri: See? Ashley's got the look and tv experience. It'sperfect.Paige: Where would Ashley find an agent?Ashley: Guys, Toby is mom's a casting agent. Terri, you rock!(Ashley and Terri leave the bathroom. Paige stays behind to wash her hands. She is nothappy.)OutsideToby: JT, come on. We've got to come up with an anti-parents plan.JT: What does it look like I'm doing?Toby: Uh, playing the seeds for a massive heart attack?JT: To plot evil, I need energy (Ashley +Terri come up to them)Ashley: Hey. Just the person I was looking for. Your mom's a casting agent, right?Toby: Yeah, so?Terri: So, is she coming to Parents' Day?Toby: Thank you, for reminding me.Ashley: Is that ayes?Toby: Yeah, why?Ashley: No reason.(They walk away.)JT: What was that about?Toby: I have no idea.(They go to a table where Manny and Emma are.)Manny: It's not like people really think about it.Emma: That'sthe thing. They don't us to think. They want us to become brain-dead NAK robots.Toby: What's with her?Manny: NAK rage, kind of like road rage.Emma: And the announcements? They have commercials. They're tryingto buy our bran loyalty in homeroom.JT: Emma, who are you talking to?Emma: I could talk, or I could take action.(Emma leaves.)JT: Imagine being her for a day.Hall(Spinner is walking and talking with Paige.)Spinner:Ok, so then the guy goes, \"What are you going to do for a face when the monkey wants its butt back?\" (He laughs, but she doesn't.) What? You don't get it? The guy has a face like a monkey's butt?Paige: Spinner, doyou think Ashley's prettier than me?Spinner: What?Paige: Because she's thinking about getting an agent (they sit down).Spinner: Oh, Ashley's getting an agent? I could totally see her on TV.Paige: What? And youcouldn't see me?Spinner: I didn't say that.Paige: So you think that I could get an agent too, right?Spinner: Uh, yeah. Sure, why not? Ok, back to my joke. So then the guy goes...wait, is that the right word? Yeah, no,yeah, yeah. So, then the guy goes... (While he's talking, Paige isn't listening)Mr. Raditch's OfficeEmma: Mr. Raditch, could I talk to you about this morning's NAK broadcast?Mr. R: I'm all ears.Emma: NAK is totally bias.This morning they tell us squeegee kids suck, and then they tell us which running shoes to buy? It's wrong.Mr. R: How you seen the new computers in the Media Immersion lab? 18 computers thanks to NAK. Inexchange, we show their morning broadcasts.Emma: Whatever they want to report?(Mr. R nods.)Emma: But that's bribery.Mr. R: No, it's 18 new computers we wouldn't have otherwise. Parents voted for it. Andremember, not everyone at Degrassi has a computer at home. But, if you feel strongly about it, write an opinion piece. Make sure you get it in by 4:00. Make the Parents' Day addition.Emma: 4:00 today?Mr. R: Thinkyou can do it?(The bell rings. Emma nods as she leaves.)Hall(Ashley and Terri are leaving class.)Ashley: So, I signed us up for the welcoming committee, Teri. Which means, I'll be the first person Toby's mothersees.Terri: Great.Paige: Unless she sees me first.Ashley: What?Paige: Well, I am helping out tomorrow.Ashley: Since when?Paige: Ashley, you asked me like, 3 weeks ago to volunteer, remember? Anyway, see you twolater.Media Immersion.Manny: I can't believe the principal is asking you to do this. You're like, attacking the school.Emma: I know. It's very cool.(They go to sit down, but Sean's stuff is in a seat.)Manny: I'llstand.(Emma nods and sits down.)Emma: Ok, so let's try to imagine. You're a squeegee kid.Manny: Ok. I'm a squeegee kid.Emma: So how does it feel being compared to a cockroach?Manny: I'd say, \"Hey, preppy kids.Get off my case. We're people, too.\"Sean: Oh, please.Emma: Could... We need the chair.(Sean gets up and leaves.)Emma: Talk about negative energy.Another part of Media ImmersionToby: Emma's right. I couldwhine or I could do something about Parents' Day.JT: Ok, so, what are you going to do?Toby: Convince my parents there's no need to show up. Ok, I downloaded the logo from the Degrassi website. Then, I scanned Mr.Simpson's signature from the last newsletter he sent home. It's a masterpiece.JT: Masterpiece or insanity. OK, your parents don't have to come because of your exemplary performance in all of your scholastic pursuits.What?Toby: Translation: I'm acing school. It's all in the details, my friend. This'll work. It has to. Hall(Emma is running to the newspaper office to hand in her story.)Emma: (knocks on the door) Liberty, my NAKeditorial. I just finished.Liberty: (checking her watch) You're 17 minutes late.Emma: I'm sorry.Liberty: The Grapevine deadline is 4 P.M. I'm trying to run a professional operation.Emma: Even professional newspapersgive extensions. It's 17 minutes.Liberty: I suppose I could make an exception for you. But, please try not to get used to it. Remember, as editor, I'm only as strong as my weakest link.(Emma gives her the disk andleaves.)Kerwin House(Toby is in the kitchen with his dad.)Toby: I was shocked more than anyone. Who knew I was doing so well? You know, this transfer to Degrassi has really...Jeff: \"Uplifted Toby's grade classificationto a premium standard.\" Interesting choice of words from Mr. Simpson.Toby: Well, you know, he's a computer guy. Writing isn't really his thing.Jeff: Neither is spelling. Two E's in premium. What's going on?Toby:Nothing's going on.Jeff: You don't want me to go to Parents' Day?Toby: I didn't say that.Jeff: You didn't need to. Are you doing that badly in school or what? Talk to me Toby.Toby: Mom called, ok? She wants to gotomorrow.Jeff: And she didn't even tell me. That is so typical of your mother.Toby: See? You guys can't even be in the same room without freaking out.Jeff: Toby. We're on much better terms now. It's not like it used tobe. So, what you don't want to go?Toby: I want you to go and I want her to go. I just don't want the two of you to go there... together.Jeff: Hey, come on buddy. Everything's going to be fine. No fights. Promise. (Holdsup his hand)Degrassi's Parents' Day(As parents head inside, the camera closes up on a sign that says \"Welcome Parents to D.S.C Parents Day\".)[SCENE_BREAK]Girls Washroom.(Ashley and Terri are in there. Ashley istrying to put on eyeliner.)Ashley: Look at me. I'm shaking. You do it. (Gives it to Terri, but Terri pokes her in the eye) Ow! Be careful. It's my eye. It's what I see with.Terri: Sorry. I'm not good at this.Paige: Ladies.(She comes out a stall wearing a yellow sparkly top that's very short)Ashley: What are you wearing?Paige: It's Parents Day. I have the right to look fabulous, don't I?Ashley: For who, the parents? Or Toby'smom?Paige: See you out there.(Paige leaves, then Ashley and Terri follow.)Hall(Toby and Jeff are waiting for Toby's mom.)Toby: Guess she forgot.Jeff: You know your mother. We'll give her two more minutes. Hey,tobs, it'll be fine.Ashley: Mrs. Demcowski? Room 102.Man: Thank you.(Toby's mom comes up to them.)Terri: Hi, can I help you?Ashley: Uh, Terri, this is Toby's mom, the casting agent. Welcome to Degrassi, Ms.Issacs.Annemarie: Hi.Paige: Can I just say that that is a great outfit? So avante garde.Annemarie: Thank you. Wholt Rentthrough. On Sale.Toby: Hi, mom.Annemarie: Hey, tiger. I'm sorry I'm late.Jeff: Annemarie. Flattire?Annemarie: I could Toby that I might beheld up at work. Parents Day isn't over already, is it?Jeff: No, no. We'd better get moving though.Paige: Paige Michalchuk. It's very nice to meet you. I've heard so muchabout you.Ashley: Smooth, Michalchuk. I bet you're on the next flight to Hollywood.Paige: Hon, I'd re-think the eyeliner. You're looking a little washed out.Media Immersion.(Toby and his parents are in there, meetingwith Mr. Simpson.)Mr. S: Uh, there's no doubt Toby is a bright kid, but, uh, he has trouble with details, particularly his spelling, some of the basic points of grammar. This tends to bring down his marks. For example, inMedia Immersion, Toby could be at the top of his class if he just applied himself.Toby: \"Apply\" is such a relative term.Mr. S: Toby, come on. Your last media assignment was 3 days late. He's just not getting the resultshe should for someone so bright.Annemarie: 3 days late?Jeff: First I've heard of it. Toby?Annemarie: Jeff, I'm talking to you. This is Parents Day. You're the parent.Jeff: We're both the parents here and we'll discuss itlater, ok?Annemarie: We will discuss it now. Why aren't you helping Toby get his work in on time? Why is he under achieving?Jeff: Toby and I will work it out. Thanks for bringing it to our attention.HallSpike: I am soproud of you. Rave review after rave review.Emma: Mom, my editorial.(Tracker and Sean come out of a room.)Tracker: So you have to watch this video every morning? Free computers are free computers, man. Whatidiot wrote this?Emma: Excuse me, I wrote that.Tracker: Oh, sorry.Emma: Don't look at her. It's my piece and I'm right. Students shouldn't be force fed advertising while we're at school. If you don't get it, you're theidiot.Spike: Emma...Sean: Look, it's not that serious.Emma: What? Expressing my opinion isn't important?Sean: That's all my brother's trying to do.Emma: I could tell, and he's wrong.Tracker: I'm wrong? Tell meEmma, is it fair or is it wrong that Sean here is falling behind in school because we can't afford a computer?Emma: He can do his homework here.Tracker: What? Yeah, on the free computers.Emma: If you read theentire article, you would know...Tracker: That it's a piece of garbage.Emma: It is not garbage!Tracker: (crumples it up) Looks like garbage to me. Smells like garbage.Sean: Tracker, man...Tracker: All I'm saying isthere is two sides to every story. Try to remember that next time.(Tracker and Sean leave.)Media Immersion.Mr. S: It was only once, but still, skipping a class even once at this grade level.Annemarie: What is going onhere?Toby: One class. I got carried away in the computer lab.Annemarie: I thought moving in with you and June Clever was supposed to be good for Toby's grades, wasn't that the point?Jeff: What are yousaying?Toby: Dad, come on.Annemarie: I'm saying that maybe we need to reassess Toby's living arrangements.Jeff: Don't threaten me.Annemarie: Hey that's your game.Jeff: What? And breaking commitments isyours? That's why Toby lives with me.Mr. S: Mr. and Mrs. Issacs. These are common problems for many students.Annemarie: So it's my fault? Jeff, let's not get into the reasons why I left, ok?Jeff: Reasons why youleft? There's only one reason, Annemarie. Your career. Your career that meant so much more to you than we ever did. That's why Toby lives with me and he'll never....Toby: Mom! Dad! Yeah, my assignment was late!Who's to blame? Video games! I'm telling you, they're destroying my generation.Annemarie: Toby, this isn't a joke.Toby: I'm not joking, ok? I don't have an excuse, but Dad can't do my homework for me or make sureI go to class. It's my life, right? So, it's my problem. Stop blaming each other and then using me as another excuse to argue. It's not fair. I'll try harder. I promise.Mr. S: Moving on. All right then. Let's take a look atsome of the recent test results. HallAshley: Hey. How did it go in there?Jeff: Oh, it went okay. Toby just has to apply himself more.Annemarie: Yeah, we're gonna make sure he does his homework on time. But, it wentokay.Paige: Toby, hon, that's so great.Annemarie: Honey, listen. I've gotta run.Toby: Gotta get back to work, huh?Annemarie: Yeah. But, hey, listen. Your message came in loud and clear back there. Toby, I'm reallysorry. All this stuff between your dad and me, it's tough.Toby: I know.Annemarie: I love you so much. (They hug) Ashley, you have my permission to keep this monkey in line.Ashley: Oh, I will. Don't you worry. And itwas a pleasure to see you again. An absolute joy. By the way-Paige: (gives Annemarie a picture of herself) Something to remember me by.(Annemarie sees Terri and gives Terri her card.)Annemarie: If you'reinterested in acting, give me a call. You have an interesting look.(Toby's mom leaves. Paige isn't happy that Terri got the card.)Classroom(Sean is in there doing work. Emma comes in. He moves his stuff so she can sitdown. Emma sends Sean a message apologizing about what happened on Parents Day. The computer tells him he has a new message. He opens it and reads it.)Sean: I'm sorry too.Emma: I'm a little outspoken. It runsin the family.Sean: Maybe it's contagious. Did you hear my brother?Emma: \"Looks like garbage.\"Sean: \"Smells like garbage.\" It wasn't garbage.Emma: Thanks.Hall(Toby is walking when Mr. Simpson comes up tohim.)Mr. S: Toby. Can I speak with you for a minute? Listen, yesterday....Toby: I just want to apologize again for my parents' behavior.Mr. S: Oh, Toby, it wasn't your fault. Are they always like that?Toby: Only whenthey're together. Honestly Mr. Simpson, yesterday was good. It cleared a lot of air.Mr. S: I'm glad. Oh, listen, before I forget, next time you want to forge my signature, maybe you should spell my name correctly, anderase the file from the server.Toby: Mr. Simpson, I can explain.Mr. S: Good, why don't you start with a 10 page essay on why it's wrong to falsify documents, say by, um, tomorrow morning. And you know what? Onefinal thing. Good work yesterday. Your parents should be proud of you. I certainly was."}
+{"doc_id":"doc_105","qid":"","text":"You call it madness but I call it loveDerek: Shhh, shhh.Lucas: I guess I have my answerDerek: I can't believe he actually left. I would never give up on you that easily, you hear me ? Our love is forever.Nathan: So,when you took your boot off, was it all ... ?Haley: Ohhh, it was like Teen Wolf. Seriously I got to use three razor blades.Nathan: Nice. I'm proud of you Hales. My girl went strong to be rehap by prom.Haley: Yeah. Wellat least everything will be perfect tonight.Nathan: Ohhh we gotta stop saying that !Whitey: When did the chaperon's been prettier than the prom queen ?Dan: Thanks, but I'm with someone !Karen: Oh, hi Whitey. Youlook handsome.Whitey: Thank you.Karen: I'd better get to see if Principal Turner needs anything.Whitey: What the hell are you doing ?Dan: I'm making the rest of you guys look bad.Whitey: Years ago I watched youscrew up Karen's life. I'm not gonna allow history to repeat itself.Dan: And yet you've been trying to make that tux work since the seventies.Whitey: I'll be watching you Danny.Nathan: I think, I think the [...] snapped.Maybe it's the, the thingamajig.Haley: Can i please call Lucas now ?Nathan: Yeah.Haley: Ugh, I have no signal.Nathan: Oh great ! Well, there's a convenient store about a mile up ahead, I'll just walk there and call for aride I guess, you can stay.Haley: No, thank you, a pregnant girl in a prom dress with a broken down car is how urban legends get started I'm coming with you.Nathan: What about your leg ?Haley: It'll be a good testcome on !The Clerk: This is the final boarding call for flight 121, service to New Orleans.Derek: Oh good, good, you're awake. I'm sorry about the sedative but there were just so many last minute details. I missed youPeyton, so much. Oh God, I missed that smell ! You're probably wondering how I got out of jail. Miss Sawyer ? Detective Wilcox here. We just call and let you know we have your stalker in custody. Yeah ? You know I'vehad a lot of time to think about what went wrong with us last time. A girl like you needs romance. I get that now. So that's why you and I are gonna have our own private prom, just the two of us.GENERICBrooke:Hey.Lucas: Hey, I'm so sorry to hear about your dress. I had no idea.Brooke: It's ok I got most of it off now and when you blacklight me it just says 'who'.Lucas: Oh.Brooke: So, where is she anyway ?Lucas: I went overto her house to pick her up and she won't even open the door. I guess she's not coming.Brooke: Hey, I need to leave for a little while.Mouth: Sure, where are we going? Right, take it easy on the turns. My grandpa Mel[...] the suspension.Brooke: Ok. Hey I'll be back in time for my coronation .Mouth: Are they still voting for Prom Queen?Brooke: Yeah but, it's really just a formality.Derek: You know, the hardest part about the night webroke up, it wasn't your betrayal, it wasn't even falling out of a second story window, no. The hardest part was losing my photos and now I have to start it all over. Smile Peyton.Peyton:ARGHHHHHHHHHHHHHHHHHHH!Nathan: Thanks for picking us up mom.Deb: Just think I couldn't have done this a month ago, maybe, I just would have spent a lot more time on the sidewalk! Oh, pretend I'm nothere.Nathan: Sorry. This isn't exactly how I wanted to start our romantic prom night.Haley: It's ok, you know after everything we've been through in the past year, your mom taking us to prom feels prettygood.Nathan: Kinda like we're kids again?Haley: Yeah. You know maybe tonight we don't have to be married and pregnant, we can just be teenagers.Nathan: Well in that case, what's you curfew?Derek: Lucas!Peyton:You've reached Peyton's voicemail. Congratulations.Lucas: Hey Peyton, this isn't right. You're the one I wanna be with tonight, prom and all ... so call me ok? Please.Principal Turner: Miss Gatina! You know that you'renot allowed on school grounds?Rachel: What are you gonna do expel me?Principal Turner: Don't make me call the police.Rachel: Fine. All right, I've got a limo, and a fully stuffed mini bar, who's with me? This schoolsucks.Mouth: Rachel, wait. I'm coming with you.Rachel: What about Brooke?Mouth: If she were here she'd do the same thing, it's what friends do.Rachel: See you Turner! Oh, expect a call from my lawyer about thesexual harassment.Principal Turner: She's kiddingDan: Relax Turner. You need a drink and in fact I confiscated this flask from one of your students. Gimme a minute Karen.Derek: It's time for our first dance. This songis special. I made it from your podcasts. I hope you see now how much thought I put into tonight. It's why I couldn't have you going to prom with Lucas. And afterwards, giving yourself to him. I couldn't allow thatPeyton, you belong to me. We're gonna have the perfect prom, and afterwards we're gonna go up to your bedroom, and have the perfect prom night. Well another tex from Lucas, let's see what it says. Ohhh, I'm sosorry, please talk to me, prom sucks without you. Let's reply: sorry, running late, wait for me. Hugs and kisses. Is that emoticon too much you think? Ohhh, what the hell, semi-colon and close parentheses.Lucas: Hey,Glenda you look great!Glenda: Thank you! So I guess I'm not the only one alone at prom. Maybe Lucas Scott really is a Goth at heart.Lucas: ugh, Peyton is on the way, finally! But you know, I could use company untilshe gets here.Glenda: Good, cause I could use someone help me pretend I'm above of those prom stuff.Lucas: Ok.Nathan: Hey, good news. Nobody's using the DW not I car tonight so it's all ours.Haley: Sweet!Nathan:You're ready to dance?Haley: Definitely. Definitely not! I think I failed the test.Nathan: Ok. Sit down. It's alright.Haley: no, it's not ok. Aren't you the guy that always said at some point you just gotta deal with thepain?Nathan: Yeah, well, I'm an idiot. I'm gonna get you some punch ok? Here.Haley: Thank you. Ouhh honey, that ain't punch!Student: Noooot bad huh? Yeah... They [...] my flask when I came in, then I went to planB, so it's all [...]Nathan: You spiked the punch?Student: Dude, it's prom!Nathan: My wife is pregnant, you idiot!Student: Dude, it's prom!Haley: Dude, It's prom.[SCENE_BREAK]Glenda: Hey, you see that guy overthere? He's got the key to a room at the Holiday in, and a box of wine cooling in the mini fridge.Lucas: You do this a lot?Glenda: Helps killing time when you live on the sidelines. Ok it's your turn.Lucas: She's wonderingif she should forgive the guy for being an ass for the last seventeen years.Glenda: Your mom, right?Lucas: Yeah. And daddy.Brooke: Come one Peyton, your car is in the driveway I know you're home! Ok Peyton, yourcurling iron is still on so if you're tryna make it look like you're not here at least make it convincing! Great. Hide in your creepy basement because you know I hate it! Too bad, I'm coming down anyway. Oh myGod.Derek: Well, well, Brooke Davis. One kiss wasn't enough so you came by for a second?Brooke: Get of me!Peyton: Brooke!Mouth: What happened I thought you were leaving tonight?Rachel: My flight got delayed bya few hours. Just enough time to crash the bal.Mouth: Well we hang out and then I take you back at the airport.Rachel: You sure? I mean it's your prom night.Mouth: Yeah but it's your last night! Besides prom justmakes me think about Shelly.Rachel: Alright Mouth, talk to me.Mouth: I can't stop thinking about her. Her eyes, her smile, those little freckles on the small of her back...Rachel: Hang on? The small of her back? Theclean teen gave it up! Nice work!Mouth: Yeah, so nice she never wants to see me again.Rachel: You're welcome to the rest of your life. s*x changes everything.Mouth: You know what, let's not talk about Shelly. This isyou and I what do you wanna do?Rachel: I wanted to deflower you, but I guess I'm too late for that. I wanna do what you wanna do!Mouth: I wanna get Shelly back!Rachel: Except that! Shelly is nuts, and this iscoming from a girl who has seen a lot of nuts!Mouth: I know but, she made me feel dangerous you know? Like I was more than myself.Rachel: Mouth, quit talking about Shelly!Mouth: Yeah, I'm boring you.Rachel: No.you're making me jealous.Glenda: So, when do I get the next chapter of your book? Or is that your strategy? Get me hooked and leave me hanging?Lucas: No, that's not it. The truth is I'm stuck! On the day my uncleKeith died.Glenda: Sure it's hard to revisit that day. But telling the truth about it could help a lot of people, maybe even you.Lucas: You see that's just it, I have trouble with the details, there's a lot of things about thatday I can't remember, I kinda like blocked it up.Glenda: I tell you what, why don't you walk me through the things you can remember? Maybe it'll help to talk it through.Lucas: Alright.Derek: It's a good thing I broughtextra rope.Brooke: Untie me you freak!Derek: It's figures you'd be good with your mouth. Noone is gonna hear you.Brooke & Peyton: HELP!Derek: You know Peyton, you really shouldn't... the music so loud!Brooke &Peyton: HELP US !Haley: This is the weirdest prom ever, no Peyton, no Brooke, no Lucas, no Mouth...Nathan: No rachel.Haley: Good prom!Principal Tuner: Nathan, I need you to drive a student home.Nathan: What doyou mean?Principal Turner: You're the DW not I car don't you?Nathan: Yeah. I guess I do, who is it?Peyton: Why did you come?Brooke: We've been talking about senior prom since we are 8. I knew something waswrong.Peyton: So, you told someone you were coming?Brooke: No... at least I came!Peyton: You should have told somebody!Brooke: That is your problem you are so angry.Peyton: You're an idiot!Brooke: Don't call mean idiot bitch!Peyton: I hope he kills you first.Derek: That's a good idea. I know how much you hate her, Peyton. I was outside today, watching. I heard that you told Brooke that she was dead to you. Now I'm gonnamake it official.Peyton: Derek, wait.Derek; Don't you see, Peyton? I was serching for some way to show you how much I love you. I'm gonna hurt her as much as she hurt you.Peyton: Derek, hey, hey, look at me. Ifyou really, really love me, let me do it. This is my chance to revenge, you, well, you should know that. Look you were right about me, okay? Hey, listen, you were right. We are so much alike. I have all the same feelingsthat you do, and I have all the same desires.Derek: I don't believe you.Peyton: It's true. Hey, I just couldn't admit it before. I'm gonna prove it to you now, okay, just untie me.Derek: You're lying.Peyton: Come onDerek. You got the knife, and I'm half your size! Hey, baby.Derek: You better not be lying.Peyton: I'm not, baby. I promise. (she slaps Brooke) God that felt good!Derek: Do it again.Brooke: Why don't you make it hurtnext time bitch?Peyton: Alright, gimme the knife. I'm gonna finish this bitch off. Gimme the knife!Derek: I don't think I can trust you.Peyton: Let's talk about trust okay. See, you lied to me, you said you were mybrother, didn't you? You went about it everything all wrong Derek. God, you're ... you're such a beautiful boy! All you had to do was ask! Would you gimme the knife, and then when I'm finished with her, we'll goupstairs, ok?Derek: You wanna cut vertically. It's conter intuitive. I know.Peyton: All this time you said I was a backstarving bitch, you have no idea how right you were!Brooke: God you didn't have to hit me sohard.Peyton: I'm sorry, I'm so sorry!Brooke: Peyton, Peyton, he's moving, just get out of here!Peyton: No, I'm not leaving you.Derek: That was so disappointing! You know what? I changed my ming. I think I'll kill youfirst!Brooke: Peyton, run!Derek: Yeah, Peyton, run! You shouldn't have lied Peyton. It's not very nice!Lucas: She told me she loved me. I just figured it was because she lost a lot of blood. But at some level I knew itwas true. I was just too afraid to admit it because, it would've hurt Brooke.Glenda: You ever think maybe that's why you have trouble writing about that day? Maybe you block things out because you're afraid if you facethe truth, it could hurt the other people you love.Student: So, I heard about you and Brooke Davis. Hi 5! I guess that means you guys have like, an open marriage. That is so great!Nathan: Out!Student: What? But myhouse is like a mile...Nathan: Out.Student: That's cool. I'll see you at school.Nathan: You still wanna be a teenager?Haley: Oh my gosh! You know, I used to dream about how wonderful senior prom would be, the lastgreat party with all our friends before we graduate. This night? This is nothing like I predicted.Nathan: Yeah, well you gotta be careful about your predictions.Haley: Baby, the school's back there, where are wegoing?Nathan: It's a surprise.Haley: Okay.Derek: Open the door, Peyton! You already know I could break it down. You forgot to lock it.Peyton: I didn't forget! It doesn't feel so good, does it? I'm not gonna run from youanymore Derek, I'm not gonna run anymore purely now get up!Derek: You've been training.Peyton: It's right, with my real brother. He taught me this! And that is fro making me afraid to sleep, you creepy, and smellyson of a bitch !Derek: Shhhh. You really think you could beat me? A girl?Brooke: How about two girls?Peyton: Brooke get out! Get off !Brooke: Peyton, [...]Peyton: [...]Brooke: Peyton, be careful he's gonna lunge. Theyalways lunge.Derek: Arghhh!Brooke: I'm gonna call 911.Peyton: Brooke wait, gimme five minutes.Brooke: Look about earlier today, you were right. All those things that I said about your mom ...Peyton: No... we bothsaid [...] things today. Besides if you hadn't come right now, i'd be bitching my both mom about you in person. You saved me.Brooke: You saved me too. I guess now it's hoes over psychos.Peyton: Yeah.Brooke: Sowhere do we go from here?Peyton: Prom?Brooke: Ok.Rachel: you know, I lied you when I told you my flight was delayed. The truth is <i wasn't sure I was ready to get on it.Mouth: Why not?Rachel: Because i wantedus to have our last dance.Mouth: Let's have it.Rachel: You're gonna break a lot of hearts Mouth McFadden.Dan: So what do you think? Does this beat our prom?Karen: Oh let's see, the theme for our prom was 'Everyrose has its thorn', yeah.Dan: Thorn, right. I was out at the night i told you I was leaving to take the basketball scholarship. I want you to know that for the past seventeen years, I've been pretending that it was theright choice.Karen: For the last seventeen years, I've been pretending that choice didn't break my heart.Dan: I wanna ask you something, do you think it's impossible for you ever to have feelings for me again, like youonce did ?Karen: No, it's not impossible.Haley: What are we doing here?Nathan: Do you remember the last time i went up here?Haley: Yeah I do, it was when we were separated and I try to forget.Nathan: Well, youshowed me the predictions that you and Lucas make every year on the first day of school. And i made a prediction on my own that night, you remember? Here it is.Haley: Haley and I will be together again bygraduation. Did you really believe that?Nathan: I was in a pretty dark place back then but, I never stopped believing in us. My prediction came true Hales! As far as I'm concerned, that makes this a great night. So, youthink your leg's ready for a dance?Haley: Ohhh, I wish it were but it's still a little stiff. Sorry.Nathan: [...]Haley: Ohhh, it's my lucky night!The clerk: Attention, now flight 243 to New Orleans at gate 6. Attention, nowflight 243 to New Orleans at gate 6.Rachel: It's me.Mouth: Then I guess this is goodbye. I'm really glad you came back tonight Rachel.Rachel: Me too. Hey, you wanna come with me?Mouth: I can't, I'd miss finals, angraduation, it's suicide!Rachel: No, it's just dangerous. It's ok Mouth. See you later.Mouth: Rachel wait. I'm coming with you.Dan: So, it's you.Lucas: What do you mean?Dan: You lost your phone.Lucas: It's not myphone.Dan: Sure?Lucas: Yeah. What's wrong with you? And where's my mom?Dan: She's... I'm sorry, i just... What are you doing here Lucas?Lucas: I guess i just keep feeling like, i keep feeling like Keith's trying to tellme something.Dan: We already had this conversation, son.Lucas: I know, but...Dan: No! Keith's dead, ok? He's not coming back. Open your eyes. Flashback:Keith: Open your eyes Luke. Open your eyes!Lucas:Keith?Keith: Luke, I love you, now go.Peyton: Are you ready for this Brooke Davis?Brooke: Welcome to prom, P Sawyer.Bevin: Attention everyone! Get around the stage. It's time to announce our prom queen. Theenvelope please. Okay, and this year's prom queen: Brooke Davis!"}
+{"doc_id":"doc_106","qid":"","text":"Кога? After breakfast. The lights down so much you can do it yourself. I put `em up there. You have got to learn to mutter quieter, 'cause I heard that. That was the point! What the heck? Dear lord. Sherman? Call thepolice! What is that? Well, sure as sh1t it ain't Santa Claus. Phone's ringin´ Raylan. Thank you, Donny. Donny? It's from Lebowski Netflix it, you can be one of the cool kids. Givens. Deputy Givens, this is Sharon Evans.I do bail bonds in Knoxville. Okay. We met at a law enforcement expo in Miami a few years ago. Want another one? Not of that. Oh, I'm sorry, I remember you. We, uh, had a drink. Several. From my mini-bar. I believeI also remember you polishing off a $20 tin of macadamia nuts. Yes, the most overrated of the nuts. Is that why you're calling? You want me to pay my fair share? No, I like it better you owing me. But this isn't apersonal call, Raylan. I saw you're with the eastern district of Kentucky now. I need a hand up there. You interested?Raylan: I haven't hung up. Jody Adair, 41, charged with double homicide, out on a quarter-millionbail, skipped town two days ago. He's got an ex-wife in Lexington. You put eyes on him, I get Lexington P.D. To haul him in, and I'll make it worth your while.Raylan: Chuckles. Meaning? How about three grand?Raylan:Send me the address and a photograph. All right.[ Cellphones beep ]Raylan: You think you can manage the phones?I'm gonna go out for a bit.Rachel: Where you going?Raylan: Oh, I got a thing.Rachel: Don't getcaught, dude. Anything I should know?Raylan: No. No. Just a major prison break, the countryside's been overrun with fugitives. I got it.[ Knock at the door ]You show up before dawn with a bag of hamburgers? Theyget the toys that way. Come on *** let me in. Heck no. Why not, you've let me in every other time I've come by. No.Raylan: Hey, Sharon. It's Raylan. Yeah, he's here. Listen... Hold up. You dropped something. Pick itup if you want. Asshole.Raylan: Huh? No, not you. Won't let me in? Oh yeah I think you gonna let me in.Raylan: [ Taps window ] You can have the burgers if you want. sh1t! Let's go, out. Mine's bigger than yours. Bigenough to throw a bullet through this door, and you as well. Before I put one through your ear? You think this is the first time I've had a gun pointed at me? No. Could be your last though. I'm guessin' you know who Iam. I can guess who you are, at least which team you play for. All this indicates you're not gonna shoot me. No. *** There you go. Sharon. How much I just bring him in?\u0000 On this lonely road \u0000 \u0000 trying to make ithome \u0000 \u0000 doing it by my lonesome \u0000 \u0000 pissed off, who wants some? \u0000 \u0000 I'm fighting for my soul \u0000 \u0000 God get at your boy \u0000 \u0000 you try to bogart \u0000 \u0000 fall back, I go hard \u0000 \u0000 on this lonely road \u0000 \u0000 trying to makeit home \u0000 \u0000 doing it by my lonesome \u0000 \u0000 pissed off, who wants some? \u0000 \u0000 I see them long, hard times to come \u0000Boyd: So, you really have been saved. By the Lord Almighty and the word of his forgiveness.Boyd:So, what happened? You sit down and start reading the good book? Or was there a human component involved in this soul saving? I got to be honest now, Boyd. A lot of times, the way you say things, I can't make hidenor hair.Boyd: Well, were you saved on your own or in a church, hiram? Church. Last Chance Holiness.Boyd: Well, that's new to me. I don't believe I've ever heard of that collection plate. It's new to Harlan. Well, rightnow it's just a tent in the woods. But preacher Billy... he's the real deal, Boyd... old-school. Been healing lots of the afflicted... Addicts. That's why your Oxy sales have dropped off a cliff, 'cause people getting off drugs,getting hooked on Jesus.Boyd: Well, Hiram, receiving the Lord into your heart is a wonderful thing. But I do have to ask... when did your salvation occur? Last week.Boyd: Well, then, there you go. What we have is aproblem of arithmetics, 'cause you received a shipment of Oxy from us three weeks ago. Now, that gives you two solid weeks of selling before you saw the light. Now, by my count, Hiram, you got at least $10,000 of mymoney. I don't. I stopped selling before then.Boyd: Well, then give me my Oxy back. Can't. I flushed that poison down the shitter.Boyd: Poison? Why, you don't know your scripture. \"He makes wine that gladdens the\"\"hearts of man\"... psalms 104. And what are our goods but modern-day wine, albeit in a pill form? That's just you twisting the word of God for your own dark purposes. Where you going?Boyd: I'm getting away fromthe window.[ Screams ]Boyd: Now, hiram, saved or not, you don't have my money by the time tomorrow night rolls around, the next firecracker's gonna go off in here.[ Crickets chirping ]Hey! Shut that off beforeanyone sees the light. What are you doing? Might as well pull some wire while we're at it. Got to love these old places. $20 copper right here. What is that? Well, let's pull and find out.[ Siren wailing ]sh1t! What do wedo? We run, you dumb sh1t. Hey! I got dogs here! They're gonna rip your face off! Trained them to do it! God damn it![ Sighs ][ Floorboards creaking ]Can't be local, or you'd have identified yourself assuch.[SCENE_BREAK]Maybe you're federal. No bounty hunters allowed in the state of Kentucky.Raylan: If you're gonna keep talking, I'm gonna put you in the trunk. Can I ask you something?Raylan: What's that? Itmean anything to you that I ain't never had no priors?Raylan: Nope. That ain't none of my business. I just came to see my kids. She wouldn't let me see them. Can you fathom that?Raylan: You got kids? Yeah.Raylan:Do you get visitation? Huh?Raylan: Visitation. Sure, just Sundays, and supervised, on account of I ain't have a place suitable for children. One of the reasons I moved on down to Knoxville. I ain't gonna see them. Whystick around?[ Cellphone rings ]Raylan: Hold on.Only reason I'm in this jackpot was trying to get money for my kids.Raylan: Okay, I need you to be quiet now.[ Cellphone beeps ]Hello? Hey, uh, Raylan. Yeah, look, it'sBob. Constable Bob sweeney down in Harlan, yeah. Look, uh, I'm at your daddy's house.Raylan: Well, is it on fire? Only reason I can imagine you calling before dawn. Oh, sh1t. I think my arm's falling asleep.Raylan:Stop talking. Uh, I'm headed up that way. Come on, I'm not gonna stop talking.Raylan: I can stop by there. Hey, look, you gonna have to turn me in unharmed, or you gonna catch some sh1t.Raylan: You don't need todo that. Okay, then.[ Tires screech ]Ow! sh1t! Ow!Raylan: See you there. You know what your problem is? You got no self-awareness. You think trying to do right by your children excuses everything, even killing men.They were heroin dealers. If they'd just give up their money, none of this would have happened.Raylan: Any problem, that's someone else's fault. You ever hear of the saying, \"you run into an asshole in the\" morning,you ran into an asshole. You run into assholes all day, you're the asshole\"?[ Car beeps ]What?Raylan: This could be a little uncomfortable. Just be cool and go with it. I get out of these, I'll tear you to pieces smallenough to flush.[ Rooster crows ][ Knock on door ]Morning, sunshine. Look what I got for my girl. What is it? Well, open it and find out. You do that? With the paper? Watched a video on YouTube. Here. Wait, is it Oxy?No. Better. Not meth. I can't do any more of that. It's not meth. It's mellow. Oh, my God. Is this real? What? No, honey, there ain't no such thing as a million dollar bill. Are you sure? It's from a church. Got somereligious screed on the other side. Some kids were handing them out by the stop 'n go. I thought it was funny, using it as I did.[ Laughs ]Now, I got another surprise for you, but you're gonna have to keep your eyesshut for that one. I can't wait.[ Both laugh ][ Snorts ]Keep them closed. They're closed. All right, now... open![ Growls ][ Screaming ][ Groans ]Look at that... they busted the hinges. Still broke the lock. Would havebeen cheaper to break a window. You should put a sign up... \"You thinking of breaking in,\" please break a window. \"Thank you. The management.\"Raylan: You just happened to be driving by, huh? No, I put a motiondetector in. Sends me a text every time it goes off.Raylan: How much is that costing me? It's in your bill. I'm not hiding it.Raylan: Well, I ain't gonna cover that up with the smell of baking cookies.[ Chuckles ]I'll tell youwhat, though... Those wire-strippers are lucky. If I'd caught them, would have opened a Costco-sized can of whup-ass on them.Raylan: Mm-hmm. I guess I can fix the door. Can you hire someone to handle this? I can.You know, Raylan...Raylan: Hmm? I've been thinking. I'm gonna tell you something I haven't told a whole lot of people.Raylan: About that time you were in high school, living in Florida? How... how'd you knowthat?Raylan: Kid on the football team came at you at shop class. You took him out with a hammer. Ollie kemp. I tell you this before?Raylan: Once during senior year when we were down at the lake. Was Idrunk?Raylan: I think we all were. Then again two months ago when I hired to watch this house.[ Clears throat ]What's that?Raylan: I have not a clue. Ollie kemp... that was the guy. Size of a portable toilet. He comeat me, and I just went berserker red on him. Put him in a coma. He's still in it, as far as I know.Raylan: That's why your family moved to Evarts, if I'm not mistaken. Oh, what is that?Raylan: It's a driver's license. Waldotruth. Yeah, I know it's a joke.Raylan: What's that? Being a constable. You got to run for it. You only get $2,400 a year if you win, so nobody runs for it. Got to have your own car. Got to have your own everything. [Scoffs ] I had to pay for these lights myself.Raylan: $2,400 enough to live on? Well, I get $50 apiece for serving papers. State police got to charge $80, so everyone comes to me. You know, let them keep thinking I'm ajoke. That's what I say. [ Chuckles ] They underestimate me at their peril.Raylan: Just ask Ollie kemp. [ Scoffs ] If he could respond.Raylan: Hmm. Let me tell you something, Raylan. If sh1t gets serious, you give me acall, and I'll grab my go bag and be ready to jump.Raylan: Will do, Bob. You stay frosty.[ Car alarm chirps ]Raylan: All right.Here's the deal. I got to do one more thing. Stay quiet, I'll let you back up front.Ava: It was acostume. I know that now. See, Arnold's a furry. Usually he dresses up in, like, a bunny suit? But this one scared me. Plus I was on drugs, and it was a good costume. He gonna press charges?Ava: He's thejudge/executive. What's he gonna do? Tell everyone he was shot in a whorehouse wearing a bear costume?[ Laughs ]Ava: What the hell were you you doing with a gun?Everybody's got a gun.Ava: Why do you have agun at work? I been hit.Ava: One of these men beats you, you come to me, and I'll take care of it, you hear me? It's not just clients who hit.Ava: Oh, you still griping about that? Case you forget, I also saved your life.Yeah, I killed a man for you. I punched you once. You think that's something, you ain't never been beaten. Look, I know that, Ava. I ain't... I-I ain't forget. It's just sometimes I get real scared... Jittery and... When I'mlow, I just... [ Sighs ] I just feel so low, Ava.Ava: That's why I told you to get off the meth. Yeah.Ava: No coke, either. You can't do the jittery stuff, Ellen may. The comedown off that's worse than anything. Yeah.Ava:What was it Arnold gave you? He wouldn't say. Just that it wasn't... It wasn't Oxy.Ava: [ Sighs ] Well, you know there's gonna be consequences. What kind?Ava: I don't know. I'll talk to Boyd, and we'll figure it out.What is this? It's what Arnold had his drugs in. It's not real.Ava: \"Last chance holiness\" \"church.\"[ Sighs ]Whatever me and Boyd decide, you can't have a gun at work. I know that, Ava. I'm sorry. How's Arlo gettingalong? If you don't mind my asking.Raylan: He's in prison. I know. I was wondering about his mental state.Raylan: Well, like I said, Mike, he's in prison. Raylan, the last time he came in here, he stood over there by thepaints for five minutes. Did not move, just staring. Unnerved the hell out of me.Raylan: Hmm. You know, you see your old man, you say, uh... oh, hell. I have absolutely no idea what you should say to him.Raylan:Well, that's okay, Mike. I don't plan on seeing him. That's a good plan.[ Screws clatter ]You know, I've been told I got a screw loose, but this is just crazy.[SCENE_BREAK]You want one?Raylan: Want one what? A screw.[ Chuckles ]Raylan: How old are you? Old enough.Raylan: I think I got everything I came for. Thank you. Mike, you need a cleanup on aisle whatever. Hey, hold up a sec. I need your opinion. How are these? See, I'm alate bloomer. I didn't get them till just last year.Raylan: Patience is a virtue. Miss, you can't go out this way. Well... [ laughs ]Raylan: Mike, where'd that little girl go? She just flashed me her titties then scooted out theback. Why?Raylan: My car's gone. Oh.Johnny: Well, maybe what hiram told you is true.Ava: Our drug business is being squeezed by some backwoods preacher? [ Chuckles ] I don't buy it.Johnny: Maybe it's becausethe fda, they went and changed the formula for Oxy... makes it harder to get high.Boyd: Our supply's from before the change.Johnny: And they went down and changed the laws in Florida. That hasn't helpedmuch.Ava: You been watching CNN.Johnny: I tell you what I haven't been doing, and that's allowing one of my whores to shoot a customer.Boyd: I'll discuss Ava's failings when it's her turn in the barrel. Right now it'scousin Johnny's time. Now, all your talk of the fda and Florida laws didn't explain why my Oxy sales have dropped off in my voting district. And frankly, I'm nonplussed by your lack of motivation, Johnny, 'cause it ain'tjust my bottom line being affected.Johnny: All right. I'll check it out.[SCENE_BREAK]Ava: I got failings?Boyd: Well, clearly outweighed by your attributes.Ava: Mm.Boyd: How'd you handle Ellen may?Ava: As much astold her wait till daddy got home.Boyd: All right, well, we'll figure something out.Ava: Mm.Boyd: Confined to quarters, bread and water.[ Both laugh ]Who was the John?Ava: Arnold.Boyd: Well, he ain't gonna saynothing to nobody.Ava: Mnh-mnh.Boyd: [ Groans ] No one ever said running a criminal enterprise was gonna be this hard, huh?Ava: They left that part out on career day.Boyd: [ Sighs ]Ava: You want a drpepper?Boyd: Well, is it 10:00, 2:00, or 4:00?Ava: It is 9:21.Boyd: Never too early for a dr pepper.Ava: All right. One dr pepper.[SCENE_BREAK]Thank y. Mm-hmm. Is Boyd in? Who? Boyd crowder. He in? Don't knowanybody by that name.[ Pool balls clacking ]Johnny: Where you from, friend?Little town in Maryland. Bel air. It's the birthplace of John wilkes booth.Johnny: Well, what brings you to Harlan county? Boydcrowder.Johnny: Never heard of him. I knew this guy. He used to work with the military police, and he swore, if you ever ask someone a question like, \"where are you\" \"hiding those drugs?\" You just watch the eyes.More often than not, they'll point to the right direction. Yours, they stayed on the beam. But scooter over here... he just couldn't help himself.Johnny: I, uh... I think your time in this establishment has come to an end. [Chuckles ] I hear you.[SCENE_BREAK]Johnny: Hey! Hey! Hey! Hey!Ava: You need to leave now!Aah! Christ in heaven, you're a beautiful woman.Ava: Jimmy! Boyd! Boyd!Boyd: No! No![ Laughs ]Ava, Johnny, Jim, letme introduce to you, all the way from desert storm, by way of the Iraq and Afghan wars, first sergeant... no. Got knocked down.Boyd: Sergeant Colton rhodes, military police. Now, how many times did you jail my assin Kuwait? I say five. Am I low? Boyd, honestly, I lost count.[ Siren wails ]You call the police?Raylan: I called you. Wait, wait, you... you said \"they\" took your car?Raylan: Girl flashed me her titties. I assume it's not acoincidence. I know that scam. The female acts as a distraction. Her colleague steals the vehicle. It's happening a lot these days.Raylan: [ Sighs ] Pull on me.Raylan: Pull on you? Yeah, make like you're going for yourgun. Pull on me.Raylan: Bob, I really do need to... Raylan, just pull on me, man.Raylan: [ Sighs ][ Exhaling sharply ]Beef stew.Raylan: Wow. Yeah. And I can do it with both hands, too... Still deadly. I apply to the statepolice next year, they gonna take me. That bag back there?Raylan: That's your...? My go bag. Got everything in there in case I need to go.Raylan: Like toilet paper? God damn it, Raylan, not like toilet paper! I got aak-47 with a folding stock, I got body armor I bought off a police auction, I got MREs, I got bottled water. If this sh1t goes road warrior, man, I'm ready. You're gonna come to me.Raylan: [ Chuckles ] All right, let'scheck out the scrapyard first.Raylan: Scrapyard? Why? These metal thieves these days, man, they sell the cars for scrap... crush them, send them off...Raylan: They crush them? Yeah, it's 500 bucks a car.Raylan: Let'sgo, Bob, right now. All right.[ Engine turns over ]You know, it wouldn't...Raylan: I got sh1t in the car I don't want to be crushed. All right, well, you know, I can use my lights. I mean, legally, they don't haveany...Raylan: Use them. Lights going on![ Tires squeal ][ Siren wailing ]Hey! Crusher man! Crusher man! Stop that! Stop the thing! Crusher man! Can I help you? That better not be a late-model Lincoln town car you'recrushing.Raylan: It's not. It's not?Raylan: That's mine right there.[ Car alarm chirps ]Can I help you? Oh. Where are they? Who? The punks who brought this in. I was running the crusher. I didn't see anyone. The carbelong to you, you can take it. I don't mind.Raylan: It's not the car so much as what was inside the trunk I'm concerned about. I don't know anything about that. Are you really gonna play it that way? We all know youscrap stolen cars. What? Don't stonewall me, asshole. Everyone in the county knows. I know you? No, and it's not me you got to worry about, you sorry sack. That right over there is a genuine U.S. marshal.Raylan:Bob. You're a marshal?Raylan: Look, I ain't here on marshals' business. I just want to know about the man in the trunk. Or he can make it federal if you want to. Hell, he'll have a helicopter come down here and hoverfor an hour, freak your sh1t out, son. There ain't nothing federal about scrapping cars. If you are crushing stolen cars, you are destroying vin numbers, and that makes it federal. You had a guy in your trunk? I'm notrequired to ascer... Ohh! [ Chuckling ] That looks federal.Raylan: Where are they? Don't let him see you. You think you're up to killing him if it comes to it? You are? Yeah. You killed a man before? I killed two men.How's that? Oh, yeah? We killed 12 men just yesterday.[ Chuckles ]Week before last I killed two heroin dealers in Knoxville, Tennessee. Now, you get that angle grinder over there, cut my chain, I'll handle this. Why'dyou kill them? Because I had to. We are running out of time here, children. What, are you a junkie? No. I spot junkies, follow them to their dealers, and rob them. Now, either aim that peashooter at that door and pullthe trigger on whoever comes through, or cut my chain. What'll it be? How you spot junkies? I spot bicycle thieves, most bicycle thieves being heroin addicts. It's a fact. Try to avoid flesh. How you spot bicycle thieves?[Tool grinding ]One day, me and my friend Kenneth, we saw a skinny guy go up to an expensive bike... Specialized, giant... got a bag across his chest like he's a messenger, no one giving him a second look. He pulls outa Makita angle grinder, just like the one in your boyfriend's hands there. 20 seconds later, he's through that lock and on his way. Now we just watch the good bikes. Wherever there are rich kids, there are good bikes,junkies looking to grab them, and we follow them. sh1t! That really heats up the steel. Now give me that gun.[ Door opens ]Raylan: Am I interrupting something?I was wondering when you'd walk in.Raylan: Well, youcan stop wondering. I'm here now. Shoot him.Raylan: Jesus, girl, you just showed me your tits 45 minutes ago. Oh, he thinks he's funny. Don't listen to him. Shoot him.Raylan: Miss, I am a deputy U.S. marshal with aone-time offer... do as I say, you and your friend get a free pass for stealing my car. He's lying.Raylan: He's just saying that 'cause he's the one I'm after. I want you, son, up here, on your belly, hands in front. Miss,you're gonna hand me that gun, pistol grip first, right now. Let's go. I'm sorry, Raylan. You should see the sh1t in this bag.Raylan: God damn it, Bob. I asked you to do one thing... Watch him. What the hell happened?He asked me to pull on him. I punched him in the nose. He did it wrong!Raylan: Unh-unh-unh! Okay. I'm gonna make you a similar offer I made these two... Do as I say, and I'll let you skate on the vin numbers. Ain'tas good as his offer.Raylan: What'd he offer?[SCENE_BREAK]Raylan: Jody, you got $10,000 stuck up your ass?Hey, we ain't stupid. It's hidden up in Lexington.Raylan: He's just... you know... All right. Doesn't matter.I'm gonna sweeten the deal. The three of you go free, plus I'll give you whatever I got in my wallet. There's got to be at least $500 in there. Henry, check his wallet. He could be lying about that $500. Give me your"}
+{"doc_id":"doc_107","qid":"","text":"Scene 1: Hall Glee Club - Will and the entire castWill: 5,6,7,8, not one, we walked around, we change leg leg is changed, not one, you, you, you and bam bam bam! (He claps). A bit of nerves looks like a group ofsleepwalkers. Give me energy, it was the communal in two weeks.Mercedes: Sir! the commune is in the pocket.Will: Can be good, but if taking it easy to commune we'll get killed in the regional. We need to give thebest of ourselves.Kurt (laughs, looks wickedly M.Schuester): This is a funny video. Falls in weddings. (The bell rings).Scene 2: Staff room lunchtime - Will, Emma and SueWill (to Emma): This time I think theyoverestimate, they seem to have lost their flame.Emma: Well I'm sorry, you just ... You have a little mustard on your little Kirk Douglas dimple in the chin.Will: Where? (Trying to lick your chin) Here?Emma: Yes, wait,let me it. Wait! Here!Will: Thank youEmma: Uh ... So when will it all started?Will: Oh, there was one weekFlashback: the Glee Club Rehearsal Rachel is in controlRachel: 1, 2, 3, 4, 5, 6, 7, No. No. No. No. No. Will(coming from the back of the room): Good news I just saw the distribution of groups for communal and I think it was a good place. There are only two other teams. If they beat you access to regional.(The group is veryenthusiastic. Mercedes and Kurt look at a big smile and Puck makes a check to Tina ...)Rachel: And who are the other teams?Will: Drumroll Finn! The Dayton School for the Deaf and an establishment called JaneAddams Academy.Mercedes: Jane Addams? ! This is a rehabilitation center for girls coming out of detention!Tina: C C This is great!Arty: People who disagree sing and criminals who do not care too much it will be pieceofcake! Top there (he holds out his hand towards Britanny who prefers checker Santana) End of flashback and return to the staff roomWill: They think it is a foregone conclusion when there are no further effort. I'll haveto find a way to motivate them a little.Emma: O, then K um ... Let's see. Oh! an array of stickers, that's how my parents made me do chores when I was a child. Yes! While I was doing a chore and I had a star and then...Sue: Oh Lord I pray you, pity, stop talking. I try desperately to ignore the silliness of your conversation dripping unbearable but now that I have bile in my mouth I will not hold my tongue any longer. (Takes a listingon the table before her). You know what that is? This is a list of my daughters. I choose someone at random every week and I plug out.Will: Yes it works in the Glee Club in a different way.Sue: Will Really? ! How does itwork for you? You must remember one thing, we take care of children here. They need to be terrified. It is like milk without him their bones will not grow properly. If you want results with a kid find the animalcompetition that is in him and remove him his chains!Very good! Helen (Speaking to Emma) This blouse is insane (and Emma looks sighs) Emma (by digging into his salad) It amazes me that she can teach in thisschool.Will: You know what? I think she has not entirely wrong.Scene 3: Hall Glee ClubWill: The competition! All these people (he hung pictures on the wall) and all these elements have been champions in their field butthey have always competed with others to become even better.Kurt: I can not understand how a flash can compete with a wooden pool.(Compared to the pictures off the wall)Will: Remember what I say. You havebecome too sure of yourself and you were great but the presets you'll have to overcome if you seriously want to achieve the communal. (Finn and locker Quinn looks unkindly) OK, do you separate the boys left, girls onthe right. Go you move (the band broke up) Okay. Kurt! (He was heading the group of girls, Will motioned him to go with the boys) I'll explain: two teams, guys against girls. In one week you will have to stack all showme a mash up of your choice.Puck: What is a mash up?Will: A mash up is when you take two songs, you mixes together to make a great explosion of musical expression. Tuesday the boys present, girls the next day. Iwant you to go out all the stops right? Costumes, choreography and those who will win this competition we will choose the number to communal.Rachel: Wait! Who will be the judge? Your s*x wrong your judgment.Will:Ah! We will have a special guest as a judge!Tina: Who is it?Will: Oh we'll have to give their all to find.Mercedes: We're going to crash to the ground!Rachel: It's clear I'll make a storyboard of the choreographytonight.Will: So? ! I hope you are ready to compete! The girls recovered to block.Arty: Let's give them a slap worthy of God's hand!Will (heading Finn): Hey Finn's it going? You look elsewhere.Finn: Just a little tired.Puck (tapping on the shoulder of Finn): You come buddy? We're late for training.Scene 4: Office of Sue - Sue she wrote her diarySue (in thought): \"Dear Diary I'm still without power today. It started at dawn when Itried to make a smoothie with beef bones and I broke my blender. Then drive to my daughters: a disaster! \" Flashback on the training of Cheerios They are pyramid atop QuinnSue (always in his thoughts): \"It could notmiss, it was like spot the first crack in the hull of a boat ready to run (it fixes the knee of Quinn who just shake) A tremor, the tremor was cost us the national tournament and the championship if we lose I'll lose myshow and not my show I will never buy my hovercraft. \"Sue: It's going to Quinn?Quinn: I'm just tired because of the Glee Club. End of flashback and return to the office of SueSue: \"The Glee Club! Every time I try todestroy the handful of eating larvae arrears they come back even stronger as the wicked sexually ambiguous horror films. Here I am: ready to pass the milestone of 30 years. I have sacrificed everything in my life, allthat to me bamboozled by the machinations of a cabal of bisexual teens deformed and imbedded.Did I miss an episode journal? Is it just me? Of course not, it does not come from me. It is the fault of Will Schuester!What is wrong with it, diary? His little arrogant smile and then made his permanent home? You know, newspaper, I noticed something yesterday. Flashback to the conversation of Will and Emma at lunchSue: Of course,it becomes clear at once, if I can not destroy the club, I'll have to destroy mankind!Scene 5: House Will and Terri-Sue and TerriSue: Let me be honest. Your husband hides his chipolata in a basket which unfortunately isnot yours.Terri: What? With whom?Sue: The guidance counselor. A real bitch and a man-eater. She wears flashy pin like the one with which my Grandma is buried. Some tea! Terri (coming out of his thoughts): Oh, uh... Sorry.(She gets up to serve as Sue)Sue: It's always the same song: the woman begins to gain weight.Terri: Oh! I'm pregnant!Sue: Oh! This is not an excuse! I always thought that the desire to procreate was anexpression of great personal weakness! I've never wanted a child. I have no time and I have no uterus!Terri: Are you're sure?Sue: A woman always knows these things! Let me tell you my way. If it is not yet proven alink, it certainly takes the turn. It takes a machete to get through the thickness of envy that is created around them.Terri: Oh, Lord! What will I do?Sue: I think you should pack up and move! Unless you did not want toleave your husband a midget redhead mentally deranged lemur with beads?Terri: Are you absolutely sure about that? I mean, you have evidence?Sue: Break into the school and just sniff all its s*x pheromonesyourself.And then it falls rather well, the school nurse, Ms. Lancaster is in a coma.Oh, she made an incredible roll-ball stage on the stairs yesterday!Flashback to the fall Sue is tripped to the nurse and she falls. Back toShowTerri: But I'm not a nurse, I work at the \"Festival of Quilt\"!Sue: I am not an American citizen, I was born in the Panama Canal Zone, but I managed to have a passport, I applied twice. That's the advice I give toyou: if you do not want to lose your husband, be creative.Scene 6: Office Figgins - Terri and FigginsFiggins: Mrs. Schuester, I appreciate your interest in the nursing position.But your experience is limited to foldingtowels ...Terri: As an assistant to my swim \"Duvet Day\" in first aid. I've used a defibrillator.Figgins: Ah!Scene 7: Teachers' room-Emma Will and TerriEmma: (to Will): So what did you talk about?Will: Oh! Good news, Ifound a great way to motivate them. They will fight against each other in a tournament.Emma: Oh!Will: And guess who will be our judge superstar? You! Emma (putting his hand to his heart): Me? Terri arrives with herblouse and nursing remains at the door of the roomTerri: Well! This for a surprise! (Heading towards Will)Will: Hey! What are you doing here?Terri: (to Emma): Hello, I do not think we have been presented. I'm TerriSchuester, thewoman (she touches the belly) Will pregnant.Emma (with some surprise): Yes ...Terri: Someone left the lipstick on your mug. (She licks her finger and cleans the edge of the cup)Emma: No! No ohTerri:It's settled. It will serve coffee, Emma Will look with a frightened lookWill: Is that all right Terri? You never come see me here!Terri: Oh, I do not come to see you not! You were so stressed about our finances lately thatI had to participate by having a second job. I am the new nurse.Will: But ... You're not nursing, you have not been trained to ...Terri (interrupting him): I beg Will, this is a public school here. (She turns to Emma). It'snot great news? And that means that now I am all the time around.Scene 8: Changing the football stadium, Ken And the whole football teamKen: Know your paths (at the same time he emphasizes these words on theboard). This is the key to winning this game, gentlemen. The forwards you make your path to the enemy lines and you block for developing the game O, K? That everyone knows his role, it's not complicated!Finn (inthought): I completely derailed. I'm tired all the time! I can not keep my eyes open (he falls asleep and wakes up in the hall of the Glee Club). I know I'm lucky: captain of the football team, hunk of the Glee Club. Iknow I should be super happy with Quinn, she is very popular, she wears my baby and everything ... But I can not get out of Rachel's head. It makes me a little freaked out like Glen Close in \"Fatal Attraction\", but shecan sing and has a barrel body if you do not like breasts! (Flashback after his football training in the showers) My body me is anything! I had a hair in the ear, the other day and I have to spend oil spray pain on myshins several times a day because of growing pains. It smells really bad, but I mask the smell with lots of flavor. It's hard being a guy my age (flashback of the night: he plays to the console) between the Glee Club,football, my popularity, I'm like overwhelmed. Everyone expects something from me and I do not have enough energy for everything! I do not know how people are important as the chairs or presenters or JT Boss ofthe Mafia.My mother says I scatter, so I stopped doing my homework, but it did not help. All I know is that last night I popped in two. At level 2! I was completely H.S. Finn really wakes up in the hall of the GleeClubKurt: It drooling (his voice is attenuated as it is Finn who hears it and he is not awake)Puck (echoing): Oh! You wake up?Finn (half fried on): It looks great!Puck: I said we could not let them beat us!Finn: Sorry,sometimes, but when I concentrate, it helps me to close my eyes!Arty: Let's make a mash up of \"It's my life\" and \"Confessions\" by Usher.Puck: Should we add a little stomp with lids of garbage cans, right?Arty: Puck,with all due respect, you're more useful when ... (we no longer hear because Finn went back to sleep)Puck: Oh! What happened to you? Go see the nurse. Every day, I told her I've hurt my skull and I sleep for threehours. I've never been in math class actually me!Finn: Thanks guys! Keep up the great work!Scene 9: Ballroom - all girls club Santana plucks eyebrows and stretches BritannyRachel: O.K girls, we must begin.Santana:We gotta warms us!Rachel: Where is Quinn?Britanny: Surely the mall in search of stretch pants. all the girls laugh, except RachelRachel: Mr. Schuester is right girls, we must not rest on our laurels.Mercedes: Relax! Ialready have the songs: we'll do a mash up with \"Halo\" and \"Walking on Sunshine.\"Rachel: Yes, it was my idea!Mercedes: And then? We could do that with closed eyes. You really think these zozos will endanger us?One only has to improvise!Rachel: You can not improvise!Mercedes: So who is to improvise? (No one raises his hand) and who opposes it (Rachel raises her hand). Looks like the \"yes\" prevail!Scene 10: Infirmary - Terriand FinnTerri: Hello! What can I do for you?Finn: Hello, Mrs. Schuester. I'm Finn Hudson. I am in the Glee Club.Terri: Oh! Finn hello! Oh, one second! You're the one who is dating Quinn Fabray?Finn: Yes, why?Terri:You have really good bone structure!Finn: Yes. I am very tired lately and I wondered if I could lie down here?Terri: And if you sat? Tell me a bit about your sleep habits. About what time you go to bed?Finn: Oh, I knownothing! When the erotic channels recovering to go classic movies. I feel a little tired but now I can not fall asleep. As if my brain would not stop!Terri: And what are you thinking? Oh, you can be honest withme.Everything is kept confidential when you come here!Finn: Ok! Soccer games, girls, chores, not to, girls ...Terri: For girls? But you go out with Quinn Fabray!Finn: Yeah, but uh ... You think a guy can love two girls atonce?Terri: No! You know, flirting is wrong and revenge of a woman cocue, it is rather a ruckus!Finn: I can take my nap now?Terri: You want to sleep all your life, Finn?Finn: No, but I read that teens should sleep morethan children!Terri: When I was in high school I was captain of the cheerleaders, I had never less than 18 medium, I cultivated my popularity and I had engaged in a romantic relationship with my future husband!Whoa! I do not even know how I coped! Wait a minute! If I know!She rummages in his drawers and pulls out her bag she pulls out a box of medicine Pseudoephedrine! This is what they put in all decongestants to avoidsoporific effect. It is as if it was a bit of a vitamin! In your place I would take those two little blue things every morning to be all fired up all day!Finn: That risk anything?Terri: It is not prescribed; they put them next tocandy. Sweetie, I'm a nurse, I know what I do!(She holds up a glass of water to Finn to take the pills. He hesitates two seconds then swallow them all at once)Scene 11: Hall Glee Club - Will and the boys club Finnreturns in top formFinn: Hey, guys! So it rolls? Ah that's a wonderful day! How would you like that again! Ah, I can not wait to repeat! I'm ready, I'm too excited and you guys? (He pushes one of his friends) Come on,get up! Go, shoo, we will move all those big muscles!Arty (worried): Is it that you were captured by little green men under caffeine?Finn: No, I went to see the nurse and she gave me a great vitamin! There, I too wantto repeat! Besides, if we were rehearsing! And then we can build a big house for the homeless!Puck: What was that like vitamin?Kurt: Vitamin C! \"Vogue\" says it raises the energy level and it illuminates thecomplexion!Finn: Vitamin D! And I brought back for you guys! He launched the package in Puck It's my life / ConfessionWill: It's amazing, guys! It's crazy! I did not know you had it in you! Looks like someone pouredsomething in your apple juice. Wouh! Girls, you've got to give everything tomorrow, otherwise ... the communal already have their opening number!Scene 12: Corridor-Rachel and Quinn Quinn goes to his lockerRachel:I've not seen the rehearsals of the Club!Quinn: I'm not a superwoman. I know that the choir is all your life. I have the cheerleaders, the role of leader, I have friends!Rachel: You're not to be embarrassed, no one judgeyou in the club!Listen, I know everyone expects us to be two enemies in competition, but I have no hatred towards you!Quinn: Why? I was horrible with you.Rachel: That was before you know how it feels to be me: anoutsider.More and more people will notice it and you'll need friends who understand you.Quinn: How can you understand what I'm going through?Rachel: Do not you see that everyone whispers when I get to thecanteen that made pornographic drawings of me in the toilet?Quinn: That was me, actually ...Rachel: Look, I not agree with the decision you have taken, but you'll need the choir! He will still have seven months of youryouth, you should enjoy it. This is true in a few months, this uniform Cheeleader not you go any more and it will remain for us! So back to rehearsals; guys against girls is fun and we will be able to use your voice!You're a gifted singer Quinn, sometimes a little sharp but is that you do not have my years of practice!Quinn: I would have tortured if the roles were reversed, you know!Rachel: I know.Scene 13: Nursing and the Officestore The Feast of the quilt - Terri and Howard Terri is on the phone with Howard BambooTerri: Hello, this is Terri.Howard: Hi Terri, here Howard Bamboo.Terri: Yes, I know Howard! Ok, you know I moonlights as anurse, I need a service.Howard: Oh, ok. Terri Go to the drugstore to buy a few boxes of decongestant, I have a lot more and I want high school students McKinnley be happy and healthy!Howard: Uh ... How manyboxes?Terri: Well ... 36 Ken arrives and she hangs upKen: Hi Terri!Terri: Oh, hello Ken! What's the matter?Ken: We can speak frankly? Listen, we have a problem, I think my girlfriend is in love with your husband and Iwould not be surprised that this feeling is shared!Terri (nervous): And how long does it last?Ken: I do not know ... Few months. I see them all the time together, they laugh, they talk, all she does with me!Terri: I knewsomething was up! She has not taken her eyes one minute during the show grotesque Acaffelas.Ken: Look, do Will you talked about?Terri: Oh no! He is too smart for that! Finally, too, but still! Ken, I must be honestwith you: I have taken this job in order to keep an eye on him. It is imperative that we stop all this so I can leave here. You see, I am not made to work five days a week!Ken: I thought maybe if you and I began toattend could neutralize their stuff!Terri: Are you all right to bed because when it does most is that something is wrong!Ken: Actually, it has not ... It has not had s*x for the moment. She does not like being touched byme! I love her so much! (He begins to sob) Terri (she gets up and goes to him): Ok! I'll be fine (she comforted Ken).There, there!Ken: Look at us both. You, me and pregnant with my psoriasis and my testicle that is notdown. I do not know for whom I am most sorry ...Terri: Ok, good enough. You know what? Stop acting like the big baby! I can arrange that if you behave like a guy!Ken: Ok, I'm sorry!Terri: That's what you gonna do:you'll run into the nearest department store to buy her an engagement ring, then you will put on one knee and you'll ask her to marry this little doe-eyed whore!Ken: No! That I can not do it! And if she says no? It couldkill me!Terri (handing him his vitamins): You take two pills and nothing will make you more afraid!Scene 14: Hall Glee Club - The girls of the cast, Kurt, Will and EmmaRachel: I told you girls!Santana: We are aware! It'sabout an hour until you pass us a soap!Quinn: They were good at this point?Rachel: Excellent, Quinn! I agreed to make arrangements, choreography, staging free but we underestimated the boys. They will be thenumber of municipal and again I will be humiliated!Mercedes: How could we know they were going to tear up as? They are not good in general!Tina: C C How did they manage?Kurt: The real question is: what did theytake? Although I am in a group with boys, my allegiance to you to the girls. They declined my proposals we make braids and found all my artistic decisions too costly because qu'impliquant several varieties of exotic birdfeathers. It was in substance!Scene 15: Corridor - Will Finn and Rachel Finn (by typing in a player's hand): Dude! I developed all the upcoming matches! Yeah! Hey, Mr. Schuester, I introduced the paper on yourdesk.Will: That's in two weeks!Finn: Excellent I like the trend!Rachel (furious): Cheaters!Finn: Uh ... I do not know what you mean!Rachel: You have taken illegal substances before your mash up! This is Kurt told me.This is deplorable, despicable and it's really ugly! And that's cheating. From now on I'll call Finn Johnson!Finn: Hey, not attack me! I'm not Ben Johnson, I have never taken steroids. I heard that it softened the thing!Hear Rachel, you do not realize the pressure that I have!Rachel: We're all under pressure but you know how I manage? Naturally, with a strict diet and exercise everyday! Flashbacks of wakingRachel (voiceover): Iwake up at six o'clock every day, I drink a protein milkshake with bananas and flax seed oil and six ten I'm on my elliptical trainer. You know how I tick? Not with something artificial! I give myself a goal and I will notstop until I reach it! End of flashbackFinn: Yes, but it's personal pressure, if you succeed it does not look as you! I am a quarterback, lead singer and I have my pregnant girlfriend who only scream for ice cream! So yes,"}
+{"doc_id":"doc_108","qid":"","text":"The Massacre (of St. Bartholomew's Eve) by John Lucarotti first broadcast - 26th February, 1966[SCENE_BREAK]1: INT. PRESLIN'S SHOP(ANNE has spent the night alone in PRESLIN'S shop. STEVEN pounds on the doorstartling her until she hears his voice.)STEVEN: Anne! Anne, are you there? Anne!(ANNE answers the door and lets an exhausted STEVEN in.)ANNE: Oh, monsieur! I'd given you up for lost when you didn't come backlast night and I thought the guards must have caught you.STEVEN: (Breathless.) Yes, they nearly did. I managed to shake them off. I'm sorry, the curfew rang before I could get back last night. The guards were stilllooking for me this morning. That's why I've been so long.(He takes his sword off.)ANNE: Did you see Monsieur Muss and give him your message?STEVEN: Oh, yes. The warning was too late.(He puts his sworddown.)ANNE: What will you do now? Go back to your friend? The Doctor.STEVEN: (Despondent.) I can't Anne. He's dead.ANNE: (Shocked.) Monsieur!STEVEN: I saw his body lying in the street by the Abbot's house.Before I could do anything Roger Colbert saw me and sent the guards after me again. Heaven knows what I'll do now.(He thinks for a second.)ANNE: Return to England?STEVEN: I can't. I've got to find the key to theTARDIS.ANNE: What Monsieur?STEVEN: The Doctor has a special key. Without it I can't leave.ANNE: Well do you know where it is?STEVEN: No. If the Doctor had it with him then I'm lost. I...I didn't had time to look forit. My only hope is that it's still with his own clothes.ANNE: Could it be at the Abbot's house?STEVEN: Oh, no. No. He'd have had to change before he went there. The only other place I think he's been to is...is theshop.ANNE: Oh, but we've already searched here, monsieur, looking for clothes for you.STEVEN: Anne, we must do it again! Please help me. Open every cupboard, every box. I must find that key.ANNE: Right,monsieur.(They start to search.)[SCENE_BREAK]2: INT. THE LOUVRE(SIMON is reporting to MARSHAL TAVANNES.)MARSHAL TAVANNES: It may hinder the inquiry into the attempted assassination of deColigny.SIMON: Surely the King is insisting that de Coligny is avenged?MARSHAL TAVANNES: He is. But by blaming the death of the Abbot on the Huguenots we may be able to cover our tracks.SIMON: Will the King payany attention to the Abbot's death?MARSHAL TAVANNES: I don't know. Fortunately the Admiral himself is helping us. He doesn't want the inquiry yet so that may give us a little time.SIMON: Therefore the Englishmanmust be caught.MARSHAL TAVANNES: And killed. He must not be allowed to get back to the Abbot's house.SIMON: The men are searching Paris for him.MARSHAL TAVANNES: He must be found tonight. Tomorrow is St.Bartholomew's Day and it will be all too easy for him to evade us in the revelry.(A messenger knocks at the door and enters, giving a written message to TAVANNES. He reads it.)MARSHAL TAVANNES: The QueenMother. She commands me to go to her. No doubt she has thought of some further scheme to protect her good name.(He goes to the door.)MARSHAL TAVANNES: Wait for me here, Simon. I may have more instructionsfor you when I get back.(He leaves. SIMON picks up the message and reads it.)[SCENE_BREAK]3: INT. PRESLIN'S SHOP(STEVEN and ANNE have almost ransacked the shop in their search for the DOCTOR'S clothes.Items of clothing litter the floor. ANNE comes from another part of the shop after her search.)STEVEN: Well?ANNE: Nothing, monsieur. There's no sign of your friend's clothes anywhere.STEVEN: They must behere.ANNE: All I've found was this.(ANNE shows STEVEN the DOCTOR'S stick.)STEVEN: But... but this is his stick!ANNE: Your friend's?STEVEN: Yes. Well his clothes must be here somewhere! Where did you findit?ANNE: In the back, monsieur. But there are no clothes there.STEVEN: Are you sure?ANNE: Yes. I've searched everywhere!STEVEN: Then why the stick? He...he couldn't have pretended to be the Abbot dressed as hewas. So he must have changed somewhere. But where?ANNE: Perhaps he went away somewhere with the apothecary who used to live here?STEVEN: With Preslin? No he couldn't.ANNE: Why not?STEVEN: BecausePreslin is either dead or in prison.DOCTOR: He is not.(They turn round. The DOCTOR has entered the shop!.)STEVEN: (Shocked.) Doctor![SCENE_BREAK]4: INT. DE COLIGNY'S RESIDENCE(GASTON has come to visit astill weak DE COLIGNY.)GASTON: The Catholics will not rest until you are dead!ADMIRAL DE COLIGNY: (Weakly.) You are too impetuous, Vicomte.TELIGNY: The King is determined to prevent a further attempt. Whyelse do you think he's put so heavy a guard on this house?GASTON: A Catholic guard under a Catholic commander! The Admiral could hardly be in the care of a greater enemy.TELIGNY: He is under the protection of theKing.GASTON: And the Queen Mother.NICHOLAS: Gaston, you are tiring the Admiral. Doing yourself an injustice. You had better return to the Louvre.GASTON: No!(He goes over to DE COLIGNY.)GASTON: If I were toleave Paris it would be better for you and for us.NICHOLAS: The surgeons said the Admiral must not be moved.GASTON: Then may God protect you.(GASTON leaves the house.)ADMIRAL DE COLIGNY: (Weakly.) I hopeHenri of Navarre realises how dangerous it is to have such a hothead in his service.TELIGNY: He must be wrong. The commander wouldn't dare to disobey the King after what has happened.NICHOLAS: Let us hope so.Is there anything you need, Admiral?ADMIRAL DE COLIGNY: (Quietly.) Stay with me.NICHOLAS: Of course.TELIGNY: We must be grateful that the wounds are not poisoned. So that there is no fear of youdying.ADMIRAL DE COLIGNY: I do fear death. I only hope that we have nothing to fear from my staying alive.[SCENE_BREAK]5: INT. PRESLIN'S SHOP(STEVEN has told the DOCTOR of the recent events.)DOCTOR: Oh,my dear boy, had you stayed at the tavern all this mix-up could have been avoided.STEVEN: (Angry.) I did stay in the tavern, you didn't turn up!DOCTOR: Yes, well, I was unavoidably delayed. Never mind that now.Come along, we must go. Come along.ANNE: You can't now, monsieur. The curfew's rung.DOCTOR: What? Oh that wretched curfew is the start of so much trouble.ANNE: It'd be easy to leave Paris in the morning,monsieur. Tomorrow is St. Bartholomew's Day and everyone will be celebrating.STEVEN: Huh! With all the trouble that's going on I can't see what they've got to celebrate.DOCTOR: I told you not to getinvolved.STEVEN: Look, I tried not to but the Abbot did look like you. If I hadn't found out about Admiral de Coligny being the 'Sea Beggar' then...DOCTOR: (Interrupts.) What's that?STEVEN: I tried to tell you before.Admiral de Coligny is one of the Huguenot leaders. The Catholics tried to shoot him.DOCTOR: (To ANNE.) Did you say tomorrow was St. Bartholomew's Day, child?ANNE: Yes, monsieur.DOCTOR: What year is this, myboy?STEVEN: I don't know. What difference does it make?DOCTOR: What date is it, child?ANNE: Date monsieur? August the twenty-third. As I said, tomorrow's...DOCTOR: Yes, yes, yes, I know that. The year, theyear... hmm?ANNE: (Smiles.) 1572, monsieur. But surely you know that?(The DOCTOR, worried at this information, thinks, then...)DOCTOR: Go home, Anne. You must leave here at once.ANNE: No, I've got nowhere togo!DOCTOR: Where were you working?ANNE: At the Abbot's house.DOCTOR: You go back there.ANNE: (Shouts.) I can't! They'll kill me!DOCTOR: You must leave this shop, child.STEVEN: Doctor, what'shappening?DOCTOR: Oh please don't interfere. (To ANNE.) Now, my dear, there must be somewhere you can stay in Paris?ANNE: No, there's only my aunt's place, and they'll kill me there.DOCTOR: Oh, nonsense.Tonight, you will be quite safe. Now you go carefully through the streets, hmm?ANNE: Well, what about the curfew?DOCTOR: Well you've been out in the curfew before haven't you?ANNE: Yes, but theguards...DOCTOR: Then you know how to avoid the patrols. You go back to your aunt; you'll be quite safe. And you take my advice and stay indoors tomorrow. Now do you understand? It's too dangerous for you tostay here. Now off you go, child. Come along, off, off, off!STEVEN: But, Doctor, I don't think it's...DOCTOR: Ah, shh, shh, shh!ANNE: Goodbye then, Steven. Safe journey.STEVEN: Doctor, I don't think she shouldgo.DOCTOR: Now out you go, my child. Off you go.(ANNE leaves.)STEVEN: Bye. (To the DOCTOR.) Look, are you sure she'll be all right? The guards are waiting for her.DOCTOR: My dear Steven, the Catholics will haveother things on their minds tonight. She will be quite safe. Now then, you and I must leave Paris at once. Come!STEVEN: Look, Doctor, what is going on?DOCTOR: There is no time for me to explain. Come along, boy.Come along![SCENE_BREAK]6. THE LOUVRE(The Queen Mother enters the study of TAVANNES where he is writing a paper. He does not look up.)MARSHAL TAVANNES: Simon?CATHERINE DE MEDICI: The QueenMother.(TAVANNES gets quickly to his feet.)MARSHAL TAVANNES: Madame, I apologise, I thought...CATHERINE DE MEDICI: Never mind. I have it here - the order signed by the King. Our plans for tomorrow can goahead.(She passes him a document which he quickly reads.)MARSHAL TAVANNES: Thank God!CATHERINE DE MEDICI: God had very little to do with it.(TAVANNES in turn passes her the paper he has beenwriting.)CATHERINE DE MEDICI: What's this?MARSHAL TAVANNES: The list, madam. When those Huguenots are killed we need have no further fear of a Protestant France.CATHERINE DE MEDICI: We have no need oflists, Marshall. The good people of Paris know their enemies. They will take care of them.MARSHAL TAVANNES: (Shocked.) The good people...? Madam, if you rouse the mob the innocent will perish with theguilty.CATHERINE DE MEDICI: Innocent? Heresy can have no innocence. France will breath a pure air after tomorrow.MARSHAL TAVANNES: And,... Navarre, madam? Your son-in-law? Is he to be slaughtered with theothers?CATHERINE DE MEDICI: Tomorrow Henri of Navarre will pay for his pretensions to the Crown.MARSHAL TAVANNES: Madam, we must not kill Navarre.CATHERINE DE MEDICI: Must not?MARSHAL TAVANNES:Protestant Europe will merely shed a pious tear over the death of a few thousand Huguenots. The death of a prince will launch a Holy War.CATHERINE DE MEDICI: (After a thoughtful pause.) If one Huguenot lifeescapes me tomorrow, we may both regret this act of mercy.MARSHAL TAVANNES: Not mercy, madam. Policy.CATHERINE DE MEDICI: (Considers.) Very well, Marshall. Then you must get him out of Paris. Aftertomorrow, even I will not save him.MARSHAL TAVANNES: I will see to it, madam.CATHERINE DE MEDICI: And, Marshall - close the gates of the city now.(The Queen Mother leaves the room. SIMON enters.)SIMON:Well, my lord?MARSHAL TAVANNES: The order has been given. You may begin.SIMON: My men are ready. Where is the list?MARSHAL TAVANNES: There is no list.SIMON: But I thought...MARSHAL TAVANNES: We areto unleash the wolves of Paris. None are to be spared.SIMON: (Pleased.) Even better, my lord.MARSHAL TAVANNES: Is it? I wonder...Simon, when you have passed on the order I have a special charge for you.SIMON:My lord?MARSHAL TAVANNES: Henri of Navarre.SIMON: I am to have the honour?MARSHAL TAVANNES: Yes. But not of killing him. You will escort him out of Paris.SIMON: (Cries out.) But, my lord...MARSHALTAVANNES: Did you not hear me? You will be responsible for his safety. You will have to leave tomorrow's work to others. Now get out.(SIMON leaves.)MARSHAL TAVANNES: At dawn tomorrow, this city will weep tearsof blood.[SCENE_BREAK]7: EXT. THE STREET OUTSIDE OF DE COLGINY'S RESIDENCE(Two soldiers are on guard.)FIRST GUARD: Oh well, it's nearly dawn.SECOND GUARD: How many more nights have we got to watchover this Huguenot's house?FIRST GUARD: Till the King decrees otherwise.SECOND GUARD: But why does it have to be us?(Out of sight of the GUARDS, the DOCTOR and STEVEN can see that their way isblocked.)DOCTOR: We shall have to get past them to get back to the TARDIS.STEVEN: Can we make a run for it?DOCTOR: Oh no, no, no. It's far too dangerous.STEVEN: What do we do?DOCTOR: For the moment wejust wait.(The GUARDS continue their conversation.)FIRST GUARD: Won't be sorry to see the night over.SECOND GUARD: Hello, what's this?(Some more soldiers are marching towards them.)FIRST GUARD: Moreorders I expect.OFFICER: You're relieved. Go back to your quarters.FIRST GUARD: Relieved, sir? It's not due for an hour or more.OFFICER: Don't argue. Go quickly!(The two GUARDS depart. The others take theirplace.)STEVEN: Look, Doctor, soon it'll be light.DOCTOR: I know, I know. Just keep quiet.(The curfew bell begins to sound.)DOCTOR: There's the Tocsin! The curfew's been lifted.(He and STEVEN skirt round the soldiersand dash through the concealing gate and into the TARDIS. the soldiers begin battering at the door of DE COLIGNY'S house.)OFFICER: Open up! In the King's name! Open this door!(The TARDIS dematerialises. Thesound can now be heard of the Paris mob rampaging through the streets slaughtering Huguenots. The massacre has begun...)[SCENE_BREAK]8: INT. TARDIS. CONSOLE ROOM(Within the TARDIS, STEVEN broods onwhat has happened, then...)STEVEN: Surely there was something we could have done?DOCTOR: No, nothing. Nothing. In any case, I cannot change the course of history, you know that. The Massacre continued forseveral days in Paris, then...then spread itself to other parts of France. Oh the senseless waste. What a terrible page of the past.STEVEN: Did they all die?DOCTOR: Yes. Most of them. About ten thousand in Parisalone.STEVEN: The Admiral?DOCTOR: Yes.STEVEN: Nicholas?DOCTOR: (Quietly.) Probably.STEVEN: (Angry.) You had to leave Anne Chaplet, there to die!DOCTOR: Anne Chaplet?STEVEN: (Shouts.) The girl! The girlwho was with me! If you'd brought her with us she needn't have died. But no, you had to leave her there to be slaughtered.DOCTOR: Well, it is possible of course she didn't die, then I was right to leave her.STEVEN:(Shouts.) Possible! Look, how possible! That girl was already hunted by the Catholic guards. If they killed ten thousand how did they spare her? No, you don't know, do you? You can't say for certain that you weren'tresponsible for that girl's death.DOCTOR: I was not responsible.STEVEN: Oh no! You just sent her back to her aunt's house where the guards were waiting to catch her. I tell you this much, Doctor, wherever thismachine of yours lands next I'm getting off. If your... 'researches' have so little regard for human life then I want no part of it.(The ship travels on in uneasy silence for a few moments more, then starts to materialise.The DOCTOR checks the controls. On the scanner appears an image of woodland.)DOCTOR: We've landed.(He activates some more controls.)DOCTOR: Your mind is made up?(STEVEN opens the TARDIS doors and turnsto leave.)STEVEN: Goodbye.DOCTOR: My dear Steven, history sometimes gives us a terrible shock. That is because we don't quite fully understand. Why should we? After all, we're all too small to realise its finalpattern. Therefore, don't try and judge it from where you stand. I was right to do as I did. Yes, that I firmly believe.(STEVEN walks out of the TARDIS without a word. The DOCTOR is totally alone.)DOCTOR: Even afterall this time he cannot understand. I dare not change the course of history. Well, at least I taught him to take some precautions. He did remember to look at the scanner before he opened the doors. Now... they're allgone. All gone. None of them...could understand. Not even...my little Susan...or Vicki ...and yes ... Barbara and Chatterton... Chesterton! They were all too impatient to get back to their own time. And now... Steven.Perhaps I should go home, back to my own planet. But I can't. (Upset.) I can't.[SCENE_BREAK]9: EXT. WIMBLEDON COMMON(Outside, a young GIRL, looking very anxious, runs down the lane beside the TARDIS. Shepasses a woman bystander, sees the police box and bursts inside.)[SCENE_BREAK]10: INT. TARDIS. CONSOLE ROOM(Breathlessly, she stares around her. The DOCTOR spots her.)DOCTOR: Who are you?GIRL: Where'sthe telephone?DOCTOR: What did you say?GIRL: The telephone, I've got to ring up!DOCTOR: Oh, pull yourself together, child. I... I think you've made a mistake.GIRL: Who are you? Are you the police?DOCTOR: Ohgood gracious of course not, hmm.GIRL: Well, this is a police box. It says so outside.DOCTOR: Yes, yes. I, I know. But it isn't, if you know what I mean. Now run along and find another police box. In any case, child,what do you want to do with the police?GIRL: There's been an accident. A little boy's been hurt and I've got to 'phone the police.DOCTOR: Oh well, I'm afraid I can't help you. No, you must run along and 'phone thepolice somewhere else. And the same time 'phone for an ambulance.GIRL: Wait a minute, if this isn't a police box, what is it? And who are you?DOCTOR: Well, my dear, er, I'm a doctor of science, and this machine isfor travelling through time and relative dimensions in space. Now you...GIRL: Come again?DOCTOR: Oh never mind, my dear. Never mind, run along. (He laughs.)GIRL: There's something odd going on.DOCTOR:(Exasperated.) Oh please, child...(The DOCTOR is interrupted by STEVEN charging back into the TARDIS.)STEVEN: Doctor, quick! You've got to take off.DOCTOR: Oh, so you've come back, my boy!STEVEN: Yes, yes,I've come back. We can't go into that now. There are two policemen coming over the common towards the TARDIS.DOCTOR: Policemen? Coming here? Good gracious me! They'll want to use the telephone or, orsomething like it.(The DOCTOR closes the TARDIS doors and dematerialises the ship.)STEVEN: Oh, that was close.DOCTOR: Well, tell me, young man, what made you change your mind?(STEVEN ignores the DOCTORas he suddenly notices the GIRL.)STEVEN: How did you get in here?GIRL: On me feet, the same as you did.STEVEN: Look, do you realise what's happening? We've taken off! We could land anywhere!GIRL: Are we reallytravelling? Where to?STEVEN: We're travelling in time and space. We're not on Earth any more. We could land anywhere in any age.GIRL: (Laughing.) Tell us another one!STEVEN: Doctor, how could you?DOCTOR:What else could I do, dear boy? You don't want a couple of policemen aboard the TARDIS do you? You know you're the most inconsistent young man? Just now you were telling me off for not having that Chaplet girlaboard!STEVEN: Ah, that was different!(STEVEN returns his attention to the GIRL.)STEVEN: This is no joyride you know. You may never get home again!GIRL: I don't care!STEVEN: What about your parents?GIRL: Ihaven't got any. I live with my great aunt. And she won't care if she never sees me again.DOCTOR: Oh, now, there you see! All this fuss about nothing! Hmm, hmm, hmm! Don't you think she looks rather like mygrandchild Susan?STEVEN: You forget, I've never met your granddaughter.DOCTOR: Oh, no, no, no. No, of course not! No. Yes, but she does you know. What is your name, child?DODO: Dodo.DOCTOR: What?DODO:It's Dorothea really. Dorothea Chaplet.STEVEN: (Shocked.) Chaplet?! Yes, but you're not French are you?DODO: Don't be daft! Me granddad was though.STEVEN: Doctor, it's not possible is it? Chaplet? Anne's greatgreat...DOCTOR: Yes, yes, it is possible, my boy. Very possible. Welcome aboard the TARDIS, Miss Dorothea Chaplet.DODO: Dodo!DOCTOR: Ah, my dear! My dear!(The DOCTOR laughs.)"}
+{"doc_id":"doc_109","qid":"","text":"[Scene: Joey and Rachel's, Joey is eating breakfast as Rachel enters, having just woken up.]Joey: Morning!Rachel: Hi! Oh, how was your date last night?Joey: Pretty good.Rachel: Oh good. (She walks to the closedbathroom door, opens it, and finds a naked woman wrapped in a towel.) Ahhh! My God, sorry! (She closes the door and confronts Joey.)Joey: Okay, really good. Anyway I gotta go; I'm late for work.Rachel:What-what?! You're gonna leave this person with me?!Joey: Yeah-Hey, don't worry, she's a terrific girl. And hey listen, could you do me a favor? When she comes out could you just mention that I'm not looking for aserious relationship; that'd be great.Rachel: Why?! What?! Are you kidding?!Joey: Just casually slip it in, y'know lay the groundwork. Tell her uh, I'm a loner-No! An outlaw! Tell her she doesn't want to get mixed upwith the likes of me.Rachel: Y'know what? That's a lot to remember, can't I just tell her you're a pig?Joey: Hey, I'm gonna call her later! Honest! Oh come on, Chandler used to do it! He'd even make the girl pancakes!Plus, he'd make extras and leave 'em for me.Rachel: Well forget it, I'm not telling that girl anything. That is not my responsibility.Joey: Fine! (Pause) Now, where'd we land on those pancakes? (She chases him out thedoor as his date emerges from the bathroom.)Joey's Date: Hi!Rachel: Hi.Joey's Date: Sorry about that, but I couldn't get that lock to work on the door.Rachel: Yeah, Joey kinda disabled it when I moved in.Joey's Date:You must be Rachel, I'm Erin.Rachel: Hi.Erin: Hi. I don't mean this to sound like high school, but did he say anything about me?Rachel: (pause) Would you like some pancakes?Opening Credits[Scene: N.Y.U's UniversityLibrary, Ross is entering with Chandler.]Chandler: ...Come on! Why are we here?!Ross: Okay, okay take a guess.(An old woman pushes a cart full of books past.)Chandler: The hot chicks?Ross: Okay, okay, I was typingnames into the library computer earlier, y'know-y'know for fun, and I typed mine in and guess what came up? My doctoral dissertation! It's here! Yeah, it's right-it's right down here! In the biggest library in theuniversity! (They start heading that way, towards a secluded section behind the racks.)Chandler: Wow that's actually pretty cool.Ross: (stopping quickly) Oh umm, there's also a book here by a woman named WendyBagina. (They both laugh, but stop when the hear moaning coming from the next aisle.) What is that?Chandler: Sounds like two people are really enjoying the Dewey decimal system.(They go around the last row ofbookshelves and find a couple doing what college coeds do in secluded corners of university libraries. For those of you who don't know what I'm talking about, let's just say that clothing is undone. Ross gasps and thecouple gets up and runs away.)Female Student: (as they are moving past Ross) I'm so sorry!Male Student: Sorry!Chandler: You didn't bring me here to do that, did you?[Scene: Monica's Restaurant Kitchen, Monica iscooking as a waitress enters carrying a plate of food that has been sent back.]Monica: She sent the chicken back again?!The Waitress: She says it's too dry now and she wants to come back here and explain to youexactly how she wants it.Monica: Well fine! I want to meet this chicken expert! Send the Colonel in!(The waitress lets her in as Monica is about to throw a lobster into a pot of boiling water (Although, she hasn't takenoff the rubber bands that hold the claws, so she can't be that good a chef). Anyway, guess who the Colonel is by the following phrase.)The Colonel: OH...MY...GAWD!!!! (Yep, it's Janice.)Monica: (to the lobster) Luckyb*st*rd! (Throws the lobster in and turns around to face the planet's most annoying woman, next to Dr. Laura and Kathy Lee Gifford of course. She's the most annoying female TV character however.) Janice.Janice:How are you Ms. Hot Shot chef with the big fancy restaurant with the best chicken ever! (Does the laugh.)Monica: I'm fine.Janice: (notices Monica's engagement ring) Ohh! What is that on your finger?! I'mblind!Monica: Oh... Uh...Janice: So, who's the lucky guy?[Cut to Monica and Chandler's just after Monica has finished telling Chandler what happened.]Chandler: OH...MY...GAWD! I am so sorry sweetie, are you okay?You didn't tell her we were getting married, did you?Monica: Well, she saw the ring.Chandler: Did she freak out?Monica: Well, she was shocked when I told her, but then again so were most people.Chandler:Right.Monica: Well, she actually has a boyfriend y'know herself, named Clark. Uh, she also kinda invited herself to our wedding. Clark too.Chandler: (laughs) You said no, right?Monica: Huh?Chandler: You said no,right?!Monica: Well, she cornered me! She asked if the wedding was in town! I mean, what was I supposed to do?!Chandler: Lie!!! How hard is that?! The check's in the mail! Oh your baby is so cute! I can't wait to readyour book, Ross!!Monica: Come on! So she comes to the wedding! I mean it won't be so bad.Chandler: What do you think, she's just gonna sit there quietly? You don't think she's gonna want to make a toast? You don'tthink she's gonna want to grab the microphone and sing Part-time Lover?!Monica: Oh my God, she's not gonna like the chicken that night either, is she?!Chandler: Y'know what? It's gonna be okay. Y'know what? She'sprobably not gonna even want to come.Monica: Really?Chandler: No! That was a lie! See how easy that was?Monica: So-so you would've just lied?Chandler: Yes!!Monica: Would it really have been that easy?Chandler:Yes!!!Monica: Good, so do it Saturday night because we're going to dinner with her and Clark.[Scene: Joey and Rachel's, Joey is coming back from work to find Phoebe, Rachel, and someone else with her back turned,are there.]Joey: Hey! What's up?Phoebe and Rachel: Hey!Joey: Hey-hey, who's your friend? (Erin turns around to face Joey, startling him) Hey!!Erin: Hey Joey!Joey: Erin! Still here!Rachel: Yeah, we ended up spendingthe day together and had such a great time!Joey: Why wouldn't ya? Erin is great! Then-then there's you guys.Erin: Ohh, listen. I've got to get going. Today was great, thanks!Rachel: I know!Phoebe: Okay!Erin: ByeJoey. (Kisses him.) Last night was fun.Joey: Yeah. I'll uh, I'll call ya.Rachel: Oh and I'll call ya too!Erin: Or I'll call you!Phoebe: And call me!Joey: (to Erin) Okay, good to see you again.Erin: Bye.Joey: Bye-bye.Rachel:Bye!(Joey closes the door behind her.)Joey: So, system kinda broke down huh?!Rachel: Oh Joey, I'm sorry I just couldn't tell her all those things you wanted me to tell her. And y'know we got to talking and I...Phoebe:We want you to marry her!Joey: What?!!Phoebe: She is so amazing! You have no idea.Joey: No idea? Who do you think brought her here?Rachel: Cupid.Phoebe: Joey, she's so cool. She speaks four languages.Joey:Man, do you know what guys want!Rachel: Look Joey, come on, she's so perfect for you! I mean, she's sweet, she-she likes baseball, and she-she had two beers at lunch.Joey: My beers?! Look you guys, she's a verynice girl. Okay? We had a good time, but I just-I don't see it going anywhere.Phoebe: Yeah, but you always say that.Rachel: Yeah, maybe if you gave this girl a chance it would go somewhere.Joey: Look, I'm sorry youguys, I-I just don't think so.Phoebe: Whatever.Rachel: Fine. (They start to walk away.)Joey: Hey, don't start judging me! (To Rachel) Huh? You're the one who's in love with her assistant! (To Phoebe) Huh? And you,you're the one having the affair with the guy who keeps the pigeons on the roof!Rachel: Phoebe!Phoebe: Secret affair![Scene: Central Perk, Rachel and Joey are there as Ross enters.]Ross: People are doing it in front ofmy book!Rachel: I'm sorry?Ross: My doctoral dissertation is in the library at school, I went to see it, and there were students makin' babies right in the middle of the Paleontology section!Rachel: Oh my God! Did youget to see anything good?Ross: Let me ask you something, at your school was there a like uh a place on campus where students went to uh, fool around.Rachel: Yeah, there was. It was-there the corner of the librarywhere-where all these dusty books that nobody ever read-Yes, there was.Ross: Great! Because people kept showing up, I think it's like uh-a thing!Joey: Now hold on a second, fifth floor against that back wall?Ross: Ohfor cryin' out loud! (He storms out.)Joey: All right, so we should go catch our movie.Rachel: Well now what's the rush?Joey: I like to see the previews. (Rachel looks at him.) The candy.Phoebe: (entering with Erin) Oh.Hey!Rachel: Well look who's here!Erin: Hey!Joey: Hey!Erin: Joey.Joey: Erin.Erin: Hey Rachel.Rachel: Hi! Well, we were just about to take off and see a movie. Oh no!Erin: What's wrong?Rachel: Oh Phoebe, we forgotthat party we have to go to.Phoebe: Oh no.Joey: (skeptical) What party?Phoebe and Rachel: A birthday party.Joey: Who's birthday party?Phoebe and Rachel: Alison's birthday party.Joey: (still skeptical) Oh, and howold is Alison?Phoebe and Rachel: 32. (Joey's not buying it.)Rachel: (does a retching sound) Wait a minute! Why don't you guys do something?!Joey: (still skeptical) Yeah, look how that workedout.[SCENE_BREAK][Scene: The Library, Ross enters and heads to the desk to talk to the male librarian on duty.]Ross: Excuse me. Hi, I'm a professor here. Do you know the Paleontology section, fifth floor, stack437?The Librarian: Well, yes! Just give me five minutes, I just have to find someone to cover my shift.Ross: No! No!! No! Can I speak to someone in charge please?! (The librarian brings his boss over.)The HeadLibrarian: How can I help you?Ross: Hi, I was wondering if it is possible to increase security in the Paleontology section? See I-I wrote a book up there and instead of reading it people are-are-are well, rolling around infront of it.The Head Librarian: We are aware of the problem you are referring to. (He turns to look at the previous librarian.) But as far as increasing security, I'm afraid the library is very understaffed. I, I can't helpyou.Ross: Well, fine. Fine! If-if I'm the only person with any appreciation of the sanctity of the written word, I'll go up there and defend it myself! (Starts to do so, but stops and to the previous librarian) And don't youfollow me![Scene: Joey and Rachel's, Rachel and Phoebe are doing dishes as Joey enters.]Joey: Hey.Phoebe: Hey!Rachel: How did it go with Erin?Joey: Oh, unbelievable! We had the best time!Phoebe: Yay!! Oh so,you're not, you're not mad at us anymore?Joey: No! No! No! You guys were totally right! This is so much better than the first time we went out. Y'know? That was so awkward, we were really nervous.Phoebe: Didn't yousleep together?Joey: Yeah, that really calms me down. And! We have so much in common! She loves sandwiches, sports, although she is a Met fan, not much of an issue now but if we were ever to have kids, well that'sa...Rachel: (gasps) Oh my God! Listen to you talkin' about having kids. Oh my Joey. (She goes over and hugs him.) Oh, please don't get married before I do.Joey: Okay.[Scene: A Restaurant, Monica and Chandler areon their date with Janice and Clark, however Clark is a no show and Janice is crying the Mississippi River about it.]Janice: Oh. Oh I just cannot believe Clark stood me up!Monica: He might still show up.Janice: Oh, whatare you, stupid? It's been three hours.Monica: Is that all?Janice: I should just go on to happier things, okay? Umm, why don't you tell about your lovely wedding?Chandler: Well actually uh, there was something wewanted to tell you about the wedding. Um, it's going to be a small ceremony. Uh, tiny! We're not even sure why we're having it.Monica: It's actually going to be just family.Janice: Oh...wait...you two think of me asfamily?! Oh, I have to ask you something now and be honest; do you want me to sing Careless Whisper or Lady In Red?[Scene: Central Perk, Joey is entering and arguing baseball with Erin. Phoebe and Rachel arealready there.]Joey: How can you say that?! The Mets have no closer!Erin: What about Benitez?Joey: What about Game 1 of the Series?Erin: What about shut up?Joey: You shut up! (To Phoebe and Rachel) I lovearguing with her. (To Erin) I'll be right back.Erin: Okay. (Joey goes to get some coffee and Erin sits down.)Rachel: So how's it goin' with Joey?Erin: Uh, okay.Rachel: Okay? Wait okay, tell-tell me that you like him,please? I mean tell me that you like him.Erin: Look, he's a really great guy and I know that you really want this to work out, but I just don't see this having a future.Rachel: But you said that you liked him! I mean whathappened?! Did ya just change your mind?!Erin: Kinda.Phoebe: Then change it back!Erin: I'm sorry I... It's just there's no real spark.Phoebe: No spark? Didn't you sleep together?Erin: Yeah.Rachel: Ugh, tramp!Phoebe:Does Joey have any idea?Erin: I really don't think he does. And y'know what? Maybe you guys could help clue him in. Y'know, tell him I'm-I'm not interested in a serious relationship or something.Phoebe: Yeah, youmean like that you're kind of a loner.Erin: Yeah! That would be great!Phoebe: Yeah, and maybe that you're a real (She says something in Italian, and it doesn't matter what she said. It's not important so I don't needeveryone who speaks Italian telling me what she said.)Erin: I'm sorry?Phoebe: Oh well, I guess Italian isn't one of the four languages you speak.Joey: (returning) Hey! You wanna go?Erin: Yeah, let's go.Joey: Okay.See you guys later.Erin: Bye guys.Rachel: Yeah, see ya.Joey: (whispers to Phoebe and Rachel) Hey, thank you so much. (They both exit.)Rachel: Wow. Well, I guess it was Cupid who brought her here.Phoebe: No, justa regular old flying dwarf.[SCENE_BREAK][Scene: The library's Paleontology section, Ross is patrolling as a couple walks up.]Ross: Yes? Yes?! How can I help you?Guy: Yeah, we were...we were just lookingaround.Ross: Oh-oh, you're-you're fellow scholars. What exactly were you looking for, hmm? Perhaps, (Grabs a book from the shelf behind him) perhaps Dr. Chester Stock's musings on the Smiledon Californicus?Guy:Uhh....Ross: Ah... Ah...Get out of here! (The couple retreats. Ross starts looking through the previously mentioned book as a beautiful woman walks into the section.) Uh, meeting someone? Or-or are you just here tobrush up on Marion's views on evolution?Woman: Uh, actually I find Marion's views far too progressionist.Ross: I find Marion's views far too progressionist.Woman: I'm sorry, who are you?Ross: I'm a professor here uh,Ross...Geller.Woman: Ross Geller, why do I know that name? It's uh-Wait! (Grabs his book off of the shelf.) Did you write this?Ross: Yes! You're the person who checked out my book?!Woman: Y'know, you look nothinglike I would've thought. You're...you're so young.Ross: Well I uh, I skipped forth grade.[Time Lapse, Ross and the woman are now in a state of partial undress and are standing in front of the head librarian with twosecurity guards watching them.]Ross: I am very...very sorry.[Scene: Joey and Rachel's, Phoebe and Rachel are watching TV as Joey enters.]Joey: Hey!Phoebe: Hey!Rachel: Hi!Phoebe: So how was, how was yourdate?Joey: Oh, it was great! I mean we walked all around the village. We went to this ice cream place, split a milkshake, 70/30 but still... And guess what, I'm thinking about taking her upstate to one of those bed andbreakfasts.Phoebe: Oh really? She said she wants to go away with you?Joey: No-no-no-no-no! It's a surprise, but it's gonna be tricky though because she said she was gonna be pretty busy at work for a while.Phoebeand Rachel: Oh no, yeah.Rachel: Jo-Joey, look honey we-we need to talk okay? Umm, I kinda got the feeling from her today that uh, she's not lookin' for a serious relationship.Joey: Where are you gettin' this?Rachel:Well, she told me. She said she's kind of a loner.Joey: Oh. Oh.Rachel: Joey...Joey: No hey Rach, it's cool okay? Y'know I'm a loner too! (Heads for his room.) Right?Phoebe: Hey Joey, y'know what? You are way toogood for her.Rachel: Yeah and honey I promise next time that I will just say good-bye and tell 'em you're not looking for a relationship.Joey: No! No. Don't do that, just next time make sure she really likes me.Rachel:Well that too. (Joey goes into his room.) Joey?Joey: Yeah?Rachel: Do you want some pancakes?Joey: (coming back out) Finally![Scene: Monica, Chandler, and Phoebe's, Chandler and Monica are sitting at the kitchentable and are still trying to decide what to do about Janice.]Monica: What are we gonna do?Chandler: I say we go with Careless Whisper.(There's a knock on the door and Janice enters.)Janice: Chandler?Chandler: (ToMonica) Did she see us yet? Did she see us?Monica: Janice, what umm, what are you doing here?Janice: Well umm, I thought I was going to go back to my apartment but then I just felt I couldn't really be alonetonight. (Joey walks into view of the open door behind Janice, sees her, gets a terrified look on his face, and flees in horror.) I was wondering if I could maybe stay here with you, just I really feel that I need to be withfamily.Monica: (To Chandler) Our kids are gonna call her Aunt Janice aren't they?Janice: Please, it's because otherwise I really don't know what I might do.Chandler: Aren't you just a tinsy bit curious?Janice: (starting tocry) Do you have any tissues?Monica: Yeah, in-in-in the bathroom.Janice: Okay! (She runs for the bathroom)Monica: We'll just...we'll just let her stay.Chandler: No-no-no-no, if we let her stay, she will stayforever!Monica: Kinda like your barcalounger.Chandler: Is that what you're thinking about right now?Monica: I never stop thinking about it.Janice: Hey you guys, umm do either one of you want to get in there before Itake my bath.Chandler: Janice, I'm sorry but umm, you can't stay here tonight.Janice: Why not?Chandler: Honestly? Our apartment is a hotbed for electromagnetic activity. Now Monica and I have been immunized, butsadly you have not.(And she does the laugh.)Janice: Okay, I'm going to need a comforter, but did you have a hypoallergenic one because otherwise I get very nasal. (Makes some weird sound) Do you have a cat?'Cause it's already happening. (Makes a nasal sound) Do you hear that? (She keeps making the nasal sound.)(Chandler does the same nasal sound to Chandler.)Monica: Oh my God! Oh my God! You have to go!Janice:Why?Monica: Because Chandler still has feelings for you!Janice: He does?Chandler: Say again?Monica: That's right. That's right. And that is why you can't stay here tonight. And probably why you shouldn't come to thewedding.Chandler: Feelings, such strong feelings.Monica: I mean, I realize that his feelings may never completely go away, but you can.Janice: Oh...my Gawd, I-I understand. I-I am so sorry, I'll go. (Starts for thedoor.) Good-bye Monica (hugs her), I wish you a lifetime of happiness with him. Chandler, (hugs him) you call me when this goes in the pooper. (Hurries out.)Ending Credits[Scene: The library's Paleontology section,Ross is on patrol and stops a security guard through the stack of books.]Ross: (to the guard) Don't sweat it, I've got this section covered. Yeah, in fact I've got this little baby (Turns on a mini-flashlight) to shine inpeople's eye-(The guard walks away)-Okay, see you later.(Ross resumes his patrol when his best friend and sister walk up and start to take off their coats, but they stop when they see him.)Chandler: I just wanted toshow Monica your book. (Ross just glares at him.)"}
+{"doc_id":"doc_110","qid":"","text":"Story by Mark J. Kunerth Teleplay by Richard Goodman[Scene: Monica and Rachel's erm, Chandler and Joey's, Chandler is watching TV, and we hear Mr. Treeger in the bathroom.]Mr. Treeger: Ohhh, man!!Joey:(coming in from his bedroom) What is that?Chandler: Treeger's snaking the shower drain.Mr. Treeger: What in the name of hell?Joey: Maybe he found you flip-flop.(Joey sits down and changes the channel, and we seetwo people making out.)Chandler: Hey!Joey: Whoa! Is this p0rn? What did I do? I must've hit something on the remote.Chandler: Do we pay for this?Joey: No, we didn't even pay our cable bill-maybe this is how theypunish us.Chandler: Maybe we shouldn't pay our phone bill-free phone s*x.Joey: Maybe we shouldn't pay our gas bill? (Stops and thinks about what he just said.)Mr. Treeger: (coming in from the bathroom) Whoa, hey,that lady's all kinds of naked.Chandler: Yeah, Joey just pressed something on the remote and it just, came on!Mr. Treeger: Yeah, it happened to me once. I was just flipping through the channels and bam! It was likefinding money.Chandler: Like finding money with naked people on it!Mr. Treeger: Then I made the mistake of turning off the TV, I never got it back again. And I'm sad. (Exits.)Joey: (to Chandler) Why would he turn offthe TV? (Chandler shrugs.)OPENING CREDITS[Scene: Monica and Rachel's erm, Chandler and Joey's, later that morning. The p0rn is still on, there are three women getting ready to shave the chest of some guy. Joeyand Chandler are wondering why that guy is letting them shave his chest, and Monica and Rachel are eating breakfast at the foosball table.]Rachel: All right, y'know what, come on, do we really have to watch this whilewe eat? (She makes a move for the remote.)Joey and Chandler: (stopping her) Oh no-no-no-no!Chandler: We don't know what could make this go away.Joey: Yeah, so no one touches the remote. And no one touchesthe TV!Chandler: And no one touches the air around the TV!Joey: Imagine a protective p0rn bubble if you will, okay?Monica: Well at least, I'm going to mute it.Joey and Chandler: Oh no-no-no! (Monica mutes the TVand they tentatively look behind them)Chandler: We still have p0rn.Joey: Hey.Phoebe: (entering, carrying her massage table) Hi!Monica: Hi!Rachel: Honey, what are you doing? That's too heavy.Phoebe: Yeah.Rachel:Give it here. (She takes the table.) Oh, God. (And gives it to Monica right away.)Monica: Okay.Phoebe: Ohh, I'm getting too pregnant for this, lugging around a stupid massage table. Y'know, I have to find a job where Icarrying a smaller table. (She goes over and stands in front of the TV.)Chandler: Or a job where you don't have to carry a table.Phoebe: You mean like a doctor?Joey: Pheebs! You're blocking the p0rn! Look out!Phoebe:Ohh! (She moves.) Oh my. Oh, that reminds me, I have to see my OB-GYN today.[Scene: Chandler and Joey's erm, Monica and Rachel's, Ross is entering.]Ross: Hi.Monica: Hi.Ross: So uh, Emily just went to theairport.Monica: Oh. Why didn't you take her?Ross: Eh, her-her uncle already had planned on doing it. And y'know, we-we said our good-byes this morning, so...Monica: You must feel horrible. Hey! The guys have freep0rn!Ross: (Thinks about it.) Nah.Monica: Hey, cheer up! You're gonna see her again, right?Ross: Well I, that's the thing, I don't know! I mean, whenever I brought it up with her she said, (In a British accent.) \"This isso fantastic! Why do we have to talk about the future? Let's just enjoy...\"Monica: (interrupting him) No-no-no, don't-don't do the accent. You've got to see her again.Ross: And why do you care so much?Monica:Because! You could get to live out my fantasy!Ross: You had fantasies about Emily?Monica: No! Y'know, the fantasy! Meet someone from a strange land, fall in madly love, and spend the rest of your livestogether.Ross: Is that why in junior high you were the only one that hung out with that Ukrainian kid?Monica: Yeah that, plus his mom used to put sour cream on everything!Ross: Ahh.Monica: Do you love her?Ross:We said it was only going to be two weeks, y'know?Monica: You love her!Ross: What-what is love really?Monica: Ohhh, I knew you loved her! Then you need to go to the airport and tell her. You're probably just gonnacatch her just as she's about to go to the gate. You're gonna call out her name and say, \"I love you!\" And she's gonna say, \"I love you, too!\" And you guys are going to have the most amazing kiss, everyone at the gatewill applaud.Ross: I am a good kisser.Monica: Then you two can, can sneak into the cockpit, and things will start to heat up, and then a stewardess comes in... (Ross looks at her.) I've been watching too muchp0rn.[Scene: Beth Israel Medical Center, Phoebe is at her OB-GYN doing an ultrasound, Rachel is with her. We here the baby's heartbeat.]Rachel: Is that the heartbeat?The Doctor: That's it.Phoebe: Oh my God!Rachel:Oh wow! This is so cool.(The heartbeat changes, and we hear a different one.)The Doctor: Have we talked about the possibility of multiple births?Phoebe: Why don't take care of this one, and should I get pregnantagain, I'll hold onto your card, okay?The Doctor: No, I'm getting three separate heartbeats.Phoebe: Three? You guys were worried I wouldn't even have one!The Doctor: Doctors are wrong all the time.Phoebe: Well,yeah.Rachel: Well, so, are-are you sure that there are three?!The Doctor: Definitely. (Points out each head on the ultrasound.)Phoebe: Oh my God! Oh my God! Oh my God!! So I-I mean so in a few months I'm going tohave three full grown babies just walkin' around inside me?! Oh! Oh! And it's gonna be one of those log rides where they just come shooting out!The Doctor: Actually, giving birth to three babies isn't that different fromgiving birth to one.Phoebe: What do you know?![Scene: Central Perk, Phoebe is there, waiting to tell Frank and Alice the news.]Alice: (entering) Oh-oh, Phoebe!Phoebe: Ooh! Hi!Alice: Hi! (She runs over and hugsPhoebe's stomach.) So, how did it go at the doctors?Phoebe: Oh well, okay, hey, y'know how when you're umm, you're walking down the street and you see three people in a row, and you say, \"Oh, that's nice?\"Frank:Yes.Phoebe: Okay, yeah well, good news, you're going to have three babies.Alice: Three babies?Frank: I finally got my band!Alice: We're gonna have a big family, I've always wanted a big family!Phoebe: Oh God, I'mso glad you guys are happy, I was so afraid you were going to be all freaked.Frank: Why would we be freaked?Phoebe: No, no maybe 'cause it's harder to raise them, and the added expense, and...Frank: (They're lessthan happy now) Oh.Alice: Right.Phoebe: No, back to happy. Back to happy!Alice: No-no-no, no, it's going to be fine. Because umm, because I teach Home Ec, and uh, I can have 30 kids making baby clothes all yearlong. Y'know it'll-it'll be like my very own little sweatshop.Frank: Yeah, I've been thinking ever since you said we were having triplets, the best thing for me to do is to drop out of college and get a job.Alice: No,Frank.Phoebe: No you can't quit college! No! You're in college? Really?Frank: Yeah, refrigerator college.Alice: Yeah.Frank: Yeah, y'know when we found out we were going to have a baby, y'know I figured y'know like Ishould y'know have like a career-and I love refrigerators!Phoebe: You can't give up on your dream.Frank: No, it's okay. We're-we're gonna have three kids! And that's-that's a different kind of dream. Three kids and nomoney.[Scene: The airport, Emily is getting ready to board her flight to London.]Ticket Agent: (On the P.A.) This is the boarding call for Flight 009.Ross: Emily! (Runs up.)Emily: Oh my God! What are you doing here?(They hug)Ross: I just, I had to see you one more time before you took-off.Emily: You are so sweet. (They kiss.)Ross: That's, that's, that's a big candy bar. (She's holding one of those huge Toblerone bars.) I had themost amazing time with you.Emily: Me too.Ticket Agent: This is the final boarding call for Flight 009.Emily: Well, that' me. (They kiss again.) Here, have this. (She gives him the candy bar.) I'm only allowed one piece ofcarryon anyway. (She starts towards the jetway.)Ross: (stops her) Wait uh, listen. I-I, I have to tell you something. Umm, I've been thinking, I'm just gonna come out and say it. Okay? I-I-I ah, I-I think I loveyou.Emily: Oh. (She's shocked and hugs him.) Thank you. (She boards the plane.)Ross: That's no problem.[SCENE_BREAK][Scene: Monica and Rachel's erm, Chandler and Joey's, Rachel is singing some kind ofsong.]Rachel: What's that song? It has been in my head all day long.Chandler: It's the theme from Good Will Humping.Rachel: Y'know who doesn't even like dirty movies? My new boyfriend Joshua.Joey: Yeahright.Rachel: No, he told me. He prefers to leave certain things to the imagination.Chandler: Oh-oh, yeah, and did he also say that ah, some of the dialogue was corny and that he actually found it was funny and notsexy?Rachel: Yes!Joey: Yeah, he likes p0rn.(Rachel starts to leave.)Monica: Where ya going?Rachel: I'm going to find out if he really thinks supermodels are too skinny. (As she exits, Phoebe enters.) Hey,Pheebs!Phoebe: Hey.Joey: Hey!Monica: How did it go with Frank and Alice?Phoebe: Well, Frank has to quit college because his super fertile sister is having three babies! I need to make a lot of money really fast, and Ihad an idea that I want to talk to you (Points to Chandler) about, 'cause you work for a big company. Okay, insider trading, what information is there that you can give me.Chandler: They don't really talk to us aboutthat kind of stuff. I can get you some free white out though.(Ross enters.)Monica: Ohh! Did you do what I said? Did-did-did you tell her?Ross: I did.Monica: And well, what did she say?Ross: Thank you.Monica: Oh,you're totally welcome! What'd she say?Ross: She said, \"Thank you.\" I said, \"I love you.\" And she said, \"Thank you.\"Chandler: Whoa-whoa, wait a minute, did you say, you love her?Joey: Yeah, what were you trying toget her to do?!Ross: What do I do now?Joey: You play hard to get.Ross: She already lives in London.Joey: Then you go to Tokyo.Chandler: All right look, forget it, forget it. You told her you love her, it's over.Monica: Itis not over! You're over!Chandler: What?Monica: You know!Chandler: Okay. (Pause) Good one.Monica: It is not over because she is going to call you and tell you she loves you. And the reason why she couldn't, isbecause her feelings were so strong, it scared her. Now you go home and wait for her call, she could be calling you from the plane! Come on now go! Go! (Tries to push Ross out the door.)Ross: Okay! Okay! But if shedoesn't call, it is definitely over! No, wait. Wait. Unless, eventually, I call her, y'know just to she what's going on, and, and she says she'll call me back, but then she doesn't. Then it's over.(Joey holds his fist up, andChandler gives him two thumbs up.)Joey: Way to be strong, man!(Ross leaves, and after the door closes, Joey gives him the loser sign.)[Scene: Chandler and Joey's erm, Monica and Rachel's, Chandler and Joey enterhaving just woken up.]Rachel: Hey!Chandler: Hi! Listen, can we watch cartoons on your television? We need a p0rn break. We spent the last two hours watching In & Out & In, Again.Rachel: Well, so, why don't you justturn it off?Chandler: Because then we would be the guys who turned off free p0rn.Phoebe: (entering carrying a case) Ooh, good, you're hear! Okay.Monica: Hey!Phoebe: Hi!Rachel: Well, what-what 'cha gotthere?Phoebe: Oh this, well I'm glad you asked. (She opens the case and removes a knife and an soda can.) Now, don't you hate it when you have to cut a tin can with an ordinary steak knife? (She efficiently cuts it inhalf.) Ahh! Now, I know what you're thinking...Chandler: Pregnant Woman Slays Four?Monica: Phoebe, they didn't make you pay for those knives, did they?Phoebe: No!Monica: Are you sure?Phoebe: No!Rachel: Honey,you're not gonna make enough money to help Frank and Alice just by selling knives.Phoebe: No-no, I know that, but I just have to make enough money for the second part of my plan.Chandler: What's the second partof your plan?Phoebe: My Saturn dealership.[Scene: Ross's bedroom, he has fallen asleep waiting for Emily to call. He is awaken by the phone.]Ross: (Answers the phone.) Hello?Emily: Ross.Ross: Emily, hi! Uh,how-how was you flight?Emily: It was dreadful. I felt terrible about how I acted when you said those wonderful things.Ross: No, no, that-that, that's all right. Umm, I'm just glad you called.Emily: Ross umm, there'ssomething that I've got to tell you, there's-there's someone else.Ross: Does that mean the same thing in England as it does in America?[SCENE_BREAK][Scene: Monica and Rachel's erm, Chandler and Joey's, Ross isrelating his recent conversation with Emily to the gang.]Ross: She doesn't know which one of us she wants, me or this Colin guy.Monica: This isn't how it's supposed to go, there can't be another guy.Ross:Well...Monica: Of course there's another guy!! This is even more perfect! Now you have to prove your love!Ross: I'm not proving anything. Okay, I'm done listening to you. If I hadn't let you talk me into going to theairport in the first place, I never would've put my fist through the wall!Chandler: You put your fist through the wall?Ross: No, I missed and hit the door. But, it opened really hard!Monica: You have to go to London!Ross:What?Monica: Yeah, you have to go fight for her!Joey: Oh yeah, sure, that makes sense. Yeah. 'Cause you already told her you love her and she didn't say it back, then she called you and told you that there's anotherguy, so yeah, go to London that'll scare her!Monica: When Rachel was with Paulo, what did you do?Ross: I made fun of his accent.Monica: You sat back and let him have her, you didn't fight at all. Am I right? Do youwant the same thing to happen with Emily?Ross: No.Monica: All right then, go fight for her! Go to London! I mean, that could be you and Emily! (Points to the TV.) That, but-but nicer. Just, go to London!Ross:Really?Monica: Come on! Surprise her! Show up at her doorstep! Don't let her go without a fight!Ross: All right. All right, I'm gonna do it!Monica: All right.Ross: I'm gonna, I'm gonna go to London and I'm going to fightfor her.Monica: Okay, good luck!(Ross starts to leave.)Joey: Ross! Ross! If you're going to the airport, could you pick me up another one of those Toblerone bars? (Chandler nods his head no.)[Scene: Chandler andJoey's erm, Monica and Rachel's, Monica, Joey, and Chandler are sitting and talking as Phoebe and Rachel enter.]Rachel: Hey!Phoebe: Ooh-Ooh! I did it! I did it! I figured out a way to make money! I'm gonna open upmy own massage place and Frank's gonna help me! And! We can work it around his schedule so he doesn't have to quit school!Monica: That's sounds great, but how are you going to afford it?Rachel: Well, we werewalking down the street and we saw that van that you guys used for catering and we realised...Phoebe: I'm telling it! I'm telling it!Rachel: Okay.Phoebe: Okay. You know how people need transportation, but they alsoneed massages to help them relax so I just figured we could combine the two, okay, I give the massages and Frank drives! I can fix up the van, bolt the table in the back, and you know what I've got?Chandler: A placewhere no one will ever get out alive?Phoebe: No! Think about it, it's a taxi that people take when they need to relax, it's...Rachel: (interrupting) Relaxi-Taxi!Phoebe: The name was my favourite part!Rachel: Well, well Ican up with it!Phoebe: YOU DID NOT!!!! Oh! No! You came up with Relaxi Cab! That's not good.Rachel: Well, I...(The phone rings and Monica answers it.)Monica: Hello.Ross: (on phone) Hey.Monica: Oh my God! Ross,are you in England? Was Emily surprised?[Cut to Ross in one of those British phone booths.]Ross: No, because she hasn't come home yet. And she hasn't been home all night! She's obviously staying with that otherguy, and I'm the stupid moron who spent the whole night outside her apartment!Monica: All right. When is, when is the next flight out?Ross: About four hours.Monica: Okay, just stay there a couple more hours and ifshe doesn't show up by then, then just come on home.Phoebe: Hey, tell him about Relaxi-Taxi, and-and ask him if he thinks that's better than Relaxi Cab.Rachel: Okay, it's not Relaxi Cab. It's Relaxicab, liketaxicab.Phoebe: Oh, that is better.[Scene: Monica and Rachel's erm, Chandler and Joey's, later that same night. There is a knock on the door and Chandler answers it to reveal Emily standing behind it.]Chandler: Arewe in London?Monica: What are you doing here? You can't be here!Emily: I've uh, I've come to talk to Ross.(She sets her bag down on the foosball table and Joey sees the Toblerone bar sticking out of it and gazeslongingly at it.)Emily: What?Joey: (pause) Nothing. No, nothing.Emily: I was going to call him, but...Monica: Oh, you came to tell him you love him! I knew it! (Points at Chandler) I was right! (Points to Emily) I'm right,right?Emily: I'd really rather talk to him.Monica: Oh.Emily: I uh, I've been to his apartment and he wasn't there, and uh. I need to talk to him, so do you have any idea where he is?[Cut to London, we sit Ross sittingoutside Emily's apartment. We hear Emily's phone ring with amazing clarity. Apparently, sound travels quite easily through the walls of British buildings. Anyhoo, Ross looks around for the ringing phone and in themeantime Emily's answering machine picks up and once again with amazing clarity we hear Emily say...]Emily: Ross, are you there? Ross, I don't know if you can hear this but... (Ross has moved to the window,apparently so that he can hear better.) I'm gonna talk anyway, uh, I'm in the States with you sister and your friends and it's all over with Colin. I came here to tell you that, and to tell you-Yes, Joey you can have all thechocolate you want, just take it! Uh, I came here to tell you that I love you.Ross: (yelling, thinking Emily can hear him through the answering machine all the way to New York.) I love you too! I'm, I'm gonna call youright now from the phone booth! (Realises) You can't hear me. (Goes to make his call.)Emily: I wish I could know if you'd heard any of that. I suppose I've either just told you I love you or given my neighbours a goodlaugh. Mrs. Newman if you're listening, bugger off this in none of your business. I suppose there's not much chance you did heard that, and there's the call waiting so, I should go. Oh well. (Answers the call waiting.)Hello.Ross: Hi.Emily: Ross, I love you!Ross: Ohh! Thank you.CLOSING CREDITS[Scene: Monica and Rachel's erm, Chandler and Joey's, Joey is still watching the p0rn as Chandler enters.]Chandler: Hey.Joey:Hey.Chandler: I was just at the bank, and there was this really hot teller, and she didn't ask me to go do it with her in the vault.Joey: Same kind of thing happened to me! Woman pizza delivery guy come over, givesme the pizza, takes the money, and leaves!Chandler: What, no, \"Nice apartment, I bet the bedrooms are huge?\"Joey: Noo! Nothing!Chandler: Y'know what, we have to turn off the p0rn.Joey: I think you're right.(Goesover and picks up the remote.)Chandler: All right, ready?Joey: One.Chandler: Two.Both: Three.(Chandler turns off the p0rn and sets the remote down.)Joey: That's kinda nice.Chandler: Yeah, that's kinda a relief.Joey:Yeah.(Pause.)Chandler: You wanna see if we still have it?Joey: Yeah.(Chandler turns on the TV and...)Chandler: FREE p0rn!!!Joey: Yeah!!Chandler: We have free p0rn here!!!"}
+{"doc_id":"doc_111","qid":"","text":"44th Episode of RoswellProduction Code: 3ADA01[SCENE_BREAK]Max: Are you ready?Liz: Yeah, I think so.Max: Liz, you don't have to do this.Liz: No, max. We are in this together. That's what we said. Together till theend.Liz: Down! Down! Now! Whoa! Down! Get down!Max: Do what she says. She's crazy.Liz: Face on the floor! Now! [East coast accent] yeah. I, uh...I wanna report an armed robbery in progress. At Sam's quick stopon highway 65. Yeah. Hurry.Clerk: I have a family.Liz: Hurry. We've only got a few minutes.[Siren approaches]Liz: just keep your face down! Keep your face down! The cops are coming. We gotta get outta here. Comeon, let's go! Come on, let's go! Hurry up![Max, now in the room below the store sees the spaceship. He holds up a large diamond, and the ship begins to glow]Liz: Come on. How'd they find us so fast?Max: I don't know.All right, hold on!Liz: Max, they can't find out about the diamond.Officer: Hands! Let me see hands!Liz: You got any powers for this?[PREVIOUSLY_ON]Max: Liz, there's something I need to tell you about Tess and me.Our relationship is, uh-- something happened. Liz, Tess is pregnant. I'm going back.Liz: Just tell me one thing. Do you love her?Max: Not like I love you.Max: This was all some kind of plan to get pregnant and go home,wasn't it?Max: This isn't over, tess.Isabel: What happens now, max?Max: I have to save my son.[Telephone rings]Max: So I was wondering if you wanted to, you know, see me.Liz: You mean, like, on a date?Max: Justsomewhere we can talk. I just want to try to start over, liz. You look amazing.Liz: They're my favorite. Thank you. So where are we going?Max: It's a surprise.Liz: It's kind of dark.Max: Liz, i just want to put everythingthat happened behind us.Liz: Yeah, you know that I would, too, if i had impregnated an alien killer who murdered one of our best friends and then left the planet with my unborn child.Max: So you're still holding on tothat?Liz: It's hard not to, max. See, you slept with tess, and then you got her pregnant. I don't know how to just move past that. You hurt me, you know?Max: Liz, meeting someone, someone like me,Liz: it attractedme. I admit that. It was something I had to find out about, and now I'm over it.Max: It's not that simple. Liz, i'm here. I'm not going anywhere. Isabel, michael, and I, we've lost our only way home. There's no wayback. You're the only or me to-- you're my only reason. I want to be with you.Liz: Tess is pregnant with your child. What about your son?Max: There's nothing i can do about that. He's gonna be born in a... In anotherworld, a world that i have nothing to do with. I've accepted it. Liz, you've paid a lot to know me. You've been hurt and you've been put in danger. Now I want to make that up to you. I want to make your dreams cometrue. Will you let me do that?Max: In the neighborhood?[Sighs]Mr. Evans: son. If you want to get out of here while you're still a young man, don't say anything to anyone unless i'm present. I'm not your father rightnow, I'm your lawyer.Mrs. Evans: Oh, my god. Max.Max: It's all right, mom. It's all right.Mrs. Evans: Look at you. What is going on? Who are you? Why are you under arrest for armed robbery?Mr. Evans: Now tell uswhat the hell are you doing in utah?!Mrs. Parker: Jeff, stay calm. Calm?!Mr. Parker: How am i gonna stay calm? [Ms]Honey, i know it isn't you. I know this is not something that you would do, but--but if you did do it,maybe it's because somebody put you up to it.Liz: They put meup to it. Right, mom.Mr. Parker: Ok. That's enough! Now tell us what the hell happened.Liz: I'm not gonna speak to anyone until they let me talk to max.Liz:Liz: So I've broken, like, 12 of my mom's rules already.Max: Rules? She has rules? Well, yeah. Yeah, since I told her that you broke my heart, without any of the alien details, of course. She thinks that we shouldjust take things slow. Just dinner, then straight home, no plans for future dates. No making out.Max: So i suppose skinny dipping would be against the rules, too.Liz: Uh-huh. What are you doing, max? No. No, this isnot happening. Ok, you've made your point. It's not that funny. You can stop now. What--no, max. Max. I can't believe you're gonna do this!Max: Whoo! Come on in. It's beautiful. No, it's not. It is obviously freezing.Come on, liz. This is something we'll tell our grandchildren about. Come on in, liz. Come on.Liz: Fine! Ok? Fine. Grandchildren. What are they gonna be, 3 feet tall and green? But, hey. I am not taking my underwear off.And if my mother, like, ever, ever t about this, you are, like, so dead. Ok? Do we have a deal? Max. Oh, max! Is that a deal, max? Huh? Max! Max, oh, my god!Isabel: Max! Michael Just tell us what happened. Feel freeto leave out the lurid details.Liz: Look, I told you already. He was just, like, laying there in the water and he woke up in the car. But he hasn't said a single word. You guys, isn't there d of cure for this? You guys are thealiens. Do something here. Michael Maxwell! Hey, Maxwell! Maxwell! Hey, what the hell's going on?Max: Something happened. I had this vision. It was my son. He's been born. He was reaching out to me. He's introuble. Michael now if I'm to have any chance of graduating this year, I need to get into your bio 101 class.Teacher: Why didn't you come to my bio 101 class when you were in it? Michael I'm turning over a newleaf.Teacher: Excuse me while I take a moment to chuckle within. Michael Ok, lookit, plans changed. I thought I was moving out of Roswell, but as it turns out, I'm stuck here for good.Teacher: And how far away didyou plan to move that you didn't think that your high school records would've been sent to your new high school? Michael Actually, pretty far. Mr. Seligman, I know you hate my guts. Personally, I hate yours,too.Teacher: This is how you ask a favor? Michael But if you help me graduate this year, then you won't have to see me next year.Teacher: Well, you do have a point there. Ok, Mr.. Guerin, I will let you in to my biology101 class if you make a sacred vow to me right now that you won't miss a single session.Isabel: Michael, there you are.Teacher: Miss Evans, I thought you graduated.Isabel: I did, mr. Seligman, but I just can't seem tocut the cord. Too many fond memories. I need to talk to you. Michael I got class.Isabel: It's important. Michael I will be one minute.Teacher: I'm sure you will. Miss Evans, love the hair.Isabel: Well, thank you. MichaelSo, what's going on?Isabel: Max and Liz got arrested in Utah for armed robbery. We have to go.Michael: So much for ever getting out of this school. What were they doing in Utah?[In Utah]Isabel: Mom!Mrs. Evans:Isabel. Your father and i have been going crazy. Oh, hi. Philip!Isabel: So what's going on?Mrs. Evans: Well, we're still trying to figure out what happened with your brother and Liz.Isabel: Hi, dad.Mr. Evans: Hey. This isJesse Ramirez from my office.Isabel: We met at the company--Jesse: picnic, that's right. Nice to see you again.Isabel: Nice to see you again.Mr Parker: So what have you found out, Philip?Mr. Evans: A detentionhearing has been set up for tomorrow with the judge. Max and liz are first-time offenders, no physical evidence has been produced, so we're hoping they get a slap on the wrist and get sent back home.Mrs. Evans: Well,what about jail?Mr. Evans: They can only go to jail if the case is transferred to the criminal court system and they get tried as adults. But so far that seems unlikely.Jesse: Ok, they haven't found a gun, and there are nowitnesses other than the nutcase behind the counter who claims to have seen an otherworldly yellow light.Isabel: So as long as there's no evidence, max and Liz will be ok, right?Mr. Evans: Yeah. Yeah, we certainlyhope so.Michael: Can we see them?[Door opens]Isabel: max! You idiot. What are you trying to do to our poor, clueless human parents?Michael: So what's the deal? You running low on cigarettes?Max: There's anunderground government storage facility under the convenience store.Michael: Well, that's a surprise.Max: Our ship's there.Michael You mean our spaceship?Max: It's been reassembled. I saw it with my owneyes.Michael: I can feel biology 101 slipping from my grasp.Isabel: So, reassembled that means it works?Max: Possibly.Isabel: I thought we made an agreement to let go of the other world and live here.Max: That wasbefore my son tried to contact me.Isabel: Max, a little reality check. This ship you're talking about...Sucks. It's a lemon. It crashed to begin with. That's why we're stuck here. Michael She's got a point.Max: Look, I needyou to find something for me. I had to toss it before we were arrested.Isabel: No. No, we are not helping s absurd plan to find a spaceship, ok? This is ridiculous.Max: This isn't about getting to a spaceship. Liz and Istole it. It's a diamond.Isabel: You stole a diamond?Max: It's not actually a diamond. It's the key to our ship. It's alien, and if we don't find it before the police do, we'll be linked to another crime. We'll never get out ofhere. Michael So what does it look like?[Scene switches to the past, Max and Liz looking at Tess' things]Liz: Hey, i've been for you.Max: Yeah. Yeah, I was just, uh--Liz: looking through tess' stuff. What's that?Max: Itwas buried among tess' things. It's a letter Nasedo wrote to her before he died. It says, \"I am your one and only protector on this planet. \"I'll protect you until the end. \"If I ever die, this is our only way to communicatewith our home.\"Liz: And?Max: I have to contact my sonLiz: So i guess this part of your life isn't over after all.[Michael is in a field looking for the diamond- a man with a gun confronts him]Michael Mandatoryattendance, I understand. Yeah. An attitude improvement? I'm already on that. And a respect for authority, yeah, absolutely. Mr. Seligman, I gotta call you back.Man: Who was that? Michael It's my science teacher. I'mtrying to graduate high school.Man: Why don't you just get a G.E.D.? Michael No one hires anyone with a g.E.D.Man: I got a G.E.D. I'm doing fine. Michael Yeah, you're on a nice career path there.Man: I got a messagefor your friend max. Stop looking. The person i work for will do whatever is necessary to stop him. Whatever is necessary. Michael Whatever, dude.[Gunshot]Man: don't be such a smart ass. Maybe that's your problemin school, too. Don't make me come back to Utah.[Maria arrives in Utah]Maria: Why can't these aliens ever get in trouble somewhere decent? Like Graceland or Tahoe or New Orleans. No, Utah. Mormons andmountains.Liz: Oh, my god, Maria. I can't believe you're here.Maria: Who am i, liz? Of course I'm here.Liz: Ok, thanks. Now give me some sugar.Maria: Hi. Mmm. Hi. Ok, first of all, I have some fresh green lime piefrom the Crashdown.Liz: Oh, Maria, you-- you are a goddess. You know, if you were a boy, I would--Maria: ok, no, don't go there, girlfriend. All right, now i talked to everyone involved, and I got the total unadulteratedscoop. The judge and D.A. of this town are, like, totally sweating it because they have to go before council next month for reappointment and they haven't caught a criminal in, like, a decade, so they're basically out foryour scalps. Ok, that's all i have. Now it's your turn. Spill. Last i heard, you and max were trying to take it slow.Max: What? Mmm. What's going on, liz?Liz: Do you love me?Liz: Yes. How much do youMax: who areyou?Liz: Look at this.Max: How'd you find this?Liz: I spent 16 hours at the main branch of the library in Albuquerque. The diamond's owned by Delores Browning, one of the 10 wealthiest women in the world.Max:Where is it?Liz: It's on permanent loan at the Tate museum in London. But it's gonna be the main event in a traveling exhibit. It'll be in Santa Fe in two weeks.Liz: No, no, no, no, no. I want to do this with you, max.Together.Max: Why?Liz: Because if i had lost a child, I would want you to help me find him. But that's only part of the reason. The other part is that i don't want you to slip away from me. I know what it's like to be withyou, and I know what it's like to be apart from you. And I would rather be with you.Max: I don't know if i could live with myself if anything ever happened to you.Liz: Max, you're an alien king. What could ever happento me?[In the present], Isabel knocks on Jesse's doorIsabel: thank you for this meeting, Mr.. Ramirez.Jesse: No problem, Isabel.Isabel: Mmm! Why didn't you tell me you were here?Jesse: I was working all night withyour father. I couldn't call.Isabel: Oh, I just wish this could all be out in the open.Jesse: I'm still not sure why it can't be.Isabel: Well, there's the fact that you're 26 and I'm barely legal.Jesse: you're an old soul. Youhave clearly lived before.Isabel: You have no idea. So, what were you and my father holding back from us before?Jesse: What do you mean?Isabel: I saw the look between the two of you earlier. Clearly you're nottelling us the whole story. Jesse...Jesse: Last year there was a robbery in the county. A kid died. No one was ever charged, and the local prosecutor got a lot of heat for it. So... This town is looking for someone tohang.Jesse: Max and liz picked a bad place to play bonnie and clyde.[Telephone rings]Jesse: hello? Philip. Oh, just, uh, working on some research. Ok, I'll be right over. That was your dad. They found evidence.[Sceneswitches to the past, and the museum]Max: The honor's mine. So you're the Delores Browning?Mrs. Browning: Well, I don't usually put an article before my name but, yes, I am.Max: So what's it like to actually own allthese diamonds?Mrs. Browning: I only own some of them. Well, most of them, actually. So you're-- max. And you're not really ly a waiter. You're really an aspiring artist or actor or--Max: no. I'm just a waiter.Mrs.Browning: A waiter? [Laughs] god bless you.Liz: What the hell are you doing?Max: Oh, liz.Liz: What the hell are you doing?Max: Nothing.Liz: Nothing. I can't believe you. How many times have i stuck my neck out foryou, and you are standing here obviously flirting with a woman obviously-- come on, she's, like, twice your age.Max: Liz, calm down.Liz: : Calm down!Max: I better be going. I'm sorry.Liz: Oh, my god! You'reapologizing to this bimbo?!Mrs. Browning: Excuse me?Max: Liz, let's just walk away and forget it.Liz: Forget it. You think that's your answer to everything, isn't it, max? Forget everything, ignore everything.SecurityGuard: Excuse me, ma'am. Could you come with me, please?Liz: Can you please not touch me?! Listen, this is what he does, ok? You, you're not special. He does this to everyone. You are a little bit too desperate to seewhat is really going on here!Max: Liz, will you just stop it?Liz: Why?!Mrs. Browning: Young lady, I don't think you have any idea who you're speaking to.Liz: Oh, I don't, huh?Mrs. Browning: Ohh!Max: Don't touchher![Max pushes a guard, the diamond falls, and Max does a somersault and catches it][Alarm bell rings]Max: I believe this is yours. I'm sorry.Liz: Get me out of here.Max: Liz--Liz: you have humiliated me again. Nowget me out of here. Did you get it?Max: Of course i did. We did it.Liz: You were brilliant.Max: No, you were brilliant.Liz: That was so exhilarating.Max: I know.Liz: You know, just the fact that we, like, pulled it off.everything. It's just, like, anything's possible right now. And then throwing that champagne at that woman, it was so cathartic. Look, and, max, I know what we did is totally... Totally wrong and completely illegal, but Ijust loved it. You know? In a million years, in one million years did you ever think? Yeah. So, now that the diamond, we have to find the spaceship, right?Max: Well, not right this second.Liz: Ok.[Giggles][SCENE_BREAK][At Liz's home]Mr. Parker: Liz! It's 2:00 in the morning. Where the hell have you been?Liz: Upstairs.Mr. Parker: Where were you?Liz: Nowhere.Mr. Parker: And what are you wearing?Liz:Clothes.Lawyer: That's just the way things work here. She'll be fine.Mr. Evans: Nancy, Jeff, hi. Mr. McGregorLawyer: Nice to see you again, Mr.. Evans.Mr. Parker: Mr. McGregor here was just giving us the inside scoopon the Salina court system.Mr. Evans: Ah, how generous.Lawyer: Well, nice to meet you folks. Nancy, Jeff. You're good people. Your daughter deserves her best shot.Mr. Evans: What was that about?Mr. Parker: He'strying to put our kids in jail.Mrs. Evans: Mr. McGregor just feels that we'd be better off pleading guilty.Mr. Evans: Well, he'd certainly be better off. He's a prosecutor. His job is to get a guilty plea.Mr. Parker: But he saidthat if we plead not guilty, it could provoke the judge and he'd be that much more likely to transfer the case to a criminal court.Mr. Evans: Jeff, if we plead guilty to a felony, then there's a case against them in criminalcourt. We can't give them that option. Believe me, I know what I'm doing.Mrs. Parker: No, it's just this isn't personal, Phil. It's just that you're a corporate lawyer and this is not your area of expertise.Mr. Evans: Nancy,Jeff, that man you were talking to wants a guilty plea, and he'll say and do anything he has to to get it. If we plead guilty, I guarantee you this case is going to criminal court. Look, our children are in this together.We're all in this together. Believe me, I am doing right by your daughter.[Scene switches to court]Judge: Do you understand the charges against you?Max and liz: Yes, your honor.Judge: How do you plead?Max: Notguilty.Liz: Not guilty.Judge: All right, then, you can have a seat. Now, mr. Mcgregor and Mr.. Evans, I've reviewed the material you've submitted--Mr. Evans: your honor, before you make a ruling on this, I haveadditional material that i feel is critical to this case.Judge: All right, let's see it, Mr.. Evans.Mr. Evans: Thank you. These are 4 recent rulings in Utah state courts, all of which disallowed dna matches from hair follicles tobe submitted as evidence. Uh, your honor, in consideration of the fact that these few strands of hair are the only physical evidence in this case and there are no priors on eitherr defendant who are both standoutstudents and members of their community, I ask that this matter be dismissed.Judge: All right. Well, thank you, Mr.. Evans, I'll take that under consideration.Judge: Max evans. It's the decision of this court that you bereleased to the custody of your parents, that you be returned to your home state of New Mexico if you will agree not to return to the state of Utah until your 21st birthday. Do you agree with that, Mr.. Evans?Max: Yes,your honor.Judge: Very good. Have a seat. Elizabeth parker. Now, your voice and your height match the description of the person in possession of the firearm. Armed robbery's one of the 10 crimes punishable underUtah's serious shooter offender act. Therefore it is my decision to transfer your case to the criminal court system.Mr. Evans: But, your honor, there was no gun found. The only mention of a gun was from the testimonyof a clerk whose credibility--Judge: I've made my decision, Mr.. Evans. This is for another court to consider.Mrs. Parker: Oh, my god!Mrs. Parker: You can't do this!Mr. Evans: Your honor, this girl has never so much asjay-walked. She's one of the best students in Roswell high.Judge: Well, you're not in Roswell, counsel. This hearing's adjourned.Mrs. Parker: Oh, my god, no! No, you can't take her! You can't--no!Mr. Evans: It'll be ok.Liz-- liz, we'll talk, ok?[Later in the courthouse]Lawyer: liz, i've reviewed your case with your parents, and my advice as your attorney is to try to make a deal.Liz: What kind of deal?Lawyer: You're a good kid, liz. Honorstudent, clubs, activities. Maybe you fell in with a bad crowd, met a guy with a problem. Maybe max dragged you into this.Liz: You want me to sell max out?Lawyer: He sold you out when he made you walk in thereholding that gun.Liz: We're in this together.Mrs. Parker: Not anymore. Honey, you could go to jail for 20 years.Lawyer: Let's talk about the gun. Did max convince you to hold it? How'd you get it to begin with?[Sceneswithces to the past]Liz: So, why do we need this?Max: Road trip.Liz: Where?Max: I did some research at the UFO center. There are 5 government storage facilities large enough to hold the ship. It's gotta be in one ofthem.Liz: I don't see a government facility , do you?Max: Let's take a look.Max: Don't worry. It won't be loaded.Liz: To go in there with a gun, that's a felony. Why can't I just distract the clerk?Max: That's not enoughtime. I need at least 5 minutes to get downstairs, see if the ship's there, and if it works.Liz: And what if it works? I mean, you go off to Antar and what? I mean, what if you never come back?Max: I will come back. AndI'm not leaving yet. First I have to see if this is even a possibility. I'm gonna have to figure out how to navigate it.Liz: We can't get caught.Max: We won't.[In the present, Max opens Liz's cell]Max: Let's go.Liz: What doyou mean?Max: Let's get out of here.Liz: Max, and then what? Just be on the run the rest of our lives? We'd never be able to go home again.Max: That's not as bad as it sounds.Liz: No, max, i'm sorry, but that's justtoo far for me. I'm not ready to give up my home or my family.Max: I wish we could trade places.Liz: No. No, no, no, max. Ok, I don't. You're free. We came here for a reason because your son is in trouble. Now you"}
+{"doc_id":"doc_112","qid":"","text":"Buffy is napping in Angel's bed. Angel is watching her sleep. He smiles at her as she wakes.Buffy: (smiles) What? Do I have funny bed hair or something?Angel: Or something?Buffy: I guess we got a little carried awaywith the whole post-slayage nap thing. (feels her hair) Ohhh, not good. (sits up)Angel: Where you going?Buffy: To go kill a cat on my head.Angel: No mirrors.Buffy: You know, this place really isn't girl-friendly. Nomirrors, no natural light.Angel: I think you look perfect.Buffy: Oh yeah, I really like... Okay! (lays down) Maybe we should think about getting a few mirrors. And maybe a drawer, you know, for some of my stuff.Because that's what couples do, they have drawers.Angel: Mmmm, that's right.Buffy: You know, I-I figure, that way sometimes I could spend the night. Like, after the prom, it would be nice to be able to just come backhere and spend some time together.Angel: The prom?Buffy: End of high school rite of passage thingy. Think cotillion with spiked punch and electric slide.Angel: Right.Buffy: Oh, don't worry, it's at night. And lots of girlshave older girlfriends. You'll blend.Angel: I think maybe you should go, hunh?Buffy: Noo.. must be a few more hours before sunrise. Buffy gets up and walks to the window. When she pulls back the blackout curtain, itlets in a blast of sunlight directly onto the bed. With an exclamation, Angel rolls out of bed away from the light, apparently unharmed. Buffy pulls the curtains closed suddenly.Buffy: Ooh, sorry. I guess it's later than wethought. Angel has a worried look. Opening credits.[SCENE_BREAK]Daylight outside Sunnydale High. Xander is walking slowly when Anyanka intercepts him and walks beside him.Anya: Xander!Xander: Well, hey, it'sdemon Anya, punisher of evil males. Still haven't got your powers back? (serious) You haven't right?Anya: No. I will, though. It's just a matter of time.Xander: So now, how did that work? Women would wish horriblethings upon their ex-boyfriends. You'd show up and make it happen.Anya: That's right. The power of the Wish made me a righteous sword to smite the unfaithful.Xander: Well, hey! Good luck with that. Hope it worksout for you.Anya: You know, you can laugh, but I have witnessed a millenium of treachery and oppression from the males of the species and I have nothing but contempt for the whole libidinous lot of them.Xander:Then why you talking to me?Anya: (averts her eyes) I don't have a date for the prom.Xander: Well gosh. I wonder why not. It couldn't possibly have anything to do with your sales pitch?Anya: Men are evil. Will you gowith me?Xander: One of us is very confused, and I honestly don't know which.Anya: You know, this happens to be all your fault.Xander: My fault?Anya: You were unfaithful to Cordelia so I took on the guise of atwelfth-grader to tempt her with the Wish. When I lost my powers I got stuck in this persona, and now I have all these feelings. I don't understand it. I don't like it. All I know is I really want to go to this dance and Iwant someone to go with me.Xander: Be still my heart. Oh wait, it is. How come I got the short straw?Anya: You're not quite as obnoxious as most of the alpha males around here. Plus I know you don't have a date.<!-- implying Xander is an alpha male? -->Xander: I haven't settled on anyone yet.Anya: Fine. Look, I know you find me attractive. I've seen you looking at my breasts.Xander: Nothing personal, but when a guy doesthat, it just means his eyes are open.Anya: Whatever. Look, do you wanna go with me or not? Silence.Cut to a picnic table outside the school, still daylight. Oz, Willow, Buffy, and Xander.Oz: Anya, huh? Interestingchoice.Xander: Choice is kind of a broad term for my situation. See, it's either Anya or the sock puppet of love for this boy. (holds his right hand in puppet shape, speaks in silly voice) I love you, Xander. I'll never leaveyou.Willow: Well, if Anya tries to get you killed, put me down for a big 'I told you so.'Xander: (puppet) Who's this Anya? Is she prettier than me?Willow: She just better not try to cross me. That's all I'm saying.Buffy:Well, at least we all have someone to go with now. Some of us are going with demons, but I think that's a valid lifestyle choice. More importantly, I have the kick dress.Willow: Ooh, the pink one?Buffy: Angel's gonnalose it. But not his soul. He's gonna lose it. His it.[SCENE_BREAK]In Angel's mansion. He picks up one of Buffy's notebooks and sees a doodle, \"Angel & Buffy 4 Ever!\" There is a knock at the door. He opens it, careful toavoid the sunlight, and lets Joyce inside.Angel: Mrs. Summers.Joyce: I'm sorry to, uh... Well, I would have called, but, you know.Angel: Please, you're always welcome.Joyce: My goodness, your place is amazing.Angel:Yeah, I like a lot of space. I don't get out much during the day.Joyce: No, you wouldn't. (Her gaze pauses on a set of manacles that are fastened to a wall.)Angel: Can I get you something? I don't have any coffee.Joyce:Oh, no thank you, I, uh... You don't drink? Beverages, I mean?Angel: No, I do. It's just the caffeine. It makes me jittery.Joyce: Oh. I understand Buffy spent the night.Angel: I'm sorry about that. We came back afterpatrol.Joyce: I, I'm not interested in the details. That's not why I'm here.Angel: Okay.Joyce: I'm here because I'm worried about you two. In general.Angel: What happened before, when I changed, it won't happenagain.Joyce: That's not all I'm concerned about. I don't have to tell you that you and Buffy are from different worlds.Angel: No, you don't.Joyce: She's had to deal with a lot. Grew up fast. Sometimes even I forget thatshe's still just a girl.Angel: I'm old enough to be her ancestor.Joyce: She's just starting out in life.Angel: I know. I think about it more now that she's staying in Sunnydale.Joyce: Good. Because when it comes to you,Angel, she's just like any other young woman in love. You're all she can see of tomorrow. But I think we both know that there are some hard choices ahead. If she can't make them, you're gonna have to. I know youcare about her. I just hope you care enough.[SCENE_BREAK]In the library. Willow, Oz, Buffy, and Xander.Buffy: So it was blue and sorta short.Willow: Not too shore, medium. And it had this weird, sorta fringey stuff onits arms.Giles: (walking in) What's that, a demon?Buffy: A prom dress that Will was thinking of getting. Can't you ever get your mind out of the hellmouth?Giles: I'd be delighted to. However, the day of the Mayor'sAscension is fast approaching and we don't know what to expect.Xander: Well, what about the pages that Will stole from the Mayor's book? Look, she put her life on the line there, pal. Don't tell me they're useless.Giles:On the contrary, no, we, uh, we know the Ascension refers to a human transforming into a demon, the living embodiment of an immortal. And Graduation Day, our Mayor Wilkins is scheduled to do just that. Wesleyenters, followed closely by Cordelia.Wesley: (enters) Trouble is, we don't know which demon he is going to become.Giles: There are thousands of species.Wesley: So, it's safe to say we shouldn't waste any time of suchtrifling matters as a school dance.Cordelia: Well, that's too bad, because I bet you would look way 007 in a tux.Wesley: Except, of course, on the actual night, I will be aiding Mr. Giles in his chaperoning duties.Giles:What? Excuse me? Fine, fine, fine.Buffy: (to Willow) We'll get you a dress. You know, we should check April Fools.Cordelia: Don't go there! I shop there.Xander: I myself am dipping into my road trip fund to procure ashiny new tux, so look for me to dazzle.Giles: And I myself will be wearing pink taffeta as chenille would not go with my complexion. Can we *please* talk about the Ascension?Buffy: Giles, we get it. Miles to go beforewe sleep. But especially if we're all gonna vaporize or something on Graduation Day, we deserve a little prommy fun. One night of glory, not to much to ask.[SCENE_BREAK]Daylight. Exterior shot of a dingy suburbanhouse. Inside. A hand loads a videotape into a VCR. Pan to a snarling creature, roughly humanoid, in a wire cage. The creatures struggles are warping the cage sides. One corner has already comeloose.[SCENE_BREAK]Daylight. Exterior shot of a cathedral. Inside. Angel and Buffy in wedding clothes stand at an altar before a priest.Priest: Into this holy estate, these two persons present now come to be joined. Ifany man can show just cause why they should not be lawfully joined together, let him speak now, or else, hereinafter, hold his peace. The priest's voice fades under the swelling music. The camera pans around thecouple until it looks from the priest's viewpoint. Behind them, the chapel is empty. The doors at the back are open, and the sunlight is bright against the interior darkness. They exchange rings. They kiss. They walk tothe exterior doors, hand in hand. The music turns darker. Buffy looks very happy, but Angel looks apprehensive. As they leave the church, they separate and stand a few feet apart at the top of the steps. Angel squintsup at the sky, but does not burst into flame.Buffy: Angel? A flame appears on Buffy's exposed skin and rapidly engulfs her. Angel looks on in shock. Buffy burning body crumbles to ashes. Angel wakes up from thenightmare.Fade to commercial.[SCENE_BREAK]In a sewer tunnel. Buffy and Angel enter through a manhole in the roof of the tunnel and start walking.Buffy: I always say patrol's not complete without a trip to the stinkysewers.Angel: I'm sure I saw him come down here.Buffy: Couldn't we just let this be the vamp that got away? We could say he was this big. (Holds hands apart, like a fish story.)Angel: What can I say? I needclosure.Buffy: You need clothes. You don't have a tux, do you?Angel: Since when did patrolling go black tie?Buffy: For the prom, silly.Angel: We have more important things to think about right now than a dance,Buffy.Buffy: Sorry, Giles. I'll just be quiet.Angel: Come on, don't be that way. A vampire drops from the roof, growling.Buffy: Not now. Buffy casually stakes the vampire and turns to Angel.Buffy: I'm not being thatway. Every time I say the word 'prom', you get grouchy.Angel: I'm sorry. I'm just worried that you're getting too...invested in this whole thing.Buffy: What whole thing? Isn't this the stuff that I'm supposed to getinvested in? Going to a formal, graduating, growing up.Angel: I know.Buffy: Then what? What's with the dire?Angel: It's uh, it's nothing.Buffy: No, you have 'something' face.Angel: I think we need to talk, but not nowand not here.Buffy: No. No, if you have something to say, then say it. (silence) Angel, drop the cryptic. You're scaring me.Angel: I've been thinking... about our future. And the more I do, the more I feel like us, you andme being together, is unfair to you.Buffy: Is this about what the Mayor said? Because he was just trying to shake us up.Angel: He was right.Buffy: No. No, he wasn't. He's the bad guy.Angel: You deserve more. Youdeserve something outside of demons and darkness. You should be with someone who can take you into the light. Someone who can make love to you.Buffy: I don't care about that.Angel: You will. And children.Buffy:Children? Can you say jumping the gun? I kill my goldfish.Angel: Today. But you have no idea how fast it goes, Buffy. Before you know it, you'll want it all, a normal life.Buffy: I'll never have a normal life.Angel: Right,you'll always be a Slayer. But that's all the more reason why you should have a real relationship instead of this, this freak show. (Buffy is stunned.) I didn't mean that.Buffy: I'm gonna go.Angel: (grabs her arm) I'msorry. Buffy, you know how much I love you. It kills me to say this.Buffy: Then don't. Who are you to tell me what's right for me? You think I haven't thought about this?Angel: Have you, rationally?Buffy: No. No, ofcourse not. I'm just some swoony little schoolgirl, right?Angel: I'm trying to do what's right here, okay? I'm trying to think with my head instead of my heart.Buffy: Heart? You have a heart? It isn't even beating!Angel:Don't.Buffy: Don't what? Don't love you? I'm sorry. You know what? I didn't know that I got a choice in that. I'm never gonna change. I can't change. I want my life to be with you.Angel: I don't.Buffy: You don't want tobe with me? I can't believe you're breaking up with me.Angel: It doesn't mean that I don't ...Buffy: How am I supposed to stay away from you?Angel: I'm leaving. After the Ascension, after it's finished with the Mayorand Faith. If we survive, I'll go.Buffy: Where?Angel: I don't know.Buffy: Is this really happening?Fade to a cityscape showing the moon hanging in the night sky. Switch to Buffy, alone and miserable. Switch to Angelstaring into his fireplace.[SCENE_BREAK]Daylight. Exterior shot of the Summers house. In Buffy's bedroom, Buffy and Willow sit cross-legged on the bed.Willow: So, that's it?Buffy: That's it. Assuming we survive thisAscension thing, he's gonna leave town.Willow: Well, he's a fool. He's just a big, dumb, jerk person if you ask me. And he's a super-maxi-jerk for doing it right before the prom.Buffy: It's not his fault. He's 243 yearsold. He doesn't exactly get the prom.Willow: But he should, if ...Buffy: Will, it's okay. You don't have to make him the bad guy.Willow: But that's the best friend's job, vilifying and grousing.Buffy: Usually, yeah. But he'sright. I mean, I think, maybe in the long run, that he's right.Willow: Yeah, I think he is. I mean, I tried to hope for the best, but... I'm sorry. It must be horrible.Buffy: I think horrible is still coming. Right now, it'sworse. Right now, I'm just trying to keep from dying. (her face contorts in pain)Willow: Oh Buffy. Buffy leans over into Willow's lap and starts sobbing.Buffy: I can't breathe, Will. I feel like I can'tbreathe.[SCENE_BREAK]Exterior shot of the dingy house. Inside, the creature in the cage is struggling violently against its chains. The cage sides bend and finally it escapes. It scrambles out of theroom.[SCENE_BREAK]April Fools dress shop. Xander is walking on the sidewalk and sees Cordelia inside. He enters. Cordelia is admiring the same dress he saw in the previous episode (Choices).Xander: Okay, how longdoes it take you to buy a damn dress?Cordelia: Xander! I, uh, I'm considering things a little more carefully nowadays. I don't want to get stuck with another dud.Xander: Well this should work for you. It positivelyscreams nympho.Salesgirl: Is this a customer or a friend?Xander: Neither. Just stopped by for my daily helping of bile.Salesgirl: So you better get back to work and quit goofing. Mrs. Finkel so has it in for you. Quickshot of the supervisor glancing back at Cordelia.Xander: You work here?Cordelia: Yes. Yes, I work here.Xander: But, uh, why?Cordelia: I'm trying to buy a dress.Xander: But don't you already have all thedresses?Cordelia: I have nothing, okay? No dresses. No cell phone. No car. Everything's been taken away because Daddy made a little mistake on his taxes. For the last twelve years. Satisfied? Are you a happy Xandernow? I'm broke. I can't go to any of the colleges that accepted me. And I can't stay home because we no longer have one.Xander: Uh, wow.Cordelia: Yeah, neato. Now you can run along and tell all of your friends howCordy finally got hers. How she has to work part time just to get a lousy prom dress on layaway. And how she has to wear a name tag. Oh, I'm a name tag person. Don't leave that out. The story just wouldn't have thesame punch. The escaped creature from the dingy house bursts through the front window of the shop. Xander pushes Cordelia out of harm's way and attempts to grapple the creature. It pushes him down and jumps ontop of him. Then it sees a man wearing a tux and attacks that man, rending and tearing savagely.[SCENE_BREAK]In the library. The Scooby Gang (including Wesley) sit around the table watching a surveillance tape ofthe attack.Xander: Right there. See, it's, it's like he just realized he forgot to put money in the meter or something.Cordelia: You know the part that totally weirded me out? That thing had good taste. I mean, he chucksXander and went right for the formal wear.Xander: That's right. He left behind his copy of Monsters Wear Daily.Cordelia: I'm serious. Look at the outfit that Xander's wearing. Now look at the kid that the monster wentafter. Very smooth lines, 'til he was shredded.Buffy: I don't want to see it again. Giles: Buffy, I know it's horrible, but if you're going to hunt this creature, you should study it.Buffy: Think I got it.Willow: She's right. Imean, you've seen one big hairy bringer of death, you've seen 'em all.Wesley: If I'm not mistaken, this is a hellhound.Giles: Yes. It's particularly vicious. It's sort of a demon foot soldier bred during the Machash Wars.Trained solely to kill. They feed off the brains of their foes.Cordelia: Look! Right there, zoom in on that.Xander: It's a videotape.Cordelia: So? They do it on television all the time.Xander: Not with a regular VCR theydon't.Wesley: Perhaps we could stay on the topic for once. What were you doing this afternoon?Cordelia: What? Um, I was...Xander: Burning a hole in daddy's wallet, as usual. I just bumped into her during my tuxedohunt.Oz: What's that? Pause it.Xander: Guys! It's just a normal VCR. It doesn't... Oh wait, uh, it can do pause. When the picture is paused, a male teen can be seen peering through the shop's broken window.Xander:Hello, hellhound raiser.Cut to a closeup of a class yearbook.Oz: Tucker Wells. He's in my chem lab.Wesley: Let me guess. He was quiet, kept to himself, but always seemed like a nice young man.Oz: He didn't seem themurderous type anyway. Something must have happened to him.Xander: How's it going over there, Buff?Buffy: Fine.Xander: Well, I just wanted to say that your impersonation of an inanimate object is really comingalong.Buffy: Thanks.Willow: Ooooh! I got into Tucker's e-mail account. Listen to this message Tucker sent to this kid David Metz at school last week. The Sunnydale High lemmings have no idea what awaits them. Theirbig night will be their last night.Giles: So, we have a threat against the students on their big night, a hellhound trained to attack people in formal wear...Cordelia: Oh, are we all catching up now?Giles: Tucker is planningto attack the prom tonight.Oz: Once again, the Hellmouth puts the special in special occasion.Xander: Why do I even buy tickets for these things, I ask you?Willow: Wonder if I can take my dress back?Buffy: (wakes up)Don't you dare.Willow: But Tucker is going to...Buffy: No! You guys are going to have a prom. The kind of prom that everyone should have. I'm going to give you all a nice, fun, normal evening if I have to kill everysingle person on the face of the earth to do it.Xander: Yay?Fade to commercial.[SCENE_BREAK]Still in the library.Buffy: Okay, Wes, why don't you go to Tucker's house. He's probably not there, but it's worth ashot.Wesley: Alright. Perhaps strength in numbers would be ...Buffy: You can take Cordy.Wesley: If that's your plan, alright, alright. What about the others?Buffy: Oz, you said you know this David kid that Tuckere-mailed? Why don't you and Will track him down? See what he knows, if he's involved?Willow: We're on it.Buffy: (to Wesley) And you know what? Could you two check the magic shop?Wesley: Magic shop?Buffy: Yeah.It's right next to the dress store on Main.Xander: I can swing that one. What's the mission?Buffy: See if anyone's been in, buying supplies to raise a hellhound.Xander: Gotcha. Or check and see who's been stocking upon hellhound snausages. I hear those pups will do anything for a tasty treat.Buffy: Giles, you said this thing eats brains. Any brains?Giles: Um, I suppose.Buffy: Then Tucker must be feeding it, right?[SCENE_BREAK]Cutto a meat packing plant. Buffy is walking next to hanging carcasses with a guy in a white coat and a hard hat.Packer: Yeah, yeah. This kid orders cow brains a couple of times a week. Goes to this address. (hands her anote) Good luck. He's a weird kid.Buffy: Thanks. Thanks a lot.The packer walks away. Buffy looks up to see Angel nearby, paying another packer for a plastic bag. He sees her.Angel: What are you doing here?Buffy:Hello to you too.Angel: Sorry. I'm just surprised.Buffy: Me too. I don't know why though. Where did I think you get your blood, McPlasma's?Angel: How are you?Buffy: Right as rain, whatever that means. Don't look atme like that. I can lie to you if I want to now. We're ex, remember?Angel: If it means anything, I miss you.Buffy: Could we not, please? When I think about us, I have this tendency to sort of go catatonic. And I reallycan't afford to do that right now. Gotta stop a crazy from pulling a Carrie at the prom.Angel: You still planning to go?Buffy: Strictly in the chaperon capacity. But it's fine. I mean, the... I'm cool with going stag. I'm overthe whole Buffy gets one perfect high school moment thing. But I'm certainly not going to let some subhuman ruin it for the rest of the senior class.Angel: Let me help you.Buffy: I'm okay.Angel: If you ever need myhelp...Buffy: Look, I got it! (pause) Thanks. (leaves)[SCENE_BREAK]In the dress shop. Cordelia is leaving work.Salesgirl: Hey! Don't forget your dress. Aren't you wearing it tonight?Cordelia: As much as I hate to admit"}
+{"doc_id":"doc_113","qid":"","text":"THE SUN MAKERSBY: ROBERT HOLMESPart FourRunning time: 24:57[SCENE_BREAK]COLLECTOR: That noise, Hade. Can't something be done about it? We shan't hear her.HADE: It's vibration in the exchanger, yourMagnificence.COLLECTOR: I know what it is. I don't want my pleasure ruined by it.MARN: Her cries will be clearly audible, your Honour.COLLECTOR: What's that? The subtleties will be lost. The deeper notes of despair,the final dying cadences. The whole point of a good steaming is the range it affords.HADE: Marn. Er, no. I'll see if the discriminator can be adjusted, your Immensity.[SCENE_BREAK]MANDRELL: Doctor, can you hearme?[SCENE_BREAK]MANDRELL (OOV.): I can't give you any longer.[SCENE_BREAK]MANDRELL: The exchanger's going to blow any second.[SCENE_BREAK]MANDRELL (OOV.): Get out, Doctor. Get out ofthere!COLLECTOR: What was it?HADE: I thought I heard someone say Doc-Tor, your Sagacity. It wasn't the girl. There hasn't been a peep out of her.COLLECTOR: Precisely, Hade. Something has gone wrong. Order theguards to investigate.HADE: Immediately, your Omniscience. Come along, Marn![SCENE_BREAK]SYNGE: Flow valves open.MANDRELL: Main pumps in.SYNGE: Sixty atmospheres, still rising.MANDRELL: Plug auxiliariesin. Quick!SYNGE: Auxiliaries in. She's cooling, look.MANDRELL: We've made it. Unless the air plates have buckled, Synge.SYNGE: Let's hope they haven't.CORDO: Do you think the Doctor got out in time?BISHAM: If hedidn't, he wouldn't have known much about it.MANDRELL: We gave him his two minutes. More than his two minutes.CORDO: Listen. In the vent! He's made it!CORDO: Leela!DOCTOR: Who was making all thatnoise?MANDRELL: I was, Doctor.DOCTOR: I told you not to use that radio link.BISHAM: We had to tell you that your time was up, Doctor.DOCTOR: You told the Collector, too! That fish-blooded sadist had Leela's casketwired for sound.LEELA: What's happening? What's he doing here?CORDO: We've sired a revolution, Leela. Down with the Company, eh, fellas!DOCTOR: Ah, ah, Cordo. We've got a great deal to do yet.BISHAM: It'sgoing well, though, Doctor.DOCTOR: Is it?BISHAM: The PCM is clearing from the air faster than I expected. It's down ten points already.MANDRELL: All my men are out putting some fight into the work units. If just oneDistrict joins the resistance the word'll spread through the whole City.DOCTOR: Shush. Where's the public video system controlled from?MANDRELL: The Collector's Palace.BISHAM: Yes, he runs everything from theComputer room. Why, Doctor?DOCTOR: If the public video system announced there'd been a successful rebellion, think of the effect.LEELA: Everyone would believe it.DOCTOR: Right.BISHAM: Yes, but the Palace isguarded by his Inner Retinue.DOCTOR: He's guarded by his Inner Retinue, and most of them are down there with him. Come on, Leela, let's go.LEELA: MegroGuards! MegroGuards coming this way!DOCTOR: Everybodykeep calm, keep calm. Keep quiet. You two back there. You three over there. Leela, behind the door.SYNGE: What do you want here?CORDO: All right, drop your guns.DOCTOR: All right, tie them up.DOCTOR: Prettysoon the whole place will be under siege here. K9? (to Bisham) I want you to hold out as long as possible.BISHAM: Yes, Doctor.CORDO: We'll do it, Doctor.DOCTOR: Of course you will.CORDO: Now we have moreweapons, we can hold the corridor.DOCTOR: Good man. K9?LEELA: K9?DOCTOR: K9?ALL: K9?DOCTOR: K9, where are you?K9: Master.DOCTOR: Ah, there you are. Now, listen. I want you to give my friends all the helpthey need. You understand?K9: I am at full offensive capability, master.DOCTOR: You're a good dog. Come on, Leela. Gentlemen, good luck.BISHAM: Thank you, Doctor.MANDRELL: Right,Doctor.[SCENE_BREAK]COLLECTOR: An unprofitable operation, Hade.HADE: Your Supernal Eminence, I simply can't understand it. No one has ever endured a steaming without vocalising in the most gratifyingfashion.COLLECTOR: A complete waste of time. And we've lost point oh four seven percent in production. Unpaid overtime to be introduced immediately for all work grades. See to it!HADE: Without fail, Monstrosity,without fail.COLLECTOR: What is it?COMMANDER: Your Excellence, sir. Some minor disturbances. It may not be wise to travel in the subways until the trouble has been suppressed.COLLECTOR: Whattrouble?COMMANDER: It appears that some of the work units are refusing to leave their dormers, Excellency.HADE: Refusing to leave? I've never heard of such a thing.COLLECTOR: This situation must be normalised.Any sustained unrest among the workforce will adversely affect Company profitability.HADE: Sing adoration to our Company!COMMANDER: I have dispatched a division of the retinue, Excellency. The account will beswiftly settled.COLLECTOR: With interest, Commander. They must be made to pay.HADE: I will introduce a swingeing output linked penalty tax in my next monthly budget, your Corpulence.COLLECTOR: The Doctormust be behind it. I sense the vicious doctrine of egalitarianism, Hade.HADE: Everyone knows your senses are infallible, your Promontory.COLLECTOR: Have the guards reported from Main Control yet?HADE: No, yourOmnipresence. My underling Marn is investigating.COLLECTOR: Not good enough, Hade. Not good enough. I am noting your work rate.HADE: I will instigate action myself, your Aggrandizement. Instantly.Immediately.[SCENE_BREAK]CORDO: You'll never believe this, Bisham, but I'm really beginning to enjoy myself.BISHAM: The air's better without PCM, isn't it.SYNGE: Yes, we'll never pay breathing tax to the Companyagain.MANDRELL: Oh, we'll pay no more taxes, brother. The Gatherer's got his last talmar off of us.CORDO: I feel so good, like a new man!MANDRELL: Keep an eye on the corridor, Cordo, or you'll be a dead newman.CORDO: All right, Mandrell. I know. K9's got it covered.SYNGE: I wonder what's happening in the subways and dormers?BISHAM: Theoretically, the dispersion rate of the PCM should be slower down there, butthere should be something happening by now.MANDRELL: If the work units turn, the guard'll really have their hands full.[SCENE_BREAK]GUARD: Come on, move yourselves. Report for work at once. Work!Work!GUARD: Collector's orders.GOUDRY (OOV.): Strike, brother. Join us, or get out.GUARD: Who said that? Who was it?GOUDRY: Me. Nobody works today.VEET: Nobody works today.GUARD: That's mutiny againstthe Company. You've just earned yourself an early death day, Citizen.[SCENE_BREAK]DOCTOR: No, no, no.LEELA: Why not?DOCTOR: No, don't kill him. He hasn't done you any harm.LEELA: Then I shall kill him beforehe does.DOCTOR: No. Get up. Come on, get up.LEELA: Doctor, the last one I spared got away and warned his comrades. That is why I was captured.DOCTOR: Then we'll make sure this one doesn't get away. Here, lookat me. Look at me! Now listen. It's your sleep time. Sleep time. You're feeling very sleepy. Very sleepy. It's your sleep time. You will go to sleep and stay asleep until I tell you to wake up. Until I tell you to wakeup.DOCTOR: Come on. Come on.DOCTOR: Wake up.LEELA: How did you do that?DOCTOR: What, that? Poof, it's just a knack. You've either got it or you haven't.LEELA: Doctor!DOCTOR: What is it?LEELA: This is wherethe grey one, the Collector, sat.DOCTOR: What, like a spider in the middle of a web?LEELA: Yes, yes.DOCTOR: I understand all this. He has a computer feeding and analysing the daily returns from each Megropolis.Suppose. Suppose he wants to broadcast some pleasing bit of news, hmm? Like the imposition of a double vision tax on people with more than one eye. Well, then, he feeds it into there.LEELA: He fed it intohere.DOCTOR: He did?[SCENE_BREAK]HADE: I fear the situation is worsening, your Grossness.COLLECTOR: Laxity, Hade, laxity and weakness. You have shown them too much kindness. A grave error of judgment.Grinding oppression of the masses is the only policy that pays dividends.HADE: Your Oratundity, my MegroGuards are outnumbered by the rabble. If I could have two divisions of the Inner Retinue?COLLECTOR: The soletask of the Inner Retinue is to protect my person. You've mishandled the situation, Hade. As for your ambition to become Tax Master General. After this, forget it!MARN: Your Honour.HADE: What is it, Marn?MARN: I'vejust heard that some of the work units have gone to the roof of Block Forty to look at our sun.HADE: Outrageous! Sacrilege! The work units are absolutely forbidden to see the light of the sun. It's far too good for them.I'll soon deal with this.COLLECTOR: A combat situation is escalating. Those idiots have let it get out of hand. It is imperative that I return to the Palace to implement my contingency plans.COMMANDER: But Excellency,there's fighting in theCOLLECTOR: Quiet! The Inner Retinue will march around me in close order. Their bodies will shield me. Now hurry.[SCENE_BREAK]LEELA: Doctor, come here.DOCTOR: That should do it.LEELA:Doctor! What is this?DOCTOR: What, that? It's a safe. Company vault.LEELA: Doctor, is thereDOCTOR: Shush.LEELA: Is there something behind the door?DOCTOR: What was that?LEELA: I heard nothing.DOCTOR:Neither did I.LEELA: Then why are we whispering?DOCTOR: I always whisper when I'm opening safes. What is it?LEELA: What are you doing?DOCTOR: I don't know. It always looks so easy.LEELA: Why was itlocked?DOCTOR: I don't know.[SCENE_BREAK]DOCTOR: Why won't you listen to me? Why don't you girls listen to me?[SCENE_BREAK]BISHAM: The PCM in the atmosphere has fallen to three parts in athousand.COMPUTER: Attention all Citizens. Attention all Citizens. Stand by for an important public bulletin. Megropolis One is now under the management of the Citizen's Revolution. The Director, the Tax Gatherer andall other Company officials are to be arrested on sight.MANDRELL: It's happened.[SCENE_BREAK]COMPUTER: All guards are ordered to lay down their arms and join their fellow Citizens in peaceful cooperation.CORDO:There! Stop or we fire. Get her!MARN: Citizens, I'd like to join the Revolution.[SCENE_BREAK]COMPUTER: The rule of the Company is ended. All work places will remain closed until further notice. Long live theRevolution.CORDO: Whee!CORDO: It's over!BISHAM: Cordo!CORDO: We've won!BISHAM: We haven't.CORDO: What?BISHAM: That bulletin was fixed. It was the Doctor trying to push things on a bit.MANDRELL: That'llbring the whole city onto our side. I don't know why you're hesitating.CORDO: Yes! We've got the guns, we should get out and help them.MANDRELL: What do you think, Bisham?BISHAM: Cordo's right. The fight hasmoved on from here.MANDRELL: Synge. You can run things down here.SYNGE: I suppose so, but leave K9 guarding the corridor, just in case, eh?BISHAM: Yes, of course.[SCENE_BREAK]HADE: You there! What are youscum doing up here? This is an abominable crime. An outrage! Leave at once, do you hear me?VEET: It's the Gatherer. It's the Gatherer!HADE: I order you to leave. You'll pay dearly. Keep back! Don't you dare! I'm anofficial of the Company!VEET: And we'll do the same for the Collector when we find him, won't we, Citizens.ALL: Yes![SCENE_BREAK]COLLECTOR: Kindly make less noise.DOCTOR: Oh, I was just checking thebooks.COLLECTOR: Your appearance is not unexpected.DOCTOR: I'm not the Auditor, I'm the Doctor.COLLECTOR: I know.COLLECTOR: If you intend to kill me, as you see, I'm unarmed.DOCTOR: No, I won't kill you.Just close you down.COLLECTOR: An idle boast. Other competitors have tried. Would you care to see our prospectus?DOCTOR: Oh, delighted, delighted.DOCTOR: Hmm. Company solidly based. You've a widelydiversified operational field. Yes.COLLECTOR: You're a fool, Doctor. I shall have you steamed for your interference.DOCTOR: Yes, I cut the answering service not to interrupt our little conference.COLLECTOR: Very well.I see I underestimated you. What are your terms?DOCTOR: Tell me about the Company.COLLECTOR: Ah, you're interested.DOCTOR: Yes.COLLECTOR: Oh, an excellent outfit to work for, Doctor. Progress from mediumto senior management level can be remarkably rapid for the talented executive.DOCTOR: Yes, cut the sales talk. Where's the Head Office?COLLECTOR: Usurius.DOCTOR: Ah. I might have guessed from your squiddylittle eyes. Hmm.COLLECTOR: You are acquainted with our species?DOCTOR: Oh yes, oh yes. The Usurians are listed in Professor Thripsted's Flora and Fauna of the Universe under poisonous fungi.COLLECTOR: I don'tentirely like your attitude. If you want to get on in the Company you have to what? What? Are you mad?DOCTOR: Quite mad. Mad as a hatter.DOCTOR: Tell me, how did you get control of humanity?COLLECTOR: Anormal business operation. The Company was looking for property in this sector, Earth was running down, it's people dying. We made a deal.DOCTOR: Go on.COLLECTOR: Yes. We moved them all toMars.[SCENE_BREAK]COLLECTOR (OOV.): After our engineers had made that planet habitable for their species.[SCENE_BREAK]DOCTOR: And then taxed the life out of them. I mean, to recover your capitalcosts.COLLECTOR: Quite so, quite so. Then, when the resources of Mars were exhausted in their turn, we created a new environment for them here on Pluto.DOCTOR: Phew. What about the four interveningplanets?COLLECTOR: They weren't considered viable by our engineers.DOCTOR: So then you really put the screws on. I mean, the running costs must be very high.COLLECTOR: Six suns to be fueled andserviced.DOCTOR: Six suns. Six! My, my. And so when this planet's exhausted you can move your slave labour force elsewhere?COLLECTOR: Alas, no. There is nowhere else that is economic. This branch willclose.DOCTOR: Leaving the humans to die.COLLECTOR: When the suns have run down, yes. A matter of a few years without fuel. They're not a good workforce in any case. Many of our other operations produce a muchhigher return with less labour.DOCTOR: You blood-sucking leech! You won't stop until you own the entire galaxy, will you. Don't you think commercial imperialism is as bad as military conquest?COLLECTOR: We havetried war, but the use of economic power is far more effective.DOCTOR: YouDOCTOR: Ah. The revolution's getting nearer. What's the Company policy on that?COLLECTOR: It will be quelled. Business will continue asusual.DOCTOR: Oh, wake up. Wake up. Look at the facts.COLLECTOR: I know the facts.DOCTOR: You and a handful of bureaucrats won't put the people back in chains now.COLLECTOR: Then they will die.DOCTOR: Oh,it's you again. What did I say?COLLECTOR: Our conference has gone on too long, Doctor. It is time to implement contingency plan A.COLLECTOR: This switch controls the sprinkler valves throughout the City.DOCTOR:Rain stops play. I don't think that'll damp down this revolution.COLLECTOR: The sprinklers will release dianene, a deadly poison. Within ten seconds, everyone in the City will be dead.DOCTOR: Except you.COLLECTOR:Exactly. I do not breathe air.DOCTOR: No, but this chap at my shoulder, he breathes air.COLLECTOR: Kill him!DOCTOR: Don't be a fool.COLLECTOR: Guard, kill him!DOCTOR: Good throw! Good throw.DOCTOR: What'scontingency plan B?COLLECTOR: Nobody understands business is business.LEELA: What do we do now, Doctor, kill him?DOCTOR: You'll like this bit. You'll like it.COLLECTOR: Nine zero nine! A mistake in the MegropolisSix analysis. Recheck!COMPUTER: Nine zero nine. Recheck. Megropolis Six analysis confirmed correct.COLLECTOR: Commander! Arrest these idiots. I have a problem. Nine zero nine. Megropolis Four analysis. Mistake.RecheckCOMPUTER: Nine zero nine.CORDO: Collector, in the name of the work units, I orderLEELA: People, Cordo.CORDO: Yes. In the name of the people I order you to be tried byDOCTOR: Cordo, I don't think he'slistening.COLLECTOR: Negative surplus. Inflationary spiral uncheckable. Negative growth! This branch is no longer viable.COLLECTOR: We are bankrupt. Business failure. Closure imperative. Cut losses. Liquidate.Immediate liquidation.BISHAM: I'm sorry I'm late. What happened?MANDRELL: Well, I don't know.DOCTOR: I do. He's gone back to his natural form. He was only held in that state by particle radiation. That's why henever left that machine.LEELA: You mean he's in there now?DOCTOR: Oh, yes.LEELA: Well, we could make a hole in it.CORDO: Do you think he'll come out again?DOCTOR: Well, you could put the plug in if youwant.COMMANDER: I don't understand. Why was it necessary for him to make himself look human?DOCTOR: Well, if you'd seen a Usurian you'd know what I mean. They look like sea kale with eyes. I mean, would youtake orders from a lump of seaweed? Huh? Hmm? Cordo?[SCENE_BREAK]DOCTOR: Leela, let K9 in the TARDIS. Goodbye, Cordo.CORDO: I wish you could stay, Doctor. There is much to do.DOCTOR: Well, I'll pop backand see you again when you've settled again on Earth.BISHAM: That'll be hard work.DOCTOR: Well, you're used to hard work. This time, you'll be free.LEELA: Goodbye, Veet.VEET: Goodbye.LEELA: Till the next time?Come on, K9. Come on.BISHAM: You really believe we can colonise the Earth again?DOCTOR: Well, I do, I do. The Earth will have regenerated itself since you left. Get back to your place under your own sun.ALL:Goodbye, Doctor.MANDRELL: Can the star freighters make that journey?DOCTOR: Course they will. Three hundred million of you can't go wrong. Goodbye everyone!ALL: Goodbye.[SCENE_BREAK]K9: King to Bishopfour, mistress.DOCTOR: Which is more than I can say for the TARDIS.LEELA: Eh?DOCTOR: Nothing. I was just finishing a thought. Now, where were we?K9: Mate in six moves, master.DOCTOR: Oh, be quiet, K9.LEELA:I wonder why the Collector gave in so easily? I thought he would fight.DOCTOR: He got a bit of a shock. You see, I fed two percent growth tax into the computers. Index linked. Blew the economy and he couldn't takeit.LEELA: I do not understand. You did something clever?DOCTOR: Well, I. What do you think, K9?K9: Affirmative.DOCTOR: K9 thinks it was clever.DOCTOR: I am so sorry, K9.K9: Apologies are not necessary.DOCTOR:No, shut up while I apologise. I am so. Listen. As soon as I've reset the coordinates, we'll finish that game of chess."}
+{"doc_id":"doc_114","qid":"","text":"(Flashback: Sydney sits on a stool, tears in her eyes, staring numbly at nothing while a trainer wraps her hands with gauze. He slaps at her hands to feel if they're wrapped.)TRAINER: Good.(SD-6. Sydney sits at herdesk. Jack approaches.)JACK: I heard about Noah... I'm sorry.(She just sits there, staring at nothing.)(In the weight room, Sydney hits the punching bag.)TRAINER: Come on, come on. Hit the bag!(In the blood donorvan parked on campus, Sydney and Vaughn chit chat.)SYDNEY: I killed a man... someone I cared about.VAUGHN: Noah Hicks was an assassin. If you hadn't killed him, he would have killed you.SYDNEY: Maybe. But Iwas the one who forced the fight.VAUGHN: Hicks was a bad guy.(Sydney works out, hitting the bag even harder.)TRAINER: Work that jab! Work it! That's it, work that thing! That's it! Nice combination! Work thatjab!(Sydney kicks the bag and the trainer stumbles back from the force.)(Blood donor van.)SYDNEY: But the truth is, it affects me. Never knowing who to trust, learning to expect betrayal, plotting in secrecy and hatredand anger.(Punching.)TRAINER: That's it!SYDNEY: (voice over) It's becoming a part of me. I am becoming what I despise.(Blood donor van.)SYDNEY: I tell myself I got into this to bring Danny's killers to justice. Thetruth is, I'm more interested in revenge.(Sydney is starting to lose it; punching the bag without much control.)SYDNEY: (voice over) I thought I could stay in control. It's just gotten so twisted.(Blood donor.)SYDNEY:Like with Khasinau. The one tangible goal is to find him so that I can find my mother. But if I do that, if I can find his trail and track him down, it'll strengthen SD-6.(In the training room, Sydney is now breathing hardand sweaty. Hair is stuck to her face with sweat. She takes off her glove to see that blood has seeped through the bandage. Bright red blood soaks through the white bandage.)SYDNEY: (voice over) I got into this tobring them down and now I feel like I'm on their side.(In the blood donor van, Vaughn looks at Sydney for a moment, not knowing how to explain. He suddenly gets up and moves to the counter. He gets out the map herevealed to her in episode two and spreads it out in front of her once again.)VAUGHN: This is the world of SD-6 when we started. Remember?(Sydney can only nod with tears in her eyes. Vaughn flips over a transparentcover that reveals who's been taken out since he first showed it to her. Little red circles with a slice through it are over the map.)VAUGHN: And here is what it looks like today. And this doesn't even take into accountthings like Badenweiler or stealing page forty-seven from Sloane's vault. Or the way you kept Khasinau from getting his hands on that ampule. Sydney, these are incredible accomplishments.SYDNEY: Khasinau is outthere somewhere.VAUGHN: Yes.SYDNEY: My mom is out there.VAUGHN: (sighs) We will find them.SYDNEY: I have to go to class.(She smiles helplessly and gets up to leave. When she walks by him, he stops her bytaking her hand.)VAUGHN: Wait.(He gets up and takes out a first aid kit from one of the cupboards. He takes out an ice pack, breaks it up to react it, and places it on her bruised and bloody knuckles.)VAUGHN: Takecare of yourself.SYDNEY: Thanks...(Francie and Sydney's house. Will is on his hands and knees in the kitchen while Francie stands back at the counter.)WILL: Where was it?FRANCIE: Behind the fridge.WILL: You sayyou saw it?FRANCIE: No, I didn't see it. I heard it. Scratching.WILL: Okay, I'm going to go to the hardware store. I'll go get some traps.FRANCIE: No, no, no. We need a professional. We need a hit man. If there's one,there are a thousand. Rats breed hourly.(Will's cell rings.)WILL: Hello?DEEP THROAT: You disappoint me, Mr. Tippin.WILL: (to Francie) It's Litvack. Uhh...(He walks outside through the patio doors for someprivacy.)DEEP THROAT: You have enough to publish. You have nothing to fear.WILL: I was kidnapped! The lives of the people I care about were threatened!DEEP THROAT: It's a bluff to scare you off the story.WILL:Well, you know what? It worked. I'm off it.(Will hangs up and looks in at Francie, who is flipping through a phone book innocently. The cell rings again.)WILL: Just go away! Don't call me again!DEEP THROAT: Mr.Tippin--WILL: Don't call anyone else again unless you want more people to die!DEEP THROAT: It was Jack Bristow.WILL: What? What? Wait, what's Jack Bristow? Hello? Hello?(Sydney comes home after herclasses.)FRANCIE: We have rats.SYDNEY: What?WILL: Hi.(Tape screwed up.)SYDNEY: Hi. Mice are better than rats.FRANCIE: There's no way that they're mice. They're rats, and they're huge. The exterminator iscoming between noon and three. Think you can be here?SYDNEY: No, I've got work.FRANCIE: Well, I have to cater a lunch for thirty.(They both look at Will.)WILL: I don't live here.SYDNEY: Then why are you alwayshere?FRANCIE: Yeah, I mean, it's not like you pay any rent.WILL: What is this, attack on Will? My God.SYDNEY: Please, just do this for us.(She smiles at him.)WILL: Okay, fine, I'll do it.FRANCIE: See, the thing aboutrats is they're clever. You have to out think them. You can't really just leave out cheese. You have to leave the good stuff. The heavy-duty stuff. The stuff that they want. It's the only way they're going to come out.Otherwise, you're just wasting your time.(Self-storage. Sydney and Vaughn have a pow-wow.)SYDNEY: I can't believe I didn't think of this before. We can make Khasinau come to us.VAUGHN: What are youthinking?SYDNEY: The vial of liquid. The Rambaldi solution.VAUGHN: The one the CIA now has?SYDNEY: That's why Khasinau had a team to break into SD-6. He wants that solution.(Director Devlin's office at the CIA.Vaughn enters.)VAUGHN: Sir, with respect to Alexander Khasinau, I'd like to suggest a course of action.DEVLIN: Quickly. I've got a meeting with the senior review team from NIC.VAUGHN: Remember the ampule? Thevial of liquid we got from SD-6 that allowed us to read page forty-seven of the Rambaldi manuscript?DEVLIN: Uh-huh.(Back to self-storage.)SYDNEY: What I'm suggesting is a black market sale. Third party.VAUGHN:Hold on. Khasinau still thinks that vial is in the SD-6 vault.SYDNEY: Yes. So we say there's another one.VAUGHN: What? You think we can make Khasinau believe that?SYDNEY: Yes.VAUGHN: You're going to have tomake it sound pretty legit.SYDNEY: I think I know how to do that.(Flashback: Sydney, Dixon, Sloane, and two unidentified agents sit in the conference room. Sloane gives the two unknown agents folders for amission.)SYDNEY: (voice over) Last year, Sloane sent a team of agents into the Carafu Art Museum in Algiers after an Opec minister donated a collection that Sloane believed might contain Rambaldi artifacts.(Selfstorage.)VAUGHN: Wait. Why don't I know about this?SYDNEY: Because the mission failed. The agents were caught.(Flashback: The two agents are being dragged, handcuffed, to another van for transport. A car drivesby and a masked man -- who, IMO looks kind of like Jack -- leans out the passenger side with a machine gun and blasts away.)SYDNEY: (voice over) Before they could even be questioned, SD-6 had themkilled.(Self-storage.)SYDNEY: Say there was a break-in at that museum this week. It would be widely publicized. Khasinau would start to hear rumors of what was taken.VAUGHN: Including rumors of an existing secondampule.(Devlin's office.)DEVLIN: Are you suggesting that I approve the theft of priceless works of art?VAUGHN: You see, sir, we would just be borrowing them.(Self-storage, continuing.)SYDNEY: We'd return everythingwe steal through back channels, but not until after we've made contact with Khasinau. The whole point is to get noticed.(Devlin's office.)DEVLIN: \"We\"? You're proposing to go with her?VAUGHN: I-I know I'm not a fieldagent, but SD-6 isn't in on this and Agent Bristow will need backup. She trusts me. Now, the plan is to go in as insurance agents offering to lower their premium. Naturally, we would have to inspect their securitysystem thoroughly before we commit any coverage.(SD-6 archives. Sydney sits a laptop, typing.)SYDNEY: (voice over) I downloaded the mission specs from the SD-6 archives. Alarm types at the museum, action point,blueprints...(Self-storage.)SYDNEY: ...Everything.(Devlin's office.)VAUGHN: Sir, this is our best shot at Khasinau.DEVLIN: Do it.(Self-storage.)SYDNEY: You'll deal with the op tech.VAUGHN: I'll take care of it.SYDNEY: Ihave to stop by the hospital. Emily. She's not doing well.VAUGHN: Yeah, she's sick from the chemo.(Sydney looks at him.)VAUGHN: We heard that from the bug in Sloane's study. I'm sorry.SYDNEY: Yeah.Thanks.(Francie and Sydney's. Will's alone and on the phone.)WILL: Can I get the number for Druzinsky's Pest Control? Sure, yeah. D-R-U--Yeah. Hold--let me just get a pen.(He opens a drawer, looking for apen.)WILL: Hold on. Yeah, hold on just a sec.(He pulls out a black marker.)WILL: Okay, got it. Yeah. 323--(Knock.)WILL: Naturally the guy shows up. Right, sorry.(He hangs up and answers the door.)WILL: Hi.PESTCONTROL: How you doing?WILL: Good. Good.PEST CONTROL: Where's the problem?WILL: Uh, well, we got rats over here. Behind the refrigerator.PEST CONTROL: Let me see your rats.(In the kitchen, he bends downand takes out a flashlight.)PEST CONTROL: Not wood... droppings...(Will looks at the open drawer and sees a picture of Jack in there. It's an old picture.)PEST CONTROL: Yeah, these are rat droppings.WILL: Well, uh,kill 'em. Please.PEST CONTROL: You got kids?(Will opens another drawer to find the aluminum foil and plastic wrap. He opens the wrap and rips off a sheet.)WILL: No...PEST CONTROL: Household pets? Dogs, cats?Hello?(Will's busy. He puts the sheet of plastic wrap over Jack's picture and then takes the black marker he had. He draws a mask with the marker over Jack's face.)WILL: What? No. I don't have any pets.PESTCONTROL: Then I'd skip traps and go right to bait.(Will stares at the finished product -- and has a flashback of his kidnapper.)MAN: This will be your only warning.(Will looks at Jack's covered face, and the eyes. They'rethe same as his kidnapper.)WILL: Holy...(Emily's hospital room.)EMILY: Sydney...SYDNEY: I don't know if you feel well enough to eat these but... total contraband.(She shows a box of chocolates and sits down.)EMILY:Thank you.SYDNEY: I'm so sorry you have to go through this.EMILY: Oh, Sydney, tell me something happy.SYDNEY: Happy.EMILY: Yeah.SYDNEY: Well... I've got the week off from work. Which is nothing, consideringyour husband owes me, like fifty comp days. But I've been working really hard lately, so...(Emily covers Sydney's hands with her own.)EMILY: Can I give you some advice?SYDNEY: Please.EMILY: When you look back...family, your friends... that's what matters. Work, your job. It wouldn't seem that important.(Sydney nods a little, curious.)EMILY: Even your job... even working for SD-6.(Sydney's shocked.)(In a control room at thehospital -- clearly this is the SD-6 hospital Dixon was admitted to -- an agent sits behind a counter with monitors everywhere. He watches the monitor on Emily's room.)EMILY: Sydney, I know you can't talk about it andI wouldn't have mentioned it except I know how easy it is to lose perspective on things...(Back in the hospital room.)EMILY: And I don't want to see that happen to you.SYDNEY: When... when did Arvin tell you?EMILY:He didn't. Over the years, I'd overhear things. Find clues that he never really left the world of intelligence. And I know he... he keeps me from the truth to protect me. To keep me from worrying. My only regret is notbeing able to tell him how... how proud I am.(In the control room, the agent starts typing.)(Conference room at SD-6. Jack sits alone. Sydney walks in and sits down next to him. Jack takes out his magic pen -- thefrequency jammer -- and flips the lid.)JACK: We're good for two minutes.SYDNEY: Dad, it's Emily. She knows about SD-6. I'm just worried about her.JACK: I know. It's too late. Your coversation was recorded.SYDNEY:The Alliance knows?JACK: Yes.SYDNEY: And?(Sloane's office. He sits behind his desk when the phone rings. He answers.)JACK: (voice over) Information about SD-6 must be treated like a virus.SLOANE: (on phone)Who?JACK: (voice over) There is only one response: containment.SLOANE: (on phone) What did you say?(Conference room.)SYDNEY: Sloane won't let this happen. They won't kill Emily.JACK: The final decision will notbe made until after Sloane has met with the head of Alliance security. He is the only one who can save her now.(Sydney walks out of the conference room and looks in at Sloane's office. He looks depressed. She walksin.)SYDNEY: The time off I asked for last week... I'd still like to take it. Would that be all right?SLOANE: Where are you going?SYDNEY: The desert.SLOANE: Yeah. Yes. Of course.SYDNEY: Thank you.SLOANE: Thedesert... (sighs) Hmm.(She turns and leaves.)(Algeria. Sydney and Vaughn who both harbor French accents, walk with two museum officials and a translator.)SYDNEY: To make a risk analysis, we will need to test yoursecurity system.(He translates into Arabic.)SYDNEY: ...See how it operates during a shutdown of your primary generator, heating, electircal, and ventilation system.(He translates.)(Flashback. On the plane to Algeria,Sydney and Vaughn go over the plans.)VAUGHN: Once we're in, we'll need to separate. You'll go inspect the alarm grid in the exhibition space. I'll handle the shutdown from the control room with this frequencyjammer. It'll keep the security cameras off for three minutes. A hundred and eighty seconds is all you got.(In the control room, Vaughn is with the translator and one of the museum heads.)VAUGHN: Please shut downthe primary generator.(Translates into Arabic. They shut it down. Vaughn takes out the jammer. The cameras go down as well. He starts timing it on a digital watch he wears while the men start questioning why thecameras went down.)TRANSLATOR: He says he can't understand what happened. The second generator has always kept the security monitors online before.(Plane.)VAUGHN: And when I close out the ventilationsystem--SYDNEY: The turbine in the shaft will shut down, allowing me to gain access to the vault room on \"E\" level.(Control room.)VAUGHN: Now shut down the ventilation.(Translates.)(In a hallway somewhere in themuseum, Sydney is walking with the other museum head. She throws her briefcase at his neck and he stumbles back. She kicks him twice. The man goes down. Sydney runs. She takes off her jacket and pulls out apower screwdriver from the briefcase and starts taking off the vent cover.)(Vaughn checks his watch nervously -- twenty seconds has gone by.)(Sydney takes off the vent cover. She takes out a shooter, arms it, andpoints it skyward. The shooter's wire flies up. At the end of the wire, it has a series of prongs on it. The wire attachs itself to the fan blades high above. Sydney, down below, feels the tension, knows it's tight, andattaches it to her belt. She looks down. It's a long way down the shaft. She jumps out into the shaft and hangs on as the cord attached to the fan blades lets her dangle way below. She hits a switch on her belt andstarts dropping down.)(In the control room.)VAUGHN: And now keep the heating system offline.(Translates. Vaughn looks at his watch -- forty-nine seconds.)(Sydney drops down, looking at a meter on the wire in frontof her that tells her how many feet she's going down.)(Plane.)VAUGHN: The vault room is located through a shaft on the east wall, sixty-seven feet below the main level.(The meter beeps at sixty-seven. Sydney stopsdropping and kicks the vent cover in. She stands in the hallway outside the vault room, loosens the wire to get some slack so she can walk in the vault room and still remain tied up to the fan.)(Plane.)VAUGHN:According to the document you gave me, the vault is a third-generation Handvalova.(Sydney reaches across him and picks up a cell phone.)VAUGHN: Careful with that. It's full of plastique explosives in case this doesn'twork.(He picks up a silver bracelet and puts it around Sydney's wrist.)VAUGHN: Now, in theory, not only should this crack the safe...(Sydney puts it on the vault door.)VAUGHN: (voice over) It should short the circuitryfor two minutes, giving you enough time to get back to the main level before the alarm goes off.(Sydney opens the vault door and starts taking stuff and putting it in her bag.)(In the control room, Vaughn looks at hiswatch -- a hundred and twenty seconds.)VAUGHN: And electrical.(Translates. All of a sudden, a man bursts into the room shouting in Arabic.)VAUGHN: What is going on?PRESIDENT: I agreed to a systemanalysis...TRANSLATOR: Mr. Algazabia is the president of the museum.PRESIDENT: ...Not to a shutdown.VAUGHN: We are testing the security system. So far, everything is okay.TRANSLATOR: He has ordered thepower restored.VAUGHN: No, no, no, wait, wait, wait. My partner and I flew in from Paris because we were assured the possibility to make a complete offer! Now, to do that, we must run a thorough analysis! Si vousalliez pas nous laisser faire notre travail, il fallait nous le dire avant qu'on fasse tous les préparatifs pour venir venir, hein!PRESIDENT: When the system is offline, essential services go down, including fire protection.That is a risk I cannot take!(In the vault, Sydney takes a few more things.)[SCENE_BREAK](Control room. Vaughn is panicked.)VAUGHN: I'm warning you, I will file a formal complaint with the legaldepartment!PRESIDENT: (speaks Arabic) Take him. Find his partner. Show them the way out.(Angrily, Vaughn grabs his things and is escorted out. The president orders the man sitting at the desk to restore the power.In the shaft, the fan blades start to whir. Sydney, in the vault, turns when she feels tension. As the fan starts up, the cord that was attached starts tightening around the blades and Sydney is pulled in the shaft by herwaist because she is still attached as well. She flies in the shaft and bangs against the shaft wall. She looks up, terrified, to see that she'll be heading toward the fan blades because she can't stop it when the power ison. She sees the opening is coming up where she entered the shaft. As she is pulled up, she grabs on to the edge of the entryway while she is still being pulled up. She hits a button and the belt lets go. Sydney bangsinto the wall, still hanging on to the ledge. Her hip hits the wall of the shaft and the phone riddled with explosives falls from her belt and falls to the bottom of the shaft. It explodes. The fire is hurdling up the shaft withSydney still hanging on inside. She finally gets inside and falls into the hallway of the museum as the fire goes up the shaft. She grabs her jacket and her things and leaves.)(In the lobby of the museum, Vaughn isbeing escorted out as Sydney meets up with them, back in her costume.)SYDNEY: What's going on?VAUGHN: We're being kicked out. I didn't have time to finish my system analysis. Did you?(The alarms gooff.)SYDNEY: Barely.(In the newspaper offices, Will's friend Abby types on her laptop while listening to some music from her stereo next to her. Will walks up, and turns up the music.)ABBY: Excuse me!WILL: (whispers)Listen to me, listen to me. I really need your help, okay?(Outside the newspaper, Will holds a manilla envelope.)ABBY: Wait a minute. You've got to give me more details than that!WILL: No, no, no, no details.ABBY:You were kidnapped?WILL: Here, just--ABBY: By a man who turns out to be someone you know's father?WILL: Yes, yes--ABBY: What is this?(She takes the envelope.)WILL: This is an article I've written. Abby, you'vegot to do this for me. Make sure you keep it sealed, and don't mention this to anyone. And you got to promise me you're not going to open it, unless something happens to me. And if something happens to me, you gotto publish it.ABBY: Why would something happen?WILL: Because I'm going to see my kidnapper.ABBY: Oh, Will, you've become insane!WILL: I have enough information that maybe I can write a story that might raisesome questions, but I don't have anything that's going to put this guy away!ABBY: Well, publish the story now. That's your insurance policy!WILL: Yeah, but then I'll never get his cooperation! I mean, there's got to bea bigger story here. I want to find out what it is. Abby... you got to promise me you're not going to open it.ABBY: Promise me I won't have to.(That night, Jack comes out of Credit Dauphine and walks to his car. Willstarts up his truck.)(At a fancy bar, Jack sits and takes a drink. Will sits down next to him.)WILL: (sighs) There are a few things we need to talk about and, quite frankly, you scare me, so I'd rather talk about them in apublic place. Can I have a beer, please?JACK: You want to talk to me? About what?WILL: Let's start with Sydney. Does she know?JACK: I don't know what you're talking about.WILL: Does she know that you kidnapped"}
+{"doc_id":"doc_115","qid":"","text":"Renaissance(2x08 : Carrier)Written by CRAIG SWEENEY Directed by NICK GOMEZ**Previously on the 4400** Diana reads Maia's journal and reports to NTAC.Nina: As far as this department knew, Maia wasn't havingvisions anymore.Diana: She was keeping them secret from me. Writing everything down in a diary. Diana receives some mail.Diana: It's a subpoeanaMaia: What do they want?Diana: Your diary Collier warns Shawnaway from liv.Collier: Don't reveal your healing ability, because if you heal one of them, you'll have to heal them all. Shawn heals Livs boyfriend.Collier: One day, all of this will be yours. The paperwork's been drawn up.The lawyers know what to do. The sniper prepares to shoot Collier.Collier: Everything's in place. Collier is shot.Shawn: He had a vision to save the future and now he won't be here to see us achieve it. But we willachieve it. Shawn stands by Collier's casket. Tom enters the room at the museum.Alana: None of this is real to me either. This is where they altered us. Gave me the ability to create the world we've been living in. Alanaand Tom renew their marriage vows.Alana: Thomas **Present Time** Tom and Alana return home and speak with Kyle as they eat dinner.Kyle: So let me see if I've got this straight. You two met, fell in love and spenteight years together in some kind of alternate reality. And now you're here with eight years of love and marriage under your belts in what to us was no time at all.Tom: Yeah, that, that, that about sums it up, yeah. Kylelaughs.Kyle: I'll play along. If you two start calling each other honey bunny, I'm SO outta here.Alana: I told you he'd try, Thomas.Kyle: How'd you know that?Alana: Well you might be meeting me for the first time, but Iknow all about you. Your smart, your favourite writer is Alan Moore and your favourite meal is meatloaf.Kyle: Well I can't be exactly the same. You said there was no 4400, so that means no coma. No time lost.Tom: Nomajor problems, that's right. You were happy. Successful.Kyle: Meaning what?Tom: Nothing. We used to talk about medical school, remember? Over there, you went to Stanford.Kyle: How'd I do?Tom: You graduatedwith honours. You became a neurologist.Kyle: Must have made you proud.Tom: I'm always proud of you.Kyle: Right. But Doctor Kyle Baldwin in that world you were vacationing in, came from your mind, right?Alana:Uh, actually it was my mind.Kyle: Right, but you created it using his memories.Tom: Kyle! I'm just as proud of what you've accomplished here! Prouder. Diana is in the office when Marco enters.Marco: Hey.Diana: Youwanna know why all lawyers are jerks? Cos they spend a lifetime reading this crap. He sits on her desk.Marco: What kind of crap specifically? I'm a pretty good interpreter.Diana: I have 24 hours to turn Maia's diaryover to NTAC and not one legal option to get out of it.Marco: What are you going to do?Diana: Well, what NTAC wants, NTAC gets. But I have a nine year old daughter at home who's counting on me to protecther.Marco: Is there any way I can help?Diana: Yeah, you can slap me upside the head for mentioning the diary in the first place. It didn't save Collier's life and now it's making mine hell.Marco: How about I just makesome fresh coffee instead.Diana: Thanks.Marco: Yeah. He leaves the office. Back at the Baldwin house and Kyle is sat on the sofa reading the newspaper which has a story on Collier's murder. Alana enters theroom.Alana: Do you think they'll find the man who did it?Kyle: By they, you mean, Thomas? Yeah, probably. Dad always gets his man. You heading out?Alana: Yes, I have to keep reminding myself I don't live hereanymore. Kyle looks at her and then turns his head away.Alana: Look Kyle. Your father and I love each other.Kyle: That's great. There's not enough love in the world. But I just met you. Give me a few day's before Istart calling you Mom, ok?Alana: Uh, you've got one of those already. I'd settle for being a good friend. And I'll keep bribing you with meatloaf until you give in. She leaves the room. The scene shifts to a diner. All thecustomers and staff lie dead. Outside, people lie on the pavement and in cars. A woman, Jean Delynn Baker, an abductee who disappeared on Oct 27th 1999, stands among the dead and is visibly upset. She walksthrough the many bodies littering the street. A limo arrives at the 4400 centre. A few men rush to greet the man who steps out of the car.Man: Hello Mr Ross. Did you have a good flight?Matthew: Yeah, thanks.Man:Now would you like me to show you around, or do you wanna get some rest.Matthew: Neither. Take me to Mr Farrell.Man: Yes sir. Right this way. Shawn and Lucy are in his office.Lucy: They've been waiting threeday's.Shawn: Tell publicity I'm not sure yet.Lucy: They're saying we're past our deadline. We have to release this press statement. He reads the statement.Shawn: This is supposed to be coming from me? I don't evenunderstand half of what it say's. It doesn't sound like me, Lucy.Lucy: So change it. You're the boss. Oh, and legal needs signatures now or no-one get's paid. Including legal.Shawn: I can only do one thing at atime.Lucy: So let's start with the statement. Matthew enters the office.Lucy: Why don't you dictate something to me?Matthew: No press statement! If the press wants to know what Mr Farrell is thinking, they can watch60 minutes along with the rest of America. I've already booked an exclusive interview with our new face at the 4400. That's all for now. He hands Lucy back the file.Matthew: Thanks. Lucy looks at Shawn andleaves.Matthew: I'm sorry to just jump in like that. I thought you could use a hand. Matthew Ross.Shawn: Yes. Yeah. What are you doing in Seattle?Matthew: I go where I'm needed.Shawn: You've come to the rightplace.Matthew: It's no coincidence, Shawn. Jordan made it clear that in the event of his death, I was to step up front and center to help you out.Shawn: Well, another in a long line of plans that Jordan neglected toshare with me. But I'm glad you're here. Jordan talked about you a lot.Matthew: You're gonna have to hire yourself a new lobbyist. I'm moving to the home office for the time being.Shawn: Pick any office you want. Youstart right away. Uh, these letters. Everyone knows I can heal, now.Matthew: Jordan had every intention of revealing your healing ability to the public, but he was planning on doing it in stages. We don't have thatluxury anymore. We'll deal with it.Shawn: I can't go outside anymore. There's sick people, press, they follow me everywhere!Matthew: And they will for the rest of your life. The ground just shifted under your feet. Youeither find your balance or you fall on your ass. This center's the new Lourdes. Nobody's gonna be calling us a cult, anymore. We're turning away people faster than we can sign them up. In ten years, this movementsgonna be one of the most dominant faiths on the planetShawn: Stop. I'm glad things are going so well, I am, but a week ago I was just some guy trying to beat the last level of Doom. I wasn't the Pope then and I'm notthe Pope now.Matthew: Yes you are and you need to start getting used to it. Back at NTAC.Nina: The FBI is spearheading the hunt for the man who killed Jordan Collier. Oh, but we are still in the game and NTAC ismaking this collar. I'm not having someone else clear up are mess for us.Agent: Then we'd better get moving. We all know there's an expiration day on these manhunts. Trail starts getting cold after 48 hours.Tom: Iwanna have a look at employee sign in sheets for every office building and parking garage within a ten block radius of the center.Agent: We've already cross examined everyone on those books.Diana: Well then wehave to look OFF the books. This guy shot a public figure in broad daylight. There has to be an eyewitness.Nina: And so far Tom, the only one who has seen this killer, is you. April and Maia are at a newstand. April isscratching lottery cards.April: Loser. Pathetic loser! Sweetie, whatever you do, never, ever gamble. It's wrong and it's stupid.Maia: Then why do you do it?April: Because unlike your Mommy, your Aunt April doesn'thave a steady income. She's an artist and artists always need cash. Which is where the stupid part comes in, because I always lose. So, this whole see the future thing? It doesn't just apply to Earth shattering events,huh?Maia: Not always.April: So, if I were to ask you which card I....Maia: That one! Maia points to a card.April: I'll take this one right here. Thanks. She scratches the card and is a winner.April: Baby girl. You are mynew lucky charm. Tom and Diana go into Nina's office.Nina: I'm pulling you off the Collier case.Tom: What are you talking about? We still have half that neighbourhood to canvas.Nina: Well, it's gonna have to wait. Sheruns a tape.Nina: 10.37am Pacific Standard. The Federal Emergency Management Agency sent in a task force to the town of Granite Pass Oregon, population 273, where there's been an outbreak of a lethal, highlycontagious and as yet unidentified virus.Diana: Airborne?Nina: Yeah, likely.Tom: Man made?Nina: Unknown. All we do know is, if you went to sleep in Granite Pass last night, chances are, you're filling out a body bagthis morning. There's only one resident that FEMA hasn't accounted for yet. Jean Delynn Baker, aged 30. Returnee 0188. Disappeared in '99.Tom: Divorced, no kids. Psych profile say's she's a loner.Diana: Looks likethings have been pretty grim for her since she got back. Hasn't been able to hold down a job. Unemployed four times in the last year.Nina: And now she's the only resident of Granite Pass Oregon, who can't beaccounted for. So we've got two possibilities.Diana: Either she's immune to this virus, in which case we could study her. Look for a cure.Tom: Or else, she's the carrier.Nina: Either way, your job is the same. Usewhatever resources you need and find her. Jean get's a lift in a truck.Truck Driver: So, you gonna tell me where you're headed? Jean is crying and doesn't answer.Truck Driver: I never could stand the sight of a womanin tears. I guess that's why I never got married. You in some kind of trouble? Run off from your family? Law on your tail?Jean: Seattle. I'm going to Seattle.Truck Driver: It's a big city. You want me to just drop you onthe edge of town?Jean: I'm going to the 4400 center. I gotta get there. Jean's hands are covered in blisters.Truck Driver: What the hell for? You joining up?Jean: Just get me as close as you can, please!Truck Driver: Ifyou're looking for salvation, you're not gonna find it there. What you wanna do is give yourself over to your true Lord and saviour. Purification day is coming. The signs are everywhere. Pestilence, plague's.Jean: Tell meabout it. I woke up in a town full of dead people this morning. My mother, my father, everyone.Truck Driver: Yeah? How come you survived?Jean: I think maybe I caused it.Truck Driver: You? Now I know you'remessing with me. Ok, go ahead. Laugh at the Jesus freak! But I'm telling you. The whole world will be wiped clean soon enough.Jean: Look, I don't think you're a freak at all, Mr. Matter of fact, I believe everythingyou're saying. Diana and Tom arrive in Granite Pass. They both are wearing hazmat suits. Diana takes a look at one of the bodies lying in the street.Diana: The eyes and fingernails show only slightdiscolouration.Rigormortis has barely set in. What do the autopsy's show?Agent: Nothing we have a name for. Their internal organs are pretty much liquified. This thing works fast.Diana: So you just took your helmetoff. You got a death wish?Agent: This virus get's released, dissipates and then disappears within a half hour. Seen enough?Diana: Plenty. Diana and Tom take their helmets off.Tom: So everyone died this morning,because they were within the virus' original radius.Diana: Right. and if you'd drove through town an hour later, you would have been fine.Tom: That's something, anyway. But Orson Bailey and Trent Applebaum. Whena 4400 manifests an ability, they get more intense, quickly.Diana: Which means, if Jean Delynn Baker, is transmitting the virus.Tom: Yeah, she might be just warming up. Shawn is reading some letters from peoplebegging for his help.Letter 1: Doctors say they can't stop my cancer from spreading...Letter 2: I'veworked hard all my life. Tuberculosis is eating up my life savings. My beloved wife of 40 years...Letter 3: Grandma toldme to pray, so when I saw you on TV, I knew....Letter 4: Help me. Shawn is upset and throws the letters onto the floor. Someone knocks on the door.Lucy: Shawn, it's Lucy. You're scheduled for the new key's address.Everybody's waiting. Shawn? Lily is pushing Isabelle through a hallway at the center. Matthew walks alongside her.Lily: I'm flattered. I'm just not sure I can take a job, right about now.Matthew: Richard's going to betravelling quite a bit. The daycare here is first rate and completely free.Lily: Well for one thing, I'm not sure I'm qualified. I mean, Assistant Director of Human Resources. I had my first daughter right out of college. Youcould fit my entire resume on half a page.Matthew: You're a 4400. It's like an advanced graduate degree, around here. Besides, Jordan talked about you.Lily: Oh, I'm sure he did.Matthew: He said you had the gift ofempathy. That you were a natural born organiser and that you had a knack for bringing out the best in people.Lily: Jordan said that about me?Matthew: You're a returnee. You're smart. We empower people like youaround here. Tom and Diana go to Jean's house and find Marco there.Marco: Wipe your feet.Tom: A killer airborne virus has been released and you're worried about muddy footprints. He waves his finger at him.Marco:It's still somebody's home.Diana: So this is where Jean Delynn Baker, lived.Marco: Until she hit the road, yeah.Tom: Did she keep a schedule or any kind of daily planner?Scientist: Yeah, but I think it went out thewindow when she realised her entire home town had been wiped out.Diana: Anyone get in touch with her parents?Scientist: This was her house. They were sleeping upstairs when the virus hit.Tom: Ok, you guy's aren'tleaving this house, until you've gone through everything. Letter's, phone bills, grocery lists. Marco, listen to me. Find me a pattern. The way she thinks. She's on the run, I want to beat her to wherever she's headed.Marco takes a picture of Diana as she leaves the room.Scientist: Flirt!Marco: You heard the man. The 4400 center switchboard room.Operator: 4400 center. How may I direct your call.Jean: I didn't mean to do it. Ididn't mean to kill them. I, these, these blisters. Jean is calling from a motel room.Jean: They itch so bad.Operator: Killed who?Jean: I need you to help me, please!Operator: Who is this?Jean: I'm a 4400 and there'ssomething wrong with me. Everybody that I'm around dies and I don't know how to stop it. I don't know how to stop it. The operator calls for a supervisor.Operator: Tell me your name and where you are. Matthewarrives when the call ends.Matthew: How many people dead?Operator: She said, hundreds. But there's nothing about it on the news.Matthew: Could be they're trying to keep it quiet. And there is a 4400 named JeanBaker?Operator: She said she's staying at a motel near the squirrel hill exit on the 64. Matthew turns to Lucy.Matthew: Get me NTAC on the phone. Maia is sat in front of a mirror putting on make-up. April comes incarrying a laptop.April: Yes! You were right! Philadelphia creamed them!Maia: How much did you win?April: $200 for Aunt April. All because of you. My little genius. Now, I'm looking at Chicago versus New York, evenup. Chicago's the home team, which gives them some advantage, but New York is coming off a three game winning streak. So who's your pick?Maia: How much are you betting?April: The whole 200 bucks. Which won'twin me enough to retire on, but a girls gotta start somewhere. So, you getting anything?Maia: Do you like me?April: What kind of question is that?Maia: I mean, like me for myself. Or because I tell you stuff that'sgonna happen.April: Honey, listen. I love you for who you are, not what you can do. Always. Ok? Maia nods and smilesMaia: I'd go with Chicago.April: Chicago it is. Now come on! Aunt April is gonna take you out forpizza. Go wash up and take your Mom's stuff off. You know she get's kind of uptight about.... April takes Maia's hand and looks at some rings on her fingers.April: Oh yeah. This is my Mother's engagement ring. Wheredid you get this?Maia: I always play with it.April: This is a very valuable ring. Which means it is not for little girl's to play with. Now wash good or I'll order anchovies. Go! Maia leaves and April looks at the ring. Alana isin the kitchen preparing dinner. Kyle runs in.Kyle: Hey!Alana: Hey!Kyle: Don't take this the wrong way, but how did you get in here?Alana: Ah, your Dad gave me a key.Kyle: A little early for dinner, isn't it?Alana: Alittle early for eating. Not for preparing. Can you cook?Kyle: Sorry, I'm a world class brain surgeon, not a chef. But I can empty a grocery bag with the best of them though. But I have to warn you. You're ignoring thenumber one rule of Dad.Alana: Which is?Kyle: The longer and more carefully you prepare for a family event...Alana: The more likely it is he won't show.Kyle: Guess you do know the man. Which means, I guess, youalso know me, which I'm sorry, is really weird.Alana: You have to admit, it's a little strange for me too. We have this eight year relationship and I have to keep reminding myself that it doesn't really exist.Kyle: So tellme. Was I like number one in my class at medical school?Alana: Does it matter Kyle? You're not in competition with yourself.Kyle: I'm just curious!Alana: Well you keep bringing it up. It's more than curiosity.Kyle: Sowhat if it is? If you knew that there was some parallel universe, where a better, smarter version of yourself was walking around. How would you feel?Alana: He wasn't better and he wasn't smarter. He was you.Kyle: Hejust had options I'll never have. No 4400, no coma. He got to go to medical school.Alana: Who say's you don't have that option?Kyle: I'm 21. I'm a freshman in college.Alana: So you started a little late. You keepthinking I know two Kyle's. I don't. I just know you. You wanna be a Doctor? I know for a fact that you can pass your MCAS Tom and Diana make their way in the car to Jean's motel.Diana: Jean Baker is in a motelabout 10 miles ahead.Tom: Right now, half of NTAC is headed for that place. Mortimer and Felconi should be there already.Diana: It's weird huh? Responding to a tip that came from inside the 4400 center.Tom: WellShawn did tell me he wanted to cooperate with us. Guess he mean't it. They arrive at the motel to find many cars already there. Tom show's his ID to a sheriff manning a roadblock.Tom: Excuse me. We're NTAC. Weneed to get through here.Sheriff: I'll open it for you.Diana: So what's going on down there?Sheriff: A dead trucker. Look's like it came on sudden. They make their way over to the truck which has veered off the road.The trucker is lying over the steering wheel, dead. It's the same man that gave Jean a lift. They return to the car and head to the motel. Jean is sat on the bed reading, when tear gas is thrown through the window. Menin hazmat suits burst in and grab her.Man: Jean Delynn Baker!Jean: No, no, no! What are you doing? I called you for help!Man: We know! Come with us!Jean: No, you're scaring me! Please stop, they start to itch whenI get scared! Please! Get away from me! The two men fall to the ground.Jean: God! She runs out of the room. Her hands are bleeding and the sores are weeping. As she runs outside, other men fall to the ground. Sheget's into a car and drives away. Back in the car with Tom and Diana.Diana: That trucker died not more than three hours ago.Tom: He couldn't have picked up Jean more than two hours before that.Diana: Which meanshe was exposed, infected and killed in like what, 20 minutes. That's faster than any virus I've ever seen. Tom's phone rings.Tom: Mortimer and Falcone. Look's like we're playing backup.[Into the phone] Baldwin!Jean:It's not my fault.Tom: Who is this? Jean is in the car.Jean: I called you for help! You tossed tear gas into my room!Tom: Jean Baker. How did you get Mortimer's phone?Jean: How do you think I got it? They scared me.They came barging into my room!Tom: What did you do to them?Jean: I guess you thought those suits they had on would keep them safe, huh? Well you were wrong, ok? Nobody's safe! That's why I'm warning you.You stay away from me, ok? Just keep everyone away!Tom: Where are you?Jean: I'm driving.Tom [To Diana]: I think she took their car. Call Jarvis. Get a beat on it. [To Jean] Jean, where are you? Where you're going.We wanna help you.Jean: No, I tried that! No-one can help me. No-one ever could! Why should it be any different now!!Tom: I know you don't wanna kill anyone, but listen to me. There's a virus that's growing insideyou. It's incredibly lethal.Jean: I've always been toxic. I've poisoned every relationship I've ever had!Tom: This is different.Jean: Yes! They made it real! My parents always thought I was a walking disaster. They never"}
+{"doc_id":"doc_116","qid":"","text":"Teleplay by: Peter TibbalsStory by: Judd Rubin[SCENE_BREAK][Scene: Chandler and Monica's]Chandler: Hey!Monica: Good morning, Tiger! I'm making you a nice big breakfast so you can keep up your strength fortonight. You're gonna get me good and pregnant.Chandler: I've got nowhere to go this morning. I'm unemployed! I don't know what I'm gonna do with my life.Monica: Well, I just lost my erection.Chandler: I mean,what am I supposed to do with myself?Monica: You're supposed to find your passion in life. You can be whatever you wanna be now. It's exciting.Chandler: But it's all so overwhelming. I don't know where tostart.Monica: Hey, wait a second. I can help you with this. You just need to be organized. We can make a list of your qualifications, and categorize jobs by industry. There could be folders and files!Chandler: Hey! This iswhere your hyper-organized-pain-in-the-ass stuff pays off!Monica: I know!!! My erection is back! Opening Titles[Scene: Central Perk]Joey: (To Gunther who comes over with coffee and a muffin) Thank you!Phoebe:Joey, can I have a sip of your coffee and a bite of your muffin?Joey: Okay.Phoebe Thank you. (Pours his coffee in a thermos and puts his muffin in her purse.) Thank you!Joey:: Pheebs, have you ever been bitten by ahungry Italian?Phoebe: I'm sorry, it's just, I'm a little short on cash.Joey: If you want I could loan you some money?Phoebe: Oh no, no, no. I learned never to borrow money from friends. No, that's why RichardDreyfuss and I don't speak anymore.Joey: Oh, hey, how about this? Wanna be an extra on my show?Phoebe: You could do that?Joey: Yeah, yeah. The pay is pretty good and you could do it for as long as youneed.Phoebe: Oh my god, I'm gonna be on TV!Joey: Okay, now. I gotta tell you, being on TV isn't as glamorous and exciting as you think.Phoebe: Oh, really?Joey: No it is awesome!(Rachel and Ross enter withEmma)Ross: Hi guys.All: (Adlib hellos)Phoebe: Wow! Hey, why are you all dressed up?Ross: Rachel and I are bringing Emma to Ralph Lauren today to introduce her to everyone. Doesn't she look cute?Joey: She suredoes. Why does she have a pink bow taped to her head?Rachel: Well, because if one more person says \"what a cute little boy\" I'm gonna whip them with a car antenna!Ross: I think she's gonna be the hit of the office,huh? She's gonna be hotter than peasant blouses and A-line skirts. Can I get a blue bow?[Scene: Chandler and Monica's]Monica: (Flipping through bunch of folders as Chandler enters from bathroom) Okay, I havelooked through a bunch of career guides, photocopied and highlighted key passages and put them into alphabetical folders so you can make an informed decision.Chandler: How long was I in there?Monica: Okay. Let usstart with the A's. Advertising.Chandler: Wait. Advertising! That's a great idea!Monica: Don't you want to look through the rest?Chandler: I don't think I have to hear the rest. Advertising makes perfect sense. Sorry youhad to waste all this time, though.Monica: You call eight hours alone with my label maker wasted time? Ooh, now I get to use my shredder!Chandler: I mean, I can write slogans. I mean, how hard can it be, right?\"Cheese. It's milk that you chew.\" \"Crackers. Because your cheese needs a buddy.\" \"A grape. Because who can get a water melon in your mouth?\"Monica: I got one. \"Socks. Because your family's feet deserve thebest.\"Chandler: Honey? Leave it to the pros.Monica: I actually know someone in advertising. I grew up with this guy who is a vice president at a big agency. Maybe I can get him to meet you? Give me thephone.Chandler: \"The phone. Bringing you closer to people...who have phones.\"Monica: \"Marriage. It's not for everybody.\"[Scene: Ralph Lauren]Rachel: That went well. Almost everybody knew that she was a girl.Ross:Yeah, after you punched that one guy who got it wrong, word spread.Rachel: I'm just gonna go in my office and pick up some stuff . (To the guy behind her desk) Who the hell are you!?Guy: Who the hell areyou?Rachel: I'm the hell person whose office this is!Ross: Good one, Rach.Guy: I'm Gavin Mitchell, the person who's taken over your job.Rachel: Excuse me?Gavin: Oh, your baby's so cute. Why did you put a pink bowon a boy?[Scene: DOOL set]Phoebe: Joey, look at me! I'm a nurse!Joey: Yes you are. I think it may be time for my sponge bath. Sorry, I'm just so used to hitting on the extras. So, are you excited about yourscene?Phoebe: Yeah! But I'm a little shaky and nervous.Joey: Oh, relax. Don't be. You'll be fine, you'll be fine. They'll probably just make you stand in the back.Director: Okay, okay, okay! (To Phoebe) You. Here, comehere, here. You're gonna take this tray, you're gonna stay on this yellow mark. You're gonna move on \"action!\" You're gonna walk over to the operating table. You're gonna stop on that blue mark, you're gonna put thetray down. Don't walk too fast! But don't doddle.Phoebe: Okay, now. What?Director: And...Action!!(Phoebe starts walking toward the operating table. Her hands are shaking like crazy, causing the tray torattle.)Director: Cut! Cut!Phoebe: I'm sorry, I'm sorry, I'm sorry. I'm just a little nervous.Director: Well, don't be.Phoebe: Okay, that helps.Director: And...Action!(Phoebe starts walking towards the table again. She'seven more shaky than before and almost drops the tray.)Director: Cut!Joey: Hey, you know what? Don't worry, Pheebs! It usually takes me three takes too! (Off the director's look) Alright, eight.Director:And...Action!(Ok, here we go again. Phoebe starts walking toward the operating table, but stops every time the tray starts to rattle. She eventually drops it on the floor, but finishes the scene anyway by putting the nownon-existent tray on the table.)[Scene: Central Perk]Interviewer: So, do you have any other question about advertising?Chandler: No, no. But let me show you what I can do. \"Bagels and donuts. Round food for everymood.\"Interviewer: Monica warned me you might do that. I actually think we might have something for you at the agency.Chandler: Really? That's great!Interviewer: It's an unpaid internship.Chandler: It's funny. Whenyou said \"unpaid\" it sounded like you said \"unpaid.\"Interviewer: Come on now. Monica has a good job. And it's not like you have a family to support.Chandler: Actually, we're trying, and I don't think Monica's gonnawanna postpone it. We're supposed to have s*x tonight. Actually, she's probably at home naked right now. I tend to keep talking until somebody stops me. I can just picture her on the bed right now.Interviewer:Stop!Interviewer: Okay.[Scene: Ralph Lauren]Rachel: Wait a minute! What do you mean, you're taking over my job?Gavin: Well, while you were on your baby vacation I was doing your job.Rachel: A vacation? My ideaof a vacation does not involve something sucking on my nipples until they are raw.Gavin: Clearly you've never been to Sandles Paradise Island.Rachel: Alright! Don't get too comfortable there, because I'm back in twoweeks! And I want everything back to the way it was. I can't say that I care too much for the way you've rearranged my office.Gavin: I can't say I care too much for that smell you've brought in with you.Rachel: Excuseme?Ross: Rach we have a code brown situation.Rachel: Can you please, please take care of it for me?Ross: Alright, but you have to do one sometime.Rachel: Let me just get this straight! So I go have a baby and theysend some guy in to do my job?Gavin: Well, there was talk of shutting down Ralph Lauren all together.Rachel: That's right. You're very cheeky for a temp.Gavin: I'm not a temp. I was transferred here from anotherdepartment.Rachel: Oh yeah, what department was that? The Jerk department?Gavin: Oh, they didn't tell me about your quick wit.Rachel: Did they mention that I'm rubber and you're glue?Mr. Zelner: (Enters) Gavin,Ralph loved your ideas.Rachel: Oh, hi Mr. Zelner.Mr. Zelner: Rachel, I see you've met Gavin. I must say, when you left us we weren't sure what we were gonna do. But then, Gavin to the rescue. Super Gavin!Rachel:That's great. So now, Super Gavin, when I come back where are you planning on flying off to?Gavin: Well, that's up to Mr. Zelner. I'm sure he will make the right decision.Rachel: (To herself) Oh, wow. Superass-kissing power.Mr. Zelner: Incidentally, when are you coming back?Rachel: Today.Gavin: You said two weeks.Rachel: No, I said today! See, for a superhero, not so much with the listening.[Scene: DOOL set]Joey:Hey.Phoebe: Hey. So, what did he say?Joey: Well, he can be a little rough around the edges, so I'm gonna replace a word he used a lot, with the word \"puppy.\" Okay, so he said: \"If your puppy friend doesn't get herpuppy act together, I'm gonna fire her mother-puppy ass.\"Phoebe: I'm sorry, I can't do this. I'm not an actor.Joey: That's right, you're not. You're a nurse. You're Nurse With Tray.Phoebe: Joey.Joey: No, no. Nurse WithTray doesn't know Joey, she doesn't have time for friends. She gets in that operating room and she carries that tray to the doctor, because if she doesn't, people die!Phoebe: Who dies?Joey: (Points to man on operatingtable) Man With Eye Patch! You get in there and you do your job.Phoebe: Yes, doctor.Joey: Okay.Director: Okay, let's try this one more time.Phoebe: Hang in there, Man With Eye Patch, your tray is coming!Director:And...Action!Phoebe: (Does the scene) Yes, I did it!!! I nailed it!!! Yay! What's next?Director: The rest of the scene.Phoebe: Okay, from the top, people![Scene: Ralph Lauren]Rachel: Listen. Sudden change of plans. Mymaternity leave just ended. They told me that if I didn't come back today, they were gonna fire me.Ross: What? No, that's illegal. I'm gonna have the labor department down her so fast they won't even...Rachel:Alright, alright. Calm down Norma Rae. They didn't actually say that. I'm just afraid if I don't come back right now this guy's gonna try to squeeze me out.Ross: What about Emma? We don't have a nanny.Rachel: Iknow. You know, we're just gonna have to figure out a plan tonight. Can you please just take care of her for today?Ross: Absolutely. Just give me your breast and we'll be on our way.Rachel: Come on, I don't knowwhat else to do.Ross: Fine, fine. (To Emma) We'll have fun, won't we? Yes, we will, yes we will. (Gives her a kiss, and the pink bow tapes itself to his head.)Rachel: Ross?Ross: Huh?Rachel: You're pretty.[Scene:Chandler and Monica's]Chandler: Whatever I decide to do, I'm gonna be starting a career from scratch. It's gonna be a while before I make a living at it. Maybe now is not the right time to be starting a family.Ross: Soyou have to tell Monica you don't want to have a baby right now?Chandler: Yeah.Ross: (Hugs Chandler) Good-bye.Monica: (Enters) Okay, it's baby time. Pants off Bing. (Sees Ross) Didn't see you there Geller.Chandler:Yeah, Ross is here so...Ross: Yeah, and I was really hoping that I could hang out. What do you feel like doing?Monica: We're gonna have s*x.Ross: I don't feel like having s*x. Maybe we can watch a movie orsomething.Monica: Let me put it this way. We're having s*x whether you're here or not.Ross: Pants off Bing![Scene: Ralph Lauren]Rachel: Alright. Now that I'm back, why don't you just fill me in on what you've beenup to?Gavin: Well, I've changed your screensaver from that picture of *Nsync.Rachel: Hey, they were popular when I left!Gavin: Also, I've just been working on this big presentation for tomorrow.Rachel: Well, I shouldbe involved in that, so why don't you get me up to speed?Gavin: That's gonna take weeks. Why don't just let me take care of the presentation?Rachel: Oh, no no no no. I see what you're doing here, alright, listen, thisis my job buddy. Okay, I've had it for five years, and I know how it works, so why don't you justcatch me up!Gavin: Fine.Rachel: (Sits down in her chair) Oh god. You've totally messed with the back support of my chair.How do you fix this?Gavin: Hey, you've been here five years, you figure it out.Rachel: Fine, I will. (Pushes that button thing on the chair that makes it \"collapse\") Alright, fill me in![SCENE_BREAK][Scene: Chandler andMonica's]Ross: Hey.Chandler: Hey.Ross: You have a blue tie that would go with this? Emma spit up on mine.Chandler: Oh, yeah. But you have to give it back if I get a job. Of course, by that time in the future ties willbe obsolete and we'll all be wearing silver jump suits.Monica: (Enters from the bedroom) Hi, good morning lover. I gotta say after last night, I'm a little weak in the knees.Ross: Here's an idea. You walk into aroom...take a quick scan!Monica: (To Ross) Sorry. (To Chandler) But I kind of have this feeling that we may have made a baby last night.Chandler: Oh god, I have to tell you something. You're not pregnant.Monica:What are you talking about?Chandler: That thing that I have to do to make a baby. I faked it.Monica: What!? You faked it?Ross: You know what? I don't need a tie. I mean, it's better, open collar. You know, it's morecasual (He leaves.)[Scene: DOOL set]Phoebe: Joey, listen. I can't do this, it doesn't make any sense. Yesterday I was a nurse, and today I'm a waitress at a cafe?Joey: Oh, sometimes we use the same extras fordifferent parts. It's okay.Phoebe: Well, it's not okay, because I gave a very memorable performance as the nurse. And now suddenly I'm the waitress? That's gonna confuse my fans.Joey: Maybe you are a nurse, butyou moonlight as a waitress.Phoebe: Uhuh. Because I'm a single mother, supporting my two children.Joey: Nice.Phoebe: Wait a minute. Dr. Drake Ramoray and I work at the same hospital. Wouldn't I come over to sayhi to him?Joey: No, no. See, you and Drake are having a fight.Phoebe: About what?Joey: He slept with you and then never called you.Phoebe: And I just wanted a new daddy for Davy and Becky.Director: Okay, okay,from the top. And...Action!Man: So, I'm surprised you agreed to have lunch with me.Joey/Drake: I'm surprised to, but yet here I am.(Phoebe walks by and slaps him.)Director: Cut, cut! What are you doing!?Phoebe:Yeah, well, I'm very angry at him, because he slept with me and never called me back.Extra: Me too!Another extra: Me too!Joey: Oh, calm down! She means on the show! We need some new extras aroundhere![Scene: Chandler and Monica's]Gavin: (Enters) Wow, you're here already.Rachel: Yes. Emma and I came in a little early to do research on the presentation. I actually made a few changes, but I think I'm caught upon everything. So ask me anything!Gavin: How do you fix the chair.Rachel: Except that! (Mr. Zelner enters) Oh, hello, Mr. Zelner. We're all ready for our presentation this afternoon.Mr. Zelner: Good, because it's in tenminutes.Rachel: What? I can't do that! I have the baby, and Ross is not gonna pick her up for another hour.Mr. Zelner: Well, then Gavin can give the presentation, okay, we have to do it now. Ralph needs to leave earlytoday. He's going helicopter shopping.Rachel: Well, there you go. You win, you win. You get to do the presentation, you'll knock 'em dead, no one will ever remember that I worked here, and then Ralph will buy hishelicopter, and Super Gavin will just fly right along side of him!Gavin: You can do the presentation.Rachel: No, I can't, I have a baby.Gavin: I'll watch her.Rachel: Why would you do that?Gavin: Because you've workedreally hard, and it's your job, and you're a little crazy.Rachel: That's really nice.Gavin: I should tell you that crying women make me very uncomfortable.Rachel: Then you're not gonna like what's coming. (Starts crying)I'm sorry, I'm sorry, I'm sorry. Thank you, thank you.Gavin: I'm really fine, don't worry, I'm great with children. (To Emma) Gavin Mitchell. Pleased to meet you.[Scene: DOOL set]Joey: Please don't fire my friend. Justlet me talk to her.Director: Okay, okay. But this is her last chance.Joey: Thank you, thank you. How about I do something for you? Tomorrow, I'll bring you a hat, cover up the bald?Joey: Hey, listen Pheebs. I was justtalking to the director, and he was thinking, maybe this time you don't hit Drake, you just wait on the tables?Phoebe: I can't do that. I'm an actor. I have a process.Joey: You're a masseuse. You have a table with a holein it.Phoebe: Wait a minute, I see what's happening here. You're threatened.Joey: What?Phoebe: Yeah, I'm so good in this scene that I'm stealing focus from you. Well, rise to the challenge Tribianni 'cause I just raisedthe bar. Come join me up here!Joey: (To the director) Yeah, you can fire her, but I would call security, she won't go easy.[Scene: Chandler and Monica's]Monica: You faked it? You couldn't have faked it!Chandler: Ohyes you can. You just make the faces and the noises.Monica: Guys can fake it? Unbelievable. The one thing that's ours! Besides, why would you fake it when we're trying to have a baby?Chandler: That's actually why.Look, I'm starting a whole new career now, and I'm not saying that I don't want to have a baby, I'm just saying maybe we could wait a little while.Monica: Like a month?Chandler: Or a year?Monica: Really, you want towait a year?Chandler: It could be less than a year. I mean, you've heard my stuff. \"Pants. Like shorts, but longer.\" (Pause) It'll probably be more than a year.Monica: I really wanna have a baby.Chandler: Yeah, me too.Look, I'll just get my old job back.Monica: No, I want you to have a job that you love. Not statistical analysis and data reconfiguration.Chandler: I quit and you learn what I do?Monica: It's just, I think, there's nevergonna be a right time to have a baby. I mean, now you're unemployed and in a little while you'll find a new job that'll keep you really busy. There's always gonna be a reason not to do this, but I think once the babycomes, forget about all those reasons.Chandler: I guess. It's always gonna be scary when we have a baby.Monica: It's gonna be really scary. I mean, god. When we have a baby, there's gonna be so much that we'renot able to control. I mean, the apartment's gonna be a mess, I won't have time to clean it. What if the baby gets into the ribbon drawer? Messes up all the ribbons?! What if there's no room for a ribbon drawer,because the baby's stuff takes up all the space!? Where will all the ribbons go!?!Chandler: Should we go make a baby right now before you change your mind?Monica: Yes, please!Chandler: Oh, and I promise, I will notfake it this time.Monica: I wish I could say the same. I'm a little shook up! Closing credits[Scene: DOOL set]Joey/Drake: I know you botched that operation on purpose. I can't prove it yet, but when I do, you'll be goingto jail for murder. I don't care if you are my brother.Man: I'm not your brother.Phoebe/Waitress: What about my children Drake?! Huh!? (She starts running around on the set with a security guy chasing her) No!! No!!No! God!"}
+{"doc_id":"doc_117","qid":"","text":"[Scene: Rodriguez's place. He's looking at pictures of Prue, Piper and Phoebe. Tempus appears in a ball of flame.]Rodriguez: Tempus...Tempus: I never expected to see me. Of course not. You are not worthy beforenow. What is the name you are using?Rodriguez: Rodriguez.Tempus: Ah, yes. I have been sent to you, Rodriguez. As a gift.Rodriguez: Sent? By who?Tempus: I think you know who and why.Rodriguez: I can defeat theCharmed Ones on my own. I don't need any help.Tempus: Really. What makes you think you have actually found the Charmed Ones?Rodriguez: Are you kidding? After so many of my colleagues have mysteriouslyvanished in San Francisco this year. It can only be one reason why. I posed as a cop as I believed that one was covering for them. I was right, he was. That's how I found them. Of course, you already know all that don'tyou. That's what makes me so worthy now, right?Tempus: Watch your tongue, Rodriguez, lest I split it for you. It's one thing to have found the Charmed Ones, it's quite another to defeat them as those who have gonebefore you have already discovered. Tomorrow is Wednesday. I want you to get all three witches together in one place by midnight and give it your best shot. But if you fail ...Rodriguez: I will not fail.Tempus: Well, ifyou do, I'll be there to help you learn by you failures. Trust me. Now, how do you expect to get them together?Rodriguez: Trudeau.[Scene: A paperboy rides along the road, a car honks and he waves. He throws thepaper on the Halliwell's lawn. Inside the manor.]Weather Girl: (on TV) Good morning, San Francisco. Well, it looks like it's going to be a beautiful Wednesday.Phoebe: (on the phone) Piper, what are you doing at Quake?It's 8:00 in the morning.(Prue enters the kitchen.)Prue: Morning.Phoebe: Morning. (to Piper) Yes, alright, I'll be there in an hour.(You can see Kit on the bench and he knocks over a pepper shaker.)Prue: You'll be wherein an hour?Phoebe: Ah, Quake. Piper's doing that thing for the food network and she needs me to bring her another dress because she spilt marinara sauce over the one she's wearing.Prue: Just stay out of mycloset.Phoebe: Oh, don't worry, I don't think she'd want to ruin another one of yours.Prue: (Reading the paper) I don't believe this.Phoebe: I'm kidding. Don't have an aneurysm.Prue: No, I'm talking about the paper.Did you see the front page? (Phoebe shakes her head. They hear a crash outside.) Where did you park my car last night?Phoebe: In the driveway ... I think.(They run to the window.)Prue: Mrs. Henderson's car.Phoebe:Oh, thank God. I mean, that your car's in the driveway and I'm not in the dog house. Is she okay?Prue: Yeah, just a little fender bender, no big deal. Phoebe, Andy's in trouble.Phoebe: What? Why? (Prue shows her thepaper. Written on the front page is \"Inspector Suspected In I.A. Murder.\") They think that he killed that Internal Affairs cop? No way.Prue: Maybe it's a setup, trying to force him to reveal our secret.Phoebe: Let me seethat. (She takes the paper off Prue and has a premonition.)Prue: What is it?Phoebe: I saw Andy, Prue. He was dead.Opening Credits[Scene: Halliwell Manor. Continued from before.]Prue: Wait, you said that you didn'tsee a demon or a warlock in your premonition, right?Phoebe: No, but the way he was hurled across the room, there had to of been one.Prue: This room here.Phoebe: Right here, yeah.Prue: Okay, and you're positivethat it was Andy.Phoebe: Prue.Prue: I just want to be sure, alright, this isn't just anybody that we're talking about, you know.Phoebe: I know, and I care about him too.Prue: I know you do. I'm sorry. Um, right, whydon't you fill in Piper and I'm gonna go warn Andy.Phoebe: How? He said it was too risky for you to be seen with him.Prue: Yeah, well, I don't care. Let Internal Affairs find out that we're witches. Andy's life is a lot moreimportant.Phoebe: Okay, just please be careful. You don't know what kind of demon we're up against.[Scene: Police station. Andy is in a room with Darryl.]Darryl: If you ask me, I wouldn't be surprised if Rodriguez wasthe one who whacked his own partner.Andy: I.A. already cleared him.Darryl: I.A. cleared an I.A. Go figure.Andy: Yeah.(Rodriguez enters the room.)Rodriguez: What are you doing here, Morris?Darryl: Backing mypartner, Rodriguez, something you wouldn't know anything about.Rodriguez: This is between him and me.Andy: It's okay, Darryl. (Darryl leaves the room.) Just for the record, I'm not saying anything without mylawyer present.Rodriguez: You don't need a lawyer, that's if you're willing to help me.Andy: You want me to help you? (He laughs.) What, you can't frame yourself, Rodriguez?Rodriguez: Look, Andy ...Andy: Oh, it'sAndy now.Rodriguez: I don't think you had anything to do with my partner's murder. That's right. But what I do think is completely off the record. And I think you'll understand why. (Rodriguez shows Andy a photo.)That's my partner. Or at least what's left of him. No human could of done that to him. I think he was killed by something supernatural. And I think you can help me figure out who or what it is.Andy: Really. What makesyou think that?Rodriguez: Come on, I know all about those unsolved cases of yours, and I know who's behind them too. Who you've been covering for. It's very noble. You must care about her very much to give upyour career for her. Prue Halliwell ... is a witch.Andy: A witch, huh? You wait here, I'll go warn the Wizard of Oz. (He stands up.)Rodriguez: I don't have time to screw around, Trudeau. I want you to arrange a meetingbetween her and me. It has to be tonight. She can help me find who killed my partner, I'll drop all charges against you. I won't tell anyone about her. You think about it, but not too long. (He leaves and Darrylenters.)Darryl: You alright?Andy: I'm not sure. I gotta go see Prue.Darryl: That's funny. She called and said she had to see you too.[Scene: In the street outside a clock shop. Tempus is waiting there. Rodriguez walksup to him.]Tempus: Well?Rodriguez: I'm sure I made Trudeau suspicious of me. She'll have no choice but to meet with me.Tempus: But you have to get all three of them together.Rodriguez: Trudeau cares about her.He won't let her risk meeting me alone. He'll insist she have the power of three there with her for protection.Tempus: And you think you have the power to defeat them all.Rodriguez: You don't think I do, do you? Youthink I'll fail.Tempus: Time will tell.[SCENE_BREAK][Scene: Quake. Phoebe has another dress for Piper.]Piper: Phoebe, over here. (She gives Piper the dress.) Thank God. The segment producer's gonna be here anyminute and I am a complete and total wreck.Phoebe: Piper ...Piper: I thought I was gonna have to pull a Celine Dion and wear my dress backwards.Phoebe: Piper, you have gotta listen to me. I had a premonition ofAndy dying.Piper: When?Phoebe: This morning. Don't you check your voice mail? I called and said it was important.Piper: Oh, know. Where's Prue?Phoebe: She's warning him. But in the mean time we have to figureout who the demon is.(A woman enters Quake. Piper stands behind Phoebe to cover the marinara stain.)Woman: Piper? Piper Halliwell? I would recognize you anywhere, you have not changed a bit. You don't recognizeme do you? It's Joanne. Joanne Hurts, Baker High, class of '92.Piper: Oh, sure, of course. Joanne, what are you doing here?Joanne: I'm the segment producer.Piper: You're the segment producer? (to Phoebe) She's thesegment producer.Phoebe: I heard.Piper: Wow, what a small world. I thought you moved to New York.Joanne: I did. And that's where I met my fabulous husband who had this crazy idea of starting this little cable showand putting me in charge of everything. And here we are, the food networks most popular show. Talk about dreams coming true. Anyway, enough about me, what have you been doing?(Piper freezes Joanne.)Phoebe:Why'd you do that?Piper: What am I suppose to say? That I'm a cash strapped, single restaurant manager, who still lives in the same house I grew up in with my sisters?Phoebe: And the cat, don't forget our cat.Piper:Phoebe, this isn't funny.Phoebe: Look, I don't know why you're getting so upset. She is a freak. I'm sorry, but no one is that successful at the age 26. Besides, you are successful, you're talented, you're creative, andthe food network is here to see you. Not me, not her, you. Feel better now?Piper: Very little.Phoebe: Good. Unfreeze that bitch in heels, you've got a segment to shoot and we've got a demon to find.[Scene: Park. Andyand Prue are there.]Andy: Has Phoebe ever been wrong about her premonitions before?Prue: No. But the good news is every other time we've been able to affect the outcome. Stop the demon or warlock before...Andy: Before I get killed. Can I get that in writing?Prue: Andy, you just have to be extra careful until we figure out who this demon is, okay? (Silence.) Andy.Andy: I was just thinking ... what if the demon wasRodriguez.Prue: Why would you say that?Andy: He pulled me in the station house this morning. I thought he was gonna arrest me. What he really wanted was a meeting with you.Prue: Meet with me? Why?Andy:Because he thinks his partner was killed by a supernatural being and somehow, I don't know how he knows you're a witch.Prue: How would he know that unless ...Andy: Unless he was the demon.Prue: Alright, uh, tellRodriguez to meet me at the manor at 6:00.Andy: It's too dangerous, Prue.Prue: I don't have a choice. If I don't meet with him, he'll try to frame you and try to expose me.Andy: But if he is a demon and it turns out tobe a trap.Prue: And I'll have Piper and Phoebe there to back me up, the power of three.Andy: Plus one.Prue: No. You can't be there, Andy. That's where you were in Phoebe's premonition when ... just promise me you'llstay away.Andy: I can't do that, Prue.Prue: I mean it. Don't make me use my magic on you. (They smile.) I don't want anything to happen to you, Andy. You know how much I care for you.Andy: Okay, Ipromise.[Scene: Outside the manor. Andy's sitting in his car. Rodriguez arrives in front of the manor. Andy ducks. Kit growls at Rodriguez. Inside the manor.]Prue: Alright, let's go over the plan again.Phoebe: Yeah,let's, because I wanna know why I'm the one answering the door.Prue: 'Cause you're the one who knows martial arts, alright, that way if Rodriguez shows up and tries something right off the bat, you can knock himdown.Piper: And then I can come in from the living room and freeze him.Prue: And then I can come down the stairs and send him flying.Phoebe: I still feel like cannon fodder.(The doorbell rings.)Prue: What time isit?Piper: Just before six. (He rings the doorbell a couple more times.) That's a little too anxious, that's not a good sign.Phoebe: Which means if he doesn't want to kill Prue, he wants to date her.(Prue and Piper stare athere.)Prue: Come on, let's get this day over with.Phoebe: Okay. (She walks towards the door.) Alright already. (She opens it.)Rodriguez: Inspector Rodriguez. I'm here to see Prue Halliwell.Phoebe: Yeah, no kidding.Prue! Piper! Company!(Rodriguez's eyes glow red and his power throw's Phoebe against the wall and she rolls down the stairs. Piper enters the room.)Piper: Phoebe!(Lightning stuff comes out of Rodriguez's handtowards Piper but she freezes it just in time.)Prue: (Running down the stairs.) Phoebe! (Prue uses her power and the lightening stuff hits Rodriguez adn he explodes and vanishes.)Piper: Oh my God.Prue: Oh,God.Piper: Prue, is she okay?Prue: She's dead.Piper: What? Phoebe. Phoebe![Scene: Rodriguez's place. Tempus is there holding an hour glass. He pours the sand out into a saucepan. You see out the window that itgoes from night to day in seconds. Rodriguez appears.]Tempus: Hurts to die, doesn't it? Especially at the hands of a witch.Rodriguez: What happened? Where am I?Tempus: Exactly where you were when you first metme. Time has been reset, or other I have reset time.Rodriguez: But they killed me.Tempus: That was Wednesday night. This is Wednesday morning all over again. This is why I have been sent to you, to keep resettingtime until you learn from your failures. Only you will carry with you the memory of what has happened before. And each time you fail, you will learn more until ultimately you will kill all of them.[Scene: A paper boyrides along the road, a car honks and he waves. He throws the paper on the Halliwell's lawn. Inside the manor.]Weather Girl: (on TV) Good morning, San Francisco. Well, it looks like it's going to be a beautifulWednesday.Phoebe: (on the phone) Piper, what are you doing at Quake? It's 8:00 in ... the morning.(Prue enters the kitchen.)Prue: Morning.Phoebe: Morning. Wait a minute. (Kit knocks over the pepper and meows.)Whoa. I am freaking out. (Into the phone) Okay. I'll be there in an hour (She hangs up.)Prue: Be where in an hour?(Phoebe pauses a little.)Phoebe: Okay. Pinch me.Prue: What?Phoebe: No. I mean it. Pinch me. I wantto make sure I'm awake because if I am, I am having one killer déjà vu.Prue: So it's just a déjà vu. Everybody gets them.Phoebe: Not like this they don't. Look Prue ... something weird is going on here.(Prue sees thefront page)Prue: I don't believe this.Phoebe: No. I'm...trust me. This has happened before. Everything.Prue: I'm talking about the paper. Did you see the front page?Phoebe: See. Like that. Right there. You said thatbefore. I know it. (Car crashes.) And that has happened before too.Prue: Where did you park my car last night?Phoebe: In the driveway and I told you that already the last time you asked me. (Prue leaves. Phoebesighs. Then whispers the next line.) I think I'm having an aneurysm.[Cut to Prue looking out the window in the living room.]Prue: Mrs. Henderson's car. Just a little fender bender, no big deal.Phoebe: Prue, I am notnuts. Okay, maybe just a little but that's irrelevant here.Prue: Phoebe, Andy's in trouble.Phoebe: What? (Prue shows her the paper.) Let me see that. (She takes the paper off Prue and has a premonition.) You know,that was the premonition which I had before.Prue: Of what?Phoebe: Of Andy, here, being killed by a demon.[SCENE_BREAK][Scene: Police station. Rodriguez barges in the room where Andy and Darryl are.]Rodriguez:What the hell are you doing here?Darryl: I'm backing my partner, you got a problem with that?Rodriguez: Get out now!Andy: It's okay, Darryl, I got it. (Darryl leaves.) Just for the record, I'm not saying anythingwithout my lawyer present.Rodriguez: Forget your lawyer, Trudeau. I'm not screwing around this time.Andy: This time? What are you talking about?Rodriguez: Bottom line, I know my partner was killed by asupernatural being and I think Prue Halliwell can help me figure out who did it.Andy: Really? Well, I'll just get the commissioner to signal Batman and then I'll get right on it.Rodriguez: Do you think I'm joking? I knoweverything, Trudeau, everything including the fact that Prue Halliwell is a witch. Now you're gonna arrange a meeting with her tonight, you understand, or else I'm gonna bust you ass and expose hers. (He leaves theroom and Darryl enters.)Darryl: What was that about?Andy: I'm not sure.[Scene: In the street outside a clock shop. Tempus is waiting there. Rodriguez walks up to him.]Tempus: Well ...Rodriguez: Trudeau is sent tomeet. But what I need to know is how to avoid the pain of getting vanquished again.Tempus: It depends on whether you learned enough to vanquish them first. What do you remember?Rodriguez: Last time I killed theyoungest one, Phoebe, without a fight. But then when I turned to kill Piper, I think she's the one who has the power to freeze.Tempus: Adjust, simply anticipate where she's coming from earlier before she has a chanceto freeze you. Then kill Prue.[Scene: Quake.]Piper: Andy dies? Are you sure that's what you saw?Phoebe: Even worse, I know that I've had that premonition before. I mean, before I had it earlier today.Piper: You meanlike yesterday?Phoebe: Yes ... I mean, no. It's not just the premonition that I've seen before, it's everything. And don't tell me that it's just deja vu because I know it's not.Piper: Alright, then what is it?(Joanne entersQuake.)Joanne: Piper? Piper Halliwell, I would recognize you anywhere. You have not changed one bit. You don't recognise me do you?Phoebe: It's Joanne. Joanne ... Hertz, right? I'm right aren't I?Joanne: I'm sorry,have we met?Phoebe: Yes ... sort of before. Uh, Baker High, class of '92. Although I wasn't in that class.Piper: Oh, sure, of course, Joanne. Phoebe, how did you ...Phoebe: (Whispering) That's what I've been trying totell you. I think we're in some funky time loop here.Piper: (Whispering) Phoebe ...Phoebe: (Whispering) Freeze her. I'll show you. (Piper freezes Joanne.) Okay, Joanne here, is the food networks segment producer.She's about to brag how she's happily married to some rich guy, how she's following her dream, how she's had a really bad nose job. Okay, I added the last part, but this is all gonna make you feel like you're wastingyour life away in comparison. Unfreeze her, go ahead, see for yourself.(She unfreezes Joanne.)Piper: Are you the segment producer?Joanne: Why, yes, I am.Piper: Following your dreams are you? Happily married?Stinkin' rich?Joanne: Well, I don't mean to brag, but ...(Piper freezes her again.)Piper: Alright Phoebe, spill it.Phoebe: Okay, the best I could figure is some demon has cast a spell, and I'm the only one who could sort ofsee it because my power let's me see things that have happened in different times. Do you have a better explanation?Piper: No. Alright, so if you're right, do you think this has something to do with Andy bekilled?Phoebe: I don't know, but we're never gonna find who the demon is unless we get to ...Piper: Book of Shadows, I'm right behind you.[SCENE_BREAK][Scene: Park.]Andy: What if he is a demon and it turns out tobe a trap?Prue: I'll have Piper and Phoebe there to back me up. The power of three.Andy: Plus one. Me. (Andy sees Prue thinking about something.) What is it?Prue: This seems a little familiar to me that's all, kinda likedeja vu. Never mind. Um, Andy, you can't be at the meeting and Phoebe's premonition that's where you were when ... Just promise me that you'll stay away.Andy: Prue, I can't do that.Prue: I mean it. Don't make meuse my magic on you. (They smile.) Andy, I don't want anything to happen to you. You know how much I still love you.Andy: No, I didn't.(They hug.)[Scene: Outside Halliwell manor. Andy's sitting in his car. Rodriguezarrives in front of the manor. Andy ducks. Kit growls at Rodriguez. Inside the manor. Prue, Piper and Phoebe are looking at the Book of Shadows.]Piper: Is there anything in there about time loops?Phoebe: There's aspell to accelerate time but that's about it. I'm telling you, this is all part of his evil plan. I just haven't had enough time to figure it out yet.(The doorbell rings.)Prue: What time is it?Piper: Just before six.Phoebe: I'll getit. (The doorbell rings a couple more times.) Alright already. (The door flies open and the lightening out of Rodriguez's hand hits Phoebe and she hits the wall.)Piper: Phoebe!(The lightning then hits Piper and shecrashes through the glass door. He then tries to get Prue but her power makes the lightning fly back into him. He explodes and vanishes.)Prue: Oh my God, no. (She runs over to Piper.) Piper. (She's crying.)[Scene:Rodriguez's place. Tempus turns back time again. Rodriguez appears.]Rodriguez: Son of a bitch!Tempus: Failed again, I see.Rodriguez: Yeah, but I learned. This time I got two of 'em. Third time is thecharm.[SCENE_BREAK][Scene: Wednesday morning. A paperboy rides along the road, a car honks and he waves. He throws the paper on the Halliwell's lawn. Inside the manor.]Weather Girl: (on TV) Good morning,San Francisco. Well, it looks like it's going to be a beautiful Wednesday in the Bay area.(Phoebe's on the phone. She turns off the TV.)Phoebe: Don't tell me. I already know. You spilt marinara sauce on your dress,right? Am I right? Think Piper, think. Doesn't all of this seem awfully familiar to you?Prue: (Entering the kitchen.) Morning.Phoebe: Freeze. No, not you, Piper. (Kit's on the bench.) Kit knocks over pepper. Meows. (Kitdoes so. Prue looks at Phoebe as if to say \"how'd you know that?\") Hold that thought. Okay, Piper, you need to get home as soon as you can, okay, we've got major demon hunting to do. Oh, and if you run intosomeone named Joanne from high school, just tell her to go stick it. I will explain later, just hurry.Prue: Okay, what's going on?Phoebe: Quick, follow me. (They go to the window.) 5, 4, 3, 2, 1. Car honks ... (a carhonks) skids ... (a car skids) crashes ... (a car crashes) Mrs. Henderson's car. A little fender bender. Good thing I parked your car in the driveway last night, huh?Prue: How did you know that?Phoebe: Because this hasall happened once before, Prue, maybe even more than once. The day keeps repeating itself. I know it and every time it happens I think I figure it out just a little faster. It must be my power of premonition. Premonition"}
+{"doc_id":"doc_118","qid":"","text":"[PREVIOUSLY_ON]FlashbackHaley : Nathan don't!Nathan : I love youHaley : Nathan! Nathan! Nathan! Help me!Nathan : Haley! Haley! Haley! You okay? Oh, my God. Okay. Breathe, Haley. Just breathe.AT THEDOCTORHaley : I was just trying to feel something. Like... alive, I guess.Doctor : And did that make you feel alive?Haley : No. But it made me want to.AT BROOKE'S HOUSEBrooke : Julian, I thought we agreed weweren't gonna hang posters out here.Julian : I didn't hang a...AT CLAY'S BEACH HOUSEQuinn : What are you up to?Clay : I love your back. You know where we should go? Julian's movie premiere. Maybe we could talkNathan and Haley into going. Might be good for her to get away. And then we... could...Quinn : Ski.Clay : Girls that can spell are sexy. Then we could stay up all night and...Quinn : F... U... Are terrible.Clay : I'm justinsanely in love with you. As promised.Voice over : I wish I could tell you there was a magic cure, Haley. But depression is a singular struggle. Some people just wake up one day and feel a little better than the daybefore.AT SCOTT'S HOUSEJamie : Hi, mama. How you feeling?Haley : Come here. What was that you were saying the other day about wanting to see snow?Jamie : Well, aunt Brooke says it's snowy in Utah, and that'swhere Julian's movie is playing. And everyone's going.Haley : Everyone, huh?Jamie : Yeah.Haley : Maybe you should try this on. Yeah, I don't... I don't want your ears to get cold in the snow.Jamie : You mean we cango? Oh! I got to tell dad.Haley : Jamie.Jamie : Yeah?Haley : I love you.Jamie : I love you, too. Dad, we're going to Utah!IN UTAH'S HOUSEJamie : Do you think there's rooms for all of us?Skills : Oh, yeah. I think there'sroom.Jamie : There's trees in the house and moose antlers.Julian : There's 12 of us. Only six bedrooms and a couple of couches.Skills : Dibs.Brooke : You had them lock the master, right?Julian : Don't worry. We'regood.Skills : Hey, uh, you need some help drinking that? Lauren told me what you said about us being boys and all. I know we never really talked about it, but... It meant a lot to me.Mouth : Thanks, but... I just wantto get back to the way we used to be, you know?Skills : Yeah, I feel that. Anyway, this trip 'bout to be insane. Plus, I get to rock my new coat I just got in L.A. Check this out.Mouth : Dude. No.OUTSIDE IN THE UTAHSNOWJamie : Hey, everyone! Dad! Come on! Doesn't anyone want to play? Ugh. I think I got some in my mouth.Nahtan : As long as it's not yellow, I think you'll be fine.Jamie : Hey, dad, can we build a snowfort?Chase : I can build you a snow fort, buddy.Jamie : Okay, cool. Wait... how do we know you, again?Chase : I'm Chase. The bartender at Tric?Jamie : Whatever. You're no Grubbs.Guys : Retreat! Retreat!Brooke :Oh, you guys are so dead!IN THE HOT TUBBrooke : Are you excited about tomorrow night?Julian : Yeah. My dad says three things have to happen at this festival. The audience has to love the movie, we have to sell it,and I have to decide what's next.Brooke : Well, not to sound naive, but maybe you should just enjoy it.Jamie : Yeah. I'd just enjoy it. It's a good life.IN FRONT OF THE NIGHTCLUBAlex : Alex Dupré.?Man : Right. Maybetwo rehabs ago. Back of the line. Hey, hold up. I like that coat, man.Skills : Oh, that's what I'm talking about, baby. Okay... him, him, and the ladies, they with me. Thanks. Not him.Man : Back of the line. Let's go.Skills: Nah, I'm just kidding. He with us, too.Man : All right. Come on, man. Hurry up.Skills : People love the coat, baby! Oh. Dang.ON THE FLOORClay : Stop worrying about her.Quinn : What?Clay : You're worrying aboutHaley. All right, look... she's with Nate. She's fine. Besides, I got you a few things. White wine.Quinn : Thank you.Clay : And a kiss, because my baby looks amazing tonight. And, last but not least, a spare key to thehouse, because you lose things.Quinn : I do not lose things.Clay : Look, just put it outside somewhere.Quinn : You know what? I'm gonna keep my white wine. And you can have your kiss back. But I don't need thekey, because I don't lose things.Skills : Who want to dance?Quinn : I do.Chase : Where's your, uh, \"boyfriend\" tonight?Alex : I'm looking at him.Chase : You're the devil, aren't you?Alex : Why?Chase : Because youknow I just broke up with Mia.Alex : So?Chase : So I'm taking off, devil Dupré. And I'm locking my door.Skills : She was sexy until she started dancing.Quinn : Lose the beat?AT RED BEDROOM RECORDSMia : How youdoing?Grubbs : I gave this flower to Miranda. It's just another thing she left behind.Mia : Doesn't mean she doesn't miss you.Grubbs : There's just so much that I wish I would have said the last time I saw her.Mia :What did you say?Grubbs : Nothing.Mia : Then say it in here. You know, write one more great song. Let's finish this record.Grubbs : Then what?Mia : Well... if I was you... I'd start my tour in London. And I'd water thatorchid. Grubbs. I know it feels bad now... but it's gonna get better. One more song.IN CLAY & QUINN'S ROOMClay : It was a good night tonight. Whoa And now it's a better night.Quinn : I think you were right about melosing stuff. I seem to have, uh, lost my clothes.Clay : Where you going?Quinn : Now I've lost my way to the bed. Guess I'll just have to sleep somewhere else.Clay : No. She's good. She's good.IN ALEX & JOSH'SROOMJosh : I made a place for you on the floor.Alex : Right. Shut up and scoot over.Josh : I thought maybe you'd end up in Chase's room.Alex : I tried. He locked the door.Josh : I know. I tried, too.Alex : Do you everthink about coming out?Josh : My dad's a football coach, Alex. And my mom... my mom's a football coach's wife. She loves this version of me... the leading man. So...Alex : Well... For what it's worth, if I was a mom, Idon't think there could be any words that would ever make me stop loving my child. Unless, of course, those words were \"mom and dad, I secretly made a s*x tape.\"Josh : It's amazing how much I hate you.IN NATHAN& HALEY'S ROOMNathan : Jamie had a blast today. The guys built him a snow fort. I know that you came here just for him. I do. And I love you for that, Haley.Haley : Please don't think that I take that for granted. I'mso grateful for... who you've been through all of this. And how you've been.Nathan : There's no other way for me to be. You've saved me so many times. I worry that I've been selfish with you. That I've takenadvantage of your strength and your selflessness... And that I've... I've broken you somehow.Haley : No, no. You haven't. You didn't. I just have a weight in my heart now that I didn't have before. It was lighter today,though.OUTSIDEQuinn : It's beautiful, isn't it?Haley : Yeah. It makes me think of mom.Quinn : She would have liked it.Haley : Yeah.Quinn : Well, you know mom believed in reincarnation, right?Haley : So I think we'llsee her again. What do you think she'll be?Quinn : Different. I think she'll be an owl. A beautiful, majestic, sarcastic owl.Haley : I just wish she could be here again.IN THE SKILIFTAlex : I can't believe you actuallylocked your door last night.Chase : I can't believe you actually tried to get in.Alex : Would that be so bad?Chase : Says the girl who just wants someone normal and reliable. You said that at Tric.Alex : You werelistening.Chase : Of course I was listening. I'm a bartender... manager.Alex : And almost pilot. I was listening, too. I'd crush out on you, and then you'd be gone.IN THE SNOW FORTJamie : Hi, mama. Come on in. Youlike it?Haley : Oh, I do like it. This is great, buddy! Oh, my goodness. What do you like about it?Jamie : I like that it's quiet. It feels kind of safe in here.Haley : That's smart, kiddo. So, listen... I was thinking about goinginto town and buying a dress for tonight. What do you think? You want to, uh, get a suit for Julian's premiere?Jamie : Can I pick it out myself?Haley : Yes.Jamie : Okay.Haley : Okay. It's a really cool fort, Jame.Jamie :Yeah.IN UTAH HOUSEQuinn : Clay? \"No cellphone coverage. Went to lunch at the diner on main. Come by, unless you've lost your appetite.\" Hot tub. Oh... beers... Key.AT THE RESTAURANTClay : Why? Uh... Whathappened?Quinn : Key.Clay : She loses things.MAKING SHOPPINGJamie : Mama, I found my suit.Haley : Well, that is quite a suit of clothes.Jamie : I really like it. Can I get it?Haley : Yes. Absolutely. And you knowwhat?Jamie : What?Haley : Your grandma would have loved you in this suit. Just no bullfighting, okay?Jamie : No problem. Bullfighting is caca del toro.Haley : Okay.Jamie : Hey, mama. You're pretty when you smile. Imissed it.Haley : Thanks buddy.IN THE HOUSE ROOMBrooke : Are you ready?Julian : My whole life, my hair's been out to get me, like it resents my forehead for taking up too much room.Brooke : Stop. You looknice.Julian : Maybe I should wear a hat. Like a beret. Or a fez.Brooke : Hey. The movie is great. And you are great. And you look so handsome that we need to get out of this bedroom, or you're gonna miss yourpremiere.Julian : What would I do without you, Brooke Davis?Brooke : Well, for starters, you'd wear a fez. Not okay. Come on. Your dad and your destiny are waiting.AT THE PREMIEREPaul : Thank you. Welcome. Uh,when my son Julian called me and asked me if I wanted to make a movie with him, I thought it might be a nice chance to reconnect. But that was that was wishful thinking on my part, because I was gone so often whilehe was, uh, growing up that we never really connected in the first place. And that's a shame. Whenever I finish a movie, I... I have this expression... \"Let's kick it out of the nest... and see if it flies.\" Well, son, we kickedyou out of the nest. And it has been a pleasure watching you soar. I hope you all agree.Julian : I'll see you in a bit.OUTSIDEAlex : Julian. It's starting.Julian : Yeah, I know. I think I'm just gonna wait till it's over.Alex :Those were some nice things your father said about you.Julian : Yeah.Alex : You sure you don't want to come back inside?Julian : Yeah, but you should go watch it with an audience. I want you to see how good you areas an actor and a writer.Alex : I was in good hands. And everything's gonna be okay. You know why? Because it already is.Nathan: Opened with a s*x scene. Nice work, Polanski. Good luck explaining that one to thekid.Jamie : You're not watching it either, huh?Julian : Nope.Jamie : Were you grossed out, too? Come on. We should go get a drink.AT THE BARJamie : I don't get it. You made a movie with no animation, no stunts, nocars that transform into stuff, no aliens, and no rabbits.Julian : Yes, I did.Jamie : What the heck else is there?Julian : Romance?Jamie : I don't think anyone wants to see that.Julian : Yeah. I'm not sure anyone wants tobuy it, either.Jamie : Here. It helped my mom. It's good luck. You're gonna need it.Julian : What do you know? You're 6, and you're drinking at a bar.Jamie : 7.Julian : Nice. Nice work, el borracho.AT THE PREMIEREAlex: I'll tell you something I am sure of. We're all afraid. Some of us find ways to hide that fear, and some of us don't. But we've all got \"it,\" you know? And it's always there.Josh : And what's your \"it,\" Elise? What are youafraid of?Alex : I'm not afraid of anything. I have you.Josh : You were good in that scene. I'm tired of being afraid.OUTSIDEJamie : It's still packed in there, so at least nobody left. That's good, right?Julian : What'shappening on-screen?Jamie : Hold on. I'll check. They're kissing. They've been doing a lot of that. Seriously, you could have used a robot or something. I think it's almost over.Julian : It is. Right about... Now.Jamie :They're clapping! They liked it! Come on!IN THE LIVINGPaul : Good news. The screening went great, and we have buyers interested. The best of the bunch are on their way down. I got you a beer. Now, look... nomatter what their initial offer is, I think we can get them up to $4 million.Julian : That sounds great.Paul : Just let me do the talking, all right?Julian : I won't say a word.Man : $2.5 million.Julian : Deal!Paul : 3. And ahaircut for the kid.Man : Deal.Woman : Josh, this movie firmly establishes you as a leading man. You and Alex have amazing chemistry. Is it because you're together in real life?Josh : Well... actually, there's somethingeveryone should know. We're not together. The thing is... I... I'm just excited about how many hot single women are gonna love this movie.OUTSIDE IN UTAHGuys : Jump! Jump! Jump! Jump!Nathan : Nice!IN THESNOW FORTBrooke : Is this the V.I.P. snow fort?Haley : You don't have to check on me. I'm fine.Brooke : I'm not. I needed fresh ice... For my cocktail.OUTSIDE IN UTAHGuys : Jump, jump, jump.Skills : What's up?Damn, it's cold. Anybody seen my coat?Jamie : Bear! Do you think it's hibernating?Skills : Nah. I think it's just passed out. Okay, here's what you're gonna do. Take this ski pole and jab it real hard.Jamie : I don't wantto hurt it.Skills : It's too dumb to get hurt. Trust me. Go ahead.Mouth : Ow! Son of a...Jamie : It talks! Aw, man.IN THE HOTEL ROOMAlex : You leaving?Josh : Yeah. Thought I'd fly to Denver.Alex : What's inDenver?Josh : My parents. We need to talk.Alex : I think that's a really good idea.Josh : I hope so.Josh : Anyway... I'll see you, Dupré?Alex : It's \"Whitehead.\" Alice Whitehead.Josh : Alice Whitehead? That's a horriblename.Alex : Shut up. Anyway, I guess we all have our secrets. Believe it or not, I'm really gonna miss you.Josh : I'm gonna miss you, too... Alice.OUTSIDE IN UTAHJulian : It's pretty magical, isn't it?Brooke : It's sobeautiful. This whole trip has been perfect.Julian : Well, I have to admit, I had a little help. Last night at the bar, Jamie gave me a gold star for luck. You want to see it?Brooke : Yeah.Julian : Oh, wait... that's not it.That's the engagement ring I got for you. Where did I put that thing? Everyone says that the next thing I do, the next choice I make is going to define me... my career... my life. Well... The next thing I want to do is askyou to be my wife and tell you how much I love you and how nothing else matters. When I look into your eyes, Brooke, I see the rest of my life. And I see it with you. Marry me, Brooke Davis.Brooke : Yes. Okay. I wantto so much.Julian : I was hoping you were gonna say that.ON THE SNOW FORTHaley : Come here.Jamie : Oh, mom, you're squishing me.Haley : Oh, I'm sorry for squishing you. Let's go sledding. Do you want to?Jamie: Totally. I'll go tell everyone.Haley : Okay.Jamie : Dad, we're going sledding!Nathan : All right. You okay?Haley : No. But... I will be.IN THE HILLNathan : What do you think, Calvin? It's a long way down.Jamie : Pieceof cake, Hobbes. Let's do this.Jamie : It sure is a long way up, mama.Haley : No, it's just a hill. Come on. We'll climb it together.AT THE HOTEL ROOMChase : You know, I don't think you're actually supposed to replacestuff in your hotel room.Alex : Oh, whatever. I'll be out of here soon, anyway. Think I might get a place of my own... maybe stick around a while.Chase : Sounds kind of normal and stable.Alex : There. Perfect. Well...almost. Say you'll go out with me, and then it will be.Chase : Okay. Yes.AT BROOKE'S HOUSEBrooke : You know what I like best about the movie?Julian : What's that?Brooke : You get the sense that they're all gonnalive happily ever after.Julian : They are.AT SCOTT'S HOUSENathan : You okay?Haley : These aren't sad tears. They're happy tears.Nathan : All right, well, how about from now on, we do smiles for happy instead? Whatis it?Haley : I'm pregnant. I think it's gonna be a girl.Nathan : Oh, my...Haley : Nice work, daddy.AT CLAY'S BEACH HOUSEClay : You're falling asleep. Why don't you go to bed?Quinn : I like it here.Clay : Yeah, I like ithere, too. But you sleep like a rock, and you're too long to carry.Quinn : You're mean. You say I'm too long, and you say I lose things.Clay : But I also love you. And the truth is that without you, I'd be the one who'slost.Quinn : Nice save. I love you.Clay : I love you, too."}
+{"doc_id":"doc_119","qid":"","text":"[OPENING CREDITS][SCENE_BREAK][EXT. DOWNTON VILLAGE - DAY][SCENE_BREAK][Daisy walks her bike through the village towards the church.]Spring, 1920[SCENE_BREAK][INT. DOWNTON CHURCH -DAY][SCENE_BREAK][Mary and Matthew stand next to each other at the altar in plain clothes. Mary has a white train sticking out under her coat.]Matthew Crawley: Is there any news of Sybil?Lady Mary: She's still notcoming. She insists they can't afford it.[Matthew raises his eyebrows with an understanding frown and nods.]Archbishop: Mr Travis, can we move forward?Reverend Travis: If I could just ask you to come down the aisleagain.[Matthew and Mary nod pleasantly to Rev. Travis and smile at each other as they turn toward the door.]Reverend Travis: Can we get the troops organized?Robert, Earl of Grantham: That means me.[Robert risesfrom the pew.]Cora, Countess of Grantham: It seems rather hard on poor old Travis when he's doing all the work but the archbishop gets the glory.Mary: Papa was the one who wanted a prince of the church. I'd havesettled for Travis.Robert: Mm.Mary: Is there really no way we can get Sybil over? It seems ridiculous.Robert: On the contrary, it's a relief. Branson is still an object of fascination for the county. We'll ask him here whenwe can prepare the servants and manage it gently.[Robert and Mary walk to the back of the church.]Isobel Crawley: He's making a problem where none exists. No one could care less were Branson at the wedding ornot.Matthew: You must think country life more exciting than it is if you imagine people don't care when an earl's daughter runs off with the chauffeur.Isobel: Well, the fact remains she has run off with the chauffeur andthey'll have to get used to it.[The archbishop calls down the aisle.]Archbishop: Mr Travis, are we ready?Reverend Travis: Er, any moment, Your Grace, any moment.[Travis walks back up the aisle.]Reverend Travis: Canwe, please?[Mary and Robert stand ready and take each other's arm before starting down the aisle.][SCENE_BREAK][EXT. DOWNTON GROUNDS - DAY][SCENE_BREAK][Daisy rides toward the house on herbicycle.][SCENE_BREAK][INT. SERVANTS' HALL - DAY][SCENE_BREAK][The servants sit down to eat.]Mr Carson: That treacle tart just hit the spot, thank you, Mrs Patmore.Mrs Patmore: So, Mrs Hughes and Anna aregetting the place ready to let?Mr Carson: That is the plan.[Mrs Patmore nods and leaves with a tray.]Thomas Barrow: I'm surprised Anna held onto that house. I thought they confiscated the profits of murder.MrCarson: Mr Bates had the wisdom to transfer it to her before the trial.Thomas: I don't think I'd have allowed it, Mr Carson.Mr Carson: Then we must all be grateful you were not the presiding judge.Thomas: I still thinkit's funny given that he's a convicted murderer.Mr Carson: May I remind you, Mr Barrow, that in this house Mr Bates is a wronged man seeking justice. If you have any problems with that definition, I suggest you eat inthe yard.[Carson leaves. O'Brien gives Thomas a unpleasant look as he smirks at her.][SCENE_BREAK][INT. THE DOWER HOUSE - DAY]Isobel: I suppose you agree with Robert.Violet, Dowager Countess of Grantham:Then, not for the first time, you suppose wrongly. The family must never be a topic of conversation.Cora: I'm afraid Sybil's already made the Crawleys a permanent topic.Violet: All the more reason. If we can show thecounty he can behave normally, they will soon lose interest in him. And I shall make sure he behaves normally, because I shall hold his hand on the radiator until he does.[Cora smiles at the half-serious remark.]Isobel:Well, I don't know this young man aside from \"Good morning\" and \"Good night,\" but he strikes me as a very interesting addition to the family.Violet: Oh, here we go.[Violet shakes her head.]Isobel: And why should hebe \"normal,\" as you call it? I say he should come here and fight his corner.[Violet looks sharply to Cora for sympathy, but Cora keeps a neutral expression.]Isobel: I like a man of strong beliefs. I think I'll send them themoney.Cora: Please don't. Robert's expressly forbidden it. He'd be furious.[Violet looks between her two guests with a surprised expression.][SCENE_BREAK][INT. FRONT HALL - EVENING][SCENE_BREAK][Robertspeaks on the telephone dressed in his tails.]Robert: But it can't be as bad as...[Robert listens.]Robert: Look, I'll come and see you. Tomorrow. No, I insist. Right, goodbye.[Robert hangs up the phone just as Maryenters dressed for dinner.]Mary: Papa? What's the matter?Robert (unconvincingly): Nothing's the matter. What should be the matter?[Robert exits and Mary watches him leave, wondering what's botheringhim.][SCENE_BREAK][INT. SERVANTS' HALL - EVENING][SCENE_BREAK][Anna and Mrs Hughes enter and Carson and the other servants who were sitting at the table stand.]Mr Carson: How was London?Anna Bates:We got it all done. But I couldn't have managed without my helper.Mrs Patmore: Have you eaten?Mrs Hughes: We had a bite on the train.Mrs Patmore: Oh, sit down anyway, have a cup o' tea.[The other servants sitdown and Daisy and a maid leave.]Mrs Hughes: I'll start on the final lists for the wedding tomorrow morning.[Thomas holds Mrs Hughes chair for her and then sits down, too.]Mr Carson: I've got the last of the winedeliveries coming on Tuesday.Mrs Hughes: How will you manage without a footman?Mr Carson: I agree, but I haven't time to find one now.Miss Sarah O-Brien: I've had a letter from my sister asking after a job for herson, and--Mr Carson: Miss O'Brien, we are about to host a society wedding. I have no time for training young hobbledehoys.[A bell rings.]Mr Carson: Her Ladyship is ringing.[O'Brien pauses for a moment, then gets upto see to her duties. Mrs Hughes and Mr Carson share a look.][SCENE_BREAK][INT. LADY GRANTHAM'S BEDROOM - EVENING][SCENE_BREAK][O'Brien fixes Cora's hair as Cora sits in a dressing gown.]Cora: Well, Idon't see why not. I'll ask His Lordship when--[The door opens and Robert enters in his dressing gown.]Cora: There you are. So, I'll ask you now.Robert: Ask me what?Cora: Carson's in need of a footman and O'Brienhas a candidate.O'Brien: Alfred. Alfred Nugent, milord. He's a good worker.Cora: I think it sounds perfect.[Robert stares into space.]Cora: Robert?[Robert snaps out of his reverie.]Robert: Whatever you say.[Cora andO'Brien smile at each other.]Robert: My dear, I have to go up to London tomorrow. I'll be catching the early train.Cora: That's very sudden. Do you want me to open the house?Robert: No, I'll come straight back.Cora:What are you going for?Robert: It's nothing to bother you with.[Cora accepts his answer happily and Robert goes back into his thoughts.][SCENE_BREAK][EXT/INT. PRISON - DAY][SCENE_BREAK][Anna pauses to braceherself outside of Bates's prison before entering.]Anna: It's all there, every entry.John Bates: Where did you find the book?Anna: Behind the bureau. We moved it out to clean and there it was. Vera must have droppedit or something.Bates: So, what do you want me to do?Anna: Make notes on all the names: close friend, relation, workmate, tradesman, and so on. Then I'll copy those and I'll send them with the book to MrMurray.Bates: Haven't you anything better to do?Anna (smiles): I have not. Because I'd rather work to get you free then dine with the king at Buckingham Palace. So, what news have you got?Bates: And what newscould I have in here? Oh, I've acquired a new cellmate. To be honest, I'm not sure about him.Anna: Well, just remember what my mother used to say: never make an enemy by accident. Now, do you think you can getthe notes done before my next visit?Bates: I don't see what can come of it.Anna: Probably nothing. And my next idea will probably lead to nothing, and the next, and the next. But one day, something will occur to usand we'll follow it up, and the case against you will crumble.Bates: Do you never doubt? For just one minute?[Anna smiles softly.]Bates: I wouldn't blame you.Anna: No. I don't doubt that the sun will rise in the easteither.[SCENE_BREAK][INT. SERVANTS' HALL - DAY][SCENE_BREAK][Mr Carson inspects Alfred with furrowed eyebrows, frowning up at him.]Mr Carson: You're too tall to be a footman. No footman should be oversix-foot-one.[Thomas, Mrs Hughes, Daisy, and O'Brien stare at the other end of the room.]O'Brien (proudly): That can't be, can it? Since he's already been taken on.Mr Carson: But what have you done?Alfred Nugent: Iwas a hotel waiter after I was discharged from the army. [?] got back.O'Brien: I think to get a job as a waiter shows real initiative.Mrs Hughes: I suppose he can speak for himself?O'Brien: Why? Is he on trial? This isn'tan interview, is it? Not when he's already got the job.Mr Carson: No, it is not an interview, Miss O'Brien, but he is on trial, and if he cannot match our standards, he will be found guilty.Alfred: I mean to try, MrCarson.Mr Carson: As long as you do. Right, go upstairs and get settled in. Your aunt will hopefully find you a livery that fits.[O'Brien nods and Alfred follows her out.][SCENE_BREAK][EXT. DOWNTON GROUNDS -DAY][SCENE_BREAK][Mary and Matthew go on a walk together.]Mary: Just at the start, so we've a place to sleep after the honeymoon. You can't object to that.Matthew: No, it's nice of them. Though I doubt I'll getused to taking you to bed with your father watching.Mary: (chuckle) He's so relieved we're getting married, he wouldn't mind if you carried me up naked.Matthew: (chuckle) Careful, I might try it.[Theychuckle.]Matthew: I don't want to move to London or anything. I'm not kicking against the traces.Mary: Just testing their strength.Matthew: I want us to get to know each other..to learn about who we both are withouteverybody being there.Mary: Well, it's quite a big house.Matthew: It's a lovely house. It's your home, and I want it to be my home, too. Just not quite yet.[Mary looks at him and then nods.][SCENE_BREAK][EXT. TRAINSTATION - DAY][SCENE_BREAK][Robert exits the station and walks up to a cab. A paper boy is selling papers that read \"Bolshevik Menace.\"]Paperboy: Paper! Russia [?]!Robert: Chancery Lane.Cab Driver: Yes,sir.[Robert gets in the cab and it takes off.][SCENE_BREAK][INT. MR MURRAY'S OFFICE - DAY]Mr Murray: I have spoken to Frobisher and Currant and since I am a trustee, should the estate ever need one, we felt Iought to be the one to tell you.Robert: You make it sound very serious.Mr Murray: I am expressing myself badly if you think it is not serious.Robert: Why did we invest so much.Mr Murray: Lord Grantham, it was youwho insisted we should. If you remember, we advised against it.Robert: But war would mean a huge expansion of railways everywhere. Every forecast was certain. Rail shares were bound to make a fortune.Mr Murray:Many did, but your principle holding, which was very large, indeed, was in the Canadian Grand Trunk line.[Robert stands up, getting upset.]Robert: It was the main railway in British North America, for god's sake! Itwasn't just me. Everyone said we couldn't lose! We knew hard times were coming for estates like Downton, and this investment would make it safe for the rest of time.Mr Murray: Charles Hayes was the presidinggenius, and since he died, the management has not...the fact is, the company is about to be declared bankrupt...[Robert leans forward on the chairback.]Mr Murray: And the line will be absorbed into the CanadianNational Railway scheme.[Robert leans harder into the chairback as the news sinks in.]Robert: Are you really telling me that all the money is gone?Mr Murray: I'm afraid so.Robert: The lion's share of Cora'sfortune.[Murray responds only with a look and Robert turns away to process the blow as Murray observes him.]Robert: I won't give in, Murray. I've sacrificed too much to Downton to give in now. I refuse to be thefailure, the earl who dropped the torch and let the flame go out.Mr Murray: I...hate to state the obvious, but if there's not enough money to run it, Downton must go. Unless you break it up and sell it offpiecemeal.Robert: I couldn't do that. I have a duty beyond saving my own skin. The estate must be a major employer and support the house, or there's no point to it. To any of it.[SCENE_BREAK][EXT. DOWNTONVILLAGE - DAY][SCENE_BREAK][Workers drape strings of white flags across the street and houses.]Worker: Morning.[A worker tips his hat to a woman passing by. A car drives down the street, passing the postoffice.]Sir Anthony Strallan: Lady Edith![The car slows to a stop and Edith approaches with a smile.]Edith: Hello!Strallan: Hello!Edith: What are you doing here?Strallan: I'm meeting a train, but I'm too early.Edith:Oh.[Edith opens the car door and steps in. Strallan is surprised.]Strallan: Oh, I mustn't hold you up.Edith: Oh, I'm not doing anything.Strallan: Oh.Edith: I thought I'd get away from wedding panic.[Theychuckle.]Strallan: Don't you like weddings.Edith: Oh, don't be silly. Of course I do. Only, I've talked of clothes and flowers, and food and guests until I'm blue in the face.[They chuckle.]Strallan: Yes, weddings can bereminders of one's loneliness, can't they? Sorry, I don't know why I said that. So, how's it going? Is your grandmother coming over from New York for it?Edith: She is.[Chuckle.]Strallan: And Sybil, is she here yet?Edith:As a matter of fact, she wasn't coming, but I think she is now. Mary had a letter this morning. Papa doesn't know yet.Strallan: He will be pleased.Edith: I do hope so.[SCENE_BREAK][INT. CRAWLEY HOUSE, MATTHEW'SDRESSING ROOM - EVENING]Mr Molesley: So, you'll live at the big house when you're back from honeymoon?Matthew: Not live. Stay. We'll stay there until we decide where to go. It'll be on the estate, I should think,or in the village.Mr Molesley: Not here?Matthew: No. I shall expect you and Mrs Bird to look after Mrs Crawley.[Molesley looks up in surprise.]Mr Molesley: Y--you'll not be taking me with you, sir? Only, I thought you'dbe needing...a proper valet once you're married.Matthew: I've always thought of you as more of a butler who helps out as a valet and not the other way around.Mr Molesley: Oh, I'd be happy to be a valet, sir, especiallyin the big house.Matthew: We won't be in the big house for long. To be honest, Molesley, I want to live more simply after the wedding.[Molesley is clearly disappointed.]Matthew: And besides, Mother absolutely relies onyou.Mr Molesley: Well, that's very nice to hear, sir. Thank you.[SCENE_BREAK][INT. LORD GRANTHAM'S DRESSING ROOM - EVENING][SCENE_BREAK][Thomas helps Robert dress for dinner.]Thomas: You must beexhausted, milord. You can't have spent more than two hours in London.Robert: It was sufficient.Thomas: The new footman arrived while you were gone.[Robert starts.]Robert: What?Thomas: Yes. He got the cable thismorning and came straight over. Very eager. And very tall.Robert: But when did--? Never mind.[SCENE_BREAK][INT. GREAT HALL - EVENING][SCENE_BREAK][Robert catches up to Cora on the staircase.]Robert: Didyou know about the new footman?Cora: Of course. He's already here.Robert: Why did no one tell me?Cora: What do you mean? We talked about it last night...in my room.Robert: Well, nobody else must be taken on.Absolutely no one...until things are settled.Cora: What things?[Robert hesitates.]Robert: How's the wedding going? I suppose it's costing the earth.Cora: Mary was never gonna marry on the cheap.Robert: Oh, no.Nothing must be done on the cheap.[Cora stares after Robert as he leaves.][SCENE_BREAK][INT. SERVANTS' CORRIDOR - EVENING][SCENE_BREAK][O'Brien checks her nephew's livery.]Alfred: I feel quitenervous.O'Brien: Don't be. You've got the skill, and you've got the willingness.[Thomas passes by.]Thomas: But he hasn't got the experience.Alfred: He's right.O'Brien: Pay no attention. (towards Thomas) You've a nicemanner, Alfred. You're not vain like Thomas. (to Alfred) They'll like that.[SCENE_BREAK][INT. KITCHEN - EVENING][SCENE_BREAK][Daisy works with rough, angry motions.]Thomas: What's the matter with you?Daisy:I'm fed up. They promised me promotion. She said they'd get a new kitchen maid and I'd be Mrs Patmore's assistant.Thomas: Well, if they really promised, you should withdraw your services.Daisy: What do you mean?Like go on strike?Thomas: But don't say I put you up to it.[Daisy considers his suggestion hesitantly.][SCENE_BREAK][INT. DINING ROOM - EVENING]Violet: But what was in the letter?Mary: Just that Sybil's comingafter all. She'll be here on Wednesday in time for dinner.[Matthew smiles.]Isobel: Will she be coming alone?Matthew: Don't make trouble, Mother.[Isobel gives Matthew a wide-eyed look. Alfred begins serving Violet'sdinner himself.]Violet: Can I do it?Alfred: If you wish, my lady, of course.[Alfred puts the serving utensils in the dish so Violet can serve herself.]Violet: Are--Are you really that tall?Alfred: Yes, my lady.Violet: I thoughtyou might have been walking on stilts.[Edith chuckles.]Mary: When does Grandmamma arrive?Cora: She gets into Liverpool on the fifteenth, so she'll be here the day before the wedding.Violet: I'm so looking forward toseeing your mother again. When I'm with her, I'm reminded of the virtues of the English.Matthew: Isn't she American?Violet: Exactly.[Matthew gives a sidelong look at Violet's insult.]Robert: Can I...help myself?[Alfredstops trying to dish out Robert's dinner.]Alfred: Oh, you want to as well, my lord?[Alfred puts down the serving utensils.]Robert: To be honest, I think you'll find that we all want to do it as well.Mr Carson (harshwhisper): What do you think you're doing? You're not in a hotel now.Isobel: Did you train in a hotel?Alfred: I did, ma'am.[Alfred is about to pick up the utensils, then leaves them and lets Isobel serve herself. Carsonglares at Alfred.]Isobel: That will be useful, won't it, Carson?[Carson avoids her look.]Isobel: Are you all set for the wedding?[Carson gives a smile.]Mary: Of course he is. Carson's motto is \"Be prepared.\"Violet: I'mafraid Baden-Powell has stolen it.Cora: But you have all the help you need?Mr Carson: Well, I wouldn't fight the idea of a second footman, my lady.Matthew: I don't know about the rest of you, but I sometimes think it'stime we lived in a simpler way.Isobel: I agree. Much cattle, much care.Robert: Always supposing we have the choice.Violet: Oh, don't say that. It's our job to provide employment. An aristocrat with no servants is asmuch use to the county as a glass hammer.[Violet and Edith chuckle.][SCENE_BREAK][INT. SERVANTS' HALL - EVENING][SCENE_BREAK][Anna and O'Brien are already seated when Thomas and Molesleyenter.]Thomas: I knew this would happen. Typical.O'Brien: What's typical?Thomas: That I'd wind up looking after Mr Matthews. That's all I need.Mr Molesley: He hasn't thought it through. I'm sorry to say, but hehasn't.Anna: Are you worried for your job, Mr Molesley?Mr Molesley: Me? Oh, heavens, no. No, no, no, I'm essential to Mrs Crawley. She relies on me. That's what he said. \"Essential.\"[The servants are irked by hispompous attitude.]O'Brien: Oh, yes. We're all essential. Until we get sacked.[Carson enters and the servants stand.]O'Brien: How was it?Mr Carson: Alfred was confused. He thought he'd been transported to the HotelMetropole.Anna: Cheer up. You'll get the hang of it.Alfred: Will I?[The servants sit. Mrs Hughes enters and gives Molesley a friendly greeting.]Mrs Hughes: Oh, you're still here Mr Molesley.Mr Molesley: I know. I onlywalked over for a cup of tea and a chat. But I've outstayed my welcome.Mrs Hughes: Nonsense. Why not have a bite with us? They won't be leaving for a half hour or more.Mr Molesley: No, I better get back. I wouldn'twant them to get home and me not be there to let them in.[O'Brien makes fun of him.]O'Brien: No, you wouldn't. Not when you're essential.[SCENE_BREAK][INT. GREAT HALL - EVENING][SCENE_BREAK][The familywithdraws for the evening.]Mary: Then why is he coming all the way here? Why not say it on the telephone?Matthew: I have no idea.Mary: If Mr Swire's lawyer wants to see you and it's urgent, it means he's left yousomething.Matthew: I doubt it. I would have heard long before this. Anyway, I hope not.Mary: Why?[Matthew gives Mary a look.]Isobel: Matthew! Do come on![Isobel wraps herself tightly in her coat.]Isobel: Thechauffeur's freezing to death and so am I.[Matthew looks back to Mary.]Matthew: Are you looking forward to the wedding?[Mary smiles.]Mary: What do you think?[Matthew smirks.]Matthew: I'm looking forward to allsorts of things.[Mary smirks back as Matthew leans in.]Mary: Don't make me blush.Isobel: Matthew![Matthew looks back at Isobel, then kisses Mary on the cheek and leaves.][SCENE_BREAK][EXT. DOWNTON VILLAGE- DAY][SCENE_BREAK][A car drives through the village.][SCENE_BREAK][EXT. FRONT DOOR - DAY][SCENE_BREAK][The car approaches the house and the family and some servants wait to greet Branson and Sybil."}
+{"doc_id":"doc_120","qid":"","text":"MEREDITH: To make it... really make it as a surgeon, it takes major commitment. We have to be willing to pick up that scalpel that may or may not do more damage than good. It's all about being committed. Cause ifwe're not, we have no business picking up that scalpel in the first place.[SCENE_BREAK]CHRISTINA: We'll book OR 2 tomorrow at 10. Usual scrub team. And get rid of his valve replacement at 2, that's no good.INTERN:Yang. Brought you a mocha latte.CHRISTINA: You're not scrubbing in.INTERN: But Burke always lets me scrub it.OTHER INTERN: Hey, Yang can I get in on...CHRISTINA: No, no residents. Too crowded. Go away. (To anurse) Make sure you put the instrument tray on his left hand side. He needs the elbow room. And OR 2, no gallery. Burke was specific.NURSE: Dr. Burke has become very specific since coming back to work, hasn'the?CHRISTINA: Do you want me to tell him you said that?GEORGE (who is looking on from above with Meredith and Alex): Burke's back and suddenly Christina's running his board. Who does she think she is,Bailey?MEREDITH: She's helping him.ALEX: She's taking advantage. She gets out of rounds, she scrubs in on every surgery Burke does, she's ordered around 3'rd year residents...MEREDITH: You'reoverreacting...(Christina grabs the pen from the nurse's hand and starts writing on the board.)GEORGE: She's writing on the board!ALEX: Maybe I should sleep with Burke...[SCENE_BREAK]MEREDITH: You've beenbusyCHRISTINA: YeahMEREDITH: Derek hast called yet. I told him I broke up with Finn a week ago, he still hasn't called. Hey, do you wanna go get a drink, catch up?CHRISTINA: No, I can't. I have to study up forBurke's surgeries tomorrow.MEREDITH: She's busy.[SCENE_BREAK]GEORGE: Callie. Hey, talk to me. And how about talking to me instead of ignoring me?CALLIE: George!GEORGE: Well that's talking That's a goodstart.[SCENE_BREAK](Derek walks out of the shower, and screams upon seeing a woman on his bed.)NANCY: Well hey there stranger.DEREK: Nancy you don't call first?(Meredith enters.)MEREDITH: Hey, I...DEREK:Meredith... Meredith, let me explain!(But of course she takes off.)NANCY: I take it that was the slutty intern you cheated on Addison with?DEREK: She's not slutty. What are you doing here?NANCY: You bailed onThanksgiving, then Christmas, you're living in a trailor, and you're getting a divorce,and then there's the slutty intern.DEREK: I really don't like you.NANCY: You love me.[SCENE_BREAK]IZZIE: I'm feeling reallygood.GEORGE: Good.MEREDITH: Good.IZZIE: First day back, it feels good. Big. Kind of nervous. I feel good. Do I look alright?MEREDITH and GEORGE: Great.IZZIE: I want to get on the right foot, get my ID renewed,new time card, sign some papers with legal then I'm back...really back.MEREDITH and GEORGE: Yeah.(Izzie leaves the elevator.)IZZIE: This is me. Human resources.. See you guys on the floor.BOTH: Yeah.GEORGE:I'll be Christina for you if you'll be Izzie for me.MEREDITH: Deal.(George stops the elevator.)MEREDITH: Derek had a woman in his trailer last night. She was ugly, very ugly. Except she was tall and beautiful...and hewas naked.GEORGE: Oh uh, McDreamy was doing the McNasty with a McHottie? That McBastard. How was that?MEREDITH: That was good! Channelling Izzie... go.GEORGE: OK... Callie... she won't forgive me, shewon't talk to me. She dumped me...which I dont...care about...at allMEREDITH: Good because you deserve better, 'cause you are George. I mean seriously. Seriously. Was that Izzie optimistic?GEORGE: That was veryIzzie...MEREDITH: What has happened to us?GEORGE: We are now the people the people we want to be with avoid.MEREDITH: We have careers to think about. We don't need attention from men with perfecthair.GEORGE: We should make a pact. No more dating.MEREDITH: No more Derek. No more Callie.GEORGE: Just 100% focused on our work.MEREDITH: They are dead to us.GEORGE: They are freaking corpses tous.(They butt knuckles.)[SCENE_BREAK]MRS. BYRD: Preston Burke, what a pleasure. I have read so much about you.BURKE: Well thank you.CHRISTINA: Pruitt Byrd. Medivac brought him in this morning. He presentswith a primary cardiac tumor.MRS. BYRD: We've been told Pruitt needs a cardio autotransplantation.BURKE: A cardio autotransplantation?CHRISTINA: A humpty dumpty surgery.BURKE: Yes I know what it is. Mrs.Byrd, this is a very complicated surgery. You'll need thorough testing.CHRISTINA: Already done.BURKE: You understand what the surgery intails? We have to..CHRISTINA: We have to remove his heart, cut it open,scrape out all the tumor, then put his heart back together again.BURKE: Which is risky.CHRISTINA: But possible.MRS. BYRD: Which is why we're here I want the very best for my husband.BURKE: The best.CHRISTINA:She means you.BURKE: I know that.CHRISTINA: Oh I scheduled Mr. Byrd for surgery this afternoon. Just trying to be as efficient as possible.[SCENE_BREAK]CHIEF: Legal cleared Stephens. Explain her perameters andmake she understands.BAILEY: Stephens is being assigned to me again?CHIEF: She's your intern.BAILEY: Well wouldn't it be better for her to start fresh with another resident?CHIEF: You don't want her.BAILEY: I wanther to succeed.CHIEF: There's still a good deal of fallout after the Duquet M&M. There's talk. I don't need to tell you that there are doctors in this hospital who have concerns about your judgement.BAILEY: Concernsabout my judgment.CHIEF: Stephens was your mistake.BAILEY: Do you, sir, do you have concerns about my judgement?CHIEF: Do you? You're not going to put those concerns to rest by avoiding taking responsibilityfor Stephens. She's your intern... again.[SCENE_BREAK]GEORGE: Transfer from Mercy West. Noelle LeBatt. 32 weeks along, pregnant with twins. One appears to be developing more slowly than the other.GREG:Hi.ADDISON: Hi there.GREG: Greg Stanton. This is my lovely fiancé. The future Mrs. Stanton. Noelle.NOELLE: Greg, I promise you you're the only person who cares if we're married or not.GREG: They said we had tocome here because her condition could be serious. Is it serious?ADDISON: I gotta say, you don't seem emergent enough for Mercy to send you over here in a ambulance. You're not in labor, you're not bleeding, yourvitals are fine.NOELLE: They said I had to come here because of my thing.GEORGE: Two uteruses!? Ms. Lebatt was born with two uteruses. Uh, UteriADDISON: Uteruses.GEORGE: Uteruses. That's very rare.IZZIE: I'mhere. Hi. Hello. That paperwork took forever, but I'm here now. And can I just say how greatful I am to be back?BAILEY: You understand there are rules to your probation. Rules to follow?IZZIE: Oh yeah, legal took methrough all that stuff. The mandatory counseling, the extra lab hours. The extra work with the transplant patients.BAILEY: That's the stuff you're doing with the chief. I'm talking about what you're doing for me.IZZIE:Okay. What am I doing for you?BAILEY: OK, lets start with what you don't get to do. You will not interact with any patients, you will not be alone with any patients. You will be seen and not heard. No procedures. TheOR is off limits. No pre-op. No post-op. Anything having to do with an op. You have no authority. You have no opinions. You have no choice in this matter. Am I understood?IZZIE: Is there anything I can do? I want tobe useful.BAILEY: I cant use you. You've got to earn back the right for any of us to trust you again. Until then, you will be shadowing a differend Dr. every day.IZZIE: Okay, who am I with today? Dr. Montgomery?You?MEREDITH: Dr. Bailey, you paged?BAILEY: Dr. Grey.IZZIE: Meredith...BAILEY: You are to make sure that Stephens observes only.MEREDITH: You want me to?IZZIE: Wait Meredith? Meredith is the boss ofme.[SCENE_BREAK]MEREDITH: I'm sorry about this.IZZIE: Hey you want me to get you some coffee? Rub your feet maybe?MEREDITH: I did not ask for this assignment.IZZIE: It's fine...I'm fine with it. Oh, I'm sosorry (She's bumped into people who are talking to Derek.)DEREK: Dr. Stephens. Welcome back. Meredith? Meredith...IZZIE: Sorry it's not like I can leave. I gotta stay by my bosses side.NANCY: Okay, the trailersucks, but in the light of day the land is nice. Seattle's pretty in the daylight. Plus you have your thing for ferries.MEREDITH and DEREK: Ferry boats.NANCY: Right, whatever.DEREK: Meredith, this is my sisterNancy.MEREDITH: Sister? You're one of Derek's sisters?NANCY: Well I knew you didn't think I was the wife, seeing as how you already ran her off.DEREK: Nancy is visiting from Connecticut. She's on her way home...now. Straight back home.MEREDITH: Well it was nice to meet you.NANCY: Okay...(Meredith and Izzie walk off as Derek grabs Nancy's arm scornfully.)IZZIE: McDreamy's sister isMcBitchy...[SCENE_BREAK]CHRISTINA: You put me in charge of your schedule.BURKE: To make sure that I didn't get a surgery like this one.CHRISTINA: Only a handful of people do humpties Burke. And you're thebest one on the west coast.BURKE: Then he can go to Houston.CHRISTINA: You want to tell the Chief that? Pruitt needs the surgery, he'll die without it.BURKE: You didn't tell me. You told the patient we were doing thesurgery. but you didn't tell me.CHRISTINA: I have been doing that all week.BURKE: Are you up on a humpty? Do you realize what this entails?CHRISTINA: I have done my research. Stop worrying. We are a well-oiledmachine.[SCENE_BREAK]BAILEY: Uh Dr. Burke.BURKE: Yeah.BAILEY: I understand there are some doctors in this hospital that have doubts about my judgement since DennyBURKE: Everyone loves a scandal.BAILEY:So you think it's just gossip? It's not actual concern about me being a doctor?BURKE: Sure, sure.[SCENE_BREAK](Meredith pulls gauze off a young girl's burnt hand.)MEREDITH: Ow. Iz, set me up for debriedment, anddressing.GRETCHEN: It's stupid. I know better. When I'm setting up for the bar... I'm a mess. I can't focus on anything for weeks, but tourts and real property and constitutional law.MEREDITH: Uh the Biosyntheticones.IZZIE: We never use those.MEREDITH: We do now. Sloan changed the burn protocol last week.GRETCHEN: I was about to start a practice test. I wanted something to drink. So I put on some tea. So I put on a potof water and forgot. Half an hour into my section on contracts and the smoke alarm was blaring...and well you know the rest.MEREDITH: So you're going to be a lawyer?GRETCHEN: All I have to do is pass the bar exam.I failed last time...but this time I'm ready. I'm going to pass.IZZIE: Good for you.[SCENE_BREAK]DEREK: That was just mean.NANCY: Kathleen called and asked me to find out why the slutty interns panties werehanging on the bulletin board.DEREK: Four sisters... four sisters and not one brother. And you wonder why I don't call more.NANCY: You can answer about the panties at any time.DEREK: Nance, it's good to see you.Really great to have you here. But I have a job you know? I have patients.NANCY: I have a mother with twins at 35 weeks...where is her OB?DEREK: Well her OB should be on a plane back to Connecticut where shebelongs.NANCY: Okay, so we've covered the trailer, we still have to cover the slutty intern and the divorce.DEREK: You know what? You sound more and more like mom every day.NANCY: Take itback.[SCENE_BREAK]GEORGE: So two uteruses. That's pretty cool. And you're engaged...also cool.NOELLE: Greg talked me into itGREG: From the first moment I saw noel I knew I was ham.GEORGE: Did you sayham?NOELLE: Oh here we go again.GREG: You're either ham or eggs. You gotta ask yourself in every situation, are you the pig of chicken?GEORGE: Sir it's just a pig or chicken.GREG: Look you got to play the ham andthe eggs. You see the chicken is involved in the meal. But the pig is committed. So the question is...are you committed? Or are you involved?GEORGE: Ham or eggs?GREG: Ham or eggs.[SCENE_BREAK]MARK: Karevyou free?ALEX: Absolutely sir.MARK: Great. Take this. I'm on hold with the DMV. Some mess up about switching my license and registration to Seattle. Take care of this for me?ALEX: Thanks for thinking of me sir.O'Malley...how's it feel to be the new gynie grunt?GEORGE: I've got a patient who was born with and is pregnant in two uteruses. Two uteruses...jealous?ALEX: No, I'm on hold. Important business. For Sloan.GEORGE:Right... Super important, I'm sure. Noelle LeBatt...room 2413.ALEX: Hang on, can I see that? (referring to the chart)(Nancy walks up.)NANCY: Did I just hear him say two uteruses?ALEX: You must be...MARK: Nancypants?NANCY: Hey loser.MARK: I wish Derek had told me you were visiting.NANCY: Oh like he tells you anything these days?MARK: Well I'm working on that.NANCY: What are you doing here Mark? Are you trying totorture him?MARK: He's my family Nancy. Plus I needed a change of pace. Plus I slept with my tennis partners wief and he went out and bought a gun.NANCY: There it is!ADDISON: Oh! Nancy! Let me guess, did momsend you out?NANCY: Let me guess, he's trying to ban you from Seattle?ADDISON: Did he also tell you he's living in a trailer?(Derek walks up and sees them talking, and walks away.)NANCY: Derek. Derek? (She goesafter him.) I want to see the two uteruses.ADDISON: Yeah, find me later.MARK: I miss her.ADDISON: Yeah me too.[SCENE_BREAK]GREG: The Diesel pushes past quarterback Don McNeil. He's at the 30. He's at the 20.He's at the 10. Touchdown Washington!NOELLE: Sorry, one of the twins gets rowdy, and Greg gets carried away with talking to the baby. He's decided that the baby is into sports of all things.GREG: Well she's daddy'slittle girl. See when I talk to her...ALEX: Yeah, your voice, it helps calm her down. Yeah, I read a couple aricles on that recently.ADDISON: Dr. Karev...I didn't know you secretly missed my service.ALEX:Right.ADDISON: Greg, Noelle, I have good news for you. According to our tests, the babies are both perfectly healthy. But they are substantially different sizes for a very unique reason. The babies have two differentdue dates.GEORGE: According to our calculations, the larger baby, your son was conceived a whole six weeks before your daughter.NOELLE: Oh God.GREG: I don't understand. That's impossible.ADDISON: Actually outtests are extremely accurate at predicting due dates.GREG: But we broke up. Yeah, see she got pregnant. I wanted to get married, she didn't. I gave her an ultimatum, and she left me.NOELLE: Greg I am sosorry.GREG: We were barely speaking, six weeks after the conception, let alone having s*x. Or at least I wasn't having s*x.NOELLE: It was one night, Greg, it was one night. I didn't think this could happen. It wasnothing.GREG: I can't believe you did this. I can't believe you didn't tell me. I can't believe this.(He storms out.)GEORGE: He's not the father of both babies.[SCENE_BREAK]ADDISON: I just accidentally broke the newsof my patient's infidelity to her husband.BAILEY: And yet no one is questioning your competence as a surgeon.ADDISON: No, what?CHIEF: I need a button. I'm on my last clean shirt and I'm missing a button. Adelealways handled my buttonsCHIEF: Adele...no. I wouldn't want to bother her with anything as trivial as a button. I don't suppose either of you would want to...ADDISON: I'm sorry, I have two uteruses I need to dealwith.BAILEY: I have many skills. Surgical skills. Your button ruptures an oesophagus, I'm your woman... otherwise...MARK: I hear you burned your hand because you were studying?GRETCHEN: Can't be allowed towarm soup within five days of taking the bar.MARK: So you burned your hand...GRETCHEN: While I was burning the soup.MARK: You grabbed the potGRETCHEN: Dropped it, obviously it was red hot...MARK: Must haveheld onto it for a while though. This burn's extremely deep.GRETCHEN: Oh yeah, that's right. I held onto it then I dropped it.MARK: There are some deep partial thickness burns here. Give her a gram of Cephazol and atetanus.GRETCHEN: It's too bad really. I did this to my hand. I'm supposed to be taking the bar again on Friday.MARK: This burn is bad, but we'll get you fixed up. You'll be fine to take the test on Friday.GRETCHEN: Iwill?IZZIE: She's lying. Something's off about Gretchen's story.MEREDITH: Izzie, you're only supposed to be observing.IZZIE: I am observing. I'm observing closely. Did you see her reaction when Sloan told her she'dbe okay to take the test again. That was not relief. That was panic.MEREDITH: It's okay to be nervous...about being back here at work, about failing. But you haven't been here a whole day yet and already you'repushing to bend the rules.IZZIE: MEREDITH: This is so not about me. This is about our patient. I'm worried about our patient. And get off your high freaking horse.MEREDITH: This is my patient. Try to rememberthat.IZZIE: Fine, whatever.BAILEY: A humpty dumpty surgery. Burke's doing a humpty today? I've never seen one of those first hand before.CHRISTINA: Yeah, me neither. What are you doing?BAILEY: Scrubbing in.You'll let Burke know?CHRISTINA: Sure. (She doesn't want Bailey in there because sit would give the game away.)[SCENE_BREAK]GEORGE: I know you're not talking to me any more, but there's something I'd like toexplain. All you have to do is listen. You and me, we're like ham and eggs. I was the chicken and I just want you to know that I know I was the chicken. You put yourself out there and you were committed. I just put theeggs on the plate. Not the ham 'cause you were the pig. I was involved but now I'm committed.CALLIE: Did you just call me a pig?GEORGE: It's a metaphor.CALLIE: Calling me a pig.GEORGE: The point is you're not thepig any more. I am the pig. Now...I am the pig. (She walks away.)(Izzie walks past a room where the gang is sitting eating their lunch.)IZZIE: I've been waiting for you guys for half an hour in the cafeteria. Since whendo we eat in a patient room?GEORGE: Izzie, meet really old guy. We found him a couple of days ago. He sleeps all the time.CHRISTINA: It's quiet. No one bothers us. What are you doing.IZZIE: I'm not doing anything.Turns out I'm literally not allowed to do anything. I knew coming back would be an adjustment. But this...CHRISTINA: No, what are you doing now?IZZIE: Eating my lunch.CHRISTINA: Okay, if you want to socialize, ortalk about your day or get in a quick therapy session, go do it over there.IZZIE: Seriously?CHRISTINA: Goodbye Izzie.IZZIE: Okay...ALEX: So O'Malley, your two uteruses...GEORGE: You're on scut. Glorified plasticsscut. You're in no position to mock me or my uteruses.ALEX: Any cervical changes on the ultrasound?GEORGE: Why do you care?ALEX: I don't.IZZIE: I am so glad to be back. Yay! I'm not complaining about you...youand I are fine, boss.(The old man groans in his bed and moves slightly and everyone looks around at one another.)GEORGE: I called Callie a pig.ALEX: To her face?MEREDITH: What happened to the whole corpsething?IZZIE: I can't get over how much everything around here has changed.MEREDITH: How many times?GEORGE: Just one time.MEREDITH: I get one too then, Gin(They're playing cards. Meredith gets up andleaves.)IZZIE: What was that... with Meredith?GEORGE: We have a thing.IZZIE: You have a thing with Meredith and I don't now about it? I live with you, I see you every day.GEORGE: It's work thing.CHRISTINA: Youknow the point of hanging out with really old guy is that he doesn't talk. The man is sedated. This is supposed to be a quiet place. (She storms out.)IZZIE: See...change. She's changed. Everything'schange.[SCENE_BREAK]MRS. BYRD: I gave the other nurse a list of his medications this morning. My husband needs his pills, he needed them hours ago!CHRISTINA: Okay, why don't you go check on his meds?NURSE:I have checked on them.CHRISTINA: Meds. Pharmacy. Now. Just...MRS. BYRD: I'm sorry. I'm sorry.CHRISTINA: It's fine.MRS. BYRD: I was never a yeller before. I've become this horrible person who yells at peoplewho are just trying to do their job.CHRISTINA: You are just looking out for your husband. You do exactly what it takes to protect him. That does not make you horrible. That makes you smart.[SCENE_BREAK](Christinaerases Bailey's name off the board when no one is looking.)[SCENE_BREAK]GEORGE: She's hyperventilating. And the baby's had some brachicardia.ADDISON: Noelle I need you to get back into bed.NOELLE: Is Gregout there? Did he leave? Like really leave?GEORGE: Noelle, take deep breaths.NOELLE: I always give him such a hard time about everything. I mean, he likes weddings, I hate them He loves kids, they scare me todeath.ADDISON: Have you had any cramping, any contractions, anything at all?NOELLE: I can't do this without him. We'll get past this right. I mean, we'll get past this. AH!ADDISON: All right, Noelle, I need you to get"}
+{"doc_id":"doc_121","qid":"","text":"[PREVIOUSLY_ON]Clay : Where to?Quinn : Your place.Nathan : Clay, Quinn is Haley's sister. She has a lot going on right now. Stay away from her.Brooke : You were a huge hit last night. They think you'reamazing.Millicent : You don't think I look like \"a frumpy whore on bingo night?\"Brooke : No! If I did, would I ask you to model full time?Brooke : Honey, I'm home. Let's do this.Alex : I told you it was realistic.Julian :Hey, honey. Alex and I worked everything out.Alex : Isn't that great?Dan : \"Nathan Scott: a basketball star's love child.\"Rachel : Like father, like son, huh?Haley : She's just so certain. You don't remember meeting herat all or...?Nathan : You're actually starting to believe her, aren't you?Dan : I heard about your problem. I was wondering if I could...Nathan : You could what, help? You save your help for people who don't know youand stay away from me and my family.Renee cell phone : You've reached Renee. Leave a message.Dan : I trust you had a nice flight. I have a proposition for you.AT THE RECORDING STUDIODirector : Okay, folks.That's a wrap!Nathan : Hey, whoa, whoa, whoa, whoa. Um, we, uh... we haven't even shot anything yet.Director : You might want to call your agent, son.Nathan : You're serious? Hey! Whoa.Kylie : What a pity. I justfound my motivation.Nathan : Okay.AT BROOKE'S HOUSEBrooke : Hey.Julian : Mm.Brooke : This hot body of yours has just inspired me to do something that I've never done before.Julian : Oh, yeah?Brooke : Yeah.And it's gonna take a lot of hard work, and it's gonna take a long, long time. And I'm gonna need you to start by taking your pants off.Julian : Oh, that sounds amazing. But Alex is coming over to work.Brooke : Ugh!You two were up half the night.Julian : It's all business, Brooke. I don't know. She seems to have really come around. IBrooke : don't buy it. Once a ho bag, always a ho bag.Julian : Now, as I recall, you...Brooke : Youmight want to consider what you are about to say very carefully. Now come kiss me till ho bag shows up.ON THE BEACHQuinn : Hey.Clay : Hey.Quinn : You're up early.Clay : My shot at peace and quiet... the west coastwakes up in three hours, and my phone starts ringing.Quinn : Nice.Clay : Did you come down for a swim?Quinn : Yeah, I tried but, uh, couldn't. I've been afraid of the ocean since I was a little girl.Clay : Mm.Sharks.Quinn : Immensity. You know, I thought if I just threw myself in and... Well... it didn't quite work out.Clay : You should start smaller, like a toe. Work up to an ankle, maybe even a shin. Who knows?Quinn :Yeah, I'm more of a \"yank the band-aid\" kind of girl.Clay : Wait.Quinn : Go. It's fine.Clay : Hey, man. Oh, just relax, all right? I... Okay, I'll get into it. Yeah, fine. I'll meet you at your place. Oh...Quinn : Time to find aphone booth and change into that super-agent costume.Clay : Yeah, if only it were that easy. Um, I hate to run, but...Quinn : Go. Save the day.Clay : Okay. See ya.AT ALEX HOTEL ROOMMillicent : Oh, no. Oh... no. Oh,no. Oh, no. Oh, no. Oh, no. Oh, no. I never called Marvin!Alex : Keep it down, Giselle. I'm trying to write. Besides, I thought you were mad at him.Millicent : I was \"ignore him for a couple of hours\" mad, not \"disappearfor the second night in a row\" mad.Alex : Well, you can thank me later, but you were way drunk, so I texted him from your phone and let him know you were safe.Millicent : \"Melvin... got my drink on with Alex. Ifyou're done being a tool, you should come rock out with your co...\" Oh, my God.Alex : Nope, just little old me. But I do work in mysterious ways.AT THE CHANGING ROOMRenee : So you want me to go on your showand tell the world my story?Dan : That's right.Renee : And you're gonna be on my side? Why would you do that? Nathan's your son. It could ruin him.Dan : But you're the one telling the truth.AT SCOTT' S HOUSEHaley: You're not telling the truth.Nathan : About what?Haley : Renee. You said you didn't know her and you didn't remember her.Nathan : I don't. Haley, we've been through this. Why can't you just believe me?Haley : Hernumber is all over your old cell phone bill. Nathan! Excuse me... why aren't you explaining yourself?Nathan : Because I shouldn't have to. But if you insist... I'm a professional basketball player. Girls get a hold of mye-mail, my telephone number. They try to contact me. And when they do, I reply to them and tell them to stop because I'm happily married to a woman who loves and trusts me. So I guess I did lie, Haley... but onlywhen I told them that my wife trusts me.AT THE APPARTMENTMillicent : Marvin.Mouth : Don't you mean \"Melvin\"?Millicent : Please don't be mad even though you have every right to be. Alex called me after she leftJulian's, and I was kind of already drinking because I thought you didn't think I was pretty enough to be a model.Mouth : When did I say you weren't pretty enough? Of course you're pretty enough.Millicent : Thenmaybe we could skip the whole fight and you could just be really excited for me, because... it's official... you're looking at the newest face of Clothes Over Bros! Oh, well, not this face. But once it's cleaned up with alittle makeup...Mouth : Congratulations, Millie. I just wish I was the one you wanted to celebrate with. Anyway, you'll understand if I can't stay and rock out with my...Millicent : Marvin! That was Alex.Mouth : Of courseit was. Well, at least she texted me. I got to go.AT SCOTT'S HOUSEClay : This situation's like a war, Nate. We're gonna lose a few battles.Nathan : Just stop with the metaphors and tell me what the hell happened thismorning.Haley : Simile. What? Similes use \"like\" or \"as\"... \"like a war.\"Clay : Guys. We lost the rainstorm body spray campaign, And it looks like the shoe deal's going away.Nathan : What?Clay : Temporarily.Nathan :This is unbelievable.Clay : I know it feels like the sky is falling, but when something like this goes down, marketing executives distance themselves to protect their brands. All right, almost always, they come back assoon as the air clears.Nathan : \"Almost always\"?Clay : Look, we knew there was a risk when we decided not to deal with Renee, but it has become a bit of an issue with the Bobcats.Nathan : They don't want meback?Clay : No, you are far too talented for that, but they're using it to their advantage, and negotiations have slowed. Again, like I said, we expected this. More importantly, Nate, the whole agency's on this, all right?Everybody respects your decision to fight this, and we've got your back. You just got to have some faith in us... and in each other.Haley : Clay. He's gonna have a career when this is over, right?Clay : Haley, I'm notgonna let anything happen to him.Haley : Because you didn't see how dark he got the first time.Clay : Look, this is a staring contest. Our best chance at having her blink first is if the press gets tired of this and nobodymakes this story any bigger than it already is.AT THE TV BROADCASTDan : I'm gonna make this story huge. But you don't trust me. I'd have to hate my son to tell your story, right? You're smart. I like that. That meansmy grandchild will be smart. Well, I was in Nathan's situation once. I refused to recognize a child that I'd fathered, and it was the second-worst mistake I ever made, but I made it in part because nobody forced me tolook at the consequences of my actions. By coming out in support of you and allowing you to tell your story, I'll be forcing Nathan to take responsibility... if not emotionally, then at least financially.Renee : He'll neverforgive you.Dan : Hmm. I've made my peace with that.AT CLOTHES OVER BROSMillicent : There she is. I know... I'm late again, and we still haven't finished...Calliope : The inventory. I also found that shipment thatwent missing in New Mexico, balanced the register from yesterday, and took the liberty of ordering some Bellissimo fabrics from Milan. You're gonna love them.Brooke : I can't wait. Isn't she amazing?Millicent : Um, Iguess, but that's my job.Brooke : Not anymore, miss thing. The fashion blogs are still buzzing about you. You are officially a model. Your only job now is to worry about being pretty. You... you might want to worry justa smidge more.Millicent : I know. I was out late. And, Brooke, I am excellent at multitasking, and I'd be happy to keep my administrative responsibilities.Brooke : Nonsense. I am not gonna have the new face of mycompany doing dirty work. Now off you go. Do whatever models do in their spare time. Just be back this afternoon for a swimsuit fitting.Millicent : Swimsuits?Brooke : Mm.Millicent : Wow. Okay. I mean... great!Brooke: Oh... Welcome to Clothes Over Bros.AT MOUTH'S WORKMouth : Hey, man, how you doing?Man : I'm doing better than Nathan Scott. I mean, that dude can't catch a break.Mouth : What do you mean?Man : Youhaven't checked the board. Oh, God, Mouth... He's losing his endorsements. Sports is breaking the story tonight at 6:00.Mouth : If Charlie asks for me, tell him I'm... I'll be back later.ON THE BEACHQuinn : Clay!Hey.Clay : Hey.Quinn : What, did you run into some kryptonite? You need a friend?Clay : You have no idea.Quinn : Come on.AT BROOKE'S HOUSEAlex : Seriously, you've been reading forever. Look, some of it'ssupposed to be funny. You're not laughing. You're not even smiling.Julian : Maybe I'm laughing on the inside.Alex : Are you? You're not. You're like, \"wow, does she suck,\" on the inside. You're like, \"she...\"Julian : Thisis good.Alex : Like \"I hate it, But there's a story in there somewhere\" good?Julian : No. These scenes are genuinely good... sweet, subtle, funny. Where did this come from?Alex : Well, I woke up, and I was watchingMillicent sleep. And she was, like, totally busted. So I asked myself what it would be like if I was that tragic, with, like, no self-confidence. And then I just added a boy.Julian : Who are you?Alex : Stick around. Maybeyou'll find out.Julian : Unfortunately, I can't stick around, because you are three hours late, and I have to meet Brooke for lunch.Alex : Oh! Come on. Tell her we're on a roll.Julian : Um, no. She's already a little jealousof our working relationship, but maybe we can meet back up tonight.Alex : It's a date.Julian : No.Alex : Date-ish?Julian : Work.Alex : Work... date.AT SCOTT'S HOUSEHaley : We can still pay her.Nathan : For what? Thestory's already out there.Haley : For a retraction. The money she wants is a drop in the bucket compared to the rest of your career.Nathan : It's too late for that.Haley : Nathan, you're being stubborn, and I know I wasagainst it at first, but if she were to get out there and say that this whole thing has been a lie...Nathan : We're not paying her, Haley! We're not giving this woman a dime of our money.ON THE BEACHQuinn : You'rereally worried about this.Clay : There's just so much riding on it. Quinn, I'm not in Tree Hill for a vacation. A while back, I went off the rails a bit... emotionally, and... luckily I had earned enough capital with the agencythat they didn't fire me. They just scaled back my client roster and suggested I spend the summer here... pull myself together.Quinn : And then Nathan's scandal happened. So the calm, cool exterior...Clay : ... is kindof a lie.Quinn : Just when I was beginning to wonder if we had anything in common.Clay : Quinn, I shouldn't be here. Nathan doesn't want us hanging out, and I, uh, I have to respect that.Quinn : No, look, Clay...Clay :I'm sorry. Uh, thank you for this. I mean that. You're really great.Quinn : Stick around.AT CLOTHES OVER BROSBrooke : Chase... What brings you in?Chase : Hey. Uh, just doing a little shopping for Mia.Brooke : Ohh.You guys have been together a long time.Chase : Mm-hmm. What about you? I heard Julian moved here. That must be... awesome.Brooke : Uh-huh.Chase : Or not so awesome?Brooke : No. It's amazing. I'm just alittle annoyed because at first I had him all to myself, and lately he has been working with one of my models.Chase : Mm. Well, I wouldn't worry. I'm sure it's harmless. I mean, guys, you know, don't even really...like... models.Brooke : What are you doing today?Chase : That depends on why you're looking at me like a piece of steak.AT SCOTT'S HOUSEMouth : I would have offered to spot you, but I max out at like 180...ish.Nathan : You know, I don't believe in killing the messenger, Mouth, but every time I've seen you lately, it's been bad news.Mouth : They're running a story at 6:00 that says you're losing your endorsements. Is ittrue?Nathan : Yeah.Mouth : I'm sorry, Nate.Nathan : Yeah, me too. I heard about your demotion. How long are they gonna keep you locked up in the basement?Mouth : The truth? Till I do a story on you.Nathan : Thendo the story, Mouth.Mouth : Nate...Nathan : I'm serious, Mouth. You've already done far more than I could ever ask. Take care of your career.AT THE BARAlex : And then he finally looks up, and he's like, \"after readingthis, I think we should be in a relationship.\"Millicent : He said that... \"relationship\"?Alex : Well, I mean, he put \"working\" in front of it, but a relationship is a relationship.Millicent : Except in a working relationship, younever, under any circumstances, no matter how tempted you are, have s*x with the other person. You're aware of that, right?Alex : I think that's sort of a gray area.Millicent : It's actually black-and-white, crystal-clear,written in stone.Alex : Fine, crabby. Whatever!Millicent : Sorry. It's just Brooke's my friend, even if she did give my job to Calliope.Alex : Tell me you are not regretting your decision. This modelling stuff is awesome. Imean, it's hard work, but it's \"pretty people\" work.Millicent : I don't know. I was good at my job.Alex : Administrative work is for fatties, Millicent, and you are not a fatty. You... are a plus-size model.ON THESTREETRenee : I take it you looked at Nathan's phone bill.Haley : If I pay you, what do I get?Renee : I go away.Haley : No, I'm sorry. That's not good enough. I want a retraction. I want a public letter that says thiswhole thing has been a lie.Renee : Fine, if that's what will help you sleep at night, but it won't be the truth. And the price has gone up... $250,000.Haley : That's crazy.Renee : Actually, that's the estimated price ofraising your husband's child until the age of 18. Do we have a deal? I'll tell you what. You can have until 8:00 tonight to decide. After that, I have other options.AT CLOTHES OVER BROSJulian : Brooke! Hello!Brooke :One sec. Got it.Julian : Can I borrow you?Brooke : Mmm.Julian : Want to tell me why you were mounting your ex-boyfriend in the back room?Brooke : Because you weren't available.Julian : Very funny.Brooke : I'mserious. This morning I looked over at this big, sexy body, and I thought to myself, \"why aren't you making men's clothes, Brooke Davis?\"Julian : Mm-hmm. Clothes for Bros?Brooke : Ka-ching! But in order to makemen's clothes, you need a fit model for measurements. You were my first choice, but, alas...Julian : I was busy with Alex. I get it. Well, I'm here now, and I'm all about taking my clothes off for you in the back room, soyou can send your little boy toy packing.Brooke : You're very sweet, but I think I'm gonna stick with Chase. I'm already halfway through his measurements. But don't worry, baby. We're all business. Hey, Chase,break's over! Drop your pants.AT MOUTH'S WORKMouth : I want back on the air. I obviously have an opinion, but at the end of the day, I work for you.CEO : You are aware of what's on the board for tonight?Mouth :Yeah, Nathan Scott's losing his endorsements. I took the liberty of getting a quote from him.CEO : Nice work. Glad to hear you've come around.AT SCOTT'S HOUSENathan : Don't. It's the press. They've been calling allday.Quinn : Beat it, nerds.Nathan : Thanks.Quinn : You're welcome. And as a favor, it would be great if you wouldn't give Clay such a hard time about hanging out with me. I'm not a child anymore, Nathan.Nathan : Areyou sure about that?Quinn : What's that supposed to mean?Nathan : I don't know. Running away from your problems just doesn't seem very adult.Quinn : Says the guy who's afraid to answer the telephone.Nathan :Look... if you want to sleep around, I'm sure there's plenty of guys in Tree Hill who aren't responsible for my career that could probably help you out with that.Quinn : You ever hear the one about people who live inglass houses?Nathan : Yeah, I have. And if you don't like living in mine, you'll welcome to move back in with your husband.Quinn : Nice, Nathan. You know, speaking of running away from your problems, maybe youshould try answering one of those, coward.AT CLOTHES OVER BROSAlex : I know you love to say zero is not a size, but technically zero is my size, and those are granny panties.Brooke : These are a zero.Alex : Really?My diet pills must be working.Millicent : Your vitamins?Brooke : What?Alex : Oh, right. Vitamins.Brooke : Okay. Whatever. I'll... see if I can take these in.Alex : Great. Oh, and speaking of my perfect ass, I understandfrom Julian you might be a little concerned about our relationship.Millicent : Working relationship.Alex : You have nothing to worry about... Seriously. I mean, I stripped naked, and that boy didn't even flinch. He isclearly so in love with you.AT THE BARMia : Well, you're not Chase.Julian : If onlyMia : I asked the waitress if there was a tall, dark, and handsome boy waiting for his date. She pointed me here.Julian : Sorry todisappoint, but your \"tall, dark, and handsome\" is getting naked with my \"short, hot, and bossy.\"Mia : Huh?Julian : He's doing some fit modeling for Brooke at Clothes Over Bros. It's harmless. I hope. Hey, can I askyou something?Mia : Lose the shirt.Julian : I'll go get a tape measure. No, actually, it's about being a songwriter. Do you ever meet people on tour that surprise you with their talent? I mean, uh... You know, somebodywho seems simple or goofy or even ditzy, and then... bam... All of a sudden, they write this amazing song?Mia : Hi. I'm Mia.Julian : No, you're not like that at all.Mia : Maybe not, but I used to be really shy. And I thinksometimes all somebody needs is someone to look a little deeper... unlock their potential, like Haley did with me.Julian : Hmm.Mia : Was that answer worth lunch? 'Cause I'm kind of starving.Julian : On me.AT TVBROADCASTRachel : Baby, you are a genius. The interest in the interview with Renee is off the charts.Dan : You're not having second thoughts, are you?Rachel : Dan, Nathan had a chance to take responsibility for thischild, and he chose not to. Giving this girl a voice is the right thing to do.Dan : Well, we don't have a show unless Renee agrees, and I haven't heard from her since this morning.Rachel : Mm. You just leave that up tome.Dan : It doesn't matter where I go, you always seem to find me.Rachel : I just follow all the other girls. They lead me right to you.Dan : It hasn't been easy lately.Rachel : Then I guess it's a good thing I'm here.Dan: How'd you like to stay the night tonight? Like old times.Rachel : Well... that's up to you, isn't it?AT SCOTT'S HOUSEHaley : I called Renee.Nathan : What?Haley : She said for $250,000, she would sign aretraction.Nathan : Amazing... The economy's crumbling, and the truth keeps getting more expensive.Haley : Well, she's willing to say this whole thing was a lie, so...Nathan : You willing to believe it?Haley : I didn'tcome out here to ask for your permission, Nathan. I came here to tell you that I'm paying her.AT CLOTHES OVER BROSChase : Are you okay?Brooke : No, I'm not okay! Ho bag got naked in front of Julian!Chase : \"Hobag\"?Brooke : Alex \"my butt is the size of a kumquat\" Dupre.Chase : She is so manipulative and materialistic and self-serving and naked and... Brooke-ish?Brooke : What did you say?Chase : Nothing.Brooke : Funny, Icould have sworn that I heard you speak.Chase : I meant she just seems a little bit like you were in high school.Brooke : Huh.Chase : She always wanted high-school Brooke. Can I put my pants back on now? I'll takethat as a yes.AT CLAY'S BEACH HOUSEGirl : You blame yourself for Nathan's troubles.Clay : I wasn't a great influence... the girls, the parties.Girl : Do you think he did it?Clay : No.Girl : Then stop blaming yourself andfix it.Clay : Stay the night. I miss this.Girl : Is that what you want?Clay : That's what I need.AT TVMouth : Nathan Scott is Tree Hill local who overcame injury and adversity to achieve a dream he had since childhood...a dream to play professional basketball. But lately Nathan's career has taken a backseat to allegations of an affair that led to the pregnancy of a fan. In my opinion, continuing to report on these allegations without anyfurther evidence of their validity is a reckless attempt on the part of this network to boost ratings. Now, I'm not saying athletes are above the law. I'm saying it's up to science to determine the validity of these claims,not the evening news. To date, there has been no new evidence to suggest that Nathan Scott is guilty of these allegations, and yet he looks guiltierthe more that we report on him.AT ALEX'S HOTEL ROOMMillicent :Sorry. I think I left my camera in your bathroom. For my part,Mouth : I got into sports news because I think reporting on athletes inspires people to be exceptional. And while I've never been an exceptional athlete, I"}
+{"doc_id":"doc_122","qid":"","text":"[Scene: Joey and Rachel's apartment. The scene starts where we took off in the last episode with Ross seeing Joey and Rachel kissing. Rosss tares at them.]Joey: Okay, Ross, I realise that you didn't expect to walk inand see that, but.. Let me explain, okay?Rachel: We weren't doing anything!Joey: Rach, he just saw us.Rachel: Shhh.Joey: But what you saw, that is the extent of it, okay? One kiss.Rachel: No, come on, that is a lie.We also kissed in Barbados.Joey (to Rachel): Dude, chill! (to Ross) Okay, we also kissed in Barbados, but we didn't plan it, okay? And the only reason that that happened was because I saw you kissing Charlie.Rachel:Yeah, you started it! I've got to chill.Joey: Look, we probably should have talked to you about this before it ever happened, but..Rachel: We feel so terrible about this, Ross.Joey: Yeah, but it did happen, so...(Ross looksshocked and says nothing.)Joey: Ross?Rachel: Ross? (to Joey) Can we just close the door?OPENING CREDITS[Scene: Joey and Rachel's apartment. Continued from earlier.]Rachel: Ross, say something. Anything.Ross:So you two are..?Joey and Rachel: Yeah.Ross: And have you .. ed?Joey: No, no, no!Rachel: No, no, no!Ross: But if I hadn't walked in here, would you..?Joey: Probably.(Rachel looks at him.)Joey: No, no!Rachel: Ross,this is not how we wanted you to find out about this. You have every right to go nuts.Ross: I'm not going nuts. Do you see me go nuts?Rachel: No, but you know what I mean.Ross: Hey, hey, hey... If you two arehappy, then I'm happy for you. (Squeaky.) I'm fine!Joey: Really?Ross: Absolutely. (Very Squeaky.) I'm fine! Totally fine. I don't know why it's coming out all loud and squeaky, 'cause really, (deep voice) I'm fine. I'mnot saying I wasn't a little surprised to see you guys kissing. I mean, at first I was like.. (Screams.) But now that I've had time to absorb it; Lovin' this.Joey: Ross..Ross: It's all working out! Me & Charlie, and you two.You know what we should do?Rachel: Calm ourselves?Ross: No. We should all have dinner. Yes, we'll do it tomorrow night. I'll cook!!Joey: Look, don't you think that will be a little weird?Ross: Weird? What? What'sweird? The only thing weird would be if someone didn't like Mexican food, because I'm making fajitas!! (Storms off.)Joey: I do like fajitas.[Scene: Central Perk. Monica and Chandler are there. They have lots ofbrochures about adoption in front of them.]Monica: God, this adoption stuff is so overwhelming. There's inter-country adoption, dependency adoption.. There are so many ways to go, and this is like the biggest decisionof our lives.Chandler: There's a hair in my coffee.(Phoebe enters.)Phoebe: Hey guys!Monica: Hey.Phoebe: Hey, have you seen Frank Jr., 'cause he's meeting me here with the triplets.Chandler: You know, it's funny.Every time you say \"triplets,\" I immediately think of three hot blonde 19-year olds.(Monica glares at him.)Monica: That's sweet. Drink your hair.Phoebe: Hey, what's all this stuff?Monica: Oh, they're brochures fromdifferent adoption agencies.Phoebe: Ooh, babies! Oh, this one is so cute, get this one!Monica: That's not really how it works.Phoebe: Oh, how does it work?Monica: I don't know!Phoebe: Well, if you're having a hardtime, you should talk to my friends, Bill and Colleen. They adopted a kid. I'm sure they'd help you.Monica: Thanks, that would be great. Hey, honey, wouldn't that be great?(Chandler looks like he did the time heswallowed the toy in 605 TOW Joey's Porsche. It's the hair in his coffee.)(Frank Jr. and the triplets enter.)Frank Jr.: Alright, alright, alright. Remember what we talked about. When we're in a public place, there arecertain rules.(The triplets scream and run amok in the coffeehouse.)Frank Jr.: That's not what we talked about!!Phoebe: Hey!Frank Jr.: Hey.Phoebe: Good to see you.Frank Jr.: Good to see you, too.Monica: HiFrank.Frank Jr.: Hi, how you doin'?Monica: Oh, my goodness, they've all gotten so big!(Little Chandler is pulling Chandler's sweater, while Leslie is throwing bagels at him.)Monica: Which one is which again?Frank Jr.:Oh, that's Frank Jr. Jr. pulling the tampons out of the lady's purse. And that's Chandler climbing on Chandler, and that's Leslie throwing bagels at him.Monica (reads a form in her lap): \"Willing to adopt triplets?\"No![Scene: The hallway in Ross's building. Joey and Rachel are on their way to Ross's dinner.]Joey: Ah, can I just say I know we're doing this for Ross, and that's cool, but if it was up to me, this is not what we'd bedoing on our first date.Rachel: Well, what would we be doing?Joey: I'd take you out for a romantic night. Some champagne, fancy dinner, feel you up on the carriage ride home...Rachel: Feel me up?Joey: In acarriage!(Charlie walks up to them.)Joey: Hey, Charlie!Rachel: Hey.Charlie: Hi, hi. So.. Dreading this?Rachel: Oh, you bet.(Joey sees that she's carrying a small red bag.)Joey: So, did you bring a little something forRoss?Charlie: Actually.. It's stuff you left at my apartment.Joey: Oh. Oh, thanks.Charlie: And you know, you can just give me my stuff whenever you want.Joey: Yeah, I didn't throw any of that out..(They enter Ross'sapartment. Ross is already quite hyper.)Ross: I thought I heard voices! Hi Charlie! (Kisses her.) Hi Joey. (Hugs him.) And.. Oh! You're gonna have to introduce me to your new girlfriend. (Laughs.) I'm just kidding, Iknow Rachel, I know. (He squeezes her hand.) Come, please come in. Come in.Rachel: Okay, well, we brought you some wine.Ross: Oh! That is so thoughtful. (To Joey.) She's a keeper. And what did you bring me?(Grabs the bag that Charlie brought for Joey.)Joey: Uh, actually, that's..Ross: Underwear, a toothbrush, and Van Halen CD. I can use all these things!!Charlie: Gosh, Ross, you know, you seem a little...Ross: What?Fine? Because I am! Aren't you? Aren't you? Aren't you? You see? Who else is fine?Joey: Okay, listen, hey, Ross. Why don't you try to relax, okay? Maybe have a drink.Ross: You know what? That is a very good idea.I'm gonna go make a pitcher of Margaritas.(Does a Mexican dancing-thing before going to the kitchen.)[Scene: Central Perk. Frank Jr., Phoebe and the triplets are there. The triplets are now sleeping on top of eachother on the couch.]Phoebe: Oh, god. So adorable. Look at them sleeping there like angels.Frank Jr.: Yeah, I really cherish these moments, 'cause before you know it, they're gonna be awake again.Phoebe: Well, theymay be a handful, but they're so cute.Frank Jr.: Yeah.Phoebe: Oh, god, the last time I babysat them, they did the funniest thing..Frank Jr.: I haven't slept in four years!Phoebe: That's a, that's a long time.Frank Jr.: Youjust don't know how hard it is, Phoebe. There's just so many of them. You know, two I can handle. Two's great. You just hold one in each hand, but what do I do when the third one runs at me with his bike helmet on.I've got no more hands to protect my area! There's three of them, Phoebe, three!Phoebe: Yeah, I know, Frank. I counted them when they were coming out of my area.Frank Jr.: Sometimes I think that.. Oh, no, no, no,I can't say it, it's too horrible. No.Phoebe: What?Frank Jr.: No, I can't.Phoebe: Oh my god, Frank, are you thinking of leaving? Because I didn't have those triplets so you could just run out on them!Frank Jr.: Oh, no! Iwould never do that. No. I just was thinking that, you know, maybe you could take one.Phoebe: What?! You can't separate them! That's terrible. Which one?[Scene: Bill and Colleen's apartment. Chandler and Monicaenter.]Monica: Thank you so much for seeing us. Phoebe has told us such great things about you guys.Colleen: Oh, please, we're happy to help.Bill: We went through the same thing when we were adopting.Chandler:So, a lot of malfunctioning wee-wees and hoo-hoos in this room, huh?(Bill and Colleen look shocked.)Chandler: I mean, you have a lovely home.Monica: Well, we appreciate anything you can tell us.Colleen: Well,actually, I think this might help.(She gives Monica a big binder that's perfectly in order.)Colleen: It's pretty much all the information you need.Monica: Oh my god!Colleen: Everything is broken down into categories, andthen cross-referenced, and then colour-coded to correspond with the forms in the back.Monica: Thank you. (To Chandler.) I think I just had a tiny orgasm.Bill: I know the process is frustrating, but it's so worth it.Adopting Owen was the best thing that ever happened to us.Chandler: That's great. (To Monica.) Can I see the book?(Monica looks at him.)Chandler: You want me to wash my hands first, don't you?Monica: It's.. It'sjust so pretty and white.Colleen: The bathroom is down the hall, to your left.(Chandler leaves.)Colleen: I would have told him to do it too.Monica: Can I adopt you?(Cut to the hall. Owen is wearing his scout-uniform andis looking through a box when Chandler walks up to him.)Chandler: Hey, you must be Owen.Owen: Yeah.Chandler: I'm Chandler. Hey, I was in the scouts too.Owen: You were?Chandler: Yeah, in fact my father was aden-mother.Owen: Huh?Chandler: You know how to use a compass?Owen: I have a badge in it.Chandler: You do? That's fantastic!Owen: You wanna see it?Chandler: I'd love to, but I gotta get back to talking to yourparents. They're telling us all about how they adopted you.Owen: What?!?Chandler: What?Owen: I'm adopted?(Chandler tries to come up with a good answer.)Chandler: I got nothing.[Scene: Ross's apartment. Ross istotally wasted, but he's still drinking all the margaritas.]Ross: The first batch of margaritas was not so great, but the second batch is gooooood.Rachel: Well, maybe the next batch, we could all get some.Ross: Oh, guys,this is fun, isn't it? You know? Just the four of us. Just hangin'.Joey: Dude, are you okay? And when are the fajitas gonna be ready?Ross: I'm fine! Hey, I'm great! I'm just.. I'm just proud of us. There's no weirdness, notension.Rachel: No awareness.Ross: We make a great foursome. We should do more stuff together. Ooh! Let's take a trip. Okay, where do you think we - we can go?(The oven timer pings in the kitchen.)Ross: Myfajitas!!(He runs off to the kitchen.)Rachel: Look, Charlie, I just want you to know. Ross is just having a little trouble adjusting to the thought of Joey and me. You know, he normally doesn't drink like this.Charlie: Oh,you know what? This is nothing. My father is a raging alcoholic.(Joey and Rachel don't know how to respond to that.)Charlie: Oh, I'm sorry, have I made this evening uncomfortable?(Ross enters carrying a frying panwith fajitas - without any oven mitts.)Ross: Fajitas! Be careful, very hot plate, very hot plate!!Rachel: Ross, you don't even have oven mitts on!(Ross laughs.)Ross: That is gonna hurt tomorrow![Scene: Central Perk.Frank Jr., Phoebe and the triplets are there. Continued from earlier.]Phoebe: Okay, well, this is crazy. Can't seriously be talking about me taking one of your kids, can we?Frank Jr.: No, of course we're not.Phoebe:Insane.Frank Jr.: I know.Phoebe: Alice would never go for it, right?Frank Jr.: Oh, I don't know, she's pretty tired, too, I think we've got her onboard.Phoebe: Well, just you know, for argument's sake, you know,hypothetically. Which one would you be willing to give up?Frank Jr.: Huh.Phoebe: Frank Jr.Jr.?Frank Jr.: Oh, you'd be getting a really good one. I mean, you know, he's really funny. Like, the other day he made up thisjoke.Phoebe: Uh-huh.Frank Jr.: What's green and says \"hey, I'm a frog\"? A talking frog! (Laughs.) Oh, no, you can't have him, he's too funny.Phoebe: Well, alright, that's fine. What about Leslie?Frank Jr.: Oh, no, no.Not Leslie. No, she's, she's the only one that knows how to burp the alphabet.Phoebe: Alright, so that leaves Chandler.Frank Jr.: Oh, no, no, you can't have Chandler, no. No, no. She's my little genius. I got big hopesfor her. She's gonna be a doctor or a realtor..Phoebe: Wow, Frank. I think we just ran out of kids.Frank Jr.: Oh, I think you're right. Oh, wow. Phoebe, I don't think I can give one of them up. I mean, you know, theydrive me crazy, but they're my babies.Phoebe: I'm sorry, Frank. I didn't realise things were so bad. You know, I'll help out more. I can - I can babysit any time you want. You name the day, and I'll be there.Frank Jr.:How about tomorrow?Phoebe: Well, that's not good. But you know, I can move some stuff around, and I'll be there. You and Alice just take the whole day together.Frank Jr.: You'd do that for us?Phoebe: Are youkidding? That's what sisters are for.Frank Jr. (looks at the triplets): Look at them! Aw. I love you so much. (Strokes Leslie's hair, and she moves a little.) Oh crap, don't wake up, don't wake up![SCENE_BREAK][Scene:Bill and Colleen's apartment. Chandler comes running into the living room. Monica is the only one there.]Chandler: Where are Bill and Colleen?Monica: They're in the kitchen getting something to eat. Can you believehow nice they are?Chandler: We have to leave!!Monica: Why? What did you do in the bathroom?Chandler: I didn't get to the bathroom. I bumped into Owen on the way, and he didn't know he was adopted. And there'sa slight chance I may have told him.Monica: Oh my god, where's my purse? No, you know what? I can replace everything in there. Get that binder, and let's go!(Bill and Colleen enter.)Colleen: Hey.Bill: Some littlesnacks for everybody. Oh, you don't have to eat the sour worms. Those are for Owen.Colleen: I'll go get him in a second. By the way, you should know we haven't told him he's adopted yet.Chandler: But kids are sointuitive. Don't you think on some level he already knows?(Owen comes running in.)Owen: I'm adopted?!Chandler: See? Intuitive!Bill: What? Where did you hear that?Owen: He told me! And he paid me 50 dollars notto tell.Chandler: Which technically now you should give back!Colleen: You told him he's adopted?Chandler: I'm so sorry, but you should have a sign out there or something. Or at least whisper it to people when theycome in the door. \"Owen doesn't know he's adopted, and he also thinks that Santa is real.\"Owen: He isn't?!Chandler (to Monica): We have to get out of here, baby![Scene: Ross's apartment. Rachel, Joey and Charlieare eating fajitas when Ross enters from the kitchen.]Ross: Everyone? I would like to make a toast to Rachel and Joey.Rachel: Ooy.Ross: And to love. Ah, love. L-O-V-E, love. L is for life. And what is life withoutlove?Rachel: Oh my god, are we supposed to answer?Ross: O is for \"oh, wow!\" The V is for this very surprising turn of events, which I'm still fine with by the way. E is for how extremely normal I find it. That you twoare together. And now one day you might get married and have children of your own.(Ross chokes up and pauses. Rachel and Joey look at him.)Joey: Dude, are you okay?Ross: Totally.Rachel: Ross, you don't seemokay.Ross (on the verge of tears): I'm sorry, it must be the pressure of entertaining. I think everyone would feel better if we had some flan.Charlie: Wait, Ross. Ross. I - I have to take off.Ross: No!Charlie: I'm sorry, Ihave a really early class in the morning, but this has been lovely.Ross: Wasn't it? And you thought it would be awkward with Joey and that you never really liked Rachel.Charlie: You're on fire! I'll call you in the morning,okay?Ross: Okay.Charlie: Alright.(Ross goes to the kitchen.)Charlie: God, Rachel, what Ross just said that is just so..Rachel: Oh, that's okay, girls tend not to like me.Charlie: Bye.(Ross enters from the kitchen withthree plates with flan.)Ross: Okay, I guess it's just flan for three! Hey, hey, that rhymed!Rachel: You know what, Ross? I think we're gonna take off too.Ross: Oh, oh. Of course. God, I'm so stupid. You guys are acouple now. I mean, you probably just want to be alone.Rachel: No, no, it's just that it's getting late...Ross: Hey, hey, it's fine. It's totally fine. We've got plenty of margaritas. It's all good.(The oven timer pingsagain.)Ross: I don't even know what that's for.(He goes back to the kitchen.)Joey: You know what? I think I'm gonna stay here and make sure he's okay.Rachel: Yeah, that's probably a good idea.Joey: Yeah. I'll seeyou in the morning.Rachel: Uh-huh. Okay. You know what, Joey, I don't think he's ever gonna be okay with this.Joey: It doesn't look good, does it?(They kiss each other on the cheek, and Rachel leaves.)[Scene: Ross'sapartment the next morning. Ross is very hung-over on the couch as Joey enters with a cup of coffee for him.]Joey: Morning. Here you go.Ross: Thanks. Did you stay here all night?Joey: Yeah.Ross: So you took off mypants and shoes?Joey: No, no, no. You actually did that when you were dancing to the Chicago-soundtrack. Look, Ross, about, about Rachel and I. Listen, you don't have to worry about that, okay? Because nothing isgonna happen.Ross: What do you mean?Joey: Well, she and I said from the beginning that we weren't gonna do anything unless you were okay with it. And clearly..Ross: Hey, what are you talking about? I'm fine!Joey:It's okay, Ross, alright? I totally understand. Of course you're not fine. You're.. You're Ross and Rachel.Ross: Except we're not. I mean, we haven't been a couple in like, six years. Oh my god, is that right? Has it beenthat long?Joey: That's what I hear, yeah.Ross: This is crazy. I mean, six years? And because of me you guys aren't gonna be together? Can I ask you something? Really, what is this thing with you and Rachel?Joey:Come on, I mean, you know me, you know...Ross: Joey.Joey: I'm crazy about her.Ross: And she feels the same way?Joey: I think so.Ross: Well, then, maybe it's time we all moved on.Joey: Yeah, but, Ross, I mean,you're not okay with it.Ross: No, but I wanna be. Hey, I will be. Besides, I'm with Charlie, right? Oh my god, I'm still with Charlie, aren't I? I mean, she didn't see the dance, did she?Joey: No, no, no, no, that was - thatwas just for me. Are you sure about this?Ross: Yeah, I'm sure.Joey: And we're okay?(Ross smiles and holds up his hand for a high-five, but he has forgotten about his burnt hands. He gasps in pain as Joey grabs hishand.)ENDING CREDITS[Scene: Central Perk. Monica and Chandler enter to find Phoebe there with the triplets.]Monica: Hey, PhoebsPhoebe: Hey.Monica: Uhm, we just wanna give you a heads-up. Bill and Colleen hateus.Chandler: Owen didn't know he was adopted, and Monica told him.Monica: What?Phoebe: Still, he had to find out sometime.Chandler: Yeah, but how would you like it if someone told the triplets that you gave birthto them?(The triplets stare at him.)Chandler: I'm gonna go tell Emma she was an accident. (Runs off.)"}
+{"doc_id":"doc_123","qid":"","text":"Toby: I really didn't think I was going to have a good time, but I did. Totally did.Meredith: I love camping. [in a singing voice] Anything can happen.Toby: Oh, it wasn't camping, it was more of a wilderness retreat.[Michael walks in]Michael: Morning.Toby: Michael.[SCENE_BREAK]Pam: Ryan invited some of the branch managers and Toby into the woods for a \"get to know you\" weekend. Michael wasn't invited. Apparently theyalready knew everything they needed to know about him.[SCENE_BREAK]Pam: Did you sleep in cabins?Toby: Under the stars. It was really beautiful, you should come.Phyllis: Bob and I took rock climbing lessons once.[Michael laughs][SCENE_BREAK]Phyllis: Michael wasn't invited on Ryan's camping trip. Toby went, but Michael didn't go. He wasn't invited.[SCENE_BREAK]Pam: Who went?Toby: Me, Dan from Buffalo, Mark Chisholm,Jeff from Albany and Ryan, obviously. Made so many s'mores, that I finally had to say, \"No more s'mores, no more s'mores.\" [everyone in room but Michael laughs, Michael exits break room][SCENE_BREAK]Toby: Ryaninvited me to go on his wilderness adventure retreat. It was this amazing, beautiful experience [Michael knocks on the window behind Toby from outside]Michael: [from outside] Hey, nobody cares. Nobody cares. I needthat room at some point, so just, wrap it up.Toby: Michael wasn't invited.[SCENE_BREAK]Michael: Hypothetically, if I were to ask you to go camping, and you know what hypothetical means? [Jim makes a face] Notreal.Jim: Got it.Michael: So if I were to hypothetically ask you to go camping with me, would you go?Jim: Absolutely, yes.[SCENE_BREAK]Jim: When Michael plays the hypothetical game, I always sayyes.[SCENE_BREAK]Michael: Really?Jim: Yeah?Michael: Oh, you wanna go today?[SCENE_BREAK]Jim: And I am always busy.[SCENE_BREAK]Jim: Oh, can't go today, 'cause I'm donating blood.Michael: How often canyou actually donate blood?Jim: Is there a limit?Michael: Your body only has a certain amount.Jim: Well, is that it? Or?Michael: Yeah, just this whole Toby, camping thing, uh, seems a little lame.Jim: How so?Michael: Abunch of guys, in a tent? Making s'mores? [makes a noise and gestures with his hands]Jim: What's that?Michael: Hello, I'm Broken Mountain. You know, here's the thing. That's not how you go camping. I think you gocamping by yourself---Jim: Right.Michael: In the wilderness. It's not with a group of guys frolicking around in tents. It's one guy, or two guys, if your plans change.Jim: Not gonna change.Michael: I wanna do it myself.You know, I want to go and, and find out something about myself, I wanna get outta here. All the cliques, and the office politics. Fluorescent lights. Asbestos.Jim: I thought we had that looked at.Michael: I'm sick of itJim. I'm sick of this place.[SCENE_BREAK]Michael: When Jan and I had satellite, we used to watch a reality show called \"Survivorman.\" And, it was interesting because it was about a guy who would go out in the middleof no where and just try not to die, try not to get eaten by an animal, or be overexposed.[SCENE_BREAK]Michael: OK, I will only need two things. Roll of duct tape and a knife.Dwight: [winks] I'm on it. [leavesroom]Michael: OK. Thirty minutes or less, please come back. Save the receipts. [Dwight comes back with set of knives] Hey, what...Dwight: Let's see if any of these will work. [clears the front of Michael's desk]Michael:Hey, hey hey! Dwight. [Dwight rolls out an assortment knives]. Dwight.[SCENE_BREAK]Dwight: I keep various weaponries strategically placed around the office. I saved Jim's life with a can of pepper spray I hadvelcroed under my desk. People say, \"Oh, it's dangerous to keep weapons in the home or the work place.\" Well I say, \"It's better to be hurt by someone you know accidentally, than by a stranger onpurpose.\"[SCENE_BREAK]Michael: Dwight and I are going out. He will return later, but I will not. I will also be taking a personal day tomorrow, and perhaps the next day.Pam: Do you want me to ask where you'regoing?Michael: No.Pam: Great.Michael: Dwight will be driving me deep into the Pennsylvania wilderness.Pam: Oh.Michael: Where he will then leave me to either die or to survive. The choice is yours.Jim: Hmm, no, thechoice is actually yours. Are you sure you want to do this?Michael: Yes, and I am leaving you in charge of the office for the rest of the day and for the next several days. Do not try to follow me.Jim: OK, great.Michael:This is a very personal, private experience in the wild, that I wish to share it with me, myself and I.Jim: Yup.Michael: When I return, I hope to be a completely changed human being.Jim: That'd begreat.[SCENE_BREAK]Dwight: Do I believe that Michael possesses the skills to survive in a hostile environment? Let's put it this way[/b]: no, I do not.[SCENE_BREAK]Michael: This is what a true survivor man does. Yousimulate a disaster, like a plane wreck. You could only wear the clothes that you have on, and you could only use the stuff you have in your pockets. Now, in this case, this disaster is a serial killer. Creepy guy who'sabducted me and is taking me out into the wilderness to leave me for dead.Dwight: No, I would never leave you for dead. You would never escape.Michael: Well, yes I would. And I would survive.Dwight: I would makesure that you were dead.Michael: Well...Dwight: First, I would remove your teeth and cut off your fingertips so you could not be identified.Michael: You...Dwight: And they would call me the Overkill Killer.Michael: You...you are as creepy as a real serial killer. For real. [blindfolds eyes with tie] OK.Dwight: What are you doing?Michael: I am putting this on so I have no familiarity with my surroundings. Now this way, I can't retrace mysteps. I don't know what streets we've been--- [Dwight whacks Michael with his shoe] Ow! What are you doing?Dwight: It would be better if you were unconscious.Michael: No! Gosh! Dwight. [Dwight tries to hit Michaelwith his shoe again] Stop it, stop it! Stop it.Dwight: Do you want to do this right or not?Michael: Just, please allow me to have one cathartic experience in my life?[SCENE_BREAK]Angela: Jim, we need to order a cakefor Creed's birthday.Jim: Oh, wasn't it just someone's birthday?Angela: Yes. Kelly's was last week, remember?Jim: I do remember, yeah.Angela: It's birthday month. Creed's is today. Oscar's is week after next.Meredith's is at the end of the month. [Jim exhales deeply] Michael usually goes with red and white streamers...Jim: You know what, I have an idea. Why don't we just do one big shared party?Angela:What?[SCENE_BREAK]Jim: There are thirteen people working in this office, so thirteen times a year Michael gets a cake and balloons, and some sort of joke gift and makes a toast. There are two types of toasts. One isa joke about how old you are.[SCENE_BREAK]Michael: [flashback to Stanley's birthday] Look at those wrinkles. Blacks do crack! Not crack the drug.[SCENE_BREAK]Jim: And the other is something inappropriate. Orhorrible. Or both. What else? He only sings the high harmony to \"Happy Birthday.\" And he's a very big believer in surprise parties. Maybe even, arguably, possibly to a fault.[SCENE_BREAK]Michael: [flashback to Kelly'sbirthday, hiding in the elevator] Happy Birthday!Kelly: Ahhh!! [drops the papers she was holding][SCENE_BREAK]Michael: [flashback to Oscar's birthday, hiding in the break room] Happy Birthday!Oscar: Ahhh! [runsinto door and Michael laughs][SCENE_BREAK]Michael: [flashback to Phyllis' birthday, sneaking up on Phyllis' car] Happy Birthday!Phyllis: Oh! [Michael laughs][SCENE_BREAK]Jim: So... I think, yeah, I think gettingthese out of the way might be productive.[SCENE_BREAK]Jim: We can just have one big fun party. Everybody's happy, nobody wastes their time.Angela: I don't like it. [Angela leaves]Pam: Wow! You're shaking thingsup a bit, huh?Jim: It's a pretty good idea, don't you think?Pam: Do you think it's a good idea?Jim: No... I think it's a great idea.Pam: [smiles] Hmm.[SCENE_BREAK]Dwight: We're here. [gets out of the car]Michael:Dwight will take my blindfold off when we are deep in the forest. Just the two of us from this point out.Dwight: [leading Michael from car] Here we go. Just the two of us [gestures for camera crew tofollow][SCENE_BREAK]Dwight: Here we go, into the wild. Mighty forest. Can you smell the trees and the nature?[SCENE_BREAK]Dwight: Keep going, you're fine. Just some bushes and some thickets [leads Michael intosome tall grass] Keep going. You wanted wilderness, you got it.[SCENE_BREAK]Jim: You know, try sending them another invoice.Oscar: Ok.Jim: Alright. [starts walking away, but returns] Oh, did you see my memo bythe way?Oscar: [picks up and reads memo] \"Let's be honest, as fun as birthdays are we could all use a break from the constant cake, so let's celebrate birthday month in style today.\" This is really cool.Jim: Right? I wasjust thinking...Oscar: No, totally, totally. This way we get it all out of the way at once and it could actually be fun.Jim: Right! Exactly. [pats Oscar on the back and walks away] Knew I could count on you. [Oscar rolls hiseyes][SCENE_BREAK]Dwight: Good a spot as any. [They stop and Dwight starts spinning Michael around in circles]Michael: What are you doing? Stop. Dwight, Dwight. Just --Dwight: I'm just --Michael: Stop.Dwight:Spin. I'm trying to confuse your sense of direction. [stops spinning and takes Michael's blindfold off] Behold.Michael: Alright, good. Thank you, Dwight.Dwight: Here's your knife. Here's your duct tape.Michael: Alright,very good. Ahh, OK. [Dwight gives Michael a hug]Dwight: Good luck, Michael.Michael: Thanks for the ride. OK. Leave me be, Dwight. [Dwight runs off][SCENE_BREAK]Meredith: Hey, Jim, can I have my own cake?Jim:What's that?Meredith: I really prefer devils food cake.Jim: Oh, sure.Meredith: Yes!Jim: OK. [Meredith leaves]Pam: Wow! That was easy.Jim: Yeah, people like me I guess.Creed: [knocking from outside window in breakroom] Jim.[SCENE_BREAK]Creed: I hate devils food.Jim: Well I think Meredith was just --Creed: Screw Meredith, I don't think it's fair to let someone else pick the cake on my birthday.Jim: Everybody's birthday.Creed:Today is actually my birthday and I want to pick the cake.Jim: What do you want?Creed: I want pie. I want peach pie.Jim: You want a birthday pie?Creed: I want a nice cobbler.Jim: Well, I'm gonna to talk to Angela andwe're gonna see what we can do about a pie.Creed: I don't care who you talk to. Just make it happen.Jim: It will be Angela.Creed: You tell her it's for Creed. She'll know what that means.[SCENE_BREAK]Michael: [toown camcorder] Day One. I'm in the interior of the vast Pennsylvania wilderness. I've brought with me only the bare essentials. A knife, roll of duct tape, in case I need to craft some shelter or make some sort of watervessel. It's hot today. The sun is in the two-thirds easterly quadrant, which would make it about [looks at watch] 2 o'clock in the afternoon. It's really beating down on me now. I think that I want to get a little morecomfortable because the sun is depleting my resources. [cuts pants with knife] OK. OH, there we go. Watch that I don't hit my corroded artery here...[SCENE_BREAK]Dwight: I lied to Michael. I said that I would leavehim alone, but I will not. I will remain close by to provide unseen moral support, but I will never help him. I will let harm befall him. I will even let him die. But I will never let him lose hisdignity.[SCENE_BREAK]Michael: There we go. [standing with short sleeves and short pants] Much better. Now everything I brought with me can be used. My sport coat here, can be fashioned into a backpack of sorts[ties jacket around neck].[SCENE_BREAK]Michael: I'm going to wear what was once one of my pant legs. [puts pant leg on head like a hat][SCENE_BREAK]Michael: See, this is a beautiful piece of material [rips otherpant leg in half] This could be used for all sorts of things.[SCENE_BREAK]Michael: Some sort of kerchief to keep my neck nice and comfortable.[SCENE_BREAK]Andy: Tuna. [rolls in chair to Jim's desk]Jim: Andy.Andy:Me likey the ice cream cake, okay? Fudgie the Whale.Jim: Not your birthday.Andy: Well, I'm just saying, you know, if you want to make people happy, namely me, you will have a Fudgie the Whale.Jim: Alright, I'll lookinto it, but the answer's no.Andy: Wow, OK, harsh. Just don't expect me to show up.Jim: Hey, Andy, I have some calls to make.Andy: Loud and clear. [rolls in chair back to desk]Jim: Alright. [Andy rolls back]Andy:Pizza rolls.Jim: OK, I'm gonna go into this office here [gets up and walks into Michael's office] to do some work. So I will be in here.Andy: Mushroom caps.[SCENE_BREAK]Michael: I am totally alone right now, with onlymy thoughts. I love it. I'm loving it. I can literally say anything I want. No one is gonna here me. [screams] Wish I could have gone with Ryan on that cool retreat! Jan has plastic boobs! I HAVE HEMORRHOIDS! Doesn'teven matter.[SCENE_BREAK]Dwight: Michael is a man of great depth and passion. I don't know what he's searching for out here. [pulls a nest from a tree] I hope he finds it. [picks up some bird eggs]Lunch.[SCENE_BREAK]Michael: Well it is a little chillier than I had thought, so I have fashioned my hat back into my pants. Several hours in, time for me to find some nourishment. Now, these woods are full ofcreatures that can sustain human life. Things like, uh, squirrels, nice juicy rabbit would be delicious.[SCENE_BREAK]Dwight: About two more minutes [cooking bird eggs].[SCENE_BREAK]Michael: I have made thisspear, with which I will impale my dinner. And it couldn't come a moment too soon because I have been without food for a good three hours or so. I'm startin' to feel it a little bit. Ohh... It's Creed's birthday. [singing]Happy Birthday to you. Happy Birthday to you. Happy Birthday to Creed. Happy Birthday to you. Happy birthday, buddy.[SCENE_BREAK]Meredith: What is Jim thinking? It's a birthday, so what if there's a lot ofthem?Kevin: Yeah, I work hard all day. I like knowing that there's going to be a break. Most days I just sit and wait for the break.Stanley: I took an extra shot of insulin in preparation for this cake today. If I don't havesome cake soon, I might die.Oscar: Why don't you just have an apple?Stanley: Why don't you mind your business?Creed: Listen, I figured this out. Jimmy had his birthday three weeks ago, so he doesn't care.Oscar:Probably went to his head.Creed: Yeah. [Jim enters room]Oscar: Hey, Jim.Jim: Hey guys, what're we talking about?Creed: Nothing! Nothing going on. We're talking about nothing. C'mon gang.[SCENE_BREAK]Michael:Well if you take a look at this, I tented my pants. I've made myself a nice pants tent shelter. And this little guy [pats a large tree trunk] may be Dunder Mifflin paper some day.[SCENE_BREAK]Dwight: Nothing to worryabout. Just using the scope. Safety is... [clicks rifle into safety mode] on.[SCENE_BREAK]Toby: [knocks] Hey Jim.Jim: Toby.Toby: Hey, I just got the word on the communal birthdays. Great idea.Jim: Oh, thanksman.Toby: Yeah...Jim: Is there anything --Toby: My birthday was two months ago.Jim: Oh, OK.Toby: There was no party.Jim: What?Toby: Well, it... there was. But Michael scheduled it for 4:58 on a Friday. You know,people sang in the parking lot.Jim: I remember that.Toby: I don't know, I just thought you could include me.Jim: Seriously?Toby: I just though you could add me. I don't see the harm in that.[SCENE_BREAK]Jim:Toby's great. He's great, but sometimes he can be a little bit much. [in Toby voice] I don't see the harm in that. Well, it's a cake Toby, so, c'mon.[SCENE_BREAK]Jim: OK. Yeah, you know what, we're just gonna throwyou in. Because more the merrier, right?Angela: No. No way. I am not a machine, Jim. You can't just change plans willy nilly and expect these little magic party elves to do your bidding. We already have devils food,peach cobbler, Fudgie the Whale, mushroom caps.Toby: I'm allergic to mushrooms.Jim: That's a bummer. OK, then we need to...[steps outside office] Hey everybody. Hi, how you doing? Can I have your attentionplease? 'Cause we have to talk about this birthday thing.Pam: [raises hand] Conference room?Jim: Yes, conference room in five minutes... No. No. We're gonna solve it right here. We're actually gonna talk about it outhere. So, who has problems with the birthday thing? [everyone raises hands] One, two, three, everybody. OK, so then we just shouldn't do it.Angela: What am I supposed to do with two cakes and a pie?'Kevin: Oh, I'lltake 'em.Creed: Well nobody's touching my cobbler.Phyllis: [raises hand] Hey, Michael. I mean Jim.[SCENE_BREAK]Jim: Yup, Phyllis called me Michael. And I will always and forever be haunted by thatfact.[SCENE_BREAK]Michael: Under this tree, I think I struck the mother load. Those [points camera to mushrooms] are nature's best mushrooms. Wild, and I have to say these little buggers are damn tasty as well.[puts them in mouth]Dwight: Stop! No, no Michael! Nooo! Nooo! [runs up to Michael and knocks him over] Nooo! Arghh. Get, get them out. [picks out mushrooms from Michael's mouth][SCENE_BREAK]Everybody:Happy Birthday to you. Happy Birthday to you. Happy Birthday [Michael joins in with high note] to Creed. Happy Birthday to you. [Creed blows up candles on pie]Michael: Yeah! [everybody clapping] Alright, skip aroundthe room. Skip around the room. We want -- OK, alright. Yeah, don't do that. You're gonna break something.[SCENE_BREAK]Michael: Man became civilized for a reason. He decided that he liked to have warmth, andclothing, and television, and hamburgers, and to walk upright, and to have a soft futon at the end of the day. He didn't want to have to struggle to survive. I don't need the woods. I have a nice wood desk. I don't needfresh air, because I have the freshest air around, A.C. And I don't need wide open spaces. Check it out. [shows off computer screen scenery] I can also make it the sky.[SCENE_BREAK]Michael: Hey, buddy.Jim:Hey.Michael: What up?Jim: Sure glad you're back.Michael: You are relieved.Jim: You have no idea.Michael: So what did I miss?Jim: Well, I tried to put all the birthdays together at once.Michael: Oh.Jim: So, terribleidea.Michael: Yeah, okay, I did that. Rookie mistake.Jim: You did do it?Michael: Uh huh. Yeah, just wait. Ten years, you'll figure it out.Jim: Well, I don't think I'll be here in ten years.Michael: That's what I said. That'swhat she said.Jim: That's what who said?Michael: I never know. I just say it. I say stuff like that, you know, to lighten the tension. When things sort of get hard.Jim: That's what she said.Michael: Hey! Nice. Reallygood. Bravo, my young ward."}
+{"doc_id":"doc_124","qid":"","text":"[Scene: Central Perk. Rachel is getting a cup of coffee as Joey and Phoebe enter and sit down.]Phoebe: Oh! Hey, Rach!Rachel: Hi! Hey, Happy Valentine's Day!Phoebe: Oh, you, too.Joey: Hey, so, uh, how's it goingliving over at Ross'?Rachel: It's good. Except he makes us watch the Discovery Channel all day long. Did you know that something really boring happened to someone really ugly in the Middle Ages? (to the waitresshanding her a cup of coffee) Oh, thank you. I'll see you guys later.Phoebe: Okay.Joey: Bye.(Rachel exits with coffee)Joey: There's one lucky to-go cup of coffee.Phoebe: (sighs) Honey, I wish you would get over her. Ihate seeing you like this. Is there anything I can do for you? Do you want to look down my top?Joey: Thanks. But maybe later.Phoebe: Oh, Gunther, can I get a scone?Gunther: (to Joey) You want anything?Joey: Youknow what I want? I want a lot of things! I want to be with the woman I love on Valentine's Day! And I want her to love me back! And I want just one moment of relief from the gut-wrenching pain of knowing that that'snever going to happen!Gunther: We have red bagels.Joey: Oh, okay.Opening Credits[Scene: Monica and Chandler's. Phoebe and Ross are sitting in the living room talking.]Phoebe: So, how does Mona feel about youand Rachel living together?Ross: Oh, I'm actually on my way to tell her right now. Yeah, she's been away all week visiting her parents, but she'll be cool. I mean, she's been so supportive. She-she even got the baby atiny T-shirt that says, 'Fossils are my friends.'Phoebe: Ugh. Come on, Mona, don't kiss ass.Ross: Uh, I'm going to take off.Phoebe: All right. Oh! Shoot! Oh shoot! Uh, Rachel wanted to see this tape!Ross: What isit?Phoebe: It's a video of my friend giving birth. Could you just bring it back to your apartment?Ross: All right. (reading the label) 'Candy and Cookie?'Phoebe: Yeah. Candy's the mother, Cookie's the daughter. Thefather's also Cookie. Why am I friends with these people?Monica: (entering with something behind her back) Phoebe, c'mere. I want to show you something in the bathroom.Phoebe: Oh, Monica, grow up!Ross: Hey,what's behind your back?Monica: Nothing. Just something I want to get Phoebe's opinion on for Valentine's Day.Ross: You don't want my opinion?Monica: Not really.Ross: Come on, I'm your older brother, askme!Monica: All right, big brother. (holds up two erm...revealing articles of clothing) Which of these do you think would make your little sister look hotter, so your best friend would want to do her?Ross: (quietly) The redone.[Scene: Joey and...wait...just Joey's. Joey is sitting at the counter eating a pizza.]Phoebe: (knocking and entering) Hey. Look, I know you've been really depressed lately, so I brought someone over to cheer youup. Right outside this door is a real, live, furry playmate.Joey: No, I'm not sleeping with your friend Jane again.(Phoebe goes into the hall and brings a dog inside!)Phoebe: He-hee!Joey: Hey! A dog! Hi! Who, you got toadmit, looks a lot like Jane.Phoebe: This is the happiest dog in the world. I borrowed him from my friend Wendy. Now, you can only keep him until he cheers you up. And he will cheer you up!Joey: Thanks so much,Pheebs! (to the dog) We are going to have so much fun, yes we are! (the dog sticks his head between Joey's legs) Oh! Not that kind of fun.[Scene: Monica and Chandler's. Chandler enters with a bouquet ofroses.]Chandler: Happy Valentine's!Monica: (from her bedroom) Okay! I'll be right out. I'm slipping into something a little less comfortable, and a little more slutty.Chandler: (picking up a video from the table) 'Candyand Cookie'. 'Candy and Cookie?' Monica got me p0rn?! Girl-on-girl p0rn?! She really must love me!! (Chandler runs over to the TV, puts the tape in, and sits down to enjoy some \"p0rn\")(A woman on TV breathshard)Man on TV: Yeah, just relax.Chandler: I love you, St. Valentine.(The woman groans, moans, grunts, and screams. Chandler's eyes get huge!)Chandler: Woah, woah, that's not pretty!Man on TV: Now,push!Woman on TV: Ow! Ow! Ooh! That hurts!Chandler: Worst p0rn ever! Worst p0rn ever! (Chandler starts to press buttons on the remote control, frantically.)Woman on TV: Ohhh! Make it stop!Chandler: I amtrying![Scene: Joey's. Joey is playing fetch with the dog.]Joey: Get the ball, ready? Get the ball, get the ball! (Joey pretends to throw it, but really doesn't, and the dog goes running off.) Well, you're cute, but you're nottoo smart!(The dog returns with a ball that looks exactly like the same one Joey has.)Joey: (looking at the ball the dog brought back) Did I just throw this?Rachel: (entering) Hi.Joey: Hi.Rachel: I accidentally packedthese with my stuff. (looks at the dog and gasps) Who is this?Joey: Oh, that's, uh, that's Phoebe's friend's dog. I don't know what his real name is, but I call him Mozzarella.Rachel: (talking with a higher voice, andpuckered lips...kind of like you do to a baby or...well...a puppy...it's hard to explain. Just use your imagination!) Oh, well, you are so cute! I wish I could play with you more, but I've got to go to work! I hope I stoptalking like this before my marketing meeting, yes I do. Yes I do. (still talking like that) Bye-bye, Joey. Oh, I seriously can't stop it. (exits)Joey: (to the dog) C'mere. Hey. C'mere. That's Rachel. She's the one who usedto live here. Might as well be honest with you-we love her. But we can't have her. I really miss her. Well, hey, you understand, right? You're a guy. (thinks about it and picks up the dog and looks) Well, you used tobe.[Scene: Monica and Chandler's. Chandler is sitting on the couch staring at the tape on the coffee table with his eyes huge and his mouth wide open.]Monica: (entering from her bedroom) So what do you think?(referring to her outfit)(Chandler glances up at Monica with his mouth still wide open and his eyes still huge)Monica: (to herself) I've still got it!Chandler: (pointing at the video) Why did you get me this?Monica: What isit?Chandler: It's yelling...bleeding...dilating. Oh, the dilating...Monica: Is this the video of the baby being born? Sweetie, this is Phoebe's. Why were you even watching it?Chandler: I thought...maybe...you got me p0rnfor Valentine's Day.Monica: Chandler, if you thought I was going to get you p0rn for Valentine's Day... (pulls a video out of a basket) you were right! Apparently, it's about a young girl who moves to the big city, youknow, in search of stardom, but ends up having s*x with a lot of guys! Yeah, it got four starts! (looks closer) Oh, wait a minute. Those aren't stars. Anyway, you want to take a look?Chandler: Well, I'm not really in asexy mood right now.Monica: Honey, what's going on?Chandler: Well, remember the first time we saw Jaws?Monica: Mm-hmm.Chandler: How long it took to go back in the water?Monica: Chandler, we can't let thistape wreck Valentine's Day!Chandler: You don't know. You didn't see it.Monica: Child-birth, it's a natural thing! It's beautiful.Chandler: Oh, beautiful? Really? Beautiful? You think this is beautiful? (picks up the remoteand presses a button, and he immediately makes a face that just looks like he's going to throw up!)Monica: Oh! Oh, my God! No wonder my mother hates me!Chandler: See, honey, there's-(puts his hand on herleg)Monica: Don't touch me![Scene: Central Perk. Ross is sitting on the couch reading a magazine as Mona enters.]Mona: Hi!Ross: Hey! (they hug) So, how was Atlantic City?Mona: Good.Ross: Yeah?Mona: I broughtyou back a present.Ross: Wha-? Oh, come on. You didn't have to-saltwater taffy?! (Mona laughs) Thanks! This is interesting. You know, most people think this is made with sea water, but it's actually made with, uh,salted fresh water. That's not interesting.Mona: I think it's interesting.Ross: I do too! I missed you!Mona: I missed you, too! So, how was your week?Ross: Oh, it was good! It was good. Actually, the baby startedkicking!Mona: How exciting!Ross: Yeah! I know! It was. Oh... the only sad thing is I wasn't around when it happened for the first time.Mona: Oh no.Ross: Yeah, I'm missing out on all this other stuff, too. So, Joeysuggested Rachel move in with me.Mona: (laughing) Yeah right!Ross: What?Mona: Joey cracks me up! It's like, 'Yeah, why don't you have your ex-wife move in with you? That wouldn't be awkward at all!' (she laughsagain)Ross: (not amused) Huh...uh-huh.Mona: Huh, could you imagine. I go away for a few days, and come back, and my boyfriend is living with some woman he got pregnant! (Mona laughs...yes...again!)(Ross fakelaughs, obviously not finding this funny, and he's starting to panic, so he shoves the whole saltwater taffy he's eating in his mouth)Mona: So, what'd you tell him?Ross: (with his mouth full) Just a second! (he fakelaughs, but turns his head and starts to break down)[SCENE_BREAK][Scene: Central Perk. Ross and Phoebe are sitting on the couch.]Phoebe: How could you not tell Mona that Rachel is living with you?Ross: I don'tknow, she seemed to think it was such a crazy idea! Um, plus, she, uh, she got me taffy!Phoebe: Taffy, really? I've never had any.Ross: Ever?!Phoebe: Well, I think my mother was too busy planning her suicide toprovide saltwater treats. (Ross hands her one) Thank you! So what, you're just never going to tell her?Ross: Oh, no, no, no, I will! I just want to butter her up, first! You know, I'm going to take her to an amazingValentine's dinner. Do all this romantic stuff, and then, just when she thinks I'm the best boyfriend in the world, then I'm going to tell her that my pregnant ex-girlfriend is living with me.Phoebe: If I haven't said itbefore: she's a lucky, lucky lady! So, where are you going to-what the mother of crap is up with this stuff? (Referring to the taffy, which she's been chewing this whole time.) Oh, God. Is it gum, is it food? What's thedeal? (she swallows it, finally) Oh, it's nice! May I try a pink one?[Scene: Joey's. Joey is laying on his recliner, depressed, and the dog is laying on the footrest.]Joey: So, between her and me being friends, and herhistory with Ross, it just isn't going to happen. It would be like you falling in love with a cat.Phoebe: (entering) Hey!Joey: Hey.Phoebe: Hey, buddy. How's my favorite dog, huh? How's my favorite dog? (the dog doesn'tmove) You're subdued. (to Joey) Did you give him a beer?Joey: No.Phoebe: Will you excuse us, we need to talk for a moment.Joey: Yeah, sure. Go ahead. (pause) Oh, me, right!(Joey follows Phoebe into thekitchen)Phoebe: He's miserable! What happened to him?Joey: Nothing. We just talked about stuff.Phoebe: What stuff?Joey: Rachel stuff.Phoebe: Oh...Joey, you bummed him out! This was the happiest dog in the world,and he spends half a day with you, and look at him!Joey: He's breathing!Phoebe: Okay, I'm going to take him back to Wendy's.Joey: No, no, no, no! He's fine! Look, look, look! (picks up the ball) Here's your ball! Getyour ball! Get your ball! (he throws the ball and it bounces right next to the dog) Get your ball! My God, what have I done to you, huh? I broke the dog! Pheebs, I broke the dog![Scene: Ross and...Rachel's...I guess Ihave to call it that now. Rachel is reading on the couch as Ross enters.]Ross: Well, I'm, uh, going to pick up Mona. What have you got going tonight?Rachel: Oh, I've got big Valentine's plans! I've got my Chinese foodon the way, and the rest of your saltwater taffy!Ross: Y'know, it's interesting! Most people think that's made with seawater, when in fact-Rachel: Ross, we actually watched the documentary together.(There is a knockon the door.)Rachel: Ooh! My Chinese food! Let me get my cash! (runs to her room to get her money)Ross: (opening the door to see Mona standing there) Mona? What are-hi! What are you doing here? I'm, um,supposed to pick you up!Mona: Change of plans, I made you a special Valentine's dinner! Surprise!Ross: (he makes some really weird noise hear that sounds kind of like...)Ayyyayyyy!Rachel: (entering) Oh, hey,Mona!Mona: Hi! Hi. Hi, Rachel! (to Ross) What's she doing here?Ross: I have no idea!Rachel: I'll be watching TV if anybody needs me. (exits to her room)Mona: Seriously, what is she doing?Ross: Uh...lately, she justlikes hanging out here.Mona: Why?Ross: I think she's lonely.Mona: Okay, but it's Valentine's Day!Ross: I know.Mona: Can't we just ask her to go?Ross: No, no. She's way to emotional. And by emotional I meancrazy.(Doorbell rings)Rachel: I'm not here! That's just my Chinese food!Mona: Oh, my God! She has food delivered here?Ross: Mm-hmm. She's-she's emotional, but, but ballsy.Rachel: You know what I'm going to do?I'm going to get in my sweats, and eat this in bed! (exits)Ross: And you thought she was going to be in our way! So, why don't you, uh, open the champagne, and I'll be right back. I've got a surprise for you.Mona: Yougot another ex-wife back there?Ross: (fakes a laugh) Please start drinking! (exits)Rachel: (entering) I'm just going to grab the phone.Mona: Oh, Rachel! Wait! Hey, I hope you don't take this the wrong way, but, but,um... what are you doing?Rachel: Oh, I'm sorry! Do you need the phone?Mona: No, no. Listen, Ross is too nice to say anything, but this is his apartment, and, and, we gotta have some boundaries, so why don't you goback to your place and give us some privacy?Rachel: (as Ross enters with a present) But, but, Mona, I live here.Ross: (handing Mona the present) Happy Valentine's Day! ...Or something to remember meby.[SCENE_BREAK][Scene: Monica and Chandler's. Monica and Chandler are sitting on the couch still staring at the screen.]Monica: How long has it been this time?Chandler: 90 seconds.Monica: That's better. 90seconds is a long time not to think about it...except all I did was think about it.Chandler: You know, it haunts me? Up 'til now, the worst thing I ever saw, was my father doing tequila shots off the naked houseboy. Afterthis, I would gladly make that my screensaver!Monica: Okay, well, we have to get past this! Why don't we get rid of the tape and pretend it never existed?Chandler: I can do that.Monica: Okay.(Chandler takes the tapeand sticks it under the chair cushion)Chandler: Okay. Now all we've got to do is get rid of this chair.(Chandler crawls over to Monica and they move in to kiss, but they can't do it and back up. They move in to kiss again,and kiss very awkwardly for a second, until someone knocks on the door.)Monica: Oh, thank God!Chandler: Oh, I know!Monica: Come in!Rachel: (entering) Hi! I'm so sorry to barge in on your Valentine's, but I had toget away from all the yelling. Mona is dumping Ross.Monica: Oh, my God.Chandler: Poor Ross.(Monica and Chandler both look at each other and run over to the window to watch the action in Ross' apartment)Chandler:Oh, great. We have to watch him do yoga in his underwear, but for this he closes the drapes!Monica: Rach, you know that birthing tape you wanted to see? It's here.Chandler: Oh, and we should warn you, before youwatch it: don't watch it.Rachel: Why? You saw it? Is it scary?Chandler: Well, let's just say it's ironic how footage of someone being born can make you want to kill yourself.Rachel: Well, now, wait. Now I'm all freakedout. Come on, you guys will watch it with me.Monica: No, but I will leave a sweater that smells like me right next to you!Rachel: C'mon, seriously, you guys, you're not going to make me watch this alone!Monica: She'sright...of course not. Honey, get the tape.Chandler: (with his arm all the way under the cushion, moving it around) This reminds me of a very specific part of the tape. (Chandler puts the tape in, and they all sit down)Okay, here we go.Rachel: Okay. (watching the tape) Ooh, my! (Rachel jumps when the woman starts screaming) Woah! Why is that baby torturing that woman?!Chandler: Why have I seen this thing threetimes?!Monica: It's...still beautiful.Rachel: Uh! It's horrible!Monica: I know! I know, I'm so sorry for you!Rachel: Oh, my God!(Monica and Rachel both cover their eyes)Chandler: Wait, you guys, look!Rachel: What? Didher ass explode?!Chandler: No, the baby's out! Look, look!Monica: Oh, look at those little fingers and toes!Chandler: And look how happy the mom is now!Monica: Oh...Rach!Rachel: Oh, screw you guys, you don't haveto do it![Scene: Central Perk. Ross is getting coffee as Joey comes from...God knows where! Some back area of Central Perk around the corner that we've never seen! Weeeiiirrrddd....]Ross: Hey, hey, man!Joey: Hey,what's up?Ross: Uh...Mona just dumped me.Joey: Oh, man, I'm sorry. Why?Ross: Well, with everything that's been going on lately, I haven't exactly been the perfect boyfriend. You know, I, uh, I didn't tell her I gotRachel pregnant. I gave her a key to my apartment, and then had the locks changed! And then I lied to her about Rachel moving in with me. In a way, I actually judge her for not breaking up with me sooner, youknow?Joey: Still, that really sucks, man. Especially on Valentine's Day.Ross: Yeah. Wait a minute. What are you doing here? Joey Tribbiani without a date on Valentine's Day? What's going on, huh? Girl trouble?Joey:Sort of.Ross: Really?!Joey: You don't have to seem so happy about it.Ross: Oh, sorry. Well, look, maybe I can help you with it.Joey: Oh, I...I d-Ross: Hey, whatever it is, I am sure it has happened to me. Y'know,actually once-once I got dumped during s*x.(Two girls sitting at a table next to them look up in disgust, and Ross and Joey move away)Ross: Anyway, so, uh, so what is it?Joey: Forget about it. It's no big deal.Ross:C'mon! Joey! What is it?Joey: It's nothing.Ross: Hey, hey, it's me. Why can't you tell me?Joey: Okay, uh...sit down. (they do) Um... there's this woman that I like. A lot. But, uh...it can't happen.Ross: She's not aTribbiani?Joey: No!Ross: I knew it. So, is she someone from work?Joey: Yes.Ross: Well, uh, does she like you?Joey: Sometimes I think maybe she could. But it doesn't matter, because I can't do anything about it.Ross:Why not?Joey: Well, it's complicated. She's with this other guy. For a long time. Someone from work, too. And I could never do that to the guy, because we're really good friends.Ross: So, uh, this guy, she used to goout with, is, uh... is he still in love with her?Joey: No. I don't think so.Ross: Okay. Um... is he a good guy?Joey: Yeah, he's the best.Ross: Then talk to him! He might be fine with it.Joey: Oh, I don't know.Ross: Joey, it'sworth finding out. I mean, if you really like her.Joey: I do! So much! I can't stop thinking about her! I can't sleep, I-Ross: Okay, Joey, you know what? You have to go for it. How often does this happen to you, huh? Youowe it to yourself.Gunther: (placing a cup in front of Ross) Here's your warm milk.Ross: I'm going to...uh...I'm going to, um, put the bourbon in it at home.Joey: Oh, yeah.Ross: Anyway... seriously, uh...just...just talkto the guy, okay? And tell me how it goes. (walks towards the door until...)Joey: It's Rachel.(Ross just stands in the doorway, for like a minute...Ahh! What's going to happen next??!!! I can't make it all the way throughthe Olympics!!!)Closing Credits[Scene: Ross and Rachel's. Rachel is standing in front of the TV holding a video.]Rachel: (thinking) You're going to have a baby, and you need to be prepared. Now, you're going to makeyourself watch the whole thing. Just do it! (Rachel puts the tape in the VCR)Woman on TV: I came to the big city to become a star! I'll do...anything to make that happen!Man on TV: Anything?(Music startsplaying...yes...you know what kind of music...)Rachel: (thinking) Hmm...maybe it starts with how she gets pregnant."}
+{"doc_id":"doc_125","qid":"","text":"[EXT. VARIOUS LAS VEGAS CITY (STOCK) - DAY](The temperature sign on the hotel shows that it's 109 degrees.)[XCU: BEE](A bee is in flight. It flies up to a woman on the sidewalk.)FLASHES OF VARIOUS PEOPLE ONTHE SIDEWALK.Rev. Alistair Rhodes: (V.O.) You may believe that you have to die before the judgment comes.(A one-legged man drops the bottle of liquor he's drinking from. The glass shatters on thesidewalk.)(Another man is sitting on the sidewalk, his back up against the wall. He's stoned.)Rev. Alistair Rhodes: (V.O.) But I say the fire is not around the corner.(A man with the left side of his face beaten makes hisway past the church.)(The church bells chime.)[INT. CHURCH - DAY]Rev. Alistair Rhodes: (V.O.) The fire is not a-waitin'.(The congregation sits in the pews, listening to the reverend.)Rev. Alistair Rhodes: (V.O.) The fireis not a-wantin'. The fire has already come.[EXT. BUILDING - DAY](A woman stands on her fire escape as she fans herself in the heat.)(Down below, the man with the left side of his face beaten makes his way past herbuilding. He's holding a plastic bag.)Rev. Alistair Rhodes: (V.O.) As we mortals drink, gamble and fornicate our way through this world, --[INT. CHURCH - DAY]Rev. Alistair Rhodes: -- death to Hell's bells thundering toll.The clock of damnations already struck midnight.[CU: BEE](The bee bumps into the window, falls to the ground and dies.)Rev. Alistair Rhodes: We gonna die. Stick a fork in the ass of the human race and turn us overon Satan's spit because we all are not going to Hell,FLASH TO:[EXT. SIDEWALK - DAY](The man with the left side of his face beaten staggers along the sidewalk and stops.)Rev. Alistair Rhodes: Surely as we stand inLas Vegas, Nevada.(He falls to his kneels near the rubbish along the wall. He falls backwards onto some garbage bags and passes out.)Rev. Alistair Rhodes: I say we are in Hell. Now.FLASH TO:[EXT. STREET -NIGHT](Someone steps on the dead bee. Officer cars are lined at the end of the alley, their lights flashing. Catherine and Warrick carry their kits.)Catherine: Why are we parking in an alley two blocks from the crimescene?Warrick: You know sanitation's flushing out a sewer line. We don't want to block their trucks.(Warrick sees the body on the garbage bags, a newspaper covering the man's face.)Warrick: Whoa, what we got here?Hey, guy! Hey!(Warrick moves the newspaper and sees the man's eyes clouded white.)Warrick: We've got a male DB.Catherine: Call it in. You got it, Mitch?Officer Mitchell: I'll tape the scene.(Catherine and Warrickleave Officer Mitchell with the dead body and they continue their way to their crime scene.)[EXT. RANCHO CENTER MOTEL -- NIGHT](They enter the motel parking lot. Officers are on the grounds. Catherine and Warrickmake their way to the room. They pass by a man and woman on the steps. In one of the rooms, a man and a woman are on the bed. They continue toward the scene.)(The officer removes the tape across the door andthey walk inside.)[INT. RANCHO CENTER MOTEL ROOM - CONTINUING](Grissom is in the room waiting for them. There's a dead body on the floor at the foot of the bed. On the bed is a second dead body of the woman,her arms and legs tied spread-eagled to the bedposts.)Grissom: The man was shot execution style--22 to the back of the head.(Warrick kneels and looks at the blood-soaked carpet under the man's head.)(They look atthe woman on the bed.)Grissom: Woman was shot as well, bound and gagged. The guests next door complained about the noise, manager finally called the point. Unis found this.(Catherine looks around.)Catherine: Idon't see any luggage. Wedding rings still on the fingers. Probably rules out robbery, but not infidelity. One gets to watch the other one die?(Quick flashback to: The man and the woman are both alive. The man is at thebase of the bed, kneeling on the floor while the woman is tied to the bed. Someone shoots the man in the back of the head while the woman watches. End flashback.)(There's a bullet casing on the floor near evidencemarker 1. Warrick picks up the casing and looks at it.)Warrick: Maybe someone was trying to teach them a lesson.Grissom: Did you guys happen to see the Fitzgerald's thermometer on your way over?Warrick: Ohyeah, 109. Hot as hell.Catherine: Anything under 110 is manageable. Above that, crime rate goes way up.(A police siren wails nearby.)Grissom: Sounds like it's getting hotter.SMASH TO END OF TEASER ROLL TITLECREDITS[SCENE_BREAK][EXT. RANCHO CENTER MOTEL (STOCK) -- NIGHT](A police car turns into the alley behind the motel. Officers are looking in the pool. Warrick is at the trash bin. He jumps inside to sift throughthe garbage bags. He lifts up a bag and finds a bloodied shirt.)(He checks the shirt and notes the sleeves are clean and that there are no buttons at the cuffs. He checks the label and sees its ANTIQUE SHIRTINGS SEWNFOR 17 1/2-36.)[SCENE_BREAK][INT. RANCHO CENTER MOTEL ROOM - NIGHT](Grissom cuts the rope off the woman's wrist. He helps David Phillips turn the body)David Phillips: Well, there's no wallet or ID on this oneeither.(Grissom notices the bedspread.)Grissom: This looks like a wet spot.(Grissom looks at it under the ALS.8Grissom: Semen.David Phillips: There's no indication she was re-dressed. It doesn't look like sexualassault.(David takes his clipboard and goes to the second body. Catherine walks up to the bed.)Catherine: So ... middle-class couple ...(She notes the BURGER GIANT cup and packaging in the trash bin.)Catherine: ...takes a walk on the wild side, checks into this dump for ... some fine dining and romance. Somebody breaks in, kills the man, and tortures the woman. For what?David Phillips: Maybe it's a drug thing.Catherine: Well,wouldn't be the first time some nice folks from Henderson came east of Fremont to score.Grissom: Did you find any drug residue or paraphernalia?Catherine: Not yet. Maybe Tox'll find it in them.(Grissom looks downand sees a white Bible under the bed partially hidden by the covers. He picks it up and looks at it. He checks the bedside table drawer and finds the standard Bible in it.)(He shows Catherine both Bibles.)Grissom: Wehave one too many Bibles.Catherine: I don't think they helped.[SCENE_BREAK][EXT. RANCHO CENTER MOTEL - PARKING LOT - NIGHT](Brass interviews the motel night manager.)Brass: So you didn't hear or seeanything suspicious?Night Manager: This job -- you kidding me? That's all I see and all I hear.Brass: Is that the register? Give it to me, give it to me.(The night manager gives the clipboard to Brass.)Night Manager: Oh.Room 106. Paid for the week, cash in advance, signed 'em in myself.Brass: We got a problem.Night Manager: What's the problem?Brass: Your handwriting sucks. What the hell does this say?Night Manager: Oh ... uh ...oh, that. That's the name here and that's, that's a, well, that's an \"A.\" Uh ... and the license plate ... uh ... that's an \"N\" and -- oh-- that's a \"V.\" That's \"Nevada.\"(He shows the form to Brass.)Brass: (duh) Youthink?[SCENE_BREAK][EXT. LAS VEGAS CITY (STOCK) - DAWN][INT. ALLEYWAY -- DAY](CSI Ronnie Lake takes photos of the dead man found in the alley among the garbage bags while Sara looks at the bugs on it.Officer Mitchell stands nearby watching them.)Sara: Green bloat stage. He's been here at least 18 hours.Ronnie Lake: Do you ever wonder why ants don't crawl up the nose, eat the brains? I would. Protein.Sara: Antsare scavengers; they tend to stay on the surface.Ronnie Lake: You think dead skin tastes better than brains?Sara: Well, they will go for brains late in decomp, after all the skin is gone.Ronnie Lake: Do ants have tastebuds?Sara: Ronnie ... I'm going to have to limit you to twenty questions per case.Ronnie Lake: Really?Sara: (amused) Nineteen.Brass: (o.s.) Hey, Sara.(Sara gets up as Brass walks toward them.)Sara: Hey ...Jim.Brass: So ... enjoying the sunshine?Sara: Not really. (She turns to the body.) DB is a derelict. I'm kind of surprised to see you investigating this.Brass: Oh, I'm not working this. I'm working the double homicideover at the Rancho Center Motel. We're just doing a neighborhood sweep for suspects. (He sees Ronnie.) You're new. I'm Jim Brass.Ronnie Lake: Yeah. Ronnie Lake.(They shake hands.)Brass: Right. Ronnie Lake. LikeVeronica. You know, the actress? \"Sullivan's Travels\"?Ronnie Lake: I think that's my dad's favorite movie.(Sara smiles.)Brass: Right.Dispatcher (over radio): Two-zero-three-Charlie, Control. We have a few hookers whoused the motel. They're willing to talk.Brass: Yeah, 203-Charlie, I'm on my way. Got to run. Okay.Ronnie Lake: Bye.(Brass waves and leaves.)[SCENE_BREAK][INT. CSI - HALLWAY -- DAY](Mandy reports her findingsto Catherine as they move through the hallway.)Mandy: So I got a hit off of the print on the motel room's \"Do Not Disturb\" sign.(Catherine looks at the results.)Catherine: Drug dealer with priors for assault--nice.Mandy: Yes, well, don't get too excited because I got another hit off of the telephone-- pedophile-- and I got one off of the dresser-a rapist-- and another one off of the bed frame-- a prostitute, a pimp, and anotherprostitute.Catherine: Is that it?Mandy: For felonies, yes. You want misdemeanors, too?[SCENE_BREAK][INT. CSI - LAYOUT ROOM -- DAY](Wendy goes over her findings on the shirt with Warrick. The shirt and photos ofthe shirt are spread out on the table.)Wendy: So the blood on the shirt belongs to your victims. The high velocity spatter on the front is a mixture of both and the blood drops on the left sleeve appear to solely belong tothe woman.Warrick: Probably cast-off from the beating.Wendy: Now, the pattern on the sleeve has a straight line on the outside, and then a matching band of spatter on the inside. So the killer rolled up hissleeves?Warrick: He had a lot of work to do.Wendy: Speaking of which -- the wet spot. (She looks at the results.) The s*x stain was a male-female combo, both unknown, but the female shared alleles at all loci withboth of the victims. It's their daughter.Warrick: The parents weren't that old. The girl would be a teenager at most. So the killer caps Mom and Dad, rapes the girl, and takes her with him.(Catherine walks into the roomwith print information.)Catherine: If you've got a missing kid, I've got a pedophile.(Warrick looks at the information.)Warrick: Alistair Rhodes. Busted in August '94 for child molestation.Wendy: That's pre-CODIS, sothere's no DNA on file to match.Warrick: Alistair Rhodes. I remember this guy. He was a lounge singer, called himself \"Three Miles of Bad.\" It was all over the news.Catherine: Well, according to the sheet, he served fiveyears and made parole. A registered s*x offender. We know where he lives.[SCENE_BREAK][EXT. CHURCH - FRONT STEPS -- DAY](Rev. Alistair Rhodes talks with two kids sitting on the front steps. He offers them a bagof burgers. The kids take the food.)Rev. Alistair Rhodes: You think those are your fingers itching to pick up the spike? Your hands injecting your veins? \"Satan finds mischief still in idle hands.\"Brass: (o.s.) AlistairRhodes.(Brass and an officer walk up to him.)Alistair Rhodes: Most people around here just call me \"Reverend.\"Brass: (to the kids) Hey, why don't you guys go super-size those?(He offers the kids a bill. They take itand leave.)Brass: So, Reverend, I hear that confession is good for the soul. You have anything to tell me?Alistair Rhodes: The man you're looking for no longer exists. If you'll excuse me, I have some chores todo.(Alistair Rhodes turns and enters the small church. Brass follows him inside)[INT. CHURCH -- CONTINUING]Brass: You ever been to the Rancho Center Motel?Alistair Rhodes: Plenty of times--with hookers, addicts,drug dealers, pimps, wife beaters, runaways. I save people.Brass: You ever save these two?(Brass shows him the crime scene photo of the two bodies in the motel room. Alistair Rhodes is quiet.)Brass: You know them,don't you?Alistair Rhodes: There's nothing I can tell you.Brass: These people have a daughter, and she's missing. And due to the fact that you're a convicted s*x offender, that means that you better come up with a lotmore than these corny priestly homilies and you better come up with them fast.Alistair Rhodes: I don't answer to you. I want to talk to my lawyer.Brass: That's a good idea because you're underarrest.[SCENE_BREAK][INT. CSI - A/V LAB -- DAY](Warrick enters the A/V Lab where he finds Archie struggling with some equipment.)Warrick: Yo, Rambar, I have some documents to ...Archie: Sh ... piece ofjunk.(Archie puts the equipment down.)Warrick: Where's Rambar?Archie: Where all state employees go when they fail repeatedly.Warrick: FBI Lab?Archie: Sucking down taxpayer dollars in Quantico as we speak. Me, Ilike to think I'm broadening my horizons.Warrick: Yeah, along with your pay grade.Archie: Oh, happy coincidence indeed, sir. What you got here?(Warrick gives Archie the motel registration form.)Archie: Wow.Somebody needs to switch to decaf.Warrick: In there somewhere is a Nevada plate number and a name. Can you dig it out?Archie: I could try.(Archie puts the motel registration form on the scanner.)Warrick: The platenumber is \"something, something, something, D, seven, something, something.\"(Archie runs the plate number, * * * D 7 * *.)Archie: Okay, well, it's a fairly new model. The four letter, three number configuration hasonly been standard a couple years.(The computer beeps with 54,756 results.)Warrick: Ooh.Archie: Well, uh ... it's a start.Warrick: Well, can yoy cross-reference these records against the characters in the vic's lastname. It's \"M, A, blank, blank, blank, I, blank, blank.\"(Archie runs another search with, \"M A * * * I * *.\")(The computer beeps.)Warrick: Now that's a good start.[SCENE_BREAK][EXT. LAS VEGAS CITY (STOCK) -NIGHT](The lights go out in a section of the city.)[EXT. MACALINO RESIDENCE -- NIGHT](Warrick and Nick head up the front walk. An officer is behind them.)Warrick: Alvin and Girlie Macalino. Let's do it. This makeswhat, the third power outage since summer?Nick: Fourth, actually. If I didn't know any better, I'd say the city was trying to get rid of us. That's a hundred dollar fine right there.(He notes the sprinklers on in theyard.)(They approach the open front door. Nick and Warrick exchange looks.)Nick: That's not good.[INT. MACALINO RESIDENCE - NIGHT -- CONTINUING](Warrick opens the door.)Warrick: Las Vegas PD. Is anybodyhome?(He takes his gun out. Nick enters behind him. The officer follows them inside. They note the framed religious pictures on the wall and the cross on another wall.)(They enter in further and note the wooden crossdisplayed on the dining room table.)(Nick stops.)Nick: It smells metallic.(Nick takes his gun out. He turns to check the kitchen.)(Warrick continues through the living room. There are clothes on the chair and a whiteBible on the side table.(Nick sees a pot is on the lit gas stove. He turns the stove off.)(Nick also finds something fleshy and red on the counter.)Nick: Oh, man. What the hell is that?Warrick: That looks like balut. It's thisFilipino delicacy. My grandmother's best friend is from Manila.Nick: Bet it tastes like chicken.Warrick: The Macalinos must've been in quite a hurry to leave their dinner out like that.(Warrick and Nick start down thehallway. Nick checks the little girl's room. He finds the little girl in bed, a trickle of blood coming from her head. Warrick steps in after Nick.)Warrick: Oh ... so much for the daughter.[SCENE_BREAK]FADE IN;[INT.MACALINO RESIDENCE - ELIZABETH'S BEDROOM -- NIGHT](Warrick snaps photos of Elizabeth Macalino. When he finishes, David Phillips pulls the plastic sheet over her head. Some self-powering lights have been setup in the room.)David Phillips: No visible signs of sexual trauma ... if it's any consolation.Warrick: It's not.[INT. MACALINO RESIDENCE -MASTER BEDROOM -- NIGHT](Grissom finds BURGER GIANT cup on thefloor.)Grissom: Burger Giant to go. They were eating it at the motel and someone had it here.Greg: Possible connection?(Greg notes the padlock on the top drawer is open and dangling.)Greg: Hey, maybe we can addrobbery to the list.(Grissom walks over. Greg opens the drawer and finds a Wi-Fi card inside. He picks it up.)Greg: Wi-Fi card but no laptop.(Grissom notes the family photo on the dresser.)Grissom: Mom, dad ... andtwo girls.Greg: They have another daughter?(Grissom listens and in the silence he hears muffled buzzing. He looks up. Greg also noted the sounds.)Greg: Okay, so it's not just the ringing in my ears.(They walk over tothe ceiling hatch to the attic. Grissom motions with his head that Greg should open it.)(Greg pulls the ceiling hatch open and a ladder slides out. Grissom and Greg exchange looks. They both look up at the atticdoor.)[INT. MACALINO RESIDENCE - ATTIC -- CONTINUING](Grissom climbs in. He looks around and sees that it's another bedroom. The muffled buzzing sounds are louder. Greg enters the attic. They both lookaround.)(There's a plate of half-eaten food on the floor and some food and a discarded potato chip package on the bedside table.)Greg: One girl gets My Little Pony, the other one ends up here.Grissom: That doesn'tseem fair, does it?(Grissom looks over at the overflowing dresser drawer. A bee buzzes across his face. He looks over at the source of the buzzing sounds and sees a bag and box covering the opening.)(He nudges a beewalking on the cooler bag. The bee flies away. Greg is snapping photos. Grissom moves the cooler bag away and looks at the hole in the wall.)Grissom: Greg? Do you have any allergies?Greg: No. Why?Grissom: Giveme a hand.(He moves the box away to expose the hole, then removes the insulation blocking the hole. More bees fly out.)(Grissom lies on his back and looks up into the hole. His eyes widen.)(PULL BACK on a colonyinside the attic walls.)[SCENE_BREAK][INT. POLICE DEPARTMENT - INTERVIEW ROOM - NIGHT](Brass questions Alistair Rhodes while his lawyer sits next to him.)Brass: The Macalinos had two daughters-- Amy andElizabeth. Elizabeth is dead, and Amy is missing.Lawyer: That is tragic, but it has nothing to do with my client.Brass: Your fingerprints were found at the motel where the Macalinos were murdered.Lawyer: My client hasalready explained that.Brass: You know, back before you were saving souls, when you were just molesting children, you had a partner ...Lawyer: Who died in prison eight years ago.Brass: We found male DNA on thebedsheets at the Rancho Center Motel. You got yourself a new partner, just like old times.(Quick flashback to: [MOTEL] Alistair Rhodes holds Amy down on the bed while his partner unbuckles and unzips his pants. Endof flashback.)Brass: Only, this time, the parents busted in on you. That was bad for you, but worse for them. And now that mom and dad are never going to come home, you get yourself a whole new playpen to party inand a new buddy to party with.Lawyer: The DNA at the motel -- was it my client's?Brass: No.Lawyer: Then why is he still in custody?(Brass sits down.)Brass: Because he's still lying. You're not an ordained minister.You're not a part of any recognized church. You got nothing to hide behind. So avoid the death penalty -- give us your partner, we get the girl, and you get ... redemption.Lawyer: Six years ago, I was an alcoholic and acrackhead. This man pulled me out of the gutter and saved my life. My firm is doing this pro bono. I guarantee he will not do another day in jail.Alistair Rhodes: My partner ... is the Lord.Brass: Well, I'm sure it's not HisDNA on those sheets.[SCENE_BREAK][INT. CSI - HALLWAY OUTSIDE FORENSIC AUTOPSY -- NIGHT](Bodies on gurneys line both walls. The doors open. Sara and Ronnie walk in.)Ronnie Lake: So anyway, when Igraduated I got offers from both the labs in New York and Miami. Know why I picked Vegas?Sara: I know you have nine questions left.Ronnie Lake: Crime rate's growing faster here.(Ronnie follows Sara into the autopsyroom.)[INT. CSI - FORENSIC AUTOPSY -- NIGHT](Sara snaps photos as Ronnie removes the shoe off the old man's foot. We see the size 7 sticker still stuck to the underside of the sock.)Ronnie Lake: All of his ... um ...valuables in a rubber-band wad. No ID.Sara: Check the shirt pocket.Ronnie Lake: I was getting there.(She finds the ID in the shirt pocket.)Ronnie Lake: Hah. Driver's license. Expired. Edward Kaye, born 1-28-51.Sara:New socks. Happy face sandwich wrapper. It's got to be handouts from a shelter. Make some calls. You get to ask some questions, Ronnie.[SCENE_BREAK][EXT. LAS VEGAS CITY (STOCK) - DAY][INT. RHODESRESIDENCE -- DAY](Nick and Warrick search Alistair Rhodes' place. They go through the bookshelves and the sheets on the bed.)Warrick: You know, if I had to gauge it by his apartment, I'd say that Alistair Rhodes is aregular guy.Nick: Yeah, I'm sure that's what he wants everybody to think, too.(Nick checks under the mattress. Warrick checks the closet. Nick opens the flip-down ironing board. Warrick checks the shirts in the"}
+{"doc_id":"doc_126","qid":"","text":"1: EXT. STREET IN LOP(TEGANA takes the phial of poison from his ally and stares at it.)TEGANA: I will use it well...on all but the first of Marco Polo's water gourds, for tomorrow, the caravan sets out to cross the GobiDesert. Now, you will follow us...and on the third night, I will walk back to you...then we're gonna ride back here to Lop, wait for two days...and then...return to the caravan...to collect the...thing of magic...that willbring the mighty Kublai Khan to his knees![SCENE_BREAK]2: MARCO POLO'S JOURNAL(The map illustrates the next stage of the journey of MARCO POLO'S caravan.)[SCENE_BREAK](Again, POLO writes and narrateshis journal. His words are illustrated by the image of the TARDIS once more on the back of a horse-drawn wagon with attendant Mongol bearers.)MARCO POLO: (OOV.) I have taken charge of the travellers' unusualcaravan, and set out into the Gobi Desert. The journey across this vast ocean of sand is slow and hazardous. To make matters worse, the old Doctor continually shows his disapproval of my action by being both difficultand bad-tempered. For three days now, during which time we have covered no more than thirty miles, I have had to endure his insults.[SCENE_BREAK]3: EXT. GOBI DESERT (NIGHT)(The tent has been erected on thesands of the desert.)[SCENE_BREAK]4: INT. MAIN TENT (NIGHT)(Inside the main tent, IAN and BARBARA are with MARCO POLO and TEGANA. SUSAN sits quietly nearby. The three people from the TARDIS are nolonger in their own clothes but, not allowed access to the TARDIS, wear Chinese clothes. SUSAN wears a two-piece robe which reaches down to the floor, the upper part of which has flower decorations, while IAN wearsa jacket which is decorated in Chinese letters. BARBARA'S top is plainer in style. The DOCTOR is absent from the meal which they have just finished. PING-CHO, again carrying out her serving duties, pours some waterfor IAN.)IAN: Thank you, Ping-Cho.(He drinks.)IAN: How much water does a caravan like this use crossing the Gobi Desert, Marco?MARCO POLO: We will use one barrel every five days, Ian. I have allowed for eightgourds to carry us across to the other side.TEGANA: The bones of many men who thought they had enough lie bleached in the desert sand.(He holds up his bowl to nervous PING-CHO and gives a curt order...)TEGANA:More.MARCO POLO: I think we should exercise some restraint, Tegana.(With some relief, PING-CHO moves off. POLO turns to an upset SUSAN.)MARCO POLO: I'm sorry the Doctor wouldn't eat with us thisevening.SUSAN: Yes, so am I, Messr Marco.(Near to tears, she picks up the DOCTOR'S plate.)SUSAN: I'll take him his food.(SUSAN takes the plate behind a partition into the DOCTOR'S section of the tent. MARCO POLObrings out a chessboard from one of his travel bags.)MARCO POLO: A game of chess, Ian?IAN: Oh, well I'm not very good, but I'll give you a game.MARCO POLO: I gladly accept your challenge.(MARCO POLO sets upthe chessboard. BARBARA is intrigued by the intricately carved wooden pieces.)BARBARA: What magnificent pieces!MARCO POLO: Yes, I purchased them in Hormuz, on my first journey to Cathay. Now they go with meeverywhere. Do you, er, play...?(At that moment, SUSAN, still upset, returns with the untouched plate...)SUSAN: I'm sorry, Messr. Marco...(She suddenly starts to rush from the tent. BARBARA watches her go butbefore she can do anything, TEGANA, seemingly oblivious to what has happened, speaks to BARBARA with unusual courtesy...)TEGANA: Do you play chess, lady?BARBARA: Not very well, Tegana.(BARBARA, concernedwith SUSAN'S sudden departure, decides to follow the girl.)BARBARA: Excuse me.(She walks from the tent. IAN and MARCO POLO prepare for their game of chess. TEGANA watches them with interest.)TEGANA: I find ita fascinating game of...strategy of war. Two equally balanced armies deployed upon a field of battle, and each commander determined to be the one who cries \"Shahmat\".IAN: (Puzzled.) Shahmat?Checkmate?TEGANA: (Quietly.) It means the king is dead.[SCENE_BREAK]5: EXT. MAIN TENT (NIGHT)(BARBARA finds SUSAN standing outside the main tent. She is still clearly upset. There is a strong wind starting toblow.)BARBARA: We'll get the TARDIS back, Susan.SUSAN: Yes, but at Kublai Khan's Court, when it's too late.(She stares sadly up into the stars in the night sky.)SUSAN: We should be up there - another time, anothergalaxy.BARBARA: Oh, we'll think of something.SUSAN: How? Ian playing chess with Marco? Grandfather being rude and sulking by himself?BARBARA: Oh, I didn't know he's sulking, is he?SUSAN: Well, he won't eat. Hewon't even talk to me.BARBARA: Well, you know him better than I do. But I'd have said he was just feeling defenceless. He has a wonderful machine, capable of all sorts of miracles, and it's taken away from him by aman he calls a primitive. Look, TARDIS is the only home we have at the moment, and when we're in it, we feel safe and secure. But when we're out of it...(She looks out across the desert and sighs.)SUSAN: Will he talkto me? Confide in me?BARBARA: Oh, he's like a rubber ball. He'll come bouncing out of there soon full of ideas.(SUSAN stares back at the sky.)SUSAN: One day, we'll know all the mysteries of the skies...and we'll stopour wandering...BARBARA: Then you and I will say good-bye.SUSAN: (Surprised.) Hum? Oh, not yet. Not for a long time!BARBARA: Well, I think we should say goodnight anyway.SUSAN: Are you coming?BARBARA: No,not for the moment.SUSAN: Goodnight.(SUSAN runs back towards the main tent.)[SCENE_BREAK]6: INT. MAIN TENT (NIGHT)(SUSAN appears in the tent. The chess match is in progress and IAN, POLO and TEGANAstare intently at the board...)SUSAN: Ping-Cho?MARCO POLO: Shh! She's gone to bed.SUSAN: Oh, well...I'll go too then. Goodnight.IAN: Goodnight, Susan.MARCO POLO: Sleep well.(As SUSAN leaves to go to herroom, MARCO POLO turns back to the chessboard.)MARCO POLO: Now, what was I about to do? Ah yes...(He moves a piece.)IAN: Ouch![SCENE_BREAK]7: INT. TENT. PING-CHO AND SUSAN'S ROOM (NIGHT)(SUSANenters the room she shares with PING-CHO and sees that the young girl is not yet in bed but staring out of a side-flap in the tent.)SUSAN: Not asleep yet?PING-CHO: No, I was thinking.SUSAN: What about?PING-CHO:How peaceful it is in the desert.(SUSAN joins her and looks out.)[SCENE_BREAK]8: EXT. MAIN TENT (NIGHT)SUSAN: Oh, it's a lovely night!PING-CHO: The moon will rise later. That is the time to see the desert. It islike a great silver sea.SUSAN: (Almost to herself.) The metal seas of Venus...PING-CHO: Where?SUSAN: Oh, a long way from here. I've never seen a moonlit night. How long before the moon rises?PING-CHO: Two orthree hours. I'll call you then.[SCENE_BREAK]9: INT. MAIN TENT (NIGHT)(In the main tent, the sight of the Gobi Desert at night has also captivated BARBARA. She returns to the three men and their chessgame.)BARBARA: Night in the desert is very beautiful.MARCO POLO: Don't be deceived by it, Miss Wright. The desert is always dangerous.(IAN is concentrating on the chess game.)IAN: Like my Queen!(He moves apiece, still watched intently by TEGANA.)IAN: Check!TEGANA: Oh, Marco, can you save your King?MARCO POLO: I think so, Tegana.(MARCO POLO studies the board carefully before making a move.)MARCO POLO:Check.[SCENE_BREAK]10: EXT. MAIN TENT (NIGHT)(Later on that night, when the rest of the camp is silent, SUSAN and PING-CHO emerge through the flap from their room in the tent. The moon has risen, and the twogirls view the illuminated desert in amazement.)SUSAN: (In wonder.) Oh crazy! Hey, Ping-cho...!PING-CHO: Shh! The guard will hear you. (Puzzled.) Crazy?SUSAN: Hmm? It means I dig it. You know - likeit.PING-CHO: This language of yours is very strange.(At that moment, TEGANA emerges from the main tent. He has a brief conversation with one of the Mongol bearers, and then moves off into the desert.)PING-CHO:Tegana!SUSAN: Let's follow him.PING-CHO: He will be angry!SUSAN: You're not afraid?PING-CHO: No, I am not. Come.(They follow TEGANA into the desert.)[SCENE_BREAK]11: INT. MAIN TENT (NIGHT)(IAN andMARCO POLO are sleeping in the main area of the tent on makeshift beds. Outside, the sounds of the horses becoming restless can be heard. The whinnying of the horses eventually wakes MARCO POLO. He gets up andmoves to the doorway. IAN also wakes.)IAN: What is it, Marco?MARCO POLO: The horses are very restless.(IAN gets up and the two of them move outside as the horses whinny again.)[SCENE_BREAK]12: EXT. MAINTENT (NIGHT)(They peer across the desert.)MARCO POLO: There's a sandstorm coming, Ian.IAN: How do you know?MARCO POLO: Notice how still it is - as if everything were waiting.(There is another whinny.)MARCOPOLO: They sense it too.IAN: Will it be a bad one?MARCO POLO: Bad enough. I must attend to the horses.(He moves off.)[SCENE_BREAK]13: EXT. DESERT (NIGHT)(SUSAN and PING-CHO continue following TEGANAthrough the desert. They are finding it difficult to keep up with the pace TEGANA is setting over the high dunes and deep furrows of sand, and are beginning to lose the warlord.)SUSAN: He walks so quickly. Can you stillsee him?PING-CHO: Yes. There he is, over there.(PING-CHO points out into the desert. Suddenly, SUSAN sits on the ground in exhaustion.)SUSAN: Oh, let's give up.PING-CHO: Who is afraid now?SUSAN: No, I'm notafraid. It's...it's just that it's so hot. I can hardly breathe.PING-CHO: Yet it was most pleasant when we left the caravan.(SUSAN gets up.)SUSAN: Oh, come on, let's go back.PING-CHO: All right.(They start to clamberback over the dunes.)PING-CHO: Susan, listen!(SUSAN does so, and manages to hear the faint sounds of swirling wind. SUSAN suddenly sees something.)SUSAN: What's that?PING-CHO: Where?(SUSAN points towardsa hazy mist on the horizon as the wind starts to get louder.)SUSAN: That cloud on the horizon.(PING-CHO sees the ominous clouds of billowing sand.)PING-CHO: Susan, it's a sandstorm!SUSAN: What! It's coming thisway! Ping-Cho, we must get back before it reaches us!PING-CHO: No, the caravan is too far away!(SUSAN tries to drag her away.)SUSAN: (Shouts.) No, come on! We must get back. We can't stay here!PING-CHO:(Shouts.) No, we'll get caught in it - and we'll never find our way!SUSAN: (Shouts.) Ping-Cho, come on!PING-CHO: (Shouts.) No, we must shelter here.SUSAN: (Shouts.) No!(The wind begins to fiercely swirl aroundthem.)PING-CHO: (Shouts.)[SCENE_BREAK](The two girls hold on to each other as they are caught in the sandstorm.)SUSAN: (Shouts.) Ping-Cho![SCENE_BREAK]PING-CHO: (Shouts.)[SCENE_BREAK](Their cries andthe sound of the blasting wind mingles with the noise of the \"singing\" sands which manifests itself as a series of shrieks and babbles.)[SCENE_BREAK]14: INT. MAIN TENT (NIGHT)(Back at the main tent, BARBARA iswoken by the sounds of the approaching sandstorm, and appears from her section of the tent. IAN and MARCO are back inside. They have to shout to make themselves heard over the shrieks of the storm.)BARBARA:(Shouts.) Ian, what is it? What's happened?IAN: (Shouts.) Don't be afraid, Barbara. It's a sandstorm.BARBARA: (Shouts.) But the...IAN: (Shouts.) It sounds as if all the devils in hell were laughing!MARCO POLO:(Shouts.) It's the wind shifting the sand!BARBARA: (Shouts.) It's terrifying!MARCO POLO: Not always, Barbara. Sometimes it sounds like musical instruments being played - the clashing of drums and cymbals. I'veheard it sound like a great many people talking as they travelled across the desert. It can also be like a...like a familiar voice calling your name. You're not the only one to be afraid. Travellers of the Gobi Desert havegood reason to fear the singing sands, Barbara.(MARCO walks off. IAN looks towards the DOCTOR'S room in the tent.)IAN: (Shouts.) It's fantastic that the Doctor's still asleep!(MARCO rushes back.)MARCO POLO:Tegana's not here! His bed's empty!IAN: (Shouts.) What?!MARCO POLO: Has anyone seen him?IAN: Well, he can't be out in this!MARCO POLO: He must be!BARBARA: Well, what will happen to him?MARCO POLO: If hefinds shelter, he'll be all right!BARBARA: Well...well, can't we do anything?MARCO POLO: Nothing.(IAN and MARCO POLO listen helplessly as the sand swirls outside.)BARBARA: I think I'll see if the girls are allright...(She goes towards the girl's room.)[SCENE_BREAK]15: INT. TENT. PING-CHO AND SUSAN'S ROOM (NIGHT)(She sees that the room is empty.)BARBARA: Ping-Cho![SCENE_BREAK]16: INT. MAIN TENT(NIGHT)MARCO POLO: (To IAN.) Tegana's no fool. He can look after himself. Don't worry...(BARBARA runs back from the girl's room in a hysterical condition.)BARBARA: (Shouts.) They're gone...they're not there!IAN:(Shouts.) Gone?BARBARA: (Shouts.) Their beds are empty!(BARBARA rushes for the door. IAN and MARCO POLO hold her back and she struggles in their grasp.)IAN: (Shouts.) Wait!MARCO POLO: (Shouts.) No!IAN:(Shouts.) Barbara!MARCO POLO: (Shouts.) Barbara, you can't go out there!BARBARA: (Shouts.) Let go!MARCO POLO: (Shouts.) Barbara, you'll be lost in seconds!BARBARA: (Shouts.)[SCENE_BREAK]IAN: (Shouts.)Calm down, Barbara! Marco is right - there's nothing we can do!BARBARA: (Shouts.) The girls!IAN: (Shouts.) We must wait until the storm blows itself out!MARCO POLO: (Shouts.) There's nothing we can donow!(BARBARA rounds on POLO, sobbing.)BARBARA: (Shouts.) Oh, it's all your fault anyway! If you hadn't kept us prisoner here, none of this would have happened!(The babbling and shrieking of the storm reaches anew crescendo.)[SCENE_BREAK]17: EXT. DESERT (NIGHT)(SUSAN and PING-CHO huddle closer to one another as the sandstorm billows around them. SUSAN thinks she can hear her name being called with thechatters and shrieks. The voice she hears is deep and booming...)VOICE: Ssuuuuuussssaaaaaaaannnnnnnn!SUSAN: Ping-Cho, what's that?VOICE: Ssuuuuuussssaaaaaaaannnnnnnn!SUSAN: (Shouts.) There it isagain...It's Ian...I can hear him!(An insane monkey-like babble echoes through the storm.)VOICE: Ssuuuuuussssaaaaaaaannnnnnnn!SUSAN: (Shouts.) It's Ian!PING-CHO: (Shouts.) Susan, it isn't! It's the desert sayingit!SUSAN: (Shouts.) It is! It's Ian! Ian!(SUSAN pushes PING-CHO away and tries to scramble up a dune.)SUSAN: (Shouts.) Ian! Ian, we're here! Ian!(She suddenly sees a shadow looming over her from out of the sand.She screams...)[SCENE_BREAK]18: INT. MAIN TENT (NIGHT)(IAN waits impatiently for the storm to pass.)IAN: How soon can we go and look for them?MARCO POLO: Not until it's light.IAN: Let me go as soon as thestorm's over!MARCO POLO: Ian, you'd miss them in the dark. You must wait till it's light![SCENE_BREAK]19: EXT. DESERT (NIGHT)(SUSAN recognises the figure as TEGANA. The warlord looks down at the two coweringgirls.)[SCENE_BREAK]20: INT. MAIN TENT (NIGHT)(The storm has passed. IAN, BARBARA and MARCO POLO wait in the main tent. BARBARA is frantic with worry and impatience.)BARBARA: (Shouts.) We can't just goon sitting here!(IAN looks towards the DOCTOR'S room.)IAN: Shh! The Doctor's still asleep. We don't want him to know about the girls.MARCO POLO: Barbara, I give you my word that until we find the girls, we will notleave this place.(The group looks up, startled, as TEGANA, SUSAN and PING-CHO enter the tent. BARBARA jumps up and rushes to SUSAN.)BARBARA: Susan! Do you know you had us half-worried to death. Where'veyou been?SUSAN: (Quietly.) We went for a walk.BARBARA: A walk!MARCO POLO: (Furious.) Without asking me?! Don't you dare do that again! Do you understand? That also applies for you, Ping-Cho.SUSAN: I'm sorry,Messr Marco. Has...has Grandfather been very worried?IAN: Luckily for you, he's been asleep the whole time.MARCO POLO: And we don't want him to know anything about this.(He looks at the Mongol warlord.)MARCOPOLO: I'm surprised that you'd encourage such a venture, Tegana.TEGANA: (Surprised.) Ahh...they weren't with me! I found them - crouched behind a sand dune.MARCO POLO: (Puzzled.) You were alone?TEGANA:(Nonchalantly.) Ah, well, it was a pleasant night. I decided for a walk. I told the guard - he knew all about it.MARCO POLO: (Sternly.) In future, the guards will be told to notify me immediately if any of you wish to leavethe camp.(He looks at the bedraggled girls.)MARCO POLO: Now go and change, we have to break camp soon.SUSAN: Yes, Messr Marco.(SUSAN and PING-CHO walk off. BARBARA approaches MARCO POLO who isstarting to pack his things.)BARBARA: This has been a terrible experience for us all, Marco. Couldn't we spend one more night here?MARCO POLO: I'm sorry, Miss Wright.BARBARA: But surely one day can't make all thatmuch difference?MARCO POLO: One day without progress is one day's water wasted. And in the Gobi Desert, that could mean the difference between life and death.(Behind them, TEGANA walks back outsideunseen...)[SCENE_BREAK]21: EXT. MAIN TENT (NIGHT)(Outside, he removes the phial of poison from his pocket. He studies the poison carefully.)[SCENE_BREAK]22: MARCO POLO'S JOURNAL(MARCO POLO writes inhis journal. The map illustrates their place in the desert.)MARCO POLO: (OOV.) Progress today has been good, although we were all very tired after a sleepless night. How can I ever repay Tegana for saving Ping-Choand Susan? We covered fifteen miles before I gave the order to set up camp for the night.[SCENE_BREAK]23: INT. TENT: PING-CHO AND SUSAN'S ROOM (NIGHT)(SUSAN is frantically brushing her hair as PING-CHOenters.)PING-CHO: Susan! Susan!(SUSAN continues brushing.)SUSAN: I can't get this sand out of my hair.PING-CHO: Last night there were moments when I was sure I would never be here again.(PING-CHO settlesdown in her bed. SUSAN finishes her hair and lowers her voice...)SUSAN: Ping-Cho, did you believe Tegana last night, when he told Messr Marco about going for a walk?PING-CHO: Why not?SUSAN: Well, I don't thinkTegana's the kind of man who goes for a walk just because it's a nice night. I think he goes because he has a reason to go.PING-CHO: Susan, why would he lie to Messr Marco?SUSAN: I don't know!PING-CHO: He's animportant man - the special emissary of the great Mongol leader who has been at war with Kublai Khan. Tegana is to arrange a peaceful settlement between them. Would a man like that lie about walking in thedesert?SUSAN: No! No, he wouldn't. That's what's so strange...PING-CHO: What?SUSAN: The fact that he did.[SCENE_BREAK]24: INT. MAIN TENT (NIGHT)(In the main tent, TEGANA is polishing his sword, whileMARCO POLO writes in his journal.)TEGANA: What is that you do?MARCO POLO: I keep a journal.TEGANA: Why?MARCO POLO: Because it interests me.(MARCO POLO continues to write. Suddenly, TEGANA yells outPOLO'S name...)TEGANA: Marco!(...and lunges at MARCO POLO with his sword. POLO reacts quickly to parry the blow.)TEGANA: (Admiringly.) That's excellent, excellent! But it's better a man keeps the blade of hissword clean...than its edge sharp. You continue your writing, Marco. I'll see to the horses tonight.(He heads for the door.)TEGANA: I'll, er, I'll give the guard his instructions.MARCO POLO: No! Send him to me.(TEGANAhesitates.)MARCO POLO: Please.(TEGANA leaves.)[SCENE_BREAK]25: EXT. THE WATER WAGON (NIGHT)(Once outside the main tent, TEGANA walks towards the wagon containing the water gourds. There is a guardthere. TEGANA whistles and this draws the guard away. TEGANA then moves to the back of the wagon and stabs each gourd with his sword. The precious water splashes all over the ground.)[SCENE_BREAK]26: EXT.THE WATER WAGON(The next morning, IAN, MARCO POLO and BARBARA survey the damage caused to their water supply.)IAN: All of them, Marco?MARCO POLO: Yes, except for the one we're using.(They walk roundthe wagon and look over the gourds.)IAN: How much is there left?MARCO POLO: Without rationing, enough for today.IAN: And with rationing, how long will it last?MARCO POLO: Three - four days.BARBARA: Is thereenough to get us back to Lop?MARCO POLO: If we're very careful with it, yes.IAN: But who could have done it?MARCO POLO: Bandits, Ian.BARBARA: (Surprised.) Bandits? In the desert?MARCO POLO: Yes, this hashappened before, but not to me. The bandits follow a caravan out into the desert. Then one night, this happens. The caravan is forced to turn back. Then, when everyone is weak through lack of water, the banditsattack.IAN: So if we turn back, we're bound to be attacked.MARCO POLO: Yes.(TEGANA silently joins the group having heard this exchange.)TEGANA: Then we shall fight.IAN: There must be somewhere else we can go"}
+{"doc_id":"doc_127","qid":"","text":"ACT IScene 1 - KACL Frasier is finishing a segment.Frasier: And we'll be right back after this short news break. Gil enters.Gil: Frasier...I'm here to give you an advance tip.Frasier: Really?Roz enters from the booth.Roz:Hey, Gil.Gil: Roz! I'm about to review a divine new Italian trattoria I've discovered called \"Bella, Bella.\"Frasier: Ah-ha.Gil: I'm alerting you now because once I review it, reservations will be impossible to comeby.Frasier: Well, thank you, Gil, it's always gratifying to be a few minutes ahead of a trend.Gil: They make an osso bucco that's so divine I call it the \"Veal Shank Redemption.\"They give Gil a courtesy laugh. Kennyenters.Kenny: Hey, guys.Frasier: Hello, Kenny.Kenny: Show's going great, Frasier, uh, only one thing missing, of course...Frasier: I know, I know, a new theme song. I'm sorry, I just haven't gotten around to ityet.Kenny: Well, Mrs. Delafield's been hounding me on this. She really thinks each show having a theme song will help hook the listeners. Gil's got his.Gil: My first choice was \"Food, Glorious Food\" from the showOliver!Frasier: Ooh, that's a perfect match. Haute cuisine and a chorus of starving orphans.Gil: But then, a composer friend of mine came up with this little ditty for me [He sings:] Whether choosing a wine Or the bestplace to dine-- It's all a matter of taste (Yes, sir!) It's all a matter of taste!Kenny: Great, huh?Frasier politely nods. The tune is as lame as the lyrics.Gil: And the nicest thing is, he didn't take a penny for it!Frasier: Well,at least he has a conscience.He chuckles. Gil leaves, somewhat miffed.Frasier: You know, Kenny, I'm sorry for procrastinating this thing. I-I tell you, I'll get one as soon as I possibly can.Kenny: Well, you better comeup with something here. I'm sorry to be a hard-ass. It's the part of my job I hate the most, but I need this thing on my desk by Monday...ish.Kenny smiles and leaves.Frasier: You know, Roz - hearing Gil's little dittyputs me in mind that maybe we should just do - ah, an original song.Roz: Well, my new boyfriend Leon is in a band. He could write one for you.Frasier: Well, actually, I was thinking of composing it myself. I am notwithout musical ability, you know.Roz: Could you at least hire Leon to accompany you?Frasier: I take it he's desperate for work?Roz: Hasn't had a gig in months. Music is all he knows. He's not good at anything else -except in bed. It's what he does best.Frasier: Yeah. How long did it take you to find that out?Roz: [about the show] Ten seconds, Frasier.Frasier: Oh, longer than usual.She returns to her booth and he replaces hisheadphones.[SCENE_BREAK]Scene 2 - Frasier's apartment He opens the door to Niles.Niles: Frasier.Frasier: Oh, Niles. Oh, dear. We had dinner plans tonight, didn't we?Niles: Yes. Don't tell me you're canceling.Frasier:Well, I have to. I have a little project this evening.Niles: Oh. Would this have anything to do with this new theme song you promised your listeners?Frasier: As a matter of fact, it does. I've got to have something byMonday, and I thought I'd take advantage of a nice quiet evening at home.The loud sound of a vacuum is heard.Frasier: Oh. Daphne - Daphne! Would you please turn off that vacuum cleaner?Daphne enters with afancy steam cleaner.Daphne: It's not a vacuum cleaner. It's the \"Dirt Scourge 2000.\" A total cleansing system.Martin: [from his chair] Is it new?Daphne: Yeah. I got it this afternoon. You see, this water traps all of thedirt particles instead of recycling them back into the air. I got all that [indicating] from Dr. Crane's pillow.Niles examines the dirt.Martin: Ew.Niles: I've been begging you to switch to a more abrasive loofah.Daphne:Well, it would be the same for anyone. Dead skin, dust mites... that's what we're all sleeping on, only we don't know it.Martin: We do now. Geez.Martin rises and exits toward the kitchen.Daphne: This is the chance I'vebeen waiting for.She turns on the machine and begins to apply it to Martin's chair. The machine begins to audibly struggle, and the water in the tank immediately turns black and brackish. Niles and Frasier watch withconcern. She has barely started when it suddenly shorts out, sparks flying in an electrical explosion. When the smoke clears, Daphne walks back to the main part of the cleaner.Frasier: Well. Apparently the \"DirtScourge 2000\" is no match for the \"Dirt Pile 1957.\"Daphne: Well, this is going back. On the commercial they clean all the mud off a hippopotamus.[She exits.]Frasier: Well, at least now I can get down to work. Youknow, Niles, I'm sorry again about dinner, but can I buy you a sherry?Niles: Oh... thank you. About this theme song of yours... why don't you just use a standard?Frasier: Actually, I want to compose one myself. I'vealways had an affinity for music, and I've often wondered what I might achieve if I just rolled up my sleeves and gave it a try.Martin: [re-entering] Didn't you write some kind of musical back in prep school?Frasier: Yes,I did, Dad. Niles was in it. You know, the whole school came out humming my opening anthem.Niles: They went in humming it. It was Beethoven's Ninth Symphony note for note.Frasier: [over Niles] It was not.Niles: Itabsolutely was.Frasier: It was not at all.Niles: [singing to the tune of the \"Ode to Joy\" theme from the finale of Beethoven's Ninth:] We are valiant men of honor Wenching, brawling sons of...Frasier: All right, all right,well, I suppose I may have borrowed a Note or two as a launching pad.Niles: [moving to the third, contrasting phrase of the Beethoven theme] Prancing, leaping, laughing...Frasier: All right, point taken.Niles: Over hilland...Frasier: Stop it!Niles: I'm just teasing. Actually, it was a wonderful show. I was very proud to be acting in it.Frasier: You know, Niles, you were wonderful in it as well.Niles: Well, thank you, I thought so.Frasier:Mm-hmm.Niles: I often thought if I'd kept at it, I could have been a professional actor.Frasier: Ah, you see, we all have a road not taken, some unfinished business worth exploring.Martin: Yeah, I always wanted to be atoe dancer, but a bullet ended my dream.Frasier and Niles shake off the sarcasm.Niles: Well, Frasier, if you need any help with this, I'm right here.Frasier: Thank you, Niles. You know, I'd rather handle the composingchores myself, but I could use a sounding board.Niles: Fair enough, let's put our heads together.Frasier: All right.Niles: Figuratively speaking, of course. I saw what came out of your pillow.They head back toward thepiano.[SCENE_BREAK]A BRIDGE TOO FARScene 3 - Later that night Niles plunks out some notes on the piano. Frasier is standing.Niles: You know, I think this new bridge is the best thing you've written.Frasier:Really?Niles: Oh, absolutely.He sings to a jaunty tune, beginning with the notes he had plunked and accompanying himself:Niles: Claustrophobia Nymphomania He will probe ya He'll explain t'ya It's brilliant.Frasier: Youknow, it does have a Cole Porter-y, Stephen Sondheim-y flavor, doesn't it?Niles: Oh, absolutely. Sondheim-y would have killed to have written this.Frasier: You know what? I'm a little nervous. It just may be a bit tooconventional. Perhaps instead of a regular bridge, I could substitute it with a dramatic monologue spoken against a musical background.Niles: [after a beat] I like it.Frasier: Of course, I would have to hire anactor.Niles: Yes, I suppose you could squander a lot of money on some so- Called professional... someone who doesn't know a thing about psychiatry. [reaching] Who doesn't understand the whole Gestalt.Frasier: Ormaybe you could do it.Niles: I think so.Frasier laughs and taps him on the shoulder.Frasier: I will write you a speech that will challenge your entire histrionic range! This is so exciting! Let's play the chorus again.Martinenters from his bedroom.Martin: Hey, hey, Fras! I just got an idea for your little jingle. It came to me while I was brushing my teeth. [He sings:] What's new? I'm listenin' Feelin' blue? I'm listenin'... Cause, you know,that's what you say on your show. Feelin' sad, feelin' mad, feelin' glad, feelin' bad I'm listenin'!Daphne: [who has been seated at the dining table] Bravo! That's wonderful.Martin: Thanks, you know, it's catchy. That'swhat counts in a jingle.[N.B. Of interest: John Mahoney appeared on the Cheers episode \"Do Not Forsake Me, O My Postman\" as Sy Flembeck, a hapless jingle composer.]Frasier: [politely] Uh-huh, well, that's very, verynice, Dad, it's just that, well, you know, I did promise my listeners that I'd compose this myself. It's no fair cheating.Martin: Oh, well, it's not cheating, technically...Frasier: [cutting him off] Very good, Dad, very good,but thank you, and off you go.Martin: Okay, all right.He exits.Niles: Hey, um, Frasier, are you sure you want to modulate here? That may just complicate things.Frasier: Perhaps. You know, I'm just trying to make itinteresting. To my ear, there's still something lacking, some tiny ingredient that's missing. I'm not sure what.Scene 4 - DISSOLVE to a rehearsal hall, where a full orchestra is tuning their instruments. Frasier stands onthe conductor's podium.Frasier: [tapping his baton] All right, everyone. Let's try this again. We still have a few minutes before the choir gets here.He raises his baton and prepares to cue theopening.[SCENE_BREAK]END OF ACT IACT IIScene 5 - The rehearsal hall The choir has arrived.Frasier: Well, finally, the choir has deigned to join us.Director: Sorry, our bus broke down. We had to walk two miles to gethere.Frasier: Ah, then I suppose we can dispense with the breathing exercises I was going to recommend. Please, if you would. [indicating the choir's risers behind the orchestra] Off you go.Niles, who has been sittingin front of the orchestra, rises.Niles: Uh, Frasier... did you mean to cut paragraph five of my monologue?Frasier: Gosh, I might have, Niles. I've just been so busy. What was the gist?Niles: A lighthearted lampoon ofmental health care abuse.Frasier: Ah, yes, I did. I was afraid that some fussbudget might take offense at my jape about lobotomies.Niles: Well, I suppose it's best to play it safe, although I did Like the way youindicated manic depression with a slide whistle.Frasier laughs. Niles looks back at the orchestra.Niles: Do we really have to use so many musicians?Frasier: For the sound I want, yes.Niles: Whatever happened to theconcept of \"less is more\"?Frasier: Ah, but if less is more, just think of how much more \"more\" will be.Niles stares at him quizically.Frasier: You may be seated. Niles takes his seat.Frasier: Ladies and gentlemen, if I mayhave your attention, please, I'd like to take a few minutes to explain my artistic vision.Timpanist: Take as long as you want, we're all on the clock.Frasier: Point well taken, moving right along...Roz enters quickly withher boyfriend Leon.Roz: Frasier...I'm sorry we're late. We got stuck in traffic. Some stupid bus broke down. This is Leon.Leon looks like a starving folk-type musician, with long hair and a scruffy beard.Frasier: Ah, hello,Leon.Leon: Hey, Dr. Crane.Frasier: [shaking his hand] Lovely to meet you. Listen, why don't you help yourself to the refreshment table there. I need to have a few words with Roz.Leon moves away.Frasier: Roz, we'vegot a problem! In scoring this, I had to eliminate the guitar part.Roz: Well, put it back.Frasier: Well, I can't. I'm afraid another instrument might make Things sound cluttered... unless, of course, Leon can play thebagpipe.Roz: The bagpipe?Frasier: Yes! Our show deals with a whole range of human emotion from euphoria to despair, and nothing says despair so quickly as the skirl of a bagpipe.Roz: Nothing says \"Turn off theradio\" so quickly either. Isn't there something else he can play?Frasier: Well, uh... yes, yes! Actually, our triangle player called in with a touch of tinnitus. Here we are.Leon returns.Frasier: Leon, I have some good newsfor you. I had to eliminate the Guitar part, but I'm promoting you to first triangle.He hands him the triangle and its beater.Leon: Uh, I've never played one of these. It looks tricky. Frasier stares agape at Roz.Roz: I'llwork with him.Frasier: Yes, off you go.They move to the percussion section.Frasier: Well, then, now people, before we start, are there any questions?The principal violist raises her hand.Frasier: Yes, viola.Tiffany: Myname is Tiffany.Frasier: No, no no. I'm calling you by your instrument name, so as to avoid confusion.Tiffany: Oh, well I have a question about measure 34...Frasier: Ah... I thought you might. Yes, you see, I'veaccelerated the tempo there in order to depict the yearning of the superego. Very perceptive of you to spot that.Tiffany: No, I meant, are these eighth notes or what?Frasier: [miffed] Yes... eighth notes. Anyoneelse?The timpanist raises his hand.Frasier: Yes, timpani?Tiffany: You just answered my question.Frasier: Not Tiffany, timpani.Timpanist: What are we rehearsing this for? Are we going to record it?Frasier: Yes, actually,we are waiting for the final go-ahead from my station manager, and then we will be recording it, yes. Anyone else?Niles raises his hand.Frasier: Yes... actor.Niles: I'm just wondering how my monologue is going to beaudible over all these instruments.Frasier: Oh, that's a good point, Niles. [beat] You may be seated. [after Niles sits] It is imperative that everyone play [pianissimo] during the spoken portions - very, very softly. Thatapplies particularly to brass and timpani.Tiffany: Why me?Frasier: [incredulous at her dimness] To the drums, Tiffany.Martin and Daphne enter.Frasier: Oh, Dad, Daphne, I'm so glad you came! He embracesthem.Daphne: Oh, well, after all, it is the world premiere of your theme song.Frasier: Now, I don't have to search you two for any hidden recording devices, do I? The last thing I need is some bootleg CD's flooding themarketplace.Martin: Boy, you really got everything here!Frasier: Oh, it's not a time for stinting, Dad. I've got everything from the African rain stick to the Javanese tam-tam.Martin: [at the refreshment table] Are thetam-tams the long ones with the cream in the middle?Kenny enters.Frasier: Oh, Kenny, Kenny! I'm so glad you made it. Listen, I think you're in for a bit of a surprise.Kenny: Well, I gotta tell you, I don't surprise easily.[seeing the orchestra] Whoa!Frasier: Our little ensemble. Heh-heh.Kenny: So many musicians... all working on a weekend.Kenny checks his watch.Frasier: Now, listen, I realize that we are a bit over budget, and Ipromise, I will pick up the difference myself.Kenny sits.Frasier: All right. The time has come to unveil my magnum opus. Just Let me do a little fine-tuning on the opening fanfare.He moves to the podium.Frasier: Uh,brass, if you will please, in four, the first measure?Frasier beats out a preparatory measure in 4/4. The trumpets play a very conventional fanfare flawlessly.Frasier: Well, you see, that's fine as far as it goes, but thistime I want you to do it with a bit more... grandeur. With some majesty and a soupcon of awe.The trumpets play the fanfare exactly as before. Frasier turns to Kenny, Martin, Daphne, and Roz, who are seated behindhim.Frasier: There, you see. That's what good conducting can do. Kenny gets a puzzled, concerned, incredulous look on his face.Frasier: All right, everyone. The time we have been waiting for is at hand. And with asimple bow of thanks to the muse Calliope, let us begin. And...The four audience members exchange a look of incredulity, not knowing what to expect. The maestro raises his baton, and we hear his magnum opus.Heconducts a preparatory measure again, and the trumpets play the fanfare. This is followed by the strings, who settle into a conventional broadway-style vamp that doesn't seem to \"fit\" the preceding fanfare. After aharp glissando, the first chorus is then presented by three soloists and the choir.CHORUS 1Soloist 1: (tenor) Who can you turn to for prompt diagnosis?Soloist 2: (soprano) A fetish or fantasySoloist 3: (bass) s*x orpsychosisSoloist 1: No problem at all, let us handle your callChoir: (unison) On our show! On our show!Prominent drum beats accompany \"On our show!\" Martin exchanges a glance with Daphne and Roz.CHORUS2Soloist 2: Bring us your traumas, your latent neurosisSoloist 1: Erectile disfunction (the \"r\" prominently rolled)Soloist 3: Bed-wetting narcosisSoloist 1: There's no need for shame, you can use a false nameChoir:(unison) On our show! On our show!Frasier is delighted with the performance thus far. The orchestra now settles down to a suspenseful and quietly sustained chord. The musical material of the choruses is very clichédBroadway/Disney-style fare, so the suspenseful film-score background chords and the overly dramatic delivery of Niles's following monologue is extremely incongruous:Niles: [rising] Who dares enter the dark labyrinthof the human mind?A percussion player draws a string bow across a metal object, producing an unpleasant whining sound. The orchestra changes harmonies to a higher chord. Frasier marks time with dramatic batongestures as he prepares to cue the harmonic changes.Niles: What festering secrets are buried in the recesses of the subconscious?Another percussionist drags something across a gong, producing another unpleasantsound.Niles: Lurid images!Another harmonic shift upward comes with Niles's words, which are followed by the shaking of a circus-style rattle/whistle.Niles: Lewd desires!Yet another chord shift with Niles's line, followedby a slide whistle, which presumably illustrates the \"lewd desires.\"Niles: Guilty pleasures!A chord shift with Niles again, and a \"grunting\" sound from the orchestra.Niles: Strange compulsions!One more harmonic shiftwith Niles, followed by a dissonant trombone splat. Niles, startled, stares at the trombone player. The strings then play a quick rising transitional passage, leading to a suspenseful high note.Niles: The whole catalogueof human behavior from the aberrant to the monstrous lurks behind a locked door to which one man holds the key!A huge beat of the gong (tam-tam), which startles the others, Particularly Martin... and then a harpglissando leads us back seamlessly to the broadway-style chorus music. Niles sits, grinning broadly.CHORUS 3Soloist 1: (tenor) So if you are stymied to find a prognosisSoloist 2: (soprano)And ask yourself, just likeFreud:Soloist 3: (bass) \"Himmel, was los ist?\"Frasier is particularly delighted with the German line.Soloist 1: Stop scratching your head, let us cure it instead Daphne and Roz chuckle.Choir: (unison) On our show! Onour show!The little instrumental riff before \"On our show!\" is different in the three choruses. The following coda sounds as if it has been directly lifted from \"Supercalifragilisticexpialidocious\" from \"MaryPoppins.\"CODAChoir: (single note)Now here is the man to explain The tortured terrain of your brain The man who feels everyone's pain... Dr. Crane! Dr. Crane! Frasier Crane!!The choir finally harmonizes on the last\"Crane.\" Leon's triangle has been featured prominently in the last shouts of \"Dr. Crane.\" The final chord is drawn out in another broadway cliché, and after the cutoff, Leon provides a final triangle beat. Frasier lowershis baton, extremely proud of his opus.[N.B. The piece can be heard on the \"Frasier\" soundtrack CD.]Roz: [the only person applauding] Way to go, Leon!Daphne begins to applaud with hesitation. Martin is mystified.Kenny has an indescribable look of amazement and sits motionless.Frasier: Well, Kenny. What's your reaction?Kenny's facial expression remains frozen and he is motionless. Finally:Kenny: [hushed] Wow.Frasier: Takesyour breath away, doesn't it?Kenny: [again] Wow.Frasier: I thought as much, and in anticipation of your approval, I had the forethought to order in a little bubbly. Niles, if you would help me, please?Niles joins Frasierand they run toward a backstage room, delighted.Frasier: [to Niles] Oh, you were wonderful!Niles: Thank you, the trombone frightened me.They exit.[SCENE_BREAK]Kenny: [again, the same] Wow.Martin: Well thatwas sure something, wasn't it?Daphne: I'll say. Sort of like Gilbert and Sullivan - only frightening.Kenny: A little jingle, that's all we wanted. Yeah, ten seconds to start the show.Roz: [trying to mediate] Well, maybeFrasier can cut this down...Kenny: [cutting her off] He gives me harps and drums and... people speaking German. All we wanted was a simple little jingle.Martin rises and gets some refreshments.Daphne: Probablymore like the one you came up with. Tell him yours, Mr. Crane.Martin: No, no, no, it was nothing. I can't even remember how it goes.Daphne: Well, I do. [singing:] How are you? I'm listen...Martin: No, it doesn't go likethat.Kenny: Well, then you sing it, Mr. Crane.Martin: Well, all right... but it's really nothing.He moves in front of them and sings his jingle:Martin: What's new? I'm listenin' Feelin' blue? I'm listenin'... Feelin' sad, feelin'mad, feelin' bad, feelin' glad I'm listenin'!Kenny: That's exactly the kind of thing we're looking for!Frasier and Niles re-enter over Kenny's speech.Kenny: You know, it sets the mood, it - it says it all. Did that just popinto your head?Frasier: [coming up behind him and handing him a glass] Hardly. It was gut-wrenching, but you know, it's nice to know that I made it look easy.He continues to hand out glasses of champagne.Kenny:"}
+{"doc_id":"doc_128","qid":"","text":"Act 1 Scene 1 - An Airliner[Fade in. Lilith is sitting in first class reading a magazine. The man next to her (Albert) glances nervously at the window, then reaches across her to close the shade.]Albert: Sorry. I'm anervous flyer.Lilith: Yes, I see. Oh, you're white as a sheet.Albert: No, actually, I'm always this pale. My ex-wife used to say she could tell when I was embarrassed because I'd turn off-white.Lilith: I can empathize.Sometimes after a late night, I covered my under-eye circles with Liquid Paper. So are you traveling to Seattle for business or pleasure?Albert: Both, hopefully. I'm relocating for work. How about you?Lilith: I need toask an old friend for a favor.Albert: It's a long trip just to ask for a favor.Lilith: It's a big favor.Albert: Well I hope your friend complies.Lilith: It'll take some work, but I'll get what I want.[A flight attendant comesup.]Attendant: Oh, dear, you two look awfully pale. Can I bring you something?Lilith: Not unless you have any extra melanin lying around.[She leaves as Albert laughs.]Albert: You should be a comedian.Lilith: I'vethought about it.[She goes back to her reading. Fade out.]Scene 2 - Frasier's Apartment[Fade in. Martin is walking from the kitchen to his chair. When he hears keys in the door, he sets his beer down and hurriestowards the bedroom. The door opens and Frasier comes in.]Frasier: Dad? Dad, Dad! What? Are you hiding?Martin: I heard the key in the door, I thought Lilith might be with you. What's she coming for anyway?Frasier:Well, I don't really know. She said she was flying across the country to ask me about something that was important. She's being very mysterious about it.[He hangs up his coat as the doorbell rings.]Martin: Is thather?Frasier: Well, no. No, Dad, I'm not seeing her until tomorrow.Martin: Well, let me know when she's coming, will you, so I can come up with an excuse to clear out. Because I'm not good at winging it.[Frasier opensthe door. It is Lilith.]Frasier: Oh, Lilith. Hi. Look who's here, Dad.Lilith: Hello, Martin.[Martin smiles nervously, then glances at his watch.]Martin: Oh, time to go... practice my signature.[He heads for thebedrooms.]Frasier: Please, come on in, Lilith. So, I didn't think I was going to be seeing you 'til tomorrow.Lilith: Yes, I know that was the plan, but I just had to stop by on my way to the hotel. What I'm here to talk toyou about is not something one just drops on another person. [gesturing for him to sit] Please.[He sits down.]Lilith: [sitting beside him] Frasier, recently a subconscious yearning has tunneled its way to the surface andI now know what it is I need in order to make my life complete.Frasier: Well, that's wonderful news. How can I help?Lilith: You can give me your sperm.Frasier: I beg your pardon?Lilith: I want to have anotherbaby.Frasier: Well, you certainly don't need me for that. Surely... someone in Boston must have sperm.Lilith: I came to you first so that Frederick could have a full sibling.Frasier: So, just like that we're going to haveanother baby together.Lilith: No, not just like that. I mapped out our dominant and recessive traits on a genome square, applied Mendel's laws, allowed for anomalies and concluded that you are the best biologicalchoice.Frasier: I see. Well, as enticed as I am by your honeyed words, I'm gonna need some kissin'.Lilith: Frasier, don't misunderstand, I'm not proposing any change in our relationship.Frasier: Would we... sleeptogether?Lilith: I thought we'd freeze your sperm.Frasier: Is that a \"yes\" or a \"no\"?Lilith: Natural fertilization is impractical. I'd have to fly to Seattle every time I ovulate.Frasier: [getting up] Right, okay. So, then yourplan is for me to visit some local doctor, freeze my essence and then bring it home with you.Lilith: Correct. I'll take mine to go.[Frasier sits on the arm of Martin's chair.]Frasier: I don't know. I'm going to have to thinkabout it.Lilith: [rising] Yes, of course, absolutely. Think about it, and you can give me your answer tomorrow.[She heads for the door, Frasier follows.]Frasier: Okay.Lilith: You can come back from around the cornernow, Martin.Martin: [from around the corner] Good night, Lilith.Lilith: Good night.[She leaves.]Frasier: You were eavesdropping?[Martin comes into the living room.]Martin: It was an accident and I only heard the partabout her wanting to have another baby with you.Frasier: She completely threw me.[Martin settles into his chair.]Martin: Well, I don't know why you're so surprised. She's seen what the Crane genes can do and she'scoming back to the well.Frasier: How does one respond to something like that?Martin: Well, I bet if you say \"No\" she'll go to Niles.Frasier: Really, it's just so self-centered. I mean, she's got this all figured out for herselfwithout the slightest consideration for my life.Martin: And Niles'll say \"No\" for sure. Which means only one thing. [He gets a worried look.] She'll come to the source. Me. The fountainhead.Frasier: What?Martin: Can youimagine? Lilith's and my kid would be brother to you and Niles AND Freddie.Frasier: What are you talking about?Martin: And if you and Lilith got back together, you'd be his step-father and his brother and Niles wouldbe your son and his own uncle. It's almost worth doing just so that I can tell the story.[Frasier just waves this off as he heads to his room. Fade out.]Scene 3 - Cafe Nervosa[Fade in. Frasier is sitting at a table. Nileswalks in.]Frasier: Oh, hi, Niles. Did Daphne and her mom get off okay?Niles: [sitting down] Yes. They picked up Roz and Alice an hour ago. Although, how they're going to get all the way to Canada without killing eachother, I don't know.Frasier: Why did they have to go so far?Niles: Well, that was my idea. I read that Canadian Fun Country is one of the best amusement parks in southeastern British Columbia.Frasier: Well, I'm justsaying Daphne's mom should be careful, you know. If you're here on a temporary visa, you know sometimes people have a hard time getting back into the country.Niles: [deadpan] That hadn't occurred to me,Frasier.[N.B. Niles no doubt recalls the family trip in [1.21.], \"Travels With Martin,\" in which the Cranes strayed over the border before Daphne's green card had come through, and they had to smuggle her back posingas an American.]Frasier: Well, seeing as how you're single, I'd invite you to join me for dinner, but I'm meeting with Lilith tonight on a matter of some delicacy.Niles: Dad told me. Now listen, don't feel obligatedbecause she's buying you dinner.Frasier: Truth be told, Niles, I hadn't ruled it out entirely. It would be nice to have another child. And Lilith is a wonderful mother. It's just that, well, is it right to create a human beingwith a woman to whom you couldn't stand being married?Niles: Well, I'm behind you whatever decision you make, the right one or the crazy one.Frasier: Thank you.[Niles calls out to the passing Barista.]Niles: Excuseme, may I have an espresso?[The waiter nods and heads off. Frasier notices an envelope Niles brought in.]Frasier: What have you got here?Niles: Oh, some snapshots from last summer at the beach. Daphne finally gotthem developed.[He shows them to Frasier who starts chuckling.]Frasier: Oh, there's Dad eating that hot dog he dropped in the sand. And you, in your linen beach ensemble.Niles: Very nice, yes. Well that's strange.Daphne said I'd particularly like the last picture on the roll but what is it?Frasier: It's hard to tell, it's too dark and blurry.Niles: Looks like the eye of Jupiter.Frasier: Or a slice of pepperoniNiles: Is it a flyingsaucer?Frasier: Yes, Niles, it's a flying saucer. Mystery solved, well done.[The Barista brings Niles's coffee over and sees the photo.]Barista: Hey, where'd you get the nipple shot?Frasier: Good lord![Frasier and Nileslook again in shock, then Niles clutches the photo to his chest.]Niles: You are to erase that from your mind.Frasier: Is it Daphne?Barista: Nice.Niles: You're not erasing! Erase![The Barista heads off as Niles points awarning finger at Frasier. Fade out.]Scene 4 - Daphne's Car[Fade in. Daphne is driving, with Roz next to her and Alice and Gertrude in the back.]Roz: I need to stop again.Daphne: We just stopped. I told you not to getthat Big Gulp.Roz: But it was only ten cents more.Alice: Punch buggy blue![She hits Gertrude on the arm.]Gertrude: Ow! Dammit!Daphne: Language!Gertrude: Why does she keep doing that?Roz: It's a game.Gertrude:It hurts.Daphne: All right, mum.Roz: There's a gas station right there, I really need to stop.Daphne: I can't get over, you'll have to wait.Roz: But according to this, my bladder is holding \"Thirsty-Two\" ounces ofsoda.Daphne: It's only forty miles.Alice: Punch buggy red.[She hits Gertrude on the arm.]Gertrude: Oh! Son of a...!Daphne: Language!Roz: Alice, honey. Stop hitting Mrs. Moon. She can't take the punch buggygame.Gertrude: Oh, really? Punch buggy white![She knuckles Roz on the shoulder.]Roz: Ow! It was a Jeep!Gertrude: I play the Jeeps. And Ford. Punch buggy Ford.[She whacks Roz on the head.]Roz: Ow![Roz turnsaround to get her back.]Daphne: All right, that's enough. You stop it or no one's going to Canadian Fun Country. And this time I mean it![They go for a minute in silence, then Gertrude screams and points, startlingscreams from everyone else.]Gertrude: I'm sorry. I thought you were on the wrong side of the road. I will never get used to the crazy way you drive over here.Daphne: Mum, you have to stop doing that.Roz: Daphne,you seem stressed. Do you want me to drive for a while?Daphne: Maybe once we get out of Seattle.[SCENE_BREAK]Scene 5 - A Restaurant[Fade in. Frasier and Lilith are sitting at a table looking over menus.]Lilith:Frasier, I don't want to rush you, but the suspense is too much to bear. Have you decided?Frasier: I'm thinking about the linguini.Lilith: I see. It's \"No,\" then, isn't it?Frasier: I'm sorry, Lilith. This was a very difficultdecision for me and I am touched and flattered that you came to me, but I'm not sure I'd be doing it for the right reason. You understand, don't you?Lilith: Yes, I do. And I appreciate your taking the time to think aboutit. It's that kind of consideration I was hoping to pass on to our second born. Oh, well. So, the pasta is good here?Frasier: Oh, the best.[She glances at the menu some more, then begins to quietly sing to the tune of the\"Ode to Joy\" chorus of Beethoven's 9th.]Lilith: My dad is the gweatest dad because he cooks me Cweam of Wheat...Frasier: [glaring at her] Lilith, what are you singing?Lilith: Was I singing?Frasier: You were singing\"My Dad Is the Gweatest Dad.\"Lilith: Oh, you mean that song Frederick wrote for you when he was four.Frasier: That video is one of my prized possessions. Of course I haven't looked at it in some time.Lilith: Iremember the night we surprised you with it. He crawled up in your lap and said \"Why is Daddy cwying?\"Frasier: I see what you're doing, you know.Lilith: What?Frasier: You are attempting to manipulate me byinvoking powerful emotional memories.Lilith: I assure you, nothing could be further from the truth.[A waiter comes up.]Waiter: Are you ready to order?Lilith: Yes. I'll have the basgetti and beatmalls.Waiter: Mmm. Verygood Miss.Lilith: That's what our son used to say when he was three.Waiter: Excellent.Frasier: And I'll have the veal.Waiter: Bravo, sir.[He takes the menus and heads away.]Frasier: Lilith, I'm afraid you're idealizingparenthood. Do you remember colic, teething, changing mountains of diapers?Lilith: Do you remember that time in the bath when he tried to eat the bubbles? We told him to stop, but we kept laughing so he thought itwas funny and kept doing it.Frasier: You know, I'd forgotten that. Oh, I wish we had that on video.[She grabs his hand.]Lilith: You can, Frasier. We can have those days back again. Please, I just need is a couple ofteaspoons.Frasier: Lilith!Lilith: Just think about what Frederick has meant in our lives.Frasier: I think about it every day.Lilith: Frasier, we're always seeking ways we can leave a legacy. Well, forget my research andyour work, this is it! What better gift can we bestow on the world but another person as wonderful as Frederick?[Frasier signals the waiter passing by.]Frasier: Excuse me, I've changed my mind. I've decided that I toowill have the basgetti and beatmalls.[Lilith looks up at him, grateful. Fade out.]End of Act 1[SCENE_BREAK]Act 2 Scene 1 - Cafe Nervosa[Fade in. Niles is sitting at a table, Frasier is getting juice at the counter.]Frasier:Thank you.[He comes over to join Niles]Frasier: Gosh, that coffee smells so good. Lilith won't let me have any caffeine until I've made my little donation.[He sits down.]Niles: Of course.Frasier: So, have you heard fromDaphne?Niles: No, we keep missing each other. I'm just glad I have our little... pictorial memento to keep me company.Frasier: I can't believe you're so taken with that blurry, over-exposed photo of a...Niles:Shh!!Frasier: Of what you first mistook to be a flying saucer!Niles: I just think it's sexy that she even did it. Just imagineit: she saw that there was one picture left on the roll, and in a spontaneous moment of brazenexhibitionism, she threw open her blouse and didn't even bother to adjust the f-stop. Yes indeed, I am married to one spicy meatball.[He opens his jacket and checks the picture.]Frasier: Good lord! Don't tell me youcarry it around with you.Niles: Well, I didn't want the housekeeper to find it and think we were pornographers.[Frasier just takes this in stride. Fade out.]SOME MAGAZINES, A SPECIMEN CUP,AND A RECORDINGOF\"TRISTAN UND ISOLDE\"Scene 2 - The Fertility Clinic[Fade in. Frasier and Lilith are checking in.]Nurse: Just fill out these forms and I can show you to one of our donation suites.[Fraser takes a clipboard and he andLilith sit. As he fills out the form, the man across from him glances up.]Man: Will this be your first?Frasier: No, I've been doing this since I was twelve.[Lilith kicks him gently.]Frasier: You mean baby. No, no, this is oursecond.Man: We've got number four on the way.Lilith: And we're thrilled for you, but perhaps we could chat some other time when we're not trying to create life. [to Frasier] Sign and date.Frasier: Right.[He finishes upthe form and Lilith takes it back to the window.]Man: This process can be hard on a relationship, but she'll relax and things'll get better.Frasier: We're already divorced.Man: Good, 'cause she'll never change.[The man'swife slaps him on the shoulder at this. Lilith comes back.]Lilith: Up and at 'em.[He gets up.]Nurse: Follow me, sir.[She leads him to a room.]Nurse: Just go in and make yourself comfortable. You'll find everything youneed in the cabinet.Frasier: Thank you.[He starts in, but Lilith stops him.]Lilith: Oh, wait Frasier. It probably doesn't matter, but try to think positive thoughts.Frasier: Thanks for that. I was going to think about theplight of the American Indian.Lilith: I'm just saying we should put the welfare of the sample first.[He goes into the room and closes the door. Lilith turns away, then turns back and taps on the door.]Frasier: [frominside] Yes?Lilith: And don't fall asleep afterwards, I want to get these puppies on ice ASAP.Frasier: Goodbye now.[She starts away, but turns back again, tapping on the door.]Lilith: Just a hint...Frasier: Lilith! If thereis ONE thing I can do BY MYSELF, this is it! Now go away.[She heads back to the seats.]Nurse: Right this way.[She leads the other couple off as Lilith sits down and dials her cell phone. A cell phone rings in Frasier'sdonation suite. He yanks the door open, furious.]Frasier: What?!Lilith: I just remembered a special method which supposedly increases the likelihood of having a boy.Frasier: I see. Is there something I can do toincrease the likelihood that we won't have a meddling control freak?Lilith: No, but perhaps you can use a method that will give us a baby that can take other people's advice.Frasier: I would settle for a method where itwon't turn out to be a sarcastic prig!Lilith: Oh, just do it!Frasier: Fine!Lilith: Wait, I don't want you to do it when you're mad. Why don't we just take a minute to sit down and breathe?Frasier: It's your dime.[He comesout and sits down beside her.]Frasier: Oh, dear God. What if this child inherits all of our flaws instead of our strengths? We could create a real nightmare.Lilith: That's not going to happen. It's going to be exactly theway it was the first time.Frasier: Is that what's going on here? Are we trying to create a baby or just trying to recreate the past? I mean, Frederick's almost grown now, it's only natural to feel a sense of loss.Lilith:Frasier, don't be simplistic.Frasier: No, Lilith, I know what you're going through. You want to feel needed and loved as you were when you were a new mother. The past can be very seductive. I mean, I've fallen intoittoo: I'm trying to relive Freddie's childhood. You can't use the past to fill what's missing in the present. It's gone.Lilith: Frasier, I've done a lot of thinking and this feels right to me.Frasier: But it's not right for me. I'msorry.Lilith: I'm sorry too.[They get up and hug.]Frasier: You all right?Lilith: I'm fine. If I can't make anther little Frederick with you, there's always cloning.[Frasier's jaw drops.]Lilith: And you still don't know when I'mjoking.Frasier: I, well, I...[He grabs his coat.]Frasier: Lilith, what are you going to do now?Lilith: Well, I'm going to go home and give Frederick a very big hug.[She opens the door.]Lilith: And maybe swab the inside ofhis cheek.Frasier: Oh, stop that![They head out. Fade out.]Scene 3 - Frasier's Apartment[Fade in. Martin is in his chair, eating a snack. Niles comes in the front.]Niles: Oh, you already ate. I was gonna take you toBogart's.Martin: Bogart's? [putting the dish down] Oh, don't worry about that, I was just eatin' it because it was here. I wasn't eatin' it to get full. Just give me two minutes.[He gets up and heads for his room. As Nilessits on the couch his cell phone rings and he answers.]Niles: Hello?Daphne: [voice over] Oh, Niles, darling.Niles: Daphne![Cut to - Daphne and the others in her car.]Daphne: I thought I'd never reach you. We werebooted from the park and are coming home. It seems someone put out a cigarette on a stuffed moose.Gertrude: I didn't know it was stuffed, I was defending myself.Niles: [v.o.] I loved those pictures you left forme.[Cut to - Niles on the couch.]Niles: More specifically, the last one.[He pulls it out of his pocket.]Daphne: [v.o.] Something a little different, eh?Niles: Indeed it is. I can't even believe you took it.[Cut to -Daphne.]Daphne: I didn't take it, your father did.[Cut to - Niles.]Niles: No, I don't think so. I'm talking about the last picture on the roll, the close-up.[Cut to - Daphne.]Daphne: Yeah. You're father was trying to get apicture of Eddy, but instead he got a picture of his own chest.[Cut to - Niles looking troubled.]Niles: This is Dad's...?[Cut to - Daphne.]Daphne: That's his nipple.[Cut to - Niles looking horrified. Martin comes in as Nilesslowly rises.]Martin: Oh, I can't wait to get to Bogart's. I know just what I'mgoing to get: the barbecue chicken breast. They have the juiciest one in town. Or, or the lamb. They serve an enormous rack.Niles:[flustered] Great.Martin: You might want to get an overcoat of Frasier's out of there. It's supposed to be pretty nippy tonight.[Niles, troubled, grabs the coat. Frasier comes in.]Frasier: Oh, hi Dad. Where are yougoing?Martin: Oh, Niles is here. We're just going out for a bite. You want to join us?Frasier: Sure.Martin: So, how's Lilith?Frasier: I just dropped her off at the airport. She's disappointed, but she knows that we're doingthe right thing.Martin: Well, for what it's worth, I think you are too, son.Frasier: Thanks, Dad. I just hope she finds what's missing in her life.[Dissolve to - Lilith on the airplane, looking out the window. Someoneapproaches.]Albert: Hey, pasty.[She looks up and sees the man who was sitting next to her when she flew in to Seattle.]Lilith: Oh, hello.Albert: May I?Lilith: Yes, certainly.[He sits down.]Lilith: What happened? Ithought you were relocating to Seattle.Albert: Oh, it wasn't a fit. I'm going back to Boston. I don't know, call me neurotic, I just can't work in a lab that's not immaculate.Lilith: You work in a lab?Albert: Mm-hmm. I'm aphysicist.Lilith: Really?[She looks at him speculatively.]Lilith: My name's Lilith.[They shake hands.]Albert: Ah, the demon-goddess. Are you like the independent fireball that was your predecessor?Lilith: I make her looklike a vacillating cream puff.Albert: Albert.[They shake hands again.]Albert: What happened with your friend? Did you get your favor?Lilith: It's a long story.Albert: Well, it's, it's a long flight.[She smiles at him andsettles in to talk. Fade out.][SCENE_BREAK]Niles is at Frasier's apartment, glancing around furtively. He pulls the photo out of his pocket and reels from the image of what he's been fantasizing over, falling into Martin'schair, then reeling away from it. He does an antsy little dance, then tears the photo up. He walks into the kitchen and throws it away. Martin is busy at the counter and turns around, holding up two plates with whitescoops of ice cream with cherries on top. He offers one to Niles who just turns and marches away. Martin shrugs reflectively and turns back with a \"more for me\" smile on his face."}
+{"doc_id":"doc_129","qid":"","text":"1.16 - Star-Crossed Lovers and Other Strangers teleplay by John Stephens and Linda Loiselle Guzik story by Joan Binder WeissOPEN IN STARS HOLLOW(Miss Patty narrates a story in the background as the camera pansaround town as locals prepare for a festival.)MISS PATTY: This, boys and girls, is the story of true love. A beautiful girl from one county; a handsome boy from another. They meet and they fall in love. Separated bydistance and by parents who did not approve of the union, the young couple dreamed of a day that they could be together. They wrote each other beautiful letters. Letters of longing and passion. Letters full of promisesand plans for the future. Soon the separation proved too much for either one of them to bear. So, one night, cold and black with no light to guide them, they both snuck out of their homes and ran away as fast as theycould. It was so dark out that they were both soon lost and it seemed as if they would never find each other. Finally, the girl dropped to her knees, tears streaming down her lovely face. 'Oh, my love. Where are you?How will I find you?' Suddenly, a band of stars appeared in the sky. These stars shone so brightly they lit up the entire countryside. The girl jumped to her feet and followed the path of the stars until finally she foundherself standing right where the town gazebo is today. And there waiting for her was her one true love, who had also been led here by the blanket of friendly stars. [Camera stops on Miss Patty's dance studio, where sheis telling the story to a group of children.] And that, my friends, is the story of how Stars Hollow came to be, and why we celebrate that fateful night every year at about this time. Now, we still have a little time left inour story hour. Who wants to hear about the time I danced in a cage for Tito Puente?KIDS: [raising hands] Me!MISS PATTY: It was the summer of 66 ..(Opening Credits)CUT TO BUS STOP(Dean is waiting on the benchas Rory steps off the bus.)RORY: So?DEAN: It's depressing.RORY: It's beautiful.DEAN: She throws herself under a train.RORY: But I bet she looked great doing it.DEAN: I don't know. I think maybe Tolstoy's just a littleover my head.RORY: No, that's not true. Tolstoy wrote for the masses, the common man. It's completely untrue that you have to be some kind of genius to read his stuff.DEAN: Yeah butRORY: Now I know it's big. ..DEAN: Very big.RORY: And long. . .DEAN: Very, very longRORY: And many of the Russian names tend be spelled very similar, making it confusingDEAN: Every single person's name ends with 'ski'. Now how is thatpossible?RORY: But it's one of my favorite books. And I know that if you just give it a try you...DEAN: All right. I'll try again.RORY: Really?DEAN: Yeah.RORY: You won't be sorry.DEAN: Coffee?RORY: Please.DEAN: Man,I thought Christmas was a big deal around here.RORY: Well, this is a town that likes the celebrating. Last year we had a month long carnival when we finally got off the septic tank system.DEAN: A month long? You'rekidding.RORY: No. There were rides and a petting zoo and balloon animals and a freak show.DEAN: Uh huh. Okay, you almost had me going there for a second.RORY: Well we did have a ribbon cutting ceremony.DEAN:So what are you doing Friday night?RORY: Well, I've got the usual Friday night grandparents' dinner. But I thought maybe if we get back early enough you and I should go watch the bonfire together. I mean, it's kind ofcorny, but it's really pretty. And they sell star-shaped hot dogs.DEAN: How about if you get out of dinner at your grandparents' this week?RORY: I don't think so.DEAN: Well, what if it's for a really specialoccasion?RORY: Well, that special occasion better include my being relocated to a plastic bubble if my grandmother's gonna let me out of dinner.DEAN: There must be some other excuse that you could use.RORY: Likewhat?DEAN: Like it's your three-month anniversary with your boyfriend.RORY: It is?DEAN: Yeah. Three months from your birthday. I mean, that's when I gave you the bracelet and that's when I figured this whole thingkinda started.RORY: Wow. Three months.DEAN: Actually, technically your birthday was on a Saturday, so really it should be Saturday, but I work Saturday and I planned out this whole big thing so I thought maybe wecould do it on Friday.RORY: What whole big thing?DEAN: Just this once. Miss dinner. Please. Don't make me throw myself under a train.RORY: I'll see what I can do.DEAN: Thank you.RORY: You're welcome. It's ourthree-month anniversary.DEAN: Yeah it is.RORY: I feel kind of stupid that I didn't even know about this.DEAN: That's quite all right.RORY: I mean, I feel really bad that I missed our two-month anniversary.DEAN: Quiteall right too.RORY: How was it?DEAN: Pretty good.RORY: I'm glad.CUT TO LORELAI'S HOUSE(Lorelai is sitting at the kitchen table reading a box of Hamburger Helper. Rory walks in.)RORY: No, put that away.LORELAI: Iwanna cook.RORY: You can make soup.LORELAI: No. I wanna really cook like on the Food Channel. I wanna sauté thing and chop things and do the BAM, and I wanna arrange things on a plate so they look like a prettylittle hat. I wanna be the Iron Chef!RORY: Fine.LORELAI: Really?RORY: Yeah, I'll help.L: Okay. I need a pan.R: And a fire extinguisher.L: Funny, funny girl. Now, if I had only bought some hamburger.R: You didn't buyhamburger?L: Yes I bought hamburger. I just like saying things like that so you look at me like I'm crazy.R: So, tell me, why the sudden need to be domestic?L: Ah, I don't know. I'm in like a funky mood.R: Why?L: Toomany stars, too much love, it makes me cranky.R: I take it you haven't heard from Mr. Medina?L: Hmm, no. I haven't.R: Maybe that's why you're cranky.L: Okay, new subject please.R: You know, you have a phonealso.L: How's it coming with that pan?R: Cleopatra, queen of denial.L: The pan, Chucky. Please.R: Okay fine. New topic.L: Thank you.R: I have this huge favor to ask you.L: Oh, something I can hold over your head.Let's hear it.R: Friday night is Dean's and my three-month anniversary.L: Three months? Wow.R: And Dean apparently has some big fancy evening planned for us.L: Very classy of him.R: Yes it is. But for me to actuallypartake of the foresaid fancy evening, I have to get out of Friday night dinner.L: Ah.R: Yeah.L: Good luck with that.R: Mom!L: Do you know how much Emily Gilmore will not care about your three-month anniversary?R:I was thinking you could talk to her.L: If there was a runoff between what Emily Gilmore would care about less, a two-for-one toilet paper sale at Costco or your three month anniversary, your anniversary would win,hands down.R: So you're not even gonna try to help me?L: Oh no, I'm gonna try to help you, because I care. Emily Gilmore, however. .R: Phone please.L: Okay. [Lorelai walks over to the phone. She laughs.]R:What?L: Nothing. It's just, 'Oh, hey Mom, uh, Rory and Dean are having their three month anniversary on Friday.' 'Really Lorelai? Why that's wonderful. I'm thrilled.'R: Stop.L: 'Three months. Well, woohoo. Hold on, I'mgoing to cartwheel.'R: Forget it.L: Oh, no wait. She's telling my dad now. Why, I think they're cabbage patching.R: That's it. Find your own pan.EMILY: Hello?L: Mom?EMILY: Lorelai?L: Uh, yes, hi.EMILY: Hello.L: Hi.How are you doing?EMILY: I'm doing fine.L: That's good.EMILY: I'm pleased.L: How's Dad?EMILY: What do you want Lorelai?L: Um, I was just calling to say hello.EMILY: And now you have.L: Okay, good.EMILY: Wasthere anything else that you wanted to add to that hello?L: Well, as a matter of fact, there is.EMILY: Ah ha.L: Um, you know Rory.EMILY: Yes, I believe I do.L: She wanted to say hello too.EMILY: Lorelai, I'm late for ameeting. I'd love to know why.L: Mom, just hear me out, okay, and don't say anything. Um, see Friday night is Rory and Dean's three-month anniversary, and while that might not seem like a very big deal to you, it isto them. And I'm gonna ask you to do something you are so not gonna wanna do. But I am begging you to look at it from her point of view and maybe, just maybe let her, just this once, not come to dinner onFriday.EMILY: All right.L: What?EMILY: Since this is a special occasion, I suppose it would be fine if Rory missed dinner on Friday.L: It would?EMILY: YesR: Mom?L: Are you sure?EMILY: I believe I am.L: Noarguments?EMILY: No.L: Well, she wont be there.EMILY: I understand.L: At all.EMILY: I heard.L: All night long.EMILY: I assumed as much.L: Okay.EMILY: Okay.L: All right.EMILY: Anything else?L: Uh, you know, she'sgonna need some help getting ready for the big night Mom, so I should probably.EMILY: We'll see you at seven.L: Okay. Right. Bye.R: So?L: The world is officially coming to an end.CUT TO CHILTON(Tristin and Summerare kissing in front of some lockers.)MADELINE: And they're off.PARIS: The bell just rang three seconds ago. How did they get lip locked so fast?MADELINE: I want a boyfriend to make out with.LOUISE: Ty Tolson likesyou.MADELINE: I want to different boyfriend to make out with.PARIS: I can't get to my locker.LOUISE: I'm sure they'll move if you ask nice. You know, dangle a hotel key in front of their faces.PARIS: This is a school.You don't do this in a school.LOUISE: Not unless you've got a boyfriend like Tristin. Then you do it anywhere you can.MADELINE: Street corner.LOUISE: Shopping mall.MADELINE: Phone booth.LOUISE:Starbucks.PARIS: Thank you for the \"where to make out\" list, I just need to get my books.LOUISE: Hell hath no fury.PARIS: [walks over to her locker] Excuse me. You're in my way. Hey, spawn in front of somebodyelse's locker please.RORY: I'm assuming your locker's in there somewhere also.PARIS: Yup. Right behind Belle Watling.RORY: Have you tried to get their attention?PARIS: Sure have.RORY: No luck?PARIS: Nope.RORY:God, look at that. It's like he's eating her face.PARIS: Okay, that's it. I'm getting the fire hose.RORY: Let me try first. Hey, could you two just move this whole thing down to the left a little?TRISTIN: What?RORY: You'restanding in front of the lockers.PARIS: Our lockers.TRISTIN: Oh sorry. Just got a little carried away.RORY: Right.TRISTIN: Hey Paris.PARIS: Hey.SUMMER: You should get bangs.PARIS: Thanks for the tip.SUMMER: Youhave a long forehead. Bangs would hide that.MADELINE: Hey, party at my house Saturday.LOUISE: Dress to impress please.MADELINE: Come? (hands flyer to Rory)RORY: Oh, I don't know.MADELINE: You can bringyour boyfriend.RORY: I'll see.SUMMER: So, meet me after biology?TRISTIN: And if I don't?SUMMER: You will.TRISTIN: Oh, yes I will. Ah. To be young and in love.PARIS: What a shame Elizabeth Barrett Browningwasn't here to witness this. She'd put her head through a wall.CUT TO INDEPENDENCE INN(Lorelai walks through the lobby into the kitchen where Jackson and Sookie are kissing.)LORELAI: Oh, now people, this is akitchen. At least wear some hairnets.SOOKIE: Lorelai, hello. Uh, we were, uh. . .JACKSON: Just discussing jam making.SOOKIE: Jackson's gonna start making jam and preserves.JACKSON: Maybe tomatosauce.SOOKIE: Yeah, there's a whole world out there beyond growing vegetables.LORELAI: No coffee?SOOKIE: Sorry.LORELAI: That's okay. Resume smooching.SOOKIE: Thank you.CUT TO INN LOBBY(Michel talkingon phone)MICHEL: No cherie. I can't wait either. Very soon. You are? Ohhh. Don't tease me. I promise all this waiting will be worthwhile. I'll see you then. Goodbye darling.LORELAI: So how's mom?MICHEL: And whilenormally I would look forward to a good verbal sparring match, today I say no. My heart is light, the world is fine and I have a date for Saturday night. Your turn.LORELAI: What I need now is lots and lots of coffee.CUTTO CENTER OF TOWN(Lorelai walking through Stars Hollow while locals prepare for the festival.)MAN: Heads up!(A large papier mache star falls in front of Lorelai)LORELAI: Agh!MAN: Hey, you okay?LORELAI: Yeah, I'mfine.MAN: Man, that has never happened before!LORELAI: Really? How about that.CUT TO LUKE'S(Lorelai walks in and sits at the counter.)LORELAI: I was almost crushed by a papier mache star. How's your day?LUKE:Well, it's looking pretty good now.LORELAI: Coffee please, no shot of cynicism.LUKE: So, why so cheery?LORELAI: I don't know. I'm just in a mood. I don't know why.LUKE: But there's no particular reason for thismood?LORELAI: No.LUKE: Uh huh.LORELAI: You don't believe me?LUKE: No, I believe you. If you say there's no reason for the mood, then there's no reason for the mood. You're simply nuts.LORELAI: Or bipolar. That'svery big nowadays.(Miss Patty and Taylor are arguing at a table behind Lorelai.)TAYLOR: No, no, Patty, you're wrong. They built the fire to throw themselves on it when their families found themMISS PATTY: Tayloryou're crazy! They built the fire so that they could stay warm their first night here.TAYLOR: Patty, I am the recording secretary for the Stars Hollow City Council, I think I know how my town was founded!LORELAI: Ugh,can nobody talk about anything else but this stupid festival? [pause] That came out a lot louder then it was supposed to, didn't it?LUKE: Yup.LORELAI: Yup.TAYLOR: This festival is commemorating the founding of ourtown, young lady.LORELAI: I know Taylor. I'm sorry.LUKE: She's bipolar.MISS PATTY: Really? But you're so young.LUKE: Uh, can I get you two anything else?MISS PATTY: Oh, no thank you, sweetheart.LORELAI: Idon't know what is wrong with me. This is a beautiful festival. People should be enjoying it.LUKE: It's a crazy festival based on a nutty myth about two lunatics, who in all probability did not even exist. And even if theydid, probably dropped dead of diphtheria before age 24. The town of Stars Hollow probably got its name from the local dance hall prostitute. Two rich drunk guys who made up the story to make it look good on aposter.LORELAI: You are full of hate and loathing, and I gotta tell you, I love it!LUKE: Oh, it's so good to have somebody share this hate with.LORELAI: My pleasure.LUKE: More coffee?LORELAI: Yeah please. Hey,tomorrow, if you have time, I'm planning on despising everyone who says 'Hey, how's it going?'LUKE: You're on.RACHEL: Hey, how's it going?LORELAI: Oh, now that' s just too easy.LUKE: Rachel.LORELAI: Rachel?Your Rachel? You're Rachel?RACHEL: Yup. I'm Rachel.LUKE: What are you I mean, I thought you were in the Congo or Philadelphia or something.RACHEL: Actually, though very similar to both the Congo andPhiladelphia, I was in the Mideast.LUKE: Oh. Guess that postcard must've gotten lost.RACHEL: Yeah, yeah, well things pretty crazy over there, not a lot of writing time. But I finished up my assignment, and I flew backto Chicago and I was walking through O'Hare, and I look up and there's a plane leaving for Hartford in like 20 minutes, and all of a sudden, I'm on it.LUKE: Nice story.RACHEL: I should have called.LUKE: No. You it'sfine.RACHEL: You look good.LUKE: Thanks. You um, you look, you, you uh lookLORELAI: He thinks you look good too. Right?LUKE: Right.LORELAI: And you do.RACHEL: Thank you.LORELAI: I'm Lorelai.LUKE: Oh yeah.She's Lorelai.LORELAI: I'm Luke's friend.LUKE: Yeah. She uh, uh, works at the Independence Inn.LORELAI: I run it, actually.LUKE: Sorry, she runs it.RACHEL: Wow, I love that place.LORELAI: Oh!RACHEL: That must bea pretty big job.LORELAI: It is! It's crazy. There's always something happening. Like, we just put these coffee makers in all the rooms, but only half of them work. They just like shake and gurgle, like they're havingsome kind of a fit. Why were you in the Mideast?RACHEL: I was doing a photo story, on how Palestinian and Israeli families have been affected by the violence.LORELAI: Uh huh, well, so you understand about the jobpressure.RACHEL: Yeah.LORELAI: I'm gonna go.RACHEL: Please, don't let me drive you away.LORELAI: That's okay, you're not. I have to go sit in a closet or something. So, it was really nice to meet you.RACHEL:Yeah, you too.LORELAI: Okay, bye. (Lorelai leaves)RACHEL: So. . .hi.LUKE: Hi.CUT TO LORELAI'S HOUSE(Lorelai is combing Rory's hair in Rory's bedroom.)LORELAI: 'Oh, we got new coffee makers.' Ugh! What was Ithinking?RORY: Well, you spent a lot of time picking out those coffee makers.L: Oh yeah, I'm Mrs. Coffee.R: Ow! Okay, I'm still attached to the head.L: Okay, sorry. I'm a little worked up.R: Mom, it just Luke'sex-girlfriend.L: I know. I just hate that I made myself look so stupid in front ofR: Luke?L: No, Rachel. She was standing there, fresh off a plane, and she had no plane hair at all might I add.R: And what exactly is planehair?L: You know, it's all big and all bah.R: Got it.L: And he's staring at her like she's Miss September and she's looking at him like he's Johnny Depp, and I was just babbling like a moron, what is wrong with me?!R:Ow! Ow! Okay, you are now officially off hair duty.L: Aw, I'm sorry. I justR: No, it's okay. I just think it's a little early for Dean to see me completely bald.L: Right, that's more a six-month thing.R: So what's going onwith you?L: I don't know. It's just all this love in the air, you know. I miss Max. There's just been so much going on with your Dad coming home and family stuff and your constant existenceR: Thanks for the love.L: Anytime. So I haven't had a lot of time to focus on it and I miss Max.R: I know.L: I had a dream about him the other night.R: Really? Dirty?L: No, absolutely not. And when you're 21, I'll tell you the real answer. Anyway,it's put me in a funk since then.R: I'm sorry.L: Me too. We could talk about me for years, and believe me, we will. But let's focus on you, the lady of the evening. No hooker reference intended.R: Glad to hear it.L: Now,what are you gonna wear with that?R: Um, you tell me.L: Uh, where is he taking you?R: Why?L: Well, you don't want to clash with the decor. A lady plans ahead.R: Well, if you must know, he's taking me toAndoloro's.L: Oh, well isn't that romantic?R: I know!L: Wow, it's gonna be just like Lady and the Tramp. You'll share a plate of spaghetti, but it'll just be one long strand, but you won't realize it until you accidentallymeet in the middle. And then, he'll push a meatball towards you with his nose, and you'll push it back with your nose, and then you'll bring the meatball home and you'll save it in the refrigerator for years and. . .R:Mom?L: Uh, neither. Just wear your coat.R: Okay.L: But your flower's just a little smushed.LANE: (calls from front hallway) Rory?L: There you go, you're all set.LANE: Is anyone here?R: You all right?L: Oh yeah, youlook beautiful. Go.RORY: Lane?LANE: Oh my God!CUT TO FRONT HALLWAYLANE: I just can't believe it!RORY: I know!LANE: I mean, three months, that's like one sixty-fourth of your life!R: I know!LANE: I have to stophanging out with you. I mean, you're just making my life seem too pathetic.LORELAI: Join the club.R: Are you going to the festival? 'Cause maybe we could meet you there later.LANE: Oh yeah, that would beromantic.R: Lane.LANE: Yes, I'm going to the festival. And would you like to know why?L: Uh oh!LANE: My mother has once again set me up.R: Another future doctor?LANE: A future chiropractor. I think she's losingconfidence in my prospects.R: Maybe he'll be nice.LANE: Oh, it's not just him. We're going with his parents, his grandparents, two sisters, three brothers and at least one maiden aunt.(A car honks from outside)R:That's Dean.LANE: Remember, you have to tell me everything.R: Okay. You too.LANE: Oh yeah. After the walking, the silence, the sitting and the 'buh bye', that's when the fun will begin.R: I wanna know anyhow. ByeMom.L: Bye honey, have fun.R: Okay.L: Don't forget the meatball.LANE: The meatball?L: It's a mother-daughter thing. (Rory leaves)LANE: So, think I can hang out with you for awhile?L: Oh, uh, not unless you wannago to Hartford. Besides didn't anyone ever tell you, it's not polite to keep fifteen prospective Korean in-laws waiting.LANE: You can run over me on your way out. Maybe my mother wouldn't make me go if I was in thehospital.L: I wouldn't count on it.LANE: Yeah, you're right.CUT TO ELDER GILMORE RESIDENCE(Lorelai is on the front porch finishing her coffee. Emily opens the door before Lorelai rings the doorbell.)EMILY: You'relate.LORELAI: How did you do that?EMILY: What?LORELAI: Answer the door before I even rang the bell.EMILY: I thought I heard something, I came to the door, you were there. Come in please. (Lorelai walksin.)LORELAI: You thought you heard something?EMILY: Yes.L: Mom, that door is like ten feet thick.EMILY: So?L: Well, so, it wasn't like I was standing out there with a band of jackals, I was just drinking coffee.EMILY:Lorelai, what is it that you want to hear? That I was standing by the window, staring out at the driveway, waiting to pounce the moment you arrived.L: Yes, because believe it or not, that would be less creepy.EMILY:Get yourself a drink, please.(Lorelai walks into living room. Richard is on the couch reading the newspaper.)L: Hey Dad.RICHARD: Lorelai.L: Sorry I'm late. I was helping Rory get ready for her big date, and well, you"}
+{"doc_id":"doc_130","qid":"","text":"SCENE: The loft, Jess is trotting by Schmidt's room carrying lot's of science stuff.SCHMIDT: Jess!JESS: (Stops in Schmidt's doorway) Yeah?SCHMIDT: (Pacing back and forth) Can I ask you something?JESS: You wan'tmy help? Sure.SCHMIDT: You consider me a sexy man, correct?JESS: I don't know how to answer that question.SCHMIDT: Okay look, I'm meeting a girl for drinks tonight, and I'm probably going to bring her backhere, for s*x.JESS: I have to get to school cause it's astronomy day and I'm dressing up like Galileo, so I have to put on my beard.SCHMIDT: I get that, but as a lady, where in the room do I look sexiest? You know like,like where am I best on display? Here? (Sits in armchair, legs crossed holding head) Here? (Sits on arm of armchair) Or (runs over to bed) here? (lies on bed on his side)ENTER NICKNICK: Hey, what is going on outhere?JESS: Um, Schmidt wants to know where in his room he looks the sexiest.NICK: Well it's a big room. What are your choices?SCHMIDT: Ok, I'm glad you asked. Alright, (waves hand across bed) here? (runs overand sits in armchair) Here? (sits on arm of armchair again) Or here? You know, maybe just reading a book or something.NICK: It's a lot of options. Could you do them again really fast?SCHMIDT: You wanna see themagain?NICK: Please.SCHMIDT: Ok. Here? Here? Here?JESS: (Smirking) Wait, what was the first one again?NICK: (Also smirking) Yeah.SCHMIDT: (Angrily) OK. I get it. All laugh at Schmidt, great. Here?Here?...[SCENE_BREAK]OPENING CREDITS[SCENE_BREAK]SCENE: The loft, Jess is spreading cream cheese on a bagel in the kitchen area.JESS: I'm so excited to meet him...NICK: (Walking towards her) No, Jess he'ssleeping. He flew in late last night, we took him straight to the bar, took a bunch of shots, got drunk, screamed I love America. (Sits down) Now he's happily passed out. (Slurps coffee) Let's let him sleep.JESS: GuessI'm not the new kid anymore, I'm just one of the guys.NICK: You're still the new kid, Winston lived here before Coach did.JESS: (Carries on preparing breakfast) So Coach said, (shot of Schmidt walking by, takingearphones out) that they used to play basketball together at college, but then Winston went pro...SCHMIDT: In Latvia, okay? He went pro in Latvia, there's a big difference. (Nick turns around to look at him) Well theteam logo, is a fig. Just a.. just a one single fig.JESS: Oh, you're jealous. (Turns around) That's so cute. (Turns back)SCHMIDT: (Smirks) Of Winston? No no no. Look, I'm not jealous of Winston. Ok, it's been two year,he's gonna have to recognize, I'm a lot flyer now. Wanna see me flex my base? (Starts to take off shirt)NICK: Naw naw naw naw. Put your shirt on.SCHMIDT: (Takes off shirt) Let me flex my base. Let me flex my base,man.NICK: Put your shirt on.SCHMIDT: Baboom.NICK: It's the morning.JESS: (Whispers whilst carrying the breakfast tray) He's gonna love it.NICK: Jess, what are you doing? (To Schmidt) What is she doing?(Jesskicks opens the door, walks in and places the tray on the floor, loud enough to wake Winston. Winston wakes with a start.)WINSTON: What the.. what the.. (points at Jess) who?JESS: I'm Jess.(Back in thekitchen)JESS: (From the kitchen you can hear her singing) I'm Jeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeessssss!WINSTON: (Shouting) What's happening?! Why are you doing that?![SCENE_BREAK]SCENE: Nickand Jess are in the bathroom brushing their teeth, whilst Schmidt is in the shower.JESS: I can't believe you didn't tell me he was hungover!NICK: I totally told you he was hungover. I said he was drunk at the bar andnow he's passed out.(ENTER WINSTON)JESS: Hi, Winston. Hey, I apologize for what happened before... not cool, bad call. I've been talking to the guys about boundaries, so I totally get it.WINSTON: Perfectly fine, noproblem.JESS: Do you have a tank top I could borrow? You look like you're about my size. It's just that I'm really low on clothes right now cause I broke up with my boyfriend. And I caught him cheating and... I just likegrabbed whatever I could and...SCHMIDT: (Steps out of the shower) Jess, you know what? I'll let you check my lost and found. It's where I keep all the things the girls leave behind in my room after we've founicate.I've got sizes 0 through 10. (Jess and Schmidt leave)WINSTON: What have you done to me Nick?NICK: I am so happy you're back.[SCENE_BREAK]SCENE: Schmidt and Jess are sitting on the bed, with a box in front ofthem.JESS: (Rummaging through the box, she pulls out stiletto) You have made love to a lot of forgetful women.SCHMIDT: (Taking shoe off her) Ah man, look at these, wow. (Sees Jess taking out hair extensions fromthe box) Oh, look at that, Rochechana 06. Yeah, nothing orthodox about what we did that night.JESS: Winston seems nice...SCHMIDT: Did he say anything to you about the room?JESS: What room?SCHMIDT: The bigroom, I kinda took it from him when he left, I used to be in the small room. (Pulls out shirt from box that says 'I AM CLAIRE'.) This happened in the small room. (Looks at it) Twice. Never going back there again,Jess.[SCENE_BREAK]SCENE: Winston and Nick are tossing a basketball back and forth between then in the main living area of the loft.NICK: He's never gonna give you that room back.Winston: Psshhhh, come on man,it's Schmidt. You know they have a saying in Latvia. 'That guy is so stupid we could easily take things away from him'.NICK: (Laughs) That's a saying?WINSTON: (Laughs) Yeah, it is.NICK: That's a weird saying.(Bounces ball and throws to Winston who shoots and scores)ENTER JESSJESS: (Wearing borrowed clothes) What d'ya think?NICK: Jess, I've been telling you this for weeks but you gotta call Spencer and you gotta getyour stuff back. Unless, you know, unless you're scared.JESS: No, I'm not scared, it's just complicated. That stuff was... that stuff was ours and I miss him. (Starts to get upset.)SCHMIDT: Jess, look, it's a ball. (Throwsball to Jess)JESS: Oh, a little b-ball huh, (laughs). (Whilst bouncing ball) You know, I'm actually pretty good. I used to play with my mom. (Half-singing and still bouncing ball) Defense! Defense! Watch out for thedefense! Sneaky sneaky wah wah.NICK: (To Winston) You get used t`o it.JESS: Hey, Schmidt! (Bounces ball really hard in Schmidt's general direction and smashes the TV)NICK: Ah, come on!JESS: (Puts hands overher face) Uh!SCHMIDT: Wow! (Sarcastically)JESS: (Removes hands from face) Oh! (Breathes heavily) My bad!NICK: (Holding the bridge of his nose) Uuuuuuuuurgh.[SCENE_BREAK]JESS: I'm sorry, you guys.NICK:That was my TV, Jess.SCHMIDT: Kinda all he had.JESS: I'll get you a new one I just can't it afford it right now.NICK: If ya don't mind me asking, what's the plan?WINSTON: You don't know me like that but I need aTV.NICK: Do you have a TV at Spencer's?JESS: Yeah, I do, it's just really big and thin and brea...NICK: Go get it!JESS: No, I can't, I haven't spoken to Spencer since he cheated on me with that hoe! Actually, that's notfair, she might be a really nice hoe. I just don't wanna get in a big fight with Spencer, I want to be friends with him eventually.NICK: Why do you wanna be friends with your ex? I don't wanna be friends with Caroline,and all she did was rip me open and tear out my heart out with her perfect, perfect hands.JESS: He has this power over me, like he's a wizard and I'm his mage and I think it's his hair, he has like this really beautifulhair, and whenever I see it I get the 'woowoos'.NICK: Oh my god, I hate my life!SCHMIDT: Ok guys just.. Jess look, I know, closure, ouch, am I right?JESS: I don't know at all what you're saying right now.SCHMIDT:Ok Jess, think about it...NICK: Ok Schmidt, it's not that complicated, Jess just get the TV back!WINSTON: I need a TV.NICK: It's important! It's a television! It's what brings all of.. Just get us the TV!JESS: Okay, it's nota big deal. I'll do it. I'll call Spencer, and I'll talk to him, and, I, will talk, to, him. So, yay.SCHMIDT: Yay.[SCENE_BREAK][JESS SITTING ON A BENCH, WATCHING SPENCER RIDING TOWARDS HER ON HIS BIKE]JESS:Hi Spencer.SPENCER: (Takes his helmet off and shakes his hair out in slo-mo, movie style) Hi, Jess-jess.[SCENE_BREAK][THE GUYS IN A CAFE, AT A TABLE, EATING BREAKFAST]WINSTON: Wow, I miss this place.How's your yoghurt thing, Schmidt?SCHMIDT: Oh, the parfait? It's parfait.NICK: Come on, don't...SCHMIDT: (To the hot waitress) Oh, hello. You look beautiful today. You look smart.HOT WAITRESS: Stop talking to me,Schmidt.WINSTON: So, you're making all the calls now, Schmidt?SCHMIDT: Sure...WINSTON: This must mean, you're the top dog?SCHMIDT: Yeah?WINSTON: (Exchanging glances with Nick) That's cool...SCHMIDT:You know, i'm glad you guys think that, cause... you know I think that too.WINSTON: One hundred percent, I mean, when I moved out, obviously there was a power vacuum.NICK: Yeah, I needed a leader, I didn'tknow which end was up.SCHMIDT: Yeah, Nick's the bottom if you know what I mean.NICK: Absolutely, say Winston, do all top dogs need the biggest room or, I dunno, is that knida cheesy, a little over kill?WINSTON:No no no no no. Though I definitely see what you're saying though, definitely. Uh, every top dog is differt, every top dog is different. Hey, Schmidt, what uh, what kind of top dog are you?SCHMIDT: ...the kind with thebig room.[SCENE_BREAK][BACK TO JESS AND SPENCER ON THE BENCH TALKING]SPENCER: I'm so glad we're talking, last time I saw you, you were so mad.JESS: How is, um...?SPENCER: Rochelle.JESS:Rochelle...fancy name.SPENCER: She's great.JESS: Rochelle like a mermaid.SPENCER: Yeah.JESS: (Puts on weird voice and picks up parts of her hair) Hello. I'm Rochelle and I eat fish.SPENCER: Yeah, we have a lot incommon, see we both love bikes...JESS: I love bikes...SPENCER: Not enough.JESS: Um, Spencer. I need my stuff back. My TV, all my winter clothes.SPENCER: Yeah, of course. I would have brought it today but I rodemy bike here. You know, without the basket.JESS: Ok. Well, when will it be a good time for me to come over...?SPENCER: (Interrupting Jess and changing the subject) It's so good to see you Jess.JESS: Spencer, Ireally need my stuff..,SPENCER: Shuuuuuuuusshhh. I need something too.[SCENE_BREAK][JESS IS DRIVING ROCHELLE TO THE AIRPORT FOR SPENCER WHILST IN THE BACKGROUND 'BUST A MOVE' ISON]ROCHELLE: Thanks for taking me to the airport, Jess.JESS: (Monotone) Of course, all you have is your bike, Rochelle.SPENCER: Hit it!SPENCER AND ROCHELLE: (Singing) YOU WANT IT, YOU GOT IT, YOU WANT IT,BABY YOU GOT IT. JUST BUST A MOVE, UH. YOU WANT IT.[SCENE_BREAK][JESS IN A PAWN SHOP TRYING TO BARGAIN WITH THE OWNER FOR A TV]JESS: $550 for the TV? Seems a little steep. I'm gonna write downa figure and this is as high as I go. (Draws something on a piece of paper)PAWN SHOP OWNER: You drew a smiley face.JESS: I'm a teacher. Do it for the kids.PAWN SHOP OWNER: For the kids, $550.JESS: I can't gohome without a TV, I thought pawn shops were about helping people and frankly, right now, I feel taken advantage of. I just got out of a long relationship and I don't know what I'm doing emotionally or lets be honest,sexually. (Picks up her bag to go) I'll just, I'll just get out of here. (Tries to steal the TV but fails miserably.)PAWN SHOP OWNER: Are you trying to rob me?[SCENE_BREAK][BACK IN THE LOFT, NICK IS WATCHING TVON HIS PHONE]SCHMIDT: Hey, where's Winston, MM?NICK: Yeah, I think he's in his room, Schmidt.SCHMIDT: (Sits down) Do you really think I'm top dog?NICK: YesSCHMIDT: Do you think I'm head baller, shotcaller?NICK: Yes Schmidt, I feel that way.SCHMIDT: (Moves next to Nick) You see that man? It's my new thumb ring. Hot choice is that. Little skull. It's so nectar.NICK: Did you just make up nectar?SCHMIDT: Nah, it'sa volleyball term. What is Winston doing in there? He can't hang out in there, it's too small.[ENTER JESS AND CECE]NICK: What's up?SCHMIDT: Yo, what up, Cec?NICK: You alright?JESS: I'm sorry, I didn't get theTV.SCHMIDT: What happened?CECE: Urgh, terrible roommates. I mean seriously, you guys told her to call Spencer? That is not your job, that is my job!NICK: Alright, so what happened?JESS: Urgh, he needed a ride tothe airport.NICK: What?!JESS: For his new girlfriend.NICK: Are you kidding me?!SCHMIDT: Are you serious?CECE: What? You didn't tell me that!JESS: And, I'm supposed to pick her up next Sunday.NICK: OMGJess!SCHMIDT: Wow.JESS: What's wrong with me?NICK: I figured it out. This guy is your kryptonite. You need to stand up and you need to fight him.JESS: I want to fight him but I can't. I'm powerless.NICK: Causeyou're not ready to let him go. I think you know, deep down, once you get your stuff back, you know, it's over over.CECE: I can't believe I'm actually gonna say this, but, I agree with him.JESS: No, you guys are wrong.I really, I really wanna move on.NICK: Then you gotta fight.JESS: Alright, I wanna fight.NICK: Then get mad!JESS: I wanna get mad!NICK: (Stands up and pick up cushion from sofa) Alright, then do this. Pretend thisis Spencer's face. Punch it. (Jess prepares herself for a showdown with the cushion) Get. (Punches cushion) Come on, do it again. (Punches a little harder) Alright, punch it like a man. (Punches a little harder.) Harderthan that! (Punches harder)CECE: Come on, Jess.NICK: Come on Jess, get angry. (Punch) Good!CECE: (Punch) Get angry. (Punch) Get real angry.NICK: (Starts punch dancing) That's dancing. That's punch dancing. Hebroke your heart! He did terrible things to you, you hate him.JESS: (Still punching) I'm mad!NICK: Good.CECE: There you go.NICK: Good.JESS: I'm bad!NICK: You're ready, go get your stuff.JESS: (Starts walkingtowards the door) I'm gonna go get my stuff!NICK: Go get it.SCHMIDT: Go on, Jess.JESS: I'm really mad!NICK: I'm proud of you.JESS: I'm gonna go get it!NICK: Go get your stuff.JESS: I'm gonna face the facts! I'mgonna ask you guys, right now, to come with me. Seriously guys, cause I can't everything alone and I can't be alone.[SCENE_BREAK][THE WHOLE GANG ARE IN THE CAR WITH JESS AT THE WHEEL TO GO GET JESS'STUFF. SHE IS DRIVING REALLY FAST AND HAD VERY LOUD MUSIC ON IN THE CAR.]JESS: Yeah! Loud music! Loud. Loud. Loud.WINSTON: Ok, you're ruining my pre-game mence.JESS: What am I gonna say?NICK:Hey Spencer, give me my TV back.JESS: Hi Spencer, give me my TV back, buddy.NICK: Hey, no buddy. How about jerk or idiot.JESS: Mr. Crabs.WINSTON: Mr. Crabs is an option.CECE: (To Schmidt) Your hand is onmy leg.SCHMIDT: Your hand's on my leg.CECE: No, it really isn't.SCHMIDT: Classic he said, she said.CECE: Ok, Jess, just pull over right here. (Jess almost stops but at the last second steps on the gas again and drivesoff) Woah!JESS: Ok, you know what, just one more shot.NICK: Ok, one more time around Jess, and then we're good. You got this.JESS: Yeah. (Tries to pull up again but carries on driving again)SCHMIDT: Really? Comeon.JESS: Just one more time, gonna... (breathes)NICK: Alright, this is the time, this is the time. Wow.CECE: Woah!JESS: Ok one more shot, one more shot, just one more, just one more.SCHMIDT: (To Winston) Youknow I'm onto you.WINSTON: What do you mean?SCHMIDT: You told me that I'm top dog but secretly you think that you're top dog. Alright, now you are just trying to out top dog the top dog.CECE: Jess, can youplease take these doors off child lock so I can kill myself.SCHMIDT: Men are working. Look things are different now man, you're not top dog anymore. I am.WINSTON: Okay, you know what you are absolutely correctyou are the top dog. (Puts hand up to head as if taking off imaginary crown) Here. (Puts it on Schmidt)SCHMIDT: (Taking off the imaginary crown) What are you doing? There is no top dog crown. Are you trying tomake me look stupid. Look man, this is about respect, I'm a lot flyer than I used to be.WINSTON: Yeah, much flyer, I respect you Schmidt.SCHMIDT: No, you don't because if you had, you would have told me that the(song changes to a more calm love song) small room is the top dog room. (Jess begins to slow down)JESS: (Singing along)WINSTON: What? I own this song.JESS: (Still singing) YOU GO AND SAVE THE BEST FOR LAST(Finally pulls up out side Spencer's house)SCHMIDT: What's happening?WINSTON: What's happening if that is a great song.JESS: (Gets out of car and walks towards the house)CECE: I'll be out here if you need me,Jess. (Jess rings the doorbell continuously until it opens)SPENCER: Hi, Jess-jess.NICK: That's the wizard? He's wearing a scrunchie.WINSTON: It looks like he juggles clubs on the beach.CECE: Yeah, like he'd ever havea job.SCHMIDT: Didn't you just kinda assume he'd have a handlebar moustache.NICK: Come on Jess, just go in there and get that TV.SPENCER: (Pulls Jess into a hug) I missed you Jess.CECE: Don't hug him back...(Jess hugs him back) ALL IN CAR GROANSCHMIDT: Ugh. That's not healthy.JESS: (Notices withered plants) I told you to water the plants! (Pulls away from hug)SPENCER: Huh? Oh, you know that's not my thing. (Triesto hug her back but she pushes him away)JESS: I told you to water the plants. (Pick up flowerpot and throws it onto the lawn, smashing) ARRRRGGGHHHH!NICK: What is she doing?ALL: OHHH!!SCHMIDT: What amess.JESS: ARGGGHHHH! I'M GOING IN!! (Runs into house)SPENCER: Jess, take your shoes off, we keep an Asian household. (Runs after her)WINSTON: Didn't see that coming.NICK: Is she gonna be ok in there?[ALOT OF CRASHING AND BANGING]JESS: (Stumbles out of the house wearing tons of clothes and carrying bags and the TV) I got it! It's really heavy, but I got it!SCHMIDT: Oh my God, we created a monster.NICK: Shelooks like hell in bomb crudder.WINSTON: Oh guys, she's gonna drop. uh Jess, soft hands Jess.SPENCER: (Comes running out after her) Come on Jess. we'll share, you know, work out a system.JESS: (Turns aroundand notices she is wearing her shirt) Hey, hey. That's my shirt.SPENCER: No, this is my t-shirt.JESS: No, that is my shirt. It has my name on it. (Wobbles around)WINSTON: Don't drop it, Jess, don't, don't drop it,don't...CECE: Come on, everybody out. Now! (All rush out of car)ALL: Nonononono!!! (Jess drops the TV and it makes an unsatisfying sound)JESS: Give me my shirt! (Attacks Spencer)NICK: (Runs over and grabs holdof Jess) Hey Jess, nonononono, stop stop, sorry don't mind her we're just here for the TV.SPENCER: Who are these guys?JESS: They are my room-mates.SPENCER: Cece! Hi.CECE: (Walking towards the house) I gottago in and get the rest of your stuff, Jess.SPENCER: (To Cece) Hey. (To Jess) Let's just talk about this, okay, rap it out.JESS: No! We can't rap it out, we're not together anymore, it's not the same.SPENCER: Doesn'tmean we can't talk about things.JESS: There's nothing to talk about. Give me my shirt back.SPENCER: No, you gave this to me, I want to keep it.NICK: Give her, her t-shirt, man.SPENCER: No, I don't want to, youknow and I gave her this hat too so I'm going to take it back. (Bends down to reach for a red hat)NICK: You mean this one? (Picks it up and waves it in front of Spencer)SPENCER: Yeah. (Reaches for hat)NICK: Youwant that? (Carries on waving it)SPENCER: Yeah.NICK: (Puts on hat) Then I dare you, come take it off my head, pal. (Long pause whilst they all glare at Spencer) I dare you!SCHMIDT: (Walks over and outs another haton)WINSTON: You guys looks ridiculous. (Smirks)NICK: Look dude, give her the shirt back, (motions at shirt) I bet she worked hard on that 'JAM-boree'.JESS: Yeah. Play on words. Jam. Boree. Jam!NICK ANDSCHMIDT: Jam!SCHMIDT: We all made a lot of jam, Spence. You know how time consuming that can be? You need a jar funnel, a canner, some fresh fruit; strawberries, raspberries, maybe a tayberry, maybe aripe...NICK: No more fruit.SPENCER: You live with these people Jess?! Seriously?! You can stay here until you can find a better place to live.NICK: You know what, I don't like you stretch. I don't like anything about you.And I'm not afraid to...JESS: (Touches Nicks shoulder, to Nick) I got this. (To Spencer) I've got a place to live, Spence. It's over. I spent six year trying to figure you out. All you are is a guy with really beautiful hair. I'mhappy you cheated on me, thank you. Because if you hadn't, I would have ended up marrying you and then you would have hurt me all over again. (Sigh) And yeah, I was scared to start over, I didn't know what to do.And yeah, I'm living with three guys I met on the internet. And yeah, stranger danger is real, but I love these guys, I barely know them, I just met him, but I love them. All of them!GUYS: Just take it easy on the lovestuff...WINSTON: (Bends down to pick up a hat) Give her the shirt back, man. (Puts hat on)SPENCER: What happens if I say no?SCHMIDT: You know what happens? Schmidt happens! (Slaps Spencer)SPENCER: Ow."}
+{"doc_id":"doc_131","qid":"","text":"-[Storybrooke]-(Mr. Gold knocks on the door to Mary Margaret's apartment. Emma answers.)Mr. Gold: Ready to go, Miss Swan?Emma: Almost.(Mr. Gold enters the apartment, and Henry enters the room with a suitcaseand his coat.)Henry: Do you think we'll be cold where we're going, or warm?Emma: I think layers are always a good idea.Mr. Gold: I thought the terms of our agreement were quite clear. You owe me a favour - youalone.Emma: I'm not leaving Henry here with Cora lurking about, so either we both go, or we both stay.Mr. Gold: Then, we'll have to purchase another plane ticket, won't we?(Mary Margaret enters and helps Henry puton his jacket.)Emma: Wait. We're flying?Mr. Gold: Don't worry, I'm covering expenses. Even the new ones.(David overhears the conversation as he comes down the stairs.)David: You're a real gentleman, aren't you?Alright, Gold, you're going out there with my family. Just know, if anything happens to them...Mr. Gold: Then you'll what? Cross the town line? And David Nolan will hunt me down in his animal rescue van?David: I'll bedevastated. This isn't a threat. It's a request. Take care of them.Mr. Gold: I promise no harm will come to your family. After all, we have a deal.[SCENE_BREAK](Mr. Gold, equipped with the shawl around his neck, isdriving. Emma is in the passenger seat, and Henry is in the back seat. They are heading down a deserted road in Mr. Gold's car.)Henry: So... Where are we going?Mr. Gold: Logan International Airport.Emma: I think hemeant after that.Mr. Gold: Let's just take things one step at a time, shall we?Emma: You really think that shawl's going to work?Mr. Gold: Well, if it doesn't, and I revert to my cursed self, we're all going to have someproblems. It'll work.(They pass the 'leaving Storybrooke' sign and a wave of magic passes over Mr. Gold. There is a brief pause.)Emma: So?Mr. Gold: My name is Rumpelstiltskin. And we're going find myson.[SCENE_BREAK](At Mary Margaret's apartment, Mary Margaret is in the kitchen when David enters wearing two gun holsters.)MMB: You like the holster, huh?David: I miss carrying a sword.MMB: Well, it looks goodon you.David: Come on. Leroy has the dwarves on Cora watch. They've got eyes everywhere, but they could use our help.MMB: Really? How hard can it be to find a powerful sorceress in a small town?(They go to leave.When they open the door, they find Regina, who was just preparing to knock.)David: Apparently, not very hard.MMB: Regina. You're back.Regina: I know you think I'm responsible for poor Dr. Hopper's death.David:He's... Alive.Regina: What?MMB: You were framed.Regina: Who would do that?MMB: Your mother. She's here.Regina: But... But that's... That's... Not possible.MMB: When we found a way back, so did she. We werewrong... And we're so sorry.Regina: I know. But, if Cora's here, then we're all in danger. Please, you have to let me see my son. I can protect him.MMB: He's not here.Regina: What?David: Mr. Gold asked Emma to helphim find his son. They left town about an hour ago with Henry.Regina: And no one told me?MMB: We didn't know where you were. And, to be honest, Regina, I don't think Emma has to run anything by you.Regina: No,I suppose she doesn't.(Regina exits.)MMB: That went well.David: With her, it doesn't get much better. Come on. Let's go find Cora.MMB: Where?David: No idea. But I know who to ask.(David hands a quiver of arrowsand a bow to Mary Margaret, and the two of them leave.)[SCENE_BREAK](David, Mary Margaret, Leroy, and Hook are at the docks. Hook walks with an obvious limp.)Hook: You didn't even ask me about myrecovery.MMB: How are you feeling, Hook?Hook: Come closer and feel for yourself.(David hits Hook.)David: You want to lose the other hand? Where's the ship? Come on. Archie told us. It's shielded somehow, isn't it,mate?Hook: Aye... That it is. Follow me. I don't know what you expect to find. Cora won't be there.David: Well, maybe she left something behind that will tell us where she went. Let's go.Leroy: No funny business. I'mwatching you, pirate.Hook: Yes, Dwarf. That should deter me from any maleficence.MMB: Oh, don't worry, Leroy. He'll help us.Hook: What makes you so sure?MMB: Because you're a pirate. You know which way thewind blows, and, right now, it is gusting towards us.Hook: Oh. I see where your daughter got her gumption. Follow me.(They arrive at the pier where the ship is anchored. Hook walks up the invisible stairs anddisappears behind the shield. The rest of them follow suit.)Leroy: You sailed this ship from our land. Can you sail it back?Hook: My ship? She's a marvel. Made from enchanted wood. We weathered many a stormtogether, seen many strange, glittering shores. But, to travel between lands, she must go through a portal.David: Yeah. What do you know about Cora's plans?Hook: Cora's not the most communicative of lasses. I willtell you this - whatever malice she has in mind, her weapon of choice is in here.(Hook gestures to a tarp covered box. Leroy and David pull back the tarp, revealing a cage. Inside, is the shrunken giant from thebeanstalk. He is unconscious/sleeping.)MMB: Who's that?-[Fairy Tale Land - Past]-(At the giant's castle, the giants have gathered for dinner. One of them rings a bell to summon Anton. Anton enters.)Arlo: Ah. You'relate, Tiny.Abraham: Missed you out in the fields, Tiny.Anton: It's Anton.Abraham: But you're just so damn tiny, Tiny.Arlo: Alright, enough squabbling. Now, today, we celebrate. After a century of hard labour, the timeof the bean harvest has finally arrived.(The giants, save Anton, pound their fists into the table and cheer.)Anton: ...Yay.Arlo: But is a blossom more than its root? Is a harvest more important than a hard day's work?No. Each has value. Just as each of us has value. Hear, hear.Group: Hear, hear.(The giants stand up to toast, but are interrupted by a loud bang. They look over at Anton. A human-sized harp has slipped from hissleeve onto the table.)Arlo: You've been spending time in the treasure room again, haven't you?Anton: No. Maybe. So say that I was. So what?Arlo: Your fascination with the humans and their artifacts is misguided. Nogood can come of it.Anton: How can you say that, when you've never even been to their world? And you won't even let any of us go down there.Arlo: Have you forgotten what the humans did? Why we no longer tradebeans with them? They weren't content merely traveling between the realms. They had to conquer and pillage.Anton: Because a few humans did some bad stuff, doesn't make them all evil.Arlo: They don't abide by thesame laws that we do, Anton. We giants foster life. They destroy it. That is why they must never know that we still exist, or that we still grow the beans.Anton: But why do we keep growing them... If nobody ever usesthem?(There is an awkward silence at the table.)Arlo: It's what we do.Anton: We don't do anything with them!Arlo: It is the labour that makes us who we are. Not the fruit that it yields.Abraham: What is this? A humantoy?(Abraham picks up the harp and inspects it.)Anton: Put it down.(He crushes the harp in his hand and drops it to the floor.)Abraham: Not much fun, is it?Arlo: Abraham, that is enough.(Anton gets up from the tableand runs out of the room. Arlo calls after him.)Arlo: Tiny!(Anton exits the castle until he comes to the beanstalk. He looks down and ponders. He then decides to climb down to earth.)-[Storybrooke]-(David andcompany are still on Hook's ship. They are gathered around Anton's cage.)Leroy: So, Cora used magic to make him travel-sized.Hook: Whatever she intends to do with him, it's important.David: Oh, I think you knowexactly what she intends. You're holding out.Hook: Well, either have your lovely wife torture it out of me, which I promise will be fun for both-(David grabs Hook by the throat and shoves him against the wall.)David:Why don't you and I have some fun?Hook: I don't know what she's planning. Why don't you wake the bloody giant and ask him yourself?(Hook extends the key to the cage. Mary Margaret takes it and unlocks the door.She crouches down and touches Anton on the shoulder. He startles awake.)MMB: Hey... It's alright. You're safe now.(Anton crawls out of the cage.)MMB: What's your name?Anton: Anton. Where's that witch?MMB:She's gone.Anton: What did she do? She made me small.David: Come on. Let's get you out of here.Anton: You.David: Me?Anton: You!(Anton punches David in the face, causing him to fly backwards.)MMB:David!Leroy: Hey! Hey, over here, you big-(Leroy attempts to distract Anton, but is thrown down the stairs of the ship. Anton lunges at David, who has drawn his gun. He easily hits it out of his hand. Suddenly, MaryMargaret shoots an arrow past Anton's head.)MMB: Step away from my husband.Anton: You may have me outnumbered, but this isn't over. You think I forgot what you did? I didn't. You'll pay for your evil. I promise!You'll pay!(Anton flees the ship.)[SCENE_BREAK](Belle is watching television in a common room at the hospital. Ruby enters with a basket of items.)Ruby: Hey. You don't remember me, do you?Belle: Sorry, no, I... Idon't.Ruby: I'm Ruby. You used to come into my Granny's diner a lot. Before. I thought you could use some comforts from home. You were always telling me about Jules Verne, so I brought you my favorite - TheMysterious Island.Belle: Thank you. Were... Were we really friends?Ruby: Yeah, we were.Belle: Then tell me the truth. Before I was brought here, I was hurt. I was bleeding, and then this man came. And he... Hehealed me. Then, I saw him hold a ball of fire in his hands. How... How is that possible?!Ruby: The nurse said that the tranquilizers can give you wicked nightmares.Belle: No, I know what I saw. And I don't need anymore tranquilizers or-Ruby: Belle...Belle: Don't call me that. Why does everyone keep calling me that?(A nurse enters to restrain Belle.)Belle: I don't... I'm telling you, I don't...Nurse: Take it easy. Take it easy.(Thenurse sits her down in a chair and injects a sedative into her Belle's arm.)Ruby: Has she been like this the whole time?Nurse: More or less. We've had to keep her heavily sedated. Okay, let's get you back to bed.Belle:No...Nurse: Here we go. There.(The nurse escorts Belle out of the room. Meanwhile, Greg has entered and has seen the outburst.)Greg: Everything okay in here?Ruby: Everything's fine, Mr. Mendell. She's alright. Howare you?Greg: Much improved.Ruby: Well, then, rest up. The sooner you're better, the sooner you can be out of our quiet little town.[SCENE_BREAK](David, Mary Margaret, and Leroy are sitting in a booth at Granny'sDiner.)MMB: David... Did that giant just say he'll make you pay? For what?David: I have no idea. I've never seen that guy before.Leroy: Well, he sure knows you.David: No. It's not about me. He just thinks it is.-[FairyTale Land - Past]-(At his castle, James and barely-clothed Jack are having a make out session.)James: You are a true wonder.Jack: I know.(James picks her up and carries her to the bed. He drops her onto it, and thetwo of them resume where they left off. However, King George enters and interrupts.)King George: I didn't know you had company, James.James: Father. This is my father, the King. Father, this is-King George: I don'tcare. The kingdom is teetering on bankruptcy. The name of your latest dalliance is of little concern to me.Jack: Pleasure to meet you, too, Your Majesty.King George: Good day.James: Care for a drink, Father?(Jamesgoes over to a side table to pour himself a drink.)King George: There'll be time for that later. Right now, there's trouble afoot. I just received word that there's a giant running amok in the outer village.James: I thoughtgiants were extinct.Jack: I'd love the chance to battle one.King George: No. No killing. Not yet, anyway. This giant could be of use to us.James: Just tell me what needs to be done.-[Storybrooke]-(The trio is still atGranny's.)MMB: Your brother. That's who he thinks you are.David: It's the only thing that makes sense. Come on.MMB: Where are we going?David: To find out just what kind of trouble my brother got himself into.Leroy, get your head looked at and gather the dwarves. We need to keep an eye out for this giant.-[Fairy Tale Land - Past]-(Anton has successfully climbed down the beanstalk. He comes to a tavern, where he leansdown and peers inside the window. Seeing as he can't fit, he gets up and turns to leave. However, James and Jack have noticed him and chase after him.)James: If you want some ale, you should ask! They'll serveanyone who can pay, my friend. I'm James - Prince of this realm. I wanted to make sure you received a warm welcome.Anton: I'm Anton. I'm a giant.James: Yeah, I can see that. What brings you to our land?Anton:I've always been fascinated with your customs. I just... Wanted to see it for myself.James: Well, we would be more than happy to show you around. Of course, there's the matter of your size.Anton: I'm too small forback home, I'm too big for here.Jack: Don't despair, Anton. I have something that may help you.Anton: What is it?(She pulls out a small piece of mushroom.)Jack: Magic. A piece of mushroom from a far-off land. I onceslayed a Jabberwock that was terrorizing a village, and they... They couldn't pay me in gold, so they paid me with this, instead. If you eat it, it will change your size. Its effects are temporary, but we have more.(Antonreaches down and Jack drops the mushroom piece into his hand.)Jack: I'm pretty sure this one makes you smaller.Anton: Pretty sure?Jack: Well, I haven't had the occasion to try it, but... The wise woman who gave itto me swore by its power.James: Go on, Anton. Give it a try.Anton: I have no way to repay you for your kindness.Jack: No need. If it makes you happy, that's all the payment that we desire.Anton: Well, then at leasttell me your name.Jack: Jacqueline. But... Most people call me Jack.Anton: Nice to meet you, Jack.-[Boston]-(Emma, Henry and Mr. Gold have arrived at the airport. They pick up their boarding passes from the desk,and then enter the line for security.)Henry: Have you ever been outside of Storybrooke before, Mr. Gold?Mr. Gold: No.Henry: Are you nervous?Mr. Gold: No.Henry: Are you worried about meeting your son?Mr. Gold:No, Henry, I'm fine.Emma: How about we talk about all this later, kid? We're next.(Henry and Emma begin taking off their shoes to put in the boxes.)Henry: It must be really hard not to use magic - being like everyoneelse.Emma: You've got to put your shoes in.Mr. Gold: How terribly uncivilized.(Mr. Gold takes off his shoes and Henry goes through the metal detector.)TSA Agent: Uh, scarf and the cane go in the basket.Mr. Gold:What?TSA Agent: Scarf and cane go in the basket.Mr. Gold: I can't.Emma: You have to.(The man behind them interrupts.)Man: It ain't rocket science, buddy. You ever been on a plane before?Mr. Gold: Have you everbeen impaled upon a cane before?Emma: My... Father's a little nervous. We're headed to a family reunion. Sorry.Mr. Gold: Father?Emma: Just put your shawl in the bin. I'll help you get through.Mr. Gold: If I let this go,I could forget who I am.Emma: I'm not going to let that happen.Mr. Gold: Okay.(Mr. Gold takes the shawl off and puts it in the box with his cane. When he does, his hearing becomes distorted and he stumbles. He goesthrough the metal detector in almost a trace-like state, until Emma has a chance to grab his shawl out of the box on the other side of security. She puts it around his neck and his hearing and mind go back to normal.Mr. Gold gives a slight nod and the two of them begin to put their shoes back on. Henry is there waiting for them.)Henry: Guys, there's a Cinnabons here!-[Storybrooke]-(Hook enters a deserted alley near the docks. Heplaces a card - the Queen of Hearts - onto the ground. When he turns around, Regina has appeared behind him.)Regina: Hello, Hook.Hook: Regina.Regina: Expecting my mother? The one you were supposed tokill?Hook: Oh, that. Well, I didn't want to deprive you of a happy reunion.Regina: Well, it's your lucky day. She and I have made amends.Hook: And you're here to thank me? How sweet.Regina: She wants to know ifthey've found the ship.Hook: Well, you can tell her, she can ask me herself.Regina: She decided it wouldn't be prudent for her to be out and about.Hook: Well, then it is my lucky day. And you can tell her they found theship.Regina: Well, did you get her things off it?Hook: I've been tied up in bed - not in the good way.Regina: She needs her things.Hook: Oh, I'll bet she does. Well, there's good news, then. A giant got loose from thehold.Regina: You lost a giant?Hook: Well, a shrunken giant.Regina: How is that good news?Hook: Because, when he got free, he took one look at the Prince, and became extremely murderous.Regina: Hm. A giant intown who wants to kill the Prince. This is just the distraction we need.Hook: That it is, dear.[SCENE_BREAK](Elsewhere, Anton is attempting to navigate the streets of Storybrooke. He dodges cars as they honk athim.)-[Fairy Tale Land - Past]-(Anton, who is now small, James, and Jack enter the tavern. James pulls out a chair for Anton, and the three of them sit at a table.)James: Much better to be on the inside, huh? Please.You're the guest of honour.Anton: No fighting for a seat at the table. If my brothers could see me now...Jack: I'm not so sure about this family of yours, Anton. It doesn't sound like they appreciate you.Anton: They'renot so bad. Except for the... Making fun of me. And the pushing me around. And the harsh words. Well, yeah, it's sort of bad.James: Sometimes, you have to leave home to find the people you...truly belong with. Yourreal family.Jack: It's like you were always meant to be here, Anton.James: Now, make sure our Anton has all that he needs.(James gets up and heads to the other side of the pub. In the corner, a group of people areplaying music. One of them is playing a harp.)Anton: I had one of those once. I never knew it made such beautiful music. My brothers are so wrong about humans.(Anton overhears James arguing with anotherman.)James: It's unacceptable! Go back there and tell him what I said. Promise them anything. I don't care-Anton: Is there a problem?Jack: He didn't tell you, did he? The royal coffers are empty. James and his fatherare deeply in debt to a neighboring kingdom.Anton: I don't understand.Jack: If James can't pay back what he owes, they'll plunder this realm, and burn it to the ground.Anton: Now I understand.Jack: It's bad.Anton:Will the other kingdom only accept gold coins?Jack: Well, it depends. A magic bean, for instance, would be worth a thousand coins, but... You don't have any of those back home. ...Do you?Anton: No. No beans. We dohave treasure. Enough to pay off your debts, I bet.Jack: You would help us?Anton: Without question. If I'm going to stay here for good, might as well make sure it's a nice kingdom and not, you know - burned to theground.Jack: You are our hero.-[Storybrooke]-(In the woods, Anton is sitting on a log and looking forlornly at the river. Regina approaches him.)Anton: Get away from me!Regina: I'm here to help you.Anton: No. You'rehuman. I hate humans.(Regina continues to walk towards him.)Anton: Don't come any closer! Or I'll kill you.Regina: Look, I hear you're in town cause you want to kill someone. I can help. I have no love for this Prince,either, and if you want to destroy this town to get to him... Well, I'm happy to do my part. This will make you bigger. It will return you to your former glory.(He takes the proffered mushroom and takes a bite. In a puffof blue smoke, he returns to his former giant size.)Regina: Now, get to work! As I'm sure you're aware, that mushroom won't last forever.-[Boston]-(Emma, Mr. Gold and Henry are waiting by their gate. Mr. Gold ispacing back and forth.)Emma: Do you want something to eat?Mr. Gold: No.Emma: Is something wrong?Mr. Gold: Stop asking me that! I'll be right back.(Mr. Gold leaves and enters the public washroom. He enters oneof the stalls and locks the door. Still anxious, he starts to pace back and forth, until he suddenly drops his cane and begins violently punching the toilet seat cover dispenser on the wall. Afterward, Mr. Gold leans againstthe wall and looks down at his bloodied hand. He waves his hand over the wounds, but nothing happens. He tries again with the same result. Henry enters the washroom and calls out for him.)Henry: Mr. Gold? Mr.Gold? We're boarding soon. Are you coming?(He ignores Henry.)-[Fairy Tale Land - Past]-(Anton has returned to the castle and is gathering treasure. Arlo finds him there.)Arlo: Anton. Anton, where have you been? Wewere worried.Anton: I needed to get away for a little while. So, I went down below to see things for myself.Arlo: You went to the human world? Do you have any idea how dangerous that could be?Anton: I met friendsthere - friends who understand me. Who like me. And I plan to go back for good.Arlo: Anton... I know we tease you. But we love you. You're our brother. You know that. You expect these humans to just welcome you"}
+{"doc_id":"doc_132","qid":"","text":"Produced by: Robert Carlock & Wendy Knoller Final check by Kim[Scene: Joey's place. Rachel and Joey are talking]Joey: All right, all right, all right, let's play one more time, ok? And remember, if I win you do not moveto Paris.Rachel: Ok! Can't believe I'm risking this again, but you're on! All right Joe, you remember the rules! Heads I win, tails you lose.Joey: Just flip!Rachel (she flips the coin): Ha, tails!Joey: Damnit!(Chandler andMonica enter the room)Chandler: Hey!Joey: Hey!Chandler: So we thought we'd throw you little going away party around seven.Rachel: Oh, that sounds good!Monica: Hey, Rach, you're leaving tomorrow, shouldn't yoube packing?Rachel: It's all done!Monica: Oh, yeah, right! And after I took a shower this morning I just threw my towel on the floor! Oh God, it hurts to even joke about it.Rachel: I know... Honey, seriously, I did it all.The luggage that I'm taking is in the bedroom, this is Emma's Paris stuff, these are the boxes that I'm having shipped, and that's the sandwich that I made for the plane...Monica: Ok, so you've done some good work!(pause) What about your carry-ons?Rachel: Oh, well. Everything that I need (she takes her bag) is in here and my travel documents are on the counter organized in the order that I will be needing them.Monica: Oh myGod! I have nothing left to teach you! (they hug)Chandler: Where's your passport?Rachel: It should be right next to my plane ticket.Chandler: Well, it's not.Rachel: What? Maybe I put it in here (she opens her bag). Oh,oh, it's not in there! Oh, no! I must have packed it in one of these boxes!Monica: Here, let me help you. (they both start opening boxes)Rachel: Shoot. Oh, I can't believe I did this!Chandler (to Joey): At what point didit stop being funny that I took her passport?OPENING SEQUENCE[Scene: Monica's apartment. Monica and Erica are talking about the baby, and Monica is rubbing Erica's tummy.]Monica: Oh, wow, can you believeyou're like three weeks away?Erica: I know.Monica: You don't mind me touching your belly, do you?Erica: No, I don't mind you touching my belly, but right now your hand is kind of blocking the part where the baby isgonna come out.(She takes her hand off Erica. Ross enters the room)Ross: Hey!Erica: Hi.Ross: Hey Erica, welcome back to town! (pause) Wow, look how big you've gotten.Erica: That's because I'm pregnant!Ross:Right, no, I understand.Erica: Oh, ok. I'm just always afraid that people think I'm just fat with big breasts.Ross: No, no, I knew (he stares at her breasts).Monica (to Ross): Okay, well, stop staring at them.Ross: Shebrought them up! (pause) I didn't realize you were coming back so soon!Erica: Hey, well, in a couple of weeks I won't be able to travel.Monica: Yeah, and I wanted her to get to know the doctors and get settled into thehotel.Ross: Hotel? Why isn't she staying with you guys?Monica: Because we're moving in a couple of days and it just didn't make sense.Erica: Plus hotels are fun! My room has this little fridge full of free snacks!Ross:Erica, those things aren't free. In fact they have one of the highest mark-ups of any consumer product...Monica: Ross! She's giving us her baby. She can eat you if she wants.Erica (standing up): I'll be right back.Ross:Oh man, I can't believe you guys are leaving this place.Monica: Oh, I know. I know. Hey, you know, you can take it if you want! The lease is still in Nana's name.Ross: No, no. This will always be your place. It would betoo sad. Plus, how much a month does it cost to feed Joey?Monica: Yeah, it takes two incomes.Ross: Hey, is Chandler here? We talked about catching a movie.Monica: Oh, no. He doesn't have time for that. But if youwant, you can go help him and Joey pack up the guest room.Ross: Mhm, (he balance things) packing - sexy cheerleader comedy.Monica: Mhm, helpful brother - creepy loner at teen movie.(Ross takes the tape roll she'shanding him and walks to the guest room while mocking Monica's voice)[Scene: Guest room. Joey has his head wrapped in bubbled wrap and Chandler is punching him. Ross enters the room.]Ross: What are you guysdoing?Joey: Try it, I can't feel a thing! (Ross starts punching him too)Monica (enters the room): Are, are you kidding? This is packing?Chandler: We're taking a break!Monica: From?Chandler: Jumping on thebed?Monica: All right, Rachel's party is in a couple of hours and there's a lot to do. Now, Ross, you got Geller blood, you're in charge of these yahoos!Ross: You got it! (Monica leaves, Ross closes the door). All right,she's right, we gotta get serious. (He grabs a bag of styrofoam peanuts) Let's put styrofoam peanuts down his pants and kick him!Chandler: No, no, no, guys. She's right. We should get to work. I'll take stuff out of thecloset, Joey you pack 'em and Ross you re-pack whatever Joey packs.(Joey takes the bubble wrap off his head)Joey: You guys hear a ringing?Chandler: (holding a pair of furry handcuffs) What the hell is this?Joey: Hey!Handcuffs! And fur line, nice! I didn't know you guys had it in ya!Ross: Chandler, you don't have a sister so you can't understand how much this bums me out.Chandler: I didn't know Monica had these!Joey: Mhm,maybe she used them with another boyfriend. Maybe Richard!Chandler: Why would she use them with Richard and not me? I can be kinky! I once did a naked dance for her... with scarves!Ross: Bumming hard, guys,bumming hard.[Scene: Monica's apartment. Phoebe and Ross enter the room.]Phoebe: Hey!Monica: Hey! Where's Mike?Phoebe: Oh, he has a gig. I kinda like being married to a rock star, you know. My husband has agig.Ross: Yeah? Yeah, where is it?Phoebe: Oh, he's playing organ for a children's roller-skating party.Ross: Rock on!Phoebe (watching the food on the table): Wow, this is quite a spread! (pause) What is all thisstuff?Monica: Well, I thought this would be a great opportunity to use up all the food that I don't want to move to the new house with me! So, enjoy: smoke oyster casserole with a breakfast cereal crust, kidney beansin their own juices, and for dessert, a questionable orange.Joey: (entering the room) Hey.Chandler: Hey.Ross: Hey, where's Rach?Joey: Oh, she's putting Emma down, she'll be over in a second.Ross: Great.Joey: Nowit just hit her that she's leaving and she's kind of emotional so no one say anything to set her off, ok?Monica: Yeah.(Rachel enters the room)Everybody: Hey Rach, hey you.Ross: Here she is!Rachel (crying): Hi youguys!Joey: What did I just say?Rachel: No, no, no. It's ok. I'm gonna be fine.Monica: Come here, I'll make you a drink.Ross: Oh, man! I can't believe she's actually leaving. How am I gonna say goodbye toRachel?Chandler: I know, she's been such a big part of my life. And it feels like when Melrose Place got cancelled. (Ross and Joey looks puzzled) I mean... oh, forget it. I miss Melrose Place!Joey (to Ross): You know, Ihad a chance to stop her too!Ross: Yeah?Joey: Who loses fifty seven coin tosses in a row? Head she wins, tails I lose. (he stops and starts realizing something) Wait a minute...Chandler: Yes, Joe?Joey: I forgot to pickup my dry cleaning!Phoebe (to Rachel): You doing ok?Rachel: Well, I've been better.Phoebe: Uh-hmm.Rachel: You guys are gonna come and visit me, right?Phoebe: Yes! You know, in six months the Statute ofLimitations runs out and I can travel internationally again!Rachel: I'm gonna miss you so much.Phoebe: I know.Rachel: You know what? Uhm, I have some goodbye stuff that I wanted to say to each of you and I wasgonna save it until the end of the night, but come here (they go into the guest room).Ross: Hey, what do you think they're doing in there?Joey: Huh, if I had to guess I'd say Rachel is putting on the bubble wrap andPhoebe is doing the punching.[Scene: Guest room. Rachel and Phoebe are sitting on the bed.]Rachel: Oh, Pheebs, I don't even know where to start.Phoebe: Ok well, before you do, I know we weren't supposed to getyou going away presents, (she takes something out from her pocket) but I do have something for you.Rachel: Oh, oh. (she's holding the present, a transparent bag with a white stick in it). What is this?Phoebe: It's acotton swab with a bit of my saliva on it, so that if they perfect the cloning process while you are over there, you can use the DNA to create your own Pheebs!Rachel: I'm gonna throw this away, but thank you so muchfor the gesture![Scene: Monica's apartment. The living room.]Monica: Chandler? I was just in our bedroom and I found these (she holds the furry handcuffs) on my pillow.Chandler: Oh, yes. I decided to leave these outfor you in case Richard stops by and you wanna engage on a little light bondage and moustache play!Monica: What are you talking about? These aren't mine.Chandler: Oh yeah, right! Good luck getting another scarfdance from me!Monica: That would be a terrible punishment. But, I'm serious, I've never seen these before.Chandler: Really? Then what are they doing in our guestroom?Monica: Rachel used to live in thatroom.Chandler: Rachel... with handcuffs! Interesting! (he looks excited)Monica: Joey's bare ass!Chandler: (he doesn't look excited anymore). Well played.(Phoebe and Rachel enter the living room.)Rachel: I love youPhoebe.Phoebe: I love you too. (they hug) Please don't... Don't turn into... you know... French bitch! (they hug again)Rachel: All right. Well, if I gonna do this, I'd better keep going.Phoebe: Ok.Rachel: Ok.Monica?Monica: Yeah?Rachel: Can you come here with me for a minute?Monica: Sure.Phoebe: (to Monica) Are you wearing waterproof mascara?Monica: No.Phoebe: Oh, you're so screwed. (Monica goes into the guestroom)Ross: (to Phoebe) Hey. What was that all about?Phoebe: She's gonna say goodbye to each of us individually.Ross: Are you kidding? Oh my God...Phoebe: Yeah, I know, it's gonna be even worse for you... God...Ross, get ready to do some serious crying.Ross: Oh, man, I'm not going to be able to handle this. (pause) Now I know how my students feel at the end of each year. And why they act out by giving me such badevaluations.[Scene: The guest bedroom. Rachel and Monica are talking to each other.]Rachel: Mon... Okay... I've gotta... just say what it is I'm gonna say... None of the amazing things that have happened to me in thelast ten years, would have happened if it wasn't for you. No-one has been more like a sister to me...Monica: I know what you mean. You're like a sister to me too.Rachel: (starts crying and speaking at the same time,making it almost impossible to understand what she's saying) I wouldn't know what I'm gonna do without you...Monica: (having the same problem) You're the best friend I ever had.Rachel: (says something that cannotbe understood)Monica: What?Rachel: I... I... I... (again saying something that cannot be understood)Monica: That is so sweet. (they hug)[Scene: Back to the living room. Monica and Rachel enter and hug each other.The guys see this.]Ross: (to Joey) Oh no, she took down Monica... And I'm the crier in the family. Oh God! I could be next. Maybe she won't talk with me if it looks like we're deep in converstation. Oh, so that thing yousaid about the thing. It really made me think about that other thing.Chandler: Uh, Rach?Ross: Well it's okay. Chandler is talking to her.Joey: I really made you think about that thing uh?Chandler: (to Rachel) Uh,Rach... I think I have something that belongs to you. (shows her the cuffs)Rachel: (laughs) Oh, I'm sure gonna miss pretending to laugh at your weird jokes that I don't get.Chandler: No, no, no... They're really yours.We... found them in your old room.Rachel: Well, these aren't mine. Maybe Monica used to use them with...Chandler: Don't say Richard! Well, if they're not Monica's and they're not yours, then whose are they?Rachel:Well, I think you're forgetting the kinkiest former resident of that room.Chandler: Pheebs!Phoebe: (from the other side of the room) Yeah!Chandler: I think these are yours.Phoebe: These are not mine... Look howflimsy they are, come on! Good God! You try to hang a guy from a waterpipe with these, they'll snap like a piece of licorice.Rachel: (to Chandler) Can I talk to you alone for a minute?Chandler: Sure. (to Phoebe) Youdon't really handcuff guys to waterpipes do you?Phoebe: Where do you think Mike really is? (she giggles, Chandler looks aghast)[Scene: The guest bedroom. Chandler and Rachel.]Rachel: Oh honey...Chandler: Let mejust say something... Because once we get into this, I'm gonna get all uncomfortable and probably make some stupid joke... I just want to say that I... I love you... And, I'm gonna miss you. And I'm so sad that you'releaving.Rachel: (all mushy) Oh, you know what? Let's not say anything else. I love you. (they hug)Chandler: Ooh, not so tight... (blows raspberry, and the hug ends) I'm sorry, just give me one more chance.Rachel:Okay. Oh...(Chandler blows raspberry again)Rachel: Oh!Chandler: I'm sor... Just go. Just go. I can't, I can't.[SCENE_BREAK][Scene: Monica's living room. We look outside to the balcony where Rachel is saying goodbyeto Joey.]Monica: (to Ross) So, I guess you're next. You're ready?Ross: I don't think so.Chandler: Oh, you're definately not. I haven't cried like that in years.Monica: You cried yesterday at the six o'clock news.Chandler:That old woman was being scammed by her mechanic.Ross: God! I can't believe she saved me for last. (looking out to the balcony) Why are they taking so long?Phoebe: I don't know. But, God, Joey seems to behandling it suprisingly well.(Rachel and Joey hug, and Rachel turns to enter the apartment through the side window again. At that moment Joey tries to climb over the edge of the balcony.)All: No, no, no, no!(Rachelrushes back and pulls Joey back onto the balcony, and takes him inside.)Ross: Okay, here we go...Rachel: Oh... (holding Ross's shoulder) Well...Ross: Yeah...Rachel: I think I'm gonna take off. (pats Ross on his back,but he looks very surprised)Ross: Huh?Rachel: Oh, you guys. This was an amazing night. Thank you so much. I love you. Good night.(She leaves the apartment and they all stare at Ross)Ross: What? I don't get agoodbye?Joey: (still very emotional) Lucky b*st*rd![Scene: Monica's apartment continued... Phoebe, Chandler, Monica and Joey are sitting down and Ross is pacing up and down.]Ross: Unbelievable. She says goodbyeto everyone but me.Monica: Well, maybe she thought that with all of your history it could be, you know, implicit.Ross: Well, it needs to be plicit.Joey: All right, let's think about this. I mean, there's got to be anexplanation. Uh... did you do anything to make her mad?Ross: No, I don't think so.Phoebe: You know, maybe she was just really spent from our talk. It was pretty intense.Monica: Yeah. Mine too.Chandler: Mine was ahumdingerRoss: (annoyed) O-kay... I mean, don't I deserve anything? I mean, a few tears, a cursory hug? (Joey gives Ross a hug) NOT FROM YOU! (Joey lets go)Phoebe: Ross, if you're this upset, you should go andtalk to her.Monica: And say what? \"You owe me a goodbye\", I mean, he's got more pride than that.Ross: THE HELL I DO!(Ross takes big steps leaving for Joey and Rachel's apartment, where Rachel is going through herpapers.)Ross: I don't get a goodbye?Rachel: What?Ross: (talking agitated and angry) Everyone gets a goodbye but me? What have I got to do to get a goodbye, huh? Be best friends with you? Uh, go out with you?Have a baby with you? Oh wait a minute, wait a minute, I did all those things.Rachel: Ross...Ross: Oh no, maybe it's me, I'm just not giving you enough credit. Uh, I mean it is difficult to say goodbye to five people. Uh,goodbye, goodbye, goodbye, goodbye, good... (makes choking noises) IT'S PHYSICALLY IMPOSSIBLE. You know what? After all we've been through, I can't believe this is how you want to leave things between us. Havea, have a good time in Paris. (He leaves the apartment. Rachel looks kind of desperate.)[Scene: Monica and Chandler's apartment. The others are still there.]Monica: I hope Ross isn't too upset.Joey: I'm sure he's notmore bummed out than I am.Phoebe: Tell me about it.Chandler: Well, you can't say we don't know how to throw a party.Phoebe: All right, I think I'm gonna head out.Monica: Uh, where do you think you'regoing?Phoebe: I thought I was going home to go to bed, but I'm sensing there's something less fun for me to do here.Monica: We're moving in a couple of days and we've got a lot of packing to do. It would be great ifyou guys could pitch in.Chandler: Joey and I can finish up in the guest room.Joey: Oh, yeah, yeah, good idea. (he mimes hitting his head with his fist)Monica: Oh no! You and Phoebe are gonna help me inhere.Chandler: (to Joey) You couldn't be cool. (he goes to the guest bedroom)Monica: Okay, we're gonna start in the kitchen. Plates get put into plate protectors and stacked ten to a box. The silverware gets bundled inrubber bands and then bubble wrapped. Got it?Phoebe and Joey: Yeah.Monica: Good! Now I need you to be careful and efficient. And remember, if I am harsh with you, it is only because you are doing itwrong.Chandler: Hey Mon, I think I figured out whose handcuffs they are.Monica: You did? How?Chandler: Well, I was cleaning out the closet and I found some pictures of them... being used.Monica: Oh my God! Letme see. (they all look at the pictures)Joey: Who's that dirty old lady?Chandler: Monica's grandmother.Monica: Nana liked it rough!(Erica, the pregnant girl, enters)Erica: Hi!All: Hey!Joey: Come on here, have aseat.Phoebe: How was your night?Erica: Oh, it was okay. I went to a movie with my cousin and then out for dinner. We went to this place that had... Ooh... (she looks likes she is in pain, holding her belly) Hoo... ooh...Anyway, they had these really amazing cheeseburgers.Monica: Erica, are you okay?Erica: Yeah, you know, maybe I ate too much. I keep getting these stomach aches. They come and go like every few minutes.Monica:Oh my God!Chandler: Relax! We just get her some antacids.Monica: She doesn't have a stomach ache, she's in labor.Chandler: Oh my God!Phoebe: Yeah, you got to get to the hospital.Monica: All right, Chandler getthe coats. Erica let's go. Phoebe and Joey, keep packing! Oh my God we're gonna have a baby. All right. We're gonna have a baby! OH MY GOD, WE'RE GONNA HAVE A BABY! Oh God, oh God, I got to sit down, I got tosit down. Ooh! (she's hyperventilating)Chandler: Honey, it's gonna be okay.Erica: You can do this. Just breathe.Monica: Okay, okay... Okay, I feel a little better.Erica: (in pain) Ooh! Are you sure?Monica: Oh... Yes, I'msure. Oh honey, let's go. Okay bye everyone.(there's a lot of supportive cheers from all. Erica, Monica and Chandler leave.)Joey: Chandler, wait, wait, wait...Chandler: What?Joey: If you get a second, find out where shegot that cheeseburger.[Scene: Ross's apartment. Rachel bursts in.]Rachel: You really think I didn't say goodbye to you because I don't care?Ross: That's what it seemed like.Rachel: I cannot believe that after ten years,you do not know ONE thing about me.Ross: Fine, then why didn't you say something?Rachel: Because it is too damn hard Ross. I can't even begin to explain to you how much I'm gonna miss you. When I think aboutnot seeing you every day, it makes me not want to go... Okay, so if you think that I didn't say goodbye to you because you don't mean as much to me as everybody else, you're wrong. It's because you mean more tome. So there, all right, there's your goodbye... Oh!Ross: Rach!Rachel: What?Ross: You keep, you keep... You can't...Rachel: WHAT?(Ross walks over to her and starts to kiss her passionately. After a while Rachel backsout. She thinks a while and starts kissing him back.)[SCENE_BREAK][Scene: Chandler and Monica's apartment.]Joey: A little more.Phoebe: Okay. (she starts to stuff styrofoam peanuts down the front of Joey'spants.)Joey: A little more, a little more. (she stuffs some more down his pants and Joey's assesses the how many there already are in there.) A little more... All right. Okay, all right, let's do this.Phoebe: All right,ready?Joey: Yeah. All right, now give me your best shot.Phoebe: All right, here it goes...(she knees him in the crotch. He jumps up a bit)Joey: (in pain) Doesn't work... (he falls down on on his knees with his head onthe floor)"}
+{"doc_id":"doc_133","qid":"","text":"Act 1Scene 1 - Café Nervosa Fade in. Frasier is just getting to a table. Niles comes in.Niles: Just the man I wanted to see. Coffee, please.Frasier: Niles, Niles...Niles: You would not believe the morning I...Frasier: Niles,would you be terrible offended if I asked you just not to not talk about it and sit quietly?Niles: Can I at least tell you...?Frasier: Shhh, shhh, please, I do not have time for your folderol today. I am meeting Charlotte forlunch and I'm planning my strategy on how to win her over.Niles: I thought you said she has a boyfriend, this environmentalist fellow.Frasier: Yes, Frank.The waiter brings Niles' coffee.Niles: Thank you. So, what's yourplan to get around him?Frasier: I'm merely going to present myself as the anti-Frank.Niles: Ah. So you're going to be not rugged and not handsome? Interesting.Frasier: No.Niles: You're also going to be not passionateand not committed.Frasier: Very funny.Niles: Maybe she'd like you if you were not interesting and not informed.Frasier: Niles!Niles: Well you said my day was folderol!Frasier: Sometimes it is!CUT TO: Roz and a mantalking at the window table.Roz: I don't believe you.Steve: It's true. My roommate and I used to listen to your show Every day just for you. We fell in love with your voice.Roz: Really? [in a dusky tone] It's just avoice.Steve: Well, all the guys on my floor listen to you.Roz: To our show?Steve: Yeah.Roz: Boy, things sure have changed since I was in college.Steve: Well, it wasn't exactly college, more like prison.Roz: So wasmine. So where'd you go?Steve: Prison.Roz: Oh. So... you fell in love with my voice?CUT TO: Niles and Frasier as Charlotte walks in.Charlotte: Hi. The boys rise.Frasier: Charlotte, hi. You remember my brotherNiles.Niles: Yes, Charlotte, how are you?Charlotte: Oh, hello. Well, frustrated. Been selling this guy all over town, but no one's buying.Niles: [sitting] Well, perhaps if you threw in a toaster.Charlotte: I just have to callFrank before we head out.Frasier: Oh, right. So everything's settled between the two of you?Charlotte: Oh, yeah. He came over last night, I don't even remember what we were fighting about.She walks back to thepayphone as Frasier grumpily turns to Niles.Frasier: You know what THAT means, don't you? [sitting] They had a long night of acrobatic make-up s*x.Niles: I just thought of another way you could be theanti-Frank.Frasier glares for a moment, then gets a gleam in his eye.Frasier: Niles.Niles: Mmm?Frasier: Keep an eye out for her, will you?Niles: What are you doing?Frasier: Research.Frasier opens Charlotte's purse andbegins looking through it.Niles: Frasier, Frasier? Foul play!Frasier: Yes, all is fair in love and war. That's interesting. An anthology of Irish plays. Perfect!Niles: What do you know about Irish plays?Frasier: Nothing. Butnot for long. There's one area where no manhas ever bested me, Niles: homework!Charlotte comes back and Frasier gets to his feet.Frasier: Charlotte, listen, I was just beeped by a patient who's desperate to see me,so do you mind if we just switch lunch for dinner?Charlotte: Actually, that's better for me. I have four new clientscoming in. Just think: the woman of your dreams may be sitting in my office this afternoon.Frasier:Indeed she may.Frasier smiles, then turns and hurries out.[SCENE_BREAK]Scene 2 - A Restaurant Fade in. Frasier hurries up to the Maitre D', Georges.Georges: Ah, Monsieur, so nice to see you again. Your specialtable is ready for you.Frasier: And the wine?Georges: As you requested, monsieur.Frasier: Right. And the roses?Georges: I'm so sorry, monsieur, I felt that the scent would distract from the wine's distinctivebouquet.Frasier: You forgot them, didn't you?Georges: Yes, forgive me.He hangs his head.Frasier: For God's sake, Georges. All right, send a busboy out to pick some wild flowers, please.Georges: Very good sir.Heheads off as Charlotte comes in the front.Charlotte: Gee. You kinda sprinted ahead of me, there.Frasier: So sorry. I just wanted to make sure that we could get a table. Here, come and sit.Charlotte: This place is kindafancy for a working dinner.Frasier: Yes, well, after the rigors of your camping trip with Frank, I thought you deserved a little elegance.Charlotte: Thank you. [She gets her notebook.] So, good news: I met this greatwoman today. How do you feel about dating someone a little taller than you?Frasier pours the wine.Frasier: How much taller?Charlotte: I don't know exactly, but I did have to turn off the ceiling fan.Frasier: Well, let'sjust put her in the maybe pile, shall we?Frank comes in and over to the table.Frank: Hi, sweetie.Charlotte: Hi.Frank: Sorry to interrupt. I know you're working.Charlotte: Frank, you know Frasier.Frank: Yes.Frasier: Yes,yes, good to see you, Frank.Frank: I just need the key to your apartment. I left my blue field notebook there and I want to double-check some whale songs I copied down.Charlotte: Oh, sure.Frank: We were in a boatall day, recording whale songs. I think we may have had a really big interpretive breakthrough.Frasier: Oh, you should tell us about it sometime.Frank: That's a great wine. Can I steal a glass?Charlotte: Yeah, here. [toFrasier] You don't mind, do you?Frank sits.Frasier: No, no, not at all. Although as the Irish say: \"A man takes a drink, the drink takes a drink, the drink takes the man.\"Frank: That's very good. \"As the old cock crows,the young cock learns.\"Frasier: Yes, well, wasn't it O'Casey who once wrote: \"The Irish treat a serious thing as a joke, and a joke as a serious thing.\"?Charlotte: You'd really have to ask Frank about that. He's the onewho loves Irish literature. He lent me an anthology, but I haven't made much of a dent in it. I'm sorry, honey, I'm trying.Frank: I know you are, baby.He kisses her cheek as Georges brings a vase of wild flowers to thetable.Georges: Your flowers as requested, monsieur. [noticing Frank] I'm sorry, I thought you were to be deux.Frasier: Yes, well now we are trois. Thank you, Georges, could you bring us another glass, please.Georges:[knowingly] Yes, I understand, monsieur. It is most sophisticated of you.He walks off.Charlotte: Frasier, you ordered these flowers?Frasier: Well, the table just looked so bare.Frank: These are great choices, man. Theseare Washington wild flowers, remember from our hike? Foxglove, fine toothed penstemon, harsh paintbrush. Ah, remember this one?Charlotte: Oh, it's on the tip of my tongue...Frank: Monkey-flower.Charlotte:Monkey-flower!Frasier: Yes, often confused with the chimp-pansy.They all laugh.Charlotte: Frank made the same joke this morning.Frasier: Oh.Frank: Great minds.Frasier: Yes, yes.George brings the menus, Frasierspeaks to him in French.Frasier: Just two menus, Georges. This fellow is only staying for a drink.Frank: [in French] No, no. I'll take a menu. We're having fun. And to tell you the truth, I'm starving.Frasier: Oh,terrific.As Frasier glares at his menu in frustration, the word \"Merde\" appears in the subtitles.[N.B. Georges is meant to be French, but if you listen carefully you hear a hint of a Cockney accent.][SCENE_BREAK]Scene 3- Frasier's Apartment Fade in. Niles and Daphne are on the couch. Martin opens the front door for Roz.Martin: Hi, how ya doin'?Roz: Hi. Hey, look at you, Mr. Handsome.Martin: Thanks. I'm gonna go hear Ronee sing atthe Rendezvous. And then afterwards I am going to give her her engagement ring.He shows it off with a flourish and Daphne takes the box.Daphne: Oh, Martin, it's beautiful.Roz: She's gonna love this.Martin: Thanks. Iforgot I had it. I bought it years ago for Sherry, but then we broke up.Daphne: You can't give Ronee a used ring!Martin: Sherry never touched it.Roz: Well, it doesn't matter. Ronee deserves something you picked outjust for her.Martin: Well, she'll think I picked this out just for her.Daphne: But you didn't.Martin: But she'll think I did.Daphne: But you didn't. You'll have to sell that and buy Ronee a new one.Martin: Oh, what's thedifference? Niles, come on, back me up here.Niles: You can't be serious!Martin: Oh, geez.He heads for his room.Martin: Fine, back in the vault.Daphne: Some vault. It's an old cigar box with a bunch of silver dollars andEddie's baby teeth.[N.B. See [5.11], \"Ain't Nobody's Business If 'I Do.'\"]Frasier comes in from his room and grabs his jacket.Frasier: Oh, hey, Roz. What are you doing here?Roz: Oh, hi. I was just shopping around thecorner, thought I'd stop by.Frasier: Oh, gosh, well unfortunately I have a date.Roz: That's okay, I have one myself. With Steve.Frasier: Oh, yes, your convict friend. Do you think that's wise?Roz: The man made onemistake. Besides, I don't know any guy who's not a little fascinated by fire.Frasier: Yes, and a felon now knows where you live.Roz: I'm not a total idiot.Her cell phone rings and she answers it.Roz: Hello? Oh, yeah, hi,Steve. I'm grabbin' my coat, I'll be right down.She walks past an outraged Frasier to the door.Frasier: You...?! She leaves.Niles: So, you have a date tonight.Frasier: Yes, yes, actually Charlotte and I have been outthree times this week. We've been wine tasting, beach-combing, and we actually shared a blanket in a horse-drawn carriage.Daphne: I take it Frank's off in the mountains again?Frasier: Oh, no, he was there, too.Martincomes back out.Martin: Let's go. The others get up.Niles: You mean, it's been the three of you all week?Frasier: Well, it's not exactly how I wanted, but the more time I spend with them, the less time they spend alonetogether.They follow Martin out the door.Daphne: It doesn't bother Frank, you tagging along on their dates?Frasier: Frank? No. In fact, he's quite taken with me. It doesn't even occur to him that I might be a rival.Galling, yes, but it does give me more time to work my magic on Charlotte.CUT TO: the hallway as they wait for the elevator.Frasier: In another week, you can kiss Frank goodbye.The elevator opens to reveal Frankand Charlotte in a passionate embrace.Niles: Maybe we'll wait until there's not a line. Frank and Charlotte come off the elevator.Frank: Hi, guys.Niles: Hello.CUT TO: the living room as he passes Frasier in thedoorway.Frank: Gangsta!Frasier: What it is.Charlotte comes in as Frank plops down on the couch.Frasier: So, uh, what's going on? I thought we were meeting downtown.Charlotte: I know, I'm sorry, but can we stay intonight? I've got to get up early and catch a flight to Chicago for some divorce stuff, and Frank's beat.She sits next to him.Frank: Yeah, I was at the beach all day cataloging the stomach contents of a dead elephantseal. It was like all you can eat down at the Lobster Pot. I'm sorry, the collapse of our coastal fisheries is no joke. I'm just punchy.Charlotte: We brought some movies. We couldn't agree on which one to watch, so youbreak the tie.She holds out the DVDs and Frasier sits on the coffee table to look at them.Frasier: Hmm... \"The Perfect Storm\" or \"When Harry Met Sally.\" I guess I'm going to have to go for \"When Harry MetSally.\"Frank: YES! He'll have what I'm havin'!Frasier just shrugs with his \"I can't win\" expression.[SCENE_BREAK]MENAGE A HUH?Scene 4 - Frasier's Apartment Fade in. Charlotte is waiting in the hallway. When theelevator opens, Martin and Ronee get off. They notice that Charlotte's hair is unkempt.Charlotte: Oh, hi. We keep passing each other.Martin: Yeah. We got some dessert here, if you wanna stay.Charlotte: Oh, nothanks. I've got to catch an early flight, but tell Frasier I'll call him?Martin: Sure. Bye.Charlotte: Bye-bye.The elevator closes.Ronee: Do I know her? He unlocks the door.Martin: Yeah, she's the woman Frasier's beenafter. She has a boyfriend already, but maybe somethin' happened.Ronee: I'll say. You don't get that hair-style sitting up.CUT TO: the living room as they come in and Martin turns on the light. Frasier is asleep on thecouch, Frank is asleep and curled against his shoulder.Martin: Oh, geez! He heads off to his room.Ronee: Well, so long as he's happy.[SCENE_BREAK]End of Act 1 Act 2LORD OF THE RINGScene 1 - Frasier's ApartmentFade in. The doorbell rings and Martin answers. It is Niles and Daphne.Martin: Oh, hi guys.Niles: Hey, Dad.Frasier: Hey, Daphne, Niles. Listen, the opera tickets are right there by the phone. Wish I could use themmyself.Daphne sits down, Niles hangs up his coat.Niles: You know, if you'd gotten a third, you could take that couple you're dating.Frasier: Yes, that's very droll. Frank injured himself on our hike, so I've got Charlotteall to myself this evening. I'm not going to waste this opportunity. I'm going to make her a romantic dinner and then tell her how I feel about her.Martin: Wow, really?Niles: Are you sure she's ready for that?Frasier:Well, I don't know, but I can't stand this ridiculous threesome anymore. You know, the worst part is how completely unthreatening Frank finds me. As if I'm some sort of a harem eunuch.He grabs some bags and hiskeys and gets ready to leave.Daphne: How'd he hurt himself, anyway?Frasier: Well, he strained his back carrying me over a brook.Niles: You wounded him and you're stealing his woman in the same day?Frasier: Well, Ididn't ask the man to carry me! He simply hoisted me over his shoulder before I could stop him. That's not something you get used to, no matter how many times it happens.Martin: Don't you worry about it. You just dowhat you gotta do.Frasier: Thanks, Dad. Wish me luck. I'm making her beef bourguignon from a new recipe.All: Good luck.Niles: Flour the beef.Frasier takes spirit from this, then closes the door behind him.Daphne:You're looking very sharp.Martin: [getting up] Oh, I got the new ring.Daphne gets up and Niles crowds in.Daphne: Oh, let's have a look.Martin: I sold the old one and got this new one this morning.Daphne opens thebox and Niles reels back a little.Niles: Dad, it's huge.Daphne: Oh, it's beautiful, Martin.Martin: Yeah.Ronee comes in the front.Ronee: Hi.Martin: Hey.Ronee: What's goin' on?Martin: Nothin'. Oh, you look lovely tonight.But you know, I think your hand is kinda underdressed.He holds the ring out to Ronee who takes it excitedly.Ronee: Oh, my God! Marty, it's gorgeous. I love it and I love you, in that order.She hugs him.Ronee: Oh,thank you. Listen, I've got to go wash my hands. I was eating Cheetos all the way over.Martin: I love this lady.Ronee hurries off, Daphne takes the ring again.Daphne: Oh, let's have a look. Oh, it's brilliant. Oh, you hadit inscribed!Martin: I did?Niles: \"Lil' Cupid. Til Def Do Us Part.\" What is that?Martin: Let me see that.Daphne: Isn't \"Lil' Cupid\" that obese rapper? The one they arrested for drugs?Niles: Where did you get thisring?Martin: At an auction! [off their looks] A police auction.Niles: You can't give that to her!Martin: Well I can't take it back, she loves it.Daphne: Well, what are you going to tell her?Martin: Well, just relax, I'll handleit.Ronee comes back in.Martin: Well, there's my lil' cupid. All beautiful and clean. All you need is a bow and arrow, Lil' Cupid.Ronee: Why are you calling me that?Martin: I always call you that.Ronee: No, no youdon't.Martin: Well, uh, maybe I mostly say it when you're not around.He looks at Niles and puts the ring on her finger.Niles: Oh, yes. It's always \"Lil' Cupid said this.\" or \"Lil' Cupid did that.\"Daphne: It looks beautiful onyou.Ronee: Thank you.Martin: Now, promise me you'll never take it off, Lil' Cupid.Ronee: Okay, okay. I promise if you'll stop calling me that.Martin: Deal.They kiss.Ronee: I'm gonna go look at this in the mirror. Shegoes to the powder room.Daphne: How did you get it to fit her? Lil' Cupid's as big as a house.Martin: Keep your voice down. It was a toe ring.He smugly sits back in his chair with a beer.[SCENE_BREAK]Scene 2 -Charlotte's Apartment Fade in. Charlotte is sitting at her table, Frasier comes in with two plates.Frasier: Here we are. Beef bourguignon with sautéed fiddlehead ferns and walnut chutney.Charlotte: It's exactly what Ineed after the day I've had.Frasier: Well, maybe I could give you a neck rub while it cools.He starts giving her a massage.Charlotte: Oh... oh, you're the best. You know, I am so sorry you've had to put up with all thisbusiness with me and Frank.Frasier: What business?Charlotte: Well, you know, all this tension between us.Frasier: There's tension?Charlotte: He's a great guy, we just seem to be... I don't know...Frasier: Fighting?Growing apart? Not clicking?There is a knock at the door.Frank: Darling. Charlotte gets up quickly, snagging her hair.Frasier: Oh, gosh, I'm sorry, it's my watch. It's caught.Charlotte: Oh, got it?She turns around in hisarms, while he reaches up and tries to release her hair. Frank comes in while they're in this compromising position.Frank: Shoulda known. The minute I'm laid up, you're over here making my lady dinner. You're trueblue, buddy.He walks over and kisses Charlotte on the cheek.Frank: Hi, baby.Charlotte: Hello, Frank.He snatches a bite from Frasier's plate.Frank: Mmm, walnut chutney, that's daring. Frasier finally gets untangled andhelps Charlotte to her seat.Frank: Were you giving her a back rub?Frasier: Uh, was I? Yes, I suppose I was, yes.Frank: Would you mind doing me? I took an aspirin after the hike, and my neck's still a little tight.Frasierstarts massaging Frank's shoulders.Frank: So, tell me all about Chicago. How was it?Charlotte: I'll tell you later.Frank: Oh, that's nice.Charlotte: Frasier, stop rubbing his neck. Sit down.Frasier does.Frank: Why can't herub my neck?Charlotte: Because when you came in, we were just sitting down to dinner. You could've called first.Frank: Well, I didn't know I needed to get clearance. Geez, you're as touchy as a hermitthrush.Charlotte: This is typical of you. You come in here, you expect me to change my plans because you're suddenly available. It's insensitive.Frank: Oh, I'M insensitive. I've been tracking a pod of humpback whalesfor a week and they've been talking their asses off, but have you once asked me what Bonnie has to say? Or Robert? Or Grace?Charlotte: They're WHALES!Frank: They're my friends!Charlotte: Stop yelling. You'reupsetting Frasier.Frank: I didn't do anything. I came in here, kissed you hello, and you jumped down my throat. What the hell is your problem?Charlotte: You are! You are driving me crazy!Frank: Do you believeher?Charlotte: Don't you drag him into this! Oh, you know what, I can't deal with this tonight.She gets up.Frank: Well, when can you deal with it? I'll call ahead and make an appointment.Charlotte: I think you shouldleave.Frank: Fine!He gets up.Frank: Come on, Frasier, let's go.He heads for the door while Charlotte heads for the bathroom. Frasier just looks confused.Frank: Times like this, a guy really needs his buddy. Giving up,Frasier tosses down his napkin and follows Frank out.DISSOLVE TO: later. Charlotte is on the couch, slumped down and drinking wine. Frasier knocks on the door and comes in.Frasier: Hi. Just wanted to see how you'redoing.Charlotte: Tip-top. How's your friend?Frasier: He went someplace dark. I couldn't follow.He sits down next to her.Charlotte: Him and his moods.Frasier: No, no, he climbed some kind of pine tree.Charlotte: Look,I'm, I'm sorry about all that. I think this is it for Frank and me.Frasier: Really?Charlotte: It's just not working. I think I was always attracted to the idea of him more than him.Frasier: This may seem inappropriate, butI'm not entirely sad to hear you say that.Charlotte: What do you mean?Frasier: I would think my feelings were obvious by now. All the time we've been spending together.Charlotte sits up and puts down herglass.Charlotte: I just thought it was because you were hitting it off with Frank.Frasier: Are you kidding? The man smells like a chum boat. You, you're the one I wanted to be with. Look, uh, I realize you're in avulnerable state and you probably need some time to process this, so I'll just, uh...He gets up.Charlotte: Don't go. I've been thinking a little about you, too.Frasier: Really?He sits back down.Frasier: Well, then. He leansover and kisses her, laying her back on the couch.Charlotte: Oh, God, I'm uncomfortable.Frasier: I'm sorry, I'm rushing things.Charlotte: No, no, it's just I'm lying on a wine bottle.She puts it aside and they start kissingagain.[SCENE_BREAK]Scene 3 - Charlotte's Apartment Fade in. Charlotte is in bed, rain can be heard outside. Frasier comes in with two mugs.Frasier: Good morning. Charlotte sits up with a worried look on herface.Charlotte: Oh, dear God, please tell me nothing happened last night. Frasier is dumbstruck.Charlotte: I'm kidding! I'm kidding!Frasier, relieved, sits on the bed and gives her a kiss. She takes one of themugs.Charlotte: I'm glad you stayed.Frasier: Me too.Frank comes in the front door, wearing a bandage.Frank: Hey, guys. You're in my robe. Guess you got caught in the rain, too, huh?Frasier: Yes, I did.Frank sits onthe edge of the bed.Frasier: What happened to your hand?Frank: Ah, I was so mad last night, I punched a raccoon. God, I'm a b*st*rd. You're a good guy to come check on her. Never understand why women don't likeyou. [to Charlotte] Can we talk?Charlotte: Yeah, I think that's a good idea.Frasier: My clothes should be dry by now.He grabs them from the floor beside the bed and hurries to the bathroom. Charlotte puts on her robe"}
+{"doc_id":"doc_134","qid":"","text":"[PREVIOUSLY_ON]Jamie : For you, Miss Lauren.Lauren : Thank you, Jamie.Jamie : They're from my uncle skills. He thinks you're cute.Lauren : Antwon \"Skills\" Taylor crashing a 5-year-olds' dance?Skills: I was hopingto see you.Bobby : I'm moving Nino to shooting guard, and I'm keeping you at the point.Nino : With me at the point, you're gonna get more chances to score.Nathan : All right? I'll get you the ball. Cause if you can dothat, the scouts will come.Brooke : I have a letter for you from your birth mother. You've been going to that coffee shop for months. You must want something from her, even if it's just closure.Lucas : Peyton has acondition called placenta previa.Brooke : Lucas, come on, what if everything doesn't go perfectly?Lucas : She could die, and... and the baby, too.AT LUCAS'S HOUSEPeyton : The honorary title, Matthew Ryan, the cure,Audioslave, Haley James Scott. They're all in here. It's music to set your life to. And music always helps, no matter what you're going through. So, if you flunk a big test or you have a really bad break-up. Or you justmiss someone so bad, it hurts...Then listen to my playlist -\"100 songs to save your life\" and it should help. Oh, and there is this new artist that is really special, and her second album is just about to come out. So youshould check her out. Her name's Mia Catalano.**This road is anything but simple twisted like a riddle** **I've seen high, and I've seen low** **so loud the voices over my doubts** **are telling me to give up** **topack up and leave town** **but even so, I had to believe** **oh, impossible means nothing to me** **so, can you lift me up?**Peyton : A best friend ... okay, this one is so important. Choose wisely, okay? I gotreally lucky with mine. My best friend is funny, intelligent, creative, beautiful and successful and very kind. And she's also impulsive, frustrating, um...complicated, childish. But I would not have her any other way. Andthe best part about Brooke Davis is that she always puts friends first. So...if you are ever in any kind of trouble, now you know who to call. I can't think of anyone I would rather have watching over you.IN THESTREETVictoria : It's been a month, Brooke. You've got to stop spying on them like this.Brooke : Thank you, concernicus. How would you know what I've been up to?Victoria : 'Cause I've been watching the both of you.Iced coffee with skim milk it'll change your life.Brooke : She's eating pecan pie. She doesn't even like pecan pie.AT LUCAS'S HOUSEPeyton : Being a kid without a mom really sucks. And I know this because I've beenthere... twice. And if you're watching this, then it means that you're in that place, too. And I'm so sorry for that. But if you ever need a mom-and-dad fix, you have Nathan and Haley for that.AT SCOTT'S HOUSENathan :Gotcha! I gotcha now!Jamie : No! No!Haley : Okay, easy. If he pees his pants, you're on laundry duty.Jamie : You look pretty, mama.Haley : Oh, thanks, buddy. I got to go. I'm late. I got to pick up Mia from the studioand go over to Peyton's for her baby shower. Do you think you can drop him off on your way out of town? Lucas is gonna watch him.Nathan : Sure, no problem.Haley : Thank you. I'm gonna miss you so much. Call meafter the game, okay?Nathan : Yeah.Haley : Okay Bye. I'll see you later. Peyton's waiting.Nathan : Bye.Haley : Bye!Jamie : Bye. Love you.Haley : I love you, too.Jamie : Again?Nathan : Again?!**'Cause I haveovercome more than words will ever say** **and I've been given hope that there's a light on up the hall** **and that a day will come when the fight is won and I think that day has just begun** **oh, oh, justbegun** **lift me up** **ooh, yeah, yeah, yeah yeah, yeah, oh** **oh, oh, lift me up** **lift me up, lift me upAT LUCAS'S HOUSEPeyton : I really hope that we get to share all these things together. But just in case,it's all right he. Now, there is just one thing... that I need from you. Please... take very special care of your father ... because if I'm not around... he's gonna need you to take care of him, just like my dad needed me.So, love him ... and take care of him ... and be kind to him. Just please ... Do that for me.Lucas : Peyton, what is this?Peyton : I just thought I should.Lucas : No. No, you... You said everything was gonna be okay. Yousaid that.Peyton : Okay, but, Luke, if it isn't, I want our child to be able to remember me. It's just in case.Lucas : Our child's not gonna have to remember you. Our child's gonna know you. We're not doing this,Peyton.Peyton : Lucas.Lucas : A death video? A sad box of stuff? I'm not having any of this, Peyton. I mean, what's next?Peyton : I want to get married ... now.Lucas : Absolutely not. You're supposed to be taking iteasy. Okay, look, after you have this baby and you're all better, then ... then we'll get married.Peyton : I want to get married.Lucas : Why? Why is it so important to do it now?Peyton : Because...Lucas : We're not doinganything just in case, okay? I'll be in the garage. You should be in bed.Peyton : Thank you! I love you, too, by the way.AT WALMARTBrooke : Remind me again what we're doing here?Victoria : Know thy enemy, Brooke.Suit yourself, but this is our competition and they're cutting into our market share with these hideous things.Brooke : Yeah, the appropriate word being \"hideous\".Victoria : Don't be so dismissive. Maybe you should paya visit to the manufacturer, get some inspiration.Brooke : I have Sam, and Sam has school, so I'm not going anywhere. Besides, I need to be here while she's meeting with... you know who.Victoria : You mean thebiological mother with the pathetically low credit score?Brooke : What are you talking about?Victoria : So, I had business affairs run her credit report. Don't hate me because I'm resourceful.Brooke : You didwhat?Victoria : Brooke, we have to be able to make a case against the woman.Brooke : We are not building a case against anyone. Do you think that I can't see what you're doing? There is no running from this. Samhas every right to know her ... real mom.Victoria : Suit yourself. Red is really your color. What do you think?Brooke : Do you think we're shopping right now?Victoria : Absolutely not. This is strictly R&D for our newline.Brooke : You are so trying to shop with me!IN THE GARAGELucas : Hey !Nathan : Hey !Jamie : Uncle Lucas, can I help you fix aunt Peyton's car?Lucas : Hey, sure, buddy.Nathan : Careful. Sure this is no problem,him hanging out with you?Lucas : Yeah, I could use the company anyway.Nathan : Everything okay?Lucas : It's Peyton. I-I-I found her putting together a time capsule, or a ... a \"just in case\" capsule. That's what ithought.Nathan : I know, yeah.Lucas : It's just, you know, weird that I'm approaching what's supposed to be the most exciting moment of my entire life with nothing but... complete and utter fear.Nathan : You want tohear a secret? Day Jamie was born, I was...petrified.Lucas : No, you know, it's different, though, you know? I mean, what if something happens to Peyton? I don't know how we got this far.Nathan : Well, you got thisfar 'cause it's what she wanted. You know? It's like when Karen let you play basketball with your HCM. She knew how bad you wanted it, so she just held her breath and let you play. We all did, you know? Maybe ...maybe this is the time you have to hold your breath for Peyton.Lucas : She wants to get married.Nathan : So do you. You proposed, remember?Lucas : She wants to get married right away. It all just worries me.Nathan: Well, as worried as you are, think about how scared she is. Look, if you had one more day to spend with Peyton, would you rather spend it arguing or just being married?AT BROOKE'S HOUSEBrooke : You ready?Sam :For what?Brooke : Peyton's baby shower. You didn't forget, did you?Sam : Sure she wants me there?Brooke : Of course I'm sure. The invitation was addressed to both of us, you knucklehead.Sam : Yeah.Brooke : Areyou okay, Sam?Sam : Yep, I'm good.Brooke : Okay. So, everything's going okay with, you know...Sam : My mom?Brooke : Yeah.Sam : Yeah.Brooke : What do you got there?Sam : It's her house. you know, she gaveme up when she was my age. How weird is that?Brooke : Yeah.Sam : She said she didn't want to, but her parents made her do it.Brooke : well, I can relate to having crummy parents who make bad decisions.Sam :Yeah. You know, it's funny. I've always... wanted to live in a house with a white picket fence.Brooke : Well, we can have a picket fence if you want. You can have any kind of fence you want. I'll just wait for you to getdressed.Sam : You know, if it's okay, can I just meet you there?Brooke : Yeah. I'll see you at Peyton's.AT THE GYMNASIUMMouth : So, the stage is set for the Charleston chiefs, who can move into sole possession offirst place with a win tonight. And with the season coming to a close and possible NBA call-ups hanging in the balance, coach Bobby irons will be looking for explosive performances from his two leading scorers, NinoJones and point guard Nathan Scott.Nino : I can't believe anybody out there would want your autograph.Nathan : Are they are than would want it from you.Nino : Look, just 'cause you're the starting point guard don'tmean you can show up late. I had you going for a second. And don't worry. I covered for you, man.Bobby : Well, well, you guys go on an eight-game winning streak, and suddenly it's a love fest in here.Nathan : Iwouldn't go that far.Bobby : I'll tell you what, Scott ... I'll waive your fine for being late if you and your new best friend here can do two things.Nathan : And what's that?Bobby : Win the game tonight... and impress theNBA scout who's here to watch you guys play.Nathan : Scout?Bobby : Word is the clippers are looking for some backcourt help.Nino : All right, then. Yeah.Bobby : Good luck, guys.Nathan : Thanks.Nino : Hey, uh,Scott, I think you might want to sit this one out.AT CLOTHES OVER BROSSam : I'm so not wearing this.Victoria : Sam, it's a baby shower. You can't show up like you just walked out of a Brazilian favela.Sam : Okay,well, this makes me look like Kermit the frog.Victoria : Okay. So, how goes it with... the waitress?Sam : Her name is Rebecca, thank you. And for your information, things are kind of going okay.Victoria : Yes, well... I'msure your conversations are just riveting. I mean, you have so much to talk about, what with 16 years of pure neglect to hash over.Sam : Don't be mean.Victoria : Sorry. It's just that she left you. So, you know... it'snot like that.Sam : I mean... I thought that way at first. I thought she'd be this evil person, you know, this bad person that gave me up, but she's not. You know, she's got her problems, but she's okay. I mean, in away, she's ... she's kind of like...Victoria : like what?Sam : Like me.Victoria : Did she say she wanted you back?Sam : Doesn't matter. I'm happy here.Victoria : And that's what we want for you, Samantha ... to behappy here.Sam : Yeah, I know. It's just, I don't want to hurt Brooke's feelings, but part of me wants to know her, you know? My real mum?Victoria : Do you want to live with her?Sam : No.Victoria : Of course youdon't. That's my girl. Now let's see if we can't find a beautiful dress for you, worthy of the Davis name.AT SKILLS'S APPARTMENTSkills : Oh, man. Hey, man, don't you guys got somewhere else to be?Junk : Dude, I amkilling this game right now.Skills : Yeah, well, I got a date with Lauren. So y'all gonna have to be getting y'all asses up out of here.Junk : Hey, isn't this like the third date?Skills : You know what that means. Yeah. That'sJamie's teacher you're talking about.Junk : This from the guy who dropped down granny deb.Skills : Look, it's a date, man - nice, classy, refined. But just in case, you two be gone by the time I get home, all right?ATLUCAS'S HOUSEPeyton : Okay, it's official. I look like a lemon-meringue pie.Brooke : Shut up. You have that whole glow thing going.Peyton : If by \"glowing\" you mean \"growing,\" then maybe. I really do love the dress,Brooke. It was a great gift. Thanks. Although I am just stuck in the house.Brooke : Well, then you'll be stuck in the house for a month looking fabulous. It was Sam's idea.Peyton : Oh, clearly she's learning from thebest. Where is she, anyway? I thought she was coming.Brooke : She'll be here.Peyton : You're doing an amazing job with her, Brooke Davis. Hey, she loves you.Brooke : Well, let's hope so... 'cause I'm thinking ofmaking it official. I'm thinking of adopting her.Peyton : No.Brooke : Yeah. I just got all the papers in the mail.Peyton : Oh, my god, that is such good news. Come here. Sit down. Tell me everything. All right, um ... well,I mean, how's it going with her birth mother?Brooke : It seems like it's going okay. I'm just trying to be supportive. What if Sam likes her better than me?Peyton : Okay, take it from someone who was adopted. Ihappen to know that Sam just became the luckiest girl in the whole world.Brooke : Thank you, P. Sawyer. You always making everything better for me. Don't. Don't. We are not gonna ruin today crying. You're gonnaget out of that dress and clean yourself up because we have a party to go to out there. Come on.IN THE GARAGEJamie : There's an IPod in here. Awesome! This is the night you and daddy won the statechampionship.Lucas : Do you know where you were that night?Jamie : In mom's tummy.Lucas : That's right.Jamie : So, mom and dad didn't even know me then.Lucas : Well, none of us did, but we were all reallyexcited to meet you.Jamie : Hey, look!Lucas : Waouh! Now, that was a really important night.Jamie : Because you won the state championship?Lucas : Yeah, but, um... it was also the night I realized I wanted to marryPeyton.Jamie : This is cool. What else is in here?Lucas : Yeah, what is in there?AT THE GYMNASIUMMouth : Hey, Nathan, I got a question for you.Nathan : Yes, we're gonna win tonight.Mouth : Okay, but, uh... how areyou dealing with this long-distance thing? It's killing me.Nathan : Yeah. Me, too. And if you figure that one out, let me know. Hey, you see that guy over here talking to Bobby? He's an NBA scout.Mouth : Good lucktonight, Nate.Nathan : Luck has nothing to do with it.AT LUCAS'S HOUSEPeyton : Look at all of these presents! All right, I'm gonna open the first one. It's from Mia. What did you get me? You got me... ...pictures ofyou.Mia : Okay, yeah, but the gift is that you get to pick the one that goes on the cover of our new record.Peyton : Good Save. All right, what do we got? What do we got? I want to see. I want to see. Um, sexy. Pretty!Ooh, pretty and sexy. Mm, girls, I think we found a winner.Mia : Yay!Peyton : Wow, I ... I guess this means the record's nearly finished, huh?Haley : Speaking of \"wow\"... !AT LAUREN'S HOUSE / MINI GOLF &KARTINGLauren : Antwon.Skills : You ready?Lauren : Uh, we have a slight problem.Chuck : Hey, coach Skills!Skills : What the ... Chuck?Lauren : His mom had an emergency, and she couldn't pick him up from school.So, I promised I'd watch him for a little while. I'm so sorry. I guess we should probably cancel?Skills : Nah. I mean, I...guess he could come.Lauren : You wouldn't mind?Skills : Yeah. Why not?Lauren : Great. I'll get mycoat.Chuck : Sweet! Where we going?Skills : Yeah, so, peewee basketball is just how I give back to the kids. But you would be surprised at how profitable the baby-proofing industry is. Yo, chuck!Chuck : Sorry!Lauren :Yeah, he's doing well.Skills : He don't look too bad.Skills : You know, you don't know how few guys would be up for a night like this. I'm so glad we didn't cancel, Antwon.Skills : Really? How glad?Chuck : Come on!Man: Whose freaking kid is this? Damn it!Lauren : Uh, mine! Sorry! I'll be back.AT THE GYMNASIUMMouth : That's the end of the first half, chiefs leading by 10,IN THE GARAGEJamie : Hey, it's mama as a cheerleader.Lucas: Yeah, and there's, uh, aunt Brooke and aunt Peyton.Jamie : They've been friends for a long time.Lucas : Oh, yeah, a long time.Jamie : Who's in that one? Let's see. That's Uncle Keith, aunt Karen, and who'sthat?Lucas : That's me.Jamie : You were a funny-looking baby, uncle Lucas.Lucas : Hey !Jamie : Just kidding. You're kind of my Uncle Keith, aren't you?Lucas : Well, I'd like to think that's exactly who I am.Jamie : AuntPeyton's a cool angel. Is aunt Peyton gonna be okay?Lucas : I don't know, bud.Jamie : I think everything's gonna be okay.AT LUCAS'S HOUSEPeyton : Oh, wow, what is it?Haley : It's a baby memory book, and you putphotos and journal entries and all that stuff in it. When you look at it five years from now, you'll never believe they were that small.Brooke : You know, Victoria almost got one of those for me.Brooke : Peyton.Peyton :yeah.Haley : You okay?Peyton : I love it. Thank you. And ... I just want you guys to know... I love you so much.Brooke : I love you, too.Mia : Okay, hold on. I'm taking a picture ... no crying for the picture. Yeah? Okay.Okay? Get in here. Ready? One, two, three.AT THE GYMNASIUMBobby : All right, let's bring it in. It's \"chiefs\" on three.Mans : One, two, three. Chiefs!Bobby : Let's go. Let's go, dawg. Bring it home. Nate. So far, you'vedone a terrific job making Nino look good. Just make sure you make yourself look good, too, okay? If you get an open shot, take it.Nathan : The scouts are here to watch everyone. And that includes you, coach. We'regonna win this game.AT BROOKE'S HOUSEBrooke : I'm not angry. But I would appreciate you talking to me first before you start lavishing Sam with fancy clothes.Victoria : I thought she looked nice.Brooke : Not thepoint. What are you doing here?Victoria : I wanted to talk to you about Sam.Brooke : What about Sam?Victoria : I know you care for her deeply, as do I. But I think that you should consider letting her spend time withher birth mother on a more permanent basis.Brooke : And what makes you think that?Victoria : Honey, I've been talking to her.Brooke : Don't \"honey\" me. You talked to her about this? This is not your business! Youhad no right! I should have known that nothing good was gonna come of the two of you spending time together.Victoria : What can I say? We get along. Unlike some people that's shall remain nameless.Brooke : Youcan't do this.Victoria : Do what?Brooke : Try to be the mother to her that you never were to me.Victoria : Last time I checked, I was still your ...Brooke : Don't say it. Anyone who ever wanted to be in my life, Peyton,boys, anyone, you tried to push them all away. You tried to push everyone away, and now you want Sam to leave?Victoria : I don't want Sam to leave.Brooke : Yes, you do! It's why you're lying to my face right now!You're jealous because she wants to be with me. Well, she's not going anywhere.. ...not if I having anything to say about it.Victoria : What's that?Brooke : Adoption papers.Victoria : Brooke ... be careful. I don't wantyou to get hurt.Brooke : All my life, you have avoided being a mother to me. Do not think for one moment that you get to start now.Sam : What's going on?Victoria : I don't know. Maybe you should ask yourmother.Sam : What was that about?Brooke : Sam, I want to talk to you about something -- something...important. You're happy here, right?Sam : Yeah. What's going on?Brooke : I want to adopt you -- for real. I wantto make it official and forever. I've given this a lot of thought. I want us to be a family. I know that it's your dream to have that, and I want to give that to you now. So, what do you say?Sam : Yeah. Yeah.Brooke :Okay. What?Sam : I can still see my real mom, right?AT THE BARSkills : Dude, save some for the second half.Lauren : So, you know, you never really talk about your past relationship. Was it a bad break-up?Skills :Yeah, kind of. I mean, in the end, it was mostly a lifestyle thing. We just didn't see eye to eye on some stuff.Chuck : She was a grandma.Skills : Let's just say she was mature.Lauren : Hey, look, that's cool. It's just,um so we're clear, I prefer younger guys ... younger, bald, athletic guys who like kids.Skills : Yeah, well, you know, that's funny, because my last relationship didn't work because I was too young, bald, athletic. But I dolike kids.Chuck : Mom says I shouldn't eat dairy.Skills : Some kids. I do like some kids.Lauren : Oh, no.AT THE GARAGEHaley : All right, Jim-Jam, come on, buddy. We got to go.Jamie : Do I have to?Haley : Yes.Chop-chop. If we hurry, we can call your dad before your bedtime. This is what you guys have been working on?Jamie : Don't tell. It's a surprise for aunt Peyton.Haley : Sorry.Lucas : So, uh, how was the shower? Isshe okay?Haley : Yeah. Yeah, I think she really enjoyed herself. How are you doing? You're holding up okay?Lucas : Better now.Haley : Good. Glad to hear it. All right, buddy let's go call your dad.Jamie : Thanks, uncleLucas. That was fun.Lucas : Yeah, it was.Jamie : Your whole life's in that box. I wish I had one.Lucas : See ya.Haley : Bye.IN THE CAR IN FRONT OF LAUREN'S HOUSELauren : He's cute. And you are sweet. Look, Iknow it wasn't the night you planned, but you were really great with chuck.Skills : Yeah. Well, maybe next time it could just be the two of us.Lauren : I'd like that.Skills : Yeah?Lauren : Yes.Chuck : Naughty,"}
+{"doc_id":"doc_135","qid":"","text":"72 HOURS EARLIERAt the shopping centerSummer: I'm not buying you lingerie for your birthday. That's just weird.Taylor: Okay, that's fine. I told you, you don't have to buy me anything. You and Ryan are throwingme a birthday party and that's enough.Summer: Look, I know you've never had a birthday party before, let alone been to one, but usually people get presents for their birthday, so will you please tell me what youwant?Taylor: Okay, honestly, I want Ryan to ask me to go to Berkeley with him next year.Summer: Okay, I was thinking more along the lines of a cute top.Taylor: I know, I know, it's just, I'm a planner, and I'vealready seeing that day six months in the future when we all go our separate ways. And I just know that if Ryan goes to Berkeley and I go to... Harvard or Princeton or Oxford, then it's over.Summer: Don't you have toapply to Berkeley first in order to... You already applied to Berkeley? Does Ryan know this?Taylor: No.I applied before we even started dating. I just got back from France and I figured, well, I had to go somewhere, so Ireapplied to Princeton, Oxford,Yale, Harvard and the Sorbonne, and I figured why not throw Berkeley in?Summer: Um, hi. Can we get two coffees, please?Man: Uh, yeah.Summer: Okay. So you want to get Ryan to tellyou that he wants you to go to Berkeley, without knowing that you already got in to Berkeley?Taylor: Exactly.Summer: And how're you going to do that?Taylor: Easy.I just need to get him to tell me that he lovesme.Summer: Mm-hmm, Ryan talking about his feelings. Now that would be an earth-shattering event.Man: Careful, they're hot.Summer: Thank you.Taylor: Thanks.Summer: Did you see this about earthquakeweather? You know, it's exactly this kind of voodoo science that lets politicians deny global warming.Taylor: Oh, my God, I know. And how many times have they predicted the big one, and it never happens. It almostmakes you wish that it would. Generic Cohen's gardenRyan: Good morning. What's the occasion?Taylor: Just you're being so sweet throwing me a birthday party, and I wanted to thank you, so... Oh, my gosh, did Iever tell you about...Ryan: How you've never had a birthday party and you've always spent every birthday alone in your room watching Sixteen Candles and talking to a gypsy on the psychic hot line?Taylor: Yeah, Iknow, I'm a broken record. Just, you know, it really means a lot to me that you're doing this for me.Ryan: Well, Taylor, I'll tell you, planning your birthday party is not easy. I expect something in return.Taylor:Oh.Ryan: I expect to have my way with you.Taylor: Ryan!Ryan: Well, all that time and energy. Clowns, balloons, a magician...Taylor: Oh, oh, well, if there's a magician. It's kind of strange to think about all of thisending isn't it?Ryan: Hmm?Taylor: You, going off to Berkeley, me, whichever way the wind blows.Ryan: Well, it's still six months away.Taylor: Right, yeah. If only I had a crystal ball, huh? Maybe I should call Esmereldafrom the psychic hot line.Ryan: This a really good croissant.Taylor: Don't you have the feeling that we're on the cusp of something and we just need to leap into the void?Ryan: Did you get these at Joe's?Taylor: Ryan,don't you have that feeling?Ryan: What?Taylor: That life is telling us to take a wild, impulsive jump into the unknown?Ryan: Not really.Taylor: So, you're good? You don't have a need to just let something explode outof you, consequences be damned?Ryan: What are we talking about?Taylor: Well, I was... I guess it's just my birthday and I'm getting sentimental.Ryan: All right, well, don't worry. It's going to be great. Okay? All right,I've got to go. Thanks for this. Hey, tonight, you want to do something? See a movie?Taylor: Yeah, sure, okay.Ryan: All right, great. At Roberts'Kaitlin: Oh, my God.Julie: Oh, hi, honey. Sorry, I didn't hear you comingdown.Kaitlin: Mom, do you mind? Because I still have to eat in here.Julie: What can I get you?Kaitlin: You want some scrambled eggs or I could whip up some pancakes.Frank: You cook, too? That's amazing.Julie: It'sjust a talent I have.Frank: Yeah, one of many.Kaitlin: I'm seriously never going to stop barfing.Julie: Kaitlin, don't be gross.Kaitlin: Me? Gross? What's gross is Frank's dirty... germy convict bag is sitting on the counter.I mean, what, did the warden give that to you as a going-away present?Julie: Kaitlin...Frank: It's okay. It's okay. It shouldn't be on the counter. Though I actually got it at REI.Kaitlin: Well, why bother with a bag? Youcan just move in. You spend enough time here anyway.Julie: Young lady, apologize.Kaitlin: I'm sorry, Frank. Feel free to have as many conjugal visits as you'd like.Frank: You know, I... I should get going. I've got a jobinterview.Julie: I'll walk you out.Frank: Okay.Julie: And we'll talk later. At the gymHolly: Mrs. Cohen? Holly. I went to Harbor with Seth.Kirsten: Oh, hi.Holly: Hi, are you here for prenatal yoga?Kirsten: Oh, yes, I am.And you?Holly: Yes. I just found out. How far along are you?Kirsten: Oh, not-not very. I just found out, too.Holly: Well, this class is great. I told Missy, the instructor, I have worked way too hard for this body to just letit turn into some dumpy baby factory. I mean, who says I can't have a baby and a six pack?Kirsten: I should probably stretch before class.Holly: Well, hold on just a second. Hey, hos, come here. This is Mrs. Cohen.She just found out she's pregnant.Girl: Oh, my gosh!Other girl: Congratulations. And you're not even showing.Holly: So... should we let her in?Girl: Oh, yeah.Other girl: Totally. She's ripped.Holly: We formed a club.Promised ourselves we wouldn't turn out like Molly the Mammoth over there.Girl: In nine months I'm wearing my bikini. I don't care what anyone says.Other girl: And I told Jerry if I get too big, I'm inducing at eightmonths. It's much easier to lose the weight.Holly: So do you want in? We call ourselves the Six-Pack Pack. Isn't that like so cute? Don't you just want to barf?Kirsten: All the time. At Ryan's workplaceRyan: Summer,what's up?Summer: Hey. I am just picking up Seth. Taking him to an art exhibition, sponsored by GEORGE, the Global Environmental Organization regarding Greenhouse Emissions.Ryan: Seth's going to an artshow.Summer: Well, yeah, I mean, he's going to art school, and I like the environment,so I thought it was the perfect date.Ryan: Sure.Summer: So are you ready for Taylor's party?Ryan: Oh, yeah, party's all set. Evengot her a present.Summer: Really. Mind telling me what it is?Ryan: Well, you know, she likes translating those French love poems? I collected a few. Had them bound for her.Summer: Atwood, that is so romantic. Youknow, nothing is as romantic as the first time you tell someone you love them,though, huh?Ryan: I, uh... haven't told Taylor I love her.Summer: You haven't?Ryan: Has she said something?Summer: No. No, I-I justassumed. You guys have been together for a while and you seem pretty happy. I thought,\"Why wouldn't you have said I love you?\" I have an idea. Why don't you?Ryan: What?Summer: For her birthday. You should,because... the book of poems is awesome, but add that special little \"I love you. As as girl,I don't know, me personally, I got chills.Ryan: Does Taylor expect me to tell her that I love her on her birthday?Summer:What? No. I don't know. I've got to go. At the shopping centerKaitlin: I can't stay, okay?Frank: Well, thanks for meeting me.Kaitlin: I wanted to talk to you alone. You're not going to do anything pervy are you?Frank:Kaitlin... I care about your mom. And considering my past, I understand why you're suspicious.Kaitlin: Look, I really don't care that you went to prison, all right? I mean, the Bullet went to prison and he was awesome.You're just boring.Frank: I'm sorry, but it's just the way it is. Well, I have to say I don't think that's fair. You hardly know me.Kaitlin: Then say something funny.Frank: What?Kaitlin: Make me laugh.Frank: Fine. I don'tknow what interests a 15-year-old girl, but your mother doesn't think I'm boring.Kaitlin: Well, that's because you're sleeping with her.Frank: Can you not say that kind of thing?Kaitlin: Well, what do you want me tosay? I mean, is it true in prison on your first day, you got to make someone your bitch? Or what about the whole dropping the soap thing? I mean, really,why don't you guys just install soap dispensers?Frank: Hey, Imake your mom happy. I'm just asking for a chance here, Kaitlin.Kaitlin: Of course. If it makes my mom happy. At Roberts'Julie: Oh, my God. Oh... my God. Art's expositionSummer: It's so beautiful. Just forget howthe ocean ties us all together. You know, he's so right. If we aren't good custodians for our planet, what right do we have to be here? Don't you think that was amazing?Seth: Mm-hmm. I give it a three.Summer: Athree? He put a radio transmitter in a piece of trash, threw it into the ocean, followed it around for six years just to show how pollution travels. And you're giving it a three?Seth: I'm gonna give it a three-and-a-half,then.Summer: What about the part where he followed it through the oil fires in the Persian Gulf, and he got third-degree burns on his arms?Seth: I know, but the camera work was terrible, and what kind of film stockwas he using? The oranges and reds totally bled together.Summer: He was just making a point to show the health of our planet.Seth: Yeah, but he's also making a movie,and as a movie, it sucks.Summer: Well, whatabout that one? Where the turtle adopted the hippo who was lost in the tsunami?Seth: Mm-hmm. That's pretty much the nature film equivalent of a chick flick.Summer: Okay. What about that? Where the family giraffeshabitat was destroyed.Seth: Yeah, shot like a perfume ad.Summer: God, what is your problem,Seth? I just want you to get excited about something.Seth: I am, about things that are good. But I could do one of thesedoughnuts with both hands tied behind my back.Summer: Really?Prove it.Seth: What?Summer: Make a movie.Seth: Are you serious?Summer: Yeah. I want see you do it better. I want to go watch the penguins again,and don't you dare say anything. At Sandy's officeSandy: Hey, I didn't know you were coming by. I was just at Spitzy's office. You should have called. Is everything all right?Kirsten: The people in Newport areawful.Sandy: Honey, you're a little late to the party. I've been saying that for 20 years.Kirsten: Has it gotten worse? I mean, I know Julie and some of the othersare bad, but...Sandy: What happened?Kirsten: I was atthis prenatal yoga class and these young women they're monsters. They wanted me to join the six-pack pack.Sandy: The what?Kirsten: And then they talk about inducing labor at eight months so that they don't haveto gain weight. Can we raise another child around this?Sandy: Oh, honey, Newport's always had that element, and still we managed to have life. And not everybody's like that. You know what? Spitz has been wantingus to meet his wife. How about we do dinner tomorrow? Restore your faith in humanity.Kirsten: All right.Sandy: But more importantly, do you think they'll let me join the six-pack pack? I've been doing my sit-ups.Come on, hit me with your best shot. Go ahead, come on, wind up. I'm not a beast! At Cohen'sTaylor: Oh, God, he really loves her. And she is never going to know how he feels, because he can't tell her. Isn't thattragic?Ryan: Yep.Taylor: I mean, how could you do that? How could you just let the love of your life slip away because you were too afraid to tell them how you really felt?Ryan: Well, maybe she's better off.Taylor:Uh-huh. Did you get that from the scene where she was about to be burned at the stake?Ryan: No, she's a beautiful woman, he's a hunchback who lives in a bell tower. The chances of it working out...Taylor: Yeah, buthe doesn't know that. If he at least told her how he felt, then maybe there would be a way to work things out. You know, they could have a life together. Or you know, at least four more years. Why did you saveme?Ryan: But the archbishop...Taylor: Ryan, I'm not talking about the movie. It's... There's just moments in everyone's life, and if you just let them slip away, then... then they're gone forever. And that's the tragicthing about life. Don't you feel that way?Ryan: Taylor.I...missed the last part of the movie Would you mind rewinding it a little?Taylor: Sure.Ryan: Thanks.Taylor: Lonely, huh? Better get used to it, buddy. AtRoberts'Summer: Good morning.Taylor: If you say so.Summer: What's that?Taylor: This is the obituary for mine and Ryan's relationship. A rose, plucked before its time.Summer: Uh-huh, English?Taylor: I wrote aletter to the Dean of Berkeley, telling him that I must respectfully decline the scholarship, and he should offer it to the next candidate.Summer: So you're saying no? What happened with Ryan?Taylor: I tried, Summer, Ireally did. The moment was upon us. We were staring into each other's eyes,and... And he just didn't say it. You know, sometimes I just want to grab him and tie him to a chair and shoot him full of sodium pentatholand see what spills out.Summer: Why don't you?Taylor: You don't think it's too crazy? Because I was thinking if the two of us just tackled him and then we could tie him down...Summer: I wasn't talking literally.Taylor:Oh.Summer: Do you love him?Taylor: Yeah, I really do.Summer: Do you think he loves you?Taylor: Well, sometimes he grabs my handand he squeezes it for no reason. I mean, what else could that mean?Summer:Okay. So we just need to loosen his tongue a little.Taylor: But how are we going to... Summer Roberts, you bad thing.Summer: Okay, you know what, a trip to the Robert's wine cellar is in order. At Cohen'sSandy:What the hell is he doing?Ryan: Morning.Sandy: Morning. Hey, are y all right?Ryan: Yeah, it's just a cramp.Sandy: How far did you go?Ryan: Mm, nine, ten miles.Sandy: Oh. Wouldn't it be easier if you just said,\"Sandy,there's something bothering me. Can you give me some advice?\"Ryan: Yes, it would,but where's the fun in that?Sandy: Let me guess. You're trying to decide if you love Taylor so you can tell her on her birthday.Ryan:Huh?Sandy: You've been dating for a while, things are good, birthday's tomorrow. Bingo.Ryan: Yeah. You're good.Sandy: So? Do you love her?Ryan: Uh, honestly I'm scared.Sandy: Good, you should be.Ryan: That'sreassuring.Sandy: Well, it might be the most powerful thing you can say to another person. It changes everything. Now for heaven's sake, if you don't feel it,don't say it.Ryan: Yeah, it's just I think she's expectingit.Sandy: And to not say it... It's like saying you don't love her.Ryan: Exactly.Sandy: Well, do you care about her?Ryan: Of course.Sandy: Do you enjoy being with her?Ryan: More than with anyone.Sandy: Tell her that.It won't be exactly what she wants to hear,but it'll be honest.Ryan: All right.Sandy: Can you tell me something?Ryan: Sure.Sandy: Do you have any idea why Seth is filming the pool?[SCENE_BREAK]Seh: Hey, check itout, man. Summer challenged me to make this pretentious art film, so I'm making one called Six Hours In The Pool.Ryan: Sounds great.Seth: Yeah, I'll tell you about it later. Uh, Taylor called. She wants you to go overthere for dinner.Ryan: Oh, okay.Seth: Yeah. Okay. Ah, it's perfect.At Roberts'Julie: Look, Frank, I get that men have urges, and I imagine prison is one of those places where those urges get twisted, but...Frank:Julie...Julie: I've never even heard of clown p0rn. I mean that photo where they're all stuffed into the little car...Frank: It's not mine.Julie: Oh, really? It was just in your bag, along with... this? I mean, which one of usis supposed to wear this?Frank: Julie, none of this is mine.Julie: So someone just went into your bag, planted a wig and some really bad clown p0rn. Who would...? Oh... Kaitlin.Frank: Julie, it's all right.Julie: No, Frank,it's not. My daughter is trying to sabotage this relationship. And where would she get her hands on clown p0rn?Frank: She's just hazing me, you know? It'll be good for me to show her that I can take it. It'll blow over.It's not serious.Julie: Did you see p.50? At Cohen'sSummer: How much more of this is there?Seth: Five hours and 58 minutes. What are you doing?Summer: I'm not going to sit here and watch six hours of the pool. Itold you to become engaged in something. Instead, you just set up a tripod.Seth: It's a satire. It's a comment on the lack of artistic rigor...Summer: No, it's you being lazy. How many naps did you take while you madethis?Seth: I took two to res... Do you feel like you're overreacting a little bit? I mean, what does it really matter?Summer: That's the problem, Seth. You did this because you chose the path of least resistance. Youknow, you could have made a movie about anything in your life, and instead you chose this.Seth: So what am I supposed to do? Follow Ryan around with a camera until he punches someone?Summer: Yes, anythingthat engages you in the world.Seth: What is the point?Summer: Well, if nothing else,it's important to me. Yatch clubSandy: Thanks. Mr. Spitz.Jason: How are you? Kirsten, how's it going?Kirsten: Hello, Jason.Jason:Listen, you guys, I want you to meet my wife, com.Carrie: No way, really? Well, then what did she say?Jason: Honey, honey.Carrie: Oh, my God. What a complete ho-bag.Jason: Honey.Carrie: I got to go. Call me back.Love you, bitch. Hi. I am so sorry.Jason: Kirsten and Sandy Cohen, this is Carrie, my wife.Carrie: So nice to meet you.Sandy: You, too.Carrie: That was my girlfriend. She's having trouble dating this guy, and the guy'swife is all like, uh, \"I'll kill you.\"Sandy: Wow, I imagine that could be a little hard to handle.Carrie: Oh, whatever. Not my problem.Kirsten: So, Carrie, you're from Newport?Carrie: Oh, yeah, born and bred.Kirsten:Really. Interesting.Carrie: Oh, now, Sandy, let's get to it. How can we convince Jason here to get out of that soup kitchen he calls an office and get a real job? At Roberts'Ryan: Oh, thanks, that's good.Taylor: Forluck.Ryan: Uh, actually, I'm not that big a wine drinker.Taylor: I know, you can't have coq au vin without the vin.Ryan: Well, that's true.Taylor: Okay.Ryan: You know, I feel kind of bad, you making dinner the daybefore your birthday.Taylor: No, it's my pleasure. Absolutely. Oh, sorry.Ryan: It's okay.Taylor: I'm nervous 'cause I've never cooked for you before. Okay, cheers.Ryan: Oh, yeah.Taylor: Whoo, bottoms up. Mmm.Tasty.Ryan: So, uh...Oh, that's... So, Taylor, there's something I want to talk to you about.Taylor: No, let's save all the serious conversation for after dinner. We don't want it to get cold.Ryan: Okay.Taylor: Hmm, Ithink I need another sip. Wow, do you detect a hint of blackberries?Ryan: Mm, no, I don't.Taylor: Try it. It's fun, come on.Ryan: Uh... Okay. Mm. Nope, no blackberries.Taylor: I think you need to take a bigger sip.Yatch clubSandy: You still go to your sorority rush?Carroie: Sandy, sisterhood doesn't just end with graduation. A Tri-Delt once, a Tri-Delt forever. Oh, but last year,I got so sick. Totally embarrassing.Kirsten: I can onlyimagine.Carrie: And I thought,\"Carrie, what gives?\" Can't you hold your liquor anymore? Ugh! And then I realized it was just morning sickness. Was that a relief.Sandy: You know, I'm afraid it's getting a little late forus.Carrie: Oh, no, no,no, no. You are not running away. This great bar just opened up on Ocean. When was the last time you two did tequila poppers?Sandy: Maybe another time.Carrie: Oh, tell me you're not bailingbecause you're pregnant. I mean, no offense, but that is lame.Jason: Carrie, no.Carrie: What?It's lame.Kirsten: Actually, I'm an alcoholic.Carrie: Oh, God. Me, too. Hey, after you have that thing, we should totally goout. You know, without the two dish rags. Oh, God! Can you just take that thing outside? Oh, don't freak. I'm not a psycho.It's our baby.Jason: When we go out with the baby, Carrie likes to have the nurse sit nearby,afew tables away.Kirsten: Oh, you know,Sandy, I'm-I'm, uh, suddenly... I'm, I'm not feeling well.Sandy: I'd better get you home. Thank you both for an unforgettable evening. Jason, I'll talk to you Monday.Jason: Yeah.Well,good night,and...Carrie: Hey, Kirsten,uh, remember,you can call me for baby advice anytime.Kirsten: Sure.Carrie: Losers.[SCENE_BREAK]At Roberts'Taylor: I don't understand how you're not drunk.Ryan: Oh, it'sthe Atwood genes. We're built to withstand massive quantities of alcohol.Taylor: Ooh. Here we go. Here's the bed. Okay, all right. Now we're just gonna... Whoa. That's good.Taylor: But if I can't get you drunk, you'llnever tell me you love me.Ryan: Oh, Taylor.Taylor: I know, I know. Bad Taylor. I shouldn't have tried to get you drunk. Just like I shouldn't have pretended to be your sleep therapist, or rented Roger the homosexual,or stalked you wearing a Groundhog costume, or... What else did I do?Ryan: I-I think that's it.Taylor: I'm going to go to sleep now. Oh. Good-bye, Ryan. It was nice.Ryan: Taylor. Taylor? Are you pretending to go tosleep, thinking I'll tell you I love you while you're unconscious?Taylor: Maybe. Don't laugh at me.Ryan: I'm not.Taylor: It's hard dating someone who doesn't tell you how they feel and always having to interpret hand"}
+{"doc_id":"doc_136","qid":"","text":"(Open: Booth's apartment. There is a rapid knocking at the door. Booth is asleep in bed)BOOTH: Yeah. Aww (he groans as he awakes and stumbles out of bed).(knocking continues)BRENNAN: Booth?BOOTH: Yeah.Unhh. (He cracks his toes, then gets out of bed, pulling on his robe, still making groaning noises. He cracks his back as he heads into the bathroom. Still sighing and pulling on his robe, he looks at himself, bleary-eyed,in the mirror. He continues walking, cracking his neck, and his back again, then his fingers). Oof.(more knocking)BRENNAN: Booth? Are you there?(Booth is still walking towards his front door)BOOTH: No, I'm in SouthBeach, working on my tan (he opens the door, still grunting and groaning. Brennan is standing there, enthusiastic and eager to get going).BRENNAN: You need Sweets to sign your post-Afghanistan fitness for dutyreport. Did you forget?BOOTH: Me? (He turns to go back into the apartment)BRENNAN: Well, generally, you wear more clothing, and you've been avoiding this for weeks (she shuts the front door).BOOTH: Well, Icouldn't sleep. Hannah got up at the crack of dawn (he continues walking, cracking more joints as he goes). Ooh.BRENNAN: Do you always have this pronounced a release of gas in the morning?BOOTH: (turns to faceBrennan) Is it that bad?BRENNAN: Synovial gas, that's what the cracking is.BOOTH: Synovial gas, what's that mean?BRENNAN: well, there comes a point when your body can't hide all the abuse it's taken.BOOTH: Whatdo you, what do you mean a certain point?BRENNAN: Booth, you've been shot, and beaten, and jumped out of airplanes. The skeletal damage alone...BOOTH (groans and turns): Oh God, I'm falling apart.BRENNAN:You're fine. It's your skeleton that's falling apart.(Cut to: FBI building, Booth and Brennan are rounding a corner).BRENNAN: The compression fracture to your T3 alone should have incapacitated you years ago, thenthere's the fracture to your sternum from when that obese girl shot you, fractures from your metatarsals from when you were tortured, rib pitting from when you foolishly tried to act as a human shield...BOOTH: Ribpitting?BRENNAN: And that's before we even get to your compromised ligaments, both intertransverse and anterior longitudinal.BOOTH: How do you have room in your brain to remember all this?BRENNAN: I careabout you, Booth, and the more abuse a body takes, the sooner it degenerates.BOOTH: That's it? That's all you've got for me? (they enter the elevator)BRENNAN: Well, it can be a good thing. In tribes, men like you areelders. They don't have to hunt anymore.BOOTH: Well, I want to go hunting.BRENNAN: (reaching forward to press the button) Well, perhaps you'll feel better after you get your form signed.(Cut to: Sweets' office,sounds of giggling are heard. Booth and Brennan have stunned looks on their faces as they behold two pairs of feet hanging off the edge of the couch)DAISY: Oh I will! (giggling)BRENNAN: Oh!SWEETS: AgentBooth!DAISY: (pops up over the back of the couch, arms clutched to her chest for modesty's sake) Dr. Brennan!BRENNAN: You should be at work, Ms. Wick! It is a very important day.BOOTH: (hands form to Sweets)Can you sign this?SWEETS: Are you serious?BOOTH: Sign. (He hands Sweets a pen and the form) Just sign and get back to your fun. (Sweets signs the paper)(Cut to: Jeffersonian Medico-Legal Lab. Brennan is walking,and Daisy is tagging behind her, trying to catch up)DAISY: Dr. Brennan, about this morning.BRENNAN: What about it?DAISY: I don't want you to think that Lance and I are dating again, because we're not. That waspurely accidental intercourse.BRENNAN: You had intercourse accidentally? What were you trying to do, Ms. Wick?DAISY: I was returning a book.BRENNAN: And your pants fell off?(Workers are bringing in large artifactson rolling tables, Cam and Angela are supervising)CAM: All of the pieces of ship without remains attached, straight to the early American workroom. Door on your right.WORKER: Where do you want this?CAM: Take itup on the platform.WORKER: Got it.(Brennan and Daisy approach and come to a stop beside Cam)CAM: Okay. (turns to Brennan) How much of this is there?BRENNAN: I have no idea.CAM: So, when you said oldremains, the ship part of it just slipped your mind?BRENNAN: No, of course not.ANGELA: This is incredible. I can't believe this is an actual slave ship. Where did they find it?BRENNAN: Off the coast of Maryland. Thiscould shed enormous light on the slave trade.CAM: Or give me nightmares. One or the other.(Hodgins enters with more parts of the ship)HODGINS: Mytilus edulis, blue mussels. Wow. Hey, they said this was for you(he hands Angela a sheaf of papers).BRENNAN: The Jeffersonian Board of Directors wants us to try and identify the remains.CAM: How? These people have been dead for nearly 150 years.ANGELA: Yeah, well this mighthelp. It's a copy of the outgoing manifest, and it lists all the slaves they were transporting to New Orleans. There's age, and race, and degree of color. This is really detailed, in a totally horrible, disgusting, sucky kind ofway.HODGINS: Slaves were considered property. They were as carefully catalogued as livestock or silverware.(Brennan grimaces and shakes her head slightly, Cam looks uneasy and tilts her head down, avoiding eyecontact. Angela looks disturbed, glances at Cam and Brennan, then makes eye contact with Hodgins, who turns his gaze to the remains).(Cut to: Platform, Brennan is leaning over a set of remains, Angela is standingnext to her, taking notes)BRENNAN: Male child, under ten years old. One hundred and thirty centimeters. The marine mussels compromised the bone, but the skull shows a mix of Negroid and Caucasoid characteristics,suggesting that he would be listed as mulatto.ANGELA: Got it, Pollodore Nelson.DAISY: Symphyseal rim well defined, partial ectocranial suture closure, female, forties, five feet tall.ANGELA: Ok, there's only one womanthat small.(Cam is looking down at something)CAM: Over here, now. Uh, not kidding, even a little bit. Dr. Hodgins. (Daisy, Brennan and Anglea make their way over to Cam's table)HODGINS (rushes over to where Camis): Yeah. Yeah.CAM: That. What the hell is it? HODGINS (bending down for a closer look): Wow, it's some kind of organism anchored to the bone. Interesting.CAM: Alien sea-life hitchhikes in on a slave ship and that'sall you can say? Interesting?BRENNAN: Well, I think in this context, interesting is a way of acknowledging life forms beyond Dr. Hodgins' expertise.HODGINS: Temporary condition, I assure you. All right, listen up! Pullany other bones with pink slime and bring them over here. It's possible that alien is an appropriate adjective. We may be looking at NTI here. (Another squint brings over more remains and hands them to Daisy, whoplaces them on the table)CAM: What's he talking about?BRENNAN: I have no idea.HODGINS: NTI? As in, non-terrestrial intelligence?ANGELA: Oh no.HODGINS: If alien life forms were going to exist somewhere onEarth, the ocean floor would be it.CAM: Please tell me you're kidding.BRENNAN: Judging by weight and texture, all the affected bones appear to belong to the same skeleton. (Brennan picks up the skull and observes itas the others look on). Something is very wrong.(Cut to: FBI building meeting room)BOOTH: C'mon Bones, I really gotta look at these images?BRENNAN: Yes. (She pulls up images of the x-rays) Penetrating trauma tothe cribriform plate and palatine bones.BOOTH: Ok, you mean that jaggedy looking hole there?BRENNAN: Yes. The puncture would have extended upwards, into the anterior base of the brain, resulting in immediatedeath. This man was hooked through the mouth like a fish. (She demonstrates on Booth, by hooking her finger up against the roof of his mouth. He does not appreciate this and grabs her hand, removing it and makinga face of displeasure).BOOTH: Ok, got it, thank you. Very much. I just don't know how I can help you with a murdered slave though.BRENNAN: They may have found him in a slave ship, but given the condition of hiscartilage, this man died less than a month ago. And, this is murder.(Opening credits)(Cut to: Platform at the Medico-Legal Lab. Daisy is working on a skeleton, Brennan joins her)BRENNAN: Abrasions to the pisiform. It'slikely this person was wearing manacles. Why are you working on remains from the slave ship when you know our recent murder victim has priority?DAISY: Because Dr. Hodgins is still trying to remove the unidentifieddeep sea life forms. Maybe we should discuss the murder victim's x-rays instead? (They go over to a computer, where Daisy pulls up the images)BRENNAN: Incomplete epiphyseal fusion - he was at most twenty yearsold.DAISY: Chipping on the zygomatic arch. Hairline fractures to the mental foramen. All heavily remodeled. Metaphyseal fractures to the left tibia and right ulna. Never properly set.BRENNAN: I've seen these before.They happen when someone has their extremities wrenched over and over again at a very young age.DAISY: Suggestive of child abuse?BRENNAN (nods slightly): We have to identify him. What is taking Dr. Hodgins solong?(Cut to Hodgins' lab area. He is peering through a magnifying lens, Angela is standing next to him.)HODGINS: We are looking at what could be a clue to the origin of life itself.ANGELA: The origin of life looks like apink Chia pet?HODGINS: According to one theory, billions of years ago, organic molecules hitchhiked to Earth on comets that plummeted into our oceans, forming the seeds of life as we know it.ANGELA: Ok, now you'velost me.HODGINS: Look at this. Organism operates like hair follicles. Anchors its root system to the bone.ANGELA: You know, it's actually kind of attractive up close.HODGINS: Yeah, for a mucus-excreting underwaterinsect.ANGELA: (laughs) Well, let me scan the skull and then I can build a facial reconstruction from it.HODGINS (placing the skull on the dais for Angela to scan): Do you realize these guys could be harder to identifythan a decomposed murder victim?ANGELA: How can you compare a murder victim to ocean snot that looks like something Barbie wore to the prom?HODGINS: You compared it to a Chia pet.ANGELA: Yeah well, it's notthe same thing.HODGINS: You're right. Because if these guys are new, and I get to identify them, then I get to name an entire species. Angelonicus montenegris.ANGELA: Really?HODGINS: Really. (Hodgins rises,Angela chuckles, and they embrace).(Cut to: Booth's office. Sweets and Booth are having a conversation. Sweets is pacing Booth's office, Booth is sitting at his desk).SWEETS: So the dead guy got caught in a fishingnet and the fishing net got caught in the slave ship?BOOTH: Yeah, the net gets lost, floats around for years - they call it a ghost net.SWEETS: Wow. Ghost net caught a ghost. That's...BOOTH: Something likethat.SWEETS: That's ironic.BOOTH: 'Kay, why are you still here?SWEETS: I'm weak. I'm weak, Agent Booth. I broke up with Daisy, but I can't keep my hands off her.BOOTH: What's new? Alright, you're a guy. Life goeson.SWEETS: Yeah, that's the problem. We broke up. But it just goes on. It's, it's like she's a magnet. Should I just let it happen?(Booth reaches for something and plonks it down in front of Sweets - it is a magic8-ball)BOOTH: Here. Pick it up.SWEETS: (picks up the magic 8-ball, shakes - the ball comes up reading \"yes definitely\") Yes, definitely. You think?BOOTH: I don't know, how am I supposed to know?SWEETS: Years ofexperience? The perspective of age?BOOTH: (groans, puts his head on his arms on his desk) Age. How is it that I went to sleep Han Solo and I woke up Obi-Wan Kenobi?SWEETS: I have no idea what you're talkingabout.(Booth's computer beeps)BOOTH: Oh. Looks like Angela finished the victim's facial reconstruction. (He opens the attachment) Oh! There is our ghost.(Cut to: Booth's SUV. Booth and Brennan are driving tointerview a suspect. Brennan is looking through some papers)BOOTH: He wasn't on the missing person's database, but I got a hit from the FBI's facial reconstruction software.BRENNAN: Mike Casper.BOOTH: Yeah, hiswife lives in uh, Calvert County.BRENNAN: He's married?BOOTH: Yeah, he's got a kid, and a dog, and a cushy aerospace job.BRENNAN: No, that's not possible. He's nineteen, twenty, twenty-one at most.BOOTH:Alright Bones, he's twenty-eight.BRENNAN: No, there's no way. Booth, you really need to double-check these things.BOOTH: Ok, look, the battle scars are to the body, not to the brain, ok?BRENNAN: You're being verytouchy.BOOTH: I'm not being touchy. This is Casper's driver's license, it's the same face Angela drew, right there (he points emphatically to the paper Brennan is holding, which is of Mike Casper's DMV registrationinformation).BRENNAN: Okay. It's possible he had cerebral palsy. That could retard bone development.BOOTH: Or, you're just wrong.(Cut to: Front door of an apartment. Booth and Brennan are still arguing)BRENNAN:I'm not wrong.(Booth rings the doorbell)BOOTH: You're wrong.BRENNAN: Not wrong.(Door opens)MRS. CASPER: Yes?BOOTH: Mrs. Casper?MRS. CASPER: Yes?BOOTH: (he pulls out his badge) Special Agent Booth, thishere's my partner, Dr. Brennan.MRS. CASPER: How can I help you?BOOTH: Mind if we come in?MRS. CASPER: Um, I'm actually in the middle of something right now (she flips her hair).BOOTH: It's about yourhusband.BRENNAN: We believe we've found his remains off the coast of Maryland.BOOTH: Any reason to believe that he might have been on a boat recently?MRS. CASPER: Ask him yourself. (she turns to call herhusband) Mike?(Mike comes to the front door)MIKE CASPER: Yeah?(Cut to: FBI interview room, Booth and Sweets are interviewing Mr. and Mrs. Casper. Booth lays down the DMV sheet in front of them.)BOOTH: Victimgot a driver's license with your name and his picture, used it to charge up a fortune in credit card debt.MIKE CASPER: Yeah, I get it. The guy who got killed is the same guy who stole my ID, but it's got nothing to dowith me. Not exactly a violent guy.MRS. CASPER: Mike's very easy-going. (She flips her hair again in a nervous gesture)SWEETS: This is a conversation between you and your credit card company, Mr. Casper. Youknow how you say they record calls for quality control? Well, turns out it's true.(He presses a button on the laptop to begin playing the recording)CUSTOMER SERVICE REP: I'm sorry sir, but because you failed to notifyus within the time...MIKE CASPER: How could I tell you when I didn't know?CUSTOMER SERVICE REP: You should have contacted the credit reporting agencies. In the future, if you place a fraud alert on yourcredit...MIKE CASPER: You wanna know what I'm going to do in the future? I'm gonna find the scum who stole my ID and I'm gonna kill him.(end recording)MIKE CASPER: What did you expect me to say? They froze mycards, our credit was ruined. That piece of dirt cost us the house we were trying to buy.MRS. CASPER: If we need to have a lawyer...MIKE CASPER: No, we don't need a lawyer, Claire, we haven't done anything.MRS.CASPER: My husband's telling the truth, he's not a violent man.BOOTH: Eh, Sweets, tell 'em what you told me.SWEETS: According to the latest clinical data, identity theft can cause serious maladaptive psychologicaland somatic symptoms.MIKE CASPER: Yeah, no kidding, I haven't slept in two months.SWEETS: Those symptoms aren't limited to insomnia.MIKE CASPER: (agitated, banging on the table) The hell is that supposed tomean?SWEETS: Okay, that would be one of the maladaptive psychological symptoms. Uncontrolled rage.MIKE CASPER: How could I kill him when I didn't even know who he was?BOOTH: I noticed that you have a boathitch on the back of your car - you got a boat?MIKE CASPER: Yeah, I fish, so what?BOOTH: You have any big hooks on that boat?MIKE CASPER: Why?BOOTH: Well, body was found about a mile off the coast - I'mthinking maybe you're doing more than just fishing on that boat?MIKE CASPER: All right, I want that lawyer. Now.(Cut to: Jeffersonian - Hodgins' lab. Daisy is standing watch over the victim's remains)DAISY: Dr.Brennan really needs these. I don't understand why you can't just pluck.(Hodgins appears from behind the shelves with a large device in hand)HODGINS: If I pluck them off one by one, it's going to take a week, Ms.Wick, so what you need to do is stop telling me how to do my job.(Hodgins bends over the remains with the device, which turns out to be a light)DAISY: I don't see how this is going to hurry things up.HODGINS: If Ifigure out what they are, I can figure out how to get them off. Any more questions? (He bends down, peering at the bones)DAISY: Not at this moment.HODGINS: Aha! Yes! It's a type of benthic worm! See?Progress!(Cam enters)CAM: Okay, the only way I can get DNA to ID our ID thief, is by using bone marrow, but your alien organism has sucked it dry.HODGINS: Ok, contrary to popular rumor, it is not my alienorganism. Not yet, anyway. But, I have narrowed it down to a type of benthic worm.CAM: How can you not be able to ID a fluffy pink worm? How many of those could there possibly be?HODGINS: Oh, you'd besurprised.(Cut to: Royal Diner, Booth and Brennan are eating and discussing the case)BOOTH: How'm I supposed to figure out who killed him when I can't even figure out who he is.BRENNAN: All I can tell from thex-rays is he had multiple fractures that were never properly set. He also sustained repeated facial trauma between the ages of two and fourteen.BOOTH: So, child abuse?(Brennan nods in affirmation)BOOTH: He wasn'ton a missing person's database, so means no-one was missing.BRENNAN: You have a very strange tendency to state the obvious.BOOTH: If you were a kid who got the crap beat out of him over and over again, whatwould you do?BRENNAN: You'd think about running away, or you do run away. But he wasn't a kid anymore, Booth, he was nineteen or twenty when he died.BOOTH: Doesn't mean he didn't run away before. And whena kid runs away, someone reports him missing. A school, a neighbor, someone.BRENNAN: We were looking at the wrong database.(Cut to: Angela's office, Brennan and Angela are talking. The image of the victim isblown up on the computer screen)BRENNAN: We need to reverse the cranio-facial growth patterns and run the results against the missing children's database.ANGELA: Send him back to childhood, huh?BRENNAN:Retain the cranial proportion, but reduce the jaw, narrow the neck, and raise the ears. Change the proportion of the head to one part facial mass to two and a quarter parts cranial mass. Decrease the size of the upperand lower jaw. Done. (Angela adjusts the proportions per Brennan's suggestions)ANGELA: It's hard to believe that ten years from this, he's going to be stealing IDs and getting himself killed. (she runs the imagethrough the database and a match pops up) Ok, that's him. We found him.(Cut to: Booth's office. A TV clip is playing on the computer, and Booth and Sweets are watching)TV ANNOUNCER: Nine year old Liam istonight's Thursday's Child.LIAM: I like all kinds of sports, but mostly basketball, even though I'm kinda short. But maybe I'll grow, right? And I'm really good at math, 'cause I like numbers.TV ANNOUNCER: If Liam canfind a family, all those numbers are sure to add up to one very bright future.BOOTH: 'Kay, that sounds a little like puppy adoptions if you ask me.SWEETS: Well, when I was in the foster system, we used to think thatthe kids who got on Thursday's Child won the lottery, you know? One day, they're on TV, next day, big car pulls up to take them to the suburbs. Every single time.BOOTH: Yeah, well, Liam didn't get adopted, would'vesaved the juvie system a whole helluva lot of time if he had. Court unsealed his records because of the murder (Booth picks up and drops back down on his desk a thick set of manila files); he was busted two years agofor b&e with another foster kid by the name of Hunter Lang (he opens the file to Lang's charge sheet), we're trying to track him down now.SWEETS: Oh? Why?BOOTH: Well, Liam testified against Hunter in exchange fora suspended sentence.SWEETS: Oooh. That's not good. Rule number one, foster kids stick together.BOOTH: Huh. Well, is that the kind of thing a guy would kill for?SWEETS: Depends on the guy. I know these kids, I'lltalk to 'em, let you know.(Cut to: Platform of the Medico-Legal Lab - Angela is recording information, Daisy is speaking as she approaches Angela from behind)DAISY: Has anyone else noticed this is like a giant jigsawwithout the edge pieces?ANGELA: One person gets killed, and it's murder, millions get killed and it's history.DAISY: I'm trying to just think of them as bones. It's easier. Female, approximately 25.ANGELA: Right here,Hany Beaufort. (she pauses in thought) Yeah, but they're not just bones.DAISY: What does that mean?ANGELA: I'm going to need to borrow these skulls.(Cam enters the platform area)CAM: Why does no-one seem to"}
+{"doc_id":"doc_137","qid":"","text":"(THUNDER CRASHING)Oliver (voiceover): The day I went missing... was the day I died. Five years in hell forged me into a weapon, which I use to honor a vow I made to my father, who sacrificed his life for mine. In hisfinal moments, he told me the truth... that our family's wealth had been built on the suffering of others. That he failed our city, and that it was up to me to save it and right his wrongs. But to do that withoutendangering the people closest to me, I have to be someone else. I have to be something else.EXT. ROOFTOP - NIGHTArrow is standing on the roof as men start running at him.Marcus Redman: Who's that?Man 2:Where'd he come from? Arrow fights three men and wins, while three others watch.Man 3: What's going on here?(SHOUTING)Arrow shoots an arrow at one of the three men.Marcus Redman: Get the chopper back now.Arrow shoots an arrow at one of the original four men.Marcus Redman: Who's this guy? Arrow shoots another man, and then punches him with the bow.Marcus Redman: Whoa, whoa, whoa! Please, wait, wait! Arrowbacks Marcus Redman against the edge of the building and throws him to the lower roof, on top of the ventilator fan.(Marcus Redman SCREAMING)Arrow jumps onto the ventilator fan next to Marcus Redman and kicksopen the grate covering the fan. Sparks explode from the fan.(Marcus Redman GROANING)Arrow grabs Marcus Redman and forces his head toward the fan.Marcus Redman: No? No, please! No, please, please!Arrow:Marcus Redman, you failed this city.Marcus Redman: Please! No, please, no! Don't hurt me, please!Arrow: Cell phone, inside pocket, call your partner. Tell him to give those pensioners back their money.MarcusRedman: Oh, please don't!Arrow: Do it now.Marcus Redman: Okay. Arrow jumps off of the ventilator fan and walks into the camera.INT. QUEEN MANSION - DAYOliver walks into the sitting room where Moira Queen issitting on the couch with Walter standing behind the couch and Thea Queen standing next to the couch.Newscaster (voiceover): Over the past 15 years, Mr. Redman has withdrawn more than 30 million dollars from theplant's account. Mr. Redman claims refunding the Halcyon pension plan has always been his intent. But sources say Redman was coerced by the vigilante. Sketch of the Arrow appears on the television with the captionreading MYSTERIOUS HOODED VIGILANTE. Oliver extends his arm in disbelief toward the television.Oliver: This guy gets more air-time than the Kardashians, right?Thea: Five years on an island and you still know whothey are.Oliver: I've been catching up. It's nice to see how much our culture has improved while I was away.Moira: No, the city used to be different. People used to feel safe.Thea: Oh, what's the matter, Mom? Afraidwe're gonna be next?Walter: Do you have any questions about today, Oliver? It's a simple proof-of-life declaration. Moira stands up and Walter straightens his suit jacket.Walter: Just read out a brief, preparedstatement to the judge, and then your death-in-absentia judgment will be voided.Oliver: It's fine, Walter, I've been in a courtroom before. Tommy enters.Tommy: Four times by my estimate. You know, there was theDUI, the assault on that paparazzi douchebag, stealing that taxi, which was just awesome, by the way, and who could forget peeing on the cop?Moira: I wish everyone would.Oliver: I'd hang, but we're headed tocourt.Tommy: I know, that's why I'm here. My best friend is getting legally resurrected, I wouldn't miss this for the world.Oliver (whispering): Right. Okay. (normal volume to Thea) What about you?Thea: Oh, I thinkthe first four times of you in court was enough for me.Oliver: Fair enough. Thea walks out of the room. Diggle enters.Diggle: Mrs. Queen? Car's ready. Diggle, Moira, Walter exit.Tommy: Walter.EXT. COURTHOUSE -DAY(PRESS CLAMORING)Man: Mr. Queen, can we get a comment, sir?Woman: ...return to civilization after five years on a deserted island.Man 2: Can you tell us what happened on that island, Mr.Queen?FLASHBACKOliver and Sara on are thrown from the bed as the boat starts to sink. Sara screams.END FLASHBACKMan: Tell us about the accident, Mr. Queen.(CAMERAS CLICKING)Woman: 5 years on anisland.FLASHBACKOliver watches Sara slide away. Oliver reaches for Sara's hand.Oliver: Sara!(Sara SCREAMING)END FLASHBACKINT. COURTROOM - DAYOliver: There was a storm. The boat went down. I was the onlysurvivor.FLASHBACKThe boat is sinking and rain pours from the sky. Oliver, his Father, and another man are on a life raft.Oliver: She's out there!Father: She's not there!Oliver: Sara!END FLASHBACKOliver: My fatherdidn't make it.FLASHBACKFather holds a gun to his head.Oliver: No!(GUNSHOT)END FLASHBACKOliver: I almost died, I... I thought that I had, because I spent so many days on that life raft before I saw theisland.FLASHBACKOliver (voiceover): When I reached it, I knew...Oliver crawls onto the island, coughing.Oliver (voiceover): I knew that I was gonna have to live for both of us.END FLASHBACKOliver: And in those fiveyears, it was that one thought that kept me going.Lawyer: Your Honor, we move to vitiate the death-in-absentia filed after Oliver's disappearance at sea aboard the Queen's Gamut five years ago. Unfortunately we willnot be requesting that the declaration of death filed for the petitioner's father, Robert Queen, be rescinded. The Queen family is only entitled to one miracle, I'm afraid.INT. COURTHOUSE - DAYMoira: Now, onto theoffices. Everyone is waiting to meet you there.Oliver: Uh, Mom, that was, uh...a little bit heavier than I was expecting it to be. Can we do that tomorrow? Please?Moira: Of course.Oliver: Thank you.Walter and Moirawalk away.Tommy: Last week, you couldn't wait to get to the company.Oliver: Tommy, I'd just spent five years away from civilization. I wasn't exactly thinking straight. Oliver and Tommy run into Laurel.Oliver: I...Hi.Tommy: Hi.Laurel: What are you doing here?Oliver: Oh, they were bringing me back from the dead. Legally speaking. What are you doing here?Laurel: My job.Oliver: Right.Lawyer: More like the D.A.'s. Oliverextends his hand to Emily, standing to the right of Laurel.Oliver: Hi, Oliver Queen. Emily shakes his hand.Emily: Emily Nocenti.Laurel: Oliver just got back from five years on an uncharted island. Before that, he wascheating on me with my sister. He was with her when she died. And last week, he told me to stay away from him. It was really good advice. Excuse me. Laurel walks past Oliver and Tommy.Emily: It was nice to meetyou.Lawyer: Yeah. Let's go. They walk past Oliver and Tommy to follow Laurel.Tommy: Come on, buddy, shake it off. Let's go.EXT. COURTHOUSE - DAYReporter: Mr. Somers, one question, sir.Somers: I don't knowwhat I've done to earn this witch-hunt from Miss Lance and her bosses at the CNRI. But I can tell you this. I am an honest businessman, and I will fight this slander to my last dime and breath. That's all I have to say,thank you.(REPORTERS TALKING INDISTINCTLY)Reporter 2: There's Mr. Queen!(REPORTERS TALKING INDISTINCTLY)Reporter: Tell us what happened inside, Mr. Queen...Diggle walks with Oliver and Tommy to thecar.Diggle: Step back everybody, please.Reporter: Can you give us a couple comments about the island, Mr. Queen? Before you go, sir, please. Couple of comments about the island, sir.Reporter 2: What happened inthere?Diggle: All right. Everybody step back. Diggle shoves the reporters away.Diggle (angrily): Hey man, I'll make you swallow that Nikon! Back!(CAR DRIVING AWAY)Diggle and Tommy watch the car leave.Tommy:This happens to you a lot, doesn't it? Diggle is obviously frustrated.INT. COURTROOM - DAYLaurel: How much is a life worth? A life of a man, a good man, a stevedore on the docks of the city in which welive.FLASHBACKSomers is standing while two men drag Victor Nocenti toward him.Laurel (voiceover): A father.END FLASHBACKLaurel: A man with a daughter. The plaintiff will prove by a preponderance of evidencethat Victor Nocenti learned that his boss, that man sitting right there, Martin Somers, was taking bribes from the Chinese Triads to smuggle drugs into our city.FLASHBACKLaurel (voiceover): And when Victor Nocentithreatened to tell the police,Man slits Victor's throat. (CHOKING) Martin Somers had him killed.END FLASHBACKLaurel: Mr. Somers is very well-connected, and has friends in the District Attorney's office. Which is why, ifEmily Nocenti is to get justice for her father's death, if Martin Somers is to get justice for his crimes, then someone is going to have to do it for them.INT. WAREHOUSE - DAYOliver is shirtless, showing all of the scars hehad gotten on the island, and starts climbing a thick rope. The camera pans to several green arrowheads on a table.Oliver (voiceover): Martin Somers. Laurel's targeted the worst of Starling City, so it's no surprise hisname is on my father's list. Camera pans to father's list. Camera pans to Oliver practicing sword skills on metal bars.Oliver (voiceover): The city's police and the D.A. can't stop him, or won't. Laurel thinks she's the onlyone willing to bring him to justice. She's wrong.INT. SHIPPING DOCK WAREHOUSE - NIGHTSomers: You, listen up. The longer this goes on, the more likely the media is gonna crucify me. You shut this trial down, doyou understand me?(ELECTRICITY CRACKLING)Man: Yes, sir.(LIGHTS FLASH ON AND OFF)(BLOWS LANDING)(MEN GROANING)(MUTTERS)Somers looks around as the light come back on. The two men in thewarehouse are lying on the ground, face-down.Somers: What... What... Somers is pulled away by a quick rope around the neck.(CHOKING)EXT. SHIPPING WAREHOUSE ROOF - NIGHT(GRUNTS)Camera opens withSomers' upside-down view of the Arrow. Camera flips right side-up.Arrow: Martin Somers...Somers: Who the hell are you?Arrow: ...you've failed this city. Arrow lodges an arrow in his bow and aims at Somers.Somers:No! No, no, no, no, no! Arrow shoots next to Somers.Arrow: You're gonna testify in that trial. You're gonna confess to having Victor Nocenti killed. Camera shows upside-down view of the Arrow.Arrow: There won't be asecond warning. Arrow shoots an arrow that grazes Somers' right cheek.(SCREAMING IN PAIN)(MUTTERING)Camera pans out and Arrow is gone.INT. QUEEN MANSION - NIGHTMoira: I hired you to protect my son.Now, I'm not a professional bodyguard, but it seems to me that the first requirement would be managing to stay next to the man you're hired to protect.Diggle: With all due respect, ma'am, I never had a client whodidn't want my protection.Moira: I hired you. That makes me the client. Now where do you think my son is going on these chaperone-less excursions?Diggle: Ma'am, I truly do not know.Oliver walks into theroom.Oliver: And he truly doesn't.Moira: Then perhaps you'd like to share with me, you know, where it is you run off to.(Oliver CHUCKLES)Oliver: I've been alone for five years.Moira: I know that, Oliver.Oliver: Mom...Alone.Moira: I see.Oliver: I promise to introduce her if it ever gets to the exchanging first names stage...Moira: No, I'd rather you promised to take Mr. Diggle with you on your next rendezvous. It's not safe, you'vealready been abducted once. There is a maniac out there, hunting the wealthy.Oliver: That maniac saved my life.Moira: This isn't a game. I lost you once. And I am not going through that again.Oliver: Okay. Dig's myguy.Moira: Thank you.Moira walks out of the room, leaving Oliver and Diggle alone.Oliver: Sorry to give you so much grief.Diggle: I served three tours in Afghanistan, Mr. Queen. You don't even come close to mydefinition of \"grief.\" But I tell you what... You ditch me one more time, no one will have to fire me. Diggle walks away, passing Thea dressed in a red dress.Oliver: Where you going?Thea: Uh... Somewhere loud andsmoky. And don't bother trying to pickpocket my stash this time, because I'm gonna go get drunk instead.Oliver: Thea, do you think this is what Dad would want for you?Thea: Dead people don't want anything. It's oneof the benefits of being dead. Oliver:I was dead. And I wanted a lot.Thea: Except for your family. You've been home a week, and all you do is avoid Mom, ignore Walter, and judge me.(Oliver SIGHING)Thea: Don't waitup.Thea walks out of the house.INT. SHIPPING WAREHOUSE - DAYQuentin, Somers, and a group of policemen are in the warehouse. Quentin is pacing.Quentin: Well, I owe you an apology, Mr. Somers. We come all theway down to your docks, and it turns out, you don't need the police after all.Somers: Which is exactly what I've been saying.Quentin: Yeah. So I guess that 9-1-1 call that we got last night from your stevedore, sayingthat you were getting attacked by a guy in a green hood and a bow and arrow... I-I guess...I guess that, well... Hmm. Was that a practical joke?Somers: These guys like to fool around.Quentin: Yeah.(QuentinSCOFFING)Quentin: Well, you know, I'd be very much inclined to believe an honest, upstanding businessman like yourself, except, well, one of my men found this at your docks.Quentin pulls a green arrow out of anevidence bag and shows it to Somers.Quentin: You see, there's this vigilante running around. He thinks he's some kind of Robin Hood. He's robbing the rich, he's trying to teach them a lesson I guess. I don't know, Idon't know. But the point is... the man's a killer. And nothing, and no one, is going to stop me from bringing him down. But like you said... Quentin sticks the arrows into a slot in the desk. It's a perfect fit. Somersfrowns, obviously hiding something.Quentin: Hmm! ...clearly, nothing happened here last night.Somers: Isn't this a conflict of interest, Detective? After all, your daughter is suing me.Quentin: I'm pretty good atkeeping my emotions in check.Somers: I'm not. Somers stands up and threateningly gets in Quentin's space.Somers: You and your daughter don't want to find out what I'm capable of when I get emotional.(QuentinSCOFFS)(Quentin SIGHING)Quentin walks and the other policemen walk out. Somers looks nervously at the arrow in his desk.INT. QUEEN CONSOLIDATED - DAYWalter walks off of the elevator, followed by Moira,Oliver, and Diggle.Walter: As you can see, Oliver, we've modernized quite a bit.(Oliver WHISTLING)Oliver: Ooh. Hi.(CHUCKLING SOFTLY)Moira: Are you enjoying yourself?Oliver: Yes, I am.Walter: I remember whenyour father used to bring you here when you were a boy. You always were so excited.Oliver: Dad let me drink soda in the office.Moira: Ah, so that's why you enjoyed coming.INT. OFFICE - DAYWalter: The QueenConsolidated's success of late is a result of its targeted diversification. We have been making impressive inroads in cutting-edge fields like bio-tech and clean energy.Oliver: That's neat. (to secretary) Excuse me? Can Iget a sparkling water, or something cold, please?Moira: Sweetheart, Oliver, Walter and I have something to discuss with you. Come, please sit.Oliver: Mom, it makes me nervous when you ask me to sit down.Walter:The company's about to break ground on a new site for the Applied Sciences division, and we would like to honor your father by dedicating the building in his name.Oliver: Nice.Moira: And we'd like to make anannouncement at the dedication that you will be taking a leadership position in the company.Oliver: No.Moira: No, your... Your company.Oliver: No, I don't want to lead anything. Besides, Walter is doing a very goodjob here.Moira: You said that you wanted to be a different person. You are Robert Queen's son.Oliver: I don't need to be reminded of that.Moira: Well, obviously you do.Walter: Everyone here understands that thistransition is really difficult for you.Oliver: Thank you, Walter. Which part, though? Everyone fantasizing that I got my MBA while I was on the island? Or the fact that my father's CFO now sleeps down the hall fromme?Moira starts walking away, but turns around and looks at Oliver.Moira: You know, five years ago, your irresponsibility was somewhat charming. It is a lot less so now. Moira walks out and Walter goes after her.EXT.QUEEN CONSOLIDATED - NIGHTDiggle walks out of the building ahead of Oliver to keep him from the press.Reporter: There he is!(CAMERAS CLICKING)(PRESS CLAMORING)Diggle escorts Oliver through the horde ofreporters. They both get into the backseats of a car.Diggle: The driver will be here in a minute.Oliver: Okay.Diggle: You know, I spent the first 27 years of my life in Starling City, and the next five in Afghanistan. Youwant to know what I learned?Oliver: There's no place like home?Diggle: No, just the opposite. Home is a battlefield. Back home, they're all trying to get you. Get you to open up, be somebody you're not sure you areanymore. Oliver seems to be far away and deep in thought.Diggle: Or I could be wrong. Maybe after five years alone, you're not as messed up in the head as you have every right to be.FLASHBACKOliver is lying on theground.(SEAGULLS SQUAWKING)Oliver: Hey!Seagulls are swarming around the life raft that had washed onto the shore.Oliver: Hey, get away! Oliver starts running toward the raft.Oliver: Hey!(COUGHING)There is anorange bag holding a body in the raft.Oliver: Dad? Oliver kneels by the raft and takes the hand of the dead man. He jumps up and starts throwing up, collapsing on his hands and kneels.(SEAGULLS GET LOUDER)Oliverscrambles back toward his father.Oliver: Hey! Hey, stay away from him!(COUGHING)Oliver lifts his father's body over his shoulder.(GRUNTING)Oliver starts walking away with the body.END FLASHBACKINT. LAW FIRM -DAYLawyer, Laurel, and Emily are walking together.Lawyer: Well, we anticipate that Somers' attorney will try and paint you as blinded by grief or looking to make a buck.Emily: This isn't about the money. I just wantjustice for my father.Laurel: Emily, there are a lot of people who don't want this trial to proceed. Dangerous people.Emily: My mother died when I was a baby, and my father has been the only family I've ever knownand they slit his throat. They are going to have to kill me if they want me to give this up.Laurel: Well, let's hope it doesn't come to that. Quentin walks into the room with three police officers.Quentin: And itwon't.Laurel: What's going on?Quentin: What's going on is that the three of you are getting around-the-clock police protection. Okay? Get used to their faces, because they're going with you everywhere you go. Noarguments.Laurel: I'm a lawyer. I live to argue.Quentin: I'm your father. I live to keep you safe.Lawyer: Um, Emily, let's go grab a cup of coffee, okay?Quentin: Yes, why not do that? Thank you. (to officers) Please, gowith them. (to last officer)Stay there.Laurel: Protective custody? I seem to recall you trying that once I discovered boys. It didn't work then either.(Quentin SIGHING)Quentin: This isn't a joke, Laurel. Martin Somers gotattacked last night.Laurel: What?Quentin: Yeah.Laurel: By who?Quentin: It doesn't matter. Point is, you have whipped up a storm with these guys, and until the dust settles you'll be protected, okay? End ofdiscussion.Laurel: That might have worked when I was eight. But it's not gonna work anymore.Quentin: End of discussion, Laurel! You're insistent on doing your job. That's great. But this is me doing mine, okay? Andnot just as a father, but as a cop. These people, they are more dangerous than you are willing to admit. And you've made them angry.INT. SHIPPING WAREHOUSE - NIGHTSomers sitting at his desk. Woman walks inwearing red dress.Somers: Thank you for coming.Woman: Anything for a friend.Somers: We're not friends. You smuggle drugs, I let you use my port.Woman: For which you're paid a lot of money.Somers: I don't getpaid enough to have arrows shot at me. You need to take this guy seriously. He is a bigger threat to your operation than Nocenti ever was.Woman: Except now it's Nocenti's daughter who's the problem. Unlike yourfriend with the hood, we know where to find her.Somers: Don't be an idiot. You take out Emily Nocenti, and Laurel Lance will never let this go. She won't stop until she burns you, me, and then the entire Triad to theground.Woman: Then we kill Miss Lance. Somers looks clearly nervous.INT. OLIVER'S ROOM - DAYNewscaster: Attorney for shipping magnate, Martin Somers,Oliver walks into the scene. His shirt is off, showing thescars in his back, sides, and arms.Newscaster: has confirmed his client has no intention of testifying, maintaining his innocence in the wrongful death of Victor Nocenti. Nocenti's body was found four weeks ago. We'llkeep you updated as more information becomes available.Thea walks into the room and sees Oliver's scars as he puts a shirt on.Thea: Wait, how did you get those?(Oliver SIGHING)Oliver (frustrated): Don't youknock?Thea pulls back his shirt to get a better look at his scars. Oliver frowns at his sister's insistent behavior.Thea: No, wait... Mom said that there were scars, but... I-I'm... Oliver, what happened to you out"}
+{"doc_id":"doc_138","qid":"","text":"Michael: Oh hey, Kevin, nice of you to join us, where were you?Kevin: My tire blew out on the way here, Michael.Michael: Huh?Kevin: I almost died. I... I went into this skid---Michael: Pop quiz.Kevin: ...What?Michael:Why is today a special day?Kevin: I almost died.Michael: Today's a special day, because I am being honored as a... visiting... professor, special lecturer, emeritus... how did you, how did you...Ryan: You will be a guestspeaker... in my Emerging Enterprises class.Michael: In business school, Kevin. Business school.Kevin: Wow.[SCENE_BREAK]Ryan: If you bring your boss to class, it automatically bumps you up a full letter grade. So...I'd be stupid not to do it, right?[SCENE_BREAK]Michael: A boss is like a teacher. And I am like the cool teacher. Like Mr. Handell. Mr. Handell would hang out with us, and he would tell us awesome jokes. And heactually hooked up with one of the students. Um... and then like twelve other kids came forward. It was in all the papers. ... Really ruined eighth grade for us.[SCENE_BREAK]Michael: Here we go. College Roadshow.Gotta bring our... A game. What was the most inspiring thing I've ever said to you?Dwight: \"Don't be an idiot.\" Changed my life.[SCENE_BREAK]Dwight: Whenever I'm about to do something, I think, \"Would an idiot dothat?\" And if they would, I do not do that thing.[SCENE_BREAK]Michael: Will they throw their hats, you think?Ryan: What?Michael: A lot of times, at a... school, or naval academy, after a rousing speech, the crowdwould throw its hats high into the air.Ryan: Y-You understand nobody's graduating.Michael: Yeah, I know, I know. I'm just saying if they did throw their hats I've got a great line for that: \"May your hats fly as high asyour dreams.\" ... That was a pretty good line.Ryan: ...It doesn't apply.Michael: I understand! Wow. Relax, spazzy boy. Sometimes you're such a little spaz! [pokes Ryan] Whoa, hey!Ryan: Quit it!Michael: We havefun.[SCENE_BREAK]Roy: I can't for your art show tonight.Pam: Okay, just so you know, it's just the students from my class in a little studio.Roy: I-I wouldn't miss it for the world.Pam: Thanks.[SCENE_BREAK]Pam: I'mreally happy to be back with Roy. I think it shows maturity. Maturity and dignity. ... Is that braggy? I don't mean it to be braggy.[SCENE_BREAK]Roy: Love ya.Pam: You too.[SCENE_BREAK]Jim: Pam's with Roy. I'mwith Karen. And, uh, Brangelina is with Frangelina. Movin' on.[SCENE_BREAK]Kelly: I can't believe you're back together with Roy!Pam: Oh, yeah! We have such a solid foundation, you know.Kelly: Oh my God. You're soin love now.Pam: Yeah. Oh, you should come to my art show, by the way.Kelly: Oh, art show!Pam: I mean, it's not a big deal, but I think a lot of people from the office will be there.Kelly: ...Oh... yeah. Definitely... I'llbe there. For sure.[SCENE_BREAK]Michael: Campus. Brings back so many memories. ... That I would have made. Hey. Frisbee. Check that out. Aww! What do you say we get our Fris on before class? [runs over, throwsfrisbee] Whoo!College Student: ....Dude.[SCENE_BREAK]Dwight: ...Oh my God. Animal stool. [jumps on desk]Pam: Dwight, what are you doing?Dwight: Solving a mystery, if that's quite alright with you. [opens ceilingtile] Come to Papa. Okay, ladies and gentlemen, what we have here is a bird that has been trapped in a vent. Fortunately I have found it befo--BAT! BAAAT! BAT!Karen: Oh my God!Dwight: BAAAAT! BAT! NO!EVERYONE REMAIN CALM! There it goes!Stanley: Goooood bye.Angela: [on ground] ... Please don't let that stupid thing near me...[SCENE_BREAK]Michael: Okay, this is it. Ryan is doing my intro right now.Ryan:...Dunder-Mifflin can't compete with the modern chains, and management is unwilling, or unable, to adapt. Their customers are dying off...Michael: I can't hear what he's saying, but he looks like he's really intoit.[SCENE_BREAK]Dwight: We have... a bat... in the office.[SCENE_BREAK]Toby: The simple solution would be to open a window... if we had... windows that could open.[SCENE_BREAK]Angela: Poop is raining from theceilings. Poop![SCENE_BREAK]Jim: Okay. Thanks. [hangs up phone] Animal control will be here at six.Dwight: At Six?! No, that is unacceptable. Okay, Jim, you are the number two in this office. You need to step up andshow some leadership.Jim: I'm sorry what did you say? So wierd...Dwight: What? What's so wierd?Jim: The bat, I mean, I know I felt it bite me, but look. There's no mark. I feel so... tingly... so strangely powerful...[shrugs] Oh well.[SCENE_BREAK]Ryan: And now, without further ado, I present the regional manager of Dunder Mifflin, Scranton, Michael Scott.Michael: Hello everyone, I am Michael Scott. And I would like to starttoday by inspiring you. May I borrow someone's textbook, please? Thank you. What have we here? Ooh. Economics. Very, very interesting. [rips pages out of book] You cannot learn from books. Replace these pageswith life lessons, and then, you will have... a book... that is worth its weight in gold. [gives book back] I know these are expensive, um, but the lesson is priceless. Good. Alright. I think you're inspired. Shall weproceed? There are four kinds of business: Tourism. Food service. Railroads, and sales. And hospitals slash manufacturing. And air travel.[SCENE_BREAK]Dwight: [sighs] This is your job, Halpert.Jim: Ow!Karen: Oh,what happened?Jim: That bread on your desk? I just picked it up. It's white hot.Karen: But Jim, this garlic bread is cold.Jim: What? ... No. It burned me. I... bizarre.Dwight: No... no. One crisis at atime.[SCENE_BREAK]Dwight: If a vampire bat was in the U.S., it would make sense for it to come to a \"sylvania.\" Like PENN-sylvania. Now that doesn't mean that Jim is going to become a vampire. Only that he carriesthe vampiric germ.[SCENE_BREAK]Michael: So, you wanna start a business. How do you start? What do you need? Well, first of all, you need a building. And secondly, you need supply. You need something to sell. Nowthis could be anything. It could be... a... thingamajig. Or a... a whosi-whatsi. Or... [pulls out a candy bar] a Whatchamacallit [throws bar]. Now, you need to sell those in order to have a PayDay [takes out a PayDay,throws it]. And, if you sell enough of them, you will make a 100 Grand [throws 100 Grand bar]. [pulls out a Snickers] Satisfied?[SCENE_BREAK]Toby: Oh, this looks great. I'd, I'd love to be there, but my daughter'splay is tonight. ... Damnit! You know, one of the other parents will probably videotape it.Pam: Oh! No, you should go.Toby: Well, it's important to support local art, you know. And what they do is notart.[SCENE_BREAK]Michael: Okay, I'm seeing some confused... faces out there. Let me slow down a little bit. Break this down. Okay. The more stickers you sell, the more profit, fancy word for money, you have to buyPlayStations and Beanie Babies.Ryan: Michael.Michael: ...And products!Ryan: What we normally do here is more of a question and answer thing.Michael: Well... okay, I was just kind of getting it going. Um, alright.Well, okay, we can do questions. Okay. Very good. First hand up.Business Student #1: Sir, as a company that primary distributes paper, how have you adapted your business model to function in an increasinglypaperless world?Michael: We can't overestimate the value of computers. Yes, they are great for playing games and forwarding funny emails. But real business is done on paper, okay? Write that down. [everyone typeson their laptops][SCENE_BREAK]Karen: Hey Jim, here's the aspirin you wanted.Jim: Oh, thank God. I have such a headache from that glare.Karen: What glare?Jim: The glare off Angela's crucifix? It'sblinding.[SCENE_BREAK]Dwight: I don't have a lot of experience with vampires, but I have hunted werewolves. I shot one once. But by the time I got to it, it had turned back into my neighbor'sdog.[SCENE_BREAK]Dwight: Extraordinary events call for extraordinary actions. We form an allegiance--Creed: Sure.Dwight: --to use sudden violence.Creed: Okay.Dwight: Do you have the tools to turn a wooden mophandle into a stake?Creed: What size?[SCENE_BREAK]Business Student #2: What do you say to a customer who wants to leave you for the convenience and savings of a nationwide chain?Michael: ...I say you will missour service, and I absolutely guarantee you'll come back.Business Student #2: Has anyone ever come back?Michael: ...We don't want them back, 'cause they're... stupid.Business Student #3: How far has yourHerfindahl index declined since the merger?Michael: Nice try, how's your Pollack-says-what index?Business Student #3: ...What?Michael: Thanks, Kowalsky. Um, can we get on track here?Business Student #1: By yourown employee's calculation you'll be obsolete in the next five to ten years.Michael: ...Wait, Ryan said that?[SCENE_BREAK]Kelly: What are you doing? You'd better not hurt that little bat.Creed: Animals can't feelpain.Kelly: Don't hurt that bat, Creed! It's a living thing with feelings and a family!Dwight: Flush him towards the door. On my go... NOW!Kelly: AHH! KILL IT! KILL IT! KILL IIIT!Kevin: [locks bat in break room] I... am ahero![SCENE_BREAK]Michael: Yeah sure, you know business, sitting up here in your ivory tower. And your ebony tower. You know what? Tell you one thing, Dunder-Mifflin is here to stay.Business Student #2: But howcan you compete against a company with the resources of a nationwide chain?Michael: David will always beat Goliath.Business Student #1: But there's five Goliaths, there's... Staples, Officemax...Michael: Yeah, yeah.You know what else is facing five Goliaths? America. Al-Qaeda, global warming, s*x predators... mercury poisoning. So do we just give up? Is that what we're learning in business school?Business Student #1: But in thebig picture...Michael: Dunder-Mifflin is the big picture! Can't you understand that? No, you can't. You're too young. Ryan... has never made a sale. And he started a fire trying to make a cheesy pita. And everybodythinks he's a tease. Well you know what? He doesn't know anything, and neither do you. [walks out] SO SUCK ON THAT![SCENE_BREAK]Ryan: ...It wasn't personal.Michael: Business is always personal. It's the mostpersonal thing in the world. When we get back to the office, pack your things.Ryan: Pack my--?Michael: You heard me, pack your things.[SCENE_BREAK]Meredith: I really want to come out!Creed: Good night, MaryBeth![SCENE_BREAK]Jim: So... you're cool to just wait here for animal control?Dwight: Animal control? I've been controlling animals since I was six.Jim: Cool. Okay. I'm gonna go home and lie down, draw the shades...there's just so much sun in here... bye Dwight.Dwight: Goodbye Jim. And good luck.[SCENE_BREAK]Dwight: Jim is on a path now. An eternal journey, and I wish him well. But I have a destiny in this realm. Specifically,in the kitchen.[SCENE_BREAK]Pam: ...And it's all from the same series.Woman: Oh.Pam: Called 'Impressions.'Woman: Oh.Pam: Not that I call myself an impressionist, per se.Woman: Maybe one day.Pam: I hopeso.Woman: Mmm.Pam: I still need... you know, my breakthrough, or whatever. [Woman leaves, Roy enters] Hey, babe, how are you?Roy: Good. Alright I brought my brother, huh?Pam: Hey, Kenny.Kenny: HeyPam.Roy: How 'bout this, huh? I show up with my brother, and, no one from work is here? That's... pretty cool, huh?[SCENE_BREAK]Dwight: Magic time. Gyeeeaahhh! [puts bag over Meredith's head]Meredith: Ahh!Ahh! Ahh! Get off! Get off me! Get off me!Dwight: Hold still, woman!Meredith: Get off me! Get it off! Ahhhh!Dwight: ...[captures bat in bag] ... You're welcome.[SCENE_BREAK]Roy: It's cool if I go, right? I mean, Ilooked at all of them.Pam: Yeah, I'll just, I'll drive myself home.Roy: To my place?Pam: Maybe, I'm a little tired.Roy: Your art.. was the prettiest art of... all art.Pam: Thank you.[SCENE_BREAK]Ryan: Look, I'm sorry,okay? I was just trying to do my presentation, and... of course, I was wrong to suggest that Dunder-Mifflin might ever go out of business. But you don't have to fire me.Michael: Fire you? No, no no. You are moving... tothe annex.Ryan: To the annex? Where... Kelly is?Michael: A good manager doesn't fire people. He hires people and inspires people. ... People, Ryan. And people will never go out of business.[SCENE_BREAK]Oscar:You're the one who said we needed more culture.Gil: This is culture to you?Oscar: It's her first try.Gil: Yeah, on Van Gogh's first try, he drew the hands of the peasants.Oscar: Meaning what?Gil: Meaning, real art takescourage, okay? And honesty.Oscar: Well, those aren't Pam's strong points.Gil: Yeah, exactly. That's why this is... motel art.[SCENE_BREAK]Artist: Thanks for coming.Michael: Pam-casso! Sorry I'm late, I had to raceacross town.Pam: Oh, Michael.Michael: Wow! You did these... freehand?Pam: Yep.Michael: My God, these could be tracings! Ohh! Look at this one. Wow! You nailed it. [sighs] ... How much?Pam: What do youmean?Michael: I don't see a... price.Pam: Um... you wanna buy it?Michael: Well, yeah. Yeah, we have to have it for the office. I mean, there's my... window, and there's my car! That your car?Pam: Uh-huh.Michael:That is our building... and we sell paper. ... I am really proud of you.Pam: [hugs Michael] ... Thank you.Michael: What?Pam: Do you have something in your pocket?Michael: ...Chunky. Do you want half?Pam: No thankyou.Michael: Okay.[SCENE_BREAK]Michael: It is... a message. It is an inspiration, it is... a source of beauty. And without paper, it could not have happened. Unless, you had a camera.[SCENE_BREAK]Kelly: Oh my God,oh my God, oh my God, oh my God, oh my God, oh my God, oh my God, oh my God, oh my God, oh my God, oh my God, oh my God, oh my God...Ryan: It's only temporary, okay? Don't get excited.Kelly: I won't, Iwon't, I won't, I won't, I won't, I won't, I won't, I won't, I won't, I won't, I won't, I won't..."}
+{"doc_id":"doc_139","qid":"","text":"ACT ONE Scene One - KACL Frasier's on air at KACL and he's running out of time. But Roz still hands him over to his next caller.Frasier: Well, we've got about thirty seconds. I think we've got time for one quick call.[presses button] Hello, Marlene, I'm listening.Marlene: [v.o.] Oh my God, I'm really on?Frasier: Yes, your problem, please...Marlene: [dog barking] Lucky, Lucky, get down. George, get the dog! [Roz points urgently atthe clock] Oh my God, this is so exciting! [baby crying] Honey, honey, get the baby. George, get your son! OK, OK, here it is, Dr. Crane: if my husband and I don't find some time to have s*x soon, I think I'm gonnaburst. I may even have to go to a department store and pick up a stranger. [man calling \"Hello!\"] Oh, kids! Look who's here without calling first, Nana and Pop Pop! [sighs] I'll call you back. [hangs up]Frasier: Well, toall you Marlenes out there, may I suggest that s*x with a stranger is not the answer. Why don't you just pack the kids off with Nana and Pop Pop, lock Lucky downstairs in the basement, grab your husband, take him tothe sturdiest kitchen table you have, and let the postman ring twice! Now, to the rest of my listeners, I'll be off on vacation for the next week, so please tune in to my replacement, the noted podiatrist, Dr GarrethWooten, who'll be discussing the virtues of his new book, \"Bunions and Blisters and Corns,\" Oh My!He pushes the off-air button; Roz enters the booth.Roz: I hate it when that weird foot freak subs for you. Couldn't youjust have Frederick come and visit you here?Frasier: Sorry Roz, the taxi's waiting outside to take me to the airport.Roz: Oh well, have a great time.Frasier: Oh, thanks. [hugs Roz]Roz: And don't forget to bring me apresent!Frasier: I'll get you a nice T-shirt from Colonial Williamsburg.Roz: You're taking Frederick to Williamsburg? Eeew!Frasier: No, it's a wonderful vacation spot! We're going to dip candles, tan leather, churnbutter...Roz: Hey, Frederick Crane, you just finished the first grade, what are you going to do now? [with wide-eyed innocence] I'm going to Butterworld!Frasier makes a face and leaves.[SCENE_BREAK]Scene Two -Frasier's Apartment. Martin is reading the paper in his Armchair and gets an idea when Daphne comes in with the laundry.Martin: Hey Daphne, bring that laundry over here, will you?Daphne: What for?Martin: Well, Iwas just reading about an intelligence test you can give your dog. You throw a towel over its head and see how long it takes him to shake it off. [calling] Eddie!Eddie scampers in. As Daphne watches with amusement,Martin takes a small dish towel and throws it over his head.Daphne: Oh, and the faster he takes the towel off, the smarter he is?Martin: [sarcastic] No, the faster he folds it. All right, they ranked all the dogs and thesmartest was a border collie; he did it in seven seconds. [starts timing] All right, come on boy, take it off. [Eddie doesn't move] Six... seven. OK, the next fastest one was a poodle, I know he's as smart as a poodle.[counts off on his watch] OK, so he's no poodle... he's not a beagle either... or a German shepherd... or a Labrador. Oh, for God's sake, Eddie!Daphne: Yes, well, if you ask me, he's refusing to do that trick because heknows if he does it right, you'll have him doing it every time we have company.Martin: Hey, I'll bet you're right! [takes the towel off and shakes a finger at Eddie] Nice going, Eddie!The doorbell rings. Daphne opens it toNiles.Daphne: Oh, hello, Dr. Crane.Niles: I appreciate the false cheer, Daphne. But I'm sure you've seen this? [holds up newspaper] Today's society page?Martin: [covering his ears] Don't tell me, don't tell me, don't tellme! I'm saving it for after dinner!Niles: Apparently Maris is going on a three-week cruise. Her friends threw her a bon voyage party. Look at the photo. It's Maris on the arm of Pierson Broadwater.Daphne: Oh, Dr.Crane, look! She's just standing there, barely touching him, with only the tiniest bit of a smile on her face!Niles: I know, you can practically hear the zing zing zing of her heartstrings!Daphne: [sympathetically] Oh, DrCrane... [goes to the kitchen]Martin: Sorry, Niles.Niles: Oh, it gets worse. This morning I spoke to Marta, my ex-maid and current mole. She reports that Broadwater is just the latest in a parade of escorts. The gigolosare swarming around Maris like ants on a Snickers bar!Martin: Well, wait a minute, that's good news. If she's seeing a whole bunch of people, that means she's not serious about any one of them.Niles: Youthink?Martin: Yeah, sure! They're probably just her escorts. You know how she loves going to parties.Niles: Yes, and she never liked going anywhere alone. Except to bed.Martin: More good news. And Niles, it wouldn'thurt you to go out a little bit every once in a while too.Niles: If you're suggesting that I start dating, you can save your breath. Women don't exactly find me irresistible.Martin: Oh, come on, Niles, you've had lots ofgirlfriends.Niles: Oh, let's count. There's Maris... oh no, Dora, my childhood pen pal from Costa Rica... I seem to recall a little girl in the fourth grade who lured me to a stairwell to show me her underpants.Martin: Youknow, Niles, I think your problem is you still picture yourself as the same geeky kid you were in high school. But you've come a long way since then. And you're not doing yourself any favours sitting home every night.Now just think about it.Niles sinks back in the couch and whines pathetically. Daphne enters from the kitchen with a bottle of wine in hand.Daphne: Wine, Dr. Crane?Niles: Well, wouldn't you?[SCENE_BREAK]HE WAS ABAND LEADER MARRIED TO CHAROScene Three - Apartment Daphne and Martin are going up in the lift. Eddie is on leash. Martin's a little frustrated after some park trauma.Daphne: Oh, give it up, the man had everyright to be proud of his dog.Martin: Well, I just don't like show-offs, OK? [sarcastic] \"Ginger, catch the frisbee. Ginger, roll over. Ginger, do my taxes!\"Daphne: Just because Eddie's not good at tricks...Martin: The hellhe isn't! He just likes the kind that gives him a chance to use his brain! Eddie's a thinker!The lift doors open onto their floor. Martin and Daphne step off.Martin: Just watch this. Open the door for him. [Daphne does]Now, I've been teaching him the names of all his chew toys. [gives the command] Eddie, get your banana.Eddie stays in the elevator, staring.Martin: Now he's thinking, \"which one's the banana?\" [still not moving] Nowhe's thinking, \"what the heck did I do with my banana?\"The elevator doors slide shut.Daphne: Now he's thinking, \"which one's the emergency button?\" Martin frantically punches the lift button; the doors open.Martin:Come on!Eddie scampers off, and follows Martin and Daphne into the apartment. Niles is standing in the living room with a glass of wine.Daphne: Oh, Dr Crane!Niles: Hello. I let myself in, I hope that's all right.Martin:Fine. What's up?Niles: Oh, I just stopped by to ask you a question. Are you free Saturday night?Martin: Sure!Niles: [gleefully] Well, I'm not! I have a date!Martin: Oh!Daphne: Oh! Bravo, Dr. Crane!Martin: Good foryou! Who is she?Niles: Marjorie Nash, the \"Fruit On The Bottom\" yogurt heiress. I bumped into her at the Frye museum. Before I knew it, your advice was thundering in my ears. I found myself asking her out. We'll beattending our club's annual winter dance, the \"Snow Ball!\"Martin: Good for you!Daphne: What's she like?Niles: Well, she's terribly haughty and rumours persist about her husband's death. But still, a date's adate!Daphne: Snow Ball? Sounds very glamourous.Martin: I didn't know you could dance!Niles: Oh, I can't.Martin and Daphne look at him, alarmed.Niles: Oh, dear. You don't think she'll want me to? I've taken Maris todozens of these things, she's never once asked to dance... of course, Maris dislikes public displays of rhythm. Oh, this is terrible! My first date's a miserable failure before it even begins. [reaches for his phone] I'll justhave to cancel.Daphne: All you need are a few dancing lessons. Why, I'd be happy to give you some.Niles: You would?Daphne: Yeah! Growing up, I used to practise all the time with my brother Billy - the ballroomdancer?Niles: I couldn't prevail upon you like that, it would be too much trouble. [beat] We'll have to move this!He slides the coffee table against the couch.Niles: OK, now push the chair back [shoves ineffectively at it]Or not.Daphne drags it easily out of the way. As they take their positions, Martin settles at the dinner table to watch them.Daphne: Alright, we'll start with the box step.Niles: Box step...Daphne: It's very simple. Takemy hand like so, and your other hand goes around my waist. [Niles does] Now, start with your left foot.Niles: OK, which one?Daphne: Oh, hush! Step towards me, then bring your right foot forward-and-over, and slidethe left over to meet it. Then the right foot goes back, the left back-and-over, and the right slides next to it. And that's it! All right, once again. A one-two- [he steps on her foot] Oh!Niles: Sorry.Daphne: -three, atwo-two-three, a three-two-three, a four-two three...Niles: [struggling and staring at his feet] This is boring yet difficult.Martin: Aw, there's no trick to dancing. It's just a matter of coordination. Hell, if you can ride abike, or skip rope, or kick a ball, you can certainly...He pauses, looks at Niles, gets up and leaves. Niles rolls his eyes.Daphne: Alright, once again. A one-two-[he steps on her foot again] Oh!-three...The scene FADESOUT...Scene Four - Apartment ...and fades back in later on in the evening. \"Isn't It Romantic,\" is playing on the stereo and Niles and Daphne are dancing a slow waltz, with his head resting on her shoulder. Niles seemsto have gotten the hang of it.Daphne: You're really doing very well, Dr. Crane. Earlier you seemed a bit tense. You've really relaxed now though, haven't you?Cut to Niles's face: he's in a dream world of his own. Martincomes in.Martin: Hey, you two are looking pretty sharp. The music ends, and Niles finishes by giving Daphne a graceful twirl.Daphne: Well, I think we're ready to move on to the samba. [to Eddie] Eddie, fetch me asamba tape. Xavier Cougat. [Eddie just stares] Now he's thinking, \"the later Hollywood stuff, or the early New York recordings?\" [Niles and Daphne laugh]Martin: Now guess what I'm thinking.Daphne: I'll get it myself.[runs off to her room]Martin: [moving off] Well, I'm going to hit the hay.Niles: [in a rhythm, he acts out his verbs] Good-night -- bend-and- turn - see-you-in-the-morning - spin-and-dip -- [cell phone rings]there's-my-phone -- flip-and-push - Niles-Crane. [loses rhythm into the phone:] Oh, Marjorie. How are you? Oh, what a shame. Well, er, no no it's alright, there'll be other dances. No, no, I understand completely. Takecare. [flips his phone shut] Guess I won't be needing those dancing lessons.Martin: [sympathetically] I guess not. I'm sorry, son.Martin leaves for his room, Daphne comes running back in with a tape.Daphne: I couldn'tfind any Cougie, but this'll do! She pops the tape into the stereo. A fast Latin beat plays.Daphne: Alright now, in the samba you have to hold me a little closer. You ready?She grabs his hand and starts moving back andforth against him, as if it were almost sexual.Niles: Daphne, there's one thing I wanted to mention...Daphne: Yeah? [dancing more against him]Niles: [entranced] I'm a dancer, a dancer dances!He sways with her withgusto.END OF ACT ONEACT TWOWHERE ELSE WOULD CORONERSGET TOGETHER?Scene Five - Cafe Nervosa Niles is at a table, Martin & Daphne come towards him. Daphne and Niles greet each other with their \"pet\"names.Daphne: Here's my dancing partner. Hello, Fred!Niles: Hello, Ginger!Daphne: [to Martin] It's a little joke we have!Niles: Look Daphne, I got two new CDs today. Tonight we master the mambo and the conga. Ican feel myself growing a pencil-thin moustache just saying that.Martin: You're having more lessons tonight?Daphne: Oh, yes! He's going to be the best dancer at the ball. I'll just go get us some coffees.She goes to thecounter. Martin crosses his arms.Martin: Why didn't you tell her your date had cancelled? You don't need more lessons.Niles: I wanted to, but she's just having so much fun!Martin: Come on, Niles, you think I don't seethe way you look at Daphne?Niles: What are you implying?Martin: You know damn well what I'm implying. Take my word for it, you're sticking a fork in the toaster here.Niles: Well, my muffin's stuck! Besides, what'sthe harm in a few dance lessons?Martin: It's nighttime. You're alone. The music's on. You've got your arms around her. You'll end up saying something you can't take back.Niles: I have no intention of sayinganything.Martin: No one ever does. Take my word for it. When I was separated from your mother, there was this pretty coroner in the city morgue. I always had a bit of a crush on her. So whenever we'd find a deadbody, I'd yell out, \"OK boys, I'll take it from here!\" So one night, I invited her down to the corner bar.Niles: Coroners have their own bars?Martin: [exasperated] No, corner, Niles, the corner bar! Anyway, we had a fewdrinks, the lights were low, Sinatra on the jukebox. Before I knew it, it just all came pouring out of me. I told her how I felt. I mean, I knew the second it was out of my mouth that it was a mistake. She let me downeasy but we still had to go on seeing each other all the time. It sure was no fun going to the morgue after that!This story seems to have the right effect on Niles. Daphne returns to the table with coffees inhand.Daphne: So, what time are we starting your lessons tonight, Dr. Crane?Niles: Actually, that won't be necessary. I just got a call from Marjorie. Something's come up. I won't be going to the ball.Daphne: Oh. Well,I'm sorry.Niles: It's quite all right, and thank you for all your help.[Martin puts a comforting arm on his shoulder]Daphne: [thoughtfully] It seems such a shame to waste all that hard work... I hope you don't think I'mbeing too forward, but what would you say about our going to the dance together?Martin: Now, now, he's already taken up too much of your time, Daphne, he couldn't ask you to do that.Daphne: No, but it would be asmuch fun for me as it would be for him! I'd love an elegant evening out! What do you say, Dr. Crane?Martin: [sure Niles will say no] Tell her what you say, Dr. Crane.Niles: Pick you up at seven?Daphne: [excitedly]Ooh, yes! [claps her hands] Great!Niles looks decidedly contented whilst Martin is appalled.[SCENE_BREAK]Scene Six - Frasier's Apartment A few nights later, Eddie comes bounding in, handing Martin one of his chewtoys.Martin: No, Eddie that's not your banana, that's Mr. Pig. Listen tothe difference: pig, banana! Pig, banana! Pig, banana! [Eddie shows no reaction] Ah, I still love you, you little pinhead. Go sit down.The door opens:Frasier is back from his vacation.Martin: Oh Frasier, am I glad you're back! Listen, all sorts of....Frasier: Dad, please, please! I have just spent the most wonderful six days with Frederick. I am technically still onvacation till ten a.m. tomorrow.Martin: Yeah, but listen...Frasier: [waving off Martin's protests] Bup-bup-bup-bup-bup! Dad, I do not care to know how hard Daphne made you exercise, or about the boring foreign filmNiles made you sit through, or about the progress of Eddie's on-again, off-again romance with the ottoman!Martin: But you don't understand...Frasier: Dad, please! For all intents and purposes, I am not here.Thedoorbell rings. Daphne rushes out of her room in a ravishing red evening gown.Daphne: [excitedly] That'll be my date! Ooh, I'm so excited, this is me first ball! Oh, I hope he likes my dress...Frasier: Daphne?Daphne:[rushing by Frasier] Hello, Dr. Crane, welcome back!She opens the door to Niles, dressed in a tuxedo and carrying a red rose.Daphne: Hello!Niles: [captivated] Wow!Daphne: Ohhh, [giggles] you! [takes therose]Frasier: [mystified] Niles?Niles: Oh, Frasier, you're back! [to Daphne] Well, our carriage awaits.Martin: And you'd better get her home at a decent hour, I'm gonna be waiting up for you!Daphne: [laughing] Oh, Mr.Crane!The two leave.Frasier: [dumbstruck] What the hell was that?Martin: [looking around curiously] Eddie, did you hear sumpin'? [heads off towards the kitchen] Can't be Frasier, he's still on vacation!Frasier:[following Martin doggedly] Dad, what was that? Dad, will you stop kidding around? Was that a date? Dad![SCENE_BREAK]Scene Seven - Ballroom And so, Niles and Daphne, arrive at the elegant \"Snow Ball.\" Softromantic music is being played by the orchestra as the Beautiful couple enter.Daphne: Oh, Dr. Crane, it's so beautiful!Niles: Just for tonight, could you call me Niles?Daphne: You know, when I was at school I knew aboy named Niles. I called him Niley.Niles: [pause] Just for tonight, could you call me Niles?He steers her toward an empty table.Niles: You're a vision... everyone's staring at you!Daphne: Well, you look awfullyhandsome yourself... Niles.[sniggers]He sits her at a table.Niles: Would you like some champagne?Daphne: Oh, that would be lovely.Niles: Be back in a moment.He goes to the bar. A haughty woman, Lacey, and herhusband, Andrew, are standing there.Niles: Two champagnes, tout de suite.Lacey: Niles, dear! How are you!Niles: Just fine, thanks.Lacey: Andrew, say hello to Niles.Andrew: Haven't seen you for ages. Feel just terribleabout you and Maris.Lacey: Oh yes, we were just devastated. Positively everyone's talking about it.Niles: Oh, and how is positively everyone?Daphne comes up behind Niles and listens to the conversation.Lacey:Devastated. We were just saying that to Maris, when we ran into her and Bradley Paxton at the Breever's Cup.Andrew: No, she was with Calvin Oldi at the Breever's Cup.Lacey: Well, it's so hard to keep track anyway.[laughs] Niles, if there's anything we can do to cheer you up? Just let us know...She leaves with Andrew.Niles: [muttering to himself] Perhaps a murder-suicide pact.Daphne: [takes their champagnes from thebartender] Well, they weren't very nice!Niles: Well, everyone in our set seems to have this idea that while Maris is out living the high life, I'm sitting at home, crushed and lonely.Daphne: Yeah, well, never mind thosegossipy twits. Tonight, you're all mine. [puts the glasses on the table and opens her arms] Now take me in your arms, Niles, and let the music carry us away...She leads him out onto the dance floor and just as theyassume the right position, the conductor turns around.Conductor: Thank you, we'll be back in ten minutes. Sheepish, Daphne and Niles join in the light applause.[SCENE_BREAK]Scene EightTen minutes' later: Niles &Daphne are waltzing together. As the music ends, he dips her.Daphne: [laughing] I can't remember when I've had a better time. I'm on Cloud Nine!Niles: I'd have to look down to see Cloud Nine! [leads her back to thetable] Daphne, I must tell you again, that is an exquisite gown.Daphne: Oh, thanks! It was way out of my price range, but did you ever see something and say, \"I just have to have it?\"Niles cannot help but gazelongingly at her. Then, out of breath, he starts to sit down.Niles: Where's my chair?The orchestra begins a tango just as Niles sinks into his chair thankfully.Daphne: [gasps] A tango! [stands and grabs his hand]Niles:Oh, you never taught me a tango!Daphne: Oh, you'll love it! It's perfect for you! This is a passionate, full-blooded dance that rose up from the slums of Buenos Aires.Niles: Well, the parallels between me and anunemployed gaucho aside, I think we probably should just sit this one out.Daphne: Oh, nonsense! There's only one rule in the tango: our bodies must be in continuous contact, with not a sliver of daylight between us.[she presses her body close to his]Niles: [overwhelmed] I can do that.She starts to lead him onto the floor, but he hesitates.Daphne: Stop! Don't be afraid! Daphne won't let anything happen to you.Niles: I don'tthink-Daphne: [grabs his face] Don't think! Just feel. [holds his lapels and seductively pulls him forward] You're an Argentine slum- dweller. You have no house, no car, you don't know where your next meal is comingfrom. But none of that matters. Because tonight... [they join hands and cast their eyes toward some imaginary moon] we have the tango!Niles: [dips her; in an Argentine accent] Oh mama, I've got it all!They proceedto cross the dance floor in an eye-catching tango step. The conductor notices them and smiles.Daphne: That's it! You're dazzling! You're brilliant! But I feel you're holding back!Niles: I am.Daphne: Oh, this is no time forinhibitions!Niles: I know.Daphne: Oh. let it out Niles. Let everything out!Niles: [passionately] Oh Daphne, I adore you!He spins around so he can't see her and slaps a hand to his mouth in shock. Oops. He spins backaround to face her.Daphne: [eyes closed in rapture] I adore you too!Niles: What?!?!?Daphne: I adore you too.Niles: [thrilled] Oh, how I've longed to hear those words!Daphne: Oh, how I've longed to say them!Niles:You're beautiful! You're a goddess!Daphne: I don't ever want this moment to end!Niles: Then let's not let it!By now everyone is watching them and the music is nearing its end. He spins her back and forth across the"}
+{"doc_id":"doc_140","qid":"","text":"\"TAMARA'S RETURN\"CastDawson: James Van Der BeekGrams: Mary Beth PeilJoey: Kaite HolmesTamara: Leann HunleyPacey: Joshua JacksonMitch: John Wesely ShippJen: Michelle WilliamsGail: Mary-MargaretHumesAndie: Meredith MonroeJack: Kerr Smith*Dawson and Joey are making out outside on a blanket*Joey: Dawson...Dawson: What? *Joey sits up*Dawson: What?Joey: What are we doing?Dawson: What does it looklike we're doing?Joey: It's just not working. I mean, I'm freezing and there's bugs. Can't we go somewhere else?Dawson: W...Well...we can't go to my house and we can't go to your house so our options are kind oflimited.Joey: I know but I feel too Swiss Family Robinson. I mean, I'm a 20th century girl. We should make out in some music, mood lighting and climate control.Dawson: Where's your sense of romance? We've gotgorgeous moonlight shimmering in the water. We've got stars overhead...crickets chirping...we have plenty of trees and if you get cold you've got me to keep you warm.Joey: Dawson...Dawson: What?Joey: You are socheesy.Dawson: You don't like it?Joey: Are you kidding? I find it unbearably sexy. *They start making out again*[Opening Credits]*Cut to Mitch and Dawson walking down a sidewalk in Capeside*Dawson: I wasbeginning to think this whole restaurant idea of yours was just a [missed phrase].Mitch: Not if I can find the proper location. And this woman swears that I'm not going to find a better deal than her warehouse.Dawson:Where are you meeting her?Mitch: Right here. She said she'd meet me at 8. *Dawson looks up and sees Tamara Jacobs heading towards them*Tamara: Dawson.Dawson: *surprised* Miss Jacobs.Tamara: Well, I'm notyour teacher anymore, Dawson, you can call me Tamara.Mitch: Tamara Jacobs, I'm Mitch Leery. We spoke on the phone.Tamara: Yes, Mitch. Hello.Dawson: Are you moving back into town?Tamara: No, I'm just inCapeside for a few days to sell this property.Dawson: Well, I...I should get going to school.Mitch: Yeah.Dawson: Bye Mis--*catches himself* Tamara. *Tamara laughs* *Cut to Capeside High. Dawson catches up toPacey*Dawson: Pacey, hey! I need to talk to you.Pacey: Let me guess. You and Joey are having another love spat and you want my opinion. Well, here it is. Joey is being sarcastic and oversensitive and you, my friend,are being self-absorbed and self-catering.Dawson: This has nothing to do with Joey and me this has to do with you.Pacey: What? Do I owe you money again?Dawson: No, my dad and I were walking downtown todayand we ran into somebody.Pacey: Who? *Andie walks up to her locker*Pacey: Hey look who the cat dragged in.Andie: Nice to see you too Pacey. Don't worry. I'm just here to get a few books out of my locker then I'llbe on my merry way.Pacey: Tell me Dawson, who was it?Dawson: You know we should really talk about this in private.Pacey: God, you know what? I've got to go. If I'm late to Mr. Matick's class again he's going tohave an aneurysm. I'll catch up with you after school.Dawson: No, I've got to meet Joey for this art thing.Pacey: Ah, the sacrifices we make for young love, huh? Listen, man, just talk to me later! *Cut to Joey andJack*Joey: Hey, Jack.Jack: Hey Jo.Joey: Bad news. Suder(?) called and cancelled on Bessie so we can't open this afternoon but the good news is you have the day off.Jack: Okay, but we could open anyway.Joey: Well,I'd love to but Bessie's at home with the baby and I've got to go to an art lecture after school so there's really no one to cover all the tables.Jack: Well, there's me. I could do it.Joey: You? Inspecter Kleso(sp?)?Jack:What? You don't think I could handle it?Joey: Jack, every since we hired you it's been nothing but a slapstick comedy. I mean, you drop dishes, you misplace orders, you fall all over yourself.Jack: Then why don't youjust terminate me if I'm such an incompetent moron?Joey: We don't want to terminate you, Jack. *thinks about it* Alright, you can open. Bessie will be relieved and it will be like a test run. Just, uh, don't set thekitchen on fire or anything...okay?Jack: Yeah, well, thanks for that unqualified vote of confidence. *Cut to lunch. Jen is sitting when Abby comes up and holds money in front of her face.*Jen: Oh, Abby. Would you getthat out of my face? *Abby laughs then sits down*Abby: Oh come on. It's allowance time and I feel a major buying binge coming on. So tomorrow get your pocketbook and a sensible pair of shoes and let's go blowsome major dough.Jen: You know, I really don't feel like shopping.Abby: Don't feel like shopping?!Jen: No.Abby: You don't feel like shopping and you call yourself a woman!Jen: I'm just not feeling all that festive,alright? My plan is to spend the weekend in bed...counting my ceiling tiles.Abby: Please, don't tell me this has something to do with your ludicrous Dawson Leery fixation. *Jen looks at her.*Abby: Jen, damn it! You'resuch an ass!Jen: Shhh!Abby: I mean what is so great about Dawson Leery? He's just a guy with a motormouth and a limp billy(?) club. Turn over a rock and find yourself another guy. The whole world's crawling withthem.Jen: Look, it's not that easy, okay? I mean, I got rejected. It hurts. And to make matters worse...that whole Dawson-Joey-Pacey troyca(sp?) I just hate being on the outskirts of it, you know? I mean I used to fitin.Abby: Count your blessings. Those people are boring.Jen: Yeah. Yeah, well, I guess I just need a few days to nurse my narsocistic wounds.Abby: Jen, you've had a few days. You're practically in hibernation. Winter isover, Jen. Come out of your cave. And I need you with me.Jen: What could you possibly need me for? All I'm going to do is rain on your parade.Abby: Well, shopping for me is like deep sea diving. It's dangerous andexciting, and if I do it alone I may never come up for air. Please don't let me go by myself. I could drown in a sea of dresses and hair gel. *They laugh* *Cut to a classroom. Andie drops some movies*Pacey: *pickingthem up* McPhee. I didn't know you were a closet movie freak. I just thought you were a freak in general. *reads titles* Ghost, The Way We Were, pardon me as a gag, oh my god, Dumbo.Andie: Okay, so I have agrade school mentality when it comes to movies. Get off my back.Pacey: No, no, I love Dumbo.Andie: You love Dumbo?Pacey: Are you kidding? It's my pantion(?) of all time favorites. I cried when I saw it as akid.Andie: You cried during Dumbo?Pacey: Are you joking me? I bawled my head off. I mean, the way those elephants made fun of him for those fat, floppy ears and then he loses his mother. Oh my lord, that's one ofthe saddest movies ever.Andie: This is really strange.Pacey: What is?Andie: Well, just when I've written you off for good you drop this whole Dumbo bomb on me.Pacey: Hey, look, uh, I'm outta here and I got no plansso uh what do you say we walk around downtown or something?Andie: Yeah, right, what's the joke?Pacey: No joke. I got no plans. And, believe it or not, I'd rather spend the afternoon exchanging barks with a brightlike yourself than flying solo so pinch yourself, it's your lucky day. So you in?Andie: Yeah, I mean, might as well.Pacey: Unless you have your heart set on watching Dumbo.Andie: Nah, I've seen it like 500 times. You'renot going to throw me in front of a bus or anything?Pacey: Interesting idea. Hadn't thought of that. *Cut to art lecture.*Laura: I'd like to close with this piece, \"Winter Mist\". It's Jarvis' most famous work. No one candeny after looking at this exquisitely tuned surface that this picture that the positions of color and shape.. *Dawson has a skeptical look on his face. Joey looks like she's concentrating and interested.*Laura: (cont.) theintensity of his lines...that Jarvis was in complete control of his new technique. Sadly, three weeks after Jarvis completed \"Winter Mist\" he died from alcohol poisoning. Despite his untimely death, Jarvis left a lastingimpression on the art world and his title of one of the abstract expressionists of the 20th century...will live on.*Audience claps.* *Cut to Dawson and Joey walking outside*Joey: The art lecture was great wasn'tit?Dawson: It was certainly...prolonged.Joey: You hated it.Dawson: No, not at all. I just don't think abstract impressionism is really my thing.Joey: Your thing?Dawson: Yeah, I don't know it just seemed sounresolved.Joey: Unresolved?Dawson: Yeah, I mean it's just a blob of paint that offers up more questions than answers.Joey: A blob of paint, Dawson?Dawson: Well, like \"Winter Mist\" for example. What was theultimate emotion expressed in that painting?Joey: Dawson, newsflash. Just because a painting does not have a beginning, middle, and an end like some summer release, popcorn movie doesn't mean it's not chargedwith emotion, okay?Dawson: I guess I like my art with a verdict. Specific, coherent, and to the point. Like romanticism. I can totally get into romanticism....if you know what I mean.Joey: Yes, I know what you mean.*Laura walks up.*Laura: Hey guys.Dawson: Hey Laura! Great lecture.Laura: Did you really like it?Joey: It was awesome.Laura: Tomorrow I'm teaching an art class so if you two are interested in auditing(?) you'redefinitely welcome.Dawson: I've got to work.Laura: Joey?Joey: I'm afraid my artistic skills peaked in the 3rd grade.Laura: Ah, it's a beginner's class. You don't have to be Picasso, just willing. *Joey considers it* *Cut toPacey and Andie walking downtown*Andie: This truck literally came out of nowhere and I didn't see it so now my Saab's back in the shop.Pacey: Another accident? You are officially the world's worst driver. *Pacey seesTamara*Andie: Pacey? Pacey what's wrong?Tamara: Hello Pacey. Aren't you going to introduce me to your friend? *Pacey just stands there.*Tamara: Tamara Jacobs.Andie: Nice to meet you. I'm Andie.Tamara: Paceywas a former student of mine.Pacey: Yeah, I was her teacher and she was...no, I was her student and she was my teacher.Tamara: Well, I'm late for an appointment. It was really nice to see you, Pacey.Pacey: Yeah,likewise.Tamara: And nice to meet you, too, Andie. Take care. *She walks off.*Andie: Pacey what's the matter? You look like you've seen a ghost.Pacey: No I haven't seen her for awhile and she was my teacher anduh...Andie: Your teacher. Did she flunk you or something?Pacey: Uh, no, no. Uh, you know what, Andie? I think I'm going to have to take a raincheck on this. Um, I'm really sorry, but I've got to go, okay?Andie: What?Are you serious? *Cut to Pacey watching Tamara enter a warehouse.* *Cut to art class.*Laura: I'm on to you, Joey.Joey: What do you mean?Laura: How many other talents have you been hiding from me?Joey: Please,it's an apple and a banana. It's hardly the second coming.Laura: You can be as self-depreciating as you want. It doesn't change the fact that you're a natural. You, my friend, have a gift. Do you draw much?Joey: Uh,when I was little, I did. I wanted to be like my mom was.Laura: Was? Why did she stop?Joey: She, uh, she didn't. She...she died.Laura: Oh, I'm so sorry, Joey. That must have been incredibly difficult. When?Joey: Afew years ago. She had breast cancer.Laura: She was an artist?Joey: Sort of. I mean, she taught herself. She wasn't a professional...like you. She just kind of did it for fun. I remember she used to draw pictures frommy favorite stories and hang them in my room.Laura: So, art must be in your genes.Joey: I don't know. I guess.Laura: Well, if you enjoy this, Joey, I think that you should really pursue it. I could recommend somegreat classes. *Joey looks at her.*Laura: Okay, why the look?Joey: Are you serious?Laura: I'm very serious, and you know what? You should take yourself a little more seriously. I mean, I may not be a great artist, butI like to think I have an eye. And my eye says you're good.Joey: Why, when you say that, do I suddenly feel overcome with anxiety?Laura: Because with talent comes responsibility, and you owe it to yourself not to letthis talent go to waste. *Cut to Dawson's house. Andie knocks on Dawson's door*Dawson: Be right there. *He opens it.*Andie: Hey Dawson.Dawson: Andie. Hey, come on in. I'm just having a domestic spell. What areyou...what are you doing here?Andie: Uh, what am I doing here? I was in the neighborhood, and I was wondering what the english assignment is for Monday, so I thought you might know, and....here I am.Dawson: It'sthe first chapter of Gulliver's Travels.Andie: Cool. Great. I'm going to go home right now and read it. Thanks.Dawson: Andie? Andie? Are you sure that's why you came by? *Andie hesitates*Andie: I don't really knowyou, Dawson, but if I ask you something, do you swear that you'll keep it in the strictest of confidence.Dawson: Yeah, absolutely.Andie: Has Pacey said anything to you about...possibly liking someone?Dawson: Likingsomeone? Liking who?Andie: Liking, oh, I don't know...me?Dawson: Uh, not that I recall.Andie: Oh.Dawson: But that doesn't mean he doesn't like you. He could very well like you. He just doesn't say anything to me.Why? Do you...do you like him?Andie: Me? Like Pacey? No way...well...maybe....possibly.Dawson: Why don't you just tell him?Andie: I could never, EVER tell Pacey that. I mean, he's a pig. He's obnoxious. There's justno way, and you have to swear to me that you will not tell him either.Dawson: Why do I feel like I'm in 2nd grade?Andie: Dawson, please.Dawson: Okay, I won't say a word. I swear. But...I've know Pacey a long time,and that obnoxious pig behavior is sometimes his attempt at flirtation.Andie: Really?Dawson: Yeah.Andie: Okay! Thanks! I'll see you around! *She walks away and then turns around and hands him back the boxers shehad picked up and been holding of his.* *Cut to Abby and Jen sitting down at a table in a restaurant.*Abby: Now, that was what I call a shopping spree. I can't believe I blew my entire monthly allowance in less than 20minutes. That is a record for me...I think.Jen: How are you going to explain it to you parents?Abby: The usual....I got mugged.Jen: In Capeside? You are crazy.Abby: You love me, right? I mean, this morning you hadthat whole hung-jawed, woe-is-jen thing, but now look at you. You're smiling, you're laughing, you've got new lipstick. Aren't you glad you met me?Jen: You know what? I am. I mean, I left New York because I couldn'thandle being the bad girl anymore, but, I tell you, if being the bad girl means not walking around in a perpetual state of loneliness and depression, then bad girl it is.Abby: I'm glad I'm getting you back to your roots. Ohmy God! Jen, don't look now, but the biggest babe I've ever seen in my life is sitting right behind you. *Jen turns around and looks.*Abby: Mine. I called him.Jen: No way, Abby. Look at the guy. He's, like, twice yourage.Abby: Perfect. That means he's almost mature enough to handle me. I'm so sick of these little boys. I need a real man with chest hair and body odor and illegitimate children scattered across the country. *towardsthe guy* Excuse me! Hi, uh, what's your name?Jen: *to Abby* Shut up!Vincent: Vincent.Abby: Hi, Vincent. I'm Abby, and this is my friend Jen. So, you're eating alone? *Vincent nods*Abby: Well, you're welcome tocome join us. We don't bite, unless we're asked to.Vincent: I'd love to join you ladies, but I have to get to the docks.Abby: The docks? What do you do there? Sunbathe?Vincent: I'm a fisherman. Got a 2-month stint ona long-liner, hauling swordfish.Abby: Oh, so you're not from Capeside? Well, if you ever want somebody to show you the sights, give me a call. Abby Morgan, 555-0142.Vincent: Thanks for the offer. *to Jen* I didn'tcatch your name.Jen: Jen.Vincent: Jen. It's nice meeting you, Jen.Jen: You too. *Cut to Joey sitting sketching when Dawson walks up.*Dawson: Hey you! *Joey closes her sketchpad.*Joey: Hi.Dawson: What's up?Joey:Nothing.Dawson: *pointing to the sketchpad* That's not nothing. What is it?Joey: It's a sketchpad. I was just doodling. It's no big deal.Dawson: Well, what were you doodling?Joey: Well, if you must know, a bowl offruit. It was something I was working on in Laura's class.Dawson: A bowl of fruit? You're really getting into this whole art thing. Well, let's see it.Joey: No!Dawson: Come on!Joey: I don't think so.Dawson: Why not? Ilike this new art interest. You know, Joey Potter: Artist extraordinaire, empress of all impressionism, *getting on top of the table* master of all still life. I hereby declare myself a full-fledged, madly enthusiastic fan ofyour new hobby. *They kiss.*Joey: Dawson, why is it your obsession with movies is your life passion, while my interest in art is a hobby?Dawson: Ah! I knew, I knew as soon as I said \"hobby\" that it was the wrongword, but by the time I said it, it was already *noticing Joey getting her things together* it was gone, and there was no getting it back.Joey: You know, I really have to finish up, so I'll see you later.Dawson: Well, soyou're just going to leave it like this?Joey: Like what? Unresolved?Dawson: Yeah.Joey: Why don't you just consider me a nonspecific, incoherent, expressionistic painting? *kisses him on the cheek then slaps him on theback* Have a GREAT day, Dawson.[SCENE_BREAK]*Cut to Pacey at Tamara's*Pacey: Hi.Tamara: Hi.Pacey: I was debating whether or not I should actually do this, uh, the \"this\" being coming out to see youbecause...you know, when we said hi yesterday it was, uh, a little.....awkward. And I don't know, I just thought that I should come--Tamara: Pacey?Pacey: Yeah?Tamara: It was supposed to feel awkward.Pacey: Howabout this? Is this supposed to feel awkward, too?Tamara: M-hm.Pacey: And if we were to see each other a third time?Tamara: Still awkward.Pacey: Oh, good. Well, at least there's a science to this thing.Tamara: Yes.It's what we ex-English teachers call a classic \"Pinter\" moment, where everything is said in silence because the emotion behind what we really want to say is just too overwhelming.Pacey: And, uh, that's what we'rehaving? A \"Pinter\" moment?Tamara: Yes.Pacey: That's okay with you?Tamara: Well, silence is an acquired taste. The more complicated life becomes the better it is to learn to say nothing.Pacey: Okay. Then, uh, maybewe could have just a couple more seconds of silence?Tamara: Sure.Pacey: Who is this Pinter guy?Tamara: Stay in school, Pacey. *Pacey starts walking away.*Pacey: Yes, Miss Jacobs. *Cut to Mitch and Dawson in theLeery's kitchen.*Mitch: Want some breakfast?Dawson: No. I'll just have some juice. I gotta go find Joey.Mitch: How are the two lovebirds?Dawson: Um, good...I think. This art obsession is making Joey a little crazy. Ican't do or say anything right. I made the mistake of teasing her about this art lecture. She went sybil on me.Mitch: Well, in my experience, Dawson, erratic behavior of the female orientation usually means the root ofthe problem is something unexpected. It's probably not about art. Go find out what it is.Dawson: Is this your father knows best moment?Mitch: Have one every now and then. FInd her. Talk to her.Dawson: Alright,thanks. *Pacey walks in and Mitch leaves*Pacey: Hello.Dawson: Hey Pacey! The man, the myth, the legend.Pacey: Listen, Dawson, that little secret you had yesterday...Tamara? You really should've told me.Dawson: Itried to tell you. You were off and down the hall before I could get it out.Pacey: Well, you see, we got a situation here, now, because I realized last night that I'm not entirely over her.Dawson: Oh, boy. Um, Pacey, I'myour friend and I want to be supportive, and helpful, but the only thing I can think of to say to you in good conscience is stay away. You haven't even fully recovered from the gossip fallout of your last completely illegalinterlude. There are girls your age, there are girls who like you. Would it be so terrible if you fell for one of them?Pacey: Like who?Dawson: Like the one who came to my house yesterday and told me that she likedyou.Pacey: Who?Dawson: I'm not supposed to say.Pacey: Dawson, I'm not in the mood. Who?Dawson: Andie. Andie likes you.Pacey: Andie hates me.Dawson: When a girl hates you the way Andie hates you, it reallymeans that she likes you. That's basic kindergarten psychology.Pacey: Yeah, but that's different, Dawson. Andie's a girl, okay? And Tamara...Tamara's a woman.Dawson: Exactly. Pacey, you should be with a girl. Okay,look, I gotta go and I'm really sorry, but I'm begging you, as your friend, don't go there. *Cut to Icehouse*Joey: Hey Bessie! You think I could have the day off since there's nobody here and there's this huge art exhibitat the college I'm dying to go see?Bessie: Sure. I'll hold down the fort.Joey: You are, without a doubt, my favorite sister.Bessie: I'm your only sister.Bessie: And hey, Joey, this place is dead. Why don't you take Jackwith you?Joey: There's priceless art at this exhibit. He could do some serious damage.Bessie: Just take him. I feel sorry for him. He just sits around looking dopey.Joey: Hey, Jack! Do you know what an art exhibitis?Jack: Yeah...Joey: Do you want to go to one?Jack: Sure.Joey: *to Bessie* This should be entertaining. *Cut to Mitch and Tamara in the warehouse.*Mitch: It's a great space. Location's ideal, with a little work, of"}
+{"doc_id":"doc_141","qid":"","text":"(Theme music playing)(Campers clamoring)(Panting)(Sighing)Emma: Excuse me, sir. Can you have these delivered to my room?Gladys: Geez! You don't shave your legs for one month, and suddenly you're a\"sir.\"Emma: I haven't even looked at your legs yet. Ravi Ross, a pleasure.Ravi: You must be Ms. Gladys, the proprietor. Thank you for letting Mrs. Kipling come to camp. (Mrs. Kipling groaning) I assure you, the odds ofher eating any campers are very remote.Zuri: I would still hide the bite-size kids.(Mrs. Kipling groaning)Gladys: Aren't there supposed to be four of you?Zuri: Our brother, Luke, got stuck in summer school. Probablybecause he can't spell either of those words.Gladys: Check cleared, don't care. Sign in with my niece. (Campers cheering) Hazel, these are the Rosses. I met your parents right here when we were 16. Your dad was astone-cold fox.(Growling)Zuri: Could've gone my whole life without hearing that.Hazel: My aunt's always talking about your mom. (Chuckles) She hates her.Gladys: With every bone in my body, including my artificialhip. I loved your father, but your mom stole him from me. Plus the title of \"Best Counselor,\" and any chance I ever had at having a happy life!Emma: No offense, but you guys are the worst welcoming committee ever.Note to self, start digging escape tunnel tonight.Gladys: By the way, phones aren't allowed at camp. Hand it over.Emma: (Scoffing) No! Back off, mister![SCENE_BREAK][ INT. Woodchuck Cabin ]Emma: Oh!Tiffany:(Shushing) I'm studying for the national spelling bee! If I don't win, my mom won't let me come home. My brother lost last year, and I haven't seen him in 10 months.Lou: Welcome! I'm Lou, camp counselor and headWoodchuck in charge!(Chitters)(Emma grunting)(Bones cracking)Emma: I'm Emma. I'd hug you back, but you just separated my shoulder.(Bones cracking)Lou: Oops! My bad. We'll make you a sling in arts and crafts.So, you're my new counselor in training? Let the training begin. (Yelling) Sit! JK! (Laughing)Emma: (Sighs)Lou: No, seriously. Sit, or you're goin' in the crate! JK again! I'm all about the JKs! LOL! (Nervousgiggle)Emma: OMG!Lou: So, how many years of camp experience do you have?Emma: None.Lou: But you like kids, right?Emma: Not really. They're sticky.Lou: So why do you want to be a camp counselor?Emma: Oh,I don't. But my mom thought it would be good for me. I guess she was some sort of super counselor, so now she expects me to live up to that.Lou: Good luck! Christina Ross is a legend around here. They say she couldassemble a s'more in two seconds flat, and her dreamcatchers actually caught dreams!Gladys: She caught mine!Emma: And mine! I should be in Milan for Fashion Week, but instead I'm stuck here picking bugs out ofmy teeth!Lou: (Snaps fingers) Nature's popcorn. Speaking of fashion, I hate to brag, but I'm a cover girl.Emma: Really?Lou: Yep! Four-H Digest. The big fall flea and tick issue.Zuri: If we run fast enough, we might beable to catch the limo.[SCENE_BREAK][ INT. Grizzly's Cabin ]Ravi: Greetings, bunk mate!Xander: Hey! Uh... Whoa! (Mrs. Kipling groaning) Uh, I think that alligator thingy ate your pet.Ravi: That alligator thingy is mypet.Xander: Oh, that explains the cage. I just thought we were getting a really creepy kid.(Mrs. Kipling groaning)Ravi: Ravi Gupta Balasubramanium Ross, your new CIT eagerly reporting for duty, sir!Xander: I'mXander.Ravi: Oh. So what are the cabin rules?Xander: I'm not really big on rules. Except always wear shower shoes. I once got fungus so bad, I lost a toenail. But it's cool, 'cause now I use it as a guitar pick.Ravi: Youknow those cost, like, five cents, right?Jorge: Hey, dudes! I'm Jorge. Mind if I take this bunk?Ravi: Actually, that is my...Jorge: Dude, trust me. You want me to sleep downwind! Especially on burrito night. I once had a23-minute fart!Ravi: That seems medically impossible.Xander: Although handy if we go hot-air ballooning.Jorge: That's why the aliens abducted me. I'm special.Ravi: Well, parts of you clearly are. So let me guess. Thealiens probed you?Jorge: Of course not! They just invited me for brunch. You're weird.[SCENE_BREAK][ EXT. ](Xander playing guitar)(All applauding)Hazel: Xander, that was awesome! Can I have your pick?Xander:Sure.(Retches)Lou: Then during free time tomorrow, we can dive for mud dabs, and connect your mosquito bites to see what shape they make! Look, mine make Abe Lincoln!Emma: (Gasping) Whoa! That supes cuteguy is here and you led with mud dabs?(Halting scratch)Lou: Where did that wind come from?Xander: Whoa! I think I'm in love.Hazel: Finally! Let's get married after the tetherball tournament!Xander: Hi, I'mXander.Emma: I'm Emma. I'm nauseous.Lou: Ooh! Looks like Cupid just shot an arrow.Hazel: I hope it goes in her eye and out her ear.Lou: Little Woodchuck wisdom, don't go to the archery range with her.(Blowingwhistle)Gladys: Campers, welcome to Camp Kikiwaka! Except for you, Timmy. Your parents' check bounced. You can sleep by the front gate. Hopefully, they'll pick you up in the morning. (Tribal drums playing)Ki-ki-wa-ka!All: Ki-ki-wa-ka! Ki-ki-wa-ka! Ki-ki-wa-ka!Ravi: Okay, this is a cult. Taxi!Gladys: We pay homage to Kikiwaka, the giant, ravenous demon beast who roams these woods!Zuri: Say what now?Gladys:Ki-ki-wa-ka! Hear me and leave these campers in peace!Emma: Did she just say \"in pieces\"?Gladys: With the blessing of Kikiwaka, our summer revels commence! Remember to pick up your trash.Zuri: Tiffany, aren'tyou scared of the Kikiwaka? Nope. Nothing's scarier than my mom if I don't get an A.Hazel: Listen, cheekbones, Xander is mine.No, I'm not. So you should go back to New York before one of those long legs ends up in abear trap. See you at the friendship circle.(Sighs)Lou: She's not really good with new people. Or old people. Or any people.Gladys over PA: Attention, campers! Time for the obstacle course. The winning cabin gets tohave a pizza party, while I just continue the obstacle course that is my life.(Arrow released)(Gasps)Emma: Is archery part of the obstacle course?Lou: Nope.(Whistling)Jorge: Ravi, what are you doing?Ravi: Obviously,as your counselor-in-training, I am demonstrating what not to do.Jorge: Dude, you're embarrassing Grizzly Cabin! And men in general!Xander: I think Ravi's doing great, considering he could barely pick up his egg forthe egg race.Ravi: It was a jumbo! What do they feed those chickens?Zuri: Whoo-hoo! That was fun.TIffany: Fun? Forget fun! Focus! Thanks to your pathetic performance on this bouncy house, our cabin is behind!Zuri:Tiffany, it's just a game. Who cares?Tiffany: I care! Because if we don't win \"best cabin,\" then I can't win \"best camper,\" and if I don't win \"best camper,\" I won't get into Harvard, which means I won't get into HarvardMedical School, which means I'll never become a top doctor, which will kill my mother! Do you want to kill my mother?Zuri: No, but I do want to talk to her about her parenting skills.Hazel: So Woodchuck Cabin islosing, Your campers are turning on each other... (Gasps) Great leadership, Emma!Lou: She is a good leader! Just ask our campers.Tiffany: Which one's Emma again?(Laughs mockingly)Hazel: You should just go homenow. As a CIT, you're DOA.Lou: She is not! She has legendary counselor Christina Ross' blood running through her veins!Emma: And I'd like to keep it there, so let's not get the girl with access to arrows angry. Ah!Look, I'm doing it!Lou: That's my bunk buddy, people!Hazel: Hey, Emma, catch!(Screams)(All laughing)Let's see how Xander likes Little Miss Perfect now.Xander: Emma! (Panting) Emma, are you okay?Emma: Well,I'm better than those worms I just fell on. Oh!Lou: A pretty girl covered in mud, and you thought he wasn't going to like that? What's next? You hand her a tray of hot wings and have her turn onfootball?[SCENE_BREAK][ INT. Woodchuck Cabin ](Sharp violin playing)Emma: I can't believe there's still mud in my ears.Zuri: Lucky you. At least you don't have to listen to Tiffany's violin. Give it a rest!Tiffany: Stopscreaming at Violet! She's very high-strung!Emma: Today was a disaster. Instead of being a super counselor like Mom, I'm the lamest CIT ever.Lou: You are not! You're much better than my last CIT, Tammy. She tookthe kids to pet the hibernating bears.Emma: Bears don't hibernate in the summer.Lou: Exactly! It was a lot of paperwork.Emma: Okay... But I was humiliated in front of the whole camp. Plus, Hazel's never going to letXander near me.Lou: At least not while you're still breathing. Sorry, that sounded much more supportive in my head.(Gasps)Emma: Yay! Xander sent me a text on paper!Lou: Think that's called a note.Emma: He wantsme to sneak out tonight and meet him at The Spot!Lou: Whoo-wee! The Spot is the place in the woods where the kids go to... You know.Zuri: Get electrocuted?Tiffany: You can't sneak out! That could give our cabindemerits!Lou: So?Tiffany: So, that goes on my permanent record!Zuri: (Groans) It's camp! The only permanent records they keep are how many kids get diarrhea from the lousy food! (Stomach rumbling loudly) Uh-oh!I think it's about to be one more.[SCENE_BREAK][ EXT. The Spot ]Emma: Would you please go back to the cabin?Zuri: Not happening! I don't know what's more toxic, Tiffany's attitude, or what I left in thattoilet!(Exclaims)Emma: Are you okay?Zuri: What made this giant footprint?Emma: Uh, a giant foot, duh.(Snarling)(Shrieks)I'm really hoping that's your stomach.Zuri: Nope.(Snarling)Emma: Do you think it's theKikiwaka?Zuri: I don't know. Why don't you stay here and ask it?(Both groaning)(Grunts)Jorge: Yes! I win!Ravi: No, you do not. You moved the table.Jorge: Hey, all's fair in love and pool.Ravi: That is not asaying.Jorge: It is on planet Zorb. Dude, why are you such a buzzkill?Ravi: I am not a killer of the buzz! As your counselor-in-training, it is my duty to teach you to follow the rules!Xander: Bro, you just defined\"buzzkill.\"Hazel: Hey, Xander. I made you hot wings. Want a bite?Xander: I don't think she's talking about the wings.Lou: Come on! Come on!Tiffany: Lou, I don't have time to play foosball! I need to finish my collegeapplications!Lou: That's seven years from now!Tiffany: I'm applying really early admission.Lou: Xander? You're supposed to be with Emma. Why are you here?Hazel: Because he'd rather be with me.Xander: I neversaid that! Did anybody hear me say that?Lou: Emma went to The Spot because you sent her that note telling her to meet you there.Xander: I didn't send her any note.Lou: Uh-oh. This Woodchuck... (Chitters) (Sniffs) ..Smells a rat.Ravi: Oh, that is Jorge. He refuses to shower.Lou: Gee, who would want to send Emma out into the woods? I'm looking at you, Hazel. Right where your soul should be!Violet: Emma's not alone. She's withZuri. That's right, Violet. That mean little girl is gone.Hazel: Why don't you all leave, so Xander and I can play a little nine ball? Rack 'em!Xander: No! There will be no racking! We have to go find Emma and Zuri!Hazel:(Sighs) Oh, okay. Let's use the buddy system. I pick Xander![SCENE_BREAK][ EXT. The Spot ]All: Emma! Zuri!Jorge: Uh-oh. I see something really scary!Tiffany: Is it my mom?Jorge: No. It's a giant footprint.(Rustlingin bushes)Xander: Shh!(Growling)(All screaming)(Both screaming)Lou: (Exhales) Wow, you are lighter than a chicken, and their bones are hollow!(Louder growling)(All screaming)Xander: Ow! Emma!Emma:Xander!Hazel: (Flatly) Yay, we found her.Ravi: I still cannot believe you sent my sisters off into the woods to become Kikiwaka kebabs.Zuri: You sent Emma that note?Emma: (Scoffs) So, first you shoot an arrow at me,then you knock me into the mud, and then you send me off into the woods to die? (Scoffs) I'm starting to think you don't like me.(Growling)Xander:It's coming! Get up the tree!(All shouting)All: Ahh!Hazel: (In asing-song voice) Xander and Hazel sittin' in a tree.Lou: G-A-G-G-I-N-G.Tiffany: No one told me there was gonna be a spelling bee!(Growling)(All screaming)Jorge: (Speaking Spanish) Don't take me now god! I am soclose to puberty!Tiffany: (Speaking mandarin) I should have told my mom to back off!Ravi: (Speaking Hindi) We are doomed!Emma: Ugh, Ravi, we are not doomed!Xander: You understood him?Emma: Ravi panics alot, so I've picked up a little Hindi.(Growling)(All screaming)Emma: Okay, look, everyone needs to calm down. I'm going to get us out of this!Hazel: Why should we listen to you, you boyfriend snatcher?Emma: Becauseeverything you've put me through has taught me I'm tougher than I thought. Now, let's scare this thing off!Lou: Good idea! Hazel, go down and ask it for a date.Hazel: Xandy, are you going to let them talk about melike that?Xander: Yes. I would high five them if I weren't so afraid to let go of this branch.Emma: Okay, we know animals are scared of bright lights...Ravi: Oh! We all have flashlights!(Ravi gasps)Emma: Oh!Ravi: Youall have flashlights!Emma: We also know they hate loud, annoying noises.Zuri: Like Tiffany's violin! Sorry.Lou: And sometimes offensive odors will drive animals off!All: Jorge's farts!Jorge: I'm on it!Emma: Okay, all infavor of attacking this thing, instead of just sitting here waiting to be eaten, say \"Aye!\"All: Aye!(All screaming)Tiffany: (Violin screeching)Jorge: (Loud, extended fart)(Creature yowling)(All coughing)[/i]Jorge: Is itgone?Lou: (Gagging) After that fart, there's nothing alive within 100 miles.Ravi: I cannot focus my eyes!Tiffany: That was superior screeching, Zuri Ross.Zuri: Thanks, Tiff. And your violin never sounded better.Xander:Emma, your plan worked!Lou: Way to be a leader, Woodchuck. I think your mom would be really proud of you.Emma: Thank you, Lou.Lou: Don't you agree, Hazel?Hazel: Maybe. But don't get cocky. Remember, I'mthe head counselor here, so what I say goes. Follow me!Lou: Camp's the other way.Hazel: I knew that!Gladys: Geez, you try to have a little fun by terrorizing some campers, and you get a pinecone to the head.(Grunts) I hate kids![SCENE_BREAK][ EXT. Camp Kikiwaka ]Emma: Okay, I think I've got it. (Chittering rhythmically)Lou: Perfect! (Chittering rhythmically) Aww! My little Woodchuck's all grown up!Emma: You know,my mom was right. I think this is going to be a pretty good summer.Lou: Wait till I teach you how to give a porcupine a French braid. Hurts like heck, but they look so darn adorable!Gladys: Attention, campers! I havebeen informed that there was a Kikiwaka close encounter last night.All: Whoa!Gladys: I haven't had a close encounter since last July 4th at the Moose Lodge. I'm so lonely! Oh!Zuri: That was one unlucky moose.Ravi:We encountered the Kikiwaka! That was us.(All applauding)Gladys: And for the last ding dang time, it is one thing to pee in the lake, but it is completely unacceptable to leave a number two in a canoe!Jorge: What? Thesigns around here are really confusing.Gladys: So instead, we'll be racing inner tubes today. Last person to the lake has to clean the canoe!Xander: \u0000 Here we go \u0000 \u0000 We're leaving the city behind right now \u0000 \u0000 Let'sgather by the campfire light \u0000 \u0000 And sing this song \u0000All: \u0000 Kikiwaka \u0000\u0000 Hanging out with someone new \u0000 \u0000 Then falling out of a camp canoe \u0000 \u0000 What's that smell? It's on your shoe \u0000All: \u0000 Kikiwaka \u0000\u0000 Got as'more in my hair \u0000 \u0000 Mosquitos in our underwear \u0000 \u0000 Shower's broke but we don't care \u0000All: \u0000 Kikiwaka \u0000\u0000 This is our home away from home away from home away from home \u0000 \u0000 But watch your back A bearjust ate my phone \u0000All: \u0000 Kikiwaka, Kikiwaka \u0000 \u0000 Kikiwaka, Kikiwaka \u0000 \u0000 Kikiwaka, Kikiwaka \u0000(All cheering and applauding)Uh, Hazel, three's a crowd.Hazel: Oh, did you hear that, Emma? Get lost.Emma: Youalready tried that last night, remember?Lou: Wow, last time the bonfire was this big, Gladys had dropped her canteen in it.Zuri: That's because I threw in all of Tiffany's flashcards.Tiffany: What?Zuri: I'm going to makesure you have fun this summer, if it's the last thing I ever do.Tiffany: If my mom hears about this, it will be. Although it might be nice to have a little fun for a change. Great!Zuri: Tonight, I'll teach you how to hollowout your mattress to hide stuff. With your book smarts and my street smarts, we're going to rule this camp!Ravi: Oh! Jorge, move back! You are supposed to melt the marshmallow, not your face.Jorge: Hey, comparedto what the aliens did to me, that would be nothing. After brunch, it got ugly.Zuri: Hey, guys, do you think the Kikiwaka's gonna come back tonight?Ravi: Not if he knows Jorge had burritos for dinner.Gladys: Ha! Dopeykids. They'll believe anything.Campers: \u0000 Kikiwaka, Kikiwaka \u0000 \u0000 Kikiwaka, Kikiwaka \u0000 \u0000 Kikiwaka, Kikiwaka \u0000(Growling and snarling)"}
+{"doc_id":"doc_142","qid":"","text":"\"Be Careful What You Wish For\"CASTDawson: James Van Der BeekJoey: Katie HolmesPacey: Joshua JacksonJen: Michelle WilliamsAndie: Meredith MonroeALSO STARRINGGail: Mary-Margaret HumesMitch: John WeselyShippBessie: Nina RepetaAbby: Monica Kenna*Dawson's room - Pacey walks in*Pacey: Dawson, what's up? I came over as soon as I got your message.Dawson: I'm freaking out. *grabs clock*Pacey: Why? What's theproblem? *Dawson tosses the clock to Pacey*Dawson: It's almost midnight.Pacey: Yeah...it's your birthday. In a couple of minutes you're going to be 16. Congratulations, man, this is a major turning point.Dawson:And I am eternally lost as a species on this planet.Pacey: Oh, this is going to be bad...Dawson: I'm about to be 16 in a matter of minutes and I'm still....me. The same whiny, adolescent, big-talking, small-doing loserthat I was a year ago.Pacey: C'mon, Dawson, that's not true.Dawson: It's completely true! I mean, think about it. Every single person that I know is growing up and moving forward in some way. I mean, Joey is busyfinding herself. You've got this whole stable, do-gooder, boyfriend thing. Jen is....not necessarily moving forward but at least she's moving. Even my parents are getting new lives! But me, I'm in the exact same place Iwas one year ago.Pacey: Yeah, but you're turning 16, Dawson. Rejoice. This is a good thing. You're getting older.Dawson: But there doesn't seem to be anything ahead of me. More of the same. I'm stagnet. No wonderJoey dumped me. I mean, the only thing I accomplished last year was realizing my feelings for her and I couldn't even hold on to her. She dumped me. For a gay guy. *laughs* Can we talk about this wholegay-man-straight-woman thing? There's got to be something going on there that we're not seeing.Pacey: You're right, Dawson. It's all part of the evil gay plan to keep the species from repopulating.Dawson: I wouldkeep an eye on Andie if I were you.Pacey: C'mon, Dawson. You need to stop looking to movies for all the answers to life's questions. Okay? What you need to do is figure out what it is in life that you want and make ithappen! Okay? Be definitive!Dawson: You're right. I need--I need definitive answers. Joey's the answer. I had her, I lost her, and now I'm going to get her back. How's that for definitive? *Dawson walks out hisbedroom door and shuts it leaving Pacey in the room. Pacey sighs.* *Cut to Mitch cooking pancakes in the Leery house and Gail walks into the kitchen and is surprised to see him.*Gail: Mitch?Mitch: Hey! You remembermy tradition of cooking Dawson breakfast on his birthday, right?Gail: Well, of course, but I just thought that-- *Dawson walks in*Dawson: Dad?Mitch: You didn't think that I would forget, did you? The usual for ourfavorite customer.Dawson: Thank you. It's nice to have a bit of tradition this morning.Mitch: Um, speaking of which, I have to talk to your mom in private for a second. About birthday stuff, strictly confidential. *Theywalk out onto the porch.*Mitch: Look, uh, I know we haven't discussed it...in the events of the past year, but we usually give joint birthday presents and I had an idea...Gail: You know, you're a little late for this, Mitch,I already bought Dawson a present. I'm giving Dawson his first car tonight. An Explorer.Mitch: Well, that's a big decision, Gail. Don't you think it's one we could of made together? *Cut to Dawson eating his breakfastlooking out towards the door which was left open slightly and he can see his parents arguing. Gail says something about how she's paying everything, the bills, etc. Cut back out on the porch.*Mitch: Look, I know that Ishould contribute more financially, but I put the restaurant plans on the back burner and I have looked into substituting at the high school. *Cut back to Dawson listening to them arguing. Cut to the Icehouse. Joey'ssitting on the counter and Pacey is sitting on a stool next to her.*Joey: Let's go over this one more time.Pacey: Okay. I invite Dawson out to dinner with Andie and me tonight. I'll keep him occupied until about 9 o'clock, and which point, we'll make up some lame ass excuse about how we have to call it an early night. Then, we'll drive back to his house where...Joey: I'll have set up the most fabulous surprise party ever. Ihope.Pacey: I'm sure it'll be fantastic. Testimonial to true friendship. The party to end all parties. From now on, the Leery house is going to be known as the Delta house of Capeside.Joey: Thanks. I don't know why I'mso nervous. I've never organized a party before. *Jack walks in. Joey doesn't say anything to him. He notices and turns back around and leaves.*Pacey: Listen, Joey, not to pry or anything, how are you doing? I mean,now that you've had time to process.Joey: God. Everyone keeps asking me that in these solemn tones. Like I've just come down with some terminal disease. I mean, Jack's the one who's going through something. Imean, yeah, I admit, at first it was obviously a shock but I mean, I'm fine. Really. It's just... *Joey makes facial languages that convey that it's nothing. Cut to Jack, outside of the Icehouse by all the tables. Abby andtwo friends walk up.*Abby: Jaaccckkk, are you serving lunch yet?Jack: Um, yeah, in about 10 minutes. Hey, here's some menus you can look at in the meantime.Abby: Great, we're completely starving.Kelly: Aren't youthat guy?Jack: What?Kelly: The first guy to ever come out of Capeside? He was the one who wrote the poem.Jaycee: Oh my God! You're the gay guy!Abby: In the flesh.Jack: *uncomfortably* Yeah..Abby: Jaycee, Kelly,this is Jack McPhee. Capeside's no longer ambiguous resident.Kelly: You know, I think it's so great that you came out and you're only 16. You know, I totally watched Ellen through that whole tulmultuous year and, well,she didn't come out until she was, like, 40.Jack: Um, can I get you guys something to drink while you're looking over those menus?Jaycee: You know what I just realized? You're the first actual gay person that I've evermet.Abby: It is such a total waste because I mean, you're a total babe.Jack: You know, I'd take that as a compliment if it wasn't coming from Satan. *Jack walks off and Abby follows him*Abby: Jack, you have got meall wrong. I am not even one of his helpers.Jack: Well, then, I guess I should compliment you on that clever disguise you've been wearing for the last couple of months.Abby: We got started off on the wrong foot. True,I may have been flawed in the past but, I mean, sometimes people can surprise you. You should know a little bit about that yourself. *Cut to Andie in therapy.*Therapist: It sounds like you've had a lot on yourshoulders for a 16-year-old girl.Andie: Yeah, well, after Tim died and Mom, you know, it seemed like there needed to be someone to be the glue to hold the family together and I guess I was the most-likelycandidate.Therapist: Well, I'm not surprised that you started to feel a bit overwhelmed.Andie: Yeah, um, I felt like I was juggling all these balls in the air, you know? And if I dropped one, they'd all come crashing down,and, um, then I'd start thinking about everything all at once and I'd get these panic attacks when my heart was racing and I couldn't breathe...Therapist: Andie, Andie. Tell me something. Forget about saving everyoneand even forget about your family for a minute. What is it that you want? What do you wish for? For yourself?Andie: I wish I could get rid of all my worries. You know? And be one of those people who just sails rightthrough life. You know? And they do what they want to do, whatever makes them happy and they don't care what other people think about them.Therapist: Well, then, why couldn't you? I'm going to give you aprescription, Andie, but not for a drug. I prescribe for you one night of imperfection. *Cut to the Icehouse. Bessie hands Joey something.*Bessie: Here. You can get out of here early. I'm sure you want to get changedbefore going to Dawson's.Joey: Believe me, Bess. It's not going to take me very long to get dressed. It's not like I have to get all gussied up for anybody seeing as though I've turned Jack off from womencompletely.Bessie: Joey, you know that's not true.Joey: I know. It's not true. I mean, intellectually, I know that it has nothing to do with me. It's--Bessie? What am I supposed to do now?Bessie: You paint. Youconcentrate on your art and yourself. I mean, you broke up with Dawson because you wanted to find yourself...and then you went straight into a relationship with Jack. Now's your chance to do what you set out to do. Imean, look. Any girl would be acting the way you do right now under the circumstances. I mean, I think you're handling it with an amazing level of maturity. *They hug. Dawson enters.*Dawson: Joey, hey. I need totalk to you.Joey: Sure... *Joey gets her coat and heads out of the Icehouse with him..*Joey: What's up? *Cut to Ty putting ribbon on Dawson's present.*Jen: Well, looks like you can add arts and crafts to your list oftalents. *Ty laughs. Jen walks behind him by the sink and turns around and looks at him.*Ty: I can feel that.Jen: What?Ty: You. Watching me. I mean, you think you're crafty, but I know. I can feel your eyes onme.Jen: You can not.Ty: Sometimes. Can't you?Jen: Nah, I don't know. I've never really tried.Ty: Close your eyes. *Jen closes her eyes and Ty looks at her.*Ty: There. Can you feel me looking?Jen: No. Not yet. *Tyleans in closer.*Ty: Now?Jen: No... *They kiss. They break apart and laugh.*Jen: I was peeking.Ty: Uh huh... *They start kissing again, Ty breaks away.*Ty: Uh, morning? Kitchen...Grams. *Jen looks at him confused,kind of suspicious. Cut to Dawson and Joey walking along a pier.*Joey: Oh, it's freezing out. I just wish it would snow already.Dawson: I know.Joey: Hey, remember what we used to do when we were kids?Dawson:What? Make a wish on the first snowfall?Joey: Uh huh. And it always came true. *They stop at a roasted peanut vendor*Dawson: Two.Joey: Well, except for the time we wished for a horse, a million dollars, and atrampoline all in the same year....I was greedy, what can I say? *They laugh. They pay for their peanuts.*Joey: Thanks.Vendor: Enjoy it. *They walk off.*Dawson: Snow is just so...hopeful, you know?Joey: Yeah. Hopeis good. So...what are you hoping for?Dawson: I'm hoping that we can get back to the way we were.Joey: Me too. And I've been trying to get our friendship back on track--Dawson: I'm not talking about just ourfriendship, Joey. Look, I can't deny the truth which is plainly and simply, I want more. I want you back.Joey: (shaking her head) Dawson...Dawson: I was so confused last night but then I realized that the only thingthat makes sense in my life is you and I know that it's still there between us. I felt it during the whole Jack saga and I know that you feel it, too, because we're soulmates. Joey, you and I were meant to be. Period. Theend. Cue happy ending music.Joey: No...look, Dawson. Do you remember why we broke up in the first place? It wasn't about you at all and it certainly wasn't about Jack, it was about me. How I had things I needed tofigure out.Dawson: Things that you were willing to figure out with Jack but not with me.Joey: No, Dawson! We can't talk about this, you know why.Dawson: Joey! If you and me aren't meant to be together than I don'tknow anything. I wouldn't count on snow today. *He walks off. Cut to Joey, later that night, at the Leery house, stirring punch. Bessie walks in the kitchen.*Joey: I can't believe I'm throwing a surprise party forsomeone who hates me right now.Bessie: Just relax. I'm sure everything will work itself out. I mean, Dawson's out right now with Pacey, enjoying his birthday, by the time he gets here, he'll probably be in a greatmood. *Cut to Dawson staring gloomily out of the window of the patrol car Pacey's driving. Andie's in the back seat.*Andie: I have always wanted to sit in the backseat of a cop car. Hey! I know! Let's turn on thesirens!Pacey: I don't think that's the best idea, Sweetie.Andie: (making siren noises) Whoo-whoo-whoo-whoo-whoo-whoo! Book 'em, Dann-o! So this is what it's like when they cart you off to prison, huh?Dawson:Depends. There's different types. There's the state-regulated ones and then the ones that you're trapped in when your life is going nowhere and everyone else is moving forward.Pacey: Took a happiness pill thismorning, did we, Dawson?Dawson: No, just a dose of bleak reality. No offense, but have you noticed my only birthday plans are to play third wheel to my friend and his girlfriend?Pacey: Okay, listen, buddy, on anyother day of the year, I'd be more than happy to talk to you about this, but since today's your birthday, why don't we try to concentrate on the positives, alright?Andie: HEY! STOP THE CAR! *Pacey slams on thebrakes.*Pacey: What? What'd we hit?Andie: Nothing. Just make a U-turn I saw a really cool place back there.Pacey: Uh, Andie? Could we please keep this impulsive streak that you're trying to indulge tonight fromkilling everybody in this car? Please, honey?Andie: Um, doctor's orders! 'Member, Pacey? You promised I could cut loose tonight.Pacey: Yes...I did, didn't I? Okay. *Pacey backs the car into a parking lot and makes aU-turn. Cut to Jack outside of the Leery house fixing his new front-part-slicked-up-by-gel 'do. He enters the party and Abby and her friends are standing next to the door.*Kelly: Oh my God! Jack...youlook...amazing.Abby: Wow. It's like a transformation from John-boy to John-John, all in a sharp, dippity-do.Jack: It's no big deal. I put a little gel in my hair. That's pretty much the extent of it.Abby: I guess when youget gay, you get style. I wish I would have nabbed you one sexual preference ago. *Jack just looks at her funny and walks off. Cut to Jen taking Dawson's presents into a room. Ty walks in behind her.*Jen: Hello,Ty.Ty: Excellent, you're learning.Jen: Uh huh. *They kiss. Ty pulls away.*Jen: Okay, explanation.Ty: What?Jen: First this morning and now? That's two kisses that you've bailed out on.Ty: Okay, it's just that we've beengetting closer, you know?Jen: I know. It's called dating.Ty: I realize that but when does it stop?Jen: You're kidding, right?Ty: Jen...you...you turn me on and the closer we get the more you turn me on.Jen: Is that sucha bad thing?Ty: All I'm saying is that it's possible that things could get out of hand.Jen: Really? How out of hand?Ty: I'm serious.Jen: We've barely made out and you're already worried about things going out of hand?Sweet...in a very 1956 sort-of way.Ty: Yeah? Well, how 1956 is this? *They start kissing again. Cut to Andie, Dawson, and Pacey at a club. Andie slips off her coat revealing a red spaghetti-strap dress. Paceynotices.*Pacey: Wo! Who are you and what have you done with my girlfriend?Andie: She's been here all along. Just trapped beneath the bondage of Gap clothing and a good-girl complex.Pacey: Well, the good-girlcomplex was part of your charm.Andie: Part of my charm. Not all of it. Remember we're having fun? Besides, (missed name of therapist) said I need to let my 'it' out to breathe some fresh air for an evening.Dawson:What exactly are you letting out for an evening?Andie: It's what (therapist) calls your 'it'. It's the part of you that holds your purest impulses and desires. It doesn't care what anyone thinks. It just wants what itwants.Dawson: And what do you think it wants?Andie: Well, I think it's about letting go of all your pre-conceived notions of how you're supposed to talk or how you're supposed to behave and just letting loose foronce.Dawson: I could certainly learn something about letting loose. I mean, look at me. I'm sitting in a bar and I'm drinking a straight Coke. *Pacey raises an eyebrow.*Andie: We could do it together if you want. Imean, it might be good for both of us to get a little...wild tonight.Pacey: Try not to get to wild while I'm away at the washroom, alright? *Pacey walks off and the waitress comes to their table.*Waitress: Can I get youguys anything else?Andie: Yeah, um, I'll have another Coke and could you tell the bartender to put a little more rum in it this time?Dawson: Yeah, me too, I could barely taste the rum in mine.Waitress: Oh, sorry aboutthat! I'll have him double up on the shots the next round to make up for it.Dawson: Thank you. *She walks off.*Andie: (excited) Ahhh! I've never drank before!!Dawson: Never. *Andie excitedly turns back and watchesthe stage. Cut to Jack out on the porch. Abby comes out.*Abby: So..how does it feel to be the one who set this little (missed word) on it's heels?Jack: Why do you keep talking to me? I don't like you, Abby.Abby: Well,that's because no one likes me. I'm an outcast. Welcome to the club. *Jack laughs and walks back towards the door to go inside.*Abby: This whole thing is just ridiculous. There's no such thing as gay anyway. *Jackstops.*Abby: It's just the name people came up with to persecute the normal inclination to go both ways.Jack: What do you--What do you mean?Abby: Well, we're all bisexual, don't you think? We're all just sexualanimals under God. This pure atomical society would think our natural impulses are something to be ashamed of when it's really those kind-of attitudes that are the embarrassment.[SCENE_BREAK]*Cut to Pacey,Andie, and Dawson at the bar, Andie and Dawson are obviously drunk.*Waitress: How are we doing?Dawson: I think we're ready for another round.Andie: Sounds good to me!Waitress: Okay, two more coming right up.*She walks off.*Pacey: How many Cokes are you guys going to swill tonight? *Dawson and Andie both shrug drunkedly.*Employee: Well, alright, as you can probably tell, it's open mike night tonight so who wants tocome up here and sing the blues for us?Dawson: I know a little something about the blues.Andie: Alright! C'mon, then! Let's go!Pacey: Uhhhh...I don't think that's the best idea, don't you, sweetheart?Andie: Sure it is!*Dawson and Andie walk up on stage.*Pacey: Ohh boy... *On the stage.*Dawson: Alright, boys, the blues! *The band starts playing the blues and Andie starts dancing and Dawson adjusts the mike and laughs. Then,he starts singing.*Dawson: (singing) My name is Dawson Leery. I'm feeling kind of weary. Today is my birthday. You all look a little blurry. The girl I cared for, Left me and ran away, Straight into the arms of, A GUYTHAT TURNED OUT TO BE GAY! I got the blues! Yeah! Today I woke up feeling like I was born to lose! Yeaaah I got the bluuuuueeesss. Somedays you're born to lose! (stops singing) Here's my friend Andie, she's goingto sing you a song because she's got the blues!!!!Andie: (singing) My name is Andie. And my brother's the one that's gay. My other brother died. And my daddy ran away! But I'm still Andie. And my boyfriend makesme randy His name is Pacey, AND MY MOM'S GONE COMPLETELY CRAZY!!!! Yeaaaaaaaaaaaah I've got the bluesssssssss!Dawson: Sing it sister!Andie: (singing) Sometimes you swear you were born toloooooosssssssseeeeeeee!Dawson: (singing) Oh, we got the bluesss! Now it's time to put on my dancing shoes! Whoooooo! Yeaaaaaaaaahh! Alright! Oh, I've been restless, hopeless and confused, This girl that I toldyou about, She's been on the move, She's at my surrrrprise party where everyone I know is at right now, And when I show up late they're GONNA HAVE A COW! Yeaaaaaaaaahhhhhh I got thebluuuuuuuueeeeeeeesssss! I swear sometimes we were born to lose!Andie: No, brother man, WE got the blues.Andie & Dawson: (singing) We got the bluuueeeessss!Dawson: (singing) Sometimes you're, you were bornto lose! Ohhhhh yeah. *Everybody claps. Andie and Dawson walk back to their table. Pacey gets up and gets Andie's coat.*Pacey: Well, what do you say we end this evening on a high note and get off to that not-sosurprise party.Dawson: I think we're having a dirty, no-good time right here.Andie: Hear, hear!!! *Pacey sits back down.*Pacey: What's gotten into you two tonight?Andie: Well, it's his birthday!Dawson: That'sright!Andie: So what do you want to do next? *Pacey takes a drink of Andie's Coke.*Pacey: So you guys have been drinking!Dawson: Excuse me, waitress! Make it a double this time with just a splash of Coke. Youknow what, I think a splash is too much, make it just a spla. No shhhhhh at all.Andie: No sh.Waitress: Before I bring you anything else the bartender asked me to check your IDs.Andie: *laughs* Check our IDs?! Youshould of done that, like, 5 drinks ago because you know what? We are 16 years old!! *Dawson laughs and puts his finger to his lips \"shush\"ing Andie.*Andie: No, we are! And you know what? You, Little Missy, havejust broken the law! You could lose your job over this! Not only could you lose your job but you guys could lose your liquor license! And, you know what, this is my boyfriend and his father is the town sheriff and howwould--Pacey: No, no. *He taps Dawson on the shoulder, who's been laughing this whole time, to get up.*Pacey: Hey, she's kidding. It's a joke. It's a joke. *Pacey's dragging them out of the bar.*Andie: No, I'm not! I"}
+{"doc_id":"doc_143","qid":"","text":"At the store(Marco is playing online poker while his dad installs an alarm system.)Spinner: (To a customer) Hey and receipt's in the bag. Sale's on all week. Spread the word.Mr. Del Rossi: 1637. You have 20 seconds topunch it in. You got that Marco?Marco: Huh? Yeah. Yeah I got that pop. Thanks.Spinner: Getting robbed once was enough, you know? And the new signage looks great Mr. D.R.Mr. Del Rossi: Yeah.Spinner: Cash only,right?Mr. Del Rossi: Hey you can't trust banks. The service fees, low interest. Talk about getting robbed. Hey uh me and Uncle Louie are gonna play the ponies. You boys want to come when you close up?Spinner:Yeah!Marco: No, not tonight.Mr. Del Rossi: You know sometimes you worry me Marco. This is life. You've got to live it.(He leaves and Spinner walks over to Marco.)Spinner: Dude, come on. You've been JohnnyLong-Face all week.Marco: Oh so it's been a week since Dylan left. 'Cause you know with constant phone tag and no e-mails, it's like poof! My boyfriend just disappeared off the face of the earth.Spinner: Last I heard,Sweden was still on earth.Marco: For the last time Spinner, Switzerland!Spinner: Whatever. Look Dylan's got practice every day, road trips with the team, workouts with the team-Marco: Long hot showers with theteam.Spinner: Dude you have an actively gay imagination.Marco: Spin do you have any idea how hard it is to go from always having somebody there to being totally alone?Spinner: Look when Dylan was here, nobodyever saw you. You two just played house 24/7. Don't hermit out with your laptop now that he's gone.(Marco wins his online game.)Marco: Hah! Whatever buddy. I just won 200 bucks! Are you finished with yourlecture?At Marco, Paige and Ellie'sMarco: (On the phone) Hey Dylan. It's in the middle of the night your time. Calling you, so call me back. Love you. Bye.(Paige walks in.)Paige: Hey Marco, Spin. How's Fortress SquatchDesigns?Marco: The alarm's armed and ready. What's with the hush-hush?Paige: Well when Ellie gave me the green light to date her ex, I'd say she was just a touch colour-blind.Ellie: I heard that!Paige: If Jessie calls,I'll be hiding in my room.Spinner: Oh fun times at the Del Rossi, Michalchuck, Nash, Tenako, Uchi abode.Marco: Spin this is driving me nuts.Spinner: Dude come on. You're coopered up inside. It's cold, wet, winter yuckout there. You need a change of scenery.Marco: You know what, bud? You're right. You're right! What's the opposite of cold, wet, winter yuck?Spinner: Hot, dry, summer yum?Marco: Exactly. So I'm thinking va-cay!Me, you, Daytona Beach.Spinner: Daytona?Marco: Yeah!Spinner: I would have expected Sweden! Switzerland, to visit your swister-mister.Marco: So what? It's a long distance relationship Spin, emphasis on distance.He's having fun. I just, I want to have mine.Spinner: Spring break, eh?Marco: Yeah!Spinner: Hotties on top of hotties. That my friend is yum.(Spinner's excitement fades.)Marco: What?Spinner: Dude every cent I hadwent into the store.Marco: No, no don't worry. I have a plan.(They're shown playing online poker.)Spinner: Wait this is your plan? Playing online poker?Marco: You got a better one? Oh yes. Yes she folded! I win again.Yes!Ellie: I'm reading Chekhov over here.Marco: Sorry Ellie! Hey man, guys let's hit a club. Come on, it's on me.Spinner: Wait, what about our trip money?Marco: I'll win more. It's what I do!At a clubMarco: Oh thanksguys for hanging out tonight. I needed this.Jimmy: Ah no prob, man. Me and Spin can study for our test next week.Jay: Yo gangsta's. What's the haps?Spinner: Just celebrating Marco's big online poker score.Jay: Youmust be quite the shark, Del Rossi.Marco: Well I used to play with my boyfriend.Jay: Yes you're gay. Super. If you want to make some real coin, me and the guys at work have a little something going on.Marco: Definea little something.Jay: Texas Holdem. $20 gets you in the door, $100 gets you in the game. At Friendship ClubDarcy: Our charity turkey dinner gave over 100 people a hot, tasty meal.Kim: And we're organizing anotherevent for the end of semester dance. So suggestions, anyone?Nackman: Um used glasses drive?Peter: Great idea, Nackman. Darcy, my mom's asking for you. It's actually kind of important.Darcy: I better not keep theboss lady waiting.(Kim rolls her eyes as Darcy leaves.)Peter: I lied.Darcy: Oh really?Peter: Screw my mom's 'no girlfriend' policy. I've been thinking about you all week.Darcy: Someone might see us.(He gives her anecklace with a key on it.)Peter: It's the key to my heart. Don't say where you got it. It can be our secret.Darcy: It's adorable, Peter. Thanks.(She kisses him on the cheek.)At Marco, Paige and Ellie'sEllie: Lots morecloset space in my room.Paige: Ellie I know you had your eye on Dylan's room, but he gave it to me.Ellie: Well we should have a had a vote.Paige: Not a big fan of democracy hon. Marco, tell her you don't mind if I takeDylan's room.Ellie: Don't let 'Princess Always Gets Her Way' bully you...or manipulate you! She has a way with men.Paige: You and Jesse broke up.Ellie: Yeah just! Marco, tell her...Marco: Shut up! I'm not going toreferee your catfight about the room, or Jesse, or anything! Just work it out yourselves.(They leave and Marco closes his laptop.)Marco: Get me out of here.In media immersionMr. Simpson: Okay Monday minds. Lastweek we started talking about online community moderation. Any thoughts? Is it good, bad?Peter: It's censorship.Kim: It's about keeping the internet safe for everybody.Peter: Yeah well who gets to decide what's safeand what's not, Kim? You?Darcy: I'm not surprised you'd say that. You only care about yourself.(Peter looks shocked, but Darcy gives him a wink.)Peter: Yeah well you only care about what people think aboutyou.Darcy: At least I have a conscience.Peter: At least I can think for myself. Submit to peer pressure much?Mr. Simpson: Guys.Darcy: Submit to ugliness much?Peter: Can you tell through all that eye fat?Darcy: Eyefat? That is so pathetic.Mr. Simpson: No seriously enough. Thank you.OutsideMarco: Here. Blow our poker dreams on this.Spinner: And if we lose?Marco: We won't. I know what I'm doing.Spinner: Dude it's not moneyin the bank. Jay's friends are poker ninjas.Marco: Yeah exactly. That's what makes it fun. High risk, high reward.Spinner: Coming from you? That's bonkersMarco: Spin, you and Jimmy opened up a store, right? Elliehooked up with her boss. Even flame-out Paige is starting over and Dylan...Dylan is off on his European hockey adventure. What have I done?Spinner: Kept your marks up.Marco: Oh wow! Whoop-de-do. I'm mashedpotatoes, man. I'm boring and I'm bored and I just, I need a rush. Come on. At DegrassiDarcy: How'd you get in here?Peter: Tell you a secret? It's never locked.(They start kissing.)Peter: Oh next time we're fakefighting, can you tone down the 'you're ugly' stuff?Darcy: You said I have eye fat.Peter: It was all I could think of. Your eyes are beautiful.Darcy: And you're not ugly, stupid.Janitor: Peter Stone! I wonder if your momwould like to hear about this.At the garageSpinner: Fold.Jay: Ah me too. Can't lose what you don't put in, right?Marco: Yeah can't win much, either. Raise 100.Jake: Going Vegas on me, boss? Alright let's doubleit.Marco: Impressive. I'm in.(They keep playing.)Marco: I'm all in. You with me?Jay: Well if you can't spot the sucker, you are the sucker.Jake: The question is what's his tell.Marco: When you figure it out, you let meknow.Jake: It's all yours, boss.Spinner: Yes! Money for nothing.Jake: Hey this is how it works. We get a chance to win it back. Tomorrow.Marco: Alright, if you want to keep giving me your money, I'm gonna gladly keeptaking it.Spinner: Daytona![SCENE_BREAK]At a clubPaige: Oh uh hello. Marco left a message. Some urgent need to rage?Ellie: Oh there's been raging.Marco: Hey, hey! Fun patrol's here. No cat-fighting tonight, ladies.Promise?Paige: Yeah fine. What is up?Marco: I am, babe. Tonight I am so wired.Spinner: He pretty well bankrupted these hardcore poker dudes.Marco: I had them eating out of my hands.Paige: Look at you, Mr. HighRoller.Marco: Next stop: The Matador. Come on!Ellie: Woah, the after hours club? I can't. I have an essay.Marco: Ellie! Ellie you can't find love in an essay. You got to live!Spinner: And I've got a test. Come on. Put itaway.Marco: Spin we're rich. We're celebrating. I'm happy. What's the problem here?Spinner: You dude. You're being an ass.Marco: Spin this is the first time I've had fun in ages and it's all thanks to my triple P, perfectpoker partner. Come on man, let's just roll with this. Let's see how much money we can make. Please! At the poker gameSpinner: Fold again. Surprise.Jay: Raise it 50. Shark boy?Marco: Funny thing about poker. Youknow nobody remembers how you built your fortune, just how you lost it.Jake: We're making memories tonight, right boss? Call.Jay: I think I'm gonna go in another 50. Marco?Marco: I'm all in.Spinner: Dude that'severything.Jake: Yeah not this time bluff-maestro. I'll see you. Let's have 'em.Jay: You are toast shark boy! Yes!Marco: Okay it's fine. It's fine. I um...I just, I need a loan to buy back in and I'll win it back.Jake: Yeah,how much?Marco: Um...Tony: What the hell is going on?Jay: Hey Tony you want in?Tony: Don't get smart. You guys want to keep your jobs, this ends now. Everybody out.(Marco and Spinner are walkingoutside.)Marco: Look everybody goes bust, okay? My luck will turn. Just trust me.Spinner: Trust you? Marco you just lost $1100. Kiss it goodbye. I did.Marco: What? What about our trip, man? The hotties?Spinner:Dude it's over. Go home, watch TV with your dad. Maybe he can talk some sense into you. You just got to stop.At the Del Rossi houseMarco: Hey pop.Mr. Del Rossi: Hey son. Can't stay away from your mom's cooking,eh?Marco: How'd you and Uncle Louie do at the track?Mr. Del Rossi: We had fun.Marco: Did you guys win any money?Mr. Del Rossi: We had fun, Marco. Why?Marco: No, I'm just making conversation.Mr. Del Rossi:Yeah? Well you know what goes good with that? Some of your mom's homemade cannelloni. She put some in the freezer before she went to bingo. No sit.(Marco sees his dad's wallet and takes out all the cash.)AtDegrassiDarcy's IM: How sneaky can you be?(Peter starts typing back when Kim walks over to Darcy.)Kim: E-mailing your boyfriend?Darcy: Very funny Kim.Kim: I'm just kidding. All set to work on our drama projectafter school?Darcy: Oh. Um I have a grandma's birthday thing. Can we reschedule?Kim: Fine. That's the last time I cancel majorettes for you.In the parkPeter: Anyone see you?Darcy: No. Not that this is the perfecthiding place. How sneaky did you have to be?(They hug.)Peter: Darce I'm sorry it has to be like this...sneaking around, lying.Darcy: What we're doing isn't really bad. It's kind of fun. You're fun.Peter: So are you. Somuch fun.(Kim walks by with her dog and sees them kissing.)Kim: Darcy?!Darcy: Kim?Kim: Wish your grandma 'happy birthday' for me.(She walks away angry.)Darcy: Sugar...At the store, during the poker gameJake:If I win this hand, I'll buy everyone a t-shirt.Jay: I must say Mr. Del Rossi, you have some nice digs here, no girlfriends, no grease monkey bosses. This could be a regular gig, huh?Marco: Yeah right. If anybody findsout we're using the store, I'm dead. Call.Jay: Oh!Marco: Raise a hundred.Jake: There's no way you got the straight flush, bluff-maestro.Jay: Well beautiful thing is, there's no such thing as a locked hand.Marco: SoJake, you in or you out?Jake: I'm in, boss.Police officer: What's going on? We got a break and enter call.Marco: No, no, no, no. There must be some mistake. I work here.(The cop starts arresting Marco.)Marco: No justlet me finish this hand.Police officer: Game's over, fellas.Marco: What? Are you kidding me? Don't you guys have some kind of murder you could be solving?Police officer: You're under arrest for trespassing.AtPeter's(Darcy is at his window.)Peter: What are you doing?Darcy: Maybe if you answered your phone or returned my messages.Peter: Kim tattled to my mom!Darcy: Kim should mind her own beeswax. There's nothingwrong with us being together.Peter: Yeah well we're not going to be together. My parents are talking about sending me to boarding school.Darcy: What?! She can't.Peter: She also said that if you know what's good foryou, you'd keep your distance.Darcy: Your mom can't keep us apart, Peter. Do you believe that love conquers all?Peter: I don't think it's gonna be enough. There's always something in our way.Darcy: I'll be at oursecret place tomorrow. Prove to me that you're not the type to give up.At the storeMarco: Spinner! Spinner thank god. Tell her, tell her that I-Spinner: What is going on here, Marco?Marco: Dude I pressed the alarmcode and it didn't even go off.Spinner: It's a silent alarm, idiot.Police officer: Is this a friend of yours?Spinner: He's a part-time employee.Police officer: With permission to be here?Spinner: No.Police officer: I'm gonnahave to take him in. Come on. At Degrassi(Darcy is about to leave when Peter walks in.)Peter: If they're sending me away, I have nothing to lose except you.Darcy: Peter you've got me.(They kiss.)At Marco, Paige andEllie'sMr. Del Rossi: Ellie let me in. Uncle Louie talked to his cop buddy at 54. You had trouble at the store?Marco: Yeah I was hoping you wouldn't find out about that.Mr. Del Rossi: Yeah well Uncle Louie mentioned apoker game.Marco: The police confiscated the money so I have a bunch of mechanics for enemies now, but Spinner dropped the trespassing charges. It's fine.Mr. Del Rossi: I guess you're lucky. So do you knowanything about the $600 I'm missing?Marco: Uh...I was in the hole dad.Mr. Del Rossi: Marco! How could you?Marco: I needed it! Come on. You know how it is. You gamble every weekend.Mr. Del Rossi: Marco you stolefrom family. Are you in trouble or something, Marco? Is there something you're not telling me?Marco: No! It's Dylan, dad.Mr. Del Rossi: Well how is Dylan the problem, Marco?Marco: I feel empty without him dad. I'mlost. He's my boyfriend.Mr. Del Rossi: You think I'm stupid?Marco: No, of course not.Mr. Del Rossi: You have used your friends and your family because playing cards was more important. No matter what Dylan is toyou, he is not a part of this and you know that.Marco: I'm done. I'm done with it, okay? I promise. I understand if you hate me for it.Mr. Del Rossi: Marco, you're my son. I'm gonna watch you. Just go to school and ifyou have any honour, you'll come and see me at the shop to work off what you stole. People leave Marco. You have to live your own life."}
+{"doc_id":"doc_144","qid":"","text":"Andy: Good morning, Pam.Pam: Oh, welcome back, Andy.Andy: Drew. I'm Drew now.Pam: Oh. Drew. Sorry.Andy: Apology not... accepted. Because it wasn't even necessary in the first place.[laughs][SCENE_BREAK]Andy: Several weeks ago, Andy Bernard had an incident. [cut to shot of Andy punching a hole in the wall] But after five weeks in Anger Management, I'm back. And I've got a new attitude. Anda new name. And... a bunch of new techniques for dealing with the grumpies.[SCENE_BREAK]Andy: Mornin' Jim.Jim: Hey, Andy. How are you, man?Andy: Good. Drew.Jim: What's that?Andy: Dr--- You can call meDrew.Jim: No, I'm not gonna call you that.Andy: Cool. I can't control what you do. I can only control what I do.Jim: Andy.Andy: Drew. [walks to Dwight] Dwight. How's it goin' man?[SCENE_BREAK]Dwight: Yes, I havedecided to shun Andy Bernard for the next three years. Which I'm looking forward to. It's an Amish technique. It's like slapping someone with silence. I was shunned from the age of four until my sixth birthday... for notsaving the excess oil from a can of tuna.[SCENE_BREAK]Dwight: Jim, could you please inform Andy Bernard that he is being shunned.Jim: Andy, Dwight says welcome back, and he could use a hug.Dwight: Ok, tell himthat's not true.Jim: Dwight says that he actually doesn't know one single fact about bear attacks.Andy: You guys...Dwight: Ok, no. Jim, tell him that bears can climb faster than they can run. Jim! Tell him!Jim:[half-heartedly] Andy! Nah, that's too far.Dwight: Damn you.[SCENE_BREAK]Michael: Today is Safety Training Day. Toby is leading ours upstairs. Yeauck. But, I am giving everyone a little bit of a treat. We are going tolisten in on Darryl's presentation to the warehouse. And if I know Darryl, it gonna be zoppity.[SCENE_BREAK]Darryl: Now, this is the forklift. You need--- [Michael rattles it] You need a license to operate this machine.That means the upstairs office workers can't drive it. ... Quiz! Mike.Michael: Hmm.Darryl: Should you drive the forklift?Michael: I can, and I have.Darryl: No! No no no no no! I said should you. You should not drive it.You should not drive the forklift, you understand?Lonny: You're not allowed to drive the forklift.Darryl: It's not safe, you don't have a license.Michael: Guys, I'm not the only one who's driven the forklift. [points] Pudgehas driven the forklift.Madge: Madge.Michael: I thought your name was Pudge?Madge: No, it's always been Madge.Michael: Okay. Um, her.Darryl: Her. Yes, \"her\" is qualified to work a dangerous machine. You are not.Okay?Michael: Ah, fine.Darryl: Do you understand that?Michael: Yeeesh.[SCENE_BREAK]Darryl: We do safety training every year, or after an accident. ... We've never made it a full year. This particular time, I wasreaching for a supply box on the top shelf, when one office worker, who shall remain nameless, kicked the ladder out from under me and yelled...[SCENE_BREAK]Michael: [barely keeping his composure] \"Hey Darryl,how's it hangin'?!\" [laughs][SCENE_BREAK]Darryl: And I fell and busted my ankle. I'm legitimately scared for my workers.[SCENE_BREAK]Darryl: The baler can flatten a car engine. It can cut off your arm and crushyour entire body without skipping a beat.Dwight: Yeah!Andy: It's on!Darryl: How many people a year do you think get their arms cut off in a baler?Michael: Bail'er? I hardly know her.Lonny: Dammit, Michael. Payattention, man.Darryl: Anybody wanna take a guess? Anybody?Kevin: Five bucks says it's over 50.Jim: You really wanna bet?Darryl: Anybody?Kevin: Ever since March Madness ended, I am so bored.Guy: Howmany?Jim: Ok, you're on.Darryl: Ten people, Michael. Ten people. Would you like to be one of them?Kevin: [mouths] Damn...Darryl: [in background] You have to be alert, and calm. And always careful...Jim: No, don'tworry about it. We'll just got double or nothin'.Kevin: On what?Jim: I don't know, we'll figure somethin' out.Kevin: Nice.Oscar: What are you guys talkin' about?Darryl: These are very dangerous machines down here,and the upstairs workers, Michael, should not go anywhere near them.Michael: Yes, yes. But it wouldn't be the worst thing in the world... if somebody...Darry: It would be the worst thing in the world! It would! Verymuch so.Lonny: What the hell is wrong with this man?Michael: It's a big red trash compactor!Lonny: What are you---Darryl: It's not a trash compactor! It's a baler!Lonny: Don't disrespect the baler!Michael: Okay, okay!I got it. I got it. ... Only on the rarest of occasions...Darryl: No do not touch it!Michael: ...would I go near---Darryl: There is no occasion for you to go near this stuff, okay?[SCENE_BREAK]Michael: Toby now has thefloor... and he is going to try not to screw this up, like everything else in his life. Let me rephrase that. I believe that you can do safety training and make it sound just as good as Darryl. Here we go!Toby: Ok, um, onething that you're gonna want to look out for is carpal tunnel syndrome. It's recommended that you take a ten minute break from typing every hour. For your circulation, you're gonna want to get up out of your chairsand uh, and move around about ten minutes every hour.Michael: Yes, good. Fine. Like stretching and...Toby: Um, yeah. You're computer screen can be a big strain on your eyes, so uh, it's also recommended that youstep away for about... about ten minutes every hour.Michael: Wow, that is... that time really adds up. That's like... a half an hour, every hour?Darryl: Take them at the same time.Michael: Ok, you know what? You'remaking it sound kind of lame. So, skip ahead to the really dangerous stuff. Like sometimes computers can explode, can they not?Toby: No, no. Um, you always want to keep a sweater or cardigan of some sort, in caseit gets drafty.Ryan: What about a long sleeve T?Toby: Well, that'll work.Kevin: Long johns? A shaw?Toby: You know, anything that warms you.Michael: Ok, you know what? I think that everybody is going to vomit dueto boredom. [to warehouse guys] Sorry, he is very lame. [takes book from Toby] Um, let's see. \"Seasonal affective disorder! A depression that includes weight gain, fatigue, irritability, brought on by the low light ofwinter.\"Darryl: Thank God we only had a baler to deal with.Lonny: Yeah, that dim light is a bitch, ain't it?Michael: Ok guys, you know what? I didn't--- I didn't interrupt when you were having your presentation.Darryl:Actually, you did.Michael: Yes. Okay, let's do another one. This is a good one. \"A particular concern for office workers is a sedimentary life style, which can contribute---\"Toby: Sedentary.Michael: Yes. \"Which cancontribute to heart disease.\" Heart disease kills more people that balers.Lonny: That's called having a fat butt, Michael.Michael: Mmmm, no, no, it's... sedentary...Lonny: Yeah, yeah. That's, that's fat butt disease.That's what you suffer from?Michael: No.Lonny: Fat butt disease, Michael?Kelly: Excuse me, sea monster, you weigh like a thousand pounds.Lonny: Yeah? I bet you'd like to swim with this sea monster, wouldn'tyou?Kelly: Ryan?Lonny: Dude, tell your girl to shut up.Kelly: What?!Ryan: Kelly, you insulted the gentleman. Please apologize.Kelly: Are you kidding me?Darryl: Alright, we outta here.Michael: Darryl, I did not walk outin the middle of yours. So, I---Lonny: Yeah, but ours was real, Michael.Darryl: That's what I've been trying to tell you, Mike. It's serious down there. We do dangerous stuff, man. This is shenanigans, foolishness,Nerf-ball. You live a sweet, little, Nerf-y life. Sittin' on your biscuit. Never havin' to risk it.Michael: Okay. ... What, Nerf isn't cool anymore?[SCENE_BREAK]Michael: Darryl thinks he is such a man because he works in awarehouse. I worked in a warehouse. Men's Warehouse. I was a greeter. I'd like to see Darryl greet people. Probably make 'em feel like wimps. Not me, I... \"Hello, I'm Michael. Welcome to Men's Warehouse. We have aspecial on khaki pants today.\" ... This is one example.[SCENE_BREAK]Kevin: [Pam is holding a jar of jellybeans] Ten.Oscar: Really, ten? That's your guess? You're a professional accountant.Jim: There's like ten greenones.Oscar: Forty-two.Jim: I'm gonna say fifty.Karen: Fifty-one.Jim: Oh, don't be that person.Kevin: That is lame.Karen: It's a strategy!Pam: It's called being smart.Karen: Thank you.Kevin: Oh,geeze.[SCENE_BREAK]Pam: I don't know how the whole betting thing started, but it's fun.[SCENE_BREAK]Pam: Ten...Jim: Kev's out.Kevin: Damn it.Pam: 47, 48, 49! Jim wins!Everyone: Oooh! [Jim claps]Kevin: That isnot fair. He has spent hours up here at reception with you. Hours and hours.Jim: Okay, okay.Kevin: No, constantly. Like, for years.Jim: Okay.[SCENE_BREAK]Michael: Pam, depression is as scary as a baler, right?Pam:I don't understand the question.Michael: Working in an office can lead to depression. Which can lead to suicide. I mean this is really serious stuff.Pam: Yeah...Michael: I--- I--- Nobody commits suicide because theywork with a baler, and yet those guys are makin' fun of me, calling me a Nerf, that...Pam: It's really hard to demonstrate depression. Their safety training had visuals.Michael: Yeah... you are... ah, so right. They hadvisual aids. And all we had were the facts. You don't go to the science museum and get handed a pamphlet on electricity. You go to the science museum and you put your hand on a metal ball, your hair sticks upstraight... and you know science.Pam: So, you're okay?Michael: Indubitably.[SCENE_BREAK]Michael: They use props. They use visual aids, and they just made us look like dopes.Dwight: Idiots! God, what are we gonnado!?Michael: I don't know, I don't know. Because you know what our killer is? Depression---Dwight: Wolves.Michael: Nn--- Depression.[SCENE_BREAK]Dwight: Visual aids.Michael: Yes.Dwight: A quilt. Depressionquilt?Micheal: No time to sew a quilt. ... I got it. Give me the number for the Giant Big Box Toy Store.[SCENE_BREAK]Michael: You may be asking yourself, \"What am I doing on a trampoline?\" Well, I thought I'd bouncehere for a while, relieve some stress, and then move on with my day. Not! Here's the plan. Dwight, is going to gather all of the office workers and all of the warehouse guys, we're going to have another safety seminar.Only this time, where's Michael? Oh my God! He is on the roof! Now I have got their attention. I... tell them, about the cold hard facts of depression. And then I say, \"Hey! You ever seen a suicide?\" And I jump. And theyfreak out. And they get to see... the dangers of depression with their own eyes. Nice side note[/b]: They might think \"Hey, I should have been nicer to Michael.\" But that's... not why I'm doing this... Then, I land on thetrampoline, take a couple extra bounces for fun. I climb off, walk around the corner... Ta-freakin'-da! [Dwight nods][SCENE_BREAK]Kelly: So then the next movie moves to the top of the queue. So number fivebecomes number four, number six becomes number five, [Ryan checks his watch]number three becomes number two, etc, etc. And let's just say that I just sent back Love Actually, which was awesome. [Karen laysmoney down on the desk next to Ryan] And they sent me Uptown Girls, which is also awesome. But guess what, now I want to see love actually again, [Phyllis throws her money down] but it's at the bottom of the que!Oh no, what do I do!? [Creed throws his money down] What I do, is this. I go online, I go click, click, click. And I change the order of the que, so that I can see Love Actually [Pam throws her money down] as soon as Iwant to. It's so easy, Ryan. Do you really not know how Netflix works? [Jim throws his money down]Ryan: I guess I forgot. [kisses Kelly, gathers up all the money]Kelly: You're such a ditz.Kevin: Ryan, well done. Twominutes, forty-two seconds. Additionally, Pam, you win ten because she said \"awesome\" 12 times, and Jim, you win five because she mentioned six romantic comedies.[SCENE_BREAK]Dwight: [on the roof] Okay, let'sdo this thing! I'll go summon the troops!Michael: Maybe we should test it first. Letterman-style. Throw a TV over, or...Dwight: We measured it once...Michael: Go buy some watermelons.Dwight: Seedless?Michael:Just...[SCENE_BREAK]Toby: [Creed takes a bite of an apple] Creed is eating an apple. I found a potato.Pam: Hey Creed.Creed: Hey!Pam: Hey.Creed: Hello. [Jim replaces Creed's apple with a potato][Creed takes a biteof the potato]Pam: Yes!Kevin: Here you go. [hands money]Toby: Nice.[SCENE_BREAK]Karen: I don't know this place as well as I thought I did. I'm getting cleaned out.[SCENE_BREAK]Dwight: Ready?Michael: Let's doit! Drop that sucker.Dwight: [drops watermelon, watermelon bounces off trampoline, onto a car, bursts, car alarm sounds]Michael: BINGO! WHOA WHOA WHOA! Oh... crap. Deactivate the car alarm. Clean up themess.Dwight: Okay.Michael: Find out whose car that is. If it's Stanley's, call the offices of James P. Albini, see if he handles hate crimes.Dwight: Got it.Michael: Also, take apart the trampoline, stick it in thebaler.Dwight: We're not allowed to use the baler.Michael: Have Pa--adge do it, or... the sea monster.Dwight: I'm on it![SCENE_BREAK]Dwight: I'm temporarily lifting the shun.Andy: Thank you.Dwight: It meansnothing. I need you to do something for me.Andy: Anything.Dwight: Okay, calm down. I need you to acquire an inflatable house, and/or castle.Andy: You mean a moon bounce.Dwight: What do you think? You've gotan hour.Andy: I'm gonna need... I'm gonna need petty cash.Dwight: Shunning resumed.Andy: Do you, do you want a drawbridge?Dwight: Un-shun. Yeah that sounds good. Re-shun.[SCENE_BREAK]Dwight: Oh yeah,this is much better. Safer. Excellent decision.Michael: Yes, thank you for seeing that.Dwight: When you land, try and land like an eight year-old. These bouncy castles are not designed for adults.Michael: I don't know ifI wanna do this.Dwight: Do you wanna do another test? I got plenty of watermelons in my trunk!Michael: No. No more. The tests are going terrible. If we keep doing it, we're not gonna want to jump. This is aboutdoing, not thinking.Dwight: That's right! Doing! Totally doing! It's rock n' roll!Michael: Rock n' roll!Dwight: Yeah!Michael: That's right! I am not thinking.Dwight: [imitating the sound and playing an air guitar] Near nearnear near near!Michael: Yes! Yeah!Dwight: [singing] Michael is awesome! Jumpin' off the roof!Michael: Woo!Dwight: [singing] Bouncin' on the bouncy bounce! Show 'em who's boss!Michael: Woo!Dwight: [singing] Rip ahole in the suuuuuuun!Michael: I am ready to do this! I am ready to make a point! [Dwight continues air guitar][SCENE_BREAK]Dwight: [out of breath] Guys! Listen up! Michael is up on the roof, and actingstrange!Andy: Whoa! What's the situation?Dwight: [hesitates] Un-shun. I think he's suffering from depression. Re-shun.Andy: Ok, when's the shunning thing gonna end?Dwight: Un-shun. Never. Re-shun. I think hewants you all to come out to the parking lot and watch him die!Stanley: Is it nice outside?Dwight: It's gorgeous. Let's go!Stanley: Do I need my jacket?Dwight: No really, it's, it's very nice. Come on!Ryan: Will I be toowarm in a long sleeve T?Dwight: Everybody's gonna be fine in exactly what they're wearing, let's go! Let's go![SCENE_BREAK]Dwight: [outside] Come on, hurry up you guys!Michael: [on the roof] My life! Oh, mylife...Dwight: [on megaphone] Michael, what's wrong?!Michael: Everything's wrong. The stress of my modern office, has caused me to go into a depression.Dwight: Depression? Isn't that just a fancy word for feelingbummed out?Michael: Dwight, you ignorant slut. Depression is a very serious illness. Over 32 thousand people commit suicide every year! According to a 2004 study!Dwight: Is that the last year the data wasavailable?Michael: Yes! My head is in such pain! And turmoil!Dwight: Don't do anything rash!Michael: Wait, where are the warehouse guys?Dwight: I didn't... [Dwight runs up to the side of the building] I didn't thinkyou needed them for this part.Michael: Okay... that's...Dwight: you said to just...Michael: That's the whole point, dummy.Dwight: Okay, I'm on it!Michael: Okay.[SCENE_BREAK]Dwight: Attention blue collarworkers![SCENE_BREAK]Pam: What are the odds that this is in any way real?Jim: I'd say like... 10,000 to 1?Kevin: Okay, I'd like ten bucks on those odds.[SCENE_BREAK]Kevin: If someone gives you 10,000 to 1 onanything, you take it. If John Mellencamp ever wins an Oscar, I am going to be a very rich dude.[SCENE_BREAK]Dwight: Michael's up on the roof and he's acting strange!Michael: Oooooh, my life!Dwight: Michael!What's wrong?Michael: Everything is wrong, Dwight. The stress of my modern office, has made me depressed.Dwight: Depressed? Isn't that just a fancy word for feeling bummed out?Michael: Dwight, you ignorantslut.[SCENE_BREAK]Jim: Well, you know, the first performance was a little off. But I really think they hit their stride, in the second show. Um, might even bring my parents tomorrow, to the matinee.Michael: And that iswhy, I am going to jump off this roof!Jim: Oh, excuse me. It's my... favorite part.[SCENE_BREAK]Angela: This is just offensive.Ryan: At least we're outside.[SCENE_BREAK]Creed: [zipping up his pants] Hey, check itout, there's a... there's a castle over there.Jim: Oh my God, there is a castle.Dwight: No, there's nothing to see over there, people! There's nothing to see. ...They found the castle, Michael.Michael: Damnit.[SCENE_BREAK]Pam: Oh... God. Oh my God, he's gonna jump.Jim: Oh. He's going to kill himself, pretending to kill himself.Pam: Yeah...[SCENE_BREAK]Jim: Hey uh, Michael. Don't jump on the bouncy castle. Youcan't do that, because you're going to get horribly, horribly injured.Pam: Hey Michael! I have a present for you, but you have to come down and get it.Michael: What is it?Pam: Come down and... open it and you'llsee.Michael: Dwight, find out what the present is.Dwight: Okay, uh... I don't see anything. She might be bluffing.Jim: Dwight...Pam: Dwight, what are you---Dwight: Oh... It's uh, a Repliee Q1 Expo female robot,they're only available in Japan.Michael: Dwight, you are such a liar. Pam, really, what is it?Darryl: Mike, this is the opposite of safety. You jump, you're gonna serious hurt yourself.Michael: You told me, that I lead a...cushy, wimpy, Nerf life.Darryl: Yeah, but I never said you had nothing to live for.Michael: What do I have to live for?Darryl: A lot... of things. Uh, you, uh... What about Jan? Lovely, lovely, lovely Jan, man. It's goin'good, right?Michael: It's complicated with Jan. And I don't know where I stand, or what I want. The s*x isn't nearly as good as it used to be.Darryl: Mike, you're a very brave man. I mean, it takes courage just to beyou. To get out of bed every single day, knowing full well, you gotta be you.Michael: Do you really mean that?Darryl: I couldn't do it. I--- I ain't that strong. And I ain't that brave.Michael: I'm braver than you?Darryl:Way braver! You Braveheart, man.Michael: I Braveheart. I am.Darryl: Come down, okay?Michael: Okay. Pam, I'm coming down to get my present.[SCENE_BREAK]Michael: An office... is as safe as the people in it. Andsometimes those people can drive you to do crazy things to show the dangers of the office. That's the danger I found myself in today. I saved a life. My own. Am I a hero? I really can't say. But, yes."}
+{"doc_id":"doc_145","qid":"","text":"\"Soccer Mom in the Mini Van\"[SCENE_BREAK]TEASER(A minivan approaches a field where kids are playing soccer. A woman gets out of the car, throws her coffee cup away in a nearby trashcan and looks at the childrenplaying. She then touches her locket, smiles and heads back towards the car. In the car, she tucks a note inside her bag. She backs out of the space and as she puts her car into drive, it explodes)[Cut to: Crime scene afew hours later - crawling with FBI agents. Booth and Brennan get out of the car and approach the mini van]BOOTH: Look, Bones, all I'm saying is that Caroline went though a lot of trouble to get you private visitationwith your father, now you don't want it.BRENNAN: The federal detention facility already has visiting areas.BOOTH: Yeah, behind 2 inch glass. Now you'll be able to give your old man a hug.(he demonstrates onBrennan)BRENNAN: I didn't ask for special treatment, Booth.BOOTH: That's because you don't have to because you are special. And you are gonna tell me - whoa - what happened to whatever the hell is melted to thatsteering wheel and everything else.BRENNAN (looking at the remains): Female. Mid 40's to late 50's. Pelvis indicates she's given birth.BOOTH: Hey, Bones. Look at that. (points to a finger with a ring on it) Married,right?BRENNAN: Wedding ring. Possibility. (to another FBI Agent) Don't just focus on the ground (she points to a leg in a nearby tree then to Booth) Why do you care about my relationship with my father, Booth? Youwere only too happy to arrest him and put him in prison.BOOTH: Alright, look Bones. Ya know what, it's not about being happy, okay. It's about doing my job.BRENNAN: Do we know if it was a bomb that caused theexplosion?BOOTH: Well, let's see. The roof is peeled back and the doors-BRENNAN: I was asking him. (she points to another FBI Agent)FBI AGENT: We found explosive residue all over the van and metal fragments inthe bushes.BOOTH: What is that? A Pipe bomb?FBI: I can't really be sure until the explosives unit gets the van back to the lab.BRENNAN: No, they can't have the van. There are remains seared all over the inside of thevehicle and they can't be compromised.FBI AGENT: I have to call-BRENNAN: This van will be brought to the Jeffersonian - your bomb techs can look at it there.FBI AGENT: I'll....make the call?BOOTH: That's - that'salright. You go, go make that call. Bones, come on . You're a little harsh there, maybe you want to talk it out.BRENNAN: (pulls a necklace from the car) Look, Booth.BOOTH: It's a locket. Ugh, probably herdaughter.BRENNAN: Who would want to blow up a soccer mom?ACT I(Cut to: Jeffersonian: Forensics area)ANGELA: Hey, you have a skull for a facial reconstruction?ZACK: Help yourself.ANGELA: Oh, great. Is this all Ihave to work with? I always hated puzzles.BRENNAN: Hodgins, before we take that hand from the wheel, you might want to check the fingernails for particulates.HODGINS: You know I do.ANGELA: Oh. My. God.ZACK:Shouldn't you wait for the bomb tech before you gather the explosive residue?HODGINS: Hey, just getting enough to verify his results. Remember, he's a government bureaucrat.ANGELA: Hey, you're a governmentbureaucrat, babe.HODGINS: In name only. I am a passionate, dedicated scientist who will not be cowed by authoritarian pressure.CAM: Stay out of the van until the bomb tech comes, Hodgins.HODGINS: But... CAM:Out.HODGINS: Fine. I have to check the fingernails anyway.CAM (to Angela): How close are we to ID'ing the victim?ANGELA: Well. This is the skull. I'm good, but I'm not that good.BRENNAN: Perhaps you could usethese. There's a portion of tongue, hair and brain matter?ANGELA: Okay. If anybody needs me, I'm gonna go throw up, then do some paper work.(As Angela turns to leave, Booth enters with a female agent)BOOTH:Okay, this is Special Agent Frost from the bomb unit.AGENT FROST: Booth pulled me out of an important lunch. It took me months to set up that meeting. It better be good, Booth.BOOTH: She'll be working with you,Hodgins.HODGINS (starting at Frost): Yes, please. What? No, no. Um, hmm? Ja..Hodgins. Doc - Doctor. Okay.AGENT FROST: I beg your pardon?HODGINS: It's Ho-ANGELA: He's Dr. Jack Hodgins. Angela. Montenegro.I do facial reconstructions - and him.AGENT FROST: Please to meet you. (she walks over to where the stuff is ) I'm gonna need you to recover all the metallic particulates then I'm gonna need a chemical traywith-FROST & HODGINS: Aqueous buffer solution.HODGINS: Yeah. I know.HODGINS: You wanna perform capillary electrophoresis?FROST: We can do that?HODGINS: Oh yeah. (Angela coughs in the background) Andit will save time so Angela and I can have dinner. Alone.ANGELA: Hm (she turns and leaves)BOOTH: License plate was destroyed when we traced the VIN number on the van. It was registered to Jeremy Nash inCulpepper, Virginia.BRENNAN: He looks familiar.BOOTH: Man, our victim was traveling with a lot of stuff - clothes and personal items.BRENNAN: Photo album. Most of the pictures were burned, but the man in this photocould be Nash.CAM: She packed herself up, keepsakes and all, and took off in the van? Looks like Mrs. Nash was leaving Mr. Nash.BOOTH: Ah, god. I hate domestic cases. Alright, so let's got talk to thehusband.BRENNAN: I can't. I'm seeing my father.BOOTH: Now?BRENNAN: You and Caroline went to a lot of trouble setting this up. I would hate to appear ungrateful.BOOTH: But - (he starts to follow after her, butstops then - to Cam) I'll go talk to, um, the husband by myself.(Cut to: Prison - Day. Max is escorted into a private visiting room to meet with Brennan)PRISION GUARD: Alright, Max. There ya go.MAX: Ooh, gee. Realchairs. It's nice to have an important daughter (he goes to kiss her but she moves away)BRENNAN: This is Booth, not me.MAX: Well, you thank him for me. I always liked Booth. Nicest guy that ever arrestedme.BRENNAN: Touching.MAX: Well, you must like this. Me in here. I finally have to follow the rules.BRENNAN: So that makes me less than you because I think people should follow the rules?MAX: You'reupset.BRENNAN: Yeah, of course I'm upset. My father's a criminal.MAX: No, outlaw. There's a difference.BRENNAN: Subtle distinctions like that are lost on me and, I imagine, your victims.MAX: I know you want somesort of, uh, nice, neat story that puts my life into perspective for you but it doesn't work that way.BRENNAN: You could try. Don't I deserve that?MAX: I guess I always had a problem with authority. I just always sawmyself fighting the system. Kinda like Robin Hood.BRENNAN: Do you realize how ridiculous you sound? You're here for murdering the Deputy Director of the FBI.MAX: He was a crook. He was a killer and he was going tokill you.BRENNAN: And you walked out on Russ and me when I was fifteen!MAX: But that was to protect you, people were after us.BRENNAN: Because you were a criminal.MAX: Outlaw. See, I knew you weren't gonnaunderstand.BRENNAN: Ya know what? You're right. This is my fault for expecting we could get past-MAX: We can get past this. We can. The court, they're gonna decide how to punish me but now, here - we'll make thiswhatever we want.BRENNAN: (She reaches in her bag and pulls out a deck of cards) Here are the cards you asked for. I gotta go.MAX: Wait. These are for us.BRENNAN: What?MAX: Come on. You remember that gamewe used to play when you were five years old?BRENNAN: Blitz.MAX: Blitz. Blitz. Come on. Let's play a couple of hands.BRENNAN: You always beat me. I remember that too. A good father would occasionally allow hischild to win.MAX: I don't believe in encouraging all that, ah, that self esteem crap. You wanna win? Earn it. That's why you're so good at what you do now cause you know that nobody is gonna hand youanything.BRENNAN: (sarcastically) So you were a great father.MAX: Well, maybe just not as bad as you think. How 'bout this, one hand? Come on.BRENNAN: (gets up and heads towards the door) Let me know if youneed anything else.MAX: Oh, oh, oh. Socks. Socks. You know the, uh, with the arch supports? I gotta stand on that chow line forever.(Max watches her as she leaves the room without saying anything)(Cut to: NashResidence. Booth is questioning Jeremy Nash)JEREMY NASH: A bomb?BOOTH: Yeah, I'm sorry. Were you and your wife having any problems?JEREMY NASH: What? What kind of problems?BOOTH: Well, she wastraveling with a lot of personal stuff: I mean, photo albums and more clothes than she -JEREMY NASH: That \"stuff\" was for Celia's new dorm room. She was bringing her clothes, thing to help her decorate - You're FBIfor God's sakes. You have no idea who did this? What is this your first case?BOOTH: Just relax, okay? I'm just here to help, Mr. Nash, that's all.JEREMY NASH: How do I tell Celia? How do I - tell my daughter-(Cut to:Medico Legal Lab - Room. Focus on a clear box with flesh eating beetles inside.)ZACK: Dermestes maculates. They clean the bones by eating the charred flesh.HODGINS: But they leave behind pieces of shrapnel youmight need.AGENT FROST: Fascinating and very weird.ZACK: (with pride) They're mine.AGENT FROST: Not a surprise.(BRENNAN enters.)HODGINS: (to Brennan) Hey! Hi. How as your visit with your-BRENNAN: Notgermane to the investigation, Hodgins. (While Brennan is talking, Hodgins is looking at Agent Frost) Zack. Her left shoulder was badly shattered but still shows evidence of old trauma. I need the clean bones as soon asthey're ready. I also would like you to look at the manubrium. These shadows look like pitting. Have you determined what kind of bomb was used?AGENT FROST: I'm still sifting through the debris and waiting forwhatever goodies these bugs leave behind.BRENNAN: And Dr. Hodgins is just keeping you company?HODGINS: What? No. I'm - working. Hard. (Brennan and Zack just look at him) I'm gonna go right now and work.Hard. Some-someplace else. So - (he turns to go - Brennan and Zack still staring at him and Agent Frost looking at the beetles)(Cut to: Medico Legal Lab - Basement/Storage. Angela is at a computer trying to figure outsome symbols for the Widows' Son case.)HODGINS: Hey. What are you doing down here?ANGELA: Oh, analyzing the iconography for the Widow's Son case until somebody needs me for the bomb victim.HODGINS:Look, Angie, Um- Agent Frost is a colleague and I am a professional. Okay, so all that stammering and stuff - I mean that's not - that isn't - you know that's involuntary - it's a bodily thing. Yeah. That didn't come outright. Look, I'm not gonna deny that she is attractive -ANGELA: Oh, totally hot.HOGDINS: What?ANGELA: The bombshell from the Bomb Squad. She's totally hot.HODGINS: Yeah, I know. I mean -ANGELA: Look, Jack. Ireally don't care what's going on in your pants as long as it stays in your pants.HODGINS: You know who's totally hot? You. You are totally -ANGELA: Okay, save it. What have you got?HODGINS: (he hands her somesinged pieces of paper found in the van) These were in Any Nash's bag.ANGELA: There's writing on them.HODGINS: Yeah. Yeah, Cam needs you to restore them.ANGELA: Well, I'll give it a try.AGENT FROST: (O.S.) Dr.Hodgins! I need your samples for the spectrometer.HODGINS: I - I - I - I have to uh - so I love you and - (he kisses her on the cheek)ANGELA: Go.HODGINS: Okay.(Cut to: Medico Legal Lab - Hallway. Booth & Brennanare walking)BOOTH: Nash is gonna pick up his kid, tell her in person. I mean, I don't know how you do that. Tell your kid that your mother just got blown up?BRENNAN: I would think a direct approach would bebest.BOOTH: What? As opposed to what? Sugar coating it? 'Hey, what do you say we go to the park oh and by the way, your mom just got blown up?' How's your dad? You haven't mentioned him.BRENNAN:Apparently, his feet hurt.BOOTH: You know, I mean his spirits.BRENNAN: Well, he's a con man, Booth. He's always cheerful.BOOTH: What? That's it?BRENNAN: It's not like I ever really had a father. Max was absent foryears.BOOTH: Well, here's what I know. I know that Nash girl would give anything to spend one more day with her mother. I'm sure you'd feel the same way if something happened to your father.(Hodgins approachesthem)HODGINS: I confirmed triphenylmethane dye and iron sulfate embedded in the manubrium and the flesh. (Booth looks at Hodgins, confused.) Both are found in ball point ink.BOOTH: AH! It's a home madetattoo.HODGINS: Angela's working on recreating the design.(Cut to: Medico Legal Lab - Angela's Office. The computer is trying to render a design of the tattoo)ANGELA: This tattoo appears to have been crudelyexecuted.BOOTH: Hm, you mean like a prison tat.CAM: No record of her being in prison.HODGINS: In Russia, prisoners made tattoo ink by burning the heel of a shoe and mixing it with soot and urine.BRENNAN: Thiswas a ball point pen, rigged with a sewing needle, pushed down so deep it penetrated her periosteum.BOOTH: Ah! You mean - bone.CAM: Doesn't seem like a very soccer mom thing to do.ANGELA: And...here we go.(the computer starts to finish the rendering)CAM: An inverted pentagram? Devil worship.HODGINS: Mom had a little thing going on the side with Satan? Oh, the burbs.ANGELA: There is a design in the center that Ican't quite get.HODGINS: Wait, wait, wait. Is that a fist?BRENNAN: A fist?BOOTH: A fist.ANGELA: Yeah. Oh my God. It is a fist.HODGINS: So she wasn't Satan's old lady - she was in the NLA.ANGELA: NLA?BOOTH:National Liberation Army.HODGINS: Student radicals in the 70's. Thought they could change the world. Set off bombs in army recruiting offices, torched cop cars-BOOTH: Yeah, real visionaries. They also shot and killeda cop in '75.HODGINS: That was the burglary. They broke into house of a defense contractor to rip off his safe- said it was the people's money. Here. June Harris and her boyfriend, Neil Watkins were charged with themurder, but never found.BOOTH: The FBI's been looking for them for 30 years.CAM: And there they are.ANGELA: And our victim? (she does a side by side comparison of June Harris & Amy Nash) It's the samewoman.BRENNAN: So, our soccer mom - was a killer.ACT II(Cut to: Medico Legal Lab - Forensics Platform.)CAROLINE: People! Please tell me that all your fancy ass equipment is wrong.BOOTH: Oh! (He covers his earsas she sets off the alarm as she enters the platform and a security guy swipes his card.)BRENNAN: You're not supposed to be up here.CAROLINE: Booth can shoot me later. (she looks at the remains laid out on thetable) This can not be June Harris.BRENNAN: But the dentals match. Angela's reconstruction matches.BOOTH: Amy Nash was June Harris.CAROLINE: Por qui moi? She couldn't have waited 4 days to turn herself into acharcoal briquette?BRENNAN: I - don't understand.BOOTH: Caroline? Why are you here?CAROLINE: June Harris was turning herself in. I arranged with her attorney for the surrender. He was gonna deliver her onThursday after she said goodbye to her family.BRENNAN: What was the deal?CAROLINE: 9 years.BOOTH: 9 years for killing a cop?CAROLINE: For turning herself in and laying this all to rest. And since she stillmaintained her innocence, this was going to be a tough case to prosecute.BOOTH: Sam Reilly was the lead on this case for 30 years. He was okay with 9 years?CAROLINE: He doesn't know. Part of the deal. He wasn't tobe consulted.BOOTH: Well, you know what? It's okay to tell him now. I know Sam. He deserves that much after 30 years.CAROLINE: Up to you, you're the lead now, Cher. You should bring in Huntzinger. He was herattorney. He might know something.HODGINS: Love Huntzinger. Real old time lefty. Worked the Chicago 7 Trial. Sued Nixon, the CIA, Bush -BOOTH: That's great, let's get out of here before Hodgins gives him thepinko medal of honor. (to Brennan) Are you coming?BRENNAN: I can't. Zack and I have to pull the rest of the shrapnel for the bomb tech and then I have to buy some socks for my dad.CAROLINE: Leave her be, Cher.Absence makes the heart grow fonder.BOOTH: (turning back to Brennan as Caroline drags him out) Socks?(Cut to: FBI - Agent Sam Reilly, Booth & Caroline are coming out of a conference room - and start to walkdown the hallway.)AGENT SAM REILLY: I have worked this case for 30 years and you don't think I deserve a phone call?CAROLINE: It was part of the deal.SAM: And you Booth. I trained you. You think this is right? Toblow me off like this?BOOTH: I just got thrown the case, Sam. Don't go wailing on me.SAM: Damn lawyers. Working the case for 30 years and you don't think it deserves a damn phone call. Hey. I'm talking to you.(Booth and Caroline turn around)CAROLINE: No. You're yelling at me and my ears are starting to ring. Now I'm sorry after 40 years, as an agent for the FBI, you're still a little girl but I'd like to find out who killed JuneHarris. So how 'bout you stop whining and help. Okay, Cher?(Caroline leaves)BOOTH: So. How have ya been , Sam?SAM: Shut up, Booth.(Cut to: FBI - Observation Room. Sam watches as Caroline & Booth interrogateLeonard Huntzinger)CAROLINE: So what's in the bag, Lenny.HUNTZINGER: Toothbrush, change of underwear. You guys always find some reason to toss me in the can. No belt. No laces. I'm ready.BOOTH: Yeah. Great.Well, we just want to ask you a few questions about June Harris's death.HUNTZINGER: I loved June Harris. I loved what she stood for and what she did with her life. Nobody has her balls anymore.CAROLINE: Exceptmaybe, Neil Watkins.HUNTZINGER: Yeah. You'd love that, wouldn't you. Blame another revolutionary.BOOTH: Do you know where Watkins is?CAROLINE: They were partners in crime. I don't think he would want to riskJune turning him in.HUNTZINGER: You ever hear of attorney/client privilege?CAROLINE: Ever hear of Obstruction of Justice?BOOTH: Ya know, a woman is dead. She's not a martyr to her family, just someone theyloved.CAROLINE: If you can understand that.HUNTZINGER: Cooperating with that system (Sam leaves the observation room) perpetuates that system..BOOTH: Yeah, yeah.HUNTZINGER: If the system'scorrupt-BOOTH: Blah, blah, blah. So what's next, Leonard? Are ya gonna warn Watkins that we're on to him?(Sam bursts through the door and goes after Huntzinger)BOOTH: Sam. Sam. Sam. Sam.SAM: You son of abitch. Watkins are Harris are not heroes. (Booth holds Sam back) You want to know how they changed society? Ask the kid who's father they killed.HUNTZINGER: I know that kid. He became a cop just like his father.Very touching.(Sam goes to go after Huntzinger again and Huntzinger pushes him back.)SAM: You son of a-HUNTZINGER: Get out of here.(Booth steps in again and holds Huntzinger back.)BOOTH: Hey. Hey. Hey.Hey.CAROLINE: You just hit a Federal Agent, Mr. Huntzinger. Good thing you brought your toothpaste.HUNTZINGER: What a surprise. Lock me up to shut me up. You should be talking to that kid, Valenti, instead ofbusting my ass. The pig comes to me the other day, he wants to know where June is. He said he got a letter from her, as if she's write him or I'd give her up. Hey. (He lifts up his shirt) See these bruises? A gift - fromyour noble son of a cop.(Cut to: Prison - Day. Max is in the visitors room with Brennan.)MAX: Nice and soft. I'll be the best dressed on cell block 8. Thanks.BRENNAN: Sure.MAX: (sighs) Honey. I'm sorry.BRENNAN: Forwhat?MAX: For- for being such a disappointment as a father. You deserve better. And I should have told you sooner. (Brennan says nothing) Well, that's it? Nothing?BRENNAN: Well, what were you expecting? I agreewith you.MAX: I was expecting some tears or a hug or something. I did apologize. That's what you wanted, isn't it?BRENNAN: Well, you didn't mean it?MAX: Of course I meant it. Listen. Under any objective standardyou have a horrible human being for a father but I'm trying to move on. I got caught so that I could be with you. I was hoping you'd meet me half way.BRENNAN: I'm here, aren't I? (after a pause) I - (she reaches intoher bag) got you shampoo. Soap isn't good for your hair.MAX: Oh, nice. I - I don't want to smell to good, that could be a problem around here.(Brennan smiles) There, see. That's better. Thanks.BRENNAN: Sure.MAX:So the prosecutor's gonna want to talk to you about me. It wouldn't hurt if you, uh, had some good things to say about your old man. Might even offer to testify on my behalf.BRENNAN: Is that why you finallyapologized?MAX: What?BRENNAN: To use me? Maybe you'd like me to alter evidence now. That way I could join the family business.MAX: How could you think that?BRENNAN: I don't know, Max. Maybe because I seemto pass in and out of your life when it's most convenient. Maybe because you built a whole career using your considerable charm to manipulate people?MAX: Wait, listen. I know that it's hard to trust me, I know, and it's"}
+{"doc_id":"doc_146","qid":"","text":"Police and SWAT cars pull up in front of a mansion, and the SWAT team runs inside. They approach a locked room - we see the key is still in the door on the inside. They break in to find Jared sitting crying on the bednext to a dead girl. Both are in their underwear.ONE YEAR LATERA prison complex. Jane shows his ID and is allowed into the yard where Jared is sitting in his orange prisoner's clothes.Jared: Thank you for coming.Jane:You said you had information about Red John.Jared: Yes, I do. Killed your wife and daughter, huh? Heard a lot about you. They say you can tell when people are lying.Jane: Do you have information about RedJohn?Jared: I have dynamite information about Red John. Enough to catch him.Jane: How do you come by this information?Jared: Red John is a friend of a friend of mine.Jane: Is that friend of yours in prison too?Jared[laughs]: I have friends from all walks of life.Jane: Tell me.Jared: I am currently doing 25 years to life for a crime I didn't commit. My last appeal just failed. You get me out of here and I will give you Red John.Jane:You raped and murdered your family housekeeper's daughter. If you do know a lot about me, you know that I'm not a real magician.Jared: I didn't do it.Jane: I read the case file. The physical evidence, the testimoniesof all the witnesses including your own family says you did.Jared: I didn't kill her.Jane: What happened?Jared: I don't know. We were partying, I did some blows of meth, we had s*x, I fell asleep. And it's morning,Andine's dead, cops are busting in.Jane: The door was locked from the inside. There were bars on the windows.Jared: Yes.Jane: How is it physically possible that anyone else could have committed the murder?Jared: Idon't know. But I didn't, ergo someone else did. Someone you can find. You see me. Am I lying?Jane: You seem to be telling the truth, but you're a very clever, unprincipled narcissist in a desperate corner. Even if youare innocent, doesn't mean you have information on Red John. Yeah, it's a tough call. [Pauses to think.] I'm gonna have to say no. [Starts to walk away.]Jared: Your wife. Red John painted her toenails, yes? Paintedthem with her own blood. Police didn't make that public, did they? She's the only instance he did that, huh? Touch of elegance, for you alone.Jane: How do you know that?Jared: I told you. Red John is a friend of afriend of mine.Jane: What is this friend's name?Jared: His name is get me out of here and I will tell you. That and much more. I'll sing like a bird.Jane: Okay.Jane, Lisbon and Minelli are in Minelli's office.Minelli: No! Isaid no and I mean no. It's not that I don't want to help you. I want to help you. It's just it's not physically possible. Jared Renfrew was tried and convicted. It's a closed case. I have no authority to re-open it withoutcause.Jane: There is cause.Minelli: For you there's cause. Not for the State of California. We can't touch it.Jane: Ah, but we could touch it if...Minelli: Closed case! Nothing to be done. The Justice Dept doesn't go aboutundoing its own work.Jane: I understand. No problem. If we can't touch it, we can't touch it.Minelli: I'm sorry.Jane: No. The law's the law. My desire for revenge doesn't outweigh the rules. I have to accept that.Minelli:Glad you understand.Jane: Thanks for your time. (Jane leaves the room.)Minelli: He's lying through his teeth, isn't he?Lisbon: Yes.Lisbon comes out of Minelli's office into the bullpen where Jane is.Lisbon: Jane. I knowbetter than to try and stop you from doing what you think you have to do.Jane: No, I'm fine about it. I can see Minelli's point. I can't be chasing every nutbag with a good story, can I?Lisbon: Yeah, sure you're fine withit. Just do me the favour of listening to me for a minute, so I can say 'I told you so' later.Jane: Sure.Lisbon: Jared Renfrew was found hugging the corpse of Andine Kopecki in a room locked from the inside, holding abloody butcher knife in his hand. His semen was inside of her. He'd been stalking her for weeks. He's got a history of violence going back 15 years.Jane: What's your point?Lisbon: He's guilty. You're being conned.Jane:Possible, but I don't think so. But I've got to find out one way or the other.Lisbon: Even if he's telling the truth about the murder, he could still be lying about Red John.Jane: Also possible, but I've got to take thechance. What else can I do?Lisbon: Minelli wants me to keep a watch on you.Jane: What are you going to do?Lisbon: Well, I'm not going to follow you around. Let's compromise. When you get into trouble, call me firstso I can try and minimise the damage.Jane: Deal.Lisbon: And don't use your CBI card. The Bureau finds out you used it without authorisation, you're done.Jane: I hear you.Outside the Renfrew's imposing gates. Janepresses the intercom.Maid [through intercom]: Hello.Jane: Hi, my name's Patrick Jane. I'd like to speak to Gardner Renfrew about his brother Jared.Maid [through intercom]: One moment, please. [Pause] Mr Renfrewsays no thank you.Jane: Tell Mr Renfrew I can prove his brother is innocent and I know who really committed the murder. Jane holds out his arms like he's doing a magic trick and the gates begin to open.Jane is ininside with Gardner Renfrew and his wife, Breck. The maid has given Jane some water.Jane: Thank you very much. [He points to a photo.] Is that your father?Gardner: Yes. What's this all about, Mr Jane? Who are youand what do you mean by this?They all sit down.Jane: Do you think your brother is innocent?Gardner: You said you could prove he's innocent. You said you know who really did it.Jane: No. That was just to get insidethe house. I have no idea who might have done it. Might have been Jared. Hope not. He seems to be telling the truth. What do you think?Gardner: I think you had better leave. Right now, Mr Jane. I don't have the timeor the patience for tom-foolery. [He and his wife stand up.]Jane: So you think he's guilty. I'm wasting my time.Gardner: We're done talking.Jane: Suppose I could prove he was innocent. Wouldn't you want that?Wouldn't you want that blot on your name expunged?Breck: Of course he would.Gardner: Nothing would make me happier, but my brother is guilty. He violated the poor girl , he violated this house, he violated thisfamily.Jane: That's all I needed to know. Thank you for your time. Your mother lives here in the guest house, doesn't she?Gardner: You leave my mother alone.Jane: Well, that's not your call to make, is it? [He gets upand walks further into the house.]Gardner: Breck, call the police.Jane: Be sure and tell them I'm unarmed.Jane ducks down a corridor with an annoyed Gardner behind him. He comes running out into the garden whereMrs Renfrew is.Gardner [calling]: Go inside, Mother! Go inside!Jane approaches Mrs Renfrew.Jane: My name's Patrick Jane. I want to speak to you about your son, Jared.Gardner: I'll deal with him, Mother. The policeare on their way. Just go inside.Mrs Renfrew: Don't order me about. And don't be so hysterical. [To Patrick] What's your interest in Jared.Jane: I'm a friend of his. Trying to prove his innocence.Mrs Renfrew: Come andsit down.Jane: Thank you.Gardner: Mother, you're being childish.Mrs Renfrew: Go away, Gardner.Gardner: Mother!Mrs Renfrew: Go away! [Gardner leaves. Mrs Renfrew and Jane sit at a table in the garden.] Tell mewhy you wish to prove my son's innocence.Jane: Oh, I can promise you, I'm not up to anything sinister, Ma'am. My motives are pure. Tell me about Jared.Mrs Renfrew: He was a troubled child. Charming and bright, buta bully and a liar and something of a sadist.Jane: Qualities you rather liked in him, I expect.Mrs Renfrew [laughs]: Yes, I did. I found him rather amusing, at first. One doesn't want a wimp for a son. But there must be asense of proportion and moderation. As he got older, he got worse. Fell in with bad people. It was one scandal after another, in and out of prison. A common criminal.Jane: But he turned himself around, didn't he?MrsRenfrew: He gave up the drink and the drugs and the gallivanting. Made peace with his brother and came home to help run the family businesses.Jane: The prodigal son.Mrs Renfrew: Yes. George, his father, wasoverjoyed. I was sceptical. Pleased, of course, but sceptical. As my mother always said, you are what you are.Jane: I guess she's right.Mrs Renfrew: Yes. Poor George dropped dead a week after the murder. Broke hisheart, people said. George didn't really have a heart, in that sense. He died of embarrassment. A Renfrew in the pokey for murder. Quelle horreur.Jane: Can you show me where it happened?Jane and Mrs Renfrewinside the house, walking to the room where the murder took place.Jane: Who else was in the house?Mrs Renfrew: I had a small dinner party. Probably 10 people all told. After they left, it was just family. Gardner andBreck, George and I, and Jared, of course. [She gets the key from the top of the doorframe and unlocks the door.]Jane: Not Mariska, the housekeeper?Mrs Renfrew: No. She lived out. [She opens the door.] Andine wasonly here to help the cook with the dinner party. [Jane looks around the room.] She was a lovely girl, full of life and promise. Her mother, Mariska, had been with us 20 years. Part of the family.Jane: Jared told me thathe and Andine were having an affair. That he loved her and he'd never hurt her.Mrs Renfrew: She told her mother that he was stalking her, that she was scared of him. She didn't go to the police out of respect for thefamily.Jane: Hmm. I'd like to speak to the mother.Mrs Renfrew: She left our employ, I'm afraid. It was too difficult for both of us.Jane: Where is she now?Mrs Renfrew: I have an address somewhere.Jane: Can you getit for me now?Mrs Renfrew: As you wish.Jane: Thank you.Mrs Renfrew leaves. Jane peers into a hall closet and sees some fishing line. He closely examines the door of the room and the key. Gardner arrives with acouple of policemen and his wife.Policeman: Sir, would you come with us?Jane: Why?Policeman: You're trespassing here.Jane: No, I'm not.Policeman: Okay, sir, this man here says he's the homeowner and says you'retrespassing, so let's go.Jane: Officer, it's the other way around. I'm the homeowner, that man is the intruder.Gardner: That's a lie! He...he's lying.Jane: Listen to the madness in his voice. Will you please take himsomewhere he can get some help.Mrs Renfrew comes back in looking at a piece of paper in her hand.Mrs Renfrew: Here you are. I don't know that she'll still be there, but...Jane: Thank you so much. [She sees theofficers.]Mrs Renfrew: For heaven's sake, Gardner! Policemen! How ridiculous! Send them away.Policeman: Ma'am, this man here is...Mrs Renfrew: Yes, yes, it's quite all right, officer. You can go.The policemen start toleave.Gardner: Thanks.Jane: Well, goodbye, Mrs Renfrew. I expect we'll speak again soon.Mrs Renfrew: Good day to you. [Jane raises his eyebrows at Gardner as he leaves.]Jane, Lisbon and Minelli once more inMinelli's office.Minelli: Gardner Renfrew is a player in this town. You can't go to his house and screw around with him.Jane: Why not? It's a free country. I didn't use my ID. I didn't even mention the CBI.Minelli: Yougave your real name.Jane: It's my name!Minelli: Well, you should have lied as you so often do, because now I have to give you an official reprimand and order you in the strongest possible terms to leave the Renfrewfamily alone and drop the matter.Jane: Sorry, can't do that.Minelli: You have to. This is straight from the AG's office.Jane: Jared Renfrew didn't kill Andine Kopecki.Lisbon: Do you have evidence of that?Jane: Not yet. Ihave pieces that I'm piecing together. He's innocent.Minelli: Wake up, Dorothy. You're not in Kansas anymore. There are innocent men in jail. It happens. Is he one of them? I don't know. I doubt it. In any case, wecan't re-open his case.Jane [with a naughty smile]: If I'm Dorothy, then who are you?Minelli: It doesn't matter who I am. [Lisbon looks amused.] We will find other ways of making Renfrew talk to you. There's a lot thatcan be done to make a prisoner's life easier if he co-operates.Jane: It's not going to work. He's innocent.Minelli: Okay. Here it is. If you pursue this any further, I'm going to have to throw you out of the CBI. We can'ttake the liability. I very much do not want to have to do that.Jane [standing up]: I know you don't, so I'll spare you the trouble. [He puts his CBI ID on Minelli's table.] I quit.Lisbon: Don't do that.Jane: No, it's okay. It'sbest this way. [He goes over to her.] You are the good witch Glinda, obviously. Thank you. [He puts his hand on her shoulder.] I learned a lot.He smiles at her. She looks upset. He leaves.Lisbon walks into her office andfinds Cho, Rigsby and Van Pelt waiting for her.Lisbon: Don't bother. I know. I feel the same way. Nothing to be done.Rigsby: So now when he really needs our help, we're letting him down.Lisbon: I want to help him justas much as you do. Our orders state that we must stay away from this case.Van Pelt: I don't care what our orders say. It's not right.Lisbon: We closed cases before he came, we'll close cases after he's gone.Cho: Yeah,just not so many.Rigsby: Cases are not the point. It's not that we need him. He needs us.Lisbon: Yeah, he needs us on a fool's errand. Renfrew's a conman. He doesn't know anything about Red John.Van Pelt: Supposewe found a connection between Renfrew and Red John?Lisbon: It would... Wait, what's in the file? Let me guess, a connection between Renfrew and Red John? Van Pelt [smiles and hands her the file]: Seven years agoRenfrew was serving time on a narcotics conviction. He shared a cell in Lompoc with a man by the name of Orville Tanner. Tanner claimed in his 1998 trial for murder that he had only been an accomplice, that the realkiller was a man by the name of Red John. Nobody believed him.Lisbon: '98. That's the beginning of Red John's career. Where's Tanner now?Van Pelt: He died of heart disease in prison hospital.Lisbon: Of course. Ourluck.Van Pelt: It's a connection.Lisbon: Slim. Likely nobody believed him for a reason.Rigsby: But it's a connection.Lisbon: Okay. Check out Tanner's background, find the autopsy report, see if there's any credibility tohis story. I mean, obviously we can't do that, but that's what I would tell you to do if we weren't ordered to stay away from this case. [They all grin conspiratorially.] The bullpen. Rigsby is on the phone, Cho is lookingat a file, Van Pelt is on her computer.Rigsby [on the phone]: Okay, then let me speak to the assistant to the deputy records officer.Van Pelt: Why do people say 'Eureka' when they do something good?Cho: It's Greek for'bingo'.Van Pelt: Well, so, Eureka. I found the autopsy reports and they back up Orville Tanner's story. The body of the alleged victim - cut up Red John style.Rigsby: Which means that Renfrew is telling some kind oftruth about his Red John connection.Rigsby and Cho see Minelli approaching and try to look busy and innocent. Van Pelt doesn't notice him coming up behind her.Minelli: Van Pelt! [She jumps.] What's that you'reworking on?Cho: Sir, I asked her to...Minelli: I'm talking to Van Pelt.Van Pelt: Sir, I'm doing research for Jane. No excuses, sir.Minelli [looking at the other two.]: You too, I suppose?Lisbon comes into the room.Lisbon:Hey, boss.Minelli: I gave this unit a direct written order and they have flagrantly disobeyed that order. Did they do that with your knowledge?Lisbon: I ordered them to do it. I told them you countermanded your earlierorder. They had no knowledge whatsoever that they were doing anything irregular.Minelli: Nice try, Mother Teresa, they already gave themselves up.Rigsby: We never said a word!Lisbon: I stand by my story. Theydidn't know they were out of line.Cho: Sir, the opposite is true. We forced Agent Lisbon to let us do this.Minelli: Very touching. My ex-wife would have loved this scene in a movie. I'm giving you all formal notice. Anyfurther infractions will result in immediate suspension.Lisbon: Sir, you might as well suspend me now because there will be further infractions. Jane needs our help and he's going to get it. I'm not going to lay offbecause some fat cat's putting on the pressure.Cho and Rigsby: Me too.Van Pelt: And me.Minelli: Moving. Eloquent. Two thumbs up. You shall have your wish. You're all suspended, starting right now, for grossinsubordination. [He walks out.]Lisbon: I'm sorry.Lisbon walks into Minelli's office.Minelli: Oh, hi. Lisbon. [Sarcastically.] Still here?Lisbon: That was more of a rhetorical stand we were taking back there.Minelli: You takeit back then?Lisbon: Well no, but I wanted to talk...Minelli: This is the, um, the suspension paperwork right here.Lisbon: Look, I...Minelli: I have to go and visit my sister in Hawaii for a week. She's sick. Meanwhile, thispaperwork is going to sit on my desk. For a week. Is that clear? One week.Lisbon: Yes, sir. Thank you.Minelli: Yes, be very grateful. Do not contact me. I do not want to know anything. And please do not dig the holethat you are standing in any deeper than you have already dug it.Lisbon: No, sir.Minelli: That hole is the grave of your very promising career.Lisbon [mischievously]: You should put a flashlight underneath your chin,just to complete the effect.Minelli: I'm not kidding.Lisbon: I know. [She leaves, and Minelli gives a small smile of amusement.]Jane, sitting on a step next to some garbage, looking defeated. He's holding the piece ofpaper that Mrs Renfrew gave him with the housekeeper's address on it. Flashback to him finding the note on the door and the smiley face the night his family was killed. His phone ringing brings him back to the present.He answers.Jane [on the phone]: Hey Lisbon. [Listens] Oh yeah fine. Uh, just, uh, out... investigating stuff. [Listens] Uh, sure, yeah. Pepperoni or plain? [Listens] Okay. [Listens] Uh, hey, Lisbon, um, thankyou.[SCENE_BREAK]The bullpen. Night. Jane, Lisbon, Cho, Rigsby and Van Pelt are sitting around a table eating pizza.Jane: Renfrew couldn't dispute the physical evidence. The core of his defence was that he lovedAndine deeply and he would never hurt her. Andine's mother testified that was a lie. I went to go speak with her but she'd moved, left no forwarding address.Van Pelt: Mariska Kopecki, right? [She starts typing on herlaptop.]Jane: Yeah.Lisbon: How does the brother look?Jane: He had motive. There's a moral turpitude clause in the family trust. Once convicted, all Jared's shares in the family business went to Gardner. But he wouldhave also go the shares if Jared had died.Rigsby: So why not just kill Jared? Why kill Andine?Jane: Exactly. Why kill Andine?Cho: Wanted to see Jared suffer, maybe. Or had a thing for Andine himself.Van Pelt [lookingat her computer]: Eureka. I input Mariska Kopecki into the secure search engine. I get an IM link to a healthcare database that documents Mariska Kopecki's notification that she's changing her name to Vanna Clooney.I input the new name and get a hit. Four months ago someone named VK Clooney bought a condo in Marin.Lisbon: Nice work.Van Pelt: Yeah, weird thing though. The original IM came from a civilian. Dr Joe in NewHampshire. He couldn't have been logged onto the DOJ secure network, so how did he know what I was asking about and how did he have access to the healthcare database? Nobody is allowed to do that.Jane: Whenyou say Dr Joe in New Hampshire, do you mean DR JOE N.H.? [He changes the letters to read RED JOHN.]Van Pelt: Yeah. Oh, my god. Oh, my god.Jane: Ask 'Who are you?' [She types this and gets a response \".....: -)..... Is Jane there?\" The smiley is in red.] Yes. [He types \"This is Jane.\" And gets a response \"Keep up the good work.\"] Keep up the good work. [He types \"Why?\" and tries to trace the IM, but it fails.]Van Pelt: He'sgone.Rigsby: What the hell was that about?Van Pelt: He somehow tapped into the DOJ secure network. He's been spying on us.Lisbon: Can we find the source of the IM?Van Pelt: There's a self-destruct code built intothe uplink. It dead ends at the secondary server. There's no way to trace it back.Jane: He wants us to succeed. He wants Renfrew out of jail.Rigsby: Out where he can get at him to silence him.Jane: Yes. Which meansRenfrew is telling the truth, which means he has the goods on Red John.Lisbon: Slow down. We don't have anything yet.Jane: Yes, we still have to get Renfrew out of jail first.Lisbon: That's all?Jane: An we will and thenRed John will go after him. He has to break cover, he has to, and we'll be waiting for him.Vanna Clooney's apartment. Lisbon knocks on the door and takes out her badge.Jane: Uh.Lisbon: Damn. [She puts her badgeaway.]Jane: How are you going to get us in there without your magic badge?Lisbon: You do the talking.Jane: No, you try.Lisbon: Don't be childish, I'm not... [the door opens]Vanna: Oh, I thought it was Harry. Who areyou?Lisbon: Hi. Vanna Clooney?Vanna: Yes.Lisbon: I'm Teresa and this is Patrick. Can... can we come in for a moment? [Jane is watching Lisbon with amusement.]Vanna: What do you want? [Lisbon looks pleadingly atPatrick.]Jane: It's to do with Harry.Vanna: What about him?Jane: Well, it's best not to speak out here in public.Inside Vanna's apartment, Jane and Lisbon sit with Vanna in her living room.Jane: Okay, I lied just now."}
+{"doc_id":"doc_147","qid":"","text":"\"The Finger in the Nest\"[SCENE_BREAK]TEASER(Open: Special Agent Seeley Booth and his son, Parker, are walking through a park, talking. Booth has a football in his hands.)BOOTH: You know what the most beautifulthing in the world is?PARKER: Mom says a sunset.BOOTH: Okay, well, one of the most beautiful man-made things.PARKER: Mom says the Mona Lisa.BOOTH: Okay, look, all due respect to your mom, buddy, but aperfectly thrown spiral is way better than any of that stuff, okay, so let me show you how you do this. You put your hand up here like that, spread your fingers wide.PARKER: My hand's too small.BOOTH: It'll grow,alright? Okay, hand there to steady the ball. Lift it up to your ear.(Parker lifts the football up near his chin.)BOOTH: No, your ear, not your chin, silly. Alright.PARKER: What's it saying?BOOTH: It's saying, \"Throw yourold man a deep pass for a touchdown!\" Hey!(Booth runs out to catch the football then runs back to tackle Parker.)BOOTH: What? What you got? Whoo!(They both go down and Parker looks up into the tree they'replaying beneath.)PARKER: Hey, there's a bird's nest.BOOTH: Where?PARKER: There.BOOTH: Cool, huh? Hey, you want me to lift you up so you can see inside?PARKER: How about I knock it down with a perfectspiral?BOOTH: No, no, no... don't do that, you don't want to do that. That's somebody's home, okay, buddy? Something could be alive in there, okay?(Parker nods understanding.)BOOTH: So you want me to boost youup so you can see?PARKER: Sure.BOOTH: Alright, you ready?PARKER: Yeah.BOOTH: One, two, three and up.(Booth lifts Parker so he can see into the nest.)BOOTH: What do you see up there?PARKER: Higher, a littlehigher.BOOTH: Higher? Okay.(Parker looks into the nest.)PARKER: I see something.BOOTH: Well, if it's an egg, don't touch it because if the mommy bird comes back... PARKER: It's not an egg.BOOTH: What isit?(Parker lifts something out of the nest and looks at it.)PARKER: It's somebody's finger.(Cut to: Dr. Temperance Brennan driving in her car talking on her cell phone to Dr. Camille Saroyan who is in the Medico- LegalLab platform, with Brennan on speakerphone, she's there with a new grad student, Mr. Scott Starret.)BRENNAN: He pulled the finger out of a bird's nest.CAM: Did he completely freak out?BRENNAN: Booth said Parkerwanted to put it in his pocket and take it home.(Cut to: Medico-Legal Lab platform.)STARRET: When it comes to boys, that \"snips and snails and puppy dog's tails\" thing is pretty accurate.CAM: You have ason?STARRET: I have four.BRENNAN: (heard over the speakerphone) Mr. Starret is my oldest grad student.(Cut to: Brennan driving.)BRENNAN: Can you get a fingerprint?CAM: (heard over the speakerphone) Uh, notenough flesh.(Cut to: Medico-Legal Lab platform.)STARRET: There are scrapes on the bone and a jagged appearance here where it was severed.BRENNAN: (heard over the speakerphone) Well, it was probably chewedoff by a wild animal.(Dr. Jack Hodgins enters the platform.)HODGINS: The sticky stuff on the finger turns out to be sap from a flowering Japanese Cherry.(Hodgins looks at Mr. Starret strangely, and then shakes a fingerat him.)HODGINS: I know you from somewhere.(Mr. Starret looks Hodgins over and nods agreement.)STARRET: Right. I sold you a vintage '50s hot rod back in the mid-90s. You were clean shaven backthen.HODGINS: Because I was a kid.BRENNAN: (heard over the speakerphone) But you drove a hot rod, Hodgins?HODGINS: No, I did not. The lemon he sold me broke down after a week.CAM: Body parts in park,mystery needs solving.HODGINS: (turns toward a computer and begins typing) The nest was made by a corvus brachyrhynchos. The American crow.(Cut to: Image of a black crow on a computer screen.)HODGINS: Acrow will seldom stray more than twelve miles from its nest.STARRET: There's a spectacular copse of Japanese flowering Cherry at the Jefferson Memorial.HODGINS: How do you know?STARRET: Career number two:Parks supervisor.CAM: The Jefferson Memorial is eight miles from where Parker found the finger.BRENNAN: Good work, guys. (Hangs up her phone)HODGINS: I'd say \"King of the Lab\" but... that just depressesme.(Hodgins exits and Starret looks confusedly at Cam. She shakes her head.)CAM: Don't ask.(Cut to: Booth's office at the FBI building. Parker is sitting in Booth's chair at his desk and Booth and Dr. Lance Sweets arestanding outside the office watching him.)SWEETS: A human finger?BOOTH: Yeah, a human finger, alright? Look, is my son going to be suffering from some kind of post-traumatic stress, you know like suppressedfeelings, memories, all that hooey?SWEETS: Well, a child's brain can't process death as an end. You know, that's why we tell children that their deceased loved ones are looking down on us from heaven.BOOTH: Whichthey are.SWEETS: Yeah, it's an excellent coping technique. You know, grandma isn't worm food, she's simply moved on to a better place.BOOTH: Which she did.SWEETS: Yeah. Parker looks good to me.(Cut to: Parkerplaying with a baseball and glove.)BOOTH: So, you talk to him?SWEETS: \"Hi, Parker, I'm Dr. Sweets. I'm a psychologist and I'm here to talk to you about the human finger that you found.\"BOOTH: That's great. Couldyou do that?SWEETS: No. That could introduce issues that don't currently exist. Just call me if he displays any symptoms of distress.BOOTH: Okay, any symptoms of distress. Like um, killing cats?SWEETS: Yeah,sure.(Cut to: Booth and Brennan, Booth is sitting in the SUV while Brennan leans against it. Lights are flashing around them, obviously at a crime scene near the Jefferson Memorial.)BRENNAN: When I was five yearsold, I went next door to visit our neighbor, Mrs. Walkey, and she was dead; sitting at the kitchen table. And I'm alright.BOOTH: You spend your life with skeletons. It's just a matter of time. He's just a kid. He's gonnarealize that he had a dead finger in his hand. He's gonna freak out.BRENNAN: Are you afraid you're going to get into trouble with Rebecca?BOOTH: There's a chance that he might not say anything to her.BRENNAN: So,yes.FBI AGENT: Agent Booth?BOOTH: Yeah?FBI AGENT: We found something.(Booth gets out of the car and shuts the door.)(Cut to: Booth and Brennan with flashlights walk into a copse of trees.)BOOTH: Okay, whathave you got?(Cut to: An opossum chewing on a corpse.)BOOTH: Whoa!BRENNAN: Aww, it's an opossum.BOOTH: Eating a body. Should I shoot it?BRENNAN: No. No, no, no. Opossums are scared of humans. Here!(Walks toward the opossum, tucking her flashlight under her arm, and starts clapping her hands.) Shoo, shoo, shoo. Shoo, shoo. Go, go, go, go. Go, go, go. Shoo, shoo. C'mon, shoo, shoo, shoo, shoo, shoo, shoo,shoo. (Opossum walking slowly off.)BOOTH: Yeah, they're terrified.(Brennan returns to the corpse and looks down at it.)BRENNAN: A number of body parts are missing. We'll have to grid the vicinity.BOOTH: Okay, we'llre-calibrate the search, and we'll call this ground zero.BRENNAN: Fanny pack, PDA clip.BOOTH: Well, if you can identify this person, I can subpoena the PDA's contents.BRENNAN: Partial skull.BOOTH: (Shines hisflashlight around the area and lands on the opossum.) Oh, look at that. The possum's dead. (Eyes brighten with an idea.) I got it! The victim was poisoned, the possum ate the victim, got poisoned and died. That'sit.BRENNAN: (walks over to the opossum while explaining to Booth) A stressed-out opossum can go into a false sleep, lasting up to four hours. (Picks up the opossum by the tail, and it starts moving shortlyafter.)BOOTH: Oh. So the possum was faking it?BRENNAN: Uh-huh. (Puts the opossum down and it walks off.)BOOTH: Wow. Yep, there it goes.BRENNAN: Uh, you should go get him.BOOTH: What do I look like, RangerRick?BRENNAN: He could have evidence in his digestive tract.BOOTH: C'mon, Bones.BRENNAN: Booth, evidence.BOOTH: Fine, I'll go get your possum.BRENNAN: Opossum.BOOTH: Possum.BRENNAN: Opossum.ACTONE(Open on: Medico-Legal Lab platform. Mr. Starret and Cam are examining the remains found near the Jefferson Memorial.)STARRET: The sternal rib end indicates the victim was between 35 and 40 years old. Thelength of the long bones suggests he was between five-foot-eight and five-ten.CAM: He?STARRET: Bone density and skull indicators suggest male.CAM: Time of death... approximately four days ago. Lividity indicatesthat he died somewhere else and was then dumped. Deep puncture wounds to the trachea pierced the jugular. He bled to death.STARRET: I'll make an impression of the wounds, and see if we can't specify a murderweapon.CAM: First we look for particulates.(Cut to: Hodgins looking in a microscope, Sweets is standing nearby.)HODGINS: Bull pen1s.SWEETS: Beg your pardon?HODGINS: The fanny pack had dandruff-sized flakes ofbull pen1s in it. (Sits back from the microscope and looks at Sweets) Why are you spying on me?SWEETS: Could it be because I'm the dupe of an organ of the shadowy forces that secretly run this country?HODGINS:You got the dupe part right. (Looks back into the microscope) Freeze dried bovine phallus.SWEETS: You know where to find me if you wish to discuss anything.HODGINS: Yeah, the problem isn't finding you-it's avoidingyou. Hm.SWEETS: Okay.(Sweets exits.)(Cut to: Angela's office. Angela is at the computer while Starret and Cam look over her shoulders.)ANGELA: The skull was badly mangled, so I was only able to construct a partial.But I cross-checked physiological markers against the missing persons database and it yielded three possibilities. Okay. Robert Sanchez, 24... STARRET: Too young.ANGELA: Michael Minden, former basketball coach,thirty-nine.STARRET: Too tall.ANGELA: That leaves Dr. Seth Elliot, veterinarian, thirty-seven.CAM: Any objections to Dr. Elliot?STARRET: He falls into the parameters. Plus, dog trainers use freeze dried bull penises asrewards. He was a veterinarian.ANGELA: H-how do you know about the bull pen1s stuff?CAM: He's middle-aged and he's held every possible job.STARRET: Four boys, seven dogs, fourteen guinea pigs, one reticulatedpython... you get the point.ANGELA: I got it.(Cut to: Conference room at the FBI building. Booth and Brennan are questioning the ex-wife of the victim, Alice Elliot.)ALICE: Oh, God. I've always hated that fanny pack.That's blood on it, isn't it? What happened?BRENNAN: Mrs. Elliot, when did you last speak with your husband?ALICE: Ex-husband. On Thursday, we made arrangements for Seth to pick up Brando. We have jointcustody.BOOTH: And Brando is... (A small dog pokes it's head out of a bag on Alice's lap) your cat.BRENNAN: That's a dog, Booth.BOOTH: I... Thank you. So, uh... Seth Elliot never picked up Fido.BRENNAN:Brando.BOOTH: The dog?ALICE: Seth's dead, isn't he?BOOTH: I'm afraid so.(Alice starts to cry and hugs the dog.)BRENNAN: May I hold your dog while you cry? (Alice hands over the dog and Brennan grins.) Oh, he'sso compact. (The dog is making small yipping and growling noises.)ALICE: Brando adored Seth. So did I.BOOTH: Wow, not so many ex-wives speak so fondly of their former husbands.ALICE: I never wanted to divorceSeth.BRENNAN: Then why did you?ALICE: You know, Seth had a serious gambling problem. He would either lose our car payment, or he would come home with diamond earrings. And when he lost our house, filing fordivorce was supposed to be a wakeup call.BOOTH: And he never woke up.ALICE: No.BOOTH: Listen, do you have the bookie's name?ALICE: No, ask Karen.BOOTH AND BRENNAN: (Together) Who's Karen?(Cut to: Dr.Elliot's office. Booth and Brennan are talking with Karen Landrew, Dr. Elliot's assistant.)KAREN: (Crying) I've been Dr. Elliot's assistant, receptionist, whatever, for like eight months. Murder?BRENNAN: His remains werefound in the Jefferson Memorial park.KAREN: Oh my God, poor Seth. I don't know what'll happen to this place now.BRENNAN: Was it doing well?KAREN: We made barely enough to pay the rent, cover his salary, mineand... and the kid who sweeps up.BRENNAN: So no, not very well.KAREN: Seth didn't tell me everything, but I could sense he was under a lot of pressure. He tossed and turned all night.BOOTH: So you slepttogether?KAREN: He's divorced, I'm single. There's nothing enervating about it.BRENNAN: Oh, for future reference, that word doesn't mean what you think.BOOTH: Look, are you aware that Dr. Elliot had a gamblingproblem?KAREN: That was Seth's one fault.BOOTH: We'd like to talk to his bookie, if you know where he is.KAREN: I don't think that's how Seth gambled.BRENNAN: How did he gamble?KAREN: Online poker,mostly.BOOTH: Can you think of anything else?KAREN: Well, just after I started here, Seth caught a guy stealing drugs. He-He wrestled him to the ground, called the cops. Everyone said Seth was a hero.BRENNAN:What kind of drugs?KAREN: Ketamine. It's an animal tranquilizer. An-and the guy went to prison. Do you think he killed Seth for revenge?BOOTH: You know, thank you for your help. We're really sorry for your loss.Come on, Bones.KAREN: Without Seth, I'm paralyzed. I don't know how I'll find the energy to go on.BRENNAN: Now that is what \"enervating\" means.BOOTH: Bones.BRENNAN: What?(They exit.)(Cut to: Booth andBrennan driving. Brennan has a laptop open on her lap, Booth is driving.)BRENNAN: Okay. Tucker Payne. He was found guilty of stealing drugs from Dr. Elliot's vet clinic. Sentenced to two years and he was paroled onemonth ago.BOOTH: I'll have the drug thief's parole officer bring him in for questioning. Okay?(Brennan's phone rings and she answers it.)BRENNAN: Brennan.(Scene cuts back and forth between the Medico-Legal labwhere Cam, Starret and Hodgins are and the car where Booth and Brennan are.)CAM: Dr. Brennan, Hodgins found saliva.BRENNAN: (Heard over the speakerphone) Where?CAM: On the victim.BRENNAN: But why wasHodgins looking for saliva?HODGINS: I wasn't looking for saliva. I found it. (Hodgins heard over the speakerphone.) Giant difference.BOOTH: Whoa, easy pal, watch your tone.BRENNAN: I don't care about tone, I justcare about results.(Cam holding up a finger to quiet Hodgins while she speaks.)CAM: Dr. Hodgins was looking for particulates on the mandible and vertebrate that might lead to a murder weapon when he foundsaliva.HODGINS: There was enough saliva in the wounds to run a DNA profile.BOOTH: Well, it had to be the possum, right?STARRET: Uh, the puncture wounds indicate something larger.BOOTH: Hey, who'sthat?HODGINS: (Heard over the speakerphone.) A fraudulent used car salesman.CAM: Booth, meet Mr. Starret.HODGINS: (Heard over the speakerphone.) I ran the standard eight nuclear markers for canids... BOOTH:Canids? What's that, like some kind of bug?STARRET: Not a bug, Agent Booth.HODGINS: Canis lupus familiaris. See how annoying that interrupting know-it-all used car salesman thing can be?BOOTH: I'm sorry,w-what is a can-ass familiar-ass... BRENNAN: Domestic dog.CAM: Seth Elliot was killed by a dog with filed teeth.ACT TWO(Cut to: Conference room in the FBI building. Booth interrogating Tucker Payne who isaccompanied by his pit bull, Schatzi.)BOOTH: Tucker Felix Payne. You really must hate your parents for naming you that.TUCKER: It's a good name. Felix means \"lucky.\"BOOTH: Assault, possession of various restrictedweapons, various drug offenses. You don't seem so lucky.TUCKER: You should see the stuff they didn't get me on.BOOTH: Was it good luck that got you taken down by a veterinarian?TUCKER: I was so high I couldhave been taken down by a florist.BOOTH: Yeah, the vet is dead. You get paroled, vet turns up murdered. You see where I'm going with this? Make your dog bark?TUCKER: You told me to bring Schatzi so you couldhear him bark?BOOTH: Schatzi?TUCKER: It means \"treasure\" in German.BOOTH: Yeah, I want to hear Schatzi bark.TUCKER: Gib laut!(Schatzi barks twice.)BOOTH: I can't see its teeth. Want to show me his teeth?(Booth takes his gun out and places it on the table. Tucker shows Booth the dog's teeth, Shatzi growls.) Why do you file its teeth down to points?TUCKER: I'm a drug dealer. You people catch me with a gun, I go awayforever.BOOTH: Shatzi your choice of weapon?TUCKER: Never had to use him yet. Were you really going to shoot my dog?BOOTH: I got nothing against your dog. (Booth picks up his gun and puts it back in his holster.)I was going to shoot you. See, I'm going to take your dog. (Hands Tucker a warrant.)TUCKER: Aww, man. You got a warrant for my dog?BOOTH: Mm hmm.TUCKER: That's cold.(Cut to: Medico-Legal Lab platform. Camand Starret are going over results.)STARRET: Per your instructions, I microsiled the lethal bite mark. See here? (Points to bite marks on a bloody mandible.)CAM: An irregularity in the wound track.STARRET: Yes. I tookan impression of Shatzi's bite.CAM: Who's Schatzi?STARRET: (Schatzi barks in a cage behind them.) Drug dealer's dog. (Turns to the dog and points.) Sejet sch n brav! (Turns back to Cam.) He responds to Germancommands.CAM: Very intimidating.STARRET: The dog that killed Dr. Elliot has a pronounced crack in its canine tooth. And the neighboring bicuspid shows a slab fracture. Very distinct.CAM: So Schatzi's not ourkiller.STARRET: Schatzi is innocent.(Shatzi barks again and the phone rings, Cam picks up.)CAM: Hey, Hodgins.(Scene cuts back and forth between the lab and the examination area where Hodgins and other FBIforensic crewmen are examining a car.)HODGINS: City police found the vet's car. A forensics crew is going through it now. Booth wanted me to make sure they didn't screw things up. (A forensic crewman gives Hodginsa look, and Hodgins shrugs.) Hey, deal with it.CAM: (Heard over the speakerphone) Well, I hope you find something, 'cause this puppy's innocent.HODGINS: (Heard over the speakerphone.) Yeah, well we're findinggobs of dried blood.CAM: It's a vet's vehicle-could be from one of his patients.STARRET: It's not.HODGINS: (Heard over the speakerphone.) Don't listen to him. You'll end up buying this blood-soaked heap for threetimes its value.STARRET: I worked as a vet's assistant in college when I was studying to be and EMT. We were as careful with blood as any human doctor.HODGINS: You ever think this vet didn't live up to your highstandards?STARRET: (Heard over the speakerphone.) Most likely, the car was used to transport the victim's body, and then dumped.CAM: (Heard over the speakerphone.) That does make more sense.HODGINS: Ifound... (the forensic crewman clears his throat and gives Hodgins a look) Excuse me. The crack FBI team found a prescription bottle of arithromyacin.CAM: That's not an animal drug. That's a macrolide antibiotic usedfor a number of conditions.STARRET: Including acne and STDs. (Cam nods and gives him a questioning look. He holds up his hands.) Four boys.CAM: (Heard over the speakerphone) Maybe we got lucky and the bad guydropped his prescription.HODGINS: Bottle reads \"Donald Timmons.\"STARRET: (Heard over the speakerphone.) We should track him down.HODGINS: Wow, that is an absolutely wonderful idea that could only havesprung from a time-tempered mind of a man with your life's experience ripping off unsuspecting car enthusiasts.FBI FORENSIC CREWMAN: I feel better. You treat everyone like crap.(Cut to: Booth and Brennan drivingup to a run-down shack with lots of machinery. Two dogs are sitting outside.)BOOTH: Wow, look at that pit, huh? Muscles like cantaloupes. (Pit bull starts barking.)BRENNAN: (Goes for the door handle to get out of thecar.) Is that why we're not getting out?BOOTH: No, it's the country, Bones. They got a different way of doing things.BRENNAN: You're afraid of the dog.BOOTH: No, I'm not. What you do in the country is you sit in yourcar and you wait. It's rural-polite. Parker had a nightmare.BRENNAN: About severed fingers?BOOTH: No, it was a singing frog.BRENNAN: I don't see the connection. But then I'm one of those people who thinks that ifyou dream about a banana, it's probably just a banana.BOOTH: He's acting up in school, he's talking back to his mom, he's not flushing the toilet.BRENNAN: He's a boy.BOOTH: Okay, yeah. I get it. You saw a wholelady's corpse when you were a little girl, and you were fine.BRENNAN: Yes. Although, for some reason that I do not understand, I kept staging my own death. Pretending that I drowned in the bathtub, faking electricalshock. It really freaked my parents out. And then once when Russ found me hanging he had to go see the school psychologist.BOOTH: But otherwise you were fine?BRENNAN: Yeah.BOOTH: Yeah, okay. Do you dreamabout bananas a lot?BRENNAN: Why? (Booth shrugs and a man comes out of the building. Brennan nods toward the man.) Can we get out of the car now?(Booth and Brennan get out of the car.)BOOTH: Quiet. Don"}
+{"doc_id":"doc_148","qid":"","text":"[Scene: Central Perk, Chandler and Joey are there. Joey is looking at a National Geographic and giggling.]Chandler: Are you looking at naked tribe's women?Joey: No, look. (Shows him the magazine.)Chandler: That's apig.Joey: I know, I know, but look at the knobs on her.(Ross enters and his hair is a mess.)Chandler: Hey! (Joey quickly hides the magazine under the couch.)Ross: Emily's cousin kicked me out!Chandler: What?!Joey:Why?Ross: Well, when you're subletting an apartment from your wife's cousin and then you get a divorce, sometimes the cousin suddenly wants his apartment back.Chandler: How can he do that? Didn't you sign alease?Ross: Who needs a lease when it's family!Joey: Hey, you can stay with us! We'll take care of ya!Chandler: Oh, yeah! Absolutely! Anything you need man! But you have to promise me the second you are feelingbetter so that we can make fun of your hair!Joey: Yeah.Ross: You got it.Joey: Okay.Ross: Thanks you guys, I really appreciate this. All right, I'm gonna get packing again. Man, I've been moving around so much I'mbeginning to feel like a nomad.(Joey starts giggling.)Ross: What?Chandler: He thought you said gonad.(Joey busts out laughing.)Opening Credits[Scene: Monica's restaurant, she is getting inspected by the healthdepartment, Phoebe is watching.]Health Inspector: Wow, Monica, if every restaurant is as clean as yours, I'd have a tough time making a living.Monica: Oh, Larry.Phoebe: Umm, do health inspectors work oncommission?Larry: No, bribes.(Phoebe laughs.)Phoebe: It's okay to laugh right?Larry: Yeah, I was just kidding.Phoebe: Okay. (She laughs harder.)Larry: I'll check the kitchen floors.Monica: Okay, knock yourself out,Larry.(He goes into the kitchen.)Phoebe: Yum-my!Monica: Larry?Phoebe: Oh yeah! I'd let him check out my kitchen floors.Larry: (entering) A 98. I deducted 2 points because you are not wearing your chef's hat, andthat is a Section 5 violation.Monica: Uh, look, Larry honey, umm, I wrote the book on Section 5 and I know that you don't have to wear your hat unless you're in the kitchen.Larry: And where is your hat?Monica: It's inthe kitchen, I'll go get it.(She heads for the kitchen door and just after she goes through the door...)Larry: Ahh that's the 2 points.Phoebe: Hey, you should really read that book you wrote. (To Larry) Wow! You saw thehat in the kitchen and knew that she'd have to go in there hatless to get it. You can have your own health inspector detective show!Larry: Oh, I don't know about that.Phoebe: Yeah, but then I can be you sidekickVunda.Larry: Maybe uh, Vunda could give me her number and I can ask her to dinner sometime.Phoebe: Okay, she would love that! Y'know, 'cause you know all the clean places to eat.Larry: I-I'll call ya.Phoebe:Okay.(Larry goes to leave but heads the wrong way and makes a quick sidestep to go out the right door.)Phoebe: He's so funny! (She imitates what he just did.)[Scene: Central Perk, Gunther is serving Monica andRachel.]Monica: Thanks.Rachel: Thank you. (To Monica) Mon?Monica: Hmm?Rachel: How's Ross doing? Y'know since all the Emily stuff.Monica: He's not great umm, but he's dealing with it. Oh wait a minute, you're notgonna try...Rachel: Oh, honey, please, no, I can't get started with all that Ross stuff again. I mean, he's gonna screwed up for a looong time. And besides y'know, I don't, I don't go for guys right after they getdivorced.Monica: Right, you only go for them 5 minutes before they get married.(Danny enters.)Danny: (To Gunther) Two pounds of Moca Java please.Monica: (To Monica) Danny. Are you guys ever gonna go outagain?Rachel: I don't know! He hasn't called me since that one time when we went out. I see him in the hallway, we flirt, I'm all ha-ha-ha-ha, and nothing.Danny: (To them) Hey!Rachel: Hi Danny! (Notices his box ofliquor he's carrying.) Wow! Thirsty huh?Danny: Uh, actually, actually, I'm having a party at my place on Saturday, it's sort of a house warming kind of thing.Monica: Ohh, fun!Rachel: Ohh, great!Danny: Yeah, I'm reallylooking forward to it.Rachel: Yeah.Danny: Okay, see ya. (Heads out.)Monica: Well, I guess we won't be warming his house.Rachel: (laughs) Okay. All right, I see what he's doing! He's not asking me out, because hewants me to ask him out.Monica: And you're not gonna do that.Rachel: That's right! 'Cause that would give him the control! So now he's all ooh, coming up with this whole I've got a party thing y'know, trying to get meto hint around for an invitation. Blew up in his face, didn't it?Monica: So-so there is no party.Rachel: No, there's a party. There's a party. But the power, that is still up for grabs. You follow me?Monica: I think so. Se,he-he's not inviting you to his party because he likes you.Rachel: Exactly.[Scene: Chandler and Joey's, they're entering to find boxes strewn about the apartment.]Joey: Ross?Ross: (entering from the bathroom) Heyroomies!Chandler: Love what you've done with the place.Ross: Oh, yeah I know, I know, it's a lot of boxes, but again I really appreciate you guys letting me stay here.Joey: Not a problem. And listen, hey! Since you'regonna be here for a while, why don't-I was thinking we uh, put your name on the answering machine.Chandler: Oh yeah!Ross: Oh, I uh, hope you don't mind, I kinda uh, jazzed it up a little. Check this out. (He playsthe greeting, and We Will Rock You starts to play and Ross's voice comes over it.) We will, we will, call you back!Joey: Hey, all right!Ross: Pretty cool, huh?(They both laugh as Ross heads back to the bathroom.)Joey:(To Chandler) You're fake laughing too, right?Chandler: Oh, the tears are real.[Scene: A restaurant, Phoebe and Larry are having dinner.]Larry: You look beautiful this evening.Phoebe: (smiles) Show me the badgeagain.(He looks around and flashes her his badge and she laughs.)Phoebe: Shiny.Larry: Oh, will you mind if I wash up? Because I came straight from work and who knows where these babies (Holds up his hands) havebeen.Phoebe: (laughing) You are just nonstop!(He goes to the bathroom and Phoebe puts some pepper and salt on her food. With the salt she takes a bit and throws it over her left shoulder as she faces us.)Larry:(coming back) We're outta here!Phoebe: Why?!Larry: Just walking past the kitchen I saw 10 violations! I'm shutting this place down!Phoebe: (awed) You have the power to do that?Larry: This does. (Shows her hisbadge.)Phoebe: (excited) Shut it down.[Scene: Chandler and Joey's, Chandler is entering. As he closes the door, Joey pokes his head up from a box enclosure built using the 2 chairs.]Joey: Hey.Chandler: What are youdoing?Joey: Nothing.Chandler: You built a fort didn't ya?Joey: (smiles) Kinda.Chandler: (notices something) Oh my God, the air purifier! Ross's air purifier! All I heard through 4 years of college was (makes a hummingnoise.)Joey: Dude, you should've gone out once and a while.Chandler: I hate this thing!Joey: Come on, Chandler, Ross is our friend. He needs us right now, so why don't you be a grown up and come and watch someTV in the fort![Scene: Monica and Rachel's, Rachel is opening the door.]Rachel: Oh, hi Danny.Danny: Hey guys, I just uh, wanted to invite you to the party tomorrow night.Monica: Oh, thanks! We'll try to stopby.Rachel: Uh, actually, I think I'm gonna be busy.Monica: You are?Rachel: Yeah! Remember I got that uh, gala.Danny: Yeah, what's the gala for?Rachel: It's a uh, regatta gala.Danny: Really! You-you sail?Rachel:No-no, but I support it.Danny: Okay, (To Monica) hope I see you tomorrow night.Monica: Okay.Danny: Take care. (Leaves.)Rachel: Okay. (Closes the door.) Walked right into that one didn't he?Monica: What one? Youwanted him to invite you to the party and he did it!Rachel: Yeah, but he waited until the last minute! So if I said yes, he would know I had nothing better to do than wait around for an invitation to his stupid party. Isaid, \"No!\" Which puts me right back in the driver seat.Monica: Great. So the ball is in his court?Rachel: Ball? There is no ball.[Scene: Chandler and Joey's and Ross's, Ross is working on his computer and Joey is makinga lot of noise.]Ross: (glaring at him) Joey, please! (Motions to his computer.)Joey: Sorry.(Joey starts playing with a toy alligator and has it attack him.)Joey: Ahhhhhhhhhh...(Notices Ross looking at him and stops. Rossgives him his 'quiet down' maneuver. Okay, this may take a while to explain, so center this on you screen and place your hands about a foot apart with your fingers together and pointing straight up. Now take youfingers and point them at the other hand and making a 90-degree angle with each of your hands and the first knuckle counting up from the wrist. Now take your right hand, no your other right (that was for thedyslexics), and lower it a couple of inches, so that the fingers are pointing at your wrist. Now take your arms and keeping the elbows bent and your hands in front of you spread out your arms, kinda like making a bird'swing. Now hunch your shoulders over and move you hands up and down as if you are trying to tell some one to turn it down. That's Ross 'quiet down' maneuver. Well, there is an accompanying face, but I don't want totry and describe it as well.)Chandler: (entering) Hello children!Joey: Hey! Wanna play some foosball? Please?Chandler: Okay. (Starts to head for where the foosball table usually is.)Joey: No-no, no! We have to movethe table into my room, yeah! 'Cause of all the boxes. Come on!(They go into his bedroom.)Joey: All right, I have one question. What is the deal with this? (Imitates Ross's 'quiet down' maneuver, but does move hishands up and down he just flaps his hands as if he's waving good-bye.)Chandler: Bye-bye little puppet Joey hand?Joey: No, the quiet down thing!Chandler: You mean this. (Does the maneuver perfectly.)Joey:Um-hmm! Look, I-I-I don't know how much more of this I can take! Did you know he taped over my Baywatch tape with some show about bugs! My God! What if that had been p0rn?Chandler: (gasps) All right look,y'know, this maybe tough but come on, this is Ross! I survived college with him!Joey: All right, I guess I can hold out a little longer. Let's have a game.Chandler: Okay.(They start playing.)Chandler: No-no-no-no!Joey:YES!!Ross: (entering) Uh fellas, (Does the maneuver and gives them a double thumbs up, which Chandler returns as he closes the door.)Chandler: Okay, so he's out of here.Joey: Um-hmm.[SCENE_BREAK][Scene:Monica and Rachel's, Monica, Rachel, and Phoebe are there.]Joey: (entering) Hey!Monica: Hey!Joey: You guys got anything to eat? I just went down to Johnos for some chicken and it was closed!Phoebe: Oh, I tookLarry there to eat but it was all violated. So we shut it down!Joey: Pheebs, if this guy keeps closing down all of our favorite places, where are we gonna eat?!Monica: I don't know, clean places?Joey: Umm, yum!(There'sa knock on the door and Monica answers it.)Monica: (looking through the peephole) It's Danny.Rachel: Don't let him in! I'm supposed to be at a regatta gala.Monica: (to Danny) We'll be right there! (To Rachel) Can'tyou just say it starts later?Rachel: What? What kind of a regatta gala starts at night?!Monica: The fake kind!(She opens the door and Rachel hides behind it.)Danny: Hey, hi, I need a ladle. You got a ladle?Monica: Wehave a ladle. (Gives him one.)Danny: Thanks, see you at the party.Monica: Okay, great!(He leaves and she closes the door.)Phoebe: Hey, guys, you know what Larry would say? He would say, \"See you ladle.\"(Laughs.)[Scene: Central Perk, Chandler, Joey, and Ross are there. Chandler and Joey are looking through the paper.]Chandler: Well, I-I-I'm done with this. You want anything Ross? Sports? International? Apartmentlistings?Ross: I'll take sports.Joey: Mine! (He grabs it.)Ross: All right. Uhh, international.Joey: Oh that's mine too! (Grabs it and Ross looks at him.) I'm Italian!Ross: Well, I guess I can check out those apartmentlistings, even though there's never anything in here.Chandler: Not even on page 7?Ross: (looks) Oh yeah! You're-hey, you're right! Here's an affordable place, (reading ad) two bedroom, close to work, ooh, it'savailable in five weeks!Chandler: What about that circled one?Ross: Oh, I-I don't know, it's kind of expensive for a studio.Joey: But it's available now! Isn't it?Chandler: Yes, it is.Joey: Hey, let's go look at it! (They bothjump up.)Ross: Okay, let's go.Joey: Okay!Chandler: There we go!Ross: Oh-oh-ooh, hey guys, I was wondering if you guys would uh, maybe chip in on some new air filters for the air purifier? I mean after all, we all areusing it.Chandler: Let's go quicker.Joey: Yeah![SCENE_BREAK][Scene: The apartment in the listing, the guys are checking it out. There's one problem though, it's roughly the size of this computer screen. As they enterJoey lets out a whistle.]Ross: Oh my God! (Looking around, which doesn't take him long.)Chandler: Yeah, well look at this kitchen, slash bathroom. Well that's great! Y'know so you can cook while in the tub.Joey:Somebody was using his head. Hey, let's check out the rest of the place.(They don't move, just look all around them.)Ross: I think this is it. I don't know, maybe we should keep looking.Joey: But hey, Ross, this place isavailable now!Chandler: Yeah, you don't want to be stuck with us for the next five weeks.Joey: Yeah.(He looks at them.)Ross: (To Joey) So, you-you think I should go ahead and take this place?Joey: Oh, it'sperfect!Ross: (To Chandler) How about you?Chandler: It's a kitchen slash bathroom.Ross: All right, I see what you guys are saying. I'll uh, I'll go downstairs and fill out an application.(He exits.)Chandler: We are badpeople.Joey: He knew we were trying to get rid of him. He knew! (Pause.) You think we could get a bathtub in our kitchen?[Scene: Central Perk, Phoebe is there waiting for Larry.]Larry: (entering) Hey, ready fordinner?Phoebe: Ooh, absolutely!Larry: Great! How about you wanted to go the Italian place down on Bleaker Street right?Phoebe: Ooh, I love that place! (Thinks about it.) So, no.Larry: How about MamaLisettie's?Phoebe: Enh. Sure!Larry: (notices something) I wonder how long that milk (on the counter) has been setting out.Phoebe: Oh, no-no, this place is totally healthy! That-this milk is mine. I bought this today,'cause I was thirsty for milk, y'know. (She takes a swig of it, but has to turn away from him as she makes a face to show that it has gone bad.) Okay, let's go!(Just as they're about to leave, Gunther comes out of theback carrying two garbage bags. Larry sees this and stops him.)Larry: Hey, buddy! (Flashes his badge.) Are you familiar with Section 11-B of the Health Code that requires all refuse material out the back exit?Gunther:But then I'd have to go all the way around the dry cleaner place.Larry: Oh, so you're saying you'd choose convenience over health?!Phoebe: Okay, stop! Larry, okay, can't you just be Larry and not Larry the healthinspector guy? Y'know I mean it was really exciting at first but now it's like, okay, so where are we gonna eat ever?Larry: Well, I suppose I could give him a warning.Phoebe: Thank you. (To Gunther, who's standingthere frozen) Okay, go! Go! Go! (He runs off.) (To Larry) Now, if after dinner you still really need to bust someone, I know a hot dog vendor who picks his nose.[Scene: Chandler and Joey's, Chandler and Joey arelamenting about how they kicked Ross out.]Joey: Maybe, maybe we did a good thing, helping Ross get back on his feet!Chandler: Yes that was a nice place!Joey: Yeah!Chandler: Not a lot of closet space, but he can justhang his stuff out the window in a bag!Joey: Yeah!(Pause.)Chandler: What are we gonna do?Joey: I don't know. Maybe pizza?Chandler: About Ross!Joey: Oh! Oh!(The phone rings and Joey answers it.)Joey: Hello!(Listens.) Oh yeah! (To Chandler) It's the apartment manager; Ross put us down as references. (To the apartment manager.) Ross is the greatest guy you'll ever meet! Yeah, he's very reliable.Chandler: (grabbing thephone) Of course he has this big huge dog! That uh, barks into the night. (Listens.) Well, who doesn't love dogs? (Thinks.) Ah, he's a tap dancer! (Listens.) Yes, some would say that is a lost art. (Thinks.) He's a pimp!(Listens.) There you go! Yes, he's a pimp. He's a big, tap dancing pimp! (Pause.) Hello?(The apartment manager hung up on him and he hangs up the phone and throws in on the chair. Joey motions, \"What the hell wasthat?\" Chandler makes a face to say, \"Think about it.\" Joey tries to divide 136 by 13; he's confused. Suddenly, light dawns on yonder dunder head. He gets it.)Chandler: Ohhhhh!(Joey motions, \"Now, that'sthinking!\")[Scene: Downstairs at Danny's party, Monica and Rachel are coming down the stairs and Rachel has on a coat to make it look as if she's just getting back. But just as they reach the landing they see Dannyout in the hall talking to a guest, Rachel then quickly pulls Monica back up the stairs.]Rachel: Shoot, shoot, this is never gonna work! He's right there!Monica: Just go over and say hi.Rachel: No, I have to go downstairsand come back up as if I'm coming home from the regatta gala. Okay? So just go distract him. But don't be sexy.(Monica obeys.)Monica: Hey, Danny!Danny: Hey! What's going on?Monica: (turns his back to the stairs)Oh, it's a great party! Great food. Y'know, most parties it's all chips and salsa, chips and salsa. (As she's saying this Rachel tries to head downstairs but is blocked by people coming upstairs. She quickly retreats back upthe stairs.) (Sees that she has to keep him distracted longer.) So umm, what's this? (Points to his plate.)Danny: Salad.Monica: Ooooh! (Rachel now succeeds in getting downstairs.) And-and-and what-what's this?(Points again.)Danny: Bread. Aren't you a chef?(Rachel returns.)Monica: (upon seeing Rachel she points) Oh.Danny: Hey! Rachel!Rachel: Hey! Oh right, tonight was your party.Danny: Oh wow, you look great! Glad youcould make it.Rachel: Oh well, y'know, the gala had to end sometime.Danny: Don't go anywhere, I'll be right back. (He heads off.)Rachel: Yeah, sure. (To Monica) All right, whose court is the ball in now?Monica: Ithought there wasn't a ball?Rachel: Oh, come on! He's glad that I came, he doesn't want me to go anywhere, balls flying all over the place!Danny: (returning, with a friend) Rachel, this is my friend Tom. (To Tom) Thisis the girl I told you about.Rachel: Oh, go on! You telling people about me?Danny: You two could really hit it off! I'm gonna go mingle. (Leaves.)Tom: So you work at Bloomingdale's, huh? My mom calls itBloomies.Rachel: (laughs) Yeah, okay, at ease solider!Tom: I'm sorry?Rachel: No, it's all right, you can just drop the act Tommy. I know what's going on here. Your Danny's wingman right? You guys are best buds. Fratbros!Tom: I'm gonna go talk to uh, a friend.Rachel: Yeah, yeah, you go talk to your friend. You tell him, \"Nice try.\"(He walks off.)Rachel: Man! He just keeps lobbing them up and I just keep knocking them right out ofthe park!Monica: I think I need a drink.Rachel: Yeah!(They go get a drink.)[Scene: Chandler and Joey's, Ross still has boxes all over the place. Joey is wearing a football helmet, and Chandler is spinning him around inone of the chairs and counting.]Chandler: 98. 99. 100. Okay, go!Joey: (getting up) Dude, I'm telling ya! I'm fine! (He tries to take a step and falls flat on his face.)(He tries to get up again and starts falling backwardsand Chandler catches him.)Chandler: Here we go! Here we go!(Ross enters.)Joey: Hey!Chandler: Hey!Ross: Hey. So I uh, I didn't get that apartment. Some problem with my application.Joey: You're kidding!Chandler:You're kidding, no!Ross: Yeah. But, the good news is that Phoebe said that I could stay at her place for a while. So...Joey: But you can't stay with Phoebe, Ross! We're-we're roomies!Ross: Look, you guys don't need mehere taking up your space.Joey: Well, we got plenty of space! There-there's still some over there (Points to where the window is but sees that there isn't any space there and points towards his door.) by-by thatspeaker. Please, just stay!Chandler: Yeah!Ross: Are you guys sure about this?Joey: Definitely!Chandler: Yes! Ross, you have to stay!Ross: All right.Joey: All right!Chandler: All right, buddy!Ross: So I'm a pimp huh?It's okay! Look, I know that sometimes I can be a pain in the ass, but you just have to talk to me. Tell me if something is bothering you. Okay? And for my part I will do everything I can to keep my annoying habits just(Does the 'quiet down' maneuver).(Chandler and Joey smile, but when Ross turns away look at each other with looks of horror.)Ending Credits[Scene: Chandler and Joey's and Ross's, Chandler is entering and when hecloses the door Joey pops his head out of the fort like before, but this time he's wearing a cowboy hat.]Chandler: Well, I see you've had a very productive day. Don't you think the cowboy hat is a little much?Ross:(popping up behind Joey wearing an Indian headdress) Come on, it's fun!Chandler: All right! (He joins them in the fort and comes up putting on a bonnet.) Isn't this a woman's hat?Joey: Dude, stop talking crazy and"}
+{"doc_id":"doc_149","qid":"","text":"[Scene: Manor. Foyer. Prue and Leo are there looking at a teen picture of Piper when she had glasses and braces, stuck on a board along with other people's photos for the 10-year reunion.]Prue: Alright, I know that itseems like she's being a little neurotic, but high school was hard for her. Really, really hard. You know, she was kind of like Jan Brady, the middle sister, not quite sure where she fits in.Leo: Jan who?Prue: Hmm.Piper:(from upstairs) Okay, ready or not, here I come.Prue: Okay, no matter what, just be supportive. (Piper comes down wearing a very weird black and gold feathered dress.) Wow! Um, you look great.Leo: Really, really,really great.Piper: Leo, two really's would have been plenty. I look ridiculous.(Prue and Leo look at each other.)Prue/Leo: No!Leo: Uhh...Prue: Feathers and...Leo: Really...Prue: Yeah.Piper: Great, I'm going to my10-year reunion and win most likely to scare people away at the door.(Piper walks over to the mirror and starts removing her make-up. Prue motions for Leo to follow. He walks over to her.)Leo: Come on, Piper, isn'tthis supposed to be a fun thing, you know, going back and seeing all your old friends?Piper: You weren't by any chance popular in high school were you?Leo: Well, I was I mean, is there a right answer to thisquestion?(Leo looks back at Prue and she shakes her head.)Piper: Leo, I didn't like high school, not even a little bit. I was nobody in high school.Prue: Piper, you were not a nobody.Piper: Prue, you were class president.You have no idea what it's like on the other side.Prue: Yeah, you're right. I'm sorry.Piper: I just, I had this stupid idea that I'd go back in 10 years and show them, and all I'm gonna show them is that I'm a big hairedfreak.Prue: Alright, you do not look like a freak. You just, you don't look like yourself.Piper: Well, if I could go as myself, I wouldn't be having this problem.Leo: Wait, so you mean this is like a costume party?(They walkinto the living room.)Piper: What I mean is I'm this super powerful witch who's engaged to a Whitelighter saving the world from evil on a daily freaking basis, and all these people are going to see is the same pitiful loserwho still lives at home with her sisters and her unemployed boyfriend.Prue: Did you put a lot of hairspray on that hair?Piper: No.Prue: Well, then all is not lost. By the time I'm done with you, you are going to be thehottest chick at the reunion.Piper: Really?Prue: Mmm hmm. Who do you think helped Phoebe go blonde?Leo: Hey, uh, speaking of Phoebe, maybe you guys should invite her to join you, she's been kind of distantlately.Piper: Leo, when you find out your boyfriend is a demon and then you have to vanquish him, a little alone time is in order.(Piper leaves the room.)Prue: Besides, I think she's kind of avoiding me. You know, Imean, I never really liked Cole, and then I tried to warn her. I think it's a whole wounded pride thing.Leo: What do we do?Prue: We double team. You help Phoebe with her demons and I will help Piper with hers.[Scene:An alchemist's lab. He smashes some glass test tubes with his hand. He holds up his bleeding hand. A woman (Terra) is standing in front of him.]Kierkan: (shouting) I made you from my own blood, found you a flawlessbody and housed you in it. You were supposed to be my...Terra: Masterpiece? I'm not a painting, Kierkan. That blood gave me your powers. You lust for life, yet you hold me captive in this hole and you expect me to begrateful?Kierkan: Belthazor was more powerful than either of us. Where is he now? Vanquished by the Charmed Ones.Terra: Is that fear I'm sensing? Is Kierkan, the dark and powerful alchemist afraid of three littlewitches?Kierkan: Perhaps I should suck you into your little mixing bottle and start again. There's always room for improvement.Terra: I have a better idea.(She picks up a dagger and stabs herself with it.)Kierkan: No!(Blue gas rises from her body and floats out the door.) I will find you, Terra. You belong to me![Cut to outside a building. A man in a suit is there talking on his cell phone.]Man: I don't care, it has to be huge. And done.And done before the stock IPO's. And, uh, and please tell the music guy that I don't wanna hear anymore of that '90s techno crap. Okay, this is a computer game for the new millennium and I want it to freakin' soundlike that. (Blue gas rises out of the drain and enters the man. She possesses him.)Man/Terra: Bye now. (He hangs up.) Well, I've never been a man before. (He feels his crotch.) Walking should be interesting.(The manlooks into the reflection of the building and sees his non-possessed self.)Man's reflection: What the hell is going on?Man/Terra: I want you to take me to the Charmed Ones.Man's reflection: What?Man/Terra: Thewitches, you fool. They go by Halliwell.(The man's reflection sees someone walk by and calls out.)Man's reflection: Hey, hey, help me!Man/Terra: Nice try, but nobody can hear you. You're just a trapped soul now. OnlyI can see you.Opening Credits[Scene: Manor. Piper's room. Prue and Piper are there. There are clothes all over her bed. Piper is dressed in a suit and is looking in the mirror.]Piper: I don't know, maybe we should'vegone back to the Betsy Johnson. You know, the cool club chick look as apposed to the classy club owner look.Prue: Yeah or we could just wrap you in a sheet and send you as a Hare Krishna all right? What do you thinkabout that? Since we already tried everything else.Piper: I'm sorry. I just don't think I can do it. I can't go there and face all those horrific people.Prue: I mean, come on, why do you even care what these peoplethink?Piper: Only a former cheerleader could ask that question.Prue: Alright, look, I realise high school was very hard for you, but you are just not that shy awkward girl anymore.Piper: But...Prue: No! Now, you aregoing and you are going to have a great time, young lady.Piper: You are not the boss of me.Prue: Oh, I am too. Besides, nothing could be worse than my date last night.Piper: What do you mean? I thought he wasnice.Prue: Oh, I have one word for you: halitosis. And he only scored a two.Piper: Oh, Prue, please don't tell me you're making lists again.Prue: Of course I am. Lists are good. Why waste your time if it's not gonna workout?Piper: Well, maybe I can look around the reunion for you. I'm sure there's lots of eligible ex-football players for the head cheerleader.Prue: Younger men are not on my list.(Phoebe walks in.)Phoebe: Hey, have youguys seen my glasses?Prue: No.Piper: Sorry.Phoebe: Oh, damn.(Phoebe walks back out. Prue and Piper follow her.)Piper: Uh, Pheebs, are you sure you don't want to come tonight? You could work the bar and mixsome yucky drinks for some ex-cheerleaders. (Prue elbows Piper.) Ugh!Phoebe: As much fun as that sounds, I have a ton of school work that I need to catch up on, so I'm gonna be at the library all night.Prue: Phoebe,look, we just want you to know that if you need to talk at all, we're here.Phoebe: I know that. I'm okay.Piper: Really? \u0000Cause you haven't spent like five minutes in the same room with us for over a week.Phoebe: I'msorry. It's just there's some things, some answers, that I need, and I sort of need to find them for myself, you know?Prue: Soul searching?Phoebe: Definitely... searching, yeah. But I'm okay, don't worry about me. (toPiper) You look beautiful.Piper: Thanks.Phoebe: Have fun tonight.(She walks away.)[Time lapse. Prue, Piper and Leo are carrying stuff for the reunion out to Piper's car. Someone in a car pulls up in front of thehouse.]Justin: Piper Halliwell? You still living at home?Piper: Justin Harper, is that you?(Justin gets out of the car and Piper walks over to him.)Justin: Hey.(They hug.)Leo: (to Prue) Uh, so who's this?Ex-boyfriend?Prue: Oh, don't worry about him, Leo. He's just a friend from school. Besides, he had a really big crush on me. He used to follow me around like a puppy dog.Piper: (to Justin) Are you going to thereunion?Justin: Oh, yeah, nostalgia struck. Thought I'd drive around the old neighbourhood. Ten years. It's unbelievable.Piper: Yeah. We were just actually heading to P3 for the planning committee. We have a lot morefood than we have room for. Would you mind...Justin: Absolutely.(Piper walks back over to Leo. Prue carries a try of food over to Justin.)Prue: Great! Here you go. Look at you, Justin, all grown up.Justin: Yeah, you,too. Phoebe isn't it?Prue: Hmm. Prue.Justin: Prue, right. Sorry.(Prue goes back inside.)Leo: (to Piper) Well, it looks like you've got all the help you need, which is good because \"they're\" calling.Piper: No, you can't cutout on me. I need you tonight.Leo: I'll be back in time for the reunion, I promise.Piper: Double extra promise.Leo: I wouldn't miss it. I'm gonna have the prettiest date ever.[Cut to Man/Terra sitting in a car near bywatching them. The non-possessed self appears in the rear vision mirror.]Man's reflection: Please. Look, you've found them. Why don't you just get out of me?Man/Terra: I have to get one of them alone. The transfer'sa little, huh, messy. I can't do it just anywhere.Man's reflection: Look, I'm begging you. I can't stand this anymore. I can't breathe. I feel like I'm suffocating.Man/Terra: That's because your soul is dying. It'll be easier ifyou don't fight it.(Piper and Justin drive off and Man/Terra follows.)[SCENE_BREAK][Scene: Mausoleum. The same mausoleum where Phoebe faked Cole's death. Phoebe's there looking at the hole in the ground whereshe burnt Cole's shirt.]Phoebe: Cole, if you can hear me. I can't stand lying anymore. I have to tell my sisters that you're alive, that I let you go, and that you would never do anything to hurt us and, that you love me. Ijust don't know how to do it. I need...(She leans against a coffin and has a premonition of the past. In the premonition there is Cole's mother, father and baby Cole. The mother pushes the father and she zaps him withher power. The premonition ends and Phoebe looks at the coffin. She wipes off the dust and sees \"Benjamin Coleridge Turner 1859-1888\" carved on it.)[Scene: P3. Prue and Piper come down the stairs carrying plates offood.]Prue: Now just remember, even if you can't tell them that you're super witch, you can still act like it.(Piper spots a blonde woman standing across the room.)Piper: Oh, my god, Missy Campbell, homecomingqueen.Prue: Oh, please, it's ancient history. You can do this.(Piper walks over to her. Prue goes up to the bar where Justin is sitting.)Piper: Uh huh. Missy, is that you? (Missy looks confused.) Piper. Piper Halliwell. Uh,we had chem. together and Miss flower for English.Missy: Right, Piper. You used to sit in the back of class drawing pictures on your jeans.Piper: Yes! Yeah, that, yep, that was me.Missy: Wow, your skin has reallycleared up. Accutane?Piper: No, n-no, I guess, you know, ten years. Is there anything I can do to help or...Missy: Do you know what would be great? Can you get this trash out of here?(She points to a pile of trash onthe floor.)Piper: Absolutely. I, yeah. I can, I can totally do that. I know where the dumpster is and everything.[Cut to the bar where Prue and Justin are sitting.]Prue: Alright, that's it, she needs me.Justin: She's gottafind her legs on her own sometime.Prue: Sorry?Justin: Remember when she ran for freshman class secretary? She got so nervous that you had to go up on stage and finish her speech for her.Prue: See, I knew that youremembered me. Why did you call me Phoebe?Justin: Listen, you plagued my high school existence. I pretend not to remember your name. I mean, a guy's got to turn the tables every, you know, ten years orso.(Man/Terra walks down the stairs and spots Piper cleaning up the trash.)Prue: I plagued your high school existence?Justin: Please, I was your willing slave and you know it. You did me a favour though.Prue: Idid?Justin: Oh, absolutely. Yeah, see, I don't go for women like you anymore.Prue: Women like me?Justin: Well, number one on my list, no women can make me drool. They hold way too much power. (Prue smiles.)What?Prue: You have a list? (Prue sees Piper picking up the trash.) Oh! (She goes over to her.) Piper, what are you doing?Piper: Uh, Missy asked me to take out the trash, so...Prue: So, you own this place, alright? Tellsomebody else to take out the trash.Piper: Prue, I can't, look, I can't explain it, but being around these people make me feel like exactly when I was 16, invisible and inferior.Prue: You want me to beat them up?\u0000Cause I-I-'II beat them up one-by-one.Piper: No. Look, it's not them. It's just me.Prue: Alright, so what are you going to do about it?Piper: Take out of the trash?Prue: Piper.Piper: Okay, I'm going to take out thetrash and try and get a grip. And then I'm going to come back in here and do something about these streamers and balloons. Because, what, are we still at the prom?Prue: Hmm.(Piper picks up the bags of rubbish andtakes them outside. Prue sits back down at the bar. Man/Terra picks up a knife.)[Cut to outside. Piper puts the rubbish bags in a dumpster. Man/Terra walks outside. Piper turns around and gets a fright. He jabs theknife in his chest.]Piper: Oh my god, oh my god.(The man falls to the ground. Piper kneels in front of him and the blue gas rises out of him and into Piper. She stands up.)Piper/Terra: Thanks for the lift. (She covers theman with an old sheet. She looks into some broken glass and non-possessed Piper's reflection shows up.) You'd better be as powerful as they say you are.[SCENE_BREAK][Scene: P3. Piper/Terra walks in P3. She looksinto a mirror.]Piper/Terra: Uh, help me out. What is our sister's name?Piper's reflection: If you get out of my body now, I might not have to vanquish your sorry ass.Piper/Terra: Not as weak as you seemed after all.That'll change.[Cut to Prue and Justin at the bar.]Prue: Wow. You only scored a four. That is just so sad.Justin: Well, excuse me, but you only scored a five out of ten on my list.Prue: Right, so I got an F but, dude, yougot an F-minus.Justin: Ouch. That's a bad high school flashback.(Prue sees Piper gulping down shots of alcohol. Prue runs over to her.)Prue: Uh-oh. Hi! Okay, hi. Don't really think that that's the best way to deal withyour reunion jitters, okay.Piper/Terra: What? Oh, okay.(Missy comes up to them.)Missy: Piper, can you move your hors d'oeuvres to the other table? Heather wants to use that one for the \u0000Then and Now\u0000photos.Piper/Terra: Uh, sure, whatever you say.(Missy walks away.)Prue: No. You stand up to her. You can do it.Piper/Terra: I can?Prue: You can do it.Piper/Terra: Okay. (to Missy) Hey! Bitch! Move the traysyourself.Prue: Alright, um, that was great, although the bitch part might have been a little much, but...(Piper grabs Prue's arm.)Piper: Prue, help me!Prue: Alright, what's wrong?Piper/Terra: Uh, nothing. I just don'tfeel very well, um, I should go home.Prue: Oh, no, you don't. I'm not letting you skip your reunion, alright? You did great just now.Piper/Terra: I just need to rest. I'll be back.Prue: Now, you get back here by 6:00otherwise I'm gonna come and get you and it won't be pretty. Got it?Piper/Terra: Mmm hmm.Prue: Uh-huh.Piper/Terra: Okay.[Cut to outside P3. Kierkan is there. He finds the man and removes the sheet. A bright lightcomes out of Kierkan's hand and shines into the man. He chants. The man comes back to life.]Man: What... what the hell?Kierkan: The spirit who possessed you, with whom did she replace you?Man: What? (The mansees the knife sticking out of his chest.) Oh, god, she stabbed me.(Kierkan pins the man to the wall.)Kierkan: Focus!Man: She's a woman. Uh, brown hair. We followed her from Prescott Street. The pink house onPrescott Street.(Kierkan lets the man go.)Kierkan: What was her plan?Man: She was saying something about wanting to kill some guy. Uh, something about revenge.Kierkan: Predictable. After all, it's exactly what Iwould do.Man: How, how am I still alive?Kierkan: Oh, no. Not still, again. My specialty, along with this.(He kills the man again and covers him up.)[Scene: Historical Society. Phoebe's there standing in front of a deskwhere a woman sits looking at an old newspaper.]Woman: Benjamin Coleridge Turner died in 1888, although there's no date of death for his wife. That's odd. There should be some record of that.Phoebe: Um, they hada baby though, didn't they? I think.Woman: Yes. A son. Cole Turner. Born in 1885. Never got to know his father, unfortunately.Phoebe: Cole Turner. It can't be.Woman: That's strange. There's no date of death for himeither. Must be another clerical error. I can't imagine he's alive and kicking at 115.Phoebe: No. Can't imagine that.[Scene: Manor. Piper/Terra walks inside. She looks into a mirror.]Piper/Terra: Don't you get it? He'sgoing to find us.Piper's reflection: Okay, I'll say it again slowly. Try to follow this time. I'm not going to tell you what my powers are.(Piper/Terra walks into the living room and looks out the window.)Piper/Terra: I can'tfigure out if you're stubborn or stupid. If I can't fight him, he's going to kill us. He's looking for me. I can feel him. He's getting close.(She looks in another mirror.)Piper's reflection: Well, get out of my body and I'll helpyou fight him.Piper/Terra: I can't survive without a body, and I'd much rather your soul die than mine.(She walks into the conservatory.)Piper's reflection: My sisters will figure out what you've done and...Piper/Terra:And what? What do you plan to do? Wave to them from the mirror? You're nothing but my reflection to them.Piper's reflection: I controlled my arm at P3. I used my voice. I'll get stronger and when I do...Piper/Terra:Wrong. You'll get weaker, and in a few hours you'll die. And there's really nothing you can do about it.Piper's reflection: Well, then you better watch your back. Because if I die, my sisters will make you wish you diedwith me.Piper/Terra: Hmm. Care about you a lot, these sisters of yours. (She walks into the kitchen.) Think they'd come running to help you fight off an angry demon? (She picks up the phone and dials a number.) (intophone) Hello. I'd like the number of P3, please,Piper: Ugh. What do you think you're doing?Piper/Terra: Well, you may have a death wish, but I don't. And if you won't help me, I know someone who will.[Cut to P3.Prue's behind the bar. Missy comes up to the bar.]Missy: Are you almost finished with that? Because I need you to help the DJ set up.(Prue pretends to scratch her nose but really uses her power to make dozens ofballoons fall down from the roof.)Prue: Oh.Missy: That's the third time that's happened.Prue: That's too bad.Missy: Oh, man! (She starts to pick up the balloons.) Okay, guys, just don't panic, there's plenty oftime.(Prue smiles and looks pleased with herself. Justin comes up to the bar.)Justin: Man, I think Missy's gonna have an embolism.Prue: Yeah, uh, can you hand me those glasses?(He does so.)Justin: It's weird though,right? I mean, those balloons. She used like three pounds of tape.Prue: Scotch tape. Hardly sturdy.Justin: Yeah, I still think you might have a poltergeist.Prue: A what?Justin: You know, a ghost that plays tricks.Prue:Yeah, I know what a poltergeist is but do you really believe in that stuff?Justin: Yeah, absolutely. Makes life interesting..Prue: Huh.Justin: What?Prue: Nothing. It's just that, um, believing in the supernatural shoulddefinitely be on my list. (The phone rings. Prue answers it.) P3.Piper/Terra: Prue? It's me.Prue: Piper, what's wrong?Piper/Terra: I-I-I got home and there was a demon in the house.Prue: Are you okay? Did you freezehim?[Cut to Piper/Terra in the manor.]Piper/Terra: (to herself) Freeze him? That's good. (in the phone) No, he-he got away and he had this wild hair and these intense bulging eyes and he said he was gonna comeback.Prue: Uh, alright, look in the Book Of Shadows for a vanquish and I'll pick up Phoebe and we'll meet you at the house, okay?Piper/Terra: Okay, but hurry, because he could come back any minute.Prue: Alright,bye.(She hangs up.)Piper/Terra: Where's the book?Piper: You just made a big mistake calling my sisters home.Piper/Terra: Is that what you think?Piper's reflection: That is what I know.Piper/Terra: Well, here's what Ithink. When your precious sisters come home, I'll kill you and possess one of them. And if that one won't help me, I'll simply repeat the process. So, what do you say, Piper? One dead demon or three deadwitches?Piper's reflection: The Book of Shadows is in the attic.Piper/Terra: Good choice.(She heads for the attic.)[Scene: Historical Society. Phoebe's there reading an old newspaper. Her cell phone rings and sheanswers it.]Phoebe: Hello?Prue: Hey, alright, don't panic, but Piper found a demon in the house, and I'm on my way...Phoebe: Was it... uh, wait, wh-who was it? What demon?Prue: Well, he had wild hair and bulgingeyes, and said that he would be back. Anyway, I'm on my way to the library to pick you up, alright? So just meet me out front. Phoebe?Phoebe: Uh, actually, Prue, I'm not at the library.Prue: Well, where areyou?Phoebe: Downtown at the Historical Society. I needed to do some research for a project.Prue: Alright, it's fine. I'll come and pick you up. Just meet me out front. Bye.[Scene: Outside the manor. Kierkan is"}
+{"doc_id":"doc_150","qid":"","text":"Scene of Adam the demon Frankenstein cyborg exiting tunnels.Engleman: \"The project, it escaped.\"Narrator/Giles: Previously on Buffy the Vampire Slayer. Scene of Buffy talking.Buffy: \"The Initiative created this thingand they can't stop it. But we will.\" Scene of Faith opening eyes in hospital bed.Buffy: \"It's Faith, she's awake.\" Buffy and Faith on the campus.Joyce: You all right.Faith: Five by five.Mayor: Open the box. Scene of Faithopening box.Mayor: Surprise. Scene of Buffy and Faith's hands are clasped and glowing.Joyce: You sure you're ok.Buffy: Five by five. Scene of Buffy looking at unconscious Faith.Note: For simplicity, Buffy's body iscalled Buffy, even when occupied by Faith. Faith's body is called Faith, even when occupied by Buffy.PROLOGUEThe front of Joyce Summers home. An ambulance is on the lawn A police car with lights flashing is parkedon the street. A plainclothes police officer with his badge visible on his breast.Plainclothes officer: \"It's good you called. We've been looking for this girl since she broke out of the hospital.\"Joyce: What's gonna happen toher?Plainclothes officer: Well, get her checked out. She's in stable condition, she goes to jail, pending trial.Joyce: I just hope she gets some kind of help.[Rattling.]Plainclothes officer: The first thing is to keep her fromhurting anybody else.Faith is wheeled on a gurney to ambulance. She looks up at Buffy and Joyce but her vision is blurry.Faith: No.Personnel lifting her into ambulance: __ One two __Plainclothes officer: Well, you guyswill be safe now. We may have a couple of questions in the morning. The emergency personnel close the rear doors on the ambulance.Joyce: Oh, uh, of course.Plainclothes officer: Thank you. Both. I'm glad we finallygot the kid.Buffy: She's not a kid! I just mean that she's very strong.Plainclothes officer: Yeah. This Faith chick-- definitely dangerous. Ambulance leaves. The officer walks away. Joyce goes toward the front door.Buffy:She truly is. Roll creditsACT 1Joyce's living room, Buffy is holding her hands and cracks her knuckles. Joyce closes the door.Joyce: Faith. Buffy spins around.Joyce: Why do you think she's like that?Buffy [shrugs]: Youknow. She's a nut job. Heh.Joyce: I just don't understand what could drive a person to that kind of behavior.Buffy: Well, how do you know she got drove? I mean, maybe she likes being that way.Joyce: I'll never believethat. I think she's horribly unhappy.Buffy: Well, could be things are looking up. I mean, a little stint in the pokey, show her the error of her ways. I'm sure there's some big old Bertha just waiting to shower her ripe littleself with affection.Joyce: Buffy!Buffy: I'm sorry, mom. [Sighs] It's just ufff when I think about how she might have hurt you, I just, uff I can't stand it. Joyce hugs Buffy. Buffy is uncomfortable and shrugs lose.Joyce:Sorry.Buffy: No, I'm just, uff, sore from the fight.Joyce: I've missed you.Buffy: Cause I haven't visited, right? I knew it.Joyce: I know how it is. You have so much in your life now.Buffy: I'm a busy little beaver. Collegeand all.Joyce: Of course. But um, maybe we could spend some time together soon? Some... night when I'm not being held hostage by a raving psychotic.Buffy: Count on it. [Pause] I'm gonna take a bath.Cut to Buffy ina bubble bath. She sighs. She looks at her arms and fingers. She stretches her leg and caresses it. She blows some bubbles cupped in her hands.Cut to Buffy looking in mirror. She turns her head to the side, thenwrinkles her nose to look at it. She pulls her eyebrows back to look at her eyes. She sticks out her tongue to look at it. She pulls her upper lip back to look at her teeth.Buffy: Why, yes, I would be Buffy. May I helpyou?Buffy [sounding]: Buffy.[She sticks out her tongue again. She adjusts her hair.][She shakes her finger.]Buffy: You can't do that. it's wrong.[She shakes her head slightly.]Buffy: You can't do that because it'snaughty.Buffy: [louder] Because it's wrong.[She tilts head.]Buffy: [softly] Because it's wrong.[She points very aggressively.]Buffy: You can't do that. It's wrong. I'll kick your ass.I'm gonna kill you.[mental laughing]Cutto hospital room.[A hospital worker falls back into furniture.]Faith: Let me go! Let me go![Faith is struggling in a hospital bed. There are three other hospital personnel, a uniformed officer and a plainclothes officerholding her down.]Doctor: Get me a sedative now!Officer: Hold her!Faith: I have to go home! She's with my mother.[Doctor puts needle to Faith's arm.]Faith: No!Doctor: Just lie still.Faith: You don't understand.Officer:Keep holding her.Faith: She's taken my...my body.[Faith loses consciousness.]Cut to Tara's room.[Willow lying down on a bed. Tara is sitting crosslegged near her feet.]Willow: I wonder where she is.Tara: Who?Faith?Willow: Yeah. I wish she would make a move. she's making my stomach all acidy.Tara: But you think Buffy can handle her.[Willow sits up.]Willow: I think so. but that doesn't mean Faith won't hurt someoneelse.Tara: Well, you should be safe. nobody knows you're here.I mean, uf, they don't even know I exist, right? I know all about them, but...[Willow puts her hand on Tara's knee for a second.]Willow [softly]: Hey.Tara :I-I mean, t-that's totally cool. It-it's good. It-it's better.Willow: Tara, it's not like I don't want my friends to know you.It's just... well, Buffy's like my best friend, and she's really special. And there's this whole bunch ofus, and we sort of have this group thing that revolves around the slaying, and-and I, I really want you to meet them. But I kind of like having something that's just, you know, mine. And I, I usually don't se so manywords to say stuff that little, but do you get that at all?Tara: I do.Willow: [sighs] I should check in with Giles, get a situation update.[She gets up and walks behind Tara.]Tara: I am, you know.Willow: What?[Tara turnsand looks up at Willow.]Tara: Yours.[Willow smiles.]Cut to Joyce's bedroom.Buffy is adjusting a black camisole/baby tee in the mirror.Buffy: Not too bad.[Buffy opens a drawer and finds a wallet.]Buffy: Score.[Buffy issitting on the bed, holding a credit card. and is on the phone.]Buffy: 6-4-4-7. [Pause] Uh, expiration, 5-0-1. [Pause. Buffy puts the card back in ther purse.] Unh huh. [Pause] Yeah. [Pause. Buffy takes cash out of thepurse.] 10 a.m.'s your earliest flight? I'll take it.[Joyce enters.]Joyce: What are you doing?Buffy: Oh, just getting my mail.[Buffy holds up the letters.]Joyce: Oh. Um, that was, um, Giles on the other line.He wanted youto meet your friends there. Said he had news.Buffy: Yeah. I got some time to kill. [Buffy gets up.] I'll go see the gang. All my friends. [Buffy picks up a lipstick.] You don't mind if I steal this, right?Joyce: Is that theHarlot?Buffy: Yeah.Joyce: That's the same one Faith picked.Buffy: Burn it.[Buffy tosses it to Joyce who catches it.]Cut to Faith in the back of a police car with a uniformed officer driving and a plainclothes office ridingshotgun.[Faith moans almost inaudibly.]Policeman: She's coming to.Uniformed Policeman: Yeah.Policeman: Man, I want this kid's constitution.Faith: Faith.Policeman: Let's move it. I want to get her in before she's100%.[The uniformed policeman nods.][A red armored car/truck cuts off the police car which crashes into it. Two men in black clothing jump out of the back. One uses a gun to cover the two police officers, who seemto be stunned. Another uses an ax to smash the back window. The one with the gun breaks remnants on the sides with the gun. The ax one drags Faith out the window.]Weatherby: By order of the Watcher's Council,you are being taken into custody until such time--[They both drag her to the back of the armored truck.]Collins: Skip the speech.[They pull her in the truck.]Collins: Let's go.[The doors close.]ACT 2[Buffy enters Giles'home.]Giles: Buffy. good.Buffy: The scooby gang's all here.Willow, Xander, and... [looks at Anya] everybody. What's up?Giles: It's about Faith, not surprisingly.Buffy: Didn't Joyce tell you? I already kicked thatass.Xander: I feel a high five coming on.Willow: Where is she?Buffy: On her way to the big house. Cops took her off my hands about an hour ago. Poetic justice.Anya: How's that?Buffy: Well, she did all those crimes,and now she's being arrested.[Silence.] I guess that's just regular justice. [Willow smiles.]It's cool, anyway.Giles: Unless I'm mistaken, Faith is no longer in police custody.Buffy [stands]: What are you talkingabout?Giles: Watcher's Council. They uh sent a retrieval team to capture Faith.Buffy: Well, yeah, I mean, 'cause it worked so well when Wesley tried it.Giles: This is a special operations unit. They, uh, handle thecouncil's trickier jobs - smuggling, interrogation, wetworks.Willow: What's wetworks?Xander: Scuba-type stuff.Anya: I thought it was murder.Xander: Well, yeah, but there could be underwater murder, withsnorkels.Buffy: So they're taking her to England?Giles: It'll be a long, long time before she returns.Buffy: Heh heh heh. ahhh Hah hah. Hah hah. ohhh I'm sorry. It's just...I'm happy. Faith is evil.Willow: Yeah. I hopethey throw the book at her.Giles: I'm not sure there is a, a book for this.Willow: They could throw other things.Buffy: I forgot how much you don't like Faith.Willow: After what she's done to you? Oh, I wish those councilguys would let me have an hour alone in the room with her, if I was larger and had grenades.Buffy: I bet I know what Faith would say to that. Buffy springs forward with a knife and sticks it in Willow's stomach in thesame place Faith was stabbed. She pulls the knife out and stabs Willow again. Buffy lifts her head from her revery. She did not spring forward.Anya: So what you're saying is that everything's fine?Giles: Oh, um,yes.Anya: Well, I'm glad you called us all here because that information could never be conveyed by telephone.Willow [to Buffy]: What's up?Giles: Well, I just thought it was, uh, best to convene, in case there were anyloose endsBuffy [to Willow]: I'd never let her hurt you.Giles: or things that we might have forgotten.Willow [to Buffy]: I know.Giles: But if you're, uh, keen to go, then, please, by all means, go.Xander: We kind of havea romantic evening planned.Anya: We were gonna light a bunch of candles and have s*x near them.Buffy: Well, we certainly don't want to cut into that seven minutes.Anya: Hey.Xander: I believe that's my hey.Hey!Buffy: Lighten up. We're out of danger. Everything's good.Giles: We still have Adam to take care of.Buffy: Yeah. Adam. What's up with him?Giles: I wish we knew.Buffy: Well, don't worry about it. I'll patrol tonight,as long as it takes. You guys have your fun, I'll be out there doing my job.Cut to Buffy dancing in the Bronze to rock band.Buffy: Whoop.Spike: Oh, you.Buffy: And you.Spike: What, are you keeping tabs on me? You'regonna give me a hard time now?Buffy: Um, do I usually give you a hard time?Spike: Very funny. Well, you don't have to worry about me drinking. Unless you're here to protect innocent beers. [He holds up abottle.][Spike walks away a little and Buffy follows.]Buffy: You're a vampire.Spike: Was. And as soon as I get this chip out of my head, I'll be a vampire again. But until then, I'm just as helpless as a kitten up a tree.Sowhy don't you sod off?Buffy: Ok.Spike [angry]: Oh, fine! Throw it in my face! Spike's not a threat anymore. I'll turn my back. He can't hurt me.Buffy: Spike? [Gets it.] Spike. William the Bloody with a chip in his head. Ikind of love this town.Spike: You know why I really hate you, Summers?Buffy: 'Cause I'm a stuck-up tight-ass with no sense of fun?Spike: Well, yeah, that covers a lot of it.Buffy: Cause I could do anything I want, andinstead, I choose to pout and whine and feel the burden of slayerness? I mean, I could be rich, I could be famous, I could have anything. Anyone.[Buffy moves closer and puts her hands on Spike's chest.]Even you,Spike. I could ride you at a gallop until your legs buckled and your eyes rolled up. I've got muscles you've never even dreamed of. I could squeeze you until you popped like warm champagne, and you'd beg me to hurtyou just a little bit more. And you know why I don't? [She moves closer and looks up at him pursing her lips.] Because it's wrong. Humh humh. [She moves off.]Spike: I get this chip out, you and me are gonna have aconfrontation.Buffy: Count on it.[Spike throws his bottle into the wall and walks off. He shoves someone and clutches his head.]Cut to the sewers.Four vampires are walking in vamp face.Vampire: It was too crowded.We gotta hold out for a few hours, pick up a straggler, some drunk. Can't be calling attention to [He sees Adam and stops.] ourselves.Adam: I've been thinking. About vampires.Vampire: This is my place.Adam: You'replace. Yes. The sewers. You hide from them, Crawl about in their filth. Scavenging like rats. What do you fear?Vampire: Kill this guy already.[One vampire charges Adam and Adam grabs it by the throat and holdsit.]Adam: You fear the cross. The sun. Fire. And, oh, yes...[Adams puts his other hand on the vampire's shoulder and he lifts the vampire's head from its shoulders. The body falls and he drops the head on it and theyturn to dust.]Adam: I believe decapitation is a problem as well.Vampire: You can have the place. I mean, we don't have to stay here anymore.Adam: You fear death. Being immortal, you fear it more than those towhom it comes naturally. Vampires are a paradox.Vampire: Ok, we're a paradox. That's cool.Adam: Demon in a human body. You walk in both worlds and belong to neither.I can relate. Come. We have a lot to talkabout.Cut to workshed interior? In the back of the armored truck, Faith wakes up and finds she is chained.Weatherby: Well, it's awake.Faith: Who are you?Weatherby: Council. We're taking you back to the mothercountry. Seems you've been a naughty girl.Faith: Listen to me. Y-You've made a mistake. I am not Faith. I'm Buffy Summers. Faith performed some kind of spell, she switched our bodies.[Standing outside thetruck.]Collins: Congratulations. No one's ever actually tried that one on me before.Faith: You have to find Faith. C-call Giles. J-just get him here.Collins: Giles doesn't work for the council anymore. For that matter,neither does Buffy Summers. And what you are, miss, is a package.I deliver the package. I don't much care what's inside. [To Weatherby.] Come on.Weatherby: He may not care, but I do. The Watcher's Council usedto mean something. You perverted it. You trash. We should have killed you while you were asleep.[He spits in Faith's face. He gets out of the truck and closes the doors.]Cut to the Bronze.Willow: I can't believe you'venever been here. The Bronze is the coolest place in Sunnydale. Of-of course, there's not a lot of competition.I think the vending machine at Bergen's came in second.Tara: Y-you used to come here a lot?Others: Chugchug chugWillow: I lived here. Me, Xander...Buffy & others: Chug, chug, chug.Willow: Buffy.Buffy & others: Chug, chug, chug.Buffy: oooh oooohOthers: Chug, chug, chug!Others: Woo hoo hoo.Willow: Wow. I-I didn'tthink she'd be here. Come on, [holds Tara's hand] I want you to meet her.Buffy: Back off. [Pushes someone away.] You're nothing but a disappointment.[Tara crosses her arms.]Willow: Hey, Buffy.Buffy: Willow and -uhWillow: Buffy, this is Tara.Tara: Hi.Buffy: So we've never met. [Tara shakes her head.]Cool. Just have a thing with names.Willow: Tara was in my wicca group.Buffy: Unh-huh. [Buffy walks away and theyfollow.]Willow: So, what's up? [Buffy plops herself on a couch.] Patrol a no go? [Buffy throws her legs up in the air and on a table.]Buffy: Got tired. You know, the whole Faith thing. I let off some steam.Willow: Good foryou. You shouldn't work yourself too hard.Buffy: That's my philosophy. [Buffy throws her arms behind her head.]Willow: Anyone want a soda?Tara [looks at Willow]: Water.[Buffy shakes head. Willow walks off andBuffy notes Tara looking back at Willow. She sits up and leans forward.]Buffy: So you guys been hanging out a lot lately, hunh?Tara: Yeah. she's, um, she's really cool.[Buffy nods and blinks slowly.]Buffy [grins]: SoWillow's not driving stick anymore. Who would have thought?I guess you never really know someone until you've been inside their sking. And Oz is out of the picture? Oh, never seen two people so much in love. Shejust couldn't get enough of old Oz.Tara: She, um, said he, uh, uh, w-w-w-w-w-wentBuffy: He w-w-w-w-what? You gonna get that sentence out sometime tonight?[Tara lowers her head.][Willow returns.]Willow: Buffy,guy in the corner.[Buffy looks at a guy leading a girl.]Buffy: Yeah. Good call.Tara: What?Willow: Vampire.Buffy: Wicked obvious. [She leans back and realizes Willow is waiting.]So I should slay him. [She getsup.]Willow: You want help?Buffy: Nah, I got it.[Buffy picks up a pool stick as she walks. She enters a back area where the vampire is feeding on the girl from behind, making slurping noises and holding the girl's arms.The girl is gasping. Buffy breaks the pool stick in two and drops one end. The girls arms flail. Buffy hits the vampire in the back using the stake as a club.]Buffy: Hey![The vampire lets the girl fall and turns. Buffy blocksa right and a left. She kicks it in the leg and spins the vampire around and holds it. She stakes it and throws it to the side just before it dusts. Buffy exhales and looks down at the girl. She is squatting and she looks upat Buffy.]Buffy: You'll live.Girl: Uh he was so strong, uhBuffy: Yeah, well, he's gone now. [Buffy turns and the girl grabs her hand.]Girl: Thank you. **Thank you.** [Expressions flash across Buffy's face.]Buffy: Yeah.[Shrugs.] It's cool. [Shrugs.][Buffy walks off and drops the stake.]Willow: Everything poofed?Buffy: All's well in the world.Willow: Tara's not feeling well. I'm gonna walk her home.[Willow looks back at Tara.]Buffy:Yeah. You give her whatever she needs.[Buffy smiles for a second.]Willow: Are you gonna be in later, or you going over to Riley's?[Buffy blinks several times and then smiles.]Cut to workshed/barn.Banging sounds in aworkshed or barn. Smith walks toward the armored truck with a syringe.Smith: This'll bloody keep you quiet. [Smith opens the back of the truck and goes in. Faith grabs him and gets him in a chokehold with thechains.]Smith: Uh.Faith: How about this? I'll be quiet, and you can scream.Smith: Aaahh.[Weatherby and Collins look in from the back of the truck.]Faith: Now you unchain me - very slowly And! politely, or I kill thisguyCollins: When we go on a job, we always put our affairs in order first, in case of accident.Smith: Collins...Collins: Sorry, Smithy. [They walk off.]Collins: She's starting to bother me.Weatherby: Getting her across theborder is gonna be a lot more trouble than it's worth.Collins: If the council can even get us passage. I'll call them.It's time for a contingency plan.[Smith flies out the back of the truck and falls, groaning.]Cut to Riley'sroom.[Riley is sitting at his desk and hears a sound and turns, smiling. Buffy is standing in the doorway.]Buffy: Hi, baby.ACT 3Cut to Tara's room.Willow: I'm sorry you're feeling all blechy. But we'll get together withBuffy another time. Sometime soon. I think you'll really like her.[Tara sighs.]Tara: She's not your friend.Willow: I may have overestimated the \"you liking her\" factor.Tara: No, no. I mean, I don't... [sighs] I don't thinkshe's...her.Willow: You lost me.Tara: Well, umph, a person's energy has a flow, a unity.[sigh] Buffy's was [sigh] was fragmented. It-it grated, like something forced in where it doesn't belong. Plus, she was, um, [sigh]she was kind of mean. [heh]Willow: So you think Buffy's not herself? Like she's been possessed or something?Tara: [sigh] I'm not sure.Willow: You didn't sense a hyena energy at all, did you? Because hyenapossession is just...unpleasant.Tara: [umph] Do you have anything of hers?Willow: Of Buffy's? Uhhhh. Oh! This ring.Tara: I-I think there's a way we can, hmm... [reaches for book] The passage to the nether realm.There-there's a ritual. If you can find Buffy there, you should be able to see.Willow: If it'll help her.[Tara sighs.]Willow: What?Tara: Well, the nether realm exists beyond the physical world.Accessing it is... I-it-it's kindof like astral projection. It's very intense. I'd have to be your anchor, keep you on this plane.Willow [nods]: I trust you.Tara: It-it's not like anything that we've ever--Willow [smiles]: I trust you.Cut to Riley'sroom.Buffy: You miss me?Riley: I did, actually. Everything's ok?Buffy: Everything's great. [walks forward]Riley: What about Faith?Buffy: Faith has a won a fabulous trip to England, and I [sits on Riley's lap, straddlinghim] got the consolation prize, which is you.Riley: So I don't have to worry about Faith showing up? Though I have to admit, I was kind of curious to meet her. Buffy holds Riley's hands and leans back, still straddlinghim.Riley: Or I was until about 30 seconds ago. [Buffy sits up.]Buffy: Oh, you wouldn't have liked Faith. She's not proper and joyless, like a girl should be. She has a tendency to give in to her animal instincts.[Shekisses Riley and nips his lip.]Riley: Door's open.Buffy: So?Riley: So my fantasies don't tend to include a bunch of marines staring in at me.Buffy: Oh, maybe they could learn something.[She kisses his neck and Riley"}
+{"doc_id":"doc_151","qid":"","text":"THE TRIAL OF A TIME LORDPART THREE (THE MYSTERIOUS PLANET)Run time: 24:18[SCENE_BREAK]Tunnel entrance[SCENE_BREAK]Balazar: It's beautiful!The Doctor: Hmm? Oh. Oh, I knew she wouldn't still be here.That girl can't obey an order.Peri: Doctor!Balazar: Who are they?The Doctor: Peri! Hurry!The Doctor: Back inside, quick.The Doctor: In you go.The Doctor: Come on![SCENE_BREAK]Tunnel[SCENE_BREAK]Glitz: Ialways knew exercise was bad for you.The Doctor: I shouldn't lie there if I was you. Not unless you want to be killed with a spear in your back.Glitz: What? Did you do the job, my boy?Dibber: Ofcourse.[SCENE_BREAK]Underground station[SCENE_BREAK]The Doctor: We've got to get out of here!Peri: But how?The Doctor: This way.The Doctor: Oh, no. Back.Peri: Well, now what?The Doctor: I don't know. Ireally think this could be the end![SCENE_BREAK]Underground station[SCENE_BREAK]Balazar: I know him. It's Broken Tooth.Glitz: Then why doesn't he fire at you?Balazar: Broken Tooth, it's Balazar!The Doctor: Fireat the robot!Balazar: The Immortal One.Dibber: Squeeze the trigger, don't pull it.[SCENE_BREAK]Drathro's castle[SCENE_BREAK]Drathro: What is happening? Reactivate!Humker: We are trying.Tandrell: It doesn'trespond.Drathro: You must make it work. I must have the Doctor here. My black light system is failing.[SCENE_BREAK]Underground station[SCENE_BREAK]Balazar: I can't believe it. You're alive! They said you'd beenculled.Broken Tooth: I owe my life to Merdeen.Balazar: I too.The Doctor: Well, I hate to break up this happy reunion, but I have to find the aerial to Drathro's black light converter.Dibber: No need to hurry. It'sgone.The Doctor: Gone? Where?Dibber: I blew it up.The Doctor: What?Glitz: It'll put the L3 out of action.The Doctor: More likely start a chain reaction. Drathro's black light system's highly unstable. Blowing it up isabout the worst thing you could have done. I have to shut the black light system down now.Broken Tooth: You will all return to our village. Our queen has unfinished business with this person.The Doctor: No!BrokenTooth: You will come with us, and you will come quietly.Glitz: And you had to tell him how to use the gun.Dibber: Oh.[SCENE_BREAK]Trial room[SCENE_BREAK]Inquisitor: Valeyard, are these unpleasant scenesnecessary to your case? I find primitive physical violence distressing.The Doctor: So do I, ma'am. Especially when I'm on the receiving end.Valeyard: I too find it repugnant to witness, my lady, but the Doctor has awell-known predilection for violence.The Doctor: That is a foul slur!Inquisitor: Do not interrupt, Doctor.The Doctor: I'm sorry, ma'am, but I'm not given to violence as the Valeyard here suggests. Occasionally I mighthave to resort to a modicum of force...Inquisitor: Please be silent.The Doctor: As a means of self defence.Inquisitor: Doctor, you will have ample opportunity to put your case at a later point.The Doctor: But...Inquisitor:Valeyard, I would appreciate it if these brutal and repetitious scenes are reduced to a minimum.Valeyard: My lady, it is certainly not my wish to cause you any unnecessary affront, but the accused offences are suchthat a certain amount of graphic detail is unavoidable.Inquisitor: Very well. Continue.[SCENE_BREAK]Subway[SCENE_BREAK]Grell: You seem lost.Merdeen: Not I, although you seem to have mislaid your train,Grell.Grell: Stealth is better achieved on foot. Especially when we hunt dark secrets.Merdeen: I thought we hunted the Doctor.Grell: Him too.Drathro (O.C.): Merdeen.[SCENE_BREAK]Drathro'scastle[SCENE_BREAK]Merdeen (on screen): Immortal?Drathro: I have urgent work for Balazar, but I can not find him.[SCENE_BREAK]Subway[SCENE_BREAK]Merdeen: I will search for him at once.Grell: Where are yougoing?Merdeen: Continue your search for the Doctor.[SCENE_BREAK]Drathro's castle[SCENE_BREAK]Tandrell: I did it! I did it, I reactivated the robot.Humker: I think you'll find that I did it.Tandrell: I beg your pardon,I did it.Humker: I did it.Tandrell: I did!Humker: I did!Drathro: Silence! You drain my energy reserve with your constant infantile bickering.[SCENE_BREAK]Katryca's hut[SCENE_BREAK]Katryca: So, my hospitality wasnot to your liking?Glitz: Just needed to step out for a breath of fresh air.Katryca: And who is this?The Doctor: Ah, how do you do? I am known as the Doctor. Now, there has been a terrible mistake. I shouldn't be hereat all.Katryca: Another star traveller?The Doctor: Well, in a manner of speaking.Katryca: And are you interested in the Great Totem of Haldren.The Doctor: I beg your pardon?Glitz: She means the light converter.TheDoctor: Ah, yes, indeed. Now how can you possibly have known that?Katryca: Have you searched him for guns?Broken Tooth: He has none.Katryca: That makes you very unusual for a star traveller who is interested inthe Great Totem.The Doctor: Well, I've come to repair it.Katryca: Then you are very prompt, considering your friends have only recently damaged it.The Doctor: Oh, these are not my friends. Well, with one...TheDoctor: And your Great Totem is not what it seems.Katryca: Then please explain.The Doctor: It's function is to convert ultraviolet rays to black light.Katryca: Interesting, though I do not understand what you aresaying.The Doctor: Well, Drathro, er, the Immortal, depends on black light to function. He is a robot.Katryca: Fascinating, since your friend just told me that it was a navigational beacon.The Doctor: He lies.Katryca: Acommon complaint among star travellers.Glitz: I am not a liar!Katryca: How shall I know who speaks the truth? All I am certain of is the gods are angered at your coming to our world. I shall read their wishes in theflames.The Doctor: Er, I don't wish to appear discourteous, but I'd better get back to Drathro.Katryca: Remain where you are!The Doctor: You have no quarrel with us. They destroyed your beacon.Katryca: You are astar traveller. Star travelling is forbidden by the gods. The underground dweller shall remain with our tribe. The others, remove from my sight.[SCENE_BREAK]Drathro's castle[SCENE_BREAK]Humker: All thatunpleasant green.Tandrell: It is vegetation.Humker: Why was it not burned, Drathro?Drathro: Only part of the planet was enveloped by fire.Humker: What is its function?Drathro: It supports primitive life.Tandrell:Primitive life is unnecessary.Humker: So vegetation in unnecessary.Tandrell: Syllogism is also unnecessary, Humker.Humker: It was not a true syllogism, Tandrell. It contained only the major and minorpremise.Tandrell: Still unnecessary, like so much that you say.[SCENE_BREAK]Hut[SCENE_BREAK]Dibber: Thought we'd seen the last of this place.The Doctor: Look, you've got to help us get out of here.Balazar: I darenot, Doctor.Broken Tooth: The queen will burn us in your place.The Doctor: If I don't get out of here, we'll all burn.Glitz: You're the Time Lord. Haven't you got a ring you can rub? A magic lamp? Something for thesesort of emergencies?The Doctor: Hardly. More your style I'd have thought. Anyway, what does bring you here?Glitz: Purely a private enterprise, Doctor, to collect a few moldering files of no value except to scholars suchas myself.The Doctor: Oh, you're a scholarly philanthropist, are you?Glitz: Exactly the description, Doctor.The Doctor: That goes around blowing up black light converters.Glitz: A small expediency if I am to endow alibrary on my home planet of Salostophus.The Doctor: In the constellation of Andromeda?Glitz: You know of it?The Doctor: Hmm.Peri: What we don't know is the name of this planet.Glitz: You mean he hasn't told you?A man of your learning, Doctor? Tut tut. This, is Earth of course.Peri: I said so, didn't I?The Doctor: But it is in the wrong position.Glitz: Only by a couple of light years.Dibber: That's why the lost expedition missed.TheDoctor: What lost expedition?Dibber: Andromeda bunged off these robots in a relief ship...Glitz: Don't prattle, Dibber. All that was a long time ago.Balazar: The word Earth is mentioned many times, by the great writerH M Stationery Office.Dibber: Thought we'd seen the last of him as well.Glitz: Shut up and stand in front of me where I can keep an eye on you.The Doctor: Keep calm and stay still. It's looking for me, but I think it'sconfused.Glitz: Well, can't you shake its hand or something?The Doctor: How do you do? I am known as the Doctor.Glitz: Now's our chance, Dibber.Peri: We've got to help the Doctor!Glitz: He'll be all right. He's in goodhands. Come on!Peri: No![SCENE_BREAK]Katryca's hut[SCENE_BREAK]Katryca: Escaped? I told you to guard them!Balazar: Well, the Immortal came and took them.Broken Tooth: We both saw him, Katryca. He walkedthrough the wall.Katryca: Get the guns![SCENE_BREAK]Drathro's castle[SCENE_BREAK]Drathro: Habitations.Tandrell: Only man makes habitations.Drathro: All life perished in the fire. If men now live on the surface,they must have come from my biosphere.Tandrell: How can that be possible?Humker: It is forbidden.Tandrell: All work units obey you orders.Drathro: Some must have escaped. Helped to escape. That is what hashappened.Humker: Is it important?Drathro: They're out of control, outside the plan.Tandrell: They're outlaws.Drathro: Now my existence is threatened. They have destroyed the source of my energy. Take measures,create a defensive system, identify and destroy the traitors.[SCENE_BREAK]Trial room[SCENE_BREAK]The Doctor: All this is irrelevant and hypothetical.Valeyard: Background testimony.The Doctor: What possible valuedoes the Farmyard here think there is in listening to some half-incapacitated robot, and a couple of diminutive nit-wits who might as well be robots?Inquisitor: You're allowing your disrespect to show again, Doctor.TheDoctor: I'm sorry, ma'am, but the question still stands.Inquisitor: As prosecutor, the Valeyard has the right to include any evidence he considers to be relevant, provided he can justify its inclusion.The Doctor: But anyrecord relating to persons not in my presence must be sheer conjecture.Valeyard: The accused is clearly ignorant of the latest methods of surveillance, my lady.Inquisitor: This evidence is taken from the Matrix, aknowledge bank fed constantly by the experiences of all Time Lords, wherever they may be.The Doctor: Yes, yes, yes, yes, yes, ma'am. I know that. My whole point is that I'm not.Inquisitor: Not what?The Doctor: Notpart of the scenes being shown by the Scrapyard here. I'm sorry, Valeyard. Force of habit, I apologise.Valeyard: Doctor, the experience of third parties can also be monitored and accessed if needed, as long as they arein the collection range of a TARDIS.The Doctor: Oh. But my TARDIS is an old model. Are you telling me it's been bugged without my knowledge?Inquisitor: Bugged?Valeyard: It is a reference apparently to the newsurveillance system, my lady. The expression derives from an Earth term.Inquisitor: I see. I think we are wasting time on an unimportant issue. Continue the evidence,Valeyard.[SCENE_BREAK]Ravalox[SCENE_BREAK]Katryca: Stop, Immortal!Peri: They'll kill the Doctor!Glitz: We've all got to go sometime, Peri.Peri: You're all heart!Glitz: The supreme sacrifice. What a person. If I havetime, I'll compose the eulogy for his funeral.[SCENE_BREAK]Drathro's castle[SCENE_BREAK]Drathro: They have guns. From where?Humker: Guns can be manufactured.Tandrell: Though manufacturing requiresadvanced technology, Humker.Humker: Yes, but the fact that they have guns also means that they possess advanced technology.Tandrell: False reasoning again, Humker. These are savages. Their guns must havebeen supplied from without.Drathro: The Doctor.Humker: The L1 robot has ceased to function.Tandrell: From the present data that we have, that would seem a logical presumption.Humker: It is obvious. It has ceasedtransmitting signals.Tandrell: I was replying to Drathro.Drathro: The Doctor is from Gallifrey. He has been sent to recover the secrets left by the Sleepers. To do that, he has armed the outlaws. Therefore his intention isto ferment a rebellion against my authority.Tandrell: (quietly) And with nothing left but power from the few backup storage cells he's quite likely to win.Humker: Then what will happen to us?Tandrell: I dread tothink.[SCENE_BREAK]Subway[SCENE_BREAK]Merdeen: Are you following me?Grell: Like you, I'm looking for a lost man. It simply occurred to me that it might prove more productive if we searched as a team.Merdeen:What makes you think the Doctor and Balazar will be together?Grell: Events.Merdeen: Meaning?Grell: I don't think the Immortal's orders are always carried out, especially when it comes to culling.Merdeen: I alwayssupervise the cullings myself.Grell: I know.Merdeen: Then what do you mean?Grell: I think you send people outside.Merdeen: Then they are destroyed by the fire. Does it really matter how they die?Grell: Dependswhether you really believe that the surface of the planet still burns.Merdeen: I believe what the Immortal tells me.Grell: Then you are a liar. The Doctor is with Balazar, isn't he? And both of them have left thesubways.Merdeen: Then why does the Immortal instruct us to search for them?Grell: I don't know. But I think we should talk about it. Unless you would prefer that I took my suspicion to theImmortal.[SCENE_BREAK]Ravalox[SCENE_BREAK]Balazar: Is the Immortal dead at last?Katryca: The Immortal's reign is ended.Broken Tooth: Katryca the Great One! Long live Queen Katryca!Villagers: Long live QueenKatryca!Balazar: Now the Immortal is dead, how shall men live?Katryca: In the tribe of the Free we had no need of the Immortal. We shall live as we always lived, except now, the Immortal's secrets shall beours.Broken Tooth: How?Katryca: Do you not see, Broken Tooth? They are ours for the taking.Balazar: The Immortal's castle?Katryca: Yes, Balazar. It is ours now. All the tools are metal. All the strange materials thatbend and do not break, All the mysteries and treasures of our ancient forefathers that we shall learn to use again. Do you not agree?Villagers: Yes!Katryca: Then let us attack!Peri: Doctor!Peri: Oh, Doctor, please.Glitz:He's a goner. You can tell by his colour.Dibber: Definitely a stiff, Mister Glitz.Peri: Help me get this thing off him.Glitz: I shouldn't bother. He's probably got horrible injuries.Dibber: Yeah, those ensign guns can blow youto bits.Glitz: Talking of guns, Dibber, we need the heavy artillery. Which, if memory serves me, are hidden not a more than a million miles from this very spot.Dibber: Good idea of mine to bring the multiblaster, eh,Mister Glitz?Glitz: I'll teach that two-faced harridan and her ignorant peasants to trifle with Sabalom Glitz.Dibber: But they've gone down the tunnel.Glitz: So? We'll blow them out through the roof. That is, if the robotdoesn't get them first.Dibber: So let's fetch them, then.Glitz: No, you fetch them, Dibber. I'll meet you at the entrance.Dibber: But those multiblasters must weigh at least a hundred...Glitz: Exactly. That is why Iemploy you to fetch and carry. Now, cut along, there's a good lad.Peri: Doctor!The Doctor: Keep your head down! Beware the hand! Keep your head down!Peri: You're alive, I knew it.The Doctor: Oh! My head hurtsabominably, Sarah Jane. Where are we?Peri: I'm not Sarah Jane, I'm Peri.The Doctor: Eh?Peri: And you're lying under the remains of a robot.The Doctor: Yes, I remember now. Get this thing off me!Peri: I've beentrying to.The Doctor: Where are Katryca and the others?Peri: They've gone to the tunnels.The Doctor: Eh? Why?Peri: From what I could hear, now they've killed the Immortal, she's planning a takeover.The Doctor: Butthis isn't the Immortal, this is just. How long have they been gone?Peri: A few minutes.The Doctor: I've got to get after them.Peri: Why?The Doctor: They've got to be stopped. The situation's worse than youimagine.Peri: It always is.[SCENE_BREAK]Underground station[SCENE_BREAK]Katryca: How does the great door open?Broken Tooth: You turn this.Katryca: Then open it.Katryca: Balazar, you and Broken Tooth havelived in this blackness. You will lead the way.Broken Tooth: I know a tunnel that passes Marb Stati on and leads straight to the Immortal's castle.Katryca: Then forward![SCENE_BREAK]Drathro'scastle[SCENE_BREAK]Humker: They look very fierce, Drathro.Tandrell: Naturally. They live as wild creatures.Humker: They are coming towards us.Tandrell: Humker, you have a gift for the obvious.Humker: Surely theywill not attack us.Tandrell: That is their intention.Humker: I do not understand the logic. We have not harmed them.Drathro: It is a rebellion.Humker: What shall we do if they break in?Drathro: I shall killthem.Tandrell: Their guns destroyed the L1, Drathro.Drathro: My plating is stronger. My circuits are protected. Their guns will kill only you.Humker: But if we die, who will look after your research?Drathro: TheDoctor.[SCENE_BREAK]Subway[SCENE_BREAK]Broken Tooth: Halt. I fear the worst.Katryca: What is wrong? We are lost?Broken Tooth: Marb Station is back this way.Balazar: It is forward, and from thence the home ofthe Immortal.Katryca: We have no need for indecision in the tribe of the Free. Long we have waited for this moment. The Immortal is dead, and we shall plunder his castle. The spoils of triumph are ours. Now think,which is the way.Balazar & Broken Tooth: This way.Katryca: Am I to be surrounded by fools? We go forward.Broken Tooth: But Katryca...Katryca: Forward, I say. I have read it in the flames many times. We goforward.[SCENE_BREAK]Drathro's castle[SCENE_BREAK]Humker: That is not correct.Tandrell: Clearly there is a mechanical defect, Humker.Humker: An electronic malfunction.Tandrell: Perhaps the Doctor caused theproblem.Humker: Have you seen this, Drathro?Drathro: I do not need to observe, my condition tells me of the movement failure of the black light system.Humker: What could have precipitated it?Tandrell: Thereweren't any warning signs.Drathro: The destruction of the converter's aerial.Tandrell: Destruction?Drathro: The service robot monitored the fact as it entered the village.Tandrell: Can we repair it?Drathro: No. Soon theblack light system will collapse in upon itself, and we shall all cease to function.[SCENE_BREAK]Underground station[SCENE_BREAK]The Doctor: Trouble is, his refraction dipoles are worn out. Nothing for it now but toshut the black light system down.Peri: That sounds easy enough.The Doctor: Oh, it is, but if I shut the black light system down I must shut Drathro down as well. I can hardly see him agreeing to that.Peri: Well, whathappens if he won't let you?The Doctor: Then the black light system will implode and destroy everything in these tunnels.Peri: Oh great, so that's why we're going in, is it?The Doctor: Peri, I can't let people die if there'sa chance of saving them.[SCENE_BREAK]Outside the tunnel entrance[SCENE_BREAK]Glitz: You got the guns, then.Dibber: Well, it looks like it, Mister Glitz.Glitz: I'll tell you something funny, Dibber. We was wrongabout the Doctor. He's bunked off.Dibber: He hasn't bunked off. He's gone down there.Glitz: What?Dibber: I saw them as I came up. He had Peri with him.Glitz: So, he is after what we are.Dibber: Well, could be.Glitz:Course he is. I knew it all along. He's got no more interest in the scientific side of things than I have.Dibber: Well, you didn't fool him, telling him you're a philatelist, did you, mister Glitz?Glitz: Philanthropist, youignorant dink. Didn't you learn nothing in that remand home?Dibber: Well, whatever the word, he guessed that you weren't one.Glitz: Don't I look like a philanthropist?Dibber: Well, how do I know? I've never seenone.Glitz: A philanthropist, my son, is someone who gives away all their grotzits out of the simple goodness of their heart.Dibber: Oh, you mean they're stupid? Oh yeah, you probably do look like one, then.Glitz: Getdown that hole.Glitz: Oh dear, they are heavy, aren't they.[SCENE_BREAK]Underground station[SCENE_BREAK]Glitz: Oh, please, Dibber!Dibber: You always did despise muscle.Glitz: Not at all, lad. Not when there arethings to carry. Anyway, Dibber, if we should run into the Doctor again...Dibber: We shoot him.Glitz: Not a bad idea lad. But whatever you do, don't open your big pie-hole and let him know that we're after thestuff.[SCENE_BREAK]Trial room[SCENE_BREAK]Valeyard: The remainder of that evidence has been excised, my lady.Inquisitor: Excised? Why?Valeyard: By order of the High Council.Inquisitor: This is a judicial enquiryappointed by the High Council but independently conducted. It is my duty, Valeyard, to decide what evidence is relevant.Valeyard: Of course, my lady. The High Council simply felt that certain areas of testimony shouldnot be revealed.Inquisitor: Why not?Valeyard: Against the public interest, my lady.Inquisitor: I cannot conduct a proper and searching enquiry without full access to the evidence.Valeyard: Naturally, Inquisitor, their"}
+{"doc_id":"doc_152","qid":"","text":"[PREVIOUSLY_ON]Mike: [grunting]Wynn: Aah![gunshot]Mike: Aah!Wynn: Mikey! [crack]Katherine: [gasps]Raylan: Your ladyfriend is dead. Went pretty badly, as I understand it, in the confines of a motor coachbelonging to Wynn Duffy.Boyd: Baby?[grunts]What disappoints you, Raylan Givens? The fact that you weren't the one who got to shoot me? Where is she goin'?Boyd: Well, you wheel me outta here, I'll take youstraight to her. [chuckles] That's funny.Boyd: Sooner or later, one way or the other, I'm gonna get out of here, and when I do, I'm gonna go get that money.Zachariah: Now, this Grubes guy we're going to see ... yousure he knows his way around?Ava: He knows the trails blindfolded. Boyd knows Grubes.Zachariah: Ah.Ava: If he's alive ...Zachariah: If he's alive, the marshals got him, and if he ain't, the more, the better.Grubes?[yelling] Ava: Nooo!Carl: How we gonna get you out past the nurses' stand without anybody noticing?Boyd: [sighs] It shouldn't be too hard with all the chaos.Carl: What chaos?[gunshot]Art: You got 48 hours,Raylan.Raylan: 48 hours, bullshit.Who you got coming after me? Everybody?Art: Everybody's out looking for Boyd.I'll be the one coming after you.[car door chiming][chiming stops]Boyd: Evening, sir. Where youheaded tonight?Hagan: Headed home.Boyd: You got any kin waiting on you?Hagan: No, sir, I don't.Boyd: That won't be necessary.Hagan: Well... What can I do for you, officer?[gun cocks]Boyd: You can give me aride.[music][chiming][chiming stops]Art: This the shitbag?Tim: It is.Art: Hello, shitbag.Tim: Him there's the good news.Art: I don't want to hear the bad news.Tim: No, sir, you do not.Art: Jesus Christ, Raylan.Raylan:[sighs]Cope: Don't suppose you remember my name.Raylan: I remember you had aim to throw me down a mine shaft.You're a long way from home, are you not?Cope: I am. Slurry pond fouled the spring. No water onthe other side of the mountain. No water ... nothing to hunt. Well, I reckon it was hard to move on.Cope: Was. They'll take the mountaintop year's end, I heard. I'd have had to move on regardless. Wouldn't mind if yousat a spell.Raylan: I got urgent matters. My advice ... keep moving on. There's a fugitive at large hereabouts. Give my best to Cousin Mary if you see her.Cope: Unh-unh. She passed.Raylan: Condolences. Stand up. Tell'em to come out, guns pointed at the ground.Cope: [whistles]Raylan: [sighs] If that ain't all of 'em, you're the first one who gets shot.Cope: That's all of 'em.Raylan: Lay your guns down. Every second I spend on yourbullshit, the man I'm hunting gets further away. Now, tell 'em to do it before I lose my temper. Now, walk down that hill, and keep walking ... about an hour. He'll catch up with you soon if he don't do somethingstupid.Ava: No sign.[panting][clinking]I bet they ran off after Grubes died. And I bet they starved to death.Zachariah: We got no guide, and you're worried about the horses?Ava: That's one bad omen on top ofanother.Zachariah: I ain't superstitious.Ava: Well, it doesn't take a damn ouija board to see that our plan is as dead as the man that used to live in that house.You'd notice if you weren't playing in the dirt!Zachariah:I'm digging a grave.Ava: For us? Huh?Uncle Zachariah, we gotta get out of here. Oh, is that the way it is? Leave the dead to bury their own? That's something you learned from Boyd, huh?Ava: You don't know me. You... You want to be all high and mighty? Let's see how that saves your ass.Zachariah: I know you don't want to hear me preach, but I'm gonna tell you right now, there's six months' worth of food in that cabin, plenty ofwater, and a lot of firewood for the cold. Wait a minute. If that's your idea of a plan... Oh no, little girl. I like your idea... we just roam around these goddamn mountains not knowing what the hell we're doing, lost,hauling 300, 400, 500 pounds of money? Oh, you're real smart, girl.Ava: I can't keep this up.Zachariah: Yes, you can, and you will. 'Cause that's who we are, born in these godforsaken hollers in this goddamnbroken-down world. We're survivors.Ava: Okay, you want to stay? We can stay. But we're gonna fight.Zachariah: Won't have to fight. After two weeks, they'll think we're somewhere over in Virginia. They'll just movethat search on over there.Ava: I'm talking about Boyd. He knows this place. He will come.Zachariah: Boyd is dead. And if he ain't dead, he's in jail. We'll be safe here for a while. Grab that shovel and help me get thisman in the ground.Cope: I don't see any badge.Are you still a federal? This guy you're chasing... he personal business?Raylan: You met him. You put me in a box with him. He's now a federal fugitive.Cope: So youshould've let me kill him at the time, then, huh?Raylan: Thought has crossed my mind.Cope: So I'm right. Gotta be you, the one that does him. Had a coyote like that. Ate near 10 of my chickens... one every night.Dogs couldn't catch her, avoided the traps like she'd set 'em herself. You know, what I decided to do was ...Raylan: I don't care what you did. I need you to shut your mouth and get up that hill.Cope: You know, afterwe tangled, Cousin Mary told us all about you. Turns out, I remember your daddy. He's a son of a bitch.Raylan: You'll get no argument there.Cope: You know what he did?Raylan: Historically or on a specific day?Cope:He used us. Used our blood ties to your Mama to have us move his drugs up and down our mountain ... the way you're moving me right now. The way I see it, that makes you a son of a bitch, too.Raylan: Guilty aschar...Cope: [grunts]Raylan: I let you go, you gonna get your people, come back after me?Cope: Got any good reason why I shouldn't?Raylan: With what purpose in mind?Cope: You saw 'em. They got nothing. They'llkill you for your boots.Raylan: Give me that. In a couple days, you're gonna come to Arlo Givens' place, he's in the book. I'm signing it over to you.Cope: Y-You're giving me your house?Raylan: He did you people dirt.This is payback.Been using that place as a bullshit excuse.I don't need the money from selling it. I need to find Boyd and get to Florida.Cope: [grunts] What's this?Raylan: A note... bequeathing the property to you......case I don't make it down.[music][title music]\u0000 On this lonely road, trying to make it home \u0000 \u0000 doing it by my lonesome, pissed off, who wants some? \u0000 \u0000 I'm fighting for my soul, god, get at your boy \u0000 \u0000 you tryto bogard, fall back, I go hard \u0000 \u0000 on this lonely road, trying to make it home \u0000 \u0000 doing it by my lonesome, pissed off, who wants some? \u0000 \u0000 I see them long, hard times to come \u0000Markham: I always scoffed atpeople talking to... loved ones who'd moved on. Seemed impractical to me. Can't hear you. They're gone. And I'm a practical man. Except when it comes to you, it seems. Revenge, Katherine. What did you in? Damn it,I told you I would get Duffy! Why didn't you trust me? For once, why couldn't you just do what you were told to do? I'll always love you, Katherine, but you need to know. I may be talking to a ghost, but I am still apractical man. I'd love to gut Wynn Duffy from nose to tail, but I have got to go and get my goddamn money. Wynn Duffy. Hey, you've got a damn good lawyer, Wynn, And I ought to know, because I'm a damn goodlawyer.Wynn: I'll pass along the adulation. Are these the personal items from my motor coach?Vasquez: Yeah, I had to call in a lot of favors to get you transferred to federal custody. And now ... well, it seems now I gotto let you go. Billie Jean King.Wynn: A pioneer.Vasquez: We took the liberty to freeze your bank accounts...Wynn: It's prescription. I have... sensitive gums.Vasquez: ...pending the results of the investigation. You'refully cleared, [i]should be able to get most of your assets off ice. Oh, look at this. You are an eagle scout.Wynn: It belonged to a dear friend.Vasquez: Mm. 'Course, KSP's gonna want to keep your winnebago a bitlonger, but if you want that, you can stick around for another week or two.Wynn: That they can have.Vasquez: Bad memories?Wynn: Raylan Givens, Boyd Crowder, and Avery Markham are soon to converge, Mr.Vasquez. Like the aligning of the planets if those planets carried guns and hated my guts. I don't ever plan on returning to Kentucky. May I?Vasquez: I just have one last question.You know, for me. Off therecord.Wynn: Sounds sexy.Vasquez: You know, I have a-a stack of files this tall. Sits on my desk. It's got all kinds of witness interrogation and, um, surveillance records and info from snitches about who killed SimonPoole 14 years ago. And it all adds up to... jack sh1t. So I just want to know, between you and me, who really did it? Who killed my boss?Wynn: Between you and me, Mr. Vasquez, I really and truly don't know.Woman:Air unit East to Evarts.Possible fugitive sighting. Please confirm. Over.Man: Copy. Which fugitive? Over.Woman: Uh, Boyd Crowder ... possibly in police uniform. Considered armed. Stolen police vehicle recovered.Possible hostage situation.Zachariah: God damn.[Ava chuckles nervously]Oh, god... Of course. Of course![laughing]Zachariah: What the hell you laughing about?Ava: It's a joke. Don't you get it? We're dead!Zachariah:No, we got to do something.Ava: We're gonna run. Hell yeah! Let's run!You know your way around this goddamn mountain, little girl? 'Cause I sure as hell don't.Ava: Forget about the mountain. We got to go backdown! We got to ... we got to ... I don't know ... find one of them abandoned houses and ... and hide out.Zachariah: Federals kicking in every goddamn door, dogs running around, sniffing around, they'd find us in notime.Ava: You got a better idea? Else we're dead.Zachariah: Yeah, I got an idea. We're gonna sit right here, we're gonna wait. And when he shows up, we're gonna kill him. The end.Ava: That's not gonna be our end.'Cause staying here is suicide.Boyd: I'm gonna need you for a little while longer. I'd rather take your time than take your truck.Hagan: You can have her.Boyd: Yeah, well, I don't want her. I'm just looking to get frompoint \"A\" to point \"B.\" Look, Mr. Crowder, I done helped you out. I gave you my son's clothes.Boyd: You know my name. You know what I done. God damn right I know your name. And which time you talking about?Well, I do have a rather long résumé.Hagan: Yes, sir. They put out your greatest hits, it'd be a double album.Boyd: sh1t. Double live, man, from Japan.Hagan: Hell yeah. All killer, no filler.Boyd: [laughs]Hagan:Konnichiwa, bitches. sh1t.You nearest thing we got to Billy the Kid around here.Boyd: Well, I don't know about all that.Hagan: sh1t, son, you're smart. Articulate, strong. The way you look, the way you talk, ain'tnobody expect nothing from you. Then you unleash, and they cannot deny. [clicks tongue] It ain't too much to call you a hero. Well, if you insist.Hagan: Go on. Be proud to give the outlaw Boyd Crowder my truck.[keysjingle]Boyd: Thing is, they're looking for me. They ain't looking for you.So I'm gonna need you to drive.Derrick: Man, this sucks.Loretta: I ain't paying you to whine.Derrick: Yeah? And I didn't come for the money. Well[chuckles]... not just the money.Loretta: Look, I got people maybe out to kill me, Derrick. You came just to get back together, you're a damn fool.Derrick: Loretta... [clank] ...why you got to be talking ...[mangroans]Got him.Loretta: Hold up. I can't see.Derrick: Here, let me look. [door opens]Boon: Hey, Loretta. I been looking everywhere for you.You know, one way in and out of this place ...I snap one of your traps, andyou both take your eyes off the door? You're a smart girl, but I got a thing or two to teach you yet. I reckon I could see you both better if you stepped out this way.Yes, you, son. Come on, now. Giddyup.[clickstongue]Now, how about you put down them toys? I'm not here to start a ruckus. Who the hell are you?Derrick: Just her boyfriend.Boon: Oh, yeah? You want to save your girlfriend?Loretta: He ain't my boyfriend.Boon:Loretta, girl, a boy doesn't become a man until he can make his own decisions.You want to raise up that gun, try and shoot me?Or you afraid I'm too fast?[gun cocks]I am, by the way.[gun clicks]Good news ... Jennyhere, you got to leave her firing chamber empty, avoid an accidental discharge. Bad news ... her chamber's full of promise now. How about we try that again, huh? You not having to clear that holster, boy, that fastapproaches a fair...[gunshot] [thud]Derrick: [groaning and panting]Boon: Aw, sh1t. He's still kicking.Derrick: [coughs]Boon: That's the risk you run going for a head shot, Loretta.Derrick: [crying]Boon: Well, I figure...you never know when one of these pussies are wearing kevlar, right?Always go for the brain. Best bet.Derrick: [panting][coughing][groaning]Boon: Don't worry. I'll forgive you.Vasquez: Where is she? Where'sArt?Who's running this sh1t show? Where is everybody?Nelson: Gee, I don't know. The manhunts? Plural?Vasquez: And they left you to what? Do your nails?Nelson: Well, if it's any of your business, Vasquez, I'mcoordinating.Vasquez: Oh, well, that's fantastic. Maybe you can coordinate an explanation for this bullshit bulletin.Nelson: Chief called it in. Looks pretty serious.Vasquez: You were saying?Nelson: Having a bad day,David?Vasquez: Yeah.Nelson: Hey, Tim, maybe you can help out ...Tim: Dude, I just came in.Nelson: He's asking about the bulletin.Tim: [sighs] Well... when a marshal's life is in danger, we put out a bulletin saying so.Hoping a fellow L.E.O. will bring him into protective custody.Vasquez: You think I don't know that Givens has gone rogue and that you're closing ranks to avoid a P.R. nightmare? You and everybody in this office isgonna be writing thank-you notes to Art Mullen from the federal penitentiary.Tim: Your attitude is not helpful.Vasquez: Open your ears!Tim: So negative. We're not talking about a write-up. Everybody in here is anaccessory to ... to a $10 million heist! Aiding and abetting a fugitive!Vasquez: Never mind. There's no point.[dialing]Vasquez: Get me S.A.C., uh, Les Levay at the FBI.Art: Mullen.Tim: Oh, hey, Art. What's up?Art: Holdon. You're breaking up.See if I can get a signal. Uh, say that again.Tim: Oh, hey, Art. What's up?Art: Oh, you know, scouring the countryside for a dumbass. You?Tim: Well, I just had Vasquez pissing in my ear aboutthe bulletin. So, it looks like we can't keep the whole \"Raylan Givens gone rogue\" thing in-house.Art: Well, he sniffed that out sooner than I'd thought.I think he just trashed Nelson's desk, too.Art: Well, how'd you leaveit?Tim: Well, he's on the phone now.Vasquez: Yeah, I'm gonna need a bolo issued for Raylan Givens.Tim: Fact, I just heard him tell the FBI ballsack to issue a bolo.Art: Well, sh1t!Tim: Wait one.Vasquez: The plan is assoon as I get him, I'm gonna indict him.Tim: I just heard him say he wants Raylan indicted.Art: Double sh1t.Bob: Raylan, if you get this, just letting you know I heard the FBI bolo for you on the scanner. I know you'rein trouble, and I'm ... I'm on my way.[SCENE_BREAK][garage door squeaking][gasps]Raylan, d-d-did you steal my Crown Vic? D... sh1t![sighs][music][grunts]All right, where are you? Aw, there you are. I'm coming foryou, Raylan.[music]Raylan: You ain't Boyd.Zachariah: Neither are you.Appreciate you not shooting me.Raylan: Likewise.Zachariah: Seen the crown of your hat through the window. Boyd don't wear no hat.Raylan:Where's Ava?Ava: [panting] If you get this, call this number. [panting] You better make it fast, though. I'm running out of time.[panting]Wynn: I need a vehicle, a gun, and two passports.I want the vehicle to have acompartment, well-hidden, and I mean top-shelf hidden, not some 20-year-old Astro with a false bottom.Lorna: How much space you need?Wynn: Enough room for two or three very large duffel bags.Lorna: Your guycoming, too?Wynn: No, Mikey's not gonna make it. You know what'd be great? One of those dog-grooming vans. Mobile dog groomers use them.Lorna: We can paint one up like that, sure.Wynn: No. A used one.Lorna:It's not easy. [sighs]Wynn: By tomorrow. Triple what you paid last time.Wynn: Fine.Lorna: Up front.Wynn: [sighs] Keep the change.Lorna: Anything else?Wynn: Yeah, actually... a topographical map of Harlan Countywould be great.Raylan: Do you not see how we want the same thing?Zachariah: That may be true. But if Boyd ain't been here yet, why you going off looking for Ava? Why don't you just stay here, and we'll take thatson of a bitch together?Raylan: We don't know for sure if he's coming. He's only coming if he thinks she's here!Zachariah: And he does think she's here!Raylan: But if he don't, if he somehow gets wind of her... before Iget to him. I hear what you're saying, but I'm sticking here for the fight.Raylan: Well, I'm taking the fight to him. Now, where is she?Zachariah: I don't know. Maybe she slipped through cranks gap by now. She mightbe halfway to Jonesville ... maybe Ewing. I don't know. Who she knows in Virginia? Did you set her up? I don't know nobody in Virginia. I don't know where she is, and she didn't tell me. So I can't spill my guts in caseyou plan on roughing me up again.Raylan: You're a waste of space. You're of no help.Zachariah: Let me tell you something, you son of a bitch! You ain't no better than Boyd! God damn you! The way the two you justscrambled that poor girl's brains! Pull her this way and that way. You used her, god damn you! Ain't no wonder why she burnt the two of you and lit out on her own.Raylan: I'm trying to protect her.Zachariah: Yeah,that may be part of the story, but I bet that ain't the whole goddamn story.Raylan: Yeah, you're goddamn right. Where's the money?Zachariah: [scoffs]Raylan: Where is it? It ain't here. It had to weigh a ton. No wayshe drug it up and over. She went down.Zachariah: She's gone.Raylan: Not as long as I'm looking.Ava: [panting][grunts]Oh, god.Bob: Ava Crowder...Ava: Aah!Bob: Step away from the car.Ava: [panting]Bob: Stepaway from my Crown Vic.Take that backpack off. Slow.Ava: [breathing heavily]Bob: And, hey, don't reach in.No, put it on the ground! On the ground! Ava, don't test me. All right, now get down on your knees. On yourknees. [sighs] Sorry if that ... that sounds untoward. Holy sh1t! Holy sh1t. Where ... Where's Raylan?Ava: I don't know.Bob: Did you kill him?Ava: What? No!Bob: Ava, you're a fugitive from the law. I know you shotyour fiancé and I know that Raylan took my Crown Vic. And I tracked it up here. Now, for the last time ...Ava: The answer to the question is \"no!\" I ain't even seen him.Bob: I hope for your sake, and for the sake of theCommonwealth of Kentucky that you are telling the truth. Now... lace your fingers behind your head. Behind your head! Okay. Let's get up slowly. Come on. There you go. Walk this way with me. And I'm quick with thisgun, case you're getting squirrely. You got that?Ava: Bob, you know there's a lot more money where that came from, don't you? I mean ...Bob: I'm gonna take mercy on you.I'm not gonna \"attempting to bribe anofficer of the law\" to your long list of offenses.And before you try to seduce me, just know it's been tried before. All right, now, get yourself in the Gremlin there. Open the door. Open the door. All right. Sit yourselfdown. And when Raylan comes back with my keys, we're gonna make the change, and it's nice in there. I got an air freshener smells like a mocha latte.[engine shuts off]Ava: You hear that?Bob: Uh, no, I di... Yes, Idid.Ava: It's Boyd.Bob: Ava, that could be anybody, okay?I want you to calm down, all right? Just calm down. Just sit down for a sec.Ava: Listen to me. Please. He's gonna kill us!Hagan: Cold out here. Can feel it.Boyd:Yeah, I was just thinking the same thing.[exhales slowly]Hagan: I appreciate the lie, Mr. Crowder.But we both know what you was thinking. Loose end and all.Boyd: You know my mind? Now, maybe I was gonna takeyour keys, let you walk.Hagan: [scoffs] So you could shoot me in the back? You're gonna have to look me in the eye, you pull that trigger.Nah, I knew the minute you stepped in my cabI was gonna be staring down theblack hole of your gun ... cut me down like the plague you are.Boyd: Well, I got to say, you did do a pretty good job ... all that smoke you were blowing up my ass.Hagan: Ain't no smoke. But I will say this. Stories ofoutlaw legends, they ain't passed down by the families of the murdered. Well, I don't give a sh1t about \"the Ballad of Boyd Crowder.\" I'll be dead and gone when that song gets sung.[exhales slowly]Hagan: Old boy bythe name of Hut McKean mean anything to you?Boyd: Let me guess ... I killed him, my men killed him, my dope killed him, or my daddy killed him?Next thing that comes out of your mouth is, \"how do you sleep atnight, Boyd Crowder?\"Well, do you know how?'Cause I know who I am. Do you? You're a slave, disenfranchised ... don't even know it. You drive your shitty truck to your shitty house, live out your shitty life. You thinkyou're better than me 'cause you play by the rules? Whose rules? My life is my own.Hagan: You ain't even heard a word I said.Boyd: I don't give a sh1t about what you said. I'm an outlaw.[gunshots]Bob: Stay here."}
+{"doc_id":"doc_153","qid":"","text":"FLASH IN.[VARIOUS EXT. LAST VEGAS CITY LIGHTS (STOCK) - NIGHT]CUE SONG: \"Mad World\", Gary Jules[SCENE_BREAK][INT. CLUB -- NIGHT](Men and women drink. One man smiles as he's flanked by two women -one woman busy kissing his neck.)(Across the room, a blonde-haired woman stares worriedly at her cell phone.)[EXT. STRIP - NIGHT](Outside, a limo passes by. In the back seat of a car, a young Vietnamese man sitsand watches the limo pass by. His face is bruised and there are tears staining his cheeks.)(The cab he's sitting in drives away.)[INT. TAXI POV](The young man looks out the windows as the taxicab drives around thestrip. The bright lights from passing motels and other establishments reflect back through the rolled-up window.)(The taxi driver's sweating.)(The young man in the back seat glances over at the taxi driver.)[START:SPLIT SCREEN](Top half: [INT. CASINO] The man from the bar leaves with two women.)(Bottom half: [TAXI CAB] The taxi stops and parks. The driver engages the brakes and sees the young man leave.)Taxi Driver:Hey! Where's my money?(The young man turns around and yells back to the taxi driver.)Young Man: You wait here!(Top half: Cameras flash as photographers snap photos of the man walking through the casino;several women follow him.)(A young woman in red snaps a picture of the man walking by. He notices her and turns back to look at her as he passes.)Man: You want to come with us?(A man standing in the back glaresat the man walking by.)(Bottom half: The taxi driver waits. The fare changes from 7.20 to 7.40. The taxi driver continues to wait.)(Top half: The blonde-girl in red turns to her friend standing next to her.)Tally Jordan(woman in red): Oh, my God. Come on.(The two head out, following the man.)(Bottom half: The taxi driver takes out his log and writes in it: 270 7888OAKEY ST.)(Top half: The party has moved outside to thepool.)(Bottom half: The taxi driver continues to wait. The fare changes from 8.00 to(Top half: The blonde-haired woman in red and her friend are now sitting on either side of the famous dark-haired man. He pays herspecial attention.(Bottom half: The taxi driver continues to wait. The fare changes form 8.20 toFLASH CUT TO WHITE: END OF SPLIT SCREENCue Sound: GUNSHOTFADE IN FROM WHITE[EXT. 7888 OAKEY STREET -NIGHT](Police cars with their flashing lights are at the site. Officers mill about the area.)(Camera moves into the car and we notice the fare is now at 24.00. The taxi driver is slumped forward against the driver's wheel,his eyes closed. We note the blood coating the shirt covering his right shoulder.)(Sara turns on her flashlight and looks at the driver's wound.)Sara: Gunshot wound to the neck. No visible GSR.(She looks up and noticesthe visor. She flips it down and sees the money.)Sara: Money on the visor. It wasn't a robbery.(Grissom is looking in the back of the cab.)Grissom: Dirt clods on the floor mat look undisturbed. Could be from the lastfare. I don't see any shell casings, though.Sara: Partition's closed. Bullet-proof glass. He was not shot from inside.(Grissom walks around the cab as Sara snaps photos of the dead body.)(He sees the bullet holes in thepassenger door.)Grissom: Well, I got two bullet holes in the passenger door.Sara: That's a weird side of the car for a drive-by.Grissom: Maybe he wasn't shot here. Maybe he just ended up here.(Grissom looks aroundthe area. He sees the detective talking with someone in uniform. Grissom calls out to him.)Grissom: Excuse me?(The man from the Transit Board looks up.)Grissom: Are you with the Transit Board?MTB Rep:Yeah.Grissom: Do you have the dispatch log?(He hands the log to Grissom. From what we can see, the log shows:270 2549 LAS VEGAS ---270 465 LEXINGTON 10:01270 3900 LAS VEGAS 10:45 1040270 2112WESTERN BL. 11:01 420270 4500 W. TROPICANA 11:30 780270 20 FREMONT 12:10 980270 7888 OAKEY ST. 12:55. {BLANK} )(Grissom hands the log back.)Grissom: Thanks.(Grissom turns and leaves.)MTB Rep:Why's he leaving?(Sara takes a photo, then puts her camera down to answer the man's question.)Sara: Well, that's kind of what he does.(Sara leans forward into the cab and notices the camera.)Sara: Is this cameraalways on?MTB Rep: Only on HBO. It takes stills for ten seconds when the door opens, and then for the first ten seconds of the fare.Sara: We're gonna need the pictures.(Grissom is walking away from the site anddialing his cell phone.)Catherine: (from phone) This is Catherine.Grissom: (to phone) It's Gil. How you doing?Catherine: (from phone) I'm busy. Checking up on me?Grissom: (to phone) Why would I need to dothat?Catherine: (from phone) You tell me.Grissom: (to phone) Look, I know you tend to get a little territorial about your crime scenes, and I don't want there to be any tension between us, so I'm giving you fairwarning.(Grissom stops when he sees the tire treadmarks on the asphalt.)Catherine: (from phone) Fair warning for what?(cc) You're at 7888 Oakey Street. Am I right?[SCENE_BREAK][EXT. PARKING LOT -NIGHT](Catherine is kneeling down next to a dead body in the parking lot.)Grissom: (from phone) Hi.(She looks up and sees Grissom. He smiles and waves his cell phone at her.)(Jaw dropped open, Catherine closesher cell phone.)[SCENE_BREAK][INT. -- NIGHT](Julian Harper's dead body rests against the cushions as Robbins takes his liver temperature. Warrick snaps photos of the body.)Robbins: Julian Harper. If it weren't forthe cyanosis, I'd say he was doing a photo shoot for GQ.Warrick: Yeah, I'm sure he wasn't ready for this photo shoot.Robbins: Body temp's 95.(Warrick snaps more photos. Robbins glances at his watch.)Robbins: Thatwould make TOD approximately 3:00 A.M.(Warrick snaps photos of the bedside table with a couple of champagne bottles, a hotel room VIP card key, a rolled-up bill and some white powder on the blacktabletop.)Warrick: Well, there's plenty of drugs around here. You think he OD'd?(Robbins checks the victim's mouth and eyes.)Robbins: Yeah, no edema. Some petechia. Could be suffocation or strangulation. But noligature marks or bruising. However ...(Camera zooms in for an extreme close-up of black fibers on the victim's neck.)Robbins: ... some fibers under the chin.(Robbins puts the sample in a bindle. Warrick continuessnapping photos.)(Robbins takes a digital camera out.)Warrick: What are you doing?Robbins: It's for my scrapbook. I've got a perfect spot for him -- a place of honor between Tupac andEntwhistle.[SCENE_BREAK][EXT. MOTEL PARKING LOT -- NIGHT](Close-up of the victim, his head in a pool of blood. Grissom and Catherine kneel down next to the body. Catherine snaps photos of the victim.)Grissom:The taxi's last drop-off was this address. This guy's got dirt on his shoes and pants. There was dirt in the cab. He's got to be the last fare.Catherine: So, somebody killed them both. And if it's about money, doesn't looklike this guy has much.Grissom: Well, I guess it's relative.START: SPLIT SCREEN(Top screen: Robbins raises the digital camera to snap a photo of Julian Harper.)(Bottom screen: Catherine raises her camera to snap aphoto of the victim.)Grissom: It depends on who you are.WHITE CAMERA FLASH TO: END OF TEASER ROLL TITLE CREDITS[SCENE_BREAK][EXT. MOTEL PARKING LOT -- NIGHT](Catherine checks out the victim'sidentification.)Willows: Samay ... Samay Thao. 15527 East Charleston Road. That's a long way from here.(Grissom notes the wounds on the victim's chest.)Grissom: I count six shots in his chest. There were two in thecab, one in the cabbie. If the math is correct, that's nine.Catherine: Suggests semi-automatic, but I don't see any shell casings here.Grissom: Yeah, there were none in the taxi, either.Catherine: Killer could have pickedthem up.Grissom: To shoot a guy six times in the torso, you either have to be very close, or a hell of a shot.David Phillips: It's okay if I roll him?Grissom: Yeah.(David rolls the body onto its side and pushes up the shirtas Catherine snaps more photos of the victim's wounds.)David Phillips: Well, no through-and-throughs. We should be able to recover some bullets from the body.Grissom: Hang on. (points) What do you make ofthat?(He points to the markings on the victim's bloodstained shirt.)David Phillips: Looks like he rubbed up against something.(Catherine looks around.)Catherine: Could be transfer from that railing. There's some paintflaked off of that railing.(Grissom turns and looks at the railing on the second floor.)(Quick flash of: Samay Thao is on the second floor. Someone uses a semi-automatic weapon and shoots Samay Thao. The impactform the bullets pushes him up and over the railing.)(End of flash. Resume to present.)(Grissom and Catherine make their way down the second floor hallway. Grissom checks the concrete floor along the way and findsa lot of blood spatter.)Grissom: We got blood drops.(Catherine looks over at the metal gate. Grissom looks down over the railing at the body below.)(Catherine sees metal cut.)Catherine: Gil. This looks fresh.Grissom:Hey, Brass?SHORT CUT TO:(An officer kicks the door in and rushes into the apartment. A second officer and Brass follow. A man sitting on the floor starts shouting in Laotian.)Brass: Las Vegas Police! Put the gundown!Keo Vipraxay: (shouting in Laotian)Brass: (firmly) Put the gun down! (softer) Put it down.(The man puts the gun down. Immediately, officers push him to the floor and handcuff his hands behind his back.)KeoVipraxay: (shouting in Laotian) (then, in English) I shoot ... burglar![SCENE_BREAK][EXT. LAS VEGAS CITY (STOCK) - NIGHT][INT. PALMS HOTEL - HOTEL ROOM - NIGHT](Nick and Warrick stand at the base of the bedlooking down at the body as they both put on a pair of gloves.)Nick: Julian Harper.(Warrick nods.)Nick: Wasn't he supposed to be like, uh ... (very quietly) the next Brad Pitt or something?Warrick: Yeah. Now he's thenext River Phoenix.(Warrick turns as he looks around and walks into the next room where Sofia Curtis is interviewing Gerald, also known as \"Blinky\". He stops and stands next to her.)Sofia Curtis: All right, Gerald.Blinky(Gerald Allison): Uh, they call me Blinky.Sofia Curtis: And what was your relation to Julian Harper?Blinky (Gerald Allison): Best friends since kindergarten. Now I work for him.Sofia Curtis: What did you do forhim?Blinky (Gerald Allison): Pretty much everything. You know, bought his stuff, hooked him up. Drove him to meetings.Warrick: Did you find the body?Blinky (Gerald Allison): I ordered room service. I wanted to see ifhe was hungry. Boom, there he was.Warrick: Did you touch or move the body in any way?Blinky (Gerald Allison): Uh, no way. No. I watch those murder shows, you know? I know to just keep my hands to myself, and,uh, call the cops.Sofia Curtis: What is with the robe?(Warrick looks at the officer standing nearby.)Warrick: Did you pat him down?Officer: He's packing a small, friendly weapon.Warrick: Would you mind standing up forus, sir?Blinky (Gerald Allison): Nah, bro, I-I-I ... kind of got the angle of the dangle going. The boing, boing, boing.Sofia Curtis: Stand up.(Uncomfortable and awkward, Blinky stands up.)Blinky (Gerald Allison): I, uh,took a Prevalis on the plane over. I been pitching a tent for, like, eight hours. Yeah, I-I think I need to consult a physician.Sofia Curtis: It's called a priapism. Just in case you were wondering.Warrick: What else are youon, man?Blinky (Gerald Allison): Oh, uh, nothing. I mean, uh, I smoked a little herb at the club, but that's it.Warrick: What about Julian?Blinky (Gerald Allison): Oh, Jules? Oh, no, he, uh ... he won't even take aspirin.You know, he's organic. You know, treats his body like a temple.Sofia Curtis: Well, we're gonna need a list of everyone who was here worshipping the temple.(She hands him her notebook and pen.)Blinky (GeraldAllison): Can I sit down?Sofia Curtis: Yeah.(In the background, we hear the shower water running.)Warrick: Did someone turn a shower on or something?Sofia Curtis: You cleared that room, right?(The officer takes outhis gun and heads for the bathroom.)(Warrick and Sofia both follow. They both draw their weapons as they head into the bathroom.)(In the shower, a young woman in her underwear is on the floor in a fetalposition.)Warrick: Hey! Are you okay?(Warrick tries to help her sit up. She immediately throws up.)Sofia Curtis: (calls out) Hey! We need a medic!(The young woman continues throwing up.)Warrick: And a bag forstomach contents.[SCENE_BREAK][EXT. MOTEL - HALLWAY OUTSIDE APARTMENT -- NIGHT](The officer escorts Keo Vipraxay out of the room. They head downstairs past Catherine and Grissom. Brass steps out of theroom.)Brass: His name is Keo Vipraxay. He barely speaks English. He's south Asian, I think. Anyway, it's all clear.Catherine: Thanks, Jim.(Grissom and Catherine enter the room.)SHORT TIME CUT TO:[EXT. MOTEL -APARTMENT -- NIGHT](Catherine looks at the end of the shot.)Catherine: Double *** buck. Standard shot is nine pellets.Grissom: That would account for all the hits.Catherine: So you're saying that a single shotgunblast, through a security door, took out two separate victims in two separate locations?Grissom: Weird, huh?(Quick flash of: [NIGHT] The cab pulls up.)Grissom: (V.O.) The cab drops Samay Thao in front of thisbuilding.(Cut to: The cab door slams shut and Samay Thao heads toward the building.)(End of flash. Resume to present.)(Grissom stands in front of the door as Catherine turns the laser on through the small hole cut inthe wire door. A red dot appears on Grissom's chest.)Grissom: And the position of the blood drops gives us a pretty good idea of where Samay was standing when he was shot. He was a little shorter than me.(Catherineadjusts the laser light.)Catherine: Shots were centered on his chest, about there.(Quick CGI visual image: A blue light visualization of Samay Thao stands outside the door near the railing. He's shot and the imagevanishes, leaving just the red laser pointing in the direction of the shot.)Grissom: My guess is, the cab was parked down there.(Grissom points behind him.)(Quick CGI visual image: A blue light visualization of thetaxicab down on the parking lot. A gunshot fires and the taxi takes off.)Grissom: The driver peeled out when he got shot.(End of CGI visual image. Resume to present.)(Catherine takes out a measuring device andplaces it on the laser.)Catherine: Vertical deflection down to the cab is roughly 60 degrees. Standard shot won't spread that far.Grissom: The pellets must have come through the screen.(Quick flash of: Keo Vipraxayraises the gun and fires. The pellets go through the screen, then hit Samay Thao in the chest. Some of the pellets miss him and go on to hit the taxi driver.)(End of flash. Resume to present.)Grissom: The old billiardball effect.Catherine: The cab driver was collateral damage.Catherine: Okay, but the man with the shotgun said he shot a burglar. What's here to steal?[START: SPLIT SCREEN](Bottom half: Grissom looks around theroom and notes the various items in the sparsely furnished room.)(Top half)[INT. PALMS HOTEL - HOTEL ROOM - DAY](Nick puts on his protective eye gear and turns on the ALS.)Nick: Semen on the bed sheets, as wellas every other flat surface in here.Warrick: (chuckles) Yeah. I've got vodka, champagne, cocaine ...Nick: Hey, hey. Pantyhose.[END: SPLIT SCREEN](Nick picks up the pantyhose. Warrick pushes the curtains aside andlets the light into the room.)(He looks at the glass windows.)Warrick: I've got some smudges over here.(Nick steps up to the window and looks at it. Warrick kneels down to look at the floor.)Warrick: I've got somefootprints.(Warrick looks at the footprints and visualizes a body standing in front of the window. End visualization.)Warrick: I think someone was standing right there.Nick: Was this guy just doing it all over the hotelroom?(Quick flash of: Julian Harper presses a woman flush up against the window glass as he kisses her neck. They're both laughing. End of flash.)Warrick: If those are his footprints ... where are hers?Nick: Or her feetwere up ... in the air. You tell me -- you just had your honeymoon.Warrick: You want to swab this?(Warrick hands Nick a swab.)[SCENE_BREAK][INT. BAR -- DAY](Sofia Curtis interviews Eva, Julian's ex-wife, as shenurses her drink at the bar.)Eva: I just don't understand. I mean, who would want to kill Julian? I mean, he'd had some weird fan mail, but I don't think any of those kinds of people would be able to get in his suite.SofiaCurtis: Were you in his suite?Eva: The ex-wife isn't exactly the best person to have around when you're looking to get laid.Sofia Curtis: Was that your choice or his?Eva: It was mutual. I'm strictly his manager now.SofiaCurtis: So if you weren't in his suite, where did you go?Eva: I was taking care of business. Checked the boys in, made sure the suite was copasetic, had a drink at Skin, and played Pai Gow until hotel security came toget me.Sofia Curtis: So how did you get to be his manager?Eva: When I was with him, he was broke. Then after the divorce, I still ... did his laundry, paid his bills, read his scripts. After a while, I wanted to get paid.Now I get ten percent of everything. Look ... I need to make some calls. Julian's parents, the studio ... can we talk about this later?Sofia Curtis: Sure. But I need your prints and your DNA now.[SCENE_BREAK][INT. CSI- FORENSIC AUTOPSY -- DAY](Robbins reports his findings to Warrick.)Robbins: Tox shows low levels of cocaine, alcohol and Prevalis. Rules out overdose.Warrick: Really? I guess he was just acting about theclean-living part. COD?Robbins: Asphyxia.Warrick: Asphyxiated how?Robbins: I don't know. No broken hyoid. That and the absence of ligature marks or bruises makes strangulation unlikely.Warrick: Did you find anyfibers in his nose or mouth?Robbins: Nope.Warrick: That doesn't rule out suffocation. Killer could have used something that didn't shed fibers.Robbins: Or maybe they came from whoever he was rolling around with inbed. Found, uh, lubricant on his genitals, probably from a condom, and minor abrasions on his pen1s, indicative of vigorous, prolonged activity.Warrick: s*x, drugs and movies: the American Dream.Robbins:Mm-hmm.[SCENE_BREAK](COMMERICAL SET)[SCENE_BREAK][CGI EFFECTS: STOMACH CONTENTS DRAINED][INT. HOSPITAL ROOM -- DAY](Warrick and Sofia Curtis interview Kate, the young woman found in JulianHarper's bathroom shower.)Warrick: Your stomach contents contain alcohol and traces of Triazolam.Katie: Try-as-a-what?Warrick: It's a sleeping pill, has you reading the inside of your eyelids for a week.Katie: I didn'ttake any pills.Warrick: We also found cocaine in your bloodstream. I guess you didn't take that, either?(She shrugs and rolls her eyes.)Katie: So I did a couple of lines, but I didn't take any pills. If I was gonna take apill, I would've popped e or a perc.Sofia Curtis: Miss Villa, we found you in Julian Harper's suite. Were you ever in his bedroom?Katie: (shrugs) Who knows? I don't even know how I ended up in Blinky's room. (groans)Oh, my ... I swear, if that guy slipped me something ...Sofia Curtis: Tell us what you do remember.Katie: Um ... me and my girls were at Skin, and, uh ... Blinky came over and said he was partying with JulianHarper.(Quick flash of: Julian Harper and the woman in red are in the pimpy booth kissing.)Katie: (V.O.) And he said they had this pimpy booth, so we went over. It didn't turn out the way I hoped.(Kate turns aroundand sees them. Blinky is sitting next to her and offers her a drink. She reaches for the drink.)(End of flash.)Katie: And the next thing I know, Blinky's on top of me.Sofia Curtis: We could assist you in reporting a daterape.(She shakes her head.)Katie: Thanks, but no.Warrick: It's not an offer, it's our job.Katie: There's this Stuff Magazine party at Ghost Bar tonight. I'm not gonna make it harder for me to get in because I tattled onJulian Harper's best friend. I mean, if I run into them tonight ...Warrick: Julian Harper will not be there.Katie: Trust me, he will.Warrick: The coroner finished the autopsy early this morning.Katie: He's dead?Sofia Curtis:Yeah.Katie: I was in Julian Harper's suite when he died? You're kidding me, right?Sofia Curtis: And being in his suite makes you a suspect.Katie: I am?Warrick: Yes. So we're going to need to take a sample of yourDNA.Katie: Oh, man.(She thinks about it and starts to smile.)Katie: I am so getting into that party tonight for sure.[SCENE_BREAK][EXT. LAS VEGAS CITY (STOCK) - DAY][INT. - DAY](Sara interviews a conveniencestore owner.)Store Owner: Yeah, I remember that guy. He's, like, Chinese or something, real spun out.Sara: He was on meth?Store Owner: Well, he was on something. He was acting all shady. Downed a bottle of sodabefore he even paid for it.Sara: And that's how you knew he was on something?Store Owner: There ain't nothin' out here. People here act messed up because they are messed up.Sara: The Metro Transit Board said"}
+{"doc_id":"doc_154","qid":"","text":"[PREVIOUSLY_ON]Mary: We have confirmed reports that the Black Death has returned once more to plague our lands.Francis: I understand all the reasons. I do. I just can't. I won't let you take my son from me. I willrise until I am rich and powerful. But I will never be yours again.Greer: Is that your daughter with Leith?Mary: Eduard Narcisse. How may we help you?Eduard: There's someone I thought untouchable. I'd like him to dieof plague. Food for survival... in exchange for one life.Mary: Every life matters! We will find grain elsewhere. You murdered an entire household!Eduard: Why make an enemy out of those you need most?Mary: Justice.Take him away.Eduard: My father will free me!Mary: No, he won't. Because he'll never find you.Eduard: (coughing) No! Mary! No! (screaming) No!(bird caws)[SCENE_BREAK]\u0000 They won't know \u0000[SCENE_BREAK]\u0000Who we are \u0000[SCENE_BREAK]\u0000 So we both can \u0000[SCENE_BREAK]\u0000 Pretend... \u0000(groans)\u0000 It's written on the mountains... \u0000Sebastian: There's 12 corpses. All adults. No... no shovels, no hooks. Keep your gloves onand wrap them with care.Guard: You should get some rest, my lord. It's not your job to handle the dead. It's ours.Sebastian: No, we have to give them proper burial. So their souls can find rest.\u0000 And the pieces broke\u0000 \u0000 And people wanted more \u0000 \u0000 And the \u0000 \u0000 Rugged wheel \u0000 \u0000 Is turning \u0000 \u0000 Another round \u0000Mary: I knew he was alive. I could feel it in my heart.Catherine: Thank God you were right. Please don't tell Francisthat I mistook my illness for the plague. It's embarrassing.(crowd clamoring)\u0000 Dorian... \u0000Francis: Mary.Mary: Where is Lola? Is she all right? (baby cooing)Lola: Mary.Mary: Lola. The... the child, is it... ?Lola: I have ason. (baby crying) (women cooing) (shushes)Francis: Bash, oh, thank God you're all right. We have to talk soon. I need an advisor I can trust. I want you on my council.Sebastian: You're already talking politics.Francis:Because I am already king.Sebastian: I'm no politician, Francis. I don't belong on a privy council. It's a liar's job. \u0000 Dorian, carrion \u0000Francis: Mary? I'd like you to meet the man that saved our lives. My cousin. Louis ofConde.Kenna: Oh, he's easy on the eyes, isn't he? \u0000 Will you ever let... \u0000Mary: Thank you for bringing them home safely. Thank you so very much.Louis: It was an honor. As is this.Francis: You and your men mustrest here before you leave. (women laughing) Your kisses are more easily attained than your words. I left impulsively.Mary: You did.Francis: And now I have returned with Lola's child. I held him and... I don't knowwhat role he'll have at court, but I want to be a part of my son's life. Of this child's life, but we will have others. Mary, my father's indiscretions were blatant, but out of respect for his wife, he gave Bash no title orstanding. It hurt him. And it hurt me to see it.Mary: The eyes of the world are watching to see if we will... If I can bear an heir. Not just for France. For Scotland. And for England as well. I know this has nothing to dowith the role you decide to have in your son's life...Francis: Well, perhaps it should.Mary: Those who are close to us... even here at court will know the truth. Your mother has guessed it already. Spend time with yourson absolutely, but...Francis: But don't claim him. Officially, you mean.Mary: Yes.Catherine: Thank you. I'm surprised to see you. My deepest sympathies for the loss of your son Eduard. Can I get you anything? Somelemonade?Narcisse: I thought this castle would be the safest place for him. Why wasn't it?Catherine: Bring us some whiskey.Nostradamus: Lord Narcisse is here. Asking a lot of questions about his son's death. Iexplained that he showed symptoms of plague, high fever, rash.Mary: You are good to cover for me. Lord Narcisse will never know. His son did die of plague. His body will tell the tale. Eduard murdered an entirehousehold to kill one foe. Since he cared so little for people, it's fitting that he died among the lowborn. I have asked much of you... not the least that you betray your very dangerous friend Catherine. She was mortifiedthat she overreacted to her symptoms. She hates being vulnerable. But it is hard not to enjoy it. We tried to save lives. I owe you. And I will protect you.Catherine: So many people died here. Nobles, servants alike. Iwas in my chambers when your son took ill. But Nostradamus, he...Narcisse: Yes. I've already spoken with your court physician. A... a father can't help but wonder about his son's final days. I survived by fleeing to thecountry. I feel that I should've sent for him.Catherine: There was nothing you could do.Narcisse: : I need to go see him now. You do understand, don't you? (groans) When was this room sealed?Guards: Two weeksago, my lord.Narcisse: Most nobles died in their chambers. Were many nobles sent here by mistake?Guards: Couldn't say, sir. It was a living hell. Do you see him?Narcisse: Not yet. That is my son. Wrap him. Carefully.(moaning nearby) Who's there? This one is still alive.Guards: How could anyone still be alive? He must be immune.Man: Water.Narcisse: That is my son. Were you with him? Did you see him die? We will get you somewater and something to eat. And then you are going tell me all about what happened to my son. (laughter, clamoring)Catherine: Ah, this is nothing compared to what we'll do for your coronation. But your safe return iscause for celebration.Francis: It's nice to see some joy in this castle after so much grief. I hear you had a hand in our new chambers as well.Catherine: One bedroom for husband and wife. Good luck to both of you withthat. I thought Narcisse was leaving with his son's body. Why is he back with so many nobles?Narcisse: King Francis.Francis: Narcisse. My lords. I'm pleased to see you're all alive and well. In the wake of the plague, Iwill be calling on all of you to enforce my laws. Together you control vast regions of France. Some of you will be valued additions to my royal council.Narcisse: Of course, King Francis. But we're here to ask something ofyou as well. Justice.Francis: What's this about exactly?Narcisse: My son Eduard... was murdered. Here in your castle while you were away. By Nostradamus, the court physician. I don't know what grudge you heldagainst my son.Nostradamus: I had no argument with him.Narcisse: Then why did you make false diagnosis?Why did you condemn him to death?Francis: These are serious allegations.Narcisse: My son was healthywhen he was thrown in with servants riddled with plague. I know this because a witness, a survivor, has told me this tale. My son was deliberately infected.Mary: I assure you, if a mistake was made, Nostradamusintended no harm.Narcisse: Assure us all... your loyal nobility, that we are still safe under your rule. We who collect your coin, we who grow your food, we who provide your soldiers, we who uphold your laws. Hold themurderer of my son accountable to these same laws. And show us that no life, especially one of our own, may be taken with impunity. (gasping, murmuring)Francis: Take Nostradamus away for questioning.Mary:Eduard murdered an entire household... men, women and children. I did what I had to.Francis: And Narcisse knows it was you who killed his son?Mary: I was the one who forced Eduard into the plague room against hiswill. If there was a survivor, he would have witnessed everything.Catherine: There was another survivor of your crimes, Mary. Me. You drugged me, didn't you? You were so adamant to stand up to the nobles, and I gotsick just when you needed me out of the way.Mary: I had to stop you.Catherine: Oh, you wouldn't delve into my poisons without help. It was Nostradamus. Your actions spared no one, saved nothing and cost us alldearly. Narcisse wants the guards who brought his son to the catacombs executed as well.Mary: We don't have to accede to his demands. You and Henry might have bowed to the nobles, but we won't.Catherine: Wekept the nobles happy. If they feel betrayed, they can rise up against you. I've seen revolts firsthand, a full-scale rebellion could mean the end of your reign.Francis: I know that you want to do things differently, but I'mnot sure that this is the time. The plague shortages have given too much power to Narcisse. The nobles follow him now, and they are watching our every move.Mary: Then let them watch you, and that you be abovereproach. This was my mistake and I'll fix it.(indistinct conversation, hammer clinking) (horse whinnies)Man: Whoa.Leith: Oh... Lord Castleroy.Castleroy: Wasn't this enough for you? A kitchen boy, given some of thebest lands in the region. You had to have my daughter, too?Leith: Lord Castleroy, I am so sorry. Yvette was kind and...Castleroy: She was everything you told Greer you wanted. Rich and innocent and my daughter.How Greer would have suffered to see your rise, and what a close view she'd have had.Leith: I can assure you that I didn't realize who she was until after we...Castleroy: If my daughter had never met you, she wouldbe alive!Leith: I would never have hurt her.Castleroy: I don't know that, and neither do you. Given the proximity you would have had to the woman I know you love.Leith: Look, please, just... look, wait...Greer: Leith,no! (Grunts)Castleroy: Stay away from my family. Or I will destroy you.Narcisse: Queen Mary. Where is your husband?Mary: I would prefer it if we settled this matter privately. I think you know who's truly responsiblefor Eduard's death.Narcisse: You are. But, as you are a queen, you're nearly untouchable. Nearly. But those that lied for you, I can reach easily enough. That is how I will punish you.Mary: Your son was a monster. Heasked me to murder his enemy, and when I refused, he poisoned an entire household.Narcisse: Why didn't you arrest him?Mary: I let my anger get the best of me. And my outrage.Narcisse: Hand what of mine? He wasmy son! He was loyal and obedient and he had his whole life ahead of him. He was to marry an archduchess, gain one of the most prized farming regions in France...Mary: He was to marry into land? He told me he wasalready married. That Voland had slept with his wife. Why did he really want Voland dead? You also said he was obedient. Was he following your orders? I am queen. You will answer my questions. Why did you wantVoland dead? I command you!Narcisse: No, you command nothing! I don't fear you, I don't fear your husband! Because without me, without the other nobles, your power disappears. We are the outside world, and wesurround you. There is a consensus amongst the other nobles, given my son's station, that an example must be made. So when the dawn comes, Nostradamus and your guards will be drawn and quartered.Mary: That isa horrific and agonizing death.Narcisse: This is what they want. This is what will satisfy them. And you will learn never to cross me again.Francis: My mother's been negotiating to spare Nostradamus, but it's no use.Narcisse wants retribution, and he has the nobles on his side.Mary: Murdering innocent men to teach me a lesson. He's more wicked than his son.Francis: Why didn't you wait? You could have had him arrested.Mary: IfI had, Narcisse would have pressured us to release him. We'd be in the same position we're in now with him trying to force your hand.Francis: If his son were alive, Narcisse wouldn't be consumed with revenge. It wasreckless, Mary.Mary: I saw an entire family be murdered. My rage took hold. It might not have been the best decision, but it was justified.Francis: It was a choice that you made alone. What is it?Mary: I know I told youto go to Lola, but then the plague came and you knowingly abandoned me to a nightmare. You are the king who deserted his castle, and I am the queen who was left behind, alone. Alone because of your mistakes. Outof all the people you could have slept with, did it have to be one of my ladies?One of my closest friends?Francis: We can't afford to do this now.Mary: If you bow to Narcisse now, you'll be doing it for the rest of yourrule. What kind of king do you want to be?Francis: I've been trying to figure out what kind of king I can be. Whether there is a way to stop this execution without destroying my relationship with some very powerfulnobles.Mary: If only we had something to leverage against Narcisse, we could force him to back down.Francis: Conde suspects Narcisse of murdering families to take their lands. I'll send my brother to the villageswhere he acquired property during the plague.Mary: You're looking for evidence of murder. Something to blackmail him with.Francis: Anything. What is it?Mary: I believe Eduard was acting on his father's orders. I don'tknow why Narcisse wanted Voland dead, but I'm going to try and find out.Francis: The execution is at dawn.Mary: I promised Nostradamus my protection. One way or another, we have to find something.Maid: Theseare Lord Voland's chambers.Mary: Leave me. Thank you.Lola: Mary.Mary: Lola, what are you doing here?Lola: Francis explained your situation with Narcisse. I wanted to help.Mary: Francis shared that with you?Lola: Iwas with Francis when we met Narcisse on the road. It gave me chills to see him here at court. I could see Francis was troubled and I asked him what was wrong.Mary: When was this?Lola: When he asked me how thebaby was doing. Mary, I know our situation is painful...Mary: And for you, too. Does he have a name yet?Lola: I call him Robert, after my youngest brother. If Francis claims him, he may choose another name.Mary: Isuppose it would be best for you, if he did. You'd rise above speculation and gossip. You would both gain status and respect.Lola: I just want to be with my child. The more time I spend with him, the less anything elseseems to matter.Mary: It's all right to take joy in being a mother. You don't have to hide that from me.Lola: What is it?Mary: It's from the privy council, to Lord Voland. \"In response to your urgent request... \"Lola: Itsays Voland was desperately seeking an audience with the king before he died.Mary: Well, you said you want to help. I need you to find out whatever you can about Voland's final hours. He wanted to tell Francissomething... I need to know what it was.Leith: It is you. When they announced that you were here, I, uh... I didn't believe it.Greer: I feel as if I betrayed you. I didn't mean to tell Lord Castleroy what you said. Whatyou said in anger. But at the time...Leith: You thought it was true. That I would steal the heart of another just to wound yours.Greer: I was upset when I saw you and Yvette together. I realized how jealous I sounded toLord Castleroy, so I told him your words. As if it was just my concern for his daughter. I did it to protect myself.Leith: You're good at that, aren't you?Greer: Not really. I've poisoned everything. There's little but hateand mistrust between all of us. (sighs) I wish I could turn back time, but I can't. I'm sorry. I'm sorry and... I pray the day will come when I no longer regret that I loved you. Please don't blame yourself for Yvette'sdeath. If I'd let you go to her...Leith: Never tell your fiancé that. Let it be, Greer. What's done is done. Don't cause him any more pain. Let that be a vow that we both keep. You should go. Don't come back.Sebastan:I'm investigating Lord Narcisse. I've heard many of the dead lost their lands to him.Gravedigger: They were murdered. He plucked the deeds to their lands from their stiff, cold fingers. Or so I'm told.Sebastian: Do youhave any proof?Gravedigger: There's proof of murders, theirs and plenty of others, if you want to dig it up. It's all under there, buried with the rest of the unfortunates.Sebastian: In the same mass grave with all theactual plague victims. Corpses came by the cartful, the sick and the murdered. And once they're tossed in... who's going to ask questions? (sighs) Don't take it too hard, my lord. Same thing happens every plague.Justice suffers and dies with the rest of us.Woman: Deesh-kin... aarin kir mograndee.Sebastian: Who are you? Why are you doing that?Woman: From the castle, now, are you? I am. I hear the nobles locked themselvesin with cakes and fine wines, while we watched our loved ones rot and turn black before our eyes.Sebastian: There were many deaths at court as well.Woman: Bury them well, mind you. So many. Wickedly mistreated,not just in life, but in death. Do people really expect them to go?Sebastian: What do you mean?Woman: It's hard enough to get spirits to leave us, but now? There's a door between the dead and the living, and theplague kicked it down. And if the dead aren't guided through... the door stays open. The door is open. They'll get to us before you know it. There will be...Sebastiab: A reckoning.Mary: So we have no proof to useagainst Narcisse unless we want to dig up mass graves and release the plague?Sebastian: If Narcisse is using the plague to cover his crimes, he's not the only one. Neighbours, Catholics, Protestants... they're killingeach other. Even a cardinal's body was found in an alley with his throat slit.Francis: A cardinal? Who?Sebastian: Cardinal Morosini, killed for the gold in his vestments, they say. (Door closes)Lola: I'm here to seeMary.Mary: What did you find?Lola: I spoke with a castle page. Before Lord Voland joined his family in their chambers, he insisted on taking confession. I had to bribe a few altar boys, but I got the priest's name. FatherLucien.Mary: Where do we find this priest?Francis: You look troubled, Brother. I know you call Nostradamus friend.Sebastian: I do. And he's a friend we may need.Francis: What do you mean?Sebastian: He has certainskills . And I know that you don't believe in them or the occult. But something has changed out there. There's talk in the village that the dead are still with us.Francis: People feel guilty for surviving. They torturethemselves.Sebastian: No, a guard heard screams of the dying from an empty room. Servants claim that old castle ghosts have returned. And a woman in the village claims that all this death and injustice has left adoor open between this world and the next and some of the dead are on the wrong side of it.Francis: Still here among the living?Sebastian: And that they stay because they were treated wrongly. Either not given properburial or cut down unjustly.Francis: Murdered. What does this woman think the dead want?Sebastian: The truth revealed.Francis: You mean revenge.Catherine: I loved Henry. But he was a terrible husband and a worsefather. What kind of a father do you hope to be?Francis: Nothing like him.Catherine: Really? Then what will you do about Lola's child? Will you claim him?Francis: I haven't decided.Catherine: You must be worried hemight be your only child. I'm speaking to you as a mother. As your mother. I can tell you that if you do not claim him, there will be a distance between you and that boy for the rest of your lives. He will never be king.But he might be your only chance at being a father. And I can promise you that raising him will be the singular joy of your life.[SCENE_BREAK](door creaks)Greer: Aloysius. I was just going to change and meet youdownstairs.Castleroy: Your servants said you went into town.Greer: Yes, I bought some things for the children.Castleroy: You were gone a long while.\u0000 When it's all falling apart \u0000 \u0000 I'll be the one... \u0000Greer: I went tosee Leith. I know you are in pain, but there's no need for such animosity. Leith is racked with guilt. I am, too. You must know I'm loyal to you. \u0000 And you can't find the spark... \u0000Castleroy: I have been wondering aboutyour loyalty of late. Leith's vow...Greer: Was said... in the moment, in anger. I chose you.Castleroy: You chose the life I could give you.Greer: I chose you, and you chose me knowing that I'd loved another, that I haddone ruinous things for that love. You knew that about me.Castleroy: I didn't know how it would feel. \u0000 It's all gone... \u0000Castleroy: I have business that will take me away for some time.Greer: How long?Castleroy: Idon't know. I'll be seeing my younger children as well. I need to be the one to tell them that their sister is dead.Greer: Will you be back?Castleroy: I don't know.\u0000 Together \u0000 \u0000 I'll be there. \u0000Father: I'm not afraid ofbreaking my vows, Queen Mary. What I do fear is Lord Narcisse.Mary: I will stand against him. Father, I made a mistake a few weeks ago, and now innocent men could pay for it with their lives. Whatever Voland toldyou could save them. Please help me.(crickets chirping)Father: Lord Voland worked with Narcisse. They collected money for the Vatican, but greed interfered, and they kept some of the Church's gold for themselves.Cardinal Morosini discovered their crime.Mary: Cardinal Morosini? He was found dead in a neighboring village.Father: Protestants were blamed but never identified. I know the truth. It was Narcisse and Voland whokilled him. Voland's heart filled with remorse. Narcisse knew his resolve was weakening, so before Voland could confess to your king or to the Church...Mary: He had him killed. Along with his entire family. (sighs) Youunderstand we could destroy Narcisse with this. The Vatican would strip him of his power. You must testify to the king and to the assembled nobles at court.Father: But what I've told you I can never repeat. I'm just a"}
+{"doc_id":"doc_155","qid":"","text":"Michael: Ughh... Blech.Dwight: OK, where does it hurt?Michael: Just... all over. I don't want to do anything... I'm dying...Dwight: No, that's not how it works. You have to point to a specific part of the body.Michael:Right there. [Michael points to computer screen.]Dwight: [reading from screen] \"Abdomen. Menses.\"Michael: Maybe.Dwight: \"The uterus contracts after your egg passes through it.\"Michael: Not it. I don't haveeggs.[SCENE_BREAK]Pam: About 40 times a year, Michael gets really sick, but has no symptoms. Dwight is always gravely concerned.[SCENE_BREAK]Dwight: Oh, is it possible you ate food that contained animalwaste?Michael: That's possible.Pam: Michael?Michael: Uh-huh?Pam: David Wallace is on line one.Michael: The CFO? Ohh...Michael: OK, everybody out. Out. Out. Out. OK.[SCENE_BREAK]Michael: To what do I owe thisgreat honor, David Wallace?David: [on phone] Michael, I am calling---Michael: And Gromit. [David sighs] Jan? Is Jan there?David: Jan is out of town right now.Michael: Oh, you sigh like Jan. I broke Jan's heart, David,and it was awful. It was... It was never my intention to ruin a life. But you know what? Sometimes...David: Michael?Michael: ...you just gots to get your freak on.David: Michael?Michael: Yeah.David: Michael?Michael:Hmmm.David: I am calling to see if you can come down and interview for a job we have opening in corporate.Michael: Really?David: Week from today. Bring your first quarter stats and your recommendation for whowould take over the Scranton Branch.Michael: Wow. I wish I had prepared something to say.David: That's not necessary.Michael: May God guide you in your quest.David: Yes.[SCENE_BREAK]Michael: OK, everybodyhave their towels and swim suits? We have about an hour and half. I suggest that you all go potty now and then we will be congregating on the partay bus.[SCENE_BREAK]Meredith: Oh I'm excited. Today is Beach Day!And Michael is taking the whole office to the beach. So I'm wearing my bathing suit underneath my shirt [lifts up shirt, definitely not wearing anything underneath] Oh, yeah... I packed it in mypurse.[SCENE_BREAK]Michael: Oscar, you brought your Speedo, I assume?Oscar: I don't wear a Speedo, Michael.Michael: Well, you can't swim in leather pants. [laughs] I'm just yankin' your chain. Notliterally.[SCENE_BREAK]Toby: Anybody need sun block? Got SPF 30.Michael: Oh, you know what? Uh, you're not going.Toby: It's Beach Day...Michael: Yeah, I know. I'm sorry, Toby. We... um... Somebody has to stayhere.[SCENE_BREAK]Michael: I want today to be a beautiful memory... that the staff and I share after I have passed on to New York. And if Toby is a part of it... then it'll suck.[SCENE_BREAK]Toby: Hey, want my sunscreen?Pam: Oh, great. I forgot mine and I'm wearing a two piece.Toby: Uh-huh.Pam: Thanks Toby.Michael: Hey Pam, I have a very important job for youPam: I thought we were just having fun at the beach.Michael:We are. We are. But, I would like you to take notes. And I want you to find out about people's character. Not their hotness, per se, but their humor, and their charisma, and the indefinable quality that makes you allglad to follow me.[SCENE_BREAK]Michael: What happens to a company if somebody takes their boss away? I will answer your question with a question. It's like what happens to a chicken when you take its head away.It dies. Unless you find a new head. I need to see which one of these people have the skills to be a chicken head.[SCENE_BREAK]Pam: You want me to write down people's indefinable qualities?Michael: I want you towrite down everything that people are doing all day. And then type it up, in a way that is helpful. Alright?[SCENE_BREAK]Pam: I have the most boring job in the office, so... why wouldn't I have the most boring job onbeach day?[SCENE_BREAK]Michael: This way to the partay bus.[SCENE_BREAK]Kevin: I just want to lie on the beach and eat hot dogs. That's all I've ever wanted.[SCENE_BREAK]Kevin: [singing] [Angela mouthing thewords next to him] And the night got deathly quiet, and his face lost all expression. Said, \"If you're gonna play the game, boy, ya gotta learn to play it right.\" [rest of office joins in at varying times] You got to knowwhen to hold 'em, know when to fold 'em, Know when to walk away and know when to run. You never count your money when you're sittin' at the table. There'll be time enough for countin' when the dealin'sdone.[SCENE_BREAK]Michael: Everybody, may I have you attention please? Today, we are not just spending a day at the beach.Stanley: Oh, sweet mother of God.Michael: If you don't like it, Stanley, you can go to theback of the bus.Stanley: Excuse me?Michael: Or the front of the bus. Or drive the bus. Just, we are all participating in mandatory fun activities. Funtivities! And there is a special secret prize for the winner!Dwight: Yes!Funtivities! I knew it wasn't just a trip to the beach.Michael: Okay, you know what? Your enthusiasm's turning people off.Dwight: I hope there will be management parables.Michael: Well, [whispering] Hey Pam, did youget that down?Pam: Like what?Michael: Like everything I said and everything they did and... Just don't...Pam: Well... no, I don't... exactly... what?Michael: Well write it down before you forget it. That's... You've justbeen drawing pictures. [sighs] Rrrr. I can't stay mad at you.[SCENE_BREAK]Michael: Here we are ladies and gentlemen. Everybody ready? Last one down is a rotten egg. [Gets off bus] Watch out forsnakes![SCENE_BREAK]Angela: Everyone put on sunscreen.Michael: Alright, find a cozy spot. Everybody settle in. [everybody sits down on beach] OK, everybody up! Circle 'round. [motions for circle to form] Let usplay some games. We are situated on the northeast corner of scenic Lake Scranton. America's eighth largest indigenous body of water. It is here that a group of Americans will undergo the ultimate challenge. One day,14 strangers who work together, but only one survivor.Oscar: What?Michael: Just words. Inspiring words. [under breath] Not a contender. [out loud] For the competitions, you will be divided into four tribes. Each tribewill have a leader that I will pick randomly off the top of my head without thinking. Jim, Dwight, Andy and Stanley.Dwight: Yes!Michael: Choose your tribes. Except for Pam. Not Pam.[SCENE_BREAK]Michael: JimHalpert. Pros: smart, cool, good-looking. Remind you of anybody you know? Cons: not a hard worker. I can spend all day on a project, and he will finish the same project in a half an hour. So that should tell yousomething.[SCENE_BREAK]Dwight: I choose Michael!Michael: I'm not playing.Dwight: OK, temp.[SCENE_BREAK]Michael: Dwight is an obvious candidate for my job. He has the best sales record in the office. He lovesthe work. He is, however, an idiot.[SCENE_BREAK]Michael: We are going to choose team names. Dwight?Dwight: We will be called Gryffindor.Jim: Really? Not Slytherin?Dwight: Slytherin are the bad guys, Jim.Jim: Iknow. Okay, we will be Voldemort.Dwight: He-who-must-not-be-named? I wouldn't do that.Jim: [starts chanting] Vol-de-mort, Vol-de-mort ...[Kevin and Karen follow] Vol-de-mort! Vol-de-mort! Vol-de-mort!Dwight:OK, seriously. You really shouldn't be saying that.Michael: Hey, hey, hey. Ok, Ok... Stanley, your team name?Stanley: I don't care what you call my team.Michael: Then I will name your team the Red team.Stanley: No[crosses arms], the blue team.[SCENE_BREAK]Michael: I am also considering Stanley because of all the good that black people have done. For America.[SCENE_BREAK]Andy: We will be team U.S.A.Michael: Very good.Pam, please take a note that Andy is patriotic.[SCENE_BREAK]Michael: Andy Bernard. Pros: He's classy. He gets me. He went to Cornell. I trust him. Cons: I don't really trust him.[SCENE_BREAK]Michael: It is time forthe great spoon and egg race. This one is with a little twist.Stanley: There's already a twist, you're carrying an egg on a spoon.Michael: Shh... The person carrying the egg will be blindfolded. Please put on yourblindfolds. That person carrying the egg will go down, circle a torch, come back, deposit their egg in the pail. First team back is the winner. Alright. Ready? Set. Go! [contestants start walking]Oscar: Come on Phyllis,you can do it. [Phyllis' egg falls off spoon] Ahh...Stanley: Thank you so much. [Stanley sits down and pulls out his crossword puzzle]Andy: Phyllis is out. Yes! [to Kelly] Follow my voice. Follow my voice. Yeah, keep itmoving. Keep it moving. Right this way. Looking good. [Cheers]Kelly: I don't want to hit the big rock!Andy: Don't worry. You're not...Kelly: I know I'm near the big rock. I just know it.Andy: No where near the bigrock.Kelly: [takes off blindfold] I just don't want to get hit by it...Andy: What're you doing? No! See, now we're disqualified.[SCENE_BREAK]Andy: I am okay if I lose every single contest today. Honestly. Because I seethese contests as an opportunity for me to demonstrate what a good sport I am. Mallard! [throws a stone][SCENE_BREAK]Jim: [to Karen] Woah, stop, stop, stop. There's a hole. Step over the hole.Karen: Hole?Jim:Yup. [Karen takes a big step] Perfect, oooh, just made it. OK, turn left.[SCENE_BREAK]Dwight: [to Ryan] Come on! Come on! Andale! Arriba! Arriba!Ryan: Can you just stop this right now, or I'm not gonna do thisanymore.Dwight: What are you saying?Ryan: You have to stop yelling at me or I'm not gonna do the egg race.Dwight: OK, I apologize for yelling at you.Ryan: That's what being a good captain is about. It's aboutlistening to the members of your team.Dwight: I am trying to bring team spirit.[SCENE_BREAK]Jim: [to Karen] Woah, stop, another hole. Take a big step. [Karen steps into lake] Yes!Karen: [lifts up blindfold] Oh myGod! You ass! [chases Jim and throws egg at him] [both laugh][SCENE_BREAK]Pam: There's nothing better than a beautiful day at the beach, filled with sun, surf, and uh... diligent note-taking. [holds up notes]Michael:[off screen] Pam...you're missing things. [shakes off hand and starts writing in notebook][SCENE_BREAK]Dwight: [at Ryan holding egg in spoon] Let's go! Let's go! Come on! Mush! Mush! Come on you b*st*rd! [Ryantakes off blindfold and throws it to ground along with egg and spoon] What the? Damn it temp!Andy: [begins to clap] Great job everyone, that was fantastic. [Michael sighs][SCENE_BREAK]Michael: Okay Pam, I haveanother little project for you.Pam: Does it have to do with these shopping bags filled with hot dogs?Michael: Smart as a whip! Yes! [holds up hot dog packages] These are pre-cooked, so it's not absolutely necessary,but I would appreciate it if you could heat up 800 hot dogs for a little contest I'm going to be having. I would greatly appreciate it.Pam: When's the contest?Michael: Like umm...[looks at watch] ten minutes?Pam: Howam I supposed to... get...Michael: Thanks a bunch.[SCENE_BREAK]Michael: A good manager has got to be hungry. Hungry for success.[SCENE_BREAK]Michael: OK, who's hungry [Kevin starts to put hot dog in mouth]No, no, no. Do not touch the food. Please. Not yet. That is our next event. A hot dog eating contest. [sighs at the table] For those of you who are curious, the world record is 54 and one half hot dogs. Wow! And youknow what? I personally have cooked up enough so each and every one of you could break that record. So shoot for the stars, OK? Alright, the team that eats the most hot dogs in ten minutes will be declared thewinner. On you mark. Get set.Kelly: Can I have a turkey burger?Michael: No, I have the only one. I claimed it. Ready?Oscar: Turkey is a healthy meat.Dwight: It's very good for you. [overlapping talk from all attable]Michael: Guys, guys, guys. Come on! Pleeeeease... Let's just... OK, it's very important that you all try to eat as many hot dogs as you can. On your mark. Get set. Eat!Phyllis: Is there any mustard?Michael: Nomustard, no mustard. Just eat it, eat it, Phyllis. Dip it in the water so it'll slide down your gullet more easily.Michael: Come on, the winner gets a big, big prize.Meredith: [eating hot dog] What is it?Michael: I can'tsay.Jim: You can't say, or you can't pronounce it?Michael: The winner gets a regional manager's salary for a year, and a Sebring, and the feeling that they are making a difference in the world.Kelly: Can we just takethose first two things?Michael: The winner of today gets my job. Ok? I'm interviewing for a job at corporate. And they're only interviewing a handful of people and I'm the most qualified and I'll probably get it.Alright?Dwight: You're leaving?Michael: I didn't want to tell anyway. I didn't want to cast a pall over our fun beach day. But you know what? I don't know who to recommend because frankly nobody is stepping up.Andy:[slams fist onto table] I am so hungry! [starts eating hot dog real fast]Stanley: Do you expect me to believe that you're truly making your recommendations on this basis?Michael: [points at Stanley] Word. [Stanleystarts eating hot dog] There we go. Let's see it.[SCENE_BREAK]Stanley: I would rather work for an upturned broom with a bucket for a head than work for somebody else in this office besides myself. Gameon![SCENE_BREAK]Michael: Four. Three. Two. One. Stop your eating! And the winner is Andy Bernard, with 14 hot dogs!Kelly: Team U.S.A.!Andy: One came up.Michael: 13 hot dogs, everybody!Dwight: Damnit![SCENE_BREAK]Creed: [holding a fish with all the meat stripped off] Nobody told me we were going to have hot dogs![SCENE_BREAK]Dwight: Sabotage.Angela: What? What are you saying? Did you saysandwich?Dwight: No. I was saying that before. Not now. Now I am saying sabotage. The ancient Dutch art of screwing up your own team.Angela: I knew you were saying sabotage. I was giving you an example of it. Iwill misunderstand everything that Andy says until he goes insane.Dwight: If Michael organizes some kind of group hug, stand next to me.[SCENE_BREAK]Michael: It's very simple. There are only three rules. You mustnot touch the ground. You must not step outside of the ring. And you must always wear the safety mittens.Stanley: Uh, we don't have any safety mittensMichael: Probably left them in the trunk of my car. It's alright.It's alright. Here we go.Karen: Get 'em big boy!Michael: Aaaaaand, go!Karen: C'mon, Jim!Stanley: [growly noises, Jim looks terrified]Jim: What are you doing?Michael: Nice, Stanley!Stanley: [to Jim] Sorry about that.It's all about taking points away from Dwight.Jim: Yeah. No. Good.[SCENE_BREAK]Jim: Oh, my God. I have never seen that look in a man's eyes... ever. I thought that I might die. On beach day.[SCENE_BREAK]Oscar:If either of these guys are put in charge of the office I will transfer to Albany. Gil can come if he wants. I'm kinda looking for a way out of that relationship anyway. I think I might try girls for a while. Angela thinks I cancross over. We'll see.[SCENE_BREAK]Dwight: [Andy and Dwight sumo wrestle] Gaaaaa....Michael: One. Two. Three.Dwight: Yaaaaa! Yaaaaa!Michael: Excellent!Dwight: Gryffindor! Gryffindor![SCENE_BREAK]Andy: Ididn't win. But the only reason I didn't win is because I recently learned that it's better to work thing out with words.Dwight: That's not why you lost.Andy: Yeah it is. I totally could have kicked your butt so bad.Dwight:Yeah, right.Andy: Yeah, right, c'mon! C'mon! [Dwight and Andy wrestle]Dwight: [bouncing off of Andy] Aaaagh! Uggggh! How do you like that?[SCENE_BREAK]Andy: [Trying to wet bandana, falls in water] Oh, God!Waaa! Guhh! Wuuuh! Help! Angela! Angela, hey! Oh, thank God! Please tell somebody!Angela: What, Andy? Andy, what should I tell them?Andy: Go tell them I'm floating away, obviously!Angela: I don't understandwhat you want from me.Andy: Angela, it's pretty simple! Look at what I'm doing and go tell somebody about it!Angela: Sorry! Bye, Andy!Andy: Angela![SCENE_BREAK]Michael: I knew that finding a successor would bedifficult. I did not know that it would be impossible. Thus far the candidates have been wildly disappointing. Uh, Jim is not taking it seriously. Uh, Stanley is having a stroke. And Andy, where is he? Where the hell isAndy? Where is he, Pam? Do you know? Ah... who's ahead in points?Pam: I think they're even. At various times you gave Jim ten points, Dwight a gold star, and Stanley a thumbs up. And I don't really know how tocompare those units.Michael: Check to see if there is a conversion chart in that notebook.Pam: I really doubt it, Michael.Michael: Please just check.[SCENE_BREAK]Jim: [on cell phone] Great. Yeah, I'll see you nextweek. Thank you, and here is Karen Filipelli. Bye.Karen: Hello? Yeah, hi David. Yes, I would like to be considered for the corporate position in well.Jim: In well?Karen: As well.Jim: How would that work in well? I justwant to know.Karen: Yes. uh, huh.Jim: Wait a minute.Karen: That would be fine.Jim: If this job is in a well, I don't want it.Karen: [whispering] Cut it out!Jim: I don't![SCENE_BREAK]Michael: What does a greatmanager need most of all? Courage.Stanley: How so? I mean... sure thing, that sounds smart... I can't do this anymore! I'm goin' to sit in the bus.Michael: Your loss, Stanley. Meanwhile the rest of us will have a superfun time defeating our fear and creating a lasting memory. Walking through FIRE![SCENE_BREAK]Michael: Who among you has the guts to replace me? Let him walk across these coals.Kevin: Are you going to tryit?Angela: I'm not going to talk through the fire after your disgusting feet have gone through.Kevin: Angela, it is a million degrees.Pam: I'm gonna do it. And I fully expect to burn my feet and go to the hospital. That'sthe right spirit when doing a coal walk, right?Michael: No. No, not you, Pam. You have to keep score.Pam: I'd like to try it.Michael: Pointless.Pam: But I'm not kidding. I really want to do it.Michael: Blah, blah, blee blup,blup, okay? This is about guts. It takes guts to be a regional manager. Jim, you're up.Jim: Nope.Michael: Ji.. why not? C'mon.Jim: Oh, 'cause I don't want my feet to get burned.Michael: You do not have what it takes tobe a regional manager.Jim: That's harsh.Michael: Who's next? Andy? Where's Andy? Andy is never here today.[SCENE_BREAK]Andy: [lying in water, car lights light up his location] Hello? Who's there? My name isAndrew Bernard, I was with a group called Dunder Mifflin. Hello?[SCENE_BREAK]Kevin: Why don't you go Michael?Michael: Because I already did. Remember? I burned my foot on a George Foreman grill.Jim: And thatis not the same at all. If you're going to ask other people to do it, you should do it yourself.Michael: Alright. Okay. Alright. Fine. 'kay. [clears throat, breathes noisily] The mind has to wrap around the foot. [exhales]Okay.Pam: Do you want us to count to three?Michael: Yes. Count to three, please.Group: Three. Two. One.Michael: Count the other way. Count... no, no, count one, two, three, not three, two, one.Group: One. Two.Three! Go! Do it! Go, Michael.Michael: Wait! Am I going on go? Or am I going on three?Creed: On the go that's after three.Michael: Okay.Group: One, two, three, go!Dwight: No! It's okay. I will do this Michael.Michael:Don't, don't.Dwight: [walking on coals] I will walk and stand on these coals until you award me the position of regional manager!Group: Wow. Go, Dwight. Keep moving.Dwight: [standing still, on the coals] GIVE METHE JOB! GIVE ME THE JOB!Michael: I'm not going to give it to you.Dwight: [falling on his knees, then on all fours] Aaagh, aaagh!Group: [yelling excitedly for Dwight to get off the coals]Pam: Michael, dosomething!Dwight: Aggggh, that stings![SCENE_BREAK]Michael: Being the boss is also about image. I've never looked like that. That was gross. I just, I don't see the connection between a firewalk and management.Worst seventy-five bucks I ever spent. You know what, if I had to pick my replacement based on today, it would be Mr. \"Outside Hire.\"Angela: Or Mrs. \"Outside Hire.\"Michael: Yeah. Ummm, hmm... True. Look, I don'twant to leave this branch that I love to an outside hire therefore we are going to have a one hundred point winner take all sudden death tribal council round. To test the aspect of my job that I think is the mostimportant, something I call the Bob Hope factor.Kelly: Who's Bob Hope?Michael: God! He's a comedian.Kelly: Oh, like Amanda Bynes.Michael: Who's Amanda Bynes?Kelly: She's from \"What a Girl Wants.\"Michael: Oh, Ilove that movie. Yes, Kelly is right, the person to replace me has to have a great sense of humor and they have to possess the leadership qualities of a Bynes or a Hope. So without further ado, Jim and Dwight show uswhat you got.Jim: Hey, I know what you're looking for, but um, I got to be honest, I really don't think I should be considered as your replacement.Michael: You are being too modest.Jim: Michael, on Thursday I'm goingto drive down and interview with David for the open position in New York.Michael: Hhhh... okay. That is not funny. I am deducting sixty points from Voldemort for false pretenses. Okay, Dwight your turn. Wow"}
+{"doc_id":"doc_156","qid":"","text":"[Scene: The School Hallway. Dawson and Jack are walking down the hallway, when a student runs out in to the hall calling for people to follow him into the pool room.]Student: Everybody! The swimming pool! You'vegot to see what they did to the swimming pool.Student2: My!Joey: You don't see this every day.Mitch: What the hell is this?Principal: That's my boat... And my dog.Jack: Who could have possibly?Dawson: [Laughing] Ishould have thought of this.Joey: Dawson, while we do recognize your talent as a witty practical joker, I think that this is even out of your league.Principal: Chester. Come here.[Some students pull the boat to the edgeand the dog hops off and walks up to Jack and sits down. Jack looks nervously down at the dog.]Principal: Do you know that dog, Mr. Mcphee?Jack: No. No.[SCENE_BREAK][Scene: The School Hallway. Anannouncement comes over the PA and as the students are called they walk out into the hallway.]Principal: [Over the P.A.] Will the following students please report to Principal Peskin's office immediately. Jack Mcphee,Zack Estrin, Dawson Leery, Dave Bussan, Pacey Witter.[Scene: The Principal's Office. There is a montage of Jack, Dawson and Pacey being questioned by the Principal and Mitch.]Principal: Process of elimination hasmade you one of the lucky 3 that I still consider to be a suspect in this crime. Now ,there's an easy way to do this, Mr. Witter, and there is a hard way.Pacey: Well, seeing as I have absolutely no idea what crime you'rereferring to, I'll probably take the easy way.Dawson: What, are you guys accusing me of something?Mitch: You know that you're the last person I would suspect of being responsible for a stunt like this, but you can alsounderstand why we would have no choice but to bring you in.Jack: [Laughs] yeah. The dog fingered me.Mitch: We're on your side, Pacey, but we got to get to the bottom of this mystery. And circumstances require thatwe at least consider you as a possible suspect.Dawson: What circumstances would those be?Mitch: Well, given that you're my son, it, uh, follows that you would have access to my master keys to the school, therebyplacing you on a rather short list.Principal: Mr. Witter, everyone in Capeside is aware of the rather sad fate of the late vessel true love, which, I believe, gave you access to the marine storage facility in the yacht clubwhere my boat resided at the time of its boat napping, if you will. [Cut to Jack] Chester was taken sometime between 10:00 in the morning, when Mrs. Peskin let him out after breakfast, and noon, when she realized hewas gone. So all you have to do is tell us where you were and who you were with yesterday morning.[Scene: Gram's Front Porch. Jack is outside the porch door banging on it and calling to Jen.]Jack: Jen! Jen, come on.Jen! Open the door.Jen: Oh. Oh. I'm still asleep. And this is a dream in which you're heterosexual.Jack: Yeah. These are for grams. Can you open the door, please? I got something way better for you.Jen: Really?Jack:Yes.Jen: What could possibly be better than a dapper, young lad bearing a floral arrangement?Jack: I talked to the guidance office. You know that community service, manual-labor thing you're supposed to bedoing?Jen: Oh, yeah.Jack: I asked them if it was possible if you could fulfill your commitment by assisting me with my soccer team.Jen: And what'd they say?Jack: They said, \"providing that kind of guidance for a kid \"isexactly the kind of rehabilitating activity that your kind needs in order to mend her evil ways.\"Jen: Jack, I think I'm more qualified to pick up trash on the highway than mold impressionable young minds.Jack: Aw, comeon. Look, I need you here. Every since Andie left, I've been barely getting by. I mean, the soccer parents have been completely unhelpful. And if that weren't enough, my star goalie broke his leg yesterday trying tojump off the roof of his house into his swimming pool.Jen: Ok. All right. You've sufficiently plucked my heartstrings. I'll do it.Jack: You're a goddess. Give these to grams when she gets back from church.Jen: Ok.Jack:Hey, I'll be back at 12:45 sharp to pick you up.Jen: Where are you going? I--I can make eggs. Um-- I got to, uh, I got to meet Drue at the hardware store.Jack: Why are you meeting Drue at the hardware store? Longstory. It's a karma thing. Hey, I gotta run.[Scene: The Principal's Office. Mitch and the Principal are questioning Pacey to tell his tale.]Principal: You say you didn't pull this stunt. Fine. Convince me. Tell me everything,every single thing you did yesterday.Pacey: Yesterday. Now, let's see. Where was I?[Scene: Outside the Capeside Police Station. Joey and Pacey are standing together by her truck talking while waiting for Doug to comeout.]Pacey: Where was I? Oh, yes. Right here.Joey: Hey, pace.Pacey: Mm-hmm?Joey: You are a pushover. You gave in.Pacey: No, I am not a pushover. I just felt the need to explore my options.Joey: Pacey, for 5years, your brother has been nagging you about spending a day with him observing police policies, and you've always told him to just stick it. Then you take some meaningless career aptitude test, and suddenly you'rewatching the lost episodes of cop rock and taking him up on his dubious offer.Pacey: Well, don't you think I'd look sexy in a uniform? Hmm?Joey: Beside the point.Pacey: Oh, I don't think so at all. [Doug comes outwaiting for him] Well, kiss me good-bye before I hit the rough-and-tumble asphalt jungle.Joey: I'll pray for you, sweetheart.Pacey: [Sighs] hi, Doug.Doug: Hey.Joey: Take care of this punk for me, will ya? See if maybeyou can't straighten him out a little bit?Pacey: Straight isn't a really big part of Doug's vocabulary, you know.Doug: Yeah, that's funny. Hurry up. We gotta get going.[Scene: The Principal's Office. The Principal andMitch are questioning Dawson about his whereabouts.]Dawson: Why are you staring at me like that?Mitch: When I got up yesterday morning, you weren't at the house.Dawson: Which proves that I kidnapped Chester?Aren't you guys working this whole, like, NYPD Blue angle a little hard? All right, um, in the morning, mom gave me a ride.[Scene: Outside Mr. Brook's House. Gale drive Dawson up to his house and Dawson gets out ofthe car.]Gale: Now, listen, get home as quickly as possible. I need you to find the keys to your dad's car, which I know you lost.Dawson: No, I had them. I had them here last night. After I went to the movies andbefore I went out, I took them with me. I think.Gale: Whatever. Just find 'em before he knows they're gone.Dawson: Bye.Gale: Have fun.[Mr. Brooks opens the door and looks out at Dawson.]Dawson: You summonedme.Mr. Brooks: I have a study where I keep my archives, all my papers. Needs to be cleaned out, sorted through.Dawson: Ok, but you're gonna have to pay me.Mr. Brooks: Excuse me?Dawson: I fulfilled my debt toyou. I painted your house. I painted your fence. Your boat is fixed. We're even. It's over. So, I'll do this, but I'm gonna need some compensation.Mr. Brooks: No.[Dawson turns and begins walking away.]Mr. Brooks: Allright. I'll pay you what you're worth. Very little.[Scene: The Principal's Office. The Principal and Mitch are questioning Jack about his Whereabouts and he begins his tale.]Jack: I was doing a project for chem. with Druevalentine. You know him. We had to go to the hardware store to pick up some supplies.[Scene: The Hardware store. Jack and Drue are walking down the aisle getting some of the pieces that they will need for theirChem. project.]Drue: I can't tell you how touched I am by the way you've reached out to me lately, jack. So moving. To be honest, I felt sure you held me at least somewhat responsible for that whole mess with yoursister.Jack: Huh, whatever. Hey, you wanna go grab that paint?Drue: What paint?Jack: The paint. You know, for the project that we're doing. Come back to me, Drue. Look, all you gotta do is go get the paint and, um,and take this up to the register for me.Drue: Why can't you do it?Jack: Uh, one of the soccer goals on the field's falling apart. I gotta get some net, and if I don't fix it, nobody else will.Drue: Must be weird.Jack:What?Drue: Being selfless.[Scene: The Principal's Office. The Principal and Mitch are still trying to find out what they can from Pacey.]Principal: Where did you go with deputy Witter?Pacey: You mean my brother?Where do you think?[Scene: The local Donut Stop. Pacey and Doug are seated eating, yep, that's right, donuts.]Pacey: I'm shakin' my head in disbelief.Doug: Don't judge a book by its prologue, wise-ass. There's plentymore coming up fast, more than any episode of cops could teach you, believe you me.Pacey: Really?Doug: Mm-hmm.Pacey: Well, lemme brace myself for that.[Scene: The Principal's Office. Dawson is finishing upexplaining what he was doing earlier in the day]Dawson: And that's it. I spent the rest of the morning alone in the study.[Door hinges squeak][Inside Mr. Brook's house, he is looking through some of the stuff andcomes across his yearbook, and as he pages through it he comes to Mr. Brook's picture in it and reads]Dawson: \"Arthur Isaac Brooks. \"Newspaper. Track and field. Aspiration to become a great Hollywood filmmaker.\"Oh, my god.[Scene: The Principal's Office. Dawson is still being questioned by Mitch and the Principal]Mitch: Dawson, I think it's time we discussed your infamous ninth-grade senior pact for a minute.Dawson: Dad, thatwas 4 years ago.Principal: Wait, what pact?Dawson: When I was in ninth grade, um, the seniors pulled a particularly lame prank. I think they graffitied the lockers and trashed the parking lot or something. It wasembarrassing. And, uh, Pacey and I made a pact that when our time came, we would do it right-- the prank to end all pranks. We talked about it for years.Principal: So it was you!Dawson: No, it wasn't me. In case youhaven't noticed, Pacey and I aren't exactly butch and Sundance these days. I didn't remember the pact until you sa\u0000Principal: well? What is it?Dawson: I can tell you I didn't do it. I can't speak forPacey.[SCENE_BREAK][Scene: The Principal's Office. Jack is back in the hot seat. Mitch and the Principal are back to questioning him again.]Mitch: so, you picked up Jen at 12:45.Jack: Mm-hmm. I think so. Did I saythat?Mitch: What time did you get to the park?Jack: Um, I don't know. It was, like, 1:35-ish.[Scene: The Capeside Soccer Field. Jack is trying to set up the net as Jen is watching him to see what he is doing, but gettingin the way at the same time.]Jack: Would you get your foot off the net?! Put your little doohickey\u0000Jen: I got it. I got it. I got it. All right, piece of cake.Jack: All right, I gotta take care of something. [He walks off] Molly!Double time. Over here.[Jen tries to set up the net and gets herself tangled up and falls.]Jack: [Chuckles] jeez.Jen: I'm just fine.Molly: What'd I do?Jack: Nothing, nothing. Relax. Deflate.Molly: What do you want?Jack:Well, I've got some good news. After a careful review of all the players on the team, I have decided to offer you the position of goalie left vacant by Kip's injury.Molly: Offering? Like, take it or leave it?Jack: Yeah. Well,it's, uh, I mean, you know...Molly: In that case, thank you, but no, thank you.Jack: W-w-whoa. No, thank you? Wha\u0000Molly: I'd really rather not.Jack: Yeah, but goalie is--is\u0000Molly: I'm left halfback. I like left halfback.I'd like to stick with left halfback, ok? Please?Jack: Ok.[Molly goes off and Jen comes up to stand with Jack.]Jen: I like that kid.Jack: Funny.Jen: You know, she reminds me of me at that age.Jack: No, she knows if I puther in goal, boys are gonna torture her out of spite.Jen: Well, that's because kids like molly and myself tend towards the easier alternative, the one with the least opportunity for embarrassment rather than glory. Yeah.Unless, of course...Jack: Unless, of course, what?Jen: You get us really pissed off.[Scene: The Principal's Office. Now it is Pacey's turn to be grilled some more. Mitch and the Principal are still at it trying to figure outwho did it.]Principal: Now, let's cut to the chase, shall we? My boat was quietly removed from the storage warehouse behind the yacht club sometime between 12:30 P.M. And 5:15. Records indicate that you are theonly senior who had access to that particular warehouse.Pacey: And just what records might those be?Principal: I'll be asking the questions, Mr. Witter. Ok.Pacey: All right, I'll talk. But I gotta warn you, it's gonna bedeathly boring.[Scene: Inside the squad car. Pacey and Doug are sitting silently on the side of the road as Joey drives by them and honks the horn.]Pacey: Doug?Doug: Yeah?Pacey: Do you ever find yourself sittin' outhere at the edge of the highway in your squad car, you got your radar gun in hand, been out here for 4 hours in which only 3 cars have passed, all going under the speed limit, and wonder just what the hell happened toyour life?Doug: Pardon me?Pacey: Well, seriously, man. Look at you. For all your Elliot Ness dreams and Harry Callahan aspirations, you're nothing. I mean, nobody. At best, you're the barney fife of this little podunktown. What's that?Doug: Does this diatribe have a point, Pacey?Pacey: I--no. No, not really. I'm just a little disconcerted by it all.[Scene: The Principal's Office. Once again Dawson is in the hot seat. They are still tryingto find out everything he did the day before.]Principal: So, at 12:00, you were still at the Arthur Brooks estate?Dawson: Yes, I was. By 12:30, I was more than ready to get out of there.[Scene: Mr. Brook's House.Dawson is still going through the stuff stached in the study when there is a car horn from outside. Dawson grabs his coat and heads for the door.][Car horn honks]Mr. Brooks: Where do you think you're going?Dawson:Oh, uh, home. I'm done for the day.Mr. Brooks: The hell you are. If you think you can take my money and wander off to spoon with your girlfriend, you're sadly mistaken.Dawson: She's not my girlfriend.Mr. Brooks: Ifyou're not back here within 3 hours, you can forget about being paid.[Outside Gretchen is in the car waiting for Dawson. He goes and gets into the car with her.]Gretchen: Your mom was stuck at the restaurant. Sheasked me to get you.Dawson: Oh, so I'm a favor.Gretchen: I didn't say that. [Chuckles] so, what was that about?Dawson: Oh, it's about what a complete and total jerk he insists on being.[Scene: The Capeside SoccerField. Jack is telling about the soccer practice from the day before.]Jack: [Voice Over] Jen's insight into the 10-year-old psyche seemed valid. And even though practice was ending and the kids had 2 hours of freedombefore the game, I still wasn't ready to give up on molly playing goalie.Jack: Molly. Molly, come here. You get any orange wedges?Molly: One. Billy took the other one and smashed it into the ground.Jack: Yeah, Billy's ajerk.Molly: Just wait until I'm 17 and hot. He'll regret messing with me.Jack: Look, molly, it doesn't matter if you're 17 or you're 45. These guys aren't gonna respect you unless you make them.Molly: How do I makethem respect me?Jack: Look, molly, you gotta prove it to yourself. Ok? If you do that, if you believe that you're just as good as they are, I guarantee you the rest is just gonna take care of itself.Molly: You find a goalieyet?Jack: Nah.Molly: Can I still have it?Jack: Yep.Molly: Fine. Bring it on. You know, you just totally pulled a fast one on me. But I'm gonna let it go because you're right. But that doesn't mean that I don't understandexactly what you just did. Just bring it.[Scene: Dawson's Back Yard. Gretchen and Dawson pull up to the house to see Drue sitting on the steps waiting for him.]Gretchen: Whenever I see that guy, I can't help buthearing the Darth Vader theme.Dawson: Ha ha ha. I'm making an effort.Gretchen: Not to be cruel, but why?Dawson: Kind of a karmic decision. Thank you for the ride.Gretchen: Just doing your mom a favor.Dawson:Ha ha. Right.[Dawson gets out of the car and she leaves. Dawson goes up to Drue.]Dawson: Well, speak of the devil.Drue: The devil appears.Dawson: So, Drue, what brings you to my humble abode?Drue: First I justwanted to extend my gratitude for last night.Dawson: Oh, well, you know... We met at the movie theater. Common decency dictates I lend you 5 bucks for popcorn and ask you to sit with me. The burger afterwardswas your idea.Drue: Small to you, but significant to me. I'm just grateful to finally find at least one ally in this strange and eclectic hamlet. You may be my first.Dawson: Well...Heh. I appreciate the thought, but youdidn't have to come all the way down here just to tell me that.Drue: Right. That's not why I'm here. You left these in my car, man.[He hands Dawson the missing keys]Dawson: Ah. Thank you. Thank--I-- you just savedme from, like, a solid hour of paternal lecturing.Drue: It was the least I could do. And as I said, you know, you reached out to the new kid. What goes around comes around.Dawson: That is so true.[Scene: Sidewalk inthe middle of town. Pacey is walking behind Doug as they are walking to someone's house.]Pacey: Would I be out of line if I asked what we're doing?Doug: Somebody stole a dog.Pacey: How do you know it didn't justget lost?Doug: We don't. The owner found some footprints in the dirt. It might be the gardener, but either way, we have to find this dog because it is a very important dog.Pacey: So, wait, hold on. Hold on. Hold on. Isthis what you meant when you told me that I'd learn more from watching you than from any episode of cops? Wh--oh, come on. Don't tell me you're still angry at your little brother for that whole \"wasting your life\"shtick. I only sort of meant it. Honest.Doug: I want you to listen to me very closely because I'm only gonna say this one time. If you ever in your life care about anything as much as I care about being an officer in thistown, I will be shocked. If you ever in your life are as good at anything as I am at being an officer in this town, I will be shocked. If you ever in your life presume to judge me again, so help me god, I will beat the uglyright out of you.[Scene: The Principal's Office. Pacey has just finished telling his tale to Mitch and the principal.]Mitch: So what you're telling me is that you were looking for the very same dog that you're suspected ofhaving taken?Pacey: Mitch, you are a sane and reasonable man, and it is obvious that I'm not responsible for this whole fiasco, so why are we still here?Mitch: We're still here because a certain fresh detail has come tolight which suggests that we must, at the least, account for all of your whereabouts yesterday.Pacey: You discussed my ninth-grade pact with Dawson.Principal: Oh, you remember the agreement, too, I see.Pacey:Well, of course I remember it. It was my idea. But did it ever occur to you that my not-so-close acquaintance-slash- former best friend has hinted or possibly even implicated yours truly only to divert suspicion fromhimself?Principal: Mr. Witter, justice is blind. If Dawson is responsible, we'll nail him... Just as we'll nail you.[SCENE_BREAK][Scene: The Principal's Office. Dawson is being questioned about so much that he is beginningto question why he is still there.]Dawson: How is it possible that we're still doing this?Principal: I'll tell you how. Capeside high, a facility to which you have had intimate access, must've been trespassed upon sometimeafter 5:30 P.M. When the cleaning crew went home. There were no signs of forced entry, which implies an inside job.Dawson: Dad, I was home last night. You saw me.Mitch: At 10:00. Uh, just tell us about the prior 5hours-- afternoon and evening, where you were, who you were with-- and I promise you we'll be done with this.Principal: We'll be done with this when I've got my man.[Scene: Mr. Brook's House. Dawson comes intothe house to find Mr. Brooks sitting at the table eating his dinner.]Mr. Brooks: Well, well, well, I'm surprised to see you here.Dawson: Uh, you shouldn't. I work here.Mr. Brooks: I don't think so.Dawson: I thought wehad an agreement.Mr. Brooks: We did. You broke it. You're fired.Dawson: On what grounds?Mr. Brooks: You were playing footsie with your floozy when you're supposed to be doing a job. I guess I forgot you're just ahormonal adolescent.Dawson: What do you possibly hope to gain by insulting my friend?Mr. Brooks: I don't give a damn about you or your lady, but I do care about having my generosity taken advantage of.Dawson:Look, just because you are alone and your life is full of abandoned dreams does not give you the license to inflict your pain on me.Mr. Brooks: How dare you presume to understand me-- who I am, where I've been,what I've done? Now get the hell out of here.Dawson: Fine.[Scene: The Principal's Office. Jack is back telling his tales of the day before.]Principal: Well, you can go.Jack: I can?Principal: Mm-hmm. Just as soon as youtell us where you were between 5:30 last night and 8:00 this morning. Let's just stick to last night after 5:30.Jack: Once again, as I've already told you, we had a game. It was our first playoff game.[Scene: The Soccerfield. Jack is getting everything going for the practice before the game. Jen comes up to join him.]Jen: hey, jackers.Jack: Hmm?Jen: Militant peewee parents at 2 o'clock.[Some soccer dads come over to him and Jen"}
+{"doc_id":"doc_157","qid":"","text":"OPEN AT ELDER GILMORE RESIDENCE[Lorelai, Rory, Emily, and Richard are eating dinner]EMILY: It's simply disgraceful.RICHARD: For years, we've had peace in the neighborhood.EMILY: I knew the Richmonds weregoing to be trouble when they missed the block party last month.LORELAI: I don't understand. They gave out full-size candy bars for Halloween. So what?EMILY: Not full-size candy bars, Lorelai - king-size candybars.RICHARD: We've been giving out full-size candy bars for years now.EMILY: And then those people move in and throw the entire balance of the neighborhood off. They made everybody look ridiculous.RICHARD: It'svery embarrassing.EMILY: I think we have to do something about this - maybe go to the homeowners association.LORELAI: Two Halloweens ago, someone painted the Duprees' Chihuahua orange and nobody went tothe homeowners association then.EMILY: Well, everybody hated Taco.LORELAI: I think you're making a little too much of this.EMILY: I saw Mae Richmond at Bay Wellington's two weeks before Halloween. She hadample time to bring it up then, and nothing - not a word. I think it might be time to go after their ball machine.RORY: Their ball machine?RICHARD: They have a ball machine on their tennis court that is extraordinarilyloud and unpredictable.EMILY: Flying, thumping balls all over the place.LORELAI: Flying, thumping what all over the place?EMILY: Balls.[Lorelai giggles]EMILY: You are four.LORELAI: And balls are funny.RICHARD:Don't worry, Emily. If the homeowners association doesn't do anything, we'll take this to the neighbors, get a petition going.LORELAI: Or if that doesn't work, you could throw some hoods on and burn a full-size Marsbar on their front lawn.EMILY: King-size, Lorelai - king-size.RORY: So, how's work, Grandpa?LORELAI: Look how smoothly she changes the subject.RICHARD: Work is lovely, Rory. How's school?RORY: Crazy.LORELAI:She's taking too many courses.RORY: I am not.EMILY: How many are you taking?LORELAI: Five.EMILY: Is five a lot?RORY: It's not a lotLORELAI: It is a lot.RICHARD: I took five courses when I was a freshman. Rorytakes after me.RORY: I like to be busy.RICHARD: Idle hands are the devil's playthings.LORELAI: That's actually the title of one of her classes.RORY: Please don't worry about me.LORELAI: She says to the mother andthe grandmother.EMILY: Are you done?RORY: Oh, yes, thank you.EMILY: Good, because we have mini lemon bundt cakes for dessert.LORELAI: Oh.EMILY: What?LORELAI: Well, they're serving full-size bundt cakes overat the Richmonds' house.EMILY: She's done.LORELAI: Oh, no, I have a carrot.EMILY: She's done.LORELAI: Bet the Richmonds would have let me eat my carrot.[opening credits]CUT TO ELDER GILMORERESIDENCE[Emily walks into Richard's study, where a photographer is setting up to take a picture of Richard and Jason]EMILY: All right, this should do it.RICHARD: May we please get this over with?EMILY: Patience is avirtue, Richard.RICHARD: And time is fleeting, Emily.EMILY: You're starting a new partnership. You need new photographs, especially with that new look.JASON: I thought I'd give a beard a try.EMILY: Well, I like it. Allright, Helmut, we're all set here.HELMUT: Okay. Important men doing important things. [takes a picture] Good. Oh, one more time. We're going to sign, and. . .[takes another picture] We're done.EMILY: Thank you,Helmut. That was wonderful.RICHARD: And now we sign the real papers.JASON: I'm feeling historic. You?RICHARD: Oh, yes. It's Gettysburg all over again. Thank you.JASON: Important men doing importantthings.RICHARD: Now that makes it official. Jason.JASON: Let's give 'em hell.RICHARD: You bet.EMILY: Oh, I should have had Helmut get the handshake.RICHARD: The signing was fine, Emily. Sorry about the photosession.JASON: Oh, no, that's okay. I think it's a cute idea.EMILY: Yes, and when the financial papers call for an official photo, it'll be downright darling.RICHARD: I learned long ago, Jason, when it comes to things likethis, Emily is always right.JASON: I am sure she is.EMILY: Thank you both. Jason, how's your time? Would you like to join us for dinner?JASON: Oh, I'd love to, Emily, but I should get these papers up to my lawyer'soffice. Next week?EMILY: Consider it an open invitation.JASON: Thank you. Richard, I'll see you tomorrow morning.RICHARD: Yes, you will.[Jason leaves]EMILY: \"I think it's cute.\"RICHARD: He's young, Emily.EMILY:Yes, well, a good smack on that scruffy face of his would age him up a bit. All right, let's discuss the launch party. Do you have any sort of particular feel in mind?RICHARD: Well, I'll leave that to your discretion. Justmake sure it's dignified.EMILY: We probably shouldn't go too fancy. Maybe we'll do one of those vodka bars - caviar, a Russian theme. I love that it's okay to be Russian again.RICHARD: It sounds lovely.EMILY: How'sthe 23rd?RICHARD: Perfect.EMILY: And I want you to get a new suit.RICHARD: I don't need a new suit.EMILY: And find out what Jason's going to wear. I don't want the two of you showing up looking like the Bobbseytwins.RICHARD: Oh, yes, that would be embarrassing.EMILY: I'll need a guest list.RICHARD: Uh huh.EMILY: A Russian theme. I like that.CUT TO YALE CLASSROOM[Rory is in one of her classes]PROFESSOR: Theconquering peoples impose their own values on the subjugated peoples through education, and quite often through the appointment of a priesthood from among their own ranks. This means we should not assume thatthe system of values has in some way evolved in a region. It is almost always imposed with the explicit purpose of keeping power in the hands of the powerful. Something to think about until next week, when we willburst more of your illusions. . .which brings me to a bit of bad news. There was an error in the syllabus you received. The dates were wrong, which means that all of your reading has been pushed up one week. Iapologize for this cruel little life experience, but what can I do? I just found out my in-laws are moving back to town. None of us are immune. I'll see you all Tuesday.CUT TO THE DRAGONFLY INN[The construction crewis working on the inn. Lorelai and Tom walk over to the barn.]LORELAI: So, we were thinking maybe two horses to start with. See, it's so charming with the overhang here.TOM: You want me to turn this intostables?LORELAI: Yes.TOM: Without a magic wand or some sort of fairy dust?LORELAI: Preferably, yes.TOM: Let me take a look inside.LORELAI: We'd like to keep the existing structure, please.KIRK: Lorelai, I'm all setup as soon as you're ready.LORELAI: Be right there, Kirk.KIRK: Okie dokie.TOM: How attached are you gonna get to these horses?LORELAI: What?TOM: You gonna name 'em, feed 'em apples, braid their tails?LORELAI:Why, Tom?TOM: Well, the roof's about to cave in so I can stay within our budget, but then I'd just call 'em all Trigger.LORELAI: Just tell me how much more it's gonna cost.TOM: Okay.[Sookie arrives]SOOKIE: Hey,you're here.LORELAI: I'm always here.SOOKIE: Listen, I want to talk to you about something very exciting.LORELAI: Ooh, very exciting. I love very exciting.SOOKIE: This morning I got a call from yourmother.LORELAI: This is the very exciting?SOOKIE: Yes! She's doing a launch party for your father's new business and she wants us to do the catering.LORELAI: Us?SOOKIE: Us!LORELAI: Did you say us?SOOKIE:Yes.LORELAI: To her. Did you say \"us\" to her?SOOKIE: Yes.LORELAI: So she knows about us?SOOKIE: Yes, she knows about us, I think. What does she know about us?LORELAI: That we have a cateringbusiness?SOOKIE: Yes.LORELAI: Oh, man!SOOKIE: What? Did I do something bad?LORELAI: No, nothing, nothing. It's my fault. I forgot to tell her.SOOKIE: How could you forget to tell her?LORELAI: Well, I've onlyseen her forty or fifty times since we started the business. Now what did she say exactly?SOOKIE: Well, she asked me to cater, and I said we'd love to, and then she said, \"we?\" so I said you and I had started acompany, so it'd be the both of us together, and she said fine.LORELAI: Was there a pause before \"fine\" or was it just \"fine\"?SOOKIE: I don't remember. I just remember the \"fine.\"LORELAI: She's mad.SOOKIE: I swearshe didn't sound mad.LORELAI: Okay.SOOKIE: Good.LORELAI: Now let's talk about how much I can't do this.SOOKIE: Look, I knew it would be a thing working for your mother, but it's perfect timing. This is probablythe last job we'll be able to take before I have the baby.LORELAI: Something else will come along.SOOKIE: Not that pays like your mother does.LORELAI: You know why she pays so much? So she can torture you andyou won't throw knives at her.SOOKIE: Look, you already know the house. Decorating, planning - it's gonna be a snap for you. I bet you can spend ninety percent of the evening in the kitchen, then we get to take homethe pretty, pretty money.LORELAI: Sookie.SOOKIE: Pretty, pretty money. Aren't you a big fat wad of pretty money?LORELAI: Fine.SOOKIE: Really?LORELAI: Shouldn't ask again.SOOKIE: Accepting and movingon.KIRK: Excuse me, Lorelai.LORELAI: Oh, my God, Kirk, I forgot you were here.KIRK: If I had a nickel for every time I heard that.LORELAI: I'm very, very sorry. You have my full attention.SOOKIE: I'm gonna go. Um,we'll talk tomorrow about the details.LORELAI: Okay. All right, Kirk, show me what you got.KIRK: If you'll just follow me, I would like to present you with my new line of one-of-a-kind mailboxes.LORELAI: Wow. Theylook very nice, Kirk.KIRK: And whimsical. They say to the world, \"I'll take my mail with a smile.\"LORELAI: Yes, they do say that.KIRK: And since you are one of our preferred customers, with the purchase of one of ourmailboxes, I'll throw in a carved-duck doorstop and a garlic peeler.LORELAI: Wow, that's quite an offer, Kirk, but I think it's a little early for me to pick a mailbox. We haven't even settled on a color for the inn yet.KIRK:Well, whimsy goes with everything.LORELAI: Kirk, I promise, just as soon as. . .is that Condoleezza Rice?KIRK: Yes, it is. I'm a fan, and her big mouth is perfect for shoving mail in.LORELAI: Ha. Uh, I'll have to thinkabout it.KIRK: Fair enough. So, I hear you're running a catering business now.LORELAI: Oh, yeah, just temporarily.KIRK: You guys any good?LORELAI: Not bad.KIRK: And how much would one have to pay for yourculinary services?LORELAI: It depends, the type of food, number of people, kind of venue.KIRK: Simple food, two guests, my mother's living room.LORELAI: Really?KIRK: I have a visitor coming in from out of town andI thought it would be nice to serve her a catered meal.LORELAI: Her?KIRK: Actually, she was my brother's ex-girlfriend - Lulu.LORELAI: Good name.KIRK: I had sort of a crush on her for a while, and she's coming hometo visit her mother, and she called me.LORELAI: Kirk, you have a date.KIRK: No, just an appointment to take Lulu to dinner.LORELAI: That's a date.KIRK: I don't have high hopes for it, if that's what you'rethinking.LORELAI: Kirk, it's very sweet, but are you sure you want to have dinner in your living room?KIRK: Well, the breakfast nook doesn't seem festive enough.LORELAI: Right, but while you're having dinner in yourliving room, where will your mother be?KIRK: Probably in the living room.LORELAI: Is that what you really want? To have dinner with your mother watching?KIRK: I could ask her to face the wall.LORELAI: Or you couldtake Lulu out to a restaurant.KIRK: Which one?LORELAI: Well, what does she like?KIRK: I don't know. Should I call my brother and find out?LORELAI: I think if he knew, she'd probably still be with him.KIRK: I justreally want it to be nice.LORELAI: Just take her someplace where you're comfortable. It doesn't have to be fancy. If you like it, she'll like it.KIRK: Okay.LORELAI: Just not one attached to a bowling alley.KIRK: Thatnarrows it down a bit. I'll figure something out.LORELAI: Good. You'll see - it'll be great.KIRK: Do you think I could stop by tomorrow with some wardrobe choices for you to pick out?LORELAI: Kirk, you can dressyourself. Just look nice. You know, not too fancy. Clean. No jeans. Oh, maybe a sport coat. Eleven sound good?KIRK: Perfect.LORELAI: Okay.CUT TO YALE DORM[Rory walks into her suite. Janet is jogging on atrampoline in the common room]RORY: A trampoline. That's new.JANET: Helps with my shin splints.RORY: Huh. Wow. Squeaky.JANET: Yup. Phone.RORY: Thanks.[Rory walks into her bedroom. The phone is ringing.Paris is ignoring it]RORY: Paris, can you get the phone? Paris?PARIS: Don't answer it.RORY: Why not?PARIS: It's Jamie and we're fighting.RORY: Well, does he know you're fighting? 'Cause he's not hanging up.PARIS:Oh, he knows. Trust me, he knows.RORY: Okay. You're seriously not gonna answer that?PARIS: Nope.RORY: Paris, come on.PARIS: Fine. [picks up the phone, then hangs it back up] There.RORY: Why are you andJamie fighting?PARIS: Because he's wrong.RORY: Oh, okay.[the phone starts ringing again]PARIS: He won't listen to me. [picks up the phone] You won't listen to me! [hangs up] He's in love with the sound of his ownvoice. You'd think he was already president and I don't want to be Hillary. I don't want to wait for a hundred years while he does his thing so by the time I get my chance, I'm too old to enjoy it.RORY: Well, I don't thinkHillary's too old to enjoy it.PARIS: Fine. Be on his side.RORY: I'm not on his side. I'm on her side.[the phone starts ringing again]PARIS: Don't answer it.RORY: Paris, I have to study!PARIS: Go ahead.RORY: Ican't!PARIS: Why not?RORY: The phone.PARIS: Don't, Rory! I mean it!RORY: [answers the phone] Hello? Hi, Jamie. Yes, she is here.PARIS: No.RORY: Paris, you're acting stupid, okay? You love Jamie, so just get onthe phone and work it out so that I can study, okay?PARIS: [takes the phone] What? No, I haven't thought about what you said. Because I'm very busy, Jamie, and contrary to your beliefs, I have better things tooccupy my time with than thinking about you. Or what you said. Or what you meant or what you want or anything about you or concerning you. [Rory grabs the phone from her] Hey!RORY: Have him call you back onyour cell phone. Then you can talk to him outside. It's nice outside. There are birds and trees.PARIS: My cell phone is dead.RORY: Then take mine.PARIS: What's your phone plan?RORY: Why?PARIS: 'Cause I'm notgonna borrow your phone and get slammed with a massive charge because your phone plan sucks.RORY: Paris!PARIS: [on phone] Jamie, I'm going to call you back on Rory's cell. Yes, I am. Yes, I am!RORY: Yes, sheis!PARIS: Okay, bye. [hangs up]RORY: Here.PARIS: I'll be back.RORY: Take your time.[Paris leaves. Rory sits down to study, but is distracted by the sound of the TV. She walks to the common room]RORY: Tanna, I'mtrying to study.TANNA: Okay.RORY: I can hear the TV through the wall.TANNA: Okay.RORY: It's distracting.TANNA: Are you telling me to turn it off?RORY: I'm not telling -TANNA: You can, you know, because yourgrandma paid for the TV.RORY: I'm not telling you to turn the TV off.TANNA: Because you can.RORY: The TV belongs to all of us.TANNA: If it's a matter of volume, I could press my ear to the speaker and then I couldturn it really low.RORY: Never mind.TANNA: The problem there is that the speakers for the TV are mounted up in the corner of the ceiling, but perhaps if I got a ladder.RORY: Never mind, Tanna.TANNA: Are you sureyou don't want me to turn it off?[Rory leaves]CUT TO LORELAI'S HOUSE[Sookie takes a pan of broccoli tarts out of the oven. She picks one up and holds it out toward Lorelai]SOOKIE: Try this one.LORELAI: Sookie, Ilove you, I love your cooking, but I swear if you make me eat one more bite of broccoli tart, I will beat you to death with it.SOOKIE: Your mother is the pickiest woman I have ever catered for. She has impeccable taste,the highest standards, and she can smell an inferior tart a mile away.LORELAI: Well, depending on how long it's been left out, we all can.SOOKIE: You know, she still hasn't called yet.LORELAI: She will.SOOKIE: But shewas supposed to call about the details a couple of days ago.LORELAI: She will, Sookie.SOOKIE: But it's coming up and we still don't know if she wants a fish course or a cheese course.LORELAI: We'll make a fish-cheesecombo course just to be sure.SOOKIE: Lorelai.LORELAI: Why do I have to call her?SOOKIE: Because technically you're doing the organizing, and I've got batter hands. Oh, ask her about the foie gras. Is it too expected?'Cause I can make it with a, you know, cherry compote. Okay. You know. . .you know what to say.LORELAI: [on phone] Hello, Mom.EMILY: Lorelai, hello. How nice to hear from you.LORELAI: How are you doing?EMILY:Well, I'm just fine, thank you for asking.LORELAI: Good, I'm glad to hear it.EMILY: And I'm glad to report it.LORELAI: Uh, so the reason I'm calling is we haven't heard from you yet, and we really need to nail downsome of the details of the party.EMILY: \"We\" haven't heard from you yet?LORELAI: Yes, we - me and Sookie.EMILY: Ah, yes, the Independence Catering Company.LORELAI: Uh huh. So, anyhow -EMILY: You know, afew years ago, there was a company called Independent Catering. They were all the rage until they catered the Kirov benefit for diabetes that sent 300 people to the hospital with a vicious case of food poisoning. Well,needless to say, they went out of business immediately, and I believe one of them left town without packing.LORELAI: Oh, well, that's a good story. Hans Christian Anderson?EMILY: You know, some people couldmistake the Independence Catering Company with the Independent Catering Company, and that would just be a shame for you, wouldn't it? Now if I'd known what you were going to name your company, I could havewarned you.LORELAI: Mom, I swear, I tried to tell you.EMILY: You did?LORELAI: Yes, I did. I sent you a flier. Didn't you get my flier?EMILY: No, I did not get your flier.LORELAI: Oh, well, I sent it, and to be, um, honestwith you, I was a little hurt that you didn't call to congratulate me, but now that I know you didn't get it, I forgive you.EMILY: When did you send a flier?LORELAI: Last week.EMILY: What did it say?LORELAI: Oh, youknow. . .come and get it.EMILY: You wrote \"come and get it\" on your business flier?LORELAI: Well, no, it was your basic \"Introducing the Independence Catering Company\", uh, flier. You know, it had our phonenumber, our address, and an amusing caricature of us.EMILY: Well, that sounds like a very nice flier.LORELAI: Oh, it was.EMILY: Do you have an extra one? You can bring it with you on Friday night.LORELAI: Uh,sure.EMILY: Because it's very unusual these days for things to get lost in the mail. You don't think you got the address wrong, do you?LORELAI: Mom, the party?EMILY: All right. I'm going to want a mixture of white,off-white, and cream-colored linen. A simple bone china with a gold or deep-blue stripe will work.LORELAI: Okay, got it.EMILY: I'm going with tapers cut in half so that people can see each other across the table. We'llneed white and sterling roses, but not too high or formal. Do you have a florist?LORELAI: I have a florist.EMILY: Does he have a flier?LORELAI: Do you want clear or silver vases?EMILY: You must think I'm a completeidiot.LORELAI: No, Mom, I don't.EMILY: There is no flier. You're making it up to cover for the fact that you once again neglected to tell me about an important event in your life.LORELAI: Mom, I swear there's aflier.EMILY: Shame on you for swearing there's a flier. That's the worst possible thing you could do.LORELAI: Liv Tyler grew up her entire life thinking Todd Rundgren was her real father. You think that might knock thisout of first place?EMILY: I tell you, if I saw this kind of behavior from some other company I was hiring, I would fire them on the spot.LORELAI: Then fire us, Mom.EMILY: Excuse me?LORELAI: You are not hiring yourdaughter and her friend, you are hiring a professional catering company. This is not a favor, it is a business transaction, and I must insist that you treat us exactly as you would any other person off the street.EMILY: Asyou wish.LORELAI: Thank you. Now I'm sorry, but we're very busy with preparations for your event, so I'm gonna have to hang up now. Goodbye, Mother.EMILY: Goodbye.[they hang up]LORELAI: Aah! Horriblewoman!SOOKIE: You, uh, forgot to ask about the menu.[Rory walks in]RORY: My dorm room has turned into a \"Three Stooges\" movie. Shove Pop Tarts under the door in two hours please.LORELAI: Uh, honey. . .[Theywalk into Rory's bedroom, which is filled with trays of broccoli tarts]RORY: You quiched my room.SOOKIE: They're not quiche. They're broccoli tarts.RORY: Well, then you tarted up my room.LORELAI: I'm sorry, honey,I didn't know you were coming home today. Sookie's just trying some things out for Grandma's party.RORY: How am I supposed to study when it smells like broccoli?LORELAI: Well, study in the living room.RORY: This"}
+{"doc_id":"doc_158","qid":"","text":"[EXT. LAS VEGAS CITY (STOCK) - NIGHT][INT. WAREHOUSE](A young woman is held captive with her wrists tied high above her head. Off screen, she hears faint slicing, and gurgling. She screams.)(Blood squirts onher face and in her mouth. She coughs. Yuck.)(Behind her, a man hacks off a dummy's head.)Zack Putrid (director): (o.s.) Cut!(She continues to cough.)Zack Putrid: (o.s.) Cut! Damn it!(The bell rings and overheadlights turn on. The director, Zack Putrid, gets out of his chair.)Zack Putrid: Can somebody please get her a glass of water?! (He walks up to the actress.) What happened? Babe? What are you doing? Are you choking onthe blood?(She nods.)SFX Guy: I did what you told me to.Zack Putrid: Yeah, but this time, get it on her face, not in her mouth.SFX Guy: The mouth is part of the face.Zack Putrid: Yeah, I know, I know. But hit her fromthe side, from the side. And get plenty on the rack.(The SFX guy turns and leaves. We hold on the two actors dressed as doctors - one giant man and Dickie Jones.)Giant Doctor: We're dying here.Dickie Jones: I'mgoing to go ring it.Giant Doctor: All right. Hey, grab me a bear claw.(Dickie Jones heads off the set. He walks past Zack Putrid talking with the cameraman who is wearing a red baseball cap.)Zack Putrid (director): Howlong have I known you, huh? This is you and me. Get the shot -- not too tight. Wide enough to fit in the fun bags.(The director turns back to the actress, who is still tied up with her arms over her head as the fake bloodis being wiped off her. Her make-up is being retouched.)Zack Putrid (director): Baby-cakes ...(The actor playing the killer interrupts them.)Killer Actor: (to the director) Where was I? Want me to laugh?Zack Putrid(director): Don't laugh. You were scary. Get away.(The killer leaves.)Zack Putrid (director): Honey, this time, don't inhale the blood, okay? All right, let's get her cleaned up. Let's shoot this bitch.(He heads back to hischair. The actress gasps loudly.)Actress: (o.s.) Oh ...Zack Putrid (director): Not you, baby. The shot. The shot's a bitch. I love one-ers. And you know what else I love? I love sushi. Me, too. Do you want to go forsushi?(In the background, Stanley Vespucci leads Brass through the set. Nick follows them.)Stanley Vespucci: Our lead actress, Weatherly Adams, had her dressing room violated last night.Brass: So she's the one yoususpect is missing?Stanley Vespucci: She missed her call this morning. The woman is nothing if not professional. She's predictably precisely 35 minutes late every day. You could set your watch to it. She's already ...three hours late and still no sign of her.(He looks at his watch.)(A light blows out as they pass.)Stanley Vespucci: Nothing to worry about, gentlemen. It's just a bad bulb. If you will, please, follow me.(He leads themout.)[INT. WEATHERLY ADAMS' DRESSING ROOM - CONTINUOUS](He opens the dressing room door.)Stanley Vespucci: Here we are.(They walk in.)Stanley Vespucci: Check out the flowers in the vase.(Nick looks at thenote on the flowers.)Nick: \"Congratulations on your last film.\" Any idea who sent her these, Mr. Vespucci?(A framed photo of a pretty blonde-haired woman is on the dressing table next to the flowers.)Stanley Vespucci:(shrugs) Stalkers, creeps, cranks, nut balls, degenerates -- we get them all here. Weatherly attracts them like flies.(He shows them a stack of letters.)Stanley Vespucci: These are ... uh ... some of the guys we've hadtrouble with in the past.Brass: I'll take that.(Nick continues to look through the dressing room.)Brass: When was the last time you saw her?(Vespucci takes his phone out and dials.)Stanley Vespucci: At wrap yesterday.We shot all night, finished about 4:00 in the morning.Brass: Did anyone see her leave the building?Stanley Vespucci: Her car's still parked out back.(Nick holds a purse.)Nick: This hers?Stanley Vespucci:Yeah.Weatherly Adams: (recording) Hi, it's Weatherly. Leave a message or I'll scream. (giggles)(Nick turns the bag over, the contents spilling out onto the sofa.)Nick: Wallet, keys, and cell phone still in there.StanleyVespucci: Still no answer on her home phone.Brass: I'll send a patrol car to her house. You said there was a break in. Why don't you show me?[SCENE_BREAK][INT. REPULSION PICTURES -- BASEMENT](Down in thebasement, various items are stored - dress dummies, rolled-up carpets and a VORTEX OF EVIL movie poster hangs on the wall just below the ceiling light.)Stanley Vespucci: Ah, Weatherly ... how has she died for us, letme count the ways.(Stanley Vespucci leads Brass and Nick down through the basement.)(They walk past posters of the movies Weatherly made - NIGHT SHIVERS, INTO THE MOUTH OF HELL, and CAN I LICK THESPOON?.)Stanley Vespucci: Bludgeoned, boiled, filleted, defenestrated, decapitated, disemboweled, oh, yeah, and strangled with her own intestines. Autopsied while still alive.(They walk into the large storagearea.)Stanley Vespucci: Made to eat her own liver, fed slowly through a tree chipper, roasted and served on a bed of Belgian endive. When Weatherly Adams dies, it's money in the bank.(He shows them the openwindow.)Stanley Vespucci: Here you are, gentlemen.Nick: Looks like somebody broke the glass, reached in, unlocked it and opened it.(Nick looks around the area.)Stanley Vespucci: Yeah, that's the way I found it whenI got here this evening.(Nick finds some blonde-haired stuffed dummies on the furniture. Among the dummies, he finds the real Weatherly with an axe stuck in her back. Flies buzz around the dead body.)Nick: Uh, Jim... I got her.(Nick kneels to look at the body. Jim and Stanley Vespucci join him. Vespucci gasps.)Nick: And I believe she's died for the last time.FADE TO END OF TEASER ROLL TITLE CREDITS[SCENE_BREAK][INT.REPULSION PICTURES -- BASEMENT](A movie poster, I HAVE TO AXE MY MOTHER, hangs on the cement post. The main photo is of Weatherly in red with an axe stuck in her head.)Nick: Whoever stuck her under thisposter was trying to send a twisted message.(Weatherly's dead body is also in red with an axe stuck in her back.)Catherine: Either that, or the killer's got a wicked sense of humor.(Catherine puts her gloves on. Nicksnaps a photo as David Phillips turns the body to look under it.)David Phillips: Lividity is fixed along the anterior aspect, and ... she is still in full rigor.(Nick checks his watch.)Nick: She was last seen alive about 15 hoursago.David Phillips: No panties. I'll do an SAE kit.(David pauses and looks up where he sees the movie poster.)David Phillips: (inflecting) \"The horror.\"(He chuckles and looks at Catherine and Nick. He does itagain.)David Phillips: (exaggerating) The horror ...(Catherine smiles.)David Phillips: Huh? Huh? Bra-Brando? (normal voice) Brando from Apocalypse Now?Catherine: Oh, yeah, yeah. I know, Dave. Everybody knowsthat.David Phillips: (deflated) Oh. I'll get the gurney.(David leaves. Catherine notices Weatherly's broken shoe.)Catherine: Looks like the Lady lost a heel.Nick: There's a whole lot of something here, but it doesn't reallylook like blood to me.(Nick indicates the blood under the body. Catherine dusts the axe handle.)Catherine: No, it's ... uh ... it's the wrong color. It's too red.Nick: Smells sweet. Karo syrup and food coloring -- it's propblood.Catherine: And I am not seeing any prints. It's been wiped clean.Nick: The question is, where does the fake blood end and the real blood begin?[SCENE_BREAK][INT. REPULSION PICTURES - MOVIE SET](Theactress in pink wails and cries. The actor playing the killer cries.)(Brass talks with the cast and crew.)Brass: Now, I know this may come as a shock to most of you, and I'm sorry for your loss. I understand thatWeatherly Adams was a long-time member of this company ...(The midget, Dickie Jones, looks around, then turns and hugs the pretty actress in pink.)Zack Putrid (director): Well, do you have a suspect?Brass: Uh, sir,we just found the body about an hour ago.(Dickie Jones hugs the actress, then squeezes her butt.)Brass: We're just beginning our investigation.(The actress pushes Dickie Jones away.)Zack Putrid: Yeah, I get it, I getit. I mean, it could be anyone.(He turns and looks around - just as the other cast and crew members look around at each other.)Brass: Now, I'm going to have to look at your IDs and I'm going to take statements andfingerprints from all of you. And I thank you in advance for your cooperation.Stanley Vespucci: Anything we can do to help.(Brass turns and heads up the platform stairs.)Zack Putrid: So what am I supposed to dotoday?Stanley Vespucci: Edit.(Stanley Vespucci catches up with Brass.)Stanley Vespucci: Excuse me, Mr. Brass. Do you think that it would be all right if we were to ... continue to shoot ...Brass: No.Vincent Lafoon: Iwant that little twerp Zarco found and locked up.Brass: Uh, who are you?Vincent Lafoon: Vincent Lafoon. This is my brother Mason. We own this place.Brass: Who's Zarco?Vincent Lafoon: Oliver Zarco. He used to workhere. He had a thing for Weatherly, and then he got hurt, blamed it on us, went a little nuts.Mason Lafoon: He was the one who got ...Vincent Lafoon: (interrupts) He was the one who sent the flowers and thenote.Brass: So he's done this before.Mason Lafoon: Yeah, like, three times.Vincent Lafoon: (irritated) Would you shut it? (to Brass) Three times. He's your guy.Brass: Do you have video surveillance by anychance?Vincent Lafoon: Yeah, only on the exterior, but the video system's been on the fritz lately.Stanley Vespucci: I had it repaired three days ago-- I'll get the tapes.Vincent Lafoon: Oh, good. (Vespucci leaves.) (toBrass) Look, just find Zarco, okay?(Vincent leaves. Mason lingers.)Killer Actor: Everyone come together.Mason Lafoon: Um, I can't, I still can't believe she's gone. I mean ... she was a ... she was a real beautifullady.(Everyone gathers on the set.)Killer Actor: Let's form a circle and touch hands with someone you care about.(Mason turns to join the others.)Killer Actor: Yea, though I walk through the valley of the shadow ofdeath, I will fear no evil, for thou art with me. Thy rod and thy staff, they comfort me ...[SCENE_BREAK][INT. REPULSION PICTURES -- BASEMENT](Nick swabs the \"blood\" and tests it. It doesn't work.)INTERCUTWITH:[INT. REPULSION PICTURES - DRESSING ROOM](Catherine is in Weatherly's dressing room. She dusts the green vase.)(She stops when she doesn't find any prints.)[INT. REPULSION PICTURES --BASEMENT](Nick goes over to the window. He sees the security camera outside and measures the distance. He notes it on the sketchpad.)[INT. REPULSION PICTURES - DRESSING ROOM](Catherine snaps photos ofWeatherly's dresser and open drawer.)(She opens the top drawer and snaps a photo of it. She takes out a notebook and looks inside. She finds dates, times and numbers.)(Nick walks in.)Nick: How's it going inhere?Catherine: The vase is clean. I've got a spiral notebook filled with dates, times and weights. Looks like she was a bit concerned about her size.Nick: Actors.[SCENE_BREAK][INT. CSI - FORENSICAUTOPSY](Robbins and David are working on removing the axe from Weatherly's back.)David Phillips: (appalled) You really don't recognize her?(David holds the body down while Robbins pulls on the axe.)Robbins:(grunts) No.David Phillips: You've ever seen Chop Chop, Fizz Fizz?Robbins: No.David Phillips: Can I Lick The Spoon?Robbins: Please, David.David Phillips: They're classics.Robbins: Those are not classics.(The axe popsout.)Robbins: The Exorcist. The Shining. Rosemary's Baby. Those are classics.(David washes the body.)David Phillips: You know what I loved about her? She really made you feel the terror. When she was scared for herlife, I was scared, too.(Robbins holds the axe cut open as David washes it out. He sees something.)Robbins: Interesting.[SCENE_BREAK][EXT. LAS VEGAS CITY (STOCK) - DAY][INT. POLICE DEPARTMENT - INTERVIEWROOM - DAY](Brass talks with Oliver Zarco.)Brass: Mr. Zarco ... tell me about you and Weatherly Adams.Oliver Zarco: It was the happiest time in my life. I had realized my dream.FLASHBACK TO: The set is busy.OliverZarco: (V.O.) I was working in the movies. Though I was only in an entry-level position, Weatherly and I were already an item.(Weatherly and Zarco are kissing in the back.)Oliver Zarco: (V.O.) Just like ...ENDFLASHBACK.Oliver Zarco: ... Julia Roberts and what's his name.FLASHBACK TO: They're filming on the set.(Weatherly takes the burning meat out of the oven and puts it on the table. The meat is smoking.)Oliver Zarco:(V.O.) We were in love.Weatherly: (smiles) Hi.(Zarco is on the side with a smoke machine, adding to the smoke. He blows her a kiss. Filming continues.)Oliver Zarco: (V.O.) And then it was all over in an instant.(Thesmoke machine blows up and bursts into flames in his face. Zarco screams.)Oliver Zarco: Oh, God!(Zarco's face is on fire. He gets up and runs around the set.)Oliver Zarco: Oh, my God!(Finally someone with a fireextinguisher puts the fire out.)END FLASHBACK.(Zarco's face is scarred.)Oliver Zarco: I was in rehab for six months. That slime ball Lafoon convinced me not to file a Worker's Compensation claim. He said that he'dtake care of me.Brass: And you trusted him?Oliver Zarco: Yes. And then, when the deadline passed to file my claim, Vincent offered me two grand, take it or leave it, and then he fired my ass. And I could have livedwith that, but ...Brass: But what?Oliver Zarco: Weatherly ... dumped me. She felt we were no longer compatible. The truth was, she couldn't stand to look at me. She cried when she told me. Actresses can do that. Thesmell of her skin ... like fresh lemon poppy seed scones baking in the oven. Gold flecks that danced like Valkyries in the emerald depths of her eyes. Her hair-- oh, God ... Her hair ...Brass: So you started stalkingher.Oliver Zarco: I brought her gifts from time to time, to let her know that I still loved her. Is that against the law?Brass: It is if you break in to do it.Oliver Zarco: They wouldn't let me in the front door.Brass: So youcame in through the window. Only this time, you got caught. You argued. She told you where to shove your flowers, and you thought to yourself, \"You know, do I really need this aggravation?\" So you killed the bitch. Ithink you killed the bitch.Oliver Zarco: Why would I kill her?Brass: How should I know?Oliver Zarco: Do I know you?Brass: Listen, Zarco, you whack job, you'd better focus! You focus.Oliver Zarco: I'm trying to explainto you. I haven't been near that place in over a year. You got the wrong guy. I don't do that anymore. I'm in therapy now. Lots of therapy. Freudian, Jungian, Gestaltian -- all that crap. I've let go of myanger.[SCENE_BREAK][INT. CSI - GRISSOM'S OFFICE](Grissom is in his office when Wendy appears in the doorway. She's carrying some test results.)Wendy: Have you seen Catherine around?Grissom: No,why?Wendy: 'Cause I just got the DNA results for Weatherly Adams, and the skin under her nails and the semen from her SAE, they both belong to Vaughn Krunty.Grissom: Who?Wendy: Vaughn Krunty, aka \"ZackPutrid.\"Grissom: Who's that?Wendy: (amazed) The Titan of Terror, The Sultan of Slash. He's the movie director. I just ... I found him in CODIS for a statutory rape charge in Laughlin when he was 18 and the girl was16. Can you believe that?Grissom: What's the matter with you?Wendy: Nothing.Grissom: Go tell Catherine what you found, make sure that you pull all the old evidence out of storage in case she needs it.Wendy:Okay.(Wendy looks at the results, turns and leaves the office.)[SCENE_BREAK][INT. REPULSION PICTURES - EDITING ROOM](Zack Putrid is reviewing the footage shot that day.)Zack Putrid: Please. That looks prettystupid, doesn't it?Editor: Well, you could cut out earlier, maybe go to a wide exterior shot, you could carry the scream over a big flock of birds taking off.Zack Putrid: Yeah?(Putrid kicks the editor's chair.)Editor: Or ...yeah ...(He picks up the golf club and hits the table, smashing whatever is on it.)Editor: (mutters) Or not. Or not, just ... bad idea. All right, okay.(Putrid turns around and sees Brass leaning against the door framewatching him. Putrid chuckles.)(Putrid chuckles)Zack Putrid: Detective Brass.(He points to Brass, turns and chuckles at the editor.)Zack Putrid: Man, I love that. Detective Brass. You're a detective, and your name isBrass. I mean, I can use that. That's like a cop named Officer Copper. Or a tin horn sheriff named Sheriff Tin. You cannot write that stuff.Brass: Listen, buddy ...Zack Putrid: Dude, I know why you're here, okay?Weatherly and I, yes, we were knocking boots, man.Brass: So, you acknowledge having s*x with her?(Brass walks in and heads toward the editor's table where he looks at the latest \"star\" covered with fake blood.)ZackPutrid: Well, yeah, I just said I had s*x ... Why would I deny it? Hey, I bang all my stars. It builds trust. It's part of my process.Brass: We found traces of your skin under her fingernails. Maybe she wasn't into your\"process,\" so you raped her.(Putrid chuckles.)(Brass turns and looks at him.)Brass: You find that funny?Zack Putrid: Dude, you gotta see this. You're gonna love it. (to the editor) Bring up Double D.Editor: Yeah. Heregoes.(The editor switches tapes and shows a recording of Weatherly wearing a pink dressing gown in her pink dressing room.)Weatherly Adams: (on tape) Hi, baby. Hi.(On the tape, she blows a kiss to the camera. Aman off screen laughs.)(Putrid whacks Brass on the arm and indicates the monitor.)Zack Putrid: Check it out.(On the tape, Weatherly opens the dressing gown and shows the camera her boob job.)Zack Putrid: (ontape) Money. Money.(On the tape, she giggles.)(Putrid turns and looks at Brass.)Zack Putrid: Oh, yeah.Zack Putrid: (on tape) You're a star. WEATHERLY ADAMS: (on tape) Oh, ba-by. Oh, ba-by.Editor: (groans) I can'tbelieve this is my life.Zack Putrid: (on tape) Oh, man, oh, man...Weatherly Adams: (on tape) Come over here, baby.(On the tape, they start kissing as the camera rolls.)(Zack Putrid puts a hand on Brass's shoulder andsmiles proudly. Like a little kid, he points excitedly to the monitor.)Brass: This what you do all day?Zack Putrid: Look, does that look like a woman being taken against her will?Brass: That still doesn't explain how yourskin got under her fingernails.Zack Putrid: Weatherly was ... how can I put this delicately? She was an ass-scratcher, man. She liked to scratch my ass. She wasn't pushing me away, man, she was pulling me in.(Putridputs his pants down.)Zack Putrid: Brass, look at my ass.(He shows Brass his ass.)Zack Putrid: Freaking claw marks.Brass: Are you trying to make me throw up, Mr. Putrid?(Putrid purrs.)(HOLD onBrass.)[SCENE_BREAK][INT. UNKNOWN HALLWAY](A woman walks down the hallway. She glances over her shoulder and continues walking quickly down the hallway.)(We see the woman is WENDY SIMMS. She glancesbehind her again and speeds up a little. She turns the corner and glances behind her. She starts running.)(The camera follows her.)(She comes to the end of the hallway and tries opening the doors. The first one islocked. The second door is locked. She hurries to the third door. It opens.)[INT. UNKNOWN ROOM - CONTINUOUS](Wendy enters the room and shuts the door. She cowers and waits.)(A chainsaw engine revs. Thedouble doors open and a bearded man in a hooded raincoat carries a bloodied chainsaw.)(Wendy screams.)REVEAL:[INT. CSI - BREAKROOM](Henry Andrews, Hodges, Sara and Wendy are watching a video.)(On themonitor, Wendy runs and the man with the chainsaw cuts her. She spits out blood and some really bad EFX has her top half fall to the floor while her bottom half remains in a standing position. After a beat, the bottomhalf falls to the floor as well.)(Henry laughs.)Henry Andrews: Oh, my God. No way!(Hodges jaw drops.)(Sara closes her eyes.)(Wendy smiles and pauses the tape.)Henry Andrews: That is so cool. I can't believe youworked for Repulsion Pictures.Wendy: Well, I did it on a whim. I was supposed to be an extra, but then they liked me, so they gave me this whole featured bit. I got 600 bucks for that. What? What? I was fresh out ofcollege. I really needed the money.Ronnie Lake: I don't get it -- what's the thrill here? It's always hot babes with huge breasts falling out of their shirts, getting hacked up ...Wendy: I don't have huge breasts. Mine arekind of ... medium.Hodges: But perfect ...(Wendy turns and glares at Hodges.)Hodges: --ly adequate. Better, in fact.(He turns and looks at Sara.)Sara: Okay. Uh, I'm out of here.(Sara leaves.)Henry Andrews: Hey, let'swatch it again.[SCENE_BREAK][INT. CSI - FORENSIC AUTOPSY](Robbins shares his findings with Nick.)(TOP VIEW DOWN of the BACK with an IMAGE of the AXE.)Robbins: (V.O.) When I removed the axe, --(The AXEvanishes and CGI VIEW of the inside of the WOUND.)Robbins: (V.O.) I noticed that the dermis along the margin of the wound showed no vital response, except in a small area on both sides of the center of the"}
+{"doc_id":"doc_159","qid":"","text":"[PREVIOUSLY_ON]Ihab: This act will be remembered as the first great act of defiance.(crowd chanting)Jamal: Ihab Rashid is behind all this.Samira: I'm done wishing for change.I am making it happen.Jamal: Thewedding night is very special. It's important to be pure.Molly: It's not safe for you to be there.Barry: It's not safe for anyone there.(thumping)Jamal: Run them down!Leila: Go!Jamal: Tomorrow, there will be onlypigeons in the square.Barry: What is it you want me to do?Fauzi: I want you to get your hands dirty, to go against your family.Barry: I asked Fauzi Nidal to set up a meeting with Ihab Rashid.Jamal: The man who wouldhave all our heads?Barry: You can go down in history as one more brutal dictator, or you can be remembered as the leader who had the courage to listen to his people.Who do you want to be?Ihab: Jamal has asked meto gather you, the leaders of the various factions who fill the Plaza, to meet with his American brother. This is the second time the Palace has come to me. The agitation in the Plaza, the galvanizing of the people, ooh,has them running scared. It's poker. Right now we have the winning hand. Why negotiate? Hmm? Nobody negotiated with Mubarak. No, no, no, no, no, no. When this Amriki walks in, I'm going to tell him exactly what itwill take for us to clear the Plaza: his brother's resignation. Jamal Al Fayeed... he can, uh, take his blood money, go to... go to Paris. (laughter) Or go to London. Spend the rest of his days writing his memoirs.Farah:But what if he's actually willing to offer us something?Ihab: No. His father betrayed my father. I'm not about to let him do the same thing to me. The only offer we will take is for Jamal Al Fayeed to leave Abbudin.Fauzi:You sure about this?Barry: I'm sure of one thing. A narcissist with a messiah complex is not about to negotiate with me. Look, I'm betting Ihab told everyone in earshot that an Al Fayeed asked to sit down with him. Hesaid yes so quickly, 'cause he wants to tell me where to go in front of an audience, but now he's gonna have to explain why he's sitting at the table alone. For my plan to work, I have to take him down a notch. Make thecall.Samira: Father, where are you? Everyone's here, and they're... Okay. Okay. It's my father.Ihab: You are late. What do you mean you are not coming?! That is bullshit!(chuckles)(engine stops)(Barry sighs)Barry:Thank you, my friend.Fauzi: You know, I'm worried for you, Bassam.Barry: (chuckles) Been a while since anyone called me that.Fauzi: You know this game you're playing, it's a dangerous game.Barry: I don't seeanother option.I have to clear the Plaza before Tariq does.John: The garage meet. Classic. This is insane. Why set a meet with Ihab so you can stand him up?Barry: Ihab's having his moment. He was never gonnabargain. So I had to take the wind out of his sails. Ihab's a boy. I want to see his father, the man who almost made peace with my father. I was here, Tucker, okay? I saw it. The people adored him. I need an hour withSheik Rashid.John: So, you want to use Sheik Rashid to do an end run around Ihab? I mean, what... what happened to the nice family doctor from Pasadena?Barry: Don't screw me around, John. The U.S. brokeredSheik Rashid's asylum 20 years ago. I need to talk to him, and you know where he is.John: Does your brother even know you're here?Barry: I didn't say anything, because he'd never give me this much rope.John: Well,if you want to hang yourself with it, be my guest. Don't expect me to build the gallows.Barry: Tucker, I'm just trying to keep America's ass from landing on the wrong side of history.John: Uh-huh. Which doesn't involveturning you into another Daniel Pearl. My job is to protect American citizens, not serve them up. You end up dead in the desert in a trail that leads back to the U.S. Embassy...Barry: What do you want? In return, whatdo you want? An inside seat? A heads up on what's happening as it happens? (John sighs)John: Are you offering to spy on your brother?Barry: I have 24 hours. You have less.Tariq: I need to speak to thepresident.Secretary: Uh... But he-he isn't... Shall I leave him a, um, message?Leila: Who drowned your puppy?Tariq: Have you seen your husband?Leila: I'm not his keeper.Tariq: At least tell me why he ordered me tostand down. I was about to send two brigades to the Plaza, and all of a sudden, he changes his mind with no explanation. He won't take my calls. He's cancelled his meetings for the day.Leila: The president isn'trequired to consult with his wife on every decision he makes.Tariq: But as his wife, you should know. If Jamal isn't prepared to defend the regime, there are others who will.Leila: I hope, for your sake, you're notthreatening my husband.Tariq: On the contrary, I'm trying to protect him.(crowd clamoring over video)(rapid gunfire over video)Ihab: Now these Al Fayeeds, they want to give us platitudes.Leila: He's a parrot.Hismouth moves, but other people's words come out. La Boétie, Guevara and his father, the Sheik.Ihab: As men and women of...Leila: But you, you are in the position to make your own history.Jamal: Start with acompliment, end with an ask. What do you want?Leila: Yesterday in the Plaza, they nearly killed you.Jamal: You exaggerate.Leila: No, I was there, Jamal. Three weeks, and the people are already questioning yourleadership. Now is the time to be firm, to show them that you are in control. Why are you holding back Tariq?Jamal: Why? For you.Leila: For me?Jamal: If I move against the Plaza, ten times as many will rise up againstme, against my family. This is certain, Leila. So what do I do? I wait until tomorrow. Maybe these clouds will bring a storm. Or maybe something will happen to clear them.Leila: Is this you talking? Or is it Bassam?Maybe Ihab is not the only parrot in this country.Jamal: Don't make the mistake of getting between me and my brother.Molly: Reema, what are you doing?Reema: I was just straightening up.Molly: Hold on. Let me seewhat's in your pocket.Reema: I'll be in the servants' quarters until the police arrive.Molly: Just wait. First tell me why you need Vicodin.Reema: Not me. My brother Salam.Molly: What's wrong with him?Reema...Reema: He broke his arm. He was fixing the roof and he fell.Molly: Well, if his arm is broken, he needs a doctor to set it. You have to take him to the hospital.Reema: No hospital.Molly: Why not?Reema: Please,ma'am.Molly: Okay, tell you what... You take me to see your brother, and this stays between us.Reema: You will tell no one?Molly: No.Ahmed: Where's the fire?Nusrat: You smell like tequila. I have to help yourgrandma with seating arrangements, okay?Ahmed: Baby, it's been a month and we still haven't... I didn't get married to take care of my own needs!(door slams)Jamal: Mother, this is really beautiful.Amira: Not nearlyas beautiful as your daughter-in-law.Jamal: Yes, Ahmed is a lucky man.Is this my grandson I feel in there? Bassam is waiting for me.Amira: Your father would be so happy to see his two sons working together likethis.Jamal: He would have been.Amira: Are you all right, Nusrat? The ambassador is deaf in his left ear, so I'm going to put you on his right side.Jamal: So... when am I sitting down with this asshole?Barry: I'm stillworking out the details.Jamal: What details? He shows up when and where we say!Barry: Yeah, it's not... it's not quite as simple as that.Jamal: It is simple. Who's the president, me or him?(groans)What aren't youtelling me?Barry: Nothing. He's just, uh... the guy's playing hard to get.Jamal: Hard to get? Maybe he will play nicer with electrodes on his balls.Barry: Can you please just give me a little more time?Jamal: How muchtime do you think I have? I've already got Leila crawling up my ass. While you are out buying flowers for this shitball, I'm starting to look like some pussy who can't pull the trigger.Barry: Jamal, I'm working on it.Jamal:Working on it? Well, stop working on it and get it done.(crowd clamoring)Ihab: Abbudin!Crowd: Abbudin!Ihab: He humiliated me.Mohammed: Relax, relax.Ihab: No, no, no, no, no! I'm not going to relax.He can't dothis. It makes me look like a fool. That was the point, wasn't it?Mohammed: Take the mic, paint him as the liar he is!Ihab: Oh, and look like a child who dropped his ice cream, huh? No, no, no, no, no, no, no. What isthe game he's playing?Samira: Same game as you are. You were only there to tell him off to his face.Ihab: You... you knew all along Bassam was going to blow me off.Samira: What?! No! No!Ihab: You set the location,set the time.Samira: Ihab, stop! You're letting your anger get the best of you at a time when the people need your leadership. People are trusting you with their lives. People I know! My friends!Ihab: You don't think Iknow that, little girl? Hmm? I am not here by accident.Crowd (chanting): Free Abbudin! Free Abbudin! Free Abbudin! Free Abbudin!Ihab: Abbudin!Barry: Jamal's given me 24 hours to see if I can clear the Plazapeacefully.Molly: What are you gonna do?Barry: Tucker is reaching out to Ihab's father, the Sheik, to try and arrange a meeting. Before my father launched the attack on Ma'an, he and the Sheik sat down for peacetalks. Rashid was prepared to negotiate a peaceful solution.Molly: Yeah, and then he bombed the Palace.Barry: An army barracks. And it was his followers, not him. Look, 20 years ago, Rashid was prepared to negotiatewith my father. Despite what happened, me sitting down with him now is the only hope we have to stop this blowing up in our faces.Molly: Who's going with you?Barry: I don't know all the details yet, okay? Tucker'sgonna call me back. Until then, I'm going to go for a run, okay?Molly: So it's a suicide mission.Barry: That's blowing it out of proportion. And Molly, really, I don't have another choice here.Molly: Of course you haveanother choice. You also have two kids and a wife. I mean... you're gonna get yourself killed, Barry.Barry: Honey, we're not at home listening to this on NPR, we're in it. And I can do something my father couldn't... Ican end this peacefully.Molly: That's Jamal's job, not yours. Why are you putting your life on this line for this?Barry: 'Cause my name's not Smith or Jones!(Molly scoffs)Molly: If I didn't know you better, I'd say youwere starting to get off on this.Ahmed: Hakim, I know Nusrat is here.Hakim: Now is not a good time. She's upset.Ahmed: Which is why she should be with her husband and not run to her parents like a child!We had athing this morning, now she's not returning my calls.Hakim: I swear I'll talk sense into her. You have my word. Do have any idea what position you are putting our family in? Everything we have, it's all from AlFayeeds!Nusrat: I want a divorce.Hakim: Don't be stupid. Why did you agree to marry Ahmed if you don't love him?Sofia: Tell him.Hakim: Tell me what? Tell me what?Nusrat: It's not Ahmed. It's Jamal.(phonevibrating)Barry: Yeah.John: Barry, it's Tucker.The person you wanted me to reach out to agreed to meet.Barry: Okay. I'll go back and tell Molly...John: You can call Molly from the road. I'm about to jump in the car.Meet me outside the gate.Barry: I'm on my way. All right, guys, that's it for the day.[SCENE_BREAK]John: Thank you for arranging this meeting with your father. Namir Rashid... Bassam Al Fayeed.Namir: Okay, comewith me. Oh, no, no... you stay here.John: No, no, no, no, that wasn't the arrangement.Namir: I told my father we should kill him right here, but this is his wish. Turn around, Al Fayeed.Barry: It's okay.Namir: Doit.Ihab (recorded): When this, uh, Amriki walks in here, I'm going to tell him exactly what it will take for us to clear the Plaza: his brother's resignation.Tariq: Our security forces track Ihab Rashid's movements. Imaginetheir surprise and my embarrassment upon learning he was meeting with your brother.Jamal: Bassam is working for me. He is meeting Ihab Rashid on my orders.Tariq: Bassam's been nowhere near Ihab in the last 24hours.Jamal: That is wrong. That is wrong! I spoke to Bassam right after their meeting. He looked me in the eyes and told me they are ironing out details.Tariq: Then he lied to you! He's had no contact with Ihab. As amatter of fact, Bassam ditched his security. He is nowhere to be found.Leila: This is why you refuse to clear the Plaza? Bassam... doesn't keep his promises.Jamal: How the hell would you know?Barry (recorded): Hi,you've reached Barry Al Fayeed. Please leave your name and...Tariq: Sir, at least allow me to move my forces into position.(Jamal sighs)Jamal: Fine.But they stand down until I give the order.(coughing)Sheik Rashid:My lungs...(clears throat)A souvenir of the day your father gassed Ma'an. You met my son, Namir.Barry: Yeah, he, uh... he drove me from the border. The hood kind of limited the conversation.Sheik Rashid: Youunderstand our precautions.Barry: Yes.Sheik Rashid: I have always been curious about Khaled's American son.(gunshot)Man: Death to the Al Fayeed!(grunts) Death to the Al Fayeed! Death to the Al Fayeeds!SheikRashid: I apologize for his actions, but his anger is understandable. His family was wiped out by yours. Bassam Al Fayeed, yesterday you were my enemy, but today you are my guest.Barry: Sheik Rashid, I need to talkto you about...Sheik Rashid: That's not the way it's done. First, we eat.Hakim: Mr. President, you are too kind, taking time away from important issues of state to deal with a personal matter.Leila: To what do we owethis pleasure?Hakim: Marriage... it's a complicated proposition, and Nusrat has always been... fragile. Overly emotional. My wife and I are to blame. We coddled her.Jamal: Cut to the chase.Hakim: We ask for nothing,just a quick and quiet dissolution of the marriage.Leila: Divorce? On what grounds? Tell me, Hakim. We have welcomed your daughter to this family as one of our own. Ahmed is my son. I demand to know what this isabout.Hakim: Please, ma'am, are the details really important?(Jamal groans)Jamal: Will you wait for me outside?Hakim: Sure.(door closes)Jamal: I will fix this.Leila: You'd better.We can't afford anotherhumiliation.Jamal: I said I will fix this.(gunshot)Your turn.Hakim: I'm no match for you.Jamal (chuckles): Yeah. That's true. So, tell me, Hakim, what is this nonsense about a divorce? Your daughter has everything awoman could want. Why you don't talk sense to her?Hakim: Believe me, Mr. President, I have tried.Jamal: \"Tried.\" Well, not hard enough. My father gave you the telecommunication franchise in this country. Now, yourfamily has everything it has because my family gave it to you.Hakim: And I'm forever in your debt.Jamal: Then act like it.Hakim: Please, I beg you. There is no talking sense with a sleepwalker. She's in a doctor's care.He prescribes therapy, medication. My daughter is weak, and your son did his best.Jamal: \"Did his best\"? Are you saying this is Ahmed's fault?Hakim: No, of course not.Jamal: Then what are you saying? What reasondid she give?(chuckles)Hakim: I swear, she will go to the grave with her secret.Jamal: Tell me what she told you.Hakim: Uh, it doesn't matter.Jamal: You know what, you are right.It doesn't matter.(muffledscreaming)There will be no divorce, Hakim.(Hakim groaning)Your whore of a daughter is going to crawl back into my son's bed! She will bear him children. As many as he wants.Hakim: Mr. President, please! Please,sir!(gunshot)(screaming)Molly: It's not just his arm.He fractured multiple ribs when he fell. His pulse is racing and weak. He's anxious. (sighs) Reema, with this kind of injury, he could be bleeding on the inside. It'sokay, it's okay. We're gonna get you to a hospital.Reema: I said no hospital.Molly: He wasn't fixing a roof, was he?Reema: He was in the Plaza. When the president's motorcade came, people, they start pushing. He isinnocent, but the camera, they saw him. If he seeks help now, they'll arrest him.Molly: He'll die if he doesn't.Reema: Better to die here than live through what they will do to him. His friends in the Plaza, they tagged astreet sign with \"free Abbudin\" and were arrested. When their father went to the police, begged for his children, he was told to make new ones. Salam is my only family. Please, help us.Emt: What's his name?(indistinctradio transmission)Reema: Salam.Salam Halabi.Molly: Radial fracture, multiple broken ribs, suspected hemothorax from intercostal hemorrhaging. We need to throw in a chest tube.Emt: I'm sorry, but you can't takethis man. He is wanted by the authorities. We have to alert the police...Molly: He'll die if you wait.Emt: Before we admit him to the hospital. Then he'll die.Molly: No, he won't. I won't let him.Emt: And who areyou?Molly: Dr. Molly Al Fayeed.Emt: We were just following the law. A thousand pardons.Molly: You don't... you don't need to apologize to me. Just get him to the hospital. You know what, why don't I come with youand make sure no one else makes the same mistake.Namir: Bless Allah for protecting us and for all that we have.Sheik Rashid: Alhamdulillah.All: Alhamdulillah.Sheik Rashid: I see you are anxious to talk.Barry:Yes.Sheik Rashid: Walk with me.(Sheik Rashid coughs)You made a long trip to avoid the more obvious choice.Barry: Ihab doesn't want to talk. He wants his turn, and that's not going to happen.(Sheik Rashidlaughs)Sheik Rashid: You must be worried.Otherwise, you are not here.Barry: I'm worried about the price we'll have to pay for either side to win. There's a book I-I read about apartheid in South Africa. A white mansays about the blacks, \"my greatest fear\" \"is that by the time we have come to love,\" \"they will have come to hate.\"Sheik Rashid: Have you come to love?Barry: I've come to talk. You and I have more in common thananyone else in this. We're both exiled... for different reasons... by force or by choice. But we both have the advantage of an outsider's perspective.Sheik Rashid: You came back. Why?Barry: To try and keep my brotherfrom making my father's mistakes. Finish with my brother what you started with my father. Negotiate a political solution.Sheik Rashid: This is a young man's fight.Barry: And I need an old man to be my partner.Someone who wants nothing for himself.Sheik Rashid: You think that's me?Barry: Well, I think we both have a second chance here to make this right. You and I both know history. If we don't try, then your son or mybrother and so many people along with them will be consumed by this. Imprisoned, exiled... or dead within a year.Sheik Rashid: Death doesn't scare me... Bassam Al Fayeed. I've seen too much of it.(Sheik Rashidcoughs)Barry: I don't believe you. w After 20 years, you're still alive.I'm a doctor. I believe that life itself is hope. And I think that you do, too.[SCENE_BREAK]John: You didn't close the deal.Barry: Thought it was goingin the right direction.He... just said he needed to sleep on it. But when he woke up...John: Well, you may have failed, but, uh, the reach... It was impressive. Get in. I'll take you back to the Palace.(crowd clamoring overvideo)(rapid gunfire over video)Jamal: General... (sighs)Clear the Plaza.(crowd clamoring) (whistle blowing)Ihab: They're moving into the Plaza.Mohammed: After your speech, there's a van waiting for you.Samira:Ihab.So, when they start shooting, you won't be standing with the people?(whistle blowing)Crowd (chanting): Free Abbudin! Free Abbudin!(chanting, clamoring continues)(helicopter hovering overhead)Fauzi:Samira.Let's go before it's too late.Samira: I'm not leaving.Fauzi: You would die for him?Samira: Ihab may be trying to replace one tyranny with another. But the people... they won't let him. And I'm standing here withthem.Fauzi: I'll stand with you.Leila: Thank you for coming.Sofia: How can you do this? You're feeding her to the wolves.Hakim: It's not like we have a choice.Sofia: She's our daughter.Amira: Hakim. What happened toyou?Hakim: It's nothing. A hunting accident.Amira: And yet you're here. What one does for family. Nusrat.Leila: Beautiful as ever. It's all for you. Everything here... Is all for you.Ahmed: Nusrat.Nusrat: Everything'sgoing to be okay.Ahmed: Come. Let's greet everyone.Nusrat: Okay.Leila: Enjoy the party.(Jamal sighs)Jamal: Look at the newlyweds.Leila: What a persuasive man.(both sighing)Barry: You were right.Why did I think Icould come here and do something my father couldn't? Thank you... for putting your life on hold for me. Being here with me.Molly: I think I really needed to hear that.Crowd (chanting): Free Abbudin! FreeAbbudin!Ihab: Raise your phones! Record this moment in history! As long as we have a camera, the revolution continues!(crowd cheering)And if... if we are the first martyrs to liberate Abbudin, then so be it!(crowdcheering)I stand with you, my brothers and sisters.Crowd (chanting): Free Abbudin!Ihab: I stand with you, united... united... unite...(crowd quiets)[SCENE_BREAK](applause)Sheik Rashid: Brothers... and sisters.20years in exile, but I have come home. (crowd cheering)Tariq: Your brother is back.Jamal: Excuse me. Liar. You told me you were going to meet Ihab Rashid. I trusted you. You are my blood, and you betrayed me.Molly:"}
+{"doc_id":"doc_160","qid":"","text":"•I do not own the characters or situations of BTVS, and I claim no credit for the content of this episode. I have merely transcribed what appeared on my screen, with help from the closed captions. •I prefer that you linkto this transcript on the Psyche site rather than post it on your site, but you can post it on your site if you want, as long as you keep my name and email address on it. Please also keep my disclaimers intact. •You canuse my transcripts in your fanfiction stories; you don't have to ask my permission. (However, if you use large portions of episode dialogue in your fanfic, I recommend you give credit to the person who wrote theepisode.) •I apologize in advance for my lame transcription of the fight scenes. I don't know the names of different punches and kicks. Use your imagination.[SCENE_BREAK]GILES VOICEOVER: Previously...Buffy andSpike against the wall kissing in \"Smashed.\"SPIKE VOICEOVER: Last night changed things.BUFFY: The only thing that's different is that I'm disgusted with myself. Dawn and Willow walking down the street.DAWN: Isthis the way to the movies? Dawn and Willow coming through the walls into Rack's place.DAWN: What is this place?WILLOW: I'll just be a minute. Willow suspended inside a ball of magic.BUFFY: Willow's intosomething. Her and Dawn have been missing for hours.DAWN: Do you know how long I've been out here?WILLOW: (with black eyes) Let's get outta here. Dawn in the car. The car crashing. Spike and Buffy leading aninjured Dawn.WILLOW: Dawnie, I'm sorry! Dawn slapping Willow. Willow crying.BUFFY: You could have killed her!WILLOW: I need help! Willow and Buffy in Willow's bedroom.WILLOW: No more spells. I'm finished.Warren stealing the diamond from the museum.WARREN: Got it.JONATHAN: It's beautiful.WARREN: Congratulations, Phase One of the plan is now complete.[SCENE_BREAK]Teaser[SCENE_BREAK]Open on a tablecovered with magical stuff: tarot cards, candles, little bowls and boxes of herbs, etc. A pair of hands comes into the shot and sweeps everything into a cardboard box. Pull back to reveal Buffy. She begins removing pillarcandles from the table and putting them in the box too. Reveal Dawn standing by the bookshelf looking at books. Her left arm is in a sling. She puts a book in a box, looks over at Buffy.DAWN: Candles?! We can't havecandles?BUFFY: Dawn, it's magic clearance. Everything must go. Buffy looks over at Willow, who is sitting cross-legged on the bed. Willow nods.DAWN: B-but they're just candles!BUFFY: (sighs, stands up) Well, yeah,you know, to you and me they're just candles, but to ... witches they're ... like bongs. Willow nods sadly. Dawn sighs.BUFFY: So, no candles, no charms ... (walking toward the door to the bathroom) no-WILLOW:Bird.BUFFY: (stops walking) No bird?WILLOW: That peacock on the table. (looks at the side table near Buffy) It has two crystals in it. Buffy picks up the small statue of a bird. She opens it and finds two crystalsinside.WILLOW: Tara, she... (Buffy looking at her) she left them. (Dawn looking at them)BUFFY: I'll make sure she gets them. Willow nods.Cut to downstairs. Buffy walks into the living room carrying a cardboard box.She begins walking around, picking up things and putting them in the box. Dawn follows.BUFFY: (over her shoulder) Dawn, do me a favor, can you grab the fertility god statue on the desk over there?DAWN: Kokopelli?!No! I love him! And he was Mom's. Buffy puts hands on hips and just looks at Dawn.DAWN: (upset) Why do we have to get rid of so many things I like?BUFFY: Dawn, I explained this to you. Willow has a problem. Thenext few weeks are gonna be ... crazy hard on her as it is. Buffy turns away as she continues talking. Dawn rolls her eyes and turns to pick up the statue.BUFFY: (on the sofa, moving cushions around) Any reminder of,of what it is that she's trying to stay away from, you know, could cause her to ... give in to temptation. Buffy digs among the sofa cushions and finds something. It's a cigarette lighter. She flips it open and stares at it.Flash to Buffy and Spike in the abandoned building, kissing and slamming each other up against the walls. Flash back to the present. Buffy still stares at the lighter.BUFFY: And that would be bad. She turns and tossesthe lighter into the cardboard box.Cut to a closeup of the stolen diamond seen through a magnifying glass. A hand takes it out of its black-velvet-lined case and holds it up. Cut out to reveal Warren, wearing safetygoggles and sitting at a workbench. A device of some sort, vaguely machine-gun-shaped, is on the bench in front of him. He puts the diamond into a space on top of the device, in the middle of a star shape formed bysix metal spikes. He places a glass cover over the diamond.WARREN: (triumphant) Okay, that's it. It's finally done. Jonathan and Andrew come up behind him to look.WARREN: I mean, it still needs a trial run, butit's-JONATHAN: Kind of clunky-looking.WARREN: What?!ANDREW: I pictured something cooler. More ILM, less Ed Wood.WARREN: (gets up angrily) You wanna see cool? I'll show you cool. Warren picks up the device.Jonathan and Andrew look alarmed, back away. Warren points the device at them for a moment, then turns away, fiddling with the controls. The device makes a whirring noise as the star-shaped bit on top spinsaround. A bolt of reddish light shoots out and hits one of the leather chairs on the platform. The chair disappears. The Geeks stare in awe. Andrew pushes past the others and goes over to where the chair was. Jonathanfollows slowly.JONATHAN: Mama! Warren watches with a smirk. Andrew and Jonathan stand on either side of where the chair was. Andrew makes gestures like he's feeling around in the air.JONATHAN: Did it ... isit...ANDREW: Yeah. Jonathan grins excitedly, turns and very carefully sits down on the invisible chair. He spins around a few times, giggles crazily. Andrew stares in awe.JONATHAN: (laughing, to Warren) I'd call that asuccessful test.WARREN: Well, that's just half the test. Warren begins flipping switches again. The diamond begins to whirl.JONATHAN: Hey! Hey! Andrew leaps for cover and Jonathan pulls his arms and legs up toshield himself as Warren zaps him again. The chair reappears. Jonathan looks nervously at his arms, making sure he's still visible, then gets up angrily.JONATHAN: You pen1s!WARREN: Oh, cheer up, Frodo. Becausethanks to my brains, and our mystical gem, we got ourselves an invisibility ray. (shoulders the weapon) And I'd say that makes us pretty much unstoppable. Wolf howl. Opening credits. Guest starring Danny Strong,Adam Busch, Tom Lenk, Daniel Hagen, and Susan Ruttan. Written and directed by David Fury.[SCENE_BREAK]Act I[SCENE_BREAK]Open on Buffy in the kitchen, yelling toward upstairs.BUFFY: Dawn, come on, yougotta eat breakfast! Xander's gonna be here any second. No response. Buffy sighs, turns back into the kitchen.BUFFY: She's gonna be late for school again. Willow is at the stove cooking, wearing pajamas. Buffy looksover at her. Close shot of Willow's hands putting bits of ham into a cooking omelet.BUFFY: How are you doing?WILLOW: I'm okay. Not 'ready to head back to classes, face the world' okay, but ... the shakiness is onlysemi now. I thought I'd spend the day fishing the net, for more poop on the, uh, stolen diamond. Dawn enters, her arm still in a sling.BUFFY: I called you before.DAWN: (sullen) Didn't hear you. Dawn pours herself aglass of orange juice.WILLOW: Hey Dawnie, uh, I'm making you a nice omelet.DAWN: Not hungry. (drinks juice)BUFFY: Dawn, you need to eat something.DAWN: Thanks for your concern. Dawn slams her glass downand leaves.WILLOW: Okay, I deserve the wrath of Dawn, but ... why is she taking it out on you?BUFFY: Because I let it happen.WILLOW: Buffy, I was the one who-BUFFY: Who was drowning. My best friend. And I wastoo wrapped up in my own dumb life to even notice. Suddenly the door from the back porch bursts open. Willow and Buffy look over in surprise as a blanket-covered shape enters, slams the door shut and throws off theblanket, revealing Spike. He straightens up, smoothes down his hair, looks at them.SPIKE: Morning.BUFFY: What are you doing? And, here? (Willow returns to cooking)SPIKE: Just, uh, took a stroll. Found myself inyour neck of the woods.BUFFY: Couldn't find a less flammable time of day to take a stroll?SPIKE: Yeah, well, the fact is my lighter's gone missing. Thought it might have, uh, dropped outta my pocket the last time I washere.BUFFY: Haven't seen it. Buffy turns to the sink. Willow takes the omelet pan and puts it on the counter next to the sink.WILLOW: I'm, uh, gonna head back to my room, get dressed.BUFFY: Oh, I... Buffy starts tofollow Willow out, but stops. She leans one hand against the island, watches Willow go. Then she turns to Spike with a resigned expression.BUFFY: Lame.SPIKE: What?BUFFY: You. Making up excuses. (goes back to thesink)SPIKE: Oh, don't flatter yourself, luv. (walking toward her) Bloody fond of that lighter. Buffy turns away from the sink, glares at him.BUFFY: Stop trying to see me. And stop calling me that.SPIKE: (walks over toher) So, um ... what should I call you then? Pet? Buffy just looks at him as he leans right up in her face.SPIKE: (grinning) Sweetheart? My, uh ... (fondling a piece of her hair) little goldilocks? He toys with her hair for amoment with one hand, then the other.SPIKE: You know I love this hair. The way it bounces around when you- Buffy suddenly lifts her hand out of the sink, holding a spatula on trajectory toward Spike's face, but hegrabs her wrist and stops it.SPIKE: Ah-ah-ah! This flapjack's not ready to be flipped. His other hand is on her shoulder and now drops down out of shot.BUFFY: What the hell is that supposed to- Buffy breaks off with asmall sigh of pleasure, closing her eyes.BUFFY: (whispers) Stop that. Spike looks downward, but we still can't see what his hand is doing.XANDER: Good Godfrey Cambridge, Spike! Spike and Buffy look over to seeXander standing in the doorway. Buffy quickly shoves Spike's hands off her, drops the spatula into the sink.XANDER: Still trying to mack on Buffy? Wake up already. Never gonna happen! (Spike and Buffy glaring athim) Only a complete loser would ever hook up with you. (Buffy looking insulted) Well, unless she's a simpleton like Harmony, or a, or a nut sack like Drusilla-BUFFY: Hey! You really need to get Dawn off to school. Let'sgo, go fetch her, okay? Buffy walks over to Xander, takes his arm and guides him toward the hallway.BUFFY: (not turning back) You can let yourself out, right Spike? Spike watches them go with a smirk.Cut to Buffyand Xander emerging into the foyer.BUFFY: (calling) Dawn! You better get going, Xander's here!DAWN: Here. Dawn appears from upstairs.BUFFY: Okay, you have everything you need?DAWN: (interrupting) Yep.BUFFY:And after school, you-DAWN: Yeah yeah. Let's go, Xander. (walking toward the door)BUFFY: (intercepting her) You will come straight home.DAWN: (sarcastic) Sure. Maybe we can find some time for you to (Buffy opensdoor) get me into another car accident. As the door opens we find a middle-aged woman standing on the front step holding some papers. Buffy gives Dawn a sour look, then notices the woman.MS. KROGER: (removingher glasses, smiling at Dawn) Oh, good morning. You must be Dawn. (Dawn nods)BUFFY: Can I help you?MS. KROGER: I'm Doris Kroger, from Social Services. (displaying her ID badge) We had an appointment?BUFFY:Oh, for Wednesday.MS. KROGER: This is Wednesday. Buffy looks at Xander, who nods.BUFFY: Right! Well ... Dawn, you better... Dawn rolls her eyes in utter adolescent disdain and leaves, pushing past Ms.Kroger.BUFFY: (sighs) And, and Xander, you'll drive safely?XANDER: Yes ma'am. Xander follows Dawn out. Ms. Kroger enters the foyer.MS. KROGER: (smiles at Buffy) Little bit on the tardy side, isn't she?BUFFY:(closing door) Yeah, well, uh, it's been one of those mornings, you know. (notices that Ms. Kroger has already gone into the living room) Hey, come on in. Ms. Kroger stands in the doorway to the living room, lookingaround. Buffy walks up beside her.BUFFY: Sorry about the mess, you know, doing a little house-cleaning. In foreground we see Spike sitting slouched in an armchair.SPIKE: So, we gonna chat this out, or what?BUFFY:(nervous) Uh ... now's really not a-a good time. Um, I have company. (indicates Ms. Kroger)SPIKE: (making himself comfortable) No worries. I'll wait.MS. KROGER: Um, Miss Summers, if you and your boyfriend wouldlike to-BUFFY: He is NOT- Spike looks over with a scowl.BUFFY: (clears throat) Not my, my boyfriend, he's, um, just ... a... Spike looks over at her, waiting to hear what she'll say.BUFFY: Spike ... this nice woman is,uh, (meaningfully) from Social Services?SPIKE: Oh, right! (gets up) Uh ... hey! Buffy's a great mom. She takes good care of her little sis. (Both Buffy and Ms. Kroger smiling) Like, um, when Dawn was hanging out toomuch in my crypt, Buffy put a right stop to it.MS. KROGER: (frowning) I'm sorry, did you say-BUFFY: Crib! (fake laugh) He said crib. You know kids today and their buggin' street slang. Ms. Kroger isn't convinced. Buffywalks over to Spike, takes his arm and turns him around.BUFFY: Uh, Spike, didn't you have to go now, you know, because of that thing?SPIKE: Uh, thing, yeah. Uh, my blanket. Buffy scowls, picks up the blanket andthrows it at him. He catches it, scowls back at her. Faceoff. Shot of Ms. Kroger observing all this with raised eyebrows. Spike turns, still scowling, and exits into the kitchen. Buffy watches him go, looking conflicted.Then puts on a bright smile and turns back to the social worker.MS. KROGER: He sleeps here?BUFFY: What? No! No. Oh, uh, the, the, the blanket. That's, um, uh, it's a security thing, you know. He ... has issues. Nope,just me and Dawn living here.WILLOW: (OS, calling from upstairs) Buffy, I'm not feeling hot, so uh, I'm gonna take a quick nap, okay?BUFFY: (calling) Okay, Will! Buffy looks nervously at Ms. Kroger, who gives her aquestioning look.BUFFY: That's Willow. She, uh, she kind of lives here too, actually.MS. KROGER: Oh, so you live with another woman.BUFFY: Oh! Oh, it's not a, a gay thing, you know, I mean, well... Ms Kroger hasnoticed the box full of magical stuff to be thrown out. She picks up a plastic baggie containing some herbs.BUFFY: ...she's gay, but, but we don't ... gay. Not that there's anything - (notices Ms. Kroger looking at theherb) Oh! Wrong with... (rushes over) You know, I know what that looks like, but I, I swear, it's not ... what it looks like. (Ms. Kroger looking shocked) It's *magic* weed. Buffy realizes that came out wrong, grabs theplastic bag from Ms. Kroger and tosses it back in the box.BUFFY: It's not mine.MS. KROGER: I think I've seen enough. She turns to leave. Buffy hurries after her.BUFFY: No, a-actually, I really don't think that you have.It's just ... i-it's been kind of, kind of a, a bad time.MS. KROGER: It's been a bad time now for a while, hasn't it, Ms. Summers? Your sister's grades have fallen sharply in the last year, due in large part to her frequentabsences and lateness.BUFFY: But there-there are good reasons.MS. KROGER: Oh, I'm sure there are. But my interest is in Dawn's welfare. And the stability of her home life, something I'm just not convinced that anunemployed young woman like yourself can provide.BUFFY: I can. I, I do!MS. KROGER: Well, we'll just have to see about that then, won't we? She goes to the door, stops and turns back.MS. KROGER: Oh, and I'm, uh,going to recommend immediate probation in my report.BUFFY: What does that mean?MS. KROGER: It means that I'll be monitoring you very closely, Ms. Summers. And if I don't see that things are improving, well, I'llbe forced to recommend that you be stripped of your sister's guardianship.BUFFY: You can't do that.MS. KROGER: (opens the door) I do what is in Dawn's best interest ... as should you. Have a nice day. She goes outthe door. Buffy stares after her for a moment, then sighs and closes the door, stands leaning with one hand on the door frame.SPIKE: Didn't go well, huh? We see Spike standing in the foyer. Buffy turns to face him,leans against the door jamb, sighs.BUFFY: (quietly) Why won't you go?SPIKE: (surprised) I just thought you'd want-BUFFY: (harshly) Get out of here! Spike looks surprised, then angry. He lunges forward and pins Buffyagainst the wall, one hand on the wall beside her head. Their faces are inches apart. Spike does something with his other hand out of shot and Buffy closes her eyes, breathes heavily. Close shot of Spike's hand insideBuffy's front jeans pocket, moving around. Then he pulls out his lighter and holds it up in front of her face.SPIKE: Just getting what I came for, luv. He moves in closer as if to kiss her, but then turns away and stridesoff down the hall toward the kitchen.SPIKE: (not looking back) So long, goldilocks. Buffy sighs, stands there breathing a little heavily and looking upset. After a moment she moves away from the wall.Cut to Buffy'sroom. She walks in, slams the door and leans against it, looking upset, whimpering a little. She puts her face in her hands, then walks forward, shaking her arms and moving her shoulders around. She paces a bit, sitsdown in front of her vanity table, puts her head in her hands again. Then she lifts her head, looks at herself in the mirror. She turns to open a drawer, searches through it, closes it, opens another drawer, takes out apair of scissors. She grabs a fistful of her hair and chops it off with the scissors. She drops the hair on the floor and starts cutting off another piece, looking angrily at her reflection. Shot of the locks of hair lying on thecarpeted floor.Cut to close shot of a woman with a wild \"tousled\" hairdo.CLEO: Well, I-I think I can work with this. We see that she's standing behind Buffy who sits in a barber's chair, both looking at Buffy in the mirror.Buffy's shorn hair is about shoulder-length and all uneven.CLEO: What exactly would you like me to do?BUFFY: Just make me ... different.Cut to the street, day. Warren emerges from the rear of the Geeks' black van,closes the door and walks around the side of the van, carrying something covered by a cloth. Andrew and Jonathan appear on either side of him, walking. We see that they're in an alley.ANDREW: I'm scared, what if weget caught?JONATHAN: No way, we'll be invisible. Plus their security's gotten lax.WARREN: (chuckles) You should know. You've cased this joint enough. They emerge from the alley onto a main street, turn the cornerand approach a large storefront. The sign in the window reads: \"Spa, Women Only. Bikini Wax Wednesdays\" and a cartoon picture of a woman.WARREN: Okay, this is it. The Geeks stop walking. Warren faces theothers.WARREN: Remember... Warren removes the black cloth, revealing the invisibility ray gun.WARREN: ...we're professionals. The others nod uncertainly. Andrew looks away. Long shot of Buffy emerging from thehairdresser's across the street. Her hair is now neatly styled at shoulder-length. She begins to walk across the sidewalk.ANDREW: (nudging Jonathan nervously) Uh, Slayer!WARREN: What? Wh-where?ANDREW: There.Headed this way. Warren turns to look, fearfully. Buffy walks between some parked cars (one minivan with bumper stickers reading \"God Bless America\" and \"United We Stand\") and begins to cross the street. Cut backto Warren staring at her. He lifts his hand and suddenly realizes the invisibility ray isn't in it. He turns and realizes that the other two geeks aren't standing behind him any more.JONATHAN: (OS) Give it!Cut to the alleyjust around the corner. Andrew and Jonathan are fighting over the ray gun. Warren runs around the corner and finds them.ANDREW: No, I need to be invisible!JONATHAN: I need it more, Buffy can't see me!WARREN:Hey, watch it, don't you- Warren runs over and tries to get the ray away from them. The bit on top is spinning and the whirring noise intensifies. Suddenly the red light bursts out of the invisibility ray. It hits Buffy asshe walks past the mouth of the alley. It also hits a tree, a fire hydrant, some traffic cones, and a Dumpster, all of which immediately disappear. The Geeks stare in dismay. Zoom in on Andrew.ANDREW: Oopsie.Blackout.[SCENE_BREAK]Act II[SCENE_BREAK]Open on a close shot of Xander in the magic shop, staring at something.XANDER: What happened to Buffy? She's gone.ANYA: She's right here. We see that Xander andAnya are studying a diagram of seating arrangements.ANYA: (points) Table four. I put her with your family.XANDER: Great. Except, we don't hate Buffy. Shot of the magic shop door opening but there's no onethere.XANDER: (OS) Let's put her back at table one. (The door closes again and the camera pulls back into the shop)ANYA: (OS) Well, where do I put D'Hoffryn?XANDER: (OS) We're not inviting D'Hoffryn.ANYA: Wehave to, he's my ex-boss! You're inviting your work buddies. The camera continues pulling back and then swings around to face Anya and Xander again. We hear Buffy's voice but we don't see her.INVISIBLE BUFFY:"}
+{"doc_id":"doc_161","qid":"","text":"FLASH IN.[EXT. VARIOUS LAS VEGAS CITY (STOCK) -- DAY](Sirens wail in the distance.)[EXT. LAS VEGAS STREET - DAY](A black Caprice zooms down the street. Two officer cars are pursuing it, their sirensblaring.)(The black car crosses an intersection, nearly hitting a white car crossing it at the same time. The white car's horn blares.)(The black car turns the corner. The officer cars continue their pursuit, sirens blaring.The intermittent sounds of automatic guns firing are heard during the chase.)(In one of the cars, Brass is driving; Sofia sits in the passenger seat.)Sofia Curtis: These guys are hard core. Who are they?(The car chasecontinues.)(In the second car are two officers. The older officer, Sergeant Adams, is driving; the younger officer in the passenger seat is Officer Bell.)Officer Adams: Tell Control these guys have automatic weapons!Probably A-Ks!(Officer Bell doesn't respond. He's just amazed by the car chase.)Officer Adams: (shouts) You with me!(Officer Bell shakes himself out of it and makes the call. Gun shots are fired from the black car infront of them. The windshield from one of the cars smashes from the impact of the bullets.)Officer Bell: (to radio) Three-David-34, be advised subjects are firing automatic weapons, possibly AK-47s.(In the third car areOfficer Davis and Sergeant Carroll.)Officer Davis: (to radio) All right, we're coming up on a T-intersection. Get ready.Sgt. Carroll: Three-boy-seven, pursuit approaching a t-intersection on Jefferson and Third.(Gunfirecontinues from the black car in front.)(Car 2's windshield is hit; glass shatters in the car.)Officer Bell: We're going to get killed!Officer Adams: Not if you do what you're supposed to do.(Gunfire continues.)(The black carhits the side and flips over.)(Car 2 stops. Both officers get out.)Officer Bell: (to radio) Three-David-34, suspect Caprice has T/C'd. Intersection Jefferson and Third.Officer Adams: When you get out, keep your headdown.(The two officers open their doors and use it as shield as they prepare for more gunfire.)(The occupants of the black Caprice crawl out of the overturned car. They're both carrying handguns and open fireimmediately.)(Behind them, a second officer car arrives. Officers Davis and Carroll immediately open their doors and use it as shields and return fire.)(The gunmen from the car crawl out and fire to get to cover behindthe overturned Caprice.)(It's complete chaos as gunfire is fired from both sides. Bullets are everywhere - sides of cars, windows, tires - richoceting off metal bins.)(Brass and Sofia's car arrives. Sofia gets out of the carand starts firing.)(Gunfire continues between the cops and the gunmen.)(Brass gets out of his car and starts firing from behind the car door.)(A bullet hits one of the officer car's tires and flattens.)(A gunman in theblank tank top, Salvator \"Stuckey\" Rosario, stops to change cartridge.)(Gunfire continues.)(Salvator Rosario puts his gun aside. He intends to run for it.)Salvator Rosario: Guys! Go! Go!(Rosario uses the automaticweapon and fires at the officers.)(He tosses the rifle aside when he runs out of bullets.)Officer Adams: They're out of rifle ammo!(Rosario takes out a handgun. An officer sees him and shouts out a warning.)Officer:(o.s.) No! Get down! They've got more!(Rosario fires.)(Brass returns fire.)(We hear the pinging of bullets off metal.)(Officer Bell stands up to fire and is hit with a bullet square in his chest. He falls backward and hits theground. We see he's bleeding from his neck)(Salvator Rosario stands up to run. Leandro Chavez follows. A shot is fired and he is shot in the thigh. He falls to the ground.)(Salvator Rosario takes off running up aresident's front drive.)Officer: They're running. I'm going left. You go right. Going to take these guys. You guys, move on up.(Brass moves forward to provide cover as Officer Adams checks on Officer Bell. The otherofficers scramble to chase after the running gunmen.)Officer: (to radio) Three-boy-seven in foot pursuit of two male Latinos. One east, one west on Third Street. Requesting backup.(Officers chase after the gunman.Salvator Rosario jumps over a wall.)(Officer Adams calls for assistance.)Officer Adams: Three- David-34, officer down. Requesting immediate backup and paramedics. (to Sofia) I'll take care of it. I'll stay withhim.(Brass and Sofia both leave to help pursue the gunmen.)(Additional backup arrives.)(Sofia runs up to Leandro Chavez, who was shot. She stands over him, her gun on him. She kicks his gun out of his reach.)(Aneighbor steps out into his yard and looks over at Brass.)Neighbor: Que paso?Brass: Nada. Haciente. Adentro, adentro.(A second officer approaches Sofia.)Sofia: Cuff him.(The officer takes out his handcuffs to cuff theman in the white tank. Sofia turns and starts running to help catch the other gunman.)Leandro Chavez: Dame una ambulancia, puey.Officer: I don't speak Spanish.(Sofia runs to help Officer Davis as they head to thewest of the alley behind Third.)(Brass rushes alongside the building to the east of the alley behind Third, his gun in hand. He reaches the back of the building.)(He hears a noise and whirls around. He sees a womanopen the door and step outside. He motions for her to get back inside.)Brass: (to the woman) Back inside, back inside.(In the distance, gunshots are fired. Brass makes his way toward the sound.)VARIOUS FLASHESOF:(Officer Davis and the gunman exchanging gunfire as the gunman tries to escape down the alley.)(Officer Davis runs out of bullets, his gun clicking.)(Salvator Rosario turns around and steps closer to the officer tofire. Sofia turns the corner and sees the gunman. She fires several shots, hitting the gunman in the shoulder.)(Salvator Rosario goes down.)(They both approach the gunman.)Sofia Curtis: You okay?Officer Davis: Yeah.You?Sofia Curtis: Yeah.(Officer Davis reaches the gunman first. He picks up the gun.)Sofia Curtis: What are you doing? Put it down.(He puts the gun back down on the ground.)Officer Davis: Yeah, sorry. I was justtrying to secure his gun.Sofia Curtis: He's not going to use it anymore.(Meanwhile, the third gunman, Ricardo Estevez, is near the top of a fence when Officer Carroll turns the corner and stops him.)Officer Carroll: Stop!Police! Stop! Police!(Ricardo Estevez jumps back down to the ground, his hands raised high above his head.)Officer Carroll: Don't move! Don't move!(Officer Carroll hears a sound behind him and turns to look. Brassrounds the corner, his gun raised.)(Ricardo Estevez suddenly finds himself with a gun in his hands.)(Someone fires and hits Ricardo Estevez several times in the chest.)(Officer Carroll steps forward. Brass kicks the gunoff to the side.)(Brass takes out his radio.)Sofia: (from radio) Brass, suspect's in custody.Brass: (to radio) Copy. Control, this is Brass. Situation here is code 4. We have three suspects in custody. One is on therun.[SCENE_BREAK][EXT. STREET (MAIN CRIME SCENE) -- JEFFERSON AND THIRD - DAY](The ambulance pulls away. Grissom and Catherine approach the scene.)Catherine: You know it's going to be a long shift whenyou get the call to respond to a command post.Grissom: Yeah. (to phone) Warrick ... we need everyone from grave. But park on Wall Street. Jefferson's taped off all the way back to Lincoln.Vartann: The suspect waslast seen running south.Officer: These buildings have been searched and cleared.Vartann: Okay, move south one block. Check each apartment. This guy's armed and dangerous.Cavaliere: You got a lot of witnessesclaiming to have seen what happened.Vartann: Okay, good. Let's get some vans down here, bring them all to the station.(They walk over to Sofia and Brass leaning up against the SWAT van.)Catherine: What happenedout here?Brass: I was one of the shooters. So was Sofia, so you know the deal. That's really all I'm allowed to say.(Brass notices Detective Nestor Ortega standing nearby.)Brass: I see, uh, Detective Ortega, thathard-head from IA, is handling the case. Just our luck.(Vartann joins them.)Vartann: Caprice full of shooters opened up on two of our guys. One's down.Grissom: Is Bell going to make it?Vartann: (shakes his head) He'sDOA. Three suspects are dead. Fourth outstanding.Nestor Ortega: (interrupts) Excuse me ... guys, hang tight. I'm going to get some rides. Take you down to the station, okay? I want to get your statements.Brass:Yeah ... yeah.Nestor Ortega: Good, good. Excuse me.(Ortega leaves.)Catherine: (quietly to Grissom) I'll stay with them. I'll collect their firearms and ammo.Grissom: All right. (to Brass) Good luck.Brass: Thankyou.(Grissom walks past Brass and Sofia. He walks past an officer standing nearby.)Officer: (under his breath) Hell of a day, man.Grissom: It's just beginning.FADE TO END OF TEASER ROLL TITLECREDITS[SCENE_BREAK][EXT. STREET -- DAY](Detective Chris Cavaliere rushes down the street with the gun in his hand in pursuit of the final gunman. He turns the corner and sees the body on the street. The otherofficers rush forward.)Officer: GSW victim matches the suspect.Chris Cavaliere: You shoot him?Officer: No, sir. Found him this way.(Detective Cavaliere notices the bike strap still around the kid's ankle.)Chris Cavaliere:Bike strap ... this isn't our suspect. This is a kid on his way to school. Where's his bike?Officer: There was no bike.Chris Cavaliere: Put out a broadcast. Suspect may be on a bicycle. (to radio) We need medical transport.Code three ...[SCENE_BREAK][EXT. STREET (MAIN CRIME SCENE) -- JEFFERSON AND THIRD - DAY](Grissom hands out instructions.)Grissom: Okay, everybody around here has got a video camera or a cell phonecamera. They'll all be taking pictures.Warrick: I think we all know how to operate in front of a camera.Nick: Don't be caught picking your nose.Grissom: Catherine's back at the station collecting the officers' guns. This isthe main crime scene. So Nick, you and Sara take this. There's two additional crime scenes down the alleys behind Third. Warrick, you take the west alley, I'll take the east.Greg: And what do I get to do? Go back to thelab and wait for a phone call?Grissom: This is a running gun battle that started twenty blocks back. You get that.Greg: That's got to be, like, a mile? Who's with me?Sara: A bunch of pissed-off locals with shot-upcars.(Sara picks up her kit.)Greg: Awesome.Warrick: You'll be all right.(They all pick up their kits and head in the direction of their assignments.)[SCENE_BREAK][EXT. ALLEY BEHIND THIRD (EAST) - DAY](Grissomarrives at the alley and puts his kit down. David Phillips is already there with the body. The coroner and an officer stand nearby.)(Grissom puts evidence marker #12 down next to the bullet casing and snaps aphoto.)David Phillips: Grissom?(Grissom picks up his kit and moves to the next casing.)David Phillips: Heard anything about Bell?Grissom: He died, David.(Grissom puts his kit down and puts evidence marker #13 nextto the gun.)Grissom: (to the officer) Is this gun in its original position?Officer: The arresting officers kicked it clear of the suspect.(Quick flashback to: Ricardo Estevez and standing in front of the fence is holding a gunin his hand. He's shot several times and drops the gun. Brass kicks the gun aside.)(End of flashback. Resume to present.)Officer: Nobody's touched it since I've been here.(Grissom snaps a couple of photos.)DavidPhillips: Well, there's no bullet holes in the back. That's always good.Grissom: How many times was he hit?David Phillips: I don't know. Officer, can you remove these handcuffs?Officer: Sure.(The officer steps forwardto remove the handcuffs. Grissom picks up the gun and looks at it. He removes the gun's cartridge.)Officer: (to David Phillips) You have anything I can wipe these off with?David Phillips: Yeah.(David hands the officersomething.)Officer: Thanks.(The officer stands up and walks over to the side. Grissom gets up and walks over to David Phillips, who is rolling the body over.)David Phillips: Looks like three went in.Grissom: All right,leave him here, David. Warrick's DB's in the other alley just over there.(Grissom looks up and sees a couple of people peering through their second floor window from a building nearby.)[SCENE_BREAK][EXT. LASVEGAS CITY (STOCK) - DAY][INT. POLICE DEPARTMENT - HALLWAY -- DAY](Sofia sits in the hallway chair, nervously wringing her hands together. Brass enters at the end of the hallway and sees her. He walks over toher.)(Undersheriff McKeen intercepts Brass.)Undersheriff McKeen: You did a hell of good job out there.Brass: Yeah, not good enough. Has Bell's wife been notified?Undersheriff McKeen: The sheriff's on his way to thehouse now.Brass: You know, she's pregnant with their third kid.Undersheriff McKeen: We all know the risks.(Undersheriff McKeen leaves. Brass walks over to Sofia.)Brass: Hey ...(He sits down next to her andsighs.)Brass: (softly) I remember my first shooting ...Sofia Curtis: (interrupts) I appreciate the sentiment. We're not supposed to talk to each other till we give our statements.Brass: You're right, you're right.(An officerwalking down the hall points to Brass.)Officer: You're up. Curtis, make yourself comfortable.Brass: Okay.(Brass stands up.)[SCENE_BREAK][INT. POLICE DEPARTMENT - CONFERENCE ROOM - DAY --CONTINUOUS](Detective Ortega turns the tape recorder on and puts it in the middle of the table. Catherine is in the room as they interview Brass.)Nestor Ortega: This is Detective Nestor Ortega. I am in PDinterrogation taking a statement from Captain James Brass regarding the officer-involved shooting that occurred around 0643 hours this morning. CSI Catherine Willows is present to document and collect CaptainBrass's firearm as evidence.(Brass puts his gun on the table. Detective Ortega pushes the tape recorder forward.)Nestor Ortega: Ready?Brass: Yeah.Nestor Ortega: You're not a patrol unit. Why did you get involved inthe pursuit?Brass: Detective Curtis and I were just closing a robbery case and, uh, we stopped for a bite to eat.(Quick flashback to: [HOT DOG VENDOR - DAY] Sofia and Brass are getting their hot dogs when they hearthe dispatch on the radio.)Dispatcher: ... All units in the vicinity. Three- David-34 is in pursuit of a dark Chevy Caprice southbound of Paradise toward Desert Springs.(Brass looks around.)Brass: That's right nearhere.(They run to their car and get in.)(End of flashback. Resume to present.)Brass: We joined the pursuit on Desert Springs.Nestor Ortega: So you elected to back up the officers.Brass: Yes.Nestor Ortega: Were thesuspects shooting at the time?Brass: Yes.Catherine: Could you tell the types of firearms they were using?(Quick flashback to: [THE CAR CHASE] Gunfire erupts from the dark Caprice in front of them. End offlashback.)Brass: Well, the two guys in the back had rifles, maybe AK's. The other two had handguns. I'm not sure what type.[SCENE_BREAK][EXT. LAS VEGAS CITY (STOCK) -- DAY](A news helicopter fliesoverhead.)Reporter: (V.O.) We're flying over Third Street where just this morning police were involved in a deadly shootout.[SCENE_BREAK][EXT. STREET (MAIN CRIME SCENE) -- JEFFERSON AND THIRD - DAY](Saraand Nick are putting plastic rods in the bullet holes of one of the police cars, C9538.)Nick: Looks like a porcupine.Sara: There's not enough room between rods for a human being to fit.Nick: No, Bell and Adams musthave really been swerving and weaving.(Quick flashback of: [THE CAR CHASE] The officer car is weaving left to right as it chases the dark Caprice. End of flashback.)Sara: Seventy-eight bullet holes.(She looks down atthe bloodstain on the road.)Sara: And Bell wasn't hit until he was outside the car.Nick: I heard Bell was a rookie, barely off training. It was just his time, I guess, huh?(Nearby, the coroner walks past Vartann.)Coroner:Suspect will be getting a ride with the coroner.Vartann: A little street justice. Civilians okay?Coroner: Some old lady's going to need stitches. The kid on the bike's critical in surgery.(The coroner leaves. Vartann looks atSara and Nick.)Vartann: You guys okay here?Nick: I'll call and have the suspect's vehicle towed to CSI.Sara: I'm going to start digging bullets out of people's houses.[SCENE_BREAK][INT. POLICE DEPARTMENT -INTERVIEW ROOM -- DAY](Brass continues.)Brass: I was just reloading and continuing firing. I don't know what hit him.(Quick flashback to: [SHOOTOUT] Brass is firing. He shoots and hits Leandro Chavez in the thigh.Leandro Chavez goes down, his gun on the ground. End of flashback.)Brass: Bullets were flying. There were multiple rounds. It was chaos.Nestor Ortega: At what point did Carroll and Davis go in foot pursuit after thetwo suspects?Brass: After the driver went down, the other suspect, I guess he felt it was getting too hot back there.(Quick flashback to: Salvator Rosario yells for the others to go. End of flashback.)Catherine: And theywere shooting the entire time?Brass: Oh, yeah. I mean, it was like, you know, those movie guns; they never run out of bullets.Nestor Ortega: I don't go to the movies.Brass: Oh.Nestor Ortega: What happenednext?Brass: The next thing I remember ... the next thing I remember is Bell. Bell went down.(Quick flashback to: Officer Bell is hit in the neck and falls backward. He hits the ground. End of flashback.)Brass: He was ...he was just a kid.[SCENE_BREAK][EXT. LAS VEGAS CITY (STOCK) -- DAY](A news helicopter flies overhead.)[EXT. STREET (MAIN CRIME SCENE) -- JEFFERSON AND THIRD - DAY](A loud crowd of neighborhoodresidents shout angrily from the crime scene tape.)Man In Crowd: (shouts) (in Spanish)(Nick turns around.)Nick: Are they saying what I think they're saying? (He repeats the phrase to Detective Cavaliere inSpanish.)Chris Cavaliere: Yeah. They claim this other cop shoots the suspect in the back. And not to mention there's a news leak in the hospital.Man: See! Another one got killed! Where's ...Chris Cavaliere: Hey! Let usdo your job here, okay?Woman: Mi hija vio a sus policias disparle a un nino en la espalda.Nick: Senora, donde esta su hija, huh? Queremos hablar con ella.Woman: La policia se la llevo.Nick: Usted vio algo de lo quepaso? No? (to Cavaliere) Nobody saw anything. (looking at the automatic weapon he's holding) I don't think this is police issue.Chris Cavaliere: Look, these folks were suspicious of the cops long before this happened.Now this is how your circle stories get started.(Nick checks the automatic weapon.)Nick: The story keeps changing till you don't know what the truth is or whose story it was to begin with.[SCENE_BREAK][INT. POLICEDEPARTMENT - INTERVIEW ROOM -- DAY](Brass continues.)Brass: So, uh, so the suspects saw that we were kind of distracted helping Bell, and they took the opportunity. I went on foot pursuit, you know. They, uh ...I can't run as fast as I used to, I mean, so I lost them. But that's when I heard the two shots. I think ... No, I heard shots coming from ... the east.Nestor Garcia: How many?Brass: Three.(Quick flashback to: Brass is inthe alley. He hears four gunshots, turns and heads in that direction.)Officer: (o.s.) Get down!(End of flashback. Resume to present.)Brass: Four. And they sound a lot louder than a nine-millimeter.(Quick flashback to:[EXT. ALLEY BEHIND THIRD (EAST) - DAY] Brass enters the alley. Officer Carroll has his back to the suspect, Ricardo Estevez, who suddenly has a gun in his hands. Four shots ring out. End of flashback.)Catherine: Thesuspect had a gun in his hand.Brass: Oh, yeah, definitely. I kicked it away when I cuffed him.Catherine: Did you fire any shots in the alley?Brass: I didn't have to.Nestor Ortega: Captain, hand over your firearm to CSIWillows.(Brass takes the gun out of his holster and gives it to Catherine. She checks the gun.)Catherine: Any magazines?(Brass looks at his empty holster.)Brass: Uh ... I must have used them..(One bullet pops out ofthe chamber.)Catherine: Captain Brass's service pistol was received with an empty magazine and one live round in the chamber.Brass: Well ...Nestor Ortega: It'd be smart to have ammo before you go running into agunfight.(Brass shakes his head and wisely stays quiet.)[SCENE_BREAK][EXT. ALLEY BEHIND THIRD (EAST) - DAY](Grissom holds up the bagged gun and shows it to Vartann.)Grissom: I didn't find any cartridgecasings in this alley from the dead guy's gun. Just these three nine-millimeters from our cop.(Quick flashback to: Officer Carroll fires three times. Ricardo Estevez is hit and falls back against the wire mesh fence. End offlashback.)Vartann: So he must have been out of ammo.Grissom: Yeah, but he had to know that he'd get shot holding a gun whether it was loaded or not. Why didn't he just toss it?Vartann: Maybe he didn't know hewas out. Heat of the battle. I mean, we're not talking rocket scientists.Grissom: That doesn't make him suicidal, though, does it?[SCENE_BREAK][INT. CSI - HALLWAY / FORENSIC AUTOPSY - DAY](David Phillips andRobbins push the gurney with the dead body into the forensic autopsy room. Robbins looks up and sees Sergeant Adams walking toward them.)Robbins: Sergeant Adams, I'm sorry for your loss. If you'd like a few"}
+{"doc_id":"doc_162","qid":"","text":"[EXT. LAS VEGAS CITY (STOCK) - DAY][EXT. DESERT ROAD - DAY]CU: LIZARD ON A ROCK(A lizard is on a rock in the middle of the road.)(Officer cars rush down the road and are headed toward the lizard. Sirens blare.The lead car suddenly turns right and smashes through the wooden fence. The other cars follow.)[EXT. CONNORS RESIDENCE - DAY](The officer cars rush down the long driveway and stop in front of a house completewith pigs in a sty out front. Car doors open and officers with their guns out take position behind the doors. The SWAT team moves out toward the house. Brass gets out of the car and yells through the bullhorn.)Brass:Hank Connors, Las Vegas Police. Come out with your hands above your head. Come out slowly.(Gunfire erupts from the house. Officers duck as bullets shatter car glass.)(The officers return fire.)(A couple of SWATmove in closer and take cover behind an old tractor.)(The gunfire from the house continues.)(The two SWAT officers move in closer to the house. One of them is hit.)Brass: Officer down!(They continue to exchangegunfire.)Hank Connors: (shouts) Go back where you came from! You're not taking me!(He continues to fire on the officers outside.)(He stops and looks outside.)SLOW MOTION: Three SWAT officers move in toward thehouse.(Hank Connors takes a moment, then he runs into the house.)(The officers reach the front porch.)[INT. CONNORS RESIDENCE - HALLWAY - CONTINUOUS](Hank Connors makes his way through the hallway tothe door in the back.)[EXT. CONNORS RESIDENCE - FRONT PORCH -C ONTINUOUS](One of the officers kicks the front door in.)[INT. CONNORS RESIDENCE - BACK DOOR - CONTINUOUS](Hank Connors stops in front ofthe back door and turns around to look inside, his back to the door.)[INT. CONNORS RESIDENCE - LIVING ROOM - CONTINUOUS](SWAT officers enter the house and head for the hallway.)REVERSE VIEW(The SWATofficers appear in the hallway entrance and make their way toward the back door.)(Hank Connor appears to stand in front of the back door.)(SWAT officers continue to make their way toward him.)(Hank Connor grabs agun, puts it under his chin and --BANG!(Blood spatters on the back door window.)[SCENE_BREAK][INT. CONNORS RESIDENCE - LIVING ROOM / HALLWAY - CONTINUOUS](The guns found in the house are on the table.Nick walks in and heads for the hallway where Hank Connor's body is slumped up against the back door.)(Along the hallway walls, Nick notes the guns and ammunition stacked on the side. He stops in front of the bodyand notes the handgun in the victim's grip. He also notes the large water bottles in the room beyond the back door.)(Brass enters the hallway.)Brass: MREs, automatic weapons, ammo, water -- this guy Connors wasready for the end of days.Nick: Which, in his case, was today. Bomb squad find any booby traps?Brass: No, he liked it mano a mano.Nick: Any sign of Chyna De Vere?Brass: Not yet.[SCENE_BREAK][EXT. CONNORSRESIDENCE - FRONT YARD -- DAY](Grissom and Warrick walk along the side of the house where the pigs in the pen are.)Warrick: You know, there's some food, you just shouldn't see where it comes from.Grissom: Didyou know that pigs are very intelligent animals, right behind chimps, dolphins and elephants?Warrick: Ahead of dogs?Grissom: And certain politicians.(Warrick chuckles.)(They look around.)Warrick: I don't see Connors'truck anywhere.Grissom: Let's look in the barn.(They head for the barn.)[SCENE_BREAK][INT. CONNORS RESIDENCE - BARN -- DAY](The cat runs down the steps and out the door as it opens. Grissom and Warrickwalk in.)Warrick: There's the truck.(Warrick steps up to the area where the blue truck is parked. He and Grissom look at the truck. They find bloodstains in the bed.)Warrick: If this is Chyna De Vere's blood, we'regetting warmer.(Warrick snaps photos of the blood. Grissom turns and looks around the barn. They note the items on the desk and the stuffed animals on the side.)Warrick: Looks like he had a hobby -- stuffedanimals.(Warrick stops near the table and looks at the items on it while Grissom continues toward the other side of the barn. He looks at the various stuffed animal heads up on the wall.)Grissom: Hey, Warrick.Warrick:Yeah?Grissom: I feel like Marco Polo.(Warrick heads over toward Grissom.)Warrick: Why's that?Grissom: I just discovered Chyna.(Chyna's head is mounted up on the wall.)FADE TO END OF TEASER ROLL TITLECREDITS[SCENE_BREAK][INT. CONNORS RESIDENCE - BARN -- DAY](David Phillips is standing up on a chair and looking at Chyna's head up on the wall.)David Phillips: This is a career first.(Warrick is working on thetable in the back.)Warrick: A little tip for you: The new Mrs. Phillips doesn't need to hear about this.David Phillips: Are you kidding me? She'll want to hear every detail. Why do you think I marriedher?[SCENE_BREAK][EXT. CONNORS RESIDENCE - FRONT YARD -- DAY](Sara walks around the house and finds Nick in the sty with the pigs and the mud. He's trying to round them up.)Nick: Come on, pretty girl, comeon.(The pigs squeal. Sara watches him.)Nick: Come on.Sara: Hi.Nick: Hey.Sara: What are you doing?Nick: Well, I read about this farmer in Canada who killed a bunch of women and fed them to his pigs.Sara: Oh.Nick:Yeah, their health department had to put out a bulletin that said, \"Warning: your pork may be contaminated with human.\"(Nick pushes a pig toward the container opening.)Sara: I'm so glad I'm a vegetarian.(The pigsnorts as Nick grabs him and pushes him through the opening.)Nick: Get through there!(The pig goes through the opening.)Nick: Well, no one has seen or heard from the victim's husband, so ... I kind of figured he mayhave been dessert.(Nick herds another pig to the opening.)Sara: I think the fat one likes you.(Nick smiles and sighs at Sara.)Nick: They always do.[SCENE_BREAK][EXT. LAS VEGAS CITY (STOCK) - DAY][INT. CSI -GARAGE -- DAY](Greg and Catherine walk into the lab.)Greg: We went to Connors' ranch because a week ago, Chyna De Vere went missing. She just separated from her husband, got her own place.(They stop in frontof a large piece of carpeting on the floor.)Greg: This is a large section of her living room carpet -- wet to the touch, pheno confirmed a blood pool.Catherine: Well, it's certainly enough blood to suggest foul play.(Greglooks through the file.)Greg: There were also traces of perchloroethylene, phosphates, alcohol, ethers and sodium hypocholorite.Catherine: Used a steam cleaner. Would've denatured any DNA.(She stands up and walksaround the carpeting.)Greg: Yeah, we checked all the local places that rent them. Connors' name didn't come up.Catherine: How about the husband's?Greg: Nope. And he's still missing.Catherine: So what's this?(Shepoints to a circle on the carpet marked GS 102.)Greg: That is a single, distinct blood drop -- not from the victim, not from the husband. They didn't clean the whole carpet. Unknown female. We also found soil trace,identified as scheelite, a tungsten ore. Apparently, Connors' ranch is near old tungsten mines by McCade.Catherine: (shakes her head) How is Connors, this pig farmer, connected to the victim?Greg: Oh, he's in kind ofa club with the victim's husband.Catherine: Kind of a club?[SCENE_BREAK][INT. CONNORS RESIDENCE - BACK ROOM -- DAY](Grissom flips through a book of drawings of aliens, UFOs and other unidentified creatures.He closes the book to look at the title, \"To Walk Among Us.\")(He puts the book down. The next book on the bookshelf is, \"Serpents of the Universe: A Comprehensive Account of the Reptilian Conspiracy.\")(He turns andlooks at the various items on the table - UFO magazines, a photo, tin foil, tape. He picks up the photo of two men and a woman. He puts the photo down and opens a magazine to a yellow flyer. It reads:APRIL 15,2006FRIENDSHIP AUDITORIUM McCADE, NEVADASPECIAL PRESENTATIONBASED ON THE WORK OF DR. SIDNEY BUCKMANWE ARE NOT ALONE. COME HEAR THE TRUTH. )(He picks up the flyer and looks at it.)[INT.CONNORS RESIDENCE - LIVING ROOM / BACK ROOM -- DAY](Sara walks into the house as the coroners are wheeling out the body. She walks through the hallway and into the back room where Grissom is.)Sara: Wantme to take the living room? Looks like Armageddon came on a Thursday.Grissom: Do you believe that intelligent life exists on other planets?Sara: I'm not sure there's intelligent life on this planet.(He gives her alook.)Sara: I'll get started.[SCENE_BREAK][EXT. LAS VEGAS CITY (STOCK) - DAY][INT. POLICE DEPARTMENT - INTERVIEW ROOM -- DAY](Brass walks in and talks with Shannon Turner.)Brass: Ms. Turner.ShannonTurner: I already went through this a week ago.Brass: You know, you're right. But let's go through it again. Chyna De Vere is dead. And her remains were found on your boyfriend's ranch.Shannon Turner: Yeah, not myboyfriend -- my friend. And furthermore, I never knew Chyna De Vere.Brass: She wasn't a member of your club?Shannon Turner: No. If she was, I would have known her, and I didn't.Brass: Her husband was. And he'sMIA. You know, the club's getting smaller and smaller by the minute. This morning, Hank Connors died.(Shannon Turner appears shocked and upset by the news.)Brass: When we went up there to arrest your friend, heshot himself. And I'm getting the feeling that you're going to be missing a meeting, too. Look, Shannon, you alibied a killer. You're already an accessory to one murder. If Hank Connors killed Chyna's husband, too...Shannon Turner: Oh. Oh, is that what you think happened?Brass: Tell me where he is. Hmm? You know, this can work in your favor with the DA.Shannon Turner: Oh, you know what? I'm not really worried aboutthat.[SCENE_BREAK][INT. CONNORS RESIDENCE - BACK ROOM -- DAY](Grissom is looking at the notices and clippings pinned to the bulletin board. He looks around and notices the pull-down projector screen up on theceiling. He pulls down the projector screen and looks around for the projector.)(At the end of the room, the projector is set up in the closet. Grissom turns the closet light on and switches on the projector.)(The image ofDr. Sidney Buckman appears on the screen.)Sidney Buckman: Adam and Eve were not only the first humans on the Earth, they were bait ... for intelligent life forms elsewhere in the cosmos, refugees from planets thatcould no longer sustain them. But why Earth? Deoxyribonucleic acid. DNA. The blueprint of human life is the key to their survival. Without it, they will perish.[SCENE_BREAK][INT. POLICE DEPARTMENT - INTERVIEWROOM - DAY](The door opens and Greg walks in with his kit.)Greg: Hi, Ms. Turner. My name's Greg Sanders; I'm with the Crime Lab. I have a warrant to take a sample of your DNA.(He puts his kit on the table andgives the warrant to her.)Shannon Turner: You're not touching me.Greg: Well, ma'am, this is standard procedure.(Greg opens his kit and takes out a swab.)Shannon Turner: I know who you are.Greg: I'm just going toswab the inside of ...(He approaches her with the swab. She stands up and violently pushes him away from her.)Shannon Turner: Hey! Not!(The woman officer grabs her and holds her as she struggles.)Officer: Calmdown.Shannon Turner: Get off of me!Officer: Calm down, ma'am. Calm down.Shannon Turner: All of you get away from me! Get him away from ... !Officer: Calm down.(They force her to sit down on the floor.)ShannonTurner: No!Greg: Let's try this again.(He tries to get the swab in her mouth and she bites down on his hand.)Officer: Let go of his hand! Let go of his hand, ma'am.(Greg looks at the bite mark on his hand.)Greg: Thatbitch bit me.(Greg turns and swabs her saliva from his hand.)Greg: I got my sample.(He turns and heads back to his kit.)[SCENE_BREAK][INT. CONNORS RESIDENCE - BACK ROOM -- DAY](Grissom continues to watchthe film.)Sidney Buckman: (on film) The first encounters between humans and extraterrestrials took place over a hundred thousand years ago in Atlantis, and in its sister civilization in the Pacific, Lemuria. Ancientcivilizations on every continent have recorded evidence of these encounters. These visitors were highly advanced and did not appear in human form. Now, the Mayans called them Chanes -- people of the serpents-- andin Hebrew legend, the snake represented knowledge. Of course it did. It was not human. Not of this Earth.[SCENE_BREAK][INT. TURNER RESIDENCE - DAY](Catherine and Brass walk into the living room. Catherineputs her kit down while Brass looks at the books on the shelf.)Brass: Shannon sure has a lot of books.(There are titles for 'Foundation for \"A Course in Miracles\"', 'Flying Saucers: Top Secret,' 'The Handbook of ArtificialIntelligence,' 'Astronomy: The Cosmic Journey,' and A Different Approach to Cosmology. )Brass: UFO's, alien abduction ...(Catherine is looking at the mail on the desk. She flips the card over. The address on the otherside is to:SHANNON TURNER1654 HILLIS AVELAS VEGAS NV 89101 )Catherine: Chyna was a dealer at the Palermo. Looks like Shannon was a player. Gold level.(The card is for PALERMO PLAYER'S CLUB, LOOSESTSLOTS IN VEGAS.WORLD-CLASS BUFFETGOLD LEVEL MEMBERS - ½ OFFEARN POINTS FOR CASHGOLD LEVEL MEMBERS - EARNDOUBLE POINTS ON TUESDAYSEXCLUSIVE OFFER ONLY FOR GOLD LEVEL MEMBERS LIKEYOU! )Brass: Yeah, tell me they never met. We'll check the Palermo security.(Catherine opens the desk drawer and takes out a sketchbook. Brass walks over as Catherine flips through it. She sees sketches of variousdesigns and reptilian creatures.)Catherine: Reptiles ... UFOs ...(She turns the page over to a sketch of a warrior woman.)Brass: Xena, Warrior Princess.[SCENE_BREAK][INT. CONNORS RESIDENCE - BACK ROOM --DAY](Grissom continues to watch the film.)Sidney Buckman: (on film) History is replete with stories of the heroic destruction of serpents: Perseus and Medusa, St. George and the Dragon, St. Patrick and the Snakes ofIreland.(Sara walks in and stops to watch the film with Grissom.)Sidney Buckman: (on film) But these are not merely legends ...Sara: What is this?Grissom: I think their UFO club is based on the teachings of thisguy.Sidney Buckman: (on film) ... and the natural form of these invaders is not human. They are described in ancient accounts as serpents and dragons. And man's weapon against them is the sword. Cut off the tail,the serpent lives. Cut off its head, and it dies.Sara: So Connors cut off her head because he thought she was a serpent from outer space?(Grissom turns and looks at her. The film ends.)[SCENE_BREAK][INT. TURNERRESIDENCE - DAY](Catherine continues to flip through the sketchbook to show more reptilian creatures. Brass is in the kitchen.)Brass: Catherine ... check this out.(Catherine heads for the kitchen. Brass shows her amug with a photo of Preston De Vere and Shannon Turner. The caption reads: Chillin' in Cabo.)Brass: Chyna De Vere's husband, Preston.Catherine: What's Shannon doing with him?Brass: \"Chillin' in Cabo.\"(Catherinesees something black like a handle up on the top cabinet shelf. She takes the stepladder out to see what it is.)(A brown cat trots into the kitchen.)Brass: Aww. Well, while Mommy's in custody, I guess the kitty's hungry;I'll call Animal Control.(Catherine climbs up the stepladder and finds a long blade sword.)Catherine: Oh, Jim ...Brass: Well, hello, Xena.[SCENE_BREAK][INT. CONNORS RESIDENCE - FRONT YARD -- DAY](The pigs aresunning in the mud on one half of the pen. On the other side of the pen, Nick digs through the mud and finds what looks like a human bone.)Nick: Oh, boy.[SCENE_BREAK][EXT. LAS VEGAS CITY LIGHTS (STOCK) -NIGHT][INT. CSI - FORENSIC AUTOPSY - NIGHT]VARIOUS CUTS OF:(David Phillips and Robbins use a drill to unscrew Chyna's head off the mounting board.)(They remove the board and cut the wire holding the sides ofthe head together.)(They unwrap the skin and hair from around the skull, which was padded with dry straw.)Robbins: Look what he used on the incision.[SCENE_BREAK][INT. CSI - FORENSIC AUTOPSY -NIGHT](Robbins shares his findings with Grissom.)Grissom: Duct tape?Robbins: Yeah, he used it to close up the laceration from a sharp force perimortem wound. Corresponds to the indentation in the skull.(He picks upthe skull and shows Grissom the mark.)Grissom: Could that be the fatal wound?Robbins: Give me the rest of the body and I can tell you.Grissom: Nick's working on it.(Robbins peels back the duct tape.)Grissom: Almostthree inches, smooth-edge blade; you know, Catherine found --Robbins: (interrupts) Yeah, I heard. A sword -- everyone's talking about this one.(He glances over his shoulder at Hank Connors on the table behindhim.)Robbins: Why would anybody want to taxidermy a human head?Grissom: I'm still working on the \"how.\"Robbins: That, I can tell you. Mounted one myself. A deer-- Dad was a hunter. First, our guy had to separatethe head from the body. For that, he used a serrated-edge knife.(Robbins shows Grissom the pattern on the bottom of the skin.)Robbins: Dad used a carving knife, same one we used at Thanksgiving. When mom foundout, she almost killed him with it.Grissom: Heartwarming.Robbins: Yeah, so then ... he had to flesh the skin away from the underlying muscle.(Quick flash of: Hank peeling the skin off the muscle. End of flash.)Robbins:Next, he would've stretched the skin out on a board, --(Quick flash of: Hank rubs rock salt into the skin.)Robbins: (V.O.) -- rubbed it with rock salt ...(End of flash.)Robbins: ... then waited two days. Then he tanned theskin to preserve it,(Quick flash of: Hank working on the head.)Robbins: (V.O.) -- hydrated it with a borax and water solution to keep the bugs off.(End of flash.)Robbins: Next, he cleaned the skull, filled theimperfections with clay, sawdust, anything at hand. Popped in two glass eyes, and then ...(Robbins puts the skull back in the skin.)Grissom: And he's got the best-looking wall mount in the neighborhood. (smiles andnods.) We're going to need to process that toolmark.Robbins: Yeah, I'll get it over to CSI.[SCENE_BREAK][INT. CSI - LAB -- NIGHT](Catherine dusts the blade for prints. She finds several. She takes a print lift of theprints.)(Mandy walks in and finds Catherine in her chair.)Mandy: Oh ... nice sword. Mm-hmm! I dated a guy on the fencing team. His thighs were incredible. (She takes a lift of a print on the hilt.) Did you want to showme something?Catherine: Yes, the, uh, tip has been wiped clean. Negative for blood. But I did find a couple of partials on the blade just above the hilt.(Catherine takes her gloves off.)Mandy: Okay.Catherine: And acouple of full prints on the handle.(She takes her coat off.)[SCENE_BREAK][INT. CSI - FORENSIC AUTOPSY -- NIGHT](Nick measures the length of the bone he found.)Nick: The femur measures 461 millimeters. (Hechecks the height chart.) Gives us a height for a white female of 5'6\".Grissom: Exactly Chyna's height. How about for a male?Nick: 5'7\".Grissom: Preston De Vere is too tall. Did you measure the head of the femur?Nick:No, sir, I was just about to.(He measures the head.)Nick: 41 point s ... point five millimeters.Grissom: It's a female.Nick: You want my theory?(Grissom listens and Nick ticks off the items on his fingers.)Nick: This littlepiggy went to market. This little piggy stayed home. This little piggy had Chyna.Grissom: Yeah. (He looks at the markings on the bone.) Human teeth aren't strong enough to leave these marks.Nick: And it is consistentwith Connors chopping off her head and tossing his \"girls\" a bone.Grissom: (sighs) Okay ... go back to the ranch. See if you can find the rest of her.[SCENE_BREAK][INT. CSI - LAB](Greg is in the lab when Catherinewalks in with her sword. Greg's hand is bandaged.)Catherine: Hey, Greg. You up for a bite?(Greg laughs like it's the funniest joke ever. He pounds on the table as if unable to control his laughter.)(Catherine watcheshim as she takes her jacket off.)(He continues laughing, then stops.)Greg: No. I am on antibiotics, I had a tetanus shot-- I'm having a pretty bad year.(Catherine puts her lab coat on.)Catherine: Oh, it's only a bad yearif you do a bad job, Greg. You're having a great year.(She winks at him.)Greg: (suggestively) I got that gel ready for you.(Catherine picks up her sword and starts cutting into the gel.)VARIOUS DISSOLVES OF:(As Gregworks on one side of the table, Catherine cuts impressions into the gel on the other side of the table. She makes several cuts working her way down the sword.)(Meanwhile, Greg prepares the cast and makes animpression of the marking in the skull.)(Catherine stands the gel impression on its edge and makes a cast impression of the sword cuts.)(Greg removes the cast from the skull. He puts it under the scope.)(Catherinepeels off the impression from the sword cut and gives it to Greg, who puts it under the second scope to compare. He looks under the scope and finds a MATCH.)Greg: Voila!Catherine: We have our weapon?Greg: Yeah,"}
+{"doc_id":"doc_163","qid":"","text":"LORELAI'S HOUSE - LIVING ROOM[Lorelai is packing a bag, Chris and Paul Anka are sitting on the couch, Chris looks bored]LORELAI: Okay. Toothbrush, hairbrush, hypoallergenic pillow, chenille blanket... ooh, comfortshoes. Got them.CHRISTOPHER: Those are your comfort shoes?LORELAI: Not mine -- Paul Anka's.CHRISTOPHER: We're staying in tonight. You can probably get away with flats.LORELAI: He loves, loves, loves chewingon these. They remind him of a squirrel carcass.CHRISTOPHER: Yummy.LORELAI: Don't judge. You eat jerky like it's going out of style.CHRISTOPHER: So, all this stuff is for Paul Anka?LORELAI: No, not all. Thetoothbrush is mine.CHRISTOPHER: Lorelai.LORELAI: What? It's his first night staying at your house. I want him to have all the stuff that makes him comfortable. Ooh -- tennis balls!CHRISTOPHER: I actually have tennisballs.LORELAI: Penn or Wilson?CHRISTOPHER: You're joking.LORELAI: Paul Anka's must be Penn. They must be new, they must be green -- not orange and green, just green. And FYI, you might want to watch thatsarcastic tone of yours because dogs are very attuned to tone. It's kind of like Chinese, in that respect, dog language. It's very tone based. And you are stressing him out right now with your tone.CHRISTOPHER: Thedog is stressed?LORELAI: Look at him. And when he gets like this, you need to talk to him in sweet and dulcet tones. [High-pitched voice] Hi, Paul Anka. Ooh, hi, boy! Hi! [Normal voice] Get it?CHRISTOPHER: Gotit.LORELAI: Good. Sunglasses. [goes to get them]CHRISTOPHER: [To Paul Anka] This is not normal. I want you to know that. [To Lorelai] The dog wears Ferragamos?LORELAI: Oh, please. Don't give him any ideas.These are mine. All right, let's go. You take this, this, and this. Come on. What are you waiting for?[They go out and close the door, Paul Anka whimpers a little, then Lorelai comes back]LORELAI: Oops. Here, PaulAnka. [Claps]OPENING CREDITSHALLWAY TO LOGAN'S APARTMENT[Rory's phone rings]RORY: [answers cell phone] Hey.LOGAN: Hey, you watching it?RORY: What?LOGAN: The meteor shower.RORY: What meteorshower?LOGAN: It's on the news the BBC said there's some huge meteor shower tonight. I thought we could watch it together.RORY: Uh, Logan, I have been in the library for the past nine hours. I don't know anythingabout any meteor showers. But I could use a regular shower, though.LOGAN: Go up on the roof and check it out.RORY: Now?LOGAN: Yes, now! It's supposed to start in like two minutes.RORY: But...LOGAN: Ace! This isonce-in-a-lifetime celestial event. Get going.RORY: Okay, okay. I'm getting. I'm going.LOGAN: Are you running?RORY: I'm running! I'm running! Who knew you were such an astronomy buff?LOGAN: Hurry!RORY: Whathas gotten into you?[Rory makes it to the roof]LOGAN: Nice night.RORY: Oh, my god! You're here! What are you doing here?LOGAN: [Chuckles] Happy to see me?RORY: Beyond happy! [They hug] Ecstatic! I can'tbelieve you're here! And look at me -- I'm covered in highlighter ink and I smell like Fritos and ginger ale.LOGAN: It's an aphrodisiac.RORY: You're here and you did all this?LOGAN: You like?RORY: I love, but you didn'thave to do this. I mean, you're here. It's enough. It's more than enough.LOGAN: Could you shut up now so I can kiss you?[They Kiss]RORY: So there is no meteor shower?LOGAN: No meteor shower.RORY: So you usedthe entire cosmos to trick me?LOGAN: I like to think big.RORY: So, what is going on? What, Why are you here?LOGAN: I'm kissing my girlfriend on the roof. Mmm.RORY: But why?LOGAN: The Fritos and Ginger Alething. I told you, huge turn-on.RORY: [Sighs] Explain yourself.LOGAN: I'm just here for a quick business trip.RORY: How quick?LOGAN: Too quick.RORY: How quick is \"too quick\"?LOGAN: I have 10:00 flight back toLondon tomorrow night.RORY: Oh, that is too quick.LOGAN: That website my team has been trying to buy -- the owners finally agreed to sit down, talk to us tomorrow over breakfast.RORY: Logan! That's great, right? Imean, three weeks ago, they weren't even taking your calls.LOGAN: It is great. However, not as exciting as kissing my girlfriend on the roof.RORY: Um, so, what's that amazing smell?LOGAN: Food from Ibiza.RORY:The island?LOGAN: The Tapas plAce downtown.RORY: Ooh, did you get the duck?LOGAN: I did.RORY: And the short ribs?LOGAN: Yes. And...RORY: [Gasps] Ooh! A 2003 red something. Oh I bet it's very oaky and corkyand full of fruity legs.LOGAN: Know a lot about wine, do you?RORY: Not so much, but the label's pretty.LOGAN: There's also gazpacho, that cheese-pie thing you love, plus flan.RORY: Ooh, flan! You got meflan?LOGAN: Doesn't take much to make you happy, does it?RORY: Not when you're on this continent.LOG: Okay, why don't you open this wine? I want to taste those fruity legs, and I'll make you a plate with extraflan.RORY: Okay. [starts to open the bottle but then runs to Logan] Ooh, I'm so glad you're here!LOGAN: [Sighs]CHRIS' APARTMENT - LIVING ROOM[Lorelai is on the couch, playing with the Tivo remote, Chris walksin]CHRISTOPHER: Ha-ha! You're killing my Tivo.LORELAI: I'm not killing it. I'm composing on it, I'm composing a symphony. Finally, an instrument I can play.CHRISTOPHER: Give me that.LORELAI: No, no,no!CHRISTOPHER: Give me!LORELAI: Not until you explain your choices.CHRISTOPHER: What?LORELAI: \"The View\"? \"Girlfriends\"? \"S*Bado Gigante\"? Who controls this thing, you or Pedro Almodóvar?CHRISTOPHER:It's the nanny.LORELAI: Sure, it's a likely story.CHRISTOPHER: Give me, give me, give me.LORELAI: Did Gigi Get to sleep okay?CHRISTOPHER: She did. I tried to skip to the end of \"Cinderella,\" but she wouldn't let me.It's my own fault. My wicked stepsister voice kills.LORELAI: She's amazing, you know?CHRISTOPHER: That reminds me.LORELAI: Oh, no! You're not gonna show me some of her art, are you? I never know what to sayin those situations. I mean, even when it was Rory's art, you know? Three blue finger smudges and some construction paper. It's not precocious. It's just messy.CHRISTOPHER: Here. This came a couple of days ago.It's from Sherry.LORELAI: From Sherry?CHRISTOPHER: Yeah, it's the first I've heard from her since the divorce was final. Go ahead and read it.LORELAI: Wow, how \"Dangerous Liaisons\" of her. She doesn't call. Shedoesn't e-mail. Then she sends you a letter with a wax seal that weighs roughly the same as a porterhouse.CHRISTOPHER: Well, she had a lot to say.LORELAI: Gosh. It's a lot of sorry.CHRISTOPHER: Yeah, 15 pagesworth. Believe me, I was not expecting this. Humility is not a side of Sherry I've ever seen before. I don't know if it's the yoga or the yoga instructor or...LORELAI: Yoga instructor?CHRISTOPHER: Yeah, she's dating heryoga instructor, Jean-Claude or Jean-Pierre -- one of those names that always sounds fake. Anyway, it sounds like she's really changed. She feels awful about what happened, run away like that and she wants to find away to be part of Gigi's life again.LORELAI: Honey, that's great.CHRISTOPHER: Right?LORELAI: Yeah... So, you got this two days ago and you're showing it to me now.CHRISTOPHER: Well I was gonna show it to you, acouple of days ago but I figured you were coming over so...LORELAI: No, I'm not criticizing.CHRISTOPHER: You're not?LORELAI: No, I'm complimenting -- badly, obviously. But I'm complimenting. You shared it withme.CHRISTOPHER: Well I kind of thought that was how the whole adult-relationship thing worked. You know, openness, honesty.LORELAI: Interesting. And you're sure you don't want to stash it away somewhere andthen I find it -- accidentally, of course -- months from now, and I get all weird and insecure about why you didn't show it to me sooner?CHRISTOPHER: I'm good with the sharing.LORELAI: All right. It's another way togo.[They sit back to watch TV]CHRISTOPHER: [Evil voice] That glass slipper will fit my foot. [Normal voice] That was my wicked stepsister voice.LORELAI: Yeah, I figured.[Lorelai looks happy]ROOF TOP[Rory and Loganare laying on the floor]RORY: I'm so happy.LOGAN: Me too. [Kisses Rory on the head] You know you can't do this in London? The city lights are so bright, you almost never see the stars.RORY: Yeah, but it'sLondon.LOGAN: Ah.RORY: Wait, are you tired of London?LOGAN: I'm tired of not being around you.RORY: Yeah, but you can't be tired of London. Samuel Johnson said, \"when you're tired of London, you're tired oflife.\"LOGAN: Obviously, the man was never in a long-distance relationship.RORY: That's true. Boswell did keep quite close.LOGAN: [Smooches] What are you doing?RORY: Nothing.LOGAN: You're trying to sneak a peekat my watch.RORY: Well, I just can't believe it. I can't believe you're here. And I-I can't believe that you're leaving in only 26 hours and 45 minutes.LOGAN: Come on think positive -- that's an entire lifetime to a fruitfly.RORY: Actual you're thinking of a mayfly. Fruit flies can live for up to a month. So what do you think, can you stay for a month? I mean what if your meeting tomorrow goes really, really well?LOGAN: I hope itdoes.RORY: It will. It's a great idea.LOGAN: It's basically MyspAce.RORY: But by invitation only. And it'll be like an online version of the Algonquin group, like throwing a party in your head where everyone you've everwanted to talk to is there -- Ira Glass, Sofia Coppola, Flaubert, Danger Mouse.LOGAN: The deal's not done yet. Far from it. These guys aren't just gonna hand over their website because we buy them breakfast.RORY:They might. Tell them that they can order pancakes and eggs. Don't make them choose. Sausage, bacon, fruit, potatoes -- let them get the whole combo. 'Cause Then they will have to sell it to you. It'd be rude notto.LOGAN: You are a business genius, Ace.RORY: Well, I'm taking econ with my grandpa.LOGAN: Whatever happens, we'll be ready. We've been working our asses off on this one -- Nick, Bobby, Phillip.RORY: Oh, yes --Phillip, Nick, Bobby. The team. Starting lineup.LOGAN: It is a classic win-win. They give us a foothold in new media. We give them a huge influx of capital, which they need. Believe me when it comes to debt versusequity, they're screwed. They have no liquidity, huge expenses, zero revenue. I mean, the target advertising potential alone -- what? What are you staring at?RORY: You, \"Mr. Debt versus equity.\"LOGAN: Are youmocking me?RORY: Yeah, but I like it. Tell me more about this um, targeted advertising potential.LOGAN: What do you want to know? There's pay-per-click, pay-per-lead, banner ads, pixel tagging.RORY: Oh, stop. I'mgetting weak at the knees.[They kiss]LOGAN'S APARTMENT[Next morning, Rory is still in bed]RORY: [reaching for Logan] Logan?LOGAN: Shh. Go back to sleep. It's only 6:00.RORY: In the morning?LOGAN: Yes, in themorning. Go back to sleep. I'm sorry I woke you.RORY: Hey, where you going? Come back here.LOGAN: I can't I promised Nick, Bobby, and Phillip I'd meet up with them for breakfast before the pitch.RORY: I thoughtthe pitch was at breakfast.LOGAN: It is, but we can't walk in there unprepared. We got to go over our notes, talk strategy. It's a pre-breakfast breakfast.RORY: Work dork.LOGAN: Did you just call me a workdork?RORY: Admit it, just admit that you're a work dork.LOGAN: I'll admit that I'm a work dork, if you admit that you love I'm a work dork.RORY: Done. [they kiss]LOGAN: Now I really have to go.RORY: Hey, I haveways of making you stay, you know.LOGAN: I know, I know, but take pity on me, please. After work, I promise I'm all yours. Dinner?RORY: Is it a pre-dinner dinner or a real dinner?LOGAN: As many dinners as youwant.RORY: Aw, man, I can't believe we've wasted 4 1/2 hours on sleep. What are we down to now, like 15 hours?LOGAN: Rory, I'm actually gonna need both arms for this pitch.RORY: Okay, I'll let go. Just one morekiss.LOGAN: I don't believe you.RORY: Try me.[Logan moves in to kiss, then doesn't and walks off.]RORY: [Gasps] Hey! No fair!LOGAN: I'll call you later.RORY: Work dork!LOGAN: Work dork lover.DRAGONFLY INN -RECEPTION AREAMICHEL: [Sniffs] Gah. [Sniffs]LORELAI: You need a tissue? Oh, god, what is that?MICHEL: I don't know, but it's horrible.LORELAI: Oh, it is. It's foul. It's like rotten cabbage.MICHEL: Or with dense butsubtle undertones of olives.LORELAI: There's nothing subtle about it. It's like a sledgehammer to the nose.SOOKIE: Oh, my god! What is that?LORELAI: It's not coming from the kitchen?SOOKIE: Bite your tongue. Arewe having heart attacks right now? Isn't smelling something strange the first sign of a heart attack?LORELAI: I don't think we're having a communal massive heart attack.MICHEL: Carcasses.LORELAI: What?MICHEL:Those strange, angry-looking guests -- I'm sure they are traveling with decaying animal flesh.LORELAI: Yeah, 'cause that's the most logical explanation. Gonna open a window, see if we can air it out a little bit. [opensthe window] Gah! No, no, no!SOOKIE: Close it! Close it! Close it!LORELAI: Ugh!MICHEL: So glad we tried that.LORELAI: All right, I'm going out there to see what's causing this.SOOKIE: Out there?!MICHEL: Are youcrazy?!LORELAI: Maybe, but the sooner we can find out what's causing this, the sooner we can run like hell to less stinky ground.SOOKIE: Well I'm coming with you!MICHEL: Me too! Let's hang for a minute. If shemakes it to the end of the block, we'll join her.SOOKIE: Michel!MICHEL: What? Fine. Ugh! [Coughs]STARS HOLLOW - TOWN SQUARE[They whole town is out covering there noses]LORELAI: Kirk, where's everybodygoing?KIRK: Taylor called an emergency town meeting. Not sure why.SOOKIE: The smell, Kirk. The horrible, horrible smell.KIRK: Really? [Sniffs] I just don't think it's that bad.SOOKIE: Ugh. Well, come on, let'sgo.LORELAI: No. You know what? On second thought, I'd rather smell this smell for the rest of my life than see Luke at a town meeting.SOOKIE: Oh, honey.LORELAI: It's okay. I'll go back to the inn. I'll be fine. Just callme when you want me to pick you up.MISS PATTYS - TOWN MEETINGGYPSY: Finally!MISS PATTY: It's about time, Taylor! We're dying here.TAYLOR: I assure you, no one is dying. The substance causing this odor is nottoxic in any way, shape, or form. It's pickles.[The crowd begins to groan and continues to for most of the meeting]SOOKIE: That's no pickle!KIRK: Pickle? Like one giant pickle?TAYLOR: Order! As those of you who takean interest in civic events may recall, three days ago a train derailed just east of town -- luckily, no one was injured. However, 3 1/2 tons of pickles and pickle brine were scattered along the tracks. And due to someinevitable delays in cleanup, those pickles have been baking in the sun for three days.[The crowd groans]MISS PATTY: And you knew about this?GYPSY: It's a cover-up.BABETTE: We got picklegate!MISS PATTY: Ha haha!TAYLOR: I did know about it, but it wasn't a problem until this morning when the wind shifted. And instead of wafting easterly toward our neighbors in Woodbridge, the smell seems to have settled on stars hollow.Now, there's no telling how long it will last.[The crowd groans again]GYPSY: What?! People are suffering here.SOOKIE: How long does it take to pick up a few measly pickles?TAYLOR: Picking up the pickles is not mymain concern at the moment. Now, this is a matter of pride, people. A huge principle is at stake. There's absolutely no reason why we here in stars hollow should take responsibility for this mess. The pickles themselveshail from Ohio.LUKE: Ohio?TAYLOR: The railroad company is incorporated in the state of Delaware. And since all the pickles are on the Woodbridge side of the tracks...LUKE: Just pick up the damn pickles,Taylor![Indistinct shouting]TAYLOR: Easier said than done. Even if we wanted to do the wrong thing and assume fiscal responsibility for this fiasco, the cost is astronomical. $2,500 for...LUKE: Sold!GYPSY:Done!BABETTE: Pay, you big cheapskate![The crowd starts yelling \"yeah!\"]TAYLOR: Fine! All those in favor of stars hollow taking a swift kick to the tush and shouldering the entire cost...[The crowd raise the hands andsay \"aye!aye!\"]TAYLOR: Very well. Motion carried. Pickle smell gone in 48 hours... along with everything good about stars hollow.[They crowd leaves]PARK[Children playing on different play ground equipment]LORELAI:Breathe that in. Isn't that fantastic? Forgot what fresh, pickleless air smells like.CHRISTOPHER: Oh, so, you coming over to my neck of the woods for lunch is really no reflection on how desperately you needed to seeme?LORELAI: Hmm...10% desperate need to see you, 90% pickles.CHRISTOPHER: [Chuckles]LORELAI: You know, I'm actually looking forward to Friday night dinner. Because, as you well know, the Gilmore house, likevery expensive vodka, is completely odorless.CHRISTOPHER: And you still want me to come with?LORELAI: Yes, you, me, Rory, numbers, babe.CHRISTOPHER: Gigi, No. Skirt down! Gigi!LORELAI: You may want to lookinto the whole skort concept.CHRISTOPHER: Hey, so, I spoke with Sherry this morning.LORELAI: Oh, yeah. What's the deal with her?CHRISTOPHER: Well, first she and Gigi Spoke for almost half an hour.LORELAI:That's as long as you can do anything when you're 4.CHRISTOPHER: And then she and I talked. I thanked her for the letter. She said everything in it was true. She's totally serious about this new life thing. No moreworkaholic ways. She's gardening and meditating, all kinds of stuff. She's very self-actualized -- her words, not mine.LORELAI: Good for her.CHRISTOPHER: And the big news is, she wants me to send Gigi To Paris tostay with her for a couple of months.LORELAI: Wow.CHRISTOPHER: Yeah wow, I mean, I know it seems kind of sudden, but Sherry's taken this huge leave of absence from work, and Gigi Got so excited. Why not, right?She's not in school, yet, just preschool, and she needs to get to know her mother sometime. [To Gigi] No, hey! Gigi, That's too high! Careful!LORELAI: So, what -- would you go to Paris with her?CHRISTOPHER: No, Iwas thinking the nanny could take her. She's dying to go. I mean, it's Paris, right? She's 25 years old. It's a chance of a lifetime.LORELAI: Yeah, sure.CHRISTOPHER: No, hey! Gigi, No, don't pick that up! I'll be rightback.LORELAI: [Sighs]YALE NEWS ROOMBILL: You can't put Paris in charge.PARIS: She can and she should.RORY: Guy's I just need someone to get the paper out tonight. Doesn't matter who. I want the chain ofcommand to be clear.BILL: When the editor in chief isn't here, the managing editor's in charge. That's standard operating procedure at every newspaper in the country.PARIS: Yes, but I've done this 1,000 times, andyou've never done it, bill. Experience.BILL: Experience that led to a mutiny. It's not like anyone ever gave Captain Bligh another ship after the Bounty.PARIS: Of course they did, multiple ships, and by the time he died,they promoted the guy to rear admiral. Do you think the British royal navy ruled the world in the 19th century by letting that much natural talent and leadership capability go to waste just because a few whinycomplainers wanted more breadfruit and less scurvy?BILL: [To Rory] Tell me you're not seriously considering this. The bunker. Do you not remember the bunker?PARIS: I hardly see how my choice of workplace isrelevant.BILL: There was an insurrection, a revolt, an uprising. She was deposed.PARIS: See how wordy he is? He overwrites. Plus, he's always been weak with gerunds.RORY: [Sighs and then her cell phone rings]Sorry. Look, could you guys take this somewhere else?BILL: Fine. Let's go to my desk.PARIS: Your desk? Right, like I'm actually going to cede home-court advantage.RORY: Oh, for god's sake.RORY: [Answering thephone] Hey!LOGAN: We did it, Ace! We bought the company!RORY: What?LOGAN: It's crazy we were just supposed to have breakfast. Next thing I know, we're sitting there with lawyers going over contracts.RORY:Logan, that's amazing.LOGAN: I know!RORY: Was it all because of my breakfast-combo idea?LOGAN: I'm pretty sure that's what sealed it. So will you come celebrate with me tonight?RORY: I already cleared myschedule.LOGAN: Great! I'll send a car. Tonight, you'll be dining with a captain of industry.RORY: Wow, do you get to wear a uniform?LOGAN: I'll have to check the fine print. Go home, get dressed. I'll see yousoon.RORY: Aye-aye, captain.DRAGONFLY INN - RECEPTION[Michel is on the phone]MICHEL: Cancel? Well, I would say that depends. What exactly is your feeling about pickles? Uh-huh, yes, pickles -- gherkins, dills.For instance, if all the air around you smelled like pickles and there was no place to run, no place to hide, would you find that bothersome?LORELAI: Michel, help. Let me in. [The door is chained to keep the smellout]MICHEL: [On the phone] No, that is not a metaphor. Yes perhaps it would be better if you checked in tomorrow night. Uh-huh. Goodbye.LORELAI: Michel, it's getting in my pores! My pores are pickling!MICHEL:"}
+{"doc_id":"doc_164","qid":"","text":"[Salvatore's house](Caroline is sitting on the couch. Damon gives her a glass of blood)Damon: HereCaroline: I'm still shaking(She drinks. Stefan arrives)Stefan: What happened?Damon: go ahead, tell him. You'regonna love thisCaroline: I saw Katherine todayStefan: Where?Caroline: At the grill. I just stopped by to gawk and... 'cause I stuck Matt[Mystic Grill](Caroline tells them the story. She's looking at Matt)Matt: Do youneed a table?Caroline: No, I'm not staying. I just needed to use the little girls' roomDamon: Skip the teen drama and getCaroline: Then I had to pretend to use the bathroom even though I didn't really have to gobecause I'm defies(Caroline is in the bathroom. She's washing her hands when Katherine arrives. She poses as Elena)Caroline: Elena?Katherine: Hey, I saw you with Matt, are you okay?Caroline: Yeah, you know...whatever(She rushes over Katherine. Katherine smiles)Katherine: You're good. What gave me away? Was it the hair? Or was it my clothe?Caroline: I know Elena is... I know Elena's at homeKatherine: I need you todeliver a messageStefan: What was the message?Katherine: Tell Damon and Stefan that I want the moonstone or I will rip this town apart until it rains bloodDamon: Tell him the rest of itKatherine: Tonight, at themasquerade ball[Salvatore's house]Stefan: She wants to do it in public. Killing Mason threw off her guardDamon: She's running scared. What she did to Jenna was desperate. She's out of tricksStefan: We can'tunderestimate her. We have to play this smarter than herCaroline: Can we just give her the moonstone so she'll leave?Damon: No, Katherine's not getting dick. I'm gonna go to the masquerade ball and I'm gonna killher, tonightStefan: You're not gonna kill herDamon: Don't give me that goody goody crapStefan: You're not gonna kill herDamon: Really?Stefan: Because I am[Gilbert's house](Jenna is coming from the hospital.Jeremy, Matt and Elena are helping her)Matt: Easy. Grab the door JerJenna: Hey, stop fussing, I'm fineElena: The doctors said that you have to take it easyJeremy: Yeah, you don't want to rip your stiches, hemorrhageand die, alright?Jenna: yeah, the only thing I'm gonna die from is embarrassmentMatt: NoJenna: I walked into a knife. How does somebody do that?Elena: It is a freak accidentJeremy: Yeah, it happensMatt: Yeah, Imean I've done it like 20 times at the grill(Jenna laughs)Matt: Okay, I'm being nice(They put her on the couch)Matt: What should I do with this?Elena: I got it(He gives her a bag with food. Matt stays with Jenna. Elenagoes in the kitchen. Jeremy follows her)Jeremy: So what are we gonna do?Elena: Make lunchJeremy: No, about KatherineElena: We're not gonna do anything, JeremyJeremy: She tried to kill Jenna. We can't let her getaway with thatElena: yes we can. If it keeps us safe then we canJeremy: And what if she tries something else?Elena: She won't. Katherine hurt Jenna because I didn't do what she said. I'm not doing it now, me andStefan are over. She wins, the endJeremy: You are being naïve and you know it(He leaves)Elena: Where are you going?Jeremy: Out. I'll be back[Katherine's bedroom](Katherine enters the bedroom. She's carrying ashopping bag. Mrs. Flowers is helping her)Mrs. Flowers: Where should I put these?Katherine: Right there. Thank you, Mrs. Flowers. You've been such a wonderful helpMrs. Flowers: Oh, it's my pleasure dear. Let meknow if there anything else I can doKatherine: I will(She takes a dress from one of the bags. A woman is in the bedroom. Katherine rushes over her and pushes her against the wall)Lucy: Oh, Kat, chillKatherine: Do notsnick up on a vampireLucy: Don't attack a witch. It's good to see you girl(Katherine embraces her)Katherine: I'm glad you made upLucy: You called, I cameKatherine: Like you had a choiceLucy: Don't get all boss ladyon me. You know I love you(She takes a mask from one of the bag)Lucy: Now, where does one where this?Katherine: To a masquerade ball. Tonight. You want to be my date?[Salvatore's house](Caroline opens thedoor to Bonnie)Caroline: Hey, come on inBonnie: I got Stefan's messageStefan: Hey, you brought the grimoire, thank you(She sees Damon and Alaric talking and she sees that there is a lot a weapon on thetable)Bonnie: What's going on?(Jeremy arrives)Jeremy: We're gonna kill KatherineStefan: I can explainBonnie: PleaseStefan: We're gonna kill Katherine(Alaric shows the weapon to everybody)Alaric: This works withcompressed air. The trigger mechanism is up here. I have two of these in a different size. For you I recommend this. It feats nicely under the jacket sleeve. You use the trigger when you're ready(He fakes killingvampire. Damon and Stefan look at each other)Alaric: He wanted me to show him how to kill a vampire[Katherine's bedroom](Katherine is smoothing down her hair)Lucy: What's with the hair?Katherine: I'mimpersonating my dullest dishwater doppelganger Elena. She has the worst tasteLucy: Except in man. Isn't a risk pretending to be her in front of the entire town?Katherine: I've gotten quite good at it actually andeveryone's gonna be in masks. It's for some fid, something charity. It's for a good cause LucyLucy: Hum, okay. Well, have you actually seen the moonstone before? I always thought it was some made uplegendKatherine: I have seen it and I need you to help me get it backLucy: Oh yeah? What are you gonna do with it?(Katherine looks uncomfortable)Lucy: you want me to break the curseKatherine: Let's just get it first.All i need from you is for a backup. I can't imagine that Damon and Stefan are just gonna hand it over without putting up a fight[Salvatore's house](Bonnie is talking with Stefan)Bonnie: I know you love Elena and youwant to be with her but it's risky. Too many people could get hurtStefan: Look, I want Elena back, yes but it's more than that. What Katherine did to Jenna crossed the line. She has to be stopped before it happensagainBonnie: I don't know, StefanStefan: Look, Katherine knows me, right? She knows that I'm not gonna try something in a crowd full of innocent people so that gives me an edge. I could get to her by surpriseBonnie:I could do a spell to trap her, like the tomb spellStefan: Right. We can isolate her, away from the others. Please BonnieBonnie: Okay[Gilbert's house](Elena and Matt are talking. Matt is leaving)Elena: You're welcome tohang out. Alaric's coming over. It's gonna be pizza and bad TVMatt: I'd love to but I'm going to the masquerade party at the Lockwood's, aren't you?Elena: Uh, no... not with what's going on with me and StefanMatt:I've got to go, there's something I got to doElena: What?Matt: Just something, I can't talk about it but I've got to goElena: Okay. Well, have funMatt: Yeah. Me and a suitElena: You look good in a suitMatt: You andStefan are working it outElena: I don't think so, Matt. There's so much about me and Stefan that'll never workMatt: You know I'm here for you always(She embraces him)[Salvatore's house](Everyone is in the livingroom)Alaric: Are you sure you guys don't want me there tonight?Stefan: No, I need you to stay with Elena. I don't want her to know about thisAlaric: Okay. Well, I'll make sure she doesn't leave my sideStefan: Alright,if anyone wants to back out, I'll understandDamon: Yeah. Cold feats speak now. I don't want this going wrong with someone chicken's out. Caroline?Caroline: I won't. Look, she killed me. Fair's fair. As long there's nowerewolf running aroundDamon: Oh, I took care of MasonJeremy: As long as Tyler doesn't kill anyone, he won't turnStefan: Bonnie? Are you with this?(Long pause)Bonnie: But no one gets hurtDamon: ExceptKatherine. Tonight Katherine gets a stake through her heart[Lockwood Mansion](It's the masquerade ball. Everyone is wearing masks. Tyler is in his father's office. Carol rejoins her)Carol: It's already packed out there.You know, we need to keep that door shot. Your father would be very unhappy if I let gests in here(Tyler gets up. He's wearing a suit)Carol: Oh, look at you! So handsomeTyler: Thanks. You look pretty good toomomCarol: Oh a compliment. I think I'll fall overTyler: Listen, I'm sorry I've been a dick lately... a jerk lately. It's just... Have you heard from Mason?Carol: No and I don't think we're going to. He's coming, he's going,it's just his way. He's the exact opposite of your fatherTyler: We should have cancel this partyCarol: This all masquerade theme was his idea. I don't know what it has to do with helping the homeless but once he madeup his mind, he could really be a dick, a jerk. But I loved him and I know you did too. It's natural to feel abandoned. I just don't want you to feel aloneTyler: Come on, put your mask on. Let's just go out there andpretend to have some funCarol: I think I need a cocktail first(Katherine and Lucy arrive. They're going to different ways. Katherine takes a strawberry from a plate and falls into Matt)Matt: Elena?Katherine: Matt? Youlook dashingMatt: I thought you said you weren't comingKatherine: I couldn't miss it. You really are hot in a suit. I would love to just... Okay, here's the deal(She compels him)Katherine: Do you know what you have todo?Matt: I'm gonna get Tyler Lockwood really drunk. I'm going to start a fight with him and I'm gonna beat him until he snapsKatherine: and then?Matt: I won't stop until he kills meKatherine: God, you're hot. Now goawayMatt: Thank you(He leaves)(Damon and Stefan are outside. They look around)Damon: Do you see her?Stefan: Nope. You're sure you can do this?Damon: Who are you talking to?Stefan: Oh, I had the chance tokill her and I hesitatedDamon: Well that is the forkenate road between you and me my friend. I don't hesitateStefan: You spent 145 years loving her, it could happenDamon: I won't hesitateStefan: Okay(Matt and Tylerare in his father's office with Aimee and Sarah. The girls are dancing. The boys are drinking)Tyler: We're really not supposed to be hereMatt: Yeah, I know but we really need to turn this party up. Another shot?Aimee:Hey, I want a shotSarah: Me too and then we have to danceAimee: YesTyler: You know, usually it's me corrupting you. I like this(They drink)Aimee: Okay, let's go party. Come on(Aimee puts her mask on. They leavethe office)(Jeremy is carrying a bag. He and Bonnie are going upstairs. They enters into an empty room)Jeremy: I thought this room could workBonnie: It's perfect(Jeremy takes a weapon from the bag. Bonnie seatsdown and takes the grimoire)Jeremy: Is that the spell book I read about in my family's old journal?Bonnie: it's my ancestor, Emily's. The spell I'm doing here is similar to the one that sealed the vampires into thetomb(She opens it. Jeremy puts the bag in the closet)Jeremy: Can you do all the stuff that's in there?Bonnie: I mean it takes practice. I've worked on some small spells. Spells that only do good. I don't want to knowtoo much. I don't particularly enjoy any of this, in case you haven't noticedJeremy: Yeah but you're 100% witch, that is so coolBonnie: it's anything but cool. Did your family's journal tell you what happened to Emily?Or what about my gram's? It never ends well for people like meJeremy: If you feel that way, why help?Bonnie: Because I don't want anyone else getting hurt and I don't know how to stay out of it[Gilbert'shouse](Jenna is on the couch. Elena is with her)Jenna: I feel like an invalidElena: That's because you are invalid. Where's Jeremy? Isn't he hungry?Jenna: He already left for the Lockwood partyElena: He went tothat?Jenna: Yeah, I'm glad. He needs to have more fun. Lose some of that emo thingElena: I'm gonna get some napkins(She goes into the kitchen and rejoins Alaric)Elena: what's going on?Alaric: What do youmean?Elena: I haven't heard from anyone all day. It's like everyone's been avoiding me and now Jeremy's supposedly at the party? He hates stuff like thatAlaric: I don't know what to tell you, Elena(His phone rings.She tries to catch it but he catches it and puts it in his pocket)Elena: So then it'll be okay if I just head down, try to meet up with everyoneAlaric: Wait, wait, waitElena: What are you hiding, Rick?Alaric: Stefan askedme to keep an eye on you, just in case Katherine showed up while he was at the partyElena: So Stefan's at the party too? He would never go to the party for himself; he did that stuff for meAlaric: Just let this one go.Okay Elena?[Lockwood Mansion](Bonnie and Jeremy are going back to the party)Bonnie: We need to let Stefan and Damon know the room's ready(Suddenly she stops)Bonnie: Do you feel that?Jeremy: What's thematter? Are you cold?Bonnie: No(She sees Lucy and goes toward her)Bonnie: Excuse me, do I know you?Lucy: No, I'm a plus one, I know no one but it's a great party though(She leaves. Bonnie rejoins Jeremy)Jeremy:Are you okay?Bonnie: I just got a weird vibe. Let's find Damon(Stefan is on the dance floor, alone. He sees Katherine going down the stairs)Katherine: Dance with meStefan: NoKatherine: Fine then tell me who I shouldkill. Him? Hum, she looks delicious(She eats a strawberry. Stefan offers her his arm. She follows him and they dance)Katherine: It's a beautiful nightStefan: Why all that charade?Katherine: How's Jenna? I certainlydidn't expect her to survive that. Lucky girl. Clumsy. How does one stabs oneself?Stefan: Katherine?Katherine: Uh?Stefan: I don't want anyone to get hurt tonightKatherine: Okay. Then give me the moonstone andnobody willStefan: Well, you see, I don't have the moonstone on me. So, you and I will have to go get it togetherKatherine: Hmm. I have a better plan. You go fetch it and I will try not to kill anyone in themeantimeStefan: My way or you don't get it(Aimee arrives)Aimee: Hey Stefan, I can't find Matt. Oh my god Elena! You look so pretty. I love that dress. You look gorgeKatherine: Thank you. I love your necklaceAimee:Oh, thanksKatherine: Oh it's twisted. Let me, here we go(She goes behind Aimee and she broke her back)Katherine: Paralyzed from the waist down and dead(She kills her and throws Aimee's body in Stefan'sarms)Katherine: The moonstone, Stefan. Tic-tac[Gilbert's house]Elena: Hey guys, I'm gonna go to bed. You're good over there?Jenna: Good nightElena: Good night(She takes her car's keys and leave)[LockwoodMansion](Stefan and Damon are in an empty room)Stefan: I put the body in the trunk for nowDamon: We'll dump her when we get backStefan: This is exactly why I didn't want it, DamonDamon: Stefan, it's a collateraldamageStefan: Right, which is why we need to cut it offDamon: What? Who's hesitating now? Hey! Don't do this to me! This woman ruined our lives, she destroyed us! Tonight it ends. We can do it together. I got yourback. Alright?Stefan: Alright(Bonnie and Jeremy are waiting for the signal)Jeremy: So can you use like a hocus pocus to pass a test?Bonnie: I don't know that spellJeremy: It'd be like the first one I'd learn or maybe likea spell s*x or something. I don't know. Do you want to dance or something while we're waiting?Bonnie: No! I mean no thank you(Jeremy receives a message from Damon telling him that it's his turn)(Katherine iswalking. Lucy rejoins her)Lucy: You didn't tell me there was another witch hereKatherine: Didn't i?Lucy: No, you didn't. No one is supposed to know I'm involved. This changes things, KatherineKatherine: This changesnothing. You're here because you owe your dear friend a favor. You wouldn't want to lose my friendship now, would you?(Jeremy arrives)Jeremy: Elena(He removes his mask and looks at Lucy)Jeremy: Hey sorry, couldI talk to my sister?(She leaves)Katherine: What is it Jeremy?Jeremy: I have a message from Stefan(She looks surprised)Katherine: Oh?Jeremy: He and Damon want you to meet them at the edge of the lake by thewoods. They brought the moonstoneKatherine: And why are you their little messenger?Jeremy: Because they know I'm not afraid of youKatherine: Hmm, you Gilbert men, so courageous. How's John by the way? Werethey able to sew his fingers back on?(She touches his tie, looks at him and leaves. Jeremy is texting to Damon but Elena catches his arm)Elena: What the hell is going on?(Caroline is inside. She sees Matt with Sarahand Tyler. He stops, looks at her and leaves with them. She receives a text from Jeremy telling her that it's her turn. She's walking in an empty part of the manor. She's going to open a door but Katherine arrives,catches Caroline's wrist and pushes her against the wall)Katherine: What are Stefan and Damon up to?Caroline: What do you mean?Katherine: I've got Jeremy Gilbert luring me into the lake. What's going on?Caroline:I don't know... nothing(She strangles her)Katherine: Don't lie to me, Caroline. They're up to something, what is it?Caroline: I...(She strangles her stronger)Caroline: Wait, no, no, no! Okay. They're trying to killyouKatherine: I wouldn't have guessed. Where is the moonstone?Caroline: Bonnie has itKatherine: and where is Bonnie right now?Caroline: I don't know(She strangles her again)Caroline: Okay. She's upstairs, she'supstairs!(She releases her)(Elena is with Jeremy and Bonnie)Elena: You guys are trying to kill her here?Jeremy: We saw an opportunity and we knew we had to take itElena: Okay, stop with the \"we\", are you guyscrazy? You're gonna get yourselves killedBonnie: We know what we are doing, ElenaElena: And how am I supposed to feel if one of you guys gets hurt because of me?Jeremy: It's not just you anymore, Elena. She'smessed with all of us, she has to be stopped(Katherine is dragging Caroline upstairs)Caroline: Why you keep dragging me into this? I don't want any part of itKatherine: Shut up!(They are in front of a door)Katherine:Which room is it?Caroline: It's that one(She goes into the room. Caroline stays outside)Katherine: Where is she?(Caroline laughs)Caroline: I did it. I really didn't think that I'll be able to fool you but I did it(Katherinerushes over but she can't leave the room. She's trapped)Katherine: What the...? Stefan?(He's in the room too. He has a stake in his hand)Stefan: Hello KatherineCaroline: Goodbye Katherine(She leaves)Katherine: Youdon't really think that you can kill me with that now, do you?Stefan: No but he can(Damon is coming out the closet, he has the compressed air weapon is his hands. He shots Katherine. The stake goes in her back. Atthe same time Elena screams. She's hurt like Katherine. Stefan rushes over Katherine and drive the stake through her arm. Elena screams, she's hurt too)Jeremy: What's going on?Bonnie: Jeremy, it's Katherine. She'slinked to Katherine, get them to stop! Now!(He leaves. Stefan and Damon are fighting with Katherine. She tries to stake Damon but Stefan catches her by behind, fall in the floor with her and strangles her by behind.She can't move. Damon arrives and is about to kill her but Jeremy arrives)Jeremy: Stop! You're hurting Elena! Everything you're doing to her is hurting Elena(Damon stops. He's surprised. Katherine smiles and getsup)Katherine: You think you two are the only ones with a witch on your side? Wrong and something tells me that my witch is better than your witch(She takes the stake from Damon's hands. Damon and Stefan look atJeremy)Stefan: Jeremy, go shake on Elena. Make sure she's okay. Go!(Jeremy leaves)Katherine: Let's all make sure poor Elena is okay. Just a little bit of pressure(She cuts her hand with the stake. Elena is hurt too.She screams. Stefan hits Katherine's hand and throws the stake on the floor)Elena: Bonnie, it hurtsBonnie: I can't break the spell, Elena. I'm sorry but I can try to take some of the pain away. Okay?(She takes Elena'shand into hers and makes a spell)Bonnie: Ascinda, mulaf, hinto, ascinda...(Katherine takes the stake and is about to drive it through her stomach)Katherine: This is really gonna hurtDamon: Wait!(She sits down on thecouch)Katherine: Okay. So, how about that moonstone?(Bonnie is trying to take Elena's pain away. Jeremy arrives)Jeremy: Are you okay?Elena: Are they?Jeremy: They're stuck in there with her(He looks atBonnie)Jeremy: You were right; Katherine had a witch that linked Elena to herBonnie: The girl I saw, the one inside! Stay with her, keep pressure on her shoulder!Jeremy: Where are you going?Bonnie: There's anotherwitch here, I'm gonna find her!(She leaves. Jeremy removes his magical ring and gives it to Elena)Elena: NoJeremy: Take itElena: No, Jeremy...Jeremy: Elena listen to me: you need this more than I doElena: NoJeremy. What I need is for you to be safe[SCENE_BREAK](Katherine, Damon and Stefan are trapped in the room)Katherine: The three of us together just like old times. The brother who loved me too much and the onethat didn't love me enoughDamon: And the evil slut vampire who only loved herselfKatherine: What happened to you Damon? You used to be so sweet and politeDamon: Oh that Damon died a long time agoKatherine:Good. He was a boreStefan: Oh, why don't you two stop antagonizing each otherKatherine: Where is the moonstone?Stefan: What do you want with it?Katherine: Does Elena enjoy having both of you warship at her"}
+{"doc_id":"doc_165","qid":"","text":"\"In a land of myth and a time of magic, the destiny of a great kingdom rests on the shoulders of a young man. His name... Merlin.\"[SCENE_BREAK]Plains of Denaria (day) A cloaked figure struggles to pull a horse cartalong a dusty road. Four nights approach on horseback.Sir Leon: Halt! The cloaked woman stops.Sir Leon: Stay where you are. The woman sets down the cart handles a as the knights dismount, Sir Elyan amongthem.Sir Leon: Where are you headed?...Morgana: The Seas of Meredor.Sir Leon: What's in the cart?... Morgana says nothing. Sir Leon motions for the spare knights to search it and Morgana turns around.Sir Leon:Lady Morgana. Morgana uses magic to throw each of the knights to the ground. She looks around, pulls off her hood and pulls back a blanket in the cart.Morgana: You're all right?Morgause: Yes, thank you, Sister. Butwe must hurry. Night is nearly upon us... Morgause turns her face towards Morgana, revealing a hideous deformity to the right side of her face.Morgause: ... And we still have far to go. --- New Opening Credits ---Castle Square Merlin runs through knights and servants and into the Castle. Servants are decorating the castle with vines and Merlin ducks under one of them as he bolts up the Griffin Stairway.Merlin:Sorry.[SCENE_BREAK]Castle Kitchens Merlin bumps into more servants and nicks some food off a passing plate. The head cook accosts him with a ladle.Head Cook: What are you doing in my kitchen?Merlin: Uh, theprince's shirt. The cook motions to the line above the stove where the pots are hanging.Head Cook: Keep your dirty fingers off my food, d'you understand? Merlin grabs the shirt and a hook on a string drops down infront of his face. He looks up, confused. Sir Gwaine and Sir Percival are peering down at him with eager and mischievous grins. Gwaine puts a finger to his lips and Merlin laughs. Merlin attaches the hook to one of theroasting chickens and pulls on the string. The knights pull it up to them as Merlin exits hastily.Head Cook: Oi![SCENE_BREAK]Castle corridors Merlin weaves through bustling servants. A servant with wine pitchersbumps into him and spills it all over Arthur's newly washed shirt. Merlin picks up the stained shirt and stares at it.Sir Lancelot: You could try a bit of salt.Merlin: Arthur is going to kill me.Sir Lancelot: Let's see... SirLancelot looks at the shirt.Sir Lancelot: ...You've faced far worse, Merlin.Merlin: He needs it for tonight.Sir Lancelot: I'm sure a man of your talents can think of something. Lancelot lifts his eyebrows knowingly. Lancelotkeeps walking and Merlin checks to see no one's looking.Merlin: *spell*Fordwin wamm! Lancelot stops and turns around. Merlin shows him the clean shirt and Lancelot opens his arms as if to say \"See, that was easy.\"The both continue on their way.[SCENE_BREAK]Arthur's chambers Arthur's leaning against his desk and writing, as Merlin enters with his clean white shirt.Merlin: You're dressed.Arthur: Yes, Merlin. I'm not an idiot.Arthur turns around to walk behind his desk. He didn't manage to pull his shirt all the way through his belt in the back and his skin is showing. Merlin sniggers.Merlin: Are you sure about that?Arthur: I beg yourpardon?Merlin: It's just that...Arthur: Merlin!Merlin: But you...Arthur: I am trying to write a speech.Merlin: D' you want help?Arthur: No.Merlin: You won't want this, then? Merlin holds up a scroll and Arthur looks upfrom his desk.Merlin: ... I spent all night working on it. Arthur takes the scroll and looks over it with exaggerated scepticism.Merlin: ... What do you think? Arthur hands it back to Merlin.Arthur: It needs a polish.Merlin:I'll add it to the list. Arthur tosses the speech he was working on.Arthur: Merlin, there aren't many servants who get the chance to write a prince's speech. Obviously it would be too much for you to say, \"Thank you.\"Merlin stares at Arthur for a moment and walks out with his laundry without deigning reply. Arthur smiles.[SCENE_BREAK]Seas of Meredor Morgana helps Morgause limp out of the cart in the foggy wood.Morgause: TheIsle of the Blessed. Morgana helps Morgause to the dock. A ferryman waits for them by a longboat. He holds out his hand. Morgause places a coin in it.Morgause: You know where we wish to go. The sisters huddle in theboat, the ferryman at the helm, as it glides across the sea.[SCENE_BREAK]Uther's chambers Uther's hand shakes badly as he lowers his goblet to the table in front of his chair. Gwen enters and watches him with apitying expression before she approaches him.Gwen: You've not eaten, Sire. Sire? Uther doesn't seem to hear her, lost in his own misery. Gwen takes the tray of untouched food and meets Gaius on her way out. Shelooks at the potion in Gaius's hand.Gwen: It doesn't seem to make any difference.Gaius: I'm not sure it ever will but at least it gives him peace.Gwen: It's been a year since Morgana betrayed him.Gaius: (nods) Hisheart is broken and his spirit is gone. Are you joining us for the feast tonight?Gwen: I don't think so. I need to stay with the King.Gaius: You're very good to him, Gwen.Gwen: I don't do it for him; I do it forArthur.[SCENE_BREAK]Seas of Meredor Morgause and Morgana continue across the sea with the ferryman.[SCENE_BREAK]Council Chamber Sir Leon and Sir Elyan ride into the square and report to Arthur and theCouncil.Sir Leon: The reports are true, Sire. We caught up with Morgana on the Plains of Denaria.Arthur: Was she alone?Sir Elyan: (shakes head) There was someone else.Arthur: Morgause?Sir Elyan: I couldn't besure.Agravaine: Where was Morgana heading?Sir Leon: The Seas of Meredor.Gaius: Isle of the Blessed. Agravaine steps into the light.Agravaine: I will send out patrols at first light.Arthur: Thank you, Agravaine.SirLeon: Sire, you should know her powers have grown. Sir Bertrand and Sir Wontague are both dead.Arthur: Keep me informed of any developments. The councilmen exit. Agravaine remains.Arthur: For months, nothing.Why now?Agravaine: We knew she couldn't stay hidden forever. Today, tomorrow, does it matter? We mustn't live in fear, Arthur. Camelot is strong. If Morgana were to act, we'd be ready for her.Arthur: You're right, ofcourse. I don't know how I'd've got through these last few months without you. Thank you, Uncle.Agravaine: I made a promise to your mother. I'll always be there for you. Arthur nods with a smile andexits[SCENE_BREAK]Isle of the Blessed (night)[SCREECHING]Wyvern shriek as they fly around the fortress as Morgana's boat continues to the isle.[SCENE_BREAK]Banquet Hall Arthur and Agravaine sit on either side ofthe king's chair at the feast. Arthur stands and the laughter dies down.Arthur: Samhain... It is the time of the year when we feel closest to the spirits of our ancestors. It is a time to remember those we have lost, and tocelebrate their passing.[SCENE_BREAK]Isle of the Blessed - AltarMorgause: Samhain is almost upon us. We must hurry.Morgana: I can't do this.Morgause: Sister... Remember what I've told you. It is the only way.What you are about to do will affect everyone, even you. But most importantly, it will bring our enemies to their knees. You must be strong, remember that. Morgause presents Morgana with a dagger.Morgause: ... Donot be scared. Morgana takes the dagger.Morgause: I am not long for this world. There is nothing left for me here now. Morgause weakly climbs onto the altar stone and takes Morgana's hand.Morgause: Please, sister,let my parting be my final gift to you. Morgause lies down on the altar.[SCENE_BREAK]Banquet Hall Arthur raises his glass in a toast.Arthur: To the king. Everyone stands to toast.[GONG CHIMES][SCENE_BREAK]Isle ofthe Blessed - AltarMorgana: *spell*Eala leofu sweoster, paem gastum befaeste ic pe. Alys pa peoster pe inne onwunap. Morgana poises the dagger to strike, her eyes glow and she plunges it into Morgause's chest.Morgause gasps.[METAL STRIKES STONE]Morgause: Uh![SCENE_BREAK]Banquet Hall Merlin senses the magic and everything goes into slow-mo. Image becomes fuzzy and voices are distorted.Gaius: To theKing!Agravaine: To the King! The knights toast their glasses as Merlin freaks out.[SCENE_BREAK]Isle of the Blessed - Altar Morgana is blown off her feet.[SCENE_BREAK]Banquet Hall Merlin sees a dead-looking womanin a black, hooded cloak with a staff standing in the middle of the banquet hall.The Cailleach (whisper): Emrys. Emrys. Emrys.[JUG CLATTERS]Merlin drops his empty serving pitcher and the whole hall goes quiet andstares at him. He swoons. Lancelot rushes to his side. Arthur rolls his eyes. Merlin shivers on the floor.[SCENE_BREAK]Isle of the Blessed - Altar The Cailleach strokes Morgana's cheek and Morgana wakes. She sits upand sees the cloaked woman standing in front of the rift.Morgana: Who are you?The Cailleach: I am the Cailleach, the gatekeeper to the Spirit World. You have torn the veil between the worlds.[SCREAMING]TheCailleach: The Dorocha. They are the voices of the dead, my child, and, like the dead, they are numberless.Morgana looks around in fear.The Cailleach: You are right to be afraid, Morgana. Your enemies will rue this dayand all the destruction it brings, but you must be aware... Tearing the veil between the worlds has created a new world... and you will not walk through it alone. The one they call Emrys will walk in your shadow. He isyour destiny... and he is your doom... Emrys.[SCENE_BREAK]Merlin's room Lancelot lays Merlin on the bed.Sir Lancelot: What happened?Gaius: I don't know. I've never felt anyone so cold before.Sir Lancelot: Will hebe all right?Gaius: I'll need Hawthorne to improve the blood flow... and blankets... lots of blankets.[SCENE_BREAK]Gaius's chambers Gaius is grinding something as Merlin steps out of his chamber wearing a blanket.They sit together.Merlin: When she spoke, her voice...it was as though it came from the depths of the Earth, and her eyes...they were so sad. So much pain in them. (He's shivering) Who is she?Gaius: The Cailleach...the gatekeeper to the Spirit World.Merlin: Why is she there?Gaius: It was on the stroke of midnight of Samhain's eve. The moment when the veil between the worlds is at its thinnest. It cannot be a coincidence.Merlin:Why was I the only one to see her?Gaius: You have great power, Merlin. For someone so gifted, such visions are not uncommon.Merlin: But you don't understand. It wasn't a vision. She knew who I was. She called meEmrys. Gaius ponders.Merlin: What is it? What does it mean?Gaius: I'm not sure. But if someone has torn the veil between the worlds, then God help us all.[SCENE_BREAK]Arthur's chambers (morning) Merlin brings ina breakfast tray and sets it noisily on the table while Arthur's still in bed.Arthur: Merlin! Merlin opens the curtains, making a lot of noise.Arthur: Merlin!Merlin: What?[KNOCK AT THE DOOR]Arthur puts a pillow over hisface. Someone knocks at the door.Arthur: (muffled) Merlin!Merlin: That's not me. Arthur takes off the pillow and Sir Leon enters.Sir Leon: Excuse me, Sire. You're needed in the Council Chambers as a matter ofurgency.[SCENE_BREAK]Council Chamber[GIRL CRIES]The Council is gathered around her.Arthur: What's happened to her?Agravaine: Her village was attacked.Arthur: By who?Agravaine: It's not entirely clear,Sire.[SOBBING CONTINUES]Arthur: What's your name?Drea: Drea.Arthur steps closer and the girl tenses. Arthur puts a comforting hand on her shoulder and speaks tenderly.Arthur: Drea. She uncertainly makes eyecontact.Arthur: I'm Arthur. Don't be frightened. Tell me what happened.Drea: My mother, my father, my litter sister, they're... She starts weeping again.Arthur: It's all right. It's all right... Someone attacked them.Drea nods.Arthur: Who?Drea: There was no one... just...shapes.Arthur: You didn't see their faces?Drea: They had no faces. Arthur looks uncertainly at a few councilmen. Merlin turns at the sound of something behindhim. He seems to hear some kind of screeching.Drea: I... I keep telling you. They were there, but...they weren't there. They moved so quickly... It was as if they weren't real, but...they must've been. I could hear thepeople screaming. And then...silence. They were all...dead.[SHE SOBS]Arthur: Hey. Thank you.Arthur turns her to cry on Gaius's shoulder.Arthur: Where is this village?Agravaine: Hawden. to the east of the WhiteMountains, no more than half a day's hard ride.Arthur: Ready the men.[SCENE_BREAK]Forest The Round Table Knights ride out of Camelot. Merlin is startled by the sound of a woodpecker.Arthur: Merlin... you needyour comfort blanket?Merlin: What do you mean?Arthur: You're making ME edgy. [HORSE WHINNIES] Merlin jumps.Arthur: That's a horse.Merlin: Maybe it sensed something.Arthur: Yes, that you're a clot pole.Merlin:That's my word.Arthur: Yeah, and it suits you perfectly. The knights look at a deserted village from the top of a hill.Arthur: It's too quiet.[SCENE_BREAK]In the village (night) They enter the village on foot, night hasfallen. All is silent. A door creaks loudly and they freeze until a goat bleats and wanders out. They split up in pairs to search. [CRUNCHING] They all jump.Sir Gwaine: Sorry.Sir Elyan: Here! Gwaine drops the apple andthey all run to Elyan. Inside one of the houses, they stare at frosted corpses. They all turn as something whips past behind them.Arthur: You saw it?Sir Gwaine: We are literally chasing shadows.Arthur: Come on. Theyexit the house and search the village at night, bearing torches.[DISTANT WAILS]Merlin splits off from Lancelot when he hears a door shut in a barn. [RUSTLING] He walks around cautiously [SQUAWKING], a chickenjumps out at him. He sighs in relief. Something shrieks quietly behind him and he sees a wisp of it as it exits the barn. Merlin chases the shrieking wisp and loses it. [DISTANT SCREECHING] [GROWLING] Screaming isgetting louder.Merlin: *spell* Leoht! Merlin shines a light from his hand. The light fades.Merlin: *spell* Leoht! Leoht The light shines briefly and disappears.Merlin: Leoht Nothing happens. Screams echo around him. Awisp shoots straight for him.Merlin: *spell* Fleoh nu on moras! Merlin's eyes glow, but nothing happens.Sir Lancelot: Merlin! Lancelot uses his torch to repel the wisp.Sir Lancelot: What happened?Merlin: (tears in theeyes) My magic...I couldn't use it. The others come running.Sir Lancelot: There's something out there!Arthur: You saw it?Sir Lancelot: When it saw the light, it fled.Sir Gwaine: It scared the horses.Merlin: It's notsomething you can chase or something you can kill.Arthur: We need to get out of here.[DISTANT WAILING][SCENE_BREAK]Castle Square (night)[BELL RINGS]People are screaming and running into the Castle. Gwenrushes down a hallway with blankets and a torch.Agravaine: Gwen! Warn Gaius there are more victims by the western gate. Agravaine continues down another hallway and Gwen rushes on until a window behind hersmashes in right behind a knight. The skull wisp rushes in and the knight screams. Gwen takes cover behind a column and brandishes her torch at the skull wisp. The skull wisp leaves and she crouches to check on theknight. He's frozen solid.[SCENE_BREAK]Morgue Guards exit with a stretcher and Gaius pulls a cloth over the face of one of many victims.Merlin: Gaius.Gaius: Merlin...You saw them. Merlin nods.Gaius: Here, help me.Give me some more sheets. Merlin's still acting strangely.Gaius: Merlin?Merlin: My magic is useless against them. I've tried. I have never felt so powerless. Something deep inside... When it came for me, I felt thisemptiness. I couldn't breathe... I'm scared.Gaius: Merlin, it's all right. It's not your fault.[SCENE_BREAK]Agravaine's chambers (morning)Agravaine: We've suffered fifty dead, maybe more. Mainly in the LowerTown.Arthur: And there's no way of fighting them?Agravaine: No, our only weapons are torches. And the light doesn't kill them, it only repels them.Arthur: What are they?Gaius: The Dorocha, Sire. The Spirits of thedead. On Samhain's eve in the time of the Old Religion, the high priestesses would perform a blood sacrifice and release them.Agravaine: But who would do such a thing now?Gaius: Morgana.Arthur: You see her hand inthis?Gaius: We know she was travelling to the Isle of the Blessed.Arthur: How do we defeat these creatures?Gaius: I don't know, Sire. No mortal has ever survived their touch.[SCENE_BREAK]Arthur's chambers (night)Merlin lights candles.[CREAKING]He drops his basket of candles; one rolls near the curtains. Arthur looks up.Merlin: I thought I saw something.Arthur: What was it, a spider? Merlin sees the curtain move and stares atthe candle on the floor. Arthur watches Merlin's hesitation. They both look at the candle on the floor.Arthur: Just pick it up. Merlin doesn't move, they both stare at the curtain.Arthur: Do you want me to get one of themaids to do it for you?Merlin: It's not a joke.Arthur: Yeah. Arthur approaches the curtain, uses his sword to whip it open. Nothing's there. Merlin sighs in relief.Arthur: You see, Merlin, I could never be like you. I couldnever let myself look so spineless.Merlin: Oh, you see I'm different. I could never let myself look heartless.Arthur: What?Merlin: All right. Thoughtless.Arthur: Never.Merlin: Definitely humourless.Arthur: That's becauseyou're not funny. Arthur hands Merlin the candle.[SCREAMING]Merlin: You're not scared?Arthur: Oh, I am, Merlin. Maybe more than you.[SCENE_BREAK]Camelot (night) The guards light fires in grates all over the city.The Dorocha sweeps past some candles in the Gaius's Chambers and blows out some of them. Gaius snaps up from his work.[SCENE_BREAK]In the lower town. Knights patrol the streets with torches. Sir Percival lagsbehind when he sees/hears something. He walks over to some barrels and finds three small children huddling behind them.Sir Percival: Hey, hey, hey. It's all right. It's all right, you're safe now. Percival hears theDorocha and checks to see the knights walking in the distance. Percival leaves the torch and runs through the street with the children in his arms. The Dorocha streaks right for them and Elyan jumps in with a torch justin time. Elyan takes one of the kids and they bring them to their parents in a house.Sir Percival: Thanks.Sir Elyan: Couldn't let you have all the glory, could I? They grin at each other.[SCENE_BREAK]Castle square(morning) The square is packed with refugees carrying their belongings. There is a huge line of people waiting to get some help.[SCENE_BREAK]Council ChamberGaius: They're coming from across the kingdom. They'relooking to Camelot for protection.Arthur: And we will give it to them.Agravaine: We cannot house them all.Arthur: We have to try.Agravaine: How? We cannot live like this forever, Arthur. We must find a way tovanquish these creatures.Arthur: Somewhere in all your books, Gaius, there must be something. All I'm asking for is a way to fight them.Gaius: I fear the Dorocha cannot be defeated by swords and arrows, Sire. If I amright, and the veil between the worlds is torn, then there's only one path open to us... To travel to the Isle of the Blessed and repair it.Arthur: And how do I do that?Gaius: I'm not sure. But for the tear to be created itwould have required a blood sacrifice. To seal it... will require another.Arthur: We ride before nightfall.Gaius: And who will be the sacrifice?Arthur: If laying down my life will spare the people of Camelot, then that iswhat I must do.[SCENE_BREAK]Forest Agravaine rides through the woods.[SCENE_BREAK]Morgana's cave Agravaine enters without knocking. She puts a dagger to his back.Agravaine: My lady?Morgana: My lord... Itrust you bring me good news. She lowers the dagger and walks further into her home.Morgana: Tell me.Agravaine: The kingdom is on its knees.Morgana: How terrible.Agravaine: (chuckles) Indeed.Morgana: What ofthe poor people?Agravaine: More fall every night.Morgana: Such a shame.Agravaine: You should know that Arthur intends to vanquish these creatures.Morgana: (scoffs) Impossible.Agravaine: He makes ready to go tothe Isle of the Blessed as we speak. And if the Dorocha don't kill him on the way, our brave little lamb intends to sacrifice himself to repair the veil. Morgana thinks it over and turns away.Agravaine: Something'stroubling you... Morgana!Morgana: Something the Cailleach said. She spoke of someone called Emrys. Called him my doom.Agravaine: Your doom? What did she mean?Morgana: I don't know.Agravaine: Morgana, weshould be celebrating. Arthur will be dead within the week, leaving the throne open for Camelot's rightful heir. Morgana smirks.[SCENE_BREAK]Uther's chambers Arthur sits by his father.Arthur: There are many things Ihave to thank you for. You've taught me so much. Most of all, you have taught me what it is to be a prince. I hope that this time you'll be proud of me. Arthur cries as Gwen walks in the doorway. Arthur stands up, cupshis father's chin and kisses his forehead. Arthur turns to leave and Uther grabs his arm.Uther: Don't leave me.Arthur: I have to, Father.Uther: Please. Arthur squeezes his father's hand, then wipes his tears and leaves."}
+{"doc_id":"doc_166","qid":"","text":"Still not far from Pentos, Your Grace. You'd be more comfortable there. I have no interest in hospitality or comfort. I'll stay with Drogo until he fulfills his end of the bargain and I have my crown. I have something foryou.First lesson: Stick them with the pointy end. 17 years ago you rode off with Robert Baratheon.And now you're leaving again.I have no choice.There's great honor serving in the Night's Watch. The Starks havemanned the Wall for thousands of years.And you are a Stark.Daenerys Targaryen has wed some Dothraki horselord. What of it? Tell me we're not speaking of this. I'll kill every Targaryen I get my hands on. Rapers. Notimpressed by your new brothers?Lovely thing about the watch ...You discard your old family and get a whole new one. Welcome. I don't think Bran fell from that tower. I think he was thrown. No! Someone tried to killhim twice. I would stake my life the Lannisters are involved. Lord Stark must be told of this.I will go myself.What is the meaning of this?Joff told us what happened.You and that boy beat him with clubs while you setyour wolf on him.That's not what happened!Ahh! We found no trace of the direwolf, Your Grace. We have another wolf. As you will. He doesn't mean Lady, does he? Lady didn't bite anyone! She's good!King's LandingPage : Welcome, Lord Stark. Grand Maester Pycelle has called a meeting of the Small Council. The honor of your presence is requested.Eddard Stark : Get the girls settled in. I'll be back in time for supper. And, Jory,you go with them.Jory Cassel : Yes, my Lord.King's Landing Page : If you'd like to change into something more appropriate...Jaime Lannister : Thank the gods you're here, Stark. About time we had some stern northernleadership.Eddard Stark : Glad to see you're protecting the throne.Jaime Lannister : Sturdy old thing. How many kings' asses have polished it, I wonder ? What's the line ? The King sh1ts and the Hand wipes.EddardStark : Very handsome armor. Not a scratch on it.Jaime Lannister : I know. People have been swinging at me for years, but they always seem to miss.Eddard Stark : You've chosen your opponents wisely then.JaimeLannister : I have a knack for it. It must be strange for you coming into this room. I was standing right here when it happened. He was very brave, your brother. Your father too. They didn't deserve to die like that.Nobody deserves to die like that.Eddard Stark : But you just stood there and watched.Jaime Lannister : 500 men just stood there and watched. All the great knights of the Seven Kingdoms. You think anyone said aword, lifted a finger ? No, Lord Stark. 500 men and this room was silent as a crypt. Except for the screams, of course, and the Mad King laughing. And later... When I watched the Mad King die, I remembered himlaughing as your father burned... It felt like justice.Eddard Stark : Is that what you tell yourself at night ? You're a servant of justice ? That you were avenging my father when you shoved your sword in AerysTargaryen's back ?Jaime Lannister : Tell me... If I'd stabbed the Mad King in the belly instead of the back, would you admire me more ?Eddard Stark : You served him well when serving was safe.Varys : LordStark.Eddard Stark : Lord Varys.Varys : I was grievously sorry to hear of your troubles on the Kingsroad. We are all praying for Prince Joffrey's full recovery.Eddard Stark : A shame you didn't say a prayer for thebutcher's son. Renly ! You're looking well.Renly Baratheon : And you look tired from the road. I told them this meeting could wait another day, but...Petyr Baelish : But we have a Kingdom to look after. I've hoped tomeet you for some time, Lord Stark. No doubt Lady Catelyn has mentioned me.Eddard Stark : She has, Lord Baelish. I understand you knew my brother Brandon as well.Petyr Baelish : All too well. I still carry a token ofhis esteem from navel to collarbone.Eddard Stark : Perhaps you chose the wrong man to duel with.Petyr Baelish : It wasn't the man that I chose, my Lord. It was Catelyn Tully. A woman worth fighting for, I'm sureyou'll agree.Grand Maester Pycelle : I humbly beg your pardon, my Lord Stark.Eddard Stark : Grand Maester.Grand Maester Pycelle : How many years has it been ? You were a young man.Eddard Stark : And youserved another King.Grand Maester Pycelle : How forgetful of me. This belongs to you, now. Should we begin ?Eddard Stark : Without the King ?Renly Baratheon : Winter may be coming, but I'm afraid the same cannotbe said for my brother.Varys : His Grace has many cares. He entrusts some small matters to us that we might lighten the load.Petyr Baelish : We are the lords of small matters here.Renly Baratheon : My brotherinstructs us to stage a tournament in honor of Lord Stark's appointment as Hand of the King.Petyr Baelish : Mmm, how much ?Eddard Stark : 40 000 gold dragons to the champion, 20 000 to the runner-up, 20 000 tothe winning archer.Grand Maester Pycelle : Can the treasury bear such expense ?Petyr Baelish : I'll have to borrow it. The Lannisters will accommodate, I expect. We already owe Lord Tywin 3 million gold. What'sanother 80 000 ?Eddard Stark : Are you telling me the Crown is three million in debt ?Petyr Baelish : I'm telling you the Crown is six million in debt.Eddard Stark : How could you let this happen ?Petyr Baelish : TheMaster of Coin finds the money. The King and the Hand spend it.Eddard Stark : I will not believe Jon Arryn allowed Robert to bankrupt the realm.Grand Maester Pycelle : Lord Arryn gave wise and prudent advice, but Ifear His Grace doesn't always listen.Renly Baratheon : \"Counting coppers,\" he calls it.Eddard Stark : I'll speak to him tomorrow. This tournament is an extravagance we cannot afford.Petyr Baelish : As you will. But still,we'd best make our plans.Eddard Stark : There will be no plans until I speak to Robert. Forgive me, my Lords. I had a long ride.Varys : You are the King's Hand, Lord Stark, we serve at your pleasure.Cersei Baratheon :Please, it's nearly healed.Joffrey Baratheon : It's ugly.Cersei Baratheon : A King should have scars, you fought off a direwolf. You're a warrior like your father.Joffrey Baratheon : I'm not like him. I didn't fight offanything. It bit me and all I did was scream. And the two Stark girls saw it, both of them.Cersei Baratheon : That's not true. You killed the beast. You only spared the girl because of the love your father bears her father.When Aerys Targaryen sat on the Iron Throne, your father was a rebel and a traitor. Someday you'll sit on the throne and the truth will be what you make it.Joffrey Baratheon : Do I have to marry her ?Cersei Baratheon: Yes. She's very beautiful and young. If you don't like her, you only need to see her on formal occasions and when the time comes, to make little princes and princesses. And if you'd rather f*ck painted whores, you'llf*ck painted whores. And if you'd rather lie with noble virgins, so be it. You are my darling boy and the world will be exactly as you want it to be. Do something nice for the Stark girl.Joffrey Baratheon : I don't wantto.Cersei Baratheon : No, but you will. The occasional kindness will spare you all sorts of trouble down the road.Joffrey Baratheon : We allow the northerners too much power. They consider themselves ourequals.Cersei Baratheon : How would you handle them ?Joffrey Baratheon : I'd double their taxes and command them to supply 10 000 men to the royal army.Cersei Baratheon : A royal army ?Joffrey Baratheon : Whyshould every lord command his own men ? It's primitive, no better than the hill tribes. We should have a standing army of men loyal to the Crown, trained by experienced soldiers... Instead of a mob of peasants who'venever held pikes in their lives.Cersei Baratheon : And if the northerners rebel ?Joffrey Baratheon : I'd crush them. Seize Winterfell and install someone loyal to the realm as Warden of the North. Uncle Kevan,maybe.Cersei Baratheon : And these 10 000 northern troops, would they fight for you or their lord ?Joffrey Baratheon : For me. I'm their King.Cersei Baratheon : But you've just invaded their homeland, asked them tokill their brothers.Joffrey Baratheon : I'm not asking.Cersei Baratheon : The North cannot be held... not by an outsider. It's too big and too wild. When the winter comes, the Seven gods together couldn't save you andyour royal army. A good King knows when to save his strength... And when to destroy his enemies.Joffrey Baratheon : So you agree... The Starks are enemies ?Cersei Baratheon : Everyone who isn't us is anenemy.Septa Mordane : Enough of that, young lady. Eat your food.Arya Stark : I'm practicing.Sansa Stark : Practicing for what ?Arya Stark : The Prince.Septa Mordane : Arya, stop !Arya Stark : He's a liar and a cowardand he killed my friend.Sansa Stark : The Hound killed your friend.Arya Stark : The Hound does whatever the Prince tells him to do.Sansa Stark : You're an idiot.Arya Stark : You're a liar. And if you told the truth,Mycah would be alive.Septa Mordane : Enough !Eddard Stark : What's happening here ?Septa Mordane : Arya would rather act like a beast than a lady.Eddard Stark : Go to your room. We'll speak later. That's for you,love. The same dollmaker makes all of Princess Myrcella's toys. Don't you like it ?Sansa Stark : I haven't played with dolls since I was eight. May I be excused ?Septa Mordane : You've barely eaten a thing.Eddard Stark: It's all right. Go on. War was easier than daughters.Arya Stark : Go away !Eddard Stark : Arya, open the door. May I come in ? Whose sword is that ?Arya Stark : Mine.Eddard Stark : Give it to me. I know this maker'smark. This is Mikken's work. Where did you get this ? This is no toy. Little ladies shouldn't play with swords.Arya Stark : I wasn't playing. And I don't want to be a lady.Eddard Stark : Come here. Now what do you wantwith this ?Arya Stark : It's called Needle.Eddard Stark : A blade with a name. And who were you hoping to skewer with Needle ? Your sister ? Do you know the first thing about sword fighting ?Arya Stark : Stick 'em withthe pointy end.Eddard Stark : That's the essence of it.Arya Stark : I was trying to learn. I asked Mycah to practice with me. I asked him. It was my fault.Eddard Stark : No, sweet girl. You didn't kill the butcher'sboy.Arya Stark : I hate them ! I hate all of them. The Hound, the Queen and the King and Joffrey and Sansa.Eddard Stark : Sansa was dragged before the King and Queen... And asked to call the Prince a liar.Arya Stark: So was I ! He is a liar.Eddard Stark : Darling, listen to me. Sansa will be married to Joffrey someday. She cannot betray him. She must take his side even when he's wrong.Arya Stark : But how you can let her marrysomeone like that ?Eddard Stark : Look at me. You're a Stark of Winterfell. You know our words.Arya Stark : Winter is coming.Eddard Stark : You were born in the long summer. You've never known anything else. Butnow winter is truly coming. And in the winter, we must protect ourselves, look after one another. Sansa is your sister.Arya Stark : I don't hate her. Not really.Eddard Stark : I don't want to frighten you, but I won't lie toyou either. We've come to a dangerous place. We cannot fight a war amongst ourselves. All right ? Go on. It's yours.Arya Stark : I can keep it ?Eddard Stark : Try not to stab your sister with it. If you're going to own asword, you'd better know how to use it.Old Nan : Don't listen to it. Crows are all liars. I know a story about a crow.Bran Stark : I hate your stories.Old Nan : I know a story about a boy who hated stories. I could tell youabout Ser Duncan the Tall. Those were always your favorites.Bran Stark : Those weren't my favorites. My favorites were the scary ones.Old Nan : Oh, my sweet summer child. What do you know about fear ? Fear is forthe winter, when the snows fall a hundred feet deep. Fear is for the long night, when the sun hides for years and children are born and live and die all in darkness. That is the time for fear, my little Lord, when the WhiteWalkers move through the woods. Thousands of years ago there came a night that lasted a generation. Kings froze to death in their castles, same as the shepherds in their huts. And women smothered their babiesrather than see them starve, and wept and felt the tears freeze on their cheeks. So is this the sort of story that you like ? In that darkness, the White Walkers came for the first time. They swept through cities andkingdoms, riding their dead horses, hunting with their packs of pale spiders big as hounds...Robb Stark : What are you telling him now ?Old Nan : Only what the little Lord wants to hear.Robb Stark : Get your supper. Iwant some time with him. One time she told me the sky is blue because we live inside the eye of a blue-eyed giant named Macomber.Bran Stark : Maybe we do.Robb Stark : How do you feel ? You still don't rememberanything ? I've seen you climb a thousand times. In the wind, in the rain... A thousand times. You never fall.Bran Stark : I did though. It's true, isn't it... what Maester Luwin says about my legs ? I'd rather bedead.Robb Stark : Don't ever say that.Bran Stark : I'd rather be dead.Rodrick Cassel : Fewer eyes back here, my Lady. But still too many.Catelyn Stark : It's nine years since I've set foot in the capital. And no one knewwho I was the last time I came either.Rodrick Cassel : My Lady.Guard : Welcome to King's Landing, Lady Stark. Would you mind following us ?Catelyn Stark : I would. We've done nothing wrong.Guard : We've beeninstructed to escort you into the city.Catelyn Stark : Instructed ? I don't know who's providing your instructions, but...Guard : Follow me, Lady Stark.Petyr Baelish : Cat ! Go on. Go upstairs.Catelyn Stark : You littleworm ! You take me for some back-alley Sally you can drag into a...Petyr Baelish : I meant no disrespect to you of all people.Catelyn Stark : How dare you bring me here ! Have you lost your mind ?Petyr Baelish : Noone will come looking for you here. Isn't that what like you wanted ? I'm truly sorry... about the locale.Catelyn Stark : How did you know I was coming to King's Landing ?Petyr Baelish : A dear friend told me.Varys :Lady Stark.Catelyn Stark : Lord Varys.Varys : To see you again after so many years is a blessing. Your poor hands.Catelyn Stark : How did you know I was coming ?Varys : Knowledge is my trade, my Lady. Did youbring the dagger with you, by any chance ? My little birds are everywhere. Even in the north. They whisper to me the strangest stories. Valyrian steel.Catelyn Stark : Do you know whose dagger this is ?Varys : I mustadmit I do not.Petyr Baelish : Well well, this is an historic day. Something you don't know that I do. There's only one dagger like this in all of the Seven Kingdoms. It's mine.Catelyn Stark : Yours ?Petyr Baelish : At leastit was, until the tournament on Prince Joffrey's last nameday. I bet on Ser Jaime in the jousting, as any sane man would. When the Knight of the Flowers unseated him, I lost this dagger.Catelyn Stark : To whom ?PetyrBaelish : Tyrion Lannister. The Imp.Alliser Thorne : Grenn, show him what you farm boys are made of. If that were a real sword, you'd be dead. Lord Snow here grew up in a castle spitting down on the likes of you. Pyp.Do you think Ned Stark's b*st*rd bleeds like the rest of us ? Next ! Next ! Lord Snow, it appears you're the least useless person here. Go clean yourselves up. There's only so much I can stomach in a day.TyrionLannister : A charming man.Jeor Mormont : I don't need him to be charming. I need him to turn this bunch of thieves and runaways into men of the Night's Watch.Tyrion Lannister : And how's that going, CommanderMormont ?Jeor Mormont : Slowly. A raven came for Ned Stark's son.Tyrion Lannister : Good news or bad ?Jeor Mormont : Both.Grand Maester Pycelle : Lord Stark. I meant to give you this earlier. So forgetful thesedays. A raven from Winterfell this morning.Petyr Baelish : Good news ? Perhaps you'd like to share it with your wife ?Eddard Stark : My wife is in Winterfell.Petyr Baelish : Is she ?Petyr Baelish : I thought that she'd besafest in here. One of several such establishments I own.Eddard Stark : You're a funny man. A very funny man.Catelyn Stark : Ned !Petyr Baelish : The Starks... Quick tempers, slow minds.Grenn : You broke my nose,b*st*rd !Jon Snow : It's an improvement.Grenn : If we threw you over the Wall, wonder how long it'd take you to hit.Pyp : I wonder if they'd find you before the wolves did.Grenn : What're you looking at, Half Man?Tyrion Lannister : I'm looking at you. You've got an interesting face. Very distinctive faces. All of you.Rast : What do you care about our faces ?Tyrion Lannister : It's just I think they would look marvellous decoratingspikes in King's Landing. Perhaps I'll write my sister, the Queen, about it.Grenn : We'll talk later, Lord Snow.Jon Snow : Everybody knew what this place was and no one told me. No one but you. My father knew and leftme to rot here at the Wall all the same.Tyrion Lannister : Grenn's father left him too... Outside a farmhouse when he was three. Pyp was caught stealing a wheel of cheese. His little sister hadn't eaten in three days. Hewas given a choice: his right hand or the Wall. I've been asking the Lord Commander about them. Fascinating stories.Jon Snow : They hate me because I'm better than they are.Tyrion Lannister : It's a lucky thing noneof them were trained by a master-at-arms like your Ser Rodrik. I don't imagine any of them have ever held a real sword before they came here. Your brother Bran. He's woken up.[SCENE_BREAK]Petyr Baelish : Themere suggestion that the Queen's brother tried to kill your boy would be considered treason.Catelyn Stark : We have proof. We have the blade.Petyr Baelish : Which Lord Tyrion will say was stolen from him. The onlyman who could say otherwise has no throat, thanks to your boy's wolf.Catelyn Stark : Petyr has promised to help us find the truth. He's like a little brother to me. He would never betray my trust.Petyr Baelish : I'll try tokeep you alive, for her sake. A fool's task, admittedly, but I've never been able to refuse your wife anything.Catelyn Stark : I won't forget this. You're a true friend.Petyr Baelish : Don't tell anyone. I have a reputation tomaintain.Cersei Baratheon : How could you be so stupid ?Jaime Lannister : Calm down.Cersei Baratheon : He's a child... 10 years old. What were you thinking ?Jaime Lannister : I was thinking of us. You're a bit late tostart complaining about it now. What has the boy told them ?Cersei Baratheon : Nothing. He's said nothing. He remembers nothing.Jaime Lannister : Then what are you raving about ?Cersei Baratheon : What if it comesback to him ? If he tells his father what he saw...Jaime Lannister : We'll say he was lying. We'll say he was dreaming. We'll say whatever we like. I think we can outfox a 10-year-old.Cersei Baratheon : And my husband?Jaime Lannister : I'll go to war with him if I have to. They can write a ballad about us : \"The War for Cersei's c**t.\"Cersei Baratheon : Let me go.Jaime Lannister : Never.Cersei Baratheon : Let me go.Jaime Lannister :The boy won't talk. And if he does, I'll kill him. Him, Ned Stark, the King... the whole bloody lot of them, until you and I are the only people left in this world.Catelyn Stark : I wish I could see the girls.Eddard Stark : It'stoo dangerous.Catelyn Stark : Just for a moment.Eddard Stark : Until we know who our enemies are...Catelyn Stark : I know they did it, Ned. The Lannisters. In my bones, I know it.Eddard Stark : Littlefinger's right. Ican't do anything without proof.Cersei Baratheon : And if you find the proof ?Eddard Stark : Then I bring it to Robert... And hope he's still the man I once knew. You watch yourself on the road, huh ? That temper ofyours is a dangerous thing.Catelyn Stark : My temper ? Gods be good, you nearly killed poor Littlefinger yesterday.Eddard Stark : He still loves you.Catelyn Stark : Does he ?Eddard Stark : Off with you.RobertBaratheon : It's been a long time. But I still remember every face. You remember your first ?Barristan Selmy : Of course, your Grace.Robert Baratheon : Who was it ?Barristan Selmy : A Tyroshi. Never learned thename.Robert Baratheon : How'd you do it ?Barristan Selmy : Lance through the heart.Robert Baratheon : Quick one. Lucky for you. Mine was some Tarly boy at the Battle of Summerhall. My horse took an arrow so Iwas on foot, slogging through the mud. He came running at me, this dumb high-born lad, thinking he could end the rebellion with the single swing of his sword. I knocked him down with the hammer. Gods, I was strongthen. Caved in his breastplate. Probably shattered every rib he had. Stood over him, hammer in the air. Right before I brought it down he shouted, \"Wait ! Wait.\" They never tell you how they all sh1t themselves. Theydon't put that part in the songs. Stupid boy. Now the Tarlys bend the knee like everyone else. He could have lingered on the edge of the battle with the smart boys and today his wife would be making him miserable, hissons would be ingrates, and he'd be waking three times in the night to piss into a bowl. Wine ! Lancel. Gods, what a stupid name. Lancel Lannister. Who named you ? Some halfwit with a stutter ? What are you doing"}
+{"doc_id":"doc_167","qid":"","text":"\"The Man in the Mud\"[SCENE_BREAK](Teaser)(An all-terrain vehicle pulls to a stop in the woods. CHANDLER [Alicia Ziegler] and her boyfriend, TIM [Andrew Lawrence] alight from the vehicle.)TIM: The GPS says it'sright up here.CHANDLER: You don't even know how to use that thing!TIM: The hell I don't! (The GPS device in his hand beeps.) We're here.CHANDLER: We just drove an hour through the woods to find more woods thatlook just like the woods we drove through.(They come upon a bubbling puddle of thick ooze.)TIM: Eureka!CHANDLER: Ew! That's mud.TIM: No, this is like, um...(close up of the bubbling mud) yeah, it's pretty muchmud.CHANDLER: And it smells like rotten egg.TIM: Mmm, sulfur. Very therapeutic. (TIM starts to strip.)CHANDLER: And you expect me to believe you've never been here before.TIM: A friend of mine told me about thisplace and swore me to secrecy. But this is my first time. In mud.CHANDLER: (laughs nervously as the Soft Misdirectional Piano of Romance starts to play in the background.)TIM: (from off-screen) Come on in; it'snice.CHANDLER: All right. (CHANDLER strips down and slips into the hot spring. The two begin kissing.) Mmmm--what, are you poking me?TIM: This mud is reputed to have amazing romantic properties.(They bothgiggle and resume making out)CHANDLER: Mmm...I think I got it.TIM: No, I think I'd notice if you got it.CHANDLER: (gasps as she pulls a muddy, skeletal arm from the hot spring, to the accompaniment of an AbruptMusical Sting. The camera focuses on the hand for a long moment before CHANDLER and TIM freak out and jump out of the hot spring.)(The camera focuses in on the hot spring, and pulls back to reveal BOOTH's handreaching toward the mud.)BOOTH: Whoa, sheesh! (BOOTH jumps backwards from the mud. A camera pan reveals that he is with BRENNAN and a PARK RANGER [Christopher May].)PARK RANGER: This hot springaverages a temperature of 105 degrees, but it can spike to near boiling, which is why we discourage bathers. (addressing a chagrined TIM and CHANDLER, who are sharing a muddy blanket and not much else, with ascolding tone of voice) Especially those who illegally drive four-by-four vehicles into a national park.BOOTH: So someone was boiled to death?PARK RANGER: Or had a heart attack or passed out, et cetera etcetera.BRENNAN: The remaining flesh will have to be macerated.PARK RANGER: What's that?BOOTH: Ugh...don't ask.BRENNAN: The flesh either has to be boiled off, or eaten by Dermestid beetles.BOOTH: Bones, whycan't you just say \"cleaned\"?BRENNAN: (indicating several long bones.) The sulfur encrusted the bones--do you see the staining?BOOTH: So it's been there a long time?BRENNAN: Not necessarily.BOOTH: So why'd youhave to even bring it up then?BRENNAN: (lifting the skull, which is severely pitted) Signs of blunt force trauma.PARK RANGER: What's that mean?BOOTH: That means he didn't pass out and boil to death on hisown.BRENNAN: I'm going to need all of the mud.PARK RANGER: Excuse me?BRENNAN: Get a tanker truck out here and suck it up so we can filter it back at the Jeffersonian. (Long shot of the PARK RANGER exchanginga flabbergasted glance with BOOTH, who shrugs.)BRENNAN: (squatting, lifts up the arm) Humerus is thirty-six point five centimeters. Medium build, late twenties early thirties--he's broken this bone before.PARKRANGER: Is she serious about the mud?BRENNAN: Serious as a gas attack.BOOTH: Heart attack, Bones. Serious as a heart attack.(Medico-Legal Lab. CAM is just swiping her card to enter the Platform in a tracking shotthat brings us over to the remains.)CAM: The description's too general to get anything from a missing person's report.ZACK: A triangular depression in the calvarium, interior longitudinal 1 fracture, grazed cortical boneand C1; there's a patterned impression in the bone. (As he's speaking, ZACK indicates each particular instance of trauma on a magnification camera screen.)CAM: How many times was he hit, and by what?ZACK: Morethan once, by a (questioningly) square pipe? Does that exist?CAM: In my experience, people hit people with anything that they can pick up and swing. (pauses) He was attacked from behind?ZACK: Mmmm....CAM:(annoyed) What?ZACK: There's a vertical impaction fracture to his glabella and frontonasal suture.CAM: Same weapon?ZACK: It doesn't seem so. . . . I have seen this before.CAM: Great. Where?ZACK: From sharpenedstone weapons, in Neanderthal skeletons.CAM: I'm thinking not so relevant in this case.ZACK: The blow to the front of the head would cause a severe laceration.CAM: There were no bloodstains around the mudbath.ZACK: Indicating that the body was dumped there postmortem.CAM: Zack, regarding the Neanderthals-ZACK: (correcting) Neanderthals.CAM: ...What was the context of those killings? (the Heavy Musical Tones ofPlot Import arise in the background, and will continue onward to carry us into the credits.)ZACK: Accepted scenarios indicate a single individual attacked by two or more assailants.CAM: Then we're looking for two ormore murderers.(End Teaser.)(Credits.)(Act One)(Fade up on the outside of SWEETS's office building.)BRENNAN: (v.o.) We're not sure about time of death yet.BOOTH: (v.o.)It was definitely a murder.(Now inSWEETS's office; the Plinky Piano of Zany Hijinks arises in the background. SWEETS, for the record, could not look more bored, and is constantly shifting positions so as not to fall asleep.)BRENNAN: Definitely. Probablyby two assailants.BOOTH: What a shock for that couple, huh? (gesturing) You know, they slide naked, into the hot mud bath...and a skeleton hand pokes her in the BRENNAN: (finishing) Anus.BOOTH: (shocked)Bones!BRENNAN: What? It's a clinical term for that part of the body, Booth. (SWEETS is now either sporting a hilarious, wide-eyed shock face, or trying so hard to keep his eyes open that they've bugged out of hisface.)SWEETS: Dr. Brennan, Agent Booth...would it be fair to say that you use work to avoid confronting personal issues?BOOTH: Oh, what, because I don't want to talk about...BRENNAN: The anus.BOOTH: You reallylike that word, don't you?SWEETS: Do you two ever discuss anything that's not attached to work?BOOTH: Well, it's better than talking about, y'know...SWEETS: The anus?BOOTH: What is it with you two?BRENNAN:Well, Sweets could be right; I mean, we talk a lot about work.BOOTH: I talk about my kid.SWEETS: Because he was almost kidnapped during a case.BRENNAN: (raising a single finger) Ah, my father. We talk a lot abouthim.SWEETS: Because Agent Booth arrested him for murder.BOOTH: Mm...okay, what are you trying to get at here?SWEETS: Your inability to share your personal lives. I thought that was obvious.BOOTH: Okay, thatwas snotty. (snottily) I don't respond well to snotty.BRENNAN: (laying a hand on BOOTH's arm) After a case, sometimes, we have a drink, or coffee, Booth has pie. I don't...like pie.BOOTH: Aw...you really should justgive it a chance.BRENNAN: I find it too sweet.BOOTH: Okay, there. We talked about pie. Nothin' to do with work.BRENNAN: It...is better when we discuss murder.SWEETS: I'd like to see you guys in a social situation. Asituation where work is a taboo subject.BOOTH: What, are you gonna send us to a restaurant and watch us through a one-way mirror?BRENNAN: I'm still not having pie.SWEETS: No, an evening out with my girlfriendand me.BOOTH: (laughs, then, to BRENNAN) They need someone to buy them beer.BRENNAN: You want us to go on a double date?BOOTH: Why don't you go on the internet like all the rest of the kids?SWEETS: Okay,if it goes well, I'll withdraw my concern. I'll release you back into your environment.BOOTH: What are we, brook trout?BRENNAN: (pouts briefly, then) Fine.BOOTH: (Sighs heavily and plays with thestress-sumo-wrestler.)SWEETS: Agent Booth? (BOOTH looks away.) Unless, you think that's too much to prove.BOOTH: (pulls a face, then) Fine. I'll show 'em I have nothing to prove. Bring it on, Sweets.(He flings thestress sumo wrestler at SWEETS, who catches it one-handed and gives it a squeeze.)(Medico-Legal Lab; Jeffersonian. HODGINS is running the mud from the hot-spring through some sort of strainer; ZACK is examiningsomething small.)HODGINS: Ugh...(Pulls a greenish aluminum can from the strainer) So far I have three old beer cans, an Indian Arrowhead, (he lifts a coin out of the strainer and casually tosses it on the table; in thebackground you can hear CAM swiping her card to enter the platform) seventy-three cents in change, and a partially-melted Sharpie.CAM: The victim was braised like osso bucco. The flesh was falling off the bone. I puttime of death between ten days and two weeks.ZACK: (crosses to a bank of x-rays) I found stress fractures and degenerative changes in the fascid joints.CAM: Fits with the hypertrophy of the cervical muscles. I foundmicroscopic tearing but he had to sustain this (she extends her neck forward) position to cause that kind of wear and tear.HODGINS: Death by yoga?ANGELA: (enters) Is that skull ready for me yet?ZACK: It should beready, you can take it out of the boiler any time.ANGELA: Or, you could do that for me, because I will never, ever do that.ZACK: (indicating the injuries on a bank of x-rays.) There are fractures of the pelvis,compression fractures of thoracic and lumbar vertebrae, multiple metacarpal and metatarsal fractures...ANGELA: What was he, crash test dummy?ZACK: The injuries to the vertebrae, tibia, femur are consistent withlanding on the feet after falling from ten to twenty feet.HODGINS: What, like jumping out of a tree?ZACK: The damage to the scapula and the acromion resulted from a low fall but forward movement from betweensixteen to twenty miles per hour.ANGELA: Falling off a bicycle.ZACK: These injuries are more recent. Fractured and scored patella, and torn retinaculum.HODGINS: Okay, even I didn't get that one.CAM: Why wouldanyone want to kill him? It seems like he was doing a good enough job on his own.(CUT to the exterior of the FBI building.)BRENNAN: (v.o.) Yes. Okay, Dr. Sweets, yeah, I'll ask him.(Now in the elevator, we seeBRENNAN covers her phone) How's Wednesday night, are you free?BOOTH: oh, what, to have our big double date with our psychiatrist?BRENNAN: Just one more evening, and maybe we won't have to see himanymore.BOOTH: Fine. Wednesday's FINE, I can't wait, does he want me to get you a corsage?BRENNAN: (into the phone) Wednesday's fine. We'll meet you there. Yeah, I'm looking forward to meeting her.BOOTH:(scowls as he pushes open the doors of his office)BRENNAN: Okay. Bye. (hangs up with a beep.) This might be fun. His girlfriend works with tropical fish.BOOTH: (skeptically) Tropical. Fish.BRENNAN: Yeah.BOOTH: Thisis just weird. Where are we meeting?BRENNAN: At their ceramics class.BOOTH: What? No, you're kidding.BRENNAN: Why would I be kidding? He said it would be a good idea to have a common activity.BOOTH:Ceramics? I thought the whole point of therapy was to give us peace of mind, not drive us crazy. (BOOTH's computer starts beeping; we inset to a video chat invitation on BOOTH's monitor, which reads\"JEFFERSONIAN/ANGELA\") Hey, it's Angela. (BOOTH clicks his mouse, and answers her video chat invitation.) Hey, Angela.ANGELA: Hey! I did a rendering of our victim's face. We're checking him against any reports ofmissing persons.BOOTH: Wait a second, that's Tripp Goddard.ANGELA: Tripp Goddard?BOOTH: He's a motorcycle racer.BRENNAN: (looks nonplussed)BOOTH: Oh, I forget sometimes that I'm talking to girls.BRENNAN:That would explain the wrist and neck injuries on Zack's report. Have him confirm with dentals.ANGELA: Yeah, (CUT to ANGELA in the holographics suite at the Jeffersonian) I don't appreciate the \"girls\" comment.(CUTBACK to BOOTH and BRENNAN in BOOTH's office.)BOOTH: Uh...Tripp won a huge motorcycle race about two weeks ago.BRENNAN: That fits time of death.(CUT to ANGELA in the Holographics Suite at theJeffersonian)ANGELA: That would've been the Super Grand Prix, out in Virginia. Tripp won in the final two laps after some kind of accident took out the frontrunner. (cheekily) Girls, huh?(ANGELA terminates theconnection, and we see an inset screen with the Jeffersonian logo and the text \"Video Conference Connection Terminated.\")(Slam Bolt Racing, Exterior shot of motorcycles in bright blues and yellows rounding a curve tothe sound of vehicle exhaust. Racing journalist GARTH JODREY [Chris William Martin] begins a voiceover as the racers cross a finish line and the checkered flags are waved.)GARTH: It's not about the machine, it's aboutthe man. (We cut to an interior shot at Slam Bolt Racing as he continues speaking.) I mean, sure you need a great bike, but a great rider on a crap bike? Still going to win. (We see that GARTH, who uses a wheelchair,has been conversing with an attractive brunette in a leather jacket, PHILIPPA FITZ [Abigail Spencer].)PHILIPPA: Riders say it's about the rider, mechanics say it's the machine, you know what I say? It's about whoeversigns the paychecks.GARTH: (as BRENNAN and BOOTH come around a mechanic's station into the background of the shot) Ah, yes, and that would be you.PHILIPPA: (teasingly) Yes, it would; don't forget it.BOOTH:Excuse me. (flashes his badge) FBI Special Agent Booth, this here is Dr. Temperance Brennan of the Jeffersonian. We're looking for someone who might be able to tell us a little bit about Tripp Goddard.PHILIPPA: Well,I'm Philippa Fitz, and Tripp rides for our family team, Slam Bolt.GARTH: What did Tripp do?BOOTH: Who are you?GARTH: Garth Jodrey, I'm a journalist. (Opens his leather jacket to show a logo on his t-shirt)Motokneescrapers.com.BRENNAN: What does that mean?BOOTH: Racers, when they--they lean real low on the corners, their-their knees, they scrape the asphalt.BRENNAN: That would explain his kneeinjuries.PHILIPPA: No one has seen Tripp since after the Super Grand Prix.BRENNAN: Well, where did he go?PHILIPPA: After a big win, he usually takes off in his truck and climbs mountains, swims oceans, no one reallyknows for sure. Can I help you?BOOTH: Mr. Goddard's dead.GARTH: What? What happened?BRENNAN: We believe he was murdered.(CUT to a conversation with LENNY FITZ [Wings Hauser], PHILIPPA's father.)LENNY:Who would kill Tripp? I don't know.GARTH: (as he crosses the room.) Well, the fans loved him. Everybody else hated him.LENNY: Get lost, Garth.PHILIPPA: Daddy, please.LENNY: No. I want him out of here,Philippa.(GARTH looks up at PHILIPPA for a tense moment. She finally jerks her head, indicating that he should leave. He departs.)BOOTH: Garth doesn't seem to think that Tripp was the good old boy that youdo.LENNY: His got his reasons.PHILIPPA: The wheelchair, for one.BOOTH: Tripp put him in that wheelchair?LENNY: It was an accident. During a race, a couple years ago.PHILIPPA: You can't honestly believe that Garthhad anything to do with this. I mean, how? He's in a wheelchair.BRENNAN: With help, obviously.BOOTH: When was the last time you saw Tripp?PHILIPPA: The victory party, after the race.LENNY: I saw him get him histruck and leave, about midnight.BOOTH: Great, I'm going to need to know the make, model, the year, license plate of the truck.LENNY: Anything you need, we're here. Just find the b*st*rd who did this to him.(End ActOne.)(Begin Act Two. \"Skinny Penny\" by the Stereotypes plays as footage of the Super Grand Prix rolls. #66, DANNY FITZ [Channon Roe] is in the lead, with #1, TRIPP GODDARD [John Edward Lee] hot on his trail. Thefootage cuts to a crowd shot, and back to footage of DANNY followed closely by TRIPP. More crowd shots, then it is revealed that BOOTH, BRENNAN, and GARTH are watching this footage on an LCD screen in the FBIConference room. When we cut back to the LCD screen, the leader-board on the footage shows that TRIPP is in the lead, followed by D.J. COPPS. TRIPP crosses the finish line, and we cut to TRIPP holding the trophy,surrounded by pit crew, laughing triumphantly. DANNY tries to approach TRIPP, but is held back by pit crew.)GARTH: (v.o.) Okay, that's Danny Fitz. (On the screen, DANNY breaks free of his pit crew and grabs TRIPP bythe front of his racing jacket. The footage pauses, but judging by their facial expressions, there is clearly an ugly altercation in the making.) I tell ya, I would've loved to have decked Tripp like that after our race, only Iwas in a coma for a few days.BRENNAN: Another Fitz?GARTH: Lenny's son, Philippa's twin brother... Alright, watch this. (GARTH uses a remote to manipulate the footage.) Danny's got the race in the bag. Final lap,Tripp does that. (On the tape in extreme close-up, we see TRIPP's front wheel bump DANNY's back wheel; we pull back to find that DANNY has wiped out.) Classic inside-out block pass.BRENNAN: Is he allowed to dothat?BOOTH: Only if it's an accident.GARTH: Slam Bolt would've taken first and second against Flame Spark if Tripp hadn't of clipped Danny.BRENNAN: (laughs) There's someone named Flame Spark?BOOTH: Yeah;Flame Spark Spark Plugs. It's Slam Bolt's rival team.TRIPP: (on the tape) I saw a little daylight. Looked like Danny was gonna go wide, so I went for it. I mean, it is a bummer when somebody loses the front of theirbike like that, but, um...(TRIPP shrugs) Whaddaya gonna do?GARTH: Danny had that race in the bag.BOOTH: Tripp did the same thing to you, didn't he?GARTH: (a beat) Yeah. Well, I guess Tripp didn't learn anythingfrom the time he did it to me.BOOTH: Danny Fitz, was he at the victory party?GARTH: Yeah, absolutely. Put on a face for the press.BRENNAN: Did Danny leave before, or after Tripp?GARTH: About the sametime.BOOTH: How about you?GARTH: I took off right after.(On the videotape, TRIPP and DANNY are engaged in a shoving match.)BOOTH: You're good friends with Danny, aren't you?GARTH: You mean, are we goodenough friends to kill Tripp together? You know, I'm pretty sure I don't have to say anything without a lawyer. (BRENNAN and BOOTH exchange a look.)(MEDICO-LEGAL LAB; the JEFFERSONIAN. A metal bar falls on thefloor between two feet, which we see are ZACK's, as ZACK is carrying in an armload of potential murder weapons. ZACK bends down to pick up the bar. HODGINS looks over at him before going back to examining thenow extremely clean skull. As ZACK finally corrals the first bar he dropped, he loses control of another bar.)HODGINS: (testily.) It's not going to work...ZACK: What?HODGINS: Dropping loud pieces of metal to hurry meup.ZACK: I need the skull so I can compare tool marks to potential murder weapons.HODGINS: Just going to have to wait.ZACK: (frowns and walks further into the room.)HODGINS: (zooms in to an extreme close-up ofthe skull's surface on a monitor. A computer program isolates particulates on the screen.) Titanium, magnesium, and heat-treated boron particulates are embedded in the skull fractures.ZACK: Mmmmm....HODGINS:What?ZACK: That's a unique and exotic combination of metals not found in any of these...(A bunch of the aforementioned \"these\" go sliding out of ZACK's arms, and he bends down to collect them.)HODGINS: It ispossible that these particulates aren't from the tool, I mean, not from the tool alone.ZACK: I don't understand.HODGINS: Hand-made racing motorcycles are made from these metals.ZACK: So the particles could'vegone from the bicycles to the tools to the victim.HODGINS: It's-it's not a bicycle. It's a motorcycle.ZACK: (irritably) Bi-cycle. Two wheels. The term applies. (He drops another group of the metal bars, and bends down tocollect them.)HODGINS: Drop those. (off his look.) Drop them. I mean it Zack, bombs away. (ZACK drops all the weapons to the floor.)ZACK: I don't know what that proves.HODGINS: It means I don't handle irritationas well as I'd like.ZACK: Can I pick these up now?HODGINS: (forcefully) No. (ZACK looks at him quizzically, and HODGINS crosses the room towards him.) You can pick one up. Most likely culprit.ZACK: A narrowinstrument, no more than an inch, caused the injuries.HODGINS: Okay...(HODGINS bends down and proceeds to pick up more than one bar.)ZACK: Strain, the crushing, tearing, shearing, equals a change in dimensiondivided by the original dimension.HODGINS: I do bugs and slime; I don't do arithmetic.ZACK: An elongated rod, with (he selects a shiny, square-shaped pipe from the group HODGINS has selected) this cross-section, isthe most likely culprit.HODGINS: Good. Good job, Zack.ZACK: (confused) Am I...King of the Lab?HODGINS: We both are. (HODGINS drops the remaining crowbars.) Let's go tell Cam.(FBI Conference room. BOOTH isreplaying the footage of DANNY FITZ wiping out over and over again and giggling. A slow pan reveals an unamused DANNY.)BOOTH: Ooohhhh....ouch....Okay, now that, that's gotta hurt. Wait, here it comes again, I"}
+{"doc_id":"doc_168","qid":"","text":"[PREVIOUSLY_ON]Mr Yikumura: Kira, you forgot all the research you did for that boy you like.Derek: We're not leaving without it.Peter: Somebody really doesn't want our hands in there.Chris: We're gonna need a lotmore help.Stiles: Lydia's got sort of a talent.Lydia: I'm psychic.Deaton: You opened a door. It will draw them here, like a beacon.Agent Mccall: Bring him around back. And keep it quiet. No one needs to know except forthe people who absolutely need to know.Melissa: Oh, here we go.Sheriff: Hey. He is not coming in.Agent Mccall: This is the only hospital that will take him.Sheriff: What about County?Agent Mccall: You'd be surprisedhow fast things fill up when a guy like this needs surgery.Melissa: They turfed him to us?Sheriff: Yeah. If County doesn't want to operate on himAgent Mccall: Then someone has to.Melissa: Somebody needs to do hispre-op interview.Agent Mccall: Who usually does that?Melissa: Me.Stiles: Get your ass down here now. We have a job to do.Scott: Dude, I'm already in bed. And aren't we getting a little old for this?Stiles: We do thisfor Coach.Scott: I thought we did this to Coach.Stiles: Whatever, okay? You know he needs this. He lives for this stuff. He loves it.Scott: But it's the middle of the night.Stiles: Which means it's after midnight andofficially Mischief Night/Day, and, by perfectly awesome coincidence, it's also happens to be Coach's birthday. So if you are not down here in five seconds, I will destroy you. Okay? And I mean five, four, three, two-Scott: One.Stiles: I hate you.Agent Mccall: Try to keep in mind exactly what this guy's capable of. He's a former electrical engineer who decided to walk onto a school bus with a shrapnel bomb. He left four studentsdead and a fifth with no legs.Melissa: Just out of curiosity, have any of his psychiatrists made any progress?Agent Mccall: I'm told this is the same thing almost every day. When he gets out, he's going to do it again.And next time, he's going to get it right.Melissa: Mr. Barrow, do you understand that scar tissue has formed around a piece of shrapnel that remains in your body from a previous injury and that it is now blocking vitalfunctions?Barrow: Yes.Melissa: Do you understand that we must put you under general anesthesia tomorrow morning in order to remove the obstruction?Barrow: Do the kids still pull pranks the day beforeHalloween?Melissa: You mean Mischief Night?Barrow: Where I'm from, we called it Hell Night. Hmm. And, yes, I understand.Melissa: Do you have any allergies to any medications?Barrow: No.Melisssa: Are you takingany medications other than the ones listed here? Temazepam. Divalproex.Barrow: I just take what they give me.Melissa: I'm going to need to listen to his heart.In And out. In. In.Barrow: Why don't you just ask thequestion you really want to ask?Melissa: Why did you do it?Barrow: I saw their eyes. Their eyes were glowing. I saw them. I saw their eyes! Their eyes were glowing! Their eyes were glowing! Their eyes wereglowing!Scott: You're back in school?Ethan: No, just to talk.Stiles: Oh. That's kind of a change of pace for you guys. Usually, you're just hurting, maiming, and killing.Aiden: You need a pack. We need an Alpha.Stiles:Yeah. Absolutely not. That's hilarious though.Aiden: You came to us for help. We helped.Stiles: You beat his face into a bloody pulp. That's not helping. In my opinion, that's actually counter-productive.Scott: Whywould I say yes?Aiden: We'd add strength. We'd make you more powerful. There's no reason to say no.Isaac: I can think of one. Like the two of you holding Derek's claws while Kali impaled Boyd. In fact, I don't knowwhy we're not impaling them right now.Aiden: You want to try?Scott: Sorry, but they don't trust you. And neither do I.Ethan: What now. No. No way.Aiden: We never finished.Ethan: And we don't have to.Aiden: What ifI want to?Ethan: You You seriously want to go back to high school? Is this about Lydia?Aiden: This is about getting Scott to change his mind. We're not just Betas anymore. We're Omegas. The bitches, remember?When everyone we've screwed over finds out we don't have a pack anymore, what do you think's going to happen? We're dead on our own.Ethan: That's still better than being back in high school. I'm not doing it. Noway. What? I'm not taking math.Aiden: I'll take it for you.Stiles: All right, that's my face! Hey, dude, good decision, buddy. Good Alpha decision.Scott: I hope so.Stiles: No, you know so. than I can take What are youlooking at?Scott: Me?Stiles: You. You looking at her?Scott: Her? Who her?Stiles: Her her. Kira. You like her?Scott: No. I mean Yeah, yeah, she's okay. She's new.Stiles: So, ask her out.Scott: Now?Stiles: Yes,now.Scott: Right now?Stiles: Right now. Scott, I don't think you get it yet. You're an Alpha. You're the apex predator. Everyone wants you. You're like the hot girl that every guy wants.Scott: The hot girl?Stiles: You arethe hottest girl.Isaac: What?Scott: I'm the hot girl.Isaac: Yes, you are.Coach: Peek-a-boo! That's all you got? That's it? Son of a bitch! Mischief Night, Devil's Night. I don't care what you call it. You little punks are evil.You think it's funny every Halloween my house gets egged? A man's house is supposed to be his castle. Mine's a frickin' omelet. Oh, this? We're gonna do this again? I don't think so. \"Happy Birthday.\" \"Love,Greenberg.\"Danny: What are you doing?Lydia: There's a fly.Doctor: Anybody else here think I should make a minor slip and let this b*st*rd bleed out on the table? That's just a little surgical humor, Melissa. Relax.Clamp, please. Suction. Let's see what we have here. Oh! Okay, that's That's That's not shrapnel. Uh, 10 blade. What's the problem? You're missing your 10 blade?Melissa: Doctor Doctor, I think you should see this. Ireally think you should see this. Ah! Move! Move!Melissa: He's gone. Barrow's gone. He's going to be okay. Stay with me.Peter: Ow! Don't you have any anesthetic?Derek: Yep.Peter: Well, are you at least going to tellme what I risked life and digit for?Derek: I'm going to show you. After the fire, that's all that was left of her.Peter: Talia. I can't decide if that's touching or morbid. I guess the real question is, what are you planning ondoing with them?Derek: I have to ask her something. And from what I've heard, this is the only way it's possible.Peter: You gotta be kidding me.Derek: Why do you think I sewed your finger back on?Melissa: Sheriff?Sheriff.Sheriff: Hey.Melissa: These dead flies everywhere? They came out of Barrow. Out of his tumor.Sheriff: Is that even possible?Melissa: Maggots can come from the body. It's called myiasis. But from the stomach?It's not likely. And there's something else. Last night, he told me why he killed those teenagers.Sheriff: Yeah, I know. I read the report. Glowing eyes.Melissa: We know a few kids that fit that description.Agent Mccall:Listen up, everyone. The stolen ambulance has been spotted. Corner of Truman and Spaulding.Sheriff: That's three blocks from the school. Let's go. Go!Lydia: Oh, no. I don't think so. There's no way you come backhere after two weeks of nothing, with your cute little smile, the dark eyes, the brooding forehead, the muscles, and suddenly we're ripping each other's clothes off in Coach's office. No way. It's not gonna happen.Aiden:Guidance office?Lydia: Okay.Stiles: Wait a minute, wait a minute! The William Barrow? The Shrapnel Bomber? Spotted nearby?Sheriff: A little closer than nearby, actually.Agent Mccall: How do we get down to thebasement? I need to know where every entrance is. I don't want anybody coming in or out of the school.Stiles: Dad, what's really going on here?Isaac: Barrow went after kids with glowing eyes? He said those exactwords?Stiles: Yeah. And no one knows how he woke up from anesthesia. Just that when they opened him up, they found a tumor full of live flies, which in any other circumstance would be all kinds of awesome.Lydia:Did you say flies?Allison: Lydia?Lydia: All day I have been hearing this sound. It's like This buzzing.Allison: Like the sound of flies?Lydia: Exactly like the sound of flies.Mr Yukimura: All I'm saying is, I don't understandwhy you're sitting here with me instead of in the cafeteria with the other kids.Kira: Maybe I want to keep you company.Mr Yukimura: You should be embarrassed to be seen with me. Not keeping me company. Kira? Youmust have some friends by now.Kira: I don't know what's wrong with me. I had a lot of friends back home. But here it's like every time I open my mouth, I just start rambling like an idiot.Mr Yukimura: Try again. Failagain. Fail better.Kira: Are you quoting Samuel Beckett to me?Mr Yukimura: I thought that was Yoda. Someone will show an interest. You're a beautiful girl. How could they not?Kira: The only one who's shown anyinterest in me is a rabid coyote.Mr Yukimora: Maybe you could date the coyote?Kira: I don't want a date. And I definitely don't need a boyfriend. I just want to make a few friends.Stiles: Sorry...Hey, dude, where thehell have you been?Lydia: The police are leaving. Why are they leaving?Scott: The police?Stiles: They must have cleared the building and grounds, which means he's not here.Scott: Who? What are you guysLydia: Hehas to be here. That sound The buzzing I've been hearing? It's getting louder.Stiles: How loud? Dad! Dad!Sheriff: Yeah?Stiles: You can't leave yet.Sheriff: We got an eyewitness that puts Barrow by the trainstation.Agent Mccall: Let's go, Stilinski.Stiles: Whoa, whoa. Dad, please just Lydia said that he's still here.Sheriff: Did she see him?Stiles: Not exactly. No. Well, not at all actually. But she has a feeling. A supernaturalfeeling.Sheriff: Lydia wasn't on the chessboard.Stiles: She is now.Sheriff: Kanima?Stiles: Um, Banshee.Sheriff: Oh, God.Stiles: I know. I know how it sounds. But basically it means that she can sense when someone'sclose to death.Sheriff: Can she sense that I'm about to kill you?Stiles: I don't know.Sheriff: All right, look, I'm not saying I don't believe, but right now, I'm going with eyewitness over Banshee. We're leaving a fewdeputies here. The school's on lockdown till 3:00. Nobody comes in, nobody goes out. Buddy, that's the best I've got right now. That's the best I can give you, Stiles.Stiles: You're leaving me here, that is not That is theworst.Scott: You got it?Melissa: Promise me you'll be careful. I looked right in this guy's eyes, and it was terrifying.Scott: Yeah. Okay, Mom, I promise. Okay? Melissa:Okay.Scott: Lydia thinks that he's still here eventhough the cops searched the whole school. But they didn't have one thing Our sense of smell.Allison: The Bestiary is literally If I'm going to find anything about flies coming out of people's bodies, it could take me allnight.Lydia: And remember, the word in archaic Latin for fly is musca.Allison: Got it.Lydia: Where do we start?Stiles: Upstairs. We gotta go.[SCENE_BREAK]Isaac: So this is how it's gonna be now? We trust them?Scott:Just because I'm letting them help, doesn't mean I trust them.Isaac: Yeah, well, I don't trust them either. Or like them. In fact, I hate them and just want them to die.Scott: Well, if Barrow's actually here and he's got aplan, you might get what you want.Aiden: You got something?Ethan: Oh, really?Lydia: Scott and Isaac are in the basement, right?Stiles: Yeah, with Ethan and Aiden. The plan is they meet in the middle, in the boilerroom.Lydia: All of the wolves All of the ones with glowing eyes are in the basement at the boiler room?Stiles: Oh, my God! An engineer could use a boiler room to blow up the whole school.Lydia: We have to get themout of there.Stiles: We have to get everyone out.Lydia: How do we do that?Coach: Wow. Pulling a fire alarm on Mischief Night is one thing. Doing it when there's a mass murderer spotted nearby is insane! If I was fouryears younger, I'd punch you.Stiles: What? Coach, that doesn't make sense.Coach: Oh, well, it does to me!Stiles: There.Aiden: We didn't find anything.Scott: Not even a scent.Stiles: It's 3:00, so school's over. If therewas a bomb, wouldn't he have set it off by now?Aiden: Does that mean everybody's safe?Lydia: I don't know. I just I don't know.Coach: How loud are you playing that thing? Let's go! Get the hell out of here!Peter: Youknow, there's always an element of danger to rituals like this. I'm not particularly fond of them. Unless they somehow benefit me.Derek: What do you want?Peter: I want to keep them. Sentimental value. She was yourmother, but she was also my sister. What? Am I not allowed a little bit of sentiment?Derek: Too long.Peter: No! No, wait!Mr Yokumura: Kira? Get ready for dinner. And put on something nice.Kira: Why would I need towear something nice?Mr Yokumura: I invited a guest for what I like to call the. \"Thank You for Saving My Daughter from Becoming a Coyote Dinner\" dinner.Scott: Hey.Kira: Oh, God.Ms Yokumura: So, Scott, I'm surethat as a native Californian, you've eaten at some pretty impressive Japanese sushi restaurants. But I have to tell you that my husband is a superb chef.Mr Yokumura: Okay, we have hamachi, uni, ikura, and hirame.MsYokumura: You've never eaten sushi before, have you?Scott: Is it all raw?Mr Yokumura: Not the rice.Kira: Oh, my God, guys. We were supposed to have lasagna tonight.Mr Yokumura: I was trying to impress him. Ididn't want to bring out the You know what? I'll make lasagna.Scott: Oh, no, no! It's okay. I can try anything. Really. Okay.Kira: Uh Here. Try holding this one like a pencil. And this one goes under it, like this. Then youjust move the top one, - like, like this - Yeah.Scott: Thanks.Ms Yokumura: Sushi?Lydia: What do the different colored strings mean?Stiles: Oh, just different stages of the investigation. So green is solved, yellow is to bedetermined, blue's just pretty.Lydia: What does red mean?Stiles: Unsolved.Lydia: You only have red on the board.Stiles: Yes, I'm aware. Thank you.Lydia: Did you get detention for pulling the alarm?Stiles: Yep. Everyday this week. It's okay, though. We were onto something.Lydia: Even though we couldn't find any proof of Barrow being there?[SCENE_BREAK]Stiles: Hey, Lydia. You've been right every time something like this hashappened, okay? So don't start doubting yourself now.Lydia: No scent. No bomb. And I got you in trouble.Stiles: Okay, look. Barrow was there. All right? You knew it. You felt it. Okay? And look, if you wanted to, I'd goback to that school right now and search all night just to prove it. Get up. Get up now. We're going to the school.Isaac: Electrified the windows?Allison: Yep.Isaac: Didn't wanna say anything about it?Allison:Nope.Isaac: Okay.Allison: What are you doing here?Isaac: I figured you could use an extra pair of eyes.Allison: Can you read Latin?Isaac: No. But I can look at pictures.Peter: That's not exactly my color. This is going tobe excruciatingly painful.Derek: Just do it.Peter: Oh, I'm going to. I just wanted you to know we all have our petty revenges.Scott: So you guys moved here from New York?Ms Yokumura: I have family ties here.Several generations.Scott: Yukimura is Japanese, right?Ms Yokumura: Mmm-hmm.Mr Yokumura: Yes. Yes, but I'm actually Korean. When my wife and I married, I took her name, as she was the only surviving memberof her family.Scott: You didn't want to take both names?Mr Yokumura: We were married in Japan, where the law says that the couple must share the same name. To belong to the same koseki. My wife's lineage is quiteunique. I was actually going to discuss it in class.Kira: Please don't.Ms Yokumura: Kira. You should be proud of your heritage. It was a profound honor to join your mother's family.Kira: Scott? What happened to yourwasabi?Scott: I thought it was guacamole.Lydia: So what are we looking for? That was supposed to be locked.Stiles: Yeah. I know. Notice anything else?Lydia: It smells like chemicals. They wouldn't have been able tocatch his scent.Stiles: He was here, performing very minor surgery on himself. You were right.Lydia: Then why don't I feel good about this?Stiles: Probably because he was here to kill somebody.Lydia: But who?Stiles:That's what we gotta figure out. We could spread out, start looking for Anything. Lydia, what are those?Lydia: Atomic numbers.Stiles: Is it a formula?Lydia: Not really. 19's potassium. The first two make potassiumiodideStiles: Potassium is K?Lydia: From kalium, the scientific neo-Latin name.Stiles: What's radium?Lydia: R-A.Stiles: Kira.Scott: Yes, Mom. I ate sushi.Melissa: I didn't even know that you could use chopsticks.Scott:Mom, can I ask you something?Melissa: Yeah.Scott: Why didn't you How come you never changed your name back to Delgado?Melissa: Do you mean, why did I keep your father's name?Scott: Yeah.Melissa: Yeah.Because it's your name, too, honey. I gotta go, sweetheart, okay? I love you.Scott: Oh, thank God. No offense to sushi.Kira: Yeah, we probably should have started you out on California rolls.Scott: Mmm-hmm.Kira:Mmm.Isaac: You find anything?Allison: There's a reference about flies being able to carry messages to the dead. What about you?Isaac: Oh, just Beelzebub, the Lord of the Flies.Allison: Are you serious?Isaac:What?Allison: You were just trying to kiss me.Isaac: No, I wasn't.Allison: Then what were you trying to do? Head-butt me?Isaac: All right, maybe I was trying to kiss you.Allison: Are you completely, totally out of yourmind? You actually think that I would want to kiss you? Or Or any other werewolf again? Because trust me on this, I would never kiss you. Ever.Isaac: Never.Allison: Never.Isaac: Okay. All right, fine. I won't kiss youeither.Chris: Allison. Can I see you in my office?... Where I keep my guns. ...Another werewolf?Peter: Did you see her? What did you ask her? Did she say anything about me? Well, that doesn't look good.Scott: Thanksfor dinner.Kira: For the sushi or the pizza?Scott: Uh The pizza was good.Kira: You seem like a really nice guy. And not just because you kept me from getting eaten by a coyote.Scott: Did I do something else?Kira:Yeah. You remembered my name.Stiles: Scott! Scott? Scott!Scott: Barrow, he took Kira!Stiles: We know. He was after her the whole time.Isaac: No, nothing. Just stuff about flies and the dead. Nothing else.Scott: Allright, thanks. We have to think of something. He's going to kill her.Lydia: I knew he was there. How did I know that?Stiles: Because you heard the flies, right?Scott: What do you hear now?Lydia: Nothing. I feel like Ican do this. But I don't know what to do. It's like it's on the tip of my tongue, and I don't know how to trigger it. I just I swear to God, it literally makes me want to scream.Stiles: Okay, then scream. Lydia,scream.Lydia: It's not flies. It's electricity.Stiles: Wait a second, Barrow was an electrical engineer. He worked at a power substation.Scott: What substation?Kira: What are you doing?Barrow: Right now? Ah. Right now,I'm gonna take your picture. Hmm. Just a little proof of our time here together. A little proof for all of those people who never believed.Kira: Okay, you got your picture. You want to let me go now?Barrow: Oh Did youever see a movie called Village of the Damned? The original. Not the remake. Nobody cares about crappy remakes. I'm talking about the 1960 black-and-white masterpiece. Huh? It's about this group of children.Blonde-haired, beautiful children who can make their eyes glow. And they do terrible, terrible things. The tag line on the poster read, \"Beware the stare that will paralyze the will of the world.\" Now, when I told everyonethat I saw children with glowing eyes, they wouldn't believe me. I tried to get them to do something. But they wouldn't budge. They wouldn't move. As if they had been paralyzed. I am going to shake them out of theirparalysis. I'm going to get them moving. I'm going to I am going to galvanize them.Stiles: Okay. Wait here, all right? Just wait for the cops to come.Lydia: Me? Wait, why?Stiles: I only got one bat.Kira: Scott! No! Lookout!Scott: Don't She's not She's not the one you want. No Don't. Stop! No!Allison: Isaac! Isaac!Chris: Isaac! Isaac, come on, open the door!Allison: Isaac!Chris: Isaac, open up!"}
+{"doc_id":"doc_169","qid":"","text":"[PREVIOUSLY_ON]Angel to Darla: \"You're never gonna be alone again.\" Door burst open, Dru walks in.Lindsey: \"How did you think this would end?\" Dru bites Darla.Lilah: \"For God's sake, help us!\"Holland: \"People aregonna die.\"Angel, closing the door: \"I just can't seem to care.\" Darla bites Holland.Wesley: \"Right now the three of us are all that are standing between you and real darkness.\"Angel: \"You're all fired.\" Angel throwsdown his cigarette and flames engulf Darla and Dru. Darla and Dru sit underneath the water spray from the fire hydrant.Darla: \"Who was that?\" Los Angeles, Hyperion Hotel, night. Angel steps up to the glass doorsleading to a balcony and looks out over the lights of the city. Cordy takes down a box of papers from a shelf. Wesley is kneeling on the floor of their new office looking through another stack of papers. The place is amess. There are papers strewn everywhere.Wesley: \"When they went out of business they just left these here?\"Cordy: \"Yup. Also the desk. We'll share.\"Wesley: \"And when we go out of business we can just leave ourstuff for the next guy.\"Cordy: \"Hey, hey, negative energy boy, with all of our money pooled together we can stay here a long time.\"Wesley: \"Hmm. 20 minutes.\"Cordy: \"At least.\"Wesley: \"Angel Investigations withoutthe angel. - You think we can do it?\"Cordy: \"Well, we better. I mean, what else can we do? And I still have the visions. That'll keep us busy sometimes.\"Wesley: \"We're gonna need a lot more than that. A steady,outside clientele.\"Cordy: \"It'll happen. This is our future, you know? And, personally, I think it is pretty bright. Ow! (Hits her head on a planter hanging from the ceiling) Dead plant! - *Not* symbolizing our future.Really!\"Gunn comes in: \"Okay, everyone parked within ten blocks has a flyer on their windshield. We just slightly irritated almost a hundred people. (Wrinkles his nose) Does it smell funky in here to you?\"Cordy: \"It'll airout. And good job with the flyers. Now we can just sit back and let the calls roll in.\"Gunn trying the phone: \"They better roll in through a bull horn. We've got no dial tone.\"Cordy: \"What?\"Wesley: \"Perhaps it's thewires.\" Wesley crawls under the desk while Cordy checks the phone.Cordy: \"They said it would be on by now!\"Gunn: \"One desk? We're sharing?\"Wesley from under the desk: \"Aha! Things are looking up. I think I foundthe right wire. Ah!\" All the lights go out.Gunn: \"I'm so glad I met you guys. It's entertaining. Really.\" Angel lies down in his bed - and wakes up to the sounds of someone singing the star-spangled-banner. He frowns,then gets up. Comes down the stairs into the lobby of the Hyperion, stops on the landing, crossing his arms. The Host sees him and interrupts his song.Host: \"Hey, big fella. You're gotta be singing all the time in here,am I right? Come on, with these acoustics? (sings) 'and the rockets red glare!' - Do you hear that resonance?\"Angel: \"What I hear, and maybe, hopefully, I'm still dreaming, is the star-spangled-banner being belted outby a loud green demon.\"Host: \"We're all brothers under the skin, mi amigo. Although the garden hue and the horns have kept me out of some key public performances. Just once I'd love to ring in a Lakers game withour national anthem. Is that so much to ask?\"Angel: \"Yes! Is there a reason you're here?\"Host: \"There is. What's today? Thursday? Tomorrow night - the world's going to end. I thought you might want to know.\"IntroAngel: \"So the world's gonna end.\"Host: \"Brings you right down, doesn't it? - Don't feel the need to offer your guest a frothy cappuccino or a hot cinnamon roll.\" Angel sitting down in a chair with his arms crossed:\"I don't.\"Host: \"Man, you just get darker and darker. And the weird thing is, your aura? Beige.\"Angel: \"I don't have coffee.\" Host runs a finger across the top of a desk: \"Or a duster, buster. I don't know why you firedthose three plucky kids. They were good company. Not to mention, Cordelia? Uh! Hot-o-rama! In the 'oh my sizzling loins' sense of the word, if you know what I mean. And the British boy? He's gonna be playing a*huge* - well. \"Angel: \"Are you gonna get to the world ending or are you just gonna chat until it does?\"Host: \"All right, all right! Although my buoyant good will falling on your deaf ears is something we'll need to look atin the future. The world ending? Huh, it's kind of a funny story. I'm at the club last night. Fairly typical Wednesday crowd. A Torto demon and his parasite were *murdering* the Everly Brothers...\" We see the scene thehost is describing. There is a horned demon singing a duet of 'Bye, bye Love' with the head sticking out of his belly for a crowd of assorted demons. At one table sits a young human male, with curly brown hair andglasses. The Host is accepting a drink from the bartender.Host: \"...which is nothing compared to what Elian had done to my sea-breeze!\" We see the host take a sip and grimace.Host to bartender: \"Is this a difficultconcept? Were we absent the day they taught sea-breeze in bartender school? Vodka, cranberry, *fresh* grapefruit juice. Which requires a real live grapefruit. One you must cut and squeeze, not pour from a can.\"Host:\"...Oh. The man is *such* a moron. You have no idea how I'm suffering since Ramone left.\"Angel: \"Oh, I have an idea. Can you just get to the point already?\"Host: \"Yes, I can, if you'd let me get a word in edgewise,Mr. Get-to-the-point-y-pants. - So this guy I've never seen before - gets up to sing. Usually I love it. You know, they sing, I read their futures, their auras, I see into their souls...\"Angel: \"So this guy...\"Host: \"The thingthat was remarkable about him was there was absolutely nothing remarkable about him...\" The human gets up and goes up to the mike: \"This is a song that I like, because...\"Host: \"...Just your average Joe about tomangle a tune and bore me with some bland vision of his bland future...\" Gene sings 'All By Myself' up on the stage, not outstanding, but not bad either.Host: \"...But when he started singing - man, he knocked meout!\"Angel: \"He was good?\"Host laughs: \"No, Angel-face, he knocked me *out*.\" We see the host dropping to the floor in front of the bar.Host: \"...When I came to he was gone.\"Angel: \"He didn't wait to hear what yousaw on him?\"Host: \"Nope-ah.\"Angel: \"So what knocked you out?\"Host: \"I looked into this guy and I saw - he has no future after ten o'clock tomorrow night - and neither does anybody else.\" Angel gets up from hischair, arms still crossed: \"Let's say I do believe you.\"Host: \"Oh, honey, let's say a lot more than that. We've got to find this guy. This is the big blackout we're talking about. This guy is gonna do something between nowand tomorrow night. I don't know what, but it's gonna cancel *everybody's* summer plans. We got to find him and stop him.\"Angel: \"Why'd you come to me?\"Host: \"Isn't it obvious? You're a champion. A unique forcefor good in a troubled world. - Also, all the other champions I know are currently out of town or - dead. Why? You don't want to work with me? - Is this because I sent you on a couple of missions that turned out to be alittle...\"Angel: \"Pointless and deadly?\"Host: \"As for example. But I sent you on those missions in good faith. And we interrupt this broadcast to inform you: world ending? Kind of an emergency situation here. You mightwant to get on board.\"Angel: \"So why did this guy leave the club before you had a chance to tell him what you saw?\"Host: \"People get scared. They come in for a reading, then they don't wanna know. Especially whenthe psychic faints and, uh! - a teeny bit of vomit... Lets-lets *not* dwell.\"Angel: \"Maybe he's just a guy who likes to sing Karaoke. Maybe he doesn't know anything about you.\"Host: \"That'd make more sense. - So whatwe should do is to start with the other local Karaoke bars, see if we can get a lead on him. That is if you're not to busy getting lawyers killed and setting girls on fire. Outside of a college or university campus, day. Geneis standing in front of a dry erase board contemplating some equations written on it. Two students watch him through a glass window from above.Mike: \"Someone forgot to wind time-boy.\"Val: \"He's thinking.Something *you* ought to try.\"Mike: \"Very funny. He's really not that much smarter than the rest of us.\"Val: \"I guess that's why *his* work on the time paradox earned Professor Orfalla a Nobel nomination and yourwork on carpet mold was promptly forgotten by everyone?\"Mike: \"You know what you are?\"Val: \"Yes. I do, Mike. And if you say it I'll put your face in liquid nitrogen.\" Val gets up and knocks on the glass door leadingdown into Gene's lab. Gene turns around and goes up the steps to open the door for her.Val: \"Hey. What's the good word?\"Gene: \"Entanglement.\" Val following him down the stairs: \"How's that again?\"Gene: \"InNewton's world space and time are separate entities, in Einstein's their entwined.\"Val: \"Einstein's entwined. Can you say that ten times really fast?\"Gene staring at his equations: \"So how is it that altering one particle ofan entangled pair causes the other particle to be affected - without any communication between the two.\"Val: \"Because space and time are one.\"Gene: \"So how do you separate an entwined pair? You don't. You can't.In fact you probably shouldn't even try.\"Val: \"I never do.\"Gene: \"What you should do is carve out - one (writes another equation on board) instant - at a time.\"Val: \"Look, I like the theory of freezing time as much asthe next Star Trek nerd...\"Gene: \"It's not freezing time, although that is what it would look like to an outside observer. I'm talking about removing one infinitesimal space-time aggregate of from all that surroundsit.\"Val: \"A tiny event horizon.\"Gene: \"Sort of. And then growing that event into something measurable and controllable. Your dog and his favorite bone preserved forever - in his own impenetrable little bubble.\"Val: \"Andwho's gonna clean up that bubble?\"Gene: \"If I could just get the math right, I should be able to prove it (walks over to some other equipment) by generating a focal point with the accelerator's beams here and passingliquid mercury - through that point.\"Val: \"Suspending the mercury. Snatching it out of our time-space continuum - and freezing the moment.\"Gene: \"Forever.\" A red head enters the lab.Val: \"Denise. Thank god you'rehere. Your boyfriend was just coming on to me with the old Einstein-Podolsky-Rosen correlation.\"Denise smiles: \"That's what got me - out of physics and into theater.\"Gene: \"Hi, sweetie.\"Denise: \"Hi.\"Gene: \"How areyou?\"Denise: \"Good. You?\"Gene: \"Good. So, what's new? (Denise shrugs) - I guess we're on for tomorrow night.\"Denise: \"Uh-huh, we are.\"Gene: \"Big night.\"Denise: \"Yeah. One year anniversary and all.\" All threestand around for a moment.Denise: \"Well, we-we should, ah...\"Gene: \"Oh, you guys are gonna take off?\"Denise: \"Yeah.\"Gene: \"Okay. Well, I guess I - I'll see you tomorrow night then.\" Leans in to give her a quickkiss.Denise: \"Don't work all night.\"Val: \"You know he will.\" The Host and Angel enter a dingy bar. One of the customers is slumped asleep at a table, wrapped around a bottle. A boy is singing 'Greensleeves.'Angel:\"Nice.\"Host: \"Hmm, it's not that bad. Nothing a couple bottles of lysol can't cure.\" They walk over to the bar.Host watching the singer: \"Interesting choice. Too bad about the cuisine art tomorrow. You know, if we stopthe world from ending tomorrow the scar won't even be that noticeable. (Angel looks at him) Sorry. Occupational hazard.\"Angel: \"Is he here?\"Host: \"Nope.\" Angel drops down on a barstool and rubs his forehead.Angel:\"Seventeen Karaoke bars. You know, I need to lie down and scrub out the inside of my head.\"Host: \"Well, maybe we're wrong. Sniffing a cold trail.\"Bartender: \"We don't get your kind much.\"Host: \"Excuseme?\"Bartender: \"Demons. We get a couple now and then but they're usually vampires passing for human.\"Host: \"Well, I never pass on anything, mister, especially when it comes with a little umbrella in theglass.\"Angel: \"You worked here long?\"Bartender: \"Eleven years now. It used to be a regular bar. But then they put in one of these Karaoke machines. Thought it would bring in the customers. It drove most of themaway. We got a few steadies that make up for it.\"Angel: \"Steadies?\"Bartender: \"A lot of students. They're grad students.\"Host: \"Fits the descrip.\"Angel: \"We're looking for a guy, early twenties, medium build, maybeone of your steadies, sings sad songs like 'All By Myself.'\"Bartender: \"Sounds like the kid.\"Angel: \"Name?\"Bartender: \"I don't know his name but he comes in every few weeks. Runs with the whole broken heartsongbook. First time I thought somebody died. But after a couple of weeks I figured he was just one of those manic depressants.\"Host: \"Hey, Goliath, you got a good picture of this grad student in your head? (Bartendershrugs) Well, how about singing a few bars of 'For He's a Jolly Good Fellow', hmm?\" Bartender looks over at Angel.Angel: \"Oh, you know, he's a demon. You better do what he says or he might - talk your earsoff.\"Bartender: \"For he's a jolly good fellow, for he's a jolly good fellow...\"Host: \"Yeah, it's him. It's our boy. Fabulous tone by the way, really nice vibrato. And you keep plugging away on that novel, F. Scott. Art is itsown reward. (Aside to Angel) Got to give the people hope. (To bartender) Now this grad student, which university would that be?\"Cut to the university at night. We scan past his desk and a picture of Gene and Denisetogether to find Gene still working on his equations.Gene: \"Nine to the eleventh where 'P' is invariant. X, y and z are zero and time is orthogonal to the other three axis. Given 'A' and 'A' slash zero - equals momentumand mass energy... (goes over to enter some stuff on his laptop) and the conservation of p-x, p-y... and p-z - here goes nothing.\" He watches as his machine forms a field where the four emitted beams intersect.Watches the mercury droplet fall - through the field. Turns the machine off.Gene: \"There went nothing. (Throws something small at the dry erase board) This is never gonna work.\" Walks up the steps and out of his lab.A gray skinned, pointy-eared, raccoon-eyed demon comes out from behind some barrels and speaks in some foreign language.Demon (subtitles): \"He's the one. He doesn't know it yet, but he's the one. (Walks over tothe dry erase board) From nothingness the human pestilence came, into nothingness it goes.\" The demon causes the crystal on top of his staff to glow red. The red glow shines on a part of Gene's equation and changesit. Break Cordy is setting out armfuls of candles in their dark office.Cordy: \"There. See? We'll work without the harsh glare of flourescents, or all that distracting computer information.\" Gunn and Wesley are sitting nextto each other behind the desk, not moving.Gunn: \"Cordelia - stop trying.\"Cordy: \"Really?\"Wesley: \"Join us.\" Cordy sits down beside Gunn with a sigh.Wesley: \"Sometimes you need to wallow. Just let the depressionsettle in - silently.\" The door opens and Virginia walks in carrying a gift basket and a bottle of champagne.Virginia: \"Hey! Wow. This place is great. I brought champagne. You guys must be so excited (takes in theirlooks) in that really dry, suicidal way.\" Wesley gets up and greets her with a quick kiss.Wesley: \"Sorry, sweetheart. You just caught us in a moment of... Well...\" Cordy taking the bottle of champagne from Virginia:\"Reality.\"Virginia: \"Oh - that. I avoid that.\"Gunn: \"How do you avoid reality?\"Virginia: \"Money. It cures everything but boredom (holds up the basket) and food cures boredom, so there you go. Imported chips andpackets of cheese.\"Gunn: \"Thanks.\"Wesley: \"We'll enjoy them huddled around our pathetic candles.\"Cordy: \"We'll make pathetic nachos.\" Cordy pops the cork and takes a sip from the bottle.Virginia: \"You guys arereally down.\"Gunn: \"Yeah. And don't try to tell us there is no way to go but up, because the truth is - there is always more down.\"Virginia: \"Oh! And that was very well said by the way. But I found a case for you. Aclient. A rich one.\"Wesley: \"Really?\"Cordy: \"And this isn't the first thing you say when you come in the room?\"Virginia: \"Well, I got distracted by your waves of desperation. But it's true. My friend Patricia, her family,they've got like this big guy that's been harassing them, hanging around the house getting scary, and they'd be really grateful if someone got rid of him.\"Gunn: \"That sounds easy.\"Cordy: \"Uh, wait. By 'big guy' do youmean demon?\"Virginia: \"Yeah. And by 'house' I mean palatial estate, and by 'grateful' I mean they'll give you big tubs of cash. Really rich family. They invented, uhm, I don't know, like - chairs, or something.\"Cordy:\"We'll do it! We'll do anything.\"Virginia: \"Oh, that's so sad. Anyway, he's a Wainakay demon, and he got the eldest son already.\"Cordy: \"So there's been a death? (Virginia nods) You just let these facts kind of dribbleout, don't you?\"Virginia: \"I'll call Patty and tell her you'll take the job.\"Wesley: \"Uh, sweetie, no phone.\"Cordy: \"Also no lights.\"Gunn: \"And there's a funky smell.\" The three of them start to leave the office.Virginia: \"Iwasn't gonna say anything.\" The university, day. Gene enters his lab, sees the equation on the board.Gene: \"Nine to the seventeenth. Where C squared and E squared are obtained by differentiating them... fourvelocity! Four velocity termination?\" Quickly takes off his jacket and enters the changes in his laptop. Turns to watch as the mercury drops into the field and - remains suspended within it.Gene: \"I did it. - Oh, this is ayee-ha moment. I - I definitely think this is a yee-ha moment!\" Runs out of the lab.Gene: \"Yee-ha-ha!\" Gene runs across the campus past the Reynolds Library. Angel and the host enter the library through a door with a'basement access' sign on it.Angel: \"Where did you learn how to drive?\"Host: \"Just now in your car. Not bad for a beginner, huh?\"Angel: \"What? You nearly got us killed - four times.\"Host: \"Someone had to drive. Youweren't exactly qualified, huddled under a blanket in back, hiding from the sun. (Turns to face the shelves as a student passes them) I better stick to the shadows and think of something to say should we happen upon acomely co-ed.\"Angel: \"Tell her you're the new school mascot. Wait here.\" The host pulls out a book and opens it to hide most of his face behind it as he watches Angel walk up to the information desk. A girl walks by,glancing at the host and he quickly raises the book to duck behind it completely. Comes back up to see the guy behind the desk handing Angel a stack of books. Angel hands half the stack to the host.Angel: \"Studentyearbook/faculty publications going back past five years. Lets see if we can't find your little madman bent on destroying the universe.\"Host: \"I like to think of him as *our* little madman. That's just me, team player,you know?\" As the host puts the book back on the shelf and turns to follow Angel, we see one of the raccoon-eyed demons standing on the other side of the stack. Denise and the girl from the physics lab are sittingoutside on a bench.Val: \"You alright girl?\"Denise: \"Huh? - Yeah. Fine. I'm good. You know, I'm - not - perfect. Oh, god.\"Val: \"Come on, spit it out. You're among friends.\" The camera pans past the banister behind thebench they're sitting on to show Gene coming up the steps behind them. Gene hears Denise voice and slows to a stop.Denise: \"This has to stay among friends. You can't repeat this to anybody.\"Val: \"I won't.\"Denise: \"Ijust - I just don't think that it's gonna work out with me and Gene.\" Gene freezes behind them on the steps.Val: \"Oh. And tonight is your guy's one year anniversary!\"Denise: \"You think I don't know that?\" Gene justkind of sags.Val: \"Oh, honey.\"Denise: \"I mean, Gene's a wonderful guy.\"Val: \"Yeah?\"Denise: \"But he's just sort of - hollow, or something. When I'm with him I feel - I feel lonely.\"Val: \"Maybe that's because *he* is. Youknow I love him, but he *is* an energy sucker.\"Denise: \"I have to break up with him.\"Val: \"Uh. Not to be a massive bitch or anything, but couldn't you figure that out *before* the big anniversary do?\"Denise: \"He's gotthe whole thing planned. He's making me dinner at his place.\"Val: \"What are you gonna do? (Denise just looks down) Oh, my god. You're gonna give him the sympathy bone, aren't you? It's gonna be dinner, sympathybone, and adios Gene. I'm totally right, aren't I?\"Denise: \"Well, we've been together for a year. I can't just - walk out on him! It just wouldn't be right. Not after all we've...\"Val: \"No, you're right. Thepost-sympathy-bone-walk-out is you're only escape hatch now.\"Denise: \"It was really sweet there for a while. Really sweet. But it's just - it's just not the kind of love that lasts.\" Gene turns around and walks back downthe steps. The host and Angel are looking through the yearbooks at a table at the library.Angel: \"This him?\"Host: \"It is not.\" Angel drops his book and picks up another one.Host: \"Oh, got him. - He's a physicist - and apretty good one according to this.\" Angel grabs the book from him: \"I'll find out where the lab is.\" Angel shows the picture in the book to the guy behind the information desk.Angel: \"Hi. I'm just trying to get a hold of -"}
+{"doc_id":"doc_170","qid":"","text":"This is the address for Luke Cafferty. Where does he really live? East Dillon. You're gonna have to pack up your stuff. Starting tomorrow, you're going to be going to school at East Dillon High. What? Kind of looking for aplace. I do have this trailer.Cheryl: I am going to give my daughter a call.Hey. Don't want you to scare her.(stammering)I'm your new intern. Yeah, I got a bunch of crap in here. I need you to start moving it. Why didyou forfeit the game? You just quit on us? I have got shame and I apologize to you. Who wants to finish this fight?Dallas: Let's do this, fellas! Let's finish it. Let's finish it.( Park where the Lions are gathered around anold red car, Stan sits inside. )Eric: Hey, listen! Ten of you are gonna push the car. Once we get out there and everything, the rest of you hold the helmets and collect the money. Understood? Be careful, don't get yourfeet run over while we're out there. Any questions?Tank: Matter of fact, I do have a question.Eric: What is it Tinker?Tinker: Why are we pushing this damn car?Eric: One, you need to watch your language. Two, nexttime I see you I want whatever that is on your upper lip shaved off. And I tell you why we're pushing the car, cuz it's a fun football fundraiser. And we're all gonna have fun so we're all gonna put smiles on our facesright about now. Team comes out, town comes out, money gets exchanged. It's a good thing. Understood?Tinker: Got it coach!Eric: Let's be kind and courteous out there. Let's go.( The team starts pushing the car outof the parking lot. )Stan: (into his megaphone) Hello neighborhood! We're the Lions! (he roars) Let's hear it guys! (roars)[EXT. Dillon Church]( Tami and Julie exit the church, headed to the car. Tami is holding Gracie.)Tami: Even at church, everyone is really not being nice to me about this whole Luke Cafferty thing?Julie: Yeah, well, that's our congregation. All sweet and holy inside the church. Then as soon as they get out the door,bitchy and judgmental.Tami: Well, welcome to the world, honey.Julie: It's not gonna be my world.Tami: What's not gonna be your world?Julie: Going to church with a bunch of hypocrites.( Tami starts to load Gracieinto her car seat. )Tami: Honey, hypocrites are everywhere. It has nothing to do with church. That's no way to think about it. There's always going to be some bad apples but church is about you and God and thingsother than just people..Julie: So if it's just about me and God, why can't I just worship at home?Tami: I mean, I think church is also about community and family and you know, there's just a lot to it.[EXT. Streets ofEast Dillon]( The team is pushing the car down the street while Stan yells out. )Stan: We need your quarters, your dollar bills, your good wishes in monetary fashion! Let' hear it boys!Tinker: (to Vince as they push thecar) I feel the love. You feel the love?Vince: Shut up, stop sweating on me and push this piece of junk, okay?Stan: We got forty bucks, people! Thank you, good people of the street!Eric: (to people donating money)Good to see 'ya! Thank you very much! Thank you very much!Stan: We are the East Dillon Lions! Speed up! Speed up! Feed us! Roar!!!( Tim walks up to Coach. )Tim: I'm out.Eric: What do you mean you're out?Tim:I'm out of money.Eric: What do you mean you're out of money?Tim: I'm out of money.( Eric pulls some cash from his pocket. )Eric: (handing it to Tim) Listen to me. This is all I got left. That's about a hundred bucks.Don't give it all to one person.Tim: AlrightEric: Spread it out.Tim: I'm trying, some are taking it.Eric: Well, give it to people who won't take it.Stan: Look at these boys pushing this car for ten miles![EXT. RichardSherman's studio]( Matt grabs a rusted tricycle and takes it into the studio where loud music is playing while Richard welds. )Matt: Hey! Here's the tricycle.Richard: What?Matt: Tricycle!( Richard stops working to look atit. )Richard: That's great. Listen, I need you to drive me to Clearwater on Tuesday. I need to pick up some metal so I can finish this piece of crap.Matt: Why do you call everything you work on 'crap'?Richard: Because itis all crap. I call the Mona Lisa crap. In fact, the Mona Lisa is crap. There are better things I call crap.Matt: Alright, well, Clearwater is like 200 miles away.Richard: Just about.Matt: Right. And I gotta shift I gotta do soI... I mean, I can't take the whole day and chauffer you up there.Richard: Yeah, yeah, you're here to learn about art from an artist! You can't take a day off because you gotta a shift to deliver pizza?( Matt has nocomeback for this so Richard just gets back to work. )[EXT. East Dillon High School]( Eric is walking with the Principal Levi. )Levi: We already have uniforms. Why do we need new ones?Eric: Cuz I burned theuniforms.Levi: Taylor---Eric: I burned them. That's what you do. They're damn thirty years old. It's not like I just burned them for no reason. You end the old cycle, you start the new, Levi. You know, you get rid of thepast.Levi: Uh-huh.Taylor: Fact of the matter is, the team and I we went out and we made up a good amount of money it's just that...Levi: That's good.Eric: We're just... we're just a little shy of what we need and all I'masking is you and the school, is if you help us with the down payment. Hell, we can pay for the rest of them.Levi: I don't think you understand the financial situation here. We ain't close to talking about more money forfootball.Eric: Listen Levi, it's expensive to start up a new football program...Levi: Starting up a new football program is a little premature. Let's see if we can finish up some games before we start writing somechecks.Eric: What the hell is that supposed to mean?Levi: You can't finish games, I can't keep this program going. I can't have no students getting hurt. I don't want no jokes down at the school board meetings. I'mtired. Either you turn it around or we're gonna shut it down.Eric: What do you mean shut it down? You're gonna shut down a football program?Levi: Taylor! You weren't even supposed to take this job! You weren'tsupposed to be here. So you're the only who didn't get the joke. Okay?( CREDITS )[EXT. Tim Riggins' trailer]( Becky is knocking. )[INT. Tim Riggins trailer]( Tim is crawling out of bed. )Tim: Yes? Yeah![EXT. TimRiggins' trailer]Becky: Morning! I made you toast.Tim: Are you serious?Becky: Yeah. It's worth it, eat it.Tim: What time is it?Becky: Morning. Hey, and since you're up, can you give me a ride to school?Tim: No.Becky:Come on. Put some pants on.( She starts to close the door. )Becky: Watch your head. Watch your head.( She closes the door. )Becky: Hurry up! I'll be waiting in the truck.Tim: What's wrong with you?[INT. TaylorKitchen]( Tami is feeding Gracie Belle. )Tami: Here you go, sweetheart. There. Here's your sippy.Julie: Good morning!Tami: Hey, Honey.Jule: Good morning, Grace.Tami: You know yesterday in church, all that stuff youwere saying... Do you feel like we're making you go to church?Julie: It's not like you're making me go to church it's just... you know, something we all do as a family. It's like a tradition but if you stop going than I don'tthink I'd probably keep going.[INT. Restaurant with the West Dillon coach and boosters.]Joe: Coach Taylor at half-time: We're done! We're beat up! We can't play anymore!( Laughter all around when Buddy enters therestaurant. )Joe: I couldn't believe it!Buddy: Hey, guys.( It's quieter now. )Booster: Hey, Buddy.Buddy: Well, you're waiting on me. You're backing up.Booster: We missed you at the game Friday night, Buddy.( Buddystarts to sit down and Joe is just sitting there smiling like a Prince on his throne. )Buddy: Yeah, I had to listen to it on the radio. I was really sick, it's terrible.Joe: Anything you feel like sharing with us, Buddy? Anythingabout a certain mailbox or an old friend of yours named Eric Taylor?Buddy: Oh, no. I don't think so. I don't know what you're implying. (all eyes focus on Buddy) I think this Luke deal has made everyone go a littlecrazy. (he twists his State Ring) You know, Joe, I was a Panther before everybody here. So, I'll just pretend you didn't say that. Go ahead with the agenda, Joe.( Joe has *that smile* on his face. )Joe: Alright then.Gentlemen, there is a 13-yr old quarterback in a Pop Warner League down in Little Tree that needs a closer look at. Who's gonna go down there for me?[INT. East Dillon Locker Room]( Team just hanging out. Vince iseyeing Luke as he chats with Landry. )Player: Lions in the house. Let me hear you say, \"Oh yeah!\"Vince: (to his friend, referring to Luke) What the hell that dude so happy about?Player: I don't know what he happyabout. I guess he think he gonna come down here and kick our asses or something.Vince: Something.Tinker: He's all, I'm a Panther.Player: We the Lions.Eric: Let's go, guys. Let's go! Let's go.Stan: Come on boys!Execute!( Vince lingers until Luke walks by. )Vince: You're a long way from home boy.Luke: I guess so.[EXT. East Dillon Football Field]( Practice. Tim is there helping out. )Eric: Come on, get after him. Pick him up. Pick-- come on, Vince. What are you doing, man? You're dancing out here. Dancing. Don't start my day off like this. Why is it I'm always talking to you? I spend half my day, my practice, talking to you. Get in the front. Doit again. Get in the front. Let me see it. Luke come here. I want you down at the defensive backs.Luke: I don't play D, coach.Eric: If I tell you to get down to the defensive backs you do. Get on the defensive backs. Tim,you wanna take him down? If you'd like to hurry that up, that'd be just fine.Tim: Riggins.Luke: I knew that. It's a pleasure, man.Eric: (focusing back on practice) Do it again. Let me see it again. Get after him! Movehim! Come on, let me see some of the speed!Tim: How you doing?Luke: I mean, I'm alright 'cept I don't play DB.Tim: It's alright.Luke: What are you doing here? Coaching now?Tim: I'm helping out when I can.Luke:Nice.Tim: Yeah.Luke: I saw you win State.( Luke raises his hand to either high-five Tim or maybe as a gesture to see Tim's ring. Either way, Tim ignores it. )Tim: Yeah, here. You go DB it up.Luke: Alright.[EXT. PantherPizza]( Matt is exiting with his deliveries while Julie reads something to him. )Julie: His last installment at the Austin Museum of Modern Art is nothing short of mind bending. A violent fusion of metal and artistry thatinvokes somehow both anger and beauty through a complex interplay of architecture and light. Brilliant, visceral, and ultimately, ethereal, this work is not to be missed.Matt: Are you sure you got the right RichardSherman?( Julie opens up the hatchback to Matt's station wagon so he can load the pizza. )Julie: Yup, it's him.Matt: \"Brilliant and ethereal\"?Julie: That's what it says.Matt: The dude is like an angry, abusive idiot. I don'tunderstand how he can get described as ethereal.Julie: I don't know. Maybe it's his evil twin.Matt: Yeah, maybe. Clearwater and back. This is going to be 400-miles of Hell.[INT. East Dillon Locker Room]( Coach isworking on fixing the lights when a man enters. )Man: Hey, coach.Eric: Hey, Doug, how you doing?Doug: I'm good.( Eric finishes with the light. )Doug: Nicely done.Eric: How is everything?Doug: Good. Good. Theuniforms are look great, they're coming along, look beautiful. You're going to be real happy.Eric: Look, I know... I know I'm late on payment and all this but...Doug: Nah, look I know things are rough here right now. It'sjust we're gonna deliver on Friday.Eric: I understand we've had a few little hiccups with our fundraising and uh...Doug: Sure, sure. Well, look Coach. You've been a friend of Under Armor for a long while and that's whywe're doing this at our cost and I'm gonna throw in some hats and polos for your staff cuz you helped me out when I was starting off, you know. So I won't forget that.Eric: I appreciate that, I appreciate the...Doug: ButI'm gonna need a little something to, uh, take back to Baltimore.Eric: I understand. How much? How much is it that you need - today?Doug: Five.Eric: Five thousand?Doug: Alright, um, you give me three now and twomore on delivery and we'll let it go at that.Eric: Alright.( Eric pulls out a personal check. )Eric: Alright. That's good, thank you.Doug: Yeah, absolutely.( Eric writes out the personal check and hands it to Doug. )Doug:Let me get that for you.Eric: Listen, I appreciate that very much. I appreciate your understanding.Doug: This, uh, a personal check, Coach?Eric: Yes, it is.Doug: This gonna be okay with you?Eric: If it's okay with you,it's okay with me.Doug: Oh, yeah. Alright. I'll get it going.Eric: Thank you. Thank you very much.Doug: Thank you.( Doug leaves. )Doug: Alrighty!Eric: Alright.[INT. Coach and Mrs. Coach's bathroom]( Tami is applyingher make-up. )Tami: Julie the other day was talking about how she doesn't want to go to church anymore. I think she's questioning her faith or something.Eric: Well, you know what? She's a teenager. You give her aweek and she'll turn around. Be a hundred and eighty degrees.Tami: Yeah but who knows where she'll go from there.Eric: Well, I don't think she's going to hell anytime soon so I don't think you have to worry about it.Listen, I gotta go meet with Buddy tonight. I'm gonna try and figure out how in the hell you're supposed to beg money from the Boosters.Tami: Ugh, I hate that. Alright. Hey, listen, did you write a check and not put itin the book because there's a check missing.Eric: Oh yeah, it's uh, for Reds. It's for the Dry Cleaners. It's for $45.Tami: Honey...( Eric starts to leave. )Eric: Sorry.Tami: You've got to put that stuff in the book.Eric: Iknow.Tami: I can't keep track.Eric: Alright.[EXT. Richard Sherman's Studio]( Matt drives up in his station wagon when Richard exits acting like he's been waiting all day. Matt starts to get out when Richard gets in.)Matt: Well, I'm here.Richard: Come on, let's go. We got 200 miles to cover.Matt: We're taking my car? I hope you're paying for gas.Richard: So I'm teaching you the meaning of life and I'm supposed to cover for gas,too?Matt: Meaning of life, yeah.Richard: Maybe I should get you a lunch and how about a damn souvenir?Matt: I'm just saying this is a non-paying internship, okay.Richard: Smells like old pizza in here, man.Matt: Well,that's how I pay for gas. Glad you're masking it with cigarette smoke.Richard: That's cool. That's cool.[INT. Coach's Office]Eric: Landry!Landry: Yes, sir!Eric: Come here.( Landry walks in with his helmet put funnily onhis face. )Landry: Yeah, coach?Eric: I want you on special teams today working on bunting.Landry: Yeah. I'd love to catch some punts.Eric: Good.Landry: That's uh...Eric: I don't want you catching. I want youpunting.Landry: You want me, like, um, kicking the ball? I don't know if I've ever...Eric: Yeah, that's what you do when you punt the ball.Landry: No, I, uh understand...Eric: You work on it.Landry: I know what itis.Eric: Special teams punting. Can you do that for me?Landry: Yes, sir. I just, I'm only...Eric: I appreciate it.Landry: Always considered myself kind of a...hands man.Eric: I need a punter! So if you would consider hangtimes and coughing corners, I'd appreciate that. Thank you very much.Landry: Yes, sir. I'll got start practicing right now. Thank you, Coach.( Landry leaves and Eric rubs his head when Luke knocks. )Eric: Yeah?Luke:Coach, can I have a word please?Eric: Yeah, sure. Come on in.Luke: Coach, I think we got off on the wrong foot and I just wanted to clear everything out. I just want to say, I don't hold anything against you. Everythingthat happened between me and your wife over at Dillon. And I'm not here to give you a hard time. I'm here to play football.Eric: Well, good. I'm glad. I'm glad.Luke: Okay.Eric: Cuz I don't think you should be holding itagainst me. As far as my wife is concerned, my wife wasn't the one who caused these problems for you. You caused these problems for yourself, isn't that about right? You were doing something knowingly wrong andyou got caught. Yeah? That lands yourself right on a plate of responsibility so why don't you take that responsibility. And as far as the rest, we'll see what you got when you're out there.Luke: Alright. Thanks,coach.[EXT. Junkyard]( Matt and Richard are loading metal into the back of the station wagon. )Richard: (holding up a piece of metal) You see stuff like this, okay? Get that, too.Matt: Alright. You know, when you'relooking at all this rusty, metal stuff, you know, it's all dirty and stuff, do you see something in it?Richard: Do I see something in it?Matt: I mean, like something, like you know, like, for your art.Richard: (picking up apiece of safety glass) Oh, oh... shh. Oh my, oh, oh, I see the face of God.( He drops it. )Matt: Alright.Richard: I don't know, man! I don't know. You ask too many damn questions. Questions.Matt: It was onequestion.Richard: Gonna take a little break. Not you but... Let's get the rest of that stuff in there, alright?Matt: Yeah.[INT. Bartender's House]( Tim exits the bathroom with a toothbrush in his mouth and heads to theliving room where he sees Girl. )Tim: Hey. I had to borrow your bathroom cuz mine's not working.Becky: Okay.Tim: I talked to your mom about it. She said it's cool, so...Becky: (laughs) Okay, I don't care. Hey, whichone do you like better? (she holds up two dresses) The red one or the pink one?Tim: For what?Becky: I have a pageant coming up and these are kinda old but I don't think they're too short. What do you think?Tim:Yeah, I don't think I'm qualified. I think it's best to ask your mom about this kind of stuff.Becky: She's not here. And you don't need to be qualified, it's just a dress. Which one do you prefer?Tim: Where's yourmom?Becky: She's working.Tim: Every night? She can't help out with this ever or what?Becky: Yeah. It's not a big deal. Okay, I can try it on for you if that's easier?Tim: What?Becky: I can try them on for you.Tim: Idon't know. (he starts walking out) I don't think I....Becky: Wait! Which one?Tim: Just, you're good. Pink for sure! Get the pink! You'll win with that. Good luck.( And with that, he leaves. )[INT. BAR in Clearwater](Richard is playing shuffleboard. )Richard: Dah!Matt: Alright, so how about I just throw my last two pucks and then we just take off?Richard: What's your hurry?Matt: I got stuff to do. I got people I got to take care of.It's not like we're doing anything here. We're just playing shuffleboard.Richard: Alright, let's talk then.Matt: You want to talk now?Richard: I can talk. You know, I'm not a dick all the time. So talk. Talk.Matt: I don'tknow what to say.Richard: Start anywhere.Matt: Fine. What would you say is the most important tool for an artist to have?Richard: What's with you and all these questions?Matt: You just told me to talk.Richard: Imeant, you know, talk about yourself while I secretly mock you inside my head.Matt: Oh, okay, alright, you know what? How about I just settle up our tab and then we'll take off.( Matt sits down at the bar when Richardsits down next to him. )Richard: Alright. Okay. Watch out. The most important tool an artist can have is selfishness.Matt: Selfishness?Richard: Yeah. It means you're gonna spend your life trying to express some quietdark corner, deep, deep inside you. You will put aside love, God, life! In order to follow this craving. So my advice to you is to just screw everybody else and maybe you got a chance.[EXT. A bar elsewhere...]( Eric andBuddy are sitting at a bar. )Eric: I wrote a personal check. I've got to get that money together and I've got to get it quick. I don't know how to talk to a boosters, you do. I don't know how to ask for money. You're getat asking for money. All I'm doing is asking for your help.Buddy: I know and I'd like to Eric but I got Joe McCoy and the other guys breathing down my neck. I mean, they think I'm the one who told you about themailbox.Eric: You are the one who told me about the mailbox.Buddy: I know! But I've got to unknow that right now. I mean, they may be having me followed! They probably got my phone tapped or maybe bugged forall I know. You know these guys, they're crazy!Eric: Yeah, they're crazy all right. Let me tell you something: Levi, now, Principal Burnwell, has informed me he's willing to shut down the football program at the highschool if need be. That's what I'm up against. I'm asking you for your help.Buddy: That's terrible. And I'm sorry to say this but I cannot help you right now. I just can't.Eric: You know what, Buddy?Buddy: What?Eric:You need to polish that ring of yours. It's looking a bit tarnished.( Eric gets up and leaves Buddy looking at his ring. )[INT. Taylor Bathroom]( Julie is brushing her teeth (are we sure we're not sponsored by Colgate???)while Tami stands nearby holding Grace, trying to put on the little girl's shoes. )Julie: An earthquake in West Texas?Tami: Yeah, they have 'em. Odessa. Odessa's on the permian basin and that's a fault line, honey.They have 'em. What would you do? Would you pray?Julie: Well...Tami: (to Grace) One more, one more.( Julie spits. )Julie: I'd probably check on you and Gracie and Dad and then I'd stand under a doorway.Tami:Alright, I know, I hear you. That's great. That's all good but would you pray?Julie: How 'bout next time there's an earthquake in West Texas I'll let you know?[EXT. East Dillon Football Field]( Usual suspects plus Tim."}
+{"doc_id":"doc_171","qid":"","text":"Michael: Yeah! Everything! Oh it's all good, it's all good. Phyllis!Phyllis: Dancing babies!Michael: Dancing babies! I love it! I love it![SCENE_BREAK]Michael: We are making a commercial for Dunder Mifflin today. Our firstad ever. Corporate purchased some air time in local markets to spread the word about Dunder Mifflin Infinity and they are even sending up a professional ad company to help us make it later so... it's uh, not tooshabby.[SCENE_BREAK]Andy: Best ad ever. [sings in the tune of the \"Kit Kat theme song\"] Gimme a break, gimme a break, break me off a piece of that... I am totally blanking. What is the thing?Jim: Nobody tellhim!Andy: What? No, why?Jim: You got it, you're so close!Andy: [singing] Break me off a piece of that... huh huh huh... br- applesauce.Jim: Break me off a piece of that applesauce, I don't think...Andy: Break me off apiece of that Chrysler car.Jim: Nope.Andy: Football cream. Grr!Michael: Okay, it's football cream. It's football cream. Alright! So, anybody else?Pam: I'm taking a computer animation class so I could try to do alogo.Michael: Look at that. Even the receptionist is getting in on the creativity. Very good, very good.[SCENE_BREAK]Michael: Hello hello!Ad guy 1: Hey, how ya doin'?Michael: Michael Scott.Ad guy 2: Hey,Michael.Michael: Regional manager.Ad guy 2: Hey Michael, nice to meet youMichael: Excited to talk ideas.Ad guy 1: Let's do it, man.Michael: You know, I want this to be cutting edge. I want it to be fast, quick cuts, youknow, youthful, sort of a MTV on crack kind of thing.Ad guy 1: That sounds great.[SCENE_BREAK]Michael: All right, good, well this is what we have to work with.Michael: I would like you to meet Andrew Bernard. The'Nard Dog. Who let the 'Nard Dog out?Andy: Hoo hoo hoo-hoo!Michael: He gives the best back rubs in the office.Andy: It's true, I give a mean backrub. I also do good aromatherapy [makes farting noise]. Not! You justgot 'Nard dogged!Michael: Now this gentleman right here is the key to our urban vibe.Stanley: Urban? I grew up in a small town. What about me seems urban to you?Michael: Stanley is hilarious. Phyllis is like our Mrs.Butterworth. Kind of a less urban Aunt Jemima.Michael: These are our accountants. And as you can see they are very different sizes. What you might want to do is kind of a Papa Bear, Mama Bear, Baby Bear thing. Thatmight be kind of fun.Kevin: [looking at Oscar] Mama Bear!Michael: Who else?[SCENE_BREAK]Jim: I think it's great that the company's making a commercial because not very many people have heard of us. I mean,when I tell people that I work at Dunder Mifflin, they think that we sell mufflers, or muffins, or mittens, or... And frankly all of those sound better than paper, so I let it slide.[SCENE_BREAK]Jim: You playing that gameagain?Dwight: Second Life is not a game. It is a multi-user virtual environment. It doesn't have points or scores, it doesn't have winners or losers.Jim: Oh it has losers.[SCENE_BREAK]Dwight: I signed up for SecondLife about a year ago. Back then my life was so great that I literally wanted a second one. In my Second Life I was also a paper salesman and I was also named Dwight. Absolutely everything was the same. Except Icould fly. [shot of Dwight's avatar flying around][SCENE_BREAK]Michael: [reading off piece of paper] Little girl in a field holding a flower, we zoom back to find that she's in the desert and the field is an oasis. Zoomback further the desert is a sandbox in the world's largest resort hotel. Zoom back further the hotel is actually the playground for the world's largest prison. But we zoom back further---Ad guy 1: Okay I can tell thatyour time is valuable---Michael: Actually I don't get paid by the hour anymore, but thank you, I get paid by the year, so...Ad guy 1: That all sounds really, really ambitious.Michael: Yeah, I know.Ad guy 1: Why don't weshow you what we did with the Nashua branch?Michael: Mmm. Okay. [commercial plays on laptop, peppy music in background]Michael: That's what Nassau came up with? That sucks! [chuckles] Whoa.Ad guy 1: That'swhat we came up with.Michael: Well we can do better than that.Ad guy 2: Well the main part of the ad has to stay the same, actually.Ad guy 1: Yeah, it's the last five seconds where we have some leeway.Michael: Thewaving?Ad guy 1: Well, no, no. You don't have to be waving. That was just what they did. You guys can be clapping. Sitting. Standing outside, inside, whatever. This is where you really get to becreative.[SCENE_BREAK]Andy: I need some advice. I've been spending a lot of time making out with Angela lately. But we've been necking, but only necking. Right? Not actually kissing, our mouths, just the neck onneck. It's just like rubbing slash nuzzling our necks together. It's hot, I'm not going to lie to you , but it's a little weird, but you seem like a guy with answers, so how do I fast track this to get to first base?Dwight: Wecannot talk about this... because, someone might hear us.Andy: We'll use code names.Dwight: Angela can stay the same, but we'll change Andy to Dwight.Andy: That's not different enough.Dwight:Dwike?[SCENE_BREAK]Receptionist: You have a call from Eddie Murphy.Ryan: Hello?Michael: [on speakerphone, Eddie Murphy voice] Shrek! Shrek, I'm a donkey! I'm a donkey, Shrek! [laughing] I'm just kidding. It'sme. Hello Ry.Ryan: What?Michael: Okay, calm down. I have a small problem.Ryan: I told you not to call about small problems.Michael: Yeah, well when I call about big problems you don't like that either, so make upyou mind, kiddo. Here is the deal, the ad guys that you sent are locking me in a creative box, and sort of ignoring my ideas.Ryan: That's good. They're creative, you're not.Michael: I'm creative, Ryan.Ryan: It's not partof your job, it's like, maybe you can cook but it doesn't mean you should start a restaurant.Michael: Well actually I can't cook, and I am starting a restaurant. Mike's Cereal Shack. I'm thinking we'll have as manyvarieties as you can buy in the store.Ryan: Okay, I'm not really interested in that right now. I'm delegating creativity to creative professionals. It's a different skills set. Look, I wasn't good at sales, right?Michael:Yeah!Ryan: But I'm good at managing people who do sales .Michael: Are you? I don't think you're doing such a good job here, suppressing ideas and creativity.[SCENE_BREAK]Michael: All right, let me ask you this, tellme if you think this is creative. When I was five, I imagined that there was such a thing as a unicorn. And this is before I had even heard of one, or seen one. I just drew a picture of a horse that could fly over rainbows,and had a huge spike in its head. And I was five, five years old. Couldn't even talk yet.[SCENE_BREAK]Michael: Hey guys, um, you know what, we cannot shoot this ad today.Ad guy 2: Okay, when should we comeback?Michael: How about never hundred hours, sir.Ad guy 2: We were sent here to help out.Ad guy 1: Okay I'm not going to argue with this guy. Let's go. Good luck dude.Michael: Hey thanks. Thankyou.[SCENE_BREAK]David Wallace: [on phone] Michael, David Wallace. What is this about dismissing the ad people?Michael: Yeah, I'm glad you called. Ryan is being a little bitch again.Ryan: I'm on Michael.Michael:What's up my brotha? Listen, David, I would like to do this ad in house. I want to use only the creativity that we have right here in the office. And I will send it to you tomorrow morning, take a look at it, and if you donot think that it's ready to air, send the ad agency back down here, and we'll do it on my dime.David Wallace: This is weird.Michael: I'm willing to stake my entire reputation on it.David Wallace: Okay, I'll see ittomorrow.Michael: Okay. [hangs up phone] And thus, Michael Scott sealed his own destiny. In a good way.[SCENE_BREAK]Michael: Has anyone ever come up to you and said, \"You're not creative\"?Dwight: Yes.Michael:Well they're wrong. You are creative. You are damn creative. Each and every one of you. You are so much more creative than all of the other dry, boring morons that you work with.Jim: Who are you talking to,specifically?[SCENE_BREAK]Kevin: I kind of know what it's like to be in commercials. My nickname in high school used to be Kool-Aid Man. [makes squinty face][SCENE_BREAK]Oscar: When I was younger I alwayswanted to be an actor in commercials. Then I realized I had a brain.[SCENE_BREAK]Meredith: I'm excited about doing the ad, but I'm not really used to doing videos with so many peoplearound.[SCENE_BREAK]Michael: We have three scenes to film, big scenes. We have a song to write. So let's get cracking. Kelly, I want you to do makeup. Oscar, I would like you to do costume design, obviously.Phyllis, I'd like you look around town and see if we have any celebrities in our local area.[SCENE_BREAK]Phyllis: [gasps] Sue Grafton is at the Steamtown Mall. She's doing a book signing right now.Michael: Okay, okay,Phyllis this is what I want you to do. I want you to go down to the mall. I want you to get in line. I want you to get her to be in this commercial. This would be a huge coupe people. All right? Do not take no for ananswer.Phyllis: Okay.Andy: Does anyone actually know what Sue Grafton looks like? I mean, is she hot or-?Creed: She's crazy hot.Andy: Well then maybe we should just use Angela and say she's Sue Grafton. Wouldanyone notice?Angela: That's not happening.[SCENE_BREAK]Angela: I find the mystery genre disgusting. I hate being titillated.[SCENE_BREAK]Phyllis: Bye everyone.Michael: Line it up Phyllis.Creed: Get herPhyll.[SCENE_BREAK]Darryl: [singing] Out of paper, out of stock, there's friendly faces around the block, break loose from the chains that are causing your pain.Andy, Creed, Kevin, Kelly, Darryl: Call Michael orStanley, Jim, Dwight or Creed. Call Andy and Kelly for your business paper needs.Darryl: Dunder Mifflin.Andy, Creed, Kevin, Kelly: The people person's paper people.Darryl: Dunder Mifflin.Andy, Creed, Kevin, Kelly: Thepeople person's paper people.Michael: Time out, time out, time out, time out, time out. I thought... I was under the impression that this was going to be a rap.Darryl: What's rap?Michael: Okay, Darryl, wow, you needto learn a lot about your own culture. I'll make you a mix.Darryl: Great.[SCENE_BREAK]Andy: News flash. I got some juicy updates on Operation Fallen Angel. Remind me to tell you later.[SCENE_BREAK]Jim: Hey.Pam:No talk, I'm animating.Jim: Why don't we take a quick ten second break from that so I can show you what's going on here. [pulls up Dwight's game] Okay, this is Dwight's Second Life. He's on it all the time. So much sothat his little guy here has created his own world. It's called Second Second Life, for those people who want to be removed even further from reality.Pam: Are you serious?Jim: Yeah.Pam: Oh my God, he's really inpain.Jim: [sighs]Pam: Who's that?Jim: Oh, it's just my avatar guy. Whatever.Pam: He looks a lot like you. How much time did you spend on that?Jim: Not much, it's just for tracking Dwight so---Pam: Right... you're asports writer in Philadelphia? Nice build too.Jim: Yep.Pam: You have a guitar slung on your back. I did not know you played guitar.Jim: I... why don't we go back to this animation.Pam: No no no, I want to see more ofPhilly Jim. I want Philly Jim.Jim: Ah, show me how this works.Pam: Oh boy.[SCENE_BREAK]Darryl: [singing in different tune] Out of paper, out of stock, there's friendly faces around the block, break loose from thechains that are causing your pain. Call Michael, Stanley, Jim, Dwight or Creed. Call Andy and Kelly for your business paper needs. Call Dunder Mifflin.Andy, Creed, Kevin, Kelly: The people person's paper people.Darryl:Dunder Mifflin.Andy, Creed, Kevin, Kelly: The people person's paper people.Michael: Stop. Stop stop stop stop stop stop. This is not me. This is not my music.Darryl: You're right, it's better than you! It's us! [sings]Dunder Mifflin.Andy, Creed, Kevin, Kelly: The people person's paper people.Michael: No, I hate it! I hate it! ...I don't hate it, I just don't like it at all. And it's terrible.Darryl: You're on your own, Mike. [gets up and startsto walk away]Michael: Okay, you know what. Hold on, hold on Darryl.Darryl: You just said you hated it.Michael: No. I said I hate the, the style.[SCENE_BREAK]Andy: [singing] Break me off a piece of that lumber tar.Snickers bar.Michael: Okay, wow. Wow, this looks uh, terrible.Andy: Break me off a piece of that Grey Poupon.Michael: Andy, Andy, this is a pivotal scene in the ad. And if we don't get this, if we don't nail it, we'regoing to lose the whole triumph of the moment. The triumph of the will. Now, God, what? What Phyllis?Phyllis: [crying] Well, I got in line to buy Sue Grafton's book and when it came to my turn I asked if she wanted tobe in the ad and she said no thank you, but I wasn't supposed to take no for an answer.Michael: That'a girl.Phyllis: So I kept on asking and they finally threw me out of the store in front of all my friends.Michael: Didyou, or did you not get Sue Grafton?Phyllis: [sobbing] No.Michael: Ugh, can somebody give her a tissue please? [Kevin hands her piece of tape][SCENE_BREAK]Jim: I hope you're not killing yourself on this, because I'msure it's good enough for Michael's ad that will probably be seen by no one.Pam: Maybe, but it's not good enough for me yet.Jim: Okay. Do you want me to stay?Pam: No no, you can go home. I'mgood.[SCENE_BREAK]Jim: Pam is staying late tonight to uh, achieve her dreams. So I'm pretty proud of her, unfortunately she was my ride home.Meredith: You comin'?Jim: I, ah...Meredith: Piss or get off thepot![SCENE_BREAK]Pam: Dunder Mifflin, this is Pam.Jim: Good morning. [Pam sees breakfast sitting on her desk] Yeah I'm sorry, I looked away for a second and Creed snatched your hash browns.Pam: Thank you.Jim:You're welcome.[SCENE_BREAK]Pam: I worked until about 2:45 AM. And then I had to decide if I wanted to spend the night with Michael editing in his office, and Dwight watching Michael edit in his office, or drive homeand probably fall asleep at the wheel and die in a fiery car wreck. I passed out on my keyboard trying to decide.[SCENE_BREAK]Andy: Let me pour you some bubbly because somebody got to a whole new level lastnight.Dwight: Andy, I can't hear this right now.Andy: No, no no no, this is good. You know how we haven't really gotten anywhere that I want to get to physically yet? Well, last night, that changed. We're makin' out,I'm kissin' her neck, and cheek and her ear lobe, and she's not really kissing me back. But she closes her eyes and she's like, \"Oh D, oh D.\"Dwight: She called you D?Andy: Yeah. D for Andy.Dwight: Oh D.Andy: OhD.Dwight: [whispers] Oh D.Andy: Oh D!Both: Ohhhhhh D! [laughing] Ohhhh D![SCENE_BREAK]Michael: I'm about to send the ad to corporate... and it is sent. They'll probably watch it right away. I know I would. Okay.[dials phone]Pam: [on phone] Yes?Michael: Pam, please clear my phone lines.Pam: Certainly. [makes beeping noises] Okay, clear.Michael: They could call at any second now. [sighs] Oh God...I bettercall.[SCENE_BREAK]Michael: [Ten days later] Well, it's been tough. The uh, geniuses at corporate rejected my commercial and tonight they are airing the brain dead version. So welcome one and all to the worldpremiere of Corporate Crapfest![SCENE_BREAK]Everyone: [watching ad] Oh! [clapping and cheering]Bartender: Hey it seemed like a big hit.Michael: No, it was stupid. People like waving, waving sells. It's not art. Yetwe made our ad, the real one was full of humor, and full of depth, and full heart and it was real.[SCENE_BREAK]Jim: Hey, could you do me a favor? Could you put that in the DVD player?[SCENE_BREAK]Jim: Heyeverybody! Just want to welcome you all to the premiere of the real Dunder Mifflin commercial, the Michael Scott director's cut. Hope you like it.[SCENE_BREAK]Michael's Ad: [Chariots of Fire theme plays] It all startswith an idea. But you can never tell where an idea will end up. [people passing a Corporate Memo around to each other] Because ideas spread, they change, grow. They connect us with the world. [Kelly catches paperairplane that says \"I love you\"] And in a fast moving world, where good news moves at the speed of time [newspaper with Andy saying \"Hometown Boy Wins Race\"], and bad news isn't always what it seems. [Dwighthands Phyllis paper that says \"You have a son, and it's me\"] Because when push comes to shove we all deserve a second chance. [Stanley finds paper that says \"Turn your life around. Now hiring at Dunder Mifflin\"] Toscore. [Jim throws paper in basket, Michael retrieves it; it says \"World's Most Creative Boss\"] Dunder Mifflin. Limitless paper in a paperless world.[SCENE_BREAK]Everyone: [claps and cheer]Jim: Animation? All her bythe way. [points at Pam]Bartender: Really?Jim: I just thought you should---Bartender: The animation was cool.Pam: Thanks.Bartender: Hey listen, you ever been on a motorcycle?Jim: Ahh. [puts his arm aroundPam][SCENE_BREAK]Kevin: Michael, that was fun.Michael: That was fun. Next round of drinks is on me, people![SCENE_BREAK]Andy: [singing] Claude Van Damme, Hair for Men, poison gas, NutraSweet. [speaking]It's gotta rhyme with \"piece.\" Fancy Feast! [sings] Break me off a piece of that Fancy Feast! It's the cat food. Nailed it."}
+{"doc_id":"doc_172","qid":"","text":"EXT. WOODS - VIEWFINDERWILLIAM MOORE: (V.O.) I am here in Shenandoah State Park. Oh, that's beautiful. Wow!(CAMERA PANS POND AND HILLSIDE THROUGH VIEWFINDER)(ACTION CONTINUES AS MOORETUMBLES DOWN THE HILL)(MUSIC OUT)(THEME MUSIC UP OVER OPENING TITLE/SCENES/ CREDITS AND OUT)[SCENE_BREAK]INT. SQUAD ROOM - DAYKATE: (V.O.) He did that? Yeah? (INTO PHONE) You're kidding.Well, I wouldn't put it in my romantic column, Deb. Definitely kinky. Maybe affectionately odd. But I mean, I don't find anything romantic about having s*x with...I'll call you back later.(HANGS UP PHONE)TONY: s*xwith a what?KATE: None of your business.TONY: Another woman?KATE: Go back to your desk.TONY: Another man?KATE: I told you.TONY: Some kind of root vegetable?KATE: You're disgusting.TONY: Wasn't me havinga conversation about kinky s*x, Kate.KATE: It was a private conversation, Tony, something you seem to have a difficult time with.TONY: If I'd been having that conversation, you'd accuse me of being aNeanderthal.KATE: Well, that doesn't require a conversation, Tony.TONY: You know what I think, Kate? I think there's a secret side to you. A Spike Steele video kind of side. Keep it hidden under your mattress.KATE:Leave now.TONY: Ah, you're a Spike Steel fan, aren't you, Probie?MCGEE: What, the p0rn star?TONY: No, the physicist.MCGEE: Oh, no not really. He looks kind of sleazy.KATE: Actually he looks a little bit likeTony.TONY: Oh, you have no idea how much he looks like me. Kate, how do you know what he looks like?KATE: I saw him on the news when he was arrested a few years ago.TONY: Really. Spike Steel's real name isJay McMann. And according to the National Crime Database he's never been arrested. Ever.(SFX: KEYBOARDING B.G.)GIBBS: What're you waiting for, DiNozzo?TONY: Uh...GIBBS: Gas the truck.TONY: I knewthat.GIBBS: McGee, get Ducky.MCGEE: What am I telling him, Boss?GIBBS: We have a dead Marine in Shenandoah River State Park. Come on! Let's go![SCENE_BREAK]EXT. STATE PARK - DAYKETT: (V.O.) SergeantWilliam Moore. Call came in from his wife.GIBBS: The friend?KETT: Sergeant Roger Caine. All camping together. This morning they were going to hike this trail. Sergeant Moore went ahead early to film the sunrise.When they couldn't find him, they called us. Early in the morning, it's really slippery up here. Sergeant lost his traction and slipped.GIBBS: Are you a trained investigator, Ranger Kett?KETT: Been working this park fiveyears, Agent Gibbs. It's as treacherous as it comes up here. Seen a lot of hikers go over.GIBBS: This hiker was a Marine.KETT: Yeah, well, this Marine slipped and fell to his death.GIBBS: You said he was filming.KETT:That's what his wife said. No sign of the camera.GIBBS: Me and my team can take it from here.[SCENE_BREAK]INT. TRAIL - DAYKATE: I wonder what happened to McGee?TONY: Probably passed out on the side of thetrial sucking his thumb.KATE: He joined a gym, you know.TONY: Is that right?MCGEE: (SHOUTS) Wait up!TONY: He should get his money back. Where the hell have you been?MCGEE: Ducky needed some help with hisgear. How much further is this?KATE: It's another quarter of a mile.TONY: Uphill. Stamina, Probie. It's very important in our profession. As it is in Spike Steel's profession.KATE: You relate to him, don't you,Tony?TONY: Oh, we have a lot in common.KATE: Stamina?TONY: For one.[SCENE_BREAK]EXT. CREEK - DAYDUCKY: What are your preliminary findings, Mister Palmer?JIMMY: Ah, lacerations, bruises, contusionsconsistent with a fall of this kind.DUCKY: And?JIMMY: And uh... I would imagine that the victim has sustained fractures of several limbs.DUCKY: Cause of death?JIMMY: Impossible to say until we get him back, but fromthe looks of his head wounds, I would say that he probably struck a rock.DUCKY: Cause of death?JIMMY: Shock.DUCKY: That would be my supposition as well.JIMMY: But what I don't get is the flesh trauma. What kindof wounds are these, Doctor?DUCKY: They're Coyote. They would eat the exposed tissue first.JIMMY: What's second?DUCKY: If what I suspect is true, the abdominal cavity has been chewed open. The liver and kidneyare a rich source of nutrients for these creatures.JIMMY: That's gross, Doctor.DUCKY: Well actually, Mister Palmer, we're quite lucky here. In some cases they chew off the head and carry it away so they won't have tofight other coyotes for it. My coroner friend in Los Angeles says coyotes take it \"to go.\" They're very strange in Los Angeles.GIBBS: Anything unusual, Duck?DUCKY: Not really, Jethro. I'll know more when I get ourMarine back on the table.MCGEE: Boss! I found the camcorder![SCENE_BREAK]EXT. CAMPGROUND - DAYJUDY: He was obsessed with the stupid camera. I gave it to him on his birthday. Maybe if he hadn't, he wouldn'thave slipped.GIBBS: Anybody else at this campsite while you were here.CAINE: No, Sir. Just the drunk. He was nothing to worry about. He was in a trailer over there. Scruffy guy. He was drinking too much. He gotloud. We asked him to keep it down.GIBBS: He didn't keep it down?CAINE: No, Sir. So we went over there and tried to reason with him. That's when he took a swing.KATE: You took a swing back?CAINE: No, Ma'am. Billput him in a head-lock 'til he calmed down and then he just took off.GIBBS: I don't suppose you got a license number?CAINE: No, point, Sir. The guy was harmless.JUDY: Bill spends eight months in Iraq and diesfilming a sunrise in Virginia.[SCENE_BREAK]INT. LAB - DAY(SFX: DOORS SLIDE OPEN)ABBY: That's not the way it works, Gibbs. This thing has been in water for hours. You don't just spray a little Four-Oh-Nine on thetape and off you go.GIBBS: Tape?ABBY: Yes. It's digital video tape.GIBBS: I thought everything was a chip these days.ABBY: No, they kind of married the old school with the new. You know like new hip-hoppers will goback to old-school rappers like Sugar Hill Gang.GIBBS: How long?ABBY: I have to separate the cartridge. I have to submerge the wheels in a cleaning solution with the heads up against it. I have to remove the siltcontaminants so they don't shred the tape...GIBBS: How long Abby?ABBY: Um... three, maybe four hours.GIBBS: Let me know when you got it.ABBY: Hey Gibbs, do you have a camcorder?GIBBS: Yeah. Digital,okay?ABBY: Good, Gibbs! Way to go! Did you make the jump to CDs yet? Because if you didn't, it's cool because all the hot D.J.s, they use vinyl these days anyway.GIBBS: Just get it to me.ABBY: Hey Gibbs! Gibbs!Gibbs! Gibbs! Gibbs! Gibbs! Gibbs! Peace out, man.[SCENE_BREAK]INT. AUTOPSY ROOM - DAYDUCKY: Indiscriminate predators; coyotes, fish, cats, garbage. They'll eat anything they can chew, unlike my mother whocan no longer chew anything. I assure you, Mister Palmer, it is a beastly sight.JIMMY: Yes, it is, Doctor.DUCKY: I was speaking of my mother.JIMMY: Right.DUCKY: Have you ever seen a rib-eye steak that's beenreduced to baby food by a Cuisinart?JIMMY: Not recently.DUCKY: It's remarkably similar to her burritos and her pizzas. Not to mention the Sunday dinner treat sushi through a straw. Give me a pair of tweezers, MisterPalmer. There's something peculiar here.JIMMY: What is it, Doctor?DUCKY: I haven't a clue. That's why you will take it directly up to Abby. I was thinking, Mister Palmer...JIMMY: Yes, Doctor?DUCKY: Perhaps it abouttime you came over to the house one evening.JIMMY: Came over?DUCKY: Join us for dinner.JIMMY: Ah... that'd... that would be great.(SFX: DOORS SLIDE OPEN)[SCENE_BREAK]INT. LAB - DAYABBY: Northern WhiteAsh. Ash trees are not indigenous to this area. And even if they were, you know any that have kiln dried wood and a lacquer coating?GIBBS: Lacquer?ABBY: Yep. Clear coat.GIBBS: Baseball bat.ABBY: Wooden bats aremade out of either maple or ash. Ash is more popular, but it tends to splinter more easilyGIBBS: Especially when they come in contact with somebody's skull.ABBY: Somebody did a Barry Bonds on Sergeant Moore'shead, Gibbs.(MUSIC OUT)[SCENE_BREAK]INT. SQUAD ROOM - DAYKATE: (V.O.) Sergeant William Moore, transferred from Camp Lejeune to Quantico two months ago. (ON CAMERA) He was serving as an E-I for allnewly commissioned Marine Officers.MCGEE: E.I.?TONY: Enlisted instructor, Probie.MCGEE: Uh... what did he teach, Kate?KATE: Well, according to his records, MOUT.TONY: MOUT stands for militaryoperations..MCGEE: Yes, I know what it stands for, Tony.TONY: Well, excuse me for trying to help junior agents!MCGEE: Trust me, when I need help you will be the first person I ask...where Gibbs or Kate is.(TONYLAUGHS)KATE: Are you two done?TONY: For the moment.KATE: These are the last two people to have seen our Sergeant alive. His best friend, and his wife.MCGEE: Hey!TONY: Now I'm done. Continue.KATE: Do youthink that one or both of them could have murdered the Sergeant?TONY: Well it is kind of weird a single guy hanging out with a married couple.MCGEE: I agree.KATE: Why is that?TONY: Well, because he's a single guyhanging out with married people.KATE: I do that all the time.TONY: Yeah, but you bring a date, right?KATE: Not... always.MCGEE: Are you related to them?KATE: No. (LONG BEAT) What?TONY: Well, who usually invitesyou ...?MCGEE: The man or the woman?KATE: I don't know, I guess usually the guy. Okay, a lot of my friends are from the Secret Service, and most of them happen to be men.TONY: What about your ... girlfriend whocalled yesterday morning?KATE: Well, Deb is married to one of my buddies, Rick.(TONY AND MCGEE GIGGLE)KATE: Okay, so what you're trying to say is that all of my married male friends secretly want to sleep withme?TONY: Pretty much. Yeah.KATE: That's very mature, Tony. And for your information, men and women can just be friends. Isn't that right, McGee?(TONY AND MCGEE GIGGLE)MCGEE: Technically.KATE: What do youmean technically?TONY: He means she'd have to be pretty ugly first.(TONY AND MCGEE GIGGLE)MCGEE: I didn't say that.KATE: I swear I do not get paid enough for this.GIBBS: For what, Kate?KATE: Nothing. We arejust discussing potential suspects.TONY: Focusing on the Sergeant's wife and best friend, Boss.GIBBS: Yeah. Well, come on. We've got one more.(TONY AND MCGEE GIGGLE)KATE: You guys are four years old,honestly.[SCENE_BREAK]INT. LAB - DAYTONY: Uh... nice hat.KATE: Attractive.MCGEE: In a weird way.GIBBS: Why?ABBY: Well, I had to set up a clean room in the ballistics lab to work on the damaged videotape. Andjust throwing the hats away seemed sort of wasteful. So I decided to recycle. What do you think?GIBBS: I think it suits you. Now what's on the tape?ABBY: Oh, I haven't finished cleaning it up yet, but I have aP-O-I.TONY: Person of interest.GIBBS: Let's see it.ABBY: The following program has been edited for time and content. It may not be appropriate for younger viewers.GIBBS: Abby!ABBY: Right.JUDY: (ON TAPE) Thisisn't a good idea, Bill.MOORE: (ON TAPE) I've asked this guy three times to turn his music down.CAINE: (ON TAPE) Yea, now we make him.MOORE: (ON TAPE) And if he has a gun or something in there?CAINE: (ONTAPE) I film it and we get the redneck arrested.MOORE: (ON TAPE) Way to encourage him, Roger.CAINE: (ON TAPE) Oh, come on, honey. It's not that big of a deal. We'll be right back.ABBY: Okay, this next part is likean outtake from Deliverance.RUNION: (ON TAPE) I thought I told you guys to leave me the hell alone!MOORE: (ON TAPE) Sir. We will once you turn the music down.(SFX: DOG BARKS B.G.)RUNION: (ON TAPE) What?Do you think I'm afraid of you or something?MOORE: (ON TAPE) I'm not here to fight you. We just want you to lower the music...(SFX: STRUGGLE)MOORE: (ON TAPE) Hey hey hey!RUNION: (ON TAPE) I'll kill you! I'llkill you!MOORE: (ON TAPE) No. What you just did, you just assaulted me on camera. Now either you leave or we're going to call the cops.RUNION: (ON TAPE) All right. Just let me go.MOORE: (ON TAPE) Huh?RUNION:(ON TAPE) All right.GIBBS: We need to I.D. this guy.ABBY: Oh, I'm way ahead of you, Gibbs. I got a shot of the license plate. It is registered to a David Runion. His last address is an R.V. campground in Manassas. He'ssince moved.GIBBS: Find him. That's good work, Abby. Tony, head back to Shenandoah State Park. Take McGee.TONY: For what exactly, Boss?GIBBS: I want to know where the Sergeant was killed before he wastossed off that cliff.TONY: Oh. Get the sedan ready, Probie. I'll meet you out front.ABBY: So Kate, you really like my hat?KATE: Uh... it's different.ABBY: Cool, because I made you one!KATE: Abby, I don't know what tosay.ABBY: Put it on!KATE: Okay.MCGEE: She bet me twenty bucks that she could make you wear that today.(MCGEE WALKS O.S.)ABBY: Your cut.KATE: Pleasure doing business with you, Abs.ABBY:Totally.[SCENE_BREAK]EXT. STATE PARK - DAYTONY: Hurry it up, McGee.MCGEE: I mean, you could have helped.TONY: I did. I carried the camera. Moore was a Marine, a combat veteran. Probably not the easiest guyin the world to sneak up on.MCGEE: Unless he knew his attacker.TONY: Or was ambushed. It's pretty wide open space. Let's check out the tree line.[SCENE_BREAK]EXT. TRAIL - DAYMCGEE: Blood drop.TONY: Surelooks like it. Okay, we're going to have to search in there. You're going to want to watch out for--MCGEE: Yes, I know how to search a wooded area, Tony. I'm not an idiot.TONY: I didn't say you were.MCGEE: Then whydo you always treat me like one?TONY: Just trying to impart a little wisdom, McGee.MCGEE: Look, I graduated top of my class at FLET-C. So I think I can handle it.TONY: Be my guest. Give me a call if you findanything.MCGEE: I will.[SCENE_BREAK]INT. SQUAD ROOM - DAYKATE: I found David Runion, Gibbs. He checked into another campground twenty miles from the Shenandoah State Park. Also ran a background checkon him. He's served time.GIBBS: For what?KATE: Assault and battery. He nearly beat a man to death with a pool cue in ninety three.GIBBS: Looks like this time he might have succeeded.KATE: We getting awarrant?GIBBS: We need evidence for a warrant, Kate. Right now I just want to talk to him.[SCENE_BREAK]EXT. WOODED AREA - DAYMCGEE: Tony! I found it!(PASSAGE OF TIME)TONY: Not bad. Not bad at all,McGee.MCGEE: Thanks. Hey, I'm sorry about that there.TONY: Don't mention it. Besides, that's a pretty brave thing to do.MCGEE: What do you mean brave?TONY: Well, crawling around back here in all this poison ivy.I don't know if I would have done it.MCGEE: You're... you're kidding, right?TONY: Leaves of three let them be, McGee. A little something I picked up during my first year. Don't touch me, by the way.MUSICAL BRIDGETO:EXT. CAMPGROUND - DAYKATE: Is that a rat or a dog? Hey, buddy. Hey. Oh. Sorry. I wouldn't do that if I were you, Gibbs. One day you're going to have to tell me how you do that.(SFX: DOGGROWLS/BARKS)GIBBS: Easy. They can sense sarcasm. (SFX: DOG GROWLS/BARKS)(GIBBS AND KATE WALK TO THE CAMPER)GIBBS: (SHOUTS) Runion! Special Agents Gibbs and Todd, NCIS! I'd like to ask you a fewquestions! (KNOCK ON DOOR)(DOOR OPENS)[SCENE_BREAK]INT. CAMPER - DAYGIBBS: Clear. What do you think?KATE: The word disgusting comes to mind.GIBBS: You smell that?KATE: Ah, if you're referring to theurine, yes.GIBBS: No, I meant this.KATE: Marijuana?GIBBS: Yeah, it's recent too. Ah...KATE: Well, it's enough to bring him in and hold him for a while.GIBBS: Oh, yeah.(SFX: DOG BARKS)[SCENE_BREAK]EXT.CAMPGROUND - DAYKATE: (SHOUTS) Runion! Federal agents! Stop! (SFX: DOG CONTINUES BARKING)(MUSIC OVER ACTION/KATE AND GIBBS CHASE RUNION)RUNION: Idiots.GIBBS: Put your hands behind yourhead.RUNION: How did you...?GIBBS: Sneak up on you like that?RUNION: Yeah.GIBBS: I used to do it for a living. Back then you'd be dead instead of under arrest. Any other questions?RUNION: Uh-uh.GIBBS: I didn'tthink so.(FADE TO BLACK)[SCENE_BREAK]INT. OBSERVATION ROOM - DAYRUNION: I know you can hear me out there. I'm telling you for the last time.[SCENE_BREAK]INT. INTERROGATION ROOM - DAYRUNION: Igotta use the bathroom.[SCENE_BREAK]INT. OBSERVATION ROOM - DAYRUNION: Okay, have it your way. It won't be the first time I had to do this.KATE: Maybe we should.TONY: He's bluffing.KATE: Tony, you didn'tsee the inside of his camper.TONY: That bad, huh?KATE: Picture the most disgusting public restroom you've ever been in, covered in puss and vomit. I would still rather live there than this guy's place.TONY: That's nice,Kate.KATE: You should thank me. Eating that crap will kill you.TONY: I'm more concerned about what Gibbs will do if this redneck takes one in our interrogation room.[SCENE_BREAK]INT. INTERROGATION ROOM -DAY(DOOR OPENS/ CLOSES)RUNION: I gotta use the bathroom.GIBBS: Hold it.RUNION: I can't.GIBBS: Good, we can do this quick. Why'd you murder Sergeant William Moore?RUNION: What? Who the hell isthat?GIBBS: That's right. You probably don't recall his name.MOORE: (ON TAPE) Sir, I'm not here to fight you. We just want you to lower the music.(SFX: DOG BARKS B.G.)(STRUGGLE)(ON TAPE) Hey heyhey!RUNION: (ON TAPE) I'll kill you.MOORE: (ON TAPE) What you just did was assault--GIBBS: He was found yesterday lying at the bottom of a cliff.RUNION: Is that what this is all about? You think I killed somejarhead? No way, man. Nice try.GIBBS: Why'd you run?RUNION: 'Cause of the pot in my trailer. I got a medical condition.GIBBS: What? Stupidity?RUNION: Oh, man. I was really drunk that night. I barely evenremember the guy. I sure as hell didn't kill him.GIBBS: Where were you yesterday between five thirty and seven thirty a.m.?RUNION: Sleeping. Yeah, at the rest stop off Two Eleven. I didn't even wake up until after teno'clock.GIBBS: Witnesses.RUNION: Oh, sure. I mean, there were lots of other cars and trucks when I pulled in.GIBBS: I need names.RUNION: I don't have any names.[SCENE_BREAK]INT. OBSERVATION ROOM -DAYKATE: There are two rest stops on that road, Tony.TONY: Check if they have any video surveillance or attendants.KATE: On it.[SCENE_BREAK]INT. INTERROGATION ROOM - DAYTONY: (V.O./FILTERED) Running it,boss.RUNION: So what happens now?GIBBS: You've got a violent past, your alibi's weak. And I've got you on tape threatening the victim. You tell me, Runion?DAVID: It's been this way my whole life. It's always beenlike this. One freakin' nightmare after another. But I swear to you, Agent Gibbs, I didn't kill anybody.GIBBS: We found your bat.DAVID: What bat?[SCENE_BREAK]INT. LAB - DAYMCGEE: Hey, Abby. You gotsomething?ABBY: Well, I've got good news and bad news. This is definitely our bat. The splinter from Sergeant Moore's head fits perfectly.MCGEE: Bad news?ABBY: It's been wiped clean of any prints. The only thing onit is urushiol oil. That's the stuff found in ... aah!MCGEE: What?!ABBY: You... you have to see this for yourself.MCGEE: Whoa! This is going to hurt, isn't it?ABBY: Yes.MCGEE: I look like a circus freak! Abby, what do Ido?ABBY: Um... well, you could use Calamine lotion. Or perhaps just wear some sort of mask.[SCENE_BREAK]INT. SQUAD ROOM - DAYKATE: (INTO PHONE) And can you mark it \"Special Agent Todd.\" Thanks, SheriffLester. Dinner? Aren't you married? Well, it does to me. (TO TONY) My mother wonders why I'm not married.(HANGS UP)TONY: So does mine.KATE: Could you stop doing that?TONY: I'm practicing, Kate.KATE: What?Annoying me?TONY: No, the creepy way Gibbs used to sneak up on us.KATE: What do you mean used to?TONY: The old man's been wearing Ben-Gay lately. I can smell him coming a mile away.GIBBS: Is that a fact,DiNozzo?TONY: Knee feeling better, Boss?GIBBS: Much.TONY: Great.GIBBS: What about Runion's alibi?KATE: I've got the local sheriff pulling the security tapes from the rest stops on Route Two-Eleven.TONY: And wehave a description of his pickup and trailer circulating with the state cops who worked the area that night.KATE: Do you think he did it, Gibbs?GIBBS: Oh, yeah. And Tony is cleaning up. (INTO PHONE) Janitorial, don'tworry about interrogation. DiNozzo is gonna handle it. (TO TONY) You still here?TONY: Are you serious? ...You serious? Oh. In my defense, I did use the word creepy in the most... affectionate way. Right.KATE: Youmight want to use gloves.GIBBS: Where's McGee?[SCENE_BREAK]INT. NCIS AUTOPSY ROOM - DAYDUCKY: Oh, let's see what we're dealing with here, Timothy. Ah, the dreaded Toxicodendrom radicans... the PoisonIvy plant. You seem to be particularly allergic to it. Usually it takes several days for this sort of reaction to develop.MCGEE: I'm lucky that way.DUCKY: The last time I encountered a case of this magnitude, two young"}
+{"doc_id":"doc_173","qid":"","text":"Ted and Stella joined the others at McClaren's.Ted: Hi.Lily: Hi. How are you? Stella (taking the glass of Barney): I'll just finish this.Ted: It was just dinner with her sister Stella and her boyfriend.They married beforeus.Stella: You know, you dream of the perfect wedding since you been little girl.Lily: Yeah.Marshall: Bluntly.Stella: My sister steals my dream wedding. So every little detail on Shelter Island, the sun managed tosleep... Flashback Stella and Ted are the restaurant's sister Stella and her boyfriend. Sister Stella:... near the beach in the old family home. This is my dream wedding.Stella (Ted taking the glass): I'll finish it.Ted: Itseems that the lamb is great here.Nora: I'm vegan. I wish I could silence that voice in me that says eating animals is murder, but I guess I'm not as strong as you.Ted: Did you need protein. I take the lamb. EndflashbackTed: New objective: Our marriage is to kick the ass of hers.Our marriage is to take the head of his, press it down the toilet and flush 20 times.Lily: Ted, in high school, his marriage was you, right?Stella: Youknow, she always wants to overtake. I like it, but there is a part of me that would like it all falls apart. Stella is the restaurant with his sister and Ted.Nora: I hate it! I hate him. God, this steak is good. 4 days before andhe fled with a consultant from Whole Foods? I do my make-up more for him. I do not shower more for him. I shave armpits more for him.Ted: Hard to know where is the problem.Nora: Now, so close to the wedding...Got some bacon or something in the sauce. I love it. I would not be refunded. I will lose thousands of dollars.Ted (2030): Children in a relationship, you develop as a telepathy with your partner.Stella: You think aboutwhat? It might help.Ted: No, Stella, it should help. Pay for dinner. Do not worry.Taking Charge.Stella: It's true. Recovering your marriage, we reimburse you all that you paid for. Ted and I are getting marriedSunday.GENERICTed: We get married on Sunday? It is sure to be ready for this?Stella: I've wasted years waiting for the father of Lucy decides to be \"ready\" for it, but it has ever been. That's why we had nevermarried. Come on, must be spontaneous, I dreamed that Tony is spontaneous like that.Ted: I'm leaving. And I'm also... spontaneous. (He throws a glass of water on his face) I would not have done that.Ted (2030):Children, morality often happens at the end of the story, but this one is too important, I will say now: Never, never, invite ex to your wedding. If I was given this advice, it would have changed everything.Ted, Barney,Marshall and Lily are at the bar. Ted phone.Ted: We need you to come, this is my marriage.Robin: I can not. I am in Tokyo. This is my first week. I can not leave like this. In addition, I am finally serious information.Ted(2030): Robin was serious information. Flashback A man brings a fan on the set of information.Ted (2030): It was the first English news channel in Japan. Of course, the info was a little different there.Robin: The boardof the Fed voted not to change the... rates. End flashbackTed: This is my marriage. You gotta be there.Robin: OK, I'll be there. I gotta go. Good evening. And I'm Robin Scherbatsky. The talks have been arrested in theMiddle East. Despite a promising start in the final negotiations, the talks foundered on security.Ted: It is.Barney: Okay, burial of bachelorhood. Tonight, I have three exotic dancers most flexible physically and mentallythat you've ever seen...Ted: No time.Barney: I'll tell you. Marshall and Ted leaves the bar.Ted: Do we really have to rent the cars for tomorrow.Barney: What?Lily: No \"You not married, Ted?\" No \"You're making a bigmistake, Ted?\" Have you stopped the fight against marriage?Barney: No, I recognize a lost cause, when I see it. That's why I'm not recycle. In addition, Ted getting married, it is my interest. You know... FlashbackBarney is in his office.Barney: I worked on an issue of utmost importance. I admit I was baffled. Until I decided to take the bull by the horns.(Barney written on a board: how to lie down again with Robin) Then, finally, Idécryptais code. \"GIVE THE MARRIAGE OF TED. \" End flashbackLily: So you come back to Robin.Barney: Let's hope. This weekend is my best chance to start with it.Lily: You'll never there. Too many opportunities. Thefirst bridesmaid drunk, you'll have your head under the dress as a photographer of yesteryear.Barney: Lily, kidding. I want to look cutesy and romantic, but this weekend, Robin will be the only girl that I will draw.Stella and Ted are on a boat.Ted (2030): And the day before the wedding, Stella and I made the trip to Shelter Island. With others not far away. Marshall, Lily and Barney are also on board. Marshall, Lily and Barney arein a bar.Lily: It's not really the place I imagined for the wedding of Ted.Barney: \"The Collective Namaste Yoga and Meditation.\"Marshall: I know about you, but I will not namaster here too long.Lily: Honey, will see thedirty hippie to the reservation there, we, we'll take to drink.Barney: You have anything like Scotch?Bartender: In the center, we have a strict anti-alcohol.Marshall: Super, meals included, right?Woman: Yes, and theyare all 100% vegan.Barney: I need alcohol. I'm not gonna do that stuff with Robin.Look at that. Berry cocktail, conditioner meninges. I dream, these drinks could make a girl smarter. What hell Ted brought us?Marshall:There's no meat.Lily: There's no alcohol.Marshall: Even worse, I'm 90% sure that this kind in which you spoke was the lead singer of Spin Doctors. Ted joined them.Ted: Guys, Stella and I have a little problem.Flashback Stella is sitting on the bed and watch the programs, while Ted packs his things.Stella: The programs are great. It is not our names on it, but otherwise it looks nice.Ted: Actually, I spoke to Robin. It is a littlelate, but it will be there on time.Stella: You're invited Robin?Ted: Yes, of course.Stella: You gave me no warning. I'm not sure what to think.Ted: Can I help you? Are you happy. You like him.Stella: Yes, but it's your exgirlfriend. It's weird.Ted: But no.Stella: It's weird. Not what you imagine is to see her boyfriend's ex marriage. Stella imagine the scene.Robin: Your new husband dismounted me out three times a day.Stella: When theformer are present, I dunno, it brings back...things unresolved. Close with your ex, do you know that the flame will not turn back?Ted: Come on, we're friends. In addition, we already had our Thanksgiving last relapse,it is not old.Stella: Have you bet money against you in this quarrel?Ted: She already has his ticket.Stella: It's important to me. I would have never invited the father of Lucy.Ted: It would not bother me. Tony is great.Invite him too.Stella: No, Tony is the last person I want to see here, OK? And Robin is the penultimate. FlashbackTed: Robin will soon get on the plane. In addition, it unleashed a lot of work for that. Robin has theinformation, while a monkey sits next to her and slap on the desktop.Robin: Driven by concerns about the environment and oil prices, sales of hybrid vehicles rose 11% over last year. Back to the place of marriage ofTed and Stella.Ted: What should I do?Marshall: I know. I understand something is \"no ex\". Why would we want that history failed to come see one successful?It's like inviting the Seattle Mariners World Series. It'sembarrassing for everyone.Barney: What? No. Robin must come.Ted: That's true, this is my best friend. Girl friend. My best friend girl.Lily: I do not care, why do such.Barney: Dude, Robin has to be there.Marshall: Itshould not come.Barney: What are you parl...Ted: Aldrin Justice, the last word.Lily: OK, this would be weird without Robin. But not contradict the bride.Ted: I will not tell him to come.Marshall: It's the rightdecision.Ted: It's gonna be the worst phone call of all time.Barney: Co-witness, I'll handle this. Robin picks up the telephone.Robin: Hello?Barney: Robin, where are you?Robin: I'm off to the airport.Barney: OK, in a fewhours. Have a good flight. Bad news. I can not have it. Robin is gone.Ted: OK, Robin arrives. You know, I'm fine. The former should be able to go to weddings. I'll tell Stella to do with.Lily: You should be more delicatewith Stella about Robin.Ted: What do you mean by \"delicate\"?Lily: The brides are very stressed before a wedding. Well, of course, I was under control.Marshall: Do not you remember? Flashback In 2006, Lily arrives atthe apartment in tears.Lily: The florist told me that roses are medium pink pale pink that means. Medium pink pale! All're done. Our wedding hall uses a boiler instead of a forced air heating. This is the thing thatconcerned me. Why are we still married? End flashbackMarshall: After a while, is that the waffle.Lily: Poor Stella must be the crazy one month in three days.Ted: What do I do?Lily: You wait for the next crisis, the rulesyou, you're a hero.After, you dealt with on about Robin, but this time she will say yes.Ted: And if there is no other crises?Lily: This is a bride. There will be another crisis. Four minutes later...Ted: There is a newcrisis.Lily: Great! What is it? Flashback Stella and Ted are in their rooms.Stella: My daughter, my daughter does not come to our wedding.Ted: What?Stella: Tony was the lead here tomorrow, but cash hurt mymarriage, and he will not take him. It's been 5 years. Why not turn the page? End flashbackTed: So, first thing tomorrow I'm going to talk to him, convince him to let me take Lucy, then boom, crisis solved. Stella ishappy. Robin comes to marriage.Nora: You are Barney?Barney: Yes.Nora: I heard you were a real b*st*rd, so listen. Tomorrow night, I want to do things so nasty and depraved that I forget that it was supposed to bemy wedding.Barney: I'm here with someone.Nora: Bring her.Lily: You'll never get there.[SCENE_BREAK]Ted is by car.Ted (2030): So the morning of my wedding, I made the way home Tony, to take Lucy. Ted hitsChez Tony.Ted: We did a little karate? Tony makes a decision.Tony: Sorry, sorry dude. You have my alarm activated defense. You must remember these things. Stay alert, rest life.Ted: OK.Tony: What brings you here?I thought you'd be in a bridal suite with my wife.Ted: Not yet. Soon.Tony: That's right, tonight is the big night. Oh, man, you gonna make love to the mother of my daughter.Ted: Actually, I've already had s*x manytimes. Why I always corrects people?Tony: You and Stella. You're lucky. I could just... I am very happy for you.Ted: Look, here's the thing...Tony: You can not take it.Ted: Tony, stop. It is also a great day for Lucy.You'll have to put your problems aside and think about what is best for her.Whether you like it or not, it really should be the wedding of his mother. I take Lucy with me. He shakes Ted in his arms.Tony: You're right,man. You're right. I'm sorry. I'm sorry. It's just... You see all... made me realize what I had.Ted: Let's cuddle.Tony: I'm sorry. Lucy is everything to me. I will lose it with this family, I am not one.Ted: But you're partof.Tony: I have not been invited to the wedding.Ted: You are now. Ted is in a car with Tony and Lucy.Tony: \"Road Trip\" OK? (They are on a boat) \"Road Trip 2, back in the car.\" Stella's sister comes to see Barney.Nora:This is the big day. You hydrate?Barney: Dear wife, thank you for the interest you have for Barney Stinson...Nora: Your back will look like a Jackson Pollock.Barney: I regret to inform you that at this time...Nora: I havebeen vegan for 2 years. I need meat.Barney: There are currently no positions available.Nora: I am a teacher of Yoga. All positions are possible. Your room in 20 minutes. No preliminary.Barney: I will not do, huh?Lily:No chance. Ted, Lucy and Tnny arrive.Ted: Let me talk to Stella first.Lucy: Mom! Ted invited Dad!Stella: Hi, my heart. You've missed. Just one second, OK?Tony invited you? At our wedding? This was discussed. No exat our wedding. Why did you do that? Robin comes up behind Ted.Robin: What did Ted this time? Ted and Stella are isolated in their room to talk.Stella: What does Robin here? I thought I was clear. No ex at ourwedding.Ted: To be fair... your ex is here.Stella: You've invited!Ted: Come on, it's not weird.Stella: It's weird. It is as if it was not over between you. Tony and... I can not look after him. Will you tell him to leave? Youcan say it's my fault. I'll talk to Robin, she knows it's not personal.Ted (2030): The children, if I had left Stella talking to Robin, this story would have ended differently. Stella speaks with Robin.Robin: I understand. Tedtalks to Tony.Tony: I get it.Man: For the first time, Ted and Stella Mosby. In 2030...Ted (2030): And now, how I met your mother.Stella: Your father has finally finished drooling? Who wants ice cream?Ted (2030): But Ihave not done.Ted: You can talk to Tony? Robin made the trip from Tokyo. I should talk to him.Stella: Of course. Ted goes to talk to Robin.Ted: Sorry to have run away like that.Robin: It's OK. Can you imagine nottraveling I did. I was on a plane, a whole day. But it was worth it to see you get married.How I would have missed it...Ted: You can not come to the wedding.Robin: thank you God!Ted: What?Robin: It's weird.Ted: It'snot weird.Robin: It's weird. You know how it feels to be one of the former married? Robin imagine the scene.Stella: Take that, bitch! I won!Ted: It was broken, there is more than a year.Robin: Yes, but it's not that longago. See you marry another woman is not really something I look forward to. I just thought if I changed my mind about marriage and children, it was nice knowing you were there.Ted: So, I was your backup plan. It'sflattering.Robin: That's not it. It's just...Ted: Why do you mention that? There was nothing between us.Robin: Maybe so. I mean, of course it does. The kind of thing that leaves no one fell swoop. I'm not a guestover.Ted: It's true. We went out together, but... we have moved on.And we got what we wanted. I marry, You have the job of your dreams in Tokyo. And they lived happily...Robin: I quit my job.Ted: You what?Robin: Ireturn to New York. I thought I wanted this job, but...Getting back to my real life. And you should go back to yours.Ted: What does that mean?Robin: You married. Listen, this is precipitated. It's as if you started a bookby the end. You are the most romantic. You stole a blue horn for me. You tried to make rain.Ted: I did the rain.Robin: It was a coincidence. After all this is how your romantic quest comes to an end? You hide in thewedding of another in his house in his life, without thinking twice. This is not the end spectacular than you deserve. It's not Ted Mosby.Ted: I love Stella. This is good. If you feel it all... I think it is good that you come tothe marriage.Bartender: Big fight?Robin: Yes.Barman: There you go. It is for me.Robin: You stop it. (Robin drinks the glass of a sudden) My God, so, stop. Robin knocks on a bedroom door. Barney opens halfnaked.Robin: I spend a very bad day. I've stolen scotch at the duty free. It tells you?Barney: Let's go to your room. Far from it. And can be the whistle.Robin: I have no room. In fact, I thought I could stay withyou.Barney: No problem. I just need to tidy up a little. Of clothes on the floor and...Robin: And a girl naked, tied to your bed.Barney: The towels in the bathroom, a real mess. So, give me 10 minutes... to restoreorder...Robin: In addition, Barney. Robin takes his suitcase and leaves. Nora arrives at that time.Nora: OK, let's go. Who's that?Barney: The girl on reception.Ted (2030): Children, sometimes you think you live a story,but the truth turns out to be quite different. (Robin is on board a boat, Ted is in his room and read a map and Stella is also on board) In those days, I thought it covered only the presence of Robin marriage. (Stella Tonycovers his coat) If only I had understood what it was about. Flashback Ted and Stella discuss.Stella: Have his former close... it reveals unresolved problems. End flashback Lily and Ted joined Marshall in the room.FlashbackStella: With your ex not far, which tells you that the flame will not turn back? End flashback Barney joined them in turn. FlashbackStella: It's as if it was not over between you. Ted and Stella are in therestaurant.Stella: I've wasted years waiting for the father of Lucy decides to be \"ready\" for it. Tony is in the arms of Ted.Tony: You see all... made me realize what I had. Back at the restaurant...Stella: I dreamed thatTony is spontaneous like that. End flashbackTed (2030): Seriously, kids, do not invite your ex to your wedding."}
+{"doc_id":"doc_174","qid":"","text":"Provided by TVTDB.com(Seattle Scenes)MVO: There's this thing about being a surgeon...(Callie wakes up on the couch)MVO: maybe it's pride or maybe it's just about being tough...but a true surgeon never admits theyneed help unless absolutely necessary.(Cristina and Meredith are in her bed)Cristina: What are your other symptoms?Meredith: Okay, there's the father thing...the mother thing, the sister thing...mmm, the dying andcoming back to life thing.Cristina: You have too many things.Meredith: I can't sleep. I can't sleep without the dreaming.Cristina: And the panic attacks.Meredith: One. One panic attack.Cristina: Okay, still.Meredith:What's wrong with me?Cristina: As far as I can tell, severe abandonment issues.Meredith: That's crap. Psych is crap. Issues?Cristina: I mean, it's...it's in the book. The book said it, not me. Have you considered maybeyou and Derek should...stop having breakup s*x? Ok.Meredith: The more available he gets...the more I pull away.Cristina: What do you mean?Meredith: Nothing. It's a Derek thing.MVO: Surgeons don't need to ask forhelp(Derek's trailer)MVO: 'cause they're tougher than that. Surgeons are cowboys rough around the edges, hard-core.(Richard walks out and hands a cup of coffee to Derek)MVO: Least, that's what they want you tothink.Derek: Ah, good morning.Richard: Oh, perfect timing. Trout for breakfast.Derek: Mm-hmmRichard: Again.Derek: Yeah, don't start. I let you live on my land, so don't...don't start.Richard: I'm older than you. I'vejust seen life from both sides now.Derek: You gonna start singing?Richard: I'm just saying that a man who is up fishing at 3:00 every morning is a man in pain over a woman.Derek: Oh, good. A country-westernsong.Richard: I'm pointing out it's a thing we have in common, Derek. You know, what we need is something to take our mind off of everything. What we need...is a gentlemen's evening.Derek: A what?Richard: A good,old-fashioned gentlemen's evening...tonight.(Izzie is in an on-call room with George)Izzie: This is absurd. You shouldn't be sleeping in the on call room.George: It's not always an on call room. Sometimes it's a gurneyin the tunnels and the...Izzie: It's absurd...when I have a perfectly good bed. And I know that we said we would wait and berespectful, and we have been very respectful. But now I want s*x.George: Right now?Izzie:No. Tonight. Tonight we will have...hot, perfect s*x. You in?George: Yeah, I'm obviously in.Izzie: I gotta go. I got patients to check on, Erica Hahn to impress. I'm gonna go kick some cardio ass. Oh, god. I gotta shavemy legs.George: It's okay if you don't, you know, have a chance to shave your legs.Izzie: No, it's not. It is not okay, George. I have to shave my legs. I will be shaving my legs. Hot, perfect s*x requires shavedlegs.George: Okay.(Richard, and Derek walk up to the nurse's station where Erica is standing)Richard: Erica Hahn...first day.Erica: Oh, first day indeed, and a mountain of paperwork to prove it.Richard: DerekShepherd, you know Erica Hahn.Derek: You're the new Burke.(Mark walks up)Richard: And this is Dr. Mark Sloan, head of plastics. Erica Hahn.Mark: Ah, the new Burke.Derek: Welcome. Excuse us.(Mark and Derek stepaside)Erica: Interesting guys, and by \"interesting\" I mean ridiculously attractive. Do you hire on looks alone, or is actual skill a factor?Richard: Good to have you here, Erica.Erica: Good to be here, Richard.(Derek andMark)Mark: What exactly is a gentlemen's evening?Derek: I don't know. It's an evening with gentlemen.Mark: And strippers?Derek: No, I don't...I don't think the chief meant strippers.Mark: Sure sounds like strippers.Dr. Bailey? What's the first thing that comes to mind when I say the words \"gentlemen's evening\"?Bailey: Tassels. Shiny, sequined tassels and $1 bills.Mark: See? Strippers.Derek: There will be no strippers. I'm almostpositive.Mark: So you don't know what this thing is either?Derek: No, but you're in?Mark: Why not? I like to be surprised.(Cristina and Meredith are at a nurse's station)Cristina: Okay. Oh, heads-up.Mr.Incredible,12:00.(Derek walks by)Derek: Hi.Meredith: Hi.Cristina: What the hell was that about?Meredith: That was about a date we have later in the on call room. It's nothing.Cristina: Well, you sure seem to belosing sleep over a whole lot of \"nothing.(Meredith and Cristina enter the ambulance bay)Cristina: This is it...Hahn is in the hospital, freakin' Izzie is on her service again. I'm gonna ride this trauma train straight backinto cardio.Callie: Okay, what do we got?Meredith: Uh, two ambulances, multiple traumas.Alex: Any chance you need a resident's help, Dr. Torres?Callie: As long as you want to smash bones into dust while peoplecry.Alex: Sweet. What do you got?Cristina: Chest pain, tamponade, ruptured aorta?Ambulance Driver: Uh, more like a clown car. Jackie Escott, 25 years old, dislocated shoulder, lac to her thigh, vital signs are stable.And Helena Boyd, 26 years old...also stable with obvious nasal fracture, facial lacs and a chunk of missing scalp.Helena: She ripped out my hair.Jackie: She ripped out my shoulder!Helena: You ripped out your ownshoulder when you were trying to push me off of the platform!Fiancé 1: Who let go of the dress? Did anybody let go of the dress?Fiancé 2: Hang in there, honey. Don't let her psych you out, all right?Callie: Okay, whatthe hell's all this?Judge: It's a store contest. I'm the judge. Last one to let go of the dress...Helena: Wins the wedding of my dreams.Jackie: Of my dreams.Callie: All right, enough. You two are injured, okay? You needto get your priorities straight and let go of the...let go...let go of the dress so we can treat you. All right, let go now. Now.Helena: Yeah, that's not gonna happen.Callie: All right. Fine. Let's move.Cristina: Oh, please letthis be something good, something cardio good. Please.Ambulance Driver 2: 33-year-old male discovered unconscious but stable having survived a 12,000-foot free fall.Cristina: A what?Ambulance Driver: Hisparachute didn't open.Cristina: Wait, he fell 12,000 feet without a parachute? Thank you.(In the ER)Bailey: What's his name?Rick: Rick. I'm Rick Jacobs.Bailey: He's talking?Cristina: You'd think after 12,000 feet, he'dhave at least a punctured lung.(A woman runs up)Sally: Where is he? Where are you? Oh, my god. There you are. How is he? How is he? Is he okay? Is he dying?Rick: No, I'm not dying, Sally.Bailey: Okay, ma'am, youneed to calm down.Meredith: Is this your wife?Rick: My skydiving instructor.Bailey: Well, ma'am...Sally: I watched the whole thing. I...I couldn't do anything. I was just...I was just in the clouds floating,watching whilehe...while he...while he...you...you fell to your death. His chute didn't open.Bailey: Ma'am, okay, we need to do our jobs, and you're making that difficult by hovering over the patient. Please have a seat andbreathe.(Richard enters)Richard: I heard we have a skydiver who fell 12,000 feet.Rick: That'd be me.Richard: Uh, hello.Rick: Hi.Richard: He's talking?Bailey: Clearly he's in shock, can't feel the extent of hisinjuries.Derek: Let's get him down for a C.T.Meredith: Cristina, where are you going?Cristina: Multiple injuries means multiple surgeries. I'm going to get me some cardio.(ER)Callie: Okay, do you see that you'rebleeding all over the dress?Jackie: It's not about the dress.Alex: I can't, uh, I can't...there's too much blood down here. Which one of your legs is bleeding?Helena: I don't know. I can't really feel anythinganymore.Mark: I hear you have a broken nose down here. What's with the dress?Jackie: It's not about the dress.Callie: Can't they...can't they just split the prize?Judge: I offered. I offered that 14 hours ago.Jackie: It isa $100,000 wedding package, and I am not splitting it with anyone.George: Oh, you're bleeding on your dress.Everyone: It's not about the dress!Callie: Uh, uh, I'm gonna have to stabilize that shoulder somehow.Alex:I'll go grab a sling.(Mark and Callie step aside)Mark: Well, this is cozy.Callie: This is hell. I assigned O'Malley to you to keep him away from me, and now our patients are connected to each other.Mark: You're notlooking at this like the opportunity it is.Callie: Meaning?Mark: Meaning he's an intern. It's, like, half my job, torturing interns.Callie: Thanks. That's...that's almost sweet. But torturing George is not gonna make any ofthis any better. Torture him how, exactly?(Izzie is with Mr. Arnold)Mr. Arnold: My hands always get so sweaty in hospitals. It's the weirdest thing.Izzie: It's pretty common, actually. If it makes you feel any better, Dr.Hahn has done this procedure hundreds of times.Mr. Arnold: And she's really gonna thread a catheter up my leg, all the way to my heart?Izzie: Trust me, you are in excellent hands.Mr. Arnold: But, um, I...I'll be out,right?Izzie: Oh, yeah, you'll be asleep. You won't remember a thing.Mr. Arnold: Ivory-billed woodpecker.Izzie: I'm sorry?Mr. Arnold: Ivory-billed woodpecker...that's what's getting me through this. I'm a, uh, lifelongbirdwatcher. And when I get through this, I am finally going to scout the ivory-billed woodpecker.It is so rare. You know, we...we thought it was extinct. But it's not. It lives in Arkansas...in this one little patch ofswamp. Do you have any idea how incredible it is to see a bird like that in person?Izzie: I'm sorry.(Cristina enters)Izzie: Uh, I'll be just one second. Why are you hovering?Cristina: Guess what just came into the pit. No,no, don't guess. I'll tell you. Skydiver. Skydiver whose chute didn't open, who fell 12,000 feet and landed in some shrubbery.Izzie: Poor guy. He probably broke every bone in his body.Cristina: No, the point is not poorguy. The point is amazing surgery. And it could be yours for the low, low price of a humdrum, everyday cardio cath.Izzie: Yeah, forget it. I'm not giving up Hahn's service.Cristina: Hey, hey, Izzie, you know what?Cardio is my thing.Izzie: No. I like this patient, I like Hahn, and I like cardio.Cristina: No, you are...you are flirting with cardio. I am married to cardio. You will marry general surgery or, you know, okay, perhaps neuro.But you, you are nowhere near hard-core enough to commit to cardio.Izzie: So you are telling me to stop flirting with your husband. I get it. That's cute. But if you're gonna ask me for a favor, insulting my personal lifeis probably not a great tactic.Cristina: No, no, no, wait. I am not talking about your s*x life. I could not care less about your s*x life.It's a skydiver, Izzie. Skydiver.Izzie: Oh, yeah. Sounds really cool. Enjoy it.(CT scanroom for Rick)Richard: If his intestines look like I think they will, that's gonna take first priority.Derek: He could have delayed paralysis.Bailey: This is not a contest, gentlemen. But since a perfed bowel could kill the guywhether or not his spine's in working order, my money's on the chief going first.(Cristina enters)Cristina: Hey, what'd I miss? Any cardiothoracic concerns? I'd be happy to page Dr. Hahn.Richard: Scan's comingup.Bailey: Here it is. Wait for it. Wait.Cristina: Wait.Meredith: Oh, that can't be right, can it?Bailey: I'm not seeing any free fluid, any intraperitoneal gases.Derek: Does anybody see anything?Richard: There! Rightthere. A hematoma...Cristina: In the right lower quadrant.Meredith: It's the appendix.Bailey: We're saying this guy fell 12,000 feet, and basically all he needs is an appendectomy?(Alex enters the closet where Lexie issitting on the floor)Alex: You're charting... in a closet.Lexie: I get a lot of work done in here. It's quiet and nice.Alex: And a closet.Lexie: Look...when I'm out there roaming the floors, okay, I am the other Grey that Dr.Yang likes to humiliate and kick around. And...and in here, I'm...I'm not. You know, in...in here, I'm...it's just...it's...it's my place, okay?Alex: It's...it's a closet. You know, every intern class has its runt of the litter. Youkeep this up, this year it's gonna be you. Get up.Lexie: Oh, sorry. You probably need to get in here.Alex: No, grab...grab a sling from the box and come with me.Lexie: With you?Alex: Well, if you'd rather sit like a loserin a closet doing charts, you can. Or you can come help me on ortho today. Your choice.(ER)Jackie: No way. No frickin' way.Calie: It's the only solution if neither of you will let go of the dress.Mark: It's very simple. Dr.Torres needs to treat Jackie's shoulder and leg, so, Jackie, you need a proxy.Helena: What?Fiancé 2: Think about it, babe. This gives you an advantage. You get to rest your hand and come back refreshed. Give me thedress. I'll be the proxy.Fiancé 1: No way. This isn't fair. You think this is fair?Mark: Dr. O'Malley's the proxy.George: What?Mark: He'll hold on to the dress.George: Hold the dress? You just want me to...stand here andhold a dress?Mark: No one ever said internship was easy.Fiancé 1: Dude, you're job kinda sucks, huh?Jackie: Hello? Watch the shoulder.(Alex and Lexie enter)Alex: Oh, check it out. Bambi's a bridesmaid.Callie: You'reright. This did cheer me up.(Trauma room)Bailey: You've got no lung injuries, no spinal injuries, no broken bones. You're just a lucky man.Rick: Holy crap.Bailey: The only thing we found was a little bleeding in yourlower abdomen.Meredith: Which means we have to remove your appendix.Rick: How's that even possible?Bailey: Uh, the body's an amazing thing. You know, sometimes these things, they just happen.Sally: If you haddied... God.Rick: I didn't though. I lived. It's just the most amazing feeling. I feel like I could do anything right now. I mean, anything in the world because I faced death and I...I survived.Meredith: It changes aperson.Rick: It does. It so does. Sally...Sal, I have to...I want to, um...Sally: Don't worry. The minute...the minute we get out of here, I am so destroying that video. You will never have to...to relive that horrible...infact, where's your helmet? I'm gonna destroy that video right now.Rick: Sally. Sal...wait.Cristina: Did she say \"video\"?(Mr. Arnold's surgery)Erica: The trick is to envision the artery like a spaghetti noodle...pliable, butnot too fragile.Richard: Good morning.Erica: Oh, this is an unexpected surprise, chief. You need something?Richard: Oh, first day. Just wanted to see how you were settling in.Erica: You see that?Izzie: It's a blockage,left main coronary artery. It's totally closed off.Erica: There's no way I'm getting a stent in there. We're gonna have to open him up.Izzie: B.P.'S dropping to 58 over 20.Richard: His heart's racing.Erica: And his temp'srising. Muscles are rigid. All right, let's bring him off anesthesia and start him on 100% o-2. He's got malignant hypothermia.Izzie: So he's allergic to the anesthesia?Richard: He'll never be able to endure the cabg.Izzie:So what are our options?(MR. Arnold's room after he wakes up)Mr. Arnold: That's just, uh...I mean, it sounds like you're telling me...you're not actually telling me I'm... I'm gonna die?Erica: The blockage we found inyour heart needs surgery, extensive surgery. Angioplasty won't work. And since you're allergic to the anesthesia...Mr. Arnold: So I'll just, uh...I'll be like this. I'll be sick...and exhausted...and like this...until one daywhen I'll...just, uh...die. It would've been wonderful...to see that bird. It would've been wonderful.(ER)Mark: You're crowding me, O'Malley.Fiancé 2: Hey, hey, I think he just let go. You just let go of the dress, didn'tyou?George: No.Judge: I wish to god he had.Fiancé 1: I swear, if you let go and lose this contest after my Jackie almost died to win itFiancé 2: Dude, a busted shoulder does not mean she almost died. Okay?Fiancé 1:Whatever. I'm watching you.Helena: I know you all think this is stupid. If I were you, I would think this is really stupid.Mark: I've never been married myself, so I'm not one to judge, but George here knows all aboutwhat it takes. Don't you, O'Malley?Helena: You're married? For how long?George: Not very long.Helena: Newlyweds, congratulations.George: Thanks.(Trauma room)Callie: Now, Jackie, Dr. Karev and I are gonna dothis on the count of three, okay?Jackie: I should totally win over that Helena girl. I am way more injured than she is. I should just win by default.Callie: One...two...three.Jackie: Is it in?Alex: It popped back out.Callie:She's gonna need surgery.Jackie: Hey, no. I gotta get back to my dress. Just wrap some bandages around it or something.Callie: You would rather hold on to a dress with a dislocated shoulder than let me repair it insurgery for you right now?Jackie: I can have surgery anytime. I can only win this wedding once.(ER)Cristina: So what, he just stands there and holds a dress?Meredith: I know. I thought it was gonna be more exciting,too.Cristina: A monkey could hold a dress.George: Actually, this is a lot harder than it looks.Helena: Don't let them get to you. Tune them out, all of them. It's the only way to get through it.Fiancé 2: Sweetie, he's yourcompetition. Don't help him.Judge: You ever give morphine to people who aren't patients?Cristina: This kinda blows.Alex: It's more fun when you heckle.Meredith: Don't heckle, George.Cristina: Yeah, whatever. I gotsomething way better than this.Alex: Something that tops O'Malley playing bride?Cristina: Skydiver video.(Cristina, Alex, Izzie and Meredith are in an office)Izzie: What are we doing?Alex: Video from the helmet of askydiver without a chute.Izzie: You guys are sick.Cristina: Oh, it's not a snuff film. The guy survives.Alex: Holy...Cristina: Oh, is he...oh, no, he's going for it. He's going for the chute. Oh, and it doesn't open.Meredith:Now he's flailing.Alex: He's going for his second chute.Izzie: Oh, jeez.Cristina: Oh, also doesn't open.Izzie: You'd think there'd be more screaming.Meredith: Oh, ok how close the ground is getting.Alex: What's he doingnow?Cristina: Peeing his pants.Meredith: Is he saying something? Turn it up.Rick: God, I wish would've told you. I am so in love with you. I love you. I love you. I love you, Sally. I...All: Ohh!Izzie: Who's sally?Meredith:His skydiving instructor.Izzie: Sad.Cristina: Hey, what are you even doing here? Aren't you supposed to be in surgery?Izzie: The guy is allergic to anesthesia. The surgery was canceled.(Meredith and Cristina are in anexam room)Meredith: I drowned. I was sinking...I died. And you know what I realized? I realized how stupidall of my issues are.Cristina: I'm waiting for how this applies to me.Meredith: It doesn't.Cristina: Of coursenot.Meredith: Well, that man fell, and all he wanted was one last chance to tell sall how he felt about her. And I got one last chance. I got my chance. And what have I done with it?Cristina: You know, being aware ofyour crap and actually overcoming your crap are two very different things.Meredith: I know.Cristina: Okay, found it.(Cristina is in the hall with Erica)Cristina: Dr. Hahn, I know how you can do the surgery on the patientwho is allergic to anesthesia.Erica: Well, no anesthesia means no ventilator. No ventilator means no cabg. Not a whole lot of wiggle room there.Cristina: You can operate on him while he's awake.Erica: Yang...Cristina:You can use a high thoracic epidural to numb him from the chest down. Let him breathe on his own the entire time. I mean, they pulled it off in India last month, and then again in...(Izzie walks up)Izzie: Dr. Hahn, youwanted to sign the discharge papers for Mr. Arnold?Erica: Not quite yet.(Mr. Arnold's room)Mr. Arnold: Wide awake? You want me to let you slice open my chest while I'm wide awake?Erica: It is your best option.Mr.Arnold: Uh, how...how long would I have to be lying there, uh, on the table with my chest open, uh, like that?Erica: The surgery can take up to five or six hours. Maybe more.Mr. Arnold: Uh, six hours...awake...with youoperating on my heart. I...Izzie: The ivory-billed woodpecker.Erica: What?Cristina: What?Izzie: The ivory-billed woodpecker. Mr. Arnold, you want to live to see it, don't you? This is your only chance.Mr. Arnold:Ivory-billed woodpecker.Erica: Excellent. Stevens, we will scrub in as soon as an OR is free.Izzie: Uh, but the surgery was Cristina's idea.Erica: Either you want in or you don't. Which is it?Izzie: I do.Cristina: Uh,but...Erica: I'm sure there'll be standing room in the gallery, Yang. Stevens, book the OR.Derek: Uh, chief.Richard: Awake open-heart surgery?Derek: I want to talk to you about tonight.Richard: Have you heard aboutthis awake open-heart surgery?Derek: I've invited Sloan and, um, well, I'm wondering what I should tell him to expect.Richard: Mm, tell him to expect a good time.Derek: Okay, so what is that, poker, cigars, whiskey?I mean, what kind of things?Richard: A good time, Shep.[SCENE_BREAK](Jackie's room)Jackie: You know? You have no idea the kind of stamina it takes to stand in a display window for two days. It's the hardest thingI've ever done, like, ever.Callie: You're risking permanent damage to your shoulder over a contest.Lexie: What does your dress look like?Jackie: Strapless, sweetheart neckline, crystal beading...so pretty.Lexie: Butyou're gonna wear your hair down, though, right? You know, to cover the hunchback?Jackie: The what?Lexie: Oh, it's just, since you're ignoring Dr .Torres' advice about getting the surgery, you know, your shoulder isprobably gonna be pretty swollen and purple...you know, kind of like a hunchback? But your hair should totally cover it. I mean, probably, with the right veil.Jackie: You didn't tell me that. How soon can we have the"}
+{"doc_id":"doc_175","qid":"","text":"Pan over a mountain to a remote compound. A helicopter flies toward it. Inside are four armed guards and a prisoner in blue drab uniform with a black head covering over his/her head. Cut to helicopter flying overbarbed wire fence and landing in a courtyard. Guards climb out and bring prisoner, hands and feet chained, with them. They walk into the facility, apparently some kind of jail. One soldier shows his badge and they arebuzzed inside. The prisoner is brought through several locking doors. At the end of a hallway of jail cells, the prisoner's hood is released. It's Sydney. She looks at the prisoners in their cells as she is walked to the veryend of the hallway and shoved into the end cell. They remove her cuffs and lock her in. Close up on Sydney's face. She looks stricken and lost.Cut to flyover of LA by day. Cut to Lindsey followed by several NSC officersentering the JTF Center.Lindsey: (to man on his left) If you find anything, you let me know Lauren! Pan across room to Lauren on telephone.Lauren: I'll call you back. She hangs up telephone and falls into step withLindsey.Lindsey: Dixon spoken with the DCI?Lauren: Yes.Lindsey: Good. I want to make sure we have access to all computer accounts, emails, and correspondence seen in this office in the last two years.Lauren: Yes,sir. I've already put a request in through Langley.Lindsey: Who'd you talk to over there?Lauren: Brandon. I'm on it. Lauren and Linsdey enter Dixon's office. Dixon stands behind his desk. Vaughn and Weiss stand infront of it. All turn toward Lindsey and Lauren as they enter.Lindsey: I understand the Director of Intelligence has already conveyed his desire to transfer authority over this task force from your agency to mine. I expectyou to cooperate fully.Cut to Vaughn giving Lauren a really upset \u0000How could you do this!?' look.Dixon (voiceover): No. Not exactly.Cut to Lauren giving Vaughn a stubborn look and then addressing her eyes towardDixon.Dixon: I explained to my superiors that the decision was mine to withhold information from the NSC regarding Sydney Bristow's involvement in the Lazarey murder.Cut to Vaughn and Weiss as they turn to assessLindsey and Lauren's reaction to this news.Dixon: And that the members of my staff in question were acting working under direct orders from me.Lindsey: I see.Dixon: My staff will remain on active duty and cooperatein any investigationLindsey: They're not your staff, Mr. Dixon. Not anymore.Cut to Dixon's defiant stone face.Lindsey (voiceover): I'm pulling your clearance until further notice.Dixon: Mr. Lindsey, I would expectnothing less from you.Lindsey: One of my men will escort you to a facility for questioning.Cut to Dixon. He removes his badge and places it in a small manila envelope on his desk and walks toward Lindsey, anticipatinghis next statement:Lindsey: In the meantime, you'll need to surrender all credentials and access cards Dixon hands Lindsey the envelope and walks out of the room, taking the steam out of Lindsey's sails in his speech.Vaughn gives Lauren another dirty look. She still looks defiantly back, her arms crossed. Lindsey moves to stand behind Dixon's desk to address Vaughn and Weiss.Lindsey: Well, of course, you'll be questioned as well.Let's not make this any harder than it has to be.Vaughn: It's too late for that. Vaughn turns to leave saying to Lauren as he walks out:Vaughn: I need to talk to you right nowCut to Lauren and Vaughn walking down ahallway. Vaughn is in front and Lauren is walking behind him, trying to catch up.Lauren: Before you start, know that I did what I thought was right, given the information that I Vaughn turns back toward her and getsright in Lauren's face, obviously agitated.Vaughn: Sydney is in Lindsey's custody because of you!Lauren: The Lazarey murder was my assignment! Sydney murdered a Russian diplomat!Vaughn: Okay, stop! Don't actlike this is your first day on the job!Lauren: Sydney is in NSC custody not !Vaughn (cutting her off): No, she is in Lindsey's custody.Lauren: You think Lindsey's unaccountable!?Vaughn: Lauren, his operation is fundedby black money. What the White House expects from him is resultsLauren: What you're suggesting is that I willfully participate in an orchestrated cover up!Vaughn: No, but I would have hoped you'd be a person aboutthis!Lauren: While you clearly underestimate not only my ability to do my job but also, apparently, my humanity, you should know that not only do I believe I did the right thing, but the more you talk, the moresuspicious I get! (beat) You're the one who got her out of the country, aren't you?Cut to Vaughn. He doesn't answer, but she reads it on his face. Lauren (not as angry, more worried for Vaughn): Do you know whatwould happen to you if it becomes known that you helped a fugitive evade the Federal Government?Vaughn (very snarky): I'm not concerned about myself right now Lauren sighs and looks down before looking back upwith a bit of new defiance.Lauren: If what you're suggesting is right, that to learn what happened to Sydney over the past two years Robert Lindsey intends to have surgery performed on her which will render her braindead why would he have me write the White House brief? Vaughn looks shocked and worried by this new development.Vaughn: What!? Lauren (more confident she's right now): He's asked me to go with him as anobserver of Sydney's interrogation. This information disturbs Vaughn. Instead of being relieved, it's clear he's more worried.Lauren (voiceover): Clearly, he's got nothing to hide Vaughn looks up to meet her eyes. It'sclear he's disbelieving of her outlook on the matter.Lauren: Michael for whatever reason, you're overreacting to this.Cut to Vaughn. He's got that stubborn, annoyed face back in full force.Lauren: I don't know how longI'll be gone So I guess I'll see you Lauren turns and walks away. Stay on Vaughn's face, worried, annoyed, determined. Cut to slo-mo of Jack walking across a hallway entrance leading to the main rotunda. He's staringintently at someone. He stops walking. Cut to Lindsey leaning over another agent at a desk. Pan to closeup of Lindsey's face as he realizes someone's eyes are upon him. He looks up and makes eye contact with Jack.They stare each other down for a long moment. Jack's stare is cold, and downright scary it says something akin to \u0000You mess with my daughter and I will kill you \u0000 Lindsey tries his best to stare back, but just hint ofapprehension is in his expression. Jack coldly dismisses him, turns his head and walks away.Cut to Jack walking down the hallway. Vaughn hurries behind him to catch up to him.Vaughn: Jack, I wanna be a part of it.Vaughn falls into step with Jack. Jack (with a hint of his classic sarcasm): If I knew what you were talking about, I'd refuse anyway.Vaughn: Come on I've thought of a half dozen scenarios to help Sydney Lindsey has tobe shut down! He Jack suddenly stops and turns toward Vaughn.Vaughn: Did your scenarios take into account that helping Sydney at this point will require breaking at least a dozen federal laws?Vaughn (in an intensehalf-whisper): Just the fact that you're telling me this means you have something planned! Damn it, let me help!Cut to Jack. He looks like he's undecided as to whether to accept Vaughn's offer. Cut back to Vaughn,looking more determined than ever.Vaughn (still intense): If anything happens to Sydney (he shakes his head) Jack stares at Vaughn for a second, blinks, and then says:Jack: Meet me in the parking garage in threeminutes. Vaughn nods slightly as Jack walks away.Cut to pan up of Sydney's cell. She's walking around, feeling for any crack, indent, anything she might be able to use to eventually escape. Another prisoner who cansee her from his cell 90 degrees addresses her.Prisoner: Whatcha doin'? Sydney looks up at him, surprised.Prisoner: Were you lookin' for somethin'? Sydney stares at him for a moment. She's wary of him.Sydney:Maybe The prisoner crawls to the end of his bed to speak at her through the bars of his cell.Prisoner (whispering): Hey if you find any I'll have some. If it's candy God, I'd love candy. Sydney looks at him almostpityingly for a moment and then gives a hint of a smile.Prisoner: I'm Campbell.Sydney: Sydney. She smiles again. Campbell seems like he's a bit slow, or else is so broken from torture that he's become almostchildlike.Campbell: Syd ney (as if trying out the sound of it) Campbell crawls along the bars to stand close to her.Campbell: Hey Hey Don't leave, okay? Please? Been a long time without someone to talk to Sydney justlooks at him.Cut to an overpass over a drainage canal. Pan to Jack and Vaughn on the side of a road.Vaughn: So this contact we're meeting Former NSC? Jack gives Vaughn a sideways glance, his arms crossed.Jack:No. He turns to look at Vaughn and then back at the road.Vaughn: How are they gonna help us locate Sydney? Jack looks back at Vaughn.Jack: We're waiting for Sloane. Vaughn's surprised and a bit annoyed by thisnews. He crosses his arms across his chest.Vaughn: You called Sloane on this!? Jack doesn't answer, he just turns to look down the road. So does Vaughn. Cut to a black sedan driving toward them. Cut back to Jack andVaughn.Jack: You and I will be the prime suspects behind any intent to free Sydney from NSC custody. Sloane has agreed to make it seem as if it were the work of the Covenant. Do I trust him on this? Not necessarily.They both turn toward Sloane's car as he gets out and walks toward them, hands in his pockets.Sloane: Gentlemen. According to my sources, Sydney is being held at Camp Williams. Off Jack's reaction, we cut toVaughn.Vaughn: Camp Williams is a Naval training facility, why would Lindsey take her there?Jack: Because it's home to an unacknowledged NSC detention center used for the interrogation of suspected terroristswhose captivity the government won't admit to.Sloane: So to help her, we'll need a tactical team. At least eight men, transportation, weapons, specialized backup I would suggest Brill.Jack: I thought he was inFreetown?Sloane: Oh no, not since the government fell. If he's available, Domier would know.Jack: We'll need to get a hold of blueprints to Camp Williams Vaughn (cutting in, both men turn to look at him): The FEMACentral Office downtown. They should have a set of blueprints on file.Jack (impressed): Good. We'll prep infiltration into the FEMA building. Meet back here in three hours.Cut to Sloane. He suddenly looks amused bysomething.Sloane: I told you, Jack We'd work together again. This statement seems to really burn Jack. He gives Sloane a look of death, and walks away, Vaughn following him. Pan over to Sloane, still amused.Cut to ahallway in Camp Williams. Pan to Sydney, being rolled along on a stretcher, bound hand and foot. Cut to another helicopter flying towards Camp Williams. Cut to Lindsey and Lauren inside the copter. Lindsey looks outthe window, Lauren surveys Lindsey as if trying to figure out which version of this man is the real truth, hers or Vaughn's.Lindsey: Just so we're clear It's in all our best interests to make sure that no one on the Hillquestions our ethics, Lauren. That's why I'm counting on you to write a thorough report chronicling our investigation to date, and our fair treatment of Sydney Bristow. Understood? Lauren stares at him.Cut to Sydneybeing wheeled into what appears to be a cross between an emergency room and a torture chamber. Cut to the \u0000doctor' who looks decidedly creepy. The guards start to remove her restraints and Sydney starts to fightagainst them, but they keep her overpowered and transfer her to a table in the room and restrain her to it.Cut to Lauren in the helicopter.Lauren: But Sydney's made it very clear she doesn't rememberanything.Lindsey: But when we searched her flat in Rome, we found a coded message taped to the underside of her desk. Now, if she can decode that message, it may help us infiltrate or even take down theCovenant.Lauren: What if she doesn't recognize the code?Lindsey: As long as she demonstrates a willingness to cooperate, that surgery will be nothing more than a threat.Cut to Sydney in the midst of being givenelectroshock by the evil doctor. The treatment stops. She takes in deep, gasping breaths. The doctor holds a sheaf of papers in front of her face.Doctor: Ms. Bristow, we know you know how to read this code Do yourecognize your handwriting?Sydney (panting): No I draw little hearts over my Is smiley faces sometimesDoctor: What you're feeling now? The pain from shock therapy? It's nothing There's another procedureneurostimulation We could use it to find out where you've been the last two yearsCut to Sydney, still panting with pain. His barb does affect her a little.Doctor: Decypher the text and we won't have toSydney: Don'tbother negotiating with me! You better make sure I'm a vegetable when you're done with me The doctor turns his head and looks toward a slatted window where Lindsey stands watching, his arms crossed, not happy.Pushing a button to broadcast his voice into the room, he says:Lindsey: Try a higher setting The doctor turns up the setting and shocks her again. Smash cut to black. End of Act One. Closeup on Sydney's shackled righthand as the evil doctor undoes the cuff after apparently more electroshock.Doctor: The human body is an amazing thing. A couple of hours you'll almost feel human again.Cut to Sydney's face. Her eyes are closed, herface clammy and sweaty. She's obviously weak, in pain and exhausted. She opens her eyes and then we see a sudden determined look cross her face. The camera follows her gaze to the sheaf of papers the doctor hadshoved in her face earlier. It's held together by a large paper clip.Doctor: You have a strong heart, though. You could survive another five six sessions. Sydney takes a sideways glance at the doctor. When his back isturned, she reaches out and palms the paper clip off the sheaf of papers.Doctor: That'll be a new record for both of us The doctor turns and Sydney just gives him as nasty a look as she can currently manage.Cut toLindsey exiting the torture area. Lauren comes up from behind him.Lauren: I thought I was supposed to be observing? Lindsey turns around to face her and plasters a humoring smile on his face.Lindsey: And you will asmuch as possible. But my interrogation of Agent Bristow includes a discussion of classified material.Lauren: How can I report on an investigation I'm not part of?Lindsey: We can talk about it Come on; I'll brief you onwhat I can Lindsey reaches out a hand to Lauren's arm as if to invite her to walk with him. She's having none of it.Lauren: No, I'm sorry but if I'm going to chronicle our treatment of Sydney Bristow, I need to see howshe's being treated. Lindsey's face immediately loses the patronizing smile and hardens.Lindsey: How do you suppose it was that Sydney Bristow knew to flee the country before she was even aware the NSC wanted totake her into custody?Cut to Lauren's reaction. She's definitely afraid of where Lindsey is going with this line of discussion.Lindsey: With plane tickets? Fake passport? I doubt you want me looking into who it was thataided and abetted the escape of a wanted fugitive. Lauren looks shocked, betrayed. Her eyes are opened to Lindsey's true character for the first time. She shakes her head slightly, as if she can't believe she didn't see itbefore.Lauren: That's why you asked for me. Legally, you needed a witnessLindsey: Get to your office. You have a report to write. Lindsey turns and walks away, leaving Lauren to stare at him, wondering what the heckto do with the mess she's in.Cut to Sydney being slammed down upon the mattress in her cell. She's gasping and her body twitches involuntarily as an aftereffect of the shock treatments.Campbell (whispering): Sydneythey didn't give you one Sydney looks up to see Campbell holding out a wool blanket to her through the bars of his cell.Campbell: It's cold at night. Sydney takes the blanket.Sydney (whispering): Thank you. She wrapsthe blanket around herself.Campbell: This is not the best place. Sydney snickers at the extreme understatement. She lies back down, this time on her stomach. Her body still twitches.Campbell: They wanted to knowabout Iran when I was there assigned. What do they wanna know about you? Sydney looks at Campbell with almost tears in her eyes but doesn't answer. Campbell (in a whispering determined voice): Don't give it tothem! Sydney nods and then lies down on her side, facing away from Campbell. She opens the palm of her hand and we see she's still holding the paper clip. Her body still twitches. She touches it with her other handand then clutches it tightly, as if it were a lifeline.Cut to a chessboard complete with timer clocks. A black man's hand moves a piece on the board, taking a white piece. Cut up to the man's face. He's probably in his50's, mustache, wearing a cap and a green army jacket, smoking a cigar.Man: That's checkmate in three moves. Do you wanna give me my 50 bucks now or do we go through the motions? I got all day.Cut to hisopponent, a young white man in his early 20's. He looks down at the board, disgusted and then pulls the money out of his pocket and throws it on the table. As the man gets up to walk away the winning man asks:Man:That's not tuition money, is it? The man snickers as the young man gets up and leaves. The black man starts to reset the pieces on the board. He's almost finished when we see a 100 dollar bill laid onto the center ofthe board.Jack (voiceover): I'll put you in checkmate in ten moves. The man looks up at him assessingly and then answers:Man: Yeah if I play with my eyes closed.Cut to wider angle. Jack sits down opposite the man;Vaughn sits in a chair to the side of Jack. Jack starts resetting the pieces on his side of the board.Jack: Long timeMan: Chile, '73. Should've never helped overthrow Allende.Jack: Thomas Brill, Michael Vaughn. Vaughnand Brill make eye contact. Vaughn nods once at Brill. Brill leans back in his chair a little, assessing Vaughn. Brill (a little bit of surprise in his voice): You Bill Vaughn's kid?Cut to Vaughn's reaction. He's surprised thisman apparently knew his father.Vaughn: Yeah, he was my father.Brill: He was a good man.Vaughn: Thank you.Jack: You interested in a high-risk extraction? Jack makes a move on the chessboard and clicks the buttonon his timer.Brill: Always. Paint me a picture.Jack: Camp Williams Detention Center.Brill: Blind?Jack: Blueprints. Sloane's designing the op.Brill (amused): Well, look who's putting the band back together? Vaughn givesJack an annoyed look.Brill: Rules of engagement. Brill makes a move on the chessboard and pushes his timer button.Jack: The facility is protected by two dozen DoD personnel. Lethal force is not an option.Brill: Well, ifwere going to use tranqs, I'm gonna need another 5 freelancers. It's not gonna be cheap, Jack: 250K per hire another 9 for the chopper Brill moves a piece on the chessboard and clicks his timer button.Brill: and for thenon-lethal gunmetal? Add another 6.Jack: Done. Meet me at this address it two hours. Jack places a business card down onto the table. He moves another piece on the chessboard.Jack: Checkmate. Jack smiles at Brill,who looks surprised. Cut to Vaughn and Jack walking away from the table.Vaughn (apprehensive): You just agreed to pay him 2 million dollarsJack (unperturbed): Three.Cut to the inside of a dark room as Jack opens asliding metal door, shedding light into it. He hits a light switch illuminating the room and enters. Vaughn walks in behind him looking around. There's a large stockpile of automatic weapons, bombs, flak jackets, medicalsupplies, etc.Vaughn: What the hell is this?Jack: Storage. Jack drops an empty black backpack onto the table and then bends down to type in the combination on a safe. Vaughn closes the door behind them. Jack opensthe door to the safe to reveal huge stacks of cellophane wrapped cash. Jack starts grabbing the cash bundles and depositing them on the table behind him in front of Vaughn, who picks up the first couple of bundles tolook at them and then starts to load the money into the backpack.Vaughn: The fact that you're letting me see this place means it's not your only one, is it? Jack deposits more money on the table and gives Vaughn aglance. Jack (with the barest hint of amusement): You're smarter than you look Vaughn half smiles and continues to load money into the backpack.Cut to an external view of Camp Williams through the fence. Cut to acomputer screen as the words \u0000I, Lauren Reed\u0000 are typed onto it and stop. Cut to Lauren. She's still obviously torn and not sure what she should do. She's pretty sure now that Vaughn was right about Sydney'streatment, seeing that she isn't being allowed to view it, and that she's being blackmailed to write a whitewashed report. But at the same time, she doesn't want her husband to get in trouble. She leans her elbows onthe desk and leans her mouth into her hands, closing her eyes.Cut to Sydney's gurney pushing through a set of doors. Again, she's shackled to the gurney. As she's wheeled into the \u0000interrogation room\u0000, the doctor"}
+{"doc_id":"doc_176","qid":"","text":"Stanley: This is ridiculous.Phyllis: Do you have any idea what time we'll get out of here?Michael: Nobody likes to work late, least of all me. [to Jim] Do you have plans tonight?Jim: Nope I don't, remember when you toldus not to make plans 'cause we're working.Michael: Yes I remember. Mmm, this is B.S. This is B.S. Why are we here? I am going to call corporate. Enough is enough, I'm - God, I'm so mad! [on phone] This is MichaelScott, Scranton, well we don't want to work. No we don't! It's not fair to these people. These people are my friends and I care about them! We're not going to do it! [hangs up] Everybody I just got off the horn withcorporate and basically I told them where they could stick their little overtime assignment. Go enjoy your Friday.Dwight: Thank you Michael.Michael: All right, happy Friday. [to Jim] Well I think we dodged a bulletthere.Jim: I think you did.Michael: I think we should celebrate. How about you, Pam, mi casa, a little dinner, dancing, drinks?Jim: Oh, I-Michael: You said you didn't have plans. That's what yousaid.[SCENE_BREAK]Jim: Michael has asked Pam and me to dinner at least 9 times. And every time we've been able to get out of it. But I've got to give him credit, he got me. Because I'm starting to suspect that therewas no assignment from corporate.[SCENE_BREAK]Dwight: Michael, what time should I be arriving?Michael: Dwight, it's couples only. And besides, I only have six wine glasses, so it will be me and Jan, and Pam andJim, and Angela and Andy.Andy: Hey-o![SCENE_BREAK]Dwight: Does it bother me that I wasn't invited to Michael's dinner party? [breaks down crying][SCENE_BREAK]Jan: Hi.Michael: Hello.Jim: Hi.Jan: How areyou?Michael: Come on in. Good to see you.Jan: Chilly huh? So glad we finally got to do this with you guys. You wanna take their coats babe?Michael: Yes I would. So, what have you been doing?Jim: Let's see, since Isaw you an hour ago?Michael: Yeah.Jim: I have been getting ready and then driving over here.Michael: Well we have been doing pretty much the same thing.Jim: Really?Michael: Except driving.Pam: We got you this.[gives a bottle of wine]Jan: Oh well Pam, thank you, this will be great to cook with.Michael: Well have a seat, or come on in, or, I don't know, make yourself to home. This is our casa.Pam: It's really nice.Jan: So whatdo you guys think, should we do the tour first or the appetizers first?Jim: Tour, let's do the tour first.Michael: Okay.Jan: Do you have a preference babe? Upstairs first?Michael: Totally your call babe.Jan: Alright, well,let's go then, I say upstairs.Jim: Oh, you guys doing a little construction?Michael: Oh, just redoing the sliding glass door.Jan: Yeah, so sorry about this God-awful carpet, we're still a work in progress here.Michael: Well,thats...[SCENE_BREAK]Jan: This is my office.Michael: Yep, never been used.Jan: Not super exciting.Michael: No.Jan: And this is my workspace.Michael: This is it, check that out, can you smell that? [the room is filledwith candles that say \"Serenity by Jan\"]Pam: Uh-huh.Michael: As you can smell there's a lot of different odors going on in here.Pam: So you have an office and a workspace?Jan: I do, I cannot create in the same spaceI conduct business, I'm sure that you're the same with your doodles. [puts a candle to Jim's nose] Smell.Jim: It's fire.Jan: Uh-huh, Bonfire.Michael: Bond.Jan: Men love this one.Michael: James Bond Fire. I am Bondfire, James Bond Fire. Michael Scarn. [clicks tongue]Jan: When I get frustrated, or irritated or... angry, I come up here and I just smell all my candles and it just -poof- goes away.Jim: Just like that.Jan: Just likethat.Jan: So this is the master bedroom, and these walls used to like white, like an asylum. So I wanted it to be softer, So I had it painted in eggshell white.Michael: Guess what, white and eggshell white are exactly thesame color.Jan: [puts away video camera facing the bed] Babe I thought you said you were going to tidy things up.Michael: Well, I-Jan: Shame on you.Pam: What a cute bench.Michael: Thanks, that's my bed. Jan hassome space issues, so I curl up on that puppy.Jim: Really? 'cause... seems pretty narrow... and short.Michael: It's actually a lot bigger than it seems. Look at this. [Lies down]Jan: See, he fitsperfectly.[SCENE_BREAK]Michael: I finally broke down and bought myself a plasma TV. Check it out. [reveals a tiny TV] I actually hung this on the wall myself. I want to show you something . A lot of people in theroom, need more space? [moves TV back a couple inches] Voila, right in the wall.Jim: Wow.Michael: Sometimes I will just stand here and watch television for hours. I love it, I love this TV. Oh and I also built thistable.Jim: What is that chestnut?Michael: No, I think that is either pine, or nordic cherry.Jan: It's pine.Jim: Michael, I'm just terrible at all this stuff, so that's really cool.Jan: Really?Pam: Yeah, he tried to set up myTIVO for me but then I didn't have audio for a week.Michael: If you ever need any help, I am just a phone call away.Jan: I bet you are.Jim: Well, I saw - oh your Dundies. I'm surprised they're not out on the coffeetable for everybody to see.Jan: It was between the neon beer sign and the Dundies so I said \"Honey keep the trophies.\"Michael: Oh honey, I have the best trophy right here, aside from my Dundies.Jan: [doorbell] Oh,excuse us just a second.Michael: I'll get it.Jan: [Andy and Angela enter] So glad you're finally able to be here.Angela: [Michael tries to hug Angela] No, no.Michael: Okay.Andy: Tuna! What's up Tuna, we having tuna fordinner? [to Pam] I bet you're sick of tuna right? You probably have tuna every night. Tuna! [to Jan] These are for you. [hands flowers]Jan: Oh, how thoughtful.Michael: Very nice.Andy: Except for one flower, which isfor... my flower.Jan: Aw.Angela: What am I supposed to do with this?Jan: How 'bout we do the short tour and then I'll start dinner?Pam: Oh I can help starting dinner if you need it.Jan: Oh no no no, it's just the ossobuco needs to braise for about three hours, everything else is done.Pam: Three hours from now or three hours from earlier like 4:00?Jan: You know Pam, in Spain they often don't start eating until midnight.Michael:When in Rome.Jan: Do you have a preference, upstairs first?Michael: Whatever you say babe.Jan: Follow me.Michael: All right.[SCENE_BREAK]Michael: How 'bout a toast. Shall I? Here's to good friends.All:Cheers.Michael: Kinda sorta an oaky afterbirth.Jim: What was that?Jan: So music, should we turn some music?Michael: Yeah that sounds good.Jan: Do you guys remember my old assistant Hunter? He is an excellentsongwriter.Hunter's CD: You took me by the hand, Made me a man, That one night, You made everything all right, So raw, so right, All night, all right, Oh yeah, Oh yeah, So raw, so right, All night, all right, Ohyeah.Michael: You know what, Hunter was a terrible assistant, that is why Ryan fired him.Jan: Well I think he's probably just about as reliable as Pam being that it usually takes you an afternoon to get back tome.Angela: Sometimes I think she holds on to faxes.[SCENE_BREAK]Pam: [To camera] I don't care what they say, I just want to eat. Which I realize is a lot to ask for... at a dinner party.[SCENE_BREAK]Andy: [playingcharades] No it's a... hump. There's a hump.Jan: Joe Camel!Andy: Okay yes, first name of that animal and the second name is the state where Helena is the capital.Pam: Montana.Jan: Oh!Pam: Joe Montana!Andy: Yes!Yes.Pam: Why didn't you just say 49ers quarterback?Michael: All right, [rhythim clapping] my my my my turn, my my my my turn, my my my my turn.Jan: Babe can you just like really, woah, could you just simmerdown?Michae: What, no, I'm just making people laugh.Jan: No.Michael: Yes, I was watching Jim's face.Jan: I was watching Jim.Michael: And he was laughing.Jan: No smiling.Michael: Look at him, he'slaughing.[SCENE_BREAK]Jim: Michael and Jan seem to be playing their own separate game and it's called 'Let's see how uncomfortable we can make our guests' and they're both winning. So I'm going to make a run forit. [holds cellphone][SCENE_BREAK]Jim: You'll never guess, I just got a message from my landlord apparently, my apartment flooded, something with a sprinkler. Pam, we should probably get going and see thedamage.Pam: Oh okay.Michael: Well you don't need two of you to do that.Jim: That's true. Um... dinner sounded delicious. Pam I'll see you at home, thank you so much.Pam: Oh Jim, I don't think you're going toabandon this party here all by itself.Jim: I don't know because I everything I own is there.Pam: You can buy new stuff but you can't buy a new party.Michael: That's true, that's a great point. Come on down here. Sitdown on that couch and be amongst friends and we are not going to think about all your stuff being destroyed, all right.Andy: Michael, you're up.Michael: All right here we go, this is going to be fun, ready. All right firstname is Tom-Jan: No no no, no names, no names, no rhyming, no soundalikes.Michael: All right, Okay, okay, you're getting inside my head. First name is blank and he goes on a cruise, he goes on a CaribbeanCRUISE.Angela: I don't know.Jim: Katie Holmes.Michael: No, Baah! But he's married to her!Jim: Oh, Dawson's Creek.Michael: No! It has to be a real person Jim, come on. Okay, no no, I'm gonna pass, I'm gonna pass.Okay, rhymes with Parnold Schporzenegger.Jan: No rhyming!Jim: Not really a rhyme.Angela: Another clue, another clue.Michael: Okay, he is the governor of California, he is the Terminator.Angela: Those aren'thelpful.Jim: Tom Cruise!Michael: No!Andy: Time!Michael: God, does anybody read the paper?![SCENE_BREAK]Pam: [Michael offers his coat to Pam, who is shivering] Oh, thank you.Michael: You're welcome.Jan: [eyesPam] I'm so, so sorry for the temperature in here. The um, sliding glass door shattered. It's actually a really cute story. Do you wanna tell it babe or should I tell it?Michael: I don't like that story babe.Jan: Come on, it'sa cute story, Michael ran through the sliding glass doors because he thought he heard the ice cream truck!Michael: Stop, stop it! I mean, I like ice cream. Okay? Sue me. Oh, no, don't. I shouldn't say that jokinglybecause she will sue me. She loves to sue, loves lawsuits. You know honey, that door was extremely clean and it looked invisible.Jan: You are so right, you're so right because before I lived here, the glass was alwayscovered in smudges, and then I moved in and I cleaned it so I guess that makes me the Devil.Michael: Ha ha, you are! She is! She is the devil! I'm in hell! Aaahhh I'm burning, help me!Angela: You shouldn't joke aboutthat.Pam: Is there more wine in the kitchen?Jan: I will get it, I will get it, what kind of hostess would I be if I didn't get. It's okay, I don't mind. In fact you know what, girl's trip, Angela come on. Girl'strip.[SCENE_BREAK]Jan: [checking the oven] Uh, not even close.Angela: So you keep a very tidy house.Jan: You should see our bathroom after Michael takes a bath, whew. But I don't have to tell you Pam.Pam: No,yeah. What?Jan: Oh well don't tell me that he's really changed since you guys dated.Pam: Oh, are you joking?Jan: Well, Michael told me a little bit about it, but I see the way you look at him.Pam: I have never, everdated, or wanted to do anything resembling dating Michael, ever. Not ever, not now, not then, not now, not ever, ever.Angela: I've noticed how you look at him at the office.Jan: Mmhmm.[SCENE_BREAK]Michael: [inthe garage] So I spend most of my time right here. Have a hand [the chairs are shaped like hands]. So Jim I noticed you checking out Jan's candles.Jim: Oh no she just put it in front of my face.Michael: Yeah, did youknow that candles are the number one fastest-growing product in the scent aroma market? $2 billion dollar a year industry. And for only $10,000, you could become a co-owner of \"Serenity by Jan\" What do you thinkabout that?Andy: Thought about it, I'm in.Jim: I'm sorry, are you really trying to get us to invest in Jan's company?Michael: I'm sorry. [doorbell rings] What now?[SCENE_BREAK]Jan: Coming! [Dwight and a woman areat the door holding wine glasses and a cooler]Dwight: Hello.Jan: What are you doing here?Dwight: We came here to eat dinner and to party, this is a dinner party right?Pam: [whispering] Awesome.Jan: What is hedoing here?Angela: Yes, What are you doing here?Michael: Dwight is my friend.Woman: We weren't invited?Michael: You said that I could not invite Dwight because he was not part of a couple, and because we didn'thave enough wine glasses. Dwight brought glasses and a person.Jan: Fine, whatever you want, just like always, whatever you want.Michael: Whatever I want? It's never whatever I want. When I wanted to see Stomp,and you wanted to see Wicked, what did we see?Jan: We saw Wicked.Michael: When I said that I wanted to have kids, and you said, you wanted me to have a vasectomy, what did I do? And then when you said thatyou might want to have kids and I wasn't so sure, Who had the vasectomy reversed? And then when you said you defintely didn't want to have kids, who had it reversed back? Snip snap! Snip snap! Snip snap! I did.You have no idea the physical toll, that three vasectomies have on a person. And I bought this condo to fill with children.Jan: I am so sorry that I don't want to bring kids into this screwed-up world, okay? But look if youwant to have kids, then fine you win. Let's have a [bleep]ing kid.Michael: Do you mean it? You want to have a kid? [Jan walks away]Jan: I hate my life.Dwight: So can we come in?[SCENE_BREAK]Dwight: Hmmm...Mmm... great turkey leg.Jan: [crying] I'm just gonna check on dinner. [Jan gets up from the table]Dwight: Angela, would you like some of my beet salad?Angela: I hate beet salad.Woman: It's actually reallygood.Dwight: Hey hey hey hey. [to Angela] I know you love beet salad. I've seen you eat it many times.Angela: The thought of popping one of your beets into my mouth makes me want to vomit.Michael: [leans acrossto Pam whispering] Pam... I hope she didn't do anything to the food.Pam: [whispers] Like... like what?Michael: I can't prove it but I think she might be trying to poison me. [Jan serves the food] Hey, looks greatbabe.Andy: Yeah it does.[SCENE_BREAK]Pam: I know Jan didn't poison the food. I know that. But if she was going to poison the food of someone at that table wouldn't it be me? Michael's formerlover?[SCENE_BREAK]Jan: [Michael dips his steak into his wine] Can you not do that? It's disgusting.Michael: You know I have soft teeth, how can you say that?Jan: Oops.Michael: Excuse me for a second. [gets upfrom the table]Jim: [to babysitter] So... how do you guys know each other?Woman: I was his babysitter.Pam: And now you guys are dating?Dwight: Purely carnal and that's all you need to know.Jim: Would you writedown your e-mail because I have just so many questions...Woman: E-mail?Jim: Nevermind.Michael: Ok... alright... here we go. [takes down huge painting behind his seat and puts up a neon beer sign] There. [plugs itin] Oooookay.Jim: That's nice.Michael: Everybody enjoying their meal?Jan: Hey babe?Michael: Yeah?Jan: How about we take the beer sign down until our guests leave and then we can discuss it.Michael: No. No. I'mgonna leave it up. I think it ties the whole room together.Jan: Ok. [gets up and goes over to the stereo and turns on Hunter's CD really loud]Michael: [to the guests] Jan thinks Hunter is very talented. You know what? Idon't think he's that good.Jan: At least he's an artist.Michael: BFD. I'm a screenwriter.Jan: [shouting] AND I'M A CANDLEMAKER BUT YOU DON'T HEAR ME BRAGGING ABOUT IT!Michael: NO ALL YOU DO IS YOU GET METO TRY TO WORK ON MY RICH FRIENDS!Jan: FOR AN INVESTMENT OPPORTUNITY!Michael: MAN! I WOULD LOVE TO BURN YOUR CANDLES!Jan: YOU BURN IT. YOU BUY IT!Michael: OH GOOD. I'LL BE YOUR FIRSTCUSTOMER!Jan: AND YOU'RE HARDLY MY FIRST!Michael: [yells] THAT'S WHAT SHE SAID! [Jan gets an evil look on her face and picks up Michael's dundie and throws it into his plasma screen tv] THAT IS A 200 DOLLARPLASMA SCREEN TV YOU JUST KILLED! Good luck paying me back on your zero dollars a year salary plus benefits, babe! [Jan goes upstairs crying.]Woman: I'm gonna get going.Dwight: Fine. Get outta here.Jim: It'sgetting late.Michael: You know what guys, she'll be out of the bathroom soon.[SCENE_BREAK]Jim: [Jim and Pam head out the door and there are policemen at the door] Of courseDwight: Get out of my way, I'll takecare of this. OK.[to police] Uhhh what seems to be the problem officers?Officer 1: Not now Dwight, We got a call about a disturbance?Michael: Nope. Nope. Nothing disturbing here. Just a couple of friends having anawesome dinner party.Officer 2: The neighbors said they heard some shouting.Michael: Oh... yes. There was some screaming but... um... my girlfriend... threw a dundie at my TV. Plasma.Officer 1: You wanna presscharges?Michael: Would she get into trouble?Officer: Yes. She'd be charged.Michael: I will take the fall. I did it.Officer 2: You know you don't have to press charges, you could just try to be more quiet.Jan: [running outthe door)] Michael! [pleading] Michael. What are you doing to him?Officer 1: Sir, do you have any other place you can stay? Maybe with one of your friends here?Dwight: [puts his hand on the Officer's shoulder] Michaelcan come home with me.Michael: Jim? Pam?Jim: Oh... my apartment's on firePam: [whispers] Flooded.Jim: Flooded.Dwight: You people. [to Michael] Come on. You're sleeping with me.Michael: No.Dwight: I'm gonnatake you home Michael.Michael: Nope.Dwight: Alright. [leads Michael away]Jan: Bye Babe![SCENE_BREAK]Pam: [Pam and Jim are sitting in Jim's car in front of Detroit Coney Island Chili Dogs] This is the best burgerI've ever had, babe.Jim: You know, babe, I should have told you but... I did something bad.Pam: Hmm?Jim: [holds up Hunter's CD] I stole this. [Pam laughs] For you babe.[SCENE_BREAK]Pam: [Hunter's voice startssinging, Pam joins in] One night...[SCENE_BREAK][Cut to Michael holding his head out of Dwight's car][SCENE_BREAK][Cut to Andy and Angela in Andy's car eating Ice cream. Andy tries to steal a bite of Angela's. Sherolls down the window and smashes it against his car][SCENE_BREAK][Jan is watching Michael's cracked plasma screen TV and tries to fix his Dundie.][SCENE_BREAK][Michael and Dwight slow at a red light and see thewoman at the bus stop, she waves to Dwight, who passes her by.]"}
+{"doc_id":"doc_177","qid":"","text":": The university cafeteria.Raj: Okay in Avatar when they have s*x in Pandora they hook up their ponytails, so we know their ponytails are like their junk.Howard: Yeah, so?Raj: So, when they ride horses and fly on thebirds, they also use their ponytails.Howard: What's your point?Raj: My point is, if I were a horse or a bird, I'd be very nervous around James Cameron.Sheldon: It amazes me how you constantly obsess over fictionaldetails when there are more important things in the real world to worry about. For example, why wasn't William Shatner in the new Star Trek movie?Leonard: Hey, Sheldon, I was up in the administration office, and Ihappened to overhear the name of the winner of this year's Chancellor's Award for Science.Sheldon: And you want to rub my nose in the fact that my contributions are being overlooked again? I am the William Shatnerof theoretical physics. All right, I'll play. What self-important, preening fraud are they honouring this year?Leonard: Oh, I'm so glad you asked it like that. You.Sheldon: I won?Leonard: You won.Sheldon: I won! This isastonishing. Not that I won the award, no one deserves it more. Actually, I guess I misspoke. It's not astonishing, more like inevitable. I'm not sure what to do first. Maybe I should call my mother. Wait! I know, I'mgoing to conduct an interview with myself and post it online.Raj: Well, good for him.Howard: Yeah, the one thing the William Shatner of theoretical physics needed was an ego boost. Credits sequenceScene: Theapartment. The guys are watching Avatar in 3D. All are wearing 3D glasses except Raj.Howard: Didn't it look like that spear was going to go right through your skull?Raj: No.Leonard: Hey, you didn't want a Slurpee at7-Eleven, you don't get glasses.Sheldon (phone rings): Oh, that will be another congratulatory call for me. Uh, mute, please.Howard: Uh, hang on, flaming arrow.Sheldon: Hello? Oh, Chancellor Morton, how are you,sir? Yes, I was expecting your call (aside) three years ago. I see. Wait. What happens if I choose not to give a speech? Uh-huh. And if I don't want to forfeit the award? Well, you've got that tied up in a neat little bow.All right. Thank you. (Hangs up) Problem.Leonard: What?Sheldon: They expect me to give a speech at the banquet. I can't give a speech.Howard: Well, no, you're mistaken. You give speeches all the time. What youcan't do is shut up.Raj: Yeah, before the movie, you did 20 minutes on why guacamole turns brown. It turned brown while you were talking.Sheldon: I am perfectly comfortable speaking to small groups. I cannot speakto large crowds.Leonard: What, to you, is a large crowd?Sheldon: Any group big enough to trample me to death. General rule of thumb is 36 adults or 70 children.Penny: Sheldon, congratulations. Brought youcheesecake from work. You know, 'cause of your award, not because a busboy sneezed on it.Sheldon: I'm not accepting the award.Penny: Why not?Howard: Turns out the great Sheldon Cooper has stage fright.Penny:That's no reason to back out. You know, I once got a pretty big honour in high school, and I was terrified about appearing in front of a big crowd, but I went through with it, and you know what? The world looked prettydarn good sitting on a haystack in the back of a Ford F-150 as a member of the Corn Queen's court.Sheldon: Thank you. Yeah, I'll bear that in mind if I'm ever nominated for the Hillbilly Peace Prize.Leonard: Sheldon,you're being ridiculous.Sheldon: Am I? Let me tell you a story.Howard: Where's 70 children when you need 'em?Sheldon: I was 14 and graduating summa cum laude from college. Summa cum laude is Latin for withhighest honours.Penny: I just love how you always skip over the part where no one asks.Sheldon: I was valedictorian and expected to give an address. Even now, I can remember that moment when I walked up to thepodium and looked out at the crowd. There must have been thousands of people. My heart started pounding in my chest. I began to hyperventilate. My vision became blurry, and before I knew it... oh, dear. (Hefaints.)Penny: Oh, my God.Leonard: Sheldon? Sheldon, are you okay?Sheldon: Don't trample me.Scene: The stairwell. Sheldon is on the phone.Sheldon: Come on, Mother, you know why I can't accept the award. Withall due respect, I don't think praying will help. No, I have not heard the song, Jesus, Take the Wheel. No, no, no, no, no, no, no, you don't need to start singing it. Yes, I'll buy it on the iTunes, Mother. Good-bye, Mother.(Enters apartment. The others are sitting as if waiting for him.) Hello.Leonard: Sit down, we want to talk to you.Sheldon: Am I in trouble? Did my mother call you?Penny: Just sit.Leonard: We think we can help you withyour stage fright.Sheldon: Oh, I doubt that. I haven't figured out a way, and I'm much smarter than all of you.Penny: Yes, but you're not smarter than all of us put together.Sheldon: Oh, I'm sorry, that is what Imeant.Penny: Okay, your problem is, you're trying to do this all by yourself.Leonard: We can help you. We can be your team. Like, uh, Professor Xavier and his X-Men.Sheldon: I do like the X-Men.Penny: Did I seeX-Men?Leonard: Yeah, we watched it last week. You said you liked it.Penny: Oh. I say a lot of things, sweetie. So, how about it, Sheldon?Sheldon: I don't know. If you're my X-Men, what are your powers?Penny: Okay.Well, I am going to take you shopping, get you a nice suit. Might give you more confidence.Sheldon: That's not exactly a mutation that would get you into Xavier's School for Gifted Youngsters, but go on.Leonard?Leonard: I thought I could try to analyze you and get to the root of your anxiety.Sheldon: What qualifies you to attempt to understand my mind?Leonard: My mother is a highly regarded psychiatrist, and I'vebeen in therapy ever since she accused me of breast-feeding co-dependently.Howard: Raj says he can teach you, what did you call it? I don't know, some Indian meditation crap.Sheldon: I see. Well, I assume, since therest of you have set the bar so low, you're saving the most impressive contribution for last. Go ahead, Howard. Dazzle me.Howard: My power is the ability to pretend like I give a damn about your piddly-ass problems.And that's 24-7, buddy.Sheldon: And I appreciate the pretence.Penny: So, what do you say, Sheldon? Are we your X-Men?Sheldon: No. The X-Men were named for the X in Charles Xavier. Since I am Sheldon Cooper,you will be my C-Men.Howard: Oh, that's not a good name.Scene: The apartment. Raj is lighting candles. Indian music is playing.Raj: Okay, Sheldon. I'm going to be leading you through a series of meditationexercises. These methods come from the ancient gurus of India and have helped me overcome my own fears.Sheldon: And yet, you can't speak to women.Raj: True, but thanks to meditation, I am able to stay in thesame room with them without urinating. Now, close your eyes.Sheldon: Okay, but don't punch me.Raj: What?Sheldon: When I was little, my sister would say to me, close your eyes, you'll get a surprise, and then she'dpunch me.Raj: I'm not going to punch you.Sheldon: That's what my sister used to say.Raj: Do you want to do this or not?Sheldon: I'm sorry. Proceed.Raj: All right. Imagine yourself in the one place you feel most athome. Where is that?Sheldon: Sim City. More specifically, the Sim City I designed, Sheldonopolis.Raj: Okay, you're in Sheldonopolis.Sheldon: Where exactly? Sheldon Square? Sheldon Towers? Sheldon Stadium, homeof the Fighting Sheldons?Raj: Whatever you like.Sheldon: I thought this was supposed to be a guided meditation.Raj: Fine. You're in Sheldon Square.Sheldon: Really? This time of year? It's a bit nippy.Raj: Then, put ona sweater.Sheldon: Suppose I could run downtown and pick up something at Shel-Mart.Raj: Yeah, whatever. Just go buy a sweater.Sheldon: You know, the nice thing about Shel-Mart is I own it, so I get a 15%discount.Raj: You own the damn thing. Just take a freaking sweater!Sheldon: Look, I didn't turn a profit last quarter by taking product off the shelves willy-nilly.Raj: All right. You've paid for a sweater, and you're inSheldon Square.Sheldon: Hang on. It's a cardigan. I have to button it. Oh, no.Raj: What now?Sheldon: A Godzilla-like monster is approaching the city. I have to get my people to safety. People of Sheldonopolis, this isyour mayor. Follow me. If the children can't run, leave them behind. Oh, the simulated horror! (Sound of door slamming) Raj? Just as I suspected. Meditation is nothing but hokum.[SCENE_BREAK]Scene: A clothingstore.Sheldon: I question your premise. How is a new suit going to prevent me from passing out in front of a ballroom full of people?Penny: It'll give you confidence. You know, sometimes when I'm feeling all stressedout about something, I go out and buy a cute top or a fun skirt and I have a whole new outlook on life.Sheldon: Don't you eventually realize you're just the same stressed out person in a cute top or a fun skirt?Penny:Yeah, that's when I buy shoes. Now, let's see what we've got. Ooh! This is nice.Sheldon: It's only one colour.Penny: Yeah, so?Sheldon: That's a lot of money for only one colour.Penny: Fine. Why don't you pick out whatyou like.Sheldon: Hmm. (Cut to Sheldon exiting changing room in a loud check suit). This is pretty sharp.Penny: No, you're wrong. Sheldon (now in a sparkly green suit with rhinestones): This is great. I had a suit likethis when I was six. (Cut to Sheldon exiting in a white dinner suit with tails) Okay, I think we have a winner.Penny: Where the hell d'you find that?Sheldon: In the prom department.Penny: It's ridiculous.Sheldon: Saysthe former member of the Corn Queen's Court.Penny: Please just try this one on.Sheldon: Okay. But anything I put on now is only going to suffer in comparison. (Goes into changing room. Comes out in black suitlooking terrific.) This is absurd. I look like a clown.Scene: The apartment.Leonard: So, Sheldon, how you doing?Sheldon: That's how you start a psychotherapy session? How am I doing? I was promised a riverboatjourney into the jungles of my subconscious. Instead, I get the same question I hear from the lady who slices my bologna at Ralph's.Leonard: I'm sorry, I'll start again.Sheldon: Would it be helpful to you if I told youabout my dreams?Leonard: Um, I don't know, maybe.Sheldon: I recently had a dream that I was a giant. But everything around me was to scale, so it all looked normal.Leonard: How did you know you were a giant ifeverything was to scale?Sheldon: I was wearing size a million pants.Leonard: Why don't we just talk?Sheldon: Ah, the talking cure. Classical Freudian, good choice. If it will help speed things along, uh, my answers tothe standard Rorschach ink blot test are A, a bat, B, a bat, C, a bat, and D, my father killing my mother with a hypodermic needle.Leonard: Why don't I just start? Sometimes people have trouble accepting accolades if,on a subconscious level, they don't feel they deserve them. Do you think maybe that's what's happening here?Sheldon: Really, Leonard? You're just going to try to recycle Adler's doctrine of the inferiority complex? Icould probably get that from the woman at Ralph's. And she'd let me taste some pieces of cheese for free.Leonard: But it could be part of your problem. Let me give you an example. When I was eight, I won a ribbon atthe science fair for my project, \"Do Lima Beans Grow Better to Classical Music.\" But my mother pointed out that it was just a rehash of my brother's earlier \"Do Lima Beans Grow Worse to Rock 'n' Roll.\" I felt so guilty, Igave the ribbon back.Sheldon: And how did that make you feel?Leonard: Terrible. I worked really hard on that project. I stayed up all night singing the clown's aria from Pagliacci to a lima bean sprout.Sheldon: Goon.Leonard: It wasn't my fault. I had never seen my brother's project. And my mother could've told me before instead of at the ceremony in front of everyone.Sheldon: So, I hear you saying you're angry with yourmother.Leonard: Damn right, I'm angry with my mother. For God's sake, I was eight years old. She humiliated me. That's when the bed-wetting started again.Sheldon: Thank you, Leonard.Leonard: For what?Sheldon:If someone as damaged as you can find his way to crawl out of bed each morning, I think I can face a simple award ceremony.Leonard: Wait, that's it? I thought we had a whole hour!Scene: The awardceremony.Leonard: Good evening, ladies and gentlemen. My name is Dr. Leonard Hofstadter, and it is my very great honour to introduce the winner of this year's Chancellor's award for Science and my good friend, Dr.Sheldon Cooper. But before I do, I'd like to share with you a letter from Sheldon's mother, who couldn't be here tonight. Isn't that nice? His mother sent him a letter. She's proud of him. I wonder what that feels like.Dear Shelly. That's what she calls him. Shelly, it's a pet name. You know what my mother's pet name for me is? Leonard. But I digress. Dear Shelly. I am so proud of... (continues as background noise)Sheldon: Oh,dear.Penny: What's the matter?Sheldon: I'm getting dizzy.Raj: Don't worry. You're surrounded by your C-Men.Sheldon: I can't do this. I'm going to faint.Penny: Here, drink this. It'll relax you.Sheldon: Alcohol? I don'tdrink alcohol.Penny: Fine, faint.Sheldon: I don't feel different, this alcohol's defective.Penny: Here, see if this one works.Leonard (still talking): First of all, the projects were totally different. I was showing that classicalmusic nurtures lima beans and makes them grow, but my mother didn't hear me. If you'd like to look at the relationship between nurturing and growth, I'd like to point out that my brother is eight inches taller thanme.Sheldon: I'm ready.Leonard: Oh, right. Ladies and gentlemen, our guest of honour, Dr. Sheldon Cooper.Sheldon: Thanks, shorty,I'll take it from here. All right, you people ready to have some fun? You have a basicunderstanding of differential calculus and at least one year of algebraic topology? Well, then here come the jokes. Why did the chicken cross the Mobius strip? To get to the same side, bazinga! All right, a neutron walksinto a bar and asks, how much for a drink? The bartender says, for you, no charge. Hello? I know you're out there. I can hear you metabolizing oxygen and expelling carbon dioxide. Looks like we have some academicdignitaries in the audience. Dr. Randall from the geology department, only man who's happy when they take his work for granite. Ba-da cha! I kid the geologists, of course, but it's only 'cause I have no respect for thefield. Let's get serious for a moment. Why are we all here? 'Cause we're scientists. And what do scientists study? The universe. And what's the universe made of? I am so glad you asked. (Singing) There's antimony,arsenic, aluminium, selenium, and hydrogen and oxygen and nitrogen and rhenium, and nickel, neodymium, neptunium, germanium... Everybody! And iron, americium, ruthenium, uranium, europium, zirconium,lutetium, vanadium... Just the Asians! And lanthanum and osmium, and astatine and radium...Scene: The apartment.Sheldon: Penny, Leonard. Would you be able to answer some questions I'm having about the eventsof last night?Penny: Sure.Sheldon: Question one, where are my pants?Leonard: You might want to check YouTube.Sheldon: What do I search?Leonard: It's already loaded. Just hit play.On-screen Sheldon: All right,people, let's get down to the math. It is only three dimensional thinking that limits our imagination. Can I take my pants off over my head? Of course not. My body's in the way. But if we had access to higherdimensions, we could move our pants around our bodies through the fourth dimension and our days of dropping trousers would be over.Sheldon: Oh, Lord, this couldn't be any more humiliating.Leonard: Uh-uh, give it aminute.On-screen Sheldon: Now, for the astronomers in the audience, get ready to see the dark side of the moon. And here's Uranus."}
+{"doc_id":"doc_178","qid":"","text":"OPENING CREDITSFLYOVER CARDIFF. Shot pauses and zooms in on an area of the city.CUT TO EXT. STREET - NIGHTHeavy rain pours down, it is dark. Floodlights come on and a body can clearly be seen lying in thestreet, SOCO (Scene of crime officer) and police officers are milling around the scene.[SCENE_BREAK]Two police officer's standing in the rain, a male and a woman. The male is holding a cup of coffee.GWEN : Oh, hot.Gwen takes the coffee.PC : Gwen, there's not enough. You didn't order. Gwen walks away towards another police officer.PC (off camera) : What do I do now ?GWEN (calls back) : Well I've only just arrived so tough.Who is it ?PC ANDY : I dunno, some bloke. You going to stop over on Friday ?GWEN : I dunno, what is it ? Drinks ?PC ANDY : A bit of pizza I think.GWEN : Might do, yeah. Police Officers move SOCO, \"SOCO leavingscene\" can be heard from the police radio.PC ANDY : Ay ay, what's happening here then.POLICE OFFICERS : On you go. Come on now.PC ANDY : Move back if you could, thank you. He starts moving people back,moves away from Gwen who is left to watch on her own.GWEN : Hey what's going on ? Gwen speaks in general to anyone then walks up to SOCO.GWEN : Excuse me sir, what is it, what's happening ?SOCO : Buggeredif I'd know, it's orders from above.GWEN : But the body is still there though, isn't it though. You can't just leave it.SOCO : Move back they said. Clear the site. Special access they said.GWEN : For who ?SOCO :Torchwood. A black SUV pulls into the site. Four people get out, Jack, Suzie, Owen and Toshiko. They walk past the police and stand by the body, rain still pounding down.GWEN : Who's Torchwood ?SOCO : Special op'sor something. He glances at Gwen's coffee.SOCO : That hot ?GWEN : Huh ? Oh yeah, have it. But they're not allowed in there, they could contaminate the evidence and all sorts. I mean how can they...SOCO : Don't askme. There's no procedure anymore. It's a f*cking disgrace. The SOCO walks away with Gwen's coffee. Gwen stares after him and then looks at the Torchwood team. Jack turns in her direction but does not appear to belooking at her. Gwen tries to see what they are doing. She looks up and sees a multi story car park.INT. FLIGHTS OF CONCRETE STAIRSGwen runs up the stairs and into the car park a few floors up. She goes to theedge of the car park floor and leans over the balcony, and starts to watch and listen to them. Gwen overlooking body and Torchwood team.EXT. ALLEY NEXT TO THE BODYTorchwood around the murder victim.JACK :There you go, I can taste it, oestrogen. Definitely oestrogen. (He looks up slightly, dripping with rain). You take the pill flush it away, it enters the water cycle. Feminises the fish. Suzie pulls a gauntlet from a crate andputs it on.JACK : Goes all the way up into the sky and then falls all the way back down onto me. Contraceptives in the rain. Love this planet. Still least I won't get pregnant. Never doing that again. Jack looks atSuzie.JACK : How's it going ?SUZIE : Nothing yet, its got to connect. I just gotta feel it.OWEN : Then hurry up and feel it. Freezing my arse off here.SUZIE : I can't just flip a switch ! It's more like access, it, it grants meaccess.OWEN : Whatever that means.SUZIE : It's like, oh, oh, oh, oh. The glove starts to glow, working.JACK : Positions...OWEN : If I get punched again, I'm punching him right back.JACK : Just concentrate. Suzie...Jack nods at her and then Suzie places her hand under the corpse's head. The rain stops around them and the lights get brighter. The corpse breathes out. Gwen looks down, she is shocked.BODY : There was, I was, Iwas, I was... oh my god what's goin' on ?TOSHIKO : Listen to me, we've only got 2 minutes so it's important that you listen, ok...BODY : Who are you ?TOSHIKO : Trust me. You're dead.BODY : How am I dead ?OWEN: You were stabbed.BODY : I'm not dead, I can see you.TOSHIKO : We've brought you back, but we haven't got long. I'm sorry but you've got to concentrate. Who did this to you ? What did you see ?BODY : But whyam I dead ?TOSHIKO : Who attacked you ?BODY : I don't want to be dead !SUZIE : 60 seconds.TOSHIKO : You've got to think, just focus on me. What was the last thing you saw ? Jack sighs, clearly frustrated.BODY : Ididn't see anything. I dunno.TOSHIKO : Who killed you ? Did you see them ?BODY : I dunno. There was something behind me.OWEN : Police said one stab wound in the back.TOSHIKO : So you didn't seeanything.BODY : No. There is a long pause, each Torchwood member looks at the body.BODY : What happens now ?SUZIE : 30 seconds.TOSHIKO : But he didn't see anything.SUZIE : Don't waste it.TOSHIKO : Whatelse do I say ?JACK (crouching down) : What's your name ?BODY : John. John Tucker.JACK : Ok John. Not long now.BODY : Who are you ?JACK : Captain Jack Harkness. Tell me what was it like when ya died ? What didya see ? (Pause) John, tell me what you saw.SUZIE : 10 seconds.BODY : Nothing... I saw nothing... Oh my god there's nothing. John stops breathing, his head falls back into Suzie's hands, dead once more and the rainresumes falling heavily. Gwen stares at them from above.SUZIE : sh1t !OWEN : I said it was stupid telling him he was dead.TOSHIKO : Well you try it.OWEN : Trust me. Like that's gonna work.JACK : Told the lastcorpse he was injured and he wasted the whole two minutes screaming for an ambulance. Maybe there's no right way of doing it. Jack looks up, straight at Gwen and calls out.JACK : What do you think?[SCENE_BREAK]Gwen standing at the car park wall looking over. Gwen leans back shocked when Jack sees her. She runs across the car back and back onto the street. She bends down breathing shallow, shocked andconfused.[SCENE_BREAK]ARIEL VIEW OF CARDIFFINT. GWEN'S FLAT - LATER THAT NIGHTGwen enters pauses in the entrance and then goes upstairs and walks towards the sofa. Rhys, her boyfriend, is sitting watchingTV.GWEN : Still up ?RHYS : In 'ere. They said on the news murder in the city centre. Were you there ?GWEN : No. I dunno, nothing to do with me... How come you're still up though ? Gwen sits next to Rhys and kisseshim on the forehead. Clearly they are an established couple.RHYS : Oh, Banana Boat came round. He was saying he's got plans. He's off again next summer.GWEN : How come you're not pissed then ?RHYS : Ooo, wellwe 'ad a cup o' tea. He's read this thing about diabetes. Me and him 'avin tea, that's middle age that is. There's some Chinese in the fridge.GWEN : No I'm not hungry. You coming to bed ?RHYS : Just finish here. Thisman's found his sister.GWEN : I'll see you in a minute. Gwen walks away.[SCENE_BREAK]GWEN'S BEDROOM - NIGHTGwen lying awake in bed unable to sleep.ARIEL CARDIFF - DAYINT. POLICE OFFICE - CARDIFF -DAYGwen enters and sees a colleague walking down the stairs carrying files.GWEN : Yvonne, can you do me a favour ? Can you a search for me ?YVONNE : Join the queue.GWEN : It's a Captain Jack Harkness, can youcheck him out ? Gwen passes Yvonne and starts to walk up the stairs.YVONNE : I'm busy. See's there's proper channels, Gwen. What sort of Captain ?GWEN : Dunno, just a Captain.YVONNE : If I get time.GWEN (callsdown stairs) : Thanks.INT. POLICE MURDER INVESTIGATION ROOM - CARDIFFPolice officers are looking at crime scene photos pined to a wall and discussing the facts of the case. Gwen enters carrying a tray of tea andcoffee.OFFICER : Sarah Palaster, 72. Murdered in her front room. Rani Ghosh, 45. Murdered in Robin Tree Alley and now John Tucker, 19, murdered in Sangavalith Lane. There's absolutely nothing linking these threevictims. Apart from the way they died. As far as we can tell, all with the same weapon. A blade, approximately 8 inches long, 3 inches deep.YOUNG COP : The two women were stabbed from the front but John Tuckerwas stabbed from behind. What does that tell us about the killer ?OFFICER : That he's a coward.EXT. A STREET - DAYGwen and Andy exit police car and walk towards a pub.GWEN : But those people last night. Thepeople in the car. Who were they ? What's Torchwood ?PC ANDY : I dunno, special ops.GWEN : Yeah but what does that mean ?PC ANDY : Bet you ten quid they're DNA specialists. It's all DNA these days. Like that CSIbollocks. CSI Cardiff, I'd like to see that. They'd be measuring the velocity of a kebab. Gwen and Andy enter the pub. A bar brawl is in progress. Gwen and Andy enter and try to separate the combatants.ANDY : Thankyou very much. Thank you... Gwen is pushed aside and knocked over, she bangs her head on a pillar and appears to be in pain.INT. HOSPITAL - CARDIFF - DOCTORS ROOM - LATER THAT DAYA doctor is treatingGwen's head injury. Gwen walks out of the doctors room holding her head, she sees a man running up the stairs, she believes him to be Jack. She follows him up the stairs, running. Upon reaching the top of the stairsGwen finds a plastic-sealed doorway and Jack has disappeared. She hears a door bang open below her and looks over the stairs to see a porter.GWEN : 'Scuse me. Sorry. It's all sealed off up there. Who did that ? Gwenindicates the sealed door.PORTER : I thought it was you lot.GWEN : But what's it for ? What's happened.PORTER : I dunno. 9 o'clock this morning it was all sealed off, they never said. Chemicals or something. Theporter walks off, Gwen enters through a gap in the plastic of the sealed off door.GWEN : Hello ! Gwen walks forward and sees a figure at the end of the corridor.GWEN : Sorry I'm just looking for someone... Gwencautiously approaches, talking to the figure.GWEN (to self) : Yeah, right, clever... A weevil remains motionless except to tilt it's head at her.GWEN : Anyway I dunno if you saw a man come through here. A tall man, inone of those big sort of military coats. Ok. If you could answer, this is official business. Gwen notices the man appears to be wearing a mask.GWEN : You alright ? That's good. That's a good mask sort of thing... LookI'm sorry if I'm interrupting something, but we can stop this now, ok ? It's all very well playing silly buggers but I'm busy, alright. Now I'm looking for a man in a big grey coat. I said we can stop being silly. The weevilopens its mouth and hisses. The porter enters the corridor and walks towards Gwen.PORTER : Ah, there you are. I did ask but I saw Doctor Mahieb cos I thought it was him said about the police, but he said no and thenI said about the chemicals and he said don't be so stupid, \"what chemicals ?\" So I dunno, could be anything. The porter walks towards Gwen and notices the Weevil.PORTER : Who've you got with you there then ? Somuch for sealing it off. Oh, ha, there's a face, nice one, oh tell ya mate you should try plastic surgery. Not on the NHS mind. The Porter glances from the weevil to Gwen.PORTER : You alright ?GWEN : Yeah.PORTER :Bloody hell that is brilliant. That's like, erm, Hellraiser ! That's first class that is ! The porter stands close to the weevil and indicates the teeth.PORTER : Look at that ! It's just like real teeth. The weevil grabs thecaretaker's head and bites into his neck, blood spurts from his pierced jugular. Enter Jack, Owen and Suzie. Jack grabs Gwen and runs down the corridor with her.JACK : Go, go, go, go, go, go, go, go, go ! INTERCUTWITH : Shots of Owen and Suzie subduing the weevil and putting a black plastic bag over it's head. Jack stops at the end of the corridor. Gwen continues running out of the corridor and down the stairs. She stopsrunning in the hospital entrance hall. Gwen goes into the hospital car park sees the Torchwood SUV. The SUV leaves the car park at speed, honking the horn to move her from their path. Gwen begins to run after it andthen gets into a police car and pursues. PC Andy, eating, sees her drives past.ANDY : Oi !EXT. OVERVIEW - CONTINUOUSThe police car follows the Torchwood SUV along the motorway.GWEN (VO) : Registration, CharlieFoxtrot 06.INT. POLICE CARGwen driving and speaks into the police radio.GWEN : Foxtrot Delta Uniform.OFFICER (over radio) : Charlie, Foxtrot 06, Foxtrot Delta Uniform. Erm, hold on I think Yvonne wants aword.INTERCUT WITH INT. POLICE STATION CONTROL ROOM - CONCURENTYvonne stands in front of a bank of screens showing CCTV footage and speaks into the radio.YVONNE (over radio) : No sign of a Captain JackHarkness.GWEN : Did you search outside Cardiff ?YVONNE : No that never even occurred to me. Course I did ! I went nationwide. There are about 15 Jack's and John's with that surname, none of them a captain.GWEN: S'pose he could've made it up.YVONNE : The only Captain Jack Harkness on record was American.GWEN : That's it, he's American.YVONNE : Which you forgot to tell me.GWEN : So who is he ?YVONNE : Americanvolunteer, Royal Air Force 133 squadron. 'Cept he disappeared. Vanished off the records, presumed dead.GWEN : When was that ?YVONNE : 1941 at the height of blitz. The morning of January the 21st 1941, CaptainJack Harkness failed to report for duty. Never seen again until now. What's going on Gwen, you seeing ghosts ?EXT. IN FRONT OF MILLENNIUM CENTRE - DAYGwen following the SUV in police car. The SUV pauses, Jack,Suzie, Owen and Tosh exit the vehicle and the SUV departs. Gwen parks in the middle of the square and exits the vehicle and shouts after Torchwood.GWEN : You lot. Oi Torchwood ! The Torchwood team ignores herand continues walking. Gwen starts to follow and is approached by a security guard.SECURITY : Oi ! You can't leave that there !GWEN : Police !SECURITY : I can see that love and you're still not leaving it there. Gwenlooks over at the Millennium Fountain and notices the Torchwood team have vanished. Gwen walks towards the fountain.SECURITY : I'm talking to you ! Excuse me ! Move your bloody car ! Gwen wanders around thefountain trying to see how they could have disappeared.INT. POLICE CAR - A SHORT TIME LATERGwen is speaking into her radio.GWEN : Did you get anything on that registration ?OFFICER (over radio) : No suchnumber.GWEN : What does that mean ?OFFICER (over radio) : It doesn't exist, double checked for Swansea, triple checked. There's nothing, no such vehicle. But Temple's been asking 'bout you Gwen. You in trouble ?PC Andy enters Gwen's vehicle.PC ANDY : I have walked ! I have bloody walked ! They share a glance, Gwen appearing apologetic.EXT. MILLENNIUM FOUNTAIN - SHORT TIME LATERGwen stands next to the MillenniumFountain.GWEN : They were here and then they were gone, and look there's nowhere to hide, they just disappeared ! Andy stands near, arms folded.PC ANDY : Temple's not just livid he's doing his nut.GWEN : Therewas a man I'm telling you. There was this porter, he was in a porter's uniform and he was killed,or at least he was injured, he must have been injured ! Right in front of me ! This man in a mask sort of lashed outand...ANDY : I've told you, all hospital staff present and correct.GWEN : I saw it.PC ANDY : That's sick. Gwen, sweetheart think about it, what sort of story is that ? You're not well, come with me I'll take youhome.GWEN : They were here...PC ANDY : Come on. Andy puts his arm around Gwen's shoulder and guides her to the car.[SCENE_BREAK]CCTV footage of Gwen and Andy returning to the car.SHOTS OF CARDIFFINT.GWEN'S FLAT - LATER SAME DAYGwen enters the living room / kitchen and sees Rhys cooking.RHYS : Look at me, cooking. Hot pot ! Or as ze French call it, 'ot pot. Gwen smiles fondly and kisses Rhys.GWEN : Ishould've phoned. I've gotta work.RHYS : You should be off sick.GWEN : I know. But they were short and there's a match on tonight. I said I'd take another shift, I'm sorry. Forgive me, go on, forgive me, say youforgive me.RHYS (smiles) : Yeah... Gwen kisses Rhys.GWEN : I gotta go.ARIEL CARDIFFEXT. MILLENNIUM FOUNTAIN - NIGHTGwen is walking round the millennium square fountain, trying to see how Torchwood couldhave got away earlier. She notices a pizza delivery bike drive past.[SCENE_BREAK]CCTV footage of Gwen, on hub computer screen.INT. JUBILEE PIZZA - SAME NIGHTGwen enters the pizza shop. A young lad worksbehind the counter.GWEN : Scuse me, Gwen Copper, CID. I'm making some enquiries 'round the bay. I need to check some people out on your list if that's ok. I don't supposed you deliver to a Captain JackHarkness.PIZZA LAD : Ah, I dunno.GWEN : Well could you 'av a look ? The man behind the counter checks the computer.PIZZA LAD : No. He's not a regular anyway.GWEN : J. Harkness or just Harkness. The pizza boychecks the computer again.PIZZA LAD : No.GWEN : Ok, never mind. Thanks anyway. Gwen starts to leave Jubilee Pizza then turns back to the counterGWEN : I don't suppose you've got a Torchwood ?PIZZA LAD : Ohaye ! We do them all the time. They're good customers.EXT. CARDIFF BAY - NIGHTGwen walks along the bay carrying pizza boxes.INT. TOURIST INFORMATION OFFICE - LATER THE SAME NIGHTGwen enters thereception area and looks around. A man enters through a beaded curtain behind the desk and smiles at Gwen.GWEN : Oh hiya. Sorry I'm late. Someone ordered pizza.IANTO : Who's it for ?GWEN : I think it's a MrHarkness. Gwen flinches as the door she entered through closes behind her. Ianto presses a button behind the desk and a part of the wall opens to reveal a passageway. Gwen looks surprised.IANTO : Don't keep 'emwaitin'. Gwen goes to the doorway and glances back at Ianto. He inclines his head in encouragement. Gwen walks cautiously down an ill lit brick passageway. A door opens at one end of the corridor, Gwen walkstowards it and enters a lift. She goes down several storeys. She exit's the lift and goes through a large cog shaped door ahead of her. Camera pans right, around the Hub. The cog door and some bars slide shut behindGwen. She glances at them and then notices a cylindrical container in which a hand is held in pale blue bubbling liquid. The Torchwood members working at their stations.[SCENE_BREAK]Someone welding, the mask isremoved to reveal Suzie.[SCENE_BREAK]Jack on the balcony walk down the stairs and into his office. Gwen walks towards Jack's office door past Toshiko and Owen who are on the computers. Gwen approaches slowlyand they start laughing, Owen turns round on his chair to face Gwen.OWEN : I can't do this, I'm sorry. I'm rubbish. I give up.TOSHIKO (pointing) : He set me off.SUZIE : Well that lasted nought point twoseconds.OWEN : Mmm, she's actually carrying pizza.JACK : Come on ! She was gonna say here's your pizza and I was gonna say how much ? And she says oh, whatever, 20 quid and I say ooo... I don't have anymoney. I was working on a punch line, I'd have got there, but it would have been good.GWEN : There's your pizza, I think I better go.JACK : I think we've gone past that stage.SUZIE : You must have been freezing outthere, how long you walking round ? Three hours ?GWEN : You could see me ?SUZIE : Mhmm.JACK : And before we go any further. Who the hell orders pizza under the name of Torchwood ?OWEN : Err, yeah, thatwould be me. Sorry I'm a twat.GWEN : That man at the hospital ? That porter ? What happened to him ? That was real wasn't it, he was attacked ?JACK : He's dead.GWEN : But there's no one gone missing.TOSHIKO : Itook the body, retrospectively changed the work rota. Planted a false witness who saw him leaving the hospital, giving him an alibi for the next 48 hours so that when his body is pulled out of the docks next Tuesdaynight, he's only been missing for three days.GWEN : He was murdered.TOSHIKO : Yeah.GWEN : And you covered it up.TOSHIKO (shrugs) : It's my job.GWEN : And that other man, John Tucker. Last night in thealleyway, I saw you...JACK : And what did you see ?GWEN : You revived him.JACK : No. What did you see ?GWEN : You resuscitated him.JACK : No. What did you see ?GWEN : You brought him back to life.JACK :Yeah.GWEN : Who are you ?JACK : Torchwood.GWEN : What's Torchwood ?JACK : This is Torchwood, all around you. Jack indicates the Hub.GWEN : And what happens to me ?JACK : Ohh...GWEN : I'm police. ConstableGwen Cooper. You can't do anything.JACK : Alright PC Cooper. Do you want to come see ?GWEN : See what ?JACK : You saw the murder. Come and see the murderer. Jack walks away, expecting Gwen to follow. Gwenpauses and Suzie notices her expression.SUZIE : Go with him. Gwen puts the pizza down on a sofa and follows Jack.GWEN : What is Torchwood ? Who are you ? What is this place ? Something screeches above Gwenand she ducks.GWEN : What was that ?TOSHIKO (bored) : Pterodactyl.JACK (off screen) : Are you coming ?[SCENE_BREAK]INT. TORCHWOOD CELLSJack opens the cell block door and enters followed by Gwen. The lineof cells are dark, the paint on the wall flaking off. The cells have one clear wall, facing the corridor, with air holes. They walk to the end of a line of cells and Jack switches on the light to the end cell. Gwen looks in and"}
+{"doc_id":"doc_179","qid":"","text":"THE REIGN OF TERRORby DENNIS SPOONER first broadcast - 5th September, 1964[SCENE_BREAK]1. CHURCH CRYPT(IAN looks around and moves inside. A figure appears from the shadows behind him; IANturns.)IAN: Leon?LEON: Yes. You must be Ian.IAN: That's right.LEON: Are you alone?IAN: Yes. Jules said you might be able to help.(IAN hear sounds behind him, and turns to find two SOLDIERS behind him. They areboth aiming muskets at his chest.)IAN: Soldiers!(He turns back to face LEON. The Frenchman has drawn a pair of ornate pistols, and also points them at IAN.)LEON: Yes, I know. You walked right into my trap, didn'tyou, Ian?[SCENE_BREAK]2. PARIS SQUARE(The episode credits are shown over a representation of a square in Paris. Sounds of cheering crowds are heard as the guillotine falls and claims yet anothervictim.)[SCENE_BREAK]3. CHURCH CRYPTLEON: You can put all ideas of escape out of your head. And as for your rescue - well no-one will come here, you can take my word for that.IAN: If I don't go back, Jules isgoing to get suspicious.LEON: By the time that happens, my friend, we shall have left. And afterwards we'll take care of him.(LEON clicks his fingers, and the SOLDIERS grab him and drag him against a pillar with ironrings set into it. They secure his wrists with heavy chains, which they attach to the rings. IAN struggles as they do so.)IAN: You never know who your friends are!LEON: My association with Jules was bound to come toan end. He already suspected that... a traitor, if you want to use those words, was working in the organisation. But it's no matter. We're ready now to close in on him too.IAN: So what do you want with me?LEON:Information.(IAN scoffs.)LEON: You will cooperate, Ian. Think about it. We have plenty of time.(He stares at IAN for a moment, then turns and exits, leaving the two SOLDIERS to guard the prisoner. One talks toIAN.)SOLDIER: He's giving you time to consider.IAN: I don't need time, I have no information.SOLDIER: We'll decide that when you talk. And you'll talk, you'll talk!(He flashes IAN an evil smile.)[SCENE_BREAK]4.LEMAITRE'S OFFICE(BARBARA and the DOCTOR have just been reunited.)BARBARA: Oh, Doctor, I thought we were never going to see you again!DOCTOR: You should know by now, young lady, that you can't get rid ofthe old Doctor as easily as that.(They both chuckle.)[SCENE_BREAK]5. CORRIDOR(Just outside the office, LEMAITRE is listening through the door to every word of the conversation.)BARBARA: (OOV.) Tell me, how didyou get out of that burning farmhouse?DOCTOR: (OOV.) Oh, never mind about that now.[SCENE_BREAK]6. LEMAITRE'S OFFICEDOCTOR: What happened? Where's Susan? How is she?BARBARA: She's here. We werearrested together.DOCTOR: She's here?BARBARA: Yes.DOCTOR: Is she well?BARBARA: Yes, she's fine. She had a slight fever, but she's recovered now.DOCTOR: Good. Well now, we must find Chesterton and try andget back to the ship.BARBARA: Oh, I know where he is!DOCTOR: Mm?BARBARA: I know where he is.DOCTOR: Oh yes?BARBARA: We were all in hiding at a house owned by a Jules Renan...[SCENE_BREAK]7.CORRIDOR(LEMAITRE still listens intently. He notices the JAILER waddling down the corridor towards him, and turns to face him. He speaks to the JAILER in a hushed voice.)LEMAITRE: Not now, Jailer!JAILER: ButCitizen...LEMAITRE: Later!JAILER: But...LEMAITRE: I said, not now!JAILER: I've just had a message from the First Deputy, Citizen!(LEMAITRE moves away from the door.)LEMAITRE: Well, what is it?JAILER: Robespierresays 'e wants to see you immediately. It's a matter of the utmost importance. Robespierre said immediately, Citizen.LEMAITRE: Yes, yes.(He turns to leave, exasperated.)LEMAITRE: Has the young girl been lockedaway?JAILER: She has. I saw to it myself, just as you ordered, Citizen.LEMAITRE: Good. She shall remain in her cell, do you understand? Under no circumstances is the door to be opened.JAILER: Just as you say,Citizen.LEMAITRE: And if that order is disobeyed... I'll have you guillotined.(He exits, leaving a very worried looking JAILER behind him.)[SCENE_BREAK]8. LEMAITRE'S OFFICE(The DOCTOR has just had a brainwave.)DOCTOR: Yes, that's it! That's it!(BARBARA is not listening.)BARBARA: Oh, I should never have taken Susan to see that physician.DOCTOR: Oh, don't blame yourself, Barbara. As it happens, everything hasturned out very well. Might have taken us ages to find each other.BARBARA: Do you think we stand a chance of getting out of here?DOCTOR: Well, my voice seems to carry some weight, hm?BARBARA: Yes, well I'm notsurprised in that get-up.(The DOCTOR preens himself.)DOCTOR: Yes, it's rather impressive, isn't it? Now, listen. I'm going through that door. Give me a few minutes, then I want you to go through the door and straightout of the prison.BARBARA: Are you serious?DOCTOR: Absolutely serious, but I've no time to explain. Just do as you're asked.BARBARA: What about Susan?DOCTOR: Well, I'll look after her and follow youlater.BARBARA: But Doctor, you...DOCTOR: Now now now, there's no buts, don't argue. You know my plans always work perfectly. Hm?(BARBARA decides against making the obvious comment.)DOCTOR: In a fewminutes, then.(He leaves, closing the door firmly behind him.)[SCENE_BREAK]9. JAILER'S ALCOVE(The DOCTOR enters to see the JAILER sitting at his desk.)DOCTOR: Ah, tell me. Is Lemaitre here?JAILER: He's, uh, leftto see Citizen Robespierre.DOCTOR: Oh dear dear dear, how irritating, and I did want him so urgently.JAILER: Well, I'm sure he'll be back shortly, Citizen.DOCTOR: No no no, this matter can't wait, it's urgent! I've justbeen interrogating that young woman, and I'm convinced she's a member of that dangerous Traitor's Party.JAILER: Oh, I see, I see.DOCTOR: And do you know, she could tell us the names of every traitor in thiscountry!(The JAILER believes every word.)JAILER: Perhaps we should make her talk?DOCTOR: No, no chance of that. No, she'd rather die first than betray her friends. No, I think, if there's only some way of using her...if only we could get, through her, to her friends...(He waits expectantly for the JAILER to have a brain wave.)JAILER: Perhaps...DOCTOR: Mm?JAILER: Perhaps...DOCTOR: Perhaps what?JAILER: Well, if she were toescape, she could be followed. She'd meet these traitors, then we'd arrest them. Lemaitre once did this.DOCTOR: My dear, what an excellent idea! What an excellent idea! Yes, of course, now why didn't I think of that?Yes, that's what we'll do, and Lemaitre will be delighted! Now look here, Mr Jailer, I want you to open those prison doors, keep out of sight.JAILER: Oh, but er...DOCTOR: Tch, tch, tch, no buts, no! And sooner or later,that young woman will come through those doors and we can grab her! Go along, quickly!(He sends the JAILER off to the prison doors, then disappears down to the cells, a satisfied grin on his face.)[SCENE_BREAK]10.RENAN'S SITTING ROOM(JULES enters and looks around frantically.)JULES: Ian, Barbara, Susan? Ian? Ian?(He calls upstairs and looks around.)[SCENE_BREAK]11. CHURCH CRYPT(IAN rattles his wrist chains. TheSOLDIER standing by him laughs.)SOLDIER: Getting impatient, are we? That's a good sign. Citizen Colbert really knows how to make pigs like you talk. He leaves 'em alone, makes them think. Now me, I have otherways.(He raises the butt of his musket, ready to hit IAN in the face, but is interrupted by a call from the entrance to the crypt.)LEON: Stop that!... I'm sorry - I'm afraid my men are very bad-tempered. Ian, I don't wantanything to happen to you really, but I think you have the information that will help the cause I believe in.IAN: You're wasting your time with me. I'm very small fry.LEON: Surely you don't expect me to believe that?Well, we learned of the existence of James Stirling two months ago. We've been searching for him ever since.IAN: We?LEON: Yes. I've been loyal to the Revolution from the beginning. If you'd known what France waslike six years ago, before the Bastille, you'd understand.IAN: I do understand, but I can't help you.LEON: Or you won't! France will never be anything until we're rid of these high-born leeches who've been sucking thelife-blood of France for so long.IAN: You must believe me, I can help you in no way...LEON: Ian! You can save yourself a lot of trouble and suffering by talking. This is your only chance! Do you realise that when I'vefinished with you I'll transfer you to the prison, and then the guillotine? Now if you were to talk, I have the power to set you free!IAN: Jules must have told you all I know.LEON: Ah yes, what did Jules say? That Webstergave you a message to give to Stirling.IAN: Yes, that's right. Only I can't recognise Stirling - that's why I'm here.LEON: Oh, that I accept. But you must have known of their organisation. You were in it with Webster! Hewould never have trusted you otherwise. Now. Who sent you from England? How did you get here, and who helped you?IAN: (Sighs.) What's the use?LEON: I really don't understand what you hope to gain! If I don't getthe information from you, I shall find it elsewhere! Now be sensible. Save yourself from the guillotine.IAN: You wouldn't believe my story anyway.LEON: Suppose you let me be the judge of that. How did you get toFrance?IAN: You really want to know, eh?LEON: The truth?IAN: Oh yes, it's the truth all right.LEON: You swear it?IAN: Yes, I swear it! I flew here with three friends in a small box. When I left England it was1963.(LEON steps back, furious, and signals to the nearer SOLDIER, who strides forward, musket and bayonet pointed towards IAN. IAN braces himself for the blow, then hears a yell from the entrance.)JULES: All right,Leon! Release him!(JULES is standing in the entrance, a pistol pointed at LEON's back. The second SOLDIER swings his musket around, but JULES is faster and shoots him dead. LEON reaches for his pistols, but JULEShurls his now spent weapon at LEON's face. LEON falls back with a cry, dropping his guns. The SOLDIER by IAN has cocked his musket and swings it round to aim at the now unarmed JULES. IAN gathers his strength,hauls himself up by his wrist chains, and kicks the SOLDIER on the side of the head - he falls. LEON recovers and grabs his pistols; IAN shouts a warning.)IAN: Jules!(JULES grabs the falling SOLDIER whom IAN has justkicked, and hold him up as a shield, just as LEON fired. The two bullets ring out simultaneously, and both hit the SOLDIER. As JULES drops the lifeless body, LEON steps back towards the discarded musket. JULESwatches as he steps nearer, then casually reaches into his coat and draws a second pistol.)JULES: You traitor! It's you who's the enemy of the people!(LEON makes a desperate lunge for the musket, but JULES firesfirst. LEON collapses, dead. JULES turns to free IAN.)IAN: I thought I was going mad when I saw you here! Why did you come?JULES: Bad news for you.IAN: Oh?JULES: Barbara and Susan were arrested at thephysician.(JULES fiddles with the iron rings, and IAN pulls his wrists clear.)IAN: Yes, I feared that as soon as Leon turned up here. We must get to them.JULES: I think it's best to go back to my hide-out.IAN: What? Thesoldiers will be there already!JULES: Well, if I know Leon, he will have wanted the satisfaction of arresting me himself. And anyway, we'll just have to risk it. Come on.[SCENE_BREAK]12. CELLS(SUSAN is sitting on awooden bed board. She hears a tapping at the cell door, and looks through the bars. She can make out a figure dressed in official uniform.)SUSAN: What is it? What d'you want?DOCTOR: Susan, Susan, it... it's me,child! Me!(SUSAN rushes to the door.)SUSAN: Oh, grandfather! Oh grandfather, you've found us! Well how'd you get away from the farmhouse?DOCTOR: Oh, I can't explain that now, child, it'd take too long.SUSAN:Oh, Barbara's here somewhere.DOCTOR: Yes, well I've taken care of that. She should be out of the prison and well on her way now. And I...(He stops and listens. Faint footsteps are approaching.)DOCTOR: Sh! There'ssomeone coming! Quiet! See you later. Sh!SUSAN: Be careful!DOCTOR: Sh!(He leaves in a hurry.)[SCENE_BREAK]13.JAILER'S ALCOVE(The DOCTOR bumps into the JAILER, who reacts with a shock.)JAILER: ButCitizen!DOCTOR: Mm?JAILER: Didn't you collect the soldiers and follow the released prisoner?DOCTOR: Me? Certainly not!JAILER: But... whatever... why not?DOCTOR: But I was under the impression, my dear man,that you were doing so! I'm hardly dressed in the proper clothes to go skulking after people, now am I?JAILER: I couldn't have gone! I can't leave the prison!DOCTOR: Well why didn't you say that in the first place?Well, did you?JAILER: No, Citizen.DOCTOR: No, and what do you think Lemaitre will say? He's bound to want to know whose idea it was.(The JAILER hangs his head in misery.)JAILER: It was mine. Citizen, you musthelp me!DOCTOR: I'll try. Now don't worry, I'll cover up for you. But you know, I have a feeling that this young girl is tied up in this somehow. Now I think if we let her go, I personally could follow, and then arrest all ofthem! All I need from you is the key to that child's cell.JAILER: Citizen, Lemaitre was very clear with his instructions. If that door is opened, I lose my head. That's what, what Lemaitre said just before he left, that'swhat he said!DOCTOR: Lemaitre, Lemaitre! Why can't you use your own initiative, my man, hm?JAILER: Aye, well you must see him when he returns, Citizen. I'm just a humble servant. If his orders arecountermanded, well then...DOCTOR: I demand you open that door!(The JAILER is almost panicking, but stands firm.)JAILER: To lose one prisoner is bad enough, to lose two would be the end of me! Especially after myorders. Lemaitre will be returning soon. We'll do as he says - until then, that door remains closed.[SCENE_BREAK]14. ROBESPIERRE'S OFFICE(ROBESPIERRE paces nervously up and down. He sees LEMAITRE arrive inthe ante chamber.)ROBESPIERRE: Ah good, Lemaitre.(LEMAITRE enters, and ROBESPIERRE addresses the GUARD on the door.)ROBESPIERRE: We are not to be disturbed.(The GUARD exits and shuts thedoor.)ROBESPIERRE: The news is serious, Citizen, and there is not much time.LEMAITRE: I am at your service. You have only to give the order.ROBESPIERRE: There is a meeting of the Convention tomorrow.LEMAITRE:Yes, I know, Citizen.ROBESPIERRE: I have been warned that certain influential Members - traitors, all of them - are planning to bring an indictment against another Member.LEMAITRE: You have theirnames?(ROBESPIERRE ignores the question.)ROBESPIERRE: Oh, I realise they are forever plotting. But this latest information suggests that more and more of the Paris Commune are taking sides. The plan is that evenI shall not be allowed to speak! They're out to destroy me!LEMAITRE: All is not lost, Citizen. You still have many friends sitting in the Convention.ROBESPIERRE: But can I trust them? If this motion gets underway, theywill turn against me to save their own necks. Mark my words, Lemaitre. If this plot is successful, tomorrow, the 27th of July 1794, will be a date for history!LEMAITRE: Tell me the leader of this group, Citizen - he will beimmediately executed!ROBESPIERRE: Patience, Lemaitre. This is no lone voice we are fighting against. If they are to hold power, they will need the Army on their side. Meetings must have been arranged.LEMAITRE: Bywhom?ROBESPIERRE: It is my guess that Deputy Paul Barrass is at the forefront of the rebels, but I must be certain before I strike. I shall not get a second chance, Lemaitre.LEMAITRE: Tell me what I mustdo.ROBESPIERRE: I understand that Barrass is leaving Paris tonight. I assume it must be for a meeting. With the position as it is, it can be for no other reason. I want to know who with, and the decision. Given that, Ican still defeat my enemies.LEMAITRE: What if he's just a decoy?ROBESPIERRE: That is my worry, Lemaitre. Tonight my men will be everywhere. Barrass is your responsibility.LEMAITRE: I shall not fail you... Againstwhich Member is the indictment being brought, Citizen?ROBESPIERRE: Against me, Lemaitre! Against me, Robespierre![SCENE_BREAK]15. RENAN'S SITTING ROOM(Footsteps can be heard approaching the outsidedoor. The door opens slowly, then closes again, and IAN and JULES enter cautiously.)JULES: Leon was right... Leon was right. He did not tell me about this place. We're safe here for the moment. But I shall have to giveup this house very soon. It's becoming too dangerous.(IAN moves into the room, and sees BARBARA lying on the sofa, hidden from view of the entrance.)IAN: Barbara! We thought you'd been arrested!BARBARA: Yes,we were. But when we got to the prison, the Doctor was there.IAN: What!BARBARA: Yes, he's dressed up as if he was running the revolution! From what I could gather, half the people there take orders from him!IAN:That sounds like the Doctor, alright.JULES: The Doctor? You mean Susan's grandfather?BARBARA: Yes, that's right.IAN: And where's Susan?BARBARA: Oh, she'll be along later with him. I just walked out.IAN: Walkedout? But... (Laughs.) I don't know how he gets away with it half the time. What did he say?BARBARA: Well not very much - we didn't have a chance. But he'll be here soon, so no doubt we'll get the whole story, severaltimes.(They laugh wryly, then BARBARA notices IAN's bandaged wrists.)BARBARA: What have you done?IAN: Oh, it's nothing much... Let's just say I... fell into the wrong hands, and Jules arrived in time.BARBARA: AndLeon?JULES: He's dead, Barbara. I killed him.BARBARA: Killed him?JULES: Yes. He was the traitor we were looking for.(BARBARA is shocked and aghast.)IAN: It was the only way, Barbara.JULES: (Coldly.) He deservedto die. He was a traitor.BARBARA: What do you mean, \"he was a traitor\"?IAN: When I got to the church, he turned on me. He was going to kill me.JULES: He betrayed us, Barbara.BARBARA: He was a traitor to you - tohis side he was a patriot.IAN: Barbara, we've taken sides just by being here. Jules actually shot him. It could just as easily have been me.JULES: And what about Robespierre? I suppose you think...BARBARA: Well justbecause an extremist like Robespierre...(IAN cuts in angrily.)IAN: Oh Barbara, Jules is our friend! He saved our lives!BARBARA: I know all that! The revolution isn't all bad, and neither are the people who support it. Itchanged things for the whole world, and good, honest people gave their lives for that change.IAN: Well I think he got what he deserved.BARBARA: You check your history books, Ian, before you decide what peopledeserve!(She storms out of the room, leaving IAN staring angrily after her. JULES looks very perplexed at the end of the argument.)[SCENE_BREAK]16. CELLS(The DOCTOR appears outside the locked door of SUSAN'scell, holding the JAILER's bottle of cognac.)SUSAN: Oh, grandfather! I thought you were never coming!DOCTOR: I shall have you out of here soon, but I must have your help! Now look, I want you to get down onto thefloor, behind this door, and don't move, whatever you do!SUSAN: But grandfather...DOCTOR: Do it now, child, don't argue! Do it now! And don't make a sound! Stay there!(SUSAN ducks down. The DOCTOR hearsfootsteps approaching.)DOCTOR: There's someone coming.SUSAN: Be careful!DOCTOR: Just... just don't fuss.(The DOCTOR moves into the shadows as the steps get nearer. Soon the JAILER appears, muttering tohimself. The DOCTOR steps out, and the JAILER looks up.)JAILER: Oh, it'll be the end of me, this business. I don't know what Lemaitre will say.DOCTOR: Oh, he's not back yet then, eh?JAILER: Oh, we can expect himany minute!DOCTOR: Hmm...(He looks at SUSAN's cell.)DOCTOR: Jailer! Jailer! That girl, she's gone!JAILER: What?DOCTOR: She's gone!(The JAILER rushes to the cell door, looks through the bars, sees the cellapparently empty, and exclaims in panic.)JAILER: She's gone!(He fumbles for the keys and eventually manages to put the correct one in the lock and open the door. The DOCTOR produces the bottle from behind hisback and whacks the JAILER over the head, knocking him out. SUSAN stands up from just inside the door.)DOCTOR: Come along, child, quickly! Quick...(He hurries her out of the cell, only to walk straight intoLEMAITRE, who reacts instantly.)LEMAITRE: Guards! Guards!(Two prison GUARDS come running, and grab hold of the DOCTOR and SUSAN. The JAILER groggily staggers to his feet and looks at LEMAITRE.)JAILER: Hetricked me, Citizen. He tricked me!LEMAITRE: Lock her away.(The GUARDS throw SUSAN back into the cell, and the JAILER locks the door.)JAILER: He did as you said 'e would, Citizen. He tried to get the young girlreleased, and he let the other prisoner go!DOCTOR: Oh, spare your breath, please! I'm quite capable of explaining the situation myself.LEMAITRE: Alright, Jailer.(He turns to the DOCTOR.)LEMAITRE: I think it's about"}
+{"doc_id":"doc_180","qid":"","text":"BASEBALL FIELDA man remakes the field.JAMIE (Voice-over): The outlook wasn't brilliant for the Mudville nine that day. The score stood four to two, with but one inning more to play. Ian is on the field, thinking.JAMIE(Voice-over): So upon that stricken multitude grim melancholy sat, for there seemed but little chance of Casey getting to the bat. Kids, Nathan, Clay and Julian prepare for the game.NATHAN: Whoo! Okay. Everybodysettle down, listen up. Coach Baker has something he wants to say.JULIAN: Uh, so I know this is our first game, but it's the last game for me. You see, Brooke and I are moving to New York, so...UMPIRE: Play ball!(Kidsleave)JULIAN: I know this is gonna hurt some...Some of you.FLASKBACK, BRULIAN'S HOUSEJulian looks at video when he and Brooke are going to get their baby.JULIAN (at video): Where are we, BrookeDavis?BROOKE (at video): We're at the hospital.JULIAN (at video): What are we doing here?BROOKE (at video): We're getting our baby.(Knock on door, it's Nathan)JULIAN: Dude, what's up?NATHAN: I screwedup.JULIAN: Why? What happened? It was so obvious, and I didn't see it.NATHAN: Is this yours?JULIAN: Yeah.NATHAN: Ginger ale?JULIAN: I like ginger ale. It settles the stomach. What's going on, Nate?NATHAN:When the Wagoneer hit Lauren's S.U.V., where was it coming from, north or south?JULIAN: It was coming from the south, heading north.NATHAN: We got the wrong Kellerman. It wasn't August. It was Ian.FLASHBACK,CLINN'S HOUSENathan explains the story to Clay.CLAY: But he confessed. You said Professor Kellerman came to the Rivercourt and said that he did it.NATHAN: He lied. The bottle I found in the Wagoneer was Phidian's.And then tonight at the bar, Ian ordered shots of bourbon to toast Lydia.CLAY: Phidian's.NATHAN: Said it's all he drinks.CLAY: All right. So, maybe it's a family thing. It doesn't really prove anything.NATHAN: There'smore. At the Rivercourt, when Kellerman confessed, he said he was coming from a dinner that night in Raleigh.CLAY: So?NATHAN: So, he was coming from the south. Raleigh's north.CLAY: All right, well, look, don'tbeat yourself up over it just yet. I mean, you could still be wrong.NATHAN: Maybe. But if I'm right, August Kellerman just ended a 30-year career because of me.CLAY: Yeah. And his son let him. And he's ourclient.BASEBALL FIELDIan practices. Then, he leaves and August walks on the field. Nathan joins him.NATHAN: Professor Kellerman? We need to talk.ONE TREE HILL - OPEN CREDITSBRULIAN'S HOUSEBrooke makesher stuff to go in New York. She sees the panel of Karen's Cafe.CHASE'S BEDROOMChase and Alex are in bed. They slept together.ALEX: So much for baby steps.CHASE: You played guitar. Wasn't fair. Oh-ho-ho! I'mgonna go ahead and need you to play guitar again right now. Quickly.ALEX: Man.BASEBALL FIELDKids play. Quinn supports Jamie's team. Julian talks with Clay.UMPIRE: Strike one!QUINN: Yeah! Let's go, Sharks!CLAY:There we go! Nice one! Go, Sharks!QUINN: Let's go, Sharks!JULIAN: Uh... What happened to Quinn?CLAY: Uh, she's just busy. She'll be here. Attaboy! Two more just like that! Way to go, Sharks!QUINN: Yeah, way togo, Sharks!FLASHBACK, CLINN'S HOUSEQuinn announces a good new to Clay.QUINN: Baby! Guess where I'm going?CLAY: Please don't say South Africa.QUINN: I got an offer to shoot a job in Puerto Rico. We're sayingat the El Conquistador. It's next week. Do you want to go?CLAY: I would, but I have training camp.QUINN: Oh. That's too bad. I guess I'll have to do the whole supermodel bikini shoot without you.CLAY: Puerto Ricosounds awesome. I mean, pfft. Supermodels in bikinis? Have you seen my baby?QUINN: Nice try.CLAY: Yeah. But I do have camp. Uh, maybe you can invite the girls? Haley can't go, but Brooke and Alex.QUINN: MaybeI will. By the way, I leave the day after Jamie's game, so you might want to come straight home because it's my last night, and my man is looking very sexy.CLAY: Careful, I'm sweaty.QUINN: Yes, you willbe.BASEBALL FIELDClay finds his mind. Jamie's team defends.CLAY: All right, here we go, Sharks! Three up, three down! Let's go, let's go! Moving right along!JULIAN: Attaboy, Jamie!CLAY: Yes! Very nice! Now hustlein! Real quick! Real quick! Nathan announces who plays for their game.NATHAN: All right, first up we have Chuck, which seems like a bad idea. Then it's Madison, Jamie, and Daniel. All right, let's get some hits.CLAY: Allright! Let's go, Sharks!NATHAN: Chuck! Come on, buddy. You're up.CHUCK: Whatever.AERODROMEChase waits someone.FLASHBACK, CLUB TRICChuck is with Chase. He wants him to ask something.CHUCK: Ahh. Oh,I meant to tell you we have a game on Friday. Think you could come?CHASE: What time is the game?CHUCK: 4:00. It's okay if you can't. I just thought it might be cool if you could.CHASE: Hmm. I've got some stuffgoing on, but I'll be there. 4:00. Wouldn't miss it.AERODROMEChase waits yet.NALEY'S HOUSEBrooke visits Haley with a surprise.BROOKE: Hello! I have come to offer you a trade. Last remnants of Karen's café forLydia straight up.HALEY: Oh, I don't know. That's tempting.BROOKE: I'll throw in my car. And my sunglasses. Car has new tires, but that's it.HALEY: Hmm. What do you say? Say \"no deal.\"BROOKE: Say yes!HALEY:\"No deal! I like it here!\" Sorry.BROOKE: Fine. You can have the sign anyway. I know Karen's meant a lot to you, too.HALEY: Oh, thank you so much. I always wanted that.BROOKE: Yeah. Hi!HALEY: I'm getting so sadtoday.BROOKE: Why?HALEY: I was thinking about the Rivercourt, and now this sign. I just feel like it's the end of something really good, you know? Makes me sad.BROOKE: Well, on the upside, Lydia and I talked, andshe told me that she wants to spend every weekend in New York, shopping and seeing plays...And hanging out with her Aunt Brooke.HALEY: Ohh.BROOKE: Huh? Yes.HALEY: I am gonna miss you, Brooke Davis, like youcan't imagine.BROOKE: Of course I can. I'm gonna miss you the same. I love you.HALEY: You too.BROOKE: What if I throw in Julian's truck?HALEY: Not gonna happen.BROOKE: Ahh, it's a good deal. Tell your mommyshe didn't even have you a week ago.HALEY: Oh, no!BROOKE: She didn't even have you a week ago! Ohh! I know!FLASHBACK, BASEBALL FIELDNathan talks with August.NATHAN: It wasn't you. It was Ian.AUGUST: Itdoesn't matter. I resigned.NATHAN: To cover for your son. Why?AUGUST: Because he's my son.NATHAN: But your career. 30 years, Professor Kellerman.AUGUST: Well, Mr. Kellerman now. And you asked why I did it,not whether or not he was worth it. I haven't had a drink since my wife died. We're fathers, Nathan. This is what we do for our sons. It just is.BASEBALL FIELDIt's to Madison to hit the ball.UMPIRE: Strikethree!NATHAN: All right, buddy, here we go! It's to Jamie to hit the ball.JAMIE(Voice-over): It knocked upon the mountain and recoiled upon the flat, for Casey, mighty Casey, was advancing to the bat. There was easein Casey's manner as he stepped into his place. There was pride in Casey's bearing and a smile on Casey's face.UMPIRE: Strike one!NATHAN: That's all right, Jamie. You can do it! Make sure it's your pitch,buddy.QUINN: Let's go, bud! This one's yours!UMPIRE: Strike two!QUINN: That's all right! Good cut, buddy!NATHAN: It's okay, Jamie. Keep your eye on the ball, buddy.UMPIRE: Strike three! Jamie joins others.CHUCK:Wow, Jamie. You bat like my mom.JAMIE: Really? How about we ask her? Oh, wait she's not here, is she?FLASHBACK, CLUB TRICAlex joins Chase and Chuck.CHASE: There she is Alex Dupré. I want you to meetsomeone.ALEX: Oh. You must be Chuck. I've heard a lot about you.CHUCK: And you're Alex. I saw pictures of you on the Internet. Naughty, naughty.CHASE: Hey!CHUCK: So are you guys, like, doing stuff?ALEX: Whatkind of stuff? You mean like going to the movies, talking on the phone, and holding hands? 'Cause we totally do that kind of stuff.CHUCK: Gross. Or maybe awesome. I don't know. I got to go to the bathroom.CHASE: Itold you about that root beer. Don't make me tell Alex about the camping trip.CHUCK: Shut up! Stinking drag-leg Laura!(Chuck leaves)ALEX: What?CHASE: Sorry.ALEX: No, it's okay. He's cute. Kind of. So, what'sup?CHASE: I need a favor. You ever taken a drug test?ALEX: Why, are you taking one?CHASE: Have you?ALEX: Dude, if they drug-tested me, I would never work again. I'm kidding. I know everything there is to knowabout drug tests. Ask me anything.CHASE: All right. How long does it take for a couple hits off a joint to clear your system?ALEX: When did you get high?CHASE: Um, I didn't, really. Not on purpose. You remember theKid Cudi show?FLASHBACK, CLUB TRICChase enters in the Kid Cudi's room.CHASE: More beers for you guys. Have a good show.MAN: No one leaves without hitting this.CHASE: Is he serious?MAN: Yeah.FLASHBACK,CLUB TRICAlex is laughing.ALEX: That's amazing.CHASE: How long?ALEX: I don't know. I mean, it's different for everyone. Can you risk it?CHASE: No. I need a favor.ALEX: Huh?FLASHBACK, CLINN'S HOUSEQuinn is inbikini.CLAY: Quinn? Hey, Quinn! Holy cow.QUINN: Don't say cow.CLAY: I want to go to Puerto Rico. I mean it. Forget about training camp. Puerto Rico is absolutely the only place I can possibly be this weekend.QUINN:You're sweet, and I love you. Maybe on our date after Jamie's game, I can wear this in the hot tub. Or...Not wear it. Hurry home. Hurry home.BASEBALL FIELDClay finds his mind.CLAY: No extra innings! Three up, threedown. Three up, three down. Four up, three down. Stay in front of those, Madison!FLASHBACK, NALEY'S HOUSENathan talks to Haley about August.NATHAN: I saw him as Dan. I thought Ian Kellerman was like me andhis father was like Dan. I guess I'm still not past it.HALEY: Your father.NATHAN: Yeah. I'll never be able to understand or accept what he did, so I guess I just...avoid it. Because if I don't avoid it, what's left is so dark.It's like... It's like Lydia growing up and someday standing a few feet from Jamie and taking his life. And that's impossible and horrible...HALEY: Mm.NATHAN: And that's exactly what my father did. And then I feelguilty... For keeping Jamie from seeing his grandfather and for making it to the NBA and knowing that I never could have done it without my father. And for letting him live alone and die alone because that's what Ihave to do.HALEY: Maybe you should just go to that diner and tell Dan everything that you're thinking and feeling all of it.NATHAN: You think he deserves that?HALEY: No. But I think you deserve it.FLASHBACK,CLINN'S HOUSEQuinn practices sport. Clay sees her.CLAY: Hey, didn't you already work out today?QUINN: Yep. I'm doing two-a-days.CLAY: Oh. You're worried about being around all those models.QUINN: Mm,actually, that's not it. I'm worried about security at the airport.CLAY: What?QUINN: You know those TSA machines show you naked? I got to look good for that.AERODROMEChase still wait.FLASHBACK, CLUBTRICChase's cellphone rings.CHASE(at phone): Hello?WOMAN(at phone): Hi, Mr. Adams. I'm calling from the clinic. We need you to come back in and retest as soon as you can.CHASE(at phone): Why? Is there, uh, aproblem?WOMAN(at phone): Yes. Actually, it looks like the lab had a mix-up with your urine sample.CHASE(at phone): Okay. Are you sure?WOMAN(at phone): Well, unless you're pregnant, we're prettysure.AERODROMEAlex joins Chase.ALEX: Hey. What's wrong? You okay?CHASE: We need to talk.BASEBALL FIELDIt's to Madison to hit the ball.UMPIRE: Ball four. Take your base.QUINN: Yay, Madison! Let's go,Sharks!NATHAN: Dude, what happened to Quinn?CLAY: Uh, she had a few last-minute things to take car of. I think she wanted to get a spray tan. She'll be here. Nice one, Madison!QUINN: Way to go!FLASHBACK,BEAUTY ROOMQUINN: I'd like the panther, please.WOMAN: Actually, the panther is our darkest shade. I really wouldn't recommend that for you.QUINN: Oh, that's okay. I'll be fine. Just one panther, please.WOMAN:Okay.BASEBALL FIELDCLAY: She'll be here. But you know who won't be here? Ian.FLASHBACK, CLINN'S HOUSENathan and Clay must to find a solution to punish Ian.CLAY: We got to talk to Ian.NATHAN: I know. I'll doit.CLAY: It'd probably be better if I talk to him.NATHAN: Why?CLAY: 'Cause you're bad cop and I'm good cop.NATHAN: Why am I bad cop?CLAY: Real it, okay. Might be the, uh, the bar fights, the shouting matches inpublic, the murderous father.NATHAN: Weak. Maybe Julian should talk to him.CLAY: Why not me?NATHAN: Because you're not good cop. You're more like officer friendly. Julian nearly lost Brooke. He should talk to him,if he wants to.FLASHBACK, CLAY'S CARJulian, Nathan and Clay are with Ian.IAN: Where we going, anyway?CLAY: Just taking a little drive.JAMIE(Voice-over): They saw his face grow stern and cold, they saw hismuscles strain.BASEBALL FIELDIt's to Jamie to hit the ball.JAMIE(Voice-over): And they knew that Casey wouldn't let that ball go by again.UMPIRE: Strike three. You're out. Nathan, Clay and Julian give the lastrules.NATHAN: All right, this is it. We need one run to tie, two to win. I say we win it right here. No extra innings.CLAY: No extra innings. Definitely no extra innings.JULIAN: Now, you all know I'm moving to New Yorkand this is gonna be my only game.UMPIRE: I need a batter, coach!JULIAN: So I just wanted to express...NATHAN: All right, that's it. Top of the order. Chuck, Madison, Jamie. Let's go.CLAY: All right, Sharks, we gotthis. Come on! Whoo! Come on, Chuck. Look alive, buddy! Chase and Alex are coming. Chuck joins them.CHASE: There he is, Chuck Skolnick!ALEX: These are for good luck. Yeah, nice. Nice. You got this, buddy.CHASE:Let's go, Skolnick! Free root beer for a hit!ALEX: Yeah! Whoo! Come on, Chuck!CHASE: Let's go, Skolnick! Whoo! Come on, Chuck! Let's go, Skolnick! Chuck touches the ball.CHASE: Whoo!CHUCK: Yes!Clay: Nice,Chuck! All right! Ha ha! We're having fun now! But we're having it fast. Madison, you're up. Come on, Madison. Boop, boop. Fast fun, fast fun. Let's go, Sharks! Quinn joins Clay.QUINN: Hi, handsome.CLAY:Ohh!QUINN: I'm so tan, right? Do you love it? Mm-hmm. Don't forget about our date later.CLAY: Mnh-mnh. Madison. Madison, take your time, okay? You wait for your right pitch, and you tie this thing up for us. I'mtalking extra innings. Free baseball, Sharks! We like that. Meanwhile, Ian passes test in front of scouts.FLASHBACK, GABEL BRIDGEGuys go to the place of this accident.NATHAN: So, how's your dad doing, Ian? I mean,now that he's resigned.IAN: I don't know. However, I guess. He mostly spends time on that stupid boat.JULIAN: You know what's good about boats? They float. Cars, not so much.IAN: Where are we going, again?CLAY:Right here. We're going right here.NALEY'S HOUSEHaley sees the panel and finds an idea.FLASHBACK, GABEL BRIDGEJULIAN: I'll never forget this place. I was standing right about here when I saw Brooke. And shelooked so relieved, like maybe... For a moment, everything was gonna be okay. I was proud of her, you know? For staying to help Jamie. I mean, he's just a kid. Just a scared kid who wanted to believe that everythingwould be okay, and that adults would make it okay and be heroic and strong and everything they're supposed to be for a boy like that. And then the Wagoneer came from right there. They're lucky to be alive!IAN: Yeah,man, I'm so sorry. You know, my dad, he...NATHAN: He hasn't had a drink since your mom died.IAN: That's not true.NATHAN: He was also coming from Raleigh that night. And he wouldn't have been coming from thatdirection.IAN: So maybe he got turned around in the storm. I don't know.NATHAN: Maybe it was you, Ian. It was, wasn't it?IAN: Come on, guys. He told you he did it. He resigned.JULIAN: And you let him! You gotdrunk, nearly killed my wifeand Nathan's son, and then just drove away and let your father take the blame! Look at me! You probably didn't even say \"thank you.\"IAN: You know what? You guys are my agents. You'reshould be thrilled that we dodged a bullet, that everyone's okay, everything's been dealt with.NATHAN: Thrilled... That you drove drunk, left our families to die, and your family to pay for it? What the hell is wrong withyou?IAN: Guys, I got scouts coming to see me. I am this close to being someone. I couldn't stay here. I couldn't. I didn't have a choice.JULIAN: Oh, you had a choice.IAN: Whatever. This is ridiculous.(Clay pushes Ian inwater)NATHAN: Clay! Clay!IAN: Are you out of your mind?!CLAY: You had no choice?! You chose to be a coward!IAN: You know what? You guys are fired! I might even sue you for this! Get off me!JULIAN: Comehere!IAN: Get off!JULIAN: You like that?! How does that feel?!IAN: Stop! Stop!JULIAN: Don't you wish there was somebody here to help you now?!IAN: Go on!JULIAN: Go throw your ball and be whoever it is you thinkyou're gonna be!NATHAN: My son said to give that to you.IAN: I couldn't stay! I just couldn't!JULIAN: Well, now maybe you can stay and think about it. Enjoy the walk.BASEBALL FIELDIt's to Madison to hit theball.JULIAN: All right, Madison, come on! No outs!CHUCK: We only need one, Madison! Don't mess it up!QUINN: Yeah! Go, go, go, go, Madison!NATHAN: You're safe here. Stop, stop. Alex and Chase join Quinn.QUINN:All right! Come on, Jamie, you can do this!ALEX: Quinn? Is that a spray tan?QUINN: Yeah. It's the panther.CLAY: Nice and slow. Take your time.FLASHFORWARD, JACUZZIQuinn and Clay are dating.QUINN: Hey. Letdate night begin. Here I come.CLAY: Babe?QUINN: Now, then... Oh, no!CLAY: I think if we dunked you, we could make tea.QUINN: Oh, my God! No! No, no, no!CLAY: Well, maybe some of it'll stick to me. I could usethe color. Can I interest you in a hot shower?QUINN: Yes.BASEBALL FIELDIt's to Jamie to hit the ball.NATHAN: All right. Come on, Jamie, you got this. Let's get a hit.FLASHBACK, AUGUST'S BOATNathan and August talktogether.NATHAN: Thanks. So...I owe you an apology. I was so sure you were like my dad, I couldn't see you any other way.AUGUST: Well... Then that makes us even. I was so sure you were like my son that I couldn'tsee you as the \"A\" student you turned out to be.NATHAN: \"A\" student? Really?AUGUST: \"A\" minus. I understand you're no longer representing my son.NATHAN: That's right.AUGUST: Admit it - when I asked you not to,you thought it was because I felt you weren't good enough for him. But maybe I thought he wasn't good enough for you and that agency you have with your partner, the Muppet.NATHAN: Clay Evans.Fortitude.AUGUST: Integrity as a mission statement. Not bad. I promised my wife, Catherine, I'd do this someday sail off to nowhere. No lectures, no papers, no clocks. Actually, I promised her we'd do it together. Timegets away from you.NATHAN: You know, I don't speak with my father. Sometimes I feel guilty about that, but I know in my heart that's the way it has to be. So, one of these nights, when you find your corner of heavenor your sliver of peace and you're feeling guilty about the distance between you and your son... I don't know. Maybe it just...helps to know that you're not the only one going through something like that.AUGUST: Well,there's no time like now to start the rest of your life.NATHAN: Thanks for the beer, profes... um, Mr. Kellerman.AUGUST: Call me August.NATHAN: Where's Dogust, by the way?AUGUST: He's here. Dogust! Hey! Lookwho's here to see you! Yes. Look at this. Every Captain needs a first mate.NATHAN: There he is. Hey, pal. Good to see you again. All right.AUGUST: Take care. All the best. Come on. Let's go sailing. Come on, Dogust.Come on, my boy. Mr. Scott. They still developing those condos at that basketball court of yours?NATHAN: The Rivercourt. Yeah.AUGUST: Two words, Snipey Plover. It's a bird. Okay, Catherine, here we go. You too,Dogust. You too. Yeah.BASEBALL FIELDIan practices. Meanwhile, It's to Jamie to hit the ball.UMPIRE: Strike one.NATHAN: Time! Time! How you doing?JAMIE: Okay, I guess.NATHAN: Yeah? Feeling nervous? Yeah, Ialways felt nervous at the free-throw line. But listen, there's something I forgot to tell you about today that I should have. It's just a game, okay? Grandpa Dan always used to make me feel like it was life or death, butit's not. Now, you got a couple good strikes coming, so just give it your best shot. You're a good hitter. You can do this. No matter what, we're both getting ice cream, so either way we're good. All right?UMPIRE: Okay,coach, let's go.NATHAN: All right. Go get 'em, Jamie Scott.JAMIE: Okay.FLASHBACK, CAFETARIANathan wants to see his father but he backs off.FLASHBACK, NALEY'S HOUSENathan explains to Haley what it'shappened.NATHAN: I couldn't do it. I drove to see Dan, but I couldn't go in.HALEY: Maybe one day.BASEBALL FIELDJamie tries to hit the ball, he thinks.JAMIE(Voice-over): The sneer is gone from Casey's lip, his teeth"}
+{"doc_id":"doc_181","qid":"","text":"Jessica: You promised this was only gonna be for a few weeks.Sean: Look, just because we're in a trailer does not mean we're trailer park trash.Jessica: Exactly. We're worse. We don't even have enough money to be ina trailer park.Sean: Don't have a meltdown, okay? It's probably just the generator.Jessica: You mean the thing that runs the electricity and water. I'm sorry. I'm just tired of feeling slightly terrified all the time. It's notlike I wanna be.Sean: Hey, look, it's going to get better.Jessica: Sean?Jessica: Noooo!Allison: If Jackson doesn't know what he's doing, then he probably doesn't know that someone's controlling him.Scott: Or hedoesn't remember.Stiles: What if it's the same kind of thing that happened with Lydia when she took off from the hospital?Allison: A fugue state?Scott: He'd have to forget everything. The murder -Allison: Getting rid ofthe blood.Stiles: Yeah, he had help with one thing tough - the video. And someone else helped him forget that.Scott: Whoever's controlling him.Allison: Are you sure Jackson has no clue about any of this?Stiles: Hethinks he's still becoming a werewolf and that being with Lydia somehow delayed the whole thing.Allison: So do we try and convince him he's not?Scott: If it helps us find out who's controlling him, then yeah.Allison: Doyou think he'll talk to us after what we did?Stiles: Yeah, it's us. He'll talk to us. Right?Sheriff: You will not go within 50 feet of Jackson Whittemore. You will not speak to him. You will not approach him. You will notassault or harass him physically or psychologically.Stiles: What about school?Sheriff: You can attend classes while attempting to maintain a 50 - foot distance.Stiles: Bu - okay, what if we both have to use the bathroomat the same time and there's only two stalls available and they're only right next to each other? I'll just hold it.Sheriff: Do I need to remind you how lucky we are that they're not pressing charges?Stiles: Oh, come on, itwas just a joke.Sheriff: It was a joke?Stiles: Yes, I didn't think it would be taken this seriously. Dad, humor's very subjective, okay? I mean, we're talking, like, multiple levels of interpretation here.Sheriff: Uh -huh.Stiles: Uh - huh.Sheriff: Okay, well, how exactly am I supposed to interpret the stolen prison transport van, huh?Stiles: We filled the tank!Melissa: Move! It's not just this. Although, a restraining order is a new lowthat I didn't think that you would reach quite this soon. It's everything on top of it. The completely bizarre behavior, the late nights coming home, having to beg Mr. Harris for you to make up that chemistry test thatyou missed.Scott: I missed a chemistry test?Melissa: Really, Scott? Really? I have to ground you. I am grounding you. You are grounded.Scott: What about work?Melissa: Fine - Other than work. And no TV.Scott: MyTV's broken.Melissa: Then no computer.Scott: I need the computer for school.Melissa: Then no, uh - no Stiles.Stiles: What - no Stiles?Melissa: No Stiles! And no more car privileges. Give me your keys. Give 'em to me!Oh, for the love of God.Scott: Mom, you want me to -Melissa: No.Scott: Mom, come on, let me just - mom. Mom!Melissa: What is going on with you? Is this about Allison?Scott: Do you really wanna know?Melissa:Yeah. Is this about your father? It is, isn't it? Okay, you know what, um - We'll talk about this at home. I'm gonna go get the car.Scott: I'm the worst son ever.Stiles: Well, I'm not exactly winning any prizes either.Mr.Whittemore: Dammit! You give him a restraining order, and he's mocking you! He was mo - and what do I do about going to the bathroom? What the hell -Isaac: So why do we need their help?Derek: Because it'sharder to kill than I thought and I still don't know who it is.Isaac: And they do?Derek: They might. Which is why I need one of you to get on their good side.Erica: Mm. Scott or Stiles?Derek: Either.Isaac: You know, thefull moon's coming, Derek.Derek: I'm aware of that.Erica: Oh my, these look comfortable.Isaac: You said you were gonna teach us to change whenever we wanted.Derek: There hasn't been time.Isaac: But if you haveto lock us up during the full moon, that means - that means you're alone against the Argents.Derek: They haven't found us.Isaac: Yet! So how about we forget the kanima?Derek: We. Can't! There was something aboutthe way Gerard looked at it. He wasn't afraid - at all. I don't know what he knows or what he's planning. But I'm sure about one thing. We have to find it first.Allison: It's everything Lydia can translate. And trust me,she was very confused.Scott: Yeah, what'd you tell her?Allison: That we were part of an online gaming community that battles mythical creatures.Stiles: I am part of an online gaming community that battles mythicalcreatures.Allison: O - oh. Great.Scott: Okay, does it say how to find out who's controlling him?Allison: Not really. But Stiles was right about the murderers.Stiles: Yes!Allison: It calls the kanima a weapon of vengeance.There's a story in there about this South American priest who uses the kanima to execute murderers in his village -Stiles: All right, see? So maybe it's not all that bad.Allison: Until the bond grew strong enough that itkilled whoever he wanted it to.Stiles: All bad, all very, very bad.Allison: Here's the thing, though. The kanima's actually supposed to be a werewolf. But it can't be -Scott: \"Until it resolves that in its past whichmanifested it.\"Stiles: Okay, if that means that Jackson could use a few thousand hours of therapy, I could've told you that myself.Allison: What if - It has something to do with his parents? His real parents.Scott: Yeah,does anybody actually know what happened to them?Stiles: Lydia might.Scott: What if she doesn't know anything?Allison: Well, he doesn't have a restraining order against me, so - I'll talk to him myself.Scott: Okay,what do I do?Allison: You have a make - up exam, remember? Promise me.Scott: If he does anything, you run the other way.Allison: I can take care of myself.Scott: Allison, if you get hurt while I'm busy with somestupid test, someone's going to need to take care of me. If he does anything -Allison: Like?Scott: Anything - Weird or bizarre - anything.Stiles: Anything evil! Ah - Ow!Teacher: Jackson? Did you still want to discuss yourpaper?Harris: You have one hour, Mr. McCall. Begin.Melissa: Really, Scott? I can't. Oh - Am I gonna do this? Am I gonna do this? No, I am gonna go to work. I am gonna go to work. I am just gonna straighten up. Justa little bit. Just a tad. He won't even know I was here.Matt: Oh, you just scared the hell out of me.Allison: Sorry, I wa - I was just, um, I was - nothing.Matt: Ah, that's a - nice heels.Allison: Oh! Yeah, uh, my feet werehurting, so I -Matt: Same reason I never wear mine.Allison: What?Matt: Uh, forget it. Hey, did you hear about the underground show? Apparently, they've got some big name spinning.Allison: Oh, you mean like arave?Matt: Oh, is it still a rave if you don't roll? I just call it a party. But hey, I got a friend who can hook us up with tickets if you're down. Want me to get you one?Allison: Yeah. Yeah, great.Matt: Yeah? All right, cool.Um, it's Friday, so - Looking forward to it.Allison: Yeah.Lydia: I'm not supposed to tell anyone.Stiles: Come on, anyone who ever says \"I'm not supposed to tell anyone\" is always dying to tell someone, so tell me!Lydia:Why do you wanna know?Stiles: I can't tell you that.Lydia: Then I'm not telling you.Stiles: But you are telling me that you could tell me something if you wanted to tell me?Lydia: Was that a question?Stiles: It felt like aquestion.Lydia: Well - Tell me if this feels like an answer. No.Allison: Jackson?Jackson: In here. Is something wrong?Allison: Y - you could've warned me.Jackson: You're the one that walked into the boys' lockerroom.Allison: I thought I heard you - I th - forget it.Jackson: Did you wanna talk about something?Allison: We can talk later.Jackson: No. Let's talk now.[SCENE_BREAK]Stiles: Lydia! Lydia, come on! Ly - wait! Ow! Ah,ah, hey, Erica.Erica: Why are you asking Lydia about Jackson's real parents?Stiles: Why are you bringing out the claws on camera? That's right. You wanna play Catwoman? I'll be your Batman.Erica: If you're wonderingabout Jackson's real parents, they're about half a mile from here. In Beacon Hills cemetery.Allison: I - I have to get to cl -Jackson: Oh, no, no, you don't. No, you have perfect grades. You can skip one class. Are youokay? Your heart's beating like crazy.Scott: Allison.Stiles: Do you know how they died?Erica: Maybe. If you tell me why you're so interested.Stiles: Um -Erica: It's him, isn't it?Stiles: What? Who? Him who?Erica: Thetest didn't work, but it's still him. It's Jackson.Harris: What do you think you're doing?Scott: The hour's up.Harris: You're not leaving till every single one of these bubbles is filled in.Jackson: I thought you wanted totalk.Allison: I - I - I changed my mind.Jackson: You sure? Because you look a little stressed. Is it Scott? Is it that whole thing? I still can't believe you actually think your little Romeo and Juliet story is gonna last. Youknow he's eventually just gonna run to Derek and join up with him and his little wolf pack. If you don't realize that, then you gotta be the stupidest bitch in this town. Well, other than Scott since he's a pretty stupidbitch himself.Allison: Stop. Just stop!Jackson: What are you gonna do, Allison, hmm - when your stupid bitch of boyfriend turns on you? They kill your aunt. They almost kill Lydia. Who do you really think's gonna benext, hmm? Not you. No, no, it can't be you, because you're in love. Is that what you tell yourself, hmm? \"Scott's different and everything's gonna work out because we're in love.\" Well, if that's what you believe, thenyou're already dead. I just - I just hope your dad has been teaching you moves to protect yourself.Allison: Actually, he has.Jackson: Allison? What are you doing here?Allison: I - I'm fine. I'm fine. Scott, I'm fine.Scott!Jackson: I have a restraining order!Scott: Trust me, I restrained myself.Stiles: You can't tell Derek, okay? There's a lot more to this that you don't know about. And just because you got the Alpha bite makeoverdoesn't give you a license to go around destroying people.Erica: Why not? That's all anybody ever used to do to me. I used to have the worst crush in the world on you. Yeah, you, Stiles. And you never once evennoticed me. Exactly how you're not noticing me right now.Stiles: Scott, Scott, Scott! Guys!Harris: What the hell's going on? Hey! Enough! Enough. What do you idiots think you're doing? Jackson! Calm down! Mr.McCall, you wanna explain yourself? Stilinski!Matt: You dropped this.Harris: You and you - actually - all of you - Detention. Three o'clock.Melissa: Hi, there.Victoria: Oh, I'll make an announcement, have Scott broughtto the office.Melissa: Um, actually - I came here to talk to you.Victoria: Me?Peter: Busy after school?Lydia: Always.Peter: Well, unbusy yourself. I wanna talk to you. Actually, I want to show you something.Lydia: Ithought we'd gotten past the slightly rapey language.Peter: And - Bring the flower.Jackson: Oh, uh - we can't be in detention together. I have a restraining order against these tools.Harris: All of these tools?Stiles: No,just us tools.Harris: Fine. You two, over there.Scott: I'm gonna kill him.Stiles: No, you're not. You're going to find out who's controlling him and then you're gonna help save him.Scott: No. You were right, let's killhim.Stiles: Oh - No.Matt: Kanima.Victoria: I was under the impression they were no longer dating.Melissa: Me too, but it looks like they are. And more. A lot more.Victoria: How do you know it's not some otherimpressionable young girl - with severely low standards?Melissa: Because I know Scott. And Allison is the only one that he's ever talked about like that. I just wanna make sure they continue to be safe.Victoria: Icouldn't agree more.Stiles: Hey. What if it's Matt? I mean, this whole thing comes back to the video, right?Scott: Danny said that Matt was the one who found the two hours of footage missing.Stiles: Exactly! He's tryingto throw suspicion off himself.Scott: So he makes Jackson kill Isaac's dad, one of Argent's hunters, and the mechanic working on your jeep?Stiles: Yes!Scott: Why?Stiles: Because - he's evil.Scott: You just don't likehim.Stiles: The guy - Bugs me. I don't know what it is. Just look at his face.Scott: Any other theories?Matt: You okay?Jackson: I have to go to the bathroom.Harris: Are you all right? Hey, you don't look sogood.Jackson: I just need to get some water.Harris: No one leaves their seats.Scott: Stiles says you know how Jackson's parents died.Erica: Maybe.Scott: Talk.Erica: It was a car accident. My dad was the insuranceinvestigator, and every time he sees Jackson drive by in his Porsche, he makes some comment about the huge settlement he'll be getting when he's 18.Stiles: So not only is Jackson rich now, but he's getting evenricher at 18?Erica: Yep.Stiles: There's something so deeply wrong with that.Erica: You know what? I could try to find the insurance report on my dad's inbox. He keeps everything.Speaker: Scott McCall, please report tothe principal's office.Harris: Jackson!Jackson: I'm fine, just give me a minute.Lydia: Perfect.Stiles: Whoa, look the dates.Erica: \"Passengers arrived at the hospital DOA. The estimated time of death - 9:26 P.M., June 14,1995.\"Stiles: Jackson's birthday is June 15th.Harris: Oh, no, I'm sorry. Uh, yes, I'm leaving. But none of you are. You may go when you're done with the re - shelving. Enjoy the rest of your evening.Scott: The principalwanted to see me?Victoria: No - I did. I'm concerned about the detention today. How Allison ended up in there with you and Mr. Stilinski. A sink was ripped off the wall. You're lucky I'm here to explain that to peoplesomehow. You realize that?Scott: Yeah. I do now.Victoria: Good. Are you having s*x with my daughter?Scott: Uh - No. I'm not having s*x with your daughter.Victoria: I certainly hope not.Lydia: Hello?Stiles: It meanshe was born after his mom died - by c - section. They had to pull him out of her dead body.Matt: You okay, dude?Allison: So was it an accident or not?Stiles: The word all over the report is \"inconclusive.\"Scott: Then hisparents could have been murdered?Stiles: If they were, then it falls in line with the kanima myth. You know? It seeks out and kills murderers.Allison: But for Jackson? Or the person controlling him?Scott: We have totalk to him. We have to tell him.Allison: He's not gonna l -Scott: Erica!Erica: Unh!Stiles: Whoa, hey, hey, hey, hey! I think she's having a seizure.Allison: He's alive.Stiles: Hey, we need to get her to a hospital.Erica:Derek - only to Derek.Scott: When we get her to the hospital -Erica: To Derek. To Derek.Allison: Go.Stiles: Hey, Scott!Scott: I'm staying here with you.Allison: He can't take her alone. Not like this. And Matt - I've gotto call an ambulance for him, just go.Scott: This doesn't feel right.Allison: It's okay.Scott: No, it's not. No, it's not right.Allison: It doesn't - it doesn't mean anything.Scott: But it feels like it does.Allison: Scott, go.Go.Scott: Okay.Lydia: Hello?Peter: Over here.Lydia: Is this your house?Peter: It was. I'll tell you all about it. But first - did you bring the flower?Lydia: I couldn't find it.Peter: That's okay. But since you don't have it, I'mgonna need that kiss.Peter: Is - Something wrong?Derek: Hold her up.Stiles: Is she dying?Derek: She might, I - which is why this is gonna hurt.Stiles: You broke her arm!Derek: It'll trigger the healing process. I stillgotta get the venom out. This is where it's really gonna hurt.Erica: Stiles - you make a good Batman.Scott: You know who it is.Derek: Jackson.Scott: You just wanted Erica to confirm it, didn't you? I'm gonna help youstop him. As part of your pack. If you want me in, fine. But we'll do it on one condition. We're gonna catch him, not kill him.Derek: And?Scott: And we do it my way.Melissa: Thank you, Jenny. Thanks, you guys. Iappreciate it.Jessica: Please - you have to tell 'em.Melissa: It's okay, the baby's fine.Jessica: Not - The baby.Melissa: Okay.Jessica: He killed Sean.Melissa: Honey, the police know.Jessica: They don't - They didn't see it.It wasn't human.Melissa: Okay. All right.Jessica: Please - no -Peter: I'm so sorry, Lydia. All of this must be terribly confusing. But at least you know that you're not actually crazy. Well - not completely. There's bound tobe some residual effects, but you're a strong girl. Personally I think that you're gonna pull through with a minimal amount of post traumatic stress. And maybe - a few years of profoundly disturbing nightmares. I had aplan, you know. It was a good plan. But if there's one thing that I've learned in life, it's to always have a backup. That would be you. Your immunity makes you a perfect plan b. You wouldn't turn from the bite. Youwouldn't die. But you would be able to do - One very important thing. Do you know what that is, Lydia? Lydia!"}
+{"doc_id":"doc_182","qid":"","text":"[PREVIOUSLY_ON]PEYTON : You saved me.BROOKE : You saved me, too.NATHAN : I borrowed some money from these guys, so they asked me to shave a few points in the last game.JIMMY : Everyone get away fromthe door.MOUTH : Oh, Jimmy, what did you do?JIMMY : Go.DAN : What are you doing here, Lucas?LUCAS : I don't think Jimmy killed Keith.DAN : Keith's dead, okay? He's not coming back. Open your eyes.KEITH :Open your eyes, Luke. Open your eyes.LUCAS : Hey, Skills. You know this girl?SKILLS : Yeah, that's Abby. She was in the tutor center. Jimmy let her go.OUTSIDE ABBY BROWN'S HOUSEIt follows the end of the lastepisode, Lucas knocks at the doorLUCAS (voiceover) : Sometimes, I wonder if anything is absolute anymore. Is there still right and wrong... good and bad... truth and lies? Or is everything negotiable... left tointerpretation, gray?LADY : Who is it?LUCAS : My name's Lucas Scott. I was wondering if I may talk to Abby.LADY : There's no Abby here. You have the wrong address.LUCAS : Well, no, no, no! I was just...(She shutsthe door)LUCAS : Thanks for nothing.(Lucas leaves but looks upstairs and see someone behind the curtains)LUCAS (voiceover) : Sometimes, we're forced to bend the truth... transform it... because we're faced withthings that are not of our own making. And sometimes... things simply catch up to us.OUTSIDE TREE HILL HIGHWhitey arrives in his car, reporters are waiting for himREPORTER : Coach Durham, can you address theallegations of point-shaving and illegal activity within the Ravens?WHITEY : Look, I'm gonna say this one time and one time only. This is the best group of boys I've had in 35 years of coaching. These are not cheaters.They're champions... every one of them.RIVERCOURTNathan and Haley are sitting on the tableNATHAN : There's only three things I'm afraid of losing in this world, Haley... you, our son, and the game.HALEY : How badwill it get if they find out about you and Daunte?NATHAN : They'll take my scholarship for sure. And I probably won't play anywhere... ever.THE APARTMENTPeyton is taking a shower and she suddenly has vision ofDerek.OUTSIDE TREE HILL HIGHBrooke is arriving at school, Chase shoves herCHASE : Sorry.BROOKE : It's fine.CHASE : Hey, Brooke. I heard about that stalker thing. I tried calling you, but I never heardback.BROOKE : Yeah, it's... Where's your Clean-Teen T-shirt?CHASE : Things change, you know?BROOKE : Yeah, I know.(She leaves)INSIDE TREE HILL HIGHPeyton is in front of her locker, Brooke joins herBROOKE :Hey. Do I have any blood on me?PEYTON : No, why?BROOKE : 'Cause I just saw Chase, and it feels like I got my heart ripped out.PEYTON : I think you'll be okay. Do I look insane?BROOKE : No, why?PEYTON : I sawhim again. This time in the shower.BROOKE : Peyton, you got to stop doing this to yourself, okay? Fake psycho Derek... whatever the hell his name is... he's locked up. You know that.PEYTON : Yeah, that's what theysaid last time... or what he said. I don't know. Maybe if I just see it with my own eyes that he's actually behind bars...BROOKE : Maybe. Come on.(They start walking and Peyton has a vision of Derek again)PEYTON :Hey... You know what, I'm gonna have to catch up with you, okay?BROOKE : Okay.INSIDE PRISONPeyton comes to see Derek in his cellDEREK : Hi, baby. I knew you'd come. Well, they said that you wouldn't, but... Iknew that you would.PEYTON : I want to know why. Why me? Why did you pick me?DEREK : You love me.PEYTON : No. I don't. I hate you. Don't you get that? You're just a deranged, pathetic psycho, and I never, everwant to see you again, okay?DEREK : Then why'd you come? Have I been in your head? You asked me to come into your life, Peyton. You got undressed in front of your webcam because you knew it would make mewant you. You posted those pictures online.PEYTON : You are wrong.DEREK : Am I? Is that why you're dressed like that today? Are you a tease, Peyton? Dressing sexy... wearing that perfume, making me... ache foryou, and then saying no?PEYTON : Stop.DEREK : Are you a tease, Peyton? Because that would really be disappointing.PEYTON : I did not do this. You did this.(She leaves)DEREK : No, you did this! You did this to me,Peyton! It's all your fault! You did this to me! You did this! Tease!DAN'S HOUSEDan is looking at his gun and hides it when Nathan walks inNATHAN : Thought you'd look a lot worse, considering the walls are closingin.DAN : What do you mean?NATHAN : The point-shaving, dad.DAN : Right. What are you hearing?NATHAN : Nothing. You think it's Bear?DAN : No, no. If it was Bear, he'd have pointed them right to us. Sounds like thewhispers of someone who lost a lot of money but isn't close enough to know the details.NATHAN : They're asking questions about Lucas now, and it's not right. He only missed those free throws because of me.DAN :Okay. But that's the only time I ever want to hear you say that out loud. Look, first, you won the state championship and every postseason game that Lucas played in, so they're grasping at straws.NATHAN : You don'tthink it's serious?DAN : No, it's serious... because if they find proof, your future's in jeopardy. But I don't think they're gonna find any proof.NATHAN : So, what do I do?DAN : You stay cool. Deny everything. And prayno one uncovers the truth.ABBY BROWN'S HOUSELucas is watching from his car. When the mother leaves, he goes inside the house and find AbbyLUCAS : I'm sorry. I'm sorry. I... I didn't mean to scare you. I didn'tmean to scare you. My name's Lucas Scott. We... We go to school together at Tree Hill. Do you know me?(Abby shakes her head)LUCAS : My uncle was Keith Scott, and I know that you were in the tutor center that day,and I know that Jimmy let you go. So... Listen... I have to know what you saw, Abby. Okay? You got to tell me. Did Jimmy Edwards... kill Keith?(Abby shakes her head)(Then her mother enters the room)ABBY'S MOM :What is this? What the hell is this?LUCAS : Look, Mrs. Brown, I can exp...ABBY'S MOM : Get out. Get the hell out of my house, or I'll call the police!LUCAS : And tell them what, huh? That your daughter knows the truthabout my uncle's death?ABBY'S MOM : Your uncle was Keith Scott? I'm very sorry for you, but my daughter has been traumatized since then. She hasn't been to school. Her life has become very difficult, and that is whyI lied to you last night.LUCAS : Listen, Abby told me that Jimmy Edwards didn't kill my uncle Keith.ABBY'S MOM : Did she? Honey, is your name Abby?(Abby shakes her head)ABBY'S MOM : Am I your mother?(Abbyshakes her head)ABBY'S MOM : Are you sure?(Abby shakes her head again)ABBY'S MOM : Now, I'm very sorry for your loss. That day changed all of us... and none of us for the better. But I'd like you to leave. AndLucas, don't come back. Abby has been through enough.INSIDE LUCAS'S BEDROOMHaley is waiting, Lucas entersLUCAS : Hey.HALEY : Hey.LUCAS : Jeez, you look worse than I do.HALEY : Yeah. Um, listen, uh, thething is that, uh... Nathan said this whole gambling thing's just gonna go away, and I don't real know, uh, how much I believe that, and I just wanted to know what you thought ... if you think that he's right or... or doyou think he's right?LUCAS : No. It's not going away.HALEY : 'Cause he said that they're just focusing on you, and then they're not gonna find anything, and nothing's gonna happen.LUCAS : Yeah, but, see, that's theproblem. You know, yeah, I mean, I missed a couple free throws, but I'm a sub. I played half a season, 15 minutes a night. No gambler's gonna build a point-shaving scheme around a reserve.HALEY : Okay, so, what isgonna happen, then?LUCAS : Well, I think that after they're done looking at me, that they're gonna start taking a look at Nathan. I hate to say it, Hales, but when they do... it's gonna end up really bad.HALEY : Okay.Okay, um... How bad is... is really bad?LUCAS : Well, Nathan's not gonna go to jail. But he's not gonna go to Duke, either.THE APARTMENTPeyton is sleeping but she is awake by Derek's voiceDEREK (voiceover): It's allyour fault!(She turns her head and sees a vision of Derek right beside her)DEREK : Tease.(Brooke enters the room)BROOKE : Peyton? Hey, what's wrong?PEYTON : I went to see him.BROOKE : Who? Oh, no.Derek?PEYTON : Ian. His name is Ian.BROOKE : I know.PEYTON : You do?(Brooke take a field from a drawer)BROOKE : Been hiding these from you. There's been a lot of articles about the attack.PEYTON : I thoughtyou were clipping coupons.BROOKE : I know, honey, but I hate coupons.(They ear the front door opening)PEYTON : Did you leave the front door unlocked?BROOKE : No.(They look scared and Haley enters theroom)HALEY : I'm sorry. I'm sorry. I have a key. I... I didn't know if you were sleeping. Sorry.BROOKE : It's okay. You locked the door, right?HALEY : Yes, I did.PEYTON : I used to love my room, and he took it fromme. Psycho Derek. It's like I... I really thought if we just fought back, like, if we attacked our attacker, that he would go away, but he hasn't.HALEY : It's really gonna take some time, Peyton. You guys went throughsomething really traumatic.PEYTON : Yeah, but what if you have finals and you can't sleep and you don't have time?BROOKE : Well, then, hopefully, you have a friend who's gonna tell you that life kicks you aroundsometimes. It... It scares you, and it beats you up. But... there's a day when you realize that you're not just a survivor. You're a warrior. You're tougher than anything it throws your way. And you are, Peyton. You are.And so are you, Hales.HALEY : Thank you. And so are you, Brooke.BROOKE : Thanks.BROOKE (to Peyton) : Come here.OUTSIDE WHITEY'S HOUSELucas knocks at the doorWHITEY : I was hoping for a booty call.LUCAS: Sorry, coach.WHITEY : What's so important it can't wait till a decent hour?LUCAS : It's the investigation. It was me. I missed those free throws in the semifinals on purpose, and I just wanted you to hear it from mebefore I hold a press conference tomorrow. I'm sorry, coach.WHITEY : You know, I only took a chance on you because Keith asked me to.LUCAS : I know.WHITEY : He would be ashamed of you right now... just like Iam.(Whitey shuts the door)[SCENE_BREAK]RIVERCOURTNathan is playing alone when Whitey arrivesWHITEY : Keeping in shape?NATHAN : Yes, sir.WHITEY : Duke's gonna be pretty rough, especially if you're not inshape.NATHAN : Yes, sir.WHITEY : So, there's, uh... some reporters asking questions about, uh... gambling... point-shaving... that kind of thing. You know anything about that?NATHAN : No, sir.WHITEY : Well, yourbrother's name's not going to be worth a damn when this whole thing comes down.NATHAN : What do you mean? Lucas didn't do anything wrong.WHITEY : Not what he says.NATHAN : What?INSIDE LUCAS'HOUSELucas is watching a picture of Keith when Nathan enters the houseNATHAN : What the hell is wrong with you?LUCAS : You're welcome.NATHAN : Screw that, Luke. We said we weren't gonna say anything. Weagreed.LUCAS : So what?NATHAN : So what did you do?LUCAS : I went and saved your stupid ass so you could play college basketball and have everything you've ever dreamed about.NATHAN : You know what? That'sa bunch of crap. We could have beat this thing, man.LUCAS : Sounds like you're feeling a little guilty to me.NATHAN : Yeah, of course I'm feeling guilty, but you shouldn't have said anything to Whitey, man. That was astupid thing to do.LUCAS : You know what? I don't care. I'm not going to college to play basketball anyway. It doesn't matter.NATHAN : It doesn't matter that for the rest of time, people are gonna talk? They're gonnasay you disgraced the game, Luke. That doesn't matter to you?LUCAS : Let them say what they want to say about me. It's what they say about Jimmy Edwards. That matters to me. And what they say about Keith. Butthis? At least I know the truth about this.NATHAN : Peyton thinks I'm a martyr. I can't stop this, Luke. I just... I'm this close, man, and I got the baby. I can't. You shouldn't have said anything.THE APARTMENTBrookeopens the curtains to awake PeytonPEYTON : What's going on?BROOKE : It's a new day. Move your scrawny butt. I checked the shower, and psycho Ian's not in there, so you need to be, because, no offense, you'rekind of rank.PEYTON : Thanks a lot.BROOKE : Well, I just call them likeI smell them. Choppity-Choppity.PEYTON : What are you doing?BROOKE : I told you. We're warriors. We kicked that idiot's psychotic ass, so a newday dawns, P. Sawyer.PEYTON : Yeah, but when I went to go see him... Brooke, he said I led him on... that I led him on with, like, my podcasts and my webcam and the way that I dress.BROOKE : Peyton. So you'resaying that every girl who wears a little bit of lipstick and a short skirt is asking to be assaulted and raped?PEYTON : No, of course not, but... I did give him full access to my life, and now he knows all this stuff aboutme. And he uses it, you know? He uses it to get in.BROOKE : Okay. Then it's time we start learning a little bit about him. Get up and fight, warrior. And take a shower.GUN ROOMCLERK : Just the ammo today, sir?DAN :Yeah, just the ammo.CLERK : The only reason I ask is, we just got this baby in today. .45 automatic, and if you've got your handgun permit, you can be shooting her today.(Dan hold the gun and start aiming, then alittle girl sees him, she get scared and drops the doll she was holding)CLERK : How'd that feel?THE APARTMENTBrooke and Peyton are looking on the computerBROOKE : Jeez. Who knew there were so many IanBanks?PEYTON : Maybe we should add \"stalker\" to the search.BROOKE : Really.PEYTON : So, where's your head at with Chase these days?BROOKE : I don't know. I think about him a lot. You know how it is. Startwondering if he ever thinks about me, and if he does, is it the same? Did he leave 'cause of the videotape, or was he just looking for an out? You know... same old self-doubt. Oh, wow. This is him. He's not from St.Flora. He's from Texas.PEYTON : What?BROOKE : Oh, my god. His girlfriend looks just like you, if you...PEYTON : If I what?BROOKE : If you were dead.ABBY BROWN'S HOUSEAbby comes to see her momABBY : I wantto tell someone, mom.ABBY'S MOM : Abby.ABBY : I'm tired of lying about what I saw, and I'm tired of hiding out and pretending I'm crazy. I want to go back to school, mom.ABBY'S MOM : Honey, you can't. As soon asI make enough money, we'll go someplace different. We will, but for now, we have to do it this way.ABBY : Why?ABBY'S MOM : Because I say so. That's why.ABBY : So what, then? We just hide from our lives?ABBY'SMOM : At least we have lives.ABBY : Not really, mom. And you might be afraid of this, but I'm not.ABBY'S MOM : Abby. Abby. Abby!(Abby starts leaving and opens the front door. Dan is there)ABBY'S MOM : You needto get out of here.DAN : I want to talk to you.ABBY'S MOM : I said get out!DAN : Calm down! Just shut up! Will you shut up?! Just... Okay, look. I need you to sit down. Just... Just go sit down.(They go to thecouch)DAN : Sit down. You're Abby Brown. Look, I don't know what you think you might have seen.ABBY'S MOM :She didn't see anything.DAN : Shut up! Just... You made a mistake.ABBY : No. I saw you. I saweverything. ABBY'S MOM :Abby. She's not well.ABBY : I know what you did. And so do you.DAN : My brother Keith was always better than me. He had a better heart. People liked him more. No, they loved him. Karenloved him. But... Karen was mine. She was supposed to be mine. ABBY'S MOM :She was just a girl who went to school that day. She's just a girl.ABBY : I hope you burn in hell.DAN : So do I.(Dan put the little girl's dollon the table and leaves)INSIDE PRISONPeyton and Brooke come visiting Derek/IanIAN : Well, if it isn't tease one and tease two. Did you come back for another kiss?BROOKE : Not really, Derek. Or should I call you\"Ian\"? Yeah, we know your real name. Actually, we know a lot of things about you. We spoke to all your teachers at the Alton Academy and the girls you used to date.IAN : You don't know anything about me.PEYTON :Really? Susanna Gold ring a bell? You know, a lot of teenage boys have performance anxiety.IAN : I know a lot of teenage girls who are teases, too.BROOKE : Is that really the best that you've got? 'Cause we have a lotmore than some podcasts and a few webcam photos, Ian Banks.IAN : Whatever.BROOKE : Boyfriend of Maggie Watterson. Or should I say former boyfriend?IAN : You shut your mouth, you whore.PEYTON : Hey, whathappened to Maggie, Ian?IAN : I don't know what you're talking about.BROOKE : Really? 'Cause the accident... you were driving. It was prom night.IAN : No, it wasn't my fault!PEYTON : What happened, Ian? Ian?IAN :We were just messing around... driving fast. My father never let me drive that car. He loved that car.PEYTON : The road was slippery. You lost control.IAN : I tried to wake her up. There was just... blood. There was justso much blood. Her parents said it was my fault. They... They all said it.PEYTON : I can't be Maggie, Ian. I'm not Maggie.IAN : We were gonna be together forever. She loved me. She... She trusted me.BROOKE : Sheforgives you.PEYTON : She forgives you... I forgive you, too.IAN : I'm sorry. I'm so sorry.(Ian starts crying)PEYTON : I'm not gonna be seeing you anymore. You're not gonna see us, either... ever. Ever. Goodbye, Ian. Ihope you find peace.SCOTT'S HOUSEHaley and Nathan are in bed.NATHAN : We talked about not saying anything. Lucas... he was supposed to do nothing.HALEY : He's really just trying to help out.NATHAN : It's just soLucas, you know? Trying to be the hero. I'm not gonna feel guilty about it. Nobody asked him to do this.HALEY : That's not exactly true. He's doing this for me because I asked him to. And if you're not gonna feel guiltyabout it, then I sure as hell will, because he is my best friend and he's your brother and he's doing this for all of us. For you and me and our son, and, um... it just really sucks.NATHAN : Damn it. I'm sorry, Hales. I'msorry I put us through this. I'm sorry I made you ask Lucas to take the blame. I'm sorry I've been so weak about all this.HALEY : You are about to make every dream you've had come true. Everybody understandsthat.NATHAN : No, it's not worth it. I mean, what the hell was I thinking? We're gonna be parents soon. What would we want our son to do? What would make us proud? And what am I gonna say to him someday whenhe asks about this? That I was Dan? That I put what I wanted in front of everything else?HALEY : Nathan... you're gonna lose it all... your scholarship, the game that you love.NATHAN : I won't lose it all. I'll still haveyou, and we'll still have our son... and we'll have that feeling that in the face of all this, we didn't lose our way. We still know right from wrong.HALEY : I'm just... scared for you. I love you for this, but... but it's justnot... it's not my dream that's dying. It's yours.NATHAN : It's gonna be hard. I know that, but... the people I admire are the people that carve a life for themselves after their dream dies. My father could never get pastit, Hales. He could never let go of what he wanted when he was 17... and look what it did to him.LUCAS' BEDROOMLucas is dreaming of him a the rivercourt, seeing AbbyABBY (voiceover) : Open your eyes, Lucas. Openyour eyes.(He wakes up and Abby is there, in his room)LUCAS : Abby?ABBY : I need to talk to you. I know what my mom said, and I'm sorry she lied, but I need to tellyou some things.LUCAS : You were hiding in thehallway.(We start seeing some flashbacks from the shooting episode)ABBY : I got scared, and I ran, but I was worried about the others and Jimmy, too. I saw it in his eyes when he let me go. He was just scared,too.LUCAS : You came back. And what happened after that? Huh? Abby? Come on, you got to tell me.Please.ABBY : Your uncle Keith... he tried to help Jimmy.(KEITH : Please. )ABBY : But he couldn't. AndJimmy...LUCAS : Jimmy what? Jimmy what?(KEITH : No!)LUCAS : Was my uncle Keith still alive when Jimmy shot himself?(Abby nods)LUCAS : Who shot him, Abby?ABBY : I thought once he realized someone knew thetruth, he'd come forward, so I stalked him with messages and threats. I thought he'd turn himself in. I thought I'd be safe. But he found me.LUCAS : Who?! Who killed... Who killed my uncle?ABBY : Your father. It wasyour father... Dan Scott. He killed Keith. He was there... and he picked up the gun... and you know I'm right, don't you? You know it in your heart.LUCAS : You have to come forward. You got to tell somebody,Abby.(She starts leaving)LUCAS : Abby, you have to tell somebody!ABBY : I did. I told you. I'm sorry.(She leaves)TREE HILL HIGHThe reporters are there for the press conference. Nathan comes to see Whitey, inprivateNATHAN : Coach.WHITEY : I don't know how you can look your brother in the eye, Nathan. This is a damn disgrace.NATHAN : Coach, I lied to you on the River Court yesterday and during the playoffs. It wasn't"}
+{"doc_id":"doc_183","qid":"","text":"(Continuing. Sydney walks out of the meeting, goes down a hallway. Jack comes out and runs after her.)JACK: Sydney! Wait!(She turns around. They stand in the hallway.)JACK: You can't lose control overthis.SYDNEY: You know what, Dad? This is not the best time to start lecturing me.JACK: I know how this feels.SYDNEY: Not exactly. You've had a lot longer to make sense of this than I have.JACK: There was a timewhen this was news to me, too. Your mother was sent to the United States to steal secrets from a ranking officer of the C.I.A. How she and I happened to meet, how she supposedly fell in love, I thought it was all true.But it was just a set-up.SYDNEY: Even her wanting to have a family? Was that just part of the plan, too?(Jack doesn't say anything. Sydney leaves.)(In her house, Sydney looks through her hat box full of pictures andmemories. She sees the newspaper article about her mother and the FBI agent dying in the car accident. Takes out a framed picture. She finally finds the picture of Sydney as a little girl and her mother.)SYDNEY: (voiceover) There's something that happens when you discover the truth about someone. I know a little about this.(She wads up the picture in a little ball.)SYDNEY: (voice over) The truth changes everything.(She throws it inthe fire.)(In the self-storage facility, Sydney talks to Vaughn.)SYDNEY: There's this woman, her personality like a collage I've put tlogether from the photographs, the few memories I have, scraps of stories I've heard,the clothes of hers I've got... her books. And none of it's real. She wasn't that woman at all. She was... she was a horrible person... who killed your father.(She stands in front of him, crying.)SYDNEY: Vaughn, I justwanted to say... that I'm so sorry.(He hugs her and cradles her head against his shoulder while she cries.)(Credit Dauphine parking garage. A van with 'McTiernan Air Conditioning' written on the side drives up. Thedriver stops at the security gate and wires it up to a machine he has that unlocks the gate. The gate doors open and the van goes inside. They stop once they're inside and cut the wires of a surveillance camera.)(Insidethe control room, two agents sit and watch the various camera angles.)AGENT1: We've lost coverage on the off-site garage.AGENT2: Any signs of forced entry?AGENT1: Negative from gate control. I'll check itout.AGENT2: Hey, while you're at it, grab me a black coffee, will you? Two sugars.(Agent1 leaves.)(In the parking garage, McTiernan gang starts welding off the air vent. Inside the van, the rest of the goons startpacking their guns and loading them. Agent1 walks in the garage and sees the van. He talks on his transmitter to his buddy from control.)AGENT1: You know about any AC repairs?AGENT2: Negative.(The goons havealready started to make their way inside the building using the air conditioning vents. Agent1 pulls his gun out. Near the van, one of the goons comes behind him and hits him over the head. Agent1 falls to theground.)(Back in the self-storage facility.)SYDNEY: I don't want this job anymore.VAUGHN: Sydney, that's why you're doing what you do. You're helping to bring an end to SD-6.SYDNEY: Not anymore.VAUGHN:Sydney--SYDNEY: I need someone in my life to be real.VAUGHN: This right here. What we do is real.SYDNEY: Look where we are. I mean, this isn't real. This isn't what we should be doing. I want out.VAUGHN:Out?(Sydney nods.)VAUGHN: You want to enter the protection program.SYDNEY: No. I'm not going into hiding.VAUGHN: If you don't, Sloane will kill you.SYDNEY: I don't think he will.(She stands up, hesitant.)SYDNEY:You like hockey, right? The Kings?VAUGHN: Yeah, how'd you--SYDNEY: The pen you keep in your briefcase. It's a Kings pen.VAUGHN: Yeah, I got that--SYDNEY: They're playing the Islanders next week. We shouldgo.(Vaughn brightens with hope. Then his face falls as he realizes what she's doing.)VAUGHN: Sydney, you can't do this.(Will's desk at the newspaper. He has his headphones on. Jenny stops at his desk.)JENNY: Okay,here's the appeal filed by McNeils' lawyer last year and I found out that SD-6 is an ingredient in artificial sweetener, but that's probably not the SD-6 you're talking about.WILL: Is my voice annoying?JENNY: Yourvoice?WILL: Yeah. I was just going over this interview with Eloise Kurtz and I started thinking about McNeil. How he had this look in his eyes when I was interviewing him. His lawyer the same thing. Just... trying to getaway from me.JENNY: Will, you're a journalist for God's sake. You get paid to be annoying.WILL: So you're saying I'm annoying?JENNY: Not to Danny or Eloise Kurtz.WILL: Oh, so I don't annoy dead people?JENNY: Will,you're their champion.WILL: What am I doing if I'm hurting the people I'm writing about? Look, if I could bring back Danny Hecht and Eloise Kurtz, I would, but I just... I can't. And if championing them is going to causeDavid McNeil's daughter to be in danger, I can't live with that. I don't think I can do this anymore. This SD-6 story. I'm out.(The goons burst through the vent and make it to a hallway off of another hallway where redsecurity beams are illuminated. The female goon - FGOON - has a heart beat detector in her hands. It beeps, and an agent comes into view.)FGOON: We're right on time.(He checks the corridor. The security red beamsgo off. They bust in. One of them breaks the agent's neck. They run through the hallway while the beams aren't there. The lead goon - Cole - motions for one of the last goons to hurry up as the red beams startappearing from the back, coming up. Not enough time left, the last goon slides down the rest of the hallway and makes it. Cole strips off his jumpsuit while FGOON pours him a cup of coffee from a thermos. Underneaththe jumpsuit, Cole is wearing a suit. He takes a swig of coffee and spreads his arms out.)COLE: How do I look?(In the parking garage, Sydney drives up in her SUV. She takes out a card and slides it into the securitypanel that the goons had unlocked with their machine earlier. She passes through and the gate doors buzz and then open. She drives through.)(In SD-6, Cole walks through. Nobody recognizes because, since he'swearing a suit, he blends right in. Cole walks by Sloane's office. Inside the office, Sloane is on the phone, rubbing his temples.)SLOANE: Yes, will you get me my wife's doctor on the phone please?(He looks at monitoron his desk. It's a security camera monitor. He sees Cole walk by. The monitor scans for facial recognition. Sloane's face freezes because he knows who he is.)VOICE: Dr. Medlesohn is on line one.(Sloane stares as thesecurity monitor scans through the files, trying to identify Cole.)VOICE: Sir?(Sloane isn't paying attention. He stares at the monitor.)VOICE: Sir?(In the garage, Sydney parks her SUV and gets out. She sees theMcTiernan van. The driver leers at her.)DRIVER: Hey there, beautiful! Why don't you turn that frown upside down?(She doesn't run over there and kick his ass. She keeps walking. Pissed, the driver takes out his gunand puts the silencer and laser on. He points the gun at Sydney while she walks away, into SD-6. The red beam of light is aimed right on her head. She walks, having no idea. Suddenly, tires screech and he puts thegun away. Sydney turns. Jack pulls up and gets out of his car, running after her.)JACK: Sydney! Sydney!(He catches up to her. She keeps walking to the elevator.)JACK: This is suicide!SYDNEY: I don't think it is.JACK:What exactly is your exit strategy? Politely asking Sloane to let you out of SD-6?SYDNEY: Based on Sloane's behavior toward me -- protecting me at Donatti Park, asking Rusik to get me to talk--JACK: Sloane answersto people. People who don't know you or care about you. If he lets you go, those people will kill him and you.(She goes inside the elevator. He follows.)(Sloane still has the phone up to his ear as he waits for the securitypanel to indentify Cole. A picture flashes up on the screen: McKenas Cole.)SLOANE: Cole.(He presses a button on his desk with his finger. The monitor flashes \"FAILSAFE ACTIVATED\".)(In the elevator.)JACK: Thosepeople Sloane works for - the alliance - if they believe you've abandoned them, they will kill anyone they think you have talked to. Your roommate Francie. That reporter friend. Anyone.(Control room. Agent2 is still bythe monitors, waiting for his coffee. Cole enters behind him, holding a gun.)AGENT2: Let me guess. You forgot the two sugars.(He turns around. Cole shoots him twice. In his office, Sloane scrambles for the phone andcalls the control room. Cole answers the phone.)SLOANE: We have a physical breach! Start lockdown procedures now!COLE: Sure thing, Arvin. Whatever you say.(Cole hangs up.)(Elevator.)SYDNEY: I felt this waybefore I found out about my mother. This life has to stop.(Instead, the elevator stops and the lights go out.)(Inside SD-6, Dixon looks up as gas starts hissing down from the ceiling vents. Agents start to pass outaround him. In his office, Marshall sees the gas coming down and covers his mouth with his sweater vest. Making two or three steps, he falls to the ground beside his inflatable chair. Out in the main part of SD-6, moreagents fall to the ground. Dixon falls. In Sloane's office, a vent of gas is pouring down right on top of Sloane. He's slumped over his desk, his head down.)(In the elevator, the lights come back on. Jack tries thephone.)JACK: Dead. But a blackout wouldn't shut down security.(At the newspaper, specifically in the bathroom, Will flushes a urinal, takes off his glasses, and washes his hands at the sink. His cell phone rings.)WILL:Tippin.DISTORTED VOICE: Go to your desk.WILL: I'm off the story.DISTORTED VOICE: Leave the bathroom and then go to your desk.(Will looks around all, \"How the hell did they know I was in the bathroom?\" Hecomes out near his desk and looks around for anyone suspicious lurking about. A yellow manila envelope sits on his desk chair. The telephone rings at his desk, but Jenny rushes in and answers it.)JENNY: Will Tippin'soffice. Um, yeah, he's right here.(She passes the phone to him.)JENNY: Some guy. Totally nasal. Clips on the housing story, Litvack wants two thousand words by noon tomorrow.(She walks out.)WILL:Hello?DISTORTED VOICE: There is something inside the envelope that will make McNeil talk.WILL: I don't want to make him talk.DISTORTED VOICE: You said you didn't scare easily.WILL: Well, if you're so brave, whydon't you lose the voice box and tell me your name?(Silence.)WILL: Don't call me again.(He hangs up, and throws out the envelope in his nearby garbage can.)(Cole and his goons, wearing gas masks, walk in SD-6 withvarious guns. The gas stops. Cole takes off his mask and looks around.)COLE: Five minutes ahead. Get 'em wrapped up, baby!(FGOON starts tying up everyone's hands while they're unconscious. Cole looks to anotherguy with a gun.)COLE: Chopper, secure the elevator. You got the scanning room door code?CHOPPER: Got it!(Cole approaches FGOON who is at a computer typing.)COLE: You jammin'?FGOON: I'm jammin'.(He kissesher head.)(Vaughn's office. He's twirling a silver dollar in between his fingers over and over again. Weiss enters.)WEISS: Want to get a pizza? That new place?VAUGHN: Ah, no thanks.(Weiss comes in and looks atVaughn, silently telling him to just tell him what's up.)VAUGHN: Sydney wants to quit SD-6... which she knows she just can't do.(Weiss nods.)VAUGHN: It's a weird thing. You know, when you're learning how yourfather died. I... it's always been this intellectual idea I had, knowing he died, just not having any details.WEISS: You really want some space, or are you and I going to go get drunk? 'Cause there's this bar, you won'teven remember it tomorrow.(They laugh. Vaughn's face falls when Haladki enters.)HALADKI: Hey, what a day, huh?VAUGHN: Why do you say that?HALADKI: Come on. Bristow's mom, your dad. It's not like a secretaround here. Vaughn, that really sucks.WEISS: Well put.HALADKI: You know what? I think Barnett's gonna be good for you.VAUGHN: I'm not seeing Barnett.HALADKI: Oh, yeah you are! She wants to see you. I mean,come on. You're Bristow's handler. You find out her mom killed your dad? She's a shrink, she lives for crisis management! I think she'll be good for you. I like thick crust, in case you wanted me to come.WEISS: Oh,hey, we don't.(He leaves.)VAUGHN: Did you know about Barnett?(Weiss shakes his head. Vaughn sighs.)(In the elevator.)SYDNEY: Still can't get a signal.JACK: Whoever's doing that could be jamming thefrequencies.(Elevator starts.)JACK: Emergency lockdown procedures.(He hits a button.)JACK: The elevator is returning to SD-6. The doors will automatically open.(He gives Sydney a knowing look.)(Out in the whitearea where the agents stand to get cleared by security outside the elevator, Chopper stands in front of the elevator with a gun pointed, ready to shoot whoever's inside the elevator. The bell dings. No one's there.Sydney and Jack are on top of the elevator, looking down.)CHOPPER: Elevator secure.(Jack and Sydney climb down the stairs from the elevator shaft and jump down. Jack takes out his gun. They walk down thehallway, getting to a door. Jack comes out, gun in hand. Sydney next. She closes the door. Jack comes around a corner with Sydney and sees the agent that was punching in the code in the red beam hallway, dead. Thered beams are up. Jack and Sydney go in the hallway and he punches in a code. The red beams disappear.)JACK: The advantages of high-level clearance. Let's go.(Jack and Sydney enter an underground control room.There are cables and monitors and some sheets up on a wall. Jack starts tearing off the outside on the wires, getting to the core of them.)SYDNEY: How could K-Directorate overpower fifty trained agents?JACK: IfK-Directorate attacks SD-6, they know SD-6 will return the favor. This team that's invaded SD-6, isn't working with any organization we know. My guess is they're working for a group, clearly unpredictable anddangerous. Hand me that cable.(She does.)JACK: Now plug it in.(They hook up a nearby monitor to the camera wires. Jack starts flicking through the wires, going from camera angle to camera angle. The conferenceroom is empty, various rooms are empty.)JACK: There are six hundred cameras hidden through SD-6.(They finally spot the group of agents, everyone at SD-6, gathered together on the floor outside Sloane's office.They all have their arms tied behind their backs. A couple of men with guns watch them.)SYDNEY: Oh, my God. Look at that hardware.JACK: Latest military specs.SYDNEY: Extended magazines, compensators, lasersights...JACK: I see four.SYDNEY: There's a fifth.(Cole walks in. Dixon stares. Marshall looks scared. Sloane sits with everyone else, his back against the wall. Cole swaggers in, coming closer to Sloane.)COLE: I want totalk to you. That's the sick part. Catch up and stuff. You know, so much has happened in the last five years. This place... it hasn't changed. But you. You look... older. But that's good. Your hair... looks good. You knowwhat the worst part is? Being left for dead in Grozny, Arvin? Well, you're going to learn the worst part. But another part that sucks is seeing guys you worked with, guys you thought were tougher than deer jerky,tortured to death. That's no good. The most ironical part for me is... we did the damn job. We blew that pipeline to hell first night we landed. But you know me, Arvin...[SCENE_BREAK](In the control room, Sydney andJack still watch.)SYDNEY: Do you know this guy?JACK: I know the operation. Sloane in '96 sent a team to Chechnya to destroy the Shelhemil pipeline. There were complications. The team was captured by theRussians.(Back to Cole.)COLE: And if that chopper had have been where the hell you know it should have been--(He kicks an agent out of the way and sits down.)COLE: My whole life would have taken a differentdirection.SLOANE: What do you want?COLE: I got this really kick ass new job. See, I'm working for this gentleman they call The Man. And you will learn about The Man. What The Man wants is a certain littlesumthin'-sumthin' you got in the SD-6 vault.SLOANE: Well, you initiated lockdown. Not only is the vault secure, the vault access room is locked now, too.COLE: Well, don't worry about the vault access room, we'retaking care of that. What I need is the combination to the vault.(Sloane laughs. Cole laughs.)SLOANE: Not a chance.(Cole sits back and claps his hands a couple of times.)COLE: That's cool.(He stands up and kicks hischair he was sitting on. It slides across the room.)COLE: You still got that room downstairs, right? The \"conversation room\"? That's what you used to call it, right? The torture room's like you really got to admit what thehell you do down there. So, Arvin. Let's go to the conversation room!(Will's newspaper. He talks to Jenny.)WILL: Check this out.JENNY: Yeah?WILL: People victimized by the developer who's using his politicalconnections to have their homes condemned by the city. Now we go in, shed a little light on this, protect the little guy and no one gets hurt. I'm going to go interview the developer right now.JENNY: No moreMcNeil?WILL: Nope.JENNY: Hmmm. Interesting.(She walks away. Will turns around and sees the envelope in his trash can. He shakes his head no and walks away.)(Dr. Barnett's office. Vaughn knocks andenters.)VAUGHN: Hi.BARNETT: Hi!VAUGHN: Michael Vaughn. We've met.BARNETT: I remember. Judy Barnett. Have a seat.VAUGHN: Thanks.(He sits down on the couch. She sits in her chair.)BARNETT: You got myvoice mail?VAUGHN: Yeah, yeah. (pause) I just want you to know, I've got nothing against shrinks.BARNETT: Well, good.VAUGHN: But, I-I think this might be a waste of time. You wanted to see me because we'velearned that Sydney Bristow's mother was a KGB operative who killed my father, among others.BARNETT: Yes.VAUGHN: Which is not ideal news, obviously, and yes, it's emotional, but I already knew he was killed andit happened almost twenty years ago. You know? So I really don't think I require crisis management. There's-there's no crisis.BARNETT: Everything you say to me I will keep confidential.(Vaughn seems to relax alittle.)VAUGHN: Okay. (smiles)BARNETT: I wanted to talk to you about your relationship with Ms. Bristow. How often do you meet with Sydney?VAUGHN: Uh, a couple of times a week. Three or foursometimes.BARNETT: Only about operations?VAUGHN: Uh... we have met on occasion when Sydney wanted to talk to me about what was happening within SD-6 or regarding her father, when she believed he was aKGB agent and not her mother.BARNETT: You and Sydney... have a friendship?VAUGHN: She needs someone to talk to. I think you'd appreciate that. I'm the only person she can confide in.BARNETT: So you feel thatyour relationship with Ms. Bristow is fully appropriate, that it falls within the guidelines of agent and handler?VAUGHN: What are you asking me?BARNETT: I have gotten some reports about your behaviorrecently.VAUGHN: Reports from who?BARNETT: After the incident in Tuscany when you sent in an extraction team--VAUGHN: Hey, hey, SD-6 issued an order to have Sydney killed!BARNETT: --to protect Sydney, I'vebeen following your work. Mostly very good.VAUGHN: Thank you. That's very nice.BARNETT: Did you purchase a Christmas gift for Agent Bristow?(Pause. Vaughn looks around.)VAUGHN: Uh, I'm not familiar, Dr.Barnett, with the regulations preventing officers from celebrating with their co-workers, a fairly widely recognized holiday such as Christmas.BARNETT: May I ask you what the gift was?VAUGHN: I'd like you to tell mewho's been reporting me.BARNETT: I can't tell you that.VAUGHN: Then I'm just going to have to guess.(Two guys, one who is called Endo, drill through the vault access room. Cole talks to them through atransmitter.)COLE: Endo! What's up? Where are we? I need status!ENDO: Almost done drilling. Then we'll start packing explosives.(Jack flicks from cam to cam.)JACK: Those other two. Where the hell did they go?(Theysee them in the vault room.)(Vault room.)ENDO: We should be in the vault within ten minutes!(Jack and Sydney.)SYDNEY: Ten minutes? What are they going for in the vault?JACK: Could be anything. Sloane wasplanning on sending you to Taiwan, did you know about that?SYDNEY: FTL acquired some scud launchers. He wanted me to scramble their launch codes.JACK: Marshall's working on a scrambling device for that op.Have you seen it?SYDNEY: He showed it to me last week.JACK: What does it look like?SYDNEY: Why?JACK: Sloane must have activated the emergency failsafe. There are five hundred pounds of C-4 strategically placedwithin the substructure of this building. Opening the vault will trigger that C-4. All underground levels will collapse, burying any evidence that the Los Angeles cell of SD-6 ever existed.SYDNEY: You want to scramble the"}
+{"doc_id":"doc_184","qid":"","text":"-[Real World]-(Mary Margaret, who has escaped from her cell, has fled to the woods. Meanwhile, Henry sits on a bench reading his book at the station. Emma and Mr. Gold see him.)Emma: Henry. What are you doinghere?Henry: I came to congratulate you.Emma: For what?Henry: Your genius plan.Mr. Gold: And what plan's that, Henry?(Henry doesn't respond.)Mr. Gold: Right.(Mr. Gold leaves Emma and Henry alone in thehall.)Henry: Sorry. I thought Mr. Gold was in on it, now that he's Miss Blanchard's lawyer.Emma: In on what?Henry: The escape plan.Emma: The what?(Mr. Gold calls out from the other room.)Mr. Gold: Sheriff, couldyou join me, please?(They join Mr. Gold and see Mary Margaret's empty cell.)Mr. Gold: She's gone.Emma: Henry, what did you do?Henry: Nothing. She was gone when I got here.Mr. Gold: Her arraignment's tomorrow.If she's not there...Emma: She's a fugitive. Doesn't matter if she's convicted for Kathryn or not - she's screwed. I have to go find her before someone notices she's missing.Mr. Gold: Oh, you mean Regina?Emma: Thearraignment's at eight A.M. I'm sure she'll be here bright and early to celebrate her victory.Mr. Gold: Well, you have until eight A.M., then.Henry: Uh, what about me? How can I help?Emma: Go home.Henry: Emma, ifshe leaves Storybrooke...Emma: Not now, Henry. Come on.Mr. Gold: Miss Swan, I know time is of the essence, but if Miss Blanchard doesn't return... Her future's in jeopardy. And if you're caught helping her, so isyours.Emma: I don't care. I'd rather lose my job than my friend.[SCENE_BREAK](Emma gets in her car and drives down a deserted road near the woods. In the fog in the distance, a figure can be seen. Emma doesn'tnotice in time, and narrowly avoids hitting a man. He jumps out of the way and falls down an incline. She gets out of her car to assist him.)Emma: I'm so sorry! Are you okay? I didn't see you there.Jefferson: Uh, I thinkso.Emma: Are you sure?Jefferson: I'm fine. I'm not used to sharing the road with cars so late. You're the Sheriff, aren't you?Emma: Yeah.Jefferson: What brings you out here in the middle of the night?Emma: Oh,nothing to worry about. I'm just looking for a lost dog.Jefferson: Well, I hope you find it.Emma: Thank you.(Jefferson tries to walk, but has an obvious limp.)Emma: Oh, you are hurt.Jefferson: No, I just twisted myankle, I think. I live just a mile down the road. I'll make it okay.Emma: No, let me drive you. I insist.Jefferson: Thank you. I'm Jefferson.Emma: Emma.(The two of them get into Emma's car.)-[Fairy TaleWorld]-(Jefferson runs through the woods, seemingly trying to escape from something. He stops to rest by a tree, but is caught by his daughter, Grace.)Grace: Papa, I found you.Jefferson: You certainly did. You mustbe part bloodhound, my dear Grace.Grace: Now it's my turn to hide, and you seek.Jefferson: I'm afraid playtime's over. Though, you can still use that nose of yours to hunt mushrooms. Enough to sell at markettomorrow. Do you think you can do that? Ready or not, here we come.(They head back to their house, where the Evil Queen's carriage is parked outside.)Jefferson: Wait.Grace: Whose carriage is that?Jefferson: TheQueen's.Grace: In our house? Do you know her?Jefferson: Of course not. Now, listen carefully. Hey. I want you to stay hidden in the woods. Like our game. I'm going to find out what she's doing here.(Jefferson entersthe house, while Grace runs off into the forest. Inside, the Evil Queen is waiting.)Evil Queen: I'd like to say you're looking well, Jefferson, but I'd be lying. Poverty doesn't suit you.Jefferson: What are you doing here,Regina?Evil Queen: I have a job for you.Jefferson: I don't do that anymore.Evil Queen: Yes, I heard you hung up your hat. Why? Is it because of your sweet daughter Grace?Jefferson: Because of my work, she lost hermother. I don't want her to lose her father, too.Evil Queen: So, now you're foraging for fungus. What kind of future does your daughter have here with you? Do this one last favour for me, and you can give her the lifeshe deserves.Jefferson: That's why I'm staying. You don't abandon family. That's... What she deserves. Now, please leave.Evil Queen: All I need is your special skills to get me somewhere. Somewhere you've beenbefore. Do it, and I can change your life.(She hands him a piece of paper.)Jefferson: What business could you possibly have there?Evil Queen: Something of mine was taken and found its way over there. I want itback.Jefferson: Then, find someone else to get it.Evil Queen: I see. Hard living has strengthened your resolve. Well, I'm sorry I couldn't convince you, but I understand. There's nothing more important thanfamily.-[Real World]-(Emma and Jefferson pull up to a large house on a hill. The two of them get out.)Emma: Wow. This is your house? It looks more like a hotel. You must have a huge family.Jefferson: Nope. It's justme.(Emma sees Jefferson struggling to get up the stairs, and goes to help him inside.)Emma: Here. Wait.(Inside, Emma is waiting in the living room when Jefferson enters with a tea tray.)Jefferson: Here we go. Ithought you might want to warm up for your search. It's cold out there.Emma: That is kind of you, but I think I should get back to it.Jefferson: I know. That's why I brought this. I'm a bit of an amateur cartographer -mapping the area is a hobby. Maybe, this will help you track down your dog.(He lays out the map on a table.)Emma: Wow.Jefferson: What's his name?Emma: Spot.Jefferson: Cute.(Emma looks over the map while shesips her tea. She begins to act drowsy.)Emma: Well, Route Six runs the boundary of the forest, so... So, if I just follow that, I should... Be able to...Jefferson: Is something wrong?Emma: I'm just, uh... Feeling alittle...(Jefferson catches Emma and drags her over to the couch.)Jefferson: Oh. Let me help you.Emma: Dizzy.Jefferson: Let's just lie you down here. There you go. Let me get you some air.Emma: Yourlimp...Jefferson: Oh. That. I guess you caught me.Emma: Who are you?-[Fairy Tale World]-(Jefferson and Grace are at an outdoor market. They come to an old woman, who is selling toys.)Grace: The toy cart!Woman:Come.(Grace picks up a stuffed rabbit.)Grace: Wouldn't this make the perfect guest for our tea parties, Papa? Can I have him? Please?Jefferson: Excuse me. How much for the rabbit?Woman: That costs onesilver.Jefferson: Would you take it for eight coppers? It's all I have.Woman: Oh, you are good father. Your last coppers for your little girl's happiness, ah?Jefferson: Thank you.Woman: Oh, I did not say I accept. Alas, Icannot take less than one silver. The economy. You understand.Grace: It's okay, Papa. Come on - people are waiting.Jefferson: I will not take no for an answer.Grace: Papa, please. I don't need it.Jefferson: Come on,sweetie.(The old woman walks away from the crowd to a mirror.)Mirror: Well, that was awfully cruel. You could at least let the girl have her toy.Evil Queen: Where's the fun in that?(The old woman's face briefly morphsinto the Evil Queen's.)-[Real World]-(Emma wakes up bound and gagged on the couch. She looks around and sees that Jefferson is gone. She sits up and notices her fallen teacup on the floor. Emma throws a pillowover the cup to muffle sound, and then breaks it with her feet. She manoeuvers herself onto the floor, grabs a shard of the broken cup, and cuts through her binds. She tries to open one of the windows, but discoversthat they're all locked. By the windows, there is a telescope pointed at the Sheriff's station. Emma hears a noise coming from the room across the hall. She peeks in and sees Jefferson sharpening a pair ofscissors.)-[Fairy Tale World]-(At their home, Jefferson finishes making a stuffed rabbit. He places it on a chair next to Grace, who is having a tea party.)Jefferson: I know it's not the same as what you wanted.Grace: Ilove it, Papa. Thank you.(Grace pretends to pour tea.)Grace: Mm. This is really good. Don't you think so, Mr. Tortoise? Papa, do you like your tea?Jefferson: Grace... I want you to go to the neighbours' for the rest ofthe day. There's work I have to do.Grace: Can't I come with you? I like being with you in the forest.Jefferson: I'm not going to the forest, sweetie.Grace: This has to do with the Queen's visit, doesn't it? Whatever shewants you to do, don't do it.Jefferson: Grace, I have to. I want you to have what you need.Grace: All I need is you, Papa. Please, stay.Jefferson: Come here. I know. I'm sorry, baby. I have to go.Grace: Just promiseme you'll come back. You have to promise.Jefferson: Of course.Grace: For our tea party. Promise?Jefferson: I promise. I won't miss it for the world. Go.(Grace leaves. Jefferson opens a locked chest, and pulls out a hatbox.)-[Real World]-(Emma slows edges out into the hallway. She slowly creeps down the hall, but steps on a creaky floorboard. Panicking, she quickly enters the closest room. Inside, Mary Margaret is gagged and tiedto a chair. Emma starts to untie her.)Emma: What is going on?MMB: Emma, thank God.Emma: What are you doing here?MMB: I was in the woods, trying to get away. Then, this man appeared out of nowhere andgrabbed me. Why are you here?Emma: I've been trying to find you. You escaped, remember? How did you get out?MMB: There was a key... In my cell, under my pillow. Someone put it there.Emma: Who?MMB: I don'tknow. I'd like to know just as much as you.(Once Mary Margaret is free, they both head for the door. Emma checks the hall and sees that it's clear. The two of them start down the hallway, but are stopped by Jefferson.He's armed with a gun.)Jefferson: I see you found Spot.Emma: I've already called for backup. They'll be here any second.Jefferson: You haven't called anybody. For the same reason you didn't tell me about her. Youdon't want anybody to know you're here, which means, nobody does. So, now tie her back up.(Emma ties Mary Margaret to the chair, again.MMB: Emma...Emma: It's going to be okay.(She gags her.)Emma: Yourtelescope - you've been watching me. Why?Jefferson: I need you to do something.-[Fairy Tale World]-(Jefferson meets with the Evil Queen at her castle. He enters with the hat box and is escorted by severalguards.)Evil Queen: Jefferson. So good to see you looking more like yourself. I assume you're here because you've reconsidered my offer?Jefferson: I want your guarantee. That, if I do what you ask, my daughter willwant for nothing.Evil Queen: You have my word. Now, let's open that box of yours and see what it can do.(He pulls a top hat out of the box.)Evil Queen: I do so like a man who dresses for the occasion.(Jefferson placesthe hat on the floor and spins it. It begins to spin on its own.)Jefferson: Step back.(The hat forms a purple vortex.)Jefferson: After you!Evil Queen: Together!(They link arms.)Jefferson: Hold on!(They both jump into thevortex and are transported elsewhere.)-[Real World]-(Jefferson brings Emma to a room with several top hats lining the walls.)Emma: I don't know what you think you're doing, but if you hurt my friend, I swear I'llmake you regret it.Jefferson: Hurt her? I'm saving her life.Emma: How do you figure that?Jefferson: Don't play stupid. We both know what happens when people try to leave Storybrooke.Emma: What are you talkingabout?Jefferson: The curse.Emma: What curse?Jefferson: The one keeping us all trapped. All except you.Emma: Have you been reading Henry's book?Jefferson: Henry? You mean the Queen's father?Emma: Henry, themayor's adopted kid.Jefferson: Oh, Henry. Your Henry. And his book of stories. The ones that you choose to ignore. Maybe, if you knew what I know, you wouldn't.Emma: Why have you been spying on me?Jefferson:Because, for the last twenty-eight years, I've been stuck in this house. Day after day, always the same. Until one night, you, in your little yellow bug, roll into town, and the clock ticks, and things start to change. Yousee... I know what you refuse to acknowledge, Emma. You're special. You brought something precious to Storybrooke - magic.Emma: You're insane.Jefferson: Because I speak the truth?Emma: Because you're talkingabout magic.Jefferson: I'm talking about what I've seen. Perhaps, you're the one that's mad.Emma: Really?Jefferson: What's crazier than seeing and not believing? Because that's exactly what you've been doing sinceyou got to our little hamlet. Open your eyes. Look around. Wake up. Isn't it about time?Emma: What do you want?Jefferson: I want you to get it to work.(Jefferson sits Emma down in front of a table of sewing suppliesand materials.)Emma: You want me to get what to work?Jefferson: You're the only one that can do this. You're going to get it to work.-[Fairy Tale World]-(Jefferson and the Evil Queen end up inside Jefferson's hat.There are several different coloured doors lining the walls.)Evil Queen: I forgot how magnificent you are.Jefferson: I'm not here to relive the past. I'm here for my daughter.(He points toward a door made ofglass.)Jefferson: Here - this is the entrance. It's important that we stick together. Same amount of people that go through have to come back. No more, no less. It's the hat's rule, not mine.Evil Queen: Iunderstand.(They enter through the mirrored door and arrive in Wonderland. Along the path, they encounter the Caterpillar.)Caterpillar: Who are you? Who? Who?Jefferson: I hate Wonderland.-[Real World]-(Emmaand Jefferson are still in the sewing room.)Jefferson: Make one like that.Emma: You want me to make a hat? You don't have enough?Jefferson: Well, none of them work, do they? Or else you wouldn't be here. Now,make a hat, and get it to work.Emma: I don't-Jefferson: You have magic. You can do it.Emma: The hats, the tea, your psychotic behavior... You think you're the Mad Hatter.Jefferson: My name's Jefferson.Emma: Okay.You've clearly glommed onto my kid Henry's thing. They're just stories. The Mad Hatter is in Alice in Wonderland - a book. A book I actually read.Jefferson: Stories. Stories? What's a story? When you were in highschool, did you learn about the Civil War?Emma: Yeah, of course.Jefferson: How? Did you read about it, perchance, in a book? How is that any less real than any other book?Emma: History books are based onhistory.Jefferson: And storybooks are based on what? Imagination? Where does that come from? It has to come from somewhere. You know what the issue is with this world? Everyone wants some magical solution fortheir problem, and everyone refuses to believe in magic. Now, get it to work.Emma: Here's the thing, Jefferson - this is it. This is the real world.Jefferson: A real world. How arrogant are you to think yours is the onlyone? There are infinite more. You have to open your mind. They touch one another, pressing up in a long line of lands. Each just as real as the last. All have their own rules. Some have magic, some don't. And someneed magic. Like this one. And that's where you come in. You and your friend are not leaving here, until you make my hat. Until you get it to work.Emma: And then what?Jefferson: Then I go home.-[Fairy TaleWorld]-(In Wonderland, Jefferson and the Evil Queen come to a hedge maze.)Jefferson: You want to go in there?Evil Queen: What I want is a short walk through.Jefferson: A short walk? You know who this belongsto.Evil Queen: The Queen of Hearts. She's not one for subtlety.Jefferson: This wasn't part of our deal. You know what she does to anyone that crosses her.Evil Queen: Indeed. Better than most. You can't leaveWonderland without me. Two go through, two go back. You're not going to let the Queen of Hearts keep you from returning to your daughter, are you?(Jefferson says nothing and begins to follow her.)Evil Queen: That'swhat I thought.Jefferson: Wait.(He picks up a branch from the ground and throws it towards one of the walls. The hedge grabs the branch and pulls it into the wall.)Jefferson: Stay away from the walls.Evil Queen: I'vegot a better idea. The walls should stay away from me.(The Evil Queen magically creates a fireball, and blasts a path through the maze. The two of them proceed until they reach they reach a vault containing a wall ofhearts like the Evil Queen's. She pulls a drawer open and takes out the box.)Jefferson: Okay? You got what you need. Shall we?(The two of them go to leave, but are suddenly ambushed by several of the Queen ofHearts' guards.)Guard: Trespassers! Halt!(Jefferson and the Evil Queen begin to run through the hedge maze. The guards follow and try to stop them, but are thwarted by the Evil Queen's magic. They run back to theburned path, where the Evil Queen magically causes the hedges to reform. They end up back at the mirrored door they entered through.)Jefferson: The Looking Glass! There it is!(Jefferson sees that the Evil Queen hasstopped.)Jefferson: C- What are you doing? We can't stop now. We got to get out of here.Evil Queen: There's something I need to do first.(She breaks off a piece of mushroom.)Evil Queen: A little snack.Jefferson: Areyou mad? Do you know what the food here does?Evil Queen: I'm well aware.(The Evil Queen sets the opened box on the ground and places the piece of mushroom inside. Purple smoke emerges from the box andmaterializes into Henry I.)Evil Queen: Oh, daddy!Jefferson: This is what she took from you? Your father?Evil Queen: The Queen of Hearts has always seen me as a threat. So, she wanted some leverage. I got itback.Henry I: The Queen's soldiers - we must hurry.Jefferson: You knew only two can go through the hat... Which is why you didn't tell me about your father.Evil Queen: It was the only way to make sure you'd helpme.(Jefferson tries to chase after them, but his feet are swallowed by the ground.)Jefferson: Wait! Wait! Wait, please. My daughter... My Grace... She's... She's waiting for me. I promised her I'd... I'd be home fortea.Evil Queen: A promise which you now have broken. If you truly cared for your daughter, you never would've left her in the first place. You were right, Jefferson. You don't abandon family.(The Evil Queen and herfather go through the mirrored door.)Jefferson: No! No...(The Queen of Hearts' men finally catch up to Jefferson. Two of the guards drag him away.)Knave of Hearts: Take him to the Queen.[SCENE_BREAK](The guardsbring Jefferson before the Queen of Hearts and several other citizens of Wonderland. Her face is covered by a veil and uses a tube to speak through.)Knave of Hearts: Her Majesty says she knows you're responsible forhelping to steal from her.Jefferson: The Queen, she tricked me-Knave of Hearts: That woman's name is Regina. There is only one Queen - the Queen of Hearts.Jefferson: Yes, of course. My apologies. Now,please...Knave of Hearts: Her Majesty wishes to know how you got to this world. How did you come to Wonderland?Jefferson: If I tell you, will you let me go home to my daughter?Queen of Hearts: Off with hishead.(One of the guards decapitates Jefferson with an axe. However, he does not die. Another guard holds up his head.)Jefferson: I'm alive? I'm alive!Knave of Hearts: If you wish your body back, then answer. How didyou get here?Jefferson: The... The... The hat. My hat. We used my hat.Knave of Hearts: Where's the hat now?Jefferson: She took it - Regina.Knave of Hearts: If all you require to travel to your homeland is this magichat, then surely, you could make another.Jefferson: I can't. A hat without magic is just a hat. It won't work.Knave of Hearts: Then, there's your task. Get it to work.-[Real World]-(Emma and Jefferson are still in thesewing room. Emma has made a top hat.)Emma: I can't make it work. What you're asking me is impossible.Jefferson: No! It has to be. If it's not, I'm never going home. I'll be cursed to live in this house forever.Emma:What is so cursed about your life? Look at this place. It's beautiful. It doesn't seem cursed to me.Jefferson: It's cursed because, like everyone else here, what I love has been ripped from me. Take a look.(He gesturesfor Emma to look through a telescope. She sees a little girl and her family eating dinner at home.)Jefferson: Her name is Grace. Here, it's Paige. But it's Grace. My Grace. Do you have any idea what it's like to watch herday in and day out, happy, with a new family? With a new father?Emma: You think she's your daughter?Jefferson: I don't think - I know. I remember. She has no idea who I am. Our life together, where we come from.I do. That's my curse.Emma: To remember.Jefferson: What good is this house, these things, if I can't share them with her?Emma: If you really think she's your daughter, why don't you reach out to her? Why don't youtell her?Jefferson: And destroy her reality? I'm trapped by knowledge. How cruel do you think I am? You think I'd inflict that awareness on my daughter? It's hard enough to live in a land where you don't belong. Butknowing it, holding conflicting realities in your head...will drive you mad.Emma: That's why you want me to make the hat work, isn't it? You just want to take Grace home - to your world.Jefferson: It's the one world"}
+{"doc_id":"doc_185","qid":"","text":"SCENE: Neverland. Present. Felix escorts the prisoner (Neal) through the jungle.[SCENE_BREAK]Felix: Feels like just yesterday I welcomed you to Neverland the first time, Baelfire. Gotta say, hoped I'd never see youagain.Neal: Then maybe Pan shouldn't have taken my son.Felix: Maybe you should've left well enough alone.Neal: I'm gonna get him back.Felix: You really believe that? You were a lost boy. You know Peter Pan's notbe to trifled with. You know how long he's been searching for the heart of the truest believer. Do you really believe he'll just... give him up?Neal: Maybe, if I ask nicely.(Chuckles)Felix: You may have grown up, Baelfire,but it would appear you have grown up stupid.Neal: I have grown up. I don't know if I'm stupid or not, but I do know I know how to tie an overhand knot.Felix: Uhh!(Panting)Neal: I'm not a boy anymore, Felix. I sureas hell ain't lost.[SCENE_BREAK]SCENE: The Enchanted Forest. Before the first curse. Rumplestiltskin's hovel.[SCENE_BREAK]Rumplestiltskin: Bae. A present. Something to sharpen your coal with.Bae: Where did youget it?Rumplestiltskin: Oh, from a man who no longer needed it.Bae: You mean taken from a man who couldn't pay you.Rumplestiltskin: Bae...Bae: Papa, I told you, I don't want any more gifts from the people youterrorize.(Thud)Rumplestiltskin: Then what do you want? Tell me, son. What would make you happy?Bae: Leaving this place. I'm tired of staying in this hovel all the time.Rumplestiltskin: Well, that's easy to fix. Howabout a castle, huh? I could build you a palace so magnificent its shadow would blanket the countryside.Bae: That's not what I mean. I wanna go out, have friends, see the world beyond these four walls. Papa, whycan't you just trust me to do that?Rumplestiltskin: I do trust you, Bae. It's... It's others that I can't. You see, I have many enemies beyond that door. And once you leave, any one of them could hurt you.Bae: You surethat's the only reason? Maybe what you're really worried about is if I leave, I might never come back.Rumplestiltskin: No, no. I... I... I'm worried about your safety. This is the best place for you. I don't know what I'ddo if I ever lost you.[SCENE_BREAK]SCENE: Neverland. Present. Rumplestiltskin puts on war paint.[SCENE_BREAK](Scraping)(Fire crackling)Belle: You always felt more comfortable behind a mask.Mr. Gold: You werethe only one who could ever see past it, past the mask of the monster.Belle: Then why put it back on now?Mr. Gold: I need the monster, Belle. It's the only way I can save him. And that's what I've decided. I'm gonnasave Henry.Belle: The prophecy states that Henry will be your undoing. To save him, you ensure your own death.Mr. Gold: You don't think I can do it?Belle: I think your intentions are good. But a lifetime of cravenself-interest is a nasty habit that you've never been able to break.Mr. Gold: Things are different now.Belle: How? What... what's different?Mr. Gold: Because I have nothing to live for.Belle: What about me?Mr. Gold:You're not real. Just a vision.Belle: But I'm... I'm back in Storybrooke, waiting for you.Mr. Gold: You shouldn't be. When I said good-bye to you, Belle, we both know it was for good.Belle: Well, maybe I think you'll comeback.Mr. Gold: Even if I did, eventually you'd leave me because you can see me for what I really am. You think you see a good man, but in time, you'd see the monster. My son is dead. The only way I can redeemmyself is by saving his son and giving my life.[SCENE_BREAK]SCENE: Neverland. Present.[SCENE_BREAK]Emma: This is where they're keeping Henry. Pan's compound. According to, uh...Tinkerbelle: TinkerBell.Emma: Yes, I know. Still weird to say.Tinkerbelle: \"Tink\" is fine.Emma: Not sure that's any better. Anyway, she says that there are sentries positioned across the front, which is why we are gonna come in throughthe back entrance here. She's gonna talk her way in. Once she makes sure the coast is clear, then we are going to sneak on in.Tinkerbelle: You'll still have to deal with any lost boys once you're inside.Regina: I think wecan handle a few children with pointy sticks.Tinkerbelle: It's not the sticks you need to worry about. It's the poison they're dipped in.Mary Margret: Dreamshade. Hook warned us.Tinkerbelle: Good. Because one nick,and you'll spend the last of...David: Poison sticks equal death. We got it. Now when can we put this rescue mission into action?Tinkerbelle: I'm ready to go, just as you tell me the exit plan. You do have an escape plan,don't you?Emma: It's... it's more of a last-minute trip.Tinkerbelle: If you don't have a way off this island, then none of this matters.Regina: We'll figure it out.Tinkerbelle: You'll figure it out? No one comes and goes fromthis place unless he allows it. This is a waste of time.David: Hey, when it comes to family, we always find a way.Tinkerbelle: You don't get it. Here. Let me show you something. You know what this is?Emma: Yeah, awatch.Tinkerbelle: I got it from the people who brought your son here for Pan.Emma: Greg and Tamara? Where are they? Why'd they give you that?Tinkerbelle: I got it off the girl's body. Spent half the night cleaningthe blood off it. And the other guy... Well, there wasn't enough left of him to find anything useful. This is what Pan does to people he employs. What do you think he's gonna do to you? I'm not sticking my neck on Pan'schopping block without a way off this island. When you figure that out, you know where I live.Mary Margret: Where the hell is she going?David: I'll get her, bring her back.Emma: Don't. She's right. If there's one thingI've learned, you never break in somewhere unless you know the way out.Regina: And where'd you get that, in bail bondsperson school?Emma: Neal taught me that.David: What about you, Hook? You got off this islandbefore.Hook: Yes, aboard my ship, which would require some form of magic to create a portal, which... I got from Pan in a deal I don't think he's ready to repeat.Regina: So no one's ever left the island without Pan'spermission.Hook: One man. Her partner in crime Neal.Emma: How?Hook: Maybe we can find out.[SCENE_BREAK]SCENE: Neverland. Present.[SCENE_BREAK](Lost boys speaking indistinctly in distance)(Foliagerustles)Lost Boy: Stop by order of Pan!(Whoosh)(Grunts and groans)Mr. Gold: I don't take orders.(Rustling)(Grunts)(Whispers)Mr. Gold: Bae?[SCENE_BREAK]SCENE: Neverland. Present.[SCENE_BREAK]Mr. Gold:You're not real. You're dead.Neal: What? Of course I'm real. What the hell's going on?!Mr. Gold: You're a vision, just like Belle.Neal: No. No, hey. Listen to me. It's me. I was shot. Okay? But I survived. See? I'malive.Mr. Gold: My son is dead! You're just here to remind me of my failure!Neal: That's not why I'm here.Mr. Gold: My weakness.Neal: Put the spear down.Mr. Gold: You're here to question my resolve. But you won'tsucceed. I will sacrifice my life for Henry. And nothing will stand in my way!Neal: (Whispers) Please, papa.(Gasps)(Whispering)Mr. Gold: Bae? Is that really you?(Whispers)Neal: Yeah.(Spear thuds)Mr. Gold: I thoughtI'd lost you forever.[SCENE_BREAK]SCENE: The Enchanted Forest. Before the first curse. Rumplestiltskin's hovel.[SCENE_BREAK]Rumplestiltskin: I was thinking... Only a king should live in a castle. So why don't youtry this on for size? Bae?[SCENE_BREAK]SCENE: The Enchanted Forest. Before the first curse. The village of Hamelin.[SCENE_BREAK]Man: All right, now listen. We'll start organizing search parties rightaway.Rumplestiltskin: You think you can hide him from me?(Woman gasps)Rumplestiltskin: Where is he? Where's my son?!(Murmuring)Man: He's not here, Dark One. I swear!Rumplestiltskin: Don't lie to me! Magic hasled me to this rathole of a town! His trail ends here, in Hamelin. I know you're hiding him from me.Man: No. No, we're not. Many of our children went missing last night, lured from their beds by some unholymusic.Rumplestiltskin: What kind of music?Man: From the Piper. Only the children could hear it. Some of them tried telling their parents, but no one believed them. They were sent back to bed. And this morning, theywere gone.Rumplestiltskin: And who was playing it?Man: No one saw his face. O... only a figure hidden by a pied cloak of multicolor patches, leading the children from their homes and into the forest. Don't you see? It...It has to be the same man that has taken your son.Rumplestiltskin: Then whoever this Pied Piper is, he's about to play his late note.[SCENE_BREAK]SCENE: Neverland. Present.[SCENE_BREAK]Mr. Gold: How is itpossible?Neal: It's kind of a long story. Let's just say that the debt Robin Hood owes you has been paid.Mr. Gold: You were back in our land?Neal: Yeah, but I made it here. The only thing that matters now is that I helpEmma save Henry. Where is she?Mr. Gold: I left her and the rest of them aboard Hook's ship. As noble as their intentions may be, they don't have the stomach to do what needs to be done.Neal: Like what you did tothese boys? They're not, uh...Mr. Gold: No, they're just sleeping. For now.Neal: Let's leave it that way, okay?Mr. Gold: You don't have the stomach either.Neal: I'll do what needs to be done. But killing lost boys? Wedon't have to do that.Mr. Gold: We shall see.Neal: So I take it you have a plan? The whole \"sacrifice your life\" thing was just you being dramatic.Mr. Gold: Well, it's the only way. Pan's too powerful. You can only beathim if you're willing to die, which I am.Neal: What if I told you there was another way?[SCENE_BREAK]SCENE: Neverland. Present.[SCENE_BREAK]Mr. Gold: So what exactly is your plan?Neal: You know how if you holda shell up to your ear you can hear the ocean? Certain shells, the ocean can hear you.(Plays conch)Mr. Gold: Why would we need the ocean to hear us?(Note continues)Mr. Gold: What have you done?Neal: Give me thespear.(Squid growling)(Grunts)(Squish)(Roars)(Both grunting)Mr. Gold: A squid?Neal: That's right. I believe you know how to extract ink from one of these bad boys.Mr. Gold: Squid ink. So this is your plan?Neal: It canimmobilize the most magical of creatures. At least for a little while...(Water lapping)Neal: Even Pan.Mr. Gold: I have some experience with it.Neal: Can you get it out?Mr. Gold: Indeed. But how do you plan on gettingclose enough to use it?(Sighs)Neal: I don't need to get close. All I need is one clean shot to get Henry back.Mr. Gold: Well, leave that to me.[SCENE_BREAK]SCENE: Neverland. Present.[SCENE_BREAK]Regina: What isthis supposed to be?Emma: So... what, Neal swung out of Neverland on a vine?Hook: Well, if someone would be kind enough to lend me a hand... What do you say, savior?David: I'll do it.(Lowered voice)Hook: Youdon't look so hot, mate.(Lowered voice)David: It's a hundred degrees in this damn jungle. And I'm plenty hot.(Stone scraping)Hook: Ladies first.David: How much longer do you think you can keep up this charade?Don't you think your family deserves to know you're gonna die?David: What do you care?Hook: Why don't you?David: What is the good in telling them when there is nothing I can do to stop the poison, when there is nohope?Hook: Well, if there's one thing I've gleaned from you hero types, it's that there's always hope.David: Is there something you're not telling me, mate?Hook: Alas, hope and reality are most often worlds apart. Itold you the truth. You'll never make it off this island alive.David: Well... Then this is between us. The only thing they need to worry about saving is Henry.Emma: Hook! What is this place? What are we doinghere?Emma: Neal. This is where he lived.Hook: Aye.(Sets down flint)Hook: Baelfire spent some time in Neverland as a boy. This was his home.Snow: So you think he may have left a clue as to how he escaped fromhere?Hook: Well, let's hope so, or we'll be lost just like he was.[SCENE_BREAK]SCENE: The Enchanted Forest. Before the first curse.[SCENE_BREAK](Pipe in distance playing melody)(Pipe continues playing)(Boyswhooping and laughing, drums playing tribal beat)(Whooping and music continue)Rumplestiltskin: Bae!(Whooping continues)(Pipe playing)(Whooping and music continue)Rumplestiltskin:Bae![SCENE_BREAK](Whoosh)Rumplestiltskin: Where is my son, Piper?Pan: Is that what they're calling me? We both know who I really am. Been a long time, laddie. Glad you could make theshow.[SCENE_BREAK]SCENE: The Enchanted Forest. Before the first curse.[SCENE_BREAK]Pan: You surprised to see me, Rumple? I don't blame you. I'm a little surprised myself. Look who's all grown up and becomeThe Dark One! Good for you.Rumplestiltskin: What are you doing here?Pan: It's lonely in Neverland. The only friends I have are the children who visit in their dreams. But they can't stay. The boys I take back with mewill.Rumplestiltskin: You're here for my son.Pan: I am.Rumplestiltskin: It's gonna take a lot more than a magic pipe to take my son.Pan: The only thing magic about this pipe is that only certain boys can hear it... boyswho feel unloved, boys who feel lost. I guess that's why you can hear it, Rumple. Isn't it?Rumplestiltskin: Don't pretend to know me. You don't. Not anymore.Pan: Oh, I think I do. Beneath all that power, you're nothingmore than an unloved, lonely, lost boy. Hey, I like the sound of that. That's what I'll call my new group of friends. The lost boys. It has a nice ring, don't you think?Rumplestiltskin: You can call them whatever you like.Baelfire will not be part of it.Pan: Oh, he's already a part of it. The question is, what are you willing to do to get him back?Rumplestiltskin: I'm gonna make you regret ever asking that question.Pan: Oh, I understandyou're upset. Most parents' worst fear is that their child will be taken away from them. But that's not yours, is it, Rumple? No. You're not afraid Baelfire will be taken from you. You're afraid he'll leave. After all, beingabandoned is what you're good at, isn't it? Everyone you've ever known has left, haven't they? Like Bae's mother Milah. Not to mention your own father. Why should Baelfire be any different?Rumplestiltskin: You'rewrong.Pan: Am I? Well, let's find out, shall we? You ask Baelfire if he wants to come to Neverland with me or stay here with you. If he wants to stay, I'll leave and never return. Deal?Rumplestiltskin: I don't have tomake any deals with you.Pan: But why wouldn't you, if you're so sure he'll stay?[SCENE_BREAK]SCENE: Neverland. Present.[SCENE_BREAK](Lost boys whooping, drums playing tribal beat)Pan: You don't want to join inthe celebration, Henry?Henry: Nothing to celebrate.Pan: Nothing to celebrate?(Chuckles)Pan: Henry, this whole party is to celebrate you.Henry: Me? Why?Pan: Because you've come to save magic, of course. And I, forone, can't think of a reason more deserving of celebration than that. Just look at them.Henry: I'm not like them. Or you.Pan: Sure you are. You're still a boy. Maybe a song will get you on your feet.(Blows air)Henry:Sorry. I... I don't hear anything.Pan: Interesting. You see, this pipe's enchanted, Henry. It can only be heard by certain children.Henry: Like who?Pan: You'll find out soon enough, I promise.Pan: What? I know thatlook. What happened?Felix: Baelfire. I'm afraid he got away.Pan: Well, then why didn't you get him back?Felix: I tried. I followed his trail and found two of our sentries knocked out... By a sleeping spell.Pan: The DarkOne. So father and son have been reunited.Felix: They'll be coming for the boy. We should move him somewhere safe.Pan: Now, now, Felix. Where's your sense of adventure? We can't end the party when the real funis about to begin.[SCENE_BREAK]SCENE: Neverland. Present.[SCENE_BREAK]Hook: Anything important?Emma: I can't tell yet. I didn't know he liked drawing.Hook: He got it from his mother.Emma: I'm hoping Nealleft something useful in the details of one of these. Maybe a map? Some kind of clue. Hand me that candle. What about you? Any luck?Hook: No potted bean plant or swirling vortex under the rug, if that's what youmean. There may be no rug at all. There are other drawings on the far wall, but as far as I can tell, that's all they are. Probably just a way to pass the time and keep occupied.Emma: You knew him pretty well, didn'tyou?Hook: We spent some time together. You all right there, Swan?Emma: I'm fine. Looks like you're right. They're just a bunch of pictures. What's all this?Mary Margret: Uh, just some cups and bowls he fashionedfrom things he found here.David: Don't know how great a cup this coconut could make. It's filled with holes.Mary Margret: Uh, maybe it's a tiny colander.Regina: Yes, because preteen Baelfire probably made lots ofpasta.Emma: Hold on. Hook, snuff out that torch.Regina: Am I supposed to be impressed that he made a night-light?Emma: Look up.Mary Margret: Stars.Hook: It's a map.David: To where?Emma:Home.[SCENE_BREAK]SCENE: Neverland. Present. Pan's camp.[SCENE_BREAK](Lost boys yipping and grunting)(Wind blowing)Pan: We have a guest! No doubt someone who knows how much I like guessing games.Who could it be? I guess...(Fire whooshes)Pan: The Dark One. Come to save Henry, have you, laddie?(Whispers)Pan: How exciting. The Dark One ready to sacrifice his life for his family. Speaking of family...(Firewhooshes)Pan: You can come out now, Baelfire.Neal: Name's Neal now.Pan: New name, but the same old tricks. It's heartwarming to see father and son working together, especially after you abandoned him, Rumple.This is a real family reunion.Mr. Gold: What are you waiting for?Neal: I got this.(Whoosh)(Panting)Pan: Clever. But we've been through this before, Baelfire. Have you remembered nothing?Neal: I rememberplenty.(Arrow clatters)Neal: That's why I didn't coat the tip.(Whooshing)Mr. Gold: Grab Henry.Pan: Well, how about that? I'm impressed. But are you sure you're really saving him, Bae?Neal: What could be worse thanleaving him here with you?Pan: Why don't you ask your father? Sometimes the people we should fear the most are the ones closest to us.Neal: W... what's he talking about?Mr. Gold: Don't listen to him.Pan: You meanyou haven't told him?Neal: Told me what?Pan: Why, about the prophecy, of course.Neal: What prophecy? What's he mean?Pan: The prophecy that says you've been tricked. Your father isn't here to rescue your son.He's here to murder him.[SCENE_BREAK]SCENE: Neverland. Present.[SCENE_BREAK]Neal: What the hell was he talking about?Mr. Gold: Oh, don't mind him.Neal: He said you were gonna murder Henry!Mr. Gold: Heplays games. Mind games. The important thing is we got the boy and we got away.Neal: Where are we?Mr. Gold: The other side of the island. We're safe here for the time being.Neal: Hey. Hey, Henry. It's me. Hey, it'syour dad.Mr. Gold: No, he... he can't hear you.Neal: Then wake him up.Mr. Gold: Pulling him out of the spell could be dangerous. He'll wake naturally in a few hours. He'll be fine.Neal: All right. Then you can explain tome what the hell Pan meant. This prophecy that he's talking about, why would he say that you'd kill Henry?Mr. Gold: Oh, I don't know, to create a wedge between us.Neal: That's not a denial.(Sighs)Neal: No, this hasto do with what happened when I found you. You thought I was a hallucination. You said that you had to do the right thing and save Henry! What did that really mean?Mr. Gold: Baelfire...Neal: it's Neal! Now stopdodging and tell me what's going on!Mr. Gold: There was a seer, and she told me of a prophecy... that boy would help reunite me with you. And that boy... Would be my undoing.Neal: Henry.Mr. Gold: I didn't know itwas gonna be my own grandson, till I found you in New York and discovered you were his father.Neal: You were planning on getting rid of him, whoever he was, weren't you? To try and cheat fate? To get around theprophecy? You cold-blooded son of a bitch. You were gonna kill him.Mr. Gold: Yes.Neal: Get back. You stay away from him!Mr. Gold: That was then. Things have changed. I... I didn't come here to Neverland to hurtHenry. I came here to save him.Neal: After what you just told me, I'm supposed to believe you?!Mr. Gold: I won't lie to you, Bae. Self-preservation has been a nasty habit I've had my whole life, but I came here tobreak it, to do the right thing and to save your son. Even if that meant sacrificing my own life.Mr. Gold: (Whispers) You have to trust me.Neal: (Whispers) How can I?[SCENE_BREAK]SCENE: The Enchanted Forest.Before the first curse.[SCENE_BREAK](Drums playing)(Boys whooping)Pan: You don't even recognize him, do you, Rumple?Rumplestiltskin: Well, how could I when he's wearing a mask?Pan: Well, he might be wearinga mask, but that's not the reason. Look at him... Playing with to boys, out in the world. He's happy, Rumple. That's why you don't recognize him.Rumplestiltskin: Bae.(Panting)Rumplestiltskin: Baelfire. Are you allright?Bae: I'm fine. Why are you here?Rumplestiltskin: I know you think I don't care about you, son, but I do. And I'm here to prove it.Bae: How?Pan: Go ahead, Rumple.Bae: Papa! What are you"}
+{"doc_id":"doc_186","qid":"","text":"Act One.Scene One - Apartment Martin is sat in his Armchair reading the paper, Daphne is sat at the table writing a letter. Daphne notices something.Daphne: Oh dear, your chair's got another big rip in thebottom.Martin: [looks] Where? [spots it] Oh! Hand me my re-upholstery kit, would you? [She slings him a large roll of duct tape] Thanks.He kneels down to patch the rip. Frasier comes out of the hall dressed in his bestsuit.Daphne: Oh, Dr. Crane, don't you look smart.Frasier: Well, I don't feel smart. I let Roz set me up another one of her blind dates.Daphne: Who's the lucky woman?Frasier: Oh, a friend from her aerobics class. Oh,perhaps it won't be so bad. She's thirty-two, has a terrific body, and apparently thinks I'm God's gift to broadcasting.Martin: Well, at least you have one thing in common.Frasier grimly watches his father repairing hischair.Frasier: Dad, when are you going to stop blighting the environment with this atrocity? [doorbell] My God, can't you see that it wants to die? Let it go!Martin: [sits back down] You know, I keep having this dreamwhere you say the same words. Only I'm in the hospital and you're slipping the nurse a twenty.Frasier: Dad, that will never happen.Martin: Thank you.Frasier: I have medical power of attorney, it won't cost me athing.He answers the door to Niles and Girl, his Maris-like dog.Niles: Hello, Frasier. We were in the neighborhood for a pedicure and a seaweed wrap and we thought we'd stop by. Of course, the pedicure wasfor...Martin: Stop right there! There's no way to finish that sentence that'll make me proud.Niles: I have some wonderful news. I just signed a lease for an apartment in one of the most exclusive buildings inSeattle.Frasier: You don't mean?Niles: I do. As of next week, I'll be a resident of... [holds out his lease] the Montana.Frasier: Niles, why would you want to live in such a stodgy building? When I applied there theytreated me as if I was riff-raff.Niles: Well, if you're going to answer your own questions, what do you need me for? The best part is, I'll never have to give my address again. From now on, I'll simply be, \"Dr. Niles Crane,The Montana.\"Daphne: That's a lovely building. I've only been there once, applying for a job.Niles: I can't imagine anyone turning down a chance to hire you.Daphne: I hope you're right, I haven't heard yet. Well,goodnight!She leaves to her bedroom. The three Crane men look unsettled.Martin: Hey, Frasier, you don't...Frasier: Oh, just relax, dad. It's just her way of angling for more vacation time.Martin: What if sheisn't?Frasier: Well, they'd still have to call me for a reference. Either way, she's not going anywhere.Niles looks suddenly at Girl, who is not moving.Niles: Gosh, that's uncanny, dad.Martin: What is?Niles: The way she'staken with you. She's absolutely mesmerized.Martin: She is not.Niles: Oh, she is. She's just playing hard to get. [pushes Girl toward Martin] Go to Grampa. Isn't she warm and cuddly? [Martin reluctantly takes her onhis lap] Oh, I see I'm going to have a tough time tearing you two apart!Frasier: You know, I'm going to go out on a limb here. The Montana doesn't accept pets, does it?Niles: On the contrary, they welcome them. Justnot cats or dogs.Martin: Well, then you're in luck, because I don't know what the hell this thing is!Frasier: There is no way that dog is moving in here with us!Niles: Oh please, at least if she's here I'll be able to comeand visit her. I cannot turn her over to strangers. [whispering confidentially] She worships me.Frasier: Oh pul-eeze, you must realise that dog has no genuine affection for you. [Niles looks confused] You only pretendthat she does because she's a canine substitute for Maris!Niles: That is the most absurd psychobabble I have ever heard.Frasier: She is highly strung, cold to the touch and ignores you. My God, stand her upright, taketen pounds off her, put her in a Chanel suit, whatcha got?Niles: I'm sorry, that's ridiculous.Frasier: Oh, is it really? Do you remember that little pilbox hat that Maris wore to the the Duchamps' wedding?Niles:Absolutely.Frasier takes a small dip bowl and puts it at a cocked angle on Girl's head. As Martin nods in agreement, Niles staggers backward against the couch.[SCENE_BREAK]JUST CALL ME STINKYScene Two - KACL.The next day, Frasier enters his booth. Roz is waiting with a clipboard.Roz: Hi, Frasier. So how did it go with Rita last night?Frasier: She didn't quite take to me.Roz: Oh, you're just being hard on yourself like you alwaysare.Frasier: You tell me. Over appetizers, she suddenly remembered that she had a very early morning meeting, so she suggested we skip the jazz club after dinner.Roz: People have meetings.Frasier: Mmm-hmm.When the waiter suggested a soufflé for desert that would take an extra thirty minutes she said, \"Oh Dear God, no!\"Roz: She was probably on a diet.Frasier: After I dropped her off at home, I noticed she had left hersuede jacked in my car. I called to offer to swing it by and she said, and I quote, \"Just keep it.\"Roz: What did you do to her?Frasier: Nothing! God Roz, I have had it. In the past six months I have done everything a mancan possibly do to meet a woman. Singles bars, blind dates, lecture series at the museum. I've even spent hours in the grocery store trying to look helpless in the produce department! That's it. I'm taking myself off themarket. Frasier Crane has thumped his last melon.Roz: You know, Frasier...Frasier: Roz, Roz, please. I know what you're going to say. I should climb back on that horse, I'm too great a catch to give up now.Roz: No, Ithink you should give up.Frasier: [startled:] What? I don't really want to give up. I don't really want to give up, I was just saying that to get your sympathy.Roz: It happens sometimes. When you get into a really badstreak, you start to get desperate. Women can smell it.Frasier: Smell it?Roz: Mmm-hmm. As soon as the man begins to get overeager - you know, like complimenting you too much, or laughing too hard at all yourjokes - you just want to turn and run!Frasier: I don't do that!Roz: Oh honey, wake up and smell... well yourself! You just have to air it out a little bit. And in my experience, the minute you stop looking, the perfectperson falls right in your lap.Frasier: Well Roz, as much as I appreciate you comparing me to a dead squirrel in a heating duct, I think you're wrong.Christine, an employee, enters with some files.Christine: Hey,Roz.Roz: Hey.Christine: I got those pictures you were looking for. Hey, Dr. Crane.Frasier: Hey, you look really lovely today, Christine. It is Christine, isn't it?Christine: That's what it says on my driver's license.Frasier:[laughs hard] Very charming. [Roz and Christine leave] Oh God, I reek, don't I?[SCENE_BREAK]Scene Three - The Montana Niles is completing the tour of his new, stylish apartment with Daphne and Martin. The decorand furniture are as expensive and classy as Frasier's, but the style is a little older. They end up on the small balcony overlooking the main room.Niles: ...inlay of Philippine mahogany. And we conclude our little tourback here in the living room.Daphne: It's very posh. [doorbell]Martin: Niles, why a bed in the living room?Niles: That's not a bed, dad. It's an antique fainting couch.Daphne: My goodness, they had furniture foreverything back then, didn't they!Niles answers the door to Frasier.Niles: Ah, I'm glad you made it.Frasier: You know, Niles, this precious little building of yours isn't as exclusive as you think. Your doorman waved meright through.Niles: Oh, that's because he knows you.Frasier: Oh, fan of my show?Niles: No, he lives in your building.Martin: So Niles, what did you do about the dog?Niles: Oh, I found a wonderful family to adopther.Daphne: Well, I'm sure it won't take you long to adjust to being alone again.Niles: Well, actually I won't have to. Follow me, there's someone I'd like you to meet. It was love at first sight! She's very exotic, onlyeats every other day, and she's so white she's almost blue! [exits to the kitchen]Martin: Wow, I'm getting nervous. That's what he said just before he introduced us to Maris!The gang enter Niles's kitchen, where acockatoo is perched on his shoulder.Niles: Everybody, meet Baby.Baby: I love you.Frasier: You bought a bird?Niles: Well, I started to think how quiet it would be around here, and she is lovely and she is soaffectionate.Baby: I love you.Niles: Ah! She says that all the time. I love you too, baby.Baby: I love you, grandma.Niles: She's still in transition from her last owner.The door buzzer sounds, causing Baby to squawk anddig her claws into Niles's shoulder.Niles: Ow, ow! Let go of my shoulder! You don't like that noise, do you, baby? Go to your food. [she does] Oh, good girl. Excuse me.He leaves the kitchen to answer the door.Daphne:Oh you know, I've always been fascinated by these birds that can actually learn how to talk.Martin: [walks to Baby] Aw, they can't talk. They just a drill a few words into them at the pet shop and they never learnanything else after that.Frasier: It is attractive, though.Martin: Yeah well, that's the way they are: Cute but stupid.Baby: Cute but stupid!Martin straightens up, surprised. Baby mimics him. Martin nods his head, Babydoes the same. He starts bobbing up and down...Frasier: You know Daphne, I think we should leave these two alone. I sense a real battle of wits shaping up.Martin carries on. Frasier enters the living room as Nilesshuts the door with mail in hand.Niles: Well, I'm off to an auspicious start in the building. One of my neighbours got my mail by mistake. Look at those bills, what must she think of me?Frasier: But Niles, everyone getsbills.Niles: Not at the Montana. They all have people. Their bills go to their people. I want them to think I have people too. I used to have people... only they were Maris's people.Frasier: Niles, if you keep this up youwon't even have the people who don't care you don't have people.Niles: Well, it just shows how essential it is to make a good impression when moving into a new building, which is why I'm throwing a dinner partyFriday night for a few select residents. I'll show them such a good time there'll be no question that I belong here.Frasier: Am I invited?Niles: Yes you are, but I'm afraid you can't bring a date. You know how I hate acrowded table.Frasier: It's alright. I've taken myself off the dating circuit. I'm afraid I was getting a bit desperate.Niles: Well, I was a bit concerned when you called to ask if Gloria was our first or second cousin.Martinsticks his head out of the kitchen.Martin: Niles, you gotta see this, your bird's eating peanut butter! It's even funnier than when Eddie does it!Niles: Dad!As Niles gets up, the door buzzes again.Niles: Frasier, would youget that? And pretend you're my people.Niles rushes into the kitchen to stop Martin whilst Frasier answers the door to a woman; Stephanie Garret.Stephanie: Oh, I'm sorry, I was looking for Dr. Crane. I found somemore of his mail.Frasier: Well, I'm a Dr. Crane. I'm Niles's brother.Stephanie: Oh my gosh, you're Frasier Crane from the radio, aren't you? Oh, I love your show.Frasier: Thank you.Stephanie: Oh, StephanieGarret.Frasier: [shakes hands] Stephanie.Stephanie: You know, em, you are not going to believe this but when I was a freshman at Harvard, I saw you perform the pirate king in a production of \"Pirates OfPenzance.\"Frasier: Oh my God.Stephanie: No, no, you were great. You were so good, I brought my husband back to see you the next night. Well, he wasn't my husband then. Well, actually he's not my husbandnow.Frasier: Glad to hear that. No, glad to hear you came for a second time, not that you have an ex-husband. You know, I have one too. Not a husband, ex-wife. I mean a woman... is it getting hot in here?Stephanie:Yeah, a bit! [flustered laugh] Well, it was nice to meet you.Frasier: Wait, you know, Niles is having a little party on Friday for some of his enchanting new neighbors. [Niles appears listening in] Is there any chance youcould join us?Stephanie: Yes, I think I could, if Niles has room.Niles: [faked:] The more the merrier!Stephanie: I'll look forward to it. [leaves]Frasier: As will I.She leaves. Frasier closes the door, excited.Frasier: Roz wasright! As soon as I stop looking for the perfect woman, she falls right in my lap!Niles: Well, I hope you'll be comfortable with that arrangement, because that's where she'll be seated Friday night!End Of Act One. (Time:10:20) Act Two.GET A GRIP[SCENE_BREAK]Scene One - The Montana In his apartment, Niles is setting the table with Baby on his shoulder.Niles: Bon Appetite, Bon Appetite. Now, you try it, Baby. Bon Appetite.Baby:Bon Appetite.Niles: What a quick little study you are. Bird-brained indeed! You already know more French than my father.The door buzzer sounds, making Baby dig her claws into him.Niles: Ow! Boy, if you don't getused to that doorbell we're going to have to give you a serious manicure. [sounds again and she digs in] Ow! I'm coming, I'm coming, stop ringing!He opens the door to Frasier.Frasier: Oh, good evening, Niles. Orshould I say, \"avast ye, matey!\"Niles: I don't have time for your badinage, I'm only just putting out my place cards.Frasier: [picks up card] Place cards, how elegant. Who is Peter Soutendeck?Niles: He's on your right.He's an investment banker from Amsterdam, and apparently he handles a lot of Bill Gates's money. So don't say anything derogatory about the Netherlands or Microsoft.Frasier: Oh, damn. There goes my opening jokeabout the Dutchman trying to install Windows '95. [looks] Stephanie's over here, I'm not sitting next to her.Niles: I know, you see, Peter's bringing a date so I thought it would be better... [spots Frasier re-arranging:]What are youdoing?Frasier: Putting Stephanie next to me!Niles: And throwing off my whole seating arrangement?Frasier: Niles, surely you realise I've spent a long time looking for a woman like Stephanie.Niles:Yeah.Frasier: Now, listen. I'm afraid if you want to impress these people you've got to get a little more atmosphere here in the room. You know, I'll light the fire while you dim the lights a bit.Niles: [runs to lights] Oh,that's a good idea. By the way, be careful with that fireplace, it can be a bit...It's too late and Frasier causes the fire to flare up suddenly, causing Baby to jump onto Niles's head and dig her claws in. The flame shrinksimmediately, but Baby stays put.Niles: Holding on a bit tight there, Baby, aren't you? Go to your perch. Go to your perch. [Baby doesn't move] Frasier, this bird's holding onto my scalp. [tries to move her but she won'tbudge] I can't pull it off.Frasier: Niles, after that jaunty beret you wore to brunch last Sunday, you can pull anything off.Niles and Frasier attempt to pull it off. Frasier begins pulling sharply which only causes distress forNiles.Niles: Get the lighter. Put fire near my head. Fire will frighten her off. Try that.Frasier tries this but Baby simply digs in deeper.Frasier: Oh here, the phone.He hands the phone to Niles who holds it next to his headand tries to get the bird to perch on the aerial. Frasier is surprised.Frasier: Niles, call for help!Niles: And who do you suggest we call, a Fez rental? Go on, Baby, go to your perch. [panicking:] Go to your food, go to yourbed!Frasier: Niles, don't panic! Try to stay calm.Niles: How can I stay calm? I have six dinner guests arriving in exactly...The door buzzer sounds making Baby dig in even deeper.Niles: Ah, ow!Frasier: You go call thevet and I'll go and take care of things out here.Niles rushes to the kitchen whilst Frasier answers the door to Stephanie.Frasier: Oh, hello.Stephanie: Hello.Frasier: Please come in.Stephanie: [looking around] I'm notearly, am I?Frasier: No, not at all. May I get you a drink?Stephanie: Ah, yes. White wine, please. [they head to the wine desk where Frasier pours] What a lovely table! [points to dining area]Frasier: Yes, I notice wehappen to be sitting next to one another.Stephanie: Good, now I won't have to change the place cards around.Frasier: Well, [lifts glass] to the girl next door.Stephanie: Well, actually it's a little further down thehall.Frasier: Well, if you need a ride home tonight don't hesitate to ask.The door buzzer sounds creating painful noises from the kitchen.Stephanie: What was that?Frasier: Oh, I'm afraid Niles probably burned himself onsomething. Don't worry, he'll be fine.He answers the door to three more guests, an elderly couple and a younger woman.Frasier: Hello, please do come in. I'm Frasier Crane, Niles's brother.Carol: I'm Carol Larkin, myhusband Alfred, this is our niece, Wella.Frasier: Nice to meet you. Please make yourself comfortable, I'm just going to run into the kitchen and check on the bird.Frasier enters the kitchen where Niles is on the phone tothe vet. Imagine the sight.Niles: [on phone:] Uh-huh, uh-huh, so you've seen this thing before. I see. Alright, well, thank you.Frasier: What did he say?Niles: Well, he thinks she was traumatized by the fire and she hada shock. He said we shouldn't try to force her off, we need to relax her.Frasier: Fine, you take care of that, I've got the future Mrs. Crane out there in the other room.Niles: Well, wait, wait, wait, wait, how am Isupposed to relax this bird?Frasier: I don't know. Oh, try delivering that keynote you gave at the psychiatric association last spring.Frasier enters the room again where all are sitting.Frasier: Everything alright outhere?Alfred: Will Dr. Crane be joining us soon?Frasier: Oh yes, I believe so, any minute now.The doorbell sounds again, which causes more audible distress for Niles.Carol: Oh dear, something wrong?Frasier: I keeptelling him, get yourself a decent oven mitt, but you know...He answers the door to Peter and Elaine.Frasier: Hello, please come in. I'm Frasier, Niles's brother.Peter: Peter Soutendeck, nice to meet you. This is ElanieHensley.Elaine: Actually your brother and I are well acquainted. Maris is a dear, dear friend of mine.Frasier: Really?Elaine: Yes, [looks] so where is he?Frasier: He's in the kitchen, savoring for you tonight a lovelypheasant.We hear bird squawks from the kitchen.Frasier: As you know, he's a stickler for freshness!Frasier runs to the kitchen where Niles is standing with Baby still on his head, but with a towel over her. Try andimagine the sight.Frasier: Oh, what now?Niles: I'm trying to pretend like it's night so it'll fall asleep.Frasier: Well, you look very cute.Baby: Cute but stupid!Frasier: Listen Niles, I really can't stall them any longer,they're starting to ask questions. The Dutchman's date even knows Maris.Niles: What? What's her name?Frasier: Elaine somebody.Niles: Which Elaine? Maris knows three Elaines.Frasier: I don't know, she's very thin,she's exquisitely dressed, and dripping with attitude.Niles: Oh, like that narrows it down!Frasier and Niles pop their head round the door spying on Elaine taking a sip from her drink. They go back to the kitchen.Niles:Damn! I was afraid of that, it's the bad Elaine, Maris's oldest friend. Nothing would delight her more than to report back to Maris that I threw a soiree with a cockatoo on my head!Baby: Bon Appetite!The guests in themain room hear Baby's first French word.Elaine: What was that?Frasier: [entering with crab puffs and covering up:] Bon Appetite! Crab puff, anyone? Bon Appetite!Later on, Frasier is acting like host, telling the guests ajoke.Frasier: At which point, the woman said to Churchill, \"Sir, if you were my husband I would put poison in your coffee.\" To which Churchill sorely replied, \"Madame, if you were my wife I'd drink it!\" [laughs on hisown] Perhaps you've heard that story.Alfred: Yes, from Churchill.Frasier: Well, can I freshen anyone's drink?Everybody holds up their empty wine glasses.Frasier: Perhaps I'll just bring the bottle around. As he goes tothe bar, Stephanie comes over to him.Stephanie: I didn't realise that you were going to play host all night. I mean, we've hardly had a chance to talk, and I'm afraid I'm going to have to make it an early night. Yes, I'mleaving to Paris first thing in the morning and I was really hoping that we could spend some time alone.Frasier: And so we shall. As of this moment, it's just the two of us, you'll get my complete attention.. [sees Elainewalking to kitchen and he runs to block her] ...just after this. Oh Elaine, would you like a fill up?Elaine: Well actually I was seeing what Niles is up to in there, perhaps I can be of some help.Frasier: Well, you know youcould pour the wine...Niles pulls Frasier into the kitchen, he still has the towel over his head.Frasier: You are totally ruining my chances with Stephanie!Niles: [sarcastic:] Yes, that was my first concern too. Toss.[Frasier begins tossing salad] You can't abandon me just because you're hoping she is just as horny as you are.Frasier: The first thing you've got to do is go to the vet and have that thing removed!Niles: Oh, are youmad? I can't walk through there with this thing on my head, I'd be the laughingstock of the Montana.Frasier: You can't spend the night in the kitchen!Niles: Frasier, these people live for gossip. I've only been here threedays and I already know that Peter's a letch and Carol's a lush. What do think they'd say about me?Frasier: You know, I've spent the last forty-five minutes with these people. I think they are kind and understanding, I"}
+{"doc_id":"doc_187","qid":"","text":"\"The Pain in the Heart\"[SCENE_BREAK](Open: Flash back to final scene of previous episode \"The Wannabe in the Weeds\". Booth has just been shot by Pam Nunan and Brennan is leaning over him telling him he's goingto be fine - as if she's reliving the moment.)BRENNAN: Booth, you're gonna be fine. Really. Come on. Come on, Booth. It's gonna be fine. Come on, Booth. Come on, Booth. No! Oh, come on...(Fade into: Medico LegalLab - Forensic Platform. Brennan and Zack are going over remains from Limbo)BRENNAN: The carbon isotopic composition of the collagen, shows a value of minus 16%.ZACK: Supporting the theory that the deceasedwas born in Provence, France.(Hodgins, Angela, Cam and Sweets join them on the platform, all dressed in dark colors)BRENNAN: In the 16th century...HODGINS: It's time, Dr. Brennan.BRENNAN: (ignoring Hodgins)The metacarpal phalangeal joints are smooth, showing dexterity. Perhaps a musician..CAM: That's enough. We're going. Now.BRENNAN: I have remains to identify. He could have a family.ANGELA: He's 500 years old.They've probably adjusted by now.BRENNAN: I'm not going. I've already made that clear.SWEETS: It's Agent Booth's funeral, Dr. Brennan. Losing a loved one is -BRENNAN: A partner, Sweets. I lost a partner.SWEETS:Someone close to you. The funeral allows you to grieve so you can come to terms with his death.BRENNAN: The Arunta Aboriginal tribe in Australia grieve by burning down their village and - and moving to a new one.That seems no crazier to me than gathering around a hole in the ground.SWEETS: Being hostile won't -ANGELA: Brennan...a word.SWEETS: Excuse me? Professional psychologist.(Angela pulls Brennan aside and holdsup a finger to Sweets - indicating to give her a minute)ANGELA: Look. I know how you see things, and I respect that, but I need to ask you a favor.(She holds up Booth's funeral card)ANGELA: I have to go to thefuneral. I'm not going to be able to get through this alone. I've been crying for, like, days. I really need your shoulder here. I need my best friend.(Cut to: Arlington National Cemetery. Everyone is gathered around acasket and Caroline is giving the eulogy. It's Booth's funeral.)CAROLINE: I knew Seeley Booth. He was a good man who earned my respect and affection. And I don't like many people. Booth had a selfless commitmentto his work, first in the military and then the FBI. Two weeks ago, he made the ultimate sacrifice - giving his life to save his partner. And in the brave act, he showed us what greatness we are all capable of.BRENNAN:(loudly, to Angela) That woman was aiming at me and I would have happily taken that bullet.ANGELA: I know.CAROLINE: May God's mercy and love shine on Seeley Booth as he takes his place beside theLord.BRENNAN: (loudly, to Angela) If there were a merciful God, why wouldn't he have saved Booth.(Drums start playing as the officers prepare to fire their weapons)OFFICER: Standby.(Camera pans to one of theofficers and it's revealed that it's Booth.)OFFICER: At ease.(A man starts to walk towards the coffin, as the rest of the officers continue to follow commands)OFFICER: Aim.(Booth pushes through Zack and Sweets andpunches the man, knocking him to the ground)ANGELA: What the hell is going on?(The casket is pushed to the ground and it opens up, revealing a dummy body inside.)ZACK: They appear to be fighting.(The man andBooth fight on the ground and Brennan watches. The man punches Booth and Brennan runs over to the casket to grab the dummy's arm and uses it to knock out the man. She immediately starts to move towards Booth- looking extremely angry)BOOTH: Bones! Nice shot. (He notices her anger) What?(Brennan punches Booth in the jaw and then stops off. Booth groans)(Cut to: Medico Legal Lab - Booth and Brennan are walking out ofBrennan's office.)BOOTH: After I got shot, the Bureau faked my death so I could finally get that guy.BRENNAN: I don't care.BOOTH: Look, I drove him underground. He said the only way that we would ever see himagain would be at my funeral, so...BRENNAN: I don't care.HODGINS: Who is he?BOOTH: What part of \"National Security\" don't you understand, Hodgins?HODGINS: \"National Security\": catch-all phrase for \"we can doanything we want\"BRENNAN: I knew I shouldn't have gone to that funeral. It was a complete waste of time, just like I said.BOOTH: Wait a second, you thought that my funeral was a waste of time?CAM: I thought itwas a lovely service, Booth.BOOTH: Thank you. You know, I expected to see more people though.HODGINS: I always imagined a lot of ex-girlfriends crying.BOOTH: Yeah, me too.ANGELA: You guys arepathetic.BRENNAN: Just know I won't be attending your next funeral.BOOTH: Bones, I'm telling you. You were supposed to know that I wasn't really dead. I swear! That's why I thought you weren't crying!CAM:Informed by who, exactly?BOOTH: I gave a list of people to the bureau to inform that I was not really dead. You know what? They didn't tell you, it's not my fault.SWEETS: Dr. Brennan's actually upset because she hadto face strong emotions that she'd rather deny. Striking Agent Booth, indicated the depth of your feelings for him. It was a very passionate act.BOOTH: (to Sweets) Thank you! (to Brennan) Did you hear that?Passion!BRENNAN: Yes, passion, because anger is a passion! Anger at being manipulated!ZACK: Dr. Brennan?BRENNAN: Pretend to be dead-BOOTH: Aw forget it. I'm outta-ZACK: Someone left a package for you.(Hehands her a package wrapped in plain brown paper - with \"Dr. Temperance Brennan\" written on it in marker. She opens it to find a box. Inside that box contains a mandible and 2 silver screws)BOOTH: Oh!BRENNAN:It's a mandible.BOOTH: Look at that, huh. Two silver screws.HODGINS: Silver screws as in...ANGELA: Silver skeleton?HODGINS: As in..CAM: Gormogon?BRENNAN: That's speculation.(She examines the mandiblecloser.)ZACK: Tooth marks.BOOTH: Someone's been snacking on that.CAM: Snacking? As in cannibalism?BRENNAN: Evidence of cannibalism does not necessarily mean-BOOTH: Bones, it's Gormogon. Has to be.CAM:Oh, god. Who has he eaten this time.(Opening Credits)(Cut to: Medico Legal Lab - Platform. The team is gathered around a television watching Sweets on TV)SWEETS: (On TV) This is the fifth known victim in theGormogon murders, all of which have been subjected to ritualized cannibalism.FEMALE REPORTER: He has apprentices?SWEETS: Yes. One at all time to help perform the murders, dispose of the bodies, eradicateevidence. His mission, it seems, is to construct a complete skeleton out of the bones of his victims.CAM: I've seen enough. (She turns off the TV)BRENNAN: (turning to the platform) Booth?BOOTH: Bones, I'm thinkinghere.BRENNAN: Thinking about what exactly?CAM: Well, it's a pickle. The platform's a crime scene but we need to access it to investigate the crime.ANGELA: A \"cake and eat it too\" situation.ZACK: Is it a cake or apickle?HODGINS: It's Schrodinger's Cat.ZACK: That I understand. Cakes and pickles mean nothing to me.BRENNAN: Are you paralyzed by the paradox, Booth?CAM: I'll make this easy. What do you need first?BOOTH:Identity.CAM: Let's go people.(The rush up the stairs, past Booth, and start getting to work on the platform)BOOTH: Whoa. Hey, easy! Alright, you can't...alright. There ya go.(The team huddles around hemandible.)CAM: Okay, the tooth sockets may contain enough tissue to check DNA.BRENNAN: Zack, there are markings on this bone that need to be checked out.ZACK: It appears to have been boiled.HODGINS: I'll seeif I can pull any mineral traces that can help us determine the water he used.(The disperse and go about their tasks)BOOTH: Okay. I, uh, give you all permission to do whatever it is that you squints do. I'll, uh, just...(he brakes the crime scene tape on the stairs and starts backing down) Call me. (to the FBI agents at the bottom of the stairs) Let's go.(Cut to: Booth's Bathroom. Booth is lounging in the tub, sipping beer from his beerhelmet when Brennan barges in.)BRENNAN: I need to talk to you!BOOTH: What the hell, Bones! I'm in my house, in my bathroom, in my bathtub! (Brennan walks over to the record player and turns it off) How the helldid ya get in here anyway?BRENNAN: Well, that fake rock by your front door wouldn't fool anybody. Why are you wearing a hat that dispenses beer?BOOTH: Hot tub, plus cold beer equals warm beer. Hat? Equalssolution. So why are you -BRENNAN: And that cigar? Very unhealthy.BOOTH: Okay, what the hell do ya want now, Bones? Okay? Cause I'm not really feeling too relaxed.BRENNAN: You should have told me that youweren't dead.BOOTH: I already explained this to you. The bureau has to vet everyone when there is a security issue. I was just following protocol.BRENNAN: Protocol!?BOOTH: Yes!BRENNAN: We've been partners forthree years, Booth, and you've broken protocol before - sometimes putting my life in danger. Which makes sense because you clearly don't have any real concern for me.BOOTH: (standing up) I took a bullet foryou!BRENNAN: Once! That only goes so far (realizing that Booth is standing there, naked) Would you like a towel?(He sinks back into the tub)BOOTH: Fine. What is it that I should have done, Bones? Wha- what did youwant me to do?BRENNAN: Well, you could have called me. Did you really think I needed to be vetted by your boss? I mean, don't you trust me?BOOTH: Of course I do.BRENNAN: Then why wasn't I told. It must havebeen something that you said.BOOTH: No. I don't know why you weren't told.BRENNAN: But you - you said that I should be. I mean, aren't you curious why I wasn't?BOOTH: Yes! Do you want me to find out why youweren't told?BRENNAN: If it's important to you.BOOTH: Fine. I will. The next time I die, I promise that I will tell you.BRENNAN: I'll look forward to that.BOOTH: Me too.(He opens up a \"Green Lantern\" comic book andstarts reading)BRENNAN: What are you reading?BOOTH: A novel. (She looks at him) It's a graphic novel.BRENNAN: Just so you know, I find your lack of Puritan modesty very refreshing.(Booth lowers the comic book tocover himself and Brennan leaves the room, turning the music back on as she walks out the door.)(Cut to: Medico Legal Lab - platform)ZACK: The marks on the mandible definitely indicate that the bones have beengnawed on.HODGINS: But, but not with teeth.ZACK: The markings were made by someone wearing dentures.CAM: Well, a toothless cannibal just can't cut it in todays competitive serial killer climate. How do you knowhe wore dentures.HODGINS: Zack found traces of polymethylmethacrylate monomer tetrasalisic floramicha on the mandible. (9:41)CAM: I'm gonna go out on a limb here and assume that's what dentures are madeof.(Cam picks up her phone and dials)ZACK: But not normal commercial dentures you get from the dentist.HODGINS: Main ingrediant is polymethyl methacrylic.ZACK: These dentures were homemade.CAM: (intophone) I got our victims DNA results back.(During the conversation, camera cuts between Booth - in the bathtub and Cam - in the lab)BOOTH: Is it the Lobbyist?CAM: Yup. Gormogon's last victim.BOOTH: I waswondering when some part of him would show up.CAM: (hears the water going down the drain) What's that sucking sound?BOOTH: You know what? This is MY house. Okay? You come into my house there's not tellingwhat you're gonna hear. (he hangs up abruptly. Cam wonders what that was all about.)ZACK: Dr. Saroyan. (Cam hangs up her phone) Regarding the denture medium, if we recreate the process-HODGINS: Could tell usa lot about Gormogon's resources.CAM: If you want to do one of your experiments, just say it.HODGINS & ZACK: (in unison) We want to do one of our experiments.CAM: Go! (she points towards towards the door,smiling.) Make plastic, cannibal dentures.(Cut to: Basement of the Jeffersonian - Sweets, Brennan and Booth are there)SWEETS: You should place the jawbone in the skeleton.BRENNAN: Why?SWEETS: Cause it keepsalive an interactive relationship with the killer. That's why he provided the screws. You know, we give him something, he reciprocates. Did you see me on TV? No one has mentioned that I was on TV.BOOTH: Alright,look. How would he know if we added the jawbone to the skeleton?SWEETS: Well, it's his obsession. He has some way of finding out, which is another reason to do it. Okay. Both of you are purposely not mentioning myappearance.BRENNAN: Well, for all we know, Gormogon is dead and we're not on the list of people who get to find that out.(Brennan heads for the stairs, the guys follow)SWEETS: There's s cry for attention.BOOTH:Bones broke into my house last night, all angry-BRENNAN: (talking over Booth) There was a key!BOOTH: because no one told her that I was dead. And I was just following protocol.SWEETS: Broke into yourhouse?BRENNAN: There was a key.BOOTH: And barged into my bathroom.SWEEETS: (laughs) What were you doing?BRENNAN: He was drinking beer and reading a comic book.BOOTH: I was taking a bath.SWEETS:You read comics and drink beer naked?BOOTH: Wait a second. Bones bursts into MY bathroom, alright, and I'm weird for being naked?(Cut to: Medico-Legal Lab - Hodgins and Zack are preparing for theexperiment)ZACK: This thermoplastic has a melting point of approximately 1800 degrees Fahrenheit. This would work better if we created a paste from the monomer and polymethylmethacrylate powder HODGINS:That would entail the complicated use of cosolvents to allow copolymerization without substantial phase separation. Monomers melting point is far below the polymethylmethacrylate.(Cut to: Medico-Legal Lab - Booth,Brennan and Sweets are walking near the Forensics Platform)SWEETS: So you didn't tell her to leave? You just sat there, naked?BOOTH: It was my own bathroom, okay? What do you wear in the tub? Floaties?(Cut to:Medico-Legal Lab - Hodgins and Zack are still preparing for the experiment)HODGINS: Ready for the monomer?ZACK: Yes. I believe so. The mold is over there on the side table.HODGINS: Why don't you get the moldand I'll mix in the monomer?ZACK: No. I'll mix it in. Please hand me the monomer, then the mold.(He goes to hand Zack the monomer, but then pulls it back)HODGINS: Since when did I become the assistant?ZACK:Since I became the uncontested \"King of the Lab\".(Hodgins hands Zack the monomer and then walks away. Zack puts the monomer into the pot - which causes an explosion. The alarms sound and Booth, Brennan andSweets run toward its source.)SECURITY GUARD: Move to the exits, now!(They see Hodgins on the floor)BRENNAN: Hodgins!HODGINS: I'm alright. I'm alright. I'm okay.(They see Zack, his hands are still through thePlexiglas and badly burned. He's breathing heavily. Booth tries to move the debris away from him.)BRENNAN: Oh my god. Zack?CAM: Okay, a medical teams on it's way. Oh my - I'll get the burn kit.BRENNAN: Is heokay?BOOTH: He's in shock, Bones. Look at his hands.BRENNAN: Zack? (cut to shots of them all looking at Zack, in shock) Zack.(Cut to: Regional Medical Center - ICU- Brennan is sitting in a chair next to Zack's bedwhile Booth is standing behind her.)ZACK: Is Hodgins okay?BRENNAN: He's fine. Just a few minor cuts.BOOTH: Yeah. Don't worry about it, Zack. Alright? We're gonna fix ya up. You're gonna be as good as new.ZACK:That would be impossible, Agent Booth. The damage is-BOOTH: We'll make sure we get you the best doctors.BRENNAN: The cartilage is destroyed, Booth.ZACK: In addition, the trapezoid and hamate on my left handare-BOOTH: Hey. Hey, how about a little optimism here, huh?ZACK: I know that I can still be quite useful. Mentally, I\"m still exceptional and with prosthesis-(Hodgins enters the room, followed by Angela andCam.)HODGINS: Hey. How are ya, Zack?ZACK: Quite severely injured. Are you alright?HODGINS: I'm okay, man.ANGELA: Hey, anything you need, Zack. Just ask.CAM: Do you know how this happened?ZACK: I justadded the 3 grams of monomer.HODGINS: But that doesn't make sense. There are no dipoles like amide or carbonyl in the monomer. Were there?ZACK: No. Just simple phenylethene.HODGIND: That's what I thought.And the PMMA was just-BOOTH: Hodgins. He has third degree burns.BRENNAN: The doctor said you should rest, Zack.HODGINS: She's right. Hey. We're gonna figure this out, okay?CAM: And you won't be alone, Zack.One of us will be here all the time.ZACK: Well, that's not necessary.ANGELA: Yes it is. Because we - love you. (Hodgins puts his hand on Zack's forehead) I'll take the first shift.CAM: And I'll write us aschedule.BRENNAN: I'll get you whatever you need to keep your job. We'll get through this.ZACK: Thank you, Dr. Brennan.(Brennan gets up and kisses him on the forehead, then leaves - leaving Angela and Zackalone)(Cut to: Medico-Legal Lab. Hodgins and Sweets are by his desk)HODGINS: A simple monomer wouldn't explode. It just wouldn't happen.SWEETS: Isn't the FBI handling the analysis of the explosiveresidue?HODGINS: Excuse me if my faith in the bureau isn't absolute.SWEETS: So you don't trust Agent Madison?HODGINS: I'm just getting my own results to double check. I'm sure he's - fine - but I'mindependent.SWEETS: You suspect that there could be a conspiracy within the bureau?HODGINS: Do I hear a little 'tude, young man?SWEETS: No, no, no. Why would there be a conspiracy in this case? Totally 'tudelessquestion.HODGINS: Prominent public figures being murdered and eaten. Evidence that secret societies are being targeted - societies that have great influence in the halls of power - like the bureau.SWEETS: You don'tthink that's a bit extreme.HODGINS: You went on Larry King to talk about this case. And TMZ because you know how big it is and to get your piece of it.SWEETS: I'm a doctor. I'm merely studying the case likeyou.HODGINS: Right. (he brings up results on the computer screen) Oh, man. I should have known.AGENT MADISON: What?HODGINS: You expect me to tell you the answer, Agent Madison?AGENT MADISON: It'stricyclic acetone peroxide.HODGINS: He's not bad.AGENT MADISON: It reacted with the molten thermal plastic and - (he makes an exploding noise) Boom.HODGINS: The containers must have been switched. Zackthought he was adding a monomer he had made himself but it was actually a volatile explosive.(Cut to Medico-Legal Lab. Sweets is on the phone in the hallway near Brennan's office.)SWEETS: (into phone) Yes. I'mbusy. Cancel all my patients. You don't have to tell them anything-(Booth comes up behind Sweets and starts dragging him towards Brennan's office.)SWEETS: What are you doing?BOOTH: A word?SWEETS: I'm on thephone.BOOTH: Well, hang up.SWEETS: (into phone) Okay, I'll talk to you later. (he hangs up and puts the phone in his pocket. Then to Booth.) Ah, tight grip you got there..BOOTH: And it could get tighter. So goahead. Tell her.SWEETS: Tell her what?BRENNAN: Tell me what?BOOTH: Tell her now.SWEETS: What?BOOTH: Fine. I'll tell her. Okay? I sent my list to the bureau. They sent it to Sweets. You were the one who decidednot to tell Dr. Brennan that I was still alive. He's the one that you should have slugged, so do it. Go ahead and do it now.BRENNAN: What? You choose not to tell me?SWEETS: Yes, it's true. Technically.BOOTH:Technically?SWEETS: Okay, I reviewed the list and decided, knowing Dr. Brennan as I do, that she was in fact able to handle your death.BOOTH: (to Brennan) Slug 'em.SWEETS: It was a National Security issue. Thefewer people that knew Agent Booth was alive, the safer he would be.BRENNAN: I think that was a good choice.SWEETS: Awesome.BOOTH: You do?!BRENNAN: Yes. You knew that Booth's death was something that Icould deal with because I can compartmentalize.BOOTH: Woah. Wait a minute. Now why are you mad at me then?BRENNAN: Because you should have told me, personally.BOOTH: Oh, I should have just ignoredNational Security concerns, broken the law and told you.BRENNAN: Yes. You know I'm very trustworthy.BOOTH: Yeah, but Sweets...BRENNAN: Sweets made a professional decision. He knew I could process your deathand move on - which is precisely what I did.SWEETS: That's right.BOOTH: There's gotta be other stuff going on here, right?SWEETS: What?BOOTH: Transference. Uh, paranoia. Come on! I mean, when I offer her apiece of pie you say it has deeper meaning.BRENNAN: I don't like pie, Booth.BOOTH: Well, apple pie. She doesn't like baked pie.BRENNAN: I don't like my fruit cooked.SWEETS: Okay, changing the subject is a way toavoid your feelings.BOOTH: My feelings. Okay, now you're attacking my feelings?(Cam appears in the doorway)CAM: Hey. There's something in the Gormogon vault I think you should see.BOOTH: (moves past Sweets"}
+{"doc_id":"doc_188","qid":"","text":"[Scene: Chandler and Joey's, Chandler and Joey are playing with the duck and the chick.]Joey: Hey, wouldn't be cool if our duck and chick had a little baby? We could call it Chuck.Chandler: Or... Dick.Ross: (entering)Hey.Chandler and Joey: Hey.Ross: Listen, I-I need a favor. Umm, I was in the shower, and as I was cleansing myself, I ah, I-I, well I felt something.Chandler: Was it like a sneeze only better?Ross: No, no, I mean, Imean a thing on my body.Joey: (with a disgusted look) What was it?Ross: Well, I don't know, it's-it's kinda in a place that's not... It's not visually accessible to me, and I was hoping maybe you guys could-could helpme out. (starts to take off his pants)Chandler and Joey: Whoa!!!Chandler: No!!Ross: Come on you guys, it's no big deal! (He turns around and shows him his thing.)Chandler: Whoa-heeeiiiiii-iiiii-ah!! (sees it) Huh.Ross:Well what is it? Is it a mole? (He moves closer to them, and they jump back.)Joey: No, it's too wrinkly to be a mole.Ross: Well, eww. What? Is it a pimple?Chandler: No, it's... fancier than a pimple. Look Ross, why don'tyou just go see a...Rachel: (entering, interrupting them) Hey guys! What's... (sees what they're doing and stops, the guys are stunned)Chandler: Okay, well, it's definite, two more weeks of winter.Ross: Ahhh.Joey:Yeah, right.(Rachel backs out with a confused look on her face.)Opening Credits[Scene: Central Perk, Chandler, Joey, and Rachel are there, as Phoebe enters with her date.]Phoebe: (to her date) Okay, and then this isthe coffee house. This is where I play my music. (points to the stage)Vince: Good deal.Phoebe: Yeah, and these are my friends. People. This is Vince, Vince the people.Rachel: Hi!Chandler: Hey!Vince: Hey!Phoebe:Vince is a fireman.Rachel: Wow! Have you ever rescued anyone from a burning building before?Vince: 98 hot saves, highest in the force.Chandler: Well, y'know if Joey and I played with matches we could get you up toan even hundred.Vince: (dead serious) Fire safety is not a joke, son.Chandler: You're right, I know.Vince: (to Phoebe) Look, I gotta go. I'm on call tonight. (kisses her) See you Saturday. (leaves)Phoebe: Okay.(watches him leave)Rachel: Wow, he's cute, Pheebs! But I thought you just started dating that Kindergarten teacher.Phoebe: Oh, Jason? Yeah, uh-huh, we're seeing each other tonight.Rachel: What-Pheebs?! Two datesin one day? That's so unlike you.Phoebe: I know, I know! I'm like playing the field. Y'know? Like, juggling two guys, I'm sowing my wild oats. Y'know? Y'know, this kind've like y'know oat-sowin', field-playin'juggler.Joey: So Pheebs, do they know about each other?Phoebe: Does a dog's lips move when he reads? (Joey makes an `I don't know' face, and looks to Chandler and Rachel, who're also stumped) Okay, no theydon't.Ross: (entering) Hey guys!Joey: Hey.Rachel: Hi!(He goes over and sits down at the counter, all depressed.)Joey: (going over to him) Well?!Chandler: (joining them) Okay, how'd it go at the doctor's?Ross: Well,he said there's definitely nothing to worry about, it's totally benign.Joey: Well what is it?!Ross: He couldn't even tell me! He said it was just some sort of skin... abnormality. And the worst thing is he-he-he said, he said,without being able to identify it, he was reluctant to remove it.Chandler: Y'know what? You should go to my guy, because when I went in there with my third nipple. He just lopped it right off. Y'know? So I guess I'mlucky. I mean not as lucky as people who were born with two nipples.Ross: At least they knew what yours was. Y'know, yours had a name.Joey: Oh! Maybe they'll name yours after you! Y'know, they'll call it, The Ross.And then people would be like, \"Awww, he's got a Ross.\"Ross: (sarcastic) Yeah, that'd be cool![cut to Phoebe and Rachel as Monica returns from the bathroom]Monica: Pete's breaking up with me.All: What?!Monica: Ijust checked my messages, and he said that when he gets back from Atlanta, we need to talk.Rachel: And?Monica: Well that's it. People never say `We need to talk' unless it's something bad.Joey: Whoa, that doesn'tnecessarily mean that he's breaking up with you.Monica: Really?!Joey: Yeah, maybe he just cheated on you.[Scene: A Street, Phoebe is walking with her second date, Jason.]Jason: ...and I know I'll never miss doing it,but I gotta tell you, it's pretty cool knowing that you're making a difference in a kid's life.Phoebe: That is so great! Oh, I... (sees that a parked car near them has caught on fire) Oh my God!Jason: Whoa!Phoebe: (thefire has worsened) Oh my God!!!Jason: Ahh-ahh, we'd better call the fire department!Phoebe: (stopping him) No! No!Jason: No, no?Phoebe: Well, we don't n-n-n-n-need a fireman, we'd, we'd like a good mechanic.(hears the sound of approaching sirens) Oh my God, here they come! Well, we gotta get out of here!Jason: W-w-w-wait! Why?!Phoebe: Well look, if I wanted to see a fireman, I would date one. Okay? (she drags himaway)[Scene: A Doctor's Office, Ross is having his thing looked at by Dr. Rhodes.]Ross: Th-th-that's all it is, a third nipple. Y'know? Just your run-of-the-mill third nipple. Y'know? You can take it off. Just slice that babyright off!Dr. Rhodes: Take your shirt off, and let's see what we're dealing with here. (Ross starts to take off his pants) What are you doing?Ross: Just showing you my run-of-the-mill-slice-it-right-off third nipple.Dr.Rhodes: Well that's not a third nipple.Ross: No?Dr. Rhodes: First of all, it's on your ass.Ross: Well then, what is it?!Dr. Rhodes: Wait a minute, hold it. (He goes to the door and opens it.) Johnson! Will you come in herea moment?Dr. Johnson: I'm with Hamilton!Dr. Rhodes: He's good with rear things, bring him in too.[Scene: Central Perk, Chandler, Monica, and Joey are there.]Monica: (starting to get up) I gotta go water Pete'splants. (stops) Y'know what, if he's gonna break up with me, maybe I won't water his plants.Chandler: Well, if he's gonna break up with you, maybe Joey and I should water his plants. If y'know what I mean.Joey: Orha-ha, we could go over there and pee on them.Phoebe: (entering with Rachel) ...and I-I can't take it! Y'know? I'm just, always afraid one of them is gonna catch me with the other one. It's making me crazy.Rachel:Well honey, then why don't you break up with one of them?Phoebe: (disgusted) Uh.Joey: Whoa-whoa-whoa. What ah, what happened to playing the field?Phoebe: Well, it just, it doesn't feel like playing anymore, itfeels like work. It's like I'm working in the field.Rachel: So Pheebs, pick one of them.Monica: Yeah. Which one do you like more?Phoebe: Well, Vince is great, y'know `cause, he's like a guy, guy. Y'know? He's so burly,he's sooo very burly. (giggles)Joey: Okay, good, so there you go. Go with Vince.Phoebe: Yeah, but Jason's really sensitive.Chandler: Well sensitive is important, pick him.Phoebe: Yeah.Joey: Oh sure, go with thesissy.Phoebe: Jason is not a sissy!Joey: Oh no-no-no-no, I meant Chandler.[Scene: Dr. Rhodes's Office, a rather large group of doctors has now gathered to take a look at Ross's thing. Ross is none too pleased with thedevelopments, he has a disgusted look on his face.]Ross: Y'know I have dinner plans!!Dr. Rhodes: Thank you soo much for coming on such a short notice. Ladies and gentlemen, I've-I've-I've been practicing medicinefor twenty-three years, and I'm stumped.(He removes the blanket covering the thing.)All: Whoa. (they all lean in to get a closer look, Ross isn't pleased)[Scene: Pete's apartment, Monica is there to water the plants,and is showing the gang around.]Monica: Okay, this is the den. All right, check this out. Lights! (the lights turn on automatically, but are very bright) Whoa! All right. Less lights! Bad lights! Lights go away! (they dim)Oh, see you just need to find the right command.Ross: Yes, and the dimmer switch.Joey: Whoa! For a rich guy he's got, that's a pretty small TV.Monica: No-no-no, that's a video-phone. But hey guys you're notsupposed to be here, so please, do not touch anything.Chandler: (sitting down on the couch) I-kea! This is comfortable.Rachel: (entering with Phoebe) This place is amazing.Phoebe: God, that is the nicestkitchen.Monica: I know.Phoebe: No! But it's the nicest kitchen, the refrigerator told me to have a great day.Joey: Look at this! A millionaire's checkbook.Monica: Joey, put that down! (the phone rings) Oh my God! It'sPete. Okay, get out!! How the hell do you answer a video-phone! (steps in front of it, and automatically answers it)Pete: Monica? (the gang ducks and hides)Monica: I guess that's how.Pete: Hey Monica, how's itgoing.Monica: Oh it's umm, good! It's umm, it's good, just here watering the plants.Pete: Well don't forget that fiches over there by Rachel.Rachel: (standing up) Ahh... Chandler's on the couch!!Pete: I see him, youguys are just the worst hiders ever.All: (standing up) Hey Pete.Joey: Hi, how ya doing?Monica: Ahh, Pete, the other day when you said you needed to talk, umm, just so I know, is it good news or bad news.Pete: Oh,it's good news. No, it's definitely good news. Hold on a second, I have another call. (clicks his remote) (to his other call) Hey, how's it going?Monica: Oh no-no-no, it's still me.Pete: Ah, no it's not. I've gotpicture-in-picture here. (to other caller) Yeah. (listens) Yeah, okay. I'm gonna have to call you back later. (pause) Monica? You. I'm gonna have to call you back.Monica: Oh, oh, okay umm, so I'll see you soon.Pete:Okay, I love you.Monica: I love you.All: I love you, love you.Monica: Okay. Well, it's good news. It's good news.Chandler: So, what do you thing the good news is?Joey: (looking at the checkbook) Wow! Look at this! Hewrote a check for 50,000 dollars to Hugo Ligrens Ring Design. (Monica is stunned) Oh, sorry, what do you think the good news is?[pause]Monica: Oh my.Rachel: Monica's gonna marry a millionaire!!!Ross: Hey, yougotta get Mom on the phone. Call Mom! Call Mom!(Pete's computer automatically calls Mom, Pete's Mom.)Pete's Mom: Hello.Monica: And that's Pete's Mom.(The gang quickly hides again.)[SCENE_BREAK][Scene:Monica and Rachel's, the gang is returning from Pete's.]Rachel: Mon you definitely have to make it a theme wedding, and the theme could be, \"Look how much money we've got!\" Y'know, I mean you could put, youcould put money in-in the invitations! You-you could have like little money place settings. And ah, you could start with a money salad! I mean it'll be dry, but people will like it.Monica: Would you stop? We've only beengoing out a couple of weeks, I mean we don't even know if he's gonna propose.Chandler: Yes, but this is Pete. Okay? He's not like other people, on your first date he took you to Rome. For most guys that's like a thirdor fourth date kinda thing.Monica: Well if-if that's what it is, then it's-it's crazy.Ross: Monica's right. We're talking about getting married here. Okay? She-she can't just rush into this.Rachel: Oh please, what do youknow! You married a lesbian!(Joey laughs, Ross glares at him, and Joey stops.)Phoebe: All right. I gotta go. I have break up with Vince.Chandler: Oh, so you're going with the teacher, huh?Phoebe: Yeah, I like Vince alot, y'know? But, it's just Jason's so sensitive, y'know? And in the long run, I think sensitive it's just better than having just like a really, really, really nice (pause) butt. (Her eyes glaze over thinking about the butt.)(pause) Jason! Definitely Jason! Okay, wish me luck!All: Good luck!(pause)Rachel: OH MY GOD!!! (She holds her hands up in triumph and the gang all look at her.) Sorry, I was just imagining what it'd be like to catchthe money bouquet.[Scene: A Fire House, Phoebe has gone to break up with Vince.]Phoebe: Excuse me. Umm, is Vince here?Fireman: Oh sure. Vince?!Vince: Yo!! (slides down that pole that fire station's have)Phoebe:Wow! I didn't know you guys actually used those.Vince: So, what's up?Phoebe: Umm, wow. This-this isn't gonna be easy. Umm, I don't think we should see each other anymore.Vince: Uh-huh. G-good deal.Phoebe: I'msorry.Vince: No-no it's okay. It's just that ah, I thought we had something pretty special here. And y'know I-I felt like you were someone I could finally open up to, and... (starts choking up) That there's so much in me Ihave to share with you yet.Phoebe: Oh my God, I didn't...Vince: (starting to cry) I'm sorry, I can't talk. I'm gonna go write in my journal. (walks away)Phoebe: (running after him) Wait-wait-wait! Wait!![Scene: CentralPerk, Phoebe, Ross, and Monica are there.]Phoebe: (to Ross) I'm telling you, if you want to take care of that thing, you should go to my herbal guy.Ross: Thank you, but I want to remove it Pheebs. I don't want tomake it savory.Monica: Y'know when girls sleep with guys with weird things on their body, they tell their friends about it.Ross: Gimme this. (Grabs the herbalist's card and leaves.)Rachel: (entering) Hi! Okay, don't bemad at me, but I couldn't resist.Monica: Brides magazines?Rachel: Yes, and I know that you'd say no if he asked you, but I'm sorry; how great would you look walking down the aisle in this Donna Carin. (shows her thepicture.)Phoebe: (gasps) Oh, you so would! Oh, you should get that anyway. (They both look at her.) Like for clubbing.Monica: It is so weird, I know what I said, but uh, this morning, I was lying in bed I was, I wasimagining what it would be like to say yes. (Rachel slams the magazine shut in amazement.) I know it's a little sudden, and it's a little rushed, and it's totally not like me to do something like this, but that doesn't meanI can't. Right? I mean I'm-I'm crazy about Pete, and I know that we want the same things, and when I thought about saying yes, it made me really happy.Rachel: Oh my God. (starting to cry)Monica: I know. (pause) Ineed more pie. (goes and gets some)Phoebe: Hey Mon umm, if you do get married, can I bring two guests?Rachel: You didn't break up with that fireman?Phoebe: No, that was my way of telling you. Well, it turns outhe's incredibly sensitive, he keeps a journal and he paints. He even showed me charcoal drawings that he drew of me.Rachel: Wow!Phoebe: Yeah, well he'd prefer water colors, but y'know, he has easy access to a lot ofcharcoal.Monica: So then, are you going to dump Jason?Phoebe: Well, yeah, because I have to break up with someone, and... Okay so Jason is sensitive, (holds up one finger) but now so's Vince (holds up one finger onher other hand) Plus, Vince has the body y'know? (holds up two more fingers on the Vince side) So... It's really just about the math.[SCENE_BREAK][Scene: Jason's apartment, Phoebe has gone to break up withJason.]Phoebe: (knocks on the door) Jason?Jason: Yeah, come on in.(She goes in, and sees Jason without his shirt. It turns out that he has a great body too, and is at a loss for words.)Jason: So Phoebe, you ah,sounded kinda serious on the phone, is ah, is anything wrong?Phoebe: Nah-ha![Scene: Phoebe's Herbal Guy's office, Ross is there about his thing. Ross is looking around the exam room, and he goes over to a largebank of drawers, pulls one out and almost spills it as the herbalist, Guru Saj, enters.]Guru Saj: You must be Ross.Ross: Hi.Guru Saj: I am Guru Saj. (takes the drawer back and replaces)Ross: Listen, I got to tell youI've-I've never been to a guru before, so...Guru Saj: Well, relax. If it makes you feel better, I've attended some of the finest medical schools in Central America. Well then, let's take a look at this skin abnormality ofyours. (motions to the table) Come on, have a seat. (looks at it) Eeh, huh. As I suspected, it's a koondis!Ross: What's a koondis?Guru Saj: I don't know, what's a koondis with you? (starts laughing as if that joke wasfunny, Ross only looks at him, and he stops) Please, lie down! I've got a sav that oughta shrink that right up.Ross: I guess it's worth a try.Guru Saj: Oh sure, we should see results-Whoa!! Clearly not the way to go!!(quickly wipes it off)Ross: What?! What?!Guru Saj: We appear to have angered it.Ross: We?! We angered it?!Guru Saj: Oh, I think I see the problem. And I'm afraid we're gonna have to use a much stronger tool. (Rossgives him a 'What?' look) Love.Ross: Oh God!Guru Saj: (He starts moving his hands around in circles above the thing.) Ross, there is absolutely no way this is going to come off unless you start to...Ross: Ow!!Guru Saj:Oops.Ross: What was, what was that?Guru Saj: Well it's gone.Ross: What?! How's that?Guru Saj: It got caught on my watch.Ross: Hey! (congratulates him)[Scene: Pete's apartment, Pete and Monica are coming backfrom a date.]Pete: Lights. (The lights turn on, once again they're too bright.) Uh, romantic lights. (The lights dim.)Monica: Ooh, nice.Pete: So ah, there was this thing I wanted to talk to you about.Monica: Oh, right! Icompletely forgot about that.Pete: Well ah, I've been doing a lot of thinking, and I look at my life...Monica: Yeah?Pete: And I feel like I've conquered the business world, and I feel like I've conquered the intellectualworld, and now I-I have the most beautiful woman in the world.Monica: Wow.Pete: There's one thing missing.Monica: What's that?Pete: It's time for me to conquer the physical world.Monica: Okay. (not sure ofherself)Pete: Monica, I want to become (pause) the Ultimate Fighting Champion.Monica: You wanna what?!Pete: I want to become the Ultimate Fighting Champion! It's the most intense physical competition in theworld, it's banned in 49 states!Monica: What are you talking about?Pete: Okay, my trainer, Ho Chi, is teaching me a combination of Gee Koon Doe and Brazilian street fighting, I've even had my own octagon trainingring designed.Monica: And I suppose you used a ring designer for that.Pete: Yeah. Monica, I want you there in the front row when I win. I want you close enough to smell the blood. What do you think?Monica: Myparents will be so happy.[Scene: Central Perk, Phoebe's singing, Vince is also there.]Phoebe: (singing) \"Crazy underwear, creepin' up my butt. (Jason enters) Crazy underwear, always in a rut. Crazy under-(seesJason)-wear...\" (In her head) Oh No! What is he doing here? All right, just keep playing, just keep playing. You'll get through this; you'll be fine. (She tries to continue the song, but she has lost the ability to pronouncewords, and the lyrics come out as gibberish.) (giving up on the song) Okay, thank you. And, as always no one talk to me after the show.(They all applaud her.)Jason: (going up to her) Hey. I was...Phoebe: Hey!Jason: Iwas passin' by and I saw that you were playing tonight, it's kinda cool seeing you up there. (kisses her)Vince: (running over) Whoa! Hey-hey! What's going on here? Who is this guy?Phoebe: I don't know, he juststarted kissing me. Get him! Get him, Vince!Vince: What?!Jason: What?!Phoebe: Yeah, okay, I've-I've been dating both of you, and it's been really horrible. 'Cause y'know it's been a lot of fun, for me. Umm, but I-I likeyou both, and I, and I didn't know how to chose, so... I'm sorry, I'm just, I'm terrible, I'm a terrible person. I'm terrible.Vince: Phoebe, Phoebe relax, it's okay. I mean we never said this was exclusive.Jason: Yeah, andneither did we. Give yourself a break.Phoebe: Really?!Jason: Yeah. I mean y'know, we haven't been going out that long. Come on, we haven't even slept together yet. Huh.Vince: You haven't?Jason: You have?Phoebe:Well, this is none of my business. (starts to walk away)Jason: (to Phoebe) I-I can't believe this! You-you've slept with him?!Phoebe: Well, I made you a candle light dinner in the park.Jason: Y'know Phoebe, I'm gonnamake this real easy for you. (walks out)Phoebe: (to Vince) Well, that could've been really awkward.Vince: You made him a candle light dinner in the park?Phoebe: Yeah, but I-I-I-I can do that for you, I'm gonna do thatfor you.Vince: Uh yeah, I can't believe I ever went out with somebody who would actually have an open flame in the middle of a wooden area. (walks out)Closing Credits[Scene: Guru Saj's office: Joey and Chandlerhave taken the duck to see the guru.]Chandler: (comforting the duck) Everything's gonna be all right. Okay, Dick?Guru Saj: (entering) Hello, I am Guru Saj-(sees the duck)-Whoa!! (to Joey) That's supposed to be aduck right? 'Cause otherwise, this is waaay out of my league.Joey: Yeah, yeah. He's got a, he's got a really bad cough, and our vet, he can't do anything about it. Is there something you can do?Guru Saj: Hmm, let mesee. Let me see. Do you think you could get him to eat a bat?(The duck starts to frantically flap his wings, while Joey is holding him, in an attempt to get away.)"}
+{"doc_id":"doc_189","qid":"","text":"(Cut to a strange congomeration of strangely colored winged birds and a strange angel statue, holding a bowl. Bells ring. Then a bright white light flashes and then dims to show a surgical light. We pan down to Sydney,waking on a stretcher in what could be something like an emergency room. She's dressed only in a white hospital gown and underwear. She sits up groggy, then stands up gingerly. She walks over to the door and triesto open it. It's locked. She bangs on the door with her hand.)Sydney (hoarsely): Hello!(She turns away from the window and starts to walk, looking around, then stops as a wave of pain hits her. She looks down.There's blood seeping through the hospital gown in the spot where her scar is now. She leans against a counter and lifts the hospital gown to reveal an angry seeping wound. She sticks her fingers inside the wound,pulling out the end of a thin plastic tube (think, the kind of thin plastic tube often used for aerators in aquariums) She holds up the end of the tube, shocked, her hand covered in blood. She starts pulling and moretubing comes out. It's freaking her out. She starts pulling faster and faster, but the tubing doesn't end. Blood is splashing everywhere, covering her, splashing the walls. She holds up a fistful of tubing and screams. Wecut to a scene farther out. There is a pile of tubing at Sydney's feet in a puddle of blood. Blood is spattered all down her side, on her hands, her face, the wall behind her.)(Cut to Sydney, sitting up suddenly in bed,gasping and sweaty. She's had a nightmare. She's really freaked out, can barely breathe. She pulls up her tank top to reveal her healed scar. She fingers it, gasping and crying. She lies back on the bed, pulling thecovers up to her neck, crying and gasping in anguish.)(Cut to Sydney walking through a set of double doors. US STAFFORD NAVAL HOSPITAL. She approaches the doctor who runs the \u0000lost time\u0000 peer group. Henotices her standing next to him as he hands a nurse a medical chart he's just signed.)Doctor: Oh, Sydney. (to nurse) Thank you.Nurse: Thank you, doctor.Doctor: Nice to see you.Sydney: I know that I haven't been togroup in a while.Doctor: That's okay We have another session here tonightSydney: I actually came here to talk to you about something else.Doctor: Is it your dreams?(Sydney nods.)Sydney: I've heard about aprocedure used to recover lost memories: neurostimulation therapy.Doctor: Oh, Sydney before we discuss this, let's give group a chanceSydney: Some of those people have been that group for ten years, and none ofthem seem to be any closer to finding out what happened to them.Doctor: Well the point is to accept what's happened, that you may never remember, and in so doing, free yourself to move on.Sydney: With all duerespect, the one thing that you don't know is what it feels like. You have clearance, so I can tell you that unlike anyone else in that group, there's a terrorist organization trying to find out the one thing that I can'tremember. My point being, I don't have the luxury of waiting for acceptance.Doctor (walking): Come with me.(Sydney follows. Cut to look into the window of a padded cell. A man with a shaved head wanders aroundinside in a straitjacket.)Doctor: This is Kenneth Blake. He joined Central Intelligence in 1981. He was missing for five years finally turned up in a South Korean hospital with severe injuries and no memory whatsoever.Blake volunteered for the same procedure you're asking for. The procedure was carried out. Blake soon learned that he'd been in custody of the North Koreans all that time, exposed to torture so intense, so prolonged,that his conscious mind blacked it out. The invasive nature of the surgery left him with permanent brain damage. You should know, Sydney, that the National Security Council considers Blake a successful test case forneurostimulation therapy. (starting to get choked up) I'd consider death an option before this procedure.(Off Sydney's look, we cut to NOGALES, MEXICO. Children play soccer in the dirt street. Suddenly shootingbreaks up the scene. Cut to a pair of feet running in the street. Pan up to a man's back as he runs by. Cut to reverse angle; we see two police officers chasing the man, shooting at him. Police cruisers block off the otherdirection and the man raises his hands. It's Javier Perez. He kneels while they handcuff him. Cut to Javier, sitting in a jail cell.)Police Chief (offscreen): You've been a busy man, Javier Perez.(Cut to Chief leaning againstthe wall of the cell, accompanied by another armed officer. He is looking in a file folder.)Chief: Epidemology lab in Cannes; Disease Control Ministry in Spain; Genetic engineering facility in Cuba(Cut to Javier as he sighsand leans his head wearily against the wall, closing his eyes. Cut back to Chief.)Chief: Do I turn you over to Cuba, to Spain, to France? To me there is no difference. For you, there is at least one significant difference:France and Spain do not believe in the death penalty.(Cut to Javier, worried and nervous. Cut back to Chief.)Chief: So here's where we help each other. You provide me with a bigger fish, say who commissioned you, forinstance and I allow you to choose to whom I place my call.(Cut to Javier.)Javier: What if I told you that I had information that would be very interesting to the Americans? Regarding a Central Intelligence agent and amurder.(Cut to Chief, who laughs and looks at the other officer also laughing.)Chief: A CIA agent committing murder Hardly newsworthy.(Chief starts to walk away.)Javier: It is when its done on behalf of aninternational terrorist group and the target is a Russian diplomat.(Chief stops walking and looks back at Javier.)(Cut to aerial scene of LA by day. Cut to Dixon walking through the JTF.)Dixon (loudly): People, listen up!We've got non-cleared personnel en route! Deactivate the wireless network and put all secure servers on lockdown. I don't want to see anything on these screens more revealing than a weather map!(Cut to armedagents escorting a handcuffed man with a black drape over his head. Cut to an officer inside the JTF.)Officer: Level three security procedures in effect. All computer monitors and LCDs on safe mode. Routing PDX toadministration.(Cut to hooded man and guards entering elevator. Cut to computer monitors as they all go to safe mode. Cut to the feet of the man and his guards entering the JTF. They're walking and enter the mainrotunda area. Dixon stands waiting for them. Other agents gather also. Dixon nods, and the officers remove the man's hood, who's no longer hand cuffed. It's Arvin Sloane. Dixon walks toward him. They spend severalmoments staring each other down.)Sloane: I always knew you were destined for great things.(Dixon's only reaction is a tiny grimace and he swallows.)Dixon: Follow me.(They turn and enter the conference room,where everyone but Lauren and Vaughn are seated.)Sloane: Marshall (said kindly, smiling, as if happy to see him)Marshall: Mr. Sloane hi. It's been a while and a lot has happened. I mean, at first you were evil, nowyou're good so you claim not that I don't..trust you, it's just How are you?Sloane: Very happy to see you, Marshall. (He shakes Marshall's hand and sits down.)Dixon: Given the sensitive nature that Arvin Sloane isabout to present to us, I thought it best if he did so here.Sloane: So, is everyone here?Dixon: Agents Vaughn and Reed are prepping a separate assignment under the direction of the NSC.(Cut to Jack and Sydney asthey give each other curious looks.)Sloane: Ten hours ago, I had a meeting with Mr. Sark(cut to flashback)Sloane: I assume we're here because the Covenant requires something of me?(Sark pulls a mini disc case outof his coat and holds it out to Sloane.)Sark: Your new assignment(end flashback)Sloane: Seems the Covenant is no longer satisfied with using my organization merely as a front for their illegal activities. They've nowtasked me an operation.(cut to Sydney's reaction then back to Sloane)Sloane: I presume you know what a maser isMarshall: You mean a microwave laser? Well, yeah(Both Sloane and Dixon turn to look athim.)Marshall (looking at Sloane): You, uh want me to explain ?Dixon: Marshall: Sloane has no authority in this room.Marshall: Sorry. I didn't mean to offend you, sir. I know you're definitely the main do you want meto ?Dixon: Yes.Marshall: It's a microwave that gets focused into a pinpoint beam, very similar to how light gets focused into a laser.Sloane: Tomorrow night, I'm scheduled to attend a charity function held by theChinese Government at one of their Ministries The Covenant has acquired intelligence that China has designed a working maser unit, the prototype of which is held there. China intends to mount a maser array on one oftheir defense satellites. It is an assassination program.Weiss: Wait are you saying this weapon is capable of killing from space!?Jack: Pulse microwaves are capable of causing tissue damage, heart failure even brainhemorrhage. This weapon could make it appear as if the victim died of natural causes. You could imagine the potential threat if the Covenant were to acquire this technology.Sloane: I've been tasked to steal the maser'soperating system, which is in the Chinese Defense Minister's office.Dixon: I want Strategic Services to review your plan, and I'll assign an agent to go along.Sloane: I'd presumed that would be the case. Therefore, Ipropose that Sydney accompany me to the function posing as my assistant, and then together we acquire the operating system, corrupt the maser, and pass along the faulty data to the Covenant That is, assuming theCIA still intends to use me as a double agent.Sydney: Why me?Sloane: Because this mission cannot be done alone. I will not risk my life unless I am going in with the best.Jack: Do you really imagine, given your historywith Sydney, we would ever order ?Sydney (cutting Jack off): I'll go. (to Sloane) You know I don't trust you, and that I believe you have an endgame beyond this operation. But I also know that if we're caught, we'll bestanding side by side in front of a Chinese firing squad, which means this time our interests are in line and if you betray me? I will just kill you myself.(Cut to Sloane's satisfied smirk. Cut to Black. End of ActOne)[SCENE_BREAK](Cut to Vaughn, arranging a file on his desk. Jack approaches him.)Jack: I understand you've been loaned out to the NSCVaughn: Yeah. I leave for Mexico in an hour. Lauren requested me; she'sbriefing me en route.(Vaughn and Jack start walking)Jack: A contact of mine in Nogales informed me that Javier Perez was apprehended by Mexican authorities.(Vaughn stops walking and turns to face Jack.)Jack: I'msure you remember him as part of the freelance team that Sydney infiltrated several weeks ago.Vaughn: Yeah, sort of He almost killed me.Jack: He's offered to trade information to the NSC in exchange for leniency.Our problem is this: He knows about Sydney that she murdered Andrian Lazarey under the alias Julia Thorne. You can imagine the consequences if he were to share this information with your wife. I think, AgentVaughn, that you should tell her that you know the identity of the man you've been sent to interview and that conflict of interest requires both of you to remove yourself from this case.Vaughn: Are you asking me tointerfere with my wife's investigation?Jack: Yes.Vaughn: No. I've kept the truth about Sydney from Lauren because Dixon ordered me to; a situation you orchestrated.Jack: You understand the consequences to Sydneyif this information leaks out?Vaughn: Yes, of course I doJack: The NSC will subject her to invasive brain surgery.Vaughn: Okay, stop. I don't need a lecture from you on the risks she faces.Jack: Then I don't understandyour resistance.Vaughn: Because the NSC will send other operatives! Either way, they're gonna find out.Jack: It'll provide us the time to plan our next move.Vaughn: Look, I think it's safe to say that I know my wife alot better than you do.Jack (dripping with sarcasm): I would hopeVaughn: Lauren may be our best chance of keeping this information from the NSC.Jack: And, Mr. Vaughn What if you're wrong?(Cut from Vaughn'sreaction to Jack's reaction.)(Cut to Marshall, holding up what appears to be a retooled Matchbox car.)Marshall: Okay, it's the latest in cloaking technology. It's called optical camouflage. Now basically, if you take a lookright here, it's surface is covered in microfilaments, which interpret the UV waves generated by its surroundings, which means that (places the car on his desktop and starts driving it across the top of his desk using thecontrols) once you drop it off in the Chinese Ministry, I will be able to guide it undetected past the security cameras to the central alarm controls, which I'll then deactivate, using the internal modem.(Cut to Sydney'sreaction. She's amazed and impressed.)Sydney: So, once you disable the alarms, I'll be able to access the Minister's office where the maser is being kept.Marshall: Right. Once you get to the maser, you will access themotherboard, and then you will attach this (Holds up a cellular phone.) to the EPROM chip. Now, press one and you'll be connected to me, and I will access the maser's operating system and corrupt it and then (takingoff the back of the phone's case to show Sydney the inside), a copy of the corrupted version will be stored onto this. (Holds up a small memory card.)Sydney: Which I will give to Sloane to pass on to theCovenant.Marshall: Right. (Stops, looks around) Actually where did the car go?(Puts down the cell phone and starts looking around the desk.)(Cut to black. BEIJING. Push through the N. A night pan of the city. Cut toSydney dressed in a long black evening gown (could be a two piece skirt/shirt set, hard to tell) and Sloane in a tux, waiting in line to pass through a metal detector.)Sloane: By the way you look beautiful.Sydney (givingSloane a dirty look): Spare me!(Sydney and Sloane walk through the metal detectors. Sydney's goes off. She immediately hands her small black purse to the guard, who opens it to reveal a metal makeup case. He zipsit back up and hands it to her.)Sydney (in Chinese): Thank you.Guard (in Chinese): Thank you.Sloane: I would encourage you to take my arm if we are going to bluff our way through this(Sydney's face says it all. Shefinds that idea about as appealing as having teeth extracted forcefully. Very reluctantly, she takes his arm and smiles at a passerby. Cut to Sloane and Sydney entering the ballroom. Cut to the orchestra, cut to dancers,cut to Sydney as she surveys the guards in the room. Sloane looks at Sydney and then at a Chinese man wearing a tux and a sash, who waves at Sloane. Sloane and Sydney approach him.)Minister: Mr. Sloane, we'rehonored you could attend.Sloane: The honor is mine, Minister Woo. And this is my Executive Assistant, Christina Myers.Minister: A pleasure. (nods his head toward her)Sydney: Pleasure (she smiles at him)Minister (toSloane): Your organization's compassionate work is the model of humanitarian achievement.Sloane: Thank you. Thank you. (turns to Sydney) Ms. Myers, would you give us a moment please? I have a private matter todiscuss with the Minister?Sydney: Certainly.(She flashes the Minister a big smile. He nods and smiles at her and she turns and walks away. The Minister watches her leeringly as she leaves.)Minister: Your assistant islovely. I presume she does more for you than type?Sloane: Oh, our relationship is strictly professional.Minister (doesn't believe him): Of course.(Cut to Sydney, entering the bathroom. She takes out the metal makeupcase while she waits for another woman to finish primping. The other woman leaves and we see Sydney opening a lipstick tube and rolling it up. The door closes behind the woman, and Sydney pulls the top off thelipstick to reveal the camera lens for the Invisicar. She opens the make up case, removes the top and underneath is the rest of the Invisicar. Cut to Sydney leaving the bathroom. She takes a champagne glass and sitsdown in a chair on the edge of the room, near the hallway. Surreptitiously, she leans down to place the Invisicar onto the rug next to her chair. She speed dials a number on her phone and waits.)Marshall (overtelephone): Hello!Sydney: You're on.(Cut to Marshall and Dixon on comms in Marshall's office.)Marshall: Ladies and gentlemen, start your engines!(Marshall starts moving the joystick. Cut to the car as it starts to moveand we see it blend into its surroundings. All we can see are the wheels moving underneath the shield because the camera's at floor level. Cut to Marshall's view from the cam attached to the side of the Invisicar as hesteers through the feet of people in the hallway.)Marshall (steering the car): OkayDixon: Promise me again that they won't hear it.Marshall: The noise output is .04 dbs, which is inaubible to the human ear, sir. Acockroach thinks louder than this car.(Marshall continues to steer the car, finds a pair of military boots walking and follows behind them.)Marshall: Looks like a nice party All right we'll follow this guy. It looks like heknows where he's goin. Security.(Cut to Sydney, sitting in a chair with her champagne glass, checks her watch. Sloane approaches her and sits in the seat next to hers.)Sloane: Are you all right?Sydney: As long asMarshall can shut down the security system.Sloane: You know, Sydney we should dance?Sydney: Like hell.Sloane: The minister assumes we're sleeping together. Despite my protests, he remains unconvinced.Sydney:I could care less.Sloane: Well, neither would I if he wasn't constantly looking in my direction Normally I would suggest we remain discrete. I suggest we feign an argument on the dance floor that will give you sufficienttime to slip away. And, Sydney, given the way you feel about me (he smirks) I doubt it would take much acting on your part.(He stands and puts his hand out to her.)Sloane: So, my dear Shall we?(Sydney reluctantlyputs her hand in his and stands.)(Cut to the security guard the Invisicar is following as he walks down a hallway.)Dixon (voiceover): We have to get to the security room.(Cut to Marshall and Dixon.)Marshall: All right.Following him.(Cut to guard, turning a corner. Cut to video from the car as it fails to negotiate the turn and bumps into the wall.)Marshall: Oooh sorry, sir.(Marshall makes the turn. The guard is now several feet aheadof the car.)Dixon: Hurry up.(Cut back to Sloane and Sydney as they begin to waltz around the dance floor. Cut back to the view from the Inviscar as the guard turns another corner ahead of it.)Dixon: Marshall followthat guard. Turn to the right.Marshall: Okay, you got it.(The Invisicar gets to the end of the hallway and turns to see the guard about to access a door.)Dixon: Good. He's approaching the security control room.(Dixonsits down next to Marshall, watching the monitor.)Dixon: Hurry!Marshall: Petal to the metal, sir.(The car whizzes forward as we see on the monitor that the door is opened and the guard starts to step inside. The door isstarting to close it looks close, but the car makes it inside before the door shuts.)Dixon: Eaaaassssyyyy .Marshall (as the car makes it through the door): Piece of cake, sir.(Dixon nods as Marshall moves the car aboutthe room. Cut to the security guard as he greets the other one who is watching the monitors. The guard sits also. Cut to the Invisicar as it stops near a desk.)Dixon: Hurry Marshall under the desk!Marshall: Yeah, yeah,I got it.(The car backs up and turns and then slides under the desk.)Dixon: Well done.Marshall: Okay, now I will activate the RF modem and hack into the security system.(Screens pop up on the monitor, as Marshallworks.)Marshall: Okay, alarms are down surveillance is off.(Cut to security guards as their monitors show nothing but static.)Guard: The security is down. Give me a minute.(Tries to fix the display to no avail.)Marshall:Should take them weeks to get back online maybe even months.(Cut to Sloane and Sydney waltzing. Sydney's cell phone rings. They stop dancing as she answers it.)Sydney: Hello? (pause, listening) Thank you.(Sheturns off her cell phone and puts it away.)Sydney: Marshall says the security system is shut down.Sloane: Well, then I propose you make this fight look real.(Sydney screws up her face and then slaps Sloane hardacross the face. Sloane holds his face as Sydney stalks off. The Minister was watching and appears amused.)(Cut to a jeep driving down a dirt road. MEXICO. Cut to reveal Vaughn driving. Pan to Lauren in thepassenger side. They slow and stop the jeep as they see a boy on the side of the road. He appears unconscious, his bicycle lying on top of him.)Lauren: Oh, God It's a boy.(Vaughn and Lauren get out of the jeep andbegin to approach the boy. Suddenly the boy jumps up, gets on his bike and starts to ride away. Vaughn realizes suddenly this is a set up.)Vaughn (urgently): Get back in the car!(Suddenly men from every directionappear from the brush, brandishing guns. The leader of the group walks forward.)Leader (in Spanish): Hands up. Now!(The members force Vaughn and Lauren to kneel in the street with their hands up.)Vaughn (in"}
+{"doc_id":"doc_190","qid":"","text":"Ted (2030): Why do they fight? What is it hidden in us that drives us to settle disagreements with our fists? (In Lily's class, two boys fight) Whatever it is, this is from the beginning.Lily: Stop fighting!Boy 1: Why?Lily:It's stupid and childish.Boy 2: It has been six years. It is stupid and childish.Ted (2030): Children, I fought just once in my life. And that's how it happened. You know I have recently been abandoned at the altar. Andthe worst when it comes to us, apart from being abandoned at the altar, is what happens after. A steady stream, persistent and unbearable pity. At McClaren's, Wendy brings drinks to Marshall, Lily, Barney, Ted andRobin.Wendy: Cranberry Vodka, gin and tonic. Scotch and soda.Ted: Thank you. Can I see the menu?Wendy: Ted, I'll get you a menu... but I promise I will return.Ted: We'll have to go elsewhere. In this bar, I willalways be the guy left at the altar. It sucks!Barney: Good times.Ted: We lost Barney.Robin: What?Lily: There's a girl there in a sweater wrap. He does not listen to a word they say. Hein, Barney?Barney: Leave mealone!Ted: He understood, there is little time, he could hold a conversation with just the titles of sitcoms \"black\" of the 70s and 80s.Barney: What's going on?Lily: Barney, you wanna go and get my stuff does notMarshall?Barney: Diff'rent Strokes.Man: What is this?Ted (2030): I spoke to Doug, children? Not? Well... Flashback In McClaren's...Ted (2030): Doug Martin was in McClaren's bartender. He was always in thecorner.Barney: You... Been to Ted?Ted: It is not play \"You know Ted.\" Barney (a pencil in his nose): I'm dead? (Doug misses and laughs) I'm dead? (It is disguised as a woman) Tonight... I am a lesbian.Ted (2030):There are three things to know about Doug. The first is that Doug is a bit violent. Doug:... collapsed, so he's down. And it hits him! He made this face, trembling. What we did is that we left it there. I ressers?Ted(2030): The second is that he was weird about her hair...Doug: What?Ted: What?Doug: You look at my hair?Ted: No, sir. Not at all.Doug: That's a dummy. It's funny? Want to laugh? It's funny?Why you do not tearout?Ted: What?Doug: Go ahead, tear it out of my head. Go ahead. Want to pull? Go. Go, go and pluck it out. You want to tear my head?Pluck my hairpiece my head. I love you, guys!Ted (2030): But the third is that hewas very faithful with its regulars. Ted, Lily Marshall, Barney and Robin arrive at the bar.Doug: There they are! You want your table?All: We will be well by then.Doug: Yes? Yes?Ted (2030): Maybe a little toofaithful.Doug: No, that's right, all right. (He goes to the usual table where Ted and his friends are) Lovebirds! Put it elsewhere, this table is reserved. Here we go! Now! Go! We move, my Father. Here we go. OK, guys,here! End flashbackTed (2030): So that's Doug.Doug: What is this?Ted: Some guys are sitting at our table. But you know, it's good.Doug: Let's go, I take care of that.Lily: Damn, there goes.Doug: Ladies, if you will joinyour table. Gentlemen, I need your help out.Ted: Our help?Doug: We're going down the aisle and fight with these guys.Barney: What's going on?GENERICTed: Sorry, you just said...Doug: These guys areoff-handedness. So we go outside and they fit in, OK? It's gonna be fun!Doug part.Ted: He wants to be fought? As with our hands and stuff?Marshall: And your feet maybe? I do not know the rules.Ted: A fight. We gottago?Barney: No, I would fight for three things, the closing of a stubborn bra, accusations of sexual harassment... 9 of 9! And wanted to vomit when I see someone wearing brown shoes with a black suit.Marshall: Thefighting is for dummies. We are civilized people, civilized people not fight. Except with a lightsaber, but that's in for 3 or 5 years...Robin: That's not true.Marshall: I'm on the forums every day. In 3-5 Thanksgiving, Idécouperai turkey with my saber green.Robin: No, I say there are plenty of legitimate reasons to fight, it is perhaps not beautiful, but sometimes you gotta do what you gotta do.Ted: Yes, I forgot. She is sexyfights.Robin: No, it's true! I love it! I have a culture of hockey. If a guy is a fighter, it is rather sexy. And scars, seriously! If a guy has one, it has a Robin. And if he lost a tooth, I lose my panties.Barney: I lost mywisdom tooth. Without surgery. Local anesthesia. Frankly, it's nothing.Ted: We should go.Lily: I can not believe that we have this discussion. Ted, you're 30, you're too old to act like that.Ted (2030): I was 30. And ofthose 30 years, I was struck once. Flashback Ted is in a bar.Ted: There is an explanation very simp... A man gives him a punch. End flashbackTed (2030): There was this thing in colo. Flashback Ted is in the forest withchildren.Ted: Today we are going to braid friendship bracelets. A pat on the boy's private parts and they run off.Ted (2030): In college, I studied Kung-Fu. And some other stuff. For the goat, it would be a few monthsafter. End flashbackTed (2030): The idea is that I had never beaten.Ted: I'm going.Lily: No!Marshall: Listen to me, trust me, I fought hard. There is no pride to be learned.Ted: With which you fought?Marshall: Mybrothers.Barney: Yeah, it was surely the ruckus in the playroom of Eriksen. Flashback Marshall horseplay with his two brothers.A brother: I love the squabbles between brothers!Marshall: That's the monster ofguilis!Brother 2: Patrol Commies!Marshall: Wait! Go! Go! Cocoa break. End flashbackTed: Break cocoa. OK, it's time to fight.Lily: Ted, do not do that, you're a good guy. This is your greatest quality.Ted: Oh yeah? Iseem to remember that this guy was well dumped by his girlfriend for a Taekwondo teacher. It might sound crazy, but... I need that. I think it's an experience I do. I go there. Ted part.Barney: Me too! (Followed byBarney) Guys... watch what face. The next time you see it, it will be distorted as the sexiest possible. Because that's what I am: a real man. I like to fight and do battle in the dirt. You find me a wooden hanger for that?Ted and Barney arrive in the driveway but Doug already has to KO the other guy.Barney: It's been what?Doug: I know, huh! Who do now eyeing more my hairpiece?Look what they did!Ted: \"We\"?Doug: Yes, \"on\".Come on, we made a great team. Well done guys! We did it!Ted: No, you did. There was nothing we.Doug: OK, yes, it is clear, I have beaten three types alone. You and you, free drinks for life. Doug enters the bar.Ted:He thinks he fought with him.Barney: We fought with him. So we will go and tell everyone the legendary story of how we beat types. And everyone will find it great and everyone goes back to bed with me.Ted: Come onman, no one will believe we fought, we look at.Barney: Oh, it's good... Barney gives a blow to itself.Ted: What are you doing?Barney: What I should have done there is a lease.Ted: What?Barney: I dunno, I typed theeye! I even know what I say! I have a great right, either. You ready?Ted: To go home?Barney: No, for that. Barney gives a blow to Ted.Ted: You hit me in the nose!Barney: Are you crying?Ted: Yes, I cry! You hit me inthe nose!Barney: It's going to swell to death. You're going to look like Owen Wilson. Come on, we go.Ted: Ok, but we do not add too. I do not want it to catch proportions. Barney enters the bar, followed by Ted. Dougsays the fight to include Ted and Barney.Doug: Can Ted arrives, takes off her shoe hit him in the mouth... A, they are! The guys who supported me! Everyone applauds. Always at the bar, but at their usualtable...Marshall: So you fought. Seriously.Ted: No, Barney hit us head to pretend. Without in December ', Marshall!Robin: Just look at that eye. You look like a bad boy. I did not know you had it in me. You. That youhad it in you.Barney: You... want to touch? It affects the eye of Barney.Robin: My God, it's hot!Doug: The pot of victory! Blackjack! Blackjack! Blackjack!Blackjack! $ 7 50.Marshall: Why should I pay?Doug: Becausethou hast not supported. They supported me.Marshall: You know what, Doug? I will gladly pay. And why?As adults do. They pay their glasses, and they fight it. You know what I did when you were kids? That's what Idid.Barney: Your nails?Marshall: I was...Ted: The quiz of love in the last Gala?Marshall: No. I was...Barney: your best to not cry when Big came to Carrie at the end of the film s*x and the City?Marshall: You spoiles?No. I'll tell you what I did...Robin: Tips to captain the football team because he gave you his ring and you were so cute in your evening gown?Lily: I'm sorry. Lily and Marshall are in their beds.Marshall: I hate them!They behave like guys the most virile of the universe, as Crocodile Dundee and David Hasselhoff.Lily: It's the guys the most virile of the universe?Marshall: I know why they are given all the attention. In fact, it's me,the real hero.Lily: Yeah, it's you.Marshall: I'm serious, woman. Put it in your pants.Lily: You're the man every boy should be and every girl should marry. You know what? I have two boys under way that will not stopfighting. If you come to school tomorrow to tell them your story of choice of the path of nonviolence, it could put them right. And avoid me getting up early to prepare lessons.Marshall: Okay. OK. Irecadrerai.[SCENE_BREAK]Lily's class...Boy 1: wimp!Marshall: What? No! The panda and the koala Mahatma Luther King tell you that story to show...Boy 2: Show that you're a wimp?Boy 1: Why hast not beaten? Youwere afraid?Marshall: What? I was not afraid! I did a lot of fights, OK?Boy 2: You're great! You have to weigh almost 500 pounds.Marshall: First, I wear a sweater off, which has horizontal stripes. And I also... I atesalty... So I... You know what? Shut up!Boy 2: wimp! Wimp! The two boys fight while others cry. Barney and Ted are in the bar and talk with two women.Woman 1: So you've just beaten?Barney: Just?Ted: Amanda,was it that simple? You know, the fight in melee, it is more than using force against his opponent, huh B?Barney: Exactly!Ted: It is an art. The noble art, as it were.Woman 2: But I do not understand, what they did todeserve this?Barney: It may seem insignificant, but they got to our table.Ted: At our table.Barney: And...Ted: No one. Barney:... no one sits at our table. 2 men are sitting at the table.Amanda: You will beat them up?Robin arrives at that time.Barney: Let's beat them up. Ted, come on. You two. Our table.Go. Now!Ted: What are you doing?Barney: Relax, it was Doug. Doug supports us.Ted: He's not here tonight.Barney: I offer youwhat? A drink? Money? These two girls over there?Man 1: It's you, Ted Mosby.Ted: Yes.Male 2: And you're Barney Stinson?Barney: They know who you are. All right, guys. It lets you go without kick your ass. This time.Okay? Both men are given two envelopes.Ted: That's... What is it?Man 2: You are summoned.Man 1: You are charged with assault. Enjoy it. The two men leave the bar.Barney: That was close. Barney, Ted and Marshallare at the apartment and watch the invitations.Ted: Assault! They continue to attack us!Barney: What is the penalty for assault? I'll have a fine?Picking up garbage on the highway? Because I already did that.Marshall: Iknow.Ted (2030): In fact, he knew they risked a small community service, surely no criminal charges. But he was furious against us.Marshall: You could have a good time in prison.Barney: The Prison?Ted: I can not goto jail! I could read a bunch of books, writing short stories. Drag me all the time. Seriously, if I get lost really hefty...Barney: You can not go to jail! They are dying in the hallways!And meals are really heavy.Marshall:You should have thought before beating them.Ted: And if we have not done?Marshall: No what?Ted: beaten. And if Doug had beaten them all alone and we had done nothing?Marshall: I knew it! You have not evengiven a single shot.Barney: I hit Ted and me, so...Marshall: Who's the wimp now? Answer: you.Ted: You can spin us a hand?Marshall: You know the old saying: \"If you can not assume, do not pretend to have done, donot laugh and refuses glasses blackjack and not defend your friend, who, coincidentally, lived full of fights with his brothers. \"Barney: You gotta help us, Marshall. We're the Three Musketeers! If I let Ted I how long?Robin entered the apartment.Robin: Barney? I was looking for you. I have tickets for the hockey game tonight. It's stupid. Want to go? It can run late, we could go see a drink after.Marshall: Listen to this. You know,this fight? The guys were pretending. And he left the apartment.Robin: Oh, I forgot! Tonight, it is not possible. I can not go to hockey tonight, I have this... This... This... She goes into the room. Back at thebar...Marshall: Good news, I talked to the guys.Ted: What guy?Marshall: The ones you do not beaten. They will not go to trial.Lawyer.Barney: What? They dropped?Marshall: Yes, I just told them you were wimps. It hasmade us laugh. Poilade good, actually. I said that you did manicure every month.Barney: Weeks, Wolverine... Some are careful.Marshall: And you played the harp in the dance club of the pre-reform in college.Ted:You're at least they said we were one of the best medieval music group of the academy?Marshall: Sure. We were all agreed that it was a guy who had beaten and that you had nothing to do with it...Ted: Wait, so... theyattack Doug.Marshall: Affirmative.Ted: The angry, irrational, violent Doug, who now knows, you pushed under a bus.Doug (on phone): They what? Marshall, Barney, Lily and Robin are in the driveway withDoug.Barney: We can tell you...Doug: Explain what? How you have me stabbed in the back just under my eyes?Lily: Robin, I'm afraid.Robin: Yeah, Doug sees someone?Lily: You visit? You really should.Ted: Look, youdo not understand, you beat these guys all by yourself.Marshall: It's true. They have nothing to do with it. Look at them.Barney: It's Ted's fault! Barney runs off.Marshall: Look at him.Ted: Yes, look at me!Marshall: Itwould not 5 minutes in combat.Ted: I could hold at least 5...Marshall: It is as limp as spaghetti.Ted: Yes, spaghetti with meatballs... Mate it. Look!Marshall: No.Doug: OK, maybe it was... than me. In fact, it makessense. I have many black holes. In short, I have always supported. I expected much from you. And you did what? Nothing. We can not count on you. No wonder your girlfriend has dumped you.Ted (2030): And here,children, the only fight I've ever had.What can I say? For starters, a punch to the face, it hurts...very badly. And what hurts more? Ca (Doug gives him a punch too) All I remember is waking up. Barney comesrunning.Barney: OK, I'm hot. Let's go.Ted: A fight was not a good idea, actually. And that's my story. Ted tells his story to the class of Lily.Lily: And what did you learn?Ted: I learned that it is not right to fight and mustnever do.Lily: Questions?Boy 1: Where you find them?Boy 2: I know! Was a big sale at the market for wimps?Children: wimp! Wimp! And both boys are still fighting.Ted (2030): I have not told them what had reallyhappened. Flashback Barney comes running.Barney: OK, I'm hot. Let's go. What has happened?Marshall: CaTed: Damn!Marshall: Apparently, Uncle Marshall and his brothers did more than fight.Robin: Marshall lookslike. He lost weight?Lily: S *****, do not even think about. End flashback Ted and his friends at the bar.Ted (2030): Children, I would tell you that fighting is malet need to do it, but it's useless. So I tell you this: doyou ever fight with Uncle Marshall. It's a big tared. Thanksgiving day, 3 to 4 years later... Marshall is with his family at the table.Marshall: It's so good to be home. Mom, Lily, good job. \"Good meat, good food, goodLord, to the food. \"No? OK, let's go. Put your glasses. (Everyone dons glasses and takes out a sword Marshall Green) Okay, pass me the plate. Lily, white or red meat?Lily: Red! Honey, be careful."}
+{"doc_id":"doc_191","qid":"","text":"Opening scene - Seth's bedroom - Summer and Seth are in there together. Summer is wearing a winter parka, and pulls another one out of a boxSummer: (calls) Cohen come out I wanna seeSeth: alright(Seth comesout wearing red longjohns, he doesn't look happy about it either,lol)Seth: (frowns) I feel like Paul KettleSummer: (looks Seth up and down) not bad (smiles, holds out parka) try this onSeth: (raises eyebrows) oh wowyou got us matching parkasSummer: mm-hmm (turns back to the box) an matching hats an matching scarves, we're gonna be the warmest most coordinated couple at BrownSeth: yeah, you think your jumpin the guna little bit we wont get our acceptance letters till tomorrowSummer: oh please with your dorked out grades an my NASA level SAT's we are so getting inSeth: its Brown (holds out hands) everyone's got good grades anSAT's its very possible that neither of us could get in or that one of us couldSummer: uh-huh, an which one of us would that be CohenSeth: it's just as likely you'll get in an I wontSummer: (turns around) an you reallybelieve thatSeth: yeah, an then where would you be (Summer looks at him) be stuck in Providence with one half of a his an hers parka setSummer: (screws up face) yeah like id go if you didn'tSeth: what (looks atSummer)Summer: Cohen, duh, I applied ta Brown so that we could be together I'm not going without youSeth: ...Summer Browns one of the top universities in the world people dream about going thereSummer: no,you dream about going there (moves closer) I dream about being with the one I love(Seth looks down, Summer lifts the hood of Seth's parka onto his head and brushes the fluffy edging. Seth sniffs)Summer: aww evenall padded up you still look so scrawny (frowns)Seth: I'm gonna go get some water I'm sweating so much I'm getting dehydrated(Seth heads towards the door and Summer kind of waves it off and goes back to herbox)CUT TO: The pool house - Ryan and Sadie are on Ryan's bed making out pretty intensely. Ryan is on top of Sadie and he pulls her leg to his, we're seeing this from behind and then we see a close up of theirfacesSadie: I thought you were making me dinnerRyan: an I didSadie: yeahRyan: mm-hmm (kisses)Sadie: (shakes head) you didn't let me eat it (smiles)Ryan: well no ones stopping youSadie: (kisses) reallyRyan: mm(kisses)Sadie: ok (sits up) well in that caseRyan: no ooo (gently pushes Sadie back down) no (kisses)Sadie: whatRyan: mm(Ryan stops kissing Sadie and lies next to her)Ryan: so with the ninety day escrow (thinks)that means you'll be in town foooooorSadie: ninety more days Einstein (smiles)Ryan: right (Sadie laughs) that makes senseSadie: (rubs Ryan's chest) until you get accepted to whatever college you applied toRyan:yeah (sits up)(Sadie sits up slowly)Sadie: ok, should I not have mentioned it (looks at Ryan)Ryan: no no its fine (looks at Sadie) your rightSadie: your letter should be arriving like tomorrow rightRyan: yeahSadie: I'msorry but I've found ignoring the future never makes it go awayRyan: (nods) well whatever happens we'll make it work (kisses Sadie) (frowns) umm we should eat before the burgers get cold ill-ill grab somewater(Ryan leaves and Sadie watches him - the next thing we see is Ryan coming into the kitchen from outside. he sighs and we see the back of Seth standing at the fridge with the door open)Ryan: hiSeth: hey, youwant a waterRyan: sure(Seth takes 2 bottled waters out of the fridge and hands one to Ryan)Seth: I was jus (points) coolin myself off (Ryan nods, drinks) all this time I thought gettin inta college...would makeeverything so much easier (drinks)Ryan: yeah (looks at Seth) not gonna happenSeth: (looks at Ryan, swallows, frowns) there's a cold front comin through(Seth looks away and pulls the fluffy edging down over hiseyes. Ryan looks away as well)Theme song - California by Phantom Planet Roberts' backyard - Summer is sitting at the table for breakfast and Marissa comes over and sits down, she has a bowl of dry cerealMarissa:pass the milk(Summer holds up a small jug of something white)Marissa: that's cream, I said milk (looks at Summer)(Summer puts the jug of cream down and hands Marissa a taller jug with milk in it)Summer: eatingbreakfast are we (Marissa pours milk over her cereal) does this mean we're actually going to school today or d'you (frowns) just need the extra strength for all the small children you an Volchok plan to mug (raiseseyebrows)Marissa: (fake laughs) hahaha (looks down)(Julie comes out)Julie: big day girls, college letters arriving, are you excited (smiles)Marissa: yeah, deliriousJulie: (sits) don't be nervous Marissa your getting intaBerkeley (looks at Marissa) I feel it in my bonesMarissa: (stands) I gotta get ta schoolJulie: oh Marissa, your friend who dropped you off last night (Marissa looks at her) his motorcycle kind of woke up Neil you mightwant to apologiseMarissa: why, incase Dr. Roberts changes his mind (raises eyebrows) about marrying into our trailer park family (thinks) that's not really my problem (leaves)Julie: Marissa, well she's really outdoneherself again (Summer looks down) listen Summer how worried do I need to be about herSummer: ...I don't know (looks at Julie) she's not exactly confiding in me right now(Summer and Julie look at each other. Neilcomes out)Neil: morning everybodySummer: hi dadNeil: hey sweetheart, feelin lucky (kisses Summers head)Summer: um yes (closes eyes) my aura is greenNeil: oh that has'ta be good, where's MarissaJulie:she-Summer: (looks at Julie) went ta school early (looks at Neil) cause she's nervous with all the college letters an stuffNeil: oh Berkeley would be lucky ta have her (Julie smiles) an just think it's just a short motorcycleride away(Julie raises her eyebrows at Neil. Summer looks at Julie while eating, Julie raises her eyebrows again)CUT TO: Henry Griffin's tennis court - we see Henry hitting tennis balls from an automatic ball serverthing. he hits three over the net and then Sandy walks overSandy: wow that's a hell of a forehand, imagine that connecting with somebody's headHenry: hey Sandy I didn't know you were comin by (holds outhand)Sandy: (points) yeah the gate was unlocked, you should be more conscious'a securityHenry: well I'm assuming these are somewhat subtle references to what happened to Matt, hope he's okSandy: listen lets justskip to the part where you tell me you had (shakes head) nothin to do with itHenry: is he implying that I didSandy: Matt hasn't said anything, this is me talking, I want this hospital built more than anything...but if youhaven't resigned within forty eight hours (Henry looks at him) I'm gonna do everything in my power to take you down (Henry looks away then down) an I was lying (looks at Henry) your forehand sucks(Sandy leavesand Henry watches him before turning away)CUT TO: Harbor school - in the student lounge a banner is being put up as Taylor looks on. the banner is maroon and black with a picture of a sweatshirt in the middle, theword SWEATSHIRT is in solid yellow with white edging, and then in the right corner is BONFIRE in black with yellow edging. at the top on the right is SCHOOL in a yellowy orangeTaylor: I-I- I don't know about that, thatjust doesn't look right to me(Seth, Summer & Ryan walk up the stairs near where Taylor is)Taylor: (notices) oh you guys, I'm so glad to see you (Seth waves)Summer: oh, hey what's upTaylor: have you spoken toMarissa latelySummer: well if you count pass the milk an don't be so skanky(Ryan and Seth look from Summer to Taylor)Taylor: well I need to talk to her about the college sweatshirt bonfire, oh, you guys are comingrightSeth: (Ryan looks at him) is that the thing where all the seniors wear the sweatshirts (Taylor nods) of the colleges there going to, cause that always struck me as incredibly lameTaylor: oh an I need your helppassing out these fliers (hands fliers to Summer)Ryan: I gotta get to class (leaves)Seth: I gotta too (follows Ryan)(Summer looks at Seth and Ryan, poor thing)Summer: w- (sighs)Taylor: I know you guys are justmaking an excuse (holds Summers wrist so she cant follow) to get away from me, its ok it's cute (waves it off) anyway about MarissaSummer: yeah, I wouldn't count on herTaylor: (scoffs) well that's great she'ssuppose'ta get the food for the party, this is so typical (Summer raises her eyebrows) you know people join social committee they think its all fun an games (takes out cell phone) then who ends up doing the work whensomeone (dials) decides to go all Last Exit To Brooklyn, hm (looks at Summer) Taylor that's whoSummer: no, I think she's just going through something right nowTaylor: Seung Ho its Taylor, hi listen how much(whileTaylor is talking on the phone Summer looks over and notices Marissa come in. Marissa looks at Summer then looks away. Summer does the same)Taylor: Kimchi can you get me by tomorrow night (leaves and takesSummer with her) you are saving my ass Seung Ho you are really saving my ass(Marissa's cell rings and she looks at who is calling then answers)Marissa: hey, I'm glad you called(we now see Volchok at what I assumeis where he lives, its like a loft)Volchok: that's the first time anyone's ever said that (smiles) what's upMarissa: nothing, well college letters are arriving today an my moms been pressuring me about it...an Summer an Iare fighting (sighs) so I guess maybe everythingVolchok: well um (sits on the couch) some'a the guys are gonna party on the beach tonight, maybe you should come y'know, take the edge offMarissa: (smiles) can youpick me upVolchok: yeah ill be there in a half hour (hangs up)(Marissa hangs up, she raises her eyebrows and looks almost happy!)CUT TO: Johnny's house - we hear a knock and then Ryan walks in. Sadie is foldingbath towels on the floorSadie: hey youRyan: hey, thought id stop bySadie: well I'm flattered (smiles) taking time outta your busy day to come see me when you have a very important (Ryan sits) letter waiting for youat homeRyan: (leans forward) can I say I couldn't help myself (kisses Sadie)Sadie: ah-huh (kisses) you know I could probably tell you if you got inRyan: yeah (raises eyebrows, nods)Sadie: I could, I never mentioned Icould read palmsRyan: no, must've slipped your mind (smiles)Sadie: must have(Sadie takes Ryan's hand and sits down next to him on the couch, we see a close up of her running her fingers gently over Ryan'spalm)Sadie: well (looks at Ryan) your gonna be richRyan: well that's nice to knowSadie: (looks) oh whoops sorry, I read it upside down so flip thatRyan: well, easy come (smiles)Sadie: this is important, it's warningagainst (looks at Ryan) dark haired beauties who walk into your lifeRyan: (raises his eyebrows, looks down) really, what'does it saySadie: says if your not very very careful (looks at Ryan) they'll steal your heart(Ryansmiles a huge smile at Sadie and then they kiss. Ryan puts the folded towels on the floor and moves closer to Sadie)Ryan: an in all that there's-there's nothin about collegeSadie: yeah yeah, you got in (nods)(Ryan hasa wide eyed expression and then he closes his eyes as they continue kissing)CUT TO: Roberts' house - Volchok and Marissa ride up on his motorcycle. Marissa gets off and Volchok takes his helmet off, Marissa hands herhelmet to VolchokMarissa: alright I just need to grab a jacketVolchok: um, any chance you could get some beer money, I'm a little shortMarissa: sure, ill be right back(the next thing we see is Marissa coming down thestairs as she puts her jacket on. she un-tucks her hair from the jacket and goes over to Julies purse sitting on the side. she looks around and then unzips the purse and pulls out a wad of cash. Marissa shoves the moneydown the side of one of her boots and then zips Julies purse back up, as she does she notices the envelope from Berkeley. she picks it up and looks at it for a few seconds before turning it over and opening it. she pullsout the contents and starts reading, we see a close up of the letter, the parts we can see read Dear Marissa, Congratulations on your acc Of California, Berkeley. Ther Berkeley, anywhere, and you h are now challengedwith makin of selecting which major cour pursue. We know that this can we then see Marissa's reaction to the news of her acceptance! she raises her eyebrows and looks pleasantly suprised and slightly relieved. shelooks down at the letter for a few seconds and then looks up then back down almost as if she cant believe it, all of a sudden her happiness/confidence disappears and she throws everything in the trash, aww we thenhear the door open and close as she leavesCUT TO: Cohen house - the angle of the shot is inside their letter box looking out, we see as Seth opens the door and looks inside, he pulls out the stack of mail and thencloses the door. the next thing we see is him come back into the house. he takes off the elastic band and then lifts up Ryan's Berkeley letter and puts it to the bottom of the stack, he looks down at his Brown letterwhich is now at the topCUT TO: Roberts' house - Summer picks up her Brown envelope and looks at it and then turns it over and opens it. we see a shocked expression from Summer then part of what the letter sayslike before with Marissa. it reads Dear Summer, I hope you are as pleased to receive this admitted to the 243rd class to enter The Admission has selected from nearly 18, members of the class of 2010, will give classever. You will be one of 1,440 fre remarkable diversity of strengths and in we believe you can contribute to our ac from the wonderful opportunities that d we then see Summers reaction, she makes a fist and sort ofbounces excitedly on the spotSummer: oh my god (laughs, smiles)CUT TO: Cohen house - Ryan comes in the door and grabs the Berkeley envelope from the side. he rips it open and pulls the letter out, we see what itsays. it's identical to Marissa's except for Dear Ryan,Ryan: oh my god (smiles) (we then see Seth with his Brown envelope. he sits on his bed and opens the envelope, he starts reading the letter. we then see a close upof part of it, and it reads ission has completed it it is with real regret that ong our acceptances. T sible for the decision as the camera zooms in to emphasise the words real regret. we then see Seth's stunnedexpression)Seth: oh my god(Seth looks up - downstairs Summer comes in the front door)Summer: (calls) hello(Ryan is in the kitchen with the Berkeley letter)Ryan: (calls) Summer(Summer rushes in excitedly with asmile on her face)Ryan: heySummer: I got in! (huge smile)Ryan: what! yeeeaaahhh, alright(Ryan excitedly picks Summer up in a hug and spins her around, aww)Ryan: ah congratulations, that's amazingSummer:thanks, did youRyan: yeah (nods)Summer: really (claps)Ryan: yesSummer: oh congratulations!Ryan: thankyouSummer: where's CohenRyan: uhhh I I don't-(Seth comes down the stairs)Seth: heyRyan: heySeth: soyou guys both got inRyan: yeah, you(Seth looks from Ryan to Summer)Summer: (worried) oh my god(Ryan looks at Summer, Summer looks at Ryan then Seth)Seth: ...pack your muffler (smiles) we're goin to Brown(arelieved Summer hugs Seth)Ryan: yeahSummer: oooooohhhSeth: (kisses Summers head) mwaRyan: oh man (touches Seth's shoulder)Seth: yeah yeahthat's awesome dude (shakes Seth's hand)Seth: (to Ryan) an I'mproud'a youSummer: sooo happyRyan: hey hey hey(Ryan hugs Seth and Summer so its a group hug, aww. we see a close up Seth's worried face)CUT TO: Seth's bedroom, next morning - Seth is on the phone in hisrobe and PJ's, he's pacing while talkingSeth: hello, hi, I've been on hold since five in the morning so I- here's my question, is there some sort of possibility that a mistake was made cause I mean mistakes can happen(scratches head) right even at Brown (later) no no I'm not tryin'a be sarcastic at all, let me ask you this is there some sort of appeals process or um (later) next year (raises eyebrows, laughs) lady my girlfriend is is is isg- hello(Seth rubs his neck and hangs up, then screws up his face)Seth: (frustrated) yaaaaahhhhh (later) (frowns) oooohhhCUT TO: Cohen kitchen - Sandy is in there looking out the window, distracted and Kirstencomes inKirsten: SandySandy: (looks) oh heyKirsten: good morning (kisses Sandy) mmm (wraps arms around Sandy's neck) whatever problems your thinking about right now let them go (smiles) our kids got intacollege its a big daySandy: (smiles) oh your right, we did it (raises eyebrows)Kirsten: we did it (smiles)Sandy: we did it(Seth comes in)Seth: I see the self congratulation has begunKirsten: aah (runs over to Seth) oh,we are (hugs Seth) so proud of youSandy: a Cohen in the Ivy Leagues, you did the work but I think our genes deserve some'a the credit (hugs Seth)(Seth seems to be uncomfortable with all the attention he'sgetting)Seth: thanksSandy: we knew you could do it (rubs Seth's back)Seth: oh hey there's Ryan, he got inta college to (points) give him some hugsKirsten: congratulations (hugs Ryan) ooh (Ryan smiles)Sandy: ournext generation Berkeley man, congratulations (hugs Ryan)Ryan: thankyou(Seth drinks his water)Kirsten: we're so proud, both of youSandy: an you know what we should have a celebration dinner (Seth raises hiseyebrows) tonight, please invite your ladiesRyan: yeahSeth: (frowns) I don't know, you think we're makin too big a deal though (Ryan frowns at him)Kirsten: your fathers right seven thirtyRyan: sure sure (touchesSeth's arm) thanksSeth: no more hugging though physical contact freaks me out(Ryan and Seth leave. Kirsten laughs)Kirsten: feeling betterSandy: (raises eyebrows, smiles) yeah(Kirsten kisses Sandy)CUT TO:Roberts' backyard - Julie is leaving a message for MarissaJulie: Marissa I don't know where you were last night or what you think your doing but you call me as soon as you get this, I've had it young lady(Julie hangs upand sighs. Neil comes out holding Marissa's Berkeley letter)Julie: oh, Neil your up, can I get you some coffeeNeil: no (sits)Julie: Summer just left, she's so excited about Brown, she wanted to stop by REI on the way toschool something about a sub zero sleeping bag (Neil picks up Marissa's Berkeley letter) Marissa must of left super early this morning (sits) I'm worried she didn't get in an maybe is embarrassed to tell me (frowns)Neil:(looks at the Berkeley letter) she got inJulie: excuse meNeil: (holds out Berkeley stuff) I found this in the trash when I got home last nightJulie: (looks at letter) oh my godNeil: Julie we both know she didn't spend thenight here (Julie looks at him) I don't know what's goin on but we have'ta stop pretending that it's not happening (looks at Julie) (Julie looks at him) you've gotta talk to her(Julie looks down)CUT TO: Volchok's loft -Volchok and Marissa are on a mattress together with the covers over them. Volchok has one of his arms draped on Marissa. Marissa stirs and looks over at Volchok, after a few seconds she sits up and then sits on theedge of the bed while she puts her dress on. we see this first through a red mesh curtain thing which you cant see through very clearly, then it changes to a clearer blue one as she pulls the dress down. as Marissawalks away from the bed Volchok reaches his arm over to where Marissa was and stirs when he realises she's not there. Marissa sits down on the coffee table and puts her socks onVolchok: you late forsomethinMarissa: I figured id make an appearance at Harbor, its only fourth period (smiles)Volchok: so what're you doing tomorrowMarissa: my schools having this party thing I have'ta go to, all the seniors wear thesweatshirt to the college they got into, itsVolchok: the gayest thing I've ever heard (looks at Marissa) (Marissa looks at him then down) so your really thinkin about going to collegeMarissa: why, you don't see it(smiles)(Volchok raises his eyebrows and then sits on the edge of the bed)Volchok: so uh me an some'a the guys are going to Baja for the weekend, you know surf, smoke some Mexican green (smiles, looks at Marissa)wanna come (Marissa looks at him) or can't you miss your gay sweatshirt party(Marissa looks as though she's thinking)CUT TO: Harbor school - Ryan is in the student lounge and Summer goes over to himSummer:hey, Atwood, have you seen SkeletorRyan: uh no whySummer: well I bought us thermal face masks for Providence an I wanted him to try his onRyan: oh, well why don't you just bring em to dinner tonight (Summerlooks at him, clueless) Sandy an Kirsten the uh celebration thingy (raises eyebrows) I'm sure he meant ta tell youSummer: oh (nods) well yeah, probablyRyan: probably (smiles uncomfortably)Summer: (looks down)um, when you see him will you give him this(Summer yanks Ryan's head down by the front of his hair and then walks off. Ryan screws up his face and then turns around, he notices a foot that looks alot like Seth's. wesee someone slouched on the couch reading, with his foot up on the table. Ryan pulls the calculus book down and we see that it is indeed Seth)Ryan: hey man (sits next to Seth) um, Summer was lookin for you (looks"}
+{"doc_id":"doc_192","qid":"","text":"[PREVIOUSLY_ON]IAN: What the hell? I knew you guys couldn't be complete dorks.CLAY: Complete dorks and officially your agents.NATHAN: You got a bathroom in this place?IAN: There's one in the back of the housepassed the kitchen.BROOKE: Julian!CHLOE: I want two people who are gonna love this baby, and that's the reason why I want you guys to be the parents.BROOKE: Well, since we don't know the s*x, I like yellow.Julian likes green.JULIAN: She just changed her mind, Brooke. She held her in her arms, and she just couldn't go through with it.HALEY: Quinn? It's time.NATHAN: It's a girl.QUINN: Yay!HALEY: This is Lydia BobScott.NALEY'S HOUSEHaley puts Lydia in her crib.BRULIAN'S HOUSEBrooke arranges the businesses of the baby.KELLERMAN'S HOUSENathan, Julian and Clay looks at car which is the garage.NATHAN: Was that the carfrom the bridge that night?FLASHBACK, GABEL BRIDGEJULIAN: No, stop! Stop! Stop!BROOKE: Julian!JULIAN: No, Brooke!CLAY'S CARJulian is with Clay.JULIAN: What the hell is wrong with people? How do you justdrive away from an accident like that?CLAY: Nate said he found an empty bottle of Phidian's in the front seat.JULIAN: Bourbon? No wonder his son's a douche bag. This guy is an educator, a teacher who talks aboutethics in business every day, and he just gets drunk, nearly kills Jamie and my wife, and just drives away. Ugh! Brooke nearly drowned that night, and he just leaves her there and gets away with it.CLAY: Not for long.Hey, by the way, I'm sorry about the baby and the adoption. How's Brooke doing?JULIAN: She's devastated. You know, she's trying, but she's a mess.CLAY: Well, for what it's worth, she didn't die on that bridge. Youknow, she's alive. You two have each other. And take it from me that's a hell of a lot to have. Kellerman's class is about to start.KELLERMAN'S CLASSThe class is starting. August sees Jamie in a seat.AUGUST: Goodmorning. Take your seats. Stop talking, and let's begin. Well, it seems my class gets younger every day. You must have done exceedingly well on your advanced placement exams. What's your name, son?JAMIE: JamieScott.AUGUST: Jamie Scott. Of course. And your father is...JAMIE: Nathan Scott. He's sitting right there.AUGUST: Mr. Scott. Is it because you couldn't afford a sitter, or did you bring your son to match wits with me,like your so-called business partner, who, frankly, looked to be about the same age?NATHAN: Nothing like that. He just wanted to see you again. AUGUST; But I don't believe we've met.NATHAN: You have, briefly. Weran into each other the night of the big storm. Well, actually, you ran into Jamie. You were in your Wagoneer.AUGUST: You're sure it was the night of the storm?NATHAN: Absolutely. You were in your Wagoneer, andyou were with your friend, Mr. Phidian. And you were in a hurry, so we really didn't get a chance to talk.AUGUST: Well, we should do that perhaps after class in my office.NATHAN: We know where to find you. Come on,Jamie. We're holding up class.(Nathan and Jamie leave)AUGUST: You know... You won't get another today. Go enjoy it. Class dismissed.STUDENTS: Whoo!ONE TREE HILL - OPEN CREDITSRED BEDRROMRECORDSQuinn sees a microphone and starts to sing \"Eye of the tiger\".QUINN: \"It's the eye of the tiger, it's the thrill of the fight risin' up to the challenge of our rivals and the last-known survivor stalks his prey in thenight and he's watching us all in the ey-y-e\"(She sees Alex)QUINN: Of the tiger. Hey.CLUB TRICMillie asks to Mouth to find a new topic for the new show.MOUTH: Drugs -- more specifically, drug stores.MILLICENT: I doa story on drug stores? What's the angle?MOUTH: The angle is how drug stores are the new coffeehouses. Remember when there was a new coffee shop on every block? Well, now it's drug stores. They're everywhere.It's like caffeine used to be the drug of choice, but now people are skipping the coffee and going right for the actual drugs.MILLICENT: They could wash it down with the coffee. What else you got?MOUTH: How 'bout theairlines? We keep bailing them out with more money, and they keep sucking. You could do an expose on the worst airline on the planet. They have those planes that don't ever leave the airport.MILLICENT: I shouldprobably keep it more general than that.MOUTH: Okay, so talk about how the airlines charge for everything now snacks, bags, that ratty scrap of disease they call a blanket.MILLICENT: Not bad.MOUTH: And they lie.They're such liars. They know when your flight's gonna be three hours late, but instead of telling you, they say your flight's on time. Then they change the status every 20 minutes to give you 9 times' worth of falsehope, as if that somehow makes it not as bad. Oh, how 'bout when they tell you to turn off your phone for safety reasons? If the safety of the plane could be affected by cellphones, do you really think they'd let youbring them on board?MILLICENT: I never thought of that.MOUTH: In this day and age, considering all their restrictions, we're really gonna trust first-time-flyer Carl back in 14C to turn off his cellphone so we can all landsafely? I mean, considering he boarded with the wrong group, reeks of cologne, and laughs out loud at his own jokes, that's the guy we're gonna trust to do the right thing?MILLICENT: You're kind of angry, MarvinMcFadden.MOUTH: About flying? Yeah, a little. Some idiot tries to light a bomb with his stinking sweaty feet, and now I got to take my shoes off to walk through the foot rot of a million travelers every time I fly. Theyshould have sentenced that guy to stand near the security check at every major airport, and we should get unlimited kicks.MILLICENT: My baby is cranky.NALEY'S HOUSEHaley tries to deaden Lydia. Jamie comesin.HALEY: Who's a fussy baby? Who's a fussy baby? No, there's no reason to fuss. No, there's no reason to fuss, baby. Oh. Shh, shh, shh, shh, shh.JAMIE: Mom, Chester's a little upset with you.HALEY: Oh, boy, a baby,and a bunny. Well, the cute factor's high. Why is Chester upset?JAMIE: Well, I kind of told him that Lydia's middle name was Bob after of grandma's cat, and he was a little hurt by it.HALEY: Oh. Gee, I'm sorry. Well, hedoes have a good point. Lydia Chester Scott -- I don't know. It doesn't quite have the right ring to it, does it? Does it?JAMIE: I guess. But if I ever have a kid...Their middle name's gonna be Chester.HALEY: I supposethat's fair. So, what do you got going on today, kiddo?JAMIE: Not much. Dad's gonna take me to the Rivercourt every day this week as a reward.HALEY: A reward for what?JAMIE: For going to his class and messingwith his teacher.HALEY: August Kellerman?JAMIE: Yeah, I think that's him. He has the bulldog, right?HALEY: Yeah, Dogust.JAMIE: I wonder if his son's middle name is Dogust. She's pretty awesome, mom.HALEY: Yeah.I think so, too.RED BEDROOM RECORDSAlex imitates Quinn.ALEX: \"It's the eye of the tiger, it's the cream of the fight rising up to the challenge of our rivals\"QUINN: Very funny. By the way, it's \"thrill,\" not\"cream.\"ALEX: Oh, I thought it was \"cream.\"QUINN: Why would it be \"cream of the fight\"?ALEX: Good point. \"Thrill\" is better.QUINN: What are you doing here, anyway?ALEX: I was just gonna ask you the samething.QUINN: Well, Haley asked me to help out for a couple of weeks since Lydia was born, which happens to be very good news for you.ALEX: Why? Because I get free studio time?QUINN: No. How many songs do youhave?ALEX: Uh, I don't know. A bunch.QUINN: Good. How would you like to open for Olin & The Moon?ALEX: Oh, my God! Are you kidding me?! Yes, absolutely!QUINN: Perfect. It'll be this weekend.ALEX: Thisweekend?QUINN: Yeah.ALEX: I'm opening?QUINN: Mm-hmm.ALEX: For Olin & The... who?QUINN: The moon, yes. I hope.ALEX: Wait. No, no, no, no, no. Why you hope so?QUINN: Well, I mean, I have you. I just haveto get Olin & The Moon.ALEX: Damn it.QUINN: No. No \"damn it.\" Besides... I know something you don't.KELLERMAN'S OFFICENathan has a conversation with August.AUGUST: Whatever you think you know, you'vemade a mistake.NATHAN: I saw the car in your garage.AUGUST: First of all, my home and my vehicle are my own business. Beyond that, I had an accident. So what? So what?NATHAN: So you nearly killed my son anda good friend.AUGUST: You're wrong. I swerved to miss some deer, and I hit a light pole.NATHAN: You hit a car, Kellerman, on the Gabel Bridge, and then you drove away and left two people drowning in the river whenthe levee broke.AUGUST: I didn't...NATHAN: You didn't what? You didn't do it, or you don't remember doing it, considering the empty bottle of bourbon I found underneath your front seat?AUGUST: You're making amistake.NATHAN: Okay. Okay. So, you had an accident the night of the big storm, you smashed the front of your late-model maroon Grand Wagoneer, and then you drove away without anybody seeing. Meanwhile, adifferent late-model maroon Grand Wagoneer crashed into my son's car on the same night at around the same time, and then also drove away. And the eyewitness is mistaken.AUGUST: I have nothing else to say toyou.NATHAN: Well, I have something to say to you. My son was trapped inside that car. He was scared, and he was alone, and you left him there. His godmother nearly died that night in front of his eyes. And you couldhave helped them, but instead, you slipped into the shadows like a coward. Well, I'm about to shine a light into those shadows because I know what you did, and you know what you did. And this is going to be maderight by you or by me. You think about that.BRULIAN'S HOUSEBrooke is sad for she couldn't have the baby.JULIAN: Brooke, it's okay.BROOKE: I know.JULIAN: I don't want you to worry about this stuff. I'm gonna paintthe wall, and we're gonna send these things back, and we're gonna be just fine.BROOKE: I know. I'm all right. I can do it.JULIAN: Hey. It's gonna be okay.NALEY'S HOUSEQuinn sings a song for Lydia.QUINN: \"Mahnamahna, doo doo-doo doo-doo mahna mahna, doo doo-doo-doo mahna mahna, doo-doo doo-doo-doo doo-doo-doo doo-doo-doo Dee Dee-Dee-Dee Dee-Dee-Dee mahna-mah, mahna mah ma mahna mahna mahna mahmahna mah. »(Haley comes in)QUINN: Hey!HALEY: Okay. Let's take the baby from insane Aunt Quinn.QUINN: Oh, she likes her Aunt Quinn.HALEY: Oh. Come here. Come here, baby.QUINN: Besides, insane Aunt Quinnjust booked Olin & The Moon to play Tric this weekend.HALEY: Oh. Get out of here.QUINN: Yeah.HALEY: No, let's get out of here. She needs to sleep.QUINN: Yeah. Yeah.BRULIAN'S HOUSEBrooke and Julian are readyto paint the room. Phone rings.JULIAN: You want it?BROOKE: Depends. Who is it?JULIAN: It's... Clothes Over Bros.BROOKE: Hello?CLUB TRICAlex joins Chase in the Tric.ALEX: Hello.CHASE: Hey, is that world-famousactress Alex Dupré or world-famous singer Alex Dupré?ALEX: Not world-famous yet, but someday. So, check it out.CHASE: Well, well. How much more handsome do I look?ALEX: Same, which is very. Just thought youmight want to see the baby steps.CHASE: Very badass. How we doing on the booze and boys front?ALEX: Well, I don't know how you're doing with booze and boys, considering you gave my job to mouth after he tied acherry stem with his tongue. But I'm doing quite well, actually.CHASE: You are. You're doing great. I'm proud of you for it.ALEX: Baby steps.NALEY'S HOUSEHaley plays with Lydia.COFFEE BARVictoria joins Brooke inthe coffee.VICTORIA: Hi, honey.BROOKE: Hi.VICTORIA: So, how are you?BROOKE: Clothes Over Bros offered me a job.VICTORIA: Well, it's about time. Let me guess -- the line doesn't work without the talented girlwho spins the straw into gold.BROOKE: I suppose.VICTORIA: Vice President?BROOKE: How'd you know?VICTORIA: It's what I would have done. Then they get your taste and your talent, and the higher-ups don't gettheir egos bruised. How's the money?BROOKE: It's good. Maybe it's better than good. I get all influence creatively, and they still own my apartment in New York.VICTORIA: You'd come back to New York, full time? Howdoes Julian feel about New York?BROOKE: He wants to go. We both do.VICTORIA: I'm sorry about the adoption.BROOKE: Me too.VICTORIA: But if the money is better than good, you'd be crazy not to take it.BROOKE:Do you think so?VICTORIA: It's New York. It's lucrative. It's what you love to do. And it's your baby.RIVERCOURTNathan and Jamie come to play basketball.JAMIE: So, dad, today, I thought we could play a game withLydia.NATHAN: Yeah. Then, maybe after, we can work on your left hand.JAMIE: Hey, where'd the baskets go?NATHAN: \"Future home of: The River View Condominiums.\"JAMIE: What does that mean for theRivercourt?NATHAN: There won't be a Rivercourt.(Nathan calls Mouth)NATHAN(at phone): Hey, Mouth, do you know about the Rivercourt? Yeah, there's a sign up here that says they're turning it into condos somethingcalled the River View Condominiums. Yeah. Hey, uh...I'm gonna have to call you back. Okay. See you.August comes in and wants to talks with Nathan.AUGUST: Just the man I wanted to see.JAMIE: I believe I owe youan apology.AUGUST: It's okay. That's gracious of you, Jamie, but it's certainly not okay. Do you mind if I speak to your father for a minute?JAMIE: Well, we can't play anyway.NATHAN: Jamie, why don't you go aheadand wait in the car for a minute, okay?JAMIE: Okay.NATHAN: Thanks, buddy.JAMIE: Hey, Professor Kellerman, can your dog actually ride a skateboard?AUGUST: He can.JAMIE: Cool.AUGUST: I've been \"ProfessorKellerman\" for nearly 30 years. I'm a senior academic with tenure. Do you know what that means?NATHAN: It means they can't fire you.AUGUST: It means they can't fire you without cause, usually stemming fromsevere misconduct. You mind if we sit?NATHAN: I'd rather stand.AUGUST: I'll sit. Academic tenure is primarily intended to guarantee the right of academic freedom. It protects teachers when they dissent fromprevailing opinion, openly disagree with authorities, or spend time on unfashionable topics. It does not, however, allow you to drive drunk and flee the scene of an accident, which is what I did. I was having a dinner inRaleigh, and I-I didn't want to wait out the storm.NATHAN: So you drove home drunk, with an open bottle of Phidian's in the car.AUGUST: And that was wrong. So, as of today, I'm no longer Professor Kellerman. I'veresigned my position. And I'll pay for any damages to the vehicle, hospital bills -- all of it. I'd appreciate that the authorities not be involved, but I'll understand if you feel it's necessary. And one more thing. I'm sorry.It's a good system, tenure... Except when teachers fail to use their freedom for the common good. Condos. It's a shame. Parks are important to a community, for families, fathers and sons. It's a shame.CLUBTRIC/NALEY'S HOUSEHaley can see the Tric by the TV.QUINN: Hey-y-y...testing. Testing. Hales?HALEY: Awesome! There you are.QUINN: See, this way, you can be here for the show and be home with Lydia,too.HALEY: That's so cool. Thank you. You look like you're on TV.QUINN: I've always wanted to be on TV.HALEY: Well, sing or dance or entertain me or something.QUINN: Um... \"It's the eye of the tiger, it's the thrill ofthe fight not the cream to the challenge of our rivals and the last-known survivor stalks his prey in the night\"(The band come in)HALEY: Quinny, uh...QUINN: \"And he's watching us all with the eye\". Um... Hey.BARCOFFEEIan joins Nathan and Clay.IAN: Hey.NATHAN: Hey.CLAY: Thanks for coming.IAN: First off, congrats on the baby. Very strong. Tell her to come and see me in about 17 years.NATHAN: Wow.IAN: Second, uh...Idon't know what to say. My dad is, um... Well, as you know, we're not very close, and, um...I just hope that what happened doesn't affect us you know, the three of us.CLAY: We represent you, Ian. We don't representyour father.IAN: Well, I appreciate that. I mean, the truth of the matter is, I feel bad for the old man, but at the same time, I got a showcase coming up.NATHAN: And that's what you should be focused on. That's whywe wanted to talk to you today. That workout's a big deal.CLAY: Yeah, there's gonna be some big-time scouts there. Now, you just need to do what you do and just close the rest of it out.NATHAN: It's like you told methat night on the mound he cannot touch you out there. You throw the ball, you strike them out, and that's it. We'll do the rest.IAN: Okay. But before that, we need to get some drinks celebrate that baby.CLAY: Whatare you guys doing tonight? I'm going to Tric. Olin & The Moon, Alex Dupré. If you guys want to roll through, I can put you on the list.NATHAN: I'm gonna try to make it. It'll probably be a late night, though.IAN:Perfect. I'm gonna get a workout in, and, um, I want to avoid Alex Dupré. I was kind of working that, but she totally blew me off.CLAY: Smart girl.NATHAN: All right, I got to go. Clay, I will see you tonight if you can getin. Ian, why don't you ask Clay why Alex Dupré knows he can see the ocean from his bedroom? I've never asked him.IAN: So?CLAY: Uh... I'm thinking pancakes.NALEY'S HOUSEBrooke has come to see Lydia and talksabout her new offer.HALEY: I can't believe they're gonna tear down the Rivercourt. It's gonna be so weird not to have it here.bIt's sad. Like...Reminds me that we're not who we used to be anymore.BROOKE: I got anoffer to go to New York.HALEY: What?BROOKE: A job offer to move to New York and design.HALEY: For who?BROOKE: Clothes Over Bros.HALEY: Is that something that you'd consider?BROOKE: Victoria thinks I should.Maybe it's good that the Rivercourt will be gone. When we see it, it just reminds us of what's gone of who we thought we'd be someday.RIVERCOURTSkills, Mouth and Millie discover the new project.SKILLS: \"Futurehome of: River View Condominiums\"? Former home of a river view condominiums sign.MOUTH: I can't believe it. We've spent most of our lives out here.SKILLS: Yeah, every night and I mean every night.MOUTH: Wecalled every game here me and...Jimmy.MILLICENT: Maybe there's something we can do find out if it's definitely happening and how soon.SKILLS: A lot of living done right here, bro the end of an era.CLUB TRICChasejoins Alex in her loge.CHASE: How you doing, devilish?ALEX: I need a drink... And a boy. I need a drink and a boy.CHASE: So much for baby steps.ALEX: Mia was right. I'm not a musician. I'm just an actress pretendingto be one.CHASE: No, you're not. I've heard your songs. They're great. And so are you. Don't drink that.ALEX: Fine. Cheers. Mmm. Boy with a booze chaser. Yum. Okay. Quinn introduces Alex.QUINN: Ladies andgentlemen, please welcome the very beautiful and very talented Alex Dupré. Alex starts to sing. Quinn joins Chase in the bar.QUINN: She's good, huh?CHASE: Yeah.QUINN: And sexy and single. I'm just saying.NALEY'SHOUSEJamie and Nathan plays with Lydia.BRULIAN'S HOUSEBrooke drinks alcohol to forget her pains.GABEL BRIDGEJulian goes back in the accident place.FLASHBACK, GABEL BRIDGEJamie and Brooke wedged in thecar.JAMIE: What's happening?JULIAN: It's the levee! I got to get you out now!BROOKE: Julian...JULIAN: I can do it.BROOKE: Help him.JULIAN: I can do it.BROOKE: Julian, he's just a boy.JULIAN: I can get you out,Brooke!BROOKE: Julian, save him, and then save me. Please? He's just a boy. Go.CLINN'S HOUSEClay has fun to play the cow-boys.RIVERCOURTMouth ans Millie dance and Skills plays basketball around them.CLUBTRICAlex finishes her song.NALEY'S HOUSEJulian looks at picture of the family. Nathan sees him.NATHAN: Want a beer or something?JULIAN: No, thanks. I'm good.NATHAN: So, Kellerman came to see me yesterday.He admitted that it was him. He resigned his teaching position, and he offered to pay any costs associated with the accident, and he apologized.JULIAN: He apologized?!NATHAN: I'm not defending him, Julian. I justwanted you to know what happened. He said that he was hoping we wouldn't go to the cops, but if we did, he would accept whatever happens.JULIAN: You see, this is what I'm talking about, Nate so now it's on us? SoI got to feel guilty if we turn in Kellerman for getting drunk and driving like an idiot? Great! That's on me now.NATHAN: And me. What do you think?JULIAN: I don't know. What do you think?NATHAN: I thinkKellerman's life was academia, and he just lost that.But if you want to turn him in, I'm completely fine with that, too. This has nothing to do with Ian or Fortitude.JULIAN: I know that, but I want to talk to him.NATHAN:Ian?JULIAN: August Kellerman. I want to look him in the eye and hear his side of things.NATHAN: I think that's fair.CLUB TRICQuinn introduces the next group.QUINN: First off, I want to say \"hi\" to my sister Haley.She's home tonight but, uh, watching on her webcam. So, let's all turn around and say, \"hi, Haley!\"PUBLIC: Hi, Haley! Hi, Haley! Hi, Haley! Hi, Haley!HALEY(at webcam): Hi! Say \"hi,\" Lydia. Hi!QUINN: Perfect. Now let's"}
+{"doc_id":"doc_193","qid":"","text":"Becca: Vernon and I just want to thank you all for coming. Ever since I was a small girl, I've dreamt of this day.Vernon: Me, too.(laughter)Becca: Sure, in my fantasy, it took place at Fraggle Rock. (laughter) I wasmarrying Johnny Depp.Vernon: Me, too.(laughter)(Becca clears her throat)Becca: But in all seriousness, it is so amazing to be surrounded by so many people who care about us. We really feel... so much love from youguys. And as the Beatles said, \"All you need is love.\"And a Vera Wang dress.(Becca chuckles)(laughter)Vernon and I are looking forward to seeing you at our 50th wedding anniversary.(Becca laughs)(crying): Promisedmyself I wasn't gonna do this.Uh, Jimmy, are you having a-a good time?Jimmy: Absolutely. Just so glad you invited me.Becca: Really?Jimmy: Of course. Sometimes, well, you just want to witness the beginning of adisaster, so later, when the house is engulfed in flames, you can say, \"Yup, I was there when they installed the faulty wiring.\"Becca: Unbelievable.Jimmy: Just admit it. You only invited me here so you couldpassive-aggressively rub my nose in your happiness. At least I would have had the decency to rub your nose in it directly.Becca: Oh, yes, your commitment to honesty is so refreshing. It must be so hard being the onlyone who sees people for what they actually are.Jimmy: It is. It's incredibly hard.Becca: Well, it's also gonna be what keeps you alone, because you are ugly and unpleasant and honestly, Jimmy, you're not the originalyou think you are.Jimmy: I'm not original? Wow! That is hilarious, coming from such a... No, you're right. This day isn't about me, is it?Becca: What were you gonna say?Jimmy: Forget it.Becca: No, I'm serious. I reallywant to know what does (in British accent): the brilliant Jimmy Shive-Overly think about me?(Jimmy grunts)Vernon: You talk to her again, and me and my boys will mess you up.Jimmy: Who talks like that?Vernon: I'mserious, Jimmy.Jimmy: Fine, not a problem.Enjoy your sham of a marriage!Vernon: I will!Gretchen: You got another one of those?Jimmy: Pretty expensive.Gretchen: Good job in there.Jimmy: Getting married doesn'tremove you from the burden of having to act like a human being.Gretchen: Totally. Those two are doomed.Jimmy: Right? Has any couple ever had a more dishonest start to a marriage? I mean, the balls to have atraditional Catholic ceremony.Gretchen: When she's already had two abortions.Jimmy: And can only orgasm through a**l.(people gasp and mutter)Jimmy: Mr. and Mrs. Cottumaccio.Man: Let's go inside.Jimmy: OldCottumaccios.(man mutters)You're pretty.Gretchen: Thanks?Jimmy: How do you know her?Gretchen: I'm friends with the sister.Jimmy: Friends with Fat Lindsay?Gretchen: Yeah, me and Fat Lindsay are hellaclose.Jimmy: So, uh, what you heard about me?Gretchen: Nothing, just that you're the worst.Jimmy: Says the girl who just stole a blender from a wedding.Gretchen: No. Really? Oh, man! I thought it was a foodprocessor.Jimmy: Who's the worst now?Gretchen: Yeah, well...Gretchen: I don't know what I'm doing here. I'm not even attracted to you.Jimmy: What does that have to do with anything?Gretchen: Yeah. \u0000 Don't lookahead There's stormy weather... \u0000Jimmy: What? It's L.A. Who doesn't drive?Gretchen: DUI. I occasionally see this movie director guy.Jimmy: Gross.Gretchen: One time, he booty-texted me from some awards show. Iwas already at the bar, so I drove over to his house, and then he texted me he was going to be late, so I idly drove around his neighborhood...(chuckles): until I kind of sideswiped an off-duty cop.Jimmy: Do you know,I'm glad this is a one-night thing, so we can reveal all this awful sh1t about ourselves.Gretchen (chuckles): Totally. High five. I'll get that. Okay, I like that.Jimmy: All girls do.Gretchen: Don't call me \"all girls.\" Damn it.That's good, too. \u0000 Don't look ahead There's stormy weather... \u0000Jimmy: You know, right before Becca broke up with me, I started reading her e-mail.Gretchen: Oh, I've done that.Jimmy: So even though I hadwarning, when she broke up with me, it kind of... just kind of knocked me out. Even though she's clearly a ridiculous human being, you know?Gretchen: Yeah. Break-ups hurt. I've heard. I don't really dorelationships.Jimmy: Me, neither. Anymore.Gretchen: So, what, are you one of those creepy foot guys?Jimmy: No. I have nervous hands, and they have to stay busy.(moaning)Gretchen: Yeah, that's good.Oh, don'tstop, you son of a bitch. Oh, yeah...(Jimmy spits)You just spit on it?Jimmy: Yeah.Gretchen: You just spit on my v*g1n*.Jimmy: So?Gretchen: Don't!Jimmy: Why?Gretchen: Why don't spit on my v*g1n*?Jimmy: It'ssaliva. It's gonna get there anyway.Gretchen: Hmm. And that's how I got crabs from my guidance counselor.(Gretchen chuckles)Jimmy (softly): Hey.Gretchen: Hey.Jimmy: Right.Uh, I should get some sleep,so...Gretchen: Right. Good night.Jimmy: Wait. What?Gretchen: Oh, relax. I'm just lazy. I'll sneak out in the morning.Jimmy: No, there are no sleepovers.Gretchen: Oh, too bad.Jimmy: I have sleep apnea. I have towear a CPAP machine.Gretchen: Don't care. I'm a log.(CPAP machine beeps, whirrs)(Gretchen laughs)You look like Top Gun.Jimmy: Shut up.Gretchen: I'm so glad I'm not gonna remember any of this in themorning.(machine whirrs rhythmically)\"Never leave your wingman.\"(both laugh)Jimmy: So stupid.(Jimmy sighs)Edgar: Good morning.So, I've been thinking about ghosts.Jimmy: Oh, the things that don't exist becausethere is no soul?Edgar: Mm...Jimmy: What a great use of your time.Edgar: You know my great-grandfather Baldemar on my father's side, right?Jimmy: What? No. How could I possibly know your great...?Edgar: Oh, hewas this crazy adventurer guy who owned a ranch in Zihuatanejo, and he sold arms and was a matador. Jimmy: What was his name? Voldemort? Never mind.Edgar: The coolest guy. Because I was thinking, he soundslike he had it all worked out, and maybe if I could learn his secrets, then I could fix my problems.Jimmy: How would meeting your dead relative help you move out of my house?Edgar: No, I'm talking about my realproblems. Like, the nightmares and the crying, and how I want to do heroin all the time. So, anyway, what do you think?Jimmy: What do I think about what?Edgar: If I should hold a seance to contact great-grandfatherBaldemar.Jimmy: No.Edgar: I think I'm gonna do it. Thanks.Gretchen: Why did you let me sleep so late? I'm famished. Nice place.Edgar: Hi. I'm Edgar.Gretchen: Mmm. Gretchen. This is dynamite.Edgar: Oh,thanks.Gretchen: So, how do you guys know each other?Edgar: Uh, we met in college.Jimmy: No, we didn't.Edgar: Well, he was in college, and I sold weed to college kids. Then he started giving me books to read,'cause he saw untapped potential in me.Jimmy: I gave you books that I stole from Borders because I didn't have money for weed.Edgar: Semantics. Have you read his book yet?Gretchen: No.Edgar: Sales were flatterthan expected, plus he blew all his money on this house. That's why he has to do more magazine work, but you should read it. It's real good.Gretchen: Okay.Jimmy: At least buy your own copy.Gretchen (laughs):Right. So, which one of you is giving me a ride to work?Edgar: I can't drive because I have PTSD and mild to medium battlefield-induced psychosis.Gretchen: Bummer. Jimmy, you're up.Jimmy: My car's at thereception. We took a cab.Gretchen: We did? Damn.Lindsay: I can't believe it.Gretchen: Drive faster. I'm late.Lindsay: You slept with Jimmy.Gretchen: Apparently.Lindsay: Who used to date my sister.Gretchen: Yeah, Iknow.Lindsay: And on the night of her wedding?Gretchen: Why are you crawling up my ass about this, Lindsay?Lindsay: You know what a jerk he is. I told you all the time how he swallowed her up. She disappeared herlife into his and was never the Same.Gretchen: Oh, that's 'cause Becca doesn't have a personality to begin with.Lindsay: Well, that's true. Ugh! Oh, Jimmy's the worst. Did he say anything about me?Gretchen:Nope.Lindsay: You're not gonna see him again, are you?Gretchen: No way. We did have fun, though.(Lindsay groans)Oh, God, I hope he doesn't think it was, like, an actual thing.Lindsay: No kidding. Um, get... Can yoube careful where you're putting your makeup, and can you take your feet off the dashboard? This is a lease.Gretchen: Okay.(phone buzzing)Stop the car.Lindsay: What?Gretchen: Stop the car! I'd rather walk than drivein this sterile, suburban, piece of sh1t car with my best friend being shitty and judgmental to me 'cause I had s*x with a guy at a wedding. How many guys did you blow at our five-year reunion?Lindsay: Four.Gretchen:Four? You told me three.Lindsay: I might have left out Tor Borgfeldt.Gretchen: Ew! I'm seriously nauseated right now.Lindsay: Oh, God. We used to have so much fun.Gretchen: Yeah, we did. Why'd you have to getmarried?Lindsay: I know. I'm sorry. Do you like my new haircut?Gretchen: No, you look like Ellen Barkin. If you get your real estate license, I will stab you in the tits.Jimmy: Brilliant. Absolutelybrilliant.[SCENE_BREAK]Killian: Hi.Jimmy: What?Killian: I just moved in... over there.Jimmy: Of course you did.Killian: Why do you say that?Jimmy: Because the death of any interesting neighborhood is the influx ofwhite procreators.Killian: Oh, that's cool. My nutritionist is gay, too.Jimmy: I'm not gay. I'm English.(Jimmy sighs)Killian: What's that?Jimmy: A royalty check for my book for... $17.43.Do you know, if there was anydoubt that the book industry was dead, it is here in my hand. R.I.P., literature. 2000 BC to this moment.Killian: You want to hang out sometime?Jimmy: What? What are you even talking about? I'm an adult. Do youknow what that means? It means that I am beset upon at all times by a tsunami of complex thoughts and struggles, unceasingly aware of my own mortality and able to contemplate the futility of everything and yet stillrage against the dying of the light. So do you see how monumentally stupid you, a child, asking me \"do I want to hang out sometime\" is?Killian: My dad designs video games. We get all the new ones early.Jimmy:Come over around 8:00.\u0000 As rumor has it still \u0000 \u0000 I followed the rules \u0000 \u0000 Of Frank Abagnale \u0000 \u0000 So catch me if you can \u0000 \u0000 There ain't people... \u0000Gretchen: What the crap?!Sam: You know I get nervous at thesesh1ts.Gretchen: You are paying a guy to take your photograph, and you trash his studio?Sam: You weren't here! Unprofessional as sh1t! A publicist who can't show up at publicity events? Don't even know what I'mpaying you for, Gretchen!Gretchen: The label pays me.Sam: You know it all gets charged against my end, bitch! Label is villains. From now on, I'm just gonna drop free mix tapes and Vines of my guinea pigs!Gretchen:You need to apologize to Nestor so he doesn't sue you.Sam: Let him. I'll lawyer the hell up!Gretchen: Nestor is a great photographer. We need him.Sam: Anyone's a good photographer now. Shitstain take amazingInstagrams.Shitstain: No filter.Honey Nutz: Yeah! @Shitstain!Sam: Anyway, bitch, this is your fault. You need to apologize to him for being such a no-showing-up bitch!\u0000 Get down, get down \u0000 \u0000 Get down, get down\u0000 \u0000 Get down, get down \u0000 \u0000 Get down, get... \u0000Sam: We're sorry we broke your sh1t.Gretchen: Okay, good. Nestor, we'll talk about restitution? Hey. You okay?Sam: Yeah. Hell were you doing anyway?Gretchen:Nothing worth talking about.Sam: You still need to make it up to us. I'll fire your ass, and it won't mean sh1t to me.Gretchen: Yes, it will.Sam: I'm serious. You owe me, Gretch.Gretchen: Okay, Sam. What do youneed?Sam: You need to kiss my quarter-Chickasaw ass! Then you need to get me some cocaine. I'm too famous to get it myself. I'm not playing. You on probation now. Yo! Ooh! Wait now. Hold on! High five. Put herthere. She's hot.(door unlocks)Edgar: I got your car towed back here.And look who I found getting out of a cab.Gretchen: Don't worry. I forgot my purse. Not on purpose or anything.Edgar: I'm gonna leave you twoalone.Gretchen: He's sweet. It's nice that you let him live here.Jimmy: You know your purse had food in it. It was covered in ants. Who keeps food in their purse?Gretchen: Whoa. What's your problem?Jimmy: Well, I'vehad a really shitty day. And then I come home to find that my bedroom is a goddamn '50s sci-fi movie. And why would you stay over, huh? That's amateur hour.Gretchen: Here I was worried you were gonna get thewrong idea about last night. So thank you for saving me the speech.Jimmy: You were gonna make a speech?Gretchen: Okay, forget it.Jimmy: Yeah, no kidding. Save your breath.Gretchen: I don't know what planetthat you're from, but on my planet, someone like you does not just get... this! Congratulations, you bagged a weakened gazelle. That's right. I'm still stupid-hooked on someone else who is eons further than you in theevolutionary scale in all categories except maybe unearned ego and back fat. What? You so value honesty, you had to chew a bride out on her wedding day in the name of it? Well, why don't you face this giant hunk oftruth, Jimmy? There is a fat asterisk next to my name on your skank-ridden little bone list and it reads, \"She probably would've gone home with anyone that night!\" So thank you! Thank you for my wake-up call, JimmyStupid-Three-Names. You are officially my bottom. Hey, you.Ty: Kiddo. What a surprise.Gretchen: I was just in the neighborhood.Ty: Uh, I have an early call time. But... Yeah, come in. Last time you said you werecoming over, you never showed. I thought you'd grown sick of me.Gretchen: Nah, you're all right.Ty: You're so beautiful, Gretchen.(hip-hop music playing)Edgar: Hi.Killian: Hi.Edgar: You busy, Jimmy?Jimmy:Yep.Edgar: Well, could you, like, pause it for a second?Jimmy: No.What's wrong with you? Give me the controller.Edgar: No. I've watched you for two years now get girls to come home with you, and they're alwaysgone in the morning.Jimmy: Sorry, I can help it if she refused to leave? Give me my controller.Edgar: No.Jimmy: Fine.(video game character screams)Edgar: I'm sorry I have to do this.Now, I don't mind you beingjerky with me because I know you care.Jimmy: What the... No, I don't.Edgar: Yes, you do.Jimmy: You're just an animal living in my house.Edgar: But Gretchen stayed, okay? You say she forced you, but we both knowthere's not a person on this planet that's ever had a good outcome trying to force you to do anything. She stayed, man. And that means something, whether you want to admit it or not. I'm gonna let you gonow.Jimmy: Why would I even listen to you, eh? You're a mental case. You're on, like, a billion medications that all say \"Take for batshit craziness.\"Edgar: I was defending our country.Jimmy: Oh, please. You weren'tdefending anything except for the business interests of evil men.Edgar: Jimmy, our country is the business interests of evil men.Jimmy: That may be the most intelligent thing you've ever said.Edgar: Thanks.Jimmy:You're still a goddamn lunatic.Edgar: Hey, wait. Come on, man. W-Wait. Where are you doing?Jimmy: To a bar, where I can drink in peace. Come on, Killian. All right, call the police.Edgar: On me?Jimmy: Someone'sstolen my car.Edgar: No, Gretchen took it, remember?Jimmy: Gretchen took my... Sorry, Gretchen took my car?Edgar: Yeah. I saw her driving it away earlier. I figured you loaned it to her. Come to think of it, I didthink that was kind of weird.Jimmy: She doesn't have a license!Edgar: Huh. She must've stolen your keys from the counter. You got to admit, that's kind of a baller move.(chuckles)Killian: You guys arefun.(grunting)Gretchen: Um, hey.Ty: Yes, Gretchen?Gretchen: Can we just take a little break?Ty (chuckles): Sure.(sighing)Gretchen: So... what's the worst thing you've ever done?Ty: Gretchen, you know ever sincelndia I don't dwell on negativity.Gretchen: I set my high school on fire to get out of a math test.(chuckles)Ty: What?Why are you telling me that? That's horrible.Gretchen: Never mind. Kidding.(moans)Ty: Oh, you're amarvel.(pants)Ooh, that's terrific. Yeah.(Gretchen spits)Did you just spit on me?Gretchen: No. Yes. Sorry.Ty (chuckles): Oh, Gretch. Mmm. That's delicious.Gretchen: Do you still have cocaine?(sighs)(snorts)(phonerings)(exhales)(sniffs)Gretchen: Hello?Jimmy: What are you doing?Gretchen: Nothing. Just...(sniffs) reading.Jimmy: Hey, you won't believe this. Someone stole my car.Gretchen: Oh. God, that's... awful.Jimmy: Yeah, Ihave to file a police report in the morning.Gretchen: I may have borrowed it.Jimmy: I know.Gretchen: Oh. Well, sorry. I told you I'm the worst.Jimmy: Actually, no, you said that I was the worst and that I was lucky toget you.Gretchen: Yeah. About that...Jimmy: No, don't apologize. It was a great speech. It was funny and true and mean. My favorite kind.Gretchen: I set my school on fire to get out of a math test.(Jimmylaughs)Jimmy: That's genius.Oh, and... I... lied to you before. I do have a foot thing.Gretchen: Seriously?Jimmy: Yeah. In fact, I was just trying to find the right clip online to, you know... s-so that I could fall asleep.But... nothing's quite right.Gretchen: Oh. Do you want me to try?Jimmy: What?Gretchen: Shh. Let me think.Jimmy: Come on, this is stupid.Gretchen: Shut up. I have been walking around all day in these new shoes,and they are just so... hot and tight.Jimmy: Oh, yeah?Gretchen: And my socks are so... sweaty.Jimmy: That happens.Gretchen: I think I might just have to take them off.Jimmy: You do that. Hey, you're, uh... verynice for doing this.Gretchen: I am very nice. Jimmy... I'm scared of this sh1t, you know? I don't like it.Jimmy: I don't believe in it anymore, so...Gretchen: So if we both know that it can't work, then there's no harm.Right?Jimmy: Right. What kind of socks?Gretchen: Mmm... knee-high basketball socks. Orange and green stripes.Jimmy: You're amazing. You're 19 types of trouble but... amazing.Gretchen: Yeah, so are you. 19 types.Well, it's late. Did you finish?Jimmy: I think the moment's gone, isn't it?Gretchen: All right. Have a good night. Call me.Jimmy: I will."}
+{"doc_id":"doc_194","qid":"","text":"[Scene: Manor. Dining room. Phoebe, Paige, Jason and Richard are there. They have just finished dinner.]Paige: Okay, this has been really fun, guys, but Phoebe actually brought us here tonight to say something,didn't you, Pheebs?Phoebe: No, no, I-I-I just think that we don't get to see enough of each other, that's all.(She laughs nervously.)Jason: Might be a little longer too, seeing as we're off to Paris in the morning.Paige:Yeah, about that French merger...Phoebe: Oh, Hong Kong, Rome, gay Pa-Ree, it's enough to send a girl's head spinning, you know.Paige: But wasn't there something you really wanted to say about...Richard: Ah, youmust have great business karma.Jason: Oh, karma? I don't believe in that stuff.Richard: Not at all?Jason: Well, I mean, you know, if somebody cuts me off on the road, I'd like to think that they're gonna get what'scoming to them, if that's what you mean.Richard: That's karma, the great cosmic justice system. You reap what you sow.Paige: Great, fabulous, anyway, Phoebe.(Paige kicks Phoebe under the table.)Phoebe: Ah! Uh,okay, alright. Uh, Jason, there is something that I want to share with you right now, and, uh, that would be... a toast. A toast to your new merger.Paige: Pheebs, could you help me with the cobbler.(Phoebe and Paigeleave the room.)Jason: Am I missing something?[Cut to the kitchen. Phoebe and Paige walk in.]Paige: Okay, that was a three course meal, not including the fruit and cheese plate, I gave you a million openings. Whatdo you want? A drum roll?Phoebe: Actually, that's not a bad idea.Paige: You are going with him to France tomorrow. You've been putting this off for too long, you have to tell him you're a witch.Phoebe: I'm just thinkingmaybe we should wait until we get there to tell him, you know. And then if there's an emergency you can orb us back, okay?Paige: You've probably been caught almost like a million times. You can't keep taking thatrisk.Phoebe: I know. You know, maybe I should wait until tomorrow until after the big banquet so I don't upset his big day.Paige: I think that you have a big problem with avoiding conflict and one day, missy, it is gonnacome back and bite you in the ass.(Richard walks in.)Richard: Hey, he's getting a little antsy in there.Paige: And you, what is it with this whole karma thing? You're supposed to be making it easier for her.(Leo orbsin.)Leo: Piper's under attack, she needs your help fast.Phoebe: Saved by the orb. Great. Keep Jason occupied.(Phoebe and Paige orb out.)[Cut to dining room. Leo walks in holding a pot of coffee and a dish of dessert.Richard walks in behind him.]Jason: Leo? What are you doing here?Leo: Uh, just bringing dessert. You want some?Richard: The girls are just tidying up.[Cut to a tunnel. Piper is there. She blows up a demon andanother one appears.]Piper: Crap.(The demon throws a fireball at Piper and she dives out of the way. Phoebe and Paige orb in.)Phoebe: Piper.Piper: About time.(They help her up and Piper blows up the demon.)Phoebe:It wasn't easy to find you in these catacombs.Paige: You were supposed to wait until after dinner so I could help.Piper: Well, I thought I could handle it. Except I must have missed something in the book.Phoebe: Iguess so.Piper: Look, every time I hit one, two more show up.(Piper looks around the corner and sees two more demons. She tries to blow them up but they duck and she misses. They throw two fireballs.)Phoebe:Okay, back up. (Phoebe walks around the corner.) Hey, boys!(They throw a fireball each at Phoebe and she channels them straight back at them, vanquishing them. Four more shimmer in. Piper and Paige pull Phoebeback behind the wall.)Piper: Okay, new plan. Blast and then bail.Phoebe: Okay.[Cut to the manor. Kitchen. Jason walks in with Leo and Richard following.]Jason: Hey, Phoebe, what's taking you so long? Wh-Where'dthey go?Richard: Uh, must be an emergency or something.Jason: It's always some emergency or some phone call or some marathon pee-break. What's going on?(Piper, Phoebe and Paige orb in, in front of Jason. Hefaints.)Piper: Oh.Opening Credits[Scene: Manor. Foyer. Phoebe watches Jason drive away in his car. She closes the door and walks into the living room where Leo is healing Piper's wound on her forehead.]Leo: I'dbetter go check on Wyatt.(Leo leaves the room.)Phoebe: I've never seen him like that. He looked at me like he had no idea who I was.Paige: He doesn't know you. Not the witch you, anyway.Piper: He's just gonna needsome time.Phoebe: Why didn't I just tell him? And no I told you so's.Paige: We all make little mistakes, honey.Phoebe: This was a very big mistake. I can't imagine how he's feeling right now, what he's goingthrough.Paige: The good news is it's out in the open now and, uh, you know, you guys have no more secrets.(Richard walks in.)Richard: Food's away, table's cleared, anything else I can do?Paige: No, thankyou.Richard: Hey, I feel awful. I'm sorry about what happened.Phoebe: It's not your fault.Richard: Well, actually, it is.Piper: Why? Did you shove Jason into the kitchen?Richard: No, but my karma did. I'm serious, I'mconvinced I'm carrying around the burden of my family's karma. We did so much bad with magic, now magic's doing bad to me, and those I care about.Paige: Now that is completely ridiculous.Richard: The feud haslasted for decades in my family, and so many people were hurt in the crossfire. Somebody's gotta inherit that bad karma, right?Piper: Not really how karma works.Phoebe: You live a double life with your boyfriend, andyou pay the price. If anyone's karma made this happen it's mine.Paige: That's true. You had the chance to clean this up tonight and you didn't.Phoebe: See, there's that 'I told you so', huh?Paige: Only to make apoint.Phoebe: No, you're right. I've been avoiding conflict my whole life.Richard: And it just happened the night I was here? It's all I'm saying.Piper: Hey, you guys, this mea culpa game is real fun and all but we're notgonna solve anything. Um, there's multiplying swarm demons on the other hand.Paige: That's right, we riled them up, didn't we?Piper: Yeah, and if they attack right now we won't know how to deal with them. So whydon't you two hit the book and I'll catch up after I check on Wyatt.Phoebe: Uh, would you guys mind if I sat this one out? I kind of feel like I need to go see Jason.Piper: Well, maybe after we...Paige: No, we can handleit.[Cut to Wyatt's room. Leo lays Wyatt down in his crib. He covers him with a red blanket. Piper walks in.]Piper: Leo, no, no, no.Leo: What? What? What? What is it?(Piper pulls off the red blanket.)Piper: This, this.Leo:What, my grandmother's quilt.Piper: Her red quilt. The colour of anger and violence and all things bad.Leo: Bad? I used that quilt.Piper: Well, you can have it back. Wyatt is now using the powder blue baby blanket. Didyou turn off the serenity Mozart CD? Look, we need to bathe Wyatt in goodness and nurture peace and serenity. Happy things.(She plays the Mozart CD on the CD player.)Leo: Piper, don't you think you're overreactinga little bit?Piper: Leo, there's no such thing as overreacting when it comes to the future of our child.Leo: Okay, but aren't the swarm demons the last on the list of threats?Piper: Yes, but...Leo: Okay, and when they'regone, are you gonna stop worrying a little bit, right?Piper: No, because I've sent Chris to suss out if there's any new threats.Leo: Okay, not to press a point but didn't you just have an epiphany about not focusing allyour energy on Wyatt?Piper: Yes, well, that was before Chris informed us that our child is going to grow up to be the future of all evil. Besides, it's not all I do. I have the club, I have friends.Leo: Wow.Piper: Look, it'sjust that Wyatt still comes first. Which is why you're going to take him up the Elders so he's safe while we figure out how to deal with the swarm demons. And while you're there, can you ask them if there's anythingthey can do to ensure goodness in Wyatt, you know, pull a few strings.Leo: Piper, we don't need any strings pulled. We can protect our son ourselves.Piper: Well, in the future apparently we don't. Okay, so look, thereare blue booties in the bag in case it gets cold, so don't be afraid to use them, okay?(Piper leaves the room. Leo picks up Wyatt.)Leo: Don't ask me, she's your mother.[SCENE_BREAK][Scene: Manor. Attic. Paige andRichard are there.]Richard: Look, you and I both know in order to make this work you can't repress yourself.Paige: I'm not. Look, practising magic.Richard: Yeah, but you don't want me to.Paige: Every relationship isgonna have its challenges, right? Look at Phoebe and Jason.Richard: I'm telling you, that was me.Paige: No, that was them not being truthful with each other, and as long as we are, we're gonna be fine.Richard: Finewould be if I could start over with a clean slate.Paige: You just be the wonderful person that you are and it's gonna make up for all the bad things your family ever did.Richard: Not in this life time. I wanna startover.Paige: It's not possible. If it were, everybody would do it.Richard: Okay, everybody's not a powerful witch.Paige: Look, karma is the DNA of the universe. It's what balances everything out. You start screwing withthat, you could mess up the entire cosmic order of things.Richard: Maybe you can help me cast a spell.Paige: What part of no shortcuts are you not you getting? There's an aura cleanse, a chakra cleanse, but no karmacleanse. If it were possible to be cleansed, it would be in there. But there's no spell, it can't be done.(Piper walks in.)Piper: Got anything?Paige: Yeah, let's see. (Piper and Paige look at the open book.) They are distantrelatives of kazis and vampires, which means they come from a hive. Did you even read this?Piper: I skimmed it. So they were drones that we were killing. Well, no wonder they just kept coming back. It says you haveto kill the king to kill the hive which requires a power of three spell. I'll call Phoebe.(She heads for the door.)Paige: Hey, just slow down there, okay? Take it easy.Piper: Okay, you orb out and get Phoebe and I'll start onthe potion.Paige: Why don't we just track the leader down. You and I. That way Phoebe and Jason can have a little bit of time alone, yeah?Piper: Well, what if the swarm attacks before... (Paige gives her a look.) Okay,fine. We'll locate the ruler first.Paige: Brilliant idea. (to Richard) Hey, can I orb you anywhere?Richard: No, it's okay. I drove my car here.Paige: Okay. I'll see you soon.(Piper and Paige orb out. Richard walks over to theBook of Shadows and starts flipping through it.)[Scene: The Bay Mirror. Jason's office. Jason is there. Phoebe walks in.]Jason: You stay away.Phoebe: We need to talk.Jason: No, no, I don't wanna talk. You're, this isyour... this-this is-is-is so beyond, this is so far beyond my reality, you know. I-I-I I'm just still trying to figure out how-how you could... fifteen months I didn't know.Phoebe: I wanted to tell you. I really did, but Icouldn't. And you know now, so can we talk about this please?Jason: Oh, okay, fine, let's talk. Alright, what was this, huh? The Godiva girls. Was that magic?Phoebe: Yeah.Jason: Okay, what about that-that funnylooking little cousin of yours, cousin Shamus. What the hell was he? One of the seven dwarves?Phoebe: Uh, no actually, he was a leprechaun. And not really my cousin. Look, Jason, I know how you feel.Jason: How do Ifeel, Phoebe? Huh? Tell me because I don't know. But you, you always seem to know. So tell me, how's it gonna feel when I crash? 'Cause I-I-I see one coming. Is it gonna feel like when you said 'I love you too'?Because that, that was magic, wasn't it?Phoebe: But I do love you.Jason: I-I-I don't have time for this.Phoebe: I didn't want you to find out like this, believe me.Jason: I, uh, I have to concentrate. I'm speaking in frontof a hundred share holders celebrating the, uh, second biggest French media merger of the decade, okay? So, I need to, I need to focus.[Scene: Tunnel. Piper and Phoebe are walking around.]Piper: Hey, you're the onethat wanted to look for the swarm king in the first place, remember?Paige: Yeah, that's when I thought it was a hive, not so much a maze. Oh, no. (She spots some footprints.) Is this starting to look familiar? Arewe...?Piper: Going around in circles?Paige: Let's just orb home.Piper: Why are you in such a rush to go home all of a sudden?Paige: It's Richard. Anytime he's alone for too long bad things start to happen. (They hearfootsteps. Piper gets ready to blow up whoever's about to walk around the corner.) No. (Paige takes her around the corner out of sight.) It only attracts them more, remember? (A dozen swarm demons walk past.)Should we follow them?Piper: Good idea. (They start to follow the swarm demons but more appear behind them.) Now?Paige: Yeah.(Piper blows them up.)[Cut to the manor. Attic. Richard has the Aura Cleanse spellopen in the Book of Shadows. He is writing down a spell on a piece of paper. He picks up the paper and grabs a pinch of sand and walks over to some lit candles. He sprinkles the sand on the floor.]Richard: \"I call tothee, pure witch's fire, through vortex flow the heavenly mire, cleanse brackish karma of debris, from dark to light sweep history.\"(A bright light circles Richard.)[Cut to downstairs. Phoebe walks in through the frontdoor.]Phoebe: Hello? Anybody home? (She hangs up her coat. The light disappears from Richard and reappears downstairs, hitting Phoebe. She gets a vision of French soldiers firing at a target. Phoebe is thrownbackwards.) Qu'est-ce que c'est?[SCENE_BREAK][Scene: Manor. Foyer. Piper and Paige orb in. They look tired and sore.]Piper: How many did we get? Fifteen or sixteen?(Paige yawns.)Paige: I don't know. I stoppedcounting at dawn. I'm gonna go crash. Actually, I'm gonna go check on Richard and then go crash.Piper: But wait, we know where the king is now. So we gotta get Phoebe so we can go back and get him.Paige: No. Iam taking a hot bath and curling into a nice warm bed.Piper: You know, living at Richard's mansion has made you soft.Paige: Oh, shush.Piper: I'm serious. What if this is the demon that gets to Wyatt?Paige: Well, thenit's all the more reason for us to be well-rested, right?(Piper sees a broken vase on the floor.)Piper: What happened here?(Phoebe comes down the stairs wearing very little.)Phoebe: Bonjour! Bonjour!Paige:Bonjour?Piper: What the heck are you wearing?Phoebe: Oh, just a little something to help me win my boyfriend back. Showing a little skin never hurt.Paige: Oh, I'll file that away.Piper: I guess it didn't go so good withJason last night?Phoebe: No, unfortunately. Je ne sais pas pourquoi.Paige: Since when do you speak freedom fry?Phoebe: I don't know actually, it's kind of weird considering I hate the French.Piper: No you don't. Youlove everything about France.Phoebe: I do? Oh, then maybe I just hate being dumped. All the more reason to go get him.Piper: Uh, just there's one thing. See, we kind of need the power of three for a vanquish, youknow, to save your nephews future and all.Phoebe: Yeah, sorry, I can't. (She heads for the door.) Au revoir.(She leaves.)Piper: Please tell me she didn't...Paige: Cast a spell on herself? I think she did.[Scene: Tunnels.The swarm king and dozens of swarm demons are there.]Swarm King: I can feel their pain. This is where they fought and died. Correct me if I'm wrong but this was your division.Swarm Demon #1: I'm afraid itwas.Swarm King: Remember, this is going to hurt me much more than it hurts you. (He vanquishes Swarm Demon #1.) It is time to bring the fight to them! Let the Charmed Ones feel our pain![Scene: Manor. Attic.Piper and Paige are there looking at the page the Book of Shadows is open to.]Piper: I'm confused. How does cleansing her aura get Jason back?Paige: No, Phoebe didn't cast the spell, Richard did.Piper: Richard wantsJason back?Paige: No, Richard wants to cleanse his karma. Oh my god, that's what he used the book for. Damn it, I shouldn't have left him alone.Piper: Wait a second, what does this have to do with Phoebe?Paige:Karma is not something you mess with. Especially not magically. Whatever Richard did could have gone wonky and affected her somehow. I mean, there's all this unfinished karma just floating around out there waitingto complete its cycle.Piper: What the hell are you talking about?Paige: I'm talking about Richard screwing with the karma wheel and Phoebe getting smacked down by it. She said it herself, she's been lying to Jason,living a double life, if that doesn't attract bad karma, I don't know what does.Piper: Someone's unfinished bad karma?Paige: Exactly. Except who's?Piper: Well, I'd guess a French hooker by the way she's beenacting.Paige: Or worse. Okay, you go get Phoebe, I'll go get Richard.Piper: But what if he's infected too?Paige:Well, I'll save him and then I'll kill him.(Paige leaves the room.)[Scene: Richard's house. Study. Richard isthere. Paige storms in.]Paige: Cast any spells lately?Richard: No. Alright, yeah, one. It didn't work though.Paige: How do you know?Richard: Because... Alright, I was cleansing my soul...Paige: Yeah, yeah, skip down tothe bottom. What happened when you said the spell, exactly.Richard: Energy and light came down from the ceiling, it surrounded me...Paige: And hit Phoebe.Richard: No, I was there alone.Paige: Oh, yeah, you werealone. Okay, then how do you explain my sister suddenly walking around like she's in the nudie version of La Miz.Richard: I don't know. I don't know why it affected her and not me.Paige: Maybe because your family issurrounded by so much bad karma that there's no room for anybody else's. What were you thinking?Richard: I was thinking about us.Paige: Us?Richard: Yeah. I don't want my past to hurt you.Paige: Richard, I knowthat you mean well, I really do. And I get that it must be so hard to not practise magic when you can, but you can't...Richard: How can you be with a guy that's got a problem with the very thing you're all about? I havean idea. I have a potion that'll help Phoebe.(He heads for the door.)Paige: Richard.Richard: What?Paige: Stop.Richard: I can't. I did this. I need to fix it.Paige: No, hey. Please. Just no more magic.[Scene: Office.Steve's there. Richard walks in.]Richard: Hey, bro.Steve: Richard. Man, how the hell have you been?(They hug.)Richard: Good, good, you know. Wow, you look good, and you got your hair cut.Steve: Yeah, for court.I'm doing pro bono now.Richard: A do-gooder. Wow, you.Steve: Yeah, I needed a change in my life. So, mum's been worried. No one's heard from you. Staying out of trouble I hope.Richard: Yeah, more or less.Steve:So, uh, you still seeing Paige?Richard: Absolutely. I can't imagine life without her.Steve: It sounds serious.Richard: I hope so.Steve: Well, here, man, take a seat.Richard: Actually, I can't, I gotta go. Listen, I've beengoing through some of the old potion books just for the hell of it, and I can't find that one dad used to use to banish spirits. Do you know where it is?Steve: I thought be both agreed not to mess with that stuffanymore.Richard: I'm not. Not really. It's hard to explain. Do you know where it is?Steve: Richard.Richard: Look, save the speech. Can you help me or not?Steve: Why? What'd you do?Richard: Nothing.Steve: Arepeople hurt? Do you need...Richard: Damn it, Steve! Can you help me or not? Please.[Scene: Outside a building. Phoebe is waiting on the sidewalk. Jason pulls up in a limo. He gets out.]Jason: What are you doinghere? And what are you wearing?Phoebe: I'm looking for you. (She pulls him closer.) Mon petit choux.Jason: Look, I don't have time for this. (He pulls away.) This is crazy.(She grabs him.)Phoebe: You have every rightto be very upset with me, I know I've been a very, very bad girl. Please let me make it up to you.Jason: I don't think so.Phoebe: What do you mean you don't think so?Jason: Hey, take it easy, Phoebe, we'll talk about itlater, okay? Right now I'm running late.Phoebe: There's always time for l'amour.(She tries to kiss him.)Jason: Whoa. Uh, listen, this is, I, this merger is very important to me, okay? I need to keep a clear head if that'sat all possible.Phoebe: Are you saying you don't want me?Jason: Not right now.Phoebe: Cochon. You pig. Quel est ton probleme? Fils de pute!.Jason: You're crazy.(He walks towards the building.)Phoebe: You think youcan just walk away from me? You think I'm crazy? You think this is crazy? Just wait.[Cut to inside. Jason is standing up on a stage talking to a room full of people in suits. There is a table full of food in the centre of theroom.]Jason: In the climate of this world economy, diversity is essential. And that is why this merger is essential if we want to grow as a company. Combing resources will allow us to tap into markets that would haveotherwise remained beyond our reach. (They applause.) And so today we celebrate a new Franco-American business community, in which bilateral trade is not only encouraged... (The microphone makes a high-pitchednoise. The people split in two groups to make a clear path down to the stage. Phoebe is standing near the back and walks down the clearing the people have made. She walks up onto the stage.) What the hell are you"}
+{"doc_id":"doc_195","qid":"","text":"[Scene: Monica, Chandler, and Phoebe's, everyone is there and they are finishing watching the first episode of Mac and C.H.E.E.S.E. Joey is of course Mac.]Mac: (on TV) Well, if we learned one thing today C.H.E.E.S.E.is that cheerleaders and high explosives don't mix. (Cut to Joey laughing while Rachel, Chandler, and Monica aren't amused.)C.H.E.E.S.E: You can say that again Mac.Mac: Well, I couldn't have done it without youbuddy. You're a genius.C.H.E.E.S.E: Oh yeah? Well then how come I can't get my VCR to stop blinking 12:00?(They both break into a huge laugh and do that stop-motion thing they had at the end of ChiPs.)Joey:(laughing and turning off the TV) So, what did you guys think?(They all make happy faces as they are unable to express their feelings verbally. Finally, the phone rings and the race to answer it is won byMonica.)Monica: (on phone) Hello? (Listens) Hold on please. Joey, it's your mom. (Hands him the phone.)Chandler: It's your mommy. It's your mommy.Ross: Ohhhh...Rachel: That's nice.Joey: (on phone) Mom, sowhat did you think? (He walks away allowing the gang a chance to figure out what they're gonna say.)Rachel: Well that was umm...Okay.Ross: It wasn't the best.Chandler: That was one of the worse things ever. Andnot just on TV.Monica: Wh-what are we gonna tell him?Ross: Well, the lighting was okay.Rachel: Ohh no you don't! You got lighting last time, lighting is mine!Monica: And I have costumes.Ross: Oh great! That meansI'm stuck with, \"So, we were watching you in there (Points to the TV) and you were sittin' right here! Whoa!\"(Phoebe gets up.)Rachel: What are you gonna do Pheebs?Phoebe: I don't know. I don't know. I can't lie tohim again. Oh no I-no! I'm just gonna press my breasts up against him.Chandler: And say nothing?Phoebe: Uh-huh, yeah that's right.Joey: (hangs up the phone) Wow! Well, my folks really liked it! So what-what didyou guys think? (Phoebe smiles, walks up to him, and presses her breasts against him.) It wasn't that good.Opening Credits[Scene: Central Perk, Phoebe and Monica are reading on the couch.]Monica: Phoebe, do youthink that your favorite animal says much about you?Phoebe: What? You mean behind my back?Rachel: (entering, excitedly) Oh! Hi you guys, oh my God! You'll never gonna believe what happened to me today! I amsitting in my office and...Joey: (entering from bathrooms excitedly) You guys! You guys! You're not gonna believe what my agent just told me!Rachel: Joey! Kinda in the middle of a story here!Joey: Ooh, sorry. Sorry.You finish, go.Rachel: Okay, so anyway I'm sittin' in my office and guess who walks in.Joey: I'm gonna be on two TV shows!Monica and Phoebe: Oh, that's great!!Rachel: Joey!Joey: Oh, you weren't finished?Rachel:Yeah! Guess who walks into my office is the end of my story. (To Monica and Phoebe) It was Ralph Lauren! (Monica and Phoebe gasp) Ralph Lauren walked into my office!Joey: Uh Rach, if you're gonna start anotherstory, at least let me finish mine.Rachel: It's the same story.Joey: (groans in disgust) Wow, it's really long.Rachel: (ignoring him) Anyway, Ralph just came in to tell me that he's so happy with my work that he wantsme to be the new merchandising manager for polo retail.Monica: Still get a discount on wedding dresses?Rachel: Yeah!Monica: I'm so happy for you!Joey: Well, these really are the days of our lives.Monica: What?!Joey:Well, since you ask. They want me back on Days of Our Lives!Phoebe: (gasps) Oh God!Rachel: I got-I get a big pay raise!Phoebe: Oh hey!Joey: I'll be playing Drake Ramoray's twin brother, Stryker!Monica:Oooh!Rachel: I get to hire my own assistant!Monica and Phoebe: Ahhh!!Joey: (jumps up) Well-I got a head rush from standing up too fast right there.[Scene: Rachel's New Office, she's interviewing a potential newassistant, Hilda.]Rachel: (reading the resume) And you were at this job for four years?Hilda: That's right.Rachel: Okay, well this is all very impressive Hilda, um I just have one last question for you. Uh, how did I do?Was this okay?Hilda: What?Rachel: I've never interviewed anyone before. I've actually never had anyone work for me before. Although when I was a kid, we did have a maid, but this is-this isn't the same thing.Hilda:No dear. It's not.Rachel: No. Yeah, and I know that. All right, well thank you so much for coming in, it was nice to meet you.Hilda: Thank you! Good meeting you.Rachel: All right. (Hilda exits) I'm a total pro!(There's aknock on the door and a handsome man enters.)Man: Hello?Rachel: (seeing him) Wow! H-umm! Hi! Yes, uh I'm sorry the models are actually down the hall.Man: Actually, I'm here about the assistant job.Rachel:Really?! (Taking his resume) Okay well then, all right, well just have a seat there. Umm, so what's-what is-what's your name?Man: Tag Jones.Rachel: Uh-huh, go on.Tag: That's it. That's my whole name.Rachel: That'syour whole name, okay of course it is! Okay, well let's-let's just have a look-see here. (Looking at his resume)Tag: I know I haven't worked in an office before, and I really don't have a lot of experience, but uh...Rachel:Oh come on, what are you talking about? You've got three years painting houses. Two whole summers at T.G.I. Friday's, come on!Tag: It's lame, I know. But I'm a goal-oriented person, very eager to learn...Rachel:Okay, hold on just a second. (She grabs a camera out of the desk and takes his picture.) I'm sorry, it's for human resources, everybody has to do it. Could you just stand up please?[Scene: Central Perk, Chandler issitting on the couch when some unknown guy comes in and sits in their easy chair.]Chandler: No-no-no-no. (Waves him away as Monica and Phoebe enter whispering to each other.) Hey! (Monica shushes him.)Phoebe:(To Monica) Anyway, I should go. Okay, bye.Monica: (To Chandler) Hey sweetie.Chandler: Hi sweetie. So, what was with all the whispering?Monica: I can't tell you. It's a secret.Chandler: Secret? Married people aren'tsupposed to have secrets between one another. We have too much love and respect for one another.Monica: Awww. (Kisses him.) But still no.Chandler: No I'm serious, we should tell each other everything. I do nothave any secrets from you.Monica: Really? Okay, so why don't you tell me what happened to Ross Junior year at Disneyland?Chandler: Oh no-no, I can't do that.Monica: If you tell me, I'll tell you what Phoebesaid.Chandler: Okay.Monica: Okay.Chandler: So, Ross and I are going to Disneyland and we stop at this restaurant for tacos. And when I say restaurant, I mean a guy, a hibachi, and the trunk of his car. So Ross hasabout 10 tacos. And anyway, we're on Space Mountain and Ross starts to feel a little iffy.Monica: Oh my God. He threw up?Chandler: No, he visited a little town south of throw up. (Monica laughs hysterically.) So whatwas Phoebe's secret?Monica: Oh, Nancy Thompson from Phoebe's old massage place is getting fired.Chandler: That's it?! I gave up my Disneyland story for that?Monica: That's right! You lose sucker!! (Pause) Pleasestill marry me.[Scene: Monica, Chandler, and Phoebe's, Chandler, Rachel, and Phoebe are there.]Rachel: Chandler, you have an assistant right?Chandler: (angrily) Did she call? You-you told her I was sick right? Alwaystell her I am sick!Rachel: No, I-I just don't know how you decide who to hire. I mean I've got it narrowed down to two people. One of them has great references and a lot of experience and then there's thisguy...Chandler: What about him?Rachel: I love him. He's so pretty I wanna cry! I don't know what to do. Tell me what to do.Phoebe: Come on you know what to do! You hire the first one! You don't hire an assistantbecause they're cute, you hire them because they're qualified.Rachel: Uh-huh. No, I hear what you're saying and-and-and that makes a lot of sense but can I just say one more thing? (Takes out his picture.) Look howpretty!Phoebe: Let's see. (Looking at the picture) Oh my God! Oh... But no! No! You can't-you can't hire him, because that-it's not professional. Umm, this is for me (The picture) yes? Thanks. (Puts it in herpocket.)Rachel: Okay you're right. I'll hire Hilda tomorrow. Dumb old perfect for the job Hilda!Chandler: Let me see this guy. (Phoebe hands him the picture.) W-H-Wow! Don't show this to Monica! And don't tell herabout the W-H-Wow![Scene: The Days of Our Lives producer's office, Joey is entering to find Terry there.]Terry: Hey-hey-hey Joey!Joey: Hey Terry!Terry: Good to see you again!Joey: It's been a while, huh? Wow, it'sfunny these halls look smaller than they used to.Terry: It's a different building.Joey: So! Stryker Ramoray huh? When do you want me to start?Terry: Why don't we start right now!Joey: Okay.Terry: Here are theaudition scenes. (Holds out the script.)Joey: (looking between the pages and him) Audition? I thought you were gonna offer me the part.Terry: Why would you think that?Joey: Well, I was Dr. Drake Ramoray, Stryker'stwin brother. I mean, who looks more me than me right?Terry: Everybody has to audition.Joey: Y'know Terry, I-I don't really need to do this. I got my own cable TV series, (Pause) with a robot.Terry: I'm sorry Joeythat's...that's the way it is.Joey: Well. I guess you think you're pretty special huh? Sittin' up here in your fancy small hall building. Makin' stars jump through hoops for ya, huh? Well y'know what? (Throws the scriptaway) This is one star who's hoop... This is a star that the hoop-this hoop-I was Dr. Drake Ramoray![Scene: Rachel's office, she's there as Tag knocks on the door and enters carrying a plant.]Rachel: Hi! Tag. What areyou doing here?Tag: I just wanted to come by and thank you for not laughing in my face yesterday. And I noticed there aren't any plants in your office so I wanted to bring you your first... (Notices her plant) There is aplant in your office.Rachel: Kinda.Tag: Right. So I guess I shouldn't put \"good at noticing stuff\" on my resume. (Sets the plant down on her desk.)Rachel: Oh-ohh, thank you.Tag: Anyway, I'm guessing you hiredsomebody.Rachel: Well...Tag: Gotcha. Thanks again for meeting with me. (Starts to leave.)Rachel: But I hired you!Tag: What?Rachel: Yeah! You-you got the job! You're my new assistant!Tag: I am?!Rachel: Yeah!Tag:I can't believe it!Rachel: Me either. Umm, all right, first thing I need you to do is go downstairs and find a women named Hilda and tell her to go home.[Scene: Monica, Chandler, and Phoebe's, Monica is setting thetable for dinner as Chandler enters.]Chandler: Hey.Monica: Hey! Good, you're home!Chandler: Oh it's always nicer to hear than, \"Aw crap! You again!\"Monica: Hey baby. (Kisses him.)Chandler: Hey.Monica: I made youa surprise.Chandler: Oh yeah?Monica: Yeah, tacos! Ever since you told me that story I've had such a craving for them.Chandler: Did you not understand the story?Ross: (entering) Hey!Chandler: Hey! What'sup?Monica: Ross!Ross: Oh, nothin' much. Just trying to figure out what I'm gonna do for dinner.Chandler: Huh.Ross: (notices the table) Hey-Ooh! What's-what's that, dinner stuff? You making dinner?Chandler: No!(The oven dings.) Shhh!Ross: What you got over there? Tacos?Monica: No! No. They're umm... They're just uh...ground beef smileys. (Holding up one of the shells.)Ross: Uhh, those are tacos.Monica: Excuse me Mr.Mexico.Ross: Eh, either way I'll pass. (Quietly to Chandler) I still can't eat those. (Monica is getting something out of the fridge and starts laughing.) What's so funny?!Monica: (trying not to laugh) I'm notlaughing.(Ross and Chandler move closer to her and she starts laughing again.)Ross: (To Chandler) You told her!Chandler: Nancy Thompson's getting fired! (Monica slaps him on the shoulder.)Ross: (To Monica) Look,okay-okay I had food poisoning! It's not like I chose to do it! It's not like-It's not like I said, \"Umm, what would make this ride more fun?!\"Monica: You're right. I mean I'm sorry. Yeah, I shouldn't be laughing. I shouldbe laying down papers for you! (Runs off laughing which gets Chandler laughing.)Ross: (To Chandler) How could you tell her?!Chandler: I had to okay?! We're getting married! Married couples can't keep secrets fromone another!Ross: Oh really? Well I-I guess Monica should know about Atlantic City.Chandler: Du-ude!Monica: (running up to Ross) What happened in Atlantic City?!Ross: Well, Chandler and I are in a bar...Chandler:Did you not hear me say, \"Du-ude?!\"Ross: And this girl is making eyes at Chandler, okay? So after awhile he-he goes over to her and uh, after a minute or two, I see them kissing. Now, I know what you're thinking,Chandler's not the type of guy who just goes to bars and makes out with girls, and you're right, Chandler's not the type of guy who just goes to bars and makes out with...girls.Monica: (To Chandler) You kissed a guy?!!Oh my God.Chandler: In my defense, it was dark and he was a very pretty guy.Ross: Oh Mon, I laughed so hard...Chandler: Ho-ho, so hard we had to throw out your underwear again?Ross: Whatever dude, you kisseda guy.[SCENE_BREAK][Scene: Joey and Rachel's, Phoebe is giving Joey a massage as Rachel enters.]Rachel: Hi!Joey: Hey.Phoebe: Hey-Ooh, how's Hilda? Is she working out?Rachel: Ohh, my new assistant is workingout, yes.Joey: Was she happy you gave her the job?Rachel: Oh, my-my new assistant was very happy that I hired my new assistant.(The phone rings and Joey answers it.)Joey: (on phone) Hello? (Listens) Oh hey! Canyou, can you hang on a second? (To Phoebe and Rachel) It's the producers over at Mac and C.H.E.E.S.E. can you excuse me for a minute? (On phone) Hey, funny you should call. I was just looking over next week'sscript. (Listens) Canceled?! (Listens) Like they're taking it off the air? (Listens) Ohh. (Listens) All right, see you Monday. (Listens) We're not even shootin' them anymore?!! (Listens) All right, bye! (Hangs up) Theycanceled Mac and C.H.E.E.S.E!Phoebe: Sorry.Rachel: I'm sorry Joey.Joey: Why would they do that?! It was a good show right?!(Phoebe and Rachel both pause, look at each other, and go press their breasts againsthim. Which Joey doesn't mind, of course.)[SCENE_BREAK][Scene: Monica, Chandler, and Phoebe's, Chandler, Monica, and Ross are still giving away all of their secrets.]Chandler: You wanna tell secrets?! Okay! Okay!In college, Ross used to wear leg warmers!Ross: All right! All right! Chandler entered a Vanilla Ice look-a-like contest and won!Chandler: Ross came in fourth and cried!Monica: Oh my God! (Laughing)Ross: Oh, is thatfunny?! Oh, you-you find that funny?! Well maybe Chandler should know some of your secrets too!Monica: I-I already told him everything! (Threateningly) You shush!!Ross: Once Monica was sent to her room withoutdinner, so she ate the macaroni off a jewelry box she'd made.Monica: Ross used to stay up every Saturday night to watch Golden Girls!Ross: Monica couldn't tell time 'til she was 13!Monica: It's hard for somepeople!Chandler: (To Monica) Of course it is. (Mouths to Ross) Wow-whoa!Monica: Chandler one time wore my underwear to work!Chandler: Hey!!!Monica: Ohh, I'm sorry I couldn't think of any more for Ross!Ross:Ohh! Ohh! In college, Chandler got drunk and slept with the lady who cleaned our dorm!Chandler: That was you!Ross: Whatever dude, you kissed a guy.[Scene: Joey and Rachel's, Joey is still bumming aboutcancellation of Mac and C.H.E.E.S.E.]Joey: How could this happen to me?! Yesterday I had two TV shows! Today, I got nothin'!Rachel: Well wait a minute, what happened to Days of Our Lives?Joey: Uh, well they mightbe a little mad at me over there.Phoebe: What happened?Joey: Well maybe I got a little upset and maybe I told them where they could go.Rachel: Joey, why would you do that?Joey: Because they wanted me toaudition!Phoebe: You! An actor?! That's madness![Scene: Rachel's Outer Office, Tag is sitting at his desk as Rachel walks up. She stops and watches him pick up the phone.]Tag: Rachel Green's office. (Hangsup.)Rachel: Tag? (He turns and looks at her.) Hi, who was that?Tag: (shyly) Nobody. I was just practicing.Rachel: Really? (Giggles.)(Phoebe rounds the corner.)Phoebe: Hi!Tag: Hi! Rachel Green's office.Phoebe: Youmust be Hilda.Rachel: Yeah, this is Tag. Tag, this is Phoebe. Phoebe, can I see you for a second? (Goes into office.)Tag: Phoebe! That's a great name.Phoebe: Oh, you like that? You should hear my phonenumber.Rachel: (grabbing Phoebe) Okay. We'll be right back. (They go into her office and she closes the door.)Phoebe: So you hired yourself a little treat did ya?Rachel: All right I know, I know how it looks Pheebs, butI'm telling you...Phoebe: But-but you know you cannot get involved with your assistant.Rachel: Yes, I know that. I know that. And I know that hiring him was probably not the smartest thing that I've ever done. But I'mtelling you, from this moment on I swear this is strictly professional. (There's a knock on the door.) Yes?(Kathy enters (Because she's listed in the credits).)Kathy: Hey Rachel!Rachel: Hi!Kathy: Cute assistant! What'shis story? Is he...Rachel: Gay? Yeah. (Kathy leaves dejectedly.)[Scene: Terry's office, Joey has come to beg for a second chance.]Joey: Hey! Terry.Terry: Joey Tribbiani! I'm surprised your big head could fit through oursmall halls! (Gets up) I gotta go Joey.Joey: Wait! Terry! Wait-Look-Wait I-I... Look, I'm really sorry about before. I was an idiot thinking I'm too big to audition for you. You gotta give me another chance.Terry: I can'thelp you Joey.Joey: Wait! Terry! Please! Look, I just lost my other job. Okay? You have no idea how much I need this. Please, help me out, for old times sake.[Cut to a hospital room set on the Days of Our Lives stage.Two nurses are standing next to a bed with a man whose face is completely covered in bandages and reading his chart.]Nurse #1: This poor guy's been in a coma for five years. It's hopeless.Nurse #2: It's not hopeless!Dr. Stryker Ramoray's a miracle worker. Look, here he comes.(Stryker enters, only it's not Joey playing him.)Dr. Stryker Ramoray: Good morning. (He walks over to the bed, leans down, and whispers to him.) Drake,it's your brother Stryker. Can you hear me?The Director: And cut!Joey: (jumping up and removing the bandages) I'm back baby! Ha-ha-ha![Scene: Central Perk, Chandler, Monica, and Ross are sitting there and nottalking to each other.]Monica: Y'know, in my defense, umm there was no glitter on the macaroni and very little glue.Ross: And in my defense, the cleaning lady came on to me!Chandler: (To Monica) You have notrouble telling time now right?Monica: No!Chandler: Quick! What time is it?! (Holds his watch in front of her face.)Monica: I don't know! Time to kiss a guy maybe?! (Ross laughs.) What are you laughing at Pampers?(He stops laughing and glares at her.)Chandler: Y'know when I said that because we're getting married that we should share everything and not have any secrets?Monica: Yeah?Chandler: Yeah that was stupid. Let's notdo that.Monica: Ohh, absolutely.Ross: And! We should keep all the stuff uh, we told each other secret from everybody else.Monica: Yeah, definitely!Ross: Okay, (gets up) if you'll excuse me, I-I'm gonna go hang outwith some people who don't know the Space Mountain story.Monica: Then, I'd steer clear of Phoebe.Ross: Man! (Monica mouths, \"I'm sorry.\")Chandler: Yeah, and not that you would, but I wouldn't hang out with...allthe guys in my office.(Ross storms out.)Ending Credits[Scene: Rachel's office, she's looking at a picture of Tag when he knocks and enters.]Rachel: (noticing him) Hi! (Puts the pictures away.)Tag: Do you have aminute?Rachel: Well yeah, sure, what's up?Tag: I got asked out twice today when I was at lunch...by guys.Rachel: Oh really?!Tag: Yeah. Did you tell someone that I was gay?Rachel: Oh, did you not want people toknow that?Tag: But I'm not gay. And I especially wouldn't want you to think I was gay.Rachel: Why's that?Tag: I don't think I should say.Rachel: Ohh, you can say. Come on, I don't want you to feel like you can't tellme things. (Motions for him to sit down.)Tag: Okay.Rachel: 'Kay.Tag: Well...Rachel: Yeah.Tag: I'd love to ask out your friend Phoebe.Rachel: (Pause) Yeah, she's gay."}
+{"doc_id":"doc_196","qid":"","text":"[Scene: Manor. Kitchen. Piper is there talking on the phone while holding a crying Chris. Wyatt is sitting in a highchair.]Piper: Yeah, I get that, Rex, but I need you at the club. You're supposed to be there. Valentine'sDay is gonna be a very busy night. Can't you ask her to marry you another night?(Phoebe walks in.)Phoebe: Get off that phone.Piper: You know what, I'll handle it. Good luck. (Piper hangs up.) I hope she saysno.Phoebe: Take a look at this. This is the new face of evil. (She shows Piper a newspaper.) His name is John Normand. He owns the phone company, and he's been stealing from us for months. Doesn't that just makeyou angry?Piper: Not really.Phoebe: Wait, he's been stealing from us, and he's probably gonna get away with it due to some loophole or something.(Piper puts Chris down on the change table.)Piper: Phoebe, I'm a littlemore worried about the actual demons in the world, you know, the ones we almost got rid of.Phoebe: Yeah, there's nothing we can do about them. We tried to save the world, it didn't work. The demons are gonnaattack when they're gonna attack.Piper: And when they do, we're just gonna be right back to the same old... (Piper takes off Chris' diaper.) Wow!Phoebe: Whoa! You're not kidding. Wow!Piper: Okeydokey. (Piper puts anew diaper on Chris.) Speaking of which, could you do me a favour and watch the boys tonight? I need Leo to help me set up at P3, and apparently my manager is busy proposing.Phoebe: Yeah, sure, of course. It's notlike anyone's proposing to me, or like anyone's sending me flowers or reciting me poetry. So much for the little girl I saw in my vision.Piper: Well, Phoebe, just because the Avatars are gone doesn't mean that you won'tstill find love.Phoebe: Easy for you to say. You have Leo.Piper: Yeah, but do I really? It's only a matter of time before the Elders punish him for becoming an Avatar, which they practically drove him to anyway withGideon and everything.Phoebe: They made Kyle a Whitelighter, and that's good, right?Piper: Yeah, but it took him away from Paige. And believe me, they got their cosmic jollies off that one.Phoebe: Where isPaige?Piper: At Magic School, where else? Why?Phoebe: Just worried about her, that's all.[Scene: Magic School. Paige and Miss Donovan are there.]Paige: It really is another great application.Miss Donovan: A muse?No, no, no, no. You can't hire her as the next literature professor. She'll inspire them to write novels instead of reading them.Paige: Oh, that's a good point. I hadn't thought of that.Miss Donovan: Well, I did. And that'swhy you should hire me.Paige: What? You want to be a teacher?Miss Donovan: Well, isn't it time I moved up? Besides, I had a great rapport with the last literature professor.Paige: You hated that little gnome, arguingwith him five minutes before he was killed.Miss Donovan: Well, that was our way. Besides, if the truth were told, he'd want me to have the job. I'm very well-read.Paige: It takes more than that, though. It takes beingable to really connect with the students.Miss Donovan: I can do that. In fact, I've got some tricks you don't even know about.(Miss Donovan suddenly disappears and she sits up on the couch near by.)Paige: Did youastral project?Miss Donovan: Mrs. Winterbourne taught me before she went on sabbatical. Don't worry, I'll get used to it. Trust me. I am the best candidate for this job.(The hear a motorbike.)Paige: What the hell...(Aguy on a motorbike suddenly appears and he skids across the floor and slams into a table.)Drake: That's gonna leave a mark. Sorry about the table.Paige: Are you okay?(He turns off the motorbike.)Miss Donovan: Whoare you?Drake: I'm the new teacher.Opening Credits[Scene: Magic School. Continued from before.]Miss Donovan: You ride in here and nearly kill us, and now you want to teach here?Drake: If I wanted to teach parallelparking, you might have a point, but I'm here for literature.Miss Donovan: And what do you know about literature?Drake: Plenty. (He clicks his fingers and a sheet of paper appears in his hand.) My resume.(He hands itto Paige.)Paige: Drake. Huh. Well, maybe you should have sent this in so you didn't waste your time.Drake: Oh, I never waste my time. For life is but a walking shadow, the poor player who struts and frets his hourupon the stage and then is heard no more. It is a tale...Miss Donovan: Tale told...Drake: Take it, sister.Miss Donovan: By an idiot, full of sound and fury, signifying...Drake: Nothing.Paige: You two are not gonna makethis easy for me.Drake: Come on, what are you talking about? No contest. It's right there on the resume. I studied at Juilliard, performed on Broadway, and I was penning a memoir that I intend to finish on mydeathbed.Miss Donovan: Oh, I look forward to reading that.Drake: Well, thank you very much.Paige: Why aren't any of these credits more than a year long?Drake: Simple really. Before that I was a demon.MissDonovan: What? A demon?Drake: Was a demon. Now human.Paige: Okay, and how exactly did that happen?Drake: Personally, I hate exposition, but if... All right. Fifty weeks ago I made a deal, the Sorcerer made mehuman.Paige: Just like that?Drake: There were a few minor stipulations. First of all, I get to keep my powers, and if I use them in any offensive manner, he gets them, and I burn for all eternity.Miss Donovan: What areyou waiting for? Vanquish him!Drake: Vanq... Lady. Vanquish. I just want a chance to make up for my demon days. If you don't believe me, research me, look into my history. I've got almost nothing to hide.MissDonovan: We'll see about that.Paige: Miss Donovan, where are you going?Miss Donovan: To prove that he's dangerous.(Miss Donovan leaves the room.)Drake: If that is safety, then I am dangerous. Boy, is she gonnabe sorry when I get the job.Paige: Not so fast, Mr. Pompadour Motorcycle Guy. I don't know what to make of you.Drake: Why don't we consult the Book of Shadows? Want a ride?[Scene: P3. Piper and Leo are there.Piper slaps a cardboard heart onto the wall.]Piper: Okay, next.Leo: That one's ripped.Piper: So? The crowd will be too. Actually, this is taking far too long. Where's my staple gun?Leo: Staple gun? Since when do youstaple decorations? Don't you want everything to be perfect?Piper: What's the point? It's all gonna be torn down tomorrow anyway.Leo: The point is not to worry about what's gonna happen tomorrow. The point is tostop and enjoy Valentine's Day.Piper: Well, some people can't forget. Some people would rather see the rips and the flaws so that they're not totally devastated when they're all torn down suddenly tomorrow.Leo: We'renot talking about decorations anymore, are we?Piper: Look, Leo, I'm sorry, but I can't just stand here and pretend like everything is not falling apart again. We both know the Elders are not gonna be easy on you.Leo:When you change the world, you gotta expect consequences.Piper: Says who? The Elders brought this on themselves. It's just as much their fault as it is ours, maybe even more so.Leo: Well, I'm the one that chose tobecome an Avatar. I betrayed them.Piper: Because they drove you to it, with Gideon, what he did to Chris and what he tried to do to Wyatt.Leo: I don't think they'll see it that way.Piper: You need to make them see itthat way, or else this may be the last Valentine's Day we spend together.[Scene: Underworld. Cave. A Sorcerer and a bounty hunter are there.]Sorcerer: Your leads are worthless, bounty hunter!Bounty Hunter: I'm notthe one who lost Drake in the first place. That was you, Sorcerer.Sorcerer: Well, I never dreamt I'd need to keep tabs on him. By now, I thought he would have used his powers for sure.Bounty Hunter: And yet hehasn't.Sorcerer: He's stronger than I thought, which is why you must find him so I can force him to give in to temptation.Bounty Hunter: But we are running out of time.Sorcerer: In more ways than one, Mr. Rathbone.Zankou is moving in to take over the Underworld. If I expect to stop him and to seize the throne for myself, I must have Drake's powers! I'll double the bounty, but find him.(Three demons walk in. Two of the demonsare holding onto Miss Donovan and she is struggling to get away.)Demon: Sir, excuse me, sir. We have a new lead.Bounty Hunter: A woman? You call that a lead?Demon: We caught her in the Underworld asking aboutDrake. She may know where he is.Sorcerer: Ah, is that so?Miss Donovan: I don't know anything. Let me go!(The Sorcerer holds up a knife.)Sorcerer: Think harder, my dear.[Scene: Manor. Conservatory. Phoebe, Wyattand Chris are there. Phoebe is on the phone.]Phoebe: No, you can not put me on hold again. When are you gonna send me a refund for my phone bill? What do you mean, never? Look, this is... You know what? Forgetit. I have call waiting anyway, which you're probably overcharging me for, right? (She presses a button.) Hello?Darryl: Hey, Phoebe, it's Darryl.Phoebe: Darryl, shouldn't you be out arresting that thief John Normand?Did you read the paper today? It says that...Darryl: We got bigger things to worry about. Sheridan's back.Phoebe: What? Oh, no. Any more good news?Darryl: Your friend Brody came to visit me last night and told methat he brought her out of the coma. Didn't you say he died?Phoebe: Yeah, well, I never said it stuck. He became a Whitelighter.Darryl: The point is he did some mumbo jumbo on her where she doesn't rememberanything that happened.Phoebe: Well, does she remember us?Darryl: I don't know yet. He told me to tell her that they went on some undercover mission and that he died and she wound up in a coma. Just how long doyou expect her to buy that?Phoebe: I don't know. But as long as we don't trigger her memory, we should be fine.Darryl: What do you mean, trigger?Phoebe: Her memory could come back is she's reminded of us. Youhave to keep her away from us.Paige's Voice: Phoebe, I need you upstairs.Phoebe: Okay. Coming! Darryl, I'm sorry, I gotta go. You'll have to deal with this like the rest of us.(Phoebe hangs up.)[Cut to the PoliceStation.]Darryl: Phoebe...(Darryl turns around and Sheridan is standing there.)Sheridan: Phoebe. Do I know her?Darryl: I don't know. Do you?[Cut to the Manor. Attic. Paige is there with Drake. She is flipping throughthe Book of Shadows.]Drake: See? Right there. You have nothing to fear.Paige: What are you talking about? It says that you have the power to fire a thermal blast that can knock out ten demons at a time.Drake: Yeah,but I told you. If I use them, then the Sorcerer gets them, and that would be bad. It also says that I can be vanquished by the Power of Three. Hello. See? Right there. (He touches the Book.) What?Paige: You touchedit.Drake: What?Paige: You touched the Book.Drake: Oh my god, so I did. I guess that means I'm good.(He touches the Book again.)Paige: Stop it. Maybe it does, and maybe it doesn't. The Book has been trickedbefore. So have we. Just recently, as a matter of fact.Drake: All right, then, that explains it. So what did this mistake cost you? A colleague? A friend? A lover?Paige: Actually, all of the above.Drake: No wonder you're soindecisive.Paige: I'm not indecisive. You think I'm indecisive?Drake: Paige, making mistakes is what makes us human.(Phoebe walks in.)Phoebe: Hey, sorry. I put the boys down for a nap. Who are you?Drake:Hi.Phoebe: Hi.Paige: Drake, Phoebe. Phoebe, Drake. Yeah. He's an ex-demon.Phoebe: What? Excuse me?Drake: I thought you guys had lots of experience with demons who were human. You married one, didn'tyou?Phoebe: Yes, and divorced. How did you know that?Drake: Gossip around the office cauldron. Anyway, the point is, girls, you don't know what it's like to be judged simply by the way you were born. (He clicks hisfingers and suddenly he's wearing a French costume.) (in French accent) Look well at me and tell me with what hope this vile protuberance can inspire my heart?(Phoebe laughs.)Paige: He's very dramatic.Phoebe: I seethat. I don't know why Cyrano's here but he should probably leave because we have our own problems.Drake: But, my dear Roxanne, feel'st thou my soul, here?Phoebe: You know, then again, I don't have a date forValentine's Day. He's kinda hot.Paige: He's hot until you figure out how many people he's killed.Drake: Wait a minute. I never killed anyone. (He clicks his fingers and returns to his normal clothes.) Except demons.Killed plenty of them.Phoebe: Join the club. It sucks, doesn't it?Paige: You're telling me in your whole demonic career, you have not killed one innocent?Drake: That's because since the day I was hatched, I've beenreading books, and they taught me about feelings, human feelings, love, sadness, death. Since then I could never harm an innocent. I always found a way around doing that.Paige: (to Phoebe) What do youthink?Phoebe: I kind of believe him. You?Paige: I don't know. I'm gonna ask Piper.Drake: Come on, Paige, tell her I'm the right man for the job.Phoebe: Job? What job?Paige: Fill her in. I'll be back.(Paige orbsout.)Drake: So you like Gene Kelly movies?Phoebe: Love 'em. Why?[Scene: On top of Golden Gate Bridge. Leo is waiting there. Two Elders orb in.]Leo: Thanks for coming.Sandra: Of course. After all that's happened,it's the least we could do.Kheel: Oh, please, don't apologise. If anything, we've been far too lenient with him.Leo: Lenient? You tried to kill me.Kheel: You left us no choice.Leo: Funny, I feel the same way.Sandra:Gentlemen, neither side is without blame. Perhaps we could put the past behind us.Kheel: And we will... once he's done the penance for his betrayal.Leo: That's why I brought you here. I should be able to defendmyself before you issue judgment.Kheel: Really? And what would you say?Leo: That what I did was for my family. I was trying to create a better world for them, for all of us.Kheel: Too bad you failed.Sandra: Perhaps itwould be best if Leo and I spoke alone, if you don't mind. (Kheel orbs out.) It hasn't been easy arguing on your behalf.Leo: Thanks for trying.Sandra: One word of advice, Leo. Stay out of magical affairs. Or you justmight make things even worse for yourself.[Scene: Manor. Parlor. Drake is there dancing. Phoebe walks down the stairs.]Phoebe: Wow, let me get this straight. You do musical theatre as well?Drake: Oh, I'm full ofsurprises.(He clicks his fingers and Phoebe is suddenly dressed in a white dress and black vest.)Phoebe: What's this?Drake: Another surprise. (He takes her hands and they start dancing.) Happy Valentines Day.Phoebe:And to you.(They lean in to kiss but Piper and Paige walk in and interrupts them.)Piper: Get your paws off of her!Drake: So much for romance.Phoebe: Piper. (Phoebe giggles.) We were just having fun. You know,fun.Piper: With the demon? Phoebe, how many times have I told you not to play dress up with the demons.Paige: I'm sure it's harmless.Drake: Incidentally, Piper, I am an ex-demon.Piper: Look, buddy, we're notgonna let a demon or an ex-demon teach at Magic School. It's ridiculous.Paige: Maybe you're right. Drake, I'm really sorry. It's just not a real feasible thing for you to do. It could cause too many problems.Drake: Oh,no, you're making a terrible mistake. As an ex-demon, I can get through to these kids, I can keep them from going down the path of evil. Phoebe, talk to them, make them see reason.Phoebe: I can't. Look, I appreciatewhat you're trying to do, but it just... it's not really practical. I'm sorry.Drake: This is all wrong. The problem here isn't me. It's you three. You're shaken by the core by what's happened with the Avatars. (to Paige) You,you just lost faith in yourself, (to Phoebe) and you, you've been disheartened by the fight. (to Piper) And you, sweetheart, are just plain mean.(Piper laughs.)Piper: Watch it.(Paige giggles.)Drake: You're mean becauseyou closed down your heart. You're petrified it's gonna get broken again, aren't you? You know, there's only one man I know who can solve all of these problems. (He clicks his fingers and Piper and Paige are suddenlydressed in leather, Phoebe is dressed in a white gown with long red hair, and Drake is dressed as Robin Hood.) Well, come on, Robin Hood.Paige: You, I'm gonna hire you just so I can fire you.Piper: Do we look merry toyou?Drake: Well, perhaps you should see the world as Robin Hood would have. He believed in himself, also loved the thrill of the fight. And despite the threat of imminent death, he found love with his dear MaidMarian.(He kisses Phoebe's hand.)Phoebe: That's very sweet. Isn't that... You should probably change us back.Drake: Very well.(Drake clicks his fingers and they change back to their normal clothes.)Piper: Kitchen,now, let's go.(The girls head for the kitchen.)Phoebe: (to Drake) You just give me one second.(The Sorcerer shimmers in behind Drake.)Drake: I thought they'd never leave.[Cut to the kitchen.]Phoebe: Vanquish him?Are you sure?Piper: Well, if he doesn't leave, we don't have a choice.Phoebe: But his heart is in the right place.[Cut back to the parlor.]Sorcerer: Now, let's see those powers, demon.[Cut to the kitchen.]Paige: On theother hand, he still has his demonic powers.Piper: Hi, waffle much?(They hear a crash from the other room.)[Cut to the parlor. Drake falls to the floor. The Sorcerer is standing over him with his arms outstretched.Drake is glowing red.]Sorcerer: \"Darkness within cannot be undone. Embrace your true self.\"(Piper, Phoebe and Paige run in.)Piper: Here we go again.(Piper tries to blow him up and he flies across the room and hits thewall.)Sorcerer: Damn it!(He shimmers out.)Phoebe: Drake. Are you okay?(She runs over to him.)Drake: Drake? Who's Drake? I'm Robin... of Locksley.Paige: Of course you are.[SCENE_BREAK][Scene: Manor. DiningRoom. Drake jumps around the corner wielding a bow and arrow.]Drake: Stand and deliver! (He aims for an apple but the arrow misses and hits a pillow.) Excellent. (He reaches for another arrow. Piper walks in.) Johnwill be no match for me.Piper: Robin, you missed. And if you put a hole in my wall, you'll have me to answer to, not some prince.Drake: My apologies, my good woman, but my aim must be true if I am to right John'swrongs.Piper: Right. Just be careful. (Piper walks into the conservatory where Phoebe and Paige are sitting at a table. Phoebe is flipping through the Book of Shadows.) Please tell me you found a way to fix Robin inthere.Phoebe: Not yet. Can't you just freeze him?Piper: Nope. Not freezing.Paige: I'm sorry, you guys. Another big mistake bringing him here.Phoebe: No, it's just our lives. Anything that can go wrong will gowrong.Paige: Yeah, but I don't understand why it went wrong. Why does the Sorcerer want to turn Drake into Robin Hood, of all things?Piper: I don't think he meant to. I think he meant to bring out Drake's innerdemon so he could use his powers. But then I blasted him mid-spell, so instead we got his inner Robin Hood.Drake: Royal hound! (He shoots another arrow and it smashes a vase of flowers.) Sorry, my fault.Paige:Another mistake for the Charmed Ones.Piper: It was an accident.Paige: Either way, we messed up.Phoebe: Okay. I found a vanquishing potion for the Sorcerer, but of course, there's no way to find him.Paige: How isfinding the Sorcerer even gonna fix Drake anyway?Piper: Actually, I think it will because, if we vanquish the Sorcerer, then it should reverse his magic.Drake: Saxon dog!Paige: Okay, well, I'll go to the Magic School,and I'll ask Miss Donovan to look through things and see if she can find something that helps us find the Sorcerer.Phoebe: Or you could just do it yourself.Paige: Yeah, well, I don't know the archives that well. And,knowing me, I'd probably mess up.(Paige orbs out.)Phoebe: What are we gonna do with her?Piper: We'll fix her later. Right now, we need to deal with him.(They hear a crash and Drake slides along the dining roomtable. He picks up a sheet of paper.)Phoebe: What is he doing with my phone bill?(They rush over to him.)Drake: Marian, these taxes are outrageous. Prince John has gone too far.Phoebe: Okay, I'm not Marian, I'mPhoebe, remember? And give me that!(She snatches the phone bill off him.)Piper: Prince John has been dead for centuries. He's not taxing anyone anymore.Phoebe: Yeah. The phone company is owned by a differentJohn, and he's, well, a really swell guy.Drake: Nonsense. The evidence of his misdeeds is right there on the parchment.(He points to the newspaper.)Piper: You left that out?Phoebe: Who knew?Drake: I think it's hightime I paid John a visit. My steed! (He clicks his fingers and a motorbike appears.) Horsepower.Piper: What kind of Robin Hood rides a motorcycle?Phoebe: Forget that. What are we gonna do? We can't just let him goout there. Especially not with Sheridan back.Piper: Sheridan's back?Phoebe: Did I forget to mention that?Piper: Go with him.Phoebe: What?Piper: You're the Marian person. Go with him.Phoebe: Robin, wait. (Phoebesits on the bike behind Drake.) Here we go. (He hands her his bow.) Oh, okay.Piper: Helmets please, people.(Helmets suddenly appear on their heads.)Drake: Hold on, milady.(The front doors fly open and they ride out"}
+{"doc_id":"doc_197","qid":"","text":"Opening creditsJACK HARKNESS (v.o.) : Torchwood. Outside the government, beyond the police. Fighting for the future on behalf of the human race. The 21st Century is when everything changes... and Torchwood isready.EXT. MALL - DAYOwen stands in the middle of the walkway. The world around him moves... backward. In rewind. Everyone is walking quickly backwards.OWEN (v.o.) : My name is Dr. Owen Harper and this is mylife. MONTAGE OF CUTS : Owen is running.OWEN (v.o.) : A life that is full of action...[SCENE_BREAK]Owen pulls out his gun with a silencer attached and shoots the lock off the door. Ianto turns around.OWEN (v.o.) : ...and violence...[SCENE_BREAK]Owen is in the autopsy area back in the hub. He's holding a syringe and looks at the needle as Jack sits behind him and waits.OWEN (v.o.) : ... and work,...[SCENE_BREAK]Owen lookingat the slab of meat.OWEN (v.o.) : ... wonder.[SCENE_BREAK]Owen sprays on some alien pheromone at the bar. The blonde woman grabs him and kisses him.OWEN (v.o.) : Secrets, s*x...[SCENE_BREAK]Owen danceswith Diane.OWEN (v.o.) : ... and love and heartbreak...[SCENE_BREAK]Owen is shot. He hits the ground.OWEN (v.o.) : ... and death.[SCENE_BREAK]Owen is on the table. Martha pulls back the sheet covering him asshe prepares to do his autopsy.OWEN (v.o.) : My death. Owen sits up suddenly, panting.OWEN (v.o.) : The death I survived.EXT. MALL - DAYOwen stands in the middle of the walkway. The world around him moves onpast him. Everyone is walking past him as life continues.OWEN (v.o.) : The death I am now living through.INT. OWEN'S PLACEREVERSE VIEW : OWEN'S REFRIGERATOROwen opens the refrigerator door and reaches fora bottle of something to drink.OWEN (v.o.) : Except... this isn't living. Then, he remembers that he can't drink anything. He puts it back.OWEN (v.o.) : Every day it's the same. THE NEXT DAY : Owen opens therefrigerator door and looks at the bottles of things he can't consume.[SCENE_BREAK]In the bathroom, Owen lathers up some shaving foam in his hands.OWEN (v.o.) : I get up, get ready for work the same as everyoneelse. Then, he remembers that he no longer has facial hair to shave. He looks at his reflection in the mirror and swallows.INT. THE HUB - CONTAINMENT CELLSOwen stands in front of the weevil cage.OWEN (v.o.) : Thething is, I'm not the same. The weevil cowers in the darkness, lifts its head and howls.WEEVIL : Aaaahh !INT. THE HUB - OUTSIDE THE COG DOOROwen stands outside the cog door.OWEN (v.o.) : I get to work andeveryone's doing the same old thing. The lights flash and the door rolls open. He turns to go inside. Jack, Toshiko and Gwen are up at the workstations.OWEN (v.o.) : Babbling away about aliens and weddings. Heenters the hub.INT. UNDER WATER - DAYOwen is under water.OWEN (v.o.) : I'm not real. Three days ago, I died. He looks at his hand.OWEN (v.o.) : And they think I'm fine,... but they're wrong. Owenscreams.[SCENE_BREAK]EXT. BUILDINGS - NIGHT (PRESENT)PULL UP to the tallest building where we find Owen and a blonde-haired woman sitting side-by-side on the edge, their legs dangling off the side.OWEN : So,are you ready to jump ? Opening creditsEXT. ROOFTOP - NIGHT (PRESENT)Owen and Maggie sit side-by-side on the edge, their legs dangling off the side.MAGGIE : Would you just piss off. Get off my roof.OWEN : Yourroof ?MAGGIE : I'm going to jump, so just leave me alone.OWEN (sighs) : Look, darlin', you know, I'm not here to stop you. Seriously. (He unzips his jacket). You think you've got problems ? (Scoffs). What, did yourman dump you ?MAGGIE : Sorry, love, are you talking to me ? It's just, you know, I'm a bit busy right now. I'm not really interested in listen... (She stops when she sees his bullet wound in his chest). What is that?OWEN : I got shot.MAGGIE : Yeah, right. He looks at her, half smiles and nods. She sticks her finger in his bullet wound. Now, she's freaking.MAGGIE : Oh, my God. She climbs down from her perch on the wall andsteps back just to put some distance between them.MAGGIE : What the hell are you ? Owen climbs down off the wall. Maggie is still backing away from him.OWEN : I'm dead.MAGGIE : That's not... Look, you can't bedead, you're... you're standing here. You're talking. You're moving. You're... you're not dead. Wha... ? You're... You're dead ?OWEN : Yeah, I was brought back... like Jesus really, but without the beard, you know.(Realizes). sh1t, I'm never gonna have a beard. Not that I wanted one you understand, but you know, one day I...MAGGIE : Yeah. Okay. Okay. You're dead and that's... that's clearly a bit sh1t and I'm sorry andeverything but, if you are dead, then why are you here ? You can't be wanting to jump. You can't die twice.OWEN : Sorry, are you an expert ?MAGGIE : Sorry, are you an idiot ?OWEN : Yeah. I'm a dead idiot.MAGGIE :So, come on then, what's it like ? She sticks a cigarette in her mouth and lights it.OWEN : What ?MAGGIE : Well, being dead. What delights have I got to look forward to ?OWEN : Darkness. Nothing.MAGGIE : Cheery,thanks. Look, why are you here ? Owen looks at her.JACK (PRE-LAP, v.o.) : Dr. Owen Harper, Torchwood Officer 565, I'm relieving you of your position.INT. THE HUB - JACK'S OFFICE - NIGHT (EARLIER)Jack is at hisdesk as he delivers the bad news to Owen. Ianto is near the doorway.OWEN : Bollocks. I'm sorry, Jack, this is bollocks !JACK : Hand in your weapon and your security pass.OWEN : But why ? I'm fine.JACK : Three daysago, you died. We need to examine you. We need to find out what you are. We need to be certain you're okay.OWEN : Yeah, well it almost sounds as if you care, well done.JACK : Until I'm confident you're fit for duty,Martha Jones will replace you as Torchwood's new medical officer.OWEN : She's doing all right out of this, isn't she ?JACK (stands up) : She's worked out a series of tests and examinations.OWEN : And what if I refuse?JACK : You'll be confined to the cells, the tests will be done, and if the results show that you're a danger to the team, appropriate steps will be taken. Ianto steps in closer. Jack also steps in closer to Owen.JACK : I'masking you, Owen. Please, let us help you. Let us make sure you're safe. Owen doesn't look at him.IANTO : I'm gonna need your gun. Owen turns and looks at him. He takes his gun out and reluctantly gives it toIanto.IANTO : And your security pass. (Owen looks at Ianto). Please... Just behind them and through the glass in the wall, Martha is in the workstations. He glances at her, then takes his security pass out and gives it toIanto.OWEN : And how long are Dr. Jones' tests going to take ?JACK : As long as they need to.OWEN : And what the hell am I supposed to do in the meantime ?JACK : We always need someone to make coffee.OWEN :Oh, no.[SCENE_BREAK]CLOSE-UP : COFFEE MACHINEIanto is at his area at the base of the spiral stairs as he fills up the coffee cup. Owen sits in the chair nearby.IANTO : Voila. Fresh and strong. (He smells itappreciatively). Mmmm. Owen gets up. Ianto steps aside and hands the cup to Owen.OWEN : And, uh... we couldn't just have a jar of instant, no ?IANTO : I thought you liked your coffee.OWEN : Have you seen whathappens when I drink these days ?IANTO : Yeah. Thank you, Owen. Ianto takes the cup away from him.IANTO : Do you want a go ?OWEN : Ooh, please. Owen turns to try his hand at the machine. Owen grabs thehandle. The cups rattle as he tries to get it to work, but it doesn't.OWEN : Come on. What's wrong with this ?IANTO : You, um... Owen grabs both handles and shakes it. The cups and dishes rattle loudly. Some soundas if they break. He turns and sees Jack and Martha on the stairs watching him. He rests his chin on the machine in humiliation.IANTO (quietly) : You okay ? OWEN (sighs and turns around) : What do you think ? I betyou're loving this, aren't you ? It's like you've finally won.IANTO : I didn't realize we were in competition.OWEN : Oh, come on ! Even Tosh had more of a life than you used to. And now you're always out on missions,you're shagging Jack and I'm stuck here making the coffee.IANTO : It's not like that. Me and Jack. Ianto goes to the machine and fixes a cup of coffee.OWEN : Yeah, yeah... You and Jack. Gwen's getting married.Martha's got her bloke. God, even Tosh had Tommy. This is really sh1t ! Ianto goes about his business.IANTO : We've all gone through sh1t. I've seen you dissect alien corpses. I've seen you save so many lives. Areyou really going to let this beat you ? He leaves Owen with that.[SCENE_BREAK]INT. THE HUB - AUTOPSY AREAOwen is on the treadmill. His image is up on the monitor as Martha tests him. The machine beeps. Owenstops it. He smiles.OWEN : So, you're choosing me over the boyfriend ? Owen steps off the treadmill and picks up the barbells. He starts lifting them. Martha goes to the treadmill to check the readings.MARTHA : Yeah,that's it. You really don't need to worry, you know, I don't want your job.OWEN : Yes, I know. You just find me irresistible.MARTHA (rolls her eyes) : Oh, yeah, that's it. Every morning I wake up and think of ways to getyou alone like this. (She goes back to the computer). There is no sign of any muscle decay. You're in great shape, as ever.OWEN : Hmm, no use coming onto me, Jones. I'm a changed man.MARTHA : And... um, nostiffening anywhere ?OWEN : Well...MARTHA : Just answer the question.OWEN : No, no signs of rigor mortis. Owen puts the barbells down.OWEN : So, if I keep up the exercise, I won't atrophy ? She appears with thehand-held monitor and scans him.MARTHA : Yep. And bonus, definitely looks like you're not going to age either. There's no further sign of cell mutation. You're a hundred percent human. (She turns the monitor off). Ahundred percent Owen. Owen nods. The intercom beeps.GWEN (from speaker) : Hi, Martha. Meeting in the boardroom. Can you come down ?OWEN : You'd better go... Doctor.MARTHA : What about you ?OWEN :Cappuccino with chocolate sprinkles.MARTHA (smiles, confused) : What ?OWEN : That's what you drink, isn't it ? Suddenly, it's very awkward. Martha turns and leaves. Owen's smile fades.[SCENE_BREAK]INT. THE HUB- CONFERENCE ROOMEveryone except Owen is there.JACK : Henry John Parker. He used to be a looker. Now he's 80-odd and even I have my limits. The door opens. Owen walks in with a tray of coffee.JACK : Yourbasic millionaire collector of alien hoo-hah.OWEN (quietly) : Didn't we file him in the \"mostly harmless\" category ? He puts a cup down in front of Ianto.MARTHA : So, what's the problem ? Owen continues setting coffeecups down on the table.TOSHIKO : I detected this at 5:17 this morning. Parker's house. There's an energy spike coming from it. I've never seen anything like it before.GWEN : Okay. So, the big question is, what's ourMr. Parker gone and found this time ? Gwen and Ianto quietly switch coffee cups as Owen heads to the back of the room.MARTHA : Why ? Do you think he's a threat ?GWEN : Well, he hasn't been up until now. (Owenwipes his tray as he listens). He's a bit Howard Hughes. We know he's there, we know he's not a threat. But as the story goes, he hasn't left the house since his wife died. Nobody's seen him since 1986.OWEN : We'vebeen monitoring Parker for ages. There's nothing to be scared of is there ? Owen quickly sits down at the table with the others. There's a brief awkwardness with him being there when he's not supposed to.IANTO :Unlike, say, Tintin ?OWEN : Okay ! I never liked Tintin. What ? He's weird. He's got a funny face and his hair is just, he's horrible.IANTO : I always loved Tintin.OWEN : Yeah, well you would. And he never had agirlfriend did he, just the dog. Yeah, so I reckon he was actually shagging the dog.GWEN (interrupts) : Okay, meanwhile, back at Torchwood. Alien energy pulse. (to Jack) We've got to check this Parker out, okay ?(Jack nods. Gwen gets to her feet). Tosh, can you get me a complete schematic of the house ? Ianto, find out exactly what he's got. Get me an inventory of everything that he's bought over the last ten years. Martha,can you get a hold of his medical history ?MARTHA : Sure.GWEN : Okay, let's get to it, guys. As everyone gets to their feet, Jack levels a look at Owen. He then gets to his feet to leave as well. Owen is left sitting at thetable.JACK (o.s.) : Hey, Gwen, any news on Banana Boat ?GWEN : Can you believe it ? Best Man, arrested in Lanzarote.JACK : What for ?GWEN : Ah, dodgy Cds.OWEN (PRE-LAP v.o.) : Worldwide, nearly a millionpeople kill themselves each year. The door closes behind them.[SCENE_BREAK]EXT. ROOFTOP - NIGHT (PRESENT)OWEN : That's almost three times the population of Cardiff. Makes you think.MAGGIE : What are you ?Some sort of suicide geek ?OWEN : No, just a doctor. In fact, I'm not just a doctor. I'm a bloody brilliant doctor.MARTHA (PRE-LAP, v.o.) : I know you are.INT. THE HUB - AUTOPSY AREA (EARLIER)Owen sits on thetable while Martha is working on the computer.OWEN : So why are you doing my job ? He absently plays with a scalpel, flipping it and catching it. Martha turns to look at him.MARTHA : Because Gwen asked meto.OWEN : That's not what I mean.MARTHA : Because you died. And because you need help. That's not a bad thing. Well, it's a bad thing that you died obviously, but it's not bad that you need help. If you know what Imean.OWEN : You're kinda cute when you babble.MARTHA : And you're kinda cute when you're not chucking a scalpel about.OWEN : But I'm making the sodding coffee ! (He stands up. Martha goes back to typing onthe computer). I mean, come on, won't your bloke be missing you ? How about Jack ! Has he seen Jack ? They always get jealous when they meet Jack.MARTHA (irritated) : Owen, I don't want your job. I just want todo mine.OWEN : Okay, I'm dead, but I am one hundred percent human. I'm fine.MARTHA : You've sliced your hand open. Owen drops the scalpel as he opens his hand. It clatters on the floor. He is sufficiently freaked.TIME CUT TO : Owen sits on the table as Martha tends to his hand.MARTHA : The wound's not going to heal, so, you're going to have to re-stitch it every week or so. At least you don't need anesthetic.OWEN : Yeah,can't feel anything. I can't feel the needle or thread. I can't feel your hands on mine. Yet, I can touch things. I can hold 'em, I know they're there. But I just... can't feel anything. I'm numb.MARTHA : Do you see whyJack's worried ? Bruises won't heal. Bones won't mend. You're... fragile. Owen takes a breath.OWEN : Yeah, well, I'd better get used to doing things myself. He takes the needle and thread from her to stitch up his ownhand.MAGGIE (PRE-LAP, v.o.) : So she offers to help you and you push her away ? Charming.EXT. ROOFTOP - NIGHT (PRESENT)Maggie takes another cigarette out of the box.OWEN : Yeah, hole in the chest. Sorry if Idon't follow social niceties any more. Owen climbs up on the wall to take his seat next to her.MAGGIE : You mean you did before ? She lights the cigarette.OWEN : God, you're a pain in the arse, aren't you ? Is that whyyour man dumped you ? (She looks at him). Ooh, I hit a nerve ? What, did you get your heart broken ?MAGGIE : No, actually. He died.OWEN : I'm sorry.MAGGIE : No you're not. You couldn't care less about me and Idon't care about you. Just because we're both planning on jumping, it doesn't mean we have some sort of special connection.OWEN : You don't know the half of it.INT. THE HUB - WORKSTATIONS / JACK'S OFFICE(EARLIER)Gwen is at her workstation going through some papers. Owen walks up to her and puts her cup down. His hand is bandaged up. She glances at him.[SCENE_BREAK]Owen talks with Jack.OWEN : Give mesomething to do.JACK : You know I can't. Rules and regulations. Owen takes Jack's cup and plate.OWEN : Fine. I might as well go home then.JACK : Okay. Owen turns toward the door. He turns back.OWEN : Whatexactly do I do when I get there ?JACK : Watch TV... chill.OWEN : Jack, I'm dead. I'm permanently chilled. You know, you get to live forever. I get to die forever. It's funny that. Owen turns andleaves.[SCENE_BREAK]INT. OWEN'S PLACE - DAYOwen is back at home, sitting on the sofa with the television set on.MAN 1 (from tv) : I'll look into it myself.MAN 2 (from tv) : Can I arrange something for later?RANDOM MAN (from tv) : Yep.HOST (from tv) : Oh, hello ! And welcome to To Buy Or Not To Buy, the property show that lets you indulge in your... Owen turns the sound off. He sits on the sofa for a moment, puts theremote down and rubs his eyes. He gets up and looks at his place. He picks up a large trash bag, walks over to the refrigerator, turns the iPod on and opens the refrigerator. He clears out the foodinside.[SCENE_BREAK]In the bathroom, he throws away the toilet tissue. He opens the medicine cabinet and tosses all the shaving and grooming products on the bottom shelf. CUT BACK TO : Owen clears off the itemson the refrigerator door. CUT BACK TO : In the bathroom, Owen tosses all the products on the top shelf in the medicine cabinet.[SCENE_BREAK]Owen takes the garbage bag and closes the refrigerator door. He picks upthe brand new loaf of bread on the table and looks at it. He tosses it in the garbage bag. He then throws away all the food on the table. He throws away the food on the counter, including a bowl of fresh fruit... and ahandful of rotting bananas. He stops.[SCENE_BREAK]Owen is back to sitting on the couch.VARIOUS CUTS OF OWEN BEING BOREDHe stands in the bathroom. He looks at his empty refrigerator.) More Owen beingbored. His eyes drift shut. Suddenly, his doorbell is ringing. It takes him a moment to realize that his doorbell is ringing. Owen opens the door and finds Toshiko there. She smiles at him.[SCENE_BREAK]Toshiko burstsin. She's carrying a box of pizza.TOSHIKO : Do you mind if I eat, I'm starving ? She heads into the kitchen.OWEN : No, help yourself. So, Jack asked you to come round did he ? \"Talk to Owen. Get him to open up,goddamn it\". He sits at the counter.TOSHIKO : You haven't changed, have you ? It's all about Owen. (She grabs her bottle of drink and looks around). I've had a hell of a morning, you know. Do you have a... ? Shemotions opening the bottle.OWEN (points) : Top drawer. She turns to get the bottle opener.TOSHIKO : So, Jack calls me in at 5:00 this morning. (She opens the bottle). He could've waited until I got in, but no, strangeenergy spike, and it's \"Let's get Tosh in.\" Oh, and when Gwen got in, first thing she did ? Say sorry for not asking me to be bridesmaid. (voice fades) I mean, me, a bridesmaid ? Toshiko eats and continues talking.Owen drowns her out, not paying attention to her.MAGGIE (v.o.) : You sound like an old married couple.EXT. ROOFTOP - NIGHT - PRESENTOwen and Maggie talk.MAGGIE : Brian used to say I talked too much.OWEN :Tell me about him.MAGGIE : Today's my wedding anniversary.Quick flashes of : Maggie exiting the church in her white wedding dress. She and her husband leave.MAGGIE (whispers) : My perfect day...Quick flashes of: Maggie is walking along the road, her white dress drenched red with blood. She staggers, then sits on the side of the grassy hill.MAGGIE : It was an accident.Quick flash of : Maggie in her blood-stained wedding dress.She heads toward the overturned car. She sits on the grass and touches her dead husband's hand. She looks around for help.MAGGIE : We'd been married less than an hour.Quick flash of : Maggie climbs up the grassyhill to the road. Her face is cut. She makes her way along the empty road.MAGGIE : I was picking confetti out of my hair when it happens.OWEN : sh1t. I'm...MAGGIE : Sorry, yeah. I know.OWEN : You've waited untilyour wedding anniversary to kill yourself ? Why ?MAGGIE : Does it matter ?OWEN : Why have you waited ?MAGGIE : Because I believe people. I... I believe them when they said it would get better. So, what do youthink, Doctor ? Do you... do you really think it's going to get any better ? They lapse into silence. Maggie inhales from her cigarette, then tosses it off the side of the building.[SCENE_BREAK]INT. OWEN'S PLACE - DAY(EARLIER)Owen is in his kitchen, staring at nothing. He closes his eyes. PAN slowly around Owen to REVEAL that Toshiko is still there and talking. We can't hear a word she's saying as Owen has tuned her out. Owen'sbrows furrow as something occurs to him. We hear Toshiko's voice now, mid-conversation.TOSHIKO (fades in) : ... bounced a message from the stars. Guess what... It's Croatian. I ran it through the language translatorand it's flipping Croatian.OWEN (interrupts) : Why are you here, Tosh ?TOSHIKO : I want to help you. He nods.OWEN : And how are you going to do that ? How are you going to help me ? I mean, am I going to be anew special project ?TOSHIKO : Come on, Owen, I just...OWEN : That's not why you're here is it ? For some reason you want me. You know I don't know why, but you always have... always looking at me, watching me"}
+{"doc_id":"doc_198","qid":"","text":"MUSIC IN:(SFX: CAR BRAKES TO A STOP)TONY: Lieutenant Lara Hill. Stop number forty six on the boredom express.ZIVA: Cheer up. This could be fun.TONY: If I wanted to knock on doors all day, I would have joinedUPS.ZIVA: Trust me. Brown is not your most flattering color.TONY: You're actually enjoying this, aren't you?ZIVA: We're looking for a mole in the Pentagon, Tony. Espionage just so happens to be one of myspecialties.(KNOCK ON DOOR)TONY: We're interviewing code geeks. They're not even sure there is a mole.ZIVA: Don't you find it a bit coincidental that every time the Navy breaks a Venezuelan code, it changes almostinstantly?(SFX: TONY YAWNS)ZIVA: All right. I'm trying the back door.[SCENE_BREAK]EXT. BACK YARD - DAY(SFX: GATE OPENS)TONY: Relax, Ziva David. We're dealing with a Naval Officer. Not Doctor Evil.ZIVA:Well, she didn't show up for work or her interview with us. No one has been able to reach her by phone.TONY: She probably overslept.ZIVA: I believe in being prepared.TONY: So do Boy Scouts. Why didn't you bringWebelos McGee with you?ZIVA: I tried. He was busy.TONY: I've got an idea. How about if I shove you right through here? Huh?(F/X: CAT SCAMPERS FROM THE HOUSE)(SFX: ZIVA LAUGHS)ZIVA: Don't tell me you'reafraid of a little pussy - cat, Tony?TONY: (BEAT) It looks like blood.(MUSIC UP AND OUT)(THEME MUSIC UP OVER OPENING TITLE/ SCENES/ CREDITS AND OUT)MUSIC IN:INT. LIVING ROOM - DAYTONY: I knewsomething was wrong the minute I got out of the car, Probie. Instinct. Pure and simple. Either you got it or you don't.MCGEE: Yeah, well I heard you squealed like a little squirrel when the cat jumped out at you.TONY: Iwas saving this for Ziva, but since you volunteered... find the little beast. Got blood on his paws. It's evidence.MCGEE: I'm allergic to cats.TONY: Oh, I'm sorry. I had no idea. Try holding your breath.DUCKY: OurLieutenant suffered a single gunshot wound, Jethro, to the right temple...GIBBS: Through and through.DUCKY: Yeah.GIBBS: Impacted here. Round's still in the book, Duck.DUCKY: Sadly, one less reader in theworld.JIMMY: Who committed suicide. Or maybe she was just cleaning her gun too close to her head.GIBBS: DiNozzo.TONY: NCIS investigates all suicides as homicides until proven otherwise, Palmer.JIMMY: Gotit.GIBBS: T.O.D., Duck?DUCKY: Nine, nine thirty this morning. What time was her interview scheduled for today?GIBBS: Ten hundred.ZIVA: Gibbs.[SCENE_BREAK]INT. BEDROOM - DAYZIVA: I found it tapedunderneath the bureau.GIBBS: Hundreds and fifties. Non-sequential. Maybe fifty, sixty grand.TONY: Looks like we found our mole, Boss. Knew she was cornered. No way out. NCIS closing in.ZIVA: She could have run,Tony. Suicide is only for when you know you're going to be captured.TONY: For you, maybe. This doesn't exactly look like the bedroom of a hardcore super secret agent chick.ZIVA: I have stuffed animals. Okay, I wastwelve. But still, I mean...GIBBS: She could have been coerced.ZIVA: To be a mole?TONY: He means to kill herself.GIBBS: I mean both, DiNozzo. How many suicides you know make their beds before they offthemselves?TONY: Want me to inform Lieutenant Hill's Command about her death, Boss?GIBBS: Nope.TONY: He wants to tell him himself. That way he can gauge the response.GIBBS: DiNozzo.TONY: On your six,Boss.[SCENE_BREAK]INT. LIVING ROOM - DAYGIBBS: Get the couch, bookcase, and carpets to Abby.TONY: Oh. On it.GIBBS: McGee!MCGEE: Yeah, Boss?[SCENE_BREAK]INT. HALLWAY - DAY(SFX: MCGEESNEEZES)(MUSIC OVER ACTION/MCGEE CHASES THE CAT)MCGEE: He's really quick, Boss.TONY: (INTO PHONE) All right, I'll hold. McGee, you go that way. I'll go this way. We'll corner the guy. You've got to be verycareful with animals. They're... tricky.(SFX: CAT B.G.)GIBBS: Hey!(MUSIC OVER ACTION/CAT WALKS INTO THE CARRIER)TONY: Or you can just do that.GIBBS: With me. We're going to the Pentagon.MCGEE:Cryptology unit?GIBBS: I need you to translate.TONY: He needs you to speak the geek for him, McGeekle.GIBBS: DiNozzo, find a home for that thing!(SFX: CAT B.G.)[SCENE_BREAK]INT. CRYPTO UNIT - DAY(SFX:VOICES B.G.)DORN: Agent Gibbs. I understand you've got an investigation to run, but I'd appreciate a courtesy call before you show up here to interview any more of my people.GIBBS: We're not here to interview yourpeople today, Captain Dorn.DORN: What happened?GIBBS: Lieutenant Hill.DORN: Well, what? She didn't show up for her interview at NCIS today?GIBBS: Nope.DORN: Well, if she's running late, I can tell you there's agood reason. She's one of my--MCGEE: We know the reason.GIBBS: She's dead.DORN: How?MCGEE: Appears to be suicide.DORN: Let's continue this conversation in my office.[SCENE_BREAK]INT. OFFICE - DAYDORN:These... cryptographers. They're not like us. Their lives are by patterns and numbers. To tell you the truth, I don't understand half of it. But they're pretty tightly wound and Lieutenant Hill was no different.GIBBS:You're saying she was suicidal?DORN: I'm saying that she was withdrawn. She was socially awkward, had obsessive-compulsive traits.MCGEE: Well none of that was in her medical record.DORN: No, and it wouldn't be!These people are recruited based on their abilities, and sometimes it's a thin line between genius and...GIBBS: Insanity.DORN: Look, a lot of these people tend to be naturally paranoid, and this mole hunt hasn't helped.My entire section's on edge.GIBBS: They should be.DORN: If there's a leak, I am telling you right now it is not coming from my people.MCGEE: We found sixty thousand dollars hidden in Lieutenant Hill's home.GIBBS:She ended up dead instead of attending the interview she had today. What does that tell you?DORN: (INTO PHONE) Lieutenant Hall?HALL: (FILTERED) Sir?DORN: (INTO PHONE) We are now in lockdown. I want all thework secured and the section restricted to quarters until further notice.HALL: Yes, Sir. (V.O./OVER INTERCOM) Attention! Initiate emergency Plan Alpha. Shut down your systems and secure classified material. Whencomplete, report to your quarters until further notice.DORN: Okay. What now?[SCENE_BREAK]INT. LIVING ROOM - DAYTONY: Hey, buddy. Look what I got! Who found your favorite little carrot toy? Come here. Comehere. Here. Yeah. Good kitty. (SFX: CAT MEOWS B.G.)(SFX: CAT SCREECHES/ HISSES)TONY: Yah!(SFX: LAUGHTER)TONY: You think that's funny, Probies? Huh? Did I hear a little chuckle back here in the peanutgallery? Is that it? You want to know how the blood got there? Hm? You think that's funny? I'll tell you how it got there. Garfield over there. We found that animal feasting on this woman's face. Doctor Mallard thinksthat this kitty cat is rabid. Me? I'm of the opinion that it's a man eater. He likes the taste of human flesh. It starts with the cheeks. Then it moves to the lips. Soft lips. Then it works on the tongue a little bit until it's justa little nub. A lot of blood in the tongue. Guys, there was blood spewing from this poor woman's maw. Get a kick out of this now? You think this is funny, Chuckle Head. That's what it was feasting on when we found it.It took four tranquilizers and three--ZIVA: That's very dramatic, Tony. Can we get back to work now?TONY: You heard the lady, probies. And careful with that because it is evidence. (LAUGHS) I never get tired of it.What'd you find out?ZIVA: The neighbors were at work. The woman next door - she was actually there, but she didn't hear anything.TONY: I wish I had a neighbor like that. The old bat that lives next to me complainsevery time I bring a date home. Want to know why?ZIVA: Shouting of, \"No means no!?\"TONY: Huh. That's a good one, but not even close.ZIVA: I was actually kidding.TONY: Oh.ZIVA: I have the same problem at myplace, Tony.TONY: Really? You have a surround system too?ZIVA: No. I'm what you Americans like to call a screamer, yes?(SFX: ZIVA CHUCKLES)(PHONE RINGS)TONY: Answer it.ZIVA: Well, what do you want me tosay?TONY: I don't know. Scream something.HILL: (RECORDED VOICE) This is Lara. Leave a message.BOB: (V.O./FILTERED) Hi, Miss Hill. This is Bob calling with a special offer.TONY: (INTO PHONE) Hello, this is SpecialAgent Anthony DiNozzo. You called a crime scene. We're wiretapping this phone, so please be advised that we will be contacting you at your home.BOB: (V.O./FILTERED) My home?TONY: (INTO PHONE) Anytime day ornight. Probably during the weekend, early in the morning.BOB: (V.O./FILTERED) All right.TONY: That was fun. Telemarketers. You can't escape them even when you're dead.ZIVA: Ooh, speaking about escape?TONY:Nobody move![SCENE_BREAK]INT. AUTOPSY ROOM - DAYDUCKY: To assume is to make an enemy of exactitude, Mister Palmer.JIMMY: Because it makes an ass out of you and me?DUCKY: Is this the best time for anattempt at humor?JIMMY: Um, no.DUCKY: We must strive for excellence, Mister Palmer. Go the extra mile.JIMMY: I understand.DUCKY: Do you now? Oh, that's good. What exactly was your assumption?JIMMY: Well,the Instant Gunshot Residue Test came back positive.DUCKY: Yeah.JIMMY: She had a pistol in her hand. She has a hole in her head. It would seem reasonable to conclude suicide, Sir.DUCKY: There's nothing reasonableabout a lovely young girl like this taking her life in such a grotesque fashion. It's true firearms are the most common instrument of suicide. However, women tend to avoid the proximity of the face when pulling thetrigger. Vanity, Mister Palmer. Simple vanity.JIMMY: We're not finished with the external exam, are we, Sir?DUCKY: Well, you're not. You're so sure that the cause of death was suicide. Why don't you work out how youwould prove it?JIMMY: You want me to...DUCKY: Finish the external exam. Clean, measure - you know, the usual. You think you can do that?JIMMY: Absolutely, Doctor!DUCKY: Then work through the procedure, itemby item. Make whatever notes you can.JIMMY: Right. Oh, thank you, Doctor.DUCKY: Have her ready for autopsy two o'clock tomorrow.JIMMY: Yeah.[SCENE_BREAK]INT. SQUAD ROOM - DAYTONY: That's why I neverhad pets.ZIVA: You've never had any pets?TONY: Well, I had sea monkeys once.ZIVA: What's a sea monkey?TONY: Basically brine shrimp swimming around in green water. I know. I thought the same thing.ZIVA:What happened to them?TONY: My mother got their sea castles confused with her mint julep.ZIVA: Your mother drank your monkeys?TONY: It was the seventies.GIBBS: It explains a lot, DiNozzo.GIBBS: Hey boss? Iwent through Lieutenant Hill's background.ZIVA: Her phone records, credit card bills, personal habits. There's no discernible patterns.TONY: Yet. She's a cryptographer, Ziva. We could be dealing with a real pro here,Boss.GIBBS: Well, DiNozzo, if she was a pro, she wouldn't have killed herself.MCGEE: (V.O.) You should have heard the guy, Abby.[SCENE_BREAK]INT. GARAGE - DAYMCGEE: I mean, just because you (ON CAMERA)have an aptitude for math and science, it does not make them some kind of suicidal freak.ABBY: A little higher, McGee.MCGEE: Is that what people think about us?GIBBS: Ask me later, McGee. Oh, this better be workrelated.ABBY: Oh, it is. And you're just in time for the show and tell portion. McGee, if you will. So Lieutenant Hill sits down on the couch, puts the gun to her head, and bang! I said \"bang,\" McGee.MCGEE: Bang.ABBY: Imatched the bullet found in the book to the Kahr nine-millimeter in the victim's hand. Looks like a suicide, right?GIBBS: Except.ABBY: When a weapon is used at this close of range, there's extensive blood splatter fromthe exit wound. But blow-back also creates a fine mist of blood which lands here. Imperceptible to the human eye, but not to the magic of modern science. You're still dead, McGee.GIBBS: And?ABBY: Two steps away...voila!GIBBS: Footprints.ABBY: Exactly. Which means....GIBBS: Somebody else was in the room.(MUSIC UP AND OUT)MUSIC IN:INT. SQUAD ROOM - NIGHTTONY: No evidence of forced entry. No bruises or marks toshow that she was forced to pull the trigger or unconscious when she died. All we have is this... the Rorschach test from hell.ZIVA: You believe Abby may be mistaken?TONY: Well, I believe it's going to be tough toprove the suicide was faked when all you got is two partial footprints.ZIVA: She could have been drugged. The killer could have placed the pistol in her hand and pulled the trigger.TONY: The initial tox screens all cameback negative.ZIVA: Some narcotics are hard to trace. And as for no evidence of forced entry, we could be dealing with a trained assassin.TONY: Or she knew her killer, Ziva. Probie, it's about time! I'm starving like LeeMarvin!MCGEE: Well, then you shouldn't have sent me for the world's greatest barbecue because I had to wait in line for an hour.TONY: It will be worth it.MCGEE: You're welcome. Hey, Boss. Did you want somethingtoo, because, well, it's just that you never order.... I can... I can go back. I'll go back.GIBBS: Sit down. No one has earned dinner yet!ZIVA: I agree, though I doubt this qualifies as dinner. In fact, I'm not even surewhat this is. A Sea monkey?TONY: Goat. I'm pretty sure it's kosher.ZIVA: Maybe. But... still disgusting.GIBBS: There is a mole in the Pentagon and our only lead lies dead on a slab in Autopsy. I want answers!MCGEE:Boss? We ran the serial number on the murder weapon found in Hill's apartment. We just got a match. Purchased six months ago by this woman.ZIVA: Lieutenant Keira Napleton? We just...TONY: Interviewed her lastweek. She's in the same crypto unit as Hill.ZIVA: Looks like we didn't do such a good job.TONY: We'll bring her in.GIBBS: DiNozzo!TONY: We'll bring her in now. We'll eat dinner later.GIBBS: (CHEWING) Goodgoat.MUSICAL BRIDGE TO:INT. INTERROGATION ROOM(DOOR OPENS/ CLOSES)GIBBS: I'm Special Agent Gibbs.NAPLETON: Keira Nap - I mean, Lieutenant Keira Napleton, Sir. Middle name, IngBall. Family name onmy father's side. Most people would find it --GIBBS: You're not here because of a middle name, Lieutenant.[SCENE_BREAK]INT. OBSERVATION ROOMZIVA: This woman is a total turd! (BEAT) A geek, yes?TONY: Theterm is nerd.ZIVA: Whatever. I'm just saying it's hard to picture her as a killer.TONY: Remember the time that we Super Glued McGeek's face to his desk?ZIVA: (CHUCKLES) Yes. That's a goodpoint.[SCENE_BREAK]INT. INTERROGATION ROOMNAPLETON: Am I to assume I'm in some form of legal trouble? I only ask because no one has informed me of my Article Thirty One rights yet, Sir.GIBBS: Want me toread them to you?NAPLETON: Actually I have them memorized.GIBBS: Good. That'll save time.NAPLETON: I was interviewed by NCIS, Sir. I am not a... a traitor to my country.GIBBS: Hm? What about her?NAPLETON:You think Lara was the mole?GIBBS: Tell me about her.NAPLETON: Well, she was Catholic, liked to play softball. Her left leg was longer than her right.GIBBS: I'm more interested in her being dead,Lieutenant!NAPLETON: I don't know, Sir. Perhaps she was depressed?GIBBS: Enough to blow her head off?NAPLETON: She... she shot herself?!GIBBS: With this.[SCENE_BREAK]INT. OBSERVATION ROOMGIBBS:(FILTERED) A Kahr nine millimeter. Yours. What was that doing at her house?NAPLETON: (FILTERED) The real estate market being what it is--[SCENE_BREAK]INT. INTERROGATION ROOMNAPLETON: ... Being what it isand the forecasted projections over the next several--GIBBS: Lieutenant!NAPLETON: I have orders for Norfolk, Sir. So I sold my townhouse. Lara let me stay with her until I shipped out.GIBBS: Convenient.NAPLETON:Most people would think so, but the commute really wasn't that much better...GIBBS: Meaning, she wasn't alone when the trigger was pulled.NAPLETON: You think I was .... I was there with her? Sir, if I was...I wouldhave stopped her.GIBBS: Where were you?NAPLETON: At... I was at Alphonse's last night. My boyfriend.[SCENE_BREAK]INT. OBSERVATION ROOMNAPLETON: (FILTERED) I went straight to work from his house.TONY:I don't believe it.ZIVA: She appears to be telling the truth.TONY: No, I mean the part about her having a boyfriend.ZIVA: Oh.TONY: Come on.[SCENE_BREAK]INT. INTERROGATION ROOMGIBBS: I need his number andaddress.NAPLETON: I would appreciate it if you kept this quiet, Agent Gibbs. My parents... they still think I'm a virgin.[SCENE_BREAK]INT. SQUAD ROOM - DAYDORN: How much longer is this going to take, AgentMcGee?MCGEE: Ah, hard to say, Captain. Agent Gibbs doesn't like to be interrupted during interrogation.DORN: It's almost zero two in the morning.GIBBS: Oh, we're just getting started here, Skipper.DORN: AgentGibbs, do you think Lieutenant Napleton's the mole?GIBBS: She's staying here until we check her alibi.DORN: Alibi? For what?GIBBS: It's too soon to say.DORN: Well, we have another problem now. Our security mayhave been compromised.GIBBS: May have?DORN: After you left today, I conducted a thorough inventory of our section. Every piece of technology was scrutinized. Do you know what this is?MCGEE: Oh, it's...GIBBS:(OVERLAP) Oh, yeah. That's one of those... uh... memory doodah things for a computer.DORN:DORN: Yeah, basically we use it to transfer data between terminals. At the end of the night they're checked in. They'rekept in a vault. (CONT.) They never leave the section. I found this today in its proper place. The only problem is... someone took the memory cartridge out.GIBBS: Who has access to the vault?DORN: Two people.Lieutenant Hill and Lieutenant Napleton.GIBBS: What was on it?DORN: Could be anything. It holds over two gigs of information.GIBBS: McGee, bag it. Get a hold of Ziva and Tony. Tell them we're heading out.MCGEE: Igot it. Ah, where to, Boss?GIBBS: To look for the other doo-dah that goes inside that one.MCGEE: On it.DORN: Agent Gibbs, this is my fault. I've already offered my resignation to the Admiral.GIBBS: Don't fall on yoursword yet, Captain. Like I said, we're just getting started here.[SCENE_BREAK]INT. LIVING ROOM - NIGHTMCGEE: The flashcard could be anywhere. If you find it, though, try not to touch the contacts.ZIVA: Mossadtraining does not include food service.(SFX: MCGEE COUGHS)MCGEE: This thing hasn't been cleaned in years.TONY: It's a heating duct, McGee. Nobody cleans heating ducts... except for you guys.ZIVA: Oh, god! Itsmells like it's been here for a month!MCGEE: That's exactly why I don't have a roommate.GIBBS: Roommates are never a good idea.MCGEE: Did you ever have one, Boss?GIBBS: Three, McGee. They're calledwives.(MUSIC OVER ACTION/ALL SEARCH THE KITCHEN CABINETS/HOUSE FOR THE CHIP)(PASSAGE OF TIME)(SFX: ZIVA SNORES)GIBBS: Pack up. I found it. It looks like they're putting decoder rings in cereal boxesagain. (BEAT) What?TONY: Ah, it's a little before our time, Boss.[SCENE_BREAK]INT. LAB - DAYZIVA: Find anything, Abby?ABBY: I pulled a partial print off the flashcard. I'm running it now. Rough night?ZIVA: Is thereany other kind with Gibbs?ABBY: It could be worse. It could be Saturday.ZIVA: It is Saturday, Abby.ABBY: See? It just got worse. Thanks.TONY: Do you have any Super Glue, Abs?GIBBS: What did I tell you about that,DiNozzo?TONY: His skin might not grow back.GIBBS: What do we have?ABBY: The partial print didn't match anyone in the crypto unit, so I'm running it through AFIS and other databases.GIBBS: McGee.MCGEE: Uh... Idumped the contents of the flashcard. It's encrypted so we're going to need someone from the crypto section to have access to their codes.GIBBS: Captain Dorn is coming in later.ABBY: Well, not so fast, Gibbs. I got ahit. It's from the Office of Foreign Missions.[SCENE_BREAK]INT. SQUAD ROOM - DAYTONY: Name's Simon Roca. He's the Protocol Officer at the Embassy of Venezuela.ZIVA: He's got an apartment in the Watergate.Been on station since last June.TONY: Well, if Lara Hill was selling code, Roca could be the source of the money we found.TONY: Killed her because he was afraid she wouldn't hold up under questioning.MCGEE: Webringing him in?GIBBS: We can't.MCGEE: Can't? He murdered a Naval Officer, Boss!TONY: He has a license to kill, McGee.ZIVA: He's got full diplomatic immunity.(MUSIC UP AND OUT)[SCENE_BREAK]INT. MTAC ROOM- DAYLEVINSON: (ON MONITOR) What can the State Department do for NCIS at seven thirty on a Saturday, Agent Gibbs?GIBBS: I've got a dead Naval Officer who might be a mole. Evidence connects her to a foreigndiplomat.LEVINSON: What country?GIBBS: Venezuela. His name is Simon Roca.LEVINSON: (ON MONITOR) Bad choice. Pick another.GIBBS: I want to question him.LEVINSON: (ON MONITOR) You are aware of ourcurrent relations with Venezuela.GIBBS: They are about to get worse.LEVINSON: (ON MONITOR) They've already accused us of meddling in their internal affairs. The Venezuelan Petroleum Minister has threatened to"}
+{"doc_id":"doc_199","qid":"","text":"Scene: The CafeteriaSheldon: It's not what it looks like. It's not what it looks like.Leonard: What are you grinding about?Sheldon: Penny's brain teaser this morning. She and Koothrappali emerge from your bedroom.She is dishevelled, and Raj is dressed only in a sheet. The sole clue, it's not what it looks like.Leonard: Just let it go, Sheldon.Sheldon: If I could, I would, but I can't, so I shan't. Now, knowing Penny, the obviousanswer is, they engaged in coitus. But, since that's what it looked like, we can rule that out. Let's put on our thinking cap, shall we? (Mimes doing so) Raj is from India, a tropical country. Third World hygiene. Parasiticinfections are common, such as pinworms. Mm-hmm. The procedure for diagnosing pinworms is to wait until the subject is asleep, and the worms crawl out of the rectum for air. (Leonard spits out food) Yes, just likethat. Penny could have been inspecting Raj's a**l region for parasites. Oh, boy. That's a true blue friend.Leonard: They slept together, Sherlock.Sheldon: No, you weren't listening. She said, it's not what it lookslike.Leonard: She lied.Sheldon: Oh. Well don't I look silly sitting here wearing this? Credits sequence.Scene: The CafeteriaHoward: Hey.Raj: Hey.Leonard: Hey.Sheldon: Hey. Leonard, is it awkward for you knowing thatone of your dear friends had sexual intercourse with a woman you used to love in the very place you lay your head?Leonard: No, I'm fine with it.Sheldon: That sounds like sarcasm, but I'm going to disregard it, becauseI have an agenda. Paintball. Specifically, the interdepartmental tournament this weekend. Now, in order to function better as a fighting unit, I thought we should establish a chain of command. Now, it goes withoutsaying that I would outrank the three of you, but the question remains, by how much? Now, I don't see me as some four-star general, back at HQ riding a desk and playing golf with the Secretary of Defence. But I alsocan't be Sergeant Cooper, because that might lead you to think of me as just a regular Joe. This might take some thought. As you were.Leonard: What the hell is wrong with you?Howard: Yeah, how could you dothat?Raj: What is it to you?Howard: I got his back.Raj: Yeah, right. You're just jealous because it turns out I'm Penny's number two choice after Leonard.Howard: Hey, if I wasn't engaged to Bernadette, that totallycould have been me.Leonard: Please. Sheldon would have been before you, and he might not even have genitals.Raj: Why do you care so much? You're dating my sister, and Penny and I are in love.Leonard andHoward together: What?Sheldon: Gentlemen, if I may interject, I've decided my rank will be captain. If it's good enough for Kirk, Crunch and Kangaroo, it's good enough for me.Howard: You're not in love withPenny.Raj: Yes, I am. The god Kamadeva has shot us with his flowery arrows of love.Howard: Who?Raj: He's the Hindu version of Cupid, but way better, because he rides a giant parrot.Leonard: Raj, come on. You fallin love with any girl who smiles at you. A month ago, you were writing poems about his fiancee.Howard: I'm sorry. What?Raj: Rubbish. He's talking rubbish.Leonard: Oh, Bernadette, please play my clarinet.Raj: Thatcould have been about anyone. Besides, you have nothing to worry about, because now I'm the dusky half of Koothrapenny.Sheldon: For the record, I do have genitals. They're functional and aestheticallypleasing.Scene: Penny's apartment. Penny has a bottle of wine. She can't find a glass. Finds a measuring jug and uses that instead. There is a knock on the door.Penny: Coming. Yup, that's good. Wine glasses shouldhave handles.Amy: Keeping accurate track of your alcohol intake. Smart idea considering how trampy you get when you've had a few.Penny: You heard what I did?Amy: Well, I heard who you did.Penny: Oh, my God, Iscrewed up everything. I hurt Leonard, I hurt Raj, I mean, what is wrong with me? I feel like two totally different people, Dr. Jekyll and Mrs. Whore.Amy: Don't be so hard on yourself. Do you know the story ofCatherine the Great?Penny: No.Amy: She ruled Russia in the late seventeen hundreds, and one night, when she was feeling particularly randy, she used an intricate system of pulleys to have intimate relations with ahorse.Penny: I'm... I'm sorry. What does this have to do with me?Amy: She engaged in interspecies hanky-panky, and people still call her great. I'm sure your reputation can survive you shagging a little Indianboy.Scene: Raj's apartment. There is a knock on the door. He opens it.Bernadette: You jerk face! What did you tell Howard? Did you say there was something going on between us? Because he thinks there is. He'scompletely freaking out!Raj: Please, come in.Bernadette: What the hell is wrong with you?Raj: Well, you were always so nice to me, I thought maybe you liked me.Bernadette: I'm nice to everyone.Raj: I'msorry.Bernadette: Damn right, you're sorry. And you tell Howard there's never been anything between us.Raj: I will. Hey, Bernadette?Bernadette: What?!Raj: Do you think I have a shot with Penny?Bernadette: Ofcourse you do. You're a cutie pie. Any girl would be lucky to have you.Scene: Penny's apartment.Penny: You know, I've done this before. In kindergarten, I was supposed to marry Jason Sorensen at recess, but by thetime my class got out there, he was already engaged to Chelsea Himmelfarb. So what did I do? Hung upside down from the monkey bars, let all the boys see my underpants.Amy: You can't blame yourself. When yourprefrontal cortex fails to make you happy, promiscuity rewards you with the needed flood of dopamine. We neurobiologists refer to this as the skank reflex.Penny: You know what? Let's get out of here.Amy: Where arewe going?Penny: Somewhere where no one's seen me naked. We may have to drive awhile. (Opens door. Sees Leonard and Sheldon. Slams it shut again.)Sheldon: Subtlety isn't her strong suit, is it?Penny: Can I stayat your place for a few nights?Amy: Really? A best friend sleepover? Yay.Penny: Yeah, sure. Yay!Amy: We'll make popcorn, stay up all night and I'll teach you my secret language, Op.Penny: Sounds great.Amy: Nope.Sounds Gop Rop E A Top.Penny: Yeah, I'm gonna go pack a bag.Amy: No, you're not. You're gonna Pop A Cop Kop A Bop A Gop.Scene: The apartment.Leonard: Do we really have to wear this camouflage crap to playpaintball?Sheldon: Who said that? Leonard, I can hear your voice, but I can't see you.Leonard: I'm not in the mood, Sheldon.Sheldon: Oh, there you are. Leonard, I know you're upset about recent events, and I havesomeone here to help. (Showing laptop screen)Leonard: I don't want to talk to Amy.Sheldon: No, it's not Amy.Dr Hofstadter: Hello, dear.Leonard: You called my mother?Sheldon: Oh, Leonard, is it really necessary tocaption the obvious?Dr Hofstadter: He's been like that since he was a toddler. Look, Mommy, a butterfly. Maddening.Leonard: What's going on? What do you want?Dr Hofstadter: Sheldon informed me that you'reexperiencing an emotional upheaval, and I'm here to help.Leonard: That's so nice.Dr Hofstadter: And we're back to the obvious. Now, what's up?Leonard: Well, uh, okay, um, I don't want to get back together withPenny. We tried it, it was crazy, it didn't work, but I can't deal with the fact that she slept with my friend Raj. And then I find out that Raj's sister Priya, who I've been going out with for eight months, is moving back toIndia. So I'm just completely confused and alone.Dr Hofstadter: I understand.Leonard: Got any advice?Dr Hofstadter: Yes. Buck up.Leonard: Excuse me. You're a world-renowned expert in parenting and childdevelopment, and all you've got is buck up?Dr Hofstadter: Sorry. Buck up, sissy pants.Leonard: Thanks, Mother. I feel much better.Dr Hofstadter: If you need any more help from me, my books are available onAmazon. Logging off.Scene: Amy's apartment. Amy is brushing Penny's hair.Amy: Ninety-nine, one hundred. It's like a waterfall of liquid gold. My turn.Penny: You know, I don't even know what the point of me stayingin L.A. is. I haven't gotten a single acting job since I moved out here. The closest I came was last month, I got a callback for a hemorrhoid commercial.Amy: Oh, I could so see you being the face ofhaemorrhoids.Penny: I know, right? Maybe I should just move back to Nebraska.Amy: No, I can't let you do that.Penny: Why not? (There is a knock on the door)Amy: For the first time ever, I have a thriving social life.And no pressure, but it kind of lives and dies with you.Raj: Hi, Amy. Can I talk to Penny?Amy: A guest in my trundle bed and a boy at my door? I wish I could tell 13-year-old me it does get better.Penny: How did youknow I was here?Raj: It's all over her Facebook page.Amy: I'll take your stuff to the bedroom and clear out a drawer.Penny: Thanks.Amy: No problem. Try and keep it in your pants, okay?Penny: So, hi. What's up?Raj:I was wondering if you're free Friday. They're having a Totally '80s Night at the Greek. Hall & Oates, Katrina and the Waves and three-fifths of Kajagoogoo.Penny: Oh. Gee, that's really sweet, but the thing is...Raj: Aw,there's a thing.Penny: Look, honey, I was really drunk and made a huge mistake last night. We should've never slept together. It's what ruins friendships.Raj: You can't ruin a friendship with s*x. That's like trying toruin ice cream with chocolate sprinkles.Penny: Come here. Just listen to me. I want to go back to the way we were before. You know, friends. No sprinkles.Raj: Oh. All right.Penny: Thank you.Raj: Well, uh, as yourfriend, you might like to know that, um, we didn't have s*x in the conventional sense.Penny: Oh, God. Did you pull some weird Indian crap on me?Raj: No, no. After we got undressed and jumped in bed, you, you askedif I had protection.Penny: Oh, you did, didn't you?Raj: Of course. I'm always packing. Anyway, um, I had trouble putting it on and you tried to help and, that was all she wrote.Penny: So, we didn't actually...Raj: I did.It was beautiful.Penny: Oh!Raj: Penny, please, please promise me you won't tell anybody about this.Penny: Of course I won't. No, I won't.Raj: Oh, good. Um, can I tell people that our love burned too bright and tooquickly? Kind of a Candle in the Wind deal?Penny: Sure.Raj: Cool. Can I say it fell apart because you were all, I want to have your babies, and I was like, I'm too rock and roll to be tied down?Penny: No.Raj: Can I say Iruined you for white men?Penny: Also no.Raj: Okay, just the candle thing.Penny: Yeah.Raj: Cool. All right friend.Penny: Hmm.Raj: I'll see you around.Penny: Okay. Raj, wait. Thank you for being my friend. (She hugshim.)Raj: Penny?Penny: Mm-hmm?Raj: It's getting beautiful again.[SCENE_BREAK]Scene: A shed on the paintball range.Sheldon: All right, this is a Google Earth view of the field of battle.Howard: I don't seeanything.Sheldon: Give it a second to load. Whenever you're ready, AT&T! Okay, here we go. This is us here. To the south is Professor Loomis and the Geology Department. According to their Twitter feed, they're out ofsunblock, which means they'll have to hug the tree line or risk melanoma. That's our edge. All we have to do is move quickly over this ridge, the rock-worshipping pasty-faced bastards won't know what hit them. Allright, let's move out.Leonard: Hang on, Sheldon. How could you not tell me your sister was moving back to India?Howard: Maybe he was too busy writing clumsy pen1s metaphors about my fiancee.Raj: Screw you.That was a beautifully written pen1s metaphor.Leonard: You know what, guys, I'm not in the mood for paintball. What do you say we just bag it?Howard: Fine with me.Raj: Sure, whatever.Sheldon: You can't quit.That's a court-martial offence. That's punishable by... You can't quit.Leonard: Sorry, Sheldon, it's just not a good time for playing games.Sheldon: This is a game to you? Uh, was the Battle of Antietam a game? Huh?Was the sack of Rome a game?Leonard: Yes, no and no.Sheldon: Wait. I just want you all to know that I forgive you. This mutiny isn't your fault, it's mine. I haven't earned these bars. Although what I lack inleadership, apparently I more than make up for in sewing.Howard: Let it go, Sheldon. I'll get you a Jamba Juice on the way home.Sheldon: No. Jamba Juice is for heroes. And that's what we're going to be.Leonard:What are you doing?Sheldon: Following in the footsteps of Kirk, Crunch and Kangaroo. (Walks outside) Geology isn't a real science! (Gets hit by countless paintball pellets)Howard: Damn those sons of bitches!Leonard:Let's get 'em!Sheldon: If there's ever a Church of Sheldon, this will be when it started. Ow!Scene: The apartment.Leonard: I'd like to propose a toast to the man whose noble sacrifice inspired our victory, CaptainSheldon Cooper.Howard and Raj: Here, here.Sheldon: Excuse me. It's Major Sheldon Cooper. With my last breath, I awarded myself a battlefield promotion. It's kind of a big deal.Penny: Hi. You guys have aminute?Leonard: Uh, yeah, sure.Penny: Okay. Um. Well, I already talked to Raj, but I wanted to apologize to the rest of you for, you know, everything.Raj: Please, Penny, let me. We've decided to let our crazy,wonderful night together be just one of those memories you have and can call to mind when you're feeling blue or you're in the shower.Penny: Hey, what you doing, Quick Draw?Raj: Sorry. Go on.Penny: Anyways, Iwanted you guys all to know that I've been taking a really hard look at things and come to the conclusion I have to stop kidding myself. I suck at acting. It's time for me to move back to Nebraska.Leonard: You'releaving?Penny: Yeah.Howard: What are you going to do in Nebraska?Penny: I don't know, maybe teach acting. (Phone rings) Oh, sorry. Hold on. Hello?Leonard: Penny, Penny, listen, I hope you're not doing this 'causeof you and me, because I have a girlfriend, and you're a single woman.Penny: Shh! It's my agent, it's my agent. You're kidding. Oh, my gosh. I can't believe it! Really? Oh, I'm so excited, thank you, thank you so much.Okay, bye. I got the haemorrhoid commercial! I start Monday.Sheldon: What about Nebraska?Penny: Oh, hell with Nebraska. I'm gonna be a star!Sheldon (to Leonard): Have you ever thought of teachingphysics?Scene: The apartment. Penny's ad is on the television. She is at a stables.Actress: Ready to ride?Penny (on screen): I don't think so, Mom. Not today.Actress: Oh, sweetie. Haemorrhoids acting up again?Penny(on screen): You don't know the half of it.Actress: Oh, yes, I do. Try a dab of this.Penny (on screen): Rose-scented Preparation-H for women?Actress: Now, the H is for Her.Leonard: I'm proud of you.Penny: Shh! Herecomes my joke.Actress: How are you doing?Penny (on screen): Sittin' pretty."}
+{"doc_id":"doc_200","qid":"","text":"Principal v*g1n* here don't let the name fool you. I'm very much in charge reminding you that tonight is our annual flu season dance. I don't know how many times I have to say this, but if you have the flu, stay home.Hey. The flu season dance is about awareness, not celebration.Morty: [sighs] you don't bring dead babies to passover.Morty: Okay. Here we go. H-hey, Jessica. Uh... what's up, Morty? [Sneezes] What are youdoing?Morty: Um... wait, wait. Were you about to talk... to her?Morty: Well... I mean, I was thinking about it. Dude, stay in your league. Look at how hot she is. You don't see me going to a bigger school in a wealthierdistrict and hitting on their prettiest girl. Gee, thanks, brad. I throw balls far. You want good words? Date a languager.Jerry: Try not to worry about it, Morty. You're a good kid, and there's not a premium on that rightnow, but you'll be getting girls sometime after brad's out of shape.Morty: [sighing] you're missing the point, dad. I don't want girls. I want Jessica.Jerry: Ah, well, I remember feeling that way about a young lady named\"your mom,\" and that's not an urban diss. Your mom was my Jessica. I remember the first time I saw her.I thought Rick: \"i should get her pregnant, and then she'll have to marry me.\"Jerry: I beg your pardon, Rickinappropriate.Rick: Sorry, please proceed with your story about banging my daughter in high school. I'm not sure you want to take romantic advice from this guy, Morty. His marriage is hanging from a thread.Jerry: Mymarriage is fine, thank you.Rick: Jerry, it's your house whatever you say it is is how it is but I think a blind man could see that Beth is looking for the door. I barely have a reason to care, and even inoticed.Morty: Comeon, Rick! Don't talk about my parents like that.Rick: Listen, Morty, I hate to break it to you, but what people call \"love\" is just a chemical reaction that compels animals to breed. It hits hard, Morty, then it slowly fades,leaving you stranded in a failing marriage. I did it. Your parents are gonna do it. Break the cycle, Morty. Rise above. Focus on science.[Slurps]Morty: All right, well, I'm gonna go get dressed for the dance.Jerry: Yeah,I'm just going to... check on your mom.Rick: Morty, hand me that screwdriver, huh?I'm almost finished making my ionic defibulizer, Morty. It's gonna be great.Morty: Hey, listen, Rick. Y-y-you know how you said that,you know, love is a chemical and all that stuff from earlier? Well, I was thinking, you know, w-w could you make some sort of chemical thing happen inside of Jessica's mind, you know, so where she falls in love with meand all that sort of thing? You know, like, maybe make some sort of love potion or something?Rick: Morty, that's such a poor use of my time. It's beneath me. Hand me the screwdriver.Morty: You know what? No, Rick!I'm not gonna hand you the screwdriver. I-I'm not gonna hand you anything ever again, Rick! I'm always helping you with this and that and the other thing. W-w-w-w-w-what about me, Rick? W-w-w-w-why can't youjust help me out once once for once?Rick: [groans] you're growing up fast, Morty. You're growing into a real big thorn straight up into my ass. [Clears throat] Listen, this is called oxytocin. I extracted it from a vole. Doyou know what a vole is, Morty? You know what a vole is? It's a it's a rodent that mates for life, Morty. This is the chemical released in a mammal's brain, you know, that makes it fall in love. All right, Morty, I just got to[burps] combine it with some of your dna.Morty: Oh, well, okay.[Zipper opens]Rick: A hair, Morty.I need one of your hairs. This isn't \"game of thrones.\"Morty: Ow!Rick: All right, Morty. Whoever you smear this stuff onwill fall in love with you, and only you, forever. Are you happy now, Morty?Morty: Heck, yeah! Thank you, grandpa Rick. Hey, there's no... dangers or anything, or side effects, right?Rick: W-w-w-what am i, a hack? Gonuts, Morty. It's foolproof. Eh, unless she has the flu.Jerry: Beth, do y-you still love me?Beth: Ugh, what kind of question is that?Jerry: The \"yes or no\" kind?[Laughs nervously]Beth: Jerry, do you want homeless peopleto have homes?Jerry: Yes.Beth: Are you gonna build them?Jerry: No.Beth: Then what good was the \"yes\"?Jerry: Wait, i-is loving me the house or the homeless people?Beth: Loving you is work, Jerry hard work, likebuilding a homeless shelter nobody wants to say no to doing it, but some people put the work in.So, what do you say? Do you see me working here? Does this conversation seem tedious to me?Jerry: Sort of.Beth: ThenI obviously sort of love you, don't I? [Cellphone chimes] So stop asking, and maybe I'll love you more. Crap, they need me at the horse hospital.Jerry: Puh! This late?Beth: The racetrack had a starlight derby. There wasa seven-horse collision, and davin's there alone.Jerry: [thinking] Davin. Davin. Davin! Davin. Davin! Davin! Davin! Davin![Rapping]\u0000 flu, yo \u0000 \u0000 you got to be aware \u0000 \u0000 aware of all the flu \u0000 \u0000 up in the air \u0000 \u0000I'm-a get me a shot \u0000 \u0000 and make the flu go away \u0000 \u0000 flu-hating rapper \u0000 \u0000 just rapping away \u0000 \u0000 yo, yo, flu-hating rapper \u0000 \u0000 it's a flu-hating rapper \u0000Morty: Hey, there, Jessica. Whoa! Oh, whoopsie! Oh, mygod. Morty. You look really nice tonight.Morty: Wow, thanks. I love you, Morty! I love you so much it burns!Morty: Oh, man! I-i love you too, Jessica! [Spits] is this punk bothering you, Jessica? Leave him alone, jerk!I'm in love with him! He is more man than you will ever be![Sneezes][rapping]\u0000 this is about flu awareness \u0000 \u0000 got to be aware of the flu in the air-ness \u0000 \u0000 yo, I'm a flu-hating rapper \u0000 \u0000 oh, man, Morty.\u0000[Sighs]I'm really sorry.Morty: Oh, well, n-no problem, brad. There's something special about you, Morty so special. Mmm, yeah.Morty: Whoa, take it easy! Get your hands off of him! Back off! I'm trying to be with myman! That's enough, bradley! We don't want you injuring your ball-throwing arm. Oh, come on, principal v*g1n*. I just... never leave me, Morty. Never!Morty: Uh, sure. I mean, o-of course not. W-what do you thinkthat was all about? Who cares? Just hold me. Let me go! I love you, Morty! [Sneezes] let go of me![Sneezes]Morty!Jerry: She's gonna be alone with that guy all night.Summer: Yeah, dad, digging around the insides ofhorses. It's not a very romantic setting.Rick: Well, Summer, there's always the possibility that she made the whole work thing up. Maybe davin's digging around in herinsides.Summer: Grandpa, so gross! You're talkingabout my mom.Rick: Well, she's my daughter, Summer. I outrank you. Or family means nothing, in which case don't play that card.Jerry: She's not responding to my texts!Summer: Careful, dad. Jealousy turns womenoff.Jerry: Well, isn't that convenient?Rick: Not for the men they cheat on, no.Jerry: Okay, I'm... going to go out... for some ice cream. And maybe stop by the hospital... to support my wife... with my confidence.[Doorcloses]Summer: God, grandpa, you're such a dick.Rick: I'm sorry, Summer.Your opinion means very little to me. How come you're not at this stupid dance everyone loves so much?Summer: Screw that. I don't want toget sick. It's flu season.Rick: It is?Summer: Yeah.Rick: Uh-oh.[Hip-hop music plays]Morty: Please just let this work out.[Moans] Do it, Morty. Do it. Rip my clothes off and mate with me for life![Growls]Morty: Um... canwe maybe go somewhere more private?Jessica, get a hold of yourself![Grunts]You don't deserve to carry Morty's genes.[Rapping]\u0000 I love Morty \u0000 \u0000 and I hope Morty loves me \u0000 \u0000 I'd like to wrap my arms aroundhim \u0000 \u0000 and feel him inside me \u0000Morty: Oh, crap.[Indistinct shouting]Morty!Rick: Morty, come on! We got to get you out of here. You're not gonna believe this because it usually never happens, but I made a mistake.[Both panting] come on, Morty. We got to get out of here. Come on. Morty!Morty: [wails] are you okay?Morty: I'm fine! Oh, good. If anything ever happened to you, I would kill myself. I love you bad, mo-mo![Allpanting][indistinct shouting]Morty, the principal and I have discussed it, a-a-and we're both insecure enough to agree to a three-way!Rick: I didn't realize when I gave you that serum that Jessica had the flu you know,t-t-t-t-t-t-t-that might have been valuable information for me, Morty.Morty: What the hell is going on, Rick?Rick: What does it look like? T-t-t-the serum is piggybacking on the virus. It's gone airborne, Morty.Morty: Oh,crap. What are we gonna do, Rick?Rick: It's gonna be fine, Morty, relax. I whipped up and antidote. It's based on praying-mantis dna. You know, praying mantises are the exact opposite of voles, Morty. I mean, theythey mate once, and then they, you know, decapitate the partner. I mean, it's a whole ritual. It's really gruesome and totally opposite. There's no love at all. I-i-i basically mixed this with a more contagious flu virus. Itshould neutralize the whole thing, Morty. It'll all be over very shortly.[SCENE_BREAK][Indistinct shouting]Uh, by the way, Morty, I know you didn't ask or anything, but I'm not interested in having s*x with you. Theseserums, they don't work on anybody related to you genetically. Morty![All groaning]Rick: Okay, well, sometimes, science is more art than science, Morty.A lot of people don't get that.Jerry: [gasps][tires screech]Comeon. Are you kidding me? Hello! Morty! You're not Morty! Bring us Morty![Gun cocks]Jerry: Nobody's killing me until after I catch my wife with another man.I had s*x with billy. But you were already pregnant! Yeah, sowhat's the worst that could happen? We interrupt \"pregnant baby\" with breaking news.Summer: [groans] Come on. This just in Morty smith's whereabouts are still unknown.Summer: What the hell? The only thing thatis known is... how cute he is. I love him so much, I want to make love to him and then eat his head. I love him more than you do, harold! You wish, you stupid bitch! Morty's mine! Morty's mine! Meant to betogether![Speaking arabic]Morty![Speaking arabic][banging on door]Where is Morty?Summer: [screams][conversing in native language]Morty: Oh, my god, Rick.The whole world is infected!Rick: Yeah, it's pretty wildhow fast that spread. I've really outdone myself.Morty: Outdone yourself?! W-w a-are are you kidding me, Rick? This is not okay! Not only do they all want to have s*x with me, but, you know, now they want to eat meafterwards!Rick: Yeah, I don't know what I was thinking. Mantises are they opposite of voles? I mean, obviously, dna's a little more complicated than that. You know what, though, Morty? This right here's gonna do thetRick, baby. It's koala mixed with rattlesnake, chimpanzee, cactus, shark, golden retriever, and just a smidge of dinosaur. Should add up to normal humanity.Morty: I don't that doesn't make any sense, Rick. How doesthat add up to normal humanity?Morty: What, Morty, you want me to show you my math? I'm sorry a-are you the scientist or are you the kid that wanted to get laid? [Exhales deeply] Well, I'm glad we saved all thosehorses, but I'm almost sorry we're finished.Beth: Yes, it's satisfying work. Unh-unh-unh, it's, uh it's more than the work. I love being in that sterilized room, sealed off from the world. It's the only time I can reallythink... and feel.[Slow music plays]Beth: Hmm, uh, what are you doing?I'm playing african dream pop. What do youdo after a long night?[Click]Beth: Oh, ha, um, hey, I b I'd better get going.Um, Jerry's been textingsome pretty high-maintenance stuff. Beth...Beth: What is it, davin? Just once, I'd like to know [sneezes] ...w-w-what it was like to give your son a bath.Beth: What?! What does Morty's skin smell like? How soft...[grunts] How soft are his privates?Beth: Let go of me, davin![Glass shatters][roars] Take me to Morty.Jerry: [grunts] You're not Morty.Jerry: No. I'm mr. Crowbar, and this is my friend, who is also a crowbar. That's...stupid.Jerry: [grunting] Yeah? Well, look where being smart got you.Beth: Jerry! Thank god!Jerry: God? God's turning people into insect monsters, Beth. I'm the one beating them to death. Thank me.Beth: Thank you,Jerry. Thank you.Rick: Take a good look down there, Morty, and soak it in, because, you know, once I pull this lever, it's all back to normal.Morty: Just do it already.Rick: Well, technically, Morty, there's no rush. Imean, you know, o-once it's fixed, it's done. It's fixed. You know, we could we could just enjoy it for a little bit. I mean, l-l-l-look at how crazy it is. I mean, Morty, w-w-when's the next time you're gonna see somethinglike this? I mean, soak it in, you know? It's it's pretty neat. It's pretty interesting.Morty: That's it, Rick! I'm pulling the lever.[Grunts]Rick: W-what do we have here, Morty?Looks like I was right and you were wrong,huh? I-i-i-i-i-i-i bet you feel pretty stupid right about now, huh? I-i-i bet you feel like the world's smallest man that you were doubting me about this whole thing, Morty.Morty: Oh, Rick, something's not right.Rick:[sighs] Yeah, you. You're not right ever.Morty: No, no! Look, you idiot![All screaming][all speaking native language][all groaning][all ululating]Rick: Bet you're loving this, Morty.This must be the best day of your life.You get to be the mayor of I told you town.[Slurps]You're welcome.[Slurps]Jerry: Hold on.Beth: [whimpers][engine revs, tires squeal][gun cocks]Jerry: I wish that shotgun was my pen1s.Beth: If it were, you could callme ernest hemingway.Jerry: I don't get it, and I don't need to.[Both moaning]Summer: Mom! Dad!Both: Summer!Beth: [sighs]Jerry: Where's Morty?Summer: I don't know.Do you think grandpa Rick had something todo with this?Jerry: It's not fair to assume that, Summer.Beth: Oh, not fair? Give me a break. He is a selfish, irresponsible ass, and he left my mother. A real man stands by his woman.[Both moaning]Summer:Tchoo.Tchoo-tchoo-tchoo. Tchoo-tchoo.Rick: Boy, Morty, I really cronenberged the world up, didn't i? We got a whole planet of cronenbergs walking around down there, Morty. A-at least they're not in love with youanymore, though. That's a huge step in the right direction.Morty: Oh, my god! It's a living nightmare! How could you be so irresponsible, Rick?Rick: Me irresponsible?! You all I wanted you to do was hand me ascrewdriver, Morty! You're the one who wanted to be wanted me to buckle down and make you up a... roofie-juice serum so you could roofie that poor girl at your school. I mean, g w-w-w-w-w w are you kidding me,Morty? You're gonna try to take the high road on this one? Y-y-y-y-you're a little creep, Morty. Y-you're a you're you're you're just a little creepy... creep person.Morty: All right, fine. I should have just listened to youwhen you refused to make the serum. I'm willing to accept my part of the blame for this, Rick. But I'll tell you something you know what? You got to accept your part of the blame! I'm not the one who fouled up theserum! I'm not the one who who who who haphazardly, you know, mixed a bunch of nonsense together and created a bunch of cronenbergs! You got to fix this, Rick!Morty: All right, all right, Morty. You know,w-w-w-we are in a pretty deep hole, here, but I do have one emergency solution that I can use that'll kind of put everything back to normal, relatively speaking. Here, Morty, put this on while I do a little bit ofscouting.[Birds chirping]Morty: Wow, Rick, I got to say you really pulled a rabbit out of your hat this time.I mean, i-i really thought that the whole place was gonna be messed up for good, but here, you did it y-y-youyou you figured out that crazy solution, like you always do. Whoo! That's some great luck.Rick: Come on, Morty. Luck had nothing to do with it. I'm great. That's the real reason. Now, Morty, what do you say, buddy?Will you hand me a screwdriver so I can finish my ionic dis defibulizer?Morty: Sure thing, Rick. Here's a screwdriver.Rick: All right, Morty. Thank you very much. We got one screw turn... and two screw turns... and... allright, Morty, here we are.Morty: Oh, my god, Rick! Is that us?! W-w-w-we're dead! What is going on, Rick? I'm freaking out!Rick: Calm down, Morty! Look at me! Calm down, Morty!Morty: No, I can't deal with this!Rick:Calm yourself, Morty.Morty: I can't deal with this, Rick!Rick: Calm down, Morty.Morty: This can't be real!Rick: You got to calm down, Morty.Morty: W-w-w-w-we're ripped apart!Rick: Shut up and listen to me! It's fine.Everything is fine. There's an infinite number of realities, Morty, and in a few dozen of those, I got lucky and turned everything back to normal. I just had to find one of those realities in which we also happen to both diearound this time. Now we can just slip into the place of our dead selves in this reality and everything will be fine. We're not skipping a beat, Morty. Now, help me with these bodies.Morty: This is insane.Rick: Look,Morty, I'll grab myself, you grab yourself, okay? I mean, t-t-t-that seems fair to me I mean, that seems like a fair way to divvy it up.Morty: Rick, what about the reality we left behind?Rick: What about the reality wherehitler cured cancer, Morty? The answer is don't think about it. It's not like we can do this every week, anyways. We get three or four more of these, tops. Now, pick up your dead self and come on. Haste makes waste.I-i-i don't suppose you've considered this detail, but obviously, if I hadn't screwed up as much as I did, we'd be these guys right now, so, again, you're welcome.\u0000 look on down from the bridge \u0000 \u0000 there's stillfountains down there \u0000 \u0000 look on down from the bridge \u0000 \u0000 it's still raining up here \u0000 \u0000 everybody seems so far away from me \u0000 \u0000 everybody just wants to be free \u0000 \u0000 look away from the sky \u0000 \u0000 it's no differentwhen you're leaving home \u0000 \u0000 I can't be the same thing to you now \u0000 \u0000 I'm just gone \u0000 \u0000 just gone \u0000 \u0000 how could I say goodbye? \u0000 \u0000 how could I say goodbye? \u0000Summer: You know, the thing about a shark...he's got lifeless eyes... black eyes, like a doll's eyes. When he comes at ya, he doesn't seem to be living until he bites ya, and then the the blood, and the red, and the water...Jerry: [sighs] You ever wonder whathappened to Rick and Morty?Beth: Sometimes. But, I'm ashamed to admit, now that they're gone, I'm finally happy.Rick: Here we are, cronenberg Morty a reality where everyone in the world got geneticallycronenberged. We'll fit right in, cronenberg Morty. It'll be like we never even left cronenberg world.Morty: Yeah, cronenberg Rick, but, you know, I'm gonna miss cronenberg world, because everyone was cronenbergedall along like us from the beginning, you know? I mean, i-i wish we hadn't genetically ruined cronenberg world beyond repair like we did, you know, and turned everyone into regular, normal people just walkingaround.Rick: Don't you worry about that sort of thing, cronenberg Morty. Let's go make ourselves at home, huh?"}
+{"doc_id":"doc_201","qid":"","text":"[EXT. VARIOUS LAS VEGAS CITY (STOCK) -- NIGHT][EXT. HOME - STREET - NIGHT](A stream of liquid hits the ground. The empty can follows and hits the asphalt with a clang. TWO MEN, one carrying a crow bar, walkpurposefully toward the house.)[EXT. FOSTER RESIDENCE - BACKYARD - NIGHT - CONTINUOUS](The two men jump over the backyard fence. They use the crowbar and pry the backdoor open.)[INT. FOSTERRESIDENCE - NIGHT - CONTINUOUS](They walk into the house.)Intruder 1: Hey, this place is a dump.Intruder 2: I'm telling you, this bitch is loaded and no one's seen her for weeks.(They walk through the passagewayand into the living room. The place has been trashed.)Intruder 2: (alarmed) What the hell.Intruder 1: This place is trashed. Hey, man, you trying to make me look stupid?Intruder 2: No, man. I swear. Somebody musthave beat us to it.(Looking around the room, they see a closed closet door with a chair wedged under the knob.)Intruder 2: What the hell is this?(Outside, there's a short, abrupt siren sound of a cop carapproaching.)Intruder 1: I'm out, man.(They both turn and head out of the house as fast as they can.)[SCENE_BREAK][EXT. FOSTER RESIDENCE - BACKYARD - NIGHT - CONTINUOUS](The two INTRUDERS run out tothe backyard, through the same way they came in. They jump over the fence. On the other side, they are greeted by two OFFICERS with their guns drawn and pointed at the two men, headlights shining straight atthem. They look up and see various police cars waiting for them, blocking their escape route.)Officer: (overhead) Gentlemen, put your hands on your heads, please.(They two INTRUDERS put their hands on the back oftheir heads.)[SCENE_BREAK][INT. FOSTER RESIDENCE -- NIGHT](GRISSOM examines the doorknob and the chair.)(Camera pulls back to show both GRISSOM and WARRICK dusting the chair for prints. There's notelling how long they've been there, but no matter, they're thorough and are still working on the chair.)(Behind them, an OFFICER stands guard watching them work.)Warrick: Smudges. Nothing but smudges. Doesn'tanybody use formica anymore?Officer: First thing we did when we saw this was call you guys. Didn't touch a thing.(WARRICK and GRISSOM continue to work on dusting the chair for prints.)Officer: So you going to openit?Grissom: Eventually.(They're through with the chair. GRISSOM looks at the door knob. Both he and WARRICK get to their feet. They each take a hold of the chair and pulls it away from the doorknob.)(WARRICK putsthe chair aside.)(GRISSOM steps forward and starts dusting the doorknob. He finds one print. He takes out a tape lift and carefully gets the print.)(The OFFICER sighs and mutters to himself.)Officer: This is going totake all day.Grissom: Sun Tzu once said, \"If you wait by the river long enough, the bodies of your enemies will float by.\"(He hands the tape lift with the print to WARRICK. They're ready to open the door.)(GRISSOMreaches out and opens the closet door.)(Inside, they find the mummified figure of a dehydrated woman on the floor.)Grissom: But those were brutal times.HARD CUT TO END OF TEASER ROLL TITLECREDITS[SCENE_BREAK][EXT. FOSTER RESIDENCE - YARD -- NIGHT](The DAVID PHILLIPS pushes up a gurney through the yard and up the walk to the front door. He picks up his paperwork and opens the door.)[INT.FOSTER RESIDENCE - CONTINUOUS](Inside, WARRICK is just beyond the door blocking it from being opened.)Warrick: Hey, hold up.(He pushes the door shut.)(The mail hole opens up and DAVID peers through theopening.)David Phillips: Warrick?Warrick: Hey, David. Give me a minute and let me clear a path here, okay?David Phillips: All right, I'm not going anywhere.(WARRICK picks up the mail in front of the door on thefloor.)Warrick: All right.(He looks down at the postage mark on the mail: LAS VEGAS / SEP 06 '03 / NV.)Warrick: There's at least four weeks of mail here, Grissom.(GRISSOM is still kneeling down just inside the closetlooking at the body.)Grissom: Four weeks of 100 degree days, zero percent humidity. Eventually, the body tissues sublimate ...(Quick CGI flashback to: MADELINE FOSTER is in the closet, just barely alive, just barelydead.)Grissom: (V.O.) ... cell fluids vaporize ...(MADELINE FOSTER dies. CGI takes over and the body slowly decomposes and mummifies, the flesh hardening on her body.)Grissom: (V.O.) ... and all that's left ...proteins, fats and minerals.)(End of CGI flashback. Resume to present.)(WARRICK continues to leaf through the mail.)Warrick: Turns a grape into a raisin.Grissom: Well, the desert was making mummies long before theEgyptians.(GRISSOM looks at the body and notices her hands. He looks up at the door and sees something.)Grissom: Take a look at this.(GRISSOM shines the light on the door. WARRICK moves in closer for a look. Onthe lower edge of the door, there are fingernail claw marks with flesh and blood smudged into the markings.)Grissom: And look at her fingers.(They both look down at her damaged fingertips.)(Camera zooms in for aclose up of the pieces of wood embedded in her broken and ravaged nail bed.)Warrick: She tried to claw her way out.Grissom: Yeah. Which means she was alive when she was entombed.(GRISSOM looks up and aroundthe closet.)[SCENE_BREAK][EXT. FOSTER RESIDENCE -- NIGHT](Outside, BRASS questions the INTRUDER who broke into the house.)Intruder 2: She was supposed to be, like, this old widow, right? Like, always goingout to dinner and coming home with shopping bags. Bitch had insurance money and word was that she kept it in a box hidden under her bed.Brass: A retired grade-school teacher living on a pension ...Intruder 2:Listen, man, we didn't kill her.Brass: (simply) No, I know that. What I want to know is, other than the back door, did you or your partner touch anything in the house?Intruder 2: No. There was nothing left to touch,man.(BRASS nods.)[SCENE_BREAK][EXT. LAS VEGAS CITY (STOCK) - SUNRISE][INT. FOSTER RESIDENCE - KITCHEN -- MORNING](WARRICK walks around and looks through the small kitchen. He sees a small daintytea set out on doilies on a serving tray. Next to it on the counter, he finds a piece of chocolate cake with a huge bite in it.)Warrick: Hey, Griss.(GRISSOM walks into the kitchen.)Warrick: Don't you think this is kind ofodd? A woman who spends the time making tea like this leaves a chunk of chocolate cake on the counter.Grissom: With a big bite out of it?(WARRICK picks up the plastic container. The label on it reads: LAVISHCAFÉ.)Warrick: Yeah. Some crack head brutalizes an old lady, leaves her in a closet, and grabs a snack on the way out.Grissom: Hopefully. Take it back to the lab.(GRISSOM turns and walks back into the living room.He opens the closet door, walks inside and closes the door behind him.)[INT. CLOSET - CONTINUOUS](Inside the small closet, GRISSOM looks around. He looks down. He looks up. He sees the light above, reaches upand taps the bulb.)(He turns off his flashlight.)(Quick flashback to: [INT. CLOSET] The door opens and the WOMAN is pushed inside.)Madeline Foster: Oh!Male Voice: Shut up! Get in!Madeline Foster: Oh!(Cut to: CLOSEUP: A chair is wedged under the door knob.)(Cut to: MADELINE FOSTER reaches up and turns the closet light on.)(End of flashback. Resume to present.)(GRISSOM stands in the exact spot the woman was in when sheturned the light on. He looks around the closet, then focuses on the markings on the door.)(Quick flashback to: MADELINE FOSTER struggles with the doorknob, trying to get it open. The chair won't budge. She hits herhands on the door trying to push it open; she grabs and jiggles the doorknob.)(End of flashback. Resume to GRISSOM. Continue sounds of MADELINE FOSTER struggling inside the closet.)(GRISSOM stretches out hishand and places it on the door imagining MADELINE FOSTER clawing the door with her fingernails.)(Quick flashback to: MADELINE FOSTER desperately claws at the door. She grabs at the doorknob.)(End of flashback.Resume to GRISSOM. Continue sounds of MADELINE FOSTER struggling inside the closet.)(Quick flash of MADELINE FOSTER inside the closet struggling to get out. She slowly slides to the floor. She curls up into a fetalposition on the closet floor. The light burns out. In the darkness and by the light coming through the crack under the door, MADELINE FOSTER looks up at the closet ceiling. End of flashback. Resume toGRISSOM.)(Camera holds on GRISSOM.)[SCENE_BREAK][INT. CSI - FORENSIC AUTOPSY -- DAY](MADELINE FOSTER'S body is out on the autopsy table as ROBBINS goes over his findings with GRISSOM.)Robbins:Fluoroscope showed no bullet or stab wounds, and apart from multiple fractures of her fingers and hands, no other apparent injuries.Grissom: So whoever boarded her up in the closet maybe didn't intend to killher.Robbins: (shrugs) Yeah. They must have thought somebody'd find her -- a friend or relative.Grissom: She lived alone. Only relative was a nephew. Brass is looking for him.Robbins: Live alone, die alone. In thiscase, from massive dehydration. Rule of threes: Three minutes without air, three days without water, and three weeks without food.Grissom: Three days must have felt like three years.Robbins: Warrick said you founda possible print at the scene. Need to rule hers out?Grissom: Yeah. Also need a dental impression.Robbins: Well, that'll be easy.(ROBBINS reaches out and removes the dentures from her mouth. He drops it into themetal bin on the side table. GRISSOM watches as ROBBINS cuts off the tip of her finger.)[SCENE_BREAK][EXT. LAS VEGAS COMMUNITY (STOCK) - DAY][EXT. TIMMEL RESIDENCE - BACKYARD -- DAY](The OFFICERleads CATHERINE out to the backyard.)Catherine: So, what do we have here?Officer: Well, boy was out playing, found the weapon, fired one shot, dropped the weapon. No one's touched it since.Catherine: Hmm.(Shelooks down at the gun on the ground.)Catherine: Okay, thanks.(The OFFICER leaves.)(CATHERINE puts her bag down and kneels to pick up the gun. She looks at it and checks the cartridge. She sees something redinside the trigger guard and takes it out.)(Camera zooms in for a close up for the red piece.)[SCENE_BREAK][EXT. TIMMEL RESIDENCE - BACKYARD - DAY -- CONTINUOUS](MRS. TIMMEL holds NATHAN on her lap asCATHERINE walks over to them.)Catherine: Hey, Nathan. How's your foot?Nathan Timmel: I got a rocket ship band-aid.Catherine: Hmm. Yeah, I see that. Mrs. Timmel, does the gun belong to someone in thehouse?Mrs. Timmel: No, absolutely not. My husband and I don't believe in guns. We moved here from the city because it was supposed to be safer.Catherine: Nathan, where did you find the gun?Nathan Timmel:Seymour found it.Catherine: Seymour?Mrs. Timmel: (whispers) His imaginary friend.Catherine: (to MRS. TIMMEL) Oh. (to NATHAN) So, you were playing with Seymour, and he found the gun where?Nathan Timmel:(points) Over there.Catherine: Well, where exactly?Nathan Timmel: In the backyard.Catherine: Was it buried? Did you dig it up?Nathan Timmel: Nope.(Quick flashback to: NATHAN walks out into the backyard and picksup the gun from the base of the tree. He points it downward ... and fires. End of flashback. Resume to present.)Catherine: Will you ever play with guns again?Nathan Timmel: Nope.[SCENE_BREAK][INT. CSI - HALLWAYOUTSIDE MORGUE](GRISSOM leans against the wall as BRASS talks with him.)Grissom: We don't need an I.D ...Brass: Oh, the nephew said he wanted to see her. Insisted on it. Made me curious.(A young man walksslowly toward them.)Brass: You Connor Foster?Connor Foster: Yeah. I'm sorry I'm late. I got lost. (He looks around.) This is the morgue, huh?[INT. MORGUE](A small group gathers around the door to the morgue bodystorage unit. DAVID PHILLIPS opens the door and pulls out the table with the body on it.)Grissom: You have to prepare yourself for this. Your aunt was found in an advanced state of decomposition.(DAVID pulls backthe sheet. CONNOR FOSTER looks at the body and turns away.)Connor Foster: Oh, this is messed up. This is really messed up.(He turns back and glances at the body, then jumps.)Connor Foster: Whoa! She justmoved. Did you see that?(BRASS and GRISSOM glance at each other at CONNOR'S bizarre behavior.)Connor Foster: I'm telling you, she just moved.Brass: Sometimes, when you see the body of someone you know,someone you've seen move before, you want them to move.Connor Foster: That's not her. This lady's too thin. That's not her skin, either. My aunt always wore sunblock.Grissom: Dry mouth. Diaphoresis. Red eyes,dilated pupils.Connor Foster: Huh?Brass: It means you're high.(CONNOR looks at BRASS and GRISSOM.)Connor Foster: I got to go.Brass: We'd like you to stay.[SCENE_BREAK][INT. CSI - INTERVIEW ROOM](BRASSand GRISSOM interview CONNOR FOSTER. CONNOR takes a sip of his drink.)Brass: Where are you living these days, Connor?Connor Foster: At the YMCA off industrial, near the underpass.Brass: Nice. How'swork?Connor Foster: I don't have a job. I used to.Brass: Yeah. Yeah, two years ago, your aunt reported a pearl necklace stolen. You were busted trying to hock it at a pawn shop.Connor Foster: She dropped thosecharges.Brass: Oh, sure. Anything for her favorite nephew. And what have you done for her? She was lying in a coat closet for over a month. You didn't call. You didn't stop by.Connor Foster: (interrupting) I don't callher much. We only have dinner on holidays. Whenever she sees me, it makes her kind of sad.Grissom: Do you get the munchies?Connor Foster: When?Grissom: When you're high.(When CONNOR doesn't answer,GRISSOM leans forward intently.)Grissom: Do you like cake?Connor Foster: (laughs) No, I go for burgers. Sonic.Grissom: How would you like to make a dental impression for us?Connor Foster: I'll do whatever you guyswant.[SCENE_BREAK][INT. CSI - BALLISTICS LAB -- NIGHT](CATHERINE walks into the lab. RICH has his back to the door.)Catherine: Hey, Rich.(RICH turns around.)Rich: Whatcha got for me?Catherine: Found thissomewhere where it didn't belong.(She takes the gun out and hands it to him.)Catherine: Unregistered. No prints.(He checks the gun out.)Rich: Huh. Sweet piece.Catherine: Mm-hmm.Rich: .32 beretta tomcat.Titanium frame, stainless steel barrel and slide. Super lightweight.Catherine: Yeah, light enough for a five year old to use.Rich: Ouch.Catherine: He's okay. Thank god.Rich: Good.(RICH walks over to the cabinet to getsome bullets for the gun.)Rich: .32 caliber. Not many of these in circulation.Catherine: Well, that's a good thing.Rich: Potentially.(He finds the bullets.)Rich: Okay. Here we go.(He walks over to the table and loads thegun. CATHERINE grabs a set of goggles and ear phones and puts them on.)Catherine: Okay.(RICH picks up the gun.)Rich: (shouts) Two shots!(He fires twice.)SHORT TIME CUT TO:[BALLISTICS LAB][SCOPE VIEW] ofthe bullet.(RICH does a computer comparison of the bullet just shot with the database while CATHERINE waits and watches.)(Various cuts of the database running the comparison.)(There's a match to a bullet attachedwith the following crime:Type: D.B.STATUTE: ***Description: MurderCode: DOC# 1773621-43CRIME SCENE REPORTInvestigating Officer: W. Brown 0012542 <Ballistics>ID TYPE: Bullet <32 Automatic>WEAPON:N/A0013837 <CORONER'S REPORT>TYPE: DEAD BODYNAME: FRANK MADDOXLOCATION: MASLOW PARKRich: There's showing up for work and there's doing your job. Warrick brought in a .32 auto coroner's bullet lastweek. D.B. in Maslow Park. You just found the murder weapon.[SCENE_BREAK][INT. CSI - TRACE LAB -- NIGHT](CATHERINE looks at the photos for the MADDOX case. WARRICK is in the lab supplying additionalinformation. Camera shows various photos of FRANK MADDOX.)Catherine: Frank Maddox. 47-year-old white male. Professional bounty hunter. Single .32 round in the side of his head. Bruises on his face andchest.Warrick: Autopsy ruled those premortem. At least a day old. It was a close shot, non-contact, downward angle. No primer residue on the hands. T.O.D. was approximately 2:00 A.M. No one found the body until7:00 A.M. A lot of wind ...Catherine: Warrick, your notes are great. Let the case speak for itself.(WARRICK turns and heads out of the room.)Warrick: I got to go see my mummy.[SCENE_BREAK][INT. CSI - DNA LAB --NIGHT](Camera opens on a dish with the thumb in it. GREG picks it up and looks at it closely.)Greg: (to WARRICK) You know, I could've sworn I heard Grissom telling you to do this.Warrick: Yeah? You know what rollsdownhill?Greg: Apparently bloated fingertips.(GREG inks the fingertip.)Warrick: Come on, you got a lot of new skills to master. Field work's a little messier than your test tubes and your GCMS.Greg: Yeah, and a lot lessaccurate.Warrick: One continuous motion, nice and easy.(GREG takes a print from the fingertip.)Warrick: That's not bad. Keep practicing. Nine more to go.(WARRICK leaves the lab.)[SCENE_BREAK][INT. CSI -HALLWAY -- CONTINUOUS](WARRICK walks down the hallway and runs into NICK and SARA on their way out.)Sara: Hey.Warrick: Hey.Sara: I heard about your mummy in the closet. Very cool.Nick: Yeah, and we get a406 in Henderson. Want to trade?Warrick: (no way) Nothing spells excitement like a B and E.[SCENE_BREAK][EXT. KIRKWOOD RESIDENCE -- NIGHT](NICK and SARA walk up the front walk accompanied by anOFFICER. The OFFICER knocks on the door.)Michael Kirkwood: (through door) Who is it?Officer: Las Vegas police, sir.(The door opens.)Michael Kirkwood: Hey.Officer: We received a phone call from a neighbor about abreak in.Michael Kirkwood: Yeah, yeah, (He glances behind him.) I'm, uh, sorry, officers. There's been a misunderstanding. (He motions to his daughter. SARA looks past him inside the house.) My daughter, she hadsome friends over tonight without my permission, and, um, they started drinking.(SARA sees LINDA KIRKWOOD cleaning up the broken glass on the floor and behind her is their daughter, SUZANNA KIRKWOOD, visiblyshaking with her arms wrapped around her body. She looks, sees SARA watching her, then leaves the room.)Michael Kirkwood: They got out of control. They broke some stuff. A couple of windows, but, uh, you know,we got it under control, we're cleaning it all up. So I apologize for the trouble.Officer: No trouble at all, sir. You have a good night now.Michael Kirkwood: Thanks.(The door closes.)(NICK, SARA and the OFFICER turnaround and leave. NICK sighs.)Nick: \"To protect and serve.\"(NICK chuckles and turns to the OFFICER. SARA heads back to the car.)Nick: Are you boys ready for softball on Sunday?Officer: Ready to kick your ass,Stokes.Sara: See you back at the lab.Nick: All right. You're ready to kiss my what?Officer: You heard me.(NICK and the OFFICER continue talking. SARA gets into the car. She puts her kit down and closes thedoor.)(She reaches up and adjusts the rear view mirror. She finds SUZANNA KIRKWOOD sitting in the back seat of the car.)Suzanna Kirkwood: (softly) I need to go to the hospital. Please.[SCENE_BREAK][INT.HOSPITAL - EMERGENCY ROOM -- NIGHT](SARA tries to talk with SUZANNA as they wait for the doctor. SUZANNA sits on the examination table with her back to SARA.)Sara: Suzanna, if you were sexually assaulted...Suzanna Kirkwood: It was a party. It just got out of control. All I need is an AIDS test and a morning after pill.Sara: Date rape is still rape.Suzanna Kirkwood: (flatly) Thank you for clearing that up.(The doctor walksinto the room.)Doctor: Hey.Sara: Hi.(SARA looks at SUZANNA and notices the bruises and bite marks on her shoulders.)Suzanna: (to the DOCTOR) Does she ... ? Does she have to be in here for this?Doctor: No.(TheDOCTOR looks at SARAH.)Suzanna: Bye. Thank you.Sara: Okay.(SARA turns and leaves the room.)Doctor: (to SUZANNA) Go ahead and put this on, okay?(The DOCTOR turns to follow SARA out of the room. She pullsthe curtain close as she leaves. SUZANNA starts to change into the gown.)(Cut to: [OUTSIDE EXAM AREA NEAR DOOR] SARA speaks with the DOCTOR.)Sara: We're going to need full-body photographs. If she can'ttalk, the kit's going to have to do it for her.Doctor: Okay.(The DOCTOR heads back into the examination area. SARA turns and leaves to wait.)[SCENE_BREAK][INT. CSI - LAB -- NIGHT](GRISSOM opens a box and takesout the chocolate cake. He sprays it. GREG walks into the lab.)Greg: Your, uh, mummy prints.(GREG puts the print card on the table in front of GRISSOM. He looks at it, then glances up at GREG.)Grissom: Warrick'sgetting sloppy.Greg: Yeah, someone should really have a talk with that guy.(GRISSOM swabs the chocolate cake. GREG watches him.)Greg: What's that?Grissom: Dessert.[SCENE_BREAK][EXT. LAS VEGAS COMMUNITY"}
+{"doc_id":"doc_202","qid":"","text":"[Scene: The building where Max and Cindy work. Cupid is there leaning against a pole.]Max: Cindy.Cindy: Max.Max: Hi.Cindy: Hi.Max: Working late, huh?Cindy: Yeah, so what else is new, right?(They walk down thestairs. Cupid's ring glows.)Cupid: It's a match.Max: Did you guys survive Y2K alright?Cindy: Sure. If you ask me it's all just a bunch of hype.Max: Exactly.Cindy: I guess I'll see you around?Max: Okay. Take care.Cindy::Yeah, you too.(Cupid's ring glows and Cindy and Max walk in slow motion.)Cupid: Cindy, I know those last few loves of yours didn't work out. You've been hurt and you're scared. But you've gotta take a risk if youwanna find the real thing. And Max is real. Open up to him. And Max, Cindy's love and compassion awaits you, but she's afraid that you're still in love with your ex-wife. You've got to reassure her. Life's short you two.So, have a better one together, okay?(Cupid's ring glows and they stop moving in slow motion.)Max: Listen, you wanna grab a cup of coffee or something?Cindy: Yeah, sure, I'd like that.Max: Great.[Scene: Cupid iswalking along in an alley. Drazi, the demon of hate, grabs Cupid and holds him up against a dumpster.]Drazi: Hello, friend. I've been looking everywhere for you.Cupid: Drazi.Drazi: I knew I'd find ya.Cupid: Yeah, listenDrazi.(Drazi throws Cupid into some wooden boxes.)Drazi: Couldn't leave it alone could ya? You just had to get in the way.Cupid: You crossed the line.Drazi: Crossed the line? I am the line. You're the one that went toofar and now you're gonna pay.Cupid: No, wait.(Drazi reaches into Cupid's chest and squeezes his heart.)Cupid: Ahh, you're killing me.Drazi: I could do a lot more than that. A lot more. How does it feel, huh? I can tellya, I know. Thanks to you, I know what it feels like to have your heart ripped out. You don't want to feel that pain do you? (He throws Cupid on the ground and stands on his arm.) No, I gotta better idea and you'regonna just hate it. (Drazi takes Cupid's ring.) Your little magic ring you use to slip in there between the heart beats, plant your little thoughts of love and I'm gonna borrow it. I'm gonna use it to tear apart some of yourmore recent unions.Cupid: No, Drazi, no.Drazi: I'm gonna turn love into hate and that hate is going to slowly and painfully kill you. And in the end, you're gonna wish I had ripped your heart out.(He walks away.)Cupid:Drazi![Scene: Outside the movie theatre. Prue, Jack, Piper, Dan and Phoebe walk onto the sidewalk. Prue and Jack are holding hands and Dan has his arm around Piper.]Phoebe: Fifth wheel cutting in.Piper: Oh, wouldyou stop that.Phoebe: Well, it is a double date.Prue: It would have been a triple date if Kevin hadn't cancelled.Phoebe: I know. It seems to be an epidemic lately. Guys canceling on me.Piper: You know what happenswhen they cancel.Prue: Ooh, back to square one.Piper: Do not pass go.Phoebe: And all accrued nookie credits are thrown out.Jack: There's a penalty?Prue, Piper, Phoebe: Oh yeah!Jack: You know this glimpse intofeminine mystery frightens me to no end so allow me to change the subject. What did you think of the movie?Piper: I liked it.Prue: Loved it except for the bellbottoms.Dan: It was okay, I guess.Piper: Who are youkidding? I heard you sniffle.Dan: Fighting a cold.Piper: Liar.Prue: Jack?Jack: As far as classics go, it was no Dirty Dozen.Phoebe: I slept through it.Jack: You slept through Dirty Dozen?Phoebe: No, Love Story. The lastthing I remember is the hockey game.Piper: That was the very beginning.Phoebe: Okay, let me guess. Boy meets girl, grim reaper swipes girl, and boy's left with his hockey skates?Jack: That's the review.Dan:Anybody want a coffee?Jack: I hope so because I am buying.(Prue, Jack, Piper and Dan walk into a coffee shop laughing and giggling. Phoebe walks in and stops, feeling left out. Prue notices her standing there.)Prue:Hey, you're gonna come get coffee, right?Phoebe: I'm just gonna get a cab, call it a night. I'm pooped.Prue: I'm sorry that Kevin backed out on you.Phoebe: His loss.Prue: It is so his loss because you are beautiful, mysister.(Prue hugs her.)Phoebe: You're so beautiful. Alright, go see your man. Have some coffee.Prue: Okay. I love you.Phoebe: I love you too.(Prue walks over to the others. Cupid comes up to Phoebe.)Cupid: I needyour help.(He grabs her.)Phoebe: Let go of me.Cupid: Hate will destroy me and everything else if you don't help me.Phoebe: I am warning you, buddy.Cupid: Phoebe, you gotta believe me. I know why you can't findlove.Dan: Hey, you, let go of her.(Cupid runs away. Prue and Piper run up to Phoebe.)Piper: Are you okay?Phoebe: Uh, yeah.Prue: What was that about?Phoebe: I'm not sure.Opening Credits[Scene: Manor. Phoebewalks out of her bedroom and walks over to Piper's room. She knocks on the door.]Phoebe: Piper, you still asleep? (She opens the door and walks in. She notices Piper's bed hasn't been slept in. She walks out and overto Prue's room.) Hey, Prue, guess who got lucky last night? (She opens the door and notices Prue's bed hasn't been slept in either. She walks downstairs and the phone rings.) I'll get it. (She picks up the phone.)Hello?Prue: Morning.Phoebe: Hey, Prue. Did that coffee keep someone up all night?Prue: Believe it or not, all we did was talk.Phoebe: Yeah, right.Prue: No, I swear. We just talked about everything, it was reallygreat.Phoebe: Really? How's he react to the witch part?Prue: Cute. Alright, where's Piper?Phoebe: Oh, she's still at Dan's. Hey, if only I'd bagged Mr. Creepy, we could have scored a Halliwell hat trick last night.Prue:Don't be mad.Phoebe: No, I'm not mad. I'm thrilled for you both. I mean, it's been a long time. You deserve to be happy.(Cupid walks up behind Phoebe.)Cupid: You're gonna need a new lock on that back door.(Phoebedrops the phone, turns around and kicks Cupid in the mouth. He falls onto the stairs.)[Cut to Prue.]Prue: Phoebe? (Prue hangs up and runs out of Jack's place.)[Cut back to the manor.]Cupid: I'm getting rather used toyou kicking love in the teeth.Phoebe: Okay, who are you and what do you want?Cupid: More importantly I know who you are Phoebe. And that's why I'm here. I need your help. Charmed Ones kind of help.Phoebe: I willask again. Who are you?Cupid: You wouldn't believe me if I told you.Phoebe: Try me.Cupid: Well, for lack of a better name, Cupid.[SCENE_BREAK][Scene: Dan's house. Piper's laying on Dan's bed. Dan comes incarrying a tray with breakfast on it.]Piper: Oh, my.Dan: All eggs over, bacon crisps, a box of jewellery and dried toast.Piper: A box of what?Dan: Would you like the morning paper with that?Piper: What did you do?Dan:It's not a big deal. It's not a ring or anything. But just because it's jewellery, I don't want you to feel like you gotta keep it. If you wanna take it back, you can.Piper: I get it, I get it.(Piper picks up the box.)Dan: Yougonna open it?(Piper opens it and there's a diamond necklace in it)Piper: Oh.Dan: \u0000Cos if you want to you can take it back. (Piper kisses Dan passionately. Phoebe looks around the corner and tries to get Piper'sattention. Piper opens her eyes and sees Phoebe. She stops kissing Dan.) Hey, is something- (Piper freezes Dan.)Piper: Phoebe, what are you doing in here? How did you get in here?Phoebe: We have got a very bigproblem. (Phoebe pulls Cupid into the room.) Piper, Cupid. Cupid, Piper.Cupid: Hi, sorry to interrupt. Glad to see things are working out for you and Dan.Piper: What?Phoebe: You have to come home really fast.Cupid:Yeah, a demon of hate stole my ring and he's gonna use it to find all the loves that I've put together so he can destroy them, which will in turn destroy me.Piper: Wait a minute.Phoebe: He's telling the truth. Thedemon's name is Drazi. He's in the Book of Shadows.Cupid: Yeah, Phoebe's already started working on the potion that will vanquish it.Phoebe: And Prue's on her way home.Piper: From where?Phoebe: From Jack's.Okay, hurry. Kiss very fast.(Cupid and Phoebe leave. Piper sits back on the bed in front of Dan.)Piper: Okey dokey.(Dan unfreezes.)Dan: -the matter?Piper: Yes. Um, there is but not with you. There is absolutelynothing the matter with you. But I do have to go. (She gets off the bed.)Dan: Hold it. What happened? I don't understand.Piper: It has nothing to do with you.Dan: Then what does it have to do with?Piper: It's, uh,complicated. (She picks up her clothes.) Thank you for this and you'll see it on me tonight at the club. (She kisses him and leaves.)[Scene: A cafe. Max and Cindy are sitting at a table drinking coffee. Drazi is standingnearby watching them. The ring on his finger glows.]Drazi: Hello, young lovers.[Scene: Manor. Living room. Prue, Piper, Phoebe and Cupid are there.]Prue: So we're actually supposed to believe that you'reCupid?Cupid: You believe in warlocks and demons but you can't believe in me?Piper: Where's the chubby baby?Phoebe: Guys.Prue: And the bow and arrow?Cupid: Where's the warty chins, hooked noses and pointyhats?Prue: Alright, show us something supernatural.Cupid: Drazi took my ring. It's my powers, how I get in.Prue:; Get in?Cupid: People's hearts, to waken love. See, but Drazi's all about hate and he's gonna use thering to get in the same way.Piper: You're still gonna have to back up the Cupid claim.Cupid: Okay, fine. (He points to Piper.) Dan, (points to Prue) Jack, (points to Phoebe) Clay (points to Prue) Andy. My sincerestcondolences. Eric in London, Alec in college, (points to Piper) Not Jeremy the Warlock, Joe in college, Barry in high school, Tim in eighth grade, (points to Phoebe) Ken, Kyle, Steve, Mike, Ken again, Brian, Joel, Martin,Peter, Paul, Tony.Phoebe: Okay, you know I didn't love all those guys, right?Cupid: Yeah, well, they wanted to love you but you're closed hearted. That's what sent them away.Phoebe: My closed heart? I do not have aclosed heart.Cupid: Look, if people get the feeling that there's nothing there, then eventually it's hasta la vista, Phoebe. That explains the recent rush of cancelled dates.Prue: Okay, so wait, our past relationships, youmade those happen?Cupid: Well, actually, my assignment here's only two years old. I helped you two meet Jack and Dan but most of your prior loves were work from fellow agents.Piper: Agents?Cupid: Oh, yeah. I'mjust one of many. We work in secret all over the world making connectionsPiper: Did you connect me and Leo?Cupid: Uh, no. That was the work of you two. Those connections were forbidden to make for obviousreasons.Phoebe: Um, can we go back to the hasta la vista remark please?.Cupid: We don't have time right now to debate the topic of your closed heart, Phoebe. We gotta finish the potion so we can vanquish Drazibefore it's too late.Prue: Okay, so how are we supposed to find him?Cupid: The same way he can find me. We can sense each other. We're connected in a cosmic way. There's a fine line between love and hate.Piper:Oh, brother.Cupid: Hey, don't take Drazi lightly. You guys are in danger as well you know.Phoebe: We're in danger every day. We're used to it.Cupid: Look, if Drazi succeeds, eventually he'll kill the ability to love. Andbelieve me, it's a fate worse than death.[Scene: At the markets. Max is buying some flowers for Cindy. He walks over to her.]Max: Sorry, they didn't have any roses.Cindy: You're too good to be true. I still can't believethis is all happening.Max: Believe it.(They kiss. Drazi appears.)Drazi: Touching. Really touching. Cindy, could you be a bigger fool? He's still sleeping with his ex-wife. He looks at you as a desperate, lonely woman. Easys*x. Max, she's nothing but a gold digging tramp, who wants to hit your big fat wallet, just as soon marry ya and kill you for the insurance. Bye bye. (He disappears.)Cindy: You pathetic...Max: Bitch!Cindy: Take yourdamn flowers. Give them to your ex-wife.Max: The bank's closed, baby. You're not laying one finger on this guy's money.Cindy: Screw you.(Max walks on the road.)Max: Up yours!(A car horn beeps and a car hitsMax.)[Cut to the manor. Cupid clutches his chest in pain. Piper walks in the foyer.]Piper: Prue, Phoebe.(Prue and Phoebe walk in.)Prue: What's the matter?Piper: I don't know.Phoebe: What's wrong?Cupid: It's Drazi.He's killing love.[SCENE_BREAK][Scene: On the street where Max got hit. Max is on a stretcher and a policeman is talking to Cindy.]Cindy: He just walked into the traffic. Dumb ass. Is he gonna die?Policeman: I can'tanswer that.Cindy: Because he should you know. I don't think I've known anyone who deserves to be hit by a car more than that guy.(Prue, Piper, Phoebe and Cupid pull up in the car. They get out and walk over toMax.)Cupid: It's Max.Piper: Is he one of yours?Cupid: Yeah, I matched him up with Cindy last night. She was afraid to risk love too.Phoebe: Are you picking on me?Cupid: Phoebe, I'm...Phoebe: Do you think it's easyfinding love with all the demon hunting we have to do?Cupid: Well, your sisters don't seem to be having any problem.Phoebe: Alright, you know, let's stay focused. We have things to do.Prue: Are you sure Drazi didthis?Cupid: Positive. He's still here too. I can feel him?Phoebe: Where?Cupid: There. (Cupid points to him and you can see him standing near by.)Prue: Do you think he knows who we are?(Drazi walks off.)Piper:Apparently.Cupid: He's getting away. Do you have the potion?Phoebe: Yes. (They all start running after him.) We're not gonna catch him.Prue: Piper, freeze him.Piper: He's too far away.Cupid: Well, someone better dosomething fast.(They approach some steps and Prue sits down. She astral projects.)[Cut to Drazi. Astral Prue appears in front of him.]Drazi: What?Prue: Surprise. (She tries to use her power but it doesn't work.) Uh,whoops, that didn't work. (She grabs a piece of wood and hits him. He falls to the ground. Prue astral projects back into her body.) Ah, ah.Phoebe: Are you back with us?Prue: I think so. Wow, I really gotta get a handleon that.Cupid: I don't understand.Piper: She astral projected.Phoebe: Did you get him?Prue: No, I just slowed him down but you guys go get him, hurry. (They run off while Prue sits on the step recovering from astralprojecting.) God, I love this new power.[Cut to Drazi. Phoebe, Piper and Cupid run up to him. Drazi stands up.]Drazi: Hiding behind witches skirts?Piper: Stealing things that don't belong to you? (She freezes him.)Okay, go.(Phoebe throws the potion on Drazi and he unfreezes.)Drazi: What the...?(He starts melting and turns into black stuff. Prue arrives.)Prue: Did you get him?Piper: Did we?Cupid: Sure looks like it. Though, Idon't know what happened to my ring. It shouldn't have been affected by what we did to Drazi.Phoebe: So that's it right? We're done? You can just move on.Cupid: In a hurry to get rid of me, Phoebe?Phoebe: Look,Cupid. I know you're just trying to help but did you ever think that I may not be ready for love right now?Cupid: No, you're more than ready.Phoebe: Don't start. Just go.Cupid: Well, I need the ring to get back. I mean,unless you can get me another one but the problem is I need it to get back to them.Prue: Wait, you're stuck here?Cupid: No, actually, you can help me get back home. One more potion, some well-chosen words fromthe Charmed Ones and I'm on my way. (to Phoebe) Care to help me with that potion?Phoebe: Me? Why me?Cupid: Because you're free tonight, they have dates.Piper: Hey, how'd you know... never mind, scratchthat.(Prue and Piper walk off. Cupid stands there smiling at Phoebe.)Phoebe: What are you smiling at?Cupid: You.(They walk off. The black stuff on the ground turns back into Drazi.)Drazi: Well, it looks like you can'tkill love after all. But you sure can screw with it.[Scene: P3. Dan, Piper, Prue and Jack are at the bar. Prue's looking at Piper's necklace.]Prue: Very nice. So you like it?Piper: I love it.Dan: Well, thank your sister. Shehelped me pick it out.Prue: Hey. Okay, guilty.Piper: Well, thank you both and (to Dan) I'll thank you again later.Jack: Wow, if that's all it takes, when can I buy one?(Dan and Piper laugh.)Prue: Okay. (She walksaway.)Jack: You know what? Why don't we find a table and get some food.[Scene: Manor. Kitchen. Phoebe and Cupid are making the potion.]Phoebe: So this will send you back?Cupid: When I drink this, you and yoursisters say the magic words and I'm gone.Phoebe: I can not believe I am stuck here doing the grunt work while they're...Cupid: Twisting the night away? Don't blame them.Phoebe: No, I'm not blaming anybody. It'sjust... I'm here...Cupid: Stuck with me.Phoebe: Um, I'm sorry, but did you do something specific to tick Drazi off? Or did he also find your honesty to be a complete and total pain in the ass?Cupid: Drazi fell in love witha mortal woman. I redirected her love towards a mortal man away from Drazi. She's married now, very happy. But Drazi blames me for denying him love. (Phoebe starts stirring some stuff in a bowl really fast.) Ahundred slow strokes there.Phoebe: So are you telling me that demons love?Cupid: Uh huh. Frightening stuff. Love of evil, love of fear, sometimes love are the very things they hate. In this case a human being. Youknow, if a demon can open his heart, there's hope in you too, Phoebe.Phoebe: Okay, you know, my heart is not closed. Okay, it's open, just not to everybody.Cupid: Your heart is closed.Phoebe: I'm picky.Cupid: No,you're terrified.Phoebe: Of what? What am I terrified of?Cupid: You tell me.Phoebe: I don't want to play this game.Cupid: Well, then at least stir correctly. (He stands behind her, puts his arms around her and stirs thestuff in the bowl.) Like that.Phoebe: So, how does this work?Cupid: It's a travel potion with an aphrodisiac.Phoebe: Really? An aphrodisiac?Cupid: Lavender, oysters, rosemary and chocolate and basic caris compound.The key ingredient is desire.Phoebe: Desire?Cupid: Desire to go home. 'Cos home...Phoebe: Is where your heart is.Cupid: Are you afraid of loss?Phoebe: No, I swear if you barf up, it's better to have loved and loss thannever to have loved at all, I might just have to... (She smells the potion.) Mmm, it smells really good.Cupid: So tell me, what has not loving gotten you?Phoebe: It's kept me safe.Cupid: Safe from what?Phoebe: Frompeople leaving.Cupid: Your mother?Phoebe: Yeah.Cupid: And your father?Phoebe: And you.Cupid: Are you falling for me?(She walks away from him.)Phoebe: No, I am not falling for you, thank you very much.Cupid:Ladies and gentleman, Phoebe Halliwell - running away from love.Phoebe: You are, Cupid. You're the one that's leaving me.Cupid: Look, Phoebe, what I am is the potential for true love. That's all. Because once you'velet love in, it'll never leave. Don't confuse the message with the messenger, Phoebe. It's what you're always done. See, messengers make mistakes, they get lost, they run away, they even die. But the message, openyour heart, it comes from life itself. Hear it. For my sake and yours.[Scene: P3. Prue, Piper, Jack and Dan are sitting at a table.]Jack: Having an in with the owners of one of the hottest clubs in town does have itsbenefits.Dan: Free chicken wings.Jack: Name one.Piper: In pleasure of our company.Dan: And to name two more.Piper: Thank you.(Dan kisses her forehead.)Prue: Bathroom break. Piper.Piper: Alright, yes ma'am. Seeyou boys in a minute.Jack: Alright.[Cut to outside the bathroom. Piper and Prue arrive there.]Prue: God, I have to pee. (Prue looks at Piper's necklace.) You're okay with that aren't you?Piper: Okay with what?Prue:This. I don't really want you mad at me.Piper: Why would I be mad at you?Prue: Because I let Dan buy it for you.Piper: No, Prue, it's okay. It's great.Prue: And you don't wish that it came from Leo?Piper: No, I don't.Really.Prue: I feel strange.Piper: What do you mean?Prue: Well, I mean we have these guys out there waiting for us, who care about us. Correct me if I'm wrong but things are going pretty well right now, right?Piper:Yeah, nothing like a night on the town after a hard day of demon killing.Prue: Yeah, I'm serious. I mean, you know, think about it. I mean, we did great today and now tonight it's like we're just...Piper: Finding abalance in our lives?Prue: Exactly.Piper: I do feel pretty good.Prue: Yeah, I think we're gonna be okay.Piper: Except there's still our little secret.Prue: Oh, Piper, everybody has little secrets including Jack and Dan.Piper:Yeah, unless they're transvestite, Nazi, war criminals with great face lifts, then I think we've got them beat.Prue: Okay, so we're never gonna have normal lives.Piper: Not ever.Prue: That doesn't mean we can't trysometimes.Piper: With someone like Dan perhaps?Prue: With whoever, sweet girl, I just want you loved.Piper: Thanks.Prue: You're welcome.(Someone comes out of the bathroom.)Piper: About time.(They runinside.)[Cut back to Jack and Dan.]Jack: Dan, I will never understand the tandem pit stop thing that women do.Dan: Yeah. Hey, Jack, speaking of mysteries...Jack: Yeah.Dan: You know, Piper has this strange habit ofsometimes just sort of...Jack: Vanishing?Dan: Yeah!Jack: Prue does it too.Dan: I figured that. Does it bug you?Jack: A little, but I'm not gonna give her the third degree about it.Dan: No, it's like time just stands still for"}
+{"doc_id":"doc_203","qid":"","text":"[PREVIOUSLY_ON]NCIS THEMEBlack-and-white snapshot of Jenny.In her office, Jenny is asleep. She dreams of her father and attends his suicide. She awoke roughly when her father shot. She closes a drawer whichcontain a gun.In La Grenouille's limoJeanne: My father knows everything about you.La Grenouille: Only what my daughter tells me.Jeanne: And I tell hil everything.Tony laught nervously followed by Jeanne mostnaturally.Tony: That's great. So here we all are, on aour way to... Where exacty are we headed?La Grenouille: I dont' know. Breakfast? A chance for us to get know each other.Jeanne nodds.La Grenouille: I'm sure youhave lot of questions. I know I do.Jeanne: My apartment first, papa. You wouldn't believe the night we've had.Tony squirms on the seat and tries to quietly take his phone while Jeanne continues to speak. He cannot.Jeanne: I was very frightening.Tony: Yes, your daughter is very impressive with a scalpel, Mr Benoit.La Grenouille: Please, Rene.Jeanne (to Tony): You never told me you could shoot.Tony: Well I can't, clearly. ImissedJeanne: On purpose.René Benoit: There was a shooting in the hospital?Tony: It's a long story Rene.René Benoit: We have all week-end.Tony: Well, it's really more of Jeanne's long story than mine.Jeanne: Therewas this crazy young guy who tried to smuggle heroin into the country and he got hit by a car...Tony tries to quietly take his phone under the suspicious gaze of René.Jeanne: .... one of the bags in his stomach burstbut we didn't know until it was too late. And then ...She is interrupted by the ringing of his topper.Jeanne: I forgot to sign the death certificate to release the body. Sorry Papa.René Benoit (to his driver): Henry, back tothe hospital.Henry: Yes sir.Tony: Well, I guess breakfast is gonna have to wait.René Benoit: And all those intriguing questions.The elevator doors opened, Ziva is inside. She starts to step out but McGee is before thegates.Ziva and McGee (in the same times): What're you doing here?Ziva: I asked first.McGee: Well, technically, Ziva, I think that if we were to put that to a test, you'd find that it was too close to call. But since myparents raised a gentleman, and yours raised a killer, I was deffraging my computers.Ziva: Liar.She goes to the office talking.Ziva: Have you heard from Tony?McGee: You came into the office on a Saturday morningbecause you're worried about Tony?Ziva (Seeing the remains of food on McGee's desk): You have been here all night?McGee: Is that a question or a statement?Ziva: Question.McGee: It sounded more like astatement.Ziva: Demands a answer.McGee: Yes, I've been here all night.Ziva: Fragging the computers?McGee: \"Deffraging\". You need to work your inflections when you're asking a question. For example, why are youworried about Tony?Ziva: He was supposed to meet us at the bar last night. He did not arrive, did not call. He's not answering his home phone or his cell phone. Do you have the number to his second cellphone?McGee: The one he uses for his private calls?Ziva: Yes.McGee: No.Ziva sees Gibbs' desk with food on it.Ziva: Gibbs was here all night too. Are we a team McGee?Gibbs' voice: Morning Ziva.He arrives.Gibbs:Nothing better to do on a Saturday morning?Ziva: Teams do not have secrets Gibbs. And if you do not tell me what you were both doing here last night, McGee know he will...Ziva smiles.Ziva: ... eventually.Hospital'sparkingThe limo parks. Jeanne goes out followed of Tony.Jeanne: Won't be long.Tony: I can come with you if you wantJeanne: No need. He won't bite.It starts, Rene out of the limousine from the other side and Tonybeeps Jenny on her cell phone.René Benoit: Coffee?Tony: Coffee would be great.René Benoit: Good. While we wait, you can tell me how you stole my daughter's heart.They move away from the limo.Abby's labThedirector enters, Abby is asleep on the floor. Jenny sees that the research she had given to Abby has a result. The analysis reveals that the fingerprints taken on glass is one of Jasper Shepard, her father. Jenny erases allthe results and Abby wakes with a start.Abby: I'll get it. I'll get it. Director.Jenny: I'm sorry for keeping you here all night Abby.Abby: You know what, that's okay. It's not the first time I've woke up on the floor. And notjust his floor. Not that I make it a habit of passing out on floor. And not that this isn't a really comfortable floor. If I had to... I'm awake now.Jenny's phone rings. It is the cell coverage of Tony, but she did not have timeto respond.Jenny: Thank Abby, you can go now.Abby (looking at her computer): Did we have a match.Jenny: No.She leaves the lab.Abby: Poor guys. Humming away all night and for nothing.She taps on his keyboardand context \"delete search\" appears.Abby: What search result?Jasper Shepard's photo appears.Abby: This is not good.Ziva: Why would the CIA come after the director?Gibbs: You tell me.Ziva: Protecting theirasset.McGee: La Grenouille.Ziva: Does the director know?Jenny's voice: Know what?She comes.McGee: That it's Saturday, and we are all here on our day off, because we love our jobs.Ziva: Except for Tony who ismissing.Jenny: McGee, I want you to triangulate a cell number: 202-555-0177.Gibbs: DiNozzo in trouble?Ziva: I knew it.McGee is tapping on his keyboard, Gibbs looks over his shoulder.Jenny: The woman Tony hasbeen seeing, Jeanne Benoit, is la Grenouille's daughter.McGee: He's been on assignment?Gibbs has came himself in front of Jenny.Gibbs: You did plan to tell us at some point?Jenny: If it led us to her father, yesGibbs:Yeah, did it?Jenny: I don't know.Gibbs: You wanna tell us what you do know director?Jenny: Tony just contacted me unsing his alias's cell. It was a prearranged signal using only in emergency if he thought his coverhad been blown.McGee: Triangulating.He displays the result on the plasma.Ziva: Anthony DiNardo, cute.Jenny: I want this fed to MTAC and I want satellite coverage.McGee: On its way.Before hospitalTony and ReneBenoit take cafes.René Benoit: So, what did Jeanne tell you about me?Tony: Oh, everything. World's greatest dad.René Benoit: Children want to believe the best of their parents. I'm sure you believe your father is agood man?Tony: He was.René Benoit: Still, love has a way of blinding us to the imperfections.They walk.Tony: It's still liveRené Benoit: True. And we both love Jeanne .Tony: Yes we do.René Benoit: Are you going tobreak my daughter's heart?Tony: No, sir, not if I can help it.René Benoit: Sometimes we lie to the people we love in order to protect them, true?Tony: You've lied to Jeanne?René Benoit: Well, have you?Jeanne leaveshospital.Tony: Here she comes.Tony grabs him by the waist.Jeanne: Done. Now let's get out of here before they remember something elseTony: I have to move my car, because...Jeanne: They'll tow you for sure. Theyare murder around here.René Benoit: We wouldn't want that. Stay close. Wouldn't want to lose you.Tony: No chance of that.Everyone goes to his car.NCIS, MTACThe street plan of the city is displayed, a diamondmarks the position of Tony.McGee: He's on 22nd Street Northwest outside Monroe University Hospital.Jenny: He's on the move.McGee: He must be in car.Jenny: How long until get satellite coverage?McGee: At least 15mins.Looking annoyed Gibbs sat in a chair, coffee in hand.McGee: Or we could patch into D.C's traffic-cam system. See if we can locate him on the traffic-cam management.Gibbs: Do it.Jenny (to Ziva on the phone):Anything?Ziva: Still not answering. Shall I try his undercover cell phone?Jenny: Put it on speaker. (Tony messaging, music of 20th Century Fox): Hi, you've reached Professor Tony DiNardo. Leave a message and I willget back to you. I promise.Jenny: His cover is teaching film online at American University.Ziva (to McGee): Tony, a teacher?McGee: No wonder he's been compromised. Whose bright idea was that?Jenny: Mine.McGee'scomputer beeps .McGee: We're in.Jenny: Bring it up.Images of the movement appear on the big plasma.McGee: Got it. Overlaying the cell-phone signal.Ziva: Tony's car.McGee: Tony DiNardo's car.Gibbs: How deep ishis cover?Jenny: Deep enough to withstand the sort of scrutiny la Grenouille can bring to bear.Gibbs: You better hope so.McGee: West on M Street.Jenny: No one else is in the car with him.She tries to call him.McGee:He's turning north onto 29th Street.Ziva: trafic speed. No sign of dureless.Jenny: His cell phone is still of.Ziva: No one seems to be tailling him.Gibbs: Maybe he's the one doing the tailling.McGee: Still on 29th.Tony'scar exploses. The whole team was surprised.Jenny: Oh my God!Black and white snapshot: GibbsThe staff and the director arrived at the place where Tony's car has explosed. Firefighters deviate to let the team work.We see a charred body bent over the wheel of the car.Gibbs: McGee.McGee looks at the car and can not be detached.Gibbs: McGee!McGee out of its torpor and takes pictures of the particular weapon and the phonewhile Jenny looks at Tony's body and found an object.Jenny (to McGee): Hey, that some of timer device?McGee leans over and takes the object photographed.McGee: Ten bucks in most electrical stores. Probablyactivated when the ignition turned on.Ziva took the car photo.McGee: ... Count down however long you need it to. When it reached zero...Jenny gets up and walks to Ducky who examined the body, Gibbs by hisside.Ducky: Shock wave would have killed him before the fire. Death would have been instantaneous. Small mercies, my dear boy.Jenny: Identification?Ducky: The general build, height, weight are about right. Most ofthe epidermis and dermis on the hands and fingers have been burned off, so no fingerprints. We need to get his dental records for positive identification. And there is any chance that it's not Tony?Jenny: None that I canthink of.She walks away.Ducky (to Gibbs): She blames herself.Gibbs nodded.Ducky: Should she?Gibbs: Let me know when you finish, Duck.He goes in turn. Ziva on his side the badge photograph of Tony. McGee is withher.McGee: You believe in miracles, Ziva?Ziva: Not part of my training.McGee: That might be not Tony.They both look the car silently.Abby's lab.It removes the evidence found at the scene of the accident. Gibbs is alsothere.Abby: Tony is not dead Gibbs. Not until Ducky says it's him. Until then, he's just... he's not here. And I don't care what the evidence says. Even if everything here belongs to Tony, it's still not him until Ducky saysthat it's him. And don't try to tell me anything different, because I'm not gonna believe you.She freezes.Abby: Tell me it's not him Gibbs. Tell me it's not him.She takes Gibbs in his arms.Gibbs: I wish I could Abby.Shedeparts from him and goes to his computer.Abby: I need to be alone right now with the gang. I've got work to do.Gibbs sees the bottle of scotch and glass that gave Jenny the analysis. He takes gloves.Gibbs: Abby,how did these get here?Abby: Director Shepard swore me to secrecy when she brought those in and asked me to run them for the prints, so I can't tell you.He took off the gloves and approached her.Gibbs: Any othersecrets you can't tell me?Abby: No. It's just that one. Because when director Shepard said that there wasn't an AFIS match, and then tries to hide the results from me, she actually didn't swear me to secrecy, so that isnot a secret.Gibbs: Who was the match?Abby: Her father.Gibbs: Her father has been dead for 12 years, Abby.Abby: No, not according to AFIS.She taps on his keyboard and displays the results.Abby: That is a ten-pointmatch, Gibbs. These are new prints. There's no way Director Shepard's father is dead.Director's Shepard officeJenny looks out the window. Gibbs is in his office.Jenny: I burried my father Jethro. I know he's notcomming back. But someone is going to great lenghts trying to convince me he's alive.She turns and faces Gibbs.Gibbs: We've got a polygraph test Monday.Jenny: Routine.Gibbs: They're targeting someone.Jenny:Me?Gibbs: So I've been told.Jenny: I've never failed a polygraph. I'm not abour to start.Gibbs: And if they asked you about your father?Jenny: He's dead.Gibbs: Any doubt, any hesitation will raise a red flag.Jenny:There is no doubt.Gibbs: I saw his fingerprints.Jenny: My father's dead.Gibbs: Subject displayed emotional instability suggesting delusional belief her father isn't dead. Next question. We just put her on medical leave orwe fire her?Jenny defies Gibbs.Gibbs: Opération Lodestone, you know it?Jenny: Should I?Gibbs: Black op, focused on weapons control and arms proliferation.Jenny: Not one of ours.Gibbs: CIA.Jenny: My father's job atthe Pentagon was in a field of arms control. He was under investigation for accepting a bribe when he was killed.Gibbs: Coroner says he took his own life.Jenny: He was murdered.Gibbs: Proof?Jenny: None, but I knowwho's responsible.Gibbs: The same guy you sent one of my agents after?Jenny: One of my agents. A deep undercover operation that I ran on a need-to-know basis.Gibbs sighed and headed toward the exit.Jenny: AndJethro if you think I'm obsessed with la Grenouille because of what's happened to my father, you're wrong.Gibbs: You may wanna skip this polygraph test Monday.Gibbs leaves.McGee looks again the images of theexplosion of the car. Ziva is at her desk.Ziva: Must you keep doing that?McGee: Just checking something Gibbs said. Tony wouldn't have carried it with him, you know. His shield and ID, not if he was undercover. Andhe would have stashed it in the car, maybe under the seat. Just because we found his ID doesn't mean it's Tony.Ziva: His car, his ID, his weapon, both of his cell phones, McGee?McGee sits on the edge of the office ofGibbs and rewinds the video. Ziva gets up and comes near him.Ziva: What was is that Gibbs said that you thought needed checking?McGee: He thought Tony might be talling someone.They will view the video.Ziva(outstretched hand to the screen): Stop it there. Take it back.McGee rewinds. A limousine is displayed.Ziva: It's a limousine. It was on the previous camera. It's on every camera.McGee: He was following thatlimousine.He goes to his computer.Ziva: Where is Gibbs?Ducky's autopsy roomDucky is currently disequations lung. Palmer is at his side, winning in a small jar that is Ducky.Ducky: Another shrapnel, lower left lobe.Heputs it in the little jar. A bell rang.Palmer: Blood test are back.He take the paper.Ducky: What type?Palmer: A+Ducky: And Tony's?Palmer looks into the computer.Palmer: A+Ducky sighed.Ducky: Yes, well, 34 percentof the nation's population share the same blood group, let's not go drawing any conclusions. Well, await the dental records before making a positive ID. in the meantime,....It begins to dictate his report, Palmer is takingnotes.Ducky: ...the lungs: penetratives shrapnel damage, middle and lower left lobes. Otherwise, heathly tissue. Non-smoker, minimal scarring.Palmer (writing): Minimal scarring.Ducky: Minimal scarring.Palmer: I gotthat doctor.Ducky: Yes but Mr Palmer, how could he?Palmer: How could he what, sir?Ducky: Have minimal scarring in both lung.He takes a knife and cut the lung.Palmer: Healthy living?Ducky: Yersinia pestis, ypestis.Palmer: The pneumonic plague?Ducky: Yes, the plague Mr Palmer. This man has never had the plague.They smile. Ducky starts from.Ducky: He's never had the plague.Palmer: No, he has never had theplague.Ducky: He never had this damn plague.He took off his gloves and threw them in Palmer. Palmer laughed.Ziva, McGee and the director are before the plama. Gibbs stands a little further.Ziva: The limousine isleased to a shell company. The parent company is EuroFreight.McGee: Head office is in Luxembourg.Ziva: The principal behind the company is Rene Benoit.McGee: Tony could been followed la Grenouille.Ducky arrivesand goes to Gibbs.Ducky: I'm sorry to differ Timothy but he wasn't. (To Gibbs) Look, Tony contracted pneumonic plague, I'm sure everyone can remember.Ziva: Before my time.McGee: He almost died.Ducky (to Ziva):From severe pneumonia. (To everyone) As a result, his lung would have been extensively scarred. Unlike the almost pristine lung of the man currently in autopsy. The body on which I am performing an autopsy is notTony's.All smiles.Jenny: If it's not Tony, then who is it?Gibbs: And where is DiNozzo?Black-and-white snapshot of JennyJenny is in front of the plasma, McGee and Ziva to their office. Gibbs looks over the shoulder ofMcGee.Jenny: I wanna know everything about this company. Bank statements, telephone records, personnel.McGee: Hard drive's spinning up now.Jenny: Everything Tim. If la Grenouille is in D.C, this could lead us tohim.Gibbs: Or DiNozzo.Jenny: Well, obviously DiNozzo is our first priority.Gibbs: Ziva, start with the hospital. Find out when DiNozzo left and with whom.Ziva: And who was driving his car. Got it.Trent Kort arrives.Kort:Director Shepard.Jenny: Mr Kort. An unannounced visit by the CIA usually means someone's in trouble. I trust it isn't you.Kort watching everyone.Kort: Where is he?Jenny: It depend on who \"he\" is.Kort:DiNozzo.McGee rises.Jenny: I honestly don't know. And even if I did, I wouldn't tell you until you explain to me why you're looking for me so urgently.Kort: Le Grenouille flew to D.C this morning. He didn't arrive at hissafe house...Gibbs rises of his office.Kort: ... and his satellite phone has stopped transmitting.Gibbs: Mislaid your arms dealer? That's gonna be embarrassing.Kort: I don't know what NCIS is up to, but I want a privatebriefing in your office now.Jenny: I'll decide what briefing you get and where you get it, Mr Kort, and if we have a problem with that, why don't you have your director give me call.Kort: You are jeopardising one of themost important long-terme covert operations the agency has ever conducted.Gibbs: Operation Lodestone.Kort: You're not read in on Lodestone.Gibbs: Ok, so read us in.Jenny: Unless the CIA just believes in one-waytrafic.Kort: This is not going to end well for you.He heads toward the elevator followed by everyone.Gibbs: Special agent DiNozzo's car was bombed this morning but I guess you know that.Kort: He wasn't in it.Jenny:Thanks for sharing.Kort: The agency has nothing to do with it.Gibbs: Is that when you mislaid your frog, in all that confusion?The elevator doors opened on Tony who laught when he see Kort.Tony: Hey, my car blew upthis morning. Did you do that?Kort took him by the collar and the plate against the wall.Kort: Where did you go with la Grenouille?Tony turns his head and it means the team all weapons out and pointed at Kort. He letsTony.Tony: Actually he prefers René. Arms dealers get very touchy about their code names...The team lowers his arms.Tony: ... \"The Frog\" has a kind of slimy overtone to it. Maybe you should keep that in mind fornext time. You could use it yourself.Kort: We will find him, DiNozzo.Tony: You may wanna take the stairs. I had a little upset tummy this morning.Kort enters the elevator.Tony: Happy frog-hunting. (To the team).What, no balloons?[SCENE_BREAK]In director's officeTony, Jenny and Gibbs watches the video of the explosion of the car.Tony: That was more exciting live.They all sit around a table. Tony in front of Gibbs.Jenny: Yousaw it? You were there?Tony: Saw it, heard it, felt it.Jenny: You can start whenever you're ready.Tony: He was waiting when I left the hospital this morning with Jeanne. She'd arranged it. It was her little surprised, Iguess. Meet the parents: Part 2. I hat sequels...Gibbs smiles.Tony: ... Figured my cover was blown as soon as saw him. Turned out he'd know for months.Gibbs: Kort?Tony: Probably. I tried talking my way out ifit.[SCENE_BREAK]Tony gets into his car in the garage of the hospital.[SCENE_BREAK]Tony: Made it as far as my car.[SCENE_BREAK]René Benoit: Tony!Tony: Crap!René Benoit: These's no need to take your car. Henriwill drive it. You come with Jeanne and me.Tony: Oh, that's really nice of you. I gotta go, I really ... I need to go home and change...René Benoit: I will have to insist, agent DiNozzo.Tony gets out of the car.Tony (toHenri): Be careful with the second. It tends a stick a little.Henry: Your cell-phone?Tony gives it to him.René Benoit: Both of them.[SCENE_BREAK]Jenny: Did la Grenouille tell Jeanne who you were?Tony: They didn'tmiss a beat. Pretended everything was fine. That didn't last long. I could see this guy driving my car a few car lenght behind us when...boum.[SCENE_BREAK]Back in the limo. Behind her, Tony's car explodes.RenéBenoit (to Jeanne): Stay down. (To the driver) Allez!!![SCENE_BREAK]Tony uses a drink of water.Jenny: What was la Grenouille's first reaction?Tony: That he was the target.He drinks, sighs.Tony: I'm not sosure.Gibbs: You think it was you, Tony?Tony: It was my car, boss. And we have certainely pissed off the agency a lot lately. Well, the director and I have pissed off the agency a lot lately. Although, mainly me.Gibbs:For what it's worth, Kort denied the agency involvement.Tony: That's because Kort doesn't play by agency rules. The guy's got a hair trigger.Jenny: Where did la Grenouille take you?Tony: Well, kind of blew away the"}
+{"doc_id":"doc_204","qid":"","text":"Scene: The apartment. Leonard is laying out wine and napkins in front of his laptop.Sheldon: What are you doing?Leonard: Oh, uh, Priya's calling in a few minutes on Skype, and we are gonna have a dinnerdate.Sheldon: It's eight o'clock in the morning in Mumbai. How can she have dinner?Leonard: Fine, whatever. Priya will be having breakfast.Sheldon: All right, so technically it's not a dinner date. I suppose you couldcall it a, uh, dinfast date. But if you did, you'd open yourself to peer-based mocking, such as, Hey, Leonard, how was your dinfast with Priya last night?Leonard: That doesn't sound like mocking.Sheldon: You didn't letme finish. Dinfast (rolls eyes). Are those soy-based candles?Leonard: I don't know. Why?Sheldon: Paraffin candles may contain carcinogens. Unless lung cancer is the ambiance you were going for at your dinfast.Dinfast (rolls eyes).Leonard: Listen, I don't want to be rude, but Priya's gonna be calling any minute, so...Sheldon: Oh, yes, Priya. Leonard, you know I make a point of never interfering in your personal affairs.Leonard:Yes, I've always admired that about you.Sheldon: As well you should. But I'm going to make an exception here.Leonard: Oh, good.Sheldon: Priya has moved back to India to pursue her law career. Instead ofdesperately trying to keep this intercontinental relationship alive, you could use that time to take up a hobby.Leonard: A hobby?Sheldon: Yes. I read recently about a fellow in Kansas with an enormous ball of twine. Ibet you could give him a run for his money.Leonard: You know, some people might say that it's great that we're trying to make things work long distance. They'd say things like, love is stronger than the miles betweenyou.Sheldon: When I rise to power, those people will be sterilized.Leonard: You video-chat with Amy all the time. How is this different?Sheldon: Don't you like Amy?Leonard: Of course I like Amy.Sheldon: Well, there'sthe difference. (Skype tone rings)Leonard: Excuse me, that's Priya.Priya (on screen): Hi, Leonard.Leonard: Hey, honey.Priya: I miss you.Leonard: Oh, I miss you, too.Sheldon: I miss the old days when your romanticpartners could be returned to the video store.Scene: Penny's apartment.Sheldon: Thanks for letting me stay here while Leonard Skypes with his girlfriend.Penny: Oh, it's no problem. It's actually kind of nice. Youreading, me reading. We're like an old married couple.Sheldon: If we were an old married couple, the wife would serve iced tea and snickerdoodles.Penny: I don't have iced tea and snickerdoodles.Sheldon: A good wifewould go to the store.Penny: I want a divorce.Sheldon: Good. On the way to see the lawyer, pick up some tea and cookies. I must say, I am enjoying your new chair.Penny: It's great, isn't it?Sheldon: It is. Aligns thelumbar, cradles the coccyx, balances the buttocks. This is a chair worthy of the name.Penny: What name?Sheldon: Chair.Penny: Oh, all right, well, I'm glad you like it. I mean, I still can't get over the fact someone justthrew it away.Sheldon: What?Penny: Yeah, it was just sitting on the street. I paid a homeless guy ten bucks to help me get it up here.Sheldon (jumps up): Oh, dear. Oh, dear. Oh, dear. (Starts stripping offclothing)Penny: What is wrong?Sheldon: I've been sitting in garbage!Penny: Sheldon, take it easy.Sheldon: You take it easy! I need to use your shower.Penny: I went into this marriage with so much hope.Sheldon:There's a wet Band-Aid on the shower floor. (Runs out of apartment). Credits sequence.Scene: Howard's workshop.Raj: This is fun. I've never used a hydraulic thermoforming press before.Howard: Pretty sweet, huh?This little baby set the university back 175 grand.Leonard: That's three minutes. Should we see what we got?Howard: Hang on.Raj: Oh, yeah. This is one good-looking panini.Howard: Hand me the tuna melt.Leonard:Yep.Howard: Thank you. How's it going with the long-distance love affair?Leonard: Not easy, but we're making it work.Howard: When you say making it work, does that include doing the cyber nasty?Leonard:What?Howard: You know, the virtual pickle tickle. The digital bow-chicka-bow-bow.Raj: Come on, dude. This is my sister you're talking about.Howard: Hey, Leonard jiggling his junk at her through a webcam has got tobe easier for you to deal with than him actually touching her with it.Leonard: There's no junk jiggling. We just talk.Howard: Are you insane? With high-speed Internet, you have at your fingertips the greatestadvancement in the field of s*x since the invention of the washcloth.Leonard: I can't do that.Howard: Well, if you don't, you're gonna lose Priya to some fancy guy in a turban who grew up with Kama Sutra coloringbooks.Raj: How can you be so racist?Howard: Oh, come on, tell me I'm wrong.Sheldon (entering): Oh, Leonard, good. There you are. I need you to check my head for chair lice.Leonard: I did it last night, I'm not doingit again.Howard: Just his head, right?Leonard: I don't want to talk about it. You didn't catch bugs from Penny's chair.Sheldon: Yes, I did. And now they're cavorting at the base of my hair follicles like dancing hippies atthe Redwood National Forest.Leonard: Sheldon, you do this all the time. You fixate on some crazy idea and then blow it way out of proportion.Sheldon: Name one time I've ever done that.Leonard: How about when youput GPS trackers in your garbage because you were convinced North Korean spies were stealing your doodles? The chicken nuggets you were sure were human nuggets. The strangely-shaped cloud that was followingyou around town. The time you put on my shirt by mistake and were convinced you'd started growing again.Sheldon: I said, name one. You really need to work on your listening skills.Scene: Penny's apartmentdoor.Sheldon: (Knock, knock, knock) Penny. (Knock, knock, knock) Penny. (Knock, knock, knock) Penny.Penny: Yello.Sheldon: You need to remove that chair from the building. It's a health hazard.Penny: Okay, relax.I took off the slipcovers, had them dry-cleaned and then fumigated the cushions.Sheldon: Really?Penny: Yeah. It's cleaner than my couch. Found half a Hot Pocket in there.Sheldon: It certainly looks okay. Has a strongtoxic chemical smell. That's reassuring.Penny: Why don't you give it a try, Sheldon?Sheldon: All right. It is a comfortable chair.Penny: Why don't you just admit you overreacted?Sheldon: No, thank you. (Sees insect.More appear and swarm all over him. He jumps out of a daydream on his own couch. Jumps up and runs out to Penny's apartment.Leonard: It's like living with a Chihuahua.Sheldon (at Penny's door): (Knock, knock,knock) Penny. (Knock, knock, knock) Penny. (Knock, knock, knock) Penny.Penny: What's up, buttercup?Sheldon: You have to get rid of the chair.Penny: Nope. (Closes door)Sheldon: (Knock, knock, knock) Penny.(Knock, knock, knock) Penny. (Knock, knock, knock) Penny.Penny: What's the word, hummingbird?Sheldon: For your safety, please wait in my apartment as I call the authorities so they may remove the chair ofdeath.Penny: No. (Closes door)Sheldon: (Knock, knock, knock) Penny. (Knock, knock, knock) Penny. (Knock, knock, knock) Penny.Penny: What's the gist, physicist?Sheldon: Under my authority as a self-appointedmember of the Centres for Disease Control street team, these premises are condemned. (Penny tries to close door) As a man with a keen sense of style, I must tell you, that chair does not work with the room. (Pennycloses door). (Knock, knock, knock) Penny. (Knock, knock, knock) Penny. (Penny opens door and waves seat cushion at him. He screams and runs off. She closes door. He sneaks back) (Knock, knock, knock)Penny.Scene: Leonard's bedroom.Leonard: So, here we are. Back in bed together.Priya (on laptop screen): Yep, here we are.Leonard: Okay, so I, I, I guess I'll just jump right in.Priya: All right.Leonard: Uh, you're anaughty girl. And, and, uh, I, I want to punish you with my love?Priya: What?Leonard: Not good?Priya: That's terrible. Try again.Leonard: Okay. Uh, uh, you're not naughty. Uh, you're, you're, you're dirty. You're,you're a, a dirty girl?Priya: Oh, yes. Yes, I am.Leonard: Yeah, yeah. Uh, okay. You're a, you're a, you're a, a dirty, disgusting, revolting girl. Ugh!Priya: God, Leonard, stop talking.Leonard: Why don't you just give mefive minutes? I'll Google how to do this. I'll call you right back.Priya: Shh-shh-shh. Just be quiet and do what I tell you.Leonard: Okay, like usual. Good.Priya: Take off your shirt.Leonard: All rightie. Shirt coming off.Ta-da! Man nipples.Priya: I said be quiet.Leonard: Yes, ma'am.Priya: Now take off your shorts.Leonard: Taking shorts off. There we go. Naked, naked, naked!Priya: Wonderful. Now I'll take off my clothes.Leonard:Cool. (computer screen bugs out) Uh-oh!Priya: Here I am, baby. You miss these?Leonard: Oh, damn it!Priya: Oh, Leonard! Already?Leonard: No, no! No-no-no! The screen froze. It's probably just buffering, just give ita second.Priya: Fine.Leonard: So, how are your mom and dad?Priya: Yeah, I really don't want to talk about my parents now.Leonard: Yeah. Sure, sure.Sheldon (calling from outside): If your video's frozen, try resettingthe TCP/IP stack.Leonard: Oh! I didn't even think of that. Thanks.Sheldon (still off): You're welcome. Please let me know when you and your girlfriend are done hogging the bandwidth for your self-abuse. I'm trying tostream a movie on Netflix in here.[SCENE_BREAK]Scene: Amy's apartment. Amy is playing a harp.Amy: Five, six, seven, eight. Tall and tan and young and lovely, the girl from Ipanema goes walking, and when shepasses, each one she passes goes...Sheldon: (Knock, knock, knock) Amy. (Knock, knock, knock) Amy. (Knock, knock, knock) Amy.Amy: Oh... You are aware that your ritualistic knocking behaviour is symptomatic ofobsessive compulsive disorder?Sheldon: Is not. Is not, is not.Amy: Denial. Denial, denial. Come in.Sheldon: Thank you.Amy: Would you like to hear me play a bossa nova standard on the harp?Sheldon: No.Amy: Howabout the theme song to the classic television show Diff'rent Strokes? Now the world don't move to the beat...Sheldon: No.Amy: Well, that's every song I know. What's up?Sheldon: You're good friends with Penny,right?Amy: Best friends, besties, BFFs, peas in a pod, sisters who would share travelling pants. Go on.Sheldon: I was hoping she might listen to you about the dangers of owning unhygienic furniture.Amy: For generaleducational purposes, or has she acquired a bar stool dipped in cholera?Sheldon: Cholera is water-borne. You're mocking me.Amy: Yes, I am.Sheldon: Penny has dragged a chair in off the street whose unknownprovenance jeopardizes the health and welfare of every resident in our building.Amy: Sheldon, just because you have a focus on cleanliness bordering on the psychotic doesn't mean I have to participate.Sheldon: Allright, name your price.Amy: Kiss me where I've never been kissed before.Sheldon: You mean like Salt Lake City?Amy: Never mind. I'll talk to Penny.Sheldon: Thank you.Amy: Will you listen to me play my harpnow?Sheldon: No. I dislike the sound of the harp. Its overuse in classic television sitcoms always makes me think I'm going to experience an episode from my past. (Amy plays glissando) I'm sorry, Mommy. Don't bemad at me. Don't do that!Scene: Howard's workshop.Leonard: I don't know about this, Howard.Howard: What? You're having trouble with the long-distance lovemaking. This is your answer. There are two interfacesthat simulate a human mouth. You have one, Priya has one in India. When you move your lips and tongue on yours, it transmits exactly what you're doing to hers. See? Internet kissing. (Howard kisses device) Give it atry.Leonard: I don't think so.Raj: I'll try it. Like this?Howard: Almost. Really get your tongue in there, to activate the motion sensor.Raj: Like this?Howard: Close. Really French it.Raj: Better?Howard: Yeah, you got it,you got it.Raj: I'm impressed. This is very lifelike.Howard: Whoa! You just bit my tongue!Raj: I, I nibbled. I was being playful.Howard: Why do you have to make everything weird?Raj: Sorry. Better?Howard: Oh,yeah.Scene: Penny's apartment.Penny: Pretty cool, huh? Probably would cost, like, two hundred bucks in a store.Amy: I do appreciate a bargain. This entire ensemble once belonged to my dead grandmother.Penny:You're kidding.Amy: Everything except bra and panties. And they're a leopard-spotted secret I share with Victoria.Penny: And now me.Amy: I just have one question about the chair.Penny: And what's that?Amy: Aren'tyou worried about it being unhygienic?Penny: No, it's completely fine. Hmm. I get it. Sheldon sent you. He put you up to this.Amy: No, he didn't.Penny: Really?Amy: Yes, he did. He absolutely did.Penny: My God, Amy,that's really crappy of you.Amy: It is?Penny: Yeah! Letting Sheldon use you to manipulate me? I thought you were my friend.Amy: No, I am your friend. Please don't be mad at me.Penny: I can't even believe this. Youknow, maybe you should just go.Amy: No, no, I'm sorry, I'm so sorry. I take it all back. Look. I'm, uh, I'm sitting in your chair. There's nothing wrong with it. It's a great chair. Please let me continue to be part of yourworld. Ow!Penny: What's wrong?Amy: Something in the chair's biting my tushy. It's not important. Ow!Penny: Wait. Get up, get up! (She does. Something is moving in the seat cushion. They both run out of theapartment screaming.) Swear you won't tell Sheldon what happened!Amy (between screams): I swear! Can I tell my doctor? I'm probably gonna need shots!Penny (also still screaming): Yeah, sure!Scene: Leonard'sbedroom.Leonard: Oh, hey, babe, I think I figured this thing out.Priya (on screen): Oh, Leonard, listen...Leonard: No, you listen. You're my woman, and I'm gonna make you feel things you have never felt before.Priya:Leonard...Leonard: That's right, say my name, and beg me for more, 'cause, I'm gonna give it to you.Priya: My parents are here.Dr Koothrappali: Hello, Leonard, if I may also say your name.Scene: The street outsidethe apartment block.Howard: Check it out. Free chair.Raj: Yeah. Hey, you know, if this was in Sheldon and Leonard's apartment, I wouldn't wind up sitting on the floor all the time.Howard: On three?Together:Three!Raj: What kind of idiot throws away a terrific chair like this?"}
+{"doc_id":"doc_205","qid":"","text":"Ryan: [catching Jim looking at him at Pam's desk] What?Jim: Oh, nothing.[SCENE_BREAK]Jim: Pam's on vacation and she gets back tomorrow, so it'll be nice to see her. It'll be nice, and, uh, she set a date for thewedding with Roy. Uh... June. Summer. So, that'll be nice. And that's that.[SCENE_BREAK]Ryan: [again catching Jim looking at him] What?Jim: Oh, nothing.[SCENE_BREAK]Ryan: Jim's been looking at me kind of a lotall week. I would be creeped out by it, but it's nothing compared to the way Michael looks at me.[SCENE_BREAK]Michael: Spamster!Pam: Um, Pam plus Spam plus...?Michael: Hamster.Pam: Right.Michael: Welcomeback! How was your vacation?Pam: It was great.Michael: Yeah?Pam: Mm-hm.Michael: Did you get lucky? Oh! Boink![SCENE_BREAK]Pam: Roy and I just got back from the Poconos. I get ten vacation days a year, and Itry to hold off taking them for as long as possible, and this year I got to the third week in January.[SCENE_BREAK]Michael: I am Pam. Spicoli guy. Oh, God. Names, numbers. Okay. [walking into office] Whoa! God!Yuck, yuck. Yuck. Yuck!Pam: What?Michael: Wow! What happened in there?Pam: I don't know.Michael: There is stink in there, my God! What is... what is that?Pam: [looking at pile on Michel's carpet] Oh... I don'tknow.Michael: Is it a bird?Pam: No, I don't think it's a bird.Michael: Oh, God! How could that happen? How could... right in the middle of the carpet.Kevin: What's goin' on?Michael: Um, somebody vomited right in themiddle of the carpet in my office.Kevin: [taking a look] I don't think that's vomit.Michael: Check it out.Kevin: Me?Michael: Check it out. Don't be a wuss, just get... no, I'm not holding your coffee.Kevin: Oh, that'sridiculous.Michael: What is it?Kevin: Michael. [tapping on door]Michael: What is it? No, just tell me what it is.Kevin: [pounding on door] Michael, I ... I ... I gotta get outta here. I can't hold my breath that long.Pam:Open the door up![SCENE_BREAK]Kevin: It smelled terrible.[SCENE_BREAK]Pam and others: [after going in to check out the smell] Phew. Oh! No, mm-mm. [leaving quickly]Michael: I cannot believe a pipe burst andleft that in there.Toby: That's no burst pipe.Michael: How do you know that? What is it, then?Creed: Hi guys. Somebody makin' soup?[SCENE_BREAK]Michael: [as cleaning lady with mask leaves] Here she comes. Allcleaned? Great. [walks into office]Dwight: [coughing] It's still stinky.Michael: That is worse.Dwight: She probably scrubbed it into the fibers of the carpet. Total permeation.[SCENE_BREAK]Michael: [while in his reekingoffice] I am a big Fear Factor fan. I'm a big fan of anything Joe Rogan does, actually, so this is sort of like my audition tape. Um... [clearing throat] I can't stand it [gets up to leave], I can't stay in here another second.No![SCENE_BREAK]Jim: Hey! Welcome back!Pam: Thanks!Jim: So, how was the resort? Did you ski a lot?Pam: A little.Jim: Good! What's goin' on here?[SCENE_BREAK]Jim: What? I did not do that. That soundsdisgusting.[SCENE_BREAK]Ryan: [barely stifling laughter] It wasn't me. Um... it wasn't me. [regaining composure] It was not me.[SCENE_BREAK]Jim: [smelling the stink] Oh. Wow.Pam: [giggles at Roy]Michael:[sitting at Jim's desk] Hey Jim. I thought that we would be desk buddies while they changed my carpet.Jim: That might be a little difficult with the one computer.Michael: Oh... It's ...Jim: But there's definitely a deskopen in the back.Michael: [reluctantly] Yeah ...Jim: ...which I guess I'll be taking.Michael: No, no, no! Seriously, I don't mind sharing.Jim: No, no, no, seriously, I'll be in the back.[SCENE_BREAK]Jim: Hey, Kelly.Kelly:Are you moving back here?Jim: Um, just for the day while Michael's at my desk.Kelly: Because Toby used to sit there, but he had to move over there because of an allergy.Jim: Allergy to... the desk?Kelly: [shakinghead] Weird.[SCENE_BREAK]Michael: [putting his feet on desk] Yeah, yeah, yeah. Old bullpen.Dwight: [putting his feet on desk] Ha ha ha... the old bullpen.Michael: Don't ape me.Dwight: Okay.Michael: This isgreat.Dwight: Yeah!Michael: The pressures of my office are insane.Dwight: [agreeing] Mm.Michael: I just... you couldn't understand, but man, you guys have it so easy out here, you know? I used to sit righthere.Dwight: No way!Michael: Yeah.Dwight: And who had your office?[SCENE_BREAK]Michael: Ed Truck. [exclaiming is disgust] Ed Truck was the manager before me. Horrible. He hated fun. It was like, \"Oh, Ed Truckis walking toward us. Stop having fun. Start pretending to do work.\" What a jerk. He's... You know what? I swore to myself that if I ever got to walk around the room as manager, people would laugh when they saw mecoming and would applaud as I walked away.[SCENE_BREAK]Kelly: [to Jim] I'm serious. My closet doors will not shut. I mean, it only takes so long to measure to make sure that clothes will hang up because aren't allhangers like that big? So I don't understand why the closet engineer didn't think of that. So now I'm doing this new thing where I just leave piles of clothes on the floor and then I walk around the piles to get anoutfit...[SCENE_BREAK]Michael: You know who used to sit at that desk?Dwight: That guy Miles who quit to form his own company?Michael: Mm-mm. Todd Packer.Dwight: No!Michael: Yeah.Dwight: I thought he wasout on the road.Michael: He was, but, uh... that desk was empty. He'd come in and sit there sometimes.Dwight: Ah.[SCENE_BREAK]Michael: When I was in training, many years ago... not so long ago... I workedside-by-side with a fellow named Todd Packer, and together we rocked the office [picture behind Michael falls]. Packer and I once spent the whole day with our pants off, and when people noticed, we convinced themthat they were crazy.[SCENE_BREAK]Michael: I will gladly pay you Tuesday for a hamburger today.Stanley: [on phone] Excuse me one second, please. [to Michael] What is it that you need right now that you can't waituntil I'm off the phone with a customer?Michael: Oh, a customer, well, sound the alarm. [laughs] Okay.[SCENE_BREAK]Michael: Another time, Packer held this guy's head in the toilet for like a minute. Guy had nosense of humor about it. Probably why he wasn't hired.[SCENE_BREAK]Creed: [after Michael punches him in the arm] What did you hit me for?Michael: Charley horse!Creed: What?Michael: Charley horse!Creed: Youshouldn't have hit me, Michael.Michael: Oh, okay. Gah.[SCENE_BREAK]Michael: Once, as a joke, Packer banged every chick in the office. [giggles] It was hysterical.[SCENE_BREAK]Kelly: [to Jim] Beyonce, pink thecolor, Pink the person, hot dogs, basically anything that is awesome. Snow cones...Ryan: Hey Jim, Michael wanted me to ask you how to raise your desk chair.Jim: It's the lever on the side.Ryan: That's what I told him.Thanks. [leaves]Kelly: Oh my God, he is so cute! Would you talk to him for me and see if he likes me?Jim: No, I don't think I can...Kelly: Oh, please Jim? Please, please, Jim. Please, please, please? He's so cute. I likehim so much. And I would do it, but I'm too shy. Please, Jim, please, please, please, please, Jim. Please, please, please...[SCENE_BREAK]Michael: [whispering] Dwight.Dwight: [whispering] Michael.Michael: Let's sendup Accounting.Dwight: What?Michael: Old fashioned raid. Sales on Accounting. Yeah. Follow my lead.[SCENE_BREAK]Michael: Hey guys.Oscar: Hey, Michael.Michael: Ahem. What's up?Oscar: Hey, Dwight.Michael andDwight: [as they throw accountants' files and supplies around] Ahhhh! Whoo hoo! Come on, come on, come on, come on! Sales rules!Dwight: Yeah! [laughing]Michael: Yeah! Oh ho ho [laughing]Dwight: Should we help'em pick up their stuff?Michael: No, no, no, no. We don't do that. We don't do that.Dwight: Okay.Michael: Watch out, Pam. You're next!Pam: You're gonna throw my things on the ground?Michael:Maybe![SCENE_BREAK]Oscar: What happened in Michael's office was wrong. I understand it [chuckles], it makes sense [regains composure] But it... it was still wrong.[SCENE_BREAK]Michael: Why would somebodyruin a perfectly good carpet? I don't know. It could be done out of hate. It could be done out of love. It could be completely neutral. Maybe somebody hates the cleaning lady. And, well, she doesn't do a very good job,obviously, because my office still reeks like you would not believe. I hate her.[SCENE_BREAK]Michael: You know what? I am beginning to think that what happened to my carpet was an act of terrorism against theoffice. The only thing that makes any sense.[SCENE_BREAK]Dwight: [on phone] Hello, am I the 107th caller? [hangs up, dials again] Hello, Rock 107. Am I the 107th caller? [hangs up and dials again] Hell , Rock 107.Am I the 107th caller? [hangs up and begins to dial again] I'm totally gonna win us that box set.Michael: Stop.Dwight: Jethro Tull...Michael: Stop it. [Dwight hangs up] Stop. It. [Dwight beings to dial] Don't.Don't.Dwight: I need to make a sales call. Please?Michael: All right.Dwight: [on phone, whispering] Am I the 107th caller?[SCENE_BREAK]Pam: [to Roy in Jim's earshot] ...back so soon.Roy: We can go back in, like, acouple of weeks maybe.Pam: Yeah, right.Roy: Okay, maybe another month, like, maybe for, like President's Day or something.Pam: Yeah, that's right. We could do a three-day weekend. I wonder if I could, like, call insick on the Friday. Then I get a four-day weekend.[SCENE_BREAK]Kelly: [to unseen co-worker] But it's so weird to fall asleep. And I just hate it. 'Cause I try to go to bed at, like, 9:30.[SCENE_BREAK]Pam: [to Roy asJim escapes into bathroom] Are you kidding?Roy: No.[SCENE_BREAK]Michael: Hi, guys.Angela: We haven't finished getting things in order from your last visit.Michael: I'm just walking around.Angela: Wereyou?Michael: Well, yeah.Oscar: It's just that we're really swamped over here, Michael.Michael: Oh, and I'm not? Why would you say that? Because I'm having fun? You guys just are workin' for the weekend, aren't you?I'm workin' for the week. Sales team, listen to me. This is what we're gonna do. I'm gonna up the ante a little bit literally. Right here, I'm gonna put a crisp one hundred dollar bill. The person with the most sales at theend of the day gets to keep the cash. Sound good?Dwight: Yeah!Michael: [counting cash] Seventy, eighty, one, two three. Eighty-three dollars. Still a lotta money and I'm going to ... [moves money after seeingworkmen walk by] ... I'm gonna leave it right over here where everybody can see it. I will be taking Jim's clients today because he is not here and out of sight, out of the contest. Let's see who winds up with the cash,shall we?Phyllis: You're gonna compete against us?Michael: Oh, it is on, Phyllis, it is so on!Dwight: It is so on!Michael: God, this is gonna be fun.Dwight: Michael is gonna wipe the floor with us![SCENE_BREAK]Michael:[on phone] So you have 40 boxes going out, and I will deliver those personally in a Sebring. Very good, nice doing business with you. Thank you. [hangs up] Yes! [chuckles] Oh, yeah! Read it and weep. Oh! Oh, look atthat! [puts post-it on Phyllis' forehead] Look at me, Phyllis! Oh, what is that? That's my sale! [humming then dancing victoriously]Darryl: [walking by with new carpet] What... What's that? Whatcha doing?Michael:[stops dance] Nothing.Roy: [laughing] I think he's dancing.Michael: No. Just ...Darryl: That was definitely not dancing.Michael: You know what, guys? It's none of your concern. It was official business, so just...Darryl:Paper business.Michael: Yeah, paper business. Is this done?Roy: Nope.Michael: Extreme Home Makeover puts together a house in an hour. If you were on that crew, you would be fired like that.[snaps][SCENE_BREAK]Pam: Somebody did something bad to Michael's carpet. Maybe that's all we need to know.[SCENE_BREAK]Creed: [to Oscar] Who do you think did it?Oscar: Are you kidding? I thought it wasyou.Creed: Really? I thought you. [both laugh in Michael's earshot][SCENE_BREAK]Michael: This was no act of God. A person did this. A person who works in this office. Maybe all of them.[SCENE_BREAK]Michael: Youknow what? Today is not a good day for a sales contest. We're... we're not... we're not doin' this today.Pam: That doesn't seem fair.Michael: You wanna talk about fair? Does anyone need to smell my old carpet? Youexplain to me how that was fair, and I'll explain to you how this is fair. Plus I just... I think that picking today was sort of taking advantage.Dwight: But you're the one who picked today.Michael: I am a victim of a hatecrime. Stanley knows what I'm talkin' about.Stanley: That's not what a hate crime is.Michael: Well I hated it! A lot! Okay, I... you know what? If the guilty person would just come forward and take their punishment,we'd be done . [no one comes forward] Very well. Then you are all punished.Pam: What's our punishment?Michael: You're all on a time out. Just sit there quietly. [phone rings, Phyllis reaches to answer] No. NO! [phonecontinues to ring][SCENE_BREAK]Jim: Hey!Ryan: What's up?Jim: Nothing much. Let me ask you something. It's actually little awkward.Ryan: What?Jim: What do you think of Kelly?Ryan: I don't know. Depends if youlike a little junk in ... [notices camera] Umm... She's really cool.Jim: Are you interested in her?Ryan: Yeah, totally.Jim: Really?Ryan: Did she say something?Jim: She said lots of things.Ryan: Do you know if she'slooking for a long-term thing or if she'd be cool just hangin' out?Jim: I have no idea.Ryan: Can you find out?Jim: Yeah. Sure.[SCENE_BREAK]Kelly: [to Jim] Oh, long-term, definitely. Fall in love, have babies, spendevery second together... but don't tell him that, okay? Just tell him I'm, like, up for anything. I mean, I'm not a slut, but who knows?[SCENE_BREAK]Michael: Do you remember Ed Truck?Creed: Sure. He hired me.How's he doing?Michael: How would I know?Creed: I thought you might.Michael: My biggest fear is turning into him.Creed: Michael, you should have much bigger fears than that.Michael: [sighs] I wasn't talkingliterally, Creed. Yeah, being buried alive would be worse. Happy? Why am I talking to you?[SCENE_BREAK]Michael: [meeting Ed Truck in parking lot] Ed? Hi. Thanks for meeting me. Must be kinda neat comin' back.Ed:Yeah. Should we go upstairs?Michael: Uh, well, honestly Ed, I really don't wanna be up there right now.Ed: So, what's the problem with my pension?Michael: Oh, no, no, no. You're good. It was clerical. You're good.Um, well, somebody did something in my office, and I now think that they did it on purpose and it was directed at me.Ed: Well, what was done?Michael: I didn't get a good look at... it, but it smells horrible.Ed: Yeah,somebody once did that in my office.Michael: Really?Ed: Yeah.Michael: Well, that figures. So how did you deal with people not liking you?Ed: You can't expect to be friends with everybody.Michael: Well... s-sure Ican.Ed: No. They'll always think of you as a boss first.Michael: Not necessarily. You can love a boss like you do a father.Ed: I'm not sure that ever happens.Michael: Well, okay. Different management styles.Ed: Whycan't your workers be your workers, family be your family, your friends be your friends?[SCENE_BREAK]Michael: Last week I would have given a kidney to anyone in this office. I would have reached right into mystomach and pulled it out for them. But now, no. I don't have the relationship with these people that I thought I did. I hope they ask, so they can hear me say, \"Uh... no. I only give my organs to my real friends. Go getyourself a monkey kidney.\"[SCENE_BREAK]Jim: [on phone] Hey, Brenda. This is, uh, Jim Halpert from the boat. And I got your number from the corporate directory and, well, I was assuming that you probably gave itto them because you wanted me to ask you out, right? Um, so gimme a call back. You can get my number from said directory, um, or just check your e-mail 'cause I just sent you one. Yikes. Uh... give me a call back, Ihope. I'll talk to you later. Bye.Kelly: You just asked a girl out on the phone!Jim: Yep.[SCENE_BREAK]Michael: [on phone] Yes.Todd Packer: Hello, yes. I'm looking for a gay nerd named Michael Scott.Michael: Who isthis? How did you get this number?Packer: Your mom, you gay nerd!Michael: Oh my God. Packer. Packster. Whacky Pack. How you doin'?Todd: Hey, did you get that package I left for you?Michael: Uh... no. Didanybody see a package here today? No. How big was it?Packer: It was pretty big.Michael: Really?Packer: Yeah.Michael: Did you see a big package? Where did you leave it?Packer: Left it in the middle of youroffice.Michael: Really? Guys, did you see a big package in my office?Roy: You mean the thing?Packer: [laughs uproariously]Michael: Are you kidding me? Oh!Packer: Special delivery!Michael: That was Packer! Oh,you're... you are dead. You are dead, my friend! That is hilar... Oh, God! Of course it was you.Packer: Sit on the throne, Michael.Michael: Oh. [laughs and claps] Yeah, yeah! Oh my God. It wasPacker![SCENE_BREAK]Michael: It takes an advanced sense of humor. I don't expect everybody to understand. It was done out of love, just like I thought. It's ah... God, these people are so... these are good people.We have fun. [giggles] We just have fun! Oh, I'm just so sorry that I threw the thing out.[SCENE_BREAK]Jim's voicemail: You have seven unheard messages.Pam: [voicemail message for Jim] Hey, Jim. It's Pam. I keeplooking up to say something to you and then Michael's there and it's horrible. Anyway, I'm bored. Come back![SCENE_BREAK]Pam: [voicemail message for Jim] Hey, guess what? I moved my computer so I can't seeMichael's head. It's working. I think I can have a career as a very specific type of decorator.[SCENE_BREAK]Pam: [voicemail message for Jim] Sudoku. Level moderate. 18 minutes. Suck on that,Halpert.[SCENE_BREAK]Pam: [voicemail message for Jim] I'll transfer you. Dunder Mifflin, this is Pam. Hold, please. Dunder Mifflin, this is ... okay, sorry. Michael was standing at my desk, and I needed to be busy orwho knows what would've happened, so thank you.[SCENE_BREAK]Pam: [voicemail message for Jim] Hey, what's that word we made up when you have a thing stuck in your shoe? Anyway, I have a thing stuck in myshoe.[SCENE_BREAK]Pam: [voicemail message for Jim] Hey, I have a chance to sneak out of here early, and I'm not messing this up, so I'll see you tomorrow.[SCENE_BREAK]Pam: [voicemail message for Jim] Callingfrom my cell phone. I don't know if you guys figured out who did that to Michael's carpet yet, but I have a theory that involves an inter-departmental conspiracy. Everybody in the office. We need to talk."}
+{"doc_id":"doc_206","qid":"","text":"\"In a land of myth and a time of magic, the destiny of a great kingdom rests on the shoulders of a young boy. His name...Merlin.\"CAVE - DAYNimueh (spell): Berbay odothay arisan yeldo (\"Command thee ariseancient\").Nimueh places a magic egg into water. It travels through underground waterways to a manmade cavern. She watches Camelot from her water basin.Nimueh (spell): Bebiede þe arisan ealdu (\"I command you,ancient one, to come forth\").LOWER TOWN - DAYGaius and Merlin look over a corpse in the street.Merlin: Aren't you scared?Gaius: Of what?Merlin: That you might catch whatever it is.Gaius: I'm the court physician,Merlin. This is part of my job. Most of the time there's nothing really to be scared of. Gaius turns over corps to reveal white skinned, white eyed face.Merlin: You were saying?Gaius: People mustn't see this. They'llpanic.GWEN'S HOUSE - DAYGwen and her father get ready at home.Gwen: Dad, here's your sandwich.Tom: Ooh. Mmm, what's in it?Gwen: It's smoked pigeon. But I'd say there's more smoke than pigeon.Tom(laughs): You're such a good girl to me.Gwen: And I've done you some watercress soup tonight.Tom: Don't tell me, with more water in it than cress? Gwen laughs and they hug.Gwen: I'll see you later.Tom: 'Kay.Bye.KING'S PALACE, DRAWBRIDGE - DAYMerlin and Gaius wheel the body over the castle drawbridge. Gwen approaches carrying the flowers she had at home.Gwen: What are you doing?Merlin: Er...just movingsomething.Gwen: Looks heavy.Merlin: Er, it's nothing really. Er...someone got you flowers?Gwen: Oh! No (giggle) Would you like one? A purple one. Purple suits you. Not that I'm saying red doesn't suit you.Merlin:Thanks. Well, er... Merlin sticks the flower in his scarf.Gwen: Aww.Merlin: Er...see you.Gwen: Bye.KING'S PALACE, MORGANA'S CHAMBERS - DAYGwen enters with flowers.Morgana: You look happy.Gwen: I pickedthese for you.Morgana: Oh, that's so sweet.Gwen: Something to cheer you up. I know you're not sleeping well.Morgana: You cheer me up.Gwen: Would you like me to put them in water for you?KING'S PALACE,PHYSICIAN'S CHAMBERS - DAYMerlin and Gaius looking at body with magnifying glass.Gaius: I've never seen anything like this before.Merlin: Do you think it could be some kind of plague?Gaius: No. I fear thatsomething like this could never come from nature. But who has this kind of power?Merlin: You think it's caused by magic?Arthur: Merlin! Merlin opens door before Arthur can come in and see the body.Merlin: Erm...I'mon my way. Sorry I'm late.Arthur: Don't worry. I'm getting used to it. Arthur furrows his eyebrows when he sees the flower in Merlin's scarf. Merlin looks down at it.Merlin: Oh, er...Gwen, she gave it to me.Arthur: TellGaius my father wants to see him now.Merlin: Okay. Merlin closes the door.Merlin: Gaius...Gaius: I heard.Merlin: Wait, why couldn't he just tell you himself?Gaius: 'Cause that's the way it is. You're a servant.Merlin:Wha...if he knew who I was, what I've done...Gaius: You'd be a dead servant. Right, get this covered up.Merlin: Hey, I'm not your servant.Gaius: No, you're my dogsbody. Come on, hurry up.KING'S PALACE, COUNCILCHAMBER - DAYGaius examines a magically dead servant on the floor.Uther: What's happened to him?Gaius: I don't know, Sire. It's the second case I've seen today.Uther: Why didn't you report it to me?Gaius: I wasattempting to find the cause.Uther: What did you conclude?Gaius: I don't think it's time to hurry to conclusions. A scientific process is a long one.Uther: What are you concealing from me?Gaius: Sire, I have seennothing like it. The victims are dying in 24 hours, and it's spreading fast.Uther: What is the cause?Gaius: I think you should say that the cause, the most likely cause, is sorcery. Uther pulls Arthur aside.Uther: We mustfind who did this.Arthur: I will, father.Uther (scared whisper): Conduct door to door searches. Increase your presence in the town. Double the guards on all the gates. And lend the physician your servant.Arthur: Merlin?But...Uther: I'm going to need Gaius to find a cure. He needs all the help we can give him. If Gaius is right, believe me, this city will be wiped out. This is the kind of magic that undermines our authority, challenges allwe've done. If we cannot control this plague, people will turn to magic for a cure. We have to find this sorcerer, and quickly.Arthur: Yes, father.TOWN - DAYArthur and guards search the city. Merlin and Gaius walkthrough town. Merlin sees a sick personMerlin: Gaius? Gaius. He's still alive.Gaius: I'm afraid there's nothing we can do for him.Merlin: But we haven't tried.Gaius: If we don't know what a disease is, then how can wecure him?Merlin: With magic.Gaius: Have a look. They're suspicious of everyone.Merlin: This is not the time to be using magic. Science will lead us to the source of the disease.KING'S PALACE, PHYSICIAN'SCHAMBERSGaius heats a vial of liquid.Merlin: What are you doing?Gaius: I'm examining the contents of that man's stomach.Merlin: Will that tell you who did it?Gaius: No, but it might tell us how it's spread. One thing Ido know, this is magic of the darkest kind.Merlin: Why would someone use magic like that?Gaius: Magic corrupts. People use it for their own ends.Merlin: But not all magic is bad. I know it isn't.Gaius: It's neither goodnor bad. It's how you use it. Arthur and guards burst inArthur (to guards): Over there (to Gaius) Sorry Gaius, we're searching every room in town.Gaius: What for?Arthur: A sorcerer.Gaius: But why would he behere?Arthur: I'm just doing my job.Gaius: We've nothing to hide. Go on, then. Search.Arthur: All these books and papers?Gaius: My life's work, dedicated to the understanding of science. You are quite welcome to readthrough them if you wish.Arthur: What's this room up here?Merlin: Er...it's mine.Gaius: And what do you expect to find in there?Arthur: I'm looking for material or evidence suggesting the use of enchantments.Gaius:What've you done with the magic book I gave you? Merlin looks worried. Arthur enters his room.Arthur: Merlin, come here. Look what I found. Merlin runs into his messy room expecting Arthur to be talking about themagic bookArthur: I found a place where you can put things. It's called a cupboard. Merlin spots book on the floor and magically covers it with his bed sheet. Arthur looks under the bed, but misses the book and exitsMerlin's room.Arthur: How long do you think it may be before you find a cure?Gaius: It depends on how many interruptions I get.Arthur: Of course, I'm sorry (to guards) We're finished here. They exit. Gaius closes thedoor.Gaius: We have to hide that book.Merlin: No. We must use it.Gaius: Don't be stupid.Merlin: If I have this legacy then what is it for? You keep telling me it's not for playing tricks.Gaius: You want to practice magicwhen the King is hunting for sorcerers? Are you mad? Merlin, your life is destined for more important things.Merlin: But if I don't practice, then how will I get to be this great warlock?!Gaius: There will come a time whenyour skills will be recognised.Merlin: When?! How long do I have to wait?Gaius: Patience is a virtue, Merlin.Merlin: Sitting by and doing nothing, that's a virtue?Gaius: Your time will come.Merlin: I could cure that manwe saw.Gaius: I know it's tempting to use the way you find easiest, Merlin...Merlin: It is when it would save a life.Gaius: It's no good just saving one person. We have to discover how this illness is spreading.Merlin:Arthur is out there right now looking for the sorcerer!Gaius: A sorcerer who's powerful enough to do this will never be found searching the town.Merlin (sigh): So what can we do?Gaius: Hope that science can find theanswer before it kills us all.CAVE - DAYNimueh watches the beast she has sent in her stone basin. A woman draws water from the spout in the Lower Town. covered bodies are lined up in the courtyard.KING'S PALACE,COUNCIL CHAMBER - DAYArthur enters. Uther is here.Arthur: We searched everywhere, the entire city.Uther: Nothing?Arthur: I don't know where else to look.Uther: I want you to impose a curfew. No one is to beallowed onto the streets after the great bell.Arthur: Father?Uther: And cordon off the lower townArthur: Why?Uther: Because that's where most of the victims are. Let's isolate it, stop this disease fromspreading.Arthur: What about the people who live there?Uther: Don't you think I haven't considered it? What else can I do? I have to protect the rest of the city. Arthur bows and exits.KING'S PALACE, PHYSICIAN'SCHAMBERSGaius and Merlin examine another corpse.Gaius: What's different about this victim?Merlin: Er...she's a woman.Gaius: Sometimes I do wonder whether you're a magical talents were given to the right person.Anything else?Merlin: Erm...she's a courtier.Gaius: Ah.Merlin: How does that help us?Gaius: Courtiers seldom go down to the lower town. So what does that mean?Merlin: Erm....that, that she hasn't spoken to anytownspeople.Gaius (looks pained): Yes, it suggests that the disease is not spread by contact.Merlin: Oh, and they probably ate different food.Gaius: Good. Anything else?Merlin: Erm...I doubt they breathe the sameair.Gaius: So what's the only thing they do share?Merlin: Water. Water? You think the disease is spread through water?Gaius: Merlin, you're a prodigy. Gaius hands Merlin a bucket. Merlin walks to Lower Townwell.GWEN'S HOUSE - DAYGwen ties her cloak.Gwen: It's time to get up, Dad...Dad? She turns him over.Tom: Gwen. Tom is magically sick. Gwen panics and runs to the castle crying, passing Merlin at the well.Merlin:Gwen? Gwen! Merlin grabs the bucket of water and runs after her.KING'S PALACE, PHYSICIAN'S CHAMBERS - DAYGwen enters.Gaius: Gwen!Gwen: Gaius.Gaius: You have the sickness?Gwen (shakes her head): Myfather! Please, Gaius, he's all I have.Gaius: Gwen, I have no cure.Gwen: I am begging you!Gaius: I wish there was something, anything, but so far the remedy is beyond what I can achieve (takes her hand) I'm sorry,Gwen. She runs out of the room.Merlin: There must be something we can do.Gaius: My best. Let's hope that this can provide some answers.Merlin: But that'll be too late for Gwen's father.Gaius: I fear you may be right.Gaius puts some of the water in a jar, and places a flower in it. Merlin goes to his room.KING'S PALACE, PHYSICIAN'S CHAMBERS - NIGHTMerlin checks on snoring Gaius, pulls out his magic book, and sneaks past theguards.Guard 1: What about over...in there?Guard 2: Certainly, Sir. Guards poke spears into haystacks. A guard approaches Merlin's hiding spot.Merlin (spell): Onstyrian, onbregdan. The door across the street creaksopen. A guard nears and the door hits him in the face. Merlin goes to Gwen's house. Gwen and Tom are sleeping. Merlin puts a poultice under Tom's pillow and performs a spell \"þu fornimst adl fram guman\" He exitsand watches them outside the door. Tom wakes and touches Gwen's head, which is resting on his bedside.Gwen: Father?Tom: Gwen.Gwen (realizes Tom is well): What's happened? I can't believe it! She hugs herfather.CAVEMore covered bodies are laid out in the Square. Nimueh continues watching in her stone basinKING'S PALACE, COUNCIL CHAMBER - DAYArthur reaches for the glass vial containing the tainted water with aflower in it.Gaius: Don't touch it! I had this in the water for no more than a few hours.Uther: Where's the water from?Gaius: The pump from where the people take their daily supply.Arthur: We have to stop the peoplefrom using it.Gaius: The city cannot survive without water.Uther: We have to find this sorcerer!Arthur: I don't believe that they're inside Camelot.Uther: Then extend the search to the villages!Arthur: We've started, butI can't search the entire kingdom.Uther: And I can't stand by and watch our people dying. Arthur nods and exitsKING'S PALACE, MORGANA'S CHAMBERS - DAYMerlin enters. Gwen hums as she gathers Morgana'sclothes.Merlin: How's your father? Is he feeling better?Gwen: Yeah, it's incredible. It's a miracle.Merlin: His skin's clear, back to normal?Gwen: YesMerlin: Great. He beams and turns to leave.Gwen: You don't seemsurprised.Merlin: No, no, I am. It's a miracle.Gwen: But how did you know he was well?Merlin: Er...because you're smiling.Gwen: That's really weird because I haven't told anyone, but you know. How could youknow?Merlin: Yeah. Alright. You finally found out, I'll tell you (swallows) I'm psychic.Gwen (giggle): No you're not.Merlin: It's true.Gwen: Alright, what am I thinking?Merlin: That I'm not psychic.Gwen (giggle): You'restrange. I, I don't mean that in a nasty way. You're just funny. I like that.Merlin: Erm, er, I 'm pleased for you.Gwen: Thank you.Merlin: What for?Gwen: Don't know...just for asking.Merlin: I didn't like to see you upset.I have to...get on. Merlin waves awkwardly. Gwen waves back. Merlin leaves. Gwen smiles.BLACKSMITH'S - DAYTom works at his forge. Townspeople watch him. Arthur approaches with guards.Arthur: The story is youwere sick.Tom: Not anymore.Arthur: Perhaps you were suffering from some other ailment?Tom: Oh, you're joking. I felt like death itself, not enough strength in me to stir the air.Arthur: Then...what happened?Tom:Oh, I don't know. Suddenly it was gone. I'm fitter than I was before.Arthur: That's remarkable. Was anybody with you when all this happened?Tom: Just my daughter, Gwen. Arthur leaves and Tom goes back to work.Arthur and guards search Gwen and Tom's house. Guard finds glowing poultice.KING'S PALACE, MORGANA'S CHAMBERS - DAYGwen hums as she carries away a vase full of dead flowers. Arthur and guardsenter.Arthur: Seize her!Gwen: No!Arthur: Guinevere, I'm arresting you for crimes and contraventions of the laws of Camelot, that you did practice enchantments. Morgana enters.Morgana: Gwen?Gwen: But what haveI done? I haven't done anything! Help me, please!Morgana (to Arthur): What are you doing?Arthur: I found a magic poultice in her house.Morgana: Oh, that's ridiculous.Arthur: Then how else do you explain her father'srecovery?Morgana: Well, she's innocent! I know she's innocent.Arthur: What can I do? I can't turn a blind eye! Arthur exits and Morgana scoffs.KING'S PALACE, UPPER CORRIDOR - DAYArthur and guards drag Gwendown the corridor.Gwen: No, please. You've got to listen to me! Please, I haven't done anything wrong! You have to listen to me, please! I am innocent, I swear! Let me go! I swear to you! Gwen turns her head andsees Merlin approaching her.Gwen: Merlin! Merlin, please help me! (to guards) Why won't you listen to me?! Gaius takes Merlin's arm and escorts him out.Gwen: Please listen to me!KING'S PALACE, PHYSICIAN'SCHAMBERS - DAYMerlin and Gaius enter and Gaius slams the door.Gaius: What've you done?!Merlin: What?Gaius: I warned you! Oh, I understand. You thought you were doing good.Merlin: I couldn't let her father dieknowing I could cure him.Gaius: Didn't you think it might look a bit suspicious, the curing of one man?Merlin: Well then, all I have to do is...I'll cure everyone! No one will ever have to know it was magic.Gaius: It's toolate! They think Gwen's a sorceress! They think she caused the disease!Merlin: But she didn't! (rushes to leave).Gaius: Oh, and how are you going to prove that?! Merlin stops to think, then leaves.KING'S PALACE,COUNCIL CHAMBER - DAYGwen is brought before Uther on the charge of witchcraftGwen: Please listen to me I have done nothing, please! I swear I haven't done anything! Guards drop her on the floor.Uther (toArthur): Well done.Gwen: Why will no one believe me?! He got better, he just recovered. I didn't do anything! Morgana enters.Morgana: I believe you. Perhaps this is a disease that is not always fatal. Have you thoughtof that? Perhaps he recovered naturally.Uther: And what of this poultice that was found?Gwen: What poultice? I don't know anything about a poultice!Uther: It was found in your house. Undo this enchantment. Put anend to this contagion.Gwen: I can't!Uther: I will show you no mercy.Gwen: I am not a witch. I don't know how to stop the illness!Uther: If you will not undo your sorcery, you force my hand and I must find youguilty...Gwen: But I told you, I...Uther: It is therefore my duty to pronounce judgment. And under the circumstance I have no choice but to sentence you to death.Gwen: No!Uther: I can only hope that when you die,this evil plague dies with you.Gwen: No! No!Uther: Take her away. Guards drag Gwen backwards out of the room.Gwen: Please, no! I'm innocent! Please, please, no! Please help me! Please, I beg you! No! The courtiersleave. Morgana watches Gwen get dragged off, then turns to Uther.Morgana: I know Gwen. She's my maidservant, not an enchantress.Uther: Have you ever seen an enchantress? Believe me, they bear no sign, nomark. There is no sense of evil in the eye.Morgana: I've seen the way the girl works. Her fingers are worn, her nails are broken. If she was a sorceress, why would she do this? Why would she kneel on a cold stone floormorning after morning when she could make these things happen with a snap of her fingers? Like an idle king!Uther: You have no right!Morgana: You have a right to cast a judgment on that girl!Uther: I have aresponsibility to take care of this kingdom! I take no pleasure in this!Morgana: But you're sentencing the wrong person!Arthur: She's right, Father. You hear the word magic, you no longer listen.Uther: You saw it foryourself. She used enchantments.Arthur: Yes, maybe. But to save her dying father, that doesn't make her guilty of creating a plague. One's the act of, of kindness, of love, the other of evil. I don't believe evil's in thisgirl's heart.Uther: I have witnessed what witchcraft can do. I have suffered at its hand. I cannot take that chance. If there is the slightest doubt about this girl, she must die or the whole kingdom may perish.Arthur: Iunderstand that.Uther: One day you may become King. Then you will understand. Such decisions must be made. There are dark forces that threaten this kingdom.Arthur: I know. witchcraft is an evil, father. So isinjustice. Yes, I am yet to be King, and I don't know what kind of king I will be, but I do have a sense of the kind of Camelot I would wish to live in. It would be where the punishment fits the crime.Uther: I fear you'reright. She's played with fire, and sadly she must die by fire. Morgana leaves. Arthur paces the Council Chamber.KING'S PALACE, PHYSICIAN'S CHAMBERSMerlin: I thought I was doing good and that curing Gwen's fatherwould help her. I thought I was saving a life. It seemed so simple.Gaius: An easy solution is like a light in a storm, Merlin. Rush for it at your peril, for it may not always lead you to a safe harbour.Merlin: I can see thatnow.Gaius: How many times have I warned you about the responsibilities of being a warlock?Merlin: I must see her.KING'S PALACE, DUNGEONSMerlin goes down stairs to the dungeon, passes a weeping Morgana onwrought iron stairway.Merlin: Gwen. Gwen tries to get to the cell door, but her chains don't stretch that far. She's been crying.Gwen: Thank you.Merlin: What for?Gwen: For coming to see me.Merlin: I'm sorry.Gwen:It's not your fault.Merlin: Well...Gwen: It's alright. Don't worry about me. There's no point crying about it. I mean...I mean, I'm not saying that you were going to cry about me. Obviously I don't think that.Merlin: Oh,Gwen. I can't have this happen.Gwen: Please. One thing. You...you don't have to, but...Merlin: What?Gwen: Remember me.Merlin: You're not going to die. I'm not going to let this happen. Merlin leaves, rushing up thewrought iron stairway.KING'S PALACE, COUNCIL CHAMBERUther is consulting his advisors.Uther: What if burning this witch doesn't stop the poison? How do I protect my people? My men have closed down the waterpumps.Gaius: But the emergency supply won't last for much longer. We have to find a way of cleansing the water of the disease.Uther: But how?Gaius: Well... The doors open and Merlin bursts in.Merlin: It was me! Itwas me who used magic to cure Gwen's father! The council stares at him.Merlin: Gwen is not the sorcerer. I am! Gaius stands up.Gaius: Merlin! Are you mad?Merlin: I cannot let her die for me (to Uther) I place myselfat your mercy.Gaius: He doesn't know what he's talking about.Merlin: I do.Uther: Then arrest him.Arthur: Father, please! I can't allow this! This is madness! There's no way Merlin is a sorcerer.Uther: Did you not hearhim?Arthur: Yes.Uther: He admitted it.Arthur: He saved my life, remember.Uther: Why should he fabricate such a story?Arthur: As Gaius said, he's got a...grave mental disease.Uther: Really?Arthur: He's in love.Merlin:What?Arthur: With Gwen. Uther grins.Merlin: I am not.Arthur: Yes, you are.Merlin: No way.Arthur: I saw yesterday with that flower she'd given you.Merlin: I'm not in love with her. Arthur puts his arm aroundMerlin.Arthur: It's all right. You can admit it.Merlin: I don't even think of her like that!Uther: Perhaps she cast a spell on you. Arthur looks at his father worriedly. Uther snickers. Other council members snicker, and"}
+{"doc_id":"doc_207","qid":"","text":"[sound of coughing]Ricky: We're going to make some good f*cking money here boys.Julian: Let's just f*cking get this over with, Rick.Ricky: My f*ck, this is a good time boys.Tell me that's not the best f*cking dope youever smoked Bubbs.Bubbles: Should I be getting baked for this, boys?Ricky: Yes, Bubbles, get high, this is fun.Bubbles: Walkie check Ricky.Ricky: Good check.Bubbles: That water bong's so smooth, you don't realizehow high you're getting until it's too late.Ricky: Bubbles, you're breaking up. Switch to channel two, okay. Just turn on the radio and relax, everything's fine.Bubbles: Channel Two? VHF, what's that now?[sound ofmusic from radio]Bubbles: [singing]Bubbles: [singing through PA system]Ricky: I know I'm baked but, doesn't that sound like it's coming through the PA?Julian: f*ck, it sounds like it man.[sound of Bubbles singingthrough PA system]Ricky: Bubbles, everything you say is coming over the PA right now.Bubbles: Ricky, I am f*cked up out here.I don't mean to interrupt your meat-stealing operation there boys but I need to keeptalking to you til you get back. I'm freaking out a little bit.Ricky: Bubbles, every f*cking word you're saying is coming over the PA.Julian: He must have his finger on the button man, he can't hear us.Bubbles:[singing]Bubbles: [singing over PA system]Ricky: f*ck! Meat dicks, meat dicks.Julian: These are just birthday presents. You have no right to look in them. We're going to leave now. Rick, let's leave, calmly, comeon.Bubbles: Oh, I'm f*cking high![music]Bubbles: Where do I know that big cocksucker from?Ricky: Don't even f*ck the mind who that is?Phil: What are you doing?Ricky: Get the f*ck out of the way with your stupidfish and your hockey stick!Bubbles: Ricky, I'm not selling meat in the liquor store parking lot again. I don't want anybody I know to see me.It's embarrassing.Ricky: Bubbles, just smoke some of this home made blenderhash, alright, and relax.Julian: Corey and Trevor should be doing this greasy sh1t, not us.Ricky: f*cking Corey and Trevor. Corey and Trevor just vanished. No idea where the f*ck they went. Just ran away on me.Disappeared about six months ago and left a stupid note saying they're ever, never coming back. Thanks guys. Now I'm in a liquor store parking lot selling f*cking meat instead of Corey and Trevor. What the f*ck areyou looking at?Phil: What are you doing here man? This is my parking lot! I sell mackerel and blueberries.Bubbles: [coughing] Great, Phil Collins is here.Phil: Hey, hey. Bubbles, Julian. How are you guys doing? Sellingstolen meat eh? Wanna buy some trout?Julian: Phil, would you get the f*ck out of here. Here, here, take this thing.Phil: Yeah, well alright, Julian. Ah, geez.Bubbles: Here Julian.Julian: f*ck!Bubbles: [singing] I am high!High, high.Woman: Julian? Don't you remember me Julian?Julian: Ah?Woman: Oh my, Bubbles. Is that you? It's me. Your grade three teacher, Mrs. Anderson.Bubbles: [coughing] Hi, hi Mrs. Anderson.Ricky: Oh mygod, I'm so god-damned high.Bubbles: Ricky, no Ricky.Mrs. Anderson: I better be going guys. You know, it's never too late to change the path you're going down in life, boys.Julian: Thanks, Mrs. Anderson.Bubbles:Let's get the f*ck out of here, Julian.Ricky: Forty-two bucks already today boys. I can't believe it. Where the f*ck are you going, Julian?Julian: I'm not stealing meat anymore man, it's f*cked.Ricky: Man, what the f*ckare you talking about? You're giving up seventeen, eighteen bucks a day.Julian: I gotta get a job or something man.Ricky: A job? Julian, we don't work. You know us.Bubbles: Ricky, think about what you just said.Maybe we should work. Getting a good job is a good idea Julian.Julian: Listen, if I don't start making some cash soon, I'm going to lose my f*cking trailer man. Seventeen bucks a day, not cutting it.Ricky: Why is he sof*cking worried about his trailer getting repositioned? We're doing good here man. More money for us buddy. See buddy, now this is what I'm talking about. Business.Jim Lahey: Hey Rick. Open for business?Ricky:How's it going Sir? What can I get for you?Jim Lahey: What do you got that's fresh?Ricky: Jim, we both know you came over here for more than just a box of meat.Jim Lahey: Well Ricky, I was hoping to get a fewgrams for Randy. But he, look, he doesn't want to pay twelve bucks a gram anymore. He's smoking a lot of dope Rick. He's a good customer. How about ten? Six grams, sixty bucks?Ricky: Oh my f*ck, Cheryl! What areyou doing? I told you to stay off the counter. Look, you can have this but that's it alright. Now take that and get the f*ck out.Ricky: My father grazed me to that, that other things like animals that live or like I that liveand I'm supposed to be the same to them and try to treat them good but I've got f*cking insects now coming to my trailer and frogs and f*cking these things that look like cats but they got these long beaky nosethings. They're all attracted to my dope. I can't sell my f*cking things coming in like crows. I nicknamed this one crow Cheryl and she's pretty cool but I have to give her a peanut butter sandwich so she'll stop stealingmy f*cking weed and it's just, it's making me lose my f*cking mind. I'm sick of all this sh1t. I gotta sell this f*cking dope soon or I'm going to snap.Ricky: I'm getting pretty sick of you and Randy showing up hereoffering me ten or eight or anything else. You know what, if you cops started doing your job and you busted some growers I wouldn't have problem. Nobody gives a f*ck about good dope. I'm sick of this sh1t Jim. Looklet me spelt it out for you. See what that says? Twelve bucks a gram, firms.Jim Lahey: Are you selling any of this dope, Ricky?Ricky: I sold a little bit.Jim Lahey: Well, I refuse to pay twelve bucks a gram when you canget it for six down at the mall.Ricky: Well, you know what Jim? Go down to the f*cking mall and get the shitty mall dope. You only get f*cking one joint out of a gram, it's sh1t.Jim Lahey: Okay, okay, okay, okay. Look,I'll take one gram.Bubbles: Hey Ray. What, are you redoing your plumbing?Ray: f*ck no. Son of a f*cking whore.[crashing sound]Ray: f*cking, I don't use this as plumbing Bubbles, you know that. f*cking selling it asscrap metal.You know, get my liquor money buddy.Bubbles: Ray! Ripping the plumbing out of your walls for liquor money is f*cked!Ray: No, Bubbs.Bubbles: Ray, do you ever wonder if you've chosen the right path inlife?[pipes clanging]Ray: What do you mean, like, if your rig is on the right road?Bubbles: Yeah, that type of thing.Ray: f*ck yeah, buddy. You kidding me.I think about that sh1t all the time. Every f*cking day I thinkabout that. You know, I'll be, I'll be perfectly honest with you buddy. I'm sick of working with Randy, running this park.Bubbles: Ray, all you really do is get drunk and drive around waving at people.Ray: Yeah, I knowbut I'd give it all up in a second buddy. If there was just some f*cking way back on the road. Like that's ever going to happen.Bubbles: Hey, do you think you can work with Ricky tonight? I just don't think I can.Ray:Why, are you guys having a problem or something?Bubbles: Ray, I love those guys like brothers, you know that. But, I just can't do this greasy small-time crime sh1t anymore.Ray: I know what you're saying Bubbles.It's a young man's game. That's why I got out of it. So here, if I were you, I'd do it one more time and then get the f*ck out of it. You know, get me five pounds of bacon and a half pound of regular beef too while you'reat it, would you?Bubbles: You know what Ray? I think maybe I should be doing my own jobs that I plan. I think it would be less stressful.Ray: You need a hobby like mine Bubbs.Bubbles: Hobby? What's your hobby,Ray?Ray: Drinking. Hey buddy, want a beer.Bubbles: I'd love a beer.Ray: Here, go ahead.Bubbles: Do you think I could get in on this scrap metal bullshit with you? I have connections in the cart world.Ray: f*ck yes. Icould use a hand buddy.Bubbles: Alright, let's do it.Ray: Let's do it.Bubbles: Want to keep it on the downsie though.Ray: Alright, no problem.Jacob: I can't believe we're working together. This is awesome.Julian: Yeah,thanks for the job Jacob.Jacob: Oh my god, Julian. Is this your car?Julian: Yup.Jacob: Monte Carlo. What a cool car. Is it an '86?Julian: '87.Jacob: f*ck, it's in great shape man.Julian: Thanks man.Jacob: Can you lighther up?Julian: I'll see what I can do.[tires squealing]Jacob: Yeah, light it up!BAM!See you later Julian.[knocking sound]Sam: Julian?Julian: Oh my f*ck.Sam: You're delivering pizzas now?Julian: No man, my cousin's carbroke down and ISam: Your cousin, yeah.Julian: Twenty-two bucks.Sam: Your cousin?Julian: Twenty-two bucks Sam.Sam: Yeah, okay. I got it right here.Uh, I got most of it.Julian: What do you mean?Sam: I got,twenty-one fifty.Julian: Sam, this is coming out of my own pocket, come on!Sam: I'm not made of money man. Come on, twenty-one fifty. Take it or leave it.Julian: [sighs]Police Officer George: Alright, next item.Harvey, Bern, all this luggage disappearing at the airport. What leads have you got? Nothing? You're off the case. Ted and I will take this one over. Hodgson, Chambers, want you to start laying down some muscle onthis meat stealing ring. I mean, come on guys, they're stealing meat. How hard can this possibly be? It's getting embarrassing. Alright, that's it. Don't f*ck around out there.Jim Lahey: Hey George, what aboutme?Police Officer George: Actually, you know what, hold up everyone! You know, Jim, there is something you can do for us.Jim Lahey: What's that George?Police Officer George: Take a run up to Horton's for theboys.[laughter]Jim Lahey: Every f*cking day.Police Officer Ted: Guess you thought being back in the force would be more exciting. Double double decaf, Boston cream.Jim Lahey: Double double. Triple single.That's onlyseventy five cents, Terry. For f*ck's sakes.[SCENE_BREAK]Ricky: Hey.Lucy: Hello. How are you?Ricky: Hey Trin.Sarah: Nice cooler Ricky. Is that yours?Ricky: Yeah.Sarah: Yeah? How can you tell?Ricky: What are youbook learning Trin?Trinity: Ah, mammals and stuff.Ricky: Cool.Trinity: Birds.Ricky: How's the little bottle of joy doing?Lucy: Fine.Ricky: Well, I got you some meat. Lots of meat. You got a bunch of pork chops andground beef. And bacon and this stuff, couple of those things.Lucy: You know what dude, as great as it is that you got all this stuff and I know that you're trying, you know what we really need? Some money.Ricky:Lucy, don't tell me you're going to start busting my cock too. You know what I'm going through right now. And Julian quit working for me today.Lucy: Uh-huh.Ricky: I'm trying to sell this friggin dope. What do you dowhen guys are selling dope down at the mall for six bucks a gram, even though it's sh1t, but people are buying it. I'm f*cking trying here Lucy.Lucy: Would you like a piece of licorice Sarah?Sarah: Sure.Lucy: There yougo. Enjoy. Chew on that.Sarah: Uh-huh.Ricky: I'm not trying to freak out. I'm sorry.Lucy: Uh-huh.Ricky: You got another baby on the way and that got me learning that I gotta become better. For the person that'sgoing to be born. You know that I always become a better person when the person that gets born is born. I'll do whatever it takes Lucy. That's what I'm talking about here. You think I want to be stealing f*cking meat,I'm doing it for you guys.Lucy: What happened to the guy I made love with in the bathroom of Kentucky Fried Chicken? What happened? Where is that guy, huh?Ricky: Lucy, please. We all know this is all Corey andTrevor's fault. I f*cking know you know where they are Sarah. I know you do. And if I ever see those guys again, it's f*cking on, big time!Sarah: That's right, Ricky.Ricky: You got one of those Corey and Trevor thingson your arm?Sarah: Yeah I did. I did, because I miss them, because I loved them. You drove them out of here. You know and you blame everything on them.Ricky: I drove them out of here? I gave them opportunitiesSarah to grow dope. You know what they did? They couldn't handle it and they had to run away.Sarah: I don't know where Corey and Trevor are Ricky. If I did, I wouldn't tell you. But I don't know where they are.Corey and Trevor are in a mental institution in an undisclosed location. Ricky had them so overworked last year growing dope that they had complete nervous breakdowns.Ricky: f*ck Corey and Trevor. I mean, I wasalways there for those guys. I helped them. I taught them how to steal cars, how to steal gas. Showed them how to grow dope. I cared for them. I fed them. I was as good a friend to Corey and Trevor as anybody was.I was basically like their f*cking dad. Nobody showed those guys more love than me. Knock knock boys.Trevor: Who's there?Julian: So, we're cool?Trevor: Yeah man.[gun shots]Ricky: Let's go, smokes. You're f*ckinglucky.Corey: f*cking snakes dude. f*ck no.[music]Sarah: The doctors strongly recommend that Corey and Trevor never come back to Sunnyvale again, not even for a visit.And they're dead set against them ever talkingto Ricky again or they say they could lose their minds completely.Ray: Hey buddy.Ricky: Where the f*ck are you guys coming from?Ray: Just up at Shitty Bills.Bubbles: Are you hungry?Ricky: Yeah. I am f*ckinghungry.Ray: Are you hungry enough to blow 23 bucks on pizzas with the old man buddy?Ricky: Where the f*ck did you get that kind of money?Ray: I'm telling you Rick, you should rip the plumbing out of your placetoo. You would not believe the f*cking money I make in scrap metal, look at that.Ricky: It's crazy.Ray: Crazy? Better than delivering pizzas like f*cking Julian, Ill tell you that.Ricky: What are you talking about?Ray: Hedidn't tell you?Ray: He's delivering pizzas.Ricky: Is that true Bubbs? Julian's delivering f*cking pizzas? That's his new job?Bubbles: Ricky, don't be teasing him.J-Roc: Hey pizza boy. Jules? What you doing heredawg?Julian: What are you guys doing here? Cleaning floors J-Roc?J-Roc: No you man, just filling in for some ma-fuckers. What you doing here?Julian: Just, it's uh, this charity thing I'm, it's a pizza run, it's, for thekids, it's uh, you know.Tyrone: Charity pizza run?Julian: Yeah, charity.J-Roc: What are you talking about, you man? Last I heard, you were stealing meat, you know what I'm saying. Which is already whack. Not tomention it was with that snuffleupagus, walrus-ass manatee Phil Collins. But now you delivering pizza B? Eh, you want a pipe?Julian: J- Roc, twenty-nine dollars.Bubbles: Alright, look. Here's the meat pre-list. 15 ribroasts, 30 ten pound bags of hamburger, 12 turkeys, 40 chickens, 50 sirloin steaks, 2 dozen pot roasts and 20 LOLs, otherwise known as legso lamb. Can we pull this off? That's theft over a thousand?Ricky: Bubbles,don't worry about it. I promise you. We're not going to go to jail. All we gotta do is order some pizza.Bubbles: Got me Ricky. Walkie check, walkie check. You got me now?Ricky: Yeah, that's a lot better Bubbs. You'reclear.Bubbles: Let's get this bullshit over with.Ricky: Alright, see you in five or ten minutes man. This is the most meat we've ever stealen in one time so the trick is, go to a specialtilization meat store and get a man onthe inside. So basically Bubbs is the man on the inside. He goes in and sneaks in the freezer, waits til th close, and comes and opens the door, and we take all the f*cking meat we want, it's perfect.Bubbles: AlrightRicky, I'm in the freezer. Hurry up, I don't like being cold.Ricky: Just hang in there man. I'll have some warm stuff for you when you get out. Hot chocolate, whatever.Bubbles: Is the clerk leaving yet or what?Ricky:Open 9 til 9. What the f*ck! Uh, Bubbles, bit of a problem. It seems like they're open later than they used to be. I don't know what happened. I thought I checked it but you're going to have to be in there for a little bitlonger than expected. Not that bad, not that much longer though okay?Bubbles: Define a little bit longer!Ricky: Hopefully only like twenty minutes. I don't know yet.Bubbles: That doesn't make any sense Ricky. Thatmeans they'ren til 6:20? Nobody closes at 6:20.Ricky: It's not that bad. It's just, you know, it's like being in a freezer I guess. It's cold, or draw some things in the frost. Pretend it's winter time, you're building a snowman out of meat and cats are running around playing. And Bubbles: Ricky! Do you realize what you just said to me?Ricky: Bubbs, let me tell you a little story. When I was twelve years old, me and my dad were stealingmeat. I was in the f*cking freezer for seven hours. He couldn't get me out and the locks were all different and Bubbles: Ricky, I don't care how long you were in a meat freezer!Ricky: I did seven f*cking hours buddy.You can do three. The first two hours are going to suck, I'll tell you right now. But after that, it's really not that bad. Jacob, where the f*ck is that pizza man? I ordered it forty-five minutes ago.Julian: Did you order apizza?Ricky: Hey, pizza guy. Over here.Julian: [sighs] What the f*ck is wrong with you?Ricky: What are you talking about?Julian: Do you think it's some kind of a joke that I'm working here Ricky?Ricky: Julian, you'replaying pizza games. I got a better offer for you. We can make two thousand dollars in meat tonight. Two grand. Bubbles, it's okay to come out now man. Come on out. Bubbles? f*ck, he must not hear me.Julian: Howlong's he been in there?Ricky: Not that long, ten, twenty minutes. Well, yeah, close to three hours, I guess.Julian: Three hours?[glass smashing]Ricky: Alright Bubbles, start gathering up the meat.We're inside. Heybuddy. Aw, f*ck! God, Bubbles can you hear me?Bubbles: Yeah, I can hear you's boys. Little disappointed in yas.Julian: Help me get him out of here Ricky.Ricky: We're not leaving here without meat.Julian: f*ck themeat! Go find a coat or a blanket or something, we gotta warm him up Ricky.Bubbles: Very cold, very cold. Oh, yes. Oh, yes. That bread feels wonderful Ricky. Wonderful.[moaning]Ricky: I'm so f*cking sorry, whathappened tonight.Take tonight off and we'll get back at her tomorrow, alright?Bubbles: Back at her? f*ck that Ricky. I'm not working with you and Julian anymore. Sorry, but that's it. I'm done. I gotta go to sleep boys.Just sleepy times.Julian: Two pounds. What a f*cking waste.Ricky: Holy f*ck! Raykins. That's what those furry little bitches are Julian that are f*cking you over, raykins. On top of the mold, I'm going to snap man, Ican't deal with this sh1t. Two pounds of dope going up because of mold. Great. Man, I hate to keep blaming Corey and Trevor, it's their f*cking fault. They should be here dealing with this sh1t, not me.Julian: Soundslike you miss them Rick.Rick: Yeah, maybe I do f*cking miss them Julian. I f*cking miss Corey and Trevor alright, I said it.Julian: Get over it, cause they're never coming back. Listen, we're going to sell this dope. Butwe have to be patient and sit on it. Wait for the right person to smoke it okay? And Ricky, we gotta lower the price to ten bucks a gram.Ricky: Oh f*ck! Alright, I'll go to ten, but no lower than ten. It's still f*cking twelvefor Lahey and Randy."}
+{"doc_id":"doc_208","qid":"","text":"[ EXT. Massacre Site - Day ]( A sizable river runs by and birds sing in the trees. It is a beautiful day, despite the carnage at the surveyors' camp. Scalped bodies lay on the ground, the sound of FLIES heavy in the air.Some of the bodies have been loaded into the back of a buckboard wagon by two men. The CHICAGO TRIBUNE REPORTER is documenting the scene with his camera. His flash-pan WHOOSHES loudly. The horse hitchedto the buckboard is startled by the sound and WHINNIES. )( The reporter looks up from his camera towards the ridge to see a party of three men riding on horseback. One figure, on a white horse, rides ahead of thetwo other men. The two men with the reporter chamber rounds in their weapons. )Reporter: It's Durant.( DURANT dismounts, as do the two men. )Reporter: ( to himself ) What the hell's he doing here?( Durant walksup to the Reporter. )Durant: Are you the Chicago Tribune reporter?Reporter: YesDurant: Did you photograph this body?Reporter: Y-yes, sir, Mr. Durant, but just-just the one body.( Durant looks at the man, disgusted.)Durant: What's wrong with you, man?Reporter: I'm sorry. I thought...Durant: Just the one won't do.( The Reporter is confused. )Durant: ( to the men by the buckboard ) Get those bodies off the wagons. Come on,snap to, boys.( The men drag one man, the sentry who was shot first, from the wagon. They drag the sentry back to the field as Durant continues to talk to the reporter. )Durant: I want this scene photographed exactlyhow you found it. I want an unblinking look at the horror perpetrated here.( The Reporter is still confused. )Durant: More arrows. We need more arrows.( Durant gathers arrows and sticks them into random corpseslying in the meadow. He attempts to stick one into a man lying in front of the Reporter but it won't go in. Durant pushes it slowly in with a SQUISH, much to the Reporter's disgust. Durant looks up at him. )Durant: Hecan't feel anything. He's dead, for God's sake.( Durant turns as a man, identified as DURANT'S MAN, walks from the tree line. )Durant: The maps. You find them?Durant's man: ( shrugs ) No, sir. Nothinganywhere.Durant: Keep looking.Durant's other man (O.C.): Mr. Durant, over here![SCENE_BREAK][ CUT TO: Woods ]( Durant and his men walk towards two bodies, one being Sun Bear, the brave killed by Lily Bell.Durant kneels and rolls over the other. It is Robert Bell. )Durant: Robert. ( stands ) Pack up everything. Bring it all back to Hell on Wheels.( Durant is about to leave when something catches his eye in the grass. Hebends to pick up the object. It is a silver pocket watch. He opens the hunting case and turns it to see the inside of the cover. There is a black and white photo of Lily Bell stuck to the watch cover. He looks at the photo along while. )[SCENE_BREAK][ EXT. The Cut - Day ]( Men, both Negro and white, are working in the cut. BOHANNON walks along the top of the cut, monitoring work. He looks at ELAM before continuing on. Two menapproach on horseback at a gallop. One, Dix, has long brown hair. The other, BOLAN, has short, sandy hair and a beard and wears a Union jacket. Bohannon notices them and puts his hand on the grip of his gun. Elamclimbs out of the cut and stands next to Bohannon as Dix and Bolan approach. )Elam: ( quietly ) They found Johnson's body. Everybody back in camp talk 'bout it.( Bohannon turns to Elam. )Bohannon: Get the hell backin that cut.( Elam doesn't move. Bolan arrives first and pulls his horse to a stop. )Bolan: You Cullen Bohannon?( Bohannon and Elam stare at Bolan. )Bolan: You hear about Daniel Johnson's murder?Bohannon: Whowants to know?Bolan: ( raises eyebrows and smirks ) Why you so spooked, son?Bohannon: I guess I still ain't cottoned to the sight of Union blue riding up on me.( Bolan chuckles and smiles. He turns to Dix, who givesa small smile. )Bolan: You ought to be happy to see us.Bohannon: Yeah? And why's that?Bolan: Boss wants to talk to you about taking Johnson's job.( Bohannon sighs and looks at Elam )[SCENE_BREAK][ EXT. Hell onWheels - Same Day ]( Town is bustling with activity after the move to a new location. People are setting up their tents. MICKEY is pulling up a pole that forms part of the framework for the Magic Lantern Show tent. )(SEAN exits the Starlight Saloon with two bottles of liquor. He crosses the street to Mickey and hands him a bottle. )Sean: Here you go, Mickey. ( puts his arm around Mickey's shoulder ) Yeah.( Near the rail line,Bohannon rides his horse, following Dix and Bolan. Bohannon is smoking a cigar. )( CLOSE ON man hanging from a makeshift gallows )( The trio arrive at their destination and dismount. Bohannon follows Bolan up thesteps of a caboose. Bohannon removes his hat and puts out his cigar with his boot before entering. )[SCENE_BREAK][ CUT TO: INT. Caboose ]( A large, imposing man dressed in a black waistcoat sits praying over apiece of hardtack at his desk. This is THOR GUNDERSEN. The hanged man can be seen through the window behind him. )Swede: We thank thee Lord for this bounty you have placed before me.( He finishes and looks upat Bohannon. He indicates a chair across from his desk. )Swede: Sit down.( Bolan pulls up a chair across from the Swede's desk. The Swede dips the hardtack in a bowl of liquid. )Swede: Sit down.( Bohannon doesn't sitbut eyes the Swede. The Swede calmly takes a bite of hardtack. Bohannon looks out the window at the hanged man. )Swede: ( nods towards window ) Horse thief. Tor Gundersen, head of security for Mr. ThomasDurant.( The Swede extends his hand. Bohannon shakes. )Swede: They call me the Swede. ( beat ) I'm Norwegian but no matter. ( shrugs ) We are all Americans now, even you Rebels, yes?( He smiles but Bohannondoes not return it or respond. )Swede: Hmm...Daniel Johnson told me that the two of you was cut from the same cloth.Bohannon: ( scoffs ) Yeah? I don't think so.Swede: ( bits into hardtack ) Why is that? Did you notlike him?Bohannon: ( shrugs and shakes head ) He was my boss. That's about all there was to it.Swede: And drinking companion, yes?Bohannon: ( nods ) We tore it up some.Swede: I understand the two of you was\"tearing it up some\" on the night he was murdered. In fact, you was seen leaving the saloon with him. Hmm?( The two men stare each other down for a moment. Bohannon smirks. )Bohannon: Yeah. ( looks towardBolan and Dix ) I'm not here to talk about Johnson's job, am I?Swede: ( laughing ) Is that what they told you?( Bolan and Dix stand near the door, chuckling. Bolan has placed himself in front of the door. The Swedecontinues to chew on the hardtack. )Bohannon: You a lawman, Mr. Swede?Swede: Hmm?Bohannon: 'Cause I don't see no badge.Swede: ( brushes off his clothes ) Oh, no. There's no official law out here yet.Bohannon:Then what authority you got to be interrogating me?Swede: ( looks up ) Mr. Durant has appointed me to bring some order to the chaos out here.Bohannon: When's the last time you took a look outside, Mr. Swede? (beat ) Looks to me like chaos is winnin'.Swede: Well, when harlots and dipsomaniacs are killed, I lose not a minute's sleep. But Daniel Johnson was a valuable asset to Mr. Durant.Bohannon: Daniel Johnson was hatedby just about every man who worked for him.Swede: ( with interest ) Any with a reason to kill him? ( beat ) Perhaps one of the Negroes. ( nods ) I heard he had some trouble with them. Hmm?Bohannon: I wouldn'tknow nothing about that.Swede: ( skeptical ) Hmm...Ja, ja.( He sweeps the crumbs from the hardtack with his pinky and he mutters in Norwegian. He looks up at Bohannon. )Swede: Well, that leaves only youthen.Bohannon: ( beat ) You know what? I'm done here. This ain't no court.( The Swede grips a double-barrel, pistol-grip coach gun that is holstered to the underside of his desk. Bohannon moves towards the door. Ashe passes, Dix pulls Bohannon back by his coat pocket. Bohannon unsheathes a knife and nicks Dix. He holds the knife to Bolan's throat. The unmistakable CLICKS of the hammers going back on the shotgun stopsBohannon in his tracks. )( The Swede holds up the gun, the word \"BEAUTY\" carved on the side of one barrel. )Swede: This here's Beauty.( Bolan swings Bohannon's knife away from his throat. He pulls out his pistol andcocks back the hammer. He straightens his jacket, indignant. )Swede: She's an old piece, but she still shoots true.[SCENE_BREAK][ CUT TO: INT. Pig Car ]( The Swede shoves Bohannon into the car. Bohannon hits thefar side of the cart and falls. The Swede holds him by the neck. He puts on manacles that are tethered around one of the floor boards. )( Bolan stands near the door, his pistol trained on Bohannon. )Swede: We gonnagive you a chance to confess to this crime.( He nods and Bohannon looks up at him in fear. The Swede slowly turns away and leaves. Bolan holsters his pistol and slides the door shut. The CLANK of the chains can beheard as he locks Bohannon in. )( Bohannon waits a moment before pulling at the chain looped around the floor board. The board CREAKS but it doesn't budge. He pulls again but falls on his backside. He looks out atthe hanging man and sighs, his eyes wild. )[SCENE_BREAK][ EXT. Nebraska Territory - Day ]( LILY BELL walks slowly near a river, the map case tucked under her arm. She is disheveled and covered in blood. She hearsthe SNORT of a horse and looks around. )( Through the trees, she sees several men on horseback. )( She drops to the ground, wincing in pain. )( The men ride out of the trees. There are three Cheyenne men. )( Lilycrouches behind a fallen tree, peering through the branches. )( The men dismount and hitch their horses to a large tree. Two of them begin to gather fuel for a fire while the third, PAWNEE KILLER, looks towards the logLily is hiding behind. She crouches, terrified. )[SCENE_BREAK][ INT. Pig Car - Same Day ]( Bohannon sits with his back against the wall. He digs with his heel at the straw strewn on the floor. He sees a large nailsticking up from the floor boards. Bohannon moves to kneel near the nail and starts to scratch at the wood around it. He grips the nail and starts to pull at it. )[SCENE_BREAK][ INTERCUT BETWEEN ][ FLASHBACK -INT. Bohannon Farmhouse - Some time before 1864 ]( FROM Bohannon's POV )( The camera pans down a hallway and moves towards the front porch of the house. A woman with auburn hair is sitting in a chair crossstitching. )[SCENE_BREAK][ INT. Pig Car - Same Day ]( Bohannon continues to pull at nail. )( FLASHBACK INT/EXT. Bohannon Farmhouse, Porch - Sometime before 1864 )( PUSH IN on woman's cross stitch. It is apicture of a yellow farmhouse with a magnolia tree blossoming in front of it. )[SCENE_BREAK][ INT. Pig Car - Same Day ]( Bohannon continues to work at nail )( FLASHBACK I/E Bohannon Farmhouse, Porch - Sometimebefore 1864 )( The woman looks up as someone puts his hands on her shoulders. She smiles as she looks up at Bohannon. This is Mary Bohannon, his wife. He smiles down at her. )[SCENE_BREAK][ INT. Pig Car - SameDay ]( Sweat beads on the end of Bohannon's nose as he strains at the nail. )[SCENE_BREAK][ EXT. Nebraska Territory - Same Day ]( Lily dozes, leaning against the fallen tree. )( Pawnee Killer and his men are campedout only a few feet away from Lily's hiding spot. One man brushes his hair with a silver brush while the other puts more wood on the fire. )( JOSEPH walks out of the woods towards the camp. The men do not hear himapproach. )Joseph: Where is she?( The three men jump to their feet at the sound of Joseph's voice. )Pawnee Killer: Hello, little brother. What are you doing way out here?( Joseph takes the brush from the men.)Joseph: Where's the woman?( He holds out the brush to Pawnee Killer. It was Lily's once. )Pawnee Killer: We don't have her. Yet.Joseph: You kill white men, that's one thing. But you take one of their women and you'llhave every damn one of them hunting you down.Pawnee Killer: ( nods ) Good. I'll count coup and get more scalps.Joseph: I hope it was worth it.( Joseph turns and starts to walk away. )Pawnee Killer: What about thescalps you took?( Joseph stops and looks over his shoulder. )Pawnee Killer: You act so pure now, but I remember a time when you loved the taste of blood.( Joseph turns more fully towards Pawnee Killer. )Joseph: (nods ) Jesus has forgiven me for that.Pawnee Killer: ( nods ) Jesus may have forgiven you but do you think your white friends would?( Joseph stays silent and walks away. )Pawnee Killer: ( calling after Joseph ) Youbetter find her before I do.[SCENE_BREAK][ INT/EXT. Hell on Wheels, Pig Car - That Night ]( Bohannon is still struggling to pull up the floorboard. He grunts as he strains at his chains. )( Elam walks up to the car.)Elam: Hey. Hey.( Bohannon stops and looks up, confused. )Elam: You'd be surprised how fast you get used to the feel of them things.Bohannon: What the hell are you doing here?( Bohannon goes back to working onhis chains. )Elam: Wanted to know if you be fixing to testifying on me.Bohannon: I don't know. Ain't decided yet.Elam: I know about that sergeant.( Bohannon stops and looks up again. )Elam: Heard Johnson say someother things, too. Things about men getting killed in churches and such.( Bohannon goes back to work. )Bohannon: Yeah, what's your point?Elam: Point is, I be hanging for Johnson, you gonna drop down right besideme for the folks you done killed.( Bohannon moves to the side of the car so he can look Elam in the eye. )Bohannon: Tell you what, you tell your story and then I'll tell mine and we'll see who they believe.Elam: ( nods )Yeah, who'll believe some nigger slave over a white man?Bohannon: ( chuckles ) Relax, son. Ain't nobody hanging nobody.( Bohannon moves back to pull at the floorboard. )Elam: I ain't your damn son.Bohannon: Well,I'll be out of her by tomorrow.Elam: I imagine that's what that horse thief done said.( Bohannon looks up at Elam. Elam hears a wagon coming and runs off. )[SCENE_BREAK][ INT. McGinnes Brothers' Magic LanternShow Tent - Same Night ]( A crowd is leaving after another successful magic lantern show. SEAN leans against table holding the magic lantern while MICKEY holds open the tent flap, seeing patrons out. The Swede sitssilently on a bench, still staring at the screen. Mickey and Sean look at each other and then the Swede. )Mickey: Did you enjoy the show, sir?( The Swede doesn't look up, instead admiring the projected image of abridge over a river. )Swede: Very moving images of home, boys.Sean: But you don't sound Irish.Swede: I ain't, but my heart was moved nonetheless. ( sighs ) We all yearning for our homeland out here in this strangeplace.Sean: ( pulls out the slide ) Excuse me, sir, have we met?Swede: We have not. ( rises and turns to the brothers ) Folks 'round here call me the Swede. ( extends his hand to Mickey ) You got yourself a primelocation here, boys.Mickey: ( steps forward and shakes the Swede's hand ) Yes, siree. Right between the whores and the liquor.( Sean looks worried. )Mickey: ( laughs ) Picked it out meself.Sean: What is it you want,Mr. Swede?Swede: I like that. Right to the point. And the point is nice location like this got a nice price attached to it.( Sean nods, realizing why the Swede is there. Mickey is suddenly very grave. )Sean: I should haverealized there was a reason this spot wasn't taken. I should have seen this comin'.Swede: I take it you're the smart one.Sean: Aye.( Mickey makes a protesting sound. )Sean: So how much you want, Mr.Swede?Swede: Ah, once again, right to the point. Uh, two dollars a week. First payment due this Friday.Mickey: ( incensed ) But that's half our flippin' take!Swede: ( loudly ) And for this two dollars you shall have myprotection against all the villains that surround you in this wicked place.( Sean looks skeptical. )Mickey: And what if we don't pay?Swede: Well, you can always move down to the slaughterhouse.Sean: ( defiantly ) Andwhat if we refuse to move?Swede: ( smiles ) And I thought you was the smart one.[SCENE_BREAK][ EXT. Hell on Wheels, Near the Pig Car - Next Day ]( A rooster CROWING and hens CLUCKING can be heard. The dirtroads in town are now mud, some places simply deep puddles from rain. People slowly go about their morning business. )[SCENE_BREAK][ CUT TO: INT. Pig Car - Day ]( Bohannon is still trying to pry up the nail. Hehears the CLANK of the chains on the door and looks up to see the shadow of someone about to open the door. He throws straw around the nail and quickly sits with his back to the wall. )( The door slides open. Thecamera pans up from a pair of black boots to reveal the Swede. He has removed his coat. A silver charm of Thor's hammer hangs from his pocket watch chain. He smiles as he surveys the pig car. He pulls a crate acrossthe room and sits down. The crate CREAKS under his weight. The Swede looks at Bohannon for a moment before carefully beginning to eat. )Swede: I used to be a bookkeeper.Bohannon: You look like abookkeeper.Swede: Hmm. I was always more comfortable around numbers than people. I could control numbers.Bohannon: The war put a stop to that, didn't it?( The Swede chews for a moment and looks atBohannon. )Bohannon: You're suffering from the Soldier's Heart, Mr. Swede. Yeah, I can see it in your eyes. You're still fighting them battles.Swede: I saw no battles. I was a quartermaster. More numbers. I never evensaw the enemy 'til our supply train was captured and I become prisoner of war.Bohannon: Andersonville?Swede: ( nods ) That's right. Way down in the great state of Georgia. Total chaos ruled. Thirty thousandprisoners, fourteen thousand dead. I weighed two hundred pounds when I went it, and eighty-six when I come out. I just couldn't make them numbers add up.( He pulls up left sleeve to reveal a large red scar )Swede:I awoke one night to find one of my own men trying to eat the flesh from my arm. He thought I was dead. But I realized that night I had to control people like I control numbers and I learned to practice a sort ofimmoral mathematics. And I did some... ( whispers ) horrible...not so good things in Andersonville, Mr. Bohannon. Ja? In the end, I found I was able to make them numbers add up.( He finishes eating and rests spoonagainst bowl rim. )Swede: ( brighter ) So, have you thought about that confession?Bohannon: I figured by your math you're gonna hang me either way.Swede: Ja.( The Swede slowly rises and turns to go. )Bohannon:You know why the man didn't finish eating your sorry ass?( The Swede turns around and steps closer to Bohannon. )Swede: Hmm?Bohannon: 'Cause you Yankees all taste like sh1t.( Bohannon suddenly kicks out andknocks the bowl and spoon from the Swede's hands. The Swede shouts in anger. Bohannon prepares himself for retribution but the Swede gets hold of himself. )Swede: ( calmly ) Get right with your Maker, Mr.Bohannon. Soon as we cut down the horse thief, you gonna hang.( The Swede exits and shuts and locks the door. He stares down Bohannon between the slats of the car before leaving. Bohannon waits a momentbefore he moves towards the spoon and bowl the Swede left behind. They are beyond the reach of his hands. He kicks the bowl away and drags the spoon towards him with his foot. The spoon gets caught between twofloorboards. He strains but can't get it free. He scissors it between his feet and lifts it from the crevice. Grabbing it from his feet, he quickly brushes away the straw from the nail. Using the spoon as a lever, he starts pryit up. He chuckles to himself as it pulls slowly from the wood. He holds the nail in his hands, looking at it. )[SCENE_BREAK][ INT. Pig Car - Same Day ]( The Swede cuts down the horse thief from the gallows with thehelp of Dix. Bohannon pulls out another nail and then another. He stands and pulls at his chains. After a moment, the board comes free. Bohannon looks out of the train car and sees the Swede approaching. Using theboard he's pried loose, Bohannon levers another board free. He pulls another loose with his hands. )( The Swede is unlocking the door. )( Bohannon slips through the hole in the floor. He reaches up and feels around forhis hat for a moment before grabbing it. )( The Swede pulls open the door and sees that Bohannon has escaped. He looks through the hole in the floor. He is distraught. )( Bohannon crouches under the train platform.He loops the chain around his wrists and hides his still manacled hands in his hat. Bohannon slips through camp. )( The Swede has Bolan and Dix with him and they search around the platform looking for Bohannon buthe has already moved on. )( Bohannon blends in with a group of workers. )[SCENE_BREAK][ EXT. Nebraska Territory-Same Day ]( Durant's party and the Reporter and his party are on their way back to Hell on Wheels.Durant's men ride on horseback, one leading Durant's white horse along. )Durant (O.C.): Write this down: outnumbered five to one, eight white Christian souls were brutally slaughtered by the marauding, bloodthirsty"}
+{"doc_id":"doc_209","qid":"","text":"[In the opening scene, we see Drew Boyd, freaking out during the photo shoot for the Brown Athletics underwear ad.]Drew: (talking into his cell) I don't give a sh1t. I need to talk to him now! (Pacing around) Stuart. Ican't do this.Brian: What the f*ck is going on here?Photographer: Your subject is being most uncooperative.Ted: He said he made a big mistake. He's talking to his agent.Brian: Well, did you remind him that he has acontract?Ted: Yeah, I did remind him.Drew: No, I'm not gonna grin and bear it! You're gonna get me out of this!Brian: Anything I can do to help?Drew: Yeah. You can get me my pants.Brian: Before I do that, why don'twe discuss your concerns?Drew: There's nothing to discuss. I'm not doing it!Brian: It's a little bit late for that, isn't it?Drew: I'm Drew Boyd. I call the shots.Brian: Except when I have the ball.Drew: I'm feeling kind ofexposed, you know? I'm not used to standing around in my shorts.Brian: What about in the locker room? You stand around in a lot less.Drew: In the locker room everyone's showing their ass.[Brian smiles. Cut to Drewposing in his underwear, the photographer snapping away. Panning around the room, we see that everybody's in their underwear. Most everybody's in black, but Brian's wearing those long gray jockey shorts. And Tedhas boxers.]Ted: Christ, he's hot. What a pity he's straight.Brian: Well, even if he weren't, do you think he'd f*ck you wearing those? (He casts a derisive glance at Ted's boxers).Ted: I wasn't expecting to be standingaround in my shorts.Brian: I don't know if he's gonna sell any underwear, but he sure as hell is gonna sell a lot of Kleenex.[Cut to post-coital Emmett and Drew in a motel room.]Drew: Once I got used to everybodystaring at me in my shorts, it got to be a real turn-on.Emmett: But only I know what's under them. Guess we'd better get up!Drew: What's your hurry?Emmett: Well, soon as we're through you always bound out of bedand race to the showers, so I just assumed -Drew: I wanna just lie here.Emmett: You sure?Drew: You see me moving?Emmett: (settles back down, with his head on Drew's rock hard abs) Mmm...what's the worldcoming to? First a kiss, then stickin' around... next thing you know, you'll be asking me to the big game. Yeah, I said too much, didn't I?Drew: You know the rules.Emmett: I know. What goes on in this room is betweenyou, me and the four walls and must never leave here under penalty of death.Drew: You got it, sport.[He smacks Emmett's butt and gets up to take a shower.][Michael frantically tries to reach Hunter on his cell phone,while Ben grades papers.]Michael: Straight to voice mail. What's the point of getting him a cell phone if he's not gonna pick up?[Just then, the prodigal foster son returns.]Michael: That's me going off in your pocket!How about answering it for a change?Hunter: What's up your ass?Michael: It's past 11:00.Ben: You missed your curfew again. Where you been?Hunter: Studying with a friend.Michael: Every night this week?Hunter:We're working on a project.Ben: Who is this friend?Hunter: Someone from school.Ben: And the project?Hunter: It's for science.Michael: Penicillin's already been discovered. What have you found?Hunter: What's with allthe f*cking questions?Michael: We would like an honest answer.Hunter: I told you the truth. If you don't wanna believe me, that's your problem.[He slams into his room.]Michael: I hate to say it -Ben: You don't haveto. I know what you're thinking.Michael: If he's out hustling again, I'll f*cking rip his balls off, as my dear mother would say.Ben: Let's hope we've instilled more self-respect in him than that.Michael: After the way he'sbeen acting?Ben: Whatever it is, we'll find out eventually.Michael: Then what?Ben: We'll just have to deal with it.[Lindsay is a jittery mess. Her hands are shaking so badly that she can't even get the key in the lock toopen up the gallery. Sam strolls up, smoking a cigar.]Sam: Need any help?Lindsay: No. Thanks. I can do it. I do it every morning. (She drops the keys). sh1t![Sam picks up the keys, bending down painfully.]Sam: Myback's been killing me ever since I did that goddamn mural. Hope Michaelangelo had a good chiropractor. Why haven't you returned my calls?Lindsay: I've been busy. The show's been a huge success. Isn't it great?Almost everything sold.Sam: Another month of alimony payments! My wives will be eternally grateful. I want to see you.Lindsay: I can't.Sam: Why not?Lindsay: Why not? Try, 'I'm married.' I have a child and anotherone on the way. Oh, and did I happen to mention lest we forget that I'm a lesbian?Sam: Did I mention that you sure don't f*ck like one?[Lindsay closes her eyes briefly, draws a deep breath.]Lindsay: Jesus Christ, Sam.Why do you have to be so crude?Sam: You didn't mind the other night, rolling around on the floor, rutting like a -Lindsay: What happened the other night was a mistake. A huge mistake.Sam: Was it?Lindsay: Yes, itwas. Look, Sam. You inspire me. You challenge me. You make me laugh. I admire you so much. I guess I got confused, you know? And I crossed a line I shouldn't have.Sam: When I was a kid, I didn't respect the lines.In my coloring books, I always crossed the lines. I didn't play the rules at all. I don't think that's always such a bad thing.Lindsay: For an artist, no. But for a person, sometimes it makes sense to read the manual andfollow instructions, dull as that may sound to you.Sam: What about the part of you that secretly yearns for something else, the part of you that both of us know is there?Lindsay: My house has many rooms; I occupybut a few. The rest go unvisited.Sam: Who said that?Lindsay: I did.[She enters the gallery.][Apparently, Vic left some furniture to a local AIDS hospice in his will. Vic's furniture is delivered by the rather unlikely team ofMichael, Justin, Ted and Melanie.]Guy: Nice chest.Michael: I think he's talking to the furniture.Guy: [looking at Justin] That too.Michael: Uncle Vic brought this to the hospice as well.Director: He was always a goodfriend and a great supporter.[Mel and Ted enters the hospice.]Direcotr: [to Mel] Oh, I can't tell you how much we're appreciate this. We need all the help we can get.Mel: Hopefully this new event coordinator will comethrough.Director: He'd better.Ted: They say he raised over $1 million for a hospice in Cincinnati.Director: A million? My God. If we raise half that, we'll be in heaven.[At the diner, Deb calls out to a guy sitting at thecounter reading the sports section.]Debbie: Hey, Freddy! How about those Ironmen? Are they somethin' else?\"Freddy\": (in a gruff voice) Yeah, they're something else, alright.Debbie: You oughta take something for thatcold.[She peeks behind the paper. It's not Freddy; it's Emmett!]Debbie: Emmett! What are you doin' with the sports page?! Let me get you the style section, honey!Emmett: No, no, Deb! These days, the sports pagewill do me just fine.[A cop sits down at the counter.]Cop: Hey, Deb.Debbie: Hey, Bob. I haven't you seen an age. Where have you been?Cop: Well, I had some trouble, but I'm on my feed again. So you seeCarl?Debbie: No, not lately.Cop: You're there tonight?Debbie: Where?Cop: Policeman's ball. He took you last year.Debbie: Yeah.Cop: I remember. You're looking real nice.Debbie: Thanks. I guess he must be takingsomeone else.Emmett: Excuse me, officer? Anyone can go to the Policemen's Ball, am I correct?Cop: Anyone who buys a ticket. I'll take the Pink Plate Special. Only make mine blue.[He wanders off.]Debbie: Don't tellme you're thinkin' of goin'.Emmett: If I can find a date.Debbie: Good luck.Emmett: Hey - what about you?Debbie: Me? What are you, out of your f*cking mind?Emmett: Why not?Debbie: You just heard, Carl's gonna bethere! Probably with that lady he's been seeing.Emmett: So? That's no reason not to go! In fact, all the more reason to be there! Show him what he's missing!Debbie: Not much.Emmett: Now, now! Let's keep ourself-esteem - and our tits - up.Debbie: Even if I wanted to go, \"with my tits up,\" I've got nothing to drape 'em in.Emmett: Just leave that to your fairy god- no, I'm not even gonna say it. Too trite. However [wavesstraw like magic wand], you will look fabulous. I guarantee it.[Wracked by guilt, Lindsay confides in the one person least likely to judge her. Who needs a minister or therapist when you've got Brian?]Lindsay: Whathave I done? Now he wants to see me again and of course I told him no, it's out of the question. I can never, never do that again.Brian: Is he hung?Lindsay: Brian!Brian: I'm just curious. You're the last person I everthought I'd discuss dick with.Lindsay: This isn't about dick!Brian: Since when?Lindsay: I love Melanie.Brian: Sure you do.[He puts a reassuring hand on her shoulder.]Lindsay: How could I have -Brian: f*cked aguy?Lindsay: It's not possible!Brian: It's possible. Explaining it is the tricky part.Lindsay: But I've always been -Brian: A carpet muncher.Lindsay: Except for that one time in college when you and I -[Brian looks away,pained; he'd rather not be reminded.]Lindsay: But that was just -Brian: Midsummer madness.[They both laugh.]Brian: Still, there is a part of you that, once every decade or so, doesn't object to a stiff prick. Believeme, I understand.Lindsay: I'm not so sure Melanie would.Brian: Then don't tell her.Lindsay: You're a big help.Brian: Hey. It's okay to like cock! And it's okay to like pussy, just not at the same time. So - which one doyou like?[He shows her the pics of Drew.][Hunter pays a visit to Mikey at the comic store.]Michael: Well, look who it is! Come to shoot the breeze? A little heart-to-heart? Spend some quality time with your dashing newdad?Hunter: I need $20.Michael: What do you want it for?Hunter: My upwardly mobile lifestyle. Being a teenager is expensive.Michael: You should have thought of that before you became one.Hunter: So can I haveit?Michael: Why should I reward you for missing your curfew and being disrespectful to us?Hunter: How the f*ck am I being disrespectful?Michael: By not telling us the truth.Hunter: I told you![Michael shows him themoney.]Michael: I'm not above paying for information. But first you've gotta come clean.Hunter: I took a shower this morning.Michael: Are you hustling?Hunter: If I was hustling, would I be asking you for 20bucks?Michael: Good point. (He starts to give Hunter the money, then takes it back). But then again, maybe you're just trying to throw me off the track.Hunter: For Christ sakes. I'm kind of dating someone,okay?Michael: Really.Hunter: Yeah, really. Is that so hard to imagine?Michael: No, not at all! It's great - but why didn't you say so?Hunter: You know how kids are at my age. We're trying to develop a sense of self,which often manifests itself in a reluctance to communicate with parents and other authority figures.Michael: Here's $30. Go to the movies.Hunter: Sweet![He grabs the money and leaves. The minute he's gone, Michaelphones Ben.]Michael: Ben? I hope you're sitting down. Guess what? Our boy has a boyfriend.[Deb and Emmett at the Policemen's Ball. Deb is, um, resplendent in a red gown.]Debbie: Are you sure I don't look like a firehydrant? I wouldn't want any dogs to make a mistake!Emmett: You do not look like a fire hydrant. You're positively glowing.Debbie: Never mind glowing. Long as I'm not radioactive. (She catches site of Horvath, with adowdy brunette dangling from his arm). sh1t! There's Carl! What do I do?Emmett: What do you mean, what do you do? Just stand there and glow![He fake laughs and pulls Deb over to engage her in fake animatedconversation. Carl and the Other Woman approach.]Debbie: (with hearty fake surprise) Oh, hi, Carl!Carl: Debbie. Emmett. What are you doing here?Debbie: Well, it's a ball to raise money for the cops, isn't it? I'vealways had a soft spot for men in uniform.Emmett: And I've always had a hard spot![That earns him a sharp jab in the ribs from Debbie.]Carl: Debbie, Emmett, this is Katherine, the person I told you about.Katherine:Nice to meet you both. You're certainly just as colorful as Carl said you were.Debbie: Thanks.Katherine: If you excuse me for a moment?[There's an awkward pause.]Emmett: Can I bring you a drink?Debbie:Yes.[Emmett leaves.]Carl: I - uh - I wasn't expecting to see you.Debbie: I hope it doesn't make you uncomfortable.Carl: No, no! I like - I mean, it's nice - I don't know what the hell I'm tryin' to say.Debbie: You lookvery handsome.Carl: You look very -Debbie: Red.[They both laugh, which breaks the ice a little.]Carl: I'm glad to see you're gettin' out, enjoying yourself.Debbie: Well, life goes on. Got no choice but to go on with it.[she listening a song] That song. They played it last year.Carl: Yeah, they play it every year. They oughta get some new material.Debbie: We danced to it.Carl: I know.Debbie: You're very good on your feet. We couldtake a quick spin around the floor. As friends, of course![Just then Katherine returns. She takes Carl's arm with a proprietary air.]Katherine: (to Horvath) Shall we go now?Carl: Sure.Katherine: Nice to meet you,Deb.[Carl and Katherine walk away, arms around each other, leaving Deb standing there alone. Just Emmett comes back, carrying too many drinks. Deb looks forlorn.][It's Bike Night at Babylon. You heard right. NotDyke Night, bike night. It's a fundraiser for the Liberty Ride. Ted and Justin are walking around with clipboards, soliciting donations.]Ted: Sign up here for the Liberty Ride! If you can't ride, we gladly accept donations.How we doing?Justin: 37 riders so far. And one guy offered me $1,000 if I'd show him my cock.Ted: I hope you said yes![Justin has the check to prove it. Ben and Melanie are emceeing the event.]Ben: Can we haveyour attention please, everyone?Mel: Thank you so much for coming out tonight in support of Liberty Ride![Cheers from the crowd.]Ben: The profits will be going to help keep the Liberty House hospice open, so let's tryand raise as much money as we possibly can![More cheers from the crowd. But not from Brian, who's standing there drinking a bottle of beer, a cynical expression on his face.]Mel: In order to do that, the Center hasenlisted one of the top fundraisers in North America. A man who gave up a lucrative law practice in Toronto to make millions for various organizations with his walkathons, danceathons, marathons, triathlons - youname it, he's found a way to make money out of it.Ben: We're fortunate to have his help and support, so let us introduce you to - Jeffrey Pendergrass![More cheers.]Jeffrey: Thank you all very much. It's great to behere in Pittsburgh! I'm grateful to the Gay and Lesbian Center and all of its supporters for asking me to help make this the best and most profitable event ever. So I hope you all sign up, get on your bike and cross thefinish line, but tonight, let's all have a good time![More applause from the crowd, a kiss from Mel and a handshake from Ben. Everybody loves Jeffrey Pendergrass - everybody except Brian, that is. Brian is leaningagainst the bar when Pendergrass comes up for a refill.]Brian: Buy you a drink?Jeffrey: It's an open bar. Party's on me.Brian: Nothing is free.Jeffrey: (offering his hand) Jeffrey Pendergrass.Brian: Brian Kinney.[Theyshake.]Brian: Just an observation, Jeffrey, but wouldn't the money that you're spending here tonight saying \"hello, Pittsburgh hello!\" be better spent keeping the hospice open?Jeffrey: Actually, Brian, I find when thedrinks flow freely, so do the donations.Mel: This guy bothering you, Jeffrey?Jeffrey: No, not at all. Just revealing some of my underhanded business practices. Well, I better go work the room. Hope we can count on yourpledge, Brian.[He shakes Brian's hand again.]Mel: What the hell was that all about?Brian: You know me, Mel, always stirring up the sh1t.[Hunter and somebody making out in an SUV. It's a girl! We later learn that hername is Callie.]Callie: You want me to suck you?Hunter: Uh... no. That's okay.Callie: Has everybody ever sucked you before?Hunter: Yeah.Callie: A lot of girls?Hunter: No.Callie: I've only done it twice. Once at summercamp and once with my lunch boyfriend. You don't think that makes me a slut, do you?Hunter: Hardly!Callie: Besides, it's not real s*x. Ever had real s*x yet?Hunter: Not really. But I think about it.Callie: Me too. But Ipromised to discuss it with my parents first. We're like best friends. How about yours?Hunter: I don't think I'll tell them.Callie: How come?Hunter: They're not like your folks.Callie: In what way?Hunter: They're twoguys.Callie: You mean they're gay? That's so cool!Hunter: I don't know how cool they'd be if I told them about you and me.Callie: Well, they don't expect you to be gay just because they are?Hunter: I don'tknow!Callie: Well, I'll be glad to tell them you're straight if it ever comes up.[They go back to making out.][Lindsay is sitting in bed in her jammies, drinking tea and trying to read a book. Melanie returns from theBabylon fundraiser.]Mel: Hey.Lindsay: How did go?Mel: Oh great. Jeffrey Pendergrass will help us raise sh1t out of money.Lindsay: That's good.Mel: Sad that you weren't there.Lindsay: Me too, but I had a steamheadache.Mel: Any better?Lindsay: A little.Mel: I blame Sam for it.Lindsay: What?Mel: Well, the show, living to his expectations as well as yours. But you did it.[Mel tries a massage on her shoulders.]Lindsay: That feelsnice.[Mel goes up to her breast.]Lindsay: Mel. Mind if we do it later?Mel: Sorry. I'm just the ordernary pregnant demon. I look it on Gus. You want me to get you hot tea? This one is cold.[She stands up and leaves.Back sits a concerned Lindsay.][Deb and Emmett in the diner.]Debbie: I kept my tits up, just like you said. I practically threw 'em at him! It didn't do much good.Emmett: Don't despair! You'll just have to think upanother way to get his attention, that's all.Debbie: Well, we better think fast, because that woman's got 'marriage' in her eyes![Ted comes in waving a ticket.]Ted: I've got an extra ticket for the Ironmen's game onSunday! Who wants to go?[Dead silence in the diner.]Ted: I've got an extra ticket for \"42nd Street.\" Who wants to go?[There's a chorus of \"Me! Me! Me!\"]Ted: Just testing. How about you, Em? Skybox! A thank you giftfrom the star quarterback himself!Emmett: I don't think so.Ted: C'mon, you're the one who turned me onto him in the first place. Ever seen him play?Emmett: Not on the field.Ted: He's fast and he's strong.Emmett:Much as I'd like to go, I promised I wouldn't.Ted: Promised who?Emmett: But then again, how many seats does that stadium hold?Ted: I don't know, 80,000?Emmett: 80,000? Wow. Hardly pick out a face in thatcrowd, huh?[He takes the ticket.]Debbie: Say, Teddy, I was just wondering. Do you think you could score an extra pair of those tickets for me?Ted: I could try!Debbie: I have a friend who might like to go.[JeffreyPendergrass pays an unannounced visit to Brian at Kinnetik.]Brian: What?Cynthia: [via phone] \"Mr.Pendergrass wants to see you. He says he doesn't have an appointment.\"Brian: He wants to hit on me.Cynthia: [viaphone] \"Who doesn't?\"Brian: Except you wants money. Send him in.Cynthia: [via phone] \"OK.\"Jeffrey: They tell me you're the guy to get into bed with.Brian: Well, you'll have to come back after office hours forthat.Jeffrey: I know you're a busy man, so let me cut to the chase.Brian: Christ, I hate that expression.Jeffrey: I understand you're one of the most successful gay businessmen in Pittsburgh.Brian: Whoever told youthat was dead wrong. I'm THE most successful gay businessman.Jeffrey: All the more reason then. I'd like your clients to be corporate sponsors for the Liberty Ride.Brian: I see. Let ME cut to the chase. What's in it forthem? More important, what's in it for me?Jeffrey: Two very good questions.[He pulls up a chair and makes himself at home.]Jeffrey: First, your clients' contributions will generate publicity and good will that advertisingcan't buy, plus they'll be cultivating product loyalty in a market that has hundreds of billions of disposable income.Brian: I already know that. My second question: What's in the Cracker Jack box for me?Jeffrey: A verypersonal thank you from me and a warm, gooey feeling inside.Brian: (laughs) Oh, Jeffrey, you disappoint me! I thought you'd come up with something more original than that. So - do we have time for one lastquestion? What's in it for you?Jeffrey: A living.Brian: Finally, an honest answer. How refreshing.Jeffrey: Anything wrong with that?Brian: Not at all. I'm all in favor of people making money. What I'm not in favor of istelling others how to spend it.Jeffrey: It's for a worthy cause. Besides, they can afford it.Brian: Very true. But that's not a reason why they should give it to you.Jeffrey: Well, how about this, then? It wouldn't be verygood for your clients' PR if they were perceived to be homophobic. And it wouldn't help your reputation much if word got out that you were insensitive to the neediest members of your community.Brian: Why, Jeffrey,are you turning the screws on me?Jeffrey: Of course not. I'm merely pointing out why it's so important that we all open our hearts and checkbooks and give as generously as we can.[SCENE_BREAK][So as we cut to the"}
+{"doc_id":"doc_210","qid":"","text":"Scene: The apartmentPenny: Hey, can I ask you a question?Leonard: Sure.Penny: You've had this dart board since I've known you, but I've never seen you play.Leonard: Oh, uh, we played, once. I broke awindow.Penny: What window?Leonard: That one over there.Sheldon: Leonard, where are the Skee-Ball tickets?Leonard: Skee-Ball tickets?Sheldon: Yeah, from when we went to the arcade three years ago? I finallydecided what prize I want. Hurry up.Leonard: Uh, if I still have them, they're probably in the junk box.Penny: Ooh, what are you gonna get?Sheldon: None of your business. But when you see me wearing a flower in mylapel later, you are most welcome to sniff it.Leonard: Yup, oh, here you go.Sheldon: Oh, thank you. Here, get yourself an eraser for your troubles.Leonard: Oh. I forgot about this. My aunt made it for me when I startedcollege.Penny: Aw, did she hate you?Leonard: Why? Because I got an ugly, itchy sweater, and my brother got a car? No, I was her favorite.Sheldon: I seem to be a few tickets short. Are there more in the box?Leonard:Hmm, I think I got them all. Nope, they're not in there.Sheldon: Well, you barely looked. Let me see.Leonard: No, no, no, I, I looked, and there's, there's, there's no more tickets.Sheldon: Leonard, let me look in thebox.Leonard: Okay, okay. I'm gonna show you what's in the box. But just promise not to flip out.Sheldon: Why would I flip out? Is it a spider? It's a spider.Penny: No, if it was a spider, Lenny would've flippedout.Leonard: Okay, Sheldon, I know I was supposed to return this DVD a long time ago, and I know we rented it on your card. But it's been, like, seven years and clearly nothing bad has happened. So in-in-in-insteadof being a giant pain in the ass like you always are, what if this one time you just tried staying calm?Sheldon: That seems like a reasonable request. Although so did, hey, Leonard, would you mind returning thatDVD?Leonard: I'm sorry. I'll, I'll take care of it.Sheldon: Okay.Leonard: I mean it, I'm going to.Sheldon: I believe you.Leonard: And you're going to stay calm?Sheldon: I said I would.Leonard: How about that?Sheldon's being reasonable.Penny: Yeah, it's freaking me out. I'm gonna go. Credits sequence.Scene: The apartment.Leonard: So, when you say you're not going to freak out about the DVD, here's what that means.Don't fixate on it. Don't wake me up in the middle of the night. Or nag me through the door while I'm on the toilet.Sheldon: Okay, first, talking to you while you're on the toilet isn't exactly a picnic for me either, okay?Remember, when you can hear me, I can hear you. And second, you completely disregard how uncomfortable unresolved issues are for me. It's, it's like, a, an itch in my brain I can't scratch.Leonard: When I broke myarm I used to stick a coat hanger down there. You ever try that? Maybe go in through the ear?Sheldon: You wouldn't make jokes if you could feel the way I feel.Leonard: Well, I don't know how to do that.Sheldon: Howabout this? I promise I won't pester you about the DVD. You can defecate in peace. That's a win for both of us. But, until this matter is resolved, I would like you to wear this sweater. With nothing underneathit.Leonard: That's stupid. Why?Sheldon: You say it's itchy and uncomfortable. I say situations like this make me feel the same way.Leonard: I'm telling you, try the hanger.Sheldon: Put it on. Let's share theexperience.Leonard: You got it. If this sweater shuts you up, I'm gonna make a fortune selling them to everyone we know. Now all I need to do is head down to the video store and return the DVD.Sheldon: Oh, did Iforget to tell you? That store went out of business years ago.Leonard: Really?Sheldon: How those nipples feeling, chief?Scene: The cheesecake factory bar.Bernadette: Penny, can we please get our drinks?Penny: Yeah,hang on, just give me sec.Amy: At work today, I did an in vivo stereotaxic surgery.Bernadette: Cool. At my lab, I performed ten laser capture micro-dissections.Penny: I scraped gum off the bottom of that table. Only'cause my manager saw me put it there.Amy: Oh, my gosh. That's the girl that broke Rajesh's heart.Bernadette: That's Lucy?Penny: I don't know why but I always pictured her as Indian.Bernadette: I think thatreason's called racism.Penny: I'm gonna go talk to her.Bernadette: Why? What are you gonna say?Penny: I'm not gonna say anything. I just want to check her out. Because she hurt my friend. My Indian friend. Who'sracist now?Bernadette: You because you just called him your Indian friend.Penny: Yeah, well, you're short.Amy: We're never getting our drinks.Bernadette: No, but we knew that.Penny: Hey, can I start you off withsomething to drink?Lucy: Oh, water would be great.Penny: Okay. Um, you're Lucy, right? I'm a friend of Raj Koothrappali's. Actually Amy recognized you.Lucy: Wow. How's he doing?Penny: Oh, you know, he'sgood.Lucy: Great.Penny: Yeah, this is none of my business. But why did you break up with him in an e-mail?Lucy: Oh, I don't know. I guess I thought it would be easier.Penny: Yeah, I get that. I'll go get you yourwater. When you say easier, you mean easier for you, right? 'Cause it certainly didn't make it easier for him.Lucy: Any chance I can get a different waitress?Penny: I'm sorry, this is rude of me. I will go get that water.See, see, see, see. Just now you expressed your feelings to my face. How come you could do that with me, but not Raj?Lucy: I don't know your e-mail.Penny: You know what the worst part is? You're sitting here,perfectly happy and he's at home, a blubbering mess.Lucy: Oh, I thought you said he was okay.Penny: Well, I also said I was getting you water, but look at me still standing here. You know, I may be a bad waitress,but you are a bad person. Now, you want to hear the specials?Scene: The apartment.Howard: So, you can never take it off?Leonard: No.Raj: Not even to sleep?Leonard: No.Howard: So, you're just an idiot?Leonard:It's called proving a point.Howard: Is the point that you're an idiot?Sheldon: Gentlemen, please. Leonard is trying to walk a mile in my metaphorical shoes. He can't walk in my actual shoes. He has the feet of atoddler.Raj: So, how are you gonna return the DVD if the store went out of business?Leonard: Monday morning I'll go downtown, look up the owner's information and send him the DVD. Pay the late fee, and prove toSheldon that you can have a problem and solve it without acting like a complete lunatic. Ah!Howard: And the man impersonating a bear would like everyone to know that only you can prevent forest fires.Raj: I don't getit.Howard: You didn't have Smokey the Bear in India?Raj: No. Oh, is he anything like, uh, Mun-Mun the Mongoose? He taught us not to play with cobras.Howard: You had to be taught not to play with cobras?Raj: Youhad to be taught not to burn down the forest?Scene: Penny's apartment.Penny: Hey, if you guys were hungry, why didn't you order something at the restaurant?Bernadette: We did, you never brought it.Penny: Oh,that's right. Nachos and a turkey club.Amy: Not even close.Penny: Well, I was too busy standing up for my friend to worry about your, I want to say salmon.Amy: You want to say sorry.Bernadette: So, how are yougonna tell Raj abut what you did?Penny: What do you mean how? What's the big deal?Amy: You told Lucy he was a pathetic mess.Bernadette: Then you made her cry and leave.Penny: Okay, you guys are overreacting.Raj is gonna appreciate how I had his back.Scene: The same, later.Raj: What is wrong with you, Penny? You ruined any chance I had of getting back with Lucy. Now she knows I'm a desperate mess instead of justbeing pretty sure. (Phone text sound) It's Lucy. She wants to meet for coffee. I love you, Penny.Scene: Sheldon's office.Howard: Hey, what're you working on?Sheldon: I'm thinking about how one could use the factthat a rapidly rotating mirror turns virtual photons into real ones as a method of observing dark energy.Howard: That's a pretty cool idea.Sheldon: Yeah. It's great you're here. I'd love to get an engineer'sopinion.Howard: Sure.Sheldon: This chair is squeaky. Now, do I fix it or get a new one?Leonard: Well, Sheldon, it took me all morning, but I found the owner of the video store. And I am happy to report that he diedpeacefully in his sleep, drunk at the bottom of a pool. Anyway, there is no one to return the DVD to, so this issue is resolved. Ah! And I'd just like to point out that even though the sweater was uncomfortable, I didn'tuse it as an excuse to antagonize everyone around me.Howard: You know, you could reimburse the video store owner's next of kin.Leonard: Or it's resolved.Sheldon: Hey, that next of kin thing sounds prettygood.Howard: I believe this is yours.[SCENE_BREAK]Scene: Howard and Bernadette's apartment.Raj: Can I ask you guys a question? So, I'm seeing Lucy tomorrow night, and I've never hung out with someone whobroke up with me. How do you do it?Howard: You can't let her know you're hurting. You know, the key is confidence.Raj: Why is the key always confidence? How come it's never love handles and flop sweat?Bernadette:If this girl hurt you so much, are you sure you want to see her again?Howard: Well, if I may, he has so little self-respect and is so desperate for the smallest crumb of affection, she could literally sleep with his ownfather in his own bed and post the video to YouTube, and he'd still buy her flowers and ask her to be his bride.Raj: He's right. But in my defence, if we could survive that, we could survive anything.Bernadette: Well, ifyou're sure you want to do this, it's only coffee, just relax and see what happens.Raj: Well, can I say she looks nice?Bernadette: Sure.Raj: Can I tell her I miss her?Bernadette: Maybe, if she asks.Raj: Oh, can I showher an oil painting I made of us surrounded by our children and grandchildren?Bernadette: I'd save that for the second date.Raj: Good, good. 'Cause no matter how hard I try, I cannot get the twins to look alike.Scene:Penny's apartment.Penny: What are you doing?Leonard: Oh, I'm just trying to find the stupid next of kin to this stupid video store owner so I can return the DVD and see the look on Sheldon's stupid face when he seesthat I didn't let this get to me.Penny: Sheldon's not here. Why don't you take the sweater off?Leonard: There's a principle at stake.Penny: Which is?Leonard: Oh, I don't know. Who cares? Look at me.Penny: Oh, myGod! Is that sweater made of bees? Come on, take it off. I won't tell.Leonard: No, no, honey, if I take it off, Sheldon wins.Penny: Sweetie, every night you don't kill him in his sleep, he wins.Leonard: No, it's, it's almostdone. I just, I have to find the next of kin, and send 'em the DVD and then just wait for someone with my complexion to die so I can get a skin graft.Penny: Smile.Leonard: What is that? What is that for?Penny: So youcan send it to Princeton and get your money back.Scene: The apartment.Amy: I must say, Sheldon, you're handling this DVD business with an impressive amount of maturity.Sheldon: I don't know why that surprisesyou. I'm a grown man. As should be evident by this sport coat and very real flower in my lapel.Amy: Is there some kind of new coping mechanism you're employing?Sheldon: The more interesting question you shouldbe asking is, what does this flower smell like?Amy: I'm gonna go with sad. So what's the story with you and this DVD?Sheldon: There's nothing to tell. Maybe I purchased a book entitled Don't Sweat the Small Stuff andI followed its wise suggestions, one of which was stop and smell the flowers.Amy: Seriously?Sheldon: Please. Ha-ha, Oh.Scene: A coffee shop.Lucy: Hi.Raj: Hello. Oh, it's so good to see you.Lucy: You, too.Raj: Please,sit. I, uh, I got you a cappuccino. I remembered it was your favourite. I also got crumb cake, but I remembered it was my favourite and I ate it. Anyway, uh, how are you?Lucy: I'm pretty good. Listen, I just wanted toapologize for breaking up with you in an e-mail.Raj: Well, and I ate all the crumb cake. We both made mistakes.Lucy: Okay.Raj: I'm so happy you asked me here, and I hope we can hang out again sometime. Youknow, as friends, lovemaking partners, whatever.Lucy: Oh, uh, I'm kind of seeing someone.Raj: I think I know the answer to this, but just to be clear, it's not me, right?Scene: Penny's apartment.Raj: This is all yourfault, I should've listened to Mun-Mun because I've been playing with a cobra and her name is Penny. Why are you so cruel? Do you enjoy my pain?Penny: There's a girl at the Cheesecake Factory I can set you upwith.Raj: I love you, Penny.Scene: The apartment.Sheldon: How is it I can conceptualize a methodology of examining dark matter in the universe but can't figure out how to fix a novelty squirt flower?Amy: I think thereal question is, why do you waste your time with cheap, childish pranks?Sheldon: There's probably a deep reason. Which I'd be happy to discuss with you over some peanut brittle in a can.Leonard: Okay, Sheldon, Iam out of options. Video store owner, Nursis Manookian, has no next of kin.Sheldon: Well, you seem hot under the collar, or is that the sweater?Leonard: Oh, oh, no, no. It's because I spent all afternoon at theArmenian church where his funeral mass was held. According to Father Solakian, no one attended. Luckily, my trip wasn't a complete waste. I lit a candle and prayed for your death but I'm not Armenian, so it probablywon't work. This is over, right?Sheldon: Oh, not necessarily. I suggest you look for long-lost relatives either in Armenia or Lebanon.Leonard: Listen to me, Sheldon. I am not going to Lebanon to return Super MarioBrothers the movie.Sheldon: You know, it might be fun. You love hummus.Leonard: Why isn't this bothering you? Isn't your brain getting itchy? This is on your card. This could be ruining your credit score. Why isn't thismaking you crazy?Sheldon: Leonard, I have something to tell you, but I want you to promise not to flip out.Leonard: What?Sheldon: Seven years ago, I found out the DVD was late and I paid for it.Leonard:What?Sheldon: I was going to mention it at the time, but then I thought, some day, this might be a teachable moment.Leonard: Aaaah! I, you, how can, what!Amy: Sheldon, that was diabolical.Sheldon: I know. And itwasn't easy. Do you have any idea what it's like to wait for years and never know if you're going to finally get satisfaction?Scene: A coffee shop.Raj: Wow. You're even prettier than Penny said. I can't believe a girl likeyou doesn't have a boyfriend.Girl: Well, I don't.Raj: I don't believe you, you're lying to me.Girl: What?Raj: Oh, it's okay. I have no morals and I'm desperately lonely. I'll be the other man if you want a littlesomething-something on the side.Scene: The cheesecake factory.Girl (to Penny): What is wrong with you?Scene: Penny's apartment.Penny (to Raj): What is wrong with you?Scene: Raj's apartment.Raj (to a mirror):What is wrong with you?"}
+{"doc_id":"doc_211","qid":"","text":"-[Fairy Tale Land - Past]-(Hook, wearing a cloak to disguise himself, walks up the stairs leading to a tower in the Evil Queen's castle. Along the way, he encounters a guard on the stairs.)Guard: Halt.Hook: Food for theprisoner.Guard: It's not mealtime. Who are you? Identify yourself, slave!(Hook easily defeats the guard in a fight.)Hook: Slave? I prefer Captain.(He takes the keys from the dead guard and continues his way upwards.At the top, he enters a room, where Belle is being held captive.)Hook: Hi... You must be Belle.Belle: The Queen sent you, didn't she? She wants you to kill me.Hook: I'm not here to kill you, love. I'm here to rescueyou.(Hook begins to unlock her shackles.)Belle: Rescue me? Who are you?Hook: A friend. We haven't much time. Your father's life is in danger. He's being attacked by the very same monster who stole you away fromyour family in the first place.Belle: What, Rumpelstiltskin?Hook: The Dark One - he must be stopped. You spent more time with him than anyone. There are rumours of a magical weapon that has the power to killhim.Belle: No, no, no, no. Let... Let me talk to him. He's not a monster.Hook: Belle, your father's life hangs in the balance. I need to know what that weapon is, and where to find it.Belle: I don't know what you'retalking about, and I have no idea how to... How to kill Rumpelstiltskin.Hook: You don't?Belle: No. And... And nor would I.Hook: Hm. Then, I'm afraid I'm not here to rescue you.(He backhands Belle, rendering herunconscious.)Hook: So pretty... Yet, so useless.(Hook raises his arm, preparing to kill her with his hook, but is stopped by the Evil Queen. She enters the room and magically removes his hook.)Evil Queen: No. Notuseless. She's a valuable chess piece.Hook: Do I look like I'm playing a game of chess? My hook, if you please.Evil Queen: No.Hook: The asking was me being a gentleman.Evil Queen: Is that any way to address aqueen? Even a pirate should have better manners than that. Yes... I know who you are... Captain. I know why you came here from Neverland. And I know all about the crocodile you wish to skin.Hook: Then you alsoknow, that I'll stop at nothing.Evil Queen: So dedicated and resourceful. No one has been able to fight their way past my defenses before. She can't help you kill Rumpelstiltskin, Hook. But I can, if you do something forme. Care to join me for a drink?[SCENE_BREAK](The Evil Queen pours out two drinks and hands one to Hook.)Evil Queen: Things are about to change in this world. Radically. I have plans to enact a curse that will takeeveryone to a far-off land.Hook: How will that help me?Evil Queen: This new realm? It's a land without magic. Where the Dark One will be stripped of his powers. There, you won't need any magical weapon to kill him.You can do it with a mere flick of your wrist.Hook: Tell me what I have to do.Evil Queen: There's one person I don't want following me to this new land. You're to see to it that doesn't happen.Hook: An assassination.Who is it you want me to dispose of?Evil Queen: My mother.-[Storybrooke]-(In Mr. Gold's shop, Regina checks on David, who is still under the sleeping curse.)Mr. Gold: Any change?Regina: No. He's not improving. Heneeds true love's kiss. He won't wake up until Mary Margaret comes back.Mr. Gold: Until? Well, that's rather optimistic, isn't it?Regina: What are you talking about?Mr. Gold: They're up against your mother. The onlychance Snow and Emma have of defeating her, is with the squid ink.Regina: Which is why you sent the message through David.Mr. Gold: Which would be beneficial, if we knew that message were delivered. But alas,given the Prince's condition, we don't know. As such, it's important we take precautions. We have to consider the possibility that, when that portal opens, it won't be his family that come through. It'll be Cora.Regina:And neither one of us wants that.Mr. Gold: We have to find where they're coming through, and destroy that portal.Regina: But whoever came through would die.Mr. Gold: Exactly. But, I'm confident between the two ofus, we can summon up enough magic to complete the task.Regina: Well, what if we're wrong? What if that portal opens up, and it's not my mother? What if Mary Margaret and Emma do defeat Cora, and go throughit?Mr. Gold: Well, I believe in this world, they call that a win-win.Regina: How exactly is that?Mr. Gold: If we stop Cora, you are protected from your mother's wrath. If, on the other hand, we stop Snow and Emma,well... You become the only mother in your son's life, now don't you? Look, magic is unpredictable in this world. If something unfortunate were to happen while you were attempting to help... Henry could hardly blameyou for that, could he?Regina: No. I can't lie to him. I am trying to be a better mother.Mr. Gold: You won't be able to be a better anything if Cora comes through. And if she does, she will be a threat to everyone -including your son. So, if you truly want to be a good mother to Henry - to protect him - if you want to be better, prove it.-[Fairy Tale Land - Present]-(Mary Margaret and company arrive at Rumpelstilskin's cell.)MMB:Rumpelstiltskin's cell. I haven't been here since before Regina's curse. This is where he told us you were going to be the saviour.Emma: He knew?MMB: It was prophesized. Come on.(Inside, they find the cell completelyempty.)Aurora: The squid ink - it's not here.MMB: Gold said we would find it.(They begin to check the crevices of the walls.)Mulan: Well, was there anyone else in here with him? Could they have taken the ink?MMB: No,he was kept alone. Visitors were forbidden. He was too dangerous to allow any human contact.Emma: How'd he keep from going crazy?(Aurora finds a piece of paper tucked into the wall.)Aurora: He didn't.MMB: Whatis it?Emma: Is that a message?Aurora: Yes. And I think it's for you.(Aurora hands Emma the paper.)Emma: Why would you think... That.(On the paper, 'Emma' is written over and over again, and nothingelse.)-[Storybrooke]-(Henry is reading the 'Snow White' story to David from his book. Regina enters.)Regina: I think this time, it'll happen the other way around.Henry: You think so?Regina: I do. Which is why I needyou to stay here and watch David for a little while.Henry: Where are you going?Regina: Mr. Gold and I need to prepare for Emma and Mary Margaret's return. Coming through the portal won't be easy. We need to makesure everything's in place.Henry: Really? You're really going to help them?Regina: I promised you I was going to do better - to be better. So, yes, I'm going to do everything in my power to see to it they come homesafely.Henry: Wow. You really have changed.Regina: Be back as soon as I can.[SCENE_BREAK](Regina and Mr. Gold enter the mines. Everyone else has already left.)Mr. Gold: I'm really glad you, uh, came to yoursenses.Regina: Let's just get this over with.Mr. Gold: It's right through here.(They arrive to where the dwarves had found the diamonds.)Mr. Gold: Ah, yes. Should suit our purposes, no?Regina: How much do weneed?Mr. Gold: All of it.Regina: How are we going to do that?Mr. Gold: With a little help from a fairy.(He takes out a wand.)Mr. Gold: Dead one. Believe me, no one mourns her.(He waves the wand and magicallyabsorbs the power from the diamonds. The diamonds disappear, and the wand glows with magic.)-[Fairy Tale Land - Past]-(The Evil Queen waves her hand over Hook's hook, causing it to glow. She hands it back tohim.)Evil Queen: It's now... Enchanted. It will enable you to rip out her heart. I believe you've seen it done before.Hook: Yes.Evil Queen: The enchantment will only allow you to rip out one heart, so make sure you do itright.Hook: What could she have possibly done to warrant such brutality?Evil Queen: That's my business. Yours is to kill her, and bring her body back to me.Hook: Easy enough. When will I set forth on this murderousjourney?Evil Queen: Immediately. But you won't be going alone.(She walks over to the sitting area, where there is a blanket covering something large on the chair. She pulls it back, revealing a corpse.)Evil Queen: Youremember Claude?Hook: Can't say that I do.Evil Queen: You killed him in the cell block.Hook: Ah, yes. I didn't recognize him without my hook in his neck. Forgive me, but isn't he a bit of dead weight?Evil Queen: Ibanished my mother to a far-off land some time ago. You're going to need a portal to get to her.(She pulls out the hat box containing Jefferson's hat.)Evil Queen: The rules are simple - one goes in, one comes back. Or,in this case, two in, two back. You'll arrive with Claude, and you'll return with my mother.Hook: Now tell me... Which far-off land do I have the pleasure of visiting today?Evil Queen: Wonderland.Hook: Happily named,I'm sure. How will I find her?Evil Queen: Oh, don't worry. She'll find you.(The Evil Queen spins the hat on the floor, creating a purple vortex.)-[Wonderland]-(In Wonderland, Hook has been captured and is escorted byseveral guards to the Queen of Hearts and various other citizens of Wonderland. Her face is obscured by a mask.)Knave of Hearts: Kneel, before the Queen of Hearts.Hook: Appreciate the warm welcome.(The Queen ofHearts uses the tube to speak through. The Knave of Hearts relays her message.)Knave of Hearts: The Queen wants to know why you've come to Wonderland.Hook: I'm in search of someone. In her native land, shegoes by Cora.(The crowd begins to whisper as the use of the name 'Cora'. The Queen of Hearts removes her mask, and reveals herself to be Cora.)Cora: In this land, she goes by Your Majesty. Leave us.(Everyone exits,leaving Cora and Hook alone.)Cora: Your name, pirate?Hook: Hook.Cora: What a clever nickname.(Hook pulls a pearl necklace out of his pocket and approaches Cora.)Hook: I come bearing gifts, if you allow me.Cora:This hat - your portal... If I understand correctly, the same number who travels through, must also return. You arrived with him, but who shall you return with?Hook: You.(Hook throws the necklace over his shoulder,and plunges his hand inside her chest. However, nothing happens.)Hook: What?Cora: I'm the 'Queen' of Hearts. Do you really think I'd be so careless, as to keep my heart where everyone else does? This...(Cora sticksher hand into Hook's chest, causing him to grimace in pain.)Cora: Is how it's done. Tell me - who did this? Who sent you here to kill me? Who?Hook: Your daughter.Cora: Regina? She... Wants me dead? You're nowgoing to tell me everything, and do exactly what I want. Because when you hold a heart, you control it. You have the power.-[Fairy Tale Land - Present]-(The group is still scouring the cell in search of the ink. Emma isstill looking at the paper.)Emma: What does this even mean?MMB: He was obsessed with you, Emma. You were the key to breaking the curse.Aurora: We've looked everywhere. There's no ink in this cell.MMB: Well, ithas to be. He told David.Emma: You were in a Netherworld. Maybe something got lost in translation.Mulan: No. She heard right.MMB: You found it?(Mulan holds up an empty bottle.)Mulan: In a manner of speaking.There was ink in the cell.Emma: Son of a bitch...(Suddenly, Aurora grabs a rock and throws it against a lever just outside of the cell. The door to the cell falls down, trapping the four of them inside.)Emma: Aurora, whatare you doing?!(Cora and Hook arrive.)Cora: Helping me.(Cora magically summons the compass to her.)Emma: No!Cora: No. Don't waste your energy, dear. Rumpelstiltskin himself couldn't escape from this cell. Thankyou, Aurora. We couldn't have done it without you.Emma: Why would you do this?MMB: How could you?Cora: Don't blame her. She was only doing what she was told.(Cora pulls out Aurora's heart.)Emma: You took herheart?Hook: Actually, I did. It was a gift.(Cora squeezes the heart, causing Aurora to yell out in pain.)Cora: Forgive us. We'd love to stay, but Storybrooke awaits.(The two of them turn to leave, but Emma calls out toHook.)Emma: Hook. Wait. Please don't do this. My son is in Storybrooke. He needs me.Hook: Perhaps you should've considered that, before you abandoned me on that beanstalk.Emma: You would've done thesame.Hook: Actually, no.Hook: Do you know what this is, Emma?(He takes out the mummified bean that the giant had on his necklace.)Emma: The bean that the giant kept.Hook: Yes, indeed. A pirate always keeps asouvenir of his conquest, but this... Well, this is much more than a mere trinket. This is a symbol. Something that was once magical, full of hope, possibility... Now look at it. Dried up, dead, useless. Much like you. Thetime for making deals is done, just as I'm done... With you.-[Storybrooke]-(Ruby frantically runs into the mine, where she finds Leroy staring vacantly up at the ceiling where the diamonds once were.)Ruby: Leroy!What is it? What's the emergency? Leroy.Leroy: They're gone. They're all gone.[SCENE_BREAK](Henry is still reading by David's bedside. Ruby, Leroy, and the rest of the dwarves enter.)Ruby: Where are they? Reginaand Gold.Henry: What's going on?Ruby: All the magic has been drained from the mines.Henry: They stole it?Leroy: They snuck in after our shift and took everything. Nobody steals from a dwarf!Doc: Except theQueen.Happy: ...And Rumpelstiltskin.Henry: If they're not helping Emma and Mary Margaret that... That means my mom lied to me.Ruby: I'm sorry, Henry.Henry: We need to find her. We need to stop them. We needto help Emma and Mary Margaret.-[Fairy Tale Land - Present]-(Emma is futilely banging the door of the cell with her sword, while the rest of them watch.)MMB: We aren't going to break it down, Emma. It wasenchanted to hold Rumpelstiltskin. We don't have a chance.Aurora: This is my fault.Mulan: No, it's mine. Cora stole your heart because I failed to protect you.Emma: That's very sweet, but I believe it's my fault. I'm thesaviour, and I'm not doing much saving, am I?MMB: We're going to win this fight, you know. Good always defeats evil.Emma: You sound like Henry.MMB: Guess optimism runs in the family.Emma: I think it skipped ageneration.MMB: You should know better than anybody. You broke the curse.Emma: What have I done since then? I got us stranded over here, burned down the wardrobe, let Cora get the ash, and now, the compass.The only reason I ever broke the curse, was because it was exactly what Gold wanted me to do. I had nothing to do with it.MMB: What are you talking about?Emma: He told you I was the saviour. It was his plan. Once Ifulfilled that role, maybe that's all I was ever meant to do. Everything I've ever done... He had it all mapped out before I was even born. I'm not powerful. I'm... I'm not... A saviour. I'm a name on a piece of paper. I'ma pawn, and that's exactly why we are in here. And Cora's on her way to Storybrooke.[SCENE_BREAK](Meanwhile, Cora and Hook are traveling through a field.)Hook: Where are we going?Cora: Lake Nostos. The legendsays its waters hold the power to restore what was once lost. It'll return magic to what remains of this wardrobe. And then, we'll be able to cross worlds.(They arrive at the dried up Lake Nostos.)Hook: I may be asimple pirate, but... I know one thing - lakes have water.(Cora waves her hand, and a small vortex magically forms in the middle on the former lake. Suddenly, a geyser of water shoots up from the ground.)Cora: Aftereverything we've been through, why do you still doubt me?-[Wonderland]-(In Wonderland, Cora still has her hand in Hook's chest.)Hook: I've told you all I know. Now have some honour, and kill me.Cora: Honour? Forthe pirate who snuck into my palace to assassinate me?Hook: At your daughter's behest.Cora: She should've come. She should've killed me herself.(Cora removes her hand from his chest, but leaves his heartintact.)Hook: Mercy seems a bit out of character.Cora: Oh, not mercy, Hook. You're going to help me. Regina knows my methods better than anyone. If I was controlling you, she'd know. This has to be yourchoice.Hook: Why should I?Cora: Because, my dear, I'm the only one who can give you what you want.Hook: Is that so?Cora: This curse my daughter plans to enact? This new land she's taking everyone to? You won'tremember who you are. So tell me, Captain - how do you expect to kill someone, when you can't even remember him? But, if you do what I say, I'll make sure you not only kill him, but that you remember every singlemoment.Hook: Well, what shall you have me do?Cora: Get me close to my daughter. And then, I'll rip her heart out.-[Fairy Tale Land - Past]-(Cora and Hook return to the Evil Queen's castle. Cora lies in a casket andpretends to be dead. Hook brings the Evil Queen in to show her the results.)Hook: Satisfied?Evil Queen: Did she put up a fight?Hook: Nothing I couldn't handle.Evil Queen: Thank you. Now leave us. I'd like a momentalone to say goodbye.(Hook exits.)Evil Queen: I'm sorry, mother. Without you, I never would've become the person I am now. But I had no choice. I had to do this. After you killed Daniel, you told me something I'venever forgotten. Love is weakness. Well, mother, you are my weakness, because I love you. That's why I couldn't risk taking you to the new land with me. Your grip on my heart is just too strong. And for what I need todo... I can't have any weakness.(She places a rose on top of Cora's body.)Evil Queen: Goodbye, mother.(When the Evil Queen exits the room, Hook emerges from the shadows.)Hook: What happened? You didn't killher.Cora: There's been a change in plans.Hook: What would that be?Cora: My daughter's curse is coming. We have to protect ourselves.[SCENE_BREAK](The Evil Queen's curse rips through the Enchanted Forest, thesmoke quickly progressing across the land. Cora and Hook watch from a distance as it approaches. Cora strikes the ground with her sceptre, creating a beam of light that shoots up towards the sky. Eventually, thebeam scatters, creating a domed shield around a small section on the land.)Hook: Wouldn't it have been easier to reconcile with her before her curse destroys the land?Cora: Regina doesn't need me - not now. Notwhen she thinks she's about to win. But I still have a place in her heart. And the curse won't last forever. It will end. In twenty-eight years, there'll be a saviour. And she'll break it.Hook: Twenty-eight years?Cora: Youwon't even notice. You'll be frozen, like all those in this corner of the land. But, when the curse ends, our quest will resume. And, when it does, Regina will truly have lost everything, and then she'll need me. That'swhen we'll go to this new land. You'll get your revenge. And me, I'll... Help her pick up the pieces.-[Storybrooke]-(Regina and Mr. Gold are walking through the woods towards the 'wishing well'.)Regina: You're certainthe portal's going to open up all the way out here?Mr. Gold: There. This is where things once lost are returned to us. This is where Cora's going to come through.(The two of them look inside. The water below isbubbling.)Regina: Unless, it's Mary Margaret and Emma.Mr. Gold: I highly doubt it.-[Fairy Tale Land - Present]-(Emma's group is still stuck inside the cell. Mary Margaret is analyzing the paper.)MMB: We are going toget out of here.Emma: How? By staring at that scroll? It's not like it's going to magically open the door for us.MMB: Yes, it is.Emma: What?MMB: When I was a little girl, I used to sneak into Cora's chamber and watchher practice magic. She had a spell book and, Emma... The spells were in the book.Emma: Yeah, isn't that what a spell book is? A book that has spells in it?MMB: Watch.(Mary Margaret gently blows on the paper,causing the words to lift off the page.)Emma: Whoa. Squid ink. Gold wrote the scroll in squid ink!(Mary Margaret blows the words toward the door of the cell. The inked words magically create an exit.)MMB: Told you.Good always wins.Aurora: Wait. I can't go. You have to tie me up.Mulan: No. I'm not leaving without you.Aurora: I can't be trusted. Not as long as Cora has my heart.Mulan: Then I will get it back for you.Aurora:Mulan...Mulan: I will.Emma: Mulan. We got to go.Aurora: Do it.(Mulan takes a piece of rope, and ties Aurora to what remains of the cell's bars.)Aurora: Good luck.MMB: Thank you. Good luck toyou.[SCENE_BREAK](The geyser at Lake Nostos gradually subsides, leaving behind a small lake. Cora takes out the vial of ashes.)Cora: And now, the ashes. Would you care to do the honours?(Hook takes the ashes andsprinkles them into the lake. A whirlpool magically forms in the center of the lake.)Cora: Here we go. We'll be in Storybrooke soon enough. I really look forward to seeing my daughter.-[Storybrooke]-(Mr. Gold andRegina continue to stare down the well, until they see a change in the water.)Mr. Gold: It's time.Regina: So, what are we waiting for?(They step away from the well, and Mr. Gold takes out the fairy wand. He holds it uptowards the sky and summons a thunderstorm. A clash of green lightning strikes the well, which creates an electric barrier of sorts.)Mr. Gold: Doesn't matter who comes through now. No one can survive this.-[Fairy"}
+{"doc_id":"doc_212","qid":"","text":"(SGH)(Derek is in the OR performing surgery on a patient. The gallery is empty aside from Meredith who is standing by herself)MVO: As doctors we're trained to skeptical because our patients lie to us all the time. Therule is: every patient is a liar until proven honest.(Cristina enters the gallery and gives Meredith a wry smile and Meredith smiles back. Cristina walks up to the window to peer and looks down into the surgery)Meredith:Why aren't you prepping for rounds and stealing all the good cases?Cristina: Well why aren't you prepping for rounds and stealing all the good cases?Meredith (shrugs): No reason.Cristina: No reason?MVO: Lying is bad.Or so we're told. Constantly, from birth. Honesty is the best policy.(Cristina sits down next to Meredith)MVO: The truth shall set you free. I chop down the cherry tree. Whatever.Meredith: I'm waiting forMcDreamy.Cristina: I'm avoiding Burke.Meredith: Why are you avoiding Burke?Cristina: He thinks I moved in with him. Why are you waiting...Meredith (interrupts): McDreamy is doing me a favor. Burke thinks youmoved in with him?Cristina: Wait you're calling him McDreamy again?(Cristina shakes her head at Meredith)MVO: The fact is, lying is a necessity.(Trauma room where Meredith is sitting on a table as Derek draws outher blood)Meredith: Thank you for doing this. With the needles and the blood. They won't accept her without a full family history.Derek: I'm happy to get your mom into the clinical trial. Even with the needles andblood.(He stands up and they 'gaze' into each others eyes)Derek: All done. How's that feel?MVO: We lie to ourselves because the truth, the truth freaking hurts.Meredith: Feels good.(Cristina is standing in a hallwaywaiting for Meredith. Meredith walks up to her and they start walking down the hall together)Meredith: Burke thinks you moved in with him? What does that mean?Cristina: Ok it's not important. You're calling Derek,McDreamy again.Meredith: It's nothing.Cristina: All right, what are you doing?Meredith: What are you doing?Cristina: Stop repeating what I say.Meredith: Stop asking me questions.(They stop and look out over therailing of the mezzanine and hear some banging. George is banging on a window of the hospital with Izzie standing next to him, arms crossed holding a leash with Doc on it.)George (yells): Cujo has to go!(Intern lockerroom where the interns are getting for rounds. Meredith is sitting down on a bench, already in her scrubs with Doc laying next to her)Izzie: He peed on my bed. My bed, Meredith!Meredith (defensive): He's ourdog!George: No, he's not my dog. You two bought him, without even asking me.Meredith: We rescued him from certain death. (She pouts) Come on you guys.George: I'm putting my foot down. Either the dog movesout or I do. Foot. Down. Now. Me or the dog, which is it?(Meredith looks down at Doc contemplating and then back up at George)George (shocked): You hesitated! She hesitated!Izzie: You hesitated?!?Meredith: I didn'thesitate. I was thinking.George: You have to think about it, fine! I'm moving out right now.(He heads to the door to exit the room but as he opens the door, Bailey is revealed standing there. He swivels back towards hislocker)George: Later. I'm moving out later because right now I have rounds.(Bailey walks into the room)Bailey: Tell me that is not a dog.All: It's not a dog.(Bailey's pager goes off)(Bailey is standing outside theemergency double doors with Cristina, George, Meredith, Alex, and Izzie. An ambulances double doors open up and paramedics start wheeling out a patient, including Tony the paramedic)Tony: Rick Freeark. 29.Severed 3 fingers on his left hand. Controlled the bleeding in field. Vitals stable. Gave him 5 of morphine on the way in.(They all start wheeling the patient down the hallway)Bailey: The fingers?Tony: Had some troubleretrieving them so we took off. Rich behind us found them. They're iced and ready to go. 10 minutes out.Bailey: Continue with IV fluids and start a course of antibiotics.(Bailey stops Cristina)Bailey: Yang, wait outsidefor the fingers.(Cristina heads back out)(Rick's trauma room)Rick: You can sew them back on right? Cause they sewed that guy's pen1s back on after his wife chopped it off, right?Bailey: Penises and fingers. Like applesand oranges.George: How did it happen?Rick: I was loading my gear onto my truck for a gig and my hand got caught in the lift gate.Alex: You're a musician?Rick: I play the friggin guitar. (to Bailey) You can sew themback on right? It's not that big of a deal right? Oh dude I better not be out of the band.(Trauma room, where now there are only scrub nurses and Derek checking on Rick's fingers. Cristina enters the room with Rick'sdetached fingers in a towel)Derek: Well the cuts look clean. That's good. Clean and severed makes reattachment easier. I'm not going to lie to you, if the surgery is successful; we're looking at a long recovery. Lots ofphysical therapy. (Rick looks pained at this) You smoke?Rick: Why?Derek: Cigarette smoke constricts the blood vessels. I've seen really good grafts fail over a few cigarettes.Rick: So what are you saying? I, I smoke acigarette after my operation and boom my fingers fall off?Cristina: No first they turn black and necrotic and then they fall off.(Derek smiles apologetically at Rick)Rick: Well I don't smoke, so ...Cristina (holding up onedetached finger): Really? Cause judging by the nicotine stains, your fingers do.(Rick looks alarmed at the idea of having to give up smoking)(George is rifling through some charts at the nurses station when he hears avoice call out from a patient room)Sophie: Anybody out there? Hello!(George shoots a glance to Nurse Debbie who is also at the desk)Debbie: Don't look at me! She had hip replacement surgery a month ago and wasdischarged last week.George: Then why is she still here?Debbie: Because I am not a bouncer and this is not a nightclub! I am doing what I can (Richard walks up and Debbie walks directly to him) with extremely limitedstaff and resources and if you have a problem with that take it up with 'Chief!'(She storms off. You can hear Sophie sing now)Sophie: Don't know why, there's no sun up in the sky ...(Richard shoots George alook)Richard: Mrs. Larson's got to go.George: If she refuses to leave what can I do?Richard: She's 78 and non-ambulatory. You have the upper hand here. Use it.(Bailey, Izzie and Alex walk up to them)Richard: Karev,can I talk to you for a second?(He and Alex walk off to the side and he hands him an envelope)Richard: The results of your medical board exam.Alex: Thanks.(Richard walks off as Izzie looks on curiously. George dumpsa bunch of charts into Izzie's arms and heads off. Bailey looks on disapprovingly. Alex walks back up to Bailey and Izzie)Izzie: Aren't you going to open it?Alex: Yeah, I'll open it.(George is entering Sophie Larson'sroom. An elderly yet very vibrant and energetic woman)Sophie (sings): I'm weary, all the time.(George claps loudly)Sophie: Oh, thank you. Thank you.George: Ok, Mrs. Larson I'm Dr. O'Malley.Sophie: Oh an Irishman!I love the Irish. They have a sparkle. You can see it in the eye and the swagger. Come on Dr. O'Malley, show me the swagger.(George looks slightly uncomfortable but swaggers half-heartedly up to Sophie'sbedside)Sophie: The eyes are right, but uh you'll have to work on the swagger.George: Mrs. Larson...Sophie: Call me Sophie. Now, be a doll and bring me a remote. (She holds up and shakes it in front of him) Thisone's busted.George: Sophie, I can't bring you a new remote because you are no longer a patient at this hospital. Now according to your chart you have a room waiting for you at the Sugar Maple Nursing Home.Sophie:I'm staying until my daughter's house is ready. She's converting her den into my bedroom. She's doing it a shade of pink. Now bring me a remote Irish. I'm going to sing until you get back. (She starts singing loudly)Can't go on. Everything thing I have is gone! (George holds out is hand and she slaps a remote into it) Stormy weather-George: Coming right up.(He leaves)(Trauma room where a young Asian woman named Yumi sitson a bed continuously hiccupping. Yumi's Coach, Mr. Kamaji is also in the room)Alex: Ah Yumi Miyazaki. 22. She presented this morning with persistent hiccups.Izzie: She was given 50 chlopromazine which stoppedthem for a while but then the hiccups returned so she needs a surgical consult to rule out esophageal perforation.Bailey: When did your hiccups start?Mr. Kamaji: A few days ago. She doesn't speak English.Bailey: Areyou her boyfriend?Mr. Kamaji: Her coach.Alex: Oh she's an athlete.Mr. Kamaji: Ah, Yumi is a competitive eater.Izzie: Eating is a sport?Alex (nods): Miyazaki ... yeah, yeah. She's like a Rock star in Japan.Izzie: Again,eating is a sport?Alex (to Mr. Kamaji): Tell her I saw her on TV. Tell her that I'm an athlete too. I'm a wrestler.Mr. Kamaji (in Japanese to Yumi): The young doctor wants you to know he's a wrestler. I think he's flirtingwith you.(Yumi gives Alex an appraising look)Yumi (in Japanese to Kamaji): Tell him I eat little boys like him for breakfast.Mr. Kamaji (to Alex): She wonders how a wrestler got smart enough to be a doctor. Mostwrestlers she knows are dumb.(Alex and Izzie smile. Izzie more of a oh my god smile)Alex: Just tell her that she hasn't been hanging around the right gyms.Bailey: How bout instead you tell her that persistent hiccupcould be an indication of something much more serious. (To Alex and Izzie) Schedule an esophogram.Mr. Kamaji: Oh she's competing this afternoon at the 'Taste of Seattle'. Can't you just give her a stronger dose ofthat drug? It seemed to work.Bailey: Did the hiccups come back?Mr. Kamaji: Yes, but...Bailey: Then it didn't work.(She moves and starts to walk off, but stops suddenly clutching her stomach in pain)Izzie: Dr.Bailey.Bailey: Be quiet.Izzie: Dr. Bailey, are you ok?(Bailey tries to shrug it off, but she still seems to be in pain)Bailey: All right somebody page Addison Shepherd.(Izzie moves off quickly while Alex stays withBailey)(Bailey is lying down being given an ultrasound by Addison in an exam room)Addison: There he is. Heartbeat's strong. Since there's no dilation or effacement, looks like nothing more than Braxton Hicks.(Baileysits up)Bailey: Except I know the mild concerned tone. I've used it myself from time to time.Addison: Sometimes false labor is the body's way of telling you to slow down.Bailey: I'm a surgeon.Addison: I understand therealities of your job but you need to understand the realities of your pregnancy and take it easy. Is there anything I can do to help?Bailey: Uh, yeah for starters you can help me get up off this table.(Izzie knocks on thedoor and enters)Izzie: Dr. Bailey. The GI lab has a couple of questions about Miss. Miyazaki's esophagram.Bailey: Well let's go.(Bailey walks out of the room)Addison: Dr. Stevens.(Izzie stops following Bailey)Addison:Keep an eye on her today. Watch out for any painful contractions. More than 5 in an hour. Anything that could indicate pre-term labor. (Izzie shakes her head) The favor is not for me Stevens, you know that.(Izzie nodsand walks off)(Patient room where a middle aged woman named Naomi Cline lies on the bed looking very happy. Meredith and Burke are at the end of Naomi's bed. Tom Cline, Naomi's husband is also in theroom)Meredith: Naomi Cline. 43. Had her tricuspid valve replaced 3 years ago with a porcine valve, sir.Burke: Ah Naomi, surprised to see you back again so soon. Pig valve usually holds up 10 to 15 years. But yoursseems to be degenerating a little too quickly for my comfort.Naomi: Oh, heart valve, schmart valve. (excited) I got married Dr. Burke! (She laughs) I found him. My true love. My 'you jump, I jump'. (Burke andMeredith exchange looks. She holds out her hand to show her wedding ring) Look. Isn't it beautiful? And look, look at that beautiful, beautiful man.(Meredith and Burke turn around to see a middle aged balding mannamed Tom Cline.)Tom (uncomfortable): Heh. We ah meet in the grocery store.Naomi: Oh honey ...(She gestures for him to come be by her bedside)Burke: Oh, congratulations. It's good to see you so happyNaomi.Naomi: Yeah.(Tom comes by her bedside and Naomi becomes very affectionate)Tom: So Naomi's heart valve, what does this mean?Burke: Well there's an underlying cause for your wife's valve failure thatremains undiagnosed. Theories, Grey?Meredith: Rheumatic fever, chronic use of migraine meds- (A large bark from Doc in the hallway interrupts her) or IV narcotics could all cause uh valve disease sir.Naomi (smiling):Oh I don't use drugs. Don't need them. I've got Tom, he's my drug. Aren't you baby?(Meredith looks weirded out by Naomi's happiness)(Meredith and Burke are walking out of Naomi's patient room walking down thehall)Meredith: She's high Dr. Burke.Burke (chuckles): Oh, she's in love. She's happy.Meredith: Nobody is that happy. She's on drugs.Burke (sighs): Run a tox screen but Naomi doesn't strike me as a liar. If she says nodrugs, then it's no drugs. You develop a sixth sense about these things.Meredith (shrugs): Everybody is a liar.(Doc barks loudly again from the hallway)Burke: Dr. Grey, is that a dog?Meredith (shakes her head):No.(Derek is with Rick in the trauma room.)Derek: Look, we need to keep this elevated ok?Rick: Ok.Derek: I'll be back to check on you in a little bit.(Derek heads out of the room into the hallway where Cristina isdumping some waste into a waste bin. They start walking down the hall together)Derek: Yang, you were a little harsh in there.Cristina: He was lying. Besides your harsh is another man's refreshing.Derek: Well he's inshock. The man's lost his fingers and his only remaining habit in one day. We need to be compassionate.Cristina (looks upset): Compassionate?Derek: Yes. It's an emotion. Have you ever heard of it?CRISTINA: Oh,have you? (Derek looks shocked at Cristina's audacity) She's barely back on her feet and you've got her calling you McDreamy again. You know I was just telling the patient the truth. So you might want to try itsometime.(Cristina walks off)(George is standing on some shelves rummaging around a utilities room. Richard walks by but double backs when he realizes what George is doing)George: Remotes. (He pulls out a stackfrom a box) More remotes.Richard: O'Malley?George: I'm getting a remote for Mrs. Larson.Richard: What happened to the upper hand?George: Have you met Mrs. Larson, sir?Richard: Why do you think she's been herethis long? In a private room?George (amused): She handled you, too?Richard: Well, she sang for the troops, you know.George: Can't we just keep here until her the room in her daughter's house is ready?Richard: Nowe can't. Not on surgical service, anyway.George: Oh, ok... but some other service?Richard: I'm the Chief, O'Malley. I can't condone turfing patients onto other services. You hear me O'Malley?(Richard walksoff)(George is entering Mrs. Larson's room smiling)Sophie: I'm ah, I'm missing my program Irish and I don't see a remote in that hot little hand.George: I noticed that urine output has increased slightly since yesterday.I'm going to have to take you to gynecology to make sure you don't have a prolapsed uterus.Sophie: Honey my uterus hasn't been an issue for 30 years.George: I know, but it might be an issue now. ... You know onethat could keep you here in the hospital for tests.(Sophie grins broadly and grabs the metal triangle in front of her for grip)Sophie: You drive, I'll ride shotgun.(Izzie comes to the door as George prepares to move Mrs.Larson's bed)Izzie: You're not moving out, George.George: Oh yes, I am. I gave an ultimatum. Threw dawn the gauntlet. I drew my line in the sand.Izzie: Well un-give, un-throw and un-draw.George: A man does notgive an ultimatum and then back down.(Izzie helps George move the bed out of the room and down the hallway)George: Meredith had a choice and she chose the dog.Sophie (shocked): A girl chose a dog overyou?George: Yes.Izzie: No.(Izzie and George stare at each other)(Hospital outdoor cafeteria. Alex is sitting at a table by himself looking over the envelope Richard gave him. There is also an unusually big pile of hotdogssitting in front of him. He puts it away quickly as Cristina and Izzie come up and sit down at the table as well. Cristina also has a large plate of hotdogs)Alex: Are we gonna do this or what?Cristina: Yeah, let'sgo.(George comes up running with his own plate of hotdogs)George: Don't start without me.Alex: We're not gonna start if Izzie doesn't focus.Cristina: Izzie, come on.Izzie (ignores this): What should I put on theflier?George: I don't know.Cristina: Destructive, aggressive, uh hell dog available.George: That's not helping.Cristina: Fine, uh playful, protective puppy needs loving home.Izzie (approvingly): Good.(Meredith comeswith her own set of food and Doc on a leash. She sits down)Meredith: Hey, George.George (looking down at his food): Don't talk to me! You'll only make me mad. You're gonna mess up my game and I'm in thezone.Meredith: Okay. (To Izzie): What are you doing?Izzie: Oh it's a flier that I'm gonna put it up...Cristina (yells): Izzie, come on! George (yells at the same time): Izzie!Izzie: Okay! Keep your panties on!(Izzie picksup a stop watch as George, Alex and Cristina all prepare to have a hot-dog eating contest)Izzie: All right.(George picks up one of his hotdogs)Cristina: No touching!(George puts down his hotdog making a face atCristina)Izzie (struggling not to laugh): Go!(George, Alex and Cristina start wolfing down their hotdogs. Though Cristina opts for eating the actual hotdog meat first quickly, rather than bun and dog like Alex andGeorge)Meredith (looks at the flier): You're advertising for a home for Doc? I said I would do it.Izzie: And you haven't and you won't. And I don't want George to leave.(She makes a funny face when she looks atGeorge's eating)Meredith: Well at least put down he's not house-broken. (Izzie gives her a look) What? It's the truth.Izzie: Ok, so you want me to put the truth. Fine.(Cristina has now finished her hot dog meat and onlyleft with the buns with she is now wetting down with water, mushing up and then stuffing into her mouth)Izzie: Vicious, hyper devil mutt is available. And will pee on the bed.Meredith: He's your dog too. We got himtogether.(She gives the others a weird look at their eating contest. It seems Cristina is winning, Alex followed closely behind, and George is pretty much screwed)Izzie: We got him together, please. He's not your dogeither. He doesn't even know us. We are not home enough for him to know us.(Cristina stuffs the last of it down her mouth and shouts victorious. Though it's very muffled and hard to understand since she still has amouth full of bread. Alex and George also protest muffled as she hasn't chewed it all down. Cristina stands up and starts gloating and making hand gestures)Cristina: You want to be! You want to be me but you can't beme! You want to be me...(She stops abruptly and looks like she's gonna chuck)George: Uh, oh.(She sits back down woozy)Izzie: Crap, she's gonna blow.(They all stand up quickly and run off, leaving Cristina sitting byherself trying not to throw up)(Patricia and Richard are walking down a hallway together. Patricia is reading from some papers)Patricia: The surgical floor has become a dumping ground for patients who aren't evensurgical. We are overworked and exhausted. This makes for un...Richard (interrupts): The nurses again? Can't you do something about this? You used to be one of them. Don't you speak nurse?(Richard stops in front ofthe OR board)Patricia: That's why you don't get any respect from the nurses; surgical arrogance.Richard (huffs): I'm not arrogant.Patricia: You're killing them with that workload. Look at the board!(The board isabsolutely filled)Richard: What? That's a beautiful board.Patricia: That's a crowded board. (She hands Richard the paper she was reading from) We need more nurses.(She walks off)(Exam room, where Yumi is lyingdown on a table undergoing an ultrasound. Izzie, Bailey, Alex and Mr. Kamaji are in there. Yumi is still hiccupping)Bailey: Mr. Kamaji, this is probably what's causing her hiccups. (Izzie points to a screen) A tear in thelining of her esophagus.Mr. Kamaji: Can you fix it?Bailey: Yes, surgically the sooner, the better.Mr. Kamaji: Ah, after the competition today her schedule is clear until March.Bailey: No her schedule is clear now. Shecan't compete today. And if she enjoys the taste of solid food, I recommend giving up the sport for something a little less aggressive. Say boxing.(Yumi just lies on the table looking scared and at Mr. Kamaji to tell herwhat's going on)Mr. Kamaji: I see. Could you give us some privacy please?(The three doctors all exchange looks and leave the room)Bailey: Karev, get the translator up here. Let's make sure she's getting the wholetruth.[SCENE_BREAK](Patient room where Rick is. Cristina comes in and finds Rick's band mates and friends in the room, smoking and drinking)Band Mate: BustedCristina: Put that out!Band Mate: Sorry.Cristina: I"}
+{"doc_id":"doc_213","qid":"","text":"Prologue: In every generation there is a Chosen One. She alone will stand against the vampires, the demons and the forces of darkness. She is the Slayer. Sunnydale High School at night. A man in a suit with abriefcase is walking past a school building at a brisk, determined pace. He stops for a moment and looks around. Behind him to his left a door opens, and a school custodian comes out with a trashcan.Custodian: Can Ihelp you?Philip: Rupert Giles! I need to see him!Custodian: Mr. Giles, uh, he's our librarian. Next building over, first door on your left. Philip rushes off without a word of thanks.Custodian: (sarcastically) You're welcome.(dumps the trash) Philip continues at his brisk pace and finds the outside library door. He continues toward it, but stops in his tracks when he hears a twig being crushed behind him and turns to look. He hears a moan,but sees nothing and checks the other way again. Behind him he hears breathing and turns back again, and sees a woman in the shadows.Philip: Oh, God! Slowly she walks into the light. She is dead and rotting. Hereyes flash yellow briefly.Philip: Diedre?Diedre: Philip. Philip quickly backs up and doesn't see the curb behind him. He trips over it and falls, dropping his briefcase. He scrambles to his feet and runs to the library door.He pounds on it and yanks at the doorknob, but it's locked.Philip: Help! Help! Somebody, please! Diedre slowly advances on him.Philip: (to himself) God, no! (loud) Help! Cut inside. Buffy is doing step aerobics to atechno beat. Giles is sitting at the table with his hands to his ears, not relishing the music. He raises his head.Giles: (loudly over the music) Must we have this noise during your calisthenics?Buffy: It's not noise! It'smusic!Giles: I know music. Music has notes. This is noise.Buffy: I'm aerobicising! I must have a beat!Giles: (under the music) Wonderful. You work on your muscle tone while my brain dribbles out of my ears. Cutoutside. Philip is still pounding on the door.Philip: Help! Help! Please! Diedre continues to advance on him.Philip: Help me, somebody, please! Diedre has closed the gap. Philip turns to face her with horror in his eyes.She puts her hands up to the door on either side of him to prevent his escape. He trembles with fear as she moves her hands onto his neck and begins to choke him. Cut inside. Buffy has finished her aerobics. Shestrolls to the table and turns off her boom box.Giles: Ahhh! Very good. And the rest is silence. Cut outside. Philip falls from Diedre's grip, dead. A moment later Diedre collapses next to him. After she hits the pavementshe disintegrates into a puddle of slime. The puddle spreads out and into Philip. Opening credits roll. Buffy's theme plays. ~~~~~~~~~~ Part 1 ~~~~~~~~~~ A nightmare. Giles is flashing back to his youth. He hasvisions of rituals and tattooing.Young Giles: Time to go to sleep! (screams) A vision of a demon. Cut to Giles' bedroom. He wakes with a start. He looks around as he sits up in bed, concerned but relieved to find it wasonly a nightmare.Cut to school. The camera pans down from above a tree to Buffy and Willow sitting on a bench.Buffy: I'm on a beach, but not one of those American beaches, one of those island beaches where thewater's way too blue, and I'm laying on my towel, and it's just before sunset, and Gavin Rossdale's massaging my feet!Willow: Oh, that's good! Uh, I'm in Florence, Italy, I've rented a scooter that's parked outside, andI'm in a little restaurant eating ziti, and there are no more tables left, so they have to seat this guy with me, and it's John Cusack!Buffy: Ooo! Very impressive. You have such an eye for detail.Willow: 'Cause with theziti!Xander: (shows up) What are you two up to?Buffy: Just having a quick game of 'Anywhere But Here'.Xander: Ooohhh. Amy Yip at the waterslide park.Willow: You never come up with anything new.Xander: I'm justnot fickle like you two, okay? I'm constant in my affections. Amy Yip at the waterslide park!Willow: (to Buffy) Do you think Giles ever played 'Anywhere But Here' when he was in school? They see him coming towardthem.Xander: Giles lived for school. He's actually still bitter that there are only twelve grades.Buffy: He probably sat in math class thinking, 'There should be more math. This could be mathier.'Willow: C'mon, you don'tthink he ever got restless as a kid?Buffy: Are you kidding? His diapers were tweed. Xander chuckles. Buffy sees Giles about to walk by and calls out to him.Buffy: Giles!Giles: (turns and sees them) Oh! There you are.(comes over)Buffy: Hey, morning. Say, is that tweed? (stares at his jacket)Giles: (preoccupied) What? Oh, uh, yes. Um, now, uh, look, tonight is very important, um... (heads inside)Buffy: (follows) Now, that's asurprise.Cut to the halls. They follow Giles to the library.Buffy: So, what's on tap tonight that's so important? Uprising, prophesied ritual, preordained deathfest?Xander: Ah, the old standards!Giles: Um, a medicaltransport is delivering the monthly supply of blood to the hospital.Buffy: Mm. Vampire Meals-On-Wheels. (stops at her locker)Giles: Hopefully not. Uh, we'll meet outside the hospital at 8:30 sharp. I'll bring theweaponry.Buffy: I'll bring the party mix!Giles: Just don't be late.Buffy: Have I ever let you down?Giles: Do you want me to answer that, or shall I just glare?Jenny: (finds them) Morning, England.Giles: Oh, hello, Ms.,uh, uh, tuh, Jenny.Willow: (to Xander, smiling) Feel the passion!Xander: (smiles back) Mm-hm!Jenny: Willow...Willow: (coughs) Coughing, not speaking. (coughs more)Jenny: (to Willow) We still on for tomorrow?Willow smiles and nods.Xander: What's tomorrow?Jenny: I'm reviewing some computer basics for the couple of students who've fallen behind. Willow's helping out for extra credit.Xander: (chuckles) Those poor schlubshave to attend school on Saturday! (smiles)Jenny: 9am okay with you, Xander? Xander's smile fades. Willow bobs her head in amusement.Buffy: Got a bit of schlub on your shoe there.Xander: Heh, heh.Jenny: Well,Cordelia's gonna meet us.Xander: (dripping with sarcasm) Ooo, gang, did ya hear that? A bonus day of class plus Cordelia! Mix in a little rectal surgery, and it's my best day ever!Jenny: (to Giles) Walk me toclass?Giles: (a smile on his face) Pleasure. Jenny and Giles head for her class. The others watch them go.Buffy: Look at them.Xander: A twosome of cuteness.Willow: Can't you just imagine them getting together? Theirexpressions all change to ones of being grossed out. Cut to Giles and Jenny walking.Jenny: Oh! Thank you so much for loaning me the Forrester book. It's wonderful!Giles: Well, I'm glad you enjoyed it!Jenny: Yeah, itwas so romantic, so evocative.Giles: That edition was my father's. I, I, I must've read it... twenty times.Jenny: Yeah, y'know how you have to, to dog-ear your favorite pages so you can go back to them?Giles: Uh, uh,uh, what?Jenny: Well, I mean, I-I practically had to fold back every single page. So finally I just, I just started underlining all the pages I really wanted to discuss.Giles: U-u-underlined...?Jenny: But then, of course, Ispilled coffee all over it, I can't even read it...Giles: (can't believe it) It's a first edition!Jenny: I'm lying, Rupert. (smiles) The book's fine. (holds it up) I just love to see you squirm. (hands him the book)Giles: (smiles inrelief) Yes, well, I, uh... trust I gave good... squirm.Jenny: Did anyone ever tell you you're kind of a fuddy-duddy?Giles: Nobody ever seems to tell me anything else.Jenny: Did anyone ever tell you you're kind of a sexyfuddy-duddy?Giles: Well, no. Actually that, that part usually gets left out. (smiles) I c-can't imagine why.Jenny: This weekend.Giles: Would you like to go out?Jenny: Mm, no, I think I'd like to stay in. They drawtogether for a kiss as the bell rings. They touch lips, but break it off as students begin pouring into the halls.Giles: Uh, this, (clears his throat) Saturday, then.Jenny: Saturday night. (clears her throat) I'll see if I canmake you squirm. They look at each other for a moment before Giles heads off to his library.Cut to the library. Giles walks in to discover a detective and two police officers there.Det. Winslow: Rupert Giles?Giles:Yes?Det. Winslow: Detective Winslow. You're gonna have to come with me.Giles: Why?Det. Winslow: There was a homicide on campus last night. The victim had no identification, but he was carrying this slip of paperwith your name and address on it. (holds up the slip in a baggie)Giles: (sets down his briefcase) My name? Cordelia walks into the library.Cordelia: Well, evil just compounds evil, doesn't it? First I'm sentenced to acomputer tutorial on Saturday, now I have to read some computer book... There are books on computers? Isn't the point of computers to replace books?Giles: (cuts her off) Cordelia, I'm a little busy right now. (pointsout the detective)Cordelia: Oh! Great! (steps up to Det. Winslow) Can you help me with a ticket? It's totally bogus. It was a one-way street. I was going one way.Giles: (raised voice) Cordelia!Cordelia: What?! Why doeseveryone always yell my name? I'm not deaf! And I can take a hint. (unsure) What's the hint?Giles: To come back later.Cordelia: Yeah, when you've visited decaf land. (leaves)Giles: (to Det. Winslow) Where do youwant me to go?Cut to the city morgue. The coroner opens one of the body storage doors and pulls out the drawer.Attendant: Have you had your breakfast?Giles: No.Attendant: That was probably a good idea. He pullsback the sheet to reveal Philip's body. It's bruised all over, with two especially dark bruises on the throat. Giles looks down at him in recognition.Det. Winslow: Do you know him?Giles: (whispers) Yes. Yes. I-I mean, Idid. His name's Philip Henry. He was a friend of mine in London. I... I haven't spoken to him in twenty years.Det. Winslow: Can you think of any reason why he might've wanted to contact you?Giles: No. He sees thetattoo on Philip's right arm near the inside elbow.Det. Winslow: Do you know what that is? The tattoo.Giles: (lies) No. No, I don't.Cut to the hospital ER entrance that night. Buffy is waiting on Giles.Buffy: (exhales)'Don't be late.' Sheesh. She walks over to a pay phone to try calling, but stops when she sees the blood van pull up. The driver gets out with his clipboard as two ER doctors come out to meet him.Driver: Hey,fellas.Doctor: Hey.Buffy: All's well that ends with cute ER doctors, I always say. She watches them go to the back of the van and get out the insulated container. They start back with the driver, and he gets back into thevan. Buffy realizes something's wrong.Buffy: Since when do doctors take deliveries? The van backs out of the ambulance slot. The doctors wave to the driver.Doctor: See ya. The van drives off, and behind it a carengine starts and a pair of headlights come on. The old convertible pulls up into the light as the doctors set the container down. One of them opens the lid, takes out a bag of blood and begins to suck on it. The driver ofthe car gets out.Driver: Hey! No sampling the product! The doctor vampire hisses, but puts the bag back down and drops the lid closed. Buffy runs to attack. She kicks the first doctor vampire down, then the second,and does a roundhouse kick to the driver's face. The first one gets up, and she tries kicking him again, but he grabs her leg and throws her onto the hood of the car. She scissor kicks him in the neck, and he staggersaway and falls. A fourth vampire runs up as Buffy gets up and takes out a stake. She turns to attack him.Buffy: Angel!Angel: Buffy! Look out! He jumps up onto the car's hood and leaps off to tackle the driver vampirecoming at her from behind. Angel punches him in the face, but he stays up. The second vampire jumps up onto the hood and swings at Buffy. She ducks the punch and jabs him in the chest. The first vampire jumps upon the hood, too, and Buffy knocks him back off with a punch to the face. She punches the second one in the face, too, and he falls down on the hood on his back. She jumps off of the car and thrusts her stake into thefirst vampire as he tries to get back up. The second one is off the car again and grabs her by the shirt from behind. She swings around with the stake and gets him in the chest also. Angel, in the mean time, roundhousekicks the driver and sends him spinning into the car. The vampire quickly sits up in the driver's seat and floors it as Angel tries to chase him. The car races off, leaving Angel and the blood behind. Buffy opens the lid tocheck on it.Buffy: How did you know about this?Angel: It's delivery day. Everybody knows about this. They only ruined one bag. Buffy stands up and looks after the car, which is long gone. Angel kicks the lid backclosed.Buffy: Do you think you could make sure the hospital gets the rest? She realizes whom she's just asked to do that and raises her eyebrows at him. Angel just nods, not insulted by the query.Buffy: Thanks. I'mworried about Giles. He was supposed to meet me here.Angel: Maybe he's late.Buffy: Giles? Who counts tardiness as, like, the eighth deadly sin?Angel: Right. Go. She gives him a final look and hurries off.Cut to Giles'apartment building. Buffy walks to his door and knocks. Giles opens the viewport and looks out at her, then opens the door.Giles: Buffy. I-it's late. Uh, are you alright?Buffy: I was gonna ask you the same thing.Giles:Yes, I'm fine, fine. Look, I'm, uh, I'm rather busy a-at the moment, so, uh, I'll see you on Monday at, at school. He starts to close the door. Buffy holds it open with her hand.Buffy: Giles, did you forget? The hospital,vampires, handy carryout packets of blood?Giles: Oh! Yes, uh, are you alright? W-were you hurt?Buffy: No. I mean, my feelings a little. What's wrong?Giles: Nothing, nothing, nothing's wrong. I-I'm just in the, uh,middle of something extremely important, and, uh, I'm sorry, but I'm gonna have to say good night now. He closes the door in her face, leaving her confused and taken aback. She can hear Giles on the phone, butleaves him alone to his work. Cut inside.Giles: Yes, I'm, I'm sorry to disturb you. It's, uh... I-I realize it's, uh, five in the morning there, um... Uh, I-I'm trying to reach Diedre Page. My name is Rupert Giles, uh, uh, sheknows me. It's, it's very important. (listens to the bad news) I'm terribly sorry. I... I-I didn't know. W-when did she, uh, pass away? (listens more) Ohhhh. That recently. (sits at his desk) Um, yes, yes, um, we werefriends when we were young. My condolences. He hangs up the phone and stares off into space with his fingers to his lips while he considers and remembers. He takes off his glasses and reaches for his drink. The bottlenext to it is in almost half empty already. He gulps the rest from the glass and sets it back down. He thinks another moment before grabbing his pen and crossing Diedre's name off of a list of five names: ThomasSutcliff, Philip Henry, Diedre Page, Ethan Rayne, Rupert Giles. He gets up and goes into his bathroom to the sink in front of the mirror. He rolls up his sleeves, and on his left arm just above the inside elbow is the sametattoo that Philip had. He reaches into the sink full of water, cups his hands and splashes some on his face. He looks up at himself in the mirror.Giles: So. You're back.Cut to the city morgue. The camera slowly closes onthe body storage drawers. Cut inside Philip's drawer. He reaches up and pulls the sheet off of his face. His eyes glow yellow. ~~~~~~~~~~ Part 2 ~~~~~~~~~~ The city morgue. The morgue attendant is goingthrough some paperwork and checking on bodies. He opens one storage bay, checks the toe tag, and closes it. He does the same for the next one. Then he opens Philip's, and discovers him missing. Suddenly a bodybag comes down over his head. He tries to struggle, but Philip is too strong for him. Philip forces him into the storage bay and slams the door shut. He slowly starts to make his way out of the morgue.Cut to the hall atSunnydale High. Jenny, Xander, Willow and Cordelia head for the computer classroom.Cordelia: This isn't right. School on a Saturday. It throws off my internal clock.Xander: When are we gonna need computers for reallife anyway?Jenny: Hmm, let's see. There's home, school, work, games... (unlocks the classroom door)Xander: Y'know, computers are on the way out. I think paper's gonna make a big comeback.Willow: And theabacus.Xander: Yeah, you know, you don't see enough abaci. They all go into the room. Willow, Xander and Cordelia each take a seat in front of a PC. Cordelia takes the one next to Xander.Jenny: Alright, guys. The firstthing we're gonna do is... Buffy! Buffy follows Jenny into the room.Xander: Huh? Did I fall asleep already?Willow: Aw, you miss your friends?Xander: Uh, sit here, Buffs! (stands up) Demilitarize the zone between meand Cordelia!Cordelia: Yeah, and delouse him while you're at it.Buffy: (to Jenny) Actually I wanted to talk to you for a second?Jenny: Something wrong?Xander: Is there some crisis that requires instant action? Very farfrom here?Buffy: It's Giles.Jenny: Well, he's alright, isn't he?Buffy: I don't know. Uh, he didn't show up when he was supposed to last night, and then, when I went over to his place, he was acting... well, veryanti-Giles. He wouldn't let me in, and he looked really bad. I-I think he might've been... (doesn't want to believe it) I think he was drinking.Jenny: He was home alone drinking?Willow: But... tea, right?Buffy: Wasn't tea,Will.Xander: Yep, yep, I knew this would happen. Nobody can be wound as straight and narrow as Giles without a dark side erupting. My Uncle Roary was the stodgiest taxidermist you've ever met by day. By night, itwas booze, whores, and fur flying. Were there whores?Buffy: He was alone.Xander: Give it time.Buffy: So, none of you guys have noticed anything different lately?Willow: No!Jenny: Not really.Buffy: Uh, you haven'tseen anything weird?Xander: Nope.Cordelia: No, he seemed perfectly normal yesterday when I saw him talking to the police. Everyone stares at her.Buffy: And you waited till now to tell us this because...?Cordelia: Ididn't think it was important.Xander: We understand. It wasn't about you.Jenny: Well, what were the police talking to him about?Cordelia: Oh, don't tell me, I know this one. Um... (thinks) Something about... ahomicide.Buffy: That's it. I-I'm calling him right now. She goes to find a phone. Jenny rubs her head with worry.Cut to the library. Buffy heads for Giles' office when she hears something in the stacks and stops in hertracks to look. She sees a shadow move across one of the bookcases in the anteroom. She goes up the stairs and through the French doors. Slowly she walks down the main aisle, looking around and down each sideaisle. As she passes one a man watches her search. Buffy keeps looking. He sees her through a gap in the books and puts his hands against the bookcase to push it over onto her. She looks up and sees it's Ethan, anddashes away just in time to avoid being crushed under the bookcase. Ethan tries to make his escape, but he's limping heavily and can't run. She grabs him by the arm and turns him around.Buffy: I know you! You werein that costume shop.Ethan: Oh, I'm pleased you remember. (tries to go)Buffy: (stops him) You sold me that dress for Halloween, and nearly got us all killed!Ethan: But you looked great. She punches him squarely inthe jaw.Ethan: Owww! (straightens back up holding his jaw) So now we're even?Buffy: I'll let you know when we're even. What're you doing here?Ethan: Snooping around.Buffy: Honesty. Nice touch.Ethan: It's one ofmy virtues. (smiles) Not really.Buffy: I've got a great idea: why don't I just call the police and have you arrested for breaking and entering, and then I can get back to my fun Saturday?Ethan: Yes, the police. Well,they'll have all those questions, and they'll really need Rupert to answer them all.Buffy: You know Giles.Ethan: We go back. Way back. You don't happen to know where he is, do you?Cut to Giles' nightmare. The tattooon his arm. Visions of a demon, of Diedre in her rotted state, of eyes glowing yellow. His phone rings. Cut to his apartment. He stirs at his desk and fumbles with the phone, managing to pick up the receiver.Giles:Hello.Buffy: (cut to her) Giles, it's me.Giles: (cut to him) (exhales) Buffy, u-unless this is an emergency, I'll see you on Monday.Buffy: (cut to her) What's the Mark of Eyghon?Cut to Giles. He is surprised to hear thosewords from her. Cut to the library.Buffy: Giles?Ethan: Cat got his tongue?Buffy: I'm in your office with someone who claims to be an old friend of yours. (cut to Giles) Ethan Rayne?Giles: He's there with you? Listen,Buffy, you're... you're in grave danger while Ethan's there. I want you to (cut to Buffy) put the phone down and get out of the library as soon as possible.Buffy: I'm not going anywhere until you give me some answers!Philip comes crashing through a window in Giles' office. Ethan steps behind Buffy and holds her in front of him.Giles: Buffy?Cut to Giles' apartment. He grabs his glasses and runs from his apartment. Cut to the library.Philip comes out of Giles' office and straight for Buffy. She kicks him in the chest and rolls over the counter. He comes through the door and at her again. Ethan climbs over the counter, too.Philip: Ethan! Xander comes"}
+{"doc_id":"doc_214","qid":"","text":"THE TALONS OF WENG-CHIANGBY: ROBERT HOLMESPart OneRunning time: 24:44[SCENE_BREAK]JAGO: Mister Chang. Wonderful, wonderful. Words fail me, sir. Words quite fail me.CHANG: You are mostgenerous.JAGO: Have I ever, in my thirty years in the halls, seen such a dazzling display of lustrous legerdemain? So many feats of superlative, supernatural skill? The answer must be never, sir. Never.SIN: Honourablemaster is kind to bestow praise on humble Chang's miserable, unworthy head.JAGO: Dashed clever, the way you work the little fellow. Wires in the sleeves, I dare say. But I'll not pry, Mister Chang. The secrets of theartistes are sacrosanct.BULLER (OOV.): Hey, you!JAGO: What the deuce?BULLER: Where's my Emma? What have you done with her?JAGO: You've got no right to burst in here.BULLER: Out of my way! It's him Iwant.CHANG: Your Emma?BULLER: She come in here last night and nobody ain't seen her since.JAGO: I'll have the fellow ejected.BULLER: Now I'm asking you, mister, what's happened to her?JAGO: Call the stagehands, Freddy.CHANG: It's all right, Mister Jago. Please, come with me.JAGO: Courteous coves, these Chinese. I'd have propelled him onto the pavement with a punt up the posterior.[SCENE_BREAK]CHANG: Yourwife?BULLER: Emma Buller. And don't deny she was here, cos I saw her with my own eyes.CHANG: Many ladies come to theatre. Why should you thinkBULLER: Not round the side door, they don't. Now, look. I waspassing in my cab and I saw her plain, and I know it was you she was calling on. She's been acting queer ever since you put the 'fluence on her last week, so don't try coming the innocent, Mister. I want to know whereshe is or I'm calling the law. Clear?CHANG: Your wife came on stage?BULLER: Last week. Levitated her, you did. She's not been the same since. It's done something to her reason, I shouldn't wonder. And she was herelast night.CHANG: Not to see me.BULLER: Don't come the cod. She's disappeared. Nobody's seen her, not since she come here last night, so what about it, eh?CHANG: In my country we have saying. Man who goes tooquickly may step in bear trap.BULLER: Right, I'm getting the Peelers.[SCENE_BREAK]LEELA: These clothes are ridiculous. Why must I wear them?DOCTOR (OOV.): Because you can't go walking around Victorian Londonin skins. You'll frighten the horses.DOCTOR: Anyway, we don't want to be conspicuous, do we?LEELA: A swamp creature. That was it's attack cry.DOCTOR: Oh no, it was a ship on the river. Excellent. It means we can'tbe far away.LEELA: From where?DOCTOR: From where we're going.LEELA: Doctor, you make me wear strange clothes, you tell me nothing. You are trying to annoy me.DOCTOR: I'm trying to teach you, Leela. Surelyyou'd like to see how your ancestors enjoyed themselves? Splendid. That's why I'm taking you to the theatre. Li H'sen Chang. Hmm, pity. I'd rather hoped we'd catch Little Tich. Never mind. If we hurry we'll just catchthe second house.[SCENE_BREAK]JAGO: You'd better get your tail pinned on. Linens up in five minutes. Casey, have you got the oopizootics coming on?CASEY: Mister Jago, I've seen it. I've seen it again!JAGO: Bequiet. I told you before.CASEY: Horrible, horrible it was, Mister Jago. A great skull coming at me out of the dark.JAGO: Damme, you don't want to bankrupt me, Casey. Keep your voice down. Threadbare in Carey StreetI'll be if people get the notion there's anything wrong with this theatre.CASEY: Chains clanking, nine foot tall.JAGO: You've been drinking.CASEY: Not a drop, sir.JAGO: Well, it's time you started.JAGO: Now pull yourselftogether, man.CASEY: I ain't never going down that cellar again. There I was, fixing the trap, when this apparition rose out of the ground in front of me. Hideous, it was. Hideous.JAGO: That's enough.JAGO: It's yourimagination.CASEY: Never.JAGO: A cat or something must be trapped down there making noises. Tell you what I'll do, Casey. I'll come down with you this evening, as soon as the house is clear, and we'll have a goodlook round. Now how's that?CASEY: It was no cat, Mister Jago. I seen it!JAGO: Please, Casey, remember, mum's the word.[SCENE_BREAK]LEELA: This is a big village.DOCTOR: Yes.LEELA: What's the name of the tribehere?DOCTOR: Cockneys.LEELA: The sound of death!DOCTOR: You stay here.DOCTOR: Excuse me, can I help you?QUICK (OOV.): Hold you there.QUICK: Now then, what's all this?LEELA: Touch me and I'll break yourarm.QUICK: Now don't be foolish, miss.DOCTOR: Good evening.LEELA: Keep back, Doctor. Blue guards!DOCTOR: Good evening, Constable.QUICK: Good evening, sir. You know this young female, sir?DOCTOR: Oh yes,yes. We were attacked by this little man and four other little men.QUICK: When I got here, sir, he was being strangled with his own pigtail, sir.DOCTOR: Really? Girlish enthusiasm, officer?QUICK: You might call it that,sir. I call it making an affray. I must ask you to come down the station with me.[SCENE_BREAK]CHANG: Please to see, ladies and gentlemen, subject now in state of deep hypnosis.AUDIENCE: Oh!SIN: Sheasleep.CHANG: She not asleep, Mister Sin.SIN: She been slugging type of toddy.CHANG: I will prove young lady not asleep.SIN: She's lying on metal bar.CHANG: Not lying on metal bar.SIN: I've seen it donebefore.CHANG: I will prove young lady not lying on metal bar.SIN: She's held up by wires.CHANG: Enough.SIN: You can't fool me.CHANG: Silence!SIN: Don't touch me! Help! Police! Murder!CHANG: You see? No wires,Mister Sin. I will now demonstrate art of levitation raising most beautiful lady high above own topknot.[SCENE_BREAK]KYLE: Name, sir?DOCTOR: Doctor. Leela.KYLE: Place of residence, sir?LEELA: We've only justarrived here.DOCTOR: We're on our way to the theatre, do you see.KYLE: Your home address will do for the moment, sir. You do have a permanent address, sir?DOCTOR: No, Sergeant. We're travellers.KYLE: I see.Persons of no fixed abode.DOCTOR: No, no, no, no. We do have an abode. It's called a TARDIS.KYLE: A TARDIS.DOCTOR: But it's not fixed.KYLE: I can give you and the young lady a fixed abode, sir. Quiteeasily.DOCTOR: Flat footed imbecile.KYLE: What was that, sir?DOCTOR: It was nothing complementary. Get on with it, Sergeant.KYLE: Now look, sir. We've got our hands full here, all these girls going missing in themanor, so if you'd just oblige us by answering any questions we'll get on a lot better. And a lot quicker.DOCTOR: Sergeant, all this is irrelevant. I've come here to lay evidence.KYLE: We'll come to that in goodtime.DOCTOR: We'll come to that now, Sergeant. We've just prevented a kidnapping, a robbery or even a murder. My friend here caught one of the attackers. Let's come to it now, shall we?KYLE: We've only your wordas to what he did, Doctor.DOCTOR: Tell him. Tell him.LEELA: The man they were carrying was dead. He had been stabbed through the heart!KYLE: Really, Miss. And how can you be sure of that?LEELA: I am a warrior ofthe Sevateem. I know the different sounds of death. Now put our prisoner to the torture!KYLE: Well, if that don't take the biscuit. Torture, eh? This isn't the Dark Ages, you know.LEELA: Make him talk.KYLE: He's aChinese, if you hadn't noticed. We get a lot of those in here, Limehouse being so close. Him jaw-jaw plenty by and by, eh, Johnny? I've sent for an interpreter.DOCTOR: That won't be necessary. I speak Mandarin,Cantonese, all the dialects.KYLE: Oh yes?DOCTOR: Yes. Ne how ma? Ni chi mao cora (and so on)KYLE: Yeah, very remarkable, I'm sure, Doctor, but since you're a party to the case, it isn't proper.KYLE: Now what? Thatcome from the river.[SCENE_BREAK]WOMAN: Look, there it is, guv. See? Look.QUICK: Hurry with that boat hook.WOMAN: It's a floater, all right. You've got it, guv.WOMAN: On my oath, you wouldn't want that servedwith onions. Never seen anything like it in all my puff. Oh, make an 'orse sick, that would.[SCENE_BREAK]KYLE: Good of you to come so prompt, sir.CHANG: Not at all, Sergeant. I'm always happy to be of service to thepolice. What can I do for you this time?KYLE: A complaint against this man, sir. The lady and gentleman here swear they saw him, in concert with others not in custody, carrying what appeared to be a body, sir.CHANG:Indeed.KYLE: A European body as I understand them, sir.CHANG: What happened to the others?LEELA: They got away. I caught this one.CHANG: You caught him? Remarkable.DOCTOR: Don't I know you?CHANG: Ithink not.DOCTOR: Yes, I've seen you somewhere before.CHANG: I understand we all look the same.DOCTOR: Are you Chinese? Yes, that's it. We must have. No, I haven't been in China for four hundred years.CHANG:Are you taking this matter seriously, Sergeant?KYLE: We are, sir. Will you question the man, sir?CHANG: Very well.CHANG: Can I have paper and pencil, please, Sergeant?KYLE: Certainly, sir.DOCTOR: Got it! Li H'senChang.CHANG: What?DOCTOR: The Master of Magic and Mesmerism. Show us a trick.DOCTOR: Very good. Very good.KYLE: I think he's dead, sir.DOCTOR: How did you do it?CHANG: I did nothing. What are yousuggesting.DOCTOR: Scorpion venom.KYLE: Scorpion venom?DOCTOR: Highly concentrated scorpion venom. It killed him almost instantly.DOCTOR: The Tong of the Black Scorpion.KYLE: Don't know that one,sir.DOCTOR: One of the most dangerous politico-criminal organisations in the world. Wouldn't you agree, Li H'sen Chang?CHANG: You seem remarkably well-informed, Doctor. Alas, I know nothing of these matters.Most regrettable incident. Goodnight, Sergeant.KYLE: Thank you, sir.CHANG: I'm sure we shall meet again.LEELA: Yes.CHANG: Perhaps under more pleasant circumstances.KYLE: Well, I don't know what to do aboutthis lot.DOCTOR: Then I'll tell you what to do, Sergeant. Organise a post-mortem. I want an analysis of the organs.KYLE: You want what, sir?DOCTOR: Well naturally I'm going to help. If the Tong of the Black Scorpion'shere in London, you're going to need all the help you can get. Now cut along and do as I say. Now!KYLE: Yes, sir.[SCENE_BREAK]CHANG: Faster, man, faster.[SCENE_BREAK]JAGO: Twinkle, twinkle, out in front.CASEY:Eh?JAGO: Gallery lights still burning.CASEY: I'll just go and see to them now, Mister Jago.JAGO: Everyone gone?CASEY: Aye, just locked up, sir.JAGO: I hope those girls go straight home to their digs.CASEY: Oh, thatthey will, sir, with all this in the papers. Nine are missing now, you know.JAGO: Nine. There was some fellow in here earlier blaming Chang of all people for some girl's disappearance.CASEY: Just vanished off thestreets, they have. Mostly in this area, too. What do you think's happened to them, Mister Jago?JAGO: Nothing good, Casey, nothing good. That's a stone certainty.CASEY: Oh, it says in the paper how it could be jollyJack at work again.JAGO: Jolly Jack?CASEY: The Ripper, Mister Jago.JAGO: The horrendous hyperbole of Grub Street, Casey.CASEY: Eh?JAGO: Newspaper gossip. They're probably just stony and scarpered. Cut alongnow. I'll wait for you here.[SCENE_BREAK]JAGO: I was right. It was blood. Blood all over the hand and wrist. How did that get there?CASEY: Ready, Mister Jago.JAGO: Oh, Casey. Don't ever do that to me again. If thecelestial Chang caught me trying to pinch his tricks. I had an idea that his dummy was a midget dressed up, but it's just an ordinary vent's doll.CASEY: Are we going to look down the cellar, Mister Jago?JAGO: Ofcourse, Casey. Of course. When I promise to do something. Determination, character. After you.[SCENE_BREAK]DOCTOR: They're what's known as a very dangerous bunch. Fanatical followers of an ancient Chinese godcalled Weng-Chiang.LEELA: The Tong of the Black Scorpion?DOCTOR: Yes. His followers believe that one day he'll come back and rule the world.LEELA: So what's he like, this Weng-Chiang?DOCTOR: Oh, very pleasantcompany. They say he blew poisonous fumes from his mouth and that he killed men with a white light that shone from his eyes.LEELA: Magic!DOCTOR: Superstitious rubbish. Here we are.QUICK (OOV.): They're inthere now, sir.[SCENE_BREAK]QUICK: Taken from the river not half an hour ago. Professor Litefoot's conducting his examination now, sir.DOCTOR: Yes, well, our case is much more urgent.QUICK: I wouldn't go in thereif I was you, sir.DOCTOR: Don't you worry about it. Don't you worry.[SCENE_BREAK]LITEFOOT: Thank you.LITEFOOT: Who the devil are you, sir.DOCTOR: I'm the Doctor, come to help you.LITEFOOT: When I needanyone's help in pathology, I'll ask for it.DOCTOR: The constable suggested a drowning case.LITEFOOT: Fished from the river, but he wasn't drowned.DOCTOR: By the look of those marks, an animal.LITEFOOT: Exactlywhat I think, but what kind of animal leaves mutilations like those?DOCTOR: Chisel-like incisors. A rodent?LITEFOOT: Yes, but that's impossible. Look at the size of them.DOCTOR: Hmm. Have you established the causeof death?LITEFOOT: Yes, that's another curious thing. All this happened after death.DOCTOR: Really?LITEFOOT: He was killed by a knife blow to the heart.DOCTOR: Are those his clothes?QUICK: Yes, sir. I'm just takingthem for examination.DOCTOR: Hold that.LITEFOOT: He was carrying no personal documents, but this indicates he was a licensed cab driver.)LITEFOOT: Easy enough to identify the poor chap by his number.LEELA:Doctor, those are the clothes the man we saw was wearing.DOCTOR: What I'd like to know is, what do you think of these?LITEFOOT: Some sort of hair.DOCTOR: Yes. I think they're rat hairs.LITEFOOT: Rat hairs? Doyou know what you're saying, man?DOCTOR: Yes, of course I know what I'm saying.LITEFOOT: But they're nearly three inches long. Hairs on a rat can't be more than what, quarter of an inch?DOCTOR: Interesting,isn't it, because I've just remembered something else about Weng-Chiang.LEELA: What?DOCTOR: He was the god of abundance. Yes, he made things grow. Can I borrow that?DOCTOR: Thank you.LEELA: Where are wegoing?DOCTOR: Stay there, Leela.[SCENE_BREAK]DOCTOR: Were you trying to attract my attention?DOCTOR: What's this?LEELA: A Janis thorn.DOCTOR: Yes. I thought I told you not to carryLEELA: He was trying tokill you.DOCTOR: Oh. Oh, well, in that case you'd better come along.LEELA: What is it?DOCTOR: The entrance to the sewers.LEELA: Blood. Is this where they took the body?DOCTOR: Yes.LEELA: Where's itgo?DOCTOR: Into the Thames eventually. All the sewers are connected.[SCENE_BREAK]LEELA: What are those creatures?DOCTOR: Rats.LEELA: They don't look very dangerous.DOCTOR: No, they're not. They're verycunning though. They're probably more afraid of us."}
+{"doc_id":"doc_215","qid":"","text":"[Scene: The Hospital, Ross and Rachel, who's in a wheelchair, are arriving in the waiting room for the maternity ward.]Ross: All right! (Checking his watch) Yes!! From home to the hospital in under seven minutes! Wedid it!!Rachel: (deadpan) Yes, the hard part is truly over.Ross: No, but come on, we're off to a great start aren't we? I knew I'd get you here fast, but this has got to be some kind of a record!(Phoebe and Monica walk infrom getting some coffee.)Phoebe: Oh you made it!Rachel: Hi! (Ross is stunned.)Monica: How are you doing?Ross: Wait a minute! How-how the hell did you beat us here?Monica: We took a cab. Did you guyswalk?Ross: N... No! We took a cab too, but I did test runs!(Chandler and Joey enter from the vending machines carrying sodas.)Chandler: Hi!Joey: Hey! You made it!Ross: Okay is there...some kind of magic tunnel tothis hospital?!Rachel: Ross, you stay here and talk, I'm gonna go have a baby.Ross: Okay. Okay. (To the nurse behind the desk.) Umm hi, this is Rachel Green. I'm Ross Geller. We-we called from the car.Nurse: Right!We have a semi-private labor room waiting for you. So in just a minute...Rachel: (interrupting her) Whoa-whoa-whoa-whoa! I'm sorry, semi-private? We (Laughs), we asked for a private room.Nurse: Yes, I see thathere. Unfortunately we can't guarantee a private room and currently they're all unavailable.Chandler: Man, if only you'd gotten here sooner. (Ross turns and glares at him.)Nurse: I'm sorry. Semi-private rooms are allwe have.Rachel: Okay. Just give us a second. Ross! (They walk away from the desk.)Ross: Yeah?Rachel: Give her some money.Ross: I really think they're out of rooms.Rachel: They're not!! Ross, they're just savingthem for the important people!! Okay?! What-what if I was the president?!Ross: Well then we'd be in a lot of trouble, you don't know where any countries are. (Rachel glares at him.) Okay. (He goes over to the deskfollowed by Rachel.) Uh, say would you umm... Would you mind checking again to see if any umm, private rooms may have (Handing her some money) opened up?Nurse: This is a hospital.Rachel: (standing up) Okay.Y'know what? I'd have to say I really don't care for your tone. And this is not the only hospital in this city and we have no problem to-Whoa! (She starts a contraction) Oh gosh! Whoa!Ross: What-what?Rachel: Ow! Ow!Contraction. (Sits back down.) Ow-ow! Ow-ow! (Starts breathing heavily.)Nurse: Would you like to see a semi-private room?Rachel: Yeah, it couldn't hurt to look.Opening Credits[Scene: The Semi-Private Labor Room,Rachel is in bed, Ross is fooling around, and Dr. Long is checking on Rachel.]Dr. Long: Well you're only two centimeters dilated and we need to get to ten. It'll be a while.Rachel: Oh, okay.Dr. Long: I'll be back in anhour to check you again.Ross: Thank you.Rachel: Thank you. (Dr. Long exits.) Well, I guess we have some time to kill.Ross: Yeah, guess so. Whew! Check these out! (He's looking at the stirrups on the other bed in theroom and Rachel groans. Ross then hops into the bed and puts his legs into the stirrups.) Never done this before.Rachel: Yeah well it looks great!(A nurse shows another couple into the room.)Man: Thank you verymuch.Woman: Thanks.(They stop when they see Ross who has to struggle to get out of the bed.)Ross: Hi! Hi, I'm uh Ross. I'm here to ruin this magical day for you.Man: Oh no-no, not at all.Woman: Don't worry aboutit.Man: Marc Coreger, this is my wife Julie.Ross: Hi Julie.Julie: Hi.Ross: This is Rachel. (Points at her.)Rachel: Hi!Marc: Oh hi Rachel.Rachel: How are you?Julie: Hi. Is this your first?Rachel: Yeah it is.Julie: Well, littleJamie here is our third. So, if you have questions or you need anything at all, just holler.Rachel: That's so sweet.Ross: Yeah.Rachel: Oh.Ross: Umm say, I-I opened this earlier (The privacy screen) but let me give youguys some privacy.Marc: No nonsense! We're all in this together.Julie: Yeah, we are going to share every moment of this with you. And I think we're gonna have some fun.Marc: Yeah.Ross: Oh, okay.Marc: Hey! Smile!(Points his camera at Ross and Rachel.)Rachel: Oh no, I really don't want any-(He takes the picture)-Oh! Thank you. Oh. Oh Ross...Ross: What?Rachel: Here comes another contraction.Ross: Oh. Okay, justbreathe.Julie: Oh honey, I think I'm having one too!(During the mutual contraction Julie takes a moment to point out they're having a contraction at the same time.)Marc: Look at this! (Takes another picture) There wego![Scene: The Waiting Room, the rest of the gang is lounging around.]Phoebe: (looking at the clock) Oh wow, three hours and still no baby. Ugh, the miracle of birth sure is a snooze fest.Monica: Hey, you wanna seesomething?Phoebe: Sure! What?Monica: Umm, this is going to be fun. Watch me freak out Chandler. Honey?Chandler: Yeah?Monica: Listen uh, I-I've been doing some thinking, and I don't know whether it's becausewe're here or Rachel's giving birth but umm, I think we should try to have a baby.Chandler: Okay.Monica: (freaking out) What-what-what's that now?!Chandler: Okay. I've been thinking about it too, and I, I think we'reready.Monica: What?! Are you kidding me?! You-you-you think we're ready to have a baby now?!Phoebe: Oh, this is fun.Joey: You're ready to have a baby? My boy's all grown up!Chandler: But you said you were readytoo.Monica: Yeah but I was just screwing with you to try to get your voice all high and weird like mine is now!Chandler: Yes, but haven't you wanted a kid like forever?Monica: Okay, just back off mister! Whoa. (Pause)'Cause I am ready to have a baby. I just want Joey to be the father.Joey: (voice all high and weird) What?! Are you crazy?!Monica: That's it! Right there! Is all I wanted![Scene: The Semi-Private Labor Room, timelapse, Ross is massaging out a cramp on Rachel's hip as Marc opens up the privacy screen.]Marc: I am so sorry. The doctor insisted on closing the curtain for the exam.Rachel: Oh, that's very-Really very-veryokay.Marc: Julie's cervix is dilated a seven centimeters, that's about four fingers. The doctor let me feel it myself.Julie: Have you felt Rachel's cervix Ross?Rachel: (simultaneously as Ross) No, I don't think we'll be doingthat.Ross: (simultaneously as Rachel) We're not gonna do that.Julie: Well, if you like you can feel Rachel's and then feel mine to compare.Mrs. Geller: (entering) Am I interrupting?Ross: Uh yes! Thank you.Rachel: Oh.Oh wait no.Ross: Later.Rachel: No-no-don't! Don't leave me here with these people.Ross: Oh uh, I'm sorry. (Runs out.)Rachel: No Ross! Ross! Ross! My child has no father![Scene: The Hallway, Ross comes out andhugs Mrs. Geller.]Ross: Hi! I'm so glad you're here, but it's gonna be a while. I-I wished you'd called first.Mrs. Geller: Oh that's all right, I'm coming back later with your father.Ross: Oh good.Mrs. Geller: I actuallyneeded to talk to you before the birth.Ross: Okay, what's up?Mrs. Geller: I brought something that I want to give you, assuming of course that you want it. (She holds up an engagement ring.)Ross: Ma, you're askingme to marry you?Mrs. Geller: This is your grandmother's engagement ring, I want you to give it to Rachel.Ross: Mom no, come on! Thank you.Mrs. Geller: Just hear me out!Ross: N-no! Okay? We've been through this!We're not gonna get married just because she's pregnant, okay?Mrs. Geller: Honestly! Ross, this isn't just some girl you picked up in a bar and humped. A child should have a family.Ross: Mom, y'know what? I-I can'tdeal with this right now. I'm sorry...Mrs. Geller: Just...think about it. If you don't, I'll talk more about humping.Ross: Gimmie! (Takes the ring and puts it in his coat pocket as Rachel enters the hallway.)Rachel: Hi!Mrs.Geller: Oh hi dear!Rachel: Oh, thank you so much for coming. Ross, get in here!(Mrs. Geller leaves as Ross re-enters the room.)[Scene: The Waiting Room, Ross is explaining to the gang what happened with hismother.]Ross: ...she came and dragged me out of the labor room to ask me why I'm not with Rachel.Phoebe: Yeah. (Pause) Why aren't you with Rachel?Ross: Are you kidding? Look, we're not gonna be together justbecause we're having a baby. Okay?Phoebe: But y'know what? It just seems that you two belong together.Ross: Okay, stop it! I can't deal with this right now. I have to go have a baby.Phoebe: Right. And with whoagain? (Ross exits.)Joey: God. He's crazy! Why doesn't he want to be with Rachel?Phoebe: I know!Joey: I mean seriously, she's like the perfect woman. I mean I know she turned me down, but if she hadn't and wantedto be with me, I would take her in my arms and... (Realizes everyone is staring.) I haven't bummed you guys out like this in a while have I?[Scene: The Semi-Private Labor Room, Ross is returning to find anothercouple has taken the place of Marc and Julie.]Ross: (To Rachel) Hey. Who's that?Rachel: New people.Ross: What happened to the Disgustingtons?Rachel: They're having their baby! It's not fair Ross we got here first!Right after you left they wheeled her off into delivery. Oh but not before she gave me a juicy shot of little Jamie just crowning away.Ross: Wow! Sorry. So uh, how are the new people?Rachel: Well they have uh, someunusual pet names for each other. Including umm, evil bitch and uh, sick b*st*rd. Oh God oh! Contraction!Ross: Yeah? Okay.Rachel: Ooh! Ow!!Evil Bitch: Are you looking at her?!Sick b*st*rd: No!Evil Bitch: Don't youlook at her you sick b*st*rd!Sick b*st*rd: Honey I swear! I wasn't looking at her!Evil Bitch: She's in labor! You like that you sick son of a bitch!Ross: Umm. Umm, I'm-I'm just gonna-(Closes the privacy screen.)EvilBitch: See? See? It was because you were looking fat pervert!Ross: No-no, I'm...I'm sure no one was looking. Just want some privacy. (He closes the screen and stares wide-eyed at Rachel.)Evil Bitch: You miss yourgirlfriend?Ross: Just ignore them.(Sick b*st*rd sits down in a chair that enables him to look around the screen and stare at Rachel.)Rachel: Ross.Ross: What? What?Rachel: He's looking at me.Ross: (to him) Hey! Youwanna live to see your baby?!Evil Bitch: Don't you talk to my husband like that you stupid b*st*rd!(Ross shrugs his shoulders to Rachel and Sick b*st*rd closes the screen all the way.)[Scene: Outside the Nursery,Chandler is looking at the babies as Monica walks up.]Monica: Oh good God! If you want a baby so bad just go steal it!(The nurse attending to the babies hears this, turns and stares at Chandler. Chandler moves Monicato the side and away from the nurse.)Monica: What is going on with you? Since when are you so crazy about babies?Chandler: I'm not crazy about babies. I'm crazy about us.Monica: What?Chandler: Look, we'vealways talked about having babies someday. I'm not saying it has to be right now, but I'm starting to think that we can handle it. We're good. We're really good.Monica: We are pretty good.Chandler: But nothing has tohappen until your ready.Monica: Well maybe I'm ready now. I mean, it's a little scary, but maybe it's right.Chandler: What?! It's not right! We're not ready to have a kid now!!Monica: What?!!Chandler: I'm kidding. Thisis going to be fun.Monica: So we're gonna try? I mean, are we trying?Chandler: We're trying to get pregnant. (They start kissing, but Chandler stops it.) Y'know I'm not really comfortable doing this in front of thebabies. So, when do you want to start trying?Monica: Okay, hold on a sec.Chandler: Period math?Monica: Yeah.Chandler: Yeah.Monica: Well, we could start trying. Now.Chandler: Right here?Monica: No, not here.Maybe here.Chandler: Wait a minute, it's perfect. We got a lot of time to kill and we're in a building that's full of beds!Monica: And it's so clean!!(They run off in search of a bed.)[SCENE_BREAK][Scene: The VendingMachines, Phoebe is buying a soda and Joey is shaking the candy machine.]Joey: Come on you stupid machine! Come on!Phoebe: Oh, it ate your money?Joey: (looking at her) No.Phoebe: All right, I'll see youdownstairs then.Joey: All right.Phoebe: All right.Joey: Hey I got one! I got one![Cut to the elevator lobby, Phoebe walks up and sees a man in a wheelchair with his broken leg extended.]Man: Hi!Phoebe: Hi.Man: Oh uh,up or down?Phoebe: Oh down please. (The guy tries to reach the button, but can't.) I-I hate to be a ball buster can I just do it? (She pushes the button.)Man: Could you press up too please?Phoebe: Sure! I feel so badfor you; I broke my leg once too.Man: Oh yeah? How'd yours happen?Phoebe: Well, it's a long story. It's kind of embarrassing. Let's just say there was a typographical error with a s*x manual. (The guy laughs.) Howabout you?Man: Car accident.Phoebe: Oh.Man: Oh, let me guess some idiot on a cell phone wasn't paying attention?Man: Yeah. Me. (The elevator door opens.) Oh hey, that's me. (Rolls onto the elevator.) Hey uh, Itake it you're just visiting someone.Phoebe: Uh-huh, yeah.Man: Well umm, if you have sometime y'know and maybe you might want to visit someone else...Phoebe: Oh yeah! I-I would like that.Man: I'm in themiddle... (The elevator door closes, cutting him off.)Phoebe: Wait! What?! No!! Elevator!! No!Joey: (standing behind her) Uh, you gotta press the button. (Does so.)[Scene: The Semi-Private Labor Room, Evil Bitch andSick b*st*rd are gone and Ross has just finished talking to a nurse as Rachel stands and stretches.]Ross: The nurse said they're bringing in another woman.Rachel: Ugh, is she pregnant yet? She doesn't need to be;she'll still have the baby before I do. Oh Ross, another contraction! (Leans back on Ross for some support.)Ross: That's it. That's it.(The next couple enters.)Woman: Oooh, that sounded like a bad one.Rachel: Yeah itwas.Woman: Mine haven't been so bad. Oh! Here comes one now. (Hums then squeals a little bit.) Oh, that was a big one!(Rachel motions for Ross to close the privacy screen, which he does.)[Scene: Another WaitingRoom, Phoebe and Joey are trying to find out where the guy with the broken leg is.]Phoebe: (to the nurse) Excuse me? Could you help me with something? The patient I'm looking for has a broken leg and is in awheelchair. And umm, he's like early to mid-thirties, very attractive.Nurse: I think I know who you're talking about.Phoebe: Oh yay! Great! Okay, what room number is he in?Nurse: I'm sorry, that information isrestricted to hospital staff...Joey: (walks up) Uh, she's with me. (Introduces himself) Dr. Drake Remoray.Nurse: Dr. Drake who?Joey: Remoray. It's Portuguese. We need that information; I'm a doctor.Nurse: A doctorat this hospital?Joey: Damnit woman we're losing precious time! Now do you want this man's blood on your head?Phoebe: Hands.Joey: Hands! It is absolutely essential that you tell me what room the man my assistantdescribed is staying in. He's a patient of mine, I've been treating him for years!Nurse: He's in room 816.Joey: 816, thank you!Phoebe: Thank you. (Starts to exit.)(Joey starts to leave, but stops.)Joey: And what is hisname?Phoebe: (coming back for Joey) No! (Grabs Joey and drags him away.)[Scene: An Empty Hospital Room, Chandler and Monica enter.]Monica: I think we found a place.Chandler: Okay. (They start kissing.)Monica:Umm, wait! Do you want to set the mood a little?Chandler: Okay. Uh, we'll dim the lights, dim the lights. (He goes to the light switch and finds it's not a dimmer switch when he flips the lights off.) Or turn them out alltogether. Uh, no scented candles. Okay here. Here we go. (He sprays an aerosol air freshener above her.)Monica: Okay! Okay! Make me sterile, but okay.(He hops onto the bed and they start making out.)Monica:Okay. Let's hurry-Oh wait! Do we have a condom? (He looks at her.) Oh right! (Laughs and they resume making out when a nurse catches them in the act.)Chandler: Yes, 98.6. You're gonna be fine.[Scene: OutsideRoom 816, Phoebe and Joey are approaching.]Phoebe: Ooh, this is it! (Looks in the window.) Oh, that's him! That's him!Joey: Great! Go get him.Phoebe: Wait a second, or maybe you can go in first.Joey: (looks in thewindow) He's not really my type.Phoebe: No not you, Dr. Drake Remoray. You can ask him questions and see what's he like. People tell doctors everything.Joey: But you said he was this great guy!Phoebe: But lately allthe guys I meet seem really nice at first, then they turn out to be the biggest jerks.Joey: You do attract some stinkers.[Scene: The Semi-Private Labor Room, Dr. Long is checking on Rachel again.]Rachel: Dr. Long, I'vebeen at this for seventeen hours! Three women have come and gone with their babies, you gotta give me some good news! How many centimeters am I dilated? Eight? Nine?Dr. Long: Three.Ross: Just three?! I'mdilated three!Dr. Long: We are moving along, just slowly. (Rachel lies back and sighs.) Don't worry, you're doing great. I'll be back soon. (Exits.)Rachel: Hey, y'know what? I'm not waiting! I'm gonna push this babyout! I'm doing it! I mean it's what? Three centimeters? That's gotta be like this! (Holds her hands a couple inches apart.)Ross: Actually it's more like this. (Pushes her hands to less than an inch apart.)Rachel: Oh stupidmetric system!(Another woman with a nurse and doctor enter, the woman is screaming.)Doctor: Oh my. We're gonna need to take you straight to the delivery room.Rachel: Oh for the love of God!Woman Giving Birth:(yelling from the hallway) It's coming! It's coming!Doctor: And here it is! (The baby cries.)Rachel: Oh come on!![Scene: Room 816, Dr. Drake Remoray is entering.]Joey: Hi! I'm Dr. Drake Remoray and I have a fewroutine questions I need to ask you.Man: Really? I've been dealing with Dr. Wells.Joey: I know, but I'm a neurologist. And just to be on the safe side, Dr. Wells wanted a more comprehensive overview of you status sohe sent me.Man: Dr. Wells is a woman.Joey: That was a test. Good response. All right, full name.Man: Clifford Burnett.Joey: Date of birth?Cliff: November 16th, 1968.Joey: Age?Cliff: Can't you figure that out based onmy date of birth?Joey: I'm a doctor Cliff, not a mathematician.Cliff: I'm 33.Joey: Okay. And uh, are you married.Cliff: No.Joey: Oh really? So, 33 and still single, would you say you have commitment issues?Cliff: Are allthe questions this personal?Joey: (checking the list) Yes.Cliff: Well uh if you must know I'm a widower.Joey: Oh that's terrible. I'm-I'm really sorry.Cliff: Yeah.Joey: Hmm. Do you sleep with women and never call themagain?Cliff: No.Joey: Excellent! Excellent! And uh, finally, are you into any weird stuff y'know, sexually?Cliff: No!Joey: Oooh, wrong answer. (Exits.)[Scene: The Semi-Private Labor Room, they're brining in yet anotherwoman.]Nurse: (calling to the woman) This room's available.Rachel: Okay! Okay wait! You listen to me! You listen to me! Since I have been waiting four women, that's four, one higher than the number of centimetersthat I am dilated, have come and gone with their babies! I'm next! It's my turn! It's only fair! And if you bring in one woman and she has her baby before me I'm going to sue you! Not this hospital, I'm going to sue you!And my husband (Points at Ross) he's a lawyer!Ross: Uh Rach...Rachel: Go get back on that case honey!Nurse: I don't think the next patient is very far along.Rachel: Okay, well then bring her in.(Another nurse wheelsthe next pregnant woman in.)Woman: OH....MY....GAWD!!! (Uh-huh, it's Janice.)(Ross and Rachel are, needless to say, stunned at the arrival of Janice.)[SCENE_BREAK][Scene: The Semi-Private Labor Room, continuedfrom earlier.]Janice: I....can't....believe this!Ross: And yet somehow it's true!Janice: I mean this is so great! We're gonna be baby buddies! (Does the laugh.)Ross: (To Rachel) Squeeze your legs together and cover thebaby's ears!Man: (entering, carrying a pillow) Hi sweetie!Janice: Hi! Hi sweetheart! This is my husband Sid, I don't think you've met him. Ross, Rachel, this is Sid. I nabbed him a year ago at the dermatologist's office.Thank God for adult acne huh? (Does the laugh.)Sid: I still can't believe it! I'm the luckiest guy in the world!Ross: (softly) Really?Sid: (To Janice) What'd he say?Janice: Oh y'know what? You have to speak very loudlywhen you're talking to Sid, because he's almost completely deaf.Rachel: Oh!Ross: Oh there you go!Rachel: I get it!Janice: So? Congratulations you two, I didn't even know you got married.Rachel: Oh we-wedidn't.Ross: No-no. We...Janice: What?!Ross: Um uh...We're-we're just having this baby together but uh, uh that's all.Janice: Why?!!Ross: Uh well umm...we're just not in that place, y'know? But we're very excitedabout this.Janice: Oh. Well then shut me up. (Does the laugh.)Rachel: Just tell me how.Janice: Uh-oh, I feel another one coming. (She makes a sound like a goose during the contraction.)Ross: Sid you lucky deafb*st*rd.[Scene: Outside Room 816, Joey is briefing Phoebe on Cliff.]Phoebe: What else? What else?Joey: Uh, well he's 33.Phoebe: Oh. Ah-uh.Joey: A widower.Phoebe: Oh.Joey: He seemed like a stand up guy. Oh, andhe's not into anything weird sexually.Phoebe: Enter Pheebs.[Scene: Another Hospital Room, Chandler and Monica enter and start making out.]Chandler: Should we tell Rachel there's an empty private room right next"}
+{"doc_id":"doc_216","qid":"","text":"EXT. CRUCasey : So, if the light we're seeing is millions of years old, then the stars might already be dead.Max : But it's not just the stars that are in the past. It's everything. Even you looking at me now.Casey : So,you're not you?Max : No, I'm me. But you're seeing me one billionth of a second ago.Casey : So... everything is history and relationships are just memories.Max : Except for the light.Casey : Which is in its own present,our past and someone else's future.Max : The Hawking of Hearts.Casey : You know what that means?ZBZ HOUSE - Casey & Ashleigh's room Casey just wakes up. She was dreaming...Casey : What? Why are you staringat me?Ashleigh : You were making out with your pillow.Casey : No, I wasn't!Ashleigh : Must have been an awesome dream. You were drooling.Casey : I don't drool! Much. KT HOUSE - Living roomRusty : All right.Lightning round. Loves rainy sunday mornings, is a Pisces, and can't live without cuts two, three and eight from \"The Best of Sting\". Ferret.Pickle : He is such a romantic.Rusty : Afraid of apricots?Ben Bennett :Wingnut!Pickle : That's Heath.Rusty : Heath is correct. Wingnut?Ben Bennett : This active recognition test is gonna be tough. I mean, likes, dislikes, embarrassing secrets...Pickle : I know more about the actives nowthan I ever wanted to know.Rusty : Except for this guy. Joshua Whopper.Pickle : Isn't that the guy who's always carrying a knife?Rusty : Whoever it is, we better figure it out or we're scrubbing toilets untilinitiation.Beaver : Empty your wallets.Ben Bennett : Why?Heath : Lunch buffet.Rusty : You're shaking us down for a strip club?Beaver : It's not just any strip club. It's Gentlemen's Choice. We need to make a Cappietrip.Rusty : Last time Cappie went to the strip club was when he was... Oh, no.Heath : No one mentions Rebecca.Rusty : Hey, Cap, so you broke up with Reb...Ben Bennett : You weren't supposed to...Cappie : What'sgoing on?Beaver : Nothing. Why?Cappie : Beaver. I'm fine.Pickle : So, I can get my money back then?Beaver : No.Cappie : Any last minute questions on the active recognition test? ART's in two days.Rusty : I haveone. I took the liberty of downloading National's list of current actives.Ben Bennett : Suck up.Rusty : There's an active on the list no one has ever seen. Or ever met. Who's Joshua Whopper?Cappie : Extra points forbeing industrious, Spitter, but don't worry about him. He's not on the test.Rusty : OK, yeah, but according to the rules of the Arts, each pledge must know every active.Cappie : But not Joshua. Trust me. Leave theWhopper alone. Credits ZBZ HOUSE - Dining roomAshleigh : Rebecca's been eating her feelings since 7:00 this morning. It's her second box of cereal.Casey : I wonder if she'll give away her clothes. I wouldn't mind thatMarc Jacobs cocktail dress. It was already pretty tight on her.Ashleigh : She and Cappie broke up.Casey : What? Really?Ashleigh : Looking for a job is way harder than I thought. What about babysitting?Casey : Andwhat about your irrational fear of little people?Ashleigh : Good point.Casey : You know, I'm actually thinking of hiring an astronomy tutor.Ashleigh : I could help. I love looking at the stars Casey :. That's what I thoughtthe class was going to be about when I signed up for it. But all we're learning about is black holes, dark matter, alternative universes.Ashleigh : Why don't you drop it?Casey : I still need one science course for generaled. So, who do you think I can get to help me?Ashleigh : Ivy took it last semester.Casey : Ivy? I think we're in a fight or something.Ashleigh : What about Rusty? He's science-y.Casey : And that worked out so well thelast time.Ashleigh : Oh, wait. What about Max?Casey : Max? Rusty's friend Max.Ashleigh : He must know all about astronomy. He worked for NASA or something I think.Casey : He's probably pretty busy.Ashleigh :Yeah, you're right.Casey : Still, it couldn't hurt to ask. Thanks. KT HOUSE - HallwayBen Bennett : Joshua Whopper looks exactly like Abraham Lincoln.Rusty : You see the problem?Pickle : The 16th president of theUnited States was a Kappa Tau?Rusty : Guys, get the fact that Abe is about 200 years old and was not a Kappa Tau. This is a trap. We have no idea who Joshua Whopper is. Which means, when Cappie said, \"Trust me,\"he probably meant, \"Don't trust me. Which means Josh Whopper is going to be on the active recognition test. And after every one of us fails we're going to be breaking out the gas masks, Hazmat suits, and we're gonnago on porcelain patrol until initiation. We gotta find the Whopper.Ben Bennett : How do we do that?Pickle : We look for a guy with a beard and a funny hat. CRU - Max's roomMax : Oh. It's you.Casey : Yes. And you'reyou? You're probably wondering what I'm doing here.Max : Would... Actually, I was thinking about... That's not really relevant now. So...Casey : I really need a tutor for Intro to Astronomy. And I know it's not yourmajor specifically, but Rusty mentioned you had some connection to NASA. Which got me thinking... I really need help with the class. Max... NASA... So I'm here.Max : Maybe this isn't such a good idea. It didn't go toowell with blackjack and Casino Night.Casey : Well, I'm big on second chances. Actually, I'm big on third and fourth chances, too.Max : Could you do tonight? 8:00 here?Casey : Sounds... intimate.Max : Well, it's just...where I live. CRU - AdministrationPickle : Excuse me, Miss Brown? Sorry. I'm the new guy. And I don't want to be a nark or anything, but I just saw a woman from admissions throw away her recycle bin 'cause she saidshe hated the Earth.Woman : Was it Constance? Big redhead? Show me, please. Thank you. I can't stand her. I mean, who does that? I've talked to her before about this... While Pickle and the woman leave, Rusty andben Bennett come...Rusty : Password protected.Ben Bennett : How long is this gonna take you to hack in?Rusty : Well, with the 256 bit encryption and double coded keys, between two hours and never. I need herpassword. Uh... Jordan. Sarah... Arlo...Ben Bennett : Hey, you know what I always do? I always tape my password to my top drawer.Rusty : No one does that anymore.Both : Password.Rusty : All right, we're in. JoshuaWhopper. Physics 405, English Lit 320, Chemistry 401. Straight A's?Ben Bennett : Wait a second. There's a Kappa Tau that's smarter than you?Rusty : Yeah, it appears so. And he has a class tomorrow at Lasker ParksHall. Let's go.MICHAEL'S HOMECalvin : \"40 Year Old Virgin\" is a masterpiece. Although \"Knocked Up\" runs a close second.Michael : But don't you think Judd Apatow's movies can be... a little misogynistic, kind ofhomophobic?Calvin : Was it the chest waxing thing?Michael : No, it was the \"you know how I know you're gay\" thing. It objectifies gay life.Calvin : So now you're gonna teach me about being gay? If I recall, last night Itaught you a few things.Michael : A point taken. But how many other gay people do you hang out with? I mean, besides me?Calvin : Is that a trick question? Fine. None.Michael : Then you have to admit that your worldview is slightly limited. Which is... why I was thinking we could go to Gentlemen's Choice.Calvin : You want to go to a strip club?Michael : No, the other Gentlemen's Choice. The hottest... Well... only gay bar in Cyprus.We'll meet up with some of my friends, we'll hang out.Calvin : Trash Judd Apatow...Michael : You've never been to a gay bar, have you?Calvin : I just don't really like tight shirts and guys in Daisy Dukes.Michael : Don'tmock what you don't know. Besides, that's not Gentlemen's Choice. Come on. It wouldn't hurt you to actually hang out with other gay people every now and then. Who knows. Maybe you'll even meet a friend or two.It's time to broaden your horizons.Calvin : Spread my big gay wings?CRU - DormtromsMax : So you break through the line and no one touches you, you keep on rolling. That's inertia. That's Newton's first law ofmotion. Then you power right through an undersize fullback. That's Newton's second law, force.Guy : Hell, yeah.Max : OK. Then the third law. You hit the quarterback, knock him out cold. For every action there is anequal and opposite reaction.Guy : Hell, yeah.Casey : Max, I was hoping to understand gamma ray bursts.Max : OK, yeah. That's a rocket of electromagnetic energy created by a collapsing star. Kind of a good and badthing if one heads our way.Casey : Bad first.Max : Well, the world would plunge into darkness, polar ice caps would melt and deep sea creatures would rule the earth.Casey : And the good?Max : Well, no more studentloans.Casey : Got it. But that would never happen, right?Max : Casey. No matter how invested you are in your view of the universe, you have to be prepared for things to change.Casey : Are we talking about gammarays or something else?Max : I don't know... Maybe neither.EXT. CRURusty : That's not something you see every day.Ben Bennett : What?Rusty : Cappie on campus.CRU - ClassRusty : Dr. Shapiro?Teacher : If youhave any questions about today's lecture, my office hours are this afternoon from 3:00-5:00.Rusty : No, I'm fine with today's lecture. Actually, I'm not even in your class. I just had a question about one of yourstudents. I'm looking for Joshua Whopper.Teacher : It's a lecture class. I don't know everyone individually.Rusty : Are you sure?Teacher : Well, anyone with an A in my class doesn't come to office hours. Sorry,gentlemen.Ben Bennett : Well, we're dead. Cappie's gonna ask us who Joshua Whopper is, and we got zip.Rusty : Wait. It's crazy. What if Josh... No. Cappie on campus...Ben Bennett : Why are you talking to yourself?I'm standing right here.Rusty : OK, Joshua's smart. He's secretive. He has dozens of majors. He hangs out at Lasker Parks Hall. What if Joshua Whopper is Cappie?EXT. CRUAshleigh : Wow. That sounds great. I'mgonna be a naturalist intern.Casey : You'll have to wear hiking boots.Ashleigh : So, how was your tutoring session?Casey : I'm less confused about astronomy and more confused about Max. OK, here it goes. I kind oflike him.Ashleigh : Oh, he's cute. Weird, but cute. So, how was it? Was it all gushy and romantic? Or did he get all science-y and weird?Casey : Neither. Both. I don't know. Honestly, I'm not sure whathappened.Ashleigh : Wait. He's not just an Evan/Cappie in a dork suit, is he?Casey : No, that's the strange thing. He's totally unlike Evan or even Cappie. Max is so far outside my normal dating pool, I can't read him atall. It's like all the usual fraternity/sonority dating rituals have been tossed out the window. We're from different planets.Ashleigh : You need a translator. Someone who can speak both Greek and geek.KT HOUSE -Cappie's roomCappie : French maid, hers. Amazon princess, hers.Rusty : What happened with you and Rebecca?Cappie : We figured we were headed in different directions, so better to cut it off now before anyone gothurt. Devil temptress, hers. Super chick. That's mine. Where are the bracelets?Rusty : And you're OK?Cappie : You mean do I need to go and get hammered at Gentlemen's Choice, pay a bunch of naked girls to pretendthey love me? No. That sounds like fun.Rusty : You're not joshing me?Cappie : Nope. I'm not joshing you. Oh, let's see. Margaret Thatcher. Mine.Rusty : Margaret Thatcher was one whopper of a prime minister? Maybeshe was listening to Josh Groban, watching Judge Wapner.Cappie : I'll bite.Rusty : I know who Joshua Whopper is.Cappie : No. You don't.Rusty : Oh, yeah, I do. Dozens of majors, secretive about his name, smarterthan he lets on and he was walking out of Lasker Parks Hall. I saw him. He's you. You're him.Cappie : Rusty, you don't want to go there.Rusty : Why not? I figured it out, didn't I? I know your real name.Cappie : Youdon't. Because if you dug a little deeper, Nancy Drew, you would have discovered that Joshua Whopper has been a student at CRU since 1984, which just so happens was a dark time for the Kappa Taus. \"Thanks to theinvention of the microchip, CRU was finally able to track grades by computer. And the administration began to enforce Greek minimum grade point averages. It didn't appear that the Kts would survive. The only personin the house making grades was a pledge. Lasker Parks, a computer science geek.\"Rusty : Lasker Parks? He invented the...Cappie : Uh, Spitter, don't interrupt. \"So, Lasker enlisted his pledge class for help. They stolethe password to the university mainframe and for their pledge project they created Joshua Whopper, a computer program. A safeguard to ensure that the Kts will never again fall prey to grade standards. Everysemester the program chooses random large classes and enrolls Joshua Whopper and awards him an A.\"Rusty : So, the less attention Joshua Whopper gets, the better.Cappie : Yeah. And don't tell the pledges abouthim. This is something you're supposed to learn as an active.Rusty : Well, why do we even need him? It's...Cappie : Have you seen our grades? Without Josh they would have shut us down years ago. So, youunderstand why this has to remain a secret?Rusty : Totally. Oh. Hey, you forgot this.Cappie : Nope. That's mine.EXT. CRUAshleigh : So, it turns out a food service coordinator is actually...Calvin : The guy who makesthe French fries.Ashleigh : Exactly. Which is why I told him I'd go broke keeping my pores clean.Calvin : I'm sure they understood.Ashleigh : I know, right? Plus, if I took the job I'd have even less time to see you.Calvin: Yeah, I know. It has gotten pretty intense with Michael and me.Ashleigh : I knew you guys would hit it off. Hey, why don't we all go to Dobler's tonight? You treat this time and then I'll pay when I get a... Maybe...Maybe I could be a bouncer.Calvin : I'm actually hanging out with Michael tonight.Ashleigh : That's... good.Calvin : But you should come.Ashleigh : Really?Calvin : Yeah. I wouldn't mind the company. We're going toGentlemen's Choice.Ashleigh : The strip club?Calvin : No, the other one.Ashleigh : Oh. Yay !CRU - Dale & Rusty's roomDale : ... is afraid of the color green, has never eaten chicken, and likes to chase geese?Rusty :Jeremy.Dale : Dude, do you honestly want these guys to be your brothers? I don't even know how most of these kids got into CRU. And what kind of parents name their kid Ferret?Rusty : You promised not todisparage.Dale : I'm sorry. I'm just not impressed, that's all. Here's a winner. \"Barks at parked cars.\"Rusty : That's Pillbox.Dale : Sadly correct. This guy has some promise. Smart, stable, good family life. Realname?Rusty : I don't know. I give up.Dale : Joshua Whopper. Someone knock on door...Rusty : I think we're done.Dale : Who is this guy? Is he smarter than me? Rusty opens the door...Dale : Hey, Casey. Just...helping out your little brother here. You know, 'cause I care.Casey : Rusty, can I talk to you for a sec? In private?Rusty : Sure.Dale : No, no. You guys don't have to leave. I'll just, uh, listen to my music. You know,meditate. Expand my mind.Rusty : What's up?Casey : Rusty. There's someone on the honors engineering floor who I kind of like.Rusty : Here?Casey : I kind of like... Max.Rusty : I should warn him.Casey : What do youmean?Rusty : 'Cause you date like Sherman marched, Casey. With scorched Earth and broken spirits left in your wake.Casey : OK, A: ouch, and B: all I need you to d is find out if he likes me. That's it.Rusty : That'sjust way too junior high dating strategy.Casey : How would you know?Rusty : OK, A: ouch. And B: because I read your diary.Casey : Fine. Please, Rusty. Please, Rusty, please!Rusty : OK. Stop, stop. All right, I'll doit.Casey : I knew I could count on you, little brother.Rusty : I'm the best.Casey : Yes, you are. Casey leaves...Dale : Max? Really? The guy's a freakin' loser. KT HOUSE - Hallway Someone ring the frontdoor bell...Cappieopens the door...Woman : Hi. I'm looking for Joshua Whopper.Cappie : Why would you... Why would you need to do that?Woman : I'm Claire Golan, Dr. Shapiro's TA, and after some students came to Dr. Shapirolooking for him she checked her midterms. His test is missing, which means Dr. Shapiro's gonna kill me.Cappie : Well, Claire, I'm sorry to hear that, but it was nice knowing you.Woman : Then she'll take it to theGender Studies Review Board, then the Academic Review Board.Cappie : All those people will have to meet Joshua Whopper?Woman : Yes, they would. Unless I can get this all cleared up.Cappie : Today's your luckyday, because... I'm Joshua Whopper.Woman : You are? Great. Then would tonight be OK, 9:00?Cappie : Sure. For what?Woman : For the make up midterm. While the material's still fresh?Cappie : Tonight,tonight?Woman : That's so cool of you. You're a total lifesaver.Cappie : Hey, Claire, I'm taking two gender studies classes with Dr. Shapiro. Which one is this again?Woman : The Phallus. CRU - Max's roomRusty : So,you're tutoring my sister now?Max : Yeah, we only did it once. No, I mean tutoring. I'm not... I didn't... I wasn't saying that...Rusty : OK, thank you. Good to know.Dale : I've won a lot of awards too, Max. A lot biggerthan the... National Science Foundation gold medal.Max : Oh, that one. I assisted Professor Lowy with his work on fuel cell technology. Dale, maybe you can answer this. Why do they always put the environmentalawards on the wooden plaques?Dale : Nobody likes a show-off, Max.Rusty : But with all that studying and tutoring, I bet you don't have much time to date.Max : No. Not really.Dale : European Science FoundationLegion of Honor?Max : Ah, the Neues Schloss Hotel in Zurich is pretty cool.Rusty : It's hard to tell if they like you as much as you like them. So you test the waters...Max : Agreed. Maybe... maybe it'd be smart to... aska family member. See if the other person's interested...Dale : For heaven's sake, will somebody just say what they really mean? Max, I demand to know your intentions.Max : Is he all right?Rusty : Apparently not.Who's that? She's pretty. Is that your sister?Max : Girlfriend.Dale : Thank you. ZBZ HOUSE - Living roomCasey : I don't get it. I asked him to tutor me. Why didn't he just say he had a girlfriend?Rusty : Why would hedo that?Casey : You're kidding, right? Asking him to tutor me meant I was interested in going out. If he has a girlfriend he should have said no.Rusty : What would you say if you just wanted him to help you with yourclass?Casey : That I wanted him to tutor me. You really didn't pay very close attention to my diary. You know what? I'm bowing out before this gets super complicated. This is what you get when you try to dateamateurs. Will you make sure Max gets it? I owe him for an hour of tutoring. Rusty's cellphone rings...Rusty : Hey, Cap ! What's, uh... OK, I'll be right there. A few minutes later...In the dining room...Ashleigh : Lookslike we have a 1066 here.Rebecca : Serial killer?Ashleigh : Major crime alert. I'm thinking of becoming a student security officer.Rebecca : Their uniforms are hideous.Ashleigh : OK, you know what you need?Rebecca :A bigger spoon?Ashleigh : An evening out with me and Calvin at Gentlemen's Choice.Rebecca : The strip club?Ashleigh : No. The other one.Rebecca : I'll take a pass. I'm not in the mood to hang out in a bar packed withguys.Ashleigh : But these guys are exactly what you need. Gay bars are tailor made for depressed straight girls. There's lots of great music, hot guys that don't hit on you, and all night they tell you you're fabulous. KTHOUSE - Cappie's roomRusty : All right, lightning round. Who said a male's masculinity is defined by his relationship with not only his but a woman's phallatical display?Cappie : I have no idea, but it sounds kind ofhe-she.Rusty : No offense, but we're screwed. This books are scary thick and I can't even wrap my head around the class description in the syllabus. \"The thrust of the phallus is how perceptions of masculinity affectpsycho, social and interpersonal relationships.\"Cappie : Rusty, don't go soft on me.Rusty : Cap, I'm beat. This class is really hard. I just can't cram it in fast enough.Cappie : All right. We need a helping hand. Reachunder those books.Rusty : What are you thinking?Cappie : We get everybody in here, we bang our heads together, everyone pitches in. If Joshua Whopper's going down he's not taking the rest of us with him. Clearlywe've all taken gender roles for granted.[SCENE_BREAK]KT HOUSE - Living roomBeaver : I've never had such clarity before. Maybe we'd be better brothers if we treated each other as sisters.Heath : An open exchangeof feelings.Beaver : Sadly, it appears our phalluses have led us astray.Cappie : I'm gonna miss you. I'm gonna miss you, too.Beaver : Now I know I have a heart... because it's breaking.Cappie : And, uh... I think I'mgonna miss you most of all, Scarecrow.Rusty : I'm going with you.Cappie : Right. Sorry.Heath : Hey, Beav, are you... Are you crying?Beaver : Yes, and I don't care. But I didn't get you anything.Ben Bennett : Later.Just take a sip.Pickle : We were thinking about going to the backyard, just blowing some stuff up.All : Yes! ZBZ HOUSE - HallwayMax : Hey, Casey? Sorry to bother you. I came to return your check. I can't cash it.Casey"}
+{"doc_id":"doc_217","qid":"","text":"Produced by: Robert Carlock & Wendy Knoller[Scene: Central Perk. Everyone's sitting on the couch and Phoebe enters.]Phoebe: HiAll: Hey! Hi!Rachel: How was the honeymoon?Phoebe; Oh, incredible! Oh! Champagne,candle-lit dinners, moonlight walks on the beach, it was sooo ro-man-tic!Rachel: Oh!Chandler: So, where's Mike?Phoebe: Oh, he's at the doctor, he didn't poop the whole time we were there!Joey: Well anyway, I'm gladyou're back, I really need your help.Phoebe: Oh, why? What's up?Joey: I have an audition for this play and for some of it I have to speak French. Which, according to my résumé, I'm fluent in.Ross: Joey, you shouldn'tlie on your résumé.Monica: Yeah, you really shouldn't. (to Ross, sarcastically) By the way, how was that year-long dig in Cairo?Ross: (whispering) It was ok...Rachel: I did not know you spoke French.Phoebe: Oui, biensur je parle Français! Qu'est-ce que tu penses alors?Rachel: Oh... you're so sexy!Joey: Well, so, will you help me? I really wanna be in this play.Phoebe: Sure! Tout le plaisir est pour moi, mon ami.Rachel: Seriously stopit, or I'm gonna jump on ya.OPENING CREDITS[Scene: Monica and Chandler's apartment.]Chandler: Hey.Monica: Hey.Chandler: Why are you wearing my apron?Monica: I'm making cookies for Erica. And oh, by theway, we have to leave for the airport soon, her plane comes in about an hour.Chandler: Oh, hey, when she gets here, is it ok if I introduce you two as \"my wife\" and \"the woman who's carrying my child\"? (she's notamused) No? Divorce?Ross: (he enters) Hey.Monica: Hey.Ross: You guys know where Rachel is?Monica: No, we haven't seen her since this morning.Ross: So unbelievable. She was supposed to meet me half an hourago with Emma. (he tries to take a cookie but Monica slaps his hand)Monica: Hey!Ross: Hey!Monica: These are for Erica!Ross: What? She's gonna eat all those cookies?Monica: Well, I want he baby to come out all cuteand fat!Ross: So, why is Erica coming to visit?Monica: Well, because we want to get to know her better and she's never been to New York so she wants to see all the tourists' spots... you know, Statue of Liberty, EmpireState Building...Chandler: Oh, those places! There's always so many people, their being corralled like cattle, and... you know, there's always some idiot who goes \"Mooooo\"!Monica: Well, if it annoys you so much, thenwhy do you do it?Ross: (looking at Rachel entering with Emma) Oh, hi! Hi! Thanks for showing you up thirty minutes late!Rachel: Ross...Ross: No, no, no, I'm sure you have a great excuse, wh-was it a hairappointment, a mani-pedi or was there a sale at Barney's?Rachel: My father had an heart attack... (crying) ...while I was at Barney's.Ross: Oh my God.Monica: Honey.Chandler: I'm so sorry...Ross: Is-is he ok?Rachel:Yeah, they said he's gonna be fine, but he's still heavily sedated.Ross: Ok, ok. I'm gonna come out to Long Island with you, I mean, you can't be alone right now.Rachel: No, come on, I'm totally ok. (hugging him) Idon't need you to come! I can totally handle this on my own.Ross: Still-still, let me come... for me.Rachel: Ok. If you really need to.Ross: I bet someone could use one of Monica's freshly baked cookies.Rachel: Oh, Ireally could.Ross: Oh!Rachel: Ohh... (Ross mouths HA-HA at Monica and takes two cookies and she looks at him angrily)[Scene: Central Perk. Phoebe's trying to teach Joey French, so she's sitting in front of him withthe script in her hands.]Phoebe: All right, it seems pretty simple. Your first line is \"My name is Claude\", so, just repeat after me. \"Je m'appelle Claude\".Joey: Je de coup Clow.Phoebe: Well, just... let's try it again.Joey:Ok.Phoebe: Je m'appelle Claude.Joey: Je depli mblue.Phoebe: Uh. It's not... quite what I'm saying.Joey: Really? It sounds exactly the same to me.Phoebe: It does, really?Joey: Yeah.Phoebe: All right, let just try itagain. Really listen.Joey: Got it.Phoebe: (slowly) Je m'appelle Claude.Joey: Je te flouppe Fli.Phoebe: Oh, mon Dieu!Joey: Oh, de fuff!Monica: (entering with Erica and Chandler) Hey you guys.Phoebe: Hi!Joey:Hey.Monica: I want you to meet someone really special. Phoebe, this is Erica. And this is the baby!Phoebe: Oh!Monica: Joey. Erica, baby!Joey: Hi.Monica: Everyone. Erica, baby!Chandler: Monica. Calm, self.Erica:Thank you. It's really nice to meet you guys, I can't believe I'm here!Joey: Welcome to New York City! Or should I say \"ghe deu flooff New York City\"?Chandler: Why would you say that?Phoebe: Ok. What are you gonnabe doing today?Erica: I wanna see everything! Times Square, Coney Island, Rockefeller Center...Joey: Oh, you know what you should do? You should walk all the way at the top of Statue of Liberty.Erica: Oh yeah, let'sdo that!Chandler: Great! (to Monica) This baby'd better to be really good.[Scene: Hospital.]Rachel: (stopping a nurse who's coming out of a room) Oh, uhm, excuse me, I'm here to see my father. My name is RachelGreen.Ross: And I'm Doctor Ross Geller.Rachel: Ross, please, this is a hospital, ok? That actually means something here.Rachel: Can somebody please go in?Nurse: Absolutely.Ross: Rach, I think I'm gonna wait outhere, because my throat is feeling a little scratchy, I don't want to infect him.Rachel: Ross, please, don't be so scared of him!Ross: I'm not scared of him, I'm really sick!Nurse: He's under sedation, so he's pretty muchout.Ross: I'm feeling better.Rachel: Oh! (They enter. Rachel sees his father, lying on a bed, with tubes, drip and everything) Oh! Oh my God! Ohhh, ohhh, wow, that ear and nose hair trimmer I got him was just moneydown the drain, huh?Nurse: Miss Green, your father's doctor is on the phone if you'd like to speak to him.Rachel: Oh, great, Are you gonna be ok?Ross: He's unconscious, I think we'll be just fine!Rachel (leaving):Ok.(Ross goes into the room where Dr. Green is laying unconscious. He turns on the TV, puts his feet on the bed and starts watching a dinosaur movie where the dinosaur is caught by two cowboys. Dr. Gellerawakes.)Ross: Did the TV wake you?Dr. Green: No, when you put your feet up in my bed, you tugged on my catheter.Ross: Ouchy.Dr. Green: What are you doing here, Geller?Ross: Well, I came with Rachel, whoshould be back any second! (pause) So what's new?Dr. Green: Ooh, I have a little heart attack.Ross: Right, is it painful?Dr. Green: What, the heart attack or sitting here talking to you?Ross (he buzzes for the nurse)Let's see if we can get that Rachel back here.Dr. Green: So what's new with you, uh, knocked up any more of my daughters lately?Ross: Nope, just the one. RACH![Scene: Joey's apartment. Phoebe is trying to teachJoey French.]Phoebe: Je m'appelle Claude.Joey: Je do call blue!Phoebe: Noooo! Ok, maybe if we just break it down. Ok, let's try at one syllable at a time. Ok? So repeat after me. \"je\".Joey: je.Phoebe: m'apJoey:mahPhoebe: pelleJoey: pel.Phoebe: Great, ok faster! \"je\"Joey: je.Phoebe: m'apJoey: mahPhoebe: pelleJoey: pel.Phoebe: Je m'appelle!Joey: Me pooh pooh!Phoebe: Ok, it's too hard, I can't teach you!Joey: What areyou doing?Phoebe: I, I have to go before I put your head through a wall. (she leaves)Joey: (he goes out calling her) Don't move! Don't go! I need you! My audition is tomorrow! Shah blue blah! Me lah peeh! Ombrah!(he gives up). Pooh.[Scene: Green's mansion. Rachel's Room. Rachel's is combing her hair; Ross's coming into the room]Ross: Hey!Rachel: Hi!Ross: I was gonna make us some dinner but all I found in your dad's fridgewas bacon and heavy cream. (pause) I think we solved the mystery of the heart attack.Rachel: Uh. (pause) Did you call your parents?Ross: Oh, yeah. Emma's doing great.Rachel: Oh good.Ross: Wow.Rachel:What?Ross: Just can't believe I'm in Rachel Green's room.Rachel: What do you mean? You've been in my room before!Ross: Yeah, sure, right! Like I've ever been in Rachel Green's room.Rachel: Ok I gotta tell ya, it'sreally weird when you use my whole name.Ross: Sorry. (Rachel sits on her bed). You ok?Rachel: Yeah.Ross: You had a rough day, uh?Rachel: Yeah, just so weird seeing him like that, you know? I mean he is a doctor,you don't expect doctors to get sick!Ross: But we do! (pause) It's gonna be ok, Rach!Rachel: (she's sad) Ow. I don't want him to wake up alone! I should go to the hospital!Ross: What? No, no! Hey, hey, heylook...Rachel: What?Ross: They gave him a lot of medication, ok? He wouldn't even know if you were there. Look, we'll go see him first thing in the morning, ok?Rachel: Really, I shouldn't feel guilty?Ross: No, God!Hey, Rach, you've been an amazing daughter, ok? Right now you just need to get some rest.Rachel: Ok, maybe you're right.Ross: (he kisses her on her forehead) Good night.Rachel: Wait, wait, wait, wait. Would youstay here with me for a little while?Ross: Sure!Rachel: Ok. (She sits on the bed and Ross sits near her) Thank you for coming with me today.Ross: Oh, of course...Rachel: Rachel Green is very happy you're in herroom!Ross: Me too. Come here. (They hug)Rachel: I just don't want to be alone tonight.Ross: Ok, well, uh, I can maybe grab a sleeping bag, or...(There's one of those moments. They're staring at each other, no worduttered, and then she leans toward him in order to kiss him, but he ducks and avoids her more than once.) Oh, oh. (he then hugs her and when she tries to kiss him again, he stands up and she falls down on the bed).No, Rach! I'm sorry, I just don't think this, this, this is a good idea.Rachel: Wait, we won't know that until we do it, will we?Ross: No, look, uh. You are upset about your father and you're feeling vulnerable and I justdon't feel it would be right, I'd feel like I'd be, you know, taking advantage of you.Rachel: Taking advantage? I'm giving you the advantage, enjoy!Ross: Look, I'm sure it would be great, but I-I think one of us has to bethinking clearly, so, I'm gonna go!Rachel: Wow. Ok.Ross: I'll see you in the morning (he leaves).Rachel: Mhm-mh!Ross: (outside her room, talking by himself) Haven't had s*x in four months, I should get a medal forthat![Scene: Monica's apartment. Monica and Erica have just arrived.]Erica: Thanks so much for taking me to all those places. I had a great time.Monica: Oh, I'm glad. Listen, I want to apologize about Chandler,though. I just did not see this coming.Chandler: (enters the room wearing an \"I love New York\" t-shirt, a \"Statue of Liberty\" hat and carrying bags) New York is awesome!Monica: What is with you?Chandler: Yeah, I'vebeen to these places before, but I've never really seen them, you know.Monica: Yeah, you miss alot, when you're moo-ing.Erica: Thanks so much for showing me around.Monica: Oh! It was our pleasure. We are somuch enjoying getting to know you.Erica: Well, if there is anything else you wanna know... (Monica and Chandler look at each other)Chandler: Oh, uhm, okay, uhm, do you mind if we ask you some questions about thefather?Erica: Oh, sure. Yeah, well, he was my high school boyfriend. Captain of the football team, really cute and he got a scholarship and went off to college. (Monica and Chandler are smiling from ear to ear)Chandler:That's great.Erica: Yeah... it's almost definitely him. (Monica and Chandler look confused now)Monica: How's that now?Erica: Well, there is a chance it's another guy. I mean, I have only ever been with two guys, butthey sorta overlapped.Chandler: So, what does the other guy do? Does he go to college too?Erica: No, he's in prison. (More shocked looks from Monica and Chandler)Monica: Was he falsely accused of something? (Theylook hopeful)Erica: No... he killed his father with a shovel. (Monica and Chandler's jaws drop) But other than that, he's a great guy.Chandler: I'll bet his dad doesn't think so.(Time lapse. Chandler and Monica are in bednow)Monica: Are you awake?Chandler: Of course I'm awake. Assume from now on that I'm always awake! (He turns the light on)Monica: Alright, we don't know that it's him. I mean, it could be the footballguy.Chandler: Honey, it's us. Of course it's the shovel-killer.Monica: Alright, lets say that it is him, would we not want the baby? No! Would we treat him any differently?Chandler: I'd keep an eye on him! We have tofind out which one the father is.Monica: How?Chandler: I dunno, aren't there tests for these things, right?Monica: Yeah, but maybe we're just over-reacting.Chandler: Pff, easy for you to say, he's a father killer. Heprobably loves him mommy. He's probably got a tattoo that says \"mom\" on his shovel-wielding arm![Scene: Joey's apartment. He is sitting on the barcalounger holding a French study book and listening to a Frenchlearning tape.]Tape: We will now count from one to five. Un, deux, trois, quatre, cinq.Joey: Huh, un, blu, bla, flu, flenk!Tape: Good job.Joey: Thank you.(Phoebe enters)Phoebe: Hey Joey.Joey: Hey!Phoebe: Listen, Ifeel really badly about yesterday and I thought about it a lot and, and I know, I was too impatient. SO lets try it again.Joey: Oh, no, that's okay, I don't need your help. I worked on it myself and I gotta say, I am prettygood!Phoebe: Really, can I hear some of it.Joey: Sure, sure. Ok, (clears his throat and starts to read from his script. He starts talking in a fake French accent, making gestures with his hands) \"Bleu de la bleu, de la blubla bleu\" (Phoebe looks astonished, annoyed and disgusted, Joey seems very proud though) See?Phoebe: Well, you're not, (she tries to smile and contain her anger, but loses it) You're not... you're not... again, you'renot SPEAKING FRENCH!Joey: (offended) Oh well I think I am, yeah and I think I'm definitely gonna get the part.Phoebe: How could you possibly think that?Joey: For one thing, the guy on the tape said I was doing agood job![SCENE_BREAK][Scene: The hospital. Rachel is pouring her self a cup of coffee. Ross approaches from behind.]Ross: Hey Rach, can you grab me a cup of coffee?Rachel: (She turns around very slowly, looks athim for a second and then turns back to her coffee) Sure. (She gives him the cup she was pouring for herself without looking at him)Ross: You've been quiet all morning. Is everything okay?Rachel: Hmm-hmm. (startsto pour herself a cup of coffee, never looking at Ross)Ross: You sure you're alright?Rachel: (coldly) Yep.Ross: (knowing she's not alright) O-kay. Well, I'm gonna go grab us some breakfast. (He starts to leave)Rachel:FYI..Ross: (knew this was coming) There it is... (he comes back)Rachel: In the future, when a girl asks for some ill-advised sympathy s*x... just do it. (she smiles fakely at him)Ross: (half amused) Wait, wait, (looksaround a little) You're mad at me about last night? I was just trying to do the right thing.Rachel: (sarcastically) Really? Well, it seems to me if you'd done the right thing, I would not have woken up today feeling stupidand embarrassed, I would have woken up feeling comforted and satisfied!Ross: (acknowledging the last part of her sentence) Well...Rachel: Oh stop that!Ross: I can't believe this. I was just being a good guy. I treatedyou with respect and understanding.Rachel: (sarcastic) Oh, that is so hot. She walks around him to the other side)Ross: Hey, I was looking out for you.Rachel: Oh, really, well Ross, you know what? I am a big girl. Idon't need someone telling me what is best for me.Ross: I gotta say, I have not had s*x a lot of times before, this is the worst ever.Rachel: Oh, really, really? Well, it wasn't very good for me either. (She turns to leaveand Ross over takes her and stands infront on her, his back to the row of doors leading to the hospital rooms)Ross: Hey you know what? You know what? To avoid this little thing in the future, let's just say, you and me,never having s*x again.Rachel: What?Ross: That's right, s*x is off the table. (The door starts to open behind him and Dr. Green emerges) I am never having s*x with you again. (Rachel stays quiet and after a fewmoments Ross realizes what has happened. He turns abruptly) Dr. Green, are you feeling better? (Rachel's dad glares at him with a deadly look)[Scene: Monica and Chandler's apartment. Monica and Erica enter,Chandler is in the kitchen.]Chandler: Hey! How was lunch?Erica: (To Chandler) We had a good time. By the way, I wanted to ask you something. It would really mean a lot to me, if the baby was a boy, that you namehim after my father, Jiminy Billy Bob (Monica smiles at Chandler and his he looks shocked and scared, getting no support from his wife)Chandler: (struggling) Oh, really?Erica: No! (To Monica) You we're right, that wasfun! I'm gonna go finish packing.Chandler: O-okay. (steps closer to Monica and speaks softly) So, is she gonna take the test?Monica: Nope, she doesn't have to, I found out who the father is.Chandler: Oh God. It'sshovely-Joe, isn't it?Monica: (smiling) No it's not.Chandler: How do you know?Erica: Well, it turns out that Erica didn't pay much attention in s*x Ed class, because the thing she did with that prison guy... it'd be prettyhard to make a baby that way.Chandler: Oh God! What was it? The thing that we hardly ever do or the thing we never do?Monica: The thing we never do.Chandler: (nods in appreciation) Shovely Joe![Scene: Thetheatre where Joey is auditioning. Phoebe enters when Joey's on stage and she sits down. He hasn't seen her.]Director: Whenever you're ready Joey.Joey: Right. (clears his throat) Dja bu bu Claude. Uh, c'est la pu lesla lu blah bloo.Casting assistant: I'm sorry, what's going on?Joey: Dude, come on! French it u-up!Director: Joey, do you speak French?Joey: Toutes la smore! Bu blu-ay bloo blah ooh! Pfoof!Director: You know what. Ithink this audition is over. (Joey looks disappointed, but understands.)Phoebe: (in a French accent) Uh, excuse me. Uh, I am Reginé Philange. I was passing by when I heard this man speaking the regional dialect of myFrench town of Estée Lauder.Director: You really think this man is speaking French?Joey: Sa-sa-saw!Phoebe: Écoutez, je vais vous dire la vérité. C'est mon petit frère. Il est un peu retardé. (Translation: Listen, I will tellyou the truth. He's my little bother. He's a bit retarded.)(The director looks at Joey and he nods.)Phoebe: Alors, si vous pouviez jouer le jeu avec lui... (Translation: So, would you please just humor him?)Director: (toJoey) Good job, little buddy. That was some really good French. But I think we're gonna go with someone else for the part.Joey: Ah. All right. But my French was good?Director: It was great.Joey: (to Phoebe) Oh-hoh!Ha-hah! See!Phoebe: (to the director) Merci. Au revoir. (Translation: Thanks, goodbye.)Joey: Yeah-hah. Toute-de-le-fruit.[Scene: Joey and Rachel's apartment. Rachel is sitting at the kitchen counter and Ross entersfrom Rachel and Emma's room.]Ross: Emma's down for the night.Rachel: Oh, good.Ross: So uh... I guess I wanna take off.Rachel: Okay... Hey listen, just before you go I-I again, I just wanna say \"thank you\" forcoming with me.Ross: Oh, no problem.Rachel: And also, you know I uh, I was thinking about what you said, you know, about the whole s*x thing and... it's probably not a great idea to go down that road again.Ross:Thank you. I'm glad you agree.Rachel: It's a shame though, I mean, when we did it, it was pretty good.Ross: Yeah... Yeah, that's true.Rachel: Hey uhm, do you remember that one really great time...?Ross: Oh,ye-ah!Rachel: You know it was you're uhm... birthday...Ross: ...Valentine's day...Both: (long pause, they realize) Oh yeah!Rachel: Well, I guess that's all in the past, now.Ross: Hmmm-mmmm.Rachel: (after a pause)Not even one more time?Ross: Not even once.Rachel: No matter how much we want it.Ross: Even if we want it really bad.Rachel: That's what we decided.Ross: Uhm, right!Rachel: ...It's kinda hard though!Ross:Yeah.Rachel: You know, when two people have a connection, you know, that's... just seems like such a... waste.Ross: ...I hate waste.Rachel: ...Ross?Ross: Yes?Rachel: Just so you know... With us... it's never off thetable. (she enters her room and closes the door.)Ross: Damn it. It's never off the table. (he leaves the apartment)[SCENE_BREAK][Scene: Joey and Rachel's apartment. Phoebe and Joey are \"updating\" Joey'sresumé.]Phoebe: Okay, can you really tapdance?Joey: No.Phoebe: It's off the resumé. (she strikes it through with a pencil)Phoebe: Archery?Joey: No.Phoebe: Horseback riding?Joey: Would fall off a lot.Phoebe: You candrink a gallon of milk in 10 seconds?Joey: That I can do.Phoebe: Come on! You can drink a gallon of milk in 10 seconds?Joey: All right, watch me! (he takes a full container of milk from the fridge) Okay, you time me.Ready?Phoebe: Ready... GO!(Joey takes the plastic container to his mouth and starts to drink. Most of the milk gushes from the bottle down his chin and over his clothes to the floor. He keeps \"drinking\" and all of asudden he lifts it up and half the bottle of milk pours out in an instant. He then continues to drink the rest. He then puts the empty container down on the counter.)Phoebe: (checking her watch) You did it!"}
+{"doc_id":"doc_218","qid":"","text":"3.01 - Those Lazy-Hazy-Crazy DaysOPEN IN LORELAI'S BEDROOM[Lorelai is asleep in bed when her alarm goes off. She shuts it off, and a second later, several others start going off around her bedroom.]LORELAI: Youare hilarious![She gets up and walks down to the kitchen, where Luke is at the stove making breakfast]LORELAI: Okay, see, last night, when I said to you, \u0000Tomorrow, no matter what, make sure I get up at seven,'what I actually meant was, \u0000Tomorrow, no matter what, make sure I have the option of getting up at seven in case when seven comes, I actually wanna get up,' which \u0000 as it happened \u0000 I didn't. Therefore, you'recurrently responsible for the great alarm clock slaughter of 2002.[She pulls a container of coffee out of the freezer]LUKE: No survivors?LORELAI: The one shaped like a bunny escaped with a mild decapitation. [smellsthe coffee] This is decaf.LUKE: What are you talking about?LORELAI: You switched my coffee again.[Lorelai searches the kitchen for the regular coffee]LUKE: I'm a busy man. I don't have time to sneak around switchingyour coffee. I have a diner to run, I have shipments to order, I have things to flip and fry. Will you stop that?[Lorelai finds the bag of regular coffee under the sink]LORELAI: Ha, haha, hahaha! Under the sink, veryclever, but not clever enough bucko.LUKE: Okay, fine, you know what? I give up.LORELAI: Woo hoo!LUKE: Go one day without coffee.LORELAI: That's not giving up.LUKE: I'll put a toy in your cereal.LORELAI:Dirty!LUKE: [hands her a plate of food] Fine, here, you win.LORELAI: Thank you.LUKE: You're welcome. Now you're up, you're fed, I'm leaving.LORELAI: Oh, hey, we need q-tips.LUKE: I'll alert the media.LORELAI: See,that's better with the accent.LUKE: The reference is enough, you'll learn that one day. I'll be home early, anything besides the q-tips?LORELAI: Um, cotton balls, world peace, Connie Chung's original face back.[Lukekisses her]LUKE: Goodbye crazy lady. [to Lorelai's stomach] Goodbye Sid and Nancy.LORELAI: Leopold and Loeb.LUKE: What?LORELAI: I changed my mind, don't tell Rory.LUKE: Decaf.LORELAI: Never.LUKE: They'llboth have two heads.LORELAI: More to love.[They kiss again and Luke walks out the back door]CUT TO LORELAI'S BEDROOM[In the middle of the night, Lorelai wakes up suddenly from her dream. She falls out of thebed reaching for the phone]LORELAI: Whoa! Ugh![She calls Rory at her dorm in Washington]RORY: Hello?LORELAI: You have to come home.RORY: Mom?LORELAI: You're gone and the house is quiet and Bill Maher'scanceled. The name of the show was Politically Incorrect for God's sake. Didn't anybody read the title? He was supposed to say those things, dammit!RORY: You had another dream.LORELAI: Yes.RORY: The doctor isin.LORELAI: Okay, I'm lying in bed and I'm sleeping and I'm wearing this fabulous nightgown, and like thirty alarm clocks go off, and so I get out of bed and I walk downstairs, and there, standing is the kitchen, isLuke!RORY: Was he naked?LORELAI: No! He was making breakfast.RORY: Naked?LORELAI: Okay, you've been in Washington way too long.RORY: Sorry. Go ahead, he was making breakfast. . .LORELAI: Eggs andpancakes and bacon, and he put decaf coffee in my regular coffee bag, which of course I knew immediately.RORY: Hi, the nose.LORELAI: Exactly. So eventually I find the real stuff under the sink. He hands me mybreakfast, and then . . .RORY: What?LORELAI: He kissed me and talked to my stomach!RORY: Why would he do that?LORELAI: Because apparently I'm pregnant!RORY: What?LORELAI: With twins! [pause] Saysomething.RORY: You are going to be so fat.LORELAI: Just analyze my dream, please.RORY: Okay. Well, your dream was telling you that you are secretly in love with Luke and you wanna marry him and have histwins.LORELAI: Uh, no, try again.RORY: What do you mean, try again? You asked me to analyze your dream, I analyzed your dream.LORELAI: Yes, well, I reject that analysis, so I'd like another one, please.RORY: Youcan't just reject an analysis and try again. You're not shopping for bathing suits here.LORELAI: Give me another analysis or I'll put your Taylor hula-hooping dream into a whole other context.RORY: I told you, Taylorwas supposed to be Dean. I could tell by his freakishly thick head of hair.LORELAI: I'm waiting.RORY: Okay, maybe you're still upset about what happened with Dad and you're jealous of Sherry because she's having hisbaby and not you. Mom?LORELAI: I miss you.RORY: I miss you, too.PARIS: [sleeptalking in background] Woodward. . .Bernstein. . .Harry Thomason.LORELAI: Is that Paris?RORY: Yeah, she talks in her sleep. . . longin-depth arguments. I'm so glad I only have one more day here.LORELAI: Me, too. What do you have on your agenda for tomorrow? Or, today, actually.RORY: We have a breakfast mixer with members of Congress andthe Senate.LORELAI: Cool. See if you can steal me something off of Tom Daschle's fruit plate.RORY: I'll see what I can do.LORELAI: See you Friday, doc.RORY: See you Friday.[Rory walks to her desk and sits down,where she tries to work on a letter to Jess]PARIS: [sleeptalking] I did not have sexual relations with that woman.[opening credits]CUT TO SOOKIE AND JACKSON'S HOUSE[Lorelai and Sookie are sitting at the kitchentable]LORELAI: No way.SOOKIE: I swear.LORELAI: Huh, Kosher bacon.SOOKIE: Beef not pork.LORELAI: I am so Jewish.JACKSON: [from other room] Hey Sookie, where's my \u0000SOOKIE: Jackson, hold on! Lorelai'shere!LORELAI: [covers eyes] Oh, Jackson, I'm in the kitchen! I'm eating bacon, so don't . . aye - eh - da - ahhh!JACKSON: [walks into kitchen] Will you stop it? I'm dressed.LORELAI: Uh, well, how do I know youweren't showering and the hot water went out and you rushed down here with nothing but a teeny tiny towel in front of ya.JACKSON: Once, that happened once.LORELAI: Well, once was enough.SOOKIE: Oh, hey,honey, I got those paint chips that we were talking about. Do you wanna look at them now?JACKSON: Nope.SOOKIE: But it'll only take a minute and I actually went though and picked out a couple of colors foryou.LORELAI: What are you painting?JACKSON: Nothing.SOOKIE: The house.LORELAI: The whole house?JACKSON: No.SOOKIE: Just the inside.LORELAI: Ah, that's a pretty big undertaking.JACKSON: It's not such a bigundertaking since we're not undertaking it.SOOKIE: I know, but it'll be fun.LORELAI: Rory and I'll help if you want.JACKSON: Okay, if you're gonna come over here everyday, you have to actually hear both ofus.LORELAI: Oh. Well, tell me why you're not painting just the inside of the house?SOOKIE: Because it was my house and now it's our house and I want it to feel like our house.JACKSON: I'm totally happy with the waythis house feels.SOOKIE: How can you be? There's flowers everywhere.JACKSON: I like flowers \u0000 I'm a produce guy.SOOKIE: The curtains are ruffly.JACKSON: I like ruffles.SOOKIE: How can you like ruffles?JACKSON:Because I'm very, very gay.SOOKIE: Jackson!JACKSON: Judy, Vincent has to go to work now. Goodbye Lorelai. Tell her I'm fine, I like things just the way they are.LORELAI: I'll try.[Jackson leaves]LORELAI: All right,I've only got a minute and then I have to leave. Is there any more bacon?SOOKIE: Have mine. What do you think about mahogany for the living room and then midnight blue for the hallway and the bedroom?LORELAI:Sookie, Jackson just said he's fine with how everything is. I don't think it's bugging him.SOOKIE: Well, he may not think so now but it'll bug him eventually and then he'll resent this place and me by extension and Iwould like to avoid that. And I can \u0000 I just need to butch the place up a little. Now, help me pick a color.LORELAI: Okay, I can't now, but I'll do it later.SOOKIE: Okay.LORELAI: Thanks for breakfast, it was amazing, Ilove you, I love the bacon. Oh, hey, bacon's manly. Why don't you just nail a bunch of packages of Kosher bacon on the walls, huh? Smells like meat blessed by a rabbi \u0000 now that's a manly house.SOOKIE:Buh-bye.LORELAI: Okay, but if you're still thinking paint, you're still thinking like a chick.CUT TO OUTSIDE[The town square is being set up for a festival. Lorelai walks toward Taylor, who is in an electric wheelchairgiving orders to people.]TAYLOR: Watch those streamers! And not too much red near that tree \u0000 light touch, light touch, light touch.LORELAI: Hey Taylor, how's the leg?TAYLOR: It's just fine.LORELAI: Still haven'tfound out who put that banana peel on your doorstep, huh?TAYLOR: No, but I have a list of suspects.LORELAI: Hey, um, what's all this for?TAYLOR: This, young lady, is for the first annual Stars Hollow End of SummerMadness Festival.LORELAI: You finally found a way to fill September, didn't ya?TAYLOR: This is gonna be a very exciting day. I'm really gonna go all out for this. I even think you'll be impressed.LORELAI: Really, evenme?TAYLOR: Yes-sir-ee, mini-me, I did not put the word madness in the title for nothing. This place is gonna be crazy, wild \u0000 food, games, we've even got a band coming all the way from New York!LORELAI: New York\u0000 that's just nuts!TAYLOR: And wait \u0000til you see the banner I ordered. It's gonna make every other banner we've ever had look downright embarrassing.LORELAI: Taylor, you're on fire.TAYLOR: Oh, I love thisbanner!LORELAI: I can't wait to see it.TAYLOR: Well, come on Friday. [to girl walking by] Uh, excuse me, uh, young lady. . .young lady? You know I'm talking to you. The blonde woman with the ribbons, please slowdown. I'm in a wheelchair, young lady, I can't run after you.[As Taylor follows the girl off camera, Lorelai stares into Luke's Diner then sadly walks away]CUT TO WASHINGTON[At the Junior Leadership breakfast, Parisis talking with Senator Barbara Boxer]PARIS: I mean, come on, Senator Boxer, as one of our foremost Democratic leaders, I ask you \u0000 do you really think it looks good to have the American Secretary of the Treasurytraveling around with Bono? I mean, I know apparently he's a saint, he's going to save the world, yada, yada, yada, but my God! He never even takes the sunglasses off. We have an image to maintain, don't we? Imean, aren't we at least trying to pretend we're the superpower in this world? I mean, why not just send Carson Daly over to the Middle East next time Cheney goes, huh? Or hey, hook up Freddie Prinze Jr. with ColinPowell next time he meets with NATO. I mean, hell! Let's hear what Freddie has to say, right?[A man walks by and the Senator grabs his arm]SENATOR BOXER: Oh, great, Doug. Uh, Paris, do you know RepublicanCongressman Doug Ose from California? You don't? Great. You two will have so much to talk about. Bye. [walks away]CONGRESSMAN OSE: Uh, BarbaraPARIS: Ose, right?CONGRESSMAN OSE: Yes that's right.PARIS:Let's take a walk.[cut to Rory at one of the food tables. As she gets herself some coffee, a boy walks up to her]JAMIE: Last day here.RORY: Yup.JAMIE: So, in your opinion, how was our nation's capital?RORY: Well, Igot to see Archie Bunker's chair at the Smithsonian Museum, so it was a big thumbs up for me.JAMIE: Yes, there are times when this country's priorities are exactly right. So, where's Paris?RORY: Hm, not quite sure.Last time I saw her, she was beating the will to live out of our nation's representatives.JAMIE: She is a hammer, isn't she?RORY: Actually, she's the entire toolbox.[Paris walks up to them]PARIS: Damn. I always seemto catch the most interesting politicians right when they have to use the bathroom. Hey Jamie.[Paris walks over to another table and Jamie follows her]JAMIE: Paris. Just came over to let you know I got a little sneakpeak at the final debate pairings for today. It seems like you and I are going to be on the same side this time.PARIS: You're kidding? You'd think they'd like to give someone else a fighting chance for once.JAMIE:Apparently not.PARIS: God, I love this. You don't realize how unqualified most of America's youth is until you gather them all up in a room and make them speak. So, who are we up against?JAMIE: Jason Roundsevaultand Ty Fredericks.PARIS: Perfect. Jason's got asthma and Ty cries.JAMIE: Okay, so we should meet early and go over strategy, make sure you bought enough Kleenex.PARIS: Good, good.JAMIE: And then tonight weshould get together and celebrate over dinner.PARIS: What if we don't win?JAMIE: Don't lose it on me now.PARIS: You're right.JAMIE: So, dinner?PARIS: Sure.JAMIE: Good, I'll swing around for you about seven.PARIS:Fine.JAMIE: Okay, see you at the slaughter.[Jamie walks away and Rory walks over to Paris]RORY: Wow!PARIS: Yeah, can you imagine pairing me with Jamie? I mean, why not just line the hallways with self esteemcounselors right now.RORY: Paris?PARIS: What?RORY: What do you mean what? He just asked you out on a date.PARIS: He did not.RORY: Yes, he did. You're having dinner with Jamie tonight.PARIS: It's a victorydinner, that's it.RORY: Paris, if he just wanted to celebrate winning a debate, you guys could've had coffee afterward, but he asked you out on a date.PARIS: He did?RORY: Yes.PARIS: Did I accept?RORY: Yes.PARIS:I'm going on a date?RORY: Yes, you are.PARIS: Oh man, I can't believe this! I finally get asked out on a date and I missed it? Was it a good ask-out?RORY: It was a very good ask-out.PARIS: God, I wish I'd beenthere.RORY: Well, you'll be there tonight.PARIS: Tonight? Tonight I have a date. Tonight I have a date with Jamie \u0000 a Princeton man. I can overlook that. Oh my God, I can't believe it. . .I have a date.CUT TOINDEPENDENCE INN[Michel is at the front desk talking to Kirk]KIRK: One day it occurred to me, cows never wrinkle.MICHEL: Mmhmm.KIRK: Think about it \u0000 have you ever seen a wrinkled cow? No, not once. So Ithought to myself, \"That is weird.\"MICHEL: Yes, that and other things.KIRK: So I decided to do a little research. I studied cows, I studied humans, and finally I discovered the secret \u0000 the secret of the cows.LORELAI:[walking up to them] Michel, could you, uh. . .hi Kirk.MICHEL: Oh, good, just in time. Kirk here is about to tell us the difference between cows and humans.LORELAI: You mean, other than one's a cow?MICHEL: Shh. Goahead, Kirk.KIRK: Hay.LORELAI: Huh?KIRK: Hay, it's hay \u0000 cows eat hay. And after some experimentation and a great deal of research, I developed what I believe to be the next great skin care product to sweep thenation. [shows them a bottle]LORELAI: [reads the label] Hay There.KIRK: A complete line of creams, balms, toning lotions, and cleansing liquids.LORELAI: Kirk, we already have a skin care line here, I'm sorry.KIRK: Iam willing to give you three cases of \"Hay There\" skin products absolutely free of charge. Try them, you will see what I'm talking about.LORELAI: Well, uh, thank you very much, Kirk. . . but, I'm sorry \u0000 don't cows eatgrass?KIRK: Sometimes, but \"Grass There\" is a bad name. [leaves]MICHEL: So sad not to have a cocktail in your hand every time he comes by, no?[the phone rings]LORELAI: [answers] Independence Inn, Lorelaispeaking.EMILY: What day is this?LORELAI: Mom?EMILY: What day is this?LORELAI: Mom, I have a group of \u0000EMILY: It's Thursday.LORELAI: Thank God. Now, could I possibly \u0000EMILY: Thursday the what,Lorelai?LORELAI: It's \u0000EMILY: Thursday the third. And what was happening Thursday the third, Lorelai?LORELAI: I believe it was the day I was supposed to chew my own head off.EMILY: Your father and I were cominghome from Martha's Vineyard.LORELAI: I know you were.EMILY: And you said that when we got home, you were going to call us.LORELAI: I know I did.EMILY: Well, we're home, and yet there's no call, no message, nocard.LORELAI: Mom, it's eleven o'clock in the morning. I said I would call you on Thursday, I didn't say when on Thursday, I just said Thursday. Technically I haven't screwed up for another twelve hours.EMILY: Lorelai,everyone knows that you are supposed to call people as soon as they have arrived home. That's the polite way to do it.LORELAI: You didn't tell me what time you were coming home.EMILY: Well, you never asked whattime we were coming home.LORELAI: Yes, but you never told me so there's no way I could know, so even though I didn't ask I still didn't know and it's only elev. . .I'm sorry.EMILY: Apology accepted. Now I assumewe'll be seeing you and Rory for dinner tomorrow?LORELAI: Uh, you'll see me but Rory doesn't get back \u0000til Saturday.EMILY: Oh, what a shame. I thought she was coming back tomorrow.LORELAI: Nope, she's comingback Saturday.EMILY: Well, I'm very disappointed. I had it written down for tomorrow.LORELAI: Well, you must've written it down wrong, Mom. She's coming home Saturday.EMILY: Your father thought it wastomorrow, also.LORELAI: See you at seven.EMILY: Hold a moment, Lorelai. Do you know where Christopher is?LORELAI: Um, why?EMILY: We wanted him to come with you and Rory tomorrow, even though apparentlyRory's getting back Saturday, though I couldn't sworn it was tomorrow.LORELAI: Christopher's away on business but I'll tell him you invited him.EMILY: And tell him to come with you two next week. I wanna see thethree of you together.LORELAI: Yes, that would be a nice picture.EMILY: All right, see you tomorrow.LORELAI: Yes, you will. Bye.CUT TO WASHINGTON DORM ROOM[Rory is on the phone with Dean while Paris getsready for her date]RORY: My plane gets in at three.DEAN: I'm in at six.PARIS: Red, purple, green \u0000 where the hell is it?RORY: That gives me three hours to look presentable. Hm, perhaps I'll go blonde.DEAN: I stronglyrequest that you don't.RORY: Afraid of change?DEAN: No, I just like what I have.RORY: I like a man who settles.DEAN: I miss you.RORY: I miss you, too.PARIS: Hey, hey, stop being cute. I need help here.RORY: Ihave to go. Paris is melting down.DEAN: Why?RORY: She has a date tonight.DEAN: Really?PARIS: Don't sound so surprised.RORY: How do you know he sounded surprised?PARIS: Because I'm a genius, Rory. I havedeep and powerful clairvoyant abilities.RORY: Oh boy.PARIS: For example, I can instantly deduce that when someone hears the name Paris in the same sentence with the word date, jaws will drop, confused looks willcover faces, words like \u0000how' and \u0000why' and \u0000Quick, Bob, get the children in the minivan because the world is obviously coming to an end!' will immediately fly out of people's mouths.RORY: I have to go.DEAN: Areyou sure it's safe?RORY: I'll be fine. I'll see you Friday.DEAN: See you Friday. I love you.PARIS: That's it, I'm shaving my head.RORY: Gotta go. [hangs up] Okay, Paris, you have got to calm down.PARIS: I had a blacksweater and now it's gone.RORY: I'm not just talking about right now \u0000 in general, you need to calm down.PARIS: He's almost here, I'm not dressed, my makeup's not done, and I haven't gone through the Zagat yet topick out a restaurant.RORY: Why don't you just let him pick out the restaurant?PARIS: What if he doesn't have a Zagat?RORY: Well, then he'll wing it.PARIS: Wing it? How come other girls get planned out dinners?Flowers, candy, rose petals thrown on the floors \u0000 and I get wing it?RORY: Well, you don't know that you've got wing it.PARIS: No, I do. I've got wing it. I can't do this.RORY: What?PARIS: Date. I can't date. I'm notgenetically set up for it.RORY: Not true.PARIS: I get no pleasure out of the prospect or the preparation. I'm covered in hives, I've showered four times, and for what? Some guy who doesn't even have the brains to buya Zagat so we don't wind up in a restaurant that's really just a front for a cocaine laundering ring?RORY: Sit.PARIS: It's a dare. He was dared to take me out. I bet Trent Lott was behind this.RORY: Trent Lott did notdare Jamie to take you out. Close. Jamie likes you and he asked you out because he likes you. Now look up.PARIS: Maybe I shouldn't go. I mean, what if I fall for him and he doesn't like me?RORY: Then you'll findsomeone else.PARIS: But what if there is no one else?RORY: Then you'll buy some cats.PARIS: I wish I knew if he was right for me, you know? So I don't put myself through all of this for nothing. I mean, women fall formen who are wrong for them all of the time, and then they get sidetracked from their goals. They give up careers and become alcoholics and, if you're Sunny von Bülow, wind up in a coma completely incapable ofstopping Glenn Close from playing you in a movie.RORY: I think you should wear your hair down.PARIS: How do you know if a guy is right for you?RORY: You just have to feel it.PARIS: All I feel is my back breakingout.RORY: You'll know, okay? You just have to let it happen. And then, probably when you're not looking, you'll find someone who compliments you.PARIS: Meaning?RORY: Someone who likes what you like, someonewho reads the same books or listens to the same music or likes to trash the same movies. Someone compatible.PARIS: Okay.RORY: But not so compatible that they're boring.PARIS: Someone who's compatible but not"}
+{"doc_id":"doc_219","qid":"","text":"DSR Rambaldi artifact storage facility Guard is walking around and he gets tackled by a man. Man kills guard. Not quite sure how.Man 1: (to radio) I'm in. We see an assault team on the roof. They blow the locks off thegates and steal all the Rambaldi artifacts. Including the nightingale coil, and a ball, which turns out to be the sphere of life. Sydney's apartment. Sydney comes inside.Sydney: Hey, there's a cab waiting outside.Nadia:She wouldn't let me drive her to the airport. (she's standing next to Sophia/Elena)Sydney: Is everything okay?Nadia: The Lisbon police called. It's safe for Sophia to go home.Sydney: Oh, that's great. (gives Sophia abig hug) I'm so glad you came.Sophia: Thank you.Sophia/Elena: Look at the two of you. Such beautiful and smart women. Before I make a fool of myself. . .(gives Nadia a hug)Nadia: Promise you'll come back.Sophia:Nadia, for you, anything. APO Vaughn is watching Jack in his office. Jack is on the phone. Vaughn starts walking toward Jack's office. Marshall stops him.Marshall: Oh, hey, Vaughn. Could you sign this? It's for Weiss.His grandfather died. (wouldn't Vaughn already know something like that?)Vaughn: Yeah, actually, can I do it in a little bit? I need to ask Jack something first.Marshall: Oh, sure. No problem. (follows Vaughn as hecontinues to Jack's office)Vaughn: Where are you going?Marshall: Well, I thought I'd go with you to get Mr. Bristow to sign this while we're in there.Vaughn: You know what? Actually, I need to see him alone. It's kind ofpersonal.Marshall: Oh. Uh, since when can you tell Mr. Bristow something you can't tell me?Vaughn: This is something I need to ask Jack. If you were Sydney's father, I could ask you, but you're not.Marshall: No, I'mnot. I still don't understand what me not being Sydney's father has to do with you-Vaughn: (pulls out the ring and shows it to Marshall) Understand now?Marshall: Oh, my God. Hey, man. Congratulations. That'sfantastic. I'm sure Mr. Bristow's gonna be thrilled.Vaughn: Really? I'm just hoping he doesn't shoot him on the spot. (he goes to Jack's office)Jack: (on the phone speaking in foreign language) No. You're not listening,General. (Vaughn walks in) We're not going to pay you. Because I don't believe it exists. Fine (he hangs up and speaks to Vaughn in English) As if weapon-grade anthrax grows on trees. What is it?Vaughn: Oh, if this isa bad time, I can-Jack: No, please. After dealing with that Cechnyan lunatic for the past couple of hours, whatever business you have will be a welcome relief.Vaughn: Well, we've, um. . .I know you're a man who- Iknow you're a man who respects tradition. As I do. And-Jack: Please get to the point, Agent Vaughn.Vaughn: I'm gonna ask Sydney to marry me, and I'd like your blessing.Jack: Perhaps you believe my recent illnesshas rendered me less coherent than before, or that my cognitive faculties have been somehow dulled or diminished. Allow me to clarify the facts for you, Agent Vaughn. While I've come to believe you're not as uselessas I first imagined, I still don't feel you have- (alarms go off) CIA agents come in carrying boxes.Agent: Everyone please remain where you are. This is a warranted search.Jack: May I see that?Agent: (hands Jack apiece of paper) We've been authorized to confiscate all relevant materials.Jack: It's been signed by Director Chase. Sydney's apartment. Director Chase and CIA agents knock on the door and Sydney answers.Chase:Where's your sister?Sydney: What?Chase: I expect your full cooperation. (Chase and agents enter with boxes)Sydney: If Nadia's in some kind of trouble-Chase: Where is she?Sydney: In the shower. Agent enters thebathroom. We hear water running. Nadia, wrapped up in a towel, knocks him out and takes his gun. She slowly walks out.Chase: Stand down, Agent Santos. (Nadia gives her the gun)Nadia: What's this about?Chase:(to Nadia) Men are dead. Things are gone, and you've got some explaining to do. The agents continue to search the apartment. They find numerous guns and knives hidden throughout the apartment. Nadia sits in arobe being interrogated by Chase.Chase: (shows Nadia's laptop to Nadia) Is this yours?Nadia: Yes.Chase: Does anyone else use it or have access to it?Nadia: No.Chase: Not even Sydney.Nadia: I said no. Sydney hasher own laptop. She also has- We see an agent interrogating Sydney.Agent: -an assault rifle, a 12-gauge shotgun, four handguns, two tazers, and a . . .secret drawer of knives. Let's start with the knives.Sydney: Let'sstart with you not wasting my time. Director Chase says men are dead. What men? What does she think Nadia did?Chase: (to Nadia) We know you overrode the DSR security system tonight.Nadia: What?Chase: Alarmson an access door were deactivated. We traced the override command to your laptop. And you just told me that you're the only one who uses it.Nadia: Yes, but I didn't do it.Chase: We also have evidence that tonight'sincident isn't the only one that leads back t o you and this laptop. An agent uses a scanner on a bookshelf. He opens a jewelry box and sees the necklace Sophia/Elena gave to Nadia. He brings the necklace to Chase.Jack and Sloane enter the apartment.Jack: (to an agent standing at the door) We have clearance.Sydney: Micro transmitter?Chase: In the medallion. When did she give you this?Nadia: Few weeks ago. Why shouldSophia do something like that?Jack: It would help explain why several missions were compromised.Sloane: I personally investigated Sophia Vargas when she first arrived. Prints, background- everything came backclean.Chase: Well, somebody tapped into Agent Santos's laptop. And because of it, five agents are dead. And several Rambaldi artifacts are gone.Nadia: I don't believe it. I won't.Sydney: Why would she do this?Jack: Ithink our clue lies in what was stolen.Sloane: You're reaching for straws, Jack.Jack: Am I? Who else would be capable of pulling this off?Chase: What are you talking about?Jack: Elena.Sydney: You think Sophia Vargasis connected to Elena Derevko?Jack: No. I think Sophia Vargas is Elena Derevko. Arvin and I have been searching for her for months. I believe she found us first. Has been using us to achieve her own end.Sydney: Youmean the journal of Vaughn's father, Sloane Clone-Jack: McCullough, everything. It's been Elena all along.Sydney: Oh, my God.Nadia: You're saying it's all a lie? That she spent all these years, all this time, so she couldsteal some Rambaldi artifacts?Jack: She is a Derevko. Her sisters possessed that same single-minded purpose.Sloane: If Jack is right, if Elena has gathered Rambaldi artifacts, her final step would be to assemble them.We can't let that happen. APO Sloane's office. Nadia walks in.Nadia: She never made it to the airport. The cab dropped her off a few blocks from our house.Sloane: Have Marshall check traffic cams in the area.Nadia: Ialready did. I also notified the FFA to check flight manifests, and I updated train and bus stations with her current I. D.Sloane: Good. We'll find her.Nadia: I brought her into my house. This is my fault.Sloane: No,Nadia, it's mine. It was my obsession with Rambaldi that pulled you into this. It's my mess. It's my responsibility to clean it up. I can only imagine how hard this must be for you- the betrayal.Nadia: I'm just glad wefound her. That I know the truth.Sloane: Yeah. So, if Elena has all the Rambaldi pieces, there is only one place she can go.Nadia: To see Lazlo Drake.Sloane: Yes.Nadia: I'm on it.Sloane: Nadia? We'll find her. I promiseyou. I will end this. China, one year earlier. Nadia and Sloane are in a car, being driven.Nadia: I don't understand. Why are we in China when I already told you Rambaldi's sphere of life is buried in Siena?Sloane:Because I need answers to a few final questions. Lazlo Drake is the only man in the world who can provide that. The car stops, there are people passing with animals, in the road.Driver: (in foreign language) Sorry, sir,it will be a few minutes.Sloane: (to driver in foreign language) Okay. (to Nadia in English) Before he went into hiding, Drake was a professor of European history. He built his reputation on the single most importantdiscovery of his life- a manuscript. In effect, a template describing how Rambaldi's creations were to be assembled in order to bring forth his final prophecy. Just know that we're gonna make the world a better place,and we need Drake to do it. Later, nighttime outside, somewhere. We meet Drake.Sloane: Professor Drake, my name is-Drake: Arvin Sloane. Yes.Sloane: You know who I am?Drake: How could I possibly not know ofyou, Mr. Sloane? Your appetite for all things Rambaldi is almost legendary.Sloane: This is my daughter, Nadia.Drake: My God. (he looks at her) I am honored to meet you.Nadia: Thanks.Drake: Lovely. Please. (they sitdown around the campfire on various logs) You have no idea what it is like to be in your presence. It is like meeting the virgin Mary.Nadia: What do you mean?Sloane: Drake, you know why we're here.Drake: You havecollected the Sphere of Life.Sloane: No, not yet. But we know where it is.Drake: If it is not in your possession, we have nothing to discuss.Sloane: You have the only known translation of Rambaldi's Vademecum-instructions for how the pieces fit together. I need to know.Drake: That is information I will share with whoever has all the artifacts in his possession. Your visit is premature, Mr. Sloane. I suggest you come back, whenyou have retrieved all the items, including the Sphere. (to Nadia, he takes her hand) You will come back too, won't you? I would like that.Sloane: (breaks their hands apart) Nadia, I wonder if you would let me speak tothe professor alone. (Nadia gets up and walks away)Drake: I never thought I would see, let alone touch with my own hands, a living embodiment.Sloane: My daughter is not an artifact.Drake: So protective ofher.Sloane: She is my daughter.Drake: You brought her on this journey for one reason- only she can retrieve the Sphere of Life. Only she knows its secret location. You know that.Sloane: I didn't come this far to quit.Siena Sloane and Nadia are wandering around on some hills.Nadia: This is it. (they enter a cave, and walk down some stairs)Sloane: Rambaldi wrote that a man would come and discover the true meaning of his work.And in doing so would change the world. I always wanted to be that man. They come to a room. Sloane lights a torch, which causes the other torches to light up. We see a Rambaldi eye made up of small shards ofglass. In the center of the eye is a stand holding the Sphere of Life.Sloane: It's made of glass. Think of it. You and I are the first ones to set foot in here in almost 500 years. Do you have any idea how many lesserpeople have dreamed of this moment? And only you can complete this.Nadia: What?Sloane: Nadia, this is the part of the journey that I can't take. You have to bring the box.Nadia: I don't understand.Sloane: Rambaldihad a role for you to play. I need you to do this Nadia. I need you to bring me that Sphere. Nadia, we can change the world. Go. (pause) Go. Nadia steps out carefully onto the glass. You can hear the shards scrapingagainst each other.Sloane: Have faith, sweetheart. (She reaches the stand) Yes. (she opens the box) No, Nadia. Bring the box to me. Nadia touches the box and sees visions of what happens in the finale. IncludesSydney and Nadia fighting, the red ball, and the sound of a horse neighing.Nadia: (to Sloane) You lied. It was not about peace. (she leaves the box where it is and goes back to Sloane)Sloane: Nadia, I am your father.You will go back there and bring me the box. (he grabs her roughly) You get back there. I want that box.Nadia: (crying) You think you can control this power, but it's poisoning you. Don't you see it? You don't have todo this. Please. Let's just walk away. You and I, together.Sloane: Coward! (he pushes her)Nadia: Please, let's just go.Sloane: I don't need you. (he steps out onto the glass) He chose me. (he slowly closes the box backup) See? (the glass breaks and he falls threw) and down the hole) Nadia finds him at the bottom of the hole. There are some glass shards sticking out of him. Nadia pulls the shards out.Sloane: You're still here.Nadia:Try not to talk. You've lost a lot of blood.Sloane: I didn't think that you would be here after I-Nadia: You're my father. I'm going to get you out of here.Sloane: Thank you.Nadia: That shard of glass in your chest- when Imove you, it might kill you. I need to pull it out.Sloane: Okay. (she pulls it out) Ahhh! APO Briefing room. Gang around the table including Chase.Chase: Who's Lazlo Drake?Sloane: He is the self-appointed keeper toRambaldi's endgame. For Elena to complete her plan, she will have to contact him. He has what amounts to the instruction booklet.Vaughn: I'm sorry, maybe it's only me, but what do you mean when you say\"Rambaldi's endgame\"? I mean, what is it? Is it a scenario? A weapon?Sloane: In Elena's hands, most likely an apocalypse.Jack: Which is why we need to get to Lazlo Drake before she does.Nadia: Drake's completelyoff the grid. The manuscript has made him a target. He never stays in one place too long. We saw him in China. He could be anywhere.Sydney: If Drake's gone underground, he needs a source of income.Nadia: That'sthe path I've been pursuing. Greyson Wells, billionaire financer.Vaughn: Organized crime. Money laundering. CIA's been watching him for years.Nadia: He's also the man who financed most of Drake's early researchinto Rambaldi.Jack: If they're in communication, he might know where to find Drake.Sloane: Agreed. Coordinate with ops. Draft up a plan to approach Wells. I'll start preparations to talk to Lazlo Drake myself once wehave his location.Dixon: I believe you're forbidden from participating in cases involving this particular subject matter.Chase: Agent Dixon has a point.Sloane: Yes. I'm aware of the agreement. But I have a history withDrake.Sydney: So does Nadia.Sloane: I'm sure Nadia would agree that her presence would only complicate matters.Nadia: He's right.Sloane: Drake will talk to me. If we approach this tactically, his security force willrespond. We can not let this turn into a firefight. Our timetable is too critical.Chase: Proceed as instructed. Once you have a location on Drake, you'll relay it to Director Sloane. That's it, people. Be safe. Cannes Sydneywalks into a jewelry shop, wearing a white fur coat.Doorman: Bonjour. (speaks French, Sydney hands him her purse)Sydney: Don't touch the fur. (pause) All right, you may touch the fur. (she holds out her arm)Once.Doorman: (touches the fur) Merci. Sydney walks on. She takes a glass of champagne from a waiter. She continues walking and brushes up against Greyson Wells. She continues over to the jewelrycounter.Doorman: Please, let me know if there is anything in particular you would like to see. (Sydney taps on the glass at a bracelet) Ah, very good. Platinum Liana. (Sydney goes to sit) Fully paired with the flawlessbrilliance. (brings her the bracelet) Can be worn as a bracelet or an anklet.Sydney: (she lifts up her ankle) Put. (he does) Hm. (to Wells) What do you think? Ankle or wrist?Wells: Well, to be honest, I've always foundanklets to be a bit vulgar. Though, admittedly, you are making me rethink my position. I think I'd have to see it on your wrist before I gave an informed opinion.Sydney: Do. (Wells comes over and unattaches thebracelet from her ankle and, when he takes her wrist, we see they both have the Rambaldi eye tattoo on their hands) Something wrong?Wells: It appears we have a mutual interest. (he puts the bracelet on herwrist)Sydney: So it seems. (she goes and stands in front of a mirror) Hm.Wells: Better as a bracelet. Will you allow me to buy it for you?Sydney: You trying to impress me?Wells: Well, that depends. Is itworking?Sydney: Sweetheart, it's not your money I'm interested in.[SCENE_BREAK]In another room, Sydney is still in her disguise talking on the cell phone.Sydney: (to phone) I'm going with you to see Drake.Sloane:This is not your call Sydney.Sydney: It is now. I have his location. I'll go alone if I have to.Sloane: Well, he's not gonna talk to you.Sydney: Then I suggest you get on a plane. Solana airfield. Outside Mexico City. 0800hours. I'll be there when you land, and we'll go see Drake together. (she leaves and we see Wells sitting in his boxers and tied up in a chair) APO Marshall's lab. He's taking apart the necklace Elena gave toNadia.Marshall: Well, all the parts are pretty generic. I mean, it's really difficult to track where it came from. Sorry.Nadia: It's all right. I just feel stupid I trusted her.Marshall: Hey, I don't blame you. I mean, she waslike family. You know, but don't put this on your self. I mean, hell, I trusted Sloane for 6 years before I found out he was evil. You know. . .not that he's evil, per se. . .We have a long history together. Look we're gonnafind this Sophia/Elena woman person. Your dad's totally on it. Mexico Sydney stands near the runway as Sloane's plane lands. Sloane gets out of the plane and goes to Sydney. They start walking.Sloane: This is areckless course of action.Sydney: Try calculated. I'm not letting you meet with a man who's gonna tell you how to put the Rambaldi contraption together.Sloane: That's ridiculous. I had everything I needed last year,and I gave it up. You know that, Sydney.Sydney: You didn't have everything.Sloane: You're putting yourself in danger by coming with me.Sydney: I know what I'm doing. I just hope you do, because I swear if this isabout you and your twisted beliefs-Sloane: Do you have any idea about what Nadia has been through. Betrayed by the woman who raised her. I would never do anything to put her in any more pain. I'm here for onereason alone- to put an end to this nightmare once and for all.Sydney: I wish I could believe you. They drive to a trailer out in the middle of nowhere.Sydney: Looks cozy. (they walk up to the doorway and see a deadman underneath a tree)Sloane: Elena got here before us.Sydney: (she opens the door and we see Drake, dead, in a chair) It's Drake.Sloane: He's dead, isn't he? If I didn't have to rendezvous with you, I would havebeen here hours ago.Sydney: If it weren't for you, we wouldn't have to be here at all. (Sydney walks around the trailer, looking around)Sloane: What are you doing? Sydney sees a camera in the tree. They go inside thetrailer. Sydney opens cabinets looking for something. She finds a tv screen. She finds the remote. She turns it on. The screen shows her and Sloane standing there.Sloane: See if you can rewind the feed. She rewinds itand we see Elena sitting talking with Drake. Sloane stands behind her.Sloane: (he takes the remote from Sydney) Here, let's start over again at the beginning.Drake: I have to admit, I did not think it would beyou.Elena: You thought Arvin Sloane would have all the artifacts.Drake: He nearly completed the work once before.Elena: And failed. He threw it away. And for what? The girl.Drake: Do you have a secure facility toassemble everything.Elena: I do. A factory outside of- Sloane turns the tv off. He tranqs Sydney before she can react.Sloane: I'm sorry, Sydney. I'm so sorry. (he lays her gently on the floor) APO Jack's office. Hisphone rings. He answers.Jack: Yes?Sydney: Sloane tranqed me. That b*st*rd knocked me out before I could get Elena's location.Jack: Are you alright?Sydney: I saw this coming and he still beat me.Jack: Sydney, areyou sure you're okay?Sydney: Dad, I'm okay.Jack: I'll notify Director Chase. We'll find him. Stairwell Dixon is standing and Chase comes in.Chase: Agent Dixon.Dixon: Why didn't you stop Sloane when you had thechance?Chase: I understand your reaction.Dixon: You just opened the door to temptation and let Sloane walk through it?Chase: End of discussion. (Dixon goes to leave) Hey. . .Dixon: This man's taken lives.Chase: Idid what I thought was best.Dixon: I know. In spite of all this, it's good to see you.Chase: Yeah. (they kiss) Weekends aren't enough.Dixon: Tell me about it. Sydney's still in Mexico.Sydney: (answers phone) Yes? Ihave an idea but you're gonna hate it.Jack: You want me to talk to your Aunt Katya. (Jack is walking down a corridor)Sydney: How did you know that?Jack: First you said I would hate the idea, and you're correct.Second, I arrived at the same conclusion myself. We're at a complete impasse here. Time is running out and she's the only Derevko we have. Call you afterwards. Jack is at Katya's cell. He enters.Jack: Lock the doorbehind me.Katya: (sitting on her bed) Is that look on your face supposed to be intimidating? You forget, Jack- I've seen your tender side.Jack: I need everything you know on Elena's operations- right now.Katya: Whatmakes you think I know anything?Jack: Call it an instinct.Katya: Do you intend to torture me?Jack: If I have to.Katya: While I know that would be enjoyable for both of us, I should warn you, I have quite a bit ofstamina. But you already know that about me.Jack: What do you want?Katya: Full pardon. Immediate release.Jack: I don't have that authority.Katya: You'll find a way.Jack: If the information you provide leads us to"}
+{"doc_id":"doc_220","qid":"","text":"Act 1 Scene 1 - KACL Fade in. Frasier is on the air.Frasier: Welcome back, Seattle. Thank you for joining us for this, our two thousandth show. Hard to believe, isn't it Roz?Roz: No, that feels just about right.Frasier: Ah,yes, well what a festive day this is. No stop has been un-pulled. I would like to take this opportunity to acknowledge the anniversary luncheon spread supplied by our friends at Senor José Fong, home of the sweet andsour taco.Roz takes a bite of one.Frasier: And don't forget, a little later, we'll have Microsoft chairman Bill Gates, live in studio to congratulate me on my two thousandth show. Apparently, I hear through the grapevine,he is a big fan. Roz, what do we have next?Roz: It's time for another blooper.Frasier: Oh, well, I believe we're up to number four, as voted by you, the listeners. Here's what happened when a certain producer... [Rozgrins sheepishly] didn't realize her microphone was on, during the show...Roz plugs in a cart.Roz: [on tape] Now what the [beep] is this!? You call this a [beep] paycheck?! How the [beep] am I supposed to live on this[beep]!? I'm gonna have a little word with that [beep]- damn station manager, walking around here like he owns the mother-[beep]-ing place!Kenny has entered during this last sentence. As Frasier and Roz arecracking up listening to the tape, he leans over the guest mike.Kenny: Can't believe that wasn't voted number one.Frasier: Ladies and gentlemen, it's our station manager, KACL's own Kenny Daly.Kenny: Listen, Doc, Igot a special someone out there who'd like to say \"Hello\".Frasier: By all means, let's bring him in, Kenny. Ladies and gentlemen, our special guest has finally arrived. Please welcome...Bulldog Briscoe comes in andloudly barks, then hits his air horn.Frasier: ...Bulldog!Bulldog: Great to see you, Doc. Hey, Roz.Roz makes a gesture of greeting that looks suspiciously like \"Up yours.\"Frasier: Well, ladies and gentlemen, it's our oldfriend and former colleague, Bob \"Bulldog\" Briscoe. Thanks for coming down and helping me celebrate my two thousandth show.Bulldog: Yeah, yeah congrats. I didn't' think you'd last two weeks. Listen up, sports fans,Bulldog here! I know what you're allthinking: Bulldog's been gone too long. How can you get me back on the air? Okay, listen up. You send your cards and letters of support to Kenny Daly, KACL, PO Box....Kenny stepsin and waves to Frasier and Roz. Bill Gates is with him.Frasier: Bulldog, our special guest has arrived.Bulldog: PO Box 451, Seattle...Frasier: Bulldog! Would you and your noisemaker wait in Roz's booth?Bulldog: This isan air horn, Doc.Frasier: Yes, I was referring to that flapping hole above your chin, now get out!Bulldog leaves and Bill Gates comes in.Frasier: Ladies and gentlemen, let's please welcome Microsoft chairman Bill Gates.Good to see you, sir.Bill sits down in the chair in front of the other mike.Bill: Sorry I was late.Frasier: That's quite all right.Bill: I was just talking to an old friend.Frasier: Yes.Noel passes by the window and flashes Billthe Vulcan \"Live Long and Prosper\" sign. Bill gives him a thumbs up as Frasier and Roz share a surprised look.Frasier: Well, I've got so many questions to ask you, why don't we just dive right in? I've been wondering,when did you first become a fan of my show?Roz: Excuse me, Warren from Kirkland is on line two.Frasier: Yes, Roz, I won't be taking any calls until after Mr. Gates has left.Roz: Actually, it's for Mr. Gates.Frasier: Well,go ahead, caller, you're on with Mr. Bill Gates.Warren: [v.o.] Yeah, hi, Mr. Gates. I bought your new Windows XP program and I'm about to install it as an upgrade. Do I have to make a boot disk?Bill: That's a very goodquestion, you don't need to make a boot disk. You just put the CD in and it'll upgrade.Frasier: I hope that answers your question, Warren...Bill: It's a feature of XP, very quick, very smooth. Hey, this is fun.Frasier:Thank you for calling, Warren. Now, where were we?Roz: Can Mr. Gates take a few more calls? The board is lighting up! Wow, who knew we had a line seven?Frasier: Roz, I believe Mr. Gates is probably anxious to geton with the interview?Bill: No, no, I'm happy to.Frasier: Very well. Go ahead, caller.Estelle: [v.o.] Wow, Bill Gates, this is so cool!Bill: Thank you.Estelle: Hey, I have a question about multi-lingual user interfaceadd-ons. What are those?Frasier takes off his headphones and goes to Roz's side of the booth.Bill: Well, the multi-lingual add-ons let you run Windows in different languages. You can use it in German or...Frasier: Canyou believe that egomaniacal gasbag? He's taking over my show!Roz: Don't you think you're exaggerating just a bit?Bill: Who do we have next, Roz?Roz: We have Bob, from Freemont. He has a question about hislaptop.Bill: Go ahead, Bob, I'm listening.The others happily watch as Frasier stands there, fuming. FADE OUT. Scene 2 - Frasier's ApartmentFade in. Frasier comes into his bedroom, lays his jacket on the bed and openshis briefcase. He takes out a tape.Frasier: Two thousand shows.He walks to the armoire and opens it, revealing a collection of all his shows. He put the tape in the next open slot and reverently passes a hand across thecollection. Niles calls from the living room.Niles: Hurry up, Frasier, we're gonna miss the reservations!Frasier: Yeah, I'll be right there.He goes to his dressing room and puts on a different jacket. Coming back, he closesthe armoire and heads for the living room, only to stop short, a disturbed look on his face. He goes back and opens up the armoire, then jerks in shock and gasps.CUT TO: the living room. Niles, Daphne and Martin arewaiting for Frasier.Daphne: Two thousand shows. That's quite a milestone.Niles: It certainly is. Can anyone tell me what happened today? I forgot to listen.Martin: I just listened for five minutes in case he asks me whatmy favorite part was.Daphne: I just say the call from Tacoma. There's bound to be a call from Tacoma.Frasier comes out.Frasier: Excuse me, could I see all of you in my room for just a jiff? They follow him off.Martin:But I'm hungry!CUT TO: Frasier's room as the all come in.Frasier: Okay, are we all here? Good.Martin: What's wrong?Frasier: Something is amiss.He dramatically opens the armoire.Niles: I'll say. I always thought thatwas a sweater cubby.Frasier: Well it's not. It's a collection of all my shows. I was just examining my collection when I realized that someone had placed one of my tapes upside down.Martin gasps.Martin: What kind ofsick, twisted... well, turn it right side up and let's go eat! You probably did it yourself!Frasier: All right, conceivably, but... I guarantee you I would never remove my tape from the case and replace it with \"The Best ofHall and Oates.\" All right, I won't be mad, just tell me: who did this?The others just stand there.Frasier: Nobody did this?Martin: Tell you what, I did it. Now can we go eat?Frasier: Not so fast, Dad. Okay, let's examinethe evidence.The others all let out groans. Martin sits down on the bed, Niles takes the desk chair, Daphne wanders back.Frasier: A Hall and Oates tape. That rules you out, Dad. And it definitely rules out Niles.Daphne:[in tears] Dr. Crane...Frasier: Or does it? Perhaps the tape is just a red herring, meant to throw me off the scent. A psychological game. There's only one of you that would combat me on that level.Daphne: I didit.Frasier: Ah-ha!Niles: You can't say \"Ah ha\", you thought it was me.Frasier: Why'd you do it, Daphne?Daphne: I didn't mean to. I was trying to listen to a tape in that boom box you gave me for Christmas. Only Iwasn't getting any sound and I didn't know if it were the tape or the boom box and I didn't have any other tapes so I grabbed one of your tapes just to test the boom box out and it turns out it was the boom box afterall. Only then I couldn't get it out of the boom box so I used a screwdriver to pry it out and I broke the tape, I'm so sorry.She sits down on the bed in tears, Niles gets up to comfort her.Niles: There, there,Daphne...Frasier: Stand down, Niles.He sits on the bed next to Daphne.Frasier: Daphne, do you realize what you've done? This isn't like any other tape you can go down to your local music shop and purchase, it'sunique. And irreplaceable.Niles: Can't you just get the station to make you a copy?Frasier: Unless I get the station to make me another copy. Which of course I can. The only transgression here is that Daphne didn'tcome to me with the truth.Daphne: I'm so sorry, Dr. Crane, I will never to you lie again.Frasier: Well, if that's what you've learned, it was all worth it. So, what are we all sitting here for. I believe we all have a twothousandth show to celebrate.Frasier closes the armoire and they all get up and head out the door.Niles: Hear, hear.Frasier: So, did you all listen?Niles: Oh, did we.Martin: Great.Daphne: I especially liked that call fromTacoma.Frasier: Oh, which one?[SCENE_BREAK]Scene 3 - KACL Fade in. Frasier and Roz enter a room filled with boxes.Frasier: You know, in nine years this is the first time I've been down to the archives.Roz: Oh, myGod, I remember this place.Frasier: Really?Roz: I came down here once after a Christmas party.Frasier: Whatever for?Roz: Well, I had a little too much champagne, and you know how you get a little lonely around theholidays?Bulldog comes from the back and smacks Roz on her backside.Bulldog: Brings back memories, huh, Roz?Frasier: Bulldog!Bulldog: That was some Christmas, huh? When Santa left a bit of Bulldog in yourstockings?Roz: You're disgusting!Bulldog: What, I went too far? Why don't you come back here, I'll slip you an apology.Roz slaps him.Bulldog: Bulldog's still got it!Frasier: Bulldog, what the hell are you doinghere?Bulldog: Oh, this is my new job. I, uh, catalogue the archive. You know, I clean up a bit. But I figure I'll be back on the air in no time, as long as I attack this job with my trademark \"Can Do\" attitude.Frasier:Great, then. We're looking for a copy of my show, episode 893.Bulldog: No can do.Frasier: What?Bulldog: What? I've only been here an hour, I don't even know where the john is. Where's my Powerbar? I had aPowerbar here.SOMEONE STOLE MY POWERBAR! THIS STINKS! THIS IS TOTAL B.S.! THIS IS... oh, here it is.He grabs it and goes out the back door.Roz: Frasier, here's a box marked \"Best of Crane\".Frasier: Oh, thanksRoz, let's have a look. Ah, good.He opens the box and finds it almost empty.Frasier: There's just a few tapes in here. All right, keep looking. Kenny comes in.Kenny: Oh, hey, Doc.Frasier: Kenny, just the man I waslooking for. Listen, where are all the tapes of my shows kept?Kenny lifts the lid of the box.Kenny: You got 'em. Right there.Roz: Well, where are the rest of them?Frasier: Yes!Kenny: There are no rest. We record overthem. I mean, look around, Doc, we've got a space problem down here.Bulldog comes in the back door.Bulldog: Hey, Kenny, where do you want me to put these snow tires?Kenny: Oh, put 'em right to my kids' bikes.Hehappily heads out the door. FADE OUT.IT'S A FANCY WAYTO SAY \"FAVOR\"Scene 4 - KACL Fade in. Frasier is on the air.Frasier: Good afternoon, Seattle. Before we go to the phones, I have a boon to ask of you. If any ofyou happens to have in your possession a tape of my broadcast from June 14, 1996, I am in need of a copy. You see, I understand that from time to time, people who call into my show record it, perhaps in order toreview my advice or even to play it for some friends. Now, I realize this is a bit of a long shot, but it is the only missing tape of my collection and therefore of course has great sentimental value. Thanks for yourconsideration. Now, Roz, who's our first caller?Roz: We have Joe from Bachon Island on line one.Frasier: Go ahead Joe, I'm listening.Joe: [v.o.] About that missing tape...Frasier: Yes, yes?Joe: I know what you're goingthrough. A couple years ago, I was in a taxi cab and lost a gold cuff link.Frasier: Yes, and this relates to my missing tape how?Joe: Well, it's missing and I'm bummed. It had the initials \"J.S.\" on it. If anyone finds it, I'dlove to have it back.Frasier: Yes, I'm sure you would, but unless it's about my missing tape, well then I would prefer to stick to calls about mental and emotional issues as usual. Thank you for your call. Who's our nextcaller, Roz?Roz: We have Phyllis from Green Lake.Frasier: Phyllis, go ahead, I'm listening.Phyllis: [v.o.] My cat ran away last Wednesday. She's orange with a white chest and one white paw...Frasier: Phyllis, all right.Hold on, hold on a minute! All right now, listen to me people. I don't want to turn this show into the lost and found bin of the airwaves. Phyllis, I'm going to let you finish your description of your cat and then we're goingback to our regular show, all right?Phyllis: Okay. She has green eyes, a rhinestone collar, and when she's happy...The scene DISSOLVES to later.Frasier: Let's recap: in the last three hours, we have located a missingengagement ring, one lost cuff link, two missing cats, and we've actually reunited Eric from Belltown with his biological parents. Still, sadly, no sign of my missing tape. To that end, listeners, please scour you attics,basements, hope chests, whatever. Meantime, this is Doctor Frasier Crane wishing you good day and good mental health. And don't forget to look behind things.He takes off his headset as Roz comes over from herside.Roz: I'm sorry, Frasier.Frasier: Oh, that's all right, Roz. It'll turn up, I mean it's only the first day. Word'll get around, I'm sure somebody has that tape.Roz: I just don't want you to get your hopes up too high.Chances are, that tape is gone for good.Frasier: Well, if that's the case, then so be it. Life will go on.He heads out the door.[SCENE_BREAK]Scene 5 - Frasier's bedroom. Frasier is trying to sleep, tossing and turning, butstill staring at the empty spot in his collection.[SCENE_BREAK]End of Act 1 Act 2THE LOST WEEKENDScene 1 - Frasier's Apartment Fade in. Frasier comes into the living room in his bathrobe.Daphne: Hello, Dr. Crane.How was your nap?Frasier: Lovely. Daphne, could you make me a cup of tea, please, and whatever meal would be appropriate for this time of day?He plops down on the couch. Eddie puts his head in his lap whileDaphne sits on the arm of the couch to comfort him.Daphne: Dr. Crane, you've been in bed all weekend. How about going for a nice walk?Frasier: No, thanks.Daphne: Well, how about going to a movie then? Take yourmind off your troubles.Frasier: My car's in the shop.Daphne: You could take public transportation.Frasier lets out a little laugh, then quiets down again. The doorbell rings.Daphne: Oh, I wonder who this could be? [Sheopens the door.] Oh, look, it's your brother Niles, here for a visit.Niles: [entering, he speaks very slowly and clearly] Hello, Frasier, how are we today?Frasier: What the hell is wrong with the two of you? You'd think I'dbeen found walking in the park in my underwear, talking to pigeons.Daphne: Would we like a walk in the park?Frasier gets up and heads for his room. Niles follows. They meet Martin coming into the living room.Niles:All right, Frasier, Frasier wait...Martin: Hey, lookin' good, buddy.Frasier just keeps walking.Martin: Not any better, huh?Daphne: No, and I feel just awful. This is all my fault.Martin: Oh, come on.Daphne: I'm the onewho ruined his treasured collection.Martin: Oh, all his crap is treasured. But look, don't feel bad. I've broken lots of his stuff.Daphne: I've never heard of you breaking anything.Martin: That's because I know how tocover my tracks. Take a look at that fertility god statue over there. It used to be a lot more fertile, if you know what I mean.Daphne goes over and looks closely.Daphne: Oh my God! This is a Tootsie Roll! That'sbrilliant!Martin: Aw, that's nothin'. Here, check out this vase. [he pulls down a piece of pottery] Two years ago Eddie and me were horsin' around and I knocked it over, it took me hours to glue it back togetheragain.Daphne: Why, you can't even tell. I had no idea you were so devious.Martin: Come on, I'll show you how to make ginger ale look like fifty year-old brandy.CUT TO: Frasier's bedroom. Frasier is back in bed, Nilesis sitting on a chair next to him.Frasier: Listen, Niles, I appreciate your concern, I really do, but frankly I am in no mood to endure therapy with my younger brother, no matter how well-intentioned.Niles: I am nottrying to butt in, I'm just curious as to why this tape matters so much to you. Do you ever listen to these?Frasier: Once. When I had a date over. Proved a useful mood setter.Niles: Okay... Well, tell me this, then: doyou ever intend to listen to any of the others?Frasier: Don't know.Niles: So, why is it so important to you to have each and every one of them?Frasier: Because it's a collection, Niles. That's what a collection is.Niles: Isit possible that a harmless collection has become an unhealthy obsession?Frasier: It's, it's just a hobby. All right?Niles: Or an obsession.Frasier: An eccentricity.Niles: Or an obsession.Frasier: You know, it's a quirk.That's it, I'm quirky. I'm delightfully quirky.Niles: Do you realize that your delightful quirk has brought your life to a standstill?Frasier: Niles, I've just finished my two thousandth show. I'm exhausted, physically andemotionally. I believe that I am entitled to an entire weekend of doing nothing, don't you?He rolls over.Niles: Do you know you have your pajamas on backwards?Frasier: Another delightful quirk of mine.Niles: Not fromwhere I'm sitting.Martin comes in, holding a piece of paper.Martin: Hey, Fras! The station called, some guy has your tape.Frasier: Oh, uh, well, thanks, Dad. Yes, well, I'll tend to this by and by...He sets the paper down.Niles grabs it.Niles: All right, I'll get the car.Frasier: I'll put on some pants.Niles: Zipper goes in front.He leaves, Frasier glaring after him. FADE OUT.[SCENE_BREAK]Scene 2 - Tom's ApartmentFade in. Tom is bringing aplate of snacks out of the kitchen when there is a knock at the door. He answers it to find Frasier.Frasier: Hello.Tom: Hello, yes, Dr. Crane. Please come in. Please make yourself at home.Frasier: You must be Tom.Tom:And you must be the greatest radio talk show host ever!Frasier: You can call me Frasier.Niles: I think I'll wait outside.Tom: I didn't know you were bringing someone.Frasier: Oh, Tom, this is my brother Niles.Tom:Oh.Niles: Hello, Tom.Tom: Hi, yes. Uh, didn't you fill in on Frasier's show a couple of times?Niles: Well, yes actually I did.Tom: Yeah, yeah, you were all right.Niles: You flatter me.Tom: So, what's it like?Niles: Excuseme?Tom: Being Frasier Crane's brother? Being able to talk to him whenever you want, having access to that great brain twenty- four hours a day?Niles: You know, I think I left my lights on.Tom: No, no please, don'tleave yet. Please, if you don't mind, I was hoping you'd take a picture of Frasier and I.Frasier: Well, of course he doesn't mind. Actually, I've even brought along an eight by ten photo, personalized, of course.Tom: Oh,my, that's really, I don't know...Frasier: Yes, I thought you might like that.Tom: I'll have to do some rearranging, but don't worry, I'll find some room for it somewhere.He opens the curtains on the back wall to reveal awall full of signs, posters and photos of Frasier. He pins the new one in place.Niles: I, uh, thought that was a window.Tom: Yeah, well it was. Okay, I'm gonna go get the camera.He heads off.Niles: Frasier, this man isdeeply disturbed.Frasier: Why? Because he has a few pictures of me on his wall?The phone rings.Niles: This man is obviously obsessed with you.Frasier: What is it with you? I'm obsessed, he's obsessed. I think you'rethe one who's obsessed with being obsessed.Niles: All right, I apologize. He's delightfully quirky.The answering machine picks up the phone. The outgoing message is Frasier's voice, recorded from the show.Machine:Go ahead caller, I'm listening.Caller: This is your mother, call me - and change that stupid message already!Tom comes back in the room with an instant camera.Tom: Aw, mom, get a life, why don't you? Here we go.[he sits on the couch, his arm around Frasier] Now I want to record this historic moment, because I don't want to wake up tomorrow and find out this was all part of a dream. Because I've had this dream before. Manytimes. Sometimes we're in London, sometimes we're in Paris, sometimes we're riding mules down the Grand Canyon.Frasier has begun to look nervous at this, but Niles takes the picture.Tom: Oh my God! This is gonnabe the jewel of my collection. I'm gonna get a special frame for it and I'm gonna look at it while I'm listening to the show and I... Oh, wait a minute. Uh listen, uh Frasier's brother, your thumb was in front of the lens. Ifyou don't mind, just one more. And you know what, bring that chair closer come over here for a second, sit there, this is gonna be great. [He urges Frasier over to the chair.] Sit there, just like that, and this time, whydon't you act like you're giving me advice.Frasier: Right, all right. Tom, I was just wondering, have you ever called into the show?Tom: Me? Why would I call the show?Niles takes the picture again.Tom: Ooh! Did yourhead just touch that?Frasier: Yes, I'm sorry.Tom: Don't be.Tom grabs a plastic container and takes the doily from the back of the chair.Frasier: Oh, so, Tom. I take it you've been listening to the show for some"}
+{"doc_id":"doc_221","qid":"","text":"[EXT. LAS VEGAS (STOCK) - DAY][EXT. APARTMENT COMPLEX - DAY][SCENE_BREAK][INT. APARTMENT COMPLEX - HALLWAY - DAY](The resident manager enters the darkened hallway of the apartment complex withtwo prospective renters, STEVE and NANCY.)Stu Evans: You'll like this apartment. My wife says it's the best of the lot. Now, the tenants moved out kind of quick so I don't normally show apartments before I've had achance to look, so ... use your imagination.(He unlocks the door to apartment #103 and pushes it open for STEVE and NANCY to look at. They both step inside ... aghast at what they see. There's blood on the walls andon the floor.)Nancy: (to STEVE) Oh, my god. Call 911.[SCENE_BREAK][INT. APARTMENT #103 - DAY](Camera close up of BRASS.)Brass: I worked in a slaughterhouse one summer. Looked a lot like this.(GRISSOM isalso standing in the middle of the room. He's not looking at the walls, he's busy testing the blood.)Brass: (V.O.) The lease is in the name of Clifford Renteria. He lived here with his girlfriend till they snuck out in themiddle of the night. Gee, I wonder why.Grissom: For all we know, this is animal blood.Brass: Yeah, sure. Deer, sheep, llama.Grissom: A deer hunter comes home from the mountains drunk decides to play butcher cleanhis kill. Chops his game up into oven-sized pieces for the winter. I mean, what does he care? He's renting.(GRISSOM drops a small sample of the mixture into the hand-held test and waits for the results. BRASS uses hisflashlight and shines it on the test. Results of the test indicate that the victim was definitely \"human\".)Brass: Victim's human.Grissom: And a human has only eight pints of blood. So, whoever the victim is ... is nowdead.HARD CUT TO END OF TEASER. ROLL TITLE CREDITS.[SCENE_BREAK][INT. APARTMENT -- DAY](GRISSOM is looking through a small instrument used to measure the blood spatter.)(QUICK CGI through the end ofthe instrument, up to GRISSOM'S eye, fade back down to the end of the magnifying lens to measure the blood spatter where 1 DIV = 1 MM. 20X. Flash to white. Resume on GRISSOM looking at the blood on thewall.)Sara: (o.s.) Any uniformity in the spray?Grissom: Well, by and large, the average diameter is about one millimeter.Sara: Blood drops this size are characteristic of high-velocity impact like gunshot trauma butthere's no bullet strikes on the walls ... ruling out murder by gun.Grissom: Just acquaint yourself, Sara. Don't interpret just yet, okay?(SARA continues to look around the room. WARRICK is busy spraying luminol on theentire floor. When he's finished, he puts the spray canister down.)Warrick: All right. Show time.(GRISSOM closes the shades disturbing a single fly which buzzes off. SARA, WARRICK and GRISSOM wait while the luminolbegins to glow.)Sara: This looks like a multiple. More than one vic. Acquainting myself.Warrick: Check out these \"voids.\" That's the real evidence.(From the top view of the room, the entire floor glows except for certain\"voids\".)Grissom: Couch? We've only got 30 seconds till this luminol disappears.(SARA starts taking pictures of the \"voids\" and anything else pertinent. GRISSOM kneels to get a better look at the \"voids\" where he'sstanding.)Grissom: Television, maybe? A magazine?Sara: Triangle ... coat rack?Warrick: Guys ...(Right where WARRICK is standing is an irregular shaped \"void\".)Grissom: What do you think that is?Warrick: Looks likeit could be an electric saw.Grissom: High-velocity, small spray.(Close up on the \"void\" of the electric saw as it disappears ... )[SCENE_BREAK][EXT. MOJAVE DESERT NEAR LAKE MEAD -- DAY](On the other side of thepower lines, the hills are on fire. A helicopter flying by drops water on the flames. The camera travels low along the ground and moves upward as the helicopter with red bucket passes by.)(In the background we hearradio static and various radio dispatch transmissions.)Radio Dispatcher: 76 ROMEO, approaching ETS 4-NINER-SIX.Pine Ridge Command: 76 ROMEO, you're right on it.76 ROMEO: Pine ridge command, go to white firethree. Dozer tender 1441. Air attack 140. O.V. Tens on order. Report to willow springs.[SCENE_BREAK](NICK and CATHERINE carrying their CSI kits, pass by a group of fire fighters to get to the crime scene.)Nick: Zerohumidity, record highs. 'Tis the season.(They both meet up with DET. O'RILEY.)Catherine: Hi.Det. O'Riley: Hey. I don't even know where to start with this one. Take a look at that. A scuba diver ... up a tree.(True toform, there's a dead person in scuba gear stuck up in a tree. The CSIs, DET. O'RILEY and DAVID PHILLIPS all look up at the figure in astonishment.)Nick: Wow.Catherine: How the hell he'd got up there?(CATHERINE isholding yellow evidence markers in her hand and is looking on the ground for anything unusual.)Nick: He couldn't have climbed up there with all that crap on.Det. O'Riley: He got up there somehow.Nick: Well, you know... Lake Mead is just over the hill and the copters are dropping water.(CATHERINE looks up at the helicopter and bucket whirring by. She turns to NICK.)Catherine: You're serious?(NICK smiles.)Catherine: That's a totalurban legend. We're scientists, Nickie. No way that happened.Nick: (looking up) Okay.(Cut to CGI POV of a scuba diver in Lake Mead and a large red bucket being dropped into the lake. End of CGI POV. Resume onCATHERINE.)Catherine: And I suppose you believe in Santa?Nick: After today ... oh, yeah.[SCENE_BREAK][INT. APARTMENT COMPLEX - HALLWAY JUST OUTSIDE APT #103 - DAY]Brass: When I said Cliff Renteria andhis girlfriend skipped out in the middle of the night, I didn't have the whole story.Stu Evans: I haven't seen Alison in over a month.Brass: Any idea where she might be?Stu Evans: Renteria said she left town.Brass: Soyou noticed that she was gone?Stu Evans: I manage the complex. I notice everything.Grissom: Did you notice if Mr. Renteria left a forwarding address?Stu Evans: No. He just wrote the letter saying he was moving on.Listen, if you find him, you tell him he is not getting his deposit back, okay? The blood'll never come out.Grissom: Hopefully not. That's all the evidence we have.[SCENE_BREAK][EXT. MOJAVE DESERT NEAR LAKE MEAD-- DAY](CATHERINE searches the grounds for evidence. A helicopter whirs (o.s.) overhead. CATHERINE finds something and puts evidence marker #1 next to the scuba diver's pressure gauge. The needle is frozenstuck. She takes pictures of the pressure gauge.)(Cut to NICK as he crouches low to the ground. CATHERINE approaches.)Nick: What do you make of that void? Green vegetation.Catherine: There's a consistent burnover this whole area.Nick: Except for that one spot.Catherine: Well, the chief said that the original fire was a class \"C.\" Downed power line. Winds keep shifting hot spots breaking out all over.(NICK looks around andnotices a burned cigarette butt and matchbook.)Nick: Well, well ... downed power line, huh?(He motions to CATHERINE. She looks at it.)Catherine: Good eye.(CATHERINE puts down evidence marker #3 next to thematchbook and snaps a photograph of it. NICK picks the matchbook up.)Nick: Matchbook time-delay device.Catherine: Don't touch it. It'll disintegrate.Nick: That's the only reason I carry this stuff.(NICK pulls out anaerosol can.)Catherine: Hair spray. Extra hold?(CGI POV Close up of Hair spray adhering to the burnt matchbook sticks, coating them.)Nick: The difference between walking and running. Guy lights a cigarette, sticks itin a matchbook takes a stroll.(CGI POV of a newly lit cigarette being wedged under the matchbook sticks. Flash to white. Close up of the matchbook and cigarette on the ground. Flash to white. Close up of fireconsuming both the matchbook and the cigarette. Flash to white. Resume on NICK and CATHERINE.)Catherine: It buys an arsonist a five-minute head start.Nick: Mm-hmm.[SCENE_BREAK][EXT. MONACO RECEIVING --DAY](BRASS exits his car (Nevada license #IEP-353). He and GRISSOM approach CLIFFORD RENTERIA.)Brass: Monaco Receiving. Clifford Renteria, platform manager.Grissom: Gee, Brass, all in one shift. I'mimpressed.Brass: Are you Clifford Renteria?Clifford Renteria: Cliff. Who are you?Brass: Las Vegas police. With the crime lab. Do you have any knowledge of the whereabouts of Alison Scott?Clifford Renteria: She's inCanada visiting her parents. Why?Grissom: We just came from your old apartment. We found some disturbing evidence there. Would you care to explain that?Clifford Renteria: Hey, he had it coming. I'll tell you thatright now. Apartment stank, there were flies everywhere, no water. So I trashed the place.Brass: Who had it coming?Clifford Renteria: The apartment manager. The lazy b*st*rd. Serves him right.Grissom: Mr.Renteria, your apartment walls are covered in human blood. Are you aware of that?Clifford Renteria: Yeah.Grissom: Do you have an explanation?Clifford Renteria: It's my blood.Grissom: Your blood?Brass: You got astigmata?Clifford Renteria: No. I get nosebleeds.Brass: Nosebleeds?Clifford Renteria: From Hepatitis C. I got blood to spare. My nose is like old faithful. Finally came in handy.Grissom: You expirated blood from yournose all over your apartment walls to get back at your manager?Clifford Renteria: Yeah. I hope I made his clean-up job hell.(A noise from behind him distracts CLIFF RENTERIA. He turns around and sees aworker.)Clifford Renteria: (to worker) That's not supposed to go anywhere.Brass: This guy blows ten quarts of blood from his nose onto his wall? You want to ask for a demonstration?Grissom: He's lying. Expiratingfrom your nose would leave oval-shaped blood patterns. The ones we found in his apartment were V-shaped.Brass: Mr. Renteria. We're going to need a sample of your blood -- from your arm, not your nose -- and avisit to your new apartment.(CLIFFORD RENTERIA motions to the large truck #84438 behind them.)Clifford Renteria: That's home to me now. Been staying there about a week.Grissom: Well, may we see yourfurniture?Clifford Renteria: Sure.[SCENE_BREAK][INT. TRAILER](From inside the truck, the back opens and we see all CLIFFORD RENTERIA'S worldly possessions crammed in the back of the trailer-truck.)(Camera cutto looking into the truck from the outside. We immediately see an electric saw in front of a large monitor-sized box with the label DM(TM) 604 S2.)Grissom: Electric saw.Clifford Renteria: Used to do somelandscaping.Grissom: Interesting lamp.Grissom: Mr. Renteria, with your permission, I'd like to move some of your property to my lab for a closer inspection.Clifford Renteria: Hey, save me $250 a week truck rental.Keep it as long as you want. I'll sleep in the break room.Brass: That's after you come down and give us that blood sample.(The truck door closes to black.)[SCENE_BREAK][INT. CSI - LAB](Four people carrying variousthings walk by the glass lab wall. WARRICK walks into the lab carrying a large white box with the words \"PROPERTY OF FIREARMS\" written in black on the side. WARRICK is wearing a white jumper suit. SARA is alsowearing the same type of white jumper suit.)Warrick: You check nosebleed's tools yet?Sara: No observable blood. Not even with pheno.Warrick: That's because he probably ditched them after using them on the victim.Now we've just got to figure out which one.(WARRICK puts the box down. It's filled with various types of electric saws.)Sara: How long did Firearms give us these for?Warrick: Twenty-four hours, then we've got to getthem back. Clean.Sara: Let's do it.[SCENE_BREAK](WARRICK zips up his white jumper, secures his gloves, turns the radio up.)(Cut to SARA zips up her white jumper. WARRICK puts on his head gear with goggles.)(Cutto SARA with her head goggles on mixes the paint they're going to use.)(Cut to WARRICK pouring the paint in a large plastic container that they'll be dipping the saws in.)(Cut to SARA dipping in a saw with a smallround blade into red paint. Behind her, WARRICK is holding a different kind of saw.)(Cut to SARA holding the saw with paint against a clear pexi-glass board backing. She turns the saw on and lets the paint spatter ontothe backing.)(Cut to Close up of a saw blade being dipped in paint.)(Cut to WARRICK holding the electric saw against a clear pexi-glass board backing. He turns the saw on and it spatters paint onto thebacking.)(WARRICK and SARA repeat this test using the different saws in the box.)[SCENE_BREAK][INT. CSI - GREG'S LAB](Close up on GREG.)Grissom: (o.s.) So?(GREG looks up and sees GRISSOM standing there. Hedidn't hear him enter.)Greg: DNA results, um ... sixteen samples from the apartment walls and the one we just took from the guy's arm.(GREG puts aside what he's working on, finds the file and hands it to GRISSOM.GRISSOM opens the file to review the findings.)Grissom: This cannot be right.Greg: Hey, I always double-check your stuff. But all the results are pointing one way.Grissom: What about the blood on the lamp?Greg:That is my next run. Just a little backlogged.Grissom: Well, get through it.(GRISSOM leaves. GREG sighs.)[SCENE_BREAK][INT. POLICE DEPARTMENT -- HALLWAY](GRISSOM and BRASS walk through the hallway.GRISSOM is holding the file folder.)Brass: I thought you said the blood on those walls couldn't be his.Grissom: I also thought the metric system would catch on. Look, everything that starts with a faulty premise isbound to fail. I saw \"V\" patterns and I foolishly ruled out the nose.Clifford Renteria: I told you I had a condition, Hepatitis C. I was diagnosed when I was 18.Brass: And this relates to your magic nose, how?Grissom:Hepatitis C destroys the liver and a whole host of clotting functions. Cliff, indeed, has blood to spare.Clifford Renteria: Thanks for coming around to my side. Which way is out?Brass: Nobody released you.SHORT TIMECUT TO:[SCENE_BREAK][INT. POLICE DEPARTMENT -- INTERROGATION ROOM]Grissom: Mr. Renteria, I can't sign off on a case until I fully understand it. So, let me get this straight. You had a beef with your landlordand you decided to pay him back by blowing blood out of your nose all over the apartment walls. Is that about right?Cliff Renteria: Yeah.Grissom: A day? A week? A couple of months? How long did this take?CliffRenteria: I don't know. About a month.Grissom: So, you get up in the morning, make coffee and go \"I think I'll blow some blood on the kitchen wall today.\" Get out of the shower grab your towel, go \"Hey, this looks likea nice spot to expirate a couple of pints.\"Cliff Renteria: It wasn't like that. Something would set me off. The disposal was backed up, no hot water, the toilet was broken ... I knew the landlord wasn't going to fixit.Grissom: So, you made your statement through your nose?Clifford Renteria: I wasn't getting anywhere with words. Look, if it'll get me out of here any quicker, I'll show you.(BRASS and GRISSOM sit back in theirseats. CLIFF RENTERIA stands up and looks around for the necessary materials. He picks up a sheet of newspaper and hangs it up on the blackboard behind him.)Clifford Renteria: Um ... it's really not that big adeal.(GRISSOM stands up and moves closer to where CLIFF is. CLIFF turns around.)Clifford Renteria: You might want to back up.(GRISSOM takes a small step backward and CLIFF takes a deep breath, holds a hand upto his nose and ... )(OFF BRASS as we hear a loud spraying sound. BRASS has his head turned away and eyes sideways toward the test.)[SCENE_BREAK][INT. CSI -- LAB](Camera on the newspaper with CLIFFRENTERIA'S latest artwork hanging clipped to a board. The camera moves to show us that next to the newspaper sample, is a photograph of a blood spatter from the apartment wall with ruler measurement. Next tothat is a photograph of one of the electric saw glass spatters. Next to that is a photograph of a plastic trash can with spatters on that.)Sara: (o.s.) Same high-velocity spray.Warrick: Same short \"v\" pattern, too.Sara:Didn't you say expirating through the nose made oval patterns?Grissom: Yeah, well ... as it turns out our guy stands very close to the wall and blows almost sideways.Warrick: This is on the real. You actually saw himdo this?Grissom: Right through his Jimmy Durante. Ambidextrous, both nostrils.Sara: Great. Our big murderer's a nosebleed.(GREG enters holding a paper with test results. He hands it to GRISSOM.)Greg: Oh, notnecessarily. Sample from the nosebleed's lamp. It's not his blood. And I don't know whose blood it is but the amelogenin came back with something pretty interesting: \"XX.\"Warrick: Female blood.Greg: Mm-hmm.Sara:Our guy's girlfriend is still missing.Grissom: Two things which may have nothing to do with each other.Sara: Or everything.(Camera holds on GRISSOM'S look.)[SCENE_BREAK][EXT. LAS VEGAS CITY (STOCK) -NIGHT][SCENE_BREAK][INT. CSI - FORENSIC AUTOPSY ROOM]Catherine: So you got an ID on the scuba guy?Robbins: Jacques Cousteau. Kidding. Coroner's humor. But I'll tell you what I do know. He didn't die in thatfire. No carboxyhemoglobin in his blood.Catherine: Means he didn't inhale any carbon monoxide.Robbins: Tells us he stopped breathing before the fire started. Guy was probably killed someplace else and dumped.Nick:Oh, he was dumped all right ... out of a chopper. Right, doctor?Robbins: Victim's injuries are inconsistent with a fall of that magnitude. No fracture of the pelvis no compression of the lumbar vertebrae no shortening ofthe body.Catherine: There goes your theory, Nick. Good try, though. So what was the cause of death?Robbins: His heart stopped beating.Nick: Heart attack ... consistent with being scooped out of Lake Mead.Robbins:The human heart beats in a four-beat rhythm like a fox-trot. The two atria contract, then the two ventricles. Ba-boom, ba-boom.Nick: So, what happened to this guy?Robbins: Commotio cordis. Cardiac concussion. Theguy short-circuited. It's rare, but I've seen it. Couple of years ago a minor leaguer took a line drive to the chest.(CGI POV of a baseball hitting the center of a \"Blaster's\" jersey. Camera moves forward through the jerseyand into the heart where it starts to beat irregularly. Flash to white. Resume to present.)Robbins: Interrupted the impulse to the heart turning it into a bag of worms. Fibrillation.Catherine: So, our scuba diver took oneto the chest.Robbins: Definitely.Nick: He could've been clipped by the chopper's Bambi Bucket. Did you find anything between his toes? Like sand from ...Robbins: ... Lake Mead. Sorry, Nick. But I did find somethingbetween him and his wetsuit. Soap residue. Like he started to shower. Soaped up never soaped off.[SCENE_BREAK][INT. CSI -- LAB](Close up of NICK taking a swab of the soap residue from the dive suit. He looks atthe tip of the swab. Close up of swab with the residue on it. NICK notices as GREG stands in the doorway.)Nick: Something on your mind, Greg?Greg: No. I heard about your case. Sounds interesting.Nick: Yeah. Youwant to make yourself useful, drop this off at trace.(NICK hands the container with swab within to GREG. GREG looks at the suit.)Nick: Must be some kind of soap. Robbins got me halfway there.Greg: Bet it's liquiddishwashing soap.(GREG turns to leave and is nearly to the door with NICK stops him.)Nick: Yeah? State your source.Greg: Well, you know I used to do a little diving myself actually. Belize, Maui, Great Barrier Reef ...Okay, maybe I took that one a little too far. But the point is, that these rubber suits aren't very easy to put on. Neoprene and skin need a little romance to get together. And a capful of liquid soap works like acharm.Greg: So, you check this safety valve?Nick: Sealed closed.Greg: And what about the pressure gauge?Nick: Hose melted. Catherine found it at the base of the tree.Greg: It's 3,000 psi; that tank was full.Nick:Guess it's like anything pressurized. These things blow for one of two reasons: Too much air or too much heat.(NICK stops as it hits him. He looks at GREG. GREG looks back at NICK.)Nick: You just made yourselfuseful, my friend.Greg: (smiles) Yeah?Nick: Oh, yeah.Greg: How?[SCENE_BREAK][INT. APARTMENT -- HALLWAY](GRISSOM and SARA return to the apartment complex. They're both carrying their CSI kits.)Sara: Whatare we looking for exactly?Grissom: Same thing we're always looking for evidence of a crime. Failing that, we'll have to release this apartment.Sara: What about Nosebleed's missing girlfriend? You heard Brass.[INT.APARTMENT #103]Sara: He got a-hold of Alison Scott's parents in Canada. They said she never arrived. They had no idea she was even going to see them.(They enter the apartment and put their kits down.)Sara: Whatif nose man blew blood all over these walls to cover up Alison Scott's blood?(GRISSOM considers the thought. He gets up and goes to the nearest wall. He scrapes the blood of a random sample.)Grissom: I don't see anyevidence of that.Sara: You're not finding another layer of blood under there?Grissom: No.Sara: You don't think maybe he off'ed his girlfriend?(A fly buzzes by distracting GRISSOM. He looks up.)Grissom: How many flies"}
+{"doc_id":"doc_222","qid":"","text":"MYSTIC FALLS HIGH SCHOOL[The Mystic Falls High School football field is all decked out for the commencement ceremony. It is deserted except for Kol, who stands at the podium, and the dead hybrids and witchesfrom the Expression triangle sacrifices who approach him. He taps the microphone before speaking.]Kol: Welcome back. It was our deaths that allowed this day to come to pass - massacres performed in the name ofresurrecting the immortal, Silas. Twelve hybrids, twelve witches, the slaughter of innocents by the so-called hero protectors of Mystic Falls. They risked unleashing hell on earth for their own selfish gains. And todaythat's exactly what they're going to get.TITLE CARD AND OPENING CREDITSSALVATORE BOARDING HOUSE[Lexi is dancing and rocking out to Bon Jovi in the parlor while Stefan drinks some bourbon straight from thebottle. Damon enters.]Stefan: Damon! Help me celebrate my 17th high school graduation. [Damon turns off the music.] Hey, you remember my friend, Lexi, of course?Damon: Lexi, back from the dead. Goody.[Lexivamp-runs at Damon and pins him against the wall with a hand over his neck.]Lexi: What's up, buzzkill?Damon: [strained] Stefan, you're just gonna sit there and let her enact her ghostly revenge?Stefan: You reapwhat you sow, buddy.Lexi: Let's be very clear: whatever time I have left here, I sure as hell don't plan on wasting on you. You got me?Damon: Yeah. Got ya.[Lexi releases Damon and he gasps.]Damon: So if you andRic and little Gilbert are all flesh-like and real-seeming, that means something went horribly wrong when Bonnie tried to put that veil up. And here you two are, having dance party USA.Stefan: You're right. How selfishof me to be indulging in these precious moments with my formerly dead best friend. I should be sacrificing my own happiness for the good of others, right? I should be upstairs grooming my hero-hair.Damon: Are youdrunk?Stefan: I don't know, Mom, am I?[Taking the bottle from Stefan, Lexi chuckles. Damon snatches the bottle from Lexi.]Lexi: Okay.Damon: Well, I guess that's one way to celebrate our supernatural apocalypse.[He takes a swig from the bottle.] Now, care to hazard any guesses on what the hell went wrong?MYSTIC FALLS HIGH SCHOOL[Bonnie is in the boiler room at the school, on the phone with Caroline who is manning theyearbook table in a hallway of the school. The shots alternate between them.]Bonnie: I hit kind of a snag.Caroline: A snag? A snag is a bad yearbook picture. You hit a tsunami. Where are you?Bonnie: I'm trying to fixit, but I'm running into some trouble. I need to wait until the full moon tonight to have enough power to put the veil back up.Caroline: Are you telling me that we might graduate right smack in the middle of aghost-filled Expression Triangle?[Bonnie glances down at her body lying on the floor. Her grams is with her, looking at it, too.]Bonnie: Maybe we should just cancel.Caroline: No, we are not going to cancel. Graduation isthe most important event of our lives, the last ceremony of our youth. It is our rite of freaking passage! Hell will freeze over before I let anyone cancel graduation.Bonnie: Can you not make jokes about hell freezingover? We're not that far off from that already.Caroline: Just promise me that today is a friend day.Bonnie: Okay, I promise. I love you.Caroline: I love you, too.[They hang up.]Sheila: Go. I'll make sure no one findsyour body. But Bonnie--Bonnie: I know. Okay? I know I need to tell them, I just can't. They've been through too much already.Sheila: I know, child. I was just going to say that... Make sure you say yourgoodbyes.[Bonnie smiles sadly.]THE CEMETERY[Alaric, Jeremy and Elena are eating lunch together.]Alaric: [through a full mouth] Mm. Oh, my god.[Elena laughs.]Jeremy: Mm.Elena: No grease on the Other Side,huh?Alaric: You have no idea how much I've missed this. [holds up a bottle of bourbon] And this.[Elena takes the bottle.]Alaric: No, hey. Hey![Elena takes a swig.]Jeremy: She just got her humanity back. Let her live alittle.[Jeremy reaches for the bottle but Elena holds it away from him.]Elena: Hey, you wish.Jeremy: I'm dead - what are they gonna do, throw me in juvie?Alaric: Well, at least you'd have a place to live.[Smiling, Elenastarts throwing food at them.]Elena: You both suck!Alaric: Hey! Now there it is - that smile. I wasn't sure we were gonna see that again.[Elena is still smiling, but more sadly, her eyes glistening.]Elena: I did somepretty terrible things.[She takes a deep breath.]Jeremy: Hey, no. No tears. If Caroline was right, we only have until tonight. We need a no-crying rule.Elena: But the crying's good. It means that I'm finally feelingsomething, and right now I... [she takes their hands in each of hers] I feel happy.[They smile back at her. Elena's phone starts ringing. She takes it out and looks at it.]Elena: It's the Grill - it must be Matt. [answers it]Hey, you went AWOL this morning - what happened?[It's a familiar, unexpected voice.]Connor: Hello, Elena. It's your dead friend, Connor. You remember me?[Elena is shocked.]A PARKING LOT[Matt and Rebekah are awary audience to Alexander as he unloads weapons from Connor's trailer.]Alexander: A hidden compartment filled with advanced weaponry. Man has evolved from his days of throwing stones.Rebekah: There is nothingwe can do for you Alexander. Please, let us go.Alexander: I'm not holding you here. Although, I have a feeling that exploding contraption will have a hard time parting with your handsome friend intact.[Matt is standingon a weight-sensitive explosive device.]Matt: Just go, Rebekah. I'll be fine.Rebekah: I'm not leaving you.[Alexander examines a bottle of venom, smiling in awe.]Alexander: The soldier, Connor, found a way to siphonvenom from a werewolf.Rebekah: What do you want from us?Alexander: To fulfill my destiny. The brotherhood of hunters was created for one reason, and one reason alone.SALVATORE BOARDING HOUSE[Damonopens the door to find an unexpected visitor.]Damon: Vaughn?[Vaughn lifts a guns and shoots Damon in the shoulder. The force of it causes Damon to step back and he groans in pain.]Vaughn: Got a little message foryou, laddie. Straight from the mouth of the witch Qetsiyah.MYSTIC GRILL[Connor is still on the phone with Elena. The shots alternate between the Grill and the cemetery.Connor: We want Silas, and we want thecure.Elena: I don't know where they are, so I guess I can't help you.Connor: Huh. Well, you know who's gonna need some help? Grandma and Grandpa Jones, in town for the big high school graduation, along withAuntie Sue and Uncle Mark...[Alaric motions to Elena that he's going to do something. Elena nods.]Connor: Matter of fact, everybody here at the Mystic Grill for graduation brunch. You either give me what I want, orthey die.SALVATORE BOARDING HOUSE[Damon groans as he pulls the bullet out of his shoulder. Vaughn checks his gun.]Vaughn: Yeah, borrowed it from my jarhead friend, Connor. Shoots wood like lead.Damon:Come on, man. I didn't kill you.Vaughn: No, but you left me in that well on that island, where I starved to death. There I was, all alone on the Other Side, till Qetsiyah found me and reminded me of my supernaturaldestiny - to cure Silas, and then kill Silas. End of story--[Suddenly Vaughn gags and falls to the floor. Stefan stands behind him, Vaughn's bloody heart in his fist. Damon gapes at him; Stefan merely raises hiseyebrows.]MYSTIC GRILL[Elena is still talking to Connor over the phone. The shots alternate between them.]Elena: Please, don't hurt anyone. I'll find Silas and I'll get the cure.Connor: Good. Get it done.[He hangs up.Alaric shows up behind him.]Alaric: So, you get off on terrorizing innocent people?Connor: And who might you be?Alaric: The guy responsible for the 18-year-old you just threatened.Connor: Well, that 18-year-oldsnapped my neck with her bare hands.Alaric: And I'm also the guy who showed her how to do that.[Connor chuckles.]Connor: That's ironic. You must not know a damn thing about fighting if you're trying to intimidate adead guy packing C4.[Connor opens his jacket slightly to reveal he's strapped with explosives.]Alaric: This is my bar, pal. Nobody's gonna blow it up.[Connor grins and lifts a detonator in his hand. It clicks and Alaricgrabs him with vampire speed and takes him out of the Grill. He explodes offscreen, though they only get far enough that the explosion causes damage to the edge of the restaurant. The Grill patrons scream in fright.]APARKING LOT[Matt is still trapped standing on the explosive device while Rebekah stands beside him. Alexander sits in the doorway of the trailer.]Alexander: Go ahead, sweet Rebekah. Use your vampire powers towhisk him away. I'm sure you can survive the blast of six of these... automobiles. Can he?Matt: Just ignore him. All right? Let's think about something else. Like graduation. What are your plans - college? Travel? Justbecause I'm never getting out of this town doesn't mean you shouldn't see the world.[Rebekah, who has been watching the device nervously as Matt's weight shifts on top of it, looks back up at him.]Rebekah: It's justbeen settled. I'm gonna show you life as you've only dreamt it. We'll start in Italy. There's a lovely little church-- [she glances back at Alexander] -- outside San Vittore in Brienno.Alexander: [nodding] Romantic spot.Popular for weddings.[Rebekah turns back to Matt.]Rebekah: And then I'll show you the Northern Lights in the springtime, the Simatai Gorge from atop the Great Wall of China, every inch of the Louvre.Matt: [smiling]China, Paris, the Northern Lights... It's a date.Rebekah: We'll see it all when we're done here because we can. We're alive. [She looks scornfully back at Alexander.] We're not gonna be stuck as ghosts in misery on theOther Side.[Alexander angrily gets up.]Alexander: All right, you're done now.[He throws the dagger he's holding at Matt. Rebekah moves to catch it and does, but starts to knock Matt off balance. He teeters atop thedevice as Rebekah regains her footing, bracing against Matt. She throws the dagger away to the ground.]Rebekah: I've got you.[Matt laughs nervously at the close call.]MYSTIC FALLS HIGH SCHOOL[Bonnie walks downa deserted hallway, wearing her graduation gown and holding her cap. Katherine joins her smoothly from a side corridor.]Katherine: I don't think red's really your color, Bon-Bon.Bonnie: And here I was hoping theghost of anyone would've killed you already.Katherine: Funny you should mention death, because I'm here to collect that immortality you've promised me.Bonnie: Funny you still think you're going to get it. I told you,Qetsiyah's the only witch who knows the immortality spell. If she was a no-show, you're out of luck.[Katherine moves to block Bonnie's way and they stop walking.]Katherine: See, here's the thing, Bonnie: I can'tdisagree with you, because I have been feeling out of luck lately. But you know who has been getting all of my luck? My beloved doppelgänger, Elena. My shadow-self is living a better life than I am, so if I don't get thatimmortality, I may just have to get rid of her altogether.Bonnie: Did you just threaten my best friend?[Katherine makes a face.]Bonnie: I could crush your skull without even flinching.Katherine: Go ahead. Make yourmove.[As she speaks, a group of students enters the hallway. Bonnie turns to look at them, and Katherine disappears.]SALVATORE BOARDING HOUSE[Damon is rubbing his shoulder uncomfortably as he checks himselfin the mirror in his room. Elena knocks on the doorframe to announce herself.]Elena: Hey.Damon: Hey.Elena: So, I think there's some stuff you and I need to talk about.Damon: Yes, we do. But first-- [He walks over tohis bedside table, opens a small chest and pulls out a box. Walking over to Elena, he presents her with the cure.] Consider it a graduation present.Elena: Damon, I can't take that.Damon: Sure you can. Looks like itmight be cherry-flavored.Elena: [laughing] I'm not saying I don't want it - obviously I want it. But... that's the only one. There's only one cure. And the hunters have made it pretty clear that they're willing to killeveryone in Mystic Falls until they get it.Damon: Elena-- [he puts the cure into her hand and folds her fingers over it] --take the damn thing. I want you to take it.[Elena hesitates over it, but finally puts it back inDamon's hand.]Elena: I can't.Damon: Well, I guess that answers the sire bond question. [The floor creaks. Damon looks over Elena's shoulder.] You gonna help a brother out, or are you just gonna lurk?[Elena turns tosee Jeremy leaning against the doorframe.]Jeremy: Look, Elena. You're my sister and I love you, no matter what you choose.Damon: How is it even when you're dead, you're the bane of my existence?[Downstairs, Lexicrouches near Vaughn's body while talking to Stefan, who empties a blood bag into two glasses.]Lexi: So, the veil's down until tonight, he dies and goes to the Other Side, and what? Comes back all over again? Howlong does that take?[Stefan hands a glass of blood to Lexi.]Stefan: What, they don't give you a rulebook over there?Lexi: [laughing] You know, you're missing your chance to weigh in on the Great Elena Gilbert CureDebate.Stefan: What am I supposed to do, tell her it's her choice? Because that worked out so well. You know, it's funny, those two are in there arguing about how to protect the world, and they have yet to addresstheir biggest issue.Lexi: Enlighten me.Stefan: The sire bond's gone. Elena's emotions are back. She finally knows exactly how she feels.Lexi: And what if whatever she feels is for you?[Stefan considers the question for amoment.]Stefan: She's the love of my life. I'd go back to her in a heartbeat. But, if that's not how she feels, then maybe that's exactly what I need to hear to get my ass out the door. Maybe I will move to Australia. Ican live in a yurt.[Lexi laughs.]Lexi: Cheers to that.[They clink glasses. Suddenly Vaughn revives and stands up.][Upstairs, Damon and Elena are still arguing while Jeremy observes.]Damon: Come on, we don't needthe cure for Silas - he's a calcified statue.[Damon groans uncomfortably.]Elena: What was that?Damon: Nothing.Elena: Take off your shirt.Damon: Elena, there are children present.Elena: Fine.[She pulls the collar ofhis shirt down to reveal the wound in his shoulder. He cringes in pain.]Elena: Damon, why isn't this healed?Damon: Because the bullet was laced with werewolf venom, okay? The hunters are dicks.[Elena turns awayand starts pacing.]Elena: We need Klaus. We need his blood.Damon: Klaus would rather see me die. Plus, Klaus is a thousand miles away sipping Hurricanes on Bourbon Street.Elena: That wound will kill you!Jeremy:What about the cure?Elena: Jeremy's right. If you're human, the werewolf venom won't hurt you.Damon: And here I was, so moved by your speech to save mankind. [feigns listening] Sounds like Vaughn's awake. [Hewalks past Elena.]Elena: Damon, wait.[Downstairs, Vaughn is facing Stefan and Lexi when Damon enters behind him. Vaughn turns around.]Damon: Here.[He tosses the cure to Vaughn, who catches it.]Stefan: The hellare you doing?Damon: Digging up Silas. [He turns and walks to the front door.] You coming, Vaughn, or not?[Vaughn follows Damon out the front door; Elena arrives just as the door shuts. She turns to Stefan and Lexi,speechless.]THE QUARRY[Damon leads Vaughn to the edge of a cliff overlooking the quarry.]Damon: Here we are.Vaughn: What is it?Damon: It's where I dumped Silas. Closed off to hikers, no food for animals,endlessly deep water.Vaughn: I'm not following you, Damon. Where exactly did you put the body?[Damon humorously explains each step to Vaughn, indicating direction as necessary.]Damon: Well, um... well, let mesee. So I dragged his stone ass through here, I flung him in that general direction, then he tumbled down into those weeds... I kind of lost him in the rocks. The thing about physics... wait, what is it? It's, ah, distanceequals velocity times time? Guess I should've told you to bring some scuba gear, huh?A PARKING LOT[Rebekah and Matt are still braced against each other while Alexander circles them.]Alexander: Don't you two lookcozy?[He walks into the trailer, leaving the two alone for a moment.]Matt: So... he seems nice.[Rebekah starts to laugh but stops herself.]Rebekah: Don't make jokes - I'll laugh and you'll fall.[Matt speaks in a low voiceonce Alexander is out of sight.]Matt: I'm wearing the Gilbert ring. I can't be killed by anything supernatural, so maybe if you're the one who detonates the bomb, then I won't die.Rebekah: Absolutely not. You'll blowinto a billion pieces, the ring with it.Matt: There's only one way to find out.Rebekah: [nodding] Fine, okay. The first rule of truly living: do the thing you're most afraid of.[She kisses him passionately. When they breakapart, Matt looks down to see that Rebekah has stepped onto the device in his place.]Matt: What are you doing?Rebekah: I can't be killed and you can't miss graduation. Please, go.Matt: No.Rebekah: Run![He hesitatesa second longer, glances at the trailer, then takes off running. Alexander comes back out of the trailer, angry.]Alexander: What have you done?Rebekah: I finally chose one of the good ones.[Rebekah runs off thedevice with vampire speed and the parking lot explodes.]SALVATORE BOARDING HOUSE[Elena is pacing while discussing with Stefan what to do next.]Elena: We have to do something. If those hunters give the cure toSilas--Stefan: They're not giving it to Silas. Wherever Damon is taking Vaughn right now, it's to stall, because Damon hasn't had time to bury Silas' body yet. [Elena stops pacing.] And that's all you need to know rightnow.Elena: Okay, fine. We're stalling the hunters, but Damon is still dying.Stefan: It was one bullet, and it was only laced. We still have a little bit of time. I will go to New Orleans myself and I will beg Klaus if I haveto.Jeremy: Then it's settled. You're going to your graduation. [Jeremy enters the room carrying Elena's cap and gown.]Elena: Gradua-- no, Jer, I never even sent in my college applications.Jeremy: I don't care. Momand Dad would kill you if there wasn't a photo of you in your graduation getup.Elena: Jer, no. Not if you can't be there.Jeremy: Lexi'll keep me company. You're going.[Elena finally relents and walks over to him to takeher cap and gown.]Elena: Let's go graduate.[They smile at each other.]MYSTIC FALLS HIGH SCHOOL[The students, all in caps and gowns, are milling about the football field getting ready for the ceremony. Caroline isleaving a message on Klaus' voicemail.]Caroline: Klaus, now is not the time to decide that you are over me. I'm gonna call you every 10 minutes until you get your ass here to save Damon's life.[She hangs up as shereaches Bonnie.]Caroline: Where is everyone?Matt: [arriving suddenly] I'm here.Caroline: Where have you been?Matt: Oh, you know, making plans for the summer, dodging death by vampire hunter.Bonnie: Where'sElena? We can't do this without her.[Elena arrives right then with Stefan.]Elena: I'm here. [She hugs Bonnie.] Thank you for today.Caroline: I can't believe it. We're actually all here. We are all here together! BonnieBennett, are you crying?Bonnie: It's our last hurrah before you guys go off to college.Caroline: Before we go off to college.Elena: I... kinda sorta missed the deadline. You know, being an emotionless bitch.Caroline:Well, the perks of being a vampire - we can go wherever we wanna go. We can choose our own roommates. We could - we could get a triple room![Elena and Stefan chuckle at Caroline's enthusiasm, while Bonniesmiles with tears in her eyes.Bonnie: I'm happy we're all here.Caroline: Aw - group hug!Stefan: Ah, I don't - I don't hug...Caroline: Oh, get over yourself![The five of them close in for a joint hug. Mayor Hopkins opensthe ceremony.]Hopkins: Welcome parents, family, and friends. What a beautiful day for a graduation. Thank you for joining us today on this special day, as we celebrate our graduates. So let's get started. JohnAlbrecht. David Bance. Sarah Beasley. Um, not to play favorites, but I am especially proud of this next graduate, my lovely daughter: Bonnie Bennett![Bonnie walks up onto the stage and hugs her father.]Hopkins:Congratulations. I'm so proud of you, sweetie.Bonnie: Thanks, Dad.Hopkins: You're welcome.Bonnie: For everything.[He seems to sense something off about Bonnie's mood, but she smiles and leaves thestage.]Hopkins: Savannah Davis. Matt Donovan. William Duncan. Caroline Forbes. Congratulations.Caroline: Thank you.Hopkins: Matt Freeman. Elena Gilbert. Congratulations.Elena: Thank you.[In the audience Bonnie,seated among the students, claps for Elena when Kol suddenly leans forward from the row behind her to speak in her ear.]Kol: Greetings, little witch.Bonnie: [not looking at him] I thought Stefan got rid of you.Kol: Hedid, and I spent the night crawling out of a cement grave. [He looks behind his row.] Isn't that the witch your friend Caroline killed?[Bonnie turns and is surprised to see Aja sitting a few rows back.]Kol: And over there,"}
+{"doc_id":"doc_223","qid":"","text":"[Scene: Magic School. In the great hall, Chris stands on the ladder and pulls out a book from the bookshelf. Paige and Gideon are below, writing a spell.]Chris: You know, your time travel section is due for a seriousoverhaul. I mean, I can find more information Googling.Gideon: Googling?Chris: Never mind. (Chris steps down.) Any luck with that spell yet?Paige: You mean since the last two minutes you asked me?Chris: Look, I'mjust getting nervous here, okay? My birthday is in two days, and if I'm not outta here before I'm bornPaige: What? Something bad you don't know about could happen?Chris: I just don't want to take any chances.Besides, I came here and did what I had to do, and that was to save Wyatt. Now it's time for me to go home.(Piper and Leo walk in. Leo's pushing Piper's suitcase.)Paige: Sooner than you might think.Chris: Oh, no. No,no, no. Not yet. You're early.Piper: Oh, relax. I'm just getting a jump on things. I'm not in labor. I'm sending some stuff back to the house.Chris: Just don't scare me, okay?Leo: What's the matter? Isn't the spellready?Gideon: I think it's ready. It should work.Leo: Should work? What do you mean?Gideon: Well, there are no guarantees with time travel, Leo. You should know that better than anyone. Sorry. There's always achance that something might go wrong.Leo: All right. We're not taking any chances.Chris: We might have to. I'm running out of time here.Leo: No. I'm not sending you through a one-way portal unless I know whereyou're gonna land.Gideon: You can never be certain, unless, of course, you went too. And even thenLeo: All right. Let's just forget the spell and start to work on that potion again.Gideon: But the spell has a betterchance of working. It's the Power of Three.Leo: Yes, but if something goes wrong, he'll have extra potion with him and he can come right back.Piper: I agree. It sounds safer, so why don't you guys get to work on that?Paige, can you orb these home for me? Just squeeze them into the nursery or something.Paige: Nursery?Piper: You did clean out the nursery, right?Paige: Yeah. No. I was working on the spell. I'm sorry.Piper: Well, youbetter hurry, or else Baby Chris will be sleeping in your room.Paige: Yeah, don't worry. I'm all over it.(She goes over to the bags and orbs out.)Piper: Don't forget diapers. Lots of diapers.Chris: Okay. Gotta get outtahere.[Scene: Gideon's office. Gideon comes in and closes the door. He goes over to a curtain and pulls it back, revealing a mirror.]Gideon: They're preparing to send the boy home. (Gideon sits down in a chair. Hisreflection, Evil Gideon, stays standing.) It's time.Evil Gideon: For our plan to work, we have to get the sistersGideon: And Leo and Chris out of the way. Don't worry. We will.Opening Credits[Scene: Outside HalliwellManor. Phoebe gets out of her car and heads toward the Manor. A woman walks over to her.]Woman: Hello, Phoebe. Excuse me, Phoebe. Hello.(Phoebe stops and turns around.)Phoebe: Hey, Mrs. Noble. What's up?Mrs.Noble: What's up is you parked in my driveway again.Phoebe: Yeah. Unfortunately, there's nowhere else to park.Mrs. Noble: So I should suffer?Phoebe: Well, you know, Piper's brining home the baby in a couple ofdays, and I did a little shoppingMrs. Noble: This is getting to be a real problem.Phoebe: You know what? Just do me a favor. Let me run inside and put these bags down, and then I'll come outside and move the car. (Apolice car pulls up.) You called the patrol guy?Mrs. Noble: This is the third time this week you've blocked me.Phoebe: Yeah, well if your dumpster didn't take up half the block, then I wouldn't have to park in yourdriveway.(Mrs. Noble's jaw drops. The patrol officer comes over.)Mrs. Noble: This is against neighborhood association rules.Phoebe: (To Patrol Officer) Excuse me, can you write her a citation for that ugly eyesoredumpster there, please?Patrol Officer: Homeowner's got a permit.Phoebe: I don't have time for this.(She leaves. Patrol Officer places a ticket on Phoebe's car.)[Scene: Piper's bedroom. Paige is trying to put the bassinettogether. Phoebe enters.]Phoebe: Oh, look at how cute. I remember when baby Wyatt used to fit in there.(Phoebe puts down her bags.)Paige: This is not cute. This is the bassinet from hell. Do you know how to put thistogether?Phoebe: No, that would be a Leo thing. I still can't believe we're bringing home a baby.(Paige sits on the bed.)Paige: Yeah, well, this baby's not gonna have anywhere to sleep.Phoebe: I know. What made uswait so long to do this baby room?Paige: We were busy trying to keep Wyatt from turning evil.Phoebe: Here, let me help you.(She takes off her jacket.)Paige: Yeah, which I'm glad we did, but it just means that he'sgonna need a bedroom.(Phoebe picks up the bassinet.)Phoebe: Yeah, well, even if he was evil, we'd need another bedroom.Paige: Yeah, but now with everybody coming home plus one, we're a room short.Phoebe:Well, I guess I can sleep on the couch. I just really think we need to focus on the baby right now.Paige: And on getting Chris home. Oh, remember him? You know? The nephew? The one you've been avoiding?Phoebe: Iam not.Paige: Okay, so why weren't you helping Gideon and I with the spell?Phoebe: Because I was helping Leo trying to find the burdock root. It was very hard to find. It's back-ordered everywhere. (She puts thebassinet down.) You're right. You know what? We're just gonna get Chris a new bassinet.(She sits on the bed.)Paige: I'm gonna miss him, too, you know.Phoebe: It sucks. I mean, I know he's going back to a betterfuture and all. It's just we're just getting to know him you know?Paige: I know.(The doorbell rings.)Phoebe: I forgot to move my car.(She leaves the room.)[Cut to downstairs. Phoebe answers the door.]Phoebe:Sheila.(Sheila is standing in front of her, crying.)Sheila: It's getting to be a habit, isn't it? Me showing up a wreck.[Time lapse. Phoebe and Sheila are sitting on the couch in the living room. Phoebe hands Sheila a box oftissues. She takes one.]Sheila: We never fight, that's the thing. At least we never used to, but lately, Darryl's just been so on edge, you know?Phoebe: Any idea why?Sheila: Actually, I was hoping you mightknow.Phoebe: Me?Sheila: I went to his work the other day just to say hi and I saw an arrest warrant on his desk, for Chris.Phoebe: Chris? Are-are you sure?Sheila: I'm positive. I even asked him about it, if he wasgonna make it go away, and that's when he just lost it. He told me to stay out of it and stay away from you girls from now on. Did something happen that I don't know about?Phoebe: A couple of weeks ago, Darryl gotreally scared when he was trying to cover up for us, and we felt horrible, you know, but obviously, it really affected him.Sheila: Enough not to cover for Chris?Phoebe: He got really scared. Maybe you just need to givehim some time.Sheila: Yeah, but that doesn't help you right now, and it doesn't help Chris. Look, I-I love Darryl, and I-I know this is eating him up inside, but you girls are like family to us. You don't turn your back onfamily.(Phoebe smiles.)[Scene: Magic School. Chris draws a large triquetra symbol with chalk on the wall.]Chris: I wonder how different the future's gonna be, how much different my life is gonna be. (Chris steps back.Leo walks up to him.)Leo: I just want you to get home safely. Now remember, if anything seems different, we have another vial of this to get back right away. (Leo gives him a potion.)Chris: You worry too much, youknow that? I'll be fine.Leo: I'm your father. It's my job to worry. Now listen, when you get back there, you gotta take it easy on Wyatt, okay? You can't hold a grudge.Chris: Hey, as long as he's not Ruler of All Evil, I'mcool.Leo: I'm serious. He's gonna be different. Good. He's not gonna remember he wasn't. So if you really want to change the future, you gotta start with a clean slate.Chris: Okay. Okay, I get it. How about you? Areyou starting with a clean slate?Leo: How do you mean?Chris: Like you and mom. Look, all I'm saying is I'd like to know where you two are headed before I go back, that's all.Leo: It's complicated. I'm an Elder. I made acommitment.Chris: So? It's not like you haven't broken the rules before. I'm living proof of that.Leo: Yeah. We'll see. Listen, we have enough of this stuff if you want to try a dry run before everybody gets here. What doyou think?Chris: Yeah. Let's do it.(Leo throws the potion at the triquetra. Before it hits the wall, the potion breaks. Leo and Chris fold their arms.)Leo: That should have worked. I'll get you home, buddy, I promise.(Leoturns away. After a moment, Chris does too. Drops of blood appear on the floor, heading out the door.)[Scene: Gideon's office. The door opens. Gideon appears as he pulls down his hood. He has a cut in his left palm.He TKs the door close. He TKs the curtain open. Evil Gideon is licking the blood of his cut on his right hand.]Evil Gideon: Their potion almost certainly would have worked.Gideon: We stopped them just in time, thoughitEvil Gideon: Wasn't supposed to hurt. (They pull a large glass shard from their palms.) Shall we?(They put their palms up toward each other and heal each other.)Gideons: Thank you.Gideon: At least now they'll beforced to use our spell.Evil Gideon: The sooner the better. Wyatt's magic grows stronger by the day.Gideon: That much power in one beingEvil Gideon: Is bound to turn himGideon: Evil.Evil Gideon: Good. We have toget those that protect him out of the way.Gideon: Starting with Leo and Chris. (There's a knock on the door. The door opens and Leo pokes his head in.)Leo: (Echo) Gideon? (He sees him.) Hey, it looks like we're gonnaneed that spell after all. Is there an echo in here?Gideon: It's poor acoustics. Have Piper gather her sisters, and I'll get the spell.Leo: Okay. You know, I don't understand what happened. That potion should haveworked.Gideon: Like I said, time travel is tricky. You will still be escorting your son?Leo: Well, I think so. I think it's safest, don't you?Gideon: Absolutely. Gather everyone together. I'll be right along.(Leo leaves. Gideongoes back to the mirror and meets Evil Gideon.)Gideons: Here they come.[Scene: Outside Police Station. A police car pulls up into the drive. Phoebe and Paige run to Darryl.]Phoebe: Darryl.Paige: Hey Darryl.Phoebe:Darryl. Stop. (They stop in front of Darryl.) We just need to talk to you.Darryl: We have nothing to talk about.Paige: Look, Chris is going home today to his future home.Phoebe: Yeah, and we were hoping you know,that you could find it in the goodness of your heart, even though we know that you're mad at us, you know, just, throw away his file.Paige: The one with the little arrest warrant in it.Darryl: Apparently, I haven't mademyself clear. I am done covering for you. Done. Now if you'll excuse me.(Darryl tries to walk past them, but Phoebe stops him.)Phoebe: Darryl, think about it. Okay? The cops are gonna come for Chris, and what arethey gonna find? They're gonna find a little itsy-bitsy baby.Paige: And then they're gonna find us, which risks exposure.Darryl: Well, maybe you should have thought of that before you broke Chris out of jail. InspectorSheridan thinks that Chris' breakout was an inside job, which, if I'm not careful, could point back to me. I've got a family to think about, too, you know. (He sees Inspector Sheridan.) Great. (She stops next to him.)Inspector Sheridan.Sheridan: Have you seen Chris lately?Phoebe: Chris who?Sheridan: (To Darryl) When you have a minute.(Sheridan and Darryl walk into the office.)Paige: At least Chris isn't gonna have to deal withher in the future.[Scene: Magic school. Leo pushes Wyatt into the Great Hall. Piper walks in. Chris is there.]Chris: Where are Phoebe and Paige?Piper: I'm sure they'll be here soon.Chris: Soon? Soon is when Dad and Ihave to go.Piper: Dad? What do you mean? (To Leo) Wait, you're gonna go too?Leo: Just long enough to make sure he gets where he needs to be.Piper: And when exactly where you gonna tell me about this?Chris: Itold him he didn't have to come. I don't need him.Leo: No. It's too dangerous. Remember the last time you went through a portal? You were almost dinosaur kibble. I have to go.(Gideon comes in.)Gideon: Sorry. I justwanted to go over the spell one more time, make a few tweaks.Piper: Tweaks? Let me see that.(Piper takes the spell from Gideon's hands. Phoebe and Paige orb in.)Chris: Finally. Where have you two been?Paige:Sorry. We were a little, uh held up.Phoebe: But we're here now, so let's get this show on the road, you know? The clock's a-tickin'. Tick-tock, tick-tock.Piper: Since when are you in such a hurry to say goodbye?Phoebe:Well, since something happened with the thing, and the thing, with the thing.Chris: Huh?Phoebe: There's a warrant out for Chris's arrest.Leo: What?Paige: Yeah. I tried to get Darryl to bury it, but he's not on our sideanymore.Phoebe: It's okay. We've been through worse. We'll get through this. We'll figure it out. And if you get back to the future and we're in jail, you just have to bust us out. (She smiles.) You just go back to thatbeautiful, peaceful world that you helped create. (She and Chris hug.) I'm really gonna miss you.Chris: I'll miss you too.Paige: Aw. Here comes the huggin' part.(She gives him a hug. Chris hugs Piper.)Piper: Thank youfor coming here. I love you.Chris: I love you so much, mom.Piper: Now go on. Hurry. You be safe.Chris: Thanks for all your help.Gideon: You did a noble thing in coming here.(Chris looks at Wyatt and makes a shootingsound.)Chris: Pow. Be good.(They turn to the triquetra.)Piper/Phoebe/Paige: In this place and in this hour, we call upon the ancient power, open the door through time and space. (The portal opens.) Create a path toanother place. (Chris and Leo walk into the portal.)[Scene: Magic School. Leo and Chris walk through the portal and see the Evil Charmed Ones and Evil Gideon standing in front of them. Evil Gideon has a hand on EvilPhoebe's shoulder.]Chris: Where are we?[Cut to Magic School. The portal closes. Evil Leo and Evil Chris are there.]Evil Leo: I have no idea.[SCENE_BREAK][Scene: Magic School. Takes off from before. Gideon walks uptoward Evil Leo.]Gideon: Something's gone wrong. Don't let them leave.(Evil Leo pushes him backward into Phoebe. They fall down. Chris makes a Darklighter's crossbow appear. He fires an arrow at Paige. Piperfreezes it.)Piper: Are you out of your mind?(She knocks the arrow down.)Evil Leo: (To Evil Chris) Follow me.(They dark orb out. Piper gasps.)Phoebe: What the hell was that?(She and Gideon stand up.)Gideon: I'm notsure.Paige: You're not sure? Chris just tried to kill me, and you're not sure? We were supposed to send him back to the future, not turn him into a Darklighter.Piper: Excuse me, people. Those were black orbs. Where didthey get black orbs from?Phoebe: Breathe. Breathe, Piper. You don't wanna go into labor yet.(Phoebe rubs Piper's stomach.)Paige: Well?Gideon: Perhaps the spell wasn't specific enough.Phoebe: Meaning what?Gideon:Meaning it worked, obviously. It opened up a portal. Not to another time, but to another world. A parallel world, not just any parallel world. One that's the exact reverse of ours.Paige: Reverse like what? Reverse likeevil?Gideon: Precisely. You see, it's all part of the grand design. A universe destined to maintain balance. Light and dark, yin and yang, good and evil. For good to prevail in this world, then an equally evil world mustalso exist.Paige: Well, that's quite a faulty design, isn't it?Gideon: No, it's not Paige. Balance is everything. Without it, the cosmos doesn't spin.Piper: Are you telling me that when our Leo and Chris stepped in there,their evil selves stepped out?Gideon: Yes. It's a mirror world. Whatever happens there happens here.Phoebe: So our Leo and Chris are in their evil world.Piper: Well, we gotta go get them.Phoebe: You can't go getthem. You're not going anywhere.Paige: Besides, what about those evil fellas that just came through here?Piper: We'll go get them later.Gideon: Actually, I think you should go after them now.Phoebe: Why?Gideon:Because for every second that they're in our world, they risk throwing off the balance by doing something evil.[Scene: Golden Gate Bridge. Evil Chris drinks some beer as Evil Leo stands by.]Evil Leo: You ever seeanything so good?Evil Chris: It's disgusting. Can you believe all the liquor stores are closed in the mornings here? What's up with that?Evil Leo: Didn't stop you from kicking down the door to get in. (Evil Chris nods.)Why didn't you orb in?Evil Chris: What's the fun in that?(He takes another drink. Evil Leo chuckles. Evil Chris drops the beer bottle.)Evil Leo: Strange. Everything seems the same, but kinda different, you know? It'scleaner, it's happier, it's more civilized.(A car crash is heard.)Evil Chris: Now that's what I'm talking about.Evil Leo: This place makes me sick. I gotta get out of here.Evil Chris: Gives you an idea of what kind of awful,saccharine future I came from, why I had to come back and change it so bad.Evil Leo: And I'll always be proud of you for that. You saved Wyatt from turning good. You gave us a second chance. The least I could do isget you back to your future, back to evil.Evil Chris: Thanks, dad.Evil Leo: First we gotta get back to our world, though. We're gonna need the Power of Three to do that.Evil Chris: Well, we can't trust those Pollyannawitches. They're too good. God, who do I have to kill so we can get out of here?Evil Leo: I think I might know somebody, somebody we can use to force the sisters to help us.[Scene: Manor. Attic. Phoebe is scryingwhile Paige gets the crystals.]Phoebe: I don't understand. If they're just like our Leo and Chris, then why do we need a crystal cage to trap them?Paige: So they don't try to kill us again, for one thing.Phoebe: Yeah, Idon't think they were trying to kill us. I think that they were just surprised, like we were.Paige: Yeah, well, I am not taking any chances. Hey, did you get any hits yet?Phoebe: No, nothing. They must not be doinganything evil.Paige: Yeah, well, if Gideon's right, it's just a matter of time. (In British accent) Besides, we wouldn't want the cosmos to stop spinning, would we?Phoebe: It's so weird to think that there are evil twins ofus out there doing the exact same things as we are right now.Paige: I can't think about that. It hurts my brain.(The crystal drops on the map.)Phoebe: Oh! I got them.[Scene: Alleyway. Evil Chris smashes the garbagelid over Darryl, being held by Evil Leo. Darryl's already beaten up. He falls down. Evil Chris tosses the lid aside.]Darryl: What the hell's wrong with you? I'm a cop.Evil Leo: Pretty wimpy-looking one too, if you askme.Evil Chris: Nothing like our Darryl. I think that's the cheapest suit I've ever seen. What's the matter, huh? Girls not paying you enough?Darryl: Paying me? What has gotten into you?(Evil Chris grabs him by thecollar.)Evil Chris: Let's just say I don't like you coming at me in either world. (He throws him across the alley.) This almost isn't any fun.(Darryl point a gun at them.)Darryl: I don't care if you are under some kind ofspell. Come any closer, I'll shoot. I swear.Evil Chris: Gun. (The gun black orbs out of his hands and into Evil Chris' hand. He laughs.) Now this is fun.(He points the gun at Darryl.)Evil Leo: Not yet. We still need him forleverage. He's no good to us dead. Not yet, anyway.(He hands Evil Leo the gun. Paige and Phoebe orb in behind Evil Leo and Evil Chris. Paige puts two crystals down.)Darryl: See? This is the crazy-ass kind of stuff thatmakes me not wanna have anything to do with you people.(Paige orbs out.)Evil Chris: Who are you talking to?Phoebe: Us.(They turn around. Phoebe kicks the gun out of Evil Leo's hands.)Evil Leo: That's not gonna stopus.(Paige orbs in behind them.)Phoebe: No, butPaige: This will.(Paige puts the crystals down, activating the cage.)Evil Leo: Son of a bitch.(He powers up an energy ball. He throws it. It bounces of the cage and theyduck.)Paige: Nice firepower, Leo. I didn't know you had it in you.Phoebe: Don't go anywhere.(Phoebe and Paige go to help Darryl. He gets up.)Darryl: Stay away from me.Phoebe: Darryl, let us take you to Gideon. Hecan heal you.Darryl: No! Stay away!Paige: Darryl, please.Darryl: I said no! Damn it! Leave me alone. I don't wanna have anything to do with you people anymore. Don't you understand?(He leaves.)Phoebe: Well, Idon't think that helped our cause any.[Scene: Gideon's study. Gideon and Evil Gideon are playing chess at the mirror.]Gideon: My Charmed Ones will be joining you soon. Are you certain you can keepEvil Gideon: Mineaway? Absolutely, I told them to wait at the manor for the good Leo and Chris to come to them. I'm taking your knight.(Black knight moves over and smashes the White knight into pieces.)Gideon: I knew you'd do that.So the next move, of course, isEvil Gideon: Piper. Once she's in labor, we'll have a clear shot at the boy.Gideon: If we impress upon her the extent of the danger her sisters are inEvil Gideon: It will expeditematters.Gideon: But everything has to happen quickly. We're tinkering here with the grand design, risking its tenuous stabilityEvil Gideon: By creating an imbalance of power on one side. I know. But it's a far greater"}
+{"doc_id":"doc_224","qid":"","text":"(In a very odd dungeon-like room,the boys watch on a monitor as some scruffy cutie jerksoff in separate area of the very odd dungeon-like room.)Ted: Internet Access, $38.00. Adult p0rn sitemembership,$29.95.Michael: Watching men jerk off in the comfort of your ownhome? Priceless.Brian: m*st*rb*t* the possibilities.Michael: All you're showing is a twink beating his meat.Ted: And you're pointbeing?Michael: Well there must be 8 dizillean gay p0rn site.Em: I personally had think about 7 dizillian p0rn site.Michael: What makes you're any different?Ted: Oh Ye of little faith. OK, imagine you're at you'redesk andwork for even Worthshafter and you're working onyou're calculations. It's do it 5, but you're alreadydone. Let's be honest, you give a sh1t aboutcalculations.Em: Who's calculations?Ted: So, you're log on for a littleafternoon delight.But suddently Mr.Workshafter bargins in and shot,\"Where is that file?\" [he push \"F10\"]And voila.Brian: A non-cubicle dweller, that's really slick.Michael: Ultimate in safe s*x.Ted: JerkAtWork.net! Forguys who don't only work...atwork.Em: I say he need something.. bigger.Brian: He looks like he's doin' alright to me.Ted: Bigger, huh? OK, Robby it's time for you're break.[Robbie huffs. Robbie puffs. And Robbie blowshis wad allover himself. The Boys are impressed.]Michael: Holy cumshot!Ted: Don't forget, you're back in ten minutes!Michael: He can come again in ten minutes?Ted: With withness by the jizzball. Proving thatthehandjob is quicker than the eye.Brian: Yeah, well leave it to you to figure out how tofake an orgasm.[Cut to the Comic Book Store thatMichael brough, where Emmett and Vic are helping Mikeclean up andorganize.]Vic: The Squid?Michael: Uh, Issue and Year?Vic: Issue 21, 19...Michael: ...67. Right wall, row three.Em: You know, I think they should be classified by thesuperhero's fashion sense. Superheroes withtaste,superheroes that clash --Vic: Let's hope they never let you near the Library ofCongress.Michael: How did Buzzy run this place? Nothin' catalogueand inventory not existing. There is no in caps andwindow display.This place is a f*cking mess.[Debbie comes in with drinks for all.]Debbie: Yeah and I would have killed him when there's notbe a pleade either.Michael: What was I'm thinking to buy this place?Debbie: Who the hell Iknow? Shity old story with allmusty comics.Michael: Thanks for the pepp talk, Mom.Debbie: But it's your dream, sweetheart, and that's allthat matters.[A six foot something, blue button-down shirt, bluejeans, beatenbrown leather jacket, glasses guy comes in.Sandy hair, chin cleft. Emmett gets so distracted by thatguy that he runs into Michael's chair and stubs his toe.]Michael: Em, what are you looking?Em: At him. This glasses. Ijust love the boyish type.Vic: There's so much to learn between the covers.Em: So, what do you think?Vic: Mike?[He eats some food.]Michael: Huh?Vic: Gay or nay?Em: Mmmh, the jacket and the shoes, the classicstuff. Isay straight.Michael: Sandman, Batman, Superman. If he picks up anX-Men, I say he's gay.Vic: I've go with Michael. Comic sense over fashionsense.[The man goes to Debbie.]Man: Excuse me, I'm looking forWonder Woman.Deb: You found her! Just kidding. You're looking for myson. He's the owner. Michael! You're got a customer!Michael: Hi, can I help you?Man: Yeah, yeah, I'm hope so. I'm looking for somecomicbooks.Michael: Good thing you didn't go next door, or you wouldhave gotten Lebanese takeout. Anything particularly?Man: Yes, actually. I'm looking for works based on theirnarrative, their graphics, culturalreferences,subtextual points of view, that one might regard as --Michael: Gay?[Behind them, Emmett accidentally rings the counterbell.]Man: Right. Right.Michael: Um, well let me see you're choices here. Can Imakesome suggestions?Man: Please.Michael: You may try Alpha Flight No. 106, whereNorthstar takes in a boy with AIDS or a highly recommandX-Force No. 56, where Rictor and Shadowstar are describedas being 'morethan friends.' There is one destiny you'relooking at.Man: Good.Vic: That's amazing how much Michael knows.Debbie: What can I say? My kid is a genius![Art School. Dean Ryerson looksat some examples of Justin'slatest works. Posters ofexploding heads, exploding cars, dismembered stuff, inharsh black, white, and red.]Dean: These drawings are, uh, very disturbing.Justin: That supposed to be.Dean: A quite different with thework you submitted whenwe accepted you.Justin: Well, I don't see things the same way.Dean: Professor Stanly tells me, you're using a computer.Justin: It's the only way I can work.Dean: We're expect our studentsare master thetraditional disciplines.Justin: Sometimes the traditional disciplines can be ahandicap, too. And as much as I'm not loose my hand, Ithough I can never be an artist again. But instead, thishas taught menew ways to be an artist -- ways that Inever would have thought of, otherwise.[Debbies kitchen. Debbie asksJustin. Everyone is in there. Around the table.]Debbie: So, what they say?Justin: All my application wasapproved. He said I canstay.[Everyone claps, cheers, and/or gets in line tohug/kiss.]Brian: What's with all the kissing? Are you trying toturn him straight?[He kisses Justin with deep passion.]Debbie: Oh, sh1t, they'regoing to do it right here.Vic: I'll get my camera.Mel: Better you go in a room.Michael: Save it for Ted's website.Ted: Yeah, if you didn't mind a few bucks.Brian: Don't put any ideas in his head.Vic: Or mine.Mel: Maybewe could do it. Help pay for the wedding.Whaddaya think, Teddy?Ted: Sure thing, Mel. Just draw yourself in a 9 inchcock...Lindsay: Can we just talk other than s*x? For just a fewminutes?[They look at each other.Anyone? No?]Em: If the twink jerks off for more than eight hours,does he get overtime?[Justin gets up to clear the dishes.]Debbie: Don't you buzz here, honey! You aren't in thediner. Sit down.Justin: Okay. Nevermind. Brian would you grab one?Brian: That?[He reaches to his croatch.]Justin: At the plate, please.Brian: Yes, dear.Debbie: Holy crap, they're like f*cking newlyweds!Mel: I'll never thought I would live to seethis.Lindsay: I think it's wonderful.Ted: Yeah. Ten bucks says they don't last a month.Vic: I give it three weeks.Michael: Call me romantic. Five.Em: I'll raise at ten and say... two.Mel: God, you're all pussies!Seventy-two hours![Lindsay sees shocked to Mel.]Ted: Deb?Debbie: I don't put a price on people's happiness.Considering all they've been through, I'd think thattheir friends would vote for the house, instead ofagainstit.Ted: That's a good point. So, Linds, you're in or out?Lindsay: We have to go.Deb: Wait a minute. We have dessert.Lindsay: We must be home at nine. Mel!Mel: Sorry.Debbie: I made a pie![In front of the house. MelandLinds are all alone.]Mel: Linds? You're ok?Lindsay: I'm fine.Mel: Cramps?Lindsay: No!Mel: You're crankier than Gus when he needs a nap.Lindsay: I just need to get out of this all.Mel: I know Teddy's tchotchkes canyou drive you crazy,too.Lindsay: This isn't about tchotchkes. This is about theconstant stream of sexual innuendo all evening. Andfrankly I didn't find a remorial at Ted's website atleast been amusing.Mel: But I wasn'tserious! When did you become such aprude?Lindsay: I'm not a prude! OK, maybe I am. A little.Mel: A little.Lindsay: I don't understand people spreading their legsfor the whole world to see! The idea of anyone Iknowbeing a part of it really bothers me. C'mon.[Mel rubs her hand thoughtfully over her chin.][The Comic Book Store. The guyfrom yesterday's back.]Michael: Back so soon? And don't tell me you want throughallthose comics I gave you already.Man: Yeah, well, I'm pretty fast. I mean, I read quickly.I don't waste a time. Life's too short. Who knows whatcould happen tomorrow -- or even five minutes from now?Michael: Uh,that's true. Is anything else I can help youwith?Man: Uh, yeah, I hope so. I should explain. My name isBen... Ben Bruckner.Michael: Michael. Novotny.Ben: I teach Gay Studies at Carnegie Mellon.Michael: I knew it!Ben:You knew what?Michael: With all that talk about cultural references, Iknew you had to be...uh, a professor.Ben: Oh, okay, anywhere we're exploring Homoerotic in thecultural from greek to... roman up to and includingcomiccultural, modern comic book cultur, so I'll do a littleresearch.Michael: Research, right. Got it. Let me see if I foundsomething else for you.Ben: Actually I already found what I want.Michael: Yeah?Ben: You.Michael:Me?Ben: Yeah, I'd like to come and speak to me class.Michael: [laughs] About what?Ben: Well, when it comes to comics you're obviously theexpert, so...Michael: I wouldn't say that. It's some known about sinceI werea kid.Ben: No, no, it's differently more than knowing. When youtalk about them, you have a passion. So, whaddaya say?Will you come?[All of a sudden, Mike's face fades into a comic bookpanel, and a little balloon popsup over his head, whichsays, \"Oh, Ben, take me away with you!\" Mikebounces back to reality.]Michael: Um, I'd love to come.[Grocery store. Brian stands atthe opposite end of a vegetable display from anotherguy.Brian picks up a zucchini. The other guy picks up alarger one. Brian's like, okay, and picks up an evenlarger zucchini. The other guy picks one up that's evenlarger than that. Brian picks up the biggest one ofall.]Justin: Check it out. There got a second box of pennewith a coupon.Brian: You clip coupons?!Justin: Yeah. Until I save money.Brian: I didn't know you were so tight.Justin: [see the other man] Sure you did.Brian:Why you didn't take these two boxes of penne backand get one box of rigatoni. f*ck the fifty cents. Andbuy some Crisco, even if it's not on sale!Man#1: [to another] See that guy? That's Brian Kinney. Heused to be thehottest stud on Liberty Avenue. Now? He'sin a relationship.[JerkAtWork.net. Ted's going overthe books while Robbie looks over his shoulder.]Robbie: Did you include my expenses?Ted: What is you're expenses?Robbie:Body care lotion. Is was 8,50.Ted: You have a receive? [Robbie looking in his pocket.]Yeah, it's okay. I'll take you're word for it. OK,percentage of total subribers and you're time online atto you're base. Come to a grandtotal of... 18.72$.Robbie: Are you telling me I spend 8 hours wacking offfor 18 dollars?Ted: A lot of people do it for free, you know.Robbie: Yeah, but you said I gonna make like 500 $ a day.Ted: That was based on thethird-quarter projectedearnings.Robbie: OK, what about this quarter?Ted: You know, when you commit to a fledgling enterprise,it's not about the money; it's about investing in thefuture and nurturing growth.Robbie:You know you can tell that to my dick, Ted.Because it's worn to a nub!Ted: Well, I know a good physical therapist.Robbie: Is that covered by the company health plan?Ted: Company health plan?Robbie: What about the401k you was offered, too.Ted: OK, we need to discuss that.Robbie: You know, I know when somebody is jerking mearound. I quit.Ted: But you're walking out a golden opportunity here.We're around the grand floor ofit, creating of indever.[he slams the door behind him.][Justin and Daphne walk back tothe loft, sharing a joint. In public.]Daphne: My roommates, never pick up the clothes or makethe bed or ups wash the dish!Justin:We have a cleaning lady that comes by twice aweek.Daphne: I have to wait for hot water when I get to thebathroom. And when I got in there there's not hot waterleft.Justin: We're shower together to savewater.Daphne: They're play the music to loud I can hear myselfthink.Justin: That sounds awful.Daphne: Yeah, it's wonderful.Justin: I'm glad to living with Brian.Daphne: Yeah, but don't get to comfortable. Youdon'tknow how long it lasts.Justin: Mmmh, that's what everbody says but he's changed.Like today. There is a really cute guy with the goatieand leather jacket at the shopping sale. Normally wewould left me in thecheckout line. This time there evenleft.Daphne: Sounds like you check him out, too.Justin: I'm on my sexual peak. From here on in it is alldone here.[And Justin's so high, he almost passes the building.Daphne andJustin giggle all the way up to the loft andthrough the door, and Justin picks up a green apple offthe floor. They're still giggling when they find Brianhaving s*x with Zucchini Man on the sofa. Then thegiggling stops.Justin tries to plaster an acceptingsmile on his face, but his eyes aren't having it.][Liberty Diner. At the counter,Ted's working on his books, Mike's working on hislecture, and Emmett in the middle.]Em: I told you so. Itried to warn you. Didn't I try towarn him? Did I said or didn't I said something? But youwon't listen.Ted: If I don't come up with something quick I'm gonnaloose my condo, my car, my ass.Em: You are not listening. Imight as well be aninvisible man. Or worse, a mime.Michael: He said I should start my speech with a joke.How about this one? How can you tell if a superhero isgay? His boots match his purse.Em: [laughs] Soundsfunny.Ted: Not funny.Michael: It stinks.Em: OK, is no one going to acknowledge my presence?Ted and Michael: Can you pass the creme?[Emmett deliberately passes the cream to Ted and the jamto Mike. Mike and Tedlook up and snort.]Ted: He never listens.[Debbie walks up with the coffee pot. About her T-Shirt\"If you think my attitude stinks, you should smellmy fingers.\"]Deb: Okay, get 'em up, boys! The coffee cups, that is.[Brianshows up, kisses Mike on the cheek, grabs Emmettfirmly by the shoulders.]Brian: Good morning, Deb. A flop, two, sinkers, and somesuds.Ted: Flop, sinker. My life is a breakfast combo.Deb: Two eggs, a donut, andcoffee for \"Mr.Wonderful.\" Someone got lucky last night.[Mike starts to read his speech from a set of blue indexcards, which he holds up really close to his face.]Michael: Homoerotism in comic books. The male formisbeing worshiped from Mickeangelo to Captain Astro.Brian: [to Deb] What's he doin'?Deb: What's he doin'? Michael's given a lecture atCarnegie goddamn Mellon. That's what he's doin'!Brian: I'm impressed, Mikey.Next you'll be receivingyour honorary doctorate.Michael: I don't think so. Especially when the closestI've come to higher education is when I f*cked thattextbook salesman from Cleveland.Ted: Well according mycalculation I've got just enoughmoney left for my funeral.Em: Don't ask me to deliver the eulogy. No one wouldlisten.Brian: Deb! My breakfast!Deb: Workin' on it![Justin pouts on over with Brian's donut.]Brian: Goodmorning, Sunshine.Justin: Can I get you something else?Brian: Uh, yeah. Come and think about it.[Brian tries to inhale Justin's face. Justin pulls away.]Justin: I've be late for class.[Mikesenses that something's up.Mike catches up with Justin outside.]Michael: Hey, you're mother teachin' to crossin' thegreen? What did he do now?Justin: Nothing!Michael: Cut the sh1t! I know that face. That's the'Brian Kinney just f*cked me'face.Justin: Yeah, except it wasn't me he was f*cking. It wassome other guy. At home on the f*cking couch!Michael: Another hurricane off the coast of Florida,another earthquake in Peru -- so what else is new?Justin: Iguess, I just though that now we're together...Michael: ...this things will be different. Brian is nevergonna change. You know that.Justin: Then why I am there?Michael: Maybe because you got bashed in the head and hefeels guilty? [Justin runs away.] Sorry, I didn't mean for the sound like that! Sorry.[SCENE_BREAK][Zee Gym. Shots of men doing bicep curls on a bench, one after another.]Ted: Eight thousand down the drain...ninethousand down the drain...Em: Stop fredding, Teddy. I have a plan.Ted: At this point, I am so desperate that I actuallystop what I'm doing, turn to you with a plaintiveexpression, and ask, 'You do?'Em: Of course! Afteryou lose everything you have in theworld, you move in with Michael and me. We have aninflatable mattress and a spare key.Ted: Ten thousand down the drain...eleven thousand downthe drain.[Emmett sees ZackO'Tool across the room.]Em: OK, I have another idea.Ted: Does it involve begging at an off-ramp or sleepingin a cardboard box?Em: No, no. Actually it involves...[Ted's looking at Zack.]Ted: Zack O'Tool.Em:Remember how I told you that you needed somethingbigger? Maybe now you'll listen.[Emmettand Ted trot over to join the crowd of men surroundingthe massive p0rn star. Emmett pushes his way through.]Em: Zack,so good to see you again.Ted: Did you really expect a p0rn star of his magnet toremember you?Em: Well, maybe he'll remember this.[He opens up his mouth really wide.]Zack: Oh, yeah. You were the guy who wassupposed to blowme.Ted: Yeah and I'm the guy who paid you to do it.Em: So, what brings you to town?Zack: Workin' on my new film. It's a football epic.\"Backsides in Motion\". Jerk it off.Em: Well, I love anything withshoulder pads. So...Zack: I got to go.[TheSteam Room. Naked men wander around, dick shots abound,etc. Ted and Emmett peer around the corner to stare atO'Tool.]Em: Didn't I tell you that he was even bigger inperson?It's huge.Ted: It's gargantuan.Em: It's just what you need. He need what everbody needs.C'mon.[They sit down on either side of Zack.]Em: Hey Zack.Ted: Hay Zack.Zack: Now what?Em: Well, my friend hasthis live website...Zack: I'm not interested.Em: Oh well, since you have a legend of fans...Zack: Not interested.Ted: What better to plug your new picture?Zack: Whacking off on the web is for amateurs, boys.Em: Wegive you a thousand bucks, and a limousine,champagne and, uh, you're own personal fluffer.Ted: [whispers] What did you saying? That will cost me afortune.Em: Would you rather lose one?Ted: So, Zack, how wouldyou like to share your memberwith our members?[Brian drives Mike to CarnegieMellon in his jeep.]Michael: Sexy, perfect body, aloof, desirable, yetunattainable.Brian: Okay, that's enough about me.Michael: I wasrefering about Silver Surfer. This speechis for sh1t.Brian: Why did you agree?Michael: The professor is very cute.Brian: Really?Michael: Oh, you can put that idea right out of you'remind, mister. I saw him first. Besidesyou're living withsomeone.Brian: He's living with me.Michael: Whatever. Either way, you're all comfy and cozy.Except when you're f*cking other guys.Brian: Who I f*ck is out of you're business or his.[When they pull upto the school, Mike panics.]Brian: Get out.Michael: What the f*ck is the matter with you?Brian: This is it.Michael: This is a really damn idea. C'mon, let's go outof here.Brian: Don't be pathetic. You made a commitment,nowyou're gonna go through with it.Michael: Like you know about making commitment.Brian: This why I never do.Michael: What if I make fool about myself?Brian: Who gives a sh1t -- it's f*cking college! Now, goshowthe frat boys what real men are made of, and get mesome phone numbers while you're at it. Bye![On hisway to class, Mike tries not to be intimidated by hissurroundings. Following behind him are three students,one ofwhom is reading the title of Mike's lecture.]Student#1: Homoeroticism Themes and Imagery as Depictedin the Graphic Novel.Student#2: You mean a comic book.Student#1: I can just picture the big essay questiononthe final: compare and contrast Michel Foucault withBatman and Robin!Student#2: [laughs] How can you compare homoeroticimagery in comic books with Gide and Genet?Student#3: Proust or Wilde?Student#1:Baldwin or Williams?Student#2: Who's giving this lecture anyway? Spiderman?Student#3: There is this guy who rent a comic book store.Student#1: Well, he should be a real brain trust.[Everyone laughs derisively asthey walk in the door tothe lecture hall. Mike's pretty much frozen at theentrance.][Mel and Lindsay's House.Lindsay's on the couch, eating cookies and rippingpictures out of bridal magazines. Melanie comes homefromwork. Lindsay gives her a big hug and kiss.]Lindsay: So, what do you think? Sexy, timeless.Mel: Gee, you want wearing wedding dresses?Lindsay: What else?Mel: Well, we could always wear strap-ons, andgetmarried on Ted's website.Lindsay: I don't think that's funny. How could a nice,intelligent person do something like that? C'mon let's gothose magazines together.Mel: Alright.[Melanie leaves the room for a secondand returns with abig cardboard box.]Lindsay: What do you doing?Mel: After I came out, in fact I was in college my dadcut my off. He told me that he never want to see meagain. And I figured that I had to find a way tosupportmyself. But you know how Jewish parents are. 'Forever'turned out to be three weeks. By then I made up enough topay for the rest of the year's tuition and the next.[Mel come out with the Oui magazine. That'sa magazine offemale pornography.]Mel: It's not exactly modern bride.[Lindsay takes the issue Mel offers her and thumbsthrough it cautiously. And there Melanie is, buck naked,tummy sucked in, back arched, and lipspursed, fingersintwined in a string of pearls.]Lindsay: Oh my god! Oh my god! Oh my god, Mel![The dungeon.]Ted: 503 people already logged on to see Zack O'Tool.Em: Is that good?Ted: Do the math. 29.95 times 503"}
+{"doc_id":"doc_225","qid":"","text":"[PREVIOUSLY_ON]Freya: If this prophecy is fulfilled, you will all fall... One by friend, one by foe, and one by family. I suspect Niklaus is with your sister. Wherever you go, Aurora follows. I knew you would find me.Hello, my sweet love. I'm here for the same reason Lucien and Tristan are, to protect my sire. I need to know... Where in the hell is Rebekah?Rebekah: I will use the advantages this body has while I search for a way tobring back Kol, and then who knows?Marcel: My guys stayed on Tristan's trail, followed him to a secret storehouse, and you'll never guess who just bought that storehouse. One Lucien Castle. They've been workingtogether the whole time. In the wrong hands, this stuff could destroy the city. Property of Nola PD. Evidence in a murder case. From the forensics from tonight's crime scene, only prints on the victim are yours. CamiO'Connell, you're under arrest.Aurora: In the moments before you asked me to flee with you, I saw your brother. He's lied to us all. And yet I love him. You must only see him as the wretched monster that he truly is.What you did to Aurora, to me. You set my course! You want a fight, so be it.[SCENE_BREAK]Aurora: What are you doing over there? Come closer.Klaus: I think it's best you remain out of arm's reach.(Sighs)Aurora: SoI take it you've heard about the busy day everyone's had. Let me take away that scowl. I'll tell you everything I know.[SCENE_BREAK](Church bells ringing)Rebekah: I told you this was better than exchanging stuffy,old letters.Freya: Well, a drink with my sister beats sire line drama any day.Rebekah: Lucien's always been a pain in the ass, though he pails compared to that stuck-up twit Tristan.Freya: Oh, and don't forget about TheStrix. There's more of them in the quarter every day. I may yet join you here in the flesh.Rebekah: Well, I would love the company, but I might not be here much longer. I have a meeting with a Santeria witch who mayknow the key to bringing back Kol.Freya: We may unite the family after all.Rebekah: Now tell me, how are you managing with them?Freya: Oh, Niklaus and Elijah are on intermittent speaking terms, which I've decidedto consider progress.Rebekah: Just wait, luv. The weather will change. Now I am off to a witch rendez-vous.Freya: Stay safe.Rebekah: Here's to family, every bloody one of us.Rebekah: A warning, sir. If you're lookingfor trouble, you might want to think twice.Aya: That's the problem with a witch's body. You can't put up much of a fight when the real monsters come out.[SCENE_BREAK](Footsteps)Elijah: Aagh!(Thump)Freya: May Iask what happened?Klaus: We had a little chat about the past.Elijah: I politely informed Niklaus that I'm not his enemy, and though they entered the city under the guise of peace, Tristan and Lucien in truth are alliedagainst us, a fact that required a little bit of gentle persuasion.Klaus: And so I reminded our brother who angered them in the first place.Freya: And after all of this civil discourse, what understanding did you cometo?Elijah: That we expose and destroy our first sired.Klaus: Couldn't agree with you more. You see, gentlemen know when it's time to call a truce and turn our fury in a more pertinent direction.[SCENE_BREAK]Will:Come on. For someone always giving me an earful, that was a very quite ride.Cami: What do you want me to say, detective? Well done! The streets of New Orleans are safe.Will: What I'd love to hear is a confession. Itwould make my job easier.Cami: I am not a serial killer, and while you're wasting time with me, the real murderer is still out there.Will: Well, if I'm missing something, show me. Prove to me you're the victim, and I willprotect you.Lucien: Ah, ah, ah, ah. A cold-blooded killer? Camille, what a shocking turn of the cards!Cami: (Gasps) Ahh.Will: You should rest. We've got a big day ahead of us.Lucien: There we are.[SCENE_BREAK]Hey,Davina. It's me. I, um... I'm running a little late. I should be there soon. On second thought, I'll be a little longer.(Clattering)You're not very good at tailing, are you? My talents lie elsewhere. Ah! Unh!Aah!(Groans)(Chokes)(Growls)Agh![SCENE_BREAK]Elijah: Ah, yes. Drinking with Rebekah. Always an adventure.(Grunts)Freya: You seem more annoyed than usual.Elijah: It's Aurora. Her influence frightens me, andyet our hideously deluded brother seems to believe that she might be the key to ending this wretched prophecy.Freya: If she's aligned with her brother, what chance does Nik have?Elijah: None. Still, Niklaus believesthat she can be swayed, although his perspective of family loyalty is schizophrenic at best.Freya: Well, I don't get why Lucien and Tristan are working together. Aren't their sire lines direct enemies?Elijah: Well, a mutuallack of goodwill toward our family might not be entirely unjustified. Hatred's a hell of a thing, Freya.Freya: Why? All you did was sire them. They don't seem to be complaining. Elijah... What exactly did you do?Elijah: Icompelled Lucien to believe that he was Niklaus, Aurora to believe that she was Rebekah, and Tristan myself... After I'd sired him of course. This had been a period of mayhem for us. It was the 11th century, father washunting us mercilessly, so I compelled them, and then I told them to run.Freya: You made them bait.Elijah: Not the kindest thing I ever did, if I'm perfectly Frank with you, Freya. So while we found respite in thesleepy, yet charming vineyards of Tuscany, father hunted the decoy Mikaelson children to the far reaches of Europe for the better part of a century. Then we were inconveniently daggered. The compulsion was broken,here we are. How's the head?Freya: Spinning. I don't think it's the hangover.Elijah: Freya, something you must understand about this family. Under threat, we take action, for better or worse, whatever it takes toprotect our own.Freya: So you're telling me their days are numbered.Elijah: If indeed they're working against us, yes, without question. Perhaps a little hair of the dog might be more effective, wouldn't you say? What isit?Freya: Something's wrong. We need to call Rebekah now.[SCENE_BREAK](Jazz playing)Aurora: What a lovely necklace. That emerald would really flatter my eyes, don't you think?Woman: I think my necklace wouldflatter your eyes.Aurora: Thank you. You shouldn't have.Klaus: Will you be taking candy from a toddler next?Aurora: If I should happen to be in the mood for something sweet.Klaus: Come with me. And don't worry. Ipromise I won't bite.Aurora: So am I to receive a stern talking to for my poor behavior?Klaus: On the contrary. I've cleared my calendar for the day. I want to show you my city.Aurora: Is this your attempt to discernwhose side I'm on.Klaus: I'd love to know whose side you're on, but it would be rude of me to ask such blunt discourse from so beautiful a woman without first buying her lunch. Wouldn't you agree?Aurora: Well, it doesseem like most men have lost their manners these days. That shall be lovely.Klaus: Heh.[SCENE_BREAK](Moans)Lucien: I took the liberty of removing your handcuffs... Unless you're the type that likes to be restrained.Please take it. Consider it an apology for the rough start to our day. I see no reason we cannot begin anew.Cami: I only drink with friends, and, unless this isn't abundantly clear, I don't like you.Lucien: Fair enough.Later on, I Hope you'll remember this all could have gone so much easier. Detective Kinney, come on in and start cutting up the mirepoix.Cami: You compelled him?Kinney: What the hell is going on?Lucien: Why don'tyou focus on the cutting? We don't want you to lose any fingers while we talk. Did you know that Will's mother's side is full of chefs? He's going to make us his grandmother's Grillades and Grits I took the liberty oftexting your nosey friend Vincent on your behalf. After leaving police care without incident, he believes you have a date with \"the real housewives\" at home in your PJs.Cami: What the hell kind of point are you trying tomake?Lucien: Detective, do me a favor. Throw your blade at her pretty face.Cami: Ohh!Lucien: Now that I have your attention, my point is simple. I'm looking for a particular dark object, a small bronze medallion withrunic markings. Since you're on vervain, I'm going to ask nicely that you help me find it. Should you refuse, the parlor tricks will get increasingly less fun. Carry on. There's a girl.[SCENE_BREAK]Elijah: She's still notanswering.Freya: Touve mon se kavo. Touve mon se kavo. There's nothing to connect to. She's gone.Elijah: What do you mean she's gone?Freya: I can't find her, which means her witch body, her connection to magic,it's as if it just vanished.[SCENE_BREAK]Rebekah: (Gasps) Bloody hell.Rebekah: Not only did you slit my throat, you stole my bloody phone.(Footsteps)Aya: Hello, Rebekah.Rebekah: Aya, of course. Elijah's littleprotege. Let me guess. You were tasked with finding my Original body, you couldn't do your job, so you did this to my other one to lure me out. Clever but ill-advised. You see, I needed that body, and now you owe mea hell of a lot more than an apology.Aya: I don't owe you anything. I'm here to claim the unattended Mikaelson. I only had chains enough for one of you.Rebekah: Heh. Is that all you brought?Aya: I met your specialfriend... Marcel Gerard. It's been amusing getting to know him. Maybe I'll send him one of your heads as a souvenir.Rebekah: Enough with the idle chit-chat. Are you gonna throw the first punch or what?Aya: Respectmy elders. You first.[SCENE_BREAK]Lucien: Mmm. I find the Cajun cuisine almost as delicious as their people. Well done, William.Kinney: Not like I had a choice.Lucien: Hmm.Kinney: The moment I do, I'm gonna usethis knife, I'm gonna stab you in the heart.Cami: You couldn't if you tried. You've been compelled to do everything he says. It's like hypnosis. Vampires use it against humans to do their bidding.Kinney: We're using the\"V\" word now? Great. Might as well embrace the insanity. What else you gonna force us to do?Lucien: Well, Camille here consumes vervain, so I can't force her to do anything, but in exchange for preventing futurebloodshed, I'd ask that you find me that pretty, little medallion.Cami: Like I've told you, I have cataloged everything. What you're looking for is not here.Lucien: It's there. Just hidden, built into something else. Findit!Cami: And then what? Some shiny ornament helps you get your revenge on Klaus? Don't tell me this is all because he stole your girl.Lucien: He did a lot more than steal my girl, Camille. He stole 100 years of my life.Now that gives me a thought. Loss is a great motivator. Slice open your arcuate artery.Cami: No!Kinney: Ugh!Lucien: Ooh. That's a nasty wound. He'll bleed out if that's not treated. Tick-tock,Camille.[SCENE_BREAK]Aurora: Mmm. That was delicious.Klaus: I aim to please.Aurora: No. Darling, you aim to suck me dry of information, but you fed me well, so I suppose I owe you a favor. What would you like toknow?Klaus: Well, it's quite simple really. I find being in your company again wonderfully intoxicating. So my question is do you feel the same?Aurora: Nik, I am not your enemy, nor Rebekah's. After all, she's my sire,but I do hate Elijah, given what he's done to me and to you.Klaus: So you choose to ally with the brother who locked you in a prison and the stable boy who, until now, was always so far beneath you?Aurora: You know,the 3 of us spent one hundred years working together and running together, believing we were the Mikaelsons, and you knew your father. It was no easy task to avoid him, and yet we survived, and when thecompulsion ended, it was as if someone had peeled off our skin. We lost everything of who we were and what we'd become in a single moment, and even though we now knew we were little more than an elaborate redherring, Mikael was still after us, so Tristan swore he wouldn't rest until we made you pay. So the 3 of us swore a pact of vengeance. For centuries, we scoured the world looking for weapons that would kill the lot ofyou, but Lucien and Tristan never quite got over their hatred of one another.Klaus: Seems a little short-sighted. If my family dies, so do all of you.Aurora: Well, that's the beautiful mystery, isn't it? I... I think I'd likedessert. Perhaps you can take me for a walk, show me what it is you like about this strange, little city.[SCENE_BREAK]Hayley: You might remember him from that pretentious excuse for a party.Marcel: Shen Min. 800years old. According to Tristan, he was a torture consultant for genghis Khan.Hayley: I don't care if he's a gemini who likes long walks on the beach, Marcel. Why was he following me?Marcel: I don't know.Hayley: Youdon't know, or you're sworn to the code of silence.Marcel: Hey. Easy. We're on the same side here.Hayley: Then prove it.[SCENE_BREAK]Mikaelson blood tracks Mikaelson blood. I should be able to find her. I don'tunderstand. Why bring Rebekah into this? They want all 3 sires. Tristan and Lucien kept us occupied here while they hunted Rebekah. She's strong. She cannot be killed. The prophecy says otherwise. Sang bis najitttrouver. Sang bis najitt trouver. Sang bis najitt trouver. Sang bis najitt trouver.[SCENE_BREAK]Unh! You're a bit out of sorts. Been in a coffin for 6 months. I'm just getting warmed up. Besides, I think I'm in the lead,not that anyone's keeping score. I guess I should be flattered. I can't leave you alone for 5 minutes. Menedek qual suurentaa.(Necks snapping)Not bad. Now what? Run.[SCENE_BREAK]Lucien: Hasn't yet. The huntcontinues.Cami: How you holding up?Kinney: Well, I'm gushing blood into a bucket because the vampire who kidnapped us doesn't want to stain his floor, so pretty great.Cami: I got you into this mess. The least I cando is stop the bleeding.Kinney: No. Don't beat yourself up. I'm tenacious. Would have gotten into this mess with or without you.Cami: (Gasps)Kinney: I have a feeling you shouldn't come any closer. More tricks fromMr. Transylvania. This is what happened to your brother, isn't it? Your family got mixed up in the supernatural world. Someone made him do something he never would have done. No one should have to go throughthat. Listen. I... I have a sister. If I don't make it...Cami: No. We're walking out of this.Kinney: At this point, limping out of this is gonna be a challenge.Cami: I still have leverage. I'm the only one who can find whatLucien needs, so let's find it.[SCENE_BREAK]Aurora: Why would you bring me here? It's so morbid.Klaus: They call these graveyards The Cities of the Dead, elevated mausoleums meant to honor those who've passedon. It's a very human attempt to overcome fear of mortality by celebrating death. Morbid, certainly, but pure.Aurora: Oh. Pure. Like your intentions.Klaus: My intentions are quite the opposite. How about yours?Aurora:Hmm. You know... Over the long centuries, I would dream of you, my bright light in an ocean of darkness, a kindred whose despair mirrored my own and whose love brought me a joy I had not felt and have never feltsince. But if only it were real, this charming stroll through your melancholy preoccupations, but I know it's really an interrogation under the guise of pleasantries.Klaus: My desire for answers is only fair. We are on thebrink of war, but if you doubt the veracity of my feelings for you... Then our tour has one final stop.[SCENE_BREAK]Elijah: She can't stay there. Rebekah cannot fight them alone. I tried. She's of no mood to listen.Perhaps you'll have better luck.(Cell phone vibrating)Elijah: It's Marcel. Your timing's perfectly horrendous.Marcel: Yeah? Well, I need your help. Hayley caught one of Tristan's guys tailing her, knocked him out, broughthim to the gym for a little Q&A. Problem is, it's Shen Min.Elijah: Marcellus, do I need to remind you that Shen Min was know as the Red Sorrow before he was a vampire? You execute himimmediately.Elijah.(Humming)So what, you gonna sleep all day?Elijah: Before he wakes, tear that heart from his chest. Sang bis najitt trouver. Sang bis najitt trouver.Rebekah: It's good to see you, Elijah, even ifyou're not flesh and blood.Elijah: It's time to come home, Rebekah.Rebekah: No. I'm too close to bringing Kol back.Elijah: You're even closer to bringing about your own destruction.Rebekah: I'm not leaving withoutthat spell. Kol will have to wait, sister. The Strix are making their move.Rebekah: What happened?Elijah: Hayley had an encounter with Shen Min. She and Marcel are dealing with this matter accordingly.Rebekah: Whatthe hell are you doing here? Go and save them before that lunatic gets free!Elijah: Give me your word. Come home now. No detours.Rebekah: Fine, but my niece's mum and that handsome fool better be alive when Iget back.Elijah: You make certain she returns. I'll see you tonight.[SCENE_BREAK]Hayley: Hmm. About time. Now we can get started.Shen Min: Yes, we certainly can.Hayley: There's still time. If you talk, maybe I'lleven get you healed. Why were you following me?Shen Min: Because we have a use for you, or is it some other reason? You'll never know, and it won't matter because when I get free, I'm going to break your jaw asyou did mine and slowly pull your intestines out from your body.Marcel: Hey. How about we just calm down?Shen Min: And you. The others were so pleased when you joined our ranks, but I knew from the start youwere filth. You've proven it by siding against us. For that, I will end you, but not before you watch her die, screaming.Marcel: Right. Well, ok. That's about enough of that. Sorry, Hayley. Your turn's over. He's got to die.Unh!Marcel: Take him. Unh! Agh! Agh!Shen Min: How poetic. Two warriors fighting side by side dying together. Unh!(Gasping)Elijah: Are you ok?Marcel: Oh, I'm fine. Thank you for asking.Elijah: Marcellus, next time Iask you to take out the trash... Try not to dally.[SCENE_BREAK]Rebekah, we have to go. I'll get you on the first flight out.Rebekah: I can't give up now, not when the answers to bringing out brother back are just a fewstreets away. You promised Elijah.Rebekah: And what about my promise to Kol? I've already lost my witch body. I can't go home with nothing. Well, I suppose arguing with you would be a waste of already precioustime.Rebekah: See? You're fitting into this family like a glove.[SCENE_BREAK]Aurora: So is this your family home?Klaus: Please forgive the detritus. My brother and I had a slight disagreement over you, as a matter offact.Aurora: Oh! A duel in my honor. How chivalrous, but I'm afraid if this is what you wish to show me, it's...Klaus: If you want to know what's been in my heart for the past few centuries, come withme.[SCENE_BREAK]Klaus: Life is like a city, built in layers. No matter what new experiences come along, the foundation remains.(Gasps)Aurora: What is this?Klaus: 200 yeas ago, it was my art studio. It became atomb for my memory of you. I thought if I painted what haunted me I could free myself of you forever. In all my years, I have never been more wrong about anything.[SCENE_BREAK]Marcel: Between blood loss andthat bite, I'm not sure you have enough time to get answers.Elijah: Then let's make the most of it. I have questions. I want answers. Why were you following Hayley?Shen Min: I was ordered to remove her from theplaying field. She is an obstacle to the thing we truly want.Elijah: Which is what?Shen Min: Davina Claire.Elijah: What do you want with Davina Claire?Shen Min: Tristan needs her to activate a weapon to use againstyour family.Elijah: What weapon? Forgive me. I'm having a little difficulty hearing you right now. Speak.Shen Min: I'd... Rather... Die.(Daylight ring clatters)[SCENE_BREAK]Lucien: Have you found it yet? Because asfar as deadlines go, well, yours seems almost dead.Cami: You've made your point. You win, humans lose. Now let him go.Lucien: So you have found it?Cami: Maybe. I'll only show you if you heal him now.Lucien: Showme first.Cami: Heal him. It's ok. You can drink it. It will heal you. I've checked everywhere else. This is the only place it could be.Lucien: Aah! Ohh! Ohh! I can see why Nik is so fond of you. You do have spirit, but yourheart skipped a beat just before I healed your friend. I think you know exactly where my medallion is, you crafty girl. Knife to your throat, mate.Cami: No. Don't do this, please.Lucien: Are you trying to appeal to mymerciful side? I hate to tell you, darling, I don't have one.Kinney: Don't give him a damn thing!Lucien: Oh, enough! Go on. Slit your...Cami: Wait! Take it. Just take it. It's in here.Lucien: Heh. Had it all along. How aboutthat? Turns out we make quite a team.[SCENE_BREAK](Moroccan music playing)Rebekah: There it is. This has got to be it.Freya: If you were told to meet this witch here, where is she?Rebekah: Doesn't matter to meas long as I get what I need. This is it. This is the spell. It makes perfect sense. Now all we need is Kol's ashes and the blood of two siblings.Freya: Rebekah, we need to go now.(Door opens)Rebekah: Took you longenough.Mithil rata dans hofos. Mithil rata dans hofos. Mithil rata dans hofos. What the hell is going on?Aya: A fitting end to a spoiled bitch.Rebekah: (Grunts) Clearly you didn't get the hint earlier. You can't beat"}
+{"doc_id":"doc_226","qid":"","text":"\"A Boy in a Bush\"[SCENE_BREAK][Fade in: Auditorium. From a podium on stage, Dr. Brennan is giving a lecture to a large group of anthropology students. Behind her shines a slide showing a variety of what look to beskull fragments.]BRENNAN: As far back as 1938, the director of the F.B.I., J. Edgar Hoover, wrote to the then curator of the Jeffersonian Institution, Professor Daniel Payne, to aid in the evaluation of specimens whowere thought to be irrefutably human. This was the result.[She changes the slide, and a drawing of an ape appears. The students laugh.]BRENNAN: Despite this early disagreement, the F.B.I. and the Jeffersonian haveforged a mutually beneficial, if somewhat tense, relationship which survives to this day. Thank you.[The students applaud and Goodman steps to the podium.]GOODMAN: Thank you, Dr. Brennan. Are there anyquestions?[A girl in the audience raises her hand.]OS: GOODMAN: Yes?[She stands.]FEMALE STUDENT: How much money have you made from your book?BRENNAN: I don't really know. I have an accountant and anagent-GOODMAN (cutting her off): That's not really the kind of question we're looking for from an anthropology student.[A boy in the hand is called on.]OS: GOODMAN: Yes?[He stands.]MALE STUDENT: Did you getyour agent before or after you wrote the book?[Brennan moves toward the podium to answer, but Goodman speaks first.]GOODMAN: People, Dr. Brennan is an accomplished forensic anthropologist who writes books onthe side.[In the audience, Booth stands from among the students.]BOOTH: I have a question regarding role of the F.B.I. in your book: Who do you base the brilliant and insightful Special Agent Andy Listeron?GOODMAN: Oh, for God's sake.BOOTH: Because, you know, I'm pretty sure it was me.BRENNAN: What are you doing here, Booth?[Cut to: Outside the building, Brennan and Booth are walking side-by-side towardthe parking lot.]BOOTH: Local police got an anonymous call saying that there were human remains in a field behind a mall in the suburbs.BRENNAN: I did an anthropological profile of the suburb as a grad student. Thewhole notion of a created community, a modern utopia with its own mores and rules... It's fascinating.BOOTH: Fascinating to who?BRENNAN: To \"whom\".BOOTH: Whom. (He sees the shiny, silver sports car they'vewalked up to and laughs) You've got to be kidding.BRENNAN: What? My publishers gave it to me.BOOTH: Gave it to you?BRENNAN: Book sales are pretty good. It's supposed to be a nice car.BOOTH: Gave it toyou?BRENNAN: Yeah.BOOTH: Well, why'd you park crooked?BRENNAN: Well, the guy said to always park it like that.BOOTH: He's wrong. It makes you look like an idiot.BRENNAN: How about I drive for once?BOOTH:No, I cannot show up at a crime scene in that.BRENNAN: Why?BOOTH: Because it would detract from the gravity of my F.B.I. presence. Especially if you parked crooked.BRENNAN: Why is the F.B.I. involved in thesearch for human remains behind a suburban mall?[Booth pulls a paper out of his jacket and hands it to her.]BOOTH: Because this boy is missing.[The paper is a missing person flier with a picture of a young boy onit.]BRENNAN: Oh... A child.BOOTH: Yeah.[Cut to: The field behind Clayton Hills Mall. The parking lot is filled with vehicles, among them squad cars and a coroner's van. Booth, Brennan, and Zack are speaking with apolice officer.]POLICE OFFICER: Anonymous call came in a couple hours ago. No sign of him yet.BOOTH: How do you know it wasn't a prank?[The officer starts a recording of the call.]GIRL (on cassette player): Youhave to come right away! There's, like, a dead kid here, all rotted away! It's in the field behind Clayton Hills Mall. You better come!BOOTH: Well, that rings true.BRENNAN: Why anonymous?POLICE OFFICER: Kids comehere to party, misbehave.BRENNAN: Adolescents and preadolescents tend to seek out their own space to establish their own society, to counter parental influence.POLICE OFFICER: You mind if I make anobservation?BRENNAN: No, of course not.POLICE OFFICER: In your book, the cops come off as very one-dimensional. Why is that?BRENNAN: You mean two-dimensional.ZACK: One-dimensionality exists only in theoryas a mathematical value.POLICE OFFICER: Okay. Really looking forward to your next book.[He exits.]BRENNAN: Did you bring the thermal imager?ZACK: I don't think we need it.[Brennan gives him a look.]ZACK: Itmakes me look like the Great Gazoo.BRENNAN: I don't know what that means, but we definitely need it, Zack.[He sighs and walks off.][Cut to: A bit later, in the field. Zack is wearing the thermal imager, which lookslike a large orange and yellow helmet over his head. We see Booth and Brennan through his point of view, in yellows, greens, and reds based off of thermal heat.]BOOTH: How's it going there, Darth? See anything onSaturn? (off of Brennan's look) Oh, please tell me you've seen at least one Star Wars movie.BRENNAN: When I was seven, and leave Zack alone.[Back to normal view.]ZACK: Can we please hurry up? It's stuffy inhere.[They begin to walk.]ZACK: I should be able to see any heat residue released from decomposing bodies.[They happen upon a small area where there obviously used to be a fire. Some crates and various garbagesurround it.]OS: BOOTH: Party central.BRENNAN: Because suburbs are so homogeneous, adolescents tend to rebel in predictable and uniform ways. Fire, illicit substances, wayward behavior.BOOTH: Do you think thatwayward behavior would include abducting a six-year-old child?BRENNAN: It's pretty extreme. Adolescents are more likely to drink alcohol and listen to culturally inappropriate music at high volume.ZACK: I'm pickingsomething up.[From his POV, we see mostly green as he walks through grass, but then a patch of yellow, signifying some heat, appears.][Back to normal view, Zack takes the imager off of his head.]ZACK: Oh myGod.BOOTH: What? Why'd you stop?ZACK: You can turn on your flashlight. Aim it over there.[He pulls back some high grass and we see the mostly decomposed body of a young child.][SCENE_BREAK][TITLECREDITS][Fade in: The Jeffersonian Medico-Legal Lab. The child's body is laid out on a table on the raised center platform.]BRENNAN: Before proceeding with maceration, any general observations? Zack?ZACK:Epiphyseal fusion puts the age at approximately six to ten years, though the stature suggest younger.BRENNAN: Good. I concur. Cause of death?ZACK: Blunt trauma to the chest.[Brennan walks over to Angela,concerned.]BRENNAN: Are you all right?ANGELA: He's so small. That's all. Go on with your work. I'm okay.[Brennan returns to the table.]HODGINS: The remains were significantly degraded by insect and animalactivity, mostly dog and rodent. Despite the condition of the body, he's been dead between only thirty-six to forty-eight hours.BRENNAN (gesturing towards the victim's clothes): These were found a few yards from thebody. Notice that they are in perfect condition. What does that tell you?ZACK: The victim wasn't wearing them when he was killed.BRENNAN: Which suggests he was sexually assaulted.[Angela approaches the table andhands a sheet of paper to Brennan.]ANGELA: I'm done.[Brennan takes the sketch and walks to a computer screen, where the missing flier is displayed, to compare.]BRENNAN: I think we have a match. The clothingmatches. It's Charles Gregory Sanders.[Cut to: The Sanders house.]OS: BOOTH: On behalf of the F.B.I., we're extremely sorry for the loss of your son.[Cut to: Inside. Booth is talking with Charles' mother, MargaretSanders, and one of the Sanders' neighbors, Ellie Nelson.]BOOTH: And I have a few questions, I mean, only if you're up to it.[Margaret nods.]BOOTH: You have two other sons?MARGARET: Foster sons. Though I try notto make the distinction.ELLIE: Shawn and David Cook. They are brothers. I live right next door.BOOTH: Charlie was your own?MARGARET (voice breaking): Yes. Charlie was mine.BOOTH: What about Mr.Sanders?MARGARET: We divorced shortly before Charlie was even born. He works overseas.ELLIE: He doesn't even send child support.BOOTH: You mind if I ask how you afford this nice neighborhood?MARGARET: ChildServices wouldn't allow a single mother to foster if she worked. I live off the proceeds of a generous trust fund my parents set up long ago.BOOTH: And the day that Charlie disappeared - all three boys went to thepark?ELLIE: It's two blocks away. It's a very safe neighborhood. They walk farther to school.MARGARET: We all keep an eye out for each other around here. People are good neighbors, take an interest.[A door opens inthe background.]OS: SKYLER: Mom?MARGARET: In here, Skyler.[Skyler Nelson enters with Shawn and David Cook.]ELLIE: This is my son, Skyler.SKYLER: Dad told me to bring the boys back. We gotta go on ajob.DAVID: There's nothing to do here.SHAWN: Our video game's broke.MARGARET: Shawn, David, this is Agent Booth. He's gonna find out what happened to Charlie.DAVID: How're you gonna figure it out?BOOTH:Oh, I'm in the F.B.I. We always figure it out. Boys, I mean, if it's alright with your mother, maybe I could help you out with your video game.[Margaret nods, and the boys head off with Booth following behindthem.][Cut to: Brennan's office. All the squints are gathered there.]GOODMAN: These are invitations to a banquet.[He hands an envelope to Brennan.]BRENNAN: You called a special meeting to invite us to aparty?GOODMAN: Don't this of it as an invitation, consider it a summons. It's for donors.[He moves to Hodgins, who stands.]HODGINS: Meet and greet, press the flesh, butt kiss...GOODMAN: I don't like it any morethan you do, but these people fund our research, and all they want in return is to rub elbows with a scientist every once in awhile.[He walks toward Angela.]HODGINS: I can't make it.BRENNAN: Yeah, meneither.ANGELA: I have a date that night.GOODMAN (handing her an invitation): You don't even know when it is.[Zack raises his hand.]GOODMAN (passing him an envelope as well): Yes, Mr. Addy?ZACK: What kind offood will there be?GOODMAN: When I said you should think of this invitation as a summons, I understated. It's a subpoena. A grand-jury subpoena. Ignore it at your own peril.BRENNAN: You're not gonna fire us if wedon't go.GOODMAN: No, not fire you, but I can move your parking spot to Lot M. Enjoy the shuttle ride.ZACK: The shuttle smells like feet.BRENNAN: I know when I'm beat. I'm in.ANGELA: What the hell, it's aparty.ZACK: Do I have to wear a tie?GOODMAN: Formal wear. I've arranged for a limo to pick us up here.HODGINS: Not me. I'm not afraid of parking or feet.ZACK: Wait, you drive me to work. You can't just think ofyourself.GOODMAN: Repercussions and consequences, Dr. Hodgins. I'm your boss, and you will go to this banquet.[Hodgins snaps a rubberband that's around his wrist as Goodman exits, and Angela takes notice.][Cutto: The Sanders house. Booth is helping the kids with their video game.]DAVID (as Booth puts a controller back together): Do you know what you're doing?BOOTH: Yeah. I can fix anything.DAVID: Cool.BOOTH: Youguys, uh, you guys have girlfriends?DAVID: I do.SHAWN: Her name's Leila.BOOTH: Leila. Leila.DAVID: I thought you were gonna ask us questions about Charlie.BOOTH: Yeah, so which one of you puny mortals wantsto challenge me first?SHAWN: Oh, me![They start playing, and Shawn eyes Booth a bit suspiciously.][Cut to: The Jeffersonian, Zack's office.]BRENNAN: You about to clean the bones?ZACK: Yes. I'm warming up theboiler now.BRENNAN: Something wrong?ZACK: These are the smallest remains I've ever worked on.BRENNAN: That's a valid observation, Zack, but it's not helpful to the investigation.ZACK: Sorry, Dr.Brennan.BRENNAN: I was at Waco, Branch Davidian compound. I helped identify children who had been killed in the fire. Seventeen of them.ZACK: So, you're saying I'll get used to it?BRENNAN: No, I'm saying you'llnever get used to it. We're primates. Social creatures. It's coded into our DNA to protect our young. Even from each other.ZACK: So, I'm always going to feel terrible?BRENNAN: What helps me is to pull backemotionally. Just... put your heart in a box.ZACK: I am not good with metaphor, Dr. Brennan.BRENNAN: Focus on the details.ZACK: Details. Yeah, I can do that.[They walk over to where the bones are laid out on atable.]ZACK: No trauma to the skull. No compound fractures. Charlie was not beaten to death or dismembered.BRENNAN: It helps not to refer to the victim by name.ZACK: Greenstick fractures on ribs four, five, six,and seven. And the sternum is snapped transversally from the tip to the xiphoid.BRENNAN: Okay, what does that indicate?ZACK: The victim's chest was struck by a heavy, blunt object.BRENNAN: Are you completelycertain we've learned everything we can from the body at this stage of decomposition?ZACK: I've been over everything at least three times.BRENNAN: Smell the mouth.[He does so.]BRENNAN: Anything behind thetypical smells of decomposition?ZACK: Some kind of chemical. Chloroform. Something used to render the boy unconscious.BRENNAN: Take samples from the mouth, jaw, sinuses, and... what's left of the esophagus.Kids make it harder, Zack.[She exits, and he looks down at the body for a moment.][Cut to: Outside the Sanders house, Booth exits with Shawn, David, and Margaret.]BOOTH: All right, look, you beat me bad.DAVID:No wonder you don't have a girlfriend.MARGARET: David!BOOTH: It's okay, Mrs. Sanders. It's alright. No, I do have a girlfriend.SHAWN: Is she pretty?BOOTH: Nah, she's butt ugly. Got a glass eye, snaggly back teeth.So, was Leila with you the day that Charlie disappeared?DAVID: Uh, yeah, actually. We stopped and played some video games at the arcade.BOOTH: That must've been before you and Charlie went to thepark.MARGARET: You didn't go to the mall that day, David.[She looks at David, who looks away.]MARGARET: Shawn?DAVID: Don't ask Shawn, mom.BOOTH: You met Leila at the mall, didn't you? You left Charlie withShawn at the park.DAVID: Well, just for a few minutes, and then they came back to the mall.MARGARET: David!DAVID: Shawn let go of his hand for a second, Charlie was gone like that![Across the street, Skyler andhis father load up a truck to go off on an extermination job.]DAVID: And then we came straight home.BOOTH: Charlie wasn't taken from the park, he was snatched from the mall. We've been looking in the wrongplace.OS: MR. NELSON: Come on, son. Let's go.[Cut to: Jeffersonian lab. Hodgins places the victim's jawbone into a plastic box and replaces the lid. Angela approaches.]ANGELA: What's with the rubberband?HODGINS: Methyl oxide vapor in this chamber will bind to whatever compound Charlie breathed in before he was killed.[Angela reaches over and snaps the rubber band.]HODGINS: Ouch!ANGELA: It's an angermanagement technique, right?HODGINS: The key there is management, which is what I'm doing. Managing my anger.[The box fills with vapor.]HODGINS: There'll be a color change. Red for pnictogens and chalcogens,and blue for halogens.ANGELA: I get that you're a little off-kilter. Mad at the government, conspiracy of dunces, all that. Maybe even furious that you've had to mount a little boy's jawbone inside a box to find out whatkilled him. What I don't get is why going to a banquet makes you angry.[The vapor starts to clear, and the bone glows blue in areas.]HODGINS: Halogens it is. I'm gonna scrape off the particles and see if the massspectrometer can identify what type of halogen.ANGELA: Anger is only fear, turned inwards.[She moves to leave, but stops to snap the rubber band against his wrist one more time. He flinches, and she exits.][Cut to:Angela's office. Brennan, Angela, and Booth are looking at her computer monitor.]ANGELA: There are twenty surveillance cameras taking stills every two seconds throughout the mall, including access corridors andparking lots. I concentrated on the ones aimed at the public concourse.BOOTH: Okay, ten thousand people a day go through that mall. How are we gonna find one small kid?BRENNAN: Angela designed a massrecognition program to apply body types to skeletal remains.ANGELA: Endomorph, ectomorph, mesomorph, that sort of thing. I modified it to scan two dimensional images. In this case, we're looking for body massesroughly congruent with Charlie, Shawn, and David.[She points at the screen.]ANGELA: There's David.BOOTH: You're actually one of them.ANGELA: One of who?BOOTH: A squint. I mean, you look normal and you actnormal, but you're actually one of them.ANGELA: This whole mass recognition program was Brennan's idea. I'm completely normal. Really.BOOTH: Yeah, maybe before you got this job. But now... BRENNAN (pointing atthe screen): I see Charlie.BOOTH: Oh. That's him, all right.ANGELA (whispering): Oh, God.BRENNAN: Ange? Are you okay?ANGELA: It's just... these are probably the last pictures of this little... guy alive. Why is healone? Why isn't anybody with him? (pause) Sorry. Max resolution is X-40 by 480 pixels per square inch.BOOTH: No, wait, he's not alone. Someone's calling him over. Can't you just zoom in?[On the screen, we seeCharlie walk over to a person, who's obscured by a banner.]ANGELA: The fewer pixels that make up an image, the more the picture degrades once we zoom in on it. Did that sound too squinty?BRENNAN: Any way toenhance it?ANGELA: Well, I wouldn't bet a date with Colin Farrell on it.BRENNAN: I know him. He's funny.ANGELA: Funny is Will Ferrell, sweetie. Hot is Colin Farrell.BOOTH: Now look, wait. The kid was definitely movingtoward someone. He wasn't struggling. He wasn't trying to get away. You know, I want to add the neighborhood kid Skyler Nelson to the list of possible suspects.ANGELA: I have one other angle, but our bad guy is stillobstructed in it.[They all look at the screen.]BOOTH: Who the hell are you?[Dissolve to: Jeffersonian hallway. Angela's sitting on a bench. Brennan approaches.]BRENNAN: Are you thinking of leaving theJeffersonian?ANGELA: I'm not really this person.[Brennan sits down.]BRENNAN: What person?ANGELA: I'm not like you. I'm not driven by the need for justice and all that. I'm a good-time girl.BRENNAN: We have goodtimes.ANGELA: Cracking jokes over murdered skeletons is not good times.BRENNAN: I know it's harder on you than it is for the rest of us.ANGELA: No it's not. (pause) Why?BRENNAN: Because you look at their faces.We look at everything else. It's more clinical for us. For you - it's personal. When we see a murdered child-ANGELA: Honey I... I'm, no offense, I'm really not up for one of your 'it takes a village' anthropology lessons.This is the longest I've ever had a job. That's because of you.BRENNAN: If this is about hours, or time to do your own art, then-ANGELA: Just let me work on it, okay? I'm an artist. I used to draw naked guys. Now Idraw dead guys.BRENNAN: Just don't decide anything without talking to me.ANGELA: Of course I won't.[She leans back and sighs. Brennan leans back as well.][Cut to: Jeffersonian lab. Booth and Brennan walk downthe corridor.]BRENNAN: I'm afraid Angela might quit.BOOTH: I'm amazed she stuck it out this long.BRENNAN: Why?BOOTH: Oh, because she's human.[Brennan gives him look.]BOOTH: I'm sorry, Bones, it's just that,you know, uh... Angela didn't get the same training that the rest of you got on, uh, planet Vulcan.BRENNAN: I don't know what that means.[They enter a room where the skeleton is laid out and Zack is waiting.]BOOTH:She's more sensitive.ZACK: Who's more sensitive?BRENNAN: Angela.BOOTH: She likes puppies and kitties and ducklings, and, you know, Jell-O shots and, you know, dancing on bars.[He makes some music and dancesa little.]BRENNAN: I know that. She's my best friend. And Angela's not the only person in the world who likes baby animals.ZACK: I never got the big attraction.BOOTH: I rest my case. She's more sensitive.ZACK: Wecross-referenced the length and density of Charlie's leg bones with other children his age. The victim, I mean.[Booth stares at the skeleton for a moment, and is obviously emotionally affected by it. Zack notices.]ZACK:The thing to do is concentrate on the details.[There's a pause.]BOOTH: Let's do that.[He clears his throat.]BRENNAN: We found some abnormalities. They're bowed, and abnormally short.ZACK: Also, the victim's showfreezing of the joints at the hip and knee.BOOTH: Are you saying Charlie was crippled?BRENNAN: The victim was disabled, yes.BOOTH: His mother never mentioned that.ZACK: The ribs are broken in two places, whichis not typical of blunt-force trauma.BRENNAN: How do you explain that?ZACK: I'd attribute it to his medical condition and the corresponding brittleness of his bones.BRENNAN: I agree. What is that condition?ZACK: It"}
+{"doc_id":"doc_227","qid":"","text":"Scene 1: Fangtasia - Longshadow, Eric, Pam, Bill, Sookie, GingerLongshadow tries to strangle Sookie. Ginger is shouting.Pam: Ginger, enough.Eric: Thank you.Before Longshadow could bite Sookie, Bill kills him. Gingerscreams and vomit.Eric: Humans. Honestly, Bill, I don't know what you see in them.CreditScene 2: In the toilets of Fangtasia - SookieSookie cleans up.Scene 3: Fangtasia - Pam, Ginger, Eric, BillGinger is cleaning thefloor.Ginger: How did I end up with you people? Jesus. Mother Mary in heaven. I'm so sorry, Mama. I'm so sorry.Eric: When Ginger is finished, glamour her for me.Pam: Are you sure? She's been glamoured one toomany times already. Who knows how much of her is left.Eric: It's either that or turn her. You want her?Pam: Please, I'm not that desperate. Glamour it is.Eric: Excellent. (To Bill) Come. I'll buy you a Blood.Scene 4:Fangtasia, in Eric's office - Eric, BillEric gives a bottle of True Blood to Bill.Bill: Thank you.Eric: How do you stomach that stuff? Don't you find it metallic and vile?Bill: I don't think about it. It's sustenance, that's all. (Ericlaughs) What?Eric: If you're their poster boy, the mainstreaming movement is in very deep trouble. Tru Blood. It keeps you alive, but it will bore you to death.Bill: Let's cut to the chase, shall we?Eric: You killed avampire, Bill. For a human. What are we gonna do about this?Bill: What do you have un mind?Eric: I'll take the girl.Bill: No. You can have anyone. Why do you want her?Eric: Why do you want her? You're not in livewith her, are you?Bill: Sookie must be protected.Eric: That sounds like an edict. But it couldn't be, because I would know about that. Admit it. You love her.Bill: If I hadn't done what I did, would you have let hisdisloyalty stand?Eric: Whatever I did to Longshadow, I would not have done in front of witnesses. Especially not vampire witnesses. Not smart, Bill. Not smart at all.Scene 5: In Jason's truck - Jason, Amy, EddieJason:All I'm saying is, Lafayette didn't have to kidnap him. And I'm pretty sure he left with some V.Amy: Hey. If you wanna make the same arrangement with Eddie Lafayette's done, have at it. This is just the only thing Icould think of to get you blowing your first vampire.Jason: You done this before, haven't you?Amy: Done what?Jason: This. Kidnapping vampires. Jesus. I should have known something wasn't right the second youwalked into my life carrying that big bag of crazy. Any woman with a purse that big's bound to have something in it I don't wanna know about.Amy: Jason. Baby, you're sweet, but you've gotta mellow out.She turns theradio on.Jason: The f*ck is this hippie music?Amy: Shh.Scene 6: In the toilet of Fangtasia - Sookie, Pam, GingerSookie continues to clean up. Pam arrives and gives her clothes.Pam: Put these on.Sookie: Oh, thankyou, but I'm fine, really. I'm just gonna dry out my hair and be on my way.Pam: You're not going anywhere. Eric and your boyfriend aren't nearly done talking just yet.Sookie: Os Bill in some kind of trouble?Pam: That'sfor the boys to figure out. Right now, what you need to do is change out of your clothes. There's vampire in your cleavage.Sookie: Okay.Pam: Allow me.Pam removes the peace of vampire of Sookie's cleavage.Sookie:Thank you.Pam: I'm beginning to understand the fuss everyone's making over you.Ginger enters.Ginger: Oh, hey there, Pam. Oh, who's your new friend?Pam: Ginger, Sookie. Sookie, Ginger.Ginger: Nice to meet you,Sookie.Sookie: Right. Nice to meet you too.Ginger: Oh, you don't have to be so scared. They're really very nice here.Scene 7: At Jason's basement - Jason, Amy, EddieJason: You got him?Amy: Yeah. Tape the windowsshut. Here. Clear this out. We gotta clear all this sh1t out.Jason: Lift his legs.Amy: Ready?Jason: How's this gonna go?Amy: Tie his arm there. (She finds an oxygen masque) What?Jason: I guess I got a little paranoidafter 9/11.Amy: No, because after New York and D.C., terrorists were gonna come to Bon Temps.Jason: And I said I was paranoid.Amy: Get his feet.Eddie: What are you gonna do to me?Jason: Yeah, I was kind ofwondering that myself.Amy: We're gonna drink from him.Jason: And then what?Eddie: Yeah?Jason (to Eddie): Dude, I got this. (To Amy) What's the plan?Amy: Jason, can you please try to live in the now withme.Jason angry: I do live on the now. In fact, I've gone entire months without thinking about sh1t. But the truth is, right now, the now kind of sucks. And if we both can't admit that, then we are 100 percentf******.Amy takes some blood from Eddie.Amy (showing the blood she took): Who wants the first taste?Jason: I ain't doing it. Not like this.Eddie (whispering): Thank you.Jason: I said, stop talking to me.Amy: Comewith me, baby. Don't let your fear get in your way.Jason: Look, it ain't fear, all right? It's just... (low so that Eddie can't listen) He's looking me right in the eye. It ain't right. Look at him.Amy: Fine. I'll see you when Iget back.Jason stops her before she can swallow some blood.Jason: Wait, wait, wait. Ain't you supposed to cut it with aspirin?Amy: No, there's no risk of clotting when the V's this fresh.She swallows the blood that is inthe plug.Amy: My God.Jason: You look... really happy.Amy: Come on, baby. Come with me.She gives him the plug.Eddie (to Jason): Don't. Don't do it.Jason: I said, don't talk to me.He takes the plug and drinks the restof the blood.Scene 8: At Miss Jeanette - Miss Jeanette, TaraTara: What exactly did you do to my mama?Miss Jeanette: You were here. You saw it.Tara: Yeah, but I wanna know exactly how and why it worked. CauseI'm already taking a monster leap of faith even considering this demon crap.Miss Jeanette: Fine, then. It's like this. Your mind, your body... it's just a physical manifestation of your soul. And your soul is sick.Tara: Mysoul don't wanna get ripped off.Miss Jeanette: How's your mama doing?Tara: She's doing great. But she believes in sh1t like this. I don't.Miss Jeanette: If you don't believe, then why did you come all the way heretonight?Tara: How much it'll cost me?Miss Jeanette: Seven-ninety-nine, ninety-five.Tara (shocked): What?Miss Jeanette: Seven-ninety-nine, ninety-five. Cup of rum's on the house.Tara: Well, my mama paid less thanhalf that.Miss Jeanette: What I do takes varying amounts of energy and involves varying amounts of risk. Now, what you got inside you is much more powerful than what your mama had. Much more dangeroustoo.Tara: I'm worse than her? I once found that woman on the ground, eating her own vomit because she didn't wanna waste the alcohol she lost bringing it all up.Miss Jeanette: Think about it. But not for too long. Youcan't afford to keep pushing people away. Your loneliness is spreading to your eyes. It's becoming a part of who you are.Tara: You're one hell of a saleswoman, aren't you?Miss Jeanette: Next time you're alone, stand inthe mirror and count backwards from 10. If you can get all the way down to zero, then I'm wrong. But if you can't stand your own company for 10 seconds, how you gonna expect to do it for the rest of your life?Scene9: In front of Sookie's house - Bill, SookieSookie and Bill are walking from his car to Sookie's house.Sookie: So you're not in any trouble?Bill: A simple slap on the wrist, that's all.Sookie: You swear? Pam made it soundlike...Bill (interrupting her): Pam was turned almost a hundred years ago and yet somehow still behaves as though every day were Halloween. She's all drama and theatrics. I assure you, everything's gonna befine.They enter Sookie's house.Sookie: I'm gonna take a shower. I still feel like there's blood all over me.She turns on the light and sees blood on the wall.Bill: Don't look up.Tina is on the ventilator, dead.Sookie(shouting): Aaaaaaaaaaaaah!Scene 10: At Jason's - Jason, Amy, EddieJason and Amy are naked, kissing, under V.Amy: Wait, wait, wait. First, we have to thank the vampire for the gifts that he's bestowed upon us. (ToEddie) We are grateful...Eddie: F*** you.Amy: ... for your gift to us. (To Jason) Ignore him.Jason and Amy imagine their selves in a beautiful forest. They are swimming in the air, naked.Amy: Can you see it?Jason:Where are we?Amy: Nowhere. Everywhere. Together.Eddie look at them, and is crying blood.Scene 10: At Sookie's - Bill, SookieThey are on Sookie's bed.Bill: Aren't you tired?Sookie: Every time I close my eyes, I seeher face.Bill: Your cat?Sookie: Gran. But now that you mention it, Tina's in there too.Bill: You do know that I'm not gonna let anything happen to you? That I am here for you to protect you.Sookie: And what if I don'twanna need to be protected? What if wanting to be protected makes me feel like the helpless little girls I used to be all over again?Bill: Sookie. All of the things that you need to be protected from, all of the troubleyou're in, you're in because of me. So you needing to be protected has nothing to de with you or who you are. All of it is my fault. So why don't you just go to sleep and let me be the one to worry about it?Sookie: Bill,all the trouble I'm in, it's mine. I chose it. I chose it when I chose you.Bill: Yes, but...Sookie: Don't you think I wanna blame somebody else? But what I did to my Gran and now to poor Tina, it's my fault. And it's sweetof you to try to take it on for me, but if I let you, I'd be so mad at you, I'd never be able to look at you again. And right now your face is just about the only thing getting me by. So why don't you just leave it on me,okay?Bill: Very well.He kisses her.Sookie: Night, Bill.Bill: Night, Sookie.She closes her eyes and sees her Gran on the kitchen's ground, dead in her blood. She opens her eyes suddenly.Scene 11: At Jason's garden -Amy, Jason, EddieAmy is in the garden, and someone is watching her.Someone: You're a f*cking dead woman.Amy (screaming, fainting to be scared): Oh, my God!Jason jumps and laughs.Amy (smiling): Honestly, youare like a little boy.Jason: Did I scare you?He takes off the oxygen mask and put it on his head,Jason (smiling): YeahAmy: Come here, lie down. I wanna show you something.He lies down near her on a cover, nearher,Jason: What are we looking at?Amy: The trees. But we're not just looking, we're listening too.Jason: Listening to the trees?Amy: Can you hear that?Jason: It's like the leaves are talking!Amy: They'relaughing.Jason: Yeah, because they're ticklish.Amy: That's right.Jason: Amy?Amy: Yeah, baby.Jason: We still high?Amy: No, baby.Jason: Because I don't normally talk like this. Plus, I'm feeling kind of lightheadedtoo.Amy: You're talking like this because your mind is starting to open up. And you're lightheaded because you haven't eaten anything. So here. (She sits and gives him to eat) Have an almond, they're raw.He eats thealmond.Jason: Oh, my God. These crazy good.Amy: We gotta change the way you eat. Raw foods. Nothing processed. Because the cleaner the body, the cleaner the soul, the cleaner the experience.Jason: Cleaner thanlast night?Amy: Much cleaner.They kiss.Eddie (shouting from the house): Amy!Amy: He'll stop. He'll stop.Eddie (shouting): Jason!Jason stops kissing Amy.Jason: Ain't you worried somebody's gonna hear him?Amy:You live in the middle of nowhere of the middle of nowhere.Jason: Yeah, I guess but...Amy (interrupting him): He isn't a person, Jason.Jason: Did I say he was? All I'm saying is... My truck, for example. It ain't a personeither. But I still fill it with gas and give it oil from time to time.Amy: You're saying we should feed him now?Jason: Ain't he gonna die if we don't?Amy: Who cares?Jason: I just... I still think we should have a plan,that's all.Amy: I do have one.Jason: Oh, yeah?Amy: And here it is. Everything's gonna work out, because it has to.Jason: That ain't a plan.Amy: Because when I'm with you, what I feel... I've never felt that withanybody else ever before. And I'm a person that a lot of bad stuff has happened to in the past and so I deserve this. I love you. (Jason doesn't answer and drinks) Oh, my God. Oh, my God. I mean, why is it we all needto be loved but then when somebody finally says, \"I love you\", people just run scared. I love you, Jason Stackhouse, whether you like it or not. I'm not afraid to admit it.Jason: Know what? You're right. F**** it. I loveyou too.They kiss.Amy: Say it again.Jason: I love...Amy: Come on.Jason: You get it once, that's all.Scene 12: At Tara's house - Tara, Letti Mae, SamTara is in her bathroom, in front of the mirror.Tara: Ten, nine, eight,s...Letti Mae comes in.Tara (shouting): Don't you knock? What if I was doing something private?Letti Mae: I taught you that was a sin against God. If I walk in on you doing it, it's your problem.Tara: What do youwant?Letti Mae: Sam Merlotte's here to see you. You ain't sleeping with him?Tara get out of the bathroom and goes in the entrance, her mother follows her.Tara: What makes you jump to that conclusion?Letti Mae: Hebrung flowers. Men only bring flowers if they already slept with you and looking again. That especially goes for white men, as black men are less prone to grovel.Tara opens the door.Tara: What do you want, Sam?Sam:To apologize for what I said that hurt your feelings and sort things out between you and me.Letti Mae: That's a load. It's s*x he wants.Tara: Mama.Tara goes out.Sam: She drinking again?Tara: No. That's her,stone-cold sober. Look, you should go.Sam: Why?Tara: Because I'm just too f*****-up for this.Sam: You're not even the most f*****-up person in this house, much less this town.Tara: What do you think this isbetween us? We were clear from the beginning it was just gonna be us f******.Sam: It's too late for that.Tara: What are you, a masochist?Sam: No, not at all. But I've spent my life running away from people orpinning my hopes on somebody I can't have. I'm done with that. Like it or not, you've reminded me that I'm a social animal. I'd rather deal with your f*****-up sh1t than be alone.Tara: Here's some f*****-up sh1t foryou. Do you know that right now I have myself thinking I have a demon inside me? The only way to get it out is have some lady who lives in a bus in a swamp perform 800$ exorcism on me that there's no way in hell Ican afford?Sam: Waw.Tara: Yeah. So go ahead. Now tell me you still want something more with me.Sam: Not if it's gonna be like this. But I'd like it if we could...Tara: Well, we can't, all right? Look, just go, okay? Getout of here and save us both a lot of misery.Sam: All right, I'll see you at work.She goes back home and he throws the flowers on the ground.Scene 13: At Merlotte's - Amy, Arlene, SamAmy is looking at Arlene'sring.Amy: Oh, my God, it's beautiful.Arlene: I know, right?Amy: So you guys having an engagement party or what?They are at the bar now.Arlene (loud enough so that Sam could hear them): We'd like to, but I don'tknow where we'd throw it. You know, our place isn't big enough.Sam: You could have it here, if you like.Arlene: Oh, thanks. But I wouldn't wanna put you out.Sam: You wouldn't be. It'd be like any night, except I'dclose the place to the public for you and your dearest.Arlene: Oh, wow, Sam, that would be amazing. Except I was thinking could we do it in the warehouse next door? Or even outside? Because if we did it in here, it'dfeel like work, you know?Sam: You were thinking, huh? About the party I only just now offered to throw for you?Arlene: You are a spectacular man, Sam Merlotte.Sam: And you are one hell of a conniving suck-up whenyou need to be. I'll cover the catering and the band. The alcohol and all the other incidentals are on you and Rene.Arlene: Got it. And I may be conniving but I still mean it. You are gonna make some woman extremelyhappy one day.Sam: Maybe someday I'll meet a woman willing to take that chance with me.Sookie arrives, furious.Sam: Morning, Sookie.Sookie: Ain't nothing good about this morning.Scene 14: On the road, atJason's job - Jason, Lafayette, Rene, HoytJason is eating on his truck, listening to the trees.Hoyt and Lafayette are on another truck, eating.Lafayette: \"Secret Sauce\"? Who you f****** kidding? Since when is it right tocall mayonnaise a f****** secret?Hoyt: I don't know. I kind of like it, though.Lafayette: You can like it all you want to. It's still mayonnaise.Jason (shouting to Rene): What are you thinking?Rene: Thinking f*cking rootsshould learn where to grow.Jason removes his helmet.Jason: What?Rene begins to dig the root with the chain saw.Jason: What? Rene. What? (He jumps from his truck and run to stop Rene) Hey! Hey! Rene!Jason makeRene fall.Rene (shouting): The f***, man?Hoyt and Lafayette run to them.Hoyt (shouting): Shut it down.Rene: Get the f*** off me.Lafayette pushes back Jason.Lafayette (to Jason): What the f*** is wrong with you?You got a screw to loose?Rene (shouting): You could've killed me.Jason: I'm sorry, I know, but it ain't just some root growing out of nowhere. It's connected to that tree. Everything we see, man, it's all connected.Rene:The f*** you talking about? You some kind of treehugger now? You gonna kill your buddy to save a tree?Lafayette (to Rene): Chill, son.Rene (shouting): I could give a f*** if you're sorry. I'm about to get married.There are people that count on me.Lafayette (to Rene): Okay, come on, let's get you cleaned up.Rene and Lafayette go.Jason: S***.Hoyt: Hey. Is everything all right, J?Jason: t, were you on the football team?Hoyt:No.Jason (taking him by the shirt): Were you on the football team?Hoyt: No, I wasn't.Jason put him down.Jason (shouting): Then you do not call me J. you got that?Hoyt pushes him.Hoyt: Yeah. Yeah. I'm... Yeah, I'msorry.Hoyt goes.Jason: Goddamn it. Goddamn it.Scene 15: At Merlotte's - Andy, Sookie, AmySookie: What can I get for you today?Andy: Your boss around?Sookie: Tell him you're looking for him. What can I getyou?Andy: Don't know, I haven't decided yet.Sookie sit in front of him.Sookie: Then while you make up your mind how about I tell you what you can get for me? I would love whoever's killing off my family's head on aplatter. Think you could arrange that for me?Andy: I don't appreciate your tone, Miss Stackhouse.Sookie: I don't appreciate officers of the law enjoying casual lunches while there's a killer trying to hunt me. Did youknow he got into my house again last night?Andy: He did?Sookie: Yes, and he killed my cat. Cut her head off and took it with him.Andy: Jesus. How come you didn't call the station?Sookie: All the station would've doneis send you. You'd still be here acting as though you don't know what you're gonna order even though you always wind up having the cheeseburger.Amy: Hey there, detective Bellefleur, I'll take you order.Sookie: No,it's my table.Amy: I got it. Just take a break. It'll do you some good.Sookie leaves.Amy: What can I get for you?Andy: Go with the goddamn cheeseburger and fries.[SCENE_BREAK]Scene 16: Outside the Merlotte's -Amy, SookieSookie is on a bench when Amy joins her.Amy: Hey, you. Listen, you all right?Sookie: Sometimes I wish I smoked, you know? So you could sneak outside without anybody knowing something's wrong withyou.Amy: Okay. I'm really sorry about your cat.Sookie: Maybe I shouldn't have come in today.Amy: Yeah, I was gonna say, why did you?Sookie: I don't know. Maybe because lately it seems like if I called in sick everytime somebody I loved got murdered I'd never make it in for a day of work.Amy: Don't you think Sam would understand?Sookie: I guess. But if I went home, what would you do?Amy: Me? What's it got to do withme?Amy seats near Sookie.Sookie: With Arlene doing nothing but showing off her ring you'd be the only one waiting tables.Amy: Yeah, she is gonna be a handful, that one.Sookie: Can you imagine what she was likethe first time she got married? What about you? You ever been married?Amy: Is this the part where the sister asks what the girl's intentions are with her brother?Sookie: Because right now, I am all about protectingJason.Amy: He misses you, Sookie.Sookie: Right.Amy: No, he does. I mean, between your grandma passing and then what happened afterwards with you...Sookie: He told you about that?Amy: He couldn't not. Imean, he's a mess about it.Sookie: Well, you wouldn't know it.Amy: Look, I know what you must think of him. And I get why you're mad at him, I do. But he loves you. You still got people around you who love you. Andall I can hope is that maybe one day, I can be counted in among those people.Sookie: You are way too good for him. You know that, right?Amy: Of course I know that. I'm not stupid.Scene 17: At Jason's - Jason,EddieJason arrives home and turns on the tv.Tv Reverend Whitley: You can call me all the names you want, but I am confident in my position that when the day comes I meet my Maker, it is I would be allowed to passthrough the gates into the glory of eternity.Tv animator: Thank you, reverend Whitley. Miss Flanagan, would you like to turn the conversation back to the Vampire Rights Amendment?Jason: Shut up, shut up.TV NanFlanagan: After the massacre of three of our kind in Louisiana this week, I think the world should take notice of the fact that we have not retaliated. And we will not. Which leaves us with the question of exactly who is"}
+{"doc_id":"doc_228","qid":"","text":"VERONICA VOICEOVER: Previously on Veronica Mars Veronica runs to the edge of the cliff in the wake of the bus crash in 201 \"Normal Is the Watchword.\" Dick and Beaver are standing back from the edge, gazing down.Gia is standing at the edge, stunned.GIA: It just went straight off the cliff. They're all dead. Veronica finds the audio file attached to the message \"Kill incorporation or else\" on one of the little used computers in theGoodman house in 221 \"Happy Go Lucky.\"PETER: Woody's a pervert. He's sick. What he did to us is wrong. Veronica plays the audio for Keith.VERONICA: Two of the boys who died in the bus crash were on Woody'sLittle League team. Keith challenges Woody in Woody's office.KEITH: Most adults keep their hands off of other people's children. Lamb sits back at his desk, refusing to take action against Woody.KEITH: You'll be theguy who let a child-molester and a murderer get away. In the courtroom, Lamb gives Keith the bad news.LAMB: Woody's gone. He took his private plane. At the high school, Weevil talks to Veronica.WEEVIL: Mygrandmother asked me for one thing, my whole life. She wants to see me walk across that stage at graduation. A cloth-filled hand pops out from behind a vehicle, catching Thumper and covering his mouth and nose in217 \"Plan B.\"THUMPER: [offscreen] It's Weevil, I'm telling you! Weevil stands over the unconscious Thumper at the back of the vehicle and takes his drug money.THUMPER: [offscreen] He set me up! Thumper,handcuffed to a urinal at Shark Field Stadium, pleads.THUMPER: I got something on you. A cloth is stuffed in Thumper's mouth by Liam Fitzpatrick. Cut to Logan depressing the plunger to detonate the explosives tobring the stadium down. At the sound of the first explosion, Thumper realises his fate. Cut to a confessional.WEEVIL: Bless me, Father, for I have sinned. Veronica dresses in the doctor's office in 220 \"Look Who'sStalking.\"VERONICA: I've got what?DOCTOR: Chlamydia.At the front door of his house, Terrence hands Wallace a note in 221 \"Happy Go Lucky.\"TERRENCE: Jackie left for France this morning. At the alterna-prom,Logan, having poured in the booze, pours out his heart to Veronica in 220 \"Look Who's Stalking.\"LOGAN: I thought our story was epic. He moves in slowly to kiss her. Veronica panics.VERONICA: I have to go. Veronicastands at Logan's door the next morning.VERONICA: I don't want to lose you from my life. Kendall makes an entrance in her bikini in 201 \"Normal Is the Watchword.\" At Neptune High, Beaver tells Veronica about hisstepmother as they walk across the empty lunch area in 203 \"Cheatty Cheatty Bang Bang.\"BEAVER: My stepmom. She's a gold digger. Aaron has a deal for Kendall in 215 \"The Quick and the Wed.\"AARON: You'recash-strapped. I can help. But...quid pro quo, Mrs. C. Kendall takes a hair from Duncan's shower.AARON: [offscreen] Quid pro quo. Aaron stares triumphantly at Veronica in 221 \"Happy Go Lucky.\"JURY FOREMAN:[offscreen] We find the defendant not guilty. Veronica is near to tears. End previouslies.EXT - COUNTY BUILDING - DAY.There is a huge crowd outside the building that houses the courtroom. Most of the crowd aredelighted, cheering and clapping.VOICE IN THE CROWD: Aaron! There are other various shouts and the crowd, fronted by the cameras and microphones of the press, surges forward as Aaron comes out with his lawyers(except for Lavoie).VERONICA VOICEOVER: So this is how it is. The innocent suffer. The guilty go free. And truth and fiction are pretty much interchangeable. Aaron acknowledges the crowd happily.REPORTER: Mr.Echolls, how do you feel about your acquittal?AARON: I-I feel relieved to have my name cleared of this, this...horrible crime.The crowd cheers and claps anew.VERONICA VOICEOVER: There is neither a Santa Claus noran Easter Bunny, and there are no angels watching over us. Veronica and Keith are in the crowd, neither cheering nor clapping. Veronica is staring at Aaron, her arms crossed in front of her, miserable. Keith tightens hishold on her.KEITH: Hey. He gently touches her chin to turn her head away and starts to lead her out of the crowd.VERONICA VOICEOVER: Things just happen for no reason. Aaron continues to enjoy the adulation of thecrowd, holding up the victory V sign with both hands.INT - MARS INVESTIGATIONS (MI) - DAY.This image is what appears on the front page of the Neptune Register newspaper, under the heading \"Echolls Acquitted.Movie star found not guilty in teen's murder.\" Veronica slaps the paper down on her desk.VERONICA VOICEOVER: And nothing makes any sense. Veronica, sitting at her desk, stares down at the paper. Keith is standingnext to her.KEITH: We will not do this. Keith reaches over her to take the paper.KEITH: You can't let this stick in your head. He has to tug to get it out of her hands.KEITH: However wrong it turned out, it's done. We'repeople with lives, and we will not obsess. We move on. Aaron Echolls will get his justice in his own way. VERONICA: You really believe that?KEITH: Yes. Now, come on. We're running a business here.He taps her armwith the folded up newspaper.KEITH: Look alive. Keith returns to his own office. He sits down, but it too wound up himself to do anything other than pick up the paper and start to read it. Outside in the main office, thebuzz of an in-coming fax is heard. Veronica gets up to collect the fax. She reads it. In his office, Keith is agitated as he reads the paper. Veronica appears at the door and sees what he is doing.VERONICA: Whathappened to moving on? Caught in the act, Keith closes up the paper and tosses it aside.VERONICA: Posted today: Meg's dad offering twenty grand for the capture of Woody Goodman. She hands him the fax.KEITH:Well, I'm sure someone will get him. Keith glances at it before handing it back to her.VERONICA: Didn't you say something about \"we have a business to run\"? Keith nods his head, taking on an innocentdemeanour.VERONICA: Shouldn't you be out hunting him down like the dog he is?KEITH: I also said something about us being people with lives. See, I have this kid who's gonna graduate from high school. I don'twanna miss it.VERONICA: This is Woody Goodman. He blew up a bus and molested children. KEITH: Guess I'm just sentimental.INT - JAVA THE HUT - NIGHT.Wallace is at one of the small tables. There is an untouchedpiece of cake on the table, pushed away from him. In his hand is Jackie's note. Veronica, in her work gear, slides into the seat opposite him. She has a file in her hand which she sets down on the table.VERONICA: Whenthe management gives you free cake, you're supposed to eat it. I thought you were prepared for Jackie going.WALLACE: Never figured it'd go down like this.VERONICA: She left you a note?WALLACE: \"But I was afraid ifI saw you, I wouldn't be able to get on a plane. I'll always....\" Well, then it's just a bunch of private stuff.Wallace, dispirited, puts his elbow on the table and rests his face on his bunched-up fist. He looks atVeronica.WALLACE: What can you do about that?VERONICA: You could use a method time-tested by women throughout the ages.Veronica points to the cake.VERONICA: Gorge on cake. Wallace glances down at it, nottempted. Veronica spots something behind Wallace.VERONICA: I'll be right back. She picks up the file and walks towards the entrance. A boy is standing there.VERONICA: Johnny Ludden? Thanks for droppingby.JOHNNY: Sure. Free gelato just to show up? Why not.From the file in her hand, Veronica pulls out a picture. It is a blow up of the picture from Woody's wall of the eleven boy Little League team. On it, Veronica haswritten the names of the boys she has identified: Jamie Leahy, Tyson Richarsdon (sic), Johnny Ludden, Jordan Taylor, Michael Curry, Peter Ferrer, Franklin Carvahlos, Justin Mize, Robin Luddington and Marcos Oliveres.There is one boy on the far left that she has not identified. She shows Johnny the picture, her finger pointing to the boy she has identified as Johnny.VERONICA: Is this you in Woody's old team? JOHNNY: Yeah. So, do Ihave to eat here, or could I get the gelato in a carton?VERONICA: Just a few more questions first.INT - MARS RESIDENCE - NIGHT.Veronica enters the apartment, staring at the photograph. Keith is in the armchair,reading.KEITH: Hey, honey.VERONICA: Hey, Dad.Neither have glanced up, both intent on their activities. The phone rings. Veronica answers.VERONICA: Hello? VINNIE: [on the phone] Hey, Veronica Mars! Is your dadhome? Veronica grins and holds out the phone.VERONICA: You've got a call... Keith looks up curiously.VERONICA: ...from Vinnie Vanlowe. Keith makes an exaggerated \"huh\" face.INT - SHERIFF'S DEPARTMENT -NIGHT.VINNIE: So, of course you know about the bounty on this Goodman guy.KEITH: I'm aware of it, yes.VINNIE: Twenty Gs? That's big-boy money. Gonna be a lot of top guys out there for it. I had a thought. Weteam up. Mars and Vanlowe. Pool our resources. Split the cash.KEITH: Sheriff got you on video breaking into Woody's house.Vinnie beckons Keith closer and steps forward, revealing that Vinnie is in a jail cell.VINNIE:[quietly] But Johnny Law don't know what I got.KEITH: What do you got?VINNIE: All his records: tax, medical, corporate, the whole enchilada. We nail him, we split sixty-forty. I'm the sixty, by the way.KEITH:Fifty-fifty, if the stuff you got pans out and no action until after my daughter's graduation.VINNIE: I'm in jail! I deserve sixty.Keith holds up his hand and rubs his thumb and forefinger together.VINNIE: I risk my life tobring a fugitive to justice and you're giving me world's tiniest violin.KEITH: Guess I'm just heartless.VERONICA: [offscreen] He's got, like...INT - MI - DAY.Keith and Veronica are working at her desk, going through pilesand piles of papers.VERONICA: ...ten credit cards in different corporate names. We're gonna have to put a trace on all of them. Veronica picks up another file and opens it.VERONICA: And he has a pilot's license.KEITH:Seasonal allergies, bad arches...Keith flips up the paper he's reading to the sheet underneath.KEITH: ...and he had the clap. Hm. Veronica freezes.KEITH: Treated twice for Chlamydia. Didn't see that in his campaignmaterials. Veronica is uncomfortable. Keith carries on, oblivious.KEITH: Bingo. Heart arrhythmia.VERONICA: So that's our strategy? Just wait for him to drop dead?KEITH: He has to take a pill every day. There any wayyou can find out Gia Goodman's cell phone access code?VERONICA: Gia's cell?KEITH: Woody's lawyer is also an old college buddy of his. If he'd call anyone, it'd be him. If we had Gia's code and could forward her calls...VERONICA: I guarantee you she hasn't changed it from the factory default.KEITH: Then I have a plan.DREAM: INT - MARS RESIDENCE - DAY.An alarm placed on a white bedside table goes off at 6:30am. Also on thetable are some pictures, some candles, a spray bottle, a diary, and a porcelain dog (or pig). The room is bathed in pale pink light. Without opening her eyes, Veronica pulls a small pillow over her head, sighing. Sheremoves it on the sound of a knock at the door.LIANNE: Up and at 'em, honey. Lianne marches in, carrying folded clothes. The room is not Veronica's bedroom at the apartment, but in a different house. Lianne sets theclothes on top of a chest of drawers. She is grinning ear to ear.LIANNE: Can you believe the big day is finally here? Lianne exits the room. Veronica, still half asleep, is confused as she gets up. Cut to a little later.Veronica, dressed in a strapless summer dress with a petticoat frill, walks out into a smart kitchen. At the end is a breakfast table. Keith is there, in his sheriff's uniform. He watches her as she approaches thetable.KEITH: There she is. Veronica pauses a moment before taking her seat.VERONICA: The eyes are bright, the tail is bushy. Lianne puts pancakes on Keith's plate and then on Veronica's.VERONICA: Pancakes, Mom?Are you trying to give me an early jump on the freshman fifteen. Lianne laughs.LIANNE: Eat up. You think the dining halls at San Diego State are gonna feed you like this? She puts the empty plate from which sheserved the pancakes down on the kitchen counter just in time as Keith grabs her around the waist and pulls her onto his lap.KEITH: Hmm. I love pancakes.LIANNE: Well...They start to kiss. Veronica stares at them inmixed wonder and bewilderment. Keith looks over at her.KEITH: What? A comment? \"Get a room\"? You just gagged in your mouth? Lianne giggles.VERONICA: No, it's nice. Lianne pulls herself up from Keith's hold andleans forwards to feel Veronica's forehead.LIANNE: Are you okay?VERONICA: All right.Lianne laughs again and goes to the kitchen. Keith busies himself preparing his pancakes.VERONICA: So how's the sheriffbusiness?KEITH: Pretty sweet. We've got Otis sleeping it off in cell one and Lamb has to wear the Clete, the Crime-Fighting Canine costume to all the elementary schools this week.Lianne returns with a camera. She sitsdown on Keith's lap.LIANNE: Um, listen. After the ceremony, don't run off with that boy because we want to take pictures, and lots of them.VERONICA: And I can't wait.LIANNE: Okay, then you should practice. Say\"cheese.\"Lianne points the camera.GIRLS: [offscreen] Cheese! The scene shifts to...EXT - NEPTUNE HIGH SCHOOL (NHS), LUNCH AREA - DAY....a camera as it flashes. A girl takes a picture of friends as Veronica passesbehind her. She is heading for one of the tables where Logan is sitting on top of it and Duncan is sitting on its bench. Both have their graduation caps on. Duncan, and many of the students milling around them arewearing their gowns. Duncan and Logan are laughing.VERONICA: They gave me the wrong cap and gown. Logan pulls the cap off of his head and looks inside it.LOGAN: Yeah, how exactly can you tell? As Dick wandersover to join them, Veronica holds up the plastic bag containing the cap and gown she has been given.VERONICA: It's got someone else's name on it.DICK: Guess who's going commando?DUNCAN: Must we?VERONICA:Does anyone know Wallace Fennel?Veronica mispronounces \"Fennel.\"DUNCAN: I do, he's in my PE class. Awesome baller. I think he works at Sac-n-Pac.VERONICA: \"Awesome baller.\" That doesn't really help me. Canyou point him out?DICK: You didn't hear what happened to him? Sac-n-Pac got held up when he was working.Logan smiles and looks down.DICK: The robber forced him into the walk-in cooler...he gotfrostbite.DUNCAN: Yeah, dude lost three fingers.VERONICA: [horrified] Oh my god, that's awful.Duncan and Dick erupt into laughter, congratulating themselves. Logan slips off the table and walks towardsVeronica.LOGAN: Aw, sweetie, I love you. But you have to be the most gullible girl I've ever met. He kisses her.VERONICA: I'm trusting, sue me. Duncan points into the distance.DUNCAN: There he is, that's Wallace.Veronica looks behind her. Wallace, wearing glasses, is carrying another cap and gown.VERONICA: Wallace? Veronica leaves the boys to chase Wallace. Behind her, Dick is showing the next table what's underneath hisrobes, causing Logan to spin around and laugh.VERONICA: Wallace. Wallace?WALLACE: Yeah.VERONICA: I think I have your cap and gown.WALLACE: That must make you Veronica Mars?VERONICA: It does.Theyswap.WALLACE: So. Lookin' forward to gettin' out of here?VERONICA: I guess. I don't know. High school was a blast. Right?WALLACE: Oh, you're one of those.VERONICA: What's that supposed to mean?WALLACE:Nothing. Have a good life. I'm sure you will.Wallace walks away. Veronica worries over the scene for a moment but is distracted when she sees someone by the fountain and runs to her.VERONICA: Lilly!LILLY: Hey!Theyhug.VERONICA: Tell me about everything! Tell me about this new guy. Tell me about Vassar.LILLY: The guy is gone. We had a little screaming over fooling around with his ex.VERONICA: That b*st*rd.LILLY: Oh no, no.It was, um, it was me.She laughs. Veronica looks shocked.LILLY: I kinda fooled around with his ex. I mean, you'd think that guys would dig that, right? What? It's college. It's expected. You'll see.VERONICA: God, it's sogood to see you.LILLY: What is this?Lilly points behind her.LILLY: A Lilly Kane memorial fountain? Do you smell bacon?END DREAM. INT - MARS RESIDENCE - DAY.In her own room, Veronica is woken by Keith pokinghis head into her room.KEITH: Graduation day! Get up! Lots to do! I'm making breakfast. Keith belatedly knocks on the door on his way out. Having raised her head slightly, Veronica lets it fall back on the pillow.Opening credits.EXT - NEPTUNE STREETS - DAY.A man in a business suit, carrying a briefcase, strides towards and enters a building. He is being watched by Keith, parked on the other side of the street. Keith talks intohis cell.KEITH: Get ready.INT - LEE'S OFFICE - DAY.The man, Woody Goodman's lawyer Bill Lee, is met by his assistant in front of his office.ASSISTANT: Morning Mr. Lee. Gia Goodman asked you to call her on her cell.She proffers him a slip of paper.LEE: It's all right. I got the number. He goes into his office and sits down at his desk. He fits an earpiece and then dials a number from memory. It rings on the other end.LEE: Gia? BillLee.VERONICA AS GIA: [on phone] Hey, so, I'm trying to get a message to Dad...INT - MARS RESIDENCE - CONTINUING. Veronica, dressed in a black, halter-neck dress, is at her desk.VERONICA AS GIA: But he didn'tleave us a forwarding...it's just, we got a call from Dr. Hoover and I guess his heart pills are fifty mil-something this time instead of a hundred...EXT - NEPTUNE STREETS - CONTINUING.In his car, Keith is listening andmonitoring the call with some fancy tech equipment.VERONICA AS GIA: [on phone] So he has to take two. It's really important. LEE: [on phone] Got it, Gia. I'll see what I can do. You take care, honey.INT - LEE'SOFFICE - CONTINUING.Lee leans forward at his desk to dial another number.EXT - NEPTUNE STREETS - CONTINUING.In the car, Keith can listen in on the call.VOICE ON PHONE: [on phone] Quail Creek Lodge.LEE: [onphone] I need to leave a message for Mr. Underhill please.Keith places one device over another. Against the sound of a ringing phone of the call being forwarded, Keith gets a number: 775-555-0122.KEITH: Bingo. INT- NHS, GYM - DAY. The camera looks down onto the cap of a student on which is written \"Neptune High Class of 2006\" in chalk. The student walks on and the camera pulls up to reveal the room which is decorated witha large arch of green and gold balloons. Visitors are taking their seats in the stands. The students who are graduating are to sit in the middle of the auditorium, in front of a small stage set up on the opposite wall to thevisitors. Proceeding amongst the crowd is Keith and Veronica in her cap and gown. She has a large gold medallion around her neck.KEITH: After you talked to Woody's lawyer, he immediately called the number for QuailCreek Lodge, twenty miles outside of Reno. It's a stocked hunting ranch, rich businessmen shooting captive birds. VERONICA: You think Woody's there?KEITH: I checked Google Earth. Satellite photos show a landingstrip and a building big enough to hold a plane. I'm on a flight to Reno, leaving an hour after graduation.VERONICA: I don't know if I like the idea of you running around a place full of armed, drunk businessmen.KEITH:That's why I rarely go to Texas. I'll be fine. [repeats in a whisper] I'll be fine.He leans forward and kisses her.KEITH: I'll call as soon as I have him. Keith grins proudly and goes to take his seat in the stands. Veronicawatches him, and then notices Weevil escorting two small children and his grandmother to their seats. His grandmother, who, if she is Leticia Navarro, has aged considerably, is using a walker to slowly make her way tothe stands. Veronica gives a little smile as Weevil's grandmother reaches up to adjust his cap. Cut to a little later. The band plays \"Pomp and Circumstance\" throughout the ceremony and Clemmons is in the middle ofcalling the students up one by one.CLEMMONS: John Enbom. There's applause as John Enbom makes his way left to right across the stage.CLEMMONS: Wallace Fennel. The cheers are louder for Wallace. Alicia is in thestands and rises to applaud her son. Veronica puts her hands to her mouth to use as a megaphone for a big whoo-hoo, clapping strenuously. Alicia does the same (without the hands) from the stands. Veronica is stillclapping when a finger pokes her in the shoulder. Mac is sitting in the same row and they are separated by a male student. Veronica leans back so she can talk to Mac behind his back.MAC: Guess what?CLEMMONS:Stacey Fields.VERONICA: What?MAC: Beaver got us a room at the Neptune Grand for tonight.VERONICA: Oo-la-la.MAC: Any advice?VERONICA: Close your eyes and think of England?Mac is not impressed.CLEMMONS:Howard Grigsby.VERONICA: Just relax.Mac grins and returns her attention to the front. The entire row stands up and starts to make their way to the side of the stage.CLEMMONS: Hadley Klein. Veronica pauses at the"}
+{"doc_id":"doc_229","qid":"","text":"(pans clanging)Man: Wakey, wakey! Rise and shine.Man 1: Who wants to fight, huh? Come on, get up. Pathetic. You're all pathetic! Who wants to fight? How about you? Come on! Hey, you!Man: Hey, leave us alone!Getup here, come on! Pathetic! Pathetic, pathetic! Hey, hey, hey. Hey, hey, hey, where's the fire, old-timer? Hey, hey, hey, hey. Come on, man, stick around. Have ourselves a good old-fashioned bum fight. I'm talking toyou! Come on! Fight me! Huh? I said, Fi...(man sobbing)(screaming)(grunting)(breathlessly): Okay, okay.(groaning)(Taser crackling, man grunting)\u0000 NCIS: LA 6x08 \u0000 Original Air Date on November 17,2014[SCENE_BREAK]Sam: Yeah. Oh, that's good, baby.That's really good. Now, you remember the difference between obtuse and acute angles?Girl: Uh, not really. Okay, think about it, we went over this last night.Now, when something's small it's cute. So, an angle that's smaller than 90 degrees...Girl: It's acute.Sam: There you go. You're gonna ace this math quiz.Girl: Yay! All right, Daddy's got to go, I lo...Girl: Love you,Daddy. Huh? I love you.Sam: I love you, too.Girl: Bye, Daddy. All right, beautiful. Bye-bye.Girl: Bye. Wow, that's, uh... father-of-the-year material right there.Callen: You know, if you're not careful, she's gonna end upa mathlete just like her old man. Junior Math Olympian. How many times do I have to tell you that? Till it stops being funny. Which is never.Sam: Okay, laugh all you want, but that's not what makes me father of theyear, this is. You've put a GPS tracker on your daughter. We gave her a cell phone. Huh. Isn't she kind of young? The world's kind of dangerous. A cell phone lets me know where she is at all times, and she can contactme in case of emergency. You know, it's about peace of mind, simple as that. All right, you know, as long as you're not smothering her.(cell phone buzzes)I don't smother. Hey, baby, you okay? Something wrong? Hey,Daddy, can we have spaghetti for dinner tonight? You want spaghetti for dinner tonight. I want spaghetti for dinner tonight.Girl: Yeah, with meatballs.Sam: With meatballs. I'm coming over, I'm bringing Monty.Girl: Canyou do it?Sam: Okay, Daddy can do that.Sam: Daddy will get you some spaghetti and meatballs.Girl: Are you sure? Daddy can do anything, Daddy's a superhero. Thank you, Daddy, I love you!Sam: Okay, all right. Ilove you, too. Okay, bye-bye. Bye! Well, peace of mind-- spaghetti crisis averted. You know, she's just starting, uh... She just got it, she's new to it. In a couple of days, you know, she'll...(cell phone buzzes)Hmm. Sureshe's not smothering you, Super Daddy? Baby, I have... Daddy, listen-- Knock, knock. Okay, who's there? Doughnut. Doughnut who? Doughnut ask, it's a secret. Great, look... You like it? You have to go to class, andDaddy has to go back to work.Girl: I love you.Sam: I love you, too. All right, sweetheart. All right, bye-bye.Girl: Bye, Daddy. Bye. Doughnut who? What's the punch line?(whistling)Granger danger. All hands ondeck.Deeks: Come on, what's the punch line? Sam-dog, what's the punch line? Don't do this, don't leave me hanging here. What's the punch line? Doughnut ask, it's a secret. Oh.(laughs)Oh, that is... that's actuallypretty funny. That's a cute joke!Eric: Early this morning, LAPD was alerted to the body of a homeless John Doe in a North Hollywood alley. No I.D., no police record, and no fingerprints on file. Well, that rules out aMarine or Navy vet. Not exactly, Agent Hanna. The man's fingerprints are on file, (cell phone buzzes) just not in any law enforcement database. When LAPD scanned John Doe's fingerprints, it triggered a classified DoDalert.Granger: His name's Harrison Goodsell. Marine, member of the CIA Special Activities Division. Over the past two decades, he's worked dozens of classified ops. Afghanistan, Russia. Even Iran and North Korea. Thepeople who worked with Goodsell called him The Grey Man. Wait, what's... what's \"The Grey Man\"? It's a term used in special ops. A Grey Man is someone who has the skills to blend into any environment and remainunnoticed. Unknowable. Best way to avoid confrontation in hostile territory. But not 100 percent effective. M.E. reports that Goodsell was tortured before his killers finished him off. Cut his throat. You're worriedsomeone got to the secrets in Goodsell's head. Years later, that kind of Intel could put American lives at risk. We should talk to some of his friends in Special Activities. I'll handle the CIA, Agent Callen. Your team shouldfocus on the murder investigation. Sam and I'll check out the crime scene. Kensi, Deeks-- get his photo around to all the shelters, see if anybody knew him. Report all findings to me.Kensi: Sir? Do we know whyGoodsell ended up living on the street? Well, CIA reports he had a breakdown last year. Diagnosed PTSD, multiple traumatic brain injuries. You know how the story goes. Yeah, yeah. Let's get moving. All right, thanks,Eric. Keep looking. Down here. Thanks. Goodsell has no family. Parents are deceased, no kids, never married. Typical Grey Man. They don't punch out at the end of the day. It's not conducive to starting a family. Youdid. (chuckles) I'm not a Grey Man. You, on the other hand... Have a girlfriend, have a home. I'm doing just fine, thank you. You're welcome. Five years ago-- different story. I put a lot of work into you, G. Oh, so what,am I like Charlene, your, uh, car you used to restore in your spare time? I'm saying it's about having a support system, a safety net. Grey Man works without them. When he falls, he hits the ground hard. Ends up here.May I? Sure. Lot of stuff here. Not sure if any of it's gonna be helpful.Sam: Yeah. No cameras on either end of the alley. Or the adjoining streets. Perfect place for a body dump. They got a fingerprint and a downtownarea code for Civic Sushi. I'll send a copy of the print to Eric, see if it matches our Grey Man.Kensi: Civic Sushi has four-and-a-half stars on Yelp, all you can eat till noon. You realize that you just had breakfast in thecar, right? That wasn't breakfast, that was, uh... Second breakfast? Elevenses? What, bath meal? Hey, when you've gone days without eating like I have, you learn to appreciate food. I'm just saying it's kind of hard toappreciate something when you devour it. Literally, I blinked, and the burrito was gone. Welcome to Civic Sushi. Please, have a seat anywhere. We're actually not eating. We're just here to ask some questions to themanager. I'm the manager. Hideo. Great. In that case, do you recognize this man? Yes, he is a customer. A regular. He ate here? That's very charitable of you. No charity, he paid like everyone. Tipped well, too. I'msorry, the homeless man tipped you? Homeless? No, he wore a nice suit, tie. Talked on his phone, he was a businessman. Why don't you look at the picture one more time. Ah, come, I'll show you. He's in this photo Itook of DJ Salmon Run. KZPZ-- best hip-hop in town. That's him. That's Goodsell. The hell was this guy up to?Eric: Using the downtown sushi place as a starting point, we scanned traffic cams within a five block radius.And in the 72 hours leading up to his death, we spotted Goodsell four times. All within the vicinity of Grand Park.Eric: Here he is yesterday, crossing the street toward Civic Sushi for a late lunch. And here he is, one dayearlier, appearing in two different areas of Grand Park. Hmm. Back to being homeless. And finally, only six hours before that... One block away from the park. Again, in a business suit. Okay, not to be insensitive, butGranger did say that Goodsell suffered multiple traumatic brain injuries. I know guys with TBI who can't tie their shoelaces. Goodsell looks quick, purposeful. He's working an op. Question is-- for whom? This area he'scovering is full of government agencies. You got the DEA, the USCIS. There's even a federal courthouse. He could be working for a foreign agency. The sushi manager doesn't know anything about him? No, and theshelters we talked to don't recognize him, either. But maybe their clients will. I mean, homeless people don't like to talk to law enforcement, but they do talk to each other. As do the suits grabbing coffee at the park.So, maybe that's our plan. You go doll up with your casual business wear, and I'll get Artie out of the freezer. We'll make a day of it. Oh. I'm sorry, who's Artie? He named his smelly undercover jacket.Deeks: I did. It'sa funny story, actually. 'Cause when Actually, we were... it's not, it's really gross. So, let's go, get out of here. I wore that thing, it gave me a rash. That's part of its authenticity, man. Where's your dedication to the artform? You thinking what I'm thinking? I'm trying not to think about your rash.Callen: If Goodsell didn't have a breakdown, then either Granger got bad information... Or he lied to us. Where's Granger? He went out.Didn't say where. Mr. Hanna, your daughter called me twice this morning. I told her not to use your number unless it was an emergency. Oh, but it was. She said, um, Forget the spaghetti. She'd rather have lasagna fordinner. Ouch. I mean, twice the prep, not to mention the cook time, of course. All right, good. Well, the quicker we solve this case, the better. Oh, yes. The elusive Grey Man. Unfortunately, Owen has, um, revoked myaccess on this case. Why would he do that? I think you'll have to ask him. I overheard him say something about going out to have froyo with his good friend, Claude Rains. \"Claude Rains\"? Isn't that the actor fromCasablanca? Yes. And Notorious and The Invisible Man and Mr. Smith Goes to Washington. Quite a career Mr. Rains had. Hetty? Pretty sure he's dead. True. But that doesn't necessarily mean you can't have froyo withhim.[SCENE_BREAK]Oh... Just keep moving, Barnes. Just pretend we're still old friends. We were never friends, Granger. You're right. My mistake. So, this is about our Grey Man, isn't it? (grunts) I want to hear thetruth, Barnes, straight from your lying mouth. The truth? Since when is the CIA in the truth-telling business? Fine. Then we'll just pick up where we left off in Afghanistan. No weapons. No tricks. Just you andme.(grunts)Callen: Ouch!Believe it or not, you landed on Robert Ripley.(grunting)Get up. All right, hand him over. Yeah, how about we make a trade? That's not how this works. Today it is. Him for some answers. Iguess we're both in the truth-telling business now, huh, Granger? Shut up. Put your hands behind your back. Hey. Hi, sir... with the bubble wrap? Sir, I see you're very busy. I'm just wondering if you'd seen my buddy?That's him on the left. We served together in Afghanistan. And he said he was gonna be living down here. No? Okay. You... Kensilina? I'm striking out here. No one remembers Goodsell. Or they're too, uh... disturbed ortoo high to remember anything.Kensi: Hey, he left his wallet on the table and I tried the address, but he doesn't live there anymore-- do you know him? Nah. No. No? Okay, thank you. I can't... Sorry. Have any luckdown there, Kens? That would be a negative. And I'm on my third cup of coffee. I'm not sure how much my bladder can it take anymore. I could kill for a cup of coffee right now. You want to switch me? And put on thatjacket? No, thank you. I wouldn't let Artie touch me. Well, I'll have you know that you're not really Artie's type anyway. I used to be. What? What do you mean? You know, I lived on the street down here after my daddied? Um, no. No, I didn't, uh... No, I didn't know that. You're lying to me. I know Hetty told you. Hetty? No, come on. Hetty didn't tell me anything. Actually, she specifically said that she didn't tell me anything. Youcan fool everyone else, Deeks. Can't fool me. So, you want to talk about it? Not really. Like it was even me anymore. Just a... just a different person. Well, I wish I would've known her. No, you don't. Excuse me... sir,I'm looking for somebody... Uh, it's not gonna... His name's Paul Barnes, CIA. He handled Goodsell's covert ops. You think he had him killed? Why? He led the manhunt for Jack Simon in Afghanistan. The White Ghostmission. Since then, I've been keeping tabs on Barnes. So, when I learned he flew into town last night, I started looking for reasons why. Friend at the DoD tipped me off to Goodsell. And like Simon, Goodsell's a specialoperative who'd gone off the grid. But he didn't have a breakdown. No. That was just the cover story. Goodsell went AWOL last November. The CIA lost him. That's why you kept Hetty on the sidelines. Because of theway she handled Afghanistan. I was trying to protect her from another inter-agency quagmire. But as usual, she couldn't resist stirring the pot. You're too close to this. Meaning what, Agent Hanna? Meaning we'll handlethe interrogation. All right. Five minutes. There are a handful of Grey Men out there. But none of them were like Goodsell. You know, I worked with the guy for over a decade, and I couldn't tell you the first thing abouthim. No personal connection. Makes it easier to have him killed. (laughs) Nicely done. I like how you turned that around on me. The only problem is I didn't do it. Although I will admit that the world is a safer place withhim dead.Callen: All right. So, if you're not here for the hit, why are you here? Hmm? Is this a vacation? (laughs) Ha-hardly. I hate Los Angeles. I hate the people. I hate the sun. You know, I got sunburned so badly inAfghanistan that I had to be hospitalized.Sam: Okay, this is a waste of time. Let's bring Granger in. Okay, relax, relax, relax. Relax. Let's everybody take a deep breath.(exhales)The reason that I am here is becauseyesterday Goodsell contacted me through one of his old handles. You don't believe me, check my phone. You try and wipe this... I know, I know. You'll let Granger come in here and kill me. Believe me, Agent Callen. Iwouldn't give him the satisfaction. \"Need to meet tomorrow, \"Los Angeles. You help me, I'm back in.\" Goodsell may have been valuable dead. But he was much more valuable alive. I came here to bring him in. He alsosent you photos. Who are they? Uh, the women, I don't know. Although I wish I did. The men, they're from the Peña Cartel.Sam: Did Goodsell operate inside of Mexico? Mm-mm. Interact with the cartels? Never. Never.But I don't think our Grey Man died for old secrets. I think they killed him for something new.Deeks: Wow, you're, like, assaulting that burger.Kensi: You have no idea. It's so good. Yeah, wow. Go easy. Mmm. It lookspretty delicious. Why? You hungry? Yeah, I'm starving. French... Oh, you're offering...? You want me to have...? Thank you. French fry. It's still warm. Getting free french fries over here. Hey, so, I'm looking for my, uh,my buddy. We were in the war together. This is him. You haven't...? You haven't seen this guy? My buddy, have you seen...? You're not listening to me.Man: Good day, miss. Oh, that's why you're not... Good day. Youwant me to stand? Yeah, I'll stand. What do we, what do we do now? Hats off. Good day, miss. Fine weather we're having. My, don't you look lovely. You look lovely. We think you look lovely.Man: We do.Deeks: Wow,dinner and a show. Well done, old-timer. You got the world figured out here, don't you? Another french fry. Don't mind if I do. Deeks, check out the woman in the red skirt.Deeks: Uh, it's hard not to.Kensi: Calm down. Igot pictures from ops of two women who might be linked to the Peña Cartel. She's one of them. Wow, yeah. She's a hot tamale.Kensi: Oh, you've got to be kidding me. See those guys she's joining? I was checkingthem out earlier. They got badges and concealed weapons. They're DEA. Looks like Goodsell wasn't the only spy working the area.Kensi: Want to know why the Grey Man died? I say we start with her.Eric: We putGoodsell's photos through facial rec. We I.D.'d the first woman as Bonnie Flores. She has prior run-ins with LAPD for prostitution. She's currently at the Grand Park food court. Kensi and Deeks are keeping an eye onher. What about the second woman? It's, uh, not a clear shot. So nothing on facial rec so far. Any connection to the Peña Cartel?Eric: No. And since Mexico arrested Domingo Peña seven months ago, the cartel's beenrelatively quiet. Now, Peña's nickname is El Ojo, or The Eye. One, because, well, he wears an eye patch. Which, for the record, he didn't even need. Just thought it made him look tough.Nell: And two, because he haseyes everywhere in the Mexican government, aiding in his drug empire. The DEA and the U.S. Attorney's Office have been working to extradite Peña from Mexico ever since his arrest. Kensi said the woman was talkingto DEA agents and lawyers. Cartel could be trying to target someone involved in the Peña case, hoping to sabotage the extradition6 Classic honey trap. Espionage through seduction. If we warn the DEA, they mayoverreact, tip off the cartel. Same thing will happen if we try to arrest this woman in broad daylight. Yeah. We need to bring her in without disturbing the waters.[SCENE_BREAK]Hetty.Hetty: Gentlemen. I may have anidea. Oh, back in the game. Owen and I have, uh, reached an understanding. This is one cat you don't put in a bag. Meet me in wardrobe. Okay.(camera shutter clicks)Eric, I'm sending you another photo now.Deeks:All right, Kensilina, I'm ready. Ready for what? My homeless act. How am I doing? Hit me.A \"B.\"A \"B\"... All right, I'll take that. Minus. B-minus? Aw, come on!Kensi: Come on? Artie's doing all the work. You're just, uh...riding his coattails. Wow. Riding his coa... You should be ashamed for that play on words. Now there is something you don't see every day. What? Look... it's under Mexican jurisdiction. it's as simple as that. There'snothing simple about it. He will never make it to trial in Mexico.Sam: You don't know that. You want to bet? Peña will be out on bail within one week.Sam: Look, all I'm saying is it'll mean something to the people there.It's not gonna mean anything if the guy doesn't make it to trial! I'm sorry. My friend's a little stressed. My apologies.Callen: I'm not stressed. Yeah. I'm fine. I'm sorry. Stressed. Sounds like you two could use a break.Oh, you have no idea. Ooh, taking the bait.Deeks: Wow, that skirt is working. You should probably borrow that from her.(Southern accent): You'd look real nice. Finer than a new set of snow tires. Stop talking.Deeks(southern): All right. Bonnie. Hi. I'm an admin assistant in the IRS office. How you doing? Ouch. I thought we had it tough. What do you do?DEA.Keep that between us.(giggles)So are you working on somethingsecret?Kensi: You know what that is? That's A-plus undercover work. I'll give 'em that. That was smooth. Don't be jealous of those coats, Artie, just because they're new and probably don't smell like a dead buffalo.You've got character, all right? You're pretty. I like you. You are talking to your clothing. You know what? I stand corrected. You do belong down here.Sam: You know what, you're right. I do need a break. Or a drink.You free? I might have some free time. Who's buying? Uncle Sam, naturally. (giggles) I haven't done anything wrong. I kept my clothes on and no money changed hands. We're not concerned with your escort work,Bonnie. It's your tradecraft that interests us. My what? The past few months, you've targeted DEA agents, State Department officials, even a judge's clerk. You want to tell us why? Men in high-stress jobs, little freetime... they make the best clients. I work where the need is greatest. And there's a lot of need there. In here, too. You two look like you haven't had any in awhile. I think you're confusing horny with hungry. Weskipped lunch today. Tried to eat, couldn't keep anything down. Yeah. Not after looking at these. This is what's left of the women that work with the Peña Cartel. Not much, is there?Sam: Look. You can be tough,Bonnie. But tough only gets you so far. It was a normal job. I got a call about a man. A regular. But when I got there, it wasn't him. There were four of them. And they made it very clear that I couldn't say no. Whatwere your instructions? They told me who to target. Make conversation, steal documents. Tablets, cell phones... anything to do with the Peña Cartel. Did they say what they were going to use the information for?Sam:Bonnie... Do you know her? Only by her first name. What is it? Monica. She used to work the park, like me, but later she just focused on one guy.Eric: Kevin Turner. He's the federal prosecutor leading the case againstDomingo Peña. If the cartel gets to him, we can kiss extradition good-bye. Now, his office says he left the courthouse after lunch, claiming he had a family emergency.Only problem is: Turner doesn't have any family.No children, his mom died last year and his dad was never in the picture. His car is currently parked outside his home in Hollywood. (sighs) Hey, uh... Kevin, it's Hank from next door. I got some of your billsaccidentally. Hey, Kev! These, uh, these bills look important. Like overdue bills, like, \"they're gonna shut off your water\" kind of bills. Ooh. Ouch. Uh, you okay? Uh, fine. You have some of my mail? Yeah. This got putinto my mailbox by mistake. Thanks. Um... it's just the two? Just the two.Kensi (over earwig): Callen and Sam, I got a guy in the dining room. Got it.Callen: I got the second, Sam. On my mark.Deeks: So, listen, Jeanie"}
+{"doc_id":"doc_230","qid":"","text":"Scene: The comic book store.Leonard: It's from Game of Thrones. What do you think?Sheldon: I don't know. If we're going to start a fantasy sword collection, and I've long thought we should, is this really the sword tostart with?Leonard: What did you have in mind?Sheldon: Well, off the top of my head, I'd have to go with Excalibur. It gives you the right to rule England.Leonard: It would be a replica of a movie prop.Sheldon: Fairenough. It'd give you the right to rule a replica of England.Leonard: Well, they don't have an Excalibur here, so what do you want to do?Sheldon: Mm. Tough decision. There's no weaponry from Lord of the Rings, forgedin a Chinese sweatshop?Leonard: Just Bilbo Baggins' sword over there.Sheldon: Two grown men with a hobbit's dagger; wouldn't we look silly? Okay, let's go for it.Stuart: Oh, I see you guys have found my littletreasure.Leonard: Yeah. It's okay, I guess.Sheldon: Okay? It's magnificent.Leonard: Buh-buh-buh-buh! What do you want for it?Stuart: Oh, it's hard to put a price on something that's a copy of something that was onpay cable. But for my friends, let's say 250?Leonard: Oh, that's pretty steep.Stuart: Well, it's a limited edition. They only made 8,000 of these bad boys.Sheldon: Only 8,000? We're wasting precious time. Buyit.Leonard: Hang on. Can you do any better?Stuart: Are you kidding? I'm already giving you the friends and family discount.Sheldon: Oh, did you hear that? We're getting the friends and family discount. We arehonoured and we will take it.Leonard: Slow down. Two hundred.Sheldon: What are you doing? Two fifty is already the discounted price.Leonard: Will you shut up?Stuart: Tell you what, I'll go two thirty-five.Leonard:Nope. Maybe another time.Stuart: Okay, two twenty five, my final offer.Sheldon: Take it, take it.Leonard: Two hundred.Stuart: Man, you're killing me!Sheldon: Killing you? I can't breathe.Stuart: Two ten, and I'mlosing money.Sheldon: Oh, now, we can't let him lose money, Leonard. I'm so sorry.Leonard: Two ten and you throw in the Iron Man helmet.Stuart: Are you crazy? That helmet's signed by Robert Downey Jr.Leonard:So?Stuart: Okay, if you're going to question the importance of an actor's signature on a plastic helmet from a movie based on a comic book, then all of our lives have no meaning!Leonard: Okay, fine. Just the sword,two ten.Stuart: Thank you. I can eat meat this week.Leonard: See that? I just saved us forty bucks.Sheldon: I've long said, what you lack in academic knowledge you make up for in street smarts.Stuart: You want meto wrap it?Leonard: No, it's okay. I'm gonna stab my friend in the chest.Wil Wheaton (entering): Hey, Stuart.Stuart: Ah, hey, Wil.Sheldon: Hello, Wil Wheaton.Wil: Hi, Sheldon. Nice sword.Sheldon: It's part of my swordcollection. Do you have a sword collection?Wil: No.Sheldon: I'm not surprised.Stuart: Here's the Batman 612 with the Jim Lee alternate cover that you wanted.Wil: Awesome. What do I owe you?Stuart: Forty bucks.Wil:Good deal.Sheldon: Sucker. Didn't even ask for the friends and family discount.Wil: Hey, I'm having a party at my house on Friday, and I was hoping you would stop by.Stuart: Will there be girls there?Wil: Yeah, ofcourse.Stuart: 'Cause there wasn't last time.Wil: There will be girls. You guys are invited if you want to come by.Leonard: Thank you.Wil: All right, great. Later.Sheldon: I see what you're doing. You accept an invitationto a party at the home of my sworn enemy, he tells everyone we're going to be there, and when we don't show, he looks the fool. Fiendishly clever.Leonard: I was actually thinking about going.Sheldon: And thendeclaring the party a fiasco and storming out, leaving him humiliated in front of his guests. Love it.Leonard: No, I was gonna grab Raj and Howard and have a good time.Stuart: Oh, great, more guys. It's gonna beanother Wil Wheaton sausage-fest. Credits sequence.Scene: The apartment.Leonard: Sheldon, can you grab me a water?Sheldon: Possibly.Leonard: Can you or can't you?Sheldon: It's not that simple, Leonard.Leonard:It never is, is it?Sheldon: At this moment, our relationship exists in two mutually contradictory states. Until you either do not go or go to Wil Wheaton's party, you are simultaneously my friend and not my friend. I'mcharacterizing this phenomenon as Schrodinger's Friendship.Leonard: Got it. Can I have my water?Sheldon: Of course. Now get it yourself, you traitor.Penny: Wait, what is going on?Sheldon: In case you haveforgotten, Schrodinger's cat is a thought experiment...Penny: No, no, no, no, I didn't forget. Um, there's this cat in a box and until you open it, it's either dead or alive or both. Although, back in Nebraska, our cat gotstuck in my brother's camp trunk, and we did not need to open it to know there was all kinds of dead cat in there.Amy: Homespun stories, knowledge of physics and a bosom that defies it. You're the whole package,aren't you?Howard (arriving): Sorry I'm late. Uh, I got great news. NASA picked my team's design for the deep field space telescope that's going on the International Space Station this spring.All: Wow.Bernadette:Howie, that's wonderful! Congratulations!Howard: It gets better. Someone has to go up with the telescope as a payload specialist, and guess who that someone is.Sheldon: Mohammed Lee.Howard: Who's MohammedLee?Sheldon: Mohammed is the most common first name in the world, Lee, the most common surname. As I didn't know the answer, I thought that gave me a mathematical edge.Howard: It's me, Sheldon. It's me. I'mgoing up in space! Technically, I'm an astronaut.All: Wow, that's amazing!Bernadette: Hang on a second. NASA doesn't have a shuttle any more. How are you going to get up there?Howard: Oh, well, it's really cool. Youfly to Moscow, they take you out to Kazakhstan, and then you get into a Russian Soyuz rocket which shoots you into a low earth orbit. Or just sits there on the launch pad because the Kazakhi mafia sold the rocket fuelon the black market.Bernadette: Are those Russian rockets safe?Howard: Well, I mean, safe as it can be when it was built by the good folks who brought you Chernobyl.Leonard: I'd like to propose a toast. The dream togo up into space is one we all share, and Howard's making that a reality. We're all very proud of you.All: Cheers.Sheldon: That was a lovely toast. Kudos.Leonard: Thank you.Sheldon: Simultaneously, a festival ofcloying clichés. You sicken me.Scene: Bernadette's car.Howard: You're really quiet. Is everything okay?Bernadette: Fine. Just a little tired.Howard: I hope not too tired, because I'm feeling particularly masculine rightnow. All systems go, if you catch my drift.Bernadette: I always catch your drift.Howard: All right, well, something's obviously bugging you. What is it?Bernadette: I just can't believe you signed up for the space programwithout even talking to me.Howard: Oh, I get it. You're worried about me. That is so sweet. You know, there's a saying we have at NASA. What makes the right stuff so right is that it always comes home.Bernadette:Just stop talking, Howard.Howard: This isn't the reaction I expected when I told you I was gonna be an astronaut.Bernadette: What did you think was going to happen?Howard: Honestly? s*x.Bernadette:Howard.Howard: Do you realize what a big deal this is? What an honour it is to be chosen to go into space?Bernadette: Yeah, I get it. I just wish you included me in the decision. We're supposed to be partners. We'resupposed to be a team.Howard: I'm sorry. You're right. Okay, let's try this again. Bernadette, an opportunity has come up that impacts both of us, and I'd like to discuss it.Bernadette: Okay.Howard: I've been offered achance to go up to the International Space Station for three weeks. What are your thoughts on that?Bernadette: Well, first of all, thank you for including me in the decision-making process.Howard: Hey, we're a team.So, what do you think?Bernadette: No.Howard: No?Bernadette: No.Howard: Well why not?Bernadette: Howard, my father was a police officer. We never knew from one night to the next if he was going to come homealive. It was horrible. And I don't want to live that way with you.Howard: Hey, my father abandoned me and my mother when I was 11. We never saw him again.Bernadette: Oh, boo-hoo, you're not going tospace!Scene: The apartment.Leonard: Pretty cool about Howard, huh?Sheldon: Don't talk to me as if nothing's happened between us. And yes, it sure is, buddy.Leonard: For God's sake, will you stop with theSchrodinger stuff.Sheldon: Would you prefer a simpler application of Heisenberg's uncertainty principle, in which I could either know where you are or whether I like you, but not both?Leonard: You never stop talking,do you?Amy: I don't understand. What differences does it make if Leonard goes to Wil Wheaton's party?Penny: Wil Wheaton is Sheldon's mortal enemy.Amy: Mortal enemy?Penny: Mm-hmm.Amy: Sheldon, I knowyou're a bit of a left-handed monkey wrench, but, you really have a mortal enemy?Sheldon: In fact, I have 61 of them. Would you like to see the list?Penny: Oh, say no, say no, say no, say no.Sheldon: You just got offthe list. Would you like back on it? This'll just take a moment. It's on a five and a quarter inch floppy.Amy: A floppy disk?Sheldon: Well, I started the list when I was nine.Amy: How did Wil Wheaton get on the list?All:Oh! Oh, God!Sheldon: As a child, I loved Wesley Crusher, Wil Wheaton's character on Star Trek. So, I drove for hours by bus to a Star Trek convention at which Wil Wheaton was scheduled to appear, so that I could getmy Wesley Crusher action figure signed. But he never showed, because apparently, it was cooler for him to be the lower-left corner on Hollywood Squares. Oh, damn! The floppy failed. Well, whoever was in charge ofquality control at the Verbatim Corporation in 1989, congratulations, you just made the list.[SCENE_BREAK]Scene: Howard's bedroom.Bernadette: Howard?Howard: Change your mind about s*x? I'm still mad, but I'lldo it.Bernadette: No, I've just been thinking. It doesn't matter if I'm afraid for your safety. I don't want to be the person who stands between you and your dreams.Howard: Really?Bernadette: Really. If going intospace means that much to you, I will never say another word about it.Howard: Thank you.Bernadette: I love you.Howard: I love you, too. So, s*x now?Bernadette: Okay. I just forgot to brush my teeth. I'll be rightback. (Exits)Mrs Wolowitz (off): Over my dead body my son goes into outer space!Bernadette: I'm ready.Scene: The cafeteria.Leonard: Wait, let me see if I got this right. You actually asked Bernadette to leave yourhouse in the middle of the night?Howard: What choice did I have? She went behind my back and turned my own mother against me.Raj: Wow. You're not only our first astronaut. You're also the first one of us to kick agirl out of bed. You're like a rock star.Howard: Little bit.Leonard: I hate to say it, but she did kind of betray you.Sheldon: Interesting. You see betrayal in others, but not yourself.Leonard: Going to Wheaton's party isnot betraying you.Sheldon: Oh, of course you would have to believe that. Evil always thinks it's doing right. Excuse me, Stormtrooper. These are the droids you're looking for.Leonard: I'm going to a party. I'm notturning R2-D2 and C-3PO over to the empire!Sheldon: Not yet.Raj: So, what's gonna happen next? Are you and Bernadette going to break up?Howard: I don't know. If we're going to get back together, she's going tohave to apologize and accept that I'm a grown man who can make his own decisions.Raj: Then she's going to have to convince your mother to let you go into space.Howard: Obviously.Scene: Penny'sapartment.Bernadette: I had no choice. I had to tell his mother. He can't go to space. He's like a baby bird. Do you know he once got an asthma attack from reading an old library book?Amy: You're kidding.Penny: No, Iwas there that day. Sheldon threw his back out handing him that book.Bernadette: I don't know what I'm going to do. I don't want to break up over this.Penny: Okay, why don't you just tell him you made amistake?Bernadette: Do you guys think it was a mistake? Am I the bad guy in this?Amy: It's not for us to judge. We're just here to provide comfort and support while you come to grips with what a despicable thingyou've done.Bernadette: Oh, God, you're right. I took our love and threw it under his bus-sized mother. I need to apologize.Penny: Well, that, that's good. I'm glad you came to that. But before you do, let me just askyou a big picture question.Bernadette: What?Penny: Are you a hundred percent positive you love and want to marry Howard Wolowitz?Bernadette: I do, with all my heart.Penny: Got it. Just had to check.Amy: He'sgreat.Scene: The apartment.Leonard: All right, Sheldon, we're going to Wil's. This is your last chance.Sheldon: No, Leonard, this is your last chance. One day, a historian is going to come to you and say, is it true youwere friends with Dr. Sheldon Cooper? And you're going to have to choke back a hot sob of regret and humiliation as you mumble, I was, but I chose to go to a party thrown by the one kid from Stand By Me that no oneremembers.Leonard: You want to drive?Raj: Sure.Leonard: Hey, Sheldon?Sheldon: Oh, good. You picked me, you picked me.Leonard: No, I just got a text from Stuart. Brent Spiner is at the party.Sheldon: BrentSpiner?Leonard: Yes.Sheldon: I don't care.Leonard: Really? Brent Spiner, Mr. Data himself. You love him.Sheldon: I did, but I think I've kind of outgrown Star Trek. You know, stock characters, ludicrous plots, beam meup. What a load of hooey.Leonard: I'm going. Live long and prosper, Sheldon.Sheldon: Yeah, even that. You look like a dork.Scene: Howard's bedroom.Mrs Wolowitz (off): Howard, Bernadette's here!Howard: Tell herI'm not home!Mrs Wolowitz (off): What kind of a schmuck play is that? She can hear you shouting!Bernadette: Can we talk?Howard: You can. I have nothing to say.Bernadette: All right. I just wanted to tell you I'msorry I said something to your mother.Howard: I was gonna tell her eventually, but you went behind my back.Bernadette: I know. I'm sorry. I got scared.Howard: If you're gonna love me, you're gonna have to love thewhole package, the tenderhearted poet and the crazy daredevil.Bernadette: I know.Howard: Well, don't say it if you're not gonna mean it, 'cause I'm not just gonna stop with the space station. Yeah, I want to go to theMoon, I want to go to Mars. I want to take a one-man sub to the lowest depths of the ocean.Bernadette: Really? You got seasick on Pirates of the Caribbean.Howard: Well, those big kids were rocking it.Bernadette: Ijust did what I did because I love you so much, and the thought of losing you is more than I can handle.Howard: Really?Bernadette: You're my soul mate. This is where you kiss me.Howard: Right, right.Mrs Wolowitz(off): Make up all you want! Your tuchus is not leaving this planet!Scene: Wil Wheaton's party.Raj: Hey, you know that beautiful actress who plays the Borg Queen in First Contact?Leonard: Yeah.Raj: Well, I just mether gynaecologist!Leonard: What are you doing here?Sheldon: Fighting for our friendship. As peculiar and annoying as you can be, you're still my little buddy. I'm not going to let that end here tonight. Now put downthat drink, let's meet Brent Spiner and go home.Wil: Hey, Sheldon, I'm so glad you made it. I found something I think you might like.Sheldon: What I'd like is for him to have a more depressing home. This is quitelovely.Wil: This is for you.Sheldon: An original mint-in-package Wesley Crusher action figure.Wil: I remembered your story about the time you went to a convention when you were a kid to get one signed, and I didn'tshow up.Wil: Look at what I wrote.Sheldon: To Sheldon, sorry this took so long. Your friend, Wil Wheaton.Wil: It's my last one. I want you to have it.Sheldon: Look, everyone. Wil Wheaton is my friend!Brent Spiner:Oh, wow. I haven't seen one of these in years. (Rips open action figure packaging) Remember how we used to make these things look like they were m*st*rb*t*ng?Sheldon: Brent Spiner, what have you done? Thatwas an original mint-in-package Wesley Crusher action figure signed by my close personal friend, Wil Wheaton.Brent: Sorry, Slim. I've got some Mr. Data dolls in the trunk of my car. You want me to sign one foryou?Sheldon: You've already signed something, Brent Spiner. Your name on my list. From this moment on, you are my mortal enemy.Wil: Don't worry. It doesn't take up a whole lot of your time.Sheldon: Come on,buddy. Let's not waste another second on this loser. Love your house.Leonard: Can we get autographed dolls?Brent: Sure. Twenty bucks.Leonard: Ten.Brent: Eighteen.Leonard: Twelve.Brent: Sixteen.Leonard: Two forthirty. And you come to my birthday party.Brent: Done."}
+{"doc_id":"doc_231","qid":"","text":"VERONICA VOICEOVER: Previously on Veronica Mars Lamb joins Keith and Veronica at a diner (from 102 \"Credit Where Credit's Due\").LAMB: If it isn't my predecessor and mentor. Are you doing anything special tomark the one year anniversary of Lilly Kane's murder?KEITH: Tell me again how you solved the crime. An anonymous tip. Did anybody show up to collect the reward? Do'ya find that strange?Cut to Mac locked out of hercar and Veronica opening it for her (from 108 \"Like a Virgin\").MAC: Damn it! Wow. That's really criminal of you.VERONICA: I'm Veronica, by the way.MAC: Mac.Cut to Veronica at her mother's safety deposit box,looking at the pictures of her lined up in a gun sight and her observing Wiedman from her car as he enters Kane Software (audio from 109 \"Drinking the Kool-Aid\", visuals from 105 \"You Think You Know Somebody\" and109 \"Drinking the Kool-Aid\").VERONICA VOICEOVER: I know who's responsible for scaring Mom away from Neptune. Clarence Wiedman. The man who took surveillance photos of me. So if Jake Kane is my biologicalfather, that information is going to be worth millions End previously. Open at the Mars apartment as Veronica comes out of her bedroom, into the kitchen area where Keith is standing.VERONICA: Good morning.Keith isintent on something he is reading and doesn't respond. Veronica looks over at himVERONICA: Or not.KEITH: You don't go to the oceanside bars that the college kids hang out at, do you?VERONICA: I prefer the bikerbar by the train station. I get more attention there.Keith isn't amused.VERONICA: I'm kidding. Why would you ask me that? Keith holds up a newspaper, the headline of which reads: E-String Strangler StrikesAgain.KEITH: Twenty year old co-ed washed up dead on the beach. Veronica comes closer to take the paper and read the story.VERONICA: Scary. Wait. Wasn't this your case? I thought they caught this guy in Oaklandtwo years ago.KEITH: Well, apparently they didn't. Everyone wanted to believe the Oakland strangler committed the Neptune crimes too. It never quite fit. Oh, but it was so important for the mayor and the Chamber ofCommerce to put that scare behind us.Veronica casts a concerned glance at her father. Cut to Neptune High. Veronica and Wallace are threading their way through the students in the outdoor lunch area, hot dogs inhand.WALLACE: People are really freaking out about this E-String Strangler. My mom is scared to drive home alone. I told her this time she can be happy she's not the guy's type.VERONICA: My dad barely let me out ofthe house this morning.Another student, Jackson Douglas, butts in just as they reach an empty table.JACKSON: I hear you do detective stuff for people.VERONICA: I do favours for friends.JACKSON: I canpay.VERONICA: Sit down, friend. What can I do for you?JACKSON: I was hoping that you could find some dirt on my parents.VERONICA: [In southern accent] Why Jackson Douglas, I do declare! [Normal voice] Youwant me to dig up dirt on your own parents.JACKSON: I need leverage. They're crazy strict. They grounded me for two months for smoking up in my room.WALLACE: Apparently you've never spent time in a blackwoman's house. Be glad you're still walking.JACKSON: Yeah, well, they act like they were always perfect. And every little thing I do wrong is catalogued so they can rub my nose in it later.VERONICA: Sure you canhandle the truth? The '70s and '80s were not pretty decades for people. We've all seen the pictures.JACKSON: I can handle it.VERONICA: Now as for the small matter of compensation.They are interrupted by the soundof a string quartet playing the Beatles \"Happy Birthday\". They turn to watch as Madison Sinclair arrives at a table of her 09er friends and gasps.MADISON: I love my parents. She hands flyers out at the table.MADISON:All right. Come to my party. No need to bring gifts. Madison gasps again as a waiter arrives with a large birthday cake and sets it down on the table.MADISON: Happy birthday to me. Madison, horribly coy and entitled,blows out her candles as Veronica and Jackson watch.VERONICA: The rite of fall. Madison Sinclair's birthday.JACKSON: Best party of the year and I can't go because I'm grounded.WALLACE: Her parents must loooveher.VERONICA: They really loved her, they would've gotten the real Beatles.Cut to a piece of paper upon which is written: Jackson's Parents' Jocelyn Aardwick Douglas Alan Douglas Veronica is working at her laptop inMars Investigations until interrupted.LAMB: [Offscreen] Veronica Mars. She looks up to see the sheriff standing before her in the company of a man in a suit. This man is the mayor of Neptune.LAMB: Is your daddy here,or is he busy peeking in people's windows?VERONICA: You stop dressing up like Little Bo Peep, he'll stop peeking.MAYOR: Your father?Veronica, vaguely petulant, rises from her desk and sticks her head into Keith'soffice.VERONICA: [Deliberately] Deputy Lamb is here. He's got the mayor with him.KEITH: Show him in.VERONICA: Yeah, sure. I'll just have Rod Serling wait out here on the couch.Veronica throws open the door toKeith's officeVERONICA: The detective will see you now.The mayor casts Veronica a disapproving look before entering Keith's office. Keith rises from his desk and shakes hands with the mayor. Veronica watches fromthe door.MAYOR: It's been a long time, Keith.KEITH: I know.MAYOR: Good to see ya. I wish it were under better circumstances.KEITH: Sit down.The men sit.VERONICA: Can I get anybody anything? Water? Coffee?[Directly herself to Lamb] A banana?LAMB: We're good.VERONICA: Okay. Just leaving.Veronica makes a big play of shutting the door, then stands by it, trying to eavesdrop.KEITH: So how can I help yougentlemen.MAYOR: You know the situationVeronica walks back to her desk but glances continually at the closed door. Finally, it opens and Keith comes out first, followed by the mayor and an unhappy SheriffLamb.MAYOR: Thank you Keith. Appreciate it.KEITH: See you tomorrow, Lamb.LAMB: Um-hmm. Can't wait.The men leave.VERONICA: What was that about? What's tomorrow?KEITH: The day I go back to work at thesheriff's department.Veronica's jaw drops. Opening credits. Resume at Mars Investigations as Veronica follows Keith into his office.VERONICA: You're going back to work at the sheriff's department?KEITH: It'stemporary. I'm just there to work on the E-String Strangler case.VERONICA: And you're teaming up with Lamb?KEITH: It's a bitter pill, I know but they're paying me my normal hourly.VERONICA: And Lamb agreed tothis? His head didn't explode.KEITH: The mayor didn't give him a choice. I'm the closest thing they have to an E-String Strangler authority and it's a big priority for the mayor. A killer preying on partying college girlstends to kill the Spring Break business.VERONICA: So this is all about tourist revenue. God bless America.KEITH: Well, whatever their motive, I'm glad to be involved.VERONICA: Hey, if you're working at the Sheriff'soffice, you'll have access to the Lilly Kane files. We can finally get our hands on that Crime Stoppers Hotline recording, find out who the anonymous source was, the one who fingered Abel Koontz.KEITH: Veronica, thatwon't be on my agenda.Veronica is disappointed. Cut to Veronica in her 'office' at Neptune High. She is consulting the file she is holding.VERONICA: Here are the highlights. Your dad was busted trying to buy an eightball from an undercover cop at an Eagles concert in '74, your mom had five speeding tickets and a collision on her record before she graduated high school. She hands the file to Jackson who is standing before her. He isimpressed.JACKSON: I don't care what they say about you, Veronica Mars. You rock.VERONICA: Yes, I do. I also take cash.Veronica holds out her hand. Cut to the outdoor lunch area. Another student, Jasmine,approaches Veronica.CRYSTAL: I hear you can dig up dirt on parents. Veronica smiles. Cut to the sheriff's department. Keith is standing in front of the incident board with pictures of the victims. He is presenting thecase to a group of deputies, including Sacks and one who will later be identified as Leo D'Amato, sitting and standing around a table that fills the room. Lamb is standing on the other side of the board.KEITH: The firsttwo victims, Katherine Wills, Andrea Sims were found in 2001 and 2002 respectively. They had certain shared characteristics. Both were undergrads on break, both were attractive social girls, both had-LAMB: Hardpartiers.KEITH: Both had high levels of alcohol in their blood and both were abducted on Friday nights.LAMB: Technically, early Saturday morning from midnight to closing time.KEITH: The bodies were found in the bay.A single nickel-plated guitar string tied around their necks. The latest victim, Amy Polk, was killed with the exact same MO.LEO: So he kills them with the guitar strings?KEITH: Naw, that's just-LAMB: It's his signature.His mark.Keith, who has done his best to ignore Lamb's constant interruptions and attempts at a pissing contest, takes a deep breath.KEITH: The girls are asphyxiated. The strangler thing came from the press, it's amisnomer. There's evidence that these women have been held for 48 hours in a contained space, basically suffocated.LAMB: The murders are reminiscent of the Hillside Strangler case.KEITH: Except the HillsideStrangler actually did strangle the girls.LAMB: Party girls, like ours. Picked up outside of bars. Killer leaves his mark.KEITH: Okay, except for the asphyxiation, the imprisonment, the body disposal, these cases have alot in common.LEO: What do we know about the killer?KEITH: He hates women, he craves attention, he's a luuser.Lamb sighs heavily.KEITH: The weekend killings suggest the guy has a traditional job.LAMB: Amy Polkwas found with wrist bands from local bars on her wrist and smudged ink on her palm that looked like it could be a phone number. Lab boys in LA are trying to decipher it.SACKS: Imagine the poor sucker waiting forthat phone call.Cut to Veronica, back in the Neptune High girls' room, giving another report.VERONICA: Your mom sued her parent for emancipation when she was sixteen and then moved to Hollywood. According tothe Internet Movie Database, she went on to play such roles as \"Trucker's girlfriend\", \"Screaming maid\" and \"Bi-curious room mate\". Veronica hands the file to Jasmine, who grins. Cut to Veronica making another reportto a different student.VERONICA: Your mother was married in 1985 for 36 days.JASMINE: Shut up.She grabs the file from Veronica as Mac exits one of the cubicles and glances over to see what is going on. Sheobserves through the mirror as she washes her hands.VERONICA: To a pro-skier she met on Spring Break. They drove to Vegas, did it drive-through style and she had it annulled.JASMINE: And she calls me boy crazy.You just made my year.Veronica smiles. Cut to Mars Investigations. Mac enters the outer office.MAC: Hey.VERONICA: Hi, Mac.MAC: Hope I'm not interrupting anything.VERONICA: Come on in.Mac sits down oppositeVeronica.VERONICA: It's a spiffy new Beetle you're driving these days.MAC: Yeah. Well, the purity test was probably my finest hour but that's nothing compared to what this could be. It's time to think global and actlocal.Mac opens her laptop to show Veronica a site she has designed. The home page reads: Get the Dirt.MAC: Okay, you're exposing parental secrets for fifty bucks a pop. We create this website, double the fee, wehave no overhead because I've already bought the domain name. With your sleuth prowess and my programming skills, I don't think it's an exaggeration to say that we would rule the entire known universe.As Mactalks, Veronica explores the site. The next page reads: Parent. There is then a page where a skeleton exits a closet. There is a form headed: Let's Start Digging!VERONICA: I can barely handle school and my cases as itis.MAC: Think about it. This isn't just a college fund. Potentially this is our retirement fund.VERONICA: I will definitely think about it.Mac closes the laptop and hesitates.MAC: There is just one more think, about my folksthat I was wondering about. You PIs have access to search engines that would take me weeks to hack into, so I mean I have cash.VERONICA: Gotcha. Keep your money. It's a professional courtesy.Veronica opens herown laptop.MAC: It's not that they're bad parents. They just...don't get me. They're nachos and NASCAR people and I'm more...VERONICA: Falafels and Fellini?MAC: Exactly.VERONICA: Your last name's Mackenzie,right?MAC: Um-hmm, Natalie and Sam, 9715 Colony Place.The results load and return a marriage database with her parents names, dates of birth (21 November 1955 for Samuel and 11 July 1958 for Natalie) andSocial Security Numbers.VERONICA: Mom is Natalie Franklin?MAC: Yep.VERONICA: Oh, you had a birthday a couple of days ago.MAC: Yeah, one more year until I can leave home.VERONICA: Okay.On Veronica's laptop,a list appears of various items. Under the heading: Division of Motor Vehicles 01-13-1973 - $250 Fine (Paid) - Speeding 55mph in 25mph Zone 10-24-1985 - $155 Fine (Paid) - Failure to Observe Traffic Signal04-11-1992 - $120 Fine (Paid) - Illegal Passing Manoeuvre Under the heading: Internal Revenue Service 06-22-1989 Audit - Insufficient Data for Recourse Under the heading: Subscriptions 11-21-2002 - Outdoors, Inc.- 96-week subscription 09-10-2003 - Adventure Camper - 2-year subscription 10-27-2003 - NASCAR the Magazine - Renewed through 10-27-2010 Natalie's subscriptions are: 05-01-2001 - Home & Garden - Renewedthrough 05-01-2006 01-01-2001 - National Geographic - 3-year subscriptionVERONICA: Sam's had a few tickets, tax audit, nothing strangeVeronica scrolls down to the last entry under the heading: External Income05-12-1992 - Neptune Memorial Hospital - $1 million awarded in lawsuit.VERONICA: huh, except that.MAC: What?VERONICA: According to this, they won a million dollar lawsuit against Neptune Memorial Hospital in'92.MAC: No way. That's got to be a mistake.VERONICA: Hello? Sleuth prowess.MAC: Come on, they hate lawyers and they never even go near the hospital.VERONICA: You want me to look into it?MAC: Yeah, I do.Cutto Veronica using the microfiche at a library.VERONICA VOICEOVER: Neptune isn't short on millionaires but I figure a judgement that big against the local hospital might have made the papers. It's beginning to look likeI'm wrong.She whizzes past a headline then backs up to it. The headline is: Hospital Takes Hit on Baby-Swap Case. Judge order hospital to pay $1 million in damages to each family. The story is written by thenewspaper's staff writer, Charles Martin and has the following passages: \"After five years of bitter legal battle ensnaring the lives of two Neptune families appointed in our state's legal system for allowing this to proceedas far as my court,' Judge Pockett remarked. The court verdict also contained specific lies to retain custody,' Sarah Epstein, the Plaintiff' lawyer, explained. 'Too much upheaval would have\"VERONICA VOICEOVER: Holdthe phone! I was expecting something like \"Woman Accidentally Receives Pig Heart\" but no, I have to find out the one thing that can completely wreck Mac's life.Veronica focuses on a particular passage: \"the children'sprivacy. Also, both families have agreed to keep their non-biological children. Neptune Memorial Hospital spokes-\"VERONICA VOICEOVER: How do you live a normal life once you find out you were switched at birth.Cutto Lamb and Keith entering a guitar store. The sound of a session booms out.KEITH: [Shouts] Hello Cleveland. Lamb looks at him as if he has gone mad.KEITH: [By way of explanation] \"Spinal Tap\".LAMB: What?KEITH:The movie \"Spinal Tap\". You've never seen \"Spinal Tap\"?LAMB: No.KEITH: That explains a lot.They head for the counter behind which is a room from which the noise is emanating as three guys play.LAMB: Is theresomeone that actually works here? One of the guys playing, who is called Gabe, turns and shouts at them above the noise.GABE: Dawg, look like you need help. Keith nods, smiling. Lamb is bored and impatient.KEITH:He's waiting for you to throw your panties. Gabe comes to the counter, still playing.LAMB: Can we lose the noise?GABE: Noise! [Dodgy Britpunk accent] All I hear are sound waves woven into melodic poetry.Gabe givesa shout and carries on playing. Keith leans forward and puts his hand on the guitar's string. Gabe is forced to stop.KEITH: Hey! We can do this here or down at the sheriff's department. Maintaining his open mouthedrocker style, Gabe walks back to the entrance to the room behind and slides the glass door shut. The noise is immediately and effectively muted. Gabe smiles and goes dorky.GABE: So what's up? You lookin' for a bandto play the policeman's ball? Keith holds up an evidence envelope with a guitar string enclosed.KEITH: We're looking for a murderer. Found this guitar string tied around the neck of his last victim. Is there anythingspecial about it? Gabe takes and examines it.GABE: This exact string? This is a triple nickel antioxidant special order string we get for just one customer. A guy we call Devil Dave.LAMB: [Excited] Do you know where wecan find this Devil Dave?GABE: [Calls out] Devil Daaaave?DAVE: Huh?A nerdy look guy strumming an acoustic guitar in the shop looks up.GABE: Did you kill anyone this week?DAVE: Uh-uh.KEITH: Your basic guitarstring?Gabe laughs manically.GABE: Same as any other string. Betcha the criminals in town are shakin' in their boots knowin' you're on the case. Mental note: put in a security system.KEITH: Right.Keith and Lamb turnto go but Gabe wants to bait them and hooks Lamb back.GABE: So ya, ya think the killer's a guitar player? That is brilliant. I think guitar players are a little too busy nailin' women to strangle 'em. Ooooww!LAMB: Eventhe wannabes and losers living in Neptune who don't realize if they haven't made it by the time they turn thirty it's because they're not going to? They're too busy?Gabe adopts an offended look. Lamb glances at a fullscale cartoon of a guitar player behind Gabe.LAMB: Nice art work. Yours? Gabe steps back and strikes the pose of the subject of the cartoon.GABE: Guitar players, the heroes of our modern age.LAMB: Strappin' on aguitar. Does it get rid of feelings of inadequacy?GABE: Does strappin' on a gun?Lamb winks in an \"I've got you number\" sort of way and turns to go. Cut to Veronica, arriving at the door of a house, looking concerned.The door has a Christmas wreath on it. Mac opens the door.MAC: Hey.VERONICA: Got a minute?Mac gestures for her to enter. In the lounge is a huge Christmas tree.MAC: Ho, ho, ho. There are more, and garish,decorations as she leads Veronica to a short hallway. A ball misses her. She looks up to see her little brother, gun in hand. He giggles and runs back into his room, slamming the door behind him.MAC: [Shouts afterhim] Ryan, open that door and you'll know pain like you've never known in your pathetic little life. Mac gives Veronica an apologetic grin then opens the door to her room. It is covered with art posters, looking more likea gallery. She has books everywhere.MAC: Enjoy the peace. Lasts about seven minutes tops. Veronica is seriously impressed with the room.VERONICA: Whoa. Who's your curator?MAC: You like it? It's my own littlecave. Whenever I run out of space, my dad just builds me more shelves.There's a knock on the door immediately followed by Mac's mother, Natalie, bringing in a tray.NATALIE: Knock, knock. You must be Veronica. Iwasn't sure if you were a normal eater or one of those freakball vegans, like Cindy.VERONICA: Uh, more normal than freakball, thanks.Natalie smiles and wants to stay and chat.MAC: Okay, thanks Mom.NATALIE:Okay.Natalie gets it and goes, leaving the girls alone.VERONICA: Cindy?MAC: It won out over Barbie. So what did you find out? Has to be pretty big for you to come deliver it in person,VERONICA: [Sighsheavily]UmMAC: Suspense effectively built. Hit me.VERONICA VOICEOVER: Dad always says, this is the job. Telling people stuff they might not want to know or might be better off not knowing.Veronica slowly pulls upa chair and sits in front of Mac, who is now sitting on her bed.VERONICA: It is big, like, life-altering big, so you should really think about if you want to hear it or if you'd rather just forget it and go on with your life. Andmay I suggest option B.MAC: I'm adopted, aren't I? Go ahead and tell me, it would explain a lot.VERONICA: [Slowly] Well, yes and no, um, the Mackenzies aren't your biological parents.MAC: So what does thatmean.VERONICA: [Sighs again] You were sent home from the hospital with the wrong family.MAC: Oh my god.VERONICA: And there's more.MAC: More than that?VERONICA: Another family was awarded a milliondollars at the same time.MAC: Okay.VERONICA: Um, another baby girl, born the day after you were and your biological parents took her home.MAC: Another girl, born a day after me. [Comprehension dawns] I was"}
+{"doc_id":"doc_232","qid":"","text":"[Scene: Capeside High, classroom. Dawson and Joey are in English class and the teacher is discussing Shakespeare.]Teacher: The Two Gentlemen of Verona. Not one of the bard's best, but an interesting apprenticepiece nonetheless. In the high-spirited Silvia, we see the first version of a character we're later going to come to know as Juliet. In the 2 male characters Proteus and Valentine\u0000[Drue plays with Joey's hair]Joey: Nexttime, I draw blood.Drue: It's your own fault. I'm new here, and you're not being very nice to me.Joey: I'm not trying to be.Drue: But then again you don't strike me as very popular, so you can turn around now. You'reof no use to me.Teacher: I hate to interrupt, Miss Potter, but maybe you could tell us what the two gentlemen of Verona is all about.Joey: Uh, well, it's a\u0000Teacher: could you raise the volume a notch? I don't speakmumble.Joey: It's about a girl who comes between 2 guys.Teacher: Right you are. 2 guys, a girl, and no pizza place. [no one laughs]Uh, how did the play make you feel, Miss Potter?Joey: I didn't think it was veryrealistic. I mean, Valentine is this cardboard-cutout hero, and Proteus is unfairly painted as a villain. I just think these scenarios are actually a lot more complicated.Dawson: [Chuckles]Teacher: Mr. Leery, do I sense anopposing viewpoint in your little chortle?Dawson: No, no. It was nothing.Teacher: Please, please. Elaborate.Dawson: Well, um, I don't think it's a story about a girl coming between 2 guys. I think it's about thefriendship between the 2 guys.Joey: Which fails when the girl comes between them.Dawson: It fails because one friend betrays the other. I mean, Proteus is a lousy friend.Joey: Valentine isn't such a great guy. I mean,he's so fixated on his honor that he totally loses sight of everything else around him.Dawson: He was willing to make the ultimate sacrifice. He gave up the girl he loved. You think that's a bad thing?Joey: I think nothingabout this topic is black and white, Dawson.[Drue raises his hands]Teacher: Drue.Drue: Gene and roger here have a fantastic energy, but they're sort of all over the place. Now I for one would love to see them engagein a prepared debate about the merits of the play.Joey: Would you mind your own business?Teacher: I think that is a splendid idea. I've never generated so much heat out of what is arguably Shakespeare's worstcomedy. And you know what would make it even better? If you teamed up with them, Drue, threw your own viewpoint into the mix. I look forward to a lively debate from the 3 of you... Tomorrow.[OpeningCredits][Scene: Inside Gram's kitchen. Jen comes out of her bedroom and walks into the kitchen sher Grams is there holding an umbrella.]Grams: Jen, look at that. It's almost time for me to be picking you up atschool.Jen: I'm not even an hour late yet. That doesn't break my record.Grams: Skipping school is no way for a young lady to handle her problems.Jen: I had a lot of any femme music to weed through this morning,and I happen to resent the interruption.Grams: Those songs you listen to only exacerbate your sadness.Jen: Well, then you're missing the point 'cause I'm not sad. No, I've moved on from sad. I am currently in thethick of pissed off.Grams: Good! Then you'll recognize my attitude if you pull this routine one more time.Jen: What happened to the kinder, gentler grams? I miss her.Grams: Oh, Jennifer, I'm not so old that I don'tremember how important seeing your fall term is.Jen: Old enough to call it fall term.Grams: Much of what your next 4 years will be decided now, Jennifer, and I will not let a momentary heartache squander anyopportunities you may have. I'm hereby putting a 48 hour cap on your melancholy.Jen: You can't cap my melancholy.Grams: Watch me. Now here. Stay dry.Jen: Have you looked outside today? 'Cause it happens to bebeautiful.Grams: Today is a red-letter day in the farmer's almanac. Rain is definitely predicted.[Scene: Capeside High Hallway. Dawson and Joey are walking out of class and stop by her locker.]Dawson: So, leery manoror the B&B? Where you want to get together?Joey: Dawson, are you ok with this?Dawson: Well, rather than debate the awkwardness of the situation, I'd much prefer we just got it over with.Joey: Ok. Well, um, I haveto work. So you're going to have to come down to the yacht club.Dawson: Ok. Are you going to be able to, uh, focus down there?Joey: Ha. Yeah. The place is a tomb on Thursday nights. Well, except for one old geezerwho always shows up for the prime rib special.Dawson: All right. Sounds cool. I'll see you later.[Pacey walks towards them with Jen and upon seeinf him, dawson leaves]Pacey: Someone couldn't have high-tailed it outof here fast enough.Joey: And you are in such a race to start conversation with him?Jen: Mmm. She's right, Pacey. One day one of you is going to have to put an end to this great era of silence.Pacey: But not me andnot today. Today I am celebrating.Joey: Celebrating?Jen: Pacey done good.Pacey: Oh, Pacey done very good. Pacey got his first \"A.\"Joey: Hmm? Good omen, yeah?Pacey: And I couldn't have done it without you.Joey:I was but a mere study aide.Pacey: Sure you were. So now, you're going to come sailing with me this afternoon, because this afternoon is the absolute last beautiful day of the season, and you have been conscripted tobe my deck hand.Joey: I'd love to, pace, but I have a project to do.Pacey: Put it off for one day?Joey: It's due tomorrow. And...Pacey: Am I missing something here?Joey: It's with Dawson. It wasn't planned. It wasassigned.Pacey: Well, isn't that cute?Jen: I'll go with you if you want. I mean, maybe the open horizon will serve to lift my spirits a bit. Huh?Pacey: Really?Jen: Yeah.Joey: There you go. Willing victim.Jen: Oh, 2 things.First of all, I absolutely refuse to make out with you, and second of all, there's a distinct possibility that I'll puke.Joey: What do you know? Those are my 2 things.[Scene: Andie's Bedroom. Andie is there fixing her hairwhen Jack walks by her door.]Andie: Hey, wait! Jack, Jack! Come here.Jack: Ok.Andie: So. Up like this? Or down?Jack: Don't ask me hair questions.Andie: Jack! Eh, you know what? Down. It's more relaxed. You know,I've got that interview today at the yacht club, so...Jack: I didn't know you were looking for a job.Andie: Duh, Jack! College interviews.Jack: Oh, yeah. Right. Yeah. It's that time.Andie: For those of us who started theapplication process, yes.Jack: This one for Harvard?Andie: No. Uh, you know, that guy Drue? Well, his mom, Miss Valentine, she's one of the alums of the backup schools I'm looking at. So, uh, you know it's alwayscrucial to make a good first impression.[Andie almost falls over.]Jack: Whoa! Andie! You ok?Andie: Yeah, yeah. I just got a little dizzy. That's all.Jack: Here. Why--here. Sit down.Andie: Yeah.Jack: It's that new drugyou started, isn't it?Andie: Yeah, Nardil. Yeah, it's actually working pretty well. Better than anything else I've tried.Jack: I know this is preventative, but are you sure you're ok with it?Andie: It is a little scary, but it'sjust like dr. Newman said-- \"in times of high stress, it can't hurt to have an extra line of defense.\"Jack: You can always try my tactic. Just forget altogether that you're a senior.Andie: [Laughs] yeah, right. Only, I wasn'tborn with those genes. Ok. How do I look?Jack: Like you should be interviewing her.[Scene: Dawson's living room. Mitch and Gale come downstairs and sit on the couch, wrapped in blankets and carrying tissues.Dawson walks in to the room behind them.]Dawson: Oh, so you're sick now, too?Mitch: Uh, I got the sniffly part.Gale: Oh, I still got that nauseous part.Dawson: Well, you know, maybe if you two kept your tongues outof each other's throats for 2 seconds, you'd stop passing this thing back and forth.Gale: Take a good look, honey. This is marriage.Dawson: All right. I've got to go to the yacht club. I got some homework to do.Mitch:Mmm. A sociology report on the wealthy?Dawson: No. I've got a project to do with Joey. Wasn't our idea. We got assigned.Mitch: Are you ok with that?Dawson: Why does everybody treat me like my head is going tospontaneously explode every time her name is mentioned?Gale: Because it did.Dawson: 3 months ago. Which in teenager time is like a decade. Joey's got her life and I've got mine.Gale: And Pacey?Dawson: I seeyou've joined dad in your great Pacey watch 2000. Sorry I don't have any updates. Oh, except for the fact that he seems to hate me even more since I let Joey know about his grade situation. Thanks for the tip,pop.Mitch: You did the right thing.Dawson: Well, I'm all out of right things as far as Pacey's concerned. You guys want me to get you anything before I go?Mitch: No. On your way out, would you shut the windows backthere? The wind's starting up.Dawson: Will do. All right.[Scene: On the deck of the True Love. Pacey and Jen are sailing around. Enjoying the beautiful weather.]Jen: It'll be hard as hell to turn this boat around andcome back to reality.Pacey: That's an understatement.Jen: Oh, you can just forget about the world out here.Pacey: Yeah. You could almost forget that your girlfriend's spending the entire afternoon with herex-soulmate.Jen: Pacey, you know, I am probably the last person on earth that you should be out here with.Pacey: Oh, that's not true. Ever seen Dougie in a Speedo?Jen: I mean, I love you and Joey, but if you'rehaving doubts whether a teenage couple can sustain a relationship, I'm probably not the best person to talk to.Pacey: Lean over!Jen: Oh, what's that?Pacey: That is a gift from the gods.Jen: Did you check theweather?Pacey: Yeah, of course. I checked it this morning, and it said that the storm system is headed up the coast, but it's going to pass us right overhead.[Scene: The Capeside Yacht Club. Dawson, Joey and Drue aresitting around a table talking about the debate they have to give.][Cell phone rings]Drue: Hello. Hey, gorgeous.Dawson: Unbelievable.Joey: Unacceptable. Hello. Gorgeous is it? Hi. Yes. This is Drue's doctor, and he'sgoing to have to get back to you when the syphilis clears up, ok? Bye-bye.Drue: That was rude.Joey: Oh, ruder than taking cell phone calls when we're supposed to be working on a project that you got us into? I don'tthink so.Drue: Excuse a brother for picking up on the intense, dare I say, sexual vibe between the two of you. Must be the Star Wars thing.Dawson: Star Wars Thing?Drue: Star wars thing it's classic. You are obviouslyLuke to this Pacey guy's Hans Solo. See, you're the stuff of pre-teen daydreams. Cute. Smart. Non-threatening. Which is great and all, but not for princess Joey here who's clearly smack dab in the middle of herbad-boy phase.Dawson: And where do you fit into this whole scenario, Drue?Joey: Jabba the Hutt, I think.[Mr. Brooks comes into the room.]Mr. Brooks: Hmm. Hmm. Ahem.Joey: Hello, Mr. Brooks.Mr. Brooks: My usualtable please.Joey: Mmm. Sorry, it's taken.Mr. Brooks: If the opening act is over, I'd like to sit down now.Joey: So will you be having the prime rib special this evening?Mr. Brooks: Yes, and I'll have it quick. I want to getmy boat home before the storm.Joey: Storm?Mr. Brooks: A weather phenomenon where the skies darken and rain falls.Joey: Um, I'll be back with your water.[Joey goes to get his water and finds Drue at the barwatching TV.]TV actors: Sorry...Quick. No, no, no. It's my fault. I didn't\u0000Joey: Mr. Brooks said that there's a storm coming.Drue: Mr. Brooks lives alone on the edge of town with a 3-legged dog named boo.Joey: Well,have you seen any storm reports?Drue: Nope. [Gun shots on TV] you'd think those things would impede her ability to use an Uzi.Joey: Just let me know if you hear anything.[Cell phone rings]Drue: Hello. Hey,gorgeous. Nah. Don't worry about it. She's crazy. What's going on?[A message about the storm goes by the bottom of the TV][Scene: The Capeside Yacht Club office. Andie is there getting her interview from Mrs.Valentine.]Mrs. Valentine: Well, Andrea, your academic record is certainly outstanding.Andie: Thank you. Oh, and Andie's fine.Mrs. Valentine: Oh, a nickname. How charming. Any idea what you'd like to study inschool?Andie: Well, everything. At least at first. History. Philosophy. English. You can never underestimate the value of a well-rounded liberal arts education.Mrs. Valentine: If you could have dinner with one person,living or dead, whom would you choose?Andie: Eleanor Roosevelt.Mrs. Valentine: Ohh. Most students say Jesus. Well, let's see. You worked on the yearbook, the newspaper, you directed a play.Andie: Yes. Barefoot inthe park by Neil Simon. It was completely a pre-feminist, but it held up surprisingly well. We took sort of a\u0000Mrs. Valentine: I see only one red flag here. At the end of your sophomore year you took a medical leave ofabsence?Andie: Yes, I did. Um, but I was able to make up my finals, and none of my grades suffered.Mrs. Valentine: Nothing serious, I hope. Your illness?Andie: I was having some emotional problems.Mrs. Valentine:Emotional problems? So this was a mental illness? Would you like some tea, dear?Andie: Sure.[Scene: The Capeside Yacht Club. Joey and Dawson are sitting at the table trying to go over the debate items.]Joey: I justthink that if Valentine and Proteus came to some mutual understanding... Oh, god. What?Dawson: Joey, we are trying so hard not to talk about Pacey, he's become the subtext of this whole damn play. What do you saywe just get it out in the open once and for all?Joey: Ok. Let's.Dawson: Pacey and I are not going to be friends again. End of story. I know everybody seems to think that it's time we made up, but that's not going tohappen.Joey: Well, since you did bring this up, why not?Dawson: What's done is done.Joey: After 10 years of friendship, what's done is done?Dawson: No, after the greatest betrayal of my life, what's done isdone.Joey: Dawson, I was a part of that betrayal.Dawson: Yes, and you apologized for it. You really showed some sort of remorse for what happened. Pacey could care less. Which is fine. It's just not the kind of personI'm going to race out and be friends with again. And it's time for everyone to just accept that reality and move on with their lives, starting with you and me talking about this play without referencing him. [Thunder] Canwe do that?Joey: Yeah, ok.Dawson: What?Joey: I'll be right back.[Joey goes to the bar, where Drue is still sitting. She grabs the remote and starts changing channels.]Drue: Oh, anxious much?Joey: You're supposed tobe watching this.Drue: Whoops, I forgot.[Mr. Brooks comes up to them.]Mr. Brooks: Ahem. I want my check. Excuse me.Joey: Just a second. [Sighs]Mr. Brooks: I'm leaving for home this instant, and I want mycheck.Joey: Drue, can you get him his check?Drue: Notice my reclining state. That would imply I'm not working.Joey: Would you get him his check?!Weatherman: We have not seen a storm like this in over 30 years.We'll have another weather update at the top of the hour.[Scene: The deck of the True Love. Jen and Pacey are starting to get a little worried about the weather.]Pacey: Man, this came up out of nowhere!Jen: I thoughtyou said the storm was heading out to sea!Pacey: Well, it did.Jen: It did, but it came back!Pacey: Well, if someone hadn't used all the batteries on the portable marine band, we could have got the storm report!Jen:Yeah, well, if somebody owned something other than Zeppelin tapes 1 through 4, we wouldn't have needed the radio.Pacey: Hold this. Let me grab the jib sheet.Jen: Got it.Pacey: Let me set the course, I'll get on thevhf, and then we'll get the weather report.Jen: You'd never be first to admit it.Pacey: What? Admit what?Jen: You'd never be first to admit it's getting scary!Pacey: This is nothing. I've seen this before.Jen: Where, inthe perfect storm?Pacey: Nah. I saw something like this off of Nags Head this summer. We'll just get the weather report, find out where the worst of it is, and go around.[A wave washes over board and some water goesinto the boat shorting out the radio.]Jen: Ok. Oh! Aah!Pacey: Did that happen in Nags Head?[Scene: The Capeside Yacht Club office. Andie is still interviewing for the school with Mrs. Valentine.]Andie: I guess I wouldsay that my greatest strength is my tenacity. Which is probably my greatest weakness, too. My brother jack is always telling me I don't know when to quit.Mrs. Valentine: I see. But what about your illness? Isn't that aweakness?Andie: No. Actually I consider it a strength. It taught me the importance of being able to ask for help when something's too tough to handle on your own. We seem to keep coming back to this topic, don'twe?Mrs. Valentine: Is that a problem?Andie: No. Not at all. In fact, most teenagers go through similar experiences. It's nothing to be ashamed of. It's just that I prefer to concentrate on the present and the future. It'sjust one part of my life. It does not define me as a person.Mrs. Valentine: Well, although I'm sure you consider yourself recovered, perhaps someone with your background would do better in a less competitiveenvironment.Andie: Less competitive?Mrs. Valentine: Perhaps a state school.Andie: So, you want to disregard all of my accomplishments and achievements because I had a problem in the past?Mrs. Valentine: Andie,try and understand the position you've put me in. I've been given the task of judging your ability to handle the ardent pressures of one of the most difficult collegiate environments in the country. My name is on theline.Andie: You know what? You're right. My background does have a bearing on my ability to handle pressure. I had a problem, I recognized that, sought treatment, and recovered. And the fact that I had the courageto face my problems and get help I think only makes me better prepared to face the pressures of college than most of my peers.[Thunder]Mrs. Valentine: [clears throat] I wish you all the best. And now, if you'll excuseme.[Scene: The bar at the Capeside Yacht Club. Joey, Drue and Mr. Brooks are watching the TV.]Weatherman: Folks, this means severe beach erosion, 20 to 30-foot seas, and winds that'll certainly exceed hurricaneforce in certain areas.Mr. Brooks: Did he say hurricane force?Weatherman: With gusts over 100 miles per hour...Joey: He said exceed hurricane force.Mr. Brooks: Damn it! I'll never get home now.[Dawson walks up tothem carrying his books.]Dawson: Joey, I'm outta here, if you actually want to work later, let me know.Joey: Dawson? They're out there.Dawson: Who's out there?Joey: Pacey and Jen are out on the boat.Dawson: Allright, no wonder you've been so out of it. Why didn't you say something like an hour ago?Joey: Well, it wasn't this bad an hour ago.[Jack come into the bar from outside.]Jack: Hey, guys, have you seen Andie? I'msupposed to pick her up here.Andie: Hey, jack, I'm here.Jack: Look, I came early. It's really getting ugly out there.Andie: Not half as ugly as it got back there.[Bruce enters the bar are from outside]Bruce: Whew. Drue.Yeah? Where's your mother?Mrs. Valentine: What's the matter, Bruce?Bruce: All the boats from the club are secure at the docks except for 3, and those 3 have radioed in their position, and they'll need assistance intothe harbor.Joey: Is one of those boats the True Love?Andie: The True Love is out there?Bruce: There's no slip registered under that name.Jack: Whoa, whoa, Pacey's out there?Joey: Pacey and Jen. Look, Pacey doesn'thave any registration. He always just uses whatever slip is vacant.Bruce: Well, I haven't heard anything of the True Love on any of the radio bands.Joey: Look, I know that it's out there. It is definitely outthere.[Window shatters][SCENE_BREAK][Scene: The deck of the True Love. Pacey is looking at the pump when Jen comes inside to join him.]Pacey: crap! Well, the radios are definitely blown, but I think I got this bilgepump working. Aren't you supposed to be on watch?Jen: There's nothing to watch out there but water.Pacey: Oh, man!Jen: Damn it, Pacey! The boat's going to capsize!Pacey: She's not going to capsize, all right?Jen:Really? Then why am I flat on my ass?!Pacey: She'll come over. All right? It's what she does. There you go. Just put that on, all right?Jen: All right.Pacey: I'm gonna have to reef the main.Jen: English, please?Pacey:We're gonna have to trim up the mainsail so that we don't get knocked over again.Jen: Isn't that just gonna slow us down?Pacey: No, we're not going back into port. It's too dangerous. We might hit a dock or anotherboat.Jen: Wait, so, what--we're just gonna hang out here and catch some rays?Pacey: No, we'll go to this little cove I know and ride out the storm. It'll give us some protection.Jen: What cove?Pacey: I don't know thename of it, but I know where it is.[They climb out and he begins taking down the sail.]Jen: Well, how far away is it?Pacey: Not that far. We'll ride out the storm there. It's the safest thing to do.Jen: Pacey, what happensif this gets worse?Pacey: It's not gonna get any worse.Jen: Pacey!Pacey: If it gets any worse, they'll send someone for us.Jen: We have no radio, and we're heading for a cove that you don't know the name of. Who the"}
+{"doc_id":"doc_233","qid":"","text":"Scott: Damn it.Scott: Oh, crap.Scott: No. No, stop.Derek: You're dead.Scott: What - what the hell was that?Derek: Said I was gonna teach you. I didn't say when.Scott: You scared the crap out of me.Derek: Notyet.Scott: Okay, but I was fast, right?Derek: Not fast enough.Scott: But - but the car alarm thing, that was smart, right?Derek: Till your phone rang.Scott: Yeah, but that was - I mean - Would you just stop? Please?What happened the other night, Stiles' dad getting hurt, that was my fault. I should have been there to do something. I need you to teach me how to control this.Derek: Look, I am what I am because of birth. You werebitten. Teaching someone who was bitten takes time. I don't even know if I can teach you.Scott: What do I have to do?Derek: You have to get rid of distractions. You see this? This is why I caught you. You want me toteach you? Get rid of her.Scott: What, just because of her family? Wait - wait - whoa - whoa!Derek: You getting angry? That's your first lesson. You want to learn how to control this, how to shift, you do it throughanger, by tapping into a primal animal rage, and you can't do that with her around.Scott: I can get angry.Derek: Not angry enough. This is the only way that I can teach you. Now, can you stay away from her? At leastuntil after the full moon?Scott: If that's what it takes.Derek: Do you want to live? Do you want to protect your friends? Yes or no?Scott: Yes. If you can teach me, I can stay away from her.Allison: Take it off.Scott:You're okay with that?Allison: Are you okay with it?Scott: You're asking me if I'm okay with taking off your clothes?Allison: Stupid question.Scott: Like, world record stupid.Allison: You first.Allison: Just a second.Kate:Allison.Allison: Uh, coming. Coming. Okay, uh.Kate: Hey.Allison: Hey.Kate: What's up?Allison: Uh, nothing. Just doing homework, sending some emails.Kate: Emailing the boyfriend?Allison: No. I'm emailing peta abouthow my wing nut father gunned down an innocent mountain lion in the school parking lot.Kate: And that wouldn't have anything to do with the fact that you're grounded and you can't see Scott?Allison: I'm not gonnabe one of those whining teenagers who looks at her father and says, \"I hate you. I wish you were dead.\"Kate: But -Allison: But - I hate him and I wish he was dead.Kate: See, now you're starting to sound like a normal,angry teenager. What are you working on? Can I help?Allison: Uh, a history project, and I just want to be left alone, actually.Kate: Come on. What kind of history project?Allison: I have to come up with a report thathas some relevance to my own family history.Kate: Specific to your family?Allison: Why? Do you have any ideas?Kate: Type this in: \"La Bete du Gevaudan.\"Allison: The beast of Gevaudan. What is this?Kate: It's an oldFrench legend that, believe it or not, has something to do with your family.Allison: \"In 1766 in a province of Lozere, la Bete killed over a hundred people.\"Kate: Mysterious animal attacks, just like a certain town calledbeacon hills.Allison: So what was it? The animal?Kate: Nobody knows for sure, but I can tell you one thing. It definitely wasn't a mountain lion. What's it look like to you?Allison: It looks like - A wolf.Scott: Derek? I - Iknow I said I would stay away, but you broke my phone. I had to at least tell her why I wasn't answering. Derek?Scott: You seriously need to stop doing that.Derek: So what happened? Did he talk to you?Scott: Yeah.We had a nice conversation about the weather. No, he didn't talk.Derek: Well, did you get anything off of him? An impression.Scott: What do you mean?Derek: Remember your other senses are heightened.Communication doesn't have to be spoken. What kind of feeling did you get from him?Scott: Anger.Derek: Focused on you?Scott: No, not - not me. But it was definitely anger. I could feel it. Especially when he drew thespiral.Derek: Wait, the what? What'd you just say?Scott: He drew this spiral on the window of my car, in the condensation, you know? What? You have this look like you know what it means.Derek: No, it's - it'snothing.Scott: Wait - wait - wait - wait a second. You can't do that. You can't ask me to trust you and then just keep things to yourself.Derek: Doesn't mean anything.Scott: You buried your sister under a spiral. Whatdoes it mean?Derek: You don't wanna know.Scott: Stay away from Allison. Stay away from Allison. Stay away from Allison. Stay away from Allison. Must stay away from Allison. Just stay away from Allison. Stay awayfrom Jackson. Just stay away from Jackson.Lydia: Hey, Scott.Scott: Oh, come on!Scott: Still not talking to me? Okay, can you at least tell me if your dad's okay? It's just a bruise, right? Some soft tissue damage?Nothin' that big - You know I feel really bad about it, right? Okay. What if I told you that I'm trying to figure this whole thing out, and - That I went to Derek for help?Stiles: If I was talking to you, I'd say that you're anidiot for trusting him. But obviously I'm not talking to you.Stiles: What did he say?Stiles: Wh - he wants you to tap into your animal side and get angry?Scott: Yeah.Stiles: All right, well, correct me if I'm wrong, butevery time you do that, you try to kill someone, and that someone's usually me.Scott: I know. That's what he means when he says he doesn't know if he can teach me. I have to be able to control it.Stiles: Well, how'she gonna teach you to do that?Scott: I don't know. I don't think he does either.Stiles: Okay. When are you seeing him again?Scott: He told me not to talk about it. Just act normal and get through the day.Stiles:When?Scott: He's picking me up at the animal clinic after work.Stiles: After work. All right, well, that gives me to the end of the school day then.Scott: To do what?Stiles: To teach you myself.Lydia: The what ofwho?Allison: The beast of Gevaudan. Listen. \"A quadruped wolf - like monster, prowling the Auvergne and south Dordogne areas of France during the year 1764 to 1767. La Bete killed over a hundred people, becomingso infamous that the King Louie the 15th sent one of his best hunters to try and kill it.\"Lydia: Boring.Allison: \"Even the church eventually declared the monster a messenger of Satan.\"Lydia: Still boring.Allison:\"Cryptozoologists believe it may have been a subspecies of hoofed predator, possibly a mesonychid.\"Lydia: \"Slipping into a coma\" bored.Allison: \"While others believe it was a powerful sorcerer who could shape - shiftinto a man - eating monster.\"Lydia: Any of this have anything to do with your family?Allison: This. \"It is believed that la Bete was finally trapped and killed by a renown hunter who claimed his wife and four childrenwere the first to fall prey to the creature.\" His name was Argent.Lydia: Your ancestors killed a big wolf. So what?Allison: Not just a big wolf. Take a look at this picture. What does it look like to you? Lydia? Lydia.Lydia:It looks - like a big - wolf. See you in History.Stiles: I think the book's making it more obvious. Besides, she's reading, anyway.Scott: So did you come up with a plan yet?Stiles: I think so.Scott: Does that mean youdon't hate me now?Stiles: No. But your crap has infiltrated my life, so now I have to do something about it. Plus I'm definitely a better Yoda than Derek.Scott: Okay, yeah, you teach me.Stiles: Yeah, I'll be yourYoda.Scott: Yeah, you be my Yoda.Stiles: Your Yoda I will be. I said it backwards.Scott: Yeah, I - I know.Stiles: All right, you know what? I definitely still hate you. Uh - huh. Oh, yeah.Allison: Scott. Scott, wait. Hey,Scott. Sc -Scott: This is not gonna be easy.Stiles: Okay. Now - put this on.Scott: Isn't this one of the heart rate monitors for the track team?Stiles: Yeah, I borrowed it.Scott: Stole it.Stiles: Temporarily misappropriated.Coach uses it to monitor his heart rate with his phone while he jogs, and you're gonna wear it for the rest of the day.Scott: Isn't that coach's phone?Stiles: That, I stole.Scott: Why?Stiles: All right, well, your heart rategoes up when you go wolf, right? When you're playing lacrosse, when you're with Allison, whenever you get angry. Maybe learning to control it is tied to learning to control your heart rate.Scott: Like the IncredibleHulk.Stiles: Kind of like the Incredible Hulk, yeah.Scott: No, I'm like the Incredible Hulk.Stiles: Would you shut up and put the strap on?Scott: This isn't exactly how I wanted to spend my free period.Stiles: All right. Youready?Scott: No.Stiles: Remember, don't get angry.Scott: I'm starting to think this was a really bad idea. Oh, man. Okay, that one - kind of hurt.Stiles: Quiet. Remember, you're supposed to be thinking about yourheart rate, all right? About staying calm.Scott: Stay calm. Staying calm. Staying totally calm. There's no balls flying at my face -Scott: Aah! Son of a bitch!Stiles: You know what? I think my aim is actuallyimproving.Scott: Wonder why.Stiles: Don't get angry.Scott: I'm not getting angry.Scott: Stop. Just - can we just hold -Stiles: Scott? Scott, you started to change.Scott: From anger. But it was more than that. Was like,the angrier I got, the stronger I felt.Stiles: So it is anger, then. Derek's right.Scott: I can't be around Allison.Stiles: Just because she makes you happy?Scott: No, because she makes me weak.Stiles: Alright, you stayaway from her for a few days, you can do that.Scott: But is it a few days, or is it forever?Stiles: You know, this whole \"women make you weak\" thing is a little too spartan warrior for me. It's probably just part of thelearning process.Scott: Yeah, but you've seen Derek. I mean, the guy's totally alone. What if I can, like, never be around her again?Stiles: Well, if you're not dead, that could be a good thing.Scott: Rather bedead.Stiles: All right, you're not gonna end up like Derek, all right? We'll figure it out.Scott: 'Kay.Stiles: Come on. Let's get out of here.Scott: Something smells terrible in here, anyway.Stiles: Really? In a boys' lockerroom? That doesn't make any sense at all.Scott: No, it's like something's rotting or dying.[SCENE_BREAK]Jackson: What are you reading?Allison: Oh, hey. Just stuff for a history project. You have a free period, or-Jackson: No, I - I just don't like sitting through Chem.Allison: Understandable. Did - did you want something?Jackson: Actually, um, yeah. I wanted to talk. I realize that I've been a jerk to you. And especially to Scott.And I wanted to say that I'm sorry. I'm serious.Allison: Okay. I - I believe you're being serious, but I'm not so sure I believe you're being sincere.Jackson: Do you know what it's like to be the best player on the team?To be the star? To have every single person at the game chanting your name? And then - some kid - Some kid just comes along, and then everyone starts looking at him instead of you. Do you know what that feelslike?Allison: No, I don't.Jackson: Well, it feels like something's been - It feels like something's been stolen from you. And then you start to feel like you'd do - anything. Anything in the world to get it back.Allison:Haven't you ever learned there's no \"I\" in \"team\"?Jackson: Yeah, but there is a \"me.\" Ha. That was a joke. Gosh. You must really, really hate me.Allison: Not at all.Jackson: You sure? Because - I'm not a bad guy. Imean, yeah, I make stupid mistakes. A lot, but - I'm not bad. I really like you. And - and Scott. I really - I really like you both, and I want you guys to like me. I want to get to know you guys better. So - what are youreading?Coach: Let's go. Sit, sit, sit, sit. We got a lot to cover today. Let's go. Quicker.Scott: Hey, Stiles, sit behind me, dude.Allison: I haven't seen you all day.Scott: Uh, yeah. I've been, uh, super busy.Allison: Whenare you gonna get your phone fixed? I feel like I'm totally disconnected from you.Scott: Uh, soon. Real soon.Allison: I changed lab partners, by the way.Scott: Oh. To who?Allison: To you, dummy.Scott: Me? I mean,are you sure?Allison: Yeah. This way I have an excuse to bring you home and study. You don't mind, do you?Scott: I just - I don't want to bring your grade down.Allison: Well, I mean, maybe I can bring your grade up.Come to my place tonight. 8:30?Scott: Tonight?Allison: 8:30.Coach: Let's settle down. Let's start with a quick summary of last night's reading. Greenberg, put your hand down. Everybody knows you did the reading.How about, uh - McCall.Scott: What?Coach: The reading.Scott: Last night's reading?Coach: How about, uh, the reading of the Gettysburg Address?Scott: What?Coach: That's sarcasm. You familiar with the term\"sarcasm,\" McCall?Scott: Very.Coach: Did you do the reading or not?Scott: Uh - I think I forgot.Coach: Nice work, McCall. It's not like you're not averaging a \"D\" in this class. Come on, buddy. You know I can't keep youon the team if you have a \"D.\" How about you summarize, uh, the previous night's reading? No? How about the, uh, the night before that? How about you summarize anything you've ever read - In your entirelife?Scott: I - I, uh -Coach: No? A blog? How about, uh, how about, uh, the back of a cereal box? No? How about the adults only warning from your favorite website you visit every night? Anything? Thank you, McCall,thank you. Thank you, McCall! Thank you for extinguishing any last flicker of hope I have for your generation. You just blew it for everybody. Thanks. Next practice you can start with suicide runs. Unless that's too muchreading. All right. Everybody else, settle down.Stiles: It's her.Scott: What do you mean?Stiles: It's Allison. Remember what you told me about the night of the full moon? You were thinking about her, right? Aboutprotecting her.Scott: Okay.Stiles: Remember the night of the first lacrosse game? You said you could hear her voice out on the field.Scott: Yeah, I did.Stiles: Well, so that's what brought you back so you could score.And then after the game in the locker room, you didn't kill her. At least not like how you were trying to kill me. She brings you back, is what I'm saying.Scott: No, no, no, but it's not always true, because literally everytime I'm kissing her or - or touching her -Stiles: No, that's not the same. When you're doing that, you're just another hormonal teenager thinking about s*x, you know? You're thinking about s*x right now, aren'tyou?Scott: Yeah. Sorry.Stiles: That's fine. Look, back in the classroom when she was holding your hand, that was different, okay? I don't think she makes you weak. I - I think she actually gives you control. She's kindof like an anchor.Scott: You mean because I love her.Stiles: Exactly.Scott: Did I just say that?Stiles: Yes, you just said that.Scott: I love her.Stiles: That's great. Now, moving on -Scott: No, no, no, really. I think I'mtotally in love with her.Stiles: And that's beautiful. Now, before you go off and write a sonnet, can we figure this out, please? Because you obviously can't be around her all the time.Scott: Yeah, yeah, yeah. Sorry. Sowhat do I do?Stiles: I don't know. Yet.Scott: Oh, no. You're getting an idea, aren't you?Stiles: Yeah.Scott: Is this idea gonna get me in trouble?Stiles: Maybe.Scott: Is this idea gonna cause me physical pain?Stiles:Yeah, definitely. Come on.Scott: What are we doing?Stiles: You'll see. Hold on. Okay. Stand right there. Do you have your keys? Perfect. Hold 'em up like so. Now, whatever happens, just think about Allison. Try to findher voice like you did at the game. Got it?Scott: Okay.Stiles: Just - keep holding it right there. Hey, hey, hey, dude! What do you think you're doing to that truck, bro?Guy: What the hell?Stiles: Ow! My God.Wow.Stiles: Ah, come on, stay calm. Stay calm. Oh, that's not okay. Scott. Come on, buddy.Allison: Studying with a friend. Yes, that friend. We're lab partners.Harris: Stop! Hey, stop it right now. What do you idiotsthink you're doing?Derek: I need your help. If you can hear me, I need you to give me a sign. Blink. Raise a finger. Anything. Just - Just something to point me in the right direction, okay? Someone killed Laura. Yourniece. Laura? Whoever he is, he's an Alpha now. But he's one without a pack. Which means he's not as strong. I can take him. But I have to find him first. Look, if you know something, just give me a sign. Is it one ofus? Someone else make it out of the fire? Just give me anything. Blink. Raise a finger. Anything. Say something!Nurse: Let him go. You think after six years of this, yelling at him is going to get a response?Derek: Got abetter method?Nurse: Patience. He'll respond if you give him the time.Derek: I don't have any more time.Scott: Excuse me, sir? Uh, I know it's detention and all, but, uh, I'm supposed to be at work, and I don't want toget fired.Scott: You knew I would heal.Stiles: Yep.Scott: So you did that to help me learn?Stiles: Yep.Scott: But partially to punish me.Stiles: Yeah. Well, that one's obvious.Scott: Dude, you're my best friend, and Ican't have you being angry with me.Stiles: I'm not angry anymore. Look, you have something, Scott. Okay? Whether you want it or not, you can do things that nobody else can do. So that means you don't have achoice anymore. It means you have to do something.Scott: I know. And I will.Harris: All right, both of you, out of here.Scott: Thank you.Deaton: Scott, you're late again. I hope this isn't getting to be a habit. Can I helpyou?Derek: Hope so. Want to know about the animal you found with the spiral on its side?Deaton: Excuse me? What animal?Derek: Three months ago. The deer. You remember this?Deaton: Oh, yes. It's just a deer.And I didn't find it. They called me because they wanted to know if I'd ever seen anything like it.Derek: What'd you tell 'em?Deaton: I told them no.Derek: Did you hear that?Deaton: Hear what?Derek: The sound ofyour heartbeat rising.Deaton: Excuse me?Derek: It's the sound of you lying.Deaton: Oh, God.Derek: Are you protecting someone?Deaton: All right. The key to the drug locker is in my pocket.Derek: I don't want drugs.I want to know why you're lying.Deaton: I don't know what you're talking about. What are you doing to me? What do you want?Derek: I want to know who you are or who you're protecting.Scott: What are youdoing?Deaton: Scott, get out of here!Scott: Stop! Stop!Derek: Look, when he's conscious, he can keep himself from healing, but unconscious, he can't.Scott: Are you out of your mind? What are you talkingabout?Derek: You want to know what the spiral means, Scott? It's our sign for a vendetta, for revenge. It means he won't stop killing until he's satisfied.Scott: You think he's the Alpha?Derek: We're about to findout.Scott: Hit him again, and then you'll see me get angry.Derek: Do you have a plan?Scott: Just give me an hour.Derek: Then what?Scott: Meet me at the school. In the parking lot.Stiles: This is a terrible idea.Scott:Yeah, I know.Stiles: But we're still gonna do it?Scott: Can you think of something better?Stiles: Well, personally I'm a fan of ignoring a problem until eventually it just goes away.Scott: Just make sure we can get inside.He's here. Where's my boss?Derek: He's in the back.Stiles: Oh, well, he looks comfortable.Derek: Wait. Hey. What are you doing?Scott: You said I was linked with the Alpha. I'm gonna see if you're right.Stiles: Okay,one question. What are you gonna do if the Alpha doesn't show up?Scott: I don't know.Stiles: And what are you gonna do if he does show up?Scott: I don't know.Stiles: Good plan.Scott: All right. You said that a wolfhowls to signal his position to the rest of the pack, right?Stiles: Right, but if you bring him here, does that make you part of his pack?Scott: I hope not.Stiles: Yeah, me too. All right. All you.Derek: You've got to bekidding me.Scott: Was that okay? I mean, that was a howl, right?Stiles: I - yeah, technically.Scott: Well, what did it sound like to you?Stiles: Like a cat being choked to death, Scott.Scott: What do I do? How am Isupposed to do this?Stiles: Hey, hey. Listen to me. You're calling the Alpha. All right? Be a man. Be a werewolf, not a teen wolf. Be a werewolf. Do it.Derek: I'm gonna kill both of you. What the hell was that? What areyou trying to do, attract the entire state to the school?Scott: Sorry. I didn't know it would be that loud.Stiles: Yeah, it was loud. And it was AWESOME.Derek: Shut up.Stiles: Don't be such a sour wolf.Scott: What'd youdo with him?Derek: What? I didn't do anything."}
+{"doc_id":"doc_234","qid":"","text":"Isaac: Um - so far it's an \"A\" in French and a \"B\" minus in Econ.Mr. Lahey: Oh. What about chemistry?Isaac: I'm not sure. Uh, midterms are in a few days so it could go up.Mr. Lahey: Well, what's it at now?Isaac: Thegrade?Mr. Lahey: Uh, yeah.Isaac: Uh, I'm not sure.Mr. Lahey: But you just said it could go up.Isaac: I just - uh, I meant generally.Mr. Lahey: You wouldn't be lying to me, would you, Isaac?Isaac: No.Mr. Lahey: Thentell me your grade.Isaac: I just told you, I don't know.Mr. Lahey: You wanna take this little conversation downstairs? No? Then tell me the grade, son.Isaac: Dad, this semester's only half over.Mr. Lahey: Isaac?Isaac:There's plenty of time -Mr. Lahey: Isaac.Isaac: It's - it's a \"D\".Mr. Lahey: All right. It's a \"D\". I'm not angry. You know I'm gonna have to find a way to punish you though. You know, I have my responsibility as a parent.So we'll start with something simple, like, uh - Tell you what, you do the dishes and you clean up the kitchen, okay?Isaac: Yeah.Mr. Lahey: Good. Because I - I'd really like to see this place spotless. Know what I'msaying? You know? I mean this entire kitchen. Yeah! Yeah, absolutely - Spotless. Well, that was your fault.Isaac: You could have blinded me.Mr. Lahey: Shut up! It's a scratch! It's hardly even - Isaac. Isaac!Jackson:Freaks.Mr. Lahey: Isaac! Isaac! Isaac. Isaac? Isaac? Okay, that's enough. Let's go! That's it, grab your bike and let's go! Isaac? Holy - ! Aah! No! No! No! Aah! No! Aah! No! No! No! No!Allison: Hey.Scott: What are youdoing?Allison: Just trying to find you.Scott: Did anyone see you leave?Allison: No. No one, I was careful. What's wrong? Is it the full moon tomorrow night?Scott: No. No, it's not that. Um, I just wanted to ask you somethings. About your - um, your family. Actually, your grandfather.Allison: Okay, but I don't really know him. I mean, he's kind of just a guy who sends a check in the mail every year for my birthday.Scott: Does he knowabout me? About us?Allison: No, my dad hasn't said a thing. What is it? Did something else happen?Scott: We just need to be a lot more careful now.Allison: They're not gonna split us apart.Scott: Not us. Sure no onefollowed you?Allison: Totally, absolutely, 100 million percent sure. My parents are out, anyways.Scott: Out?Allison: Yeah, it's date night.Principal: Can I help you?Chris: Well, I hope so, Principal Thomas. As a concernedparent, uh, I was wondering - how long has it been since your last performance review?Principal: What?Chris: We were wondering.Victoria: Are you aware there's been an alarming drop in academic achievement andtest scores over the past few semesters?Principal: Excuse me?Victoria: It's led the parents of Beacon Hills to the unfortunate conclusion that you may no longer be suited to the position of school principal.Principal: Youcan't fire me.Victoria: True. But we can torture you.Isaac: Derek? Derek!Derek: What's wrong?Isaac: My dad. I think he's dead.Derek: What did you do?Isaac: That's the thing. It wasn't me.Scott: I'm serious. It's notlike the last full moon. I don't feel the same.Stiles: Oh, does that include the urge to maim and kill people like me?Scott: I swear I don't have the urge to maim and kill you.Stiles: You know, you say that now but thenthe full moon goes up and out come the fangs and the claws and there's a lot of howling and screaming and running everywhere, okay? And it's very stressful on me and so yes, I'm still locking you up.Scott: Okay, fine.But I do think I'm in more control now. Especially since things are good with Allison.Stiles: Okay, I'm aware of how good things are with Allison.Scott: They're really good.Stiles: I - thank you, I know.Scott: I mean, like,really good.Stiles: All right, I get it! Just please shut the hell up before I have the urge to maim and kill myself.Scott: All right, did you get something better than handcuffs this time?Stiles: Yeah, much better.Coach:Part of me wants to ask. The other part says knowing will be more disturbing than anything I could ever imagine. So - I'm gonna walk away.Stiles: That's good. That's a wise choice, coach.Stiles: You okay? Scott.Scott:There's another. In here, right now.Stiles: Another what?Scott: Another werewolf.Allison: You really don't remember anything?Lydia: They called it a fugue state, which is basically a way of saying \"We have no idea whyyou can't remember running through the woods naked for two days.\" But personally, I don't care. I lost nine pounds.Allison: Are you ready for this?Lydia: Please. It's not like my aunt's a serial killer.Allison: Maybe it'sthe nine pounds.Scott: It was kind of like a scent, but I couldn't tell who it was.Stiles: What if you can get him one - on - one? Would that help?Scott: Yeah.Stiles: Okay. I think I got an idea.Matt: You need a digitalcamera?Jackson: Yeah. And something that can record in low light. All night long.Matt: What are you recording?Jackson: Something in low light. All night long. Do you have the camera or not?Matt: You have a hundredbucks?Jackson: I drive a Porsche. What do you think?Matt: I think your parents have a hundred bucks.Jackson: Just get me the camera.Stiles: I told coach you're switching with Danny for the day.Scott: But I hateplaying goal.Stiles: Remember when I said I had an idea? This is the idea.Scott: Oh.Stiles: There we go.Scott: What's the idea?Stiles: I seriously don't understand how you survive without me sometimes.Coach: Let'sgo! Line it up! Faster! Make daddy proud.Scott: Here we go.Scott: Let me help you up.Coach: McCall!Scott: Yeah.Coach: Usually the goalie stays somewhere within the vicinity of the actual goal.Scott: Yes,coach.Coach: Let's try it again.Matt: What the hell, man?Scott: My bad, dude.Coach: McCall! The position's goal keeper. Not goal abandoner.Scott: Sorry, coach.Coach: Let's go!Coach: Stilinski, what the hell is wrongwith your friend?Stiles: Uh, he's failing two classes. He's a little socially awkward and if you look close enough, his jaw line's kind of uneven.Coach: That's interesting. Let's fire it up.Danny: It's Armani.Scott:Huh?Danny: My aftershave. Armani.Scott: Oh. It's nice.Coach: McCall! You come out of that goal one more time and you'll be doing suicide runs till you die. It'll be the first ever suicide run that actually ends in asuicide. Got it?Scott: Yes, coach.Coach: Yeah.Jackson: Uh, coach, my shoulder's hurting. I'm gonna - I'm gonna sit this one out.Isaac: Don't tell them. Please don't tell them.Scott: His father's dead. They think he wasmurdered.Sheriff: Come on.Stiles: Are they saying he's a suspect?Scott: I'm not sure, why?Stiles: Because they can lock him in a holding cell for 24 hours.Scott: Like, overnight?Stiles: During the full moon.Scott: Howgood are these holding cells at holding people?Stiles: People, good. Werewolves, probably not that good.Scott: Stiles, remember when I said I don't have the urge to maim and kill?Stiles: Yeah.Scott: He does.Scott:Why would Derek choose Isaac?Stiles: Peter told me that if the bite doesn't turn you it could kill you. And maybe teenagers have a better chance of surviving.Scott: Doesn't being a teenager mean your dad can't holdhim?Stiles: Well, not unless they have solid evidence. Or a witness. Wait. Danny. Where's Jackson?Danny: In the principal's office talking to your dad.Stiles: What? Why?Danny: Maybe because he lives across the streetfrom Isaac.Scott: Witness.Stiles: We gotta get to the principal's office.Scott: How?Harris: Everyone please turn to page 73. Who in the hell did that?Sheriff: Listen to me, you're telling me that you knew Isaac's fatherwas hitting him?Jackson: Hitting him? He was kicking the crap out of him.Sheriff: Did you ever say anything to anyone? A teacher, parents, anyone?Jackson: Nope. It's not my problem.Sheriff: No, no, of course not.You know, it's funny that the kids getting beaten up are always the ones who least deserve it.Jackson: Yeah. Wait, what?Sheriff: I think we're done here. Hi, Scott.Scott: H - yeah.Gerard: Boys. Come onin.[SCENE_BREAK]Gerard: Scott McCall. Academically not the most accomplished, but I see you have become quite the star athlete. Mr. Stilinski. Oh, perfect grades but little to no extracurriculars. Maybe you should trylacrosse.Stiles: Oh, actually I'm already -Gerard: Hold on. McCall. You're the Scott that was dating my granddaughter.Scott: We were dating but not anymore. Not dating, not seeing any of each other or doing anythingwith each other - At all.Gerard: Relax, Scott, you look like you're about to crack a cyanide pill with your teeth.Scott: Just a hard breakup.Gerard: Oh, that's too bad. You seem like a pretty nice kid to me. Now listen,guys. Yes, I am the principal, but I really don't want you to think of me as the enemy.Stiles: Heh, is that so?Gerard: However, this being my first day, I do need to support my teachers. So unfortunately someone isgoing to have to take the fall and stay behind for detention.Lydia: It's just - we haven't really talked since that night and well - Jackson, can you, like, look at me for half la second? They said if you hadn't found me andcarried me back, I could have died. So I just - I wanted to say thank you.Jackson: Lydia, we're not getting back together.Lydia: What?Jackson: And just because I kept you from bleeding out on a field once, don'texpect me to come running every time you start screaming.Lydia: I never said -Jackson: I'm not responsible for you. Okay? But I will give you one piece of advice. If I were you, I'd stay home tonight.Lydia: What doesthat mean? What's tonight?Jackson: It's a full moon.Derek: Get in.Scott: Are you serious? You did that. That's your fault.Derek: I know that. Now get in the car and help me.Scott: No, I've got a better idea. I'm gonnacall a lawyer. Because a lawyer might actually have a chance at getting him out before the moon goes up.Derek: Not when they do a real search of the house.Scott: What do you mean?Derek: Whatever Jackson said tothe cops, what's in the house is worse. A lot worse.Gerard: I'm not interested in whether they locked up a 16 - year - old kid. I'm interested in what's going to happen to that 16 - year - old when the moon hits its peaktonight. Do we have proof?Chris: Is the next step killing him?Gerard: The next step is eliminating the threat. Do we have proof?Chris: I haven't been in history class for a while, but I'm pretty sure straight - up genocidehasn't worked out too often.Gerard: Do we have proof or not?Chris: Not irrefutable. But not insignificant. The driver's side door of Lahey's car was pried off.Gerard: Pried off?Chris: Ripped off.Matt: I'm starting to feel alittle weird about this.Jackson: No, no, no, no. What you're feeling is a hundred dollars richer. Give me the camera and go buy yourself another fancy lens or light meter or whatever gives your photography geeks a hard- on.Matt: This doesn't have anything to do with Allison, does it? I saw you two at the dance the other night and I kind of figured that you two were, you know, together.Jackson: Aw, you have a little thing for Allison,Matt? A little - a little crush?Matt: No.Jackson: You think I'm gonna waste my time by doing something as unbelievably ordinary as making a s*x tape?Matt: Then what are you doing?Jackson: Documenting history. Myhistory. And I want to be able to see it happening. All of it. You'll get it back tomorrow.Scott: If Isaac didn't kill his father, who did?Derek: I don't know yet.Scott: Then how do you know he's telling the truth?Derek:Because I trust my senses. And it's a combination of them. Not just your sense of smell.Scott: You saw the lacrosse thing today.Derek: Yeah.Scott: Did it look that bad?Derek: Yeah.Allison: Sorry.Chris: Allison?Gerard:Come in. We'd like to talk to you.Allison: I'm supposed to study with Lydia, I really don't have time to chat.Chris: Actually, that's who we want to talk to you about, sweetheart.Derek: You wanna learn? Let's startnow.Scott: What's down there?Derek: Motive.Scott: And what am I looking for?Derek: Follow your senses.Scott: What happened down here?Derek: The kind of thing that leaves an impression. Open it.Stiles: Hey,sorry, Harris literally just let me out of detention. Literally. And he had my phone the whole frickin' time.Allison: Well, we need to do something right now. They were asking me all these questions about Lydia and howshe was bitten by Peter, and then they sent this guy out.Stiles: Wait, what guy?Allison: He was dressed as a Sheriff's deputy.Stiles: They're sending him to the station for Isaac.Allison: He was also carrying this boxwith something on it, like, um, like a carving or something.Stiles: What was it?Allison: Hold on, hold on. It's in one of these books. I'm taking a picture. Did you get it?Stiles: Yeah, wolfsbane.Allison: What does thatmean?Stiles: It means they're gonna kill him.Scott: This is why he said yes to you.Derek: Everyone wants power.Scott: If we help you, then you have to stop. You can't just go around turning people intowerewolves.Derek: I can if they're willing.Scott: Did you tell Isaac about the Argents? About being hunted?Derek: Yes, and he still asked.Scott: Then he's an idiot.Derek: And you're the idiot dating Argent's daughter.Yeah. I know your little secret. And if I know, how long do you think it's gonna take for them to find out? You saw what happens to an omega. With me, you learn how to use all of your senses. With me, you learncontrol. Even on a full moon.Scott: If I'm with you, I lose her.Derek: You're gonna lose her anyway. You know that.Scott: Wait. I'm not part of your pack. But I want him out. He's my responsibility too.Derek: Why?Because he's one of us?Scott: Because he's innocent.Stiles: Hey, did you slow him down?Allison: You could say that.Stiles: All right, well, uh, I'm headed to the station right now.Allison: Where's Scott?Stiles:Isaac's.Allison: Does he have a plan?Stiles: Yeah, but not a very good one. And unfortunately we don't really have time to come up with anything better.Allison: Scott? Are you sure we have to do this?Scott: Yes.Allison:Where?Scott: Please. I don't want to hurt you.Stiles: Okay, now the keys to every cell are in a password protected lockbox in my father's office. The problem is getting past the front desk.Derek: I'll distract her.Stiles:Whoa, whoa, whoa - you? You're not going in there. I'm taking my hand off.Derek: I was exonerated.Stiles: You're still a person of interest.Derek: An innocent person.Stiles: An - you? Yeah, right! Okay, fine. What'syour plan?Derek: To distract her.Stiles: Uh - huh. How? By punching her in the face? Unh.Derek: Heh, by talking to her.Stiles: Okay, all right. Give me a sample. What are you gonna open with? Dead silence. Thatshould work beautifully. Any other ideas?Derek: I'm thinking about punching you in the face.Deputy: Good evening, how can I help - you?Derek: Hi.Deputy: Hi.Derek: Um, I had a question. Um, sorry I'm a little - alittle thrown. I wasn't really expecting someone -Deputy: Like me?Derek: Oh, I was gonna say \"so incredibly beautiful\" but, yeah, I guess that'd be the same thing.Allison: It's done. It's locked.Scott: Go.Allison: Scott, Ican't -Scott: Just go!Stiles: Oh, no.Stiles: Oh. Uh, just looking, um - Oh, sh -Scott: Allison. Allison! Allison!Stiles: How did you do that?Derek: I'm the Alpha.Allison: Come on. Come on!Allison: What the hell wasthat?Scott: I don't know.Stiles: Uh, he did it.Mrs. Whittemore: Jackson, what is it? What happened?Jackson: Nothing happened. Nothing at all."}
+{"doc_id":"doc_235","qid":"","text":"[ Enchanted Forest - Past Year ][SCENE_BREAK](A carriage, escorted by knight, crosses a forest. It is stopped by Hook.)Knight: Whoa! And just who might you be?Hook: I'm the man who's going to relieve you of thatchest full of gold you are transporting.Knight: You and what army?Hook: Well, I'm glad you asked.(Lights are lit.)Hook: Your choice. Save your lives or the gold.Knight: Retreat!(The knight leaves.)Hook: Smee?! Thosearrows took a lot longer to light than discussed.Smee: It wasn't easy lighting all of them by ourselves, captain. Maybe if we had an actual army...Hook: And share in the spoils? I think not.Smee: I got to say, it's good tobe at your side again, sir, and... Not as a rat.Hook: Well... that's a lovely side effect of the curse breaking for you, I'd imagine.Smee: I did like the mobility, but being a human is good, too.Hook: What did I tell you,mates? You don't need a ship to be a pirate.[SCENE_BREAK](At the tavern.)Hook: One more, one more!(Oh!)Hook: To the most clever, dastardly band of pirates to ever set sa... Stride on the open roads!Smee: Tocaptain Hook!Everybody: Hey!Smee: Wait, wait, wait, wait, wait, wait, wait, wait! The boys and I chipped in...Hook: Mm-hmm.Smee: And got you something.Hook: Oh. Mr. Smee. How did you know?Smee: Enjoy. Tocaptain Hook!Everybody: To Hook!Smee: Come on. One more.(Outside the tavern. Hook gives the prostitute some money.)The prostitute: I don't... Understand. Your men took care of me.Hook: And tomorrow, youshall tell them that you had a grand time. Good night.(Hook is walking in the street and he is hit by Ariel.)Hook: Aah.Ariel: Move, and I'll slit your throat.Hook: Not a good plan for you. I'm guessing you don't know whoI am.Ariel: I know exactly who you are, Captain Hook.Hook: Well, then, I'm at a disadvantage.Ariel: My name's Ariel. And you're gonna pay for what you've done.[SCENE_BREAK][ Storybrooke ][SCENE_BREAK](AtCharming Family's loft.)David: I've seen enemy battle plans that were easier to decode than this.Emma: Let me see. All right, it says \"take screws 'E' with washers 'D' \"through bar 'C' using wrench 'F, '\" which is... Notprovided.Mary Margaret: Why don't you just call Marco? He's really good at this sort of thing.Emma & David: No!David: No. We're fine.Mary Margaret: Should we even be doing this? Ever since the showdown betweenRegina and the Wicked Witch, we haven't seen Zelena or Gold at all. Shouldn't we be focusing on her next move?Emma: We are. We just can't stop living.David: And this crib is a statement. We're not gonna loseanother baby.(Regina comes in.)Regina: And, thanks to me, you won't. I'm finished.David: So? Did it work? Were you able to put up a new protection spell?Regina: One that can't be undone by blood magic, whichmeans Zelena won't be able to put her hands on that baby.Mary Margaret: Any idea why she would want to?Regina: The number of spells involving baby parts would surprise you. That greenie is clearly one twistedwitch. But as long as we're in here, we're safe.Emma: That's useless. I think we need to stop playing defence and start taking the fight to her.Regina: Did you not see how I barely outwitted her yesterday? She hasmagic... Powerful magic.Emma: I have magic, too. You've seen me use it. I just can't always control it. But if we teamed up, if you... Taught me...Regina: Now, why does this feel so familiar?Emma: I'm ready thistime.Regina: Okay. But if we do this, we do this my way. This isn't drinking stale coffee at a stakeout or... Whatever you did as a bail bondsperson. This is a way of life. You have to fully commit to it.Emma: Not aproblem.Regina: Meet me at my vault in two hours.(Regina leaves.)Emma: And no complaining. I'm doing this. It's the only way. And yes, I will be careful.Mary Margaret: We know.David: Don't worry. We'll watchHenry when he gets back from the store.Emma: Actually... I'm not sure that's the best idea.Mary Margaret: What? What is it?Emma: Well, you guys are tired. You need to rest.Mary Margaret: I'm pregnant. I'm not sickwith the flu.Emma: Yeah, I know. It's just, um... Well, it's... \"Cradle cap.\" Last time you guys had him, you overwhelmed him with baby tips. He's 12. He's doesn't want to talk about pregnancies. It's not fun.MaryMargaret: Oh, we're fun.Emma: Well, I'm just saying maybe Henry disagrees.Mary Margaret: No!Emma: He'll get there. You got to remember, he doesn't know who you are.David: Well, if we're not fun, whois?[SCENE_BREAK](Hook is waiting for Smee at the harbour.)Smee: Captain Hook. Captain.Hook: It's about time, Mr. Smee. You know how much I abhor waiting. What is it that's so urgent?Smee: It's just, um, me andthe men were talking about how we haven't seen much of you since we all ended up back here.Hook: Is there a point to that rather odd observation?Smee: What's keeping us from crewing up again hitting the highseas, getting back to pirating?Hook: You mean other than being attacked and turned into flying monkeys? Have you forgotten? There's no safe passage out of this town. You've already been a rodent, Mr. Smee. Doeslife as a simian interest you, as well?Smee: Of course there's safe passage. We could outrun them.Hook: Not with that torso of yours.Smee: If we had a fast enough ship. The Jolly Roger, for instance. You still haven'ttold me whether you found her during the time none of us can remember.Hook: What happened during that time isn't important.Smee: Because you remember. Is our ship okay? What... What happened to it?Hook: Myship. All you need to know, Mr. Smee, is that the Jolly Roger isn't here. So there will be no outrunning of anything.Smee: I mean, what if we found another ship? Any one of these...Hook: Mr. Smee, I've tried letting youdown easy. Now let me be more direct. I have no intention of leaving this town.Smee: Captain, I agree with you This place has its bright spots. I have never tried anything quite like frozen yogurt before. But the WickedWitch is here. And with that sort of danger, what possible reason do you have to stay?Hook: My reasons are my own. Question them again at your peril.(Emma and Henry arrive.)Smee: Sir.Emma: Wait here, okay?Didn't he used to be a rat?Hook: Aye. In many ways, he still is. To what do I owe the pleasure, Swan?Emma: Um... I was wondering if you could take care of Henry again.Hook: If you want to get close to me, you justneed to ask. There's no need to use the lad as an excuse.Emma: Why am I not surprised you're making this about you? I need your help, 'cause Regina needs to train me in magic. We think together, we might be ableto defeat the Wicked Witch.Hook: That's the first reasonable plan I've heard since this all began. Magic is a part of you, Swan. Don't forget... I was there when Cora tried to steal your heart. I saw the power inside ofyou. It's about time you embraced it. It's what makes you the Saviour.Emma: I'm not embracing anything. I need to learn magic to defeat Zelena and make sure everyone here is safe. After that, I'm done.Hook: Donewith what, exactly?Emma: He doesn't belong here... Not anymore. He belongs in the real world, in New York, and the life that he remembers. It was good. And it didn't involve vile villains.Hook: What about the life youremember? You can't just pretend like this never happened. Trust me. I spent the last year trying to do just that... Return to the person I used to be... And it didn't work.Emma: Why? What happened over the last yearthat you're not telling me?Hook: It matters not. Just take it from me just this once. No matter how much you wish you could go back to your old life... You can't.[SCENE_BREAK](Mary Margaret and David are walking onthe beach.)David: We can't just sit back and do nothing.Mary Margaret: You're right. We can be as fun as... As any pirate captain.David: Exactly. Henry obviously did a lot of growing up in the past year. We just haveto... Adjust accordingly.Mary Margaret: What's going on?(A group surrounds Ariel.)Somebody: Does anyone know what happened?Somebody: She just washed up onshore.Mary Margaret: Who did? Who's here?Ariel?[SCENE_BREAK](On the beach.)Mary Margaret: Where have you been? We thought you'd been turned into a monkey.Ariel: A monkey? No. I'm a girl that turns into a fish.David: Yeah, we... We know. Whathappened to you?Ariel: I've been under the sea... Searching. I've travelled to every known realm looking for Prince Eric.David: So he's missing? For how long?Ariel: After Pan failed, I woke up here, like everybody else.I... I couldn't find him. I didn't understand what happened until I overheard everybody saying that we had all gone to the Enchanted Forest and been there for a year without knowing it.David: So you still don't knowwhat happened to him?Ariel: That's why I came back here. I thought maybe I'd overlooked something, that he'd be here, but... Obviously, you haven't seen him.Mary Margaret: We're sorry. We've been trying to piecetogether what happened. All we know is that we're up against Regina's sister, the Wicked Witch.Ariel: Do you think that she might be responsible for Prince Eric's disappearance?Mary Margaret: Without our memories,it's impossible to know everything.David: Maybe for us, but what about Hook?Ariel: The pirate?Mary Margaret: Yes. He wasn't part of the witch's curse. He has his memories. Maybe he can... I don't know... Shed somelight on what happened to Prince Eric.Ariel: Well, do you think he'd help me?Mary Margaret: He helped us save Henry. I don't know why not.[SCENE_BREAK][ Enchanted Forest - Past Year ][SCENE_BREAK](In thestreet.)Hook: Fear of adding insult to injury, would you mind catching me up on your particular grievance?Ariel: You kidnapped Prince Eric, and you're gonna return him to me. Now on your feet!Hook: Kidnapping aprince does sound like something I would do, but... I'm afraid you've got the wrong pirate. Or should I say the wrong pirate has you?Ariel: Go ahead... Kill me. But I still know you're lying. One of Eric's men escaped, soI know the ship that took him was yours... the Jolly Roger.Hook: The Jolly Roger? Are you certain? Answer me!Ariel: You really didn't take him.Hook: What else do you know about who's captaining my ship? Did thatman tell you anything else?!Ariel: Only that he was able to escape with a weapon that he stole from the armoury... The dagger that's against my throat.(Hook watches the dagger, he laughs andleaves.)[SCENE_BREAK](Mr Smee is sleeping in the tavern. Hook enters.)Hook: Rise and shine, you bilge rats! No offense, Mr. Smee.Smee: None taken. I keep dreaming of cheese. What is it?Hook: I know who has theJolly Roger, and we're gonna take her back.Smee: Whose funeral shall we be attending, sir?Hook: Black Beard.Smee: Black Beard? But... He's the most cutthroat pirate ever to hoist a sail. Uh... After you, ofcourse.Hook: Which will make it all the more satisfying when I take my ship back and make him walk her lovely plank.Smee: Let's not be hasty. We've been having fun robbing carriages. Getting rich from it, too. M...M... Maybe we should forget about the Jolly Roger. You said it yourself. We don't need a ship to be...Hook: She's not just a ship.Smee: I'm fairly certain she is.Hook: She's more than that. I haven't been myself sincewe've returned. I should have realized the reason why. It's because I don't have her.Smee: \"Her\"? You talk about the vessel as though she's a woman.Hook: Women come and go, Mr. Smee, but a pirate's life... It'sforever.Smee: Still, captain... I doubt we could even find Black Beard...Hook: Don't be a coward! I know where he moors his vessels. It's less than a day's trek. And then I'll have my ship again.Ariel: And I will have myprince.Hook: Few people have held a dagger to my throat and lived to tell the tale. I'd leave before I change my mind.Ariel: No. I've crossed paths with enough pirates to know your code. Any valuable information apirate captain ascertains shall be compensated in equal favour.Smee: I think she's right.Ariel: So... When do we leave?[SCENE_BREAK][ Storybrooke ][SCENE_BREAK](Hook and Henry are at Granny's Diner. They dice.Hook always wins.)Hook: You want to know the secret to winning?Henry: Practice?Hook: No, my boy. Loaded dice.Henry: That's cheating.Hook: Only if you get caught.Henry: I think it's cheating either way.Hook: Pointis, you win. \"Practice,\" huh?(David, Mary Margaret and Ariel enter in the Diner. Hook goes see them.)David: Uh, Hook, this is a friend of ours... Ariel. She's looking for someone who didn't return to Storybrooke with therest of us.Ariel: He's from a maritime kingdom, and he loved to sail. Perhaps... You came across him on the high seas? His name's Prince Eric.Hook: Sorry, lass. I wish I could help, but I've never heard ofhim.[SCENE_BREAK](At Regina's vault.)Regina: Don't touch anything.Emma: How am I supposed to learn magic if I can't touch anything?Regina: The same way I did with Rumple. We're going to create a solidfoundation first and then build your skills from the ground up. I said \"don't touch.\" So, while we're here, who's looking after Henry? The Un-Charmings?Emma: Actually, Hook is.Regina: Well, those two have beenspending a lot of time together lately.Emma: Hook's good with Henry, and Henry likes him.Regina: He's prone to violence, impulsive, and has a hook for a hand. What about him would a 12-year-old boy not like?Emma:I trust him. He brought me back to Storybrooke, and he didn't have to.Regina: Oh. Of course he brought you back.Emma: What's that supposed to mean?Regina: Seriously? You're going to pretend everyone doesn'tsee the yearning looks and doe-y eyes?Emma: I don't yearn.Regina: Well, maybe. But he does. Let's start with roots for incantations.(Regina shows Emma her mother's book of magic.)Emma: Are you kidding me rightnow? What language is this... Spanish?Regina: We're not making tapas. We're making magic. It's Elvish. Well, half Elvish.Emma: I'm never gonna get this. Is this how Rumple taught you? Just think about your training.What other methods did he use?Regina: Rumple was a bully. He didn't suffer fools, and he certainly didn't coddle his students. And if he tried to teach you how to swim and you couldn't learn, you drowned.Emma:Drowned?Regina: That's it.Emma: That's what?[SCENE_BREAK](Regina used her powers to transport Emma and her on a bridge.)Emma: What the hell are you doing?!Regina: Teaching you to swim.[SCENE_BREAK](AtGranny's Diner.)David: Come on. Think hard, Hook. Are you sure you can't remember anything that can be useful?Hook: My apologies, mate, but if I'd run across a prince during my adventure, I think I'd rememberit.Ariel: I just... I don't understand. How could he vanish without a trace?Mary Margaret: That's it. Maybe he didn't.David: What do you mean?Mary Margaret: When the curse brought us back here, it brought our things,too. Gold's shop is filled with them.David: And if we find something of Eric's, we can use a locator spell to track him.Ariel: Let's go.Hook: Sounds like a plan. Best of luck with that.Mary Margaret: Oh, wait, no. Youshould come with us. You might remember something that we won't... Or can't. You'd be far more helpful than us.Hook: Well, someone has to keep an eye on the boy.David: Well, Mary Margaret and I can take over.Could we... Have a talk for a moment?(Hook and David go apart.)David: What is it?Hook: You sure this is such a good idea, mate? Let's be honest... There's only one obvious explanation why the little mermaid herecan't find her prince. He's dead. There's no reason to ply her with false hope.David: In my experience, there's no such thing. You just have to believe. Now go. Good luck.[SCENE_BREAK][ Enchanted Forest - Past Year][SCENE_BREAK](Hook, Ariel and Mr Smee are walking into the woods.)Ariel: Trudge, trudge, trudge. If you ask me, there's nothing more boring than land travel. I'll take my tail in the ocean any day.Hook: That's onething we can agree on... Minus the tail, of course. You won't be bored for much longer. Our destination is just past this rise.Ariel: Then it won't be long until I'm reunited...Hook: Here. Allow me.Ariel: You've rippedit!Hook: It's a cloak.Ariel: It's Eric's cloak. And he's had it since before we met. He left it with me while he was away to keep him close, and now you have ruined it!Hook: If mending a cloak is our biggest obstacle, we'rein fine shape. You realize you might not find him... Or survive?Ariel: I will.Hook: Didn't you see the fear Black Beard's name struck into my crew? You don't become a pirate captain through mercy. If I were you, I wouldprepare myself for the worst.Ariel: Why? What are you saying... That you would kill Eric if you had him?Hook: You don't believe that?Ariel: Well, honestly, I was a little surprised to hear that you might be responsible forEric's kidnapping... After the stories that I've heard.Hook: What stories?Ariel: Well, the ones of you helping reunite Snow White and her family in Neverland. Some people say that you're a hero.Hook: Don't believeevery story you hear.Ariel: Being good is nothing to be ashamed of. People change. Look at me. I have legs, and I fell in love with a human. I don't think anyone saw that coming.Hook: You may have changed. Ihaven't. I'm a pirate, and I always will be.[SCENE_BREAK][ Storybrooke ][SCENE_BREAK](At Mr Gold's shop.)Ariel: Belle?Belle: Ariel? Where... Where have you been? I... I was... I was worried I'd never see youagain.Ariel: I've been looking for Eric. He's been missing since we all returned.Hook: We were hoping we could find something of his here.Belle: Oh, of course... To see if he's in Storybrooke.Ariel: Have you seenanything of his?Belle: I, um, I only just started sorting through things, but, uh... Don't despair. Let's... Let's start looking.(They start to look.)[SCENE_BREAK](Hook enters in the back room.)Hook: I've been wonderingwhere you went.(He uses his telescope and the button of Eric's cloak. Ariel and Belle enter.)Ariel: That's Eric's. How did you know that was his?Hook: I, uh... I wasn't sure. I saw the sea-creature clasp and rememberedhe was from a maritime kingdom.Ariel: He is. He was. And now he's here.(Ariel hugs Hook.)[SCENE_BREAK](On the bridge.)Emma: Are you out of your mind?!Regina: Every time you've exhibited your power, it's beenspurred by your instincts. So today, we're going to push those instincts until you master them.Emma: A little reading doesn't sound so bad now.Regina: You can stop me.Emma: Stop you from what?Regina:This.(Regina destroys the bridge.)Emma: What the hell are you doing?!Regina: Making the bridge collapse. You can either stop it... Or die.Emma: Aah! Regina! Enough! Stop this!Regina: No, you stop it. No morehand-holding. You have to do this. Reach into your gut. You know you can do this. It's inside you, Emma. Save the bridge. Save yourself.Emma: Aaaaah!(Emma falls but she uses her powers to build a bridge whichbrings her to Regina.)Emma: Did I... Did I just do that?Regina: Yes. When all I wanted was for you to retie the rope.Emma: It was like you said... Instinct. Why are you pissed? I did it. Why does it matter how?Regina:You think I'm mad because you didn't listen to me? I'm mad because... Look at all this potential inside of you, and you've been wasting it.[SCENE_BREAK](At Mr Gold's shop. Belle pours a potion on Eric's cloak.)Belle:This is a locator spell, so whatever object it's poured on becomes enchanted and returns itself to its rightful owner.Ariel: Thank you, Belle. I know that you've been busy trying to find a way to break your Mr. Gold out ofthe Witch's control. You didn't have to do this.Belle: No, I... I did. You know. Perhaps a little good news around here will be contagious.(The cloak flies away.)Ariel: Let's go![SCENE_BREAK][ Enchanted Forest - PastYear ][SCENE_BREAK](On the docks, near the Jolly Roger.)Hook: Up close, she's even more beautiful than I remember. Don't worry, my dear. You'll soon be back in my loving arms.Ariel: You do realize you're talking toa boat?Hook: You have your love. I have mine.Smee: So, how are we gonna get on board, Captain? Black Beard's crew outnumbers us.Hook: I'll show you.(Hook stands up. He stuns a pirate and goes on board.)Hook:Stand at attention, mates! Now boarding the ship... The rightful captain of the Jolly Roger. Now, if the coward who tried stealing her from me would kindly show his face, I'll give him the punishment he deserves.BlackBeard: Gladly. But it's not me who'll be punished. You want your ship back? Then take it.Hook: With pleasure.(Hook and Black Beard fight.)Black Beard: I was afraid you weren't gonna show up. Word on the waterwaysis Captain Hook had gone soft.Hook: The only thing soft will be your guts spilling on this deck. I'd never give up the Jolly Roger without a fight.(Hook and Black Beard continue the fight.)Hook: You think you know theship?Black Beard: Oh, every inch of it... I assure you.Hook: If that was the case... You'd know not to step there!Black Beard: Aah!(Black Beard is trapped.)Hook: Oh, I've been meaning to fix that.Black Beard: Finish"}
+{"doc_id":"doc_236","qid":"","text":"\"To Serve and Protect\" 33rd Episode of RoswellProduction Code: 2ADA11[SCENE_BREAK](Episode opens on Max and Isabel at home flipping through television channels)Isabel: There's nothing on.Max: We must have50 channels.Isabel: Crap. . .Crap. . .Max: Uh Huh.Isabel: Boring.Max: Uh Huh.Isabel: I'm going to take a stroll; see what people are dreaming.Max: Haven't you been over doing that lately?Isabel: Take it easy. It'sharmless.Max: It's just not a very nice thing to do.(Isabel leaves, Max yells after her.)Max: Stay away from Liz, please.(He continues flipping through channels)Max: Crap. . .Crap. . .Crap. . .(Isabel is on her bed lookingthrough her yearbook and stops at Liz's picture. We enter Liz's dream at the Crashdown. A young man enters.)Brad: Hello, Liz.Liz: Hello, Brad.(Brad lifts her up, and sets her on the counter. Liz lies down.)Liz: Wouldyou like fries with that.(Brad and Liz start kissing. Max shows up behind the counter)Liz: I'm with Brad now.Max: Brad doesn't even exist. Besides, you want someone who can do this.(Max gestures toward the ceilingand rose petals start to fall. Liz and Max kiss.)Liz: Oh my!Isabel: Even her romantic dreams are boring.(Back to Isabel's room. She looks through the yearbook again and stops on Kyle.)Isabel: Kyle's got to be moreinteresting than that.(We enter Kyle's dream. He's on a mountaintop in a Lotus position with BUDDHA.)Buddha: Remember young blossom, my most important words.Kyle: Yes, master.Buddha: To thine own self betrue.Isabel: It's Shakespeare.Buddha: With every inhale find the center of yourself. With every exhale release the ties that bind your energy. Inhale. . .Exhale. . .Inhale. . .(BUDDHA is interrupted by a cell phonebeeping.)Buddha: Excuse me. BUDDHA here. Yeah. When? Prepare the ship. Standby to beam us aboard.Kyle: Master?Buddha: Our enemies have arrived, Kyle. We must leave Earth and face the dark legion.Kyle: No,no, no, no. I'm here for inner peace, not that science fiction crap.Buddha: Max Evans changed you when he saved your life. You know that. You're an alien now Kyle. Dude, like, accept you destiny.Kyle: No, I'mnot!(Kyle looks down at his hand and it has become green and slimy.)Kyle: Ahhhhh!(Switch back to Isabel's room, where she enters another dream in a forest with flashes of light.)Isabel: Where am I? Kyle, who'sdream is this?(We see a man dragging a screaming girl in a black plastic bag. Isabel wakes up in a panic.)(Opening credits)(Open on Sheriff Valenti's office, the next morning.)Voice (O.C.): Excuse me. I'm looking for abroken-down, old, war-horse somehow managed to make Sheriff of Roswell, New Mexico.Valenti: Hansen, send that sanctimonious paper-pusher in here before I have him arrested for vagrancy.(Man enters)Dan: Damnson, you are getting old.Valenti: Real police work will do that to you, Dan. You should try it some time.Dan: Now, that hurts. Long time, Jimbo.Valenti: Too long. So, I take it this isn't a social call.Dan: The state policeboard wants to review the Hubble shooting. VALENTI: Hubble? Well, it's an open and shut case. Crazy old man with a gun in the desert. It was over a year ago. Why investigate that?Dan: Wheels of justice grindslowly.Valenti: Do I need a lawyer?Dan: Whoa, easy, no need to get all riled up now.Valenti: That was a clean shoot, Dan.Dan: If you say so.(Change to Crashdown. Tess is having breakfast with Kyle. She poursTabasco sauce on her waffles with whip cream and strawberries, and in her orange juice.)Kyle: That's a very alien thing, isn't it? The very sweet, very spicy? TESS: Uh huh.Kyle: Can I try a bite?Tess: You won't likeit.Kyle: Oh, I hope not.(Kyle takes a taste)Kyle: Oh my God.Tess: I told you.Kyle: No,no,no. It's not completely horrible. It's almost tasty.Tess: Oh well, here. Have some more.Kyle: No, no, I can't. This is so wrong. I'mnot ready for this.Tess: Not ready for what?Kyle: For the change. Not ready to be, like, a half-human, half-alien freakazoid.Tess: Uh, we prefer the term 'hybrids'.Kyle: I'm serious. Look, I never bargained for this. Oneminute I'm a normal guy with my whole life ahead of me the next thing I know, Max Evans transmogrifies me into something not-of-this-Earth.Tess: Whoa, whoa, trans-what?Kyle: Look, I never asked for this.Tess:Well, I suppose he could have let you die. Is that what you want? KYLE: If I had died, I would have transcended the mortal plane and been reincarnated into the next stage of my life.Tess: Reincarnated as what,exactly?Kyle: Like, just another person or animal, maybe.Tess: An animal? Like, you could have ended up a gopher or something! KYLE: Look, we're getting off the point. I really need some help.Tess: What do you wantfrom me? I don't know what's going to happen to you. You know, maybe nothing will happen. Or maybe you could develop superpowers and start flying all over Roswell in a big cape. I don't know!(Kyle reaches for Tess'waffles.)Kyle: Could I have another-Tess: No!(Isabel and Max are talking to Sheriff Valenti in his office.)Valenti: Alright, let me get this straight. You can go into people's dreams?Isabel: Yes. But usually I choose whosedreams I go into. This one just came to me.Valenti: Well, how do you know this was real, not just somebody's nightmare you stumbled into?Isabel: I don't know, but it felt real. She needs help.Max: Sheriff, when Tesswas being tortured Isabel got flashes from her, and that's how she knew Tess was in danger. That's how we saved her life. We should check into this.Valenti: It's a little hard to look for a missing girl without a name or aface.(Dan knocks and enters)Dan: Hey, Senor Chows for lunch?Valenti: Yeah, that'd be fine.(Dan looks with interest at Max and Isabel.)Dan: Hi.Max: Hi.Valenti: I'll see you at 1:00, Dan.(Dan exits)Max: Who wasthat?Valenti: From the State Police Board. He's reviewing the Hubble case. Max: Hubble?Valenti: It's no big deal. Dan's an old friend. I'll tell you what. I'll look into it, Okay?Isabel: Thank you.(Dan and Valenti arehaving lunch at Senor Chows.)Valenti: When I ordered him to put his weapon down, he uh. . . he refused, brought the gun up. I felt my life was in imminent danger, so I fired.Dan: Hmm, just like it says in your report.(Dan signals a waiter) Uh, could we have more of these sweet and sour tortillas? They're good, different, but good. So, uh, who were those kids in your office this morning?Valenti: Nobody. Stolen bike.Dan: Hmm, Whatwere their names again?Valenti: Max and Isabel Evans. DAN: Max Evans. . .hmm, I got a statement here says that Hubble was last seen in a car with Max Evans, before the shooting.Valenti: Whose statement?Dan:Was Max Evans there that night?Valenti: No.Dan: Okay Jim, that's all I need to hear.(Move to the Crashdown. Liz is serving food to some customers)Liz: Okay, Umm, we have a Saturn Rings and a Galaxy Sub, hold theMax. (Liz looks at Maria as she realizes her mistake) Okay, so I'll be right back with the Cokes.(Maria pulls Liz aside.)Maria: Okay, what just happened?Liz: I need help. I'm sick, Okay. I am an obsessed person.Maria:Okay, is this a general freakout or should I be concerned?Liz: No, I have Max on my brain 24 hours a day. Okay, I dream about him, I think about him, and now I'm saying his friggin' name without even realizing it.What am I going to do?Maria: You're in love that's all.Liz: I know, but it's not getting me anywhere.Maria: Okay relax, relax, Liz. It's not that bad. I promise.Liz: Not that bad? Really? Why don't you look at this?(Lizpulls out two pictures of Max from her apron pockets.)Liz: See! Obsession, obsession, obsession, obsession!Maria: Okay, okay, you're a Max-aholic. I'm here for you. What can I do?Liz: Get me a life.(a new guy entersthe Crashdown.)Maria: Oh, you gotta be kidding me. When did you get out?Sean: This morning.Maria: You didn't break out did you?Sean: I got a release, good behavior.Maria: That's a first. You don't think that you'regoing to stay with us do you?Sean: Oh, uh, Aunt Amy already gave it the thumbs up.Maria: She is such a soft touch, isn't she?Sean: Hi, Liz.Liz: Hey, Sean.Sean: All grown up. Like it. I'll see you at home.Maria: It's notyour home.(Evans House. Grant Sorenson is flipping through TV channels as Max walks in with a look of distrust.)Max: Grant.Grant: Hey, Max.Max: You're uh. . .Grant: Waiting for Isabel.Max: Oh, right. I'll go check onher.(Max enters Isabel's room. Isabel is hurriedly going through her closest of clothes picking out something to wear.)Max: You know, Grant's downstairs.Isabel: I know.Max: Do you really like that guy?Isabel: Don'tstart with me, Max.Max: What's wrong?Isabel: I just. . .I've been thinking about that girl all day. You know? It was different. It was like she was dreamwalking me.Max: You mean, like, she's an alien?Isabel: No, no, Idon't think so.Max: Well, maybe you should cancel your date.Isabel: You know how many times I have cancelled in the last month? I have no more excuses.Max: Well, tell him the truth. You've been battling evil aliensfor control of the planet and it's hard to fit him in.Isabel: Funny. No, no, I want a normal date with a normal guy tonight. I'm going, so just. . .just tell him I'll be ready in five minutes. Okay? Five minutes.Max: Fiveminutes.Isabel: Yeah, five minutes. Okay? Thank you.(Valenti living room. Kyle is sitting in front of the TV, which is off. He tries out his alien powers by raising his hand toward the screen. Tess walks up behind him andsees what he is doing, so she picks up the remote control and turns the TV on.)Kyle: Oh God, jeez.(Tess laughs quietly to herself and Kyle tries again.)Kyle: Channel 15.(Tess changes the channel with the remote.)Kyle:Channel 23(Tess changes the channel)Kyle: Unscrambled p0rn.(Tess changes again, and Kyle jumps up in triumph.)Kyle: I have become -(he turns and sees Tess behind him.)Kyle: an idiot.Tess: Oh, but a cute one.Hey(Tess tosses the remote to Kyle)(Switch to the movies with Isabel and Grant. Isabel rolls her head from side to side.)Grant: You sore?Isabel: Yeah.(Grant massages her neck.)Isabel: Thank you.(Isabel lays her headon Grant's shoulder and closes her eyes. Suddenly she gets another flash of a young blond girl being kidnapped as she goes to her car. We see drugs and a syringe. Next we see her being dragged in a black bag, by aman. Isabel sits up with a yell.)Grant: You okay?Isabel: Yeah, I'm fine. I'm fine. I'm sorry.(Isabel and Max are in Valenti's livingroom later that night.)Isabel: I need to find her. She's in trouble. She's going todie.Valenti: I thought you weren't sure.Isabel: It's real Sheriff. I know it's happening.Max: You have to find her.Valenti: Find who? What missing girl? No one's been reported. I don't know what she looks like. I don'thave any leads. . .Isabel: I saw her car. It's silver.Valenti: Did you see the plates?Isabel: No, but it's a Honda, or a Toyota, or something. I'm not good with cars.Valenti: Okay, I guess I could start looking through theabandoned vehicle reports. See if it's turned up. Okay?Isabel: Thank you. I'm sorry for barging in like this.Valenti: Hey, hey. It's Okay, alright?Isabel: Thank you.(As Isabel leaves Max talks to the sheriff.)Max: I knowhow all this must look.Valenti: I believe her. I do. I just don't know how realistic it is to think that I'm going to be able to find this girl with this evidence.Max: I know. Thanks.(As Max leaves the sheriff makes a phonecall.)Valenti: Hansen, I'm coming in.(Valenti enters the Crashdown on his way in to the station and sits at the counter by a woman.)Valenti: Large coffee and a warp wrap to go please.Judith Foster: Working lateJim?Valenti: YepJudith Foster: Great match your boy had the other night.Valenti: Yeah, two take downs. Not bad, huh?Judith Foster: Just like his father. Remember that match against the Rangers?Valenti: My God, howdo you remember these things?Judith Foster: I had a crush on you, or didn't you notice?Valenti: I noticed your boyfriend.Judith Foster: I like to call him my husband now.Valenti: How's your girl?Judith Foster: Melissa?Fine, just fine. . . I think.Valenti: Something wrong?Judith Foster: No, it's nothing I'm sure. She went to visit some friends in Santa Fe yesterday and she hasn't called home yet. I know I shouldn't be concerned, but shealways calls. Oh, I'm being silly.Valenti: Melissa drives a silver car doesn't she?Judith Foster: Yeah, Toyota. Why?(Sheriff's station later that night. A deputy is interviewing the woman as Sheriff Valenti enters givingorders.)Valenti: You contacted all the Foster girl's friends yet? I need to know if she turns up.Deputy: OKAY(Valenti turns to another officer.)Valenti: Get highway patrol on the horn. I want every inch of 285covered.(Valenti hands papers to another officer)Valenti: Plate numbers. Run them.(Switch to Mrs. Foster being interviewed)Mrs. Foster: She had an overnight bag and a cosmetics case. Deputy: Does she have a cellphone?Mrs. Foster: No. I took it away from her. She was spending too much money.(Dan enters)Dan: Hey, how's it going?Valenti: Busy. Judith, you have that picture?Mrs. Foster: Yeah, it's right here.(Valenti turnsback to Dan.)Valenti: What's up?Dan: Heard about the missing girl. You're really circling up the wagons here.Valenti: Just doing my job. Excuse me.(Valenti opens his office door.)Dan: Who you got in there?(Valentiturns back and looks at Dan but doesn't answer, then continues into his office and closes the door. Max and Isabel are waiting. He hands Isabel a picture of Melissa Foster.)Valenti: Is this her?Isabel: The hair's the rightcolor. I think so.Valenti: Are you sure?Isabel: I never saw her clearly, but it's her. It has to be.Valenti: I hope you're wrong. I've known the Fosters for years.Max: Well, I don't recognize her.Valenti: She goes toGoddard High.Isabel: The terror. I felt it so clearly in the last dream. We have to get her back. I need to.Valenti: You and me both.(Change to the next day in the Crashdown where Maria is serving Sean.)Maria: In caseI haven't told you this. You dine n' dash here, you die.(Sean reaches into his pocket and lays money on the table.)Maria: Is there a tip in there?Sean: Just give me the burger.Maria: How about a little talk, hmmm?Alright, in our house there are rules, and as strange, unimaginable, and bizarre as it may seem - we live our lives by these very simple rules.Sean: Okay.Maria: Rule one, toilet seat is left down. Rule two, underwear arenot left on the floor, no. Rule three, milk is poured into a glass, not directly consumed by the carton. Rule four -Sean: There a lot of these rules?Maria: Don't worry, I'll write them down for you, assuming of course, thatyou can read.Sean: Of course.Maria: Now, pay attention please. Rule four is very important. Leave Liz alone.Sean: Why, is she part of that house too or something?Maria: I am not kidding, Sean. She is way off limits toyou. Okay? Way, way, off limits.Sean: Way.Maria: Look, I saw the way you looked at her, alright? 'All grown up. I like it' No, it's not going to happen, Sean.Sean: Okay.Maria: She's in a very delicate and fragile place inher life right now.(We hear Liz yelling off camera)Liz: Dammit Eddie, where's my order?(Sean looks questioningly at Maria)Maria: I'm serious.Sean: I hear you, alright? Leave her alone. I get it. What do you want fromme?Maria: I'll give you the list by the end of the day.[SCENE_BREAK](Switch to Isabel in her room. She lies on her bed and tries to dreamwalk. After some restless tossing she sees the blond girl again being dragged inthe forest. This time we see the face of the man and it is Grant Sorenson. Isabel wakes up very upset and Max is shaking her.)Isabel: No! Oh, no! It can't be!Max: You started crying Isabel. What happened?Isabel: No,Oh God! It's Grant! It's Grant. I saw him. I saw him. Oh God! Oh God. No.(Change to Valenti's Office, where Isabel and Max are talking to the Sheriff.)Valenti: Sorenson?Isabel: I'm positive.Valenti: Alright, I'll take careof it.Max: You want us to help?Valenti: Not this time.(Switch to a daytime shot of a golf course. Valenti is calling to a judge who is playing golf.)Valenti: Your honor! Your honor!Judge: Hello, Sheriff.Valenti: The womanwho came forward is positive she saw Grant Sorenson with Melissa Foster.Judge: You have a history with this Sorenson character don't you? Uh, he filed a complaint?Valenti: That was a misunderstanding, sir.Judge:Yeah, you searched his room without a warrant, shoving a gun in his face.Valenti: Your honor! Your honor! A girl could be dying here!Judge: You hurry and get me probable cause, then you'll get your warrant;otherwise, you're ruining my handicap.(Change to Grant Sorenson's campsite as The Sheriff and Hansen drive up.)Valenti: Check the car. We're looking for a large vinyl bag; seven foot by three.Grant: What the hell'sgoing on here?Valenti: We need to do a little looking around Mr. Sorenson.Grant: For what? My igneous rock collection?Valenti: Do you know Melissa Foster?Grant: I heard she was. . . What is this? Every time someonedisappears I become your number one suspect?Valenti: What were you doing last Friday night?Grant: I drove to Carlsbad. That's the opposite direction from Santa Fe. VALENTI: How did you know Miss Foster went toSanta Fe?Grant: It's common knowledge. The whole town is talking. Sherrif, you got a warrant?Valenti: What were you doing in Carlsbad?Grant: I went to pick up some equipment.Valenti: We heard you were out herein the middle of the night.Grant: That's not a crime.Valenti: Depends upon what you were doing.(Valenti comes to Grant's tent and opens the flap. He sees a large black vinyl bag like the one in Isabel's visions, andpulls it out.)Grant: Don't touch that.Valenti: What are you doing with this bag?Grant: Transporting equipment.Valenti: I need to see what's inside it. Open it up.Grant: I can't do that.Valenti: Well if you won't then I will.Step aside.Grant: Sheriff, this is ridiculous.Valenti: Back off!(Grant moves aside and the sheriff unzips the bag to find equipment.)Valenti: What is this?Grant: It's equipment, photosensitive equipment. They use it incaverns like in Carlsbad. That's why I work at nights. It's the only time to get proper readings. You don't have a warrant do you?(Switch to Valenti's office where Dan is waiting for him.)Valenti: Dan.Dan: Okay, cards onthe table, Jimbo. What's going on here?Valenti: I'm in the middle of an investigation.Dan: Where you been the last four hours?Valenti: Following a lead. Checking out a suspect. Anymore questions? DAN: Yeah, you geta warrant for Sorenson this time?Valenti: You always know more than you let on, don't you Dan. I should have remembered that the day you walked through my door.Dan: It's part of my job, Jimbo, and what I knowright now is you disappear for days on end and you spend a lot of time lately with teenage kids. That's awful strange behavior.Valenti: This isn't about the Hubble case is it? What the hell is going on here?Dan: The StateBoard has had you in their watch file for a long time now, what with your reputation for chasing UFO's and what not. But right now it's your own men that are talking, and they want to know what's happened to theirsheriff.Valenti: I don't owe them an explanation.Dan: You owe me!(Valenti and Dan start yelling at the same time.)Dan: You're crossing a lot of lines and I want to know why!Valenti: I haven't been able to carry on aninvestigation. A girl's life is on the line.(The two men are interrupted by a knock on the door.)Valenti: What!Hansen: Uh, Sheriff. I'm sorry but, uh. .(Hansen shows a young blond girl into Valenti's office.)Dan: Can wehelp you?Girl: Yeah, hi. I'm Melissa Foster. I heard you were looking for me.(Switch to an alley outside the Sheriff's station where Valenti is talking to Max and Isabel.)Valenti: Girl said her car gave out halfway to SantaFe. Next day she had it towed. No kidnapper, no needles, no bags and no desert.(Isabel hangs her head.)Valenti: Isabel, it's alright. Melissa's safe. Her family's happy. Nobody got hurt.Max: What about you?Valenti: I'llhave some awkward questions to answer but I'm sure it will blow over.Isabel: Sheriff, I am so sorry. I don't know how I could have been so wrong. I . . .Valenti: Hey, you didn't do anything wrong. You have gifts therest of us don't, and I trust those gifts. And if anything like this ever happens again, I want you to come to me. I'll be fine.(Back in Valenti's office where Dan and the Judge are questioning him.)Judge: What the hell iswrong with you? You conduct an illegal search after I say no!Dan: You know, Sorenson has filed a 15 million-dollar civil suit against the city.Valenti: For what? Because I ruined his stupid experiment? He's gonna belaughed out of court.Judge: I'm half tempted to have you thrown into your own jail on a contempt citation.Valenti: I'm sorry. Okay, I was wrong. I had a hunch. I had to follow it. JUDGE: A hunch! You told me you had awitness!Dan: You told Judith Foster you had two witnesses! You terrified that family! I spent all day trying to calm them down.Valenti: There are two witnesses, but I promised them anonymity. I can't break thatpromise.Dan: We talking about those kids again.Valenti: NoJudge: What kids?Dan: Max and Isabel Evans.Valenti: This has nothing to do with them.Judge: Then who? I want names and I want them now.Valenti: I'm"}
+{"doc_id":"doc_237","qid":"","text":"5:50pm - 6:15pm[SCENE_BREAK]1: EXT. KING PRIAM'S PALACE. BALCONYCASSANDRA: Then woe to the House of Priam. Woe to the Trojans!PARIS: I'm afraid you're a bit late to say 'whoa' to the horse! I've justgiven instructions to have it brought into the city.[SCENE_BREAK]2: EXT. PLAIN OF TROY(The horse moves slowly forward to the city. At its feet, the excited, but doomed crowd can be heard.)[SCENE_BREAK]3: INT.CHAMBER OF KING PRIAM'S PALACE(All except VICKI have come back from the balcony and back into the chamber. She is nowhere to be seen but her absence is not immediately noticed.)CASSANDRA: Of all the idiocy!To have it brought into the city!PARIS: (Despairing.) Why? Th...that horse is in the image of one of our gods!CASSANDRA: It's a trick. My dreams have always been right and they foretell disaster.(PARIS laughs in asneering fashion.)PARIS: Now were they right about that little temple? That has brought us nothing but good luck.CASSANDRA: Good luck you call it. The whole family besotted by that sorceress!PRIAM: Oh, I do wishyou'd stop calling Cressida that. And I would call it luck to have the entire Greek army removed from our shores. Peace, at last! Though the arrival of the horse is a little puzzling.PARIS: Well, Cressida probably arrangedit and the very sight of it just...just frightened the Greeks away.(TROILUS looks round at this reminder.)TROILUS: (Puzzled.) Where is Cressida?(The others also glance round the room.)PARIS: Oh, she's probably downin the square watching them bring in the horse.TROILUS: Oh, then I'd better go and look for her. I don't like her to go wandering round the city on her own.PRIAM: No, bring her back up here again she'll get a betterfulview.(As TROILUS leaves and PRIAM and PARIS go back up to the balcony, CASSANDRA moves to the back of the room where KATARINA, a handmaiden, is standing and whispers to her.)CASSANDRA: Katarina! Go andlook for the sorceress. I don't trust my lovesick brother.KATARINA: But great priestess, the auguries said that...CASSANDRA: (Hisses.) Do you dare to question me?!(KATARINA hangs her head in fear.)KATARINA:No.CASSANDRA: Very well then, go and watch for that girl.(KATARINA leaves the throne room worriedly as CASSANDRA goes back onto the balcony.)[SCENE_BREAK]4: INT. KING PRIAM'S PALACE. DUNGEONS(VICKI isdescending into the gloom. STEVEN sees her approaching through the bars.)STEVEN: What's going on up there?(VICKI unbolts the door.)VICKI: They're just bringing the horse into the city. Follow me.(STEVEN leavesthe cell and follows her as instructed.)[SCENE_BREAK]5: INT. WOODEN HORSE(The Horse is still banging from side to side with a very uncomfortable DOCTOR within...)DOCTOR: Oh, I'm still very worried about thosefetlocks!ODYSSEUS: Be happy that's all you have to worry about. Ah! Of all the undignified ways of entering a city this takes the flying phoenix.DOCTOR: If only you would have allowed me another day to fit shockabsorbers.[SCENE_BREAK](The DOCTOR is almost knocked from his feet by the movement of the horse as it suddenly stops.)ODYSSEUS: Zeus be praised! We've arrived.DOCTOR: (Relieved.) Oh! Well now, what is ityou propose to do, hmm?ODYSSEUS: We wait Doctor, without movement.(The DOCTOR makes a noise as he does move.)ODYSSEUS: (Whispers loudly.) In absolute silence![SCENE_BREAK]6: EXT. TROY. MAINSQUARE(The towering Horse stands in the main square. A chattering crowd can be heard below it.)[SCENE_BREAK]7: EXT. KING PRIAM'S PALACE. BALCONY(PARIS is rather pleased with himself as he, the King andCASSANDRA look down on it from the balcony.)PARIS: There, father, the horse is safely installed. And you may notice my sister that nothing, er, \"disastrous\" has occurred.CASSANDRA: Wait and see. There's time yetand mark my words that horse will be the doom of Troy.PRIAM: It's a little more rough-hewn than I had expected. Well, since it's here, we'd better take a closer look.[SCENE_BREAK]8: EXT. MAIN SQUARE OFTROY(STEVEN and VICKI are moving behind pillars to avoid the inhabitants of the city who themselves are heading in the direction of the Horse. The two companions reach the edge of the square and look up at thetowering structure. STEVEN is impressed.)STEVEN: That's some horse.VICKI: If you can call it that.STEVEN: The Doctor said...(He cuts off as a group of Trojan citizens begin laughing close by. STEVEN realises he is stilldressed as a Greek and pulls VICKI away back from the crowd and into better cover.)VICKI: It'd be pretty silly if they caught you again.STEVEN: Hmm, and you!VICKI: What do you mean?STEVEN: Well, if they find ustogether they'll know you let me out.(VICKI indicates the Horse.)VICKI: They think I invoked that thing. I'm all right.STEVEN: Yes, only so long as they think it's a gift from the gods. They'll know very differently oncethe Doctor and company come out of it.VICKI: Do you think he's in it?STEVEN: Well, it's likely, isn't it? I mean he'll be worried about getting back to the TARDIS.VICKI: He must be able to see he's got nothing to worryabout. That thing is so rickety it must be full of people.STEVEN: Oh right, you'd do better in the time they had? Now, I wonder why he didn't delay like we asked?VICKI: He must have a plan of escape - to rescue us.Cyclops must have told him where we were.STEVEN: If Cyclops got through.VICKI: Look!(VICKI suddenly notices KATARINA moving through the crowd as if searching for something or someone.)VICKI: That is one ofCassandra's girls.STEVEN: (Whispers.) What?VICKI: That girl, I've seen her with Cassandra. She's a handmaiden at the Temple or something.STEVEN: Then she must be looking for you. Look, you go back. I'll findsomewhere to hide around here.VICKI: Look they trust me, I'd...STEVEN: (Interrupting.) Better go! In any case, Troilus will die of jealousy if he knows you're with me.VICKI: And what is that supposed tomean?STEVEN: (Laughs.) Oh come off it, Vicki. The way you two were carrying on back there in the...VICKI: (Interrupts angrily.) Troilus has been very kind to me and I'm very fond of him and if all you can do is makeremarks like that...STEVEN: (Laughs.) I'm sorry, I'm sorry!(He sees that VICKI is upset and adopts a more gentle manner.)STEVEN: No really, I am sorry. Okay, but look, if you really are that fond of him, you'd bettertell him to get out of the city.VICKI: Why?(She looks again towards the horse and the realisation of what is to come dawns on her.)VICKI: You mean when they come out of that thing they...Steven!STEVEN: It's possibleisn't it? Tell him to get out of Troy, just to be on the safe side.(The TARDIS sits small near the looming and ominous Horse.)[SCENE_BREAK]9: INT. CHAMBER OF KING PRIAM'S PALACE(TROILUS comes running into thechamber where PARIS, PRIAM and CASSANDRA are gathered. The noise of the crowd reaches them from outside.)TROILUS: Diomede! He's gone.PARIS: Gone?TROILUS: His cell's empty. The guards were locked in by atrick so they say.CASSANDRA: That Cressida! Troy's doom is nigh!TROILUS: But how could it be? She's one girl!CASSANDRA: (Spits.) A girl you call her, you love sick fool! But I know she's a witch and must be burnt,along with that horse out there.(CASSANDRA suddenly sees VICKI entering the room.)CASSANDRA: See! There she stands.(TROILUS and PARIS both start shouting at once.)TROILUS: ... !PARIS: Now did you ever seesomeone so unlike a witch?PRIAM: (Interrupts.) Now, now quiet all of you. (To VICKI, gently.) Come here my child, where have you been? We've been worried about you.VICKI: I've just been out.PRIAM: Yes, butwhere?TROILUS: Look you didn't free Diomede did you?VICKI: Diomede?PRIAM: Yes - your friend, the Greek prisoner, he has escaped. Did you set him free?PARIS: Oh, that's nonsense. I mean how could shehave?CASSANDRA: By sorcery.VICKI: I am not a sorceress - really I'm not.PRIAM: Yes, I...I'll believe you my child, but you must forgive us if we are naturally suspicious. This has been a long and difficult war and peacewill take a little bit of getting used to.CASSANDRA: My handmaiden Katarina will stay with her.PRIAM: Very well. Come my children, our people have gone to the square of ot...oratory. We must go and join them thereand I must speak. And we must also make plans for the celebration. (To VICKI.) Thank you, my dear, see you later.VICKI: Thank you, thank you for being so kind to me.PRIAM: My dear child, this city owes its salvationto you.(PRIAM and the others depart leaving VICKI alone with KATARINA. VICKI is anguished.)VICKI: Oh no, let it not happen.KATARINA: Did you want something?VICKI: No, thank you.[SCENE_BREAK]10: INT.WOODEN HORSE(Inside the Horse, the DOCTOR is agitated while ODYSSEUS stares into space.)DOCTOR: How you can sit there so peacefully defeats me, hmm! Have you no feelings, mm? No emotionshmm?ODYSSEUS: I was thinking, Doctor.DOCTOR: Hmm!ODYSSEUS: That with any luck, either Agamemnon or Achilles will not come through.DOCTOR: You mean they'll desert us, hmm?ODYSSEUS: No...DOCTOR:Hmph!ODYSSEUS: ...die. Just a hope. One less finger in the pie, a greater share of the booty for me.DOCTOR: That is a most immoral way of looking at life, hmm!ODYSSEUS: Nonsense! It's the reason that I've beenhere for ten long years fighting all the time.DOCTOR: Yes, well, I must get out of here at once.ODYSSEUS: You can't.DOCTOR: (Sarcastically.) Ahh! I've only got to pull that lever...(The DOCTOR taps a woodenlever.)DOCTOR: ...and I can get back down into the square.ODYSSEUS: (Laughs.) Yes, yes. But as I happen to be sitting on the rope, you'll fall forty feet and break your neck.DOCTOR: (Shouts.) I will not be party toyour schemes! (Quieter.) You forced me to invent this contraption.ODYSSEUS: I'm very glad I did, Doctor.DOCTOR: Hmm?ODYSSEUS: Up to now, it's been very satisfactory.DOCTOR: You had no right to bring me hereat all. I'm utterly useless to you.(ODYSSEUS laughs heartily, and sarcastically the DOCTOR joins in.)DOCTOR: You must let me out of here! You're selfish, greedy, corrupt, cheap, horrible. Your one thought is foryourself and what you can get out of it.(ODYSSEUS places a sword at the DOCTOR'S throat. The DOCTOR starts.)ODYSSEUS: Be quiet, old man.DOCTOR: I will not be quiet! You may stay here if you wish to have yourinsignificant win. Your victory or whatever you call it, but you must let me out of here.ODYSSEUS: One more word out of you and I shall kill you! You would be my first victim in Troy.(The DOCTOR steps away from thehatch and ODYSSEUS lowers his sword.)ODYSSEUS: That's better. About now our ships should be returning...as you planned.(The DOCTOR snorts in a derisory manner.)[SCENE_BREAK]11: INT. CHAMBER IN KINGPRIAM'S PALACE(KATARINA is asleep in a chair. VICKI comes down the steps from the balcony as TROILUS enters the chamber.)TROILUS: Cressida.VICKI: Oh! Oh, I'm so glad you've come.TROILUS: I had to seeyou.VICKI: Troilus, dear Troilus, will you do something for me?TROILUS: Anything.VICKI: Leave the city.TROILUS: Why?VICKI: It's Diomede.TROILUS: Diomede?VICKI: I'm sure he's out on the plain. You've got to goand look for him and find him. If you bring him back you'll prove yourself the warrior you really are, he'll be your prisoner then as well as Paris'.TROILUS: But he may have been rescued by the Greeks by now.VICKI: Nono no, Paris said they'd all gone away and that was before he even escaped.TROILUS: (Suspiciously.) Why this concern for Diomede? Is he? Do you? I mean...are you in love with him?VICKI: No, he's just afriend.TROILUS: Then if he's your friend, why do you want him captured? To be a prisoner of war's considered very bad form.VICKI: But... Oh, why won't you see? Go out and search for him on the plain!TROILUS:Cressida, I said I'd do anything for you and a Trojan stands by his word, but please, why do you want me to leave the city and go and search for a highly skilled Greek warrior?VICKI: He isn't armed. I wouldn't send youout there if I thought anything could happen to you. I just want you to...I just want you to catch your own prisoner.TROILUS: Did you mean that? About not wanting me hurt?VICKI: Of course I did, I wouldn't ask you todo it otherwise.TROILUS: Oh, Cressida.VICKI: You haven't got time, you've got to go now.(VICKI'S tears well in her eyes.)TROILUS: Don't worry, everything's going to be all right.(They embrace and TROILUS leaves.VICKI remains tearful)[SCENE_BREAK]12: EXT. MAIN SQUARE OF TROY (NIGHT)(It is night and the city is quiet. A sentry walks past the Horse. After he has gone, a rope descends from the immense wooden horse, andthe Greek soldiers drop to the ground. Eventually the DOCTOR comes uncomfortably down the rope followed by ODYSSEUS.)ODYSSEUS: ... ! Come!(As the Greeks move along, they silently kill a sentry.)DOCTOR:Ahh!ODYSSEUS: This plan of yours, Doctor...is going to be a great success. Stay close to me.(ODYSSEUS motions his men and the DOCTOR to move out across the square.)[SCENE_BREAK]13: EXT. PLAIN OF TROY(NIGHT)(Outside the walls of Troy, TROILUS is searching frantically.)TROILUS: Diomede!(ACHILLES, who has been watching from behind some rocks, comes into view of the young Trojan.)TROILUS: Diomede where areyou!ACHILLES: What ails you, petty Princeling? Lost some plaything? The one you call for is long dead.TROILUS: You're a Greek! I thought you'd sailed away. Who are you?ACHILLES: You should not ask. My name isAchilles.TROILUS: My brother's murderer!ACHILLES: So Prince Troilus, is it? Well, I killed your brother fairly. Fought him man to man. Alas I cannot do the same for you. This would be the murder of a boy!TROILUS:Has Cressida played me false? Very well, I'll fight my brother's murderer for I only live to kill Diomede!ACHILLES: Who is already dead. So follow him, Trojan!(They draw swords and fight ferociously, as they wheelround and round. ACHILLES is surprised by TROILUS' ability and strength for his slender frame but the Trojan is determined to avenge the death of his brother. ACHILLES trips and falls and TROLIUS moves in with hissword and stabs at the Greek. ACHILLES cries out in pain.)TROILUS: So died my brother.(He pushes his sword in again.)TROILUS: The wheel has spun full circle.(He goes to complete the task but ACHILLES, althoughwounded, manages to strike at TROILUS before he dies. TROLIUS staggers away from the body.)TROILUS: Diomede, I live to call down wrath for love of Cressida.[SCENE_BREAK]14: EXT. MAIN SQUARE OF TROY(NIGHT)(A single Greek soldier pushes open the immense main gates of Troy. As he does so, the Greeks outside pour into the city with a cry.)[SCENE_BREAK]15: INT. CHAMBER IN KING PRIAM'S PALACE(In the palace,PRIAM is pacing nervously as he hears the destruction of his city outside. CASSANDRA waits angrily by the window. A terrified female scream reaches them.)PRIAM: What noise was that?(PARIS can be heard outside theroom in a fight. He enters the chamber, bleeding and exhausted.)PARIS: Father!PRIAM: What are you doing?PARIS: It's the Greeks! They were inside the horse and our gates are open to the enemy.CASSANDRA: Andnone of you would listen to me!(ODYSSEUS enters steeped in triumph, he is enjoying himself. He laughs heartily as his soldiers follow him in. PRIAM, CASSANDRA and PARIS turn to run.)ODYSSEUS: Flee hornets intheir nest! (Laughs.) Kill them!(His soldiers run after the King and PARIS as CASSANDRA is thrown into ODYSSEUS' arms and he grabs her laughing.)[SCENE_BREAK]16: EXT. TROY(The city is now onfire...)[SCENE_BREAK]17: EXT. MAIN SQUARE OF TROY(The DOCTOR has managed to give the Greeks the slip and has made his way to the TARDIS. VICKI sees him and runs towards him, KATARINA following.)VICKI:Doctor!(She runs into his arms.)VICKI: Oh, Doctor!DOCTOR: Oh, my dear child! (He laughs.) Oh, how lovely to see you! Where have you been all this time, hmm? And where's Steven?(VICKI points across thesquare.)VICKI: (Frantically.) Doctor he's over there, but I've got to talk to you.DOCTOR: Oh now one thing at a time child. Where's the young man?(VICKI calls over to the waiting handmaiden.)VICKI:Katarina?DOCTOR: Hmm?(The Trojan handmaiden steps forward.)VICKI: Katarina, this is the Doctor. Now go and find the man you call Diomede. He's hiding amongst those pillars over there.KATARINA: You're from theother place?DOCTOR: But who is this child? Now pull yourself together, we've got to go, hmm?VICKI: Katarina, go and find Diomede - he will be there. Bring him to...my temple, quickly.DOCTOR: We must all go andfind him, come along!VICKI: No, Doctor, into the TARDIS. Quickly.(She desperately pushes the DOCTOR towards the door of the TARDIS.)DOCTOR: Yes, but my dear child, the boy, the boy...VICKI: Open the door andlisten to me please!DOCTOR: Yes, yes, but be patient.VICKI: Steven is safe, Katarina will bring him...(The DOCTOR talks over VICKI as he unlocks the TARDIS door.)DOCTOR: Yes I know, patience, patience...VICKI:Come on, I've got to talk to you!(She pushes him into the TARDIS.)DOCTOR: Oh![SCENE_BREAK]18: EXT. ANOTHER PART OF THE MAIN SQUARE(STEVEN'S hiding place is not safe at all - his Greek soldier's robes havecaught the attention of a Trojan warrior and they are fighting. Steven is wounded in the shoulder but another Greek enters the fray and the two move off fighting. STEVEN has fallen to the floor which is where he isfound by KATARINA.)KATARINA: Diomede, Cressida has sent me.STEVEN: Who are you?(He is badly wounded and has very little strength left. KATARINA helps him up.)KATARINA: I've come to take you to your temple.Oh, come, quickly.STEVEN: I can't.KATARINA: Lean on me.(She holds the weakened STEVEN and leads him away.)[SCENE_BREAK]19: EXT. MAIN SQUARE OF TROY(Across the square, the door to the TARDIS opensand VICKI steps sadly out. She walks off. A moment later, the DOCTOR emerges and watches her go.)[SCENE_BREAK]20: INT. CHAMBER IN KING PRIAM'S PALACE.(PRIAM and PARIS lie dead. ODYSSEUS hasCASSANDRA by the shoulders and is shaking her violently as she resists.)ODYSSEUS: Stop struggling woman! You are reserved for Agamemnon and he's welcome to you!CASSANDRA: Tricksters! You Greeks will neverlearn to fight honestly!ODYSSEUS: But we win!CASSANDRA: Not for long. The day will come when you will perish as you made us do!ODYSSEUS: Take her away.(He throws her to his soldiers.)ODYSSEUS: Thehigh-born are reserved for Agamemnon! I can't wait to see him enjoy a talk with this one.CASSANDRA: (Spits.) Ten long years we fought you, Odysseus! And ten long years it'll be before you see your homeagain!ODYSSEUS: To Agamemnon with her!CASSANDRA: Oh!ODYSSEUS: To his ship. A personal present from me.(CASSANDRA is dragged struggling away.)CASSANDRA: Keep your hands off me! Keep your...hands offme! Oh![SCENE_BREAK]21: EXT. MAIN SQUARE OF TROY(The DOCTOR helps KATARINA to get STEVEN to the TARDIS.)DOCTOR: Now then, you sure it's just the shoulder, hmm?(KATARINA nods.)DOCTOR: Right well,steady, steady, hold tight, hold on.(The DOCTOR steadies STEVEN with KATARINA as he tries to get his key out.)DOCTOR: Yes, Careful, just a minute, careful, careful with him.(He opens the door.)DOCTOR: Oh dear,dear, this business. There we are. Now, come on bring him in...bring him in there.(He points at to the open door of the TARDIS. KATARINA helps the almost unconscious time traveller into the TARDIS. The DOCTORcalls to them from outside.)DOCTOR: Gently, carefully, that's it, that's it, put him on the couch.(As the DOCTOR is about to enter the TARDIS, ODYSSEUS rushes in with his troops with swords drawn. He turns awayfrom the open door.)ODYSSEUS: Stand still old man - or you die! I claim your machine as part of my share!DOCTOR: Share of what?ODYSSEUS: The spoils of war!DOCTOR: Now you stand back. I've gone far enoughwith you, my Lord Odysseus. You go adventuring on your own. Be off with you!(He laughs and rushes into the TARDIS. ODYSSEUS yells to his soldiers.)ODYSSEUS: Seize it! Come on, move! Quickly...a cart!(TheTARDIS begins to dematerialise.)ODYSSEUS: (In a rage.) Doctor!(As ODYSSEUS and the soldiers watch in awe, the ship fades away.)ODYSSEUS: Zeus! (Laughs.) I wonder...were you really Zeus, afterall?[SCENE_BREAK]22: EXT. PLAIN OF TROY(TROILUS is bereft as he watches his beloved city burn in the night.)TROILUS: Cressida! Cressida! Could you have betrayed us?(He almost screams in pain...)TROILUS:Cressida!(He sinks to his knees as someone stands next to him. He looks up and sees VICKI.)VICKI: I came to find you.TROILUS: Cressida what are you doing here. Where's Diomede?VICKI: He's gone...with...another"}
+{"doc_id":"doc_238","qid":"","text":"LUCAS: Mom![LUCAS' HOUSE. KAREN is working at the table. LUCAS walks into the room, whering a robe and a towel around his neck, shampoo still in his hair]LUCAS: Mom, did you forget to pay the water bill?KAREN:No, of course I paid the water bill. [She sees LUCAS and walks over to the sink and tries the water there. It doesn't work] See? This is what we need the emergency Visa for. Something must've broken. I'll take care ofit. Come on, lets get you rinsed.[LUCAS leans over the sink and KAREN pours a water jug over his head. She laughs]LUCAS: How is this funny, Mom?KAREN: How is this not funny?[THE SCOTT'S HOUSE. DAN andNATHAN walk into the kitchen to find a WOMAN preparing a salad]WOMAN: Hey. Check it out. It's called 'dinner.'DAN: Who is that lady? Is that my wife?[NATHAN looks pleasantly surprised]DAN: I didn't think you weregetting back until Monday.WOMAN: I wasn't. Until I sweet talked Ziodex into doubling their 'Gift to AIDS'research. It took me all of one meeting.DAN: Wow, I'm impressed. You sure you don't want to quit saving theworld and come sell cars with me?DEB: Mmm, thanks, but I like the Frequent Flyer miles.[DEB walks over to NATHAN and gives him a hug]DEB: Hey. How's my boy?NATHAN: I have warm-ups, Mom.DEB: Oh, come on,sit. Dinner's almost ready and I haven't seen you from weeks.NATHAN: I can't. I got to go. Don't wait up.DAN: Nathan. Remember what I told you. He can't shoot if he doesn't have the ball.[THE GYM. The RAVENS areall gathered around WHITEY and the cheerleaders are chanting]WHITEY: Damnit, this is a team, not a Chinese fire grill. Scott, you're plain selfish. Getout there and pretend you know each other.TIM: Ravens on three.One! Two! Three!TEAM: Ravens!WHITEY: Lets go, lets go, lets go![THE GYM. PEYTON and BROOKE are supposed to be cheering off to the side]BROOKE: Hey, can I catch a ride with you to Nathan's party later.PEYTON:I didn't think you were going. I figured you'd be hiding out in Lucas' backseat again.BROOKE: Jealous.PEYTON: No.BROOKE: What? I could see it. You're both so broody. You could brood together.[THE GYM. The game'sgoing on. As they play, the announcer's announcing]ANNOUNCER: Now the Ravens in bound with the ball. Looks like they're trying toisolate Nathan Scott on the baseline. The Masenberg defense tightens on him. Scottbattles through, still working hard to get open down there. Now Tim Smith, with the ball, working over on the wing. He's dribbling, looking for Nathan underneath, but he's not there. And now- Oh! Oh! A cross courtpass putting Lucas Scott over the basket.[KAREN'S in the audience. She's grinning. DAN, on the other hand, is not]ANNOUNCER: So much for the putty grip on that one as the Ravens fall back on the bench.NATHAN:[Screaming at TIM] What was that?ANNOUNCER: And I tell you what, Lucas Scott is really starting to gel with this team.[THE GYM. The game's over, and most of the people have already filtered out. NATHAN and TIMare walking across the gym, and NATHAN'S angry]TIM: He had a better angle. I'm sorry. Nathan, come on, Man. I'm just trying to win.[THE GYM. KAREN'S standing with LUCAS]KAREN: So are you excited?LUCAS:What? That we won?KAREN: No, because there's running water in the locker room. We're gonna be roughing it until tomorrow.[LUCAS laughs]LUCAS: It's okay...[THE GYM. NATHAN walks up to DAN]NATHAN: What'sup, Dad?[DAN looks at him then walks away. DEB walks up to NATHAN]DEB: Nice game, sweetie.[NATHAN looks toward the direction in which DAN walked away]NATHAN: Try telling that to Dad.[As NATHAN walks overto LUCAS, he hears a woman say to her son \"I'm proud of you. I'll see you later\"]NATHAN: Two decent games in a row, man. Getting better or just lucky? [Pause] Team's got a party tonight. My parents' beachhouse.LUCAS: Why are you tell me that?NATHAN: Because I said the team, didn't I? [Pause] Look, it's kind of the off season. Might as well deal with it.[THEME SONG PLAYS][A STREET AT NIGHT. LUCAS is driving theBody Shop truck and HALEY'S sitting in the passenger street]HALEY: The guys kidnapped you, trashed your court, threatened you with bodilyharm. Party, yeah. Sure, why not?LUCAS: Okay, listen, I know it's all asetup, alright? But I'm not gonna let him screw with me. Whatever he dishes out he's going to get back double.HALEY: Do you think maybe- I mean, just maybe- he's had a change of heart?LUCAS: Hmm. That requiresa heart.[THE STREET IN FRONT OF NATHAN'S PARENTS' BEACH HOUSE. PEYTON pulls to a stop. BROOKE'S in the passenger seat]BROOKE: Every time I ride with you, I swear I'm never going to do it again.[PEYTONgets out of the car, and BROOKE follows]BROOKE: Keys?PEYTON: Tempt fate.[TIM walks up to PEYTON]TIM: Peyton. You've got to talk to him. Lucas had the better shot. You saw it, right?BROOKE: Tim? Are you beingpathetic?[TIM rolls his eyes and turns around just as LUCAS' truck pulls to a stop]TIM: What's he doing here?[NATHAN walks over]NATHAN: I invited him. I mean, since you guys are such great friends now.PEYTON:What are you trying to pull?NATHAN: Nothing.[LUCAS and HALEY get out of the truck and walk over]NATHAN: I wasn't sure you'd come.LUCAS: That makes two of us.NATHAN: [To HALEY] Hi. I'm Nathan Scott.[Heholds out his hand and HALEY shakes it]HALEY: Um, yeah, I know, I'm Haley.[NATHAN walks inside with LUCAS and HALEY, passing PEYTON on the way. She looks suspicious][INSIDE THE BEACH HOUSE. NATHAN,PEYTON, BROOKE, and TIM walk into a room]BROOKE: Tonight's gonna be great.[TIM smiles and the four walk past the camera, right as LUCAS enters. He's looking around. HALEY whistles]HALEY: Well. I bet theirplumbing works.[LUCAS laughs]HALEY: I'm just saying...LUCAS: Alright, thanks.HALEY: Yeah.[BROOKE walks up to TIM, PEYTON, and NATHAN, and another guy and girl who are standing elsewhere in the room.BROOKE'S holding a newspaper]BROOKE: Have you guy's seen this?GIRL: Uh-uh.BROOKE: The High School Fearleader. It's a comic strip. [Pause] Wait, this is insulting, right?GUY: My dog can draw better thanthis.BROOKE: Really, what guy keeps his hat on during s*x?[NATHAN looks at PEYTON]BROOKE: Who is this socky person anyway?NATHAN: [Still looking at PEYTON] Yeah, I wonder.PEYTON: It's just a stupid comicstrip. Who cares, right?BROOKE: It's more like sucky. Whoever it is doesn't know the first thing about it. It's like so...LUCAS: Shallow?[PEYTON looks at LUCAS]PEYTON: Where's the keg?[NATHAN'S ROOM. As DANpasses the door, he noticed DEB is in there. He steps in]DAN: You okay?DEB: He used to ask before he put stuff up. Now... I don't even know what he's interested in. [Pause] Besides basketball.DAN: Basketball. Yeah,seems like it changes from day to day.DEB: Mmm. [Pause] He talks to you, Dan. How's he been doing?DAN: Well, he's holding up considering Whitey's moved him out of his position, but it's probably temporary.DEB: Iasked you how he is, not how he's playing. It must be confusing for him withLucas on the team now. [Pause] Were we going to talk about that?DAN: I think that's probably temporary too.DEB: You think or you wish?[Pause] Um I, I saw Karen at the game tonight, but then... I've never really spoken to her.DAN: I know this is hard on you, Deb.DEB: No, not really. I think it's harder for you and Nathan.[BEACH HOUSE PARTY. LUCASand HALEY are walking]HALEY: So, I know you're like, having the time of your life, but can we please makelike a tree and get out of here?LUCAS: We just got here.HALEY: Whatever. You let me know when you'veproved your point. I'm going to go to one of the eighteen bathrooms in this place.LUCAS: Gonna be back in five?HALEY: Yeah.LUCAS: Alright[HALEY leaves]RANDOM GUY: Hey, good game, man.LUCAS: Hey,thanks.[LUCAS walks into the dining room, where BROOKE, NATHAN, PEYTON and a few others are playing a game]BROOKE: Lucas. Come play.LUCAS: What's the game?BROOKE: I never...GUY: And yet apparently youhave.BROOKE: Shut up, Vegas.NATHAN: Alright. So the game is, we all take turns saying things that we've neverdone, and anybody at the table who has...bam![NATHAN holds out a cup]LUCAS: Drinks.[NATHANnods]LUCAS: Yeah.[LUCAS takes the cup from NATHAN and takes a sip]NATHAN: Alright, Theresa, you're up.THERESA: Okay. Lets see. I've never... had s*x with anything made out of plastic.[BROOKE takes a sip andeveryone laughs]BROOKE: Okay, my turn. I've never... no I did that, um...[BROOKE laughs]NATHAN: Alright. My turn. Oh, lets see. Um... I've never... I've never had a dad whowished I was a stain on the bedsheets.[PEOPLE laugh, somewhat uncomfortably. PEYTON looks at LUCAS. LUCAS glares at NATHAN, then walks over to NATHAN. He places his cup in front of him]LUCAS: Then you're welcome to mine.[NATHANlaughs. BROOKE and PEYTON look after LUCAS, worried][A BATHROOM door. PEYTON goes to open it]VOICE: Hang on a minute.[PEYTON lets go and a toilet flushes. HALEY comes out]HALEY: Sorry.[She starts to walkby PEYTON[PEYTON: How's the tutoring going?[HALEY stops]PEYTON: You're tutoring Nathan, right? [Pause] It's okay. He tells me everything.HALEY: Yeah. You know, he um... said he needed some help.PEYTON:Maybe you could teach him to stop being such a jackass.HALEY: I will... put that on my lesson plan.PEYTON: Just be careful, okay.HALEY: Yeah... sure.[HALEY starts to walk away]PEYTON: Does Lucas know you'rehelping Nathan?[HALEY doesn't answer]PEYTON: You know... you say a lot when you keep your mouth shut.HALEY: I'm... okay.PEYTON: I keep mine shut too.[A ROOM full of trophies. HALEY picks up a picture, andLUCAS knocks down another]HALEY: What happened?LUCAS: Oh, same old crap. You know, he thinks that if he keeps hammering me, I'llquit the team.HALEY: Oh. What did he do this time?LUCAS: He made somefeeble comment. Not gonna let it get to me.HALEY: Yeah, obviously that's working out for you.[LUCAS laughs]HALEY: Luke... have you guys ever actually talked?LUCAS: Yeah, sure. We trade emails too.HALEY: I'm justsaying you're so hypersensitive around each other. And... I get it. Ijust think that maybe everything he says, you take the wrong way, and vice versa.LUCAS: Okay, there is no misunderstanding what he said. And whyare you defending him?HALEY: I'm, I'm just, I'm trying to bring some perspective. I mean...It's a really screwing situation and I'm sure having you around isn't any easier for him than it is for you and I think maybe ifyou guys could just talk...LUCAS: Okay, tell me that I'm not hearing this.HALEY: Then what are you doing here, Lucas? Obviously, you're looking for something, right?LUCAS: I'm not going to let him win.HALEY: Fine.Don't let him win. I'm gonna go.[HALEY starts to leave]LUCAS: Haley!HALEY: Nope.[As HALEY walks out of the room, she runs into NATHAN]NATHAN: Are you leaving?HALEY: Nathan...we had a deal. You promised youwere gonna be nice.NATHAN: I- I am nice. I invited him to this stinking party, didn't I?HALEY: Well, what for? So you could pick on him in public? What did you say anyway?NATHAN: Oh, man. Is that what- I made alame joke. I mean, look, the guys...sometimes we get kind of raw with each other. I was just trying to include him. He took it the wrong way.HALEY: Well, maybe you need to rethink your approach.NATHAN: Well,you're his friend. How do I handle this?HALEY: It's easy, stop being such a... [Whispered] joke. [THE PORCH OF THE BEACH HOUSE. LUCAS walks outside and PEYTON'S sitting on a swinging chair]PEYTON: He reallyslammed you.LUCAS: I don't care what he thinks.PEYTON: Neither do I.LUCAS: Oh yeah? Then why are you drinking?[PEYTON takes another sip][THE DOOR TO THE PORCH. NATHAN walks by and sees LUCAS withPEYTON. He sees Tim at the video cabinet]TIM: Nathan! I can't believe your parents don't have any decent p0rn.NATHAN: Wait. I've got something.[He joins TIM at the video cabinet and hands TIM a movie]NATHAN:Put that in.GUY: What is it?NATHAN: It's a comedy.[THE PORCH. LUCAS is kneeling across from PEYTON, talking to her]LUCAS: So I'm confused. You want to be anonymous...and you let the world watch you on a webcam.PEYTON: The world isn't watching me... but I guess you are.LUCAS: Okay, the point is... you want to express yourself but you don't want peopleto know it's you.PEYTON: I guess I'm just a riddle wrapped in amystery inside a @#%$.LUCAS: Or maybe just a tortured artist.PEYTON: Look, I don't need you defending me and my work. I don't need you analyzing it or interpreting me either. And in fact, I'm pretty sure I don'tneed you at all.LUCAS: Pretty sure?[LUCAS freezes as he hears his mother's name inside][TELEVISION. There's video tape playing, showing KAREN and DAN as Prom King and Queen]WOMAN: Tree Hill High's SnowballCourt King and Queen, Daniel Scott and Karen Roe.Karen, what's the secret to your success?[LUCAS and PEYTON walk in. LUCAS is upset]KAREN: Um, the secret to our success. Hmm. I don't know. Good question.Dan?DAN: Good s*x![The audience laughs]KAREN: Be serious.WOMAN: Karen, do you think you guys will get married?KAREN: DO I think Dan and I will get married? Hmm... who knows. I mean...BROOKE: Oh my god,the hair!KAREN: But he really is the sweetest guy in the whole world. So I'm thinking, yes.Come visit us in 10 years and I bet you can meet the kids and get a tour of our big house and see how happy we are.TIM:Who's the girl?WOMAN: Okay ladies and gentleman, there's your Prom King and Queen, Dan Scott and Karen Roe.LUCAS: That's my mom.NATHAN: At least their dreams came true for one of them, right?LUCAS: Yeah,except for the happy part, right?[LUCAS slams NATHAN against a wall as he walks by. NATHAN and his friends laugh, but BROOKE and PEYTON don't][SCENE_BREAK][THE PIER BY THE WATER AT THE BEACH HOUSE.HALEY'S sitting on the railing when NATHAN comes up]NATHAN: I thought you left.HALEY: Yeah, uh, I tried to. If the stupid cab would ever get here.NATHAN: Well, I'm glad you stayed. [Pause] I want to thank you forholding back?HALEY: What do you mean?NATHAN: Jerk is pretty tame. You could've called me a lot worse. I probably deserved it.HALEY: Look, I've been thinking a lot about this tutoring thing. [Pause] I'm sorry. Idon't, I just don't think it's a good idea.NATHAN: Because of Lucas?HALEY: Well, obviously, yeah. I don't know what I was thinking. There's no good that can possibly come of this.NATHAN: Really? I thought I saw youguys fight back there.HALEY: Meaning what, that I should keep tutoring you to stick it to him? Maybe that's how they do things in Nathan land, but I'm not going to do that to my best friend.NATHAN: Maybe you'redoing me a favor then.HALEY: What does that mean?NATHAN: Sometimes I think it would be easier if I got kicked off the team. Especially with my dad.HALEY: I should go find, um, Lucas, and just, just try and smooththings over.NATHAN: He left a while ago.[HALEY nods]HALEY: Great. Well, I guess I'm walking.[THE STREET BY THE FRONT OF THE BEACH HOUSE. NATHAN and HALEY emerge next to the stairs]NATHAN: Let me giveyou a ride.HALEY: It's not that far.NATHAN: Forget it, you're not going to walk. We'll take Peyton's car.HALEY: I- I'm really fine.NATHAN: You're a little high on yourself, aren't you? Going around telling people you're allfine. Look, please, at least take the ride. It's the least I can do.[HALEY gets in the car and NATHAN shuts the door][THE SCOTT'S HOUSE. DAN is in the living room, watching a game. DEB comes in]DEB: Dan. We shouldtalk.[DEB grabs the remote and turns the TV off]DEB: You know, I try to let these things roll off my back. You shut down and walk outmid-conversation. I swallow it and let it churn around in my stomach until it makesme sick.DAN: What? Because I don't want to rehash Karen and her son for the ten-thousandth time? Frankly, I'm talked out.DEB: It's about Nathan.DAN: What about him?DEB: He's just so surly and distant lately and Ifell powerless to do anything about it. And the way you're pressuring him since Lucas joined the team seems to make it worse.DAN: Me? Did you ever stop to think the problem was you?DEB: Oh.DAN: Maybe if youcared to spend more time at homeDEB: I'm gone ten days out of the month, tops.DAN: And when you are here, you work 'til all hours.DEB: And you want to know why, Dan? Let me tell you. Because ever since youstarted this basketball thing, I feel like you've slowly been stealing him from me. You've made me feel irrelevant. I go out and I raise money for good causes and I matter out there. But at home you shut me out of hislife.DAN: Shut you out? Work has always come first with you?DEB: That is not fair. You know how hard I've tried to balance both. But, I swear to God, I never would've done it if I knew how he'd turn out.DAN: He's agood kid.DEB: Based on what? His scoring average?DAN: Deb, I just want what's best for our son, what makes him happy.DEB: Well, then, something's not working, Dan. Because that kid I saw tonight is anything buthappy.[DEB leaves][BEACH HOUSE PARTY. BROOKE stumbles down the stairs drunk]BROOKE: Don't let me have another beer unless I beg you. The same goes for beers.[Pause] What are you doing?PEYTON: Justwondering if we're all going to end up like Karen.BROOKE: Who is Karen?PEYTON: That's Lucas' momBROOKE: Not without proper birth control we won't.PEYTON: That's not what I meant. She was our age when thattape was made, Brooke. We're just like her. Don't you think it was awful how she just let Nathan's dad treat her like crap?BROOKE: Yeah. But honey, that doesn't mean we're like her. Maybe it mean's you're like her.[INFRONT OF HALEY'S HOUSE. HALEY and NATHAN are still in PEYTON'S car. HALEY has taken the hat she was wearing earlier off]HALEY: Yeah, this is my house. Um, we're staying here while we renovate themansionNATHAN: It's not like I was trying to show off.HALEY: Isn't that your default setting. [Pause] Sorry.NATHAN: Can I be honest with you?HALEY: Uh, yeah. I don't know. You tell me.NATHAN: What I said at thebeach... that was a lie. I'm really lucky to havebasketball. It's pretty much my shell to everything from here on out. If I lose it, it's over for me.HALEY: So, don't lose it.NATHAN: Well, that's just the thing. With mygrades, I'm close to being ineligible to do the one thing that I'm actually good at. It's not just my life, either. It's my dad's, too. It's like he's still got something to prove to Whitey. And if I screw it up, it's gonna destroyhim. [Pause] And it will destroy me. Look, I know you have no reason to do this, and I know it's just going to complicate things with Lucas, but [Pause] I really need your help.HALEY: And I will find you someone else. Ipromise.NATHAN: No. I came to you because you're the best tutor at the school. And you're not going to tear me down. It's not exactly easy having everybody know you're failing. It's you or nobody else.HALEY: I...[Pause] Okay. I will, um... I will get you through the semester. [Pause] And then you've got to be on your own. I'm serious.NATHAN: That's totally fine with me.HALEY: Okay, um... great, so we'll start on Monday.[Pause] Lay off Lucas.[HALEY gets out of the car and NATHAN sighs][A STREET. Just as LUCAS is pulling to a stop in the Body Shop truck, he sees PEYTON'S car fly by. He follows is. As NATHAN changes the radiostation, he crashes into a parked car and ruins PEYTON'S car. LUCAS jumps out of his truck, thinking PEYTON was driving]LUCAS: Peyton! You okay?[NATHAN gets out]NATHAN: Yeah, she's fine. Can't say the same forher car though.[NATHAN pulls a bag out of the car]NATHAN: And what the hell were you doing following my girlfriend?LUCAS: I wasn't. Look, I thought she was driving and she was drinking.[NATHAN starts toleave]LUCAS: Hey, where are you going?NATHAN: Back to the party, dumbass.LUCAS: What, are you gonna leave her car like this?NATHAN: Yeah, and if you stand there you can watch me.LUCAS: You know this is acrime.NATHAN: So call the cops.LUCAS: Nathan, you can't walk away from this. [Pause] I saw you do it.NATHAN: No you didn't see me do it. Because I was with Tim the whole time. Which is exactly what he's going tosay if anybody asks him. He owes me. [Pause] So it looks like its your word against ours now. You can guess how that's going to go down.LUCAS: So you're just going to lie and walk away. What about Peyton? Youknow, your girlfriend? The car's registered in her name.NATHAN: Yeah, and you know what? Come to think of it, like you said, she was really drunk last night. Maybe she did this. But then again, all I see is a wreckedcar... and you.[NATHAN walks away, leaving LUCAS with the car][BODY SHOP. KEITH and LUCAS are looking at PEYTON'S car]KEITH: Hit and run, huh? That's beautiful. I could lose my license for this.LUCAS: I didn't"}
+{"doc_id":"doc_239","qid":"","text":"At the murder sceneJane: Oh, it's lovely.Lisbon: It's a crime scene.Jane: It's a lovely crime scene.Rigsby: Hey. Couple joggers found our John Doe on their morning run. Body's still pretty fresh, so it must've happenedlast night. No signs of an entry or exit wound means cause was probably a blunt force trauma to the head .Lisbon: And they brought in the grown-ups because they couldn't decide whose sandbox it was?Rigsby: Right.Body's right on the city line. The only thing they can agree on is that it was a carJacking gone wrong. Wallet, watch, wedding band- everything gone.Jane looks at the body and finds a cuff linkJane: Oh, not everything.Kkiller would have been very frustrated to not be able to take this.Lisbon: Looks like a wheel.Jane: Motorcycle wheel.Lisbon: I don't buy it as a carJacking. maybe the murderer was covering it up as one, but if you'reafter someone's car and valuables, you grab and bolt. You don't waste time taking off a cuff link.Rigsby: A gunshot or a stab wound Is more likely than a beating.Lisbon: Beating like this takes time. The murder waspersonal.Jane: No surprise there. The haircut, the suit, the cologne- This man had enemies.Rigsby: His cologne tells you he had enemies?Jane: Sure. okay, confrontional. Finishing touch on a wardrobe that says, \"payattention. show respect.\" This was an extrovert tough guy, a professional, a backroom politician or a lawyer, a fixer, the type that's good with people, making people do things they maybe don't want to do.Lisbon: Uh,what he is, is useless until we know who he is.Jane: Well, I can do that, too.He finds a headsetRigsby: Oh, no, Jane. I, uh, I checked. the phone's not on him.Jane: The signal light's still on. Phone's in range.Lisbon: Hisassailant probably threw it in the trees. What are you doing?Jane: I'm making a call.Lisbon: But you don't have the phone.Jane: I have my voice.Lisbon: You still need the phone. Want to use the voice activation? Youneed its names and numbers.Jane: There is one name programmed into every phone, particularly into one belonging to a middle-aged man that was wearing a wedding band. Home.The cell phone ringsWoman:Hello?Jane: Hello. This is Patrick Jane from the California Bureau of Investigation. I was wondering if you knew a man 6-feet tall, mid 40s, salt and pepper hair, gray custom-made suit, weighing about 192, give ortake?Woman: That's my husband Gordon Hodge.Jane: Gordon Hodge, hmm.Woman: You said you're from CBI? Is something wrong?Jane: Uh, just a sec. (He gives headset to Lisbon) It's for you.The team is Hodge'shomeNina Hodge: I knew something like this would happen, sooner or later.Lisbon: Well, was your husband having some sort of trouble lately?Nina: Gordon was a criminal attorney with a very special practice. He hadonly one client- the Sinner Saints.Jane: Bikers, are they?Rigsby: Yeah, they're one of the top biker gangs in the state. They run some legit businesses, but mostly they're into drugs and prostitution, low-rent protectionrackets, that kind of thing.Nina: For years, I begged him to get out, but Gordon said that a lawyer never abandons his client. it's unethical. It's what he always called them- never \"the gang, \" always \"the client.\"Lisbon:When was the last time you saw him?Nina: Yesterday morning, before work. Gordon used to meet these people at all hours- That's how they are. So we didn't get worried when he didn't come home last night.Lisbon:Had he been acting differently lately?Nina: He'd been more on edge the last week or so. I think something happened at work, but I'm not sure what.Lisbon: Did you ask him about it?Nina: No, never. Work wasoff-limits.Lucas Hodge: He said it was boring.Jane: What was the real reason? Do you think he was ashamed, or he sensed your shame?Lucas: He wanted to protect us.Lisbon: Would his colleagues at the office haveknown what was going on?Nina: No. He was a one-man shop. Didn't even have a secretary. Gordon didn't trust anyone with his business.Lisbon: Any idea who might have wanted to kill him?Nina: Well, you might wantto ask his client. He knew all their secrets. He probably learned something that he shouldn't have.Rigsby: Either of you ever meet any of those scumbags?Lucas: No.Jane: You two must be very torn- living in such abeautiful home, driving nice cars, going to good schools, 'll paid for by dangerous criminals, Or, uh, \"scumbags, \" as my colleague says.Nina: Do I wish that Gordon would've defended civil rights leaders? Yes, of course !But he believed that everyone had a constitutional right to have a good defense. He had his principles.Lisbon: Thank you for your time.They go out of the houseLisbon: Did you go to some interview school I've neverheard of? Next time, get the facts, save the editorial.Rigsby: Yes, ma'am.He looks at JaneLisbon: I know. Jane did it, too. He's not a CBI agent. From you, I expect professional standards.Rigsby: Yes, boss.ChoarrivesCho: That was the captain of the local c. h.i. p.s. Hodge's car was just fished out of a lake about a mile from the murder scene- no good for prints. He said that two weeks back, they busted Hodge at a highwayrest stop, walking to his car with 2 ounces of coke and 2 ounces of meth in his pockets. Nailed him with felony possession...Rigsby: Nice.Cho: Only the d. a. dropped the charges. There was some unlawful searchtechnicality.Lisbon: Either Hodge is a great lawyer...Cho: Or the d. a. turned him in exchange for dropping the charges-planned to use him as an informant.Rigsby: Well, if the saints found out-Cho: Yeah, they'd kill him.they did know about the charges. Their boss, Von Mcbride, posted Hodge's bail.Lisbon: Well, talk to your friends at the D.A. Find out what the story is there. Jane and I will go talk to the Sinner Saints.Cho: Okay, becareful.Rigsby: You want me to come for backup?Lisbon: Uh, no. talk to forensics about the car. Jane, let's go. now, please? Come on.Jane and Lisbon are in front of the Sinner Saints BarJane: (Speaking aboutmotorcycles) Beautiful, huh?Lisbon: No, not really. I fail to see the charm.Jane: It's the glamour of mobility. That's why the girls went for Cain and not Abel.Lisbon: Is that right?Jane: Yeah. nomads- sexier thanfarmers. They have romance.The Lisbon's cellphone rings. She picks upLisbon: Lisbon.Cho: I spoke to my friend in the D.A.'s office. They didn't make a deal with Hodge. They let him go 'cause the case was less thanironclad, and they've already lost too many to hodge and the saints. Last 10 years, they've beaten the rap in over 50 cases- Murder, rape, drug-trafficking. they're bulletproof.Jane: Nobody's bulletproof.Cho: Well, myfriend says to stay away from them. That they're bad news.Lisbon: Good, sound lawyerly advice. I'll take that under advisement. (She hangs up) You ready?They enter the bar. Bikers look at themLisbon: (To Jane)There's romance for you. (To bikers) We're with the CBI. We're looking for Von Mcbride.Xander: Not here, which is where you need to be.Lisbon: Well, can you tell us where he is?Xander: No. I cannot.Lisbon: Listen,we're here for information, Not trouble, boys.Xander: Well, we've got nothing to say.Lisbon: I can take you in if you want me to. I prefer to talk here.Xander: Like I said, there's nothing to talk about. We're not doinganything illegal.Jane goes to the back room where a man playsJane: Mr Mcbride?Lisbon: (To Xander) It was nice talking to you.Jane: Your focus on this pressing matter suggests you're the man in charge here.McBride:Yeah, well, keep on walking, blondie.Lisbon: We just have a few questions for you. It won't take long.McBride: Yeah, well, I'm sorry. I don't, uh, talk to police officers on the advice of my lawyer.Lisbon: Your lawyer'sdead.McBride: Yeah, I heard that. But his advice is still good.Xander: Means your business here is done.Jane: Oh. You don't want to know who the informant is, then?Xander: What informant?Jane: Oh, I'm sorry. ForgetI spoke.Xander: You messing with me?Jane: Yeah, I'm messing with you. There's no informant.Xander: Come here.Lisbon: You touch him, and I'll arrest you.Xander: I would love to see you try and do that.Jane: What'syour name?Xander: Xander.Jane: Xander, your threats are empty. She's a state agent. You're not gonna lay a finger on her, and you know that, so why play tough? W-where's that come from, this need tointimidate?Xander: I'm a sadist, and I bore easily.Jane: Oh. me, I see a difficult childhood- Bad parenting, a lot of torment. But I also see how that suffering gave you great powers of empathy and a strong creativeside, and those are the qualities you should try and nurture in yourself. Not this brutish character you try to hide behind.McBride: Oh, that's Xander, all right. Full of empathy. You guys want a drink?Jane: Sure.Later,Lisbon and McBride are sitting at a table. Jane plays billardsMcBride: So what's this crap about an informant?Lisbon: How long have you know about hodge's taste for coke and meth?McBride: Couple years. Guy liked toparty, but he could still do his job.A woman arrives and sits at their tableJane: Couldn't have been too thrilled when he got busted.McBride: Case got dropped.Jane: Must've wondered why.McBride: Illegal search.Jane:Yeah. Either that or Hodge, uh, flipped on you.Diamond: That son of a-McBride: Hold on a second, Diamond. He didn't flip. There is no informant.Lisbon: Where were you last night?McBride: Right here. And I got 30other brothers who will vouch for me and each other. Look, man, none of my guys did this. We loved Gordon, man. he was like a member of the club.Diamond: You know, he couldn't ride worth a damn.McBride: No, hecouldn't, huh? He tried, though.Lisbon: Who killed him?McBride: My guess? Probably some other motorcycle club looking to put us out of business- Chaos Brigade, Bolos Plata.Shouting from front of the barWoman: Getyour hands off of me! get off me! Help! get your hands off of me! Get off of me! Get off of me!Lisbon: Let her go, and back away! Back away now!Woman: Get your hands off me! You're murderers! All of you!Lisbon:Ma'am, take it easy. I'm CBI. Ma'am!But the woman run awayIn the bar, are McBride and JaneJane: Who was that?Sshe a friend of yours?McBride: Never seen her before. Mentally deranged, seems like. Poorthing.Jane: You know, you're a very good liar. Most people subconsciously signal dishonesty, but you? there's nothing. No inner conflict. Usually, that's the mark of what shrinks like to call a sociopath.McBride: Well, ifby \"sociopath, \" you mean that if you cross me, I would enjoy watching you suffer pain before I kill you... Then, yeah, I'm a sociopath. See ya.Jane: Bye.In the CBIRigsby: So we talked to the gang unit. There's no otherbiker gang would cross the saints and run the risk of starting a war that they couldn't win.Jane: This is incredible. you should see this.He is sitting on the sofa reading a paperLisbon: Hold on. Anything on the woman inthe parking lot?Jane: Sinner Saints have their own web site.Lisbon: (irritated) Really?Jane: Yeah.Cho: We cross-checked registrations of the truck model and color with driver's license photos fitting her description. Nohits. truck must be registered to her husband or other family member.Lisbon: Mcbride's clamming up about her means he's hiding something.Jane: He's merged two other gangs into the saints in the last five years. It'sthe fastest growing gang in the nation.Lisbon: Go to Hodge's office. See if you can find anything on the gang's operation that pops. And have the deerfield P. D. Issue a bolo on the woman's pickup truck.Cho:Okay.Jane: You can buy logo merchandise- sinner saints coffee mugs, Decals, beach towels. whoa! And some various other interesting little knickknacks.Lisbon: Nice.Jane: Yeah. well, if they do it, we should do it. Arange of casual wear, maybe? Sensible shoes?Lisbon: (ironic) I'll get right on that.Jane: Okay. Lisbon loafers.Van Pelt: (computer beeps) Found something, boss. These are Gordon Hodge's cell phone calls from thenight of the murder. All were routine business calls- Von mcbride, other lawyers, court officials. But it's the last call that bumps. 7:23, incoming from a constance hoyt. Current address unknown.Lisbon: Must not wantpeople finding her.Van Pelt: Well, I went back three months- A lot of calls between her and hodge.Lisbon: Did you try the number?Van Pelt: Twice. got one of those computer voice mail messages. Plus, I ran her namethrough the d. m.v. For registration of a black pickup truck. She's not your parking lot woman.Lisbon: Check Von Mcbride's cell phone records. See if he had any contact with this constance hoyt.Van Pelt: Bingo. Coupleof chatty cathys.Lisbon: Talking three or four times a day. Either she's his mom, or...Van Pelt: His girlfriend.Lisbon and Van Pelt arrive front of the bar. Diamond leaves it.Lisbon: Constance? we just have a couplequestions for you.But Constance rides off on the motorcycleLisbon: I'll drive!Van Pelt: No time! Boss, seat belt. go!Tires screech. Engines revvingLisbon: Bike's got too much muscle. you're gonna have to-Van Pelt cutsher path and stops ConstanceLisbon: Do not even think of moving. (To Van Pelt) I gotta get you out of the office more.Rigsby and Cho are going in Hodge's officeRigsby: Got hodge's office key?Cho: So what's yourproblem with bikers?Rigsby: I hate bikers.Cho: Why's that?Rigsby: My dad was a biker.Cho: Really? I didn't know that.Rigsby: No? I thought you read my file.Cho: Well, it says he was a big-time criminal. Didn't specifyany affiliations.Rigsby looks at the doorknobRigsy: Jimmy marks on the doorknob.Cho: Doubt that was part of the original decor.The get their guns and enter. Nobody is there but the offide is a mess.Rigsby: Doorclear.Cho: Clear.Rigsby: Desk clear. Cracks are on the outside of the window. Means a previous break-in attempt. Think they were looking for something, or just trying to send a message?Cho looks behind the doorCho:Message was definitely a part of it.On the wall: \"Burn in hell\"Interrogation RoomJane: Do you prefer \"Constance, \" or \"Diamond\"?Constance: I prefer to get the hell out of here.Lisbon: You ran from the police,endangered the lives Of two agents. you could be here a couple of days.Constance: I don't think that's right.Lisbon: why'd you run?Constance: I ran because I'm dead if anyone sees me talking to cops. The Saints areall paranoid about informants now, which is why I'm not saying a word.Jane: Tell us about your affair with gordon hodge.Constance: I wasn't sleeping with Gordon.Jane: Oh. Uh... yes, you were.Constance: It was only afew months. we were just having fun. It's not like von doesn't sleep around on me and... Gordon treated me nice.Jane: You had genuine feelings for him.Constance: He was decent. He never looked down on you. Justgot sucked in too deep with the Saints.Lisbon: Did you know he was arrested for possession?Constance: Told him a hundred times to be careful, but he got dumb about it.Jane: Ah, well, drugs simply make peoplecareless. You had to be a little concerned about mcbride finding out.Constance: It would've made things complicated.Jane: \"complicated\" is one way to put it.Lisbon: So you called him that night. Then what happened?Did you go and see him?Constance: No! no. I called to break it off. I heard him answer the phone, and I'd tried to talk to him, but the line went dead.Lisbon: What about the woman in the parking lot?Constance: I don'tknow. Von doesn't talk gang business with me.Lisbon: Had you seen her before?Constance: she's come around a few times last couple of weeks, same thing- Lots of crazy yelling, then taking off. Look... You, um... Yougotta promise that Von doesn't find out about me and Gordon.Lisbon: He keeps his cards close. He could already know- Killed Hodge out of jealousy.Constance: Trust me. If Von knew, Gordon's wouldn't be the onlydead body. Only one other person knew. And that was bad enough.Lisbon: Who was that other person?Lisbon is in Hodge's and talks with his wifeLisbon: We have information that suggests you knew about gordon andanother woman.Nina: Yes, I did.Lisbon: How?Nina: About four months ago, I found a valet stub on the driveway from the deerfield inn. So one night, I followed him and saw him go in with that biker girl.Lisbon: Did youconfront him?Nina: More like yell and hit him. He promised he'd stop seeing her. I took him at his word, and I never asked him about it again.Lisbon: why not?Nina: Because I didn't want to hear him lie to me.Lisbon:Mrs. Hodge...Nina: What?Lisbon: If you picked up on your husband's affair, you must've suspected about his other illicit activities.Nina: I knew about the drugs and the partying. He was surrounded by it.Lisbon: Whydidn't you tell us about this earlier?Nina: Because Gordon is dead. Anything that I said or did would not bring him back. My son draws stares and whispers because of his father, agent lisbon. Both of us- we deserve togrieve without shame and scandal, don't we?Lisbon: Yes, you do.[SCENE_BREAK]CBILisbon: And if she'd followed her husband once before, She could've tailed him again and killed him.Jane: No, she didn't do it. Sheloved him.Lisbon: She was a prisoner of her husband's life. She gets rid of him, gets a fresh start.Jane: People trapped in miserable lives. Always talk about escaping. few actually do it. It's easier just to close your eyesand pretend the misery doesn't exist.Rigsby: Boss, you might want to see this.Cho looks at videoCho: This is from a security camera across the street. It was the third incident in two weeks. Building owner said hodgedidn't want to report the earlier ones because he didn't want deerfield P. D. combing through. His office and accidentally finding something in his sinner saints file. There.Lisbon: Magnify. The woman from the parkinglot.In the barMcBride: Chaos Brigade controls distribution over in rancho rosa, but I figure if we move right now, we can move into stratton.Jane: What's up, my brothers?Lisbon: We just have one quick follow-upquestion for you.McBride: I've exceeded my quota of answering cops' questions. And my quota of crazy.Lisbon: The woman in the parking lot.McBride: Uh, like I said, she must've mistaken me-Lisbon: She was seenvandalizing hodge's office.McBride: She find anything she shouldn't have?Lisbon: His files were intact. she got nothing.McBride: We have nothing further to talk about, then.Lisbon: The sooner this case is closed, thesooner we're gone and you're back to business as usual.McBride: Last name is Guthrie. She's the sister of a gentleman I was accused of killing. Falsely, of course. Trial was a couple of weeks ago, Gordon hit a homerun. Got me off.Lisbon: And you weren't eager to I. D. her because you didn't want us poking around your case?McBride: Hey, all I know is that she's been coming around From time to time, saying some very offensivethings.Lisbon: Thanks for your cooperation.McBride: You think she killed Gordon?Lisbon: Like I said, thanks for your cooperation.Jane: I've got one last question. If Hodge wasn't the informant in your gang, who do youthink it is? I mean, I tried asking the D.A., but he's kind of a secretive b*st*rd, huh? What do you think?McBride: Mr. Jane, we're a motorcycle club, not a gang. And I can assure you there is no informant.Jane: Well,you'd know best.Xander: Why does he keep going on about this informant?McBride: He's just talking. Let's get down to business.Interrogation Room, Cho asks questions to Felicia Guthrie.Felicia: Von McBride should besitting here, not me.Cho: Court docs say your brother Rick was an auto mechanic. McBride blamed him for screwing up a repair, and your brother refused to redo it. Mcbride allegedly got angry and killed him.Felicia:Not \"allegedly.\" He killed him. He beat him to death with a crowbar. He murdered him.Cho: And the jury disagreed. McBride acted in self-defense, right?Felicia: That's because that lawyer Hodge made it look like it wasmy brother's fault. He started throwing around all these lies about my brother, saying that my brother was a druggie, that he was aggressive, that he was mentally unstable.Cho: So you get all worked up, harass thegang, trash Hodge's office, right?Felicia: You want to arrest me for that, go ahead. I'm not gonna fight you. I'm too tired.Cho: You ever try hodge's home?Felicia: Once. But his kid came outside. I don't have a beef withhim, so I took off before I could do anything.Cho: And what were you gonna do?Felicia: I don't know. I was... I don't know. I wanted hodge to understand what he had done to me and to my family.Cho: When wasthis?Felicia: Two days ago.Cho: The day of the murder. Where were you that night?Felicia: Home.Cho: Can anyone verify it?Felicia: I live alone, but I didn't-Cho: Now six months ago, you were arrested in a road rageincident. Got out of your car at a red light, attacked a man in an s. u.v.Felicia: What does this have to do with anything?Cho: You're an angry person and you express it physically.Felicia: I'm not angry, I am sad. Mybrother was a good man. The only crime he committed was standing up to that b*st*rd McBride.Cho: Hodge blackens the name of your dead brother and gets von mcbride off. Now maybe trashing his office didn't give"}
+{"doc_id":"doc_240","qid":"","text":"THE INVISIBLE ENEMYBY BOB BAKER AND DAVE MARTINPart OneRunning time: 23:09[SCENE_BREAK]An asteroid field with a shuttle very cautiously and wobblingly entering.A wider shot of the asteroid field with theshuttle moving more confidently.Flying asteroids!Inside the shuttle we see Safran and Silvey in comfy chairs. Then we see Meeker at the bridge.MEEKER: Going to manual.SILVEY: What for?MEEKER: Why not? If we'regoing to be slammed around, I'd sooner do it myself.SILVEY: It's still telling you what to do.MEEKER: Yes, but at least I'm doing it.SILVEY: Come on, Meeker.SAFRAN: You're off course.MEEKER: Yes, sorry,skipper.SAFRAN: Put it back on automatic, please.Meeker tries various controls and it's obvious there's a problem.MEEKER: Eh? I can't!SAFRAN: Titan shuttle captain. New course for Titan, please.He climbs up towardMeeker.SAFRAN: All right, Meeker, that is enough.MEEKER: What?SAFRAN: Off watch. Please.Safran takes the pilot's seat.MEEKER: Look, I qualified for exploration eight years ago, and what am I? Glorified garageattendant on some planetary filling station.SILVEY: Your turn'll come. You'll be glad enough of refuel bases then.MEEKER: All I'm saying is that I want a realSAFRAN: Not now, Meeker.COMPUTER: Unidentified organism.Changing course to avoid.The shuttle is caught in some kind of weird webby thing with lightning.SAFRAN: What was all that about? There's nothing there. Titan shuttle captain. Report please.Silvey turns to theothers.NUCLEUS (OOV.): Contact has been made.SAFRAN: Contact?[SCENE_BREAK]In the TARDIS Leela carries the hatstand and sets it down. The Doctor enters.LEELA: We've never been in here before.DOCTOR:You've never been in here before.LEELA: What is it?DOCTOR: Number two control room has been closed for redecoration. I don't like the colour.LEELA: White isn't a colour.DOCTOR: That's the trouble with computers.Always think in black and white. No aquamarines, no blues, no imagination.LEELA: Have we stopped?DOCTOR: No, we haven't stopped.The scanner opens.LEELA: Have we materialised?DOCTOR: Yes.LEELA:Where?DOCTOR: Solar system, between Jupiter and Saturn. About five thousand AD. Five thousand AD? We're still in the time of your ancestors.LEELA: Ancestors?DOCTOR: Yes. That was the year of the greatbreakout.LEELA: The great what?DOCTOR: Mmm. When your forefathers went leapfrogging across the solar system on their way to the stars. Asteroid belt's probably teeming with them now. New frontiersmen,pioneers waiting to spread across the galaxy like a tidal wave. Or a disease.LEELA: Why disease? I thought you liked humanity?DOCTOR: Oh, I do, I do. Some of my best friends are humans. When they get together ingreat numbers, other lifeforms sometimes suffer.[SCENE_BREAK]The shuttle approaches Titan. We see the landing area as the shuttle comes in.Cut to a close-up of gloved hands operating the controls of the shuttle.We see the shuttle coming down from its nosecone.Then we see the shuttle land on the pad and the pad begins to sink into the ground.The hands switch off the controls.The pad rotates, with the shuttle on board.Thepad begins to move carrying the shuttle with it.The space-suited crew walk through the bridge (we can see through the shuttle cockpit window beyond).COMPUTER: Docking. Docking. Contact. Alllocked.[SCENE_BREAK]As the crew head through the door, they each take a blaster. They holster the blasters and go through the inner door.MAN (OOV.): Hey, are we glad to see you. Welcome to Titan. You're welcometo it. We're in the mess. Come on down.The crew head toward the doors.The first door is the wrong one, and the leader gestures to another when they hear laughter from behind it.The door slidesopen.[SCENE_BREAK]MAN: Come on in. Join the party. Our last supper on Titan. Well, come on. Get your gear off and relax. You're going to be here forThe crew pull their blasters and aim at the three in the mess.MAN:Hey, what kind of a joke is ...The crew fire at the men who fall to the floor dead. Safran lifts his visor.His face is covered in green scales.SAFRAN: There is one other. The station supervisor. We must find him, destroyhim.SAFRAN: Then we can make this the ideal place in which to breed and multiply.[SCENE_BREAK]LOWE: Shuttle relief crew. Shuttle relief crew. Come in, please. Shuttle relief crew, this is Supervisor Lowe. Pleasereport. Relief crew, this is the supervisor. Where are you?He activates a remote camera monitor to see what is happening in the mess.He pans his camera around.LOWE: My God, what's happened? Hello? Hello?LOWE:What is it? What's gone wrong?SAFRAN: Wrong? There is nothing wrong. This is most suitable for our purpose. What, what purpose? Safran. Safran, is that you? What has happened?SAFRAN: Who is this Safran?Lowelooks horrified.LOWE: Mayday! Mayday! Mayday! This is Titan Base. Mayday! Mayday! Mayday!Meeker and Silvey approach through the halls and reach the supervisor's door as Lowe ducks into the IMURJINSEEEGSIT.They burn through the lock and enter the room.MEEKER: The supervisor has escaped.SAFRAN: Leave him. Let him suffocate.Safran punches the distress signal to silence it.[SCENE_BREAK]Back in the TARDISLeela is practicing her handwriting on chalkboard.DOCTOR: As soon as I've reset these coordinates, we'll go somewhere really interesting.LOWE (OOV.): Mayday! Mayday! Mayday! This is Titan Base. Mayday! Mayday!Mayday!LEELA: What was that?DOCTOR: Distress call. From Titan. That message took half an hour to get here.LEELA: Is Titan really interesting?DOCTOR: What does that matter? What's important is that someoneneeds help!We briefly see the webby thing in space again. Then the Doctor is setting controls.DOCTOR: Quadrant six two. W H I one two one two nine nine zero E X four one. What's the matter?LEELA: I'mtroubled.DOCTOR: About what?LEELA: I can feel something.DOCTOR: Hey.SAFRAN (OOV.): Titan. This is Titan Base. All vessels, repeat, all vessels disregard mayday. I say again, disregard mayday. All undercontrol.DOCTOR: There we are.SAFRAN (OOV.): Our apologies. Our apologies.LEELA: That's it!DOCTOR: That's what?LEELA: That's something evil.SAFRAN (OOV.): Titan Base out.DOCTOR: What?LEELA: It was not ahuman speaking.DOCTOR: It wasn't?The TARDIS gets caught in the webby stuff.There is an explosion on the console as the Doctor leans over, and he briefly glows purple.LEELA: What was that?DOCTOR: Static.Nothing important.LEELA: There was a sort of glow all around you.DOCTOR: There was? Oh. Well, a kind of Saint Elmo's fire. It happens at sea.LEELA: Saint Elmo's?DOCTOR: Yes, it causes a sort of halo effect roundthe masts of ships.LEELA: Halo?DOCTOR: Why do you keep repeating everything I say? You're not a parrot, are you?LEELA: Parrot?DOCTOR: Yes. A parrot's a bird that repeats things. Move over.LEELA: (deep) Moveover.DOCTOR: That's it.Another explosion.LEELA: I thought you said there was nothing wrong.DOCTOR: Well, there isn't anything wrong. Well, there isn't anything important wrong, but I've got to check it, haven'tI?LEELA: I can still feel it.DOCTOR: Come on, old thing. Come on.Something zaps the Doctor's eyes.He takes a step back and his vision blurs.NUCLEUS (OOV.): Contact has been made.He falls to thefloor.[SCENE_BREAK]Back on the base.SAFRAN: Incubation will start here.NUCLEUS (OOV.): Contact has been made. The nucleus has found a host. Prepare for his coming.[SCENE_BREAK]The TARDISmaterializes.Inside, Leela gets zapped in the eyes too, but it doesn't affect her.LEELA: Doctor, wake up. We've landed. We've materialised.[SCENE_BREAK]The crew approach the TARDIS down the corridor.SAFRAN:There is one other with the host. She has been rejected. We must destroy her and dispose of her body with the rest. Take up your positions.[SCENE_BREAK]The Doctor wakes up.DOCTOR: Hello, Lally.LEELA: Are you allright?DOCTOR: Rightly perfect, thank you yet, Lally.LEELA: What did you say?DOCTOR: I said, I'm perfectly all right, thank you, Lally.LEELA: My name is Leela.DOCTOR: Hmm? I know your name. Leela.LEELA: Whathappened?DOCTOR: Must have had a bot of a shik.LEELA: What?DOCTOR: A bot of a shik.LEELA: Doctor, what is it? What's the matter?DOCTOR: There's a voice or something in my head.LEELA: The evil thing.DOCTOR:Nonsense. Just a nasty turn. Come on, we're on Titan. Let's take a look.He opens the doors and walks into one of them.DOCTOR: That was odd.LEELA: Doctor, don't go out.DOCTOR: What?LEELA: It's out there.Evil!Lowe has returned to his quarters and grabs a blaster.DOCTOR: We must go. We've had a mayday.LEELA: No. I can feel it is wrong.DOCTOR: What, intuition?LEELA: I don't care what you call it, Doctor. I knew. Iknew before that. Before you were affected.DOCTOR: What are you talking about, affected?LEELA: Well, before you were knocked out.DOCTOR: Leela, listen to me. I'm perfectly all right. Move over.[SCENE_BREAK]Outin the corridor Lowe comes up behind the crew outside the TARDIS.LOWE: Drop your weapons. I'm arresting you. All of you!They turn to fire, but Lowe fires first and Silvey drops to the floor. Lowe dashes back downthe corridor and goes in to a cryogenics room.SAFRAN: Close the door. Turn off the oxygen supply.The Doctor opens the outer doors, peeks out and slams them again.A moment passes and slowly he opens the dooragain, looking down. Cautiously he exits, Leela behind.DOCTOR: Nobody around. Not a soul.He blows a bird call.DOCTOR: Anyone home?LEELA: Doctor, look.They kneel down by Silvey's body.DOCTOR: Disregardmayday. He said disregard mayday. Why?LEELA: It is still warm.DOCTOR: Don't be gruesome.LEELA: I am a hunter.DOCTOR: You're a savage.LEELA: Perhaps. I'm not ashamed of what I am and I tell you, Doctor, I cansmell danger.DOCTOR: What did you say?LEELA: I said, I can smell danger.DOCTOR: Evil again?LEELA: Everywhere. In this place.DOCTOR: We'd better find it before it finds us.LEELA: Right.DOCTOR: Stay here.LEELA:I'm no coward.They both go off in different directions, but the Doctor backs up again.DOCTOR: Now listen, whatever happens...He turns to see Leela has gone, then he sets off again.[SCENE_BREAK]SAFRAN: Settemperature and humidity rate for optimum breeding conditions.MEEKER: Set temperature and humidity rate for optimum breeding conditions.The Doctor comes upon them.DOCTOR: Excuse me, you don't know me.Let me introduce myself.SAFRAN: There is no need. We are preparing the hives now.DOCTOR: People call me the D. Hives?SAFRAN: For the nucleus which you carry within you.DOCTOR: Are you all right? I answeredyour mayday.They turn to look at him.SAFRAN: You answered the call?DOCTOR: That's right, that's right. Has someone been hurt?SAFRAN: It is of no consequence. The physical envelope is of no importance.MEEKER:Of no importance.DOCTOR: What do you mean, of no importance? I just found a dead body out there.Meeker shoots him in the eyes with his lightning glance.MEEKER: Now that you have arrived.DOCTOR: I havearrived.SAFRAN: All that matters is that the reject should be destroyed.DOCTOR: Reject should be destroyed.SAFRAN: And breeding begin.DOCTOR: And breeding from my nucleus begin.Out in the corridor Leelaapproaches the Cryogenic sekshun.She opens the door and a frozen Lowe falls out. She drags him away. Safran hands the Doctor a blaster.DOCTOR: Leela the reject will not suspect me.SAFRAN: One of us willfollow.DOCTOR: That is not necessary.SAFRAN: The nucleus within you must not be harmed.MEEKER: Must not be harmed.DOCTOR: Very well.The Doctor exits followed by Meeker.[SCENE_BREAK]In the mess Leelahelps a recovered Lowe with a hot drink.LOWE: Who are you?LEELA: We answered your mayday.LOWE: They tried to kill me. The relief crew. They're insane. They've already killed these poor devils.LEELA: But why?Are they your enemies?LOWE: No. I know them. At least, I thought I did. But they've changed.LEELA: How changed?LOWE: Their eyes, their manner, their whole behaviour is different. One of them saidsomething.LEELA: What?LOWE: Their purpose. This place will be suitable for our purpose. For our purpose, whatever that is.LEELA: The Doctor will know. He'll be here soon.[SCENE_BREAK]DOCTOR (IN CORRIDOR):Leela? Leela, where are you?[SCENE_BREAK]LEELA: That's him. That's the Doctor.LOWE: No, wait. It could be a trap, if they've caught him.LEELA: What are we going to do?LOWE: Hide.DOCTOR (OOV.): Don't worry,Leela, it's only me. Listen to me, Leela. There's nothing wrong with this place. It's most suitable. It's a good place. A good place.[SCENE_BREAK]DOCTOR: Come on, Leela. I'm waiting. Please leave me. Please. I can'tdo it. I can't do it.MEEKER: Think of the purpose. She is a reject. She must die.DOCTOR: I can't.MEEKER: Think of the purpose!DOCTOR: I can't.MEEKER: The purpose is all important!Inside the mess Lowe makes anoise.DOCTOR: The reject is here.MEEKER: Stay. The nucleus does not wish to be harmed. I shall destroy her.DOCTOR: Yes. Kill her. Kill her.[SCENE_BREAK]The door op ens and Meeker enters.Lowe points his blasterbut Meeker shoots it out of his hand. Meeker steps forward, not noticing Leela alongside the door.As Meeker moves into the room, Leela throws her knife into Meeker's back.She runs from the room as Lowe bends overtoward Meeker.LOWE: Meeker, this purpose, what is it?[SCENE_BREAK]Meeker lifts his head and zaps Lowe in the eyes, then falls dead.Lowe leaps up with his blaster and runs into the corridor where Leela isprowling.LOWE: Leave it to me. I know this place!He dashes off down the corridor."}
+{"doc_id":"doc_241","qid":"","text":"1.11 - Paris is Burning(Lorelai and Rory are walking down the street)RORY: L?LORELAI: L-laryngitis. M?RORY: Mumps. N?LORELAI: Narcolepsy! O?RORY: Are we going to have to go through this every time we decidewho cleans out the refrigerator?LORELAI: Do you want to go back to thumb wrestling?RORY: Osteoporosis. P?LORELAI: (gasps) Puppies! (runs across the street)RORY: That's not a disease. Oh boy. (runs afterher)LORELAI: (to all the puppies) Hi! Oh hi! Hi! Oohh! Rory look at the baby! (in front of one)RORY: Mom.LORELAI: Aw, Buttercup was found cold and wet hovering under a hydrangea bush along highway 26. It's a sadhighway.RORY: As compare to all the other happy highways she could've been abandoned by.LORELAI: Her lineage includes cocker spaniel, golden retriever, bouvier des flandres -RORY: GesundheithLORELAI: Thankyou - and rottweiler.RORY: Buttercup is a special dog. She's extremely skiddish and tends to react badly towards blonde haired females, brunette males, children of either s*x, other animals, red clothing, cabbage oranyone in a uniform.(Luke walks up to them)LORELAI: (to Luke) Hey, we just found the doggy version of you.MAN: Can I help you?LUKE: Do not let these two anywhere near a dog. They can barely feedthemselves.LORELAI: Shut up you! We'd be excellent pet owners, thank you.RORY: You cannot be serious.LORELAI: We could get him a pretty bowl...RORY: It's a her.LORELAI: ...and a new name...RORY:Mom.LORELAI: ..cause this 'Buttercup' thing really has got to go.RORY: Do I need to remind you of Skippy?LUKE: Skippy?LORELAI: I can't believe you would bring up Skippy.RORY: Skippy was our hamster.LORELAI:He doesn't care.LUKE: What happened to Skippy?LORELAI: Nothing happened to Skippy.RORY: Every time mom would put her hand in his cage, he'd bit her.LORELAI: And laugh.LUKE: Hamster's can't laugh.LORELAI:Oh this one laughed - trust me.RORY: So finally she got fed up.LUKE: Of being laughed at by a hamster?LORELAI: Well yeah.RORY: So she stopped cleaning it's cage. Instead everyday she would stuff some Kleenex inthere.LUKE: You didn't?LORELAI: It was the quilted kind (with a small smile)RORY: So this keeps going on and the cage is just a cage full of Kleenex that moves a little, and the smell? Really good.LUKE: I canimagine.LORELAI: Oh no you can'tRORY: So then she takes the cage to the place where we bought him, waits for the sales guy to go behind the desk and dumps it on the counter then bolts.LUKE: You abandoned yourhamster.LORELAI: Look, I know it was bad, but this was a vicious hamster. This was like a Damien hamster with little beady eyes and a big forked tail and...a cape with a...hood...and bye bye Buttercup. ByeLuke.RORY: You did the right thing. (both walking away from the puppies with arms around each other)LORELAI: Oh (in a whiny tone). I want a pet.RORY: You have me.LORELAI: You won't bring me my slippers in themorning.RORY: I might if you had slippers.LORELAI: Will you wear a collar?RORY: No.LORELAI: It'll be pink!RORY: You're sick.LORELAI: Hey watch how you talk to me. Remember what happened to Skippy.(Cut to MaxMedina's apartment. He's cleaning while Lorelai sits on the counter eating out of a pot.)LORELAI: Mmm...God this is good!MAX: OK. Correct me if I'm wrong.LORELAI: Salt please.MAX: Twenty minutes ago we weresitting at the dinner table were we not?LORELAI: Yes we were.MAX: There were candles and flowers and plates and knifes and cloth napkins.LORELAI: I love the little sombrero napkin holders, very ole.MAX: And thewhole time we were at said dinner table, you ate two maybe three bites of this amazing dinner I made for you.LORELAI: Pass the bread.MAX: And yet, as soon as that dinner's over and I start cleaning up, suddenlythat's when you're starving.LORELAI: What can I say - watching someone work makes me hungry. If I hadn't stopped watching \"This Old House\" I'd be 500 lbs right now.MAX: Hmm.LORELAI: What are you doing?MAX:Passing these to you?LORELAI: In the dish please. Ha ha ha. (as Max puts food into pot.)LORELAI: So where did you learn to make osso bucco anyway?MAX: Um, from this very old Italian woman...who used to liveupstairs...um, s-she had lost her husband a couple of years before and she kinda looked at me as like a son.LORELAI: Sweet!MAX: She was.LORELAI: So an old girlfriend huh?MAX: Yep.LORELAI: Mm hm.MAX: So wouldyou like some coffee?LORELAI: Yes please. (Walks by Max and their faces come very close together)(Lorelai walks over to his desk)LORELAI: Hey did you read Rory's paper yet?MAX: Not yet.LORELAI: It's reallygood.MAX: I'm sure it is.LORELAI: Oh and look! It's right on top.MAX: Isn't that a coincidence?LORELAI: (laughs) Wow, there are some really big words in here. I just hope you have a dictionary with you when you readit.MAX: Oh I will.LORELAI: You know I could just save you the time and uh, put an 'A' on it for you.MAX: Well that really wouldn't be fair to the other students who's mothers aren't here tonight would it?LORELAI: Yesyou're right. (pause) Although, life isn't fair and the sooner those kids learn that the better.MAX: Well I'll take that advise into account.LORELAI: (giggles). (turns around to look at his books) Wow these are beautiful!.Hm, I never read Proust, I always wanted to. Every now and then, I'm seized with an overwhelming urge to say something like \"As Marcel Proust would say..\" but of course I have no idea what Marcel Proust would sayso I don't even go there. I could do, uh, \"As Micheal Crichton would say..\" but it's not exactly the same you know.MAX: Well, take it.LORELAI: Oh no! It-it looks so valuableMAX: It's a book. It's meant to beread.LORELAI: You sure?MAX: Take it, read it.LORELAI: Ok, I will.(She takes the book and sits down and starts to read)MAX: (laughing) Not now!LORELAI: What?MAX: I'd rather you didn't read it now.LORELAI: Butum, what about (Max kisses her) my required reading (stands up, moving towards the bedroom, between kissing..) But I won't make the cheerleading squad! (kissing) Mr. Medina, is this my extra credit work becauseMissy just had to take a test!?! (laughing through kisses. Door closes.)(Cut to Lorelai sneaking in with shoes in hand)(Rory's waiting up on the couch)RORY: Where do you think you're going?LORELAI: Hi.RORY: It's oneo'clock in the morning.LORELAI: I know but my watch stopped during a terrible car wreck and I had to save kittens and small children and four baby chicks.RORY: Did you have a nice time?LORELAI: Not bad.(smiling)RORY: That's a very big smile for a not bad night. (Lorelai sits on the couch)LORELAI: Yeah well...Hey he loaned me a book.RORY: What book?LORELAI: 'Swann's Way'RORY: Aren't we ambitious.LORELAI: Yeswe are.RORY: You know what it means when a man loans you a book don't you?LORELAI: That he's already read it?RORY: Yep.LORELAI: (laughs a little) How was your night?RORY: Homework.LORELAI: How manytimes did Dean call.RORY: Not that many.LORELAI: How many?RORY: Three (Lorelai looks at her)...Five.LORELAI: (laughs) Not an all time high but very respectable. I'm going to bed. You staying here?RORY: Yeah. I'mcomfortable. I've got the pillows in a perfect mushed position.LORELAI: Ok. Night mom. (kissing Rory)RORY: Yeah you just go think about what you've done.LORELAI: (with big smile) I will.RORY: Hey.LORELAI:What?RORY: You look happy.LORELAI: I am kid.RORY: Just checking.(Cut to Chilton - Mr. Medina's class)MAX: \"There's a certain slant of light, winter afternoons that oppresses like the heft of cathedral tunes.\" That, myfriends is the first verse of a poem by Emily Dickenson. Now read some of those tonight, and as you do, consider the fact that Emily Dickenson writes convincingly about passion and about the world in spite of the factthat she lived as a virtual recluse. It'll help you appreciate her mind. (bell rings)MADELINE: I could listen to him talk about passion all day. Do you think he's dating anyone?LOUISE: Of course he is.MADELINE: Ateacher?LOUISE: Please.MADELINE: Why not?LOUISE: Have you seen teachers?MADELINE: He's a teacher.LOUISE: Male teachers are different. They can still be mysterious.MADELINE: I bet his girlfriend'spretty.LOUISE: I bet she's dumb.MADELINE: Why?LOUISE: Dumb girls crave smart men. It's that whole Marilyn Monroe - Arthur Miller syndrome.MADELINE: I still think she's luckyPARIS: Whoever he's dating is a loser,who doesn't care that he's a teacher in this ridiculous school making a ridiculous teacher's salary. (to Rory) What are you looking at? (walks away)LOUISE: Guess someone read the paper today.MADELINE: I know.Paris' parent's divorce is getting very ugly!LOUISE: Her dad should've just paid her mom everything she wanted and this whole thing would've been over.MADELINE: That's what my dad did. (to Rory) Hi!LOUISE:Hi.RORY: Hey.MADELINE: Is it true Paris' mom had the entire back of her body surgically reconstructed?LOUISE: Well it doesn't match the front now does it?(Cut to Grandma's house)(Dinner time)GRANDMA: How's thesquab?RORY: It's good.GRANDMA: Lorelai?LORELAI: It's the best tiny, weird bird I have ever eaten.GRANDMA: I'm glad.LORELAI: Why are you smiling like that?GRANDMA: What are you talking about?LORELAI: You'resmiling.GRANDMA: I'm happy.LORELAI: That's not your \"I'm happy\" smile.GRANDMA: Well what smile is it Loerlai?LORELAI: That's your \"I've got something on Lorelai\" smile.GRANDMA: Rory your mother must be verytired.RORY: She works a lot.LORELAI: I grew up with that smile - I know that smile.GRANDMA: Tell me about school.RORY: Well, my French final went pretty well.LORELAI: You can change the subject. I know thesmile.GRANDMA: Whatever you say dear.LORELAI: I've used it a few times myself.RORY: Mom.GRANDMA: So tell me about parent's day?LORELAI: What?GRANDMA: Parent's day? Next Wednesday? When all theparents are supposed to go to the classes with their children all day long?LORELAI: The Chilton newsletter came out today!RORY: Yup.LORELAI: Right.GRANDMA: You didn't read yours?LORELAI: Not yet.GRANDMA:Ah.LORELAI: But you knew that -GRANDMA: Well -LORELAI: Hence the smile.GRANDMA: Lorelai, you're really being silly. There's no evil plan a foot here. I simply brought up a subject I thought we could all talkabout.LORELAI: Oh right.GRANDMA: I'll try another subject - the colour blue is very pleasant isn't it?LORELAI: Mom not everybody can wait outside the mailbox for the Chilton newsletter to arrive and then instantlymemorize the contents in three seconds.RORY: I'd like to weigh in on the blue colour subject please.GRANDMA: You have your priorities far be it from me to question them.LORELAI: Just because I don't read thenewsletter doesn't mean I don't care about my daughter.GRANDMA: So are you going?LORELAI: To what?GRANDMA: To parent's day!LORELAI: Why don't we talk about it next Friday when I've actually read thenewsletter. I guarantee it'll be more fun.GRANDMA: We could except for the fact that parents day is next Wednesday.LORELAI: Wednesday?RORY: Yup.GRANDMA: If we talked about it on Friday then you would'vemissed it.LORELAI: Wednesday huh?RORY: It's ok mom, you don't have to be there.GRANDMA: I guess we can talk about how you missed it.LORELAI: I'm won't miss it.RORY: Mom it's not a big deal, you'rebusy.GRANDMA: You know what - I'll go!LORELAI: What?GRANDMA: Why not? You have to work. I, as you have insinuated, have no life, therefore I will go sit with Rory at parent's day.LORELAI: I'm not busy, I'mgoing. I will be there - that's it. End of story ok?GRANDMA: Fine.LORELAI: Fine.GRANDMA: So did you read on page two about the mother/daughter talent show?(Lorelai chokes on her food)RORY: You ok? (smiling)(Cutto Gilmore house)RORY: Mom I have to go! It's almost 8 o'clock!(Lorelai running around her room getting ready)LORELAI: Wait! Have you seen my orange suede clip thingy?RORY: Top right hand drawer.LORELAI: It'snot there.(Rory huffs and goes upstairs to help)RORY: Did you check in your purse?LORELAI: Yes.RORY: Under your scarves?LORELAI: Yes.(at the bedroom door)RORY: In your sock drawer?(Lorelai looks in the sockdrawer and finds it.)LORELAI: (gasps) I love you.RORY: I'm gone.LORELAI: Bye (give Rory a kiss)LORELAI: Hey wait!RORY: What?LORELAI: Blue disco sequence bag?RORY: No!LORELAI: Why?RORY: Bad.LORELAI:Really?RORY: Bye.LORELAI: Bye! (pause) Wait-wait-wait!RORY: Mom come on! Mr. Medina's going to be here any minute!LORELAI: Ok, just tell me one more thing. Where's the silver dangly bracelet?RORY: I'mwearing it.LORELAI: Why are you wearing it?RORY: Because it's mine.LORELAI: Oh...right...Hey can I borrow your silver dangly bracelet?RORY: I'll leave it on the table for you.LORELAI: Thank you.(Rory heads for thedoor and the doorbell rings)LORELAI: What was that?RORY: The door bell rang?LORELAI: Why did the door bell ring?RORY: Because someone's at the door.(Lorelai comes down the stairs while Max listens fromoutside.)LORELAI: It's 8 o'clock. Who shows up at 8 o'clock for an 8 o'clock date?RORY: I don't know, maybe a Chilton teacher?LORELAI: Everybody knows that 8 o'clock means 8:20, 8:15 tops!RORY: Well obviously hewas raised in a barn.LORELAI: I tell you, he's cute but this punctuality thing has knocked 10 points off the dream guy quotient.RORY: Mom what do I do? I'm not even supposed to be here.LORELAI: Ok so go!(Roryturns to leave)LORELAI: Oh wa-wa-wait! You have to get the door.RORY: What?LORELAI: Yeah, because I'm not ready.RORY: I'm not supposed to get the door remember, we agreed. I don't get the door when youhave a date.LORELAI: I know but...RORY: I'm not even supposed to be here. That's the first rule of the 'Gilmore Dating Handbook'. (as Lorelai fiddle with her skirt zipper). Daughter shall be nowhere near house whensaid man materializes. It's a good rule, it 's been working.LORELAI: Ok, but he's standing out there and it's cold and my slip is now completely stuck in my skirt zipper and they'll have to bury me like this.RORY:Mom!LORELAI: Just this once! (as she runs upstairs)(Rory opens the door)RORY: Hi.MAX: Rory.RORY: Come on in.MAX: Thank you (clears his throat)RORY: Can I get you something, I mean we don't really haveanything but if you wanted something and we had it, I'd be happy to get it for you.MAX: I'm fine.RORY: We have water.MAX: That's ok.RORY: It's not bad water actually. I mean it's not a funny colour or anything.MAX:I'm good. Really.RORY: We have bottled water.MAX: No thanks,RORY: One bottle actually.MAX: I-it's quite alright.RORY: We really need to go to the store.MAX: So..should we...RORY: Sit? Right. Yeah let's sit.(Theymove into living room)MAX: So, uh, what are your plans tonight?RORY: I'm going over to my friend Lane's house.MAX: Sounds good.RORY: And you guys are...?MAX: Dinner, movie - the usual.RORY: Right.(Both lookupstairs. Max clears his throat.)MAX: This is a little uncomfortable.RORY: Yes it is.MAX: But the thing is, if things go well, the way I hope they're going, then we might be doing this again.RORY: Sittinguncomfortably?MAX: (laughs) Seeing each other outside of school.RORY: That's ok. I am fine with this whole you and my mom thing.MAX: Well good. I'm glad.RORY: Well, better go. (gets up to leave)MAX: It's good totalk to you Rory. (standing up)RORY: You too Mr. Medina. (She turns to leave)MAX: why don't you call me Max? Just when we're out of school.RORY: (turning back) I don't think I can do that.MAX: Why not?RORY: Itjust sounds wrong - disrespectful. I mean, you're my teacher Mr. Medina, and if I start to think of you as a 'Max' - even as a part-time 'Max', it just seems lit it would get too confusing.MAX: How 'bout then, we'll comeup with non-Chilton names for each other. When we're not in school, I'll call you Rebecca.RORY: Rebecca.MAX: And you'll call me...RORY: Norman?MAX: Norman?RORY: Well...MAX: I look like a Norman to you?RORY:I'm sorry, 'Psycho' was on earlier and it was just the first name that came to mind. I'll think of something else. How about Alfred?MAX: You know what...Norman's fine.RORY: Are you sure?MAX: I'm positive, I love it. Imight make a legal change.RORY: Ok. Well I better go.MAX: I hope you and Lane have a good time.RORY: Thanks. Oh, would you give this to my mom for me?MAX: Absolutely.RORY: Thanks.(Rory starts toleave.)RORY: Oh and Norman - have her home by 10.(Max waves her off)(Cut to Luke's)(Rory's sitting at the counter as Sookie and Jackson enter)SOOKIE: I can't believe you won't just sell them to me.JACKSON: And Ican't believe you're being so small minded.SOOKIE: My stuffed fried squash blossoms are extremely popular with the customers.JACKSON: Yes I know.SOOKIE: People come from all over and demand the fried stuffedsquash blossoms.JACKSON: That's exactly my point!SOOKIE: What'll you have sir? Anything that comes with the stuffed fried squash blossoms. That's what I hear day in and day out.JACKSON: Yes, great, I know, butall I'm asking you is to try stuffing something a little different this time huh? (holds up a zucchini tush)SOOKIE: A zucchini tush?JACKSON: Just a temporary name.SOOKIE: You want me to serve my customers agenetically engineered vegetable that's named after a butt?JACKSON: Hey this is an all natural vegetable hybrid that's perfectly safe, completely delicious, and yes it looks a little odd but you can put in on themap!SOOKIE: I want the blossoms.JACKSON: Fine. You wanna think small, think small. I'm done. (leaves)(Sookie sighs and sits next to Rory)RORY: Jackson invented a new vegetable again?SOOKIE: Yup.RORY: It's toobad that bowling league didn't work out for him.SOOKIE: Yeah.(Lorelai enters with skates over her shoulder)LORELAI: Hey, look I found them.RORY: Where?LORELAI: They were in that drawer with the roastingpans.RORY: Cool.SOOKIE: Oooh skates!LORELAI: Rory and I have a skating date.RORY: I'm Nancy Kerrigan.LORELAI: And I'm Tonya Harding. I'm gonna do the whole shoe lace coming untie - nervous break - let mestart again act and everything.LUKE: (laughing) When was the last time you put those things on?LORELAI: Oh, you are constantly trying to ruin my fun.LUKE: Do they even fit anymore?LORELAI: Yes they fit.LUKE:They look rusted.LORELAI: Well...can I just have some coffee please?LUKE: (sighs) Hand them over.LORELAI: Why?LUKE: I'm gonna clean them and tighten the blades.LORELAI: Really!?!LUKE: Yes.LORELAI: Can youmake them really shiny?LUKE: The skates please.LORELAI: Maybe add a couple of pompoms.LUKE: Just hand them over.LORELAI: Thank you!SOOKIE: You get really good service here.LORELAI: Yeah I do.(Sookie'spager goes off.)SOOKIE: Gotta go.LORELAI: Anything wrong?SOOKIE: Too much yeast, too little bowl.LORELAI: Enough said.LORELAI: (to Rory) So I think I'm just going to go for it and wear the fur-trimmed skatingskirt, pride be damned.RORY: Hey, what if we invite Max to go skating with us?LORELAI: M-max?RORY: Yeah, I thought maybe he'd want to go.LORELAI: When did you start calling him Max?RORY: Well the other nighthe said that I should probably call him something other than Mr. Medina when we're outside of school. Which makes sense, so I'm getting used to saying 'Max'.LORELAI: W- you don't see him that much outsideschool.RORY: No, but I probably will since you guys are obsessed with each other.LORELAI: Yeah, well I wouldn't say 'obsessed'.RORY: No. It's ok, I mean of all the guys to have hanging around, he seems like a goodchoice. I like him.LORELAI: Good, well that's good.RORY: So what do you think about the skating?LORELAI: What?RORY: Mr. Medina - I'm sorry, Max? Do you think he'd wanna go?LORELAI: I don't thin he skates. (toLuke) Thanks.RORY: Well maybe we could all do something else together.LORELAI: Yeah, good. Something else is good. I love something else.(Cut to Gilmore house)(Kettle whistles.)SOOKIE: Ok, tea is ready. How arethe feet?LORELAI: I don't know. They stopped talking to me.SOOKIE: What on earth were you thinking?LORELAI: That I could still skate.SOOKIE: It's not like riding a bike you know.LORELAI: Now you tell me.SOOKIE:So, (sitting at table) what are you up to tonight.LORELAI: Well, I'm going to do a little line dancing, then run a 10K, then just jump up and down really hard for about an hour.SOOKIE: No Max?LORELAI: No.SOOKIE:Taking a night off?LORELAI: I don't seem him every night Sookie.SOOKIE: He seems like a great guy.LORELAI: He is.SOOKIE: That didn't sound very convincing.LORELAI: No, he is. He is a great guy - forsomeone.SOOKIE: For someone?LORELAI: Yes.SOOKIE: Someone else?LORELAI: Yes.SOOKIE: Someone else who is not you although you're the person spending every waking hour with him.LORELAI: Right.SOOKIE:"}
+{"doc_id":"doc_242","qid":"","text":"OPEN AT LORELAI'S HOUSE[Rory pulls up in her car, grabs some bags from the trunk, then walks into the house. An alarm starts blaring.]LORELAI: Oh, crap! [tries to turn off the alarm]RORY: What's going on? Is it thesmoke detector? Are we on fire?LORELAI: It's not the smoke detector, it's the alarm!RORY: What alarm?LORELAI: Our alarm.RORY: We don't have an alarm.LORELAI: Well, then, we have really angry rats. Did you cutyour hair?RORY: Well, I just trimmed it.LORELAI: You didn't tell me you were cutting your hair.RORY: It was a spur-of-the-moment thing.LORELAI: A spur-of-the-moment, \"let's not tell my mother I'm pulling a G.I.Jane\"?RORY: Are we seriously gonna have this conversation now during the air raid?LORELAI: You're right. Come on. [leads her to the other side of the room]RORY: What are we doing?LORELAI: I figured out that thereis a motion detector, and if you stand over here, it can't see you and calms down.RORY: Great, so what now?LORELAI: We wait. So why didn't you tell me you were getting your hair cut?RORY: It's just a trim.LORELAI:To the Braille Institute, it's just a trim.RORY: Do you like it?LORELAI: Will you put it back if I don't?RORY: Mom!LORELAI: Yes, I like it.RORY: Thank you.[the alarm stops]RORY: Oh, thank God.LORELAI: Feels goodwhen it's over, huh?RORY: This is crazy. When did we get an alarm?LORELAI: Well, apparently, Kirk. . .RORY: Oh, no.LORELAI: . . .has recently joined the Stars Hollow Security Company.RORY: Oh, no.LORELAI: Andapparently, now that I'm the pretty spinster living all alone, he's concerned for my safety.RORY: Did he tell you all this?LORELAI: Do you think I labeled myself the pretty spinster?RORY: What did you say?LORELAI: Ihaven't talked to him face-to-face. I come home to this and there was a note and his card and his gun.RORY: Oh, jeez!LORELAI: Yeah, and then when I called the alarm-response center to complain about the alarm, noone answered. I had to leave a message with Meg - she sweeps up.RORY: I can't even believe there's a security company in Stars Hollow. Nothing ever happens here.LORELAI: Oh, that is not true. Plenty happenshere.RORY: Like what?LORELAI: Like, people now break into your houses and install alarm systems.RORY: I heard about that.LORELAI: And we have a new mail carrier.RORY: We do?LORELAI: Yeah, so now if youwanna get your mail, you just have to go see Miss Patty.RORY: Why?LORELAI: 'Cause that's where he brings it. He brings Babette's mail to Andrew's, Norma's mail to the deli, and Taylor still hasn't found his mail, whichI have to admit is kind of fun.RORY: I rescind my previous statement. This place is hopping.LORELAI: So, did you eat yet?RORY: Nope. I thought I'd let you feed me.LORELAI: Sure. I can feed you, but I can't know ifyou're getting your hair cut.RORY: I will never do anything again without telling you - happy?LORELAI: I don't know. I'm finding this whole guilt thing rather satisfying. [Rory starts to walk away] No, no, where are yougoing? [The alarm starts blaring again] Agh! Why did you do that?RORY: I was gonna get my laundry!LORELAI: You made it mad!RORY: I didn't mean to!LORELAI: Back in the corner, back in the corner!RORY:Oh.LORELAI: No place like home, huh?RORY: Yeah.[opening credits]CUT TO LORELAI'S HOUSE[Lorelai is making a trail of Post-It notes on the floor through the house; Rory comes out of her bedroom]RORY:Mom?LORELAI: Follow the Post-It's.RORY: Does our life seem at all ridiculous to you?LORELAI: I spent all morning carefully tracking that motion detector.RORY: What an excellent use of your time.LORELAI: We're goodas long as we stay on the path.RORY: So I should follow the yellow stick road?LORELAI: We'll be here all week, try the veal. Stop.RORY: What?LORELAI: Read.RORY: \"Crouch down and hop.\" Oh, come on.LORELAI: Themotion-detector beam at the top of the staircase dips very low over there.RORY: You seriously want me to crouch down and hop?LORELAI: Like a little hunchbacked bunny.RORY: You know, I had decided that if I everwent to therapy, I was gonna leave you out of it, but now. . .LORELAI: Okay, you can stand up.RORY: Did you at least call the stupid security company again?LORELAI: Yes, Meg sends her love. Don't worry - I'll stop byon my way to the inn. And what are your plans today, Persis Khambata?RORY: Well, today, I'm going to do nothing but hang out in town, read, veg, drink coffee, and have the perfect Stars Hollow day.LORELAI: Lookout. I get to go over to the inn and hear a contractor laugh at me every time I say, \"But that won't cost too much more, right?\"RORY: Enjoy.LORELAI: Late lunch at Luke's?RORY: You're on. So, uh, which way do Igo?LORELAI: Oh, just follow the Post-It's.RORY: But they're going in two different directions.LORELAI: They are?RORY: Look.LORELAI: Oh. I must have kicked some out of the way by accident.RORY: Well, which one doI take?LORELAI: Which looks more intentional?RORY: No Post-It path looks intentional.LORELAI: I'm drawing a complete blank.RORY: You seriously don't remember?LORELAI: Sorry.RORY: Well, how are we supposedto get out of our house?[Lorelai, imitating Jeannie from I Dream of Jeannie, crosses her arms, nods her head, and blinks]LORELAI: Unng!RORY: I hate Kirk.CUT TO THE GAZEBO[Rory is sitting on the bench reading andlistening to music. A man walks up and sets down a box]RORY: Whoa. What's going on?MAN: I'm just setting things up for tomorrow.RORY: Oh, tomorrow. What's -MAN 2: Heads up![another man throws a package oftablecloths to the man in the gazebo]RORY: Whoa.MAN: I think you may need to move.RORY: Yeah, I kinda got that. Excuse me. What's tomorrow?[Across the lawn, Lindsay and her mom are talking with a weddingplanner]LINDSAY: . . .tons of tulle so that everything looks like frosting.MRS. LISTER: She's our only daughter - frost the town.LINDSAY: Now, where should we put the poster? I want to make sure everybody seesit.MRS. LISTER: Oh, what about next to the cake?LINDSAY: Yes, next to the cake.[Rory walks away in the other direction]CUT TO KIM'S ANTIQUES[Rory walks in]RORY: Lane.LANE: Rory.RORY: Have you heard of aphone? Because as my friend, it is your responsibility to use it to call me and tell me that my ex-boyfriend's wedding is on Sunday so I'm not accidentally in it.LANE: What?RORY: I'm sitting out in the gazebo, reading,and this guy almost brains me with a stack of tablecloths.LANE: Oh, that's right, they're having their reception in the town square.RORY: Yes, and Lindsay was out there holding a giant picture of her with Dean, and. ..LANE: Oh my God, did she see you?RORY: I don't think so. I do a pretty good idiot run when I need to.LANE: I'm sorry, I meant to tell you. I just didn't know you were coming home this weekend. It totally slipped mymind. Things have been so crazy. I just figured I'd tell you when we talked, and then we didn't, and. . .oh, I'm sorry, can you hold on for a sec?[She opens an armoire. Zach and Brian are inside]ZACH: Not cool,Lane.LANE: I'm sorry, guys.BRIAN: Fourth time today.LANE: Well, I thought Rory was my mom.ZACH: The resemblance is uncanny.BRIAN: We should get your mom a bell like a cat.RORY: What's going on?LANE: We'rehaving a band meeting. We need to figure out what to do about a guitarist.BRIAN: I think I got a splinter.ZACH: You know that a splinter can get into your bloodstream, go straight to your heart, and kill you.BRIAN:Why would you tell me that?ZACH: Whatever, dude. This is lame. I'm gonna bail.LANE: Zach, come on.BRIAN: We need to find a guitarist.LANE: That's right. We have come too far to let the band fall apart just becauseDave -ZACH: Hey, do not say the \"d\" word, Lane.LANE: But -ZACH: Don't.LANE: Dave -ZACH: Dave is dead to me. Comprendo? Dead. Cover the mirror, rip a shirt, that guy doesn't exist.BRIAN: He just went to college,Zach.ZACH: No, he did not just go to college. He walked out on his art, man. He walked out on his sound. Do you think a sound is so easy to find? Did you ever see that Glenn Miller movie? For two hours, JimmyStewart's walking around, \"I gotta find a sound. I gotta find a sound.\" Well, we had a sound and Dave took that sound to freaking California. You don't come back from California, man. It changes you.LANE: What didyou expect him to do - not go to college?ZACH: No true rock 'n' roller goes to college!RORY: Mick Jagger went to the London School of Economics.ZACH: What?RORY: Yeah, and, uh, Dexter Holland of The Offspring gothis PhD in molecular biology at USC. Greg Ginn of Black Flag graduated from UCLA. The guy from Bad Religion got his masters in geology from UCLA, and he's working on his PhD in evolutionary biology atCornell.ZACH: Lane, she's your friend.RORY: I'm sorry. Um, I'm going. I'll call you later.LANE: Hey, are you mad?RORY: No, I'm not, I promise. I'm just - I'm just a little surprised. I mean, Dean's wedding. . .LANE: Iknow.RORY: But it's okay. It just means that I have to be a little more careful about where I go this weekend, that's all.LANE: Okay, well, I'll see you tomorrow. We're using the garage - guitar auditions.RORY: Okay, I'llsee you tomorrow.ZACH: Shut up, shut up, shut up. Weezer did not go to Harvard.BRIAN: Not the whole band, just the lead -ZACH: Get away from me! I mean it.RORY: Bye.LANE: Bye.[Rory leaves. She sees Dean outfront on the sidewalk]RORY: Hi.DEAN: Hi. Uh, were you. . .RORY: Oh, I was at, uh, Lane's.DEAN: Right, Lane's. Um.RORY: Um.DEAN: So, you're home this weekend.RORY: Yeah, I, uh, I ran out of clean clothes andquarters, so. . .how are things?DEAN: Good. You?RORY: Good.DEAN: You like Yale?RORY: I love Yale.DEAN: I figured.RORY: And Connecticut State?DEAN: It's. . .it's good.RORY: Oh, good. I'm glad it's good. I mean,not that I would have had any recourse if it wasn't, but, uh, this makes my lack of recourse a lot easier to deal with. So, I see you've taken over the town.DEAN: Oh, yeah. Uh, well, Lindsay thought. . .she likes thegazebo, and. . .RORY: And it's her wedding.DEAN: It is her wedding.RORY: And your wedding. I mean, it's your wedding, too.DEAN: Yes, it is. It's my wedding, too.RORY: Well, it's nice. It's, um, it's pretty. It looks likeheaven or a Victoria's Secret commercial, which, to some people is basically the same thing.DEAN: I didn't know you'd be home this weekend.RORY: It was just a spur-of-the-moment thing.DEAN: Because if I hadknown, I would have, you know, invited you.RORY: Oh. Oh, well, it's. . .DEAN: I mean, I didn't want you to think I was just not inviting you.RORY: No, I didn't think that.DEAN: I just figured you'd be at school.RORY:'Cause you're logical.DEAN: I just didn't know.RORY: No, I know you didn't know.DEAN: I didn't want you to think -RORY: No, I didn't think. I don't think. I go to Yale now. They think for you.DEAN: But, hey, since youare here, come.RORY: Come?DEAN: To my wedding. Come to my wedding.RORY: Oh, Dean. . .DEAN: You and Lorelai, I want you to.RORY: Well. . .DEAN: Chicken or beef?RORY: What?DEAN: Wait, beef. Of course,beef. I mean, the two of you are definitely beef. I mean, not like you resemble beef or anything.RORY: You know, you don't even have to -DEAN: Okay, so, noon at the church. I'll be the one in the tux. And don't worry,we didn't write our own vows and no one's singing opera. I know you think that's lame.RORY: Oh, no, well, it's a wedding. It's supposed to be. . .operatic.DEAN: Okay, so, I better get over there. Lindsay's expectingme. Uh, so, I'll just see you two tomorrow.RORY: But. . .CUT TO LORELAI'S HOUSE[Lorelai is in the living room staring at the alarm system control pad]KIRK: [calls from upstairs] Now?LORELAI: Nothing.KIRK: Whatabout now?LORELAI: No, nothing.KIRK: Okay. Now?LORELAI: Nothing. Kirk, what's supposed to happen?KIRK: What?LORELAI: I don't know what I'm supposed to be looking for. Kirk?KIRK: I'm not sure.LORELAI: Kirk,please come downstairs.KIRK: Are you going to hurt me?LORELAI: Kirk.KIRK: [walking downstairs] I swear, they told me it would be self-explanatory. I just had to get in the main box, and in seconds, this thing wouldbe disabled. They didn't tell me that I needed a key or that if I didn't have a key, that I would be mildly electrocuted, and then, after all that, when I got in the box, there's nothing self-explanatory about it.LORELAI:Kirk.KIRK: I was trying to do a nice thing.LORELAI: I know.KIRK: And Jimmy said he would install it for me because I do not have those skills yet. The class was full by the time I got there.LORELAI: That's okay.KIRK:Damn my constant tardiness.LORELAI: Kirk, please, what can we do right now? The alarm is just so loud.KIRK: Yeah, that's my fault, too. I asked Jimmy to really crank it up.LORELAI: Well, he did.KIRK: If you're gonnahave an alarm, you need it loud. You don't want some crazed, knife-wielding gunman at your throat and the neighbors are going, like, \"Is that a fan? Did I leave the water running?\" You want them to know, \"Hey, that'san alarm.\"LORELAI: Your imaginary attacker has a knife and a gun?KIRK: And a really dirty tank top.LORELAI: Okay. So, uh, Jimmy's out of town, but until he gets back, we can. . .KIRK: Change the code.LORELAI:Really? To something I know?KIRK: You can pick it.LORELAI: You know how to do that?KIRK: Yes, I do.LORELAI: That is perfect.KIRK: Okay, here we go. Just punch in a 7-number sequence.LORELAI: You got it.[Sookiewalks in]SOOKIE: Hey.LORELAI: Hi.SOOKIE: Did you know your phone's not working?LORELAI: What?SOOKIE: I've been calling you for an hour. I had the operator check it. She said it's cut off or something.LORELAI:It was working this morning.KIRK: I'll be right back.LORELAI: Kirk!KIRK: I have tape. [goes upstairs]SOOKIE: You look tired.LORELAI: Yeah, well, Kirk.SOOKIE: Right. Hey, listen, I got a call today.LORELAI:From?SOOKIE: Michel. A very upset Michel.LORELAI: Why?SOOKIE: Well, apparently, he called you and you never called him back.LORELAI: When did he call me?SOOKIE: He said he called you in July.LORELAI: I wasin Europe in July.SOOKIE: I think that he thinks we're trying to ease him out of the Dragonfly.LORELAI: Oh, come on. Why would he think that?SOOKIE: I don't know, but he was so hysterical that his voice got into thathigh-pitched squeal he does, and all I could make out was \"fire\" and \"abandon me\" and something about not receiving a thank-you card for the Statue of Liberty.LORELAI: That is crazy. He knows we always intended totake him with us. I mean, we love Michel, right?SOOKIE: Right. He's the best concierge in the world.LORELAI: Absolutely. A little abrasive.SOOKIE: Kind of impatient.LORELAI: But charming.SOOKIE: And great at whathe does, knows the community.LORELAI: Willing to go that extra mile.SOOKIE: Tiny bit obnoxious.LORELAI: Makes you want to scream, \"life's too short!\" two, three times a day, but. . .SOOKIE: Picture life without him.We do need him, right?LORELAI: Let's just go down there and talk to him.SOOKIE: Right.CUT TO FANCY HOTEL[Lorelai and Sookie walk in]LORELAI: Well, we know where all those Calvin Klein ads went to die.SOOKIE:They look like they all had the same mother.LORELAI: That must be one tired supermodel.[a woman walks by]LORELAI: Excuse me, we're look-[the woman ignores her and keeps walking]LORELAI: I wouldn't talk to useither.SOOKIE: Hey, talk to a boy. A boy will be nice to you.LORELAI: Okay.[they walk up to the front desk]LORELAI: Hi. Excuse me, we're looking for Michel Gerard.CONCIERGE: The corner of Mercer andBroom.LORELAI: Excuse me?[the man points to his headset]LORELAI: Oh, Janet Jackson's on the phone.SOOKIE: Oh.CONCIERGE: Uh huh, no worries. Hi.SOOKIE: Us?CONCIERGE: Yes.LORELAI: Oh.SOOKIE: We'relooking for Michel Gerard.CONCIERGE: Michel.SOOKIE: Yes, Michel Ger. . . Janet again.LORELAI: She's very needy lately.CONCIERGE: You have some guests at the front desk. Uh-huh. No worries. He comes like thewind.LORELAI: Thanks. He doesn't need our thanks.SOOKIE: Well, he has Janet, so. . .[Michel walks through the lobby toward the front desk talking on a headset]MICHEL: You have reservations at Tamtam at 7:00. Donot order the duck because it will take forever and you will miss the curtain. If you have any problems at all, you have my pager number. Just call me. Goodbye. [to Lorelai and Sookie] Well, look who the cat draggedin.LORELAI: Hi, Michel. We've missed you.MICHEL: Yes? Well, I have missed you, too.LORELAI: This place is wonderful.SOOKIE: You look so important, walking around, talking to yourself. But you're not really talking toyourself. You're actually talking to someone else in a headset with your headset.LORELAI: How are you?MICHEL: Me? I am wonderful, and yourselves?LORELAI: We're great, and we're breaking ground on the inn onMonday.MICHEL: Oh, yes. Is that still happening?LORELAI: It is still happening.MICHEL: Well, that's lovely. There's a small charge for the use of the internet. All instructions are in the minibar. I'm so pleased.LORELAI:Listen, Michel, I know you're a little upset with me.MICHEL: Upset? I don't think so.SOOKIE: It's okay, I told her about the call.MICHEL: What call?SOOKIE: The call you made to me yesterday, the one where you toldme that you called Lorelai and she didn't call back.MICHEL: I make so many calls.SOOKIE: The one where you cried.MICHEL: Are you sure it wasn't another Michel?SOOKIE: You called me! You kept me on the phone forover an hour. I missed the beginning of Queer Eye for the Straight Guy, and by the time I got back, they were all gay.LORELAI: Okay, it doesn't matter. We just want you to know if there was any misunderstandingabout wanting you to come with us to the Dragonfly, well, we're sorry.SOOKIE: I'm not.MICHEL: Well, that's very sweet of you to say. Thank you.LORELAI: Unless you don't want to come with us. I mean, this place isvery impressive, and I would understand if you didn't want to leave.MICHEL: Yes, this place is impressive, isn't it? I mean, the uniform alone - like working in your jammies. And these headsets, are they not fabulous?Especially when, for example, you're in the bathroom, a place one would normally choose to be alone, then suddenly, bang, someone is yakking in your ear. How delightful. You can never get lonely.LORELAI: I supposenot.MICHEL: And the people who work here. . .a joy. So young, so talented. Some of them are actors in ambitious off-Broadway revues. They play cockroaches and derelicts and do Shakespeare dressed like punkrockers. It gives me chills just thinking about it. Yes, extra towels are complimentary, Matthew, and stop asking me who the hottie I'm talking to is. I'll tell you what, I'll think about it and get back to you,okay?LORELAI: Nice to have you aboard, Michel.MICHEL: I'm busy, go. Thank God. Matthew, what?CUT TO LUKE'S DINER[Lorelai and Rory are sitting at a table]LORELAI: So, he invited us to his wedding.RORY: Andwe're having beef.LORELAI: Well, what was his body language like?RORY: Tall.LORELAI: No, I mean, did he squirm or back away when he invited you or was he all darty-eyed?RORY: Not much squirming, no backingaway, but there was a little bit of darty-eye.LORELAI: So, he was nervous.RORY: Well, we were both nervous. I mean, we didn't expect to run into each other, and I think he probably just invited us 'cause he felt like hehad to, to be nice.LORELAI: That does sound like Dean.RORY: So, what do we do? Do we go?LORELAI: Oh, I can't decide this. He's your ex-boyfriend.RORY: It seems weird that we go.LORELAI: Then we don't go.RORY:But if we don't go, it may look like we're trying to make some kind of statement.LORELAI: Then we go.RORY: If I had just stayed at Lane's for two more minutes. . .LORELAI: Yeah, fate.RORY: Yes, it is fate. Do weignore fate?LORELAI: I don't know. Do you have any important papers due soon?RORY: Why?LORELAI: Just in case.RORY: Fate's gonna flunk me?LORELAI: It's always a possibility.RORY: Well, then that's it. We aregoing.LUKE: Going where?RORY: Dean's wedding. Fate's making us.LORELAI: I hope fate will cough up forty bucks for a salad spinner for him.LUKE: Please, there is no fate.LORELAI: What do you mean there is no fate?Of course there is fate.LUKE: There is no fate, there is no destiny, there is no luck. Astrology is ridiculous. Tarot cards tell you nothing. You cannot read a palm. Tea leaves make tea and nothing else. Jim Morrison is nothanging out with Elvis, and the Kennedys did not kill Marilyn.LORELAI: I totally knew you were gonna say that.LUKE: I came over here. My fault.LORELAI: I read your mind. It spoke to me. We're psychic.LUKE: Enjoythe fries.LORELAI: So where does this leave us?RORY: Well, I think that Dean's gonna expect us to go, and it is his day, and I don't want him to feel like I don't care about him.LORELAI: I know.ORY: I just want him tobe happy.LORELAI: Okay, we'll get him a salad spinner first thing tomorrow morning.RORY: Thank you.[Miss Patty walks in]MISS PATTY: Oh, there you are. Honey, I've got your mail.LORELAI: Oh, great.MISS PATTY:"}
+{"doc_id":"doc_243","qid":"","text":"[Genevieve and Celeste (in Sabine's body) stroll through the cemetery]GENEVIEVE: Oh, I remember this cemetery. Hmm. Hasn't changed a bit.SABINE / CELESTE: I've been coming here over a century, wearing oneface or another.FLASHBACK--LAFAYETTE CEMETERY, 1919[Genevieve approaches a woman kneeling in front of a tomb, praying to her ancestors]GENEVIEVE: Clara Summerlin, will you come on? We're gonna misseverything.[The two walk over to where a crowd of witches are standing around a bonfire, playing congo drums and watching as a witch dances around the flames. Papa Tunde walks out with an albino python aroundhis shoulders, which he hands to his sons after clapping in order quiet the crowd]GENEVIEVE: Told you. Every witch in the Quarter is here to see the great Papa Tunde.PAPA TUNDE: Witches of the French Quarter, thankyou for your welcome. It is good to be among people of the faith. I, too, practice ancestral magic, honoring those who walked the path before us. From them, we draw strength. And you will need strength, for a greatdarkness is coming. The city your forefathers left you is now overrun by pirates, beasts, and vampires.[Papa Tunde takes the python from his sons and throws it into the fire, and many of the witches gasp in surpriseand fear]PAPA TUNDE: I practice other magic, as well. Sacrificial magic, channeling power from the lives of my offerings. I use this strength to vanquish my enemies, and I will punish your enemies for their greed. Inreturn, you will accept my family into your coven, and me as your leader.FLASHBACK--A MEETING ROOM, 1919[Two men enter the room and join Elijah and a police officer at a table]ELIJAH: Gentlemen, makeyourselves at home. Mayor O'Connell appears to be running late, but there's much to discuss, so I shall begin.KLAUS: [walks down the stairs to join them] One moment, please, brother. You know how much I enjoythese illicit, little gatherings.ELIJAH: [to the men] Do not be troubled. Despite my brother's reputation, I can assure you, we've invited you here to broker in peace. You have my word.KLAUS: And, lucky for you, mybrother always keeps his word. You two are from the Guerrera crime family, a brutish pack of thieves and killers. And that's nothing compared to what you become on a full moon, is it?ELIJAH: Yes, yes, yes. Of course,a bite from your kind is not lethal to an Original. Conflict between us would not end well for you at all. Let's state our proposal here. My brother and I control the ports of the city, but with Prohibition soon to be the lawof the land, there'll be a certain uptick in the kind of federal presence we prefer to avoid. Therefore, I'd like to suggest a system whereby, under our supervision, of course, the Guerrera family can traffic alcohol into thecity of New Orleans for a profit. We would still be in charge, but our rule would remain a secret.[Papa Tunde walks into the room with his sons following behind him]PAPA TUNDE: This all sounds very good, but tell me,how will it benefit the witches?ELIJAH: I am sorry. This is a private meeting.PAPA TUNDE: Yes, for kings of the city, but I, too, am a king, and I have rules.KLAUS: I'm impressed. You're either quite ambitious or quitemad. What's your name, mate?PAPA TUNDE: I am Alphonse Bellatunde Delgado, Papa Tunde to my followers, and I come to ask that the witches be granted fair tribute for allowing your existence in our city.ELIJAH: Areyou suggesting that you speak for the french quarter witches?PAPA TUNDE: I do now, and I expect our future negotiations to go very smoothly. As a guarantee, I brought a gift. I await our next gathering.[A smallleather case is placed on the table. Papa Tunde and his sons leave. Everyone else gathers around as Klaus lifts the lid on the trunk to reveal a head inside with a symbol carved into his forehead]KLAUS: Well, I supposewe'll need a new mayor.PRESENT DAY--THE ABBATOIR COURTYARD[Marcel comes down the stairs into the courtyard with a bottle of bourbon in his hand. Diego sees him enter and approaches him as Marcel walks overto sit down at a table]DIEGO: Hey, Marcel, maybe you know what's going on. Klaus ordered us to meet here, and now he's a no-show.MARCEL: What do you want from me? It's a new regime. Get used to it.[Klausenters the room with Thierry and makes an announcment]KLAUS: Dearest brethren, your attention, please. No doubt, you're all surprised to see Thierry Vanchure, who's supposed to be rotting in the Garden for thecrime of killing one of our own, and I personally decided to issue him with a pardon. I hope you'll all welcome home Thierry.[Thierry smiles and gives Diego a hug]DIEGO: Welcome home, man.MARCEL: [to Klaus]You're in a good mood. You should visit Mystic Falls more often.KLAUS: Well, as much as I might like to, I have pressing responsibilities here. [turns to address the crowd of vampires] Now, as you all know, the witchDavina is no longer with us. Without Davina, we can no longer monitor the activity of our witch neighbors. However, since their Harvest failed, their magic will soon be gone forever. Until then, I say we keep them ontheir toes. Diego, I wonder if you might lead a rousting in the cauldron.[Diego smiles and starts to plan with the other vampires. Marcel grabs his bottle and goes to storm away, but Klaus stops him in thedoorway]KLAUS: Marcel, I'd hoped you would join Diego.MARCEL: Nah. I'm gonna take a personal day. [He pushes past Klaus and leaves]IN THE FRENCH QUARTER[Rebekah and Elijah walk through the streets of theQuarter as they talk about recent events]ELIJAH: Now, you may doubt him, but today, I saw Niklaus demonstrate mercy towards an enemy. Tell me that's not progress.REBEKAH: Please, Elijah. Who do you thinkconvinced Klaus to let Thierry out?ELIJAH: Why would you do such a thing?REBEKAH: Because, despite Klaus' reprieve, Thierry despises him. I like that about Thierry. I also like that he used to date a witch, so heknows about French Quarter covens. Maybe he can lead me to whoever stole off with the Harvest magic.ELIJAH: Rebekah, we are all devastated by the outcome of this ritual.REBEKAH: That's just it. There was nooutcome. We both know that power like that doesn't just vanish. I say someone stole it. I'd like to know who, and then I'd like to make an ally out of them.ELIJAH: To what end, exactly?REBEKAH: I'm tired of beingthreatened and controlled by our tyrant brother. If you want to stop a bully, you need the power to stand up to them.ELIJAH: I expect such behavior from Niklaus. It's so very disappointing when it comes from you,Rebekah. Do you not see that, in his way, he's making an effort here? He's invited us back into our family home. He yearns for our family to be reunited.REBEKAH: Yes. He's in a brilliant mood now, but for how long?It's his trick, Elijah. He lulls you into a false sense of camaraderie and kinship, and then he turns on you like a snake. I fall for it every time and wind up with a dagger in my chest for my trouble. No more.ELIJAH: Ibelieve that he is approaching some semblance of peace here. Leadership may, in fact, be a good thing for him. Now, sister, please, I ask you, if you cannot support him, then at least do nothing to provoke him.THEABBATOIR COMPOUND[Klaus enters one of the rooms of the compound and finds Marcel, still drinking alone as he sits on a couch]KLAUS: Ugh, is this what's it's come to? I bear the full weight of our kingdom while youpout like a child.MARCEL: You wanted to be king. Besides, you look like you got it covered.KLAUS: If the men see you shirk your duties, they're likely to do the same.MARCEL: I told you, I am not in the mood forvampire hijinks.KLAUS: No. You'd rather sit wallowing in sorrow for your lost little friend.MARCEL: [stands up and points a finger at Klaus] Don't push me right now.KLAUS: I am sorry Davina is gone, ok? I'm sorry, butthis mournful attitude is unworthy of you, and it's boring to me.[Diego enters the room to join them, looking worried]DIEGO: Hey, guys, we got a problem.THE CAULDRON[Thunder rumbles overhead as Diego leadsMarcel and Klaus to the Cauldron to show them what he found]DIEGO: We came to mess with the witches, just like you said. And these two, they went missing. Found them like this, not even staked. Justdead.MARCEL: That's two more of my guys gone. Nice job, Captain.[Marcel takes one look at his dead men, puts his hood up, turns around, and starts to walk away]KLAUS: Where are you going? Someone has toaccount for this!MARCEL: You want revenge, get it yourself. That mark is tied to some bad mojo. Any of y'all got any brains, you'll head back to the compound and stay the hell out of this.[Marcel walks off. Klaus turnsto Diego]KLAUS: We're gonna find whoever did this, and I will show them what suffering is.A WAREHOUSE AT THE DOCKS[Thierry and Rebekah walk into a warehouse to investigate]THIERRY: Used to run things downhere for Marcel. Thought you'd like to see what I found before Klaus did.REBEKAH: [smirks] Not a day out of the Garden, and you're already proving yourself useful.THIERRY: We made a deal, and if it screws things foryour brother, I'm all for it. Though, to be honest, this stuff makes my skin crawl. I've never seen anything like this.[They stop in front of another salt circle on the ground with two dead vampires inside. Both aredesiccated and have the same symbol carved into their foreheads]REBEKAH: I have, a long time ago. Somebody is copycatting a very dangerous witch. They draw their power from sacrifice.THIERRY: I just don'tunderstand why someone would leave it here for us to find.REBEKAH: Unless they wanted it to be found.[Papa Tunde appears from the shadows behind them. Rebekah notices him in shock and horror]PAPA TUNDE:Mademoiselle Mikaelson.REBEKAH: That's not possible.PAPA TUNDE: Sure, it is, chére. It's magic.[Rebekah speed vamps toward him to try to kill him, but Papa Tunde simply reaches out and grabs her by thethroat]PAPA TUNDE: Symbole du masque et de l'ombre, embrace-toi. Embrace-toi. Symbole du masque et de l'ombre, embrace-toi. Embrace-toi. Symbole du masque et de l'ombre, embrace-toi. Embrace-toi. Symboledu masque et de l'ombre, embrace-toi.[Rebekah starts to desiccate, and thick gray veins pop up all over her face and neck. Terrified, Thierry speed vamps and disappears out of the warehouse]COMPOUNDCOURTYARD[Klaus, Elijah, Diego, and many of the other vampires are congregating in the courtyard, discussing their current situation]KLAUS: Ah! Someone will die for this.ELIJAH: Remarkably, I don't disagree.However, I would like to know where they learned such dark magic.KLAUS: I had hoped never to see that symbol again. I recall it is the signature of a fool who once stood against us.ELIJAH: Clearly, some upstart witchis salvaging old tricks.KLAUS: I'll do for him as I did the other. [turns to Diego] Diego, when night falls, I want you to gather every vampire in the Quarter. Get me the head of whoever did this and put it on astick.DIEGO: Yeah. That's gonna be a problem. Everyone is freaked out, man. We haven't had witches killing vampires in a long time. Marcel made sure of that.KLAUS: Marcel has run off like a scared child. You lot areleft with me. Now, who of you will fight to defend our home? [looks around to see that no one comes forward] Not a single one of you will stand with me, so afraid are you of this new threat? You should know better. I'llhandle this myself.[Klaus storms off]ROUSSEAU'SCAMI: [on the phone] Sophie, the restaurant is an epic disaster again. Do you think maybe you could come in today and... [the voice mail interrupts: \"User's mailbox isfull.\"]CAMI: [annoyed] Good-bye.MARCEL: Looks like I should've been here last night.[Cami, startled, looks for anything she can find to use as a weapon, finally settling on an empty liquor bottle]CAMI: Before you tryanything, I'm on vervain.MARCEL: Yeah, Klaus mentioned you broke free of his compulsion. Good for you. Sophie around? CAMI: No. Why?MARCEL: Got a witch problem. Thought she might have answers. [he sitsdown] Mind if I wait? [he grabs a bottle off the bar and pours himself a drink]CAMI: It's a little early for day drinking. Let me guess, Klaus problems. I thought you'd be on top of the world now that you have Davinaback.MARCEL: Davina is gone.CAMI: [shocked] Was it Klaus? I told him, if he hurt her...MARCEL: It wasn't like that. The power that she had was too much. We tried to fix her with this crazy-ass ritual, and somethingwent wrong. Now she's...I don't know, floating in limbo, or waiting on her ancestors.CAMI: Marcel, I'm sorry.MARCEL: Yeah, me, too.THE ABBATOIR--DAVINA'S OLD ROOM[Elijah walks into the room to find Hayleylooking at Davina's old sketches]ELIJAH: There you are.HAYLEY: Here I am.ELIJAH: [gestures to the sketches] Davina's drawings.HAYLEY: Yeah. Morbid, I know. I was just thinking, we never figured out why she drewthose pictures of Celeste. Anyway, I'm just killing time, now that I'm on vampire lockdown.ELIJAH: Whoever did this, we will deal with them. It won't be long.HAYLEY: I'm not worried. Just think it's kind of funny that ittook some big, supernatural threat for you to even come into the same room as me.ELIJAH: I do apologize if you feel neglected. I have been occupied. My siblings are in some quarrel. Niklaus remains agitated. You'llrecall that even our slightest interactions seem to infuriate him.HAYLEY: So Klaus is a dick, and you want to be a good big brother. So we can't hang out. That sum it up? I get it, Elijah. It just seems like a really crappydeal.ROUSSEAU'S[Marcel is still sitting at the bar with Cami when his phone rings. It's Klaus. He hits the ignore button and returns to his drink]CAMI: El presidente?MARCEL: He likes to keep track of his people.CAMI:Why are you loyal to him, exactly?MARCEL: For someone who says she can't stand the guy, you sure ask a lot of questions about him.CAMI: My interest is purely academic.MARCEL: I know what you're doing. You'remad he used you, and you want to get back at him. Maybe you're hoping I'll let slip some chink in his armor. Friendly advice--don't do that. It won't end well. Let me tell you a story about someone who went up againstKlaus.FLASHBACK--THE ABBATOIR, 1919[Marcel returns home in his military uniform to find a party being held at the compound. Marcel sees Rebekah sitting at a table with an unknown gentleman, and walks towardher]MARCEL (VOICEOVER): This was right after I returned from World War I. I'd been trying to get away from New Orleans for a while. Something kept drawing me back.KLAUS: Why don't you get me some Martinis?Thank you.MARCEL: [to Rebekah] Aren't you gonna welcome me home?REBEKAH: I wouldn't want you to think that I was happy to see you.MARCEL: How long you gonna hate me?REBEKAH: You left me in a box forfifty-two years. Twice that seems like a good start. Come on, boys.KLAUS: [approaches Marcel] There he is. Our war hero, triumphantly returned. Oh, good to have you back, Marcellus. Welcome home. [They drink]Mm.ELIJAH: Ha ha! The prodigal son has finally learned to hold his liquor.MARCEL: The Army'll do that to you.ELIJAH: Well, it's good to have you back. Niklaus was beside himself in your absence.KLAUS: Now that youare here, perhaps you could help settle an argument. You see, you've traded a war abroad for one here in the Quarter. Some rogue witch wants a piece of the city we built, and Elijah, for reasons beyond mycomprehension, insists that negotiation is our best recourse.ELIJAH: Yes.KLAUS: On the topic of your failed comprehension, you neglect, as a soldier, Marcel has seen not only how small the world has become and howfast news can travel, but also the very horrors of war itself. Surely, Marcel would agree with me.ELIJAH: The best way for us to defend our home is by exercising discretion.MARCEL: So who's the witch you want tokill?KLAUS: His name is Papa Tunde. I think he's a charlatan.ELIJAH: Well, Marcel shall be able to decide that for himself. You invited him here.KLAUS: Of course. We're not savages, are we?[Papa Tunde arrives at theparty, and Klaus immediately approaches him]KLAUS: Thank you for accepting our invitation, and welcome. I hope you'll allow me to play the role of host. If there's anything you need- Anything at all...PAPA TUNDE:Pleasure before business, then. Ha ha ha! Ha ha ha!PRESENT DAY--ROUSSEAU'SMARCEL: I didn't get it at first. Klaus was the one who wanted to go to war.CAMI: So, why was he inviting his enemy into his home? Whybe so generous to someone who he's gonna have to kill?MARCEL: But, you see, that's the thing. It was all part of Klaus' plan. He was sussing the guy out, learning his weaknesses, his strengths, getting him to let hisguard down. That's how Klaus does it. Then he goes in for the kill.CAMI: Because he's a two-faced sociopath. There's nothing enviable about what Klaus does. He is a monster.MARCEL: We're all monsters, Cami. Ifyou're powerful like Klaus is, you just don't have to bother hiding it.CAMI: Davina was powerful. She wasn't a monster.[SCENE_BREAK]THE DOCKS[Papa Tunde finishes doing his spell on Rebekah, who lays desiccatedin a circle of salt, with his symbol carved into her forehead. He stands back and admires his work]PAPA TUNDE: It is done. The power of the Original sister flows through me.CELESTE: And will that be enough to makeKlaus suffer?PAPA TUNDE: I will hurt Klaus Mikaelson as he hurt me. When I am done, he will wish that he could die.ROUSSEAU'SMARCEL: You gonna open this place today?CAMI: And risk you eating theclientele?MARCEL: Oh, and here I thought you were starting to like me again. [Marcel's phone rings again. He answers it]KLAUS: Ah, you've deigned to break your despair long enough to pick up the phone.MARCEL: Ifigured you'd just keep calling.KLAUS: I'm in the Cauldron now. You could meet me here, we could start burning passersby at the stake.MARCEL: Sorry. I'm gonna chase down my own lead.KLAUS: And where mightthat be, the bottom of a bottle of scotch?MARCEL: I'm at Sophie Deveraux's place. I figured I'll sit here and drink 'til she shows.KLAUS: Or, you could snap out of this funk and come and help me end this. [Marcel hangsup the the phone]THE ALLEY[Sophie Deveraux appears in the alley, drunk, stumbling around with her own bottle of liquor as she approaches Klaus]SOPHIE: Big, bad Klaus Mikaelson.KLAUS: Sophie. Just the witch I waslooking to brutalize. [he speed vamps toward Sophie and grabs her in a chokehold] Perhaps you could explain the attacks on my men.THE ABBATOIR COMPOUND[Hayley and Elijah are in the courtyard. Hayley watchesas Elijah tries to call Rebekah]ELIJAH: Rebekah is not answering her calls.HAYLEY: You worried about whoever killed those daywalkers still being out there?ELIJAH: Frankly, I'm worried that she had something to dowith this. She's very displeased with Niklaus, perhaps even conspiring with others.[Elijah notices Thierry drinking alone at a table and joins him]ELIJAH: Thierry, is it?THIERRY: That's right.ELIJAH: My sister is ratherfond of you. Strange, she's not typically drawn to unremarkable men. Would you care to explain your sudden magnetism?THIERRY: I don't know what you're...[Elijah, annoyed, grabs him by the throat and pushes himagainst the wall]ELIJAH: You can either tell me what you know, or I can distribute tiny pieces of you throughout the Quarter.THIERRY: [reluctantly] She asked me to keep an eye out on witch stuff. I found something,and when I showed her, we were jumped by some guy. He desiccated her with his touch.ELIJAH: [angry] Like a coward, you left her.THIERRY: What was I supposed to do, fight some warlock that took out anOriginal?ELIJAH: Where was this, exactly?THIERRY: The docks, warehouse 57. I was just doing what she asked. You cannot tell Klaus about this. [Elijah throws Thierry against the wall. He's unconscious]ELIJAH: I shalltake that into consideration.HAYLEY: [worried] I'm coming with you.ELIJAH: No. Stay here. The compound is safe.HAYLEY: Rebekah is in trouble. I'm going.ELIJAH: [considers this, and sighs] Do not leave my sight.Understand?[Hayley nods, and the two leave for the docks]ROUSSEAU'SMARCEL: Me calling things off with you wasn't lack of interest. I was hoping to save you from all this.CAMI: Well, thanks, Romeo, but I'm in it. So,when are you gonna get to the good part with Klaus and that Papa guy?FLASHBACK--1919MARCEL (VOICEOVER): Papa Tunde said he wanted to empower the witches. Mostly, he wanted money and territory. Klaus andElijah weren't about to give him either. He didn't like that, so he went on a rampage. [We see flashes of him sacrificing his offerings] No one was safe. Not the humans in the faction. [We see Papa Tunde killing them]Not the Guerrera werewolves. He even went after the witches who opposed him. Elijah offered a truce. He gave his word, in fact, but Klaus, being Klaus, he had another idea.[Papa Tunde is waiting in their meeting place"}
+{"doc_id":"doc_244","qid":"","text":"[PREVIOUSLY_ON]Nikki is with a girl. She's pissed off after Jenny who threw her away.The girl: Baby, don't be sad. It's so boring.Nikki: Get off of me! Who the hell does she think she is?! She called me, she wanted me!And then she goes all Paris and Britney on me just like: \"Oh, I never liked you and it was a showmance!\" Can you believe that? She f*cks me all night long and then she has the nerve to say that's a showmance! Imean, I don't even know what the f*ck that is!An other girl: I'm googling. Oh, it's, uh...Oh, it's, uh...\"Phony romance that happens during a movie or a TV show\" \"usually between two stars, but it can\" \"also be betweena star and\"...Nikki: You know what? I got it, alright? Do you know how many times has she said that she loved me? She's officially a liar and I officially hate her! You know what? f*ck her, alright?! I got over 16 millionon my opening week end and she can't even get in at the premiere of my next movie. She payed someone.The first girl: God! Makes wonder who broke her heart. I can't believe she told you it wasn't you. That was soharsh! You must feel horrible.Nikki: You know what? You are out of my 5!The girl: Nikki, you're my best friend!Nikki: No, get out! Right now! Get out! Everyone, get out! Everyone! You know? You and you, and you, getout! Get out! Now! Move! Jenny Schecter is a liar and a user. And trust me, you are not gonna get away with this. You are dead meat, Schecter. Dead. Credits. At the Hit Club.Helena: And this is where we're gonna putthe new DJ booth. So, if you need anything, just let us know. We'll get you all the right equipment.The drag-queen: Oh, I'll send you a list. I love these colors.Kit: We love them too.Helena: We got morroconess out of\"Casablanca\" theme.Kit: It's our favorite film.The drag-queen: Oh, say no more. I love...Kit: So, what do we have to do to get the fabulous Sunset Boulevard to come and spin at Hit?The drag-queen: Just keeping thefabulous Kit Porter. You know you're my ultimate R&B goddess?Kit: Oh, I don't know about the ultimate. Ooh, somebody's been working out! Not that we're the type... you know, we're, uh...We've both swore offmen.Helena: Ages of it.The drag-queen: Good for you. You two got a good thing going here. You don't need some man in here messin' it up.Kit: Okay, let me show you all of the textures and plans. At the PlanetAlice:Oh, I'm vanilla and fruit.Tasha: Breakfeast burrito. Thanks.Jenny: Excuse me. I didn't order that.Waitress: Oh, they're from her.Kit: Jenny, Shane wants you to know that she made them especially for you.Jenny:Excuse me, Alice? Do you mind just mentionning to Shane that I don't want her waffles?Alice: She doesn't want your waffles.Tina: How much do you love the New Valley service?Bette: Oh, my God, Helena's taking thisplace to a whole new level. Jenny comes with the waffles.Tina: Oh, and waffles! Look! I know that I love waffles. I'm getting waffles. She throws it away.Bette: Or not.Kit: Haven't you heard that there are peoplestarving in this world?Jenny: I'm sure they don't want waffles, Kit.Bette and Tina: Rock, paper, scissors, shoot!Bette: sh1t! Okay, that's one to one.Bette and Tina: Rock, paper, scissors, shoot!Bette: f*ck! I alwaysloose.Tina: 'Cause you're always rock. Always.Bette: Is that what it is? Have fun with the martyrs.Tina: Have fun with the cheaters.Tina: Wow, everyone's so industrial. What are you doing?Tasha: Learning.Jenny: I'mwriting my new treatment.Tina: What are you writing, Alice?Alice: A treatment.Jenny: A treatment for a film?Alice: I just... I had this kinda killer idea so I thought I'll just write a great screenplay and then sell it formillions and buy a house in Malibu?Tasha: I don't like Malibu.Alice: You've never been to Malibu.Tasha: I have been there.Tina: I didn't know you wanted to be a screenwriter.Alice: Well, I mean, you know, I neverreally did. Really, but I thought how hard can it be? Right? Jenny? I mean, it's like, you get paid big time.Jenny: Well, if you, if you actually, Alice, if you would to amortize the payment of the 17 drafts that I did on \"LezGirls\", you'll see that you actually don't get paid very much. So... Bette send a sms to Tina.Bette: Alice is writing a treatment for a script. Hope we're not in it.Shane: Amen to that.Tina: Actually, writing a goodscreenplay is what's really hard. And Jenny's become a very good screenwriter.Jenny: Thank you, Tina.Tina: You should ask her to read your treatment.Alice: Sure. Sure, sure, sure.Jenny: I would love to give younotes.Tasha: What? I need the carbs for training.Alice: But do you need them that fast? You have them all over your suit.Tina: Wow, you look amazing.Tasha: Thank you.Alice: I dressed her. Do a little spinzy, comeon.Tasha: No.Alice: It's her first day at the police academy, so...Tina: Excited?Tasha: Yeah, I am, actually. All my friends had the training, it's really, it's really rough.Alice: I tried to dress her in my morning, but shejust thought she looked like a girl.Tasha: It was inappropriate.Alice: You looked so good in that. You know it. You just hate to look good or something.Tasha: What the f*ck is that supposed to mean?Alice: There is like alack of effort.Bette: (receive a sms) Tell me about fashion. Fashion for... I don't know.Tina: When you guys are gonna go to therapy?Tasha: There is a thing called privacy, Alice.Bette: Privacy.Alice: Well, I see you atDan Foxworthy's at 6. There's parking on the...Helena: Wow, look at you! You look a million dollars!Alice: f*ck, you know? Bad vibes. You and Shane should work your sh1t out, 'cause this place is becoming like theblack hole of Calcutta.Helena: It's good to see we're still asunder; nothing like a little dyke drama to tear the place out.Alice: That's what I'm saying. Bad vibes, man.Jenny: Helena, why don't you come and sit withus?Helena: No, I'm not picking sides, alright? I love you both. Going for a run.Kit: Go Swizerland!Tina: We have some good news.Bette: Yeah, we have good news.Tina: Yeah, good news. Do you wanna tell them?Bette:Why don't you tell them?Tina: Bette and I are registered with three different agencies and they said the chance of us getting a baby within the next six months is really good.Alice, Shane: What?!Jenny:Congratulations.Bette: And we're starting construction on the second storey 'cause we need an other bedroom.Alice: But I thought you guys were talking about selling?Tina: We're staying.Bette: We couldn't sell. Notnow. I mean, with the poperty values, plumbing and everything. So...Jenny: When were you gonna tell me about construction?Tina: We're telling you now. We have to. We need a room for the baby.Jenny: How am Isupposed to write with all that noise?Tina: I'm sorry, Jenny. We will do our best not to disturb you. But you might wanna get some earplugs.Jenny: I have to get a new roomate. This is gonna be impossible with yourracket.Shane: Jenny, please! You don't need a new roomate! You have not spoken to me in a week. Would you just talk to me? I know we can work this out.Jenny: Oh, right. So, you want me to forgive you because youmade me waffles?Shane: Well, why wouldn't you?Jenny: Because you create this trail of destruction you don't take any responsibility for it. Why should you be the only one that doesn't pay?Shane: I am paying.Jenny:You are so full of sh1t.Alice: The black hole. At Jenny's home.Max: How you're doing?Tom: Hi, Shane.Max: So you're putting in those flower boxes Jenny wanted, huh? How many more things you're gonna do forher?Shane: I don't know yet.Jenny: There's something wrong with my computer and I wondered if you could fix it.Max: You know what? I can't 'cause I'm going to my final consult today.Shane: Good luck.Max: Thanks.In the studio of the production of LezGirls. We are going to see a picture with a girl and a boy.A men: Alright. Are you ready for this?The productor: Do it. I love it. Love it.A woman: Love it!The men: We thought youwould.The woman: \"The Girls\", it's so f*cking hot. This thing is gonna make \"s*x in the city\" like a Disney movie.Tina: What's \"The Girls\"? The movie is called \"Lez Girls\". \"Lez\".The productor: I haven't had a chance totalk to Tina about the market research. I'll full you in in a minute. In the meantime, why don't you just give me a briefing on the release.The woman: After the initial two weeks, we'll go wide. We have 2000 screensnation wide and select cities in here.The men: France is gonna eat this up.Tina: No.The productor: No what?Tina: No way. I am not gonna let you get away with this. I'm not gonna let you market this as some bullshitboy meets girl love story! That's not what this is!The woman: It's more than that. It's boy meets girl, boy almost looses girl to girl...The men: But in the end the audience wants love to prevail. That's the winner hear.The new ending tested through the roof.Tina: What? The new...What you mean the new ending tested? When did you have a test screening?The productor: Get on board, Tina. Train's not going to Lezzie town. AtPhyllis, Bette and Jodi's work.A woman: This is amazing. Art General uses the correlation about how she uses human emotions like pieces of scrapped metal, words like found materials.A men: It works on so manylevels. I mean, here is the Curator who told people their work wasn't worthy. The gallerist who wouldn't show an artist and now the Dean who rejects applications.Jodi: (Tom speaks) Exactly. A woman who has stood injudgment of our art her entire career is now being thrust into the spot light as the art...The woman: It's brilliant.Phyllis: This kind of praise is fantastic for our program. I can guarantee that we're gonna see...Bette: Shearrives. We could use the same material throughout and...I can't talk right now. Alright. bye.Bette: Forgive me. I had the contractors on the phone. Do you know we're doing that second storey on the house for thebaby...Jodi: Phyllis, would you mind just finishing what you were saying?Phyllis: What I was saying was that based on C.U. associations with Jodi, I wouldn't be surprised if we see a significant increase in applicants thiscoming semester. Max is seeing the doctor.Max: So one of my goals is to be able to take my shirt off at the beach within a year. That's my goal. Feel my pecs. I've been doing like 200 pushings today. Feel like I'malready bigger. That's awesome.The doctor: Very good. That's very impressive.Max: Yeah, I think I'm doing good with the contour. I just, I hope I grew more chest to cover the scars.The doctor: Well, I think Dr.Stanhouse is gonna try to do the key whole procedure on you?Max: Yeah, I'm hoping so.The doctor: And is your schedule for surgery on wednesday?Max: Yeah, he called me this morning and he said that as soon as hegets the lab reports we're gonna be able to...The doctor: I'm afraid there's a problem.Max: What's the problem?The doctor: You're pregnant.Max: No, I can't, I can't be pregnant. No, I've been taking testosterone.Thedoctor: Have you had intercourse? Have you and Tom had unprotected s*x?Max: Yeah, but we've been both tested for H.I.V. We've been monogamous.The doctor: If you and Tom have had vaginal s*x. I know youmight not call it that, but unfortunately, that doesn't stop it from working the same way. Taking testosterone doesn't shut down the reproductive system.Max: What about my surgery?The doctor: We're gonna have topostpone your surgery. We're gonna have to find out how far along you are and you're gonna have to decide what you wanna do about it.Bette: We'll have your budget done by the end of the week. We cannot afford tohave the art department last... again. Thank you.A men: (to Jodi) Can I ask how she responded? Our Dean? How did she respond to the work?Bette: He asks how I responded to your work.Jodi: I don't know.Jodi: Howdid you like the show?Bette: signs See you in my office.Jodi: But I can't. I have paints.Bette: Can I talk to you, please?Phyllis: Sure, let's go to my office. I hope Preston didn't bother you. He's an old fool with a... forgossip.Bette: It wasn't really about Preston. I mean, the truth is that Jodi's behaviour was completely inappropriate... They enter in the office.Joyce: Baby, when it comes down to it, this is all I have to offer you. And ifyou can't love this...Phyllis: Joyce! Cover your junk!Joyce: Sorry, Bette.Bette: We reschedule?Phyllis: Joyce, what are you doing? You can't just pop out from behind a plant butt naked. We have rules here.Joyce: Ichecked first to make sure you didn't have anything. I was acting with my heart. I'm a woman in love. Please, take a lot of. Phyllis Eleonore Victoria Kroll, you are one hell of a woman. While the law in the state ofCalifornia continues to acknowledge our love, I would like to ask you to take my hand in holy matrimony.Phyllis: I don't know what to say.Joyce: Say yes.Phyllis: How many carats is this?Joyce: Four! Say yes!Phyllis:How much did you spend? This must have cost a fortune.Joyce: I've got a friend who has a friend... Say yes, Phyllis, please.Phyllis: But I said I never wanted to get married again.Joyce: We'll go to San Fransisco, we'llget married on... of City Hall, Gavin said he'd marry us.Phyllis: Gavin Newsom? The mayor of San Fransisco?Joyce: That's right. We raised a lot of money for that guy. Say yes, Phyllis. I'm freezing.Phyllis: Yes.Joyce:Damn, lady! Come here, you! You've made me one happy woman. At the therapy for Alice and Tasha.Dan: Who wants to tell me why you're here?Alice: Oh, we're just here for a tune-up.Dan: Does that seem like anaccurate assessment to you, Tasha?Alice: She's the one who called it that. We've just had a couple of little, little things come up lately.Dan: What sorts of little things?Alice: Money, I make a lot more than shedoes.Dan: How's that make you feel, Tasha?Alice: Resentful. She doesn't want me to spend this much because she can't afford it.Dan: Is that true?Alice: Absolutely. We couldn't even get a bigger appartment becauseshe couldn't share the rent fifty-fifty. And I also think she resents me because I don't clean as much as she does.Dan: Do you?Alice: Oh, look, now she's mad. Is there anything else? Tasha broke up with me lastweek.Dan: Really? Why did you break up with Alice, Tasha?Alice: Because she thought I cheated when I didn't even kiss the girl.Dan: Did you think about it?Alice: Yeah, but, I mean, she wouldn't have even known if Ididn't tell her. So I think that mere fact that I disclosed the information should count to something. Right?Dan: But if you knew Tasha's feelings about the subject of cheating, why did you choose to tell her? I thinkwe're past it. I think what we have to work...Dan: Alice, this is called couples' therapy for a reason. Now, Tasha, this process works much more effectively if you participate. Why do you think Alice told you?Alice: Shedoesn't even wanna be here.Tasha: I think that she told me because she wanted to break up with me and bringing this woman between us was the easiest way to do that. She knew how I felt, she knew that I wouldbreak up with her and when I did, she got scared. That's why we're here. Max goes to a hospital.Receptionist: Can I help you?Max: Uh, yes, I have an appointment? I called in earlier? Hi, I'm Max Sweeney. I have anappointment.Receptionist: For your girlfriend, or...Max: No. It's for me. I need an abortion.People: What did he say?The receptionist: If this is your idea of a joke it's not funny.Max: I'm not joking, alright? I'mpregnant.The receptionist: Sir, if you don't leave now, I'm gonna have to call the security.Max: Look, I'm a F.T.M. transsexual, alright? Yeah, that's right! Take a good look! I'm a man and I'm pregnant. It happens.Don't you read the f*cking tabloids?! Can I have my appointment now, please? Jenny is writing.Jenny: I'm trying to write. Shane is washing Jenny's car with music. Can I have my keys?Alice: I promise to make room inthe apartment for your things.Tasha: And um, I promise to try to see things through your point of view. And to not talk to you with so much judgment. And tomorrow when I wake up, for work, I'm gonna make youbreakfeast.Alice: I love that! It's good, right?Tasha: Yeah, I know, it's good.Alice: So, um, are you gonna give us more exercizes or...? I mean, maybe some homework. I think we're ready for some homework.Tasha:Yeah. Yeah, I'm ready. Bring in on.Dan: I'm not gonna give you homework. I don't think you two should be in therapy.Tasha: That's what I said. See?Alice: We rock.Dan: You two have so little in common. I really don'tthink you belong together. They leave.Alice: I mean, what the f*ck? It's like, we spent what, 55 minutes with this guy? Where is he f*cking go off?Tasha: I told you. Therapy's bullshit.Alice: It's bullshit, you'reright.Tasha: He knows nothing about what we do and don't have in common.Alice: What the hell is he talking about? We don't have anything in common. Really? Dan? Tasha:I know, it's crazy. Give me my helmet.Alice:I don't know. Tasha:Thank you.Alice: Upsetting. I'll see you tonight?Tasha: Come here. They make love in the car. Tom arrives to the hospital.Tom: Hey, are you okay? Sorry, I couldn't get any sooner. Should you beop already?Max: They wouldn't do it. I'm too far along already.Tom: How far along?Max: Four months.Tom: How did this happen?Max: How the f*ck do you think it happened?!Tom: But, I didn't think you could. You'vebeen...Max: Yeah, I thought if I was seeking testosterone, I couldn't get pregnant, okay? I was wrong.Tom: Why wouldn't your doctor tell you something like that?Max: I don't know. Maybe because she didn't think Iwas stupid enough to let some faggot f*ck me!Tom: Hey, f*ck you! Don't blame this on me!Max: Who the hell am I supposed to blame, huh? Who the hell has his dick been inside me?Tom: How am I supposed toknow?Max: You got me pregnant, you faggot! It was you!Tom: I can't do this, Max. I'm not ready. At Alice's home.Alice: Clear the desk.Tasha: What kind of a list?Alice: Pros and cons list. My mother used to make thisall the time to kinda decide whether she's gonna divorce her ex-husbands.Tasha: And that's the model we're gonna follow?Alice: Well, she had very successful divorces. Pro.Tasha: Hold on. Why con gotta be blackthough?Alice: It's not a race thing. It's just... Red is happy. Red is like pro...Tasha: No, red represents the devil.Alice: Fine. I'm writing down \"color weirdness\". Tina and Bette visit a gallery.Bette: The work is reallygood but the show is uneven.Tina: This is, uh... This is weird.I think it's weird.Bette: Hey, someone spent some money, huh?David: Yes, she's spent a small fortune.Bette: Really? God, I would kill to have a piece likethis when I have my own gallery.David: Me too.Bette: Do you know who Kelly Wentworth is?John: A rich divorcée. She walked away with 80 million dollars of Dick Wentworth's fortune.Kelly: And decided to spend it onmaking herself a presence in the art world. Do you like my vanity project?John: It's lovely.Kelly: Thank you. Oh, it was 89 million. Bette Porter? Kelly Wentworth.Bette: Please to meet you. It's really a spectacularspace. You've been here a long time?Kelly: You really don't remember me?Bette: Juicy f*cking Freemont?! Jesus! Oh my God!Kelly: I swear to f*cking God, you look better than you did in college. Bitch!Bette: Look atthat biatch! The blond looks so good on you.Kelly: Thank you. Look at your body. Are you still a runner?Bette: I mean, sometimes. Not, not really often. God, what the hell are you doing in L.A.? I thought you weremarried to New York forever.Kelly: Well, I thought I was married to Dick Wentworth forever. Holy f*cking sh1t! I'm so, so happy to see you.Bette: Oh my God... Oh, God, I'm sorry. This is Tina Kennard, mypartner.Tina: Hello.Kelly: Still gay, hey, Porter?Bette: Yeah, well, I lack of imagination in some areas. Not many. This is Kelly Frimont. The Kelly Frimont! Oh, Kelly Frimont, the college roomate!Kelly: Right.Tina: Well,I've heard a lot about you.Kelly: Did you tell Tina about you and me?Bette: Well, I told her that you let me kiss you once and were so ceased by a deep and abiding homosexual panic that you moved out of the houseimmadiately.Kelly: She got over me in two minutes.Bette: Ten.Tina: This piece is beautiful.Kelly: I know.Tina: You have great taste.Kelly: I love the tonality. I just ordered a roadster in this colour. I did!Bette: Well,we're gonna go see the rest of the show.Kelly: Okay, but, don't leave without saying goodbye.Bette: I will.Tina: We will. It was nice to meet you.Kelly: You too.[SCENE_BREAK]Alice: There is way more cons thanpros.Tasha: Alright, let's say this, like \"doesn't cook with pepper\" ever, right? It, uh, it shouldn't be, it shouldn't count as many points as, like, \"makes me wanna be a better person\". Right?Alice: It's pretty good.Tasha:So we should do it on a point system. Like, \"doesn't cook with pepper\" should get what, two points, and...Alice: Like a point system?Tasha: Yeah, like a point system exactly. And then \"is spontaneous\", I just pick thatone 'cause I, I really appreciate that about you.Alice: \"Likes to get spanked\" you should add.Tasha: Okay, this would get like 8 points.Alice: Okay, that is so smart. Very smart. I mean, you're smart. You're smart. Give"}
+{"doc_id":"doc_245","qid":"","text":"Detective Taylor: A specialist escort agency for the very rich.Danny: Alex didn't use escorts.Alex: I have to buy a battery for my laptop.Danny: I stole something... from the attic. It's a locked cylinder. It needs acode.Scottie: Which you don't know?Danny: No. I've gone over every conversation, every word.Scottie: Danny, you've got to figure it out, you're the only one who can.Scottie: Did you know that I suffer fromdepression?! Did you know that in the past I drank?!Claire: I didn't know Alex well personally. There are not many students who start their degree at 15.Danny: He was murdered.Claire: So I take it you want to speakto his professor?Danny: Marcus Shore.Journalist: Why did they murder him?Danny: I don't know.Scottie: Whatever Alex discovered, whatever it was, whatever it is, no-one wants in the open. We're not up against oneintelligence agency, we're up against them all.Danny: I need information.Scottie: What does it mean? It means we are quite alone.Rich: Get in the car. It's for you. Not here!( Mobile phone rings )Distorted voice: You'relooking for answers. But are you ready for them? Get in the hotel. Room 116.[SCENE_BREAK]Distorted voice: The bathroom. Get in. Clothes on.Distorted voice: Now you're clean, we can talk a little freer. Get changed.Outside.[SCENE_BREAK]Danny: Where are we going?Distorted voice: Do you want to know who Alex was or not?Distorted voice: The doors are locked, Danny. No way out. No way back. I want to take you on ajourney... into Alex's past.[SCENE_BREAK]Distorted voice: Remember this place? Are you sure you know what really happened in there? Walk.( Distant laughter )Distorted voice: A reservation. For two.( Phone beeps)Waitress: There you go. Menu.Doppelganger: Here I am. Alex's past.[SCENE_BREAK]Doppelganger: Well... this is weird. Never done anything like this before.Danny: Like this? What is this?Doppelganger: Being paid totell someone how I... their boyfriend. They said you wouldn't believe me.Danny: Who are they?Doppelganger: Who are they? They are the people pulling my strings. I have no control over what I'm about to do. Likethis... No control. Alex... ate breakfast here... almost every morning.Danny: You can even tell me what he liked to order?Doppelganger: What? Oh, to be convincing, you mean?Danny: You watched him?Doppelganger:Serving.Danny: A waiter?Doppelganger: Me? No. Please. I was pretending. The service... it's very expensive because the people, we... don't know that we are... escorts.Danny: How is that possible?Doppelganger: Wepretend. We pretend to meet them by chance, we pretend to be won over by their charms... we pretend to... for pleasure... which takes some serious pretending.Danny: Who pays you?Doppelganger: Our clients aren'tthe people we... We report back. So and so... likes it like this. So and so... likes a little of this. ( He sniffs )Danny: Blackmail?Doppelganger: But that's not my business.Danny: You just do the f*cking.Doppelganger: Ijust do the f*cking.[SCENE_BREAK]( Alex gasps )Doppelganger (O.C.): They told me to meet him... in the way you met him.Doppelganger: I'm sorry...Doppelganger (O.C.): An accident. They told me to be like you.They told me to act like you.[SCENE_BREAK]Doppelganger: In the end, Alex wasn't so tricky. He just needed to believe... he was being good... all the way up until he was being... a little bit bad. How do you seduce agood man?Doppelganger (O.C.): My approach was simple. I told him a sad story.Doppelganger: I tell him it's the will and last testament of my mother. And my mother, she never loved me, bitch. In her will, the bitchleaves just three things to me. Just three paintings. That's all. And Alex, listening like a puppy dog. And I tell him, heartbroken... they are the three paintings I painted for her. I'm an artist, I say... No, not yet an artist,aspiring to be.Danny: Pretending to be.Doppelganger: That's a true story. I am an artist.Danny: What?Doppelganger: What do you think? I grew up wanting to be an escort? Enough, Danny. Enough with not believing.What do you need? I'll give it to you? Hmm? You need those little details? A birthmark on the inside of his thigh? Something whispered? Something moaned? He had a thirst, I can tell you that. Like a man crawling outof the desert. Yeah? Throat dry. Lips dry. Gulping up all those missed years.Danny: Where?Doppelganger: My place.Danny: Your place?Doppelganger: My fake place.Danny: Why did he come round?Doppelganger: Tosee my paintings, of course.[SCENE_BREAK]Danny: What did you do?Doppelganger (O.C.): You hate yourself for asking.Doppelganger: So...Doppelganger (O.C.): But you had to know.Doppelganger: I'll be right back,OK? Give me a second.Doppelganger (O.C.): You had to ask... what did we do?Doppelganger: We played a game. How long can we talk without mentioning the only thing we were both thinking about? The first gamelasted an hour. The second game... lasted a little longer...( Alex pants )[SCENE_BREAK]Doppelganger: I rang him afterwards, but he didn't answer. The client wanted more. But Alex wasn't interested.Danny: Whywouldn't you tell me that he kept coming back?Doppelganger: Because I can see you're good at sniffing a lie. So, I told you the truth.Danny: Why did they hire you?Doppelganger: I don't know, I don't care. It's just ajob.Danny: He's dead. Your job. He was murdered. You think you're not involved? Because you seem like a loose end to me.Doppelganger: I was told to pay for our dinner.Danny: Hey? How else are you going to letthem know what a great job you did?Doppelganger: I can see strings on you too.[SCENE_BREAK]Danny: What are you thinking?Alex: Say it again.Danny: What are you thinking?Alex: Nothing.[SCENE_BREAK]Scottie:You were Alex's first experience of love. If he enjoyed a second, would you seem less important? Could the thrill of the new replace the comfort of the old? Watergate wasn't just about bugging the opposition. They usedprostitutes to collect information on rival candidates to shame them, manipulate them, destroy them. s*x has always been a means of control. In the end, your relationship became a threat to their relationship withhim. He changed you, you changed him, priorities altered, loyalties altered. I noticed it in our friendship. The two of you were besotted. The rest of the world ceased to exist, but Alex was one of their most importantminds. Did you imagine they'd just allow him to drift away?Danny: I didn't think about it.Scottie: It's all THEY would've thought about. What binds this brilliant young man to us? The Queen? Our history? Hisparents?Danny: I accept that I didn't know anything about his...work. His job. The truth is, I didn't really know him as a person either. I didn't know him.Scottie: Of all the attacks they've used, including your health,the one that has proved most effective is smut. For you, of all people.Danny: He made a mistake, that's not it. But why didn't he tell me? Some of it? Any of it?Scottie: Because you wanted him to be perfect. He sawthat more clearly than you.[SCENE_BREAK]Danny: It was his funeral last week. Do you know how I found out? I heard about it on the news. He was buried at a private ceremony for... close friends and family.Scottie: Ican't count how many men I've comforted when their partners were dying and the family wouldn't allow them into the hospital, or the church where they're buried. I'm tired of it... tired of hearing about it. He wasn'tclose to his parents, he was close to you. Hold your own funeral, say your own goodbye.Danny: That's what I should be doing. Saying goodbye.[SCENE_BREAK]Danny: What am I doing all this other stuff for? BecauseAlex discovered some government secret? So what? Cos they lied about a war? They spy on us? Who..? What's it got to do with me?[SCENE_BREAK]Danny: And you know, I don't know any code. I don't.Danny (O.C.):So, I don't know...Danny: Maybe, whatever those secrets are, maybe they weren't meant for me.Scottie: Then, that's that.[SCENE_BREAK]( Distant seagulls )Danny: Do you believe in soul mates?Alex: No. Not only doI not believe in them... it's not even a nice idea.Danny: Not a nice idea?Alex: That there's only just one other person out there for you. What are the odds this person would be in the same country? Or the same city?That their paths would even cross? It would mean almost everyone in the world is with the wrong person. If it's a way of saying, \"we're good together\", why not just say... \"we're good together\"? But if you mean itliterally...Danny: You think there are better people out there for you?Alex: There might be. For both of us. But since we don't know them, it's just a theoretical.Danny: Yes. It's... a sentimental idea. The maths doesn'tadd up. But... we're by the fire, we're under a night sky. Couldn't you just have said \"yes\"?Alex: Is that what your soul mate would've done?[SCENE_BREAK]Danny: Can it be opened?Silversmith: If you know thecode.[SCENE_BREAK]Alex: This is us.Danny: Oh, I've done a lot of things with a lot of different people and... that's part of the reason I'm sure... that we're something special. But, for you, it... I don't want you to staywith me just because I'm the first. So, you should see other people. You should.Alex: I don't want to.Danny: I only meant...Alex: I don't need to.Alex: .. that there's only just one other person out there foryou.[SCENE_BREAK]( Dog barks )( Doorbell rings )Danny: Scottie? Scottie?! Scottie?( Faint murmuring )Danny: Scottie?! Scottie?Scottie: I was just remembering.Danny: Huh?Scottie: A place. I was remembering... aplace.Danny: Right, we need to get you to the hospital.Scottie: Will you just listen to me, for once, Danny?!Danny: You were remembering... a place.Scottie: A place where no-one cares.Pathetic.[SCENE_BREAK]Danny: Thank you.Scottie: My parents used to chide me. \"You were such a happy child.\"Danny: How long?Scottie: Like this? Three weeks. Worse and worse each day. Now as bad as it's everbeen. It can't be coincidence, can it? 30 years I've been OK and, now, like this?Danny: Why might someone who's managed depression for 30 years suddenly suffer a relapse? For no reason?[SCENE_BREAK]Danny:This is what we're going to do. We'll get new pills. Real pills from a different doctor. You can keep them on you at all... Unless they switch them before they give them to you. I'll get them illegally. I know someone. Hecan get anything.Scottie: On your shell. Until they find a crack. A frailty. A vulnerability. No matter how small. And then they pick away.Scottie: How do you kill an alcoholic? With alcohol. How do you kill a drug addict?With drugs. How do you kill a depressive?Danny: Where'd you get them?Dealer: People tell the doctor whatever story, collect a prescription, sell it to me. They're good. It's all good. Always good from me. Do you wantsomething else?Danny: No. Nothing else.[SCENE_BREAK]Scottie: Thank you. Have you examined the contents?Danny: We're going to need help.Scottie: With help comes risk. The more people you involve... Look whatthey've done to us. That was before they knew we had this.Danny: I can do this alone.Scottie: There are rumours. About how the... Kremlin guarantees the loyalty of its most important citizens. Under the pretext ofcelebrating an election to the State Duma, the individual is treated to the finest meal Moscow has to offer. At some point during that night... this prized individual blacks out... waking in a hotel suite, on a bed, beside aterrified naked child. Before he can say anything, the FSB storm the room, arrest him, and take him to an interrogation cell in Moscow's Butyrka prison, where the individual swears he is not a paedophile. \"My drinkmust have been spiked!\" \"I, I've been framed by my enemies!\" He doesn't know. He can't explain. \"But it is a mistake!\" And, to his surprise... the FSB officer agrees that it is a mistake, but it is a mistake they will holdon record forever, a mistake no-one will ever see, unless... the individual makes a mistake of a political kind. And, with that, the man's choice is clear - privilege or disgrace. Destruction or survival. The FSB officerbelieves he's won. The individual believes he's lost. But those systems of oppression... as ruthless as they appear, as unbeatable as they seem, never hold, never last, never survive, for we will not live in fear. I wouldlike to finish this particular adventure with you, Daniel Edward Holt. If you'll have me.[SCENE_BREAK]Scottie (O.C.): We're being watched. We will be followed. So we separate. Shake them off. And meet up at a place...where no-one can follow us without revealing themselves.Danny: The place where no-one cares?Scottie: I've always taken comfort from the idea that people don't care. That they have better things to think about, thatthere are more important matters to worry about. I like it when people walk past me and couldn't care less what I'm wearing, or whose hand I'm holding. The place where no-one cares. When I was young, I spent a lotof time searching for it, and I promised myself, if I ever found it, if it ever existed, that's where I'd make my home.[SCENE_BREAK]Danny: What do you think?Scottie: Ambition. But no conviction. You skip from shortstories to lyrics, from poems to sketches, hoping the world will tell you who you are. You must tell the world.Claire: There you are.Scottie: Well done.Danny: You weren't followed?Claire: Well, I hope not.Scottie: So, willMarcus help us?Claire: He didn't say. Keep back, and then that gives you your 'B' for 'Baritone'. Oh, I see - no, four, of course.Scottie: Yes.Claire: And that's got...Danny: Where did you two meet?Scottie:Cambridge.Claire: We shared a flat. I was the first person he shared the secret of his sexuality with.Scottie: At that time, it was illegal. And there were rumours.Claire: So, then, I...agreed to play the part of...his lover.And we walked around arm in arm, and we... had picnics in the scholar's garden and... it was supposed to last about two months or so.Scottie: It lasted two years.Danny: Are you gay?Claire: No.Danny: Did you seeother people?Claire: No.Scottie: I tried to become the man I was pretending to be. You know, I prayed for the right kind of desire? A sham romance, you might say.Claire: No.Scottie: No, no. We're friends. We havebeen ever since. We can't be sad about that. I refuse to be sad about that.Marcus: It's all very touching.Claire: Marcus... This is Danny, Alex's partner. And Scottie.Marcus: Where is it?Danny: Cheers.Marcus: You didn'tknow, did you? How smart he was?Danny: I knew.Marcus: But not really.Danny: Not in the way you did, no.Marcus: His partner... without any appreciation of his intellect. Beyond some generalised idea that he wasgood with numbers. Love without knowledge. Popular culture might depict that as a romantic notion, I suppose.Danny: He never spoke about his work.Marcus: What did you talk about?Danny: Everything else.Marcus: Isee. No, I don't. I don't see at all.Danny: Well, what did you two talk about? Outside of work?Marcus: We didn't. Look, try to understand, I was sure, absolutely certain that he was going to change the world in someway. Not my world. THE world. Can you imagine the enormity of that feeling? Being in the company of someone like that?Danny: We knew different people.Marcus: Hmm. The man I knew was exceptional. The man youknew was not.Danny: The...Marcus: Unless you're going to tell me how many sugars he took in his tea, or how he liked to be f*cked. Are these the details that define us?Danny: I think that... being admired islonely.Marcus: You're right, I'm sure. But that was the price he had to pay. The ordinary world wasn't for him. And his flirtation with it... was always going to end badly.Danny: Professor? I miss him, too.Marcus: He didit. The 9/11 attackers sent e-mails using pre-arranged code words. \"The Faculty Of Urban Planning\" was the World Trade Center. The, uh, The Pentagon was \"The Faculty Of Fine Arts\". Mohammed Atta's final messageto the other terrorists referred to their semesters beginning in three weeks at the faculties of Urban Planning and Fine Arts.Two e-mails. In this one, \"zoo\" means zoo. In this one, it means airport. How do you tell themapart? When... people... who go to the zoo also visit... museums. They watch animated movies. Buy children's clothes. And donate... to animal charities. Convert our entire online history into numbers, and a visit to thezoo... looks... like this. A coded message looks... like this. The 9/11 terrorists used innocent words, but they didn't use them like the rest of us. We like to think of ourselves as individuals. But we're not. We're a pattern.We are... married, gay... straight, professional, rich, poor. Our online DNA, revealing... our true nature... even... when we lie. I told him he would change the world. I just didn't tell him how dangerous it would be. Alexdecided to apply his concept to speech. Words don't occur in isolation. They're part of a series of actions. Your intake of breath, facial gestures, pupil dilation, hand movements. Alex theorised they formed patterns, andthese patterns would be different if we were telling the truth or telling a lie.Claire: A lie detector?Scottie: Important lies are told by important people.Marcus: They'd never consent to a test of any kind. Alex didn't needtheir consent. They've already provided all the information. The most important people in the world are also the most documented. Study every word they've ever spoken. Mundane, profound - it doesn't matter. Analyseevery variable possible. Translate that information into numbers, and identify the patterns. A fingerprint... for our truths and our lies.Claire: We'd be able to analyse every statement.Marcus: Every political claim. Er,every case for war. Every court case verdict.Scottie: The end of lies.Marcus: If the four of us survive a week, I'd be very surprised.Marcus: You're a thoroughly nice guy, aren't you, Danny? So was Alex. For all hisintellect, an innocent, really. When he told me he was going to work for GCHQ, I knew it was a mistake. He didn't belong in that world. And I could feel him wanting me to tell him so.Danny: Why didn't you saysomething?Marcus: We didn't have that kind of a relationship. I take it you have some kind of plan?Scottie: We must prove it works.[SCENE_BREAK]Danny: You don't have a plan, do you?Scottie: No. He needed tobelieve I did. And we need him. You see? Proof - the orderly functioning of society depends on our ability to lie. Given the choice of no lies, or lies, every organization, every person of power, without exception, willchoose lies.Danny: Maybe Alex imagined a better way of doing things.Scottie: I wonder when he began work on this project.Danny: Why does that matter?Scottie: Maybe he was ashamed of the lies he'd told you.Ashamed that your relationship was built on lies. Maybe on some level, he thought he was making amends.Danny: To who?Scottie: To you.[SCENE_BREAK]Scottie: Danny!Danny: I'm to blame.Scottie: I'm sorry.Danny:I'm to blame.Scottie: I never said \"to blame\".Danny: He did it for me?Scottie: It's possible.Danny: I never asked for it.Scottie: He knew you'd find out that he'd lied about much of his life. He must have worried thatyou'd end up hating him. He must have worried about that moment every day. Would you still love him if you knew? Could you still love him if you knew? Would you re-examine your love story - Alex's only love story...and decide, in the end, it was nothing but a lie?Danny: He was never sure.Scottie: How could he be?Danny: I wish I could've told him. That none of it mattered. The lies, the mistakes. That I loved him, just the same.That I, I love him. Still. Now. Knowing it all. I wish he could've heard me say it.Scottie: Yes.Danny: He'll never know.Scottie: No.[SCENE_BREAK]Danny: This is going to sound a, a bit... But...it occurred to me I'd neversaid it out loud before. I love you. Very much.[SCENE_BREAK]Detective Taylor: You're not going to be charged.Danny: Is that it?Detective Taylor: You're free to go.Danny: You brought me here like this to tell me that?Will anyone be charged?Detective Taylor: Danny... for you... this is over.Danny: This isn't over. This isn't over.[SCENE_BREAK]( Applause )( Phone rings )Danny: Scottie?Scottie: Danny. Danny...Danny:Scottie?Scottie: There will be a note.( Applause )( He begins to cry )"}
+{"doc_id":"doc_246","qid":"","text":"Lucifer is drinking and watching over his mother. Amenadiel comes.Amenadiel: Lucifer, we need to talk about something.Lucifer: What... Can it wait? I'm busy keeping an eye on our mercurial mother.Amenadiel: No,it's important. I think you might be in danger.Lucifer: Is it the Yakuza? The Nephilim? One Million Mums?Amenadiel: It's Maze. She's angry with you, brother.Lucifer: Well, is it Tuesday already? Anger is Maze's defaultsetting, sort of baked into her demon DNA.Amenadiel: No, this is different, Luci. I think you really need to talk to her.Lucifer: She'll get over it; she always does. Right now, we have bigger issues to deal with, likewhether or not Mum is wasting our time.Amenadiel: If she believes her client has found another piece of the Flaming Sword, so do I.Lucifer: Oh, such a loyal son. But Mum hasn't adapted to this world as well as youmight think. This chap could be conning her... I think I'm gonna go make sure...Amenadiel: She seems to be doing just fine. Charlotte puts a briefcase on the table.Lucifer: That's not the money, is it?Amenadiel: Ofcourse not. She wouldn't bring it to the meeting.Lucifer: Oh, no. Of course not. I mean, that would be absurd, wouldn't it?Amenadiel: She's just showing it to him. I mean, it's not like she's gonna hand it to him beforeshe... Gets the piece. That's great. The guy takes the money and leaves.Lucifer: And now she's letting him leave. Marvellous. Lucifer and Amenadiel join Charlotte.Charlotte: Well, that went well.Lucifer: Oh, you thinkso, do you?Charlotte: I do. He has what we need in his safe in the back room.Lucifer: Oh.Charlotte: He's going to get it right now.Lucifer: Mum, you just handed him a briefcase full of cash with no proof whatsoever hehas what we need.Charlotte: And?Lucifer: You've been conned.Charlotte: He's a client of mine, darling. I don't think he'd be that foolhardy.Lucifer: Oh.Charlotte: Well, I'm sure he'll be right back... Maybe we should gocheck just to be sure.Lucifer: I think that's a good idea, don't you?Charlotte: Oh. Lucifer, Charlotte and Amenadiel enter in the office manager of the restaurant. The man is dead.Charlotte: Huh. See? He didn't conme.Lucifer: Look, instead he's dead, and someone robbed him of what's ours... Much better. Well, the good news is, after this spectacular bungling, I happen to work with a homicide detective.Charlotte: If you find thekiller, then you'll find our piece of the Flaming Sword.Amenadiel: Hey, but, Mom...Lucifer: The challenge is... Making sure we catch the case before some other detective.Amenadiel: But what about...Charlotte: I may beable to help.Lucifer: Really? I'm all ears. Lucifer and Charlotte leave. Maze enters in Linda's practice.Maze: Is everything all right here?Linda: Yeah, everything's fine, Maze. You can, uh, you-you can put away theknives.Nigel: We'll be in touch, Dr. Martin... Excuse me.Linda: Uh, Maze. Maze. Oh, my Lord.Maze: Who the hell was that?Linda: That was the chairman of the ethics review board.Maze: Are you okay?Linda: No. No, Iam not. No, Maze. No, no, no, don't, don't. That won't do any good.Maze: What happened?Linda: A couple of weeks ago, I maybe, sort of... Helped Lucifer break out of a mental institution... Using my own name. It'smy fault, really.Maze: No, it is not your fault. It is Lucifer's fault. It's always Lucifer's fault. First, I find out he's ditching me to go to Heaven, and now he's hurting you... Look, I'm gonna fix this, Linda. And then him andI are gonna have a little talk. At the station, Lucifer is waiting. Chloe is working.Lucifer: Hey, I should get my own desk.Chloe: Not happening.Lucifer: Right next to yours would probably be best.Chloe: Definitely nothappening. Why are you hovering over me?Lucifer: I'm not hovering. I'm just spending time with my partner.Chloe: Oh, well, since you're here, why don't you help me with this paperwork. I could really get used tothis, partner.Lucifer: Right. Yes, on second thought, maybe a desk in the far corner might...Chloe: Mm-mm.Lucifer: Oh! Ms. Richards.Charlotte: Detective Decker. Just the woman I was hoping to see.Chloe: Well, I feelthe opposite. If you'll excuse me.Charlotte: Hear me out. A client of mine called. He sounded very worried. I think he might be in terrible danger.Lucifer: Oh, that's awful. Detective, we should do something.Charlotte:He's at a bar downtown. Would you come with me and make sure that he's okay?Chloe: Nope.Charlotte: Nope?Chloe: I'm a homicide cop. I do not go around checking on worried criminals like a nanny, Charlotte. So ifwe're done here...Charlotte: I heard... Things... On a... On-on the phone call.Chloe: Like?Charlotte: Fingers... Pointing.Chloe: You heard... Fingers pointing?Charlotte: Very angrily. Yes... Also, a gunshot. Sounded likehe was... Dying, or, um... Melting? It's hard to tell.Chloe: Charlotte...Lucifer: It sounds worth our time, actually.Chloe: Agreed. Why didn't you just lead with that? Chloe, Lucifer and Charlotte enter in the crimescene.Chloe: The lock's damaged.Lucifer: Is it?Chloe: Looks like you're right. He's been dead about an hour.Lucifer: Oh? Impressive guess, Detective. Uh, I'm assuming from the... Discoloration... Well, that wasn't acomplete Dumpster fire, but now that we're finished, you can see yourself out.Charlotte: I'll do nothing of the sort.Lucifer: Fine. I'll show you out, if you insist.Charlotte: I'm not going anywhere.Lucifer: But thedetective and I have got everything handled now.Charlotte: This is far too important to leave to just the two of you. I will stick around.Lucifer: Mum.Charlotte: Besides, we'll get to work together. Won't that be fun? Ellais here to exam the body.Ella: We're running tests for gunshot residue and cocaine. Should have those in, like, five minutes.Chloe: Okay. Good... Oh, Charlotte. You're still here, huh?Charlotte: Well, he was my client. Ithought I might be of help to the case.Lucifer: But if not, we could always get her to shoo along and we can carry on with our business.Chloe: No. I'm sure she could be very helpful. So tell me, why does Zeke Moore, amanager at an import/export company, have you representing him?Charlotte: Because I'm the best.Chloe: At getting criminals off.Charlotte: Well, that's not true. I haven't slept with any of my clients.Chloe: What? Yourepresent the worst of the worst. So why was Zeke a client?Charlotte: Because he works for Bianca Ruiz.Lucifer: What? The tequila magnate?Chloe: Bianca's tequila empire is a front. She uses the distribution routes tosell guns, drugs, and, oh, yeah, people. So we've been after her for a long time.Charlotte: Who do you think did this? A rival of some sort?Chloe: Well, that's actually a good question. Ella, what do we have?Ella: Well,no smoking gun, but poor Zeke here got shot twice. First in the thigh... Bullet winged him... And then another went through his hand hitting him in the chest. Probably trying to defend himself. Too bad you can't catchbullets.Lucifer: Well, he can't maybe.Chloe: I don't think this was a professional hit. Maybe a robbery gone wrong.Charlotte: And idea of what was taken?Ella: Well, trace elements point to cash, cocaine, gunpowderresidue, indicating weapons... All your basic bad guy stuff. No sign of forced entry, though.Chloe: Which means the killer either knew the combination, or he just waited for the vic to open it to strike.Ella: Mm-hmm.Hey, I got something here. Cell phone. No dust on it, so it hasn't been there long.Chloe: Well, Zeke had his phone on him, so this one could be the killer's. Maybe he dropped it during the fight or just didn't have time toretrieve it.Ella: Passcode protected, of course. But the home screen is... Two eyes?Charlotte: Human female breasts.Lucifer: No. That is a woman's perfectly freckled rump.Chloe: So our lead on the killer is a pair ofbutt-boob-eyes. It's a great start. At the station, Daniel studies Bianca Ruiz's file. Charlotte comes.Charlotte: Hello, Daniel.Daniel: What are you doing here?Charlotte: Ms. Ruiz there... Is my client.Daniel: Well, she's areal piece of work.Charlotte: Trying to make me jealous?Daniel: What do you want from me? You seduce me, you betray me, now you're back. You have to want something, I just can't figure out what.Charlotte: I dowant something, you're right. And I'll tell you. Just somewhere private.Daniel: I'm not having s*x with you here.Charlotte: But I need something to pass the time until we get a lead.Daniel: I don't understand you. Allright, whatever this is between us.Charlotte: Well, it's simple, Daniel Espinoza... I like you. Music comes from the lab.Ella: You guys, it's a record label. The symbol on the phone we found is the label's logo.Lucifer: Andthey choose to publish this music of their own free will?Ella: It's a vanity label. It exists only to make this one guy's music.Chloe: Okay, well, who owns it? And can you please turn it off?Ella: Chet Ruiz.Charlotte:Bianca's youngest son. Half our billing goes to keeping him out of jail.Chloe: So Bianca's own son robbed and killed one of her most loyal soldiers?Daniel: The files barely mention Chet. I didn't know he was actually partof the family business.Charlotte: He's not. Bianca tries to keep him as far away from it all as possible.Chloe: Maybe he started to resent that, decided to make a play?Lucifer: And then dropped his phone, proving justhow right his mother was about him.Chloe: Well, if Chet is the killer, this could be our chance to take down Bianca, as well. Cut off the head of her entire operation. This could be huge.Ella: Yeah. Bummer is the phoneproves that Chet was in the room but doesn't definitively tie him to the murder.Chloe: Dan, why don't you work on hacking the passcode. I'll have a chat with Chet. And, Charlotte, thank you so much for your help. Butnow that one of your clients is our main suspect, it's best you go.Charlotte: I don't think I have to go quite yet.Chloe: Maybe not, but I think you should.Charlotte: Bianca's having a party today. It's the launch of hernew tequila. I'm sure Chet will be there, and... I'm invited.Chloe: Why do you want to help us now?Charlotte: Because we all want the same thing: to find out who robbed and killed Zeke.Daniel: You know, Chloe, itwould be a good chance for us to go undercover. Gather some intel before they even know we're onto them.Chloe: All right.Lucifer: Fine. Good. It's settled. The Detective and I will go, so thank you so much for yourhelp.Charlotte: I don't think so. The invitation is under my name. I will go. Perhaps Detective Espinoza should join me.Lucifer: No. Yes, that's not happening. Uh, very well. I'll go with you...Chloe: No, I'll go withCharlotte.Lucifer: But, Detective...Chloe: No more argument.Charlotte: Very well. But I suggest you go shopping. This isn't the kind of place you can attend in pajamas.Lucifer: This is ridiculous.Chloe: Pajamas?Ella:What if Ella goes to the party? That sounds like a great idea. Oh, my God. Thank you so much for thinking of me. But you know what? I'm so busy. Lucifer enters in Linda's practice. Maze is waiting for him.Lucifer: Ihave been sidelined by my own mother and the Detective. It's absurd. I won't stand for it. I am gonna find a way into that party.Maze: Do you always whine like this? I don't know how she puts up with it.Lucifer:Where's Dr. Linda?Maze: Suspended. Because of you. Because you have been a terrible, selfish friend... To her. Now you're gonna fix it.Lucifer: Well, gladly, once I figure a way back onto the case.Maze: No, Lucifer.Now!Lucifer: But I suppose they can handle things without me for the time being. What's the plan? Daniel is on the phone at the station.Daniel: It'll take two hours to scan the phone... I'll come to you. I'll kill some timetill it's done. See you soon. Daniel sees Amenadiel.Daniel: Hey, man. You looking for your brother?Amenadiel: Or my m... Um... Charlotte? Listen, um... Are they here? Because I haven't been able to reachthem.Daniel: No, they took off. Couple hours ago.Amenadiel: Of course they did. And why would they bother to let me know?Daniel: I could try to call them for you.Amenadiel: Don't worry about it, Dan. I mean, with abrother like Lucifer, I really should be used to this, right?Daniel: Hey. What are you doing right now? Charlotte arrives at the party.Charlotte: Charlotte Richards. Have you seen my plus one? She's a tired-lookingblonde. Probably dressed in something freshly-plucked from the floor. Mm-mm. Hmm? Chloe enters.Chloe: Let's get this pajama party started. Chloe and Charlotte are talking.Chloe: I still don't understand why you'rehelping us. Bianca's your client.Charlotte: I'm not the same woman I was when she hired me.Chloe: Hmm. Did you have a change of heart?Charlotte: No, the same heart. Completely different soul, though.Chloe: Hmm.There's Chet. I'll go talk to him.Charlotte: You know, that's wise. You seem more his type than me, and you're not particularly intimidating, so that should help.Chloe: Help what?Charlotte: Well, in seducing him, ofcourse.Chloe: I'm not gonna seduce him, Charlotte.Charlotte: Not with that posture you're not. Fine. I'll do it.Chloe: No. No. There's gonna be no seducing. We just need to get Chet to talk, have him incriminatehimself, then we can arrest him and flip him on Bianca.Charlotte: You expect him to betray his own mother? One that's given him everything he's ever wanted?Chloe: Not all kids appreciate what their parents havegiven them.Charlotte: Well, that I agree with.Chloe: I just think with a little pressure, he'll crack. Oh, bodyguard. Maybe he's not as easy to get to as I thought.Charlotte: Why would an overprotective mother bring hermurderous son to a tequila-fuelled party?Chloe: Well, if her son killed Zeke, she has no idea... Okay. I've got an idea. Maze and Lucifer are talking to the chairman of the ethics review board.Maze: Dr. Linda Martin is anamazing therapist and an incredible woman. You can't do this to her.Nigel: Well, I'm afraid that she brought this on herself. So, unless there's something... Specific that you can tell me, there's very little that I cando.Maze: Hmm. Well, how about proof of all the good she's done? Like this guy. Lucifer Morningstar.Lucifer: Oh, that's quite flattering.Maze: The worst patient anyone could ask for. He is a back-stabbing, selfish,narcissistic little devil. He's greedy...Nigel: Is there a-a point to this?Lucifer: Yes, I'm wondering the same thing.Maze: The point is, despite all of that, she went out of her way to help him.Lucifer: Yeah, she's right. Thedoctor has seen a side to me that I hide because it's, well, terrifying. But she accepted me nonetheless, and she's helped me through issues that I thought insurmountable.Nigel: I appreciate the testimonial, and I willinclude it into the notes.Maze: That's it?Nigel: Unless you have more evidence to submit.Lucifer: Well, she's generous. As a, as a therapist, as a lover, a friend...Nigel: Wait. You slept with your therapist.Lucifer: What?O-only in the beginning. Then she decided that I shouldn't pay for therapy with s*x. So, such strong morals, don't you think?Maze: Let's go!Lucifer: What the...? Oh, no, no, she saved my life. I mean, granted, shekilled me first, but I did ask her.Maze: Oh, my God. Lucifer. At the party, Charlotte goes to speak with Bianca.Bianca Ruiz: We actually have been trying to get the formula for... Charlotte. Excuse me. Oh. So glad youcan make it. How are the children?Charlotte: They're angels. But speaking of children... What did Chet do now?Bianca Ruiz: Run out on another tab?Charlotte: The police suspect him of killing Zeke Moore.Bianca Ruiz:That's impossible.Charlotte: I have it from a very good source.Bianca Ruiz: I'll get to the bottom of it. Thank you, Charlotte.Charlotte: As always. Of course.Bianca Ruiz: Enjoy. Bianca is going to speak with herson.Bianca Ruiz: What did you do?Chet Ruiz: What could I do? You won't let me drink, my bank account's pretty low lately...Bianca Ruiz: Zeke Moore. What did you do?Chet Ruiz: I took care of a problem. You'rewelcome.Bianca Ruiz: You don't work for me.Chet Ruiz: But I should. Look what I can do.Bianca Ruiz: Yeah, remove one of my best earners?Chet Ruiz: You see, this is why you need me, Ma. I found out that Zeke wasbuilding up his own business. Smuggling up rare artifacts on the side.Bianca Ruiz: And I was making 30%.Chet Ruiz: Oh. Well, I would have known that if you had just given me...Bianca Ruiz: How do the police know itwas you?Chet Ruiz: I may have... Dropped my phone.Bianca Ruiz: Chet, what was on your phone? Let's go somewhere quieter.Chet Ruiz: No, Mom. Mom, Mom. They go apart.Bianca Ruiz: The whole business?ChetRuiz: I was just trying to learn how the financial part worked, Ma. You know, prove to you I could be a part of this.Bianca Ruiz: So you saved it on your phone, which the police now have.Chet Ruiz: Don't worry. I'malready taking care of it. Won't be a problem... What? Bianca Ruiz stops Chloe who was trying to leave.Bianca Ruiz: Hello. Daniel and Amenadiel are having a drink in a bar.Amenadiel: Improv? Really?Daniel: Come on,man, you promised me you wouldn't laugh. I went through a lot this last year. And improv sort of helped me reorient myself.Amenadiel: How?Daniel: Well, it took stepping outside of myself to figure out who I reallywas. You know, stop defining myself by other people... Chloe. Lucifer.Amenadiel: I see. So you think I'm defining myself by my brother, yeah?Daniel: Well, I know from experience, the dude casts a pretty big-assshadow.Amenadiel: Well, if there is one constant in the universe, it's that Lucifer's the favourite. No matter what I do. No matter how hard I work or how much he screws up...It's never gonna change.Daniel: You guysmust have competed over everything, huh?Amenadiel: I mean, he would never admit it, right? But yeah. Yeah, everything.Daniel: Even women? Eh, I just noticed that you and Lucifer have a weird relationship withCharlotte Richards. I just thought maybe you guys...Amenadiel: No, Dan, we are not competing over Charlotte. Trust me. At least, not in the way you think. And if we are, well, obviously I lost. Because I'm here, withyou. No offense.Daniel: Yeah, none taken. Oh, man. They couldn't crack the passcode. But, uh, for what it's worth, I like you a hell of a lot more than I like your brother. At the party, Bianca asks some questions toChloe.Bianca Ruiz: I know everyone here except you. What are you doing here?Chloe: I, uh... I'm... Uh, was... I came because, well... I love your son's music. Hi, Chet. Chet, you're so good. You're amazing.BiancaRuiz: Oh, please. I've seen the sales. Nobody actually listens to that... Stuff.Chloe: Oh, I listen to it, big-time. Chloe starts to sing.Bianca Ruiz: I've heard enough.Chloe: Yeah.Guard: That's enough, ma'am.Chloe: Chet,you're so good. You're dope!Guard: Let's go.Chloe: I love you. I...Chet Ruiz: I love you more. Chloe phones Daniel.Chloe: Dan. Hey. Look, that phone... I think it is way more important than we thought. It might be thekey to taking down Bianca. Maze and Lucifer are walking in the street.Lucifer: Great. Now that we've solved that, I can get back to the case and... Maze hits Lucifer in the belly.Lucifer: Ooh! God! What?!Maze: What?You just made everything worse. Why am I surprised? Just leave. Since that's been your plan all along anyway.Lucifer: Is that what all this has been about? Amenadiel told you about our trip back to Heaven, didn'the?Maze: Don't you blame him. You... She hits him again.Lucifer: Aah!Maze: Should have told me.Lucifer: Well, if you understood the full picture... She punches him in the face.Lucifer: Oh! Stop hitting me.Maze: Thenexplain.Lucifer: Well, I'd like to, but you have a tendency to get emotional about things. She punches him in the face again.Lucifer: Aah! Case in point.Maze: So I needed to be controlled, is that it? What the hell am I,Lucifer... A pawn in some plan of yours?Lucifer: No, I wouldn't put it like that.Maze: Of course you wouldn't, because that would actually require you understanding how you affect people. How you hurt them. She hitshim in the nuts.Lucifer: Oh! Aah! You seem to be the one doing the hurting at the moment.Maze: You don't care about anyone other than yourself. Unless they can be of use to you. Sound familiar?Lucifer: Tread verycarefully, Maze.Maze: You're just like your parents. They fight.Lucifer: Aah!Maze: Aah!Lucifer: Oh! Maybe... Maybe we should just take a time-out so that... You can catch your breath.Maze: Yeah, so you can catch yourbreath. And then, I'll get back to kicking your ass.Lucifer: See, now... I had no idea that you were this mad at me.Maze: You were gonna leave me.Lucifer: I would never do that.Maze: But you told Amenadiel and yourmom that y... You were going with them to Heaven.Lucifer: Well, I didn't say how long for. Huh? Or what I was gonna do when I got there.Maze: You're playing your own angle... And you didn't tell me... Because youneeded me to be angry with you so you could sell your story.Lucifer: Exactly! So, all this... Was for nothing.Maze: Lucifer, that's even worse. At the station, Ella, Chloe and Daniel are talking about the phone.Ella: Thisphone could be the key to taking down the entire Ruiz empire.Daniel: Yeah, but how do we crack it if cyber couldn't even do it?Ella: Time. That idiot didn't install a program that can remotely wipe the phone. And it's an"}
+{"doc_id":"doc_247","qid":"","text":"Scene: The apartment.Amy: This is nice, that we all get to eat together.Leonard: Absolutely.Amy: Hmm. Can we maybe put the phones down and have an actualhuman conversation?Sheldon: We can, but thanks toSteve Jobs, we don't have to.Penny: Guys, guys, you're never gonna believe this.Leonard: What happened?Penny: I just got a part on a TV show.Amy: Congratulations.Leonard: What? That's great. Guys.Howard: Oh,yeahSheldon: Yay, Penny.Amy: What's the show?Penny: Um, NC... II... or, you know, NCSTD... I don't know, it's, it's, you know, it's the one with the letters and I'm gonna be on it!Leonard: That's amazing.Penny:Yeah.Howard: What's your part?Penny: Um, I play a customer in a diner and I flirt with Mark Harmon.Raj: Ooh, Mark Harmon, he's a dreamboat.Leonard: So it, it's just flirting?Penny: Well, yeah. Why?Leonard: Uh, noreason. I just think it's sexier when things are left to the imagination.Amy: He's wrong. Credits sequence.Scene: The Cheesecake Factory.Raj: So I read a study that says a man with a dog is three times more likely toget a woman's phone number.Leonard: Is it true even when the man lets his dog lick peanut butter off his tongue?Raj: I don't see why not.Howard: If you're really desperate to meet women and like having food eatenout of your mouth, I could set you up with my mom.Sheldon: Why is that funny? That's just unhygienic.Leonard: It's a joke.Sheldon: I don't think so. I believe that a joke is a brief oral narrative with a climactichumorous twist. For example, uh, Wolowitz's mother is so fat that she decided to go on a diet, or exercise, or both. See? The twist is that people don't usually change. Well, they don't.Penny: Hey, guys, don't forget, myepisode's on TV tomorrow night.Howard: We'll be there.Raj: Can we bring anything?Penny: Oh, that's so sweet of you, but I was gonna steal food from here. You know, my treat.Sheldon: Wait, if Howard's mother iscoming, then you should also steal marbles. Because she's obese, and hippos are obese, and in the popular board game Hungry Hungry Hippos, they eat marbles. Maybe I need to dumb these down for you.Scene: Thestairwell.Sheldon: Leonard, do you think I'm funny?Leonard: No. Do you?Sheldon: I think I'm hysterical.Leonard: I take it back. That was funny.Sheldon: The philosopher Henri Bergson says it's funny when a humanbeing behaves like an object.Leonard: I bet that bit killed at The Chuckle Hut.Sheldon: Oh, he didn't perform stand-up comedy, he was a philosopher.Leonard: You know, I think we're zeroing in on yourproblem.Sheldon: Perhaps I'll spend some time developing a unified theory of comedy, which will allow me to elicit laughter from anyone at any time. Unless they're German, 'cause that's a tough crowd.Leonard: Areyou set on people laughing with you? 'Cause if you're cool with at you...Sheldon: I don't get it.Scene: Bernadette's car.Bernadette: Raj, when you said you were gonna bring a date to watch Penny's thing tonight, Ididn't think you meant Stuart.Howard: Really? I never for a second thought it'd be anything else.Raj: I almost met someone last night, but I blew it. I was walking Cinnamon and this girl introduced herself, but she wasso cute I panicked and said, wouldn't it be easier if instead of talking we could just sniff each other's butts?Bernadette: Well, Stuart's cute in his own way.Stuart: When I was a baby, my mother called me her littlepossum.Raj: Are possums cute?Stuart: Not at all.Howard: If you're so intimidated by talking to attractive girls, maybe you should practice by talking to regular people.Raj: You mean like fatties and uggos?Bernadette:Or maybe just stop talking.Howard: I'm serious. Go to the mall, talk to anybody, practice, that way when you eventually do talk to a cute girl, it won't be so scary.Bernadette: Or just keep dating the possum.Scene: Theapartment.Voice on television: Parsa doesn't have those kind of resources.Second voice: No, and that's why he had Erin Pace rewire it...Leonard: I'm so proud of you.Penny: We haven't even gotten to my sceneyet.Leonard: I know, but you're going to be a TV star and you haven't left me yet. That takes guts.Sheldon: I don't know about you, but I'm very uncomfortable with all this.Amy: Why?Sheldon: I've never seen thisshow before and now I'm starting with episode 246? It's unnatural.Amy: Just think of the first 245 as the prequel.Sheldon: All right.Penny: Okay, shh, guys, guys, this is it.Man on TV: I guess it's you and me, kid.MarkHarmon on TV: What are you doing?Woman on TV: I'm trying to make peace.Mark Harmon on TV: We're good.Woman on TV: Good.Mark Harmon on TV: Really? Because...Penny: Are you kidding me?Leonard: What'swrong?Penny: Well, the diner scene. Where's my diner scene?Sheldon: Well, don't ask me. Until I see the prequel, I'm lost.Penny: No, there was supposed to be a big scene with me and Mark Harmon, but it'sgone.Bernadette: What happened?Penny: They must've cut it.Leonard: Oh, Penny, I'm, I'm sorry.Howard: That stinks.Raj: I'm sure you were great.Penny: This doesn't make any sense. I mean, I, I thought I did a, areally good job, I... Excuse me.Sheldon: I've been studying how to make people laugh. They say that comedy is tragedy plus time. Let's tickle some ribs.Scene: Penny's apartment.Penny (on phone): No, Dad, I don'tthink they cut me out of the show because I was too pretty. No, I don't need you to come out and kick Mark Harmon's ass. Daddy, I gotta go. I love you. Bye.Leonard: How you doing?Penny: Ugh, this is such a disaster.My parents had all my relatives over. They got one of those six-foot sandwiches, and got my brother a day pass out of rehab and now he's missing and the sandwich is missing, and they're probably in Mexico by now.So humiliating.Leonard: You still got the part. That's a huge accomplishment.Penny: Yeah, but this was supposed to be my break, okay? People were gonna see me in this show and it was gonna lead to bigger things.More auditions, more parts. Now none of that's gonna happen.Leonard: Honey, you only had, like, three lines. That wasn't gonna happen anyway.Penny: Unbelievable.Leonard: Oh, come on, no, that's not what Imeant.Penny: Then what did you mean?Leonard: I don't, look, you know, words don't always have to mean things.Penny: I think you meant that you don't believe in me.Leonard: Nope. Uh, uh, I might not know what Imeant, but I know that I didn't mean that. Not this guy. Oh, no way.Penny: I want you, right now, to give me your 100% honest opinion.Leonard: Right.Penny: Do you think I have what it takes to really make it as anactress?Leonard: Yes.Penny: So you think I'll be on TV and in movies and win awards.Leonard: Honestly?Penny: Yes, honestly.Leonard: I don't.Penny: How could you say that?Leonard: I don't know, I got all confusedwhen you said honestly.Penny: Oh.Leonard: Look, do I think that you are talented and that you are beautiful? Of course I do. But isn't Los Angeles full of actresses who are just as talented, just as beautiful? All right,look, we'll come back to that.Penny: No, please. Don't stop, go on. Tell me how I'm gonna be a waitress for the rest of my life.Leonard: That is not what I said. Look, I think you're really good. I truly do. But this is anincredibly hard thing that you're shooting for. I mean, the odds of anyone becoming a successful actor are like a million to one.Penny: Wow, thank you.Leonard: Should've let Sheldon come.Scene: Theapartment.Sheldon: This is interesting. Apparently, a key component in some forms of humour is the element of surprise.Amy: Well, that makes sense. The prefrontal cortex is responsible for planning and anticipation,and patients with brain lesions on their...Sheldon: BRAIN LESIONS!Amy: Sheldon, you scared me. That wasn't funny.Sheldon: Or maybe you have a stick up your prefrontal cortex.Amy: Okay, the notion that you canread a few books and come up with a definitive theory of comedy is absurd. I mean, humour is a complex neurological... (Sheldon drops his trousers) Okay, that's pretty good.Sheldon: Excellent.Scene: The mall.Stuart:How about her?Raj: No. No pretty girls. The point is to talk to regular people and work our way up to pretty girls.Stuart: Fine. How about that old lady with the walker?Raj: That depends. On any level, do you think she'shot?Stuart: We'll find somebody else.Scene: The apartment.Sheldon: Kumquat?Amy: I guess.Sheldon: Ointment?Amy: Sure.Sheldon: Now, would you say ointment is more, equal to, or less funny than kumquat?Amy:I don't think I want to go out with you anymore.Sheldon: Will you please stop joking around? I'm trying to figure this out.Amy: Sheldon, how many words are you gonna go through?Sheldon: All ofthem.[SCENE_BREAK]Scene: Penny's apartment.Penny: You didn't get your part cut.Voice on TV: All right, baby, here's the deal.Penny: And you didn't get your part cut. Yep, bunch of old guys rocking out in a band, allwith erectile dysfunction, you didn't get your part cut!Leonard: Hey. Can we talk?Penny: We can, but the part of Penny might get cut.Leonard: That was really crappy of me. What you're trying to do is hard, but peopledo make it, and I really do believe you could be one of them.Penny: Thank you.Leonard: And to show you how much I believe in you, I kind of got you an audition.Penny: Are you serious? For what?Leonard: The newStar Wars movie.Penny: What? How did you manage that?Leonard: There's this thing online, you put yourself on tape and just send it in, anyone can do it.Penny: Come on Leonard, this is just a PR stunt.Leonard: So?Even if it is, you have a huge advantage because you're an actual actress. Most of the people doing this are just weirdoes and nerds. Wolowitz sent his in two days ago.Penny: Really, let it go.Leonard: Look, maybe it isa long shot, but sometimes long shots happen. Luke Skywalker was only given one chance to destroy the Death Star. He had to get a torpedo into an exhaust port that was only two meters wide, but with the help ofThe Force, he... wow, I can feel you hating me right now.Scene: The mall.Stuart: How about that lady in the sweat suit, speed-walking?Raj: Yeah, she seems friendly and easy to... never mind, she's gone. You know,maybe talking to people is too hard.Stuart: We could go over to that department store, practice on the mannequins.Raj: I don't know. They're dressed very stylishly. They're probably stuck-up. This is ridiculous. Thenext person that walks by, no matter who it is, they're the one. We're gonna die here.Scene: The Cheesecake Factory.Amy: Hello.Bernadette: Hey.Howard: Where's Sheldon?Amy: He's home trying to use science todetermine the basis of humour.Bernadette: That's interesting.Amy: It's exhausting. Do you have any idea how hard it is to laugh at a knock-knock joke that starts with knock-knock-knock, Amy, knock-knock-knock,Amy, knock-knock-knock, Amy?Bernadette: If you want him to stop, sometimes the easiest thing to do is just fake a laugh.Howard: Fake a laugh? Do you ever do that with me?Bernadette: No, of course not.Howard:Well, I'd be able to tell anyway.Bernadette: I don't think you would.Howard: Please, I've made plenty of girls laugh, sometimes just by asking them out. (Bernadette laughs uncontrollably) Yeah? Well, I fake myorgasms.Scene: The apartment.Leonard (on phone): Yes, how much for a hundred long-stemmed red roses? Really? How much for three?Penny: Hey.Leonard: Yeah, I'll call you back.Penny: Look, I know you were justtrying to help with your Star Wars thing. I didn't mean to call it idiotic.Leonard: Well, I don't think you called it idiotic.Penny: Oh. Sorry, I meant to. Anyway, um, I was just upset with myself. I wasn't mad at you. I justfeel like everything is falling apart.Leonard: Come on. It's okay.Penny: No, it's not okay. Look at me, okay? I took a temp job as a waitress forever ago, and I'm still doing it. I can't quit, because guess what? I can't doanything else. And I finally get my big break, and it goes away. I'm such a mess.Leonard: No, you're not.Penny: Really? 'Cause this morning at Starbucks, a pair of old underwear fell out of my pant leg. And it wasn'tthe only one in there.Leonard: Okay, listen to me, this is just a minor setback.Penny: No, it's not, okay? I've been out here for, like, ten years. I've nothing to show for it.Leonard: Well, you have me.Penny: You're right.I do have you. Mm. Let's get married.Leonard: What?Penny: Ooh. Leonard Hofstadter, will you marry me?Leonard: Um...Penny: Did you seriously just say um?Leonard: Look, you know I love you but, but you're, you'redrunk and sad and feeling lost.Penny: Okay, so, so you don't want to marry me?Leonard: That is not what I said.Penny: No, forget it. I take it back. Offer's off the table.Sheldon: Who's in the mood to laugh?Leonard:Really not a good time.Sheldon: But I used science to construct the perfect joke.Penny: I'm gonna go.Leonard: Penny, don't.Penny: No, no, I just need to be alone.Sheldon: So, a sandwich, a rabbi and yo mama walkinto a bar. Where are you going?Leonard: To my room.Sheldon: Should I follow you?Leonard: No.Sheldon: Leonard, wait.Leonard: What?Sheldon: I forgot to tell you the sandwich is promiscuous.Scene: Themall.Stuart: How about those guys on that bench over there? They look pathetic. I bet we could talk to them.Raj: That's a mirror.Stuart: Oh, yeah.Security Guard: Hey, fellas, mall's closing.Raj: Sorry.Security Guard:Yeah. Good night.Raj: Uh, excuse me.Security Guard: Yeah?Raj: Uh, do, do you like being a mall security guard?Security Guard: It's all right.Raj: Okay, nice talking to you.Stuart: Smooth.Scene: Theapartment.Sheldon: Can't sleep?Leonard: No.Sheldon: Would you like to talk about it?Leonard: Penny proposed, and I didn't say yes.Sheldon: Why not?Leonard: That's a good question.Sheldon: Does that mean therelationship is over?Leonard: I don't know.Sheldon: Why don't you ask her?Leonard: Because I'm afraid to know the answer.Sheldon: Well, I'm sorry.Leonard: That's it? You're not gonna make some dumb joke or someinappropriate comment?Sheldon: No. You're my friend, and, I'm sorry.Leonard: Did you just put a kick me sign on my back?Sheldon: No. That wouldn't be funny at all.Scene: Howard and Bernadette'sbedroom.Howard: Star Wars audition, take one, starring Howard Joel Wolowitz, real-life astronaut. Vader is here, now, on this moon. I felt his presence. He's come for me. He can feel when I'm near...Bernadette: Howmany times do I have to tell you to replace the toilet paper when it's empty?Howard: I'm in the middle of something.Bernadette: So am I."}
+{"doc_id":"doc_248","qid":"","text":"Angel: \"Previously on Angel\"Wesley: \"Angel's son is part of the prophecy. Everyone and everything will be coming for him.\" Fred is holding Connor.Wes: \"Adorable.\"Gunn: \"So sweet.\"Wes: \"I meant the baby.\"Gunn: \"Imeant the hot mama.\"Wesley: \"She is a rather extraordinary young woman.\" Gunn and Fred kiss. Wes' face reflected in the polished metal as he sees them.Lorne: \"We got a little term back in Pylea -kyrumption...\"Angel: \"I know it.\"Pylean Priest: \"Everyone is very anxious for her majesty to com-shuck with the Groosalug.\"Gunn: \"Sounds dirty if you ask me.\" Cordy runs across the dungeon to hug Groo.Cordy:\"That's not terrible, that's wonderful!\"Groo: \"Your visions shall pass to me.\"Cordy: \"I can't give up my visions!\" Cordy lounges in Angel's doorway, dressed up for the ballet.Lorne: \"Cordelia?\"Angel: \"What abouther?\"Lorne: \"You got to let her know what's brewing inside, because you don't wanna miss that shot!\" Possessed by the mystical energy in the ballerina's dressing room, Angel and Cordy go at it.Angel: \"You've becomea truly extraordinary woman. I think that we...\"Cordy: \"Groo?\"Angel: \"Yes! We grew - closer together and I think...\" Cordy runs past him.Cordy: \"Groo!\"Groo: \"Princess!\" They hug.Cordy: \"Oh god, I can't believeit!\"Lorne to Angel: \"He just showed up\" Fred (voice-over as Angel goes to check on Connor): \"I thought for sure she was meant to be with Angel. I guess you never can predict those things.\" Angel is leaning on Connor'scrib, looking down at his son. Lorne comes up beside him.Angel: \"It's strange.\"Lorne: \"Hmm.\"Angel: \"I remember him being taller.\"Lorne: \"A trick of the light. They don't actually get smaller until they're very, veryold.\"Angel: \"I didn't mean the baby.\"Lorne: \"I know you didn't.\"Angel: \"I meant the Groosalug.\"Lorne: \"I know you did.\"Angel: \"Did he seem, ah, - I don't know - short?\"Lorne: \"Oh, absolutely. Clearly the guy shrank -all over, probably. (Lorne helps Angel out of his tux jacket) Why, he's nothing but a muscley midget. I'm sure once Cordelia gets him home, she'll just pop him into a smallish drawer, and that will be that.\"Angel,adjusting his cuffs: \"She took him home. Well - well, that's good. At least we won't have to put him up here. The place was starting to turn into a hotel.\"Lorne: \"So - so you don't have a problem with that then?\"Angel:\"Of course not. Why would I?\" Lorne sniffs Angel's tux jacket.Lorne: \"Oh, I don't know. Maybe because I don't remember you wearing this perfume when you left this evening?\" Angel takes the jacket from him.Angel:\"Okay. There may have been some magic.\"Lorne: \"There. You see?\"Angel: \"Actual *magic,* Lorne. Whatever happened, it was a spell. It's worn off now. There's nothing between Cordelia and me.\"Lorne: \"Sure there is.And it got arms like steel cables and a deeply ironic sense of timing.\" Angel goes to hang his jacket into a closet.Angel: \"You know, it's good that the Groosalug showed up when he did. You were right. Cordelia deservesa champion, and now she's got one.\"Lorne: \"Well, what about you?\"Angel: \"I'm fine. I've been a solo-act most of my two hundred fourty plus years. And when I wasn't? Never turned out well. I like being alone.\" Thecamera frames Angel and Lorne from inside the closet as Angel hangs up the jacket.Lorne: \"Fine, Ms. Garbo. Have it your way. Be alone.\" The closet door closes, and the screen goes dark - only to show us Angel againas he opens the door again a moment later. Angel reaches in, takes out the jacket on its hanger and sniffs at it for just a moment before hanging it back up and closing the door as he turns away. The camera looks outof another closet, this time at Cordy changing out of her evening dress.Cordy: \"So, ahem, you got deposed, huh?\" Groo, pacing in her living room: \"Yes.\"Cordy: \"Huh. That sucks.\"Groo: \"The people turned againstme.\"Cordy: \"Yeah, well, they'll do that.\"Groo: \"Endless committees were formed. Committees splintered into factions, the factions into coalitions, the coalitions turned into subcommittees, until finally the more radicalelement, spurred by a charismatic leader, did the dance of revolution.\" Cordy comes out of her bedroom, wearing a red sweater and jeans.Cordy: \"And here you are.\"Groo: \"Yes.\"Cordy: \"So - you don't miss it? Youknow, the power, castle, concubines, and the royal chippies.\"Groo: \"There was never anyone else.\"Cordy: \"Oh.\"Groo: \"I welcomed the overthrow. The tedium of government was too much to bear after a life on thebattlefield.\" Cordy, running a finger down the side of Groo's face: \"Your heart wasn't really in it.\"Groo: \"No. That left when you did.\" Groo slowly leans forward and they kiss. The camera circles around them and as wecome back to see the Groosalug's face he has suddenly turned into an ugly, spiny, black monster. Cordy pulls back, staring at him. Groo's voice coming from the monster: \"Princess?\" Cordy takes a step back.Groo,looking like himself again: \"Is something wrong?\" Intro Angel comes down the stairs into the lobby, carrying Connor. Wesley is moving about behind the reception counter.Angel: \"Hey.\"Wes: \"Morning.\"Angel: \"You, ah,you're the only one here?\"Wes: \"So far. - How's young Connor today?\"Angel: \"He's good. Cordelia, she's - usually in by now, isn't she?\"Wes: \"It's early. I imagine she and Groosalug where up late. They have a lot ofcatching up to do.\"Angel: \"Right. Ah. 'They.'\" Angel goes to put Connor down in a bassinet in Wes' office. Wes follows him.Wes: \"Actually, I was hoping you and I could talk before the others got here.\"Angel: \"Sure.What is it?\"Wes: \"Well - it's the fact of him. I know his sudden arrival was something we all needed a moment to digest. - Still, there are questions.\"Angel: \"You're suspicious.\"Wes: \"'Cautious' might be a betterword.\"Angel: \"You think he's evil.\"Wes: \"Evil?\"Angel: \"Okay, maybe not evil, but - he's definitely hiding something. Does he seem shorter to you?\" Wes glances down into the bassinet.Wes: \"We are both talking aboutConnor, aren't we?\"Angel: \"What about Connor.\"Wes: \"He shouldn't exist.\"Angel: \"His birth was foretold. How many people can say that?\"Wes: \"He has a role to play, that's true, but we still don't know what that role is.- Angel, we can't be afraid to ask the questions, because your enemies, *his* enemies, certainly won't be.\"Angel: \"You're right. We should be prepared.\"Wes: \"I'm glad you agree. However, with the loss of the NyazianProphecies, we'll probably have to look elsewhere for our answers.\"Angel: \"Well, we both know where those prophecies went. Maybe it's time to make another assault on Wolfram and Hart.\"Wes: \"That might not benecessary. Not yet, anyway. There should be other sources. Ancient works accumulate scholarship, commentary over the years.\"Angel: \"Huh. You think somebody else has already done the work for us.\"Wes: \"That'smy hope. I've been looking into it. I just... I felt you should know.\"Angel: \"I wanna be involved, completely.\"Cordy: \"Involved with who?\" Angel spins around to see Cordy put some stuff down on the reception counter,and walks out of Wes' office.Angel: \"You're here. And...(Sees Groo standing in front of the weapons cabinet, trying out one of the swords) ... so is he.\"Groo: \"Angel. Your weapons are most impressive.\"Angel: \"Thanks.Thank you. (Grabs a hold of Cordy's arm, never taking his eyes off Groo) Can you, uh, ask him not to handle my weapons?\"Cordy: \"Oh, relax. If there's one thing Groo knows, it's how to handle a weapon. - Poor guy.Looks like that's about all he's gonna be handling.\"Angel: \"You mean, ah, you two didn't...\"Cordy: \"I got him home last night and we started... you know. - But then - I couldn't go through with it.\"Angel: \"Youcouldn't?\"Cordy: \"No. Not after seeing that disgusting, spiny thing!\" Angel throws a look at Groo before following Cordy into Wes' office.Angel: \"Spiny?\"Cordy: \"Right up in my face! That's what the visions are like now.No pain, less artsy, sometimes floaty, though not lately, and very often stinky.\"Wes: \"You had a vision?\"Cordy: \"Yeah. Big as life (Shows them a sketch she drew of the monster) last night, while Groo and I were gettingreacquainted. Kind of a mood killer, I got to say.\"Wes: \"You should have called one of us.\"Cordy: \"Oh, please! Like I'm gonna bother you guys in the middle of the night because I want s*x and can't have it.\"Wes:\"Actually, I meant the vision.\"Cordy: \"Oh. That. Well, it's not rising up until sometime later today.\"Wes: \"Oh. Why can't you have s*x?\"Cordy: \"I could lose my 'visionity.'\"Wes: \"If you wanna play it that way.\"Cordy:\"*Vision*-ity! The visions. When that one hit my last night, it hit me. In Pylea the visions were supposed to pass to Groo if we ever did the royal com-shuck. How do I know that won't happen here?\"Angel: \"Good point.You really don't.\"Wes: \"But your recent transformation could have changed all that. It might be possible to...\" Angel kicks the side of Wes' desk as he moves his foot.Angel: \"Still, you know, better safe than sorry. (ToCordy) You're doing the right thing.\"Cordy: \"I know. I know. I can't risk it. It's just - I'm so... (Looks out of the office to where Groo is still swinging that sword) And he's such a... Rrrr.. (Turns to smile at Wes and Angel)Don't you think?\" Angel and Wes both look down.Angel: \"Yeah, sure.\"Wes: \"Certainly.\"Cordy: \"I mean, there's gotta be other things we can do to relieve the tension!\"Angel: \"Jogging could be the thing.\"Wes: \"Perhapssome form of paranormal prophylactic...\"Angel: \"Because, you know, jogging...\"Cordy, still watching Groo: \"I guess we could probably 'com' without actually 'shucking.'\"Angel: \"Well, I don't know. That could be aslippery slope that once you're on, that you could - slide.\"Cordy: \"At least I won't be upsetting the average around here. Nobody in *this* office is ever gonna get any.\" Gunn is sitting across from Fred in a diner,watching her eat.Gunn: \"It's funny.\"Fred: \"The way I chew?\"Gunn: \"No. Until that kiss last night, I would have thought you and Wesley had a thing for each other.\"Fred: \"Wesley?\"Gunn: \"Yeah.\"Fred: \"No, we're justgood friends.\"Gunn: \"You want another order of those?\"Fred: \"Yes, please.\" Fred puts a hand on Gunn's wrist as he looks around for a waitress.Fred: \"Oh. No. No, I'm not hungry.\"Gunn: \"You sure? I love watching youeat.\"Fred: \"Wow. (They both look down, fidgeting and smiling) - We should probably go. People might start to talk.\"Gunn laughs: \"Why would they?\"Fred: \"Well, you know, us.\"Gunn: \"'Us' has been doing breakfast forweeks now. Everyone knows that.\"Fred: \"I know, but now that we've kissed, things are different. - I mean, they are, right?\"Gunn, smiling at her: \"Oh yeah.\"Fred: \"So - so you don't think they can tell?\"Gunn looksaround: \"From here?\"Fred laughs: \"I'm sorry. I'm being ridiculous, I know. It's just - I don't have a lot of experience in this area. I spent the last five years in a cave.\"Gunn: \"Yeah, I know what that's like.\"Fred: \"Howcould you?\"Gunn: \"Because now everything's so bright my eyes hurt.\" As they get lost in each other's eyes, the waitress drops the tab on the table.Waitress: \"Here you go.\"Fred: \"Thank you.\"Gunn: \"Thanks.\" They bothreach for it without losing eye contact, and their hands touch.Fred looks down: \"How are we gonna work this?\"Gunn: \"Like we always do. We split it.\"Fred: \"But you hardly ordered anything. I'd be getting so much morevalue.\"Gunn, smiling: \"I think I'm making out okay.\" They lean across the table to kiss when their beepers go off. They both fumble for them and look at the number.Both: \"Wesley.\"Wes: \"We've identified the demonfrom Cordelia's vision as a Senih'd. (Hands Gunn an open book) We believe it will rise in the mid-city area sometime before nightfall.\" Gunn looks at the illustration, then hands the book over to Fred, sitting beside him.Wes notices their smiles as their hands linger during the hand-off.Wes: \"The Senih'd manifests in its physical form for one purpose only - to feed.\" Fred hands the book to Cordy.Cordy: \"Seen it.\" Cordy passes the bookto Groo, standing beside her.Wes: \"Immediately upon rising it will go to ground to search for a victim. We've got to make sure it doesn't find one.\" Angel comes to look at the book as Groo is holding it. He glances atGroo. Lifts up on his toes for a moment, then drops back down.Wes: \"Angel will take the sewer tunnels. The rest of us will go by car to Sorensen Park. We'll enter the underground from the water treatment plant there,double back. Hopefully by the time we meet up again...\"Groo: \"I know this creature. It resembles the Bleaucha, which nest in the scum pits of Ur. I've slain many.\"Wes: \"Really?\"Groo: \"Tracking it will be simple. Killingit, more difficult.\"Angel: \"Well, yeah.\"Wes: \"Alright then. Groo, you go with Angel. Lets move out.\" Everyone starts to leave as Angel stares at Wes, turns to look after Groo, then turns back to Wesley.Angel: \"I don'tthink that's such a good idea, me and him. You know, I'm more of a loner. Plus, he's so - bulky. He could really slow me down!\"Wes: \"He's an experienced warrior. He should be a great asset.\" Angel looks over to wherethe others arm up in front of the weapons cabinet. Sees Cordy hand Groo a sword.Cordy: \"Here's a nice one.\"Angel: \"That's my favorite broadsword!\"Wes: \"You'll be fine, Angel.\" Wes pats Angel on the shoulder andwalks past him.Cordy to Groo: \"Are you sure you're gonna be warm enough? The sewers are pretty damp.\"Groo: \"I shall be fine.\"Cordy: \"Okay. (Hands Angel a weapon without taking her eyes of Groo) Here.\" Angelturns the ax in his hand, looking at the small head on it. Looks at Cordy, only to see her kiss Groo's cheek.Angel, turning away: \"Lets go.\" Angel and Groo walk off together.Groo: \"I shall present this beast's head to myprincess as a token.\"Angel: \"Right. 'cause she'll love that.\" Angel and Groo are walking along some dark sewer tunnels.Angel: \"You sense anything?\"Groo: \"A deep sadness.\" Angel stops and turns to look back atGroo.Groo: \"My princess. She is unhappy. I fear I am the cause.\"Angel: \"No. No, she's not unhappy you're here, Groo. She's - thrilled.\" They walk on.Groo: \"Then what keeps her from me? There is a distance - as if herheart is not free.\"Angel: \"I-I think, that maybe she's afraid to get too close. - She's, ah, scared if she does, she'll, ah, lose something.\"Groo: \"But I would give myself to her.\" We hear a low growling sound. Angel holdsup a hand to stop Groo, then takes a couple steps forward and crouches down. Angel touches some liquid spots on the ground, then rubs his fingers together, looking at them.Groo: \"It is wounded. It bleeds.\"Angel: \"It'sbetter than bread crumbs. Lets go.\" Angel and Groo enter what looks like the water treatment plant Wes was talking about. The Senih'd drops off of some pipes behind them. Angel and Groo turn and attack the demontogether. The Senih'd manages to disarm both of them fairly early into the fight, but neither Angel nor Groo let that slow them down. Angel is taking a bit more of a beating than Groo, but other than that they're doingabout the same against the monster. Until it lets out a scream and breaks through the wall to escape into the sunny park outside. Angel scrambles back out of the sunlight streaming in through the opening. Groo picksup his dropped sword, then holds out a hand to help Angel up.Groo: \"Come.\" Angel just looks at Groo, not moving. Screams sound from outside, and Groo turns to run after the Senih'd. Angel slowly gets up andwatches as Groo goes to rescue the young woman the Senih'd has grabbed. The demon tries to use the woman as a shield against Groo's sword, but Groo manages to knock them apart. Cordy, Wes, Gunn, and Fredcome running over a rise in the park, just in time to see Groo catch the woman in one arm, while knocking the Senih'd down and stabbing it deep into the back of its neck. The demon dissolves into an oily black puddlethat seeps away into the ground. Angel watches the rescued woman cling to Groo.Wes: \"Well, done.\" Angel watches as Cordy throws her arms around Groo, a big smile on her face.Wes: \"I must say, excellent work.\"The people in the park gather around them, applauding. Wes reaches out to pat Groo on the shoulder.Wes: \"Well done.\" Wes turns and looks towards the hole in the side of the building. He sees Angel standing in theshadows of it, watching them. BreakMs. Frakes voice over: \"You think you know someone. You think your place is secure and that there's a future there.\" Angel is sitting across from Ms Frakes behind Wes' desk,watching Groo as he reenacts his fight with the demon for Cordy, Gunn and Fred.Ms. Frakes: \"And then something happens. No, strike that. Some *one* happens! (Angel watches Groo drop down beside Cordy, catchingher in a hug) They insinuate themselves, pushing you out, taking your place.\" Angel turns his attention back to Ms Frakes.Angel: \"And what makes you think this other woman is a witch, Ms - Frakes?\"Ms. Frakes: \"Whyelse would Jerry cheat on me? We've been engaged for eight years! She had to have put some kind of a spell on him.\" Wes is talking on the phone, while also watching the group out in the lobby.Wes: \"I'm looking forthe original Greek if it's at all possible.\" Watching as Fred is laughing at Groo's antics, Wes slowly moves backward until the wall beside him hides Gunn, sitting beside Fred, from his view - leaving only Fred and Cordy inhis sights.Wes: \"You do? Excellent. Ah, can I get a quote on that?\" Angel leans back in his chair.Angel: \"Well, if you give me the woman's name I'll have someone check her out. See if we can find out if she's a -witch.\"Ms Frakes: \"HotBlonde37159 (She hands Angel some papers) I got these off the e-mails that I took from Jerry's computer.\"Angel: \"It's, ah, gonna... (glances us as Wes walks into the office) uh, it's gonna bepretty difficult to find her based solely on this.\"Ms Frakes: \"Well, just follow Jerry! I'm sure he'll lead you right to her.\"Angel looks up at Wes: \"Ms Frakes here wants us to stake out her fiancé. I was trying to explain toher that...\"Wes: \"I think we can spare someone to keep an eye on Ms Frakes' fiancé. Gunn! (Gunn gets up from the settee) If witchcraft is involved we should probably look into it.\"Gunn: \"What's up?\"Wes: \"Ah, Gunn,Ms Frakes here needs some surveillance work. I thought, if you were free...\"Gunn: \"Yeah, not a problem.\"Wes: \"Good. (Takes the papers from Angel and hands them to Gunn) She'll give you the details. I'll leave it inyour hands.\" Wes takes the printed up e-mails form Angel and hands them to Gunn.Gunn: \"Sure thing.\" Fred smiles at Wes as she comes into the office.Fred: \"We won't let you down.\" Angel and Wes are entering therare books shop.Angel: \"I don't know. Maybe they should just do it, you know? Get it over with.\"Wes: \"I'm sorry?\"Angel: \"Cordy and Groo. She's being all noble for the good of the team. She should just make it with thecom-shuck. That's what she wants.\"Wes: \"Oh.\"Proprietor: \"May I help you?\"Wes: \"Yes. I phoned earlier about Grammaticus Third Century Greek Commentaries.\"Proprietor: \"Of course. The G.T.C.G.C. I'll be just onemoment.\"Wes: \"Thank you.\"Angel: \"I mean, why not? You know, life is short. Okay, not mine, but, you know, most people's. And if Groo does it for her, she should go for it. (Walks over to a shelf to flip through somebooks) Make him happy. Make her happy. (Almost inaudible) Make everybody happy.\"Wes: \"But still - office romance - complicates things. What if they should have a row, or break up?\"Angel: \"All of us fight with eachother at some point. It's not like anybody else is having a romance. I don't see it changing things much.\"Wes: \"Well - (leans closer to Angel and drops his voice after a glance around) she said it herself. It could risk thevisions.\"Angel: \"Okay. So the visions pass to Groo. He gets them instead of her. So what?\"Wes: \"Are you suggesting Groosalug could replace Cordelia?\"Angel, still browsing the books: \"Maybe not Cordelia.\"Wes: \"I see.- You think he could replace you.\" Angel slowly puts the book he's holding back on the shelf and turns to face Wes.Angel: \"I don't know. Seems to me, here is a guy who can do everything I can - and a few things Ican't.\"Wes: \"That's not true.\"Angel: \"You saw what happened this afternoon. If Groo hadn't been there...\"Wes: \"Then the rest of us would have. - Angel, - you're the reason we've all come together. It's your missionwhich animates us. We each contribute, it's true, but you - you're unique. (Indicates the shelves) You're like one of these rare volumes. One of a kind.\" Angel smiles ever so slightly. The proprietor walks through inbetween them, carrying three old books.Proprietor: \"I've got three of them.\" Angel blinks, smile gone as his brows draw down for a moment. Groo is sitting in a chair in Wes' office with Cordy leaning down for akiss.Cordy, pulling back a little: \"Are you sure?\"Groo: \"I'm sure.\"Cordy: \"Good. Don't worry. I practiced plenty on Cousin Timmy when we were kids.\" They smile at each other. Cordy takes a step over towards the desk,then turns back.Cordy: \"Oh, wait. It's not like your strength is in your hair, or anything like that, right?\"Groo: \"No. I - believe it is in my muscles.\"Cordy laughs: \"Okay. So, we lose the \"Battlefield Earth\" hair, and get"}
+{"doc_id":"doc_249","qid":"","text":"Open on three cheerleaders running in a busy High School car park as Veronica drives in, parks up and heads towards a crowd in front of the school.VERONICA VOICEOVER: This is my school. If you go here, yourparents are either millionaires or your parents work for millionaires. Neptune, California. A town without a middle class. If you're in the second group, you get a job. Fast food, movie theatres, mini-marts. Or you couldbe me. My after-school job means tailing philandering spouses or investigating false injury claims. The crowd is gathered around, staring at something ahead.MALE VOICE IN THE CROWD: Who'd that guy rat out? Thefocus of the crowd's attention is a young black man, taped to a flagpole. He is naked, although his dignity is preserved by the tape and 'Snich' is painted in large letters across his chest. We will subsequently learn hisname is Wallace.BOY IN THE CROWD: The bikers.GIRL IN CROWD: Why doesn't somebody cut him down?ANOTHER BOY IN THE CROWD: [Sarcastically] Yeah! I'll do it. I wanna be the guy up there tomorrow!No one ishelping him and one particularly obnoxious individual approaches him with a camera, taking a photograph of himself with the humiliated captive.JERK: All right, say cheese. Smile. Veronica is unimpressed with thepassivity of the crowd or the jerk and approaches them.VERONICA: [To the jerk] Move.JERK: Who died and made you the quee-His posturing is cut off by Veronica's production of a small knife and he leaves as Veronicastarts to slice through the tape around the boy's lower body.JERK: [Exiting] You ARE a freak.VERONICA: [To the lad, as she cuts him down] You're new here, huh. Welcome to Neptune High.School bell rings.VERONICA:[In mock enthusiasm to the quickly dispersing crowd] Go Pirates! Overhead shot of event cuts to the front of a class room in session. As the teacher (who in the future we will learn is Mrs Murphy) walks forward, thestudents are exposed, including Veronica, whose head is on the desk and who looks to be asleep.MRS MURPHY: This is advanced placement. We expect more. It's called 'An Essay on Man' but what Pope's really talkingabout is faith. Right? Anybody? Did anybody complete the reading? Veronica? Veronica Mars! Veronica's head comes up. She wipes her eye, waking up.VERONICA: Um-humMRS MURPHY: Congratulations, you're myvolunteer. Pope. An Essay on Man. Epistle I.VERONICA: \"Hope springs eternal in the human breast; Man never Is, but always To be blest: The soul, uneasy and confin'd from home, Rests and expatiates in a life tocome.\"MRS MURPHY: And what do you suppose Pope meant by that?VERONICA: Life's a bitch until you die. [The class titters.]MRS MURPHY: OK, thank you Ms Mars for that succinct and somewhat inappropriateresponse.Veronica returns her head to the desk as the teacher carries on.MRS MURPHY: I think what Pope's saying is that the thing that keeps us powering through life's defeats is our faith in a better life yet tocome.Cut to Veronica coming from around the corner to an empty school hall with successive sets of lockers on the side between classroom doors.VERONICA VOICEOVER: Random locker searches. It's the latest tacticthe administration has adopted in their losing war on drugs except the searches aren't really random. In front of Veronica are a tall, besuited man and a deputy who holds the leash of a German Shepherd. We willsubsequently learn that the deputy's name is Sacks.VERONICA VOICEOVER: I know when they're gonna to happen before Vice Principal Clemmons does.DEPUTY SACKS: Veronica Mars, this should be good.CLEMMONS:Veronica, would you please open your locker.As Veronica is turning the combination of her locker, the dog barks.VERONICA: [To the dog] Buster. The dog gives a little whine and obeys her. The surprised deputy looksdown at the dog. Veronica opens her locker. It is completely empty save for a picture on the back of the door. It is a picture of Vice Principal Clemmons framed in a heart.VERONICA: [With feigned embarrassment]Wow. This is a little embarrassing.Cut to an unappetizing dinner tray of meatloaf, gravy and mixed peas and corn. Veronica stabs at it unenthusiastically as the camera pulls back to reveal her in an outside eating areain the school, sitting alone at one of the tables. People fast motion around her until it rests on a table across from her. There are a number of students there, taking delivery of pizzas.VERONICA VOICEOVER: I used tosit there. At that table. It's not like my family met the minimum net worth requirement. My dad didn't own his own airline like John Enbom's [paying for the pizzas with a gold card] or serve as ambassador to Belgiumlike Shelley Pomeroy's but my dad used to be the sheriff and that had a certain cachet. Another boy approaches the pizza table.VERONICA VOICEOVER: Let's be honest, though. The only reason I was allowed past thevelvet ropes was Duncan Kane. Son of software billionaire, Jake Kane, he used to be my boyfriend. Flashback to a long haired Veronica and Duncan walking down the school hallway. Duncan's arm is around Veronica'sshoulders and they kiss as they walk.VERONICA VOICEOVER: Then one day, with no warning, he ended things. Veronica, still with long hair, closes her locker and turns, smiling, to see Duncan walking past, another boywhispering in his ear. Duncan cuts her dead. Cut back to the present as Veronica continues to stare at Duncan. The whispering boy from the flashback is there and notices.VERONICA VOICEOVER: And let's not forgetLogan Echolls. His dad makes twenty million a picture. You probably own his action figure. Logan sits on Duncan's knee and starts rubbing his chest in a faux-lecherous manner. Duncan pushes him off. Logan laughs,sits down and points mockingly at Veronica.VERONICA VOICEOVER: Every school has an obligatory psychotic jackass. He's ours. Veronica is so intent on out-staring Logan that she doesn't notice that Wallace has joinedher table.WALLACE: You okay.VERONICA: What?WALLACE: You look, I don't know, hypnotised.VERONICA: Did I say you could sit here?Looking fed up, Wallace puts his orange back in his lunch bag and stands,preparing to go.VERONICA: [Relenting] Wait a minute. Of course you can sit here. Sit wherever you want. He sits back down.WALLACE: That-that was cool, what you did, getting me off of that pole.VERONICA:WellFrom behind Veronica comes a head-shaven, tattooed biker. We will subsequently learn that this is Weevil.WEEVIL: [To Wallace] My bitch. Weren't you supposed to wait for me at the flagpole. I'm not sure I couldhave made that any clearer. Weevil plonks himself down next to Wallace, deliberately getting in his face. Wallace takes a deep breath and lets out an uncomfortable laugh.WALLACE: OK, I get it, a'right. Veryfunny.WEEVIL: Yeah.WALLACE: I guess we're even now. Right?WEEVIL: [Aggressively] You get what boy? You get that you're a dead man walking, is that what you get?VERONICA: Leave him alone.Weevil turns hisattention to Veronica and moves to stand over her.WEEVIL: Sister, the only time I care what a woman has to say is-is when she's riding my big old hog but even then it's not so much words just a bunch of oohs andaahs, you know?VERONICA: So it's big, huh?WEEVIL: [Indulgently] Legendary.VERONICA: Well let's see it. I mean if it's as big as you say, I'll by your girlfriend. We could go to prom together.Her refusal to beintimidated surprises and amuses him and he laughs as he looks around at his fellow bikers. One of them we will subsequently learn is called Felix.VERONICA: What? What seems to be the problem. I'm on a schedulehere, vato.FELIX: [Not so amused] Dude, Weevil. Don't let blondie talk to you like that!VERONICA: Sounds like your buddy here wants to see it too.FELIX: Ah, hell, I'll show you mine.Felix gets closer to Veronica andmakes to drop his pants. He is interrupted by the arrival of the Vice Principal.CLEMMONS: Felix Toombs. What on God's green earth is going on here? All right gentlemen, move it along. Veronica, why does trouble followyou around? Veronica smiles blandly as the bikers and the Vice Principal move on, leaving Veronica and Wallace alone again at their table.VERONICA: So what did you do?WALLACE: [Not comprehending]What?VERONICA: Why are you a dead man walking?Cut to a scene in a small convenience store where Wallace sits at checkout, reading a comic. Two bikers comes in and head to the chilled units at the back.WALLACE:[Offscreen] Oh yeah, I work at Sac-n-Pac. Last night I was working by myself. Couple of those guys came in. The Latin biker, who we will subsequently learn is named Hector, takes out a large beer bottle and hands itto the other who puts it in his coat as Hector does the same with another bottle.HECTOR: Oh man, happy birthday bro.ASIAN BIKER: Oh thanks man.The bikers continue to pocket the beer.WALLACE: [Offscreen] Theyjust walked right to the back of the store and started stuffing all these forties into their pockets. So I hit the silent alarm. Wallace can see the bikers head towards him on the surveillance screen at checkout. Hector picksup a small packet of gum and both head for the checkout. They lean in.HECTOR: [Reading the badge] Wallace. Hector carefully smoothes a dollar bill and slaps it on the counter.WALLACE: [Offscreen] I guess the dudethought a one dollar bill would cover it.HECTOR: Keep the change.They laugh and leave.WALLACE: [Offscreen] That's when the police came. Cut back to Veronica at the table.VERONICA: We don't have the police here.We have a sheriff's department. Cut back to the Sac-n-Pac flashback as the gum-chewing Sheriff walks in.SHERIFF: [Dismissively] You, come on. Wallace follows the Sheriff outside and is taken aback by the presence ofa whole gang of bikers, including Weevil and Felix, watching from their bikes.UNSEEN BIKER: What's up snitch?SHERIFF: Come here. They say they paid.The two bikers who took the beer are handcuffed and in thecustody of the deputy. Hector is grinning. Wallace is intimidated that this is going down in full view of the gang.SHERIFF: Well, did they?WALLACE: Yeah.HECTOR: Like I said. [Laughs]SHERIFF: [To the bikers] Shut up.[To Wallace] But you pressed the alarm anyway.WALLACE: It was an accident.The Sheriff stalks off in disgust, re-enters the store and retrieves the surveillance video. Wallace watches him as he comes backoutside.SHERIFF: [To the deputy] Sacks, get 'em outta here. Get 'em outta here. We got enough. Sacks grabs the shoplifting bikers and heads for the car. The Sheriff gets up close just behind Wallace's right shoulderand sniffs derisively.SHERIFF: You need to go see the wizard. Ask him for some guts.VERONICA: [Offscreen] \"Go see the wizard\", he said that.The scene returns to the lunch table.WALLACE: Yeah.VERONICA:Congratulations, sport. In your short time here, you've already managed to piss off the motorcycle gang and the local sheriff.Cut to a small L-shaped, two-storey apartment complex around a small pool. Music is playingfrom one of the apartments. Veronica enters through a small gate into the pool area. Her reverie is interrupted by a sound of from one of the open windows. It's Peter Yorn's \"Just Another\".SONG: You and I, we're twoof a kind I hate to say it but you'll never relate What makes you tick? It makes me smile. You said that I should get away from it all And bury my head in the sand if I want to I think you should thank me now You werelying wide awake in the garden Trying to get over your stardom And I could never see you depart us And you're my baby You're just another girl You're just another girl.She flashes back to the sound of a splash and thesight of Duncan Kane in a pool, pulling up to the side of it and staring up at her.DUNCAN: Hey baby, it's our song. From behind her, still within the blue-toned flashback, laughing sounds. About ten people aroundVeronica's age, including Logan Echolls, who has his arm around a girl we will come to know as Lilly, surround an older woman carrying a large birthday cake. Some have presents. We will learn the woman is Veronica'smother, Lianne.FRIENDS: Happy birthday VeronicaLIANNE: Happy birthday Veronica.LIANNE: Are you surprised?LIANNE/NEIGHBOUR: Veronica.VERONICA: Mom?Veronica is forced back to the present by asmoky-voiced black woman, loaded with two grocery bags, stopped at the small gate Veronica entered earlier.NEIGHBOUR: Veronica, it's me. Honey can you give me-can you give me a hand? Veronica glances back atthe pool then heads over. Cut to the inside of an apartment. The door opens and Veronica enters, greeted by a large brown and white pit bull.VERONICA: Hey, who's a big boy? Who's a big boy?Cut to a beach whereVeronica unleashes the dog and throws a ball for him.VERONICA: [On the dog returning the ball] Good boy. She spots Wallace on the beach with a model airplane. Wallace waves. She hesitates, then gives a small waveback, looking thoughtful. Cut to a street. Veronica pulls up in her car behind a red Jag convertible with the licence KANE 2.VERONICA VOICEOVER: I was shocked to discover Celeste Kane's car outside Dad's office.Duncan's mom. She hates me almost as much as she adores her son. Veronica enters the lower door for 'Mars Investigations' situated over a pawn shop. The main office area boasts a couch, a desk and some filingcabinets. There is a small kitchenette off the end and a door leading into another office, marked with the name 'Keith Mars'. Veronica heads straight for the closed door, attempting to eavesdrop. The main office doorbursts open and a man carrying a briefcase and file enters. He looks and will prove to be a slightly seedy lawyer, named Cliff McCormack.CLIFF: Veronica Mars.VERONICA: [Heading away from the closed door to thedesk] My dad's with a client.CLIFF: Apparently. That's okay, I'm happy out here chatting with you.Cliff heads for the desk and they both sit down.VERONICA: Like I said, my dad's with a client.CLIFF: I heard you butyour dad's out tracking down bail jumpers half the time and yet somehow all the cases that come in here still get handled. How is that?VERONICA: We're efficient.CLIFF: Very efficient. Um look, I'm just going to leavethis file here, open on your desk and if you decide to take a look at it, cool. One of my clients, Loretta Cancoon, dances at the Seventh Veil\u0000VERONICA: Classy.CLIFF: These are my people, V. She was busted forvandalism, taking a baseball bat to the washing machine that stole her quarters at Suds'n'DudsVERONICA: And Johnny Cochran was booked.CLIFF: [Smirking] I make no apologies. I like this case, it's tawdry. MissCancoon says the Seventh Veil has an interesting way of keeping their liquor licence [getting to his feet] despite their rather lax ID policy. [Heading for the exit] She wants to make a deal. If your dad has time, heshould look into it.Cliff leaves. The inner office door opens and a well dressed women enters the main office and turns straight for the exit.CELESTE: [Imperiously] Don't get the wrong idea Mr Mars. I don't like you.Following her out of the office is Keith Mars, listening impassively as she walks away. She turns and notices Veronica for the first time.CELESTE: [To Keith, although staring disdainfully at Veronica] I hate the fact thatI'm here [returning her attention to Keith] but I do know if anyone would be dogged and resourceful in this matter, it'll be you. Don't call me at home, I'll call you. And I'll need it right away. She casts anotherunpleasant look at Veronica then turns and marches out. Keith and Veronica look at each other.KEITH: [Quietly] Hi. He goes back into his office and closes the door. Veronica stares at the closed door for a moment thenmoves to the window to watch Celeste Kane get into her car and drive away.VERONICA VOICEOVER: Sure she's a bitch, but can you blame her. After all Dad did try to send her husband to jail for life.Cut to later. Keithand Veronica are in the main part of the office, sitting at the desk eating from plastic containers.KEITH: [Innocently] How's school?VERONICA: If you think we're going talk about my school day and not the fact thatCeleste Kane was in your office ten minutes ago, you're deluded.KEITH: Um-hm. You making good grades?VERONICA: Kane's got something on the side, doesn't he?KEITH: [On a forkful of macaroni cheese] You knowwhat? Say what you want about real cheese, I am a fan of the orange powder packet stuff.VERONICA: My grades are fine and I like the orange powder too but can we please talk about Mrs Kane.KEITH: [Giving in] Yes,she thinks he's seeing someone. Late nights, motel matches, the usual.VERONICA: Sexual appetite?KEITH: [Horrified then resigned to his daughter's understanding] Gone.VERONICA: Did you take the case?KEITH:Well, we need the money, VeronicaVERONICA: Good, I would have been pissed if you hadn't.KEITH: Well, I wouldn't have cared if you were. Give me some of that apple.The phone rings. Veronica grabs it.KEITH: Awdon't\u0000VERONICA: [Into the phone] Mars Investigations. Um-hm. Just a sec. [Hands over the phone, whispering] It's Andy.KEITH: Keith Mars. Yeah, how long ago. [Gesturing to Veronica for pen and paper] What's hedriving? I'll get the 7:30 out of San Diego and I'll meet you by the thing by the fountain. Good work. Thanks. [Ends call. To Veronica] Our guy's on the move. Andy picked him up in El Paso. Another day and he'llprobably try to cross the border so I gotta head out.VERONICA: You go. I'll have the flight booked by the time you get to the airport. Do you want a rental car in Texas?KEITH: Yeah, nothing fancy this time, Veronica.SeriouslyVERONICA: A Blazer is not fancy and we can bill it anyway. [Off his look] Fine, I'll get you a Crown Vic. Once a copKEITH: Don't do anything on the Kane case, I'll handle it.VERONICA: OKKEITH: Given ourrelationship with that family, I justVERONICA: Fine, I said okay.KEITH: OK. If all goes well, I'll be back tomorrow night. If not, the night after. I'll call and I'll check in.VERONICA: You always do.KEITH: AndVeronica.VERONICA: YesKEITH: [Holding her head gently] When you go after Jake Kane, you take backup.VERONICA: I always do.Keith snorts, kisses Veronica on the forehead and exits. Veronica sits back and finishesher sandwich.VERONICA VOICEOVER: By the time Dad's plane landed in El Paso, I'd already picked up Jake Kane at his house and followed him to his office.Cut to Veronica watching a person in a large brightly lit officefrom her car. It's dark and a man is leaving the office.VERONICA VOICEOVER: Streaming video was invented and perfected here at Kane Software. The day the company went public, Jake Kane made a billion dollars.Everyone who worked for him in fact, right down to the secretarial pool, became millionaires. He's beloved here. Half the people in this town owe their fortunes to him.Cut to flashback. It's a sponsored car wash. Playingover the scene in the background is Grandmaster Melle Mel with \"White Lines\" .SONG: (Ooh White Lines) Vision dreams of passion (Blowin? through my mind) and all the while I think of you (Pipe cries) a very strangereaction (For us to unwind) the more I see, the more I do (Something like a phenomenon) Baby!(Tellin your body to come along, but white lines blow away)Lilly is washing a car with a long haired Veronica.VERONICAVOICEOVER: And I knew the family well. Jake's son, Duncan, was my first and only love. His daughter Lilly was my best friend.VERONICA: [Teasing] God Lilly, I see the Prozac's working.LILLY: [Happily] High on life,Veronica Mars. I've got a secret, a good one.CAR WASH ORGANISER: Girls, less talk, more scrub.LILLY: Later.VERONICA VOICEOVER: Those were the last words Lilly and I ever shared.Cut to flashing lights on top of aSheriff's Department car. Keith, in Sheriff's uniform, heads into the Kane house while Veronica waits in the car. Duncan is sitting in the entrance, disconnected and rocking back and forth.VERONICA VOICEOVER: Laterthat night as I was driving home from picking up dinner with Dad, a call came in over the radio. All the dispatcher said was that there was a disturbance at the Kane estate. [Exiting the car] Dad gave me specificinstructions to stay in the car but the moment I saw Duncan, I knew that this was more than a disturbance.VERONICA: [Kneeling before Duncan] What happened? Duncan, what happened?Duncan is completelyunresponsive. Veronica looks around and then back at Duncan.VERONICA: Where's Lilly? Duncan reacts by looking distressed. Cut to Keith as he approaches the body of Lilly Kane, lying by a pool. Keith is saddened.Jake Kane, a sobbing Celeste Kane and a deputy, the man who subsequently replaces Keith as Sheriff, stand in the background.VERONICA VOICEOVER: But everyone knows this story. The murder of Lilly Kane. It wason the cover of People magazine. It made 'Entertainment Tonight'. The town flooded with journalists. Cut back to flashback Veronica and Duncan.VERONICA: Duncan, talk to me, please. Veronica gives up with Duncan"}
+{"doc_id":"doc_250","qid":"","text":"Act 1 Scene 1 - Cafe NervosaFade in. Niles is sitting at a table, Frasier is ordering at the counter.Frasier: Cranberry muffin, please. And, uh... a vanilla latte.Niles: Oh, dear, comfort food. What happened?Frasiersits.Frasier: Niles? Do you think I'm elitist?Niles: Of course I do. You needn't worry about that.Frasier: No, not in the good way. At work today, I discovered an injurious graffito about me. Scrawled on the men's roomwall.Niles: No.Frasier pulls a piece of toilet paper from his pocket to read from.Frasier: Yes. Quote: There once was a man, Frasier Crane, Who says he can feel your pain. But he acts like a snob, To the guys at his job,And I think he's totally lame.Niles: That's terrible! There's a tense shift, an approximate rhyme, the scansion leaves a lot to be desired...Frasier: Niles, you're missing the point! I have always striven to be approachable,the embodiment of the words \"If you can talk with crowds and keep your virtue...\"Niles: \"Or walk with kings, nor lose the common touch.\"Frasier: Exactly!The waiter brings Frasier's coffee and muffin.Frasier: Thankyou. If maligner truly knew who I was, he'd have found that a more apt characterization than \"snob.\"Niles: Assuming he's familiar with Kipling.They snicker.Frasier: What are the odds?Roz stops in the doorway to kissher boyfriend goodbye before he heads off.Frasier: Well, Roz. I'd ask you to join us, but I see you've already had happy hour. Well, here, please, join us.They rise and make room for her and they all sit.Frasier: So?Roz:Well, his name is Roger, and we've been kinda goin' out for the last couple of weeks.Frasier: All right, tell us about him.Roz: He's very sweet - and he's a garbage man, so go ahead and make your jokes.Frasier: Whatjokes? Why does everyone assume I look down on the common man?Niles: Oh, I've got a good one: So, even in his off time, he's taking out the trash.Roz laughs along with him.Frasier: Technically, that's really moreabout Roz. Now if I were to make a joke about him, which of course I wouldn't, I'd say he has a thing for Roz's can.Roz: You two finished?They nod as she gets up.Roz: And don't worry, I won't get dumped. She turnsand goes to the counter.Niles: I'd already passed on that.Frasier: Yes, it's a bit on the nose.They laugh. FADE OUT.HE KICKED SPASSKY'SBUTT IN REYKJAVIKScene 2 - Frasier's ApartmentFade in. Daphne and Martinare in the living room, going through boxes. Niles comes in the front door.Niles: Dad, Daphne.Daphne: Hey. [she holds up a photo] Look what your father found: a picture of you in a teddy bear costume.Niles: Why doyou have all this out?Martin: Well, I was makin' room in the storage closet and I found some of your old stuff.Niles: What else is in here?Martin: Well, here's your cap and your blazer from Bryce academy.Niles sits nextto Daphne.Daphne: Oh, I bet you were the cutest thing in that.Niles: Oh, well, here's a picture of me in it.Daphne: [a bit flat] Oh.Niles: [picking up a plaque] Oh, oh, oh, oh. Bobby Fisher's autograph.Martin: Well, son,it's been enough years, I can probably tell you the truth about that.Niles: [holding the plaque to his chest proudly] What?Martin: [covering] Oh, look! A picture of you in your first little league uniform. [wistfully] Don'tknow why I said \"first.\"Daphne: [taking it] Was that your game face?Niles: Oh, no, no. I'd just lost a tooth to an errant pitch.Martin: Tell her who was pitchin'.Niles: I was.Daphne puts her arm around him to comforthim and kisses his cheek.[SCENE_BREAK]Scene 3 - KACLFade in. Frasier is sitting at his desk, Roz comes in with a bouquet.Frasier: Flowers from your new beau?Roz: Yeah.She carries them over to her side.Frasier:Must be nice to be liked.Roz: [coming back] Are you still obsessing over that limerick?Frasier: People are making additions. Good lord, I've read anthologies with fewer contributing authors.Roz: I'm sure they'll all washright off.Frasier: If only there were a solvent that could remove the stains they've left on my spirit.Roz heads back to her side.Roz: It was a joke. What's the big deal?Frasier: [following] Oh, yes, I know. Being writtenup on the bathroom wall is no big deal to you. But that limerick made a point, as all good limericks do. It seems to have resonated with everyone around here. I want these people to know the real Frasier Crane.Roz:Wouldn't it be better if you tried to make them like you?Frasier: Yes. And to that end I was thinking along the lines of... oh, say a little party. For the entire staff, at my place. Hey, you could bring Roger!Roz: Thanks.But I think it's a little too soon. I don't want to put any pressure on him.Frasier: Oh, come on, Roz. You're always saying you don't have a date for these things.Roz: There's gonna be a lotta radio talk, and I'm not surehe's gonna be that comfortable with this crowd.Frasier: Who is? Come on, Roz, I'd like to meet him.Roz: I don't know. Maybe next party.Frasier: Does this have anything to do with his occupation, you know, his being arefuse collector?Roz: No, I am completely comfortable with his job. I just don't want him to feel awkward around other people.Frasier: Okay.Roz: Not that he should. Or would.Frasier: Yes, all right, fine, fine. If youchange your mind, he's more than welcome. It promises to be a real wing-ding. If being a snob is the reputation I've built around here, then this party will be the wrecking ball of congeniality that tears it down.Roz:Yeah, say stuff like that.Getting her point, he smirks and heads back to his side. FADE OUT. Scene 4 - Roz's Apartment Fade in. Roger comes in the front, carrying Alice and roller blades.[N.B. The first appearance ofAshley Thomas as Alice May Doyle.]Roger: Say \"Come on, Mom.\"Alice: Come on, Mom.Roger: Say \"Don't be a wuss.\"Alice: Don't be a wuss.Roz comes in.Roz: I'm not a wuss. Roger puts Alice down and collapses nextto her.Roger: Ohh, I know you said you were gonna make dinner, but why not just open a can of something?Roz: How'd you think I was gonna make dinner? Alice, go pick out some PJs.Roger: [pulling a book from hisbackpack] When you're ready, I've got a special book for you. It's called \"Make Room for Monkeys.\" Now hurry up, get outta here, go on.Alice hurries off. Roz picks the book up and sits down.Roz: \"Make Room forMonkeys\"? Where did you find this? You know it's out of print.Roger: Yeah, well, a certain very bad skater told me it was her favorite book when she was growing up, so I kept my eyes open and I found it in a pile of oldbooks.Roz: [nervously] You mean like at the dump?Roger: No, not a dump! Please, it's a secret underground landfill accessible only to garbage men. And the Mole People who live there. I used to be one of them, butthen I decided to join the surface dwellers and find my queen.Roz kisses him and leans against him.Roz: Thank you. That's very thoughtful.Roger: And you will make an excellent Mole Queen. Of course, after a yearunderground, your eyes will fuse shut. Your sense of smell will stick around...Roz: Okay, stop, stop, stop. Do you joke around about your career because you're uncomfortable talking about it?Roger: You mean deeplyand utterly ashamed?Roz: Whatever, your words.Roger: I don't know, I've never really thought about it as a career. I mean, it's just a job to me. You know, it's got great benefits, and afternoons off and... when I havea family, I'll get to spend a lot of time with them. How sweet will that be?Roz: Would you like to go to a party with me on Saturday?Roger: I'd love to. I found a great pair of shoes this morning. They damn nearmatch.She slaps him playfully and leans back against him. FADE OUT. Scene 5 - Frasier's ApartmentFade in. The staff of KACL is at the party and Frasier is greeting newcomers at the door.Frasier: Good to see you, gladyou could come, make yourselves at home. Martin comes over.Martin: Hey, Fras, why don't you introduce me some of your friends?Frasier: I wish I could, Dad. I don't know any of these people myself.Martin: Youdon't? I better go hide my beer in the crisper.He heads to the kitchen as one of the employees walks up.Jason: Hey, Frasier, thanks for inviting me to your party.Frasier: Well, it's my pleasure... man.Jason: Did you seethe game today?Frasier: Actually, I did not.Jason: Aw, man, it was a real squeaker. U-Dub pulled it out at the end with a last minute field goal. It's all about special teams, am I right?Frasier: Ah, right. You know, I thinkthey prefer the term \"challenged.\"The employee looks confused as Frasier notices Roz at the door.Frasier: Roz, Roz! Come on in, Good to see you. And you must be Roger.Roger: Yeah.Frasier: Lovely to meetyou.Roger: Hey, Jason.Frasier: Right. Jason, this is Roger. Yeah, the ol' J-man here and I were just shootin' the breeze, ya know. This guy. Okay, so enjoy yourself there. [He turns to Roz as Jason heads away.] So, Rozum... Roger, do you suppose I could borrow Roz for just one minute?Roger: Yeah.Frasier: Thank you so much.He pulls Roz aside.Frasier: Roz, please, don't leave me alone here, I don't know any of these people'snames.Roz: Frasier, I can't leave Roger alone in a room full of nosey strangers.Frasier: Oh, look, look, he's already met Dad. He knows as many people as I do.Roz: I'm sorry. You're gonna have to find yourself anotherpatsy.She walks away.Frasier: Well where the hell am I supposed to find another... [noticing] ...Kenny!CUT TO: Roz as she walks by Martin's chair. Noel is sitting in it and gets up.Noel: Hey Roz! Lookin' su-weet!Roz:Hey, Noel.Noel: So, that's the competition? Or, are you just using him to make me jealous?Roz: Actually, I forgot you were gonna be here.Noel: I'll bet you regret bringing the arm candy now. So, uh, what's he do?Roz:He... works for the city.Noel: So, in a manner of speaking, I pay his salary. Which makes me his boss. Does that turn you on?Roz turns away with a very disturbed look. She goes up to Roger.Roz: Roger, would you likesomething to drink?Roger: Yeah, I'll come with you. Nice meeting you, Martin.They head for the drinks table and meet up with another worker, Cheryl.Cheryl: Hey, Roz.Roz: Hey, Cheryl.Cheryl: Introduce me to yourfriend.Roz: Roger, this is Cheryl.Roger: Hey, Cheryl, how you doing?Cheryl: Hi, nice to meet you. I think I know you from somewhere.Roger: Yeah? Maybe I work in your neighborhood.Cheryl: Oh, what do you do?Roz:What doesn't he do? He sends me flowers and gives me massages and he's just great.Cheryl: Really? You know she has a kid, right?Roz: Okay, Cheryl!Cheryl takes the hint and walks away.Roger: So, uh, why didn'tyou tell her what I do?Roz: And have her stalking you at work? I don't think so.CUT TO: Frasier talking to some guests, Dennis and Emily. Emily is a bit overweight. Kenny is behind him, whispering names.Dennis: Greatparty, Frasier.Frasier: Thanks. Glad you could come...Kenny: Dennis.Frasier: Dennis. You too...Kenny: Emily.Frasier: Emily. Say, when are you expecting?Kenny: NNNOOO!Frasier: ...this weather to change?CUT TO:Noel meeting up with Roger.Noel: Well, you're not the first rustler who's tried to cut my filly from the herd.Roger looks very confused.CUT TO: Frasier talking to Dennis and Emily.Frasier: So, did you guys happen to seethe game today?Dennis: No, I missed that. Who won?Martin walks up behind him.Frasier: Actually, it was a real squeaker. U-Dub pulled it out at the last second with a real clutch field goal. Say Dad, what's goin'on?Martin: I don't know.CUT TO: Kenny talking to Roger.Kenny: Yeah, the station manager's sort of the head honcho. You know, the go-to guy. You could replace virtually everybody at the station except for me. [henotices Roz behind him] And Roz! So, uh, what do you do?Roger: I'm a...Roz: Roger, could you please get me a sandwich?Roger: Yeah, okay.Kenny: So I take it handsome's not in the biz, huh? So, what's he do?Roz:What difference does it make Kenny? Why are people so obsessed with what you do? Every party you ever go to, all anyone ever asks you is \"What do you do?\" \"What do you do?\"Roger returns behind her.Roz: Youknow, not everyone has a job they're proud of, did you ever think of that? Why can't you ask him about music or sports or books, for God's sake. \"Have you read a good book, lately?\" Why don't you ask him thatinstead of embarrassing everybody.Roger: Here's your sandwich, Roz.Kenny: So, have you read any good books lately?Roger: No, actually, us garbage men don't have a lot of time to read books. We've gotta get uppretty early in the morning, so I guess I'd better get out of here. Bye, Roz.He heads for the door.Roger: Hey, Frasier, thanks a lot.Frasier: Right.Roger: It was really nice meeting everyone.He heads out.Frasier: [calling]Goodbye.Kenny: [whispering] Roger!Frasier: I know that.[SCENE_BREAK]End of Act 1[SCENE_BREAK]Act 2 Scene 1 - KACL Fade in. Roz is at her desk, Frasier in the hallway behind her.Dennis: Hey! Crane man!Frasier:Dennis, Lisa. Hi. Patty, lookin' good.He chuckles as he comes in and closes the door.Frasier: Kill me.Roz: What are you talking about? You're Mr. Popularity.Frasier: Yes. And it's a living hell. I have spent the entiremorning exchanging fake pleasantries with a bunch of people that I have absolutely nothing in common with. I miss being unapproachable.Roz: I thought you wanted to be loved by the common man.Frasier: Yes, butcouldn't they have sent just one representative?He heads for his side of the booth. Roz follows, but stops to stare out the window at a janitor emptying a waste basket.Frasier: Roz?Roz: I'm sorry. Ever since Roger and Ibroke up, I can't look at trash the same way.Frasier: Do you want to talk about it?Roz: No, it's okay. It's just so weird. You go through life meeting people who are all the same, you know. And they just think you're thesame, too. And then one day, you meet this guy, but he's not the same, because he actually sees that you're not the same. And he knows, because he's the same way.Frasier: Roz, sounds to me like you're in love.Roz:I can't be. I know this is shallow and I hate myself for it, but I can't be in love with a garbage man.Frasier: Well, then, you need to move on and realize that you've learned something about yourself.Roz: Great. Ilearned that I'm a snob.Frasier: No, no. Just that you have certain standards that it may be difficult for others to live up to. You know, Roz, it seems you and I are more alike than we thought.Roz: Okay, now I'm reallymiserable. Look at me, I'm a mess.Frasier: Well, tell you what, we've got a few minutes before the show starts, just go clean yourself up.Roz: Okay. Thanks.She heads out. Jason, Noel and another worker come in theother door.Jason: Hey, hey.Noel: Dr. Crane, what's goin' on?Frasier: Uh, my show, actually, in about two minutes. What can I do for you gentlemen?Jason: Sue invited us all over to watch the fight on pay perview.Frasier: Right. Well, as tempting as that sounds, I'm going to have to decline.Jason: Okay, we'll catch you next time.Frasier: Well, actually, you won't. Jason, Noel... you there. I've been living a lie. Let me tell youa little something about a few things I don't like: Boxing for one. Sporting events of any kind. Barbecues, office parties, buddy movies. Any dish made with marshmallows. Things that I DO like: the opera, thesymphony, Elizabethan revenge dramas et cetera. So, if you're not inclined toward any of these interests, well, then, our association can be civil at best. Are we all clear on this concept?They turn away.Noel: I toldyou.The three leave the booth, muttering. Frasier sits at his desk with a self-satisfied look. FADE OUT.Scene 2 - Frasier's ApartmentDaphne is going through some boxes again and Martin is reading the paper. Nilescomes in.Niles: Hey, what's going on?Daphne: I found another box of pictures from your childhood.Niles: Oh, no.Daphne: Oh, look at this one, you're adorable.Niles: Yes, it's all adorable. My retainer and themembership card to the young magician's club and that picture of me in my choo-choo jammies.Martin: Yeah, with your caboose hangin' out.Daphne: Adorable.Niles: Can we just give my childhood a rest for a while? Imean, how would you feel if I took your most humiliating moments and put them on display?Daphne: You know, I think I've got the perfect picture frame for this one.She heads off to her room, Niles sits on thecouch.Martin: So she puts a few pictures out, what's the big deal? There's a whole part of your life she missed out on.Niles: I guess.Martin: Besides, I like seein' your old stuff.He pulls a piece of paper from the coffeetable.Martin: Ah, no one around here draws pictures any more. What the hell is this supposed to be, anyway?Niles: [coming over to him] Oh! That is an Egyptian battle scene from \u0000Aida.\u0000 That's Radames and that'sthe jealous Amneris... Oh, I misspelled \"Amonasro.\" Oh, to be six again.Martin gets up and heads for the kitchen as Daphne returns carrying a box.Niles: Oh, what is that?Daphne: Some things from my childhood. Youasked how I'd feel if the shoe was on the other foot, go ahead, take a look.Niles pulls a drawing from the box.Niles: Okay. Ooh, well, that's a wonderful drawing of a... uh... turtle.Daphne: No, that's me Dad crawlinghome from the pub.Niles: Well why did you sign it \"Dappy\"?Daphne: Oh, me Mum did that. My family called me \"Dappy\" because I couldn't say \"Daphne.\"Niles: Really?Daphne: Yeah, I hated it. My brothers would sing\"Dappy, Dappy, wet her nappy.\"Niles: Well, I think it's precious... Dappy. I'm gonna call you that from now on... Dappy.Daphne: No you won't.Niles: Well, how about I call you \"Dappy\" until you put my mementos backin the box. How does that sound, Dappy?Daphne: Well, that's not fair.Niles: Oh, Dad. [Martin comes back in with a beer.] You'll never guess what silly nickname Daphne was called as a child.Martin: [heading for hisroom] Was it worse than \"Piles\"?Niles gets a defeated look on his face as Daphne smiles.Daphne: Well, that can't bring up fond memories.[SCENE_BREAK]Scene 3 - Roz's ApartmentFade in. Roz is working with acleaning lady, Alice is sitting on the couch reading \"Make Room for Monkeys.\" There is the sound of a truck outside.Alice: Roger's here. She gets up and runs for the door.Alice: Let's go see him.Roz: I don't think so,sweety.Alice: Why?Roz: Well, it's hard to explain.Alice: Why?Roz: It's complicated.Alice: Why?Roz goes over, picks up Alice and sits on the couch with her.Roz: Mommy works in an office and Roger works in a truck.And people in offices and people in trucks... it's complicated.Alice: I like Roger.Roz: I know, honey.Alice: Do you like Roger?Roz: Yes, but...She realizes.Roz: Yeah.Alice: Okay...Roz: Okay. Sarah, can you look afterAlice? I'll be right back.She sets Alice down and heads out the door.CUT TO: the outside of her apartment building.Roz: Roger! He's just climbing on his truck and turns to her.Roger: Hi.Roz: I'm so sorry that I've beensuch an idiot. I don't know what's wrong with me. All I know is that I miss you like crazy. Do you still have an opening for a Mole Queen?Roger: You sure?She climbs on the back of the truck and kisses him. The truckpulls down the alley to the next stop. Roger gets down to grab the cans, Roz helps him. FADE OUT.[SCENE_BREAK]Roz waves goodbye to Roger as the truck moves down the alley. It stops and Roger gets down to grabthe garbage. Roz keeps waving when he gets back on the truck."}
+{"doc_id":"doc_251","qid":"","text":"Recap of the first half of the seriesEXT. CORN FIELD, DAYBirds are singing and suddenly a Mini drives through the stalks.INT. MORRIS MINI, DAYAMY is holding what appears to be a map and gives directions toRORY.AMY: OK, left, sharp turn!EXT. CORN FIELD, DAYRORY turns and they cross a previous path.INT. MORRIS MINI, DAYAMY: OK, right! No, no, no I mean left. (turns the map around) No, sorry right, right! Idefinitely meant right.EXT. CORN FIELD, DAYRORY continues driving.INT. MORRIS MINI, DAYAMY: Now loop the loop!EXT. CORN FIELD, DAYRORY drives.INT. MORRIS MINI, DAYAMY: Stop! Stop!RORY slams on thebrakes.EXT. CORN FIELD, DAYAMY and RORY get out of the car to see the DOCTOR and the TARDIS in the middle of the crop circle they just made. The DOCTOR holds up the Leadworth paper with a headline that reads\"Leadworth's Crop Circle\".DOCTOR: Seriously?The camera pulls upwards and we get an aerial view of the field. The \"circle\" reads \"Doctor\".RORY: You never answer your phone. (closes car door)AMY: (walks to theDOCTOR) OK, you've had all summer. Have you found her? Have you found Melody?DOCTOR: (hands RORY the paper) Permission?RORY: Granted.DOCTOR: (hugs AMY) You know who she grows up to be, so you knowI WILL find her.AMY: (ends the hug) But you haven't yet?RORY: Hang on, what's this bit?The picture in the newspaper shows an extra line through the word.AMY: That wasn't us.The DOCTOR grabs the paper fromRORY and tries to locate where it would be. The DOCTOR stops and lowers the paper, AMY and RORY standing behind him, as they hear an engine and see a red Corvette coming straight at them. They scream and diveout of the way. The car stops, inches away from the TARDIS. A young black woman steps out of the car. AMY and RORY stand and the DOCTOR is lying on the ground at her feet.WOMAN: You said he was funny, younever said he was hot.RORY: Mels?AMY: What are you doing here?MELS: Following you, what do you think?The DOCTOR uses the car to stand up.RORY: Um, where did you get the car?MELS: It's mine...Police sirenswail in the distance.MELS: ..ish.AMY: Oh, Mels, not again?RORY: You can't keep doing this. You'll end up in prison.DOCTOR: Sorry, hello, Doctor not following this. Doctor very lost. You never said I was hot?!MELS:(points at the TARDIS) Is that the phone box! The bigger-on-the-inside phone box? (caresses the TARDIS) Time travel - that's just brilliant.The DOCTOR leans against the TARDIS next to MELS.MELS: Yeah, I've heard alot about you. I'm their best mate.DOCTOR: Then why don't I know you? I danced with everyone at the wedding. The women were all brilliant, the men were a bit shy.MELS: I don't do weddings.The police sirens soundcloser.MELS: And that's me out of time. (pulls a gun on the Doctor)AMY: Mels!RORY: For God's sake!AMY: What are you doing?MELS: I need out of here, now!DOCTOR: Anywhere in particular?MELS: Well, let's see!You've got a time machine, I've got a gun. What the hell - let's kill Hitler.[SCENE_BREAK]Matt Smith Karen Gillan Arthur Darvil\"Let's Kill Hitler\" by Steven MoffatProducer Marcus WilsonDirector RichardSenior[SCENE_BREAK]A LONG TIME AGO IN LEADWORTH....INT. AMELIA'S BEDROOM, DAYAMELIA is going through her box of Raggedy Doctor crafts as MELS watches.MELS: Is he hot?AMELIA: No, he's funny.MELS:But how can he travel in time?AMELIA: Because he's got a time machine, stupid!RORY enters the room.RORY: I thought we were playing hide and seek. I've been hiding for hours!AMELIA: Well, we just haven't foundyou yet!RORY: OK. Hi, Mels.MELS: Hi, Rory.RORY leaves.INT. CLASSROOM, DAYMELS is standing as she is questioned by the teacher.TEACHER: Mels, did you not understand the question? I'm asking you why theTitanic sank.MELS: Because the DOCTOR didn't save it. Except you don't know about the Doctor because you're stupid!INT. SCHOOL HALLWAY, DAYMELS exits the Head Teacher's office. AMELIA is waiting andfollows.EXT. SCHOOL PLAYGROUND, DAYAMELIA questions MELS as they walk through the playground.AMELIA: Why are you always in trouble? You're the most in trouble in the whole school, except for boys.MELS: Andyou.AMELIA: I count as a boy.They walk past a blindfolded RORY.RORY: Am I getting warm?AMELIA: Yes, Rory.INT. CLASSROOM, DAYMELS and AMY are now teenagers. MELS is standing being questioned by anotherteacher.TEACHER: Mels?MELS: A significant factor in Hitler's rise to power was the fact that the Doctor didn't stop him.INT. SCHOOL HALLWAY, DAYMELS exits the Head Teacher's office. AMY is waiting and follows.AMY:I can't keep doing this!INT. POLICE STATION, HALL, DAYMELS is released from her cell and AMY is waiting.AMY: Mels! (runs after her)INT. AMY'S BEDROOM, DAYMELS flops on the bed and picks up the toy TARDIS.RORY is sitting in a chair and AMY paces.MELS: It was late, I took a bus.RORY: No, you stole a bus.AMY: Who steals a BUS?MELS: I returned it.RORY: You drove it through the botanical garden.MELS: Shortcut.AMY:Why can't you just act like a person? Like a normal LEGAL person?MELS: I don't know, maybe I need a Doctor.AMY: (takes the TARDIS) Stop it!RORY: Er... I'd better go, I'm on earlies tomorrow. (packs schoolwork intobag and stands)MELS: It's all right for you. You've got Mr Perfect keeping you right.AMY: He's not even real. Just a stupid dream when I was a kid. (tosses the TARDIS to MELS)MELS: I wasn't talking about him. (looksat RORY as he opens the door)AMY: What, Rory? How have I GOT Rory?RORY: (stops at his name and turns) Yeah, how... how's she got me?AMY: He's not mine.RORY: No. No, I'm not hers.MELS: Oh, come on!Seriously, it's got to be you two. Oh, cut to the song, it's getting boring.AMY: Nice thought, OK? But completely impossible.RORY: (looks hurt) Yeah, impossible!AMY: I mean, I'd love to, he's gorgeous, he's my favouriteguy, (pats him on the back) but he's, you know?RORY: A friend.AMY: Gay.RORY: (looks at AMY) I'm not gay.AMY: Yes, you are.RORY: No. No, I'm not.AMY: Course you are, don't be stupid!MELS watches from the bed,amused.AMY: In the time I've known you, when've you shown the slightest interest in a GIRL?MELS: (softly) Penny in the air!AMY: I've known you for, what, 10 years? I've seen you practically every day. Name one girlyou've paid the SLIGHTEST bit of attention to?RORY can't answer and runs from the room.AMY: (realizes) Oh, my God! Rory! (runs after him)MELS: And the penny drops! (gets up)AMY: (distant) Rory!MELS: Catch youlater, Time Boy! (tosses the TARDIS into the air)EXT. DAYAbove the cornfield, the TARDIS spins out of control. There is a gunshot.DOCTOR: (V.O.) You've shot it!INT. TARDISThe DOCTOR is staring at a bullet hole inthe time-rotor casing. AMY, RORY are clinging to the console and MELs is hanging onto the railing.DOCTOR: You shot my TARDIS! You shot the console!MELS: It's your fault!DOCTOR: Argh! How's it my fault?!MELS: Yousaid guns didn't work in this place. You said we're in a state of temporal grace.DOCTOR: (frantically works the controls)That was a clever lie, you idiot! Anyone could tell that was a clever lie!EXT. DAYThe TARDIScontinues to spin out of control and AMY screams.EXT. REICH CHANCELLERY, BERLIN 1938, DAYThe imposing façade is adorned with a stylized eagle, wings outstretched, above a wreath inside which is a swastika. Toeither side of the main entrance are large, draping red banners bearing the black swastika within a white circle. A general, ZIMMERMAN, enters the building.INT. REICH CHANCELLERY, CORRIDOR, DAYZIMMERMANstrides down the hall past a janitor mopping the floor. The JANITOR stops and turns his head slowly and we hear mechanical whirring.INT. SHIP, BRIDGE, DAYWe see the OFFICER from the JANITOR'S POV as seenthrough a viewscreen. A computer scans him. The Captain, CARTER, watches.CARTER: OK, we like him.A female crewmember, ANITA listens to her headset.ANITA: Costume want to know about the suit.CARTER:Colour, shape, nothing detachable.Another crewmember, JIM, enters the bridge and heads to his station.JIM: Musculature good to go.CARTER: That was quick.JIM: Showing off. Art department want to talk skin tone.Anolder woman, HARRIET, enters the bridge.HARRIET: Yes, I do. I don't trust sensors, I want to take a look myself.JIM: We're in a hurry, we're not trying to win an award.HARRIET: That's what you said when we madeRasputin green!CARTER: OK, get your fat one up there. Run!HARRIET: Yes, Captain. (leaves)CARTER: (sits in command chair) Harriet's going to eyeball. Everyone else, good to go, please!INT. REICH CHANCELLERY,ZIMMERMAN'S OFFICE, DAYZIMMERMAN is standing at his file cabinet looking through a file as the door opens and the JANITOR enters and closes the door behind him.ZIMMERMAN: What do you want?The JANITORwalks forward until he is face-to-face with ZIMMERMAN.ZIMMERMAN: What are you doing?INT. SHIP, BRIDGE, DAYANITA: Musculature on line.JIM: Five foot 11, confirmed.INT. REICH CHANCELLERY, ZIMMERMAN'SOFFICE, DAYThe JANITOR grows until he is the same height as ZIMMERMAN. ZIMMERMAN stares, stunned.INT. SHIP, BRIDGE, DAYCARTER reaches up and grabs a microphone.CARTER: Harriet, are you up thereyet?INT. SHIP, LIFT, DAYHARRIET stands in the lift. Just as the doors are about to open, the light on her wristlet changes from green to red and alarms begin to sound. The doors slide open.AUTOMATED VOICE:Welcome. You are unauthorised. Your death will now be implemented.INT. SHIP, BRIDGE, DAYCARTER: Harriet, have you updated your privileges?INT. SHIP, LIFT, DAYHARRIET: Yes, of course I have! (presses buttonson wristlet until the light changes back to green) Look, I'm staff, see? Look, staff!AUTOMATED VOICE: You are authorised. Your existence will continue.INT. REICH CHANCELLERY, ZIMMERMAN'S OFFICE,DAYZIMMERMAN: I don't understand.The JANITOR'S clothes change to ZIMMERMAN'S uniform like scales flipping over all the way down his body.INT. SHIP, CORRIDOR, DAYHARRIET runs along the hallway.CARTER:(over radio) Harriet, shift!HARRIET: (into radio) Five seconds to eyeball.HARRIET reaches the end of the corridor and opens an iris by pressing her hand on a panel. She looks out.HARRIET: Shades 44 to 89, peaking at60. Standard density. He's sweating a bit, so compensate.The camera pulls out and we see that HARRIET is literally looking out of the JANITOR'S eye.INT. REICH CHANCELLERY, ZIMMERMAN'S OFFICE,DAYZIMMERMAN: Wh-What are you?INT. SHIP, CORRIDOR, DAYThe iris closes behind HARRIET and we see her walk slowly back. There are a number of corridors-which are more like enclosed catwalks-at differentlevels.CARTER: (over radio) All hands, prepare for tessellation. Prepare for tessellation.INT. REICH CHANCELLERY, ZIMMERMAN'S OFFICE, DAYThe JANITOR'S face changes to a duplicate of ZIMMERMAN. ZIMMERMANgasps and falls back against the cabinet. The duplicate reaches out a hand and takes his glasses putting them on its own face.INT. SHIP, BRIDGE, DAYCARTER: OK, clean up.INT. REICH CHANCELLERY, ZIMMERMAN'SOFFICE, DAYA beam of light shoots out from the duplicate's right eye, miniaturizing ZIMMERMAN.INT. SHIP, CORRIDOR, DAYZIMMERMAN falls to the floor just inside the iris.INT. SHIP, BRIDGE, DAYThe crew watchesZIMMERMAN on a monitor.CARTER: Who is he?ANITA: Eric Zimmerman. Loyal member of the Nazi Party, guilty of Category Three hate crimes.CARTER: Well, then. Leave him to the Antibodies.INT. SHIP, CORRIDOR,DAYZIMMERMAN stands. His vision is blurry without his glasses. He slowly walks forward. There is an electronic buzzing as something rises from the floor behind him. ZIMMERMAN slowly turns around and sees whatlooks like a metallic jellyfish complete with dangling tentacles floating towards him. It is an ANTIBODY.ANTIBODY: Welcome. You are unauthorised. Your death will now be implemented.ZIMMERMAN runs and isconfronted by another ANTIBODY.ANTIBODY: Welcome. You will experience a tingling sensation and then death.ZIMMERMAN tries another corridor.ANTIBODY: Remain calm while your life is extracted.ZIMMERMANscreams as the tentacles reach out for him and he disappears.INT. REICH CHANCELLERY, OFFICE, DAYThe DUPLICATE ZIMMERMAN enters a large wood-panelled office and shuts the door. We only see the man at thedesk from behind.MAN: What do you want? Who let you in here?The DUPLICATE walks forward.INT. SHIP, BRIDGE, DAYInside, everything shakes and CARTER'S mug falls to the floor.CARTER: What's wrong with theshock absorbers?JIM: Problem in the knees.CARTER: Let's hope we don't have to run.INT. REICH CHANCELLERY, OFFICE, DAYDUPLICATE: Do not call for help. This room has been sound screened. You have been foundguilty. Justice mode activating.The DUPLICATE opens his mouth and a beam of light wraps the man at the desk who cries out in pain.INT. SHIP, BRIDGE, DAYJIM: Hang on! This is 1938. We're too early, we need to golater in his time stream.ANITA: Something else! We've got incoming!CARTER: On screen!INT. REICH CHANCELLERY, OFFICE, DAYThe DUPLICATE closes his mouth and turns to the window.INT. SHIP, BRIDGE,DAYCARTER: What the hell is that?INT. REICH CHANCELLERY, OFFICE, DAYThe TARDIS bursts through the window, knocking the duplicate to the floor.INT. SHIP, BRIDGE, DAYSparks fly as they reel from being knockedover by the TARDIS.INT. REICH CHANCELLERY, OFFICE, DAYThe TARDIS bursts through the window, knocking the duplicate to the floor. The DOCTOR exits the TARDIS followed by RORY, AMY and MELS. All arecoughing from the smoke.DOCTOR: Out, out, out! Everybody out. Don't breathe the smoke, just get out!AMY: Where are we?DOCTOR: A room.RORY: What room?DOCTOR: I don't know! I haven't memorized everyroom in the universe. I had yesterday off. (sees MELS standing at the open TARDIS door) Mels, don't go in there! (takes her gun)MELS: Oi!DOCTOR: Bad smoke! Don't breathe the bad, bad, smoke. Bad, deadly smoke,because somebody shot my TARDIS!RORY: (sees the DUPLICATE on the floor) Doctor, this guy, I think he's hurt.INT. SHIP, BRIDGE, DAYCARTER: Transmit normal life signs!JIM: Artificial gravity holding. We should getupright when we can.INT. REICH CHANCELLERY, OFFICE, DAYRORY: No, hang on. No, he's... he's fine.The DOCTOR doesn't know what to do with the gun. He finally puts in in a fruit bowl on the desk. The MAN who wasattacked climbs up from behind the desk.DOCTOR: Ooh, hello! Sorry, is this your office? Had a sort of collision with my vehicle. Faults on both sides, let's say no more about...(the MAN turns around and the DOCTORsees who it is) ...it.AMY and RORY come up beside the DOCTOR.AMY: Is that...? No, it can't be, Doctor?HITLER: Thank you. Whoever you are, I think you have just saved my life.DOCTOR: Believe me... it was anaccident.HITLER: (sees the TARDIS) What is this thing? (walks to it)AMY: What did he mean we saved his life? We could not have saved Hitler.DOCTOR: You see? You see, time travel, it never goes to plan.HITLER: Thisbox, what is it?DOCTOR: (walks toward HITLER) It's a police telephone box from London, England. That's right, Adolf, the British are coming!Behind the DOCTOR, the DUPLICATE stands.HITLER: No, stop him! (pulls hisgun and fires at the DUPLICATE)INT. SHIP, BRIDGE, DAYMore sparks as they suffer from the impact of bullets.CARTER: Damage report! Damage report!INT. REICH CHANCELLERY, OFFICE, DAYRORY punches HITLER onthe chin, knocking him to the floor. RORY picks up the gun and aims it at HITLER.RORY: Sit still, shut up.HITLER puts his hands up. AMY helps the DUPLICATE.AMY: Are you OK?DUPLICATE: Yes, yes.INT. SHIP, BRIDGE,DAYCARTER speaks into a special microphone and his words are echoed by the DUPLICATE.CARTER: Yes. I'm fine.INT. REICH CHANCELLERY, OFFICE, DAYDUPLICATE: I think he missed.HITLER: He was going to killme.RORY: Shut up, Hitler!DOCTOR: Rory, take Hitler and put him in that cupboard over there now. Do it!RORY: Right, putting Hitler in the cupboard. Cupboard, Hitler. Hitler, cupboard. (pulls HITLER to his feet)Comeon.HITLER: But I am the Fuhrer!RORY: Right, in you go! (shoves him into the cupboard)HITLER: Who are you?RORY closes the door. The DOCTOR studies the DUPLICATE.DOCTOR: Are you OK?INT. SHIP, BRIDGE,DAYThey watch the DOCTOR on screen as he peers at the DUPLICATE'S face.ANITA: Sir, what do we do now?JIM: Suggestion: we should go into surveillance mode.CARTER: Agreed. Let's faint.INT. REICHCHANCELLERY, OFFICE, DAYDUPLICATE: Oh, I... (falls backwards in a faint)RORY: I think he just fainted.DOCTOR: Yes, that was a faint. A perfect faint.AMY: (notices MELS has a hand on her stomach) Mels?MELS:Hitler...DOCTOR: What about him?MELS: Lousy shot. (falls to the floor)All three run over to MELS.AMY: Mels! Mels!DOCTOR: Rory!RORY: No, no, no! I've got to stop the bleeding!INT. SHIP, BRIDGE, DAYJIM: Sir, thatblue box... I've got a match. (the screen shows information about the TARDIS) We're trying to bag war criminals, we've got the biggest one ever right under our noses. Forget Hitler. We take this one down, the JusticeDepartment will give us the rest of the year off.CARTER: Are you sure?JIM: There's no question. (looks at CARTER) It's her.INT. REICH CHANCELLERY, OFFICE, DAYAMY is stroking MELS' hair as RORY tries to stop thebleeding.AMY: How bad is it? Rory, what can we do?RORY: Just keep her conscious! Stay with us, Mels.DOCTOR: Hey, look at me. Just hold on.MELS: I used to dream about you. All those stories Amy told me.DOCTOR:What stories? Tell me what stories. Vampires in Venice, that's a belter.MELS: When I was little, I was going to marry you.DOCTOR: Good idea, let's get married. You live and I'll marry you, deal? Deal?MELS: Shouldn'tyou ask my parents permission?DOCTOR: Soon as you're well, I'll get on the phone.MELS: Might as well do it now, since they're both right here.The DOCTOR, AMY and RORY exchange glances.MELS: Penny in theair.The DOCTOR stands as MELS begins to glow with regeneration energy.MELS: Penny drops!RORY: What the hell's going on?DOCTOR: (grabs AMY and RORY, pulling them away) Back! Back! Back! Get back!MELS:(stands) Last time I did this, I ended up a toddler in the middle of New York.The DOCTOR, AMY and RORY are standing against the desk.AMY: OK, Doctor, explain what is happening? Please!DOCTOR: Mels. Shortfor..?MELS: Melody.AMY: Yeah, I named my daughter after her.DOCTOR: You named your daughter... after your daughter.MELS: Took me years to find you two. I'm so glad I did. And, you see, it all worked out in theend, didn't it? You got to raise me after all.AMY: You're Melody?RORY: But if she's Melody, that means she's also...MELS: Oh, shut up, Dad! I'm focussing on a dress size.MELS gives in to the regeneration and screamsas the change takes place. When it is over, she is in the now-familiar form of RIVER SONG-though she doesn't know it. She pants as she regains her breathing and becomes familiar with her new body.MELODY: Right,let's see, then. Ooh, it's all going on down there, isn't it? The hair! (runs to a mirror) Oh! The hair, it just doesn't stop, does it? Look at that! Everything changes! Oh, but I love it, I love it!(faces the others) I'm all sortof... mature! (puts her foot on a piece of furniture, attempting to look seductive) Hello, Benjamin!DOCTOR: (covers his eyes briefly)(to AMY) Who's Benjamin?MELODY: The teeth!(looks back in the mirror) The teeth,the teeth! (runs to the others) Oh, look at them! (forces herself on the DOCTOR) Watch out! That bow tie! Excuse me, you lot, I need to weigh myself! (runs to the restroom)The DOCTOR, AMY and RORY sit on the edgeof the desk, stunned.AMY: That's Melody?RORY: That's River Song.MELODY stands in the doorway.MELODY: Who's River Song?They turn to look at her.DOCTOR: Spoilers.MELODY: Spoilers? What's spoilers? Hang on,just something I have to check! (runs back into the other room)RORY: Is anybody else finding today just a bit difficult? I'm getting a sort of banging in my head.AMY: Yeah, I think that's Hitler in the cupboard.RORY:That's not helping.The DOCTOR stands and walks across the room. AMY and RORY join him.DOCTOR: This isn't the River Song we know yet. This is her right at the start. Doesn't even know her name.MELODY: (O.C.)Ah, that's magnificent!They turn to see her leaning with her hand against the door jambMELODY: I'm going to wear LOTS of jodhpurs!INT. SHIP, BRIDGE, DAYCARTER: That's her, all right. Melody Pond...the womanwho kills the Doctor.INT. REICH CHANCELLERY, OFFICE, DAYMELODY: Well, now, enough of all that! (pulls a gun and aims It at the DOCTOR) Down to business.DOCTOR: Oh, hello. I thought we were getting"}
+{"doc_id":"doc_252","qid":"","text":"[PREVIOUSLY_ON]John: I thought you weren't done with me yet.Tituba: Depends on you, witch hunter, whether or not you can see how well our interests are aligned.John: It's hard to see what we've got incommon.Tituba: Love and betrayal.Sebastian: My mother would have your father's book of shadows.Anne: Tell her the book is mine, and I will not give it to her until I choose.Cotton: Lay aside your science,Wainwright, and fall to your knees. This is what they plan for us.Wainwright: They? Who?Cotton: Witches.Wainwright: And this orrery, like some celestial clockwork, tracks the comet overhead?Mary: What is it you wantfrom me?Wainwright: I want in.Countess Marburg: My dark lord is already inside the boy. And come the comet... We shall let him out.Mercy: What kind of mother would abandon her only child to the woods? The nightis our playground.Mary: You said that once you were sure, you would tell me the secret tor destroying Countess Marburg. You spoke of an object.Increase: She keeps it close.Mary: Where? On the ship?Increase: It isthe ship.Sebastian: This is the boy who sets my mother's heart ablaze. It's time to meet your queen.[ Clicking ][ Bubbling ]Wainwright: I must have more of you and your unfathomable secrets.Mary: Mm, do not fear.You will in time. My dear doctor, I really thought that no man could find his way into my affections. But you have surprised me in so many ways. In return, you have had a small taste of the ecstasy and insight thatawaits you down the crooked way. I warn you... It leads far from the comfortable main roads of civilization.Wainwright: Well, then let me begin my journey at once.Mary: Patience. Before you can continue your journey,you must go before the dark powers and strike your own bargain. At the witching hour, at midnight... Your journey begins then. In the meantime, you must make yourself useful.Wainwright: Anything. I am yourhumble servant.Mary: Destroy all your work... Everything you have written or gathered on the plague. All of it must be burned.Wainwright: [ Chuckles ] A scientist's notes are his life blood and the building blocks of allof his work.Mary: I told you last night... We are at war. Your observations on the plague are proof of my witchcraft. If Cotton Mather were to find it...Wainwright: You ask too much of me.Mary: But in return, you shallhave so much more.Wainwright: [ Sighs ] It's true. Mather did all but promise to lead a crusade against the witches of Salem, and they would treat you far worse than the Inquisition treated Galileo. They would burnyou like Bruno.Mary: Well, then unless you wish to see me martyred for our science, there can be nothing that leads back to me.Wainwright: It is not my papers that will lead him back to you but what we saw in thecrags.Mary: Leave the crags to me.Wainwright: [ Sighs heavily ][ Indistinct conversations ]Tituba: Shall I bring the young master his breakfast?Mary: No. No, I have another task for you.Tituba: Increase Mather!Mary:The one and only. I used it to summon his soul.Tituba: Risking necromancy without my aid is dangerous enough, but to raise Increase Mather from the dead...Mary: Your aid? I have new allies. Do not worry yourcowardly mind. I've already sent him back from whence he came. But his specter proved quite useful. Apparently our Countess has a weakness... Her ancient, rotting corpse is the secret to her longevity. Increase toldme where to find it, and at the right moment, it and she will be mine.Tituba: You trust him?Mary: Rather than you? I dare say. Now, for once, can you just do your job? You may start by disposing of that. Time to wake,John. Seize the day, my love. John?Countess Marburg: Lost something? How careless.[ \"Cupid carries a gun\" plays ]\u0000 Pound me the witch drums \u0000 \u0000 witch drums \u0000 \u0000 pound me the witch drums \u0000 \u0000 pound me thewitch drums \u0000 \u0000 the witch drums \u0000 \u0000 better pray for hell \u0000 \u0000 not hallelujah \u0000Mary: Where is he?Countess Marburg: Our little lamb is safe and sound.Mary: Tell me what you've done with him or I will rip the truthfrom your heart.Countess Marburg: [ Chuckles ] My heart? Better you should search your own.Mary: Oh, to hell with your riddles. Speak plainly or choke on my wrath. What have you done with my son?CountessMarburg: Perhaps it was the genius of those hags and your dusky caretaker to keep you in such ignorance.Mary: Ignorance? Of what?Countess Marburg: Poor dear. Of everything. Surely you knew that no great workingcan take place without a sacrifice.Mary: No.Countess Marburg: For this, the greatest of all workings, only the greatest of all sacrifices will do. Your son was born precisely that he should be the vessel for the dark lord'sreturn.Mary: You are lying. It cannot be.Countess Marburg: I know this must seem... a terrible betrayal. Do you not think that the other Mary felt betrayal when she realized what God intended for the son he gave her?The Angel of the annunciation failed to mention that she would end up weeping at the foot of the cross beneath her slaughtered son. Now, like that other Mary, you must look beyond the deceit and embrace the gloriousgift. And what an honor to sacrifice one's own to such a cause. It's a sacrifice I sought to make many years ago with my own son, Sebastian. I would have given anything for that honor, for him as well as for me. Alas, itwas not meant to be.Mary: [ Crying ] There must be another way.Countess Marburg: I'm afraid not. When the comet blazes overhead tomorrow night, little John will be baptized in the river of hell-blood and granted theinfinite honor of using his mortal frame to bear his dark force.Mary: [ Sobbing ] No. No, I won't do it.Countess Marburg: The choice is yours. Join us at the crags tomorrow and baptize him, allow our little prince to fulfillhis destiny... Or I will bathe in his young blood as I have so many others.Mary: Kill him and the Grand Rite is over.Countess Marburg: For a time, yes. C'est la vie. But I am everlasting, unlike you, and when the starrymessenger returns, it will be I who completes the Grand Rite.Mary: So either way, if I do as you say, my boy dies.Countess Marburg: He was only born to be a vessel. Do not deprive him or yourself of that honor.Mary:[ Crying ][ Indistinct conversations ][ Knocks on door ]Cotton: [ Groans ] Go away! I'm in no state for visitors, especially the likes of you. How dare you.Hathorne: My god, man. If pigs could read, this is how they'dlive.Cotton: I owe you no explanation. This is my home. Now get out of it.Hathorne: I have this morning received a communication from Boston telling me of your banishment.Cotton: [ Laughs ]Hathorne: Our eldersforbade your returning to Salem.Cotton: It's of no consequence. I was... meant to come back.Hathorne: You believe the law does not apply to you.Cotton: I live by the law, sir... The highest law. God's calling faroutweighs the rules of a few narrow-minded bostonians.Hathorne: So, you think you're divinely summoned to be in our village?Cotton: For all our safety, I must be here to fight the witches. In my father's own words,save my very soul.Hathorne: Your father no longer breathes the air of Salem, and soon, neither shall you. Gentlemen, escort him away.Cotton: [ Scoffs ] Hathorne, listen to me. This is much bigger than our rivalry overAnne Hale.Hathorne: I am not here as a man but as a magistrate... To do my duty.Cotton: Then let me stay here. As magistrate, it is your duty to protect this village. I have proof that the witches spread this pox andwill use it to damn all of our souls to Hell.Hathorne: What is your proof?Cotton: You know the dead were sent to the crags?Hathorne: Yes. Against my wishes.Cotton: There the cadavers have turned into a kind of... Evilblack pitch. It forms a portal to Hell.Hathorne: Hell? Sounds like the ramblings of a lunatic 'neath the full moon.Cotton: Or a man in terror who has seen it with his own eyes. I expect little trust from you. But put yourfaith in Dr. Wainwright. His reputation cannot be assailed. He was with me and witnessed the same. He will tell you that.[ Door opens ]Wainwright: Mather. I'd no doubt enjoy one of our stimulating philosophical jousts,but my time at the moment is quite short.Cotton: Then I'll be brief. I need you to relay our treacherous situation to the magistrate.Wainwright: Well, in fact, I have some surprisingly good news. Today marks the first24-hour period since I arrived in Salem without a single new infection. I do believe the worst may be past and this pox may finally be dying down.Hathorne: [ Clears throat ]Cotton: I've, um, spoken to him of thehorrors we witnessed yesterday.Wainwright: Yes, well, [Chuckles] It's not often that I allow a novice to join my research, but Mather insisted on accompanying me to investigate the victims burry hellgrounds.Wainwright: [ Sighs ] Little of any help. I had hoped to locate something to better fight off this parasitical pox.Cotton: Tell him about the black pitch.Wainwright: Black pitch?Cotton: What we both saw at thecrags... Bodies disintegrating into an ungodly black pitch. A most unnatural substance you said you'd never eyed before. For god's sake, man, it set a branch on fire.Inwright: My dear Mather, we'd both had a fair bit todrink the night before, and in the light of day, I can't really say what I saw.Cotton: You saw what I saw, and now I need you to tell the magistrate about it.Wainwright: Be reasonable, friend. We saw nothing that can'tbe explained by the condition of those who saw it. Gentlemen, this pox may nearly be over, but I still have much work to do.Hathorne: What say you about this discrepancy, Mather?Cotton: He's lying! For all we know,he is under some witch's control!Wainwright: Mather, I like you, truly, but you go too far, and I've had enough. You have the word of a royally certified physician or a failed divine known for his drunken rages whoattacked even you, so believe who you will.Cotton: Or believe your own eyes. As magistrate, you owe it to the people of Salem to investigate yourself. Come with me to the crags and then decide who speaks the truth.You want to save this town. You want to be Salem's leader. All I ask is that you see for yourself.Wainwright: I won't have any more of this nonsense.Hathorne: N-no, doctor. We shall go, all three of us.Wainwright: Withall due respect, Magistrate...Hathorne: As magistrate, it is not your respect I require but your obedience.Wainwright: As you will. The Angels of Revelation said: \"Come. See. Hell is here.\"Wainwright: Birds often die in aflock. It's grotesque, yes, but hardly unnatural.Cotton: God in Heaven...Wainwright: Just as I said.Hathorne: Where is your devilish black pitch?Cotton: It's the witches' doing. They've made it disappear.Hathorne: Orperhaps your gin consumption has finally caught up with you.Wainwright: In all fairness, my dear friend has suffered much lately... The loss of a father, banishment. And the strains of life can sometimes make the mindplay vicious tricks.Cotton: It is not my mind playing vicious tricks but your lying mouth.Wainwright: My dear Mather, you said not two nights ago you'd seen your dead father. You must recognize that that hallucinationwas brought on by your own distressed soul. And I believe this was just more of the same.Cotton: Who got to you? What did they offer you?!Hathorne: Take him away.Cotton: You've sold your soul! You will go to hell.Let go of me! [ Grunting, breathing heavily ] You will burn in hell, Wainwright! Hell!![SCENE_BREAK]Sebastian: [ Claps ] Bravo. I always say a beautiful woman should break her mirror early.Mary: Come to twist yourmother's dagger?Sebastian: Oh, no. No, my mother doesn't know I'm here. I've just come by to... to help you see things more clearly.Mary: Very nice. Can you do that with my life?Sebastian: If you'd let me, I justmight.Mary: My son is all that means anything to me.Sebastian: And to my mother.Mary: She wants...Sebastian: We both know what she wants. Do you know what I want? You. I saw you with him last night. Imaginewhat that would feel like with a fellow adept rather than a novice.Mary: Take my body, just give me back my son.Sebastian: Hold that thought. [ Door opens ] Speak of the devil and he appears.[ Knock on door]Wainwright: Am I interrupting?Mary: [ Sighs ]Wainwright: I'm sorry. I'll come back.Mary: No, uh, come in, Doctor. We were just...Sebastian: Speaking of you. Mary has told me everything. Mary and I share manythings, except, it would seem, her bed. That delight apparently is yours and yours alone.Wainwright: It seems I may have tread upon territory once marked by another.Sebastian: No. Indeed no. It would seem thebetter man has claimed the prize. Do not worry. I... Mary trusts me enough to keep your nighttime dalliances to myself. So can you. And please rest assured there is no ill will between us, and there are no secretsbetween the three of us now. Follow my lead. Be careful what you say. As for your boy, anything is possible... For good or for ill.Mary: The baron is one of us. He would advance our cause. You may speakfreely.Wainwright: Well, I've just come back from the crags with Mather and Hathorne. I don't know how you did it, but Mather was utterly baffled. And no one, Hathorne least of all, will believe anything he saysnow.Mary: We call it glamour.Sebastian: Yes, a minor, but effective tool.Wainwright: [ Chuckles ] Minor? It's beyond the conception of our greatest minds. I must know more.Sebastian: And so you shall. Mary and Iwere just discussing that. Think of me as a guide who, along with Mary, will lead you to explore your new horizons. You understand it is not easy for a woman of her standing to move about with a man such as yourself.People would talk. She has asked me to act in her stead. And I can assure you, sir, I am skilled at the highest order of the dark arts and sciences. I am to lead you to the woods for your initiation.Wainwright:Now?Sebastian: But of course. Why waste any time? A man of your caliber will be of inestimable use to us. And the sooner you are initiated, the better.Wainwright: Is this your will, ma'am? Should I followhim?Sebastian: You can't save everyone. Think of your boy. If you ever want to see him again, leave the good doctor to me.Mary: Yes. Yes, he will show you the way.Wainwright: Excellent. The sooner I tear the veilaway, the better. I'm positively giddy as a schoolboy.Sebastian: Time enough for all that later. Come. There are secrets of the universe to unveil.[ Brown Jenkins squeaks ]Mr. Hale: My dearest daughter, if you arereading this, then I am dead, and you have gone some way down the dark path. I sealed this work so that you could only read it if you had attained some skills and a familiar. But what awaits is yet more significant andtreacherous. Perhaps I was mistaken in keeping this all from you, but I dreamt I could save you from your fate. Now the lessons I should have taught you, you'll have to learn without me. But my heart and love are withyou always. Know that you are not alone.[ Insects buzzing ]Sebastian: Mary certainly chose her protégé well.Wainwright: How so?Sebastian: Most men fear two things... The demon-haunted night and the woods filledwith Indians and far worser beasts. And yet, here you are, and you're not the slightest bit afraid.Wainwright: My mind is not shackled by the petty superstitions and fairy tales of religion.Sebastian: Well, let us just saythere are accurate superstitions and true fairy tales. As you will soon learn, all true knowledge once came from the one they call the devil. He attempted, eons ago, to bestow this knowledge on a man andwoman.Wainwright: Adam and Eve?Sebastian: As I said, some fairy tales are real. Are you ready to take a bite out of that forbidden fruit?Wainwright: I am. At whatever cost, I am. It's all that I've ever wanted fromlife... Answers.Sebastian: Rest assured, dear doctor, after tonight, all the secrets of the universe will be laid out before you and all your questions answered. That is, of course, should you complete your initiation withyour sanity intact.Wainwright: I have so much to learn. I thank you, sir. Really. I believe my entire life has been leading to this very moment. Ever since I was a child, I-I've dreamt of nothing more than seeking out thehidden places in nature. Now I feel like... An explorer on the edge of an undiscovered continent. But not this continent... Something far greater.Sebastian: So you are, my optimistic friend. Now let your explorationbegin.Wainwright: [ Screams ]Sebastian: To your exploration, sir. You shall be the first man since Dante to enter Hell alive. Fear not. I will be there to comfort Mary in your absence.Tituba: You wanted to see me?Mary:He is gone.Tituba: Who's gone?Mary: My son. You remember him. The one you spent all those years lying to me about. The Countess has him and prepares him for a sacrifice, but you know all about that, don't you? Iseem to be the only one who didn't. Why? Why did you deceive me for all those years?Tituba: If I'd have told you, you never would have gone through with any of it. I did what was necessary.Mary: You were myfriend.Tituba: Was I? Or was I never anything but your property? Your good father owned me like a horse or a cow, and I was to care for you. And I did. You were just a girl. What would you have done with achild?Mary: I would have loved him. I do love him.Tituba: And how long would your love have sustained you both in the wilderness?Mary: So you gave him away.Tituba: No. No, I didn't give him away. We sold him tothe devil himself like I was sold as a slave time and time again. But unlike me, he fetched a great price. I told you then... In return, all the world would be yours. And so it is. And so it will be if you could just learn toharden your heart.Mary: What if I never wanted the world? What if a heart, a real heart, and the love that goes with it, is all I ever wanted?Tituba: Tell me, did you find any last night when you were spreading your legsfor the good doctor while they snatched your child?Mary: [ Exclaims ]Tituba: Good. Let's see this true heart of yours. Go on. Do it. Cut mine out. Kill the only person who's ever devoted themself entirely to you. Go on.Do it.Do it. If you think killing me will bring back any of the love you've lost, you're wrong. Only sparing me will.Mary: How?Tituba: John Alden is alive.Mary: John. I can't imagine what you must think.John: [ Inhalesdeeply ] It's easy. I just keep asking myself... \"How did I ever love you?\"Mary: I thought you were dead. I had no idea you were held here like this. Yes, I am one of the witches, but...John: No. No. You were never justone of them. You rule them. Why?Mary: Would it make a difference?John: Maybe. Maybe make me think that you were worth loving once upon a time.Mary: War. War against all our enemies. The very ones whosedemise we dreamt of in our youth... The black-cloaked hypocrites who branded our friends, forbade our love, crushed all our hopes and dreams. I did nothing on my own behalf but everything for the world I thought weboth wanted. And if it took their blood, all of their blood, to build it, then so be it.John: Bullshit. You... You've been lying to me from the moment I first left Salem. And you've never ceased lying since.Mary: If so, I havebeen repaid in lies a thousandfold, used by the other witches to do what I would never, ever do.John: And what's that? Hmm?Mary: Kill our son.John: Our son?Mary: I have no life worth saving and nothing I've plannedwill ever come to be. I have no lies left, John, only an awful truth.Tituba: Wait. I know that he looks weak, but do not be deceived. He will kill us both. He's the witch killer. He's not the man you once loved.Mary: Well,none of us are who were once were, are we?John: [ Grunts ]Mary: Kill me if you must, but it will not alter the facts. We do have a son. And they mean to kill him.Cotton: I need to speak to Anne Hale. She would want tocome with me.Hathorne: Oh, isn't that just like the scoundrel? To doom an innocent with his own misery and punishment.Cotton: She is to be my wife.Hathorne: Perhaps. But that was before she knew just how faroutside the bounds you'd step. But don't worry. I'll make sure she's informed of your situation. And when she cries over your predicament, I promise my own comforting shoulder will await her. Tell anyone who asks thecoach was attacked by Pequot. Make sure he's dead by the time you reach Amherst.Mary: This is John's room. He asked who his father was. I told him you were the very best of men, as was your father before you. Heasked your name, and he claimed it for himself. When you went to war, I was a woman alone with child.John: Why didn't you tell me? If I'd known...Mary: You would have stayed and died at George Sibley's order. No.No, I had no escape till Tituba offered me salvation.John: You gave him up?Mary: Yes. I gave up our unborn child's life so that I might have a life of my own with you someday. What was I to do, John? I thought youdied in the war. I had no word from you. You left me with no choice. For seven long years, I have lived with the guilt that I left our unborn child for dead in those woods, never to take his first breath, never to see his"}
+{"doc_id":"doc_253","qid":"","text":"(Seattle Scenes)MVO: My college campus has a magic statue.(SGH Façade)MVO: It's a long-standing tradition for students to rub it's nose for good luck.(Doctor is writing on OR board)MVO: My freshman roommatereally believed in the statue's power...(Meredith and Addison in scrub room)MVO: ...and insisted on visiting it to rub it's nose before every exam.(Meredith watches Addison take off her wedding ring and pin it to herscrubs. After pinning them on, Addison pats them for good measure.)(Burke is speaking with a nurse.) Burke: Are you sure my scrub caps weren't in the laundry delivery?Nurse: I triple-checked.Burke: You'resure?Nurse: Yeah, I'm sure.MVO: Studying might have been a better idea. She flunked out her sophomore year. But the fact is we all have little superstitious things that we do.(Derek is getting ready to startoperating)Derek: All right, everybody. It's a beautiful morning to save lives. Let's have some fun.MVO: If it's not believing in magic statues, it's avoiding sidewalk cracks, or always putting out left shoe on first.(Bailey isat an operating table, she takes a few breaths before starting)Bailey: Ok.MVO: Knock on wood.Bailey: Ten blade.(Addison and Meredith's surgery)MVO: Step on a crack, break your mother's back.(A blood vessel burstsand the monitor starts beeping)(Burke's OR)Burke: Paddles.(Cristina hands him the interior heart paddles)Burke: Ten joules.(The monitor starts beeping)(Derek's OR)Anesthesiologist: He's having a reaction. I have totake him off.Derek: I'm in the middle of his brain.(Monitor starts beeping)(Bailey's OR)Bailey: We're losing him.(Monitor starts beeping)(Derek's OR. A nurse is removing his head gear, the patient has obviouslydied.)(Burke's OR. A nurse is removing his head gear, the patient has obviously died.)(Bailey's OR, the patient has obviously died)Bailey: Time of death...(Burke's OR)Burke: Time of death...(Derek's OR)Derek: Time ofdeath...(Addison's OR)Addison: Call it, Grey.MVO: The last thing we want to do is offend the gods.Meredith: Time of death 8:17.(The interns are in the locker room, changing.)George: Four surgeries, four fatalities andthe day has barely started. (To Cristina) Can I have a bite of that?Cristina: No. You're in my apartment, you don't get to be in my food.George: Dr. Burke gave me a protein bar, this morning.Cristina: Burke packs hislunch for him. Did I mention?Izzie: I talked to the morgue guy this morning.Meredith: The one with the unibrow?Izzie: The one with the like teeth thing. And he said that surgical fatalities come in threes and sevens.Says there'll be three more before midnight.Cristina: Well, ok then. Since \"dead tooth\" morgue guy said so.Izzie: He's the morgue guy. He knows things about death.(Meredith picks up something from the floor andtries to hand it to George)Meredith: You dropped this. (George doesn't take it and walks away) He's still ignoring me.Cristina: Ignore him back.Meredith: Derek says I should apologize until he listens.Cristina: Dereksays?Meredith: It's good advice. He's my friend. That's good friend advice.(Alex walks up and pulls Izzie aside)Izzie: What?Alex: Did you sneak out last night?Izzie: Yeah. I, um...I couldn't sleep.(Bailey enters)Bailey:Come on.Meredith: Where?Bailey: ER.George: All of us?Bailey: We've all had deaths. Let's all go save a life.(They all begin walking through the hall, as they walk by the nurse's station Addison stops them.)Addison: Uh,Dr. Bailey. (Hands her a cup) Here you go.Bailey: What's this?Addison: Hot cocoa. It's a little ritual we had in New York. Four surgeries, four deaths, I figure we could all use a little good juju.Bailey: And cocoa equalsjuju how?Addison: Hey, hey, hey. Don't question the cocoa. Carry on. (They all start to walk away, Meredith is trailing behind.) Meredith. (Hands her a cup) Thank you for your help this morning.Meredith: Oh. Thankyou, Addison.Addison: Yeah. Thank you.(Derek observes the exchange between Meredith and Addison. After Meredith leaves he walks up.)Addison: Here you go. (She hands him a cup)Derek: Juju.Addison: Yep.Derek:You jujued Meredith.Addison: I did. In the spirit of friendship.Derek: Hmm.Addison: What? Are we not being friends with Meredith anymore?Derek: No, no, we are. Meredith and I are friends.Addison: And you and I aremarried. So then, by proxy, Meredith and I are friends.Derek: That's very big of you.Addison: Yeah.Derek: You don't have to do that. It's not like I'm gonna be friends with let's say, uh...Mark.Addison: Yeah, well,neither am I. Now finish your juju before somebody else dies.Derek: Hmm.(Meredith enters a room where she throws away the cup of juju.)(Burke is walking through the hallway talking on his cell phone.)Burke: Thereare ten of them. Music notes. Colorful patterns. They were sent out last night.(Burke walks up to the OR board where Richard is standing)Richard: Sorry to hear about your valve replacement, this morning.Burke: Thelaundry misplaced my scrub caps.Richard: You know, there's some foolish talk going around about fatality clusters in threes and sevens.Burke (On phone): Look, are you sure they weren't sent to anotherhospital?Richard: (To Nurse who is erasing the OR board) How many electives have they canceled today?Nurse: This is our third.Richard: And what have the surgeons' been giving as their reasons?Burke (On phone):Because I prefer my own caps.Richard: You're not pushing your surgeries because you don't have your personal caps. You understand me?Burke (Looking confused): I didn't push any surgeries. (On phone) No, no. Thequestion is: when will you find them?(Burke walks away)Richard: No one changes that board unless they talk to me. No one.(Bailey and her interns are gathered around a silent ER)Cristina: Great. No blood, no guts, nolives to save. It's dead quiet.Bailey: Did you really just say that?Izzie: Cristina...Cristina: What?George: You said the Q-word.Izzie: It's like saying Macbeth in theater.Cristina: Please. You think because someone saysit's quiet that it'll mean...(ER doors open)Woman: Can somebody help us here? She's coughing up blood.Bailey: O'Malley! Take that.(Everyone's pagers start beeping)Alex: Denny Duquette.Izzie: I got it.Alex: He's mypatient.Bailey: He's both your patients. Answer the call.Nurse: Two incoming.(Ambulance bay)Bailey: Ok, uh, Yang, first one's yours. Grey, take number two.Paramedic: Jesse Fannon, 32, unrestrained driver in a rearend collision. There was spider webbing on the front windshield where his head hit. BP's 120 palp. Pulse 75.Bailey: Well, what do you want to do, Yang?(Man is counting on his fingers)Cristina: Primary and secondarysurvey. Uh, head CT and X-ray.Bailey: Ok. Page Shepherd when you get there.Jesse: Wait! I'm counting the siren whoops. We can't go until it reaches 33.Paramedic: He also seems to have a touch of OCD.(Otherambulance)Paramedic: Nikki Ratlin, 30, erratic BP in the field. Complaining of chest and leg pain.Meredith: What happened?Nikki: I got struck by lightning.Cristina: Can anyone spell coincidence?(ER)Nikki: Myhoroscope said, \"Stay close to home today.\" Aries couldn't have been any clearer. Ok, I guess it could have said, \"Don't leave the house today unless you want to get struck by lightning.\" Ouch.Bailey: See, Ms. Ratlin,you have no sign of wounds from lightning.Nikki: It was a sign. Clearly getting struck by lightning is a sign. I sign that I shouldn't have left my house.Meredith: Nikki, normally people struck by lightning have a woundwhere the bolt entered and exited the body.Nikki: Well...well, I wasn't struck struck. The tree was struck and it fell on me.Meredith: A tree fell on you?Nikki: A big, like, branch or limb, Whatever. Samedifference.(Bailey scribbles on the paper that she had been writing on and crumbles it up.)Bailey: No, actually, medically, it isn't the same difference. And it would be helpful if from now on you told us the wholetruth.Nikki: You want to know the truth? My boyfriend loves that tree. He's totally going to freak out. Ow.(George runs up to Richard in the hall)George: Chief? There's a Ms. Warner down in Admitting. She's asking foryou.Richard: Who?(Richard and George get in the elevator)George: Um, Olive Warner? Fifties. Uh, blonde hair. She said she's known you for about 20 years.Richard: Are you talking about Ollie?George: Right. Ok. Uh,Ollie Warner. She presented with upper GI bleeding. And she had a TIPSS procedure last month for esophageal varices.(Richard and George exit the elevator, he walks up the woman who had been coughing upblood.)Richard: I'll take this from here, O'Malley.George: Happy to help, sir.Richard: No, thank you. I got this myself. (To Woman) Ollie.Ollie: Hi, Richard. Good to see you.(Alex and Izzie are in Denny's room)Alex:Sinus tachycardia, low-grade fever, pulse ox 75.Izzie: I'm hearing rales in your lungs.Denny: Yeah. A freight train rolls through at noon.Izzie: How bad is the pain?Denny: I don't know. A five or six when I breathe.Alex:Which means a seven or eight when you're not trying to impress your doctor.Denny: Heard, uh, four people died in surgery this morning. Sid they were expecting three more.Alex: You get that from a nurse?Denny:Never reveal my sources. Just like to avoid the OR. (Alex and Izzie exchange looks) And I'm not liking that look.(Izzie sits on the edge of Denny's bed)Izzie: This could be a pulmonary embolism, Denny. A complicationfrom the LVAD surgery. We gonna have to talk to Dr. Burke.(Alex clears his throat and Izzie stands up)(Meredith and Cristina are in the elevator with their patients)Meredith: I got hot chocolated. The She-Shepherd hotchocolated me. It's her juju.Cristina: I don't like people who say juju.Nikki: I say juju.Jesse: Juju, juju, juju. Juju, juju, juju. Juju, juju, juju.Meredith: I didn't drink it.Jesse: Juju, juju, juju.Nikki: You're not obligated tohonor someone else's juju.Jesse: Juju, juju, juju.Cristina: Thought you were being friends.Jesse: Juju, juju, juju.Meredith: I am. With him. Do I have to be friends with her too?Jesse: Juju, juju, juju.Nikki: Definitelynot.Jesse: Juju, juju, juju.Cristina: Maybe.Jesse. Juju, juju, juju.Meredith: I'll, uh, call psych for you.Cristina: That'd be good. Thanks.Nikki (Screaming): Ow! Ow!(Callie is setting Nikki's broken leg.)Callie: All right.That's the worst of it.Nikki: Oh, I never should have gotten out of bed. But I really wanted to surprise my boyfriend before he left for school. He had a huge exam today and I just, you know, I wanted to wish himluck.(George enters the room)George: Dr. Torres. Hey. Hi. Uh, can I give you a hand?Callie: You missed the boat, George.George: You mean on this case or...?Callie: Or...a hot chick gives you her number, you'resupposed to call.Nikki: Yeah.George: I...I was...I mean, I am.Callie: Too late.Nikki: Ouch. Don't give up. I mean, if you really like her.(Meredith enters)George: Uh...ok.(George leaves)Nikki: Ok, the plot thickens.Callie:Nikki, Dr. Grey here is going to take you upstairs for a CT. But before she does, I have to ask: you're bruised all up and down your left side. You sure a tree branch did all this?Nikki: You think my boyfriend did this? Hewould never hit a woman. Ever.Callie: Mm-hmm. The bruises doesn't look like a tree branch hit you.Nikki: Fine. Ok, you guys are going to think I'm really weird, but I was sort of up in the tree when the lightning hit.And...I fell.Callie: You climbed a tree in a thunderstorm?Nikki: I really wanted it to be a surprise, you know, for my boyfriend. And...um, I just...I had to see if his psycho dog was in the yard because of, like, the barkingand stuff and...I know. It sounds really weird. Does it sound really weird?Meredith: Not at all.Callie: No.Nikki: and this thing is, I mean, he wasn't even there.Meredith: The dog?Nikki: No. My boyfriend. He wasn't evenhome. I really shouldn't have gotten out of bed.(Derek walks by Cristina, she stops him)Cristina: Oh, Dr. Shepherd. I've got a 34-year-old male with a blunt head trauma and severe case of OCD.Derek: Oh, really. Didyou call for a psych consult?Cristina: Yes.Derek: Let me know when you get a CT.Cristina: Ok.Derek: Thank you.(Derek walks away and Burke walks up)Burke: Hey.Cristina: Hey. Hey, uh, sorry about that, uh, valvereplacement.Burke: Oh, thank you. Laundry lost my caps.Cristina: The guy didn't die because you weren't wearing one of your caps.Burke: I know that. I just prefer to operate wearing my own. It's a comfortthing.Cristina: Huh, well...I prefer having George out of our apartment. So I guess we both have comfort things.Burke: Yeah, what are you saying?Cristina: Uh, you know, um...I have one of your caps in mylocker.Burke: Why do you have one of my caps...Cristina: That's not the point. You know, the point is, um, is that I think I'm going to keep it hostage. So you kick Bambi out and you get your cap back.Burke: Oh, well.I don't do well with ultimatums.Cristina: Maybe you should think of it more as a...trade.(Cristina walks away and George exits the elevator)George: Dr. Burke. I've got free time. Do you have any cases, do you needhelp...Burke: Actually, I do.(They both get into the elevator)Burke: Cristina has something of mine and I need you to get it back.(Richard enters Ollie's room. A young lady is in the room with Ollie.)Richard: Gretchen,would you mind leaving us alone for a minute?Gretchen: Ok.Richard: Thank you.Ollie: She's my new baby. Six months sober, she's already on the ninth step.Richard: You must be proud.Ollie: Always.Richard: You're ona transplant list, Ollie?Ollie: A couple of years now.Richard: The cirrhosis prevents blood from flowing into your liver. So it's backing up into your esophagus. Causing the ruptures. It's serious, Oll.Ollie: Well, of course itis. I mean, you don't puke blood if it's not serious. The question is: can you treat it?Richard: Maybe. Surgically. We'll have to run more tests and...whatever we do, it's a stop-gap. You need a new liver.Ollie: Yet anotherreason I should've laid off the sauce. You look scared.Richard: I am scared, Ollie.Ollie: Haven't seen you at a meeting in a while.Richard: I know, I know.Ollie: How've you been?Richard: We're talking about you.Ollie:Now I'm asking about you.Richard: Ellis Grey's daughter's working at the hospital. Ellis is in a nursing home with Alzheimer's. I try to go see her every chance I get.Ollie: You're having an affair with the woman whodrove you to your alcoholic bottom.Richard: Ollie, we're not having an affair. She's sick.Ollie: You're lying to your wife?Richard: I'm not lying.Ollie: You're lying by omission. You are having an emotional affair. And nowyou're lying to your sponsor about it.Richard: You haven't been my sponsor in years.Ollie: I still have the right to bust your ass if I see you slipping.Richard: I'm not slipping.Ollie: Not yet. But you're making a pretty bigmess. (Richard stands up and sighs) How many years you have now?Richard: Just passed 17.Ollie: I'm proud of you. And I'm scared too.Richard: You got me sober, Ollie. You walked me through it. (He takes her hand)And I'm going to walk you through this.(George is digging through Cristina's locker)George: Ok. That's...(Cristina enters the locker room)George: She still has...Cristina: You're a pervy little boy, George. And you're notfinding the cap.George: I'll do your dishes for a month.Cristina: I don't do dishes.George: I'll do your laundry.Cristina: I don't do laundry.George: Maybe that's why Burke likes having me around.Cristina: Interesting,interesting. Are you having s*x with him?George: No.Cristina: Then he likes having me around more.George: Why's it always have to be a competition? What do you want for the cap?Cristina: You out of theapartment.George: I'm not leaving until Burke says I have to leave.Cristina: Then you're not getting the cap. Now clean up my crap.George: No.(Bailey and Meredith are looking at CT scans)Meredith: Wow. Is that herspleen?Bailey: Looks like a grade three laceration. Maybe a four. What was she doing standing under a tree in a thunderstorm?Meredith: She wasn't standing under it. She was climbing it.Bailey: Why?Meredith: Uh...I'mgetting the feeling she's a little bit of a stalker.Bailey: Do we need to call the police?Meredith: I don't think so. I think she's more a gentle stalker than a \"kill you with a knife\" stalker.Bailey: Right. Well, let's hope shelives to gently stalk another day.Meredith: Hey, you don't believe in that seven fatality thing, do you?Bailey: I believe this girl needs her spleen removed immediately. Go pick up the labs and get her on the board. Thenwe'll break the news.(Denny is breathing heavily, on a OR table)Izzie: It's almost over.Denny: You like horses, Izzie?Izzie: Everybody likes horses.Denny: That's not true. You know, horses are a great judge ofcharacter. You don't like horses, means they don't like you.Izzie: Huh.Alex: I've got an uncle that's a rodeo cowboy.Denny: Huh. No kidding.Burke: This is a big clot, Denny. I can't get it with the catheter. I'm sorry.We're gonna have to open your chest again.(Cristina is taking Jesse to CT)Jesse: I was counting the clicks. The...turn signal clicks. I couldn't move until it hit 333. The light was green, but I couldn't move. I can't blamethem for hitting me.Raj: How long have you been feeling these compulsions?Jesse: A little bit all my life, but it's been out of control the last three years.Raj: Onset at 30 is typical.Jesse: Ruined a marriage. I can't hold ajob...Cristina: Ok, Mr. Fannon, do you...Jesse: Is it clean? I need to know if it's clean.Cristina: It's very clean.Raj: Any relatives with OCD?Jesse: My mother. Killed herself at 38. Ruined her life. Now it's ruiningmine.(Cristina clears her throat)Jesse: Clean, clean, clean?Cristina: Uh, we clean it between each patient.Raj: I think he needs you to say \"clean, clean, clean.\"Cristina: It's clean, clean, clean.Jesse: Thank you. I knowit's annoying. I can't help it.(Cristina walks past the window and sees George watching from the other side)Jesse: Uh, find a penny, pick it up, all day long you'll have good luck. Find a penny, pick it up, all day longyou'll have good luck.Cristina: Ok, Mr. Fannon, do you...Jesse: Find a penny...Raj: Repetitive rhymes, prayers. It's classic. He needs to say it a specific number of times. Probably a multiple of three.Cristina: Let's gethim in before he decides to start again.Raj: Is everything all right with, uh...that?(Raj nods to the window where George has his face pressed against it)Jesse: Find a penny, pick it up, all day long you'll have goodluck.Cristina: Just, uh, don't look at him.(Meredith is walking through the halls, highlighting a book. She walks up to Derek, at the same time Addison exits a nearby elevator.)Meredith: Hey.Derek: Hi.Meredith:Hey...Addison: Oh, hey.Meredith: Hi.Derek: Hi.Meredith: I, uh...have to...Derek: Yeah.Addison: Yeah.(Meredith walks away)Derek: I do too.(Derek walks away)Addison: Yeah, I got...something too,so...[SCENE_BREAK](Richard is in Ollie's room, talking to Ollie and Gretchen.)Richard: I wish I had good news. The TIPSS procedure you had last month failed.Gretchen: What does that mean?Ollie: It means you'relucky you got sober young.Richard: Ollie, it means I'm going to have to put in a portacaval shunt. It's complicated. It has only a 50% survival rate.Ollie: What's my other choice? (Richard just looks at her) Ok, then.Um...you'll be the one to do it?Richard: I've performed this surgery nine times. Had four patients survive.Ollie: It's perfect then. I'll be your five out of ten.(Bailey and Meredith enter Nikki's room)Nikki: I'm not havingsurgery today.Bailey: You have a ruptured spleen.Nikki: And I'm sure that the spleen is very important. But I'm not having surgery today. You can operate after midnight but not one minute before.Bailey: Miss Ratlin, ifI thought it would be safe I'd be more than happy to wait until after midnight. However, I have a husband and a baby at home who won't be happy. You know who else won't be happy? You. Your spleen is bleeding.Spleen trumps horoscope.Nikki: But it was more than just my horoscope. I went out to my car this morning. Flat tire. That's a sign, but I just changed the tire. Then there's a wreck on the freeway. Do I turn around andgo home like it's telling me to? No, I detour an hour out of my way so that I can get to Kevin's house. And when I get to Kevin's house, I get struck by lightning!Meredith: But you weren't struck by lightning.Nikki: I'lldie, ok? If you operate on my today I will die because I know I will. Please, just...just call my boyfriend and tell him that I'm having an operation at midnight. Because he will want to be here.Meredith: Ok.Nikki:Please.(Bailey and Meredith start walking out of the room.)Meredith: Should I call psych?Bailey: You can give it a shot. In the meanwhile, get her down to ICU. Poor girl's going to kill herself trying not to die.(Alex isdrawing Denny's blood)Alex: Izzie paints a pretty picture because she likes you, you know?Denny: Ok.Alex: I'm just saying she likes you. Which is going to be hard on her.Denny: You mean...when I die? Come on. I'masking you...man-to-man.Alex: With a clot in your pulmonary artery, it'll cut off the oxygen to your lungs and you'll die of hypoxia. If the hypoxia doesn't kill you, the strain on your heart will.Denny: And the"}
+{"doc_id":"doc_254","qid":"","text":"Act One.Scene One - KACL Frasier and Roz are in Frasier's booth. Roz is sorting some carts, while Frasier opens his mail.Frasier: Oh look, Roz, Roz, my brochures are here! Oh, god, very exciting! Vacation!Roz takesone of the brochures from Frasier.Roz: Wow! The Golden Door Spa!Frasier: Ooh, yes!Roz: Look at those accommodations! That is nice!She gives the leaflet to Frasier.Frasier: I plan to leave Dad and Eddie to fend forthemselves while I go off and spend an obscene amount of money being pampered like a spoiled child. I know it's self-indulgent, but what else are vacations for? By the way, what are you doing for your week off?Roz:Oh, I'm taking my mom to Ireland to stay in the sod house where her mother was born.Frasier: Why don't you just write the words \"bad son\" on my forehead!Roz: Listen, there is nothing wrong with pampering yourselfon your vacation. After all, you do work three hours a day.Frasier stands up, annoyed, turns his back on her, and begins to sort through his brochures on the side bench of the studio.Roz: I'm sorry. That one evensurprised me!She walks into the adjoining producer's suite. Frasier follows her through.Frasier: You know, it's just that when I think of the relationship I have with my dad I can't help but envy the relationship you havewith your mother.Roz: Well, it didn't just happen. We work at it, spend time together...Frasier: Roz, are you forgetting that my father lives with me? How much more time together could we spend!Roz: Day to day livingis different. You know, there is nothing better than taking a trip together. You get to have a little fun, you get to relax... you get to see a whole different side to the other person.Frasier: You know, in his entire life, mydad has never been to Europe. It would be a way of connecting with him if I were the one to give him that. [looks questioningly at Roz] So, what would you charge me to take him to Ireland with you?Roz looks at himwith a wry smile on her face and shakes her head.[SCENE_BREAK]Scene Two - Frasier's Apartment Fade back in. Niles is sitting with his face down on the table as Daphne massages his back. Martin is sitting in his chairwith the paper in one hand, and is stroking Eddie with the other.Niles: [moaning with pleasure:] Ahh... I should have known this would happen. I always throw out my back when I try to lift Maris's luggage.Daphne:Why didn't you hire a skycap?Niles: Oh, we did for most of it, but Maris won't trust strangers with her makeup case, ever since a ham-handed porter dropped it and broke three vials of rare Swiss lamb placenta. On theupside, the calfskin lining of her case was never more soft and supple.Daphne lifts him to sit up straight, puts her arm around his neck and proceeds to massage his back with the fist of her right hand.Daphne: Wheredid Mrs. Crane go, anyway?Niles gives more moans of pleasure, and Martin looks round at him in amusement.Niles: She's making her annual pilgrimage to the holy land.Martin: I thought she was going to Dallas to visither sister.Niles: That is her holy land. It's the site of the first Nieman- Marcus.Martin turns back to his paper, shaking his head. Niles produces more moans of ecstasy. Frasier enters the apartment, carrying hisbriefcase.Daphne: Oh, Dr. Crane...Niles: [still moaning] Oh, call me Niles!Frasier casts his usual look of disapproval and disappointment in Niles's direction, and Niles, noticing him, stands up.Niles: Thank you,Daphne.Frasier: Dad, I've had an idea and I hope you're as excited about it as I am. [opens his briefcase and takes out the holiday brochures] I want to take you on vacation!Martin: [suspicious] Why?Frasier: Well, Ithought an adventure might do us good, give us a chance to have some fun, maybe get reacquainted, even do a little bonding.Martin: What'd you have in mind?Frasier: Well, this isn't about where I want to go, this isabout where you want to go.Frasier fans out the leaflets and lays them on the table by his father in an extravagant gesture.Frasier: Dad, I give you the world!Martin: [reading one] The Galy-pay-gos islands, huh?\"Where iguanas, sea-lions and giant tortoises live in eternal harmony.\" [to Frasier] Is it important they get along?Frasier: No, I suppose not.Niles has also been looking through the leaflets.Niles: Oh, how about this!India and Nepal! Trek the foothills of the Himalayas!Martin: [tapping his cane] I think you're forgetting about my old pal here.Niles: No problem. Frasier can just hire a really tough little Sherpa to carry you on hisback.Martin looks at him stupidly.Niles: They don't mind.Frasier: Well, we obviously haven't struck the right chord yet, but we will, we will. Dad, why don't you just suggest something?Martin: You really want to go on atrip with me?Frasier: Yes I do! I'll go anywhere you want to! Anywhere!Martin: Okay. Well, maybe I'm not as sophisticated as you, but I think I should see America first!Frasier: Great! We're Americans, we should seeAmerica!Martin: And I want to see it in a Winnebago!Frasier stands up in horror, but with feigned enthusiasm.Frasier: A Winnebago! Hot damn, that has a real ring to it! He crosses to pour a drink.Martin: Yeah! It'ssomething your mother and I always dreamed about doing when I retired.Frasier: Then that is exactly the trip we are going to take!Martin: You really mean it?Frasier: Absolutely!Daphne: This calls for acelebration!Daphne exits to kitchen, Frasier crosses to fire place and Martin also exits towards the kitchen.Martin: Yeah, let's pop open a couple of beers! I think I've got a bag of pork rinds in here too!Frasier: Oh, thefinal touch! I almost feel like I'm in a trailer park already!He hangs his head in horror, leaning on the mantelpiece in despair. Niles crosses the room towards him.Niles: [mockingly] Oh, Winnebago Boy? Make sure tohang a lot of beach chairs on the back and give it a really cute name like... \"The Whoopin' Cranes!\"He dissolves into laughter.Frasier: Oh, Niles. When I agreed to see America with Dad I thought we'd be staying infive-star resorts! When I said together I meant adjoining suites!Niles: Just tell him you think it's a bad idea.Frasier: I can't do that, he's counting on this trip too much. It was his dream, he was going to go on this tripwith Mom.Niles: Yeah, but she lucked out and died! [laughs]Frasier pulls Niles to the corner of the apartment to be sure they can't be heard from the kitchen.Frasier: [in desperation] Niles listen, listen. If Dad and I getinto a Winnebago together only one of us will come out alive. You've got to come with us!Niles: Frasier, you're my brother. That entitles you to my bone marrow and one of my kidneys, but THIS is an imposition!Cut toMartin and Daphne in the kitchen. Daphne is chopping cheese, and Martin sits opposite her.Martin: You've got to come with us!Daphne: Why?Martin: Well, Frasier and I don't have anything to talk about! I always feelmore comfortable when there's someone else around, or the TV's blaring.Daphne: Then why did you suggest it?Martin: Well, it sounded like a good idea when it came out of my mouth, but the more I think about it... Imean, can you really see me and Frasier together all day and then crawling into our bunks at Night, lying head to head... bonding? [shivers] Eew! I'll pay you! I've got pension money!Cut back to Niles andFrasier.Frasier: I remember a car trip we took when I was nine? We drove from Seattle to Spokane. The only thing he said to me was, \"I think we've got a problem with your brother Frasier.\"Niles: Those were awful,those family driving vacations. Dad insisting on covering as many miles as possible in a day. The two of us tiny hostages in the back seat, clutching our car sickness bags... straining to see something out of the windowas the landscape whizzed by... I was thirteen before I realized cows aren't blurry!Cut to Martin and Daphne.Daphne: Why don't you just tell him you don't want to go?Martin: Oh, you heard how he wants to go. I don'twant to disappoint him!Cut to Niles and Frasier.Frasier: I don't want to disappoint him!!Niles: I'm sorry Frasier, I am not a Winnebago person.He begins to cross to refill his drink.Niles: Whenever I see one on thehighway I look into the driver's eyes, hoping to see something that would explain why in God's name he would ever want to do something like this! All I see is a death stare under the brim of a hat made out of Miller Litecans. This is my final word: I'm-not-going.Martin and Daphne re-enter. Daphne is carrying some cheese chunks on a plate.Martin: Hey, great news, Daphne's coming too!Niles: And so am I!He eats a cheesechunk.[SCENE_BREAK]THE WHOOPIN' CRANESScene Three - A Winnebago. The Crane clan, plus Daphne, are traveling along in their rented Winnebago. The north-western American countryside is visible out of the rearwindow. Frasier is driving, and Martin is in the passenger seat videotaping the view. Daphne is sitting behind them. Niles appears to be absent from the scene.Martin: It's everything I'd hoped it'd be, only better! It's likesitting in your own living room watching TV! Only it isn't TV, it's America!Frasier: Yes Dad, it's the ultimate in virtual reality programming - actual reality.Martin: [Looking at map] Okay, we've got a turn-off coming up inabout five miles, so start slowing down.Frasier: Righto, Dad.Daphne: How does it feel behind that wheel, Dr. Crane?Frasier: Manly! This is mine, and it's big!There is a flushing sound, and Niles appears from the back ofthe vehicle.Niles: Oh my God! It's like being sealed upright in a Formica coffin!Martin: Remember the old days, Niles? [to Daphne] When they were kids, all they had in the back seat was a mayonnaise jar.Frasier: Yes,it took quite a bit of skill to use it successfully at seventy miles per hour! Never really been fond of mayonnaise since...Niles: Or speed bumps.Martin: Okay, turnoff's coming up now, we're about four miles away, getready, it's coming up! Alright, you're okay on the right! It's never to early to move over!Frasier: You know, Dad, I was wondering. What inspired you to choose that uniquely American man-made wonder, MountRushmore?Martin: Well, we've got a week off, right? That's as far as we can go in three and a half days and still make it back. We get there, get out, walk around the Valley of the Presidents, drive back, boom! Anotherfine landmark under our belts!Daphne: Well, you've certainly got this trip well-planned, Mr. Crane! Whenever I take a holiday I just grab a fresh pair of knickers and see where the wind takes me!At this comment Nilesproceeds to look back at Daphne's backside.Frasier: [noticing] Niles... Niles!Frasier then pulls hard right on the steering wheel making the vehicle swerve sharply left. Everyone else remains in the same place but Niles,caught off balance, crashes left into some overhead cupboards, right into a chair behind Daphne and then falls spectacularly onto the floor whilst clutching at the kitchen sideboard. He quickly attempts to retake hisplace behind Frasier, before Daphne and Martin notice.Unsuccessfully. Martin looks strangely at Niles, not realising why Frasier swerved, then looks curiously at Frasier as if to say, \"What the hell was that!\" Frasier,however, drives on happily with a large smile on his face.Frasier: You know, what Daphne is saying is what we should really be doing!Martin: What are you talking about?Frasier: Well, you know, why should we be sobeholden to maps and schedules? We should roam! America has always been enchanted with the romance of the open highway. Jack Kerouac went \"on the road,\" Buzz and Todd got their \"kicks on Route 66!\" Theadventure is in the journey! We should just ramble!Niles: Good golly, I'm inspired. I'm going to put on a baseball cap.He proceeds to put on a cap, backwards.Martin: Frasier watch it, you're going to miss the turnoff!!Frasier: So?Martin: We'll get lost!Frasier: Lost from where? We're in a house on wheels! Wherever we go, we're home!Martin: No! It's coming up! [tugging at Frasier's arm] It's coming up! Alright, turn here![frantically] This is it! Turn! Turn here...! We missed it!!Daphne and Niles look on in amusement.Frasier: Dad, we didn't miss anything!Martin: [horrified] Oh my God!Frasier: We are now on the road less traveled. Fromnow on there is a new order! We dance to the rhythm of the road.Martin: [panicking] Alright, now don't panic! There's got to be an access road leading back onto that turn off...He proceeds to hunt around the map,frantically.]Martin: Where is it? Where is it! [finds it] Oh, it's always in the crack!Frasier: So is life, Dad.End Of Act One (Time: 10:23) Act Two.Scene One - Winnebago Fade in. Several hours have elapsed, and Martin isnow driving. Niles and Frasier stand behind the two front seats, for Eddie is sitting in the front passenger chair.Martin: I've got to say, I was pretty anxious, but I'm starting to like this free spirit stuff!Frasier: [pointingout of window] Oh Dad, Dad look! There's a historical marker up ahead! Let's stop! Let's go see it, huh?Martin: Yes, just driving wherever you feel like it...Niles: It's educational Dad, there! There! There! There! There!Dad!The Crane boys are pointing excitedly, but Martin drives right past. Niles and Frasier follow it as it whizzes by, and then turn back to the front disappointedly.Niles: What did it say?Frasier: I don't know. The onlyword I saw was \"Legendary.\"Niles: [spotting another attraction on the other side of the road] Oh, oh look, a roadside stand! Fresh fruit, homemade apple cider! Dad, Dad, Dad, Dad...Both: Dad, Dad, Dad, Dad, Dad,DAD!Martin once again drives right by and the boys turn to look at the stand as it whizzes by. Once again they turn back disappointedly, and Niles punches the back of Martins chair lightly.Frasier: Look Dad, you seemto be missing the freewheeling concept.He tries to sit down but Eddie is in the chair. He sits down anyway and Eddie is squashed to the side of the chair, then sits on Frasier's knee.Niles picks up the camcorder andbegins to film the view out of the front of the van.Frasier: We're supposed to go where the wind blows us, for god's sakes!Martin: It's blowing, we're going, why are you moaning?Frasier: [angrily] What is this obsessionyou have with covering a certain distance?Martin: It's just the way I relax!A car drives past, horn blaring. Martin leans out of the window to shout at it.Martin: Hey, watch it! I've got my kids in the car!As he has beenshouting he has veered to the left. He straightens out quickly by swerving to the right, sending Niles once again crashing into the overhead lockers. Niles reels back, stunned.Frasier: What you call relaxing seems like aman with an obsession to me! Don't you think so, Niles?He turns to Niles, who has started to videotape Daphne, who is sleeping.Frasier: Niles! What are you doing?!Niles: I'm making a vacation video, something thatwe can look at years from now, over and over and over and over again...Frasier stands up and takes the camera from him.Frasier: Just give me that!Martin: Okay, you guys want to stop so bad, we'll stop. See that signover there?Niles: \"Have your photo taken with a live grizzly bear - Marvella's souvenirs and gifts - one mile.\"Martin: Yeah! I always wanted to have my picture taken with a bear!Frasier: Well, some dreams cannot bedenied! [looking into the passenger side view mirror] Okay dad, alright, you're good here, you're good on my side, dad. Alright, just go ahead, ease it right over, it's never to early to change lanes... [realising what he issaying] Oh my God, it must be genetic.[SCENE_BREAK]Scene Two - inside Marvella's souvenirs and gifts. The Frasier gang enter, and Eddie starts to bark at a full-size, stuffed grizzly bear propped up in front of apainted view of a mountain surrounded by trees. The rest of the store is full of various souvenirs and junk items. There is a woman standing behind a counter.Marvella: Get your dog away from my bear! I just had himcleaned!Daphne: He's stuffed!Frasier: You know, your sign said \"a live bear.\"Marvella: It's an old sign.Martin: [looking at picture behind bear] Would you look at that view! It's like we're really there!Frasier: Yes, but ifwe were actually there dad, we'd be whizzing past at fifty miles per hour!Niles: Oh Frasier, look! It's the gourmet food department!Frasier: Oh! Homemade deer jerky!Niles: [reading notice with a sarcastic laugh] Nosampling...Frasier: No problem!Martin and Daphne are standing in front of the bear.Martin: Okay! [to lady] Excuse me! Would you take our picture, please? Niles, Frasier, come on up here! Okay, everybody, alright,here we go! Everybody ready? Now, what should we do?Frasier: Well, how about this? [he puts his hands up and opens his mouth wide as if he's scared of the bear]Martin: Yeah! That's great, I like that! Okay,everybody! Eddie?Marvella: Now, before I take it, you know it's ten dollars Canadian.Frasier: Oh, for a treasured memory like this, what's money?Everyone puts on their \"scared\" faces.Marvella: Okay, one...Daphne:Why would she want Canadian dollars?Marvella: Two...Martin: Because we're in Canada.Marvella: Three!On \"three,\" Daphne screams loudly as Marvella takes the picture. Everybody looks at her as she steps forward offthe photo platform.Daphne: We're in Canada?!Martin: Yeah, we crossed the border a while ago, when you were taking a nap.Daphne: But we can't be in Canada! I'm not allowed to leave the United States!Frasier:Why?Daphne: Because I don't have my green card yet! Oh, this is just perfect! Three months until my final interview, the one thing they told me not to do was to leave the country! And what do you do? Wait until thefirst time I fall asleep and drag me across the bleeding border! They're never going to let me back in!Niles: They have to take you back, it's not your fault. [He crosses to comfort her]Frasier: [to Martin] This wouldn'thave happened if you weren't so hell-bent on getting so many miles under your belt today!Martin: Well, you're the one who had to go where the wind blows!Martin and Frasier proceed to yell at each other loudly andangrily. Niles attempts to butt in to calm them down but can't find an appropriate break in the argument to make himself heard. Daphne grabs a duck call and blows it loudly to grab their attention, near-deafening Nilesin the process.Daphne: Never mind whose fault it is, I'm stuck here! What am I going to do?Niles: We'll just go to the authorities and explain. I'm sure mishaps like this happen all the time.Martin: Oh, get real Niles,they've got the rules!Frasier: Oh, then what's your solution dad?Martin: Just sneak her back across the border.Niles: That's called smuggling!Martin: [very sarcastically] Oh, thanks Niles. I knew it was something badguys did, I just didn't know the technical term!Frasier: Dad, I can't believe that you of all people, a former policeman, are actually suggesting that we commit a felony!Martin: Oh, I cross this border plenty! Ninety-ninetimes out of a hundred the guards just peek in the door and wave you through. It's no big deal. Now let's get out of here!Niles: Well, what if they pull us over?Martin: Then Daphne's just got to convince them that she'san American.Daphne: Bloody right! It beats having me bum bounced back across the pond! Let's give it a bash.The others exit and Frasier is left holding the door.Frasier: Oh, yes. This is foolproof... Frasierexits.[SCENE_BREAK]THE HOLE IN THE HEAD GANGScene Three - The Winnebago Back in the motor home, heading for the border. Frasier is driving, Niles and Daphne are sitting at the table. Martin is pacing up anddown the van.Niles: I'm about to defraud the United States Immigration Department. Not just me, my father and my older brother. People who should be role models for me. It's not my fault; I'm the product of a badenvironment.Martin: [to Daphne] Now listen, on the off chance that the guard asks you a question, can you say anything in an American accent?Daphne: [in a poor imitation of a U.S. accent] Sure.Martin: Okay,what?Daphne: You just heard it!Martin: What?Daphne: [repeating the accent] \"Sure.\" That's it, that's all I can say! [Martin looks horrified] Oh, I need a cup of tea!Frasier: TEA! Why don't you just wave a crumpet in theair and start singing, \"God save the Queen\"!!Niles: Don't you snap at her, Frasier, you're a psychiatrist. You should be in better control of your emotions. [panicking] Oh my God, there's the border! I can see the line ofcars!Martin: Alright, now everybody calm down, we're going to be fine. Just remember that they'll be looking for suspicious behavior. [Niles is rocking back and forth with his head resting on his arm.] Niles, thatqualifies! Alright, now if the guard pokes his head in here, what did we say he's going to see?All: Four carefree Americans.Daphne: I've never been so nervous.Frasier: I don't think there's any need to be. They'rewaving everyone through... they're not even asking any questions!Niles: Oh, please, please, please!Frasier: They're waving us through... they're waving us through... they're pulling us over... they're pulling us over!Thegang look mortified. Niles resumes rocking back and forwards.[SCENE_BREAK]CHECKPOINT CHARLIEScene Four - Winnebago. The van has stopped, and the guard is approaching.Martin: Here comes the guard.Daphne:"}
+{"doc_id":"doc_255","qid":"","text":"[Scene: Monica, Chandler, and Phoebe's, everyone is there having breakfast and Joey enters carrying a loaf of bread.]Joey: Hey!Ross: Hi!Joey: Who wants French toast?Ross: Oh, I'll have some!Joey: Good, me too.(Tosses him the loaf.) Eggs and milk are in the fridge. Thanks.Monica: (entering from her room) Oww!Chandler: What's the matter honey?Monica: I don't know, my hand feels weird. I guess it's because, I'm engaged!(Shows off the ring.) How long before it starts getting annoying?Phoebe: It starts?Rachel: Yeah, so let's get started on the wedding plans!Monica: Okay! (Runs off.)Chandler: (incredulous) Already?!Rachel: Yeah, we gota lot to do! We gotta think about the flowers, the caterers, the music...Chandler: Oh, I got some thoughts on that.Rachel: Oh wait Chandler, too many cooks...Ross: Take it from me, as the groom all you have to do isshow up and try to say the right name.Monica: (returning) Okay! (Sets down a huge 3\" 3-ring binder on the table.)Chandler: What in God's name is that?!Ross: Oh my God, the wedding book?! I haven't seen that sincethe forth grade!Monica: This baby has got everything. Take y'know, locations for instance. (She opens up the binder to the locations chapter.) First, organized alphabetically, then geographically, then by squarefootage.Phoebe: That is so smart! (To Chandler, under her breath) Break it off. Break it off now.Opening Credits[Scene: A Classroom, Ross is giving a lecture.]Ross: And that should conclusively prove that I had theidea for Jurassic Park first! Now let's take a look at... (Phoebe rushes in.)Phoebe: Hey! Ross!Ross: Phoebe, oh my God! Wh-wh-what are you doing here?Phoebe: I need to talk to you, it's pretty urgent. It's about Monicaand Chandler.Ross: Oh my God! Of course, of course. (To the class.) Umm, would you please excuse me for a moment? Umm, do you know each other's hometowns? Why don't you... (Motions that they should learneveryone's hometown.) (To Phoebe) Wh-what's going on?Phoebe: Well, umm, not much. But, I was just thinking that since those guys just got engaged that maybe it would be nice if they had some privacy, y'know?So, could I just move in with you for a couple days?Ross: Umm, okay, yeah, sure. But wh-what's wrong with Monica and Chandler?Phoebe: Nothing-Why?!Ross: Phoebe, you said it was urgent!Phoebe: Oh yeah it is! I'mgoing to the movies and it starts in like five minutes.Ross: Do you realize I have a classroom full of students?Phoebe: (to the students) Oh, I'm sorry. I'm so rude. Does anyone want to come to the movies?[Scene:Monica, Chandler, and Phoebe's, Rachel and Monica are pretty much telling Chandler what the wedding plans are.]Monica: All right, so I haven't cleared the budget with my parents yet, but tell me how this is formusic.Rachel: Okay.Monica: All right umm, a string quartet for the procession.Rachel: Aw.Monica: A jazz trio for cocktails. The Bay City Rollers for dancing. Wait, that was from my sixth grade wedding.Chandler: Well,you couldn't get them anyway. Ian doesn't play anymore and Derrick... (Off of Rachel and Monica's looks) And Derrick is a name I shouldn't know.Joey: (sitting up from the couch) Hey Mon, do you have another pillow?(Holds up one.) Y'know, something a little snugglyer?Chandler: Why are you napping over here instead of over at your place?Joey: Well, the duck...Rachel: What?! The duck?! What the hell did the damn duck donow?!Joey: Uh, well he did not get sick somewhere in there and it was immediately found and properly cleaned up!Chandler: Now, do I get to look at this book or is it just for people who are actually involved in thewedding?Monica: Of course you can look at it! Yeah, I want your opinion too!Chandler: Okay.Monica: Here you go! What do you think about centerpieces?Chandler: Centerpieces!Monica: Yeah! Roses or Lilies? (Holds upa picture of each.)Chandler: Definitely roses. (Monica and Rachel exchange a look.) Well, I just think they're a little more weddingy. (Monica holds the Lily picture closer to him.) But Lilies are the clear choice.Monica: Ohmy God! It's like one mind.Chandler: Uh-huh!Joey: (sitting up again) Guys! Guys!! You gotta let me nap! Ugh, I'm gonna get cranky!Rachel: Joey, there is a perfectly good couch across the hall!Joey: Yes it is perfectlygood, and it is not one of the places the duck got sick!Rachel: What?!Joey: All right, I'm gonna go! (Gets up and heads for the door.)Rachel: Now Joey, what did the duck do?!Joey: I don't know! But he did not eat yourface cream![Cut to Joey and Rachel's, Joey enters and heads for his bedroom. He pushes open the door to find the duck.]Joey: Hey little buddy, how are you feeling? (The duck does not get sick and Joey recoils inhorror and heads for the couch.) What the hell is in that face cream? (He's about to try out the couch but notices the bed in Rachel's room. He walks into her room and feels the bed.) That's so soft. (He pulls back thecomforter.) Pillowcases! (He climbs in and groans in delight. Suddenly, he feels something under him and pulls out a little beat up paperback book. He opens it and starts to read from it.) (In his head.) Zelda looked atthe chimney sweep. Her father, the vicar...(Stops reading and thinks.) The vicar? (Continues reading) ...wouldn't be home for hours. Her loins were burning. She threw caution to the wind and reached out and grabbedhis...(Out loud.) Whoa! (Reads on in silence.) Whoa-ho-ho-ho! This is a dirty book! (Continues to read.)[Scene: Ross's apartment, Phoebe has moved in and has a massage client on the table she's set up in the livingroom. Ross enters and is shocked to see a naked man lying on the table.]Ross: Uh, Phoebe...Phoebe: Oh Ross, hi.Ross: Phoebe, what are you doing?Phoebe: I'm sorry, I'm with a client right now.Ross: Phoebe!Phoebe:Okay, let's talk outside.(They go into the hall.)Ross: Phoebe, you can't massage people in my apartment!Phoebe: What's the big deal? I did it at Monica and Chandler's!Ross: And they knew about it?Phoebe: (pause asshe considers it) Okay, well Ross, what is this really about?Ross: Look, this is my home and I want to be able to come and go whenever I want!Phoebe: Okay, I will find someplace else to do the rest of myappointments. I just don't know what the big deal is!Ross: The big deal is I don't want naked, greasy strangers in my apartment when I want to kick back with a puzzle-beer! Cold beer.[Scene: Joey and Rachel's, Joey issweeping up as Rachel enters.]Rachel: Hey Joey, what 'cha doing?Joey: Sweepin'. Why? Turn you on?Rachel: No.Joey: Huh. What if I was sweeping a chimney?Rachel: Joey, did you eat my face cream?(She walks intoher bedroom.)Joey: Where are you going? The vicar won't be home for hours.(She comes back out.)Rachel: Joey, (nervously) where did you learn that word?Joey: Where do you think, (pause) Zelda?Rachel: (gasps)You found my book?!Joey: Yeah I did!Rachel: Joey, what-what are you doing going into my bedroom?!Joey: Okay, look I'm sorry, I went in there to take a nap and I know I shouldn't have, but you got p0rn!Rachel:Hey-hey, y'know what? I don't care! I'm not ashamed of my book. There's nothing wrong with a woman enjoying a little...erotica. It's just a healthy expression of female sexuality, which by the way, you will neverunderstand. (She goes into her room.)Joey: You got p0rn![Scene: Ross's apartment, Ross is coming out of the living room carrying his salad and a puzzle-beer! Cold beer. And he decides to fold up Phoebe's massagetable, but being Ross has trouble with it as there is a knock on the door. He sets the table back up and opens the door to reveal a beautiful woman.]Ross: Hello.Woman: Hi, is uh Phoebe here?Ross: Uh no-no, she-she'sout for the night.Woman: Ohh great.Ross: Can I, can I help you with something?Woman: Well, I don't know. Are you a masseur?Ross: (deadpan) Yes I am.Woman: Great! (Calls down the hall) Dad! (Her old fatherwalks in.) Thank you so much, I'll be back to pick him up in an hour. (She walks away.)(Ross isn't happy and closes the door slowly.)[Scene: A Restaurant, Monica and Chandler are having dinner with her parents.]Mrs.Geller: So Chandler, your parents must've been thrilled when you told them you were engaged.Chandler: Oh yeah, I should probably call them.Mr. Geller: I remember when we first got engaged.Chandler: Oh, I don'tthink I ever heard that story.Monica: Oh dad, really you don't need to...Mr. Geller: (ignoring her) Well, I'd gotten Judy pregnant. I still don't know how that happened.Mrs. Geller: (incredulous) You don't know how thathappened?! Your dog thought my diaphragm was a chew toy!Chandler: What a sweet story.Monica: Well, at least you're not hearing it for the first time at your fifth grade Halloween party.Mr. Geller: What?! Theywanted a scary story!Monica: Anyway, we're really excited about our wedding plans, and well I guess pretty soon we'll be making a big withdrawal from the Monica wedding fund. (She and Chandler laugh, but herparents don't.) What?Mrs. Geller: You tell her Jack, I can't do it.Monica: What happened? You still have the Monica wedding fund don't you?Mr. Geller: We have it. Only now, we call it the beachhouse.[SCENE_BREAK][Scene: A Restaurant, scene continued from before the break.]Monica: I don't believe you spent my wedding fund on the beach house!Mrs. Geller: We're sorry honey, but we just assumed if yougot married after you turned 30 you'd pay for it yourself.Monica: You bought the beach house when I was 23!Mr. Geller: Which means you had seven years of beach fun and you can't put a price on that sweetie.Mrs.Geller: We really do feel bad about this though.Mr. Geller: We started saving again when you were dating Richard and then that went to hell, so we redid the kitchen.Monica: What about when I started datingChandler?Mrs. Geller: Well it was Chandler! We didn't think he'd ever propose!Chandler: Clearly I did not start drinking enough at the start of the meal. (Starts to make up for lost time and takes a big swig of hisdrink.)Monica: I can't believe it! That there is no money for my wedding?!Mrs. Geller: We might still have some money, if your father didn't think it was a good idea to sell ice over the Internet.Mr. Geller: It seemed likesuch a simple idea.Mrs. Geller: Stupid Jack, the word is stupid.Mr. Geller: All right, enough! I don't want to hear about it anymore! (Under his breath) Good luck, Chandler. (Chandler takes another drink.)[Scene: Ross'sapartment, his massage client is on the table and Ross is reluctantly starting his massage. He spreads some lotion in his hands, and doesn't like it.]Ross: Okay! Now, I'm going to touch you. (He does so, very gingerly.)Ohh, that's soft. (He starts poking him and notices his salad spoons and starts to massage him with those.)[Scene: Monica, Chandler, and Phoebe's, Monica and Chandler are returning from dinner, Rachel is alreadythere.]Monica: I can't believe this. Do you think that your parents could help pay for it?Chandler: I don't know, my mother spent most of her money on her fourth wedding. She's saving the rest for her divorce. And anyextra cash my father has he saves for his yearly trips to (Pause) Dollywood.Rachel: Well what happened at dinner?Monica: My parents spent the money for our wedding!Phoebe: (gasps) My God! What did youorder?!Rachel: Wait, but there's no money! Well this is terrible! You guys are gonna have to get married in like a, rec. center!Chandler: Honey, it's gonna be okay.Monica: No! No it's not! It's not gonna be okay! Itsucks! No swing band! No lilies!Rachel: No, y'know what? It's gonna be okay. I mean you don't have to have this rustic Italian feast. Y'know? And-and you don't need, you don't need this custom-made, empire-waisted,duchess, satin gown; you can wear off the rack. (She starts to cry, as does Monica.)Chandler: Look, it really is gonna be okay. The important thing is that we love each other and that we're gonna get married.Rachel:Do you even understand what off the rack means?!Phoebe: Look, why don't you just pay for it yourself?Monica: How? I don't have any money.Chandler: Well, I have some.Monica: How much?Chandler: Well, close to...(Notices Rachel leaning in to hear and decides to write it on a piece of paper and hand it to Monica as Phoebe averts her eyes.)Monica: Whoa!!! Are you kidding me?!Rachel: Well what?! How-how much is it?!Monica: It'senough for wedding scenario eight.Rachel: Ohh! (Whispers.) Really?!Monica: (To Chandler) How great are you, you little saver?! I mean, the-the amount you have is exactly the budget of my dream wedding!Rachel:(starting to cry) Ohh, you guys are so made for each other.Chandler: Well, you're not suggesting that we spend all of the money on the wedding?Rachel and Monica: Ah, yeah!Chandler: Well, come on, I've been savingthis money for six years and I kinda had some of it earmarked for the future, not just for a party.Phoebe: (reading the slip of paper) Wow! (In a sultry voice) Hello, Mr. Chandler.Monica: This is the most special day ofour lives.Chandler: No, I realize that honey, but I'm not gonna spend all of the money on one party.Monica: Honey, umm I-I love you, (laughs) but umm, if you call our wedding a party one more time, you may not getinvited. Okay? (Laughs) Listen, we could always earn more money, okay? But uh, we're only gonna get married once.Chandler: Look, I understand, but I have to put my foot down. Okay? The answer is no.Monica:You-you're gonna have to put your foot down?Chandler: Yes, I am!Phoebe: Wow, money and a firm hand. Finally a Chandler I can get on board with.[SCENE_BREAK][Scene: Central Perk, Joey and Ross are there asRachel enters and sees Joey sitting there.]Joey: Hey Rach.Rachel: (quietly) Joey.Joey: Hey Rach, do you smell smoke?Rachel: Uh-huh, I get it, smoke, chimney, chimney sweep, very funny, ha-ha.Joey: No-no-no, I'mserious. You don't smell it? Something's on fire.Rachel: Well no, I don't smell anything.Joey: Oh, y'know what? It's probably just your burnin' loins.Ross: (sitting down) Hey, what are you guys, what are you guys talkingabout?Rachel: Nothing!Ross: (takes a drink) Damn, this coffee's cold! Hey Rach, do you mind if I heat this up on your loins? (Joey and he both laugh.)Rachel: Y'know, I can not believe you told him, Joey!Ross: So Iguess you bought that book after we broke up huh?Rachel: Uh-huh, yeah I did, because I wore out my first copy when I was with you. (Exits.)Ross: (chases her) Oh yeah, yeah? Well uh, when we were going out, I readtons of porno magazines! (Realizes a table of women overheard him.) (To that table.) 'Sup?Phoebe: (entering) Ross! How could you do that to an old man?!Ross: (looking at the table) Excuse me ladies. (To Phoebe) I'msorry?Phoebe: My massage client, Arthur? His daughter called and said that some guy that worked for me gave him a really weird massage this afternoon.Ross: (incredulous) I gave him an extremely professionalmassage!Phoebe: He said you poked at him with wooden spoons.Ross: Okay, so it wasn't uh, a traditional massage. But I did give him acu-pressure with a pair of chopsticks. And, and I gently exfoliated him with, with amop.Phoebe: Well, he's never coming back! Okay? You just cost me eight dollars a week!Ross: Hey, y'know what? This is your fault! You're the one that didn't move his-his appointment.Phoebe: Oh, it's my fault?! Youdidn't have to massage him! You could've sent him away! You could've not rolled Tonka trucks up and down his back!Ross: He said he liked that!! Oh you're right, you're right. I'm sorry.Joey: Dude, what are youmassaging an old man for?Ross: His daughter was hot.Joey: Gotcha.[Scene: Monica, Chandler, and Phoebe's, Chandler is looking at the wedding book as Monica enters.]Monica: Hey.Chandler: Hey.Monica: Listen umm,I've been thinking, it's not fair for me to ask you to spend all of your money on our wedding. I mean, you work, you work really hard for that.Chandler: Ehh.Monica: Eh, you work for that.Chandler: Look, I thoughtabout it too, and I'm sorry. I think we should spend all of the money on the wedding.Monica: You do?!Chandler: Yeah, I'm putting my foot down. Yeah look, when I proposed I told you that I would do anything to makeyou happy, and if having the perfect wedding makes you happy then, then that's what we're gonna do.Monica: Oh, you're so sweet. (They hug and kiss.) Oh, but wait, what about our, what about the future andstuff?Chandler: Eh, forget about the future and stuff! So we only have two kids, y'know? We'll pick our favorite and that one will get to go to college.Monica: You thought about that?Chandler: Yeah.Monica: How manykids were we gonna have?Chandler: Uh, four, a boy, twin girls and another boy.Monica: What else did you think about?Chandler: Well, stuff like where'd we live, y'know? Like a small place outside the city, where ourkids could learn to ride their bikes and stuff. Y'know, we could have a cat that had a bell on its collar and we could hear it every time it ran through the little kitty door. Of course, we'd have an apartment over thegarage where Joey could grow old.Monica: (laughs) Y'know what? I-I don't want a big, fancy wedding.Chandler: Sure you do.Monica: No, I want everything you just said. I want a marriage.Chandler: You sure?Monica:Uh-hmm.Chandler: I love you so much.Monica: I love you. (They kiss.) Hey listen umm, when, when you were talkin' about our future you said cat, but you meant dog right.Chandler: Oh yeah, totally!Monica: Ohgood.Ending Credits[Scene: Joey and Rachel's, Rachel is balancing her checkbook as Joey enters from his room wearing a hockey helmet, gloves, and shin guards.]Joey: Hello, Zelda.Rachel: Who are you supposed tobe?Joey: The vicar!Rachel: Do you even know what a vicar is?Joey: Like a goalie, right?Rachel: (sarcastically) Yeah. Look Joey, it's enough alright?! You keep making these stupid jokes and this sleazy innuendoes andit's-I'm not-it's just not funny anymore!Joey: All right, I'm sorry. Rach I-Rach I'm sorry. Okay? I'm sorry! Maybe I can make up for it by, taking you roughly in the barn. (Giggles.)Rachel: All right! Y'know what? That'sit! You wanna do it?! Let's do it!Joey: Huh?Rachel: (starting to move closer to him) That's right, I wanna do it with you! I've been trying to fight it, but you just said all the right things.Joey: (nervously backing away)I-I-I-I did? (He puts a stool in front of her.)Rachel: (moves the stool out of the way) Yeah! Ohh, I've been waitin' so long to get on that body!Joey: This body? (He backs into the kitchen.)Rachel: Yeah that's right! Comeon Joey; s*x me up!Joey: Hey-hey, you're startin' to sound like the butcher's wife there in-in chapter seven.Rachel: Oh, come on now, don't keep me waiting. Get those clothes off! But, I would keep that helmet onbecause you're in for a rough ride! (He backs into the door.)Joey: I don't want to, I'm scared.(Rachel walks away, pleased with herself.)"}
+{"doc_id":"doc_256","qid":"","text":"[PREVIOUSLY_ON]Julian : I decided not to produce the movie. There's this girl that... I'm kind of in love with, and... I couldn't be away from her for another day.Haley : I know the label's gonna run a lot smoother withyou at the helm.Miranda : I'm not here to run the label. I'm here to close it.Mouth : You're mad because I want you to move out, but it's only because I'm trying to step things up with Millie.Skills : You trying to get ridof me with your naked ass. It ain't gonna work.Quinn : You know earlier when... when I said I miss David?Haley : What happened, Quinn? You said he...Quinn : I left him.Clay : Does that girl look familiar to you?Nathan: Yeah, she was at the party today. Why?Clay : She says she slept with you on the road, Nate, and she's going public.AT BROOKE'S HOUSEMan : And where will you run... back to the life of a peasant harlot?Alex :Perhaps I will. But should I return to a life of more meager means, I will do so with my dignity intact, my heart pure and true.Man : And yet you had no dignity nor purity in my bed a fortnight ago.Alex : Meager means,indeed.Man : Harlot! Leave the dress!Brooke : Millie was right. Alex Dupré is the perfect choice to be the face of the new campaign. She's smart. She's talented. She is crazy beautiful. Julian?Julian : I'm shaving!Brooke: How come this movie never came out?Julian : Because smart and talented and beautiful got all hopped up on goofballs and had to be checked into rehab. By the way, those dailies are top secret. I had to call in abouta dozen favors to get 'em.Brooke : Aww, my baby's so good to me. Damn. I am really gonna like this living-together thing. I want you to move your stuff in, okay? This is our house now, not just mine.Julian : Good.Well, then how would you feel about going back to our bedroom for a little while?Brooke : I'd make a joke about meager means, but... it would simply be untrue.ON THE BEACHClay : Hey. You know I'm not judging you,right?Nathan : Clay, listen, man, you've known me for a long time now. I don't care what that woman says. I did not sleep with her, all right?Clay : All right.Nathan : It's unbelievable to me that she could just show upand spout a bunch of lies, and the next thing you know, I'm in the headlines, my family's in the headlines, and I'm guilty before I'm innocent.Clay : Don't freak out. You're not in the headlines yet. And believe it or not,this kind of thing, it happens a lot. You're a public figure, and they know you make a lot of money.Nathan : I'm in a contract year, Clay.Clay : I know. So, here's what you're gonna do. You're gonna stay in shape, you'regonna stay focused, and you're gonna let me handle it. All right?Nathan : All right.*yeah*AT SCOTT'S HOUSEHaley : It has been ringing off the hook.*waves crash along*Haley : Quinn, what happened? I mean, whatactually happened between you and David?Quinn : He just changed, you know? I mean, he used to see the world exactly the way I saw it. He just doesn't anymore.Haley : But he still loves you.Quinn : I know. But Idon't know if that's enough.Haley : I'm sorry. I got to go. I got to go down to the studio and take care of this whole \"shutting us down\" mess.Quinn : Do you need my help?Haley : No. You just stay here and enjoy yourday. I'll see you later.Quinn : Okay.Haley : It's gonna be okay, Quinn.Quinn : I love you.Haley : I love you, too. *keep your hello* *don't think about it at all*AT MOUHT'S APPARTMENTMillicent : Is it okay?Skills :You're good.Millicent : Damn it, Skills!Skills : What up, Millie?Millicent : You and Marvin need to stop this ridiculous naked standoff!Skills : Hey, look, he started it, trying to get me to move out.Millicent : Okay, look...I'm going to pick up Alex Dupré from the airport. I'm gonna work a full day, and when I get home, you two idiots better have your pants on!IN THE CARJamie : So, what are you gonna do?Skills : I ain't moving out.That's for sure.Jamie : Why not? If Chester hopped around without his fur on, I'd probably move out.Skills : Yeah, well, it's a long story. So, you ready for the beach?Jamie : Totally. You think I can bury you and MissLauren in the sand?Skills : Cool with me. Oh, and, um, don't tell Miss Lauren about the whole moving-out stuff, all right?Jamie : Why not?Skills : Just don't. Wait. Uh-Oh, here she comes.Lauren : Hey, boys. Ready forthe beach? What are you guys up to?Skills : Nothing.Jamie : Nothing.Lauren : Huh.*that girl's a genius* *whoa oh oh oh oh oh oh*TV BROADCASTDan : Never believe that you can deceive. You might think that you canget away with it. You might actually get away with it... for a while. But your life is made up of choices and decisions.AT BROOKE'S HOUSEPaul : Hi, Julian.Julian : Dad. What are you doing here?Paul : I came to talk youout of the worst decision of your life.TV BROADCASTDan : Poor choices, poor life. Bad decisions... bad life.AT RED BEDROOM RECORDSHaley : Come on. Where is it?Miranda : Page 7, item 4... It's the part of thecontract that basically says we can acquire the label whenever we'd like.TV BROADCASTDan : Wickedness... As you know, I've been there. I'm not alone. My wife was, too. She was deceptive and manipulative. Sheabused drink and drugs. She was promiscuous. But today she stands beside me a changed woman, a caring woman, a better woman. Ladies and gentlemen, my wife, and the love of my life.*my girl's ready to takecontrol* *she just blows my mind* *she only listens to the radio*Dan : I love you, honey.Rachel : I love you, honey. *yeah* *she wakes up scared of getting old*AT BROOKE'S HOUSEJulian : I didn't make a baddecision, dad.Paul : Is that right? You walked away from a potential blockbuster movie days before production, and for what?Julian : For love.Paul : Love... with Brooke Davis.Julian : Be careful, dad.Paul : Julian, she'sBrooke Davis! I read the tabloids. This is a fling for her, and it could cost you your career!Julian : I think you need to leave.*behind the tv screen I've fallen to my knees*Paul : Your career was one movie away frombeing prestigious... This movie. And you walk away. For what? A promiscuous fashion designer. *I need to get away* *blanket of silence* *makes me want to sink my teeth in deep* *burn all the evidence*AT REDBEDROOM RECORDSMiranda : Oh, this glass is gonna look amazing in my loft in Los Angeles.Haley : All right, Miranda, I know that you have a legal right to shut down the label, but you don't have to be a total bitchabout it.Miranda : You're the producer, Haley, and, potentially, a great artist, but you don't have time to record because you're running what is essentially a vanity label.Haley : Va... vanity la... You guys would not haveMia Catalano if it wasn't for this label. You wouldn't have had the time or patience or interest to develop an artist like her. That's what small labels do. We develop and nurture artists. It's something corporate labels willnever do.Miranda : I've always wanted a pool table.AT BROOKE'S HOUSEBrooke : I can't believe your dad just came all this way to tell you he thinks you're making a mistake. He couldn't call or text or tweet that toyou?Julian : He's a movie producer, Brooke. He loves the dramatic.Brooke : Well, what else did he say?Julian : He wanted to know what my game plan was... was I still actively producing, do I have a development stafffinding me new properties, and...Brooke : That is some poster.Julian : What? Oh, right. You like it?Brooke : Yeah. It's... different for the living room.Julian : He was just so crazy, my father.Brooke : Do you think maybeyou would like that better in the spare bedroom or in your office? We could get you an office for that.Julian : Look, my dad just flew five hours to ask me if I'm quitting the business and getting married.Brooke : Whatdid you say?Julian : I asked him to leave.Brooke : No, about the \"marriage\" part.Julian : I told him he was crazy. We're not getting married. We just moved in together. I... I don't... I don't know what the hell got intohim.*I ain't got no other place to hide* *chained down like a sitting duck* *just waiting for the fall*TV BROADCASTRachel : Hey, you.Dan : The clock... it was a good idea. I think it reminds people that every secondcounts.Rachel : It's easy. People don't have to work that hard to get it. We have that dinner tonight with the investment guys from Texas. I think you should tell them the whole \"phoenix rising from the ashes\" story.They'll love it.Dan : It was a good show today. I think we might have reached some people. Do you think it was a good show?Rachel : I'll let you know after I see the ratings. I got to go.Dan : Hey. I love you.Rachel : Iknow, baby. Wear your gray suit tonight. You always look good in that suit.AT THE AEROPORTAlex : Guys.Fan : Right here!Alex : Hey. There you go.Fan : One more.Tanya : Miss Dupré? Miss dupré? Could I get anautograph?Alex : Oh, yeah, sure, you pretty thing. What's your name?Tanya : Tanya.Alex : Tanya?Tanya : I loved you in \"Heart so true\". You were so brave in that.Alex : Oh, thank you, sweetie. But that's just acting.You're the brave one.Tanya : Thanks.Alex : Bye. Bye bye.Millicent : Alex, Millicent Huxtable, Clothes Over Bros. Welcome to Tree Hill.Alex : Thank you.IN THE CARMillicent : Can I just say that I am your biggest fan?And it's because of things like that... that you would take the time to inspire that poor girl in the wheelchair after such a long flight.Alex : They kind of creep me out.Millicent : What?Alex : Cripples and, like, retardedpeople. They're always, like, drooling and smiling really weird. It's so gross. Water, water, water. Um, is there any wine in here?Millicent : Um, I thought you were sober. You just went to rehab.Alex : Ugh, do notremind me. They took my phone away. Besides, wine's not even alcohol. It's like grape. Ugh, it's so hot out there. Where the hell are we? It's like the devil's ass in this place. When do I get paid?Millicent : I think youragent takes care of that.Alex : Can I just tell you... I hate that woman. She's like a complete alcoholic, and her fingers look like chicken feet. Btw, I am starving. Is there any food?Millicent : Well, I read that you onlyeat organic food, so we have an entire organic feast waiting at the hotel.Alex : Yeah, I just make that stuff up. Can you drive through a Mickey d's? I could totally eat the butt off a skunk right now.Millicent : Um, driveon... please.ON THE BEACHClay : Nate, it's gonna be okay. You know, we haven't heard from this woman since the one e-mail. So, until it's real, it's not real. You know, and besides, who the hell would want to sleepwith you, anyway? Okay, I know it's bad timing, but damn.Nathan : Dude, quit checking out my sister-in-law.Quinn : Hey, dumb and dumber.Clay : Hey.Quinn : Nice day, huh?Nathan : I don't know. Maybe you're right.Maybe it's nothing.Clay : Actually, uh... now it is something.Lauren : Hey Jamie can you scratch my noze. Aah, thank you. Oh! My hat!Jamie : I'll get it.Lauren : Ohh.Skills : Can you move?Lauren : Not a muscle.Skills :Me neither. Man, I hope that knucklehead come back.AT RED BEDROOM RECORDSHaley : So, listen, Peyton, here's the thing... Uh, you know how I... insisted that you keep that 1 % of the label? Well, it... it kind ofkilled the label. But, Haley... Okay, okay, I'm sorry. I can see that I'm upsetting you, and I don't want to do that. So, um, let me just, uh... Talk to Lucas. Geez, Haley, I... I... I... I... I don't know, you know? This hasreally meant a lot to... Peyton. I know. I know. I'm a terrible friend, and there's nothing that I can do unless I... You might be a genius, Haley. Thank you, Haley.* am I * * am I losing my mind? *ON THE BEACHJamie :Oh!Quinn : Jamie?Jamie : Aunt Quinn!Quinn : Hey! Who let you off your leash?Jamie : Uncle Skills, but he didn't bring the leash today.Quinn : Okay, where is he?Jamie : He's over there. Miss Lauren, too. This is herhat. Cool.Quinn : Well, I was just on my way to go get a snack. Can I tempt you?Jamie : Sure.Quinn : Yeah? You should probably tell them you're with me.Jamie : Denzel, this is Macaulay. Denzel, this is Macaulay. I'mgoing for a snack with my aunt Quinn. Over. Okay, all set. Stupid, crazy nanny.Quinn : Hop on. Whoop! There we go. What do you want?ON THE STREETDan : Hey, give me a sec, okay?Rachel : Okay.Dan : Mind if I joinyou?Man : Spare a few bucks?Dan : First... you mind telling me how you got here?Man : You must be one of them religious guys or something.Dan : No. I got nothing against religion. If you ask me, the one man yougot to believe in... is you.Man : I stopped believing in me a long time ago.Dan : Why? You made some mistakes? You failed sometimes? Listen. No matter what mistakes or failures you had, they weren't even close tomine. There's a book you should read.Man : You're talking about the bible.Dan : No, man, it's not the bible. It's this book. Listen. There's a used-book shop around the corner. Now, you can take this book, sell it for afew bucks, buy yourself a bottle, and feel good for a few minutes. Or you could read it and feel better for the rest of your life.Man : Hey. What your name is, man?Dan : My name is Dan Scott. And I believe in you.ATCLOTHES OVER BROSMillicent : He probably didn't mean it.Brooke : It was just the way he said it, as if the very idea of us ever getting married was somehow completely ridiculous to him. And then he hung this uglyarmy-man poster in the living room. I have to talk to him.Millicent : Okay, but he might freak out a little if you start talking marriage so soon.Brooke : No, about the poster, you dork. It has to go. I am really excited tomeet Alex, though. How is she?Millicent : Um... she's really... something. She just wanted to freshen up. You're gonna love her.AT THE HOTEL ROOMMillicent : She's gonna hate you!Alex : Go away, you witch.Millicent :\"Witch\"? \"Witch\"?! Look, missy, my ass is on the line here!Alex : You mean your big ass.Millicent : Really? Really? Get up!Alex : I'm tired!Millicent : Well, you better get un-tired because you're going over to ClothesOver Bros, and you're gonna convince Brooke Davis that the half-million dollars she's paying you is not a waste!Alex : Half a million dollars?AT THE RESTAURANTClay : So, you want to talk? Talk.Renee : What, no\"hello\"? No introductions?Clay : Your name's Renee. I recognize you from the picture you took when you trespassed at a 7-Year-Old's birthday party. You have a last name?Renee : You're kind of hot when you're allfired up.Clay : I know he didn't do it. I don't know what your angle is, and I don't know why you targeted Nathan Scott, but what I do know is that he didn't do it.Renee : You're quite the party boy, aren't you?Clay : I'msingle. He's not.Renee : Oh, like that matters.Clay : Maybe not to girls like you, but to Nathan it does.Renee : \"Girls like me.\" You know what's so great about justice? It doesn't discriminate against \"girls likeme.\"Nathan : What do you want from me?Clay : Whoa, walk away, Nate.Nathan : Huh?Renee : Hi, Nathan.Nathan : You need to stop this.Clay : Outside.Nathan : You need to stop this now, okay? Do you hear me? Whyare you doing this to me?Clay : Come on.Clay : What the hell is wrong with you?Nathan : I just wanted to talk to her.Clay : In public? In front of a roomful of people with camera phones and video, you wanted to talkwith her, just thought you'd have a little chat?Nathan : I'm sorry. I screwed up.Clay : Yeah, you screwed up, Nate!Nathan : What does she want?Clay : I don't know. I was about to find out until Nathan Scott stormed inlike a madman!Nathan : Look, I said I was sorry, jackass. Let it go.Clay : I'm gonna see if she'll sit down with me again. In the meantime, you just, um... Try not to get thrown through a window, all right? Damn it,Nate.AT CLOTHES OVER BROSMillicent : Brooke? Please don't fire me. Please don't fire me.Alex : Shut up. I'm an actress. I got this.Brooke : Alex, hi, I'm Brooke Davis. It's so nice to meet you.Alex : Oh... my... God.You are so beautiful.Brooke : Thank you.Alex : Can I just say that I'm so happy to be here? And I think it's so great that you make designer clothes for plus-sized girls. I never knew it was based on you, but I thinkthat's so sweet.Brooke : Uh, no, I'm normal-sized.Alex : Oh, I know, but I have the best diet for you. You're so gonna lose that weight.Brooke : Okay. How was your flight? You flew private, right?Alex : Uh-Huh. Theylet me ride in the cockpit. It was so rad.Brooke : In the cockpit?Alex : Totally. They let me steer the plane and everything.Brooke : They let you fly the plane.Alex : I know! I'm so a cockpit girl.Brooke : That's what shesaid.Alex : Who?Brooke : Who what?Alex : You... you said she said something, but I don't know who you mean.Brooke : No, it's... it's an expression. When someone says something that sounds sexual, you say, \"that'swhat Alex : she said\".Alex : Oh. Right.Brooke : Okay.Alex : Why don't we show Alex the new line?Brooke : Great. You're gonna love it. It's kind of elegant and kind of edgy, and the pieces are a lot like this one.Alex :No, I don't like that.Brooke : Why?Alex : Uh, first of all, it's purple. When I was a little girl, there was this dinosaur thing, and it totally freaked me out, and it was purple.Brooke : You mean Barney?Alex : Yeah. That'swhat she said.Brooke : Okay. That's totally wrong, but...Alex : I know. I'm so funny, huh? My best friend, Kimmy, told me I should totally do more comedy. She says most people are really uptight, but I'm not tight atall.Brooke : That's what she said.Alex : Who? Oh, Kimmy? Yeah, she said that. She said I'm so much funnier than Cameron Diaz. I mean, plus, have you seen my ass? Come on. Way better than hers. Like way.Brooke :Could you excuse us for just... One minute?Alex : Sure. I have to pee, anyway.Brooke : Great. Second door on the left.Alex : Okay.Millicent : I'll just clean out my things and go.ON THE BEACHJamie : Remember thattime I stayed with you and uncle David for a whole week?Quinn : Yep, and we made pancakes every morning with chocolate sauce and whipped cream?Jamie : Maybe if David comes, we could do that again.Quinn :Yeah. Maybe. Hey, are you sure Skills and Lauren won't be worried about you?Jamie : Oh, man!IN THE CARJamie : At least I got your hat.AT RED BEDROOM RECORDSHaley : So, can I talk to you?Miranda : Would youlike to speak with me or talk to me?Haley : Oh, brother, you are a piece of work. So, you're excited about my record, right? John Knight's excited about my record, which is why you guys want to close Red Bedroom...to free me up to record?Miranda : In part, yes.Haley : If you close Red Bedroom, I'm not gonna make an album.Miranda : Haley, you need to remove the emotion from this. It's a business decision. It's notpersonal.Haley : It is personal. Everything about this label is personal... why Peyton started it, why she made me her partner... It's as personal as it gets.Miranda : If you don't record with us, you don't record at all. Wehave a contract with you. We own you.Mia : But you don't own me.Miranda : It's a pleasure to meet you, Mia. I've seen you perform a few times, but we've never been formally introduced. Miranda Stone.Mia : Haley'stold me a lot about you.Miranda : Red Bedroom records will always be important to us, but at the moment...Mia : Can we just cut to the chase?Haley : How is Chase?Mia : He's good. He says hi. Thanks.Haley : Aww, Iwas there at your first date.Mia : Oh, I know. You and Nathan were so great. I sold more records than any artist on our roster last year. But if this label goes away, so do I.Miranda : How so?Mia : You distribute myrecords, but I record for Red Bedroom, exclusively. Peyton made sure of that.Haley : It's true. I checked.Miranda : Wow. Everyone has their price.Mia : No, actually, not everyone. Peyton and Haley are responsible formy career, and you can't put a price on that. And even if you do, I won't accept it. So, congratulations. You're about to lose your biggest-selling artist. Does that pretty much do it, Hales?Haley : Yes. Thank you.Mia : Sogood to see you.Haley : Oh, good to see you, too. You look so cute.Mia : Thanks. I'll let you two talk.Haley : Yeah? Who's the bitch now, bitch?AT CLOTHES OVER BROSMillicent : I'm so sorry. I should have met with herfirst. I thought she was the girl from her movies.Brooke : It's okay. I thought so, too. She has been in that bathroom a really long time.Millicent : What are we gonna do?Brooke : I'll tell you what we're not gonna do.We are not gonna pay that dum-dum $500,000. We'll just have to... tell her something. We'll say the company went bankrupt or... Or maybe... we should just start speaking Spanish and she'll get really confused andshe'll just leave.Millicent : I don't think that's gonna work.Brooke : It might. She is really dumb.Alex : Brooke?Brooke : Buenos dias. Tenido mucha cerveza.Millicent : Ay, mucha cerveza.Alex : It's okay. I, uh... I knowI'm not what you expected. You don't have to pay me. It's just...Brooke : That's one of my designs.Alex : Since rehab, this dress is all I have. When I felt like I was nothing, it gave me strength and dignity. So, nomatter what happens to me or where my life takes me, I'll wear this dress... your dress... and I'll be fine.Brooke : It's okay. Of course we will pay you. I... I think you look beautiful in that dress, and I think you're"}
+{"doc_id":"doc_257","qid":"","text":"EXT. - L.A. - WAREHOUSE BUILDING - DAY[The sound of slow breathing. The scene fades in with klezmer music. Jenny gets out of her car which is parked next to a warehouse by the freeway. Car traffic and policesirens are heard in the distance.][Title card: Los Angeles, California, present day][Jenny walks up to the warehouse. A sign on the building reads \"Howling Coyote\".][Jenny goes in. The breathing sound in thebackground begins to speed up. Jenny walks through a corridor to a main area with a small stage. A woman sits at a table. A big man looking at a clipboard walks past.]Woman: Hey, Victor. She's here.[Victor looks atJenny.]Victor: Yeah. So? (shrugs)Woman: Trust me. She's a very sick girl.[The breathing stops. Jenny smiles.][Opening credits]INT. - SHANE AND JENNY'S HOUSE - JENNY'S ROOM - DAY[Jenny sings softly in Hebrew.She slowly flips through the pages of a sketchbook, wherein is drawn disturbing pictures of a naked young woman: urinating in a bowl, being shouted at by a young man wearing a clown t-shirt, and standing on a stagein front of a crowd of cheering, shouting men, lifting her skirt. The title of one of the drawings reads \"Skokie, Illinois, 1989\". The sound of men cheering and whistling loudly is heard in the background.][The men in thecrowd look vicious, like animals, as they shout at the young girl on stage. Jenny has drawn many of the men in the crowd with warped, bizarre faces, as they jeer and show their teeth at the girl on the stage. Some ofthe men stare hard; others have their mouths open, shouting.][Cut to live-action footage of men crowded around a small stage, shouting and banging on the stage animalistically. The men are almost uncontrollable.The scene goes back and forth between live-action shots and the drawings.][We see a drawing of a young Jenny, stripped down to her underwear, standing alone as hands reach for her. The sounds of cheering andshouting finally drift away. Jenny still sings softly.]INT. - BETTE'S HOUSE - LIVING ROOM - DAY[Deliverymen are bringing in a hospital bed for Melvin. Kit sits nearby. Bette moves furniture around.]Bette: Just right inthe middle of the living room.Kit: Not a good decorating choice. You're going to be sorry.Bette: I just had to get him out of the hospital. It was killing him.Kit: Cancer's killing him.Bette: (to deliverymen) That's great.Right there. Can you guys hook that up for me, please?Deliveryman: Really not our job, ma'am. Here are the instructions.[The deliveryman hands Bette a slip of paper before leaving. Bette reads it.]Kit: Do you haveany idea what you're taking on? Are you prepared to watch our father die right here in your living room?Bette: He could go into remission, Kit. Don't put him in the ground quite yet.Kit: He's refusing treatment.Bette:His doctors give him four to six weeks. I give him as long as he wants to stay alive.Kit: And what about work?Bette: (sighs) Don't worry about work, Kit. I just... want to make sure that Daddy's set up. I'll figuresomething out.Kit: I don't think you know what you're in for. This is going to eat you alive.Bette: I didn't know that I would be taking it on all by myself.Kit: Then you should have talked to me. You should have includedme in this huge decision you made about how our father's going to leave this earth.INT. - SHANE AND JENNY'S HOUSE - JENNY'S ROOM - DAY[Jenny still sits, looking at the sketchbook, still singing softly in Hebrew.Shane walks in with coffee and a muffin and sits down next to her.]Jenny: Thank you. That's nice.Shane: They're from Mark.Jenny: No, thank you.Shane: Look, he asked me to bring it.Jenny: I'm not going to let theb*st*rd redeem himself.Shane: Look, I doubt he thinks that coffee and a muffin's going to redeem him.[Jenny says nothing, continues looking at the sketchbook. Shane gets up and walks to the door.]Shane: Look, Ihate to bring this up, but... we have rent -Jenny: No, no, no. I know.Shane: You know, Jen, I'd - I'd cover you if I could -Jenny: No.Shane: You know, Mark offered -[Jenny turns around to Shane.]Jenny: No.[She turnsback to her sketchbook.]Jenny: I'll pay my own rent.Shane: Okay.[Shane leaves.]EXT. - BETTE'S HOUSE - FRONT PORCH - DAY[Shelly, the nurse, walks to the front door.]EXT. - SHANE AND JENNY'S HOUSE - FRONTPORCH - DAY[Mark is busy scraping old paint off the house with a paint scraper.]INT. - BETTE'S HOUSE - LIVING ROOM - DAY[Bette is taking down some of the more suggestive art she has in her house. Shelly knocksat the door.]Bette: Come in.Shelly: (entering) Hi.Bette: Oh, thank God you're here. Can you figure out how to hook that thing up?Shelly: Oh, yeah, sure. (pointing to her bags) Is there anywhere that I can...Bette: Oh,there's a spare bedroom around the corner, at the end of the hallway.Shelly: Okay.THE BABY'S ROOM -[Shelly walks into the spare bedroom and sees the glass mobile and a baby's crib. She sets down her bag andwalks back out to the living room.]LIVING ROOM -[Bette is now putting up pictures that were in a box of her and Tina. She looks at a picture a moment, and then sets it on the nightstand. Shelly enters.]Shelly: I seeyou have a baby.Bette: No, not yet. Maybe. I mean, yes, in 10 days. My ex. My ex, she's due in 10 days.Shelly: You have a lot on your plate.[Bette begins dialing a number on her phone.]Bette: That's nothing new tome.Shelly: Have you thought about what's going to happen if your father's still alive when the baby's born?[Bette looks a little confused.]Bette: He will be. (phone) Hi, James, it's me.[Bette paces as she talks. Shellyprepares the IV by the bed.]Bette: (phone) Can you call my father's housekeeper and have her send out my father's family photographs? Just have her overnight them to me. Okay. Okay, great. Thanks.[Bette hangs upand sighs, and turns to Shelly.]Bette: I was looking at my father's medication chart. Why is he taking Prednisone? Isn't that some kind of steroid?Shelly: Yeah, it can help with mental clarity when there's inflammationor swelling around the brain.[Bette stares at Shelly, seemingly struck by the gravity of the words.]Shelly: Towards the end, it'll get very... confusing and frightening. And not just for the patient.[Bette looks sad.]INT. -THE PLANET - HELENA'S TABLE - DAY[Tina, Dana, and Alice walk in. They pass Helena and Leigh who are at a table together, staring into each other's eyes and holding hands. Helena sees Tina.]Helena: Tina![Theyunclasp hands.]Helena: Dana, Alice. Do you know Leigh Ostin?[Leigh waves at the gang.]Dana: No, hi.Leigh: (re: Tina's belly) Oh, my God. You're so close. How are you feeling?Tina: Oh, hungry.[Everyone chuckles.Helena grins.]Leigh: Hey, is this Bette Porter's baby?Tina: Well, our baby.Leigh: Oh, I just met her recently. She is great.Helena: Didn't she ask you out?Leigh: (smiling uncomfortably) Yeah.[Helena smiles a bitvindictively at Tina. Tina gives a little laugh.]Tina: Uh, we're going to go sit down.Alice: Yeah.Helena: See you.Dana: Bye.Helena: Oh, but I'll see you here later tonight, yeah?Tina: Oh, um, maybe. I just feel like a hotbath and my own bed tonight.Helena: Well, we'll make it an early one.Tina: We'll see. (to Leigh) It was nice seeing you again.Leigh: You too.Helena: Bye.Leigh: Bye.Dana: Bye.[Helena watches after Tina as she goes toanother part of the cafe and sits down; she looks somber, somewhat hurt.]AT TINA'S TABLE -Dana: Okay...[Everybody picks up a menu and starts looking at it.]Dana: So... so you're okay with that, huh?Tina:What?Dana: (nodding head toward Helena) That.[Tina looks over. She doesn't seem upset or anything.]Tina: Oh. Yeah, I'm okay with it.Dana: Oh.[Alice looks distant.]Alice: I wouldn't be okay with it.[Lara suddenlyappears out of nowhere.]Lara: (to Dana) I was wondering when I would see you in here. You haven't come in for dinner.Dana: (shocked) Oh, my God!Lara: Can I have a hug?Dana: Yeah![Dana gets up and they hugvery happily.]Dana: (hugging) Hi, wow, look at you![Alice stares at them, dumbstruck. She looks a tad put off.]Tina: Hi, why don't you sit down?[Dana and Lara sit down.]Lara: Yeah, okay, just until Kit gets here. We'replanning a new lunch menu.Dana: (confused) You work here?Alice: Lunch! Wow! You're going to be here so much! And Gabby will probably be here, and -Lara: We're not together.[Silence. Alice nods absently, and thenstares at her menu. Tina watches Alice. Lara redirects her attention back to Dana.]Lara: I am so proud of you. You came out, big time.Dana: (grinning) Yeah. Well, sorry I didn't do it any sooner. (chuckles)[The two ofthem grin and stare at each other like a couple of lovesick teenagers. Lara looks off into the distance. Alice looks completely crushed.]Lara: Oh, you know what? Kit's here. I should probably go, but... can we havedinner?[Alice cocks her head. Dana's seems a bit surprised. She carefully defers to Alice.]Dana: Yeah - I'd love to. Would that be okay with you, babe?[Alice's mouth is frozen open.]Lara: Oh. Oh, you guys aredat...Alice: Well... (smiles)Lara: (laughs) Oh, my God. I'm sorry.[Lara, smiling, now seems as surprised as everyone else. She looks at Dana.]Alice: Um... (fidgeting) Dana, you don't have to get permission from me togo out to dinner with your ex. You guys should be friends. (nods) Best, best friends.[Alice's smile is big and fake.]Lara: Okay, well.Alice: (smiling) Uh-huh!Lara: (to Dana) I'll, um... I'll talk to you after.Dana: Okay.Lara:Okay. It was good to see you guys.Alice: (super fake smile) Uh-huh, you too! Okay.Lara: Bye.[Lara gets up and walks off. Dana grins.]Dana: Wow.[Alice flips her menu over and blows out a breath, avoiding eye contactwith Dana.]Alice: Whew, okay.INT. - BETTE'S HOUSE - LIVING ROOM - DAY[Shelly walks from the kitchen into the living room, with a handful of pill bottles and a large days-of-the-week pill sorting box. Bette is in theliving room, making her father's bed.]Shelly: So, I've organized his meds into times and dosages so you can keep to the schedule when I'm not here, and I'll show you how to clean and insert the I.V. catheter.[Shellysets the pill bottles on the nightstand next to the bed. Also on the nightstand is a picture of Bette hugging Tina. Bette looks at the picture, and at the pill bottles. Footsteps are heard on the porch.]Shelly: Speak of thedevil. Here he is.[Melvin is wheeled into the house on an ambulance gurney by two paramedics.]Shelly: Welcome home, Mr. Porter.[Bette is a little taken aback at the scene. She closes the door.]Bette: How are youfeeling, Daddy?Melvin: Who is this woman?Bette: Uh, that's... Shelly. She was in the hospital with you yesterday. You remember? She's your nurse?[The paramedics move Melvin over to the hospice bed Bette'sprepared. His IV and oxygen are in place. Melvin stares at the four people standing around his bed looking at him.]Melvin: Am I on display?[The paramedics leave with their gurney.]Melvin: (shouting) Can't a man havea bit of privacy?Shelly: (to Bette) I suggest hospital curtains. I can order them.[Shelly hangs up Melvin's IV.]Bette: Curtains are so ugly and depressing. Get some of those Japanese screens and make a room within aroom. Hey, why don't you pick some of those up at Ikea?Shelly: Um, maybe you can get your assistant to do that.[Bette looks confused.]INT. - JENNY & SHANE'S HOUSE - KITCHEN - DAY[Mark is working on the sink.Jenny is putting things in her purse.]Mark: Seriously, Jenny, if you're short on rent this month, it's not a problem.Jenny: f*ck you.Mark: I don't expect that it would fix everything.Jenny: (calmly) Like you can buy me offwith money and good deeds, like I'm some kind of a whore?Mark: That's not what I meant.[Jenny grabs her purse and leaves.]INT. - BETTE'S HOUSE - KITCHEN - DAY[Franklin is sitting at the table, having a glass oftea. Bette is putting things away and organizing Melvin's pills on the countertop.]Bette: I was planning on coming in this afternoon, but he just seemed a little disoriented, so I just didn't feel comfortable.Franklin: You'redoing the right thing, Bette.Bette: After this week, I should be able to get back to some... semblance of a normal schedule.Franklin: Listen, we - we don't want you to feel pressured, uh... You take however much timeyou need.Bette: (smiles at him) Thank you. I appreciate that.Franklin: We just, uh, need to put some... structure in place, uh... no, I - I'm sure the board would support a temporary leave of absence.[Bette stops andturns to Franklin, confused.]Bette: A leave of absence? What about the Allyn Barnes retrospective?Franklin: (smiling) Well, we have Leo. Things won't totally fall apart while you're gone.Bette: (agitated) I hired a nurse.I wasn't planning on taking a leave of absence. I'm sure that as soon as he trusts her -[Shelly comes in.]Shelly: I'm sorry to interrupt, but I need your help.Bette: (to Franklin) I'm sorry. Excuse me, just...[Bette followsShelly into the living room.]Franklin: Sure.LIVING ROOM -[Shelly and Bette stand on opposite sides of the bed. They are going to turn Melvin over.]Shelly: So we have to do this every few hours. Just take his shouldergently, under here, like that.[They start to move him. Melvin grumbles.]Bette: Is that okay?[Melvin groans as Bette pulls him onto his side and holds him there. Shelly puts a pillow at his back.]Shelly: Yeah. Use a pillowto prop him.[Franklin enters.]Franklin: Sorry, I - I have to go back to the office.Bette: Just one second...[They get Melvin situated and covered up. Bette walks over to talk to Franklin by the door.]Franklin: Your father'slucky to have you, Bette.Bette: Thanks.Franklin: Uh, just - let me know what you want to do.Bette: About what?Franklin: Uh, about the leave of absence.Bette: (sighs) Can I have until Monday to decide?Franklin: Ofcourse. Take the weekend.[Franklin leaves. Bette closes the door and sighs.]EXT. - THE PLANET - NIGHT[Cars zoom past. A doorman stands in the doorway. People sit outside on the patio.]INT. - THE PLANET - HELENA& TINA'S TABLE - NIGHT[Helena and Tina, and Dana and Alice, are having dinner. A blonde woman sits on the other side of Helena. Helena hands a menu to the waitress.]Helena: (to waitress) Ask Lara to - (to Dana) itis Lara, isn't it? Your chef?Dana: Yeah.Helena: (to waitress) Ask Lara to bring us a selection of small tastes, whatever she thinks is most delicious.Alice: (to Dana) \"Your chef\"? That's nice.Blonde woman: Wow. This ismy favorite way to eat.Helena: You should stick with me, then.[Helena is being openly flirtatious right in front of Tina. Tina looks very uncomfortable.]Dana: Alice, if you don't want me to go out with her, just -Alice: Isaid it was okay.[Helena is turned completely to the other woman, fully engaged, her back completely to Tina. Helena and the woman are flirting big time.]Blonde: I'm a surveillance photographer. I work for divorcelawyers, wives trying to find their husbands cheating on them, that kind of thing.Helena: That's brilliant. I should bring you with me to New York. You can spy on my ex.[Both laugh.]Tina: I'm going to go.Helena:(surprised) Why? We haven't even eaten.Tina: (smiling) I can't keep my eyes open. But please stay. I'll take a cab.Helena: You okay?Tina: Besides having to pee like a horse?Helena: You know what I mean.Tina:Helena, I'm tired. I just want to go home and be alone.Helena: Fine. Enjoy being alone.Tina: I will. I want to enjoy it while I can.[Tina stares daggers at Helena before getting up.]Tina: Bye, guys.Alice: Okay, I'll see youlater.Dana: Bye.[Helena looks like she's having second thoughts. She stands.]Helena: Tina...[Helena embraces Tina, gives her a kiss on the cheek. In the hug, she gets close to her ear.]Helena: (whispering) You won'tbe alone, but you'll still get lonely.[The hug ends. Tina looks a little hurt and walks away. Helena smiles a bit smugly.]INT. - BETTE'S HOUSE - LIVING ROOM - NIGHT[Bette and Kit sit next to their father's bed. Melvinsleeps quietly. His EKG machine beeps quietly in the background. Bette is reading a poem - \"The Negro Speaks of Rivers\" by Langston Hughes.]Bette: (reading) \"I looked upon the Nile and raised the pyramids above it.I heard the singing of the Mississippi when Abe Lincoln went down to New Orleans, and I've seen its muddy bosom turn all golden in the sunset.\" (Bette sighs) (reading) \"I've known rivers, ancient, dusky rivers. My soulhas grown deep, like the rivers.\"[Bette puts the book down and gets up.]Bette: Daddy, it's time to turn you over. I'm just going to try to do this by myself, okay?Melvin: (weakly) Uh-huh...[Bette doesn't see that Tinahas walked into the room. Bette starts to lift up her father's shoulder.]Bette: I'm just going to lift up...Tina: Let me help you.[Bette is surprised to see Tina. Tina goes to the other side of the bed and helps Bette roll herfather over.]Bette: If you could just... take the pillow...Tina: Okay.Bette: And I'll hold his shoulder here.Tina: (putting pillow behind Melvin) Kit made you dinner. I promised her I'd make you sit down and eat it.[Melvinis finally situated. Bette rolls him back onto the pillow. Melvin grunts.]Bette: That's good.[Tina looks down at her would-be father-in-law. He stares back up at her. Bette watches.]Tina: Hello, Melvin. It's Tina. \"Ms.Kennard.\"Melvin: I know who you are.Tina: Kit's at work. She'll be here as soon as she can.Melvin: Who?Bette: Katie, Daddy. She said she's going to be here soon.Melvin: (to Bette) How does she know Katie?[Tina isn'tsure what to say.]Bette: (to Melvin) I'm going to go get you a glass of water. Okay? I'll be right back.Tina: (to Bette) I'll fix you dinner.KITCHEN -[Bette and Tina walk in. Bette gets a glass of water, and Tina preparessome of the food Kit made. Bette starts to walk back into the living room.]Tina: I'm sorry... if I was selfish the other night.Bette: It's okay.[Bette returns to the living room.]LATER - LIVING ROOM -[Melvin is sleeping.Tina sits next to Bette as Bette stares at her father.]Bette: I put him in the living room. I didn't want to put him in the baby's room, in case...[Bette gets teary-eyed. She leans back in the chair, and lays against Tina'sshoulder. Tina has her arm around her. They watch Melvin sleep. Bette relaxes into her embrace and Tina pets her hair.]Bette: We've never done this before.Tina: I've never held you?Bette: In front of my father.Tina:He's asleep.[Melvin's eyes open. He looks at the two women.]Melvin: (very pleased) Now, that's what I like to see. (to Tina) Now, promise... you'll take good care of my girl.[Tina looks a little dazed, as Melvin has neveraddressed them openly about their relationship. Bette smiles up at Tina.]Tina: I promise.Melvin: (to Bette) And you... you take good care of your mother, too. You hear me? Maxine... don't run away again...[Betteseems let down and heartbroken at the same time. She leans forward and puts her face in her hands, crying.]Melvin: Stay... with our little girl. I know I let you down, Maxine. I was weak. (sobbing) I didn't meanto.[Bette goes to sit on the edge of his bed and comfort him.]Bette: Oh, Daddy.Melvin: But I need you...Bette: Daddy...Melvin: ... to stay... and look after my girl...Bette: Daddy...INT. - THE PLANET - NIGHT[Kit isserving patrons in the bar. Dana and Alice are in the corner, talking. Shane walks up.]Shane: Hey, Carmen called me. Is she really here?Alice: Who?[The lights go down and music starts. Cheering and applauseensues.]Shane: It's Peaches. C'mon, let's go![A performer named Peaches sings a song. Shane and Carmen are in the crowd a few feet from each other. Every few seconds they glance at each other then glanceaway.]INT. - BETTE'S HOUSE - LIVING ROOM - NIGHT[Melvin is sleeping. Bette sits on the edge of his bed, worrying.]Bette: I can't face it. I can't face it.[Tina smoothes Bette's hair back from her face. Bette sobs softly.Bette stands up. Tina hugs her as she cries.]MOMENTS LATER -[Tina leads a crying Bette back into the bedroom. Bette sits on the edge of the bed and starts to take her clothes off. Tina pets her hair and helps her getundressed. Bette looks up to her. Tina leans down and kisses her softly.]Bette: (sobbing) Can we just sleep?Tina: (smiling) Yes, please.[Bette lays down on the bed. Tina lays down with her and they sleep.]INT. - JENNY& SHANE'S HOUSE - KITCHEN - MORNING[Jenny walks in and gets a box of cereal from the top of the fridge and a bowl from the sink. She ignores Mark, who's making coffee. Jenny sits and eats.]Mark: Want somecoffee?[No reply. Mark shakes his head.]EXT. - BETTE'S HOUSE - BEDROOM WINDOW - MORNING[We see Bette and Tina still sleeping, through the window. Bette stirs and sits up, still looking exhausted.]INT. -BETTE'S HOUSE - LIVING ROOM - MORNING[Bette tiptoes in. Melvin's EKG beeps. Kit is laying in the lounger next to her dad, asleep. She stirs awake when she hears Bette.]Bette: Hey. What time did you get here?Kit:A little after midnight. (stands) He had a rough night. He was awake, but he didn't talk. He was in so much pain.Bette: I feel like he's giving up.[Kit stands next to Bette. They look at their father.]Bette: Uh, Shelly'sgoing to be here in an hour. She said she wants to give him a sponge bath this morning.Melvin: No, she will not. That's an indignity I am not prepared to endure.[Bette pours a glass of water.]Melvin: You can help me to"}
+{"doc_id":"doc_258","qid":"","text":"\"The Intern in the Incinerator\"[SCENE_BREAK]TEASER(Interior - Day - Sirens are blaring and lights are flashing in a brick basement at the Jeffersonian. Two men in overalls enter and walk down the corridor)JANITOR#1: Smoke comes out of the vents in the first floor break rooms.JANITOR #2: You're sure you turned the flame down last night?JANITOR #1: Totally, one hundred percent guaranteed, positively sure. Alarms gone offbefore but the smoke was always gray.JANITOR #2: One time a possum got caught in the shaft, smoke came out like this.JANITOR #1: Dr. Addy was conducting an experiment on a pig yesterday. I told all themeggheads not to toss dead animals down the incinerator shaft.JANITOR #2: (They stop in front of the incinerator door) Since when do they listen to us. (Opens the incinerator door)JANITOR #1: Holy crap! (Covers hismouth, coughing)JANITOR #2: (Looking inside) Definitely not pork!(Camera pans into the incinerator. A burnt body lies inside above the flames. Cut to later, fire is out and Brennan and Cam are lookinginside.)BRENNAN: At four hundred degrees, bone chars in six hours and turns to ash in eight.CAM: Charring, no ash. Six to eight hours? Dumped into the incinerator between one and three a.m. (Booth enters behindCam and Brennan, who do not notice )BOOTH: Ugh. Alive or dead before he or she went into the incinerator?CAM: Can't tell yet.BRENNAN; (Turning to Booth and notice a file in his hand) What's that?BOOTH: Guest log.((Looking at the file) No visitors checked out after nine thirty-six last night, and no one checked in before eight o' two this morning.CAM: Meaning the victim probably works here.BRENNAN: Meaning the killer doestoo.(Interior - Day - Autopsy room at the Jeffersonian. Brennan is looking at the computer screen while Cam examines the remains.)BRENNAN: Pubic bone is female.CAM: There's no carbon in the trachea. (Pulls out thetrachea and unrolls it like a fruit rollup) She was dead before she was thrown down the chute.BRENNAN: Extensive fissures, fractures and breaks to the entire skeleton. I'll have Zack determine which were caused byheat and which by trauma. (Angela enters)ANGELA: Heads up, they called Bancroft in from a hearing on the hill.BRENNAN: Who's Bancroft again?CAM: God.ANGELA: The supreme honcho of the Jeffersonian.BRENNAN:I think I met him once.ANGELA: Okay, I am ready to start the facial reconstruction. (Brennan removes the skull from the rest of the remains and places it on a surgical tray)BRENNAN: I haven't put on tissue depthmarkers yet.CAM: I haven't finished removing all the carbonized brain matter. (Angela comes to a halt in front of the skull, and stares at it intensly, horrified)BRENNAN: Once you've done that, Zack can clean the skull.(As Angela stares at the skull it changes from burnt to a whole, healthy female face.) Angela? Angela? Angela?ANGELA: Yeah?CAM: Are you alright?BRENNAN: What's wrong?ANGELA: (Looking anxiously at the skull)Um . . . Uh . . I'm fine. I'll start after the tissue markers are . . . Let me know. (Angela exits.)CAM: What the hell was that about?ACT I(Interior - Day - Angela's office at the Jeffersonian. Angela is looking at an image ofthe skull on her computer. Brennan enters.)ANGELA: You won't like it.BRENNAN: Like what?ANGELA: I've ID'd the victim.BRENNAN: That's impossible.ANGELA: I told you you wouldn't like it.BRENNAN: There are notissue markers, you can't just look at a skull and see the person.ANGELA: Sweetie, I've done hundreds of these reconstructions: the depressed labella, the narrow nasal aperture, the chipped lateral incisor.BRENNAN:You can see a face from that?ANGELA: The chipped tooth was from a skiing accident when she was sixteen.BRENNAN: Ange. You know the victim personally?ANGELA: (sighing and pulling up an image of an young,attractive blonde on the computer) Kristen Reardon. She's an intern, we had coffee a couple of times. (Walking over to the couch) She didn't want to be a scientist. She wanted to go into design. She was jut here tomake her father happy. She was young and eager and keen and . . . she was just really, really young.BRENNAN: Wait, Reardon. (Walking to Angela) As in Dr. Ted Reardon?ANGELA: Yeah, he used to work here. (Sittingdown on the couch)BRENNAN: I took a course from him in ancient pharmacology. (Sitting in the chair across from Angela)ANGELA: Look, I know that we can't say anything until you do the tissue markers and we gothrough channels, but, I'm telling you, I know this is Kristen.BRENNAN: Poor Ted.ANGELA: You wanna know something else? She was seeing somebody who worked here.BRENNAN: Is that relevant?ANGELA: Well,Booth will think so. Especially since it was a married man.BRENNAN: Well, did she tell you?ANGELA: No, just that they had had their first kiss at the opening of that Egyptian exhibit and that it had been hot and heavyever since.BRENNAN: I'm sorry, Ange.ANGELA: No, I'm-I'm sorry. I'm just really freaked out by this one.BRENNAN: Because you know the victim.ANGELA: Well, and the killer! I mean, look around! Do you like thinkingthat somebody we see every day could've thrown Kristen down the incinerator?(Interior - Day - Platform above the Main Examination area at the Jeffersonian. Bancroft and Booth are standing across from each other,Booth leaning against the table.)BANCROFT: How can I aid your investigation?BOOTH: Well, Dr. Bancroft, I'd like print outs from the Jeffersonian's security detailing who was and was not in the building BANCROFT:Done.BOOTH: I'd also appreciate it if you'd tell your people to cooperate with the FBI. (Bancroft moves toward Booth)BANCROFT: Yes, of course, Agent Booth. I don't know if you've had much cause to work withscientists; difficult people, by nature, combative, skeptical, resistant.BOOTH: I've noticed.BANCROFT: Have you identified the victim yet?BOOTH: Unofficially? (Bancroft nods) An intern by the name of KristenReardon.BANCROFT: No relation to Ted Reardon?BOOTH: His daughter. Dr. Reardon left the Jeffersonian for George Town University?BANCROFT: In the interest of full disclosure I was instrumental in that move.BOOTH:You fired him.BANCROFT: I facilitated a necessary change.BOOTH: Necessary change.BANCROFT: Excellent scientist, poor administrator. Does Reardon know about his daughter?BOOTH: Dr. Brennan is informing himnow.BANCROFT: I'd like to be kept in the loop on this, within the constraints of the law of course. (Raises his hand for Booth to shake it.)BOOTH: (chuckling, and shaking hands) Sure.(Interior - Day - Main examinationarea of the Jeffersonian. Cam and Booth are watching through the window as Brennan tells Reardon about his daughter.)CAM: Ted Reardon? Victims's father?BOOTH: Yep, Bones is telling him his daughter's dead.CAM:Rumor has it, Bancroft banished Reardon from the Jeffersonian because he felt threatened, politically.BOOTH: I know. Let's leave Bones to it. (They walk away)CAM: Would it be insensitive to mention that my father'ssixtieth birthday is coming up?BOOTH: Sixty already? Wow!CAM: Uh-huh. We're having a big birthday dinner for him on Thursday night.BOOTH: Alright, you give him my best!CAM: You do it yourself. You have to comewith me!BOOTH: What? No! Not your family.CAM: I can't spend the night defending the fact that I still live alone to my family.BOOTH: You never told them we broke up?CAM: You wanna' make a man miserable on hissixtieth birthday.BOOTH: You want me to pretend that I'm your boyfriend?CAM: Yes, between six-thirty and ten on Thursday.BOOTH: (Groaning) Camille, you're an adult. You can't live your life afraid of what yourfamily thinks!CAM: Seeley, it's not going to be like this forever. One day he'll die! (Cam exits)(Interior - Day - Bone storage room. Booth is standing outside the door, talking to Brennan who is going inside)BOOTH:Tough going in there?BRENNAN: I've never had to tell someone his child is dead. I mean, I've been there when you did it, but, to actually . . . it's extremely unpleasant.BOOTH: Yeah. (Moving from the doorway into theroom) Listen, did you get a change to, uh, ask him about his daughter's love life?BRENNAN: Yes, he said as far as he knew she wasn't seeing anyone.BOOTH: Kristen was lying to her father.KLIMKEW: (A slight man withglasses, Dr. Klimkew, enters) Dr. Brennan, is it true? Kristin Reardon is dead?BRENNAN: Evan, special agent Booth. He's in charge of the murder investigation. (To Booth) Dr. Evan Klimkew, Kristen Reardon'ssupervisor.KLIMKEW: Murder? Kristen was murdered?BOOTH: What does Kristen Reardon do?KLIMKEW: Authentications. Other museums and high end collectors use us to authenticate their acquisitions.BOOTH: That abig department?KLIMKEW: Three to five interns, all doctoral candidates, my assistant and myself. That's it.BOOTH: It's a competitive environment, right?KLIMKEW: Of course. You put a bunch of neurotic, Type-Aoverachievers together and you dangle a prize over their head.BRENNAN: Dr. Klimkew is referring to the Bates fellowship.KLIMKEW: The top intern receives seventy-five thousand dollars and a gold star on theirresume. Kristen was the frontrunner.BRENNAN: I had heard that her heart wasn't in it.KLIMKEW: Didn't show in her work. God, this is terrible. Does her father know?BOOTH: Who was the main rival for the Batesmoney?KLIMKEW: Uh, that would be Neil Tyler.BOOTH: Neil Tyler. Where can I find him?KLIMKEW: We're authenticating the artifacts in you're serial killer vault.BOOTH: So, what does your wife think of these, uh,(pointing at Klimkew's wedding ring) you know, these late hours?KLIMKEW: (Puts his hands in his pockets) I'm separated. That's your answer.BOOTH: Seeing anyone now?KLIMKEW: Are you serious?BRENNAN: It's amurder investigation Evan.KLIMKEW: No, I'm not seeing anyone.BOOTH: Thank you, Dr. Klimkew.(Interior - Day - Serial killer vault (\"Gormogon\") at the Jeffersonian. Neil Tyler, young, African-American, is bent overan artifact with a magnifying glass. Booth and Brennan are standing and watching)TYLER: The spinner appears to be Masonic in origin: bloodstone, gold. What's interesting is, in the center, instead of the traditional \"G\"for God, there's a skull.BRENNAN: Gormogon iconography.TYLER: Strange, huh?BOOTH: Gormogon? Okay, what's that?BRENNAN: It's an eighteenth century . . .TYLER: It's an extinct group (standing) dedicated toeradicating the influence of the Free Masons and Illuminati in Europe in the eighteenth century. That could be the largest collection of Gormogon artifacts in the world.BOOTH: That's great. You and Kristen Reardon werehere last night?TYLER: That's right. Kristen worked there. (Pointing to Kristen's desk) I signed out around midnight. Kristen stayed longer, like always.BOOTH: Okay, a little resentful, there?TYLER: I worked my waythough state college. I've got a second job, which is why I had to leave early. Kristen went to an Ivy League School and her dad's got connections. Who do you think needed that Bates fellowship more?BOOTH: Well, theway I hear it, you're next in line for a big payday, pal.TYLER: I liked Kristen and she liked me. Check the logs, I wasn't here. (Brennan moves to examine Kristen's desk)BRENNAN: Do you know who Kristen wasseeing?TYLER: You mean like romantically? No. Only that it was an older guy and she said I was gonna' be really surprised when I find out who it was.BOOTH: How about you? You married?TYLER: (Chuckles) I'm gay,Agent Booth. Excuse Me. (Tyler exits. Brennan picks up a bag from the desk)BOOTH: What do you got?BRENNAN: Kristen Reardon's bag.BOOTH: Ah, a cell phone . . . logs. (Booth looks through the recent calls)(Interior- Night - The walkways above the main examination area at the Jeffersonian. Booth and Brennan walking through)BRENNAN: The bag tells us that Kristen was leaving the museum when she met with her killer.BOOTH:Look at that, a lot of calls to the same number. Let's hope it's our cheating husband.BRENNAN: Kristen was authenticating exhibits from the Gormogon vault.BOOTH: Let's not go there.BRENNAN: If Gormogon killedher, then Gormogon is one of us, somebody who works at the Jeffersonian.BOOTH: You went there.BRENNAN: What? (Booth and Brennan come to a halt in front of a window)BOOTH: You went there and you gave him anickname! (A body falls outside the window) That just happened, right? You saw that? (Brennan nods and they both run)(Exterior - Night - Outside of the Jeffersonian. A small security vehicle, sirens blaring approachesa group of security guards. Brennan and Booth hop out. They run towards the guards)BRENNAN: Who is it?BOOTH: Is he dead? (The guards are holding Zack and Hodgins, arms behind their backs)ZACK: Yes, but onlybecause he was never alive.BOOTH: You gotta be kidding me.HODGINS: Look at this, the Gestapo's interfering with free inquiry.BOOTH: Guys, just let him go and if they try to escape, shoot 'em! What's with thedummy, dummies?ZACK: Not a dummy, it's an ersatz skeleton made from glass and reinforced nylon, which breaks exactly like human bone.HODGINS: We threw it from the top floor.BRENNAN: Explicate your process,please.ZACK: Using bone density tables, we duplicated Kristen's exact height and weight.BOOTH: For God's sake, why?!HODGINS: To prove that Kristen Reardon was dead before her skull fractured from falling downthe incinerator shaft!BOOTH: We already know that!ZACK: We recreated her bone density and found that her skull would not have fractured the way it did from a fall less than twenty-five meters.BRENNAN: Oh!BOOTH:Oh, what?! English, please!BRENNA: That tells us the body was put in the trash chute on the top floor of our building.HODGINS: The office suites. It's always the suits, baby.BOOTH: Hey, I wear suits.HODGINS: Yes,yes you do.BOOTH: (To Guards) Alright, that's it, no shooting of the squints tonight, sorry. Alright, good work. (Dispersing the crowd of guards and onlookers) (To Brennan) Let's go Bones. (Booth and Brennan exit,Hodgins and Zack bump fists).(Interior - Night - Autopsy room at the Jeffersonian. Cam and Booth are looking at a screen showing the remains)CAM: Kristen Reardon was stabbed to death; aorta and left lung bothpunctured.BOOTH: Whoa. She bleed a lot?CAM: Through the wound, through her mouth, copious amounts. (Moving toward her desk, Booth following)CAM: Booth, everyone's coming around to the opinion that KristenReardon's death had something to do with the Gormogon vault.BOOTH: Oh, no, no, no, no, no. See we-we gotta squelch that one 'cause that will totally shift the focus of this investigation.CAM: You might've noticed butthese people are tough to squelch.BOOTH: You know what, they're always telling us not to jump to conclusions.CAM: When they do it, it's called a \"quantum leap.\"BOOTH: Jump, leap, tomato, \"tomato\", what's thedifference? Look, um, does the name (pulling his note pad out of his jacket pocket) Aldridge mean anything to you?CAM: Rings a bell, yeah, why?BOOTH: 'Cause there was no blood near the incinerator chute on the topfloor.CAM: The body could've been wrapped in plastic or transported in a tub (pulling a picture on the computer). There's a Dr. Kyle Aldrige heads up the middle east department, why?BOOTH: Hm, do they have officesin this building?CAM: Middle east department is in building S, but it joins up to this building by skyway, why?BOOTH: What floor does the skyway connect with?CAM: Top floor, and I'm gonna' ask why again and yourgonna' tell me.BOOTH: Yeah, this guy Aldrige's number is all over Kristen's cell phone. Just hold on. (Pulling out his cell and making a call) Yeah, it's Booth, check out all the office in the adjoining building on the topfloor and start with a Dr. K. Aldrige. (Flips the phone shut) Cam, this case . . .CAM: Yes, you still have to come to my father's birthday dinner.BOOTH: I didn't even bring that up, I'm just saying . . .CAM: Nicetry.BOOTH: Nice try, what?CAM: Zip! (Making a zipping motion over her mouth)BOOTH: I didn't even . . .CAM: Tzz!(Interior - Night - Above the main examination area at the Jeffersonian. Booth and Dr. Kyle Aldrige aresitting at the table. Booth is looking at a picture of Aldrige in a magazine.)BOOTH: Ah, the good life. Dr. Kyle Aldrige. Mansion next to Teddy Kennedy on Dupont Circle. A sixty foot yacht and a vacation home in theHamptons. Wow. I wish I'd paid more attention during science class.ALDRIGE: Intelligence is not a matter of will, Agent Booth. So it's not a character flaw to be less intelligent than someone else.BOOTH: Yeah, listen, Iappreciate the pep talk. Listen, our first suspect would usually be your wife but since she's been in Venice for a month . . . Venice. So, how is it that somebody who makes eighty grand a year can lend Ted Kennedy hislawn mower and afford to send his wife off to Venice?ALDRIGE: My wife's family is very generous.BOOTH: How generous do you think they would be if they found out you were boinking an intern?ALDRIGE: They teachyou that technique at Quantico? Spring vulgarities on the unspectign suspect and he will confess all?BOOTH: Are you confessing all?ALDRIGE: To the affair or to murder? (An FBI Agent enters)AGENT #1: Excuse me,Agent Booth, there's something your gonna' wanna see in Dr. Aldrige's work room.(Interior - Night - Dr. Aldrige's work room. Agents, Booth, Brennan and Aldrige stand around a spot on the floor)AGENT #1: Lights,please! (When the lights turn off the blue light Agent #1 is holding shows blood on the floor, he moves to shed light on a wheelbarrow that is in the room.)BRENNAN: Look at all that blood. That explains how the bodywas transported over to the incinerator shoot. (The light shines behind the wheelbarrow, exposing a path of blood leading to the desk) This must be where Kristen Reardon was actually murdered.BOOTH: Alright, putthe lights on. (Booth pulls out his handcuffs) Dr. Aldrige I'd like to ask you a few questions about the murder of Kristen Reardon. We gonna' go willingly?ACT II(Interior - Day - Main examination area at the Jeffersonian.Hodgins is examining a sample, Angela looking at her clipboard, sitting on a stool and Zack working at the computer.)HODGINS: I never liked Kyle Aldrige.ZACK: He told me once that having a high I.Q. was no excusenot to bathe.ANGELA: I don't believe it.ZACK: No, those were his exact words, \"no excuse not to bathe\"(Cam enters)CAM: What do you got? (Zack raises his hand)ZACK: (moves to point to the damage on the skeletonwhich is standing up like a medical dummy) Consistent with the trauma to the left lung and aorta, C-7 vertebra and the fifth rib were both nicked at a sixty-seven degree angle suggesting a single point of entry.CAM:Through the back? (Zack nods)ANGELA: The serial killer eats human flesh, Kyle Aldrige is a vegetarian.HODGINS: So was Hitler!ZACK: We're calling him Gormogon now.HODGINS: Excellent name! And, historicallyaccurate.CAM: People! You have to stop assuming that Gormogon was in any way involved in Kristen's death.ZACK: Why? It's somewhere between a possibility and a probability.ANGELA: Kyle Aldrige is not acannibal.CAM: But he may have killed his girlfriend, do you see the difference?HODGINS: Mm.CAM: So, eyes on the evidence, okay? (Claps her hands twice) Go.HODGINS: (Angela moves off the stool and Hodginsmoves over to the computer) Zack provided me with the fragments.ZACK: Retrieved from the fifth rib.HODGINS: Running it through the GC Mass Spec.CAM: What about the incinerator?HODGINS: I analyzed the ashesin the incinerator and found carbonized traces of cedrus libani. It's a species of cedar fir from Lebanon.ANGELA: The middle east is Aldrige's area of study.HODGINS: And the Mesopotamians used cedar as an odorneutralizer to mask the smell of burning flesh?CAM: Can you see Aldrich committing a crime of passion and using his knowledge to cover it up?ANGELA: I guess. He's kind of (begins making unrecognizable gruntingsounds. Zack looks confused, Hodgins smiles).CAM: Exactly, how well do you know Aldrige?ANGELA: We had drinks. I don't sleep with married men.ZACK: You're married and you sleep with men beside your husband.What's the difference? (Hodgins, looking irritated, smacks Zack in the back of the head.)(Exterior - Day - FBI Headquarters.)(Interior - Day - FBI Headquarters. Booth and Brennan exit the elevator.)BRENNAN: Why doyou want me to interrogate Aldrige?BOOTH: Because he thinks I'm stupid.BRENNAN: You're not!BOOTH: Thanks, Bones, I know. Listen, during the interrogation, always refer to the victim by her first name.BRENNAN:Well, you're the one that told me that personalizing the victim doesn't work with sociopathic serial killers. They lack all empathy. (Poking Booth) You told me that!BOOTH: We are not looking for gorgonzolatoday!BRENNAN: Gormogon. Gor-mo-gon.BOOTH: We're looking for someone who murdered one girl and tossed her down an incinerator chute. Entirely different kind of a guy, so, inside. (shooing her into the"}
+{"doc_id":"doc_259","qid":"","text":"Prologue: In every generation there is a Chosen One. She alone will stand against the vampires, the demons and the forces of darkness. She is the Slayer. The cemetery. Buffy is sitting on top of the gravestone ofStephan Korshak playing with her yo-yo.Buffy: C'mon, Stephan, rise and shine. Some of us have a ton of trig homework waiting. The camera cuts to her right and approaches her from behind.Angel: Hey. Buffy inhales aquick startled breath and turns around to face her stalker.Angel: Is this a bad time?Buffy: Are you crazy? You don't just sneak up on people in a graveyard. You make noise when you walk. You stomp or... yodel.Angel: Iheard you were on the hunt.Buffy: I'm supposed to be, but... lazy bones here doesn't wanna come out and play.Angel: When you first wake up it's a little disorienting. He'll show.Buffy: It's weird to think of you goingthrough that.Angel: It's weird to go through. So, uh, you're here alone?Buffy: Yeah! Why?Angel: I just thought you'd have somebody with you. Xander or someone.Buffy: Xander.Angel: Or someone.Buffy: Nope. (hopsdown off the gravestone) Why? Are you jealous?Angel: (chuckles) Of Xander? Please. He's just a kid.Buffy: Is it 'cause I danced with him?Angel: 'Danced with' is a pretty loose term. 'Mated with' might be a littlecloser.Buffy: Don't you think you're being a little unfair? It was one little dance, which I only did to make you crazy, by the way. Behold my success.Angel: I am *not* jealous.Buffy: You're not jealous? What, vampiresdon't get jealous? Stephan has come out of the ground, and looks at them from behind his gravestone.Angel: See? Whenever we fight you always bring up the vampire thing.Buffy: Well, I didn't come here to fight. Thevampire lunges at her and knocks her into Angel. They fall to the ground, but Buffy quickly gets up.Buffy: Oh, right, I did. Stephan throws a few punches which Buffy easily blocks. She punches him in the face severaltimes and kicks him in the jaw, sending him stumbling into a large adjacent gravestone. She looks around frantically.Buffy: Where's my stake? I-I know I had a stake!Angel: I didn't see a stake! The vampire grabs ashovel that was lying by the other gravestone and comes at them again. Angel attacks, but Stephan brings the shovel up and hits him in the side of the face, knocking him onto his back. He leaves Angel lying there andsteps toward Buffy. She meets him and jumps over the shovel when Stephan swings it at her legs. He swings it at her again, but she catches it, hits him again and breaks the handle. She spins around with her half andjams the broken handle into his chest. He falls over backward and bursts into ashes as he hits the ground. Angel gets up holding the side of his head.Buffy: (out of breath) What do you mean he's just a kid? Does thatmean I'm just a kid, too?Angel: Look, obviously I made a mistake coming here tonight. (turns and leaves)Buffy: Oh, no you don't. You can't just turn and walk away from me like that. (starts following himdeterminedly) It takes more than that to get rid of me. She falls into an open grave with an open and empty coffin at the bottom.Buffy: Oof! Uhhh... Angel comes over and bends down to look.Angel: You okay?Buffy:I'm fine. (sits up and exhales) Gee, I wish people wouldn't leave open graves laying around like this. (stands up slowly)Angel: So. Another vampire has risen tonight. She pokes her head out of the grave and looksacross the grass.Buffy: I don't think so. Look at those tracks. Whoever was buried here didn't rise from this grave. She climbs out of the grave and finds a girl's shoe.Buffy: She was dragged from it. Opening credits roll.Buffy's theme plays. ~~~~~~~~~~ Part 1 ~~~~~~~~~~ Sunnydale High School. Cut to the library. Buffy and Xander walk in and see Giles sitting in a chair and talking to another empty chair across from him.Giles:(clears his throat) W-w-w-what I'm proposing is, um... and I-I don't mean to appear indecorous, is, is, um, a, a-a-a social engagement, um, a, a, a, a-a date, if you're amenable. Buffy and Xander stop and listen to him.Giles is displeased with himself.Giles: You idiot!Buffy: Boy... Giles is startled and quickly gets up and faces them.Buffy: I guess we never realized how much you like that chair.Giles: I-I-I was just working on... (knocksover a few books)Buffy: Your pickup lines?Giles: (bends down) Um, in a manner of speaking, yes. (picks up the books)Buffy: Then if you wouldn't mind a little Gene and Roger, you might wanna leave off the 'idiot' part.Being called an idiot tends to take people out of the dating mood.Xander: Hmm, it actually kinda turns me on. (looks at Buffy)Buffy: (to Xander) I fear you. (goes to the table) You also might wanna avoid words like'amenable' and 'indecorous', y'know. Speak English, not whatever they speak in, um...Giles: England?Buffy: Yeah. You just say, 'Hey, I got a thing, you maybe have a thing, maybe we could have a thing.'Giles:(sarcastically) Oh, thank you, Cyrano.Buffy: I'm not finished. Then you say, 'How do you feel about Mexican?'Giles: About Mexicans?Buffy: Mexican. Food. You take her for food, for which you then pay.(sits at thetable)Giles: Oh. Right.Xander: So this chair-woman. We are talking Ms. Calendar, right?Giles: W-what makes you think that?Xander: (sits) Simple deduction. Ms. Calendar is reasonably dollsome, especially for someonein your age bracket. She already knows that you're a school librarian, so you don't have to worry about how to break that embarrassing news to her.Buffy: And she's the only woman we've actually ever seen speak toyou.Add it all up and it all spells 'duh'.Xander: Now, is it time to have a talk about the facts of life?Giles: You know, I'm suddenly deciding this is none of your business.(starts up the stairs)Xander: Y'know, because thatwhole stork thing is a smoke screen.Giles stops and looks back at him. Buffy laughs to herself.Giles: So, um, how did things go last night? Did Mr. Korshak show up on schedule?Buffy: More or less. Angel and I took careof him.Xander: Angel.Buffy: (gives Xander a look) There's something else, though. We found an empty grave.Giles: Another vampire?Buffy: No. No, this one was dug up and the body was taken out.Giles: Graverobbing? That's new. Interesting. (comes back down to the table)Buffy: I *know* you meant to say gross and disturbing.Giles: Yes, yes, yes of course. Uh, terrible thing. Must, must put a stop to it. Damn it.Xander: So.Why does someone want to dig up graves?Giles: Well, I'll, uh, collect some theories. Uh, it would help if we knew who the body belonged to.Buffy: Meredith Todd. Ring a bell?Xander: No.Buffy: She died recently. Shewas our age.Xander: Drawin' a blank.Giles: Why don't we ask Willow to, uh, fire (indicates the PC) this thing up and, uh, track Meredith down?Cut to the halls. Sign-ups for the science fair are going on. Willow is writingin her entry. Eric comes up to her with a camera and points it at her.Eric: Smile! (takes her picture)Willow: Hey! He turns around and sees another girl.Eric: Oh, look at those legs! (goes to take her picture)Willow: No,thank you. Chris comes up behind Willow.Chris: Eric, will you knock it off? Eric looks at him, upset to have his fun spoiled.Willow: (smiles) Hey, Chris!Chris: Hey. He picks up a sign-up sheet. She watches what he'swriting. He looks up at her.Willow: Oh, I, I was just wondering what you were gonna do this year.Chris: Why?Willow: 'Cause every year you win and I place second, so I just thought I'd see what I'm up against.Chris:You know what the key is? If Dr. Clark doesn't understand your experiment he gives you higher marks so it looks like he understands your experiment. (reads Willow's entry) 'The Effects of Sub-Violet Light SpectrumDeprivation on the Development of Fruit Flies'? (smirks) That should do the trick.Cordelia: (shows up and signs up) Okay, I'm doing this under protest. It is not fair that they're making participation in this year's sciencefair mandatory. I don't think anyone should have to do anything educational in school if they don't want to.Willow: (reads) 'The Tomato: Fruit or Vegetable'?Cordelia: I wanted to do something I could finish in aweekend, alright? Eric flashes a picture of Cordelia.Cordelia: Stop it! What are you doing? (Eric takes another picture) We are under florescent light, for God's sake.Eric: The camera loves you!Cordelia: I didn't thinkyearbook nerds came out of hibernation till spring.Eric: (snaps another picture) It's for my private collection. (winks)Chris: Eric! Will you quit it?Buffy: Comin' through. Sorry. (Eric takes her picture) Uh, sorry tointerrupt, Willow, but it's the Bat Signal.Willow: Okay, sure. See you later, Chris. Thanks for the tip.Chris: Okay. Cordelia watches them go. Eric raises his eyebrows at her.Cordelia: (disgusted) Uhhh! (leaves)Eric:Cordelia's so fine. Y'know, she'd be just perfect for us.Chris: Don't be an idiot. She's alive.Cut to the library. Willow sits down in front of the PC.Willow: This shouldn't take long. I'm probably the only girl in school whohas the coroner's office bookmarked as a favorite place.Cordelia: (coming in) Hi. Sorry to interrupt your little undead playgroup, but I need to ask Willow if she'll help me with my science fair project.Willow: It's afruit.Cordelia: I would've asked Chris to help me, but then that would've brought back too many memories of Daryl.Willow: I found it! Meredith Todd died in a car accident last week.Cordelia: Of course I have learned todeal with my pain.Buffy: How was her neck?Willow: Fine, except for being broken. Giles comes out of his office.Cordelia: Hello! Can we deal with my pain, please?Giles: There, there. He pats her on the shoulder andcontinues up into the stacks.Willow: It says that Meredith and two other girls in the car were killed instantly. They were all on the Fondren High Pep Squad, on the way to a game.Buffy: You know what thismeans.Xander: That Fondren might actually beat Sunnydale in the cross-town body count competition this year?Buffy: She wasn't killed by vampires. Somebody did dig up her corpse.Cordelia: Eww! Why is it that everyconversation you people have has the word 'corpse' in it?Xander: Okay, so we got a body snatcher. What does that mean?Giles: Uh, h-here's what I've come up with. Demons who eat the flesh of the dead to absorbtheir souls. Or, i-i-it could obviously be a, a voodoo practitioner.Willow: You mean making a zombie?Giles: Uh, zombies, more likely. For most traditional purposes a voodoo priest would require more than one.Buffy: So,we should see if the other girls from the accident are AWOL, too. Maybe we can figure out what this creep has in mind if we know whether or not he's dealing in volume.Xander: So, we dig up some gravestonight?Willow: Oh, boy! A field trip! Are you gonna call Angel?Buffy: I don't think so.Xander: Yeah, why bother him, huh?Buffy: Angel and I have been, um... Never mind. As far as Angel's concerned, I'm taking thenight off, okay?Xander: So, we're set then. Say, nineish? BYO shovel?Willow: And I'll pack some food. Who else likes those little powdered doughnuts?Xander: Me.Willow: Cordelia?Cordelia: Darn, I have cheerleaderpractice tonight. Boy, I wish I knew we were gonna be digging up dead people sooner. I would've canceled.Xander: Alright, but if you come across the army of zombies, can you page us before they eat your flesh?Cordelia huffs and leaves the library.Giles: Xander?Xander: Huh?Giles: Zombies don't eat the flesh of the living.Xander: Yeah, I knew that. But did you see the look on her face?Cut to the cemetery that night. Giles andXander are digging while Buffy and Willow relax and watch.Buffy: I couldn't believe Angel. He was acting all jealous, and he wouldn't even admit it.Willow: Jealous of what?Buffy: Of Xander.Willow: Because you did thatsexy dance with him?Buffy: Am I ever gonna live that down?Willow: No. (munches a doughnut)Buffy: Anyway, he was being totally irrational.Willow: Love makes you do the wacky.Buffy: That's the truth.Xander:Y'know, this might go a lot faster if you femmes actually picked up a shovel, too.Giles: Here, here.Buffy: Sorry, but I'm an old-fashioned gal. I was raised to believe that men dig up the corpses and the women have thebabies. (to Willow) So, speaking of the wacky, what was Cordelia's whole riff about painful memories? Who's Daryl?Willow: Daryl Epps. Chris' older brother. He was a big football star. All-State two years ago. He was arunning... He was a running... Uh, someone who runs and catches.Buffy: Was he a studly?Willow: Big time. All of the girls were crazy for him.Buffy: And he broke Cordy's heart? Thus possibly proving itsexistence.Willow: He died. Rock climbing or something? He fell.Buffy: Man, that's lousy. Poor Chris.Willow: Ever since then Chris has been real quiet. Kind of in his own world. I heard their mother doesn't even leave thehouse anymore.Giles: I think we're there. Buffy and Willow get up and go over to the grave.Willow: By the way, are we hoping to find a body, or no body?Xander: Call me an optimist, but I'm hoping to find a fortune ingold doubloons.Giles: Um, body would mean flesh-eating demon, no body would point towards the, uh, army of zombies thing. Take your pick, really. Right, then, uh... (to Xander) Go on. (indicates the casket)Xander:You're closer.Buffy: Pathetic much? (climbs down) Move over. She opens the casket.Cut to the school after cheerleading practice. The cheerleaders are heading home.Cordelia: Guys, if we don't get this down bytomorrow, no one's gonna be led by our cheers. Practice.Girl: Okay. See ya later. Cordelia continues on to her own car as the others get in theirs. They drive off before Cordelia reaches her car. She hears something bythe fence and stops to look around.Cordelia: Hello? She continues to her car and starts to dig in her pack for her keys. She gets them out and runs the rest of the way to her car. She nervously fumbles with thelock.Cordelia: Xander Harris, if this is some kind of joke... She drops her keys and they roll under the car. She kneels down and reaches for them frantically. On the other side of her car she can see someone in blackshoes approaching. She quickly gets up and starts to run. The man follows her. He walks past a dumpster. When he's gone the lid opens, and Cordelia checks to see if the coast is clear. She pushes the lid up all the way,then turns around again to hop out, but is startled by Angel.Angel: Cordelia. This is the last place I expected you to hang out.Cordelia: (quietly) Oh, God! God, it's you. Why were you following me?Angel: I wasn't sure itwas you at first. I'm looking for Buffy.Cordelia: Buffy? Well, she's, uh... big shock, she's at the graveyard.Angel: She said she'd be home.Cordelia: Well, she lied. Isn't she a rascal? Well, you're in luck. It just so happensthat my night is free. (tries to get out) Uh, hold on, my skirt is caught. She reaches behind her and gets her skirt loose.Cordelia: There. She picks up what was holding her skirt and sees it's a hand. She drops it andscreams. ~~~~~~~~~~ Part 2 ~~~~~~~~~~ The library. Xander can be heard outside in the hall.Xander: So, both coffins are empty. That makes three girls signed up for the army of zombies. They come inthrough the doors.Willow: Is it an army if you just have three? Angel gets up from the table and faces them. Cordelia clings to his arm and gets up, too.Buffy: Zombie drill team then.Angel: You're back.Buffy:Angel!Angel: Xander.Xander: Angel.Angel: (to Buffy) I thought you were takin' the night off.Buffy: I, I was, um, but something came up.Angel: Cordelia told me the truth.Xander: (chuckles) That's gotta be a first.Giles:Um, as long as you're here, perhaps you could be of some help. Hmm? (to Buffy) Hmm?Buffy: We were investigating. Somebody's been digging up the bodies of dead girls.Angel: I know. We found some of them.Buffy:You mean, like, two of the three?Angel: I mean, like, some of them. Like parts.Cordelia: It was horrible. Angel saved me from an arm. God, there were so many parts, they were everywhere. Why are these terriblethings always happening to me?Xander: Karma! (coughs to cover it)Willow: So much for our zombie theory.Giles: So much for all our theories.Buffy: I don't get it. Why go to all the trouble to dig up three girls only tochop them up and throw them away? It doesn't make any sense. Especially from a time management standpoint.Angel: Well, what I saw didn't add up to three whole girls. I think they kept some parts.Buffy: Could thisget yuckier?Willow: They probably kept the other parts to eat.Buffy: Question answered.Giles: Why dispose of the remains five miles from the cemetery at a school, of all places?Buffy: Maybe because whoever did ithad some business in the neighborhood. Like, say, classes?Giles: Oh. Ah.Angel: This was no hatchet job. Whoever made those incisions really knew what they were doing.Giles: (disbelieving) Yes, really. What studenthere is gonna be that well versed in physiology?Willow: Well, I can think of five or six guys in the science club. And me.Xander: So, Will, come clean. Promise to never do it again, and we'll call it a night. (no response)He joked! (smiles)Buffy: Willow, why don't you get these guys' locker numbers so we can do some checking?Cordelia: No. I have to go home now. I have to take a bath and burn my clothes.Xander: (in mockdisappointment) You have to go? Aw, too bad. Keep in touch. Buh-bye.Cordelia: I don't wanna go alone. I'm still fragile. (to Angel) Can you take me? Angel is in open-mouthed shock, and looks at Buffy. She gives him astare of disapproval.Cordelia: Great! I'll drive? She leads the way out of the library as Angel gives Buffy another helpless look.Xander: How about that? I always pegged him as a one-woman vampire.Cut to Chris' house.His mother is sitting in front of the TV watching videos of Daryl's games. His trophy sits on top of the TV. Chris comes out of the basement.Chris: I'm going out, Mom. She doesn't even look up. She just blows outanother lungful of cigarette smoke. Chris walks over to the front door.Chris: I'll be back later, okay? Mom? Still no response. She takes another drag from her cigarette. Chris lets out a sigh of frustration and leaves thehouse. On the video Daryl just scored a touchdown, and the team is holding him up high as the cheerleaders jump and wave their pompoms.Video: Dar-yl! Dar-yl! Dar-yl! Dar-yl! Dar-yl! Daryl takes his helmet off andholds his fists up in the air, laughing and enjoying the moment.Cut to the halls at school. Xander is working a locker combination from a list. Giles comes down the other hall.Giles: You understand, in my capacity asschool official, this search is completely unauthorized, and I, I cannot condone it.Buffy: Fine, your butt's covered. Wanna grab a locker? (hands him a sheet)Giles: Uh, yes, yes, of course. (takes the sheet)Buffy:(approaches a locker) Okay, Eric. Let's see what's on your annoying little mind.Willow: (at another locker) Nothing in here but back issues of Scientific American. Ooo, I haven't read this one! (starts to read)Giles:Nothing remarkable here.Xander: (opens one) Guys! They all go over to see.Xander: Your friend Chris Epps' locker.Willow: (reads off book titles) 'Grey's Anatomy', 'Mortician's Desk Reference', 'Robicheaux's Guide toMuscles and Tendons'. Giles reaches in and pulls out a newspaper folded open to a picture of the three cheerleaders. The title above the picture reads 'Tragic Accident Kills Three'.Giles: I think it's fair to say Chris isinvolved.Xander: He's into corpses alright, but we still don't know why.Buffy: Yes, we do. She opens Eric's locker door and shows them a collage of a woman made from parts of various pictures.Cut to Chris' basement.Eric sings while Chris works on a body.Eric: I guess you'll say / What can make me feel this way? / My girl / Talkin' 'bout my girl / My girl... How's my baby?Chris: She's not your baby.Eric: She's not gonna be anybody'sbaby if we don't finish her soon.Chris: I'm working on it.Eric: So am I, friend. So am I. He hangs up freshly developed pictures of Buffy, Willow and Cordelia to dry.Cut to the balcony. Buffy comes up to Willow andXander sitting on the railing.Xander: Any sign of our suspects?Buffy: Not yet. I don't get it. Why would anybody wanna make a girl?Xander: You mean when there's so many pre-made ones just laying around? Thethings we do for love.Buffy: Love has nothing to do with this.Xander: Maybe not, but I'll tell you this: people don't fall in love with what's right in front of them. Willow gives Buffy a sad, knowing look.Xander: Peoplewant the dream. What they can't have. Willow looks over at Xander longingly. Buffy understands only too well.Xander: The more unattainable, the more attractive. Willow hops down from her perch.Willow: And for Ericthe unattainable would include everyone. That's alive. She walks around Xander to head down the stairs. Buffy joins her.Buffy: Uh, Eric's sick enough to do something like this, but what about Chris? He seems like ahuman person. Xander follows them.Willow: I dunno. That thing with his brother was really hard on him. And he talked about death a lot. Maybe he just wanted to get one-up on it.Buffy: But it's not doable. I mean,"}
+{"doc_id":"doc_260","qid":"","text":"[The woods](Jules wakes up. She's naked. She gets up, walks and finds bodies mutilated. She dresses up with some of the camper's clothes and puts the limbs together so she can make a fire. She's starting the firewhen a policeman arrives. He gets out of his car and come towards her. She pretends to be crying)Policeman: good morning. Is everything alright here?Jules: It was an animal. Fragment (consider revising) He came atus at the nightPoliceman: Are you okay?Jules: Yes but my friends! They're all deadPoliceman: I'm calling item(He goes towards his car but Jules hits him really hard with a wooden stick two times. She killshim)[Salvatore's house](Elena enters Stefan's bedroom)Elena: Stefan? Stefan? You're standing right behind me, aren't you?Stefan: Yep(She turns herself and kisses him)Stefan: Good morningElena: I don't want us tobe apart anymore. NeverStefan: Me neither, but...Elena: Don't ruin the moment(They kiss again but Stefan stops)Elena: You're about to ruin the moment, aren't you?Stefan: I'm totally ruining the moment. Look, Ican't just pretend like everything is okayElena: Katherine's locked away in the tombStefan: I know but we've still this pressing little issue of you being Klaus' human sacrifice(She opens one of Stefan's drawer and takesa foil with vervain and opens it)Elena: Yeah but Elijah promised to keep me and everyone else safe as long as we'd play by his rulesStefan: Right. As long as you'll play by his rules(She puts the vervain in a glass)Elena:Please don't go after IsobelStefan: Katherine said Isobel could have some answers and I just have a couple questions, that's all(She pours water in the glass with the vervain in it. She drinks)Elena: Stefan, I made adeal with ElijahStefan: Right, you made a deal with him. I didn't make one. You should keep your dealElena: Stefan, I don't want anyone else to get hurtStefan: When have I ever wanted somebody to get hurt?(Sheshows him the glass)Elena: Vervain. I made it late but are you sure? Just because Katherine build up a tolerance...Stefan: Yes, bottoms up(He takes the glass and drinks but he coughs)Elena: Are you okay?Stefan:YeahElena: How can Elijah compel another vampire?Stefan: He's an original. I don't really know what that means. I don't think anybody really knows what that means. Well, except maybe Isobel. I'll maybe we shouldask her(He kisses her and leaves)(Rose is in the library, she seems sick. Damon rejoins her)Rose: I was born in 1450, that makes me 560 years oldDamon: Well, if you were a bottle of wine...Rose: So I can die. I'velived long enoughDamon: You know, if you're gonna be morn, I'm just gonna kill you myself just to put me out of your misery.(He pours blood in a glass)Damon: Come on, it's just a little werewolf biteRose: Just alethal, fatal to a vampire werewolf biteDamon: Well, according to a legend which is notoriously unreliable source. Drink out(He gives her the glass of blood)Damon: Blood heals(She drinks)Rose: Yeah, it does feel likeit's workingDamon: Let's have a look, come on. Let me see(he looks at the wounds but it's kind of infected and worse)Rose: How is it?Damon: Definitely better. Right, Elena?(Elena is in the room and seems chocked byRose's wounds. Rose looks at her)Elena: Uh, it's not bad.Damon: Where's Stefan?Elena: He left. I need you to talk to him. He's convinced that he has to find Isobel but I think that's gonna upset ElijahDamon: No, can'tdo. I'm with Stefan on this one but if you could play nurse for a little while...Rose: It's not necessaryDamon: It is necessary. Elena is a do-gooder. It's in her nature, she just can't resist(He leaves the room. Elena looksat Rose and rejoins him)Elena: Damon. Is she gonna die?Damon: Probably. The wolf bite caused some kind of infection and it's getting worseElena: Like poison?Damon: I don't know, Elena. I'm not an expert in thefieldElena: I'm sorryDamon: Death happens. We come, we go. Sooner she dies will better. It's gloomy as hell in here[Mystic Falls' high school](Everyone is preparing the booster club barbecue. Caroline rejoinsTyler)Caroline: How are you feeling?Tyler: I'm okay. I'm sore, every muscle hakesCaroline: You did it. You know, you... your first full moon and you didn't hurt anyone. It'll get easier. You'll get better at it, you'll learnhow to control it and it won't hurt so muchTyler: Well, we don't know any of that for sureCaroline: No but small victories, Tyler. Last night was a victory. You know, let's take itTyler: Look, I really want to thank you. Idon't know what I would have done if you hadn't been there(She smiles)Caroline: Yeah, anyway, uh... next month we should probably reinforce the wall because you almost got me that one time and it just would havebeen, uh...Tyler: What?Caroline: Never mind, it's...Tyler: Hey, no, hey. What is it?Caroline: Well, it's not a big thing, it's just that one bites and it's... you know, curtains for meTyler: What are you talkingabout?Caroline: The legend says that a bite from a werewolf can kill a vampireTyler: How do you know that?Caroline: I... read it somewhere...(Matt rejoins them)Matt: Caroline, you got a second?Tyler: Hey,MattCaroline: Yeah, sureTyler: I'll see you guys later(He leaves so they can be alone)Caroline: That was nothing, okay? There is nothing going on between Tyler and I, we were just talking...Matt: I believe you. Look,Caroline, you're a lot a things but you're not a liar. You've always been strait with me, I believe youCaroline: Well, goodMatt: And that's why I want to be strait with you because I... I think we have some wires crossedhereCaroline: Oh, okayMatt: And you know how tauter I get and I don't like this. Whatever this is that's going on between us and I... I just want to...(He kisses her )Caroline: Hey, you can'tMatt: Why?Caroline: That'sjust...Matt: But Carrie...Caroline: No Matt, okay?(She leaves)[Mystic Grill](Jules rejoins Sheriff Forbes at the bar)Jules: Sheriff Forbes, hi. I'm Mason Lockwood's friend from FloridaSheriff: Jules, right?Jules: Is there anynews?Sheriff: No one's heard from him. I've opened an investigation. As soon as I hear anything I let you know(Alaric is looking at them. He calls Damon)Alaric: Hey, Damon. The wolf is at the grill(She sits down at atable. Stefan rejoins him)Stefan: Is it the....?Alaric: Yeah, yeah. I just left Damon a messageStefan: So you're doing his dirty work for him nowAlaric: She could have a cure for Rose. I couldn't find anything in Isobel'sresearch except that it's fatalStefan: Do you still have a way to get in touch wit Isobel?Alaric: Even if I did, she isn't gonna helpStefan: Katherine said that Isobel knew of KlausAlaric: So this isn't about Rose, it's aboutElena. I have an old number, probably out of serviceStefan: No harm in giving it to me then?Alaric: You know you can't trust Isobel, even when it comes to ElenaStefan: I know thatAlaric: Alright. I'm gonna see if I canfind the number. If I do, I'll text it to you(He leaves)[Salvatore's house](Rose and Elena are in Damon's bedroom. Elena puts her in the bed)Rose: I hate this. I'm a vampire, I've never had a cold in five centuriesElena:Just get in the bedRose: We don't get sick. When we die, it's fast and sudden and it's certainly not drawn out in illnessElena: You're not gonna dieRose: It's such a human thing to say(Elena looks around her)Rose:You've never been in Damon's room before, have you?(She takes a book and looks at it. Its ''Gone with the wind'')Rose: Not what you expected?Elena: It's just a room with a bed. Maybe I expected them to be silksheets(They smile)Rose: You're lucky, you know. No one's ever love me the way you're lovedElena: I doubt thatRose: Trevor was my best friend. Nothing more. I spent all this years on the run from Elijah. I just neverthought it was a good idea to set up roots. The whole idea of family is not exactly compatible with being a vampire. Why are you so eager to give up?Elena: I'm not giving up on anything(She gives her a glass ofblood)Rose: What do you call this all deal with Elijah?Elena: I call it my best optionRose: It's the easiest optionElena: That's not fairRose: Do you really think that your witch friend destroyed the moonstone?Elena: Ispoke with Bonnie. I know that she had the help of another witch; unless you mean it's Elijah's witch so no, I don'tRose: You really are determined to die, aren't you? At least I ran, you're not even trying(She closes hereyes)Rose: I'm so tired(Elena is leaving but Rose is talking in her sleep)Rose: No, stop, wait. Tell them to prepare the horsesElena: It's okay Rose. Just get some sleep. You'll feel better when you'll wake upRose:Trevor, don't be so stupid. You'll never going to make it there before the sun(Suddenly she sits down. She's in pain)Rose: Elena, Elena, I need more bloodElena: Yeah, of course, here(she gives her the glass of blood.Rose drinks but threw everything up)Elena: It's okay, everything's gonna be alright(She rushes to the bathroom. When Elena comes back, Rose's not here anymore. When she turns herself, Rose is here and pushes herhardly against the wall)Rose: Everything's your fault, Katerina. You Katerina, you did thisElena: No Rose, I'm ElenaRose: You betrayed us!Elena: I'm not Katherine!(Rose releases her)Rose: Elena?Elena: It's me, it'sElenaRose: Oh my god Elena. I'm so sorry. I don't know what's happening to me. I'm sorryElena: You're gonna be alrightRose: My mind, I'm...Elena: It was just for a secondRose: I'm sorry, don't be scared of meElena:I'm not. I'm not but you need to rest(Rose lays on the bed)Rose: I'm scaredElena: You're not alone. I'm right hereRose: Here, where's here?Elena: Damon's bedroom, you're in Damon's bedroomRose: I want to gohomeElena: Tell me about itRose: St.Austell, 30 kilometers of the south of London. With fields and trees and horsesElena: Sounds beautifulRose: When you live long enough, everything disappears. So much timewasted, I just wish I wouldn't have been so afraid[Mystic grill](Jules is eating. Stefan's looking at her. He looks at his phone, Alaric's texted him the number. He calls but no one answers. He leaves a message.)Stefan:Isobel, it's Stefan Salvatore. I need to speak with you, it's about Elena. Please know that it's important(He hangs up and sees Damon. He sees Jules and goes toward her but Stefan stops him)Damon: What are youdoing here?Stefan: I was waiting for you. Listen, there's a lot of people hereDamon: Oh, damn. My plan was to rip her spleen through her backStefan: Hey, listen, I know you're upset about RoseDamon: Why doeseveryone think that I'm upset about Rose? I'm fine. I don't know if you know this but sometimes, vampires die. I'm gonna have a friendly chat with lady wolf, brother. Ease up(He rejoins Jules. The number Stefan'scalled is calling. He answers and leaves)Jules: Well, if he doesn't the one I meant to kill...I'll have to get that right next timeDamon: You won't leave to see another full moon unless... unless you tell me how to cure awolf bite and then I won't kill youJules: Promise?Damon: YesJules: Bite me(She gets up but Damon catches her arm)Jules: I'm not afraid of youDamon: Then you are very, very stupidJules: How's your friend? Rose, isthat her name? have the chills started? The unbearable pain?Damon: If there's a cure, tell me or start watching your backJules: Did I mention the dementia? It'll eat away her brain. Soon she'll be rabid. You want acure? I'll tell you the only cure that exists: take a stake and drive it through her heart(She leaves)[Salvatore's house](Elena enters Damon's bedroom with new sheets)Elena: I brought some clean sheets(Rose is nothere. Elena leaves the room to see where she is. She enters the library and calls Damon)Elena: It's Elena, I'm worried about Rose. I think you should come home(She hears a noise and go towards it. She finds Rosedrinking blood from a bag. There's a lot of empty blood bags around her)Elena: Oh my godRose: KaterinaElena: No(Rose goes after her. Elena runs)Elena: Rose, stop, stop, it's Elena. I'm not Katherine(Rosestops)Elena: You're hallucinating. I'm not Katherine(Rose catches her and pushes her on the floor. Elena opens the curtain. Rose is hurt by the sun so Elena runs. She tries to gets out of the house but Rose stops herand tries to bites her but Elena catches her wounds. Rose screams and Elena runs. She goes in Stefan's bedroom, locks the door and puts a furniture behind it. She opens the window so the sun can enter the room andbreaks a wooden chair to make a stake. Rose tries to open the door)Rose: Elena? I know that's you and not Katerina. Elena, please, I need your help[Mystic Falls' high school](Caroline is in a corridor. Matt rejoinsher)Matt: Caroline. Why?Caroline: Why what?Matt: I kissed youCaroline: I know, I was thereMatt: So why did you run away?Caroline: You got me off guardMatt: Yeah?Caroline: What did you except me to do?Matt: NotthatCaroline: Well, I'm sorryMatt: And...?Caroline: And what? What do you want me to say, Matt?Matt: Something, anything. How did you feel? Anything in the roam of truth right now would be niceCaroline: Okay, Ifeel... like I.... I love youMatt: I love you then what's the problem? What are you keeping from me, Carrie? Look, if you love, you'll tell me so what is it?(She doesn't say anything. A cheerleader arrives)Dana: Hey Matt,we need more burgersMatt: Yeah, not now Dana(When he turns himself to talk to Caroline, she's not here)[SCENE_BREAK][Salvatore's house](It's night. Elena doesn't hear anything so she leaves the room and goesdownstairs. The main door is opened. She turns herself and sees Damon. She still have the stake in her hand.)Damon: Are you okay? Where's Rose?Elena: I don't know[Mystic Falls' high school](Rose is here, in theparking lot. A man is here and sees her)Man: Excuse me, are you okay?(He comes closer. She bites him and drinks her blood. He falls on the floor, he's dead.)(Damon rejoins the sheriff. The police's found thebody)Damon: HeySheriff: Thanks for coming so quicklyDamon: No, I was close by Liz, what happened?Sheriff: A vampire. Luckily one of my deputies discovered the body before anyone else saw himDamon: You haveto secure the area thenSheriff: I take the east side of the school, you go west?Damon: Sure, okay(Elena Is here too. She leaves a message to Stefan)Elena: Hey, Stefan, it's me. I don't know where you are but pleasecall me. It's important(Damon rejoins her)Elena: Hey. Have you heard from him? Do you know what he's up to?Damon: My baby brother is not exactly my priority right now. Take this(He gives her a stake)Damon:Come on, let's go(They leave)(Two students are going to their car)Boy: Hey, what was going on back there with the police?Girl: Some maintenance man had a hard attack. He was drop dead(she goes into the car andwaits for her boyfriend but he doesn't arrive)Girl: Eddie?(His body falls on the car. The girl screams. She goes out of the car but Rose is here and bites her. Damon arrives)Damon: Rose, stop!(She rushes toward himbut he catches her and puts her on the floor)Damon: Rose, Rose! It's me, it's Damon(her face is normal again. She looks at The girl's body)Rose: Did I do this? I never meant to heart anyone. I never wanted to hurtanyoneDamon: I know(She looks at Elena)Rose: I'm sorry, I'm so sorryDamon: Come on, let's get you homeRose: no, I don't have a home, I didn't had a home in so long(She cries)Rose: Oh make it stop, please makeit stop!(He takes her in his arms and they leave)[Salvatore's house](Rose and Damon are in his bedroom. She's in the bed)Damon: Hi thereRose: I'm sorryDamon: You went on a murder drop age. It happens(Elenaenters the room)Rose: I'm sorry, Elena. I don't like taking human lives, I never haveDamon: You shouldn't be hereRose: It's the worst part about it: the hunt, the need to kill, the thirst, the pleasure it brings youafterwards. I wasn't meant to be evil. It hurtsDamon: Stop talking about itRose: Damon's a lot like me. He wants to care but when he does he runs away from it. I'm sorry for what I've done todayElena: I knowRose:And you need to fight. I know you're scared but you have to do it anyway(She coughs. Elena comes closer and puts her arm under her neck)Rose: Why are you so nice to me?Elena: Us humansRose: You can't neverforget it, what it's like to be human. It haunts me. It's the only thing that keeps me going. It doesn't hurt much anymore(Suddenly she's hurt and screams)Elena: What do we do?Damon: GoElena: Damon...Damon:Just go, I got this(She leaves. Damon goes in the bed with Rose and takes her in hi arms)Rose: Oh god! Make it stop, make it stop! I can't take it anymore, make it stop![Caroline's house](Tyler is waiting for Caroline.She arrives)Tyler: Hey. Where have you been?Caroline: At school. What's up? What's going on?Tyler: We need to talkCaroline: Why? What's wrong with you?Tyler: I just don't understand one thingCaroline:What?Tyler: Why would you risk it? If a werewolf bite kills a vampire... why would you risk it?Caroline: Because you needed helpTyler: I could have killed youCaroline: But you didn'tTyler: I don't understand you,CarolineCaroline: Why is it so hard for you to let someone else help you?Tyler: That's not itCaroline: Yes it is, Tyler. It's like you don't want anyone to care about you and I'm sorry I cared. I care Tyler so forgive me if Ioverstepped my boundaries by actually giving in(He kisses her)Caroline: You can't do thatTyler: I'm sorry, it's...Caroline: Everyone just need to stop kissing me!(She goes inside and shot the door)[Salvatore'shouse](Damon is still with Rose)Rose: Who would have thought you'd be nice?Damon: I'm not nice. I'm mean. I like itRose: You're lyingDamon: Shut, shut, just sleep. Just sleep[Rose's dream](Rose is in a dress, herhair are long. There are horses. She runs and sits down next to Damon)Rose: This was my favorite place to comes ago. How did you know?Damon: Word gets around. You told ElenaRose: Am I dreaming?(She closesare eyes and breath)Rose: The sun is so warm. I miss this. I miss being humanDamon: Humanity is not all cranked off to beRose: I had friends, I had a family, I matteredDamon: You still doRose: no but you do. Youbuilt a life whether you want to admit it or not. I spent 500 years just existingDamon: You didn't have a choice, you were running from KlausRose: There's always a choiceDamon: You know, you're ruining our perfectday with your strange philosophical babbling(She embraces him)Rose: I'd like to enjoy the fresh air. Would you enjoy it with me?Damon: For a whileRose: Thank youDamon: For what?Rose: The pain's goneDamon: I'mgladRose: Will I see them again? My family?Damon: I think you'll see whoever you want to seeRose: That would be nice. Maybe I'll see Trevor too. I'm not afraid anymore(She gets up)Rose: I'll race you to thetreesDamon: Well, you'll loseRose: I'm older and fasterDamon: Oh, you think?(He gets up)Damon: Well, I'm compelling this dream. Maybe I'll cheatRose: On the count of three. One, two, three[Salvatore'shouse](Damon takes a stake and drive it through her heart. He cries. Rose's dead)[Middle of nowhere](Sheriff Forbes rejoins Damon. He opens his trunk)Damon: Here's your vampire(Rose is in the trunk. The sheriff issurprised)Sheriff: How did you find her?Damon: It doesn't matter. What matters is that it's overSheriff: Thank you Damon. Once again, you've help keep this town safeDamon: I'll take care of burying the body(Hecloses the trunk)[Mystic Grill](Tyler rejoins Jules)Jules: Thank you for comingTyler: So what do you want from me?Jules: Just to be your friend. Mason would have wanted that. I know about Mason and youTyler: Youknow what?Jules: I know you're a werewolf and I know your little friend Caroline is a vampireTyler: How do you know about Caroline?Jules: You can't sniff them out?(He doesn't answer)Jules: Oh my god. You're brandnew. How many times have you turned?(he doesn't answer)Jules: Hey, I can help youTyler: Do you know where Mason is?Jules: He's dead, Tyler. He was murderedTyler: NoJules: You want to know who murderedhim?Tyler: Just stopJules: Your little blond vampire didTyler: No, Caroline would never do thisJules: She and her little vampires friends were behind it, TylerTyler: Caroline is the only vampire in townJules: Is that whatshe told you? She lied, this town is crawling with vampires but don't worry, we'll get themTyler: Who are you?Jules: I'm your friend. There are others like us and they're on their way[Salvatore's house](Damon arrives.Elena's here)Damon: You were supposed to leaveElena: I did but then I came back to make sure that you're okay(She gives him a glass of scotch)Damon: I appreciate the gesture. I'm just glad it's over(Hedrinks)Elena: You know I don't believe thatDamon: Go home, Elena. Get some rest. It's a whole new day tomorrowElena: Damon, I'm you're friendDamon: I'm well aware of thatElena: And a friend usually knows whenher friend is hurtingDamon: What do you want to hear? That I cared about Rose? That I'm upset? Well I didn't and I'm notElena: There you go, pretending to turn it off, pretending not to feel. Damon, you're so close,"}
+{"doc_id":"doc_261","qid":"","text":"•I do not own the characters or situations of BTVS, and I claim no credit for the content of this episode. I have merely transcribed what appeared on my screen, with help from the closed captions. •I prefer that you linkto this transcript on the Psyche site rather than post it on your site, but you can post it on your site if you want, as long as you keep my name and email address on it. Please also keep my disclaimers intact. •You canuse my transcripts in your fanfiction stories; you don't have to ask my permission. (However, if you use large portions of episode dialogue in your fanfic, I recommend you give credit to the person who wrote theepisode.) •I apologize in advance for my lame transcription of the fight scenes. I don't know the names of different punches and kicks. Use your imagination.[SCENE_BREAK]GILES VOICEOVER: Previously on Buffy theVampire Slayer...Dawn stealing a coin from the magic shop. Buffy and Dawn in Dawn's bedroom.DAWN: You're never here. You can't even stand to be around me.BUFFY: That is not true.DAWN: You didn't want to comeback. I know that. You want to go away again. The demon poker game.SPIKE: I'm in.LOOSE-SKINNED DEMON: Ante up. Kittens mewing.BUFFY: You're gonna play cards?! Halfrek appearing in the living room.HALFREK:I have been called, and vengeance shall I wreak. Anya gasping.HALFREK: Hello.ANYA: Halfrek!HALFREK: Anyanka? Anya and Halfrek squealing and hugging.ANYA: How are you?XANDER: You two, you know eachother?ANYA: Funny, Halfrek, I didn't summon you to kill Xander, I called to invite you to our wedding. Willow and Tara outside the magic shop.WILLOW: Tara. What are you doing here? Uh, it's okay for you to be here ifyou have things that ... you have to be here for. I'm doing better. No spells for 32 days. Tara and Buffy in the living room.TARA: Buffy, I promise, there's nothing wrong with you.BUFFY: There has to be. Why do I feellike this? Why do I let Spike do those things to me? Buffy and Spike kissing.TARA: Oh!BUFFY: Don't tell anyone, please.TARA: I won't.[SCENE_BREAK]Teaser[SCENE_BREAK]Open on a small table with several stakesand daggers on it. Reveal Buffy who begins putting the weapons into a bag. We're in the Summers living room. Dawn stands behind Buffy.BUFFY: (sighs) I'm sorry.DAWN: It's okay.BUFFY: No, we're gonna sit down andhave a real dinner. Someday. I hate having to run out in the middle, it's just, you know, there's this thing out there. Definitely non-vampire.DAWN: (smiling) I understand. Buffy picks up the bag, goes toward thedoor.DAWN: Well, maybe when you get back we can set up for your party tomorrow.BUFFY: Yeah. Uh, this could take a while though, I-I wouldn't wait up. (putting on her coat) Besides, Willow promised to be onbirthday patrol, so there's nothing left for us to do. (smiling)DAWN: Right.BUFFY: Okay, so, finish dinner, homework, and don't stay up too late, all right?DAWN: Okay.BUFFY: Okay. Buffy turns to go. Dawn watcheswith a smile. As soon as the door closes behind Buffy, Dawn stops smiling. Stands there, alone, looking unhappy.Cut to graveyard, night. Buffy walks along holding a large axe with a metal handle. Suddenly a largedemon with red skin and a spiny crest on its head leaps out behind her. Buffy whirls around. The demon swings a large sword at her. She ducks, then blocks with her axe. The demon's sword bends the axe handle, thenpulls it out of Buffy's hand. It flies off and lands in the ground. The demon swings at Buffy again and she gets hold of his sword arm, twists it around behind his back. Suddenly the demon shimmers and disappears.Buffy looks around in confusion. The demon reappears behind her. She kicks him in the face, punches him, kicks again. He falls back. His sword goes flying up into the air. Buffy catches the sword on its way down. Thedemon charges her. She stabs him right in the stomach. Blue light flashes out in a circle from the wound. The demon roars and grabs his stomach. Buffy pulls the sword out and falls back onto the ground. The swordlands point-down in the ground. The demon falls to his knees, still roaring. He shimmers and turns into a bolt of silver light that shoots over to the sword and into it. We can see his face reflected in the sword's blade.Buffy is still on the ground, facing the other way.BUFFY: Run off, huh? Afraid to face a true warrior? She gets up and sees the sword.BUFFY: Ooh, shiny. She smiles, pulls the sword out of the ground and twirls it around.Walks off, holding it. Wolf howl, opening credits. Guest starring Kali Rocha, Ryan Browning, and Amber Benson as Tara. Written by Drew Z. Greenberg, directed by Michael Gershman.[SCENE_BREAK]ActI[SCENE_BREAK]Open in the magic shop. Anya stands by the shelves dusting statues.ANYA: Do you think we should set up lots of candles for Buffy's party tomorrow? Pan over to reveal Xander and Willow sitting at asmall round table doing paperwork.XANDER: Not if they're that horrible slug kind you keep trying to unload.ANYA: (walking past) I don't know why people get so turned off by slug.XANDER: Honey, slugs get turned offby slug. (to Willow) Oh, actually, I wanted to talk to you about that.WILLOW: Slugs?XANDER: No, the party. Or, Tara ... at the party.WILLOW: Oh.XANDER: It's just ... Buffy really wants her there. It seems important toher, so I told her I'd ask you.WILLOW: (smiling) Oh ... yeah, of course, she should totally be there. It'll be great. Dawn enters. She wears a red t-shirt with a beige sweater over it, and has a red coat over herarm.DAWN: (smiling) Hey!WILLOW: Hey, Dawnie. Buffy, uh, out patrolling already? (Dawn nods)XANDER: So, uh, anything new about Warren and the Nerd Herd?DAWN: No, just a big monster hunt.XANDER: Man, anerd goes into hiding, he really goes into hiding.DAWN: Does anybody want to come to the mall with me for birthday presents?WILLOW: Oh, I would, honey, but ... I've got my group. You know, the whole SpellcastersAnonymous thing? We're still looking for a better name.DAWN: Oh. Well, yeah, uh, no, that-that's good. You should ... do that. (beat) So what about you guys?ANYA: Stuck in doing-the-books-ville.XANDER: Aw, I'dlove to go with you, but I gotta finish this new shift schedule for the crew by tomorrow morning. Dawn looks disappointed.WILLOW: Sorry, it just looks like one of those nights. You know?DAWN: Yeah.WILLOW: Youokay going on your own?DAWN: Yeah. Somehow I'll, uh, manage to pull it off. Willow gives her a little smile. Dawn grimaces, turns to leave.Cut to: overhead shot of Sunnydale, night.Cut to: exterior shot of theSummers house.Cut to inside. Dawn enters the front door, cautiously, looking around. She is wearing the red coat. Pan across the foyer into the empty dining room.DAWN: Buffy? Dawn starts up the stairs.Cut toDawn's bedroom. Overhead shot of Dawn as she enters, closes the door behind her, turns on the light. She puts her purse on the bed and reaches into her coat pockets.Cut to a closer shot as she pulls a handful ofjewelry from the pockets, still with the price tags attached. She looks at the handful for a moment, puts it on the bed, takes out another handful of jewelry and puts that on the bed too. She takes off her red coat,revealing a tight shiny leather jacket that she wears over the red t-shirt. She goes over to the closet, opens the door revealing a full-length mirror. She checks out the jacket in the mirror. We can see the price tag stillhanging from the sleeve. She pulls the jacket tightly around her.Cut to: high school classroom, next day. Pan across bored students.TEACHER: ...if we can come up with things Jim lost during his years in Shanghai, andthings he gained. (Shot of Dawn doodling)STUDENT: Excuse me.TEACHER: Who wants to- A student comes in and gives the teacher a piece of paper.TEACHER: Dawn. Dawn looks up, alarmed.TEACHER: They need youin the guidance office. Dawn continues looking alarmed as she gathers up her stuff.Cut to: long shot of Dawn walking down an empty hall lined with lockers.GUIDANCE COUNSELOR VOICEOVER: I'm sorry, I didn't meanto scare you.Cut to the outside of the office. Through opened venetian blinds we can see Dawn sitting across the desk from the guidance counselor woman.GUIDANCE COUNSELOR: Just a follow-up after your ... yourloss. And since I'm new here, I thought it would give us a chance to know each other.Cut to inside the office. The guidance counselor is a fairly young woman wearing a small blue pendant around her neck.DAWN:Great.GUIDANCE COUNSELOR: So, I've been looking through your file (shuffling papers on her desk) and, um ... your grades have slipped a little.DAWN: I have really hard classes this quarter.GUIDANCE COUNSELOR:Yeah, still. Teachers say that you seem a little distracted lately.DAWN: I'm not. I-I'm fine.GUIDANCE COUNSELOR: Okay. It's just, you know, I know it must seem weird, (small laugh) talking to a stranger about stuff,but, um ... I want you to know that if something's going on, something's up, my job ... the most important part of my job ... is looking out for you. She smiles. Dawn looks surprised, returns a very small smile of herown.DAWN: I'm really okay. The counselor nods slowly, sits back.GUIDANCE COUNSELOR: I know there's been ... a lot of loss. Dawn looks down.DAWN: (quietly) Yeah. Kinda. (looks up) I-I mean, yes. People keep ...people have a tendency to go away ... and, I miss them. And sometimes ... I wish I could just make them stop. Going away. The counselor smiles. Dawn pauses, waves her hands dismissively.DAWN: But seriously, it's,it's no big deal. I'm fine.Cut to: close shot on a table laden with several trays of hors d'oeuvres.XANDER: (OS) We're feeding an army!BUFFY: (OS) No, they couldn't make it. Pan out to reveal that it's the island inBuffy's kitchen. Anya is preparing the food while Buffy sits opposite. Xander stands beside Anya.XANDER: So, who's coming, you invite anyone else?BUFFY: Just you guys. Willow, Tara. The gang. Oh, and Sophie fromwork. Xander and Anya look at her, exchange a look.BUFFY: What? Like I'm one of those losers who can't make friends outside her tight little circle? No. I'm friendly. We bonded instantly. Peas in a pod. Bondedpeas.ANYA: Really? Um, what's Sophie's last name? Buffy thinks for a moment, frowns.BUFFY: (pouting) Okay, shut up.XANDER: Don't worry about it, we're all over the new friend thing. (Anya smiling)BUFFY: What ...new friend thing?ANYA: (smiling) Well, well ... we invited someone for you. Buffy looks horrified.ANYA: (whispers) A guy.DAWN: (entering) For Buffy? Really? (smiling)XANDER: Ahh, don't worry, it's not a setup.ANYA:(grinning) Right. No. Just an attractive single man, with whom we hope you find much in common. (Buffy looking annoyed) And if you happen to form-XANDER: Ahn-ANYA: -a romantic relationship leading tobabies-XANDER: Ahn-ANYA: -and many double dates with us so we have someone else to talk to, yay! Xander looks uncomfortable.BUFFY: I assume this was an act of kindness? (Xander looking embarrassed) That'llhelp with the not throttling. Buffy gives Xander a meaningful look. He gives a fake laugh.XANDER: Hey, I'm just gonna get this stuff out there, people should be here soon. He picks up some of the food.Cut to the foyer,later. Buffy opens the door to reveal Tara, holding a small gift box.BUFFY: Hey! You made it! They smile and hug.TARA: Of course, sweetie. (pulls back) So, how're you doing?BUFFY: Oh, you know. Better. Mostly. (Taralooking sympathetic) Sometimes.TARA: So, is, um... (looks around) Spike coming?BUFFY: No. He may be a chip-head, but ... he still doesn't play too well with others. Tara smiles, turns to put down the gift and hang upher coat.BUFFY: Besides, I'm definitely not ready to, to...TARA: (turns back) Come out.BUFFY: (smiles) Yeah. I'm all ... stay-inny. Tara smiles and nods.Cut to upstairs. Willow is standing in front of a mirror, verynervously adjusting her clothing. Cut back to downstairs.BUFFY: How are you doing?TARA: (anxious) The word \"gulp\" comes to mind.BUFFY: (sympathetic) Just remember, we're all here...to... Willow appears at the topof the stairs, coming down. Tara looks nervous.BUFFY: ...I have to, with the thing that I, uh... Coming! Buffy exits ungracefully. Tara and Willow face each other nervously.WILLOW: Hey.TARA: Hey.WILLOW: Hey.(pause) How are you?TARA: Fine, thanks, I'm ... I'm fine. I, how are you?WILLOW: (smiling) Great! I mean... (stops smiling) Fine. I'm, I'm ... finey McFine. Fine.TARA: Y-you look...WILLOW: (smiles) Thanks. (stopssmiling, looks embarrassed)TARA: I mean ... great.WILLOW: (embarrassed) Thanks. You do too. Is that a new-TARA: Oh, yeah. (glancing nervously at her dress)WILLOW: It's nice.TARA: Thanks. Very awkwardsilence.TARA: I-I'm gonna get something to drink.WILLOW: Oh, yeah, great. You should. Tara exits toward the kitchen.WILLOW: (muttering to herself) You don't wanna get thirsty.Cut to the kitchen. Buffy is fillingpaper cups from a large pitcher. Tara enters.BUFFY: Hey, how did it-TARA: Yes please. Tara takes a cup from Buffy's hand and drinks. Buffy looks surprised. Knocking at the back door. Buffy stands up. Spike enters,holding a 6-pack of beer under one arm. Someone else enters behind him but we can't see who it is.BUFFY: (surprised) Spike.SPIKE: Yeah. Willow mentioned the shindig ... figured we're all part of the team. We seethat Spike still has a large bruise over one eye from being beaten by Buffy in \"Dead Things.\" Buffy gives Tara a nervous look.SPIKE: Thought I'd, uh, swing by. Reveal the other person behind Spike. It's theloose-skinned demon from the poker game in \"Life Serial.\" Buffy frowns.BUFFY: Wait, what kind of team is this?DEMON: Hi. We met once before.BUFFY: Yes, yes we did.SPIKE: You know, more, merrier, that wholething.DEMON: (to Tara) Hi, I'm Clement. Clem.TARA: Tara. Xander enters with a young hunky blond man wearing a red shirt (Star Trek fans, take note).XANDER: Buffy, Richard.BUFFY: (smiling) Hey.XANDER: He waswondering where the best place was to park his car.BUFFY: Oh, that's easy, just-(pointing)XANDER: Buffy will show ya. Xander shoves Richard toward Buffy. They look at each other nervously.BUFFY: Okay, uh... (toTara) I'll be right back. Over Richard's shoulder, Buffy looks at Spike. He raises one eyebrow. Buffy takes Richard's arm and leads him toward the front. Richard pauses in the doorway.RICHARD: (whispers) Uh ... theguy with the...BUFFY: Skin condition. He doesn't like to talk about it. Buffy leads Richard away.SPIKE: Stupid git! (closing the back door)TARA: I don't know. He seemed ... cute. W-was he cute? I mean, I'm not a verygood judge, but... Spike scowls.TARA: (grinning) I think he seemed cute.CLEM: (agreeably) I think he seemed cute, yeah. Spike gives them both a look of outrage.Cut to the living room. Xander sits on the sofa; Dawnand Anya stand nearby.DAWN: If we get Buffy, can, can she start on opening the presents? It's been enough time, hasn't it?ANYA: Not yet, sweetie.XANDER: I think Buffy's busy right now.ANYA: (as if talking to a smallchild) Buffy's making a new friend. A grown-up friend.DAWN: What, you mean the guy you invited to set her up with?ANYA: Nothing.DAWN: It's not like I don't understand why you invited him. I was there, remember?I can hear you when I'm in the room, you know? (Anya just nodding) I do understand these things.ANYA: (patronizing) Yes you do! (patting Dawn on the head)DAWN: You know I'm in high school, right?ANYA: Yes youare! Dawn stares at Anya in disbelief.Cut to Buffy coming down from upstairs. Spike intercepts her in the foyer and backs her into a corner.SPIKE: You wanna slip away for a minute, luv?BUFFY: What?SPIKE: I'll let youblow out my candles.BUFFY: Here. Now? I don't think so.SPIKE: Oh, what, you worried about Richard? You don't wanna make your new boyfriend jealous, huh?BUFFY: (grinning) Shut up. He's ... sweet.SPIKE: (teasing)\"Oh, shut up, he's sweet.\"BUFFY: Maybe he's not the jealous one. Spike looks surprised. Buffy moves past him and away.SPIKE: You think he'll take you out on his ten-speed, pet? (to himself) Maybe he'll let you ride inthat little basket in the front. (scoffs) Jealous my ass. He sighs, looks around in frustration.Cut to later. Buffy sits on the sofa, looking skeptically at a device with a large head with two round knobs on it.BUFFY: Uh... Wesee Willow sitting on Buffy's right. Dawn sits on Buffy's left, fidgeting very obviously.WILLOW: See? i-it's a battery-operated back massager. And it's portable so you can take it with you on patrol.BUFFY: (dubious)Wow.WILLOW: (smiling) It's like, instant gratification for all your little acheys. Buffy looks over at Spike leaning in the doorway. Spike raises his eyebrow and gives his best suggestive smirk.BUFFY: (quickly) Great!Thanks! (puts the massager aside) Uh, what's next?DAWN: (excited) Here, do mine. Dawn turns to pick up a large flat box behind her, gives it to Buffy. Buffy begins unwrapping it. Shot of Spike watching, glancing overat Clem. Shot of Clem and Tara watching. Buffy removes the paper to reveal a plain white box. She opens it and looks inside.BUFFY: (surprised) Dawn. Close shot on the box, containing the black leather jacket thatDawn was wearing earlier.DAWN: (smiling) Do you like it?BUFFY: (lifting it out of the box) It's ... gorgeous.DAWN: I was so nervous. I was afraid you wouldn't like it. Buffy looks at the jacket, frowns. Close shot on thesleeve which has the security tag attached.BUFFY: I-it still has the security tag on it. Dawn looks alarmed, covers quickly.DAWN: Huh. That's so weird. I can't believe they didn't take that off. Buffy stares ather.XANDER: (OS) Happy birthday, Buffy! Everyone turns to see Xander and Anya wheeling in a large wooden chest.BUFFY: Oh my god! Xander and Anya place the chest in the middle of the room and gestureproudly.BUFFY: Did you guys make that? Buffy gets up, thrusting the box with the jacket into Dawn's lap. Dawn looks dismayed.ANYA: Uh, well, uh, Xander did the building. (Dawn still looking upset) I offered helpfulsuggestions while observing from a safe distance. Buffy kneels down to open the chest. Xander holds the lid open and leans over to speak softly so Richard won't hear.XANDER: Holds basic weapons, (Buffy smiling) plusa few non-basic ones too. (loudly) Plus, there's a handsome CD holder. Shot of Dawn looking disgusted, folding the jacket back into the box.ANYA: (OS) We wanted you to have something no one else wouldhave.BUFFY: (OS) A Xander Harris original. Sound of the doorbell ringing.BUFFY: I love it. Thanks, you guys! Buffy leans across the chest to kiss Xander on the cheek. In background we see Tara opening the frontdoor.TARA: Buffy? Buffy hugs Anya, turns around.BUFFY: Oh! Sophie! We see a nervous-looking young woman standing in the doorway.BUFFY: Welcome! (Sophie exchanging smiles with Tara) Uh, we're somewherebetween, uh, presents and cake. (to Anya) There is gonna be cake eventually, right? (Anya nodding)SOPHIE: (walking into the living room) Hey. Uh, my mom told me to say thank you right away, 'cause, otherwise Iusually forget. So, thank you. Buffy and Anya listen to this politely. We see Spike in the background watching.SOPHIE: And, also, um, I can't have any, any chocolate, or, or peanuts or egg yolks.ANYA: (whispers toBuffy) Is this the friend you brought from work?BUFFY: Yes.SOPHIE: A-and sometimes dairy.BUFFY: No problem. Sophie looks around at the others. Clem gives her a friendly smile and wave. Tara smiles too.ANYA:(whispers to Buffy) Our friend is better. Dawn gets up and moves toward the foyer as Sophie moves farther inside. Spike remains leaning against the door frame.BUFFY: (OS) Uh, we can do official introductions nowthat everyone's officially here. Dawnie, you mind getting the door? Dawn goes past Spike and Tara to the open door.BUFFY: (OS) Sophie, this is Anya ... and Willow... Shot from on the porch looking in. Dawn stands inthe doorway, looks unhappily back at the party, then outside. Slowly, she closes the door. Pan across the outside of the door to the porch. Dawn's guidance counselor walks out of the shadows, on the porch. She walksover to the front door, smiling slightly. She stops walking and her face morphs into demon-face -- she is Halfrek. She speaks in her deep resonant demon voice (see episode \"Doublemeat Palace\").HALFREK: Wishgranted. Blackout.[SCENE_BREAK]Act II[SCENE_BREAK]Open on the party. Loud rock music is playing. Pan across Sophie and Clem dancing together. Pan across Willow sitting in a chair with Xander sitting on its arm,both talking and moving to the beat. Pan to the sofa where Anya sits waving her hand to the beat. Dawn sits beside her, looking bored. Zoom in on Dawn. She looks like she's trying to pretend she's enjoying herself.She experiments with a couple of different smiles.Cut to the foyer. Buffy comes out of the dining room and encounters Richard in the hall.RICHARD: Hey.BUFFY: Hi.RICHARD: Great party. Everyone's havin' fun.BUFFY:"}
+{"doc_id":"doc_262","qid":"","text":"THE BRAIN OF MORBIUSBY: \"ROBIN BLAND\" (TERRANCE DICKS REWRITTEN BY ROBERT HOLMES)Part OneRunning time: 25:25[SCENE_BREAK]SOLON: You were quick, Condo. Were there no survivors?CONDO: One,an oxygen breather.SOLON: Humanoid? Excellent. Let me see.SOLON: No, that won't do. Even if the ganglia could be. No, the cranium's too narrow, the cerebrum undeveloped. That is an insect! Even a half-wittedcannibal like you can see it won't do!CONDO: But the big head's not come, master. Not to Karn.SOLON: It must, Condo. One day, a true humanoid species, warm blooded, with a central nervous system. One suchspecimen, just one, and I can complete my work here.[SCENE_BREAK]DOCTOR: Come out, meddlesome, interfering idiots. I know you're up there so come on out and show yourselves!DOCTOR: Messing about with myTARDIS. Dragging us a thousand parsecs off course.SARAH: Oi, have you gone potty? Who are you shouting at?DOCTOR: The Time Lords, who else? Now, you see? You see? They haven't even got the common decencyto come out and show their ears.SARAH: They're probably afraid of getting them boxed, the way you're carrying on.DOCTOR: It's intolerable. I won't stand for any more of it.SARAH: Oh look, why can't it have just gonewrong again?DOCTOR: What?SARAH: The TARDIS.DOCTOR: What? Do you think I don't know the difference between an internal fault and an external influence? Oh, no, no, no. There's something going on here, somedirty work they won't touch with their lily white hands. Well, I won't do it, do you hear!SARAH: There's something ominous. Where are we, do you think?DOCTOR: I don't know and I don't really care.SARAH: Oh, comeon. Come on, stop being so childish.DOCTOR: I'm just going to sit here and do nothing.SARAH: So there.DOCTOR: Yes.SARAH: Look, Doctor. Oh, come on, have a look at it. I mean, you don't know what you might bemissing. Well, do you know what it is?DOCTOR: Yes. Ejection bubble.SARAH: A what?DOCTOR: A space parachute.SARAH: Pardon?SARAH: Hey, Doctor, quick. Come and look at this! There must be about a dozenwrecked spaceships out there. It's like the Sargasso Sea.DOCTOR: Fancy.SARAH: It's incredible. I mean, why should they all have crashed here?DOCTOR: I've no idea.SARAH: Well, I think you should take a look.Coming?DOCTOR: No, thanks. I'm just going to sit here and practise my double loops.SARAH: Well, please yourself. I'm going anyway. Are you sure?DOCTOR: Yes.SARAH: I suppose it was the crash?DOCTOR: Not thecrash. Afterwards.SARAH: After? So it was deliberate?DOCTOR: Looks as if he escaped in the ejection bubble, and while he was wandering around dazed someone or something attacked him. Poor Mutt.SARAH:Mutt?DOCTOR: Yes, a mutant insect species. Widely established in the Nebula of Cyclops. I thought I recognised the stars.SARAH: You've been here before?DOCTOR: I was born in these parts.SARAH: Nearhere?DOCTOR: Well, within a couple of billion miles, yes.SARAH: Hey, look!SARAH: Come on. At least it's civilisation.SARAH: Oh god. Come on.[SCENE_BREAK]SOLON: Motor reflexes seven tenths.SOLON: Condo!Condo, fetch some lamps.SOLON: Condo![SCENE_BREAK]MAREN: Two of them?OHICA: A male and a female, Maren, in the valley below.MAREN: Our senses reach beyond the five planets. They were notOHICA: Theyare here.MAREN: No ship can approach Karn without detection. Even the silent gas dirigibles of the Hoothi are felt in our bones while still a million miles distant.OHICA: There was no ship, Maren. The last was the cruiserof the Mutts.MAREN: Then how? How, Ohica?OHICA: I do not know. I say only what my eyes have seen.MAREN: Is it as I feared? For months now I have had a dream that the Elixir of Life would be taken fromus.OHICA: Taken?MAREN: Next to myself, Ohica, you are the oldest of our sisterhood. Come, let me show you.OHICA: The Flame of Life! Maren, what is wrong? Why is it so low?MAREN: The Flame dies, Ohica. Everymonth, every day, it sinks lower.OHICA: How can this be? At our ceremonies the Flame has burned brightly, higher than my shoulder.MAREN: A deception. For many months past, before each ceremony, I have secretlyfed the Flame with powdered Rine Weed.OHICA: But if the Flame dies, there will be no more Elixir.MAREN: It has been low now for over a year. The vessel remains empty.OHICA: Then we are doomed. Our sisterhoodwill perish.MAREN: We are only servants of the Flame. If the Flame dies, then so must we.OHICA: Maren, should not the others know?MAREN: Not until the end is certain. As you know, Ohica, the secret of the Life Elixiris known only to our sisterhood and the High Council of the Time Lords. Since the time of the stones we have shared the Elixir with them. Now there is none to share.MAREN: The few phials that are left I have kept forourselves. But for months I have felt the Time Lords would come to rob us of these last precious drops.OHICA: You think the two I saw have been sent to steal the Elixir?MAREN: If that is so, we must deal with them.Summon our sisters. We will form a circle.[SCENE_BREAK]SOLON: Where have you been?CONDO: Master.SOLON: I asked you, you stupid ox, where have you been?CONDO: I go find food, master.SOLON: You're lying.You can't deceive me, Condo. You've been looking for that arm again, haven't you. I've told you before. You get the arm back when our task here is finished. You serve me well and I'll put it back as neatly as I took itoff. But if you fail me, you'll keep this for the rest of your life. Do you understand?CONDO: Yes, master.CONDO: The door. Somebody ring.SOLON: Answer it, you fool.DOCTOR: Can you spare a glass of water?SARAH:Can we come in?SOLON: Humans. At last. Humans!SOLON: My dear sir. My dear, dear sir. You have no idea what a pleasure this is. It's so long since we've. Condo, take their clothes.SARAH: Well, if we could justshelter for a while, that would be fine.SOLON: Great heavens, you can't go walking on a night like this. I wouldn't dream of letting you proceed one step further. Condo, stir yourself. Our guests are cold and tired andwet and. Let me take your hat, sir. There. Oh. What a magnificent head.SARAH: What?SOLON: Superb head.DOCTOR: Well, I'm glad you like it. I have had several. I used to have an old grey model before this. Somepeople liked it.SARAH: I did.SOLON: What?DOCTOR: I said, some people liked it, but I prefer this model.SOLON: Forgive me. What a surly host you must think me. Please, come in, come in. Make yourselves at home.Warm yourselves and sit down. Condo, pour the wine.SARAH: Oh, it's very kind of you. Thank you.SOLON: Not at all, not at all. It's an honour to offer you whatever comforts my humble abode can provide. As you see,the amenities here are rather antiquated.SARAH: Oh, no, I think it's veryDOCTOR: Interesting.SARAH: Oh, yes, yes.SOLON: Well then, tell me, tell me about your adventures.SOLON: It's so rare that anyone arriveshere on Karn.DOCTOR: Karn, is it? I should have known.SOLON: You mean you arrived here without knowing?SARAH: Oh well, we often go on a sort of mystery tour, don't we, Doctor? Doctor?DOCTOR: You seem verykeen on heads, Mister er.SOLON: Solon.DOCTOR: Mister Solon.SOLON: Mehendri Solon.DOCTOR: It's very good.SOLON: Yes, I. Modelling is one of my hobbies, you know, but unfortunately this is not a very goodexample.DOCTOR: Oh no, I thought I recognised the face.SOLON: No.DOCTOR: No?SOLON: You made a mistake.DOCTOR: Talking of heads, or their absence, we found a headless body lower down themountain.SOLON: How distressing.DOCTOR: Yes, it was.SOLON: It must have been from one of those crashed spacecraft, no doubt.DOCTOR: Yes, that's another thing. How many did we count, Sarah?SARAH:Fifteen.DOCTOR: Fifteen. The wreckage of fifteen ships all in this one area.SOLON: There's a belt of magnetic radiation.DOCTOR: Magnetic radiation?SOLON: Oh, I don't know anything about it, but I believe that is thetheory. In fact, Karn has become quite notorious.SOLON: Ah, here we are. Now, let's hope that Condo has brought something special. Thank you. Condo, how many times have I told you the wine must be opened andallowed to breathe.DOCTOR: Oh, please, please.SOLON: No, no, no. So would you please do as you've been instructed? Hurry.SOLON: He's an excellent fellow, very devoted to me, but his intelligence is not thehighest.SARAH: What happened to his arm?SOLON: Oh I, er, many years ago I dragged him from the wreck of a Dravidian starship and his arm? Well, amputation was the only way of saving hislife.[SCENE_BREAK]SISTERS: Flame. Sacred fire. Sacred Flame. Sacred fire.SISTERS: Sacred.MAREN: I see it.SISTERS: Flame.MAREN: I see the machine of our enemy.SISTERS: Sacred fire. Sacred Flame.MAREN:Concentrate, sisters. More power!SISTERS: Sacred fire.MAREN: Bring the machine here.SISTERS: Sacred Flame. Sacred fire. Sacred Flame. Sacred fire. Sacred Flame. Sacred fire. Sacred Flame. Sacred fire.SacredMAREN: Enough. Enough. It is done.MAREN: I was right, Ohica. It is a time machine.OHICA: Of the kindMAREN: A TARDIS. Only the Time Lords know the secret of such machines.OHICA: Then the one I saw is aTime Lord.MAREN: Sent here to steal the Elixir.OHICA: Maren, what can we do? Alone among all the races in our galaxy, the Time Lords are our equals in mind power.MAREN: That is true, Ohica. Other races we candestroy from within. We can place death in the centre of their beings, send them mad with false visions. But with this one such powers would have no effect. He would close his mind to us.OHICA: Then we arelost!MAREN: There are other ways. But first we must find him. Form a circle, sisters.SISTERS: Sacred fire. Sacred Flame.[SCENE_BREAK]SOLON: One never really overcomes the nostalgia for one's planet of origin.Sometimes at night I look up at the sky and I think, will I ever see Earth again?SARAH: I know the feeling.DOCTOR: What made you settle on Karn?SOLON: Well, nobody lives here. Nobody bothers me. I can get onwith my work.SARAH: What kind of work is that?DOCTOR: Microsurgical techniques into tissue transplant. It was the title of the book you published.SOLON: You know something of my history, Doctor.DOCTOR: One ofthe foremost neurosurgeons of your time. Considerably after your time, Sarah. Yes, your disappearance caused quite a stir. It was said by some you'd joined the followers of the cult of Morbius.SOLON: Malice. Academicjealousy. I just had to get away.[SCENE_BREAK]SISTERS: Sacred fire. Sacred Flame. Sacred fire. Sacred Flame. Sacred fire. Sacred Flame. Sacred fire.MAREN: So, our enemy thinks himself safe in Solon'scastle.SISTERS: Sacred fire. Sacred Flame.[SCENE_BREAK]SOLON: You know, I always knew that one day I'd have a guest with a head for such a fine vintage.SARAH: What was that?SOLON: Oh, just a freaksquall.DOCTOR: Or a telekinetic visit.SOLON: What?DOCTOR: From the Sisterhood of Karn.SOLON: What do you know of the Sisterhood?DOCTOR: I know who that reminds me of now. One of the Time Lords.Morbius.SARAH: Doctor, are you all right?DOCTOR: One of the most despicable criminally minded wretches that ever lived.SARAH: Doctor!SOLON: There are some of us who would not agree with that, Doctor.SOLON: Itworked, Condo. He is ours!CONDO: We take head now?SOLON: You put that away. This will be no crude butchery. A head such as this, a head that will soon command the universe, must be taken with care and skill.Every step must be planned. Every suture, every small incision has to be perfect. This will be my great triumph, Condo. A thousand years from now, people will remember Solon's last and greatest operation.CONDO:Not last, master. Me last.SOLON: What?CONDO: Arm. You made promise.SOLON: Any third rate hack can fix an arm, but a head, the centre of the nervous system, that takes more than just skill. That takesgenius.CONDO: Girl.SOLON: What girl?CONDO: Her.SOLON: Kill her.SOLON: Condo! I am anxious to get on. Now take him to the laboratory. I want to start my work.SOLON: Mind his head.[SCENE_BREAK]SOLON: Asecondary cardiovascular system. So he's a Time Lord. I thought as much. That's excellent, because we have no problem of tissue rejection.CONDO: Time Lord dangerous.SOLON: What?CONDO: Much power,master.SOLON: Rubbish! The Time Lords are spineless parasites. Morbius offered them greatness once but he was betrayed and rejected. They'll pay for that mistake, Condo. These pacifist degenerates will be the firstto feel the power of his revenge.SOLON: What's that for? Do you think I'm going to operate in this light? We need proper lighting and power for the instruments, so we have to repair the generators.Come.[SCENE_BREAK]SOLON: There is a lot to be done. I have to remove the Doctor's brain before I can start the operation. Hurry![SCENE_BREAK]SARAH: (quietly) Doctor? Is that you?SARAH: Oh, Doctor, wake up."}
+{"doc_id":"doc_263","qid":"","text":"SCENE: Storybrooke. Present time. Mines.[SCENE_BREAK](Men whistling \"Heigh-Ho\")Grumpy: Our yield's way down, boys. I know Dopey's a tree, but we got to be more productive since he can't.Happy: He's producingoxygen. (Laughter)Grumpy: Hey. Let's stay focused.Emma: Yes. No one wants a nasty surprise.Grumpy: You're not getting any dust, sister.Emma: Actually, I'm shopping for something else today. Something with...edge.Happy: My axe.Emma: Oh, Happy, there's something I learned as the Dark One. If your name is on something, hold on to it.[SCENE_BREAK]SCENE: Camelot. Six weeks ago. Merlin'stower.[SCENE_BREAK]Regina: If we're going to free Merlin, we need witchbane.Belle: Yeah, but the labels are all faded.Emma: Forget the decloaking potion. It's not a glamour anyway.Regina: You sure?Mary Margaret:If I'm getting this right, the tree could actually be him transfigured, right?Belle: We could find out with a sample.Regina: Yeah, and when we snap off a twig and it turns into a finger, who's crying then? Come on,someone. Witchbane.Emma: You guys sure you don't want me to just wiggle my nose and get him out of that tree?Mary Margaret: No.Regina: Your magic is dark now. It's not worth it. I'll just keep pretending to be thesavior destined to free him, and we can do this together.David: Regina's right, Emma.Arthur: I heard someone say a woman is right. That's always a safe assumption, isn't it, David?King Arthur: How are youprogressing, Madame Savior?Regina: Um... progress. Slow but sure.Belle: It's, uh... marvelous having Merlin's own books to work with. It's like talking with the master.Mary Margaret: Oh. What if we could talk tohim?Emma: What?Regina: Yes. (Chuckles) You are... very occasionally... a genius.Belle: Yes, if we talked to him, he can tell us how to get him out.David: A mushroom.Regina: Toadstool, actually. Deadly poison.Extremely useful in communicating across barriers, even through spells. Says here it's called the Crimson Crown.King Arthur: Yes, I know this name. It's rumored to grow in Brocéliande, the Forest of Eternal Night. Itsexistence is the stuff of legend, though. Almost certainly fiction.David: People say the same thing about us. How far?King Arthur: A half day's ride. But if it is there, it'll be protected by magical forces.Mary Margaret: Youknow what, David? Wait until we know more.David: It's not like I'm needed here. It's a chance.Mary Margaret: Oh. Aww.David: I'm taking it.(Indistinct conversations)King Arthur: Hold!David: Your Majesty. Don't try totalk me out of this.King Arthur: I wouldn't dream of it. I just wanted to propose, Prince David, if it's quite all right with you, that I come along and lend aid. Come with me and we can get ourselves outfitted, and then wecan quest together as brothers.[SCENE_BREAK]SCENE: Storybrooke. Present time. Sheriff's station.[SCENE_BREAK]Regina: This question mark... That's my handwriting. I must've marked this page in Camelot. I don'tknow if this is the right answer, but these books came from there. I think we were looking at this for answers.Grumpy: We've been violated!David: What's the problem?Grumpy: What do you think it is? Your kid.Happy:She took my axe.Regina: Uh, dwarfs are your department. I'll stay on this.Mary Margaret: What do you want us to do about it, Leroy?Grumpy: Help us. We know she's your daughter, but you got to do something,'cause if you won't, we will.Mary Margaret: Do not hurt her.David: It's okay. They can't.Grumpy: Like that's all that matters? Stop being a scared parent. Be our sheriff again. We need you.David: I'll see about gettingthe axe back. Thanks for letting us know.Grumpy: Looks like just another insult for us to swallow down. For now.(Sighs)(Indistinct conversations)Mary Margaret: Why does she need an axe? That's alarming,right?David: I don't know. I mean, what could she do with an axe that she couldn't just do with her powers?(David kicks a chair)Mary Margaret: David!David: Just wish she'd talk to us.Mary Margaret: I know. Me,too.David: Worst part is... we can't save her.Mary Margaret: Yet. We're trying.David: How? What am I doing?Mary Margaret: You're leading.David: Nobody seems to be following.Mary Margaret: Oh, don't worry aboutthe dwarfs.David: I'm not. I'm worried about Emma and how this is my fault.Mary Margaret: She made the choice to save everyone.David: I should've stopped her. I am her father, and now I'm... I'm paralyzed. There'snothing I can do, for her, for you, for anyone.Mary Margaret: You are doing something. You are helping our people the best you can.David: That's kind of the problem.Mary Margaret: Hey. In any world, you are myhero. Remember?David: Of course. Go. I've got it.(Door opens)King Arthur: Good morning to you, Sheriff.David: Your Majesty. How can I help you? Any luck finding your blade?King Arthur: No luck finding Excalibur,I'm afraid, but I'm coming to you with something far more urgent. Our reliquary's been robbed.David: I'm sorry, your what?King Arthur: Magical relics collected by the Knights of the Round Table. They're all veryprecious. I had no idea it was here until it turned up in this land nearly empty.David: When you say precious...King Arthur: There was a magic bean inside. This bean can take my people home in an instant. I have to tellyou I will find it if I have to search every residence in your city.David: You don't have to do anything alone.King Arthur: You can help?David: I'll get you back to Camelot. I promise.King Arthur: Thankyou.[SCENE_BREAK]SCENE: Storybrooke. Present time. Emma's house. Basement.[SCENE_BREAK](Emma goes to swing the dwarf axe at the Stone of Destiny which is holding Excalibur.)Darkness: A dwarf axe. Now,that's a creative path to failure.Emma: Dwarf axes cut through everything.Darkness: Nothing cuts through magic. Except maybe a kiss. Have you thought about kissing it out?(Laughs as the axe breaks on thestone)Darkness: You're running out of options, deary. You see, we want you to, uh, snuff out the light. So, we need a hero to pull Excalibur from the stone. Now... and let's face facts that's not gonna be you. So, whydon't you stop messing around and go get the hero we need? Oh, and, uh, you and I both know who that is.[SCENE_BREAK]SCENE: Camelot. Six weeks ago. Merlin's tower.[SCENE_BREAK](Sighs)Robin Hood: It's allright. You'll get it. Perhaps it's time for a spot of tea. Calm nerves lead to clear thoughts.Regina: You're here so I can keep an eye on you, mute handmaiden. I don't need you rolling your eyes at me. We need to clearthe air. Fine. (Whoosh)Zelena: Ah! (Laughs) Oh, there you are, my lovely voice. It's so... light and feminine.Regina: Enough. Now... let's have a little chat about you trying to escape back to Oz. Zelena... you know youcan't take that child away from Robin.Zelena: Can you blame me? You're going to take it from me. This child could be my only chance for someone to truly love me, and... you got a second chance. Why can't I?Regina:Oh, I'm sorry. But you've had a second chance and a second second chance. You can't keep painting yourself as a victim. It's absurd.Zelena: You can tell me that life is fair all you want. All I can tell you is that from inhere, I'm still seeing one sister with all the toys...(whoosh)Regina: Be quiet and listen for once in your life.Zelena: (Stomps foot)Regina: You forgot who I am. The Evil Queen. I can be a far greater nightmare than youcan possibly imagine. But now... my gift to you is a promise. I will make sure your baby is fine and loved and safe. Just as I promise... The same will certainly not hold for you.[SCENE_BREAK]SCENE: Camelot. Sixweeks ago. The Round Table.[SCENE_BREAK]David: Wow.King Arthur: I like to be prepared.David: Is that... Percival chair?King Arthur: Yes. But no need for more apologies. A leader does what needs to be done. I'llfind a man worthy to fill that seat.(Arthur gestures to the tallest chair at the table.)King Arthur: This is the one that will stand empty forever.David: I assume that was your chair. Suitable for a king.King Arthur: No.Mine is no different than the others in the same way that the table is round. Many of our order are kings and princes in their own realms. Nonetheless, happy to sit shoulder to shoulder with the rest of their knights. Noone of us above the other. Except for this one. This is the Siege Perilous. Reserved for the knight with the purest heart, the one destined to carry out the most sacred quests. Belonged to a man I trusted more than abrother. But he betrayed me. It's been vacant since.David: Lancelot.King Arthur: You've heard of him.David: Well, all of you are kind of legends.King Arthur: Really? I shudder to think what our tale must be.David: Oh,only one of the greatest romances of all time. Your love for Guinevere was ripped away by your best friend, Lancelot. It's a tragic story that clearly had a happy ending. The two of you seem like all that's in the pastnow.King Arthur: Yes. Lancelot was a good man. The situation was difficult.David: I understand. Actually, Snow... Mary Margaret and I, we met him.King Arthur: You did? How is he?David: I'm... very sorry to tell youthis, but we... learned that he died. I'm sorry.King Arthur: Lancelot failed to resist temptation, but he was a good knight. He tortured himself for his sins far more than I would've done. I wished him happy. Just not withmy wife.(Door opens)Arthur: (Clears throat)(Trunk thuds)King Arthur: Careful. This... is our reliquary, containing our sacred magical items our knights have recovered.David: I've never seen magic like that.King Arthur:It's the Unquenchable Flame. Said to be part of the burning bush itself. This will light our path, and where we're going, we're gonna need it.[SCENE_BREAK]SCENE: Storybrooke. Present time. Camelotcamp.[SCENE_BREAK]Squire: The reliquary, Your Majesty.David: So, you're the one who found this broken into? Any theories?Squire: Me? Oh, well, um... everyone speaks of the Dark One in this place. Perhaps...KingArthur: Stop being a fool, man.David: Arthur, to be honest, she did take a dwarf axe.King Arthur: And, as you're about to say, the Dark One doesn't need tools. This lock was pried open. You can see thescratches.David: You're right.King Arthur: This is your land. What are you thinking?David: I'm thinking I may not know who did this. But I think I have a good idea of what their next move willbe.[SCENE_BREAK]SCENE: Storybrooke. Present time. Granny's.[SCENE_BREAK]Hook: Ah, I know that look. Button on the top turns it on.Robin Hood: I know how to use a phone.Hook: What's that, then?Robin Hood:It's a picture from up inside Zelena.Hook: Whoa, mate.Robin Hood: No, n-no. It's of the baby. They... they call it a sonogram.Hook: Oh. Mixed emotions, I bet.Robin Hood: (Sighs) I mean, I know it's painful for Regina.Her evil sister carrying my child. It's painful for me. And yet there's some part of me that can't help but feel happy. It's my child. And I sure don't want Regina to know that. I don't want her to misconstrue my happinessfor, well...Hook: You got yourself a complex situation there, that's for sure.Robin Hood: Hmm. Unlike your simple love life.Hook: Ha. About that. She's not the same. Her new house, there's a door in there that shedoesn't want me anywhere near. What do you suppose she's hiding? I was thinking that may...Granny: Order up.Hook: Order? I didn't order anything.Robin Hood: What does it say?Hook: \"Meet me on your ship.Emma.\"Robin Hood: You're right. Things are complicated all over.[SCENE_BREAK]SCENE: Storybrooke. Present time. Jolly Roger (the real Lady Washington) at the docks.[SCENE_BREAK](Hook enters the cabin.)(Floorcreaks)Hook: That's not funny appearing like that.Emma: Sorry.Hook: What's going on?Emma: I know this has all been really confusing and I have not made it any easier. I wanted to apologize for overreacting lasttime. I know you're just trying to help. So, I thought... We could just talk and have lunch, like old times.Hook: I'd like nothing more. But this is hardly like old times.(Hook sets the bag of food down on the table, whichis transformed into a banquet with a checkered table cloth. Emma is now in her pink dress, with her undyed blonde hair in a pony tail.)Emma: Better? Come on. You know you can trust me.[SCENE_BREAK]SCENE:Camelot. Six weeks ago. Brocéliande, the Forest of Eternal Night.[SCENE_BREAK]David: What is it, noon? You weren't kidding about eternal night. I'm glad we have a torch.King Arthur: I'm glad we sent Grif home withthe horses. These woods would make him restless.David: Your squire works hard, Your Majesty.King Arthur: \"And you don't thank him enough.\" I can hear you saying it even when you don't. You're right, though. Idon't even have the excuse of ignorance. I was born a common man and I've been in service myself.David: You weren't born noble?King Arthur: (Chuckles) I'm as peasant as they come.David: Shepherd.King Arthur:Ah. (Chuckles) I can feel my backbone relaxing already. Let's stop with the \"Your Majesties,\" shall we?David: Of course.King Arthur: As for my squire, I assure you Guin more than makes up the difference. Showeringhim and the others with gifts. She really is the kindest woman I've ever met.David: Sounds like my wife. When she decides you're family, she'd die for you.King Arthur: That's not to say Guin doesn't have her fierceside. With a bow and arrow, I've seen her take out the eye of a dove in flight.David: Mary Margaret could do that. She wouldn't, but she could.King Arthur: We should have a tourney. Get them to compete.David:(Chuckling) Right. 'Cause I'm sure they'd love to be pitted against each other to let us feel good about ourselves.King Arthur: Here. Then perhaps there are better ways for me to show off.David: You're a competitiveman for someone with a round table. I thought the idea was you didn't want to sit above anyone.King Arthur: Someone who isn't competitive doesn't need a two-ton table to remind him to be humble.David:(Chuckles)King Arthur: I know my weaknesses. Lancelot and Guinevere weren't the only ones to blame for what happened to them. I was a difficult man to live with. But I made a conscious decision to fix things.David:I understand that.King Arthur: This way.[SCENE_BREAK]SCENE: Camelot. Six weeks ago. Brocéliande, the Forest of Eternal Night. Lake.[SCENE_BREAK]King Arthur: Look upon that, brother.David: So it is real. CrimsonCrown. (Spyglass closes)(David steps on the bridge, and sinks into the water.)David: It'll never take both of us. I'll go.King Arthur: I'll wait here. Let the torch be your beacon back.David: Thank you.(Woodcreaks)(Chuckles softly)(Wood cracks)(David starts to cross the bridge, and falls. Armor shines in the water.)[SCENE_BREAK]SCENE: Storybrooke. Present time. Gold's shop.[SCENE_BREAK]David: How's hedoing?Belle: Not well.David: I'm sorry.Belle: Yeah. But I-I found a healing spell in one of his old notebooks, and I've got everything put together except for one last ingredient. I, uh, I need an object that touched himwhen he was still a man, before he became the Dark One.David: You must have something.Belle: Well, nothing I can find. Still more to look through, though.David: You want me to get you some help?Belle: No. I'm theonly one who knows this place, knows his things, and I need to keep doing something.David: Well, then we'll make this quick. Has anyone come in to pawn anything today?King Arthur: Especially a magic bean.Belle:Uh, a bean? No. No one's come in. Sorry.David: Ah, it was worth a shot. That's all right. You have something else I need. May I borrow this?(David picks up a silver chalice.)Belle: Uh, yeah.David: Good. This is gonnapoint us right at our culprit.King Arthur: What is it?Belle: It's not magic, though. It's just a souvenir from Doc's birthday party. It says \"Doctoberfest\" on it.David: I'm very well aware. Don't worry. I've got this.(Belljingles)[SCENE_BREAK]SCENE: Storybrooke. Present time. Camelot camp.[SCENE_BREAK]David: Attention, subjects of Camelot! In my hand, you see the Chalice of Vengeance. There's been a theft in yourencampment.(Murmuring)David: The chalice will tell me which among you is the thief. So, line up for your chance to drink from the sacred cup.(Footsteps running)(Crowd gasps, murmurs)(Horse neighs)Squire:Hyah!(King Arthur's squire rides off on his horse, and David grabs his truck to pursue. King Arthur calls shotgun.)David: Hold on!Squire: Hyah! Hyah!David: Take over! Speed is feet, direction is hand.(David climbs intothe back of the truck as King Arthur takes the wheel.)(Horse neighs)David: Circle around!(Horse neighs)(Panting)(Gasping)(David uses a wooden plank as a joust to knock the squire off thehorse.)[SCENE_BREAK]SCENE: Camelot. Six weeks ago. Brocéliande, the Forest of Eternal Night. Lake.[SCENE_BREAK](David cuts the mushroom from the island, while the armor underwater starts to move. The armorrises out of the water and attacks David. One armor pulls David underwater, and King Arthur saves him by pulling David up.)David: Thank you.King Arthur: Think nothing of it. It would appear you did it. Welldone.[SCENE_BREAK]SCENE: Storybrooke. Present time. Jolly Roger (real Lady Washington). Cabin.[SCENE_BREAK]Hook: I have questions.Emma: You want to know if I'm still the same Emma.Hook: I imagine that'snot a simple answer, so let's start easy. Your new house. What's behind that locked door?(Emma just looks at Hook.)Hook: You know I want to trust you, Emma. Why don't you help me?Emma: So trust me. With mypowers, I could hide anything from your prying eyes, anyway.Hook: Well, you've answered my first question, too. You're not the same Emma. She didn't play games.Emma: (Clears throat) Yes. I'm different. I'mbetter.Hook: As the Dark One.Emma: I used to be scarred and judgmental and closed off. Took me forever to see the magic in this place. And now I... I see things clearly. I'm not scared anymore. Honestly, I'm an openbook, if you're willing to take that trust step.Hook: Are you really suggesting that we move forward in a real relationship?Emma: Gold and Belle loved each other.Hook: I don't think you should use the Crocodile as yourexample.Emma: But think about it. He was born a coward. He didn't find true love until he was the Dark One. You told me how the man he was groveled and cried on the deck of this ship. He changed for the better,too.Hook: You're wrong. I was the villain in that little drama, Swan. He was a good man trying to keep his family together. I took this cutlass and put it to his head and taunted him. I was the only one there who'schanged for the better. He became an evil, manipulative killer.Emma: Do you remember when we were in the Storybook and I taught you how to swordplay?Hook: More games. Enough, Swan! All I wanted was yourhonesty. But I'm done... humoring you. Answer me. And start by why you brought me here. It wasn't because this is what we used to do, because that you isn't here. You need something, Dark One. Tell me what itis.Emma: All I need is your trust. I promise.Hook: I liked you the way you were. I liked your walls. I liked being the one to break them down.Emma: The person you found inside is still me. I have a question for you foronce. Do you love me? If you tell me you don't love me, I will let you go.Hook: I loved you. I guess I'm either steering home or swimming home. Tell me which.Emma: The ship's yours.[SCENE_BREAK]SCENE: Camelot.Six weeks ago. Brocéliande, the Forest of Eternal Night. Lake.[SCENE_BREAK](Both panting)King Arthur: David, what is it?David: The toadstool. It's gone. Either the phantom knights took it, or it was lost in thebog.King Arthur: We could search for it.David: No. It's gone.King Arthur: The word \"quest\" means to seek, not to find. It's the seeking that matters.David: You believe that?King Arthur: Not truly, no. If the finding iswhat makes a difference in this world, then that's what I want. I'm sorry.David: (Laughs) My father, he drank his life away. My brother accomplished nothing but evil. There was a time I thought I'd be different. Changethe world. But I just... I don't want to only be remembered as the man who kissed a sleeping princess awake 30 years ago.King Arthur: I understand.David: You do?King Arthur: (Sighs)David: You're King ofCamelot.King Arthur: (Chuckles) Yes, some large rock decided I was a hero. Prophecy fulfilled.(Both chuckle)King Arthur: But since then, I've had victories and I've had losses. And I've learned that it's the losses thatrequire us to be brave. So, if anything will make us heroes...David: It's the never giving up. Even after a loss.King Arthur: Indeed.David: Well, we might as well get out of here. There's work to be done. And it's nothere.King Arthur: Good man. David, if you want to be part of something, do something that matters, I have a place for a man like you.[SCENE_BREAK]SCENE: Storybrooke. Present time. Camelot"}
+{"doc_id":"doc_264","qid":"","text":"5:50pm - 6:15pm[SCENE_BREAK]1: INT. SPAR SHIP(KATARINA mutters to the Trojan Horse-god. The sound of the ship's engines start to rise...)KATARINA: Great One, don't leave us! Don't let the strange beings catchhim!BRET VYON: He's been caught! We've got to leave!STEVEN: No! He said we had to...(VYON tries to operate the controls for take-off. STEVEN pulls him away.)BRET VYON: No!(He turns and knocks STEVEN to thefloor, then resumes preparations for take-off.)KATARINA: Stop! You can't leave him! He can't reach the place of perfection!BRET VYON: He won't! We're going without him!(BRET activates more controls and the shipstarts to power up further.)BRET VYON: We're going into countdown!(BRET looks at a countdown indicator on the control panel which nears zero...)(Suddenly STEVEN points to a light winking on the hatchpanel.)STEVEN: What's that light?BRET VYON: It's the outer door! It's not fully shut. Quick, or we'll all be sucked out!(STEVEN rushes to the airlock and is pressing the switches to close the door when he sees someoneoutside. He yells back at BRET.)STEVEN: Hold countdown! It's the Doctor!(BRET holds the countdown sequence as STEVEN and KATARINA help the breathless DOCTOR up through the airlock and into the ship.)DOCTOR:Get us off, Bret! Get us off! Get us off!BRET VYON: Right.(He starts to resume the held countdown.)DOCTOR: Take off, man!BRET VYON: Stand by, everyone! Take off!(The airlock door closes. They all desperately grabhold of anything close as the ship rises swiftly into the air, leaving the planet of Kembel far below. The breathless DOCTOR eyes VYON with austere reproof.)DOCTOR: Oh! Oh! This is rather a violent acceleration, youngman! Hmm![SCENE_BREAK]2: SPACE(The SPAR shoots into space...)[SCENE_BREAK]3: INT. KEMBEL. DALEK CITY. CONTROL ROOM(The DALEK SUPREME enters the DALEK control room. Normal scanners and consolesline the room which is dominated by a central piece of machinery. The DALEK SUPREME hovers in anger as the DALEKS report the readings off the consoles.)FIRST DALEK: Altitude: five sections. Speed: Threethousand.SECOND DALEK: Vessel attained gravitational escape velocity.DALEK SUPREME: Cut in automatic trackers.SECOND DALEK: All is ready for their space extinction.DALEK SUPREME: Do not destroy! That vesselmust not be destroyed!SECOND DALEK: Trackers operating.DALEK SUPREME: Prepare neutronic randomiser.(The FIRST DALEK, at its console, obeys...)FIRST DALEK: Stand by randomiser.DALEK SUPREME: Theintruders must be caught alive![SCENE_BREAK]4: INT. SPAR SHIP(Things have calmed down somewhat on the stolen SPAR ship.)DOCTOR: Well done, Bret, well done. You got us off very well.(He laughs tohimself.)BRET VYON: Thanks. I thought you weren't going to make it.DOCTOR: Of course I was. You're far too pessimistic. Now, where's that little box of mine, hmm?(STEVEN picks up the box holding up the TaraniumCore.)STEVEN: This one?DOCTOR: Yes.(The DOCTOR takes the box.)DOCTOR: Ah, splendid, splendid. The Daleks' plans are utterly useless without this.STEVEN: Why? What did you find out at the Councilmeeting?DOCTOR: They've allied themselves with the rulers of the outer galaxies... to take over the Universe!BRET VYON: (Shocked.) Universe?DOCTOR: Yes, their first objective being Earth and then... the solarsystem.STEVEN: Then we've got to warn Earth and fast!BRET VYON: But what about Mavic Chen?DOCTOR: Oh, he's one of them, my friend. By sacrificing the Solar System, he hopes to gain more power.BRET VYON:That's impossible!DOCTOR: Oh, no it isn't, no it isn't. Therefore we must get back to Earth before him.KATARINA: (Timidly.) But how can we return to Earth? We've already left it.DOCTOR: Yes, I know, my dear, but thisis not Earth... as we... think of it. It's something very different.(VYON is more puzzled than ever by KATARINA and speaks quietly to STEVEN.)BRET VYON: What's the matter with this girl? I mean, where's shefrom?STEVEN: (Casually.) Oh, it's quite all right - she helped us in Troy. She doesn't really understand.BRET VYON: (Puzzled.) Troy?STEVEN: (Smiles.) Yes.(He rejoins his companions.)STEVEN: Well, come on, Doctor,what's so special about that box?DOCTOR: Well, as I said before, my boy, the Daleks' plans are utterly useless without this.STEVEN: (Pleased.) Then we've won!(STEVEN picks up the box and is about to open it whenthe DOCTOR stops him.)DOCTOR: No, no, no, no! Don't open it, please.STEVEN: Why not?DOCTOR: It'll burn your eyes - you'll go totally blind! That is a full emm of Taranium!BRET VYON: (Shocked.) What?(He stepsforward.)DOCTOR: Taranium.BRET VYON: That can only be found on the planet Uranus. A full measure would take years to mine!DOCTOR: Fifty years, to be surprice... to be precise. And Mavic Chen has given this tothe Daleks to complete one of the most evil weapons ever devised - their Time Destructor![SCENE_BREAK]5: INT. KEMBEL. DALEK CITY. CONTROL ROOM(ZEPHON stands before the DALEK SUPREME. MAVIC CHEN isalso present, as are several other DALEKS.)DALEK SUPREME: Representative Zephon! You deny that your negligence caused the loss of the Taranium Core?ZEPHON: (Arrogantly.) Had the Daleks made full securityarrangements, the invaders would not have reached this city.MAVIC CHEN: Had the master of the Fifth Galaxy been less arrogant, he would have gone with me to the meeting. Instead he preferred to keep us allwaiting.ZEPHON: I believe the intruders came from the Solar System.MAVIC CHEN: Did you see them?ZEPHON: No.MAVIC CHEN: Did they speak and tell you so?ZEPHON: No.MAVIC CHEN: Then your accusation ispreposterous.ZEPHON: How was it the intruders knew that the Taranium was here and that it was to be handed over, if they did not come from the Solar System? None of the others knew what it was thatrepresentative Mavic Chen was bringing here!(All eyes are now on MAVIC CHEN.)DALEK SUPREME: Have you nothing to say?MAVIC CHEN: Oh, this is absurd. Why should I arrange that fifty years be spent secretlymining to acquire this mineral - only to have it stolen?ZEPHON: The quest for power. Perhaps you wanted to use the Core for yourself!MAVIC CHEN: How? Only the Daleks know how to assemble the Time Destructor. Ionly provided the vital ingredient - the core.ZEPHON: (To the DALEK SUPREME.) I did not know about the Core. How could I?DALEK SUPREME: You knew about the intruders.ZEPHON: We all did. You were going to dealwith them, or so you said.DALEK SUPREME: (Angrily.) Silence! It is agreed that you are guilty of negligence.(MAVIC CHEN moves and stands behind the DALEK SUPREME in a show of support.)ZEPHON: If I go, theMasters of Celation and Beaus go with me!DALEK SUPREME: (Warningly.) You threaten our unity?ZEPHON: I have nothing to say.(He turns for the door.)ZEPHON: I will leave now.(ZEPHON starts to walk from the room,but he is stopped by DALEKS closing in from each side of the doorway. ZEPHON trembles violently as he looks round for an escape route.)DALEK SUPREME: Execute!(Caught in the crossfire at close range, ZEPHONcrumples to the floor. The DALEK SUPREME turns and glides to one of its subordinates at a console.)DALEK SUPREME: Where is the ship?DALEK: Course seven-oh-seven. It is approaching the influence of the planetDesperus.DALEK SUPREME: Prepare pursuit ships. Stand by randomiser.[SCENE_BREAK]6: INT. SPAR SHIP(Having found special guards for their eyes, the DOCTOR, STEVEN, KATARINA and BRET VYON are looking atthe Taranium. A brilliant white flare shimmers around the mineral inside the open container causing them all obvious discomfort.)STEVEN: That is Taranium?DOCTOR: Yes, the rarest mineral in the universe.STEVEN:Funny, It makes your eyes feel strange even with these on.(STEVEN indicates their eye-guards.)STEVEN: It's like looking into the sun for too long.(The DOCTOR closes the container. They all remove their glasses andrub their eyes.)DOCTOR: Oh, don't complain, young man. You're a very privileged person. Do you realise that very few people have seen this in this universe, hmm?STEVEN: All right, Doctor. But now that we've got it,what are we going to do with it?DOCTOR: Well, for the moment, nothing.STEVEN: Well, that doesn't make sense. I mean, you said yourself that the Daleks have the most dangerous weapon ever devised.DOCTOR: Wehave the Taranium, so for the moment we do nothing. And by doing nothing, we do everything. Do I make myself clear?(He laughs.)STEVEN: Come off it, Doctor. What's all that supposed to mean?DOCTOR: Oh, mydear young man, you ask so many questions.(He laughs and looks at KATARINA who is stood across the room looking over one of the consoles.)DOCTOR: Look at Katarina over there. She doesn't ask questions - shejust looks and learns. Now, why don't you try the same thing, hmm?(The DOCTOR takes a moment to look over the control room of the SPAR.)DOCTOR: You know, I find all this extremely fascinating. Hmm! It's a littleprimitive, of course, but it's still very fascinating, hmm!(STEVEN tries to bring him back to the point.)STEVEN: Look, Doctor, I'm sorry, but can't we do anything?DOCTOR: Yes.(He turns to BRET at the mainconsole.)DOCTOR: Bret, can you find me something to play a magnetic tape, hmm?BRET VYON: Yes, Doctor. Here.(He points to part of the console.)DOCTOR: Well, my dear fellow, that's magnificent. Huh, it's all soconvenient, isn't it? (Laughs.) Now play that tape I gave you, before I went to the Daleks' conference.STEVEN: What tape's that?(VYON produces the capsule from his uniform pocket.)DOCTOR: Oh, I found a small tapebeside a skeleton, and it, er, might be able to tell us something.(He notices KATARINA who is still looking over the control room.)DOCTOR: Er, Katarina, come over here, my child.(She does so.)DOCTOR: Now, have alook at another wonder.(KATARINA looks about her.)KATARINA: Everything is so strange. This isn't like your TARDIS.DOCTOR: No, my dear, no.STEVEN: Yes, but Doctor, surely, I mean, the Daleks aren't going to leavea tape around with their plans on it?DOCTOR: No, no, no! Bret here was searching for someone and the skeleton I found was humanoid. Well, whoever it was may have learned something that we haven't.BRET VYON:(Exclaiming.) Marc Cory! You found him? Well, Kert and I searched that jungle but we could find no trace.DOCTOR: Oh, and did you search that bearing twice, hmm?BRET VYON: How do you mean?DOCTOR: Well, it sohappens that that kind of jungle is apt to lead you back to the same place more than once.BRET VYON: Yes, but we were methodical, or as methodical as the Daleks would...DOCTOR: (Interrupts, irritated.) Oh yes, nodoubt you were, and I suppose I was lucky! Now play the tape. Come along, come along, stop all this talking!(YVON looks annoyed but activates the tape as instructed. It begins to play and Marc Cory's long-dead voicecomes from the speaker.)MARC CORY: (On tape.) This is Marc Cory, Special Security Agent, reporting from the planet Kembel.STEVEN: You've cracked it!MARC CORY: (On tape.) The Daleks are planning the completedestruction of our galaxy. Together with powers of the outer galaxies, a war force is being assembled and...(The tape and the voice break off.)STEVEN: That's all?BRET VYON: Poor Marc. He never got through.DOCTOR:But we must! The Daleks will stop at anything... to prevent us.[SCENE_BREAK]7: INT. KEMBEL. DALEK CITY. CONTROL ROOM(The DALEK SUPREME and a DALEK are watching the instruments that are tracking theSPAR.)DALEK: Ship now at closest point to planet Desperus.DALEK SUPREME: Operate Randomiser![SCENE_BREAK]8: INT. SPAR SHIP(On board the ship, the escapees are discussing what they should do next. Astrange buzzing noise starts up, but nobody on board notices it.)DOCTOR: Yes, yes, you must find someone you can trust. Someone in a high enough position that may be able to help.BRET VYON: Well, Karlton is theman in charge of all Space Security. But he's very close to Chen.STEVEN: Yes, well, this chap Karlton, he may be part of the plan with the Daleks.BRET VYON: It's possible...DOCTOR: Yes...(Suddenly the buzzing soundincreases and the ship lurches to one side. All its occupants are thrown off their balance and clutch onto the console for safety.)KATARINA: Oh, Doctor, what's happened?(The DOCTOR looks up at the scanner.)DOCTOR:I think we're changing course.(BRET VYON wrestles with the controls.)BRET VYON: The steering boosters won't fire! I can't get her round.STEVEN: Switch to manual control!BRET VYON: I can't... we're picking upspeed!(The DOCTOR continues to peer at the monitor screen.)DOCTOR: You know, I believe we're approaching the... gravitational point of that planet.(He points at the screen. VYON casts a glance at the rapidlynarrowing gap between them and a planet showing on the scanner.)BRET VYON: Desperus!DOCTOR: Mmm!(BRET attempts to once more master the controls.)DOCTOR: Has it any kind of atmosphere, hmm?BRETVYON: Yes, but we can't get off there, we'll never be able to get off again.STEVEN: Why not? What's wrong with it?BRET VYON: Desperus is the penal planet of the Solar System.DOCTOR: Well, if it's one of your prisonplanets, surely there are guards and warders there to help us?BRET VYON: They're aren't any. The only craft which stop there are prison ships, bringing other criminals. If we crash there, we'll be left there to rot therest of our lives away.DOCTOR: You must try to land softly somewhere.BRET VYON: I can't! This vessel is out of my control!(They all look at the planet on the scanner that is growing larger andlarger.)[SCENE_BREAK]9: INT. KEMBEL. DALEK CITY. CONTROL ROOM(The DALEK SUPREME glides up to several DALEKS manning controls.)FIRST DALEK: Space vessel's instruments now randomised.(Another DALEKreports.)SECOND DALEK: On course for planet Desperus. Impact in point six.THIRD DALEK: Remote control standing by.DALEK SUPREME: Cut in remote control.FIRST DALEK: Now under Dalek control.DALEKSUPREME: Reduce descent velocity. Vessel must make soft landing.FIRST DALEK: I obey.DALEK SUPREME: Pursuit ships to stand by.(MAVIC CHEN has been watching. He approaches the DALEK SUPREME.)MAVICCHEN: A highly effective operation. May I congratulate you?DALEK SUPREME: Dalek technology is the most advanced in the Universe.MAVIC CHEN: (Slyly.) You... still haven't recovered the Taranium.DALEK SUPREME:We shall.(The DALEK SUPREMES' eye-stalk swings to look straight at MAVIC CHEN.)DALEK SUPREME: It is strange that the intruders took your space vessel. Perhaps they were indeed creatures from Earth?MAVICCHEN: My SPAR was the last to arrive here, so consequently was in the best position to leave quickly. But to set your mind at rest, I will return to Earth now, and if I find that the intruders do come from there, they willbe dealt with - quickly and without arousing any suspicion.DALEK SUPREME: Very well. A vessel similar to your own craft will be put at your disposal.MAVIC CHEN: I will return here as soon as all final preparations forthe take-over are completed.DALEK SUPREME: All will be in readiness.(The DALEK SUPREME turns back to the monitors.)MAVIC CHEN: Good. We don't want any more mistakes.(CHEN stalks from the room, with anarrogant smile on his face.)[SCENE_BREAK]10: INT. SPAR SHIP(BRET VYON and STEVEN look over the controls in puzzlement.)STEVEN: We've slowed right down.BRET VYON: We're going to be able to make a softlanding. I don't understand it.DOCTOR: (Worried.) Yeah, and I'm afraid I do - only too well.STEVEN: The Daleks?(The DOCTOR nods.)STEVEN: Oh, yes. Some sort of remote control, I suppose. We'd all better preparefor landing.DOCTOR: You're quite right, my boy, quite right.BRET VYON: Well, if it's the Daleks, it can only mean one thing.DOCTOR: Yes, it means they're coming after us again.[SCENE_BREAK]11: INT. DESPERUS.CAVE (NIGHT)(In a cold dank cave, three men stand looking over a crude table which has a long thin knife dug into it. KIRKSEN, whose long, light, tangled hair and beard cover his face, is the youngest. GARGE is aburly man with dark hair and a beard. BORS, also bearded, is the eldest of the three. KIRKSEN makes a grab at the knife but GARGE smashes his hand away and tries to go for it himself but BORS is quickest and grabsthe weapon.)BORS: It's mine again!(He nods at two decrepit women in the corner of the cave.)BORS: And they stay where they are.GARGE: With the soft life you lead, I'll be able to beat you one day.BORS: Out onguard!GARGE: Why is it always me?BORS: I am the leader. I have the knife. Do you want to argue about it?(GARGE looks at BORS in a surly manner and then leaves the cave. BORS settles down tosleep.)[SCENE_BREAK]12: EXT. DESPERUS (NIGHT)(GARGE walks out of the cave. He starts his guard duty as, above him, he hears the screams of creatures flying in the air.)[SCENE_BREAK]13: INT. DESPERUS. CAVE(NIGHT)(Later on, all is quiet. BORS is asleep near his women and some other prisoners but KIRKSEN is not. He notes that BORS is asleep and makes his way quietly across the cave to where the \"leader\" lies. Hereaches for the knife but BORS wakes in an instant and grabs the young man roughly on his wrist, the knife in his other hand.)BORS: And you can build up the fire.(KIRKSEN starts to gasp in panic. He is obviouslyslightly deranged.)BORS: Kirksen! Like the knife, would you? Then you'd be leader. You could tell Garge what to do, like I do. You could tell me what to do!KIRKSEN: I'll get it next time!BORS: Who knows, perhaps youwill. Now, get out and get the fuel.(KIRKSEN points at the women as the sound of the landing SPAR starts to be heard.)KIRKSEN: Why don't you send one of them?BORS: (Screams.) Get it!(KIRKSEN looks upwards atthe sound of the ship and then looks enquiringly at BORS.)BORS: I can hear it. Now get out! Do you want one of the new lot to come here and take over our place?(GARGE has come through the entrance.)GARGE: It'sno prison ship!BORS: What?GARGE: It's strange. I haven't seen one like it before.BORS: Where's it landing?GARGE: The swamp by the look of things.KIRKSEN: It's a strange ship. We can kill the crew and takeover.BORS: Possibly.KIRKSEN: We can use it to get away!BORS: (Sharply.) It may be a crash landing!KIRKSEN: You can kill the crew with your knife!(KIRKSEN starts to laugh in an insane fashion.)BORS: Shut up! We'dbetter get over there right away. Others will have seen it too! Now, on your way!(BORS gives GARGE a shove towards the cave entrance and they move out into the darkness, carrying lighted torches.)KIRKSEN: Well,what about me? If you're leaving this filthy planet, so am I.(KIRKSEN also grabs a torch and follows them out.)[SCENE_BREAK]14: EXT. DESPERUS (NIGHT)(The convicts make their way out of the cave. Above them,the creatures still cry in the darkness.)[SCENE_BREAK]15: INT. SPAR SHIP (NIGHT)(KATARINA stands in the airlock doorway, gazing at the dark landscape outside while BRET and STEVEN try to make repairs to theship.)DOCTOR: (To VYON.) Now, you sure you've got spare parts for this, hmm?BRET VYON: Certain - it's safety regulations.DOCTOR: Hmm! Ah, that's the worst of these... out-of-date and primitive spaceships - onelittle bump and they all fall to bits.BRET VYON: (Annoyed.) Doctor, what are you talking about? This is a SPAR - the most technically perfect craft in the history of space travel.DOCTOR: Oh, yes, quite so. That's why weare stranded on this pimple of a planet, whilst you footle with that fuse box, mm?STEVEN: Oh, come on, Doctor, the TARDIS isn't exactly perfect, is it? I mean, you can't even control where we're going.DOCTOR: Now,you listen to me, young man. Don't you start to criticise my TARDIS! And as for space travel, you're still wet behind the ears. Oh do get on with it, both of you!(He storms off to join KATARINA, snorting as he goes.BRET turns to STEVEN.)BRET VYON: What's the matter with Grandpa?STEVEN: (Smiling.) Oh, it's nothing. We all have our own obsessions, don't we? Now come on.(They crouch down at an inspection panel.)STEVEN:Look, do you think we're going to have enough drive-force to lift off here and get us back to Earth?BRET VYON: We've got to. Now, as the Doctor said, let's get on with it.[SCENE_BREAK]16: EXT. SPAR SHIP(NIGHT)(Just outside the airlock door, KATARINA shivers with cold. The DOCTOR steps out and admonishes her.)DOCTOR: What are you doing out here, child? I thought I told you to keep these doors closed.(KATARINApoints out into the night.)KATARINA: There are lights out there.DOCTOR: Mmm?(The distant light of three torches move through the darkness.)DOCTOR: Good gracious, so there are. Two - no - three. Yes, we must get"}
+{"doc_id":"doc_265","qid":"","text":"Originally written by Alexa Junge Transcribed by Josh Hodge.[Scene: Monica and Rachel's apartment. Rachel is on the phone.]RACHEL: Mom, would you relax. That was 10 blocks from here and, the, the woman waswalking alone at night, I would never do that. Mom, c'mon, stop worrying. This is a safe street, this is a safe building, there's nothing [a pigeon flies in the window and lands on the table] OH MY GOOOD, oh my God, ohI gotta go, I gotta go, I gotta go. [hangs up] OK, that's fine, you just read the paper, I'm gonna get a pot, it's not for you. [grabs a pot and lid] OK, that's fine, read the Family Circus, enjoy the gentle comedy. [puts potover the pigeon] Aaahh, oh my God, oh my God, oh my God, oh my God, oh my God, oh my God, oh my God, oh my God, aaaaahh. [knock at the door] It's open you guys.[a stranger enters with flowers]STRANGER:Hi.RACHEL: Hi, hi can I help you?STRANGER: Yeah, I'm looking for Phoebe, does she still live here?RACHEL: Uh, no she doesn't but I can, I can get a message to her.STRANGER: Great. Uhh, just tell her her husbandstopped by. [leaves flowers on bar]RACHEL: What? [in surprise she forgets she has the pigeon in the pot and lets it get away]STRANGER: Hey, how, how did you do that?OPENING TITLES[Scene: Monica and Rachelsapartment. The whole gang is there.]JOEY: This is unbelievable Phoebs, how can you be married?PHOEBE: Well, I mean, I'm not married married, ya know, he's just a friend and he's gay and he's just from Canada andhe just needed a green card.MONICA: I can't believe you married Duncan. I mean how could you not tell me? We lived together, we told each other everything.PHOEBE: I'm sorry Monica but I knew if I told you, you'dget really, like, judgemental and you would not approve.MONICA: Of course I wouldn't approve, I mean, you were totally in love with this guy who, hello, was gay. I mean, what the hell were you thinking?ROSS: Yousee, and you thought she'd be judgemental.PHOEBE: OK, I wasn't in love with him and I was just helping out a friend.MONICA: Please, when he left town you stayed in your pajamas for a month and I saw you eat acheeseburger.ALL: Huuh.MONICA: Well, didn't you?PHOEBE: I might have.MONICA: I can't believe you didn't tell me.PHOEBE: Oh, c'mon, like you tell me everything.MONICA: What have I not told you?PHOEBE: Oh, Idon't know. Umm, how about the fact that the underwear out there on the telephone pole is yours from when you were having s*x with Fun Bobby out on the terrace.RACHEL: What!MONICA: Wait a minute, who toldyou? [turns to Chandler who's looking sheepish] You are dead meat.CHANDLER: I didn't know it was a big secret.MONICA: Oh it's not big, not at all, you know, kinda the same lines as, say, oh I don't know, having athird nipple.PHOEBE: You have a third nipple?CHANDLER: You bitch.ROSS: Whip it out, whip it out.CHANDLER: C'mon, there's nothin' to see, it's just a tiny bump, it's totally useless.RACHEL: Oh as, as opposed to yourother multi-functional nipples?JOEY: I can't believe you. You told me it was a nubbin.ROSS: Joey, what did you think a nubbin was?JOEY: I don't know, you see somethin', you hear a word, I thought that's what it was.Let me see it again.ALL: Yeah, show it. Show it. The nubbin, the nubbin, the nubbin.CHANDLER: Joey was in a porno movie.ALL: Huuh.CHANDLER: If I'm goin' down, I'm takin' everybody with me.ROSS: You were in aporno?JOEY: Ahh, alright, alright, alright, I was young and I just wanted a job, OK. But at the last minute I couldn't go through with it so they let me be the guy who comes in to fix the copier but can't 'cause there'speople havin' s*x on it.MONICA: That is wild.ROSS: [to Chandler] So what's it shaped like?PHOEBE: Yeah, is there a hair on it?JOEY: What happens if you flick it?[Scene: Central Perk. Chandler, Ross, and Julie aresitting on the couch.]ROSS: So, uh, does it do anything, you know, special?CHANDLER: Why yes Ross, pressing my third nipple opens the delivery entrance to the magical land of Narnia.JULIE: You know, in somecultures having a third nipple is actually a sign of virility. You get the best huts and women dance naked around you.CHANDLER: Huh? Are, uh, any of these cultures, per chance, in the tri-state area?ROSS: You know,you are so amazing, is there anything you, you don't know?RACHEL: [to Monica at the counter] Ooh, Julie's so smart, Julie's so special.MONICA: Look honey, I wanted you to hook up with Ross as much as you did. Buthe's with her now and you're just gonna have to get over it.RACHEL: Ohh, I'm gonna have to get over it. God, see I didn't know that's I had to do, I just have to get over it.[Phoebe enters all dressed up]ALL:Woah.JOEY: Foxy lady.JULIE: Where you goin'?PHOEBE: Um, I'm gonna go meet Duncan, he's skating tonight at the Garden, he's in the Capades.JOEY: The Ice Capades?CHANDLER: No, no the gravel capades. Yeah,the turns aren't as fast but when Snoopy falls. . . funny.MONICA: I can't believe you're dressing up for him. I mean, you're just, you're setting yourself up all over again.PHOEBE: OK, no. For your information I'm goingto see him so I can put all those feeling behind me. OK, and the reason I'm dressed like this is because I think it's nice to look nice for your gay husband.ROSS: [holding cream pitcher] Oh, darnit, we're all out of milk.[holds pitcher in front of Chandler's chest and flips the lid] Hey Chandler, would you fill me up here?CHANDLER: Oh I see, I see, because of the third nipple thing. Ha ha ha ha. . .[Scene: Central Perk close to closing.Ross and Julie are still there. Rachel is cleaning tables.]ROSS: OK sweetie, I'll see you later.JULIE: See you later Rach.RACHEL: Bye-bye Julie. [Julie leaves][Rachel is still cleaning, Ross is laying on the couch. Ross kicksRachel in the butt.]RACHEL: Hey.ROSS: Hey.[Ross kicks her again]RACHEL: Hey, c'mon, cut it out.ROSS: Hey?RACHEL: What?ROSS: Can I ask you somethin'?RACHEL: Sure.ROSS: Naa.RACHEL: What? C'mon, talk tome.ROSS: OK, what's the longest you've been in the relationship before ha, have, having the s*x?RACHEL: Why? Who's not having. . . Are you and Julie not, are, are you and, are you and Julie not having s*x?ROSS:Technically, huh, no.RACHEL: Wow. Is it, is it 'cause she's so cold in bed. Or, or is it 'cause she's like, kinda bossy, makes it feel like school?ROSS: No, no, she's great and it's not like we haven't done anything. I mean,uh, uh, we, we do plenty of other stuff, lot's of other stuff, like uhh. . .RACHEL: No, no no no, don't need to know the details.ROSS: It's just, it's, it's me. You, you know I've only been with one woman my whole life andshe turned out to be a lesbian. So now I've got myself all psyched out, you know, and it's become, like this, this thing and I. . . Well, you just must think I'm weird.RACHEL: No, no, no, no I don't think it's weird, I think,I think umm, in fact, in fact you know what I think?ROSS: What?RACHEL: I think it's sexy.ROSS: Sexy?RACHEL: Let me tell you something. As a woman there is nothing sexier than a man who does not want to haves*x.ROSS: No kidding?RACHEL: Oh yeah. In fact you know what I'd do?ROSS: What?RACHEL: I'd wait.ROSS: You'd wait?RACHEL: Yes, absolutely. I would wait and wait. . . then I'd wait some more.ROSS:Really?RACHEL: Oh yeah, I don't care how much she tells you she wants it, I don't care if begs, she pleads, she tells you she, she's gonna have s*x with, with another man. That just means it's working.ROSS: Womenreally want this?RACHEL: More than jewelry. [Rachel struts off, extremely pleased with herself][Scene: Madison Square Garden. Duncan's dressing room.]PHOEBE: Hi.DUNCAN: Phoebe!PHOEBE: Ta-da.DUNCAN:Hey.PHOEBE: Hi.DUNCAN: Ahh, look at you, you look great.PHOEBE: Do I? Thank you, so do you.DUNCAN: Thanks.PHOEBE: Sparkly. So, wow, this is pretty wonerful, huh. Mr. major capades guy. I, I remember whenyou were just, like, King Friday in Mr. Roger's Ice is Nice.DUNCAN: You always said I'd make it.PHOEBE: Yeah, well, ya know, I'm kind of spooky that way. Wooo.DUNCAN: I missed you. [they hug] I'm gonna getchanged.PHOEBE: OK.DUNCAN: Um, now. Phoebs.PHOEBE: Oh, right, OK. Ole.DUNCAN: What?PHOEBE: Um, the matador. [Duncan leaves] Ole, ha ha ha.[Scene: Ross's apartment. Ross and Julie are setting thetable.]ROSS: Julie, can you hold this for a second, thanks. [hands her a bowl and kisses her][Chandler, Monica, Joey, and Rachel enter. Ross and Julie don't notice.]CHANDLER: Uh, Julie.JULIE: Yeah?CHANDLER: Sorry,you had a paleontologist on your face. But, uh, it's gone now, you're alright.ROSS: Hi everyone.ALL: Hi.ROSS: [pulls Rachel aside] I just, I wanted to thank you for our uh, our little talk before.RACHEL: Oh, God, noproblem. So you're gonna go with the uh, waiting thing?ROSS: Well, I was going to, but after I talked to you, I talked to Joey.RACHEL: What did, what did he say?ROSS: Basically he told me to get over myself and justdo it, ya know. So I though about what you said and I though about what he said and, well, his way I get to have s*x tonight so. . .[Scene: Ross's apartment. After dinner. Chandler enters.]CHANDLER: What's this inmy pocket? Why it's Joey's porno movie.ROSS: Pop it in.JOEY: I'm fine with it, I mean, if you're OK watching a video filled with two nippled people. [Chandler puts the tape in]RACHEL: Great, people having s*x, that'sjust what I need to see.ROSS: What's wrong with people having s*x?RACHEL: Well, well um, you know, these movies are offensive and uh, degrading to women and females. And uh, and the lighting's alwaysunflattering. And, Monica help me out here.MONICA: Hell, I wanna see Joey.[video starts with the cheesy p0rn disco music][SCENE_BREAK]JULIE: So is there like a story or do they just stard doing it right. . . oh, nevermind.CHANDLER: OK, now wait a minute. That is the craziest typing test I've ever seen.MONICA: All I say is, she better get the job.ROSS: Looks to me like he's the one getting the job.JOEY: Shh, OK, here I come, hereI come. See I'm comin' to fix the copier, I can't get to the copier, I'm thinkin' what do I do, what do I do. . . so I just watch 'em have s*x. And then I say, wait, here's my line, [Joey from TV] you know that's bad fo r thepaper tray.CHANDLER: Nice work my friend.JOEY: Thank you. Wait wait wait wait, you see me again. Hang on, the guy's butt's blockin' me. There I am, there I am, there I am, there I am, there I am. . .[Scene:Madison Square Garden, Duncan's dressing room. Phoebe is fixing her hair and Duncan enters.]PHOEBE: So um, so what's up, you came to see me yesterday.DUNCAN: Oh, yeah, um, alright, I kinda need adivorce.PHOEBE: Ohh. . .K. How come?DUNCAN: Umm, actually, I'm getting married again.PHOEBE: What?DUNCAN: Oh God, I don't know how to tell you this. I'm straight.PHOEBE: Huuh.DUNCAN: Yeah, I know,I.PHOEBE: I, I don't, I don't understand, how can you be straight? I mean, you're, you're so smart and funny and you throw such great Academy Award parties.DUNCAN: I know, that's what I kept telling myself but youjust reach a point where you can't live a lie anymore.PHOEBE: So how long have you known?DUNCAN: Well I guess on some level I always knew I was straight. I though I was supposed to be something else, you know,I'm an ice dancer, all my friends are gay, I was just tryin' to fit in.PHOEBE: And um, and there's actually a, a woman?DUNCAN: Her name's Debra.PHOEBE: Oh. Well is she, is she the first that you've beenwith?DUNCAN: Well, I've never told you this but, there were one or two times, back in college, when I'd get really drunk, go to a straight bar and wake up with a woman next to me. But I, I, I told myself it was theliquor and e-everyone experiments in college.PHOEBE: Sure.DUNCAN: But now I know I don't have a choice about this, I was born this way.PHOEBE: I, I don't know what to say. I mean, you know, you're married tosomeone for six years and you think you know him and then one day says, 'Oh, I'm not gay.'DUNCAN: I'm, I'm still me.PHOEBE: Why couldn't you have just figured this out six years ago?[Scene: Ross's apartment.Everyone is sitting around. Monica enters from bathroom.]MONICA: You know, it still smells like monkey in there.JULIE: That saves us a conversation.CHANDLER: Well, listen, this has been great but I'm officiallywiped.JOEY: Me too, we should get goin'.RACHEL: No, no, I mean, no, c'mon you guys, I mean, c'mon look it's only eleven thirty. Let's just talk, we never just hang out and talk anymore.MONICA: Rachel, that's all wedo.RACHEL: Maybe that's all we do, what about Julie?JULIE: What about Julie?RACHEL: Well, you have been in our lives for nearly two months now and we don't really know you. I mean, who is Julie? I mean, what doyou like, what don't you like? We wanna hear everything.JULIE: Well, that could take a while.RACHEL: So. I mean, who here does not have the time to get to know Julie?CHANDLER: I got the time to get to knowJulie.JOEY: I got time.MONICA: Rach, I know her pretty well, can I go? [Rachel gives her a look from hell] That's fine.RACHEL: OK Julie, so now let's start with your childhood, what was that like?JULIE: Well, in anutshell. . .RACHEL: Nah, uh, uh, uh, uh.[Scene: Madison Square Garden, Duncan's dressing room. Phoebe is signing the divorce papers.]PHOEBE: So, um, have you told your parents?DUNCAN: No, but it'll be OK,they're pretty cool, my brother's straight so. . .PHOEBE: [handing him the papers] Here you go. You know what, I just have one more question, um, if you had figured this out sooner and um, I had been around, do youthink that I would have been the one who. . . no, um, I'm sorry, don't tell me, I don't th ink either answer would make me feel better.DUNCAN: I love you Phoebe. [they hug and kiss]PHOEBE: So your brother's straighhuh? Seriously.[Scene: Ross's apartment. Julie is telling her live story.]JULIE: And my second grade teacher was Ms. Thomas, and my first grade teacher was Mrs. Cobb.RAHCEL: Mrs., Mrs. Gobb?JULIE: No Cobb, as incobb salad.RACHEL: Now, what exactly is in a cobb salad?CHANDLER: I'm goin' home.RACHEL: What?[Outside in the hallway, Chandler, Joey, and Monica exit]JOEY: Boy that Julie's a talker, huh?ROSS:Goodnight.RACHEL: So, it's pretty late, you're probably uh, not still planning on. . .ROSS: Oh, no no, I am.RACHEL: Oh, well, are hey, are you nervous?ROSS: Um, no, I uh, I have done it before.RACHEL: Uh, OK, Imean uh, what, how are you gonna handle it. I mean, are, are ya gonna, are ya gonna talk about it before hand, are you just gonna pounce?ROSS: I uh, I don't know, I guess I'm just gonna see, see whathappens.RAHCEL: OK, gook luck.ROSS: Wha, uhh, what?RACHEL: Nothing, I mean, um, it is your first time with her and, you know if the first time doesn't go well, well then that's, that's pretty darn hard to recoverfrom.ROSS: OK, now I'm nervous.RACHEL: Maybe you should put it off.ROSS: No, no, I don't wanna put it off, I just, God I just, I spent last year being so unbelievably miserable, ya know, and now, now I'm actuallyhappy. You know, I mean, really happy. I just, I just don't wanna, I don't wanna mess it up, ya know.RACHEL: I know, yeah, sorry.ROSS: What, it's not your fault.RACHEL: Maybe it, maybe it doesn't have to be thistough. I mean, maybe you were on the right track with this whole, you know, spontaneous thing. I mean, women really like that.ROSS: Really?RACHEL: Yeah, I mean, you know it, I mean, if it were me I, I, you know,I'd want you to, I don't know, like catch me off guard, you know, with like a really good kiss, you know really, sort of um, soft at first, then maybe um brush the hair away from my face, and look far into my eyes in away that let's me know that something amazing is about to happen.ROSS: [being drawn in by her talk] Uh-huh.RACHEL: And then, I don't know, I mean you'd pull me really close to you so that, so that I'd be pressedup, you know, right against you. And, um, it would get kind of sweaty and uh, and blurry, and then it's just happening.ROSS: Ohh. . . Thanks Rach, goodnight. [goes back in apartment]RACHEL: Ohh, God.CLOSINGCREDITS[Scene: The next morning on the street. Ross is dancing along, Singing in the Rain is playing. Two old ladies are sitting on a bench.]ROSS: Good morning.OLD WOMAN: Well, somebody got some lastnight.ROSS: Twice."}
+{"doc_id":"doc_266","qid":"","text":"Mae: Previously on Mars.Hana Seung: When you believe in a goal the way we believed in Mars, conviction alone will sustain you through almost any test.Leslie Richardson: Robert! If you find evidence of a secondgenesis.Marta Kamen: Evolution can begin again.Ed Grann: I've got faith.Paul Richardson: You know, I used to stand in the doorway of the farmhouse where I grew up looking at all of the crops, thinking about all thepeople they'd feed.Joon Seung: If you push too hard too fast, something's gonna break.Ed Grann: If they fail, everyone's out.Hana Seung: But faith doesn't guarantee success.Paul Richardson: Without plants we'renothing.Hana Seung: The real test is what happens when you fail.\u0000 [THEME MUSIC PLAYS] \u0000[SCENE_BREAK]Leslie Richardson: Richardson, Leslie. Phase 2, personal entry.[HEAVY BREATHING]Robert Foucault: Damntragedy. Oh God.Hana Seung: The entire west section is destroyed.[SCENE_BREAK]Leslie Richardson: Paul was always late. He would get so caught up in his work that he would just lose time, completely forget aboutit. And then he would show up hours later, filthy, like a kid that had been playing out in the mud all day. And always with that look on his face, that look as if he knew that he was in trouble. But it was all worth it. Therewas this one night I remember, It was while we were living out in South America, he was still in the forest collecting samples. He was late, as usual. But somehow it was different. Morning came. Another day went by.Finally I could hear his footsteps approaching. So, I rushed out to meet him. And all of the sudden all of that fear and worry that I'd felt turned into anger, rage. I couldn't believe how selfish he'd been. And then heappeared.Javier Delgado: Victor. There he is.Leslie Richardson: Covered from top to bottom in mud. With that look on his face... that look. And all I could say was, \"I love you.\"Paul Richardson: Without plants we'renothing.Javier Delgado: We are not nothing, my friend.[SCENE_BREAK]Hana Seung: We'd lost seven of our own. The lab and the greenhouse were destroyed. Olympus Town was on complete lock down until the nationsof the IMSF decided on the fate of our mission. Was Mars going to be a giant leap forward, or just a passing novelty. It wasn't the first time humankind had faced this question.Ann Druyan: We accomplished theimpossible by stepping on the Moon. This was, the first hop. And there would be a skip, and a jump afterwards. And we'd keep going and going and going, and the future would be one of endless possibilities, where theCosmos was ours.Man: What do you think about this Moon landing?Man 2: Well it's the beginning of a new frontier, a gateway to Mars.Ann Druyan: That came to a very abrupt halt.Roger Launius: A major turning pointfor Apollo was the Apollo 13 mission in 1970.Man: Alright Houston, we've got a problem.Reporter: There is a bulletin from ABC news. The Apollo 13 spacecraft has had a serious power supply malfunction. A late reportsays the spacecraft now is operating on battery power alone, all unnecessary equipment is being turned off.Man: Let's everybody keep cool. Let's not make it any worse by guessing.Roger Launius: We came close tolosing astronauts. And it scared the living daylights out of lots of people. And some leaders at NASA said we gotta stop this. This is too risky.John Logsdon: We all lived through that in real time. We were all wrapped upwith the fate of the astronauts. It was a close call to get them back and that really spooked Nixon. It soured him on the notion of sending humans away from Earth into deep space. So it was a catalytic turning point inattitudes towards space exploration.James A. Lovell: Jack and Fred and I are very proud and glad to be back here in Texas tonight. There were times when we really didn't think that we'd make it back here. After theanomaly on 13, I thought that our space exploration would continue to go. But the extreme rate of progress slowed down.Peter Diamandis: Apollo was this massive promise of what was going to be going on, right? Wewere going to the Moon, not to stop. There were plans beyond the Moon but all this got killed as the political will petered out and was gone.Roger Launius: On a Mars mission there may be some loss of life in theprocess, there may be failures along the road, but people will take it on. One of the things that you have to ask is: 'Are the rest of us willing to allow them to do that?' Space exploration is subject to public opinion, andpolitical support. There's no question about that. If you send astronauts to Mars and they die there, I guarantee you, public opinion will prohibit you from ever doing it again.Hana Seung: As we buried our friends, thefate of the mission was back on Earth in the hands of my sister and the IMSF.Joon Seung: Hi Ed.Ed Grann: How long until we know?Joon Seung: I told the press everything I know; the nations are meeting to discusshow to proceed and then we'll make an official announcement.Ed Grann: You can't let them give up. You just can't. They knew something like this was a possibility, we all did.Joon Seung: Seven of the world's mostbeloved scientists and astronauts are dead. Does that mean anything to you?Ed Grann: Of course it means something to me. What are you talking about? It's a time to be strong, to make a statement that says we'rehere to stay.Joon Seung: You're not going to influence my recommendation to the committee.Ed Grann: We've come too far Joon.Joon Seung: If the train is derailing, there's nothing I can do to keep it on the tracks.EdGrann: The nations respect you, they will listen to you; you can inspire them to stay the course.Joon Seung: Even if we can Ed, I'm not sure that we should.Ed Grann: What?Joon Seung: I'm not sure that we should.EdGrann: Me, I'm sure of one thing. I won't let go.John Logsdon: Dreamers of space have always had their eyes, their hopes, their aspirations, on getting to Mars.Casey Dreier: Mars has been the goal since Wernher VonBraun got involved with NASA.Mission Control: Liftoff, we have a liftoff!Stephen Petranek: Von Braun overbuilt entirely the rocket to go to the Moon. Saturn 5 is the largest, longest, and heaviest machine ever built byhumans. It's absolute overkill for going to the Moon. And the reason is, Von Braun didn't wanna go to the Moon. He wanted to go to Mars. The only reason he got involved in rocketry was because ever since he's a littlekid, he's focused on this idea of getting to Mars. He invented the V2 rocket when he was in his late twenties and it was the first thing that ever went into space from Earth.Man: Von Braun surrenders to US forces. Heand his fellow rocket scientists actually welcomed by the Americans.Stephen Petranek: After the war, he writes a book called 'das Marsprojekt', which is basically a manual on how to build a fleet of ships that can get toMars and get humans back. He's worked out all the equations, all the details, of how it could actually be done. And it captured the mind of the world. Nobody was thinking about going to the Moon; they were allimagining going to Mars.Man: This closes a golden chapter in the age of space exploration.Stephen Petranek: At the end of the Apollo program, NASA's beginning to lose its focus: what do we do next? And there are twoproposals on Richard Nixon's desk. One proposal is that we build a spaceplane, called the Space Shuttle. The other proposal was from Von Braun and he was really storming the halls of Congress, to say that we can goto Mars.Interviewer: When would you see a man on Mars?Wernher Von Braun: We could land a man on Mars in a little over 10 years if we really wanted to do it.Casey Dreier: Richard Nixon was never that big of asupporter of the space program. He came in wanting to cut the budget to lower taxes, and space just was not a high priority for that administration. Basically they just wanted fewer leaps for mankind, right? smallsteps, small steps.Stephen Petranek: So Nixon chooses the Space Shuttle over going to Mars. Von Braun quits NASA, and within a few years has cancer and dies.Interviewer: It must have taken a great deal ofdetermination to carry on and, in view of some the early failures that you've had.Von Braun: Well, yes uh, you just have to, shouldn't give up. It's very simple, something blows in your face, try again, try again, tryagain. One fine day you'll wind up on top.Hana Seung: After the devastation to the west section we needed to scavenge from our other resources to rebuild, even the old workshop.Javier Delgado: Figure we use thehousings to patch the corridor the best we can. If we can get the section sealed with scrap, my team can start working on the damage done to Olympus Town.Marta Kamen: Mm-hmm, Javier!Javier Delgado:What?Marta Kamen: Ven mira.Javier Delgado: Que, what is that, corrosion?Marta Kamen: It looks like, uh, aragonite crystal.Javier Delgado: Possible the metal catalyzed perculate carried by the storm?Marta Kamen:Unless something reacted with the water that came out of the condensation filter. It would be nice if I had a lab. It's getting dark. Let's get out of here. Phobos and Deimos.Javier Delgado: Fear and terror, good namesfor the Moons of Mars.Russian Member: We lost two of our finest cosmonauts to this catastrophe; the support of the Russian people is fading.American Member: We've known this since Apollo: once the novelty passes,so does public support, and no one ever died on the Moon.British Member: Is this not the time to make a statement that we're here to stay? We have committed resources, delivered speeches. Giving up now could be agreat embarrassment.American Member: More embarrassing than another tragedy? We only accepted the risk in the 60s because it was a matter of national defense.Committee Member: People love space, but notwhen it means watching heroes die.Russian Member: Secretary Seung, you are as personally invested as any of us. I would like to hear your recommendation to the committee.[SCENE_BREAK]Hana Seung: May I? I'mso sorry. Paul was my responsibility.Leslie Richardson: We don't need to do this.Hana Seung: They all were.Leslie Richardson: You didn't kill them and neither did Paul.Hana Seung: And neither did you. I gave thatorder, not you. We didn't have a choice Leslie.Leslie Richardson: Paul was right in front of me and I didn't see him.Hana Seung: If we have any chance in this place we need you with us.Joon Seung: Hana... they askedme to make a choice, whether to keep pushing, or to bring you home. I tried to go back to that feeling, that feeling we had, staring up at those stars imagining what was beyond.Hana Seung: Unnie, do you rememberthat recurring dream I used to have? Walking along the regolith under the twin Moons before I even knew it was Mars I was dreaming about.Joon Seung: When I think about you up there, if it had been you in thatcorridor...Hana Seung: If it had been me in that corridor, I only hope someone else would have done the same. This mission, it's bigger than all of us. I've made my peace, and I'd do it again if I have to. That dream Iused to have about Mars. I could never tell Mom why I would wake up crying every time. It wasn't because it was a nightmare. It was because the dream was over.Joon Seung: Hana, I told them to bring you home. I'mgoing to make a public announcement next week. I'm sorry.Hana Seung: The mission had failed, I'd failed the crew, I failed Ben.[HANA CRYING]Ben Sawyer: Oh man, this reminds me of a place I used to go with myfather when I was a kid.Hana Seung: So beautiful.Ben Sawyer: Yeah.Hana Seung: You know, they can give us a rover; put us in EVA suits, but that blue sky, gonna miss that. There's really no way of knowing if weactually make it up there, is there?Ben Sawyer: Nope, but... What good would we be if we didn't even try? Let's get moving.[SCENE_BREAK]Ann Druyan: The tragedy, for me, of the shuttle... it was as if we'd lost ournerve. Instead of building on the technology that had gotten us to the Moon, and saying okay, let's go to Mars, we ended up to a shuttle which was going nowhere.Casey Dreier: We went into lower Earth orbit for thenext forty years. And I think a lot people felt a certain amount of betrayal. So far, the previous generations since Apollo have not picked up that torch and carried it forward.Robert Zubrin: We're approaching the 50thAnniversary of the Apollo Moon landing. People who watched it happen are still around and still remember a time when we did things like this. And if anybody had told me that I would be 64 and we wouldn't be on Mars,I would have thought they were crazy.John Mccain: Dr. Zubrin, you're mad that this vision has been stolen from a generation?Robert Zubrin: Yes, we turned our back on the whole Apollo vision. It's like Columbuscoming back from the New World and Ferdinand and Isabella saying, \"ah, so what, forget it, burn the ships.\" The purpose of space ships is to actually travel across space and go to new worlds. Mars is where the scienceis, Mars is where the challenge is, and Mars is where the future is. That if we say no, that is beyond us, then it would really indicate that we have become less than the kind of people we used to be and that is somethingthat this country cannot afford.Hana Seung: As the others prepared Olympus Town for the official evacuation order, Robert and I took a trip to visit an old friend, we needed her help taking us back. There she is.RobertFoucault: Never thought we'd be trying to take her back.Hana Seung: Me neither. It looks like she's been through a war.Robert Foucault: She has.Ed Grann: This is it, your home for the seven-month journey and thefirst two years you'll be living on Mars surface, when the time comes to face the unknown, there has never been another suit of armor more skillfully crafted than this one. Take good care of her. She'll take good care ofyou.[SCENE_BREAK]Ben Sawyer: I want you to stop and ask yourself what really is important to you about this mission; and if the answer to that question is not the most important thing in your life, then I'm gonnainvite you to walk out that door and pursue that thing, whatever it is. And don't ever look back, because no one will ever have the right to hold it against you. Well alright, welcome home.Robert Foucault: External solararrays are online.Hana Seung: Initializing for start up on my mark...[SCENE_BREAK]Robert Foucault: Engage.Mae: Pressurizing.Joon Seung: No pressure now Hana, this is all of humanity relying on you.Ben Sawyer:You ready for this?Robert Foucault: Three.Hana Seung: Are you?Robert Foucault: Two, one, ignition.Mae: Pressurization complete.Robert Foucault: NDEs are registering no micrometeoroid damage. She'll need the newparts to address the damage from landing, but Cygnus brought everything we need to get her flight-ready.Hana Seung: How will it be?Robert Foucault: What's that?Hana Seung: Going home.Robert Foucault: I'malready home.Leslie Richardson: Marta... I thought you might be interested in this. It was Paul's. I'd like you to have it. Is there anything I can do to help?Marta Kamen: Thank you.Leslie Richardson: When Paul wasworking on his early climate resistant hybrid studies, I went with him to the western highlands of Guatemala. We knew that if we didn't plan our lives around our work we'd never see each other at all. He was alwaysgone, sometimes weeks. Because on top of his own research, he also decided that he could figure out how this particular pathogen was spreading through local communities, so I barely got to see him. And I resentedhim for it. It was as if, plants were more important to him than human beings. Certainly to my mind, more important than me. Eventually I understood that for Paul, every time he looked at those plants, he could see allthe people they could feed, all the people they could heal.Marta Kamen: So how did he figure it out?Leslie Richardson: Figure what out?Marta Kamen: The pathogen. How was it spreading?Leslie Richardson: Paulrealized that the outbreak pattern followed the same vectors as one of the airborne blights he'd been tracking. He'd also been mapping these very complex wind flows from the mountains. And from that, he was able toconclude that the pathogen must have mutated, and it was able to survive in the air Both: and travel on... the wind.Leslie Richardson: Yeah.Announcer: By executive order, all non-evacuation related extra-vehicularactivity is now prohibited.Javier Delgado: The biggest failure in history... biggest failure in history. It's easy... yeah, easy. Four years of my life...20 years preparing. Very good and it's over.Amelie Durand: Hey.LeslieRichardson: We'd be looking for another location with moisture to replicate the reaction use on the WAVAR so we'd be following the wind patterns.Hana Seung: Wind patterns.Marta Kamen: Javier and I foundsomething. The samples were too contaminated to analyze but I figured it blew in from the east in the storm because of the easterly arc of the wind, no way to track its source. Your story made me think. Even though Imay not be able to pinpoint where it came from, I can figure out where else it might have blown to. The way the Tharsis Plateau affects the wind flow, it would have blown straight into the recurring slope lineae. Onthese elevated bedrock outcrops just to the west.Leslie Richardson: If there wasn't a moratorium on nonessential EVAs...Hana Seung: What moratorium?Robert Zubrin: The history of space exploration begins withindividuals taking the road not taken, with people with a vision.Wernher Von Braun: I really never had any doubts that it was possible to go to the Moon. Today I know.Robert Zubrin: People being able to see with theirminds what others had yet to be able to see with their eyes.Peter Diamandis: There is a direct correlation between the dreams and the works of science fiction and the reality. We as humans over and over again createthe future, we create the future we envision. And then we bring to bear our resources, our capital, our technology, our friendships, and then we make it real.Kai Musk: What is this building called?Elon Musk: This is thelaunch tower, so this is where the astronauts would go up, and then there would be a big arm that would swing over to the spacecraft, and then they'd walk down the gangway, climb in the spacecraft, go to space. Thisisn't floors, this is feet. the long-term goal of SpaceX is to establish a self-sustaining civilization on Mars. Pretty cool. It's always seemed like we should have gone there by now, that's what everyone expected. We justkind of lost our way. It's a long way down. But now we're gonna get back there.Mission Control: SpaceX Falcon 9 go for launch.Mission Control 2: Stage 1 tanks pressing for flight.Mission Control: VC verify F9 is instartup.Mission Control 2: F9 is in startup.Mission Control: T-minus 4 minutes.Mission Control: SpaceX Falcon 9 go for launch.Mission Control 2: Vehicle's in manual.Mission Control: T-minus 1 minute.Elon Musk: This isa return to flight launch. We'd had a failed mission on June 28 of 2015. [EXPLOSION] After the failure, the whole launch program ground to a halt. That obviously put a lot of strain on the company.Mission Control: Allstations verify ready for launch. T-minus 30 seconds.Stephen Petranek: Elon Musk has said the key to get to Mars is the reusability of rockets. He wants to be able to fire a rocket into orbit, launch a payload into space,and then fire retro rockets and bring that rocket down to land vertically, and reuse it. That's an extremely difficult concept. If he cannot make rockets truly reusable then he cannot launch a new civilization on Mars. Sothe stakes for every rocket launch are huge.Misson Control: T-minus 20 seconds. Stage Two tanks pressing for flight. Flight computer has control of the vehicle.Elon Musk: Do we see anything on the sensors that's aproblem?Woman: No, nothing.Man: They all say go for launch.Mission Control: T-minus 10, 9, 8, 7, 6...[SCENE_BREAK][CROWD CHEERING]Elon Musk: It's gone, baby. Let's go, check it out.Man: Speed 1.2 kilometersdown range distance 11 kilometers. Shortly after main engine cut off, we're going to separate the stages and begin the second stage ignition.Elon Musk: Come on.[CROWD CHEERING]Man: Main engine cut off. The firststage is returning to land as the second stage powers the OrbComm satellites to low Earth orbit. The fairings have successfully deployed. The first stage will soon begin its series of three burns to head back towardsCape Canaveral.Elon Musk: Oh... where is it going? Okay, this is bad. Potentially bad.[CROWD CHEERING]Woman: That is that first stage, coming back down. History in the making guys.[CROWD CHEERING]Elon Musk:It's standing up! Coming in, it sounded like an explosion. Yeah man!Lee Rosen: Oh my God! Look at this, look at this! It's just sitting there, look at that.Elon Musk: What... holy smokes man.[CROWD CHEERING] It'skind of amazing that this window of opportunity is open for life to go beyond Earth. And we just don't know how long that window is going to be open. The thing that gets me most fired up is that creating a"}
+{"doc_id":"doc_267","qid":"","text":"Amy: Previously on \"Heartland\"...Wade: Your mom's a grown woman. She's the only one who can get herself out of this. I got her in the best rehab I could find. I'm gonna go see her in a couple days. I'll let you knowhow she's doing.Tim: I've decided that it's time for me to give back to the rodeo world. I'm starting a rodeo school right here in Hudson.Jack: I support this.Tim: Thanks, buddy.Jack: Plus those kids are gonna eat youalive and I definitely support that. There it is. Thank you.Jade: Ungh!Tim: What the hell?(Horse whinnies) Tim: Jade!Jade: Oh!Jade: Ungh!Tim: Jade? Jade!Jade: Beat that, boys!(Truck rumbles to a halt)(Door opensand bangs shut)(Phone rings)Ty: Hey, Wade.Next week? Uh... Well, it's a little short notice.(Birds chirp)Okay. Um... Yeah, I'll see what I can do. Okay. Talk to you soon.(Phone beeps off)(Spectators on video cheer andshout)Hey. You ready to go?Amy: Yeah... you okay? Yeah, yeah. I'm fine, I just uh... What- what're you watching? Oh, you gotta check this out. Commentator:...is my favourite part of the great plainsrelay.Commentator 2: Here they go, 'round the bend.Ty: Huh. Is one of those guys Scott's nephew?Amy: No. I'm just watching whatever I can find online. I thought I better see what the great plains relay actually lookslike.Ty: What're they doing?Amy: This the transition zone, where they switch horses.Ty: Looks like complete chaos. (Horse grunts loudly) Whoa! Well, that was incredible.Amy: When it works. Watch this guy.Ty: Oh,geez, come on, buddy! Hold on. ...see that transition? They must have been working on that for a year...Ty: Come on. Come on, you got it, you got it! Commentator:...so smooth.Ty: Oh! Ouch!Amy: Yeah, it's totallycrazy.(Crowd cheers in the video)Man: He's right off!Ty: Wow, I can't believe Scott used to do this.Amy: I know, right?Ty: So you think you can help his nephew?Amy: I hope so.Scott says he's having trouble with theexchange.Ty: Yeah, well, I don't blame him.Amy: Oh, wow. Okay. (Taps keyboard) Come on. Let's go.(Knock at the door)Georgie: Oh, he's here! And you know what he likes to do.Katie: Tickle!Georgie: Yeah!It's open.Oh, he's coming! You better run, Katie! Jade! What're you doing here?Jade: Nice to see you too. I was just taking my new car for a cruise, thought I'd drop by. What a coincidence, exactly when he's supposed to gethere. He? Who's \"he\"? Give it up, Jade. You know exactly who's coming.Jade: Is that today?Georgie: Nice try. But I don't want you hanging around and drooling all over him.Jade: Oh, please.Jeff: Hello?!Georgie:(Gasps) Jeffie!Georgie: Hi!Katie: Jeffie!Jeff: Ooh, Katie - and you!Jade: Hi.Jeff: Hi.Jade: I'm Jade.Katie: She likes to drool.(Georgie laughs)Jeff: (Snorts softly)(Hard thump) Man: Whoa, Barega!Emmett: Hmph!Ungh!Somebody grab him. Emmett, you all right?Emmett: I'm so sick of screwing this up for everybody. Hey, it's a team sport. Yeah, and I'm the weak link.Scott: C'mon, let's go back and try the exchange one moretime.Emmett: I'm done.Scott: Fine. We'll call it a day.Emmett: No. I mean for good. I'm quitting the relay.S08E14\u0000 and at the break of day you sank into your dream \u0000 \u0000 you dreamer \u0000 \u0000 oh, oh, oh... \u0000 \u0000 Youdreamer... \u0000 \u0000 You dreamer... \u0000Scott: Emmett, these are a couple of friends. Amy and Ty.Amy: Hi.Scott: Amy works with horses. She might be able to help you with your problem.Emmett: It's already fixed.Scott:Come on, you can't quit now. Finals are only a week away. And cause another wreck? I'm gonna get somebody killed out there. Emmett, what happened?(Birds chirp)(Sighs) I don't know. My legs are all spaghetti bythe time I make the last exchange. I just can't get up on the horse clean.Amy: It's always the same horse?Emmett: Yeah. Barega. She's the fastest on the circuit, but she's wasted on me. Well, like Scott said, I'd behappy to give you a hand. What do you know about the relay?Scott: She knows enough about horses, and riders, that she might be able to help you get through this. Sure. You wanna waste your time, makes nodifference to me.(Low hum of chatter, birds chirp)Ty: I'm gonna go talk to Scott for a bit.I'll be right back.Amy: Okay.(Door bangs shut)Hey, Scott.Scott: Hey, so you'll help out tomorrow?Ty: Yeah. Yeah, I'll be here.Um... things are pretty crazy at the clinic next week, huh?Scott: No different than usual. Well, I mean, we got a couple of surgeries, and a ton of field calls, and... That big shipment of supplies coming in, right?Scott:Ty, what are you getting at?Ty: Uh... it's nothing. I was just... thinking about going to see my mom, but, you know, it's bad timing, so.Scott: Ty. Go see your mom. We'll be fine.Ty: Are you sure?Scott: Yeah. Okay.Thanks.(Tailgate bangs shut)Tim: Well! Look who's back. The pride of Fort Mac.Casey: Hi, I'm Casey.Jeff: Jeff. Georgie's brother.Casey: Nice to meet you.Oh, sorry we're late. I had to sort out Tim's rodeo schoolschedule. He's got himself double booked all over the place.Tim: What can I say, I'm a big picture kind of guy.Casey: Yeah? Is that why you added private lessons into the mix?Ty: Private lessons? What kind of privatelessons?Casey: Oh, some rich oil guy's kid. I thought you were only interested in serious up and comers?Tim: Like you?Jade: Yeah. You know, I rode a bronc.Tim: I have not problem coaching some wannabe if his dad'sgonna throw sponsorship money my way.Amy: But, dad, how are you gonna manage this? It's just you and Caleb.Tim: Caleb? Pfft! Kid's on the road twenty-four-seven.Ty: Well, Jesse's been riding him pretty hard tofind some new stock, so.Tim: Caleb is useless to me.Georgie: Well, Jack could help out. He's got some serious rodeo cred. I'm not interested in training the next generation of weekend cowboys. But if you need a handwith those real rodeo kids I would consider pitching in.Tim: Yeah, those kids'd be saying, when was that guy's last rodeo? When they were bucking dinosaurs?(Ty laughs) Jack: This coming from a guy who won his lastbuckle before these kids were even born. So you still raking in the cash up north?Jeff: Yeah. Same 'ol, same 'ol.Georgie: Come on, Jeff, tell 'em about your big promotion!Jeff: Honestly, it's no big deal.Georgie: No bigdeal? He's running his own crew...Jeff: Uh, Georgie, just... Let it go. I mean, come on, no one wants to hear a bunch of... boring work talk, right?Jade: Cute and modest.Ty: So I'll pick you up on my way to the tracktomorrow?Amy: Yeah, that sounds great. It should be an interesting session.Ty: Yeah. Emmett doesn't seem too keen, does he?Amy: No. That's an understatement.Ty: Hmm.Amy: Hey... you okay?Ty: That's thesecond time you've asked me that today. Well, it's just... You seem a little bit more... up in your head than normal. Uh... Wa... (Sighs) Wade called me this morning and um... Family day at the clinic is next week. Yougonna go see your mom?Ty: Yeah... I was kinda hoping Scott wouldn't give me the time off. I hate going to those places, Amy. She must be happy you're coming. Yeah, well, she doesn't really know quite yet. I have tocall Wade first thing in the morning. It'll be okay.(Brief kiss) Amy: Good night.Ty: Good night.(Receding footsteps)(Birds chirp)Emmett: (Blows out his breath)Ungh!Amy: And again.Emmett: Ungh.(Blows out hisbreath)Emmett: Ungh!Amy: Nice! Okay.One more time. One more time. Ugh! Haven't you seen enough? I'm beat. Sorta like you are on the final exchange. But you're landing this perfectly every time.Ty: Barega'sstaying good and still too.Amy: So far, you guys are totally in sync. I don't see anything that would cause you to miss in the exchange. So what's next?Amy: Let's try it for real.Emmett: (Sighs heavily) (Barega snortsnervously) Easy, Barega. Easy. Easy...Amy: Okay, Emmett, bring him in.Emmett: Yah! (Hooves thunder)Ty: Whoa, whoa. Hey, hey, hey. Easy. Easy now! Come on!(Barega snorts nervously, hooves thunder)Emmett:(Breathing hard)(Barega snorts and grunts) Ty: Whoa, whoa! Emmett!Emmett, are you okay?Emmett: (Frustrated grunts) Why can't I land it?! You can't be so hard on yourself. I keep choking under the pressure. No!No, it's not you. It's your horse. It's Barega.Emmett: (Sighs heavily)(Door bangs shut, engine rumbles nearby)(Tailgate thunks loudly)Tim: Hey! So guess who just got approved for a whole series of clinics at the highschool rodeos.Jack: Well, good for you.So what did you want to talk to me about then? Oh. I've been thinking about your offer.Jack: My offer?Tim: To help lighten my workload.Jack: Well, I thought I was... tooprehistoric to work at your rodeo school. Agh! And I know Casey's been joking about how disorganized I am, but I got it all worked out. No, no. I need help with Maggie's.Jack: M-Maggie's?Tim: Well, Lou's still away.The place won't run itself. You want me to work at the diner? I need a watch dog. No. I-I need someone to oversee it.(Door bangs shut)Make sure things are running smoothly.(Engine rumbles)Amy: You did everythingright.Your dismount was clean, and your approach was great.Emmett: Then why did I end up back in the dirt? Because Barega took off too soon.Ty: Yeah, I couldn't even hold her back.Amy: She sees the other horseslined up and she knows what's coming. Barega loves to run so much that you can't hold her back. She just takes off.Scott: This is good news. Now that we know what the issue is we can deal with it.Emmett: How? She'sa gamer. That's what makes her so good. We can't take the race out of the horse.Amy: Maybe you start the relay on her... And that way you don't have to jump on Barega at all. No. Barega runs anchor. Your best horsealways runs the last lap.Scott: Since you know everything, what do you think we should do?Amy: Take off your jacket.Ty: What?Amy: I think I might have a way to hold Barega back in the exchange.Ty: You really thinkthis is gonna work? Let her smell it first.Ty: There you. Hey... Easy now... I'm just gonna put this over your head. Really slowly... Just like that.Amy: Okay, we're ready! Yah! (Hooves thunder)Amy: Okay, wait for it...Now!(Barega snorts)Emmett: Yes!Amy: That's it!Scott: Woo! Nice exchange!Well, you finally got him out of bed. It's nice to be able to... sleep in for once. I thought you packed it in right after dinner last night? Ah,must be the country air.(Jack chuckles)So what do you two have planned for today?Jeff: Well, she's abandoning me for some trick riding practice.Georgie: Well, I told you, I could skip it.Jack: Have fun, whatever it is.No, that's fine. I'll hang out here until you get back.Georgie: Really? Yeah... what? Well, don't you usually go rent exotic cars and... rip around on your motorcycle? I guess I've mellowed in my old age.(Knock at thedoor)Georgie: Oh, look who it is.Just happened to be in the neighborhood?Jade: Uh, I just left my jacket here last night.Georgie: Of course you did.Jade: Hey, Jeff.Jeff: Hey.Jade: Nice hair. Yeah, barn loftspecial.(Self-conscious chuckle)Don't you have somewhere to be? No. Actually, I'm gonna go to this arts and music festival. I thought you might wanna go. Uh... yeah, I got a little free time on my hands. Whynot?Jade: Cool.Jeff: Well, I better run a comb through this though, huh?Georgie: Okay. (Sighs)Ty: Well, I can't believe what a difference that made. That was great.Scott: Yeah, the exchange was perfect every time.But Emmett's team can't be using your jacket during the race.Amy: No, that's why we'll use blinders for the real thing, right? That'll block out all the craziness that's happening around her.Scott: Well, looks like you'reback on track for the championships.Amy: Hey, good luck at the finals. And you... You wait for him, okay? All right, take care.Ty: See ya, guys.Scott: You're not gonna thank her?Emmett: For putting a jacket over herhead? She just saved your butt. You could win this whole thing. That's what everyone keeps saying back home. They want me to be a champion, like you were. But nobody cares what I want. And what would that be? Ialready told you. You weren't listening. I wanna quit. I'm leaving the reservation. To go where? Moving to the city, like you did.(Clucks his tongue)Tim: Ha! He just said, \"no,\" then he... he drove off in a huff.Really?That doesn't sound like Jack. I mean, he's the one who offered to help in the first place. Yeah, and I really need help at Maggie's. Maggie's? Are you kidding me? What? I didn't ask him to wait tables. I asked him towatch over the place.Casey: See right here? These are the famous Tim Fleming people skills at work.Tim: What does that mean?Casey: It means I don't why you're trying to push him away. You just took on all thesehigh school rodeos, you could use Jack's help here. I have got it under control. I've even carved out a little Casey time...Casey: Yeah?Tim: Yeah, you and me, we're going fly fishing, tomorrow.Casey: You can't afford totake a day off, mister.Tim: You know what they say? All work and no play...Casey: Please!Tim: Come here.Casey: Woo! (Laughing)(Kissing)(Birds chirp outside)(Approaching footsteps)Jeff: Hey!Georgie: Oh, hey.You're back early.Yeah, the bands were pretty lame. This your new horse? Yeah, yeah, Checkers. Phoenix must be all jealous. Well, as long as there's someone to jump him, he's pretty happy. My friend Stephen'shelping out with that. Stephen, huh? How good a friend we talking here? Really? This guy's your... boyfriend? No. He's not my boyfriend. All right. So... Jade, what do you think of her? Yeah, she seemed pretty cool fora... one of those university types.Georgie: University?Jeff: Yeah, she was going on about her classes at the U of C, but... I can never understand why people blow their cash on philosophy courses and basket weavingwhen... they could all be making money in the real world.Georgie: Hmm. What? Nothing. Come on, Georgie, what's wrong? Just... I hate when people pretend to be something they're not. I guess you know your brotherpretty well by now. Uh... yeah, I guess. You're probably wondering why I've been acting so strange? Well, yeah. You have been acting a little different lately. Well, the truth is... I... I got fired.Georgie: Fired?Jeff: Don'tworry, I'll-I'll be fine. But I don't really wanna get into it, so I'd prefer if you didn't tell anyone, okay? 'Kay.(Screen door opens, snaps shut)Jack: Hello, Georgie!Oh, you're not talking. You all right? Yeah. Actually, no.No, I'm not. Well, what's wrong? Well, you know when you think things are going a certain way, but... then you find out they're the exact opposite? Mm... what happened? Um... I'm sorry, Jack. I can't... I can't sayanything. I'm sorry.(Truck rumbles to a halt)(Gearshift clunks, engine cuts out)Well, you did great out there, Amy. I couldn't have done it without your jacket.(Amy and Ty chuckle, kiss)Amy: See ya.Ty: Okay.Amy: Oh,hey! Did you talk to Wade this morning and tell him you can make it to family day?Ty: Uh... not yet.I thought you were gonna call him first thing? I know. Um... I will... do it. Why don't you just tell me what's going on?Amy, I just don't like those places, all right? So...(Door bangs shut)I'm listening. All right. Um... I haven't been able to sleep the last couple of days. I uh... I can't get these memories out of my head. Memories... Likevisiting your mom in rehab? Yeah. First time, I was... eight years old and I didn't even know what the place was. My mom was so sick, um, I thought she was dying. I can't even imagine. Yeah... When I got older, Ithought she was doing it to herself... And there was nothing I could do about it. Truth is, there still isn't, so... I'm gonna go with you. Amy, that's... that's not the point. I'm not...Amy: Yeah, yes, it is. You have adifferent life now, Ty, and I am a part of it. So I'm gonna face this with you, okay?Ty: Hey, Wade. It- yeah, I'm good. Listen, about next week. It looks like Amy and I will both be able to come out, so-(birds chirpoutside)Uh... okay. Are you sure? Oh. Uh... Thanks for letting me know. Okay. Bye. (Phone beeps off)[SCENE_BREAK](Dogs bark)Ty: Good morning.Scott: Hey.Field call? Yeah, it won't be long though. So, uh, it turnsout I won't need that time off after all. I told you we'd be fine. I know. Just a... change of plans.(Bag rustles)Ty: So, uh, how's Emmett doing?He's still here, actually. Says he's not going back home. What do you mean?He wants to move to Edmonton, quit the relay.Ty: Well, what'd you say to him?Scott: What can I say? I left home and quit the relay when I was way younger than he is. He's just following in his Uncle's footsteps.(Dogsbark)Georgie: Yes, Lou. I've checked all her clothes before putting them in the dryer.Jack: (Whispering) Georgie! don't hang up.Georgie: (Whispers) Okay.Yeah. Yeah. Jack wants to talk to you. Okay. Okay. Okay, I loveyou too. 'Kay, bye. (Phone beeps off)Georgie: She is on a walk in Stanley Park with Peter. She says she'll call you back later. What? Lou said she'd call you back.Jack: No, no, it's not that. It's Georgie. Yesterday, sheseemed a little out of sorts, but she didn't wanna talk about it, so I let it go. I don't know, you think she's worrying about Lou and Peter? Well, you can't blame her for wondering what's going on. Lou's been away a lotlonger than expected. I hope everything's going all right. A romantic stroll in the park sounds promising. Yeah... hopefully she's not having too much fun.Jack: Why's that?Amy: Well, if Lou loves Vancouver as much asPeter, then she might move the whole family there.(Horse nickers, birds chirp)Jade: Hey, kid.What's with you?Georgie: University?Jade: I was just trying to look smart, okay?Georgie: Okay, well then wear a pair ofglasses or something. Just stop pretending to be older. Well, he might think it's weird, you know, dating someone in high school.Georgie: Dating?Jade: It's possible.Georgie: Okay, well, in this fantasy world, where mybrother is your boyfriend, when are you gonna tell him the truth? At the prom? Just chill out, okay? It's no big deal.(Door bangs shut nearby) Georgie: He's gonna find out.(Footsteps thud on the stairs)Jeff: What wasthat all about?Nothing. So I've been looking through the want ads. A lot of great jobs out there for a guy with a high school education. Short order cook, house painter, barista, Oh, and newspaper deliveryman.(Chuckles, sighs heavily)(Footsteps clunk on stairs)(Car doors open)Jack: Hello there. Can I help you?Rodney: Rodney Cantrell. I'm here to see Tim Fleming.Oh. Well, I think you got the wrong place. He's over atBig River. Oh, I know, but he told me to meet him here... For my son's roping lesson. Oh, he did, did he? Okay, just uh... Let me sort something out real quick. Hang on.Derek: Come on, dad, he's not here.Rodney:Why don't you just be patient? We'll sort it out.Jack: Okay, I don't know where you are, but it looks like one of your big wig sponsor is here and I'm not gonna bail your butt outta this.(Snaps phone shut)Jack: Here's thething...Rodney: Now you're not gonna tell us we drove all the way out here for nothing.Jack: Well, actually...Rodney: Oh, geez.You know I almost invested in this school? What is it? Some kind of a sham or something?Uh, no, of course not. I uh... It's my mistake. I thought that you were coming tomorrow is all. Yeah, so... I'm Jack. I'll be teaching the roping lesson.Rodney: Uh, Derek?Derek: Hi.Jack: Jack.(Dogs bark, cats meow,approaching footsteps)I got your text. Look, I know this is your decision to make, but...Ty: Amy... I really think you should reconsider. I think we should go see your mom.Ty: I do too.Amy: Oh? It's my mom... Shedoesn't wanna see me.Amy: What?Ty: It's like Wade said. She wants to keep things \"low key.\" It's her choice, right? She must just be afraid. You know, she doesn't want you to see her like that either.Ty: Well, it iswhat it is. Everybody's got their family issues. And after all the work you did yesterday, Emmett's quitting the relay, if you can believe it.Amy: Really? Well, he's gotta just be afraid of another wreck. Well, I can't saythat I blame him. What if you never got back on your motorcycle after the accident? I mean, you can't just live life in fear. Well, seems like that's exactly what Emmett's doing right now. Yeah... and your mom.Jack:Yeah, see you're not rolling your wrist enough.Derek: Yes I am.Jack: Well, no you're not. That's why you're having trouble keeping your loop open.Derek: Can I just throw it already?Jack: Not until you get your swingdown.Derek: (Annoyed sigh)(Rope whooshes)Jack: Okay, here. I'll show you one more time.Now watch my wrist. And when I roll it, i can see the back of my hand, you know? Now point your finger down the spoke likeI showed you and roll your wrist.(Rope whooshes)Ugh! How am I supposed to point my finger and twist my wrist at the same time?Jack: It'll come.Derek: No it won't. This is impossible!Jack: Okay, look, I can see thatyou're frustrated, but you're gonna have to put in a little effort here. Otherwise, you're wasting both our time. Wasting your time? My dad paid good money for this. Listen. I'll work for free if you show me just a little bitof grit. Now cowboy up, son. Or would you rather give up, go back to the city?(Rope thunks on ground)Rodney: I'll call you back.Derek: This is a waste of time.What the hell did you say to my kid? Oh, he'll tell you all"}
+{"doc_id":"doc_268","qid":"","text":"LUCAS (voiceover) : My name is Lucas Scott. Four years ago, I graduated from high school with my friends. Brooke Davis moved to New York City and found success. Peyton Sawyer went to Los Angeles. Success didn'tcome so easily. I wrote a novel and fell for my editor, Lindsey. My brother Nathan saw his dreams vanish... leaving his wife, Haley, and their son, Jamie, more fractured than ever. Things have changed in four years. Butin many ways, this is just the beginning.BROOKE : I missed you, P. Sawyer. We're home now.PEYTON : Come on.LUCAS'S BEDROOMBrooke sneaks inside the room and jumps on the bedBROOKE : You're notLucas!LINDSEY : You're Brooke Davis!BROOKE : Yeah. Hi. You're... wearing me. Clothes Over Bro's is my line.LINDSEY : Yeah, I love it.BROOKE : Thanks.LINDSEY : And you are so pretty in person.BROOKE : Thanks.So are you.LINDSEY : Okay, this hasn't happened to me since college.BROOKE : Right. Okay.(Lucas walks in)LUCAS : Wow, this hasn't happened to me since college.BROOKE : Hi, Luke.LUCAS : Brooke Davis. Oh, Imissed you.DOWNTOWN TREE HILLSkills is with JamieSKILLS : So, what do you want to do today?JAMIE : I don't know. Play, I guess.SKILLS : Yeah, me, too.JAMIE : Don't you have a job?SKILLS : What are you, theman? I don't see you paying any rent.JAMIE : That's because I don't have any money.SKILLS : Well, that makes two of us. Now, let's just go over the drill. If we see any hot chicks today, who are you?JAMIE : I'm anorphan who needs surgery, and you're paying for it, 'cause you're rich.SKILLS : Good man.JAMIE : Whoa...(Jamie sees a small racer)SKILLS : Soapbox Derby. Man, when I was a kid, I always wanted to do this.SKILLS :Me, too. It's a good thing you're still a kid, 'cause we got two days to pimp your ride.JAMIE : Can uncle Mouth help me pimp my ride?SKILLS : I don't think so. See, uncle Mouth finally got a j-o-b.JAMIE : That spells\"job.\"SKILLS : Man, you're getting way too smart. It was a lot easier when you was 3.MOUTH'S NEW JOBMouth walks in a recording studio and sits behind the desk, like if he was the sports announcer.MOUTH : Goodevening, ladies and gentlemen. I'm Marvin McFadden, and sports is coming up next.(a women walks in)ALICE : What, exactly, are you doing?MOUTH : Oh, the station called about the field-reporter position?ALICE :Field reporter... little ambitious, don't you think? The job that we called you about is an entry-level logger position. We could hire a monkey to do that but the freaks at Peta would more than likely picket.MOUTH : But Iguess I assumed...ALICE : First door on the left. You watch the games, you highlight the best plays, and you leave thelog for on-air. If you cannot accomplish that, you are currently wasting my time.MOUTH : I'm sorry,but you are still looking for a reporter, aren't you?ALICE : The answer to your question, yes. Let us be honest... you don't really have the face for it, do you?CLASSROOM IN TREE HILL HIGHHaley is starting herclassHALEY : All right, good morning. This is actually my first official day as a teacher, and you're my first official class. So, congratulations. My name is... Haley... James...QUENTIN : That is some fine ass.HALEY : Allright, first of all, that's no way to talk to a girl, any girl, and second of all, that is absolutely no way to speak to a teacher.QUENTIN : I'm sorry. It was me. Just trying to give you a compliment.HALEY : What's yourname?QUENTIN : Quentin Fields.HALEY : Okay. Sit down, Quentin.QUENTIN : Yes, ma'am. Won't happen again, miss James.HALEY : Actually, it's Mrs. Scott.QUENTIN : Damn, that ass.HALEY : Okay, all right. Get out.You need to go to the office.QUENTIN : Oh, to the office. Maybe we could go together. Maybe you could just spank me right here.STUDENT : Yeah, Mrs. Scott!QUENTIN : Ooh, harder, Mrs. James-Scott!HALEY : All right,settle down.QUENTIN : Spank me, Mrs. James-Scott!HALEY : I said, \"settle down!\"HALEY : Class!STUDENTS : Class!HALEY : I have just...STUDENTS : I have just...(Haley leaves the classroom)QUENTIN : Baby, comeback!RIVERWALKBrooke joins PeytonBROOKE : HeyPEYTON : heyBROOKE : Hey, how much do you love me? I went to see Lindsey, Luke's girlfriend. I have good news and bad news.PEYTON : Luke and I haven't beentogether for three years. It's not why I'm home.BROOKE : I totally believe you. Fine.(Brooke's phone rings)BROOKE : Ooh, the office. They're just figuring out I'm not in Milan. I bet Victoria's having a cow.PEYTON : Youthink maybe you should call and let her know you're alive?BROOKE : No. No, I have a more important question to ask you. What happened after Lucas finished his book?FLASHBACK, 2 YEARS AGO, LOS ANGELES/ TREEHILLPeyton is walking in the street, her cell phone rings. On the other side, Lucas is at home.PEYTON : Hello?LUCAS : Hey, it's Lucas. I know it's been awhile, but... I'm having a book signing in L.A. on a couple ofdays.PEYTON : Yeah, I know. I mean, I read about it.LUCAS : Yeah, I've been pacing the house for the last hour wondering if I should call, considering how we left things.PEYTON : No, it's okay. It's actually really goodto hear your voice.LUCAS : Yours, too. Well, I was hoping... I'd love to see you if you're not too busy.PEYTON : Yeah... yeah, okay. Sure, I'll be there.LUCAS : That's great, Peyton. Well, then, I... I'll see you soon,then.PEYTON : See you soon.END OF THE FLASHBACKINTERIOR TREE HILL GYMLucas is talking to the basketball players with SkillsLUCAS : My name is Lucas Scott. I'm the new head basketball coach of the Tree HillRavens. This is Antwon Taylor. He's the new assistant head coach. You want our credentials? They're hanging right there. (showing the flag of their state championship victory) I must congratulate you. For some of you,it took only four years to destroy the legacy coach Durham took 35 years to build. Nice work. So, as of today, all 12 roster spots are available. It doesn't matter if you played last year. In three days, we'll have our finalroster. If you want to be on it, then I would advise you go hard. Skills?SKILLS : I would definitely go hard.LUCAS : One-on-two drill.SKILLS : Everybody line up at half court. Haley walks into the gym, takes Jamie who'ssitting on the bench and walks to LucasJAMIE : Mama, I'm gonna race in a soap-opera derby.HALEY : What?LUCAS : How was your first day?HALEY : Um, horrible. My first class, like, attacked me, and I ran out in tears,and principal Turner had to finish the rest of my classes.LUCAS : I'm sorry, Hales.HALEY : They were awful, so mean... especially this one kid, who was, like, sexually harassing me.LUCAS : What? Who was it?(Quentinenters the gym)HALEY : Him.QUENTIN : Hello, there, Mrs. James-Scott.HALEY : We'll see you later, okay?LUCAS (to Quentin) : You're late.QUENTIN : Yeah? I'm also your leading scorer.LUCAS : No, you might havebeen a leading scorer on a team that won three conference games all last season. But you are not my leading scorer... not yet.(Quentin takes a ball and makes a dunk)OUTSIDE NATHAN AND HALEY'S HOUSENathan isalone, thinkingSPORTS ANNOUNCER (voiceover) : Seattle is on the clock right now. We'll get to the commissioner in regards to their pick. They going big? They going small? Somebody help! Somebody!(Peyton andBrooke walk in)PEYTON : Well...BROOKE : Well. Don't look away. The second and third greatest nights of your life just walked back into your world.PEYTON : You looking all rock star totally does it for me.BROOKE :Very heroin chic, Nate. I like it.NATHAN : What are you guys doing here?BROOKE : Well, Lucas tells me that you can walk, but you need a little incentive. So we have come up with a drill.PEYTON : For every step youtake... we kiss.(They hug him)PEYTON : Hey, it's good to see you.BROOKE : We missed you.HALEY : Nathan...(Haley is coming outside with Jamie. She stops when she sees her friends)PEYTON : HeyBROOKE : HiHALEY: Hi... What are you guys doing here?BROOKE : We came to see you and...HALEY : Oh, Jamie, sweetie, come here. There's people I want you to meet. Come on, it's okay. This is Brooke and Peyton, and this is our son,Jamie.PEYTON : Hey, Jamie. How are you?BROOKE : He is beautiful(Nathan leaves)BROOKE : Nate?(The three girls hug)BROOKE : We missed you.BOYS APARTMENTLucas and Skills are with Jamie, taking care of hisracerLUCAS : Man, I've always wanted one of these things.SKILLS : Yeah, me, too.JAMIE : Me, too.SKILLS : I think we should paint it red. You know, the red racer. Yo, kid, talk to me about the cape. What's thereal?JAMIE : I'm a superhero.SKILLS : Is that right? Why don't you fly to the kitchen and get me a beer?LUCAS : So, what's your take on the team's former leading scorer?SKILLS : Quentin? The kid's prettygood.LUCAS : The kid's really good. Now we just got to figure out if we can get him to play a team game, you know?JAMIE : Can I have pudding?SKILLS : You can read, right?SKILLS : If the pudding says \"Junk\" or\"Fergie,\" you can have it.JAMIE : Thank you.LUCAS : Hey, and just one, okay? No, I mean, it's like, I don't know if they lost all those games because they didn't have enough guys on the team like him.SKILLS : Ormaybe they just lost because of him.LUCAS : You know who he reminds me of.SKILLS : Yeah.OUTSIDE NATHAN AND HALEY'S HOUSEJamie and Haley join NathanJAMIE : Hi, daddy. Did you see my basketball?NATHAN: No.HALEY : You okay?(Nathan doesn't answer)HALEY : \"I'm fine, wife. How was your day? You know, husband, my day really sucked, but thanks for asking.\"NATHAN : And mine didn't?HALEY : That's just a littleselfish, don't you think?NATHAN : No. No, I don't think. And I didn't see you lose your dream.HALEY : Maybe you need to open up your eyes.Where's Jamie? Jamie? Jamie!CARRIE (bringing Jamie back) : This belong toyou?BOYS APARTMENTBrooke visits MouthBROOKE : Wine delivery from New York City.MOUTH : Wow, I called for that wine two years ago. Get in here! Come on.INSIDE NATHAN AND HALEY'S HOUSEHaley'sinterviewing CarrieHALEY : Can I just ask why you decided to become a nanny?CARRIE : Honestly, because I get paid to work with some really great kids. Eventually, I'd like to maybe go back to school and study to bea pediatrician... someday, when I have someone else's life and income. Look, Haley, I know when you go to interviews like this, both sides are trying to figure out how crazy the other person is.HALEY : Are you doingthat, too?CARRIE : I get it, but I've taken enough of your time. You have my references, and Jamie seems like a wonderful boy, so just let me know. Either way, it was great meeting you. It was great to meet you, too.Thank you so much.(Jamie enters the kitchen with mud all over him)JAMIE : Look, mama! Me and daddy made mud!HALEY : I'm sorry. Who am I kidding? How soon could you start?BOYS APARTMENTSkills sneaksinside Mouth's room, where Brooke and Mouth are sleeping, still dressed. He lies down beside Brooke and take a picture. That awakes Brooke.SKILLS : Well, imagine that. Brooke Davis.BROOKE : What time is it?SKILLS: Like, 8:30.BROOKE : Oh, no.(Brooke stand up)BROOKE : I told Haley I'd take Jamie!(Mouth wakes up too)SKILLS (to Mouth) : That was some wild night, baby.MOUTH : What time is it?SKILLS : Like, 8:30.MOUTH :Oh, no, I'm late for work!BROOKE : Jamie, have you seen my shoes? I'm supposed to go and pick up... Jamie...What are you doing here?JAMIE : Mommy brought me over. She said not to wake you.BROOKE : Right.You ever had a wine hangover? I had a floppy-eared bunny named Chester.MOUTH : I got to go. I'm late for work. It's great to see you, Brooke. Hi, Jamie!MOUTH'S OFFICEMouth arrives at work. Alice sees himALICE :Well, well, well. Somebody just got strike two.MOUTH : Look, Alice, I think we got off to the wrong start. I just want you to know that I'm honored to be a part of your staff, and I'm looking forward to working for youand learning...ALICE : I really don't like you.MOUTH : Well, what can I do to change that?ALICE : Quit... before I fire you.BOYS APARTMENTBrooke and Jamie are talking about his racerBROOKE : Jamie, this thing isreally awesome.JAMIE : Yeah.BROOKE : Yeah? What? Aren't you excited about your big race?(Brooke put Jamie inside the racer)JAMIE : I guess, but it's suppose be my car, and they're not letting me doanything.BROOKE : Well, then, you better stand up for yourself, huh?JAMIE : What do you mean?BROOKE : Well, like, what color do you want it to be?JAMIE : Red and blue like daddy's, but they want it red, like Elmo.And I hate Elmo. Grover's so much better. Grover's blue.BROOKE : I so agree with you. Blue it is. You've got to take a stand, Jamie. If you start giving in now, it's just gonna get worse, trust me.JAMIE : I'm glad you'remy godmother.BROOKE : Me, too, buddy. Now let's go get some paint. Come here! I got you!TREE HILL HIGHHaley arrives in her classroom. Principal Turner is waiting for herHALEY : Hi, principal Turner.TURNER :Haley, I thought I'd join you for a few days.HALEY : I can do this on my own.TURNER : I know, but you're young, and sometimes, the students take advantage of that. Let's get you walking, and then you canrun.INTERIOR TREE HILL GYMPracticeSKILLS : Run, run, run! Pick it up!LUCAS : Blue team, two-on-two zone!QUENTIN : We don't play no zones, coach.LUCAS : You do, if I say so.QUENTIN : You stay in man to man, Ican do this.(Quentin makes a dunk)TREE HILL HOSPITALPeyton is taking Nathan to the pediatric wardNATHAN : Just take me home, Peyton, okay? I'm not feeling this today.PEYTON : Maybe not, but the doctorsare.NATHAN : The doctors weren't the ones with a piece of glass in their spine and nerve damage four f'ing months ago. Anyway, it's not like I'll ever play basketball again.PEYTON : You know what? First of all, shut upand take a look around. You have a life that any one of these kids would die for. And what's really sad is that most of them probably will.(Peyton leaves Nathan in the middle of the ward)INSIDE CLUB TRICBrooke,Peyton and Haley are at the barBROOKE : So, that morning, I'm reading an article about how she's recently sober, and that night, she's in the booth next to me at a club, wasted.PEYTON : And then my label signs herto a record deal. I'm sorry. I can't be a part of that.BROOKE : Ladies, here's to not being a part of it.HALEY : Here's to taming my demonic english class.BROOKE : No, no, we're not going there 'cause this song isinsane.PEYTON : Yeah.(The three girls go on the dance floor and find Mouth)BROOKE : Mouth!MOUTH : My boss hates me.BROOKE : So, shut up and dance.HALEY : I think that's Lindsey. Hey. Hey.(Lindsey joins thegroup)HALEY : Hey, come here! Hi! How are you?BROOKE : Hey, you. I want you to meet my best friend...(She's looking for Peyton who disappear)BROOKE : ...not that guy. I don't know where she went.RACE PLACE,NIGHTLucas, Skills, Fergie, Junk are with JamieSKILLS : So, here's the plan. I figured we'd do a couple test runs, you know, work out the kinks. Then tomorrow night, Big-Game James here gonna smoke all those littlebrats.LUCAS : Yeah, boy.SKILLS : All right, I give to you the red racer!LUCAS : The blue bullet.JAMIE : Brooke helped me.SKILLS : Yeah. Look, well, it don't matter. You ready to try it, Flash?(Jamie shake hishead)Figured that much. So, check this out. We're gonna use this mannequin for the first run. All right. Let's roll!(They let go the racer, but it loses one of its wheel and the mannequin loses his head)SKILLS : Oh, man,we gonna have to fix that.INSIDE CLUB TRICPeyton is alone, Lindsey comes to see herLINDSEY : Hi.PEYTON : Oh, hi.LINDSEY : Lindsey.PEYTON : Peyton.LINDSEY : I know this is awkward, but I just wanted to say hi.And I know I don't know you, but I feel like I do. At least, the version of you from the book. You seemed really brave.PEYTON : Thanks.LINDSEY : Anyway, I hope to see you around, Peyton. Take care.(Lindsey leavesand Brooke joins Peyton)PEYTON : Damn it, I really didn't want to like her.BROOKE : I know, but she's great, right? Sorry.Carrie sees Haley in the clubCARRIE : Haley?HALEY : Oh, Carrie, hi.CARRIE : Hi. Oh, my gosh, Iprobably look like a boozehound. I was just celebrating with some friends. You look fine. You look great.MOUTH : Really great.CARRIE : Thanks. Listen, I just want you to know that I appreciate you taking a chance onme. I'm gonna take good care of Jamie, I promise.HALEY : Oh, I know you will. You're gonna do just fine.CARRIE : Thanks. Well, I'll see you soon.HALEY : Okay, you have a great night.CARRIE : Bye.HALEY :Bye.MOUTH : Bye.(Carrie leaves. Brooke and Peyton join them)BROOKE : And, Mouth, who was that?HALEY : Oh, that's Carrie. She's our new nanny.BROOKE : I'm sorry. Have you lost your mind? She cannot be yournew nanny.HALEY : Why?PEYTON : Well, for starters, have you looked at her? She is way too hot.MOUTH : Okay, you two need to stop. Why does everything have to be about looks? Maybe she's a great nanny or agreat field reporter. Shouldn't that be the point and not her looks?Besides, if Haley doesn't hire her, I won't get to see her in a bikini.HALEY : Nice.MOUTH : Damn, she was hot.HALEY : All right. I've got to go, you guys.I need to check up on Nathan.[SCENE_BREAK]RIVERCOURT, AT NIGHTBROOKE : Seems like another life.PEYTON : It was, for you. I mean, I appreciate you coming back and everything, but considering the way yourphone's been blowing up, you have a very busy, very great life to get back to.BROOKE : Okay. I have a very important friend who needs me.Why did you come home, Peyton?PEYTON : I guess I was looking for thatinspiration I felt when we wrote our names here, you know? I was fearless then, Brooke.BROOKE : So, what happened to that girl?PEYTON : That girl became assistant to the assistant.BROOKE : So, if you want to bethe girl you thought you could be back then, start a label, Peyton. Do it yourself. I am serious. Peyton, I want to invest in your label. I believe in you. Okay?(Lucas arrives)BROOKE : Unless that's not really why youcame home. I'm gonna return those phone calls real quick.(Brooke starts leaving)BROOKE (to Lucas) : Ask about the record label.LUCAS : I'm supposed to ask about the label.PEYTON : Yeah, Brooke wants me to startmy own label here.LUCAS : Are you gonna do it?(She doesn't answer)PEYTON : I met Lindsey tonight. She seems wonderful. How long have you two been together?LUCAS : Why didn't you come to the book signing inL.A. two years ago?FLASHBACK, LOS ANGELES, TWO YEARS AGOLucas' book signing. He is waiting with LindseyLINDSEY : Wow. This is a great turnout. Listen, Luke, I know this is your first book as an author, but itwas also my first book to edit, and I had the best year doing it. So, I just wanted to say thank you and I'm proud of you.(Lindsey kiss Lucas on his check)LINDSEY : Okay, you ready?LUCAS : Yeah. I guess everybody'shere that's coming.END OF THE FLASHBACK, RIVERCOURTPEYTON : Luke, I knew we weren't meant to be.(Lucas seems really affected)LUCAS : I should get home. See you.LUCAS' HOUSELindsey is sitting on thecouch, Lucas comes homeLUCAS : Thought you'd be asleep by now. How was your night?LINDSEY : Good. I met Peyton. Let me ask you something. Do all of your ex-girlfriends have to be so damn pretty?LUCAS : Notlike all my current girlfriends.LINDSEY : \"All\" better mean \"one.\"(they kiss)LINDSEY : Do you know if they're back for a while? Brooke and Peyton?LUCAS : I don't know. Brooke wants to help Peyton start her ownrecord label, maybe in Tree Hill.LINDSEY : You think she'll be good at it?LUCAS : Yeah, she'll be great at it.LINDSEY : Then if she needs help, you should help her. And I'll try my best not to be insanelyjealous.EXTERIOR NATHAN AND HALEY'S HOUSENathan is in front of the pool, Haley arrivesHALEY : Hey, as soon as Brooke and Peyton get here, we're gonna take off, okay?NATHAN : I'm not going.HALEY : What?James is counting on you.NATHAN : I don't want anybody seeing me like this.HALEY : Has it occurred to you that this isn't about you?INTERIOR NATHAN AND HALEY'S HOUSEBrooke and Peyton arriveBROOKE : Haley,we're here!HALEY : HeyPEYTON : HeyBROOKE : Hi... So, I have a surprise. You're gonna like it. I made Jamie a little something for his race.(Jamie run into the living room)JAMIE : Look, mama!HALEY : Oh, mygoodness, look at this! This is a real racing suit!BROOKE : And I even made you a sponsor, P. Sawyer.PEYTON : Oh, yeah? \"Peyton Sawyer, unemployed.\" Thank you very much.BROOKE : You're welcome.JAMIE : I can'twait for daddy to see me!HALEY : Oh, baby, listen, daddy's just not feeling very well today. I'm sorry.JAMIE : He's not coming?HALEY : No. I'm sorry. But everybody else is gonna be there.PEYTON : Oh, yeah, I hearyour uncle Lucas is coming, and Skills and Mouth and all the guys. I'm pretty sure he's gonna have the biggest crowd there.BROOKE : Absolutely.HALEY : Yeah, okay? Okay, come on. Come on.PEYTON : Let's do it,"}
+{"doc_id":"doc_269","qid":"","text":"(Lorelai and Rory are sitting on the couch on the porch in front of the house. Lorelai is painting Rory's toenails red. Rory squirts whipped cream into her mouth.)Lorelai : (sarcastically) That's nice.Rory : Thank you.L :Don't move, please.R : So, Why are you insisting on doing this.L : Well, because you're going to be starting private school tomorrow.R : Yes, but I'm going to be wearing shoes. Nobody's going to see my feet.L : Okay,But everybody knows that private school girls are bad. And bad girls always wear red nail polish.(There is a lull in the conversation.)L : Are you nervous?R : About what?L : About starting Chilton.R : Well I wasn't until Iheard about all those bad girls.(They both laugh.)(Lane Kim, Rory's friend runs up.)Lane : You guys! XTC. Apple Venus Volume 2.(Lorelai and Lane run into the house.)R : But you only finished half my toes!L : Whocares?! You're going to be wearing shoes anyway!(Rory rolls her eyes and goes into the house.)(Opening Sequence Starts.)(Commercials)(Shows an opening shot of the house.)(Lorelai is sleeping. Rory, dressed in herChilton clothes, opens the door to her mom's bedroom.)R : Mom!L : (gasps) What? God! Hi. (in a whiny tone)R : What are you doing?L : Having a heart attack.R : I thought you were up. It's 7:10!L : What?R : It's7:10.(Rory grabs her pillow.)L : Stop it! It's a quarter to six. (grabs back pillow)R : No it's not!L : Yes it is! I set the clock for a quarter to six so it's..(Rory grabs clock and shows her the time.)L : It's 7:10!(Lorelai jumpsout of bed and stumbles around, disoriented. Rory slams down clock.)R : I can't be late on my first day of school. Do you know what happens to people when they're late on their first day?(Lorelai is rummaging franticlythrough her dresser for clothes.)L : It's shorter?R : They're labeled 'The late girl'.L : Ohh! So dramatic. Where's the bathroom?(Rory takes her by the shoulders and steers her through the door.)R : We have to go! Whatif there's traffic? Mom!(Lorelai runs into the bathroom and shuts the door.)L : I had this all planned. I was gonna get up early. I was gonna get coffee. I was gonna take a shower. I was gonna pick up my clothes fromthe dry cleaners.(Lorelai opens the door.)L : (sighs) Oh my god. My clothes.R : What?!(Lorelai walks down the hall with Rory trailing after her.)L : I don't have any clean clothes.R : It's 7:15.L : All my nice things weredirty.R : It's 7:16.(Lorelai look in her closet, then turns away.)L : I was gonna wear my blue suit with the flippy skirt. I look so great in the flippy skirt.R : It's 7:17.L : You know what, time lady? Why don't you godownstairs and warm up the car? That would be really super. Thank you.R : Just hurry!(Rory goes downstairs, Lorelai rummages through a drawer.)L : This sucks! This sucks!R : It's 7:18 (Rory calls from below.)L : Oh,for the love of god! (sighs) She sits on the bed and puts on socks. This is the last time I ever buy anything just because it's furry. (talking about clock)(scene changes)(Lorelai is running down the steps in cowboy boots,really short frayed shorts, and a bright pink tye-dyed tight tee-shirt. She's hurriedly putting her hair into a messy ponytail. Rory is standing at the foot of the stairs and looks up.)R : It's 7--L : Don't even think offinishing that sentence. (sighs) What?!R : Nothing. I just didn't know the rodeo was in town.L : All right, that's it. (grabs a picture frame) I'm bringing the baby pictures.(Lorelai runs out the door with Rory in pursuit.)R :No! I'm sorry! I love the rodeo! The rodeo rules!(scene changes)(camera pans through town, finally settling on the jeep, and then the Stars Hollow sign.)L : I am so done with plans. I am never ever making one again.It never works. I spend the day obsessing over why it didn't work and what I could've done differently.(scene changes)(inside jeep, Lorelai is driving, Rory sitting in passenger seat.)L : I'm analyzing all my shortcomingswhen all I really need to be doing is vowing to never ever make a plan ever again which I'm doing now. Having, once again, been the innocent victim of my own stupid plans.(they go past her old school and Rory looksout at all the kids having fun.)L : God, I need some coffee. (sighs)(screen shows Jeep driving down several different roads, and then a road sign that says Hartford, 14 miles.)(screen switches to show differentgargoyles, and then the outside of Chilton.)(Rory and Lorelai sit in Jeep, peering out at Chilton.)R : I remember it being smaller. (she looks worried)L : Yeah. And less.. (she looks intimidated)R : Off with their heads.L :Ah. (tilts her head, peering up.)R: (glancing at her mom, does the same.) What are you looking at?L : I'm just trying to see if there's a hunchback up in that bell tower.R : So, how do I look?L : (sighs, sits back andbeams with motherly pride.) You look great.R : Really? (skeptical)L : Really. You are an amazing kid. You have earned this. You just go in there and show them what smart really is. I love you. Call me if you need me.(reaches for gear)R: (looks worried) You're kidding, right?L : No! Call me if you need anything. I'm great at making up dirty cheers.R : You have to go in with me.L : Rory, come on. (looks at her clothes meaningfully.)R: You have to meet the headmaster.L : Well, look at me! I can't meet anyone who does anything in there. I look like that chick from the 'Dukes of Hazzard'.R : This is my first day. You are not getting out of going inthere with me.(Rory and Lorelai get out of the jeep. Two moms walking by stare at Lorelai, who drops her coat. They scurry away.)L : Good morning!L : (to Rory) Oh, well, we're gonna be best friends.(Lorelai puts hercoat on as they walk into the Chilton courtyard.)L : So, where do we go.R : (looks at paper in her hand) Uh, the Ambroise building.L : Which is?R : The big, scary one.L : Oh great! Thanks for the input.(man walking bylooks over at them, especially with some interest to Lorelai.)(they look around, slightly bewildered)Man : lost?L : Oh, yeah. We're looking for the headmaster's office in the Ambroise building.Man : Ah, okay. Well, this isit right here. (he points beside them) Down the stairs, make a left and the headmaster's office is at the end of the hall.L : Great. Thank you.Man : You're welcome.(Rory grabs Lorelai's arm to go, but the man extends ahand.)Man : Uh, I'm Ian Jack. My daughter Julia goes to school here. (they shake hands)L : Hi! I'm Lorelai Gilmore. This is my daughter, Rory. (Rory looks slightly uncomfortable.)Ian : Your daughter? Really.(surprised) Wow, that's great. Uh I mean, daughters are a great thing.L : We're big fans. (they're flirting)Ian : (laughing) Yeah. So, is your husband here? I'd love to meet him.L : Um, no. I'm not married. I'd love tomeet your wife, though.Ian : I'm divorced.L : Shame.R : Excuse me. I really got to..L : (grabs Rory's arm) Right! We gotta go meet the big guy, and I gotta get back to work.(they rush off)Ian : (calls) Where do youwork?L : (rushes back) At an inn. The Independence Inn. I run it.Ian : Really?L : In a different outfit, of course.Ian : Ha. Well, It was nice to meet you, Lorelai. Good luck in school, Rory. I'll tell Julia to look out for you.R: Great, thanks.Ian : See you.(Lorelai waves a little, smiles, mouths 'bye'.)L : What a nice, nice man.R : You're feeling pretty good about yourself right now, aren't you.L : Yeah (still smiling)R : Do you want me to getyou a mirror?L : I'm back. Let's go. (smile is gone, they rush off)(scene changes)(Lorelai and Rory are walking down the stairs in Chilton. They look around.)L : Oh, good. More big stuff. (sarcastically)R : Turn left.L :Oh(Rory and Lorelai walk out of the screen. The camera is on three sour looking girls, staring after them. They roll their eyes, look expressively at one another, and continue on their way.)(screen changes)(Lorelai andRory are walking down a hallway, almost to the headmaster's office. They look at their surroundings with apprehension. They get to the door and stand in front of it, just staring.)L : You ready?R : No.L : You ready?R :Yes.(They open the doors, and step into a room that contains a desk with a strict looking woman wearing library glasses sitting at it. They stop in front of her.)L : (clears throat) Um.. Excuse me. (Secretary looks upsuddenly. She jumps back slightly.) Oh! How.. Wow. Hi. I.. I'm Lorelai Gilmore. This is my daughter, Lorelai Gilmore. I named her after me. I was in the hospital all whacked out on Demerol. (glances at Rory, realizesshe's rambling.) Never mind. B-B-But we call her 'Rory'. It's short for Lorelai or even 'Hey, you' depending on the.. (Rory nudges her) Is the headmaster here?Secretary : (gets up, removes her glasses) One moment.(Walks briskly away.)(The Gilmores watch her until she closes the door.)L : (whispering) See, that's what happens when you go to bed with your makeup on.(Rory grins, Lorelai sighs)(Door opens behind them,Secretary stands there stiffly, as if announcing a guest.)Secretary : Headmaster Charleston will see you now.L : (clears throat) Great. Thanks.(They walk into room, secretary shuts door.)Headmaster : (extending hand)Ms. Gilmore, I'm headmaster Charleston.L : Hi. Wow. It's really nice to meet.. (looks around, looks again at corner, sees her mother on couch) Mom. Uh, ex.. What are you doing here?Grandmother : (sweeps pastLorelai) I came to wish my granddaughter luck on her first day of school. (Lorelai looks exasperated) Rory, you look wonderful in that uniform!L : You didn't have to come all the way out here, Mom.Grandmother : Thisgave me a chance to make sure that Hanlin here takes good care of Rory.L : (gestures to Headmaster) You're Hanlin.Headmaster : Hanlin Charleston.Grandmother : Hanlin's wife and I are on the symphony fundraisingcommittee together.L : Wow. That's great.Headmaster : Your father and I are golf rivals. We're still fighting it out to see which one is worse.Grandmother : Oh, yes. We're all old friends.L : Well, there's nothing likefriends. Especially if they're old.(Everyone looks a tad oddly around at her remark.)Headmaster : Would you like to take off your coat and have a seat?L : (looks frightened) Oh, no. No, I'm fine.Headmaster : I'm afraidthey were a little overzealous with the furnace this morning. It's quite warm in here.L : I like it warm. (nodding her head like an idiot)Grandmother : Lorelai, take off your coat and sit down. You don't want Hanlin tothink you're rude. (commanding tone of voice)L : (looking extremely uncomfortable and embarrassed, takes off coat. Everyone stares, grandmother rolls her eyes. Exhales loudly.) Laundry day.Grandmother : Hanlin,did you know that Rory has a 4.0 grade point average?L : I'm sure he does, Mom.Grandmother : This is a very special girl. You take good care of her.Headmaster : We'll do our best, Emily.(everyone sits down)L : Rory'snot going to be a problem. She's totally low maintenance. You know, like a Honda. You know, they're just easy, just.. (Rory looks embarrassed) Nice office.Grandmother : Well, I don't think we should take up anymoreof your precious time. It was lovely to see you. Give Bitty our love. (kisses cheeks with headmaster)Headmaster : Tell Richard I'll see him at the club Sunday.Grandmother : Have a wonderful day, Rory. I want to hearall about it. Do you need a ride or is your horse parked outside? (to Lorelai) (walks out of room)L : It's so nice to meet you. (shakes hands with headmaster, kisses Rory's forehead.) Have a great day.Headmaster : Oh,you don't want to forget your coat.L : (turns) Oh no, 'cause that would be embarrassing. (laughs, walks out of office.)(scene changes)(Lorelai and Grandmother are walking down the hall.)Grandmother : How do youleave the house looking like that? What kind of an impression did you think you were gonna make?L : (sighs) What are you doing here, mother?Grandmother : I told you, I came to put in a good word for Rory.L : Shedidn't need a good word.Grandmother : I'm not allowed here, is that it?L : I didn't say that.Grandmother : I'm allowed to pay for it. But I can't actually set foot on the premises. I just want to get the rules straight. Howabout the street. Can I drive down the street? Maybe I should just avoid the neighborhood altogether. Although my doctor is right down the block. Maybe I can get special permission if I'm bleeding.L : (lookingincredibly annoyed, her patience is wearing thin.) I'm sorry. I was just surprised to see you here.Grandmother : I thought it was important for this school to know they had a Gilmore amongst them.L : A very goodthought.Grandmother : And that some of the Gilmores actually own clothing.L : And on that note, I have to get to work. I'll see you later.Grandmother : Dinner, Friday night. No spurs, please.(Lorelai walks away,thrusts out her arms in annoyance.)(Commercials)(Shows opening shot of the outside of Chilton.)(Headmaster and Rory are sitting in his office.)Headmaster : You're obviously a bright girl, Miss. Gilmore.Rory : Thankyou.Headmaster : Good grades. Teachers like you. Not a lot of social activities, though.Rory : Oh, well, just living at Stars Hollow is kind of a social activity, actually.Headmaster : Nothing in your school appealed toyou?Rory : I work at my mother's inn after school sometimes. And I was in the German Club for a while. But there were only three of us. Then two left after seeing \"Schindler's List\".Headmaster : What are youraspirations?Rory : I want to go to Harvard to study Journalism and Political Science.Headmaster : On your way to beingRory : Christiane Amanpour.Headmaster : Really?Rory : Yes.Headmaster : Not Cokie Roberts?Rory: No.Headmaster : Not Oprah, Rosie, or one of the women from 'The View'?Rory : No.Headmaster : Why do you wish to be Christiane Amanpour?Rory : I don't wish to be her, exactly. I just want to do what shedoes.Headmaster : Which is?Rory : Travel, see the world up close, report on what's really going on, and to be part of something big.Headmaster : And to be a part of something big you have to be on TV? Why not leadthe police on a high speed chase, it's a quicker way to achieve this goal.Rory : Being on TV has nothing to do with it. Maybe I'll be a Journalist and write books or articles about what I see. I just want to be sure that Isee something. (Headmaster looks at papers.) You'll notice the debating teams also missing from my resume.Headmaster : (nods and stands up) I've known your Grandparents for quite some time.Rory : Iknow.Headmaster : In fact, I was at a party at their house just last week where I had the most delicious lobster puffs I've ever eaten. I'm very fond of them.Rory : That's nice.(Headmaster sits down across fromher.)Headmaster : None of this, however, will be of any benefit to you. Chilton has one of the highest academic standards of any school in America. You may have been the smartest girl at Stars Hollow, but this is adifferent place. The pressures are greater, the rules are stricter, and the expectations are high. If you make it through, you will have received one of the finest educations one can get. And there should be no reasonwhy you should not achieve all your goals. However, since you are starting late, and are not used to this highly competitive atmosphere, there is a good chance that you will fail. That is fine. Failure is a part of life. Butnot a part of Chilton. Understand?R : (looking more and more unsure of herself.) So, you liked the lobster puffs, huh.Headmaster : Take this to Miss. James in the administration office across the hall.(he hands her thefolder, she takes it and leaves the room, he puts on his glasses.)(scene changes)(Rory walks into the administration office, she goes up to the desk and puts down the folder.)R : Hi, I'm looking for Miss James?MissJames : Name?R : Lorelai Gilmore. But I go by Rory.Miss James : Fill this out, please.(Miss James takes the folder and gives Rory a sheet and a pencil. Miss James puts down the folder on a desk to the side. The girl atthe desk looks around and stealthily takes the folder and gives it to somebody out the window.)(scene changes)(It is in the bushes, outside the window. There are three girls there, the same ones that stared at Rory onthe stairs.)Girl 1 : Well?Girl 2 : Shut up.Girl 3 : Hurry. Please. Spiders.Girl 2 : Lorelai Gilmore.Girl 1 : Nice stripper name.Girl 2 : Formerly of Stars Hollow High School.Girl 1 : Where's that?Girl 2 : Make a left at thehaystacks and follow the cows. Perfect attendance, 4.0 grade point average.Girl 3 : Bugs, dirt, twigs.Girl 2 : She's a Journalism major.Girl 1 : That means she's going out for the school paper.Girl 2 : Not necessarily.She's got a thousand recommendations in here. Popular with the adults.Girl 1 : And going out for the school paper.Girl 2 : You don't know she's going out for the paper. She'll never catch up. She's a month behind.Girl 1: You can tutor her. Be like a big sister.Girl 2 : You're funny.Girl 3 : Okay, lizard, goodbye.Girl 2 : Why are they letting all these extra people in? They just take up space and screw up the curve. We don't need any newkids here.Girl 1 : Too late.(Girl 2 says psst out the window, someone takes the folder.)(scene changes)(back in the office, Miss James is giving stuff to Rory.)Miss James : Here's your locker number, here's yourschedule. Here's the rules of the school and the Chilton code of honor. Here are the words to the school song, which must be recited upon demand. This an happen anytime, anyplace. If you do it in Latin you get extracredit. Do you have any questions?R : Uh, not at the moment.Miss James : If you do, you can make an appointment with your guidance counselor, Mr. Winters. He handles everything but Bulimia and pregnancy. Forthat, you have to go to the nurse, or Coach Rubens. Welcome to Chilton.(scene changes)(Lorelai is walking down the road by Luke's diner with her dry cleaning. She goes into the door and passes a man on his way out,smiling at him.)L : (sighs) I already had the longest day of my life and it's only ten o'clock.Luke : (fixing what looks like a toaster) There's no coffee.L : That's not funny.Luke : I can give you herbal tea.L : This is not anherbal tea morning. This is a coffee morning.Luke : Every morning for you is a coffee morning.L : This is a jumbo coffee morning. I need coffee in an IV.Luke : I can give you tea and a balance bar.L : Please, please,please tell me you're kidding.Luke : I'm kidding. (goes back and gets the coffee pot.)L : You're sick.Luke : Yep.L : You're a fiend!Luke : For here or to go.L : To go please.Luke : You want to know what this stuff does toyour nervous system?L : Do you have a chart? Because I love charts.Luke : Maybe next time. What happened this morning that was so awful.L : Rory started Chilton.Luke : Really?L : Yeah. (sees him looking at herstrangely) What?Luke : That's how you dressed to take Rory to Chilton? That's a fancy school.L : My clothes were at the cleaners. I had the fuzzy clock and it didn't purr on time.Luke : It didn't purr?L : It's fuzzy. Itpurrs. Never mind. I gotta go. I had a plan, damn it.Luke : Me too. Next time you're getting tea.(Lorelai stalks out of the diner. Luke pulls what looks like a chicken bone out of the toaster.)(scene changes)(Miss Patty isstanding next to the street and lots of little girls in pink outfits are twirling batons.)Miss Patty : Visualize, Ladies. It's thanksgiving day parade. You're standing on fifth avenue. There's 100 beautiful boys marching inplace behind you. And there you are. You are out in front with your fabulous legs and your perfect tush. Your baton is on fire and the crowd goes nuts! Okay, cookie time. (looks around and sees Lorelai walking downthe street) Lorelai, hi.L : Hi, Patty.Miss Patty : Isn't today Rory's first day at Chilton?L : Oh, yeah, she's there now. I just got through dropping her off.Miss Patty : Is that what you wore?L : Oh, look at the time. Seeyou, Patty.Miss Patty : Bye.(Lorelai walks around the jeep and gets in. Miss Patty walks back into the studio.)Miss Patty : Ladies, what do I see. Naked girls. No, no, keep those leotards on. This is not Brazil.(scenechanges)(Jeep is pulling up to the Gilmore house. Lorelai gets out of the car somewhat uncoordinated with her coffee and her dry cleaning, dropping clothes everywhere. She staggers up to the house and goes in. Thephone is ringing, she struggles to find the cordless. Finally finding it in a heap of junk and falling back down onto the couch.)L : Hello?Grandmother : Lorelai?L : Mom?Grandmother : I'm going shopping this afternoonand I'd thought I'd pick up a few things for Rory.L : Like what?Grandmother : A couple of extra skirts and tops for school.L : Ok, I already took care of that Mom. I got her two skirts and a bunch of tops.Grandmother :But there a five days in a school week.L : Are you sure? My days of the week underwear only go till Thursday. (is struggling to pull cowboy boots off.)Grandmother : Is that a joke?L : Two skirts are fine. Don'tbother.Grandmother : What if she gets one dirty?L : Well, then, she'll wear the other one.Grandmother : What if she gets them both dirty?L : We'll use this newfangled thing called a washing machine. The town justchipped in and bought one. My turn's Tuesday.Grandmother : What about socks? Chilton has these special logo socks. Rory should have them. And what about the school sweater. She might want that. And there's a"}
+{"doc_id":"doc_270","qid":"","text":"(Capeside High School - Dawson and Joey are walking down the hallway talking.)Joey: Correct me if I'm wrong Dawson, but don't you already own a camera?Dawson: A video camera, yeah.Joey: And the differenceis?Dawson: Well, imagine Schindler's List shot on a family camcorder. Alright, I mean, it... video is a great format to learn on, but the look and the feel is strictly amateur. Film is key, and if we can find her we can giveit another spin.Joey: \"Her\"?(They enter a room, not noticing Nikki, who is messing with a film camera.)Dawson: The Aeroflex. Capeside High's one and only 16mm camera.Nikki: She is a beauty, Dawson.Dawson: Nikki!Hey, what are you doing here?Nikki: Extra credit for joining this film class. Plus, I get to be near all the equipment.Dawson: Ah, how very earnest of you.Nikki: Joey, right?Joey: Right. Hey. I heard wonderful thingsabout your film.Nikki: Really? From who?Dawson: Um, speaking of equipment, hand her over.Nikki: Sorry, Dawson, she's checked out.Dawson: That's highly unlikely...Nikki: Yet completely true.Dawson: Well, how longhas it been checked out for?Nikki: About seven days.Dawson: Then it's due back today.Nikki: Nope. She's checked out for the next four weeks straight.Dawson: There's a one week maximum.Nikki: I cleared it with MrJordan.Dawson: You did.Nikki: Hmm-mmm.Dawson: You checked out the camera?Nikki: Me checked out the camera, yes.Dawson: Well, there's a project I want to start working on.Nikki: There's a project that I AMworking on.Dawson: OK. Well then when can I have the camera back, exactly?Nikki: When I'm done.Dawson: And when will that be?Nikki: (rolling the camera out the door) Filmmaking is not fast food, Dawson. Youcan't rush it.(Commercial break. Grocery Store - Jack and Jen push a cart through the store, tossing items in as they walk down the aisle.)Jen: Wait a minute. Three boxes of cereal, Jack? You're gonna need anexplanation before you put those in the cart.Jack: OK, fine. First, we have our Grape Nuts; combination of taste and sufficient nutrients to make the perfect day-starter. (tossing it in the cart) From there we move ontothe premier afternoon snack. The, well, underrated, but, uh, ever-tasty, Cocoa Pebbles. (tossing it in the cart) And then, we round out the, uh, cereal lovers perfect day with a yummy, late-night staple... CaptainCrunch! (tossing last box in)Jen: (removing the last two boxes) If there was ever a concern that you are not Andie McPhee's brother, it's been solved.Jack: Whoa! What are you...? Come on!Jen: You're a good man,Jackie Brown, but as a grocery shopper, you blow. I'm afraid I must leave you with the Grape Nuts.Jack: Fascist.Jen: (walking off to return the cereal) Pig.Ethan: (walking up) At least you fought the good fight. HeyJack.Jack: Uh, Ethan. From the... from the train Ethan.Ethan: I prefer just plain Ethan.Jack: Wow, uh, what are you doing here?Ethan: Food shopping. I hear it's pretty standard in one of these places.Jack: Uh, I meant,I thought you were going back to school last weekend?Ethan: I did. I came back for Capefest.Jack: Oh. Uh... what is that, I mean, is... is it like a, uh, a feed the poor type of thing?Ethan: Which one of us lives here year'round? It's a concert. A free concert in the park.Jack: Oh, OK, so it's like a Lala Palooza type deal?Ethan: Moshing, stage diving, overpriced bottled water. Anyway, umm, there's a camp site outside the concert whereeveryone hangs out. I'm going down to get a spot tomorrow.Jack: Oh, well cool, that sounds like a blast.Ethan: Well if you're a fan, you should come.Jack: Uh, yeah, I'm a total fan.Ethan: Telltale fan quiz: Who's yourfavourite Foo Fighter?Jack: Courtney Love.Ethan: You're in the alternative nation, just not quite in the right zipcode. (seeing Jack's dissapointment) You should come anyway.(As Ethan leaves, Jen walks up.)Jen:Cute!Jack: Yeah.Jen: Aren't they all.(Capeside High school - Andie walks up to a teacher who is closing up his classroom.)Andie: Excuse me, Mr. Broderick, can I speak with you for a minute?Mr Broderick: (rudely) Andyou are?Andie: Andie McPhee.Mr Broderick: And you want to waste my time about?Andie: The school play.Mr Broderick: I see. Auditions are after school, so if you don't mind...Andie: No, but if you can just give me aminute...Mr Broderick: I am not auditioning at this time, comprende? I am eating lunch. I assume you eat lunch on your planet, do you not?Andie: But I'm not here to audition.Mr Broderick: I know, you want to star inthe show.Andie: (showing him the play flyer) Assistant Director.Mr Broderick: I'm very familiar with the scenario.Andie: Look, Mr Broderick, I want to be Assistant Director. I'm smart, bossy, and super efficient. And thetruth is, you need me.Mr Broderick: Why didn't you just say so?(Leery Residence - Dawson and Joey walk into the house.)Dawson: (acting like Nikki) Filmmaking is not fast food, Dawson.Joey: She's entitled to theequipment too.Dawson: Look, if you check out a camera, you return the camera in a timely fashion, that's all I'm asking.(Joey follows Dawson into a family room empty of furniture. Gale is there picking up abox.)Dawson: Uh, mom? What's going on?Gale: Hey. Uh, look, honey, I'm going to be taking some furniture over to my place.Dawson: Oh, OK.Gale: Just from the family room and the guest room. It's part of thesettlement. I asked your dad not to say anything because I wanted to explain myself.Dawson: Mom, you don't have to explain yourself, that's how it works.Gale: I need you to keep being as positive as you can be aboutthis, honey. It's going to make it so much easier on all of us.Dawson: Well, I aim to please.Gale: Thank you for understanding.(Gale walks off with the box. Joey looks at Dawson, knowing he's very affected bythis.)Joey: Do you want to talk?Dawson: (shrugs) What's there to say?Joey: About what you're feeling.Dawson: I'm thinking my parents are divorced and I'm glad it's finally over.Joey: Dawson, I said what you'refeeling.Dawson: (walking away) I'm still working on that one.(Cape Fest - Jack and Jen are carrying their stuff, looking for a spot to camp out. Actually, Jack is just looking for Ethan.)Jack: This is gonna be great, Imean, sleeping out under the stars, fresh breeze off the ocean, call of the wild...Jen: It's the call of nature I'm worried about. Jack, where are the chemical toilets?Jack: I dunno. What do you say we set up here?Jen:God, I thought I'd go to extreme measures to get into some guy's pants.Jack: Whoa, whoa, whoa, I am not trying to get into his pants. For crying out loud, this is the first gay guy that I've actually conversed with,excuse me for wanting to get to know him.Jen: Jack, I know. Just be aware that you're venturing into new territory here. And that before you take this great big emotional leap, Jack, you should be willing to admit thatyou're taking it. Don't just try and brush it off as simply wanting to get to know somebody.Jack: I'm telling you, it's all it is.Jen: OK. Even still, take my advice - play it cool. Let him come to you.Jack: I think I'm gonnasee if I can find him.(He walks off, leaving Jen with all the equipment.) (Capeside High Auditorium - The audtions have started, and quite frankly, they are terrible. Mr. Broderick and Andie make faces as the cameragoes through various people reading lines off the script.)Student 1: (passionately) Okay Cory, maybe you're right, maybe love isn't enough, maybe two people should have to take more than a blood test...Student 2:(monotone) ...maybe love isn't enough...Student 3: Okay Cory, maybe you're right, maybe love isn't enough... Student 1: (passionately)...maybe two people should have to take more than a blood test, maybe theyshould be checked for common sense...Student 2: ...maybe they should be checked for common...Student 3: ...common sense, understanding...Student 1: ...maybe they should be checked for common sense,understanding, and emotional maturity.Student 4: (this one isn't nearly bad as the rest) Okay Cory, maybe you're right, maybe love isn't enough, maybe two people should have to take more than a blood test, maybethey should be checked for common sense, understanding and emotional maturity.Andie: (to Mr. Broderick) I like him. What do you think?Mr Broderick: I think I'm getting a migraine.Andie: I think he's got a certaindramatic flair.Mr Broderick: I've got someone else in mind.Andie: Who 'someone else'? We are out of someone else's.Mr Broderick: Granted, the boy I know is a deplorable student and he has the ethics of a billygoat.Andie: We've already cast our Cory and Valasgo, please don't let our only Paul slip away.Mr Broderick: Have no fear, Miss McPhee. I cut a deal with one of my students. The kid is a natural with comedy.Andie:Okay, Mr Broderick, if I may be so bold. From my limited perspective, I see but two kinds of actors - those with talent... and those with the ability to expand on that talent. Which requires maturity, which requires asense of responsibility, which requires the ability to come both prepared and on time.Pacey: Hey you guys, I'm sorry I'm late. I'm here to read for the role of Paul. Pacey Witter.Mr Broderick: That's him, that's ourPaul.(Andie has this, 'you gotta be kidding' look on her face. Nikki's House - she is sitting on a porch swing reading when Dawson walks up.)Nikki: Dawson, tell me this isn't an attempt to repossess the camera.Dawson:I just want to reiterate something.Nikki: Reiterate away.Dawson: Okay, I get this little ego trip. I know you're the principal's daughter, but that does not give you the right to be selfish or rude...Nikki: Dawson. I didn'tknow you wanted to use the camera. But... you're just gonna have to get used to it.Principal Greene: I thought I heard a familiar sounding voice. If it isn't my second favourite student filmmaker. How are you,Dawson?Dawson: Principal Greene. Good.Principal Greene: So I understand you and Nikki have become fast friends.Dawson: Yeah, yeah.Principal Greene: I had a feeling you two would hit it off. Hey listen, why don'tyou stay and join us for supper?Dawson: I couldn't, I gotta...Nikki: Oh, Daddy, I'm sure Dawson has other plans.Principal Greene: Now wait a minute. As your father and as your principal, I think I'm gonna have to pullrank here. Besides, how often do I get a chance to have a nice meal with one of my students? And I promise not to talk too much about my lovely little daughter. Come on.(Dawson follows the two inside. Cape Fest -Jack is looking for Ethan.)Ethan: (up in a tree, what is now a hippy?) Hey there. So you decided to show.Jack: One small step for man, one giant leap for mankind.Ethan: You here by yourself, or with?Jack: Um, with...a girl. She's, uh, a friend of mine. She's setting up our tent. What about you?Ethan: All by my lonesome.Jack: Umm, ah...Ethan: So, you want to go grab a bite to eat, take a walk, what?Jack: Yeah. Uh, to both.Whatever.Ethan: Come on, I'll lead the way.(Scene cuts to Jack and Ethan walking on the beach talking.)Ethan: After the train ride I thought for sure you'd ask for my number.Jack: Yeah well, typical paranoia set in.Hey, what can I say?Ethan: I figured as much.Jack: How come you didn't ask for mine?Ethan: Because I could. It's more important that you learn to ask. You're the newbie, remember?Jack: Yeah, newbie. Barely 'outed'gay kid soon to have his heart broken, right?Ethan: Good recall!Jack: Well there's not much I'm gonna forget about that conversation, it was a first for me.Ethan: It was your first time talking to another gay kid?Jack:Yeah, well, unless you count the Internet.Ethan: I... I don't.(Cape Fest - Jen is wrestling with the tent when a kid walks by eating a burger. Jen looks hungrily at him.)Jen: Hey man, where'd you get that?Guy: (pointingbehind him) Over there. This guy's like a genius with a veggie burger.(Jack walks up to a crowd of people, someone yelling \"Veggie burgers! Get 'em while they're hot!\". As the crowd parts, Henry is seen behind a BBQgrill, making burgers. He doesn't notice Jen.)Henry: (not looking up) You want your bun toasted?Jen: I thought you'd never ask.(Hearing Jen's voice, he looks up at her.)Jen: Hey. Henry: (softly) Hey.Jen: It's quite acrowd you have here.Henry: Listen, I... I really don't have time for small talk at the moment. Did... did you want a burger, or not?Jen: Yes. (pause) You know, I was wondering if you could give me a hand with my tent.I was never much of a girl scout.(Jen smiles at him, but Henry doesn't return one.)Henry: Stanley? Take over here for a minute, will you?(He follows Jen as she walks back to her tent.)Jen: So you never told me youwere a vegetarian.Henry: You never asked.Jen: Do I detect a note of ambivalence in seeing me?Henry: That would be correct.Jen: Any particular reason?Henry: You... you mean besides the fact that you led me on forthe sole purpose of crushing me underfoot?Jen: That's not true Henry, and you know it.Henry: Well, you could have fooled me.Jen: What are you talking about?Henry: Don't tell me that you're not taking some smallsatisfaction in...Jen: In what?Henry: Being on the requited side of unrequited love.Jen: Henry, I thought that you and I agreed to be friends?Henry: Friends? You haven't even noticed, have you?Jen: What? Noticedwhat...Henry: That we haven't even spoken in over a month. For the past four weeks I've been giving you the silent treatment, and it hasn't even registered on your radar screen. Hell, I could have fallen off a cliff tenthousand feet for all you care...Jen: That's not true... Henry: You know what? You can put up your own damned tent.(Henry walks off, leaving Jen quite confused. Principal Green's House - the three are sitting at thetable eating.)Principal Greene: Dawson, you're looking at possibly the only little girl in America who wanted a super eight camera for her tenth birthday. Nikki, should I tell him the name of your first cinematicachievement?Nikki: Oh, don't you dare!Principal Greene: 'A Day in the Life of Daddy'. She followed we around all day long.Nikki: James Cameron of third grade.Principal Greene: So tell me, has she enlisted your for hernew film?Dawson: Uh, no, she hasn't. I don't even know what it's about.Nikki: That's between me and my crew.Dawson: So in order to bask in the glory of this mind-bending idea of yours, I have to offer myservices?Nikki: Is that an offer?Dawson: Are you asking for my help?Nikki: I don't need any help, Dawson.Principal Greene: I think it would be a great idea for you two to work together.Nikki: Forget it.Dawson: I don'tthink that...Principal Greene: Sorry I mentioned it.Dawson: Yep.(Cape Fest - Jack and Ethan are walking off the beach back into the camp sites.)Jack: You knew that young you were attracted to men?Ethan: No, I knewthat young that I was different. Being gay isn't about what s*x you're attracted to, it forms so much of what and who you are.Jack: You lost me.Ethan: I'll make it simple. You haven't talked to another gay kid, so youdefinitely haven't kissed one, right?Jack: No.Ethan: But you still know you're gay.Jack: Sure.Ethan: How?Jack: I just know, I guess.Ethan: Everyone always wants to define gay and straight by who you sleep with. It'snot about that. It... it's about moments, it's about being too nervous to ask for my number. It's about conversations like this, alright? It's about who and what you love, and that's why you can't erase it, because it's notjust a part of your life... it's everywhere. (look at his camp site) Unlike my stuff.Jack: What?Ethan: My camping gear. It's gone.(Capeside High Hallway- They both come around different corners, about to walk up thestairs.)Pacey: Well, after you.Andie: I want you to quit.Pacey: Listen, he saw my potential, okay?Andie: No, no, no, no, no. This was my after school activity.Pacey: But I'm the lead in the play.Andie: I want you toquit!Pacey: Listen, the guy said he'd give me a C in English, what do you want?Andie: Oh, and that's what it's come to? Anything for a C? What's happened to you?Pacey: OK. Not that any of this is your concern, but MrBroderick says he thinks I might actually be good at this and so do I.Andie: OK, listen. Mr Broderick may be a lousy English teacher, but as a theatre director, he is probing new lows, Pacey. Rumour has it that he hasbotched every school play for the past five years. And, it's only been by sheer force of will that the past student theatre geeks have managed to sandbag his bi-hourly nervous breakdowns.Pacey: So what's yourpoint?Andie: My point is, I got into this to get over you, okay? To give myself a new focus, and instead your presence is giving me perpetual myopia.Pacey: What? We haven't even done one rehearsal yet. You want meto throw my whole theatre career to the wind?Andie: Ooh. OK, listen, Sir Barrymore, our director is irrational. And your lack of ability, though not apparent to him yet, is enough to send him over the proverbial edge,and me with him.Pacey: Fine. You quit then.Andie: I most certainly will not...Pacey: I'm not going to quit. Witter's aren't quitters.Andie: Oh, oh that's really cute. You know what? Fine, just... don't.Pacey: Fine. I won't.(Principal Green's house - Dawson enters Nikki's bedroom to get his coat, but then stops to notice the decor. Nikki enters.)Nikki: Dawson?Dawson: Hey. I must say, film-geekdom is definitely not evident in yourbedroom decor.Nikki: Your room, let me guess? Wall-to-wall Spielberg film sheets?Dawson: Ahhh, yeah. More or less a shrine.Nikki: I figured as much.Dawson: You say that like it's a bad thing.Nikki: Oh, it's not, it'sjust... there's so much to be passionate about, it seems kind of silly to focus on just one.Dawson: Yeah, but if you're lucky enough to find that one thing, why not immerse yourself in it?Nikki: Don't get me wrong,Dawson, I love film. But I love it because it allows me to explore all of the other subjects that interest me. If all you care about is film, then you're just going to end up making movies about other movies. What good isthat? I'm really sorry about my father. Um, ever since the divorce, he does this really aggressive thing when it comes to me making friends. It's so weird. But, you know, I try to cut him some slack.Dawson: So, soyou're cool with it? The... the divorce?Nikki: Ummm, constant shuttling between living quarters? The continually veiled and not so veiled comments my parents make about each other? The, umm, never-endingexpectation that I look on the bright side of things? Oh, sure, I'm just dandy.Dawson: That's the oddest thing. I mean, judging from how well put-together you come off, I would have just assumed that you were notaffected by it all.Nikki: It's a well crafted disguise, Dawson. Inside, I'm just another angry kid.Dawson: How angry?Nikki: Angry enough to make a film about it.Dawson: So that's what your movie's about?Nikki: More orless. It's about the, ummm, \"American Family\". What makes them functional, or as more often seems to be the case, dysfunctional.Dawson: That should provide you with a healthy supply of material there.Nikki: Whatabout you? Your parents are divorced. How do you feel about it?Dawson: Ummm...Nikki: I, ummm, I didn't mean to probe. I'm sorry.Dawson: No, no. I mean, you... you were honest with me, right? Ummm, truth is,most of the time I'm fine with them not being together. You know, I mean, maybe I'm just... self-obsessed, but I... I just don't think about it that much, you know? And then, ummm, other times it... it just kinda sneaksup on you, you know? I mean, it's... like a disappointment of being the product of something that didn't work out. Because that's what our parents are. They're our... our primary examples of love, and... in my exampleit just wasn't I guess, strong enough to... Umm... (he stands to leave)Nikki: Dawson?Dawson: Yeah, I should keep going. Ummm, tell you dad thanks.[SCENE_BREAK](Cape Fest - Jen sits on the tent which sheobviously had no success with. Jack walks up.)Jen: Oh, Jack, thank God you're back from your stalk... walk. You're never going to guess who I ran into here of all... (she sees Ethan behind Jack) Hi.Ethan: Hello.Jack:Ethan, Jen. Jen, Ethan.Jen: Nice to meet you.Ethan: It's nice to meet you. Looks like you could use a little help with this tent.Jen: Yes. Please. Relieve me of all of my feminist delusions about the equality of the sexesconcerning spatial relations.Jack: Uh, listen (he pulls Jen off a bit, out of hearing range of Ethan) All of his stuff got stolen, okay, all his gear. So, uhh, he needs a place to stay tonight.Jen: And you, being thekind-hearted soul that you are, offered him a spot in our tent.Jack: Yeah, so could you, uhhh, go take a walk for a couple of hours? Come back around, say, midnight?Jen: You're kidding me?Jack: No. Go mix, mingle.Write a few letters for Amnesty International. You'll probably make a lot of nice new friends.Jen: You know what, I got a better idea. How about me and the car, we go back to Grams' house and we pick you up in themorning? Besides Jack, I thought that you two were just getting to know each other.Jack: Hmm-mm.(Disgusted, Jen walks off. Suddenly she hears music and she walks over to a camp fire where people are listening to"}
+{"doc_id":"doc_271","qid":"","text":"[ The cafeteria ]Leonard: Have you guys heard about this research team that's trying to transgenically manipulate chicken DNA to create some sort of chicken dinosaur?Sheldon: Oh, I think that soundswonderful.Howard: What? You're afraid of both dinosaurs and chickens.Sheldon: Yes, but tell me a dinosaur chicken salad sandwich wouldn't hit the Mesozoic spot.Raj: Hey, guys.Howard: Hey.Sheldon: Hello.Raj: Westill on for tomorrow night?Leonard: Yeah. I'm excited to finally meet your girlfriend.Sheldon: Speaking of which, according to a recent study out of Oxford University, when someone takes on a new romantic partner,that person loses one or two close friends.Howard: Since when do you read social science?Sheldon: I go to the bathroom like everybody else.Raj: Why would I lose friends just because I started datingsomeone?Leonard: Yeah, you didn't lose anyone when you met Amy. Yeah, well, no, this study refers to romantic partners. Not the way I would categorize the two of us.Raj: You guys kiss and hold hands.Leonard: I'veseen him do it. It's not romantic.Raj: Look, I'm not the kind of guy who drops his friends just because he's in a relationship.Leonard: What happens if she doesn't like us?Raj: Well, hey, you're my dear friends. You'll geta Christmas card for a couple of years, and then you're dead to me.[SCENE_BREAK]\u0000 Our whole universe was in a hot, dense state \u0000[SCENE_BREAK]\u0000 Then nearly 14 billion years ago expansion started... Wait!\u0000[SCENE_BREAK]\u0000 The Earth began to cool \u0000[SCENE_BREAK]\u0000 The autotrophs began to drool, Neanderthals developed tools \u0000[SCENE_BREAK]\u0000 We built the Wall \u0000[SCENE_BREAK]We built thepyramids[SCENE_BREAK]\u0000 Math, Science, History, unraveling the mystery \u0000[SCENE_BREAK]\u0000 That all started with a big bang \u0000[SCENE_BREAK]Bang![SCENE_BREAK]\u0000 The Big Bang Theory 8x04 \u0000 Original Air Dateon October 6, 2014[SCENE_BREAK][ The apartment ]Amy: So, Howard, is Stuart still living with your mom?Howard: I don't want to talk about it.Bernadette: But he's going to.Howard: My mom got him cable. In mywhole life, growing up in that house, no cable. Do you know how many HBOs that leech had my mother get him? Seven. Seven HBOs. Seven.Bernadette: Long story short, they have seven HBOs.(knocking)Raj: Hey,guys.Sheldon: Hello.Raj: Emily, you know almost everybody here.Emily: Hi.Raj: And this is Leonard, this is Penny.Emily: Oh, it's so nice to meet you.Leonard: Nice to finally meet you, too.Penny: Hi.Emily:Hello.Leonard: Wow, Raj, you were not lying about her.Raj: I told you she exists.Penny: Hey, I hear you're a dermatologist.Emily: Uh, yeah, I'm a resident at Huntington Hospital.Sheldon: Oh, I like their emergencyroom. Yeah, even if it turns out you don't have Dengue fever, they still let you take a lollipop.Bernadette: You know, Penny just started training to be a pharmaceutical sales rep. Maybe she can practice on you sometime.Penny: Oh, it would be great to practice on a real doctor.Emily: Yeah. I'm sure that'd be fine.Sheldon: I have some odd freckles on my buttocks. Can I make an appointment for you to look at them?Emily: Um,okay, I guess.Amy: I'm with him three years, nothing. She's with him two minutes, and he's taking his pants off.[SCENE_BREAK][ Penny's apartment ]Bernadette: Last night was fun. What did you think ofEmily?Penny: I don't know. I kind of got the sense she didn't like me.Bernadette: Did she say she didn't like you?Penny: Of course not. No one ever says they don't like you straight to your face.Amy: We have leddifferent lives.Bernadette: You guys just met. Why would she feel that way?Penny: It's just this vibe I got.Bernadette: I'm sure you're worried about nothing.Penny: Yeah. You're probably right. I used to think my highschool P.E. teacher didn't like me, but it turned out, she liked me a little too much.Bernadette: Really?Penny: Yeah. It was fine. We went to a Melissa Etheridge concert, I got an A, it all worked out.Bernadette: Whenyou go to Emily's office to practice, you'll see. It's fine.Penny: Yeah, I hope you're right.Amy: You really went your entire life without anyone saying I hate you to your face?Penny: Yeah.Amy: I'd say it now, but look atthose cheekbones.[SCENE_BREAK][ Capital Comics ](rock music playing)Sheldon: I miss Stuart's place. All this loud music and exposed brick. What, is this a comic book store, or a rave at the third little pig'shouse?Howard: Yep, I wish Stuart would reopen. I hate this place, too.Leonard: Okay, him I believe because he's an 80-year-old man in a 15-year-old's tee shirt. But you're just upset about Stuart and your mom andall their HBOs.Howard: Yes, I am. You know, I can't even watch Game of Thrones now without thinking of mother saying, Stuart, which one is Thrones?Raj: You know, he might not reopen. He didn't get a lot of moneyfrom the insurance company.Sheldon: Oh, boy, if there is one thing that gets my goat, it's those dad-gum insurance companies.Leonard: Why? Because they won't get off your lawn? Is Stuart trying to get a loan, or, orfind investors?Howard: All I know is, he's got my mother buying four-ply toilet paper. I mean, four-ply. If his butt is so delicate, why doesn't he just use an angora rabbit?Sheldon: For starters, they shed andbite.Leonard: Hey, here's a thought. Why don't we put up the rest of the money that Stuart needs?Raj: So, we'd be, like, owners of a comic book store?(all chuckling)Leonard: It's kind of a dream come true.Howard:That does sound fun.Raj: Ooh, maybe we could come up with a business plan to compete with this place.Sheldon: I'll give you a plan right now. Step one, open comic book store. Step two, start rumour this comic bookstore gives you genital warts. Step three, buy a big bag to put the money in.Leonard: It's not that bad.[SCENE_BREAK][ Emily's surgery ]Penny: Hey.Emily: Hi.Penny: Thank you so much for letting me practice mysales pitch on you. I really appreciate it.Emily: Sure.Penny: Um, I brought coffee. I wasn't sure what you like, so I got a regular, a cappuccino and a Chai tea. Since you like Raj, I thought you might be into that.Emily:Thanks. If we could get started. I'm a little busy.Penny: Oh, yeah, sure. Let me just get out my materials. Leonard gave me this briefcase. He used to carry it around in high school. You can still see the dent where theywhacked him with it. Okay, I would like to talk to you about our new birth control pill, Femevra.Emily: Great.Penny: So, Femevra's triphasic design provides balanced hormonal exposure.Emily: All right.Penny: It hasalso been shown to cause significantly fewer side effects than other oral contraceptives. Although it can cause acne, which, if you ask me, kind of increases its effectiveness as a contraceptive.Emily: Funny.Penny: Okay,I'm sorry. Did we get off on the wrong foot? Because since the other night, I kind of feel like you might have a problem with me.Emily: No, it's fine.Penny: Are you sure, because it doesn't seem fine?Emily: Okay. If youreally want to talk about this, I do have a problem.Penny: Oh, my God. Tell me, what did I do?Emily: Look, it's nothing. It's just, Raj told me that a while ago, you two hooked up.Penny: What? Oh, why would he saythat?Emily: Did it not happen?Penny: Well, I wouldn't exactly call it a hook-up.Emily: Did you kiss?Penny: Yeah.Emily: Were you naked?Penny: Yeah.Emily: So, it was a hook-up.Penny: No. Yeah.[SCENE_BREAK][ Theapartment ]Sheldon: So, what are some ways we could set our comic book store apart from the competition?Leonard: Oh, kids buy comic books. It would be great to figure out a way to get more kids in thestore.Howard: You know, when I was a kid, I loved going there, but I could never get a ride.Raj: Ooh, what if we got a van and drove around and picked kids up?Sheldon: Nice. You mean, like at parks andschools?Howard: Toy stores, puppet shows.Leonard: Hold on. So, your idea is to get a van and cruise the streets looking for kids to pick up?Sheldon: Yes.Leonard: And are you gonna use candy to lure them in?Raj: Weare now.Penny: You told Emily we hooked up?Raj: Um, well, in my defence, I tell everybody.Penny: Why would you say that?Raj: We were having a conversation about past lovers.Penny: We weren't lovers. Come on.Everyone knows we didn't sleep together. We got drunk and fooled around. Why couldn't you just leave me out of it?Raj: Well, we were being honest. You would leave me out of the conversation with the next guy if youdumped Leonard?Leonard: Why say it?Penny: Yes.Raj: Well, I would never leave you off my list, and not just because, without you, we're playing fast and loose with the word list.Penny: Well, good job. Now she hatesme. Ugh.Raj: Great.Sheldon: On the bright side, that Oxford study was right. One friend down. I wonder who you're going to lose next.Raj: You, okay? It's you. You're, you're next.Sheldon: No. You're crazy aboutme.[SCENE_BREAK][ Penny's apartment ]Penny: I don't know what Emily's so upset about anyway. Even if I had slept with him, so what? Everyone has a past.Amy: Hmm-hmm.Penny: Almost everyone has apast.Bernadette: Come on, look how pretty you are. I'm sure this isn't the first girl to hate you.Penny: It's not.Bernadette: And I'm sure you can turn it around.Penny: How? You can't force someone to like you.Amy:What if you just hang around and act like her friend until you wear her down? I mean, next thing you know, you're in her home, you're eating her food, drinking her wine.Penny: No, that won't work.Amy: You're right.Cheers.Bernadette: Oh, I know. Why don't you use your sales training to go back down there and sell yourself?Penny: What?Bernadette: Yeah. But instead of selling a drug, you'd be selling Penny. it's cute.Penny: It'sstupid.Bernadette: Well, maybe people would like you more if you didn't crap all over their ideas.Amy: I'm gonna go with Penny on this one. Then again, why wouldn't I? I mean, we go way back.Penny: Oh, my God. Ididn't used to like you.Amy: Shh. Amy's here now.[SCENE_BREAK][ Capital Comics ]Sheldon: You know, the more I think about it, the more intrigued I am about having our own store.Howard: We'll get to see all thenew stuff before it hits the shelves.Sheldon: And we'll get to have fun interactions with our customers. Like, this isn't a library, buy it or get out.Howard: You say things like that all the time.Sheldon: Yes, but as a storeowner, I'll finally have a good comeback to, You don't work here, shut up.Leonard: Uh, do you know how Penny told Raj he should have left her off his list?Howard: Yeah.Leonard: Well, do you think when she and I hadthat conversation, she left people off her list?Sheldon: I'm sure she did.Leonard: Why?Sheldon: Because if she hadn't, she'd still be wading through the list.Leonard: Will you stay out of this?Sheldon: If only Penny hadsaid that once in a while.Howard: Hey, what difference does it make? You're the one she wants to marry.Leonard: That's true.Howard: Yeah, and I'm not sure that complete honesty is always the best thing for arelationship.Sheldon: Yeah, he's right. Once, in a moment of candour, I told Amy that her hair reminded me of a duck caught in an oil spill. She stormed out. Which was sad, because we were playing Scrabble, and Ihad all the letters to spell persimmon.Leonard: Why are you even part of this conversation? You don't know anything about women.Sheldon: I know that if I had a wife or a fiancée, I'd ask her first before I investedmoney in a comic book store.Howard: He's right.Sheldon: Yeah, well, of course I am. I was also right about her hair. It did everything but quack.[SCENE_BREAK][ The stairwell ]Leonard: There's something I wanted torun past you.Penny: What's up?Leonard: Mm, the guys and I were thinking about investing in Stuart's comic book store. Is that okay?Penny: Why are you asking me?Leonard: Well, you know, we're engaged, and it'skind of a big deal financially. It seems like something we should talk about.Penny: Oh. Well, would you consider mounds of credit card debt kind of a big deal financially?Leonard: Yeah.Penny: Huh.[SCENE_BREAK][Howard and Bernadette's apartment ]Howard: Mm. So, me and the guys were talking about this great investment opportunity.Bernadette: Nope.Howard: But you didn't hear what it was.Bernadette: I know.Howard:Oh, come on.Bernadette: Fine. What is it?Howard: It's to help reopen the comic book store.Bernadette: Nope.Howard: Well, hear me out.Bernadette: Howard, you know we're saving up for a house.Howard: I know, butall the guys are doing it. We're splitting it four ways, so it's really not that much money.Bernadette: It just seems like a risky investment.Howard: I get that. I, okay, look, the real reason this is important is, before mydad left me and my mom, he used to take me to the comic book store. It was one of the few things we did together.Bernadette: Oh. Howie, I had no idea.Howard: Well, I don't like to talk about it.Bernadette: Oh, baby.That story's made up, isn't it?Howard: That's how much buying a comic book store means to me.[SCENE_BREAK][ The apartment ]Sheldon: I'd like your honest opinion on something.Amy: Of course.Sheldon: Now,before I start, I need you to know that I'm very excited about this, and anything you say that isn't enthusiastically supportive will throw our entire relationship into question. So, keep an open mind.Amy: I'm feeling alittle backed into a corner, Sheldon.Sheldon: Perfect. Now, I'm considering investing in Stuart's comic book store.Amy: Interesting. Can you see how a grown man, an accomplished scientist, who invests in a store thatsells picture books about flying men in colourful underwear might be wasting both his financial and intellectual resources?Sheldon: No.Amy: Then I think it's a terrific idea.Sheldon: Great. Wait till you hear about ourvan.[SCENE_BREAK][ Penny's apartment ](knocking)Raj: Hey.Penny: Hi.Raj: Thanks for inviting us over.Penny: Oh, thank you for coming.Emily: Uh, listen, Penny, before you start, I just want to apologise for being sorude the other day in my office.Penny: No, no. No need to apologise.Raj: Excuse me, can I say something? I just love both you guys, and I want you to get along. And when I say love I meant as a friend. And, uh, waytoo soon, right?Penny: Okay, sit down. Listen, Emily, what happened between me and Raj was a long time ago.Raj: It was, and I may have made it seem like a bigger deal than I should have.Penny: Yeah, and Leonardand I are engaged now, and I'm just hoping we can put this whole thing behind us.Emily: Mm. I'd like that, too. Yeah, I thought I'd be okay with it, but then I saw how pretty you are.Penny: Oh, that's so sweet. I mean,look at you, you are gorgeous.Raj: It's true, you're both gorgeous. Kind of says something about the man who could bed you both. You get why I've been alone most of my adult life.[SCENE_BREAK][ Mrs Wolowitz'shouse ]Stuart: So, what brings you by?Howard: Well, I don't need a reason, it's my house.Stuart: Technically, it's your mom's house, but we certainly want you to feel welcome.Howard: I'm always welcome.Stuart:Mm, just try and call first.Bernadette: Okay, let's get down to business. Howie was thinking about putting up some money to help you reopen the store, but before that happens, I have a few questions.Stuart: Oh. Iappreciate the offer, but actually your mother already gave me the money.Howard: What?Stuart: Yeah. I told her it was too much, but she said she was happy to help out her bubala.Howard: Excuse me. Ma, you arecancelling that cheque, and Stuart is not your bubala, I'm your bubala. You can't have more than one bubala.Stuart: I don't know who he's talking to. She's at Target, buying me shirts.[SCENE_BREAK][ Penny'sapartment ]Raj: I'm so glad we could work this all out.Penny: Yeah, me, too.Emily: You know, we should have dinner one night with you and Leonard.Penny: Oh, we would love that.Raj: Great.(both chuckle)Penny:Okay, good night, guys.Emily: All right, night.Penny: Bye.Emily and Penny (simultaneously): I hate her.[SCENE_BREAK][ The apartment ]Raj: I'm really disappointed we're not gonna have our own comic bookstore.Leonard: I know. I was looking forward to it.Sheldon: It would've been so nice to have a place that was ours, where we could just sit and read comics in peace.Howard: With comfy seats.Raj: And snacks.Sheldon:Well, I guess it was too good to be true.Leonard: Yeah.(all sigh)"}
+{"doc_id":"doc_272","qid":"","text":"Act 1Scene 1 - The Radio Station. Fade in. Frasier is on the air.Frasier: Go ahead, Sophie, I'm listening.Sophie: [v.o.] Hi, Dr. Crane. My husband's having some of his friends over to watch the game Sunday, and I thinkit'd be nice if I could have some of my girlfriends over too.Frasier: Sounds reasonable.Sophie: Exactly. I mean, it's just football.Larry: [in the background] Not football, Einstein, the Super Bowl.Frasier: Ah, that wouldbe your doting husband now.Sophie: Larry, this is a private conversation. And for God's sake, use a plate!Frasier: Sophie, why don't you put your husband on the line?Sophie: Pick up.Larry: Ah, geez. [picks up, louder]Hello!Frasier: Larry, I gotta tell you, I'm afraid I side with your wife on this one.Larry: That just proves you don't know the first thing about football.Frasier: What I do or do not know about football has...Larry: OK,how's this: My wife's friends can come over if you can answer even one little football question. Like...Frasier: Now, I don't see that that's in any...Larry: You're down by six, you're on your own forty, three seconds left,what do you do?Frasier: Well, all right, you would...Roz gets his attention and grabs two telephone handsets.Frasier: You would take your receivers, [Roz sets them together] and line them up, [she pretends to throw]and then throw a pass. [big throwing gesture] A long, long pass.Larry: Yeah, and what's the name for that?Roz gets down on her knees, crosses herself, and prays with an innocent look on her face.Frasier: A Hail Mary.[Roz gives him the thumbs up.] Sophie and Larry, I hope you enjoy the game. In the meanwhile, this is Coach Crane saying, I'm listening.Roz comes over to change some tapes on Frasier's console.Roz: I'm impressedyou're so good at charades.Frasier: I'm impressed you could mime a virgin. So, Roz, you walkin' out?Roz: No, I got stuff I gotta do. I've got some carts to rack, and I want to put together some Best of Cranetapes.Frasier: Oh, your mother's still in town?Roz: In town, in my apartment, and when I left this morning, in my refrigerator, smelling my milk!Frasier: Oh, lord.Roz: I, I love her, I just wish I could get a couple ofhours to myself one night.Frasier: Well, why don't you just ask her? She might enjoy a little time to herself. I know my dad does.Roz: You are so lucky. I wish my mother drank alone.They walk over to Roz'sside.Frasier: You know, Roz, your mom's about the same age as my dad, isn't she?Roz: Yeah, I guess.Frasier: Does she date much?Roz: Since my father left, practically never... no, hang on...Frasier: No, no, hear meout, Roz. Now, Dad hasn't dated anybody since he and Sherry broke up, I'm starting to worry he's lost his nerve. A date with your mom could be a tremendous favor to him.Roz: I don't know.Frasier: Oh, come on, I'lltell you what: I know it's awkward but there's a way to minimize that. Niles and I are having dinner with him tonight. We'll take him to McGinty's, he'll feel comfortable, you and your mother can just happen by. We'llsee what transpires, you know, they'll never even know it's a fix-up.Roz: Oh, what the hell, I'll give it a shot, I guess. How's five sound?Frasier: Five? Your mother is ready for dinner at five?Roz: I keep her on Wisconsintime, that way she's in bed by eight.Frasier walks out. FADE OUT.A.K.A THE LAST ONIONOUT OF POMPEIIScene 2 - McGinty's Fade in. Niles and Frasier are sitting at a table, Martin brings a plate over.Martin: Hey, lookwhat I got here, boys! A Funion Onion. The chef sent it over with his compliments.Frasier: I wonder what his insults are like.Martin: [to a waitress] Hey, Bonnie!Bonnie: Hey ya, Marty. Oh, you must be Frasier, the bigradio star.Frasier: Oh, yes. Hello.Bonnie: Your dad is so proud of you, he talks about you all the time. Who's your friend?Martin: Now, what's wrong with you? I told you about my other son.Bonnie: [shaking Niles'shand] Oh, of course, what am I thinking? Nice to meet you, Eddie.Martin: This is Niles. How 'bout some beers, Bonnie?Bonnie: Coming right up.Niles: Oh God, look. The group coming in the door, they're from theShangri-La.A group of guys come over and punch Niles on the shoulder. He puts up his fists and weaves back and forth.Jimbo: Whoa, it's the Coyote!Niles: Evening, evening, Jimbo. Check you later.The guys go over tothe bar.Martin: Wow, you got a nickname down there already. That's great! The Coyote?Niles: Yes.Frasier: And how did you earn that honorific?Niles: Oh, it was quite the merry road. Yes. It evolved from Niles to Nilesyto Niley to Nile E. Coyote and now simply \"The Coyote.\"The guys at the bar start howling at him.Niles: Oh, well, just when I thought it couldn't be refined any further.Roz and her mother, Joanna, come in.[N.B. EvaMarie Saint's first (and Oscar-winning) film role was as Edie Doyle, Marlon Brando's love interest in 1954's \"On the Waterfront.\"]Frasier: Oh, goodness, look who's here! Roz!Roz: What? We don't see enough of eachother during the day?Frasier: Hello, Joanna.Joanna: Nice to see you again, Frasier.Frasier: Nice to see you again, too. Please, won't you sit down and join us?Joanna: Oh, no, we don't want to intrude.Frasier: Oh, no,no, please, the more the merrier.Roz: All right. Mom, this is Frasier's dad, Martin Crane. This is my mom, Joanna Doyle.Martin: Very nice to meet you. And this is my other son, Niles.Niles: How do you do?Joanna: It's apleasure.DISSOLVE TO: after dinner. Martin and Joanna have cleaned their plates, while the others still have food.Frasier: Roz, will you just look at the two of them.Roz: How did you two manage to finish allthat?Joanna: Oh, please. This is how our generation ate every day. I used to live on cigarettes, whiskey sours and bacon cheeseburgers.Martin: Yeah, and what about breakfast? Fried eggs, sausage patties, hashbrowns...Niles: My God, last night I ate a profiterole and lay awake 'til dawn waiting for my heart attack.Joanna: Those were simpler times, weren't they, Marty?Martin: Oh yeah, we didn't worry about dumb things likecholesterol. We worried about puttin' food on the table, keepin' the yard clean and the car shiny.Joanna: And the H-bomb.Martin: Well, yeah, that.Frasier: Say, Roz, we better be going if we're going to get that workdone tonight.Niles: Oh, I should be going too.Roz: Mom and me are going to that jazz club on Fifth.Frasier: But we promised to finish those promos tonight.Roz: Oh, right. Mom, I'm sorry, I totally forgot.Joanna: It'sOK.Frasier: Wait, I've got an idea. Uh, Dad, since I'm kidnapping Roz, why don't you take Joanna to the jazz club?Martin: Well, sure, I'd love to.Roz: Is that OK with you, Mom?Joanna: If Martin's game, I'mgame.Frasier: Oh, well, perfect. OK, you kids just have some coffee, we'll see you back at the apartment later, OK?Joanna: All right.Niles: Very, very nice to meet you.Joanna: Thank you.Roz, Frasier and Niles go to paythe check.Joanna: Look at them. They think we don't know this is a setup.Martin: Well, how could we figure it out? We're just a retired detective and an attorney general. [they laugh]CUT TO: Roz and Frasier by thebar.Roz: You were absolutely right, they didn't suspect a thing.Frasier: I told you Roz, just leave it to the master.[SCENE_BREAK]Scene 3 - Frasier's Apartment. Fade in. Daphne is sitting in Martin's chair eating popcornand watching television. Roz brings another bowl in from the kitchen. Frasier is on the couch.Roz: God, I thought they'd be home by now.Frasier: Roz, will you please relax and watch the pageant with us? They're rightin the middle of the talent competition.[She sits next to him.]Daphne: It's shameless the way they're sucking up to the international panel of judges. Miss Germany just played \"Lady of Spain\" on a French horn.Frasier:Roz, you're gonna chew that nail right off. Stop it.Roz: I can't help it. I'm nervous. Do you think it's gonna turn out OK?Frasier: Who cares?Daphne: Not for Miss Brazil. Look at the tree trunks on her. She's her own littlerain forest.Roz: I just keep worrying that she's gonna have a lousy time, and it will be all my fault. Screwing up, like always.Frasier: Oh, come on, Roz. Your mother doesn't think you're a screwup.Roz: Oh, yeah? Inhigh school, I ran my own informal shoplifting clinic. In college, I dropped out of pre-law because it interfered with Bruce Springsteen's touring schedule. And now I'm an unwed mother. What would you callme?Daphne: Tramp.Frasier: Daphne!Daphne: It's Miss Venezuela. If that dress of hers was slit any higher, you could see Caracas.Frasier stares at the set, Roz has to nudge him to get his attention.Frasier: Oh, oh, Roz.You know what? So what if they don't get along? So we made a mistake.Roz: [getting up for some sherry] You don't understand. My mother doesn't make mistakes. She does everything well. She's smart, successful,classy... oh, what the hell was I thinking?Frasier: [rising] About what? Setting her up with my father?Roz: No, that's not what I meant.Frasier: That is exactly what you meant!Roz: Well, OK, Frasier. No offense, yourfather is a very niceman, but let's face it: My mother was the attorney general of Wisconsin.Frasier: Well I hope he remembers to curtsey before the Dairy Queen!Daphne: [getting up] This is ridiculous. I'm going towatch this in my room. Miss Finland just laid out her plan to end world hunger, and I missed it!She goes off to her room. There is the sound of the key in the lock at the front door.Frasier: Oh, lord. He and Roz hurry tosit on the couch.Frasier: Oh, Roz, that is the best promo of all.Roz: Oh, hi! How was your evening?Joanna: Oh, the jazz was first rate. But I'm afraid I talked Martin's ear off.Martin: Oh, you're crazy. Your mother tellswonderful stories, Roz. I could have listened to her all night.Joanna: You are either too kind or a little tipsy. But thank you. Come on, Lammy. I really had a lovely time.Martin: Well, I can't remember when I had abetter time. We're gonna have to do this again.Joanna: Bye, Frasier.Frasier: Goodnight, Joanna. Lammy.They leave and Frasier turns to Martin.Frasier: [grinning] So... Tell me all about it.Martin: Well, being agentleman, I don't want to go into the details, so suffice it to say, it STUNK!Frasier: What?Martin: [putting up his coat] That was the dullest evening of my life. The way she drones on and on. Do you know how manymetric tons of eggs Wisconsin produces every year?Frasier: No.Martin: Well, I do!Frasier: Oh...Martin: Look, Frasier, I know you meant well, but if you ever set me up again, I'll kill you in your sleep. Goodnight.He goesoff to bed. There is a quiet but insistent knocking at the door. Frasier opens it to reveal Roz.Roz: [excited] I told my mom to meet me downstairs. I just had to come up and tell you. She had the best time! She can'twait to go out with your father again. Will you tell him to call her tomorrow? Oh, Frasier, this whole thing worked out like a dream!Martin: [crossing to the kitchen] It's amazing! Her voice is still echoing in myhead!Frasier: Yes, it's like a fairy tale over here, too.Roz leaves. FADE OUT. End of Act 1 Act 2Scene 1 - Cafe Nervosa. Fade in. Frasier and Niles are standing at the counter.Frasier: I've just got to find some way to tellRoz.Niles: Why? It's just going to hurt her mom's feelings.Frasier: Her feelings are going to be hurt anyway. She's here 'til Sunday. She's expecting him to call. Oh, dear God. At least this way Roz can let her downeasy.Their coffees come.Niles: Looks like both of us have difficult conversations ahead of us.Frasier: What's yours?Niles: All week long, I have been getting less coffee and more foam in my cappuccino. It's about timefor someone to raise a little hell. Who's on steamer duty?Frasier: Well, it's that hulking fellow, Thad. The one who doesn't react when his arm touches the steamer nozzle.Thad comes from the back. He is huge.Niles:Where is that suggestion box? He walks over and Roz comes in.Roz: Oh, hey Frasier.Frasier: Hi, Roz.Roz: Double espresso to go, please. [Roz and Frasier sit.] Listen, I really need to thank you again. My mother had thebest time last night. And when we got home, WE started talking. We ended up staying up half the night.Frasier: Oh, Roz I'm glad for you, but...Roz: It was like a wall came down. She just opened up to me. She startedtalking about how hard it was on her when my dad left, and how lonely she's been, and it was like she was talking to a girlfriend instead of her screw-up daughter. So, has Martin called her yet?Frasier: No. But he will.Soon. Uh, he had a really busy morning.Roz: Well, how does this weekend look? 'Cause she's leaving Sunday night.Frasier: Sunday? Oh, well let's see, tonight is poker night, that's no good. Saturday he's made plansto, uh, drive Duke to Tacoma for that all day... Tacoma-Fest.Roz: Well, on Sunday we go to a matinee and then I drive her to the airport.Frasier: Oh, darn.Roz: Wait a minute. I can give my ticket to Martin and they cango together.Frasier: No, no, Sunday's no good, because that's the, uh...Roz: Oh right, it's the Super Bowl!Frasier: Right, the Super Bowl. You know how Dad is about football, it's like a religion with him. In fact, he'smade Niles and I promise that we'd watch it with him this year.Roz: Oh, well, OK. Let's just forget about the tickets and we'll come over and watch the game. Is there any reason why that won't work?Frasier: Not that Ican come up with.Roz: That's great, my mom's going to be so excited. [She turns to pay her bill, Niles takes it and puts it on the counter.] Oh, thank you, Niles. I'll see you Sunday at your Super Bowl party.She leavesand Niles sits.Niles: [sitting] I see you told Roz the news and she went insane.Frasier: Couldn't do it. Told her we were watching the Super Bowl with Dad and she and her mother are coming over.Niles: This is anightmare!Frasier: I know. I've got to find some way to tell Dad.Niles: I have to watch the Super Bowl?!Frasier: I suppose the sooner I tell him, the better.Niles: Oh, not necessarily.Frasier: What do you mean?Niles:Well, you know Dad. If you warn him Joanna's coming over, he'll just bolt to McGinty's. If I were you, I'd wait until five minutes before game time and then spring it on him. That way he has no choice but tostay.Frasier: I think I owe him more than five minutes' warning. Besides, Dad would never deliberately hurt Joanna standing her up. He is first and foremost a gentleman.Martin comes in.Martin: I saw Roz, so I hidoutside in case that old gasbag of a mother was with her. Well, I guess she wasn't, everybody's still awake.[SCENE_BREAK]ROUGHING THE PASSERScene 2 - Frasier's Apartment Fade in. Martin is watching thepre-game as Frasier paces nervously.Martin: Look at those guys in the locker room. Nervous, hearts pounding, probably a little sick to their stomachs, poor kids.Frasier: Yes. Until I got out of high school, I didn't therewas any other way to feel in a locker room.Martin: What's the matter with you? You keep looking at your watch.Frasier: Was I?Martin: Yeah. Is there something on your mind?Frasier: No, no, but there's something Iwanted to talk to you about, but now's not the time.The doorbell rings.Frasier: Now's the time.Martin: Just let me get the door.Frasier: No, Dad, Dad, that's what I have to talk to you about. You see, that's going to beRoz and her mother.Martin: What?Frasier: Well, Joanna had such a good time with you the other night, and you did say that you would see her again, and rather than send her home with her feelings hurt, I had to tellher you wanted her here.Martin: What, like a date?Frasier: Well, that's the beauty of it. It's like a date, but it's not a date. Just, you know, make small talk, you pass the dip.Martin: No, Frasier, you don'tunderstand...Frasier: Now, Dad, I know you found her a little less than scintillating, but please, it'll be over before you know it.Frasier opens the door, Bonnie is there.Bonnie: Hey, Frasier.Frasier: Hi, Bonnie.Bonnie:Martin.Martin: Hey, Bonnie, glad you could make it. Let me hold this. See, this is what I was trying to tell you, Frasier, I invited Bonnie.Frasier: [taking her coat] Oh, how nice.Martin: Well, what do you got here?Bonnie:Oh, it's my special deviled ham in the shape of a football. But I still need to put on some macaroni laces.Martin: Oh, the kitchen's right down there, just holler if you need anything. [She heads over.]Frasier: What didyou invite her for?Martin: Well, because I like her, and I thought I might want to ask her out, and I thought if she came over for the game it might be a step in the right direction. I mean \"like a date but not a date.\"Thedoorbell rings again.Frasier: Now that's gonna be Roz and her mother.Bonnie: Should I put some coffee on while I'm in here?Martin: You better, we're gonna need it.Frasier: Would you come on, Dad? Would it kill youto be civil for the length of one Super Bowl? What is that, an hour out of your life?He opens the door to Joanna and Roz. Alice is with them.Martin: Hi! [The ladies shush them and motion to the baby.] Sorry. Come onin.Joanna: Thanks so much for inviting us.Martin: Wouldn't be fun without you.Roz: Frasier, could you show Mom where Alice can finish her nap?Frasier: I'm sure Dad would love to.Martin: My pleasure, just come thisway, Joanna. So, you a big football fan?Joanna: No, actually I've never even seen a game. I was hoping you'd explain as we go along.They head down the hall, Martin pauses to glare at Frasier.Bonnie: [coming from thekitchen] OK, who's hungry? Oh, hey, I'm Bonnie.Roz: Hi, from McGinty's. I didn't know you were coming.Bonnie: Yeah, Martin invited me. He was real cute about it. He checked with all the waitresses to find out if I wassingle.Roz: Oh. [She looks questioningly at Frasier.]Frasier: Yes, well you know how Dad is always trying to, ah...Niles comes in.Bonnie: Hey, the Coyote!Frasier: Find a new girl for Niles. Niles, you remember Bonnie.She waited on us at McGinty's.Niles: Oh, of course. I'll have a vodka martini, very dry.Frasier: Don't be silly, Niles. Bonnie is here as our guest.Roz: Yeah, your dad thought you two might hit it off.Niles: [not enthused]Oh.Bonnie: [even less enthused] Oh.Niles: The Superbowl and a date. Hot diggity!Bonnie: Well, come here, you're just in time for my specialty.Niles: Oh, I... [She pops a cracker in his mouth.] Mmmm! Isn't thatinteresting! Something formerly ham.Daphne: [coming from her room] Well, I'm off to the cinema.Niles: You're not staying for the game?Daphne: Sorry, but Ameican football's not for me, and they're showing\"Wuthering Heights\" downtown. I think it's the most romantic movie ever made.Niles: You're going alone?Daphne: Yes, unfortunately. It's more fun to go with someone, except of course it always ends the same way:Me weeping all over me date's shoulder while he does what he can to comfort me.Bonnie: Oh, you should have seen me cry putting onions in this ham loaf. I must've gone through a whole roll of toilet paper.Daphne:Well, enjoy your game.Niles: Frasier, may I see you in the kitchen?Martin and Joanna come back.Martin: That's amazing! You do all you do and you still have time to be a docent at the cheese museum on theweekends? Frasier, can I see you in the kitchen?Frasier: Just a second, Dad, I gotta take drink orders in here.Cut to the kitchen. Martin comes in as Niles is rinsing his mouth at the tap.Niles: Thanks for setting me upwith that Spam-happy tootsy.Martin: What are you talking about?Niles: Bonnie. Frasier told me you invited her here for me.Martin: I invited her here for me. He probably said I invited her for you because he didn't wantto upset Miss Boring's feelings.Frasier: [entering] Now, now, no private conversations. Your dates are waiting.Martin: They're not our dates!Niles: We hate them!Frasier: Now listen. I realize that this is a very difficultsituation, but if we all cooperate, we can send everybody home happy. Dad, if you would like, you can discretely take Bonnie aside and tell her what's going on.Martin: Bonnie, can I tell you something?Frasier: I saidDISCRETELY!Cut to the living room.Joanna: I think the game is about to start.Roz: Oh, that reminds me, I want to get Alice's bottle warming.Bonnie: Oh, you have a baby?Joanna: Oh, the most adorable littlegirl.Martin: Oh, she's a real beaut! You oughta see her, Bonnie.Roz: You can come with me if you want when I feed her.Martin: No, you go ahead and get that ready, I'll show Bonnie, it's right through there.Frasier:Now, Dad, don't you get fresh with Niles's girl, there.Martin: Oh, I won't if he won't.He and Bonnie head to the bedroom.Joanna: Your father is really smitten with that baby, isn't he?Roz: I think he's just got a weakspot for the Doyle women.Joanna: Oh.Frasier: Yes, well, he may appear to have a crusty exterior, but deep down inside, Dad's just an old softy.Martin and Bonnie's voices come from the baby monitorMartin: [v.o.]Well, there's the kid. Kind of a goony-looking thing, isn't she?Niles: Is that Dad?Martin: Look, Bonnie, I gotta tell you somethin'. I didn't ask you here for Niles, I asked you here for me.Frasier: It's the baby monitor! Weshould just...Joanna: [grabbing it away from Niles and Frasier] Shh. I want to hear this.Bonnie: But I thought you were with Joanna.Martin: No, no. Frasier and Roz set us up last week. I told Frasier I thought she was a"}
+{"doc_id":"doc_273","qid":"","text":"FLASH OPEN:[EXT. VARIOUS LOS ANGELES CITY LIGHTS (STOCK) - NIGHT][HOLLYWOOD STREET SIGN]WHITE FLASH TO:[EXT. VARIOUS HOLLYWOOD (STREET) - NIGHT](Various shots of prostitutes walking thestreet in front of various establishments.)Dakota: Hey.\"JERSEY\" (ELLIE): Hey. You get anything?Dakota: No.(A car pulls up alongside them.)\"DAKOTA\": My, uh, knight in shining German armor has arrived.\"JERSEY\"(ELLIE): See if he has room for two.(Dakota sighs. They lock pinkies as Dakota heads for the car.)\"JERSEY\" (ELLIE): Careful.(Dakota leans over the curb and looks into the car.)Dakota: Hey. You wanna party?(Dakotalooks back at \"Jersey\". Dakota gets into the car and closes the door. She waves back at \"Jersey\".)(\"Jersey\" signals for Dakota to give her a call. The car drives away.)FLASH TO:[INT. POLICE DEPARTMENT - DESK -MORNING](\"Jersey\" is at the police station. The officer at the desk isn't too interested in what she's saying.)Officer: It's only been a few hours.\"JERSEY\" (ELLIE): Dakota always calls me. We have a system. Somethingis wrong.Officer: Why don't you go home, Jersey? Eat something for once, get some sleep.(Disgusted, \"Jersey\" turns to leave. With a last look at the officer, she slaps her hand on the counter in frustration, thenleaves.)[SCENE_BREAK][EXT. SIDEWALK - DAY](Walking along the sidewalk, \"Jersey\" takes out her cell phone and dials.)INTERCUT WITH:[INT. (LAS VEGAS) POLICE DEPARTMENT - BRASS' OFFICE - DAY](Brass isworking when his phone rings. He puts the pen down and answers it.)Brass: (to phone) Hello.Ellie Brass: Hello, Dad?Brass: Ellie. Are you okay?SMASH CUT TO: END OF TEASER ROLL TITLECREDITS[SCENE_BREAK][EXT. LAS VEGAS CITY (STOCK) - DAY][INT. POLICE DEPARTMENT - HALLWAY -- DAY](Brass steps out of his office and looks both ways down the hallway. He sees the sheriff and heads over tohim.)Brass: Oh, hey, Sheriff. I'm glad I caught you.(Brass stops in front of the sheriff.)Brass: Um ... I got to take some emergency leave. It's a ... it's a family matter.Sheriff Burdick: I didn't know you had afamily.Brass: Well, you're new. We haven't had a chance to talk. Um ... I, uh, briefed my lieutenant on my cases. He'll cover for me for a couple of days.Sheriff Burdick: This is not a good time for family problems. Allthe narco guys are at a HIDTA conference. I got no backup. I'm still learning the ropes here.(Brass chuckles.)Brass: Well, it's never a good time to have a family problem, Sheriff. Look, I don't ask for time off normally.I'd appreciate the courtesy.Sheriff Burdick: Do I have a choice here, Jim?(The sheriff continues down the hallway.)Sheriff Burdick: (over his shoulder) Get back here as soon as you can.(Brass watches the sheriffgo.)[SCENE_BREAK][EXT. MIKE'S DINER (STOCK) -- DAY][INT. MIKE'S DINER - DAY](The waitress takes the money off the counter. Brass stands in front of the small counter-top display and picks up acellophane-wrapped gift with a small pink bear near the ribbon tie on top.)(Brass puts the small gift on the counter. He counts out the bills and pays the cashier.)[SCENE_BREAK][EXT. LAS VEGAS CITY (STOCK) -DAY][HIGHWAY](Top view down of the highway.)[EXT. LAS VEGAS CITY (STOCK) - HIGHWAY - DAY][EXT. CITY (STOCK) - DAY][EXT. POLICE DEPARTMENT BUILDING - DAY](Brass walks up to the front of thebuilding.)[INT. POLICE DEPARTMENT - OFFICE - DAY](Brass and Annie Kramer hug.)Annie Cramer: You look good, Jimmy.Brass: You do, too, Annie.(Annie Kramer goes to sit behind her desk.)Brass: L.A. seems toagree with you.Annie Cramer: Oh, yeah, well, I couldn't take another Jersey winter.(She sits down. Brass sits down across her desk.)Annie Cramer: Or another Jersey cop.Brass: You stay in touch with the oldcrew?Annie Cramer: You know, dirty cops don't like to hang with clean ones.Brass: So that's why they called me squeaky?Annie Cramer: I thought what you did took a lot of guts. Integrity is, um, hard to come by invice.Brass: Yeah, it's the only detail where you're told to drink, gamble and pick up hookers, all the while carrying a gun.Annie Cramer: Garden of Eden. Temptation kills you, or it compromises you.Brass: So, you gotmy message? My daughter Ellie and her friend Dakota were out partying and Dakota got in some guy's car. Ellie was able to pull a partial. Something about a whale tail.(Brass hands Annie Kramer the notebook paperwith:CA PLATE1TA )Annie Cramer: California Coastal Commission specialty plates. I'll run it through DMV. Cross reference with BMWs. In the meantime, I pulled Dakota's rap sheet.Brass: She has a sheet?AnnieCramer: They both do.(Brass nods.)Annie Cramer: She, uh, works a stretch on Hollywood Boulevard between Highland and Vine.(She hands the file to Brass. He opens it and sees a photo of Dakota holding the IDnumbers:POLICE DEPTAnnie Cramer: When was the last time you saw Ellie, Jimmy?Brass: About three years ago. Um, she got into some trouble in Vegas. Hanging around with a bad bunch.(Brass looks at the rapsheet:REYNOLDS, SASHADOB: 03/04/83 s*x/F RAC/C WGT/120 EYE/BROAKA: 01 DAKOTAKNOWN ASSOCIATES: BRASS, ELLIEAKA: JERSEY )(Brass catches a glimpse of the name and looks away.)Brass: Looks like hertaste in people hasn't changed much.(He shuts the file. Annie hands Brass a slip of paper.)Annie Cramer: Here. Last known address. In case you don't have it.[SCENE_BREAK][EXT. STREET -- DAY](Brass pulls up thefront of a dingy apartment building. In the background, a dog barks. Brass gets out of the car and looks at the building. Graffiti litters the walls. He looks up and sees Ellie step up to the open window.)(He reaches intothe car and grabs his cell phone. We note the pink bear gift in the front seat. With his eye on the window, he makes the call.)Brass: Ellie, it's your dad.Ellie Brass: (to phone) How'd you get this number?Brass: Relax,take it easy. I got it off caller I.D.Ellie Brass: (to phone) Oh, okay. So did you make the call?Brass: Yeah. LAPD's looking into it.Ellie Brass: (to phone) Thanks.Brass: Hey, how are you doing?Ellie Brass: (to phone)Great, actually. Livin' at the beach, temping, waiting tables. Got some really good friends.(As Brass watches, a man steps up to the window next to Ellie. He's smoking a pipe and offers it to her. She inhales. He alsoinhales.)Ellie Brass: (to phone) It's a big bowl of cherries.(She smiles. The man puts his arm around her waist and lingers.)Brass: (to phone) Okay, um, I'll call you when I hear something, all right?(Brass hangsup.)[SCENE_BREAK][EXT. (KOREATOWN) - NIGHT](Cops are parked around an area. Brass gets out of his car and meets with Annie Kramer.)Annie Cramer: Hey, Jim.Brass: Hey.Annie Cramer: We found the beemer.Found these two kids trying to hotwire it. Whale tail license plate starting with One-T-A.Brass: Let's talk to them.Annie Cramer: I'll talk, you listen.(Annie and Brass walk up to the two kids.)Annie Cramer: All right, whatthe hell's the matter with you? You looking to die young? 'Cause you can do it inside in lock-up or outside with this wanna-be gang banger stealing cars crap.Kid 1: We weren't stealing nothing. Window was alreadybusted. Car wouldn't even start. We were just playing around.Annie Cramer: You like playing with cars, huh? LAPD's having a car wash fund-raiser on Saturday. You just signed yourselves up. You're welcome.(Shesteps up and motions to the officer nearby.)Annie Cramer: Come on.(The officer unlocks the kids' handcuffs.)Brass: So, no Rudy Giuliani broken windows theory here, huh?Annie Cramer: Jimmy, windows are alreadybroken. Someone's got to fix 'em.(They walk up to the BMW for a closer look. Brass notices a sticker on the broken windshield.)Brass: Hey, check this out. B-H-G-C?Annie Cramer: Looks like a country club orsomething. Doesn't read like Koreatown. I'll have my guys run the plates.Brass: Anybody checked the trunk?Annie Cramer: Not yet.(Brass opens the hood.)(The spare tire is missing.)Annie Cramer: Doesn't look goodfor Ellie's friend.(Annie takes out her cell phone and dials.)INTERCUT WITH:[INT. LOBBY (HIDTA CONFERENCE) - NIGHT](Matt Glazer answers his phone.)Matt Glazer: (to phone) Glazer. Yeah, we're just finishing up. Notraffic. I'll be there in about twenty minutes. Okay.(He hangs up and taps Warrick on his shoulder.)Matt Glazer: Vegas?(Warrick turns around.)Warrick: Hmm?Matt Glazer: You know a Jim Brass?[SCENE_BREAK][EXT.VARIOUS LOS ANGELES CITY LIGHTS (STOCK) -- NIGHT][EXT. (KOREATOWN) -- NIGHT](Warrick and Matt Glazer arrive at the site.)Warrick: Where he at?Matt Glazer: (points) (garbled) Over there.(Warrick walks overto Brass.)Warrick: Jim.Brass: Rick. Rick, what are you doing here?Warrick: I'm here for the HIDTA conference. Buddy of mine from L.A.P.D. told me there was a new captain in town, stirring things up. What are youdoing here?Brass: Ah, it's a long, sad story, man.Warrick: Have anything to do with a feisty little blonde named Ellie?Brass: She's not a blonde anymore. Let's check out the car.(Brass and Warrick head over to the car.Annie Kramer stands near the trunk. Brass makes the introductions.)Brass: Captain Annie Kramer, this is Warrick Brown from Las Vegas.Annie Cramer: Good to meet you.(They shake hands.)Warrick: Good to meetyou.Matt Glazer: (to Brass) Matt Glazer, L.A.P.D. Crime lab.Brass: Hey, Jim Brass.(They shake hands.)(Warrick looks at the car.)Warrick: Well, I thought L.A. was all about car culture. This reminds me of home.MattGlazer: Trunk's been stripped clean.Warrick: Too clean.Matt Glazer: Oh, they missed a spot.(Camera zooms in to the spot that was missed.)Matt Glazer: Looks like two large caliber bullet holes.Warrick: But a bullet holewouldn't make those markings. What is that?Matt Glazer: I don't know.Warrick: It looks like a tool marking.(Quick flash of: A crowbar-like tool is in the hole being jammed in and twisted around, leaving the areascratched up. End of flash. Resume to present.)Matt Glazer: Let's haul it back to impound and find out.(Matt Glazer picks up his things and heads out. He looks at Annie Kramer.)Matt Glazer: I'll be in touch.AnnieCramer: Thanks.Warrick: Hey, you know, uh, Jim, I'm here all weekend. If you need anything, don't hesitate to call. (to Annie) Pleasure meeting you.Annie Cramer: Same here.(Warrick walks past Brass.)Warrick: (toBrass) Remember, what happens in L.A., stays in L.A.(Warrick leaves. Brass looks at Annie.)Annie Cramer: You still a scotch man?Brass: I'll take a rain check, okay.(He smiles and winks at her. Brass turns and walksaway.)[SCENE_BREAK][EXT. HOLLYWOOD (STREET) - NIGHT](A car pulls up to the curb. Ellie gets out; the car leaves. She starts walking along the sidewalk.)(Another car pulls up to the curb. She walks up to the carand knocks on the glass.)Ellie Brass: Hey, baby, you want to party?(Brass rolls down the window. Ellie looks at her dad.)Brass: Ellie ...Ellie Brass: Oh, I can't ever trust you. All I did was ask you to make a call.Brass:How's the beach house?Ellie Brass: Go to hell.Brass: I have information about your friend, Dakota. Get in.Ellie Brass: All right. But I'm not playing twenty questions with you.(Ellie slips into the car.)(Just then, a cop carpasses, lights flashing.)Ellie Brass: So, did you find her body?(Brass looks at Ellie.)Brass: No. But we found the car.Ellie Brass: So she could still be alive?Brass: We found blood in the trunk.Ellie Brass: No, no, no, she'salive. I can feel it.Brass: Look, do you have anything with her DNA on it, like a hair brush or toothbrush or ... ?Ellie Brass: No. We keep all that stuff in our purse.Brass: How about clothes or sheets or pillowcases, likethat?Ellie Brass: We share everything else.Brass: Even the bed?Ellie Brass: I told you I'm not playing that game.Brass: If the lab doesn't have anything to match the blood to, then we'll never know. That's it.(She looksaway and sniffs.)Brass: Come on, let's get some dinner, huh? You look hungry.Ellie Brass: Wait. Blood. We went and got tested last week at the free clinic on Ivar. Maybe they keep it.Brass: Tested for what?Ellie Brass:What do you think?Brass: Don't you use protection?Ellie Brass: Guys pay extra for bareback.(She looks away. Brass sighs.)Brass: You're a lot smarter than that, Ellie. Come on.Ellie Brass: Yeah, well, just because youwant me to be smarter and sweeter and safer doesn't mean I am. And I got to go. Guess you know how to find me if you hear anything.Brass: Don't go away. Don't-don't leave, don't leave.Ellie Brass: You're one totalk. All my life, that's all you did, walk out. Now we're gonna Norman Rockwell it? Look around, Dad. It's too late.Brass: Don't leave.(Ellie gets out of the car.)Ellie Brass: Leave me alone.(She slams the door andleaves.)Brass: Ellie. Ellie!(Camera holds on Brass.)[SCENE_BREAK][EXT. FREE CLINIC -- DAY][INT. FREE CLINIC - HALLWAY -- DAY](Brass and Annie talk with the doctor at the Free Clinic.)Doctor: Here at the clinic, wepride ourselves a confidential relationship with our patients. This is a highly unusual request.Annie Cramer: I understand, but we're investigating a possible homicide here.Brass: We found blood in the trunk of a car. Wehave reason to believe it could be Sasha Reynolds', street name Dakota.Annie Cramer: We're not interested in whether it's positive or negative. We need it for the DNA.(A young blonde woman walks up to thedoctor.)Doctor: How many do you need?Woman: Ten.(The doctor looks at her. The woman looks sheepish.)Woman: Twelve.(The doctor looks at the clerk who hands her the condoms. The doctor hands the condoms tothe woman.)Brass: Is that all the help they get?Doctor: These kids come from all over the place with stars in their eyes. While they're waiting to be discovered, they still got to pay their rent. They do a bump to turntheir first trick. Next they're turning tricks to get their next bump. We do what we can. You do what you do.(Annie's phone rings.)Annie Cramer: Excuse me.(She steps away to answer it. The clerk hands the doctor azip-loc bag with the vial of blood in it. The doctor hands it to Brass.)Annie Cramer: (to phone) (o.s.) Yeah. Kramer.Doctor: Good luck.Brass: Good luck to you, too, doctor.Annie Cramer: (to phone) You're kidding me.Terrific. Okay. We're on it. Bye.(She hangs up as Brass steps up to her.)Annie Cramer: We got an R.O. on the car.[SCENE_BREAK][EXT. HOLLYWOOD SIGN (STOCK) - DAY][EXT. PICCONE RESIDENCE - FRONT DRIVE -DAY](Annie Kramer and Brass walk up the front drive of the large home. Brass picks up the paper and follows Annie to the front door.)[EXT. PICCONE RESIDENCE - FRONT PORCH - DAY](Annie rings the doorbell. Thedoor opens. A young, well-dressed man in a suit and tie answers. He smiles at Annie.)Todd Piccone: Captain Kramer.Annie Cramer: Hey, Todd.(Todd glances at Brass.)Todd Piccone: What's up?Annie Cramer: I, uh,stumbled across something. Thought I'd pay you a house call. You missing a car?Todd Piccone: Yeah, it was stolen.(Again, Todd glances at Brass.)Annie Cramer: You didn't report it.Todd Piccone: No, I didn't.AnnieCramer: What's that about?(Todd turns and looks at Brass.)Todd Piccone: Who are you?(Brass smiles at Todd.)Annie Cramer: I'm sorry, this is an old friend of mine, Captain Jim Brass, Vegas P.D.(Brass gives Todd hisnewspaper. Todd puts the paper aside.)Todd Piccone: Off the record?Annie Cramer: Okay.Todd Piccone: I went down the hill. I was, um ... lonely. Partook of the services of a certain kind of young lady. And while wewere getting acquainted, I was carjacked.(Quick flash of: [NIGHT] Todd Piccone and Dakota are in the car when someone carrying a gun taps on his window.)Dakota: Just relax.(End of flashback. Resume topresent.)Todd Piccone: I was set up. It was probably her pimp or drug dealer.Brass: How'd you get up the hill?Todd Piccone: Took a cab.Brass: They didn't take your wallet?Todd Piccone: Oh, the car was worth morethan the cash. They knew what they were doing.Brass: It's a pretty sweet ride. I'm still hung up on why you didn't report it.Todd Piccone: Captain, maybe I should introduce myself. Todd Piccone, Assistant CityAttorney. Let's just say that my reputation is worth more than my car.Brass: Then maybe you should stop having dates in your front seat.(Annie turns and looks at Brass.)Todd Piccone: You're right. Lesson learned.Thank you, officer.(Todd turns back to Annie.)Todd Piccone: So the car was stripped, I'm sure, uh ... South Central? Koreatown? East L.A.?Annie Cramer: Koreatown.Brass: How would you know that?Todd Piccone:'Cause, Captain, that's where good cars go to die in Los Angeles.Annie Cramer: Hey, Todd, I don't suppose we could take a look around?Todd Piccone: Uh, yeah. You know, I'm expecting company. Now's not a goodtime.(He closes the door on them.)[SCENE_BREAK][EXT. CAR (MOVING) - DAY]Brass: We need to get a warrant to get into that house.[INT. CAR (MOVING) - DAY](Annie drives.)Annie Cramer: Oh, yeah? Well, we don'thave enough.Brass: Enough for a city attorney?Annie Cramer: You know, give me a break. You know how many cars get jacked in L.A. every day? He admitted to being with a prostitute. What makes you think he's nottelling the truth about the rest?Brass: He's hinky. I can feel it.Annie Cramer: Your gut can talk to my Judge. Or better yet, talk to Ellie. You should. You should get the 4-1-1 on Dakota from her.Brass: There's anunreliable witness. So what do we do now?(She sighs.)Annie Cramer: We eat steak.[SCENE_BREAK][EXT. MUSSO'S GRILL (STOCK) - DAY][INT. MUSSO'S GRILL - DAY](Annie leads Brass into the restaurant.)AnnieCramer: Tony, how are you doing? Table for two, please, in the back, if you could.Brass: What are we doing here again?Annie Cramer: I'm doing you a big favor.(As they head toward the back, they come across a largetable with various well- dressed powerful men. Judge Silvio Peters stands up to greet Annie.)Judge Silvio Peters: Annie, hello.Annie Cramer: Hey, Judge Peters. What a nice surprise.Judge Silvio Peters: Nice to seeyou.Annie Cramer: Good to see you. How's that porterhouse?Judge Silvio Peters: Eh, I haven't started yet.(Annie introduces Brass to the group of men.)Annie Cramer: Gentlemen, I'd like you to meet an old friend ofmine, Captain Jim Brass, LVPD.Brass: Hey.Annie Cramer: This is Judge Silvio Peters, Councilman Joe Cohen.Brass: Judge, Councilman.Annie Cramer: Comptroller Daniel Reichmann, and Vic Patterson.(Brass shakes VicPatterson's hand.)Brass: Hey, Vic, how are you doing?Vic Patterson: Soon to be mayor.(Vic Patterson laughs.)Vic Patterson: Hey, you know what? We shot a couple episodes of my show in Vegas. You remember that?Right?Brass: Right.Vic Patterson: The Eagle. Yeah, you guys were great. You always treated us really well.Brass: Well, we try.Annie Cramer: Remember how great he was as that cop?(Vic Patterson laughs.)AnnieCramer: Like he was playing you.(The others around the table laugh.)Brass: Well, that's not easy.(As they continue talking, Annie walks over to Judge Silvio Peters and speaks to him quietly.)Annie Cramer: (to JudgeSilvio Peters) Listen, since I happened to run into you ... we found Todd Piccone's car just off of Vermont. Had bullet holes and blood in the trunk. He claims it was stolen, but I'm hoping that I could get a look around hishouse a bit ...Vic Patterson: Oh, you know what? Let me get you an autograph or something. Little something for me. And a little something for you.(Vic Patterson reaches into his jacket pocket for a pen. Brass happensto catch the tie clip he's wearing with the letters B-H-G-C on it.)Judge Silvio Peters: If you had enough for a warrant, you wouldn't be here. You'd be on your cell phone, calling me from Tommy Burger.(Annie suspectedas much.)Annie Cramer: Finish your steak before it gets cold.(Vic Patterson gives Brass the napkin with his autograph on it.)Vic Patterson: There you are.Brass: I'm touched. Thank you, man. Thank you.Gentlemen.Annie Cramer: Enjoy your lunch, gentlemen. Nice to see you.Judge Silvio Peters: You as well.(Annie and Brass leave the table.)Annie Cramer: (to Brass) Strike one, your turn.[SCENE_BREAK][EXT. LASVEGAS CITY (STOCK) - DAY][INT. HALLWAY - DAY](Annie and Brass walk through the hallway. We hear a television set playing loudly. They stop at apartment 2-F. Annie knocks on the door.)(Ellie opens the door.)EllieBrass: Oh. Well, if it isn't Dick Tracy and his little sidekick, Nancy Drew.Annie Cramer: We're here on official business. Just let us in.(Annie steps into the apartment. Ellie turns around and heads inside. Brass stepsinside. On the television is an ad for Vic Patterson's campaign.)Vic Patterson: (from tv) Vote Vic Patterson. Put some action back in government.(Ellie sits on the bed.)Announcer: (from tv) Vic Patterson has a plan forLos Angeles. He wants to restore trust in City Hall. Vic Patterson has the energy it takes to get Los Angeles back on track ...Annie Cramer: You and Dakota have the same pimp?Ellie Brass: No. We don't have a pimp."}
+{"doc_id":"doc_274","qid":"","text":"EXT, SEA, NIGHTA group of four pirates row the long boat back to their ship through still waters through dense fog. The ship is still as there is not enough wind to fill the sails though a small breeze blows the array ofcharms hanging like chimes.EXT. SHIP'S DECK, NIGHTThe pirates climb aboard and are greeted by another.PIRATE 1: What's wrong?PIRATE 2: Man wounded.Stunned, PIRATE 1 looks at the wounded man even as hepoints to the aft of the ship.PIRATE 1: Wake him.PIRATE 2 leaves.INT. SHIP, CAPTAIN'S CABIN, NIGHTWe see gold and jewels spilling over chests. The pirates are there, waiting on the CAPTAIN'S decision.PIRATE 1: Heslipped in the bilge water, Cap'n, and fell on to the rigger. His hand... I don't know if he'll survive.The CAPTAIN turns around and looks at the WOUNDED MAN'S hand. There is a small scratch on his finger.CAPTAIN:You're a dead man, McGrath.The CAPTAIN turns over McGRATH'S hand to reveal a black spot on his palm.CAPTAIN: Same as all the others.A hypnotic woman's voice can be heard singing.CAPTAIN: She's here.PIRATE1: Oh, save our souls.McGRATH: I've got to escape! (runs from the cabin)PIRATE 1: Don't go out there! McGrath! Don't listen for God's sake. The siren is a-calling.EXT. SHIP'S DECK, NIGHTMcGRATH runs onto thedeck, tripping on coiled rope.INT. SHIP, CAPTAIN'S CABIN, NIGHTThe CAPTAIN locks the cabin door. He then takes a pendant from his neck and wraps the leather strap around the door handles. On one side of thependant is a carved relief of a mermaid.EXT. SHIP'S DECK, NIGHTMcGRATH holds his knife in one hand, ready to strike. He uses his other hand to try and block out the singing.INT. SHIP, CAPTAIN'S CABIN, NIGHTTheothers hear his scream as the pendant slowly swings at the lock.EXT. SHIP'S DECK, NIGHTThe other pirates come out on deck. There is no sign of McGrath, only his pistol.CAPTAIN: (picks up pistol) Same as all theothers. No sign of a struggle. No bones or blood.PIRATE 1: We're shark bait, every single one of us. Stuck on the ocean, waiting until the wind changes. There is a banging from one of the hatches.CAPTAIN: What'sthat?PIRATE 1: The creature, it's returned.The pirates approach cautiously, the CAPTAIN aims the pistol. The hatch bursts open to reveal the DOCTOR, RORY and AMY.DOCTOR: Yo ho ho! Or does nobody actually saythat?[SCENE_BREAK]Matt Smith Karen Gillan Arthur Darvil\"The Curse of the Black Spot\" by Steve ThompsonProducer Marcus WilsonDirector Jeremy Webb[SCENE_BREAK]INT. SHIP, HOLD, NIGHTThe TARDIS restsamong the storage.INT. SHIP, CAPTAIN'S CABIN, NIGHTThe CAPTAIN is questioning the presence of strangers on his ship.CAPTAIN: We made no signal.DOCTOR: Our sensors picked you up. Ship in distress.CAPTAIN:Sensors?DOCTOR: Yes. OK. Problem word. Seventeenth century. My ship automatically, er..noticed-ish... that your ship was having some bother.CAPTAIN: That big blue crate!?The DOCTOR snaps his fingers.PIRATE 1:Tis more magic, Captain Avery. They're spirits. How else would they have found their way below decks?DOCTOR: Well, I want to say multidimensional engineering, but since you had a problem with sensors I won't gothere. Look, I'm the Doctor, this is Amy, Rory. We're pirates, same as you. Arghhhhh!The DOCTOR turns to look at the pirates behind them and when he turns around, AVERY has a pistol aimed at his head.DOCTOR:Except for the gun thing. And the beardiness.AVERY: You're stowaways! Only explanation. Eight days, we've been stranded here. Becalmed. You must have stowed away before we sailed.PIRATE 1: What do we do with'em?AVERY: Oh, I think they deserve our hospitality.EXT. SHIP'S DECK, NIGHTThe DOCTOR is standing at the edge of a plank jutting over the side of the ship. The pirates laugh.DOCTOR: I suppose that laughing likethat is in the job description. \"Can you do the laugh?\" Check. Grab yourself a parrot. Welcome aboard.AVERY: Stocks are low. Only one barrel of water remains. We don't need three more empty bellies to fill. Take thedoxy below to the galley. Set her to work. She won't need much feeding.One of the pirates \"escorts\" AMY to the stairs that lead below-decks.AMY: Rory, a little help?RORY is being restrained by another pirate.RORY:Hey, listen right. She's not a doxy.AMY: I didn't mean just tell him off. Thanks anyway.The pirate forces her below.AVERY: If you're lucky you'll drown before the sharks can take a bite.DOCTOR: If this is just becauseI'm a captain too, you shouldn't feel threatened. Your ship is much bigger than mine. And I don't have the cool boots. Or a hat, even.AVERY: (aims pistol) Time to go.DOCTOR: A Bit more laughter, guys? (motions withhand)INT. SHIP, BELOW-DECKS, NIGHTAMY opens a chest and finds it filled with swords. She takes one out and as she's testing the feel of it in her hand, she sees a long coat and a tricorne hanging on a peg.EXT.SHIP'S DECK, NIGHTDOCTOR: Where are the rest of the crew? This is a big ship. Big for five of you. I s'pose the rest of them are hiding some place (holds his nose) and they're going to jump out and shout \"boo\".AMY:Boo!The men turn around to see AMY wearing the coat and hat, sword pointed at AVERY's throat.AMY: Throw the gun down.AVERY drops the gun to the deck and AMY kicks it away.AMY: The rest of you, on yourknees.DOCTOR: Amy? What are you doing?AMY: Saving your life. OK with that, are you?AVERY: Put down the sword. A sword could kill us all, girl.AMY: Yep, thanks. That is actually why I'm pointing it at you.One of thepirates comes at AMY with a wooden handle, surprising her and forcing her back from AVERY. When the DOCTOR tries to intercede, AVERY pushes him back into the rigging. When AMY advances on the pirates with thesword, they back away, gasping in fear. AMY shows off a little, swishing the sword through the air. The pirates take advantage and push forward again. AMY fights them off. One advances on her with a rope, backing herinto a corner. AMY swings through the air on a piece of rigging, swing her sword. She cuts one of them as she passes before landing on a barrel.PIRATE 3: You have killed me.AMY: No way. It's just a cut.A black spotappears on PIRATE 3's hand.AMY: What kind of rubbish pirates are you?AVERY: One drop, that's all it takes. One drop of blood and she will rise out of the ocean.AMY: Come on. I barely even scratched him. What areyou all in such a huff about?One of the pirates approaches her and she swings out on the rope. He stops her and the sword flies from her hand. RORY tries to catch it, but cuts his hand. A black spot appears on hispalm.RORY: Doctor? What's happening to me?AVERY: She can smell the blood on your skin. She's marked you for death.RORY: She?AVERY: A demon, out there in the ocean.DOCTOR: OK. Groovy. So not just piratestoday. We've managed to bagsy a ship where there's a demon popping in. (looks at RORY'S hand) Very efficient. I mean if something's going to kill you, it's nice that it drops you a note to remind you.The SIREN'S songstarts again.PIRATE 1: Quickly now. Block out the sound.The others put their hands over their ears.RORY: What?AVERY: The creature. She charms all her victims with that song.RORY: Oh, great, so put my fingers in myears. That's your plan? Doctor, come on let's go lets get back to the...back to the... (starts acting dopey and giggles)PIRATE 1: The music. It's working on him. Look.RORY: (to AMY) You are so beautiful.AMY:What?RORY: I love your get up. That's great. You should dress as a pirate more often. Cuddle me, shipmate.AMY: Rory, stop.RORY: Everything is totally brilliant isn't it? Look at these brilliant pirates. Look at theirbrilliant beards. I'd like a beard. I'm going to grow a beard.AMY: You're not.AVERY: The music turns them into fools.RORY and the other wounded pirate continue to act like they're drunk or high.AMY: Oh, my God.Offthe starboard side of the ship, a section of the water glows green. Everyone watches and soon a woman rises from the water. She, too, glows green. RORY'S jaw drops at the sight of her. AMY grabs his arm and holdshim back as the SIREN floats down to the deck. PIRATE 3 walks towards her and the others half-heartedly grab for him as they, too, are entranced. The SIREN has her arm outstretched and PIRATE 3 reaches for herhand. Still held back by AMY, RORY reaches for her. As soon as PIRATE 3's hand touches the SIREN, his body is dispersed. RORY breaks free of AMY.RORY: I have to touch her. Let me touch her.AMY pushes her waypast RORY and faces the SIREN.AMY: Sorry, but he is spoken for.The SIREN hisses and turns red. She sends AMY flying backwards to land on the deck.DOCTOR: (goes to AMY) Amy! Everybody into the hold.The pirateshead to the hold. RORY stands there, still entranced.DOCTOR: Rory!The DOCTOR makes sure AMY is safe before grabbing RORY.RORY: Hey!INT. SHIP, HOLD, NIGHTThey make their way down into the hold, splashingthrough the gathered water.AMY: What is that thing?AVERY: The legend. The siren. Many a merchant ship, laden with treasure has fallen prey to her. She's been hunting us ever since we were becalmed. Picking off theinjured.PIRATE 1: Like a shark. A shark can smell blood.DOCTOR: OK. Just like a shark. In a dress. And singing. And green. A green singing shark in an evening gown.AVERY: The ship is cursed.DOCTOR: Yeah right.'Cursed' is big with humans. Means bad things are happening but you can't be bothered to find an explanation.RORY: She's the most beautiful thing I've ever seen.AMY: Actually I think you'll find she isn't. We have toleave. Right now.AVERY: That thing of yours really is a ship?DOCTOR: Well, it's not propelled by the wind.AVERY: Show me. Weigh anchor. Make it sail! (pulls gun)DOCTOR: And the gun's back. You're big on the gunthing aren't you? Freud would say you're compensating. Have you ever met Freud? No? Comfy sofa.PIRATE 4: Leave the cursed one, Captain. The creature can have him.RORY: Yes, please.AVERY: We don't want thesiren coming after us.The pirates cry out and one lifts his leg from the water. There's something on it.AMY: It's a leech!DOCTOR: Everyone out of the water!Everyone climbs out of the water onto the crates. PIRATE 4pulls the leech from his leg.PIRATE 4: It's bitten me, I'm bleeding. (the spot appears)DOCTOR: She wants blood. Why does she want blood?AMY: What were you saying about leaving the cursed ones behind?DOCTOR:It's OK. We're safe down here. No 'curse' is getting through three solid inches of timber.The SIREN appears behind the DOCTOR and begins to sing.DOCTOR: Ah. Hello again.AMY holds back RORY but PIRATE 4 walksforward.AVERY & DOCTOR: No! No! No!PIRATE 4 touches the SIREN'S hand and disappears. His hat falls to the floor. Everyone rushes from the hold, the DOCTOR pushing RORY, PIRATE 4's hat in hand.INT. SHIP,BELOW-DECKS, NIGHTThe DOCTOR bolts the door behind him.AMY: Safe?DOCTOR: I have my good days and my bad days.AVERY: How did she get in?DOCTOR: (uses sonic on hat) The bilge water - she's using waterlike a portal, a door. She can materialise through a single drop. We need to go somewhere with no water.AMY: Well, thank God we're not in the middle of the ocean.The DOCTOR puts on the hat.RORY: Did you see hereyes? Like crystal pools.AMY: You are in enough trouble.AVERY: The magazine!AMY: What?DOCTOR: He means the armoury where the powder's stored.AVERY: It's dry as a bone.DOCTOR: Good let's go, there.AVERY:(pulls gun) I give the orders.DOCTOR: Ah. Worried because I'm wearing a hat now?! (heads for the magazine) Nobody touch anything sharp!AMY: Come on Rory. (pulls him by the arm)In another section below-deck,PIRATE 1 takes out a ring of keys to open a locked door.AVERY: Quickly, man.PIRATE 1: The key, 'tis gone, Cap'n.AVERY: How can it have gone?DOCTOR: (pushes the door open) Someone else had the same idea.INT.SHIP, MAGAZINE, NIGHTThey enter the room cautiously. The room is empty.AVERY: Barricade the door. Careful of that lantern! Every barrel is full of powder.DOCTOR: Who's been sleeping in my gun room?AVERYhears a muffled coughing and removes the lid of one of the barrels. He reaches a hand in a pulls out a young boy.AVERY: You fool. You fool, boy. What are you doing here?PIRATE 1: Who is he?DOCTOR: What, he's notone of the crew?AVERY: No. He's my son.A few moments later, the BOY is sitting on a bench, AVERY next to him. Everyone else stands and looks on.AVERY: What in God's name possessed you, boy? Your mother will besearching for you. (the BOY looks down) When?BOY: Last winter. Fever. She told me all about you. How you were a Captain in the Navy. An honourable man, she said. How I would be proud to know you. (coughs) I'vecome to join your crew.AVERY: I don't want you here.BOY: You can't send me back. It's too late. We're a hundred miles from home.AVERY: It's dangerous here. There's a monster aboard. She leaves a mark on men'sskin.BOY: The black spot?The BOY shows the palm of his hand. There's a black spot. AVERY grabs his son's hand. The BOY coughs. A little later, AMY, the DOCTOR and RORY are sitting while the pirates stand. RORYrubs the spot on his palm.AVERY: There's nothing wrong with the boy. He has no scars.DOCTOR: Yep. Ignore my last theory.AMY: He has his good days and his bad days.DOCTOR: It's not just blood. She's coming forall the sick and wounded. Like a hunter chooses the weakest animal.AMY: OK, look He's got a fever.DOCTOR: The siren knows it. Humans. second-rate. Damage too easily. It's only a matter of time before everyonegets bruised. My ship. it can sail us all away from here. You and me, we fetch it. Let's go. (stands)AVERY: (pulls out pistol) You're not the Captain here, remember?The BOY opens one of the barrels to reveal water. TheSIREN reaches through with her arms. The DOCTOR forces the lid back on.AVERY: The water's dangerous. That's how she gets through. One touch of her hand and you're a dead man!PIRATE 1: We're all cursed if westay aboard!DOCTOR: It's not a curse. Curse means game over. Curse means we're helpless. We are not helpless! Captain, what's our next move?AVERY drapes the pendant around the BOY'S neck.AVERY: Wait withthe boy.PIRATE 1: Captain we're all in danger here.AVERY: I said wait, and barricade the door after we've gone.AMY: Sure you want to go?DOCTOR: We have to get Rory and Toby away. She's out there now, licking herlips, boiling a saucepan, grating cheese.AMY: OK, well remember, if you get an itch, don't scratch too hard.DOCTOR: We've all got to go some time.AMY and RORY exchange a look, remembering what they saw inUtah.DOCTOR: There are worse ways than having your face snogged off by a dodgy mermaid. (pats RORY on the shoulder)INT. SHIP, BELOW-DECKS, NIGHTThe DOCTOR and AVERY step out of the room and AVERYputs his gun away.AVERY: D'you want to draw lots for who's in charge, then?DOCTOR: Darkness. Demon. You can have first go. (pats AVERY on the chest)They make their way back to the hold. AVERY slips and nearlyputs his hand down on an exposed nail. The DOCTOR grabs his hand just in time.DOCTOR: Nearly. Phew!INT. TARDISThe DOCTOR runs up to the console while AVERY stands just inside the door.AVERY: By all the...(walks slowly to the console)DOCTOR: Let me stop you there. Bigger on the inside. Don't mind, do you, if we just skip to the end of that moment? Oh, and sorry I lied by the way, when I said yours was bigger. Kitchenthat way. Choice of bathrooms - there, there, there.INT. SHIP, MAGAZINE, NIGHTTOBY sits on the floor, coughing. AMY looks at him.RORY: What's wrong?AMY: The most beautiful thing you've ever seen.RORY: Oh, tellme I didn't really say that.AMY notices the two pirates removing the barrels blocking the door.AMY: What's going on?PIRATE 1: We're not staying here to mollycoddle the boy. The Captain's gone soft, it's time for us toleave.INT. TARDISThe DOCTOR is typing on the console when AVERY starts pointing and touching controls.AVERY: What's this do?DOCTOR: (pointing) That does very very complicated. That does sophisticated, thatdoes whoa, amazing, and that does whizz bang far too technical to explain!AVERY: Wheel?DOCTOR: Atom accelerator.AVERY: It steers the thing.DOCTOR: No...Sort of...Yes.AVERY: Wheel. Telescope. Astrolabe.Compass. A ship's a ship. Oh...INT. SHIP, MAGAZINE, NIGHTTOBY gets up.TOBY: He told you to wait, you dog. He's your Captain, a Naval Officer. You're honour-bound to do as he tells you.PIRATE 1: 'Honour-bound'?Do you know what kind of ship this is? Do you know what your father does?AMY puts her arms about TOBY'S shoulders.AMY: Don't listen to him, Toby.PIRATE 1: We sail under the black flag. The Jolly Roger.TOBY:Liar!(lunges) He's no wicked pirate!PIRATE 1: Oh, you think so? I've seen your father gun down a thousand innocent men.INT. TARDISDOCTOR: This is how the professionals do it.The DOCTOR sets the TARDIS inmotion. Its machinery groans and goes nowhere.DOCTOR: It's stuck. Not responding.AVERY: Becalmed?DOCTOR: Mm-hm. Apparently. That's new. You had to gloat, didn't you?AVERY: I'm not gloating.DOCTOR: I sawthat look just now. Ha-ha his ship is rubbish.AVERY: True.INT. SHIP, MAGAZINE, NIGHTPIRATE 1: (to PIRATE 5) Get what treasure you can I'll meet you in the row boat.TOBY comes forward, a sword pointed at PIRATE1.TOBY: You're going to remain at your post.PIRATE 1: I am not playing games with you boy, you put that down.TOBY: One more step and I'll use this, you blaggard.PIRATE 1: You don't know how to fight with acutlass, boy.TOBY: Don't need to, do I?TOBY lunges forward and cuts PIRATE 1 on the hand.PIRATE 1: Ah! (breathes heavily) No...INT. TARDISThe DOCTOR checks the controls.DOCTOR: It can't get a lock on theplane.AVERY: The what?DOCTOR: The space we travel in. The... ocean. Sort of ocean but not water. The TARDIS can't see. It's sulking because it thinks the space doesn't exist. Without a plane to lock onto we're notgoing anywhere.AVERY: I'm confused.DOCTOR: It's a big club. We should get T-shirts.There is an explosion and rumblings.DOCTOR: What's happening?INT. SHIP, MAGAZINE, NIGHTPIRATE 1: (turns his palm over toreveal the spot) You little swabber!AMY: Congratulations. Made it to the menu. Probably shouldn't go out there now.PIRATE 1: (pulls pistol) You scurvy ape.RORY: Don't shoot! The powder will blow and kill us all.PIRATE2 takes the key ring from PIRATE 1's belt.PIRATE 1: Mulligan, what are you doing?MULLIGAN leaves.AMY: No honour among pirates.PIRATE 1 lowers his gun and begins to pile the barrels back in front of the door.INT.TARDISThe DOCTOR frantically works the controls.DOCTOR: OK. She's had her little sulk. Now she's heading for the full-on screaming tantrum.AVERY: Can you fix it?DOCTOR: The parametric engines are jammed.Orthogonal vector's gone. I'm almost out of ideas.AVERY: Almost?DOCTOR: Well, we could try stroking her and singing her a song.AVERY: Will that help?DOCTOR: Hard to say, never has before.The DOCTOR flips aswitch in the hopes of regaining control but it doesn't work. The TARDIS rocks.DOCTOR: Argh! I've lost control of her, she's about to dematerialise we could end up anywhere!AVERY: That sounds bad.DOCTOR: Yes, itis! Out! Now! Abandon ship! ABANDON SHIP!The DOCTOR grabs AVERY and pushes him out the door as the console begins to explode, shooting sparks.INT. SHIP, BELOW-DECKS, NIGHTThe DOCTOR and AVERY run outof the TARDIS and as far from her as possible in the cramped space. They turn around to see the TARDIS enveloped in a green light as it disappears.DOCTOR: OK, OK, OK. TARDIS runs off on its own. That's a bit of anew one. Bang goes our only hope of getting them out of here.AVERY: Not much of a Captain without a ship, are you?The DOCTOR and AVERY head back to the magazine and are stopped by MULLIGAN who holds twopistols on them. He also carries treasure, a crown around his arm.AVERY: Mulligan? What are you doing? This is mutiny.MULLIGAN: She doesn't want me. She only wants Toby and the scrawny looking fellow. (runsoff)DOCTOR: He's got the last of the supplies. We should go after him.AVERY: Never mind the damned supplies. What about my treasure?AVERY and the DOCTOR follow MULLIGAN. MULLIGAN fires but they takecover.DOCTOR: Don't get injured. Don't get injured.INT. SHIP, STOREROOM, NIGHTThey chase MULLIGAN back to the hold. He locks the door behind him. Using flint, he lights a fire in a small hand-held paddle. drops itwhen the flames burn his hand.AVERY: (through door) Come out of there you mutinous dog!MULLIGAN burns his hand and drops the paddle, leaving him in darkness.MULLIGAN: Ow!INT. SHIP, BELOW-DECKS, NIGHTAsthe DOCTOR is using the sonic on the lock, they hear the SIREN singing. The DOCTOR and AVERY begin checking each other for injury. The look to the door and see green light through the cracks.DOCTOR: She's"}
+{"doc_id":"doc_275","qid":"","text":"•I do not own the characters or situations of BTVS and I claim no credit for the content of this episode. I have merely transcribed what appeared on my screen, with help from the closed captions. •I prefer that you linkto this transcript on the Psyche site rather than post it on your site, but you can post it on your site if you really want, as long as you keep my name and email address on it. Please also keep my disclaimers intact. DONOT POST MY TRANSCRIPT ON YOUR SITE WITHOUT MY NAME ON IT! • I apologize in advance for my lame transcription of the fight scenes. I don't know the names of different punches and kicks. Use yourimagination.[SCENE_BREAK]No teaser. Episode opens right where \"Two To Go\" left off.[SCENE_BREAK]Act I[SCENE_BREAK]Open on Buffy lying on the floor of the Magic Box. She lifts her head, sits up and starestoward the door.BUFFY: Giles? Giles just stands there with a grim expression. Anya, on the floor in another part of the magic shop, also looks over as she stands up.ANYA: Giles? Giles still doesn't respond to either ofthem.WILLOW: (O.S.) Uh oh. Reveal Willow still lying on the floor where Giles's blast of magic threw her.WILLOW: (sarcastic) Daddy's home. I'm in wicked trouble now. Willow sits up and wipes her bloody nose with herhand, looks at the blood, wipes again. Her hair is still black and her face still covered with dark veins, although her eyes are normal.GILES: You have no idea. (Willow sitting up) You have to stop what you'redoing.WILLOW: (fake smile) Uhh, sorry. Can't do that. (Giles walking closer) I'm not finished yet. Willow starts trying to get up, somewhat shaky.GILES: Neither am I. Stay down. Giles gestures at Willow with one handand she falls back onto the floor, wincing.ANYA: (softly to Giles) How'd you do that? Giles ignores Anya, still completely focused on Willow.WILLOW: (small laugh) That's borrowed power. No way is it gonna be strongenough-GILES: I'm here to help you.WILLOW: (rolling eyes) Thanks, but I can kill a couple geeks all by myself. (Giles walking slowly closer) But, hey, if you'd like to watch ... I mean, that's what you Watchers are goodat, right? Watching? Butting in on things that don't concern you?GILES: You concern me, Willow. Stay on this path and you'll wind up dead.BUFFY: Willow. Listen to him. I don't want to fight you anymore.WILLOW: Idon't want to fight you either. (looking at Giles) I wanna fight him. Willow starts to get up again, not normally but with magic, rising up to her feet without apparent effort.GILES: Stay down. Giles makes his gestureagain but Willow makes one of her own and blocks him.WILLOW: No. Giles looks a little alarmed. Buffy looks wary, moves over to stand beside Giles.WILLOW: Remember that little spat we had before you left? (shot ofAnya watching nervously) When you were under the delusion that you were still relevant here? (walking closer) You called me a rank, arrogant amateur. Well buckle up, Rupert... Anya, Buffy, and Giles continue towatch Willow uneasily. Suddenly a magic light from nowhere begins to light up Willow's body, and her eyes go black again as a humming noise begins to rise in pitch and volume.WILLOW: (deep resonant voice) 'CauseI've turned pro. The humming/whirring noise continues as Willow begins a spell.WILLOW: Asmodea, bring forth--GILES: (gesturing) Vincire! Green magic energy shoots from Giles's hand and forms a band aroundWillow's torso, pinning her arms against her body. It glows with a green light that makes Willow's skin appear green too.WILLOW: What? No! Get off! (struggling) Solvo, libero... Giles continues holding out his handtoward her. Suddenly Willow throws back her head and closes her eyes, apparently unconscious. Her body floats up into the air and hovers about a foot off the ground. The band of magic holding her changes to a morecontained blue-grey color. Anya and Buffy watch warily. Buffy moves closer to Giles. Willow continues to float in midair.BUFFY: What did you do?GILES: Contained her and her powers within a binding field. It puts her ina kind of ... stasis for the time- Giles looks at Buffy for the first time, pauses. Buffy continues staring at Willow.GILES: You cut your hair. Buffy looks at him, gets teary and hugs him. Anya watches them hugging. Shewalks up behind them and fidgets for a moment.ANYA: I'm blonde. Giles and Buffy look at her, still with their arms around each other.ANYA: I, I colored my hair. (pauses) Again. I'm blonde.GILES: Yes, I noticed. Gilesholds out one arm and Anya joins the hug. After a moment Giles disengages from Anya and Buffy, looks at Willow again. He walks over to Willow who is still floating in the air, unconscious, with her head hangingback.GILES: I'm very sorry about Tara. Giles looks sad, stands there for a moment, starts to walk away.WILLOW: This... Giles pauses, looks at her in surprise. Willow opens her eyes a little and cranes her neck towardhim.WILLOW: ...won't hold me ... forever. Giles looks a bit alarmed. Buffy and Anya look grim.Cut to later. Buffy and Giles are in the workout room at the back of the magic shop. Buffy stands by the pommel horsewhile Giles is picking nervously at the practice dummy in a corner.GILES: I came as soon as I heard.BUFFY: The Council?GILES: The Council haven't a clue. About much of anything, really. (walking toward Buffy, leaningon the horse) No, there's an ... an extremely powerful coven in Devon. They sensed the rise of a dangerous magical force here in Sunnydale. A dark force, fueled by grief.BUFFY: Willow.GILES: I'd so hoped it wasn't her.(pauses) And then a seer in the coven told me about Tara. That's when the coven ... imbued me with their powers.BUFFY: And sent you here to bring Willow down.GILES: (looks at her) Buffy, what's happenedhere?BUFFY: (pacing) God. I don't even know where to start.GILES: Well, Willow's clearly been abusing the magicks.BUFFY: (nods) She has. She was ... and I barely even noticed. Giles, everything's just been so...(sighs) Xander left Anya at the altar, and Anya's a vengeance demon again... (Giles looking shocked) Dawn's a total klepto ... money's been so tight that I've been slinging burgers at the Doublemeat Palace ... (looksdown at the floor) And I've been sleeping with Spike. Buffy pauses, looks up at Giles, looks as if she can't believe she just said that. Giles stares at her. She looks away again, embarrassed. Suddenly Giles startslaughing. He covers his mouth with his hand but can't stop. Buffy stares at him, pouty.GILES: (trying to calm down) Sorry. He bursts out laughing again. Buffy rolls her eyes, now just looks amused. Giles keepslaughing and slowly Buffy starts to laugh too. They both stand there laughing.Cut to the main Magic Box room. Anya is cleaning up some of the debris on the floor. She puts a bunch of stuff into a small basket andcarries it toward the counter, past the still floating Willow. Willow's eyes open slightly and she watches Anya walk across the room. Her voice echoes between them although her mouth doesn't move.WILLOW:(telepathically) Anya... Anya turns around, looks at Willow nervously.ANYA: Willow.WILLOW: (telepathically) I need you, Anya. I need you to do something for me. Anya twists her hands together nervously, gathers hernerve and moves a little closer to Willow.ANYA: I know what you're trying to do. And I hate to burst your bubble, but that mind control mojo doesn't work on vengeance demons, so why don't you just-WILLOW:(telepathically) Stop talking and listen.ANYA: (nods) Okay.WILLOW: (telepathically)You need to free me.ANYA: (uncertain) No. Anya turns and starts walking toward the back.WILLOW: (telepathically) You don't want tocall out to them. (Anya stops) You want to take away this binding spell.ANYA: (turns back toward Willow) I don't know how.WILLOW: (telepathically) I do. Do you want me to tell you? Anya hesitates, looking anxious.Cut back to the workout room. Buffy and Giles are still laughing helplessly. Buffy is leaning over the pommel horse.GILES: (laughing) Duct tape?BUFFY: (laughing) On their mouths. So the demon could eatthem...GILES: Because they were figments. More laughing.BUFFY: All of it! You, Sunnydale ... And I was just some nutcase in L.A.GILES: (still laughing) Of course. Why didn't we see it before? Slowly they stoplaughing, and look much calmer than before. Buffy holds her stomach. GILES Can you forgive me?BUFFY: For what?GILES: I should never have left.BUFFY: No. You were right to leave. We're just ... stupid.GILES: Iknow you're all stupid. (Buffy smiling) I should never have abandoned you.BUFFY: No. Giles, you were right about everything. It is time I was an adult.GILES: Sometimes the most adult thing you can do is ... ask forhelp when you need it.BUFFY: Now you tell me. They smile. Giles chuckles a little.BUFFY: (quietly) I guess ... I wasn't ready before. It took a long time for that feeling to go away ... the feeling that I wasn't really here.It was like ... when I clawed my way out of that grave, I left something behind. Part of me. I just... (pauses, looks Giles in the eye) I don't understand ... why I'm back.GILES: You have a calling.BUFFY: But it was mytime, Giles. Someone would have taken my place. (Giles grimacing) So why? Giles looks away, pensive, not answering.BUFFY: Right. (sighs) What's gonna happen to Willow? Giles looks at her, straightens up.GILES:Well, the coven is working on a ... way to extract her powers without ... killing her. And, uh, should she survive, you ought to know, Buffy, that there's no guarantee she'll ... be as she was. (Buffy looking concerned)Willow has killed a human being. How will she be able to live with herself?WILLOW: (O.S.) I wouldn't worry about that. Giles and Buffy turn toward the doorway. We see Anya hovering in the doorway, apparentlyunconscious. Giles and Buffy stare in alarm. Willow moves out from behind Anya. Her eyes are black again.WILLOW: Willow doesn't live here anymore. Willow lets go of Anya and she falls to the floor. Zoom in on Buffylooking alarmed. Blackout.[SCENE_BREAK]Act II[SCENE_BREAK]Open on the same scene. Willow stands in the doorway over Anya's unconscious body. Buffy looks at Giles, then starts forward to attack Willow. Willowlifts her hand and sends a bolt of magic at Buffy, who flies back, crashes against the wall opposite, and falls to the ground. Giles watches this with alarm, then starts toward Willow himself.GILES: Vincire! Giles holds outa hand toward Willow, sending another binding spell toward her, but she waves her hand at it.WILLOW: Solutum. The binding field dissolves. Giles lowers his hand. Willow takes a few steps into the room.WILLOW:(small smile) Fool me once... On the wall behind Willow we see a variety of knives and throwing-weapons hanging in a case. They suddenly lift off the wall and hover in the air.GILES: Willow...WILLOW: (shaking afinger) Shame on you. The knives begin to fly toward Giles. He looks to his left and yells something. The practice dummy flies over in front of Giles, and all the knives slam into it. Willow makes an angry face and wavesher hand. The dummy falls aside. Giles looks determined, makes a ball of magic in his hand and throws it at Willow.GILES: Excudo! Willow flies backward into the brick wall and through it into the main Magic Box roombehind. She slams into a pillar that supports the upper loft, and falls to the floor in a shower of bricks, debris, etc.Cut to: exterior residential street, night. Dawn and Xander walk along, with Jonathan and Andrew behindthem.DAWN: Where are we going?XANDER: I have no idea.DAWN: What?XANDER: I don't know, okay? I can't even run away well. And that's something I'm usually good at.DAWN: Maybe we should we go back andhelp.XANDER: Yeah, 'cause I've been such a big help already. Standing around like a monkey while Buffy gets shot. Tara's dead ... and Willow ... losing...DAWN: (annoyed) Well, feeling sorry for yourself isn't helpingeither, Xander, okay? Beat. Dawn has a calculating expression.DAWN: You know, if Spike were here, he'd go back and fight.XANDER: Sure, if he wasn't too busy trying to rape your sister. Dawn stops walking andstares.DAWN: What?! Xander pauses, then continues walking, shaking his head.XANDER: Forget it.DAWN: (following) I don't believe you.XANDER: Fine.DAWN: (uncertain) He wouldn't do that.XANDER: Is this blindspot like a genetic trait with the Summers women? The only useful thing Spike ever did was finally leave town.Cut to the cave in Africa. Weird screaming and screeching noises, sounds of punching. Something goesflying across the dark cave, hits the ground and rolls into a convenient patch of light. It's a bald demon head with big pointy ears. Pan up to reveal Spike who strolls in holding another demon head in one hand. He'sbare-chested and bruised in many places.SPIKE: Well, that was a bloody doddle and piece o'piss. He staggers and goes to his knees wearily, but maintains his sarcastic tone.SPIKE: Got any more ruddy tests for me, youponce? I'll take anything you can throw at me, if it'll get me what I need to take care of the Slayer. Give her what's coming to her. (sniffs angrily) So you just bring it on. Bring on the whole- He pauses, looks confused.Weird skittering noises.SPIKE: Bloody hell. We see Spike from the waist up as lots and lots of large black insects, maybe beetles, start crawling up his body. They swarm up his chest and neck and onto his face as hesqueezes his eyes shut and grunts in distaste.Cut to: magic shop, main room. The pillar is lying on the floor and furniture, sparking occasionally with electricity. Pan slowly across the wreckage of the shop, which hastaken quite a beating from all the fighting. Pan down to reveal a large wooden piece of furniture (bookcase?) lying on its side. Next to it is a pile of books, some of which are on fire. A pair of feet walk up next to thebooks. Pan up to reveal Willow. Still wearing all black (though her clothes are now dirty), still with the veiny face and the black hair. Her eyes are normal. There's a cut across her cheek. She smiles.WILLOW: That allyou got, Jeeves? Reveal Giles standing in the doorway to the workout room. He looks very tired and bruised. His clothes are dirty also.WILLOW: 'Cause, I could stand to go another ten rounds. Whereas ... you canbarely stand.GILES: (wearily) Your powers ... may be undeniably greater. But I can still hurt you if I have to.WILLOW: Boy, you just don't get it, do you? Nothing can hurt me now. She lifts a hand to indicate her bloodyface.WILLOW: This? She waves her hand in front of her face and the cut heals.WILLOW: ...is nothing. It's all ... nothing.GILES: I see. If you lose someone you love ... the other people in your life who care about you...Buffy appears in the doorway behind Giles, watching.GILES: ...become meaningless. I wonder what Tara would say about that.WILLOW: (grimly) You can ask her yourself. Willow lifts her hand and sends a bolt of magictoward Giles. Buffy rushes forward, pushes Giles forward and out from under the loft. And just in time, as the latest magical blast destroys the loft's stability and the whole thing comes tumbling down. Buffy and Gilesland in a heap on the floor, books and rubble raining down on them. Buffy lifts herself up on her elbows to look at Willow.WILLOW: You're always saving everyone. It's kinda pesky. Willow looks down at the burning stuffnext to her. She bends down and picks up a ball of flame in her hand. Buffy stares.WILLOW: You probably even think you're buying escape time for Jonathan and the other one. Well, I got a little secret for ya. (Buffylooking upset) I can kill them from anywhere I want. (looking at the ball of flame) With this. Willow waves her other hand over the ball of flame and it begins to grow.WILLOW: It'll find them. It'll bury them. (Giles liftinghis head painfully) Along with anyone helping those Dead Men Walking. Buffy gets painfully to her feet, staring at the ball of flame.BUFFY: Don't.WILLOW: (mockingly) Unless ... somebody, somehow ... can get there intime to save them. (pause) Huh. Oh, well. She throws the ball up into the air. It bursts through the ceiling, leaving a large hole.WILLOW: Fly, my pretty, fly. The ball of fire disappears through the hole. We can see starsabove.WILLOW: (to Buffy, smiling) See what I did there? Buffy looks down at the injured Giles.GILES: Go. Buffy runs past Willow and toward the door.WILLOW: Good luck. Willow turns her attention back toGiles.WILLOW: Thought she'd never leave. (walking toward him) Now I finally have you all to myself.Cut to the street. Buffy runs out onto the sidewalk, looks up and sees the fireball flying away several dozen feet offthe ground. She runs after it. Cut back to the magic shop. Willow paces back and forth.WILLOW: You're such a hypocrite. Waltzing in here with your borrowed magicks. So you can tell me what? Magic's bad? Behave?Be a good girl? (chuckles) Well, I ... I don't think you're in any position to be telling me what to do. Willow looks up. Pan up to reveal Giles pinned against the ceiling, groaning in pain.WILLOW: Do you? Willow gestureswith one finger and Giles falls to the floor. He lands hard, on his stomach, and stays there making pained faces. He still has blood all over his face.WILLOW: (scornful) I used to think you had all the answers. That I hadso much to learn from you.GILES: Willow... She gestures again. Giles flies up to the ceiling again, groaning as he slams into it.WILLOW: (looking up at him) You were jealous. Still are. Just couldn't bear that I was theone with power. That's why you ran away.GILES: Incurso! Green magic flies from Giles's mouth and hits Willow.WILLOW: That's why you- She stumbles backward from the magic blow, and Giles falls to the flooragain.WILLOW: (panting) That ... was rude! Now I forgot what I was saying.GILES: (painfully) Perhaps you're not as strong ... as you think you are. Willow glares at Giles as he struggles to get up.GILES: You'reexpending way too much of your mystical energy to maintain your powers. At this rate you're going to ... burn out. And up.WILLOW: (annoyed) Blah blah blah.GILES: (on his knees) Willow, you ... you need tostop.WILLOW: What I need... Suddenly she moves forward with magic speed and is next to Giles, grabbing him.WILLOW: ...is a little pick-me-up. She puts her hand on Giles's chest and it glows with orange-red energy.Giles gasps in pain. Close shot on Willow's hand as she drains energy out of Giles. Suddenly she lets him go and staggers backward. Giles falls over on his back.WILLOW: Whoa. Head rush. She stumbles against thecounter and slides down it to sit on the floor, her image blurring. She gasps and pants with pleasure.WILLOW: Wow. Whoa. Who's your supplier? This is ... wow. Shot of Giles lying there barely conscious.WILLOW: It'sincredible. (panting) I mean, I am so juiced ... Giles, it's like ... no ... mortal person has ... ever had ... this much power. Ever. It's like I, I'm connected to everything ... I can feel ... it feels like ... I ... I can feel... Shepauses and her smile begins to fade.WILLOW: ...everyone. Oh. Oh my God. All the emotion. All the pain. No, it, it's too much. It's just too much.GILES: (weakly) Willow ... It doesn't have to be ... like that. You ... youcan stop it. Willow is bent over now with her hands on the floor as if in pain.WILLOW: (panting) Yeah. I, I can. I have to stop this. (getting up) I'll make it go away.GILES: Willow...WILLOW: Oh, you poor bastards!Magic begins to swirl around Willow and she lifts into the air. Lightning flashes around her body.WILLOW: Your suffering has to end. A cloud of magic like a tornado gathers around her and she disappears.GILES: No...Blackout.[SCENE_BREAK]Act III[SCENE_BREAK]Open on a close shot of a wall or door, and a foot kicking it.XANDER: (O.S.) Ow. (kicks again) Ow.Cut to wider shot. We're in a cemetery and Xander is kicking the doorof a crypt, repeating \"ow\" with each kick. A few yards away Dawn stands watching. Pan past Dawn to discover Jonathan and Andrew at another crypt, using their swords in an attempt to pry the door open.JONATHAN:Ow! Son of a bitch!ANDREW: Buttwipe!JONATHAN: I wasn't talking to you.ANDREW: Oh. Reflex.XANDER: (still kicking) Man, they've really tightened security up here lately. One too many squatters from the Hellmouth.Andrew and Jonathan walk toward Xander.ANDREW: (sarcastic) Hide out in the cemetery. What a fantastic idea.XANDER: Yeah, I'm working on a whole \"shut the hell up\" pitch you might like too.DAWN: (noticingsomething above and behind them) Xander?XANDER: (to Andrew) I've had just about as much as I can stand baby-sitting a couple of social retards who don't appreciate-DAWN: Xander!XANDER: What?DAWN: What isthat? Xander moves closer to her and looks up where she's looking. The Nerds look too. We see Willow's fireball flying toward them.BUFFY: (O.S.) Get out of there! In the distance we see Buffy running toward theothers, leaping over headstones and such.BUFFY: Move! She leaps forward and grabs both Jonathan and Andrew, pulling them to the ground. The fireball hits the ground between them and all five are thrown to the"}
+{"doc_id":"doc_276","qid":"","text":"[Press conference](Alicia and Peter are walking in a hall and they are going into the press room. There are a lot of journalists.)Peter: Good morning. An hour ago, I resigned as State's Attorney of Cook Country. I didthis with a heavy heart and a deep commitment to fight these scurrilous charges. I wanna be clear. I've never abused my office. I've never traded lighter senses for financial or sexual favors. At the same time, I need toatone for my personal failings with my wife, Alicia, and our two children. The money used in these transactions was mine and mine alone. No public funds were ever utilized. But I do admit to the failure of judgment inmy private dealings with these women. Alicia and I ask the press, please respect our privacy. Give us time to hear. With the love of God, and the forgiveness of my family, I know I can rebuild their trust. I wanna thankthe people of Chicago; it has been an honor to serve you. And I pray that one day, I may serve you again. Thank you.(Alicia and Peter leave)Journalists: Sir! Are you still involved with prostitutes, sir? How many werethere, sir? Will you ever try to hold public office again? Sir! Answer the question![In a hall]Press agent: We have interviews set up with the Tribune and Channel Four.Peter: Absolutely not! I'm not doing any moreinterviews. I want you to cancel all of them. That's it!Press agent: I'll tell Channel Two, we don't have a comment at the present time but we emphatically question the authenticity of this thing.(Press agentsleave)Peter: Hey, you all right?(Alicia slaps Peter and then, leaves)Journalists: Mrs.Florrick, how long have you know your husband was having an affair? How are you going to protect your children?[6 months later; inan office](Alicia is waiting and a girl passes in the hall)Alicia: Oh excuse me, isn't the staff meeting at 9.30?The girl: You're in the wrong conference room. It's up one floor.Alicia: Oh, God!(Alicia takes her stuff and runsto the other floor. She enters into a room)A voice (Will's voice): This is a major class action. A case that could propel us to the top rank of full service firms, and I don't think I need to remind you what that will do toyour year-end bonuses. Anyway, Sheffrin-Marks fired their last firm because they took their eyes off the ball. So, until further notice, your personal lives have been cancelled.Another voice (Diane's): So, we'll needsome of you to help with the lower profile client work to free up our top litigators.Will: Ed, you take the witness prep on highway redistribution. Don, you take the Brighton criminal and Alicia will take the pro bono.Everyone else, your task is to show Sheffrin-Marks our 'A' game, ok? Let's do this!(End of the meeting- Alicia and Will are in the hall and they're walking)Alicia: Will.Will: Alicia.Alicia: Hey.Will: I'm sorry I didn't introduceyou in there. Everything is moving real fast with this class action.Alicia: Well, I just wanted to say thank you for the opportunity. It's a real life saver.Will: No, glad you could come aboard. Hope you're all right with thispro bono. How'd it sound?Alicia: Interesting.Will: Good. Don't be nervous. You worried about the gunshot residue?Alicia: No...oh, god! (phone rings)Will: Nice ring tone. Who gets that?Alicia: Oh, my mother-in-law. Mydaughter programmed it.Will: What's yours?Alicia: I don't wanna know! So, the gun residue.Will: Diane, you're briefing Alicia, right? Good. So you're in good hands. So, let's catch up, have dinner.(Diane arrives, Willleaves - Diane and Alicia walk in the halls)Diane: So, Will speaks highly of you. He says you graduated top of your class at Georgetown. When was this?Alicia: 15 years ago.Diane: Hum, hum...and you spent 2 yearsat?Alicia: Crozier, Abrams & Abbott.Diane: Good firm. Will says you clocked the highest billable hours there. Why did you leave?Alicia: Well, the kids and Peter's career.Diane: Hum...Brian, can you get Mrs. Florrick thefiles?Brian: Sure!Diane: I want you to think of me as a mentor, Alicia. It's the closest thing we have to an old boys' network in this town.[Diane's office]Diane: Women helping women, ok?Alicia: Ok.Diane: When I wasstarting out, I got one great piece of advice. Men can be lazy, women can't. And I think that goes double for you. Not only, you're coming back to the workplace fairly late, but you've some very prominent baggage. But,hey, she can do it, so can you!(Brian enters in the office)Diane: Thanks Brian! Like many law firms, we donate 5% of billable hours to pro bono. Sadly, I'm long past my quota on this one: Jennifer Lewis, 26 years old,taught second grade. Accused of killing her ex-husband. Prosecution thought it was a slam dunk 45 years, but the jury came back last week, deadlocked. 6 jurors voted to convict, 6 not; I'm not even sure why the StateAttorney is re-trying except he wants...Justice! He wants to prove himself! So, stick with my strategy from the first trial. The police focused on Jennifer so early in the investigation, they never even looked for thecarjacker. Deadlock a jury a second time, they'll never re-try a third, ok? Ok, our investigator can get you up to speed for the bail hearing at 3. Cormac, I'm ready!Alicia: The hearing's today?Diane: Well, we coulddelay, but that would leave Jennifer incarcerated for another month. Don't worry, you'll be fine! The ASA's not going to argue against a recognizance release. Let's go, meeting at 10.30.(Diane leaves and Aliciafollows)[In the hall, Alicia hears the TV from Brian's office. It's the speech of Peter]Sound from the TV: But I do admit to a failure of judgment in my private dealings with these women.Brian: Sorry.Sound from the TV:...mine and mine alone. No public funds were ever utilized. The recent news...(Alicia leaves)[In the hall of the offices]Cary: Hey, let me help.Alicia: No, I'm fine.Cary: I'm heading that way. I'm Cary, the other newassociate.Alicia: Oh right, Alicia.Cary: Yeah, look, I know we should be hate each other's throats, but I just wanna say I really respect what you're doing here. Raising a family and then, jumping back into this. My mum,she's thinking of doing the same thing.Alicia: Great.Cary: Yeah. So, you're on the pro bono, right?Alicia: Humhum.Cary: Yeah, that's great! I interned last summer at the Innocence Project. My dad's best friend is BarryScheck and it was just amazing: helping people. Here, they got me on the Sheffrin-Marks. I'm sure it will be challenging, but at the end of the day, what have you really done? Saved a corporation of few billiondollars?Alicia: You wanna trade?Cary: I would, but I guess they have other plans, so...(An assistant arrives in the hall with some field)An assistant: I'm almost done, Cary. The last one is on your desk.Cary: Thankyou.The assistant: Hi, Mrs. Florrick.Cary: Looks like we share an assistant, so tell me when I'm hogging her, ok? And let the best men win!Alicia: Excuse me?Cary: Let the...nothing! It's nothing. I...It's nothing![InAlicia's office]Alicia: Oops...(There is someone in her office)Kalinda: Don't worry. It's yours!Alicia: Oh!Kalinda: Kalinda Sharma. I'm the in-house.Alicia: Oh, the investigator.Kalinda: You're Peter Florrick's wife.Alicia:That's right!Kalinda: I worked with him at the State's attorney's office three years. He fired me.Alicia: Ok.Kalinda: So what do you know?Alicia: The client is a second-grade school teacher, Jennifer.Kalinda: Lewis.Alicia:Arrested for killing her ex-husband.Kalinda: Making it look like a botched carjacking. Gunshot residue was found on Jennifer's face and hands. (They walked outside the office) That's why the cops started to think it wasa murder disguised as a carjacking. According to them, Jennifer shot her ex-husband and wiped down the gun.Alicia: And the motive?Kalinda: He remarried and wanted custody of the 3 years-old. Witnesses saw themarguing a week before the murder.(In an elevator - Alicia's phone rings)Rings: hey, mom, pick up the phone. Hey, mom, pick up the phone.Alicia: Sorry, it's my daughter.(On the phone)Alicia: Hi, Grace.Grace: Hey,mom. I want to ask you a question, but I don't want you to freak out, ok?Alicia: Oh, oh.Grace: Forget it! I'll ask Zach.Alicia: No, no! What?(See Grace on the phone)Grace: All right, well, some girl said that slept with ahooker my age. And I just...(Alicia is in the hall at the Court)Alicia: What?A guardian: Madam, you'll have to turn that off.Grace: They were playing the tape in the computer lab, and some girls said her dad's a cop andhe said one of the hookers was a teenager.Alicia: Ok, first of all, they were all over 20 and second, where is the teacher?Grace: It's no big deal, mom. Look I've got homework. I'll talk to you later.(Alicia arrives in frontof the door)Kalinda: What?Alicia: Last time, I was in court was 13 years ago.Kalinda: Wow, I was 12.Alicia: Thanks![In the court]A voice: The judge reaches into his pocket, pulls out a check, handing it to the plaintiff.I'm returning 5 grand and we're going to decide this. It's Florrick's wife. Alicia? My god. Matan, from the department Christmas party. You're at Stern, Lockhart & Gardner?Alicia: Yeah, first day.Matan: Oh, this is SandraPai. She's new since Peter. How is he doing by the way?Alicia: Peter? Fine!Matan: Say hello for me, will you? Look at all this. You're gonna to bury us. I don't know how you do it, Alicia. I'd be huddled up in a ballsomewhere. Well, back to work.(The judge arrives)Matan: Good luck.(Jennifer, the client, arrives)Jennifer: Where's Diane?Alicia: Diane asks me to step in for her. Jennifer, I'm Alicia Florrick. I'm one of the other layerswith the firm.Jennifer: Step in? For how long?Alicia: For the retrial.Jennifer: Oh my god!A voice: All right, man. The Criminal Court of Cook County is now in session, the honorable judge Richard Cuesta presiding.Thejudge: Be seated! Ok, let's hear it!Alicia: Your honor, I just...Matan: Your Honor, just to refresh your memory, the accused was deemed a flight risk due to an earlier custody hearing in which she threatened to run offwith her daughter.The judge: And yet just last week a jury deadlocked on these murder charges six to six, Mr.Brody. Now, I know our new state's attorney wants to look tough, but why are you fighting this?Alicia: YourHonor, I just wanted to...Matan: The people are prepared to retry this case right now, your Honor. If Mrs.Florrick is so intent on getting her client out, why doesn't she agree to a speedy trial?The judge: Mrs.Florrick?Alicia: Yes, your Honor.The judge: The wife of the esteem Peter Florrick? You husband and I never quite saw eye to eye, madam.Alicia: Your Honor.The judge: Mrs.Florrick, don't talk! But if the prosecutionthinks that this will in some way prejudice me against your client, he is sorely mistaken. Nice try, Matan. So Mrs. Lewis is granted pretrial release with an electronic monitoring. She is restricted to temporary housingattorney's offices, and transit in between. And given that this is rerun, I'll set the trial date for the 25th. Now, are we all happy? Good!Jennifer: Thank you!Alicia: Sure.(Lockhart's office - meeting between Jennifer, Aliciaand Kalinda)Jennifer: We had a nice time. Michael talked about missing his daughter; the life we had together. We were driving home and uh... We got a flat. He was getting out to fix it, and I saw...a red pickup truck. Aman came up to Michael. I didn't see the gun until.(Flashbacks of the moment - we see Jennifer screaming)Jennifer: Michael!(In the office)Jennifer: And I saw Michael's face. It was, um...Alicia: Do you need to take abreak?Jennifer: No, just...if there is some water.Alicia: Sure.(Alicia leaves - Kalinda and Jennifer stay in the office)(Alicia speaks to her assistant)Alicia: Sonia, we need some water in here.Sonia: It's going to be about 5minutes, but then I've got to do in his depot upstairs.Alicia: Ok, uh, tell me when you're done.(In the office with Kalinda & Jennifer)Kalinda: You stay this man ran to a red pickup truck here, and took off in this directionacross the parking lot. There is a surveillance camera here. And the prosecution played it to make you look like a liar.Jennifer: I'm not lying.(Alicia is coming)Kalinda: But there is no truck on the tape, and that's whyyou're facing retrial how and not an acquittal.Alicia: I think what Kalinda is trying to say, Jennifer is, is it possible that you were mistaken and that the car went this way...not that way? Is that your daughter?Jennifer:They won't let me see her. Michael's parents have custody. What am I gonna do?Alicia: You're gonna take one day at a time. We got your housing. You're going to go there, take a shower, take a nap. Don't turn on theTV. You like reading? I'm going to get you some books. Fiction is best. You won't feel like it, but put on nice clothes and makeup. Force yourself to. Not for court, for you. Is the superficial things that matter most rightnow.Jennifer: Does it ever get easier?Alicia: No! But you do get better at it.(In front of the elevator - discussion between Alicia and Kalinda)Alicia: What?Kalinda: You identify with too many clients, you burn out!Alicia:Why don't you tell me when I do something right, ok?Kalinda: Sure. You go and interview the jurors and I'll try to figure out how a surveillance camera can lie.[In a hospital](Alicia is asking some questions to a woman,one member of the jury)A woman: That's right. I was the jury foreman.Alicia: And you don't mind answering a few questions for us, doctor? It helps us refine the case for the retrial.A woman: No problem. I don't thinkyou'll need much refining. Your case was very strong, very logical. In fact, I'm not even sure the other side went to trial. I voted for conviction right from the start.Alicia: Good. You mean acquittal?A woman: No,conviction.Alicia: But I'm with the defense.A woman: Oh.(The woman leaves)[In a school](Alicia is talking to a man, one member of the jury)The man: She was lying about the pickup truck. She had the gunshot residueon her hands.Alicia: Can I ask you how many voted for conviction from the start, sir?The man: Eleven.Alicia: What?The men: There was only one holdout: Juror number 9. We argued with her for 3 days.Alicia: But thejudge polled the jury and they deadlocked 6 to 6.The men: Yes, well, the judge would only declare us deadlocked if we were evenly split. So some of us agreed to change our vote to not guilty just to get out of there! Ifit hadn't been for juror number 9, we would have convicted. She didn't convince us. She exhausted us.[In a house](Alicia is speaking to Mrs. Duretsky, juror number 9)Alicia: No tea for me, Mrs. Duretsky.Mrs.Duretsky:Suit yourself.Alicia: So the other jurors said you were a holdout. Is that correct?Mrs.Duretsky: Mm-hmm. They all thought they were so much smarter than me. My vote counted just as much as theirs.Alicia: Uh-uh.What exactly in the defense's case convinced you?Mrs.Duretsky: Well, the whole thing, really. I tend to look at a person and size them up pretty quickly. That lady, I liked her.Alicia: The defendant,Jennifer?Mrs.Duretsky: No, that lawyer lady. She never puts on airs. I like that!Alicia: Just so I'm clear: the defense expert argued that the gunshot residue on Jennifer's hands came from the struggle. Is that why youheld out?Mrs.Duretsky: Oh, I don't know about that! I just tend to get a feeling. Don't I, Cyrus![In Alicia's car](The phone rings - conversation between Alicia and Jackie)Alicia: Hi, Jackie. What's wrong?Jackie: Nothing'swrong. I was going through the laundry and I think some of Grace's school clothes you would find inappropriate.Alicia: We just moved away. Grace has left all her friends. I need you to go easier on her.Jackie: All I saidwas I could take her shopping and help her find pants that would make her look slimmer.Alicia: She's at the perfectly healthy weight. I don't want her to have body image issues.Jackie: She'll only have body imageissues if she keeps gaining weight.(Will knocks on the car)Will: Alicia.(Alicia to Jackie)Alicia: We'll talk about this when I get home later, ok?Jackie: All right!Alicia: Bye.(Alicia and Will are walking in the parking lot)Alicia:You know the new associate, Cary?Will: The one in the Brioni? What? I'm an observant.Alicia: Yes, the one in the Brioni. He said to me \"may the best man win\". What exactly does he mean by that?Will: What he meansis something I thought we weren't making public.Alicia: What?Will: Look, we only have one associate position open. So we agreed to hire 2 applicants, and in 6 months, decide which one to retain.Alicia: So this is acontest between me and Cary?Will: It was either that or a cage match. I'm just happy your pro bono is going well.[In prison]The guardian: Visiting hours are almost over.(Alicia calls on Peter)Peter: They said a visitor. Ithought mum.Alicia: I've been busy.Peter: It's good to see you.Alicia: I need you to sign some things.Peter: Ok.Alicia: We didn't get everything we wanted on the house. It's a bad market to sell!Peter: I see that!Alicia:We used most of it for your court costs. The rent will come out of my salary and the kids are going to have to stay in public school.Peter: How are they? Mother says that she's helping out around the house.Alicia:They're good. Grace argues over clothes with your mother, and Zach is using you to make friends at school which I don't know is that's a healthy thing or something worse.Peter: Using me?Alicia: \"Funny or die\" has askit about you. It's cool, I guess. Oh...here.Peter: Alicia, I know this has been hard on you, but you've to believe me. I'm innocent of the abuse of office charges.Alicia: You think I give a damn about that, Peter? Theywere playing a tape in Grace's computer lab of you sucking the toes of a hooker. You think I care about the small print in your employment contract?Peter: Come on, I was set up. The state attorneys...Alicia: Come on!I don't wanna talk! I'm not gonna fight. I didn't come here to fight!Peter: Mum says you're on a case. Congratulations! The fake carjacking, right? Who's the judge?Alicia: Richard Cuesta.Peter: You're kidding! He hatesme.Alicia: I know.A voice: Visiting hours are now over.Peter: You know there was something weird about the case, don't you? The Lewis' case? There was a rumor going around that something got buried, pitted.Alicia:What?Peter: Evidence or testimony.Alicia: I should go.Peter: Hey, listen. Thanks for playing the breadwinner for a while. It's not gonna last forever. Lawyers think that the appellate court is going to hear my case. Ifthey overturn it, everything goes back to normal.Alicia: Peter, it's never going back to normal.[In a car](Alicia and Kalinda are talking)Alicia: As soon as the cops found gunshot residue on Jennifer's hands, they hadtheir suspect. So what if they pitted everything else?Kalinda: And what if they didn't? Arguments are cheap. What's that?Alicia: Page 1 of the crime lab summary. Look at the top of the corner.Kalinda: Looks like astaple.Alicia: It is a staple.Kalinda: And that's odd because...Alicia: There's no page 2. Why do they need to staple if there is no page 2?Kalinda: You think the cops kept something out the discovery that pointed toanother suspect?Alicia: Well, I think either they did or it would be helpful in court to imply that they did.Kalinda: 2 days away from trial and you're thinking of dropping the old strategy?Alicia: Diane barely convinced acat lady to acquit.Kalinda: So, a pickup truck is seen racing through a well-lit, empty parking lot. How's a truck missed by that surveillance camera?Alicia: Mismarked surveillance tape.Kalinda: Yeah.Alicia: What are youdoing?Kalinda: Working. These are better than subpoenas.[In a firm](Kalinda and Alicia ask some questions to a guy working in the firm near the place where the murder happened)Kalinda: We just need to see how thesurveillance system works, and we'll be out of your hair in 5 minutes.A guy: 5 minutes?Kalinda: Uh-uh.A guy: Ok, it's down here.Alicia: Why did my husband fire you?Kalinda: He accused me of working 2 jobs.Alicia:Were you?Kalinda: Oh, yeah!A guy: The computer automatically records the surveillance, marks it with date and time.Kalinda: Is that the night of the murder?A guy: Yeah. I mean even if the computer did mismark it, Imake an hourly tour of the lot, and I didn't see a pickup truck. Look that's me! 11:03 just before the murder.Kalinda: Can we have copies of these?(The guy calls his assistant)A guy: Sure. Lanie, Lanie!Lanie : what ?Aguy : give me some disks.Lanie: All right!(Alicia to Lanie)Alicia: Your machine spit out an extra one. Would you like it? Oh, beautiful children.Lanie: 2 kids, 2 grandkids.A guy: Lanie, how about those disks?Alicia: Is healways so charming?Lanie: He's just a lazy mall cops, he spends all the day surfing p0rn, and with night shift, he can't get his skinny ass out of his chair. I'm always waking him up in the morning.Alicia: Oh,men![Alicia's house]Jackie: I talked to Peter. He said you dropped by.Alicia: I did.Jackie: I'm glad. He's hurting in there. He's very brave but he's hurting. He needs you to forgive him, Alicia.Alicia: Jackie, I spent 15years doing his laundry, cleaning his house, never asking a single question because I didn't think I had to. And he took everything I thought we had and he just put it out there for everyone.Jackie: He didn't want that!The press...Alicia: Oh, Jackie! Stop it, please! Peter wasn't thinking of us.Jackie: It takes time Alicia. Give it time.Alicia: Any time I have right now is for them.[SCENE_BREAK][Grace's room]Grace: I want her"}
+{"doc_id":"doc_277","qid":"","text":"Michael: Hup! [throws cheese puff to Ryan who catches it in his mouth][SCENE_BREAK]Pam: Things are a little slow here. And there's only so much cold-calling you can do in a day. Turns out there's no limit to thenumber of cheese puffs you can throw at someone's face.Michael: Hup! [throws cheese puff to Pam who catches it in her mouth]Pam: We're getting pretty good at it.[SCENE_BREAK][Pam and Ryan throw cheese puffsto Michael, Ryan and Michael throw cheese puffs at each other, Michael throws a cheese puff over his shoulder to Ryan, all three throw cheese puffs to one another, give high-fives][SCENE_BREAK][Pam yawns, twocheese puffs thrown at her, one sticks in her hair][SCENE_BREAK]Jim: Andy put down a bunch of deposits on stuff for his wedding with Angela, but then she was sleeping with Dwight for... several years. Wait, no, thatcan't be right.Pam: The timeline's messy.Jim: Anyway, now we are going bargain hunting in the haunted graveyard of their love.[SCENE_BREAK]Andy: This is my solo. [stereo plays Andy imitating bass guitar, acappella starts singing 'You Can Call Me Al']Pam: I'm confused. Am I walking down the aisle to 'You Can Call Me Al?'Andy: Trust me. You will not be walking. You will be boogie-ing.Jim: I am extremely interested. So,how much will all of this cost?Andy: Well, 12 guys, airfare, three nights in a hotel, food per diem, table up front for merch... $9,000.Pam: I don't know. It seems like a lot for an a cappella group from a college we neverwent to.Andy: Did you even hear the music I just played for you?Pam: Mm-hmm.[SCENE_BREAK]Phyllis: What's wrong with you?Dwight: These sleeves are cutting off my circulation. Not enough blood getting to myhands.Phyllis: I think you look nice.Dwight: Doesn't Charles know he's compromising my attack readiness? It's not a dress code. It's a death sentence.Charles: Looking good.Dwight: 'Kay, thank you. It's a straightjacket! [knocks things off shelf with arms] Okay.[SCENE_BREAK]Dwight: When Michael was in charge, this place was like the Roman Empire. And the Wild West. And war-torn Poland. And Poland. There was just a lotgoing on, so what you wore to work was the least of anybody's worries. And in that chaos, I soared.[SCENE_BREAK]Michael: Hey.Dwight: Hey. Ed's Tires is thinking of making a change.Michael: [gestures to 'Bed &Breakfast' magazine] Is this good?Dwight: They have some great kitchen ideas.Michael: Oh. Okay. Ed's Tires, huh?Dwight: It's small, I know.Michael: I really appreciate it.Dwight: Thanks, Michael. [Michael palmsDwight cash in their handshake] Wait, what is this?Michael: It's for your trouble.Dwight: Wh- I don't need $6 to help a friend.Michael: No, no, listen, as a friend, I want you to have this.Dwight: Michael, you know I can'ttake this.Michael: Yes, I do.Dwight: But don't forget you owe me $10.Michael: That was four years ago. Why don't you let it go?Dwight: Michael.[SCENE_BREAK]Andy: What was up with Pam being all pushy andnegative in there?Jim: I think she just didn't want a crucifix cake.Andy: It scares me to see you going down a road that I went down.Jim: Am I going down a road?Andy: When I see her bossing you around like that, itjust makes me wonder if this thing really has the legs to go the distance.Jim: It's so scary how right the things you're saying are. And you're coming at it with almost no knowledge, so of course I trust your opinion onthis.[SCENE_BREAK]Andy: I know a few things about love. Horrible, terrible, awful, awful things.[SCENE_BREAK]Jim: I was going to use today to purge my inbox, but now something much more pressing has comeup.[SCENE_BREAK]Michael: Ed's Tires. Why don't you tell them that we have fewer clients, so we can spend more time with each of them. Also, try to discuss it over Indian food, and try to mention how you distrustwomen.Pam: I'm not gonna do that.Michael: That is smart. That would not seem genuine. Ryan?Ryan: I can get there.Michael: Good, you take the lead on this one. Also, do not forget that he has just gone through amessy divorce.Ryan: Oh, awesome.Michael: Bring it in. Morning cheer. [clears throat]Michael, Pam & Ryan: U-G-L-Y, you ain't got no alibi! You ugly, huh huh, you ugly! You mama says you ugly! Hey! Go Michael ScottPaper Company![SCENE_BREAK]Pam: I'm here. I'm a part of this now.[SCENE_BREAK]Dwight: You needed to speak to me?Charles: Dwight, take a seat.Dwight: I prefer to stand. Less blood clots.Charles: Nah, that'sweird. You're gonna sit. [Dwight sits] Great. You know, Dwight, it has been quite a transition for all of us. Are you happy with the way things have been runnin' lately?Dwight: Do you mean compared to the ways thingsran with other bosses? Comparisons are hard.Charles: I've just been impressed with your performance and I wanted to make sure good work doesn't go unnoticed.Dwight: Your concern is noted.Charles: Yeah, I likeyour work ethic. You're so... focused.Dwight: Like a wolf. Thank you.Charles: And I wanna start givin' you more responsibility. What do you say you and I go out for a drink this week?Dwight: Really?Charles:Definitely.Dwight: [sighs] It's firm.[SCENE_BREAK]Michael: [on phone] I need you to get me the prices that you're charging Ed's tires so I can undercut Dunder Mifflin.Dwight: I don't know that I can do that now. Youknow, uh, something's come up.Michael: Oh n- Is it Mose? Did you put the cover on that well?Dwight: No, Mose is fine. I roped it off. It's not about Mose. Listen, things are changing here, Michael, they're changingfast.Michael: I'm not following you.Dwight: Imagine... Someone has a personal hero they really wanna help. But then there's this new guy. Very cool, very Will Smith-esque, who would not like it if he helped hishero.Michael: Personal hero, cool new guy. Okay, I think I'm getting your drift.Dwight: Good, do you see what I'm saying?Michael: Crystal clear. So is this for a movie that you're writing?Dwight: No.Michael: Can I useit? [Pam holds up note saying \"He's talking about you!\"]Dwight: No.Michael: [Michael dismisses note, Ryan and Pam point to notepad] Dwight, are you talking about us?Dwight: It is possible that I could be talking aboutus.Michael: Someone could say that it is like the situation that we are in now?Dwight: It is the situation that we are in now.Michael: So I would say that the old boss has always been good to Dwight, and he was therefirst, so he has dibs. You respect dibs, don't you?Dwight: I'm not a barbarian.Michael: Good. Will you meet me in 20 minutes at the spot?Dwight: I will.Michael: Dwight?Dwight: Yes?Michael: Is the cool new guyCharles?Dwight: I've said too much.Michael: Is it Stanley?[SCENE_BREAK]Jim: Hey, Andy. You know I've been thinkin about what you said-Andy: 'Noishe.'Jim: -I just don't know if I can do it.Andy: That's interesting,because I hear what you're saying is that you want to do it, which means you can do it. Believe me, I broke up with Angela, and I'm like, the happiest guy ever. I mean, I'm so happy. I'm so happy. Like, total freedom,you know?Jim: It's just that Pam gets me through the day, you know? I really rely on her. I'm pretty emotionally needy.Andy: And you know what? I am here for you. Let me be your traveling pants. [imitates punchingon Jim's fist] Ah, what'd you do that for?Jim: [both laugh] You know that I was doin' this.Andy: [fist pound each other] Totally.Jim: Okay.[SCENE_BREAK]Michael: Hello, Dwight. What's with the shirt? Are youalright?Dwight: I'm sorry, MichaelCharles: [Charles comes from around corner] Hi, Michael.Michael: Oh my God! Run! Run! It's a setup. Setup!Charles: No, Mich-Michael.Michael: Dwight, run!Charles: Michael, no, let'sbe cool, ok?Michael: You be cool.Charles: Yes.Michael: Just-what's going on?Charles: We need to talk about our two companies, and how we should behave. Dwight tells me you've been pestering him for companyinfo.Michael: Mm-do... Dwight would not-Charles: He did.Dwight: I did, Michael. I was upset about the shirt sleeves at first, but now I'm okay with it.Charles: Michael, I want you to stop pestering my salesmen, and Iwant you to leave Dunder Mifflin alone. Do you understand?Michael: I. Understand. Nothing.[SCENE_BREAK]Michael: [Michael storms into office] Wow.Pam: Michael, are you alright?Michael: It was a setup. Dwight toldCharles. He told him.Pam: Tell us what you're talking about.Ryan: Yeah.Michael: It's like, a girl says she'll make out with you, but then her boyfriend is waiting around the corner with a pee-filled balloon.Pam: We can'thelp you if you don't just tell us what happened.Michael: I got hit in the face with a pee-filled water balloon, Pam, ok? I don't know how they did it. They filled the balloon with pee. A funnel? I don't know. Is that clearenough for you?[SCENE_BREAK]Andy: Hey, Jim.Jim: [Jim slams lunchbag on table] I just totally blew a sales call.Andy: Bro, I do that all the time.Jim: Yeah, well, with you it's different, okay? Cause I just- I just suck. Ijust- I suck!Andy: Tuna, be nice to my friend Jim, ok?Jim: Why? When I look in the mirror, I don't like the face that looks back.Andy: Well, so what? Your body's a ten.Jim: Forget it.Andy: Jim.Jim: I said forget it. [dropkicks lunch across room, stomps on it][SCENE_BREAK]Dwight: [on phone] Dwight Schrute.Michael: Hello, traitor.Dwight: I think you have the wrong number, Michael.Michael: I want you to listen to me, friend, and Iwant you to listen to me good. I am going to come at you, and I am going to come at you hard. I am going to steal all of your clients, and then I am going to kill them in front of you.Pam: Michael!Michael: I'm justgetting hardcore with him.Ryan: Finally.Michael: Yes, and hear me, Dwight, when I say I brought you into this world, and I can take you out. [hangs up] Bill Cosby.[SCENE_BREAK]Dwight: [on phone] Mr. Schofield,please?Secretary: He's in a meeting.Dwight: Dammit! [hangs up][SCENE_BREAK]Michael: [on phone] Is Mr. Schofield there?Automated phone voice: If you'd like to reach an outside line, please dial nine first. [Michaelsighs, hangs up phone][SCENE_BREAK]Stanley: So, you think Michael's going after the whale, huh?Dwight: I have a long term relationship with Harper Collins publishers and Mr. Schofield. I'm not worried.Phyllis: Yousound worried.Dwight: And you have bad skin. Oh, look everyone, we're all making observations! [gibberish sounds][SCENE_BREAK]Michael: [on phone] Well, if you could do me a big favor and tell Mr. Schofield thatMichael Scott has tickets to the Wilkes-Barre Penguins game this weekend, and if he would like to join me... Hello, Daniel. How are you? Uh-huh. I sure do. Yes. [referencing rolodex card] Wanted to ask, did Kathy evermake JV?Ryan: Look at that old dude and his rolodex go.Pam: I spent a month putting that rolodex on his Blackberry, which he now uses as a nightlight.Michael: Wow. High score?[SCENE_BREAK]Dwight: And no, Icannot lower my current prices. [phone rings] Hold on. Hello? Mr. Schofield, thank you so much for taking the time to talk. I wanted to discuss your contract with us- oh, you're considering him. I thought Michael Scottleft the paper business after his nervous breakdown.[SCENE_BREAK]Dwight: Michael has been talking to my biggest client. Master and apprentice pitted against one another for the fate of the greater Scranton areapaper market. So it's not exactly like 'Highlander,' but still...[SCENE_BREAK]Michael: Hello, Dwight, I've been expecting your call. What do you want?Dwight: I would like to arrange a truce.Michael: So you heardSchofield is considering a switch, and you want mercy?Dwight: Meet me in our spot in four minutes.Michael: No. No. You think I am going to fall for that? There's no-Dwight: Michael.Michael: Meet- Ok, go to the spotand then walk 100 feet.Dwight: In which direction?Michael: Toward the sun.Dwight: At what time?Michael: Noon.Dwight: That-Michael: You have two seconds. [Dwight starts running][SCENE_BREAK]Dwight: [lookingat his watch] Michael. [Madge walks by] Sorry.Michael: Dwight.Dwight: Michael.Michael: I hope you're not recording this conversation. [Dwight drops his pants and lifts up his shirt] Good. I cannot believe that you sidedwith Charles.Dwight: You were making me do things that were not all right.Michael: So you just rat me out? You could have said no.Dwight: And not come through for you?Michael: If you want a truce, I will give you atruce.Dwight: I want a truce.Michael: I do too.Dwight: Let me take you and your whole company out for lunch at Alfredo's.Michael: Cooper's.Dwight: I had fish yesterday.Michael: Damn it.[SCENE_BREAK]Michael:[Michael, Ryan and Pam sitting at restaurant, phone rings] Oh. Dwight-elicious. Where you at?Dwight: Oh, hi, Michael. I'm so sorry I'm late. I got stuck in traffic.Michael: Really? That's weird. We didn't see any.Dwight:I hit a bear.Michael: What?Dwight: He's technically fine. I imagine the true horror will be when he wakes up in a zoo. [throws a fish into the vent at Michael's office] Hey, listen, will you do me a favor and order themeatball parm for me, with extra cheese?Michael: Yeah, sure.Dwight: Ok, I will see you very soon, alright? [takes all the items off Michael's desk and puts them into briefcase, including rolodex]Michael: Okay, see youin a bit. Dwight hit a bear. He'll be here in a sec.[SCENE_BREAK]Pam: [Pam, Ryan and Michael enter office] Sounds neat.Ryan: We can spend a couple days there.Pam: Oh my God, I think we've been robbed!Michael:[Michael answers phone] Yeah.Dwight: Did you enjoy your lunch?Michael: Dwight, not now, we've been robbed.Dwight: No, Michael, you were sabotaged.Michael: No, Dwight, we were robbed. How would you evenknow? You're still stuck in traffic. [Pam holds up sign saying \"Dwight did it!!\"] You?Dwight: Me.Michael: What about our truce?Dwight: I broke it.Michael: On purpose?Dwight: Yes.Michael: Why?Dwight: You think this issome kind of game? No, this is a war, and I will not stop, I will not rest. You have no idea what kind of enemy you've created. You have unleashed the wolf!Michael: Be that as it may, I have your meatball parmsandwich here, and I am going to eat it.Dwight: And I knew that you would do that. The meatball parm is their worst sandwich!Michael: Oh. [bites into sandwich, looks disgusted] b*st*rd![SCENE_BREAK]Dwight: Hithere. Dwight Schrute here. I was just calling to see if Michael Scott Paper was meeting all of your paper needs, and how is [reading off rolodex card] Brenda, age four, ponytail, and Simon, age 7? Oh, you don'tsay.[SCENE_BREAK]Dwight: [holding up rolodex card] Schrute comma Dwight. And on the back he wrote, \"great salesman, better friend.\" [turns card over] \"Tall\" and \"beets.\"[SCENE_BREAK]Dwight: And say hello toCheri, who is your black wife. [hangs up and answers cell phone] I see you're begging for mercy, huh? Well, you will find none here.Michael: Dwight, do you mind if we talk?Dwight: Sure. That'd be fine.Michael: If youkeep coming after us, the Michael Scott Paper Company cannot succeed.Dwight: This is war and that is what happens.Michael: Oh, one more thing. I'm going to have you listen while I steal your biggest client.Dwight:Oh, no. No. No. No. No.Michael: Oh, uh oh, I'm turning you down right now.Dwight: Michael! Michael!Michael: You can hear me, but I can't hear you.Secretary: Mr. Schofield's ready to see you now, Mr. Scott.Michael:Oh, great. Mr. Schofield's ready to see me. Thank you so much.Dwight: Don't let him in! He's a traitor! Michael!Michael: Walking in the door...Mr. Schofield: Michael, good to see you.Michael: Mr. Schofield, good to seeyou. And I'm closing the door. [Dwight runs out of the office][SCENE_BREAK]Michael: [on speakerphone in Dwight's car] Now, when Dwight tells you that he will keep prices steady for a year, I think he is speaking outof turn.Mr. Schofield: Really?Michael: Yes. He does not have the authority to say that. I, on the other hand, am the president, the owner, and the founder. It is like you are buying software from Bill Gates.Dwight: Areyou saying you invented paper?[SCENE_BREAK]Andy: [hugging a crying Jim] Okay, okay.Jim: Oh, God.Andy: Okay, Tuna.Kelly: Hey, guys.Jim: Hey.Andy: Hello.[SCENE_BREAK]Andy: Excuse me, can I have yourattention, everyone? Here's the deal, everybody, Jim Halpert is very upset and disturbed. I don't know if it was something you did, something you said, a look you gave him, maybe it was nothing at all, but here's thedeal, ok? It stops now.Kevin: I guess I could be nicer.Phyllis: Andy, I think Jim is messing with you.Andy: Oh, really?Phyllis: Mm-hmm. [looks over to Jim smiling through windows to the kitchen][SCENE_BREAK]Jim:Okay.Andy: Yeah, okay, what the heck is happennin' here?Jim: Two things I need you to understand. One, Pam and I are very happy together.Andy: Uh, that's not what was-Jim: And two, that stuff that happened withyou and Angela is a bummer, and I know you don't think you're ever gonna find someone else, but you will. I promise you, you will.[SCENE_BREAK]Andy: Oh man, he got me so good. I learned something about myselftoday. Yeah. I wish this was a sofa, cause I feel like I could sit here and talk for hours.[SCENE_BREAK]Michael: What is that thing that Dwight always says? Paper is the soil in which the seeds of business grow?Dwight:It's not the soil! It's the manure! Paper is the manure! On-time delivery is the soil! Aah! [runs into office]Secretary: Uh, hello, Dwight.Dwight: Spin move.Secretary: Oh-Dwight: Ha ha! April 13th, 2002.Mr. Schofield:Dwight, I'm in a meeting.Michael: That's very rude.Dwight: I barge because I care. April 13th, 2002, that is the date when you tried to switch paper providers for an obscure sociology textbook, but were hung out to drywhen the price of glossy stock increased.Mr. Schofield: Maybe we should schedule a meeting on our-Dwight: La la la! Continuing. Notice my persistence and recall. Continuing! You called Dunder Mifflin, and your orderwas filled within an hour!Michael: I'm going to pull a date out of the air right now. April 13th, 2002. That is the last day that you evaluated your paper needs. Is it not? We all know that the economy is bad, and bloatedcompanies like Dunder Mifflin...Dwight: Come on.Michael: Are going to fall by the wayside. Two of their branches have closed within the last year. The Michael Scott Paper Company, however, has opened a new branchthis very month.Dwight: What he's not telling you is that he will abandon you.Mr. Schofield: Why don't you guys just e-mail me your best offers and we can finish it up that way?Michael: That sounds like a fantasticidea. I will see you this weekend for the Penguins. Box seats as usual.Mr. Schofield: Uh, ok, sure.Michael: Good, good, good. I will see you.Dwight: Thank you, Mr. Schofield, for your time. Much appreciated. Oh, andtell me, um, how's your gay son?Mr. Schofield: Excuse me?[SCENE_BREAK]Michael: I color code all my info. I wrote \"gay son\" in green. Green means go, so I know to go ahead and shut up about it. Orange means\"Orange you glad you didn't bring it up?\" Most colors mean \"Don't say it.\"[SCENE_BREAK]Dwight: How is Tom, the homosexual sophomore?[SCENE_BREAK]Michael: I wanted to start a company, not a war. Because ina war, you always fight those you are closest to. And the great tragedy of the civil war is that brother fought against brother. For what? What purpose did that serve? Apart from abolishing slavery? In that case, war wasthe right choice. This doesn't feel as important though. That's just how the world works, I guess.[SCENE_BREAK][muffled speech, Ryan, Michael, and Pam all have mouths stuffed with cheese puffs, Michael answers thephone and talks with mouth full]"}
+{"doc_id":"doc_278","qid":"","text":"\"DANCE\"CastDawson: James Van Der BeekGrams: Mary Beth PeilJoey: Kaite HolmesBessie: Nina RepetaPacey: Joshua JacksonMitch: John Wesely ShippJen: Michelle WilliamsGail: Mary-Margaret HumesAndie: MeredithMonroeJack: Kerr SmithHomecoming Dance*Dawson's room: Andie is dancing and watching \"Footloose\" on Dawson's TV while Pacey, Dawson, and Joey sit on the bed and watch her dance and laugh.*Andie: Oh myGod! I love \"Footloose\"! Don't you guys love to dance? I am so excited about the homecoming dance next weekend.Pacey: The homecoming dance? *Andie nods*Pacey: Oh my God, we're hanging out with MarciaBrady.Andie: I don't understand. What's wrong with the school dance?Dawson: I think what Pacey's actually saying is that we're not exactly the school dance type.Joey: We'd rather watch a movie about a high schooldance than actually set foot in an over-decorated gym.Pacey: Actually, this enditement of high school conventions isn't limited to dances. It covers the whole spectrum of school-sponsored events. Case-in-point: Joey,how many high school football games have you been to?Joey: None.Pacey: Mm-hm. And Dawson? How many pep rallies have you loyally attended?Dawson: Zero.Pacey: Mm-hm.Andie: Uh! You guys are a bunch ofcynics, you know that? I mean, what kind of memories are you going to have if all you did in high school is bitch and moan about it?Joey: Bitching memories.Dawson: Moaning memories. *Joey looks over and smiles atDawson.*Andie: You guys are completely sabotaging your high school experience.Pacey: Guilty as charged. Now, Dawson, if you don't mind, could you turn the video back on? 'Cause I really want to see who'sresponsible for Kevin Bacon's rougueish, devil-maker, hair do(?). *He smiles at Andie as the tape comes back on. Andie walks over and stands in front of the TV*Andie: You mean you would rather watch a movie aboutsomething than doing it yourselves?Dawson and Joey: Correct. *Andie walks over and sits on the windowseat*Andie: Okay, what about s*x? *Dawson, Pacey, and Joey look over.*Andie: I mean, you guys are missing amajor opportunity here. Why do you think the (?) were so adament about outlawing dancing? They believed it to be sinful.Dawson: Are you saying dancing equals s*x?Andie: No. But dancing could possibly be reallygreat foreplay. *Joey looks at Dawson*Pacey: I love the way you think.Andie: So...who's going with me on Saturday?*Joey looks at Dawson again and scratches her head. Pacey makes a face like 'Whoa'**Cut to Bessieand Joey pulling up to Capeside High. Joey's getting out but she stops*Bessie: Okay. We're here. You gonna get out?Joey: I was thinking.. *Bessie rolls her eyes*Bessie: What is it this morning? General teen angst orsomething specific?Joey: If I tell you something will you respond with nothing but sisterly advice and/or concern?Bessie: Of course.Joey: Okay...Jack kissed me. *Bessie starts laughing*Bessie: Oh my God!*laughing*Joey: Look I don't think cackling qualifies as concern or advice.Bessie: I'm sorry Joey, but Jack? Choreboy down at the Icehouse?Joey: Yes.Bessie: He kissed you?Joey: It was nothing, really. It happened andthen it was over.Bessie: So what's the problem then?Joey: Dawson?Bessie: Oh...you didn't tell him, did you?Joey: No. I mean, here's the thing. I mean, this is a classic example of what I would tell Dawson, the friend,but since Dawson, the friend, has become Dawson, the boyfriend, the concept of newsworthy events has become a little blurry.Bessie: Okay, look. Here's the way I see it. Jack kissed you, right? It was a 1 way kiss,right?Joey: Yeah.Bessie: Surprise whenever(?), completely uninvited, all-in-all no big deal. You didn't do anything wrong. Don't beat yourself up over it. If you want my advice, just put it behind you, concentrate onDawson, pretend it didn't happen.Joey: What didn't happen?Bessie: Exactly.Joey: Thanks, Bess. See ya!Bessie: Okay *She drives off* *Cut to Abby and Jen*Abby: No way those are real.Jen: What? You think those areman-made?Abby: Yes! Jen, please! Physical enhancement caters not only to size. It can improve shape, direction, perk factor..that girls had some work done.Jen: Yeah, well, Brett sure doesn't seem to mind.Abby: Oh,please. Brett Tompkins is just a dim bulb with good hair and tight pants. A classic him-bo. In other words, perfect.Jen: If that's your type.Abby: Aw, what's the matter, Jen? Brett's too much man not enoughtouchy-feely film amateur(?). Full market down(?). Come Saturday night, Brett and Kristy will be history. Saturday, Brett will be mine.Jen: Abby, that's pathetic. You're going to the homecoming dance to hit onsomebody else's boyfriend?Abby: Well, my guidance counselor told me to set goals for myself.Jen: You're on your own.Abby: Fine. Suit yourself. Stay at home and read Scripture with Grandma. Brett and I will drop youa line from Vegas. *Cut to Brett and Kristy.*Brett: Don't pull me away like I'm some stupid dog on a leash!Kristy: Well, how about acknowledging me when you see me outside, huh! *Dawson walks by listening to themheading towards Joey at her locker.*Dawson: Promise me we will never air a relationship crisis about anything like that. I can't think of anything more embarressing and immature.Joey: Deal.Dawson: Okay. *Theykiss*Dawson: Now, remind me again how Andie McPhee convinced us to go to this homecoming dance.Joey: I think by promising us that dancing always ends in taudry smud-action(?).Dawson: Oh. Could that possiblybe our first mention of s*x since we've been together?Joey: Possibly.Dawson: Why is that? When we were friends we talked about s*x all the time.Joey: I think because we wanted to ease into the subject to make thetransition from friend to lover..unconfusing.Dawson: Ah, if we are confused about the transition from friend to lover, I can only think of one thing that would truly cinch it.Joey: What do you suggest?Dawson: That youput on your dancing shoes. *Joey smiles* *Jen and Abby walk by*Jen: Hey guys.Dawson: Hey Jen.Abby: Wipe the drool, Dawson.Joey: I don't like the two of them being so chummy. I mean, Abby is not a goodinfluence for Jen.Dawson: *laughing* Is this genuine concern I'm hearing for Jen Lindley?Joey: Well, I feel sorry for her, I mean, her grandpa just died. Maybe we should invite her to the dance. I mean, we're going as agroup. Might be fun for her.Dawson: Joey Potter, I applaude you. You earn major humanity points for this. *Joey smiles and shrugs*Dawson: But, um, don't you think it may make her feel worse than she alreadydoes?Joey: I don't know. All I know is that it's really hard to lose a family member, Dawson, and I just think it might be fun for her. It's up to you. Your call.Dawson: I'll see you later.Joey: Okay. *They kiss* *Joey seesJack enter the building and stares and then turns and walks away.* *Cut to Andie and Pacey outside*Pacey: So since I'm in charge of transportation Saturday, would you like me to pick you up at your house or meetsomewhere.Andie: Let's meet somewhere.Pacey: Cool. How's your mother doing anyway?Andie: She's having a good week.Pacey: Listen, Andie, if there's ever anything I can do, you can just ask me, right?Andie: SoWitter. I hope you have your dancing moves polished and ready 'cause I plan on making a dancing fool outta you.Pacey: Sorry, McPhee, no can do, I don't dance.Andie: What do you mean you don't dance?Pacey: Imean, I don't like it and I'm really not any good at it. I mean, it's bad enough that I'm just going on Saturday but don't expect me to get out there and start bustin' a move 'cause it's just not going to happen.Andie: Youdon't dance. You are beyond immature.Pacey: You're overbearing.Andie: Boring.Pacey: Hyper-sensitive.Andie: Vulgar.Pacey: Pick you up at 7?Andie: Great.Pacey: Okay. *Dawson walks up*Dawson: Are you two havinga spat?Pacey: No, just our usual passive-aggressive banter.Dawson: Okay.Andie: No, actually we were talking about the dance, and, hey, if you guys don't mind, I'd really like to invite my brother Jack to come along.You know, he's kind of a loner and I think it would be good for him.Dawson: Actually, why don't we also invite Jen Lindley?Andie: Jack and Jen? A set-up.Dawson: I mean, I'm not sure they're a perfect match butthey're both single.Andie: I like it.Pacey: No, guys. This is a bad idea.Dawson: You never know. It could work!Andie: Let's do it.Pacey: No, don't, come on. Whenever you fix up two people who don't even know eachother, it's a recipe for disaster. This can only end badly. I promise you. Please.Andie: I'll set it up.Dawson: Great.Andie: Buh-bye.Pacey: Am I invisible? *Cut to Dawson's house. Dawson's parents are on the porch.Dawson walks in.*Dawson: Hi.Mitch: Dawson, have a seat.Dawson: Okay. What's going on?Mitch: Well, I know things got a little out of hand the other night, and, well, I'm not sure what the segway is here, but yourmother and I, after much talk, after much consideration, have decided--Gail: Um, honey, sometimes you focus so hard on the solution that when you step away and you pull back, only then does the solution trulyappear.Mitch: Yes. Right. And as improbable as this approach might seem, sometimes it's the only one left and, um, and in this case, it's the only one left.Gail: What we're trying to say is that...is thatMitch: Your motherand I have decided to spend some time apart.Dawson: Well, it looks like you two have given this quite a bit of careful thought.Gail: Yes, we have.Dawson: And the suggestion from me for you to go back to counselingwouldn't make any difference.Mitch: We've tried it.Dawson: So my suggestion that you make a more concerted effort at trying to find a solution. Maybe improve communication, possibly, family outings, truthsyrum.Mitch: Dawson, your opinion is important to us and we love you. But we're not open to suggestions on this one. This is a conclusion. A conclusion that we've reached.Dawson: Yeah, well I conclude that yourconclusion sucks. *Dawson walks off* *Cut to Jack and Andie*Jack: Why didn't you just let Pacey pick us up at the house?Andie: You know why, Jack.Jack: Did you strap Mom in for the evening?Andie: It's notfunny.Jack: She's not getting any better, you know?Andie: You know, Jack, I want a night off. Just one night off. One attempt at fun. Can we do that please?Jack: Well, maybe I shouldn't be around, I'll just bring youdown, Andie. I hate dances. I don't do good at these things.Andie: Don't be silly. It will be fun, okay? Besides, it's time we got you out and you met some of Capeside's cuties. And who knows? You might meet thewoman of your dreams tonight.Jack: Maybe. Maybe I already have.Andie: Oh good, here's Pacey. *Pacey pulls up in his cop car*Jack: Quite a car.Andie: It's his dad's. They have a complex relationship. *Cut to Mitchloading suitcases into the jeep*Mitch: Look, I should get going. Gail, this is just a trial, okay? Only temporary.Gail: Absolutely. Only temporary. Um, look, are there rules? Can we talk to each other?Mitch: Of course wecan talk to each other! You can call me whenever you need to.Gail: Go.Mitch: Bye Gail. *He leaves and Gail starts crying* *Cut to Dawson coming down the stairs into the kitchen where his mom is cuttingonions.*Dawson: Mom, are you alright?Gail: *with hints in her voice that she's been crying* Uh, yeah, Dawson, I'm fine. It's just the onions.Dawson: Mom, I don't have to go to this dance. I'll stay home if you want meto.Gail: No, honey, everything's fine. I'm fine.Dawson: Can you turn around and tell me that?Gail: Why don't you go pick up Joey, honey? So you're not late for the dance. Go on.Dawson: Okay. *He leaves* *Cut to theschool.*Andie: The light was clearly red, Pacey.Pacey: Oh no, it was turning red. I agree with you, red means stop. But if a light's turning red it's like an invitation to hit the gas.Andie: What? Dawson, Joey, hey!Dawson, you know my brother, Jack.Dawson: Yeah, we've met, unofficially.Andie: And Joey? *Joey nods and smiles, obviously awkward*Pacey: So...Dawson: Jen, hey! *Jen walks up*Jen: Dawson...everybody.Andie:Jen, this is Jack, my brother.Jen: Hi Jack, Andie's brother.Jack: Um, it's just Jack.Andie: So shall we?Joey: *to Dawson* Let's go.Dawson: Ready?Joey: Yeah.[SCENE_BREAK]*Cut to people dancing. timelapse. moredancing. Joey and Dawson are dancing and Dawson dips Joey and they smile and laugh. Jack and Andie are dancing and Andie waves Pacey to come dance and he shakes his head no. Cut to Abby walking towardsJen.*Abby: So. You decided to slum it after all.Jen: Hey Abby.Abby: I have to tell you, I love your dress. In fact, I have the same one...in a smaller size. *Cut to Joey and Dawson dancing. Joey bumps into Jack*Joey:Sorry.Jack: My fault. *slow song comes on*Dawson: Ah, more my speed. *Cut to Andie getting Jen*Andie: Jen, I have an idea. Why don't you dance with my brother Jack?Jen: Hi Brother Jack.Jack: It's actually justplain Jack...plain Jack.Jen: Oh, well let me ask you something just plain Jack. Do you get the feeling we're being set up here? *Jack looks over and Andie and Pacey. Andie waves enthusiastically.*Jack: Yeah. Whatmakes you say that? *Cut to Pacey and Andie*Andie: Yeah, she's cute.Pacey: She's cute...he's cute..they've never met before, they're completely opposites and it's going to get ugly in about 20 minutes.Andie:Nu-uh.Pacey: Uh-huh. *Cut back to Dawson and Joey dancing*Dawson: So my dad drove off leaving my mom crying over the kitchen sink. God, what I wouldn't give now for them to go back to their coffee table s*xantics.Joey: I'm sorry, Dawson.Dawson: You know, I'm just going to let them work out their adolescent traumas on their own. Steer clear, but there is a bright side.Joey: What's that?Dawson: The coffee table's nowavailable. *Cut to Jack and Jen dancing. Dawson is watching while he dances*Dawson: Well, well, well. I dare say they like each other.Joey: Jack and Jen?Dawson: Mm-hm. Andie and I played matchmaker tonight.Joey:Why would you do that Dawson? That's the stupidest thing I've ever heard of.Dawson: They both need to meet new people. They're both single.Joey: Yeah, but Jack is this nice, sweet guy and Jen is this baracuda. Itwould never work.Dawson: Why are you getting so worked up about this?Joey: I'm not worked up, I just have an opinion that's all.Dawson: Well, alert the media. *They kiss* *Cut to Pacey and Andie*Andie: Come on,Pacey, what do you say? Wanna dance?Pacey: I told you McPhee. I don't dance.Andie: I don't believe you. I think you're holding out on me in some power move to keep control in this relationship.Pacey: Whatrelationship?Andie: Ha ha. Come on, please, just a slow dance.Pacey: I told you, McPhee. I don't dance. This includes dances of all speeds, all types, and all cultures, including, but not limited to, fast dances, slowdances, and whatever Patrick Swayze was doing in Dirty Dancing.Andie: You know, Pacey, you can be so stubborn sometimes. Fine. If you don't want to dance with me, I'll just find someone who will.Pacey: Don't hurtthe poor guy, would ya? *Pacey watches Kristy Livingstone dance with Brett.* *Cut to a slow song. Andie walks up to Jack and Jen.*Andie: Okay, time to switch partners.Jen: Actually, um, I think I'm going to gooutside and get some air, but thanks for the dance, Jack.Jack: Sure anytime Jen. Andie: *she takes Jack over to Dawson and Joey* Okay, Dawson, guess it's just you and me because I do not intend to spend the entireevening dancing with my brother, so Jack, sweep your boss off her feet.*Andie and Dawson start dancing and Joey just stands there. It's awkward*Jack: So..uh..it's..*he puts his hands on her waist and she still juststands there*Jack: Look, Joey, I know you've been avoiding me.Joey: I haven't been avoiding you Jack!Jack: No, it's, I want you to know I take full responsibility.Joey: Full responsibility?Jack: For kissing you. I crossedthe line.Joey: Yeah, you did, Jack. Because I have a boyfriend and you know that. And now because of kissing you, I feel guilty over nothing. In fact, I don't even think we should be having this conversation. *She walksoff and Dawson watches her and Jack follows* *Cut to the hall. Joey is leaning against a wall. Jack comes out*Joey: Did I mention that you weren't supposed to follow me?Jack: I just want to apoligize.Joey: Okay, youapoligized. Noted.Jack: Wait, what are you so angry about?Joey: Why am I so angry? Because you didn't respect me or my relationship.What you did was so rude and inappropriate.Jack: No, no, I think there'ssomething else going on here.Joey: What?Jack: It's all this anger you're expressing. It doesn't make any sense. It doesn't add up.Joey: What are you talking about?Jack: I don't think you're angry at me for kissing you.I think you're angry at yourself for kissing me back. *Jack turns to walk away and Dawson is standing there with an angered expression. Joey notices and her face falls. She runs to the bathroom* *Cut to the danceroom. Abby is dancing with Brett*Abby: You know what I admire most about you, Brett? That you work each of your muscle groups equally. *Cut to Jen and Andie*Jen: Um, I wanted to thank you for inviting metonight. I actually had a surprisingly good time.Andie: Why are you talking in past tense I mean the party's still going.Jen: I think it's about over for me. If you don't mind, I think I'm going to head home.Andie: Mind?Of course, I mind. We were just in the middle of a very interesting conversation sharing and getting to know each other and now you want to leave, just like that? *Jack walks up*Jack: I think I'm going to takeoff.Andie: Perfect! You can walk Jen home.Jack: Yeah. You wanna go? *Dawson comes up.*Dawson: Jack, what the hell happened?Jack: Look you really need to talk to Joey about this.Dawson: Yeah, I'm askingyou.Jack: Look, it was a weird night. The moon was full. It just happened.Dawson: You kissed my girlfriend.Jack: Yeah, I did. I'm not going to apoligize for it, man, cause truth is, I'd do it again so let's just not makethis into a high school romp alright? 'Cause neither of us are the type. *Dawson slugs Jack*Andie: Oh my God!Jen: Dawson, what are you doing?! *Dawson walks off*Abby: Nice punch, champ. I never knew he had somuch testosterone. *Cut to Pacey walking out of the men's restroom and he sees Kristy standing in the hallway.*Pacey: Uh...hey Kristy! What are you doing out here all by yourself?Kristy: Thinking, you know.Pacey:About what?Kristy: The usual. Why my boyfriend will flirt with anything in a short skirt and why his self esteem won't stop him.Pacey: Well, if you need a boost you came to the right place. I know about 800 guys whowould line up to replace Brett if he exited the picture. And that's just in this school. If you added the neighboring school districts we could probably triple that number.Kristy: Right..Pacey: Are you joking? Look, I maynot hang out with the beautiful people of Capeside but I like to think that I have the finger on a pulse of the common man and, believe me, that pulse quickens considerably when you walk by.Kristy: You'reembarressing me, Pacey.Pacey: I'm sorry. I just, I thought you should know. Well, have a good night Kristy.Kristy: Pacey?Pacey: Yeah?Kristy: Are you one of them?Pacey: Excuse me?Kristy: I was just wondering if youwere one of those quick pulses.Pacey: Yeah. Of course I am. I think you're incredible Kristy. You already know that.Kristy: You know, as lame as school dances can be, there's always that one moment that seems tomake it worth while. So, what do you say Pacey? Will you dance with me?Pacey: Yeah. *They start dancing. Cut to Mitch in his hotel room staring at the phone. Gail in the Leery house sitting there. The phonerings*Gail: Hello? Hello?Mitch: Would you believe that I now have access to the Home Shopping Network 24 hours a day?Gail: *laughs* Hi.Mitch: How are ya?Gail: We have a big house. I never realized just how big ourhouse was until tonight. I, um, I can still call it our house, can't I?Mitch: Yes. It is our house.Gail: I don't know, Mitch. I don't know if I can do this.Mitch: Yes you can because you have toGail: But why? Why do I haveto?Mitch: Because no matter how big our house is, right now it's far too small for the two of us.Gail: Well, just remember, Mitch. The door to this house is always open.Mitch: I will. Have a good night, Gail.Gail: Bye.*They hung up. Cut to Andie, Jack, and Jen*Andie: Are you guys going to get home okay?Jack: Yeah, we'll be fine. Nice work on the punch.Andie: Yeah, I see. Well, you better get out of here in case he wants arematch. *They start to walk off*Jack: Hey, um, I'm sorry.Andie: *to Jen* You take care of him, okay?Jen: 'Kay. Bye. *Andie sees Pacey dancing with Kristy and she runs off as Pacey sees her* *Cut to Dawson exitingthe school and Joey sits on the steps and follows him*Joey: Dawson...Dawson! Where are you going?Dawson: Home.Joey: No, look, I want to talk about this.Dawson: First you run away and now you want to talk.Joey:"}
+{"doc_id":"doc_279","qid":"","text":"[ The cafeteria ]Leonard: Oh, hey, oh, we ran into your mom at Benihana last night.Howard: Oh, yeah, she loves that place. Every time they flip a shrimp in the air, she practically leaps out of her seat to catch it. That'swhy I don't take her to SeaWorld.Leonard: I know you-you don't want to hear it, but she was there with Stuart.Howard: That's fine. I don't care.Raj: It doesn't bug you when they go out on dates?Howard: They're notdating. They're just two friends who went out to dinner.Raj: And then went back to the home they share where they probably fell asleep in the matching pajamas she got them because they both just lovepenguins.Howard: Hey, lots of people wear matching pajamas who aren't dating.Raj: Like who?Howard: Like you and your dog.Leonard: Don't rule out the dating.Howard: Fine, it bothers me. You happy?Sheldon: Youthink you've got problems. The gibbon is the only member of the ape family not classified as a great ape.Howard: How is this helpful?Sheldon: All the non-human apes are classified as great apes except one. Thatmeans taxonomists created the entire category of lesser ape just to single out the poor gibbon as the weird kid on the playground. Now there's a hairy little fellow with a genuine beef.Leonard: But the gibbon doesn'tknow what it's categorized as. It doesn't even know it's called a gibbon.Sheldon: True. Sorry, kid, you've got it worse than a gibbon.[SCENE_BREAK]\u0000 Our whole universe was in a hot, dense state \u0000[SCENE_BREAK]\u0000Then nearly 14 billion years ago expansion started... Wait! \u0000[SCENE_BREAK]\u0000 The Earth began to cool \u0000[SCENE_BREAK]\u0000 The autotrophs began to drool, Neanderthals developed tools \u0000[SCENE_BREAK]\u0000 We builtthe Wall \u0000[SCENE_BREAK]\u0000 We built the pyramids \u0000[SCENE_BREAK]\u0000 Math, Science, History, unraveling the mystery \u0000[SCENE_BREAK]\u0000 That all started with a big bang \u0000[SCENE_BREAK]\u0000 Bang!\u0000[SCENE_BREAK][ Penny's Apartment ]Amy: Hi.Penny: Hey.Bernadette: We brought snacks for movie night.Penny: Oh, great. I don't suppose you also brought napkins, clean bowls, utensils and a roll of toiletpaper.Bernadette: Right here.Penny: Ah, You guys are the best.Amy: What's with the clothes?Penny: Well, with all the new stuff I bought for work, I needed to make room in my closet.Amy: I meant why are theyfolded? But whatever. Ooh, what's this?Penny: That, believe it or not, is my prom dress.Bernadette: Wow, you still have it? I just assumed it was balled up in the corner of a barn somewhere.Penny: What kind ofteenager did you think I was?Bernadette: Slutty.Amy: Easy.Penny: The word is popular.Bernadette: How was your prom? Did you go?Amy: No, but I was on clean-up crew.Penny: Aw, that's sad.Amy: No, it was okay.The DJ let me dance one slow song with my mop before he shut down. Whenever I see a bucket of dirty water, I still hear Lady in Red.Bernadette: My prom was pretty terrible, too. I was so excited about my date, but itturned out he only asked me 'cause he liked my friend. He spent the whole night talking about her.Amy: Okay, we get it, you had a friend and a date. Stop bragging.Penny: Doesn't matter. Prom is sillyanyways.Bernadette: Easy for you to say; you probably went with the captain of the football team.Penny: No. I just made out with him a little while his date was puking.Amy: My date would've had to clean thatup.Bernadette: Ooh, I have an idea. Maybe we can have, like, a prom do-over.Amy: Oh, that would be so much fun. We could decorate the roof and make the guys wear tuxedos.Bernadette: Ooh, and get our hair done,and slow-dance.Penny: Okay, guys, trust me, as someone who's been to, like, seven proms, it is never as good as you want it to be.Amy: You went to seven proms?Penny: Yeah, let's see. Uh, four Under the Seas, twoEnchanted Evenings, and one Night to Remember that I cannot remember for the life of me.[SCENE_BREAK][ The apartment ]Howard: Hey.Raj: Hey.Leonard: Hey, where's Bernadette?Howard: She and Amy are outdress shopping for their prom thing.Raj: Oh, yeah, I got that Evite. Ever since I saw Pretty in Pink, I've wanted to go to an American prom. But then I saw Carrie, and I did not want to go to an American prom. But thenI saw Never Been Kissed, and I'm back on the prom bandwagon. This prom thing's been a real roller coaster.Howard: Bernie's really excited. I could tell because her voice got so high, the beagle next door startedhowling.Raj: Did you go to your prom?Sheldon: No. I had a date with a proper education. Instead of a tuxedo, I dressed myself in good habits. Instead of spiked punch, I enjoyed the intoxicating flavour of knowledge.Instead of dancing in a gym, I shook my bootyto the seductive rhythms...Penny: Okay, okay.Shldon: ...of AP Calculus.Raj: How come you're not shopping with Amy and Bernadette?Leonard: Let me guess, you think thewhole idea is lame?Penny: Well, who cares what I think? What do you think?Leonard: Hmm, to be honest, it's kind of a dream come true to go to even a fake prom with a woman as beautiful as you.Penny: Ugh, thanksa lot.Leonard: What?Penny: Well, now I can't blow this thing off without being a bitch.Raj: That sounds like a yes.[SCENE_BREAK][ Howard and Bernadette's apartment ]Bernadette: Ooh, every single person RSVP'dyes. This is so exciting. Isn't this exciting?Howard: Yep.Bernadette: Look, even Stuart's bringing a date. I wonder who it is.Howard: You know exactly who it is. He's gonna bring my mom. Why did you even invitehim?Bernadette: Because he's our friend, and you two need to get along. And why can't he take your mom? You took her to your prom.Howard: I didn't take her, she was a chaperone.Bernadette: I saw a picture of youtwo dancing together.Howard: What was I gonna do? They were playing our song. I can't take this anymore.Stuart (on phone): Hello.Howard: Stuart, we have to talk. This thing with you and my mom, I hate it. It'smaking me crazy. You and I were friends for years, and now you're bringing my mother to a party I'm going to? What the hell?Stuart: I'm not bringing your mother, I have a date.Howard: Oh, so now you're cheating onmy mother?Stuart: Whoa, whoa, whoa, whoa, whoa. What are you talking about? There's nothing weird going on with me and your mother.Mrs Wolowitz (O.C.): Stewie, your bath is getting cold!Stuart: I got to go,bye.[SCENE_BREAK][ Penny's apartment ]Sheldon: (Knock, knock, knock) Penny? (Knock, knock, knock) Penny? (Knock, knock, knock) Penny? (Knock, knock, knock) Penny? (Knock, knock, knock) Penny?Penny: Youknocked more than usual.Sheldon: Next time I might be in a rush, it's good to have a few in the bank.Penny: Okay, what's up?Sheldon: I'd like to discuss this party that Amy and Bernadette are throwing. Since you andI are both reluctant to go, I think I've come up with a perfect way for us to enjoy it.Penny: Great, how?Sheldon: We pretend we're aliens. I'm not the best at reading facial cues, but I'm gonna say that you love it andwant to hear more. Now, in the beloved novel Hitchhiker's Guide to the Galaxy, an alien named Ford Prefect pretended to be human in order to blend in so that he could write an entry about Earth for The Hitchhiker'sGuide to the Galaxy, which is a travel book within the actual book, which is also called The Hitchhiker's Guide to the Galaxy.Penny: Okay, just one question. What?Sheldon: My point is, pretending to be an alien is avaluable coping mechanism I've used many times. I did it the first time I went to see you in a play. You had no idea Commander Umfrumf of Ceti Alpha Three was in the audience. Oh, don't worry, he gave you seventhumbs up.Penny: Here's a question, as an alien pretending to be human, are you planning to engage in any post-prom mating rituals with Amy?Sheldon: There are post-prom mating rituals?Penny: Not always. Unlessyour date drives a van with an air mattress, then always.Sheldon: Well, if it's part of the prom experience, then I'm open to it.Penny: You're kidding.Sheldon: I may be an alien, but I have urges. If Amy wants tocopulate by firing her eggs into space, well, then, I will happily catch them with the reproductive sac on my upper flermin. I'm not the best at reading facial cues, but I can see that you're a little turnedon.[SCENE_BREAK][ The apartment ]Leonard: You know, if you're not gonna learn how to do this, they make some pretty good clip-ons.Sheldon: Bruce Wayne doesn't wear a clip-on.Leonard: Bruce Wayne doesn'tmake his roommate tie it for him.Sheldon: His name is Alfred, and, yes, he does.Leonard: There, perfect.Sheldon: What, are you sure? It's my first prom, I want to do it correctly.Leonard: I thought you were gonnapretend to be an alien.Sheldon: I was, but Penny didn't want to. You didn't want to. Bernadette, Amy, Koothrappali and Wolowitz didn't want to. And even I knew it was weird to hire somebody.Leonard: Was that aflask?Sheldon: Yes. I've decided to embrace all of the traditions associated with prom, including spiking the punch.Leonard: You're gonna put alcohol in the punch?Sheldon: Oh, no, this is pomegranate juice. It's all thefun of high school high jinks with the cell-protecting zip of antioxidants.Leonard: If you had ripped jeans and a leather jacket, you'd be like the toughest kid on the Disney Channel. So, anything else planned fortonight?Sheldon: Oh, everything. Getting our picture taken, slow-dancing, being elected prom king. Pointing out that kings aren't elected. It's gonna be off the hook.Leonard: And while you're at it, I know that at thisage your hormones are raging, but just because all your friends are having s*x doesn't mean you have to.Sheldon: Why would you say that?Leonard: You know, 'cause, 'cause a lot of people lose their virginity on promnight.Sheldon: Penny implied the same thing. Is this true?Leonard: Just relax, it's a joke. You don't have hormones.[SCENE_BREAK][ Penny's apartment ]Leonard: Wow, you look amazing.Penny: Thank you, so doyou.Amy: Sheldon, you look so handsome.Sheldon: Thank you.Penny: Sheldon, doesn't Amy look hot? That's got to put some starch in the upper flermin.Amy: What's that?Leonard: Oh, it's a scaly genital organ thatgrows between his shoulder blades. Try not to touch it when you're dancing.Sheldon: Excuse me.Amy: Where are you going?Sheldon: I can't do this. And for your information, Leonard, the upper flermin doesn't growbetween my shoulder blades, it grows out of the belly button on my neck.Leonard: He's right, I was thinking of the lower flermin.[SCENE_BREAK][ A limo ]Raj: Ooh, I'll, uh, text Stuart, let him know we'reclose.Bernadette: That's a neat tattoo.Emily: Oh, thanks, it's Sally from Nightmare before Christmas.Bernadette: Aw, that movie's so cute.Howard: Do you like her because you both have red hair?Emily: Uh, a little, butmore that she's covered in scars and can pull her own limbs off and sew them back on.Bernadette: I like Cinderella.Emily: Did you know, in the original book, the sisters cut off their toes with knives in order to fit in theglass slipper?Bernadette: I like Bibbidi-Bobbidi-Boo.Raj: Hey, here comes Stuart and his date.Emily: Oh, she's cute.Howard: Oh, my God.Bernadette: What?Howard: That's Jeanie.Bernadette: That's Jeanie?Emily:Who's Jeanie?Howard: Don't say it.Raj: That's Howard's cousin that he had s*x with.Howard: She is my second cousin. We were 15, I just said, don't say it.Emily: No, it's okay. He told me that story a long timeago.Howard: Raj.Raj: It was our first date, there was an awkward silence. What was I supposed to say?[SCENE_BREAK][ The rooftop ]Penny: Oh, it's beautiful.Leonard: Oh, the girls really did a nice job.Penny: Aw, Iknow I wasn't into this before, but I'm so glad I get to take you to your first prom.Leonard: What makes you think I didn't go to my prom? I went.Penny: Well, who'd you go with?Leonard: I took a little lady I like to callloneliness.Penny: Aw.Leonard: Oh, it's all right. We ended up having a threesome with her friend humiliation, so...Penny: Well, if I would have been there and saw you alone, I would've asked you to dance.Leonard: No,you wouldn't have.Penny: Well, you don't know that.Leonard: It was before my growth spurt.Penny: What, that already happened?Leonard: Very funny.Penny: Well, you wouldn't have asked me either.Leonard: I wouldhave asked you. In my head. On the way home. While I was having a good cry.[SCENE_BREAK][ Sheldon's bedroom ]Amy: Sheldon, can I come in?Sheldon: I don't think that's a good idea.Amy: Why not?Sheldon:According to an online message board, I may be having a panic attack. SoccerMom09 had similar symptoms. But to be fair, the twins were a real handful that day.Amy: You're making me worry. What's goingon?Sheldon: What's going on is we're about to go to a prom. And there's a great deal of pressure on young couples like us to engage in what Mr. Bob Eubanks called making whoopee.Amy: What pressure? All I said wasyou look handsome. Can you please open the door?Sheldon: It's not just that. Leonard and Penny also made comments about it. And I'm not blind. Even I looked twice when I saw my posterior in these tuxedopants.Sceme: The limo.Stuart: So, I met Jeanie at your Aunt Gladys'. She passed me the Manischewitz, I took one look at this punim, and I almost plotzed on the kugel.Rajj: Is this what I sound like when I talk aboutIndia?Howard: So, my mother's okay with this?Jeannie: Why would your mother have a problem with me and Stuart?Howard: 'Cause they have a weird, inappropriate relationship.Jeannie: Weirder than what you and Idid in my dad's Corolla?Raj: This is so messed up.Emily: I know, I'm having the best time.Howard: Why would you even come to this? Didn't you know I'd be here?Jeannie: It was a long time ago, Howard.Stuart: Andyou're only second cousins, who cares?Bernadette: So, you knew and you brought her anyway?Stuart: Oh, so she's good enough for Howard, but not for me?Howard: Yeah.Bernadette: Yeah, go have weird relationshipswith your own mother and cousin. This is his turf.Howard: Yeah.[SCENE_BREAK][ The rooftop ]Penny: Well, I might not have asked you to dance then, but I will ask you now.Leonard: There's no music.Penny: I don'tcare. We'll make our own music.Leonard: My God, who's the dork now? Thank you for wearing your flats.Penny: Thank you for wearing your heels.Leonard: Look at me. Dancing with the prettiest girl at the prom.Penny:Want to take a picture of us and send it to your old friends in the chess club?Leonard: I sent them a bikini shot of you years ago. This is nice. I kind of wish no one else was coming.Penny: I know, me, too. But it will befun to have a prom without all the drama.[SCENE_BREAK][ The limo ]Bernadette: Howie, get off of him.Howard: Not until he stops humping his way up my family tree.[SCENE_BREAK][ Sheldon's bedrooom ]Amy:Sheldon, this is silly. I'm not missing another prom. I'm going upstairs now. Good-bye.Sheldon: I really did think you looked pretty.Amy: You did?Sheldon: Yes. So much so that I started to panic.Amy: Well, you canrelax. Just because you think I look pretty doesn't mean we have to spend the night together.Sheldon: Were you hoping we would because it's prom?Amy: I'm always hoping. But tonight I just wanted to have a nicetime with you. And maybe dance with someone who has arms.Sheldon: Thank you for understanding.Amy: Of course I understand. Sheldon, there's something else I've been wanting to say, but before I do, I just, Iwant you to know that you don't have to say it back. I know you're not ready, and I don't want you to say it just because social convention dictates...Sheldon: I love you, too.Amy: You said it.Sheldon: There's nodenying I have feelings for you that can't be explained in any other way. I briefly considered that I had a brain parasite. But that seems even more farfetched. The only conclusion was love. I know what's happening.This is a panic attack. SoccerMom09 says to lie down with your feet elevated.Amy: Okay.Sheldon: Whoa, whoa, whoa, whoa. Just because I love you doesn't mean girls are allowed in my room.[SCENE_BREAK][ Therooftop ]Raj: Okay. Here we go... Say \"Cheese\"! Say \"Cheese\"! Say \"Cousin\"! Say...Stuart: Oh, sorry. Hang on, sorry. (On phone) Hey, Debbie. I, yeah, yeah, I'm here with Jeanie. Okay, but we're just friends. It's,yeah. I got to go."}
+{"doc_id":"doc_280","qid":"","text":"Scene: The lobby.Penny: Oh, damn, they cancelled my Visa. Oh, yay, a new MasterCard!Sheldon: Uh-oh.Penny: What?Sheldon: I was going to get my mail.Penny: Okay. Are, are you hoping to get ittelepathically?Sheldon: I think you mean telekinetically. And no, I just wasn't sure of the proper protocol now that you and Leonard are no longer having coitus.Penny: God, can we please just say no longer seeing eachother?Sheldon: Well, we could if it were true. But as you live in the same building, you see each other all the time. The variable which has changed is the coitus.Penny: Okay, here's the protocol, you and I are stillfriends, and you stop saying coitus.Sheldon: Good, good. I'm glad we're still friends.Penny: Really?Sheldon: Oh, yes. It was a lot of work to accommodate you in my life. I'd hate for that effort to have been invain.Penny: Right.Sheldon: Just to be clear do I have to stop saying coitus with everyone or just you?Penny: Everyone.Sheldon: Harsh terms. But all right, I'll just substitute intercourse.Penny: Great.Sheldon: Orfornication. Yeah. But that has judgmental overtones, so I'll hold that in reserve.Penny: So, how you been?Sheldon: Well, my existence is a continuum, so I've been what I am at each point in the implied timeperiod.Penny: You're just coitusing with me, aren't you?Sheldon: Bazinga.Penny: Mmm. How's Leonard doing?Sheldon: He seems all right. Although he does spend a disturbing amount of time looking at photographs ofyou and smelling the pillow you slept on. Oh, but now that I think of it, he asked me not to tell you that.Penny: I'll pretend I didn't hear it.Sheldon: I'd rather you pretend I didn't say it. I see you bought Mama Italiamarinara spaghetti sauce.Penny: Yep.Sheldon: That's the sauce my mother uses. She likes cooking Italian because according to her, that's what the Romans made Jesus eat.Penny: Interesting. I'll have to have youover for spaghetti some night.Sheldon: I'm hungry now.Penny: Oh. Um, okay. Why don't you give me an hour and come over?Sheldon: Will you cut up hot dogs into little chunks and mix them in with the sauce?Penny:I don't have hot dogs.Sheldon: Oh, it's all right, I do. Oh! You're in for what my mother calls a real Eye-talian treat. (Enters apartment).Leonard: Hey, where you been?Sheldon: I was talking with Penny.Howard: What'swrong with you? You can't hang out with your roommate's ex. That's totally uncool.Leonard: No, no, it's fine. I don't care. I'm over it.Raj: Yeah, he's over it, that's why he's been whining all day about trying to inventthat memory-wiper gizmo from Men in Black.Sheldon: Is he making any progress? Because I'd like to erase Ben Affleck as Daredevil.Howard: So would Ben Affleck. The point is, in a situation like this you got to picksides. You're either on Team Leonard or Team Penny.Sheldon: Which one picks last?Howard: What?Sheldon: Well, usually I'm on the team that picks last. Unless there's a kid in a wheelchair.Leonard: Sheldon, I got youyour tangerine chicken. I hope you're hungry.Sheldon: Well, of course I'm hungry. And as I have no plans to eat with any other team, I will consume my tangerine chicken with the appropriate gusto. Mm, mm,mm!Leonard: Okay.Sheldon: Just out of curiosity, do we still have hot dogs?Leonard: I don't know. Why?Sheldon: Just making dinner conversation. Go, Team Leonard! Credits sequenceScene: A few momentslater.Howard: Oh, God, this is good.Raj: Let me ask you a question. Do you believe you're going to go to hell for eating sweet and sour pork?Howard: Jews don't have hell. We have acid reflux.Leonard: Do you want thelast dumpling, Sheldon?Sheldon: Certainly. It's not like I have to moderate my food intake because I'm planning on eating again very shortly. Mm, mm, mm!Leonard: So, you guys want to do somethingtonight?Howard: Nah, I can't. I got to pick up my mom from her water aerobics class. 18 overweight women flapping their arm fat in a swimming pool. Looks like the manatee tank at Sea World.Leonard: What aboutyou, Raj?Raj: Oh, there it is, now that you don't have a girlfriend, you want to hang out with me again.Leonard: I never stopped hanging out with you.Raj: Oh, please, we all know I'm the friend you call when you haveno other options. If we were the Justice League, I'd be Aquaman.Howard: I wish you were Aquaman. Then I could send you to scoop my mom out of the old lady tank.Sheldon: Excuse me, I'm thirsty, so I'm going to goto the refrigerator and get myself a refreshing beverage.Leonard: You know what? I'll just spend the evening alone.Raj: What, suddenly I'm not good enough for you?Sheldon: Ah, I do so love beverages. Now I think I'lltake my after-dinner walk.Leonard: Since when do you take after-dinner walks?Howard: Yeah, since when do you take walks?Sheldon: I read a study online that walking after a meal not only aids in digestion, butincreases serotonin, and you know me, if there's one thing I like more than a refreshing beverage, it's serotonin. Bye-bye.Howard: Hold on. I'll walk down with you.Sheldon: Oh, that's not necessary. You can gofirst.Howard: Or we could go together.Sheldon: I can't think of a reason why not.Howard: Let's go.Sheldon: Hold on. Nope, no reason.Raj: I've missed you.Scene: The lobby.Sheldon: All right, say hello to your motherfor me.Howard: Okay.Sheldon: What?Howard: You said you were going for a walk.Sheldon: I didn't say outside.Howard: So what, you're just gonna walk up and down the stairs?Sheldon: No, of course not. That wouldbe odd and suspicious behavior.Woman's voice: Here Bubbles. Here boy.Howard: Which way are you going?Sheldon: Which way are you going?Howard: I parked my scooter down the block.Sheldon: I'm going the otherway. Bye.Howard: Bye. Actually, I'm this way. Do I smell hot dogs?Sheldon: No. I mean, I have no idea what you smell.Howard: I definitely smell raw hot dog.Sheldon: Perhaps you're getting a brain tumour.Howard:All right, have a nice walk.Sheldon: I shall. Have a nice scoot.Howard: You might want to stand back. I'm sitting on top of 13 horses here.Sheldon: Oh. Hello, doggie. Nice doggie. I bet you think you smell hot dogs.Look, a cat!Scene: Penny's apartment.Sheldon: (Knock, knock, knock) Penny, (knock, knock, knock) Penny. (Long pause, knock, knock, knock) Penny. (Penny opens door. A dishevelled Sheldon is holding up one hotdog.) Here. I had to trade the others for my life.Scene: The apartment.Raj: Hey, Leonard?Leonard: Yeah?Raj: I haven't had s*x in a year.Leonard: Where you going with this, Raj?Raj: Don't flatter yourself, dude. Iwant to go out and meet a woman.Leonard: So, go.Raj: Well, I need a wingman. I don't want to come off like a lonely loser.Leonard: And you think my presence will help with that?Raj: Well, I do. Next to you, I'll looklike a catch.Leonard: I'm not going out tonight, Raj.Raj: All right. Would you mind if I went to your room and downloaded some Asian pornography?Leonard: Very much.Raj: Doesn't have to be Asian.Leonard: Don'tworry. You'll meet a girl someday.Raj: No, I won't.Leonard: Yes, you will, and she'll be beautiful, and kind and sexy and funny and everything you ever wanted in a woman.Raj: You really think so?Leonard: I do, andyou'll fall hopelessly in love and give her your heart. And she'll take it and grind it into pathetic, little pieces.Raj: But we'll have s*x first, right?Scene: Penny's apartment.Sheldon: Mmm, mmm, mmm. That'sEye-talian.Penny: So, um, was Leonard okay with you coming over?Sheldon: Oh, yes. In fact, he said, I'm fine, I don't care. And he in no way said it in a manner which would lead one to believe that he was covering upfeelings of anguish and betrayal.Penny: Well, good.Sheldon: I'm also pleased to report that he's all cried out over you.Penny: He's been crying?Sheldon: Oh, I believe that was something else I wasn't supposed tomention.Penny: Oh, God, I feel terrible.Sheldon: Do you have a stomach ache, too?Penny: No. Why, do you?Sheldon: No.Penny: Why did you ask if I had one, too?Sheldon: Just making polite dinner conversation. Yourturn.Penny: All right. So, what's new in your life?Sheldon: Well, my new shoes are not made for running.Penny: Have you been running?Sheldon: No. It's just a suspicion I have. Mmm, mmm, mmm.Penny: I'm so gladyou like it.Sheldon: I do. Leonard never cooks for me.Penny: Well, maybe that's 'cause Leonard can't cook.Sheldon: You can't cook and you made me this.Penny: Whatever. Ooh, I'm gonna get the cheesecake out ofthe fridge.Sheldon: Oh, Lord, I'm in Jewish hell.[SCENE_BREAK]Scene: The apartment.Raj: Look at this. Do you think she's really doing that or is it PhotoShop?Leonard: I'm pretty sure Martha Stewart never got nakedwith a room full of big, fat Japanese guys.Raj: You don't know that. Prison changes people.Leonard: Hey, where you been?Sheldon: I told you, walking.Leonard: For an hour and a half?Sheldon: I got lost.Leonard: Howcould you get lost? Your phone has GPS.Sheldon: Satellites are down. Solar flares.Raj: There are no solar flares right now.Sheldon: Yes, there are.Raj: Dude, I'm an astrophysicist. If there were solar flares, I'd be all upin it.Sheldon: I'm sorry. I misspoke. What I meant to say was my battery died.Leonard: What the hell was that about?Raj: I don't know. Do you think this is really Hillary Clinton doing it with Oprah?Leonard: Oh, wereally need to get you a girl.Scene: Leonard's bedroom. Leonard is asleep.Sheldon: (Knock, knock, knock) Leonard, (knock, knock, knock) Leonard, (knock, knock, knock) Leonard.Leonard: Oh, just come in!Sheldon:Thanks for seeing me on such short notice.Leonard: What do you want, Sheldon?Sheldon: Maybe this isn't a good time.Leonard: Tell me why you woke me up or I swear to God I will kill you.Sheldon: Do you really thinkdeath threats are an appropriate way to begin this conversation? Sometimes your lack of social skills astonishes me.Leonard: What do you want?Sheldon: You may want to sit down.Leonard: I'm in bed!Sheldon: Pointtaken. You may want to sit up.Leonard: Sheldon!Sheldon: I've been seeing Penny behind your back.Leonard: Okay, when you say seeing Penny, what exactly does that mean?Sheldon: We had dinner last night. Shemade me spaghetti with little hot dogs cut up in it. Well, little hot dog. I gave up the other five hot dogs to a real dog. A real, big dog. A hell hound. Tangential to the primary story. How about I circle back to it?Leonard:Fine. Why did you have dinner with Penny?Sheldon: I told you, she made spaghetti with little hot dogs. I like spaghetti with little hot dogs.Leonard: Then why did you have Chinese food with us?Sheldon: I didn't want toupset you. Howard made it very clear that my allegiance should be to male comrades before women who sell their bodies for money.Leonard: Is it possible he said Bros before Hos?Sheldon: Yes, but I rephrased it toavoid offending the hos.Leonard: Sheldon, I don't care if you want to be friends with Penny.Sheldon: Oh. Well, so the emotional turmoil that's been keeping me from achieving REM sleep was entirelyunjustified?Leonard: Yes.Sheldon: Well then as my meemaw would say, looks like we butchered a pig, but nobody wanted bacon.Leonard: I guess not.Sheldon: And now, as promised, the tangent. Sheldon and the HellHound, or How I Lost My Hot Dogs.Scene: The laundry room.Penny: Oh, um, I, I can come back.Leonard: D-don't be silly. We're neighbours, we're going to run into each other, may as well get used to it.Penny: Yeah, Iguess you're right.Leonard: You used to it yet?Penny: Nope.Leonard: Me neither. Oh, Sheldon seemed think that I would be upset about you hanging out with him. But I just want you to know it's fine.Penny: Oh, oh,good, because, um, his mother called me.Leonard: His mother?Penny: Yeah, she wants me to take him shopping for sheets and towels.Leonard: I was going to do that.Penny: Oh, well, then you, you do it.Leonard: No,I don't want to do it. You can do it.Penny: Okay, you can take him for shoes.Leonard: I just took him for shoes.Penny: Well, all I know is he says they hurt his feet.Leonard: Fine. I'll take him for shoes nextSaturday.Penny: Oh, no, no, no, a bunch of us from work are going to Disneyland next Saturday and Sheldon wants to come.Leonard: You're taking him to Disneyland?Penny: Well, he heard me making plans on thephone. Was I going to say no?Leonard: All right. But let me know if you're going to stuff him with junk food. I don't want to bring home a nice dinner for him and see it go to waste.Penny: We're going to Disneyland.He's going to eat junk food.Leonard: All I'm saying is give me a heads-up.Penny: Okay, whatever.Leonard: And don't let him go on Space Mountain after he eats. He'll say he can handle it, but I promise you'll end upwith churro puke on your shoes.Penny: All right, got it. Is there anything else?Leonard: Yeah, don't let Goofy near him. He'll have nightmares and I'll have to deal with it.Penny: What's the problem with Goofy?Leonard:Wish I knew. He's fine with Pluto.Scene: The apartment.Raj: Hey, do you think the elastic woman in The Incredibles needs to use birth control or can she just be a diaphragm?Howard: Well, that's it. We're officially outof things to talk about.Penny: We're home.Leonard: It's ten o'clock, where have you been?Sheldon: We stayed for the California Adventure water show. It was pure Disney magic.Leonard: I was going to see that withhim.Penny: How was I supposed to know that?Sheldon: It's all right. I'll see it again with you.Leonard: And I have food here. You said you were going to call.Penny: I know, I know.Sheldon: I can still eat.Penny: No,you already threw up once. Go put on your PJs and brush your teeth.Sheldon: Okay, but just don't fightLeonard: We're not fighting.Penny: Just go.Leonard: Aren't you going to thank Penny for taking you toDisneyland?Sheldon: Thank you, Penny.Penny: You're welcome, sweetie.Leonard: Want a cup of coffee?Penny: Oh, um, I should probably get going.Leonard: Come on. It's just a cup of coffee.Penny: Yep, okay. Howard(to Raj, who has whispered to him): Oh, yeah, the whole thing seems a little twisted to me, too.Leonard: What am I smelling?Penny: Sheldon's churro on my shoes.Scene: Sheldon's bedroom.Penny: He's such an angelwhen he's asleep.Leonard: Yeah. Shame he has to wake up.Penny: I think we can do it.Leonard: Smother Sheldon in his sleep? Wouldn't that be wrong?Penny: No, be friends. You and me.Leonard: Oh. Sure.Absolutely.Penny: Good. I'm glad.Leonard: Here's an idea. I'm just throwing it out there, friends who have s*x.Penny: Good night, Leonard.Leonard: Kidding. Just a couple of friends goofin' around.Sheldon (in hissleep): No, Goofy, no."}
+{"doc_id":"doc_281","qid":"","text":"MUSIC IN:EXT. STREET - DAY(SFX: SIRENS B.G.)RICK: Let's move! Let's go! Get those BAs up. Pull a cord and a half! Let's get ready to roll! Davis, get those utilities turned off, quickly! Move it!DAVIS: (MUFFLED) I'mon it, Sir!RICK: (V.O./MUFFLED) We're in front. You start in back!FIRE FIGHTER: (V.O./MUFFLED) Come on, Scotty. You're with me. Let's move.(KNOCK ON DOOR)RICK: (SHOUTS) Fire department! Let's go.(SFX:DOOR BURSTS OPEN)[SCENE_BREAK]INT. HOUSE - DAY(SFX: FLAMES B.G.)(SFX: SMOKE ALARM BEEPING B.G.)RICK: (V.O./MUFFLED) You two spread out. Clear the bedrooms! I'll take the kitchen!FIREFIGHTER:(V.O.) We'll cover these down here!(SFX: FIREFIGHTERS VOICES B.G.)(SFX: RICK BREATHES HEAVILY B.G.)[SCENE_BREAK]INT. KITCHEN - DAYRICK: (V.O./MUFFLED) Every damn time. False alarm, fellas. Justanother overcooked bird. Or something. (ON CAMERA) Tough to tell after six hours in the - oh dear.(MUSIC UP AND OUT)(THEME MUSIC UP OVER OPENING TITLE/SCENES/ CREDITS AND OUT)MUSIC IN:INT. COFFEEHOUSE - DAY(SFX: ESPRESSO COFFEE MACHINE B.G.)LANDON: Double Americano for Thom. (BEAT) Aren't you Thom?MCGEE: Yes, thank you. Sorry.LANDON: You must need that badly. Don't even recognize your ownname. Medium mocha coming up.MCGEE: It's my other name.LANDON: Two names, huh?MCGEE: Well, two jobs. It's Thom when I'm writing. Not that I've actually written anything in weeks.LANDON: Writer'sblock?MCGEE: Creative stifling. I am crumbling under the pressure of expectations.LANDON: Oh, you're Thom E. Gemcity! Your photo's on the back cover! I loved Deep Six.MCGEE: Thanks... Landon. Thankyou.LANDON: Can't wait to see what happens next.MCGEE: You and me both. Two weeks until my deadline. I'm stuck here in chapter seven.LANDON: Well, it could be worse.MCGEE: How's that?LANDON: It could bechapter six. Okay, we've got a half caf percent latte and a medium double decaf for Whitney.(SFX: CELL PHONE RINGS)MCGEE: (INTO PHONE) McGee. Yeah. (TO LANDON) The other job.LANDON: Goodluck.[SCENE_BREAK]INT. HOUSE - DAYTONY: Ferris Bueller's Day Off, a John Hughes masterpiece. Now there's a guy that didn't have time for writer's block, Probie. Sixteen Candles, Uncle Buck, The BreakfastClub.MCGEE: I do not have... I'm just struggling to find out the most efficient way to tell my next story.TONY: Now, do you think Hughes writes on a computer or does he use an old-fashioned typewriter, likeyou?MCGEE: Well, I'm sure he uses a computer, Tony. Most writers do.TONY: Did you ever consider converting?MCGEE: I don't think that's the reason for my ...TONY: Were you going to say... writer's block?MCGEE: Ilike my typewriter.TONY: But it doesn't like you. It's a classic tale of unrequited love between a boy and his machine. You can use that if you want. But remember, you've got to have a love story. I can see the posteralready.[SCENE_BREAK]INT. KITCHEN - DAY(SFX: CUPBOARD DOOR OPENS)ZIVA: The house is leased to Petty Officer Darren Cove. No roommates, but according to the neighbors, he is rarely alone.(DOORCLOSES)GIBBS: I can tell. He's got a fridge full of beer. No hard alcohol.ZIVA: Except for this. Ooh! If smells could kill, I think we just found our murder weapon.GIBBS: I'm more concerned with where they camefrom.ZIVA: Neighbors said this was a notorious party house. Maybe someone brought in the mixers.GIBBS: And they left with them, too.ZIVA: Seems like a lot of effort for a couple of drinks. Wastedeffort.[SCENE_BREAK]INT. LIVING ROOM - DAYMCGEE: (V.O.) The blood starts at the ping-pong table.TONY: Beer pong.MCGEE: Huh?TONY: This is tragic. Don't tell me you've never played beer pong before, Probie?What did you do at MIT?MCGEE: Studied.TONY: That figures. Well, beer pong is a drinking game, the object of which is to take the ping pong ball and try to get it into the other team's cups.MCGEE: (BEAT) Show mehow it's done.TONY: This is a crime scene, not a frat house. You hearing voices, Probie?MCGEE: I figured you saw Gibbs coming.TONY: I just don't think this is the time or the place to showcase my beer pong skills.(BEAT) What?MCGEE: It seems out of character.TONY: (LAUGHS) Yeah. Yeah. No, you may not use me to get over your writer's block.ZIVA: McGee has writer's block?MCGEE: No, McGee does not.ZIVA: Just do whatyou did last time. Write about us.MCGEE: Okay, I've told you guys a million times. The book is not about you.TONY: No, of course not. It's about Special Agent Tommy.ZIVA: And Officer Lisa.GIBBS: (V.O.)Dinozzo.TONY: And L.J. Tibbs.MUSICAL BRIDGE TO:INT. BEDROOM - DAYGIBBS: Get this.TONY: Looks like McGee wasn't the only writer here todayGIBBS: Bag it.NOTE: ONE DOWN, TWO TO GOMUSICAL BRIDGETO:INT. SQUAD ROOM - DAYMCGEE: Petty Officer Cove joined the Navy three years ago, right out of high school. His C.O. says he's a little immature, but basically a good kid.TONY: A good kid with a criminal record.Since enlisting, he's been arrested twice. Both misdemeanors. Public intox in oh-four, and a noise ordinance violation last July.MCGEE: He works to live, and lives to party. It's his C.O.'s words.TONY: Guys in hisCommand call him Darren \"Diddy\" Cove.GIBBS: Why?MCGEE: Uh, it's a reference to Sean \"Diddy\" Combs.TONY: The Puff Man. P-Diddy. Rap impresario. Went out with J-Lo. Petty Officer Cove was on dutyyesterday.MCGEE: Left the base at eighteen hundred. Hasn't been seen since.TONY: And neither has his blue Ford Ranger. It should be in his garage, but it's not.MCGEE: Which means his attacker took it.GIBBS: OrPetty Officer Cove went for a drive.MCGEE: Well, with that amount of blood loss, it's doubtful he was conscious.GIBBS: If it was all his blood.TONY: Well, Abby'll tell us, because Cove's blood sample is in his medicalrecords.ZIVA: (V.O.) Thank you.MCGEE: I'm going to go check the BOLO, see if he's got a hit on the pickup.ZIVA: That's not necessary, McGee. Norfolk Police just found it abandoned along Highway Five.MUSICALBRIDGE TO:EXT. RAVINE - DAYZIVA: I've noticed oversized dice like these in numerous vehicles. Do they serve a purpose? Hello? Tony?TONY: What?ZIVA: Do they serve a purpose?TONY: Fuzzy dice? Pretty goodredneck indicator. Other than that, no. They don't serve a purpose. We've got a lot more blood back here, Boss. Think this was used to cover the body?GIBBS: Yeah. Or bodies.(SFX: CELL PHONE RINGS)GIBBS: (INTOPHONE) Yeah, Abs. I'm listening.(GIBBS WALKS O.S.)ZIVA: (LONG BEAT) McGee, you look like you've seen a goat.MCGEE: Huh? Oh, ghost. Seen a ghost. Yeah, do you know what déja vu is?ZIVA: Bien sur. My Frenchis better than my English.MCGEE: Right.ZIVA: So?MCGEE: What?ZIVA: The déja vu?MCGEE: I can't place it.ZIVA: (LONG BEAT) By any chance, did you start dating someone, McGee?MCGEE: Dating? Please. I spendevery spare minute I have writing.GIBBS: Hang on a second. McGee, get this towed back to lock-up. (INTO PHONE) Yeah. Go on, Abs.TONY: Abby's got something.[SCENE_BREAK]INT. ABBY'S LAB - NIGHTTONY:Watch out! It's Halloween at Coyote Ugly. Piper Perabo!ABBY: Oh, if you liked that one you're going to love this. It's... it's a Sciuto original. I like to call it \"Bottoms Up.\"ZIVA: Oh! I had no idea you were a bartender,Abby.ABBY: Well, my Uncle Teddy used to own a bar on Canal Street. And I used to bartend on the weekends.GIBBS: The case, Abby.ABBY: Gibbs, you haven't even seen my famous \"Fire Bomb!\" It can wait. So Itested the blood that was in Petty Officer Cove's house. Most of it was his, but one sample did not match.ZIVA: It could have been from a prior accident or an altercation at one of his parties.TONY: Or it could be thekiller's.ABBY: I also removed prints from our mystery cocktails. One half of our drinking duo was definitely Petty Officer Cove.GIBBS: The other half?ABBY: Well, it's a work in progress, Gibbs.GIBBS: Tell me you havemore to this, Abby.ABBY: Have I ever let you down? Don't answer that. Um, I'm using my mass spectrometer to break down the molecular structure of the cocktails in question.TONY: Guessing that's where all thesecome in.ABBY: Well, you guess correctly. I think I've made over one hundred delightful beverages trying to find... the match. The weird thing is, this baby isn't in any bartending guide, anywhere. It's made out ofJagermeister...MCGEE: Cherry soda, vanilla vodka, lemon juice, and a plash of Tabasco. It's called a \"Hairy Hangover.\"TONY: And you came to know this how, McGee?MCGEE: I created it. Our missing Petty Officer is acharacter in my next book.(MUSIC UP AND OUT)MUSIC IN:INT. SQUAD ROOM - DAYMCGEE: (READING) \"Cameron Meyer is a good old boy from Northern Virginia. He was born with not much, raised with even less. Allhe wants out of life is a good girl and a great truck. As of yesterday, he's halfway there. He dropped his life savings on a blue Ford Ranger.\"TONY: That's it?MCGEE: Tony, it's all here. The fuzzy dice, the cinnamon rolls,red track jacket. Petty Officer Cove is Cameron Meyer.ZIVA: Uh, but how is that possible, McGee?MCGEE: My writing isn't entirely fiction, okay? My stories are...sometimes I base my characters on people I...TONY:Work with?MCGEE: See. People I see.GIBBS: You've seen Petty Officer Cove before?MCGEE: Every morning at my coffee shop.ZIVA: But how come you didn't recognize his photograph?MCGEE: He only uses thedrive-thru. To me he's just the \"large coffee, with the cinnamon roll\" guy in a blue pickup truck. I never saw his face.TONY: Whoa, whoa, whoa. Wait a minute. Back up. Your coffee shop has a drive-thru? That's... that'snot important.ZIVA: Just because you based your character on a person who is missing does not necessarily mean the two of them are related, McGee.GIBBS: Yeah, it does. You created the drink.MCGEE: Made it upabout a month ago.GIBBS: How did two glasses of it get from your head to inside Petty Officer Cove's house?TONY: Someone's read your book.GIBBS: Are your papers under lock and key?MCGEE: Well, I sent mypublisher a copy a couple weeks ago, but, you know, I'm sure she...GIBBS: Address.MCGEE: (BEAT) Um...Boss, there's more. After Deep Six hit stores, my publishing firm received a ton of emails addressed to Thom E.Gemcity.TONY: Tons?MCGEE: Most of them were autograph requests, or feedback on the novel. But in the last couple weeks, my publisher says that we've gotten some really weird letters. Borderline obsessive. I didn'tsay anything because I assumed they were harmless.GIBBS: Dinozzo, with me. McGee, you stay here with Ziva. Start going through your book.MCGEE: What exactly am I looking for?GIBBS: Answers, McGee!MUSICALBRIDGE TO:INT. CRAWSHAW'S OFFICE - DAYRYDER: Miss Crawshaw will be with you shortly.TONY: Oh, you've got to be kidding me!RYDER: Is there anything else I can get you while you wait?TONY: Yeah. A barfbag.RYDER: I'm sorry?CRAWSHAW: Todd, black tea, lemon, crab salad, arugula. (TO GIBBS) You're Timothy's people.GIBBS: A few weeks ago, he sent you a draft of his next book.CRAWSHAW: Partial. It wasn'tfinished yet.TONY: Yeah, it still isn't, is it?GIBBS: How many of your people here have read the book?CRAWSHAW: Zero. No one in my agency has access to advance material without the writer's consent.GIBBS: Exceptyou.CRAWSHAW: Writers are notoriously insecure. Soft, even.TONY: Well, that doesn't sound like our little Timmy McGee, now, does it?CRAWSHAW: Whether they ask for it or not, I provide coddling, prodding,protection. Anything it takes to keep those elusive muses singing.... Agent...GIBBS: Gibbs.CRAWSHAW: Here you go. Rock Hollow; The Continuing Adventures of L.J. Tibbs. How's this connected with yourinvestigation?TONY: A person's missing. We believe it's related to the contents of that book.CRAWSHAW: Oh, I guess I just made myself your prime suspect.GIBBS: Sounds about right.CRAWSHAW: I may be the onlyone in the firm who's read it, Agent Gibbs, but I can guarantee you I'm not the only one in the city.TONY: McGee hasn't given the book to anyone else, Ms. Crawshaw.CRAWSHAW: Obsessed fans always find a way toget material early. They dig through trash, hack computers, anything short of writing it themselves. And believe me, Timothy has some of the craziest fans I've ever seen.GIBBS: Yeah, we know about theletters.CRAWSHAW: Yeah, there are three that stand out. Todd! Bring me those three...RYDER: Gemcity letters?CRAWSHAW: No return addresses. Each one's stranger than the last. I bet the psychopath you're lookingfor is somewhere in that envelope.TONY: What makes you think we're looking for a psychopath?CRAWSHAW: Don't you read crime novels? They are always psychopaths.[SCENE_BREAK]INT. AUTOPSY LAB -DAYDUCKY: (READING) \"I am sending this letter to express my gratitude for the literary gift you've given me. The majesty of your writing is far beyond anything this planet has ever seen.\"(SFX: DOORS SLIDEOPEN)GIBBS: A rave review.DUCKY: Rave indeed, Jethro. Yeah. In fact, it's quite possible that Michael is Timothy's greatest admirer.GIBBS: Admirer or stalker, Duck?DUCKY: At this point I'd say he is no immediatethreat to himself or anyone else.GIBBS: At this point?DUCKY: Well, one does not become a predatory stalker overnight, Jethro. The mind typically goes through three stages. This letter, strange as it may seem, is onlyat stage one. The attraction stage.GIBBS: And the other two?DUCKY: Well, on the surface, this letter written by Andrew, would appear more normal. But phrases like \"I breathe for your words,\" and \"you need me,\"might suggest...GIBBS: .... otherwise.DUCKY: But because of that sense of desperation, I'd categorize that letter as stage two; obsession.GIBBS: What's stage three?DUCKY: Well, read for yourself.GIBBS: (READS) \"Iknow you think of me often, just as I think of you. Please don't make me do something we'll both regret.\"DUCKY: Now that letter has an aggressive and threatening tone. For that reason, it falls into the final stage;destruction.GIBBS: Three letters. Three stages.DUCKY: I know what you're thinking, Jethro. That it's no coincidence. Although the letters may appear to be very different, the writing style is nearly identical in allthree.GIBBS: The same person wrote all three?DUCKY: And judging by the postmarks, the letters were written and sent over a period of several weeks, during which time the writer became increasinglydelusional.GIBBS: Motive?DUCKY: Oh, I can't say for certain. But I say the answers can be found in Timothy's new book. The writer believes that Timothy's fiction is very much real.MUSICAL BRIDGE TO:INT. SQUADROOM - NIGHT(MUSIC OVER ACTION/TONY AND ZIVA READ THE SCRIPT)MCGEE: Tony, about....TONY: (PAUSE) Done.MCGEE: So?TONY: I'm confused.MCGEE: This isn't a critique, okay? We're trying to find somethinguseful - confused by what?TONY: The plot, the back story. Pretty much everything. The whole thing doesn't make sense.MCGEE: Ziva, what about you?ZIVA: Um... not as confused as Tony.MCGEE: Well, I haven'tfinished it yet. It's just a rough draft.ZIVA: Very rough. I'm sorry, McGee.TONY: Who's the killer anyway?MCGEE: I don't know yet.TONY: There's your problem. I mean, you always have to know where your story isgoing. That's fiction writing one-oh-one.MCGEE: Not the way I choose to write, Tony.TONY: And he wonders why he has writer's block.MCGEE: Can we focus on the problem here? We've got a missing person, and ouronly lead is my book.ZIVA: Well, that's not much of a lead.TONY: She's right. We don't even know how the book factors in.GIBBS: (V.O.) We do now! (ON CAMERA) The letters were written by the same person. Hethinks the book is real.ZIVA: And believes Petty Officer Cove is a part of it.GIBBS: It means we're going to have to go everywhere he's been.MCGEE: Well, we've already done that, though. His home, work, hangoutspots.GIBBS: I'm not talking about Petty Officer Cove. I'm talking about your good-old-boy with the pickup truck, Cameron Meyer.MUSICAL BRIDGE TO:EXT. HIGHSIDE CREEK - DAYZIVA: High side Creek is whereCameron goes to clear his head.MCGEE: Well, thematically, this location is very important, Boss.TONY: You've been saying the same thing all morning, McGee.GIBBS: Spread out.TONY: Why would Cameron come to apicnic area to think?ZIVA: In his book it's not a picnic area, it's his favorite fishing hole.MCGEE: Thank you, Ziva.TONY: Don't you think it's kind of a cliché to have your character alone, staring into the serenewilderness?MCGEE: No. If it was, I wouldn't have written it, Tony.TONY: I mean, knowing Cameron, if he was bummed out, wouldn't he just go to the Wing Shack with some buddies and toss back a few brews?ZIVA: Ortalk to a priest? Don't forget that he's very religious now that his father died.TONY: Good point!MCGEE: No, it isn't. Cameron keeps his emotions bottled up. When he's upset, he comes here. Afterwards, he always feelsbetter.GIBBS: Not always.MCGEE: (PAUSE) That's him. That's Petty Officer Cove.ZIVA: Then who is this?!MCGEE: (LONG BEAT) That's Jerrod Brenner. That's another character from my book.(MUSIC OUT)MUSICIN:EXT. HIGHSIDE CREEK - DAYDUCKY: Two bodies, both with nearly identical stab wounds in the chest and abdomen. It appears that Petty Officer Cove may have put up a bit of a struggle. Note the remnants of skintissue and blood under the fingernails. Now, both men have been deceased for less than twenty-four hours.ZIVA: That is not all they have in common, Ducky.TONY: They're also both characters in McGeek's nextbook.DUCKY: Yes, from what I hear, Timothy, in your next novel, L.J. Tibbs has a love interest. Yes, I hear that it's an Army...MCGEE: Ducky, I don't think we need to talk about that...GIBBS: Army what,McGee?MCGEE: Uh...Lieutenant... Colonel.... Lieutenant Colonel...GIBBS: We got a murder weapon, Duck?DUCKY: Yes, well that's where things get interesting, Jethro. Both wounds are circular, about one inch indiameter.TONY AND ZIVA: (IN UNISON) Javelin.MCGEE: Chapter Four, my characters Cameron Meyer and Jared Brenner - they murder a convenience store clerk to cover up an extortion.TONY: Javelin. Believe it ornot.DUCKY:DUCKY: That is for what they were originally intended, Anthony. A javelin is a modern day murder weapon. I applaud your creativity, McGee. Of course, well, given the circumstances... oh, dear. (CONT.)Now I'm going to have to read his new book.[SCENE_BREAK]INT. SQUAD ROOM - DAYTONY: Petty Officer Darren Cove and Adrian Corbette - the inspiration behind two of McGee's characters, Cameron Meyer andJerrod Brenner.GIBBS: Any other connection?MCGEE: Not that we've found. Corbett worked as a valet at Alfonso's Steakhouse.TONY: Your favorite.MCGEE: That's how I got to know him. For my book, I borrowed hisphysical details - the nose ring, birthmark on the face and the neck.GIBBS: Where's his job?MCGEE: Valet at a steakhouse. But I did change the name of the restaurant.TONY: From Alphonso's to Alfredo's. You don'tneed to be Sherlock Holmes to figure that one out.GIBBS: The note from Petty Officer Cove's apartment.TONY: \"One down, two to go,\" means the killer's not finished.GIBBS: How many more of your characters did youbase on real people? (BEAT) Hey! How many?MCGEE: Just the team. You, Tony, Ziva, everyone. Are you happy, Tony? I finally admitted it. I based both my novels on your guys.GIBBS: That means we're all potentialtargets.MCGEE: Boss, I'm sorry!GIBBS: Ducky, Abby, Palmer... twenty-four hour security detail until we find this psycho.ZIVA: Twenty-seven javelins sold in the D.C. area in the past six months. Twenty-one were paidfor by credit cards. All by track coaches and athletic directors.GIBBS: What about the last six?ZIVA: Cash transactions.(SFX: CELL PHONE RINGS)GIBBS: Yeah, Gibbs.ABBY: (V.O./FILTERED) I've got something for you,Gibbs.GIBBS: (INTO PHONE) I got it, Abs. We'll be right down. (TO TONY) Go! Go! (TO MCGEE) Not you.MCGEE: Two men are dead because of me, Boss.GIBBS: You got a javelin, McGee?MCGEE: No, but I own atypewriter.GIBBS: It's a typewriter. Not a shotgun.MCGEE: It caused two men their lives because I based my fictional book on real people.GIBBS: Then put these on.(SFX: HANDCUFFS CLATTER TO THE TABLE)GIBBS:You just confessed, right?MCGEE: Not exactly.GIBBS: There's no mid-ground, McGee. You either put on the cuffs, or you find who's responsible.MCGEE: How?GIBBS: This guy's inside your head. You get insidehis.MCGEE: Boss, it's not that simple. I still don't even know what my story is!GIBBS: You figure it out, McGee! You write the ending to this, or the killer will!MUSICAL BRIDGE TO:INT. ELEVATOR - NIGHTZIVA: Well,"}
+{"doc_id":"doc_282","qid":"","text":"Teleplay by: Andrew Reich & Ted CohenStory by: Sherry Bilsing & Ellen Plummer[Scene: Monica and Chandler's, Monica, Chandler, Ross, and Rachel are sitting around the table.]Monica: I'm glad you're here, we have acouple of things to ask you about the wedding ceremony.Rachel: (starting to cry) Ohh...Ross: What's the matter? You okay?Rachel: Yeah, it's just y'know...Chandler: (To Ross) Monica said wedding.Monica: Uh, soanyway, we thought one of you could read something during the ceremony.Rachel: Oh! I would love to read a poem.Chandler: Do you think you could get through a poem?Rachel: (crying) It'll be a short one.Monica:Okay, so Ross will be doing the reading.Rachel: Ohhh...Ross: Okay. Yeah, I guess, I guess I could do that too.Chandler: Too?Ross: Yeah, I kind of uh, have something else planned for you guys.Monica: Do you mindtelling us what it is?Ross: Sorry, I'm kinda keeping this one on the Q.T.Chandler: Well, whatever it is, I hope it involves winking. (Winks in a spy-type manner.)Joey: (entering, excited) Hey!All: Hey!Joey: So I justtalked to one of the DOOL writers today, and...Monica: What is DOOL?Joey: Days Of Our Lives. Anyway, you're not gonna believe it! My character is coming out of his coma!!All: Oh!!Chandler: That's great!Joey:And-and-and not only that, I'm gettin' a new brain!!Chandler: So great things are happening at work and in your personal life!Rachel: Wait, what do you mean you're getting a new brain?Joey: Oh well, they're killing offone of the characters on the show, and when she dies her brain is being transplanted into my body.Ross: What? A brain transplant?!Joey: (seriously) Yes, it's a highly controversial procedure.Ross: It's ridiculous!Joey:Well, I think it's ridiculous that you haven't had s*x in three and a half months.Ross: (to Monica and Rachel) It's winter, they are fewer people on the street. (Rachel and Monica smile and nod, knowingly.)Monica: Whoare they killing off?Joey: Uh Cecilia Monroe, she plays Jessica Lockhart.Rachel and Monica: Noo!!Monica: She's my favorite character on DOOL.Joey: Nice.Rachel: She is so good at throwing drinks in people's faces, Imean I don't think I've ever seen her finish a beverage.Monica: And the way she slaps all the time!Rachel: Oh!Monica: Wouldn't you love to do it just once?! (Raises her hand towards Chandler.)Chandler: Don't doit.Rachel: Cecilia Monroe man, what a great actress.Joey: Oh, tell me about it. And she's been on the show forever, it's gonna be really hard to fill her shoes.Ross: Yeah-yeah, help me out here, when you come out ofthe \"brain transplant,\" you are going to be her?Joey: Yes, but in Drake Ramoray's body. (Ross laughs unbelievably.) Why is this so hard for you to get? I thought you were a scientist!Opening Credits[Scene: Phoebe andRachel sitting on the couch in Central Perk]Phoebe: (Clears Throat) Rach, so, that guy there. Straight or gay?Rachel: (They both look behind them.) Well, I'd have to say gay.Phoebe: Yeah? Why?Rachel: Well mainlybecause he's kissing that other guy.Phoebe: Oh no not that guy there. That guy right there. (Pointing to an attractive man sitting at a table behind them.)Rachel: Oh yeah he's too cute to be straight.Phoebe: (A womanwith large breasts walks in the door) Ohh knockers will help us figure it out. (She walks by and he checks her out.)Rachel: All right, straight, and not subtle. (The man gets up and leaves.)Phoebe: Ohh, he left his cellphone.Rachel: Oh, well, we can hand it to Gunther and he'll put it in lost and found.Phoebe: Or we could use it to call China. See how those guys are doing.Rachel: What if, um, if he calls his own cell phone to find outwho found it and I answer and we start talking and we fall in love. I mean wouldn't that be a great story? Kind of like a fairy tale for the digital age.Phoebe: Yeah... That does sound great. I'm going to get the phone.(They both get up.)Rachel: What? Wait! Why...why do you get the story?Phoebe: I don't know. I haven't been out on a date in so long.Rachel: Phoebe, you had a date three days ago.Phoebe: That wasn't a date! Thatwas, that was just friends getting together...(quietly) having s*x.Rachel: Okay. Okay, see? I get the phone.Phoebe: No way! No way! You just broke with Tag a week ago.Rachel: Yeah! (Breaking up) And until now, Ididn't think I'd love again.Phoebe: Nice try.Rachel: Oh hey-hey wait! How do we fairly decide who gets the phone?Phoebe: I don't know.(They edge closer to the phone on the table.)Rachel: Well umm, maybe we coulduhh... (Grabs the phone) Ah-ha! Too slow!!(She holds the phone out and starts taunting Phoebe. Phoebe calming knocks the phone out of Rachel's hand and catches it.)Phoebe: Ah-ha! Too cocky![Scene: SilvercupStudios, Joey is watching Jessica Lockhart perform a scene.]Dina: I'm going to keep dating him Mother, and there's nothing you can do about it!Jessica Lockhart: Oh yes there is!Dina: What are you going to do? Killhim? Like you did with Charles?!Jessica Lockhart: (gasps) That was an accident! And so were you.Dina: Well, at least I'm not a murderer! (Jessica slaps her.)Jessica Lockhart: (crying) Oh, my baby! (Hugs Dina, butmoves Dina's head to her other shoulder so that she's the only one in the picture.)The Director: Cut!(Joey walks up to Cecilia Monroe who plays Jessica.)Joey: That was a great scene! And-and-and that slap looks soreal! How do you do that?Cecilia: Oh, just years of experience.Dina: (crying) Can I get some ice here?!Joey: Oh anyway, I just wanted to say how wonderful I think you are.Cecilia: You're not the fan who's dying areyou?Joey: Say what?Cecilia: I'm supposed to meet and hug a fan who's dying, but that's not supposed to be until (to no one in particular) later!Joey: No. No, I'm Joey Tribbiani; we did a scene together yesterday. I-I'mthe guy in the coma!Cecilia: Oh that was a real person?!Joey: An-an-anyway I-I just wanted to say that since I'm getting your brain when you leave the show, I was wondering if there was any tips you can giveme...Cecilia: I-I-I'm leaving the show?Joey: (quickly) I don't know. Why? Did you hear something?Cecilia: Who told you that?Joey: Oh uh, one of the writers.Cecilia: Which one? Was it bald or was it tall?Joey:Umm...Cecilia: Y'know what? It doesn't matter! Because it is not true!Joey: Okay.Cecilia: And if it were true, how dare you come to me ask me for tips about a character that I've been playing for 20 years-I'll give you atip! (She throws her drink in his face.)Joey: Ms. Monroe... (She slaps him) Oh there you go. (She storms off, leaving Joey standing next to Dina. They share a nod at the ferocity of the slap they just received.)[Scene:Central Perk, Phoebe and Rachel are still arguing over the phone.]Rachel: No Phoebe! You cannot get the phone that way; that's not fair! Okay look, I have an idea. Why don't we, why don't we see what kind of numberhe has on his speed dial, and then from that we can tell who has more in common with him. And then whoever does gets the phone.Phoebe: Or, we can decide by whose ever name is closer to the word phone.Rachel: Idon't think so.Phoebe: (handing Rachel the phone) Fine all right, but I'd bet you'd be singing another tune if we were fighting over a ratchet.Rachel: (checking the speed dial) All right, first name on the speed dial ismom.Phoebe: Ohh, I lost my mom to suicide.Rachel: Okay no way, you cannot use that to get the cute guy and the last blueberry muffin.Phoebe: Did I use that already today? I'm sorry.Rachel: Yes okay. (Checking thespeed dial again.) Well now see this isn't telling us anything. (Reading the speed dial) Joe. Carlos. Peter. Ooh! Peter Luger! T hat's a steak house!Phoebe: Okay, a meat eater. Fine, that's one for you.Rachel: (looking atthe speed dial) Oh, I win! He's got Barney's on his speed dial.Phoebe: So you don't know that's Barney's the store! That can be y'know his friend's house, or a bar. Who has Barney's the store on their speed dial?Rachel:(showing Phoebe her phone) His new girlfriend![Scene: Monica and Chandler's, Monica and Chandler are eating lunch, when they start to hear a horrible screeching noise. It sounds like someone is skinning acat.]Monica: What is that?Chandler: I think it's the dying cat parade.Monica: It sounds like it's coming from across the street.Chandler: (turning around and looking) Oh my God!Monica: What?Chandler: Y'know thatthing that Ross was gonna do at our wedding?! He was hanging out with me yesterday and he turned to me and said, \"You're half Scottish right?\"Monica: Nooo!!Chandler: Yes!![Cut to Ross's apartment, he is playing theBagpipes, badly. He's worse than that whole keyboard thing a few years ago.][SCENE_BREAK][Scene: Monica and Chandler's, scene continued from earlier. They both get up and move to the window.]Monica: No, thereis no way! It can not be Ross! (She looks through the window and sees Ross practicing and fumbling around with the pipes.) Unbelievable! Why is your family Scottish?!Chandler: Why is your family Ross?!Monica: Hecannot play at our wedding! I mean everyone will leave! I mean come on, that is just noise! It's not even a song!Chandler: If you listen very carefully, I think its Celebration by Cool and the Gang.[Scene: Phoebe'sapartment, Phoebe is putting out some Sunflower seeds as Rachel enters.]Rachel: Hi Pheebs!Phoebe: Hi!Rachel: How are ya?Phoebe: Good.Rachel: Umm Pheebs, remember when we were in the coffee house wedecided that I was going to keep the uh, the cute guy's cell phone?Phoebe: Yeah.Rachel: And remember how I said I was going to keep it in my purse so that if it rang I could just pick it up?Phoebe: Yeah!Rachel: Anddo you remember going into my purse and stealing the phone?!Phoebe: Ooh, now you lost me.Rachel: You stole the phone!Phoebe: No I didn't!Rachel: No? So you're saying that if I called it, it wouldn't ring?Phoebe:No. Umm, okay. But while you dial, let me show you the features of my new ringing handbag. (Rachel dials her phone and Phoebe's bag starts to ring.) Oh, it does work! (Rachel grabs the phone and takes it out ofPhoebe's handbag.)Rachel: Phoebe!Phoebe: That is a different phone.Rachel: Oh is it?! (She answers the cute guy's phone.) Uhh, hello? (On her phone) Yes hi, is Rachel there? (On the other phone) Yes she is, just onemoment please. (To Phoebe, holding out both phones.) It's for me!Phoebe: That is damning evidence.(The cute guy's phone rings.)Rachel: Oh my God! I bet that's him. My digital fairy tale is about to begin. I wonderhow I should be? Should I be uh (In a sexy voice) Hello? Or should I be (Happily) Hi! It's Rach... (Phoebe knocks the phone out of Rachel's hand, catches it, and answers it.) Would you stop doing that?!Phoebe: (onphone) Hello? (Listens) Yes, I'm the one who found your phone.Rachel: Phoebe! You can't do th...Phoebe: (To Rachel) Shhh! I'm on a call! (On phone) Umm well yeah, you can pick it up tonight, say 8:30? At-at myapartment. It's umm, it's umm 5 Morton Street, Apartment 14, umm and then maybe y'know after we can grab a bite to eat or whatever. (Listens) Okay, well okay I'll see you then. (Listens) Bye. (Hangs up.)Rachel:You do know that I will be here when he comes over.Phoebe: Oh? And how will you know what time to come over?Rachel: You just said it!Phoebe: Oh. Okay, well I-I was kinda hoping that I would just...be alone y'knowto think about my mom and her suicide.Rachel: Oh Phoebe!Phoebe: What?! That's the first time today!Rachel: Ohh! (Exits.)[Scene: Silvercup Studios, Dina is at the craft services table getting some food as Joey walksup.]Joey: So you like the nachos uh? Myself I'm partial to...Dina: (interrupting) I'm 16.Joey: See you in 2003. (She walks away.)Cecilia: (walking up) You're absolutely right they are writing me out of the show. Theydon't know exactly when it's going to happen, but apparently it's going to be very soon and that's it.Joey: I'm so sorry. Look, if it was up to me you would never leave the show.Cecilia: Yeah, thanks.Joey: No I mean it! Ican't believe they would do this to you! And to your fans! I mean they are going to be devastated! Heart broken! They love you so much!Cecilia: Oh you're right. Thank you! What's your name again?Joey: Joey.Cecilia:Joey, well thank you. That is so sweet. Oh, excuse me. (She throws her drink on a passing writer.)The Writer: It wasn't my decision!Cecilia: (to him) I'm having a conversation here! (To Joey) You were saying?Joey: Uhyeah-ye-ye-ye-ye-ye-l-l-l-l-l-look the-the-the only reason that I, that I came up to you before was because well, I'm really nervous about-about being you. Y'know if you can help me capture the essence of thecharacter. Y'know? Help me keep Jessica alive. Please?Cecilia: All right Joey, I will help you. Not because I-I owe it to this stupid show, but because I owe it to Jessica.Joey: Oh that's great! Oh thank you somuch!Cecilia: You're so welcome.Joey: Hey! Now, I've been watching some tapes, how's this? (In a British accent.) \"Jessica Lockhart will never set foot in this place again! Ever!!\"Cecilia: Is that supposed to beme?Joey: Yeah.Cecilia: Yeah but Jessica doesn't have an English accent.Joey: (shocked) I can do an English accent?! That baby's going on my résumé![Scene: Central Perk, Monica and Chandler are sitting on thecouch. Ross is sitting on the armchair.]Chandler: Well, I feel like a snack!Monica: Do you want some shortbread? Eh that's Scottish like you are.Chandler: Oh no thanks. I don't like anything from my Scottishheritage.Ross: What?!Chandler: Well it's just my entire family was run out of Scotland by...Vikings. Anyway, lots of bad memories. (Makes a few unintelligible noises.)Ross: Oh well, it sounds to me like your family isready to uh, rediscover its Scottish roots.Monica: No! No-no they're not. They're still very angry! But y'know Chandler is also half-Swedish. You know what the Swedish people are famous for? Sitting down and beingquiet.Ross: Well yeah-yeah the Scottish history is so much more...Monica: (interrupting) You can not play bagpipes at the wedding!!Ross: How did you know about that?!Chandler: We heard you play all the way fromyour apartment!Ross: Were you the ones called the cops?!Chandler: That's not really important right now. What is important is; while we appreciate the gesture, we just don't feel bagpipes are appropriate for ourwedding.Ross: Why not?Chandler: Because we hate them.Ross: Come on that's not fair! I mean you haven't even heard me play!Chandler: We have heard you play.Ross: No, you've heard my practice. Okay? Just-justgive me a chance to perform for you and then decide whatever you want. And I'm not going to tell you what song I'm gonna play either. But uh, let's just say when it's over I'll bet there will be a wee bit o'celebration.[Scene: Silvercup Studios, Joey is getting pointers on how to play Jessica Lockhart.]Cecilia: So, the essence of the character is rooted in her confidence. So, when Jessica enters a room for instance, sheowns everything and every person in that room. (Joey is nodding.) You try.Joey: Okay! (He scurries out the set door and re-enters, extremely impressed) All right!Cecilia: No, he already knows that he owns everythingin the room! He's not finding it out for the first time! So, try it again.Joey: Okay. Okay. (He goes out and comes back in, glaring at everything.)Cecilia: Right. He's not angry at the room either. Try it again, he owns it!He owns the room. It is his. He owns, owns, owns, owns the room! He owns it!! (Joey gets a snooty look on his face.) All right, it's a little weird, but it's getting better. (Joey is pleased.) Oh well, I'm gonna miss thiswoman so much. I don't know what I'm going to do! I mean, it's been 20 years of my life.Joey: Oh well-Hey-hey! Maybe, maybe uh, maybe this is a good thing. Y'know? It'll-it'll give you a chance to shake things up,play different characters. You're so talented.Cecilia: I am. I am, but I don't know, you know. An actor of a certain age is not that easy.Joey: Hey that's not true! Look at uh, look at Angela Lansb-Angelina Jolie!Cecilia: Iprobably should've just left years ago when the offers were pouring in, but y'know I just got so comfy here! And... Ohh, I turned down some amazing work!Joey: Like-like what?Cecilia: Well, let's just say if I left 15years ago, the landscape of Mexican cinema would be very different today!Joey: (impressed) Wow!Cecilia: But... Well now, now's a different time for me. (Starts to cry.)Joey: Oh hey come on, don't-don't-don't do this!Umm, look let-let me tell you something, okay? Now when I watch you do a scene, I'm thinking, \"Boy, she-she is a great actress!\" (She's not buying it.) Uh but-but, I am also thinking, \"She is hot!\"Cecilia: (intrigued)You think I'm hot?Joey: You own the room. (She smiles and stares longingly into his eyes.) We should probably get-get uh...Cecilia: Oh yeah-yeah, we should get the... (Pause) So when Jessica kisses a man, sheusually puts umm, both her hands on the man's face. (She does so.)Joey: Yeah-yeah, I noticed that! Is that 'cause she's so passionate?Cecilia: No! It's because that way the camera only sees her! (She takes her handsoff his face.) Do you wanna try it?Joey: Yeah! Okay. (He puts his hands on her face and they kiss.)Cecilia: That was good, that was really good. But I-I think your hands may be a little off, they should be maybe rightlike... (She grabs the back of his neck and kisses him passionately causing them to fall onto the couch.)[SCENE_BREAK][Scene: Phoebe's apartment, Phoebe and Rachel are waiting for the cute guy to show up for hiscell phone. Rachel is putting on perfume by spraying it ahead of her face, and moving into it. Phoebe tries to steal some.]Rachel: Hey! Hey!(There is a knock on the door.)Phoebe and Rachel: (simultaneously) Who isit?Guy: Hi! It's Tom, I'm here to pick up the phone.(Rachel excitedly jumps up and heads for the door.)Phoebe: Whoa! Why do you get to answer the door?Rachel: Well why shouldn't I?!Phoebe: Because it's myapartment!Rachel: Well, then I get to give him the cell phone.Phoebe: Okay. All right. (Hands her the phone.) Good luck explaining all the calls to China.(Phoebe opens the door and Tom, an older gentleman with whitehair, enters.)Tom: Hi!Phoebe: (To Rachel) Wow! How long were we arguing for?Rachel: (laughs) You're not the man who left the cell phone.Tom: No that's my assistant.Rachel: Is-is he coming? (Looks hopefully out thedoor.)Tom: Umm, no.Phoebe: Could you-could you umm, give us one second?Tom: Sure!Rachel: We'll be right back sir.Tom: Sure.(They walk into the living room.)Phoebe: Wh-what do we do?Rachel: I don'tknow!Phoebe: Can you believe this? (Rachel exhales in amazement.) We were waiting for a hot guy and then an even hotter one shows up!Rachel: I know! (Realizes what Phoebe said.) What?!Phoebe: Hmm, they justdon't make 'em like that anymore!Rachel: (turning and looking at Tom again) No-no they do but, you just have to wait.Phoebe: Rachel, listen-I mean, if you let me have him then I will really owe you one.Rachel: (fakedisappointment) All right. All right Phoebe I will let you have him, but you owe me; you owe me big!Phoebe: Yeah! You're such a great friend!Rachel: Ohh...Tom: So, which one of you lovely ladies am I going to take todinner huh?Phoebe: Oh that'd be me. Sir. (Hands him the cell phone.) After you.Tom: Okay. Okay. (Exits and Phoebe checks him out.)Phoebe: (whispering) Nice![Scene: Joey and Rachel's, Cecilia is entering the livingroom from Joey's room followed by Joey.]Cecilia: Well, you certainly own that room.Joey: Actually I rent the whole place and, I just got what you meant. Thank you.(She laughs as Rachel enters.)Rachel: Hi.Joey:Hey!(Rachel stops dead in her tracks when she sees whom Joey is with.)Rachel: Oh my God! Oh my God!! Ohh, Jessica Lockhart!! In my apartment!! I am such a huge fan! I am such a huge fan!Cecilia: Well, it's nice toknow that you...Rachel: (screaming) MONICA!!!! MONICA!!!! (Runs to Monica's.)Joey: That uh, that is my roommate Rachel.Cecilia: Oh that explains all the women's underwear.Joey: (shrugs) Sure. Yep.Monica:(entering with Rachel) Oh my God! It's true!! Oh my God you are so amazing! Oh my God, can I just ask you to do me oh, just one favor?Cecilia: Certainly.Monica: Would you slap me? Would you slap me right here inthe face?! (Points to her cheek.)Cecilia: I'd love to, but my lawyer said I can't do that anymore.Rachel: God. You seem really, really nice.Joey: Okay, bye-bye.Rachel: I mean n-not-not fake at all like most famouspeople.Joey: All right, here we go. (He grabs them and starts to pull them out of the apartment.)Rachel: Okay.Monica: (breaks away) Oh wait, just one more thing! One more minute! (To Cecilia) Umm, you're a stupidbitch.Cecilia: I really can't slap you. (Monica walks away angrily)Rachel: You are so beautiful.Monica: Nice to meet you! My God you're great!Joey: Thanks for stopping by. See ya! (Throws them out and closes thedoor.) (To Cecilia) I-I am so sorry. I...Cecilia: Oh no-no-no-no, being adored. I'm used to it, don't worry about it.Joey: (notices something in the mail that Rachel brought in) Oh my God!Cecilia: What?Joey: They sent"}
+{"doc_id":"doc_283","qid":"","text":"Moirira and Johnny: (Moans of passion) Oh yeah! Yeah. Yeah.David: Could you spare some a... Oh my go-oh my God!Moira: (Shrieks) David!Johnny: Where's my robe?!David: Oh my God. Oh my God. Oh my God. Ohmy God, what's happening? I saw hell is what's happening. Oh my God. What? (Door opens)David: Oh my God.Johnny: David, what you just saw was your mother and me...David: I know what I saw.Johnny: having anintimate moment.David: I cannot unsee that!Alexis: Oh my God, you poor thing!Johnny: Okay, and I refuse to feel guilty about being in bed with my wife.Alexis: Ew! Ew! Ew!Moira: I hate to be the one to tell you, buthaving s*x is not just about making children so they can grow up and make you feel bad about having s*x. Oh my God, can you stop this please?!Moira: I will not be shamed. Shame on you.David: Shame on you forattempting that position at 8 o'clock in the morning.Moira: John?Johnny: You know what?David: Oh my God. Do you know how difficult it is for us to share a wall with you two?David: I do now.Johnny: Yes, well, if youdon't mind, we are now going back into our room and don't even think about opening that door!Moira: Are you serious?Johnny: Next time.David: (Under his breath) Oh my God. (Gags)Alexis: (Whimpers) No, no,no...S01E05 \"The Cabin\"Johnny: Roland, I just need the door fixed.Roland: Mm-hmm?Johnny: Okay? My family can't keep living like this. My wife and I, we have no privacy. Okay, all right. I get what this is about. Youand the wife wanna bump the old uglies, huh?Roland: (Laughs)Johnny: I have no idea what that means. Having a little problem down there below there, Johnny boy, huh? No, there's no problem, Roland, I just need thelocks fixed! It's okay, I get it. I get it, captain. You've been a out to sea for a while you wanna bring the boat into port and maybe... get your mast scrubbed. What're you guys down to now? Like... twice a day? Okay,this is a conversation you and I will never have, all right? I just need the door fixed. Well, how 'bout I do you one better? We got a cabin up by the lake. It's just a little love nest for the lady and me. You know, when wewanna spark the old spark from time to time. My gift to you and yours for the night. So generous, but I'm gonna take a pass.Jocelyn: Hey, Johnny.Johnny: Jocelyn?Jocelyn: How are you?Johnny: Uh, good.Good.Roland: s*x life's in the crapper. I just offered him the cabin. That is so not true.Jocelyn: I knew something was wrong.Johnny: N-nothing is wrong. You should take the cabin. I wouldn't wanna see yourrelationship get any worse. No, our relationship is fine. It's just a privacy issue...Roland: Johnny, Johnny, come on, come on, come on, come on. Take the cabin, okay? And feel free to use the restraints. We keep 'emunder the bed, so...Johnny: Thank you. Thank you.Jocelyn: Pick a safe word.Roland: Mm.Johnny: (Sighs) I, for one, think we should take them up on their offer. I can't believe what I'm hearing here. We're talkingabout Roland's place. Who knows what the hell we're gonna find up there?Moira: Well, we can't share any real intimacy here in this internment camp, John, and I don't want to turn into my parents. Separate beds,separate rooms. Well, separate countries. Exactly! A bad marriage! Hey, if you're willing to give this a shot, I'm game.Moira: You're game.Johnny: Yeah.Moira: Okay. I'll play. Actually, I have a good feeling about this,John.Johnny: You know, I'm starting to get a pretty good feeling myself. Are you?David: Oh my God! Am I being punished for something? David, are you dirty peeping tom? I don't' think parenting books would approveof you saying that to me. I'm here to grab a magazine, and go back and leave you guys to whatever disgusting...Moira: Stay.Johnny: Stick around, stick around.Moira: Alexis?Johnny: Alexis! They're done! Your fatherand I have some very important news. If you tell me that you're pregnant, I'm gonna vomit on this floor right now.Moira: Oh, can you imagine?Johnny: We're planning a trip.David: Okay.Johnny: Just to a cabin,overnight... And we request that the two of you not try to contact us for the next 24 hours. I really appreciate you doing that for me. I'm doing it for us. Well, it's to my benefit.Alexis: Um, why don't you guys stay at thecabin for longer? Oh, I would never just abandon you two in a motel in the middle of nowhere.David: Didn't you once take the wrong baby home from preschool? Alexis looked Chinese as an infant. How many timesmust I defend myself? So we're good then? Thank you.David: No, thank you.Johnny: No, thank you.David: Honestly, thank you.Johnny: Enough, David!Moira: Thank you so much for the loan of your cabin and yourtruck.Roland: Looks like you folks got a lot of gear here, huh? Is that the tickle trunk? (Smarmy laugh) It's just clothes.Roland: Yeah, okay, but just keep in mind there's only 60 amp service there, so don't be pluggin' alot of gadgets in all at once, if you know what I mean. Yet another disturbing look into his world.Roland: All right, directions. Super easy, Johnny. Here's what I want you to do. Okay, I want you take highway 10 to LoonLake Road north, okay? I want you to take a right there. There's gonna be a split in the fence, I want you to go left at that split, and keep going. Go through the intersection of Loon Lake Road south, okay? And thenyou're gonna find Pine Road. Now you go up Pine Road, I want you take a right at that big oak tree, all right? It's old, it's big, you can't miss it. You go down the hill to the left and we're the third cabin on the right,okay? The key's under the mat.Johnny: Got it.Moira: Really?Johnny: Key is under the mat. So I think I'm gonna go next door because your mess is making me anxious. What mess?David: You know how clean myapartment was in New York. It was so clean. It was really clean. Well, it was very clean because you had a maid to keep it very clean for you. No. I kept it clean after Cecilia cleaned. Anyway, I think it's best if we justtake some space and um... I am looking forward to sleeping in a bed that his not... made for a toddler. Okay. I'll just chill here in my own space and...David: Yeah.Alexis: Maybe I'll do a mask or something and... checkin with myself and see how I'm doing... Okay, so we're good?Alexis: Yeah.David: Okay. See you tomorrow. Okay. (Door closes)(Bedding rustles)(Relaxing sigh, book pages rustle)(Door creaks shut)I'm out of mask. Iwas so bored in there! I'm sorry to hear that.Alexis: Okay, so I think that we should take advantage of mom and dad being gone.David: I am.Alexis: Okay, but like throwing a party or something.David: No. Absolutelynot.Alexis: Just a tiny, little, casual motel party. Okay, Alexis, I have no interest in finding out what types of people are attracted to \"casual motel parties.\"Alexis: But you do have an interest in lounging on a bed thatmom and dad have had s*x all over?David: Why would you do that to me right now? David, I just... I miss my life! And I miss doing things. And I miss being surrounded by loose acquaintances who think that I'm...funny, and smart, and charming. Will you? Just a few people. Please. You can't tell me that you don't wanna hang out with people other than me.David: Obviously.Alexis: Okay, so...?David: Okay, fine. Somethingsmall.Alexis: Yes!David: Like a little games night. Yes, like a small, little games night party. No. Like a little games night period. Okay, fine. And then, if it turns into something else, it turns into something else. Well, itwon't 'cause there's only six people invited. Any more and game play gets too yelly. It gets very yelly. Okay, this party is gonna be...David: It's not a party.Alexis: awesome!David: It's not a party.Alexis: So. Much. Fun!I'm so excited!(Door bangs shut)(Insects chirp, birds Twitter)(Truck rumbles to a stop)(Engine cuts out, doors creak open and bang shut)Johnny: Hey, not bad! Rustic but nice, huh?The great outdoors, Moira. I amshocked and delighted. Yes. I have to say I was nervous about this, but I've gotta hand it to Roland, he came through. He's moron!(Pots and dishes clatter)Key's under the mat, is it? The key is under the mat!(Rippingsound)Agh! That's great! Lying son-of-a...(pan crashes on floor)Agh! Idiot man! Moron! Ha! Oh, good.Moira: John?!Johnny: Yeah! Coming, honey! I'm coming.(Blows out his breath)(Lock clicks)Well hellooooo. Oh, mycar broke down and it's raining, and I wondered if I might spend the night. Well, first let's get you out of those... dry clothes and we'll see where the night takes us.David: So I need to flesh out this games night thing.Between you and my sister, and the barn guy and that girl in the restaurant, we have 5, and obviously we need an even 6 for ultimate game play.Stevie: Well, what if I'm not a games person?David: We're far toosimilar for you not to be, so... Options, please. Obviously they need to be funny, and smart, and have well-rounded sense of humour and a wide range of knowledge. Oh, all those types of people move away fromhere.David: That's funny.Stevie: No, I'm serious.Stevie: Ooh, what about Eric?David: Hmm? He finished high school. I don't love his look. Oh, looks are important? Oh... Why don't we throw a pageant? Trust me, if Ihad time, we would, but we don't, so... What about Sarah? She's cute and speaks english. Hmm? Mm... She get it?Stevie: Get what? Like \"get it\" get it. It, like the vibe. Understand that games night needs to run acertain way, otherwise it won't work. Can I be on your team? You sound really fun.David: Listen, you don't have to help me out if you don't want to.David: I can find someone else.Stevie: Really?David:Mm-hmm.Stevie: Okay.David: Well, it's-okay.Stevie: Have fun.David: Okay.Stevie: My money's on the other team.(Receding footsteps, cars rumble by)[SCENE_BREAK](door opens)David: Hi. (Door clicks shut)Can Ihelp you? Yeah, I just uh... Came to apologize. For what? For uninviting you to games night. You did not uninvite me. I uninvited myself. Mm-hmm. Okay, well, um... I would really like it if you came and I would reallylove it if you could bring... one other person of your choosing. So it doesn't matter if they don't blend? M-mm-mm. And this doesn't have anything to do with the fact that you couldn't find anybody else to come?(Scoffs) No. What? No. I... You are a very bright, funny person, with a wide range of useful knowledge and the fact that we don't have an ideal number for team style game-play, is not... not why I'm here. You're such aliar. And I was bluffing when I said I wasn't coming. I just wanted to see you beg, so...David: Okay.Stevie: I'll put out some feelers, but, you know, such short notice, all the town hotties will have plans. I'll see youtonight! Yeah, thanks.David: Thank you.Stevie: Welcome.Moira: This place is almost charming. Very rustic cottage. I was half expecting early unibomber.Johnny: Oh, look! Roland and Jocelyn.Moira: Who are the othertwo?Johnny: Well, that's Bob. He's on the town council.Moira: And his partner? Roland has gay friends! Again, shocked and delighted. I think that's his wife.Moira: No, they're both called husband. Look at the themsmiling away. What have they got to be so happy about?Johnny: Well, they have no money issues. That's why they're so happy. Yeah, they just don't know any better.(Birds sing, crickets chirp)David: So, Eric, how doyou know Stevie?Eric: She used to be my babysitter.Great. Wow. Okay. And how are your... Trivia skills?Eric: My what?David: Oh my God. Okay. Good choice. Good choice.(Knock at the door)Alexis: (Squealsexcitedly)(Door opens)You guys came. Together. That's so cute! Come in! Twyla, you look amazing! Mutt, you look like a mill dollars.Twyla: Okay, so I brought this pie from work but on the way, I realized I didn't checkwhat kind so there's a 50/50 chance there's meat in it.Alexis: Oh my God, that's so cute. Thank you.David: Okay, so it's 8:15. It's 8:15. We should have started at 8. So... fifteen minutes late, let's sit down and I will...explain the game.Alexis: And I would just like to thank everybody so much for coming. This is the first social thing that I've done in like a really long time, so let's just have so much fun and we'll just see where thenight takes us.David: Well, it'll take us to a three part games night that ends at 10.Alexis: Okay, well, we'll see.David: Okay, so let's start.Alexis: Okay.David: Let's start by putting down 10 famous names onto thepieces of paper in front of you.Mutt: I don't think I can fit ten names on this piece of paper.David: That's funny. That's funny. No. One per piece of paper. Ten pieces of paper, ten names.Eric: Who should I putdown?David: I can't tell you that, Eric, 'cause that would wreck the game.Eric: So then how do I know what to put?David: Oh my God.Stevie: (Whispers) Relax.Twyla: Can you put yourself down?Alexis: Oh, okay, whowants a shot? Because I do.David: No, we need to finish putting the names down first.(Knock at the door)David: Who's that?Alexis: Okay, I may or may not have invited a few other people.David: What kind-who?Idon't know. I met them on the way home.(Running footsteps, door clicks open)Alexis: Hey!Dane: Hey.Alexis: How are you?Dane: Good, good.Alexis: Good. Hey!Dane: Hey, kids.Stevie... Mutt... Twyla.Stevie: Hey,Dane.David: Who the... Bleep... is this? He's the worst, okay? So just breathe through it.David: Hi. David Rose. Oh... 'Kay. So we have split into teams and that's an odd number, so we're... stuck. No worries. We'rehere for the party. Keg's in the truck. What kegs? No one ordered a keg. David, can you please not be rude in front of...Dane: Dane.Alexis: Dane?Eric: So now what?David: (Jumps) Oh, God! In the bowl, Eric. Put themin the...(Papers rustle, pen clatters)(Crickets chirp)Johnny: Wow.Moira: Yeah.I can't see out of one eye. But I'm still alive, that's the main thing. (Sighs) I'm hungry. Should I go get... No! No. You don't have to getanything. I will get some food, I will get the wine. You... have done more than enough.(Wine glasses clink)Bob: Oh good, you're done.We uh... we didn't wanna interrupt.Johnny: What're doing here?Bob: Oh, justfinishing off the latest Harold Zable novel. (Chuckles) You ever read him? How long have you been here? Quite a while. Yeah, you seemed to have a little trouble there, getting going. And, uh, well, we uh... We didn'tthink you needed the extra pressure on you, so...Gwen: Oh, hi! You're good.Moira: And you are?Bob: I'm Bob, this is my wife Gwen, and, uh, this is our cabin.Johnny: Oh, no, no, no. This is Roland and Jocelyn'scabin.Gwen: No, they're a mile up the road.Bob: Big tree, a fence. You can't miss it.(Awkward silence, Johnny sighs)David: She died! She's a dead person!Twyla: Marilyn Monroe!David: No! She helps people!Twyla:Oprah.Stevie: Calcutta! Calcutta!David: Calcutta! The lepers!She's the mother... She's a mother...David: It's not your turn, Alexis!Twyla: Princess Diana.Stevie and David: No! She's...David: The lepers in Calcutta, shehelps them.Stevie: Lepers! Lepers!David: There's all these lepers.Alexis: Stop yelling at her though!David: It's the point of the game is the yell! She's a mother and has your cousin's name.Twyla: Teresa?Twyla: MotherTeresa!Alexis: Yes!David: You can't say mother! You can't say mother!Mutt: She wasn't getting it.David: That's the point! Anyway, no points for them. We have to start this again.Dane: This party's terrible.David:Excuse me?Alexis: Okay, so then, hey, why don't we do something else, like a drinking game.David: No! Absolutely not! Every time the vein in my brother's eye twitches, we take a drink.David: Why would you bring upmy eye in front of all these people?(Knock at the door)David: Who is that?!Alexis: Calm down.Dane thought he should just invite over a few more of his friends, so...David: Oh, did he?Alexis: Yeah.Dane: Who's up forstrip poker?David: Okay, you know what? I'm out. No, that's it. I'm gonna call it a night. I'm gonna pack it in. Eric, don't look at my eye!Alexis: Why are you being such an old woman? I'm sorry that I wanted to havefun tonight and invite a few random guys over and try and make out with them, okay? You're not the only one dying in this town. It is boring and I am just trying to make the best of it. I'm really sorry everybody. Nooffense, okay?Twyla: I'm well-versed in family conflict...David: I'm sure you are. Alexis? If you want to party, have a party. But I have a queen bed next door with my name on it and I have been looking forward tosleeping in that bed all day, so...Mutt: Maybe we should go.Alexis: No. You know what, guys? It's totally fine. David, I would love it if you would come and party with us, but it's totally up to you.David: And I'm totallygonna go. So everybody have a good night. I don't know who you are! Dane, put that down and get off my bed! No one on my bed tonight. And don't-no one throw up!(Door slams shut)So his eye twitched five times, sodrink up, bitches!Guys: All right!Alexis: Woo!Dane: Shots! All right. Ready and...Johnny: And once again, my apologies.Moira: And I'm sorry, I don't know how to make a bed.Johnny: And I may have damaged yourcorkscrew, Bob.Bob: You broke it in half.(Door rattles as Johnny struggles)Johnny: Okay, the door, it won't open. The door won't open.Bob: It's locked.Johnny: Oh, it's locked.Moira: What do you want from us?Bob:Yes, it's... it's locked to prevent strangers from coming into the cabin.See, uh, we didn't realize that, uh, strangers would already be in the cabin when we locked it.Johnny: I see. Oh. Okay.Moira: Bye!Johnny: There wego.Moira: Thank you. Bye.Johnny: You've been consummate hosts, really. Fantastic day.(Door bangs shut)(Music plays)Twyla: Hey, Mutt, can you pass me a drink? Um...(Door bangs shut, muted chatter throughdoor)Stevie: Sorry. Hey!David: Hi!Here's the thing. Um, I'm sorry that you and your sister are in a domestic, and I'm sorry that I invited Eric. That joke was funnier in theory. Bad joke. But I'm gonna need you to comeback in there.David: Why? Because I don't really like most of those people and, believe it or not, we are in the middle of a very intense game of drunken charades and my team is losing. Badly. Well, that's not really mything. It's not my thing either, but you were right; We're way too similar and I am having a very hard time losing, so... I will happily let you get back to this big queen bed if you'll just help us win a few more rounds.Just need somebody sober.David: I can't...Stevie: Please. Go back in there. It's embarrassing. They are way too drunk to remember.(Sighs)Just two winning rounds and then it's over. Then you can go back to yourbook.David: Fine. Fine. Two rounds.Stevie: You can go back to sleep.David: Quick. Quick rounds.Stevie: Thank you.David: Fine.Stevie: Thank you.Stevie: And just don't look at the stain on your bed, and we'll mimesomething special.David: What stain?Stevie: Uh...David: You're lucky I'm good at this game.Dane: Yes! A mexican...Alexis: Just get this one!Moira: Are you sure you don't want to call a tradesman or someone, John?Moira, I don't need a tradesman. I can handle a screwdriver, okay? This is working out just... fine. (Grunts of effort) And... that... is... in. Look at this.(Opens and closes door)Instant lock.Moira: Yes, let me tell you,Eddie. You look awfully good in that blue collar.Johnny: (Voice-breaking twang) Well, thank you very much, Mrs. Rose. I don't often get compliments when I'm fixing doors. Oh, Edward, I'm afraid I must tell you, Ishan't be able to pay you today. (Voice-breaking twang) Well, that's okay, Mrs. Rose. Maybe there's um... some other way you can pay me, if you get my drift.(Door rips open, lock jingles uselessly)Did you take mymask? Thank you.(Door bangs shut)(Voice-breaking twang) Well, maybe I'll use a bigger screw, Mrs. Rose. Don't you go anywheres.Moira: I'll be right here, Eddie."}
+{"doc_id":"doc_284","qid":"","text":"[PREVIOUSLY_ON]Mulder (O.C.): My name is Fox Mulder. In the 1990s, I began investigating paranormal science cases through a unit of the FBI known as the X-Files. My partner in this pursuit was Agent Dana Scully,a medical doctor and scientist. In 2001, we had a child together...Scully (quietly): William.Mulder (O.C.): ...but had to put him up for adoption to hide him from those who wished him harm. In 2002, the FBI closed theX-Files. 14 years later, circumstances have arisen which demand new X-Files investigations...Mulder (O.C.): Are you saying you have alien DNA?Mulder (O.C.): ...bringing Scully and I backtogether.[SCENE_BREAK](electronic whirring)Female electronic voice: Good day, Dr. Sanjay.Sanjay: Yeah. Good morning.(scanner wand squeaking)Sanjay! (laughs) Oh. You okay? Rough weekend?Sanjay: Ahumdinger. Work or pleasure?Sanjay: I haven't known pleasure for quite some time.(wry laugh)(tone ringing)Are you okay?Sanjay: It's nothing.[SCENE_BREAK]Hill: The Founder looked at the data. He sent a messagethis morning. \"Do over.\"Cynthia: That's it? We spent months on those trials. We've tried every new source of pluripotent stem cells, including samples from amniotic fluids. We need more than just pronouncements fromabove. We need direction! What about a meeting with the man?Hill: You want the Founder to tell you how terrible your data is face-to-face? The guy is a recluse. No one here's even seen him for years. (distorted): Forall we know, he didn't even read the stuff.Hill (distorted): I can assure you that Augustus Goldman is (slows, distorts): fully engaged. But the Founder has other interests that keep him occupied. Yeah, what about that?Doesn't that creep you out, that he's referred to as \"The Founder\"?(Crows fluttering)(glass rattling)(Pencil snaps, cracks)(fingers thudding)(eyelids shudder and crackle)Cynthia: ...do it.Hill: Now. It's necessary.Data...is the key.Hill: Don't hesitate. Go. Go now. Go!(tone ringing)(distorted): No... no!(glass rattling, clattering)Can't anyone hear that?(tone stops)Sanjay: (gasps) Sorry. Excuse me.[SCENE_BREAK](typing rapidly)Cynthia:Do it.Hill: Now.Rogers: Data... is the key.(knock echoing)Rogers (muffled, distorted): Sanjay! Sanjay!Hill (O.C.): Sanjay, come on! Open up!(insistent banging on door)Hill (muffled): Open the door, Sanjay!Rogers(distorted): Sanjay! Sanjay, open the door!Hill: It's not opening!Rogers (O.C.): Open the door! Sanjay!Hill: Something's wrong with the system!Rogers: Sanjay, open the door!(tone ringing)(tone intensifies)(Sanjaywhimpers)(gasping)(muffled): Sanjay?(muffled): Sanjay! Sanjay!(tone continues)(crackling, squishing)(brief whimper)[SCENE_BREAK](camera shutter clicking)Mulder: What do you make of this, Scully?Scully: Well, itseems that Dr. Sanjay had a psychotic break and committed suicide. Note the letter opener sticking out of his head.Mulder: Noted.Scully: All the witnesses I spoke to have consistent accounts.Mulder: I mean the room.He chose the most secured place in the building to kill himself. He was trying to access something. These are isolated servers, so the only way to get to the data is through this terminal, which is also protected.Scully: Isthat why we're here? You're interested in the server? What are you looking for, Mulder?Guard: Unhand the hard drive, sir.Mulder: This is evidence.Guard: It's classified.Scully: The reason why we're investigating, ratherthan the local police is because we have security clearance.Guard: To be in the room. Not to look inside this. That is property Department of Defense.Mulder: We need to conduct a few more interviews, then, before weconclude our investigation.Guard: The individuals pertinent to this incident have already been interviewed by your colleague.Mulder: We'd like to talk to Augustus Goldman.Guard: That's impossible. Dr. Goldman wasnot even on campus when this happened.Mulder: Well, if you won't let me look at the drive, then I have to talk to Goldman about what the deceased was trying to access before he died.Guard: I'm not authorized toconfirm that I have knowledge of the whereabouts of the Founder.Scully: Can you confirm that you have security cameras watching over the entire complex? There's that one, and I saw a few more out there.Guard:Yes.Scully: In that case, I'd like to see all of the tapes. As soon as possible.Guard: All right. I'll have those sent over. But for now, remove this body so we can secure this room.Scully: Sorry, we're not finished--Mulder:Oh, we are finished. We are finished.[SCENE_BREAK]Scully: Mulder, that's not your phone.Mulder: You know me, Scully. I'm old-school.Scully: Riley vs. California. The Supreme Court ruled that you needed a warrant tosearch a mobile phone.Mulder: That's for a suspect. Sanjay's the victim.Scully: Well, there is no victim. He killed himself.Mulder: Well, then, I'm sure he won't mind me talking to some of his friends. Here's someone hetalked to every night. \"Gupta.\"Scully: Dr. Sanjay is from western India. Gupta's a Marathi word. It means \"secret.\"Mulder: How do you know that?Scully: I'm old-school, Mulder. Pre-Google.[SCENE_BREAK](blues songplaying in background)\u0000 tell me, baby... \u0000Mulder: Gupta? Thanks for meeting me. My name is...Gupta: No... no names, please. You're Sonny's friend?(no voice)Gupta: Is that guy bothering you?Mulder: Notyet.Gupta: What... do you... want?Mulder: I want to talk. Can we go somewhere more private?Gupta: I don't... know you well enough.Mulder: I'm safe. You can trust me.Gupta: Come on.Mulder: Oh, whoa, whoa,no.Gupta: Well, you said you wanted to \"talk.\"Mulder: Yes. I-I don't think that means exactly what you think it means. Or... or I'm not...Gupta: You guys are all alike, you know? You say you want to walk on the wildside, but when it comes down to it... you're repressed. I finally let go of all that, that self-loathing and that judgment and I'm free. Stop tormenting yourself. The truth is in here.Mulder: Yeah, I've-I've heard somethinglike that. Hey, listen, I-I-I gotta tell you... (clears throat) Sanjay is dead.[SCENE_BREAK][ FBI MORGUE WASHINGTON, D.C. ][SCENE_BREAK]Scully: Deceased is a male, 35 years old, five-foot-eight and three-quartersinches, 180 pounds. (sighs) The probable cause of death is the introduction-- self-propelled-- of a letter opener into the cerebral cortex by way of the ear canal. (sighs, groans) I will now commence with my overallexternal examination.[SCENE_BREAK]Gupta: The last couple of weeks, he was... he was distant. He was... he was troubled. I... I thought it was me, you know? We hadn't gotten together for a while. I mean, he'd callme every night, but nothing...Mulder: .. physical. Did he talk to you about his problems? About work?Gupta: Yeah. Yeah, he said he was upset about his kids. He said they were dying.Mulder: His kids? He wassingle.Gupta: I didn't push it. I just tried to make him feel better.Mulder: Well, I saw where he lived. There was nothing there. He lived an antiseptic life.Gupta: He lived two lives. In two separate places.(phonebuzzing)Mulder: Excuse me. Yeah.Scully: Mulder, you gotta see this.[SCENE_BREAK]Scully: I had to break his fingers to pry them open. But he wrote that on the palm of his hand before he died.Mulder: \"Founder'sMutation.\"Scully: The Founder is what they called Dr. Goldman at Nugenics. Is that why you wanted to talk to him?Mulder: I don't think that's the mutation Sanjay was referring to. Did you find anything else on theautopsy?Scully: Well, there were no abnormalities in Dr. Sanjay's brain. The opener destroyed the acoustic nerve and then went into the cerebral cortex.Mulder: It's weird, because the opener goes in at 90 degrees andthen it veers off at 60 degrees up into his brain, like he was hunting for something.Scully: Yeah. It ended up in the auditory cortex. You know... he blurted something out at the meeting, before his suicide. He said,\"Can't anyone hear that?\"Mulder: Hmm.Scully: But nobody else could hear a thing.Mulder: Well, ultimately, hearing is just nerve impulses interpreted by the brain. What if those same impulses could be generatedwithout actual vibrations striking the ear drum?Scully: Hmm.Mulder: Well, anyway. If he left a note on his hand, maybe he left other clues.Scully: But where? We've checked out every square inch of hisapartment.Mulder: Well, he leased a place that only Gupta knew about. I think we should go to where he actually lived.[SCENE_BREAK][ DUPONT CIRCLE WASHINGTON, D.C. ][SCENE_BREAK](indistinctconversations)Scully: It's hard to imagine, in 2016, that Sanjay had to keep his lifestyle preferences a secret.Mulder: Being gay wasn't his only secret.(tires screech, man grunts)[SCENE_BREAK]Scully: Mulder?(distant): I found something.Mulder: His kids.Scully: Yeah.Mulder: Sanjay was afraid they were dying. These kids, they look so young. None of them look older than ten. Look at the backgrounds.Scully: It's a clinicalsetting. It looks like it might be a hospital.(car doors shut in distance)Scully: The police are coming up. We must have triggered a silent alarm.Mulder: All right, look around-- he's bound to have kept some informationon them somewhere.(tone ringing)Mulder: (groans)Scully: Mulder? Mulder, are you okay?(footsteps approach)Scully: They're coming. Mulder.Man (distant): Police officer!Officer (distorted): Lady, put your hands whereI can see 'em!Scully (distorted): FBI.(tone continues ringing)(nails scraping)(tone ringing, nails scraping, no voice)(tone stops)Scully: (distorted, indistinct, then:) ...find her.(distorted): Help me.(distorted): Find her.(echoing): Find her... Find her... Find her...(tone ringing, increasing in intensity)[SCENE_BREAK]Skinner: Do you have anything to add to this, Agent Scully?Scully: If you look at the files that we found in Dr. Sanjay'sapartment...Skinner: No, I can't look at those.Scully: They're right over there.Murphy: These files are classified. They're the property of the Department of Defense.Mulder: Well, I've had a look at them. Those files arethe medical records of children with grave genetic abnormalities. How those children relate to Dr. Sanjay's suicide is the object of our investigation.Skinner: Well, considering the fact that you just lost access to thosefiles, your investigation is closed. I'll submit the report on the suicide to the proper authorities. We're done here.Murphy: (clears throat) Let me remind you, Agents Mulder and Scully, dissemination of any classifiedmaterial, either internally or publically, will be dealt with harshly.Mulder: I'm familiar with Edward Snowden.Skinner: I assume you made copies.Mulder: I managed some top sheets before the DoD took over. I thinkthose children are failed experiments.Skinner: So you suspect the Department of Defense is experimenting with genetic modification on humans? What do you think?Scully: I think there were many troubling details tothis case, and, um... if Agent Mulder has nothing more to add...Mulder: I don't.Scully: .. then I think we need time to prove his theory.Skinner: The bureaucracy in the FBI has become increasingly complex andinefficient. It might take days for your incident report and order to close the investigation to make it through the proper channels. Welcome back, you two.[SCENE_BREAK][ FOX MULDER - Special Agent (sign on officedoor) ][SCENE_BREAK]Mulder: Surveillance footage?Scully: Yeah, from Nugenics. I've been working on syncing all the cameras to the exact time code of Dr. Sanjay's suicide. (sighing) There. What happened to you atSanjay's apartment, Mulder? I can understand why you wouldn't want to tell Skinner, but I was there, I saw you on your knees in pain.Mulder: I heard sounds. It was a high-pitched frequency, like-like a steel spikebeing driven through my head. And then it focused into two words... \"Find her.\"Scully: There were no sounds. I didn't hear anything.Mulder: Look at those birds.Scully: Maybe they seeded the lawn that morning.Mulder:Infrasounds, Scully. Vibrations inaudible to the human ear but known to drive the worms up through the soil to the surface, in response to them.Scully: Mulder, how are these connected? The birds, the suicide, the kids,the genetic anomalies. What are you hiding?Mulder: Augustus Goldman is the only one who might know how it all fits together. We gotta talk to him. What are you hiding?(keyboard clacks)Scully: Sanjay heardsounds... right before he committed suicide. That could be you, Mulder. This is dangerous.Mulder: (scoffs) When has that ever stopped us before?Scully: I might know how to get to Goldman.[SCENE_BREAK][ OURLADY OF SORROWS HOSPITAL WASHINGTON, D.C. ][SCENE_BREAK]Sister Mary: Augustus. Yes, I know him well, but he's a very private person. Some would say reclusive. Without him, we wouldn't have the resourcesto help these women in need. He's a true champion of the unborn.Scully: Dr. Goldman is a blessing. That's why we're here today. I've become aware of a situation that I wanted to share with you. Dr. Goldman is underinvestigation.Mulder: Obamacare.Scully: We wanted to spare him the indignity of having the government knock at his door unannounced. I was wondering if we could meet with him in private.Sister Mary: Dana, I'mafraid Our Lady of Sorrows cannot be a conduit for the FBI to one of our biggest donors.Scully: Sister Mary, I've worked here for seven years. You know me.Sister Mary: Yes, and I know your heart's in the rightplace.Scully: I wouldn't ask if it weren't important.Sister Mary: I have a number I can call. I'll agree to relay a message.Scully: Thank you.Mulder: Ask Dr. Goldman if he'll talk to us about the Founder's Mutation.SisterMary: Stay here.(tapping on glass)Agnes: I got to get out of here.Mulder: What's your name?Agnes: Agnes. You got a car?Scully: Do you want to call someone?Agnes: You think if I could call someone I would be askingyou? Just forget it. I knew you weren't gonna help me.Scully: Agnes. Wait. I'm a doctor. You can tell me anything.Agnes: I don't belong here. Not with these sheep. I don't care what I signed.Scully: The hospital is onlyconcerned with the health of the mother and the baby.Agnes: My baby.Scully: Of course, your baby.Agnes: I changed my mind. I'm not giving it up. I don't care if he's sick.Mulder: Sick?Agnes: My baby's not right. Theysaw it on the... ultrasound thing, and I had a feeling, you know, ever since I got pregnant. But everybody here has the same story. Just don't say anything. I was just kidding around, okay?Mulder: If you ever want totalk.Sister Mary: I've spoken to Augustus. He said he'd be happy to meet you.Scully: Thank you.Mulder: Sister Mary, how are the patients chosen to be here?Sister Mary: They're homeless, damaged in one way oranother. Alcohol, drugs, no fathers in the picture. Men and their lies. No offense. Desire is the devil's pitchfork. But as long as there's a need and an innocent child, we'll provide for each and everyone.[SCENE_BREAK]Mulder: It's insidious, Scully. A ward for pregnant women paid for by Augustus Goldman, the founder of a company with deep ties to the Department of Defense. This could be another phase of theproject-- their experiments in eugenics. Those women in there... could be incubators.Scully: Mulder... I'm not a fragile little girl.Mulder: Scully...Scully: This is what you suspected all along, but were afraid to articulate.Is this what you believe happened to me 15 years ago? When I got pregnant, when I had my baby? Was I just an incubator?Mulder: You're never \"just\" anything to me, Scully.Scully: Do you ever think aboutWilliam?Mulder: Yes, of course I do, but I've... I feel like I've had to put that behind me.Scully: He'd be 15 years old now. And I've missed every single year of his life. And sometimes... I hate myself that I didn't havethe courage to stand by him.Mulder: You did what you did to keep him safe. His adoption is secret, his location is unknown because you had to protect him.Scully: Do you believe he was an experiment?Mulder: I don'tknow.Scully: What if he's out there somewhere, like one of those kids on Sanjay's wall, fighting for his life?Mulder: All we can do, Scully, is pull the thread, see what it unravels.[SCENE_BREAK](class bell ringing,student chatting)Scully: It's the first day of school. Are you nervous? Your hands are sweaty.William: Ew! That's you.Scully: (laughs) What's the most important thing to remember?William: Sit still, listen, say \"excuseme\" if you fart.Scully: (laughs) The most important thing to remember is that I love you. That's all you have to remember. Come on, let's go say hi to your teacher. Thank you.[SCENE_BREAK](bell ringing, kidschattering)William: Hi, Mom. Bye, Mom.Scully: Be home in time for dinner![SCENE_BREAK]Scully: (quietly): Will...William: I'm scared.Scully: You're gonna be fine. You've just broken your arm. Does it hurt anywhereelse? Okay, we're gonna get you to the hospital, and take some X-rays to make sure you don't have a concussion, okay, honey?[SCENE_BREAK]William: Mom! Mom, please! Mom!Scully: (gasps)William: What'shappening to me?[SCENE_BREAK][ GOLDMAN TECHNOLOGY WASHINGTON, D.C. ][SCENE_BREAK]Dr. Goldman: \"Founder's Mutation.\" Intriguing message.Mulder: It's what Sanjay wrote on his hand.Dr. Goldman: Yes,before his unfortunate act of self-destruction. Very dramatic, but meaningless.Scully: I've read everything you published, Dr. Goldman. It seems your research deals primarily with genetic manipulation.Dr. Goldman:Let me try to explain to you what we do here. It's no secret. We're trying to save children. I won't tell you their last names, to protect their privacy, but I can tell you what they are fighting against-- Proteus syndrome...Crouzon syndrome... all kinds of cancerous tumors... epidermal displasia... Pitt-Hawkins syndrome, ichthyosis, Marfan syndrome, among others. We are a cutting-edge research facility for these unfortunate patients.There's absolutely no cost involved to be treated here. Would you like to talk to him?Scully: Sure.(switch clicks)Dr. Goldman: Adam?Dr. Goldman (over speaker): You have a visitor.Scully (over speaker): Hi,Adam.Scully: My name is Dr. Scully. How long have you been here, Adam?Adam: Forever.Scully: And where are your parents?Adam: I don't have any.Dr. Goldman: He was sent to us as a baby. Adam has a form ofCrouzon syndrome.Scully: And why is he in a sealed room? All of the children. He has a genetic disorder. He's not contagious.Dr. Goldman: Thank you, Adam. We are working with therapies unavailable anywhere in theworld. We need to eliminate the environmental factors that could affect the outcome. I am searching for the key that was the seed to all of these terrible genetic abnormalities.Scully: Alien DNA? Is that why theDepartment of Defense is funding your research?Dr. Goldman: Dr. Scully, I was told that you were the rational one.Molly: No! Let go!Man: Molly! Oop!Molly: Let go of me! No! No! No! No! No!Dr. Goldman: I'm afraidthat that is all the time that I have. Sarah will show you out.Sarah: This way, please.Scully: He didn't answer my question.(Molly screaming)Molly: Let go of me!Man: Molly! Molly!Molly: No! No! No! No!(Molly continuesscreaming and yelling)Scully: Did you see that, Mulder?Mulder: Interesting.(beeping)Mulder: Something's happened to Agnes.[SCENE_BREAK]Officer: We found the victim with your card in her pocket. Hit and run-- carwas moving pretty fast. Skid marks from back there up to the point of impact.(siren approaching)Officer: We're checking cameras in the area. No witnesses.Scully: What about the baby?Officer: What are you talkingabout?Scully: She was pregnant.Mulder: The baby's gone.(siren wailing)[SCENE_BREAK]Scully: Mulder...Mulder: Hmm?Scully: Agnes died from blunt force trauma. Most likely from the impact of the car. Her right ulnawas broken in two places, her lungs were lacerated by broken ribs, and her skull was crushed.Mulder: What about the baby?Scully: Surgically removed. I couldn't tell if the fetus was still alive when it was taken from herwomb, but... they took it, Mulder. To get rid of evidence. Agnes wanted to talk. She left the hospital. That baby was the only proof that she was part of Goldman's experiment.Mulder: What if the baby was stillalive?Scully: Mulder, that car hit her so hard that a, an adult woman with the benefit of a mature skeletal structure wasn't able to survive the impact. It's highly unlikely that the baby would remain viable.Mulder:Unlikely for human fetuses. In 1973, the Syndicate was convened to assist in a project to colonize the world by creating alien/human hybrids. The project was ultimately unsuccessful. I doubt they ever stoppedtrying.Scully: But what you're talking about is changing the genetic makeup of a population. That's the next step in evolution.Mulder: Every new species begins with a Founder's Mutation. One child with the correctcombination of DNA could be a start.Scully: There was a study published last year in Nature Communications, by Batini and Hallast, that found that Y chromosomes in the majority of European men could be traced back"}
+{"doc_id":"doc_285","qid":"","text":"[EXT. LAS VEGAS CITY (STOCK) - NIGHT][EXT. LAS VEGAS CITY (STOCK) - BARBARY COAST HOTEL-- NIGHT][SCENE_BREAK][INT. SUV - NIGHT](A speeding SUV peals around the corner.)(Cut to a train running onthe tracks.)(Cut to the SUV speeding down the road. MEGAN TREADWELL, the driver of the SUV, looks to the side and notices the train. She hears the train whistle blow. Still, she steps on the gas, hoping to beat thetrain across the track.)Megan Treadwell: (urgently) Come on, come on, come on, come on. Come on, come on!(The train crossing bell ring a warning. The train is approaching.)(The SUV brakes screech. The trainapproaches. MEGAN TREADWELL steps of the breaks again, the car tires screech and still her car moves forward. Her car moves forward slowly, slowly through the crossing guard rail.)(The SUV stops on the tracks. Thetrain approaches. MEGAN TREADWELL looks out the car window and screams as the train smashes into her car.)[SCENE_BREAK][EXT. TRAIN TRACKS - NIGHT](Scene opens with a close up of a power saw cuttingthrough the SUV door.)(CATHERINE approaches the scene carrying her CSI kit. BRASS turns around when CATHERINE reaches him and starts filling her in on the case.)Brass: Paramedics pronounced twenty minutesago. Megan Treadwell. I ran her plates. Thirty-three tomorrow.Catherine: One-on-one with a train. Did she think that she could beat it?(CATHERINE looks at BRASS, then heads toward GRISSOM, who is checking thetrain out. She puts her kit down.)Catherine: Hey.(GRISSOM is busy looking at something on the front of the train. CATHERINE leans in for a better look.)Catherine: Door handle.Grissom: Point of impact: Passenger-sidedoor.Catherine: Dead center.(They look on the side as Forensics carry the bagged body away on a gurney.)Grissom: Question is: Why did the SUV cross the tracks?Catherine: (deadpans) To get to the otherside.(GRISSOM looks at CATHERINE.)HARD CUT TO BLACK. END OF TEASER. ROLL TITLE CREDITS.[SCENE_BREAK][EXT. TRAIN TRACKS -- NIGHT](CATHERINE walks down the steps of TRAIN #4009. When she gets tothe ground, GRISSOM is on his cell phone. He hangs up.)Grissom: Sheriff says we're holding up trains all over the country. This entire railroad division depends on keeping the main line open.Catherine: Well, it's not likewe can take this back to the garage.Grissom: Well, unfortunately, his priority is clearing this train from the tracks. You have two hours.(GRISSOM turns to leave. CATHERINE calls out to him.)Catherine: Where are yougoing?Grissom: Suspicious circs in town. This one's all yours.Catherine: Thanks, but you got to give me some guys.Grissom: Sara's all you get.Catherine: All I need.[SCENE_BREAK][INT. WESTERN STATE HISTORICALSOCIETY (LIBRARY) -- NIGHT](GRISSOM enters the library. He's met up by DET. RAY O'RILEY, who fills him in on the scene. In the background, the alarm continues to ring.)O'Riley: \"Burglary in progress\" call. Once wemade entry, we found the victim downstairs. Never knew this place existed.(O'RILEY and GRISSOM continue down the stairs to the lower level.)Grissom: The Western States Historical Society. It's not on a lot of touristmaps.(The alarm stops ringing.)Det. Ray O'Riley: I had them cut the wires.Grissom: We need to identify the source of the alarm, Ray. Security company said it was downstairs. The body's there, too.(DET. O'RILEYopens the door and walks in. GRISSOM follows.)[SCENE_BREAK][INT. WESTERN STATE HISTORICAL SOCIETY (LIBRARY) - NIGHT -- CONTINUOUS](O'RILEY and GRISSOM enter the lower room.)O'Riley: (looking up atthe ceiling) Trying to get them to turn some more lights on in here.Grissom: There are no more lights, O'Riley. It's a controlled environment. Notice how you're not sweating? It's probably sixty-six degrees in here.Thirty-five percent relative humidity. Too much light, too much heat degrades the books.(In front of them, two firemen cut try to cut the lock on the cage.)Grissom: What-- nobody's got a key?O'Riley: The curator'sacross town. He's on his way. She looks dead to me.(The firemen put the cutters away and one gets out a power saw. He starts cutting the lock.)(The door is unlocked. The fireman opens the door and GRISSOM stepsaside for the paramedics.)Grissom: You got first touch.(The two paramedics enter the cage. They put their cases down and work on the woman on the floor. GRISSOM also walks inside after them and kneels in close tolook at the body.)Medic: 10:48. MEDIC: Red foam, blue tint.Grissom: Foam could be from blood in her lungs. Edema. Skin is cyanotic. Maybe a blood disease. Leukemia. Meningitis. We'll know after the post.(GRISSOMstands and gets out his camera. He starts to take pictures of the body. The camera flashes several times. Behind GRISSOM, outside the cage, a young man protests.)Aaron Pratt: Don't do that.Grissom: (turns around)Excuse me?Aaron Pratt: These are very rare books.Det. Ray O'Riley: Aaron Pratt. Librarian. Only other person here when the alarm sounded.Grissom: Did he tell you what he was doing here?O'Riley: Oh, yeah.Watching her. Set off the alarm, trying to get in the cage.[SCENE_BREAK][INT. WESTERN STATE HISTORICAL SOCIETY (LIBRARY) -- NIGHT](GRISSOM questions the Librarian, AARON PRATT.)Aaron Pratt: I wasn'twatching her. I always say \"good night\" to Veronica because I have to leave at 8:03 to catch the 8:10 bus. It's three blocks away. And sometimes the bus comes at 8:08, so I have to rush to catch it.Grissom: So youwent down to the basement to say good night.Aaron Pratt: \"Good night, Veronica.\" \"Good night, Aaron.\" Sometimes she ... w-walks me to the bus.Grissom: Did she walk you to the bus tonight?Aaron Pratt: \"Are youcoming?\" \"No. You go ahead without me. I have more work to do.\"(AARON gets very serious as he remembers what happens next.)Aaron Pratt: Then ... a uniball pen ...(Quick flashback to a camera close up ofVERONICA BRADLEY'S hand holding the pen and the pen slipping out from her fingers. This happens in slow motion. The pen falls. The pen rolls across the table.)Aaron Pratt: (V.O.) rolled across the desk ... fell onto thechair ...(End of flashback. Resume to present.)Aaron Pratt: ... hit the floor ...(Quick flashback to the pen still rolling in slow motion.)Aaron Pratt: (V.O.) and stopped rolling at the wastebasket.(The pen stops rolling. Endof flashback. Resume to present.)Aaron Pratt: Then water ... water falls into her eyes.Grissom: You mean she was sweating?Aaron Pratt: From her forehead.(Quick flashback to a veil of water falling from VERONICA'Sforehead past her eyes.)Aaron Pratt: (V.O.) Lots ...(End of flashback. Resume to present.)Aaron Pratt: ... and then, she grabs her stomach ... with both hands.(Quick flashback to VERONICA BRADLEY dropping the bookand clutching her abdomen.)Veronica Bradley: Aaron ...(End of flashback. Resume to present.)Aaron Pratt: ... \"Aaron\" ... Then she put on her new face. Shelley's Frankenstein. Up and d-down ... flopping around like...(Quick flashback to VERONICA BRADLEY falling to the floor in seizures.)Aaron Pratt: (V.O.) ... a salmon on my uncle's fishing boat.(End of flashback. Resume to present.)Grissom: She was convulsing.Aaron Pratt: I ...couldn't help her ... because the cage is locked and I don't have a key.(NICK approaches the table.)Nick: Hey, there. Warrick's got three residential burglaries, so ...Grissom: Mr. Pratt, will you excuse me for amoment?(NICK and GRISSOM walk to the back of the room..)Nick: According to O'Riley this guy's body language says he's guilty.Grissom: I think he's autistic.Nick: Autistic? You mean like Rain Man?Grissom: Rain Manwas a savant. Extremely rare. Aaron Pratt is a high-functioning autistic man with superior right-brain ability.Nick: Kind of sounds like you.Grissom: The crime scene's in the basement.(NICK leaves to go to thebasement.)[SCENE_BREAK][EXT. ROADWAY BY CRASH SITE - NIGHT](CATHERINE and SARA walk side-by-side with their eyes glued to the road trying to look for evidence.)Sara: Man, I hate rushing through a crimescene. Two years from now, no one is going to care that the Sheriff turned this into a \"scoop and run.\"Catherine: Call was made above our heads. Just document the time in your notes.Sara: Yeah, well, I'll let youtestify on this one.Catherine: Thanks.(Off to the side of the road, a little dog comes running toward them. Both CATHERINE and SARA kneel to get the dog.)Catherine: Aw ...Sara: Hey, little guy. Hey. Hey. Let'ssee.(SARA checks his collar.)Sara: His name is Maverick. He lives on Martingale Street in Henderson.Catherine: That's not that far from here.Sara: Guess I'll go call animal control.Catherine: Okay.Sara: I'll be rightback.(SARA picks up the dog.)Sara: Hey. Come on, boy. Let's get you home.[SCENE_BREAK][EXT. ROADWAY BY CRASH SITE - NIGHT -- CONTINUOUS](BRASS questions the TRAIN ENGINEER.)Brass: So let me getthis straight, all you saw was a car trying to beat the signal?Train Engineer: I'm putting 55 miles an hour. It's dark. I got an oil leak, can't figure out where. I looked up and I saw something.Brass: The SUV.TrainEngineer: Like I said, it was dark. I thought it was stopping. I turned my head for one second. Next thing I know, it's in the middle of the tracks. With all due respect we've got the right of way out here.Brass: Thanks foryour time.(BRASS nods. The TRAIN ENGINEER leaves. SARA walks up to BRASS carrying MAVERICK in her arms.)Brass: That's not yours, is it?Sara: I am collecting evidence. Do we have an address on the vicyet?Brass: 855 Martingale.Sara: Vic had a passenger. Say hello to Maverick.[SCENE_BREAK][INT. CSI - FORENSIC AUTOPSY -- NIGHT](GRISSOM walks into the room. ROBBINS is washing his hands. He turns off thefaucet.)Grissom: Have you finished with our lady of the library?Robbins: As finished as I'm going to be. You were right. Cyanosis. Blood was unable to oxygenate her tissue.(Quick CGI POV as the camera travels to thedeceased's face. The deceased's head rises and eyes open. The camera continues down her mouth as it opens slightly. It travels down her wind pipe where the muscles closes the passage. End of CGI POV. Resume topresent.)Grissom: Explains the blue face. Underlying cause?Robbins: With blood in her lungs, asphyxiation's out. I found vomit in her throat, bloody stool, hemolysis and some irritation of the mucous membrane on hertongue. I won't know more till I get the blood test back. Could be blood-borne disease.Grissom: I'm thinking about homicide.Robbins: Then you know more than I do.(ROBBINS looks at GRISSOM who's looking at thebody. GRISSOM looks up at ROBBINS.)[SCENE_BREAK][INT. WESTERN STATE HISTORICAL SOCIETY (LIBRARY) - THE CAGE -- NIGHT](NICK is in the cage dusting for prints on the books. In the background, awell-dressed man descends the stairs.)Officer: Excuse me, sir.Stanley Hunter: It's fine.Nick: Whoa, whoa, whoa. Sir, you can't come in here.Stanley Hunter: I told the officer upstairs. I'm Stanley Hunter.(At NICK'Sblank look, he continues.)Stanley Hunter: The curator. Do you have any idea the damage you're causing? With your dust, flashbulbs. You see that?(STANLEY HUNTER points to a book behind NICK. He walks forwardtoward it to emphasize it's importance.)Stanley Hunter: Right there, behind you. That is a 17th century text by Johannes Van Den Avelen. It's one of two volumes in the world. Now, do you go to the Louvre and putyour hands all over the Raft of the Medusa?Nick: Officer, Mr. Hunter would like to give a statement to Detective O'Riley.Stanley Hunter: Statement?Nick: Mm-hmm.(Behind them, DET. O'RILEY and GRISSOM enter theroom and stand just outside the cage as STANLEY HUNTER continues to talk to NICK.)Stanley Hunter: I just got here. I don't even know what happened. But what I do know is that these are masterpieces. One of akind.Grissom: They're evidence in an active criminal investigation -- also one of a kind.Det. O'Riley: Mr. Hunter, why don't we go upstairs and talk?(STANLEY HUNTER leaves with DET. O'RILEY. GRISSOM puts his gloveson and looks around the room.)(From a round POV, he views the table to the chair to the floor and he sees the pen near the wastebasket. GRISSOM walks over to it and picks it up. He looks at it.)Grissom: The goodnews, Nick? We had a camera in here.Nick: There's no surveillance system.Grissom: Yeah, there is -- Aaron Pratt. We just have to figure out how to get the film out of his head.[SCENE_BREAK][EXT. ROADWAY BYCRASH SITE - NIGHT](The tow truck takes the damaged SUV away. CATHERINE and SARA continue to take photographs of the crime scene.)(Between evidence markers #16 and #17, there's a piece of glass.CATHERINE picks it up and looks at it.)Catherine: Filament.Sara: Train probably busted out her headlights. First thing on our list when we get to the tow yard.(SARA looks at the treadmarks on the road. Somethingpuzzles her about it.)Sara: Catherine ... check this out.(SARA snaps a photo of it.)Catherine: Two sets of skid marks.Sara: One set going forward ...(Quick flashback to the SUV stopping and skidding to a stop. End offlashback. Resume to present.)Catherine: These skid marks are about seven feet shy of the gate.(SARA walks over to the next set of skid marks between evidence markers #18 andSara: The second set of skid marksare darker more rubber residue.Catherine: Could be an overlay.(SARA snaps several photos.)Sara: Looks like the tires were spinning in place.(Quick flashback to the SUV burning rubber. Cut to a close up of the tiresrunning in reverse.)Sara: (V.O.) In reverse.(End of flashback. Resume to present.)Catherine: Burning rubber. Going nowhere.Sara: So ... which set of skid marks are telling the story?Catherine: Maybe they bothare.[SCENE_BREAK][INT. WESTERN STATE HISTORICAL SOCIETY (LIBRARY) - THE CAGE -- NIGHT](GRISSOM is questioning STANLEY HUNTER inside the cage.)Grissom: So, all of your chemicals in here arealkaline?Stanley Hunter: We're not dealing with the far ends of the ph range. See, old book pages are slightly acidic. The acid eats away the paper. We neutralize them by a solution that's slightly basic.Grissom: Toreach \"7,\" the neutral ph.Stanley Hunter: Exactly. Imidazole. Fifteen percent ammonia. That's the sort of thing we work with here. It's all about preserving the books. No, not that you could even assign a value but doyou have any idea how much each of these books is worth?Grissom: No.Stanley Hunter: The first printed book was a Gutenberg Bible. It sold at Christie's for $5.3 million. Lewis and Clark's elk skin journal sold for$500,000. We have an illustrated Audubon, The Birds of America, which is worth an estimated $30,000.Grissom: All of that and you never thought about beefing up your security?Stanley Hunter: You know, specialcollections are kept in the vault. Any rare book removed from the vault gets scanned through a coder. If the book is to be read it's delivered to a secure room upstairs. And if Veronica was going to work on it, it stayeddown here.Grissom: Is this one of the books that Veronica was restoring?Stanley Hunter: Yes. It ... it was published in 1797. The author was a British Botanist. It's worth an estimated $300,000. It's really not adangerous profession.[SCENE_BREAK][INT. WESTERN STATE HISTORICAL SOCIETY (LIBRARY) -- NIGHT](AARON PRATT reshelves books. DET. O'RILEY walks up to GRISSOM.)Det. O'Riley: We got a situation. You knowthat weird guy?Grissom: He's not weird, O'Riley, he's autistic.Det. O'Riley: Whatever. First on the scene, and he's got sticky fingers.(DET. O'RILEY hands GRISSOM a book.)[SCENE_BREAK][INT. LIBRARY --NIGHT](GRISSOM stands next to AARON PRATT as he works.)Grissom: \"But I will wear my heart upon my sleeve / for daws to peck at. I am not what I am.\"Aaron Pratt: Othello, act one, scene one. Line 61 and 62, Iagoto Roderigo.Grissom: Very good, Aaron. Now, you want to tell me how Othello ended up in your briefcase?(AARON looks around.)Aaron Pratt: It's my ... favorite Shakespeare tragedy.Grissom: I like Hamlet myself. AndI bet Mr. Hunter is into King Lear. He's very concerned with property rights. He tells me the rare books are kept in the vault and they're not allowed off-site.Aaron Pratt: Mr. Hunter doesn't like me.Det. Ray O'Riley: Idon't think the rule was made with you in mind.Aaron Pratt: He breaks the rules all the time.Grissom: He takes the books home?Aaron Pratt: No. He... eats his lunch in his office. Carrots, celery tuna on whole wheat ...and Veronica.Grissom: What do you mean, \"and Veronica\"?Aaron Pratt: She's eating and he takes her sandwich ...(Quick series of flashbacks. Veronica sighing as STANLEY HUNTER kisses her neck. Cut to his hands onher breasts. Cut to his hands running down her thighs. Cut to them kissing at his desk. In the background near the door, AARON PRATT watches.)Aaron Pratt: (V.O.) and he puts his hand on her breast. And then heputs his tongue ...Grissom: (V.O.) (interrupting) Aaron ...(End of flashback. Resume to present.)Grissom: I get it. Did they know that you were watching them?(AARON PRATT looks away.)[SCENE_BREAK][EXT. DUMPSITE - NIGHT](CATHERINE and SARA check the SUV out after it's been towed. SARA notices something.)Sara: Hey, you know that filament you picked up?Catherine: Yeah.Sara: The lamp cover's smashed, but thefilament's intact.Catherine: So what, the filament's from another car?Sara: Well, taillights have different filaments, so ... yeah.(CATHERINE kneels to examine the back bumper. She finds something.)Catherine: Painttransfer.Sara: Recent?Catherine: Hard to say.(SARA peers inside the car and notices a bag of gourmet doggie treats from \"Vegas Finest\". They're Bac'n'Chees flavored. SARA gets into the front seat of thecar.)Catherine: You know, this right rear tire's lost a lot of rubber.(SARA finds a cell phone on the driver side floor. She checks it out.)Sara: I got a cell phone. Battery's dead.(SARA also notices something elsestrange.)Sara: Hey, Catherine ... her emergency brake is still on.Catherine: Maybe her brakes failed or she had to engage it for some reason you know, I'm thinking that maybe another vehicle was involved.Sara:Engineer didn't mention anything about a second driver.Catherine: Maybe he didn't see it.[SCENE_BREAK][INT. CSI - HALLWAY TO LAB -- NIGHT](ROBBINS walks down the hallway to the lab where NICK is testing thechemical bottles from the cage. ROBBINS enters the room.)Robbins: Fifteen minutes before my next post. Bottled chemicals from the library?(NICK nods his head.)Robbins: Hey. Great room. Great table. I could usethis. Lay out all the body parts. Get a real overview. Is that a light under there?Nick: Do you have something for me?Robbins: Oh, your vic. Poisoned. Substance as yet unidentified.Nick: Well, there's no smoking gun inany of these bottles. What's on the label is what's in the bottle. Isopropyl alcohol ... 15% ammonia solution ... imidazole ... bleach.(NICK gets up and walks to the doorway.)Robbins: When you isolate the toxin you'llhave a better idea where it came from. Nick ...Nick: Hmm?(NICK turns around.)Robbins: I love this table.(NICK smiles and nods.)[SCENE_BREAK][INT. CSI -- LAB](SARA is looking at the filament that they found on theroad. CATHERINE is fiddling with the cell phone.)Sara: There's no glass on the filament.Catherine: 10:30 at night?Sara: Crim 101. If a guy's driving along at night with his lights on ...(Quick CGI POV to loud tirescreetching. The camera heads toward the light glass, through the light and down to the filament. A piece of glass melts.)Sara: (V.O.) gets in a wreck, glass breaks fuses to the filament.(End of flashback. Resume topresent.)Sara: Instant evidence. But there's no glass on the filament. His headlights weren't on.(CATHERINE stands up and walks to the scope to look.)(Cut to the scope view of the filament with no glass melted on it.CATHERINE thinks about it for a moment.)Catherine: Black car ... headlights off.Sara: Easy for an engineer to miss.Catherine: So he hit our SUV. Accidental or intentional?Sara: Hard to tell.Catherine: Maybenot.(CATHERINE looks down at the cell phone in her hands.)[SCENE_BREAK][INT. AARON PRATT'S RESIDENCE](AARON PRATT straightens a picture on the wall, then turns and watches as GRISSOM and NICK gothrough his things. GRISSOM looks through the books and NICK is looking through his mail.)Grissom: These books are from the Historical Society.Aaron Pratt: (nervous) That's my mail.Grissom: Aaron, what aboutthese books?Aaron Pratt: Don't ... don't mix those up.(AARON grabs the mail from NICK and puts them back on the shelf.)Aaron Pratt: I have two bills due tomorrow -- gas and electric -- and I have to mail them on myway to work. Don't.(NICK calmly picks the mail up to continue to look through them. AARON grabs them from him again.)Aaron Pratt: (frustrated) You're messing everything up.(GRISSOM walks over to them.)Grissom:"}
+{"doc_id":"doc_286","qid":"","text":"[PREVIOUSLY_ON]Wes: \"The host reads their souls, senses their futures.\"Cordy: \"Yes, but he can only do it when they sing Karaoke.\"Cordy: \"Imagine what could have happened if you'd gone nuts and slept with Darla!\"Angel throws Darla through the glass doors. Angel and Darla on the bed kissing and ripping each others clothes offAngel: \"You know I would never do that.\" Angel wakes beside Darla and jerks upright in bed.Angel:\"Get dressed and get out, because the next time I see you I will have to kill you.\"Shaman: \"I can not help you. No one can. This is not meant to be known.\"Darla rubbing her pregnant belly: \"Well, I guess there's onlyone thing left to do. Time to go visit daddy.\" Rome 1771 Some rats scurry along an underground sewer tunnel. Angelus runs by. He looks behind him and sees a group of monks carrying torches coming his way. Turns acorner, only to see other torch carrying groups of monks down a couple other branches. Angelus comes up on a sewer grate. He pulls the center grating loose, steps through, then wedges it back in place behind him. Ashe turns, he stumbles, tumbles down the slanting tunnel, crashes through another grate and lands on the floor of some underground chamber lit by torches. He is surrounded by monks with crossbows aimed at him. Apair of double doors swing open behind him, letting in bright sunlight. Angelus throws himself to the ground out of the direct light surrounded by a thin cloud of smoke. A rider brings his horse to a stop just inside thedoors and dismounts. One of the monks leads the horse away as the rider makes his way over to a red robbed priest, while Angelus is picks himself up from the floor.Holtz: \"Mille grazie, Monsignore. Sono nel vostrodebito.\"Subtitles: \"Thank you, Monsignor. I am in your debt.\"Monsignor (st): \"No, this animal murdered your family. (Points at Angelus) Hold the beast!\" Chains wrap around Angelus upper arms and chest.Holtz stepscloser to Angelus: \"Monsignor Rivalli, performed the ceremony when Caroline and I were wed. You remember Caroline?\"Angelus: \"Pretty lass. Hearty screamer.\"Holtz: \"The good monsignor has since then beenexcommunicated. The order he founded, Inquisitore, adheres to the old beliefs. They're traditionalists and quite good at their work. Let's get started, shall we?\" Holtz takes a sharp hook and some knives from one of themonks. We see the hook digging into the side of Angelus' neck, hear some cloth ripping.Angelus: \"Ah. Aah!\" We see the sun rise and set while hearing Angelus' screams in the background. The monsignor is walkingcross the room, reading a book. Holtz is sitting on a bench, drinking from a cup. We hear some monks recite in the background and Angelus gasping in pain.Holtz: \"You lost me in North Africa. I knew you'd come back toEurope, but *Rome* Angelus? (Gets up and walks around Angelus, suspended from the ceiling by chains around his wrists) Why in Gods name would you come to the seat of all that's holy?\"Angelus: \"Darla - she lovesthe Sistine chapel.\"Holtz: \"Michelangelo?\"Angelus: \"Not him. She's mad about Botticelli's frescos. (Groans) The Temptation of Christ is her favorite - probably because of the leper. (Sighs) What do you want, Holtz?\"Holtz picks up a three-pronged claw and looks at it.Holtz: \"I don't want anything. My family is gone. I don't trust you to give me Darla, although I *will* find her, you know that. My only desire here - is to discover if athing such as yourself can be made to pay for its sins. (Holtz digs the claw-thingy in somewhere below Angelus waist (off screen) and Angelus groans in pain) You're a demon. It is your nature to maim and kill. But youwere also once a man. If we beat and burn the demon out of your living flesh, will there be anything left? (Holtz digs the claw in again and Angelus groans in pain) Anything at all? I doubt it. But I'm willing to spend thenext fortnight of my life finding out. - In either event - you have no soul, you can not be saved.\" A flaming arrow streaks across the room and buries itself in one of the monks.Darla: \"Sorry it took me so long darling.\"Darla is standing in a tunnel opening, holding a crossbow loaded with another flaming arrow. There are other vampires with her.Darla: \"Kill them.\" Darla fires her flaming bolt, hitting Holtz in the shoulder. The vampiresstreak past her and attack the monks. Several vampires get staked by the monks during the fight, but that doesn't slow the rest of them down. Monsignor confronts Darla with a cross held in front of him.Monsignor:\"Vai' all inferno, demonio lordo! (caption) Go to hell foul demon!\" Darla pushes the cross aside, then sends the Monsignor flying into a wall.Darla: \"No, grazie, padre.\" The double doors that Holtz rode in through ispulled down and a horse and carriage driven by a blanket shrouded vampire trot in. Darla unclips Angelus chains. Two other vampires catch him under the arms and drop him onto the back of the cart. Holtz tries to getup. Darla knocks him across the chin, then joins a groaning Angelus on the cart.Angelus: \"Darlin'?\"Darla: \"What?\"Angelus: \"Shouldn't we be killing Holtz?\"Darla: \"I know, but it's just so much fun ruining his life. He'slike family now.\" Angelus pulls Darla into a kiss as a vampire covers them with a tarp. The wagon heads out into the sunlight, with the blanket shrouded vamp at the reins. A public bus (Downtown LA - Hollywood) pullsover to the side of a dark and deserted street in LA.Darla: \"Right here is fine. (To bus driver) Thanks for the lift. That didn't take long at all. (Gets off the bus) And they say there is no public transportation in LA.\" Thebus driver turns slowly and looks towards the back of the bus. Three passengers are slumped in their seats with twin puncture wounds visible on their necks. Four other people are huddled down in the back of the bus.Bus driver fumbles out his radio: \"Help! We got a code twelve on the 5-8 line! We need help here now, for god's sake. Now!\" Darla walks away across the street. Intro Cordy is arranging some flowers in a vase down inthe basement of the Hyperion. Angel walks into the training area and sees that there are several vases of them scattered around the room.Angel: \"What's this?\"Cordy: \"Oh, it's just so dark and lifeless down here, Ithought I'd brighten it up a little for you. (Angel picks up one of the vases) You can't exactly go out and enjoy the sunny fields of nature, but that doesn't mean we can't bring a little bloom into your darkness.\"Angel:\"They're fake.\"Cordy: \"Yeah. You put something real in this hellhole and it die (snaps her fingers) like that.\" Angel puts the flowers down, looking at Cordy.Cordy: \"Thank you, Cordelia?\"Angel: \"You know, I've beenaround a long time...\"Cordy: \"Which reminds me. Next birthday, you think we could skip the two-hundred and fifty odd candles on the cake and the inevitable fire marshal and just go and just go with a littlesong?\"Angel: \"And I've never known anyone like you.\"Cordy: \"Well, duh! Times a wasting, big guy. Can we do it? (Takes on a stance) Hi-yeah!\"Angel chuckling: \"Okay. Last time we were working on not pulling yourpunches and your kicks. Right? Don't worry about me. (Cordy hits him and he deflects the punch with his arm) That's good. (Cordy swipes at him again) Good! Where is your weight? (Angel looks down) Balls of yourfeet?\" Cordy swings and hits him across the face full force.Cordy: \"Oops! Oh god, you said that... (Angel straightens back up, smiling) Are you okay?\"Angel: \"I'm a vampire. You can't hurt me. Good.\" Angel turns awayfrom her and makes a face, gingerly feeling his nose.Cordy: \"You're off your game. It's because of the prophecy Wes and Gunn are trying to get their hands on. You think the end is coming.\" Angel turns back to faceher: \"The end is not coming. Someone is always uncovering some ancient scroll, and they're always saying the same thing: that something terrible is coming. Do you know how many of these things I've seen in my verylong life?\"Cordy: \"Four?\"Angel: \"Three. But there's nothing to worry about.\"Cordy: \"Then way are Gunn and Wesley breaking and entering right now?\"Angel: \"Breaking and entering is such a negative term. They aresimply retrieving some missing pieces from the Nyazian Scroll. Just to make sure...\"Cordy: \"That the end is coming. - Well, all we can do is live each moment to the fullest and be grateful that we didn't throw too muchmoney at the NASDAQ.\" Angel blinking his eyes and lifting a hand towards his face: \"Am I swelling?\" Camera sweeps over some big houses, surrounded by big gardens on a sunny plateau with some mountains in thebackground. Pans past some old oil paintings and statuary to show Wes, dressed in black, sneaking up on the window and look into the window from outside. Wes motions and Gunn walks up beside him.Wes: \"Stepone: Dobermans are happily gnawing on the steak. Alarm and vid lines are disabled (pulls out a scanner and looks at its display) no infrared. Caught a break there. Step two: we cut a hole in the glass, snake in themini-cam and scan the interior.\" Gunn walks over to look in the glass door while Wes pulls glasscutter with a suction cup out of his duffel bag and attaches it to the window.Wes: \"If it's all clear, we disable the locks andbolts on the side door thus completing... (Gunn tries the door and it swings open) ...step three.\" Wes closes up his duffel and moves over to follow Gunn inside, then hurries back to detach the suction cup from thewindow and stow it in his bag while Gunn waits for him inside. Wes hurries in and motions for Gunn to close the patio door. They open the doors into an adjacent room, in which all sorts of things are on display. Gunnlooks around and whistles.Wes: \"Can you believe this?\"Gunn looking around: \"Some guys collect old cars, some guys collect...\" Gunn flinches back as he spots a misshapen, one-eyed demon head in a glass case. Thenhe and Wes lean in for a closer look.Gunn: \"It's like - the eye follows you wherever you go.\" Wes walks over to a bottle sitting on a pedestal, pulls out the stopper and takes a sniff before closing it again.Wes: \"Alright. Ifyou were the priceless remnants of the lost Nyazian Scroll, where would you be?\"Gunn: \"If I was priceless - I'd be in the vault.\"Wes: \"The vault? Your snitch never said anything about a vault!\"Gunn: \"I got a bad feelingabout this.\"Wes: \"We figure something out. It's just a - vault.\"Gunn: \"Actually my bad feeling is more about the man standing behind you with the large revolver.\" Wes turns to see a guy standing in the door aiming agun at them.Man: \"Move and I'll kill you. The man edges into the room and reaches for the telephone with one hand while still aiming the gun at them with the other.Wes: \"I hope you're calling the police.\"Man: \"You betI am.\"Wes: \"Good. You can explain to them why you keep so much GHB on hand. (Wes walks over to the bottle on the pedestal) You know, Rohypnol, the date rape drug.\"Man: \"What?\"Wes indicates the bottle: \"MuslokTrancing Amalgam. Under the microscope it's virtually indistinguishable from GHB.\" The man slowly puts the receiver back down.Man: \"Alright. I won't call the police.\"Wes: \"I'm glad we understand each other.\"Man:\"Until after I kill you.\"Wes: \"Oh.\" Gunn picks up four red glass balls out of a bowl on another stand.Gunn: \"Hey, these worth a lot?\"Man: \"Yes. They're Cyopian conjuring spheres.\"Gunn: \"How much? Four figures each?Five? (Starts to juggle two of the balls with one hand) More?\"Man: \"Stop that!\"Gunn: \"Put the weapon down.\" When the man hesitates, Gunn lets one of the balls drop and it shatters with a liquid splash as it hits thefloor.Gunn: \"Kind of delicate. (Juggles the remaining three with both hands) Look, we're not thieves, we're investigators. Now, we need to look at your Nyazian Scrolls. Put the weapon down, because - I'm getting kindof tired here.\"Man: \"Alright!\" Man puts the revolver down on a glass case and Wes retrieves it. Gunn drops another ball (the owner lets out a fearful gasp) only to bounce it off his foot and catch it again.Gunn: \"I alwayswanna give them a big finish. Fred comes down the basement stairs of the Hyperion.Cordy: \"Ow. That doesn't feel right.\"Angel: \"Just relax. You have to bend.\"Cordy: \"I don't bend there. - Okay. Now that's downrightunnatural.\"Angel: \"I know it feels strange, but if an attacker comes at you from behind, you wanna be able to shift all your weight immediately to your other foot so you can spin and kick. Here, you try it.\" Cordy spinsand kicks up against Angel's chest. Angel catches her, one arm around her leg another around her waist to keep her from falling.Angel: \"Whoa! Easy. Alright. That's alright. (Lowers her leg and lets go of her) That'sbetter. We'll keep - working on it. Okay. That's probably enough for today.\"Cordy: \"Yeah, well, we could do more of it, but then I'd have to ice every bone in my body. See you.\" Cordy walks towards the stairs, one handpressed against the small of her back.Cordy: \"Hey, Fred.\"Fred: \"Hey! - Kye-rumption.\"Cordy walking up the stairs: \"Well - back at you.\"Angel: \"What did you say?\"Fred: \"Kye-rumption. It's the one nice word Iremember from the Pylean hell dimension.\"Angel: \"What's it mean?\"Fred: \"It's when two great heroes meet on the field of battle and recognize their mutual fate. It's also a kind of grog made out of the ox dung butthat's archaic.\"Angel: \"Oh, ah, that's interesting.\"Fred: \"When I see you and Cordelia sparring Kye-rumption always comes to mind.\"Angel after a beat: \"Me and Cordelia.\"Fred: \"I know. She's such a hero, with thevisions and the courage. It's only natural that you and she would be drawn to one another. - Oh! Plastic flowers! (Hurries over to one of the vases) My favorite! They never fade, you know.\"Angel: \"Oh, whoa, wait aminute. There's nothing going on between me and Cordelia.\"Fred: \"Nothing but Moira.\"Angel: \"Who's Moira?\"Fred: \"Moira is the gut physical attraction between two larger than life souls.\"Angel: \"Ha. No, there is noattraction. Cordelia is a friend. Someone I work with. That's all.\"Fred grinning: \"See? You're being chivalrous. Because you 're a hero, just like her. You got Kye-rumption!\"Angel: \"Stop using that word!\"Wes: \"What'sgoing on down here?\"Angel: \"Nothing.\"Wes: \"I believe Fred's been through enough recently without people shouting at her.\"Fred: \"He didn't mean anything by it.\" Wes just stands there, looking at the floor.Angel: \"Isthere something you wanted?\"Wes: \"Yes. (Looks at Fred) Gunn and I were hoping you could give us a hand with the Nyazian Prohecies. We need someone who can do the math.\"Fred: \"Sure!\" Fred starts up thestairs.Wes looks around: \"Who gave you all the flowers?\"Angel: \"Nobody.\" Gunn is throwing darts at a board in the office at the Hyperion. Wes is sitting at the desk, writing. Fred is sitting beside him, working on thelaptop. Cordy is at her own desk.Gunn: \"So, how are you doing there, Fred?\"Fred: \"Oh, it's a simple equation, really. The ancient Roman calendar has fourteen hundred and sixty-four days in a four-year cycle. TheEtruscan, Sumerian, and Druidian each have their own cycles. You work forward from the presumed day of the prophecy under each calendar, factoring in our own three hundred and sixty-five day calendar andaccounting for a three day discrepancy for every four years and...\" Angel walks into the lobby, he sees Cordy sitting at her desk and stops before anyone notices he's there.Fred: \"Oh. - That can't be right. - Unless theworld ended last March.\"Gunn: \"So, are we talking Armageddon - or bad house number? (Sits down in the chair in front of Wes desk) Is it a bad event - or a bad guy?\"Wes: \"It's not clear on that. It predicts the arrivalor arising of the Tro-clan, the person or being that brings about the ruination of mankind.\"Gunn: \"So it's a two for one. Isn't that nice.\"Wes: \"And I'm not sure on the translation. Ruination may in fact meanpurification.\"Gunn: \"Purification? So this Tro-clan is a good thing?\"Wes: \"I doubt that. But it's purification in Aramaic, ruination in ancient Greek and in the lost Ga-shundi language it means both.\"Cordy: \"And you don'twant to make the same mistake twice.\" Cordy looks up from her desk at Wes, who looks down at his papers.Wes: \"No.\"Fred: \"What mistake?\"Wes: \"There was another prophecy a while back. It seemed to be aboutAngel and contained the word 'Shanshu' which I thought meant to die and I - sort of told Angel...\"Cordy: \"...that we was going to die.\"Fred: \"Oh, no.\"Wes: \"Then I found out it also meant to live. It meant to die and tolive.\"Fred: \"So - which is it?\"Wes: \"Both. In his case it meant that some day the vampire in him might die, but the human in him might live.\" Angel is standing at a corner in the lobby, listening.Fred: \"That he would belike a normal man?\" Angel slowly lifts his head and looks at Cordy working at her desk.Wes: \"Yes.\"Fred: \"Wow. What would we do if that happened?\"Cordy: \"I'd buy him some plaid shirts and take him to the beach. Theboy needs some color.\" Fred goes back to typing on the laptop.Fred: \"There. That came out better. - Oh. No it didn't. It's still very preliminary, but - if these calculations are correct, this bad thing should already behere. (Looks around) Well, I-I guess not right here, but - here in LA.\" Angel walks into the reception area and sits down.Fred: \"Let me run these numbers again.\"Cordy: \"Hey.\"Angel: \"Hey.\"Cordy after a while: \"Why areyou looking at me like that?\"Angel: \"Ah, no reason.\" After a moment Cordy gets up and walks past Angel to pour a cup of coffee.Cordy: \"Okay. It's getting creepy now.\"Angel: \"I was just thinking about things. - People.You know. How they relate. Take you and me for instance. We're very different. *Very* different. Obviously (points at Cordy) human (points at himself) vampire. (points a Cordy) Woman (points at himself)man...pire.\"Cordy: \"Has someone been putting vodka in your blood?\"Angel laughs: \"See? You're funny! And I, well I get off a good one every once in a while, but you...\"Cordy, sipping her coffee: \"Angel, are you tryingto say you love me?\"Angel: \"What?\"Cordy: \"I love you too.\"Angel: \"You do? When did this...\" Cordy yells towards Wes open office door: \"Angel loves me. I love him.\"Angel: \"Oh, my god!\"Cordy: \"You guys love us andwe love you.\"Fred, Wes and Gunn chorus: \"We love you Angel.\"Cordy: \"They were all saying it earlier. Just in case this prophecy comes true and we all die. - You're not gonna wanna hug, are you?\" Angel clears histhroat and sits back shaking his head: \"No.\" Cordy goes back to her desk: \"God knows we've been through a lot together.\"Angel: \"That's really all I was trying to say, that we've been through so much together, you andme, as *friends.* You've seen the - good, - and the not so good.\"Cordy: \"Just like you have in me. And for the record: the good I've seen far outweighs the bad.\"Angel after a beat: \"Thanks. You, too.\"Cordy: \"Hey, whatare friends for?\"Darla: \"If you ask me, they're for knocking you up and leaving you high and dry.\" Angel spins around to see a very pregnant Darla standing on the top landing leading down into the lobby fromoutside.Darla: \"Hello, lover. Long time no see.\" BreakAngel: \"Darla.\"Cordy: \"Darla?\"Wes: \"Darla!\"Fred: \"Who's Darla?\"Gunn: \"Angel's old flame from way back.\"Fred: \"Not the one that died?\"Gunn: \"Yeah. No, not thatone. The other one that died and came back to life. She's a vampire.\"Fred: \"Y'all have a chart or something?\"Gunn: \"In the files. I'll get it for you later.\"Angel: \"Well, when did this happen?\"Darla comes down the steps:\"You know *exactly* when it happened.\"Cordy: \"Angel - did - you and Darla...?\"Angel: \"Uh...\" Cordy turns to look at him.Angel: \"This is impossible.\"Darla: \"Tell me about it - daddy!\"Cordy: \"You slept with her?\"Angel:\"Vampires can't have children. Wesley?\"Wes: \"Ah, no, he's right. It's not possible.\"Cordy: \"That's not what I asked.\"Darla: \"You know we can't. I know we can't. But - we did.\"Fred: \"I wonder if this might not be thatbad thing we were expecting.\"Darla: \"What did you do to me?\" She hits Angel across the face and he stumbles back against the weapons cabinet behind him. Cordy steps between Angel and Darla: \"Stop that!\"Angel:\"It's okay. It's alright. I'm okay.\"Cordy: \"You'll hurt her! Haven't you done enough? (Turns to Darla) Here, sit down. You should get off your feet.\" Cordy leads Darla over to the round settee, then looks back at theothers.Cordy: \"Can we get her some water?\" Fred turns to go get it.Angel: \"Cordy that's *Darla.* Maybe you don't want to...\"Cordy: \"Did you or did you not look me in the eye and say that you would *never* do athing like this with her?\"Darla: \"Oh, he lied? What a surprise.\" Fred carrying a glass of water: \"Hi. I'm Fred. Is water okay, or did you want some blood?\" Darla takes the water as Wes gently pulls Fred back away fromDarla.Angel: \"Cordy. I'm sorry - I lied. It was just - it was a very dark time.\"Cordy: \"Oh! You used her to make *you* feel better during *your* dark time. Well, that makes it *all* heroic.\"Angel: \"It wasn't like that. Itjust - happened. It wasn't like I went *evil* or anything, I just...\"Cordy: \"You just went male. (brushes the hair out of Darla's face) Have you been to a doctor.\"Darla gives her a look: \"No. But I have been to every"}
+{"doc_id":"doc_287","qid":"","text":"Lucas: Do you ever wonder how long it takes to change your life? What measure of time is enough to be life altering? Is it four years like high school? One year? An eight-week rock tour? Can your life change in amonth, or a week, or a single day? We're always in a hurry, to grow up, to go places, to get ahead. But when you're young, one hour can change everything.Karl: How are we doing this mornig seniors? Did anyonewake up with their clothes on from the night before still drunk with strange big hangover? Anyone? Well I guess that was just me. Actually last night was UNO night at my house, and it was a blood bath but I cannotdiscuss it with you right now, so we won't. But let me ask you guys a question: does today's class really matter? Or is it just a fifty-minute requirement designed to get your grades so you can go on to college or a joband the rest of your lives, anyone?Brooke: If we say yes, can we have the grade and go on with the rest of our lives?Karl: Mouth, using one word describe how your classmates see you.Mouth: Ugh, awesome?Lucas:Yep!Karl: Ok. Let's say that there are five universal terms to describe everyone in high school, okay? Let's say jock, prom queen, geek, loaner, and ...?Brooke: Slut?Karl: Okay, considering that awesome is not acategory, Shelly Simon, describe Mouth in one word.Shelly: I don't really know him, but, nice, I guess.Karl: Nice. I suppose we could find 'nice' under friendly, but since friendly doesn't mean friendly that would makeMouth a slut. You have four other choices.Shelly: Geek I guess.Karl: Geek? You're joining the club Mouth. Okay, class, Nathan five choices?Everyone: Jock.Karl: Lucas?Everyone: Jock.Karl: Brooke?Everyone: Promqueen.Karl: Rachel?Everyone: Friendly!Rachel: Hey!Karl: Peyton?Everyone: Prom queen.Peyton: Oh come on I am so a loaner!Glenda: Right, a loaner cheerleader who's dating a jock. No offence but I'm a loaner,you're a prom queen.Karl: Like it or not, you are who you classmates see you as. But here's the good news: that's gonna change soon. Because prett y soon you're gonna be going out into that big, wild world and youcan erase all those [...]. Now for some of you shading this image is gonna be a great thing. And for some of you, not such a great thing. But what matters is that you know who you really are. And you know how youwant the world to see you. Well, you've been together for what? For four years? Haley? What's Lucas' middle name?Haley: Eugene. Ohh, I'm sorry I'm so sorry.Karl: Lucas what's Glenda's last name?Lucas: I don'tknow. Sorry.Karl: Okay everyone on this side of the room I want you to write your name on a piece of paper and put it in Nathan's cap. Okay, hurry up. Everyone on this side of the room is gonna draw a name. And thename that you draw will be the person that you will spend the rest of the class with. Maybe we'll find out if fifty minutes can matter. Okay pass the hat around. Shelly who do you have?Shelly: Mouth.Karl: Karma's afunny thing isn't it? Haley?Haley: Skills...ington.Karl: Rachel?Rachel: Bevin.Karl: Glenda?Glenda: Gotta love karma... Lucas.Karl: Nora?Nora: Oh, I have Noriah.Karl: Emma?Emma: I've got Zach.Karl: Michael?Micheal: Igot Fedde.Karl: Brooke?Brokke: I have Chase.Karl: Peyton?Peyton: I have... Nathan.Karl: Okay here's the deal, everyone pair up, you can leave the class but not the campus. At the door you'l find a camera, I wanteach of you, at the end of the class to take a picture of your partner. This picture represents how you see them. That picture is going into the year book for the rest of time. Now for some of you this is an opportunity toreinvent youself starting today.Brooke: Do we have to reinvent ouselves, cause I think most of my friends see me as fabulous!Karl: Maybe so. But my friend Mr Miller sees you as the girl who's failing calculus. Okayeveryone go and get a camera and get out of here. Oh wait one more thing, with the cameras a list of instructions at the end of the class I want you to tell me what you learnt about your partner. You have fifty minutes,go.Mouth: Well I guess you're stuck with the geek.Skills: Okay Haley J.S. Let me make a deal with you, as long as you don't give birth early, we're good.Bevin: I don't get it.Lucas: I'm Lucas...Glenda: Scott. Right. Atleast i know your last name.Nathan: This is kinda like the Boy Trade, actually we won't be kissing and the partial nudity.Peyton: The hour is still young.Brooke: So about this whole calculus thing...Lucas: Glenda!Glenda. I'm sorry about not knowing your name. Can we just do the assignment? Look the first thing on the list it's huh... 'share something personal with your partner'.Glenda: Farell, my last name's Farell. Is thatpersonal enough for you?Brooke: Will you just listen to me please?Chase: So what? You accidently forgot to tell me that you were failing calculus when you started tutoring me... in calculus. How did you get that A Isaw on your test anyway?Brooke: It's complicated trust me.Chase: Trust you... I already did that. And now I find that my tutor is doing worse in calculus than I.Brooke: It's a long story okay?Chase: Well don't tell meother story Brooke! Tell me the truth. Or is that even possible for you to do?Brooke: Okay. Come on.Mouth: You know you shouldn't judge people like that. You called me a geek!Shelly: It was the only category that fit.I called you nice first.Mouth: Well how do you know I'm nice? Maybe I'm not nice.Shelly: I can see that.Mouth: We're supposed to tell each other something personal. Like... huh... my middle name is Leonardo, after mygrandpa Leo. I guess that's kinda geeky.Shelly: Wow you really got personal there.Mouth: Well it's not like you're gonna tell me anything real either right? It's just an assignment.Shelly: Before I started Clean Teens, Iwas in a serious relationship with this guy I met at summer camp. I was pretty intense. And then, we couldn't see each other for the rest of the summer. My parents, they wouldn't let me talk to him or... anything. But Iknew I'd see him when we'd got back to school on the fall. And, the night before we got back I couldn't sleep. This is the spot I was standing at when I finally saw him again... with his new girlfriend. He looked at me,you know, he looked right at me, and then he just walked away, without a word. It was just over. That's the moment I thought of Clean Teens. Like you said, it's not like I'm actually gonna tell you anything real.Haley:Okay pregant girl on the roof!Skills: Come on, [...] we had a deel, no early delivers!Haley: Right!Skills: Now check it out you're gonna love this view, it's the [...]Haley: Wow, this view really is the [...].Skills: You seethat factory way out there? I might possibly work in this [...] graduate in Tree Hill. Six days a week on [...]. So we're supposed to tell each other something personal right?Haley: Yeah.Skills: Ok, well, here's mine.There's a job waiting for me in that place, if I don't get a scholarship to college.Haley: It's not gonna happen Skills. I can feel it!Skills: I'm glad you're so sure.Haley: NO, the baby's kiking I can feel it! Here!Skills: It'slike a step show.Haley: Something personal right?Skills: Yeah!Peyton: So I guess I was right about the partial nudity thing. Boys lockroom?Nathan: Just following the assignment.Peyton: Ok.Nathan: You see this [...]?The summer I decided t really dedicate myself to basketball, my dad said I was way too skinny to ever be a great player. He said I wasn't tough enough, that I wasn't stong enough. So to prove him wrong, I spentevery single day in this training room. It was like a thousand degrees in it, but I wasn't gonna let him be right.Peyton: Anger's motivation.Nathan: Anger and inspiration. Everytime I benched another ten pounds, Iscratched two letters, under the plate.Peyton: What does it say? PS?Nathan: It was the same summer we started dating. We were pretty good together weren't we?Peyton: Gimme your hand. Ok, I want you to feelthis.Nathan: Geez what happened?Peyton: I broke that neckle punching something after we've broken up for like the twentieth time! We were horrible together!Nathan: Yeah, I know, I was kinda hoping youforgot.Peyton: No.Bevin: Ok so I don't get it. We're supposed to do these stuff on the list and then take a picture for the year book.Rachel: That's the plan!Bevin: Well I already took my photo for the year book, and myhair looked really pretty that day.Rachel: It's not that kind of photo... and anyway it doesn't matter because this assignment makes me wanna get high.Bevin: Seriously.Rachel: You're not listening, see: this assignmentmakes me wanna get high.Brooke: I got a copy of the key and I stole the test.Chase: It's great Brooke, anything else?Brooke: I don't really believe in Clean Teens I just stayed in it because of you. That's the one thing Iwas really truthful about: my feelings for you.Chase: Well it doesn't matter now does it?Mouth: Anyone for starting over?Shelly: Hey. I'm sorry about judging you. You seem like a really nice guy.Mouth: Ok you gottastop saying that!Shelly: Why?Mouth: Because that's part of the problem! I hate being the nice guy, the little brother, the great friend. For just once, I'd like to be a little dangerous you know. Not so safe.Shelly:Yeah.Mouth: So, what's next on the list?Shelly: Ok: lighten up. Do an impression of a celebrity or a famous character.Mouth: This is gonna be awesome baby! He's a [...], a [...] magician! It's Dick Vitale. He's a sportsannoucer. He's really famous.Lucas: You seem so familiar love. Have I threatened you before? I'm captain Jack Sparrow.Haley: So my sister Mary Kate was like: Ashley, you really need to eat something.Lucas: MerryChristmas you [...]!Nathan: I like you, do you like me?Peyton: I like sexytime explosion!Haley: I'm sorry Dawson, it's just, I love Pacey.Brooke: Happy Birthday Mister President.Haley: Say hello to my littlefriend!Nathan: My wife, she's very nice. Hi 5!Lucas: My precious, oh my precious gotta keep it from the hobbitses, oh the hobbitses!Glenda: You do a really good Elmo.Shelly: Admit something that worries you orsomething you're afraid of.Mouth: You.Shelly: Me? Why?Mouth: Because you're really pretty. And it's kinda intimidating.Nathan: I walked a hundred times in the gim, thousands of fans screaming at me, taunting me, Inever flinched. I just take it all and [...]. No fear. But the thought of being a father scares the hell out of me.Haley: I love the idea of being a mom. I really do. But, I just, I still wanna leave my mark on this world.Skills:That what scares you? Not having the chance to do that?Haley: Yeah, a little. And clowns. Clowns really scare me.Bevin: What are you afraid of Rachel? Rachel?Rachel: I'm afraid, I'm way too high to care.Brooke: I wasworried I wouldn't be enough for you. That's why I lied. That's what I'm afraid of. Not being enough. Not good enough, not smart enough, not pretty enough, not...Chase: Brooke, you're the student council president,captain of the Cheerleaders and probably one of the most popular girls of the school! How is that not good enough?Brooke: I don't know you should ask my parents, considering they haven't called in a month. A monthand a half, actually. Not a single call, or texto, or email so what do you suppose that says about me?Chase: I think it says more about your parents.Brooke: You haven't told me what you're afraid of.Glenda: I'm afraidof my mom.Lucas: Come on, is she really that bad?Glenda: You see these diamond earings? I can only wear them at school because I stole them from her.Lucas: Why?Glenda: Because she loves them more than me.How about you?Lucas: I'm killing two birds in one stone. Something personal and something I'm afraid of. This is the first draft to a novel I'm writting. This is the personal part.Glenda: Who knew?Lucas: No one.Glenda:How come?Lucas: My first dream was to play professional basketball, I already gave that up. You're holding my second dream. If this thing sucks it's gonna be kinda hard to find a third one.Bevin: Ok, where do you planto be in ten years?Rachel: In ten years, I plan to be twenty eight.Bevin: Not at this rate.Brooke: I want my fashionline to be hugely successful.Chase: I'd like to be a pilot. I always wanted to fly. Shat off to far awayplaces.Brooke: Milan.Chase: Why not? That or be an X Game champion. That would make Clean Teens a bad ass![SCENE_BREAK]Nathan: Oh I hope in ten years, Haley's got a bunch of platine albums, my dad learnthow to be a great grandparent, my mom's alive and sober and hopefully my son will have a kickass of a drible!Peyton: Ok, but the question is about you duffus! Where do you plan to be in ten years?Natan: I know, butif everbody else's dreams come true, then, I'll be fine.Peyton: Nate, I think it's great that you take care of Haley, and that you're worried about your family, but if you don't start putting yourself first every once in awhile, and chasing your own dream, then, I'm scared you're gonna wake up one day, and have to wonder what could have been, like Dan. Don't be haunted like that Nate.Skills: You know basketball is global now right?I mean, everybody thinks being a pro is just NBA. Me I'd be happy just playing backetball oversea somewhere. So we [...] on a world tour, we'll remember this day and [...] a laugh about it.Haley: Ohhh man, I'd love toplay music for living, but, if that doesn't happen I'll also be happy.Skills: Yeah? Doing what?Shelly: You know I don't know yet. But, whatever it is it's gonna be ok because I'll have a great group of friends, that I canlaugh with and a few secret comforts that keep me sain, like I want a grey big [...] cat that greets me when I come home. And a boy, that I'm in love with. Yeah, in ten years I'm definitely in love.Lucas: Oh if I don'tmake it as a writter I can at least come back here and coach the Ravens. I mean Whitey's retired, my mom's here, and besides I love this place.Glenda: Not me. I can't wait to get out of here. I'm going as far away as Ican get, and I'm gonna try to forget this place ever existed.Haley: I never thought about teaching until now but, I thing I could be really happy doing that. When I tutor someone, and I watch them get it like that lightgoes on, it just feels really good. Anyway.Skills: So look we got one more thing to do, before we take our pictures. Tell your partner a secret. This one will do some damages.Brooke: Rachel bet me that I couldn't sleepwith you within three dates.Chase: Well.Brooke: But I need you to know something. I would have never ever asked you to compromise what you believe in or try to presure you out of it. That's the truth. And I just needyou to know it. Even though I kno I don't have a chance with you now.Chase: Is that it? No more secrets?Brooke: That's it. I promise.Chase: Well here's one more. You are enough Brooke. And if I just get you to quitlying, I think i'm gonna like the real you. But shhhh, don't tell anyone. It's a secret.Rachel: What time is it? It feels like we've been in here for ever.Bevin: Well, that's because you're wasted. I don't suppose you wannatell me a secret and actually participate.Rachel: I'll tell you a secret, not because of class, just because. I never really felt anything with the guys I slept with. When I got my new body I thought it would changeeverything. Maybe it did for the boys, but not for me.Bevin: You know, I always wanted to know what it was like to be a dude, like walking through the halls in jeans and a [...] tee shirt or bad ass, you know, talkingsmack and checking out checks and stuff.Rachel: Checking out checks. Maybe that's my problem. Maybe I'm into girls. What the hell are you doing?Bevin: Did you feel anything?Rachel: No!Bevin: Then you're not intogirls! Trust me Rachel, I'm a really good kisser, and you'd totally be into me right now.Skills: It's my shcolarship offer, or not, I mean, I haven't had the courage to open it yet.Haley: Skills, you can't keep this secret.Come on I've got a really good feeling about it open it!Skills: Ok just give me a few minutes though.Haley: Ok.Skills: Won't you tell me your secret? Now we talk.Haley: Sometimes I feel incredibly disconnected, reallyuncomfortable in my own skin. Kind of, like I don't fit in to this wolrd. Like I was born at the wrong time, and I don't belong. I just think about my son, and it scares me because I don't ever want him to feel like hedoesn't belong. I don't know if my heart could bear that.Skills: Nah, he'll belong. The kid's gonna rock this place.Haley: You think so?Skills: Oh yeah I do. Cause his mom got his back, and if she don't, I do, Ipromise.Glenda: Ok. Here.Lucas: You're on the pill.Glenda: No I'm not on the pill.Lucas: You have the pill, but you're not on it, that's very secretive.Glenda: When my mom was in high school, she was one of the Prettyand Popular. And I think her greatest dispointment is that I'm not! Sometimes she teases me about it, and not in a fun way like, like why can't I loose some weight, and how I'll never get a boyfriend.Lucas: Thatsucks.Glenda: Yeah. Anyway, one day I got some flowers from my boyfriend.Lucas: So you have a boyfriend.Glenda: No, I made him up, and I sent the flowers to myself. He was pretty awesome though he sent me allkinds of things.Lucas: Your imaginary boyfriend.Glenda: Anyway, I told my mom we were getting serious, and that maybe I should go on the pill. And in my head I thought it would be this binding experience like, she'dsecretly be happy for me, sit me down and coucil me about being safe or just tell me to wait or ... just be my mom. Instead she took me to the doctor, got me the pill, when we left the pharmacy she hanged me theprescription and she said 'I don't know who'd sleep with you but here you are!'Lucas: I'm sorry Glenda.Glenda: It's ok. So I looked at her and I said 'I don't know who'd sleep with you either but here I am!'. And wehaven't spoken since, not a word.Lucas: How long has it been?Glenda: Like 8 weeks. She just drives me off to school and picks me up, and we just don't talk. There's just silence, silence and disappointment.Nathan: Mymom tried to kill herself.Peyton: What?Nathan: She sucked a bunch of pills. I haven't told anybody. Just Haley.Peyton: Nathan I'm so sorry.Nathan: The worst point about it is when I found out that she might die,there's a moment, there's just a fraction of a second, when I actually, I felt relieved, like maybe it was for the best. You believe that? A kid actually feeling relieved at the thought of loosing his mother? What kind ofperson does that make me, Peyton, that I can feel that?Peyton: I can't whistle. Nothing.Nathan: That's terrible! How can you not whistle?Peyton: I know okay I'm pathetic.Shelly: I've got a pair of leather pants in mylocker that I'd be dying to wear!Mouth: Nice. You should totally rock those.Shelly: I can't. I'm a Clean Teen. Doesn't exactly fit the image.Mouth: Then change the image.Shelly: Mouth before I, took back my virginity, Iwas kind of... friendly. It just figures, everyone saw me as a slut, and now I am this radical virgin who can't wear a pair of leather pants. Sometimes I just wish they'd see me as a girl, you know, just a girl, nice, coolsometimes, [...].Mouth: Beautiful.Shelly: So, how do you know about all this media stuff?Mouth: Oh, hum, me and Jimmy...Shelly: Jimmy Edwards?Mouth: He was my friend. I miss him a lot. I have to keep it secretbecause he killed Lucas' uncle Keith and I loved Keith. But, it doesn't mean I don't miss my friend you know, especially with graduation coming up.Shelly: Sorry. I never told you what I'm afraid of, second question onthe list. I'm kind of afraid of being here with you.Mouth: Why?Shelly: Because I'm a Clean Teen, and your hot.Brooke: I'm sorry I lied Chase. It's just you're a Clean Teen, and you're hot, and...Mouth: You were seriousabout me being decent looking or, are you just trying to make up for the geek comment?Chase: I didn't say decent looking. I said hot. Mouth, I'm a Clean Teen.Mouth: So what?Glenda: So I've been thinking about yourmanuscript. You need to give it to someone who won't go easy with you, someone who's gonna tell you the truth...Lucas: Someone like you?Glenda: I haven't actually been that truthful, I mean not about school. Thetruth is I'm gonna miss this place. And it's all my fault. I just wish I would have tried harder, and I just didn't wanna look like an idiot.Lucas: I think everybody feels that way sometimes. You know like people don't seethem for who they really are. It's not just you.Glenda: You would have made a great goth you know? A little tortured, a bit of a loaner, but kind. Hey, I have an idea for your picture.Rachel: Thank God, this ridiculousclass is almost over.Bevin: I liked it.Rachel: That's because you're too blisfully stupid to resist.Bevin: I know poeple think I'm stupid. But I'm not dumb. I just let you and the other girls have your way because how youneed it to be. But I think Carl's right. Pretty soon we're all gonna graduate and, I can start over. But it'll be harder for the people who need this place to make themselves so special. People who use highschool to buildthemselves up and then find out that the real world doesn't care so much about who you were in high school, people like you. Ok, so, what are we gonna do for our pictures?Mouth: You need to go get those leather"}
+{"doc_id":"doc_288","qid":"","text":"5:50pm - 6:15pm[SCENE_BREAK]1: INT. THE RILL CENTRE. CENTRAL CHAMBERDOCTOR: I don't think he's quite awake yet!(VICKI laughs but the good mood is shattered as she lets out an ear piercing scream. Frombehind a frosted glass partition in the black spaceship wall, a pair of hideous round alien eyes are starting out at them...)[SCENE_BREAK]2: INT. THE RILL CENTRE. PASSAGEWAY(A CHUMBLEY moves along thepassageway.)AIRLOCK(It reaches the end of the passageway and turns the corner into another.)WILLIAM EMMS[SCENE_BREAK]3: INT. THE RILL CENTRE. CENTRAL CHAMBER(The DOCTOR and VICKI turn as they hearthe sound of the CHUMBLEY approaching.)DOCTOR: There's a Chumbley coming! Quickly!(They both rush toward one of the passageways and pull to a halt as they see it is the one that the CHUMBLEY is movingdown.)VICKI: Oh, Doctor!DOCTOR: Hurry! Quick!(They turn and flee down another passageway. The CHUMBLEY enters the central chamber. It pauses and then goes down the passageway taken by the DOCTOR andVICKI.)[SCENE_BREAK]4: INT. THE RILL CENTRE. PASSAGEWAY(The DOCTOR and VICKI hurry along, the sound of pursuing CHUMBLIES not far behind them.)DOCTOR: Come on!VICKI: (Breathlessly.) Come on,Doctor!(The DOCTOR sees the exit to the outside.)DOCTOR: (Breathlessly.) This way out. Come on! We'll make it!(They reach the entrance. The DOCTOR is a little way ahead of VICKI, who turns to look behindher.)[SCENE_BREAK]5: EXT. THE RILL CENTRE(The DOCTOR emerges and turns back to VICKI. As she is about to exit, a heavy iron grill slams down in front of her. She grips the bars frantically and looks out.)DOCTOR:Oh! Ah!VICKI: Oh! Doctor!(The DOCTOR runs over and examines the bars.)DOCTOR: (Breathlessly) I can't move it! It's immovable! Wait, wait, wait! I have an idea.(The DOCTOR looks around and sees the mechanismon the wall he examined before.)DOCTOR: I might be able to sabotage them. Now be patient.(He moves across to the mechanism and takes out a screwdriver from his pocket. VICKI waits, grasping the bars whilelooking behind her, expecting the CHUMBLEY at any minute. The DOCTOR quickly examines the air-converter unit.)DOCTOR: We know what this machine's for. This is to convert air into ammonia gas.VICKI: (Withdesperation) Doctor, hurry up!DOCTOR: Yes, now, have patience child.(He starts to take it apart.)DOCTOR: When I've finished with...this machine, I'm sure they will release you.VICKI: Never mind about that, releasethese bars!DOCTOR: No! No! That's the last thing we do. This is the thing that gives them the gas to breathe with.VICKI: You don't know that for certain!DOCTOR: My dear child, the Rills can't go outside. It's a foregoneconclusion.(VICKI turns once more and looks down the passageway.)[SCENE_BREAK]6: INT. THE RILL CENTRE. PASSAGEWAY(Two CHUMBLIES moves along the passageway and reach VICKI. The DOCTOR appears onthe other side of the bars and looks in. The CHUMBLIES make signs just as the one they first met did.)VICKI: (Fearfully.) Doctor! They...I think they...want me to go with them.DOCTOR: Well, I think you... you'd betterdo what they want, hmm?VICKI: (Nervously.) But Doctor, that thing in there - that thing looking out of the window, what...DOCTOR: Yes, that was one of the Rills, I suppose.VICKI: (Softly.) Doctor, I'm soscared.DOCTOR: Now, look, you go with them, quickly, but don't cause any trouble. It'll give me time to see if I can help you. I think perhaps I can do something with that machine, but I must have time! Hmm?Yes?VICKI: All right. Be quick.DOCTOR: All right, don't worry. Goodbye!(VICKI eyes the CHUMBLEY and moves toward it. The CHUMBLEY backs away. VICKI moves down the passageway followed by the CHUMBLEY.Another CHUMBLEY moves to meet her, and they nudge her toward the central chamber.)[SCENE_BREAK]7: EXT. THE RILL CENTRE(Having watched her go, the DOCTOR moves away from the bars and resumes workon the air-converter with his screwdriver.)DOCTOR: Dah![SCENE_BREAK]8: INT. DRAHVIN SPACESHIP(STEVEN is still in the padded corner. He is lying down, apparently asleep.)DRAHVIN TWO: Maaga, shall wego?MAAGA: Where?DRAHVIN TWO: To patrol.MAAGA: I see no need.DRAHVIN TWO: To see what the other two are doing.MAAGA: No.DRAHVIN TWO: But, Maaga...MAAGA: Can you hear me?DRAHVIN TWO: We alwaysgo out on patrol at this time.MAAGA: Yes, but not now.(The three DRAHVINS look uneasily at one another.)MAAGA: Soldier Drahvins, you can't understand anything that's different, can you? You are made unintelligent,and you remain that way for the rest of your lives.(MAAGA turns away and sighs, talking almost to herself.)MAAGA: I told them soldiers were no good for space work. All they can do is kill. But they wouldn't listen. Ifyou are to conquer space, they said, you will need soldiers. So here I am confronted with danger. I'm the only one able to think!(She turns back to the others.)MAAGA: Very well. I am your...commanding officer. I amyour controller, am I not?DRAHVIN TWO: Yes, Maaga.MAAGA: And you obey my orders?DRAHVIN TWO: Yes, Maaga.MAAGA: Why?DRAHVIN TWO: Because you are our leader.MAAGA: And?DRAHVIN TWO: Youthink.MAAGA: And you don't know what that means.(The DRAHVINS are silent.)MAAGA: But because I think, I order that there will be no patrol now. We have a prisoner. In order to save him, the other two must helpus.(She looks towards STEVEN.)DRAHVIN ONE: I do not understand why they would want to help a friend.MAAGA: I know you don't.DRAHVIN ONE: We would not. We would leave him here.MAAGA: Yes... (Laughs.)...we would. But I have heard of creatures like these. They help one another.DRAHVIN THREE: Why, Maaga?MAAGA: I don't know. I have heard, that on occasions, they even die for one another.(The DRAHVINS lookconfused.)DRAHVIN THREE: Die? For their friends?MAAGA: There are many strange things in the universe.DRAHVIN TWO: I do not understand.MAAGA: (Harshly.) I know you don't. But, despite that, you will obeyorders!(The three DRAHVINS bow their heads submissively. After a pause, MAAGA speaks softly, almost to herself.)MAAGA: It may be that we shall kill neither the Rills nor these Earth creatures. Not with our ownhands, that is. It may be better for us to escape in the Rills' spaceship and leave them here. (Softly excited.) And then...when we are out in space, we can look back. We will see a vast, white, exploding planet...andknow that they have died with it!DRAHVIN ONE: But we will not see them die.MAAGA: (Softly.) You will not! But I, at least, have enough intelligence to imagine it. The fear...the horror...the shuddering of a planet in itslast moments of life! And then they die. (Sighs.) But that is for later.(She turns back to the DRAHVINS and issues instructions to them each, in turn.)MAAGA: Attention! (To DRAHVIN TWO.) You will rest. (To DRAHVINTHREE.) You will guard the prisoner. (To DRAHVIN ONE.) You will go out and look for the Earth creatures. Open the door.(DRAHVIN THREE moves round the table, picking up her gun as she does so. She crosses to achair near STEVEN and sits down, the gun across her lap. DRAHVIN TWO goes into the inner room whilst ONE goes outside. MAAGA goes over and looks down at STEVEN.)DRAHVIN ONE: He sleeps.MAAGA: But you willnot! He must not move!(MAAGA goes into the inner room. As she does so, STEVEN opens his eyes slightly and squints up at DRAHVIN THREE, who is staring straight ahead.)[SCENE_BREAK]9: INT. THE RILL CENTRE.CENTRAL CHAMBER(A CHUMBLEY backs in followed by VICKI. She searches about her and looks nervously at the place where she saw the watching eyes. The shutter on the door is closed. Another CHUMBLEY comes outof the passageway. The two CHUMBLIES chatter to themselves for a moment, then, from the CHUMBLEY facing VICKI, comes a high-pitched sound. VICKI stares at it blankly. It stops, twitters at her once or twice more,then falls silent. The CHUMBLEY behind VICKI nudges her. She puts up with this for a few moments then angrily reacts.)VICKI: Oh, stop doing that! What do you want, anyway?(At once, a series of varying soundscomes from the CHUMBLEY, which resolve into a repeat of VICKI'S question speeded up, then repeated but slower, over and over again...)RILL VOICE: What do you want anyway? What do you want anyway? What doyou want anyway? What do you want anyway?(Finally, the statement comes out of the CHUMBLEY at a normal rate in a deep sonorous male voice.)RILL VOICE: What do you want anyway?(Then from the CHUMBLEY, asthough it has now deciphered VICKI'S words, comes intelligible speech.)RILL VOICE: We are sorry to separate you from your friend, but it was necessary.(VICKI is surprised. She jumps as the shutter in front of theglass slides open. The eyes can be seen looking through at her and they are attached to a tusked creature which is wreathed in smoke. VICKI looks from the window to the CHUMBLEY.)VICKI: (Fearfully.) Who areyou?RILL VOICE: Who are you?VICKI: (Fearfully.) We're, er...we're time travellers. From the planet Earth.RILL VOICE: (Suspiciously.) I see. You were sent here by the Drahvins?VICKI: Yes.RILL VOICE: (Threateningly.)To do us harm?VICKI: (Fearfully.) No! No, you see...the Drahvins are...keeping a friend of ours...prisoner. So, we had to do as they said.RILL VOICE: What was that?VICKI: (Reluctantly.) To capture your spaceship.RILLVOICE: Why do they want to capture it? We have offered to take them with us.VICKI: They didn't tell us that!RILL VOICE: No. They would not. They would rather kill. They hate us.VICKI: Well, you did kill one ofthem.RILL VOICE: (Shouts.) We kill no one!VICKI: But they...(VICKI suddenly gathers her courage.)VICKI: Look, who is talking? Is it...is it this Chumbley, or is it...(She looks toward the open shutter.)VICKI:...someone else?RILL VOICE: You call the machines Chumblies?VICKI: Yes.RILL VOICE: The Chumblies have a speaker in them. They are transmitting our thoughts.VICKI: Your... your thoughts?RILL VOICE: We do notspeak like you. We have no vocal chords. We communicate in thought.VICKI: Who are you?RILL VOICE: We are the Rills.VICKI: Why can't I see you?RILL VOICE: It is better that you do not. Not all the dominant speciesin the universe look like humans. Our appearance might shock you as it shocked the Drahvins.[SCENE_BREAK]10: EXT. THE RILL CENTRE(The DOCTOR has now removed some of the top plates from the air converterand is peering in. He is hard at work with his screwdriver.)DOCTOR: Hmm![SCENE_BREAK]11: INT. THE RILL CENTRE. CENTRAL CHAMBERVICKI: (Firmly.) The Drahvins said that you attacked them.RILL VOICE: That isshort of the truth. We were investigating outer space when we encountered a strange ship. Rills do not attack or kill without good reason, so we stopped our ship. Their ship also stopped. We hung in space facing eachother. We could have turned and gone away, but we were afraid that we would be attacked.VICKI: Yes, what happened?RILL VOICE: For four dawns we hung there. Then we decided to turn. As we were doing so theDrahvins fired. Immediately we did the same, and both ships crashed. When we escaped from our ship we discovered that we could not breathe the atmosphere here, but we had a small supply of our own, and set outto help the Drahvins.(As the RILL speaks through the CHUMBLEY, what happened appears as a flashback through the RILL'S eyes.)[SCENE_BREAK]12: EXT. PLANET (FLASHBACK)(Glimpses of other RILLS can be seen,but none clearly, as they are at the edge of vision. As the RILL looks around, a Drahvin is seen, lying face down on the ground.)RILL VOICE: (OOV.) The first one we found was badly injured.(The RILL moves in on thewounded Drahvin.)RILL VOICE: (OOV.) We started to help the soldier.(The RILL looks up - a cold-faced MAAGA is approaching.)RILL VOICE: (OOV.) Then Maaga, their leader, appeared. She started to shoot at us, so weleft.(MAAGA fires at the RILLS who start to back off.)RILL VOICE: (OOV.) We could have fought back. Our weapons are superior to theirs. But, we do not kill! The Drahvins do!(MAAGA aims her gun at the injuredDrahvin and fires.)RILL VOICE: (OOV.) When we looked back, we saw Maaga kill the injured soldier.[SCENE_BREAK]13: INT. THE RILL CENTRE. CENTRAL CHAMBERVICKI: But all the Drahvins believe that you didthat!RILL VOICE: We know. That is why they keep attacking us.VICKI: Would you really have taken those people off with you?RILL VOICE: Why not? What do we gain if they die?(VICKI looks at the Rill through the openshutters.)RILL VOICE: We will help you rescue your friend.(VICKI does not respond.)RILL VOICE: Something is worrying you?VICKI: Yes, I...I wish I could see the whole of you.RILL VOICE: It is better that you don't.Besides, we cannot come out. In order to live we must have ammoniac gas. So we live in here in a compartment where it is filtered in.VICKI: (Horrified.) You mean you can't breathe oxygen at all?RILL VOICE: No. Ourhome planet...(VICKI tries to leave, but the CHUMBLEY blocks her path.)RILL VOICE: What is it?VICKI: (Desperately.) You must let me out quickly, or you'll all be killed!RILL VOICE: (Horrified.) Killed? By whom?VICKI:By the Doctor - he's trying to wreck your machine for making ammoniac gas!(The CHUMBLEY moves out of the way and VICKI dashes off.)[SCENE_BREAK]14: EXT. THE RILL CENTRE(The DOCTOR is still working at theair-converter mechanism. It is now partially dismantled.)[SCENE_BREAK]15: INT. DRAHVIN SPACESHIP(STEVEN is still pretending to be asleep, but is squinting at the DRAHVIN that is guarding him, who is herselfnodding off to sleep. Slowly, STEVEN eases himself up into a sitting position. He eases his legs down to the floor. There is a creak. The DRAHVIN reacts slightly but continues to doze. STEVEN slowly reaches toward theDRAHVIN'S gun. With one movement he snatches the gun, clasps a hand over the DRAHVIN'S mouth, and keeps moving forward so that the DRAHVIN and the chair she is sitting on topple over backwards. Holding thegun, STEVEN prepares to cover the DRAHVIN, but he realizes that the fall has knocked her unconscious. He listens. All is silent. He moves toward the lever that opens the door. There is a humming sound and the doorbegins to slide open. At the same time, MAAGA enters the main room, gun in hand.)MAAGA: He's trying to escape!(STEVEN leaps toward the outer door, but it is closed. He turns back to see MAAGA, by now joined bythe other DRAHVINS, approaching. He points his gun at them.)STEVEN: Stop!(They halt. MAAGA comes forward.)MAAGA: Don't shoot. You can't escape. Give up and we will not harm you.STEVEN: Oh, I'd be a fool tobelieve that, wouldn't I?[SCENE_BREAK]16: INT. DRAHVIN SPACESHIP. AIRLOCK(He glances to the side and sees two buttons on the wall. While still pointing his gun at the DRAHVINS, he presses one button and theinner door slides shut, sealing him off from the DRAHVINS. He presses the other button, and the outer door opens. He exits.)[SCENE_BREAK]17: EXT. DRAHVIN SPACESHIP(STEVEN emerges and looks warily about. Heis about to move off when he sees a CHUMBLEY approaching. He stares at it, gun at the ready, then looks back at the spaceship. He makes his decision and heads back into the airlock.)[SCENE_BREAK]18: INT.DRAHVIN SPACESHIP. AIRLOCK(He presses the button to close the outer door, and as it closes behind him, the CHUMBLEY moves in and waits. He turns toward the inner door and, through the porthole in the door, isstartled to see MAAGA standing there, a cruel smile on her face.)[SCENE_BREAK]19: EXT. THE RILL CENTRE(The DOCTOR is reaching into the machine. With a grunt of pleasure he brings out a small metal plate anddrops it on the ground. Then he peers in again. Afterwards, he picks up the screwdriver and poises it over the machine. He soon starts to cough at the smell of ammoniac gas.)VICKI: (OOV: Inside the Rill centre.)Doctor! No!(The DOCTOR turns in surprise and sees a desperate VICKI running down the passageway towards him.)VICKI: Don't do it, Doctor! Doctor!DOCTOR: (Coughing.) Oh! Child!(The DOCTOR, coughing, movesaway from the machine. VICKI and the CHUMBLEY walk out of the passageway as the bars slide up out of sight.)VICKI: (Breathlessly.) Oh! Oh! I was going to be too late.DOCTOR: Are you sure you're all right, child,hmm? Hmm? Hmm.VICKI: Yes.DOCTOR: Hmm. hmm.VICKI: And the Rills won't harm us. They want to help.RILL VOICE: We were told your friend is in danger.(The DOCTOR starts back, surprised by the fact that theCHUMBLEY can talk.)DOCTOR: Er... (Stutters.) ...is that a Rill talking?VICKI: Yes.DOCTOR: Hmm!VICKI: Well, answer him.DOCTOR: (Shouting.) Oh yes, you were told correctly!VICKI: (Smiles.) Doctor, they're notdeaf!DOCTOR: Oh, I...I...oh, I'm sorry. I beg your pardon. I...I thought you couldn't hear.RILL VOICE: We are not deaf, you know.DOCTOR: (Embarrassed.) Ah.RILL VOICE: Perhaps you will both come inside.DOCTOR:Ah, yes. It does occurs to me that, er, if we do that we, er, might be trapped, hmm?VICKI: Doctor, if the Rills wanted to harm us, the Chumbley could shoot us now.DOCTOR: Ah, yes. Indeed. Of course, child. Yes,that's quite true, quite true. Yes. Well, lead the way! Ah...er, lead the way. (Laughs.) As it happens, I'd like to take a look round.(They walk into the passageway.)[SCENE_BREAK]20: INT. THE RILL CENTRE.PASSAGEWAY(Another CHUMBLEY passes them moving out of the centre.)DOCTOR: Er, what's this? What's this fellow doing, hmm?RILL VOICE: Going to repair the damage you have done.DOCTOR: (Embarrassed.) Ah,yes. Quite so.(He laughs nervously to himself, looks apologetic, and grimaces at VICKI. They move down the passageway.)DOCTOR: Tell me, what do these Rills look like, hmm?VICKI: They won't show themselves,Doctor.DOCTOR: Oh? Why ever not?(The CHUMBLEY halts and turns.)DOCTOR: Hmm?RILL VOICE: Because our appearance would not be pleasant to you.DOCTOR: Oh, what nonsense! We're not children, youknow?RILL VOICE: It is best you do not see us.(The CHUMBLEY turns and moves off.)DOCTOR: Oh, very well. Carry on, carry on. (To VICKI.) Oh, what utter rubbish, isn't it? (Laughs.)(They move off after theCHUMBLEY.)[SCENE_BREAK]21: INT. THE RILL CENTRE. CENTRAL CHAMBER(The CHUMBLEY enters and halts, followed by the DOCTOR and VICKI. The DOCTOR looks around.)DOCTOR: Oh, yes. This... uh, this drillrigging here. Eh, tell me, what is it you're drilling for, hmm?RILL VOICE: Power. We must have power for launching our spaceship. The suns are too weak to supply this power, therefore, by drilling we may find some inthe ground.DOCTOR: Very well, if you take my advice, you'll get a move on. There's very little time left.RILL VOICE: You know about the explosion of this planet?DOCTOR: Oh, yes! We know more than you. Your timingis wrong. The disintegration of this planet is not fourteen dawns away. It is now less than two dawns.RILL VOICE: (Agitated.) Two dawns!DOCTOR: Two dawns.RILL VOICE: Then we have no chance of survival!VICKI:But you've repaired your ship.RILL VOICE: Yes, but the only power we find is a gas, and that is of no use to us. We have no means of converting it into the sun-ray power we need.DOCTOR: I think I might be able tosupply you with the power you need. Yes, I think I'll help you, since you're so willing to help us.RILL VOICE: We would be deeply grateful.DOCTOR: Hmm!VICKI: You keep saying we. How many of you are there?RILLVOICE: Four.VICKI: That doesn't seem many for manning a spaceship.RILL VOICE: We were twelve. Eight of us died in the crash.DOCTOR: First I will need some metal-cored cable.RILL VOICE: We have some.DOCTOR:Splendid. Splendid. I think I can put into effect the transference of power from my ship to this. Now, first of all, I must...I must have a conversion. Now is that possible?RILL VOICE: We shall do all that you say, you areour only...(The CHUMBLEY stops talking and starts chittering. There is the sound of machinery, as though from a control panel in the RILLS' chamber.)RILL VOICE: Ah.VICKI: What's that?DOCTOR: What's the matter,hmm?RILL VOICE: We have just received a message from a machine.VICKI: A Chumbley?RILL VOICE: It is by the Drahvin spaceship. It reports that a being, not Drahvin, came out of it.VICKI: (To the DOCTOR.)Steven.RILL VOICE: It detected that he was a friend of yours, but before contact could be made, he went back in again.VICKI: He still thinks the Chumblies are dangerous, you see. (To the DOCTOR.) Doctor, let me goand tell him...DOCTOR: (Interrupting.) That won't be necessary, my dear. He's quite capable enough of looking after himself. (To the CHUMBLEY.) Now, the cable, please, the cable![SCENE_BREAK]22: INT. DRAHVIN"}
+{"doc_id":"doc_289","qid":"","text":"Opening scene - We open on incredible aerial shots of the coast. then we stop outside the pool house to see Ryan and Seth walking outSeth: so you're saying you won't help meRyan: I got a physics quiz, i'm kindabusySeth: Ryan!Ryan: what?Seth: please man this is a crisis ok Zach an Summer, there full on dating now an that means I need a new girlfriend prontoRyan: so your gonna start dating someone jus to show upSummer(they are now inside the Cohen kitchen)Seth: those are not the reasons (Ryan looks at him) I can't think of em right now, listen, hold on a second let's break bread, let's discuss broads (throws a bagel toRyan)Ryan: (catches bagel) ooooh my graphing calculator, I left it in your roomSeth: you know what else is in my room(walking out of the kitchen)Ryan: what, what is in your room (throws the bagel up and catchesit)Seth: my year book (Ryan frowns) full of new ideas for fresh faced loved ones what'do you say we whittle down the list to like twenty finalists by homeroomRyan: that's a bad idea (?)Seth: and you can keep my leftoversRyan: no, no thanks i'm not datin this year, that's the game plan(?) (goes up stairs)Seth: yes you areRyan: (off screen) nope!Seth: you absolutely are, i'm not entering this new era alone (follows)(in thebackground Kirsten and Sandy are walking down the hall)Sandy: it is a new era, gettin the axe is the best thing that coulda happened to me, now the only person I answer to (points to himself) is me(they are nowentering the kitchen)Kirsten: and my father (Sandy groans) all i'm saying is that he's your only client, isn't heSandy: yeah, an you work for his wife (shakes his head) what was your father thinkinKirsten: you can askhim, you'll be hangin with him all daySandy: if I can win this case get my practice off the groundKirsten: you can...spend your entire career defending (smirks) my father's rich clientsSandy: your not bringin me downhoney, nope you heard Seth...it's a new era(Ryan and Seth come back into the kitchen, Ryan with his calculator and Seth holding his yearbook)Seth: sure is father an guess what, I jus think I found a newgirlfriendKirsten: here in the kitchenRyan: ah no, in the new era Seth shops for girlfriends in the year bookSeth: (reading) Tina Woo member of the acapella group, co president of the improv team shenanigans (nods)she's musical she's witty hopefully she's free for lunchRyan: dude shenanigansSeth: (smiles) I knowKirsten: a-are you sure your ready to start dating sweetie, I mean after everything you've ben through withSummerSandy: o- better he should mope (to Seth) don't listen to them, if it was up to your mother id still be workin at Partridge, Savage an Con, comin home bitchin about high price law suitsSeth: (nods) totally, Ryanwould you rather I go for the Woo or or keep talkin about Summer(Ryan and Kirsten look at each other, Ryan smiles)Kirsten: (smiles) here's to the new era(they all clink coffee cups)Sandy: ah-menTheme Song -California by Phantom Planet Harbor school - Ryan and Seth are walking up the stairs outside, 'screening' girls that walk by themRyan: alright so the Tina Woo thing didn't happen, jus move onSeth: y'know a simple nofrom the Woo would've ben sufficient...I think the added laughter...was just unnecessary (to Tiffany) heyTiffany: hey SethRyan: (looks back) what about herSeth: Tiffany Rosenberg? no we have a history (Ryan looks athim) third grade a class field trip to sea world I tried to sort of talk to the dolphins she over heard there was taunting, it was really bad, the bus ride home was a little boringRyan: ah-huh, how bout I point out a girl youtell me whether or not you'd date herSeth: how bout I tell you whether or not she would date meRyan: yeah exactlySeth: okRyan: (looking) uhhhh got her, right there (points to 2 girls)Seth: (looks) uhhhh yeah, annoRyan: no? (nudges Seth in the elbow)Seth: uhhhh no, yeahRyan: yeah? (Seth shrugs)(Lindsay walks up)Lindsay: are you shopping for girlfriends in the quadsame time:Seth: yeahRyan: noLindsay: (laughs) classy an(shakes her head) not remotely demeaningRyan: uh (points) Lindsay Seth, Seth LindsaySeth: oooh heyLindsay: so how does this work, is there a ranking system or is each girl judged on her individual merits, an bymerits I mean her rack and or assRyan: it's a simple yes no surveySeth: yes, no, surveyLindsay: I see, well in that case (looks at Seth) no (looks at Ryan) and no (Ryan nods) ill see you in class (walks away)(Ryansmiles and waves)Seth: I can't believe I finally met herRyan: LindsaySeth: Lindsay Cohen, it's got a nice ring to it don't you think, will you hook that up for meRyan: n-noSeth: why not, unless hey I mean d-do you likeher?Ryan: oh n-n-n-n-n-no no its jus she's-she's argumentative, bossy, difficultSeth: yeah that's my type (nods)Ryan: yeah believe me, you should just hold out for somethin elseSeth: no absolutely not I need thatone, an I need you to make that happen for me ok, can you make it happen, can you hook me up, help a brother outRyan: (closes his eyes) (reluctantly) I can hook it upSeth: that's what I like to hear, thankyou (makesfists at Ryan then walks off)CUT TO: Marissa and Summer walking togetherMarissa: this is a new era Summer, for the first time in my life I have like no boy dramaSummer: wait that is not possible, you are a magnetfor boy dramaMarissa: i'm serious, Ryan an I just friendsSummer: hmm an DJ? (Marissa looks at her) (gasps) what with the deltoids an the trapazoids(?)Marissa: he...wants...nothing ta do with meSummer: well didyou apologiseMarissa: (shrugs) I have no idea where he is, after he quit working for my parents he went totally MIASummer: he can't be that hard ta find (thinks) doesn't he work for the Henderson's...see totallyaddicted to boy dramaMarissa: like you don't have issuesSummer: (smug) actually right now my love life is totally trauma freeMarissa: so lunch went well with Zach an your dadSummer: amazing, none'a that mannerCohen chatter, or that incomprehensible Cohen mumbling, if Cohen is the virus Zach is the cure, he is the anti-CohenMarissa: hmm (looks) (gasps) speak'a the devil(Zach walks up behind Summer)Summer:Cohen?Marissa: ZachSummer: right, great, better (turns around) heyZach: hi (Summer hugs him) ooh (laughs) that's a firm hugSummer: (smiles) sorry duckyZach: ...ducky?Summer: (to Marissa) we have nicknames(Marissa looks at Zach)Zach: we do?Summer: yesssMarissa: (smirks) ducky, that's-that's cuteSummer: so anyways ducky, Marissa here is totally bumming out because she doesn't have anyone in her life as perfect asyouMarissa: thanks, Sum (starts walking, Zach and Summer follow)Zach: well I know lots'a eligible bachelors, you want me to set you upMarissa: (laughs) oh no, that's ok, really, i'm fineCUT TO: Club (as its referred toin the ep guide) im assuming its like a country club - Caleb and Sandy are there togetherCaleb: y'know this is the start of a new era for us sandman, working together on the same side'a the law, over coming ourdifferences, battling the oddsSandy: you're bringin a tear to my eye Cal, now let's talk about what we know at this point in the gameCaleb: are you hungry, they do a delicious frittato here, you a frittato manSandy: i'mfine now you 've ben funneling money every month to a trust, an the person who runs this trust happens to be an associate of the city councilman's office, the same city councilman that issues building permits to peoplewho build lots of buildings (sits at the table, Caleb sits) people like youCaleb: I do build lots of buildings, i've done very well for myself, started off with nothing an still I strive for more never satisfied...what do they callthatSandy: greed, as you can see, on the face of it (shakes his head) this looks like briberyCaleb: what about a round of drunks huh, what'do you say huh ManhattansSandy: its ten a.m, now focus, why did ya set upthe trustCaleb: charity, tax benefitsSandy: right what about the woman who runs the trust... Renee WheelerCaleb: I don't know her, your very grumpy today, I think its cause your hungry, frittato coming rightupSandy: the DA wants you to spend your twilight years in a five by nine cell, an all you can think about are frittatasCaleb: no one is going to jail, this thing won't even make it to court... (frowns) PhyllisSandy:Phyllis?Caleb: yeah my-my old secretary she retired three years ago, she set up the trustSandy: you couldnt'a told me this on the phoneCaleb: then I wouldnt'a gotten to see you (Sandy looks at him in disbelief) letsget you that frittata, scuse meCUT TO: Harbor school - Ryan and Lindsay are in class together. they are sitting at separate tables. Ryan turns and looks at Lindsay who is busy studying. Ryan turns back then gets upand walks over to her table and stands thereLindsay: you're lurkingRyan: right sorry um (crouches) look uh for all I know you have a boyfriend (Lindsay looks up from the book) (sighs) so there's no point in me evenasking-Lindsay: I don't...um (Ryan looks at her) I don't have a boyfriendRyan: (a little too happy) oh you don'tLindsay: yeah don't rub it in!Ryan: right well I was wondering if you...would maybe wanna (Lindsay raisesher eyebrows) m-maybe an-an feel free to say no... go out on a dateLindsay: (raises her eyebrows) ok, sureRyan: (suprised) yeah (smiles) uh great so you'll go out with SethLindsay: (thrown) w-whatRyan: you uhyou'll go on a date with SethLindsay: yes uh Seth you...want me to go out with Seth...and I said yes sooo yes (nods)Ryan: great, great (softly) great, you sure?Lindsay: I am positive, ah tomorrow night (laughs) thesooner the better rightRyan: (laughs) right(they both stop smiling)Lindsay: uh thanks(Ryan looks down then walks away, Lindsay looks back at her book then looks up at Ryan who goes back to his seat and sits down.Ryan looks back over at Lindsay quickly)CUT TO: Kirsten's office - Kirsten is at her desk working and Julie walks in with a plantJulie: (cheery) look who has a new ficusKirsten: uhhh I-I have a ton'a work to do if-if youcouldJulie: I figure now that i'm in charge I could introduce a little more life into this place (puts ficus down) y'know a ficus here an orchard there next thing you know we are-Kirsten: a rain forest, thanks for the plantbut right now this company is one failed deal away from total ruin, which means I have'to ficus (correcting herself) u- focusJulie: ficus focus oh honey you are all over the place but no need to worry the boss is here, letme lighten your load (walks over to Kirsten) what're you readingKirsten: (looks at Julie) ...budget projections for next year its-its very denseJulie: which you think I am, denseKirsten: no I-Julie n-no...look the key togood leadership is delegation so why don't you delegate this kinda stuff to me so that your free ta-Julie: continue being stupidKirsten: Julie...all i'm saying is that we have an extremely important presentationtomorrowJulie: yes, clearly I have alot of reading up to do so I can be ready for the presentation (picks up ficus) y'know running this company is about more then just plant life Kirsten, even you should know that(Julieleaves and Kirsten stares after her in disbelief)CUT TO: Henderson's garden - DJ is working and Marissa pulls up in her car. Marissa watches him for a few seconds then goes over to himMarissa: hey (DJ looks at her,then away) I saw your truck an I thought id stop by an say hi, how are youDJ: (indifferent) busyMarissa: right...well you can't be busy all weekend long, the Killers are playing tomorrow night an there really goodDJ: sowhat, are we friends nowMarissa: judging by this conversation (shrugs) probably not (DJ looks at her) but id really like to try...an be somethingDJ: and how does your boyfriend feel about thatMarissa: he's not myboyfriendDJ: I guess that explains what you're doing here talking to meMarissa: ...when you an I (DJ looks at her) I didn't know Ryan was coming backDJ: (scoffs) i'm glad I could help you kill time until he didMarissa:you know that's not what it was(DJ looks away, Marissa turns to walk away then stops)Marissa: Bait shop tomorrow night, ill be there if you decide to stop by(Marissa walks away, DJ watches her for a few seconds thenlooks away)CUT TO: The Bait shop - Seth is pushing some sort of case across the floor, you can tell it's heavy. Ryan walks in on the top floorRyan: hiSeth: hey, I think all this manual labors affecting my vibe, seemtougher to you(?)Ryan: (thinks) you don't want me to answer that (walks down the stairs)(Seth finishes pushing the case and his shoes slip and he sort of falls flat then gets up)Ryan: alright so guess what (points) youhave a date tomorrowSeth: (suprised) I do, with whoRyan: Lindsay...the future Mrs. Seth CohenSeth: nooo (shakes his head) man I said I wanted to marry her not date her ok (frowns) I didn't really think she wouldsay yes this changes everythingRyan: well i'm not gettin you out of itSeth: well i'm not going...unless (points) you go with me, I will do thatRyan: what you want me to go with you on your date as what yourchaperoneSeth: no we'll double, ill set ya upRyan: with all the single women you know (Seth makes a 'very funny' face at Ryan)Alex: Seth (comes in) there's a clogged toilet in the men's room that's got your name onitSeth: sweetAlex: (to Ryan) heyRyan: hi(Alex walks away and Ryan looks at her, then turns back. Seth is looking in Alex's direction so Ryan looks again then looks back at Seth)Ryan: noSeth: yes! (makes a fist)Ryan:noSeth: yes! (makes a fist)Ryan: (softly) no way (frowns) there's no way she'd even go out with me anywaySeth: are you kidding me, her with the tattoo you with the wristband that's like the ultimate wrong side of thetracks love story, seriously you are the Sid to her Nancy, Kurt to her Courtney Fifty cent to her...Mrs. centRyan: no, i'm done dating I told you thatSeth: Ryan kids our age don't even date any more they hang out ingroups an then they peel off to hook upRyan: you've never done thatSeth: no I know but I read about it in (?) times magazine, my guess is that Alex loves the group hangCUT TO: Alex's office - Seth is in there with hertalking about the double dateAlex: group - hang, that's the lamest thing i've ever heardSeth: but...later we peel off an...Alex: an do what, go to chucky cheese, mini golf I swear mentally you are seven years oldSeth:that was last year, this year i'm eight an three quartersAlex: anyways this is my night off why would I wanna spend it here...with youSeth: ill tell ya exactly why, look at me (Alex looks at him) i'm a youth in need ok(over dramatic) somebody stomped on my sandcastle and my ball rolled out into the middle'a the street an my kite is caught in a tree an I cant-Alex: I get it!Seth: an you know what else, my friend Ryan he's really coolok he's very anti-establishment he enjoys uh sunset walks on the beach, punching people and not smilingAlex: an that's how you see me?Seth: yeah only with less smilingAlex: you're out of your mindSeth: well maybeI am Alex, maybe i'm like sooo far out of my mind that I'm in yours an I think I know what your thinkin right now, your thinking I cant wait to go, that's what your thinking maybe is it huh (tries to tickle Alex) is thatwhat your thinkingAlex: (gives in) ok ok ill go just to get you outSeth: stop freakin out its okAlex: of my office (pushes Seth towards the door)Seth: I will hook you up its fine, look at your smiling I like, it's gonna bereally funAlex: (smiles) get out, get outSeth: alright (walks out then turns around) hey (points) tomorrow night at eight(Alex slams the door)Seth: (yells) it's gonna be awesomeCUT TO: Newport group - Kirsten and abunch of business people are in the board room having a meeting. Kirsten is sitting at the head of the tableKirsten: so while I can appreciate your apprehension, let me assure you that the dip in company earnings isonly a temporary one(Julie comes in)Julie: good morning (Kirsten looks at her) so sorry i'm late (shakes everyone's hand) i'm glad you didn't wait for me, Julie Cooper Nichol CEO of the Newport group, helloKirsten:Julie, I was just going over our investment pitch for Mr. Herbert's new mall development...feel free to jump in if you think i've missed anythingJulie: don't be so modest Kirsten, ill jump in now. are there any questions Icould answerKirsten: Julie this isn't the Q an A portion-Mr. Herbert: well I do have a couple'a questions Mrs. Cooper Nichol (Julie smiles, Kirsten looks at Julie) our primary concern is how will Caleb Nichol's potentialindightment affect the roll out of our developmentJulie: it won't, because we won't let it will we Mr. HerbertKirsten: w-what I think Julie meant Mr. Herbert is that the success of the Newport group is not contingent onthe ideas an opinions of any one personJulie: I think Mr. Herbert an I can take it from here Kiki (Kirsten looks at her) will you get me a copy of this document (slides it over to Kirsten) I need it on my desk tootsuite(?)Kirsten: Julie, that's the lunch menu (Julie makes a 'shoo' motion to Kirsten) thankyou all for your time, scuse me (leaves)Julie: (sits where Kirsten was) so what's your next questionMr. Herbert: how do youexplain the company's failure to hedge its portfolio against the rise of long term interest ratesJulie: (blinks)...yes...CUT TO: Harbor school - Ryan and Seth are walking down the stairs, outsideRyan: so Alex said yes tothe date huhSeth: uh it's not a date ok it's a group hang with an eye towards peelin off withRyan: SummerSeth: I don't know if id be cool with that quite yetRyan: on your leftSeth: (realises) oh, oh oh(we see Summercoming up behind them)Ryan: (whispers) don't mention the dateSeth: right no sure take the high road uh-hmSummer: Cohen (touches Seth on the chest)Seth: SummerSummer: hey RyanRyan: heySeth: (tries to keepquiet but cant) (yells) I have a date!Summer: (turns back) wow hey I hope you an Captain Oats have funSeth: (scoffs) actually its with a girl (Summer laughs)(Marissa walks up behind Summer)Marissa: hey guysRyan:(smiles) heySummer: Coop, you just missed a mile stone here Cohen has a date with a real live human girlMarissa: oh well uh that's...great, I guess (looks at Summer) whenSeth: uh tonight so you know don't waitupSummer: oh don't worry Zach (raises her eyebrows) an I 'll sleep just fine, thanks (walks off)Seth: (yells) good! cause ill sleep just fine tonight too...with (thinks) I would love to remember her name right thereRyan:high road huhSeth: (sighs) not my proudest moment (walks off)Marissa: so if Seth is abandoning you for his big date tonight then what're you gonna doRyan: uh...Marissa: cause if you wanted to...do somethingRyan:yeah well I um...Marissa: you have a date tonight tooRyan: no it's not a date it's more of a group (Marissa looks down)...hang um how're things with you an DJMarissa: there...not um but I should probably get to youknow, but have fun tonight on your date or hang(Marissa walks off and Ryan watches her leave)CUT TO: Jimmy's yacht - Jimmy is there and Julie comes on boardJulie: heyJimmy: hey, what're you doin hereJulie: guesswho brought you a lobster roll from the Crab Shack (holds it out)Jimmy: (takes it) my heroooo (Julie laughs) whoa my favourite sandwich, suprise pop in (holds his hands out as if to say 'what')Julie: yes its workJimmy:(joking) don't tell me, you screwed up, power went straight to your head, you rocked the boat too hardJulie: (not impressed) you can stop (Jimmy takes a bite of his lunch) I have found it challenging, truth is beingCEO...is a bitchJimmy: hmm you think you'd be a naturalJulie: I tried to google myself today an crashed the entire computer network then our most important investor ran out on his meeting with me an I don't blamehimJimmy: wow, I never heard you admit to having faults before this is-this is funJulie: I was hoping you'd give me a confidence boost I suppose I don't have that comingJimmy: sure you do, listen, you may not haveKirsten's experience or well let's face it any experienceJulie: get to the boostJimmy: but you are savvy ok an that goes a looong way in this business, hell if I had your instincts I-I never would'a lost a dimeJulie: so youthink this is fixableJimmy: if there's one thing that your good at, its getting money from rich - old - men you just, you've gotta do it the Julie Cooper way (Julie frowns) you know I don't mean sleep with him rightJulie:(laughs) you know what (smiles) I think you've just given me the confidence to execute plan BJimmy: an you have given me a delightful - snack, I love this new era, we should've gotten divorced years agoJulie:(smiles) thankyou JimmyCUT TO: the Bait shop - its now night, Ryan and Seth walk in and stand on the top floor looking down on everyone. Seth sees Lindsay belowSeth: (looking down) oh hey there she is (points)(Lindsay is standing with her arms folded looking for Seth) awesome, hey why don't you go talk to her for like an hour or five an just key me up(?)Ryan: (looks at Seth) she's your dateSeth: yeah, details, i'm gonna gofind Alex(Seth walks off, Ryan watches him then the next shot we see is Ryan down stairs walking up to Lindsay)Ryan: (touches Lindsay's shoulder) heyLindsay: what're you doing here...chaperoning?Ryan: I uh have a"}
+{"doc_id":"doc_290","qid":"","text":"With adjustments by: Shay Fitzpatrick[SCENE_BREAK][Scene: P3.]Phoebe: Oh, I cannot believe this heat wave. It's 2 a.m. How can it be so hot when there's no sun.Piper: Tell me about it. (Phoebe gets an ice cube andrubs it it on her neck.) The Cranberries are playing an animal right benefit here on Saturday and it's gonna be a million degrees in here. (Piper notices Phoebe with the ice.) Uh, Phoebe... you keep making like you're onred shoes diaries and I'm gonna have to bust out a can of man repellent. (Two guys are staring at Phoebe.) All right, people, move a long. Nothing to see here. Goodness. Am I going to have to hose you down?Phoebe:I can't help it. It's not my fault. I'm in a highly excited state right now. Not that I'd mind being hosed down with water. I feel like I'm on fire. Feel my forehead.(Piper touches Phoebe's forehead.)Piper: Phoebe, you'reburning up.Phoebe: I know, tell me about it. (Piper gets a wet towel.) Something's happening to me, Piper. Something really freaky.Piper: Sweetie, Uh, I think you need to call a Doctor.Phoebe: But I... I... I don't feelsick. (Piper hands the towel to Phoebe.) I just... I feel... I feel... hot, aroused. Uh... I've been having this dream, Piper. This... s*x dream. It's not like I haven't dreamt about s*x before, because I have, you know. Butthis... this is different. This feel real. Swank penthouse love den, candles, satin sheets...Piper: Okey-Dokey. I get the point.Phoebe: But every night it's with a different man... telling me that I'm irresistible and thenwe... lets just say we could win the golden medal in the hugh hefner Olympics.Piper: And this is a bad thing?Piper: No. It's a good thing. It's... it's a very good thing. Until I kill them.Piper: That's how your dream ends?You kill the guy?Phoebe: Each and every night, Piper. I told you, something is wrong with me.Piper: There's nothing wrong with you. It's a dream. A metaphor for a extreme sexual frustration. Trust me, I shouldknow.(Prue comes in.)Prue: Oh, good. We're decoding men.Piper: Prue, what are you doing here?Prue: I can tell you what I'm not doing. I'm not lighting candles. I'm not getting a back rub and I'm not running a hotbubble bath for two.Phoebe: Hmm. Things didn't go well with Alan?Prue: Well, see, that's the thing. I'm not really sure. I mean, third date, hot night, romantic dinner, and then he drops me off with barely even a kissgood night. I'm a little confuse.Piper: Well, that's not necessarily an officially rejection. I mean, when they say \"I'll call you\" that's the kiss of death. Maybe he just got nervous.Prue: Yeah or maybe he's just notinterested. I mean, I gave out all the signals for him to move forward and he ran away. Men don't just run away when you give them all the signals, right? So, what gives?Phoebe: Okay. That's enough talk about menfor me! I need to go home and take a long, cold shower and have a good night's sleep. I hope.Piper: Sweet dreams. Don't kill anyone (to Prue) Don't ask.(Phoebe leaves.)[Scene: Manor. Phoebe's bedroom. Phoebe'sasleep. We see her dream. We can see a guy laying on the bed.]Guy: I can't believe we're doing this. You've gotta be the most beautiful woman I've ever laid eyes on. Either I'm dreaming or I'm falling in love. Oh, man,I'm definitely falling in love. Where have you been my entire life. You're irresistible.(As he says that, the woman's tongue goes down the man's mouth. Phoebe awakes and she screams.)Opening Credits[Scene:Bucklands. Prue walks in her office. She gets a little mirror out of her purse and checks her hair and make-up. She walks back outside and looks at an auction item. She sees Alan.]Prue: Ooh, Alan, hi!Alan: Hi. Man, it'shot, huh? Bad day for the a/c to be on the fritz.Prue: Yeah, bad day. Uh, listen, Alan.Alan: Hey, Davis, can you hold the elevator, please? Thanks. Sorry, I'm late for meeting.Prue: Okay, uh, Alan, just out of curiosity.Did something happen on our date last night to upset you... or something?Alan: Upset? No, no, not at all. Actually, I had a great time. We should do it again. I'll call you.(He leaves.)Prue: The kiss of death.(Morriscomes in.)Morris: Speaking of deadly kisses, I need to speak to you, Prue.Prue: Sure, Darryl.Morris: Everything okay?Prue: You know, you're a guy. Maybe you can explain this to me. Why is it that one moment guysare sending out all these signals and then, the next, they just turn them off like a switch? What do you men want anyway? (They stand outside Prue's office.) Well, it's nice to see that while romance may be dead,chivalry isn't. So, what's up, Morris?Morris: Four men have been killed over the last four nights ever since this heat wave started. I think the murders are gonna continue but I don't have any suspects.Prue: Oh, I'msorry to hear that.Morris: Look. You and I have got this game we play, right? You know that I know you've got a secret. You also know I don't wanna know what it is. But if any way it can help stop this ...(He shows herthe pictures of the victims.)Prue: Oh my god. What happened to them?Morris: Severe cerebral trauma. Although the medical examiner can't figure out exactly how. He also can't figure out how of the men were drainedof all their testosterone. That's not something you find everyday. I need help on this one, Prue. The kind of help I think only you can provide.Prue: Do the victims have anything else in common?Morris: They were eachmembers of a dating service called \"Fine Romance\". I've already got the place staked out. But they've got too many clients for me to watch and too many potential and too many potential suspects for me to track. If thepattern continues, somebody's gonna die tonight. I know it and I can't stop it.Prue: I'll see what I can do.Morris: I don't want you to get hurt. Find out what you can, slip it to me. The brass is watching me on this one.This can't turn out to be another unexplained case.[Scene: Manor. Living room. Phoebe's lying on the couch with the fan going. Piper brings Phoebe some juice.]Phoebe: I'm telling you, Piper. Last night's dream was nodream. Or premonition even. It was real. I felt it. I was so turned on and then.. and then... I killed him. (she drinks the juice)Piper: Phoebe, you didn't kill anyone.Phoebe: I could feel his body shake uncontrollablybeneath mine.Piper: And now you're making me sick.Phoebe: How do you think I feel? I'm living it. I can still taste his blood.(Piper puts the thermometer in Phoebe's mouth.)Piper: Okay!(Prue walks in.)Prue: Isanybody home?Piper: In here. It's not lunch yet. What are you doing home?Prue: Morris came to visit (She sees Phoebe with the thermometer). Pheebs, are you ok?Phoebe: I'm so hot. (Prue touches her forehead.)100.5 degrees hot.Piper: But she won't go see a Doctor. What did, uh, Morris want?Prue: Help.(She hands Piper the files with the victims' pictures.)Piper: Oh.(Phoebe recognizes the men in her dreams.)Phoebe: Oh myGod. It's the guys. All of them.Piper: Phoebe, you were dreaming.Phoebe: Of each and every one of the victims? I don't think so. I could see them through my own eyes. Feel every touch, smell every smell.Prue: Howlong have you had this feeling?Phoebe: The last four nights.Prue: Since the murders began.Phoebe: Coincidence? I think not.Piper: Well, maybe your powers are growing. Maybe you can get premonitions in your sleepnow.Prue: Or maybe you're just psychically linked to the demon on its wavelength or something.Phoebe: Or maybe I'm the killer. Come on you guys. It's not like there's no precedent. Piper turned into a werewolf once,remember?Piper: A Wendigo.Phoebe: Whatever.Prue: Look, if you are psychically connected, maybe you can go to the dating service, touch some of the tapes of the potential suspects, see if you can get a psychicflash.Piper: It's worth to shot. Then I'll stay here and see if I can find anything in the Book of ShadowsPhoebe: I'm sorry. Wait a minute. I tell you that maybe I'm some kind of man-killing demon and you want me to goto the bachelor central?Prue: Phoebe, we have to do something. Otherwise someone else is going to die tonight.[SCENE_BREAK][Scene: Outside Fine Romance. Morris and his partner, Smith, are watching somesuspects in the car. They see Prue and Phoebe and Smith starts taking photos of them.]Smith: Oh, man. Look the racks on those babes, huh?Morris: Just do your job, Smith, okay?Smith: I am doing my job, Morris. I'mtaking pictures of potential suspects. And if you ask me, those two suspects got a lot of potential.[Cut to inside Fine Romance.]Darla: Hi, welcome to Fine Romance. I'm Darla. How can I help you?Phoebe: My sister Pruewould like to sign up.Prue: I would?Phoebe: Yes you would while I look around.Prue: Right.(Phoebe walks away from her.)Darla: Well, Prue, today is your lucky day. Because we are running a special. One year,unlimited access to our internet and video library, with a money-back guarantee, for only $3,500.Prue: 3,500 bucks? Okay, I could buy a man for that.Darla: Oh, I can always tell the frustrated ones. You've been havingman troubles lately, haven't you?[Cut to Phoebe. She bumps into a guy.]Phoebe: Oh... oh.Owen: I'm sorry. I'm so sorry.Phoebe: I'm sorry. I didn't... I didn't see you.Owen: Oh.. it's not a problem... it's not a problemat all.Phoebe: Uh... uh... do you work here?Owen: No, actually I just, uh, I just signed up.(She laughs.)Phoebe: Really?Owen: Yeah.Phoebe: I mean, it's just that... you don't seem like the type that needs help findingdate.Owen: Ditto. Oh, um, I'm Owen. Owen Grant.Phoebe: Phoebe .(As she touches his hand, she gets a premonition of him been killed.)Phoebe: Uh, uh... I have to... I have to go. Okay, I'm sorry. Excuse me.Owen:But, Phoebe.Phoebe: Sorry.[Cut back to Prue.]Darla: Congratulations, Prue. Your days of having trouble with men are over. See you at tonight's mixer?Prue: Okay, you know, for your information, I do not have mantroubles. Financial ones, now, yes. But definitely not man troubles.(Phoebe comes in.)Phoebe: We're out of here.Prue: She... you.Phoebe: Okay.. it's okay... it's all right.Prue: I don't. Honestly. (to Phoebe) Tellher.Phoebe: She doesn't.(They leave.)[Scene: Manor. Piper is watching Dan washing his car through the window. Prue and Phoebe walk inside.]Prue: Piper?Piper: You're back.Phoebe: Did you find anything in theBook?Piper: The book?Prue: Or were you too busy looking at something else?Piper: Uh, I was looking. You should see what I found.(Prue and Phoebe look out the window.)Prue: Oh, I see what you found, all right.Great tan, nice body.Piper: (reading the Book of Shadows) \"When a witch renounces all human emotions and makes a pact with darkness to protect herself from heartbreak, she becomes a Succubus... a sexualpredator.\"Phoebe: Let me see that (reading the book) \"She seeks out powerful men who become helpless against her magic, then feeds on their testosterone with her razor-sharp tongue.\" So, this monster is an evilsexually-charged witch?Prue: Yeah, but it's not you, Phoebe. Because you didn't make a pact with Darkness, right?Piper: And as far as we know, you don't have a razor-sharp tongue. Here's a spell to attract theSuccubus and destroy it with fire.Phoebe: (reading the book) \"A flaming death for yours truly\"? I don't think so.Prue: Well, we have to catch this thing, right? So, what if I cast a spell to attract it and if it turns out to beyou who's attracted to me, then Piper will freeze the room and we'll go from there. Fair enough?[Cut to the attic. Drawn on the floor with chalk is the symbol for male. There's lit candles around it and Prue's sittinginside with the Book Of Shadows.]Prue: \"By the forces of heaven and hell, draw to us this woman fell, rend from her foul desire, that she may perish as a moth of fire\".(Fire burns around Piper.)Piper: See? I knew itwasn't you.Phoebe: I didn't burn. I'm okay.Prue: (with a man's voice) I'm not.(They turn and see Prue as a man.)Phoebe, Piper: Oh! Oh my God.Piper: I don't believe it.Prue: We have a newproblem.[SCENE_BREAK][Scene: Manor. Outside Prue's bedroom.]Piper: Prue, please come out.Prue: Not until you reverse this spell.Phoebe: Come on. It's been over an hour already. (to Piper) Do you think she'stouching herself?Piper: The book doesn't say anything about a reversal. Maybe you're supposed to stay a man until you attract the Succubus.Prue: Well, I'm not going anywhere.Phoebe: See?Piper: Shh... (to Prue) Youdon't really have a choice. I'm thinking we need to get you to the dating service since that's where the Succubus picks her victims.Phoebe: That's actually a really good idea. She could... he can sign up like the rest ofthe guys.Prue: Hey, I'm not signing up for anything.Piper: Lives are at stake, Prue. Innocent men are going to die... we're your sisters, Prue. You don't have to be embarrassed. We're not gonna laugh.(She/he opensthe door.)Prue: How can I save anyone? Okay, I look ridiculous. I'm wearing clothes from the ex-boyfriend's pile. (Phoebe starts to laugh.) I have hair in strange places and I have pen1s. (to Phoebe) This is notfunny.(She/he closes the door again.)Piper: What's matter with you?Phoebe: I'm sorry. I couldn't help it.Piper: Prue, you don't have actually to date anyone. All you have to do is make yourself seen andavailable.Phoebe: You know, Prue, the sooner you trap the Succubus, the sooner you'll become a woman again.(She opens the door.)Prue: It's easier said than done.[Cut to downstairs.]Piper: Okay, confidence. Thewalk, the talk, the handshake. It's all about confidence.Phoebe: Sports. Men like sports.Piper: And sincerity... that's the key.Phoebe: But what really makes a man is the clothes he wears, the car he drives and themoney he earns... according to Cosmo.Prue: Okay, helping, you're supposed to be helping.Phoebe: Okay. Let's work on your walk.Piper: All you have to do is visualize a man that you admire and then you emulate him.You know, the walk will follow.Prue: A man that I admire... all right... I got that.Piper: Okay.(She/he walks and then does a girlie turn at the end.)Piper: The man you admire is Richard Simmons?(Piper and Phoebelaugh. Doorbell rings.)Phoebe: Okay, I'll get Morris' files. Try to put together a list of attributes the Succubus is attracted to. You two get the door.Prue: What?Phoebe: Well, think of it as a practice run for the datingservice. Oh, oh... I know. Tom Hanks... everybody loves Tom Hanks. Think of him.Prue: Tom Hanks.Phoebe: Everybody loves him.(Prue and Piper answer the door.)Piper: Dan.Dan: Hi, I didn't mean to interrupt but myfreezer broke and I wanted to see if I could get some ice from you... guys.Piper: Uh, oh, Dan, this is... this is... this is Manny. Manny Hanks. He's my... uh... he's my friend.Dan: Well, it's nice to meet you.(Dan shakesPrue's hand.)Phoebe: (screaming from the kitchen) Piper, come in here, quick.Piper: Okay, coming. I'll be right back with that ice.Prue: (to Piper) Oh, wait, no.Piper: (whispering to Prue/Manny) He's a good man.(Pipergoes to the kitchen.)Dan: Have we met before? You look familiar.Prue: Hmm.Dan: So, have you known the sisters long?Prue: I'm, uh, the brother they never had.[Cut to the kitchen.]Piper: What happened?Phoebe: Oh,I just... I had one of those hot flashes, the Succubus visions. Piper, I think I really am psychically connected to that thing. I see what she sees, feel what she feels. I felt excited.Piper: Excited happy or excitedaroused?Phoebe: Piper, she's in heat, okay. And so am I.Piper: Well, that explains why you are burning up. Your libido must be connected to the succubus'Phoebe: Yeah, it's like I have no control over.(She gets a newflash.)Phoebe: It just happened again. I saw egg sacs. Oh my God. I think she's pregnant or ready to hatch.Piper: You mean, there's gonna be a whole brood of them killing men?Phoebe: Unless we stop her, I thinkthat's exactly her plan.[Cut back to the foyer.]Dan: So, Piper isn't seeing anyone?(Prue tries to copy Dan's moves.)Prue: No, not really.Dan: So Piper is seeing someone?Manny/Prue: No, not really...God. I would justhate to see her with a guy who, oh, lets say on the third date just runs away. Don't you just hate men like that?Dan: I don't know any men like that.Manny/Prue: Oh... ha... How about those \"niners\"?(Piper and Phoebewalks in)Piper: Ok, here's your ice.Dan: Thanks.Phoebe: Oh, you're welcome. Ok, bye bye. Take care. Tell Jenny we said \"hi\", ok? All right, good.(He leaves)Piper: So?Manny/Prue: We're in big problems... huge.[Scene:Fine Romance. Video area. Prue/Manny is doing her videotape.]Manny/Prue: You know, I think that it's the smaller things that I look for in a relationship, you know, like... listen to your partner, kindness, respect, Imean, as far as I'm concerned there's nothing sexier, nothing hotter than someone who respects him... herself, because, you know, if she respects herself, then she respects others.Jan: Can I just say that you arereally in touch with your feminine side.Manny/Prue: You have no idea[Fine romance. Reception desk.]Phoebe: His name is Owen. He signed up earlier today.Darla: Hm. Dr. Owen Grant.Phoebe: Doctor? Hmm.. yeah. Iguess that's him. Do you have any way I could get in touch with him? It's really important.Darla: Well, you could join for $3,500 and view his tapePhoebe: Hmm... huh! Piper?Piper: Hmm? Hmm!(Piper freezes the room.Phoebe gets Dr. Owen's file. Then she sees Dan's files.)Phoebe: I do not believe it.Piper: What?Phoebe: Looks like neighbor Dan signed up, too... interested?(Piper smiles. Phoebe hands her Dan's file.)Phoebe: Let'sgo.(They leave)[Outside Fine Romance.]Smith: Boy, a guy could do some serious damage in there, you know? Just drop all the pretense and go all caveman.Morris: You're really something, you know that,Smith?Smith: I know it. That's what ladies tell me... Man, it's boiling.Morris: Yes, it is.Smith: I think I'll do a little investigating inside.Morris: Oh, Whoa! No. You're not going anywhere.Smith: Come on. It's a mixer,right? I want to go inside and mix it up.[Inside Fine Romance.]Phoebe: Do you think the Succubus already got the Owen? I mean, what if we're too late?(Piper is looking at Dan's file)Piper: You would have had a psychicflash if we were and since you haven't, we're not.Phoebe: Oh, there he is... hey, you know... maybe I should take him back to the manor to keep him safe.Piper: You and him? At the Manor? Alone?Phoebe: Well, I'mjust gonna talk to himPiper: Well, we can just talk to him here. I'm gonna go back to the video area and, uh, check up on Prue.Phoebe: Uh, huh... don't forget Dan's tape. (Piper grabs Dan's tape and leaves.) HiOwen:Hi[Video area.]Prue: So, what are you saying is my video will now be available to all of your clients. So what with internet acess, I should be able to meet women as soon as when?Jan: Mr. Hanks. Something tells methat you could be dating as soon as tomorrow. This is one great tape.[Scene: Later. Video area.](Piper is watching Dan's tape.)Dan: I'm sorry.. I.. I.. I just... I can't do this.Jan: Oh, come on. Your sister paid for this,Mr. Gordon. You can do it.Dan: Oh.. this just isn't me.Jan: Give it a try. Just speak from your heart. What are you looking for in a woman?Dan: What do I look for? I don't know. I'm an old-fashioned, I guess. I look forthe girl-next-door. Someone with a good heart, good personality, and looks to match. The kind of girl that... when I leave for work in the morning... I wait just... a little bit... till she leaves for work too. Just to catch aglimpse of that long dark hair, that great smile, hoping that maybe, one day... she'll notice that I'm watching her. Then she'll smile back at me.(Piper just smiles.)[Scene: Mixer.]Owen: Do you, huh, do you wanna getout of here and take a walk or somethingPhoebe: Uh, I...I...I... would... I would love to. Really. But... but I can'tOwen: You can't. Why?Phoebe: Uh, it's it's hard, I mean, to explain, you know? Is it really hot inhere?Owen: You know what? I'm gonna get you something to drink. I'll be right backPhoebe: Ok(She gets a new flash)Phoebe: Oh, no... she's here... Piper!Owen: Hey, what's going on? Are you ok?Phoebe: Yeah. Weneed to get you out of here, fast. Okay? Follow me. Uh, if you could just stand here for a minute and just stay in my sight, ok?Owen: Okay.Phoebe: Uh (Piper) She's here. I felt her.Piper: What? Where is she?Phoebe: Idon't know but she's in the room, somewhere. She could be after Owen.Piper: Well, then get him out of here. Fast!Phoebe: Ok.(Smith grabs Phoebe's wrist)Smith: Oh, where are you going, honey?Phoebe: Excuseme.Smith: I'd like to have a little talk with you... in private.(She gets a new flash)Morris: What the hell's the matter with you, Smith? Let her go.Phoebe: Manny, it's Owen... take him out. Fast(Manny/Prue punchesOwen)Piper: What are you doing? Your... Your powersSmith: Hey hey, that's enough, all right. You're under arrest(Manny/Prue punches him too)Morris: That's it. You're under arrest, pal. Get up and cuff the other,Smith.Piper: This is... this is bad. This is really bad.(Phoebe gets a flash.)Phoebe: It's getting worse.Piper: Huh?Phoebe: The Succubus isn't attract to Owen, anymore. She's attracted to Prue.Piper: Perfect.[Scene:"}
+{"doc_id":"doc_291","qid":"","text":"Opens on a breathtakingly beautiful shot of the coast Cohen's house - Kitchen - Kirsten is pouring juice & Seth is sitting at the kitchen table.Kirsten: first day of school, are you excited? (Seth gives her a look) You knowI ask you questions in the hopes of eliciting an actual responseSeth: I feel I convey more with a look (makes puppy dog eyes at her)Kirsten: you look adorable!Seth: noKirsten: cute?Seth: noKirsten: dope?Seth:noKirsten: RAD!Seth: PLEASE, please this is so painfulKirsten: ah, I'm-I'm-sorry-sorry (Sandy walks in) How was surfing?Sandy: cut it short, I wanted to see the boys offKirsten: doesn't Seth look rad (Sandy kisses herhead)Sandy: oh you do look rad, bad props son(Seth is shaking his head in horror, Ryan walks in)Seth: thank god man, are you ready to goSandy: (to Ryan) first day, are you excited?(Ryan gives him a look, like Sethtried to do earlier with Kirsten)Sandy: enough saidSeth: how do you do that by the way, how do you convey everything with just a look(Ryan gives it to Seth)Seth: again!Kirsten: (to Ryan) how're you doin?...are younervous?Ryan: why would I be nervous?Seth: because we're going to school with like three hundred Luke's minus the redeeming social qualities (Ryan looks at him) I got it, sorry you make me more nervous (?)CUTTO: Jimmy's house - Marissa and Summer are sitting on the sofa, Jimmy walks in with French toastSummer: don't be nervousMarissa: uh I'm not nervous I'm just not goingSummer: Coop you have to go, you own theschool and what about kick off carnival your still the social chairMarissa: hmm let's see, be humiliated in front of the entire school or hire someone to do balloon animalsSummer: Huh, you have to hire the guy whomakes the balloon octopus (Marissa gives her a look) So your boyfriend cheated on you and yes you almost died in Mexico and, OK there is that whole scandal with your dadMarissa: If you're trying to make me feelbetter...Summer: ok the point is there's no such thing as bad publicity(Marissa smells something)Marissa: Is that something burning?Jimmy: Ok so uh new oven, haven't quite figured out how to make FrenchtoastSummer: Not in the oven, would be a good place to start!Jimmy: since no one will hire me I've got plenty of time, I'm gonna go out and buy a cook book (Marissa smiles) come on, it's good its, there crunchy,seeMarissa: umm no thanksSummer: yeah...I don't know who I'm more worried about hereJimmy: well I think it's safe to say that this year is...going to be differentCUT TO: Cohen kitchen - Kirsten and Sandy arestanding at the sink, Seth & Ryan are getting ready to leaveKirsten: you know maybe this year'll be different you know, betterSeth: yeah that's the mantra every year, and every year some big water polo player endsup uh peeing in one of my shoes (Sandy looks at him) nah I'm just kidding, they pee in both. Ryan has Mr. Schmidt for uh pre cal(they all look at Ryan)Ryan: what's wrong with Mr. Schmidt?Seth: nothing, say hi to hismom for me!Sandy: well, at least you have each otherSeth: that is very wise dadSandy: thankyou sonRyan: (looks worried) we're doomedCUT TO: Theme Song - California by Phantom PlanetThe Harbor School - Seth& Ryan are walkingSeth: the master race, it's been perfected Ryan and they all go to our school (to passing jocks) Hey, fellas (the jocks knock into him as they walk passed, and say nothing) Alright, don't get yourspeedos in a bunchRyan: This is a nightmare Still Harbor School, Summer & Marissa are walkingMarissa: This is a nightmareSummer: I bet like no one even knowsMarissa: are you kidding?(they walk passed a group ofgirls talking about Marissa)Girl: I heard she died down there; she looks pretty good for a dead girlSummer: Hey whores, why don't you go work another cornerMarissa: Sum, (walking away) maybe I should just gohome, you know help my dad unpackSummer: no Coop that is as bad as it's gonna get (sees Seth & Ryan walking towards them) I spoke to soonSeth: Hello Summer, what does your schedule look like todaySummer:FullSeth: oh really, ok, alrightCUT TO: Marissa & RyanRyan: Hey, a friendly faceMarissa: Hey, how's it goin?Ryan: not good, you?Marissa: oh worseRyan: so uh, why don't we just get outta here, right now just get inyour car and go down to the pierMarissa: I can't dean Kim would call my dad, or worse my momRyan: ok, how about after school?Marissa: I'm suppose to help chair the kick off carnival committee...I know I've beenlooking for an excuse to get out of itRyan: well I think you've found oneMarissa: (smiles) ok, I'll meet you out frontRyan: something to look forward to(Summer walks up)Summer: Coop, can we go please(they bothwalk away from Ryan and not realising, towards Luke)Luke: hey, could we maybe talk or(a shot of Ryan looking worried, Marissa backs away)Summer: stay away from her!Luke: how am I spose to do that we all go tothe same schoolSummer: oh well maybe you should of thought about that before hooking up with one of her best friends! Ass!(Ryan catches up to Marissa)Ryan: hey, are you ok?Marissa: yeah, I just have to get use toit...this I guessRyan: but, we're still on right?Marissa: yeah, something to look forward to! (smiles and walks away)Summer: Coop (catching up to her)Seth: see ya Summer (to Ryan) slowly I thaw her icy heartCUT TO:Cohen house - Sandy & Kirsten's bedroom - Sandy is fixing his tie in the mirror, Kirsten is watchingKirsten: Look at you!Sandy: if I mustKirsten: new suit, new scent, mm new lookSandy: I feel like this is headinsomewhereKirsten: new girlfriendSandy: ohh, and there it is, you still wont forge(Kirsten kisses him and pushes him back onto the bed)sandy & Kirsten: mm, ooh, mmSandy: oh god, I shoulda found an attractive coworker years ago (Kirsten looks at him) it was a figure of speechKirsten: Rachel's attractive?Sandy: is that her name? its context only you know in relation to which she invokes amorous feelings in my far more,extremely more attractive wifeKirsten: good answer (she kisses him again, they sit back up) mornings use to be our timeSandy: (with his head buried in her neck) oh I remember them wellKirsten: mm, whathappened? (they kiss again)(mobile phone rings)Sandy: oh, work happened (he tries to get his phone out of his pants pocket) I can't get it just hang on one sec (lays back on the bed and rolls Kirsten to his side) justhold on, wait, I got itKirsten: (looks at the phone) how did she know? (sighs) your not going to answer it are you(Kirsten's phone rings now)Kirsten: ooh, it's my dadSandy: Hey, RachelKirsten: Hi dad (sighs)CUT TO:Harbor school - Seth & Summer are walking inside, down stairsSeth: so Summer if you would care to join me for lunch today I can arrange to have an empty chair available at my tableSummer: there's nothing butempty chairs at your tableSeth: (gasps)(off screen)Anna: Seth Cohen!Seth: Anna! (gives her a hug) hey how're you doinSummer: (looks jealous) um excuse me we were talking hereAnna: oh, so insulting him countsas conversationSeth: yeah well if it doesn't then we've never spoken, Summer you remember Anna right, she's moved here from PittsburghSummer: how could I forget (walks away)Seth: oh hey so we're gonna, we'regonna still be on for lunch today right... (to Anna) she probably didn't even hear meAnna: Seth, what are you doing? I thought you got passed this whole Summer thing at CatillionSeth: Right, and I know Anna that itseems like not alot of progress has been made but I have to tell you, well yeah not that much progress has been made despite all my best judgements I cannot, not like herAnna: you are such a boy!Seth: well,whatever. I don't see what the problem is I'm nothing but available to that girlAnna: alright, right there, that's your problem. girls like to be chased by guys that aren't into themSeth: and that sounds a little bit like agame to me Anna and I don't really like to play games ok, unless we're talking about a little-a little Saturday night jenga, a little-little magic gathering. LOVE magic gatherAnna: maybe you just don't know how toplaySeth: well, your a gir...l rightAnna: yeahSeth: uh huh and we're friends rightAnna: sureSeth: ok awesome so then why don't you train me in the ways of women huh, give me a little adviceAnna: I don't understandthe mind of chicks like SummerSeth: ill teach ya how to play jengaAnna: (sighs) do you really like herSeth: (nods) since I was tenAnna: (giving in) fine...but I make no promisesSeth: trust me I cannot do any worsethen I've been doingAnna: that I trustSeth: You're my girl!CUT TO: Sandy's office - Sandy is looking at case files, and Rachel walks inRachel: heySandy: heyRachel: what were you doing this morning when I called yousound um, did I wake you?Sandy: uh, huh I was spending some time with my wifeRachel: oh yeah, how'd that go?Sandy: well I got to work on time didn't I?Rachel: to bad, it might be a while before your wife is in themood for loooveSandy: oh yeah, something you know I don'tRachel: well I know lots that you don't but in this case, are you familiar with the Balboa wetlandsSandy: yeah, it's the largest coastal wetlands in California,home to the blue heron and the brown pelican and my personal favourite something called the swamp roseRachel: right, the wetlands are key to water quality in the county and not to mention, they're kindaprettySandy: so naturally they must be destroyedRachel: The Balboa heights are 250 acres of land that sit above said wetlandsSandy: yeah, every developers been going after the heights for yearsRachel: wellsomebody got it, and they're looking to tear it up, put in condos, a golf courseSandy: (sarcastically) oh thank god cause you know the lack of golf courses around here is, it's tragicRachel: This is a policy changing careermaking piece of litigation here, a tree hugging crusader like yourself would probably kill for a case like thisSandy: and you wanna share this with meRachel: yesSandy: why?(Rachel hands him the file)Sandy: oh, mywife's company is the plaintiffRachel: it's her fathers companySandy: so why even tempt me with this, it's a conflict of interest I, I'm not even sure it'd be ethicalRachel: well the client, the Balboa land trust not onlywaived the conflict of interest they insisted that you take the case. your politics, your passion, your severe dislike for your father in-law, your the ideal advocateSandy: I suspect my wife is gonna have a different spin onall thisRachel: look, you came to this firm because we have the resources to help you make a difference, they're gonna teach this in law school...so what's it gonna be? Your s*x life or the swamp roseCUT TO: Harborschool - Marissa walks into a class, and she sees Holly & a group of girls gossiping and laughingHolly: (whispering) did you know that she overdosed on vicadin(Marissa tries to ignore it)CUT TO: Ryan walking into hisclass, he sees Luke at the table, neither looks impressedCUT TO: Dr Kim's office - Marissa is talking to her about quitting social chairDr Kim: you are not quitting your post as social chair Marissa, you were elected by thestudents, you've held the position for 2 yearsMarissa: I know Dr Kim but that was before everything that's happened this summerDr Kim: I understand you are going through alot of change right now but you're a leaderhere at Harbor that doesn't have to change. you're a wonderful example to your fellow students they look up to youMarissa: not anymore they don'tDr Kim: putting aside the issue of how walking away from yourextracurricular responsibilities will affect your college transcript. people are always going to talk, may as well give em somethin good to talk about. Don't disappear Marissa, this is your school, your life, your futureCUTTO: Ryan waiting for Marissa out the front, Seth & Anna walk upSeth: Hey what're you doing?Ryan: you haven't told me about summer reading?Seth: who does summer readingRyan: apparently everyone in myclassSeth: oh, yeah sorry about that one. so listen Anna here has convinced me to join the plank, it's the literary magazineAnna: I needed an extra curricular activity and apparently you don't have to wear a sports brato be on the lit magSeth: See it's appealing on many levels, plus I feel I uh have a few limericks that are ready to be shared with the worldRyan: well have fun, I'm gonna hang with MarissaSeth: school might not suckthis year(Seth and Anna walk away, Marissa walks over)Marissa: Hey, so it turns out I have to plan this carnival thing after allRyan: oh...okMarissa: yeah I mean I talked to the dean and I think getting involved inschool again might not be such a bad idea...I know that sounds lameRyan: uh yeah, no, no, it's cool. so uhMarissa: can we rescheduleRyan: absolutelyMarissa: what about the carnival, I'll save you a ride on the ferriswheel (grinning)Ryan: no ferris wheels, I don't, I don't do heights, but uh we'll figure somethin outMarissa: are you sure your gonna be...Ryan: Fine I just got a, alot of reading to do, like five hundred years of itsoMarissa: ok, so I'll see ya!CUT TO: Cohen house the next morning - Sandy & Kirsten's bedroomSandy: morningKirsten: hey, I didn't hear you come in last nightSandy: uh I didn't wanna wake you, you lookniceKirsten: dads demanding a company breakfast, some kind of crisis. so if this is how its gonna be after a couple of weeks of work we're just gonna be likeSandy: two ships passing in the morningKirsten: hmm, whathave they got you working on?Sandy: a big uh high profile caseKirsten: uh, how bout lunch today, ill pay. you know what actually you can pay your the one thats working on a high profile caseSandy: how boutFriday?Kirsten: ill have my people call your people, I love you (kisses him on the cheek)Sandy: love you tooCohen kitchen - Ryan is drinking coffee and reading, Sandy comes inSandy: hey kid...how did school go forya?Ryan: fine, just behindSandy: after one day, nice work...oh its brutal you're brave to face those preppy little savages and I mean the teachersRyan: I don't think it was a good idea, me and private schoolSandy: yourone of the smartest kids they've gotRyan: it's not the work, its just (sighs) everybody's got somethin, except meSandy: well you've got SethRyan: Seth's got his womenSandy: (shocked) Seth Cohen? (Ryan nods) ok s,really? So you need something, and activity, a sport(Seth walks in)Seth: LadiesSandy: don juan we're trying to figure out an extra curricular activity for Ryan hereSeth: okSandy: Harbors got a great archery program(Ryan looks at him) fencingSeth: what century are you in open your mind for a second here dad this isn't me we're talking about. with Ryan we have an opportunity to have a real athlete in the familySandy: trueSeth:somebody to achieve all that your Jewish ness has prevented me from accomplishing, hey I always wanted to play soccerRyan: I use to play soccerSeth: doneSandy: glad I could helpCUT TO: Jimmy's house - He andMarissa are in the lounge roomJimmy: I didn't get around to gettin those cookbooksMarissa: yeah I guess it's better to play it safe thoughJimmy: so how's sleepin on the uh, on the sofaMarissa: it's... fineJimmy: youknow it's just temporaryMarissa: I know, I can handle itJimmy: did you uh, talk to your mom (Marissa shakes her head) I'm sorry about all this sweetheartMarissa: I just wish you would of told meJimmy: I know, Iknow but things, things 'll be different now (doorbell) Hey, don't get to excited, the phone company is installing an actual phone line (Marissa smiles at him) It's a very big day(Jimmy opens the door)Luke: Hey Mr.CooperJimmy: LukeLuke: yeah so uh is this your new place it looks greatJimmy: not buyin it LukeLuke: right uh, can I talk to MarissaJimmy: No, you can'tLuke: come on Mr. Cooper its me if I could talk to her for aminute or soJimmy: yeah she told me what happened and uh I don't think she wants to talk to you right nowLuke: come on, I mean if anybody knows about being in the dog houseJimmy: don't say itLuke: what can Ido?Jimmy: you can leaveLuke: alright well tell her, sorryJimmy: ok (shuts the door)Marissa: (smiling) thanksCUT TO: Harbor school - corridor, Ryan and Marissa bump into each otherRyan: heyMarissa: hiRyan: how didit go with the carnival?Marissa: oh, very exciting. so maybe if I get out of my meeting early, I think we're voting on cotton candy versus funnel cakesRyan: cotton candy no questionMarissa: my thoughts exactlyRyan:uh but I cant today, I got soccer practiceMarissa: you do?Ryan: yeah, gonna try out, figured getting involved in school might not be such a bad ideaMarissa: (smiling) yeah and plus now we both get out at five right. illmeet you in the quad after schoolRyan: ill see you thenCUT TO: Seth walking into a class, Anna is already in thereSeth: helloAnna: heySeth: is this seat takenAnna: it is nowSeth: cool (sees Summer walk in) you uh,you can sit here if you want SummerSummer: thanksAnna: Seth, come sit here by meSeth: are you sure? you don't mind the whole ah one cheek on one cheek offAnn: SITSeth: sitting (to Anna) OH oh my god, ok sowe didn't talk about this, tell me about TahitiAnna: ooh, it was incredibleSeth: was it (to Summer) ah Anna just sailed to TahitiSummer: (scoffs) sailing is like so not the fastest way to get anywhere, I mean if you wouldhave flown you would of gotten there alot soonerAnna: you should be on the debate teamSummer: ugh (gives Anna a look)CUT TO: Sandy's office, Kirsten is waiting for himSandy: HiKirsten: (icy) Hi, nice officeSandy:it came furnishedKirsten: brought ya lunch (she throws it at him)Sandy: well it's not a lump of coalKirsten: Sandy when were you gonna tell meSandy: soonKirsten: not soon enough, I signed a deposition thismorningSandy: oh, honey, I-I-I-I'm not even sure if I'm gonna take this caseKirsten: there IS no case! (folds her arms)Sandy: we're talking about destroying one of the most biologically productive ecosystems in theworld, its like selling off the rainforest to profit a few wealthy individuals and asking generations and generations of others to pay for itKirsten: we have proposed to protect three hundred and fifty acres of wildlife refugeand a natural parkSandy: you'll still add thirty percent more traffic and ten tonnes of air pollution daily, not to mention what you'll do to the water supplyKirsten: your gonna take this, ISandy: n, noKirsten: oh Sandy, itisn't even ethicalSandy: I feel pretty comfortable comparing ethics with your fatherKirsten: Well as long as you're comfortable! I gotta go, I gotta keep this off my fathers radar he's gonna lose hismind[SCENE_BREAK]CUT TO: Harbor school - soccer field, Ryan is there to try outCoach: alright move, don't wait for it (to Ryan) hey, you Atwood (Ryan nods) alright what position you comin out for?Ryan:strikerCoach: striker, alright I tell you what, you see that kid out front that's Luke, he's our captain he's also our striker, well let's go, show me somethinCoach: hey Ward, you got a little competitionCUT TO: Marissafinishing up her meetingMarissa: ok thanks you guys, so tomorrow we'll figure out event parking, hey and make sure the bands booked, no last second suprises(Luke is standing at the door as Marissa goes to walkout)Luke: we need to talk MarissaMarissa: believe me you do NOT wanna hear what I have to sayLuke: yes I doMarisa: No, all you want is for me to tell you that everything's ok now, but I can't, its notLuke: I know, Iknow and-and I'm so sorryMarissa: I DONT CARE, (getting teary) I don't care how you feel, or what your going through because you sure as hell didn't care about me!Luke: that's not trueMarissa: I slept with you! andthen you went and slept with one of my best friends! I waited for you and you lied to me! you humiliated me (goes and sits down)Luke: Marissa I (sighs) it's just(a shot of Ryan walking into the corridor and seeing Lukewith Marissa through the window)Luke: I'm so sorry, do you have any idea how hard it is to come to school every day and not be able to talk to youMarissa: you think it's easy for me?Luke: lets just, startover...please...I don't know what I'd do without you...and just because I ruined everything it doesn't mean that I didn't love you because I did... I-I do(Ryan sees Luke take her hand)Marissa: ...you know what theworst part is...if I hadn't caught you...I'd still love you to...I gotta go(Marissa leaves, and sees the main door moving)CUT TO: Cohen house morning, Sandy is out the front & Kirsten walks out to talk to himSandy: oh Iknow that lookKirsten: I was trying to keep this from my dad, I was trying to protect us and now it's on the front page! (hands Sandy a newspaper, the heading reads: Wetlands lawsuit turns personal) I thought wecould at least settle this privately, you and meSandy: this was not spose to go to the pressKirsten: it's your firm, and now the entire community knows we're fighting (walks away)Sandy: well I guess they got the storystraight!(Kirsten slams the door)CUT TO: The pool house - Ryan just got out of the shower; he comes out & sees SethRyan: what're you doing?Seth: Morning ritual Ryan, coffee-bagel-arts and leisureRyan: you have a"}
+{"doc_id":"doc_292","qid":"","text":"[September 2007 - The appartment]Lily and Marshall (laughing): Oh my god!Ted (gets out of his bedroom): I have a tattoo!Barney: oh, that's not a tattoo. That, dear boy, is a tramp stamp!Ted: a tramp stamp?![Title:present day -in a tatto remote clinic]Narrator: kids, too often in life, we make decisions that we're not prepared to live with. (a man with a tattoo \"rex&evelyn forever\" cries) This is a story about those decisions, and theconsequences that follow. (Ted is in the clinic, hidden derriere a newspaper)[the appartment - Ted/Marshall/Barney]Ted: Say goodbye, kids, 'cause it won't be around much longer. (He shows his tattoo)Lily: oh, butTed, if you get rid of the butterfly, how's everyone gonna know you're a stripper fron reno with daddy issues?Ted: yes, yes, enjoy these final moments of mockery because in just ten surprisingly expensive sessions,Stella is gonna zap that butterfly right off the face of my lower back.Lily: Stella?Ted: Dr Stella Zinman. She's the best in the business. And she's rather cute in fact. In fact... we're going to a movie togethertonight.Barney: what?Ted: I asked her out.All: Ted, why would you do that?Barney: what's matter with you?Ted: What? What do you mean?Barney: Dude... don't poop where you eat.Ted: oh, no, this doesn'tcount.Marshall: If it's someone you see on a regular basis, and you can't avoid them...Lily: and in this case, you're paying them... then yes, it counts.Barney: You've heard of the golden rule, right? \"love theirneighbor?\"Ted: uh, actually, it's \"do unto others as you would have them do unto you.\" It's from the bible.Barney: Damn it Ted, i've worked out this whole thing where the golden rule is \"love thy neighbor\", ok?... Nowthe golden rule is \"love thy neigbor\". But, there's one rule above it: the platinum rule: \"never ever, ever, ever, love thy neighbor.\"Ted: Well, that's cute. But she's not my neighbor, she's my doctor. So if you'll excuseme...Robin: Wait, Ted, Barney has a point. Remember what happened with me and curt down at the station?Marshall: Oh, yeah, and remember what happened with us and the gerards across the hall?Barney: Need iremind you about me and Wendy the waitress?Ted (combs his hair): yeah, i don't have time for this. I'm out the door as soon as i'm finished with my hair.Barney: good, then we've got a solid half hour. And in thattime, we will convince you not to set foot out that door. It's a story older than time, my friend, and it always plays out in the same eight steps. Step 1: Attraction.[TITLE: ATTRACTION - November 2005- The bar-Barney/Robin/Lily/Marshall/Ted/Wendy the waitress]Barney: It's true.Marshall: That's not even possible.Barney: 12 of them.Marshall: There's no way.Wendy: Here's your gin and tonic.Barney: Thanks.wendy: O gosh!Look at that. (She leaves scrubing a stain in her shirt, Barney starves at her with interest)[December 2006 -The hall- Lily/Marshall - They gets out of their apartment]A man: Oh, hey! You must be our new neighbors.I'm Michael.A women: and i'm laura.Marshall: Oh, hi, welcome to the building. Yeah.Laura: Do you guys know any good brunch places around here?Lily: We love brunch![October 2007 - set of Metro news 1 -Robin/ahost]The host: You must be Robin.Robin: yeah!The host: Curt \"the iron man\" irons. I'm gonna be doing sports.Robin: Oh, welcome. You look really familiar. Are you a former athlete?Curt: Hockey.Barney (off voice):The attraction is instant and undeniable.[Present- The apartment]Barney: But you know better. You've seen your friends make the same mistakes before. You've laughed smugly at them.(laughs) Idiots! But still, youthink, \"this is different. The platinum rule doesn't apply to me.\" And that step 2! Bargaining.[TITLE: BARGAINING- 2007- The bar- All]Robin: I think i've got a little crush on our sports guy.All: NO! no, no, don't doit!Robin: I know, i know but he used to play hockey, and i'm canadian. I can't help it. If he were missing some teeth, i probably would have already hit that.Lily: Robin, it's a mistake. Remember what happened with meand Marshall? The Gerards across the hall?[2006- The bar- All]Lily: Michael and LAura. They're awesome. We're gonna invite them over for dinner.The others: Oh no, no guys guys! Are you insane?Ted: This is NYC.Youdon't get close to the neighbors. You nod at them politely in the hall. You call the cops if you haven't seen them in a while and you smell something funny, and that is it.Lily: we're not gonna date them. We're just gonnabe friends with them.Barney: That's the couples version of dating.Robin: And you've got the couples version of the hots for them. Oh, yeah, you want to browse at pottery barn with them. You want to go antiquing withthem, don't you? Oh, yeah, you want to antique the crap out of them.Barney: Need i remind you what happened with me and Wendy the waitress?[2005- The bar- All]Barney: I've decided to seduce Wendy thewaitress.The others: No! Don't do it!Barney: Request denied! What rule is there that say's i can't seduce the waitress at my favorite bar?Lily: I don't know. I'd expect you to have one already.Robin: Yeah, with somesort of catchy name.Barney: Well, i don't. I don't have one and i never will be because it's a great idea. Come on, guys! She's gullible. I'm bored. We're perfect for each other.Ted: Barney, we love this bar. If you screxwover Wendy the waitress, you're going to kill the bar.Robin: Bar killer.Marshall: Don't kill the bar, dude.Barney: yeah, well... I think it'll be okay.[2006- The bar- All]Barney (to Marshall and Lily): And it was a hugemistake.Marshall: yeah, well, i think it'll be okay.[2007- The bar]Lily (to Robin): And it was a huge mistake.Robin: yeah, well... I think it'll be okay.[Present day- The apartment]Robin: And it was a huge mistake.Ted:yeah, well... I think it'll be okay.[How i met your mother - Credits]Barney: Ted, trust me. You don't want to do this.Ted: Look, Stella and i are adults; we're both smart, mature people capable of making gooddecisions.Robin: You have a butterfly tramp stamp.Ted: We're just seeing a movie. If it seems at all weird, i'll back off.Barney: That's what everyone thinks and then along comes step 3: Submission.[TITLE:SUBMISSION- Closing of the bar- Barney/Wendy the waitress]Barney: Good night!Wendy: Hey Barney! Carl had to take off. You mind giving me a hand?Barney: Not at all.[Set of metro news 1- Robin/Curt]Curt: Robin!I got 2 tickets to the rangers. Center ice. Want to go?[The hall of the appartment- Marshall/Lily/Laura&Michael]Laura: and then we discover the movers lost all our kitchen boxes. We don't have a single pot orpan.Michael: Guess we're ordering take-out.Lily: Want to have dinner with us tonight?[Barney kisses Wendy/ Robin and Curt are in the hockey match/ Lily&Marshall cook with Laura&Michael/ Barney and wendy haves*x on the bar/ The 2 couples play mime/ Robin kisses Curt][Barney and Wendy, just after they had s*x]Wendy: That was an intersting use of the beverage gun.Barney: Club soda can get anything off.Wendy: It finallyhappened, all this time, every drink i brought you... I always felt there was this unspoken connection between us. And i was right!Barney: hey, can i get a gin and tonic?[Present day- the apartment]Ted: See, i bet youdidn't pay for that gin and tonic.Barney: oh, i paid for it.Ted: But you got to admit, there is an upside to breaking the platinum rule. Like maybe as her boyfrien, i could get a discount on treatments.Barney: Oh, Ted, ofcourse there's an upside. At first, that's step 4: Perks.[TITLE: PERKS- 2007 The bar]Robin: we can split a cab to work together. We always have a standing lunch date. And last night, at the hockey game, Curt got usinto the locker room, and i met Mason Raymond. Left wing for the Vancouver canucks.Barney: What the opposite of name-dropping?Robin: Damn it you guys, be psyched. Yes, we see each other every day, but i thinkit's going really well.Lily: That's what we thought.[2006 - The bar]Lily: And it's so conveniant. They're right across the hall. Say it's sunday and we want to have a brunch double date with someone.Marshall: We just goacross the hall.Lily: And say we want to have a dinner party exploring the wine and cuisine of France's Loire Valley.Marshall: We just go across the hall.Lily: Say we want to play a game of charades...(Marshall mimessomething)Barney (guessing): you just go across the hall? (Marshall agreed)Lily: Come on people, get excited for us! We've got a great thing going here.Barney: That's what i thought.[2005 - The bar]Marshall: Dude,you got to flick it.Barney: you don't have... (Wendy the waitress comes and serves food to Barney)Wendy: Hi, sweetie. I had the kitchen whip these up, no charge. (They kiss) Okay. Bye. I mean, not bye. I'm notleaving. I'll be over there. okay. (She leaves)Barney: Come on, guys, free nachos. What?Ted: We like this bar.Marshall: Don't kill the bar, dude.Ted: Barney, we love this bar.Marshall: Don't kill the bar, dude.Ted: Thisbar is like home to us.Marshall(at the same time): Don't kill the bar.Lily: You're killing the bar.Barney: I'm not killing the bar. Wendy the waitress has seen how i operate in this place. It is perfectly clear to everyoneinvolved that this is nothing more than a temporary fling. (Wendy starves him, lovely) It's fiiine.[2006 - The bar]Barney (to Lily and Marshall): But it wasn't.Marshall: It's fine.[2007 -The bar]Lily (to Robin): But itwasn't.Robin: It's fine.[Present day -the appartment]Robin: But it wasn't.Barney: Which brings us to step 5: THE TIPPING POINT.[SCENE_BREAK][TITLE: THE TIPPING POINT- set of metro news 1-Curt/Robin]Curt:...but he should be back on the mound by spring training and that's sport. Back to you, Robin.Robin: Thanks iron man we'll be right back.Productor: and clear.Robin: So you want to do somethinglater?Curt: Oh, so you're talking to me now?Robin: What are you talking about?Curt: I'm talking about last night. You said you'd call and you didn't. I missed you and i waited up, but you didn't call. That reallyhurts.Robin: oh, um, i'm sorry, i-i guess i just forgot.Curt: I'm sorry Sweetie. I don't want to fight tonight. It's our first weekiversary. (he hugs her)[2005- The bar- Barney/Ted/Marshall]Marshall: on my suggestion,you... (Barney looks at a girl)Barney: hey, Wendy, uh, do me a favor and send a glass of champagne to that pretty young girl over there.Wendy: What? (Ted and Marshall starve Barney, anxious)Barney: over there...YOU... you're the pretty young thing...is what i meant. Champagne? Would you? on me.Wendy: Oh, okay, thanks sweetie. (She kisses him)Barney: okay. All right.[2006- The apartment- Lily/Marshall- They want to goout, lily opens the door]Michael: hey, neighbors.Laura: We bought all the fixings for a mexican fiesta.Lily: um, well, we actually have tickets...Michael: and no fiesta would be complete withoutMarshall: Dude, actually,we made other plans, so... okay (Michael mimes) one word. 2 syllables. Sounds like... parades: charades.Michael: charades!Laura: What do you say?[3 plans on the same time: Curts hugs Robin on the set/Lily&Marshall sit down the couch, looking the couple mime/ Barney and Wendy at the bar]All: Oh no![Present day- The apartment]Barney: which brings to step 6.Ted: Yeah, listen i'm leaving so if you want to write therest of these down, i will read it tomorrow.(Ted wants to go out, Barney stops him)Barney: Don't do this Ted.Ted: You want to get out of the way?Ted: Don't do this Ted. Don't (He brushes his hair in a mess)Ted: Dude!ya! It was perfect! You're such a jerk!Barney: Which brings us to step 6. You finally realize you've made a huge mistake and now you have to live with it. Step 6 is called purg... wait for it. Keep waiting. Keep waiting forthe eternity only to dicover there's no escap-atory.[TITLE: PURGATORY - 2007 - The bar- All]Robin: God, i'm such an idiot.Marshall: yeah.Robin: Curt \"the iron man\" irons keeps leaving me love notes on post-its. Onthe teleprompter, on my desk, on the coffee-maker, on the jar of sugar packets next to the coffee-maker.Lily (reads a post-it): \"here's some sugar for my sugar.\"Robin: The iron man. oh!Marshall: I rememberthat.[2006- The bar- All]Marshall: Ro! we are such idiots!Barney: Yeah!Lily: Every time we step out the door, they're out there waiting for us. Sometimes, we'll send Ted out first as a scout. Nobody's there. Then we'llgo out one second later, and there they are.Marshall: It's freakin' supernatural. Are they ghosts? Can only we see them?Lily: \"Hey neighbor!\" \"Hey, neighbor\"\"Hey neighbor.\"Barney: I remember that.[2005 -The bar-All]Barney: How could you guys let me date Wendy the waitress?All: oh you are kidding me?! What?!Marshall: Don't kill the bar dude!Lily (same time): We said \"don't do it!\"Barney: tss (He looks at a girl but Wendy isright behind, she smiles, he looks desperate)My own bar. I can't hit on women in my own bar. Remember the old Barney? He was a lion, the king of the jungle, stalking whatever prey he chose, going in for the kill.Ted:You've got a whole meat locker at home full of corpses, don't you?Barney: Now look at me. Declawed. Neutered. What was once my jungle is now my zoo and i am forced to mate with the same old lioness again, andagain, and again while families pay to watch.Ted: yeah, this metaphor's really falling apart.Barney: Put a bell around my neck and scratch my belly kids, for i am just a docile housecat now. Miaou!Lily: Well, we love thisbar. You can't dump her. Marry her if you have to.Robin: Wendy the waitress hyphen Stinson.Marshall: don't kill the bar dude.[Present day- The apartment]Barney: And so, inevitably, you have to do the thing you'vebeen dreading all along. Now, a relationship-ectomy is a delicate surgery as it is, but in the case of the platinum rule, it takes a very, very steady hand, and that's step 7: CONFRONTATION.[TITLE: CONFRONTATION-set of metro news 1]Robin: Curt, we need to talk. I like you...[The hall- Lily/Marshall/the couple]Marshall: guys, we like you a lot...[The bar -Barney/Wendy]Barney: I don't like you.Robin: We're pretending this works,but it doesn't. And i'm getting a little sick of the whole charade.Lily: We're getting a little sick of charades.Barney: I mean, i don't like you that way. I used to like you that way but now that i've seen everything there isto see, i don't know, i kind of want to see those same parts just on other girls.Robin: So maybe we could go back to just being coworkers.Marshall: Maybe we should just go back to being neighbors.Barney: other girlsand you, if you're into that but the other girls have to be there, too. That's the important part.Wendy: Gosh, you're just terrified of ever getting close to anyone, aren't you?Barney: or that. Let's say it's that. So can iget a gin and tonic?[Present day]Barney: And in any other relationship, that would be it. End of story. But because you have to see this person again, there's a step 8: FALLOUT.[TITLE: FALLOUT- set of metro newsone]Robin: And now, here's Curt \"the iron man\" irons with sports. Curt? (he's demoralized) Curt?Curt: Well, the Knicks lost. It's sad, really. They had a real shot. Then, out of nowhere, game over. And why? WhyRobin?Robin: Uh, well, their perimeter shooting has been a little bit off this season...Curt: The knicks lost because they were afraid of getting hurt. So they didn't even try. Well, you know what i think? I think the knicksdidn't deserve my love to begin with. Kincks suck! (He gets out, on tears)Robin: And that's sports.[camera looks inside the boudha of the apartment]Lily: Do you see anything?Marshall: I think we're clear.Lily: ok go gogo. (They go out but the door of the Gerards opens, they gets in quickly)Marshall: That was close.Lily: Too close. (Someone knocks on the door) You've got to be kidding me. What do we do?Marshall: I have no idea. (itknocks again)Ted: guys, are you here? I forgot my keys. Can you open up?Lily: It's just Ted!Marshall: Wait! (He looks at the judha: Ted is alone)Ted: Hello? Guys? (Marshall looks again and see the Gerards go out theirapartment)Marshall: Baby, we only have one choice.Lily: Okay, hurry! (They come down to the rescue ladder) Michael and Laura are probably...Laura: Hey, neighbors.[The bar]Wendy: Barney, i just want you to know, ihave no hard feelings. It wasn't the best idea for us to get involved. I hope we can still be friends.Barney: Thanks Wendy. Of course we can.Wendy: If you need anything else, let me know.Ted: waouh. I've got to handit to Wendy the waitress that was very mature of her.Barney: She's gonna try to kill me. This is poisoned.Ted: What? You're being ridiculous.Barney: Yours is poisoned too. She's trying to kill me and everyone close tome.Ted: What are you talking about?Barney: Ted! Look at the facts. I dump her and she says \"no hard feelings\". She's a psycho! What other explanation is there?Ted: Uh, that you're letting yourself believe she's crazyso you don't have to face the far more likely possibility that she doesn't want to date you either?Barney: Where did Marshall get that hamburger?Ted: I don't know, i guess Wendy the Waitress brought it to him.Barney(in slow motion, comes towards Marshall): Noooooooo! (He throws his hamburger away)Marshall: Dude.Barney: You're welcome.[Present day]Robin: Wait a second. You've been sitting here, pretending to be the experton all this, but the truth is, this was no real fallout from your breakup at all?Barney: Yet.Robin: You're an idiot.Ted: All right, i'm taking off.Barney: What?Ted: I have a date. (Barney brushes Ted's hair in a mess)Ted:You're such a jerk!Barney: Ted, have you not been listening? Attraction, bargaining, submission, perks, tipping point, purgatory, confrontation, fallout! These things will all happen to you as surely as they happened toall of us! It's a rule of nature.Ted: Well, i'm sick of all the rules! There's too many of them! The hot/crazy scale, the lemon law, the platinum rule! If everyone in the world followed every one of your rules, the humanrace would cease to exist. Yes chances are to Stella and I are not going to live happily ever after the overwhelming odds have it ending badly. And when that happens, it'll be for one of a million possible reasons. Butthat doesn't mean i'm not gonna try. And when it does fail, so help me god, it's not gonna be because of some rule. (He watches himself in th mirror) PS: you just made my hair look awesome. Good night. (Heleaves)Narrator: So Stella and i went on our date. But here's the funny thing: turns out, it wasn't actually a date.[TITLE: 3 hours later- The apartment- All]Marshall: So what do you mean \"it wasn't a date\"?Ted: Shethought we were seeing a movie just as friends.Marshall: Why would she think that?Robin: Did she see your tattoo and assume you were gay?Ted: Apparently, there's a rule that says i can't date Stella.Barney: Exactly,the platinum rule. Stella reads my blog.Ted: No, this rule comes from the american medical association. Doctors aren't legally allowed to date their patients.Lily: Oh, sorry Ted.Ted: It's okay. What are you guyswatching?Narrator: So that was the end of the story between me and Stella, at least for the time being. But i don't know, looking back on the platinum rule, i think there's a ninth step. We'll call it coexistence. It's themoment you realize that all that anger and resentment just isn't useful.[Set metro news one]Robin: Thanks for watching.Curt: Good night.Narrator: and you start to let go of it.[The hall]Marshall&Lily (toMichael&Laura): Hey guys!Lily: So what do you guys have going on tonight?Laura: We're going to have a few friends over.Michael: gonna play some charades.Marshall: Have fun.Narrator: And move on with yourlife.[The bar- All]Narrator: It just takes a while.(Wendy comes to the table and offers a drink to Barney): On the house.Barney: Thanks. (She leaves and he throws the drink) Crazy!END."}
+{"doc_id":"doc_293","qid":"","text":"[CHARMED LOGO: TRIQUETRA]HOLLY MARIE COMBS (NARRATOR): Previously, on 'Charmed' ...FLASH TO:[Scenes from 8X01: Still Charmed and Kicking][INT. MANOR - ATTIC -- DAY](Phoebe throws something into thepotions pot. The contents explode.)PHOEBE: Viola! New identities.VICTOR BENNETT: How is it you can see your other selves reflected in themirror?PHOEBE: It's part of the spell.[MIRROR'S REFLECTION](They all look attheir reflection in the mirror. They see their 'new' selves.)PIPER: You know, this just might work.TRIQUETRA FLASH TO:[INT. MANOR - KITCHEN DOOR - DAY](Phoebe and Paige peer out the kitchen door. Phoebe'slooking at Dex Lawson.)PAIGE: Who is he?PHOEBE: I don't know his name. It's some guy that I used to see in theelevator all the time at work.[SCENE_BREAK][INT. THE BAY MIRROR - ELEVATOR - DAY](Phoebeintroduces her new self to Dex Lawson.)PHOEBE: I'm Julie, Phoebe's cousin.DEX LAWSON: Dex. Dex Lawson.PHOEBE: Dex Lawson. Nice to meet you, Dex.DEX LAWSON: You, too.(They shake hands. Phoebe has apremonition.)(Quick premonition of: [EXT. MANOR - FRONT PORCH - DAY] Phoebe is in a weddingdress; Dex is in a tux. And they're kissing. They look at each other and smile.)(Dex carries Phoebe over the thresholdand into the house.)(End of premonition. Resume to present.)TRIQUETRA FLASH TO:[INT. MANOR - MAIN HALL - NIGHT](A new girl is fighting three demons. Paige shouts a warning to the new girl.)PAIGE: Behindyou!PIPER: Shh!(Billie turns and throws the athame at Haas who flames out. The athame misses him.)(Billie quickly runs out the front door, disappearing into the night.)HAAS: (v.o.) It could be ...[SCENE_BREAK][INT.UNDERWORLD]HAAS: ... that The Charmed Ones are still alive.[SCENE_BREAK]END OF PREVIOUSLY ON.[SCENE_BREAK][INT. MANOR - UPSTAIRS BATHROOM - DAY](Piper brushes her teeth.)PIPER: What if a demonattacks while I'm out?LEO: (o.s.) They're not going to attack, all right? They think you're dead.PIPER: No, I don't mean here, I mean anywhere, in general.(Leo walks into the bathroom.)LEO: What do you mean, likeanywhere around the city?(She spits into the sink.)PIPER: Yeah. What am I supposed to do, just ignore it?(Leo looks at his reflection and notices how short he is compared to Piper.)LEO: I should've gone taller. I alwayswanted to be taller.PIPER: Are you listening to me?LEO: Yes. Just ignore it. Why'd you go blonde?PIPER: I don't know. I didn't have a lot of time to think about it. Besides,I kind of like it.(Paige walks into thebathroom.)PAIGE: (moans) Leo, the jingling is back. Can you help me get rid of it?LEO: Just ignore it.PIPER: That's his advice for the day. Excuse me.(Piper walks out of the bathroom. Paige curls her eye lashes whileLeo continues to try to make himself taller.)PAIGE: I can't ignore it. It's relentless. What does that little witch want anyway?LEO: I don't know. Maybe she doesn't even know she's calling you. You know, sometimes newcharges don't. Sometimes it's just subliminal.PAIGE: How am I supposed to get my life back, then?(Phoebe walks into the bathroom.)PHOEBE: Your life? What about my life?PAIGE: What about it?(Phoebe sits up on thesink counter.)PHOEBE: How am I supposed to marry a guy I just met in an elevator?PAIGE: Excuse me, but I was obsessing first.(Piper returns to the bathroom with her lip gloss.)PIPER: No, no, no. Excuse me. No,actually I was.PHOEBE: I think marrying a complete stranger wins. I mean, he doesn't evenknow who I really am.PIPER: Ok, but he's a really, really cute stranger. And, you know what, guys, do you mind?PAIGE: Atleast he's not driving you crazy.LEO: Maybe you should try meditating.PHOEBE: I just got my life back. I don't want to get hitched yet.PIPER: There's nothing wrong with getting hitched. Now, guys, really, okay? Backto my life.PAIGE: Maybe I should go to Magic School to get rid of it.PHOEBE: I mean, he is cute and all.PAIGE: But then again, you know, I could risk exposure.PHOEBE: I don't even know what he does.(Piper whistlesloudly, startling everyone silent.)PIPER: Family meeting now!(Piper leaves the bathroom.)PAIGE: If she didn't want to go to Magic School, all she had to do was tell me.PHOEBE: You're in trouble.PAIGE: What todo?(Everyone steps out of the bathroom.)WHITE FLASH TO:[INT. MAGIC SCHOOL - GREAT HALL -- DAY](Haas walks through the hallway. He pushes the damaged double doors open and steps into the Great Hall. TheGreat Hall is damaged - furniture overturned and broken, paper litters the floor. He meets up with other demons.)BLACK HEART: It's abandoned. No one's here. Although they could still be invisible. This is magic schoolafter all.HAAS: No. The magic here is all ours now.BLACK HEART: Are you sure?HAAS: Hah! (Haas throws a power ball at the large column. It explodes, leaving large black scorch marks on the structure.)HAAS:Hyah!(He throws another power ball at the table, splitting it clear in two.)HAAS: Hah!(He throws another power ball at the desk across the room, damaging the books stacked on it.)(Nothing happens. He turns and looksat Black Heart.)HAAS: Positive.(Haas smiles.)[SCENE_BREAK]END OF TEASERROLL TITLE CREDITS(COMMERCIAL SET)[SCENE_BREAK][EXT. HALLIWELL MANOR (STOCK) - DAY][INT. MANOR - LIVING ROOM --DAY](Piper, Phoebe, Paige and Leo meet for a family meeting. Piper is pacing the floor as she talks.)PIPER: Okay, people, we got to get a grip here. Otherwise, what are we doing? We might as well just go back tofighting demons again.PAIGE: Even if they think we're dead?PIPER: It was a rhetorical question.PAIGE: No, it wasn't.PIPER: Paige!PAIGE: What?LEO: Look, I think the point is that we need to take it slow, you know, bepatient.PHOEBE: Yeah, well, tell that to my premonition.PAIGE: And my stupid charge.(Piper whistles loudly, startling everyone silent.)PHOEBE: Ohh. Uhh.PIPER: Don't even start.LEO: You know, you're gonna belate.PAIGE: Late for what?PIPER: My spa day. I'm supposed to be having a facial and a massage and aseaweed wrapping thing.PAIGE: I'm so jealous.PIPER: Well, it was Phoebe's idea. We were watching \"s*x and theCity\" and ...PHOEBE: Speaking of which, did Carrie ever have to marry a man that she did not know, huh?LEO: Carrie?PAIGE: Don't ask. They're on \"s*x and the City\" again.PHOEBE: Yeah. No. The answer is no. Shedid not. (She picks up the DVD case and looks at it wistfully.) Why can't we live our lives like they did?PAIGE: Uh, didn't one of them sleep around a lot?PHOEBE: No. She was a free spirit, which, by the way, can onlyhappen when you're free.(Piper whistles loudly, again.)PHOEBE: (annoyed) God, is that really necessary?PIPER: Apparently. Look. Okay. Nobody said this was gonna be easy. We needto get a little perspective here.How bad can things be when we don't have demons to worry about anymore? (Phoebe grudgingly nods in agreement.) Thank you. Look. (to Paige) You, you need to focus on something else. You got to get that chargeoff your mind.PAIGE: Well, people, I am open to suggestions.PIPER: Do what Gram said. Get out there. Ignore the signs of your old life and look for signs that lead you to your new life. Try anything.(Piper whirls aroundto Phoebe.)PIPER: And you, you're all about signs. So, isn't that exactly what a visionis anyway?PHOEBE: Yeah, but --PIPER: (warns) Don't make me whistle. Last year you had a premonition that you were gonna havea daughter, which means then this year you're gonna have to have a little s*x and get pregnant. And since Dex, which coincidentally rhymes with s*x, could be the father ...PHOEBE: God.PIPER: Look. I suggest you getto know him ... well and fast. Because this may be the one sign you can't ignore. All right? Everybody good? People? Great. See you later. (Piper heads out. Leo and Paige head upstairs. Phoebe sits in her seat gazing atthe \"s*x and the City\" DVD cover.)PHOEBE (THINKING): (v.o.) Maybe Piper's right. I mean, if there's one thing we've learned, it's that we're being guided ... and signs always lead the way. The question is, where doyou start looking for them?(Piper returns and walks across the main hall to the front door.)PIPER: Start with Dex. See if you even like him.WHITE FLASH TO:[INT. MAGIC SCHOOL - GREAT HALL - DAY](Haas throws abook down on the floor on top other books. The Great Hall is completely trashed.)BLACK HEART: Isn't the fact that we could take this place over proof enough that The Charmed Ones are really dead?HAAS: Unlessthey're in hiding.BLACK HEART: They would not leave magic school unprotected, or leave its powers for us to take.HAAS: Perhaps not, but then again, that's the mystery we're trying to solve. Isn't it? Speaking of which,any progress on that front?BLACK HEART: We've lured three teenagers so far, turned them all, and yet no sign of the witches.HAAS: They won't be able to ignore the cries for long. If the sisters are alive, they will cometo the rescue. It's in their blood.BLACK HEART: Unless your plan is too obscure for them to notice.(Haas finds a book and picks it up.)BLACK HEART: Maybe you give them too much credit.HAAS: Demons have usedmortal fairy tales to trap them before.(He opens the book.)HAAS: It's in the textbooks - (He gives Black Heart the book.) -- howCinderella nearly turned The Charmed Ones into pumpkins. Humans are raised on theseinsidious tales. They tap into universal themes, common emotions, fears. That's why we can lure the victims so easily. Don't worry. Sooner or later, The Charmed Ones will follow, and when they do, we will havethem.BLACK HEART: But what if they don't take the bait? What if they live no more?HAAS: Well, then we mess up a few kids. And that's fun all by itself, isn't it?(They both laugh.)HAAS: Time to find our next\"Alice\".[SCENE_BREAK]PHOEBE: (v.o.) Signs, of course, can be good or bad. But they should never beignored.[EXT. UNIVERSITY (STOCK) - DAY]TAYLOR: (v.o.) I'm telling you, something really weird's going on.[INT.CAMPUS - BILLIE'S DORM ROOM - DAY](Billie is putting on her make-up as Taylor talks to her.)TAYLOR: I mean, come on, why aren't the cops doing something about this? It'stotally whacked.BILLIE JENKINS: I don'tknow. They probably think it's just drugs or something.TAYLOR: It's not drugs. No way. This is something way more scary, but they just don't care.BILLIE JENKINS: Nobody cares. We're teenagers.TAYLOR: No, that girlAllyson just turned twenty.BILLIE JENKINS: Who's Allyson?TAYLOR: Allyson. The sorority chick that went missing, then was later found walking around like her hard drive had just been erased.BILLIE JENKINS: Her harddrive?TAYLOR: This isn't funny, Billie. This is serious. Some creep's out there preying on kids like us, and nobody's doing jack about it. Don't you even care?BILLIE JENKINS: Actually, what I care about right now is notbeing late for metaphysics, which I'm failing.(Billie gets up and picks up her backpack.)TAYLOR: Unbelievable. Whatever. All I got to say is that somebody better dosomething before anyone else gets hurt.(Taylorleaves.)(Billie drops her backpack down on her bed and closes the door. She goes to her desk drawer and takes out three newspaper clippings. The headlines read, \"Missing Teen Found,\" \"College Woman Missing,\" and\"Missing Teen Found, Catatonic.\")(Billie's been following the missing teens story.)(She picks up her athame in the desk drawer and fiddles with it as she thinks about it.)PHOEBE: (v.o.) Signs don't always mean what wethink they do. They can, after all, be confusing, ...[SCENE_BREAK][EXT. THE BAY MIRROR (STOCK) - DAY][INT. THE BAY MIRROR - HALLWAY/ ELEVATOR - DAY]PHOEBE: (v.o.) ... especially in today's world wherewe're constantlybombarded by them. Still it's up to us to interpret them the best way we know how. It's called survival. (Phoebe presses the elevator button and waits. The elevator doors open and people walk out.Phoebe looks inside the elevator - looking for Dex. She doesn't step on the elevator. The man standing in front looks at her.)MAN IN ELEVATOR: You goin' up?PHOEBE: Yeah. But ... not right now. It's okay. Goahead.(The man in the elevator presses the button and the doors close.)PHOEBE: (v.o.) Unfortunately, waiting for just the right sign to come alongcan be frustrating, especially when you're in a hurry to conceive ...(Phoebe steps to the side and looks at her very different reflection in the glass covering the building directory.)PHOEBE: (v.o.) ... which is why sometimes you have to ... (The turns to the other elevator. It opens andDex Lawson is standing inside. Phoebe smiles at him.)PHOEBE: Hi.DEX LAWSON: Hi.PHOEBE: (v.o.) ... help make the signs come to you.(Phoebe steps into the elevator.)PHOEBE: Uh, it's, uh, Dex. Right?DEX LAWSON:(nods) Yeah. That's right. And ... you're ... Julie?JULIE: You remembered.DEX LAWSON: How could I forget?[SCENE_BREAK]PHOEBE: (v.o.) On the other hand, some signs come to you even when you wishtheywouldn't.[EXT. STREET - DAY](A police car with flashing lights stops curbside. The officer gets out of the car.)(Paige is behind her steering wheel. She groans.)PAIGE: Great. Just great.(Paige engages the brakes andturns her engine off.)POLICE WOMAN: License and registration, please?PAIGE: What did I do?POLICE WOMAN: You rolled through a stop sign.(Paige gives her, her license and registration. The officer looks atit:CALIFORNIA DRIVER LICENSE 200I4209EXPIRES: 11-17-?JOSEPHINE BENNET1985 MANNING AVE.LOS ANGELES CA 90025s*x F HAIR BRNHT 5-09 WT 120DOB 11-17-82POLICE WOMAN: You from L.A.?PAIGE: Yeah.Yeah. Um ... my cousins died, so I just came up here to helpout.POLICE WOMAN: Wow. Sorry.PAIGE: Well ...yeah. It's a little harder than I thought it would be, you know, adjusting to a new city ... and all.POLICEWOMAN: What'd you do before?PAIGE: You could say I helped people.POLICE WOMAN: Yeah? Maybe you should become a cop.(She chuckles as she looks at the officer's badge: SAN FRANCISCO POLICE 8675.)(Shealso notices the officer's arm patch, SAN FRANCISCO POLICE.)RADIO: All available units, code 2. Assist suspect search. 920 in PorteroDistrict. Over.POLICE WOMAN: Unit A-10. Roger that. ETA five minutes.Over.PAIGE: What's a 920?POLICE WOMAN: Missing person found. Probably another one of those kids. Looks like it's your lucky day.(She hands Paige's license and registration back to her.)PAIGE: Can I ask you aquestion?POLICE WOMAN: Make it fast.PAIGE: What do you like most about your job?POLICE WOMAN: Catching the bad guys.(The officer leaves as Paige smiles at that thought.)[SCENE_BREAK](CC) PHOEBE: (v.o.)And some signs, though seductive, should absolutely neverbe followed.[EXT. ALLEY - DAY](Black Heart is wearing a cut t-shirt with WHITE RABBIT written on front with a rabbit logo. Behind her, a college studentfollows.)ALASTAIR: I thought you said we were going to a garden party of something.BLACK HEART: We are, Alastair. We are.ALASTAIR: Yeah? You ... sure this is the way?BLACK HEART: You don't want to be late, doyou?ALASTAIR: Well, no, but --BLACK HEART: Because ... we're very, very late.ALASTAIR: Late for what? Look, maybe this wasn't such a good idea. Okay? I mean, I really don't even know you.(She grabs his shirt andkisses him.)BLACK HEART: Promised you an adventure, didn't I? It's down there.(She points to a black hold in the ground.)ALASTAIR: What's down there?BLACK HEART: See for yourself. (He hesitates.) Come on.Aren't you the leastbit curious?(He leans forward and he is sucked into the black hole.)(Black Heart looks down and smiles. Footsteps approach.)(She black orbs out just as Billie enters the alleyway. She doesn't seeanyone. She sighs and removes her shades.)(She looks down and sees a rat scurrying across the ground.)BILLIE JENKINS: Rats.[INT. SEWERS - DAY](Down in the sewers below, Alastair looks up at the grill above andcalls out for help.)ALASTAIR: Help! Anybody!(He looks around.)ALASTAIR: Where am I?(Haas and Black Heart appear.)HAAS: You're down the rabbit hole. Alastair in Wonderland. Close enough.(Haas smiles atAlastair.)[SCENE_BREAK](COMMERCIAL SET)[SCENE_BREAK][EXT. THE BAY MIRROR (STOCK) - DAY][INT. DEX'S STUDIO -- DAY](Dex shows Phoebe his various sculptures.)DEX LAWSON: This one I got the inspirationfor a few years ago while I was, uh,flying over Africa. I was looking out the window, you know, painfully aware of the struggles below me, and yet I was up in the clouds feeling at peace. It's, uh, supposed to remind usof the delicate balance between, you know, life -- good, evil ... agony, ecstasy. All that. All my work is ... uh, you know, life's precious. It's supposed to be enjoyed in the moment. After all, that's all we really have, isn'tit?PHOEBE: Hmm. I tend to live too much in the future. I can't help it, though. It's in my blood. Anyway, it's -- it's great. I mean, it's all great.DEX LAWSON: Thank you.PHOEBE: Everything is great. And here I thoughtall this time you were a lawyer or something.DEX LAWSON: But I thought you just got to town after Phoebe died.PHOEBE: Oh, yeah. You know. I -- I did. It's ... just that's what Phoebe ... said. Uh, that's what she saidthat you did. You know ... (She takes a deep breath to stop talking.) It's all very sad.DEX LAWSON: Oh, um ... I'm sure it must be hard.PHOEBE: But life goes on. Right? Isn't that the lesson in all of this?(She motions tothe art sculptures around them.)DEX LAWSON: Well, I don't know about lesson, but, uh --PHOEBE: No, really. It's one I can stand to learn. I've actually often saidthat the worst part of modern technology is ... the wayit robs you of the found moments ... you know, those little discoveries ... even intimacy.(He looks at her.)PHOEBE: What?DEX LAWSON: I was just thinking that ... that's exactly what Phoebe once said.PHOEBE: Really?That's ... odd.DEX LAWSON: I--I mean wrote, uh, in her advice column. That was, like,verbatim.PHOEBE: Well. I don't know. It must run in the family, huh?DEX LAWSON: Yeah, it must.PHOEBE: You really read hercolumn, didn't you?(He nods.)DEX LAWSON: Would you like to go get a cup of coffee?PHOEBE (THINKING): (v.o.) It's not dinner ... or lunch, even. But it's notbad.PHOEBE: I'd love to.(Phoebe and Dex walkout.)PHOEBE (THINKING): (v.o.) When you're in a hurry, you can't be too picky aboutthe signs. As long as it causes a few sparks, what more can you ask for?[SCENE_BREAK][INT. P-3 - DAY](The neon P-3 sign blinks,sparks, then surges and sparking sending the entire club into darkness.)PHOEBE: (v.o.) Unfortunately, not every spark is a positive one.[BACK OF THE CLUB NEAR CIRCUIT BOX](In the darkness, we hear a voice.)BUD(ELECTRICIAN): Uh-oh.PIPER: Uh-oh. What do you mean, \"uh-oh\"? Is that bad?(The electrician flicks on his flashlight and looks at the circuit box.)BUD (ELECTRICIAN): Uh, I think your transformer's shot.PIPER: Well,ok. Fix it.(He turns and looks at Piper.)BUD (ELECTRICIAN): Well, I can't. You need a new one.PIPER: Well, can you go get a new one and replace it?BUD (ELECTRICIAN): Well, it has to be ordered. Could take couple ofdays.PIPER: A couple of days? I don't have a couple of days. This is a night club.We've got music and lights and credit card machines. I need electricity.BUD (ELECTRICIAN): Wish I could help you. But, uh ... I couldn'teven get an inspector out here before tomorrow anyway.PIPER: An inspector? What inspector? For what?BUD (ELECTRICIAN): Well, it has to be done to code. You want to wait here while I give him a call?PIPER: No, Idon't want to wait here. I'm not even supposed to be here. I'm supposed to be getting a manicure and a pedicure and a facial and something else!(She sighs as he stares unsympathetically back at her.)PIPER: You don'treally care, do you?BUD (ELECTRICIAN): I'm just an electrician, ma'am.PIPER: (sighs) All right. You know what? \"Bud\" ... is it? I don't reallycare. Okay? Do whatever it takes. Get some solar panels, rent a generator,whatever. But you know what? I need to have a little itty bit of light. Okay? Just a little teeny tiny teeny light! Is that ok with you?!(He stares unsympathetically back at her.)PIPER: Ahem! Sorry.(He puts the clipboard infront of her.)BUD (ELECTRICIAN): Sign, please?PIPER: Yeah.(Piper takes the pen and signs.)PHOEBE: (v.o.) Of course, in the cosmic scheme of things, signs tend to balanceeach other out.BUD (ELECTRICIAN): Gotenough light?(She finishes signing it and hands both pen and clipboard back to Bud.)PHOEBE: (v.o.) For instance, when one says \"closed\" ...[SCENE_BREAK][INT. POLICE ACADEMY - RECRUITING OFFICE -DAY](CLOSE-UP: The poster on the wall has a large slogan, \"Join the Force.\")PHOEBE: (v.o.) ... another says \"come on in.\"(Paige stands in front of the poster, staring at it.)RECRUITMENT OFFICER: Can I helpyou?PAIGE: Oh! Uh, hi. I'm just checking stuff out for a friend.RECRUITMENT OFFICER: Oh. Does he want to become a police officer?PAIGE: She, actually, and I think she's exploring her options.RECRUITMENT"}
+{"doc_id":"doc_294","qid":"","text":"The Kerwin house - KitchenToby: Last Day of school, here I come. When he enters the kitchen, he takes from Ashley the muffin she was eating.Jeff: Ash, we're going to drop you and Toby off on our way, ok? (To Kate)You ready?Kate: I'll be there in a minute.Jeff: Ok. Come on Tobs. Oh, working the muscles I see? You're going to be such a girlie boy. (As they go out the door) Come with me! Let me eat you! Ashley laughsKate: Here'sMrs. Rehn's number, in case you need anything.Ashley: Stop worrying. Toby and I are going to be fine. You're just going overnight.Kate: I know. I'm a being a mother. Ok, so tonight...?Ashley: I know. One friend overeach and no parties. I heard.Kate: Good for you for being so responsible. Degrassi - Ms. Kwan's ClassMs. Kwan: A student I'll never forget. Even after years and years of therapy. Who could that be? (Spinner gets up toget his award)Spinner: I'll never forget you either, Ms. Kwan.Ms. Kwan: Have a good break, Mr. Mason Media ImmersionMr. Simpson: Well what can I say? It's been great teaching all of you. (Emma raises her hand)Emma?Emma: We're gonna miss you too, Mr. Simpson. So, look at the screen. (Everyone crowds around) See the present icon? Click it. (When he does, we hear kids shout \"Thank you Mr. Simpson\" and the grade 7'sheads pop up, saying great things about him)Mr. Simpson: This is incredible. Ms. Kwan's ClassMs. Kwan: This one needs no explanation. The student of all students. Drumroll please. (Jimmy does one on the desk)Ashley Kerwin. (Ashley gets up to get it)Ashley: Thanks, Ms. Kwan.Ms. Kwan: (Hugs Ashley) I'm gonna miss you. (Ashley sits back down)Ashley: Student of all students? That is so lame.Terri: I think it's sweet. (Paigesticks out her tongue, puts her finger in her mouth pretending to gag, to Hazel)Ms. Kwan: This next award is for Dave, because he puts the capital G in good student. Media Immersion Mr. Simpson is looking at whatthey gave him, very happy, when the bell rings.Mr. Simpson: Ok, go. Go clean out your lockers and have a great safe vacation.Liberty: Bye Mr. Simpson.Mr. Simpson: Adios.Kid: Ciao, Mr. Simpson.Mr. Simpson:Bye-bye. Hall Ashley, Paige and Terri are cleaning out their lockers.Paige: Wow, the Kerwin/Issacs prison. What's Jimmy gonna say when he finds out?Jimmy: Finds out what? (Kind of spins Ashley around)Ashley: That Ican only have one friend over tonight.Paige: And she invited Terri. Not you or me.Jimmy: Oh, ok.Ashley: I thought you'd be upset.Jimmy: (With his hand in Ashley's hair) Rules are rules, right? We'll do somethingtomorrow. Jimmy leaves.Ashley: Ok, am I missing something here?Paige: No, just the chance to hang out w/ me + have way too much fun.Ashley: Paige, if you really want to come over, whatever. (She leaves. Paigeshrugs and goes back to cleaning her locker) HallJT: So girls, what are your plans for this very momentous eve?Emma: Girls' night at my place. Meaning no boys allowed especially boys named Sean. (He walks by asshe said that) Hall(Toby and JT are being a trash can to their lockers to clean them out)Toby: Maybe she's learned that bad boys only lead to heartache.JT: And now she's looking for a good boy? One named Toby? Notlikely. What you need is a new approach. (Sean walks by) Sean's approach. Hey Sean! Toby here is having the boys over tonight. To play some cards, talk girls, guy stuff. Wanna come?Sean: No. (He starts to walkaway)JT: You know Emma's gonna be there.Sean: (As he turns around + stops walking) Emma?Toby: Yeah we're...JT: Having the girls over...later.Sean: Ok. (He leaves)Toby: (Pushes JT up against a locker) Are youinsane?JT: After tonight's little tutoring session, Emma will be all yours. Trust me.Hall(Ashley and Terri are walking. Terri is throwing some things out as they pass trashcans)Ashley: Do you think Jimmy's reaction wasweird? About tonight?Terri: No I think he was just trying to be a good boyfriend.Ashley: A good boyfriend would wanna come over no matter what. My parents are away... he should... never mind.Terri: Anyway Ithought you were cooling on it.Ashley: Exactly the opposite. After you've been going out for awhile, things get deeper.Terri: Oh.Ashley: Unless he's cooling on me.Terri: I don't think that's how it is.Ashley's Paige andHazel are outside. Ashley clears her throat to get their attention.Paige: Ok, before you go all parental on me, I forgot. Hazel and I had plans tonight. I didn't think it would be a problem.Ashley: No, it's fine. There is loudnoise heard and Toby and JT come outside, all dirty from whatever it was. They are coughing. Toby wants to go back inside but JT stops him.Toby: Ash.Ashley: Ok, I know Mom + Jeff said only one friend each...JT: Butnothing Ashley. It's our pleasure to share this fine evening with such lovely young ladies. (Before going inside, he winks at Paige)Paige: Did that... THING... just wink at me? Everyone laughs. Inside Ashley They arewatching a scary movie wearing 3-D glasses. Hazel screams and covers her eyes when something happens.Terri: Guys I can't handle this.Paige: Do you really think the star's gonna die?Ashley: Paige, you're ruining themovie. There is a knock at the door.Paige: I didn't invite anyone else honest. Sean comes in. They all look.Ashley: Sean? What are you doing here?Sean: Toby invited me.Ashley: Toby? Little scammer. They're upstairs.(He leaves) Ok, Toby's hanging out with Sean? That's weird.Paige: Has Sean become such a total babe since that fight or what? (They laugh then all scream because of the movie) Toby's Room Toby, JT, and Sean areplaying cards.JT: So Sean girls. Care to share your expertise?Sean: Wh-what?JT: You know on how you score like Sundien.Sean: I don't.JT: Come on. Girls like drool over you.Sean: I don't know. I just act like myself, Iguess. Why? Who do you like?Toby: So guys we gonna play or what?Sean: Emma knows I'm here, right?JT: Yup.Sean: And she's fine with this?JT: Of course. Even more fine is this. I brought us a little party favor boys.(He takes out of a bag a drug)Toby: Aspirin.Sean: Ecstasy.Toby: E? JT, what'd...JT: Ecstasy is the love drug, right? There's a whole room of girls down there needing some love.Sean: I don't know man. This stuff'spretty intense.JT: Better be, I paid my cousin 2 weeks allowance for it. Let's split it.Sean: Ok give me the pill. (JT hands it to Sean) I'll do it. (He leaves the room)JT: What?Toby: Not a good idea. Kitchen Ashley ispreparing food and drinks for her and her friends when Sean comes in.Ashley: Hey Sean. Having fun upstairs?Sean: A little too much fun. (Throws her E)Ashley: Is that...? Sean you brought drugs?Sean: Not me,JT.Ashley: JT? Toby? They're way too young to be experimenting with drugs. Sean gets an aspirin and cuts it in half with a knife.Sean: Flush it down the sink. They'll never know the difference. (He leaves) Ashley looksat the E. Toby's RoomJT: Toby, come on. Wanna be a bad boy? Start acting like one.Sean: (Opens food) Bad boy?Toby: Ignore him. (Takes the aspirin) Let's just do it.JT: Sure you don't wanna join us?Sean: Yeah mysocial worker would kill me.JT: Ok. (Eats it)Sean: Hey wait. Chew it slowly. Gives you a better high. Kitchen Ashley picks up the E and sticks it in her apron. She picks up the food when Paige comes in the kitchen.Paige:Terri's slipping in video numero two. Sorry, but uh, this get together, is getting seriously lame.Ashley: Ok then. What do you wanna do?Paige: Invite Jimmy over. Just stop being boring and break a rule for once.Ashley:I already did.Paige: Then invite him again. Hun, you just need to live a little. 'Cause you're pretty cool when you do honest. (She leaves) Ashley sets the food down and calls Jimmy.Ashley: Jimmy come over. We'll havefun, together. (Takes the E out of her apron as she talks. After she hangs up with Jimmy, she takes the E and gags from the taste after she swallows it) Toby's RoomJT: Toby, I'm floating, on a fluffy white cloud.Toby:Right.JT: Can't you feel it? How can you not feel it?Toby: I'm starting to, I think. JT puts his hands on the lava lamp and makes buzzing sounds. Sean watches it and can't believe what JT is doing)Toby: Dude, this isincredible.JT: Dude, this ecstasy. I'm feeling the love. It's time to call.Sean: Emma? (Gives JT the phone)JT: (Has the phone upside down, but flips it and then dials) Girls say hello to your destiny. Downstairs Ashleyenters and steps on Hazel's hands.Hazel: OW! Ash, my hand.Ashley: Sorry. (She lays down. She watches the movie and screams really loud)Paige: Ok now I'm officially deaf.Ashley: Oh that was so scary. I bet you theyheard my scream al the way in China. (They look at her weird as she laughs and then screams again) Outside Ashley's Emma, Liberty, and Manny are outside.Manny: Guys, this is gonna be great. A real party. But if mydad finds out I'm here, I'm gonna be grounded until my wedding day. Ashley comes out.Ashley: Hey you're not Jimmy and Spinner. Unless they had a s*x change. (She laughs) Liberty I didn't invite you. How did youknow? Was I sending out psychic vibrations?Emma: Uh, no. JT and Toby called.Ashley: (Laughs) Yeah, one in inviting too many people. Liberty, I've wanted to tell you this for like forever. But I get you. You're like meonly sorta not, you know?Liberty: Uh... Inside Ashley'sAshley: You guys look who's here: Liberty. (Ashley shuts off the movie and turns on music)Terri: Ash... When she turns on music she starts dancing withLiberty.Ashley: Get down Liberty! (She laughs as she takes off her apron and whirls it around)Terri: Ash wanted to have fun tonight. I guess she's having fun. As she dances, Ashley breaks a vase. Paige starts to laugh,but stops.[SCENE_BREAK]Toby's Room JT is spinning around on a pole when there is a knock at the door. JT opens it.Emma: Hello. (JT moves his tongue around) Toby?JT: Welcome to the Issacs Zone of Invanite Loveand Harmony. Sit.Manny: Thanks, uh, for inviting us. Toby sits next to Emma.JT: (Puts his hands as if he's praying) Shalom. Downstairs Jimmy and Spinner and some friends come in. Spinner has a watermelon.Jimmy:Hey. What's going on?Ashley: (Putting her hands in the air) Hey!Spinner: This is my kind of party.Ashley: Jimmy you're here, finally.Jimmy: When did you decide to have a party? I thought your parents...Ashley: Isn'tthis just incredible? (Hugs him)Jimmy: Ash you're burning up.Ashley: Oh I know. So hot in here.Jimmy: Have you been drinking?Ashley: No. (Near his ear) A...B...C...D...E.Jimmy: Ecstasy? Where'd you getecstasy?Ashley: Toby, JT. One of them.Jimmy: do you know how stupid that is?Ashley: Stop being so melodramatic. I'm having fun you can too.Jimmy: You need to drink water and lots of it. (Grabs her hand but shelets go) I can't believe you could take E.Ashley: Ok calm down Dad. Paige is right loosen up a little bit.Paige: (Whispers) Ecstasy?Jimmy: Ash what...?Ashley: I'm going upstairs to the bathroom. I'll drink some waterfrom the toilet. (She laughs as she leaves the room. When she leaves everyone laughs except Jimmy) Toby's Room Sean enters.Sean: Emma. Emma leaves.Sean: Emma. Emma.Emma: Sean, just leave me alone. If Iknew you were gonna be here I would've stayed home.Manny: I'll go find Liberty. (She goes downstairs)Sean: Emma, can we talk, please?Emma: There's nothing to talk about.Sean: Emma you're not being fair.Emma:Sean you went too far. We're over, as in finished. (She goes downstairs) Ashley comes out the bathroom.Ashley: Sean. Are you ok? (He looks at her and he is crying) You need to talk to someone. Come on. (They gointo a room)Sean: This is so stupid.Ashley: I know what you're going through.Sean: How?Ashley: Ok, everyone thinks you're bad, right? Well everyone thinks I'm this perfect boring girl. (They sit down)Sean: I justthought Emma was so different.Ashley: Why? She's just like Jimmy. She only sees...Sean: What she wants to see.Ashley: Exactly! Sean, don't cry. Don't cry. (She looks at his face and then she kisses him. After shekisses him, they kiss again, laying themselves down on her bed) Downstairs Everyone else is hanging out having fun. Toby comes downstairsToby: Hey Jimmy, have you seen Emma?Jimmy: There you are, Mr. DrugDealer.Toby: What?Jimmy: Don't you know that E leads to harder things, like my fist?Toby: What do you care if I did E?Jimmy: 'Cause you didn't. Ashley did. And she said she got it from you.Toby: Sean switchedit.Jimmy: Sean? Sean's here?Toby: Yeah, he's upstairs. Jimmy runs upstairs. While she drinks, Paige watches. Upstairs. Jimmy goes in a room but doesn't find Sean. Sean comes out of another room.Jimmy:Sean...what...? As Sean goes downstairs, Ashley comes out of the same room Sean did.Ashley: Jimmy, oh. (Jimmy looks at how her hair and clothes are messed up and goes downstairs so she follows him)OutsideToby: Emma? (He sees her sitting) There you are. Look, it was stupid of me to invite Sean. And I want you to know the only reason I did is because... (Sean comes outside and leaves. When Emma sees him, shelooks sad. When Sean looks back, he sees Emma hug Toby) Inside Ashley'sJT: 1...2...3... (He jumps and they catch him)Jimmy: Where's Sean?Ashley: Jimmy stop.Jimmy: Where's Sean, Spinner?Spinner: He left, like 2minutes ago. Jimmy starts to leave but Ashley stops him.Ashley: Jimmy stop. Ok, I know you're upset, but what just happened was the most intense experience of my life. It was like this telescope and I saw me, thereal me.Jimmy: Look, you don't know what you're saying.Ashley: What?Jimmy: it's not you, it's the drugs.Ashley: Oh yeah keep going Dad. Keep telling me who I am.Jimmy: Ash look...Ashley: No, this is exactly whyme and Sean just...he gets me, you...Terri: Ash, stop.Ashley: Ter, I love your shirt. It's so shiny, like stars.Jimmy: I'm outta here.Ashley: What I should have done is broken up with you on your birthday like I wasgoing to.Paige: Ash would you stop being such a hag already?Ashley: Paige you are a hag. On two fronts: your looks and your personality. (She laughs) Paige gets a mean look on her face and leaves.Ashley: Jimmy,just you don't have what Sean has and you never will. You're just not enough for me, sorry. Oh now you're upset, don't be, it's ok, it is, it's all good, it is. (As she talks she goes up to him but he pushes her away andthen leaves and then everyone else does)Spinner: Nice Ash.Ashley: Guy, where are you going? Come on it's a party. Come on. Where's everyone going? Come on guys. Guys. (She dances and laughs) Come on.Downstairs - The next day Terri and Toby are cleaning when Ashley comes in the room in a bathrobe.Ashley: Hey. When did that break?Toby: While you were dancing with Liberty. When you were strung out on E. Whatwere you thinking Ash?Ashley: What was I thinking? What were you and JT doing with it in the first place?Terri: Guys, it doesn't matter.Ashley: Was I really that bad? (They don't answer) What if I just call Jimmy?Terri:Ash, Paige won't talk to you. Do you really think Jimmy will?Ashley: I'm such an idiot. How am I ever gonna face everyone again? (There is a knock at the door. Ashley runs to the door) Jimmy? (Someone comes in andit's Spinner with a box)Spinner: here Jimmy doesn't want this stuff anymore.Ashley: Spinner how is he?Spinner: Just take it and don't call him. (He leaves) Ashley closes the door.Terri: Ash?Toby: Ok, somebody getthis place cleaned up. (He goes in the other room) Ashley falls on the floorToby: They'll be home soon. I mean come on... Ashley is crying with Terri next to her.Toby: Ash? You ok? (He goes back to where Ashley andTerri are and he goes next to her and hugs her)"}
+{"doc_id":"doc_295","qid":"","text":"Chick: It's not all kitchen scraps. It is one-third kitchen scraps. It is two-thirds browns, which are leaves, hay, straw, sawdust. But, you know, we're low on browns 'cause folks don't bring us browns. So who's ourbrowns guy?Chick: Well, we get donations from the woodshop, but, you know, we're always in need of browns. All right. Let's see what we can do about it.Chick: We used to have a compost guru. - Ernie. - Oh yeah? Heset this whole operation up. He educated all the gardeners, on greens, on browns, ratios, you know, all of that. And then, there was one Sunday and he was... He was comin' in and he was carrying these coffee groundsfrom the café across the street, and he stopped right there. Right there. And we just all said, \"What's the matter, Ernie? What's the matter?\" And, uh, he didn't say anything. He just looked at us with his bug eyes andthen he just keeled over and died. Oh my God, that's so sad. Yeah. But you know what? He was very excited about being compost when he died, and he got his wish. - So that's nice. Yeah.- The Guy: Yeah, that's nice. -I didn't know you could do that with your remains. - Oh yeah. But he's not in this compost, is he? Oh. He's all over the garden! You're joking, right? Yeah. Yeah. I'm joking. - Okay. - Mm-hmm. I'm jokin'! - Funny. -(phone chimes) And so it begins. All right, Chick. I gotta go see a man about, um...- Chick: A horse? - Sellin' him some weed. - Oh. You're welcome. - Uh... Thank you, Chick. Is this your dog? Oh my gosh. Oh, you're avery sweet dog, aren't you? Oh, you're one of those.(laughs)I know your type. All right, well. Listen, I'm gonna go, okay? See you around. Whoa, hey! Dude. Hey! What are you doin', dude? That's not safe. Hey. Whyare you following me? [\u0000\u0000] Dude, why are you following me? - (barks)- (laughs): What are you doin'?[\u0000\u0000] (sighs)All right.(dog barks)You're the most presuming dog that a human could know. Come on, get out ofthe street. You're f*ckin' crazy.Ira Glass: How is she planning to?Nancy: ...including the composting, whatever sound that makes. Like, I don't know if we'd wanna watch her die, but the conflict with the family, that's astory, like... Have we done something like recycling, but in like a broad sense?- Ira: Recycling as a metaphor. - As a show.Emanuele Berry: Well, like, what about actual recycling stuff? Like, do you guys know about therecycling in this building? - Wait. They don't recycle the recycling?- Nancy: There is none. No. I thought that was true. - There just isn't recycling. - It's sorted downstairs. - It's not! - (laughing)Sean Cole: We thinkwe're recycling and we're not recycling. We're living a lie. We are all...Nancy: You're the only one who still thought that there was recycling.- Elna Baker: No, I didn't know that. - I've known this for a while. - I thoughtwe all knew that?- Elna: I didn't know that. I thought we all knew that, but I do like that some people don't know. It feels like telling them that Father Christmas is, like, not real.Ira: Which is the one thing you can't sayon the radio. You can't say that Santa isn't real on the radio, we run across this every Christmas.Sean: Warnings before a Santa-is-not-real set. Well, screw that then!Elna: Wait. What if we did a \"It's Not Real\" show? -Yeah. - Yeah. Okay, so there's this test that's a BDSM test, like a kink test, uh, and I took it, and I found out I'm a rope bunny. - (laughing) - Oh, God. You said that like it's a thing!(laughing)Zoe: What is a ropebunny?It's somebody who likes to be tied up during s*x.Zoe: I feel like that's like a lot of women.- Lily: It's like a personal...- Bim Adewunmi: You see?(laughing)But then anyway, it turns out none of it's real. Like theBDSM community... Wait, wait, wait. But I just wanna understand. You're saying you took a test. It told you you're a rope bunny. Now you find out the test is not real. So are you not a rope bunny? Um... I don'twanna... I don't know why I'm any saying any of this.(laughing)Ira: I'm going back to recycling.Okay, can I just pitch recycling. What about like, like, recycling a relationship? Like somebody who comes back to arelationship. I don't know what that's like at all.- Ira: Do you have that story?- Sean: No, I'm not getting... Well, my, my, uh... My parents lied to me about getting divorced.- Ira: Wait. Seriously?- Yara: Yeah, yeah.Um... When I was 17, my mom and dad, they got legally divorced, but they didn't want to tell me until after I graduated high school, so... they pretended to stay married. But wait. They still lived together?Yara: Yeah,they still lived together, and they pretended to stay together. Anyways, at my graduation, when I got my diploma, and I was walking back to my chair, I look up to my parents, and they're sitting in the bleachers and,uh, they're not looking at me, they're fighting. You know, I don't even know if they saw me graduate. And, uh, all of a sudden I see my dad, he storms off away from my mom, and he goes up to the top of thebleachers. He says that he must've leaned against a railing that was loose because, uh, he ended up falling on to the cement, 30 feet.- Ira: What?!- Yara: Yeah, and he lived! He lived. He lived. Um, and my mom, who Ifelt like had completely given up on my dad, uh, she made the choice to nurse him back to recovery. - And, uh... and they remarried.- Woman: Oh wow, that's crazy.- Ira: Wait. That made them fall in love again? -Yeah. Yeah. - No! - Wow. - It had a happy ending.- Woman: Yeah. - I like a happy ending. - Aw.Ira: Would they talk about it like on tape? - Do you think they would tell the story? - Yeah. - Sure, yeah.- Ira: Sold. Movin'on.Yara: Yeah, Dad, this is really exciting. It's a really big deal for me. It's my first story on the radio.Yara's Dad (over phone): Oh, what is it? Well, I wanna tell the story about when you fell off the bleachers.Yara'sDad: I don't think that's a good idea.Yara: Dad doesn't wanna talk. He asks me to talk to Mom before talking to him, which leads me to believe that Mom has some information that I don't. - Maybe there's some...-Woman: We have to go! - (couple arguing) - Just, I... Stop! Stop. I really like the happy ending, period. So is this a story about how vulnerability opens us up to love, question mark. Or is it about accepting, acceptingpeople warts and all? - (keyboard clacking) - (Yara muttering) Mami, it's a really beautiful story.Yara's Mom (over phone): That's a very painful time of my life, mija, and I don't wanna go there. Listen, I'm happy foryou - but I like my privacy and respect that, okay? -(door buzzes)Yara: Please, can you just think about it?Yara's Mom (over phone): The answer is no. I'm sorry. All right. I gotta go, I gotta go. He's here.Yara's Mom:Okay. Give Owen a kiss for me. - Have fun. - Okay. Bye. - Hi, Smoothie! - Hey, Smoothie. - How was your flight? - Good. - Ah. Thank you for these. - Yeah. - They're like five bucks a pop out here. - Oh, my God. - Yourplace is really coming together.- Yara: Thanks, Smoothie. Oh, my God, I gotta tell you the coolest thing happened at work today. Oh, hey. Happy anniversary. Happy anniversary, Smoothie. - (Owen moaning)- Yara:Okay. Aah.(bed squeaking)Owen (panting): All right.- (Yara sighs)- Owen: Woo.(sighs)Oh, I think my mom regrets remarrying my dad. What makes you say that? Something she said on the phone. You need anything,Smoothie? Nah, I'm good, Smoothie. - How are we gonna celebrate tonight, dinner? - Sure. I don't want to get dressed up though. I'm fine with whatever you want. Uh... you want to just get stoned and order in?Sounds very romantic. Cool. I'll text him. Honestly, I didn't even like the, the prequel. But I'm saying, if you're gonna, like, do that franchise, you should probably f*ckin' step it up. [\u0000\u0000] You're kind of heavy. You knowthat? Whew! How are you back there? Comfy? This is Bushwick.[\u0000\u0000] (both howling)- Yara: Are you finished yet?- Owen: So many questions.\"I enjoy feeling like a prey hunted by a predator\"? What the f*ck is that?-Yara: (laughs) It's a thing. Don't knock it. - I don't get it. Uh, I think I'm done. - Uh, I am...- Yara: I can't wait for this. ...99 percent vanilla. - Mm-hmm. - Ninety-five percent daddy-mommy?- Yara: Okay, Daddy. -(both laugh) And 95 percent rope bunny. Elna got rope bunny too. - What about you? - (door buzzes) A hundred percent hunter-prey.- Owen: Really? - Mm-hmm. - Hello?- The Guy (over intercom): Hi. I got a dog withme, but she's nice. Is it okay? Oh yeah, sure! Bring her in. That's fine.- Owen: Really? - What? It's just a dog. This is why I go to dispensaries. - (dog barks)- Both: Hey. Oh, sorry about that. - Hey. Relax. - (dogbarks)Yara: Hi. No, it's okay. Hi baby! What happened to her eye?The Guy: I don't know. She just started following me, - and then, uh... I don't know, I got Annie'd.- Yara: Aw. I got same old... indica, sativa,cartridges, edibles, all of which you like. I want a dog so bad. - Since when do you want a dog?- Yara: Since always! I've seriously been thinking about it.Owen: Yeah, but you work all the time, and this place is way toosmall for a dog. Oh, wait, you think I'd be a bad dog owner? No. I'm not saying that. I'm just saying that it's a cute dog and now you're having pet FOMO. - Fear of Missing Ohho. - (Owen laughs) - You like that?- Owen:Yeah, that's a good one.- The Guy: It's a terrible joke. - (Yara laughs) Um, do you have any, like, beef jerky or anything like that? I mean, it's highly processed. I don't think, like, - it's good for a dog. - Right. Right.Cool. Cool. Cool.- Owen: Right. - Cool, cool, cool... Okay, a hundred and twenty.Owen: I know I'm terrible at gifts, but I think this time, I... - nailed it. - (Yara chuckles) - Happy anniversary. Yep. - Mm-hmm. - Hey, I'llbe the judge of that. - Yeah? I saw it and it totally reminded me of you, so. What's wrong? What?(laughs)What's wrong? - Oops. - Oh...(laughs)Is this why it reminded you of me? You're f*cking kidding me?(bothlaughing)Actually, it's a really funny story. I'm sorry. Well, I'll take care of it. - What? - I'll take care of it. Take care of it... f*ck. - f*ck. Hold on. - What? No, I'm-I'm sorry. I'm just having like a... like a stoner moment.Um... Okay. Can I, can I tell you? - Uh...- Owen: Yeah. All right. So my-my mom... she didn't have a choice, she had to take care of my dad because she's a woman, and she's supposed to be a caretaker. And if shedidn't do it, then he would have been pissed at her, and then I would have been pissed at her too, and everyone would have been pissed at her. I mean, everyone may have been pissed for like a little bit, but... No, no,no, no. Still... Listen. It makes total sense. If I take care of you, then no one will be mad at me. I'm... I mean, that's... I don't think that's how it is anymore, though... Owen, come on, please. That's how it is forwomen. You don't know how it is. Yeah. But, I mean, you and your mom are like... two totally different people. It's different times and... Yeah, but I was literally conditioned, my whole life, to believe that my purposewas to nurture and support a husband. And the only way that I could justify not doing that was by... working really hard and making something really important. And so, I became this workaholic. And I'm pretty muchthe same as my mom then. Like, like, I have to... I have to do something so that people will love me. No, I mean, you don't have to do anything for anyone to love you. I love you, Smoothie. Well, yeah, I know. I know,and that is totally on purpose like... God, you are... You are nothing like... I mean, you don't even need me to take care of you, like... You're literally in nursing school, you're a natural caretaker. And your-yourambitions... Your ambitions are smaller. Like I genuinely believe that you're the only person in my life who is a man who will not take away my purpose. God, and that is so great. That is... that is so good for mebecause it's safe.(keyboard clacking)Owen: Ouch.Why ouch? What are you talking about? I mean, you just said my main selling point is that...(laughs)that I'm not ambitious. - And, you know, I can... - Wait. No, no, no,no, no, no, no. First of all, you're the one that said you didn't want to be a doctor. - And then, I can just take care of you.- Yara: I was just quoting you. But I work my ass off, so... Yeah, I know, we both work our assesoff. What I'm saying is that you're not like my dad and that's a good thing. It's not a codependent relationship.(sighs)It's not about being your dad or not being your dad. It's the fact that you just said that like I'm-I'mnothing... Are you f*cking kidding me with the mic? - You're f*cking recording this? - I'm sorry. I'm sorry. You just laid out on me and then this is what I get? I'm sorry. I'm stoned. I'll turn it off. Well, yeah. You'redefinitely f*cked up.(scoffs)Can I ask you some questions or... - does it go one way? - No. Sure. Of course. What did you get me for our anniversary? Yeah. Happy anniversary, Smoothie.(microphone clatters)(doorslams)- (banging on door) - Come on, Leyla. It's been 20 minutes. Let's go! - Um, I called it after her. - I gotta be at work by 10:00. - It's 9:45 right now. - What?Arnold: Bah-gock! Where's Kyra?Bah-cock-a-doodle-doo! You can have custody when you buy more than one set of sheets for your home!Man (over phone): You don't know what's going on with my body anymore, Kyra. I've been looking all over thisfarm for Kyra! Is that you? Bah-gock! (in the melody of \"Old MacDonald Had a Farm\"): \u0000 It's your birthday, here we go \u0000 \u0000 I heard you're 49 \u0000 \u0000 No one's getting younger now \u0000 \u0000 You're runnin' out of time \u0000 \u0000With a hemorrhoid here and a bad back there \u0000 \u0000 Better get yourself better medical care \u0000 \u0000 Old Miss Kyra's 49 and runnin' out of time! \u0000 (laughter and cheering)Man (over phone): What the f*ck is going on overthere? So fun. So colorful. - Great face. - Thank you. Honestly, thank you. Honestly, I work for tips. Oh... okay. - Well, let me go see about that. - Yes. Thank you. Chicken's got a full day. Excuse me. Can I use yourrestroom? Mm-hmm.Arnold (mutters): f*ck.[SCENE_BREAK]- (elevator dings)- Automated Voice: Doors opening. Open to enter.- Woman: Hi.- Man: Hello.Automated Voice: Doors closing. Doors opening. Open toenter.[\u0000\u0000] (screaming)This isn't a changing room. Sir, people f*ck in here! Okay? I'm just trying to get ready for work! Get off my dick! [\u0000\u0000] \u0000 I'm a trouble alone, one \u0000 \u0000 I'm trouble to you, two... \u0000 (gasps) Youscared me. These balloons aren't sized well. You're trying to sabotage me! Where's Barbara? I see you. \u0000 Happy birthday to you... \u0000 Stop filming me.(wailing)- I'm a baby! - (crowd laughing) \u0000 When I sing \"mydarling spinning top...\" \u0000 \u0000 Kids all say they love you, Happy anniversary \u0000 - Yee-haw! Come on now, give me a tip! - (laughing) Or at least let me change my pants!Man: I see you with that lasso! \u0000 How sweet, mychubby little Twinkie \u0000 \u0000 This dog looks like a Twinkie \u0000 \u0000 You have a backpack full of Twinkie \u0000 \u0000 My doggy backpack full of Twinkie \u0000 - \u0000 My chubby one-eyed doggy \u0000 -(dog howls) See you later, man. - Zack? -No.(to the melody of \"Bingo\"): \u0000 Your girlfriend knows that you're a dog \u0000 \u0000 And cheated like a lame-o \u0000 \u0000 It's time to go \u0000 \u0000 'Cause you're a ho \u0000 \u0000 She threw your sh1t out the window \u0000 \u0000 'Cause you're af*cking bozo \u0000 (howls)Now how about a tip? Wow, man. You got a whole thing going on. Yeah. Come on, tip me. I'm not Zack. I'm sorry. Why would you let me get through the entire song? I was into it, man. You gotsomethin'! Zack! \u0000 Your girlfriend knows that you're a dog... \u0000 You don't have to sing. You don't have to sing. Come on, Jane paid for the song. Well, I heard it so, thank you, I guess. Listen, man. I don't get paid if Idon't sing. - So just let me get... - Sorry, am I supposed to worry about you? - f*ck you! - You know what? Jane was right. You're a f*cking bozo! I understand why that mix-up happened now. Hey, man. You weregood. Here... Here.(to the melody of \"Bingo): \u0000 There was a man on Instagram \u0000 \u0000 Who was suffering from FOMO \u0000 \u0000 FOMO \u0000 You thirsty, baby? Let's have some drink!(cell phone chiming)Hello? Yes, yes. That wasme. Uh, thank you so much for calling me... Okay. Wow. Um, is there a family? Okay, well, thank you for calling. Okay. Bye.[\u0000\u0000] (cooing)(whispers): f*ck![\u0000\u0000] Excuse me. Excuse me. Excuse me. Come on! Kids'daisy chain? There are nine million people in New York! - (balloon pops) - (car alarm honking)Arnold: Oh, no. sh1t!(car alarm continuing)- Arnold: Bathroom?- You've gotta buy something. Yeah, doi! I'm gonna buysomething! f*ck.(panting rhythmically)(up-tempo dance music playing)(sighs)(exhales sharply)[\u0000\u0000] (shouts)(grunts)[\u0000\u0000] (grunts)[\u0000\u0000] (music tempo slows)(grunts)- Ah! - (music continuing)(laughs)[\u0000\u0000] - Yeah. -(music fades) - (water splashes) - Oh my God!(chuckles)Wow. - (sighs) - (phone chimes) Oh, that sounds fun.(Arnold sighs)I'd give it a minute. Thank you so much. And sorry about earlier. I had to poop. I've beenthere. - What would you like? - What do you like? - The blondies are amazing. - I'll take one of those. And a latte, with four shots of espresso. You got it.Owen: Are you f*ckin' kidding me with the mic? You're f*ckin'recording this?Yara: Oh I'm-I'm sorry. I'm stoned. I'll turn it off.Owen: Yeah, you're definitely f*cked up! Can I ask you some questions? Or does it go one way?Yara: No. Sure. Of course.Owen: What did you get me forour anniversary? Yeah. Happy anniversary, Smoothie.(microphone clatters)(sighs, murmurs)Chana Joffe-Walt: Yara, are you okay?Yara: Um...We're not talking. - (murmurs)- David Kestenbaum: I'm sorry. All right.Wanna go around? Susan?Susan Burton: I mean, it's really different than the story you pitched. I mean, it's not really about your parents anymore, you know? - (all agreeing)- Ira: What happened... What happened tothe idea of you getting your parents on tape talking about this? Well, I... I tried to talk to my mom but, um... she didn't wanna talk, she didn't wanna do it. And so, Owen and I started talking about it on tape. And,um... Yeah, it led to this.David: I'm trying to think how it works without your parents. Like maybe it could go in like a wrong-ending show or something?Chana: You seem like you're being very genuine and expecting aresponse from him that is different than the one he gives, and it feels surprising when it happens, when he says ouch, but, yeah, I feel like we'd need more setup to understand what that moment means.Robyn Semien:Do you think she could write it though? Like what if she just wrote through all of the story of what her parents did.Chana: Maybe, but you would write about your parents though. I think you'd have to write about yourparents' story. I couldn't like... I didn't actually understand what was going on. But I think it's kind of amazing that... like, sorry... It's kind of amazing to hear a breakup unfold in real time, in this accidental way, andthat to me felt like, oh, that's special tape. But because I was so lost at the beginning, the fact that it turns and suddenly you're fighting. I'm like, I'm still trying to catch up to the first conversation.Ira: Yeah, I have thesame feeling. I just think it's one of those things where a big important thing happened, you have this dramatic moment on tape, but I just think it's not gonna work as a radio piece. And I'm sorry. Yeah, okay. - It'sokay... - Hey, I'm looking for Yara.- Arnold: Yara?- (laughing): Yo! What? Um... Yara, I have a singing telegram from Owen.(all exclaiming)Oh, my God. \u0000 You know the bed feels colder \u0000 \u0000 Being here alone \u0000 \u0000 Istill have dreams of us older \u0000 \u0000 Doing anything we want \u0000 \u0000 You think you got the best of me \u0000 \u0000 You think I gave you my best parts \u0000 \u0000 And you think everything good is gone \u0000 \u0000 Thought you seen me brokendown \u0000 \u0000 Thought that I'd come running back \u0000 \u0000 Smoothie, you know me \u0000 \u0000 That's what this is \u0000 (laughter)(Arnold vocalizing)\u0000 'Cause what doesn't kill us makes us stronger \u0000 \u0000 Be a little kinder \u0000 \u0000 Helpeach other be better than on our own \u0000 \u0000 I love to see you be inspired \u0000 \u0000 Rub your feet when you are tired \u0000 \u0000 To me you are the feeling of being home \u0000 \u0000 I love you as you are-a \u0000 \u0000 You're Yara \u0000 \u0000 And tome you are a star \u0000 \u0000 Let's stay together, Smoothie \u0000 \u0000 Stay home and watch a movie \u0000 \u0000 Or tie me up like a rope bunny \u0000 \u0000 I love you as you are-a \u0000 \u0000 You're Yara! \u0000 (cheering and applause)- Arnold: Lookwho's here!- Elna: Wait. Is he here?- Woman: Oh.- Elna: Oh, my God, that's him.Ira: Is that the boyfriend?All: Aw!Ira: So when you came to New York, what did you think you were going to be doing?Arnold: Not this. Imoved here with my BFA, and I just wanted to perform, and this is one of the jobs where you get to perform. I don't have the privilege of not working. - This is what I do. - I don't know. Like, how often is itgood?(sighs)You know.I'll say this: Every day is different, every day is hard, but it has its moments.Ira: The way I think of Arnold's job is like the weirdest recycling job ever. Taking these songs, changing them arounda little, and performing them in a setting they were not made for. Repurposing them for this audience that usually does not want them. Honestly it's hard to imagine a tougher room, a more hostile crowd than the one"}
+{"doc_id":"doc_296","qid":"","text":"Act OneMAMMA MIA!Scene One - Café Nervosa. Frasier and Niles are sat chatting.Niles: Oh, I got your message about the wine club, Friday night, and yes, I will be there.Frasier: Oh, good, Dad's kicking me out of thehouse that night so he and Sherry can have a little party. [laughs] Oh, I don't know. Life really is a circle, isn't it? I'm letting Dad use my place for his friends to get together, and just a few years ago it would have beenDad who'd have to leave his house for my parties.Niles: Yes, if you'd had any parties when we were young that would be filled with irony!Daphne enters and sits with them.Daphne: Thank goodness you're here, I've gotsome rather shocking news.Niles: What is it?Daphne: I found a ring in your father's underwear drawer.Frasier: [shocked] What on earth would leave a ring around his underwear drawer?Daphne: Not around, in! Anengagement ring in a jewelry box.Niles: An engagement ring? Dad must be about to ask Sherry to marry him. Do you know what that means?Frasier: Yes, we're going to hear what Mendelssohn's \"Wedding March\"sounds like on [in horror] the banjo!Niles: It means she's going to be our mother. What are we going to do?Frasier: Well, there's nothing we can do, Niles. It's what Dad wants.Niles: But... what do we even callher?Frasier: Well, I suppose she'll want us to call her \"mother.\" No, that's too formal. \"Mama\"... no, \"Ma!\"Niles: [in dread] Ooh, better still. \"Don't you look nice, Ma.\" \"Yes, I'd love another corn dog, Ma.\" \"Off to theroller derby, Ma'?\"Daphne: That's typical of you two. Your father is about to get married and all you two can think about is how it will affect you. [pause] What about me?!Frasier: What about you?Daphne: Sherry'snever exactly liked me. You don't think she'll try to make your father get rid of me, do you?Frasier: Oh, Daphne, of course not. He'd be lost without you.Niles: Yes, and even if by some chance that were to happen,Daphne, I could always use you. [realizing innuendo] I, I would know of a position you could take... [digging into a hole] ...services that you could perform. [holds himself, then:] I would know of an opening... [realizesthe path he has taken and takes up the check] This is on me.Daphne nods at him in confusion.[SCENE_BREAK]Scene Two - Frasier's Apartment. Niles and Frasier are sat on the sofa as Sherry and Martin prepare fortheir party.Sherry: Marty, you need to stir the dip more, it's got whole lumps of soup mix in it.Martin: Sorry.Frasier: My, my, my, quite a little shindig you two are planning for tonight. We have the cheese logs, theerotic fortune cookies. For after dinner, a bloopers tape: \"Too Hot For Hee-Haw.\"Niles: I see that Martha Stewart party book I gave you really paid off.Sherry: Oh, this old crowd, they wouldn't go for that fru-fru stuff.Get 'em liquored up, put out some corn nuts and they can go all night.Frasier: When you say all night-?Martin: [finishes stirring] There you go, smooth as silk.Sherry: [kisses him] Thank you.Niles: Who's going to beattending this soirée?Sherry: Oh, just some old friends I'm dying for Marty to meet. Now, let's see, there's Ray and Lola Sherwood - well, I worked with them in Atlantic City when they had a knife-throwing act. Oh,now, Marty, try not to stare at her eyes, she gets self-conscious. And, let's see. Oh, and Edith's coming with her new fiancé.Martin: Oh, she finally met him, huh?Sherry: Mm, just this week.Niles: They're engaged andthey just met this weekend?Sherry: Well, you see, up until now, it's been kind of a pen-pal relationship. He's been... detained the last few years.Frasier: Well, you know, you're going to need some room for those cornnuts, why don't I just get this pesky priceless sculpture out of your way!Frasier hurriedly removes the Chihuly to his room.[N.B. Since the Chihuly is a genuine work of art, valued at upwards of $75,000, it is alwaysremoved from the set before any scene that involves rough-housing in the living room.]Sherry: Marty, I never heard back from Vic and Linda, did you get a message?Martin: No.Sherry: Oh, gee, maybe they left one onmy machine.Sherry phones through to her machine.Martin: So, what are you guys up to tonight?Niles has just read one of the fortune cookies, and is gaping when he suddenly realizes Martin's question.Niles: Em, ourwine club is having a vertical tasting at the \"Opus One.\"Martin: Oh, well, don't drink too much.Niles: [laughs] It's not like that, Dad, you don't actually drink the wine. You just swish it around and spit it out.Martin: Weall did that at Duke's New Year's Eve party. Of course, it wasn't wine, it was egg salad!Frasier enters as Sherry hangs up.Sherry: You know, that is so weird. I just got a message from my manager down at McGinty's.Some guy came in asking a lot of questions about me.Martin: What kind of questions?Sherry: Well, like where I used to work, the people I used to date, and the weirdest part is, my neighbor told me somebody camearound asking her about me too.Martin: Sounds like somebody's checking up on ya'.Sherry: Like a detective?Martin: Oh no, it's probably a credit card company, something like that, I wouldn't worry about it.Martin getsup from the table and casually walks toward Frasier and Niles, as Sherry goes into the kitchen.Sherry: Well, still, it is a little scary. I wish I knew who it was.Martin: Oh, forget about it, I've been through this before.Private investigators never leave a trail. Really, it could be anyone.Sherry: If you think so.Once she's into the kitchen, Martin rounds on Frasier and Niles.Martin: [whispering furiously] Which one of you hiredhim?!Frasier: Well, that is just crazy!Martin: Oh, come on, who else would have the money to do something like that?Frasier: I have no idea, we have nothing to do with it. Do you really think that we would hiresomeone to spy on Sherry? My God, I'm insulted!Niles: As am I!Martin: Well, all right. Maybe I was jumping to the wrong conclusion.Frasier: You most certainly have!Martin: I'm sorry, boys.Frasier: It's all right,Dad.Niles: Just forget about it.Martin exits to the kitchen. Frasier rounds on Niles.Frasier: [whispering furiously] You hired a detective, how could you?!Niles: I have never been so insul-!Frasier: Niles!Niles: Okay, I'msorry. I was just looking out for Dad here. I mean, what do we really know about this woman?Frasier: She makes Dad happy, that's all we need to know.Niles: Is it? Some people do get married before they know allthey should. Remember Cousin Donald? He was married two years before he found out his wife used to be a man.Frasier: Yes, well, Cousin Donald is a very rare case. First, most people don't have a hidden past; andsecond, most people have a better eye for details than Cousin Donald. For God's sake, the woman could pick up a watermelon with one hand!Niles: I was just simply trying to get some background information.Frasier:Well, stop it. Call it off right now, Niles.Niles: Consider it done.Frasier: All right.Niles: We gotta run.Frasier: Yeah. [shouts through] Goodbye.Martin: [o.s] Bye, boys.Sherry: [o.s] Have a nice time you two, we'll saveyou some cake.Frasier: Thank you. [to Niles] You see that, how sweet she is? My God, I can't believe you're actually having that woman investigated. You know, try to have a little trust in people!Frasier quickly takesone of his precious African art sculptures from the table and into his jacket for safety before leaving with Niles.[SCENE_BREAK]Scene Three - Café Nervosa. Roz enters as she meets Frasier. Niles is sat on a front tablediscussing matters with a detective.Roz: You see someone following me?Frasier: Yes, you can play along now.A female police officer enters as Roz and Frasier sit. The officer has a rather large stomach.Police: Ah,excuse me, ma'am, I saw you cross against the light. I'm going to have to write you a ticket.Roz: [winded voice] Oh, well, I'm really sorry about that. It's just that it's so cold out there and the pollution, I just didn'twant to expose my unborn child to the elements any longer than I needed to. [Roz stands revealing her bump]Police: You're pregnant? Well, I know a little bit about that myself.Roz: Then you know exactly what I'mtalking about. Society doesn't go easy on pregnant ladies, does it? [pats officer's \"bump\"] So, when are you due?Police: I'm not pregnant!Roz: [submitting] That's Roz Doyle.Police: Would you step over here?Roz:R-O-Z.Frasier goes to Niles and the detective.Frasier: Hello, Niles.Niles: Oh, hello, Frasier. May I borrow your pen?Frasier: Certainly. [hands it over as he shakes the detective's hand] How do you do?Niles: [writescheck] I appreciate all your hard work and I am sorry to have to break off the investigation in the middle.Detective: That's all right, people change their minds all the time.Niles: I'm sure they do. [hands it over] Thereyou are.Detective: Thank you.The detective leaves.Frasier: There now, don't you feel better?Niles: I suppose so.Frasier: You have to admit, I was right on this one. There was absolutely no justification for giving intoyour baser instincts of prying in Sherry's past.The detective comes back.Detective: I almost forgot. I wrote up a little report on what I found out so far. That's one interesting lady.He hands them a brown envelope andexits.Niles: Well, I should have just told him to drop that in the trash. After all, we're concerned with Dad's happiness. Sometimes, Frasier, you are like the beacon piercing the fog of my baser instincts. [to waitress]Excuse me, would you just drop that in the...Frasier snatches it off of him as she disperses.Frasier: I see your point. [opens the envelope] I hate myself for what I'm doing.Niles: Frasier, we're doing it for Dad's owngood.Frasier: [reads document] Oh, so far, so good: graduated from high school; almost paid off her Subaru; you know she's been married.Niles: Yes, she mentioned that, to Johnny Dempsey.Frasier: There were twoothers. Ned Foley, Mark Wallace...Niles: That's a bit troubling, three previous marriages.Frasier: ...Vincent Mayhew, Guiltham Mandel, Waltz...Niles: Just give me the total!Frasier: Six that we know of. God, you had togo and fire that detective before he finishes reporting!Niles: Six? [reads them]Frasier: Yes, she's obviously incapable of remaining in a relationship. That doesn't bode well for the marriage, does it?Niles: And on theother hand, it does bode well for Dad getting a \"yes\" when he proposes. He has a right to know about this.Frasier: But we already told him we weren't involved in the investigation, we can't just tell him now we werelying!Niles: Maybe there's some way to impart the information without explaining how we came by it. You know, just sort of drop it casually in the conversation.Frasier: And how would that go? [deadpan:] Oh, Dad, yougoing to the Sherry Ex-Husband Convention this year? Besides that, you know, Dad may know everything already.Niles: I think we need to find that out. How would we feel if we let Dad marry this woman, and in ayear's time he's tossed aside like Danny Mitchell.Frasier: Who's that?Niles: Page five, engaged but never married.[SCENE_BREAK]End of Act One[SCENE_BREAK]Act TwoScene One - Frasier's Apartment. Daphne andNiles are sat on the couch whilst Frasier is standing as Martin walks in wearing his best clothes from his room.Martin: Hey, boys. [they greet him] Daph', what do you think about this jacket? I don't know, it just -something doesn't quite feel right.Daphne: I think it's nice.Martin: Really?Daphne: Yes.Martin goes to the powder room to smarten himself.Frasier: You know, Dad, I was talking with a lady today down at the café and Ihappened to mention that I'd been married twice before, and a look clouded over her face as if I'd confessed to some unspeakable sin!Niles: Makes you wonder what people go through who've been married even moretimes than that. Quite a taboo they face.Daphne: Oh, I don't know, some...The boys quiet her, the she looks confused.Frasier: You know, Dad, I think it harkens back to the puritanical streak that still runs through thiscountry. What do you think?Martin: [enters] There's a yakkety-yak streak that runs through this family. Maybe, it's the shirt, do you like this shirt?Daphne: Yes, it's nice.Frasier: That'd make a good topic to discuss onmy show. Niles, you know the hurdles that are faced by people with multiple marriages.Niles: Of course, the hard part would be rounding up enough people who've been married a significant number of times. Do youknow anyone?Frasier: No, I don't.Daphne: You know, Mrs. Krabs upstairs-Frasier: How about you, Dad?Martin: Oh, yeah, sure, I know some people.Frasier: Really? You do.Martin: Well, I think.Niles: You think.Martin:Well, maybe I do, maybe I don't, who cares? I hate this shirt, I better go change this shirt!Martin exits.Frasier: Well, that was fruitless!Daphne: I'll tell you one thing I'm sure of.Daphne stares into space as Frasier andNiles look at her inquisitively.Frasier: Yes?!Daphne: Oh, I'm allowed to talk now, am I? [pause] I've never seen your father so nervous. He's meeting Sherry at McGinty's, I bet he's planning to pop the question.Niles:Well, that's it Frasier, we're just going to tell him what we found out.Frasier: Yes, but we still don't know what he knows.Niles: Don't you think if she had told him she had been married six times, then he wouldremember?Daphne: Who, Sherry?They nod as Martin enters in the same shirt but a different jacket.Martin: You know, maybe this shirt isn't so bad. Especially with this new jacket. What do you think of this newjacket?Daphne: I think it's nice. Sherry's been married six times?Martin: Who told you that?Daphne: [realizing her mistake] They did. [points to brothers]Niles and Frasier look guilty.Martin: What's this allabout?Frasier: You know, Dad, I'd love to see that first shirt with the second jacket.Martin: Oh, come on. You got this from the investigator - you did hire him, didn't you?Niles looks shocked as Frasier decides toconfess.Frasier: All right, I guess there's no use denying it. Yes, yes, we did hire him. Although the word \"we\" is not entirely accurate.Niles: Frasier, I am shocked...Frasier: Oh, shut up, Niles! Look, Dad, we were justconcerned about you. We know about the engagement ring.Martin: My ring? Which one of you went through my drawers?Frasier: Right now, pointing fingers is not going to do us any good.Martin: What the hell is thematter with you two?Frasier: She did it! [points to Daphne]Martin: Well, it's nice to know there isn't a single person in this house I can trust. Sherry told me about her marriages the first week of our dating! I didn't tellyou because it's none of your damn business, just like it's none of your damn business who I marry or who I don't marry! I don't know why I'm even wasting my time talking to you!Martin exits.Daphne: Do you seewhat I get for confiding in you two blabbermouths! The next time I find something interesting in your father's underwear drawer, I'm just gonna sit on it!Daphne exits to Martin's room as the boys give each other alook.Niles: Well, this evening is an entire disaster. I'm already late for dinner with Maris. I just don't know how this could have happened. [goes to door but doesn't open it]Frasier: Yes, who'd have guessed thatsomething so innocent as spying on a man's girlfriend and rifling his underwear drawer can turn so ugly!Niles: Well, there is one consolation. We told Dad the truth and we were able to bear his anger. That's the nicething about our relationship, we're all adults. We can talk things through, we're not afraid of confrontation...Frasier: Stop stalling, Niles! Dad must be on the elevator by now!Niles checks through the spy-hole, nods inconfirmation and exits as Daphne enters.Daphne: Look what I found in your father's jacket.Frasier: I do not want to know about it.Daphne: He forgot the ring! This is going to be embarrassing for him. I suppose I couldtake it down to him.Frasier: [takes ring] No, no, Daphne. I should do that. It will give me an excellent opportunity to show him just how happy I am that he's marrying Sherry.Daphne: That would be very nice.Frasier:Yes. I just can't figure out why he would propose in a place like McGinty's! It seems like such a shabby setting. [looks at ring] Well, I guess he was just trying to match the ring.Frasier exits.[SCENE_BREAK]GIVE ME ARING SOMETIMEScene Two - McGinty's. Sherry and Martin are sat on the front table chatting.Sherry: So I told her that you and I would take a trip up there this spring. [Martin is quiet] Well, you like my sister,right?Martin: Yeah, sure.Sherry: Oh, now, come on, Mart'. You can't hold one little embarrassing moment against her. She didn't know you were in there!Martin: No, no, I don't. I like your sister.Sherry: Well, then whatis wrong with you? You're being so quiet.Martin: I got something on my mind.Sherry: Well, what is it?Martin: I've been thinking a lot about us and... where do you see us going?Sherry: Gee, I don't know. I mean, I'mhaving fun the way things are. You have your life, I have mine. No pressure.Martin: That's what I thought you'd say.Sherry: There's nothing wrong with us just having fun.Martin: No. It's just that we've been justhaving fun for a long time now. Let me ask you something, where do you see us in a year? Five years?Sherry: Oh, gee, I don't know, I try not to look too far ahead.Martin: Well, I guess that's the difference between us.Because I can't stop thinking that far ahead. You know, I've come to realize, Sherry, that I want to get married again. And you know it's not anything you're interested in.Sherry: Well, can you blame me? I mean, Martyyou know my track record, I've been down that road a lot of times! I mean, I've learned the hard way, I'm not looking for forever.Martin: I am.Sherry: So... so you're breaking up with me?Martin: We're just looking fordifferent things, Sherry. I'm sorry.Sherry and Martin try to hold back their emotions.Martin: It's hot in here.Sherry: Yeah.Martin takes out a handkerchief and brings it to his forehead, but he drops it on the floor. Martingoes down to the floor to pick it up. Frasier sees him from the door and it looks like he is getting down on bended knee to propose. Frasier runs in.Frasier: Dad, Dad!Martin: What?Frasier: I'm glad I've seen you.Martin:Get out of here. [sits]Frasier: Dad, Dad, I've got something that I think you might like to have before you tell Sherry whatever it is you want to tell her.Sherry: Oh, he's already told me.Frasier: He has? Well, that is justwonderful and may I say, it's about time! I couldn't be happier for you.Sherry: That's nice to know.Martin: Frasier!Frasier: I'd like you to know that everybody is one hundred percent behind this decision - my God,we're all so excited.Martin: FRASIER!Sherry: Well, I'm so glad that you're so happy your father's breaking up with me.Frasier: [realizes] Breaking up? [pause] I had no idea.Sherry: And you get paid to help peoplethrough their difficult moments?Frasier exits in embarrassment.[SCENE_BREAK]Scene Three - McGinty's. Time has lapsed. Sherry and Martin are at the door bidding their farewells.Martin: It isn't easy to say goodbye, isit?Sherry: No. It doesn't get any easier either, I should know. Listen, Marty, this is usually the time people say, \"Well, let's be friends\" and then, oh, there's a phone call or two but they never see each other again and,well, I just want you to know I am around for you if you ever get lonely or you just need to talk.Martin: Thanks. [they hug]Sherry: Oh, and when you call, if a man answers - hang up.Martin laughs with her as sheleaves. Martin goes to the bar and stares up at the game on the television whilst contemplating life without Sherry. Frasier enters and sits with him.Frasier: Hi, Dad. The only reason I came down here was to bring youthis. [hands over ring] Obviously I made another colossal blunder in a week full of them. I'm really sorry, Dad. [Martin is silent] I guess you don't really feel like talking.Martin: You know, Frasier, sometimes I just feellike sitting here and watching the game, all right?Frasier: Fine, I can do that.Martin: Yeah.Frasier: Sure. [looks up] So the, er, Sonics and the, er, Bulls. That Jordan, he's really something, huh? Yeah. The way he scoresthose points and gets the ball back when the other team misses... Wow! That's incredible. He made the same impossible shot twice in a row!Martin: It's the instant replay. [pause, looks at ring] You know, I was carryingthis thing around for a month.Frasier: Really?Martin: Yeah, but at the end of every night I just couldn't pop the question, and then I realized I knew what the answer would be. She didn't want to get marriedagain.Frasier: I'm sorry, Dad.Martin: Oh, it's all right. Maybe it wouldn't have worked out between us anyway. Your mom's a hard act to follow! I never went through anything like this with her. We knew we were meantto be together and that was that.Frasier: It's hard to find that out, Dad. I've been trying for a while.Martin: [pats him on the shoulder] You'll get there. I hope we both do.Frasier: Well, Dad, in time.The father and sonlook up at the television together.Frasier: Well, that was quite a shot!Martin: Patton's been pretty hot lately.Frasier: What's the score here, anyway?Martin: Sonics are only down by five, they've still got a chance if they"}
+{"doc_id":"doc_297","qid":"","text":"Broadcast 23 November 1963Duration: 23 minutes 10 seconds[SCENE_BREAK]1: EXT. TOTTERS LANE (NIGHT)(On a dark foggy night a lone policeman patrols his beat through the empty streets of London. Nearby aclock chimes 3 a.m. The policeman walks up to a pair of tall shabby wooden gates on which is paintedI.M. ForemanScrap Merchant Totters Lane The policeman shines his torch onto the gates then proceeds into thenight. Behind him, one of the gates creaks open revealing that hidden within the scrap and junk of yard is the incongruous shape of a London police box. That is strange enough in itself, but even stranger is the fact thatthe box is emitting a low electronic hum.)[SCENE_BREAK]2: INT. COAL HILL SCHOOL. CORRIDOR(The ringing of the bell brings an end to another day at the school. The students spill out of the classrooms, chatteringto each other. A woman, BARBARA WRIGHT, follows the students out, calling back into the classroom.)BARBARA: Wait in here please, Susan. I won't be long.(Various pupils say \"Good night, Miss Wright as they walkpast BARBARA. Two female students walk along the corridor, very interested in the paper they're reading. A young male student comes up, mocking their excited tones. The girls roll their eyes. One whispers somethingnaughty to the other, they smile and move along. BARBARA walks up behind them up to another classroom door. With a quick knock, she walks in.)[SCENE_BREAK]3: INT. COAL HILL SCHOOL. LABORATORY(Insideanother teacher, IAN CHESTERTON sits at a lab bench, marking some papers. He looks up as BARBARA enters.)IAN: Not gone yet?BARBARA: Obviously not.IAN: Ask a silly question...BARBARA: I'm sorry.IAN: It's allright. I'll forgive you this time.(BARBARA walks up to the bench and sits.)BARBARA: Oh, I've had a terrible day. I don't know what to make of it.IAN: Oh? What's the trouble? Can I help?BARBARA: Oh, it's one of thegirls: Susan Foreman.IAN: Susan Foreman? Oh ho. She your problem too?BARBARA: Yes.IAN: And you don't know what to make of her?BARBARA: No.IAN: How old is she, Barbara?BARBARA: fifteenIAN: Fifteen...shelets her knowledge out a bit at a time, so as not to embarrass me: that's what I feel about her. She knows more science than I'll ever know. She's a genius! Is that what she's doing with history?BARBARA: Somethinglike that.IAN: So, your problem is whether to stay in business or hand over the class to her.BARBARA: No, not quite.IAN: (Laughs.) what then?BARBARA: Ian, I must talk to someone about this, but I don't want the girlto get into trouble. And I know you're going to tell me I'm imagining things.IAN: No, I'm not.BARBARA: Well, I told you how good she is at history. I had a talk with her, and I told her she ought to specialise. Well, sheseemed quite interested 'till I said I'd be willing to work with her at her home. Then she said that would be \"absolutely impossible\" as her grandfather didn't like strangers.IAN: (Getting up and walking around to a sink.)He's a doctor, isn't he? It's a bit of a lame excuse.BARBARA: Well, I didn't pursue the point. But then recently, her homework's been so bad.IAN: (Washing his hands.) Yes, I know.BARBARA: Finally, I was so irritatedwith all her excuses, I decided to have a talk with this grandfather of hers and tell him to take some interest in her.IAN: Oh, did you indeed? And what's the old boy like?BARBARA: Well, that's just it. I got her addressfrom the secretary - 76 Totters Lane - and I went along there one evening.(IAN finishes washing his hands.)BARBARA: Oh Ian, do pay attention!(He walks across the room to dry his hands.)IAN: Sorry. You went alongthere one evening...BARBARA: Well, there isn't anything there. It's just an old junkyard.IAN: Well, you must've gone to the wrong place.BARBARA: Well that's the address the secretary gave me.IAN: Well the secretarygot it wrong then...BARBARA: No. I checked. There's a big wall on one side, houses on the other, and nothing in the middle. And this 'nothing in the middle' is No. 76 Totters Lane!IAN: Mmm...that's a bit of mystery.Well, there must be a simple answer somewhere.BARBARA: Well, what?IAN: (Grins.) Well, we'll have to find out for ourselves, won't we?BARBARA: (Grins.) Thank you for the \"we\". She's waiting in one of theclassrooms. I'm lending her a book on the French Revolution.IAN: What's she going to do - rewrite it?(BARBARA rolls her eyes, and the two teachers get up to leave.)IAN: Oh, all right! (He grabs his coat.) What do wedo? Ask her point blank?BARBARA: No. I thought we could drive there, wait 'till she arrives and see where she goes.IAN: (Puts his coat on.) Oh...all right.BARBARA: Well, that is, if you're not doing anything.IAN: No,I'm not. (He opens the door.) After you...[SCENE_BREAK]4: INT. COAL HILL SCHOOL. CLASSROOM(15-year old SUSAN FOREMAN - the subject of the teacher's conversation - is listening to a little pocket radio, puttingit up to her ear. She's a slim beauty with elfin features, unusually short dark hair and unusual eyes. She dances strangely to the music by making abrupt movements with her right hand and fake strumming a guitar.Behind her, IAN and BARBARA walk in. She's oblivious to them. Both smile with amusement.)BARBARA: Susan?SUSAN: (Putting down the radio.) Oh, I-I'm sorry, Miss Wright! I didn't hear you coming in. Aren't theyfabulous?BARBARA: Who?SUSAN: I-It's John Smith and the Common Men. They've gone from 19 to 2.BARBARA: (Not understanding a bit of it.) Hmm. (She looks puzzled.)IAN: (Laughing.) \"John Smith\" is the stagename of the honourable Aubrey Waites. He started his career as Chris Waites and the Carollers, didn't he, Susan?SUSAN: You are surprising, Mr. Chesterton. I wouldn't expect you to know things like that.IAN: I have anenquiring mind...(Motions to the loud radio.) and a very sensitive ear.SUSAN: Oh, (Turning the radio off, slightly flustered.) I'm sorry.IAN: Thank you.SUSAN: (Noticing the book that BARBARA is holding.) Is that thebook you promised me?BARBARA: (Hands it over.) Yes.SUSAN: Thank you very much. It will be interesting...I'll return it tomorrow.BARBARA: Oh, that's not necessary. Keep it until you've finished it.SUSAN: (She picksup her school bag.) I'll have finished it.(IAN and BARBARA glance at each other in surprise.)IAN: Oh, where do you live, Susan? I'm giving Miss Wright a lift. I've room for one more.SUSAN: Er...no thank you, Mr.Chesterton. Er...I like walking through the dark. It's mysterious.BARBARA: Be careful, Susan. There'll probably be fog again tonight.SUSAN: (Arranging things in her school bag.) Hmm.BARBARA: See you in themorning.SUSAN: I expect so. Good night.BARBARA: Good night.IAN: Good night, Susan.(IAN and BARBARA leave the room. SUSAN looks behind her at the closing door then picks up her book - \"The French Revolution,\"and starts to read a page at random. A moment later, she blinks at the book, startled.)SUSAN: That's not right...![SCENE_BREAK]5: EXT. TOTTERS LANE. (NIGHT)(IAN and BARBARA are in his car as it arrives in TottersLane.)BARBARA: Over there!(The car comes to a stop before the old wooden gate to the junkyard. The two teachers remain in the vehicle.)IAN: Lucky there was no fog. I'd never have found this.BARBARA: Well, shedoesn't seem to have arrived yet. (She pauses nervously.) I suppose we are doing the right thing, aren't we?IAN: You can't justify curiosity.BARBARA: But her homework...IAN: Bit of an excuse, really, isn't it? I've seenfar worse. The truth is, we're both curious about Susan, and we won't be happy until we know some of the answers.BARBARA: Well, you can't just pass it off like that. If I thought I was just being a busybody, I'd gostraight home! I thought you agreed she was a bit of a mystery!IAN: Yes, but I think you'll find there's a very simple explanation to all this.BARBARA: Well, I don't know how you explain the fact that a teenage girl doesnot know how many shillings there are in a pound.IAN: (Surprised.) Really?BARBARA: Really! She said she thought we were on the decimal system.IAN: The decimal system?[SCENE_BREAK]6: INT. COAL HILLSCHOOL. BARBARA 'S CLASSROOM (FLASHBACK)(The whole of BARBARA'S history class is laughing at SUSAN'S naiveté. A visibly stung SUSAN turns her back on the other students and stares directly at BARBARA - thescene is seen from her point of view.)SUSAN: I'm sorry, Miss Wright.BARBARA: (OOV: Cross.) Don't be silly, Susan. The United States has a decimal system. You know perfectly well that we do not.SUSAN: (In a shockof understanding.) Of course - the decimal system hasn't started yet![SCENE_BREAK]7: EXT. TOTTERS LANE. (CONTINUED)(IAN rubs his chin in thought.)IAN: I suppose she couldn't be a foreigner...no, it doesn't makesense! Nothing about this girl makes sense. For instance, just the other day, I was talking about chemical changes. I'd given out the litmus paper to show cause and effect...BARBARA: ...and she knew the answer beforeyou'd started.IAN: Well, not quite. The answer simply didn't interest her...[SCENE_BREAK]8: INT. COAL HILL SCHOOL. LABORATORY (FLASHBACK)(A nervous SUSAN at the lab bench, again surrounded by her fellowpupils, addresses IAN, who's walking toward her - again it is from the teachers point of view.)SUSAN: Yes, I can see red turns to blue, Mr. Chesterton, but that's because we're dealing with two inactive chemicals. Theyonly act in relation to each other.IAN: (OOV, Exasperated.) But that's the whole point of the experiment, Susan.SUSAN: Yes, it's a bit obvious, isn't it? Well, I-I'm not trying to be rude, but...couldn't we deal with twoactive chemicals? Then red could turn blue all by itself and we could get on with something else.(Her expression turns sheepish as she glances at her fellow pupils and she speaks more quietly.)SUSAN: I'm sorry. It wasjust an idea.[SCENE_BREAK]9: EXT. TOTTERS LANE. (CONTINUED)IAN: She means it. These simple experiments are child's play to her.BARBARA: You know, it's almost got to the point where I want to deliberately tripher up.IAN: (Laughing quietly.) Yes...something like that happened the other day. I'd set the class a problem with A, B, and C as the three dimensions...[SCENE_BREAK]10: INT. COAL HILL SCHOOL. LABORATORY(FLASHBACK)(SUSAN is clearly upset. For the final time she faces IAN full on.)SUSAN: It's impossible unless you use D and E!IAN: (OOV.) D and E? Whatever for? Do the problem that's set, Susan.SUSAN: I can't, Mr.Chesterton! You can't simply work on three of the dimensions!IAN: (OOV.) Three of them? Oh. Time being the fourth, I suppose. Then what do you need E for? What do you make the fifth dimension?SUSAN: (Quietlyand somewhat mysteriously.) Space...[SCENE_BREAK]11: EXT. TOTTERS LANE. (CONTINUED)BARBARA: Too many questions and not enough answers.IAN: Too stupid...or just doesn't know. So, we have a fifteen-yearold girl who is absolutely brilliant at some things and excruciatingly bad at others.BARBARA: (Pointing out of the cars windscreen window.) There she is!(At the entrance to the junkyard, SUSAN, in her hat and coat withher bag over her shoulder, looks round furtively, then pushes open the gate and enters the yard.)BARBARA: Look, can we go in? I..I hate to think of her, alone in that place.IAN: If she is alone. Look, she is fifteen...shemight be meeting a boy. Didn't that occur to you?BARBARA: I almost hope she is.IAN: What do you mean?BARBARA: Well, it would be so wonderfully normal.(Both teachers laugh. But BARBARA growssombre.)BARBARA: It's silly, isn't it? I feel frightened...as if we're about to interfere in something that is best left alone...[SCENE_BREAK]12: EXT. JUNKYARD. 76 TOTTERS LANE(SUSAN walking through the junkyard,puts something to eat in her mouth. A tailors dummy with a broken head stands behind her.)[SCENE_BREAK]13: EXT. TOTTERS LANE(IAN opens up the car door.)IAN: Come on, let's get it over with.(He and BARBARAget out of the car, and start toward the gate. BARBARA is getting more and more uneasy, and hangs back.)BARBARA: Well, don't you feel it?IAN: I take things as they come, come on.(The two teachers walk towardsthe gates.)[SCENE_BREAK]14: EXT. JUNKYARD. 76 TOTTERS LANE(With a creak of the gate, IAN and BARBARA enter the junkyard. IAN switches on his torch and they stare at the mounds of junk. SUSAN is nowhere insight. They briefly examine the tailors dummy.)IAN: What a mess. I'm not turning any of this stuff over to find her...BARBARA: (Points.) Over there?(IAN starts in the direction indicated, only to stumble over one of thepieces of junk. He picks himself back up.)IAN: Blast! I dropped it!BARBARA: What?IAN: The torch!BARBARA: Well, use a match!IAN: No, I haven't got any. Oh, never mind.(The two teachers continue their explorationof the junkyard - now somewhat in darkness.)BARBARA: Susan?IAN: Susan? Susan?(IAN starts up a short flight of stairs which lead to the building at the back of the yard.)IAN: Susan?(He comes back down.)IAN:Susan! Mr. Chesterton and Miss Wright!(He looks behind the stairs then, quietly to himself.)IAN: Can't have got out without us seeing her?BARBARA: Ian...look at this!(BARBARA has found the Police Box, which standsnext to the stairs.)IAN: Well, it's a police box! What on earth's it doing here? Well, these things are usually on the street...(IAN has put his hand on the box's side whilst saying this but he stops dead in surprise. Hetouches it with his full hand, more firmly.)IAN: Feel it! Feel it!(BARBARA quickly puts the back of her hand on and off the side of the box.)IAN: Did you feel it?BARBARA: It's a faint vibration...(He takes a step back fromthe box.)IAN: It's alive!(IAN quickly walks around the back of the box as BARBARA waits.)IAN: It's not connected to anything, unless it's through the floor.BARBARA: Look, I-I've had enough. Let's go and find apoliceman.IAN: Yes, all right...(A coughing sound echoes through the junkyard from outside the gates.)BARBARA: Is that her?IAN: That's not her...(The gate creaks open.)IAN: Quick!(They hide behind the stairs. AnOLD MAN walks into view. Seemingly in his mid seventies, with straight, slightly long white hair, wearing an Astrakhan hat, cloak and scarf. He coughs and waves a handkerchief to clear the air. He walks up to the box,pulling out a key and, holding a slim pen flashlight in the other hand, starts to insert the key into the lock set into the box's door.)SUSAN: (OOV.) There you are, Grandfather!BARBARA: (Whispering but shocked.) It'sSusan!IAN: Shh!(The OLD MAN has heard them. He pockets the key and shines the torch on the stairs as IAN comes out of hiding.)IAN: (Sheepishly.) Excuse me...OLD MAN: (Shining the pen torch at his face.) Whatare you doing here?IAN: Uh, we're looking for a girl.OLD MAN: We?BARBARA: (Stepping into view.) Good evening.OLD MAN: What do you want?IAN: Um...one of our pupils, Susan Foreman, came into this yard.OLDMAN: (A smile on his face.) Really? In here? Are you sure?BARBARA: Yes. We saw her from across the street.OLD MAN: (To himself.) One of their pupils. Not the police, then...IAN: Er...I...I beg your pardon??OLD MAN:(He fixes IAN with a stare.) Why were you spying on her? Who are you?IAN: We heard a young girl's voice call out to you...OLD MAN: Your hearing must be very acute. I didn't hear anything.BARBARA: (She points atthe box.) It came from in here!OLD MAN: (A flash of fear crosses his face.) You imagined it.BARBARA: I certainly did not imagine it!(The OLD MAN pulls IAN by the arm to one side.)OLD MAN: Young man...Is itreasonable to suppose that anyone would be inside a cupboard like that, hmm?IAN: Would it therefore be unreasonable to ask you to let us have a look inside?(The OLD MAN'S attention is suddenly drawn to a paintingamid the junk.)OLD MAN: (Picks the painting up.) I wonder why I've never seen that before. Now, isn't that strange? Pretty damp and dirty...hmm...BARBARA: Won't you help us? We're two of her teachers from theCoal Hill School. We saw her come in and we haven't seen her leave. Naturally, we're worried...OLD MAN: (Not paying attention and muttering to himself.) Have to be cleaned... (He suddenly seems to notice her again.)Mmm? Oh, I'm afraid it's none of my business. I suggest you leave here.(He puts the painting back down and walks back to the Police box.)IAN: Not until we're satisfied that Susan isn't here and, frankly, I don'tunderstand your attitude...OLD MAN: Oh, yours leaves a lot to be desired.IAN: Will you open the door?OLD MAN: There's nothing in there!IAN: Then what are you afraid to show us?OLD MAN: Afraid? Oh, go away!IAN:(To BARBARA.) I think we'd better go and fetch a policeman.OLD MAN: Very well.IAN: And you're coming with us.OLD MAN: Oh...am I? (He chuckles.) I don't think so, young man. No, I don't think so...BARBARA:(Whisper.) We can't force him!IAN: (Whisper.) But we can't leave him here! Doesn't it seem obvious to you he's got her locked up in there? (BARBARA nods.) Look at it!(The OLD MAN is standing away from them again,now seemingly examining a small jug but his real attention is occupied by the teachers conversation as IAN examines the box's door.)IAN: There's no door handle...must be a secret lock somewhere.BARBARA: That wasSusan's voice.IAN: Of course it was! Susan...Susan? Are you in there? It's Mr. Chesterton and Miss Wright, Susan!OLD MAN: Don't you think you're being rather high-handed, young man? You thought you saw a younggirl enter the yard. You imagined you heard her voice. You believe she might be in there. It's not very substantial, is it?BARBARA: But why won't you help us?(He puts the jug back down and faces the teachers.)OLDMAN: I'm not hindering you. If you both want to make fools of yourselves, I suggest you do what you said you'd do. Go and find a policeman.IAN: While you nip off quietly in the other direction.OLD MAN: (Momentarilycloses his eyes.) Insulting. (He faces them again.) There's only one way in and out of this yard. I shall be here when you get back. I want to see your faces when you try to explain away your behaviour to apoliceman.IAN: Nevertheless, we're going to find one. Come along, Barbara.(The two teachers turn their backs on the OLD MAN, toward the gate. They've taken only a step when the door of the box opens.)SUSAN:(OOV.) What are you doing out there?IAN: She is in there!(Suddenly the OLD MAN rushes at the two teachers, trying to hold them back.)OLD MAN: Close the door!IAN: Barbara!(As IAN struggles with the OLD MAN,BARBARA dashes through the box's open door...)[SCENE_BREAK]15: INT. POLICE BOX(...and into a large brilliantly lit white room. The walls are covered with circular, indentations. A hexagonal-shaped control consolewith a cylindrical tube inset in the centre with machinery visible inside. Various antiques decorate the place. A monitor is set into the upper wall. A shocked SUSAN walks from behind the console. The OLD MAN and IANwalk inside behind BARBARA.)OLD MAN: Close the doors, Susan.(SUSAN activates a switch on the console, and the large double doors behind the group close with an electronic hum.)OLD MAN: (To SUSAN.) I believethese people are known to you.SUSAN: They're two of my schoolteachers! What are you doing here?BARBARA: (Looking around in wonder.) Where are we?OLD MAN: They must have followed you. That ridiculous school- I knew something like this would happen if we stayed in one place too long.SUSAN: But why should they follow me.BARBARA: Is this really where you live, Susan?SUSAN: Yes.OLD MAN: And what's wrong with it?IAN:But it was just a telephone box...OLD MAN: Perhaps.BARBARA: And this is your grandfather...?SUSAN: Yes.BARBARA: (To the OLD MAN - the DOCTOR that she spoke of earlier with IAN.) Well, why didn't you tell usthat?DOCTOR: I don't discuss my private life with strangers.IAN: But it was a police telephone box. I walked all round it! Barbara, you saw me!(The DOCTOR crosses to an antique ormolu clock on a nearbystand.)DOCTOR: You don't deserve any explanations. You pushed your way in here, uninvited and unwelcome.BARBARA: I think we ought to leave...IAN: (To Barbara.) No, just a minute. (He crosses to theDOCTOR.)DOCTOR: (To himself as he examines the clock.) Dear, dear, dear, this is very....IAN: I know this is absurd, but I feel...I walked all around it!(The DOCTOR'S attention is still occupied by the clock.)DOCTOR:It's stopped again, you know, and I've tried... (He takes notice of IAN.) Hmm? Oh, you wouldn't understand at all.(He walks back to the console. IAN follows him.)IAN: But I want to understand!DOCTOR:(Uninterested.) Yes, yes, yes, yes, yes, yes.(The DOCTOR sheds his cloak and scarf over an old chair, keeping his hat on.)DOCTOR: Oh by the way Susan, I've managed to find a replacement for that faulty filament. Bitof an amateur job, but I, er, I think it'll serve.(The DOCTOR takes an electronic object out of his pocket and walks to the console. He starts to insert the object into the console, effecting repairs.)IAN: It's an illusion. It"}
+{"doc_id":"doc_298","qid":"","text":"[Caroline wakes up. Her blow is covered with blood. Damon sleeps in her bed. She gets up and tries to leave the room, but Damon wakes up too.]DAMON: Good morning.CAROLINE: Please... Don't.DAMON: Don't dothat. Ah, ah, ah.CAROLINE: No! No! No! Get away from me! No!DAMON: This could have gone a completely different way.[Front of the school.]BONNIE: I'm not saying don't date the guy. I'm just saying take itslow.ELENA: You were the one who said to go for it.BONNIE: Now I'm saying take it slow.ELENA: Why the about-face?BONNIE: It's not an about-face. You're single for the first time in your entire high school career. It'sthe perfect time to play the field.ELENA: Oh, because I'm so that girl. Seriously, what are you not saying?BONNIE: It's stupid.ELENA: Bonnie...BONNIE: What?ELENA: Spit it out.BONNIE: I accidentally touched Stefan.And got a really bad feeling.ELENA: Is that it? Bonnie.BONNIE: It was bad bad!ELENA: Is the whole witch mojo thing again?BONNIE: You know what? I'm just concerned. This is me expressing concern about my bestfriend's new boyfriend.ELENA: And I love you for it, I do. But I feel good. It's been a hard year, and I'm starting to kind of feel like things are getting back to normal again. And you know what? Stefan is a big part ofthat.VICKI: I rock. I scored 2 tickets to the Posers Saturday night. They're playing at the Rat.JEREMY: You and Tyler have fun.VICKI: Don't be like that. Come on. I want you to go.JEREMY: You're not worried everyone'sgoing to know you're screwing the stoner geek? Oh, wait... everyone already knows.VICKI: Yeah. But it's not like that anymore, so now we can be friends and just hang.JEREMY: Tell me something, was it the drugs?Were you sleeping with me because of the drugs?VICKI: Screw you.JEREMY: No, if there's another reason, please, I'm all ears.STEFAN: Good morning, Elena. Good morning, Bonnie.BONNIE: Hey, um, I gotta findCaroline. She's not answering her phone. So I'll see you guys later.ELENA: Bonnie, wait...STEFAN: She doesn't like me very much.ELENA: She doesn't know you. She's my best friend. She's just looking out for me. Butwhen she does, she will love you.TYLER: Look... there's Elena and her new boyfriend. Now, what are they doing? Oh, they're walking, walking, walking. Yep. Right into the sunset.MATT: You're a dick.TYLER: While youjust stand there looking like one of those little yard trolls.MATT: Gnomes.ELENA: Here's what we're going to do. Are you free tonight?STEFAN: Yes.ELENA: Perfect. Dinner, my house. 8:00. You, me, and Bonnie. You twowill spend some quality time and she'll get to see what a great guy you are. Mission accomplished.MATT: Hey, what am I supposed to do, Ty? She made her choice.TYLER: Let her know she made the wrong one.MATT:What are you doing? Ty, don't. Ty, don't! Ty! Don't!Tyler throws the ball on Stefan, but Stefan catches it with an impresionnante speed. He throws the ball to Tyler who moves back under the shock.ELENA: That throwwas insane. I didn't know you played football.STEFAN: I used to. It was a long time ago.ELENA: So why don't you try out for the team?STEFAN: Yeah, I don't think so.ELENA: So you don't like football?STEFAN: No, Ilove football. I think it's a great sport. But in this case, I don't think football likes me. You saw Tyler over there, and we both know how Matt feels.ELENA: They don't know you. To them, you're mysterious loner guy.Wouldn't hurt to be part of. Make some friends.STEFAN: Says the girl who spends her alone time writing in a cemetery.ELENA: Hey, come on. There's more to me than just gloomy graveyard girl. There's a whole otherElena that you have yet to meet. She was into everything, very busy.STEFAN: Well, I look forward to meeting her. And when will that be?ELENA: Soon. She's working on it.[In History's class. Bonnie is writing numberson her book. \"8\", \"14\", \"22\".]TANNER: World war II ended in... Anyone got anything? Miss Juan? 1945.ELENA: Psst. Fyi... Our team sucks. They could use you.STEFAN: Can't.TANNER: Pearl Harbor.STEFAN: I'm aloner.TANNER: Miss Gilbert?ELENA: Hmm? Pearl Harbor?TANNER: Um...STEFAN: December 7, 1941.TANNER: Thank you, Miss Gilbert.STEFAN: Anytime.TANNER: Very well. The fall of the Berlin wall.STEFAN: 1989. I'mgood with dates, sir.TANNER: Are you? How good? Keep it to the year. Civil Rights Act.STEFAN: 1964.TANNER: John F. Kennedy assassination.STEFAN: 1963.TANNER: Martin luther King.STEFAN: '68.TANNER:Lincoln.STEFAN: 1865.TANNER: Roe vs. Wade.STEFAN: 1973.TANNER: Brown vs. Board.STEFAN: 1954.TANNER: The battle of Gettysburg.STEFAN: 1863.TANNER: Korean war.STEFAN: 1950 to 1953.TANNER: Ha! Itended in '52.STEFAN: Uh, actually, sir, it was '53.TANNER: Look it up, somebody. Quickly.STUDENT: It was 19... 53.ELENA: How did you know all of that?STEFAN: Years and years of crossword puzzles. It's a lonerthing.[The Soccer field. Stefn looks the team. Elena is with the cheerleaders.]MATT: Nice job! Nice job!TANNER: Mr. Lockwood, is there anything you're good at? 'Cause it isn't history, and it sure as hell isn't defendingthe ball!TYLER: Yes, coach.TANNER: Now do it again!BONNIE: Oh, my God! You're here!ELENA: Yep. I can't be sad girl forever. The only way to get things back to the way they were are to do things that were. Oh, andyou're coming to dinner tonight.BONNIE: I am?ELENA: Mm-hmm. You, me and Stefan. You have to give him a chance.BONNIE: Tonight's no good. Have you seen Caroline? I texted her like a hundred times.ELENA:Don't change the subject, Bonnie Bennett. You're going to be there.BONNIE: Fine. I'll go.ELENA: Good.TANNER: Varsity trials were last spring, Mr. Salvatore.STEFAN: I wasn't here then, sir.TANNER: And you're nothere now, as far as I'm concerned.STEFAN: Mr. Tanner, I realize that you and I didn't get off to the best start, And I want to apologize for that. I've played football before. Wide receiver, mostly, and I'm prettygood.TANNER: Well, I won't be asking you who won the super bowl in '71.STEFAN: '71 was the... Sorry. I... I understand that, sir.TANNER: Just to see you get knocked on your ass. Borrow some gear. Go! Before Ichange my mind. Let's run it again!MATT: First my girlfriend, now the team?TYLER: Dude, this is an opportunity. Football's a contact sport. Sometimes people get hurt. Whoo! Ha ha!BONNIE: Seriously, where isCaroline?ELENA: I don't know. It's not like her. Try her again.Caroline arrives in Damon's car.ELENA: Uh...BONNIE: Oh, my God. That must be the mystery guy from the grill.ELENA: That's not a mystery guy. That'sDamon Salvatore.BONNIE: Salvatore, as in Stefan?CAROLINE: I got the other brother. Hope you don't mind. Sorry I'm late, girls. I, uh, was busy. All right, let's start with the double pike herkey hurdler, what do yousay? And 5, 6, 7, 8. 1, 2, 3, 4, 5, 6, 7, 8. 1, 2, 3, 4, 5, 6, 7, 8. Elena, sweetie, why don't you just observe today? Ok? Keep going! Ok. Do it again from the top. And 5, 6, 7, 8. 1, 2, 3, 4, 5, 6, 7, 8.MATT: Blue lady! Bluelady! Set, hut! Go! Come on, Tyler, cover it! Let's do it.TANNER: Get it.MATT: Line up!MATT: I hate to say it, but he's got skills.TYLER: I think he needs a buddy pass.MATT: Really? You don't get to walk on the field andact like you own the place after 5 minutes.TYLER: Just hang one up there and I'll take care of the rest.TANNER: Do it again.MATT: All right, let's huddle up. Set, hut!TYLER: Oh! Whoo! Welcome to the team,buddy.TANNER: You gonna live, Salvatore?STEFAN: Yeah.TANNER: Walk it off, son.MATT: Hey. That was my bad.STEFAN: It's all right.MATT: Hey.TANNER: All right.[Stefan's bedroom.]DAMON: How were tryouts? Didyou make the team? Very Emerson, the way you reveal your soul with so many... Adjectives.STEFAN: What are you doing here?DAMON: I've come to apologize. I've been doing some thinking, some soul searching,and... I want us to start over. We need to put the past behind us. You're my little brother, and if you want to live a normal, happy human life, then I want that for you. Maybe I can do it, too. That I can learn to be anon-living living person. Maybe there's hope for both of us.STEFAN: You know, it doesn't have to be this way, Damon.DAMON: Of course it doesn't. I saw Elena today, btw. That means \"by the way.\" She was atcheerleading practice. She looked so perky in her little short shorts. Just... simmer down, I didn't even go near her. I've got my own cheerleader now. Ooh, that reminds me... I gotta run. I have a date. Sweaty palms.Wish me luck.[Elena's kitchen.]BONNIE: You explain it. Last night, I'm watching Nine-o, a commercial breaks come on and I'm like, I bet it's that phone commercial. And sure enough, it's that guy and the girl with thebench, he flies to Paris and he flies back. They take a picture.ELENA: Oh, come on. That commercial's on a constant loop.BONNIE: Fine. Well, how about this? Today I'm obsessed with numbers. 3 numbers. I keepseeing 8, 14, and 22. How weird is that?ELENA: Maybe we should play the lottery. Have you talked to your grams?BONNIE: She's just gonna say it's because I'm a witch. I don't want to be a witch. Do you want to be awitch?ELENA: I don't want to be a witch.BONNIE: And putting it in a nice bowl isn't fooling anybody.ELENA: Ok, serving spoons. Where are the serving spoons?BONNIE: Little drawer on your left.ELENA: Ok, so you'vebeen in this kitchen like a thousand times.BONNIE: Yeah, that's it.They hear the doorbell.ELENA: Ok, he's here. Don't be nervous. Just be your normal loving self. Bonnie stays alone in the kitchen.BONNIE: Birthdaycandles. She opens a drawer and find the candles[Elena's living room.]ELENA: Did Tanner give you a hard time today?STEFAN: Well, he let me on the team, so I must have done something right.ELENA: Bonnie, youshould have seen Stefan today. Tyler threw a ball right at him, and...BONNIE: Yeah, I heard.ELENA: Why don't you tell Stefan about your family?BONNIE: Um, divorced. No mom. Live with my dad. Hmm.ELENA: No,about the witches. Bonnie's family has a lineage of witches. It's really cool.BONNIE: Cool isn't the word I'd use.STEFAN: Well, it's certainly interesting. I'm not too versed, but I do know that there's a history of celticdruids that migrated here in the 1800s.BONNIE: My family came by way of Salem.STEFAN: Really? Salem witches?BONNIE: Yeah.STEFAN: I would say that's pretty cool.BONNIE: Really? Why?STEFAN: Salem witchesare heroic examples of individualism and nonconformity.BONNIE: Yeah, they are.They hear the doorbelln, again.ELENA: I wonder who that could be.CAROLINE: Surprise! Bonnie said you were doing dinner, so webrought dessert.ELENA: Oh.DAMON: Hope you don't mind.STEFAN: What are you doing here?DAMON: Waiting for Elena to invite me in.ELENA: Oh, yeah, you can...STEFAN: No, no, no. He can't, uh... he can't stay. Canyou, Damon?CAROLINE: Get in here.STEFAN: We're just... finishing up.ELENA: It's fine. Just come on in.DAMON: You have a beautiful home, Elena.ELENA: Thank you.CAROLINE: I cannot believe that Mr. Tanner let youon the team. Tyler must be ceiling. But good for you. Go for it.DAMON: That's what I always tell him. You have to engage. You can't just sit there and wait for life to come to you. You have to go get it.CAROLINE: Yeah,Elena wasn't so lucky today. It's only because you missed summer camp. God, I don't know how you're ever going to learn the routines.BONNIE: I'll work with her. She'll get it.CAROLINE: I guess we can put her in theback.DAMON: You know, you don't seem like the cheerleader type, Elena.CAROLINE: Oh, it's just 'cause her parents died. Yeah, I mean, she's just totally going through a blah phase. She used to be way more fun. AndI say that with complete sensitivity.DAMON: I'm sorry, Elena. I know what it's like to lose both your parents. In fact, Stefan and I have watched almost every single person we've ever cared about die.STEFAN: We don'tneed to get into that right now, Damon.DAMON: Oh, you know what, you're right, Stef. I'm sorry. The last thing I wanted to do was bring her up. Mmm.[SCENE_BREAK][At the grill.]VICKI: Don't do that. Not while I'mworking. I'll see you later.TYLER: I'll be right back.MATT: She's my sister and I love her, but sometimes she can really make you work for it.JEREMY: I find it pretty easy.JERMEY: All right, I get it. Hitting me to impressher. That's... That's real nice.TYLER: I don't need to impress her. I already won. Now you're dead.JEREMY: Am I? 'Cause it seems like I'm standing here waiting for you to man up.MATT: Ty, don't!TYLER: The next time Isee you, Gilbert...JEREMY: No, next time I see you.MATT: What are you doin', Vick?[Elena's kitchen.]DAMON: One more.ELENA: Oh, thank you. Nice save.DAMON: I like you. You know how to laugh. And you makeStefan smile, which is something I haven't seen in a very long time.ELENA: Earlier, did you mean... Katherine?DAMON: Mm-hmm.ELENA: How did she die?DAMON: In a fire. Tragic fire.ELENA: Recently?DAMON: Well, itseems like it was yesterday.ELENA: What was she like?DAMON: She was beautiful. A lot like you in that department. She was just very complicated and selfish and at times not very kind, but very sexy andseductive.ELENA: So which one of you dated her first?DAMON: Nicely deduced. Ask Stefan. I'm sure his answer differs from mine. I'd quit cheerleading if I were you.ELENA: Why do you say that?DAMON: Oh, I saw youat practice. You looked miserable.ELENA: You saw that?DAMON: Uh-huh.ELENA: I used to love it. It was fun. Things are different this year. Everything that used to matter doesn't anymore.DAMON: So don't let it. Quit,move on. Problem solved. Ta-da.ELENA: Some things could matter again.DAMON: Maybe. But... seems a little unrealistic to me.ELENA: I'm sorry. About Katherine. You lost her, too.BONNIE: Hey. Need somehelp?DAMON: Sure, why not?[Elena's living room.]CAROLINE: Matt tries, but he's just having a really hard time. You have to understand that they were each other's first. You know, like, from the sandbox.STEFAN:That's a really nice scarf.CAROLINE: Mm. Thank you, it's new.STEFAN: Can I see it? I mean, would you mind taking it off?CAROLINE: Oh, I can't.STEFAN: Why not? You ok?CAROLINE: Um... All I know is that I can'ttake it off.DAMON: What are you two kids talking about?STEFAN: I was just commenting on her scarf.DAMON: Hmm. Hey, you know, um, Elena and Bonnie are finishing up the dishes. Why don't you go see if you canhelp?CAROLINE: Does it look like I do dishes?DAMON: For me?CAROLINE: Hmm... I don't think so.DAMON: Go see if Elena needs help in the kitchen.CAROLINE: You know what? I'm gonna go see if Elena needs somehelp in the kitchen.DAMON: Great.STEFAN: They are people, Damon. She's not a puppet. She doesn't exist for your amusement, for you to feed on whenever you want to.DAMON: Sure she does. They all do. They'rewhatever I want them to be. They're mine for the taking.STEFAN: All right, you've had your fun. You used Caroline, you got to me and Elena, good for you. Now it's time for you to go.DAMON: That's not a problem.Because... I've been invited in, and I'll come back tomorrow night and the following night and I'll do with your little cheerleader whatever I want to do. Because that is what is normal to me.[Elena's bedroom.]ELENA:Tonight wasn't so bad. I had fun.STEFAN: Hmm. That makes one of us.ELENA: Come on. Your brother isn't as bad as you make him out to be...Stefan kisses her. When he removes his shirt, he turns into Damon. Elenascreams. She wakes up, it was a nightmare. There was a crow at the window[Stefan's bedroom. He is writing on his diarie.]STEFAN: There must be a shred of humanity left inside my brother. Somewhere. I keephoping. But how do I make him see it? And how do I protect her?[Later. The Soccer game.]ELENA: Ooh. Look at you. You look hot in your jersey.STEFAN: What happened? No more cheerleader?ELENA: I quit. I'm aquitter.STEFAN: No, hey, you're not a quitter. You suffered a great loss. You're not the same person. You should be looking ahead. You should be starting over. Ok? I hope you don't think this is too soon or too weird,but... I, uh, I wanted you to have this.ELENA: Oh, my God, it's beautiful.STEFAN: It's something that I've had forever, and, uh, I've never wanted to give it to anyone until now. I'd very much like it if you'd wear it forme, for... good luck.ELENA: Is that rose that I smell?STEFAN: No, it's, uh... it's an herb. It's nice, huh?ELENA: I love it.STEFAN: And, uh, I wanted to thank you for pushing me to try out for the team. It feels reallygood.ELENA: We're a pair. I quit, you start.STEFAN: Right. We're a work in progress. We'll figure it out.Elena kisses him.CAROLINE: And you're not in uniform because...[Later.]TANNER: Wait, wait, wait, Wait, wait,wait, wait, wait, wait, wait. Wait. Let's be honest here. In the past, we used to let other teams come into our town and roll right over us! But that is about to change. We've got some great new talent tonight starting onthe offensive line, and I'm gonna tell you right now, it has been a long time since I have seen a kid like this with hands like these.TYLER: This blows. He can't start the guy. He just got here.TANNER: That have beenwaiting for us to put a check in the win column, I have only one thing to say to you... Your Timberwolves are hungry.VICKI: Hey, you. What's wrong?TYLER: Nothing.TANNER: And the central high lions are what's fordinner!TYLER: Is that Jeremy?VICKI: Wait, no! Ty! No.TYLER: Oh, what do you care? Don't look so down. You can have her when I'm done.Jeremy strikes him. The two boys begin to fight.VICKI: Tyler, stop it! Tyler!Tyler, stop! Stop it! Stop, you're hurting him! Tyler! Tyler, stop! Tyler! Stop it! Tyler, stop!STEFAN: Hey, he's down! Enough!ELENA: Jeremy, no!MATT: Get off me! Stop!ELENA: What the hell, Jeremy? Put your head up,you're bleeding.JEREMY: I'm fine!ELENA: Yeah, you smell fine.JEREMY: Just stop, ok?MATT: Come on, man. Come on.ELENA: Oh, my God, your hand.STEFAN: No, no, no, it's fine.ELENA: Is it deep? How bad is it?Come on! Stefan's hand hasn't scar.ELENA: But... I saw it, it was...STEFAN: He missed. It's not my blood. See? I'm fine.ELENA: No, no, no. I... I saw it. The glass cut your hand. It was...STEFAN: It's ok. I'm ok. It'salmost kick-off time, all right? So, um, I'll, uh, I'll see you after the game.CAROLINE: Hey, Tiki, it's all wobbly. Can you stand straight, please? Could someone please help Tiki?BONNIE: Hey! Where you been?ELENA:Can I ask you a question and you give me a really serious no-joke response?BONNIE: Of course. What is it?ELENA: The bad mojo. When you touched Stefan and you had that reaction...BONNIE: You know what, forget Isaid that. Your little dinner party plot totally won me over.ELENA: No, Bonnie, seriously. What was it? Did you see something, Or...BONNIE: It wasn't clear like a picture. Like today, I keep seeing those same numbers Itold you about... 8, 14, 22.ELENA: Yeah?BONNIE: When I touched Stefan, it was a feeling. And it vibrated through me, and it was cold, and it...ELENA: And what?BONNIE: It was death. It's what I imagine death to belike. Elena goes to her car.ELENA: You scared me. What are you doing here?DAMON: I'm hiding from Caroline.ELENA: And why is that?DAMON: I needed a break. She talks more than I can listen.ELENA: That could be asign.DAMON: Well, she's awfully young.ELENA: Not much younger than you are.DAMON: I don't see it going anywhere in the bigger picture. I think she'd drive me crazy.ELENA: Caroline does have some really annoyingtraits, but we've been friends since the first grade and that means something to me.DAMON: Duly noted. I'm sorry if I make you uncomfortable. That's not my intention.ELENA: Yes, it is. Otherwise you wouldn't put analternate meaning behind everything you say.DAMON: You're right. I do have other intentions, but so do you.ELENA: Really?DAMON: Mm-hmm. I see 'em. You want me.ELENA: Excuse me?DAMON: I get to you. Youfind yourself drawn to me. You think about me even when you don't want to think about me. I bet you even dreamed about me. And right now... You want to kiss me. She strikes him.ELENA: What the hell? I don't knowwhat game you're trying to play with Stefan here, but I don't want to be part of it. And I don't know what happened in the past, but let's get one thing straight... I am not Katherine.[Later.]MATT: You gonna be able toplay?STEFAN: Oh, yeah, I'm good.MATT: Uh, what you did back there... you had Jeremy's back.STEFAN: Ah, he's a messed-up kid. Somebody's gotta look out for him.MATT: I know. This week at practice I was adick.STEFAN: Had your reasons.MATT: No excuse. Good luck tonight. We're lucky to have you.DAMON: Isn't that nice? Stefan joins a team, makes a friend. It's all so, \"rah, rah, go team, yeah!\"STEFAN: Not tonight. I'mdone with you.DAMON: Nice trick with Elena. Let me guess... vervain in the necklace? I admit, I was a bit surprised. It's been a while since anyone could resist my compulsion. Where'd you get it?STEFAN: Does it"}
+{"doc_id":"doc_299","qid":"","text":"\"Surprise\" 25th Episode of RoswellProduction Code: 2ADA03[SCENE_BREAK](Episode begins with Isabel in an abandoned building. She finds Tess on the ground, badly beaten)Isabel: Oh, God! Tess! Oh, god, Tess!Tess! Tess, wake up! Oh, God. Wake up!Tess: Isabel?Isabel: Ok, come on. Come on, Tess. I'll get you out. It's ok. Ok. Ok. Come on. Come on. I'll get you out of here. It's ok. It's ok. We'll make it. I promise. We'll makeit. Ok.(Isabel moves Tess into a room and bolts the door)Isabel: Tess. Stay with me. Stay with me, damn it. Don't die on me now. Don't die on me now.(The door unlocks and swings open. Isabel recognizes theperson)Isabel: It's you.(Opening credits)(Isabel is on her way to the Crashdown, where her friends have prepared a surprise party. She's wearing a party dress)Everyone: Surprise!Mrs. Evans: Oh, happy birthday,sweetheart!Isabel: Oh, my God! Oh! I could kill you all.Mrs. Evans: Kill your brother. He's the one who planned the entire thing.Max: Happy birthday, old lady.Isabel: Max, I can't believe you did this with everythingthat's happening.Max: It's still your birthday.Isabel: Max, you're the worst, really. I don't know what to say.Maria: Say that you're surprised, 'cause he was totally, totally stressing that you'd figure it out.Isabel: I hadno idea.Max: Really?Michael: Alex told you to come by so he could give you back a book. I mean, what a lame excuse. How could you not figure that out?Isabel: Where is Alex, anyway?Maria: He's, um, he's still gettingdressed.(We see Courtney using her alien power to fill some empty glasses with beverages)Mrs. Evans: Can you believe your brother did all of this in, like, 3 days' time?Isabel: No.Courtney: Happy birthday toyou.Isabel: Oh, thank you.Courtney: Mm-hmm.Mrs. Evans: Oh, honey. You know, your dad is beside himself that he's still stuck in Minneapolis.Isabel: That's ok. Poor guy.Mrs. Evans: By the way, honey, why are youwearing that dress?Isabel: Um, oh...Michael: Yeah. If you really didn't know about the party, then how'd you know to dress up?Isabel: I...I didn't. I...actually, I had, um, other plans.Grant: Isabel. Sorry I'm late. I didn'tknow there was going to be a party.Isabel: Neither did I. Purple are my favorite.Grant: So I heard.Michael: No, wait. Who's ever heard of purple roses? What, did you, like, dye them or something?Isabel: They'resterling roses, Michael. They're...they're really rare and expensive.Grant: Well, I'm impressed. No one's ever given me a surprise party.Mrs. Evans: Oh, when's your birthday?Grant: December 7th.Mrs. Evans: And whatyear might that be?Isabel: Mom!(Isabel notices some blood on the back of Grant's neck)Isabel: Oh, you...you're bleeding on your...Grant: I am?Isabel: Oh, here. Let me.Isabel (to Mom): Here, mom. Will you...(Isabelhands Mrs. Evans the glass the was holding)Grant: Must have happened when I slipped down the ravine on the dig today.(Isabel has an incoherent vision)Grant: What?Isabel: Nothing. No, nothing.Grant: Well, thisobviously isn't a good time for a date.Isabel: Well, you're welcome to stay.Michael: Or go.Grant: Actually, I have some samples I should drop off at the lab tonight anyway. I'll call you.Isabel: Ok.(Grant leaves and Mrs.Evans is visibly upset)Mrs. Evans: You know, honey, not now and not tonight, but pretty soon you and I are gonna have to have a little talk.Max: Ditto.(Isabel has a vision of Tess in an accident. She drops herdrink)Isabel: Oh, God.Mrs. Evans: Are you all right?Isabel: I'm just so clumsy tonight.Courtney: I'll get that.Isabel: Are you sure? I can...I can get it.Courtney: This is your night.(In Whitaker's office, Liz is dancing a bitwhile organizing some files. Whitaker comes in and wonders what's going on)Liz: Oh! I'm sorry.Whitaker: Where'd you get that?Liz: Oh...um, there were just some CDs out on your desk. I can put them back.(As Lizturns off the boombox, Whitaker locks one of the file cabinets. Liz notices this)Whitaker: No, it's fine. Run lola run, huh?Liz: It's a great soundtrack.Whitaker: Yeah. It's really cool. I loved this movie. Story of my life.Liz:I know what you mean.Whitaker: It's after 7:00. What are you still doing here?Liz: Oh, um, I was just gonna finish up these reports.Whitaker: They'll be here tomorrow. Go home. Here, take Lola.Liz: Oh, really? Thatwould be so great, because I have this party I want to get to.Whitaker: Oh, really? There's a party?Liz: Yeah. Um, it's just this small birthday party for a friend of mine at the Crashdown.Whitaker: That cafe your parentsown. Oh, I adore that place.Liz: Thank you.Whitaker: You know, it would be great to finally meet them.Liz: Oh, I don't think that they're gonna be there.Whitaker: I'll just pop my head in for 5 minutes. Never hurts tomingle with my constituents.Liz: Yeah, sure. Uh, that'd be great.Whitaker: I'm just gonna hit the powder room...freshen my lipstick.(Liz uses a letter opener to unlock the cabinet that Whitaker locked. She finds a CDlabeled \"Parker Liz, Date: Sep 6-19\". She puts the CD in the boombox and listens via headphones)Liz: I can't just go to a movie in the middle of the day, Maria.Maria: Tell her you got a doctor's appointment.Liz: Andanyway, I don't want to run into him anywhere. That's why I took this job.Maria: Him, him, him. Ever since you broke up, he's become this pronoun instead of a person.Liz: Let's keep it that way.(Liz hastily turns off theboombox as Whitaker comes out of the powder room)(Max eavesdrops on Isabel as she calls Grant on her cell phone)Isabel: Listening to my private conversations?Max: Why you calling him? He just left.Isabel: Uh, Iwas just leaving him a message to thank him for the flowers.Max: You already thanked him.Isabel: Yeah, and you guys made him feel really welcome.Max: He wasn't invited.Isabel: I invited him before I ever knewthere was a party.Max: Don't do it again.Isabel: Excuse me? Are you forbidding me?Max: You can't let anyone new in. It's too dangerous.Isabel: Like it was too dangerous to let Liz Parker in.Max: That's different.Isabel:Yeah, it was. You want to know how? Because I can date someone and keep my mouth shut at the same time. You couldn't.Max: That was the past. We've got to think about the future, the one our mother talkedabout.Isabel: Right, right. The king. I'm sorry. How could I forget? All I know is...Max, you may be the king, but I am not bowing down to you, not in this lifetime.(Isabel sees some visions, among them a \"RED'S\"sign)Isabel: Uhh.Max: What is it?Isabel: Had this headache on and off all day.Max: You're sweating.Isabel: I'm fine. It's...(Maria interrupts)Maria: Ahem. Isabel, you better come out. There's a policeman here to seeyou.Isabel: A policeman? What's going on?Maria: He's asking for you.Max: You better go.(Isabel enters the main Crashdown area, followed by Max and Maria. Alex has dressed up in a policeman uniform and startsremoving his clothes)Alex: You love that!(Mrs. Evans is appalled by this striptease. She walks up to Alex)Alex: Hi, Ms. Evans. Great party.(In one of the back rooms, Courtney walks in as Michael is trying to finishmaking Isabel's cake)Courtney: So, did you, uh, make that all by yourself?Michael: No. Betty Crocker came on by and whipped it up.Courtney: Betty Crocker would've used eggs.Michael: Eggs.Courtney: Sorry.Michael:My first cake.Courtney: Well, guys don't make cakes for just anybody. In fact, guys don't make cakes at all.(Courtney sticks her finger in the cake and tastes it)Michael: Hey.Courtney: What flavor is thisanyway?Michael: It's a combination of a few things.Courtney: It tastes like Tabasco. Did you put Tabasco in a cake?Michael: Well, what if I did?Courtney: I like that.Michael: Just move.Courtney: So, what's a chick gotto do to get a cake out of a guy like you?Michael: Nothing you could handle.(Courtney tastes the frosting)Courtney: That's too bad. Mmm. You gonna frost it or what?Michael: Yeah, I'm gonna frost it.(Maria stops by tocheck up on the cake)Maria: How's the cake coming?Courtney: It's coming.Michael (to Courtney): Maybe you should finish it.(Michael leaves and Maria and Courtney start arguing over him)Maria: Michael. Taken. Orhaven't you noticed?Courtney: I noticed he didn't make this cake for you.Maria: It's not my birthday.Courtney: Small detail.(Alex comes in and starts lamenting about how his striptease dance turned out)Alex: Youknow, I can't believe I let you talk me into that!Maria: Me and Michael go way back.Alex: That was the most humiliating experience of my life!Courtney: You sew your name into the back of his jeans?Maria: You'll neverfind out.Alex: I did a striptease in front of her mother! Are you listening to me?Maria: One nipple does not constitute a striptease, Alex.Alex: She saw my nipple? Oh, God.Courtney: Chill out, NYPD blue.Alex: Chill out?Chill out? I spent $150 to rent this costume. And do you have any idea how it feels to walk around all day with a thong up your ass?Maria & Courtney: Yes.(Back in the main Crashdown area, Kyle is complaining to hisbuddies about Tess)Kyle: Seriously. So, she's got her underwear and her bras and her girlie things all over the bathroom. Every time I go in to shave, I feel like I'm walking into Victoria's Secret.Michael: So what's notto like?Isabel: Kyle, where is Tess?Kyle: She went to Jensen's to get your present. Anyway, she's taken over television, the computer, my phone. If some chick's gonna be yelling at me about keeping the toilet seatdown, she better at least be doing me.(Mrs. Evans walks by and reacts to Kyle's last words)Kyle: Doing me...a favor.Mrs. Evans: Hi. I'm, uh...I'm Isabel's mom.(Max grabs Michael)Max: I need to talk to you.Michael:We have nothing to talk about.Max: I need you to back me up on something.Michael: You make decisions without asking my opinion, and now you expect me to back you up?Max: I think Isabel's getting serious withthat Sorenson guy.(Michael apparently agrees with Max this time and talks to Isabel about it)Michael: He gave you an order.Isabel: I don't take orders from Max.Michael: He's our leader. He's right.Isabel: Since when?You two are barely speaking. And when you do talk, you don't even agree.Michael: Well, we agree on this.Isabel: I bet you do.Michael: What's that supposed to mean?Isabel: Am I supposed to be alone for the rest ofmy...of my life...Michael: Isabel, you are not alone.Isabel: Not even talk to other guys?Michael: Works for me.Isabel: I don't think so.Michael: Isabel, you do not belong with him.Isabel: No. I belong with you. But Idon't think either one of us wants to think about that too much.(Isabel sees more visions of Tess)Isabel: Unh!Michael: What's going on?Isabel: Nothing. Nothing. It's just my headache.(The cake is brought out.Everyone starts singing \"Happy Birthday\", but during the song, Isabel sees Tess repeatedly asking her for help)Tess: Isabel! Help me, please help me! Isabel! Help me, Isabel! Please help me! Isabel!(Isabel explains hervision to Max and Michael in the back room)Isabel: It was like she was really here. She was hurt and crying for help.Max: Who was the last person to see her?Michael: Kyle said she went to Jensen's to buy apresent.Isabel: She's in danger.Michael: Yeah. It's got to be Nasedo's killer. He's after Tess.Courtney: Trust me, nobody's after Tess. All that blond hair and eye shadow? She's like Dolly Parton without the jugs.Michael:Could you just go refill the ketchups or something?Isabel: We've got to find her.Max: I think we should start with Sorenson. He showed up here bleeding. Could've been struggling with someone.Isabel: Grant hasnothing to do with this, Max.Max: I'll be the judge of that.(Liz and Maria enter the back room)Liz: We've got a problem.Max: I know. Tess is missing.Maria: Oh, boo-hoo. Sorry.Liz: She's missing?Michael: Isabel had avision that she was in trouble.Maria: That's weird.Liz: Here's something else weird - Whitaker has been taping my phone conversations at work. I found a CD. But the thing is how come she hasn't busted meyet?Michael: Maybe because she hasn't given up alien-hunting after all.Liz: She's out there right now.Isabel: At my party?Liz: Yeah...um, she sort of invited herself.Courtney: So, the real party's in here.Maria: Couldyou, like, go refill the ketchups or something?Courtney: Done.Maria: Sugars, then.Michael: Maybe Whitaker's got something to do with this Tess thing.Max: Michael, you go to her office...see what you can find. I'mgoing to get Valenti. We'll check out Sorenson.Isabel: What should I do?Max: Make sure Whitaker stays here so Michael can search her office.Isabel: I can't just stay here knowing everything that's happening.Max: We'llhandle it. Just...just try to enjoy your party.Isabel: Like I can, Max. I'm the one who saw the visions. I'm going after her.Max: Let me take care of it.[SCENE_BREAK](Outside in the main Crashdown area, Whitaker ismingling)Whitaker: So you must be the birthday girl.Liz: Oh, Isabel, this is Congresswoman Whitaker.Whitaker: Hmm.Isabel: Hi. It's nice to meet you.Mrs. Evans: Hello. I'm Diane Evans, Isabel's mother. Such an honorto have you here.Whitaker: Not at all. Saves me from an evening of senate budget proposals and Jay Leno. Isabel...that is such a beautiful name.Isabel: Thank you.Mrs. Evans: Well, why don't we open the rest of thepresents?Mrs. Evans (to Whitaker): Won't you join us?Whitaker: Yes. Ok. Thank you.Mrs. Evans: Great. Ok. Come on, everybody. It's time to open the...all of this. Oh. You're popular. Ok. Which one first?Isabel: Um,this.(Isabel opens the box to find a small alien stick figure)Isabel: Oh. Ho ho ho. Who's this from?Mrs. Evans: Who's the comedian?Isabel: Just what I always wanted, guys. Thank you.Mrs. Evans: Here. This one's fromyour dad.(Isabel gets another vision of Tess in trouble)Isabel: Ahhh.Mrs. Evans: What's wrong, honey?Isabel: Noth...nothing. I...you know, I've...I've had this headache all day. I think there's aspirin in the back.(Isabelgoes to the back room, followed by Liz and Maria)Liz: Did you have another vision?Isabel: Give me your keys.Maria: No way. Last time I lent out the Jetta, an uzi took out the back window.Isabel: Then drive me.Maria:Where?Isabel: To look for Tess. I saw a sign - RED'S.Liz: There's no \"RED'S\" in Roswell.Isabel: I know Tess isn't your favorite person. We've all treated her pretty badly. I'm not proud of the way I've acted.Liz: I can'thelp it, Isabel. I don't trust her.Isabel: Then trust me.Maria: Ok. I think I know where it is. Let's go.Liz: No. Max said not to leave.Isabel: Max isn't here.Liz: Ok. Fine. I'll go with you.Isabel: No. No. You have to cover forme.(Max and Sheriff Valenti search through Tess' stuff, trying to find out where she was and who may have last seen her)Sheriff: Address book. Evans. Evans. Guerin. Not a wide circle of friends.Max: Tess never hadanyone but Nasedo.Sheriff: And you three.Max: Isabel was the only one she was really ever close to.Sheriff: What about you?Max: It was...it was too complicated.Sheriff: She wanted to jump your bones, huh?Max:Something like that.Sheriff: Screws things up every time.Max: Happen to you?Sheriff: Yeah. In my dreams.Max: Is that her cell phone?(Max presses the redial button)Grant: Hello.Max: Hi. I'm calling from the phonecompany. We're checking the lines.Grant: What lines? This is a cell phone.Max: Right. I mean, we're checking the service. This is 555-0188?Grant: Yeah. You got it.Max: And the number is billed to?Grant: GrantSorenson.Max: Sorenson. Right. That's what I have. Thank you.(Michael breaks into Whitaker's office and starts looking around. He finds a file for Courtney and takes a picture from the file. Michael sees Whitakerunlocking the office door and makes a hasty retreat just before she enters)(Maria drives Isabel to a rundown restaurant called Fred's. The \"F\" on the neon sign isn't lit up)Maria: There's your \"RED'S\".Isabel: That'sit.(Isabel sees Tess' car, which has been damaged. It's been abandoned)Isabel: Shoot. Where is she?Maria: Maybe she was thrown out of the car.Isabel: I don't think so.Maria: Um, maybe the paramedics alreadycame.Isabel: No.(Isabel finds a piece of skin on Tess' car. It disintegrates in her hand)Isabel: No. She was taken.Maria: Ahh, I can't get a signal this far out.Isabel: I see some tracks. 2 sets of tires, see? But look here.They swerve near Tess' car...then go out in that direction.Maria: Straight into nowhere.Isabel: Nowhere's where we're going.Maria: Note to self - get 4-wheel drive.(Maria and Isabel arrive at Chavez County ElectricPower Facility - Plant #2)Isabel: She's in there.Maria: Oh, no. No. No. Now, you don't know that.Isabel: I feel it.Maria: We need to get Max and Michael.Isabel: Then go get them.Maria: No. No. No. You're not going inthere by yourself.Isabel: I have to.Maria: No. I'm not gonna leave you.Isabel: Look. Go get Max and Michael, all right? Just go. But I can't wait. I have to go in.Maria: All right. Here. Take the flashlight.Isabel: Ok.(Isabelrips her dress as she climbs through the fence. She takes off her shoes)(Max and Sheriff Valenti break into Grant Sorenson's motel room and start searching for anything that might give them a hint as to Tess'whereabouts)Sheriff: Stop right there!Grant: Whoa! Whoa. Sheriff, what are you doing in my room?Sheriff: When's the last time you saw Tess Harding?Grant: Who?Sheriff: Tess Harding. And don't lie to me.Grant: Ibarely know the girl.Max: Then why'd you call her cell phone today?Grant: She's a friend of Isabel's. I wanted to ask her advice on a birthday present.Max: And what did she tell you?Grant: She said she was going toJensen's to pick something up.Max: That's what Kyle said.Grant: I knew I'd be on the dig all day and was pressed for time, when she suggested flowers. She said purple roses were Isabel's favorite.Sheriff: Sorry.Procedure.Grant: Procedure? You break into my room and stick a gun in my face?Sheriff: Tess Harding is missing.Grant: Well, then maybe you should be out looking for her instead of harassing innocent people.Sheriff:Look, Mr. Sorenson...Grant: No. You look, Sheriff. There's obviously no evidence. I don't appreciate you and deputy dog here accusing me.Sheriff: Nobody's accusing you of anything.Grant: You got a searchwarrant?Sheriff: I can get one.Grant: Then get it, but until then, get out.Sheriff: If you hear from her, you call me.Grant: Right.(Courtney goes outside to smoke a cigarette. Michael confronts her)Courtney: Worriedabout my health?Michael: Who are you?Courtney: What?Michael: You know what I'm talking about.Courtney: Are you, like, high or something?(Michael shows her the picture he found in Whitaker's office)Courtney:Where'd you get that?Michael: From your file in Whitaker's office.Courtney: Get out of my face.Michael: You're gonna tell me exactly what's going on.Courtney: No, I don't have to tell you anything.Michael: So, youworking with her? You spying on us? Is that what you're doing?Courtney: You're a big man, aren't you?Michael: Don't jerk me around. If you're not working with Whitaker, then why does she have photos ofyou...documents, huh? Why is she watching you? Why is a U.S. Congresswoman interested in a waitress from Roswell?Courtney: Because I was sleeping with her stepson, that's why!Michael: Stepson.Courtney: That'sright. He screwed his life up with drugs, and I screwed my life up with him. When we got busted, do you know who went down for that? I spent 2 years in Buckman, and the only reason why I got out of there is becauseI promised that bitch that I would never see him again. So I guess that she's just making sure I keep that promise.Michael: All right. Thanks.Courtney: Thanks?(Courtney slaps Michael)Courtney: Jerk!(Maria pulls up inthe Jetta just as Michael has his hands on Courtney's shoulders)Maria: Michael, we got to go. Isabel's in trouble.(Isabel searches through the power plant, frequently hearing sobbing noises. She eventually finds Tess,battered and bruised on the floor)Isabel: Oh, Tess. Oh, God. Tess. Oh, God. Wake up. Oh, wake up.(Maria and Michael are on the way to the power plant)Michael: I can't believe you let her go after Tess alone.Maria:She didn't give me a choice.Michael: Well, where's the phone? I'm gonna call Valenti. Get him and Max to meet us there.(Back at the Crashdown, Liz is trying to get in touch with Maria)Liz: Come on. Someone answerthe phone...anyone.Mrs. Evans: Liz, have you seen Isabel?Liz: Isabel?(Back at the power plant)Isabel: Come on, Tess. I'll get you up. Come on, I'll get you up.(Back at the Crashdown)Liz: She, uh, spilled punch...youknow, on her dress.Mrs. Evans: Oh, my.Liz: But she had to leave because she had to go take care of it. It was...it was upsetting her.Mrs. Evans: Sometimes, honey, if one hair is out of place, she won't leave thehouse.(Back to Isabel and Tess. Isabel moves Tess to an empty room, and bolts the door)Isabel: There. Tess. Tess, stay with me. Stay with me, Tess. Damn it. Don't die on me now.(The bolts on the door slide over bythemselves. Someone is opening them from the other side with an alien power. The door swings open and we see Congresswoman Whitaker)Isabel: It's you.Whitaker: Impressive.Isabel: What?Whitaker: You. Coming"}
+{"doc_id":"doc_300","qid":"","text":"(Someone throws a rock at the window of an abandonned house and shatters it. A young girl, Addie, standing on the front lawn of this house turns around.)Bryan : Hey, Troy. You're a dork.Troy : Hey, shut up. Hey,freak.(On his way to the front door, Bryan blow some kisses at Addie who stares back at him)Addie : Excuse me. You are going to die in there.Troy : Shut your mouth, or we're gonna kick your ass!Bryan : We gotbats.Troy : I hate trees!(The boys enters the house)Addie : You're gonna regret it. You're gonna regret it. You're gonna regret it.Troy : Yeah!Bryan : Yeah!(While the boys smash everything they found inside with theirbats, a song sung by children can be heard)SONG: \u0000 I know / I know / You belong / To some / Body new / But tonight / You belong / To me /Although / Although / We're apart / You're part / Of my heart / And tonight /You belong / To me / Just to little old me. \u0000Bryan : Troy.Troy : Awesome. (A door swings shut) Go.Bryan : No, you go, shithead.(The boys go down some stairs)Troy : Check it out.(They find a room full of jars filledwith human's and animal's parts. Troy picks up a jar containing an ear and drops it. It shatters onto the ground)Troy : It stinks in here. It stinks like sh1t. You remember last summer when we get the raccoon stuck inour chimney? That's what it smells like. Let's go find it.Bryan : No, it smells bad... I'm getting out of here.(Troy go further into the room, poping his crackers, while Bryan turns around, up the stairs. Suddenly, thepopping stops. Bryan stops his ascension)Bryan : Troy?(A bottle rolls across floor)Bryan : Troy? Who's down there? Cut it out, Troy. Cut it out.(Bryan finds Troy on the ground, his throat slashed. Troy is reaching out tohim, unable to utter anything. Bryan turns around and sees a creature, Infantata, running in their direction. Bryan starts screaming. We are suddenly outside the house, Addie is still on the front lawn)-[Today]-(Agynecologist, dr. Day is examining a woman, Vivien. A nurse is assisting)Dr. Day : So, are your periods regular again?Vivien : Every other month. Not that I'm really complaining. After all that blood. Ben hates blood.Dr.Day : You having issues with arousal?Vivien : Not when I'm by myself.Dr. Day : Lie back. Well, I've recently had some success with women your age using bioidentical treatments and hormones.Vivien : For what?Dr.Day : Well, it's a sort of a preemptive strike. See, your body is like a house... you can fix the tiles in the bathroom and the kitchen, but if the foundation is decaying, well, you're wasting your time.Vivien : What are theside effects?Dr. Day : You can sit up. Well, the... BHRTs are great for your skin, organs. Most of the women I give these to tell me they make them feel ten years younger.Vivien : I don't know. You know, I don't evenlet my family drink out of plastic bottles. Taking a bunch of hormones when I don't even know what the side effects are, I just...Dr. Day : Feel and look ten years younger.Vivien : I don't need hormones, Doctor. I'm justtrying to get control of my body again, after what happened.Dr. Day : And I'm offering you something to help you get that back.Vivien : I'm not a house.Dr. Day : Vivien, what are you so afraidof?[SCENE_BREAK](Vivien comes home. She puts down her errands on the counters of the kitchen. She hears a soft thud coming from upstairs. She calls the police)Police Officer : 911.Vivien : I have an intruder in myhouse.Police Officer : Are you sure it's not a member of your family?Vivien : No. Nobody is home.Police Officer : What's the address?Vivien : 35 Drummond Road.Police Officer : We're sending a patrol car.Vivien : Pleasehurry, please.(Vivien picks up a kitchen knife and goes upstairs. We can hear something squeaking. Vivien slowly opens a door)Ben : Oh, my God. No, Viv. No, no.(Vivien stands still a few seconds, watching inside theroom, then turns around. A man, Ben, comes out of the room, trying to stop Vivien)Ben : Viv, I'm sorry. I'm sorry. No.(Vivien slashes his arm)Ben : Aah!Addie : You're going to regret it. You're going to regret it. You'regoing to regret it.-[OPENING CREDITS]-(Vivien, Ben and their daughter, Violet, are driving down a freeway)Vivien : The light is different out here. It's softer.Violet : It's called smog.Ben : You should be excited, Vi. Youcan stop sneaking cigarettes and just start taking deep breaths.Violet : I need to go to the bathroom.Ben : We're almost there.Violet : I need to go.Ben : Vi, it's a freeway. Really, where do you want me to pull over?Maybe the Honda next to us has a bathroom or something.Violet : Bet if the baby had to sh1t, you'd find somewhere.Vivien : Really? Violet, I hate that word, unless I'm saying it.Ben : I'm really glad we named youViolet, instead of our second choice.Violet : Which was?Vivien : Sunshine.(They all start chuckling)Ben : It's funny. Come on, you gotta admit it's funny.(Ben trys to hold Vivien's hand, but she takes itback)[SCENE_BREAK](Ben rings a doorbell)Ben : I love it. Don't you love it, hon? I mean, it looks even better than it did online.(We have a view of the house, it's the abandonned house from 1978, but restored)Vivien :Yeah, it's interesting.Violet : Great. So we're the Addams Family now.Ben : Hey, crabby pants. Come here.Vivien : What are you doing?Ben : Isn't this place amazing?(Marcy, the realtor, opens the door)Marcy :Welcome. It's a classic L.A. Victorian. Built around 1920 by the doctor to the stars at the time. It's just fabulous. These are real Tiffany fixtures. As you can see, the previous owners really loved this place like a child.They restored everything.Vivien : Gay?Marcy : What do you think?Ben : Tiffany. Wow.Marcy : Do you cook?Ben : Viv is a great cook. I got her cooking lessons a few years ago, and she ended up teaching the teacher afew things.Marcy : Cooking lessons... romantic. Aren't you a psychologist?Ben : Psychiatrist. You said something on the phone about there being a study that I could use as a home office? I'm planning on seeingpatients here, so I can spend more time with the family.Marcy : How refreshing.(Vivien puts her dog down, and it goes running outside the kitchen, yapping)Vivien : Violet, honey, would you go see where Hayley went?Thank you.Violet : What are you yapping at?(after several unsuccesful attempts, Violet gets the door the dog was yapping at to open. She goes down the stairs. Our view changes, from behing some kind of grate, wecan now watch Violet looking aroung the basement, then go back upstairs)[SCENE_BREAK](Marcy is still showing the house to Ben and Vivien)Ben : When I saw the pictures of this room online, I thought maybe youcould use it as your music room.Marcy : Are you a musician?Vivien : I was. Cellist...Ben : very good one, in fact.Marcy : Why did you quit?Vivien : This wallpaper is peeling over here. Looks like maybe there's a muralunderneath it.Marcy : The last owners probably covered it up. They were modernists. Speaking of the last owners, full disclosure requires that I tell you about what happened to them.Vivien : Oh, God... they didn't diein here or anything, did they?Marcy : Yes, actually, both of them. Murder-suicide. I sold them the house, too. They were just the sweetest couple. You never know, I guess.Ben : That explains why it's half the price ofevery other house in the neighborhood, I guess.Marcy : I do have a very nice mid-century ranch, but it's in the Valley, and you're going to get a third of the house for twice the price.Ben : Right.Violet : Where did ithappen?Marcy : The basement.Violet : We'll take it.[SCENE_BREAK](A couple of movers carry a couch into the house, while Marcy puts a \"Sold\" sign on the front lawn stand and sighs heavily)[SCENE_BREAK](Vivienand Ben are in their bedroom. She is still unpacking)Ben: Come on, babe, let's go to bed. Leave that for the morning.Vivien : I'm a little bit worried about Violet, you know, these kids here are very different. I don'tknow if she can handle another year of not fitting in.Ben : You mean... you can't?Vivien : Can't believe this place doesn't freak you out a little bit. 'Cause of what happened here?Ben : My repulsion is tempered by thefact that this house is worth four times what we paid for it, so let's not think about it.Vivien : This is your professional advice, Doctor, just denial?Ben : Come on, let me give you a little love. Moving here, buying thishouse was the exact right thing to do for us and our family. It's a good thing and we deserve some good after all the sh1t we've been through.Vivien : I've got some stuff I want to... unpack down in the kitchen. Iappreciate that you're trying. I'm trying, too.Ben : Okay.Vivien : It's just gonna take some time.(Vivien leaves the room)[SCENE_BREAK](Violet, smoking, is crossing the yard of her new high school. She walks past agroup of girls talking)Leah: So I let him.Becca : You coke off your nipples?Leah : They were numb for, like, two days.(Leah sees Violet smoking and walks after her)Leah : Hey! Student council passed a rule againstsmoking in public spaces.Becca : Secondhand smoke kills.Violet : I'm new, I didn't know.(Violet drops her cigarette end and crushes it)Leah : What the hell is wrong with you? People sit here, they eat here.Violet : Youdon't know me. Why are you doing this?Becca : Leah's grandmother died of lung cancer. She takes this stuff pretty seriously.(Leah picks the cigarette up)Leah : Eat it... eat it or I'm gonna kick the sh1t out of you.Violet: No. What?Abby : Come on, Leah, that's enough.Leah : No, no, no, I want to see her eat it.Violet : No. No.Leah : Eat it, eat it.Becca : Leah, seriously, she's like 12.(Leah tries to force the cigarette into Violet's mouth,but Violet spits at her. Leah screams)Leah : You are dead! You are dead![SCENE_BREAK](Vivien is removing the living room's wallpaper)Vivien : Whoo!Addie : You're going to die in here.(Vivien, startled,screams)Vivien : Who are you? What are you doing? What are you doing here?(A woman, Constance, comes into the living romm)Constance : Adelaide. Adelaide. Adelaide. Adelaide, I put on \"Dora the Explorer\" for you,so you would sit and watch it.Addie : It was \"Go, Diego, Go!\" I don't like it.Constance : Oh, brown cartoon characters... you can't tell the difference.Vivien : Excuse me.Constance : Hi.Vivien : Hi.Constance : I'mConstance, your neighbor from next door, and this is my girl Adelaide.Vivien : Hello.Constance : Go home, Addy, now. That girl is a monster. I love her and I'm a good Christian, but Jesus H. Christ. You know, if theyhad invented some of those tests a few years ago, I would have...Vivien : How'd you get into my house?Constance : You left your back door open. Although I have to tell you, Addie will always find a way in. She has abug up her ass about this house, always has. You have the loveliest things.Vivien : Thank you.Constance : Have you got a dog?Vivien : I-I do have a dog, yes.Constance : I run a little kennel out of my house, doggy daycare kind of a thing.Vivien : How nice.Constance : Well, I prefer purebreds. I adore the beauty of a long line, but there's always room in my home for mongrels. Oh... Oh, my. Look at those earrings. Are those realdiamonds? Not that Home Shopping sh1t.Vivien : No.Constance : I used to have diamonds like that. Different pair for every day of the week. Did your husband give them to you?Vivien : He did.Constance : Hmm?Vivien: Mm-hmm.Constance : They always do when you're young and pretty.Vivien : Are you Southern?Constance : Proud Virginian. The Old Dominion, born and bred. Thank you for noticing. I came out here to be a moviestar. Did the screen tests and everything, but... nudity was the big deal then. The morals were just beginning to collapse, and I wasn't about to have my green pasture flashed 70 feet high for every man, woman, andchild to see, so I took that little butterfly of a dream and put it in a jar on the shelf, and, uh, soon after, came the Mongoloid and, of course, I couldn't work after that.Vivien : It has been so great to meet you. I just...you know, I wasn't prepared for guests at all.Constance : I'm gone. Oh, I brought you this. You know, a little, um, housewarming.Vivien : Thank you.Constance : Addie wanted to bake you a pie, but she tends to spit inthe cooking, so I thought this would be better. Help get rid of some of that bad juju. I don't remember your name.Vivien : Right, no, I never got a chance to tell you my name.Constance : Oh.Vivien : My name is VivienHarmon.Constance : Anyway... relax and enjoy. Let me know if you need any help with that pup.Vivien : Will do.Constance : I'm glad you're getting rid of that wallpaper. I thought those people were supposed to bestylish. It's sage... for cleansing the spirits in the house. Too many bad memories in here.[SCENE_BREAK](Vivien lights up the sage and wlk down the corridor. She sees a string coming down the ceiling. She pulls on it,a trap opens. She follows the stairs and reaches the attic. She turns on the light and discovers a rubber suit dangling from the ceiling right in front of her. She screams. Ben rushes to her side)Ben : What happened? Youokay? Oh, I guess these guys were into the kinky stuff, huh? Would you like to try it on?Vivien : That's not funny.Ben : I think you'd look good in it.(Violet joins them)Violet : What happened? Holy sh1t.Vivien : Let's getrid of it. Come on, let's go downstairs. Come on. Watch the steps.[SCENE_BREAK](Ben throws the suit into the trash can outside the house)[SCENE_BREAK](Ben is having a counsel session with a young man, Tate)Ben: So, Tate, these fantasies started two years ago, three years ago, when?Tate : Two years ago. It's always the same. It starts the same way.Ben : How? Tell me.Tate : I prepare for the noble war.(We can see a tattoedTate walking down a school's corridor. The music \"Twisted Nerve\" is playing in the background. We can hear Tate talking to Ben at the same time)Tate : I'm calm, I know the secret, I know what's coming, and I knowno one can stop me, including myself.Ben : Do you target people who have been mean to you or unkind?Tate : I kill people I like.(Tate enters a studying room. all the students raise their head)Teacher : Can I helpyou?Tate : Some of them beg for their life. I don't feel sad. I don't feel anything. It's a filthy world we live in. It's a filthy goddamn helpless world, and honestly, I feel like I'm helping to take them away from the sh1tand the piss and the vomit that run in the streets. I'm helping to take them somewhere clean and kind. There's something about all that blood, man. (We can see Violet cutting her wrist with a razor blade in abathroom) I drown in it. The Indians believed that blood holds all the bad spirits, and once a month in ceremonies they would cut themselves to let the spirits go free. There's something smart about that. Very smart. Ilike that. (He sees himself standing behind Ben, blood running down his head) You think I'm crazy?Ben : No. I think you're creative. And I think you have a lot of pain you're not dealing with.Tate : My mother's probablyworried about me, right?Ben : I'm sure she is.Tate : She's a cocksucker. I mean, literally, a cocksucker. She used to suck the guy off next-door, all the time. My dad found out, and he left. He left me alone with acocksucker. Can you imagine? How sick is that?Ben : I've heard a lot worse.Tate : Cool. Can you tell me some? I like stories.Ben : No. I can't.Tate : The world is a filthy place. It's a filthy goddamn horror show. There'sso much pain, you know? There's so much.[SCENE_BREAK](Violet is still cutting her wrist. Tate is watching her from the doorstep)Tate : You're doing it wrong. If you're trying to kill yourself, cut vertically. They can'tstitch that up.Violet : How'd you get in here?Tate : If you're trying to kill yourself, you might also try locking the door.(Tate pulls the door shut)[SCENE_BREAK](It's night. We can hear a man whispering indistinctly,distantly. Ben gets up, naked, he is sleep-walking. He comes down the stairs, into the livingroom, put the gaz on and lights up a match and throws it into the fireplace. Vivien, awake, comes after him)Vivien : What areyou doing?Ben : Am I on a trip?[SCENE_BREAK](An old woman dressed in black, Moira, approaches vivien who is spreading her sheets outside to make them dry)Vivien : Can I help you?Moira : I'm Moira O'Hara. I'mthe housekeeper.Vivien : Oh. I didn't know the place came with a housekeeper.Moira : Why are you hanging your sheets with a perfectly good electric dryer inside?Vivien : I don't like all those chemicals in the fabricsofteners, so I just like to do it naturally.Moira : I work Monday through Thursday. Thanksgiving on, Christmas off.Vivien : Um...Moira : That was the deal with the last fellows.Vivien : I'm sorry. I'm just not sure thatwe're gonna need a housekeeper.Moira : What have you been using to clean the floorboards?Vivien : Murphy's Oil Soap.Moira : Oh, no. White vinegar. Oil soap kills the wood.Vivien : I like that better. It's morenatural.Moira : Have you ever owned a house this old before?Vivien : No.Moira : It has a personality, feelings. Mistreat it, and you'll regret it. May I come in? My cab's left, and I'd like to callanother.[SCENE_BREAK](Vivien and Moira are talking in the kitchen)Vivien : So, you worked for the previous owners?Moira : I've been the housekeeper here for years. They come, they go, I stay. They were both niceboys, the ones before you. I found the bodies.Vivien : What happened? I mean, I hate to gossip...Moira : They fought a lot. Money, I think. But who can know when something so horrible happens? Sometimes peoplejust go mad. I cleaned the mess. You'd never know.Vivien : Can I ask you a personal question? Do you ever get tired of cleaning up other peoples' messes?Moira : We're women. It's what we do. I just get paid forit.Vivien : Yes.(Ben enters the kitchen)Vivien : Oh, hey, this is my husband Ben. Ben, this is Moira O'Hara. She was the housekeeper for the previous owner.(We see Moira from Ben's point of view. She's a gorgeousyoung woman)Ben : Nice to... meet you.(A car horn honks)Moira : That's my cab. (We are back to Vivien's point of view) I'll use the lavatory first, if you don't mind.Vivien : Sure. What do you think?Ben : What?You-You... You want to hire her?Vivien : Yeah, I mean, she's a little kooky, but she seems trustworthy, she knows the house really well, and I feel like I could just use the help. So... can you start tomorrow?Moira :Thursday's better, but I'll make it work.Vivien : Okay. And you know, Moira, you don't have to wear the housekeeper's uniform. You can just wear your own clothes.Moira : I don't like cleaning peoples' houses in myown clothes.Vivien : What?Ben : Nothing. Just... You just always surprise me. I like that.(Ben starts kissing her. She lets him at first, but then pushes him away)Ben : You're gonna have to forgive me oneday.[SCENE_BREAK](Ben is in his office with Tate)Ben : You mind if I tape this?Tate : No.Ben : You taking your medications?Tate : Yes.Ben : Any side effects?Tate : I was taking them at night, but they kept me up.Ben: And what did you do?Tate : Started taking them in the morning.Ben : Light sensitivity is pretty common.Tate : Maybe. Yeah, I think so.Ben : When I was in medical school, they brought in this CIA interrogator to helpus better identify who was lying. This guy was, like, six foot, 50, crew cut. He must have been one hell of an interrogator, because I'll tell you something. I'd be terrified to lie to him.Tate : You think I'm lying to you?Ben: Light sensitivity isn't a side effect of Lexapro, Tate.Tate : So you lied to me.Ben : What is important... that is if you're telling the truth about doing these things to your classmates. If you were actually a danger tosociety, the law says that I have to report you to the police.Tate : Did you call them?Ben : Not yet. I've treated psychotics before, and people with the right combination of chemical imbalance and psychological damagethat can't be reached.Tate : You think that's me? You think I can't get better?Ben : You? (scoffs) You kidding me? You're hopeless.(They both starts laughing)Ben : Everybody can get better, Tate. Everybody. I justthink you're scared. Of what, I'm not sure yet. Maybe rejection. Certainly because of what your father did to you.Tate : I was afraid my big dick wouldn't work.Ben : What?(Tate laughs)Tate : Yeah, that's why I didn'ttake the meds.Ben : Tate.Tate : I was afraid my dick wouldn't work. Because I met someone.[SCENE_BREAK](Tate is showing his scars to Violet)Tate : This one I did after my dad left. I was ten, I think.Violet : Lastweek, first day at my new school... sucks.Tate : Westfield, right? The worst. I got thrown out of there.Violet : I hate it here. I hate everyone. All there bourgeoisy designer bullshit. East Coast was much cooler. I mean,at least we had weather.Tate : I love it when the leaves change.Violet : Yeah, me, too.Tate : Why did you move here?Violet : My dad had an affair. My mom literally caught him in the act.Tate : That's horrible. If youlove someone, you should never hurt them... never.Violet : Right? I know. And the worst part is that six months earlier, my mom had, like, this brutal miscarriage. (Tate writes \"TAINT\" on Violet's chalkboard) The baby"}
+{"doc_id":"doc_301","qid":"","text":"Open to dark deserted back street. A blond girl is running past looking behind her occasionally before ducking into an alley. She looks back around the corner, then steps back on the street to continue only to begrabbed by the shoulders and thrown back into a trash container.Rachel: \"Lenny... please... don't.\"Lenny: \"You think I'm not going to find you,... after you humiliated me... again ?\"Rachel: \"I didn't do anything ! Iswear ! I'd never...\"Lenny: \"No ! I know what you do. I see. The men,... the lies,... this is the last time, damn it !\" Rachel, stepping towards him with a smile: \"What are you on, Baby ? You only get like this when you...\"Lenny hits her with a growl.Rachel: \"What are you going to do ? Pulverize me right here ? Someone is going to hear me scream.\"Lenny, laughing: \"In downtown LA at night ? Nobody is going to hear. Nobody who cares.Besides (pulls out a revolver and points it at her face) this will all be over fast. (cocks the gun)\"Rachel: \"Lenny.. please... no !\"Lenny: \"I'm sorry. (Rachel cowers back from him) I just can't take this anymore.\" Angelgrabs him from behind and makes him drop his gun.Angel: \"Poor Lenny. The burden of terrorizing your girlfriend too much for you ? (hits him) Lucky for you I can make it stop.\" Lenny grabs a 2x4 and tried to hit Angel.Angel ducks and cold cocks him.Angel: \"Rachel, are you alright ?\"Rachel: \"Is he...\"Angel: \"It's okay. He's not getting up for a while.\"Rachel, getting up: \"I can't believe you actually showed up.\"Angel: \"Well, that was thedeal, right ?\"(Camera pulls back to reveal Spike watching them from a rooftop above them.)Spike in high voice: \"How can I thank you, you mysterious, black-clad hunk of a night thing ? (low voice) No need, little lady,your tears of gratitude are enough for me. You see, I was once a badass vampire, but love and a pesky curse defanged me. Now I'm just a big, fluffy puppy with bad teeth. (Rachel steps closer to Angel, and Angel stepsback warding her off with his hands) No, not the hair! Never the hair! (high voice) But there must be someway I can show my appreciation. (low voice) No, helping those in need's my job,... and working up a load ofsexual tension, and prancing away like a magnificent poof is truly thanks enough ! (high voice) I understand. I have a nephew who is gay, so... (low voice) Say no more. Evil's still afoot ! And I'm almost out of thatNancy-boy hair-gel that I like so much. Quickly, to the Angel-mobile, away !\"Spike lights a cigarette while he watches Angel lead Rachel away.Spike: \"Go on with you. Play the big, strapping hero while you can. Youhave a few surprises coming your way... The ring of Amarra... a visit from your old pal Spike,... and, oh yeah,... your gruesome, horrible death.\" (He smiles.) *Intro.* ***** Cut to Oz driving his van through the night.***** He pulls up in front of Angel's apartment.Radio: \"Another uninterrupted 40-minute-block. You are listening to LA's only alternative KLA-Rock. It's 11:05, do you know what your karma is ?\" ***** Cut to Angel'soffice. ***** Cordelia is typing away on the computer. Doyle lounges in the background reading a newspaper.Cordelia: \"This is so awesome. Our first walk-in client. Everything is going according to plan ! See girl indistress,... see Angel save girl from druggy/stalker boyfriend,... and see (pulls a paper out of the printer and holds it up) Invoice ! Ta-da !\" She shows the invoice to Doyle who looks less then impressed.Cordelia: \"What?\"Doyle: \"Nothing. You're doing a lovely job there. Looks very official.\"Cordelia: \"So why are you not rejoicing at out first paying client ?\" Doyle, getting up and walking over to her desk: \"Because that's not moneyyou're holding in your hand there, darling, that's mail. There's a big difference between that and actually getting paid.\"Cordelia: \"But she has to pay !... Invoice ! That's the rule of our whole, like, society !\"Doyle, leaningon the desk: \"Defaulting ? That's another popular rule in our society... especially with the down-and-outs. Not that I've perpetrated said heinousness myself...\"Cordelia: \"So what are you saying. Why bother ?\"Doyle:\"All I'm saying is that if we're ever going to take that cruise to the Bahamas together, we're going to need a lot more clients of means.\"Cordelia: \"And an alternate reality in which you are Matthew McConaughey.\"Oz,walking into the office: \"Hello, LA.\"Cordelia, getting up: \"Oz ? Oh, my god. (walks around the desk) Oz. It's so good to see you. (hugs him while Doyle watches askance) Good old Oz ! Oz. (turns to Doyle and points atOz) Oz !\"Doyle: \"Let me just take a stab at it, you'd be Oz ?\"Oz: \"Good guess.\"Cordelia: \"This is so cool! I mean, here you are in LA, and you're the total embodiment of all things Sunnydale.\"Oz: \"It's a burden, but Imanage.\"Cordelia: \"We have some serious catching up to do. How is everything ? How's... how's the bronze ?\"Oz: \"The same.\"Cordelia: \"And the gang ?\"Oz: \"They're good.\"Cordelia: \"Good ?... Good !... Good.\" Theylook at each other for a moment.Oz: \"Are we done ?\"Cordelia: \"Completely.\" (Doyle coughs.)Cordelia, going to sit down: \"Oh, this is Doyle. He... works here.\" Oz, reaching over and shaking Doyle's hand: \"Hey.\" Oz,sticking his hands in his pockets: \"So, I heard the rumors, but you guys can fill me in on the real deal here. So you guys are... like detectives ?\"Cordelia: \"No, I'm an actress !\"Doyle: \"And quite a captivating one atthat.\"Cordelia: \"And between my many gigs, I sometimes choose to help Angel.\"Doyle: \"He's the detective.\"Oz: \"Does he have a hat and gun ?\"Cordelia: \"Just fangs.\"Oz: \"Well, that works... Where is he ?\" ***** Cut toAngel's apartment. ***** Angel walks through his downstairs apartment, looking through a book as the three come down in the elevator. Angel, without looking up from his book: \"Hey guys.\"Angel, looking up:\"Oz.\"Oz: \"Hey.\"Angel: \"Nice surprise.\"Oz: \"Thanks.\"Angel: \"Staying long ?\"Oz: \"Few days.\"Doyle: \"Are they always like this ?\"Oz, to Doyle: \"No, we're usually laconic.\"Angel: \"Come on in. (they walk further into theapartment) So,... good to see you.\"Oz: \"I came primarily for a gig, but also to give you this.\" (Holds out a ring to him.) Doyle, going to take a closer look: \"Wait a minute, is that what I think it is ?\" Angel, making nomove to take it: \"It's the gem of Amarra.\"Oz: \"One and the same. (tries to hand it to Angel, who after a moment accepts it) Buffy wanted you to have it.\"Cordelia: \"Hey, Buffy. How is good old Buffy anyway ?\"Oz: \"Sheis...\"Cordelia: \"What ? Still the brave little Slayer or is she moping around in the dark like... (gets a look from Angel) like nobody around here. (holds up a hand and shakes her head) Hm-mm.\" Angel turns and walksaway form them looking at the ring in his hands.Oz: \"She is good... She is Buffy.\"Doyle, holding up a hand: \"And I'm sure we'll be interested in that later, but right now can we concentrate on the mother-load Angel justhit ?\" Angel leans on the table turning the ring in his hand and looking at it.Doyle: \"What are you waiting for, man ? Put it on !\"Cordelia: \"Okay, you're getting weird about this ring. Since when did you go all versaceabout accessorizing ?\"Doyle: \"Since the accessory is priceless and renders it's wearer 100% unkillable if he's a vampire.\"Cordelia: \"Unkillable ? Whew. You mean not even stakes ?\"Doyle: \"Not nothing. Not stakes, notfire, and the best thing is not even sunlight. (to Angel) I mean just think of it man. Poolside tanning, bargain matinees,... plus I know a couple of strip clubs that have a fabulous luncheon buffet, I mean, it's... I'veheard.\"Angel, still looking grave: \"And it's from Buffy.\"Oz: \"Yeah. Your buddy Spike dug up Sunnydale looking for it. He got a fist full of Buffy and left it behind. She wanted to be sure it was in good hands.\"Angel,looking to the side: \"So she sent you.\"Oz: \"I was heading this way.\"Cordelia, to Oz: \"And she didn't even send a note ? Wow. That's really... (Angel looks at her)... this is one of those times when I should just shy awayfrom the topic, isn't it ?\"Doyle, walking over to Angel: \"Come on I have something that will boost your spirits. (picks up a stake) Why don't you put it on and I'll stake you. It'll be fun !\" Angel, still playing with the ring inhis hand and looking off to the side: \"Maybe later.\"Doyle: \"What, are you out of your mind ?\"Angel: \"I said, maybe later.\"Doyle: \"Yeah...\"Angel: \"Doyle.\"Doyle, walking towards the elevator: \"Okay, you have it yourway, man. But I'm still going to celebrate with a drink down at the pub.\"Cordelia, to Oz: \"He'd celebrate the opening of a mailbox with a drink at the pub. (waves at Angel as she follows Doyle) You coming, Oz ?\"Oz, stillwatching Angel: \"Yeah. I could eat something.\"Angel: \"Go ahead.\" After a beat Oz turns and follows the others. Angel keeps looking at the ring. Finally sticks it in his pocket and goes down in the sewers. He takes it outof his pocket and hides it under a loose brick next to a pipe. ***** Cut to the office, the next day. ***** Cordelia is getting a cup of water for Doyle from the water cooler and sits down at the desk across fromhim.Doyle, moaning: \"Oh, god. You know what would feel really good right now ? One of those mind-numbing, head-cracking visions that I get from time to time, (he struggles to get some pills out of a bottle) becausethat would really kill me now. Is there some kind of trick to this ?\" Cordelia, taking the bottle from him: \"I think the trick is laying of the ale (pulls out the cotton wad out of the bottle and shakes some pills into herhand) before you start quoting Angela's Ashes and weeping like a baby man.\" Doyle, accepting the pills and washing them down: \"Hey, that's a good book.\"Cordelia: \"So I've heard. But I doubt that the main charactersare Betty and Barney Rubble as you so vehemently insisted last night. Also I don't think Oz appreciated being called my little Bam-bam all night.\" ***** Cut to Angel's apartment. ***** Angel is doing some Tai-chi. Thephone rings and he goes to pick it up after the second ring.Angel: \"Hello ?... Hello.\"Rachel: \"Angel ?\"Angel: \"Rachel. Are you alright ?\"Rachel: \"They let Lenny out... The lawyer said something about atechnicality.\"Angel: \"I'll be right there.\" ***** Cut to the underground garage.***** Angel walks up to his car. As he reaches for the door handle a beam smashes into his head sending him tumbling back against thewall.Spike in vamp face: \"Angel. I believe you have something I'm looking for... a shiny, little bauble ?\"Angel, picking himself up: \"Might as well go home, Spike. The gem of Amarra stays with me.\" Spike swings atAngel with the board. Angel catches it, hits Spike across the chin, in the stomach, then kicks him to the floor. Spike slowly getting back up, board in hand: \"Why ? Because you are vampire detective now ? What's next ?Vampire cowboy ? Vampire fireman ? Oh, vampire ballerina.\" He charges Angel with the beam.Angel: \"I do like to work with my legs.\" He grabs an overhead pipe and swings both feet into Spike's chest. Spike quicklypicks himself back up and keeps stabbing at Angel with the beam, while Angel dances around him like a boxer, dodging the board. Spike tries to pin him onto the hood of the car but Angel kicks him off, taking the beama way form him in the process. Angel, twirling the beam in his hands: \"We duke it out, huh ? Is this your big strategy to get the ring back ?\"Spike, attacking again: \"Hey, I had a plan !\" Angel, fending him off with thebeam, then pinning him onto the car: \"You ? A plan ?\"Spike: \"A good plan. Smart. Carefully laid out... But I got bored. (hits Angel and pins him up against the wall) All that watching, waiting,... my legs started tocramp. (throws Angel up against the door leading out) Enough with the hit'n'quip. Just tell me were the damn ring is.\" Angel, turning around in vamp face: \"It wouldn't go with your outfit.\" He hits Spike around for awhile and finally throws him against the wall just as Cordelia and Doyle run in behind Angel. Spike, slowly getting back to his feet: \"Cordelia. You look smashing. Did you lose weight ?\"Cordelia: \"Yes, there is this greatgym at... hey !\"Spike, to Angel: \"I'll get that ring. This isn't over until one of us is a pile of dust, mate.\" (Runs off.)Cordelia, to Angel: \"Are you okay ?\" Angel walks off a ways from then (still in vamp face) then turnsaround.Doyle: \"More importantly, how's the ring ?\"Angel: \"It's fine. (morphs into his human face) I can't say the same for you two though. You better get out of sight until this thing is over. Spike is out for blood. (toDoyle) Take her to your place.\"Cordelia: \"His place ? Why can't I just go home ?\"Angel: \"Because he knows you, Cordelia. If he wants to he'll track you down.\"Cordelia: \"Yeah, but he's not invited, right ? He can't comein.\"Doyle: \"No, but he can burn the place to the ground.\"Cordelia: \"Okay then. Doyle's place it is.\"Doyle to Angel: \"What about you, man. You know he'll be coming back for you before long.\"Angel: \"I know.\"Cordelia:\"So what are you going to do ?\"Angel: \"Find him first.\"Cordelia and Doyle: \"Alright, let's go.\" They leave as Angel wipes at the blood at the corner of his mouth. ***** Cut to Doyle's apartment. ***** He is talking onthe phone, while Cordelia is pacing the floor.Doyle: \"Not Spice, that's the bird down on Broadway. Spike, like in railroads... Uhuh,... yeah, vampire, right... No ?... Okay, then. Thanks.\" (Hangs up.) Doyle, marking hisopen address book: \"Frankie Tripod ? A big no.\"Cordelia: \"Frankie Tripod ? Oh, I get it. Some kind of three-legged monster, right ?\"Doyle: \"No, he's human.\"Cordelia: Then why is his name... Oh...\"Doyle, getting up:\"Hey listen, why don't you sit down. Get comfortable. Angel said I should go through every name in my book until I get a bead on where Spike is hiding out. Could be a while.\"Cordelia: \"Please. I couldn't getcomfortable in here if the floor was lined with mink. I mean, how can you live like this ?\"Doyle: \"Well, I didn't until last week. Then I saw what you did with your place and I just had to call my decorator.\"Cordelia: \"Noway. My apartment is nowhere near this yucky. (sits down on a chair. Paper rustles. She gets up brushes it of the chair and sits back down while Doyle picks some laundry of another chair) It smells like bong water inhere.\"Doyle: \"Okay a couple of laundry might be a couple of days over due, but...\" Telephone rings and Doyle goes to get it.Doyle: \"Yeah ?... Hey, Kizzy. Yeah, vamp named Spike. No ? Okay. What, a \"C\" note ? Iabsolutely paid that back, man ! Hey, no, sorry, there goes my other line.\" He slams the phone down.Doyle: \"He was mistaken, but I didn't have time to get into it, right ?... I'm on a mission here !... So what about thisSpike ? Is he as bad as all that ? I mean should I be sweating ?\"Cordelia: \"He's really not... (sighs)... sweat.\"Doyle: \"That's what I figured.\" ***** Cut to Rachel's apartment. *****Rachel: \"You keep showing up likethis and I'm going to think you're a man of your word.\"Angel: \"Stranger things...\"Rachel: \"Not many.\" Goes into the kitchen. Angel, following her, carefully skirting a patch of sun: \"So we'll get you out of here. There areplaces you can go, where you'll be safe.\"Rachel: \"Like a shelter ?\"Angel: \"It's a start. He won't be able to find you, I swear.\"Rachel: \"No, it's not the shelter it's just... ah... Half the time, you how this whole thing startsup again, Lenny and me ?\"Angel: \"You call him.\"Rachel: \"I... I... I just start to jones for him. The way he jones for rock. And I call, or I find him in some dive, and I drag him home, - and it's *good* for a while.\"Angel,shaking his head: \"But it doesn't last. This last time he would have killed you.\" Angel watches with a sigh as she tries not to cry.Rachel: \"I'm scared, Angel, I'm more scared of me right now than I am of him.\"Angel:\"You're at a crossroads, I know. It's either go for the easy fix and wait for the consequences, or take the hard road and go with faith.\"Rachel: \"Oh, god. You're not from that freaky church on Sunset, are you ?\" Shesteps away from him.Angel: \"In yourself. That kind of faith... What I'm saying is: if you leave Lenny for good, it'll hurt. But eventually you'll be stronger for it. And maybe you'll find your way to the kind of love youdeserve.\"Rachel: \"You mean the kind of love that comes without 911 calls ?\"Angel: \"That's the general idea.\" ***** Cut to Doyle's apartment. *****Cordelia, eating popcorn: \"Oh, yeah, Spike's nearly done Buffy in afew times. I mentioned that he's killed two Slayers already ?\"Doyle: \"You did.\"Cordelia: \"Oh, and this one time he and Dru raised this demon that burned people from the inside. It was this whole weird thing with anarm in a box.\"Doyle spellbound: \"An arm in a box ?\" Cordelia nods. The phone rings and Doyle picks it up.Doyle in a nasal voice: \"House of Pies.\" Angel in his apartment checking the mechanism of his wrist sheathes:\"Doyle ? Is that you ?\"Doyle: \"Oh, sorry man. Just laying low. All those calls to past acquaintances stirred up a few, uh, old resentments.\"Angel: \"I hope it was worth it.\"Doyle: \"Yeah, well, listen Manny the Pig said hedidn't know anything about a vampire called Spike.\"Angel: \"So ?\"Doyle: \"So he said that before I mentioned anything about Spike. You'll find him at a joint down on third called the Orbit Room.\"Angel: \"Okay. I'll startwith Manny the Pig then.\"Doyle: \"Work your way down.\"Cut to Angel slamming a guy down on a table.Guy: \"He left for the club.\"Cut to Angel smashing a different guy up against the wall with his hand around histhroat.Guy: \"Try the game.\"[SCENE_BREAK]Cut to Angel slamming the Pig down on a poker table. Angel is grabbing him by the throat and getting right in his face. Three other guys there draw their guns and pointthem at an unfazed Angel.Pig to the guys: \"Put them down. (they lower the guns. To Angel) He'll kill me if I talk.\"Angel: \"How healthy do you think it'll be to stay quiet ?\"Pig: \"He's out back.\"Cut to Angel coming out theback door. He sees Spike snacking on a girl.Angel: \"Let her go !\" Spike, looking up at him in vamp face: \"Did anyone ever tell you you were a real buzz-kill, mate ?\" Spike throws the girl into Angel and stalks off indisgust.Angel to girl: \"Run.\"Cut to Angel running after Spike. Spike comes up against a chain fence at the end of the alley. Spike, turning around says sounding bored: \"Caught me fair and square, White Hat. (slowly lifthis hands up over his head) I guess there is nothing to do now but to go quietly and pay my debt to society.\"Angel, closing with him slowly: \"You think you can come to *my* town and pull *this* crap ? You never learn,Spike.\"Spike with a smile: \"I maybe a slow learner...\" Chains rattle behind and as Angel turns around a guy in white whips a chain around Angel's neck and drags him to the ground. Spike, watching the guy hog tieAngel: \"But eventually I learn.\" ***** Cut to Doyle's apartment. ***** Cordy is sitting by the phone, Doyle is pacing.Cordelia: \"Angel should have called by now. (sighs) this is bad!\"Doyle: \"Maybe not. Maybe he didaway with Spike in short order, and decided to give a go at surfing ?\"Cordelia: \"Right !... What am I worried about ? Angel has the ring, right ?\"Doyle: \"Right ! I bet he is out hanging 10 right about now, out on thesandy shore at. Wind in his hair...\"Cut to Angel hanging in a couple of chains by his wrists in a warehouse. Doyle voice over as camera pans down Angel's body: \"Bikini babes a whistlin'\" The white-clad guy form thealley puts on a classical LP the opens a trunk and takes out torture tools.Spike: \"Marcus is an expert. Some say artist, but I've never been comfortable with labels... He's a bloody king of torture, he is. Humans,demons,... politicians, makes no difference. (starts to circle Angel) Some say he invented several of the Classics,... but he won't tell me which ones... beneath the cool exterior, you'll find he is rather shy... Except withkids. (to Marcus) You like kids, don't you Marcus ?... Well, likes to eat. (leans in close to Angel) and other nasty things.\" Angel thrashes in his chains and Spike pulls back with a satisfied smile. Marcus puts on wire-rimglasses as he walks over to Angel. He rips his shirt open and stares at his chest.Marcus: \"His skin...\"Spike: \"Annoying isn't it ? Still attached.\"Marcus: \"Over 200 years of living and so little external damage... Whatabout internal ?\"Spike: \"Do you two need to be alone, or can we go on to the ouchy part ?\" Marcus, laying his hand on Angel's heart: \"He's known love.\"Spike: \"Yeah, and with a Slayer no less. How is that for perversion?\"Marcus: \"And he has a soul.\"Spike bored: \"Right, vampire with a soul. Cursy-cursed to walk the earth trying to do good. That's not going to be a problem, is it ?\"Marcus: \"On the contrary. Creatures with souls havesomething to lose.\"Spike: \"Souls, fingers, toes... Let's get chopping, will you ? I want my damn ring !\"Marcus, to Angel: \"What do you want, Angel ?\"Angel: \"Are you going to torture me, or just bore me to death ?\"Marcus goes to pick up a poker that has been heating in a fire-barrel and stabs it clear through Angel's lower right chest. Angel suppresses a scream.Marcus: \"Probably a little of both.\"Spike with a smile: \"Someone'shaving shish kabob.\"Cut to later. Angel has several metal pokers sticking through different parts of his body.Marcus, playing with some pliers: \"What do you want Angel ?\"Angel, gasping: \"A house in the country, a pair"}
+{"doc_id":"doc_302","qid":"","text":"Act One.Scene One - Café Nervosa. Frasier is flicking through some magazines when Roz comes to join him.Roz: [sitting] Oh hey, Frasier. Catalogues?Frasier: Yes. I'm trying to find the perfect wedding gift for Daphneand Donny.Roz: Oh, right. Well, I guess now that they've set a date, I'll be getting my bridesmaid draft notice.Frasier: You know Roz, she might not even ask you.Roz: [positive] Oh, she'll ask me. They all do. The nextthing I know I'm wearing some revolting puffy-sleeved dress made from the same material that keeps the space shuttle from burning up on re-entry.Frasier: You know, Roz, Daphne might just surprise you and pick adress you like.Roz: Oh, impossible. They're always ugly; that's why the bride makes sure she's the prettiest one at the wedding.Frasier: That's awfully cynical.Roz: Oh yeah, when was the last time you found yourselfstaring at the bridesmaid instead of the bride? [signals to the waitress]Frasier: That would have been at my wedding to Lilith.Roz, not getting the attention of the waitress, heads over to the counter. Then Niles entersand sits with his brother.Niles: Hello Frasier.Frasier: Oh, Niles.Niles: Frasier, do you remember the time the Kreizel brothers tied me to their Great Dane and lobbed meatballs down their gravel driveway?Frasier: I'vetold you Niles, I would have helped you, but their sister was holding me down.Niles: No, my point is - [to waitress] Cappuccino, please [to Frasier] - even that experience was less painful than the date I was just on. Shewas... [takes a cat hair from his jacket and puts it on the floor] ...a cat person. She brought her cat on our date. Well, she had good reason, it was Mr. Waggles's birthday. Actually his birthday party. Actually, hissurprise birthday party.Frasier: I'm sorry, where on earth did you meet this woman?Niles: At Nordstroms. We both reached for the same cashmere throw and she said she needed something to keep her waggles warm.I thought it was a coy euphemism. [the waitress brings his coffee] Thank you.Frasier: Well, Niles, I certainly understand your being upset, but you know, you've got to keep on looking.Niles: Well, trust me, with Daphnegetting married, I have no choice but to press on. But I'm going to change my strategy. Do you recall, the other day at the health club, Tony Hubner gave me that phone number?Frasier: Dear God, Niles, not a datingservice?Niles: No, it's not a dating service. An \"Introduction Network\" for busy professionals. I've given them my vital statistics, there's an extensive screening process, they bill me at the end of the month.Frasier:Niles, please. They are all money-grubbing con-artists who prey on the pathetic and the lonely. God's sakes, you sign up with visions of some Ph.D., and what do they deliver? A buck-toothed librarian who needs helpwashing her mother! Are you really that desperate?Niles: Half an hour ago, I had my back leg tethered to Mr. Waggles's forepaw and we came in third in the five-legged race.Frasier: Geez, you'd think they'd let him winon his birthday.[SCENE_BREAK]Scene Two - Frasier's Apartment. As Frasier enters he hears Daphne on the phone to her mother.Daphne: I know, mum, but it is my wedding. I've given into you on so many things.Couldn't this one thing go my way? [pause] I just don't like those tiny corns in my salad. [pause] No, I don't hate you. [pause] Well, that's just not true. I'm glad you're alive. [pause] All right, all right, tiny corn it is.I've got to run now, cheery bye. [hangs up] That was mum, she had a thought about the salad.Frasier: Something tells me yesterday's crouton skirmish wasn't the end of it.Daphne: I suppose she can be a bitoverbearing. But as she often points out, she is paying for the wedding and I am her only daughter and giving birth to me was so painful she did bite through a kitchen spoon.Frasier: Daphne, just don't let you motherguilt you into having the wedding she wants instead of the wedding you want.Daphne: Oh, don't worry, mum already promised me I could have the wedding I want, as soon as I have a daughter who getsengaged.Daphne exits to her bedroom. Frasier enters the kitchen where he finds Martin with a box of jerky.Frasier: Hiya, Dad.Martin: Oh, Fras. You'll love this stuff I got from the farmer's market. This guy takes thejuiciest cut of filet mignon, slices it real thin and makes jerky out of it.Frasier: Look Dad, I don't...Martin throws it into his mouth, you can tell he is disgusted.Frasier: Yes, if only I had a nice powdered Cabernet to gowith it. Listen, have you given any thought to Daphne's wedding present?Martin: Now Frasier, not everyone likes jerky as much as you and me.Frasier: No, I just want to get her something special, especially since hermother seems to be taking all the joy out of it for her.Martin: Oh, well, how about a nice piece of luggage? You know, a good hard suitcase, like the kind people used to put stickers on to show everybody where they'vebeen. Remember your grandad's? His whole life was on it: Topeka, Sioux Falls, Biloxi... it was like a map of the world.Frasier: What a loss to us all that he failed to write his memoirs. I'm thinking of something thatwould matter to Daphne. [hiccups] Oh, something that shows her how we feel. [hiccups] Good Lord, that's a little spicy, isn't it? [gets a bottle of water from fridge] You know, maybe we should get something for herwedding.Martin: Like what?Frasier: Well, I don't know, her flowers, say? That's it, we could offer to pay for her wedding flowers.Martin: That's a bit pricy, isn't it?Frasier: Well don't worry about it, Dad. [hiccups] Youjust donate what you can and I'll pay for the rest. [hiccups] God, what was in that jerky?Martin: Well, you just ate it too fast. Next time you have to savor it a little.Frasier: Dad, I'm never going to taste that vile stuffagain. [hiccups] Oh, spoke too soon.Frasier enters the room to find Daphne.Frasier: Daphne, may I have a word with you, please?Daphne: What is it, Dr. Crane?Frasier: Well, it's about you wedding gift. Now, I knowit's not traditionally the role of a friend but we consider you family, so please don't say no. Dad and I would be honoured to pay for your wedding... [hiccups]Daphne: [taking it in] Pay for my wedding?Frasier: [holds outhis hand but hiccups]Daphne: How wonderful! [hugs a hiccuping Frasier] I could never imagine.Martin enters with the jerky.Martin: What's all the hubbub?Daphne: Dr. Crane, just told me about your incredible weddingpresent. You people are heaven-sent.Martin: Well, I'm glad you like it. You know what, we're going to throw in a piece of luggage as well.Daphne: [tearful] I'm just so overwhelmed.Daphne exits to the kitchen.Martin:See, I told you, everybody loves luggage.Frasier: Dad, she thinks we're paying for her whole wedding.Martin: What?Frasier: Well, I tried to say wedding flowers, but then I hiccuped.Martin: Well, I'm not paying for herwedding.Frasier: Of course not, I'm just going to clear this whole thing up right now before it goes any further. [calls] Daphne!Daphne enters.Daphne: You know what this means, don't you? Now that mum's not paying,she can't make me have it in England. I can have my wedding how I want it, where I want it: right here. You've answered my prayers. [cries in delight and exits back to kitchen]Frasier and Martin look at each other.The doorbell sounds.Daphne: [o.s] Could someone let Donny in?Martin: Well look, Donny's a very traditional guy. He's not going to let us pay for his wedding.Frasier: Right, you saw how he proposed to her; on bendedknee. He's nothing but a hopeless romantic.And so Frasier opens the door to hear Donny on the phone saying:Donny: Any idiot knows you've got to pay a hooker in cash! I'm at a meeting, I'll call you later, bye. [hangsup and greets the rest] I've got this client, he's in the middle of a divorce, right, and his wife finds all these charges from this place called \"Executive Match.\" It turns out to be a call girl service. When she gets throughwith him she'll have his house, his car, she'd have his beach house too if I hadn't already taken it. Women!Then Daphne bursts in and hugs Donny, still excited.Donny: Hi, honey.Daphne: Hi sweetie. [kisses him] Havethey told you yet?Donny: Told me what?Daphne: You're not going to believe this, but Dr. Crane and his father have offered to pay for our entire wedding.Donny: [takes it in] Is this a joke?Frasier: It could be.Donny: Imean, it's one thing for us to let your family pay, they're your parents, it's traditional. But this is...Frasier: Going too far? Being presumptuous?Martin: Yeah, we don't want to step on any toes.Daphne: I didn't thinkyou'd be uncomfortable with this.Frasier: Well, he clearly is, Daphne.Martin: Donny's right! We're not family.Frasier and Martin try to get out of it until Donny realises his bad manners.Donny: Wait, wait, wait, what am Idoing? Here you guys, you're making this lovely gesture and I'm just insulting you. I mean if you guys are not family to Daphne, then who is? Course you can pay for the wedding. Thank you, thank you.Donny hugsFrasier and Martin who cringe at the thought of the cost.Daphne: I just knew he'd see how much this meant to you. I'm tearing up again.Donny: No, don't start with the water works because you're going to get megoing. [notices jerky] What's this? Jerky? Can I have some of that?Martin: Help yourself.Donny: [reads box] Made from filet mignon. How much did this stuff set you back?Frasier: You have no idea!End of Act One. ActTwo.Scene One - Café Nervosa. Daphne is going through her plans for the wedding with Frasier.Daphne: Now, as far as the reception goes, I've narrowed it down to two places. I'm leaning towards \"Captain Jonah's.\"The view of the water's lovely. But you have to walk through a whale's mouth to get inside.Frasier: I hesitate to ask how you exit.Daphne: I've got to run. I've a meeting with the DJ.Daphne leaves. The woman seatedbehind Frasier, covering her head with a newspaper puts her read down, revealing herself as Roz. She comes over.Roz: I thought she'd never leave!Frasier: Good God, Roz, how long have you been there?Roz: Sinceyou two walked in and trapped me.Frasier: Aren't you taking this a bit too far just trying to avoid an unflattering dress?Roz: Yeah, I thought you'd say that. That's why I've been carrying around this picture of the lasttime I was a bridesmaid.Roz hands her photo to Frasier.Frasier: Good Lord, Roz, you look like you've been tented for termites. Roz whips the photo back again.Roz: Well, it sounds like she's having fun planning herwedding.Frasier: Yes, well, now that she can have things her way and not her mother's.Roz: She's lucky you came along.Frasier: Well, yes and no. You know, I sit here and let her make questionable choices and I saynothing because I know it's going to cost me less. I'm sorry, I've got to change my thinking about this whole thing. What good is my money, if I'm denying her the best gift I have to offer: my taste and expertise?Frankly, what Daphne really deserves is the gift of Frasier.Roz: Suddenly that crock pot I'm giving them doesn't sound so bad.Frasier: Oh, shut up!Roz exits as Niles appears from the back of the café with a delightfulsmile upon his face.Frasier: Hello, Niles. You look like a man who's been waiting to be asked why he's grinning.Niles: Oh, I was just thinking about the other day when you said how you thought dating services were alla big con. Well, I just got conned into meeting the most enchanting woman.Frasier: I don't know what to say.Niles: And I owe it all to \"Executive Match.\"Frasier: Now I do. The name of this service is \"ExecutiveMatch?\"Niles: Right, and you thought these women all beneath me.Frasier: Beneath you and countless others. Niles, do you have any idea...Then Sabrina walks in. She looks like the average ditzy blonde. She is on hercell phone. Niles calls her, but Sabrina signals him to pipe down and she'll be with him in a second.Niles: She's always on the phone. Whatever it is she does for a living, she's in great demand.Frasier: So you have noidea what line of work Sabrina's in.Niles: I'm guessing high-priced lawyer. I heard her quote her hourly rate on the phone. Believe me, you don't want to be on the receiving end of that bill. [laughs]Frasier: Niles, I feel Imust warn you...Niles: Oh please, spare me your condescending advice. Why can't you simply say you were wrong?Frasier: You have no idea what you're doing!Niles: I know exactly what I'm doing! And you could learna thing or two from me, Mister One-Date-And It's Over. I am taking it slow with Sabrina.Frasier: You mean you haven't?Niles: ...haven't?Frasier: Haven't...?Niles: Oh, please! Are you mad, you don't proposition awoman like that on the first date. Last night, I dropped her home after dinner with nothing more than a courtly kiss on the wrist. Tonight may proceed to hand holding. If all goes well, in two weeks I shall storm thecitadel of her womanhood.Sabrina comes over. Niles stands and kisses her wrist.Niles: Sabrina, this is Frasier.Frasier: Hello, lovely to meet you.Sabrina: Nice to meet you. You really have a great brother. He's charmingand witty and intelligent and handsome. [laughs]Niles: I paid her to say that. [laughs]Frasier: Of course you did![SCENE_BREAK]THE GIFT OF FRASIERScene Two - Frasier's Apartment. The room is full of things for thewedding. The dinner table is complete with tablecloths, flowers and food. There is a harp next to the piano. Frasier is just showing the florist out as the doorbell sounds. He opens the door to the dove man (who has abox of doves with him) and Daphne.Frasier: Finally, the doves have arrived. Come in, come in. [he does] [to florist] Lathbert, thank you so much for coming, lovely flowers, I'll let you know.Daphne: [enters and closesdoor] Dr. Crane, was that the florist for my wedding?Frasier: In his dreams! God, the man's arrangements are one big cliché. Look at this, his answer to everything is baby's breath, baby's breath, baby's breath. [pointsto flowers]Daphne: Does that woman with the harp have something to do with my wedding too?Frasier: No, Daphne, she's selling them door to door. Of course it's for your wedding. She's auditioning.Daphne: Dr.Crane, I really don't think...Then Martin enters from his room.Martin: Oh good, Daphne, you're here too. Listen, I want to show you guys a little something I thought up for the wedding. [acting as a minister] It is nowthe time in the ceremony for the rings. May I have them, please?Eddie runs in with a little basket containing two rings. He runs up and jumps on the couch, allowing Martin to take them.Martin: Course, it's a lot moreeffective when he's in his little tux.Frasier: Dad, please, it's all just a bit much, isn't it? We don't want to turn this wedding into a circus. Now, the dove man.Daphne: Dr. Crane, about the doves...Frasier: Just picture it,Daphne. Aren't they something? As you and Donny exit the church one dozen white birds of peace will be released and circle above. Of course, we'll use fourteen in actuality - the power lines always take out afew.Frasier lets the dove man out.Daphne: Dr. Crane, about the doves, well it just seems a little grand. I mean, what's wrong with throwing a bit of rice?Frasier: Well, if you want rice, of course, you'll have rice. [then]Sometimes it seems nothing I do is good enough.Daphne: No, no, no, I suppose doves will be fine.Martin: [noticed a reverend in the kitchen] Frasier, is that Reverend Franklin in the kitchen?Frasier: Yes it is,Dad.Martin: You're auditioning our minister for the wedding?Daphne: Don't you think Donny and I should have a say in who marries us?Frasier: Of course, Daphne, I'm just whittling down the possibilities. The finalchoice is yours.Chef Marco then enters with some cooked mushrooms from the kitchen.Marco: Who's tasting the first course?Frasier: Oh, that would me. [Marco exits]Daphne: Who's that?Frasier: That's Chef Marcofrom the Mercer Club, Daphne. Today we'll be sampling each of our four courses.Daphne: No, I was planning on serving a buffet. That way people can mingle, it's more festive.Frasier: We are talking about yourwedding, not brunch with all the fixin's at \"Billy Bob's Blackjack Boomtown.\"The doorbell sounds. Frasier opens the door to Niles on the arm of Sabrina.Niles: Hello, Frasier, you remember Sabrina.Frasier: Yes, of course,lovely to see you. Niles, what are you doing here?Niles: Oh, we're out for an afternoon of bird watching. It's the start of mating season, you know. [winks at Frasier] Just wanted to introduce my new girlfriend to Dad.Dad, this is Sabrina.They give their greetings.Martin: [impressed] Hey, nice to meet you.Sabrina: Nice to meet you too. I should really call my office, about how long do you think we'll be gone?Niles: Er, about eighthours.Sabrina: Great!Sabrina goes off to the hallway as Frasier responds to Sabrina's last remark. The doorbell sounds again. Daphne answers it to Roz, who tries to get away quickly. She has papers in her hand.Roz:Oh, Daphne, I didn't know you were going to be here. I just want to drop these off for Frasier. [hands them to her]Daphne: Roz, I'm glad you dropped by, I need to talk to you about my wedding. Do you mind if wespeak in the hallway?Roz: Actually, I don't have much time.Daphne: [follows her into hallway and shuts door behind her] Well, then I'll get right to it.However the elevator opens to a delivery man with adress.Deliveryman: Excuse me, do you know where Dr. Crane lives?Daphne: Right here, can I help you?Deliveryman: I'm dropping off this bridesmaid dress.Daphne: Oh, I'll take that. I'm the bride.The delivery mangoes back down in the elevator. As Daphne goes on with her speech, Roz examines the beautiful silk wedding dress. She is hardly listening to Daphne.Daphne: What I need to ask you is, how do you ever get Dr. Craneto listen to you...Roz: Is this the bridesmaid dress?Daphne: He's driving me mad. He doesn't listen to anything I say...Roz: The woman you ask to be bridesmaid gets to wear this?Daphne: And the worst part is...Roz: Isthat silk?Daphne: Well, he's just like my mother, controlling and stubborn. I mean, what am I going to do?Roz: [then] Well, Daphne, it's your wedding. Just tell Frasier how you feel.Daphne: Yeah, well that's a bitdifficult for me. You see, there was no talking to my mother. Anytime I sort of tried all I hear is \"Just do it my way, you'll thank me later.\" Every time she said that I just wanted to explode.Roz: Look, Frasier's areasonable guy. Just go in there and be direct.Daphne: You're right, I'm going to and... Roz, I was going to ask you if you wanted to be one of my bridesmaids?Roz: [obvious acting] Oh my God, are you serious? This iscoming out of nowhere. I'd love to.They hug.[N.B. In fact, Jane Leeves was a bridesmaid at Peri Gilpin's wedding to her husband, artist Christian Vincent.]Daphne: Don't worry. Once I'm in charge you won't have towear this thing Dr. Crane picked out. I mean, he calls this a bridesmaid dress! The sleeves aren't even puffy.Daphne enters the apartment as Roz angrily presses the lift button. Meanwhile, Martin and Sabrina arechatting away.Martin: So, how long have you guys been seeing each other?Sabrina: Let's see. Since we've met it's been about seventeen, no, eighteen hours.Niles: She actually counts the minutes we've beentogether.Frasier: Niles, may I see you in the kitchen?Niles: Excuse me.Frasier heads to the kitchen with Niles. Daphne stops them.Daphne: [confronting] Dr. Crane, I need to talk to you.Frasier: Not now,Daphne.Daphne: [nervous] All right.Niles and Frasier enter the kitchen.Niles: All right, what is it?Frasier: Niles, it's about Sabrina. She's a prostitute.Niles: Frasier, I don't like lawyers anymore than you do, but frankly aman whose face is plastered on every bus in town should be careful what terms he bandies about.Frasier: Niles! \"Executive Match\" is an escort service. One of Donny's clients was caught using them.Niles: I don'tbelieve you.Frasier: Niles, does Sabrina laugh at everything you say, is she fascinated by everything about you, even your collections?Niles: Well, yes. Actually, I even showed her my rarely-seen collection of eighteenthcentury Portuguese bud vases.Frasier: And how did she react?Niles: Well, if you must know, she was rather aroused. She said she loved a man who collected porcelain and- [clicks] Oh my God, I'm dating a whore! Theyhave my credit card number, I've been running up a tab! [looks at watch and calculates bill] I've got to get her out of here!Niles rushes into the living room with Frasier. The gang are in with Reverend Franklin.Niles:Sabrina, we should be going.Martin: What's the hurry? We're having a nice conversation.Sabrina: Yeah, I love your dad.Frasier: Did I mention he used to be a police officer?Sabrina: Maybe we should go. [getsup]Franklin: Surely you can stay a little while, I haven't seen Niles in ages. [to Sabrina] You know, I used to teach him in Sunday school.Martin: Oh, you know Reverend, I can still remember dropping him off for his firstclass. It seems like only yesterday.Suddenly harp music begins playing. The type that is used in movies when they are having a flashback. Everybody thinks this weird and starts looking around only to find it to be the"}
+{"doc_id":"doc_303","qid":"","text":"[PREVIOUSLY_ON]John: Isaac?Isaac: Isaac, the fornicator. Coming home to Salem to get out of the war is like jumping in the ocean to get out of the rain.Isaac: You can't leave Salem just yet. Something you've got tosee.Mr. Hale: Someone broke our circle.Mary: Who saw us?Mr. Hale: I do not know.Mary: I waited for you. Years and years.John: Come with me.Mary: I can't. It's impossible.Tituba: The grand rite has begun, and theearth cries out for innocent blood.Mary: I know well my duties.George: [Grunts] The only thing that keeps me alive is the look on your face when John Alden finds out what you really are.Bridget: [Screaming]Anne:Father, you know Bridget. How could you think her guilty of this?Mr. Hale: It isn't a matter of what I think. What a mess you've made of things.Bridget: [Gasping]Anne: [Sobbing]Mary: I don't want you here.John: Ialmost believe you.[Insects chirping]Cotton: You're so beautiful.\"Fear no man's war, for only a war from hell could destroy Salem.\" The devil was never going to let a promised land be built here without a battle.Mary:Do you know what killed nearly every woman buried here? Love.Cotton: And witches armed with deadly malice...Mary: Most died in childbirth. So love is to a woman...Cotton: Are the most malignant and insidiousweapons in that battle...Mary: What war is to a man. The most deadly thing, they'll do.Cotton: That war for the body and the soul of a nation.Mary: Only a fool runs quickly to war...Cotton: Imagine a foe you can'tsee...Mary: Or love.Cotton: Armed with weapons unknown...Mary: I can teach you...Cotton: And the ability to appear as anyone.Mary: About life and death and many things in between.Anne: Stop it! Just stop it!Stop.Cotton: Shh. Judge not, lest ye be judged.[Gasps][Water splashes][Indistinct shouting][\"Cupid Carries a Gun\" plays]\u0000 Pound me the witch drums \u0000 \u0000 witch drums \u0000 \u0000 pound me the witch drums \u0000 \u0000 pound methe witch drums \u0000 \u0000 the witch drums \u0000 \u0000 better pray for hell \u0000 \u0000 not hallelujah \u0000[indistinct shouting]Man: Burn in hell![Shouting continues]Woman: Sin!Isaac: Be assured, Mrs. Bridget... ones that are weepin' faroutnumber the ones that might spit or curse.Man: Burn in hell! Burn![Indistinct shouting]Tituba: You would do well to pay that boy extra to take them bodies a more circuitous route.Mary: Spectacle is fuel for ourfire.Tituba: And doubt is indulged by the rich and spoiled only.Mind that you was born neither.Woman: \"Give me to die with thee that I may rise to a new life, \"for I wish to be as dead and buried to sin, toselfishness...\"Mary: By all means, Reverend... do not offer prayer or comfort or words of encouragement. No, stand as a bewildered statue amongst the people of Salem and offer them absolutely nothing.Cotton: Whatwould you have me do?Mary: What I brought you here to do. Guide and support us in our great hour of need. Warm our hearts with your words of wisdom. Assure us it is God's will we do in ferreting out the devil. Or atthe very, very least... Pray.Mr. Hale: Tragic day.Mary: Tragic but necessary.Mr. Hale: Tragically necessary. Surely, the grieving of the masses gives you pause.Mary: Most spit and curse while summoning the burningflames of hell.Mr. Hale: There are also those who weep for her and find her hanging unfounded.Mary: Not enough to divert our intentions. A panic's success relies on its escalation. The grand rite has begun. We look toour next victim.Mr. Hale: And that I disagree, that I strenuously and most vehemently oppose means nothing to you? We were seen at our sabbat. And you throw caution to the wind.Mary: And have you identified whosaw us? Perhaps your disagreements and vehement opposition might hold more weight if you could be relied on to complete a simple task. Good day, Hale.[Indistinct shouting]Cotton: What must I do to be saved?It isimpossible to ask a more weighty question. Lest we perish eternally.John: How's it feel?Cotton: How does what feel?John: Killing two innocents in as many days.Cotton: The evidence against Miss bishop... woman: Theorphanage! Help! They're looting the orphanage![Glass shatters]Anne: Get out!It's not yours![Baby crying]Get John: Next one's to your head.[Children crying]Are you okay?Anne: It's awful. It's too awful.Mr. Hale:W-what's happened?John: Thieves have come to ransack the orphanage now that the town sees fit to hang its guardian.Mr. Hale: Easy, son.John: This is what comes of your witch panic.Mr. Hale: Are you all right?Anne:This is your fault! And his.Mr. Hale: [Sighs] Forgive her. She's distraught.Anne: I'm right! See me home.Mr. Hale: Captain, if you wouldn't mind, hmm?John: Yes. Of course.Anne: Where have they taken her?John: Foulspot where they rest the unwanted.Anne: Is it very terrible?John: Yes.[Bell tolling]Anne: Thank you...For your heroism and your candor.[Horse whinnies][Door opens]Petrus: [Laughs] Welcome, welcome, welcome!Acup of tea? A touch of port?Mr. Hale: No time. Who saw us in the woods?Petrus: It was... He who is marked. He of the \"F\" that furrows his brow.Mr. Hale: Isaac?Petrus: The fornicator.Mr. Hale: The idiot.Petrus: Onemore thing. Isaac was not alone.Mr. Hale: Who else was with him?Petrus: I don't know. I could not make out the face.Mr. Hale: You don't know. What good are you? A seer who can't see.Petrus: It's not an exact art.Mr.Hale: Evidently not.Petrus: [Chuckles]John: Hello?[Metal scraping][Crow caws]Hello?[Dog growling][Snarling][Grunts][Breathing heavily]John: What the hell was that place?Mr. Hale: The shack belongs to Petrus, anexpert on creatures both feral and otherwise.John: Yeah, well, they looked dead... Until they didn't.Mr. Hale: No dead animal could threaten a storied soldier such as yourself, Captain.John: It could, if powered by forceswe don't understand.Mr. Hale: Such as?John: Witchcraft.Mr. Hale: Nonsense.John: Is it?You know him well, this Petrus?Mr. Hale: You'll find no man more ordinary than Petrus. To say that he's mundane is to overstatehis passion.John: And what ordinary task brought you deep into the forest to seek his mundane counsel?Mr. Hale: Easy, son... Or I might suspect your presence here as more than a coincidence, that, perhaps, forreasons of your own about which I'm sure you'd rather I not inquire, you might have followed me here. And what a shame... To have suspicion overtake the grace I owe for the kindness you showed my daughter.John:Consider it repaid.Mr. Hale: Right.George: [Gagging]Mary: George, really. [Scoffs] You are worse than a child.George: [Groans]Mary: He serves at my behest, not yours. He won't come out for you. Ohh. There, there,little man. Oh, pay the beast no mind. Rest now, and I'll see to your feeding later.Tituba: Isaac's brung the master's potions.Mary: Tell him to wait.[Sighs]Ohh, George. Your nightdress thoroughly drenched in sick. Stewin that for the day, my sweet.George: [Gurgles]Isaac: For Mr. Sibley.Mary: Oh, and not a moment too soon. Just now, he suffered a fit of sorts.Isaac: If you don't mind me saying so, ma'am, it's a burden you've tookon... a burden and load, carried out without cry or complaint.Mary: My burdens can't compare to that of Salem itself. How do you find the spirits on the square?Isaac: Low, ma'am. Awful low.Mary: Perhaps there issolace to be found in remembrance of times when we've both shouldered worse. Who could have imagined that a single night could have consequence for so many? Not all scars can be seen. But they existnonetheless.Isaac: Next morning, she was gone. Run away and disappeared.Mary: Oh, your sweet Abby.Isaac: I'll admit to wondering on occasion what it might be like to one day see her again or know of her or hearher fate. Would it be better or so much worse?Mary: I can assure you, Isaac... if you were to see her again, you would find those feelings buried too deeply for hope of resurrection. Good afternoon, Isaac.Isaac: G'day,ma'am.[Indistinct conversations]Aah![Grunting][Insects buzzing]What is that? What is that? What are you... what are you doing? Please. Please.[Muffled screaming][Gasps][Breathing heavily]Pigman: What did you seein the woods?Isaac: [Screams]Pigman: We knew you weren't alone.Woman: We know!We know! We know!Isaac: [Cries]Woman: Who was there?! Who was there?!Isaac: I was alone! I was alone!Mr. Hale: Get it all.Want no trace of our efforts. The fault must lie with him alone.[Crow caws]And put these in his pockets. If he's to be found a witch, the good reverend will require proof... evidence to seal his fate, hmm? What is it? Isthis sympathy that I'm sensing? One outcast to the other? Is that what you feel, you decrepit deformity?Ghoul: Mary!Mr. Hale: So now even you would question me? Do as you're told! Does your great Mary know whatit is to watch witches burn? Nothing of the old ways while she's whipping us toward the new. A spell of vitae cupido, and then we send him to the one place in town that will certainly deny him entrance. That should gettheir attention.Gloriana: [Sniffles]Cotton: You're crying.Gloriana: [Chuckling] I'm not.Cotton: You are. What's wrong?Gloriana: If they can hang a woman like Miss bishop, what does that mean for someone likeme?Cotton: Nothing is going to happen to you.Gloriana: How can you be so sure? Just yesterday, it was me that they put before the Lewis girl. Would you have come forward had I been accused?Cotton: I follow everyprotocol. I adhere to every letter of what my father taught me. No one is convicted without incontrovertible evidence.Gloriana: So you're certain Miss bishop was a witch?Cotton: I am certain... Of the evidence.Gloriana:Why do you do it?Cotton: Why?Gloriana: Is it that you believe that you're doing good? Or is it that you wish to please your father?[Screaming, glass shattering]Gloriana: It's Isaac! He's mad![Glass shatters][Screamingcontinues]Cotton: I can't be seen here.Isaac: [Laughs] Let me touch you![Women screaming]Get up!Woman: Isaac, no!Isaac: Ha ha! Ah ha ha![Women screaming]Isaac: [Laughing maniacally][Isaacscreaming]Gloriana: Isaac, what are you doing?Isaac: What do you see?!Cotton: Isaac!Isaac: Oh, there you are!Cotton: Isaac![Women screaming]Isaac: Isaac the fornicator! Isaac the fornicator!Hide your wives! Hideall your sheep! Isaac the fornicator will get them when they sleep! Isaac the fornicator! Hide your wives! Hide your wives! Hide all your sheep! Isaac the fornicator! Hide your wives!John: Isaac!Isaac: Hide your sheep.Isaac the fornicator.John: Stop! Isaac!Isaac: Jonathan, it's no good. It's no good!John: What is no good?Isaac: They saw us. They saw us. They saw us in the woods. They saw us. They saw us in the woods. They sawus.John: Shut up.Mr. Hale: Take him to the jail.Isaac: They saw us in the woods. They saw us.John: Shh.Mary: Magistrate.Mr. Hale: Mrs. Sibley.Mary: What have you done?Mr. Hale: The idiot saw us in the woods.Mary:Isaac. So, you did this without consent?Mr. Hale: He wasn't alone. We'll find out who was with him, and he will burn.Mary: No, you will do nothing further.Mr. Hale: But...Mary: Nothing! Go home, Magistrate. You reekof the woods.[Horse neighs]Find me Rose.Isaac: [Groans]John: A drunken romp, that's all... a young man's prerogative.Cotton: And yet no smell of spirits on him.John: Oh, well, burn him, then. Why wait?Cotton: If hewas spelled, he's blameless in his actions.John: Yet you still hold him. Why?Cotton: Found on his person. Likely stolen to cast a spell on its owner.John: One minute, he's speller. The next, he's bewitched. Make up yourmind, Reverend. Is he a witch or a victim of the craft?Cotton: Chief ingredient of a witch's brew.John: Isaac took me into those woods. He risked his life to show me the witches. Why, if he was one?Lamb: I've, uh,administrated a tonic that'll settle him down and, uh, end the fits.Cotton: What is your surgeon's opinion of the boy's condition?Lamb: I can't say for sure as to cause or source, but going by his babble, that boy is goodand touched.Mr. Hale: Every benefit of the doubt, every Avenue explored. The boy is one of our own. Outcast and shunned as he may be, he still resides in the bosom of Salem. I'll, uh... I'll speak with himpersonally.Lamb: [Laughs] Not tonight, you won't.Mr. Hale: And why not?John: Lamb gave Isaac a tonic to help him sleep.[Horse neighs]Cotton: Probably best, Magistrate, to return in the morning.John: Yes,Magistrate. You can have your personal talk with him then.[SCENE_BREAK]Mary: Rose, absent the magistrate, what chance have I of harnessing the body's allegiance?Rose: [Sighs] The others are split between old andnew. Difficult to predict the outcome of such a divide.Mary: You're old and yet somehow not governed by this fear.Rose: It is not age that divides us, but ambition.Mary: [Chuckles] Well, he's not without ambition.Rose:It chafes him to bend to a woman, but he does so that our greater purpose may live.Mary: It was to be me that led us.Rose: It was and it is.Mary: Questioned and challenged at every turn, each and every decisionsoliciting doubt and scrutiny.Rose: Much as we may wish it, primacy does not live in the abyss.Mary: It cannot have all been in vain.Rose: Sibley.Your baby.Mary: It cannot have all been in vain. This life, my...Rose:Choices.Mary: Was there a choice? Or was choice taken from me?Rose: It's too late now to think of such things.Mary: Is it?Rose: It mustn't have been easy seeing him again. It is yours to decide, my girl, what is in vainand what is not.Mary: And you will stand behind my decision?Rose: Up to a point.Mary: Hmm.Rose: The magister's roots are old. He has seen much and suffered greatly. Do not underestimate him.[Thunderrumbles]John: Mrs. Sibley.Mary: Captain Alden.John: Isaac is not a witch.You do nothing, he'll be hung for one. We have to stop this. There's nothing left in you. No feelings, no heart. You're not the girl I onceknew.Mary: Have they questioned him?John: No. That's because he was given a sleeping tonic.Mary: So he's said nothing.John: Nothing. But Cotton is eager, and the magistrate was hard to turn away.Mary: Hale? Wasthere?John: He came straight to question him.Mary: You have my complete allegiance.[Horse neighs]Cotton: \"Our opportunities to do good are our talents.\"My father said that. The great increase Mather. To stayimpartial, to weigh without bias... is this the good I am meant to do? I don't want your life in my hands. Half of Salem takes you for a fool. The rest dismiss you as a pervert. Am I mad to think I saw something in you?Something of a man? And just the sort Salem needs to fight the devil.[Thunder rumbles]Abigail: [Echoing] Isaac, Isaac. Isaac, Isaac.Oh, sweet Isaac.Isaac: Abby? [Laughs] Abby?Abigail: Isaac.Isaac: How didyou...Abigail: Shh. My sweet. Tell me... who was with you in the woods?Isaac: Who was what?Abigail: The other night. Who was with you?Mary: Who was with you, my sweet Isaac?Abigail: Who was with you, my love?No one can hear us. If you love me, you'll tell me.Isaac: I can't.Abigail: Tell me, and we'll be together again, just like we were.Isaac: [Sighs] I can't.Abigail: You can.Isaac: I can't.Cotton: You can't what?Abigail: Youcan. It's okay. Who was with you, my love?Isaac: It was John Alden.[Door opens][Door closes]Mary: Good morning, Magistrate.Mr. Hale: Good morning, Mrs. Sibley.What an unforeseen delight. Will you join me in somecoffee? W-we've been experimenting with a new Brazilian brew.Mary: May we speak?Mr. Hale: The ladies are at prayer.Mary: He was alone... Isaac.Mr. Hale: You questioned him? How?Mary: He was alone in the woods.And that ends this persecution.Mr. Hale: And you're absolutely certain that Isaac was telling the truth?Mary: The circumstances were such that a lie would not...could not... cross his lips.Mr. Hale: Well, then, that leavesnothing but to task the selectmen to a vote and hang the boy for witchcraft.Mary: No.Mr. Hale: Salem will be no poorer for one less nitwit.Mary: No.Mr. Hale: [Sighs]We will never truly know what he saw, and what hesaw could get us all killed.Mary: I can control Isaac.Mr. Hale: And what of the grand rite? You wanted another victim, and now you have one. Tick-tock, Mrs. Sibley. The next moon fast approaches.Mary: I will not letthis happen.Mr. Hale: You're powerless to stop it. The council will rule overwhelmingly against it.Mary: You will not do this! [Plate rattles]Mr. Hale: It can only be sentiment that's stopping you. Such raw emotion. Itmakes you vulnerable. Don't let it cloud your purpose. He has to go.Anne: Mrs. Sibley.Mary: Good morning, Anne.Isaac: They ain't mine. I've said it 10 ways from Sunday!Cotton: Then how did they come to be on yourperson?Isaac: I don't know. The pigman must have put them on me. Or that blasted specter from the crags.Cotton: The pigman?Isaac: He saw us that night in the woods. That's why they're doing this to me. Don't yousee? They know I seen something.[Horse neighs][Sighs]Cotton: What else do you remember?Isaac: From the woods?Cotton: No.From the other night. At... at the rod?Isaac: The whorehouse? Nothing. I-I-I don'tremember anything. I told you...Mary: Captain, a word. Magistrate Hale will be here soon for Isaac. He's prepared to force a vote and hang him. You will stop him.John: How?Mary: Any way you must.Mr. Hale: Well, thebusiness of Salem awaits no man.Anne: I know what you're doing, and I hate you for it.Mrs. Hale: Unacceptable language. Utterly and completely horrid sentiment.Anne: My friend is dead. And you rush out to killanother.Mr. Hale: Darling, you must understand...Anne: Even Mary Sibley, with whom I share not a single common opinion, finds your actions vile!Mr. Hale: And just how much of my conversation did you feel yourselfentitled to?Anne: Enough to know that this persecution of Isaac is folly! Will you kill another, father? Is that the \"business\" you're so eager to attend to?Mr. Hale: Everything I do, I do for this family... For its well-beingand for the greater good of this town.[Door opens][Door closes]Anne: What?No \"how dare you?\" Or \"mind your elders\"?Mrs. Hale: For once, my daughter, I agree with you.Anne: You do?Mrs. Hale: But if I were you, I'dfind an Avenue around your distaste for Mrs. Sibley in order to absorb her manners and ways.Anne: She's despicable. I could never be like her.Mrs. Hale: She is a woman who has found her way to a voice.Anne: Lookhow she uses it.Mrs. Hale: You could use yours any way you like, but you have to find it first, unless you want to spend the rest of your life shouting at your father... Or... Your husband.Cotton: What did Mrs. Sibleyrequire?John: Are you convinced of Isaac's innocence or guilt?Cotton: I am not convinced of either.John: Then stay the hell out of my way.Mr. Hale: We shall take the boy to trial.John: That path leads to the gallows.Mr.Hale: It's in no one man's hands.John: Really? Whose hands is it in?Mr. Hale: God's, of course.John: No.Mr. Hale: Need I remind you, son, that you are impeding the very same man who only yesterday was yoursavior?John: Yeah. That was yesterday. You want Isaac today... You got to go through me.Mr. Hale: The great John Alden disappears for a decade and then dares to come back and dictate how to run our town? Takehim.[Footsteps]Tituba: He is not worth this Isaac.Mary: This has nothing to do with Isaac.Tituba: I know. Which means it has to do with John Alden.Mary: The Magistrate will learn who leads us, and he will acceptit.Tituba: Or?[Snake hisses][Gasps][Gasping][Choking]John: [Grunting]Cotton: Help him.Isaac: [Screams]Messenger: Magistrate Hale, your daughter!Mr. Hale: Stop! Get him back in the cell!Stop! Stop! Get him backin the cell! What? What's happened?Isaac: [Grunting]Lamb: Has she et something strange from the garden or the woods?Mrs. Hale: No.Lamb: Was she bit by an insect or a critter?Mrs. Hale: No, no! Please!Mr. Hale:What's happened?Mrs. Hale: She... she can't breathe!Mr. Hale: For God's sakes, man, do something!Lamb: She is beyond my arts.[Anne choking]Mrs. Hale: Where...[door opens]Mr. Hale: Stop it! Make it stop!Mary:Magistrate, good afternoon.Mr. Hale: I beg of you. Isaac can go free, whatever you want.Just make it stop.Mary: You will not question him.Mr. Hale: No.Mary: You will get out of my way. You will let me lead withoutfurther interference. I will choose who lives and who dies.Mr. Hale: Yes, yes. Help her.Mary: You see, Magistrate, I've lost everything in this town that I ever cared for. You, however, you have everything left to lose...asentiment that makes you vulnerable.Mr. Hale: [Sighs]Please. My daughter. My daughter.[Indistinct conversations]Mrs. Hale: She's improved.Mr. Hale: [Sighs]I never understood it before... how my parents could sendme away. What could be worse than being apart? Certainly not death. Now I know a parent will do anything for the life of their child.Mrs. Hale: What did you do?Anne: What happened?Mr. Hale: It's all right,darling.Everything's going to be all right.[Smooches][John groans]Cotton: A confession...I've thought, on occasion, my character might've been improved by the infrequent tussle.John: Oh, yeah. Beating's done you a"}
+{"doc_id":"doc_304","qid":"","text":"Kevin: To me, the Sixers are a five seed tops.Jim: I think they're going to the conference finals.Kevin: No.Jim: Bynum, obvious monster and the three point shooting, don't even-... [Jim bites his lip][SCENE_BREAK]Jim:I bit my lip at lunch today.[SCENE_BREAK]Darryl: Sucks. Anyway, I just don't see it. The Knicks are tough.The Nets are tough.Kevin: Oh, the Nets are super tough. [Jim in pain from his lip][SCENE_BREAK]Jim: Now Ihave this big bump in my lip that hurts. I hate it.[SCENE_BREAK]Kevin: The Hawks are terrible. They're always terrible.Jim: Okay, you need to think about it before you come with the... [Jim bites his lip again andpounds on table][SCENE_BREAK]Jim: Whatever. It's not a big deal. You know I always tell my three year old, if this is the worst thing that's gonna happen...[Jim bites his lip again] You gotta be kidding me! Ok! Pam!That's it, I'm going home![SCENE_BREAK]Erin: Good morning, Meredith.Pam: What?Erin: Oh, sorry, Pam. Yikes.[SCENE_BREAK]Pam: Jim's been spending a few days a week in Philly and I'm not gonna lie, it's beenchallenging. Yesterday, things took a turn for the worse. I found out Cece has lice. So I was up all night disinfecting every sheet, towel, toy, item of clothing in the entire house. I'm exhausted. But don't tell Jim. He hasa huge meeting today, under a lot of pressure and he's doing it all for the family.[SCENE_BREAK]Jim: I am meeting Dr. J today, otherwise known as Julius Irving, famed 76er and my own personal hero. But i have to becareful not to rub it in Pam's face because let's be honest, how would I feel if I was at home stuck with the kids while she was go carting with John Stamos.[SCENE_BREAK]Jim: [talking on phone] You sound tired.Everything ok?Pam: Great. Everything's great. Hey are you nervous about your big meeting?Jim: Uhh, a little bit. It's a lot of pressure, you know, but that's what I signed up for right?Worker: Jim, limo's here.Jim: Uh,you know what, I gotta hop off because my, uh, taxi is here to take me to the meeting.Pam: Oh, call me later!Jim: OkPam: Good luck!Jim: Thanks!Pam: Love you.Jim: Love you too. Bye.[SCENE_BREAK]Val: How youdoing?Darryl: Alright. I mean, it's what you want, so...Val: It's how it has to be.Darryl: I know, I know. It's just hard.[SCENE_BREAK]Darryl: Me and Val were going nowhere and if I'm gonna be working in Philly, I'mgonna need my freedom. So, I convinced Val to breakup with me. Here's how you do it. You say, \"What are you gonna do, breakup with me?\" Like it's a joke, and then you gain a lot of weight.[SCENE_BREAK]Darryl: I'llnever be sorry, not for a moment of it.Val: Me neither. Come here. [she hugs Darryl, and Darryl smiles behind her back][SCENE_BREAK]Pam: Hey Meredith, I need your supplier requests today.Meredith: Jeez H. in themorning. Will you stop your nagging already? No wonder Jim left you.Pam: He didn't leave me. He just went part time. [Meredith scratches her head vigorously] Can you just fill out the form please?Meredith:Yes.[SCENE_BREAK]Pam: I'm sure she's just confused. People scratch their heads when they're confused. Not always like an ape, the way Meredith just did, but it happens.[SCENE_BREAK]Meredith: Hurry upalready.Erin: [checking Meredith's head] Trust me, I know what I'm doing. Between the foster homes and the orphanage, I had lice 22 times.Erin: Holy wow, that's a big one. Alright, pencils down everyone, we gotlice!Angela: Oh God, Meredith, lice? Did you not sign a pledge to shower?Dwight: What? Lice? Oh my god. Lock the doors, we are on full quarantine.Pam: Dwight, relax. It's just lice. Maybe, possibly.Dwight: Just licePam?[SCENE_BREAK]Dwight: Of all of the vermin in God's great green kingdom, lice are the ones I detest the most. My first day of school, I had lice, and no one would play with me. For 15 years, they called me freakand four eyes and sci-fi nerd and girl puncher. All because I had lice when I was 7.[SCENE_BREAK]Dwight: Make way, nope, inspect me.Erin: Oh, this is the cleanest scalp I've ever seen. You are all clear.Dwight:Should be. I use lice shampoo every morning. [Dwight starts spraying everyone with disinfectant]Pam: Stop that!Angela: Dwight!Erin: Next!Angela: [getting her head checked] Geez Meredith, you know, this is an officenot one of your bean bag orgies.Pam: Alright, let's give her a break. We don't know for sure this is Meredith's fault.Oscar: Pam, really? Come on.Meredith: Hey, what do you want? I know who I am. Nobody's takenMeredith Palmer to the opera to meet the queen.Erin: Lice. More lice. [Angela shrieks in disgust] Angela has lice.Angela: Ew! Oh.Erin: [checking Stanley's head] Ooh yabber, lice!Erin: [checking Pam's head] Yikers,lice.Pam: No! How? I'm so clean!Erin: [checking Oscar's head] Oh yeah, big time lice.[SCENE_BREAK]Oscar: I wash my hands at least six times a day. Toilet seat covers? Yes, thank you, even when I pee. Apparently,none of that is protection enough. Not when it comes to Meredith.[SCENE_BREAK]Phyllis: What are you wearing?Dwight: It's a Hazmat suit. That stands for hazaderous materials men's suit wearing. If you rent morethan four times a year, it just makes sense to buy. Is there anyone else here that is lice free? [Phyllis, Kevin, Darryl. and Nellie raise their hands] Excellent. Do you have your own hazmat suits?Nellie: No.Kevin:No.Dwight: Renters. Ok, I'm gonna need you to gather your belongings, retreat to the warehouse, conduct your business there until the infected have been deloused. Let's get going. I'm gonna stay here and fight. Ifyou don't hear from me by lunch, call me. I might want lunch.[SCENE_BREAK]Darryl: Alright, we're going down to my warehouse, that means we're playing by my rules. No messing with the baler and be cool in front ofme and Val. We just broke up.Phyllis: You got dumped?Darryl: Yeah, she ended things.Nellie: Breakups are the worst. The only thing that got me through mine are large amounts of shepard's pie and Brandy. Thesinger, not the drink.Kevin: Here man. [Kevin hands Daryll some chocolate] You need that more than me.Darryl: Thanks, man.Kevin: Yeah [kisses Darryl on the cheek][SCENE_BREAK]Pam: Guys, I think we should allease up on Meredith. This has got to be hard for her.Angela: Oh, no no no no no. I have not yet begun to shame.Stanley: That's it. I'm getting my stuff. I'm leaving for the day.Erin: No! Stanley! If you leave now thenyou'll get it in your car and then you'll get it in your house! [Erin jumps on Stanley's back]Stanley: Get off me!Erin: I'm trying to save you from yourself!Stanley: Alright, I'll stay! There's a pencil broken in myrolls.[SCENE_BREAK]Pam: Maybe it was Meredith. Maybe she brought in lice that are totally different than the lice that i got from Cece. So let's not jump to the simplest conclusion that she got her lice from me. That ishow wars get started. Fine, I'll tell her it was me.[SCENE_BREAK]Jim: Oh man, that's fresh squeezed. And, uh are all the snacks complimentary?Limo Driver: Yeah, take some home if you want.Jim: Oh no, no, no.That's ok. [Jim shoves some snacks in his pocket as he gets out of limo] Um I'm sorry, is this the conference center?Limo Driver: No, Mr. Irving called. Said he'd rather meet you at his private court.Jim: You gotta bekidding me.[SCENE_BREAK]Pam: Hey, Meredith I need to tell you something.Meredith: [shaving her own head] Yes, Pam what do you want?Pam: Oh my God, Meredith what are you doing!?Meredith: Baking a cake,what does it look like I'm doing? Getting rid of the lice.Pam: Oh stop! I am so sorry!Meredith: Oh, can you hold that thought? That's my wax. You know, I think these critters migrated from down south. What were yousaying?Pam: Nothing.[SCENE_BREAK]Pam: I am going to tell her, but now is clearly not the time. I will buy her a wig, we'll have a few laughs. There's a right way to do this.[SCENE_BREAK]Dwight: Scalp leeches, skullvampires, follicle gypsies, hair lawyers. One thing is clear, it's kill or be killed!Erin: No, no. It's more of a nuisance really. It's not that big a deal. So, I collected your hats and your coats...Dwight: To be burned!Erin: Tobe washed.Angela: What do we do about our heads?Dwight: I'm not gonna lie. Lye!Erin: No, all we need is mayonnaise.Angela: Excuse me?Pam: She's right, it works. I would imagine.Erin: Yes, it helps to suffrocate thelittle buddies and it's a really healthy alternative to the chemicals found in most lice shampoos.Oscar: I can appreciate that. I also only eat local, organic produce.Meredith: [walks in conference room] Shaboom! How doyou like me now!?Angela: Oh.Oscar: Wow.Meredith: Take a picture. It will last longer.Angela: We don't want it to last longer. It's horrible.Creed: Bald people make me sick.Meredith: Yeah, yeah, everybody pile onMeredith. But I'm the only one with the balls to show them lice who's boss.Erin: Ok, nobody panic. If everybody just follows my instructions, then nobody else needs to end up bald. Not that it looks bad, Meredith. Itlooks...It looks awesome. You look like a baby who suddenly aged 50 years. A cute baby, but something sucked the life force out of it. I'm so sorry. We need mayonnaise! We need it now.Pam: Oh! Uh, uh I'll go.Angela:Okay. Oh, thank you.Oscar: You're a saint, Pam.Pam: No, no, it's not a big deal, please. No. Um, Meredith can I get you something special while I'm at the store, candy, or...or one of those stylish turbans?Meredith:Thanks Pam! I'll take a pack of Nicorette gum and a pack of Kools.Pam: Okay.Dwight: Let's talk pubes, people.[SCENE_BREAK]Val: Hey, Darryl.Darryl: Oh, hey Val.Nellie: Oh, that was tragic, Oh, that was like a carcrash. I couldn't look away. You two clearly still have feelings for each other.Darryl: Yeah.Phyllis: What's gonna make you feel better, big guy?Darryl: When I was a kid, my grandmother used to make me chocolate cakewhen I wasn't feeling good. She's not around to do that anymore. I'm sorry, I just need a moment to myself just to clear my head.Nellie: Aw, poor Darryl. I can't bear to see him suffer like this.Kevin: I think he needssome hugs, and maybe some chocolate cake.Phyllis: Mmm, this won't help him, it's a muffin, not cake.Nellie: Listen, let's try and get Darryl the one thing in the world he clearly wants and needs the most.Kevin: AnEscalade.Nellie: Or what's her name.Phyllis: Val.Nellie: Let's get Darryl Val.[SCENE_BREAK]Julius Irving: I hope you don't mind me bringing you out here. I can't get my knees under a desk.Jim: Are you kidding me? Ican literally scalp tickets to this.Julius: Well, do you think you can sink one from deep?Jim: Listen, I don't mean to intimidate you, but I did play a little high school ball.Julius: Okay. [Jim shoots the basket and it goes in]Wow, Halpert's got game.Jim: Alright. [Jim's phone rings] Oh, sorry. I'm so sorry. It's my wife, can I take this?Julius: It's your wife? You better take it.Jim: Right! [Jim laughs as he answers the phone] Hey, what's up?Everything ok?Pam: Oh, no everything's great! Um, I was just calling to see how the meeting went.Jim: It's still happening right now actually, so uh...Pam: He's really making you work for it, huh?Jim: Yes, it is verystressful. You sure everything's okay?Pam: Great. I am killing it over here. [drops mayonnaise on the ground] Jim, I gotta go.Jim: Okay, bye. [Jim turns back to Julius] So sorry about that.Julius: No problem. Hey Jim,what size do you wear, man? I got a pair of japanese Nikes with your name on them. What do you think?Jim: I love it.[SCENE_BREAK]Erin: [handing out mayonnaise jars] Once it's all over your head, just leavr it therefor four hours. That will be enough time for the lice to fall asleep, suffrocate, and then pass away.Dwight: Oh sure, and when you're ready to get serious, come to me to get it done right. [Dwight holds up a pair ofscissors]Stanley: Put those away before you hurt yourself.Dwight: [swings the scissors around and puts them into his pocket, putting a hole in his Hazmat suit] Oh God, oh no. No. No. No! No! No! No! No!Erin: Okay,it's easier with a buddy, so everybody pair up.Angela: Oscar, do you want to be my partner?Oscar: Yeah, yeah, sure. I'd love to..Creed: Hey, uh, mayo buddy, five dollar tip, you unclog my ears. Okay?Erin: Oh, Creed,I'm so sorry. I'm...I'm already partners with Pete, right Pete?Pete: Uh, yeah. We promised each other if we ever got lice, we'd buddy up. Sorry, man.Pam: Hey, Creed, wanna be my buddy?Creed: Oh God. Stuck withthe weirdo.[SCENE_BREAK]Oscar: [Angela is slapping mayo on Oscar's head] Angela.Angela: You don't want bugs. You know? Who knows where those bugs will end up?[SCENE_BREAK]Meredith: [putting mayo onStanley's head] You're getting a bargain. I ain't got no hair no more.[SCENE_BREAK]Pam: [putting mayo on Creed's head] Creed, I'm all done. My turn.Creed: I'm sorry, Pam. It looks a little messy.Pam: Well,wait.[SCENE_BREAK]Pete: [putting mayo on Erin's head] How's that?Erin: I feel it working. [Erin and Pete playing around with the mayo] Eiffel tower![SCENE_BREAK]Val: Can I help you?Phyllis: Well, we don't want topry but we heard you broke up with Darryl.Val: Yeah, that's true.Phyllis: We think you made a big, big mistake.Kevin: Big mistake.Nellie: Quite enormous.Phyllis: He's a real catch and you should take him back.Val: Ok,thank you. Is that all?Nellie: No. No, that is not all. Let me tell you what real life is like. The men dry up, and the nights get lonely. The only calls on your machine are for collection agencies about that pair of motorcycleboots you never even wore. You stalk your old high school boyfriend online, go to his daughter's soccer games, and make a scene. You buy a diamond ring for yourself, wear it on your right hand, and tell yourself,you're all you need. One day, you're alone, tired. At your feet, a dying bird. But where did it come from? Why did you kill it? Is it because in some strange way it is you?Val: Thank you all for your concern, but I'm gonnahave to ask you to leave, okay?Kevin: So does this mean you're gonna take Darryl back?Val: No.Kevin: Well, then, what do you say to you and me hitting the town? 'Cause I'm free, literally forever.[SCENE_BREAK]Val:Yeah, Kevin asked me out. I was kinda feeling good about reentering the dating pool, but then Kevin asked me out. Thought I might trade up to a new level of man. Then Kevin asked me out.[SCENE_BREAK]Pam:[phone rings] Hello?Helene: [on speaker phone] Hi, honey, it's mom. Look, Cece's school just called. She still has lice.Pam: What, no. That can't...I don't...Helene: Now, don't worry, don't worry. I'm on my way to pickher up, but you might have lice too. You know, lice can be tricky. Sometimes lice, like...[Pam hangs up phone]Angela: Oh my God.Meredith: Shave her head. Shave her head![SCENE_BREAK]Pam: [everyone yelling atPam]You guys, I am so sorry! It's just been so chaotic with Jim gone, that...Meredith: Yeah yeah, Princess Fancypants let Jane 12-pack over here take the fall.Dwight: [talking through the loud speaker] She's rightPam.Pam: Is there a volume knob on that thing?Dwight: Yeah there's a volume knob on that thing.Pam: Meredith, I am so sorry.Angela: Well, a lot of good your sorrys are doing her now, Pam. She's a monster.Pam: Imeant to say something earlier. I just...Meredith: Just? Just what? Just forgot?[SCENE_BREAK]Meredith: Who's the one who didn't bring lice into the office? Meredith. Sure I gave everybody pink eye once, and my exkeyed a few of their cars, and yeah I BMed in the shredder on New Years. But I didn't bring the lice in. That was all Pam.[SCENE_BREAK]Dwight: Attention, people of the office. You have exactly 60 secondes toevacutate the bull pen. At that time, I will be tossing this powerful insecticidal grenade, which contains piperonyl butoxide, as well as...[Dwight drops the grenade and it goes off inside Andy's office]Erin: Dwight, are youokay!?Dwight: Whoa. Hypertoxide has a mild hallucigenic effect, but I don't think it's kicked in yet. I'm gonna count down from ten. Nine, yellow, cold, sad, purple. [Dwight collapses]Erin: Wow. He got topurple.[SCENE_BREAK]Oscar: [Angela rinsing Oscar's hair, and she bumps his head] Ow!Angela: Sorry.Oscar: You're waterboarding me!Angela: Oops.[SCENE_BREAK]Kevin: [shoving large amounts of bubble wrap intothe baler, as a warehouse worker passes] No, this is fine. We are allowed to do this. This is okay.[SCENE_BREAK]Erin: You're up.Pete: Yeah, I'm kinda sad to see this baby go.Erin: You do kinda look like Elvis, but weshould probably wash all the dead lice out.Pete: Okay.Erin: Okay. Okay. [rinsing Pete's hair out] Is that too cold?Pete: No, it actually feels kinda nice.[SCENE_BREAK]Kevin: I wonder what happened over there. I'vebeen sitting here the whole time. [as the baler crushes the bubble wrap, making loud noises][SCENE_BREAK]Val: Okay.Darryl: Huh?Val: Let's give it a shot. Let's make it work.Darryl: Oh, no. I mean, I want to, Ijust...I don't want to force you into something you don't want to do.Val: You're not. I believe in us.Darryl: But... [Val kisses Darryl][SCENE_BREAK]Darryl: I'm back together with Val. Yay...[SCENE_BREAK]Dwight: Ihad a pretty good day today. Not everything went exactly according to plan, but lice if you are watching, I am ready for you anytime, anywhere. [Dwight gets into his car and another insecticidal grenade goesoff][SCENE_BREAK]Pete: Hey, did Erin already take off?Oscar: I guess so.Pete: Okay.[SCENE_BREAK]Julius: You're Kareem, coming to help.Jim: Okay, I'm Kareem. That makes total sense. I'm Kareem. You're Dr. J.Just sounds weird to say out loud.Julius: And it went like this. [Jim's phone starts ringing]Jim: And that's all?Julius: That's it.Jim: No one will believe this back home, but that's okay. Let me show you how it'sdone.Julius: Yeah, you show me how.[SCENE_BREAK]Jim: [Jim's phone goes to voicemail] This is Jim Halpert, leave a message.Pam: Hey honey, it's me. Just trying to catch you before going home. Um, oh, well justgive me a call whenever. Hope your day got better. Love you.Meredith: Hey, what you doing right now?Pam: I'm just gonna go home. My mom's been watching the kids all day.Meredith: Let her stay another hour. Let'sgo get a beer.Pam: Really? A beer sounds incredible right now.Meredith: No duh. Let's go. You're buying.[SCENE_BREAK]Pam: Meredith, I am so sorry about today.Meredith: Forget about it.Pam: I just did not realizehow hard it was gonna be without Jim. I mean, I really respect you for being a single mom all these years. It whipped my ass in half a week. I have to say, there are not a lot of people who could pull off a shaved head,but you are rocking it.Meredith: Right. I got the bartender's phone number when you were in the john. I'm gonna take that freak to bone town before the night is over.Pam: Get it, girl![SCENE_BREAK]Pam: [Pam andMeredith singing karaoke] This one's for all you ladies out there.Meredith: [starts singing] I come...Pam: Not yet.Both: [singing] I come home in the middle of the night. My mother says when you gonna live your liferight? Oh Mother dear, we're not the fortunate ones. And girls, they want to have fun. Oh girls just want to have fun."}
+{"doc_id":"doc_305","qid":"","text":"ACT ONEScene One - Apartment The doorbell rings. Daphne opens the door to Roz, who is carrying Alice.Roz: Hey, Daphne.Daphne: Hello, Roz, Alice. What brings you here?Roz: We're borrowing Frasier's car.Daphne:Oh, I see. And you're leaving Alice here as collateral.Roz: Actually, he's being very nice about it. Mine's in the shop, and I'm taking Alice and a few of her friends to an ice cream party.Frasier: [emerging from hallway]You told me it was your friends, and the Science Center!Roz: He said, she said, we'll never know what really happened. Frasier, don't be so uptight. I'm not gonna hurt your precious car.Frasier: I am not uptight, it'sjust that I've had some unfortunate experiences before loaning out my car.Daphne: [going to the hall] I left an umbrella in the trunk.Frasier: It was a wet umbrella!Roz: Can I have the keys?Alice whines softly,prompting Frasier to take them out.Frasier: [sighs] Yes, yes. [drops them in her hand] After all, what are fine possessions for if not to be used and enjoyed? [lugubrious] And who better to enjoy them than the delightfulsouls of small children?Roz: I'll put a tarp in the backseat.Frasier: Oh, bless you.Roz turns to leave and runs into Niles.Niles: Hey Roz, hello Alice. What brings you here?Roz: Oh, Frasier loaned me his car, I backed mineinto a telephone pole.Frasier: You said you were getting a tune-up!Roz: [as the elevator doors close] It needs one, trust me!Niles: Is, uh, Daphne ready?Frasier: Uh, actually I think she's in her room. You two haveplans?Niles: Yes, I am taking her to the botanical gardens. Can you believe she's never been before?Frasier: Didn't Donny take her to the botanical gardens last year?Niles: Can you believe she's never beenbefore?Daphne comes out with Eddie on a leash.Niles: Hey, Daphne!Daphne: Hello, Niles.Niles: Ready to go to the gardens?Daphne: Yeah, I'm afraid I'm gonna have to take Eddie for a walk first.[kisses him]Niles:Where's Dad?Daphne: I don't know, he's been gone all morning.Niles: Oh well, here, I'll take him for a quick walk.Daphne: Oh no, he's gonna need more than that, or he'll go stir-crazy. He's gonna need a full hour atthe dog park.Niles: [checks his watch] We don't have time to go the dog park, the-the Tour of Succulents starts promptly at twelve. Uh, hey, Frasier, can you take him?Frasier: No, I'm sorry, Niles. Roz has my car, yousee, and Lana's coming by to pick me up for a tutoring session with Kirby.Daphne: I'll just get Eddie's toys. [leaves]Frasier: [on phone] Hello, this is Dr. Frasier Crane, I need to make an emergency appointmenttomorrow, for a complete cleaning of my BMW. June 10th?! But I've got a Clean Team Privileges Card! Yes, of course it's a platinum one! [takes it out and looks] No, no there are no diamonds on the corner. Well, thenyes, I'd like to become a member of the Diamond Alliance immediately. Fine, put me on the waiting list. I'll see you in June. [hangs up]Niles: [needling] You're not in the Diamond Alliance?Frasier: Don't dothat![SCENE_BREAK]Scene Two - Park Niles and Daphne are sitting together on a bench in the park, with Eddie. All around them are dogs playing with their owners.Niles: So this is it.Daphne: Mmm-hmm.Niles: I'dhardly call this a dog park. [looks around] It's more like a dog... orgy. Whose beagles are those?Daphne: Don't stare, it only encourages them.Niles: Well, hurry up, Eddie, there's lots of exciting depravity to explore.[Eddie doesn't move]Daphne: [takes out a short piece of thick rope] He wants to play a little fetch.Niles: Oh.Daphne: Well here, you throw it.Niles: With my bare hands?Daphne: Oh come on, it's fun.Niles: [takes it]Ready? Here we go. And, fetch!He tosses the rope about two feet away. Eddie quickly picks it up and brings it back.Niles: All right, I didn't give you enough of a challenge. Here, ready, ready? And, ho! [throws itfarther] Go get it! [Eddie runs after it] I'm sorry, I was a bit of a grouch. This is actually a fine way to spend the day.Daphne: Yeah...Niles: In fact, it's kind of...He trails off as a huge hound comes back with the end ofthe rope hanging from his jaws.Niles: Hello. Do you suppose the rest of Eddie's in there?Jim, a tall, handsome, athletic man, follows the hound. Eddie follows him.Jim: Good boy, good boy! Sorry about that, Daphne, butwhat with the organic vitamin paste I've been feeding Tank here, Eddie can't keep up with him.Daphne: It's no problem, Jim. Uh, Niles, this is Jim Grady and Tank. This is Niles, my boyfriend.Niles: [shaking hands]Pleasure.Jim: Boyfriend? Ah, I should have known. It seems like every time I'm single you're in a relationship, and every time you're single I'm in a relationship.Daphne: Yeah, that's true.Jim: I guess we just don'thave-Daphne: Timing!Jim: -good... [Daphne laughs] And I'm a drummer!Niles: Which, uh, makes it even more ironic!Tank starts climbing Niles's leg, to his horror.Jim: Tank, that's rude! Now, chill. [Tank obeys]Niles:Wow.Daphne: Wow, you've really got him trained. That's the problem with Eddie. He only listens when he thinks he's gonna get food.Niles: Or one of my socks! [laughs, no one else does] But mostly food.Jim: Well, it'sall in the voice tone, really. Any dog can learn to respond to it, even an old wheezer like Eddie. You, uh, want me to show you?Daphne: I'd love it.Jim: Come on. [she gets up]Niles: Yeah, we'd all love it!He gets up tofollow them, but his cell phone rings.Niles: Oh uh, you guys, uh... [but they're gone] Be right back. [sits and answers] Hello?!SMASH CUT TO: A close-up of Martin, dressed in a dark suit and talking on a mobile:Martin:Hi Niles, it's me. I just wanted to make sure Daphne took Eddie for a walk, I completely forgot about it this morning.Niles: Yeah, yeah, we're in the dog park now. Uh, where are you, anyway?The camera widens to showMartin seated at a table in a nondescript room. It looks a little like a canteen. In the background are two people in suits, conferring.Martin: Uh, I'm at the track. Uh, had an itch for it when I woke up, and so just Idropped everything and went. Uh, I'm at the window... [puts the phone to his shoulder] I'll have a trifecta in the eighth. [into phone] All right, gotta run.Niles: Wait, uh-Martin hangs up. He looks verypensive.[SCENE_BREAK]MR. HAPPY PANTSScene Three - House Lana opens the door to the house, and Frasier follows her in.Frasier: Well, I didn't realize that I was going to be selling houses with you today! Why didn'tyou just drop me off and then come on your own?Lana: Stop whining! It'll only take a minute. I hope we don't run into the sad sack who owns this place.She notices some framed family pictures on the otherwise bareshelves, and quickly removes them to a box on the floor.Lana: I've been trying to sell this house for over a year! But he keeps driving away every potential buyer.Frasier: How does he do that?Phillip, the world's saddestman (judging by his unshaven face and filthy clothes) lumbers in carrying a box.Phillip: Oh... hi. I heard a woman's voice, I thought it might be my wife coming back to me.Lana: [as if to a child] No. She lives inPortland now, with her new husband, Lamar, remember? [Phillip nods sadly] Oh, excuse me, Frasier Crane, Phillip Donovan, the current owner.Frasier: Hello.Phillip: Hi.Lana: Well, see you later Phillip!Not seeming tohear her, Phillip puts the box on the floor and sinks onto the couch.Phillip: Anyway, my wife just left with the kids. No talking, no explanations, just ripped my heart out and threw it to the dogs - which she alsotook.Frasier: Well, uh, at least you're... getting out at the top of the market!Lana: Actually, this is a very good time, Phillip, and I think today is the day!Phillip: [opening the box] Oh, no!Lana: Oh, God!Frasier: What'swrong?Phillip: The damn basement must have flooded again. Everything in this box is ruined. Little Suzy's cap she wore home from the hospital, ruined; Danny's first soccer uniform, ruined!Frasier: Well, you know, Ihave an excellent drycleaner-Lana: [hissed] No!Frasier drops his coat onto a chair and sits beside Phillip on the couch.Frasier: Once, actually, I spilled butter on a pair of white velvet pantaloons. [off their looks] Well,it's a long story. But, uh, he had it out in under a minute!Lana: Frasier, just give him the address.Frasier: Yes, yes...Phillip: [shows him some pictures] I have two sons and two daughters. The perfect American family...until that b*st*rd Lamar showed up to snake our drains. Now all I have left are weekend visits, and a few treasures from their childhood.He takes out a popsicle stick house and puts it on the coffee table.Phillip: Likethis house little Danny and I made at day camp. Oh, thank goodness, it made it through unscathed. Just a little water damage in the basement. Just like this house...Frasier: Phillip, you are still their father. I mean, Iknow things seem difficult right now, but believe me, it'll get easier.Phillip: Oh, it's already easier. I mean, look at me, I'm dressed.Lana: Phillip, you know what would really cheer you up, is to make a killing on thishouse! Now, don't you think you should get back to work?Phillip: I guess. That air traffic isn't gonna control itself. [gets up]Lana: OK, here we go. [he heads toward the front] No, not the front door! Let's go out the sidedoor. [steers him] It's good to see you again, Phillip, I'll call you when we sell the place, bye!She shoves him out.Frasier: Good lord, that man is obviously in pain, the least you could be is a little sympathetic!Lana: Ihave been sympathetic for fifteen months! I had him over for Thanksgiving! He got drunk the first half-hour and cried himself to sleep in my coat closet! And I consider that one of our good days!Frasier: Well, so whereare these so-called buyers of yours? You told me they'd be here in a few minutes.Lana: Well, they're obviously running late, OK? It'll give us time to go over the plan.Frasier: What, what, there's a plan?Lana: Well, sure.When the Smolenskis get here, you act like you want the house. You know, a little competition, put a little pressure on the deal.Frasier: You're asking me to be your shill?Lana: [slaps her forehead in mock surprise]That's the word! Yes, yes! Now listen, you don't have to say anything!Frasier: I'm sorry, no!Lana: Well, why not?! Well, look, OK, all you have to do is walk around with an interested look on your face. You know, they'llfill in the rest!Frasier: I will do no such thing!Lana: Why won't you help me?!Frasier: Because I refuse to lie for you!Lana: Oh fine, then go wait in the car!Frasier: I never wanted to leave the car!Lana: Oh, just getout!She grabs his coat and flings it at him, hitting the stick house and shattering it into a hundred pieces. They are both horrified.END OF ACT ONEACT TWOScene Four - House Lana is picking up the pieces. Frasiercomes in the door with a grocery bag.Frasier: All right, I got some cream-sicles, and fudge-sicles, and something they call, uh, \"Bomb Pops!\"Lana: I called the Smolenskis, I bought us a little extra time.Frasier: Right,good, good. All right, let's spread out some paper and then build us a house!Lana: So Frasier, with all your talk about honesty, how do you justify faking this thing?Frasier: Well... we're simply protecting the feelings ofan innocent man. Nothing dishonest about that.Lana: Uh-huh. [holds up a piece] So, uh, are you gonna write, \"I love you, Daddy\" or am I?Frasier: [It's a dirty job, but] I'll do it.[SCENE_BREAK]Scene Five - ParkDaphne watches, delighted, as Tank obeys Jim's every command.Jim: Sit. Wave, wave. All right, hide your eyes, hide your eyes. Hide 'em...Niles and Eddie are sitting on the bench watching them. In his loneliness, Nileshas begun to pet Eddie.Niles: Hey Eddie, don't worry about that other dog. He may be bigger and flashier and better-looking, but...you have substance. She knows that.Daphne: [coming back] How amazing is Jim? He'sso connected to animals, it's almost magical.Niles: Daphne, I've been musing about you and me, and I have a thought.Daphne: Yeah?Niles: In every healthy relationship, I may ask for an occasional - very occasional -irrational demand.Daphne: What do you mean?Niles: Uh, a thing we insist the other do or not do, and the other one has to do it or not do it, without question.Daphne: Is that fair?Niles: It is. Because we each get one,and only one, for our whole relationship.Daphne: Well, if it's important to you.Niles: Then it's agreed?Daphne: Agreed.Niles: Good... oh, I've got mine!Daphne: Already?Niles: Yes. Uh, I want you to promise never tocome to this dog park again.Daphne: What?Niles: I know it sounds extreme, even unreasonable - but that's the beauty of the irrational demand.Daphne: Is this about Jim?Niles: The, uh, demand cannot be scrutinized.It is, by definition, irrational.Daphne: And are you sure this is how you want to use your only one?Niles: Absolutely. I've thought this through, a lot. Irrationally, of course.Daphne: OK, if you're sure. I promise never tocome to this dog park again.Niles: Thank you. I knew you'd understand. [kisses her]Jim and Tank come over.Jim: All right, we're going home. Tank needs to re-hydrate, and, oof, I'm late for a deltoid workout.Daphne:Well, I guess this is goodbye, Jim.Jim: Yep, by this time next week I'll be leading my first raft tour in Chile.Niles: Really?Jim: Yeah.Niles: Wow, when do you get back?Daphne: Oh, he's not coming back. He's movingthere. [to Jim] Good luck, Jim.Jim: Yes, you too. [hugs her; to Niles] And, uh, stay cool, buddy.Niles: Oh, you know it.Jim and Tank leaves.Daphne: [sighs] I wonder how I'll use my irrational demand... oh, what's myrush? I've got years to think it over.Niles looks very nervous.[SCENE_BREAK]Scene Six - Waiting Room Martin is still seated in the waiting room. Joanne, a woman in her early 50's, comes in and sees him. They seemcomfortable with each other, but nervous about something else.Joanne: Hi, Martin.Martin: Hello, Joanne.Joanne: How have you been?Martin: Pretty good. Oh please, have a seat.Joanne: Thanks. [sits] I was worried Iwas going to be late with all that construction going on.Martin: Yeah, I know, it's a mess.Joanne: How's your hip?Martin: Ah, you learn to live with it.Joanne: I think about you a lot, you know. I've wanted to call, but... Idon't know.Martin: I understand, it's OK.Joanne: So... another year has gone by.Martin: Yeah. Time really flies.Joanne: I guess it goes a little slower for me.Silence.[SCENE_BREAK]Scene Seven - House Frasier andLana are eating popsicles and finishing their new house, which is now only lacking a roof.Frasier: How's our roof coming?Lana: Almost done.Frasier: Good. [looks at her] You know, there was a time back in high schoolwhen I would have paid a thousand dollars to watch you eat a popsicle.She just looks at him with the popsicle in her mouth... and bites off the end, making him flinch.Frasier: It was a long time ago.Lana: I think it'skind of funny that we became friends.Frasier: We're friends?Lana: Well, sure we are. Why wouldn't you think so?The end of Frasier's popsicle falls off and dribbles down his shirt.Frasier: Oh, dear...Lana: Nice going,dipstick! [takes a tissue and wipes his shirt]Frasier: It's a brand-new shirt.Engine noises outside.Lana: I hear a car. It's the Smolenskis. [gets up] OK, keep working.Frasier: Right.Lana: I gotta go up to Phil's room andspray some air freshener around. His room reeks of... I don't know, despair!She leaves the room. Frasier, before resuming work, takes the scissors and cuts a hole in the middle of a large piece of wall-paper on thefloor, and puts it over his head as a smock, all the while holding the popsicle in his mouth.As he resumes, the elderly Smolenskis come in.Mrs. Smolenski: It's even nicer than I remember!They see him - a grown manwearing a huge paper smock, glueing sticks together and sucking on a popsicle.Mrs. Smolenski: Well, hello there! Are you having fun making your little house?Frasier, mouth engaged, is unable to reply. Lana comesin.Lana: Oh, there you are! Hi - oh, I see you've met Frasier. I am so glad you came today, because the interest on this place is really heating up!Mr. Smolenski: Well, we're certainly interested as well, but we've- we'veheard that a lot of homes in this area have a flooding problem. Now, what do you know about the basement here?Lana: Honestly?Mr. Smolenski: Yes.Lana: This house is sixty years old, and I have only heard of itflooding once.Mr. Smolenski: Oh!Frasier clears his throat loudly.Lana: And I could tell you for a fact that the permanent owner stores some of his most cherished keepsakes in that basement.Frasier makes a hackingcough.Mrs. Smolenski: Are you choking on your lolly?Frasier: [takes out popsicle] No. I am choking on something far more dangerous and destructive than a simple sugary treat. It's a prolific and powerful poisonknownas: deception!Mrs. Smolenski: He's very verbal!Even from within his smock, Frasier manages to look righteous and accusing.Lana: Oh, you know, I just remembered! Gosh, you know, the owner did mention somethingabout a recent little moisture problem downstairs. Tell you what, why don't I give him a call and see if he'll come down just a tiny bit in the price?Mrs. Smolenski: Oh, that'd be wonderful!Mr. Smolenski: If he could giveus a break in the price, I'm sure we'll make an offer.Lana: Oh, great! I'll call you tonight.Mrs. Smolenski: Thank you.Mr. Smolenski: [to Frasier] Bye, sonny.Lana: [as they leave] Call you tonight!She closes the door.Frasier has placed the roof on the house.Frasier: There now, you see? You did the right thing. That wasn't so bad, was it?Lana: I guess not. Oh, look at our little house, it looks great!They start cleaning up, putting theirsupplies in the grocery bag.Frasier: Say, you know, we got a few extra popsicle sticks left, why don't we add on a half a bath?Lana laughs. Frasier heads for the side door, then stops and turns back.Frasier: You know,Lana, I think the house should go the other way around - with the door facing the couch. [off her look] Feng Shui!Lana: Fine, fine, fine, fine.He leaves the room. Lana lifts the house - and the coffee table comes with it.She tries again, without luck. She braces the table with her legs, and tugs. Nothing.Making a rapid decision, she lifts the coffee table and turns it around so the door is now facing the couch. Frasier comes back.Frasier:Ah, perfect.Lana: Perfect.Frasier: Now you see, doesn't it feel good to tell the truth? It's like breathing a breath of fresh air, and-Lana: Yeah, yeah, yeah, let's go!Frasier: Oh, all right.They go out thedoor.[SCENE_BREAK]MOMMIE DEARESTScene Eight - Apartment Roz steps off the elevator carrying Alice. She kneels down and stands Alice opposite her.Roz: OK, Alice, before we see Uncle Frasier, let's remembertogether what really happened.ALICE'S P.O.V. - Her mother looking straight at her.Roz: Now, did you throw up in Uncle Frasier's car? Alice shakes her head from side to side.Roz: No-you-didn't. That smell was therebefore, wasn't it? Nods up and down.Roz: That's-my-girl. [holds out a pack of M&M;'s] There you go.[SCENE_BREAK]Scene Nine - Hearing Room David Hicks, a man in his 20's, is sitting in a chair, wearing a denimprison uniform.In front of him are the three members of a Parole Board. Behind him, the room is empty except for Martin, Joanne, and a guard.David: And besides the library assignment, I've been taking a computerclass on Wednesdays. I hope to get a job with computers... when I get out.1st BM: Can you tell us what consideration, if any, you've given this crime?David: Well... I regret it, everyday. I was young at the time, and Iwasn't thinking - you know, about the consequences. And I'm very sorry.2nd BM: The victim is here. Mr. Crane? [Martin stands up] Would you like to make a statement?Martin looks at Joanne, then shakes hishead.Martin: I have nothing to say. [sits back down]3rd BM: Would you give us a moment?The Board confers with each other in whispers.3rd BM: Mr. Hicks, the board commends you for your participation in thein-house programs to better yourself, and for your record of excellent conduct. We have weighed this against your conviction of shooting a police officer during the commission of a robbery \u0000 and find that the length ofyour time served has not yet met the standards for proportionality, equality, and justice as required by state law. Parole is denied.As the Parole Board gets up and leaves the room, the guard comes forward to takeDavid back to his cell. Joanne begins to cry, softly. Martin rises, considering whether or not to say anything to her - and then decides to leave quietly.END OF ACT TWO[SCENE_BREAK]Park: Daphne throws the piece ofrope again, but Eddie doesn't move. Niles gets up and comes back with it. She takes the rope and playfully tousles his hair as if petting a dog. Playing along, he wags his leg like a tail."}
+{"doc_id":"doc_306","qid":"","text":"[Brian and Justin are in bed, kissing. Justin is straddling Brian. Looks like our s*x drought is about to end. Ummmm... not so fast. As they continue to kiss, Brian has a sudden flashback to the surgery.]Woman: Relaxand count backwards from ten, Mr. Kinney.[Brian tries to get down to the business at hand. He rolls Justin over and tears open a condom, which evokes an image of the incision. Obviously, this is not an actual memory;it's Brian's imagination, reminding him of what's no longer there. He looks down, checks the equipment, which seems to be malfunctioning. The moans of pleasure are gone; on his face is a look of intense concentration,not to mention stress and aggravation. But he's not ready to concede defeat. He applies lube. At the moment he tries to push inside Justin, he visualizes the diseased ball being sucked out of his body. Brian gives up. Heslides off Justin and sits on the edge of the bed.]Brian: Don't say anything.Justin: Look, I'm sure it's just a temporary malfunction. It takes time for your body to heal itself and for you to regain your strength. Bepatient. (Rubbing Brian's shoulder). Everything'll be up and running again in no time.Brian: Thanks for not saying anything.[At the Novotny-Bruckner household, life proceeds as usual. Intent on spending Mikey'snewfound riches before they're earned, Hunter nags for a new wardrobe.]Hunter: I wanna get those cool Pumas and a pair of Diesel jeans, maybe two.Michael: Hey, whaddaya think I am, made of money?Hunter: Likeyeah! You're having a movie made.Michael: We hope. And I didn't work my ass off so I can put expensive jeans on yours!Hunter: Ben. I wanna get a couple pairs of Diesel jeans.Ben: Pull up your pants. I can see yourshorts!Hunter: That's the f*ckin' point!Michael: We're taking Hunter to buy some new clothes.Hunter: And have pizza and go to a movie.Michael: Not a Brett Keller movie. So - tomorrow night? The mall? The three ofus?Ben: Sure, fine. (His cell rings) Must be Mark. He has the flu; he asked me to cover his class. (Talks into the phone) Hello? Hey! Uh-huh. Sure. Uh, breakfast, lunch, whatever. Yeah, see you then.Michael: Forsomebody who's laid up with the flu, he has a pretty healthy appetite.Ben: Oh yeah, that wasn't Mark, that was Anthony from the library. Remember I told you about him?Michael: Yeah, how could I forget? He only callsyou every hour!Ben: That's not true.Hunter: Maybe he has a crush on you!Ben: That's not true, either. He's just a nice kid who wants to be a writer. We get together and discuss books. That's ALL. So - tomorrow night,pizza, movie and Diesel jeans.Hunter: Tight!B: (eyeing Hunter's ghetto-fabulous baggy jeans) Yeah. Loose.[Emmett and Drew making the beast with two backs in a motel room.]Emmett: Touchdown![He rolls offEmmett and goes into the bathroom to towel off.]Emmett: My, how the boy can score!Drew: I got a good kicker.Emmett: I'll say.Drew: That's a quarterback's secret weapon.Emmett: Speaking of secrets, does yourfiancee know?Drew: Know what?Emmett: That you're -Drew: That I'm - ?Emmett: Do I really have to say it? That you're - the \"H\" word.Drew: Hard-bodied? Hot? Hung? Yeah, she knows all that.Emmett: I meanthomosexual? Gay? Queer?Drew: I'm not a fag!Emmett: Did I use that word?Drew: A fag's a sissy, a girl, a pansy. You think I'm that?Emmett: Hardly!Drew: A fag can't even throw a ball. You know how far I canthrow?Emmett: I reckon a country mile.Drew: I'm a hero to millions. Name one fag who's a hero. Name one fag who gets a call from the President saying, \"Great game!\" Name one fag that's f*cked every Dallascheerleader - and I don't even play for Dallas. Name one fag who every kid wants to grow up to be.Emmett: Harvey Fierstein?Drew: (laughs) So why would anyone think I was a fag?Emmett: Maybe cause you had yourdick up my ass?Drew: So I like to f*ck guys. It doesn't mean that I love them, or want to kiss them or even know them. It's just for fun, to get off. No one's to ever hear about this. Understand?Emmett: Who'd believeme if I told them?[At the gallery, Auerbach is being interviewed by a perky girl reporter about his show which is opening tomorrow. Girl reporter is flirting with Sam. He flirts back. Lindsay looks on, plainlyjealous.]Reporter: Tomorrow your exhibition opens here. Tell me, Mr.Auerbach, why did you use Pittsburgh?Sam: Well, I didn't know a goddamn reason to come here, either will be.Reporter: I think that's all we need.This was great. Thank you.Sam: [kisses her hand] Anytime, honey.Sam: How was I?Lindsay: OK, I guess. I wasn't really listening. I was working.Sam: Glad I didn't distract you.Lindsay: Not hard.Sam: You know, Ihave a strange feeling that I'm being ignored. Strange because I mean, let's face it, I'm not used to being ignored. In fact, I think the last time it happened I was 14, Susan Schroeder was her name. She ditched me ata Tastee-Freez for a guy with a triple scoop. Broke my heart.Lindsay: Well, you needn't worry. I haven't been to a Tastee-Freez in years. So why don't you go over and flirt with that nice girl reporter and leave me to mywork?[Brian is back in the saddle again - at Kinnetik, at least.]Brian: (phone rings) Harvey! When have I ever let you down? Name one time! OK, name a second. Hold on. Mr. DeCarlo, sorry to keep you. Right onschedule. Looks great. When? Hold on. (Talks into intercom) Tell Jacob that if the art for Dandy Lube isn't on my desk by 9 a.m. Friday, he'll be teaching remedial finger-painting to kindergartners. (Back to phone) Mr.DeCarlo? How does 10 a.m. Friday sound? (Back to Harvey) Harvey, did you think of a second? See, I told you! Stop worrying, I'll get you the back cover![Ted walks in just as Brian is hanging up.]Ted: Jeez, with an actlike that you should be in Vegas, making tigers vanish into thin air!Brian: Throw me a bone, I'm trying to juggle 15 balls at once![Ted throws Brian a look.]Brian: No remarks. That's a nice suit!Ted: Worked wonders onSon of Dandy Lube.Brian: You know, I like your new-found self-confidence, Theodore. Far preferable to your former lack thereof.Ted: So what's my next assignment, Jim?Cynthia: Congrats! Brown Athletics iscommitting a cool mil to snag a model for their new underwear line.Ted: Well, as luck would have it, I'm available!Cynthia: Unfortunately, they're looking for someone with a higher profile.Brian: Not to mention a biggerbasket!Cynthia: They want a famous sports figure.Ted: I happen to be Pittsburgh's 1986 junior class ping-pong champion! (A beat) Well, runner up.Brian: So at what hour of the day or night am I supposed to conductthis star search?Ted: I'll do it for you, Bri!Brian: You?Ted: Yeah! I landed Dandy Lube, didn't I? Look, I'll talk to some agents, a few managers, see who's interested and put together a short list. Final draft choice, ofcourse is yours!Brian: That sounds perfect, except for one itty-bitty detail. You don't know a f*cking thing about sports.Ted: But I know about s*x, what looks good in a pair of shorts. After all, I am a gay man and s*xis our national pastime.[Justin and Michael.]Michael: These drawings of Rage and JT are hot. Why can't we ever see Zephyr in a fuck-fest with some great-looking guy?Justin: Because nobody buys our comics to seeZephyr get laid.Michael: That is so not true! Just because you don't want to see it -Justin: It's not that I don't want to see it. It's that I can't imagine it!Michael: Well, I can. When he and his hunky boyfriend, theworld-famous paleontologist, Professor Ken Kirschner, get it on, they really rattle the old dinosaur bones! Except ever since the scientific community rejected the Professor's latest research findings, they haven't feltmuch like doing it.Justin: I know what that's like. JT hasn't gotten a rise out of Rage since Ice Tina zapped him with her radiation gun.Michael: You mean -Justin: Not since the operation.Michael: I thought the doctorsaid that -Justin: Nothing would be affected? Something sure as hell isn't working.Michael: Maybe he just needs some Viagra.Justin: You try telling him that!Michael: Okay! So how about we take a little trip toChinatown?Justin: I already ate.Michael: I meant to see Master Ni.Justin: Who's he?Michael: He's this herbalist Ben sees. He says he's a miracle worker. He gave him this stuff that actually helped lower his viralload.Justin: C'mon, you don't actually believe that!Michael: Chinese medicine has been working for thousands of years, who am I to doubt it? Besides, if he can help lower Ben's count, maybe he'll be able to raise-Justin: The Titanic?[Ben and Anthony are strolling along what passes for the Carnegie Mellon campus.]Ben: Give them an assignment to critique one of Tennessee Williams' plays and what do they do? They rip them toshreds like a pack of jackals!Anthony: Oh, you know how some queers are. They're not content to criticize. They have to seek and destroy.Ben: All I know is, it's a lot harder to create something than it is to tear itapart.Anthony: Like your book! That must have been like giving birth.Ben: Most people have no idea.Anthony: I do. Every sentence I write - or try to - is agony. I don't know why I do it.Ben: Probably for the samereason I do. You have no choice. If you ever want me to read anything, a story, chapter, sentence, just ask. I promise to be gentle.Anthony: I'm sure you would be. So what do you think about Edmund White?Ben: Hisessays and articles on being positive influenced me tremendously. But I particularly love his autobiographical fiction. In fact, \"A Boy's Own Story\" influenced me to write \"Are You One\"Anthony: Then how about comingwith me to his lecture tomorrow night? I've got an extra ticket.Ben: I would love to, but I already made plans with my partner and our foster son.Anthony: That takes priority. But in case something changes, I'll saveyou the seat.Ben: OK.[Lesbian s*x. Mel blowing Lindsay. But she look bored]Lindsay: Honey, that feels wonderful. But do you mind if...Mel: What?[Lindsay take a dildo from the table.]Lindsay: If we used this?Mel:We're haven't used this since many years.Lindsay: It's just I don't feel in the mood for this. But if you don't want to...Mel: No, no, it's what you want. Just give it a try.[Mel turns on the dildo.][Deb's done with her shiftfor the night. She brushes right past Brian, who's at the register, paying for his take-out order.]Waitress: Here you go.Brian: Thanks.Waitress: Take it easy, Deb'!Debbie: Yeah, you too, Betty honey. See yo.[Brianfollows her outside, he catches up.]Brian: In case you didn't notice, I was in the diner.Debbie: I noticed.Brian: Walk you home?Debbie: No, that's OK.Brian: It's late.Debbie: I've been doin' it on my own for 20 years. Ican take care of myself.Brian: And you've got a right hook to prove it.[He rubs his jaw. Deb's attitude softens, but only slightly.]Debbie: You're working late?Brian: Just gotta get the job done.Debbie: Used to be theonly reason you'd stay up was because it was still up.Brian: A lot of things used to be.Debbie: You're telling me.Brian: I shouldn't have said what I did. About Vic.Debbie: You're damn straight you shouldn't have! Notthat you were wrong. He was lucky he got those extra years. But it's the way you said it, just tossing it off like it didn't mean a thing! Like his whole f*cking life didn't mean a thing!Brian: I can see your point.Debbie:Yeah? So why didn't you see it then?Brian: Maybe because I didn't know I had cancer then.Debbie: What?Brian: You gonna make me say it twice?Debbie: I just wanted to be sure that I heard -Brian: You heardit.Debbie: sh1t! Are you - ?Brian: All right? They think. But - who the hell knows?Debbie: Well then, what the f*ck you doing out at two in the morning? You should be home, getting your rest, honey!Brian: I can't sleep,keep having these dreams.Debbie: Well, force yourself. And make sure you eat. You hear me? You gotta keep your strength up.Brian: Yes, mother.[She buttons his coat. Even superheroes need a little nurturingsometimes.]Debbie: Does she know?Brian: (shakes head). So far, just Michael and Justin. And - Theodore.Debbie: And nobody told me?Brian: I'm telling you.Debbie: How come?Brian: So that you'll forgive me andtake pity on me.Debbie: Son-of-a-bitch. (She stands on tiptoe and hugs him.)You gonna be OK, you hear me?][Lindz is making a shopping list.]Lindsay: I'm making a list for the grocery. Butter, pie, old milk. Can youthink of anything else?Mel: Batteries.Lindsay Huh?Mel: After last night we need more of them. You were hot, honey.Lindsay: Fruit, apples, bananas?Mel: By the way, I talked to Dusty and she said that we can drop Gusoff around 4:00, which gives us plenty of time to get ready and go to the opening. Do you want to go together or do you have to get there early?Lindsay: Oh, I don't need to be there at all.Mel: Oh, so you can be aguest, just like anyone else.Lindsay: I mean I've decided not to go.Mel: What are you talking about? It's your show, you put the whole thing together.Lindsay: I know.Mel: So wouldn't you want to -Lindsay: I've spentenough time on it, okay? It's time I started being more attentive to you, to our family. Michael even had to go to Lamaze for me.Mel: Hey, hey, hey. When I start feeling like I'm not getting enough attention, I'll let youknow. Now, I want you to go and get some of the attention you deserve.Lindsay: Well, maybe I'll stop by when it's over. See how it went. [They kiss.] Now, I'm up for the grocery.[Liberty Diner. Emmett is surprised tofind Ted poring over sports magazines in the diner.]Emmett: Since when did Ted Schmidt, reigning opera queen of Pittsburgh, trade in Puccini for pigskin?Ted: Since I told Brian I'd help him find a famous sports figureto model Brown Athletics' new underwear line.Emmett: Mmmm...sounds hot! So which hunky jock did you select to drop trou and smile for the birdie?Ted: I don't know who any of these guys are.Emmett: Perhaps I canhelp you out.Ted: You? Look, at least I know the difference between a football, a baseball and a basketball.Emmett: Balls are balls. What about him?Ted: Who?Emmett: Drew Boyd. Star quarterback for the Ironmen.62% pass completions, threw two touchdown passes last game and ran for two? Led all quarterbacks in the league in rushing yards. I mean, if he keeps playing the way he's been, he's a cinch to lead his team to aconference championship, then to the Superbowl. [Ted just stares at him.] What?Ted: How do you know all that?Emmett: Life's full of surprises. He's also gorgeous. Look at that smile! And those broad shoulders, thoseburly, burly arms. And that rock-hard butt.Ted: Alright, alright. You're drooling all over the magazine! He is hot. Too bad he's straight.Emmett: A girl can always dream![And now we have Justin and Mikey's ExcellentAdventure in Chinatown. At the herbalist's store, Michael approaches the old man behind the counter.]Michael: Excuse me, we're looking for something to improve performance.Man: You a singer? Dancer?Comedian!Michael: No, not that kind of performance. (Whispers) Sexual performance.Man: Eh?Justin: Sexual performance!Man: (Loudly) Sek-shul. Sek-shul? Sek-shul! (He calls over to woman)Woman: Sek-shal! (theyconfer in Chinese)Man: You not get hard. Come too fast?Michael: No, it's not for me, it's for my friend.Woman: Oh, that's what they all say, huh? Low chi. Exhausted chen meridian.Man: You have the crown of fire inyour gate of life. But no worry. We make you hard. Like rock!Michael: I told you - it's for someone else!Justin: It's for my boyfriend. He had to have a testicle removed and they gave him radiation.Woman: Oh, cancer.Edema.Man: Western medicine. Kill you before it cure you. Too much water. Drown out his fire.[They mix together a strange herbal concoction.]Man: Make a tea. Very good s*x!Michael: (to Justin) See? I told you![Thecouple confer in Cantonese. We see the dialogue in subtitles.]Man: Which one you think is the top?Woman: They both look like major bottoms to me![Michael and Justin stand there smiling like a pair of idiots, unawarethat they're being the topic of discussion.][Meanwhile, Brian has taken matters into his own hands (so to speak). He's in the steam room of the gym, with a towel covering the strategic places. A potential trick isaggressively cruising him, but Brian doesn't look too interested. This is not a blase act; he's really not into it, but he allows the guy to start fondling him. He's not here for pleasure; he's here for medicinal purposes!Brian keeps looking down, checking the equipment to see if it's working. No luck. Brian pulls away and leaves, a look of pained disgust on his face.][Drew and Emmett, they have no such problems. In yet another hotelroom, Emmett and Drew have yet another post-coital chat.]Drew: It's your turn.Emmett: I'm in not hurry. Have I ever tell you how hot you look in your undies?Drew: You and every women.Emmett: How many man?It's a shame the rest of the world can't see.Drew: See what?Emmett: How gorgeous you are!Drew: I know.Emmett: I'm serious. You should display your manly charms.Drew: Flash my cock in Playgirl?Emmett: I wasthinking more like - mmm, underwear ads?Drew: (laughs) You're kidding.Emmett: I have this friend who works for an ad agency? He says Brown Athletics is looking for a famous sports figure to be their new underwearmodel. And you are quite the figure.Drew: I'm not posing in my shorts. Everyone will think I'm a homo.Emmett: What everyone will think is, 'I wish I had a body like that and that someone would pay all that money toshow it off!' C'mon, pose for me.Drew: Here?Emmett: Why not? I'll snap your picture. C'mon, show me what you got. Yeah, make love for the camera. That's the way make me suck your dick.[Michael is getting a crashcourse in parenting annoying teenagers.]Michael: Will you stop nagging me already? I'm not gonna pay $150 for a pair of jeans?Hunter: Diesel is quality, man!Michael: They're ripped full of holes! They're gonna be ragsafter two washings!Hunter:Please, Dad? I mean, dude?[The conversation is interrupted by Ben's arrival home.]Michael: There you are! Hurry up and put down your books. We've gotta go to the mall.Ben: If it's OK withyou, I think I'll pass.Michael: No, it's not OK. We had this planned.Hunter: Trashy movie, greasy pizza, overpriced clothes! What more could a man ask for?Ben: I got invited to a lecture. Edmund White.Hunter:Who?Ben: One of our greatest gay writers.Michael: Who invited you?Ben: Anthony.Michael: Anthony.Ben: Look, this is important to me.Michael: And this is important to Hunter!Ben: It doesn't take two of us to buy hima pair of jeans.Michael: That's not the point!Hunter: Hey, hey! It's just the mall! In fact, how about you both not go and give me your credit card?Michael: Thank you for the thoughtful suggestion, but I'm still going. (ToBen) I'm sorry you're not.[Lindsay arrives at the gallery after the show is over]Lindsay: I'm sorry Sidney, I'm late. But I couldn't be helped. Mel had to work late, my hands are full.Sidney: So were mine. Exceptingcheques, VISA or Mastercard.Lindsay: Then it was a success?Sidney: Awesome! It's too bad you've missed it.Lindsay: Why you're goin' home? I'll close up.Sidney: Don't forget to turn on the alarm.[Sidney goes and sheturns out the lights. One, two - she bumps into Sam.]Lindsay: Oh my God! You scared me to death.Sam: Good thing I came back from the can. You would've locked me in.Lindsay: What are you doing here?Sam: Well, Ihad an opening tonight, in case you forgot.Lindsay: I didn't forget.Sam: Well then, where the hell were you?Lindsay: I had things to attend to!Sam: Don't give me that sh1t! This is the most important night of yourlife!Lindsay: Don't flatter yourself.Sam: Your Aunt Minnie could have died and you wouldn't have missed it.Lindsay: I don't have an Aunt Minnie.Sam: Yeah? Well, I do. And believe me, if you knew her, that's all themore reason you would have been here. So why weren't you?Lindsay: I already told you. Let me lock up so I can go home.Sam: What's your rush? You just got here.[He starts taking off her coat.]Lindsay: What are youdoing?Sam: Responding to my senses. That's what an artist does.Lindsay: Well, tell your senses to respond to this: Back off.Sam: You sure?Lindsay: Yes, I'm sure.Sam: Well, I'm not. As a matter of fact, I think you'vegot a lot of contradictory feelings going on here.Lindsay: Oh, is that so?Sam: Yeah. From the minute I met you, you wanted me to f*ck you.Lindsay: Why, you smug, arrogant - I want you to leave. Now!Sam: Sure. Butyou ain't fooling me, lady. And more important, you ain't fooling yourself, either.Lindsay: Don't you dare tell me how I feel! You have no idea how I feel! And it isn't true what you said!Sam: Liar, liar!Lindsay: I have nofeelings for you. I mean, how could I? I'm a lesbian.[He grabs her and kisses her.]Sam: That's how![She grabs him. They f*ck upside a painting.][Back at Anthony's apartment after the lecture, he and his little adjunctare sharing a bottle of wine.]Anthony: He was amazing! And to think I never would have heard of him if it hadn't been for your class.Ben: Oh, I'm sure you would have discovered his work eventually.Anthony: I thought"}
+{"doc_id":"doc_307","qid":"","text":"[The Nelson House - Emma's room.](Emma (a blond girl of about 12) is sitting at her computer with her best friend Manny (a brunette girl of about 12))Emma: Read it again Manny.Manny: Again? I've read it sixtimes.Emma: Just one more time. PleaseManny: Ok. \"Emma, you saved my heart and my project. If we protect the wildlife refuge, I owe it all to you. Love you, Jordan.\"Emma. Love you. Love you. (They both squeal)Let me see his picture again. (She scrolls down the screen on the computer and we see a cute brunette boy in several pictures) He gets cuter every time we see his face.Manny: Is that possible?Emma: Hey Manny.Don't wreck that. I want Caitlin to autograph it. (We see a magazine with a blond woman on the cover, who must be Caitlin)[The Nelsons' House Downstairs](We see a photograph, which must be of Emma + her momwhen Emma was little. The camera moves up and we see her mom put it in a box.)Spike (Emma's mom's nickname): Emma! Ready to go?Emma: Just a minute.Spike: We don't have a minute. J.T.'s waiting forus.(Emma minimizes her e-mail from Jordan. She is trying to close it. Her and Manny get nervous. Emma's mom enters the room.)[Emma's Room]Spike: Em, your room's a disaster. I thought you were going to clean itup.Emma: I will.Spike: And turn off that computer.Emma: I was just showing Manny your reunion website.(Emma brings up the reunion site. Spike takes the mouse and clicks on pictures of her and her classmateswhen they were at Degrassi.)Spike: (stops on a picture of a girl) I always knew she'd made it big. (Keeps going and stops on a picture of herself with blond Mohawk hair) How's that for a hair-do? Could I have been anycooler?Emma: Uh, yeah.Spike: My ten year reunion. Wow. It's gonna be great seeing everyone again. I'm getting as bad as you guys. Come on, let's go (as she leaves, she takes the hat off Manny's head)Manny: (toSpike) That's some pretty cool stuff you collected for the reunion.Spike: Thanks. Emma now! (Emma gets up to leave and sees she has a new e-mail) Emma! (Emma leaves)Theme song[Degrassi CommunitySchool]Spike: Thanks for dropping these off.Manny: No problem Miss Nelson. Gives us a chance to see the school.J.T.: Don't you think we'll be seeing enough of it over the next year?Spike: You sure you can handlethat?J.T.: I'm smug, but strong. Like bull.Emma: Speaking of bull...Spike: Thanks again, guys. And Em...Emma: Yes, I'll clean my room. She rushed me out of the house so fast, I didn't get a chance to read my newe-mail. I hope it's from Jordan. 'Cause in the last e-mail he told me that... (Walks away talking to Manny)J.T.: Guys! Help![Inside Degrassi]Manny: That sucks about the e-mail.Emma: I know. But, Jordan e-mailed melast night too.Manny: Really? What'd he say?Emma: (closes her eyes) \"I got over 6,000 names on my petition to keep the polar wildlife refuge untouched. Thanks for all your help with all this, Em, and your great idea.You're the best.\"Manny: Wow.Emma: I suggested the petition, but Jordan did all the work. He's so committed.Manny: Too bad he lives in Yellowknife.J.T.: Help! (He drops the boxes)Emma: J.T.! (Emma + Manny run tohelp him)(They start to pick stuff up. Emma picks up a photo of three guys, who were probably friends in a band.)Emma: People in the 80s' were weird.[Jeremiah Motors]Joey: This car is retro meets modernism, Lucy.It's got the zing of the past with the technology of the future. It's even got that little bug vase that you put the flower in. It's like, Peace man, like a hippie.Lucy: Joey, ideally I'd like a car that's bigger than my laptop.I've got to move to New Mexico in this thing.Joey: This car is bigger than it looks, Lucy, trust me, okay? Why don't we take her for a spin, we'll drop your stuff off at Degrassi, and when we get back you'll be begging meto make a deal.Lucy: Alright, alright. Tell me that's not Angela. (A little girl of about five walks up to them)Joey: Yeah.Lucy: Hey, cutie, you're practically a teenager.Joey: Can you say, \"Hi Lucy\"?Angela: Hi. (Shewaves)Lucy: Hi. (She waves back)Joey: She starts kindergarten next week, can you believe it? It's gonna be great. She really needs to be around other people.Lucy: Speaking of needing other people, I checked thereunion website last night. You're not confirmed.Joey: I know. I know.Lucy: Joey, we're all really sorry your wife died, but, it's been a year. I think that Julia would be upset if she thought you were cutting yourself offfrom people.Joey: Can we... uh... Why don't I go in, get the keys and we'll go out for a spin, okay? Angela, you wanna go for a spin? Yeah, we're gonna sell Lucy a car. Yeah, yeah, yeah. (Goes inside withAngela)[Degrassi]Emma: I really hope you're Mr. Simpson.Archie: I am. And you must be Emma. Wow. Wow. Wow. Spike found all of this stuff, it's amazing.Manny: Spike?Emma: My mom's nickname. Don't ask. (Theyput the Boxes down.)Archie: (Takes the hat off J.T.) And I can see Fedora's are making a comeback. (Puts the hat on his head) Great. Thanks a lot guys. Uh, listen, go and enjoy your last few days of freedom.J.T.:Spike? (Emma hits him) Ow! (They start to run)Archie: Hey guys, no running! No running! No running! Okay, just keep running. Don't listen to me. Alright.[Hallway](As they run, they hit the lockers. They stop runningin front of the Media Immersion Lab.)Emma: Holy...Manny: Look at all the computers.(Manny and J.T. start to walk away, but Emma stays.)J.T.: Emma? Let's go. Oh, I see. Gonna e-mail Jordan from here?Emma: Shutup!J.T.: (mimicking Emma) Oh, he can read into my soul. (Emma punches him) Ow.Mr. Raditich: And the jewel on the Degrassi crown, the Media Immersion Lab. Every computer here is connected to the internet viahigh speed telephone access.Jeff: Oh, you see Toby? Didn't have that at your old school.J.T.; Toby?Toby: J.T.?(J. T. goes up to Toby.)J.T. and Toby: Mickey hickey wampum, Mickey hickey yeah, Mickey hickey wigwam,North Creek summer camp.J.T.: Dude, what are you doing here?Manny: I guess they're friends.Toby: My dad moved in with his girlfriend and Degrassi was the closest school so...Mr. R.: I think we'll let you two getreacquainted and your father and I will finish filling out the forms in my office.Jeff: So, Toby, you gonna need a...Toby: I'm gonna walk home, ok?Jeff: Cool.J.T.: Oh, sorry. Manny, Emma, this is Toby. We were at camptogether.Emma: No, really?Toby: Nice to meet youEmma: Yeah. Ok, the coast is finally clear. Manny, you're coming in with me.Manny: No, no.Emma: You two stand guard.(Emma and Manny go inside the MediaImmersion Lab so Emma can check her e-mail.)Toby: So is your friend always like that?J. T.: Always.Toby: Really?(Manny runs up to the door and scares them by hitting it.)Toby: Kids.[Another part of Degrassi](Archieis looking through photos.)[Inside a black limo. A blond woman (Caitlin Ryan) is talking on her cell phone)]Caitlin: Keith, I know you're really overworked right now. But this weekends really, really important to me. (Asshe talks they show her on a magazine, then her actually talking) Come on, it's just one weekend. I want to show you off. Show us off. Please? Yeah, that's perfect. Great. 5:00. Thanks babe. I love you too.(She closesher cell phone. When she does, we see an engagement ring on her hand, which means, Keith is her fiancé.)[Degrassi](Caitlin gets out of the limo and enters Degrassi.)Caitlin: Thanks. (To the driver opening the cardoor)Driver: You're welcome.[Inside Degrassi]Caitlin: Snake!Archie: Caitlin. Oh my... (Drops his box he's carrying and gives her a hug) Wow. Hey. Oh wow, it's great to see you.Caitlin: Likewise. So you're a teacher atDegrassi. Ok, here (gives him a headband)Archie: Ok, now. This is your best memory of Degrassi?Caitlin: What? So I went through a headband phase. Come on, it was the 80s'. You were there.Archie: Speaking of the80s'... how about this? Joey's fedora.Caitlin: Ok. (Puts the hat on)Archie: Nice. Nice. It suits you.Caitlin: Where's the shirt?Archie: I don't know. I think Joey's still wearing it, you know?[Outside Degrassi]Lucy: (Seesthe limo) Oh, look at that. Why don't you sell a car like that, Jeremiah?(Joey looks inside Degrassi. He sees her and she sees him. She walks slowly when she sees him. (You can tell that maybe they were oncetogether))[Media Immersion Lab]Emma: Manny, would you calm down? If we're caught, I'll say I forced you.Manny: Ha, ha. What? What'd he say?Emma: Manny, Jordan's coming here. And he wants to meet me.Tomorrow.[Degrassi entrance]Caitlin: So what's your dinosaur's name?Angela: Ally.Caitlin: Ally?Joey: So you're getting married. Congratulations.Lucy: Yeah. When's the big day?Caitlin: Sometime next year. And wehaven't narrowed it down yet, but, um, you are all invited.Archie: Great. So when do we actually get to meet Keith?Caitlin: He's on an afternoon flight from L.A. He's dying to meet you guys.Joey: L.A. Is he in showbusiness?Caitlin: He's a director.Joey: I always knew you'd meet the guy.Caitlin: Well, I guess, um, I should probably go. Uh, check into my hotel. Uh, but, Joey, the reunion. You really not gonna go?Joey: No, I'mnot.Caitlin: Well, then at least come out for drinks with us tonight.Joey: I, uh...Lucy: You know what? He'd love to. We'll both be there.Caitlin: Great. So I'll see you guys later then. (Mr. Simpson takes the hat off her asshe leaves)Lucy: By Caitlin.[Playground.](Emma and Manny are on a tire swing.)Emma: I want to meet him. It's just I told him I was in high school.Manny: You almost are. Jordan's coming here. You have to meet him.It's fate.Toby: Who's Jordan?J.T.: Some creep Emma met on the 'Net. I bet he lives in Scarbrough + works in a video store. I bet he's 40 and drools.Emma: You still wet the bed and I'm friends with you.J.T.: Ha haha.Toby: Ok. If you're meeting a stranger you met off of the 'Net, that could be really dangerous.Emma: He's not a stranger. He e-mailed me his picture. I've known Jordan a lot longer than I've known you.Manny:Guys, it's cool. Jordan's 16. He's coming here on a school trip.J.T.: School trip? It's summer.Emma: He organized it back in the spring. He got to go at the last minute. Stop making it into something it's not.(They startspraying each other with water guns.)[The Nelson's House - Emma house](Spike and Caitlin are looking at the reunion website.)Caitlin: Oh my god. Wait. Wait. Go back. I wanna see that one again. Don't try and speedpast that one.Spike: (looking at Caitlin's engagement ring) I can't wait to meet Keith. He's got great taste in jewelry. That's a good sign.Caitlin: Well, thank you. Um, actually, I picked it out myself. 'Cause, he, youknow, was so busy with pre-production and all that kind of stuff, he just gave me his card and said, \"Go crazy.\"Spike: Can't complain about crazy.(Emma enters with a sandwich and drink.)Emma: Why are you on mycomputer?Spike: Excuse me, our computer.Emma: You're on the reunion site again? Next time can we try asking before trespassing?Spike: Next time can we be more polite to our guest? Em...Emma: Caitlin Ryan.Ryan's Planet! Birth date: March 2nd 1972. You're a Pisces right?Spike: And you're a stalker.Emma: I can't believe you're actually here, in my really messy room.Caitlin: Don't worry about it. Oh my god, it's great to seeyou. All grown up.Spike: She wishes. So... expecting an e-mail from your boyfriend?Emma: Did you...you hacked my e-mail? Haven't you ever heard of privacy?Spike: Relax, I couldn't hack my way out of a paper bag.But I can tell when my daughter's getting interested in boys.Emma: Mom. I'm not having s*x.Spike: I'm gonna have fun this weekend right?Caitlin: I promise. (They leave) Bye.(Emma closes thedoor.)[SCENE_BREAK][Emma's room - Later]Emma: Ok. We've gone through all the e-mail. No video store. No mention of missing teeth.Manny: J.T.'s just worried about you.Emma: J.T.'s just immature.Manny: ThatToby guy seems okay.Emma: He's fine, I guess. Yeah. Girls are so much more mature than boys. That's why I like Jordan. I've never had a boyfriend so smart, so thoughtful.Manny: Em, you've never had aboyfriend.Emma: I know.Manny: Maybe...Emma: What?Manny: What Toby said, about meeting strangers on the 'Net, Being dangerous...Emma: Manny I can take care of myself. You don't need to worry so much. We'llmeet somewhere in public.Manny: Maybe you should just talk to your mom. She's cool. She'd understand.Emma: She's not that cool. Are you saying you don't think I should meet Jordan?Manny: Hey![A Bar]Keith:Teaching. It's so noble. You know, giving back, etc. Actually, I'm, uh, working on a script about you guys, kind of a Dangerous Minds meets Footloose kind of thing. (Phone rings) Just a second. Let me take this. (Onphone) Yo, Frankie. Yeah. No, I'm in Toronto. No, I haven't seen any eskimos yet. Uh...Lucy: Caitlin, I watch your show every week. The situations you get yourself into, you're amazingly brave.Caitlin: Brave? So whatabout you?Lucy: What about me?Joey: Come on, don't be so modest. 2 years of physical therapy. Followed by an honors BA and a masters in anthropology?Spike: A Ph. D in one more year?Lucy: Guys, it's notbrave.Caitlin: Oh, yeah, you're right. It's just brilliant, awesome, and amazing.Lucy: It's not even awesome, it's just life. I survived the accident. I got off easy.Archie: Sorta like Wheels. Kills a kid. 10 years later,scot-free.Joey: (on TV) Hey! We got white ones. We got red ones We got big ones and we got small ones. I'm gonna give you a bumper to bumper warranty. That's right. At Jeremiah motors, if you find a lower priceanywhere else, I'll give you the shirt off my back (takes off his shirt)Lucy: Joey! That's awful!Joey: I needed a commercial, I made a commercial.Keith: Right on, man. And it makes or breaks a business. Just, just onemore second. Frankie, listen, listen to me. They're from a major. You're not going to sign the deal on some low rent pancake house. Fix it, ok? (Hangs up phone) But, uh, Joey, next time, hire a real actor. You know,avoid this sifty used cars salesman vibe. I mean, that's what I would do.Joey: No, thank you, Keith.Keith: No problem. That's what they pay me the big bucks for.Archie: It's funny, it's classic, it's...Everyone else: It'sJoey!Caitlin: Keith, if you had seen Joey in high school, total ham, the whole way through. I think it's great, despite everything you've been through, you're still the same old Joey.Joey: Actually, uh, I have changed. Andso have you. Excuse me.Keith: So....[Joey drinking at the bar.](Archie comes up to him.)Archie: (To Bartender) Can we have two more of those? Thanks. Joey, were you over there right now?Joey: Yeah I know. I'm justwaiting for my cab.Archie: What's going on here?Joey: Nothing's going on. I just knew this was a bad idea so I'm going home.Archie: Oh, Joey, come on.Joey: Snake, get off my back please. Don't start.Archie: Cuttingout the rest of the world isn't going to bring her back. You know that, right?Joey: Will you save the psycho 101 crap for your students? I'm not a child. I don't need you or anyone else telling me how to live mylife.Archie: Joey, we're your friends. We're worried about you.Joey: All I get is people feeling sorry for me. Why do you think I don't wanna go tomorrow night? It just makes me feel worse.Archie: So this has nothing todo with Caitlin?Joey: No! No it doesn't, all right? All right, I don't like her boyfriend.Archie: Fiancée.Joey: Whatever. And I don't like the fact she feels sorry for me. But, I'm fine. And frankly, I'm sick and tired ofeveryone trying to save me.Archie: You know what? I'd look and see who feels sorry for who right now.(Archie finishes his drink and goes back to the table, leaving Joey alone. Joey looks at them, then looks away.)[TheNelsons' House](Emma is asleep. Lucy, Spike, and Caitlin come in, singing a song.)Girls: ...everybody wants something they'll never give up. Everybody wants something that'll take you money and never give up. (Asong)Lucy: We still know the words. God help us.Spike: Who wants a glass of champagne?Lucy: I do.Caitlin: Hey, can we spike your hair now? Oh, come on, 80s' are back. Besides, the Go-Go's have reunited. Come on.(While their talking, Emma is coming downstairs)Spike: Emma, we woke you up.Caitlin: Sorry, Em.Spike: We promised to be quiet. Ladies bubbly?Caitlin: Just one glass though. Keith's waiting for me back at the hotel.Hey, Emma. How are you? It's so good to see you.Emma: Caitlin, can I ask you something?Caitlin: Sure. Let me guess... your boyfriend?Emma: My friends don't think I should be with him.Caitlin: Well, what do youthink? I mean, do you like him?Emma: Yeah, we get along so great. Sometimes, it's like he can read into my soul.Caitlin: Well, sometimes you just have to take a chance. Go for it. Even if your friends don't think it'sright.Emma: Like what you do for the environment?Caitlin: Yeah, exactly. If my family had their way, I'd be working in an office right now. Somewhere on Bay Street. Oh, what an awful thought. So, is he cute? Comeon, I want details. Details, details.[The kitchen.]Lucy: Hey, Spike, what do you think of Keith?Spike: Caitlin could do a lot better. (Lucy puts the hat on) Ooh, nice.[The stairs (Spike is listening to Caitlin and Emmatalk)]Emma: But, how do you know? I mean, when it's one of those times?Caitlin: Well, you know in here. (Meaning, your heart.) And it's usually right.(Spike comes up to them.)Spike: Oops. Bonding moment?Caitlin:Oh, no. No. Just boring Emma with tales of my environmental crusades.Emma: What you said....wow.Spike: Honey, do you wanna join us for a minute?Emma: No, I'm tired.Caitlin: Good night.Spike: 'Night, Em. So...what were you talking about?Caitlin: Wouldn't you like to know? Oh, she's so young.Lucy: Oh, and you're so old.Caitlin: What? I'm practically 30.Lucy: I refuse to have biological clock. Honestly, I don't even feelit.Spike: I wouldn't mind going out on a date.Caitlin: Oh my god that's the best thing about Keith. No more flirting with men in sandals over organic food and environmental chit chat.Lucy: Poor Caitlin. So many vegans,so little time.[Emma's bedroom. She is her computer, writing Jordan an e-mail that she wants to meet him. (It says: \"Dear Jordan, I am totally into meet tomorrow\" - Emma]Emma: Sometimes you just... (Sends himthe e-mail) go for it."}
+{"doc_id":"doc_308","qid":"","text":"[PREVIOUSLY_ON]Wesley: \"Angel's son is part of the prophecy.\"Linwood: \"The Nyazian scrolls said the child would never be born!\"Gavin: \"Darla died during childbirth.\" Darla dusts herself.Holtz: \"She sacrificed herselfto save the child.\"Angel: \"I'm his only family. My job now is to be everything for him.\"Gavin: \"We have to get that baby.\"Gunn: \"Boogie at the back door!\"Wes: \"Everyone and everything will be coming for him.\"Angel:\"No one is gonna put their hands on this child.\" Cordy gets thrown into the weapons cabinet by a vision.Cordy: \"These visions are killing me.\"Skip: \"Humans are not strong enough to harbor the visions! Demons are theonly ones who can withstand them.\"Cordy: \"So - demonize me already.\"Cordy: \"Right now we have to solve my vision. The one I'm having right now.\"Angel: \"Cordy...\" Cordy, floating a foot above the ground:\"What?\"Files and Records: \"Holtz, Daniel, vampire killer, ca. Seventeen fifty four.\" Holtz shows Justine the obituary of her sister, Julia Cooper.Holtz: \"Justine, I know what it's like to grieve. I want to help you.\"Justine: \"Iwant you to stay the hell away from me.\" Justine fights the vampire in the cemetery and Holtz stakes it before it can bite her.Holtz: \"I'm here to teach you how to fight.\"Justine: \"What's in it for you?\"Holtz: \"You helpme kill a vampire.\" Shot of Angel and the gang leaving the hospital with Connor in the stroller Gunn bought.Justine: \"You don't need me for that.\"Holtz: \"I do. This vampire is strong.\" Angel is counting loose change ashe puts it into a piggybank.Angel: \"Sixty, seventy, eighty. One, two, three.\"Cordy, holding Connor: \"Angel...\" Angel raises a hand to stop her as he picks up the piggy and locks it into the picture safe beside the desk.Fred looks up from her laptop.Fred: \"How is the Connor fund?\"Angel: \"There was a dollar eighty three in the cushions out there. That's perfectly good money just lying around. (Closes the safe) Now, how's itgoing?\"Fred: \"Moments away.\" Angel looks over Fred's shoulder at the new website for Angel Investigations and points at the 'No Case Too Small' under the 'We Help The Helpless\" part.Angel: \"Ah. Can you make thatbigger? Bold, but, you know, tasteful.\"Fred: \"Hmm. Tasteful. Sure.\"Cordy to baby: \"You are so cute! Yes, you are. You are just the best little boy in the whole world.\" Angel comes up behind her and smiles down atConnor over her shoulder.Angel: \"How's my little man?\"Cordy: \"Oh, he wonders where his father's been.\"Angel: \"Papa's got mouths to feed.\"Cordy: \"Ah. I have a mouth, too. Always have had one. Kind of known for itand we've fed it fine for years. Yeah.\" Cordy puts Connor down in a baby carry-bed.Cordy: \"Angel - I'm glad you wanna take care of your son. I am. I just wanna make sure we don't lose sight of the mission.\"Angel:\"Well, we have to earn a living. I mean, not just for Connor, but for all of us.\"Cordy: \"I agree. But first and foremost we work for the Powers, help the helpless. Promise me we won't neglect that.\"Angel: \"I promise.(Sees Gunn coming in) I promise. (Turns to Gunn) Well?\"Gunn: \"Well, we hired some guys. Six thousand of these babies all over town.\" Gunn holds up a flyer with 'Angel Investigations' and their logo on it. 'We help thehelpless. No case too small. Paranormal Specialists. 313-555-0126'Angel: \"Nice! (To Cordy) I'd call me, wouldn't you?\"Fred: \"Hey! The website's up. We're live.\"Angel picks Connor up: \"We're live, little guy. Come on.\"Angel walks over to the desk and turns the laptop so everyone can see the screen.Angel: \"There, beautiful. We're online. We got flyers, we got yellow pages. Ladies and Gentlemen, boys and girls, welcome to a newarea of Angel Investigations. All we have to do now is wait - for that phone to start ringing and the money to start rolling in. (To Baby) Because someone's got to clothe and feed and educate this little guy, yeah?(Connor yawns) Yep - all we have to do is wait. - Just a matter of time. (Connor fusses) Don't you worry, this town is full of people who have problems.\" A man is running through the pouring rain. He looks back over hisshoulder at some looming shadows following him on the wall of the alley behind him, and runs right into a pile of trashcans. As he picks himself back up, he sees one of Angel's new flyers. AI is still standing around thephone, waiting. The man, flyer in hand, runs over to a payphone, dials, listens to it ring.Man: \"Come on, come on, come on!\" Split screen - the phone at AI is *not* ringing. Triple split screen, a guy picks up the phonein what looks like a kitchen.Guy: \"Fabrizio's Pizza.\" Fred picks up a flyer form the desk and takes a closer look at it.Fred: \"Is this the right phone number?\" Everyone turns to look at Wesley. Intro Hyperion, day, Weswalks in, carrying a stack of flyers.Wes: \"That's the last of them. Six thousand new ones.\" Wes stops to see what has Gunn's attention so riveted. Fred is out in the lobby cuddling Connor.Wes: \"Adorable.\"Gunn: \"Sosweet.\"Wes: \"I meant the baby.\"Gunn: \"I meant the hot mama.\" Gunn and Wes look at each other. Angel comes in.Wes: \"Sorry about the mix up last night.\"Angel: \"It's not important. But we can't afford any moremistakes. Making mistakes cost money, and making money right now is our number one priority. (Lorne comes down the stairs in a silk housecoat) Hey, Lorne.\"Lorne: \"If this is about the baby formula that I snaggedfrom the fridge last night - sorry. I was feeling a little peckish and it was that or a glass of pig's blood. By the way, baby formula and Kaluha? Not as bad as it sounds.\"Angel: \"Lorne, I need you to use your contacts tofind out what Holtz is up to. He's out there somewhere. We can never forget that. Finding him is our number one priority.\"Gunn: \"I thought you said...\"Angel: \"Finding Holtz and making money are our two number onepriorities.\" Cordy walks by behind him and clears her throat.Angel: \"Helping the helpless, finding Holtz, and making money are out *three* number one priorities.\"Cordy: \"Hey, look! We got some hits on our website.\"The phone on Cordy's desk rings and Wes picks it up.Wes: \"Angel Investigations, may I help you?\" The phone on the counter rings and Gunn picks it up.Gunn: \"Angel Investigations, can I help you?\" Yet a third phonerings somewhere.Angel, smiling: \"We're in business!\" Justine is sitting at a small table in Holtz lair with Holtz pacing behind her.Justine: \"You should be thanking me.\"Holtz: \"For disobeying an order?\"Justine: \"Fordusting two vamps!\"Holtz: \"Two vampires from whom I had told you to walk away.\"Justine: \"Guess I misunderstood.\"Holtz: \"Which is why we're here.\"Justine: \"And speaking of here, would a couple of light bulbs andindoor plumbing kill you?\"Holtz: \"We are here to determine whether or not - you - have the commitment necessary for the work at hand.\"Justine: \"At hand? -That's a joke, right?\"Holtz: \"Why are you wasting mytime?\"Justine: \"What do you want from me?\"Holtz: \"I just told you: commitment. Something you must now convince me you have.\" The camera pans down from Justine looking up at Holtz to reveal that her left hand ispinned to the desk with an awl.Holtz: \"So I've explained why I'm doing this. Why are you?\"Justine: \"Let's just say, feeling something - is better than feeling nothing.\"Holtz: \"Take it out any time you like. If you're stillhere when I return, we'll consider the next phase of our - partnership.\" Justine watches Holtz walk out and slide the grate shut behind him. The Hyperion lobby is full of people (not all of them human). Fred takes aclipboard from one of the non-humans. Angel, holding Connor, walks up beside her.Fred: \"Welcome to Angel Investigations Mr. (looks at the clipboard) Blee - Lee - Shushngrung. Uhm, please have a seat and one of ourassociates will be right with you.\"Angel: \"Hey, Lorne. Non-human on deck.\"Lorne: \"Coming.\" Lorne is talking to three gray aliens, wearing long robes and silver facemasks in a language that seems to be mostly clicks,whirrs, and popping sounds. He leaves them to talk to Angel.Lorne: \"Hey, the guys with the chrome faceplates, they're called Nahdrahs. I speak their lingo, sort of. If I understand them correctly they've got a job forour leader and a great deal of money.\"Angel: \"Oh, let's not keep them waiting, huh?\"Lorne: \"Well, our leader in this instance being Wesley. They saw his web articles on DNA fusion comparisons in Tri-ped demonpopulations.\" Angel sees Wes coming out of the office with some other people and flags him.Angel: \"Hey, Wes. Wes, talk to the Nahdrahs.\" Gunn comes up to Angel leading a young blonde.Gunn: \"Hey, office free? It'skind of personal.\"Angel: \"Yeah. Go. (To Connor) If this keeps up, little guy, we may have to incorporate, huh?\" Cordy is sitting at the counter, phone in hand.Cordy: \"We're getting stretched a little thin here,Angel.\"Angel: \"Come on. Nonsense. We can handle it.\"Cordy: \"Really? Well, then why don't you handle it by picking up lines two, three and four?\" Angel shrugs and walks towards the phones.Angel: \"AngelInvestigations, your problems are our problems. - Okay. How urgent is it? Uh-huh. And what do you do for a living? That's a good company. You own it? Okay, hold on. (Puts down the receiver) Pen, paper, quick.\" Gunnis pouring some tea for the Blonde in the office.Ally: \"I don't sleep. I'm afraid to go out or answer the phone.\"Gunn: \"Yeah, I hate stalkers. Look, don't worry. We'll put a stop to it. (Hands her the tea) Have a seat.\"Ally:\"Thank you.\"Gunn: \"So, do you know who this guy is?\"Ally: \"Yeah, well, it's- it's Brian, my ex-boyfriend.\"Gunn: \"Have you - been to the police?\"Ally: \"Yeah. They act like I'm some kind of nut. Just - like I'm making it allup.\"Gunn: \"Yeah, you go to the cops for help they don't do a thing until somebody ends up dead.\"Ally: \"Somebody *is* dead.\"Gunn: \"Who?\"Ally: \"Brian. (Holds up the flyer) Isn't that the kind of stuff you guys dealwith?\"(The number at the bottom of the flyer now ends in 0162)Gunn: \"Yeah. All the time. So - Brian, your dead boyfriend, is stalking you?\"Ally: \"Well, I mean, he's not my boyfriend *now.*\"Wes is talking to theNahdrahs with Lorne translating.Wes: \"The Internet article I'm currently writing posits a formula for the genome mapping of creatures who don't have genes. - It's an exciting arena.\"Lorne: \"One I'm sure we can alldownload at 'I'll never know the love of a woman dot com.' (Wes gives him a look) Ah, can we get down to business? They want to buy your head. - Little rusty with the language. I should probably clarify that.\" Lorneclicks away at the Nahdrahs. One of them holds up a metal suit case.Lorne: \"They want your mind. They're celebrating their prince's, uh - it's - it's like a birthday, only they're not born so much as disgorged. They -they need you to solve one of their traditional puzzles so they can give it to him. It's quite an honor.\"Wes: \"Could be interesting.\" Fred has come up and looks at the Nahdrah's robes.Fred: \"Sure. These are puzzlepeople. Did you notice the designs on their tunics? (Traces the design) Geometric shapes. Each a prime number, if you count their edges, arranged in ascending order of exponential accumulation.\"Wes, smiling at her:\"Yes, I did - not - notice that at all.\" Fred grins back at him, while the Nahdrahs start clicking away at Lorne.Lorne: \"Ah, they wanna know why your girlfriend was pointing at them. I better tell them what she said beforewe have an international incident.\"Wes: \"Ah, she's not my...\" Lots of excited clicking going on by the Nahdrahs.Wes: \"Silly.\" The Nahrdahs leave in a hurry.Fred: \"Did I say something wrong?\"Lorne: \"No. No, they liked*you.*\"Fred: \"So much they ran away?\"Lorne: \"They either have to consult with their prince or go eat a cheese monkey. Did-did I mention rusty with the lingo?\"Gunn: \"Wes? I think I'm gonna need you on thisone.\"Angel on phone: \"Great. I'm on my way.\" Angel hangs up the phone and picks up the piece of paper from the desk. Walks over to Cordy and thrusts Connor into her arms.Angel: \"Big case. Got to run.\"Cordy:\"Oh...\"Angel, already leaving: \"I think he needs changing. Oh, and bottle, three o'clock.\"Cordy to Connor: \"Well, hi there.\" Shot of a car driving down a street at night. A man dressed in a suit is talking on a hands-freephone headset of a large office as Angel enters through the glass doors. The side wall of the window are large windows overlooking a manufacturing floor.Harlan: \"Yeah. Okay. That's good for us. Tell him a six monthmillion dollar guarantee and we'll cover the extra cost. Yeah. No, I get that, but we got to get a decision by tomorrow. Listen, somebody just walked in my office. I'll call you back. (Takes the headset off) Mr.Angel.\"Angel: \"Just Angel.\" Guy gets up to shake Angel's handHarlan: \"Harlan Elster. Thanks for coming to meet me.\"Angel: \"No problem. I know what it's like when your name's on the letterhead...\"Harlan: \"Hmm. Igot to say, you're not exactly what I pictured.\"Angel: \"No?\"Harlan: \"You're pretty well coifed, I guess. You're not afraid to get a little mussed, are you, Mr. Angel? Because 'mussed' you're gonna be just by stepping footin there.\"Angel: \"In where?\"Harlan: \"Eighty third and Vermont. (Hands Angel a folder) Used to be low-income housing. Now it's a nest. Boarded up windows. No Electricity. Sewer access. They like it dark.\"Angel:\"Vampires.\"Harlan: \"A whole gang of them. Those photos were taken by the last guy I had on this job.\"Angel: \"What happened to him?\"Harlan: \"He got mussed. You have much experience dealing withvampires?\"Angel: \"Some.\"Harlan: \"Yeah, well, not like these. They're not out for blood. They want money.\"Angel: \"Money?\"Harlan: \"Yeah. I know. Whoever heard of a vampire out to make a buck, right?\" Angel lets outa half-hearted laugh and drops into a chair.Harlan: \"Anyway, they've been putting the squeeze on some local business men. We pay them a protection fee and they don't eat our employees. They're demanding fivethousand dollars by midnight.\"Angel: \"Whoa.\" Harlan starts to make out a check: \"Now, I'm prepared to pay you ten to make this problem go away. Five thousand now (rips out the check) the remainder when the jobsfinished.\"Angel: \"That'll make ten - which is more than they're asking you for.\"Harlan: \"But this isn't about money.\"Angel: \"No, no, of course it's not - about - that. (Takes the check) Money. (Lets out a short laugh ashe looks at the check) I'll get right on this.\"Harlan shakes Angel's hand again: \"Thanks.\"Angel: \"Sure.\" Harlan watches the doors close behind Angel. A door behind Harlan opens and an older man walks in.Man: \"Whatthe hell are you doing in my office?\"Harlan: \"Mr. Elster.\" With that the imposter hauls back and knocks the real Harlan Elster out. Break Justine's head is resting on the table in Holtz' lair, her hand still pinned to thetable by the ice pick. Holtz walks in, crouches down and lays his head on the table, so their eyes are on a level.Justine: \"Decided to stick around.\"Holtz: \"You asked me what I wanted from you. (Wraps his hand aroundthe handle of the ice pick) I want you to go out and find others like you. People who have suffered as we have, people with the same rage, the same fire. You'll know them when you see them. Their eyes - will look likethis feels.\" Justine lets out a scream as Holtz pulls the ice pick free. Holtz hands her a handkerchief.Holtz: \"Are we clear? Have we learned our lessons, Justine?\" Justine wraps the handkerchief around her hand.Justine:\"We're clear.\" As Justine gets up she hits Holtz hard across the chin with her wrapped left fist, knocking him back.Justine: \"You son of a bitch.\" She drops back into her chair, breathing hard, as Holtz watches her,fingering his chin. Angel walks into the lobby of the Hyperion, which is deserted, except for some papers strewn here and there and Cordy and Fred sprawled on the settee next to Connor's bassinet.Angel: \"Is thiscountry great or what? Five thousand smackeroos and all I have to do to collect five thousand more, is clean out a vamp nest downtown. Where's Wes and Gunn? I wanna show 'em this.\"Cordy: \"Out on a case.\"Fred:\"There's a young woman whose dead boyfriend is stalking her.\"Angel: \"That's terrible. Did you...\"Cordy: \"I ran her credit. She's solvent.\"Angel: \"Nice. (Crouches to look into the bassinet) Hey, how's my little magnumcum laude, Notre Dame, class of two thousand twenty?\"Cordy: \"Angel - I don't think it's such a great idea to be working on so many cases at once. I mean, what if we're all out making money and some poor devilstumbles in here and needs our help?\" The doors open and Lorne stumbles in.Lorne: \"Bon giorno, everybody, bon giorno.\"Angel: \"You've been drinking?\"Lorne: \"Oh, I can hold my liquor, Mister. Unfortunately I can'tsay the same for my firewater.\" Lorne giggles.Fred: \"Aren't they the same thing?\"Lorne: \"Hey, Fred-girl! No, this is special firewater, used to loosen the tongue of my Gar-wak snitch. They light the water on fire andthere's chanting and a bong, and look out, Houston!\"Angel: \"Did you learn anything about Holtz?\"Lorne: \"Oh yeah. He is *really* not fond of you. I'm led to believe that he and his Grapplar demons had plans to (makessound and cutting motion across his throat) you. (Angel leans back a little closing his eyes for a moment) Is my breath stinky?\" Lorne exhales into Angel face.Angel: \"Yeah.\" Angel fans the air in front of him with thecheck in his hand and backs away.Angel: \"Holtz is using the Grapplars as soldiers.\"Lorne: \"Not anymore, Bucko. He poisoned them and he's looking for replacements. Humans.\"Angel: \"Do we know where he is?\"Lorne:\"Bro, I'm on it. I've got rats looking all over this town. Well, not actual rats - except two of them. Ooh, I don't feel so good.\" Cordy picks Connor up out his bassinet.Cordy: \"Uh, we've got company.\" Angel turns to seethe Nahdrahs walking in, clicking away as soon as they enter.Cordy: \"Lorne? It's all snap, crackle, pop to me.\"Angel: \"Ah, these are the guys that wanted Wesley.\"Lorne: \"Not anymore. Now they want Fred.\"Angel: \"Forwhat?\" Lorne clicks away to the Nahdrahs then turns back to Angel.Lorne: \"Her enormous brain. They're convinced she can solve the puzzle they wanna give to their prince. (To Fred) They weren't offended by youbefore, they were impressed.\"Fred: \"Really?\"Angel: \"Where would she have to go and how long would it take?\" Lorne after clicking to the Nahdrahs: \"They live on a barge, currently docked in the marina. And a day ortwo, depends no how long it takes her to solve it.\"Angel to Fred: \"You game?\"Fred shrugs: \"Sure.'Angel to Lorne: \"You'll have to go with her to translate. Tell 'em it won't be cheap. They're getting two of our topemployees. That's salary, per diem, overtime...\"Lorne: \"Okay, okay.\" Clicks and pops away at the Nahdrahs. One of them lifts the metal suitcase up.Lorne: \"They apologize for their paltry offering and hope you'll accept(the Nahdrah opens the case revealing bundles of cash) Fifty thousand dollars!?!\"Angel: \"Fifty...\"Cordy: \"...thousand...\"Fred: \"...Dollars?\" Angel reaches out and grabs the suitcase, a big smile on his face: \"We accept.\"Gunn and Wes are guarding the Blonde from earlier at her home.Ally: \"You know, I consider myself independent and it's hard for me to ask for help, but - it really feels good for you guys to be in the house. You knowthat woman you work with was right. You inspire confidence.\"Wes: \"Which woman?\"Ally: \"Brunette, really cute, Texan maybe?\"Gunn and Wes smile: \"Fred.\" Turn to look at each other.Gunn: \"Said I inspireconfidence.\"Wes: \"Actually, I-I believe the comment was directed at me.\"Gunn: \"Really? 'cause I don't think so.\"Ally holds out a photograph: \"Here, this is Brian. Not exactly a rocket scientist, but, ah, he's so sweet.You ever meet somebody and you just know that you belong together? It just feels...\"Gunn and Wes: \"Comfortable.\" They look at each other.Wes: \"You read all the same science journals.\"Gunn: \"You laugh at the samedumb jokes.\"Ally: \"And the s*x. Oh, god, do I miss the s*x.\"Gunn to himself: \"Tell me about it.\"Wes: \"Hmm.\"Ally: \"So, explain something to me. How can Brian be stalking me if he's dead?\" Gunn opens his mouth butWes, looking out the window answers before he gets a chance to say anything.Wes: \"There are any number of explanations. Witchcraft, black magic, voodoo, zombiefication, demon possession, even vampirism.\"Ally:\"But why? Why is he hanging around here? What does he want?\" Gunn tries to answer, but Wes beats to it again.Wes: \"Perhaps there is something he left unfinished, something he wants to tell you.\"Gunn: \"Or maybehe just wants to eat your intestines.\"Wes: \"Gunn. We don't know that he's a zombie, and besides the flesh eating is a myth. Zombies merely mangle, mutilate and occasionally wear human flesh. So there is no reasonto be frightened until we have a better idea...\" The door, beside which Wes is standing, cracks open and a pale hand grabs a hold of him. Wes throws himself against the door, trying to force it shut again.Wes: \"Gunn!\"Gunn runs over and starts to beat on what's visible of Brian with his baseball bat. Brian retreats and they slam the door shut.Wes: \"Right then. Zombie it is.\" Lorne moans as he and Fred climb on to the Nahdrah's"}
+{"doc_id":"doc_309","qid":"","text":"[EXT. LAS VEGAS CITY (STOCK) - LATE DAY][EXT. LAS VEGAS CITY - LATE DAY][SCENE_BREAK][INT. CHECKERBOX BAR & GRILLE - LATE DAY](People are eating at the local grille.)(ELAINE ALCOTT walks out of therestroom.)(HANK PEDDIGREW sits at a table.)(Friends wave to each other from their tables in front of the large picture glass windows.)(FRED LYCHOCK, the Restaurant Manager, smiles at the waiter. He turns and seesa car heading toward the restaurant at a fast speed. He stops smiling and watches the car.)(The car doesn't stop at the light, nor does it turn. It continues through the intersection and straight for the windows. TheRestaurant Manager takes note of it and watches the car approach the windows, helpless to do anything.)(The waiter drops the tray he's carrying, his eyes fixed on the speeding car. The beer glasses hit the floor andshatters.)(The car crosses the sidewalk and heads straight for the glass windows.)(The car hits the windows and doesn't stop. The people sitting at the tables in front of the windows crash to the floor. The car plowsthrough the windows, tables and people.)(Patrons scream as they dive to get out of the way of the speeding car.)(The car crashes through the establishments' tables. The waiter hits his head against the car'swindshield, blood spattering across the glass.)(The driver hits the car horn and it blares.)[SCENE_BREAK][INT. CHECKERBOX BAR & GRILLE -- NIGHT](The woman driver is slumped against the steering wheel. Firepersonnel use a crowbar to get the door open.)(It's raining outside. GRISSOM, SARA and CATHERINE walk in to the restaurant through the broken glass windows. Emergency personnel cart away survivors on gurneys.ELAINE ALCOTT is on the gurney, her neck in a brace, as it passes the CSIs.)(BRASS speaks to someone on his cell phone as the CSI's make their way toward him.)Brass: (to phone) Yeah, yeah. No. All right. Yeah, holdon, hold on. (puts phone aside) Happy hour. Joint was packed. Two fatalities, four critical.(BRASS pushes his way past them. CATHERINE stops him.)Catherine: How about the driver?(BRASS turns around to answerher.)Brass: Non-responsive.(BRASS heads out. Behind, we hear HANK PEDDIGREW giving instructions.)Hank Peddigrew: (b.g.) I've got a GCS of three. I need to intubate.(SARA turns around and sees HANK working onan injured patron on a gurney.)Catherine: (to GRISSOM) That's Sara's boyfriend.Hank Peddigrew: (looks up) Hey, Sara. Typical Thursday.(SARA looks around and notices his injury.)Sara: Hank? Your wrist isbroken.(HANK looks down at his wrist as if noticing it for the first time. He stops trying to intubate the patron.)Hank Peddigrew: Larry, take over, will you?Larry: I got it, Hank.[SCENE_BREAK](The Fireman gets the cardoor open with the crowbar.)Grissom: The car's dry. This must've happened right before the rain.(The Fireman checks out the old woman driver.)[SCENE_BREAK](HANK assists LARRY as he intubates the patron.)Sara:What happened?Hank Peddigrew: I was sitting at the table. Next thing I knew ...Fireman: (b.g.) I got a heartbeat!(HANK looks up and rushes to give aid. He hurries past SARA and heads for the car.)Hank Peddigrew:Excuse me.(He runs past CATHERINE and GRISSOM. They both watch him as he pushes the Fireman aside to check on the old woman driver.)Catherine: Some happy hour, huh?Grissom: I think happy hour's over.HARDCUT TO END OF TEASER ROLL TITLE CREDITS[SCENE_BREAK][INT. CHECKERBOX BAR & GRILLE - NIGHT](It's dark and still raining outside. The EMT and other Personnel are still processing the scene.)(GRISSOM is onhis cell phone looking into the car. CATHERINE takes pictures.)(LARRY is sitting down in front of HANK, attending to his broken wrist.)Sara: (to LARRY) Mind if I take over?Larry: No, go ahead.(LARRY stands up andSARA takes his place. She sits in front of HANK and continues to tape up his wrist.)Sara: You okay?Hank Peddigrew: Yeah. I didn't think I'd see you tonight.Sara: (smiling) So that's what all this is about.HankPeddigrew: Thanks.Sara: Any time.Hank Peddigrew: Listen, I got to head over to the hospital, and I'm sure you got to get back to work.Sara: Yeah, but ... will you call me if you need anything? My cell will be on.Anything.(SARA and HANK stand. HANK leaves. SARA turns around and walks toward GRISSOM.)Grissom: You and Catherine are running the evidence on this. Warrick just got done with Internal Affairs. He's on hisway.Sara: Okay.Grissom: You need to talk to the Restaurant Manager, too.Sara: Anything else?Grissom: No.Sara: Where are you going?Grissom: I got gas.Sara: (nods, but is still confused) Oh.(GRISSOM takes a steppast SARA, stops, and explains over her shoulder.)Grissom: Residential gas leak in Henderson.(GRISSOM leaves. SARA heads for FRED LYCHOCK, The Restaurant Manager who is finishing up with a PARAMEDIC.)Sara:Are you the Restaurant Manager?Fred Lychock (restaurant manager): Yes.Sara: I'm Sara Sidle, Crime Lab.(SARA holds out her hand. FRED LYCHOCK gets to his feet and extends his hand to grab hers, but stops whenhe sees she's still wearing latex gloves.)Fred Lychock (restaurant manager): Oh, hi. Fred Lychock. Ooh, sorry. Um ... your supervisor asked for a seating chart. (He unrolls the chart for SARA to look at.) Everything'scomputerized - software program. This here'll show you the number of people per table.(SARA takes the chart and looks at it.)Sara: Where were you during the crash?Fred Lychock (restaurant manager): I was at theregister, behind the bar.Sara: Did you see anything?Fred Lychock (restaurant manager): A blurry jaguar speeding through the intersection.(Quick flashback to the car speeding head-on toward the glass windows. End offlashback. Resume to present.)Fred Lychock (restaurant manager): I thought the car would slow down, but it kept right on coming. If you ask me, that's the reason why old people don't belong behind the wheel.Sara:Yeah, I didn't ask you. Thanks for your time.(SARA walks away from FRED LYCHOCK and heads toward CATHERINE who is examining the car.)Sara: I'm sorry. I got wrapped up in ...Catherine: Hank.Sara: Yeah. (SARAkneels and looks inside the car.) An old jaguar with a GPS unit. That's strange.Catherine: Yeah, not your granny's oldsmobile.[SCENE_BREAK][EXT. LAS VEGAS RESIDENTIAL AREA -- NIGHT]Grissom (prelap): (V.O.)We're cleared to go in?[SCENE_BREAK][EXT./INT. ARNZ RESIDENCE -- NIGHT]Lockwood: Yeah. Gas company shut off the valve at the street. Paramedics aired out the scene.(LOCKWOOD escorts GRISSOM and NICKinto the residence to the dead body.)Nick: Homicide radioed in a D.B.?Lockwood: Vanessa Arnz. She's in the master bedroom next to the son's room.Grissom: Thanks.[SCENE_BREAK][INT. ARNZ RESIDENCE -HALLWAY/BEDROOM - NIGHT -- CONTINUOUS](GRISSOM and NICK make their way toward the master bedroom where the dead body is located. They walk through the hallway.)Grissom: The gas company spikes itsnatural gas with mercaptan - smells like rotten eggs.Nick: I don't smell anything.Grissom: All's I smell is mothballs and stale tobacco.(NICK looks into the son's room.)Nick: Science geek. (He looks back at GRISSOMand smiles.) Takes one to know one, I guess.(He turns and they both head into the master bedroom.)[SCENE_BREAK][INT. ARNZ RESIDENCE - MASTER BEDROOM - NIGHT -- CONTINUOUS](GRISSOM and NICK enterthe master bedroom. On the bed is VANESSA ARNZ. DAVID PHILLIPS is already inside with the dead body.)Grissom: Hello, David.David Phillips: Hey. She's hot pink, like a maraschino.Grissom: Makes our jobeasier.David Phillips: Death was not the result of natural gas inhalation.Grissom: No, but carbon monoxide's still gas.Nick: Right, when carbon monoxide displaces oxygen in the blood, victim asphyxiates, turns ...pink.(Quick flashback to: VANESSA ARNZ is sleeping and inhaling gas. Her skin slowly turns pink. End of flashback. Return to present.)(NICK moves to get a closer look at the dead body.)Grissom: Was Mr. Arnz in bedwith her?David Phillips: Uh, yeah. Paramedics said they found them both in here.Grissom: So why is she dead and he's alive?(NICK looks up at GRISSOM. DAVID turns and looks at NICK. NICK stands up and explainsthe answer to DAVID.)Nick: You know, Dave, when I was a CSI-1, I would've tried to answer that, but now I know \"where\" before \"why.\" First step, find the source of the C.O. I'll grab the nighthawk, fire it up.(NICKleaves the room. GRISSOM looks down at the body. LOCKWOOD appears in the doorway.)Lockwood: Mr. Arnz has been stabilized. They're preparing him for transport.Grissom: I want to take a look at him.DavidPhillips: Yeah.[SCENE_BREAK][EXT. ARNZ RESIDENCE - NIGHT -- CONTINUOUS](GRISSOM and LOCKWOOD question MR. ARNZ. The paramedics are still checking him out.)Mr. Arnz: I wake up in the middle of thenight sometimes, if I get cold. Vanessa steals the covers. Uh, I woke up and my head was spinning. I think I'm coming down with something. Then I look over at her ...(Quick flashback to: MR. and MRS. ARNZ is in bed.MR. ARNZ wakes up gasping. He reaches over to check on his wife.)Mr. Arnz: Vanessa.(He realizes that she's not breathing. He reaches for the phone and dials 911.)Mr. Arnz: (to the OPERATOR) Tell them my wife isn'tbreathing.(End of flashback. Resume to present.)Lockwood: Do you remember anything else?Mr. Arnz: No, I don't remember hanging up the phone. I must've passed out. Next thing I know the paramedics are takingme out.(GRISSOM turns and notices the young man leaning against the car in the garage. He presumes this is the son.)Paramedic: We got to roll. Patient will be at Desert Palm.Mr. Arnz: Wait a minute. What about myboy?Paramedic: Peter seems fine. The kid's 18. Signed an AMA.(GRISSOM heads toward PETER ARNZ to talk with him. He ducks under the crime tape and stops in front of PETER ARNZ.)[INT. ARNZ RESIDENCE -GARAGE - NIGHT - CONTINUOUS]Grissom: Peter ... my name's Gil Grissom. I'm with the Las Vegas Crime Lab.Peter Arnz: You want to ask me questions. I was in my bedroom, asleep. I heard the doorbell. It was theparamedics. A few minutes later, the police showed up.Grissom: I'm very sorry about what happened to your mother.Peter Arnz: Why are you sorry? You're not responsible. You didn't know her. You don't knowme.(Camera holds on GRISSOM.)[SCENE_BREAK][INT. HOSPITAL - HALLWAY/WAITING ROOM -- NIGHT](SARA walks through the hallway. She passes by a young man sitting outside waiting. She stops in front of theGUARD standing outside the room of the old woman who drove the car.)Sara: How's she doing?Guard: Doctors are working on her right now. Doesn't look good.(Looking inside the room, SARA notices the old woman inthe hospital bed and the medical personnel working on her. She turns her head toward the young man sitting outside in the hallway.)Sara: Relative?Guard: Driver's been I.D.'d as Diane Lambert, that's her grandsonCorey.(SARA walks up to COREY LAMBERT.)Sara: Hi, Corey? I'm, uh, Sara Sidle. I'm with the Las Vegas Crime Lab. Mind if I ask you a couple questions?Corey Lambert: I don't even know why she was in Las Vegas. Welive in Laughlin. She hates it here.Sara: Corey, um... did your grandmother own a Jaguar?Corey Lambert: Yeah ... (sniffles) ... yeah, she won it in the, uh, quarter slots. First two coins and bingo. Triple stars.Sara: Shealso win the GPS?Corey Lambert: No. (beat) She hadn't been driving it much.(SARA notices HANK in the waiting room kneeling in front of a woman in a wheelchair.)Corey Lambert: Uh, she got lost a couple times and itscared her, so for her birthday last month, I bought her the unit.Sara: (smiles) Can you excuse me for a second?Corey Lambert: Yeah.(SARA walks away from the young man and heads toward HANK in the waitingroom. The nurse wheels the young woman away.)Sara: Hey.(HANK looks up and sees SARA. He stands up.)Hank Peddigrew: Hey.Sara: \"And the EMT of the year award goes to ...\"Hank Peddigrew: Not me. Death toll'snow three. Could climb to four. Elaine- - the girl in the wheelchair -- she's one of the lucky ones.Sara: You were amazing.Hank Peddigrew: Eight years in the rig, first time I've actually been a part of the scene. I can'tstop it going through my head.Sara: Yeah, you never know when your life's going to change.Hank Peddigrew: Listen, I ... I got to get out of here.(HANK moves to pass SARA. She grabs his hands to stop him.)Sara: Youneed a lift?Hank Peddigrew: No, I drove.(HANK turns to leave. SARA stops him.)Sara: Hank? (He turns around.) I'm really glad you're okay.Hank Peddigrew: (smiles) Thanks.(HANK turns and walks away. Camera holdson SARA watching HANK leave.)[SCENE_BREAK][EXT. CHECKERBOX BAR & GRILLE - STREET -- NIGHT](WARRICK and CATHERINE do a walk through of the car route into the restaurant. They examine thestreet.)Warrick: Plenty of tire treads, but nothing looks fresh.Catherine: So you going to tell me how it went?Warrick: I got called in by Internal Affairs. How do you think it went? Too many questions. (To the officer wholifts the crime tape up for them.) Thanks. (to CATHERINE) I wish I could've pleaded the fifth.Catherine: Yeah, you don't answer their questions, you're looking at more days off without pay, and that blows.Warrick:Yeah. (He looks up and sees something.) It's a red light camera. Did any of the witnesses see the driver run the red light?Catherine: Nobody mentioned it, but the camera's there. Big brother knows.Warrick: I'll put in acall.(CATHERINE notices a dark puddle on the curb.)Catherine: Motor oil.Warrick: Now, that looks fresh.(Quick flashback to: Camera close up of the curb as the car accelerates, hits it and leaves a puddle of motor oilbehind. End of flashback. Resume to present.)Catherine: Hitting the curb could've caused the car to buck.(CATHERINE turns around to look straight down the street.)(Quick flashback to: A ghost of the car acceleratesstraight toward CATHERINE. End of flashback. Resume to present.)Catherine: Traffic light, intersection, curb. Well, either the car wasn't working, or the driver wasn't.(WARRICK turns around and heads inside therestaurant. CATHERINE shines her flashlight on the ground and notices a void where something should be.)Catherine: Looks like the newspaper dispenser used to be here.(Quick flashback to: The speeding car jumpsthe curb and takes out the newspaper dispenser before crashing into the window. End of flashback. Resume to present.)(Inside the restaurant, WARRICK notices something on the ground.)Warrick: Catherine. (He pointsit out to CATHERINE.) Tire treads. That kills one theory. Car's brakes must've been working.Catherine: She tried to stop, but it was too late.[SCENE_BREAK][INT. CSI - FORENSIC AUTOPSY -- NIGHT](DOC ROBBINSgoes over the preliminary findings with SARA. They both stand over DIANE LAMBERT'S body.)Robbins: Let me guess: No air bags in the vehicle.Sara: No.Robbins: Preliminary cause of death, epidural hematoma. Herhead impacted the steering wheel.(Quick flashback to: The car jerks to a stop and DIANE LAMBERT'S head hits the steering wheel. End of flashback. Resume to present.)Robbins: Blood accumulated between the innertable of the skull and the dural membrane.(ROBBINS points to the impact wound on DIANE LAMBERT'S head. Camera zooms up close to the wound to the breakage in the scalp and hair. Camera zooms through thewound and into the brain where we see the artery. The artery break and blood leaks out.)Robbins: (V.O.) Her injury is consistent with a severed middle meningeal artery.(End of CGI POV. Resume to present.)Sara:What about pre-impact? At the risk of feeding a stereotype, she was 72. Any indication of stroke, Alzheimer's, heart attack?Robbins: I considered and dismissed all age-related factors. No arthritis, no significantimpairment of her senses. She has had part of her colon removed, probably due to injury or prior medical condition, but Sara, it's irrelevant to your case. I found no physiological explanation for the crash.Sara: Well,that's a bummer, 'cause at this point, we got no forensic one, either.[SCENE_BREAK][INT. ARNZ RESIDENCE - MASTER BEDROOM -- NIGHT](Camera opens close up on the Nighthawk Carbon Monoxide Alarm that NICKis holding to check on the Carbon Monoxide levels in the bedroom. LOCKWOOD is with him. The detector beeps steadily.)Nick: Carbon monoxide fills the air when any carbon-based substance is ignited. The kid checksout, so ... the point of ignition's probably this room.Lockwood: Now, the two most common causes of accidental household CO poisonings are: unvented space heaters and improperly maintained chimneys. I don't seeany heaters.(Using the tip, NICK turns to look at the bedroom fireplace.)Lockwood: (explains) My dad's a fireman. Last Christmas, he gave all the kids C.O. Detectors.(Immediately, the beeping picks up.)Nick: Would'vesaved this woman's life. 25 parts per million. That's the highest reading in the room.(NICK puts his kit down, takes out his flashlight and checks out the fireplace closely.)Nick: This is a natural gas burning fireplace.Burns clean. C.O. fumes should be minimal at best.(In the back of the fireplace on the ground, he finds some black rocks.)Nick: Foreign substance. Still warm.(Camera zooms in to show a close up of the blackrock.)Nick: There was something other than natural gas burning in here.Lockwood: If the gas company hadn't shut off the gas, whatever that is probably would have burned up.Nick: Chimneys are designed to funnelsmoke up and out ... if this fire was the source of the CO, the fumes should've traveled up the chimney instead of permeating the room.Lockwood: Unless the chimney isn't doing its job.(NICK reaches up and checks thechimney.)Nick: Damper's busted.(Quick CGI flashback to: The fire in the fireplace burns, the heat and fumes close the damper causing the fumes to funnel back into the room. End of CGI flashback. Resume topresent.)Nick: Foreign fuel source in a compromised chimney ... I think we just ruled out accident.[SCENE_BREAK][INT. CSI - AUDIO/VISUAL LAB -- NIGHT](GREG exits his lab, crosses the hallway and enters theaudio-visual lab where SARA'S working.)Greg: Hey, I hear you're working on Hank's case.Sara: I believe it's my case.(Leans in and rests his elbows on the table next to SARA.)Greg: Territorial. You know, guys don'tlike that.Sara: You're crowding me, Greg.Greg: Well, I have some information that could bring us even closer. (beat) (He stands up.) But you first. What are we looking at?Sara: I downloaded the memory from the GPSin the jaguar. She wasn't a local; I wanted to see if she got lost.Greg: Well, did she?Sara: Diane Lambert lives in Laughlin.(SARA stands up and heads to the large wall monitor)Sara: Excuse me.(Using her finger, she\"draws\" the path on the monitor.)Sara: She took 95 North to Summerlin parkway. Then she took parkway to Rampart, made a left on main street and headed straight to Meadows Lane -- 16 North Meadows Lane. That'swhere she was going, and that's where she ended up.Greg: So does that thing tell you why?Sara: What do you have, Greg?Greg: Well, maybe she had the \"munchies\". Tox screen came back. Mrs. Lambert testedpositive for cannabis sativa.Sara: Grass?Greg: (laughing, enjoying himself) \"Grass\"? So '70s, man. Sticky green, the dank, the chronic, the cush, happy stick, wacky-tobaccy ...Sara: Well, wait, wait, wait. Grandma washigh?Greg: (smiling) Yeah.Sara: Grandma was high ...(Putting two fingers to his lips as if taking a drag off of a joint, GREG inhales.)Greg: ... as a kite.[SCENE_BREAK][INT. CSI - FORENSIC AUTOPSY](SARA walks backinto the Autopsy room. ROBBINS is working at the scope.)Sara: Hey.Robbins: Return visit, huh? You're here about the tox screen.Sara: Yeah. Was Diane Lambert legally impaired?Robbins: Less than two nanograms ofTHC, so per nida, she wasn't.Sara: Oh. But if she were a long time user, her reaction time could've been slowed down, right?(He lifts his head and stands up. They both head up to the morgue units.)Robbins: I knowwhere you're going. Let me stop you. THC has no significant cumulative effect, so maybe the question is: Why was a woman her age doping up?(He opens the cabinet and pulls out the table with DIANE LAMBERT.)Sara:Okay, why was a woman her age doping up?(ROBBINS hands the scope to SARA.)Robbins: Tell you what-check out her optic nerve.(Quick CGI POV through the scope and down through the eye to show the nerve. Endof CGI POV.)Sara: Nerve's damaged. (SARA stands up and looks at ROBBINS.) She had glaucoma. I thought you said she was in good health.Robbins: That was before the tox screen came back. You know, it's notstandard procedure to check for glaucoma, but the mary jane tipped me off. People think it slows the progression of the disease, but it just reduces the pressure in the eye and that reduction's only temporary."}
+{"doc_id":"doc_310","qid":"","text":"Barney's OfficeTed from 2030: Kids, as you know, I was designing Goliath National Bank's new headquarters on the site of this old hotel, The Arcadian. Problem was, some people didn't want The Arcadian torn down.Even bigger problem, they were led by my girlfriend Zoey.(Outside, Zoey and her supporters are protesting)Crowd: G-N-B is the e-ne-my!Zoey: (She sees Ted at the window) Oh, hang on, hang on, hang on! Hey,sweetie! Are we still on for dinner at 8:00 at Valenzisi's? That's great! I can't wait!Crowd: That's great. I can't wait! That's great. I can't wait!Ted from 2030: But somehow, Zoey and I were making it work.At theBarBarney: Ted, why are you dating our arch-enemy?! I mean, Wile E. Coyote wasn't trying to sleep with the Roadrunner.Robin: Or maybe he was. Think about it. The way that she bats her eyelashes and shakes hertail feathers in his face? (chuckles) She wants it.Lily: Isn't it hard for you guys to be on opposite sides of something like this?Ted: Of course you feel that way, Lily. You and Marshall have basically melded into one bighermaphroditic blob. And that's fine for you guys. But some of us want a partner who challenges us to grow and evolve.Lily: You guys are in screaming matches all the time.Ted: Uh-uh, uh-uh, uh-uh. Growingmatches.Ted from 2030: It was true. Zoey and I loved to challenge each other.[FLASHBACKS](Ted and Zoey are watching the TV)Ted: The main character is a young spoiled prince thrust into leadership after the deathof his father. It's obviously a modern-day retelling of Henry IV!Zoey:Are you kidding me?! It's Don Quixote...the classic quest story with the hero-jester and his long-suffering manservant!Ted: Okay, clearly, when we'rewatching Tommy Boy, we're watching two different movies.(Later, Ted is on the phone with Zoey)Ted: No, you hang up.Zoey: No, you hang up.Ted: No, you hang up.Zoey: No, you hang up.Ted: No, you hang up!(Later) No, you hang up.Zoey: No, you hang up.Ted: No, you... (His phone starts beeping) Hold on. (beep) Hello?Robin: For the love of God, will one of you idiots hang up the phone?Ted: Why would you dothat?!Zoey:I-I thought you'd like it.Ted: Who likes that? Zoey:I like it.Lily: Your relationship sounds exhausting.Ted: Well, maybe yours is a bit lazy.Lily: Marshall and I have been together 15 years, and the only debatewe've had about Tommy Boy is whether it's awesome or super awesome. That's love, bitch.[OPENING CREDITS]Ted from 2030: Now around this time, Marshall had truly come to hate his job. He hated the paperwork.He hated the coffee. He hated the dirty jokes. He hated everything.At the BarMarshall: I have to quit.Barney: Quit GNB?! Why?Marshall: I need to do better things with my life, okay? There's-There's an opening for anenvironmental lawyer at the National Resources Defense Council. Sure, it pays less, but I'd be saving the oceans, saving endangered species...Barney: Saving chicken bones and an old boot to make hobo soup?Marshall, you can't pay your mortgage with Hacky Sacks and good vibes.Lily: Baby, you have my full support.Barney: Well, then, you're not going to be able to pay for that trip to Spain that you've been planning.(Barney snickers) Say good-bye to riding around in gondolas, and eating bratwurst and seeing the pyramids.Robin:I don't think you know what Spain is.Barney: Well, I know that a trip there costs some serious lira.Ted:It's dinero.Barney: Where? I want his autograph!Ted from 2030: So Marshall walked in the next morning all ready to quit. But then something weird happened. Suddenly, he didn't hate the paperwork. He didn't hatethe coffee. He didn't even hate the dirty jokes. Out of nowhere, Marshall actually liked GNB.Robin: It's graduation goggles.Marshall: What? Robin:Graduation goggles, like with high school. It's four years of bulliesmaking fun of all the kids with braces, even after the braces come off and they can walk just fine. But then, on graduation day, you suddenly get all misty because you realize you're never going to see those jerks again.I just had graduation goggles with that guy Scooby I dated.Lily: The guy who was basically a dog? Robin:He was the worst kisser I've ever been with. But the moment I decided to dump him...I suddenly got kind ofwistful. (as speaking to a dog): He was a good boy.Barney: Yeah. I've been there, too. Every time I'm done having s*x with a woman, at first,I never want to see her again. No, that's pretty much it. Robin:The point is,you can't trust graduation goggles. They're just as misleading as beer goggles, bridesmaid goggles, and that's-just-a-bulky, outdated-cell-phone in-his-front-pocket goggles. That one was a bummer.Marshall: You'reright. Tomorrow, I'm quitting GNB.Barney: No! You can't quit tomorrow! The lady with the big nipples is coming back to give another sexual harassment seminar, and I bribed one of the maintenance guys to keep theroom at a brisk 55 degrees!Lily: Baby, more than ever, you have my full support. (Lily and Marshall kisses)Zoey and Ted are in bed, in Ted's appartment / Lily and Marshall are in bed in their appartment / Barney is inbed with a girl in his appartmentTed: You know, sometimes I feel bad for Lily and Marshall.Lily: I'm starting to feel bad for Ted and Zoey.Barney: It starts with an... \"L?\"Girl: How can you not remember my name?Ted:It's like they never challenge each other. They just automatically agree all the time.Zoey: Well, they don't do that all the time.Ted:Yes, they do.Zoey: No, they don't. Ted:Yes, they do. It's like they... Lily andMarshall:... don't see eye-to-eye on anything! Totally.Girl: It rhymes with your name.Barney: And I said my name was...?At Lily and MArshall's appartment(Marshall comes in)Marshall: Baby, I did it! I quit. And then Iwalked right over to the NRDC, and I took that job.Lily: Oh, good for you, sweetie.Marshall: Yeah. It's a little less money than I was expecting. I mean, compared to what I was making at GNB, it's nothing. Actuallycompared to anything, it's nothing. It's nothing. The paid position just got filled, so all I can do is-is volunteer right now. You're cool with that, right?Lily: Baby, if this is what you need to do, we'll figure it out. How'sBarney handling you leaving?In Barney's office(Barney is burning a photo of Marshall; Ted enters)Ted: Hey, Barney, there's a bunch of models in the lobby, and the gossip is one of them is really a dude. You want toplay \"Who's Hot and Who's Scott?\"Barney: It's always the one in the turtleneck, Ted. And no, I don't want to play. Stupid Marshall-... ruined everything.Ted: Oh, come on. Everything's not ruined.(A man enters)Man:Guys, everything's ruined.Ted: What? Why?Man: Your girlfriend somehow got the Landmark Preservation Committee to agree to a hearing. If they declare the Arcadian a landmark, the whole project is dead. The goodnews is, I just got the phone number of a husky-voiced hottie in a turtleneck.(The man leaves the room)At the BarRobin:...so, if the Landmarks Preservation Committee sides with Zoey, your whole project goes downthe tubes? You must be furious.Ted: I'm furiously enjoying being challenged.Lily: Why don't you admit that your girlfriend challenging your every move is getting you a little murder-suicidey?Ted: Why don't you admitthat Marshall quitting his job and taking an unpaid internship is killing you?Lily: It's not.Ted: Lily, the downside to having giant, Japanese anime eyes is that they're easy to read. And yours are screaming, \"What aboutmy trip to Spain, deadbeat?\"Lily: Okay, Ted, the downside to having a woman's mouth is, your feminine pout gives away your true feelings. And yours is saying, \"Oh, Zoey, why can't I be on top just this once?\"Ted: Wetake turns! Sometimes.(Marshall comes in)Marshall: Hey, guys. Thanks. Hey. I just had the best first day at the NRDC.(Barney starts laughing)Barney: I'm sorry. Sorry. Something Hershel said at work today.Robin:Hershel?Barney: What, don't you guys know Hershel? Didn't I tell you? Oh, he's the new lawyer who replaced Marshall at GNB. He is so awesome and funny and tall... taller than Marshall... and he knows way morelaws.Lily: Well, I'm glad you like your new co-worker.Barney: There's no Hershel! I was just saying that to make you jealous! Why do you insist we play these games?Marshall: Barney, I'm not playing...Barney: Justcome back to GNB already!Marshall: I'm really loving my new job.Lily: Oh, and I'm loving seeing you this happy.Marshall: I'm so glad to hear you say that because I volunteered our apartment for a big NRDCfund-raiser tomorrow night. You're-You're cool with that, right?Lily: Baby, you have my full support.Marshall: Thanks, baby. (phone chirps) Oh. Ooh, I gotta go. The invitations are ready. The party's for a bunch ofenvironmentalists, so I found a guy downtown who makes biodegradable party invitations that can also be used as toilet paper.(Marshall leaves)Barney: That's how I'm gonna use mine.Robin: Why in the world do youcare so much whether Marshall works at GNB?Barney: Care? I don't care. I'm like, whatever. Marshall who? He's stupid. Hershel's way better.Robin:Okay, Barney, is it possible that with everything that's gone on withyour dad lately, you might have some unresolved abandonment issues you're transferring onto Marshall?Barney: Oh! Ugh! You are worse than my shrink. \"Barney, we have to talk about your father.\" \"Barney, I'm notgoing to teach you how to hypnotize people. You'll only use it for evil.\" \"Barney, I am not going to conduct a couples session \"between you and this woman. She's obviously a prostitute.\" I don't needthis![SCENE_BREAK]At Ted's appartment(Lily arrives)Ted: Ah, Lily Aldrin, half of the world's most perfect couple! I was thinking about that woman's mouth comment, and I have three good comebacks. One: your momdidn't seem to mind it last night on her...Lily: Okay, look, Ted, I need a favor. Would you mind driving out to Kennedy with me to pick up this famous ecologist for Marshall's fund-raiser? Apparently, he only speaksSpanish. And you speak Spanish, right? (Ted says something in spanish) Perfect. Let's go.At Barney's office(Barney is on the phone with Marshall)Barney: Hey, Marshall, it's me. Listen, I know I've been kind of a jerkabout your leaving GNB. I just wanted to call and say I'm sorry. No apologies necessary. We're good. Good. Um, hey, any chance you might maybe... I don't know... if you're not busy, uh, want to have lunchtoday?Marshall: Oh, buddy, I'd love to, but I can't.Barney: Oh, that's cool. No biggie. Another time.Robin: (Robin is standing at the door) Oh, my God!Barney: How long have you been there?Robin: You don'tremember?[FLASHBACK]Robin: Hey. I was in the neighborhood. I just wanted to check in on you. You seemed, um, you seemed really upset the other day.Barney: Oh, no, I'm fine.Robin: Okay. Well, um, you want togo grab some lunch?Barney:Sure. Hey, are you okay if I invite Marshall to join us?Robin: Yeah.(Barney makes a call to Marshall)[END OF FLASHBACK]Barney:Right. So, um... Chinese?In Ted's carTed: You know, justbecause Zoey and I are a different kind of couple than you and Marshall doesn't make us a worse couple.Lily: You're right. I-If you and Zoey are happy, then who am I to judge? I'm so sorry.Ted: Oh, my God, is thathow support feels? It's so warm and wonderful. Oh, Lily, I've been so unhappy.Lily: But I thought you liked being challenged.Ted: Nobody likes being challenged! Couldn't she agree with me just once, even onsomething little, like... like what movie to see or-or what topping to get on our pizza or... oh, I don't know, my lifelong dream of building a skyscraper in New York City?!Lily: Well, in her defense, hamburger pizza, Ted?What are you, 12?Ted: You were right, Lily. I mean, Zoey's great, but... sometimes I do wish we were a little more like you and Marshall. There he is. Here we go. (Ted says some incomprehensible things inspanish)Man: I'm sorry. I don't speak... whatever it is you're speaking.Ted: Um, he speaks perfect English.Lily: Yeah, I-I know.Ted: Then why did you ask me to come?Lily: So you can drive him to the fund-raiser.Supporting Marshall this much is driving me crazy. I'm going to Spain-- my flight leaves in 45 minutes. Adios, muchacho.Ted: W-Wait, what do you mean you're going to Spain?Lily: You were right. If I hear myself say\"Baby, you have my full support\" one more time, I swear I'm gonna murder someone!Ted: What are you gonna tell Marshall, huh? And when are you coming back?Lily: I honestly haven't thought it all the way through,and I don't intend to. All I know is that I'm a ticking time bomb, and if I don't do something for me right away, I swear I'm gonna explode!Ted: Wow, tha... that's an evocative metaphor to use for your nonthreatening,totally patriotic emotions. U.S.A.! Okay, Lily, I get it.Lily: Marshall's been asking a lot lately.Ted: But the thing to do is-is tell him you've had enough.Lily: I've never been good at that. And now, ever since his dad died,I-I feel like it's my job to just be fine with everything. But I'm not. I'm not fine that he volunteers our apartment for a giant fund-raiser and that he's not thinking about how we're gonna pay any of our bills and that,apparently, we've given up on trying to have kids.Ted: Lil...Lily: Look, I'm sorry, Ted, I just, I gotta do this. (Lily leaves)Man: My bag? Oh, no. I got it.At the BarBarney: There's nothing to talk about.Robin: You trashedyour office today. I mean, you obviously have some deep feelings you're not confronting. And I think they're about your dad.Barney: I don't want to talk about it, okay?Robin: Why not?Barney: Because I don't. And whyam I explaining this to you? You're the most secretive person I know. You never tell anybody anything.Robin: I've never... told anyone this before. Um... I was 16. I was awakened around midnight by the sound of myfather arguing with his business partner, Andy Grenier. As things grew heated... I watched my father's hand slowly coil around the heavy antique clock on his desk. The sun was just starting to rise over the brambleorchard as we packed the fresh earth down with the flats of our shovels. My dad and I got our stories straight. We walked back to the house in silence and... haven't talked about it since. But sometimes... on a stillnight... you can still hear that clock, ticking... ticking... (quietly): ticking.Barney: That's... the most harrowing story I've ever heard. Is it true?Robin: No. But it did get you to drink three scotches, which is why you'reready to spill your guts.Barney: Fine! The reason I'm upset about Marshall leaving GNB is... is...the meatball sub.Robin: Huh?Barney: It all started months ago in the GNB commissary. It was Meatball SubDay.[FLASHBACK]Barney: Oh, how I used to love Meatball Sub Day. And then, the most humiliating moment of my life.Marshall: Hey, buddy, I think you got a tiny little bit of marinara sauce on your tie there.(Marshalland his co-workers start chuckling)Barney: I plotted my revenge for weeks. But nothing seemed right. Then it hit me. The answer was so elegant and simple-- an exploding meatball sub. For months, I experimented.More... marinara sauce. Finally, the sub was perfected. The plan was in place. The snare was baited. And then...[END OF FLASHBACK]Barney:...he quit, Robin, he quit! It's Meatball Sub Day today, which is why Iwanted Marshall to come over and have lunch. But no. All that work wasted. (quiet sobbing) You want to make God laugh, tell him your plans, right?Robin: What is wrong with you?At Marshall's appartmentMarshall:Hey, Professor Rodriguez, thank you so much for coming.Prof. Rodriguez: Oh, my pleasure. I have to use the restroom. Do you have some extra invitations?Marshall: Right over there. Enjoy. Hey. Hey, thanks forpicking him up.Ted: Yeah, absolutely. Um, listen, something happened at the airport. Um...Marshall: What?Ted: Well, we got there, and, uh, Lily...(sighs) Lily...(Lily arrives)Lily: Marshall, hey. Sorry, I, uh, I had to parkand-and grab some ice. Sorry.Marshall: Oh, thanks, babe. You would not believe how much this one has done to help throw this party, Ted. I don't know how she does it. Can't be easy, huh, Lil?Lily: Yeah. Listen,Marshall, I-I need to talk to you about something.Marshall: No, you know what? Me, too. Um... I want to thank you for being so supportive of me in all this. I've been at the NRDC for less than a week, and I've alreadydone more to be proud of than in two years at GNB. I can't believe how good it feels. But now, it's time for me to find a way to help the Earth and get paid for it, because I can't put that burden entirely on you. So,starting tomorrow, I'll look for something with a paycheck. What do you think?Lily: Baby, you have my full support.(Marshall and Lily kiss;Ted notices Zoey at the other end of the room)Zoey: Ted.Ted: Hey! What areyou doing here?Zoey: This is really important to Marshall, so I came to show my support.Ted: This you can be supportive of?!Zoey: What is that supposed to mean?Ted: I have the chance to build a skyscraper in thebest city on Earth, and who's the one leading the charge to kill that dream? My girlfriend!Zoey: Whoa, whoa, whoa. What about my lifelong dream of not seeing every beautiful building in Manhattan bulldozed?Ted from2030: And in that moment, I realized, though I really cared about Zoey, I couldn't do this for the next 50 years. I had to break up with her. But then... Kids, some couples always support each other, and some couplesalways challenge each other, but is one really better than the other? Yes. Support is better. Way better. But I'd have to learn that the hard way.[Ten years later; at Barney's](Barney is in bed, looking very sick, Robin,Ted, MArshall and Lily are here)Lily: You're too young. This isn't fair.Marshall: We're not going anywhere, buddy. We're gonna stay here right till the end.Barney, weakly: Thank you, Marshall. (coughs weakly)Marshall... can I ask one final favor, my friend?Marshall: Yes, of course, of course... anything.Barney: Eat this meatball sub.Marshall: Wh-Where'd you get a meatball...Barney: I don't have much time!Marshall: Okay,yes, yes, of course. Of course. Does this have some sort of special meaning?(The sandwich explodes, throwing marina sauce all over Marshall; Barney leave his bed)Barney, with a mean laugh: I'm not sick, you idiots!I've racked up $30,000 of uninsured medical bills for symptoms I don't even have. Totally worth it! You should see the look on your face. Oh, wait, you can't-- 'cause it's covered in marinara sauce!Ted: Uh, Barney, yougot a little marinara on your pajamas.(Barney looks at his pajamas and stops laughing; his face decomposes itself)"}
+{"doc_id":"doc_311","qid":"","text":"[PREVIOUSLY_ON]Zachariah: What about Boyd?Boyd ain't nothing like Bowman.Zachariah: Yeah, he's a Crowder. That's awful strange talk seeing as you're here working for him.Ava: My uncle ... you sure he couldn'thave made it out of that mine?Carl: Even if he survived the blast, the rockfall cut him off from the entrance.Probably got turned around in the dark.Ava: Zachariah got turned around?Art: You want some advice? BringRaylan in. See if you can confirm what your gut is telling you.Rachel: Is that what you'd do? You'd let it go. Wouldn't risk the case just to save your own ass.Mike: When I asked you how long you'd been snitching to themarshals, you said, \"this time.\" The other time was about Grady Hale, right?Duffy: You just figured that out all by yourself, Mikey?[laughs]Duffy: Aah![handcuffs click]Mike: Ms. Hale, please call me as soon as you getthis.Boyd: Ripping you off ... that was her idea of payback for you murdering her husband.I just thought you'd wanna know. Baby?[gunshot][grunts]Raylan: What did you do?Ava: I gave you what you always wanted,Raylan ...Boyd Crowder bleeding at your feet. I'm gonna come after you.Ava: I know.Rachel: I know your deputies just got back to Atlanta, but we need as many as you can spare. We've got a new number one. AvaCrowder. Jerry, I'm gonna have to call you back.Art: [exhales sharply][indistinct conversations]Rachel: How bad is it?Art: Well... I shaved.The director called. Tried to tell her that I was the shot caller on this from mysickbed, that I just couldn't let it go, but apparently you'd already talked to her.Rachel: I'm the one who approved Ava as a C.I. and Raylan as her handler. It's only right I take the hit.Art: I wish you'd called mefirst.Rachel: Am I suspended?Art: Hell, no. Not gonna sideline one of my best manhunters in the middle of a manhunt. What the hell's the status with Crowder?Rachel: Nelson's sitting on him at Harlan regional medicaluntil they get the bullet out and we can move him.Art: Well, you do realize you accomplished something that I was never able to do all these years.Rachel: Let an untrustworthy C.I. get away with $10 million?Art: Yougot Boyd Crowder.Boyd: Aah! Aah, aah, aah.Doctor: Irrespective of you being shot, you are what doctors call one lucky son of a bitch.Yeah, well, I don't feel so lucky at the moment. [groans]Doctor: Slug splintered onyour collarbone. Hair South, your lungs'd be torn to shreds. We got in there, tied things up. It could be worse.Raylan: You give us a minute, doc?Doctor: You're not the one shot him, are you?Raylan: No, I'm the onewho got him here.Boyd: [exhaling deeply] Ain't exactly true, is it? What you told him about bringing me here. Well, I called it in, made sure they knew you were emergent.Boyd: You handcuffed me to a bumper, you leftme there without so much as a fare-thee-well.Raylan: You could hear the sirens on their way. Must have given you some solace.Boyd: I don't suppose you've come to tell me you've found her.Raylan: I found her trucksome down the road, abandoned. No sign beyond. Gotta suck, be that close to the prize, have it shot out of your hand. I kinda know how you feel.Boyd: No, you don't. I don't believe in a world where you know how Ifeel.Raylan: I didn't realize disappointment was a domain exclusive unto Boyd Crowder. Well, Raylan, if we're gonna play it that simple, then let's talk about your disappointments. What disappoints you, Raylan Givens?The fact that you weren't the one who got to shoot me? Where is she goin'?Boyd: Well, you wheel me outta here, I'll take you straight to her. [chuckles] That's funny.Boyd: Oh, well, it doesn't have to be funny. Comeon, Raylan. Me and you, one more ride together. See if we can't find a reasonable solution to our problem. But which is our problem, exactly? The money or Ava?Boyd: Well, ain't they the same problem, Raylan?Raylan:Are they to you?Boyd: I'm gonna get outta here, Raylan.Raylan: Mm-hmm.Boyd: Sooner or later, one way or another, I'm gonna get outta here, and when I do, I'm gonna go get that money.Raylan: Which sets me tothinking, How long you think she's got? Long enough for you to execute your great escape? Get to her before Markham and his boys do? Then I got to wonderin' further what they're gonna do to her if they get therefirst.Boyd: Well, maybe she has whatever that is coming.Raylan: Oh. I see. And you're cool with that? Them dishing out retribution however they see fit?Boyd: Are you?Raylan: My, my.Boyd: You know,Raylan...Zachariah Randolph.Raylan: Come again?Boyd: It's her uncle. I think that's the man you're looking for.[monitor beeping steadily]You think he's helping her?Boyd: Well, if he ain't died down one of those shafts,Raylan, then... I don't believe he has. That'd be my first stop.Raylan: See you at the arraignment.Tim: You get anything?Raylan: Maybe a place to start.Nelson: Heard she pulled Boyd's gun on you.Raylan: Shedid.Nelson: Man, I did not see that coming.Raylan: Anything changes here, drop me a line. You ever been down in a mine?Tim: I've been to Mordor, but not through the mines.Raylan: Is that a yes or a no?Tim:No.[music][birds calling]Zachariah: [grunts]Ava: Is that it? Way up there?Zachariah: Yeah!Ava: I thought you said it was close.Zachariah: [grunts][birds crying and chirping]Ava: How long's this place beenclosed?Zachariah: Oh, eight, nine years. They used it a... a supply station.Rescue would get the supplies in, trap miners as fast as possible. Regulations being so damn lax, they didn't build this thing till after the '83collapse.[both sigh]You think having closer supplies would have saved my daddy?Zachariah: God himself couldn't save your daddy on that day. That's why I stopped praying.Zachariah: [grunting] Yeah, yeah.[scrapingand thudding]Ava: [coughs]Zachariah: Get some heat in here.And I got... this here radio for backup. We'll know they're coming before they do. Give us some time to hightail it outta here, which is exactly what weshould be doing, so I'm gonna go over, see if I can get one of those old A.T.V.s running. Pack up these bags, and we be outta here by sundown! Now you do know those old moonshine trails up there, they just rollthrough those mountains like a...Ava: Maze?Zachariah: Yeah, maze. Now this Grubes guy we're going to see ... you sure he knows his way around?Ava: He knows the trails blindfolded.But I was thinkin'... Boyd knowsGrubes.Zachariah: Ah.Ava: If he's alive ...Zachariah: If he's alive, the marshals got him, and if he ain't... [claps hands] the more, the better.[title music]\u0000 On this lonely road, trying to make it home \u0000 \u0000 doing it bymy lonesome, pissed off, who wants some? \u0000 \u0000 I'm fighting for my soul, god, get at your boy \u0000 \u0000 you try to bogard, fall back, I go hard \u0000 \u0000 on this lonely road, trying to make it home \u0000 \u0000 doing it by my lonesome,pissed off, who wants some? \u0000 \u0000 I see them long, hard times to come \u0000Katherine: Where are you? Damn, I can't hear you.Mike: I'm in Richmond, close to E.K.U.Duffy: Give me the phone, Mikey. Let me talk toher.Katherine: I'll call when I get close. Keep Duffy there.I just need to get my purse.[cell phone beeps]Markham: You know, I can usually smell a rotten bud before it blooms. But your scent, my dear, has always beenpresidential kush.... your questions. And all that on my. [sighs]Markham: Got yourself a new purse.Katherine: Yeah, before we go down a whole road, I think you might be interested in the phone call I just had, whereinI learned that Wynn Duffy killed Grady.Markham: I didn't know that little cockroach was still alive.Katherine: Yeah. Well, I'm just going to change, then.Markham: How do you know this?Katherine: His bodyguard calledme. Wynn Duffy was a rat 14 years ago, and he's a rat today.Markham: You know, I knew you'd never leave your home state.That's why I came back. Nothing else mattered.You were the prize. But now I wonder if Iwasn't just a mark, someone for you to screw.Katherine: At first, yes, but... seeing you... being with you, - everything came flying back.Markham: Oh, don't tell me. Love?Katherine: Well, was it not the same foryou?Markham: Well, I've always loved you, Katherine. I just don't trust you.Katherine: Well, I accepted your proposal, Avery. Would it be so bad for the two of us to... live together, not trusting each other, just likeeverybody else in the whole wide world?Markham: You know, I understand your drive to avenge Grady's death, even when you thought it was me. And I hope when I'm your husband... you'd do the same forme.Katherine: [sighs] I'm gonna go shower. You wanna join me?Markham: Nothing I'd love more.But there's work to be done.Katherine: Goin' after your 10 million?Markham: Our 10 million.You know, I'm gonna makesure Boyd Crowder doesn't see another day.Katherine: Well, I'm gonna do the same to Wynn Duffy.Markham: Let me handle Duffy. I'll bring you his head for a wedding present.Katherine: Goddamn, Avery Markham. Ilove you.Markham: Love you, too.[classical music playing on radio]Duffy: I never knew you liked classical, Mikey.Mike: You'd know if you let me pick the music every once in a while.Duffy: That can change.A lot canchange. You want me to drive sometimes?You wanna be in charge of the TV? Mikey?What do you want, Mikey?Okay, point taken.You got a code. You're billy jack. I get it, okay?Can we end this? Mikey? I'll forget whathappened and we'll go back to the way things were.[radio volume increases][loudly] Okay, Mikey?! Hey!Take these goddamn cuffs off, or I'm gonna take that code, and I will shove it up your ass![whack]Uhh!Mike: Thisisn't just about some code. You were as close to family as I ever had. I believed in you, Wynn. End of the day, you're a rat. And rats get exterminated, period. And I hate being called \"Mikey.\"[door squeaks][bagthuds]Loretta: [sighs]Boon: Seat buckle.I'm just looking to keep my girl safe.[squeaks]Boon: Are you looking for this? [chuckles] Come on.When I was a kid... can't tell you how many falls your daddy and I had, angrypricks, one and all. Lay three hots and a cot with a side of ass whupping.I come to rely solely on my own wherewithal at a tender age, not unlike yourself.I'm hearing tales about all this money you supposedly got, nodoubt giving you a sense of confidence. But I can tell you what. Markham's got a lot more.Loretta: What's your point?Boon: Do you ever watch the History Channel?Days of yore, marriages weren't about love... orromance. Those sentiments didn't even factor in. They were about alliances to end wars, making each side stronger against enemies they had in common. You understand?Loretta: Man, I got no idea what in the hellyou're talking about.Boon: I'm saying, if I'd had a Mr. Markham by my side back then, I'd have jumped on it as fast as a bullet. I wanna offer you an opportunity, tuck in with us. You say yes, we'll always be watchingyour back.Loretta: I don't need anybody watching my back ... least of all, you.Boon: Got fire in your belly. What I adore most, girl. Be careful... lest it burn your brain, so you can't hear good reason.[music][indistinctconversations]Raylan: You got an escort down the mine shaft?Willits: He's on the way out now.Had to roust the owner out of the bed. He ... he was grumpy about it.Raylan: Well, you can tell him he can give me thewhat-for as soon as he gets us on a coal cart.Willits: You think she could have got down that mine shaft on her own?Tim: We think Ms. Crowder has an accomplice worked his mine most of his life.Raylan: What's that upthere? So I've got the claim more said, Earl's on A.K. we got that armored truck dead on our side.Earl: Next thing we know, cherries, man, everywhere.Carl: I'm telling it, Earl. All right? Sorry.Man: How'd the copsknow?Carl: Figure we got set up.Earl: By who?Carl: That Katherine chick and Duffy ... one or both of 'em. It's like that old saying, you know?Earl: \"Crime doesn't pay\"?Carl: God damn it, Earl. No. \"Ain't no honor amongthieves.\" Crime does pay. As long as the criminals you're working for don't screw you over all the time.Birch: Let's go, girls! You're moving to a new cell!Come on off your fannies![cell door clanks]Not you two. You got avisitor.Carl: Who?Birch: [whistles]Earl: Oh, no.Oh, hey! Hey, we can't be in here with them! Come on now! This sh1t ain't legal!Markham: Those cops aren't gonna help you, son. They're new friends of mine.Carl: I'mgonna tell y'all upfront right now, we ain't going down without a fight.Boon: Jenny here says you would.[bars rattle]And she's had the last word in many such a disagreement.Markham: Boon. I know Boyd is the brainbehind your attempt to rob me.You and your brother were just pawns.Carl: We were soldiers.Markham: No, you were pawns.He sent you out to attack that armored car while he executed his real plan ... kidnap myfiancée, extort the $10 million that way. He screwed you both.Earl: You're lying. Boyd wouldn't do that to us. Would he, Carl?Markham: Ever hear of Judge Zeke Baron?Earl: I know of Baron's pawn shop. That's JudgeZeke. He owns it. He got an office out back. Buy enough of his junk for double what it cost, he's amenable to signing a release, get you R.O.R.'d.Earl: What does that have to do with us? It means we're gettin' out ofhere. Means you're gettin' out of here. What about Earl?Earl: Yeah. Drop our ... is one man affort, Carl.Carl: Well, why me? Why not the hat kid? Boyd knows you. Ask him where my money is.If he knows, put a bulletbetween his eyes.If he doesn't know... put a bullet between his eyes anyway.Carl: What if I tell you Boyd's been good to me, huh? And I don't want your damn job.Markham: If you refuse, if you fail... or if you run offwhen you get into the outside world, then... Jenny will blow Earl a kiss.[taps]Carl: [sighs][music][animal chitters in distance][birds crying and cawing][door creaks]Tim: Clear.Willits: Clear.Tim: Somebody's beenhere.Willits: I imagine this place has been put to all sorts of use.Kids stealing, coming in here to hook up.Raylan: It's warm in here. You notice that? Like someone had a space heater.Tim: Drag marks right here by thedoorway. $10 million is a lot of weight.Willits: Maybe spied us, left in a hurry. If so, they ain't far, and they're not moving fast. We need to shift choppers and dogs to this ridge, set the perimenter around this point asground zero. You got any guys you can spare?Willits: I can ask. Uh, if so, you wanna ride on one of the helicopters? One of them's got F.L.I.R. Maybe get you a seat if you want.Raylan: Definitely.Vasquez: It's beyondbad, chief.It's career-ending ... mine... and yours.You were the one that told me to put Raylan in the lead.Rachel: Why did you call us in here, Vasquez?Vasquez: Where is he?Rachel: Where's who?Art: He's working thefugitive. As the closest deputy to the case, he is the most likely to find her.Vasquez: Oh, Jesus, Art. Seriously? I mean, really, seriously?God damn it, what ... what did he, promise you a cut?!Art: I'm gonna do you thegoddamn common courtesy of pretending I didn't hear that sh1t come out of your mouth. He was banging her in the past. He's almost certainly banging her now! His banging her in the past wrecked the criminal caseback then! And then here we are again now! History repeating itself. Then he lets her shoot his, uh, whatever-the-hell-you-want- to-call-Boyd. That's convenient. And this marshal, whom we've defended on countlessquestionable shootings, well, he decides this time, he's gonna holster his piece, and he's just gonna wave goodbye as she drives away.Art: [sighs]Vasquez: You take umbrage with me all you want, Chief Deputy Mullen.You give me that look like you wanna choke me right now. But eventually, the both of you are gonna have to come to grips with the reality.Rachel: And in your version of reality?Vasquez: Your marshal and his girlfriendhave stolen $10 million right out from under our noses.[sighs][telephone ringing in distance][helicopter approches][cellphone buzzing]Raylan: [loudly] Givens. I'm about to get on a helicopter.Art: [sighs]I need youback in Lexington now.Raylan: What? What? Hey, I ain't kidding about the helicopter. It's hovering above my head. Why I'm talking so loud.Art: Let the helicopter go. Let somebody else take a ride. I need you in theoffice.Raylan: What'd I do?Art: That's a long list.Raylan: I know that tone, Art. I know it too well, as a matter of fact. Just tell me.Art: Vasquez has voiced a concern.Raylan: Raised a concern or leveled anaccusation?Art: Look, you know where this is going. You tell me.Raylan: He thinks I conspired with Ava.Oh, tell me you ain't entertaining the notion that that is anything other than utter horseshit. [sighs] All I'm sayingis you're not giving me a leg to stand on here. I'm having trouble enough defending your actions even absent your and Ava's history.Raylan: Just let me get on the helicopter, take one pass, see if I can spot 'em.They're close, Art. I'm telling you, I can feel it. They're close.[helicopter whirring]Art: All right. You know me so well.I'm sure you can understand my tone when I say to you let the goddamn helicopter go and get yourass back to Lexington right now.[whirring continues][cell phone beeps][starts engine][under breath] God damn it.[music][whirring]Ava: Okay...[panting][SCENE_BREAK]Stiles: Are you Deputy Dunlop?Nelson: That'sme.Stiles: They say they got a deputy who wants to meet you outside. Givens, I think?Nelson: I could use a coffee anyway. Keep an eye on him for me for a minute?Stiles: Oh, yeah, you bet.Nelson: Thanks. [telephonerings]Stiles: [whispers] Let's go.Stiles: All right, now you're gonna have to make this look good, all right?[door closes]Stiles: How about you hit me?Boyd: Carl?[whack]Carl. Carl?Carl: [grunting][panting]That look goodenough to you, you son of a bitch?Boyd: Wha...Carl: Where's the money, Boyd?Boyd: Why are you pointing a gun at me? I'm infirm.Carl: I trusted you. You sold Earl and I out. You set the cops on us.Boyd: Who soldyou that wooden nickel? Son, I had every intention of meeting you ...Carl: Don't... lie to me, Boyd! Now where's the goddamn money?Boyd: Carl, I'm sorry. I-I made a bad decision. Trust me, son. And if I had to do itall over again, I'd do it different.[click]Carl: Last chance.Boyd: Hey, hey.Carl: Where is the money?Boyd: God damn it, I saved your life down in that mine.Carl: [breathing heavily]He's got my brother, Boyd. I ain't gotno choice in this.Boyd: Who's got your brother? Markham?Carl: [breathes heavily]Boyd: Well, damn, son, get me outta here.Let's go get that money. We'll get your brother.We'll kill that son of a bitch. I'll give you halfof everything that I put my hands on. Carl... Carl, I know that we have had a bad run of luck lately, but we can change it right now, god damn it. Contrary to everything that's happened, I care deeply about you andyour brother.$5 million?[exhales deeply]Now go get that key, son. Come on. [exhales deeply]Carl: Yeah.[siren whoops][reverse alert beeping][brakes squeal][radio chatter][clatter]Give me that jacket.Boyd: Where'she now?Carl: Earl is in the jail under guard. Markam bought a couple dirty cops. Do anything for him.Boyd: Let's go kill that skinny son of a bitch.Carl: Question is now, how we gonna get you out past the nurses' standwithout anybody noticing?Boyd: [sighs] It shouldn't be too hard with all the chaos.Carl: What chaos?[gunshot][alarm sounding]Boyd: We got a shooter on the floor! Everybody clear out!Woman: Get outta here!Man: Hesaid shooter! Come on![alarm continues sounding, people shouting indistinctly][police radio chatter]Raylan: Where's Nelson?Tim: Somewhere wishing he wasn't Nelson.Why didn't he get any backup?Tim: Everyone'sout looking for Ava.Raylan: Oh, my god.Tim: The word I got is you're supposed to be headed back to Lexington, face this Vasquez reckoning.Raylan: Yeah, I was headed back to Lexington. Then I got word Crowderescaped marshals' custody and reframed my priorities somewhat.Tim: And creepy how excited you seem right now, not that I am questioning your priorities.Raylan: My priorities are straight.Tim: Uh-huh. So you'regonna keep cool when I tell you you need to follow Art's orders and head back to Lexington.Raylan: Give me something here. Point me in the direction, couple hours.Tim: Oh, so the joke here is that I give you directionsback to Lexington, but since you know where that is ...Raylan: Who is this peckerwood here? Is this Carl?Jesus Christ, man. Carl.Tim: I know. It's weird, isn't it? Maybe you should ask him about that when you get backto the office. Raylan; Tim, can we stop pretending there's any version of this conversation that ends with me going to the office?Tim: If I help you out, you gonna cut me in on that $10 million?Raylan: [sighs][telephoneringing in distance]Man: # I wanna go back, #\u0000 I wanna go up and down \u0000 \u0000 over all the little trees and passes \u0000 \u0000 that make up our hometown \u0000Boon: Got word from the hospital.Markham: What?\u0000 it all camecrashing down \u0000Boon: Carl's dead. And ...Markham: And Boyd escaped.Markham: I told Carl what would happen if he failed in his job.A deal's a deal. Call our friends at the jail. Get little brother out.\u0000 we held each"}
+{"doc_id":"doc_312","qid":"","text":"TERMINUSBY: STEPHEN GALLAGHERPart ThreeFirst Air Date: 22 February 1983Running time: 24:39[SCENE_BREAK]DOCTOR: I'd appreciate some help.KARI: Is it a machine?DOCTOR: No. He's wearing radiationarmour. Keep him covered.KARI: My power pack's dead.DOCTOR: Come on.[SCENE_BREAK]DOCTOR: Let me have your radio.KARI: It's always the same pattern.DOCTOR: Well, at least the level's acceptable, for thetime being. Come on.[SCENE_BREAK]NYSSA: Are you in charge?EIRAK: Be quiet.NYSSA: Please listen.EIRAK: Shut the door.INGA: You'll get nothing out of them. They're not interested.NYSSA: I've got to make themunderstand.INGA: You can't even bribe them. The only thing they care about is Hydromel, the drug that keeps them alive.NYSSA: What are they going to do with us?INGA: Supposedly cure us, but I rather think they'regoing to let us die.[SCENE_BREAK]SIGURD: Lazar assessment from tank three, Eirak.EIRAK: Coloured water. They must think we're fools. They've even reduced the size of the consignment.SIGURD: Why thecutback?EIRAK: Maybe our performance is down.SIGURD: But we process everyone who comes here. Why doesn't the Company send someone to see the conditions we work under?EIRAK: Maybe they already have. Weare slaves. The Company doesn't need to tell us anything.VALGARD: Intruders. I saw two people down in the stockyard, a man and a girl. They went into the Forbidden Zone.EIRAK: Lazars?VALGARD: No. No, they weretoo fit. And they were armed.SIGURD: Agents from the Company.EIRAK: Why didn't you stop them?VALGARD: I tried.SIGURD: Why are they in the Forbidden Zone?EIRAK: The perfect place to hide. We never go there.As the Company has decided to cut back our supply of Hydromel, it is in our own interest to learn why. If the couple in the Forbidden Zone are from the Company, their knowledge is vital.VALGARD: How do we findthem?EIRAK: Someone must go after them.VALGARD: Why don't you? You're supposed to be our honoured leader.EIRAK: I'm needed here.VALGARD: So you keep telling us, although I sometimes wonder whether weneed you at all.SIGURD: Valgard!EIRAK: You think you could be better?VALGARD: Yes.EIRAK: All right, I'll make you an offer. Bring back the spies and I'll step down in your favour.VALGARD: I have your word onthat?EIRAK: You have the Vanir as your witness. Think of it as a bet. If you're ambitious enough, you'll accept it.VALGARD: All right, agreed.EIRAK: Then go!SIGURD: He'll die in the Forbidden Zone.EIRAK: He hatesme. He'll succeed.SIGURD: And you will give him what you say?EIRAK: Of course.[SCENE_BREAK]INGA: There's no way out, just as there's no cure. It's hopeless.NYSSA: Tell me about the Forbidden Zone.INGA: Youdon't give up, do you.NYSSA: Tell me.INGA: I only know what I've heard. It's where the radiation's too strong for them, and where we're supposed to be cured.NYSSA: And what's the Garm?INGA: You'll find out soonenough.[SCENE_BREAK]SIGURD: They're starting to move the Lazars. Tank three.OLVIR: I'll be down in a moment.[SCENE_BREAK]SIGURD: I've just come from the equipment store. I think we have a thirdintruder.EIRAK: Excellent. Carry on with those.EIRAK: It seems Valgard's mission was unnecessary after all. Come on, we'll apprehend this one ourselves.[SCENE_BREAK]DOCTOR: Why do the crew put up with such aradiation leak?KARI: It could be part of the cure.DOCTOR: Olvir said there wasn't one. So, why don't they repair it?KARI: They may not know how to.DOCTOR: Hmm. Radiation. Fallout. Now that's a thought.KARI:What?DOCTOR: Nothing. Just an idea worth pursuing.[SCENE_BREAK]EIRAK: You. Turn around.EIRAK: You fool.SIGURD: But it spoke.EIRAK: Perhaps you're developing the Lazar disease.[SCENE_BREAK]VALGARD:I'm going.[SCENE_BREAK]EIRAK: It's hardly touched. Take her first, then.SIGURD: You.NYSSA: No. No, wait. Others are worse than me.EIRAK: The fit ones go first. Take her.NYSSA: No. No, please.No.[SCENE_BREAK]DOCTOR: What is it?KARI: I can hear someone singing.[SCENE_BREAK]TURLOUGH: Tegan.TEGAN: What?TURLOUGH: If ever you had to kill someone, could you do it? Could you?TEGAN: No. I don'tknow. If it was important, to save my friend, to defend myself.TURLOUGH: But cold-bloodedly?TEGAN: You're weird, Turlough. What a subject to bring up at a time like this. Come on, let's find the controlroom.GUARDIAN (OOV.): You are a fool, boy.[SCENE_BREAK]KARI: Who is it?DOCTOR: Well, he seems happy enough. Let's find out.KARI: No.DOCTOR: He's hurt. Hello, I'm the Doctor. Can I help?BOR: Most kind. Yes.A burden is a, er, something or other. Most kind. Thanks. This way.BOR: The cold ground. Rest in peace.[SCENE_BREAK]TURLOUGH: Curious. What do you make of this?TEGAN: It's a map. Like one of those diagramswhen they thought the Earth was at the centre of the universe.TURLOUGH: Hmm. Strange, isn't it.[SCENE_BREAK]DOCTOR: Terminus entrance. At least we know where the radiation comes from.DOCTOR: Look at thedamage. Easy now.BOR: Thank you. Most kind. Most kind. My name is, er, Bor. I. Haven't we met somewhere before?DOCTOR: Indeed. I'm the Doctor.BOR: Short term memory's the first to go.KARI: He needs amedic.BOR: Do you know anything about engines?DOCTOR: A little.BOR: I tried to pull down the control cables. I picked the wrong ones. Power lines. As I couldn't stop the radiation, I had to try and wall it in. Nowthings are even worse.DOCTOR: In what way?BOR: The whole lot's unstable. Know what would happen if one of those exploded? It'd be more than just a loud bang.DOCTOR: Chain reaction.BOR: Nothing in the universewould be safe.KARI: What?BOR: Did I tell you? One of the engines has already exploded.DOCTOR: When?BOR: No, oh, it was a long time ago. It's all in the computer. That one will go next. I didn't find out why until Ifollowed the control cables.KARI: Why wasn't Terminus destroyed in the explosion?BOR: Terminus is protected.VALGARD: Tell them nothing, Bor. They're Company spies.BOR: Really? They seemed sofriendly.VALGARD: You forget our last encounter. The power pack is exhausted. I'm taking you back, but not before I've beaten some respect into you.BOR: My wall!KARI: Doctor![SCENE_BREAK]NYSSA: Let me go.Please, please, let me go.SIGURD: Don't you want to be cured? This is for your own good.NYSSA: Please, let me go.SIGURD: At least, that's what I'm told.[SCENE_BREAK]KARI: What's that?DOCTOR: Some sort ofsignal.DOCTOR: Come on.[SCENE_BREAK]NYSSA: No! What is that thing?SIGURD: Your cure. The Garm's found Bor.BOR: Most kind.SIGURD: Let's get him to Eirak while he can still talk.OLVIR: Let's see thatchain.NYSSA: No!OLVIR: It's me, Nyssa.NYSSA: Quickly! Quick.OLVIR: I can't, I'm not strong enough.NYSSA: Olvir![SCENE_BREAK]KARI: What are you looking for now?DOCTOR: The control lines. The ones Bor said hefollowed.[SCENE_BREAK]TURLOUGH: There must be a way to recreate the door we entered this ship by. Wait here.[SCENE_BREAK]KARI: This is a complete waste of time. Bor doesn't know what he's talking about. He'ssuffering from radiation sickness.DOCTOR: Yes, you're right about the sickness. I want to find out what he discovered.KARI: Does it matter?DOCTOR: I think it could be rather important.[SCENE_BREAK]SIGURD: Bor,can you hear me?BOR: Sigurd?SIGURD: Why did you do it? You knew you couldn't survive in the Forbidden Zone.BOR: Worth a try. The pilot's dead, you know.SIGURD: Pilot?BOR: Of Terminus.SIGURD: What?BOR: Buthe's still there. He's going to fire up the engines again and they won't take it and the big bang will happen all over again.EIRAK: Where's his helmet?SIGURD: He didn't have it. He's delirious. He needs Hydromel.EIRAK:There isn't any to spare.SIGURD: But he's dying.EIRAK: So why detain him?[SCENE_BREAK]GUARDIAN (OOV.): You have not destroyed the Doctor.TURLOUGH: I haven't found him yet.GUARDIAN (OOV.): Kill theDoctor.TURLOUGH: I will, I will. I have a plan.GUARDIAN (OOV.): You have nothing.TURLOUGH: I do! But I need to get back to the TARDIS.GUARDIAN (OOV.): Why?TURLOUGH: Trust me.TEGAN (OOV.):Turlough!TURLOUGH: How do I recreate the door?GUARDIAN (OOV.): Fail me againTURLOUGH: I won't, I promise.GUARDIAN (OOV.): Then search for an emergency bypass switch.TURLOUGH: Where?GUARDIAN(OOV.): You have skills. Use them. Look beneath your feet.TEGAN: What are you doing?TURLOUGH: Remember when we were underneath the floor? Well, I noticed something familiar. It's only just come to me what itwas. Come on.[SCENE_BREAK]DOCTOR: Terminus control.KARI: Look.[SCENE_BREAK]NYSSA: Olvir![SCENE_BREAK]DOCTOR: Do you remember Bor saying one of the engines had exploded?KARI: Did he?DOCTOR: Hewas wrong. It didn't come to that. Look at this. Terminus was once capable of time travel.KARI: So?DOCTOR: Well, to push a ship of this size through time would require an enormous amount of energy.KARI: What areyou getting at?DOCTOR: Well, think about what we've learnt. Terminus seems to be at the centre of the universe, yes? Now, imagine this ship in flight. Suddenly the pilot finds he has an enormous amount of unstablefuel on board. What would you do?KARI: Jettison it.DOCTOR: Perfectly normal procedure. Unfortunately, he ejects his fuel into a void.KARI: And it exploded.DOCTOR: Starting a chain reaction.KARI: How big?DOCTOR:Enormous. Biggest explosion of all time. Event One.KARI: The Big Bang?DOCTOR: Yes.KARI: It isn't possible.DOCTOR: A chemical reaction in a primeval swamp can create life on a planet. Why couldn't the universe becreated by a similar chance factor, hmm?KARI: But exploding fuel in space? It's almost too simple.DOCTOR: It only appears simple because the circumstances were exactly right.KARI: Well, if what you're saying isright, why wasn't Terminus destroyed in the explosion?DOCTOR: Well, the pilot time-jumped the ship forward before realising how unstable the fuel was. The resulting shockwave must have caught up with him,boosting the ship billions of years into the future.KARI: Killing the pilot and damaging the second engine.DOCTOR: Yes.KARI: If there was a second explosion, would it have the same effect as the jettisonedfuel?DOCTOR: Not quite. Whereas the first explosion created the universe, the second would undoubtedly destroy it.[SCENE_BREAK]TURLOUGH: There it is. Emergency bypass. We'll soon have that door open.TEGAN:Where's the light coming from?TURLOUGH: It's nothing.[SCENE_BREAK]KARI: What's happening?DOCTOR: I don't know. Oh, no.KARI: What?DOCTOR: It wasn't the pilot's decision. The computer's just started anautomatic sequence to jettison the unstable fuel. If we don't do something quickly, the whole universe will be destroyed."}
+{"doc_id":"doc_313","qid":"","text":"Spike: Come on Twilight, you can do it!Twilight: Okay, here goes.(poof)Spike: Ha-HA! You did it!Growing magic. That's number ! Twenty-five different types of tricks and counting. (pleased) And I think this is the besttrick so far. (suave) Hello, Rarity. What's that? Aw, it's nothin', just my AWESOME moustache!(chuckles)Twilight: Sorry, Romeo. As attractive and enticing as you look, it's just for practice and it's gotta go.Spike: Wait!(poof, crestfallen) Aw, rats...(Twilight giggles)(theme song begins) My Little Pony, My Little Pony, ah, ah, ah, ah,(My Little Pony) Twilight: I used to wonder what friendship could be (My Little Pony) Until you all sharedits magic with meRainbow Dash: Big adventurePinkie Pie: Tons of funRarity: A beautiful heartApplejack: Faithful and strongFluttershy: Sharing kindnessTwilight: It's an easy featAll: And magic makes it all complete,yeah (My Little Pony) Do you know, you're all my very best friendsSpike: Twenty-five, Twilight! Twenty-five different kinds of tricks and counting. I thought unicorns were only supposed to have a little magic thatmatches their special talent.Twilight: True, for ponies whose talents are for things like cooking or singing or math, but what if a unicorn's special talent IS magic?Spike: Like you, Twilight! And you know a TON ofmagic.Twilight: (embarrassed) Oh, Spike, stop. I'm sure there are lots of ponies right here in Ponyville that know just as much magic as me...Spike: Are you kiddin'?! I don't think there's another unicorn in all ofEquestria with your kind of ability, Twilight.Snails: (heavy Canadian accent) Gaaaangway! Comin' through!(Spike grunts)Spike: Snips...Snails...w-what's going on?!Snails: Why, haven't you heard?(Spike yelps,crashes)There's a new unicorn in town!Snips: (hyperventilating) Yeah! They say she's got more magical powers than any other unicorn EVER!Twilight: Really?Spike: Aw, no way. That honor goes to Twilighthere!Twilight: Where is this unicorn?Trixie: (amplified) Come one! Come all! (trilling r's) Come and witness the amazing magic of the Grrreat and Powerrrful Trrrrixie!(ponies ooh and ahh)(theatrical) Watch in awe asthe Great and Powerful Trixie performs the most spectacular feats of pony magic ever witnessed by pony eyes!(pyrotechnics burst, fanfare plays)Rarity: (unimpressed) My, my, my! What boasting!Spike: Come on, nopony's as magical as Twili- (flustered) Twi- Twi- O-oh! (clears throat)(bashful) Hey, Rarity, I, uh... MOUSTACHE!Twilight: There's nothing wrong with being talented, is there?Applejack: Nothin' at all, 'ceptin' whensomeone goes around showin' it off like a school filly with fancy new ribbons.Rarity: Just because one has the ability to perform lots of magic does not make one better than the rest of us.Rainbow Dash: Especially whenya got me around bein' better than the rest of us. (chuckles) Uh, I mean, (unconvincing) yeah, uh, magic-shmagic! Boo!Trixie: Well, well, well. It looks like we have some (neighing) neigh [nay] sayers in the audience!Who is so IGNORANT as to challenge the magical ability of the Great and Powerful Trixie?! Do they not know that they're in the presence of the most magical unicorn in all of Equestria?!Rarity: (raspberry) Just WHOdoes she think she is?Spike: Yeah! Since we all know that Twilight here is-Twilight: (whispering) Spike! Shh!Spike: What? What's wrong?Twilight: Did you see how they reacted to Trixie? I don't want anyone thinkingI'M a showoff!(drumroll, fanfare, pyrotechnics)Rainbow Dash: So, \"Great and Powerful Trixie,\" what makes you think you're so awesome, anyway?Trixie: (self-amused chuckle) Why, only the Great and Powerful Trixiehas magic strong enough to VANQUISH! THE DREADED!URSA MAJOR!(fanfare, pyrotechnics)(audience ahhs)Snips: What?! Snails: No way!Trixie: When all hope was lost, the ponies of Hoofington [Huffington] had noone to turn to,(robotic growling) but the Great and Powerful Trixie stepped in,(mechanical growling) and with her awesome magic(static fizzle) vanquished the Ursa Major and sent it back to its cavedeep within theEverfree Forest!Snips: Aw, sweet!Snails: Sa-weet!Snips: That settles it.Snails: Trixie really is the most talented, most magical, most awesome unicorn in Ponyville.Snips: No! In all of Equestria!Spike: How d'you know?!You didn't see it! And besides, Twi- (zip) Mmf! Mmf!(haughty chuckle)(stroking ego) It's true, my enthusiastic little admirer. Trixie is most certainly the best in Ponyville!(crickets chirping)Well then, I hereby challengeyou, (derisively) Ponyvillians:(boastful) Anything you can do, I can do better. Any takers? Anyone?Or is Trixie destined to be the greatest equine that has EVER LIVED?!(fanfare, pyrotechnics)Spike: (unzips mouth,pleads) Ple-e-ease! She's unbearable! You gotta show her! You just gotta! (sobs)Twilight: (whispering) There's no way I'm gonna use my magic now, Spike! Especially since-Trixie: Hmm...how about...YOU!(Twilightgulps nervously)Trixie: Well, how about it? Hmm?(condescending) Is there anything YOU can do that the Great and Powerful Trixie can't?!Twilight: (meekly) I...I...(banjo strumming)Trixie: Well, littlehayseed?Applejack: That's it! I can't stand for no more o'this!Spike: You show her, AJ!Applejack: Can your magical powers do...THIS?!(spirited country music, rope twirling)(ponies ooh)(spirited country music, ropetwirling)(spirited country music)(chomps, gulps, music ends)(ponies cheer raucously)Applejack: Top THAT, missy.Trixie: (unfazed) Oh ye of little talent.Watch and be amazed at the magic of Trixie!(Arabianmusic)Applejack: Whoa! (grunts, crashes into ground)(Arabian music)(ponies cheer)Trixie: Once again, the Great and Powerful Trixie prevails.Rainbow Dash: There's no need to go struttin' around and showin' off likethat!Trixie: Oh?Rainbow Dash: That's MY job!(rock music)(windmill grinds)(rock music)(repeated thumps)(rock music)(rock music)(rising pitch whoosh)(rock music)(whoosh, whoosh, whoosh)(rock music)(rising pitchwhoosh)(rock music)(windmill grinds)(rock music)(whoosh, brakes squeal)(rock music)(rock music ends)They don't call me \"Rainbow\" and \"Dash\" for nothin'!(ponies cheer)Trixie: When Trixie is through, the only thingthey'll call you is loser.(magical humming)(Rainbow Dash screaming)(sped up calliope music)Rainbow Dash: (weakly) I think I'm gonna be...sick...Trixie: Seems like any pony with a [Rainbow] \"dash\" of good sensewould think twice before tussling with the Great Trixie!(thunder, Rainbow Dash shrieks)(ponies laugh, Trixie laughs haughtily)Spike: What we need is another unicorn to challenge her!(hinting) Someone with somemagic of her own?Rainbow Dash: Yeah! A unicorn to show THIS unicorn who's boss!Applejack: A real unicorn-to-unicorn tussle!Twilight: Uh...Rarity: Enough. Enough, all of you. I take your hint, but Rarity is above suchnonsense. Rainbow Dash and Applejack may behave like ruffians, but Rarity conducts herself with beauty and grace.Trixie: (mocking) Ooh, what's the matter? (provoking) Afraid you'll get a hair out of place in that rat'snest you call a mane?Rarity: Oh. It. Is. ON. You may think you're tough with all of your so-called \"powers,\" but there's more to magic than your brutish ways. A unicorn needs to be more than just muscle.A unicornneeds to have style.(classical music)(classical music)A unicorn is not a unicorn without grace and beauty.(classical music, audience oohs)(magical humming)(classical music)Spike: Rarity won't let Trixie get the best ofher!(classical music)She's strong, she's beautiful, she's- (poof)(classical music)(ponies gasp and recoil)Rarity: (panicked) QUICK! I NEED A MIRROR! GET ME A MIRROR!(squealing) What did she do to my hair?! I knowshe did something terrible to my hair!Twilight: (nervously) N-nothing!Rainbow Dash: (hastily) It's fine!Applejack: (dazed) It's gorgeous!Spike: (tactless) It's green. What?Rarity: (tearing up) No! Green hair! Not greenhair! (sobs theatrically) That's an awful, AWFUL color! (sobs)Pony: Well, I never![supposed to be a green-haired female Carrot Top]Spike: Well, Twilight, I guess it's up to you. Come on, show her what you're madeof!Twilight: (deflecting) What do you mean? I-I'm nothing special...Spike: Yes you ARE! You're better than her!Twilight: I'm not better than anyone!Trixie: Hah! You think you're better than the Great and PowerfulTrixie? You think you have MORE magical talent? (provoking) Well, come on. Show Trixie what you've got. Show us all.Twilight: Who, me? I'm just your run-of-the-mill citizen of Ponyville! No powerful magic here. I, uh,think I hear my laundry calling. Sorry!Spike: Twilight?Trixie: Ha! Once again, the Great and Powerful Trixie has proven herself to be the most amazing unicorn in all of Equestria! (under breath) Was there ever anydoubt?Snips: Here's the smoothie you asked for! With extra hay! Just how you like it.Snails: (slow, dull speech) Mm, hay.(slurping)Trixie: (annoyed) Yes?Snips: Oh! Tell us another story, Great and PowerfulTrixie!Snails: Yeah, tell us about how you vanquished the Ursa Major!Trixie: (derisively) Hmph! TRIXIE is far too exhausted from performing feats beyond imagination.BEGONE with you until morning.Snails: Oh, ofcourse, Great and Powerful Trixie!Snips: Anything you say! We are at your beck and call!(sighs haughtily)Spike: What're YOU two doin'?Snips: Just bringin' the G. and P. T. a-Spike: ...The what?Snips: The Great andPowerful Trixie!Spike: Sheesh.Snips: Just bringin' her a smoothie!Spike: How can you fall for her lameness?! She's just a showoff.Spike: Unlike Twilight, who-Snips: The Great and Powerful Trixie vanquished an UrsaMajor.Can your \"Twilight\" claim that?Spike: Oh, really? Were you guys actually there?Snips: Well, eh...uh...no, but-Spike: But nothin'. The proof is in the pudding!Snails: (slow-witted laughter) I like pudding.Spike:...Look, unless an Ursa Major comes waltzing up the street for Trixie to vanquish, I am NOT gonna believe a word she says! And neither should you!Snips: Hmm! An Ursa walkin' up the street, eh? (a la Brain [Pinky andthe Brain]) Snails, you thinkin' what I'm thinkin'?Snails: (a la Pinky) Why is it they call it a flea market when they don't really sell fleas?Snips: Yeah! Uh... (doubletakes) Oh, uh...come on!Spike: Twilight, would you putdown that book and just listen to me?Twilight: Didn't you see how they hated Trixie's bragging, Spike? If I go out there and show off my magic, I run the risk of losing them as friends.Spike: It's not the same thing,Twilight! You'd be using your magic to stand up for your friends!Twilight: No, Spike! It's exactly the same!Spike: Come on, Twilight. Any one of these tricks, even the teeniest, would be enough to show upTrixie.Twilight: I don't wanna be seen as a bragger like Trixie!(door slams shut)Spike: (opens door) But you're the BEST!Twilight: (exasperated sigh) Please, Spike! I said, \"No!\"Spike: (sighs) If that's the way youwanna be, fine. (slams door)(door opens)(spooky theremin music)(owl hoots)(spooky theremin music)Snips: (apprehensively) Oh, how we gonna find an Ursa Major when I can't even see my own hoof in front of myface?!Snails: Hold on!(grunts fiercely)Snips: Oh! Heh, that's better.(low growl)(growling)(Snails screams)(Snails and Snips scream)(Snails and Snips scream, Ursa roars)(Spike kicking rock)(melancholy harpmusic)(Snips screaming)Spike: Hey, guys.(Snails panting) Where ya goin'?Snips: Can't talk now!Snails: Got a \"MAJOR\" problem!Snips: Yeah! URSA Major, to be exact!(roar)Spike: ...Huh?(paw impactsground)(roar)Snips and Snails: TRIXIIIIE!Spike: Twilight!(loud thuds, trees falling)(Snips and Snails banging on door and clamoring for Trixie)Trixie: (annoyed) Trixie thought she said the Great and Powerful Trixie didnot want to be disturbed!Snips: (nervous laughter) We-We have a...a tiny problem...Snails: (flatly) Actually, it's a big one.Trixie: WHAT is so important that you cannot wait until morning to disturb Trixie?!(distant roar,thud)(repeated thuds)[SCENE_BREAK](fierce roar)(Trixie screams)(Snips and Snails scream)(Ursa snarls, crushes cart)(roar)Spike: (frantic) Twilight! You've gotta come! Quick!Twilight: I've already told you, Spike! Idon't wanna show up Trixie!Spike: No! You don't understand! It's-(roar, thud)Twilight: (nervously) ...Uh, is that what I think it is?Spike: [Ursa] Majorly...Snips: Great and Powerful Trixie! You've got to vanquish theUrsa!Snails: (oblivious) Yeah! Vanquish so we can watch!Snips: It took a LOT of trouble to get that thing here!Trixie: Wait! YOU brought this here?! (gasps) Are you out of your little pony MINDS?!Snips: But...you're theGreat and Powerful Trixie!Snails: Yeah, remember? You defeated an Ursa Major!(Ursa roars)Trixie: (nervously) U-uh, okay...(gulps) Stand back...(Arabian music)(uncertain) Heh! Piece o'cake!(snap)Snips: Aw, c'mon,Trixie!Snails: (very Canadian) Stop goofin' around and vanquish it, eh?(Trixie gasps, gulps)(ominous music)(thunder)Snails: (flatly) Well. That was a dud.Snips: Yeah, c'mon! Where's all the cool explosions and smokeand stuff like earlier?! You know!(Ursa winces)(Ursa growls)Trixie: (meekly) Uh-oh.(roar)(ponies screaming)(Ursa roars)(Ursa roars, ponies gasp fearfully)(roar, crash)(ponies panicking)Twilight: What's goingon?!Snips: (proudly) We brought an Ursa to town!Twilight: You WHAT?!Snails: Don't worry! The Great and Powerful Trixie'll vanquish it!Trixie: (defeated) I can't.Snips and Snails: What?!Trixie: Uh, I can't. I neverhave.No one can vanquish an Ursa Major. I just made the whole story up to make me look better!Snips and Snails: Made it up?!(guttural growl)(roar)(ponies gasp)(Twilight gulps)(Ursa growls, paws impactground)(Twilight groans, wind blows)(lullaby-style music from cattails)(Ursa growls, subsides)(lullaby-style music from cattails)Spike: Nice use of Number !(rising volume magical chiming)(metal creaking)(waterflowing)(magical chiming)(cows mooing in contented surprise)Deeper-voiced cow: Call me, don'tcha know?Spike: ...That's new.(metallic clank)(Ursa growling sleepily)(Twilight grunting heavily)(Ursa slurping)(Ursasucking noisily)(loud magical humming)(sucking)(Twilight grunts exhaustedly)(ponies cheering)Spike: Unbelievable!That was amazing!Applejack: Heavens to Betsy! We knew you had ability, but not THATmuch!Twilight: I'm sorry! Please, please don't hate me!Rainbow Dash, Applejack, Rarity: Hate you?!Rarity: Why, whatever do you mean, darling?Twilight: Well, I know how much you all hated Trixie showing off withher magic tricks, and I just thought-Rainbow Dash: Whoa, whoa, whoa. MAGIC'S got nothin' to do with it!Rainbow Dash: Trixie's just a loudmouth.Rarity: MOST unpleasant.Applejack: All hat and no cattle.Twilight:So...you don't mind my magic tricks?Applejack: Your magic is a part o'who you are, sugarcube, and we like who you are. We're proud to have such a powerful, talented unicorn as our friend.Rainbow Dash: And afterwhuppin' that Ursa's hindquarters, we're even prouder!Twilight: You are?!Rainbow Dash: Uh-huh!Applejack and Rarity: Mm-hmm!Spike: Wow, Twilight! How'd you know what to do with that Ursa Major?!Twilight: That'swhat I was doing when you came looking for me! I was so intrigued by Trixie's bragging that I was compelled to do a little reading up on them.Spike: So, it IS possible to vanquish an Ursa Major all by yourself?Twilight:That wasn't an Ursa Major. That was a baby. An Ursa MINOR.Trixie: THAT was just a baby?!Twilight: And it wasn't rampaging. It was just cranky because SOMEone woke it up.(Snips and Snails groan bashfully)Spike:Well...if that was an Ursa Minor, then... (fearfully) what's an Ursa MAJOR like?!(Ursa Minor growls contentedly)Twilight: ...You don't wanna know.Trixie: (haughtily) Hah! You may have vanquished an Ursa MINOR, butyou will never have the amazing, show-stopping abilityof the Great and Powerful Trixie!(poof, hooves clop into distance)Rainbow Dash: Why, that little...!Twilight: Just let her go.Maybe someday she'll learn her lesson.Now...About you two.Snips: Uh, (nervous chuckle) we're sorry that we woke up the Ursa Minor...Snails: We just wanted to see some AWESOME MAGIC!Snips: Yeah! And the way you vanquished that Ursa Minorwas...AWESOME!Snails: We deserve whatever punishment you give us.Twilight: For starters, you can clean up this mess. And... What do you think, Spike? Should I give them... (ominously) Number ?Spike: Ohhh,Twenty-five, yes! And I think I deserve it, too.Snips and Snails: Huh?!Twilight: I think you're right.(humming)(three pops)Snips, Snails, Spike: Sweeeet!Twilight: (voice-over) \"Dear Princess Celestia,I have learned avery valuable lesson about friendship. I was so afraid of being thought of as a show-off that I was hiding a part of who I am. My friends helped me realize that it's okay to be proud of your talents, and there are timeswhen it's appropriate to show them off... especially when you're standing up for your friends.\"Spike: So, you finally admit that you're the most talented unicorn in all of Ponyville?Twilight: Well...yeah. But it's nothing tobrag about. But it's nothing to brag about. So, uh, how did it go with Rarity?Spike: (sighs) She didn't go for the moustache.Twilight: You know, Spike, that moustache has nothing to do with who you really are. Maybeyou should just try being yourself!Spike: Or...maybe the moustache wasn't enough! Maybe if I had a moustache AND a beard!Twilight: Oh, not THIS again...Spike: Okay, imagine me with a nice, long Fu Manchu typebeard. Or maybe a goatee. Or, no... (ending theme begins) My Little Pony My Little Pony(instrumental)My Little Pony, friends"}
+{"doc_id":"doc_314","qid":"","text":"PAUL ERICKSON & LESLEY SCOTT05:15pm-05:40pm[SCENE_BREAK]1: INT. ARK. CONTROL DECKZENTOS: (Shouts.) I invoke the special galactic law against them. Hold them! Take them into custody and later theywill be made to answer for the crime that they have committed!STEVEN: Look, listen to us...ZENTOS: Take them away!(The travellers are dragged away. ZENTOS steps down and goes over to where MELLIUM is tendingto her near-unconscious father. Other Guardians surround them.)MELLIUM: What about my father?ZENTOS: He may well die, but then again, so might all of us.(The other Guardians react with shock to thisstatement.)ZENTOS: In which case, it was pointless leaving.(He turns and looks at the giant monitor screen on which is shown the Earth as it travels on to its doom...)[SCENE_BREAK]2: INT. ARK. TRAVELLER'SROOM(The travellers have been placed in a basically furnished room. The DOCTOR is looking through a small window in the locked door. STEVEN rests on a padded bench whilst DODO sits at a table.)STEVEN: What doyou think they'll do to us Doctor?DOCTOR: (Turns.) Well, I'm not sure, dear boy. We shall just have to wait and see.DODO: (Upset.) It's all my fault. If I'd known it was going to be like this, I'd never havecome.DOCTOR: Well you did come, my dear, so it's too late to be worry about that - and stop sniffling!DODO: I'm not sniffling - it's me nose running again! Anyway, I'm feeling better now but I don't suppose anyonecares.DOCTOR: But of course they care, my dear. Now don't worry. It's not your fault at all. If it's anybody's, it's mine.STEVEN: Look, do you think this has happened before? That we've carried an infection from oneage to another, or even one planet to another?DOCTOR: Oh, I don't want to think it...about it, too...dear boy, it's too horrifying. Though I must say that we're usually very healthy.(DODO coughs and sneezes behindhim.)STEVEN: It'll spread through the whole ship, become an epidemic.DOCTOR: Well that depends on the strength of the virus infection.DODO: (Crying.) If it's half as bad as my cold was, it will.DOCTOR: Oh, do blowyour nose child! It's running all over the place.DODO: No, it isn't. I'm crying this time!(The DOCTOR is momentarily at a loss. Then he puts his arm and across the young girls shoulder and pats her gently.)DOCTOR:Well look, my dear, do try and rest, you know you may be feeling better but your far from cured, hmm?(He crosses to the door.)DOCTOR: Oh, if only those wretched Guardians would let us out of here. I'd be able tohelp, mm? Hmm![SCENE_BREAK]3: INT. ARK. CONTROL DECK(MANYAK signs to a MONOID as ZENTOS looks at monitor screens on the control desk.)ZENTOS: Look.(MANYAK signals to the MONOID to go, then heturns and joins ZENTOS in looking at a small monitor.)ZENTOS: That's another victim. It's not showing any signs of abating.(The monitor shows a MONOID on the transporter collapsing at the base of the statue. TwoGuardians rush to assist. ZENTOS adjusts a control and the image changes.)ZENTOS: And look!(The image now shows the jungle outside the TARDIS. A MONOID collapses against the ship...)[SCENE_BREAK]4: INT.ARK. JUNGLE(...and then falls on the jungle floor. It gives out agonised cries in its death throes, then lies still.)[SCENE_BREAK]5: INT. ARK. CONTROL DECKZENTOS: That's another victim...another death, and morehuman Guardians have also been taken ill. Thank heaven none of them has died yet.MANYAK: What will happen if one does?ZENTOS: It'll be disaster. Each man has his allotted task. No one had reckoned on thiseventuality.MANYAK: There must be something we can do about it.ZENTOS: Our micro-virologists are trying to find the answer. One of them is with the Commander now.(They look across the control deck to a closedroom, outside of which are two MONOIDS on guard.)[SCENE_BREAK]6: INT. ARK. COMMANDER'S ROOM(The COMMANDER lies delirious on his bed. MELLIUM tends him watched by RHOS, a micro-virologist and aMONOID. All three wear perspex mouth masks to protect them from the germs. RHOS takes MELLIUM to one side. They takes their masks off to speak.)MELLIUM: Is there nothing you can do?RHOS: Unfortunately, thedata covering this type of fever was lost long ago. In the primal wars of the tenth segment.COMMANDER: (Weakly.) Mellium...(She puts her mask back on and crosses to her father.)MELLIUM: Yes father?COMMANDER:(Weakly.) I seem to be drifting back and forth...unconsciousness...to moments of sudden clarity.MELLIUM: Perhaps it's better that you shouldn't talk.COMMANDER: No...must, I must... Promise me, Mellium, shouldanything happen to me...MELLIUM: Oh, you mustn't talk this way!COMMANDER: Should anything happen, do all in you power, along with the others...to make sure the voyage continues.MELLIUM: Of course,father.COMMANDER: What...MELLIUM: But soon, you'll get well.COMMANDER: What happens to me is not so important. Or you for that matter, or any one of us...but the voyage and the eventual landing of ourdescendants on the planet Refusis - that is! That's the only thing that's important. Remember that.MELLIUM: Yes father.(A slow drumbeat sounds starts up. RHOS and MELLIUM look round.)[SCENE_BREAK]7: INT. ARK.TRAVELLER'S ROOM(DODO, also hearing the sound, raises her head. She crosses over to the door where the DOCTOR watches.)DODO: What is it?DOCTOR: I don't know.DODO: It sounds likesavages.[SCENE_BREAK]8: INT. ARK. CORRIDOR(Four MONOIDS carry one of their kind wrapped in a burial shroud.)[SCENE_BREAK]9: INT. ARK. CONTROL DECK(They enter the control deck where Guardians watch inrespectful silence. ZENTOS stands on the COMMANDER'S dais.)ZENTOS: Proceed with the preparations for ejection. Commit the body to space burial.(MANYAK signals to the MONOIDS who take the body over to atransporter. Once the body has been placed on it, a MONDOID drives away. A door marked \"LAUNCHING BAY\" shuts behind it.)MANYAK: It is over.(He switches on a monitor on the instrument panel. The screen shows adoor sliding open on the curved exterior of the Ark, then the body is ejected and spins off into space. ZENTOS addresses the crowd from the dais.)ZENTOS: Guardians, Monoids, before it is too late, before we arestricken by the fever ourselves, we must make the strangers answer for the terrible crime they have committed.(The crowd agrees loudly, out of which can be heard the voice of one female GUARDIAN.)2nd GUARDIAN:Yes, they must be tried and punished.ZENTOS: A hearing will commence at once. As Deputy Commander, I will preside. Baccu has undertaken to put the charges.(ZENTOS points at BACCU. The crowd mutters inapproval.)1st GUARDIAN: ... best man for ...ZENTOS: Will anyone speak for the prisoners?(The Guardians look uncomfortably at each other. Seeing this, MANYAK steps forward.)MANYAK: I will.(MELLIUM joinshim.)MELLIUM: And I.(ZENTOS stares at her.)MELLIUM: My father would wish it.[SCENE_BREAK]10: INT. ARK. COMMANDER'S ROOM(A masked MONOID adjusts a wall monitor in the COMMANDER'S room in order thathe can watch proceedings.)MELLIUM: (OOV: On monitor.) His only desire was that justice should be done and a sensible solution to this crisis be found.COMMANDER: Yes...yes...![SCENE_BREAK]11: INT. ARK.TRAVELLER'S ROOM(A similar wall monitor in the time travellers room shows an image of ZENTOS addressing the Guardians on the control deck. He reads a document.)ZENTOS: (OOV: On monitor.) The law that hasbeen broken is the following...DODO: Look Doctor, they've switched the television on.ZENTOS: (OOV: On monitor.) In that the spaceship represents the only means by which Earth life may be extended andperpetuated, the Guardian for the time being in charge of the ship, shall have absolute power to punish or restrain any life-form that endangers...[SCENE_BREAK]12: INT. ARK. CONTROL DECKZENTOS: ...the success ofits mission, by expulsion from the ship, miniaturisation or such lesser penalty as he shall deem fit.[SCENE_BREAK]13: INT. ARK. TRAVELLER'S ROOMDODO: Some sort of trial?(The DOCTOR considers.)ZENTOS: (OOV:On monitor.) I call on Baccu to detail the charge.DOCTOR: Yes, my dear, and we are the accused, hmm!(MELLIUM appears on the monitor.)MELLIUM: (OOV: On monitor.) Doctor, Manyak and I believe your story. We'veoffered to speak in your defence but at least one of you must give evidence.DOCTOR: Of course.STEVEN: I must go.DOCTOR: What?(STEVEN stands but he is breathing heavily.)STEVEN: Doctor, I must. I'm gettingstifled in here. I must go and do something, even if it's only to show them how stupid they are wasting time with trials and speeches. After all, the only important thing now is to let you organise finding a cure.DOCTOR:Very well then, if only they'll listen.MELLIUM: (OOV: On monitor.) They'll probably ask you to speak next, Doctor.DOCTOR: My dear, I only want to help!(The image vanishes. The door to the room opens and a MONOIDenters. It gestures and STEVEN leaves the room. The DOCTOR and DODO turn back to the monitor on which the control deck is now shown, full of waiting Guardians.)[SCENE_BREAK]14: INT. ARK. CONTROL DECK(Thehearing has begun. BACCU approaches STEVEN who is held within a barred cage which is again covered with a plastic covering against the fever. ZENTOS presides from the COMMANDER'S dais.)BACCU: My contentionis that it was no accident that this disaster has happened. I say that you came here intentionally - to spread the disease...STEVEN: But that's utter nonsense. I mean how can you possibly...BACCU: ...and that you areagents of the planet towards which this spaceship is proceeding. That you came here to destroy us.STEVEN: Why? We're human beings like you are. Well, why should we?ZENTOS: (Shouts.) There is the crux of thematter. Do you expect us to believe that nonsense, that you manage in that ridiculous machine called the TARDIS, have managed to travel through time? Guardians, Monoids, these beings, whatever they are, place aheavy strain on our credulity.STEVEN: Well that's not very difficult! If your medical records are anything to go by, this segment of time, far from being one of the most advanced in knowledge, is one of theworst!ZENTOS: (Standing in anger.) We can cope with all things known to the fifty-seventh segment of Earth life, but not with strange diseases brought by you - as agents of the intelligences that inhabitRefusis!STEVEN: Are you still on about that? I've told you before; we know nothing of that planet!ZENTOS: My instincts, every fibre of my being, tells me differently.STEVEN: And that, unfortunately, tells me only onething.ZENTOS: What's that?(STEVEN is now sweating heavily.)STEVEN: That the nature of man, even in this day and age, hasn't altered at all. You still fear...the unknown, like everyone else beforeyou.[SCENE_BREAK]15: INT. ARK. COMMANDER'S ROOM(The proceedings are being watched in the COMMANDER'S room. The old man himself still lies weakly on his bed.)COMMANDER: That's true! True!ZENTOS:(OOV: On monitor.) That won't stop me from coping with it.[SCENE_BREAK]16: INT. ARK. CONTROL DECKSTEVEN: How? By destroying us? By ejecting us into space?ZENTOS: If that is the voted finding of this hearing- yes!MANYAK: Steven, prove to us your good faith. Would your friend, the Doctor, have any knowledge how to deal with this fever?STEVEN: Yes, he probably would if you'd let him out of that cell so that he had achance to experiment.ZENTOS: Yes, of course he would! He would love that...and by such means spread the fever even further and faster. Perhaps even kill one of the Guardians.(He turns to the Guardians.)ZENTOS:Are we to be fooled by such tricks?(The angry Guardians shout \"No!\".)ZENTOS: Are we to be taken in by such nonsense?(They shout \"No!\" again.)ZENTOS: Do these creatures have the outward appearance of humanbeings?(The Guardians are now extremely angry.)2nd GUARDIAN: They are enemies - they should be punished!1st GUARDIAN: That's right! Let them be taken to the ejector chamber! They must be thrown ...(STEVENis now hit hard by the fever.)[SCENE_BREAK]17: INT. ARK. TRAVELLER'S ROOMDODO: Doctor, look at Steven. Is he all right?DOCTOR: (Worried.) I hope so, my dear, I hope so.DODO: Do you think he may havecaught the fever?DOCTOR: Well, I'm afraid he may have. It appears that this virus is more virulent than I suspected.[SCENE_BREAK]18: INT. ARK. CONTROL DECK(MANYAK steps forward and tries to shout over theraging Guardians.)MANYAK: Guardians listen!(His words have no effect. He walks over and stands beneath the COMMANDER'S dais.)MANYAK: Guardians, listen to me. This is a court of law!(ZENTOS stands up andshouts.)ZENTOS: Let him speak!(The Guardians fall silent.)ZENTOS: This is a fair hearing.MANYAK: My view for reason in this matter is simple and direct. The Doctor and his companions have not denied that theybrought the fever among us. They said it was an accident, and I believe them.1st GUARDIAN: But that's nonsense...!MANYAK: For the simple reason that if they were in fact agents of the Refusians, they could havea...achieved their objective in a much simpler way. One in which they would not have exposed themselves to this danger.2nd GUARDIAN: But they're Refusians!1st GUARDIAN: That's no argument!MANYAK: Then Ihave another; the fever is here. We have no answer for it and it might well be that they are the only ones who can cure it.ZENTOS: Our micro-virologists may still find an answer.MANYAK: Perhaps...but if we were toagree that the Doctor and his friends could, what is the value in expelling them from the spaceship?[SCENE_BREAK]19: INT. ARK. COMMANDER'S ROOMCOMMANDER: (Still watching the monitor.) None at all. If Manyakand my daughter can see that, why can't they?[SCENE_BREAK]20: INT. ARK. CONTROL DECK(As the Guardians start to discuss the verdict amongst themselves, BACCU runs forward and joins ZENTOS on theCOMMANDER'S dais. He turns to the crowd.)BACCU: Guardians, listen to me! I've just had news of another disaster; one of our kind, one of the Guardians has died from the fever.(The crowd isshocked.)[SCENE_BREAK]21: INT. ARK. TRAVELLER'S ROOM(The DOCTOR'S face shows the trouble that they now find themselves in.)[SCENE_BREAK]22: INT. ARK. CONTROL DECKZENTOS: Do you want to hearmore? Never mind the arguments of the defender because now they are nothing - now that one of our own kind had died. So Guardians, what is your answer to the charge? Do you find the prisoner guilty or notguilty?(They all shout \"Guilty!\" except for MANYAK and MELLIUM who give the opposite verdict but their cries are drowned out.)ZENTOS: Is it your vote that we exact the full penalty of the special galactic law?(The criesare mostly \"Yes\" with the defendants shouting \"No\". ZENTOS jumps to his feet.)ZENTOS: So be it! They shall be taken from this place and expelled from the ship...and the privilege of execution, in that they were thefirst to be struck by the fever, will be granted to the Monoids.MELLIUM: But the verdict is wrong!MANYAK: Yes, but it is the voted verdict. There is nothing we can do about it.(Several MONOID'S approach the cage asSTEVEN collapses against the bars of the cage.)[SCENE_BREAK]23: INT. ARK. TRAVELLER'S ROOMDODO: Doctor, something is wrong with Steven![SCENE_BREAK]24: INT. ARK. CONTROL DECK(STEVEN falls to thefloor of the cage...)[SCENE_BREAK]25: INT. ARK. TRAVELLER'S ROOM(Two masked Guardians help STEVEN to the bench in the room. They are about to leave when...)DOCTOR: Stop! I demand fair play! This youngman is as ill as anyone of your own people. How do you expect him to plead in his own defence, hmm?(ZENTOS' voice calls out from the wall monitor. The DOCTOR spins round to look at his image.)ZENTOS: (OOV: Onmonitor.) The verdict of the court was passed that you are guilty.[SCENE_BREAK]26: INT. ARK. CONTROL DECKZENTOS: You and your party have been condemned by an overwhelming majority and your sentence isejection into space.(The DOCTOR similarly appears on ZENTOS' monitor.)DOCTOR: (OOV: On monitor.) Are you aware that you might be committing your entire community to a slow extinction? Trust me! Allow me,help me to find a new cure for this fever of yours.ZENTOS: The verdict has been given.(He switches the monitor off. He starts to walk off the dais but sees MANYAK and BACCU waiting for him.)ZENTOS: Well?MANYAK:You are right, of course.BACCU: Of course, there's no question.MANYAK: But can we not afford to take a chance? After all, the old man was the first to diagnose the illness. For that reason alone, he may be able to finda cure.ZENTOS: No. Sentence will be carried out. Baccu, assemble the Monoids, they may proceed.BACCU: Very well.(BACCU steps down and signals to a group of MONOIDS. They start to make their way off the controldeck when the voice of the COMMANDER echoes around the chamber.)COMMANDER: (OOV.) Wait! This has gone far enough.[SCENE_BREAK]27: INT. ARK. COMMANDER'S ROOM(MELLIUM and RHOS support theCOMMANDER as he sits up from his sick bed and uses his last vestiges of energy to re-assert his authority. MELLIUM holds up a microphone.)COMMANDER: Zentos, this is your Commander speaking. I order you torelease the travellers immediately. They will be given every facility for research. They may be our only hope. See to it.[SCENE_BREAK]28: INT. ARK. CONTROL DECK(ZENTOS switches on a communicator on theCOMMANDER'S dais.)ZENTOS: But the hearing decided differently, Commander. These people are dangerous![SCENE_BREAK]29: INT. ARK. COMMANDER'S ROOMCOMMANDER: Don't argue with me Zentos! Those aremy instructions. In case you are right, I wish the Doctor to use his young friend as a guinea pig. If he succeeds in curing him, then I will set aside the verdict of the court. Now - proceed.(Exhausted, the old man liesback.)MELLIUM: Thank you father.[SCENE_BREAK]30: INT. ARK. CONTROL DECK(Defeated, ZENTOS flicks off the switch.)ZENTOS: Very well. If he has not decided wisely, we will not live to know it.(ZENTOS nods toconfirm the order and strides off angrily.)[SCENE_BREAK]31: INT. ARK. TRAVELLER'S ROOM(The DOCTOR has been watching these undertakings on the monitor. He turns to two masked Guardians.)DOCTOR:(Energetically.) At last we're near a solution! We must waste no more time. Now you two, get the boy up to the table.(They lift an unconscious STEVEN off the couch and carry him across to the table. As the DOCTORstarts to write in a notepad, the door opens and MELLIUM runs in, taking off her mask.)MELLIUM: Is there anything we can do to help, Doctor?DOCTOR: Yes, cover him, we must keep him warm at once.MELLIUM:Warm? But he's already sweating with the fever in the same way that my father is?DOCTOR: My dear young lady, please do as you're told! Now, where is that other young woman I want?DODO: (Stepping forward.)Here I am Doctor.(The DOCTOR rips a sheet out of his notepad and passes it to DODO.)DOCTOR: Oh good, now look here - go to the TARDIS and bring these things back for me will you?(MELLIUM has taken thecoverings off the wall couch.)MELLIUM: Will these do?DOCTOR: Yes, certainly, fine, fine.(She takes them over to STEVEN.)DODO: (To the DOCTOR.) How will I know where to find them?DOCTOR: Well open your eyes,my dear child, otherwise you'll...you won't be any use to me will you?DODO: Okay.(She turns to leave.)DOCTOR: (Laughs, then.) What did you say?DODO: I said \"Okay\".DOCTOR: Yes, I thought you did. Now once thiscrisis is over, I...I'm going to teach you to speak English.(BACCU and RHOS are also in the room.)BACCU: I shall go with her.DOCTOR: Right, off you go.(They leave.)RHOS: Doctor, our virologists are willing to give youall the help you need. Can you describe the virus responsible?DOCTOR: Yes, I...MELLIUM: (Interrupting.) I've wrapped Steven warmly. Is there anything else I can do?DOCTOR: Yes, now I want you to find all the sickpeople in this spaceship and give them the same treatment.MELLIUM: You mean keep them warm?DOCTOR: Exactly, my child, yes.MELLIUM: Very well.DOCTOR: Oh, and my child?MELLIUM: Doctor?DOCTOR: That alsoincludes your father.(She leaves the room. The DOCTOR turns to BACCU.)DOCTOR: Now, this germ...this germ is...[SCENE_BREAK]32: INT. ARK. CONTROL DECK(ZENTOS watches silently as DODO, BACCU and fourMONOIDS return laden from their trip to the TARDIS. Nearby, RHOS and MANYAK talk.)RHOS: The vaccine was used as long ago as the twentieth century and then was lost in the time of the primal wars.BACCU: Is that"}
+{"doc_id":"doc_315","qid":"","text":"CASTJames Van Der Beek: Dawson LeeryKaite Holmes: Joey PotterJoshua Jackson: Pacey WitterMichelle Williams: Jen LindleyMeredith Monroe: Andie McPheeKerr Smith: Jack McPheeEvelyn \"Grams\" Ryan: Mary BethPeilGareth Williams: Mike PotterGail Leery: Mary-Margaret HumesMitch Leery: John Wesely ShippAbby Morgan: Monica KeenaWritten by Mike White Directed by David Semel(Outside Dawson's house -- Joey andDawson are walking back from the wedding.)Joey: (laughing) Dawson...(He laughs and they kiss, heading towards the ladder.)Joey: 'K, are you sure this is a good idea?Dawson: Jo, don't analyze this, okay?(They kissagain.)Joey: Right, don't analyze.Dawson: We don't need to discuss this.(They kiss again at the foot of the ladder, this time longer and more passionately.)Dawson: K? Let's go upstairs.Joey: (smiles) Okay.(She startsclimbing the ladder and Dawson stares up after her smiling. Cut to Joey climbing through his window and Dawson following, kissing and giggling the whole way, oblivious to Jen sitting on the bed. Dawson starts kissingJoey's neck and she notices her.)Dawson: Jen?Joey: What's wrong?Jen: (mumbling..almost deliriously) Abby...and I were on the dock and ....and we were up there ...and we...we were drinking ...and she ...fell backand hit her head ...and she ...she drowned. (pauses) Abby's dead.(Joey is shocked, as well as Dawson, and she goes and sits next to Jen on the bed and puts her arm around her as Jen starts crying.)(OPENINGCREDITS)(Cut to Joey looking through an old photo album of pictures of her with her mother. She has a tear rolling down her face. Her dad walks out.)Mr.Potter: (looking at the pictures) Seems like a lifetime ago. Yourmother loved that dress. I told her to take it back, too expensive. She went out and bought two of em just like it just despite me.(Joey cracks a small smile.)Mr.Potter: That was your mother. Why are you looking atthis?Joey: This girl at my school died on Saturday night. She drowned.Mr.Potter: Joey, that's terrible. Were you two close?Joey: No, not particularly. She was sort of a nightmare. But it's, uh, sort of got methinking...remembering.Mr.Potter: Joey, we, uh, never really talked about your mother or her death...Joey: (obviously avoiding) Well, uh, it's getting late and I have to be getting to school so...(She gets up and takesher cup back into the kitchen and grabs her bag. Cut to Capeside High. Jen's walking through the hallway to her locker and everybody's staring at her. Cut to a group of kids sitting in a circle around a counselor. Pacey,Andie, Jack, and Jen are included.)Counselor: Hi, my name is Elizabeth, and I'm a grief counselor. I'm here to facilitate a discussion about Abby. I know you've all be dealt a heavy blow, but by sharing your feelings witheach other, it could aid in the long, and difficult, process we call grieving.(Pacey's biting his nails, obviously unconcerned about the whole thing as Andie stares around the room and Jack just looks bored.)Girl: I'd like tomake an announcement. The Girls' Service League is distributing yellow arm bands that we're wearing in Abby's memory. If anyone would like an arm band, please meet me in the cafeteria at lunchtime.(Jen just laughsunbelievably at the concern. Jack scratches his nose.)Counselor: Jennifer. I was told that you were a close friend of Abigail's. Would you like to talk about some of the feelings your experiencing?Jen: No.Counselor:That's perfectly okay. I understand. Andie? Did you know Abigail?Andie: Yeah, I did.Counselor: Can you talk about your feelings?Andie: Well, um...I guess I'm feeling shocked. I mean she was so incredibly alive and shehad such a great spirit. It's-it's really a tragedy.(Jen is disgusted by these fake feelings of concern so she grabs her things and storms out.)Counselor: Jennifer?(Cut to the cafeteria. Dawson is watching the girl hand outthe yellow arm bands.)Girl: Thank you so much for honoring Abby's memory.(Joey comes over.)Joey: Hey.Dawson: (smiles) Hey.Joey: Listen, I know we have a lot to talk about concerning the other night but..Dawson:Listen, Joey, could we just not ...go there...right now? Because I mean there's ...a lot going on and we can analyze this to death later just...Joey: Right. (Joey kind of looks around and scoots in closer.) Dawson, thetruth is, I never really liked Abby.Dawson: Ditto.Joey: I actually despised her.Dawson: It's weird. I mean, Abby was weird, that she died was weird, the way she died was weird. I can't even imagine what the funeral'sgoing to be like.Joey: I'm not going.Dawson: You're not?Joey: The last funeral I went to was my mom's. I mean, I haven't even gone to her gravesite. I think going to Abby's funeral would just open this Pandora's Boxof emotions that, frankly, I'd rather keep sealed tight.Dawson: (tentatively) Joey...your mother died three years ago. If you have these feelings you haven't dealt with, how long were you planning on waiting?Joey: Idon't know. I guess I'm just...there's a part of me that's still holding on. That little girl inside is just waiting for her return. You know, that her death was just some cosmic error and eventually, God will realize he made aterrible mistake and he'll send her back to me like he did my dad. And ...(smiles) I'll have my mom again. (looks at Dawson) I know it sounds ridiculous.Dawson: No, no, it's-no. But, I mean, that's a child's false hope.Eventually, you're going to have to let it go.Joey: Yeah, but I don't want to let it go. (pauses) You don't know what it's like, Dawson.(Cut to Jen, in the bathroom, splashing water on her makeup-stained face. Andieenters.)Andie: Um, Jen? I've been looking all over for you. You just stormed out of class. Are you okay?Jen: If dealing with Abby's death isn't hard enough, but to watch everybody parade around like Abby was theirbest friend, it's sickening. Aside from me, Abby didn't have a single friend in Capeside.Andie: That's because she was a--(stops herself)Jen: A bitch! Come on, Andie, say it! Abby was a bitch.Andie: Well, I wouldn't gothat far...Jen: Yeah, well, you would've three days ago, but now that she's dead you wax poetic about her great spirit. It's so insincere!Andie: Well, I don't think it's appropriate to maline her character after she'sgone!Jen: It isn't malining if it's true! Believe me, it would have been easier for everybody if Abby had just been this wonderful person with this virtuous qualities but she wasn't! She was mean! And the least we can dois acknowledge who she really was.(Jen exits out the bathroom, Andie follows.)Andie: Jen, listen, I know this must be hard for you.Jen: And I am so sick and tired of people treating me like I'm some kind of celebrityjust because I happened to be at the scene of the crime. It's funny. Abby spent her entire life shattering our fragile egos and that's why people disliked her so intensely. Leave it to Abby. Even in her death she's stillexposing hypocrisy.Andie: Well, I feel bad but I always tried to reach out to her and everytime she rejected me.Jen: She rejected you?! If you hadn't rejected her at the wedding, none of this ever would havehappened!Andie: What?Jen: You kicked us out of the wedding, Andie. That's why we were at the docks in the first place.Andie: (slowly) Don't say that.Jen: I'm sorry, okay? I can't--I've got to go home.(She leaves downthe hall. Cut to Dawson coming in his front door, he spots his mom coming down the stairs.)Dawson: Hey!Gail: Hi honey! So...how was school?Dawson: Weird. Everybody's playing the beautiful mourners butunderneath there's this weird sense they're all munchkins finally freed from the spell of the wicked witch of the east. (Kristin's note: Wasn't it the wicked witch of the west?)Gail: Well, honey, I know you're dealing witha lot right now, but I have some news I need to share with you.Dawson: You sound serious.Gail: No, no, no, it's not bad news. It's good news. Remember the piece I did on the teenage girls?Dawson: Yeah.Gail: Well, Iwon the Peil Vision Award for Excellence for News Broadcasting.(Dawson hugs her.)Dawson: That's incredible, Mom! Congratulations!Gail: Oh, but that's not the news. The news is that because of the award, I've beenoffered a job as network correspondent. It's a lot of money, it's high profile, it's...in Philadelphia.(Dawson's face drops.)Dawson: Oh. Are you going to take it?Gail: Well, professionally, it's a huge leap for me. It's whatI've always worked for.Dawson: But I don't want to move to Philadelphia...Gail: Oh, I completely understand that. You're halfway through high school. No, I do not want to uproot you. If I took the job, I assume yourfather would move back in and I would come home as often as I could...Dawson: S-So what about you and Dad? Are you guys just throwing in the towel?Gail: Well, that's the last thing I want, but I'm hitting my headup against the wall here, honey. Your father doesn't seem to have any interest in making things work. So if I walk away from this career opportunity, and I lose this marriage, what do I have?Dawson: You still haveme.(She smiles. Cut to Grams walking in to Jen's room where Jen's lying on her bed wrapped in a blanket.)Grams: Jennifer, I'm worried about you.Jen: Don't be. I'm just tired.Grams: You know, I can't say I wasparticularly fond of your friend, Abby. I always had the distinct impression that she was mocking me.(Jen smiles.)Grams: She was, wasn't she?Jen: Don't take it personally, Grams. Abby was mocking everyone.Grams:But she was your friend. It's so hard to understand why God would take someone so young...with so much left to learn, so much left to live. It really tests one's faith.Jen: Yeah, well, maybe I didn't have any faith tobegin with.Grams: Well, rest assured, God may work in mysterious ways but He has a plan.Jen: Well, if God had a plan for Abby, she certainly wasn't following it.Grams: God has a plan for everybody, including Abby.Including you.Jen: Grams, I really don't want to have a religious discussion right now.Grams: It's times like this that--Jen: Grams, please! Okay?Grams: Alright, but...I'm here for you. Whenever you need me.(Cut toPacey and Andie in a deli-like restaurant.)Pacey: I can't believe Jen would accuse you of being responsible. She was drunk, she fell, she drowned. End of story. It was nobody's fault, least of all, yours.Andie: Yeah, but...I was so mean to her.Pacey: Oh, come on, you've got to be kidding me! (to cashier) Thanks! (to Andie) Abby Morgan was one of the most hideous creatures to ever haunt the streets of Capeside and you bent overbackwards to befriend her. You really shouldn't be taking this that hard, Andie.Andie: Don't tell me how I should be feeling. If I'm upset, then I'm upset. If I feel guilty, then I feel guilty. I think those are perfectly validfeelings.Pacey: You're right, I'm sorry. I just don't like seeing you like this, okay?(Two women walk by their table. Once they're out of earshot...)Andie: Oh, God, Pacey. Don't look now, but Abby's mother just walkedin.(Abby's mother turns and spots Andie and walks towards her.)Abby's mother: Don't I know you?Andie: Yes, Mrs. Morgan, I'm Andie McPhee. You drove me home once.Abby's mother: Oh, that's right. You're a friendof Abby's. She talked a lot about you.(Andie looks at Pacey, confused.)Andie: She did? Oh, Mrs. Morgan, I am so sorry about what happened.Abby's mother: Will you be coming to the funeral?Andie: Oh, of course...ofcourse I will.Abby's mother: You know, no one's offered to give a eulogy...and I'm not really familiar with any of her other school friends, you will be saying a few words about her, won't you?Andie: What?Abby'smother: Since she was so fond of you.Andie: Sure...sure...Abby's mother: Thank you.(She walks away. Andie looks at Pacey, worried.)Andie: A eulogy?(She stressfully rests her head on her hand on the table. Cut toPacey and Andie walking in the rain to Abby's house.)Pacey: You don't have to deliver this eulogy. Just lay low. Pretend Abby's mother you're too upset.Andie: No. I have to find a way to honor Abby's memory bothtruthfully and respectively. Her family deserves that much. I'll always remember the nice things people said at my brother's funeral.(They reach the house, it's nice.)Pacey: You okay?Andie: It just occured to me thatI've never even seen her house. It's so pretty.Pacey: Yeah, I know. I was halfway expecting this gothic castle, you know? The gargoyles leering down on you from the spires...(They enter the house. It's nice, lots offlowers.)Pacey: Okay, this is morbid. Explain to me again what this is going to accomplish besides making you even more freaked out?Andie: I just want to see her room...you know? Where she brushed her hair,(pauses) and planned her future.Pacey: Why?Andie: Look, we'll just say our condulgences and slip into her room.(Cut to Jen drinking liquor on the docks where there's a bunch of flowers and a cross. She takes abouquet and throws it over the side of the docks. Cut to Andie and Pacey entering Abby's room.)Pacey: Hey, what if Abby's mother saw us come in here together? She probably thinks I'm trying to get lucky in themiddle of her daughter's memorial.Andie: Oh, this is really strange. It's almost like the room is waiting for her to come back...Pacey: This is really creepy, Andie. Can we go now, please?Andie: (grabs a book) Wait aminute...this is her diary. The real thoughts of any girl is all in the confines of her personal diary.Pacey: (takes it) You know what? People's privacy deserves to be respected, even in death.Andie: (takes it back) Thisisn't for my curiosity, Pacey. This is for Abby. I want to be able to give her a eulogy that does justice to her character.(Andie's sitting on the bed. Pacey comes and sits next to her.)Andie: (flipping through the book)Hmmm. (picks one) \"Dear Diary, Another unbelievably annoying day here on Walton's Mountain. That slut Jen Lindley literally stole my new boyfriend and right out from under my nose. (looks at Pacey) She's ableach-blonde hoes-bag.\" She was probably just having a bad day.Pacey: Sure...Andie: (flips and finds another one) Okay..\"Dear Diary, My mother is driving me insane. I hate her so much I must be adopted. There'sno way I could share the same genes with that dried-up old wench.\"Pacey: I'm sure it's just another bad day, right?Andie: (nods) Yeah. (finds another) Okay. \"Dear Diary, That new girl Andie is such a (mad) psycho!How many ways can you tell a person you don't like them...\" What?! \"She just won't take a hint! God! And that boyfriend of hers is a--\"(Pacey grabs it away.)Pacey: You know what? I don't want to know. I don't want tohear it. Out the door now. Please.(Cut to Mitch in a classroom. Dawson walks in.)Mitch: Dawson, hey!Dawson: Hey.Mitch: I was just thinking about you...(Dawson sits down depressingly on the desk.)Mitch: You know,when I was young my first few experiences with death were...shocking. And as I get older, it doesn't get any easier but...it does kind of make you put your life into perspective. Makes you want to grab on to the peopleyou love and never let go.Dawson: And on that note...um, Mom was offered a job as a network correspondent in Philadelphia.(Mitch gets up and walks around the desk.)Dawson: Don't you have anything to say?Mitch:Um, I'll call her and congratulate her.Dawson: That's it? You're going to call up, say congratulations, and just let her walk out of your life. (Dawson gets up angrily) Grab on to those you love, huh?(He leaves the room.Cut to Jack and Joey at an empty Icehouse.)Jack: So, uh, Joey?Joey: Yeah?Jack: I've tried biting my tongue, but, uh, the $64,000 question has to be asked...(speaking into the mop handle) What's up with you andDawson?Joey: (smiles) Nothing.Jack: Oh, yeah, \"nothing\". You two shared a pretty conspicuous not-a-nothing kiss the other night. Come on...Joey: Yeah, well, we're putting it on hold. We have enough to deal withwithout adding our complicated relationship to the mix so...Jack: Alright, alright. I'll buy that...I'll buy that. So...how are you feeling otherwise?Joey: Um...okay. I've obviously had a lot on my mind lately but...how areyou feeling about this whole thing?Jack: Alright, I know this sounds a little morbid but...I keep thinking about how Abby and I kissed at Dawson's birthday party which means I'm probably the last person she everkissed.Joey: At least she went out with a bang!(Jack laughs. Joey laughs and covers her face with her hands.)Joey: I can't believe I just said that.Jack: I can't either.(They're cracking up. Cut to Dawson editing hismovie.)(Onscreen)Kim (Abby): Look, I am sorry if I threatened you and your safety net. And contrary to popular belief, I am not trying to ruin your life and I am trying so hard not to--(There's a knock at the door,offscreen. It's Pacey.)Dawson: Hey.Pacey: Hey, man. Working late, huh?Dawson: Yeah.Pacey: Your mom told me I could find you here.Dawson: So what's up?Pacey: I don't know, really. Mrs. Morgan asked Andie togive a eulogy indulging Abby's virtues.Dawson: How do you speak glowingly about a girl who rode to school on a broomstick.Pacey: It's just so frustrating, Dawson. I've been trying so hard to set everything straight forAndie, but I've got no control over these things.Dawson: I know what you mean. That's why I'm here.Pacey: It must be a sort of surreal experience editing a movie in which one of your leading ladies is nolonger.(Dawson presses play.)(onscreen)Kim (Abby): Look, contrary to popular belief, I did not come here to ruin your life and I am trying so hard not to do that...(Abby starts smiling, then laughing.)Abby: I'm sorrybut she has food in her teeth.(offscreen. Pacey and Dawson laugh. Cut to Jen walking into the kitchen at her house and Grams is cooking.)Grams: Perfect timing. Dinner's almost ready.(Jen walks over and leans overthe pan. Grams gets a whif.)Grams: Jennifer, have you been drinking again?Jen: Not only have I been drinking, but I am drunk out of my mind.Grams: Jennifer, don't do this to yourself! Don't mask your grief withalcohol! I try to feel your pain, this drinking will only make things worse.Jen: (smiling) Worse? Come on. Worse than what?Grams: Think of the good times you shared with Abby, she'd want you to remember her thatway.Jen: Well then you obviously didn't know Abby too well! She's probably down there with (missed name), doing tequila shooters and laughing at all of us!Grams: You have to believe that Abby is in God's hands. Hehas a special place in his kingdom for the children.Jen: Yeah? God's got a five-bedroom beach condo in Maui for dead kids?Grams: Jennifer!Jen: Okay, Grams, for the last time, there is no God and there is no heavenand there is no peace and there is no hope. The only truth that I know is pain. So you can just keep your Sunday School fables to yourself because they make me puke!Grams: Does it give you so much pleasure toshock and offend me?! I am trying to be understanding but you insist on disobeying my rules and polluting my house with your disrespectful blastering.Jen: I guess you're finally sick of me, huh? I guess your infinitepatience and compassion aren't as infinte as we thought. You know, if I can't just be myself and speak my mind...maybe I should just move out!Grams: Jennifer![SCENE_BREAK](Cut to Joey and her dad eatingbreakfast.)Mr.Potter: What are you thinking about?Joey: I've been trying to remember Mom and... I can't get a clear picture of her in my head. It was the scariest thing... I mean, it's like she's slowly fading away and...do you know what I mean?Mr.Potter: (nods) Joey, when I was in prison, I missed your mother. The loss combined with the guilt was almost too much for me. But...I look at you, and I know she's still here.(Joey looksat him, questionably.)Mr.Potter: You are so like your mother, Joey. She was tough ...and independent ...and funny. (laughs) In the same way you're funny. She was stubborn. Oh, she was stubborn. If you would tell herthe skies blue, she would say it was green.(Joey smiles.)Mr.Potter: She's not gone. She lives on in you. And that comforts me to know end.(Cut to Pacey and Andie walking down the beach.)Andie: Uh, it's only a fewhours til the funeral and I have no idea what I'm going to say.Pacey: Make something up. Tell them that Abby was a wonderful person and she'll be deeply missed, blah, blah, blah, blah, blah.Andie: You want me tolie?Pacey: Well, you could tell the truth. That she was a hideous abdomination and the world will be much better without her.Andie: Right and watch her mother have a heart attack and collapse into the aisle. God,Pacey, what am I going to do?Pacey: I'll give the speech.Andie: You'd do that for me?Pacey: I'd do anything to keep you from having a nervous breakdown.Andie: I'm not about to have a nervous breakdown.Pacey:Well, I'm about to have a nervous breakdown living vicariously through you, so...Andie: Really? Listen, Pacey, I know what it's like to love someone who has the propensity to become mentally-unhinged and I don'twant to be that person to you.Pacey: Andie, what am I supposed to do? Sit back and watch you agonize. If you're in distress, how can I help but come to your rescue?Andie: Well, if I'm drowning in the ocean, yes,"}
+{"doc_id":"doc_316","qid":"","text":"[Elena's car.]STEFAN (PHONE): Elena. It's Stefan. I know that picture must have confused you. But I can explain. I need to explain. Please, when you get this, call me.Elena has an accident. She collided a man. Her caris back to front but Elena has nothing. She sees the man getting up.ELENA: Aah! Aah! Aah! The man disappears.DAMON: How ya doing in there?ELENA: Damon?DAMON: You look stuck.ELENA: My seat lt.DAMON: Letme get you out of there. I want you to put your hands on the roof. Just like that. You ready? ...2, 3. I got you. Are you ok? Can you stand? Anything broken?ELENA: Uh-uh.DAMON: Whoa, you're fading fast, Elena.Elena, look at me. Focus. Look at me. Ok.ELENA: I look like her.DAMON: What? Upsy-daisy. Damon leaves with Elena in his arms.[Alaric's House.]ALARIC: I found one. After years of reseah and study, there it was rightin front of me. I was terrified. As I stared it in the eyes, I drove a stake through its heart. I was right about Mystic Falls. There is evil here. I can sense it. Feel it. It's everywhere.He is watching a photography of a yougwoman, probably his girlfirend.[Flashback.]ALARIC'S GIRLFRIEND: Mmm. It's not even 7:00 yet.ALARIC: Which means you shouldn't be awake for at least 6 hours.ALARIC'S GIRLFRIEND: I hate morning people.ALARIC:I'm going to be home te tonight.ALARIC'S GIRLFRIEND: Mm love you.ALARIC: And I love you too.[Damon's car. Elena wakes up]DAMON: Morning.ELENA: Where are we?DAMON: Georgia.ELENA: Georgia? No, no. No,we're not. Seriously, Damon. Where are we?DAMON: Seriously, we're-- we're in Georgia. How ya feeling?ELENA: I--I--DAMON: There's broken bones. I checked.ELENA: But my car. There was a man. I hit a man. Butthen he got up and--who was that?DAMON: That's what I would like to know.ELENA: Where is my phone? Ok. We really need to go back. Nobody knows where I am. Pull over. I mean it, damon. Pull over! Stop thecar!DAMON: Oh you were so much more fun when you were asleep.He stops the car.DAMON: Hey.ELENA: I'm fine. We have to go back.DAMON: Oh come on. Look. We've already come this far.ELENA: Why are youdoing this? I can't be in Georgia. I wrecked my car. I have to go home. This is kidnapping.DAMON: That's a little melodramatic, don'you think?ELENA: You're not funny. You can't do this. I'm not going toGeorgia.DAMON: You're in georgia. Without your magical necklace I might add. I can very easily make you...Agreeable.ELENA: What are you trying to prove?[Elena's cell phone rings.]ELENA: That's my phone.DAMON:Mmm. It's your boyfriend. I'll take it. Elena's phone.STEFAN: Where is she? Why do you have her phone? Is she ok?DAMON: Elena? She's right here. And, yes, she's fine.STEFAN: Where are you? Let me speak toher.DAMON: He wants to talk to you.ELENA: Uh-uh.DAMON: Yeah. I don't-- I don't think she wants to talk to you right now.STEFAN: Damon, I swear to god, if you touch her--DAMON: You have a good day. Mm-hmm.Bye-now.STEFAN: Argh!ELENA: Look. No one knows where I am. Can we please just go back?DAMON: We're almost there.ELENA: Where is there?!DAMON: A little place right outside of Atlanta. Oh, come on, Elena. Youdon't wanna go back right now. Do you? What's the rush? Time-out. Trust me. Your problems are still going to be there when you get home. Look. Step away from your life for 5 minutes.ELENA: 5 minutes. Am I goingto be safe with you?DAMON: Yes.ELENA: Will you promise not to do that mind control thing with me?DAMON: Yes.ELENA: Can I trust you?DAMON: Get in the car. Come on.[Jeremy and Alaric.]JEREMY: Hey, Mr.Saltzman.ALARIC: Hey, Jeremy. I, uh--can't find my ring. I took it off for the gym and thought I put it-- there it is.JEREMY: Losing family heirlooms-- bad.ALARIC: How's your extra credit coming? You pick a topicyet?JEREMY: Mystic Falls, the cil war era.ALARIC: What's the angle?JEREMY: My family-- I found a journal of an anstor who lived in the 1800s. And the Gilberts were one of the original founding families of Mystic Falls.So...ALARIC: That sounds good.[Stefan and Bonnie.]STEFAN: Bonnie.BONNIE: StefanSTEFAN: Hey.BONNIE: Hi.STEFAN: I haven't seen you lately. How are you doing with everything?BONNIE: I'm fine. It's allfine.STEFAN: Good. YeahBONNIE: Are you back in school?STEFAN: No. Actually I came here to find you. I s hoping you could help me with something. A spell.BONNIE: Stefan, look, I know Elena's ok with all of this, andI appreciate what you did to help me. But I'm not really ready to dive into it with you just yet.STEFAN: I understand. But I need your help. It's Elena. She's with Damon. I have Elena's necklace. I was just hoping youcould use this to make some sort of a connection. I just need to know that she's ok.BONNIE: How do you know I can do this?STEFAN: Because I've known a few witches over the years. I've seen what they cando.BONNIE: I'm still new at it.STEFAN: It's ok. Give it a shot.BONNIE: Ok. All right.She tries to feel something with the necklace.BONNIE: There's nothing. Nothing's happening. Usually there's an image or... Tell me ifanyone's looking.STEFAN: Ok.BONNIE: All right. She takes a leaf and tries to fly it.STEFAN: What is it?BONNIE: Something's wrong.STEFAN: With Elena?BONNIE: With me. There's something wrong with me. I have togo. I'm sorry, Stefan. I can't help you.[Damon's car.]ELENA: So, where's my car?DAMON: I pulled it off on the side of the road. I don't think anyone will bother it.ELENA: At about that man in the road? Was hea...?DAMON: From what I could tell. Yeah.ELENA: You don't know him?DAMON: If I've never met him, I wouldn't know him. I mean, it's not like we all hang out together at the vamp bar and grill.He stops the car infront of a bar.ELENA: You brought me to a bar? Damon, I'm not old enough. They're not going to let me in.DAMON: Sure they will.WOMAN: No. No, it can't be. Damon. My honey pie. She kisses Damon.WOMAN: Listenup everybody! Here's to the man that broke my heart, crushed my soul, destroyed my life, and ruined any and all chances of happiness! Drink up! Ahh. Whoo!WOMAN: So, how'd he rope you in?ELENA: I'm not roped in.Actually, I'm dating his--WOMAN: Honey, if you're not roped, you're whipped. Either way, just enjoy the ride.ELENA: Ok. So, how did you two meet?WOMAN: College.ELENA: You went to college?DAMON: I've been on acollege campus, yes.WOMAN: About 20 years ago, when I was just a sweet, young freshman I met this butiful man, and fell in love. And then he told me about his littleecret, made me love him more. Because, you see,I had a little secret of my own that I was dying to share with somebody.DAMON: She's a witch.WOMAN: Changed my world.DAMON: I rocked your world.WOMAN: He is good in the sack, isn't he? But mostly he's just awalkawayoe. So, what is it that you want?[Jeremy in a library.]He looks at books when some books fall him above. A girl arrives.GIRL: Oh my god. I am so sorry. There was this one book wedged between the other.And I pulled and then kaplunk, kaboom. Are you ok?JEREMY: Yeah, I'm fine.GIRL: Ohh! I'm Anna.JEREMY: I'm Jeremy.[Grams' house.]BONNIE: Thank god you're back.GRAMS: And hello to you, too. What's thematter?BONNIE: Powers are gone, Grams. I can't do anything, even when I concentrate. And there's nothing in in any of these books that can tell me how to get them back.GRAMS: Hang on, now. Just calm down. Tellme what happened.BONNIE: I can't.GRAMS: We keeping secrets now?BONNIE: I have to. I'm sorry. I promised. Please help me.GRAMS: Well, first of all, there's nothing in any of these that's gonna help you. If you'reblocked, it's in here. You gotta clear it out, then you're back in business.BONNIE: Clear what out?GRAMS: Whatever's got you so scared.[Elena phones.]ELENA: Hi, Jenna. I'm so sorry.JENNA: Where are you? Why didn'tyou call?ELENA: I was so tired last night. I fell asleep at Bonnie's. And then this morning, I just wanted to get to school.JENNA: Are you ok?ELENA: You know, Stefan and stuff.DAMON: Come on, there's gotta beanother way.WOMAN: After all these years, it's still only Katherine. How do you even know she's still alive?DAMON: Well, you help me get into that tomb and we'll find out.WOMAN: I already did. 20 years ago.Remember? 3 easy steps-- Comet. Crystal. Spell.DAMON: There's a little problem with number 2. I don't have the crystal.WOMAN: That's it, damon. There is no other way. It's Emily's spell.DAMON: What about a newspell with a new crystal that overrides Emily's spell?WOMAN: It doesn't work that way, baby. Emily's spell is absolute. You can't get into that tomb.[Bonnie in the wood.]BONNIE: Hello? Anybody here?! Aah!Bonniefalls.[Front of the bar. Elena's cellphone ringing.]STEFAN: Elena, is th you?ELENA: I'm here.STEFAN: Where are you?ELENA: You lied.STEFAN: Not until I explain, please.ELENA: So, you didn't lie?STEFAN: Just tell mewhere you are. So that I can comeet you.ELENA: How am I connected to Katherine, stefan?STEFAN: I honestly don't know.ELENA: And I'm supposed to believe that?STEFAN: It's the truth. I-- Listen--She hangs up.Damon is behind her.DAMON: You ok?ELENA: Don't pretend to care. I know you're gloating inside. Damon's friend phones.WOMAN: Hey, it's Bree. You'll never gonna guess who walked into my bar.[Bonnie, in thetomb.]BONNIE: Oww. Hello?! Anybody?! Ahh![Grams' house. Stefan is knocking.]STEFAN: Hi.GRAMS: Can I help you?STEFAN: I'm Stefan. I'm a friend of Bonnie's. Her dad told me that she might be here.GRAMS: Shewas. Not anymore.STEFAN: Do you know where she went?GRAMS: No. But you do.STEFAN: I'm sorry?GRAMS: I told her to face down her fear. And I'm sensing now that you know exactly why she was scared. Youknow what I am. And yet you offered me your hand, which means you wanted me to see that I can trust you.STEFAN: Can you?GRAMS: I just you'll keep her safe. You'd better be on your way, then. I'm not going toinvite you in. I'm sure you understand why.[SCENE_BREAK][At the library.]ANNA: This aisle is local and state history. And civil war is one over. What do you need?JEREMY: Local. 1860s. Do you work here?ANNA: Nope.You want reference. This way. Uh, home-schooled. I study here for a moc school environment. Ah, here we go. Original settlers, town archives, founders stuff. It's all here. So, what's your topic ?JEREMY: The town'sfear and hysteria surrounding the war and how it influenced certain writers of the time.ANNA: You might want to focus that.JEREMY: The origin of local folklore and myths.ANNA: You mean the vampires?[At thebar.]ELENA: Let's just say that I'm descended from Katherine-- Does that make me part vampire?DAMON: Vampires can't procreate. But we love to try. No. If you are related, it would mean Katherine had a child beforeshe was turned.ELENA: Did Stefan think that he could use me to replace her?DAMON: Kinda creepy if you ask me. Come on, what? You don't like pickl? What's wrong with you?ELENA: How can you even eat? Iftechnically you're supposed to be...DAMON: Dead. It's not such a bad word. As long as I keep a healthy diet of blood in my system, our body functions pretty normally.ELENA: This nice act. Is any of it real?BREE: Hereyou go, honey.DAMON: Thank you.ELENA: I'll have one too.DAMON: Hmm?ELENA: Time out, remember? For 5 minutes? Yeah, well that 5 minutes is going to need a beer.BREE: There you go.[In the library.]JEREMY:You're kidding me, right? There's no such thing as vampires.ANNA: Well, there's not a lot of documentation but the stories have been told since the civil war. My granddad used to tell me all these creepy stories when Iwas little. And he said that his granddad told them to him.JEREMY: Yeah. That would be folklore. Vampires are a metaphor for the demons of the day.ANNA: Which are?JEREMY: The union soldiers. I've read the storiesmyself. They talk about the enemy, the demons that attack night.ANNA: That sounds like vampires to me.JEREMY: Allegorical vampires. Which is what it is. Creative expression during a very volatile time. I mean, acouny at war doesn't want realism. They want fantasy. Thus, vampire fiction.ANNA: Man, you're smart. I gotta give it to you. When I first saw you, I missed it.JEREMY: Yeah. I've had a rough go of it lately. But I'm justnow getting back to my old self.ANNA: Well, good luck on the paper. I gotta get home. You know, my great grandfather actually showed me a journal once of an ancestor and he had written all of this creepy stuff aboutvampires. It was actually really believable.JEREMY: Wait. A journal?ANNA: Yeah? Why?JEREMY: Are you sure you have to go?[In the Tomb.]Bonnie tries to phone.BONNIE: Come on, phone! Great! Great. Someonearrives behind her.STEFAN: Bonnie!BONNIE: Get away from me!STEFAN: It's me. It's stefan.BONNIE: Stefan. The ground gave way and I fell.STEFAN: It's ok. It's ok. Calm down. Come on, let's get you out ofhere.BONNIE: How?STEFAN: Just close your eyes. Trust . He jumps.STEFAN: You can open your eyes now.BONNIE: Whoa.STEFAN: I didn't want to scare you.BONNIE: How did you know where I was?STEFAN: Well,your grandmother told me what you were doing. I guessed the where.BONNIE: I heard them. Down there. Behind the door. Are they in pain?STEFAN: In the beginning--yes. But not anymore. They've been starved tothe point of dessication.BONNIE: But if they have blood--STEFAN: That's not going to happen, Bonnie. They can't get out. Emily saw to that when she had you destroy the crystal. You're safe.[In the bar.]DAMON:Ready...BREE: Go!They drink.ELENA: That's 3. Do you need a bib?DAMON: Sorry I can't unhinge my jaw like a snake to consume alcohol.ELENA: Whatever. All right. Who's next? Another round, Bree.GIRL: Honey, youshould be on the floor.ELENA: I am not even drunk. My tolerance is, like, way up here.BREE: All right. Here you go.[At Mystic Grill.]JEREMY: So, you have no idea where the journal is?ANNA: Nope. Gramps died. And allthe kids split his stuff. I can ask.JEREMY: I just find it weird that our ancestors kept the same kind of journal. It's crazy.ANNA: Maybe it's based in some partial reality.JEREMY: No. It's gotta be a metaphorical. Myancestor wrote short stories.ANNA: So, that's why you're hung up on the fiction of it all.JEREMY: No, I'm hung up on fiction of it all because I've seen \"the lost boys\" and \"near dark,\" like, 50 times.ANNA: Are thosemovies? Hey. I've never seen them. Maybe we can have a fright night and rent a whole bunch of vampire movies.JEREMY: Uh, yeah, sure.ANNA: Why does that sound like a no way in hell? Sorry, I'm blunt.JEREMY: No,it's--I don't want you to get the wrong idea. I just recently got out of something. It's a little too soon, you know?ANNA: Oh please, sure. No worries. I meant as friends. Yeah. Look, I really gotta go. Nice meeting you,Jeremy.[In the bar.][Elena's cell phone ringing]ELENA: Hello?JENNA: Elena ?ELENA: Jenna? Hold on, it's loud in here.JENNA: Elena, where are you ? Are you ok ?ELENA: Huh? Yeah. No, I'm good. Eveything's fine. Holdon. I can't hear you.Elena falls.ELENA: Hello ? Someone arrives behind her and kidnaps her.BREE: Hey, where's your girl?DAMON: Hmm.BREE: She was right back there. Damon goes out of the bar. He finds Elena'scellphone on the ground. He goes behind sheds.ELENA: Damon, no. A man attack him.DAMON: What the hell?!ELENA: No! He beats Damon.DAMON: Who are you?MAN: That's perfect. You have no idea.ELENA: Whatare you talking about? What did he do?MAN: He killed my girlfriend. What did she do to you, huh? What did she do to you?! Nothing.ELENA: I don't understand.MAN: My girlfriend went to visit Stefan, and Damon killedher. Got it? He beats Damon.DAMON: Ugh!ELENA: Lexi? Lexi was your girlfriend? She told me about you. She said you were human.MAN: I was.ELENA: Lexi turned you?MAN: If you want to be with someone forever,you have to live forever.ELENA: She loved you. She said, \"when it's real, you can't walk away.\"MAN: Well, that's a choice you're not going to have to make.ELENA: Don't. Don't, please, don't hurt him--MAN: I'm doingyou a favor.ELENA: Lexi loved you. And she was good. That means you're good too. Be better than him. Don't do this. I'm begging you! Please. Lexi's boyfriend stop to beat Damon.ELENA: Thank you.MAN: It wasn't foryou.[Gram's house.]GRAMS: Well, now, look who's returned from battle. Can I talk to your friend for minute? BONNIE: Thank you.GRAMS: I appreciate your help, Stefan.STEFAN: You're welcome, Sheila.GRAMS: Iwasn't sure you remembered.STEFAN: October 1969.GRAMS: I was barely a teenager.STEFAN: And you were leading what was probably the only anti-war sit-in within miles of Mystic Falls.GRAMS: Hmm.STEFAN: Youknow when you spoke, people were mesmerized. I know I was.GRAMS: Until the cops showed up. You took a big risk coming to see me earlier. Letting me read you, realize who you were. It could have gone acompletely different way.STEFAN: Your family has a very long history of keeping my secret. I knew that I could trust you if you believed I waworthy of your trust.GRAMS: Bonnie knows, doesn't she?STEFAN:Yes.GRAMS: Please understand, our loyalty can only extend so far. This town won't be easy on any of us if they figure it out. And I'll protect my own before anybody else.STEFAN: I know that.GRAMS: As long as we'reclear, goodnight, then.STEFAN: Goodnight, Sheila.[In the bar.]DAMON: We were just leaving, and I wanted to sagood bye.BREE: Good to see you again, Damon.DAMON: No kiss?BREE: I'm full of vervain. I put it ineverything I drink.DAMON: And you're telling me this why?BREE: Lexi was my friend. How could you? The tomb can be opened.DAMON: You're lying!BREE: Emily's grimoire, her spellbook. If you know how she closedthe tomb the reversal process will be in her book. You can open that tomb.DAMON: Where is this book?BREE: I--I--DAMON: You have no idea.BREE: No. I'm telling you the truth.DAMON: And I believe you. My dear,sweet Bree. That's why I'm almost sorry.BREE: Ugh!He kills her.[In Damon's car.]ELENA: So, why did you bring me with you?DAMON: Well you're not the worst company in the world, Elena. You could give yourselfmore credit.ELENA: Seriously?DAMON: You were there in the road. All damsel in distress-like. And I knew it would piss off Stefan. And... U're not the worst company in the world, Elena.ELENA: I used to be morefun.DAMON: You did ok.ELENA: I saved your life.DAMON: I know.ELENA: And don't you forget it.[Salvatore's House.]ELENA: Hi.STEFAN: Hi.ELENA: You could have told me.STEFAN: I wanted to tell you.ELENA: You saidno more lies. Only the truth. I can handle the truth, Stefan. As crazy as it is, I can handle the fact that you are a vampire. And you have a vampire brother. And that my best friend is a witch. I can accept the fact thatthe world is much more mysterious place than I ever thought possible. But this--this lie, I can't take. What am I to you? Who am I to you?STEFAN: You are not Katherine. You are the opposite everything that shewas.ELENA: And when did you figure that out? Before you kissed me? Before we slept together?STEFAN: Before I met you.ELENA: What?STEFAN: The first day of school. We when met. It wasn't for the first time,Elena.ELENA: Then when was it?STEFAN: May 23, 2009.ELENA: But that was--STEFAN: That was the day your parents' car went off the bridge.ELENA: You were the?STEFAN: Every couple of years that I come backhere to see Zach and see my home. Last spring, I was out in the woods, by old wickery bridge. And I heard the accident. All of it. I was fast getting there, but not fast enough. The car was already submerged. Your dadwas still- he was still conscious. I was able to get to him, but he wouldn't let me help him, until I helped you.ELENA: Oh my god. When I woke up in the hospital, nobody could figure out how I got out of the car. Theysaid it was a miracle.STEFAN: I went back for them. But it was too late. I couldn't-- I couldn't save them. When I pulled you out, I looked at your face. You looked like Katherine. I couldn't believe the resemblance. Afterthat, I spent months making sure th you weren't her. I watched you. I learned everythi that I could about you. And I saw that you were nothing like Katherine. And I wanted to leave town, but, Elena, I couldn't. Icouldn't leave without knowing you. I'm so sorry that I didn't tell you. I wanted to. But you were so sad.ELENA: Why do I look like her?STEFAN: Elena, you've been through so much.ELENA: Why do I look like her,Stefan? What are you not telling me?STEFAN: It didn't make any sense to me. You were a Gilbert. She was a Pierce. But the resemblance was too similar. And then I learned the truth. You were adopted, Elena.[In thelibrary.]ANNA: There you are.JEREMY: Hey.ANNA: Hi. Ok, look. I know I don't know you, so don't ask me why I did this. I just, sometimes-- mostly all the time- I have this need to be right. So I googled and...JEREMY:"}
+{"doc_id":"doc_317","qid":"","text":"[Scene: The Hospital, Phoebe is arriving with Ross, Joey, and Rachel in tow.]Phoebe: (to the nurse) Hi.Nurse: Hi.Phoebe: Hi, yeah, hi! I'm umm, Phoebe Buffay, and I have babies coming out of me.Nurse: Okay. Haveyou started having contractions?Phoebe: Not yet. Umm, I heard they really hurt, do they hurt?Nurse: Well...Phoebe: Oh my God!Ross: It's all right.Nurse: Now, which of you is the father? (Points to Joey andRoss)Phoebe: Oh no, none of them are the father. The father is my brother.Nurse: (not sure what to do with that) Okay...Rachel: I am so gonna miss watching you freak people out like that!Joey: Okay, uh Pheebs,quick. Look! This (His video camera) is for the babies to look at someday, so is-is there anything you want to say? Y'know before it all starts?Phoebe: Oh, okay, umm, hi kids! Um, it's me, Aunt Phoebe. I can't wait tosee you. Please don't hurt me!(Monica and Chandler come running in.)Ross: Hey, what took you guys so long? Your cab left when ours did!(There's a pause as they figure out what to say.)Monica: Well, we-we had to goback because I forget my jacket.Chandler: That's right.(Both Rachel and Ross stare at her for a moment.)Rachel: You-you're not wearing a jacket.Monica: Oh man! I did it again!Phoebe: (standing up) Okay, so umm,somebody has to call Frank and Alice. (As she is talking Joey is sticking the camera under her skirt.) And then my mom wants to know-(notices Joey)-Joey, what are you doing?!Joey: I gotta get the before shot!(Sheshakes her head no.)Opening Credits[Scene: The delivery room, Rachel and Ross are entering.]Rachel: Hi, Pheebs? Okay, so just spoke to the nurse and the reason that your doctor is late is because uh, she's notcoming.Phoebe: What?!Ross: Apparently she fell in the shower and hit her head.Phoebe: Oh my God, she's so stupid!Ross: Look, Pheebs-Pheebs, it's gonna be okay.Phoebe: That's easy for you to say, I don't see threekids coming out your v*g1n*!Rachel: Honey, listen, y'know what? The nurse said the doctor is wonderful.Ross: Yeah, he's head of the department.Phoebe: All right--Ooh! Oh dead God, save me!Monica: What?Phoebe:I'm having my first contraction!Chandler: Oh no.Phoebe: Ooh, it's not bad.Chandler: Okay.Joey: Oh! (In an announcer type voice) And so the miracle of life begins, and aaiiyyyeeee! (He grabs his side and doubles overin pain.)Chandler: Hey! You okay?Joey: Ooh, something hurts!Phoebe: Ooh, it's sympathy pains. Ohh, that's so sweet!Joey: Are they? I didn't know I cared that much.(The doctor, Dr. Harad, enters.)Ross: Hello.Dr.Harad: Hi! Phoebe, I'm Dr. Harad, I'm going to be delivering your babies. I want you to know, you're gonna be in good hands. I've been doing this for a long time. I'll be back in a minute to do your internal, in themeantime, just relax because everything here looks great. And also, I love Fonzie. (Exits)Chandler: Did he just say, he loves Fonzie?Monica: That's what it sounded like.Chandler: All right...Frank: (entering) Hey!All:Hey!Frank: (To Phoebe) Hey! Am I late? Am I late? Nobody came out yet, right?Phoebe: No-no-no! We haven't started yet. Where's Alice?Frank: Uh, Delaware. She's on her way though, so until she gets here, I'mgonna be your coach. But don't worry, she told me all about the la-Mazada stuff.Chandler: Yeah, that's when if you get the babies out by the end of the month, they give you 2% financing.Frank: Yeah.[Scene: Thewaiting room, Monica and Joey are sitting there.]Rachel: (entering) Monica? You gonna be very proud of me. I just got us dates with two unbelievably cute nurses.Joey: Oh my!Rachel: They're male nurses.Joey: Not inmy head.Rachel: Anyway, they want to take us out Saturday night! What do you say?Monica: Umm. (Looks at Chandler who is using the phone.) Umm. Umm. I don't think so.Rachel: What? What are you talkingabout?! You-you're the one who's been telling me to get over Ross and move on. I'm moving on, and you're moving on with me. Come on, give me one good reason why you don't wanna go.Monica: Umm, why don'tyou give me something that would be a good reason and-and then I'll tell you if it's true.Rachel: What?Monica: Harder than it sounds. Isn't it?Rachel: Okay, you're coming with me, and I also told them that if we're stillhere when they get off that we'll go down to the cafeteria and have some Jell-O with them.Joey: (in a sexy voice) Yep! There's always room for Jell-O...Rachel: Joey, how do you make that dirty?Joey: Oh, it's easy.Yeah, I-I can do it with anything. Watch uh, (snaps his fingers and in a sexy voice) Grandma's chicken salad...[Scene: The delivery room, Chandler, Frank, and Ross are with Phoebe.]Joey: (entering) Ross! Get a shot ofthis. (He's carrying an issue of the USA Today and hands Ross the camera.) Hey babies! These are the headlines on the day you were born! Okay, now girl baby turn away and boy babies... (Throws the paper away toreveal a copy of Playpen, which is the TV version of Playboy Magazine.) Check it out, huh?! This is what naked women looked like the month you were born. All right, now let's dive right into the good stuff. (Joey opensthe magazine and Ross sticks the camera in it.)Phoebe: Oh, okay, I'm having another one! This one doesn't hurt either--Ooh, yes it does! Ow! Ow! Ow! Ow! Ooh! (Checks under the blanket.) Oh, I was kinda hoping thatwas it.Ross: Hey, where are Monica and Rachel anyway?Joey: Oh, a couple of nurses asked them out. Maybe they're with them.Chandler: Really? Male nurses?Joey: Yeah, I was bummed too.Chandler: So they're goingon dates? When?Joey: I think Saturday--(groans in pain again).Frank: (To Phoebe) What's with him?Phoebe: Umm, sympathy pains. I thought it was really sweet at first, but now I think he's just trying to steal mythunder.Dr. Harad: (entering) Okay!Phoebe: Hey.Dr. Harad: Let's see what we got here. Ohh, y'know, Fonzie dated triplets.Chandler: This-this Fonzie person you keep referring too, is that uh, is that another doctor?Dr.Harad: Oh no-no-no. Fonzie is the nickname of Arthur Fonzerelli. The Fonz.Chandler: All right.(Dr. Harad exits.)Frank: It's not that weird, is it?Phoebe: It's very weird! I don't want some guy down there telling me, I'my'know, dilatedamundo!Ross: To be fair, he doesn't seem to be impersonating Fonzie...Phoebe: (interrupting) What are you doing?!! Why are you defending him?! Just get me another doctor! One who is not crazy andwho is not Fonzie!Ross: Again, it's not that he...(Phoebe fakes pain to get Ross looking for another doctor.)[Scene: The waiting room, Chandler is looking for Monica.]Chandler: (spotting her) Oh-hey-hey-hey! There youare!Monica: Umm, listen there's something I think you should know.Chandler: Oh, is this about you-you dating the nurse? Yeah, Joey already told me, and I am so-so fine. I mean, you and I we're just, y'know, we'renothing, we're goofin' around.Monica: Umm, actually I was about to tell you that I was, I was going to get out of it, but hey, if we're just goofing around then uh, maybe I will go out with him.Chandler: Fine! Maybe Iwill too!Joey: (entering from the elevator caring gifts for the kids) Hey, you guys! Look what I found in the giiiiiiift shop. (He doubles over in pain in front an old man in a wheel chair.) Get up! Get up! Get up! (The oldman waves him away.)[Scene: The delivery room, Ross has returned with another doctor. This one, is well, younger.]Ross: Okay, Phoebe, this Dr. Oberman. He has no strong feelings about Fonzie or any of the HappyDays gang.Phoebe: Hi! And you're going into what grade?Dr. Oberman: Umm, I'm actually a first year resident, but I get that a lot, you see, I-I graduated early...Phoebe: (interrupting) Uh-huh, me too. Ross, maybe Ishould've specified that I'd be needing a grown up doctor.Dr. Oberman: Oh no, I'm fully qualified to...Phoebe: Shh! Doogie, shh! Doesn't anybody understand that I'm gonna be having babies soon? Huh? Go! Go littleboy, go!(He runs out and Frank watches him go.)Frank: Oh cool! You made him cry![Scene: Another hospital room, Joey has now been admitted and his doctor is about to break the bad news to him, Monica, andChandler.]Joey's Doctor: Mr. Tribbiani, I'm afraid you've got kidney stones.Joey: Umm, well, what else could it be?Joey's Doctor: It's kidney stones.Joey: Or?Joey's Doctor: Kidney stones![Scene: The delivery room, Dr.Harad is back and checking on Phoebe.]Dr. Harad: All right, you're getting there. Oh, and y'know, these babies are very, very lucky.Phoebe: They are. Why?Dr. Harad: They have the honor of being born on The Fonz'shalf-birthday.Phoebe: Happy birthday!Dr. Harad: Just-just to clarify, I'm not Fonzie. (Phoebe nods in agreement as he leaves.)Rachel: Honey, y'know I just gotta tell you, I think this is such a terrific thing you're havingthese babies for Frank and Alice.Phoebe: I know, it is.Rachel: Yeah!Phoebe: Can I tell you a little secret?Rachel: Yeah!Phoebe: I want to keep one. (Giggles in excitement.)Rachel: Ohh, I'm gonna be on thenews![SCENE_BREAK][Scene: The delivery room, continued from earlier.]Rachel: Okay, Phoebe, honey, you gotta be kidding. I mean, you know you cannot keep one of these babies!Phoebe: Why not?! Maybe I can,you don't know!Rachel: Yes! Yes! Yes, I do! I do know! Frank and Alice are gonna want to keep all of their children!Phoebe: Maybe not! Y'know? Seriously, three babies are a handful maybe they're y'know, looking for achance to unload one of them. Listen, I-I hate to miss an opportunity just because I didn't ask! Y'know?Rachel: Phoebe, no! This is, this is insane.Phoebe: Oh, just ask him!Rachel: Me?!Phoebe: I can't ask him! Do youhave any idea how inappropriate that would be?! All I'm saying is just talk to Frank. Okay? Just, y'know, feel him out!Rachel: No! Forget it! I am not gonna ask Frank to give you one of his kids!!Phoebe: You'reright.(There's an awkward silence then suddenly Phoebe gets an idea.)Phoebe: Tell him it's for you.[Scene: Joey's room, his doctor, Chandler, and Monica are there.]Monica: Feeling a little better sweetie?Joey: Well,maybe a little. I wish you hadn't seen me throw up.Monica: Me too.Ross: (entering) Hey! I just heard. What's up?Joey's Doctor: Kidney stones! Now, ordinarily Mr. Tribbiani, we try to break up the stones up with shockwaves, but they're to close to the bladder now. Which means we can either wait for you to pass them or else go up the urethra...Joey: (interrupting) Whoa-whoa! No-no-no-no-no, nothing is going up! Okay? Up, up isnot an option--what's a urethra? (Monica whispers what it is in his ear.) Are you crazy?![Scene: The delivery room, Rachel and Frank are there.]Phoebe: (To Rachel) So did you ask him?Rachel: No, I haven't had achance to be alone with him yet.Phoebe: Well, I'm kinda on a clock here.Dr. Harad: (laughing) Oh Fonzie.Rachel: Y'know who I always liked? Mork.(Dr. Harad drops what he's doing and stares at her.)Phoebe: Undo it.Undo it. Undo it.Dr. Harad: Fonzie met Mork. Mork froze Fonzie.Rachel: Yeah, but umm... Yes, but, Fonzie was already cool, so he wasn't hurt, right?Dr. Harad: Yeah, that's right.Monica: (entering with Chandler)Hey!Phoebe: Hi!Monica: (To Phoebe) How are you doing?Phoebe: Okay, doctor says any minute now.Frank: Hey, y'know, Alice is gonna be here so soon, you couldn't just like do me a favor and like, like hold themin?Phoebe: Sorry Frank, I'm kinda in the middle of the last favor you asked me to do.(A male nurse enters.)Male Nurse: Hey!Rachel: Hi!Male Nurse: Rachel.Rachel: Monica, this is Dan (points to him), one of the guysthat we're gonna be going out with on Saturday. (Mouths \"He's yours.\" to her.) Uh Dan, Monica.Dan: Nice to meet you.Monica: Hello Dan! I'm really looking forward to Saturday night! Really, really!Chandler: So Dan,nurse not a doctor huh? Kinda girlie isn't it?Monica: Chandler!Dan: Nah that's okay. I'm just doing this to put myself through medical school.Chandler: Oh.Dan: And it didn't feel so girlie during the Gulf War.Chandler:Sure. (Pause) And listen, thanks for doing that for us, by the way. (Retreats in defeat.)Monica: So, why wait 'til Saturday, are you free tomorrow?Dan: Sure! I'll get somebody to cover my shift.Monica: Oh,great!Chandler: (to another female nurse) Hey, how 'bout it? You, me, Saturday night?Delivery Room Nurse: No.Chandler: All right. Very good.Phoebe: Oo, this is a big one. Eww! Arghhhh!![Cut to Joey's room, who'sgoing throw his own contractions. Plus, he has Ross in a headlock.]Joey: Ohh, get these things out of me!Ross: Breathe! Breathe! Breathe throw the pain.(Joey starts breathing hard)Joey: I want the drugs Ross, I wantthe drugs! (He starts rocking back and forth, taking Ross with him.)Ross: I do too! I do too!Joey: Argh!Ross: Argh!Joey: Argh!Ross: Argh![SCENE_BREAK][Scene: The waiting room, Frank is on the phone as Rachelapproaches.]Frank: Yeah, I love you. Okay, bye! (To Rachel) Hi!Rachel: Hi!Frank: That was Alice's mom, she said she left five hours ago. She should be here by now!Rachel: Oh, honey, don't worry. She's gonna make iton time.Frank: Yeah.Rachel: Yeah. So Frank, three babies. Whew, that just seems like a lot, huh?Frank: (laughs) Not to me.Rachel: Yeah, fair enough.[Scene: The delivery room, later on, Rachel, Chandler, Monica, andFrank are there as Dr. Harad is checking out Phoebe.]Dr. Harad: Okay, you're at ten centimeters. Time to start having some babies. All right, I want only the father in here please.(They all kiss her and wish herluck.)Monica: Bye Dan!Dan: Uh, bye Monica.Chandler: Bye, momi-moo.(Everyone except Frank leaves.)Dr. Harad: All right, I need a clamp, sterile towel, and channel 31.Phoebe: What is that?(Dan turns on the TV andthe Happy Days theme song comes on.)Phoebe: Oh my God!Dr. Harad: Oh, no-no-no, it's a good one! Fonzie plays the bongos. All right, are you ready? It's time to start pushing.[Cut to Joey's room, his doctor andRoss are there.]Joey's Doctor: Are you ready? It's time to try peeing. (Joey makes a face like he is trying to pee.) Wait-wait-wait-wait-wait! It's almost time to try peeing. (Points at the bottle Joey is to pee into.)[Cut tothe delivery room.]Dr. Harad: Okay, now push! That's it push! Just concentrate on pushing! Yeah, here we go!Dan: I see the head.Frank: Yes, it has a head!Dr. Harad: All right. Keep pushing! Come on!Frank: I can'tbelieve there's somebody coming out of you right now. There's somebody coming out of you! Is it? Is it? It's my son.Dr. Harad: All right. Here's your first baby.[Cut to the waiting room, a triumphant Frank rushesin.]Frank: YESSSSS!!!!! We got a baby boy!!Chandler: Yes!Frank: Frank Jr. Jr.!!Rachel: Oh, how does he look? How does he look?Frank: So gross! (He runs back to the delivery room.)[Cut to the delivery room, Phoebeis about to give birth to the middle kid.]Dr. Harad: Okay. You ready to push again?Phoebe: I already had a baby. Leave me alone.Frank: Okay, okay, come on, you can do it. You can do it!(Phoebe screams in pain, andFrank screams with her.)[Cut to the waiting room, a twice triumphant Frank returns.]Frank: Yeah!! Little Leslie is here! We got another one! Oh my God, I can't believe I have two-two children. How scary is that? (Hereturns to the delivery room.)[Cut to the delivery room, Phoebe is at it for the last time.]Frank: Come on little Chandler, it's time to be born. Come on little Chandler! Come on!Dr. Harad: All right, he's coming. He'scoming!(They both stare at the newborn.)Frank: Hey, where's his thing?[Cut to the waiting room, a thrice triumphant Frank returns again.]Frank: Chandler's a girl!Chandler: Oh God, kindergarten flashback.Frank: Theymusta read the sonogram wrong. 'Cause they, 'cause they thought it was a boy, but Chandler's a girl! Chandler's a girl!Chandler: Okay, keep saying it!Alice: (running in from the elevator) Am I too late?!Frank: No-noah, everything's okay. Everybody's healthy there's 30 fingers and 30 toes.Alice: We have our babies?Frank: Yeah.Alice: (Starting to cry) Oh, we have our babies.(They hug. And quickly that hug turns into a heatedmake out session, right there on the waiting room couch. Chandler, Rachel, and Monica quickly make their exits.)[Scene: Joey's room, he is recovering from his birth.]Joey: Oh my God.Ross: You did it, man.Joey'sDoctor: Would you like to see them? (He hands Joey a little jar.)Joey: They're so small! (Both he and Ross look at them with satisfied looks on their faces.)[Scene: A hallway, Monica and Dan are talking.]Dan: So, I'llcall you tomorrow.Monica: Great!(Dan leaves as Chandler enters.)Chandler: So, are you really gonna go out with that nurse man?Monica: Well uh, you and I are just goofing around, I thought, why not goof around withhim.Chandler: Y'know, I don't know if you've ever looked up the term goofing around in the dictionary... Well, I have, and the technical definition is, two friends who care a lot about each other and have amazing s*xand just wanna spend more time together. But if you have this new fangled dictionary that gets you made at me, then we have to, y'know, get you my original dictionary. I am so bad at this.Monica: I think you're betterthan you think you are.Chandler: Really? Okay, so...Monica: (interrupting) Know when to stop.Chandler: Y'know, I sensed that I should stop. So we're okay?Monica: Yeah. All right, I'm gonna go tell Dan that it's notgonna happen. (They kiss and as she starts to leave, Chandler starts to dance. Without turning around.) Don't do the dance.Chandler: Right![Scene: The delivery room, everyone except Rachel is there. Phoebe, Monica,and Ross are holding the babies.]Monica: I think you're my favorite.Phoebe: Which one do you have?Monica: I don't care.Rachel: (entering) Hi. (To Phoebe) Hey, hi! So uh, Frank and Alice wanted me to tell you thatthey're still outside making phone calls.Phoebe: But umm, I mean, did you talk to them about, y'know...Rachel: Yeah, umm, no honey.Phoebe: Oh. It was a long shot. Hey, you guys can I just like have a second alonewith the babies.All: Yeah, sure yeah. Yeah.(They hand her the babies and leave them alone.)Phoebe: So, here you are. It seems like yesterday I was talking to you in that little petri dish. Everyone said labor was thehardest thing I'd ever have to do, but they were wrong this is. Oh, I had the most fun with you guys! I wish I could take you home and see you everyday. Okay, I'll settle for being your favorite Aunt. I know Alice'ssister has a pool, but you lived in me. Okay, so we're cool. Yeah, we're gonna be great. Little high fives! (Imitates the high fives.) Ahh! Ahh! Ahh! (One of the babies begins to cry.) Well, if you're gonna cry. (She startscrying.)Ending Credits[Scene: The delivery room, everyone is hanging out with Phoebe. Frank, Alice, and the kids aren't there.]Monica: Phoebe, we are so proud of you! You're amazing!Phoebe: I know.Rachel: So doesit really hurt as bad as they say?Phoebe: Yeah. You won't be able to take it.Chandler: So uh, now that little Chandler turned out to be a girl, what are they gonna name her?Phoebe: They're gonna call herChandler.Chandler: That's kind of a masculine name, don't you think?Phoebe: Works on you."}
+{"doc_id":"doc_318","qid":"","text":"PARADISE TOWERSPART FOURRun time: 24:21[SCENE_BREAK]1. EXT. PARADISE TOWERS[SCENE_BREAK](An exterior view of the Towers, high up in the sky. The glass walls and windows of the Towers reflect thefluffy white clouds hanging in the sky.)[SCENE_BREAK]2. INT. THE BASEMENT[SCENE_BREAK](The Cleaner pushes the Chief Caretaker towards his \"pet\" represented by the neon lights through the \"No Entry\"door.)VOICE: You have no choice. I am Kroagnon, the Great Architect, and I will put an end to you and everyone in Paradise Towers.(The Chief is pushed forward by the Cleaner and into a machine. An opaque cylinderbegins to descend on him and obscures him from view. As it does so, he lets out a loud scream. The Doctor and the Kangs come out from their hiding place and watch this happen.)BIN LINER: Ware Cleaners!THEDOCTOR: Back to the lift.(Fire Escape is hesitant, thinking she can use her weapon on a Kang, but the Doctor gestures for them to run.)FIRE ESCAPE: Wait, Doctor.THE DOCTOR: Back!(Fire Escape fires her weapon,hitting a Cleaner, but it has no effect on it. Taken off guard, another Cleaner appears. With its claw it grabs the Doctor by the throat and proceeds to strangle him.)DRINKING FOUNTAIN: Doctor! Now.(She fires herweapon and the arrow hits the Cleaner, causing a malfunction, and thus it loses its grip on the Doctor. The Doctor and the Kangs quickly run for the exit door and it closes, placing a barrier between them and theCleaners. Back in Kroagnon's lair, the large opaque cylinder rises, revealing what used to be the Chief Caretaker. His skin now has a silvery sheen and his clothing looks clean and shiny. Kroagnon now inhabits theChief's body. He steps out from the machinery and moves to address the Cleaners who gather around him.)KROAGNON: Attention all Robotic Cleaners. Attention all Robotic Cleaners. At last Kroagnon can leave thebasement prison they trapped his bodiless brain in and return in this borrowed body to the corridors and lifts of his own creation. They buried me away because I wanted to stop them using the Towers. And now you andI will destroy them.[SCENE_BREAK]3. INT. THE STREET[SCENE_BREAK](The Doctor and the mixture of Kangs race down the street. The Doctor is clearly out of breath lagging behind.)THE DOCTOR: Just a moment,please stop! Please! The immediate danger's over. And I wouldn't mind getting my breath back.(The Doctor sits down on an old crate at the side of the corridor. The three Kangs - Drinking Fountain (Blue Kang Leader),Fire Escape (Red Kang Leader) and Bin Liner (Red Kang) - kneel down beside him. A fourth Red Kang stands guard at the end of the corridor.)DRINKING FOUNTAIN: The Doctor really is ice hot.THE DOCTOR: Veryhot!DRINKING FOUNTAIN: Not a yawny Oldster.THE DOCTOR: Now, you understand the dangerous position we're in. We must gather all the Kangs together.FIRE ESCAPE: And is the Chief Caretaker really unalive?THEDOCTOR: As himself, yes. But you saw what happened. Up till now Kroagnon's simply been a mind without a body, as your parents must have left him. However, I fear he may have spent his time down there devising away of performing Corpoelectroscopy - a way of transplanting his brilliant brain to some host body.BIN LINER: And what's the come out, Doctor?THE DOCTOR: Oh, I can't be certain. But Kroagnon won't want to staylocked up in his basement much longer. He's bound to show himself in one form or another.[SCENE_BREAK]4. EXT. FLOOR 304 / THE POOL[SCENE_BREAK](Pex is sitting at the side of the pool whilst Mel bobs around inthe water, enjoying herself.)MEL: Oh, the water's really lovely. You really ought to come and join me, Pex. It'll do you the world of good. There's really nothing to be frightened of.(Mel fails to see the Yellow RoboticCrab-like Pool Cleaner as it comes up behind her. It grabs hold of her and she lets out a scream. Pex is alerted and jumps to his feet, uncertain of what to do.)[SCENE_BREAK]5. INT. RED KANGHEADQUARTERS[SCENE_BREAK](The hideout is bustling with activity. The Doctor rests against a large blue barrel. The Red and Blue Kangs are present.)THE DOCTOR: It's taking over the building floor by floor.(BinLiner is on the Talky phone.)BIN LINER: Return to Red Kang Base and Ware Cleaners! Build High for Happiness.(She replaces the receiver onto it's position on the Drinking Machine.)THE DOCTOR: Is Fire Escape goingto join us?(Bin Liner nods.)THE DOCTOR: Are all the Kangs here? Red? Blue?DRINKING FOUNTAIN: Yes. Except for those...THE DOCTOR: Those who've been made unalive. Yes. Well, when Fire Escape gets here wemust all make for the Great Pool in the Sky.[SCENE_BREAK]6. EXT. FLOOR 304 / THE POOL[SCENE_BREAK](The Yellow Pool Cleaner is attempting to drag Mel under the water. Her head goes under a few times but shestruggles to remain above the surface of the water. Pex runs around the side of the pool in a state of confusion and panic.)MEL: Pex, do something!PEX: But what should I do?MEL: Anything!(The Cleaner bobs up anddown in the water threatening Mel with its claws and mechanical tendrils that are wrapped around Mel's body.)PEX: Help! Help!MEL: Can't you think of anything else?(Again the Cleaner pulls Mel beneath to the surfaceof the water. When she struggles back up again, she makes a lunge in the direction of Pex, reaching for his gun.)MEL: Quick. Give me that!(She takes the gun from Pex and splashes her way out of the pool as theCleaner advances after her. She turns and fires directly at it causing an explosion. The Cleaner buzzes and crackle and sinks to the bottom of the pool. Mel stands panting on the edge of the pool with Pex.)PEX: Mel, Idid warn you.(Mel turns to look at Pex in frustrated disbelief.)[SCENE_BREAK]7. INT. THE CARETAKERS' HEADQUARTERS[SCENE_BREAK](The Deputy Chief Caretaker stands in front of the bank of monitor screens ashe addresses his fellow caretakers.)DEPUTY CHIEF CARETAKER: Attention all Caretakers. Regulation ZZZ is now in operation. This overrides all other rules and regulations. I repeat, this overrides all other rules andregulations. All Caretakers to act with extreme caution and get back here as fast as they can.(The monitor screens display various Caretakers running down the corridors in response to hisinstructions.)[SCENE_BREAK]8. EXT. FLOOR 304 / THE POOL[SCENE_BREAK](Mel and Pex are sitting on a lounger at the side of the pool. Mel has dried off and put her clothes back on. Pex looks very glum.)MEL:Pex.PEX: What?MEL: I'm sorry.(She is distracted by a sound coming from the other end of the pool - behind a curtain.)MEL: What's that?PEX: Where?MEL: Well there's a rustling sound coming from over there.PEX: Ionly checked it a few minutes ago.MEL: Shall I go?PEX: If you want.(Taking a deep breath, Mel puts her towel aside and walks as nonchalantly as possible towards the curtained-off area. Pex cautiously follows her,getting his gun out just in case. She pulls aside the curtains to see nothing there.)PEX: Nothing there?MEL: No.PEX: Sure?MEL: Of course. See for yourself.(Suddenly the Doctor bursts through the curtain, startling bothPex and Mel. Mel gasps but is then relieved.)MEL: Doctor!THE DOCTOR: I'm sorry to give you such a shock, Mel, but this is where the Cleaner service lift appears to come out.MEL: Oh, Doctor, it's so good to seeyou!THE DOCTOR: And you, Mel, and you!(The Doctor and Mel hug. The Doctor notices Pex and reaches out his hand and doffs his hat.)THE DOCTOR: Um, how d'you do?MEL: This is Pex.THE DOCTOR: Ah. I believeyou've met my friends before.(The Doctor steps back and pulls the curtain back to reveal the Kangs. Pex takes up a defensive stance and eyes them suspiciously.)[SCENE_BREAK]9. INT. THESTREET[SCENE_BREAK](Smoke starts to fill the corridor. A Caretaker appears at the end of it, clutching his throat and coughing. He falls to the ground dead. Kroagnon, inhabiting the Chief Caretaker's body, walksawkwardly down the corridor followed by a Cleaner that belches out smoke.)KROAGNON: Search hard, My Cleaners, search hard. Bring them all out! All the nasty human beings! The Caretakers! The Residents! TheKangs! All of them! We'll be back to collect the rubbish later.[SCENE_BREAK]10. EXT. FLOOR 304 / THE POOL[SCENE_BREAK](The Kangs are sitting in a united group along the side of the pool with Pex alone at the end.The Doctor and Mel are pacing up and down at the head of the pool.)MEL: Imagine building this beautiful pool and filling it with mechanical killers.THE DOCTOR: The rest of the Towers would have been like this pool ifhe'd had his way. A killer in every corner.MEL: And you're sure Kroagnon's been let loose again?THE DOCTOR: Oh, very much so. But we know so little about his plans. He had years to brood over what he wants to do.But we've no time to come up with a counter plan.(Fire Escape moves over to Pex to taunt him, with the other seated Red and Blue Kangs willing her on.)FIRE ESCAPE: Did Mel make the creature unalive foryou?DRINKING FOUNTAIN: And stop you being taken to the cleaners?(Pex nods his head shamefully.)FIRE ESCAPE: Then Mel is a Kang after all.(They all look around at the Doctor and Mel conversing at the other end ofthe Pool.)PEX: I'll show you all. I will put the world of Paradise Towers to rights.BIN LINER: Oh, yes?PEX: Yes!FIRE ESCAPE: You're a cowardly cutlet, Pex. You will always hide, always.(All the Kangs laugh at Pex. Meland the Doctor watch the unruly group.)MEL: They shouldn't treat him like that.THE DOCTOR: That's Paradise Towers in a nutshell, I'm afraid. The Red Kangs didn't trust the Blue Kangs. And none of them trusted theCaretakers. And the Rezzies, from your account, prey on whoever they can and trust no one either. And all of them despise poor old Pex. Oh, the Great Architect must be delighted. How are we going to unite the peopleof Paradise Towers to defeat him?MEL: We'll find a way. We have to.(The Doctor looks despairingly at Mel. All through their conversation, the Kang chants of \"He's a Cowardly Cutlet\" have been building, directed at Pex.Unable to take anymore, Pex storms off in the direction of the way out. He walks past the Doctor and Mel. She goes to follow him.)MEL: Pex, don't go. Pex!(All of those gathered around the pool are stunned into silenceand stillness at the unexpected arrival of three Rezzies, lead by Maddy. She steps timidly forward to address them all.)MADDY: I... that is we... we the Rezzies... the remaining Rezzies that is, want to talk to you all. Ithink we may need your help.[SCENE_BREAK]11. INT. THE CARETAKERS' HEADQUARTERS[SCENE_BREAK](The Deputy Chief Caretaker sits alone, solemnly staring at the floor. The main door to the room opens with ahum and what the Deputy thinks is the Chief walks in - Kroagnon. The Deputy jumps up looking pleased.)DEPUTY CHIEF CARETAKER: Well, Chiefy, I thought you were lost. I...(He stops as he sees two Cleaners throughthe doorway behind the Chief (Kroagnon). He notices the Chief's slightly odd appearance - he has a silvery sheen to his face and clothing. He starts to advance awkwardly towards the Deputy.)KROAGNON: The Towershave become appallingly dirty.DEPUTY CHIEF CARETAKER: Sorry?KROAGNON: The whole place is polluted with flesh, living flesh.DEPUTY CHIEF CARETAKER: Flesh? Did you say living flesh?KROAGNON: Yes.DEPUTYCHIEF CARETAKER: But Chief, you...KROAGNON: Deputy, may I remind you that there is a rulebook and the rulebook says that the orders of the Chief Caretaker are never to be questioned.DEPUTY CHIEF CARETAKER:Yes, yes. Of course, of course, Chief. Unless...KROAGNON: Unless...?(Kroagnon starts to advance menacingly towards the Deputy, who starts to back away in the direction of the door.)DEPUTY CHIEF CARETAKER: Well,I think you may recall that there are certain cases specified when the rulebook can be overridden, and that is when the Chief Caretaker...KROAGNON: Yes...?DEPUTY CHIEF CARETAKER: ...just isn't the ChiefCaretaker.(The Deputy Chief Caretaker turns around and runs out of the door. He leaps over the Cleaners that are in the way and races down the corridor. Kroagnon goes to the door and addresses theCleaners.)KROAGNON: Leave him. Leave him. We'll clean him up when we clean up all the others.[SCENE_BREAK]12. EXT. FLOOR 304 / THE POOL[SCENE_BREAK](The Doctor, Mel, Pex, the Red Kangs and the BlueKangs are all gathered around to hear the information provided by the Rezzies who are seated on a sofa.)MADDY: The Cleaners have reached about floor 115 now. All the Rezzies, that can, have moved up to the higherfloors, but not everyone was quick enough.(The Doctor points to the map on the table in the centre of everyone so that they can all see how high the Cleaners have reached.)THE DOCTOR: And you're sure that personordering the Cleaners to do this looks like the Chief Caretaker?(Maddy simply nods.)BIN LINER: But he's unalive, Doctor. We saw it.THE DOCTOR: Exactly. So the Great Architect has taken over his body.(Fire Escapeleans forward to cast accusations.)FIRE ESCAPE: Why should we believe her? Rezzies are full of untruth and Kangs. Rotten old rubber neck...THE DOCTOR: Please, please, be quiet. Be quiet.(He hushes the Kanggrumblings and reassures Maddy to continue as she consults, in hushed tones, with her fellow Rezzies.)MADDY: Of course, I know that we residents have not always been as neighbourly as we might have been. Butsome have been worse than others. And the worst have gone... down the waste disposal chute.(The Doctor looks disapprovingly at this. Mel and Pex exchange looks, remembering the event described.)MADDY: Butthose of us who are left want to let bygones be bygones. We're all in danger now and well, we're very sorry for what we did and we won't do it again. If we all survive that is. We need each other's help.THE DOCTOR:Well, you Kangs, what d'you say to that?(Drinking Fountain and another Blue Kang and Fire Escape and Bin Liner, representing the Red Kangs, get into a secret huddle to discuss, whilst the others wait. The huddlebreaks up and they address the group.)BIN LINER: I won't say Rezzies are Ice Hot but yes she's not telling untruths. And yes, we'll help each other.THE DOCTOR: All agreed? Pex?FIRE ESCAPE: Don't ask him. He's acowardly cutlet.THE DOCTOR: Fire Escape!! Pex?(Pex waits for silence and grimly nods his head.)FIRE ESCAPE: We work with Rezzies - no to-do. We work with Pex - no to-do. But the Caretakers?(All the Kangs get totheir feet to proclaim as one voice.)KANGS: Never, ever!!!(Suddenly they have to spin around as they are interrupted by the subtle coughing of the Deputy Chief Caretaker who stands behind them.)DEPUTY CHIEFCARETAKER: Excuse me. I'm sorry to intrude like this, but I wondered if I might have a word with you all.[SCENE_BREAK]13. INT. THE CARETAKERS' HEADQUARTERS[SCENE_BREAK](Kroagnon stands at a transparentmap of Paradise Towers and, with a highlighting marker pen, he marks the last floor that Cleaners have reached.)KROAGNON: 170. All the messy creatures will be moving up to the swimming pool zone on floor 304.Luckily they won't have time to make it too untidy before I destroy them. I have nothing to fear. Nobody knows my Paradise Towers better than I do.(He sits down at the desk and watches blankly at the monitorscreens displaying the Cleaners busily going about their killer sprees.)[SCENE_BREAK]14. EXT. FLOOR 304 / THE POOL[SCENE_BREAK](Everyone stands ready, awaiting the planning process. The Doctor checks hiswatch and pockets it again.)THE DOCTOR: We have very little time, so we must think clearly. Now Kroagnon, as we now must call the Chief Caretaker, is firmly installed in your headquarters. Am I right, DeputyChief?DEPUTY CHIEF CARETAKER: Yes, Doctor.THE DOCTOR: So we must find a way of getting him out again.BIN LINER: Set a trap for him!THE DOCTOR: Precisely.MADDY: We used to do that a lot with the rats.MEL:But what about the Cleaners?THE DOCTOR: First, we must immobilise as many as we can.DEPUTY CHIEF CARETAKER: Doctor?THE DOCTOR: Yes?DEPUTY CHIEF CARETAKER: I know it's against the rulebook to say this,but I suppose these are exceptional circumstances.THE DOCTOR: They could be described thus, yes.DEPUTY CHIEF CARETAKER: Well, on the 245 Sodium Street, Corridor 75, there's a secret emergency supply kept forpest going out of control.MEL: An emergency supply of what?DEPUTY CHIEF CARETAKER: Explosives.MEL: That'll do it.FIRE ESCAPE: Ice Hot!BIN LINER: With explosives and arrogance we can blow out the Cleaners, noproblem.DRINKING FOUNTAIN: Send the Cleaners to the Cleaners.ALL: Yes!!(They all laugh.)MADDY: Most of the Rezzies make table cloths. We could throw them over the Cleaners to slow them down for you toshoot.FIRE ESCAPE: Ice Hot, Maddy!THE DOCTOR: (to Mel) We seem to be getting somewhere at last.(Everyone seems jubilant at there ideas, there is lots of merriment and clapping.)[SCENE_BREAK]15. INT. THECARETAKERS' HEADQUARTERS[SCENE_BREAK](Kroagnon continues to make his marks on the transparent map.)KROAGNON: 163. Time to see what the human garbage is up to in the swimming pool zone.(He moves tothe desk and activates a control. One monitor screen goes blank and the computer voice speaks out.)COMPUTER VOICE: By express order of the Great Architect, surveillance of the swimming pool is not allowed. Notallowed.(Kroagnon growls with anger.)[SCENE_BREAK]16. EXT. FLOOR 304 / THE POOL[SCENE_BREAK](The inhabitants of Paradise Towers in the swimming pool area are so overjoyed at their ideas they forget theurgency of the situation and need the Doctor to calm things.)THE DOCTOR: Please! Please! We must move on to the main problem.(As silence is regained, the Doctor starts to wander around the pool to ponder. BinLiner and Fire Escape follow him.)THE DOCTOR: How to persuade Kroagnon to leave his safety and come to a place of our choosing where we can trap and defeat him.DEPUTY CHIEF CARETAKER: He'll never leave thereuntil we're all wiped out. We'll never manage to break. I should know that.THE DOCTOR: Well there is a way that might just work.FIRE ESCAPE: What's that, Doctor?THE DOCTOR: Well you see, Kroagnon isundoubtedly a very clever and very proud being, and like many clever and proud beings likes to be appreciated by his equals. Now, I think if he had the chance to meet such a person, he would leave his lair to doso.MEL: Doctor, you're not going to go and...THE DOCTOR: I've no choice, Mel. I mean, in all honesty, I am the only obvious candidate.MEL: You'll go out there and show yourself and be killed.THE DOCTOR: Oh no, no,no. That would be extremely futile. I will allow myself to be seen, and then somebody will go to Kroagnon and offer to lead him to me - right into our little trap. Now that person has a far more difficult and dangerousmission than I.(Everyone looks around awkwardly and goes silent until one person speaks out.)PEX: I will go to Kroagnon. I am Pex and I am the...FIRE ESCAPE: A Cowardly Cutlet.(All the Kangs laugh raucously. Pex ishurt but Mel looks on encouragingly.)PEX: Well you all have tasks to do. Caretakers, Residents, Kangs, why should only Pex be left out. Pex the trained fighting machine. Pex the only...BIN LINER: The scaredycat.(Again their riotous laughter silences Pex.)MEL: Pex, are you sure you want to do this?PEX: Yes, I am.THE DOCTOR: So be it.[SCENE_BREAK]17. INT. THE CARETAKERS' HEADQUARTERS[SCENE_BREAK](Themonitor screen continues to display the Cleaners going about their task of destruction. Kroagnon looks at his map but is interrupted by a bing from the control desk. Suddenly a screen comes to life and shows theDoctor's face. Kroagnon walks towards it.)THE DOCTOR: Hello, there, Kroagnon. This is the Doctor speaking. I don't believe we've met, though no doubt you've heard of me.(Kroagnon just growls at the arrogance.)THEDOCTOR: I thought so. Anyway, I'd heard so much about Paradise Towers I thought I'd come and take a look and, believe me, I'm very disappointed. It displays exactly what everyone says is your usual failure as anarchitect - not making allowances for people. Still, I'm sure if we managed to work together, we might just about make this place habitable. I've a few ideas which I might give to you if you can be bothered to listen.Bye for now.(The Doctor's screen goes black and Kroagnon again growls with anger.)[SCENE_BREAK]18. INT. THE STREET[SCENE_BREAK](A Cleaner moves into yet another corridor to gas yet more unfortunates.Maddy appears from one of the flats to address it. Behind Maddy are two other residents. It stops in its tracks to hear here speak.)MADDY: Oh, excuse me. Excuse me. I hope you don't mind my mentioning it, but I"}
+{"doc_id":"doc_319","qid":"","text":"[Woody's. Brian's playing pool. Justin rubs his dick over the corner pocket.]Brian: Would you move your dick? I can't concentrate.[Justin turns around and rubs his ass over the corner pocket instead.]Emmett: Youshouldn't have any trouble sinking into that hole.[Brian makes the shot and Justin moans with glee.]Ben: [to Michael] What given you me to concentrate at?[Ted is handing out flyers for a charity event, but nobodycares.]Ted: Come to the angel ball. f*ck you, too!Emmett: That wasn't very angelic.Ted: Who even take a goddamn flyer?Brian: Four hundred bucks for another boring fundraiser.Michael: Angels Over Pittsburgh isn'tjust another charity; when Vic was sick they brought a meal practically every day. My mom and I couldn't done without that.Ted: Unfortunately that's not what these guys doin'.Brian: They need a big attraction.Justin:Like Madonna. Or the Backstreet Boys.Ted: Yeah, it's just Pittsburgh, sunshine. Not your wildest dreams.Emmett: Hot about Pittsburgh's own Divina Devore? She's in town.Brian: Oh yeah, that's good. Another worn-outold drag queen.Emmett: What kind of homosexual are you?Brian: The kind that f*cks men.Emmett: Divina Devore it's a legend. She's performed before presidents.Brian: Ulysses S. Grant or Chester A. Arthur?Michael:Go got her. But you won't have trouble with your tickets.Ben: It's worth a shot.[Michael squats in front of the corner pocket. Ben shoots and the ball rolls towards Michael's mouth. Ben misses. Michael pouts. The boyslaugh.]Michael: Oh.[The kindergarten! We're at a center for early education/day care/fancy-pants place.]women: Here in center for early development we offered an unique education parently. Which creates a save andsupportive enviroment which are our degree candidates can inquire an invaluable learning and social skills.Mel: Degree candidates? There are pre-schoolers.woman: Therefore as much we would like to accept allapplicants in order to ensure maximum focus and individual attention we can only admit a select few.[Lindsay raises her hand]Lindsay: May I ask what determines the final decision?woman: The child's own uniquetalents and abilities will play a big part, but we're also trying to create the full spectrum of human diversity. Race, religion, socio-economic background.Mel: What about sexual orientation?woman: Oh yes, thattoo.Lindsay: Are any same-sex-parented children currently enrolled?woman: Not yet, but we're entend to make every afford to change that.[The diner wall changes artwork. Now it's all Justin's.]Debbie: [to a customer]The master piece that's what it is. For 50 bucks you'll buy the next Michael Angelo.[The guy just rudely walks off]Debbie: Ignorier miss.His does not know dick about art.Justin: It doesn't matter. You do.Jen: Justin, youdidn't tell me you has your own show.Justin: It's not exactly the Museum of Modern Art.Debbie: That's next![Justin and Jennifer hug.]Justin: You want something to eat?Jen: Uh, thanks honey. I just had lunch. I'm withyour father.Justin: I don't talk about him.Jen: Well, I just wanna talk either, but we'll do. He says he's not gonna pay for your school anymore.Justin: Wha... That lame-ass sh1t. What's his feeble excuse?Jen: The stockmarket and supporting two households. And he's a lame-ass sh1t. I don't want you to worry. I spoke to the accountant, I got a little of my savings, I can cash my IAR...Justin: I don't takin' your money. You and Mollyhad to live.Jen: You're sister and I'll be just... fine.Justin: No, forget it. I'll take care of myself.[Woody's. Divina Devore performing live at stage. Emmett, Ted, and Michael prance backstage right behind the stagemanager. (S)he finished.]Emmett: If you ask me, nobody makes a better woman than a gay man.Michael: What woman looks like that? Big, red wig, tons of jewelry, gaudy clothes?[Emmett, Ted, and the stagemanager all turn slowly to the screen.]Michael: My mother doesn't look like that![Divina leans back on the curtain as the audience politely applauds.]Divina: Thank you, Pittsburgh! For reminding me why I left!Ted: Ihope she's not be one of those maniac divas who thinks she's the center of the universe -- you know, snapping her fingers bossing people around.[Divina comes backstage.]Divina: [to the stage manager] Hey, you. Tellthe idiot, the one whos the lights the spot is suppose to be at my face. Not the left tit!Stage manager: Yes, ma'am. I mean, sir.Ted: Excuse me, Miss Devore.Divina: Yes?Ted: I just want to say... your performancetonight was... sparkling.Emmett: Bubbling.Ted: Effervescent.Divina: Stop, you'll make me burp.Michael: Miss Devore? Hi, I want to tell you your performance was really great.Divina: I'm flattering for receive so muchpraise from so a handsome young men. Now, if you excuse me.Ted: Wait. Uh, we wanted to ask you...Divina: ...for my autograph.Ted: And for your help. See, I'm organising a charity event...Emmett: It's for a verygood cause.Divina: Is it ever a bad one?Ted: It's for Angels Over Pittsburgh.Michael: They prepare home cook meals for homeless people who have AIDS.Ted: And I was hoping you were might...Divina: Perform? Oh,I'd love to!Emmett and Ted: You would?Divina: If I didn't already spend half my life doing benefits. If I do any more, they'll have to throw one for me.[Brian and Justin sit in a jeep.]Justin: I told you, I can pay forthis.Brian: With your secrets money?Justin: I'll get another job, a real job where I actually pay for it.Brian: They pay for a hundred a week?Justin: I still apply for a scholarship all alone.Brian: What are you use forcollection? Your ass? Stop being such a twat. I just trying to help you.Justin: You've helped enough. You did practically my entire life.Brian: What do you mean 'practically' ?Justin: Look, I don't want you feel like youhave always take care of me. And I don't want me to.Brian: Fine, then go ahead. Don't come claim to me when it's didn't work.Justin: I love that you do anything for me.Brian: Who said it was for you? I made aninvestment, I want to pay off.[Justin pulls off his seatbelt and gives Brian a blowjob at a red light. The man in the car next to Brian watches. Brian watches him back. Brian revs his engine.][Angels Over Pittsburgh signon the refrigerator.]Ted: Who the f*ck wants to see some worn-out old drag queen, anyway?Emmett: Honey, you find someone else.Michael: It's like Ben always says \"You have to be a positive energy for.\"Ted: Whatdid Ben do in this new google-dee gook?[Michael trows eat to Ted.]Ted: You know, I woldn't been Divina Devore in the Benefit even if I could her.Vic: Dvina Devore? Is she in town?Michael: Yeah, we beg her to performat the benefit but she turn us down.Vic: She always was a selfish prick.Emmett: You know her?Vic: Honey, I knew her when she was a him. He was Danny Devore then. We went to highschool together.Emmett:NO!Ted: You know, maybe if you use the personal connection we can convince her mind.Michael: Me?Ted: You're our only hope.Emmett: I thought you didn't even want her.Ted: Well, that was before I know that she isa friend of the family.Vic: I'm sure she wouldn't remember me.[Lindsay's in pigtails, shouting to Mel from the porch.]Lindsay: Mel! Mel!Mel: What's the matter?Lindsay: Look, a letter.Mel: Haven't you've seen thisbefore?Lindsay: It's from Gus new school.Mel: Hey, today the universe could be more to Harvert.Lindsay: Who said anything about Harvert?Mel: I thoughed everyone want a kid go to Harvert.Lindsay: I feel we shouldconsidered at least Brown.Mel: We'll continue this in 16 years. Just read the letter. What does she says?Lindsay: He didn't get in.Mel: What?! [she reads the letter] It's bullshit. They always made such a big deal aboutall different kinds of people.Lindsay: Apparently not our kind of people.Mel: What was all this crap about looking for a kid from same s*x parents?Lindsay: She didn't mean us.Mel: It's discrimination. That's what itis.Lindsay: Against our son. For something that has nothing to do with him.[Fotoshooting with Divina Devore! The photographer's talking in a voice-over.]Michael: I know your busy, Mrs.Devore.Divina: Then why areyou here?Michael: Well, I was hoping you were change your mind.Divina: I don't change my mind! Only my underwear. Now, if you kindly show yourself out!Michael: Guess my uncle was right.Divina: Excuseme?Michael: Nothing. Just something he said. He knew you back in Highschool.Divina: Oh really and who was that?Michael: You wouldn't remember. Vic Grassi?[Camera zooms in her face.]Divina: Vic Grassi. Oh, mygod, I remember Vic. I hear that he was sick.Michael: Yeah, he's doin' a lot better now. Now he's on a cocktail.Divina: I'm glad to hear it. Tell him I say hello. So, if Vic is your uncle then Debbie must be yourmother.Michael: Knew her?Divina: Knew her? I dated her!Michael: You? I mean...?Divina: Oh, back then I was a male impersonator. I did a really convincing act, too. How's she doin'?Michael: Practicallyundestructable.Divina: Did she became a nurse like she always wanted?Michael: I never knew that. Just a waitress.Divina: Jesus, I can still hear that laugh of her. She bring down a house. I wish she was in front of melast night. Oh, not complaint, I tell you kid, your momma was a real looker.Michael: Still is. Just, now there's more to look at.Divina: This benefit of yours, when is it?Michael: Friday night.Divina: I tell you what. I'll bethere after my show.Michael: That's so cool. You're doin' a really good deed. Thank you.Divina: Don't thank me, pay me.Michael: So how long's been you saw my mom?Divina: Not since the summer of my graduation.I... I left town after that.Michael: I bet you have some interesting stories about the two of you.Divina: Gentlemen don't reveal such themes. Especially gentlemens who are ladies.[Liberty Diner. Michael put on a sign ofthe poster with Divina Devore.]Ted: Where is he? Michael! [Ted kisses Michael] I cannot believe you got her change her mind.Brian: I can't believe Deb dated a drag queen. How anyone could tell them apart.Emmett:At least now we know who taught her how to do her hair.Brian: You realize it's makes your mother officially fag hag of all time. Then Vic, then you. Hey Debbie.Debbie: Hey guys. Hi baby.Brian: I hear your boyfriend isin town.Debbie: Michael, about who's he talking about it?Michael: It's someone you used to go...Debbie: Yeah? Who?Michael: Danny Devore.[Debbie is shocked, angry, and grumpy.]Debbie: Danny Devore.Emmett:Better known as Divina Devore.Ted: Michael got her agreement to perform on the Angel Ball.Emmett: Yeah, thanks to you.Debbie: What have I to do with it?Brian: She said she couldn't possible turn down the son of aformer flame.Debbie: You shout your mouth! He had no right talk to my kid about my personal life.Michael: We didn't say anything. He only said you two used to go out.Debbie: Yeah, it was like a million years ago. Ishould be over him.[Debbie walks away.][Babylon. Naked dancing boys. Sweet, toned flesh. Good flesh. Good music. Justin sticks a dollar in the g-string of a dancing boy. Brian snaps a dollar out of a different stripper'sg-string.]Brian: Shouldn't you been holding on on that?Justin: It doesn't much matter since it's my last one.Brian: Sort of like infections in the 19th century french noble been revive.Justin: f*ck off.Brian: Find ajob.Justin: I must have tried twenty restaurants and nobody hired.Brian: What does the financial aid office said?Justin: My f*cking father makes to much money.Brian: Well, my offer still stands.Justin: So does myanswer. Better do that on my own.Stripper: Give me a hand?Brian: See? Some people know how to accept help.[Justin roll his eyes. He watches the stripper pull money out of his crotch.]Justin: Looks like a goodnight.Stripper: It's nothing compared with the weekend.Justin: Really? Cause I've been looking for something. Are they looking for more dancers?Stripper: Gary's always looking.[Brian and Justin are quiet, thinking.Brian walks away.][Debbies house. In Michaels old room. Ben and Michael arm are there. Very geeky picture of Michael and Brian in high school with their arms around each other.]Michael: See what a dork I was?Ben:You weren't a dork. I was a dork.Michael: A fat ones.Ben: You have no idea how fat. You are more dweeb.Michael: Thanks.Ben: Brian on the other hand...Michael: I know, he was a total turn on.Ben: I would sayspaz.Michael: Is it better or worse than a dweeb?Ben: Oh, fare worse. Have I mention that I have a thing for dweebs?Michael: Later. Goin check my moms old stuff.Ben: Wait, that's kinda personal.Michael: Well, shenever really told me about that much. Everytime I ask about back then she said 'I did my homework and rest at my folk.' And you should do the dame.[Ben pulls out a pompon.]Ben: I didn't know she was acheerleader.Michael: Well, maybe those were Vic's. Oh, her yearbook. Check out the girls hairdos! Really boring.Ben: Really straight. Where is your mom?Michael: Grassi, grassi, grassi. There she is.[Deborah JaneGrassiAMB: Celebrate New Year's in every time zone!P.D.: Celebrate every New Year's right here in the Pitt.P.P.: Dishonest People.P.S.: \"S***, all my sayings have swears in them.\"ACT: Yearbook, S.C. rep., Spirit Club,Parties, Parties, Parties]Michael: Just as I said, mom was a real looker.Ben: What about he look like?Michael: Comes after a space.Ben: Oh, scare me.Michael: Danny DevoreAMB: Broadway SuperstarP.D.: NYC CabDriverP.P.: Stage FrightP.S.: \"Begone!\"ACT: Variety Show, Choir, Concert Band, Prom Committee, Spirit ClubBen: Oh, he's kinda cute.Michael: If you have a thing for dweebs.[Strip club. Gary the creepy strip-clubowner is doing \"paperwork\". Justin coughs some attention and.]Justin: They said I can talk to you about the job.Gary: Doin' what?Justin: Dancing.Gary: Ever dance professionally?Justin: No, but I dance here all thetime.Gary: Like a thousand other queers. What makes you special?Justin: I was King of Babylon.Gary: Who wasn't? Sorry, I'm too busy. No one position's are open.Justin: I'm sure if you saw me...Gary: Hey, I'llbusy.[SCENE_BREAK][Cut to naked Justin feet walking back along the bar. He stops over Gary.]Justin: One dance, that's all. If I suck, you can kick my ass out.Gary: You doesn't have much of a body. No packs, no abs,no biceps.Justin: I have a great ass and I'm blond. You have no idea how far that gets me.Gary: One dance. Make it good.[He does][Cut to Justin dancing over Brian's head. Same outfit. Brian's apartment. Brian stopsthe music and.]Brian: Try not to step into my Chinese food.Justin: He said I'd be pulling $200 to $300 a night.Brian: That'd better be all your pulling young men. And remember you still have your schoolwork todo.Justin: And what if I don't?Brian: Mmmh, you'd have to be spank.Justin: [laughs] Yeah, just try.Brian: You like it?Justin: Uh, I just kidding.[Brian pulls Justin over his knees, pulls down his underwear, and spankshim. Justin's enjoying it until Mel and Lindz just walk right into the apartment.]Mel: Oh.Brian: Oh, Note to self - make sure to lock the f*cking door.Lindsay: [to Mel] I don't care. I'm gonna asking anybody.Brian: [toLinds] Wanna chicken?Mel: [to Linds] Don't waste you time. Everytime we ask him to do something he turns us down.Brian: Ask me what?Lindsay: I want you to be my husband.Brian: You already have one.Mel: It's forGus. He got rejected by the Center for Early Development.Lindsay: And we think it's because he had two mommies.Brian: So now you wanna pass him to a product of a happy hetero homelife? f*ck that sh1t.Mel: I toldyou, he is a total heterophobe.Justin: That's true he is.Brian: It's true. I am.Lindsay: Brian, you know I would you never ask to compromise your values.Mel: Except that they are.Lindsay: You're always said it's notlying if they make you lying. You wants Gus to have the same advantages as kids you have a mommie and a daddie, don't you? You want him to go to the best schools and receive the best education? Then you got ushelp to make sure. They despite what other people may think of us - he's not the one who suffers. So we have to found another school. We have an appointment tomorrow.[Michael's grilling Vic as Vic pretends to read amagazine.]Michael: How long they go out?Vic: I... I can't remember.Michael: Was it serious?Vic: How do I know?Michael: Did she love him?Vic: She didn't say!Michael: Didn't say... It's nothing that mom doesn'tsay!Vic: Look, Michael, it was a long time ago. Why don't you ask her?Debbie: [comes home] Ask me what?Michael: About Denny Devore.Debbie: Christ, I haven't heard his name mention for thirty years and now all ofa sudden it's all he's here.Michael: I saw his picture in your yearbook.Debbie: Who said you can looking in my yearbook?Michael: You never said I couldn't! It's the picture of him! It looks a lot like me.Debbie: Who youtalking about? It doesn't look at the least bit of you.Michael: You don't have your reading glasses on.Debbie: Fine. Make me feel older than I really do. OK, I still don't see it. Vic? Do you see it?Vic: Can't say Ido.Michael: C'mon! We have the same eyes, the same nose, the same mouth. Tell me that's not my chin!Debbie: Not even close! And trust me, I know chins. I have serveral of it.Michael: Ma, I just want you to tellme...Debbie: Tell you what?Michael: Why I look so much alike Danny Devore!Vic: I get the clothes in the dryers.Debbie: Stay right there! What are you getting at?Michael: He said that you were out summer aftergraduation. That was 1969. I was born March 1970.Debbie: Ha! I don't believe what I'm hearing! Are you asking me if some old drag queen that I once knew in high school is your father? You know who your father is!This is your father![Debbie holds up a picture of John Michael Navotny]Debbie: John Michael Novotny. Lieutenant in the US army.Michael and Debbie: Died in Vietnam, 1970, two weeks after I was born.Michael: I know.You told me a million times. But this guy in the picture who doesn't even look like me is my dad. But that've all you told me!Debbie: What else do you wanna know?Michael: Who are my grand-parents?Debbie: They'redead.Michael: Aunts and uncles?Debbie: They weren't any.Michael: So he's just a war hero?Debbie: 'Just'!? They awarded him the purple heart! He was on a rescue mission, carving his way through the jungle when alandmine exploded.Michael: You've said it was a Jeep accident.Debbie: He was carving his way in a Jeep when it ran over a landmine.Michael: You can't even keep the goddam story straight!Debbie: Stop confusingme...!Vic: Look, it was a long time ago. It doesn't matter now.Michael: I just wanna know the truth.Debbie: Are you calling me a liar? Your own mother? I told you who you father was. And I expect you to believeme.[She wanders out of the room, tottering back and forth.][Better kids at this school. Lindsay and Brian goes inside.]Lindsay: Promised me to behave.Brian: I don't mention dick if you don't mention pussy.Lindsay:You know what I mean. I don't you getting into your moods.Brian: Yeah, yeah. I want a homo-hetero kid just as you do.Lindsay: That's it. Don't be nervous.Brian: If my heart gettin' low, I'll be dead.[Inside theschool.]woman: Hello.Lindsay: Hi, we are the...woman: Oh, the Kinneys. Uh, Mr. and Mrs.Kinney.Lindsay: Right!Brian: Sometimes she'll forgets, don't you, honey?Lindsay: [laughs] I don't forget. He's such akitter.woman: Oh, please. I tell Mrs.Harper you are here.[she leaves. Brian and Lindsay sits down. Brian plays with toys.]Lindsay: I told you to behave!Brian:You could send me to the principal's office, but I'm alreadythere.Lindsay: It's also strange. I mean I knew I'd have a child like Gus and he goes to a school like this one. And I never imagine it will be like this.Brian: Well, there's no predicting. Oops, I said dick, didn't I?Lindsay:Can't you be serious? For even a minute?[Brian sits down, checks her watch]Brian: You're on.Lindsay: There was even a time, when we first met that I thought this could be reality. Did you ever felt that way?Brian: No.You wanted me to be serious. That doesn't mean I don't love you.[Brian kisses Lindsay just as the principal comes to the door and calls them in.]Mrs.Harper: Mr.and Mrs.Kinney!Brian: [looks at the clook] Oh, theminutes up.Mrs.Harper: Oh, please, don't be emparest. It's always nice to see young parents express their affection. And I think it's important for children to see that to, don't you agree? Come in to my office, pleaseand we'll discuss Gus' future.[Debbie is standing at Divina's hotel door.]Debbie: I never in a million years known it was you.[She stands there. No wig, just scary makeup and tiny dagger nails. Red robe.]Divina: Thirtyyears is a long time.Debbie: Try thirty-one. But who's counting?Divina: So, come on in. You want a drink?Debbie: No. No, thanks. God, you have more sh1t than I do.Divina: These days it takes longer to lookfabulous.Debbie: Tell me about it. Is this real?Divina: Honey, I wish. So, how're you doin', my Divina?Debbie: So you called me in highschool.Divina: Now you have a son. He tells me you work in a diner. Vic was sick"}
+{"doc_id":"doc_320","qid":"","text":"EXT. MOUNTAIN ROAD - NIGHT(MUSIC OVER ACTION/CAR SPEEDS ALONG THE ROAD AND INTO THE WATER)(SFX: HUGE SPLASH)[SCENE_BREAK]UNDERWATER - NIGHT(MUSIC OVER ACTION/CAR SINKS TO THELAKE FLOOR)(FADE OUT)(THEME MUSIC UP OVER OPENING TITLE/SCENES/ CREDITS AND OUT)MUSIC IN:INT. SQUAD ROOM - DAY(SFX: CELL PHONE RINGS)TONY: No, for the twenty third time.(SFX: CELL PHONERINGS)KATE: Are you going to answer that?TONY: I'm in hell, Kate.KATE: Well, do they have money there? Because you owe me... forty three dollars and eighty six cents for lunch this week.TONY: I will gladly pay youtoday if you'll answer this call for me.KATE: Yeah? Who is it?TONY: Crazy ex-girlfriend. Haven't seen her since college.KATE: Stalker?TONY: More like a stalk-him.KATE: What do you want me to say to her?TONY: I don'tknow. Tell her you're my wife or something. She's been calling nonstop for two days. So I'm begging you here, Kate. Please.KATE: You pay me back today.TONY: Sure.KATE: (INTO PHONE) Hello? Me? Oh, I am Tony'swife. Uh, yes. We got married a few years ago. (WHISPERS TO TONY) We have kids? (INTO PHONE) Two. Yes. And we're very, very happy. So please don't call back again. (TO TONY) I feel like I need a shower.(HANGSUP PHONE)TONY: Pay the lady, Probie.MCGEE: He bet me forty dollars he could get you to say you're his wife today.KATE: Tony, I'm going to kill you.GIBBS: DiNozzo, pull the case file on Lieutenant BrianMcAllister.TONY: McAllister? We going after more treasure hunters, boss?MCGEE: Treasure hunters?TONY: Before your time, Probie. McAllister disappeared two years ago. His family offered a million dollar reward toanyone who could find him.KATE: I had a few friends in the Secret Service who used to work that case on the weekends.TONY: It was the Holy Grail for every amateur detective on the East coast, Kate.MCGEE: So whathappened?TONY: Nothing - cold case.GIBBS: Not anymore.CINDY AMES: (ON TV) Thousands have searched for the heir to the McAllister Industries' fortune. Each hoping to collect the one million dollar reward offeredby his famous family. Today, private investigator Monroe Cooper believes he's one step closer to solving the mystery. Mister Cooper, is it true that you have finally found Brian McAllister?(SFX: TV CLICKS OFF)MCGEE:Whoa. Whoa. Boss, that was... that was Monroe Cooper! The man who can solve the unsolvable. He's a... a famous detective.GIBBS: Do I look like I care, McGee?MCGEE: No.GIBBS: Grab your gear. We're going toBlack Lake.[SCENE_BREAK]INT. VAN - MOVINGKATE: Lieutenant Brian McAllister, graduated Annapolis in ninety-seven, third in his class. He vanished somewhere between October fourth and the seventh, two thousandand two. No leads.TONY: Thing I don't get is why a guy worth millions would join the military in the first place.GIBBS: You think money has anything to do with patriotism, DiNozzo?TONY: No, I'm just saying if I wererich, you know, I would do nothing.KATE: I thought your parents were loaded.TONY: They are.KATE: So why do you work for the government then?GIBBS: Because they know what their son would do with themoney.TONY: I can't even get an advance on the will, Kate.GIBBS: Hey, McGee!MCGEE: Yeah, boss?GIBBS: What about that private dick, Cooper?MCGEE: Yeah. Uh... he's a former NYPD detective, works mostly forinsurance companies and celebrities now. He makes a lot of money solving cases like this. Guy's a... he's kind of a cross between Columbo and Sherlock Holmes.(SFX: VAN HITS A POTHOLE)KATE: You know, we reallyshould get a seat belt back there. Hey! What the hell are you doing?TONY: I'm looking for my fork.KATE: Well I can guarantee you...it is not there![SCENE_BREAK]EXT. BLACK LAKE - DAYGIBBS: Tony, grab the gear.See if McGee's still alive.TONY: On it, Boss.GIBBS: Special Agent Gibbs, Todd, NCIS.LESTER: We've been waiting for you to show up. Sheriff Deke Lester. That detective fella, Cooper, he thinks that missing McAllisterkid's in there somewhere.GIBBS: Yeah. Is he?LESTER: I can't say, but my divers found a Chrysler convertible sitting on the bottom.KATE: Lieutenant McAllister owned a Chrysler convertible. Disappeared with him,Gibbs.LESTER: I'm fixing to pull it out. Once we ID the vehicle we can decide on who's got jurisdiction.GIBBS: Works for me, Sheriff. Where is Cooper?LESTER: I don't rightly know. I imagine he's off detecting orsomething.RADIO: (V.O./FILTERED) Hey Deke, we've got the chains set here.LESTER: Let's haul her up.RADIO: (V.O./FILTERED) Yes, Sir.LESTER: You ready to see what we caught, Agent Gibbs?[SCENE_BREAK]EXT.TRUCK - DAYTONY: Hurry it up, Probie.MCGEE: You sure this is necessary? I kind of feel like a dork.TONY: You are a dork. No no no no. Bad move.MCGEE: What?TONY: If Gibbs catches you reading instead of working,you're history.MCGEE: It's not for reading. I'm hoping I can get Detective Cooper to sign it. The lead character in the book is based on him.TONY: \"Celebrity P.I.?\" Never heard of it. No!MCGEE: I'm not surprised youhaven't heard of it. There's no pictures in it.TONY: Did you say something, Probie?MCGEE: Yeah. I'm not a dork.TONY: Whatever you say, Sponge Bob.(SFX: HOIST)LESTER: Take it slow now, Charlie!TONY: I think it'ssafe to say that car's not going to run again.LESTER: All right, hold it right there.GIBBS: All right, Kate.KATE: The Lieutenant's tags, Gibbs.LESTER: Congratulations, looks like you found your missing sailor.GIBBS: Notyet.COOPER: I think you'll find that pile of bones is McAllister, Special Agent...GIBBS: Gibbs. And I'll wait for my M.E. to determine that.COOPER: Oh of course. Monroe Cooper.GIBBS: (READS) The man who solves theunsolvable.COOPER: So you've heard of me?GIBBS: No. It's on your card.COOPER: My publicist's idea. Works great with the yokels.GIBBS: How'd you track this vehicle to Black Lake?COOPER: Leg work. Luck. Mygut.GIBBS: Does it say that on your card, too?COOPER: I have a policy, Agent Gibbs. You share information with me, and I share it with you. We have a deal?GIBBS: That kind of goes against my policy,Cooper.COOPER: Which is?GIBBS: Throw people in jail who obstruct my investigations.COOPER: Uh-huh. I'll try to keep that in mind.MUSICAL BRIDGE TO:INT. NCIS AUTOPSY ROOM - NIGHTDUCKY: Well the dentalrecords are conclusive, Jethro. This is our missing Lieutenant.GIBBS: Any idea how he died?DUCKY: After two years in the water? Difficult to say. Do you suspect foul play?GIBBS: Oh, you know me, Duck. I suspecteverything.DUCKY: Yes, an admirable trait in an investigator. And also the reason your three marriages ended in divorce.GIBBS: Oh yeah? All these years I thought it was because I was a b*st*rd.DUCKY: Well, ofcourse, that didn't help. There is evidence of hairline fracture on the frontal lobe of the skull.GIBBS: Cause?DUCKY: Well, it's consistent with most vehicle accidents, possibly from contact with the steeringcolumn.GIBBS: What about drugs?DUCKY: Well, in this state, a toxicological screen would be useless. However, drugs are a possibility.GIBBS: Too many of those, Duck. Too many.DUCKY: Well, my current opinion isthat Lieutenant McAllister met with a tragic accident. Most likely he drowned.GIBBS: Keep looking.(SFX: DOORS SLIDE OPEN/ CLOSED)DUCKY: Your last boy, Yurich.JIMMY: Did you meet any of his wives?DUCKY: Iintroduced him to the last one.JIMMY: Really? What went wrong?DUCKY: It's difficult to say, Mister Palmer. She doesn't talk to me anymore.[SCENE_BREAK]INT. NCIS GARAGE - DAYTONY: (LAUGHS LIGHTLY) Youknow what movie this reminds me of, Kate?KATE: The Wizard of Oz?ABBY: I'll get you, my pretty!TONY: No. I meant the one they make you watch in high school. Thirty minutes of cops pulling dead teenagers out ofcar wrecks.ABBY: Oh, my god! I love those! Blood on the Highway. Drink, Drive, Die! I keep hoping they're going to release them on DVD.TONY: Yeah, me too.ABBY: Yeah.(SFX: DOORS SLIDE OPEN)GIBBS: What dowe have?TONY: Ah hey boss. I found a suitcase in back. Looks like he packed enough for about a weekend. Dive team will be back with the stuff from the debris field in a few hours.GIBBS: Abs?ABBY: The brake linesare corroded, but they're intact. Something's stuck. Whoa. Hey, Kate. I've got a present for you. I think it's one of your ex-boyfriends.TONY: It's a cold fish! Get it, Kate?MCGEE: I don't think this was an accident. It's abullet.GIBBS: McAllister was murdered.(FADE OUT)MUSIC IN:INT. LAB - DAY(SFX: MUSIC PLAYS LOUDLY B.G.)(MUSIC CLICKS OFF)GIBBS: Your speakers are broken.ABBY: Oh, Gibbs. That was the best part of thesong.GIBBS: Correction. Your ears are broken. What did the divers find?ABBY: Actually, it's more like what didn't they find. My theory is they're getting paid by the piece. They recovered everything within a twentymeter radius of the vehicle. Sunglasses, golfballs, Rick James eight-track, typewriter. I didn't see any point in bringing the Maytag up from the evidence lockup.GIBBS: Anything to do with the case?ABBY: As a matter offact, found directly beneath the vehicle... can you hear me now? I might be able to recover some data from the memory chip.GIBBS: What about the bullet we brought up from the wreck last night?ABBY: Forty fivecaliber, two hundred and thirty grain hardball. Lots and lots of stopping power. The grooving matches a Colt forty-five, old-school military version.GIBBS: Did you work up a trajectory, yet?ABBY: Of course. The bullet'sentry angle into the side of the door is obvious as Anna Nicole's implants.GIBBS: Who?ABBY: You know, married that old guy? Had a TV show? Got fat, got thin, got fat, got thin, fat, thin--GIBBS: Stop!ABBY: So usingthat angle, I back-traced the trajectory. The bullet traveled on this path. So unless he was driving with his feet from the backseat, which is something that I have tried but do not recommend...GIBBS: Abby?ABBY: Theround had to have gone through McAllister's body.[SCENE_BREAK]INT. LAB - DAYDUCKY: It's entirely possible, Jethro, but if Abby's animation is correct, the bullet passed clean through the thoracic cavity.Unfortunately, without leaving any evidence of its passing.GIBBS: Hell of a shot.DUCKY: Yeah.GIBBS: The vehicle had to be going over seventy to end up where we found it in the lake.DUCKY: Well, at that speed abullet passing through the ribcage without so much as glancing a single bone... huh! A hell of a shot, indeed.GIBBS: More like impossible. Thank you, Duck.(SFX: DOORS SLIDE OPEN)JIMMY: Doctor?DUCKY: He meansthe vehicle was stationary when Lieutenant McAllister was shot, Mister Palmer.MUSICAL BRIDGE TO:INT. SQUAD ROOM - DAYKATE: (V.O.) Lieutenant McAllister was last seen in Norfolk on a Friday. Then found threehundred miles away in Black Lake, Virginia. (ON CAMERA) Which would make sense if he was heading here to the McAllister Family compound in Shenandoah.MCGEE: So he was heading home for the weekend?KATE:Another twenty miles and he would have made it, McGee.GIBBS: DiNozzo?TONY:TONY: McAllister's military records are spotless, Boss. Been running background on his family. Mother died in ninety three. Father passedaway in two thousand two... three months after the Lieutenant disappeared. The only surviving next of kin is this guy. Thomas McAllister, his younger brother. (CONT.) Washed out of Annapolis freshman year. Arresteda bunch of times for suspected DWI and marijuana possession. Never convicted.KATE: Figures, the rich never are.TONY: Even richer now, Kate. He inherited everything. He's currently the CEO of his own airline.MCGEE:The Good Son and the Bad Seed.KATE: Very Biblical.TONY: The Navy notified him last night about his brother. CACO said he took it pretty well.NCIS WORKER: Lunch!KATE: Oh, thank you. I took the liberty of orderinglunch today. Something healthy for once. There you are. They're tofu veggie wraps. They're good, Tony. Abby and I eat them all the time.GIBBS: DiNozzo, track down the bad seed. I want to know what he was doingaround the time his brother disappeared.TONY: Yeah, I already set up an interview for later this afternoon, Boss.GIBBS: Take Kate. McGee, contact Cooper. I want to know how he found that vehicle.MCGEE: So we'regoing to cooperate with him?GIBBS: No, McGee, he's going to cooperate with me.KATE: I'll be right back. I'm just going to run this down to Abby. Enjoy.(SFX: ALL THROW VEGGIE WRAPS IN TRASHCAN)[SCENE_BREAK]EXT. HANGAR - DAY(SFX: CAR DOORS CLOSE)KATE: Beyond first class? You gotta be kidding me. You might as well call it Rich Jackass Airways.TONY: I think it sounds cool.KATE: You would.TONY:What's that supposed to mean?KATE: Nothing, Rockefeller.TONY: Oh, I get it. So because I grew up with money that somehow makes me bad. Very deep.KATE: Well, it's better than having to work everyday like I hadto.TONY: Listen, do you think money makes life easier? Huh? Everything was just a big ol' cakewalk for little Anthony DiNozzo? You tell me, Kate, because I really want to know.KATE: I'm sorry, Tony. I didn't meananything by it.TONY: Because do you want to know the answer to your question? Yes. Money makes a huge difference. Huge. I miss it every single day of my life so much it makes me want to cry.KATE: You'repathetic.TONY: It's part of my charm.KATE: Yeah.[SCENE_BREAK]INT. HANGAR - DAYTONY: All right, let's find this little twinkle toes .... Hey, there. We're looking for your boss, Thomas McAllister. Is hearound?THOMAS: You'll have to hold on a second. Could you pass me that socket wrench, please, Miss?KATE: Is he even here or shall we stop by a country club or something?THOMAS: I'm Tom McAllister.TONY: AgentsTodd, DiNozzo. NCIS.KATE: Do you always work on your own planes, Mister McAllister?THOMAS: Whenever I can find time in my busy social schedule down at the club, Agent Todd.KATE: I'm sorry about that. Ididn't...THOMAS: It's fine. You would have been right a couple years ago. And please, call me Tom.KATE: Kate. So, do you own all these planes?THOMAS: Me and the bank. That's my new one out there. I plan on takingit for a test flight today if you're interested.TONY: You don't seem too broken up for a guy who just lost his brother, Tom.THOMAS: I've known he's been dead for quite some time, Agent DiNozzo. The first week youexpect a ransom note. After a month you pray. A year... you just know.KATE: When was the last time you talked to your brother?THOMAS: About three months before the accident. Would you believe we grew up fishingat Black Lake?TONY: The thing is it wasn't an accident.THOMAS: The Navy, they said...TONY: Your brother was murdered.THOMAS: Are you absolutely positive about that?KATE: He was shot on the weekend of Octoberfourth, two thousand two. I'm sorry.TONY: Considering his body was found dumped twenty miles from your house, we'd like to know where you were the weekend he disappeared?THOMAS: Me? I was at home.TONY:Anyone who can verify that?THOMAS: I was with my father.TONY: Let me rephrase. Is there anyone who can verify that is still alive?THOMAS: No. Are you saying you think I did it?KATE: We're just following up on anyleads we can, Tom.THOMAS: Of course. Whatever I can do to help.[SCENE_BREAK]INT. SQUAD ROOM - DAYMCGEE: I can't tell you what an honor this is, Sir. Thank you.COOPER: Don't believe everything you read inthe book, kid. It's called fiction for a reason.MCGEE: I actually write a little myself. Is there any truth to the rumor that S.E. Eckhart is in fact you?COOPER: If I was a bestselling author, would I be crawling through theswamps of Virginia searching for reward money?MCGEE: No, I guess not.COOPER: Damn straight. Now tell me about your boss. Is he always such a hardass?MCGEE: Agent Gibbs? He's a lot like you, actually. In fact,the main character in my book is based on him.COOPER: Oh, yeah. I hope you got a better deal than I got.MCGEE: He doesn't know it... yet.GIBBS: Don't know what, McGee?COOPER: What a great guy I am,Gibbs.GIBBS: You ready to tell me how you found McAllister?COOPER: You ready to tell me what you pulled out of his car and his corpse?GIBBS: Depends.COOPER: On what?GIBBS: How bad you want that milliondollar reward.COOPER: Oh, considering how I don't collect 'til you put the murderer behind bards, oh, you got me by the short hairs here, Gibbs. Yeah. I figured the Lieutenant headed home that weekend. But the backroad that he liked to drive... I think it was washed out. Here, take a look at these weather patterns. I spent nine weeks getting these from the National Weather Service. Every Doppler readout, every satellite image Icould find. Pocket of storms, real tight, near the road.MCGEE: Enough to swell that creek alongside?COOPER: Yeah, but only on that side of the mountain, kid. My educated guess? I think McAllister doubled back, tookthis road to the other side where the storm hadn't reached yet. See, the locals only use that road when there are bad storms.MCGEE: It's right along Black Lake, Boss.COOPER: I figured if somebody wanted to kill him,they had to know the roads and the weather the way McAllister did. And they'd have to know he was coming. Am I right?(SFX: ELEVATOR DOORS SLIDE OPEN)TONY: I wouldn't have believed it if I hadn't seen itmyself.KATE: What?TONY: Kate Todd acting like a high school girl with a crush.KATE: He's not a murderer, Tony.TONY: I'm sorry, were you using the new NCIS magical murderer detector back there?KATE: Mygut.TONY: Ah. If you were a guy, I would say you were using--KATE: Don't even say it if you want to live!GIBBS: What did Thomas McAllister have to say?KATE: He hadn't heard from his brother in three months.TONY:Definitely hiding something, boss.KATE: My best guess, it was grief. There's no way he's involved, Gibbs.GIBBS: Abs, what do you have?KATE: The last three calls that came in on the phone from the lake were all madeon Friday, October fourth.GIBBS: Yeah?KATE: And they were all from his brother, Thomas McAllister. Sorry, Kate.(MUSIC OUT)[SCENE_BREAK]INT. NCIS GARAGE - DAY(SFX: TRUNK CLOSES)COOPER: This McAllisterfamily's got more skeletons than a North Korean prison camp, Gibbs. That's everything I turned up. Six months of leg work. Is it okay to smoke in here, sweetheart?KATE: It's Agent Todd, and no, Detective Cooper. It'sa federal office building.COOPER: It's a wonder you guys catch anybody working under these conditions.KATE: We manage.GIBBS: This supposed to be in some sort of order?COOPER: The order is up here, Gibbs. AndI'll be glad to lay it out for you once you tell me what you found in that wreck.GIBBS: Lieutenant McAllister was shot.COOPER: How many times?KATE: At least once.COOPER: You get the round?GIBBS: It was recoveredfrom the passenger-side door.COOPER: Uh-huh. Pistol, huh? Rifle would go clear through.GIBBS: Forty five.COOPER: Ah. Car must have been stopped. He was approached, but not alarmed. Know his attacker? Oneshot, point blank. Blam. Poor sap never saw it coming. You know how, Gibbs. Want to know why?(SFX: ELEVATOR DINGS/DOORS SLIDE OPEN)TONY: Ow! Angle your end down, Probie.MCGEE: I told you we shouldhave taken the legs off.TONY: Ow! Ow! I said down! What does Cooper need this thing for anyway?MCGEE: He's old school. It's part of his process. He has solved every case he's taken on, Tony. How many detectivesdo you know with a hundred percent batting average?TONY: You mean besides Gibbs?(SFX: TONY AND MCGEE STRUGGLE TO MOVE THE TABLE)TONY: Finally.GIBBS: Change of plans. We're doing this upstairs.(SFX:ELEVATOR DOORS SLIDE CLOSED)MCGEE: Maybe we should take the stairs.TONY: Maybe you should take the legs off like I told you to. I'm going to take the stairs.MCGEE: I'm the one who said that--TONY: Ah!Ah![SCENE_BREAK]INT. SQUAD ROOM - DAYCOOPER: Elaine McAllister, the mother. Into the occult in a big way. Psychic, séances, all that weird sh-stuff. She dies in ninety three, the family falls apart.GIBBS:How?COOPER: The old man. He took it pretty hard. He decided he was going to contact the dead wife. Starts neglecting the family business.GIBBS: What do you mean by make contact?COOPER: He consults this spacecadet, Saleena Lockhart. Claimed to be a psychic.KATE: I've heard of her. She used to have that tabloid astrology column.TONY: I don't buy it.KATE: Astrology?TONY: No, you reading tabloids.COOPER: She weasels herway into the old man's life. Next thing you know she's practically running it. McAllister Avionics starts to slide until it's almost bankrupt by two thousand.GIBBS: How much money did he leave her?COOPER: You'requick, Gibbs. Almost ten million. He changed his will two weeks after the Lieutenant went missing. The surviving brother, still fighting it in court.TONY: She's kind of like Anna Nicole.COOPER: Who?GIBBS: That's what I"}
+{"doc_id":"doc_321","qid":"","text":"ACT ONEScene One \u0000 Hallway Outside Frasier's Apartment[SCENE_BREAK]Roz is standing at the door to Frasier's apartment when the elevator opens and Frasier, Daphne, Niles and Mel get off. All four are dressed inblack.Frasier: Oh, hi, Roz.Roz: Oh, there you are. I brought something for Daphne and I was just gonna leave it with the doorman. [Daphne begins to cry]Frasier: Oh, lord.Reset to: Living Room They go in. Daphneheads into the powder room.Roz: Did I say something?Frasier: Well, actually our doorman, Morrie, passed away this week. We just got back from the funeral.Roz: Oh, my gosh, I'm so sorry. Is she going to be allright?Frasier: Well, you know, she's been a little high-strung all week, even before he died. I guess it's just wedding stuff, you know.Roz: Yeah.Daphne comes back.Daphne: Ooh, sorry 'bout that. So, you brought mesomething, Roz?Roz: Well, yeah. I figured you couldn't get married without wearing something borrowed. [Hands her a small box]Daphne: Oh! What a beautiful garter! Look at all the lovely detail.Niles: I especially likethe little odometer.Roz backhands him in the stomach as he grins.Daphne: Thank you so much, Roz.Mel: Does anybody besides me feel like a cup of coffee?Frasier: Oh, I'll brew a pot.Mel: Oh, don't be silly. I've beenhere enough times to know how to get the coffee made. Daphne, make us some coffee. [Then] Kidding!Niles laughs. She heads for the kitchen.Roz: [picking up a folder] The Wayside Inn. This is where you're havingyour wedding? Oh gosh, it's just so beautiful.Daphne: I hope it is, the planning's been a nightmare. I spent an hour today on the seating charts. Everyone has some demand. \"Don't sit me near the band\", \"Do you mindif I bring a friend?\"...Roz: Oh my God, you can't seat me next to him.Daphne: Exactly! Every selfish, whiny little thing...Roz: No, you cannot seat me next to Tim Walsh. I dated him all last summer and he dumpedme.Daphne: He's going with my bridesmaid Annie. I have to seat the bridesmaids together.Roz: This always happens to me. Is there no place I can go without running into some guy I've dated?Niles: I was readingabout a Trappist monastery in the Amazon that they somehow built into the treetop.Roz: Shut up, ya big doily! This is gonna be awful! Here I am at a wedding, sitting next to a guy who dumped me!Frasier: Oh, comeon Roz, you won't be alone. You'll be on the arm of a well-known Seattle boulevardier and radio star.Roz: Frasier, I can't go with you. I mean, going to a wedding with your boss is like going to the prom with yourbrother.Frasier: Niles and I did not go to the prom together! Our dates were sick and we went stag!Niles: In retrospect, yes, we should have canceled the horse-drawn carriage, but hindsight is20/20.[SCENE_BREAK]MEMENTO MORRIEScene Two - Frasier's Living Room[SCENE_BREAK]Martin enters carrying a gift bag.Martin: Hey, Roz.Roz: Hi, Martin. I'm really sorry to hear about your friend Morrie.Martin:Oh, thanks. Yeah, his wife just did the nicest thing. I guess she knew Eddie and I'd stop by and shoot the breeze with him, so she gave us something to remember him by.Frasier: Oh, well. [Reading the tag] \"For Martinand Eddie.\" Gee, isn't that nice?Martin: Yeah, I think it's some kinda wine.Frasier: Well, yes I'd say so, but...He pulls out the bottle, reads the label, and gasps.Frasier: My God, Dad! This is a 1945 ChateauPetrus!Martin: Oh, yeah? She said he got it from his uncle who was in France after the war.Frasier: Well, it's one of the rarest bottles in the world!Martin: Well, if you're good, maybe Eddie'll give you a glass out of hishalf.Martin exits to the kitchen as Niles comes over to examine the bottle.Niles: I've never even seen a '45 Petrus!Roz: Oh, poor Morrie. He probably waited his whole life for an occasion special enough to open thatbottle.Frasier: Yes. Perhaps this should be a lesson for us all. Morrie might be standing guard at the door to heaven right now, but he's buzzing us with one last message: Live life now. I'm reminded of a parable...Knockon the door.Daphne/Niles/Roz: Come in!The door opens and Simon (Daphne's obnoxious brother) enters with a duffel bag.Daphne: Simon!Simon: Hello, sis.Daphne: I thought you were in California.Simon: Yeah, well,those friends I went to surprise were out of town. So I decided to housesit for 'em, which was lovely. 'Til they came home last night. I don't know what all the screaming was about, I was the one in the tub! Whereshould I put this bag?Frasier: By the door so you don't forget it when you leave.Simon: Right. I think I know everyone here. [spots Roz] Or do I? And what would your name be then, Miss?Roz: Simon, you low-life idiot!You made a date with me last week and you stood me up!She crosses toward the door.Simon: Sorry, love, I need a bit more to go on.Roz: Maybe this'll refresh your memory.She slams the door in his face.Simon: Roz!Of course!Martin: [entering from kitchen] Well, look who's back!Simon: Well, who's this then? I'd say it was Marty Crane, but he's a bit too young and trim, eh?Martin: Oh, go on! Can I offer you a beer?Simon: Oh, Ihate to drink alone, could I have a sandwich with that?Martin and Simon exit to the kitchen.Frasier: If that beer-swilling boomerang thinks he's staying here, he's got another thing coming.Niles: Better get a move on,he's already got your address on his duffel bag.The phone rings, Daphne gets it and goes to her room. Mel enters from the kitchen with a cup of coffee.Mel: We'd better get going if we're going to reach the cabin bydark.Frasier: Cabin?Niles: Yes, Mel and I are celebrating our six-month anniversary by taking a little mid-week getaway to her friend's country place.Mel: Yes, no phones, no stress, just two days of rest and relaxation. Ido have to pick up a little anniversary gift, though, so give me nine minutes and pick me up at the northwest corner of Pike and Elm at 4:42.Mel and Niles refer to their watches.Mel: Coming up on 4:33...Niles:Synchronizing...Mel: Now! [Then] Good, I'm relaxing already.She kisses Niles and leaves. Martin and Simon enter from the kitchen.Simon: Thank you Marty, it's most hospitable of you.Martin: Well, you gotta have aplace to stay...Frasier: Stop right there! He cannot stay here! The man is loud, ill-mannered, and the last time he stayed here he killed a ficus tree on the downstairs neighbor's balcony by means which are best left tothe imagination!Martin: Frasier, I invited Simon to stay in my Winnebago! Come on Simon, I'll show you your new digs.Frasier: Oh, lord. Simon, you know I...Simon: Oh, no, forget about it. It's no worse than what Iwas just sayin' about you in the kitchen.Frasier: [chuckles] Good one.Simon: [sotto to Martin] He thinks I'm joking.Simon and Martin leave.Niles: Join me in a sherry, Frasier?Frasier: Oh, I think I will, Niles.Niles: Youknow, I have to admit, I'm a little bit nervous about this trip. I have a feeling Mel may make another push for us to live together.Frasier: Oh, my.Niles: She's been bringing it up quite a bit lately. She says it's a goodway for us to test our relationship.Frasier: You're afraid you'll discover things about each other that you won't like?Niles: Oh, no. No, no. We're past that stage. She knows my likes and dislikes. I've come attuned to hervarious quirks... eccentricities... bugaboos.... bκte noirs... night terrors. It's the fun of being in love. I don't know what's bothering me.Frasier: Is it possible that your foot-dragging might have anything to do with somelingering feelings for Daphne?Niles: Frasier, uh, you must realize I put that behind me months ago.Frasier: Just asking.Niles: I'm very happy with Mel.Frasier: Well then, what's your problem?Niles: Uh, well, let's see. Ijust got through with a rough divorce. I do have a tendency to be overly cautious...Frasier: This could be a chance to change all that.Niles: So you're in favor of it?Frasier: Well, I've never really been the president of theMel fan club, but she does seem to make you happy. And as we were reminded this morning, life is not to be taken in baby steps. Ask not for whom the doorman buzzes...Niles: Thank you. All right. That wasmuch-needed therapy.He gets up to leave.Frasier: Well, it was my pleasure. You're my brother, you get the family rate.Martin comes in as Niles gets to the door.Martin: Hey, guys. Got all the way down to theWinnebago and realized I had the wrong keys.Niles: See you guys in a couple of days.Martin: All right.Niles leaves, Daphne enters from her room on the phone.Daphne: You don't say, mum. Your phlebitis again? Shelooks pleadingly at Frasier and holds the phone out.Frasier: [bellowing] Daphne!Daphne: Got to go now, mum, Dr. Crane's on the warpath again. Bye. [Hangs up, then to Frasier] Thank you!Martin: Daph, I'm gladyou're here, because I was thinking about that wine of Morrie's. You know, that's something really for a special occasion. So, I'd like you to have for the wedding, enjoy it on your honeymoon.Daphne: [starting to cry]Oh, Mr. Crane!She hugs him and cries on his shoulder.Martin: Oh, Daphne, come on. Come on now, it's only a bottle of wine. I don't even know that much about it. Frasier? Help me out here, will you?Frasier: Well Dad,Chateau Petrus is a premier crux Bordeaux...Martin: No, no, no. No, I mean with Daphne.Frasier comes over and holds Daphne.Martin: There you go.Frasier: Oh, Daphne.Martin leaves.Daphne: I'm sorry to get soemotional like this.Frasier: It's all right. The funeral must've really upset you.Daphne: It's not that. Dr. Crane? I've wanted to talk to you about this all week, but I haven't known what to say. You promise you'll keepthis just between us?Frasier: Of course.Daphne: It's about your brother. You see, I know.Frasier: Know what?Daphne: I know about his feelings for me.Frasier: My God! How did you find out?Daphne: It's notimportant.Frasier: Somebody blabbed, didn't they? Why can't people just mind their own business? Who was the nattering gossip? Roz? Dad?Daphne: You.Frasier: What?Daphne: You were taking those pills for yourback and you blurted it out while I was giving you a massage.Frasier: Oh, well, they were very strong pills, you see...Daphne: Needless to say, it completely took my breath away. At first, I tried to forget about it, put itout of my mind.Frasier: Well, the bottle said just to take one, but I'm a big man...Daphne: Oh, will you shut up about those pills?!Frasier: I'm sorry. I'm sorry.Daphne: Anyway, after a while, I couldn't put it out of mymind anymore. I find myself thinking about him all the time.Frasier: Daphne... are you saying that you have feelings for Niles?Daphne: I think I do. Oh, I don't know! Even if I did, he may not feel that way about meanymore, he's with Mel now!Frasier: I-I don't know what to tell you, Daph. Uh, I, I, think the best thing is for you to, to try to find a way to talk with Niles.Daphne: Ugh. That's not an easy conversation to have.Frasier:It's easier now than after you're married.Daphne: You're right, I have to talk to him. And right away. I'm already making myself sick over this. If I leave it any longer, I'll be a complete basket case. Uh, did he mention ifhe was going home?Frasier: Well, ah, actually, um, ah, he's going, ah, somewhere else first. Um...Daphne: Where?CUT TO: the hallway. Martin and Simon are getting off the elevator.Martin: Get you some towels andyou'll be all set down there.Simon: Right.They enter the apartment, Daphne is again sobbing on Frasier's shoulder.Martin: Oh, geez, Daphne! It's just a bottle of wine!END OF ACT ONEACT TWOABSENCE MAKES THEHEART GROW FATTERScene One - Frasier's Living Room. The doorbell rings.Daphne: [v.o.] I'll get it![SCENE_BREAK]Daphne is in the apartment, eating cookies from a large bag. She puts the bag down, composesherself... and opens the door to reveal Frasier holding a lot of packages.Daphne: Oh. Dr. Crane! I didn't even know you'd gone out. I thought you might be your brother.Frasier: Well, I went down to get the mail and gotall these wedding gifts for you. But don't worry, Niles called and said he'd be coming by this afternoon.Daphne: [picking up the bag and eating another cookie] I don't even know how I'm going to begin thisconversation.Frasier: Well, I'm sure those chocolate-chip blackened teeth'll be a nice icebreaker.Daphne: I've been so nervous lately, I've done nothing but stuff myself with junk food.Frasier takes the bag and thedoorbell rings.Daphne: Oh, it's him!Frasier: All right, all right, fine. You're gonna be just fine. Okay? Remember to speak from the heart.She goes to the door, composes herself... and opens the door to Martin.Daphne:Mr. Crane!Martin: Thanks! Eddie started doing his \"I don't know how much longer I can hold this\" dance and I just ran out without my keys. Have you ever seen him do that dance?Frasier: Just the droll impression of ityou do at parties, Dad.Daphne: [again eating cookies] You know, Mr. Crane, Eddie seems awfully fidgety. I don't think he got enough exercise on that walk.Martin: Anybody needs any exercise, it's you, the way you'reeating now. You know, when they put \"Party Size\" on that cookie bag, they don't mean party of one.The doorbell rings again. Frasier takes the bag and Daphne composes herself again \u0000 then opens the door toSimon.Daphne: Simon! What do you want?Simon: Well, I've just come to borrow a pen so I can fill out this job application.Frasier: What? Oh, you're applying for work? Well here, allow me. [Gives him a pen] Gosh,we'll miss you around here, but onward and upward! [laughs] So, what's the job?Simon: Doorman.Frasier gasps and staggers, as Daphne supports him.Frasier: Dear God.Simon: Well, it's ideal for me, really. Nice cozychair, plenty of time to think the long, long thoughts of youth. Not to mention what the uniforms do for the ladies, ah? [laughs] If memory serves, a certain bellhop back in Manchester found that out with a young ladywho will remain nameless.Daphne: Simon! [to Frasier] I tell you, I'm this close to just poppin' him one!Frasier: Now, now Daphne. Daphne, you just have to calm down. Here, have a cookie. [Gives her the bag, she eatsone]Simon: What is up with your appetite lately? What, are you knocked up or somethin'?Daphne: Of course not!She storms toward him, Frasier grabs her.Simon: Now, now, you wouldn't be the first person in ourfamily to be walking down the aisle carrying more than just a bouquet.Daphne lunges at him, with Frasier holding her back. The doorbell rings again.Frasier: Uh, Simon, why don't you finish filling that out in the kitchenand help yourself to a beer?Simon: Well, great!He goes to the kitchen. Frasier takes the bag as Daphne composes herself again... and opens the door to-Daphne: Roz!Roz: Hi, guys! Hey, Frasier? I felt kinda bad aboutthe other day, dumping you as my wedding date...Frasier: You want me back, don't you?Roz: And I'm sick about it. But I can't find anybody else.Frasier: Sorry Roz, I already invited somebody else, she's driving up onSaturday to join me.Roz: Well, get rid of her! I need a date! I'm desperate!Simon enters from the kitchen with a beer.Simon: Well, well, somebody here is singin' my favorite song.Roz: Simon? There's a guy who lives inthe park across the street from me. He wears a cat suit and meows at people. If he's busy, maybe I'll call you.Simon: I'm prettying myself up, just in case. Speaking of which, Daphne, I borrowed your blow dryer for myjob interview.Daphne: I spent an hour looking for that! I thought I was losing my mind!Simon: Well, that does happen to women in your condition. You know, in the family way.Martin: [entering] You'repregnant?Daphne: I AM NOT PREGNANT!Simon: What, just another scare, then? Like that time back in school with that Pakistani chap?Daphne: [lunges at him] Right, that's it, you pig!Roz ducks out of the way. Frasiergets in front of her, scoops her over his shoulder and heads for the door.Daphne: Oh, put me down!Frasier: Daphne and I are going out for a breath of fresh air, perhaps retrieve her blow dryer. Oh, if Niles shouldhappen to stop by, keep him here. There's something important I need to discuss with him.He is going out into the hall as he says this.Reset to: Hallway He shuts the door.Daphne: Oh, for God's sake, put medown!Frasier: Not until you promise not to kill your brother.The elevator opens, he goes in and puts her down. There is a neighbor with a basket of laundry next to them.Daphne: Oh, all right! It's not as if he doesn'tdeserve it, telling everyone I'm carrying Donny's baby! Like I don't have enough to worry about today, waiting for Dr. Crane.Frasier: Daphne, Daphne, you have to calm down.Daphne: It's not easy. I don't even knowhow to begin with him. \"Would you like steak or salmon at my wedding? And by the way, I think I might be in love with you.\"Frasier: You'll find the words when the time comes, all right? [Glares at the neighbor] Anddon't pretend you're not listening, Mrs. Richman! Your laundry is not that interesting.[N.B. Mrs. Richman is Doris from [5.09], \u0000Perspectives on Christmas.\u0000]Back in the apartment, Roz is on the phone.Roz: Oh, comeon George, I'm desperate here. I promise you a good time. I mean a REALLY good time, if you get my drift. [Pause] You might have mentioned I was on speaker-phone!She disconnects.Simon: Listen to what you'redoing, Roz. It's not very dignified, is it?Martin: Come on Roz, give Simon a chance.Roz: So he can stand me up again?Simon: And miss my sister's wedding? Never! If you're worried about my appearance, I know whereI can get my hands on some very nice Armani suits.Martin: Or you could just grab one out of Frasier's closet.Roz: What did you think he was talking about? All right. But Simon, just remember my ex-boyfriend will bethere. If anybody asks, you're an internet millionaire.Simon: Right. I'll be the perfect, well-bred, up-market gentleman. Now, I'll walk you to the garage.Roz: Ah, you don't have to.Simon: No, it's no bother. I livethere.They go to the door and open it to find (at last!) Niles. He is wearing a large grin.Niles: Roz!Roz: Niles.Niles: Simon!Simon: Well, by the look of that smile on your face, I'd say somebody got himself a bit lastnight. [gestures lewdly with arms]Niles: [looking shocked and appalled] I find that remark rude, boorish and IMPOSSIBLE TO DENY! [Breaks out laughing]Simon: Brilliant!Simon gives Niles a punch in the arm, knockinghim back into the hallway. Roz just looks disgusted as they leave. Niles comes in.Martin: Niles, how was your trip?Niles: Oh, fantastic, Dad. Where's Frasier? I have some news.Martin: He'll be back in a bit. What'sup?Niles: Oh, well, uh, I should wait for Frasier, it was really his idea. Do you mind?Martin: I can wait.Niles: Okay, I can't!Martin: What is it?Niles: I'm married!Beat.Martin: Married?Niles: Yes, Mel and I elopedyesterday. [Martin is stunned] Well?Martin: [gets up to hug him] Well... congratulations, son! That's great. So, uh, you're happy, right?Niles: Oh, happy? I'm delirious!Martin: Yeah, you'd have to be, wouldn't you? So,you say this was Frasier's idea?Niles: Well, indirectly, yeah. Oh, oh, before I forget: it occurred to me, I think we should keep this from Daphne and Donny. I would hate for them to think we were stealing theirthunder.[SCENE_BREAK]Frasier comes in.Frasier: Oh, Niles.Niles: Frasier, three guesses what I did yesterday...Frasier: What?Daphne enters behind him (with her blow dryer).Niles: Daphne.Daphne: Dr. Crane.Niles:[to Martin] Oh, send Daphne away.Daphne: [to Frasier] Get rid of your father.Martin: Daphne, could you go to the drugstore? I'm all out of liniment and my back's gettin' kinda achy.Frasier: You know, Dad, that'sbecause you've been sitting in that chair all day. I'll tell you what, you know what you could use? A good walk to the drugstore. Do you a world of good. I'll go with you.Frasier grabs Martin's arm and cane and startsdragging him to the door.Martin: Well, okay, all right. Niles, why don't you come too?Niles: Yeah, we'll all go. [He starts to follow]Frasier: No, no, there's something very important I need to discuss with Dad, Niles. I'msure you understand.Martin: Fras...!Frasier slams the door behind them. Niles and Daphne look at each other a moment and then Niles's cell phone goes off.Niles: Oh, excuse me. [Answers phone] Hello? Mel, darling!Oh, just hanging out with Daphne.CUT TO: the hallway. Frasier and Martin are waiting for the elevator.Frasier: Honestly Dad, when will you learn to take a hint?Martin: I can't take a hint? Couldn't you see that Nileswanted to talk to you?The elevator opens and they get on. Mrs. Richman is there, without the basket, apparently going back for another load.Frasier: Well, whatever it is, it can wait.Martin: Oh, yeah! No big deal, hejust got married, that's all!Frasier: What?Martin: He eloped with Mel yesterday.Richman: Poor Daphne...Frasier: Would you please keep out of this, Mrs. Richman? We have got to get back up there. [Stabs at thebuttons]Martin: We're going to the basement.Frasier: I can't wait that long!The doors open on a lower floor. Frasier runs around the corner to the stairs.CUT BACK TO: the living room.Niles: [on phone] I'll see you later,"}
+{"doc_id":"doc_322","qid":"","text":"Andy: Alright everybody, great season of softball, I'm super proud of you guys and I think you're gonna like this little highlight reel that I put together. [Andy plays video]Group: Dunder Mifflin!Andy: Andy Bernardpresents: Summer Softball Epic Fails! [Kevin swings bat on screen, fart noise follows] Fail. [repeats] Fail.Kevin: That's me. [repeats]Andy: Fail.Oscar: Is this like a blooper reel?Andy: A blooper reel? What is this, 2005?I look like Bob Saget? Fail! [Points to video] Who's this guy? [Jim steps back and forth from plate on video as Andy sings Meow Mix theme]Look at him dance. Fail!Dwight: Fail!Jim: I deserved that.Andy: [Darryl runs inslow motion on video] Do do do do do do do.Darryl: That was a triple.Andy: Can't take the fail? Get out of the fail video!Darryl: My pleasure.[Clark and Pete are shown on screen]Video Andy: Hey, I'm Pete, puberty issuch a drag, man. And I'm Clark! I like to eat toilet paper. [Clark and Pete wave at camera] We fail! [Video shows memorial of Jerry]Andy: I'd like to take a solemn moment to remember Jerry in the warehouse whopassed away this year. [Screen flashes 'FAIL' over Jerry's face, accompanied by fart noise, repeats twice.] Well, that's all folks. [photo of Andy watersking shows on screen] Ski ya later everybody. Thanks for a greatseason. [Group claps halfheartedly]Oscar: What was that? That was just a normal video with you making vulgar noises.Andy: Well, I worked with what I had, Oscar. Next time do more failure stuff, OK?Jim: Uh, whathappened to that video I sent you?Andy: Oh that wasn't...that didn't work. That was not the right..[Group protests]Jim: I think I got it right here. [Cheering on screen, Andy struggles with lifting water cooler, then fallsover dumping the fluids on himself][Group laughs]Andy: That was not a fail.Group: Fail! Fail! Fail!...Andy: [Group continues chanting \"Fail!\"]That was actually a serious accident that could have resulted in severe bodilyharm. [Group keeps chanting] You're all failing right now. [Group continues] Congratulations on your epic fail of the use of the word fail! [Group claps and chants][SCENE_BREAK]Dwight: [Toby uses tester on wall asErin marks wall with red tape X] Oh, god.Phyllis: What's going on?Dwight: Nothing! Nothing is going on. Keep moving please.Stanley: What's he measuring?Dwight: OK, excuse me. I am the landlord. This is betweenme and the management, no one else. Please.Toby: It's an EMF hotspot.Phyllis: [Gasps] Oh my god!Oscar: It stands for electromagnetic field. Generally cause by a concentration of wiring in one area [Erin marks redtape X on the floor] Especially if they're poorly insulated. Dwight.Andy: Um, OK I'm just walking into this. Am I to understand there is a bee hive in the wall?Toby: You think I have a machine for measuring beehives?Andy: I was just asking a question, Toby. How are you not murdered every hour?Stanley: Well I'm not getting paid to work in a microwave oven.Dwight: OK, listen. Everything here is up tocode.[SCENE_BREAK]Dwight: [mocking] Oh, the wires need insulation. [normal voice] It's a wire people. I'm not buying it a fur coat.[SCENE_BREAK]Pam: [Jim rushes to open door for her] Thank you.Jim: You gotit.[SCENE_BREAK]Jim: Last week, I finally told Pam about the other job I took in Philly...the side job. And she was so incredibly cool about it. And now I just wanna do something huge for her. Like if we were in somebiker bar and she mouthed off to some bikers and they came lumbering over and I was like wham! [mimes punch] Gotta go through me first.[SCENE_BREAK]Nellie: Andy, could I have a word please? Um, it won't take amoment. It's extremely important and it really has to happen now.Andy: Fine. I will give you one minute.Nellie: Oh, please don't use the hourglass.Andy: You have one minute and your minute has begun and no timewill be added at the end, even to accommodate this sentence with all of it's baroque dependent clauses and cascading turns of phrase.Nellie: I'm trying to adopt a baby.Andy: A baby what? A human?!Nellie: Andthe...agency require a character reference from my employer.Andy: Oh.Nellie: You wouldn't have to do anything. I would write the letter myself and you just simply sign it. So.Andy: Oh, OK. And fall right into yourplagiarism entrapment scheme? I don't think so.Nellie: It's not..it's-Andy: And I happen to notice you're down to about thirty seconds here.Nellie: Well then if I could just convince...Andy: And those sand grains aretumbling..Nellie: You.Andy: With fury...Nellie: It's not..it's notAndy: Down the sides..Nellie: Entrapment if I'm..Andy: Of the hourglass..Nellie: ..writing..Andy: Time's up!Nellie: Fine.[SCENE_BREAK]Andy: Sure. I'll readher letter. And if she tells the truth about how evil and unfit to be a mother she is, then yeah. I'll sign that.[SCENE_BREAK]Dwight: [Reading from computer] \"Statistical correlations exist between EMF radiation andvarious health hazards. But mainstream studies are inconclusive!\" That means you can't make me do squat.Meredith: You better fix this. I already ditched my uterus and I ain't losing any more good parts.Dwight: Youpeople don't realize what you're asking. I'd have to rip open the walls. We'd have to shut this place down for a week.Pam: Week off. That'd be great.[SCENE_BREAK]Darryl: [Jim puts popcorn bag in microwave] Hey, ifyou don't want to teach me Power Point, just say so.Clark: I don't want to teach you Power Point.Darryl: Come on! Just show me the Power Point.Clark: Just do the tutorial.Darryl: You're the tutorial.Clark: No, dude,I'm not. I'm not the tutorial.Darryl: You could be.Clark: Mm-mm.Darryl: [to Jim] What are you doing?Jim: Getting my wife a week off from work.Darryl: You popped one kernel.Jim: Awesome, right? [leaves]Clark: SoCreed is that dude's step dad?Darryl: Correct.[SCENE_BREAK]Jim: Well, I don't know about the rest of you but I'm just gonna say it. I'm nervous. I have no idea what health problems this is all gonna cause. [groupagrees, protests]Dwight: What? Come on.Creed: I'm getting older. I'm losing my hair...Meredith: I'm not gonna grow a third arm![SCENE_BREAK]Dwight: I know what Jim is trying to do. He's trying to get big badDwight to shell out for a huge repair job while lucky Jimbo gets a paid vacation. Well sorry, lucky Jimbo, I can live very happily in a magnetic field. Most of my childhood heroes got their power thatway.[SCENE_BREAK]Jim: [reading from computer] \"Side effects of EMF include: headaches...\"Dwight: Had 'em all my life.Jim:\"..breast pain...\"Dwight: No nobbies, no probbies. Nice try Jim.Jim: Oof.\"Infertility.\"Dwight: [scoffs] Yeah right. [Dwight moves mouse pad over his crotch]Jim: Ah! There's my popcorn. Can you just grab that for me?Dwight: Psh. Keep your snacks on your side, Jim. Idiot. [notices poppedkernels in the bag] What the?Jim: What?Dwight: Some of these kernels have crowned.Jim: That's impossible, cause that's a brand new bag...[looks up to ceiling where there is a red tape X over Dwight's chair] Oh mygod.Dwight: Andy! [Jim mimes basketball shot][SCENE_BREAK]Jim: I'm gonna drive you up to the lake, give you a whole week on the water. Just you, me and the kids.Pam: Oh, can we stop by that pie stand on theway?Jim: You mean Laverne's Pies Tires Fixed Also? [Pam nods] Yes we will be doing that. We'll be getting a dozen.Pam: A dozen different pies? Cause that means rhubarb.Jim: Why would you say that? I meant 4apple, 4 blueberry, 2 cherry, 1 peach and 1 chocolate. I thought that was implied.Pam: Yeah, OK then.Andy: Ladies and gentlemen, I have heard your complaints and we reached a settlement.Dwight: So, we will beleaving the office for one whole week.Meredith: Nice job.Dwight: In my contract, it is stipulated that I provide a temporary work space. It will arrive in one hour.Jim: What?[SCENE_BREAK]Pam: What's this?Andy:Whoa!Jim: What?Dwight: [Bus pulls into lot] Bring it in![SCENE_BREAK]Dwight: Roll into the future with Work Bus. Say goodbye to wasteful buildings. These days a mobile office isn't just for hotshot politicians. Nowanyone can rent a work bus. [Meredith and Kevin bump chairs in bus angrily] If you've got a parking lot, a work space is just a phone call away. [Erin tapes candy dish to pole] In this age of belt tightening and lessempowered workers, a work bus is how tomorrow gets things done.[SCENE_BREAK]Stanley: [on phone] There are a hundred packs..Oscar: [On phone] No six after the eight, no....Stanley: Shh!Oscar: Shh!Stanley:Ninety nine cases..yeah.Oscar: Six. [Pete opens air vent over Angela, papers go flying]Angela: Ooh!Pete: Oh sorry! Sorry.Angela: Oh my god![SCENE_BREAK]Erin: [bumps into Meredith] Sorry.Meredith: Loseweight.Erin: I'm trying. Sorry.[SCENE_BREAK]Erin: [handing Nelly envelope] Oh, the Pennsylvania Department of Public Welfare Pre-Adoption Standard.Nellie: Oh of course, you were adopted.Erin: [laughs] I wish! No,I um, I made some short lists. I had a couple sleepovers, but I never managed to get in the end zone. I don't know what it was. Not loveable maybe? [laughs] Oh well.Nellie: Listen, I'm really struggling with this form.But as you know the system, you think maybe you could..?Erin: Absolutely. I know exactly what they want to hear. I would love to help.Nellie: Oh thank you so much!Erin: [whispers] Just don't tell Andy,because..Nellie: He hates me and thinks I'm a monster. Should go back to Loch Ness. [Erin nods][SCENE_BREAK]Clark: Stretch. Alright.Stanley: How many times do you need to take a stroll?Clark: I, my legs crampup! Ok, it's a circulation issue.Stanley: Boy, I will hammer spank your rear.Jim: Alright, alright, gang. Let's just settle down. You're yelling in her face.Clark: It's a medical thing.Jim: Just...you good?Clark: I'm good.I..Jim: [to Pam] I'm so sorry for all of this.Pam: It's OK. You know what they say, a change is as good as a rest.Angela: I, I need to get to the paper please. [Reaching for overhead bin above Pam, papers fall and Pamhas liquid spilled on her]Pam: Oh my god! Ah!Jim: I'll get you a napkin. Someone get napkins please!Pam: You know what? It's fine, it's fine. Let me just...it's fine. [Pam leaves work bus]Jim: Pam, I'm really sorry. I-I'm really sorry about...all that. [Dwight smiles at Jim] Really? Smirking?Dwight: What can I say? I love justice. You forced me to spend money on needless repairs, and uh now you're locked in a prison bus and yourwoman drips with beverage.Jim: Hey, Dwight. I was trying to do something nice for Pam. Can you just, help me out? Can we maybe take this thing somewhere? Or do something to not make this the worst dayever?Dwight: It's not my responsibility to solve your marriage problems by spending my money on gas.Jim: Andy!Andy: Yo. Dudeces.Jim: You're the boss. Don't you think we'd all be a lot more productive if while wewere doing work we looked up and saw the best rural pie stand in Pennsylvania?Phyllis: Oh, I know I'd be more productive.Kevin: As would I.Stanley: No question.Dwight: No. No! This is a work bus. The wheels are fortransporting the work space to and from the work site.Jim: What are you talking about? You're not the boss. Andy is. Andy?Phyllis, Kevin & Stanley: Pies! Pies! Pies! Pies! Pies!Andy: Alright! The fat people have spoken!Dwight, get this bus moving.Erin: Yes! [Group cheers]Jim: Next stop: Laverne's Pies Tires Fixed Also.Pam: Oh! Yes! [Group cheers, Dwight moves to driver seat]Jim: [To Dwight] So it looks like this work bus was apretty good idea after all, huh?Dwight: Get your foot behind the yellow line.Jim: You got it.Erin: Yeah Jim! [Group claps][SCENE_BREAK]Darryl: [Sitting outside building] Stop.Clark: Come back.Darryl: Too late.Clark:Mmm.[SCENE_BREAK]Group: Shabooyah, role call. Shabooyah, yah yah shabooyah, role call.Pam: My name is Pam.Group: Yeah!Pam: I like to paint.Group: Yeah!Pam: You think you're better?Group: Yeah!Pam: Oh noyou ain't!Group: Role Call! Shabooyah, yah yah shabooyah role call! Shabooyah, yah yah shabooyah, role call!Kevin: My name is Kevin.Group: Yeah!Kevin: That is my name.Group: Yeah!Kevin: They call meKevin.Group: Yeah!Kevin: Cause that's my name.Group: Role call! Shabooyah, yah yah shabooyah role call! Shabooyah, yah yah shabooyah role call![SCENE_BREAK]Creed: [Dwight pulls over to pick up hitchhiker]Thanks. Playing a little hookey from work today....Oh my god.[SCENE_BREAK]Andy: Dunder Mifflin road trip twenty twelve! [group takes pictures] Ah OK, now a serious one.Pam: Hey, where's Dwight? He should be apart of this. Has he been acting kinda weird to you lately?Jim: If by lately you mean the last twelve years, yeah.Pam: No, I mean he's sulking. That's not like him.Jim: He's just mad that we're all having fun.Pam: Thenwhy isn't he scheming? Or preparing to avenge?Jim: He's fine. He's indestructible.[SCENE_BREAK]Erin: Always say that a child is placed for adoption, never surrendered. We're not hostages.Nellie: [laughs] Well, I haveconsidered kidnapping one.Erin: Never say that.[SCENE_BREAK]Erin: I am so excited thinking about this child you're going to adopt.Nellie: I wish I could just wave a magic wand and make you a parentless five year oldagain. I would snap you up.[SCENE_BREAK]Stanley: Next stop pies! [group joins in]Group: Next stop pies!Kevin: Next stop pies!Jim: Let's go driver! [clapping] Laverne packs up the pie wagon at five so...Kevin: Atfive? That's only twenty minutes from now. The pie shop is thirteen miles away. So at fifty five miles an hour that just gives us five minutes to spare.Angela: So wait, when pies are involved you can suddenly do math inyour head?Kevin: Wh...Oscar: Hold on, Kevin, how much is 19,154 pies divided by 61 pies?Kevin: 314 pies.Oscar: What if it were salads?Kevin: Well, it's the...carry the four...and...it doesn't work.Dwight: I'm sorry tospoil Jim's fantastic voyage everyone, but we're almost out of gas.Jim: OK, well I saw a station about a mile back so, chop chop.Dwight: That name brand place? Nope forget about it, sorry. The tanks are so big on thisthing, five cents a gallon extra, that really adds up.Jim: Are you kidding me? Dwight, come on!Pam: Hey honey, I don't think we should push him.Jim: Oh no, I'm gonna push him. You know why? Because you're gettinga pie. Why? Cause you deserve it. And what is he doing? He's trying to drive us all around the countryside looking for gas because he knows we won't get there. Is that what we want?!Group: No!Dwight: Stop orderingme around, Jim!Jim: What do we want?!Group: Pies!Jim: When do we want it?!Group: Pies!Dwight: OK, fine. You win. Jim, you win. We have been battling for a long time, but you know what? You win, cause you arethe winner, you are the alpha male, there you go. [drops keys in Jim's lap] Alpha male, go buy your wife a pie. Go buy the whole world a pie.Jim: That's impossible. [Dwight climbs through ceiling hatch]Dwight!Meredith: Oh my!Jim: What are you doing?Meredith: Dwight, what the hell?Oscar: Dwight!Clark: What?Kevin: Well now I don't even feel like pie. Wait...no it's back.[SCENE_BREAK]Phyllis: [Dwight's footstepssound from the ceiling] Just drive away. Just..Pam: Phyllis! That's not safe.Kevin: Guys, we only have eighteen minutes left. At sixty one miles an hour we're just gonna barely make it.Pam: [to Jim] Go up and check onhim. He's upset.Jim: You know he's doing all this on purpose.Pam: Please? Just make sure he's OK? [Jim climbs through hatch]Stanley: Hurry it up for god's sake. They're gonna be out of banana cream!Andy: Bananacream is the first to go. We'll be lucky to get pumpkin at this point! [group gasps]Meredith: What?[SCENE_BREAK]Jim: Dwight? Why are you such a jerk? I am trying to do something for my wife and you keepderailing-Dwight: I'm barren, Jim.Jim: What?Dwight: My trouser hives are void of honey. I had congress with Angela and the child that she bore did not issue from my loins. I thought I would be a father and instead Iam a eunuch. Neutered by my own building.Jim: Is this about the popcorn? Or the X on the ceiling? Dwight, that was a prank.Dwight: You mean you flooded my building with dangerous electromagnetic radiation as aprank?Jim: No.Dwight: That's genius. That's the best prank you've ever done. [laughs]Jim: I'll take it.[SCENE_BREAK]Nellie: Andy?Andy: Who is it?Nellie: Um, is this a good time?Andy: Yeah. Perfect time. I'm right inthe middle of a rooftop crisis. [takes paper from Nelly] Fine, let me read it. What do we have here? Uh, ok, [reading] blah blah blah blah blah, dah dah dah dah dah dah, you've made this very easy for me. It'sunsignable.Nellie: Oh, why, is there something?Andy: It's inaccurate, dishonest and...in a word? Dongwater.Nellie: Ah well, perhaps I could rewrite some of the-Andy: Here's the thing, you asked me to do you a favor? Idid it. I read it. Thank you very much to me for my time. Good luck with your impossible dream.Nellie: Alright then.[SCENE_BREAK]Jim: Dwight, sometimes it takes couples years to get pregnant.Dwight: Really? Howlong did it take you and Pam to conceive?Jim: That doesn't matter.Dwight: What position did you use to conceive?Jim: Ok...that's not...Dwight: Regular? Or lady on her back? You used lady on her back, didn't you, youfreak. Yuck, gross. Never mind, Jim.[SCENE_BREAK]Andy: [To Pete. Crying sounds come from behind Nelly's curtain] British women. Famously overemotional. Am I right?Pete: I don't think that's Nelly.Andy:What?Nellie: Oh, oh no, no. Look, it's alright. [Erin cries, Nelly comforts her] It really isn't your fault. No, no. Look, it's...you were so kind. And it isn't anything to do with you.[SCENE_BREAK]Jim: Did you ever thinkthat because you own the building, everyone in it, we're all kinda like your children?Dwight: You know there's a phrase about that in German. Bildenkinder. Used almost exclusively by childless landlords to consolethemselves. But now? I really understand it.Jim: Well, now you have a bus full of real..bilden..kin..Dwight: Bildenkinder.Jim: OK. And they're all dangerously close to not getting pie. And there's only one guy who cansave them. It's not me.[SCENE_BREAK]Pam: Oh! [Jim reenters bus through hatch] Hey! How'd it go?Jim: It's pretty good actually.Pam: Yeah?Jim: We bonded. We got to- [Dwight starts dropping into the bus on top ofJim]Oscar: Whoa! Whoa! Dwight! [group reacts]Dwight: When you don't get out of the way! Out of the way!Pam: You feel OK now?Dwight: Oh, better than OK. [grabs Pam's shoulders] You know what honey? I'mgonna get you that rhubarb pie.Pam: Well, actually, rhubarb is-Jim: Don't..Pam: the one pie that I don't.Jim: Don't..Dwight: Everybody! Hang on! [Dwight pulls out quickly]Angela: Oh! [bus tears around corners asgroup crashes into each other][SCENE_BREAK]Jim: [Group chants along] Pie! Pie! Pie!Group: Pie! Pie! Pie! Pie! [cheers as they arrive][SCENE_BREAK]Nellie: Oh.Andy: I changed my mind. [gives Nelly papers]Nellie:Oh, you signed it?Andy: Yeah. Not as is, obviously. Made a couple changes. Added some sentences at the end. Trust me it needed it. [laughs] Well, yeah, whatever. So. [walks away][SCENE_BREAK]Nellie: [Reading]\"She's tough in business, but tender with the people she cares about. She'll make a wonderful mother to any child who can overlook weird accents.\"[SCENE_BREAK]Kevin: I insult you, Oscar.Oscar: What?Kevin: I insultyou! To your face!Oscar: I don't know what you're talking about.Kevin: Then why don't you do something about it?Oscar: [laughs] Kevin, are you trying to get me to hit you? In the face with my pie?Kevin: You don'thave the guts. You stupid, dumb, doo doo face! [Oscar pies Kevin] Yes![SCENE_BREAK]Pam: Oh my god. I'm getting so stuffed.Jim: We did it.Pam: You did it.[SCENE_BREAK]Andy: My name is Andy!Group: [bored]Yeah.Andy: I don't do drugs!Group: Yeah.Andy: Now check the style!Group: Yeah.Andy: Of Flatt & Scruggs!Group: Yeah. [Andy plays banjo]Pam: Role call.Phyllis: Role call.Oscar: Role call.Creed: What?"}
+{"doc_id":"doc_323","qid":"","text":"Genesis of the Daleksby: Terry Nation Part FiveRunning time: 23:27[SCENE_BREAK]HARRY: Doctor, please, don't tell. Doctor.DOCTOR: All right, all right! Just leave them alone.DOCTOR: The Dalek invasion of the Earthin the year 2000 was foiled because of an attempt by the Daleks to mine the core of the planet. The magnetic properties of the Earth were... Mars... the Daleks were defeated by a virus that attacked the insulation onthe cables in their electrical systems. ...In the space year seventeen thousand was halted by the intervention of a fleet of war rockets from the planet Hyperon. The rockets were made of a metal that was completelyresistant to Dalek firepower. The Dalek Task Force was completely destroyed.DAVROS: This seems an opportune moment to end this session. Nyder. Release the prisoners. Take them to the detention area.DAVROS:Interrogation will continue later. And I must thank you, Doctor. What you have told me will be invaluable.DAVROS: All this information, this foreknowledge, will be programmed into the Dalek memory banks. Take themaway.DAVROS: Doctor, stay a moment. Sit down. Let us talk together now, not as prisoner and captor, but as men of science. There is so much I wish to know. Nyder, take charge of the tape.NYDER: Immediately,Davros.DAVROS: It will be your responsibility, and remember, it is priceless. It's value beyond computation.[SCENE_BREAK]SARAH: Ah, thank you.HARRY: Who are you?GHARMAN: My name's Gharman.HARRY:Gharman?GHARMAN: Until a few hours ago I was head of the Military Elite Scientific Corps.SARAH: And now you're a prisoner like us? What happened?GHARMAN: Wait.GHARMAN: I was trying to organise a movementagainst Davros. He found out. Now, what's happening out there? Has there been any attempt to take away control from Davros?SARAH: Not that we know of.GHARMAN: Nothing?HARRY: He's still very much incharge.GHARMAN: I don't understand. You see, Davros tricked me into giving him the names of the group who were plotting against him. Have there not been mass arrests by now? Executions?SARAH: It all seemedpretty quiet out there.GHARMAN: But Davros knows that we're planning action against him. Why hasn't he moved to stop it? Why?HARRY: Perhaps that'd be too obvious, even for Davros.GHARMAN: Well, if that's true,he's being too clever for his own good. Every moment he delays, our movement grows in strength.SARAH: I hope you're right.GHARMAN: I know I am. Many of us believe that production of the Daleks must end. Ibelieve now that we are in the majority. If we act soon, we can break his power.HARRY: We're not in much of a position to act at the moment, are we.GHARMAN: If only I could get word to themnow.[SCENE_BREAK]SOLDIER: Halt! State your business.KAVELL: I wish to question the prisoners.SOLDIER: Nobody is allowed to communicate with the prisoners unless they have a pass signed by Davros.SOLDIER:Stay where you are!KAVELL: I seem to have mislaid it. I'll come back later.[SCENE_BREAK]DAVROS: Now, future errors will be eradicated. Defeats will become victories. You have changed the future of the universe,Doctor.DOCTOR: I have betrayed the future. Davros, for the last time, consider what you're doing. Stop the development of the Daleks.DAVROS: Impossible. It is beyond my control. The workshops are already fullyautomated to produce the Dalek machines.DOCTOR: It's not the machines, it's the minds of the creatures inside them. Minds that you created. They are totally evil.DAVROS: Evil? No. No, I will not accept that. They areconditioned simply to survive. They can survive only by becoming the dominant species. When all other life forms are suppressed, when the Daleks are the supreme rulers of the universe, then you will have peace. Warswill end. They are the power not of evil, but of good.DOCTOR: Davros, if you had created a virus in your laboratory, something contagious and infectious that killed on contact, a virus that would destroy all other formsof life, would you allow its use?DAVROS: It is an interesting conjecture.DOCTOR: Would you do it?DAVROS: The only living thing, a microscopic organism reigning supreme. A fascinating idea.DOCTOR: But would you doit?DAVROS: Yes. Yes. To hold in my hand a capsule that contains such power, to know that life and death on such a scale was my choice. To know that the tiny pressure on my thumb, enough to break the glass, wouldend everything. Yes, I would do it! That power would set me up above the gods. And through the Daleks, I shall have that power!DAVROS: Release me.DOCTOR: No, Davros.DAVROS: Don't touch that switch.DOCTOR:Why not?DAVROS: It controls my life support systems. I could not survive thirty seconds without them.DOCTOR: Order the destruction of the incubator section.DAVROS: Destroy the Daleks? Never.DOCTOR: I mean it,Davros. Next time I press that switch, it stays pressed. Now give the order!DAVROS: Even if I do this, there will be no escape for you.DOCTOR: I'll take that chance. Now give the order.DAVROS: Press thecommunicator switch.DAVROS: This is Davros. Elite unit seven will go to the incubator room. All survival maintenance systems are to be closed down. The Dalek creatures are to be destroyed.DOCTOR: Tell them theorder cannot be countermanded.DAVROS: This order cannotDAVROS: This is Davros, this is Davros. My last order is cancelled, repeat, cancelled. No action is to be taken.NYDER: What do you want done withthis?DAVROS: For the moment he must be kept alive. He has knowledge that is vital to our future, and I will drain every last detail of it from his mind. And then, he will learn the true meaning of pain.NYDER: I will takehim to the detention room.DAVROS: The dissidents. What progress are they making?NYDER: Feeling against you is rising. Many of the scientific corps are openly speaking against you. Even some of the military arejoining them.DAVROS: As I expected.DAVROS: They will take action soon?NYDER: Almost certainly. They outnumber those of us who are loyal. Davros, why don't you let me take a squad of Elite men I can trust? In anhour, I could wipe out their leaders.DAVROS: You think like a soldier, Nyder. Rebellion is an idea in the mind. Suppress it, and it hides away and festers. No. My way is best.NYDER: As you wish. On your feet!DAVROS:All Dalek units! All Dalek units![SCENE_BREAK]DALEK: Davros has commanded all Dalek units to disengage and return to the bunker immediately.DALEK 2: I obey.[SCENE_BREAK]BETTAN: Shush. There's somethingmoving out there.SEVRIN: The whole of the Thal city is burning. The Daleks are moving through it, section by section, hunting down the survivors.BETTAN: Then there's no one left?SEVRIN: No, I covered a fairly largearea and found no one. No one living, that is.BETTAN: So we're on our own.SEVRIN: You're still going to attack the main entrance though, aren't you?BETTAN: There's no point in delaying any longer. We'll move moresafely under the cover of darkness. Come on, get ready, we're moving out.[SCENE_BREAK]NYDER: Open up.HARRY: Not exactly as planned, Sarah.[SCENE_BREAK]HARRY: How's the Doctor?SARAH: I don'tknow.HARRY: He's a bit groggy but he'll be all right.GHARMAN: Come on, Kavell, we've a lot to do.KAVELL: What about the guards? Suppose they won't come over to our side?GHARMAN: They'll be disarmed and held incustody until we've presented our ultimatum to Davros.DOCTOR: No, wait, wait. Davros knows what you're planning. I heard him talking to Nyder.GHARMAN: If he knows, why hasn't he taken action againstus?KAVELL: Perhaps because he knows its futile. There are too many of us.DOCTOR: No, it's not that. I don't know what he's got prepared for you, but believe me, he's ready.GHARMAN: Well, even so, there'll still betoo many for him.DOCTOR: Just be careful. Be careful.KAVELL: I think we can take care of things. Thanks for the warning.SARAH: No point in telling you to rest, I suppose?DOCTOR: No, there isn't. We've got to recoverthat Time Ring.SARAH: Because without it, we'll never get off this planet. But where is it?DOCTOR: It's on the desk in the main laboratory. And then there's that tape recording that Nyder took. We've got to get it backat all costs. It would make the Daleks invincible. Come on.[SCENE_BREAK]GHARMAN: Ready? Now remember, we resort to violence only if there is no other way.GHARMAN: Stay perfectly still. Take theirweapons.GHARMAN: No! That was stupid. A stupid waste of life. Our intention has always been to make a bloodless revolution. There's been enough of killing and violence. All right, take him away and lock him up withthe others.GHARMAN: Start passing these out to our people.KAVELL: Gharman. Gharman, they're coming over to our side in droves. We've the backing of a good eighty percent now.GHARMAN: Good. Good. What aboutthe hard core Davros people?KAVELL: They've all been rounded up. We're winning, Gharman. We're winning.GHARMAN: Then let's finish it off.[SCENE_BREAK]NYDER: Davros, they're taking over. We must act quickly.In another hour they could be totally in control. Do you hear me, Davros? I have a dozen crack men hiding in section nine. Let me order them into action. Davros!DAVROS: I hear you.NYDER: Then what are we going todo?DAVROS: I want you to find their leaders and hand over your weapons to them.NYDER: Surrender?DAVROS: Order all members of the Elite guards still at liberty to do the same.NYDER: Do you know what you'resaying?DAVROS: I know precisely what I am saying. Now, I will command and you will obey. You will do as I order! You will inform the rebel leaders that I have given these orders to avoid bloodshed. Tell them I submit,and will listen to their demands. That is all.NYDER: Then we are admitting that we're beaten.DAVROS: That is what they will believe.NYDER: You mean thatDAVROS: You and they will find out exactly what I mean all ingood time. Now carry out my orders.[SCENE_BREAK]DOCTOR: Shush.DOCTOR: Useful. Ah. This is something rather more useful.SARAH: They're explosives, aren't they?DOCTOR: Yes. Explosives and detonators. Itseems almost providential.SARAH: Why? What are you going to use them for?DOCTOR: The Time Lord gave me three options. There's only one still open. Genocide.HARRY: Genocide?DOCTOR: Yes. I'm going to killeverything in the incubation room. I'm going to destroy the Daleks forever.[SCENE_BREAK]GHARMAN: Where is Davros?KAVELL: You said that Davros had agreed to meet us here.NYDER: He'll be here.DAVROS: Youhave something to say to me?GHARMAN: Davros, we wish to make our views plain to you concerning our work here.DAVROS: With what authority do you speak? With whose backing?GHARMAN: We speak for virtuallyall the Elite scientific corps and many of the military. We represent the majority.DAVROS: Very well. Continue.GHARMAN: Nobody disputes that in the past, under your guidance, we've made incredible progress in manyfields of science.DAVROS: You did not come here to flatter me. You came to offer an ultimatum. Confine yourself to the terms of that ultimatum.GHARMAN: Very well. The initial concept of the Dalek was to build a lifesupport system and a travel machine for the creature that we know our race will ultimately evolve into.DAVROS: You disapprove of that?GHARMAN: No, but we believe that concept has been perverted. You havetampered with the genetic structuring of the creature to create a ruthless power for evil. We cannot permit this to continue.DAVROS: Then what do you suggest?GHARMAN: All work on Dalek projects is to ceaseimmediately. The creatures that have been conditioned and programmed are to be destroyed. If these terms are met, we will then be proud to work under your guidance on the rebuilding of our society.DAVROS: And ifI refuse?GHARMAN: If you refuse, you will be placed under arrest. The Daleks will be destroyed and our work here will then continue under a new, democratically elected leader.DAVROS: Have you finished?GHARMAN:Well?DAVROS: You might at least do me the courtesy of giving me time to consider.[SCENE_BREAK]SARAH: The Daleks are in there?DOCTOR: The flesh and blood part of them. Indeed they are flesh and blood.HARRY:Some of them can move about.SARAH: Well, how do I see?DOCTOR: Press the button.DOCTOR: Pay it out quickly, Harry.SARAH: You're not going in there, are you?DOCTOR: They're harmless enough, I think. Justunpleasant.HARRY: You don't want me to come in, do you, Doctor?DOCTOR: There's no need, Harry. It just remains to put the charges where they'll do the most damage. It shouldn't take me more than a couple ofminutes.[SCENE_BREAK]DAVROS: I have made my decision. I accept your ultimatum. On one condition.GHARMAN: Go on.DAVROS: That you allow me to speak to a full meeting of the Elite, both scientific and military.Anyone you elect may speak against me. When this is done, a vote will be taken. I will abide by the decision of the majority.GHARMAN: You already know the decision of the majority. You will lose, Davros.DAVROS:With such confidence, you can hardly deny my request. It was you who introduced the word democracy.GHARMAN: Do we accept his proposition?GHARMAN: Very well, it's agreed.DAVROS: The meeting will take placein one hour from now. Arrange it. You may go.DAVROS: Ours is the victory, Nyder. We have won! They talk of democracy, freedom, fairness. Those are the creeds of cowards. The ones who will listen to a thousandviewpoints and try to satisfy them all. Achievement comes through absolute power, and power through strength. They have lost![SCENE_BREAK]SEVRIN: The entrance to the bunker is just beyond the next rise. That'swhere they must be heading.[SCENE_BREAK]SARAH: What's taking him so long?HARRY: It's a very delicate operation, Sarah. Still, he should have finished by now.SARAH: Doctor? Doctor, are you all right?DOCTOR:Sarah!"}
+{"doc_id":"doc_324","qid":"","text":"THE TWIN DILEMMABY: ANTHONY STEVENPart ThreeRunning time: 24:27[SCENE_BREAK](The Doctor appears. A bit.)PERI: Did you see that?LT HUGO LANG: I think so.PERI: Do Doctor, I ahhh are you here?LT HUGOLANG: What in heaven's name is going on? You're flesh and blood at least.PERI: Leave me alone.DOCTOR: Oh, that stupid girl's watch. How I hate these hit or miss performances.PERI: Doctor, thank heavens, whateverhappened?DOCTOR: Your watch stopped. I overcompensated, ended up in the wrong time zone. Ten seconds into your future.PERI: I thought you'd been killed.DOCTOR: You cared?PERI: Of course I did.DOCTOR: Youknow I'll never understand the people of earth. I have spent the day using, abusing, even tried to kill you. If you'd behaved as I have, I should have been pleased at your demise.PERI: It's called compassion, Doctor.It's the difference that remains between us.DOCTOR: Earthlings.LT HUGO LANG: Would someone like to tell me what is going on?DOCTOR: Ah, Corporal Lang, how are you?LT HUGO LANG: Lieutenant. I was fine, I'mnot sure any more. My ship.DOCTOR: You were lucky to escape, no one else did.PERI: I'm sorry. What went wrong?LT HUGO LANG: I don't know, the controls seized, after that I don't remember anything til I came to inhere. What is this place, who are you?PERI: I'm Peri, and this is the Doctor. He saved your life.DOCTOR: And we did not abduct the twins.LT HUGO LANG: Twins, what do you know about them?DOCTOR: Never mindabout that now, look, do put that thing away will you? If you ever hope to see them again your only chance is to come with us.LT HUGO LANG: Where to?DOCTOR At a guess, Jaconda.LT HUGO LANG: All right, you don'tleave me any choice, do you?DOCTOR: Not really.(On Jaconda.)ROMULUS: He was your friend.REMUS: That girl did you no harm.ROMULUS: You've left them there to die.AZMAEL: They will survive. Now if you don'tmind.REMUS: And your name isn't EdgeworthROMULUS It's Azmael.AZMAEL: Yes, yes, I agree, a small deception, now be patient and sensible.DRAK: Master.AZMAEL: What is it?DRAK: That blip on thescanner.AZMAEL: Yes. Very far ahead.DRAK: We're on the same course.AZMAEL: Oh, some merchant man. No concern of ours.NOMA: They will not survive. AZMAEL I don't understand.NOMA: The safe house. I set it toself destruct.AZMAEL: You madman, I gave no orders!NOMA: That is perfectly correct.AZMAEL: But it's murder! Why, Noma, why?NOMA: It is what the lord Mestor would have wished.(Back to the TARDIS.)PERI: Butwhy would he want to kill us?DOCTOR: I don't know.PERI: And if he's going to Jaconda, why stop off Titan Three?LT HUGO LANG: Oh, that was just to put us off the scent.DOCTOR: No no no no no. No, no. No nonononono. No, consider what we know. Azmael, or whatever he happens to call himself needs the genius of the twins, he crosses galaxies to possess their minds. He says he's no longer master of his planet, but hewants to save his people. And that I cannot help him to do so. Even if he does believe such unimaginable rubbish he must be faced by some unimaginable disaster which has unhinged his mind. Well. We shall soondiscover what it is.(On Jaconda.)MESTOR: Who is this creature?CHAMBERLAIN: A porter from the royal hatcheries, Master.MESTOR: What is his crime?CHAMBERLAIN: After routine search following his tour of duty, hewas found to have this concealed on his person.MESTOR: What does it contain?CHAMBERLAIN: Vegetables from the royal hatcheries, MasterMESTOR: The penalty is death. Have you anything to say?PRISONER: Mercy,great Master, mercy! My family is starving.MESTOR: Many are starving, it is no difference. Now your family will have to starve without your company. Stand aside, guards. You will suffer the maximum penalty - deathby embolism.PRISONER: No, no not that. Shoot me! Ah! Aaaaaagghh!MESTOR: Cold storage. ** CLAP ON! ** The carcass may be of use to our slaves if this famine continues. Azmael will soon be here?CHAMBERLAIN:Yes, Master.MESTOR: When he arrives, have him escorted to his laboratory with the earthlings. I will see him there.(On the surface. The TARDIS materializes.)DOCTOR: Haaaa. Jaconda the beautiful.PERI: You call thisbeautiful? Doctor, it's absolutely ghastly!DOCTOR: Oh no. It should not be true. The giant gastropods.LT HUGO LANG: What are you talking about?DOCTOR: Half humanoid, half slug, part of Jacondan mythology.PERI:So?DOCTOR: Well, just look around you, look at the devastation.PERI: Gastropods did this?DOCTOR What else?PERI: Are you sure your mind isn't wandering again?DOCTOR: Of course not. So, it wasn't a myth after all.Somewhere somehow their seed survived. Now they have returned.LT HUGO LANG: Nonsense.DOCTOR: You think so?LT HUGO LANG: Well of course it is.DOCTOR: I wish I could agree with you. This was once a forestgrove. Look at the trees! No trace of foliage. The very bark stripped of the trunks. And the soil! Barren. Nothing but these telltale tracks. The slime trails of the giant gastropods. I fear the evidence is quiteconclusive.PERI: Doctor. You're beginning to scare me.DOCTOR: I'm beginning to scare myself, Peri.PERI: Now what?DOCTOR: Into the TARDIS. I must think.(On the freighter.)AZMAEL: Freighter to Jaconda control.Freight to Jaconda control.FLIGHT CONTROLLER: Receiving you freighter.AZMAEL: Approaching re-entry, permission to touch down at omega intersection.FLIGHT CONTROLLER: You are clear to approach.AZMAEL:Thank you control.FLIGHT CONTROLLER: On arrival report to palace. Transport will be waiting. Out.(In the TARDIS.)PERI: What are you gonna do?DOCTOR: Panic at any moment.LT HUGO LANG: Where is Edgeworthlikely to have taken the twins?DOCTOR: The palace.LT HUGO LANG: Well shouldn't we go there?DOCTOR: And be killed?LT HUGO LANG: Just give me directions and I'll go alone, if you're afraid.DOCTOR: Me, afraid?LTHUGO LANG Well, aren't you?DOCTOR: You have a nasty habit of pinpointing the truth, young man.PERI: We we we can't let him go alone! DOCTOR Watch me.PERI: Well you know what's out there, hedoesn't!DOCTOR: Well then let him go to the palace, and he'll know as much as I do.PERI: Oh Doctor you must help.DOCTOR: Is this another attempt to teach me compassion?LT HUGO LANG: Just tell me where it isand I'll be happy to go alone.DOCTOR: It's all right for you! You're young, strong, fit of limb.You're confident in your mission,your energy's boundless, you're highly motivated to success. You even have a gun to enforceyour will upon others. Look at me, I'm old, lacking in vigour, my mind's in a turmoil, I no longer know if I'm coming, have gone or even been. I'm falling to pieces! I no longer even have any clothes sense!PERI: Oh, stopfeeling sorry for yourself!DOCTOR: Self pity is all I have left.PERI: You've got the TARDIS. You still know how to operate it. Take the Lieutenant to the palace!LT HUGO LANG: Now, if you please.DOCTOR: As youwish.(Underground.)PERI: That's the seediest looking stately home I've ever seen.DOCTOR: Well you didn't expect me to materialise in the throne room.LT HUGO LANG: Where are the twins likely to be?DOCTOR:Anywhere.LT HUGO LANG: Well, I won't find them waiting around here.DOCTOR: I'll come with you.LT HUGO LANG: No need, thank you for bringing me here.DOCTOR: You didn't give me much choice! Now look,Sergeant -PERI: Lieutenant.DOCTOR AND LT HUGO LANG Lieutenant.DOCTOR: Don't be smug with me. Now I've already explained my condition, I may be behaving like a manic barometer, but don't shrug off helpwhen it's offered. You can't afford to.LT HUGO LANG: I thank you for your offer, but frankly I find you unreliable.DOCTOR: So is most currency. Doesn't stop people from spending money wisely.PERI: The Doctor mightbe useful.LT HUGO LANG: Well, all right. But if you become unstable again, Doctor, I won't hesitate to kill you.(After the freighter lands.)ROMULUS: Where are you taking us?AZMAEL: You'll see.REMUS: Why do you liketo play the man of mystery?ROMULUS: It's a role you play very badly.REMUS It's so blatantly transparent.AZMAEL: Continue to provoke me and the matter that contains your genius will finish up as so much animalfodder!(Back to the Doctor.)DOCTOR: Hideous. Utterly hideous!PERI: Are you sure this is the right place?DOCTOR: Hm? Absolutely. Azmael showed me once. This passage leads to the center of the palace. Used to bean underground bolthole in times of danger. Ah, seems to be clear. Shall we go?PERI: I just hope you don't get us lost.(To Azmael.)DOCTOR: Oh, definite possibility that.AZMAEL: This is where I work. The palacelaboratory.CHAMBERLAIN: Greetings.ROMULUS What's in there?AZMAEL: Eggs. You're looking at Lord Mestor's incubator. The future citizens of Jaconda.REMUS: They're gastropod eggs.CHAMBERLAIN: Suchknowledge.ROMULUS: Who is this?AZMAEL: One of Lord Mestor's lackeys.CHAMBERLAIN: Not quite, Azmael. I am a humble servant of the Lord Mestor. I am his Chamberlain. Welcome to the planet Jaconda. I willinform the Lord Mestor of your safe arrival.AZMAEL: If you must, do so.CHAMBERLAIN: It's my duty, he's commanded me.AZMAEL: Well hurry then. And you too, Noma.NOMA: No I must remain, I too have beencommanded.AZMAEL: One day you will discover for yourselves that treason is universal. Let it not concern you now. And don't be afraid of what lies in store for us.(Back to the Doctor.)DOCTOR: This way. Come along.Ah, there they are. I don't know how old they are, but they tell the whole story. The Queen of Jaconda offended the sun god. This way. He inflicted a terrible revenge. He sent a creature, half humanoid, half slug. Thiscreature's offspring were numberless. They ravaged the planet, the population starved. When he saw what he'd done the sun god relented. He sent a drought which destroyed the slugs. The people of Jaconda survived.That's the story as Azmael related it.PERI: Now what do you think?DOCTOR: It was more truth than myth. I think some dormant eggs survived.PERI: For how long?DOCTOR: Too long, it seems. Shut off the torch.Listen.PERI: What is it?DOCTOR: The sound of giant slugs.LT HUGO LANG: What a stench!DOCTOR: Their gastric tracts. Rotting vegetables.PERI: Or rotting flesh.LT HUGO LANG: Doctor.DOCTOR: Whatever is it now?LTHUGO LANG: I'm ... I'm stuck!DOCTOR: Oh no, I should have thought of that! Their slime trails harden like concrete, only far faster.LT HUGO LANG: Well never mind that, just get me out of it, you!DOCTOR: Easier saidthan done.PERI Well we can't leave him here.LT HUGO LANG: Maybe if I turn my gun down low I can melt the stuff.DOCTOR: Oh, if you like, but try not to burn your feet off.(To Azmael.)MESTOR: So these are yourprodigies. They seem quite insignificant.AZMAEL: Their brains are not.MESTOR: We shall see. Have you told them why we need them?AZMAEL: Not in detail. So far they've simply worked to orders.MESTOR: I suggestthat you do tell them. If they know that our purpose is benevolent, they may prove to be less intransigent.AZMAEL: Very well.MESTOR: How far advanced are you?AZMAEL: We need another day.MESTOR: Very well, Iwill leave you.AZMAEL: Mestor. Do not monitor my thoughts.MESTOR: Why not?AZMAEL: It interferes with my concentration.MESTOR: They may be treasonable thoughts.AZMAEL: There can be no treason withoutfellow conspirators, and aI have none. You control the minds of all my most faithful subjects.MESTOR: I do not trust you.AZMAEL: A mistake, Mestor. The last hope for my people is the success of this undertaking. Iwouldn't allow my personal loathing for you to interfere with that.MESTOR: Very well.AZMAEL: Remove Noma, too.NOMA: Master.MESTOR: Until your work is done.AZMAEL: They don't trust you, either, that's whythey've left you here, to see the measure of your treachery.DRAK: But I'm not a traitor.AZMAEL: True, but I believe they think you are my friend.DRAK: I would value your friendship.AZMAEL It could cost you yourlife.DRAK: I could think of worse reasons for dying.AZMAEL: Thank you. Now. Pay attention. That is our sun, that is Jaconda. Those are two lesser planets. Now I once ruled Jaconda, but now Mestor has usurped me. Hiskind takes all and gives nothing, there is nothing left for my people.REMUS: What are we supposed to do?AZMAEL: Help me to provide the only possible solution.ROMULUS: You'd better tell us what it is.AZMAEL: Weneed new sources of supply. And we're going to bring those two planets into orbit around Jaconda.TWINS: What?AZMAEL: Oh yes. And then they will have the same atmospheres and climates, they will be the larders ofJaconda. Everything is in readiness. All we lack is what you two possess, that mathematical delicacy that will stabilise those two planets in their new orbit.(Back to the Doctor.)DOCTOR: Now, let me see. We follow thispassage to the end, flight of steps up to the palace hall, doorway at the left just up at the top. Yes, that's it. Private doorway into the back of his laboratory. That's where he's bound to be.PERI: Who?DOCTOR:What?PERI: Who will be there?DOCTOR: Me. Once I can get away from this fool. Will you hurry up?LT HUGO LANG: I'm doing the best I can.DOCTOR: Well it's not good enough! Look what you've done you stupid girl,you've ruined everything!PERI: It wasn't my fault!DOCTOR: Of course it was your fault, sheer carelessness! Switching off that torch when you did, don't argue with me!PERI: I will! I'm not letting a manic depressiveparanoid personality like you shut me up!DOCTOR: Manic depressive! Me!PERI: Well can't you hear yourself? You're having another of your fits!DOCTOR: Right that's it, I'm off!LT HUGO LANG Calm down,Doctor!DOCTOR: Calm down? Calm da, calm down? The fate of a whole planet hanging in the balance and he tells me to calm down.LT HUGO LANG: Look, I'll be free in a moment.DOCTOR: Oh, fend for yourselves!PERI Oh, Doctor!LT HUGO LANG: Don't waste your breath, we'll manage.(Back to Azmael.)AZMAEL: Everything is controlled from this panel. When the information you provide has been fed into the computer, we shalloperate this switch.REMUS: What happens if we refuse to help?AZMAEL: Then I shall have to kill you! I've already told you that this is the only way we can save my people.ROMULUS: Aren't you forgetting theconsequence of what you're asking!AZMAEL: Look, everything has been considered, how many times must I tell you!REMUS: He's mad.REMUS: Quite mad.ROMULUS: Azmael! Edgeworth!DOCTOR (OUTSIDE): We won'tdo it!TWINS: You'll do as I tell you!AZMAEL: Still bullying children, eh?(He enters.)DOCTOR: Villain! Murderer!DOCTOR: Doctor!AZMAEL: (shouts something)DOCTOR: That's enough, Doctor!AZMAEL:DOCTOR: Iapologize. However I still would like to know why you tried to murder us.DRAK: He didn't.ROMULUS: He didn't know.REMUS: It was Noma.AZMAEL: Look, I can't believe it. How did you escape?DOCTOR: That doesn'tmatter now. I think you better tell me what's going on here.(Back to Peri.)PERI: Pity about your boot.LT HUGO LANG: Never mind. Where to now?PERI: Find the Doctor.LT HUGO LANG: Right.(To Mestor.)PERI: No! No!Hugo! No! No! No! No!MESTOR: Who are these aliens on Titan Three?NOMA: A Time Lord and an earth girl.MESTOR: And Azmael would have let them live?NOMA: Yes.MESTOR: But now he knows them to bedead.NOMA: He does, I told him so.MESTOR: You have done well, Noma.NOMA: No more than is my duty.MESTOR: What have we here?NOMA: Impossible! She must have died!MESTOR: Is this the earth girl you sayyou killed? It seems you have not done so well after all. Where did you find her?JACONDAN GUARD: In a passage underneath the palace.MESTOR: Alone?JACONDAN GUARD: There was another with her. We left himhalf dead.MESTOR: This is a dangerous complication. Fetch him to me. At once! At once!(To Azmael and Doctor.)AZMAEL: That is the plan. Now what is your opinion?DOCTOR: You really intend to put it into operation?You know what'll happen, don't you?ROMULUS: We've already told him.AZMAEL The risks must be taken.DOCTOR: This is not a risk, Azmael, this is doomsday! One tiny error in your calculation you'll blow a small holein the universe.LT HUGO LANG: Doctor! Doctor, they've got Peri!DOCTOR: Peri? Peri!AZMAEL: Stop him!DOCTOR: No, leave me, I must go to her!AZMAEL: And tell Mestor everything and condemn my plan to certaindeath?DOCTOR: But I must help her!AZMAEL: No, Doctor, if necessary she must die.DOCTOR: No. Peri!"}
+{"doc_id":"doc_325","qid":"","text":"Michael: Jim, could you come in here please?Harvey: Hi, Jim.Jim: Hello.Harvey: I am Harvey, a computer. Jim sucks.Michael: Sorry, oh wow, that's so rude. I'm sorry, I can't control him.Jim: Yeah, you can.Michael:You know what? Get Pam.Jim: For this?Michael: Pam.Harvey: Pam, you look very hot today.Jim: Pam, meet Harvey. This is Michael's new friend.Pam: Great.Harvey: Me so horny. Me love you long tim.Michael: Oh, thatis gross.Pam: Who is 'Long Tim'?Michael: Damn it.Harvey: Long time. Me lobe yoy long time.Jim: Oh well, 'Yoy' should bring in 'Long Tim' in one day. Shouldn't he?Pam: I would love to meet Long Tim.Jim: Yeah.Right?Pam: Yeah.Harvey: You ruined a funny joke, you. Get out of my offive.Jim: Ok.Pam: Ok. Bye Harvey.Harvey: Boobs.[SCENE_BREAK]Kevin: Angela.Angela: What?Kevin: That was a voicemail that corporate leftlast night. They did not get our tax forms. Did you send them?Angela: They arrived this morning.Kevin: Are you sure? It is a big deal.Angela: Is it a big deal? Is it Kevin?Kevin: ... Do you really not know? Because it is abig deal.[SCENE_BREAK]Andy: Five of us transferred from Stamford. There are two of us left. Me and Karen. It's like we are touring Willy Wonka's Chocolate Factory and dropping off one by one. Well, guess what? I amnot falling in a chocolate river.[SCENE_BREAK]Angela: Everything ok? [Takes candy from Pam's desk]Dwight: Everything is fine. You are in the clear.Angela: Thank you. [Puts candy back] I... I don't wantthose.[SCENE_BREAK]Michael: Dwight, care to join us, finally? Thank you.Andy: Hey Dwight, pass the tardy sauce. Get it Michael?Michael: Yes. Ok, here is the dream team. My sales dream team. Today we are going toteam up for sales calls. Andy, since this was your idea, you get to pick first.Andy: Hmmm, well... let me think about this for a minute. Oh, I don't know. Michael Scott.Michael: Oh.Andy: Ph. D. Doctor of Sales.Michael:Well, I appreciate that. That is very gracious of you.Andy: Well, it is very gracious of you to accept.Michael: Well, thank you sir. Ok, now going by seniority. Phyllis, our resident senior.Phyllis: We're the same age and I'llpick... Karen.Karen: Oh, uh, thanks.Michael: Good. Next up, Superfly himself, Stanley.Stanley: Pass.Michael: You can't pass. You've got to pick somebody.Stanley: ... I'll take the kid.[SCENE_BREAK]Ryan: I am veryflattered. I was his second choice after \"Pass.\"[SCENE_BREAK]Michael: So that just leaves Dwight and Jim.Dwight: Ok, wait. Does anyone want to trade?Jim: Yup. I'll trade.[SCENE_BREAK]Jim: Dwight and I used to goon sales calls all the time. In fact, I have a picture to remember that time. Oh young Jim. There is just so much I need to warn you about. And yet, tragically, I cannot.[SCENE_BREAK]Andy: Sebring by Chrysler. Heck ofa... motor... carriage.Michael: Dwight?Dwight: Yup?Michael: Here ya go. [throws laundry]Dwight: Yeah! You want shirts on hangers?Michael: Please.Andy: He does your laundry?Michael: Long story. All right everybody,circle up. Here we go. You know what this is? This is the \"Amazing Race.\" [To Ryan and Stanley] And you guys are the retired marines. [To Phyllis and Karen] And you guys are the mother and daughter. [To Dwight andJim] And you guys are the gay couple. And we are the firefighter heroes. Are we ready to go?Karen: Wait, \"Amazing Race\" like, the biggest sale wins?Michael: No, we're just going to rush out, do the sales thing, andcome back.Ryan: Is there a prize?Michael: Just bragging rights.Phyllis: Then how is this \"Amazing Race\"?Michael: It's just... brrrrrr... It's \"Amazing Race,\" Phyllis. Okay? We're in teams of two and we are on a mission.All right, so, on your mark, get set, go. Let's do it.Dwight: Come on!!Phyllis: Michael. [Michael throws Phyllis' keys under the car.]Michael: Whoah, whoah. Oh hahahaha. Vamanos!Andy: Bueno.Phyllis: Do you have apole?Karen: Let's go get a broom.[SCENE_BREAK]Jim: Seriously? You're going to sit in the back?Dwight: Uh, yeah. It's the safest part of the car. In the event of a crash, the driver always protects his side of the carfirst.[SCENE_BREAK]Michael: Here we go.[SCENE_BREAK]Andy: In order to take down Dwight, I have to chip away at his ally, which, in this case, is Michael. Here's the good news. Every success I've ever had at my jobor with the lady-folk has come from my ability to slowly and painfully wear someone down.[SCENE_BREAK]Andy: What's the deal with Dwight doing your laundry?Michael: Ugh... that is a long story. Um, couple ofmonths ago, Dwight tried to go behind my back with Jan and get my job and I am now having him do my laundry as punishment.Andy: Wow, that is a long story, but quite well told, Michael. I find it very interesting.Especially about the part Dwight going behind your back and basically, like, being a terrible person. You know if you want your laundry done right? I used to work at Abercrombie. So, pretty goodfolder.[SCENE_BREAK]Angela: Hey Pam. Would you like to go with me to grab a coffee?Pam: Really?Angela: Yeah, I could use some fresh air. Might be fun.Pam: Ok. Sure.Angela: Ok.[SCENE_BREAK]Karen: Why are weturning in here, this is a beauty salon?Phyllis: Um-hmmm.[SCENE_BREAK]Ryan: Hey, do you mind if I take the lead on this one and then you can critique me after?Stanley: You want the lead?Ryan: Yeah, if you don'tmind.Stanley: Mind? Nothing would delight me more.[SCENE_BREAK]Dwight: Leave the keys.Jim: You still do that thing?Dwight: Leave the keys![SCENE_BREAK]Andy: I think you have assembled an amazing team atScranton. It's really a pleasure to be a part of it. It's like, everyone has their own special skill, you know, just like the Superfriends. Except for Dwight, who is more like a SuperDud. I mean, he would be a Superfriend ifthere was a Superfriend whose super power was always being late. You know?Michael: Hawkman.[SCENE_BREAK]Andy: My plan is taking longer than I thought but I don't give up easily. I have walked twomarathons.Michael: [Walks out of the Ladies' Restroom] Let's go. The men's room was disgusting.[SCENE_BREAK]Jim: After you sir.Dwight: No thank you, I never let anyone walk behind me. Seven out of ten attacksare from the rear.Jim: Ok, well, that still leaves a 30% chance that I will attack you from the front.Dwight: Uh, yeah, but it will be easier to stop. I can always block the blow. I can counter it with... [Jim slapsDwight][SCENE_BREAK]Pam: Angela, you seem so happy. I bet you wish you were like this all the time.Angela: This friend of mine - let's call her Noelle - she missed this deadline turning something in to Corporate inNew York. But then this gallant gentleman - we'll call him Kurt - he drove all the way to New York and handed it in for her. That's... I don't know. I guess he really just likes her a lot.Pam: That's great.Angela: Yes, it is.[Walks up to the counter where there is no employee] Hello?[SCENE_BREAK]Michael: Hey, did you catch that up at Lake Wallenpaupack?Buyer: Yep.Michael: You know, I used to go up there all the time with mystep-dad, and I never caught anything that big.Andy: Caught an eighty-pound shark off of Montauk. It's in the Hamptons. My dad's got a 42-ft Bayliner. Sniped it with a rifle from the crow's nest. Also shot a deeronce.Michael: You know what? Let's get right down to it. Dunder-Mifflin may be just two rooms and a warehouse, but what we lack in flash, we will make up for with hardwork and decency.Andy: Ok, this is the classicundersell because you should know we don't work out of a log cabin. We trade on the New York Stock Exchange. Ever heard of it? It's in New York.Buyer: Uh, I have to say I am a little wary with getting involved with abig company. We've had some problems in the past.Michael: I think what Andy is trying to express is that while we have the resources of a large company, we will give you the care and attention of a smallcompany.Andy: Oh, man, that is, like, poetry.Michael: No.Andy: I swear, this guy could sell paper to a tree.Michael: Stop it. [Puts his hand on Andy's shoulder] Stop it.Andy: Ow.[SCENE_BREAK][ Newpeat Quote][SCENE_BREAK]Pam: Dunder Mifflin, this is Pam. [excited] This is Pam. I did?[SCENE_BREAK]Andy: Oh man. Talk about your classic \"Lame dash O.\" Do we even want that guy buying our paper?Michael:Yes.[SCENE_BREAK]Andy: I... I'm so sorry man. I really screwed that up.Michael: Ah, no. Don't worry about it.Andy: I really 'Schruted' it.Michael: What?Andy: 'Schruted' it. It's just this thing that people say aroundyour office all the time. Like, when you screw something up in a really irreversible way, you 'Schruted' it. I don't know where it comes from though. Do you think it comes from Dwight Schrute?Michael: I don't know.Who knows how words are formed.[SCENE_BREAK]Phyllis: It's a big order. Thanks Kenny.Karen: Yeah, thank you.Phyllis: Hey, how's Annie?Kenny: Oh, she's great. This is us last year in Bermuda. Lovely place. Youever been to Bermuda?[SCENE_BREAK]Julius: Stanley Hudson.Stanley: Ah, Julius, how's it goin'?Julius: Great, great, great.Guy: Stanley.Stanley: So good to see you too. I'd like you fellas to meet Ryan Howard.Ryan:Hi.Stanley: I'm gonna let Ryan do a little pitch for you while I do my crossword. Ryan?Ryan: Um... [To the Buyers] Hi. Hi. Hi. Hi.Julius: Hello, Ryan. What do you have for us?Ryan: Oh...[SCENE_BREAK]Jim: We canoffer our biggest discounts on 30% recycled and ultra-premium laser.Man: 'Kay. 'Kay.Dwight: Can I use your phone?Man: Yeah, sure, go ahead.Dwight: Thanks.Jim: Let me talk to you about a few of the other thingswe can offer. Namely, we know the tax season is coming up, so by April 1st we can have you fully stocked.Dwight: [On Phone] One...Jim: We have discount prices on ink cartridges...Dwight: Three...Jim: And, also, anyforms that you are going to need...Dwight: Seven...Jim: We can custom make them.[SCENE_BREAK][ Newpeat Quote ][SCENE_BREAK]Pam: Yeah I did a watercolor of Frances Willard Elementary School for a contestthey were having. They were calling with the results. And I won. I won! My painting won. So I like to thank my mom for always encouraging me. And I like to thank my dad for buying me my first set of art pencils. AndI'd like to thank the sixth grade class that picked me.[SCENE_BREAK][ Newpeat Quote ][SCENE_BREAK]Pam: Hey Kev, guess what. I won an art contest today.Kevin: How much did you win?Pam: $100.Kevin: I won$400 bucks on the Celtics game last night.Pam: Cool. Congratulations.Kevin: Thanks, so sweet.[SCENE_BREAK]Stanley: Ha ha ha! And you just said, \"Hi! Hi! Hi!\" Ha heh ha! You sounded like my niece, and she's sixmonths old![SCENE_BREAK]Man: We'll I appreciate what you guys are saying but it, uh, makes more fiscal sense to go with one of the big guys.Dwight: Sure.Jim: Sure, that's true we can't compete with their prices.But let me ask you something. How important to you is customer service?Man: It's very.Phone: Please keep holding, your call is very important to us.Dwight: Erm, that's one of the 'Big guys.' Been on hold this wholetime.Jim: [Dials cell Phone] And this is Dunder-Mifflin.Kelly: Dunder-Mifflin customer service, this is Kelly.Jim: Hey, Kelly, it's Jim.Kelly: Oh my god, Jim. How are you ? I wanted to tell you ... . [Jim hangs up]Dwight:Here is my card. It's got my Cell number, my pager number, my home number, and my other pager number. I never take vacations, I never get sick, and I don't celebrate any major holidays.Man: All right, I get it. Wegot a deal.Jim: Thanks.[SCENE_BREAK][ Newpeat Quote ][SCENE_BREAK]Pam: Hey, Angela. I got good news today too. I won an art contest.Angela: That's great Pam. I like having these little moments with you. Youknow what? Sprinkles recently had kittens.Pam: Oh.Angela: I would like to offer you the dominant male. His name is Ash.Pam: Oh?Angela: Mmm-hmm.Pam: Hmm. I don't think so. But thanks. My building manager...is... You understand.Angela: Well then. Have a nice day.[SCENE_BREAK]Karen: Thanks. That was fun.Phyllis: Yeah, I really enjoy spending time with you. You are a very nice person.Karen: Thank you.Phyllis: I'm soglad you're with Jim. He was hung up on Pam for such a long time. Never thought he would get over her.Karen: That's nice.Phyllis: You can pay me back later for the makeover.[SCENE_BREAK]Andy: Hey boss. Got aminute?Michael: Yes, Andy.Andy: I forget, why did Dwight say he was late this morning?Michael: He didn't say.Andy: That's weird. Because I was just walking past his desk and I saw this, which is a tollbooth receiptfrom New York City, stamped really early this morning. So, why would Dwight go to New York without telling anyone? Do you think he went to see Jan? That's not like him. Is it? Someone told me a story about this,with, like, laundry and betrayal. Did you betray Dwight and try to steal his job or something?Michael: No, you are remembering it wrong.[SCENE_BREAK]Michael: Dwight betrayed me once before. So this is his striketwo. You know what they say? Fool me once, strike one. But fool me twice, strike three.[SCENE_BREAK]Dwight: I like Karen. She's pretty and appears intelligent.Jim: Well, I like pretty women who have the appearanceof intelligence.Dwight: My girlfriend is also beautiful and smart. She could be a model or a college professor which is intimidating to a lot of guys.Jim: We should go on a double date.Dwight: No thankyou.[SCENE_BREAK]Jan: Dwight's name is on the security sign-in sheet, but I don't know who he met with. And where it asks to state your business, he wrote \"Beeswax. Not yours, Inc.\"Michael: I knew it. [Dwight andJim walk in]Andy: Oh, doggie.[SCENE_BREAK]Karen: Hey, do you want to grab a coffee?Jim: Sure. Look at you!Karen: Yeah.[SCENE_BREAK][ Newpeat Quote ][SCENE_BREAK]Jim: Beesley, coffee?Pam: No, thanks. Ihad some already.Jim: All right.Pam: Oh, but, hey, Jim.Jim: Yeah.Pam: I won an art contest today.Jim: No way! All right Pam. Congratulations. [high five]Pam: Thanks.Jim: Which one was it?Pam: I sent in one of mywatercolors.Jim: Cool.Pam: It was the new one I did.Jim: OhKaren: You ready Jim?Jim: Yeah. Can I see it when I get back?Pam: Yeah.Jim: Congratulations.Pam: Thanks.Jim: Big deal.[SCENE_BREAK]Dwight: Hey, wenailed the sale!Michael: Where were you this morning?Dwight: I overslept. Damn rooster didn't crow.Michael: Why do you lie, liar?Dwight: I am not a liar.Michael: You are lying right now.Andy: It sure seems like he islying.Dwight: Stay out of this, you!Michael: I know that you went to corporate this morning, and I know that you lied about it. And given our history, I need you tell me this instant exactly what you were doing.Dwight:Michael, I cannot tell you what I was doing there. But you have to trust me, I would never do anything to hurt you or this company.Michael: Ok, you know what? I want you to think about your future in this company. Iwant you to think about it long and hard.Dwight: That's what she said.Michael: Don't. Don't you dare. I want to know what you were doing this morning by the end of the day.[SCENE_BREAK]Dwight: It's going to beok.Angela: How is going to be ok, Dwight? Everyone will know our business.Dwight: That's not the worst thing in the world. I'll just stand up in front of the office and reveal our true love. It won't be that bad. Look atKelly and Ryan.Angela: I hate those two people more than anything in the entire world.Dwight: Well, I don't have a lot of choices.[SCENE_BREAK]Karen: So, let me ask you a question.Jim: Ok.Karen: Did you ever havea thing for Pam?Jim: Pam? Did I ever have a 'thing' for her? No, why? Did she say something?Karen: I moved here from Connecticut...Jim: Yeah. Ok, here's the ... I had a crush on her before I left. And I told her aboutit and she didn't feel the same way. So, it didn't amount to anything, and I left. I'm really glad you're here. 'Kay?Karen: 'Kay.[SCENE_BREAK]Dwight: Ahem-hem-hem. May I have your attention please? This will onlytake a moment of your time. Although I love this company more than almost anything in the world, I have decided to step down from my post and spend more time with my family. I do not fear the unknown and I willmeet my new challenges head-on and I will succeed. And I will laugh in the faces of those who doubt me. It has been a pleasure working with some of you and I will not forget those of you soon but remember, whiletoday it is me, we all shall fall. In other words, I am quitting. So... .[SCENE_BREAK]Andy: Oompa-Loompa Doompity-Dawesome, Dwight is now gone which is totally awesome. Why was he gone, he was such a niceguy? No, he was not. He was a total douche. Doompity-doomp.[SCENE_BREAK]Dwight: I would like to give the rest of my belongings to Michael Scott. Just take them. Except this.Michael: Goodluck.[SCENE_BREAK]Ryan: Dwight will be missed. Not by me so much, but, he will be missed.[SCENE_BREAK]Angela: Dwight, from sales, was one of the most honorable and efficient employees this company has everhad.[SCENE_BREAK]Dwight: One of my life goals was to die right here in my desk chair. And today, that dream was shattered.[SCENE_BREAK]Jim: Hey man. [Dwight hugs Jim and leaves]Karen: What happened onyour sales call?[SCENE_BREAK]Andy: Um, am I happy the way things turned out? Oh, well, happy's such an ugly word. But, um, I saw what needed to be done and I did it and now I'm thrilled. So, it's pretty... [camerahad focused in on Angela watching] Hello? Pretty good."}
+{"doc_id":"doc_326","qid":"","text":"BLACK SCREEN: Previously OnGIBBS: (V.O.) Previously on NCIS. MUSIC IN:EXT. ROOFTOP - DAY(BEGIN FLASHBACK SCENES)ARI: Sorry, Caitlin.(SCENE CUT)GIBBS: Ari!(SCENE CUT)TONY: I found Ari's sniper's nest,Boss. Didn't police his brass.(SCENE CUT)KATE: I'm dead now, Ducky. Shouldn't be. I could have killed Ari right here.(SCENE CUT)GIBBS: Are you okay?ABBY: Yeah.(SCENE CUT)GIBBS: His sniping Abby means he'safter my people.(SCENE CUT)MORROW: I've been offered a Deputy Director's position with Homeland Security.GIBBS: Well who will be replacing you, Sir?SHEPARD: Hello, Jethro.(SCENE CUT)SHEPARD: On the job it isDirector Shepard or Ma'am.(SCENE CUT)ZIVA: I'm here to see Special Agent Gibbs.(SCENE CUT)GIBBS: You first.TONY: Ziva David. Mossad. She's here to stop you from whacking Ari.GIBBS: Director Jenny Sheppard,same mission.(SCENE CUT)ZIVA: Ari Haswari is a Mossad operative undercover in Hamas. He hasn't turned on us or you.(SCENE CUT)ARI: (IN HEBREW) Do you have the passport and money?(SCENE CUT)ZIVA: (INHEBREW) Yes.(SCENE CUT)ARI: (IN HEBREW) Use the drop.(SCENE CUT)ARI: (INTO PHONE) Doctor Mallard, I want to prove I didn't kill Caitlin.(SCENE CUT)DUCKY: (INTO PHONE) By taking Gerald hostage?ARI:(V.O./FILTERED) Gerald is free to go.(SCENE CUT)ARI: (INTO PHONE) Come alone, and you can exchange places.(MUSIC OVER ACTION/DUCKY WALKS IN THE STREET)(MUSIC OUT)(THEME MUSIC UP OVER OPENINGTITLE/SCENES/ CREDITS AND OUT)[SCENE_BREAK]EXT. STREET - FLASHBACKGERALD: You shouldn't have come, Doctor.DUCKY: Couldn't let the b*st*rd put a bullet in your good shoulder or you'd never return towork. Do you have your cell phone?GERALD: Ari took it.DUCKY: Keep walking. Don't turn back until you're behind the wheel. Where is Ari?GERALD: In the back seat.DUCKY: Well, when I reach your car, I'll lean inthrough the open window. That's your cue to drive off, fast!GERALD: Doctor Mallard...DUCKY: Go straight to NCIS. Tell Gibbs everything that's happened.[SCENE_BREAK]INT. SQUAD ROOM - NIGHTDUCKY:(RECORDED VOICE) You've reached Doctor Donald Mallard. Please leave a message and I'll get back to you as soon as I can.(SFX: BEEP TONE)GIBBS: (INTO PHONE) I said no one was to leave the building!ABBY: (INTOPHONE) Ducky, please call, okay? We're really worried--GIBBS: (LOUDLY INTO PHONE) No one includes you, Doctor Mallard!ABBY: (INTO PHONE) We're worried including Gibbs.... or he wouldn't be yelling. (TO GIBBS)Look Gibbs, it's not Ducky's fault, okay? He probably did Kate's autopsy on auto pilot and then just drove himself home the same way.MCGEE: Boss! An outside call came into autopsy twenty three minutes ago. I'mtracing the number![SCENE_BREAK]EXT. STREET - NIGHT(MUSIC OVER ACTION/GERALD RUSHES TO THE MORGAN/ DUCKY WALKS TO ARI'S CAR)(GERALD CLIMBS IN AND OUT OF THE CAR)ARI: You looksurprised.DUCKY: I expected to be shot.ARI: Doctor, please. I would never harm a fellow physician.(MUSIC OVER ACTION/GERALD ATTEMPTS TO DRIVE THE MORGAN)DUCKY: (SHOUTS) Use the clutch! Good God,man!! Use the clutch! You're stripping the gears!(SFX: GEARS GRINDING B.G.)ARI: This is too painful, Doctor.DUCKY: (SHOUTS) Gerald, turn it off!ARI: Obviously Gerald does not have an intimate relationship with astandard transmission.DUCKY: Unbelievable.ARI: The price of growing up in America. That was so unnecessary, Doctor. Gerald is free to leave... in his own car.MUSICAL BRIDGE TO:INT. SQUAD ROOM - NIGHTMCGEE:Boss, that call came from Gerald Jackson's cell phone!ABBY: I'd almost forgot about Gerald.MCGEE: He's been in rehab a year.ABBY: Maybe he heard about Kate and he called Ducky.MCGEE: They're in a pubsomewhere consoling each other.ABBY: Yes!GIBBS: I don't like it.ABBY: Why?MCGEE: (OVERLAP) Why?GIBBS: I don't need a reason why![SCENE_BREAK]EXT. STREET - NIGHTARI: Did you buy it in such pristinecondition?DUCKY: God, no. The frame had severe termite damage.ARI: That's right. The Morgan has a wood frame.DUCKY: Mm-hmm. The top was in rags. The body dented. The rocker panels rusted out. It was adisgrace.ARI: Who did the restoration?DUCKY: I did.ARI: Of course you did.DUCKY: Do you doubt me?ARI: Not at all, Doctor. I was thinking of the irony. That hands so skilled at dissecting the dead are also capable ofrestoring life... at least to a machine.DUCKY: What do you want, Ari?ARI: A test drive.(PHONE RINGS)ARI: Now who at NCIS could be calling Gerald at this hour? Hmm? Oh well... Gerald is sure to arrive there shortly.Doctor? Oh, your cell phone. Now buckle up, Doctor. It's a dangerous night.(SFX: CAR ENGINE STARTS)[SCENE_BREAK]INT. SQUAD ROOM - NIGHTMCGEE: I'm getting voice mail.ABBY: They probably can't hear theirphones because they're in a pub.MCGEE: Do you want to leave a message?GIBBS: No. Get a GPS fix.(BEAT) Snap it up, McGee!MCGEE: One second, Boss. Got it.GIBBS: Georgetown. Olive and Twenty-ninth. I knowthat street. That's mostly residential. Locate Ducky's cell.ABBY: See. They're together.GIBBS: There's no pub there.ABBY: Well maybe Gerald lives there.MCGEE: That's negative. He lives on Peabody.ABBY: So they'reparked. They're talking.MCGEE: Want me to go with you, Boss?GIBBS: No. Tony's out. Stay here with Abby.ABBY: For nobody leaving the building, there are a lot of people leaving the building.[SCENE_BREAK]INT.SWIMMING POOL - NIGHT(MUSIC PLAYS B.G.)KATE: Why don't you visualize her naked? Does she intimidate you?TONY: A woman hasn't been born yet who can intimidate Anthony DiNozzo.KATE: You're forgetting yourmother.TONY: Mothers don't count.KATE: And that lawyer. Marla?TONY: Divorce attorney. Worse than mothers.KATE: Well, Ziva's not your mother. She's not a divorce lawyer. She definitely intimidates you.TONY: Doesnot.KATE: Does too.TONY: Does not.KATE: Does too.[SCENE_BREAK]EXT. GEORGETOWN STREET - NIGHT(SFX: RAIN FALLING B.G.)GIBBS: Okay, where are they now?(BEGIN TELEPHONE INTERCUTS)MCGEE:(V.O./FILTERED) Same place, Boss.(SCENE CUT)MCGEE: (INTO PHONE) Olive and Twenty ninth.GIBBS: (INTO PHONE) Get a fix on my cell.(SCENE CUT)MCGEE: (INTO PHONE) Okay.(SCENE CUT)MCGEE:(V.O./FILTERED) You're right on top of them!GIBBS: (INTO PHONE) Damn it, McGee! They are not here!MCGEE: (V.O./FILTERED) They have to be, Boss.(SCENE CUT)ABBY: (INTO PHONE) Gibbs. Is there a pub?GIBBS:(V.O./FILTERED) No!(SCENE CUT)GIBBS: (INTO PHONE) There is no pub! No people - there are no cars!(SCENE CUT)ABBY: (INTO PHONE) Okay, I was just checking.(SCENE CUT)GIBBS: (INTO PHONE) How accurate isthis fix, McGee?MCGEE: (V.O./FILTERED) Within twenty five meters.(MUSIC OVER ACTION/KATE: It's going to happen again, isn't it? Ducky's going to take a bullet for you.GIBBS: He won't kill Ducky.KATE: Why not?Because you couldn't live with the guilt? Maybe Ari knows that. Maybe that's his plan. Maybe the only way to save Ducky, Abby, and McGee is to kill yourself.(MUSIC OUT)MUSIC IN:EXT. PARK - NIGHT(SFX: TELEPHONEBEEP TONES/ CELL PHONE RING TONE)[SCENE_BREAK]INT. SQUAD ROOM - NIGHT(PHONE RINGS)MCGEE: (INTO PHONE) Special Agent McGee.(BEGIN TELEPHONE INTERCUTS)(SCENE CUT)GIBBS: (INTO PHONE) Ifound Ducky and Gerald's cell phone in the park.(SCENE CUT)MCGEE: (INTO PHONE) Why would they leave their cell phones in the park?GIBBS: (V.O./FILTERED) They wouldn't McGee!(SCENE CUT)MCGEE: (INTOPHONE) Do you want me to come down there?GIBBS: (V.O./FILTERED) If I wanted you to....(SCENE CUT)GIBBS: (INTO PHONE) ... come down here, I would have told you so. Put a BOLO out on Ducky's Morgan. Gethis license plate from his file.(SCENE CUT)ABBY: (INTO PHONE) Gibbs, Ari has Gerald and Ducky.(SCENE CUT)GIBBS: (INTO PHONE) They're not dead, Abs.(SCENE CUT)ABBY: (INTO PHONE) How do you know?(SCENECUT)GIBBS: (INTO PHONE) Because Ari dumped their cell phones in the park, not their bodies.(SCENE CUT)MCGEE: (INTO PHONE) Ah... Boss? Gerald's here.GERALD: Ari's got....(SCENE CUT)GERALD: (V.O./FILTERED)...Doctor Mallard.(SCENE CUT)GIBBS: (INTO PHONE) How'd you get away?!GERALD: (V.O./FILTERED) I didn't.(SCENE CUT)GERALD: (INTO PHONE) Ari let me go.(END TELEPHONE INTERCUTS)[SCENE_BREAK]INT.SWIMMING POOL HOUSE - NIGHT(MUSIC OVER ACTION/TONY SEARCHES THE POCKET)DANA: Excuse me. May I?TONY: You certainly may.(DOOR OPENS/ CLOSES)[SCENE_BREAK]INT. NCIS SQUAD ROOM -NIGHTGERALD: I've never driven a stick.ABBY: Are you serious?MCGEE: What? You can drive a stick?ABBY: Yeah, since I was like ten.GERALD: What were you driving when you were ten?ABBY: A red forty-seven Fordhalf-ton pickup with four on the floor and Bubba riding shotgun.MCGEE: Bubba?ABBY: Ah, best damn coon dog in Jefferson Parish.(SFX: ELEVATOR DINGS/DOORS SLIDE OPEN)(BEGIN TELEPHONE INTERCUTS)GIBBS:(INTO PHONE) I don't believe in coincidences, Tony.(SCENE CUT)TONY: (INTO PHONE) I know, Boss.(SCENE CUT)TONY: (V.O./FILTERED/MUFFLED) You've beat that into me.GIBBS: (INTO PHONE) Haven't I beat thatinto you?(SCENE CUT)TONY: (INTO PHONE) That's what I said.GIBBS: (V.O./FILTERED) What did you say?TONY: (INTO PHONE) I said the reception sucks!(SCENE CUT)GIBBS: (INTO PHONE) Stay with them. I'm onmy way.(SCENE CUT)TONY: (INTO PHONE) What if they split up?(SCENE CUT)GIBBS: (INTO PHONE) What about your gut?(SCENE CUT)TONY: (INTO PHONE) It wants a pizza. (END TELEPHONEINTERCUTS)[SCENE_BREAK]INT. SQUAD ROOM - NIGHTGIBBS: Oh, god. What do we have?MCGEE: Ari picked up Gerald to force Ducky into a meet.GIBBS: You warn him?GERALD: I did. But you know Doctor Mallard.He came anyway.GIBBS: It's not your fault, Gerald. Ari's the b*st*rd. Ducky made the decision to go, not you. Debrief him. Write it up. I'll be with Tony at the Embassy Hotel.ABBY: Um, Tony's at the Embasero.GIBBS:Why did he say the Embassy?ABBY: Cell phone garble.GIBBS: All right, from now on everyone is using phonetics, like we did in the Corps.ABBY: Um... golf-India-bravo-bravo-sierra. Can I please go back to my lab? I'mflipping out here with nothing to do.GIBBS: Okay, but don't leave...ABBY: Don't leave the building. I know. Bravo. Yankee. Echo.(SFX: ELEVATOR DOORS SLIDE CLOSED)[SCENE_BREAK]INT. POOL HOUSE -NIGHTDANA: Mind if I join you?ZIVA: One more lap and you'll have it all to yourself.DANA: How's the water?ZIVA: Lovely. Have a nice swim.DANA: Thank you.(MUSIC OVER ACTION/TONY TAKES PICTURES)(ZIVAWALKS FROM THE POOL HOUSE/TONY WATCHES DANA)TONY: (SOFTLY) They're switching robes.(TONY RUSHES TO THE ROBE AND SEARCHES THE POCKET)DANA: Hey! What are you doing?TONY: Going for aswim.DANA: There's a locker room.TONY: I'm fine.DANA: Where's your swimsuit?TONY: Don't have one.DANA: I should call security.TONY: You didn't see the sign.DANA: What sign?TONY: I must have been blocking it.Uh... remember I was waiting outside and you wanted to come in?DANA: Oh, I remember.TONY: The Hackensack Nudist Society. From ten twenty seven until eleven fifty one the pool is ours. And it's our third annualconvention. Here's Agnes and Agnew right now. He's our President and Agnes is our social secretary. Hey guys. You look funny with clothes on.DANA: Inventive. Funny even. But I'm married.TONY: So am I!(DOOROPENS/ CLOSES)[SCENE_BREAK]EXT. STREET - NIGHTTONY: (INTO PHONE) Boss, can you hear me?GIBBS: (V.O./FILTERED) Across the street.TONY: (INTO PHONE) Boss?GIBBS: (V.O./FILTERED) Yeah!TONY: (INTOPHONE) Gotcha.[SCENE_BREAK]INT. CAR - NIGHTTONY: Ziva slipped a phony French passport and some cash (SNIFFS) to the woman with the Star of David (SNIFFS) I told you about. I love you, Boss.GIBBS: How doyou know the passport's a phony?TONY: Ari's photo, but not his name?GIBBS: What name's he using?TONY: Aren't you curious to know how I got it?GIBBS: I assume you improvised like a good agent should.TONY: Butwhat an improv! I swear to God I could get a gig on SNL. Okay, dig this. I pretend like I'm this real goofy guy trying to get--GIBBS: You pretended?TONY: That hurt, boss.GIBBS: What's the name?TONY: Well....GIBBS:The name?TONY: René Saurel. (SPELLS) S.A.U.R.E.L.GIBBS: Description?TONY: All I saw was the name and the photo.GIBBS: The woman?TONY: About five foot nine, dark hair, blue and white jogging outfit. Big gymbag. Real pretty girl. Looked enough like Ziva to be her sister. Real pretty.GIBBS: Maybe she is. Mossad's like the Mafia. One big happy family. (INTO PHONE) Hey, McGee. I've got a passport alert. Ari is traveling with aFrench passport under an alias, René Saurel. Sierra. Alpha. Uniform. Romeo. Echo. Lima.MCGEE: (V.O./FILTERED) Okay, what alert category?GIBBS: (INTO PHONE) Terrorism!MCGEE: (V.O./FILTERED) On it.TONY:That ought to get Custom's attention.GIBBS: Well, let's make sure he doesn't get that far.TONY: Boss, that's her.GIBBS: Stay with Ziva.TONY: What if this girl's meeting Ari? I mean, you're going to need backup. Letme rephrase that.GIBBS: Out!TONY: (V.O.) Thanks for the pizza, boss!GIBBS: Thank the night shift. I swiped it from them.[SCENE_BREAK]EXT. STREET - NIGHT(MUSIC OVER ACTION/GIBBS FOLLOWS THE TAXICAB)(GIBBS BRAKES TO A STOP)(SFX: CAR TIRES SCREECH)GIBBS: (SHOUTS) Ari! Get out, Ari!DUCKY: Good grief, Jethro. Put that weapon down. I've had enough excitement for tonight. Ari abducts me. Gerald stripsmy gears. And now you play chicken on a wet street.GIBBS: Where's Ari?DUCKY: Well gone I imagine. We were parked about ... well, a ways back. He received a cell phone call and then told me to drive down the streetfor ten minutes.GIBBS: (INTO PHONE) McGee! Congress Cab number seventeen picked up a female fare at the Embasero Hotel ten minutes ago. If he's en route, I need his twenty. If he's dropped his fare, then get mean address. And take the BOLO off Ducky's Morgan. He's safe.DUCKY: Our paths didn't cross by accident.GIBBS: Ari's cell call came from that woman in that cab I was tailing.DUCKY: He sent me down this street so thatyou would run into me.GIBBS: Yeah! A cab keeps going. Picks him up. They're gone!DUCKY: Ari abducts me to get you off her tail.GIBBS: Maybe. What'd you talk about?DUCKY: Well, my Morgan for a while. He wassurprisingly knowledgeable. Then Edinburgh Medical School. Yeah, we were both alumni. A few decades apart...GIBBS: Anything important, Ducky?DUCKY: He swore he didn't kill Caitlin. Made a very logical andpassionate defense.GIBBS: You believe him?DUCKY: He was very persuasive. Said he knows you'll never believe him.GIBBS: He's right about that.DUCKY: (OVERLAP) And that it's a shame that one of you has to die.He's arrogantly confident that it won't be him. But said on the off chance that it is, to keep looking for Caitlin's killer.GIBBS: He's a slick b*st*rd, Duck. But he's right. One of us is going to die.DUCKY: Jethro!Jethro!(SFX: CAR TIRES SCREECH)(GIBBS DRIVES O.S.)(FADE OUT)MUSIC IN:EXT. HOTEL - RAININGZIVA: Espresso? Take it. It's not a bribe.TONY: How long have you known I was...ZIVA: Following me? Since I leftthe Navy Yard.TONY: I don't think so.ZIVA: Blue sedan. You laid behind a white station wagon for a while, then a telephone van. You lost me at the traffic circle on...TONY: Okay. You knew.ZIVA: Take it. It's chilly outhere. You shouldn't feel bad. I was trained by the best.TONY: You know, that's what I like about Mossad.ZIVA: Our training?TONY: Modesty.ZIVA: Um... there's a slice in there. (BEAT) Toda.TONY: Prego.ZIVA: I lost mylittle sister, Tali, in a Hamas suicide bombing. She was sixteen and the best of us. Tali had compassion.TONY: I'm sorry.ZIVA: After Tali's death I was like Gibbs. All I wanted was revenge.TONY: Is that why you joinedMossad?ZIVA: I was Mossad long before Tali's death. Old...TONY: Family tradition?ZIVA: Israeli sense of duty.TONY: So come on. Who recruited you? Your father? Uncle? Brother? Boyfriend?ZIVA: Aunt. Sister. Lesbianlover.TONY: You're good. You almost got me off the question. Almost.ZIVA: I volunteered. Laila Tov.TONY: Buona notte.[SCENE_BREAK]INT. SQUAD ROOM - NIGHT(SFX: CABINET DRAWER OPENS)KATE: (V.O.) Whyhaven't you come down to see me yet? (ON CAMERA) If you don't peek at the back of my head, I'll just look like I'm asleep. (SIGHS) I'm so lonely I'd even welcome a visit from Tony.ABBY: McGee! Didn't Tony matchthe tire tracks to a Chevy Suburban?MCGEE: Uh, yeah. Bridgestone Duelers. Factory issue. Uh, what are you doing?ABBY: We caught a break. N-O-R orbited a new Keyhole. They're doing calibration tests using theseventh hole of the Norfolk Naval golf course.MCGEE: Why the seventh hole?ABBY: See? That's why I dig you, McGee. You think specific. Whatever the reason, we are grateful because that orbit took the Keyhole overNewport News! I inputted the warehouse coordinates...MCGEE: That's the rooftop! That's me... Tony, Gibbs, Kate.ABBY: Is that the building where Ari's sniper nest was?MCGEE: It is. Ari's not there.ABBY: What do youexpect? A video of him shooting?MCGEE: Well, I was hoping.ABBY: Only in flicks, McGee.MCGEE: Okay, then why are you so excited?ABBY: I don't know. Maybe it's being alone with you on a rainy night.MCGEE:Abby...ABBY: Oh, look! Could it be? A black Chevy Suburban driving down the alleyway.MCGEE: Uh... can you read the license plate?ABBY: That depends more on angle than resolution.(SFX: KEYBOARDING)ABBY: It'snot a dress, McGee. You can't look up it to see what you want. Ha! Yes! Yes! Yes! Yes! Yes! Oh, McGee!MCGEE: I'm sorry. I'm sorry. I've got to put a BOLO out on the plate.ABBY: We did good, huh?MCGEE: You didgreat.[SCENE_BREAK]EXT. STREET - NIGHT(MUSIC OVER ACTION/GIBBS WATCHES THE APARTMENT)(PHONE RINGS)GIBBS: (INTO PHONE) Yeah, Gibbs. Slow down, McGee. Take a breath. Start with the address.Seven, two, four, tango, Julia, alpha. Got it.(SFX: TELEPHONE BEEP TONES)(BEGIN TELEPHONE INTERCUTS)(SCENE CUT)(PHONE RINGS)SHEPARD: (INTO PHONE) Shepard.GIBBS: (V.O./FILTERED) I need a partnerfor the night. You up for it?(SCENE CUT)GIBBS: (INTO PHONE) Jen?(SCENE CUT)SHEPARD: (INTO PHONE) Jethro, don't you know any other women?(SCENE CUT)GIBBS: (INTO PHONE) None I can call for backup. Youdidn't think I meant...(SCENE CUT)SHEPARD: (INTO PHONE) That's what you have a whole team of agents for.(SCENE CUT)GIBBS: (INTO PHONE) Well, McGee's on protection duty with Abby.(SCENE CUT)GIBBS:(V.O./FILTERED) DiNozzo's tailing Ziva. And since I lost...SHEPARD: (INTO PHONE) DiNozzo's what?(SCENE CUT)GIBBS: (INTO PHONE) He's tailing Ziva.SHEPARD: (V.O./FILTERED) Well where are you?GIBBS: (INTOPHONE) Outside!(END TELEPHONE INTERCUTS)[SCENE_BREAK]INT. CAR - MOVINGSHEPARD: What are the chances that Ari is still at this house?GIBBS: Zero. Ducky was a diversion so your friend Ziva could pass cashand documents to him.SHEPARD: Ziva's a control officer doing her job. You'd do the same if the roles were reversed.GIBBS: She's using you, Jen!SHEPARD: And I'm using her. A half dozen Hamas suicide bombers willnot be blowing up our boys in Iraq because of Ziva.GIBBS: She's Metsada, isn't she?SHEPARD: The Mossad code name for that division is Komemiute.GIBBS: Whatever they name it, they specialize inassassinations.SHEPARD: Excuse me. Weren't you a Marine sniper?GIBBS: If I have to go through your friend to get Ari, I will.SHEPARD: Ziva knows that.GIBBS: You really do like her.SHEPARD: She's damn good. AndI owe her. She saved my life in Cairo two years ago.(PASSAGE OF TIME)SHEPARD: I can't believe this. I've been Director less than twenty four hours and I'm back on the street.GIBBS: It's great, isn't it?SHEPARD: No,Jethro. It isn't.GIBBS: Come on! Come on! You love it.SHEPARD: Truthfully? I'd rather be in bed. Sleeping.GIBBS: Remember that stake out in Marseille? August. Stuck in that attic with no air, photographing everyonewho boarded that Lebanese trawler. That second night... that's the first time we--SHEPARD: Okay. Shut up.GIBBS: Hand me the binocs. They're underneath the seat.SHEPARD: What?GIBBS: That's Ari's SUV.SHEPARD:(SHOUTS) Shooter!(SFX: GUNSHOT/ GLASS BREAKS)GIBBS: Stay down!(SFX: GUNSHOTS)(SFX: GLASS BREAKS)(MUSIC OVER ACTION)(SFX: GUNFIRE)SHEPARD: I expected Haswari to be older.GIBBS: He is.(MUSICOUT)MUSIC IN:INT. AUTOPSY ROOM - DAYDUCKY: (V.O.) Gunshot number three is located under the right clavicle. Appears to be a distant wound from the absence of sooting and stippling. Gunshot number four is"}
+{"doc_id":"doc_327","qid":"","text":"In the gymnasium during tryoutsKendra: Over here Liberty! Pass!(Ms Hatzilakos is watching the girls and jotting down notes when Kendra scores.)Kendra: Yes!Ms. Hatzilakos: Great stuff girls. Bring it in. Alright thefinal roster will be posted tomorrow. Not everyone made the cut, but today I was really impressed with all your effort. Good stuff everyone.(Everyone starts to leave.)Emma: You ready?Liberty: Yeah.Ms. Hatzilakos: UhLiberty nice effort out there.Liberty: I was pleased with my stick handling, though my scoring could have been better.Ms. Hatzilakos: You didn't score.Liberty: We'll need to work on that if I'm gonna lead our team tovictory.Ms. Hatzilakos: I know how much this means to you, but I'm sorry Liberty you didn't make the cut.Liberty: There must be a mistake. I've never lost anything in my life.Ms. Hatzilakos: Well you haven't lostbecause I do want you on the team.Liberty: To do what?Ms. Hatzilakos: The role of team manager. This team really needs you.Liberty: The team needs me, then I'm there.Ms. Hatzilakos: Great.In the hallway, theroster has been postedManny: Awesome I made it.Kendra: Great. Now for the initiation.Manny: Initiation?(Kendra and Emma start spraying Manny with silly string when Liberty walks over.)Liberty: Congratulations oneand all.Emma: Thanks. Sorry you didn't make the team.Manny: But you're manager. That's good.Liberty: That's great and believe me I'm gonna keep you girls in line.In history classTeacher: The outline for your essayis strong and thought-provoking.Liberty: Napoleon was fascinating. I only hope my essay does him justice.Teacher: I'm sure it will. You always accomplish what you set out to do.Liberty: Not always, but thank you sir.In a classroomTerri: A strong fate line means you know what you want to do.Hazel: But my lifeline's so faint.Terri: Your quest for meaning will be an eternal one.Ashley: Didn't you learn anything last year about playingwith dark magic?Paige: Wow. Déjà vu. Freaky occult and Ash freaking out.Ashley: You have to have a little respect.Paige: And I have to have a little fun, so Ter, read the palm.(Terri starts looking at Paige's palm andstops suddenly.)Paige: What's it say mystic oracle?Terri: It's, it's great. Your palm's perfect.Paige: Um hon. I was kind of looking for a reading.Mr. Armstrong: Morning class. Let's open our textbooks to chapter 12,polynomials.Paige: What do you see Terri?Mr. Armstrong: I see Paige Michalchuk in detention after school.Outside the schoolHazel: Ter! You've been avoiding me all day.Terri: Not you. Paige.Hazel: Why?Terri: Yourfate line was really faint. Paige's lifeline doesn't exist.Hazel: Her days are numbered?Paige: Whose days are numbered? Either you tell me what you saw in my palm or my nails get up close and personal with yourface.Terri: Okay your palm...no lifeline. You're gonna die. In the locker room Liberty is doing the team's laundry(She has a daydream about her leading the team to victory and everyone is cheering for her.)Mr.Armstrong: So Liberty, how do you like being team manager?Liberty: Great. I love it. How come the girls get to wear these ratty things and the boys get uniforms?Mr. Armstrong: That's because we didn't budget for agirls floor hockey team. We didn't think there would so much interest.Liberty: You do know boys teams get 80% of the athletics budget.Mr. Armstrong: That's because there's more boys teams. Money is tight for allteams these days.Liberty: There must be a way around it. What about fundraisers or sponsorships?Mr. Armstrong: Sure. That takes a lot of work.Liberty: Mr. Armstrong, work's my forte and I know exactly where tostart.Outside Joey's houseLiberty: Plus you can write the sponsorship off as a tax credit.Joey: Yes I know, but the boys have already asked me to sponsor their basketball team.Liberty: They don't need your help Mr.Jeremiah. We do!Joey: But the Panther's have done awesome all year.Liberty: Yes and we can too if we get the same full support. Look, say your daughter was on our team. Would you want her wearing this? We needthis Mr. Jeremiah.(She shows him the uniform the girls have to wear.)Joey: Okay look. I can't sponsor both teams, but I'll think about it okay?-In the gymnasium-Liberty: Our New Jersey design.Manny: Wow. That'sawesome Liberty.Emma: Yeah. That's really good.Liberty: Thanks. We do have to convince Mr. Jeremiah to sponsor us and not boys basketball, but a minor detail.Emma: Yeah like the boys need funding.Ms. Hatzilakos:I know girls you're excited about this, but even with sponsorship we're not gonna win anything unless we practice, okay? So take your positions. We're gonna do passing drills.(The girls get ready to practice.)Ms.Hatzilakos: Oh and can you clean the pinnies? They need washing.Liberty: I just washed them the other day.Ms. Hatzilakos: I know. They're dirty again. Okay girls come on! Can we focus please!In the media immersionlab, Hazel and Paige are on the computerHazel: Here. In palmistry no one indicator by itself is conclusive.Paige: Okay.Hazel: Which hand did she read?Paige: Um my left.Hazel: And you're right handed.Paige: And yourpoint is?Hazel: You're supposed to read someone's dominant hand. The one you use.Paige: Hey! I do have a lifeline.Terri: Here Paige. To express my grief.(Terri hands Paige flowers.)Paige: Um thanks.Terri: Anything Ican do for you in your time of need, let me know. Anything.Hazel: So when are you gonna tell her?Paige: About my miraculous recovery from the brink of death? Hmm I don't know.Outside the schoolEmma: Liberty wejust wanted to say that we really appreciate what you tried to do.Liberty: Thanks, but Ms. H put me in my rightful place, the laundry room.Jimmy: Van Zandt, what's up with trying to steal our sponsorship?Spinner:Yeah. Who cares about girls sports? Except of course mud wrestling.Jimmy: Look you girls are crazy. Jeremiah's gonna back us because we're a winning team.Liberty: You really think you're better than us?Spinner: Uhwelcome to the conversation. Yeah.Liberty: Then prove it. Floor hockey. Girls versus boys.Manny: Uh Liberty.Jimmy: Okay. Say um winner gets the sponsorship?Liberty: And loser does the other team's laundry for aweek.Spinner: Awesome. I sweat like a pig. Outside the schoolMs. Hatzilakos: So whose idea was this again?(The girls look at Liberty.)Ms. Hatzilakos: Well I'm not coaching you guys so you can get into a grudge matchwith the boys over bragging rights.Liberty: It's not about bragging right. It's about a sponsorship.Ms. Hatzilakos: Well why gamble for it? Let Mr. Jeremiah decide.Liberty: He can't so we have to do this.Ms. Hatzilakos:Look I know this is very important for you, but between school and preparing you girls for the actual competition, I can't help you with this. I'm sorry.Liberty: But we need a supervisor.Ms. Hatzilakos: Yes. Yes youdo.Manny: Great. Now who's gonna coach us?Liberty: I will and I'll lead us to victory like Napoleon in the battle of Leipzig.In a classroom, Liberty tosses a huge book on the tableEmma: 100 Days To Glory?Liberty: Ourstrategy. It outlines what we have to do to win the regionals.Manny: Yoga. Meditation...and no junk food?Liberty: To achieve perfection, one must envision perfection. Envision, achieve, win. A simple formula. In thegymnasium, the girls are complaining about Liberty's rules(Liberty walks in wearing an outfit like Napoleon's and they all stop talking.)Liberty: Napoleon said if you want authority you must dress the part. I look regal,commanding-Kendra: Stupid.(The girls laugh and Liberty blows her whistle.)Liberty: Silence!Manny: Liberty I can't practice today. I sort of have my period.Liberty: Manny a true champion doesn't let a silly, littlemonthly visitor stand between her and victory.(Liberty hands Manny a tampon.)Liberty: Now lets get started. Fall in positions!In the hallwayPaige: And then I realized I'll never have a driver's license or a senior prom.Ter I am too young to die.Terri: Don't cry. Can I get you anything?Paige: Sure and maybe you could even do my book report for Kwan. With all this stress you brought me how am I supposed to concentrate?Terri:You're right. I'm there. In the gymnasium, Liberty is going over the plays(Spinner and Jimmy are outside the gym watching the girls and laughing.)Liberty: You stay on the left wing allowing the fore-checkers to godeep in the offensive zone.Kendra: What's this play called again?Liberty: The left wing lock. It limits break out space and forces the opposition's defense to carry the puck or bank it up on the boards. Girls this is child'splay.(Manny starts giggling.)Liberty: Hey little Ms. Happyface. What's a neutral zone trap, huh?Manny: I don't know.Liberty: Page 16. Did you read it? Maybe you don't know how to read!Manny: Why are you picking onme?Liberty: Because you're the weakest link.In the hallwayLiberty: Don't test me Kendra.Kendra: Why not Napoleon?Liberty: If you want to win, you players need to pull together.Kendra: We're not going to winLiberty, not with you barking orders!Liberty: They're not orders. They're plays.Kendra: We don't understand them. They're useless, kind of like you as coach.(Kendra leaves and Liberty sees a boys jock string taped toher locker.)Liberty: Ew![SCENE_BREAK]In the media immersion roomTerri: Finished.Paige: Ter your head.Terri: Oh I get zits when I'm stressed. I just e-mailed your report. I didn't get mine done, but that's okay. I onlylose 10%.Paige: Are you sure? Thanks.Hazel: Who said dying wasn't any fun?(Ashley overhears them.)In the hallwayAshley: Hey Terri. What's up?Terri: Trying to figure out when I can get some sleep. Being Terri andPaige is hard work.Ashley: Can I talk to you about that?Terri: What?Ashley: Well let's just say when I tell you, you're gonna want to kill someone who's technically already dying. In the gymnasiumSpinner: Some girlsteam, eh? What are they doing, putting on their makeup?(The girls march in.)Liberty: Closed set. Everybody out.Spinner: Um it's just a hockey game, Liberty.Liberty: No Spinner it's your funeral. Last time,out!(Everyone starts to leave.)Liberty: You, Panther, scoreboard.JT: Ai captain!Liberty: Okay girls remember what Napoleon said. One must know when to leave the skin of a lion to take the skin of a fox(Nobody saysanything.)Liberty: So get out there and give it to them, right?!The girls: Right!(Joey blows his whistle to get the teams ready.)Joey: You ready? Ready? Let's go!(They start playing as Liberty watches and JT keepsscore.)Outside DegrassiHazel: We should totally go to that movie tonight seeing as your homework's already done.Paige: And maybe we could even get Terri to pay.(The girls see Ashley and Terri with a Ouijaboard.)Paige: Ashley on a Ouija board?Ashley: Terri told me the sad news. I thought that we should get a second opinion. Hey Terri wouldn't it work better if Paige was sitting here?Terri: Yes it would.Paige: Do I have todo anything?Terri: No. Just watch and read. Mystic oracle, is it true?(Terri makes the Ouija pointer move to 'yes'.)Paige: Is what true?Terri: That you and Hazel played me for a fool.(Terri makes the Ouija pointer moveto 'yes'.)Paige: Wow. I, I really better get going.Terri: You're dead Michalchuk. I'm gonna get you! Get back here!(Terri starts chasing after Paige.)During the game, the score is 4-1 for the boysLiberty: Manny take it in.Take it in!Manny: I can't!Liberty: Take it in now.(Spinner and Manny bump into each other and Manny falls down.)Joey: Hold on guys. Hold on. You okay? Help me get her up guys. Get her up. Get her up.Manny:Ow.Joey: Slowly. Where does it hurt?Jimmy: Are you okay?Manny: It's my wrist. I landed on it.Liberty: She's fine. You're fine, right?Joey: I don't want to take any chances. Manny go see the nurse.Liberty: No! She'sgoing back out on the floor where we need her.Joey: I'm the ref and I'm telling her to go see the nurse.Liberty: After this period.Joey: Get someone else to play.Liberty: Those girls, they're alternates for a reason Joey.No!Kendra: You're being a tyrant.Liberty: I'm doing my job!Emma: Liberty maybe you need to relax.Liberty: And maybe you need to shut up and do what I tell you! All of you!Kendra: Good luck trying to win short twoplayers, Liberty.Joey: Someone make sure Manny goes to the nurses office, please.Liberty: I can't believe you girls. I thought you wanted to win.Emma: Not like this.(The guys start cheering.)Joey: Hey game's not overguys. They can still come out and finish it.In the locker roomLiberty: I can't believe you're all quitting. This is a team.Kendra: We're not quitting the team Liberty. We're quitting you.Liberty: That's so unfair.Emma:Coaches are supposed to inspire people. You just bark at us.Kendra: And give us crazy textbooks. 1000 ways to make us miserable.Emma: And the stupid cape.Kendra: Plus that whole thing with Manny.Liberty: AlrightI get the point. Look you're a great team. Be mad at me, but don't let those guys win. Kendra your slap shot is dead-on. Emma you're a good offensive captain. Focus on getting Kendra to the net, let her do the scoringand it's your game.Kendra: She does have a point. We can't let those jerks get the jerseys.Emma: Let's get 'em!(They cheer and head for the gym.)Emma: Liberty we've got it covered, okay?Liberty: Alright. Well go get'em.(Everyone leaves except for Liberty.)Liberty: I'm the weakest link.Outside the gymMs. Hatzilakos: Hey Liberty.(Liberty doesn't say anything.)Ms. Haztilakos: The game is still going on. What are you doing outhere?Liberty: I ruined everything Ms. H.Ms. Hatzilakos: What are you talking about?Liberty: The girls all hate me.Ms. Hatzilakos: Did you push them too hard?Liberty: I really wanted them to win those jerseys.Ms.Hatzilakos: It's a worthy cause.Liberty: Yeah, but I think I squished out all the fun of playing.Ms. Hatzilakos: You know Liberty it's tough for any coach. Balancing winning with having some fun.Liberty: Yeah and it's sonot worth it.In the locker room, Liberty is doing the boys' laundryEmma: Having fun?Liberty: Yeah. So much.Emma: Sorry we didn't win.Liberty: You almost own. Losing by 1 point sucks, but impressive.Emma:Thanks.Liberty: Not impressive enough to get Joey's uniforms of course.Emma: I don't know about that...girls!(The girls all walk in wearing their new uniforms.)Kendra: Mr. Jeremiah said he hadn't seen such a greatbattle of the sexes since Billie Jean King beat Bobby Riggs.Manny: Whoever they are!Liberty: I don't understand.Emma: Joey's sponsoring both teams. We impressed him that much.Liberty: Wow. You girls lookincredible.Kendra: You mean we look incredible.(Kendra hands Liberty a jersey that says 'team manager'.)Emma: Try it on! It's perfect."}
+{"doc_id":"doc_328","qid":"","text":"(Izzie is laying in bed with George. She quietly tries to sneak out.)MVO: Surgeons always have a plan, where to cut, where to clamp, where to stitch. But even with the best plans, complications can arise, things canarise and suddenly you're caught with your pants down.(Izzie is in the kitchen at the sink when Cristina and Meredith walk in)Meredith: Wow, you and George were really going at it last night.Izzie: What?Cristina: Thelaughing, the drinking, the music. Nobody, I mean me, needs to hear George's rendition of \"Sexy Back\" at three in the morning.Izzie: Yeah, yeah. You should have said something or you know, banged on thewall.Cristina: It's like living in a youth hostel.Meredith: Well, the important thing is that she and George made up. You did right?(Alex walks in)Alex: I need to use your bathroom.Meredith: Why?Alex: Cause O'Malley'spuking in mine.Cristina: Ok, youth hostel.Meredith: George is still here?Izzie: Yes. Yes. But only because he was too drunk to drive home. You know, just totally impaired. Like no heavy machinery drunk.Alex: What'sher problem?Cristina: Still drunk.Alex: What's she doing here?Meredith: She's afraid she's ruining her engagement to Burke, so she's hiding from him.Cristina: I'm not anymore. I have a plan. Burke doesn't want me tomarry him just to appease him...Meredith: Which you are.Cristina: So...we don't get married. Simple, we go back to the way it was. Be kind, rewind. My plan has a name.Izzie: I gotta go. I gotta get to work. See youguys later.(She goes to leave and puking can be heard from the downstairs bathroom)Izzie: Is that George? You said he was upstairs, puking.Alex: So, now he's downstairs puking.(Izzie walks into the hall whereGeorge is)George: Izzie.Izzie: George.George: What the hell happened last night? Callie is gonna kill me. Did I at least call her before I passed out?Izzie: No. you don't...you don't remember?George: I remember thebourbon and the...I...where did you sleep?(Richard is walking through the hall with Colin)Richard: Big day. What time's your interview with the board?Colin: Three o'clock.Richard: Well if you have any questions,please...Colin: Yes, thank you. I think I have everything well in hand.Richard: That's a big folder. (Referring to the one Colin is carrying)Colin: It's nothing...it's just a few ideas I have for Seattle Grace. A ten-year plan.Which really is just a few, ah, tweaks. What did Einstein say? \"Newton did the work, I'm merely standing in his shoulders.\"Richard: And in this scenario I'm Newton.(George is in the locker room looking very nauseouswhen Callie enters)Callie: George. Hey.George: Hey. You look, uh, nice.Callie: I look insane. I'm wearing pearls. Listen...George: Listen, about last night, uh...Callie: Yeah. Well we're good enough for now because as ofright now you and I, we're the perfect couple. Ok, we are the perfect happily married couple who are perfect and, and never fight because my dad's in town.George: What?Callie: Yeah, my dad's in town and, uh, hewants to meet my husband.(Izzie enters)Izzie: Oh, hey. Hey, O'Malleys. Carry on, do your stuff, your married stuff. Yay!Callie: You told her about our fight.George: Just when exactly is he coming?Callie: Today, lunch,cafeteria. You know what, I think I might change it to Joe's so he might not be able to tell that stinks coming from you.George: No, it's ok. It's ok. Uh, I'm good with parents. Parents love me.Callie: Funny little man.Funny, funny little man. Funny little man who stinks. Just get in the shower, get in the shower, ok?George: I know it'll be ok. You'll see, he's gonna love me. Oh.(Cristina walks up to Burke at a nurse's station)Burke:Oh, what's this?Cristina: We bring each other coffee. This is what we do.Burke: No, this is what we used to do. Before you moved in and we started making coffee at home. You know, I'm not really interested in goingback to the way it used to be so unless you have something else to say to me...I've already had my coffee.(Burke walks away and she sees Colin in the hall. Cristina walks away and Colin comes down the stairs andsees Derek, Addison and Burke standing near the OR board.)Colin: Ahh, good morning, doctors.Derek: Good morning. How you doing?Colin: Big day today. Good luck to all and sundry.(Colin walks away and Richardwalks up)Richard: He has a ten-year plan.Burke: What?Richard: He's presenting the board with a ten-year plan for the surgical wing.Derek: He's only been here a day.Richard: Did you see that folder? It's full ofplans...tweaks for my hospital.(Seattle scenes)(Jane Doe's room, Mark is showing her images on a computer screen.)Mark: This is a computer approximation of your original facial structure. Based on the 3D CT scanswe did, it's what you could look like after reconstructive surgery. Or you could look like this...or this. You don't like them?Jane: It's not that...(Looks at Alex) How does this work exactly?Alex: He'll make an incisionalong your hairline and then...Jane: It's ok, I can take it.Alex: He'll literally pull your face off.Mark: It sounds a lot worse than it is. Your face is extremely elastic and pulling it down will allow me to correct the bonefractures underneath without any scarring. And once you've healed, no one will ever know you had the surgery. I'm that good.Addison: He is! It's annoying.Jane: The surgery won't affect my baby?Addison: I'll bemonitoring the baby throughout, ok?Jane: Ok. So...then I just have to pick one. Do I have to pick one now?Mark: Take a couple hours and think about it.Jane: Couple hours, yeah.(Bailey and her interns walk into thehall and up to Richard)Richard: Dr. Bailey.Bailey: Chief, Jane Doe's getting a new face today.Richard: Well, that's exciting. (To Meredith) How are you doing, Mer. You didn't take to much time off after...Meredith: I'mfine, sir. Really. I think working's the best thing I can do.Richard: Like mother, like daughter, huh?Mark: Dr. Grey, what can you tell me about reconstructive neuro floor?Meredith: Uh, you can create a new base fromthe eye socket by harvesting bone from the skull. Dr. Bailey, Dr Grey will be scrubbing in on the Jane Doe case. Come on, I'll show you how to do it without breaking the bone graft into a million pieces.Richard:Congratulations, Dr. Grey.Bailey: Come on, lets go people.(Bailey and her interns walk past a nurse's station where Callie is)Callie: Wait, wait, wait, I need to talk to you.Izzie: Why?Callie: To prepare you guys for whatyou're about to see.Izzie: You meant...you meant you like us, not me. You don't want to talk to me. You wanna talk to us, about a patient.Callie: That what I just said. This patient has a disease so rare that you'llprobably never see it again. FOP.Izzie: Oh, Fibrodysplasia ossificans progressiva.Callie: Uh, yeah. It's a skeletal disease. It turns muscle into bone, it turns you into a human statue. So just try to learn and not to stare.Ok?Nina: If you people are interns, you need to stand back.Cathy: Nina, please don't be rude.Nine: My mother still has movement in her face and hands. I'd like to keep it that way, so, please be careful. You press tohard during an exam or bump into her accidentally it causes a bone to grow where a bone shouldn't grow. So there can be no accidents.Callie: Ok, remember that when you're dealing with her today.Cathy: It's just astomach virus or the flu. I'm sure it's nothing. Nina insisted that I come in...Nina: She was vomiting blood. And going through her pain meds like they were candy. And she has new growths, on her back. No doubtcaused by come clumsy interns on her last hospital stay.Callie: Obviously, you're having a flare up of the FOP but really concerns me is the vomiting. So I'm gonna need a CT and see what's going on. (Sees a dollhouse)Oh, did you build that?Nina: My mom did.Cathy: No, Nina did it. I used to do it, I'm not able to.Nina: Keeps her active. When she's active she has fewer flare-ups. Plus it keeps her happy and relaxed.Callie: Good,ok.(Outside Nina's room)Izzie: Can I work in the clinic today?Alex: You don't want the FOP case?Cristina: Clinic, why? What's going on in the clinic?Izzie: Nothing. I just feel clinicy.Cristina: That's not a word. I'll takethe clinic.Izzie: Cristina!Bailey: You both can go to the clinic.(Callie is nearby smelling George)Bailey: The board's interviewing chief candidates all day today so were light on surgeries. O'Malley?George: Yes?Bailey:You're with Dr. O'Malley.George: Ok.Alex: What am I supposed to do?Bailey: Find Dr. Montgomery, see if you can help with Jane Doe.George: I showered twice.Callie: It's coming out of your pores, George. You, reek,you're trembling and there's no way I'm letting you near my patient right now. Dr. Bailey?George: Don't tell Bailey, don't tell Bailey.Callie: Bailey, with Mrs. Rogerson's limited mobility I'm gonna need an extra set ofhands.Bailey: Fine, Stevens. Yang will handle the clinic, you'll be with the O'Malleys today.(Izzie gets out of the elevator. Callie looks annoyed, Izzie looks terrified and George gives her a thumbs up)(Cristina is in theclinic with Doug Kendry)Doug: It's my foot. It hurts like crazy. I'm gonna need a pain killer, I can't spend the whole day propped on an ice pack.Cristina: You're gonna need to take off your shoe.Doug: No, no, no. I'vebeen down this route before. Just slip me a couple pain killers and I'll be on my way.Cristina: Sir, did you, uh, go to medical school? I did. Take off your shoe. You have type two diabetes.Doug: Ten years now.Cristina:Well, you inspect your foot every day, have you noticed anything?Doug: I noticed it hurts. Look, I've got ten guys sitting on their ass waiting for me to show up...Cristina: Sir, I get it. You're in a hurry. That makes twoof us. Sock.(Doug takes off his sock to reveal a very nasty sore)Cristina: You need to call your guys and tell them you're not coming in.(Jane Doe's room)Meredith: Did you choose a face?Jane: Not yet. I was hoping I'dsee one of them and I don't know, recognize myself. I don't recognize any of these women. What if I choose the wrong one? What if my husband or boyfriend or whose ever baby this is, shows up tomorrow with apicture of what I'm supposed to look like but it's too late, and I'm stuck with the wrong face for the rest of my life?Alex: Ok, that would suck but if you don't pick one...(He holds up a mirror)...this is gonna be your facethe rest of your life.(Derek is watching Meredith, who is at a computer)Meredith: Hey.Derek: Hey.Meredith: Shouldn't you be preparing for your board interview?Derek: I am.(He leans over her shoulder and he smellsher hair)Meredith: You're hovering.Derek: No, I'm breathing you in.Meredith: You're hovering.Derek: Fine, I'm hovering. If Cristina would sleep in her own bed, I wouldn't have to hover at work. I could hover in bed. Adifferent type of hovering perhaps. How bad is it today? On a scale of one to ten?Meredith: Seven maybe a six.Derek: Good.Meredith: You know what's gonna make it even better than that?Derek: Uh-huh,what?Meredith: Calverian bone harvest I get to do on Sloan's Jane Doe later.Derek: Sloan's gonna let you do a harvest? By yourself?Meredith: By myself. Which makes me very cool in the eyes of my dead mother, bythe way.Derek: Ok, then. I better let you study.Meredith: Better stop distracting me. I will not be cool in the eyes of my dead mother if I mame Jane Doe.(CT Room)George: We're gonna need you to lie very still Mrs.Rogerson.Cathy: I think I can do that Dr. O'Malley.George: Sorry about that, Mrs. Rogerson. I'm never gonna drink again. I can't believe I have to be presentable for Callie's dad at lunch.Izzie: Hours...hours...manyhours of our lives that are all I can think about and you...seriously don't remember? How can you not remember those many, many hours?George: Izzie, whatever I did, whatever I said. I was drunk, I didn't meanit.Izzie: George, I assure you, you meant it. You meant it a lot, you meant it more than once.George: Do you see that? Page Callie.(Cristina walks past an office where Colin is)Colin: You'll be pleased to here I'mproposing an expansion to the hospital board this morning. Give you quite a few more places to hide.Cristina: I'm not going to hide. I'm just trying to find my resident.Colin: I come here to Seattle to see you and youdon't even give me a moment.Cristina: You didn't come to see me, you came to get a job.Colin: I came here for both.Cristina: Well, you made a mistake.Colin: Are you gonna invite me?Cristina: Where?Colin: To thewedding.Cristina: Will you stop talking about the wedding?Colin: Most blushing brides to be love to talk about the wedding, what's the matter? Are we getting cold feet?Cristina: Please leave.Colin: If he's rushing you,you should tell him. When you marry, you wanna be ready, he should understand that.(Addison is standing in front of a mirror)Addison: Good afternoon, board. No. Good afternoon ladies and gentlemen of theboard...(Mark enters) I'm so grateful for this opportunity.Mark: Don't wear the glasses. You fiddle with them, it makes you look indecisive. And stop stressing, it will be like any other job interview. What do you consideryour strengths? What do you consider your weaknesses? What do you consider your weaknesses?Addison: I don't have any. I'm that good. What are yours?Mark: I'm an easy mark for evil redheads.Addison: Trust me,you have other weaknesses. Obviously, you are a man-whore.Mark: Correction, I was a man-whore.Addison: Yeah, well, while you're bragging about that to the board, Colin Marlow is pitching his ten-year plan.Mark:Ten-year plan? Is that a requirement?Addison: It is now.(Cathy's room)Callie: Mrs. Rogerson, according to your CT, you have severe internal bleeding. It was probably caused by your anti-inflammatorymedication.Nina: Does that require surgery because she can't have any.Callie: Obviously, any surgical procedure could cause more bone growth or do more damage than good. That's why Dr. Burke's here.Burke: Whatwe can do is inset a line into your groin and then float a catheter up and embalize the area.Nina: That's minimally invasive?Burke: As minimally invasive as possible but with your condition even this is risky.Cathy: I'm41 years old. Most FOP patients don't live to 45. I'm down to the use of my face and hands, pretty soon I won't have anything. So, what would happen if I refuse the surgery?Callie: You will bleed to death...within a dayor two.Cathy: Is that painful?Nina: Mom, stop, ok?Cathy: Nina, please let me think, I...Nina: The reason you've gotten this far...our treatment plan works. It will work.(Mark enters the conference room where Derekis)Mark: Burke is using PowerPoint. He's doing a PowerPoint presentation for the board, which is cool if it's like 1998. There's no swag is there? We're not allowed to give gifts?Derek: Why did you ask Meredith to do abone graft...on your Jane Doe?Mark: Because I'm her teacher and that's my job.Derek: You're doing it to impress the chief. You're setting her up. And she can't fail right now.Mark: Why don't you let your girlfrienddecide what she can or can't do?Derek: I will hurt you if this goes wrong for her.(Outside Cathy's room)Addison: Is...is that a...?Izzie: Dollhouse. Yeah, the lights work and everything, it's the perfect littlehome.Addison: Did you have a dollhouse growing up?Izzie: I had s*x last night...with the wrong person. But the thing is it didn't feel wrong at the time. It felt like everything was falling into place. So, what do Ido?Addison: What am I? The go-to person for adultery?Izzie: No...no...I just...I just don't know what to do.Addison: You stop, that's what you do.Izzie: Are you sure? How do you know, that it feels so right because it'sgods plan?Addison: God wants you to be an adulterer?Izzie: God got a virgin pregnant by magic. God is not playing by the rules.(Clinic, Doug is on the phone)Doug: Uh-huh, talk to Paul.Cristina: Mr. Kendry.Doug: No,Paul will get your drywall numbers.Cristina: Mr. Kendry.Doug: Ok, let me just right a couple notes about that call.Cristina: Mr. Kendry, we're gonna have to amputate your foot.Doug: What?Cristina: The infection is inthe bone and if we don't remove your foot, the infection will travel to your blood and that will cause sepsis and possible death. I'm sorry.Doug: How can you be so...I mean, I can't get around...No, no, you're not cuttingoff my foot.Cristina: Sir, diabetes as a manageable disease. If you had been here even a month ago, maybe...Doug: Ok, I screwed up. But you're telling me this is my only option because I was late getting in here? Thatthere is no way...Cristina: Mr. Kendry...Doug: No! Please, there's gotta be a way for me to get that month back. Tell me what to do. I'll do every line of every plan that you give me. Please. You gotta find a way to savemy foot.(Meredith is practicing her bone harvest when Derek enters)Derek: Hey, what do you think of a robotics lab as a goal for the hospital? Hmm?Meredith: Derek.Derek: You're harvesting.Meredith: I'm trying to besupportive but this graft, it's really tricky.Derek: Mm-hmm. You don't have to do it, you know. I talked to Mark and uh...Meredith: You what?Derek: I talked to Mark. I mean, Meredith this is, uh, it's a complexprocedure.Meredith: You don't think I can do it?Derek: When has Mark Sloan allowed his interns to do anything? Let alone harvest a bone graft?Meredith: He's in the race for chief. He's trying to prove he canteach.Derek: By teaching you. Your mother died and the chief is going to be watching you very closely. Mark is trying to gain points to play.Meredith: Using me.Derek: If it goes well, he gets the credit. But if it goespoorly, he gets the save.Meredith: So, this is about you one upping Mark?Derek: He's using you. I'm just trying to protect you.Meredith: You don't need to. Close the door on your way out.(Derek leaves slamming thedoor on his way out.)(Bailey walks up to Mark in the hall)Mark: Can I help you with those Dr. Bailey?Bailey: What do you want?Mark: See, that's what I like about you, you always get right to the point.Bailey: Make itquick, I'm headed over to the clinic.Mark: All right, what would you change about this hospital if you could?Bailey: Is this for your board interview? You want me to do your homework for you cause I'm not busy enough,is that it?Mark: All the other attendings are putting together ten-year plans, I was just looking for some input.Bailey: Input? You want...I have patients in need of medical attention right now. This guy, here, is about tohave one less appendage. I don't have a ten-year plan for him, I have a right now plan for him. Cut off his foot to save his life. So, you need to get out of my way right now, so I can do my job.Mark: Right now?Bailey:Right now.(Cafeteria, the interns are having lunch)Izzie: Hey, talk to me about blackouts. Are they real? Do you really not remember anything afterwards?Meredith: Iz, I'm fine. I'm not drinking, I'm not drowning mysorrows. Fine. Everybody needs to stop trying to protect me.Izzie: Um, this isn't really about you. I'm asking back when you had a best friend named tequila, did you actually ever blackout?Meredith: Once...twice.Alex:The stuff you don't remember is usually the stuff you don't wanna remember.Izzie: Right. Great, thanks.Cristina: Hey, I have type two diabetes. Patient let it go and the infection is in the bone. I have to find a fix or cutoff the foot. Anyone? Anybody?Alex: You get to cut off his foot? Cool.Cristina: Ok, no, not cool. The patient was neglectful, he made a couple bad calls. Does that mean he has no hope? Does that mean he can't have ado over?Alex: But you get to cut, do bonus stuff.Meredith: We're talking about Burke now.Alex: We are?Meredith: Operation be kind, rewind not going so well?Izzie: You need to fix it cause it seems like you guys have apretty good thing. And pretty good things are rare and hard to come by. Unlike really screwed up, complicated things which seem to be freaking everywhere.Cristina: You know what, things are great. I'm gonna getthings back to the way they were. Watch me.(Cristina storms off)Izzie: Has Jane Doe picked a face?Meredith: No, not yet.Izzie: How cool would that be? To get to pick your own face. Just disappear and start allover.[SCENE_BREAK](Alex enters Jane Doe's room)Alex: How you doing?Jane: How am I doing? I'm freaking out, Alex. That's how I'm doing. I can't do this. I can't pick. I can't.Alex: All right, ok, lets uh...lets meet thecontenders, all right? This...this is Maggie. Married her high school sweetheart, has two kids, boy and girl. Loves being a mom, you know, coaches her daughter's basketball team and makes an insane banana creampie.Jane: Banana cream pie?Alex: It's my favorite so shut up. And this...is Elizabeth. Graduated from Northwestern, met her husband at a rally where they got arrested and fell in love. She's all angry and fired up buteveryone forgives her because she means well. Ahh, this one, this ones Eva. She's funny, she's tough...a little neurotic some times but you get used to it. You can tell she's been through some tough times in her life butshe'll get through it.(George and Callie are at Joe's with Mr. Torres)George: It's just your daughter, she...she's sorta undeniable. And, uh, after I lost my father I realized that life is short...and it's long too. Short and"}
+{"doc_id":"doc_329","qid":"","text":"Act OneScene One - A Seedy Motel Room. Frasier is lying in bed, asleep, in the motel room. He awakens and finds that he has a tattoo on his arm that reads \"Chesty.\" There is a half-empty bottle of tequila on a tableacross from the bed. A shower is running, but then stops suddenly. Frasier props himself up on some pillows and folds him arms behind his head, expectantly.Out from the bathroom steps Gil Chesterton - wearing onlya towel.Gil: Well, look who's up!SMASH CUT TO: Frasier sits up in bed - his own bed. The previous scene had been a dream - or a nightmare, considering Frasier's panic-stricken reaction.[SCENE_BREAK]WHY GIL? WHYNOW?Scene Two - KACL. Frasier is listening to a young male caller, Jimmy.Jimmy: [v.o.] So it's my parents. I don't know, they're just like, really stupid.Frasier: [bored] May I ask how old you are?Jimmy:Fourteen.Frasier: Well, hang on, Jimmy. Your parents are going to be stupid for another seven years.Jimmy: Whoa! Seven years? That's like, longer than I'll be in high school!Frasier: I salute your optimism.[disconnects] We'll be right back after this.He goes off air as Roz enters his booth.Frasier: Oh god, Roz. A teenager who's embarrassed by his parents? I mean, please. Can't you come up with something a little morechallenging for me?Roz: Well, it was either him or our old pal, Rudy the Crier.Frasier: Oh, Rudy the Crier. Oh God. He's been on three times in the last month. You put him on again, he won't be the only one who'scrying. God, I'm in a dry spell. Where are the souls in genuine torment? The people teetering on the brink of genuine despair?Roz: Oh, they'll be back. The holidays are just around the corner.Frasier: Well, perhapsyou're right. Oh, Roz, I've got a question I'd like to ask you.Roz: Shoot.Frasier: Have you ever had a recurring dream of an intimate nature about someone... oh, a... well, a co-worker?Roz: [disgusted] Oh, no. Why'dyou tell me?Frasier: Oh, Roz!Roz: Oh, now it's gonna be creepy everytime you look at me through the glass!Frasier: Roz, not you!Roz: [intrigued] So who is it then?Frasier: Oh, I'm not going to go into the specifics.Roz:Gina in accounting?Frasier: Look, I'm not gonna do this!Roz: Sheila, the slow intern?Frasier: Forget I even mentioned it.Gil enters. He's hiding something behind his back.Gil: Knock knock...Frasier: [suddenly nervous]Gil? [Roz eyes Frasier suspiciously]Gil: Frasier, I've come to tempt you.Frasier: [scared] Really?Gil: I'm reviewing the new pastry chef at Chez Shea. [reveals aneclair] And I quote: \"His amaretto eclair is so sinful, it willsend you scurrying to your local padre for absolution.\"Frasier: Uh... no, thank you, Gil. I'm on a diet.Gil: Oh, come now! You know you want it...Frasier: [jumping up] Oh, no no no... I really don't! [shoos Gil out thedoor] Off you go. Bye-bye.Roz: [excited] Oh, my god!Frasier: What?Roz: It was Gil!Frasier: I never said that!Roz: Then why are you blushing?Frasier: Oh, don't be ridiculous!Roz: Your ears are turning brightred!Frasier: I am not blushing!Roz: You are!Gil then knocks on one of the windows. As they look at him he takes a big bite out of the eclair. Frasier hurriedly closes the blinds as Roz laughs.Frasier: Still not blushing!The scene DISSOLVES to another caller - Rudy the Crier.Rudy: [v.o.] ...just lying there in the hospital bed. She lifted her head off the pillow, looked up and said, \"I love you,\" and then she was gone. [cries]Frasier:Rudy, stop crying. We've gone over this before. What was our agreement about sad movies?Rudy: I shouldn't watch them. [cries]Frasier: Exactly. Now go get a cool washcloth and try to bring down the puffiness aroundyour eyes. Please... stay away from sad or depressing things... which, at this moment, includes listening to the Dr. Frasier Crane Show. [disconnects] Well, let's shoot it to the news. That's it for today. This is Dr. FrasierCrane. [he goes off air and Roz enters] Oh, my God! Well, close the record books. That was just the dullest three hours in the history of the Frasier Crane Show!Roz: Oh, come on. It wasn't so bad. What about thatwoman who was so concerned about her appearance she wouldn't leave the house?Frasier: That was a commercial! I believe Miss Clairol solved the problem! Well, I'll see you tomorrow. [he moves to exit, then turnsback] Oh! Oh, Roz... about that dream I mentioned to you earlier... uh... this goes without saying, but I'd rather you didn't share that with anyone else.Roz: Oh, sure.Betty: [passing by] Hi, dreamboy!Frasier: [to Roz] Ihate you! Couldn't keep your big mouth shut, could you? Just exactly when did you find the time to spread the news?Roz: You don't think I was listening to your show, do you?Bulldog enters.Bulldog: Comin' through!Oh, Doc... I got to rub this one in a little...Frasier: All right, look, Bulldog... before you start to ridicule me, yes, yes I had a dream about Gil. And yes, it had some erotic elements, but... [notices Bulldog's surprisedexpression] You have absolutely no idea what I'm talking about, do you?Bulldog: I do now! Whoa! [laughs]Frasier: Look, let's just forget it. What delightful little jibe did you have prepared for me?Bulldog: Oh, I wasgonna tell you your show today just broke the snooze meter, but now I want to hear about you greasin' Gil's cookie sheet! [honks horn]Frasier: I'm on a bus toHell.[SCENE_BREAK]PSYCHIATRIST...CRANE...FRASIER...NILES...IDIOTSScene Three - Cafe Nervosa. Frasier and Niles are standing at the counter. Niles is relaying a story to a bored Frasier.Niles: So I returned to thedry-cleaners yet a third time. I hardly need to tell you how the story ends.Frasier: Just tell me when the story ends.Niles: [miffed] Fine. They realigned my pleats, The End.Frasier: Sorry, Niles. [they get their coffeesand sit at a nearby table] I'm just a bit distracted today. You see, this morning, a... a man from my building approached me with a very intriguing problem. It seems he's been having a recurring dream.Niles: Oh,please. That little gambit didn't work when we were in knee socks. What was your dream, Frasier?Frasier: Oh, all right! It's been tormenting me. I haven't been able to sleep in weeks now. It's a bit hazy but... it startsout in a seedy motel room. I'm naked.Niles: Interesting.Frasier: Yes, well... I roll over and discover on my forearm a tattoo: the word \"Chesty.\"Niles: Interesting.Frasier: Then the shower turns off and out from thebathroom steps... a man. [pause] All right, go ahead, let me have it!Niles: Are you saying that now, or is that a quote from the dream?Frasier: [annoyed] Please? We're both too intelligent to waste time on the obviousinterpretation.Niles: Yes. But you must admit, it's rather intriguing. [chuckles]Frasier: Would you stop? It's obviously screaming for a Jungian interpretation. The sexuality in the dream is surely symbolic of somedeeper, non-sexual conflict.Niles: All right.Gil approaches the table with a smug grin on his face.Gil: Good afternoon, Frasier.Frasier: Gil.Gil: A little birdie tells me I was featured in your midnight movie.Frasier: That'svery clever. Off you go.Gil: Very well. I'll see you tomorrow. Or should I say, \"See you in your dreams\"? [exits]Niles: In this dream of yours, were there any cigars, bananas or short, blunt swords?Frasier: Would youstop it?! I'm 43 - a little late for latency.Rebecca, the waitress, comes over.Rebecca: You guys okay over here?Niles: Oh, we're fine.Frasier: [flirting] Well... you must be new here. I surely would have remembered sucha pretty face as yours.Niles: You're overcompensating.Frasier: Right. We're fine. Bye-bye. [she leaves] I'm just baffled, Niles. Obviously, Gil Chesterton explains \"Chesty\" but little else.Niles: Perhaps you should tacklethis from a free-association standpoint.Frasier: God, must we?Niles: Well, now... focus on any detail in the motel room. What's the first thing that pops into your mind?Frasier: Uh... a crescent-shaped lamp.Niles:Perfect - crescent-shaped lamp. Run with that. Crescent... moon... Daphne Moon... French maid... brass bed... satin robe...Frasier: Niles! This is my dream!Niles: I was just showing you the process.Frasier: You werethree words away from a cigarette!Niles: [outraged] Your turn!Frasier: All right.Niles: Crescent lamp.Frasier: Crescent... croissant... butter... apricot jam... hunger... food... diet! My God, I've been on a diet. Do youthink that's useful?Niles: You could stand to lose a few pounds.Frasier: Just wait a minute. Gil is a restaraunt critic - a gourmet. Perhaps he's symbolic of the food I've been denying myself.Niles: That would explain whyyou're naked in the dream. It's when we're naked that we're most self-conscious about our bodies.Frasier: Yes, and most vulnerable to the way society \"tattoos\" us with labels about our appearance! God, that's it, Niles!The dream is simply telling me that I've been too rigid about my diet!Niles: Well, you'll know tonight. If this is the correct interpretation, the conflict will have passed from your unconscious to your consciousmind.Frasier: Yes, the dream will have served its purpose.Niles: And you will no longer be plagued by it.Frasier: Oh, God, Niles. I've nailed it all right. I really have. Finally, for the first time in weeks they'll be no tequilabottles, no tattoo, no half-naked man in my bed. [he looks up to see Rebecca standing at their table] So then, the Rabbi says...[SCENE_BREAK]Scene Four - The Motel Room. Once again, Frasier is in bed. The tequilabottle is still there, and he still has the tattoo. The shower turns off and out from the bathroom steps a rather buxom woman wearing only a towel. Frasier looks pleasantly surprised.Woman: Oh, I'm sorry... wrongroom. [leaves]Frasier's expression turns to disappointment. Gil suddenly appears lying next to Frasier in bed.Gil: That does it. We're finding another motel.SMASH CUT TO: Frasier again wakes up from his dream in apanic. He notices something under the covers next to him. He cautiously pulls back the covers to reveal Eddie. He isn't any more pleased about this.End of Act One. Act Two.Scene One - The elevator at the Elliot BayTowers. Daphne and Martin are in the back of the elevator. The doors open and a woman gets on, standing in front of Daphne and Martin. Daphne says hello and they lapse into silence for a moment. She and Martinthen begin to speak to each other in a conspiratorial tone.Daphne: Someone followed me again last night.Martin: Ah, you're just being paranoid.Daphne: I'm telling you, they're onto me.Martin: Come on. Nobody couldrecognize you after all that plastic surgery.The woman becomes alarmed at this.Daphne: That's what Marlena thought.Martin: Marlena got sloppy. She never should have gone back to Zurich.Daphne: I just don't wantany more bloodshed.Martin: Relax. You're home free.Daphne: You don't know the Woodchuck and his ways.The doors open and the woman rushes out in fear. Martin and Daphne break down laughing.Daphne: Oh,we're terrible!Martin: We are? You are! \"The Woodchuck and his ways\"?Daphne: You know, we really should stop doing this. It's not nice.Martin: Ah, you're right. We won't do it anymore.The doors open and a manenters.Daphne: [as soon as the doors close, to Martin] How'd you get the stuff through Customs?Martin: They never check the wooden leg.CUT TO: Frasier's apartment. Frasier is pacing the living room as Niles sits atthe couch, poring over psychology textbooks.Frasier: The answer has got to be in there somewhere!Niles: Here's something. [reads] \"Dreams as an expression of wish fulfillment.\"Frasier: [grabs the book] Movingon.Daphne and Martin enter.Daphne: Goodness, are you two still here?Martin: What are you working on?Frasier: Nothing.Niles: I'm helping Frasier interpret a dream he's been having. You know, maybe Dad canhelp.Frasier: [alarmed] No, no, no... don't want to bore Dad with the details of this particular dream.Niles: Dreams can be rooted in childhood experience. Maybe Dad remembers something you've repressed.Martin:Gee, I don't know. If it's about when you were a kid I've repressed a lot of that myself. [exits to the kitchen]Frasier: Niles, this is not a dream I wish to share with Dad, thank you very much.Niles: Well, we've exhaustedevery other interpretation. So, I guess it's back to dreams as wish fulfillment...Frasier: Oh, Dad... [he moves to the kitchen where Martin is making a sandwich] Would you mind listening to my dream to see if it conjuresup any memories from my childhood?Martin: Oh, come on. You're making too much out of this. It's a dream. Dreams are weird.Frasier: Please, Dad. I wouldn't ask if it weren't really bothering me.Martin: Well, allright... go on.Frasier: All right... it starts out in a little motel room. I have a tattoo on my arm - \"Chesty\"...Martin: See? That's weird.Frasier: Yes. Then out from the bathroom steps a... All right, now before I continue,let me remind you that this is a dream. Not to be confused with reality. [Martin nods, still busy with his sandwich] Out from the bathroom steps a man... [off Martin's concerned expression] -eating lion!Martin: [relieved]Oh, see? There again, weird. Look, dreams come, they go. They don't mean anything. Except, you know, if you're lucky, every once in awhile you might have one that's a lot of fun. Like, you hit a home run in the WorldSeries or you're in the jungle with Jayne Mansfield and she gets bit by a snake.Frasier: Thank you, Dad.Martin: You know who Jayne Mansfield is, don't you?Frasier: Yes, Dad.Martin: You know what you do when you'rebit by a snake, don't you?Frasier: Yes, Dad. [leaves]Martin: [to himself] Wish I knew what I had for dinner that night.Frasier enters the living room to find Niles and Daphne on the couch, chatting about Frasier'sdream.Daphne: Oh, I get it. Chesty refers to Gil Chesterton.Frasier: Niles, you gossipy fishwife!Daphne: [standing] There's no reason to feel self-conscious, Dr. Crane. We've all had dreams like that. I had one about agirl I shared a flat with once - a gymnast.Niles: [standing] Go on, Daphne. This could be significant.Daphne: Well, I remember we were doing stretches in the gymnasium, when suddenly we decided to take off all ourclothes and go for a bounce on the trampoline. [giggles] The next thing you know, I'm chasing her around the pommel horse. Oh, never mind...Niles: [aroused] Don't stop now! [off their looks] This could help us.[sits]Daphne: Well, actually, I do have a theory of my own about your dream, if you'd like to hear it.Frasier: What the hell.Daphne: Well... in your dream, who was in the shower? Gil. What is a shower? Running water.Who needs water? Fish. What do fish have? Gills! Do you see where I'm going?Frasier: Insane?Daphne: It could be a dream about the loss of a beloved childhood pet.Martin: [entering from the kitchen with Eddie]Thanks a lot, Eddie. Forty-five minutes in the park, you don't have to go. I get one bite into my sandwich and you give me the look.Daphne: Mr. Crane, did Dr. Crane ever have a goldfish growing up?Martin: Afish?Daphne: Yes, as a pet.Martin: How would I know? That was Hester's department. [to Eddie] Come on, let's go. [leaves]Niles: Frasier, are you thinking what I'm thinking?Frasier: That Dad can interpret the looksfrom his dog and has only the spottiest recollections of our childhoods?Niles: No. No, no, no. Hester - Hesty. The tattoo - that's only one letter away from Chesty!Frasier: Niles, are you saying that the dream could havebeen about mother?Niles: Well?Frasier: I suppose I could have misread the tattoo. [rolls up his shirt sleeve] Yes, yes... this freckle pattern here on my arm could be mistaken for a \"C.\"Daphne: And what swims in thesea? Fish! [off their looks] All right, all right I'll go. [exits to her room]Niles: Well, so the tattoo could have said \"Hesty.\" But the problem is, I don't ever remember Dad calling her that.Frasier: But who's to say hedidn't?They both gasp and run to the elevator, where Martin is still waiting with Eddie.Both: Dad, Dad... Dad, Dad!Martin: What?Frasier: Did you ever have a nickname for Mother?Martin: Oh, for God's sakes! Is this todo with that stupid dream?Frasier: Dad, this is really important!Niles: Any pet name? A term of endearment?Martin: Well... when we were first married I used to call her \"Honey.\" And then... there was a time after thatthat I started calling her \"Sweetie.\"Frasier: I'm sure there's a delicious anecdote behind each one of those. But did you ever call her \"Hesty\"?Martin: \"Hesty\"?Frasier: [forcefully] Oh, come on, think, man! Even once!Once, in all the years you lived together?!Martin: [nervously] We-Well... I don't know. [elevator doors open] I- I guess...Frasier: Really?Martin: Yeah, maybe once... [stumbles into the elevator, disturbed]Frasier: Oh,thank you Dad! [doors close] Well, there it is! I must have heard him call her \"Hesty\" once and neatly tucked it away into my subconscious.Niles: Of course, it's so obvious! Gil is a food critic. Food, criticism...Both:Mother!Niles: It's the classic Oedipal dream!Frasier: Yes, yes... only I was so frightened by my sexual urges to be with my mother that I transformed her into a man! Oh, what a relief! I've been wringing my hands overnothing. I mean, it's okay. All I want to do is have s*x with my dead mother!Frasier turns to see that a woman has been standing by the elevator doors and has overheard him. He sheepishly enters hisapartment.[SCENE_BREAK]Scene Six - the Motel Room. The scene reveals a painting of bananas and swords above the bed where Frasier is sleeping. He awakens to find the tattoo of \"Chesty\" still on his arm and thesound of the shower running. He is exasperated. The shower stops and he turns to the bathroom door with a look of apprehension.Frasier: Mom? Mommy?Gil: [entering] Patience, Daddy!SMASH CUT TO: Frasier againwakes up from his dream in a panic and switches on the light in his bedroom.[SCENE_BREAK]THANK GOD HE WAS WRONGABOUT THAT \"MOTHER\" THINGScene Two - Frasier's apartment. The middle of the night.Frasier is poring over textbooks at the kitchen table. Martin enters from his bedroom, groaning.Martin: You'd think by now I'd know better than to have that third Slim Jim before going to bed. Couldn't sleep either,huh?Frasier: No. Frankly, I'm sort of afraid to go back to sleep. It's that damn dream again.Martin: Oh, what are you worried about? It's just a dream. Worst case scenario - the man-eating lion leaps on top of you andmauls you.Frasier: I'm sorry, Dad, I wasn't completely truthful with you before. The dream is really about me in a motel room with a male companion, Gil Chesterton.Martin: You don't care if I ever sleep again, doyou?He absentmindedly turns on the TV. Frasier turns it off behind him.Frasier: Dad, please, I'd really like to discuss this!Martin: No, Frasier, please. This makes me very uncomfortable.[he enters the kitchen withFrasier following him]Frasier: Dad, please...Martin: I know, I know... in your generation, men talk about everything. Everything's out in the open. [he begins to nervously clean the refrigerator and countertop, avoidingeye contact] You know what really drives me crazy is the way you all touch each other. Everybody hugs, you know? In my generation it was a... a handshake. That was good enough. Maybe if you felt especially close tosomeone you'd touch him on the shoulder, but never for more than two seconds. And don't talk to me about football players patting people's butts and everything, because that's different - that's sports, that's like war.Now, goodnight, son. [exits to the living room]Frasier: Dad...!Martin: Look, if you want to tell me something, write it on a post- it and stick it on the fridge.Frasier: Look, I really want to talk about this! [Martin finallystops and faces Frasier] I've exhausted every other possible interpretation of this dream. Is it possible my subconscious is trying to tell me something about my sexuality?Martin: Oh, that's ridiculous!Frasier: Is it? I wassensitive as a child; I didn't go in for sports. God, it's every cliche in the book. Surely it must have occurred to you at some point? You refused to take me to see \"West Side Story\" on my eighth birthday.Martin: Well,because of the gangs. That's scary for kids.Frasier: Even gangs that dance?Martin: Especially gangs that dance! [then] All right. Yeah... okay, yeah, I thought about it. But no, Frasier, no... I don't believe that. And youknow why? Because you would have known by now. Your unconscious or whatever the hell you call it could no more have kept its yap shut than the rest of you.Frasier: I suppose you're right.Martin: Yeah. Now, comeon, it's after 3:00. You're gonna be all worn out before your show tomorrow.Frasier: What a tragedy that would be.Martin: Now what are you complaining about?Frasier: Oh, I don't know. I just haven't had any reallyinteresting calls lately. I'm beginning to question whether I'm not bored with psychiatry. [sits at the table]Martin: Boy, you'd never know it with the way you got your nose stuck in all those books.Frasier: That's true.The one saving grace about this dream is it's given me a chance to flex my analytical muscle a bit.Martin: Ah, maybe it wasn't so bad after all.Frasier: Wait a minute. Could that be what this has been all about? I've"}
+{"doc_id":"doc_330","qid":"","text":"Scene: The apartment. The guys are studying a complex chart on the whiteboard.Leonard: Hmmm.Sheldon: The problem appears to be unsolvable.Raj: Maybe you could run some computer simulations.Howard: Thereare too many variables. It would take forever.Leonard: We've got to be missing something. Let's start again. The movie is playing here at 7:20, here at 7:40, here at 8:10 and here at 8:45.Sheldon: Right, thesetheatres have to be eliminated.Leonard: Why? They're state-of-the-art digital projection, 20-channel surround sound.Sheldon: Yes, but they have no Icee machines. Despite my aggressive letter-writing campaign, Imight add.Raj: What about the multiplex here? The seats are terrific.Sheldon: They have Twizzlers instead of Red Vines. No amount of lumbar support can compensate for that.Leonard: Well, it's gonna take at least anhour to eat, and I don't see a Sheldon-approved restaurant proximate to a Sheldon-approved theatre.Raj: We could eat after the movie.Sheldon: Unacceptable, the delay would result in tomorrow morning's bowelmovement occurring at work.Raj: Hang on, hang on. There's a 7-Eleven here. We smuggle Slurpies, which are essentially Icees, in under our coats, after having a pleasant meal either here, here or here.Howard: Wow.I don't see how we missed that.Sheldon: Excuse me, in what universe are Slurpies Icees?Raj: That's how we missed it.Leonard: Sheldon, would you be prepared, on a non-precedential basis, to create an emergencyad-hoc Slurpie-Icee equivalency?Sheldon: Oh, Leonard, you know I can't do that.Howard: Okay, I guess we only have one option.Raj: Yep, I don't see any way around it.Leonard: Bye, Sheldon.Howard: See ya.Raj:Later, dude.Sheldon: They're right, it was the only option. Credits sequence.Scene: The hallway. Sheldon is opening the apartment door. Penny comes running up stairs.Penny: Ooh, ooh, shut the door, shut thedoor.Sheldon: Why?Penny: Just do it! (Penny runs in. Sheldon shuts door. Penny opens door again) Get inside and shut the door.Sheldon: Well, you didn't specify.Penny: Is Leonard around?Sheldon: He went to themovies without me. It was the only option. I'm sorry, I don't understand which social situation this is. Could you give me some guidance as to how to proceed?Penny: The building manager's showing an apartmentdownstairs, and I haven't paid my rent.Sheldon: Oh, I see. Penny, I'm not sure I'm comfortable harbouring a fugitive from the 2311 North Los Robles Corporation.Penny: It's no big deal. I'm just a little behind on mybills because they cut back my hours at the restaurant and my car broke down.Sheldon: If you recall, I pointed out the \"check engine\" light to you several months ago.Penny: Well the \"check engine\" light is fine. It's stillblinking away. It's the stupid engine that stopped working. It cost me like twelve hundred dollars to fix it.Sheldon: You know, it occurs to me you could solve all your problems by obtaining more money.Penny: Yes, itoccurs to me, too.Sheldon: Hang on a moment. (He opens a jar. Snakes jump out. He then pulls out a large wedge of money) Here. Take some. Pay me back when you can.Penny: Wow, you got a lot of money inthere.Sheldon: That's why it's guarded by snakes. Take some.Penny: Don't be silly.Sheldon: I'm never silly. Here.Penny: No, I can't.Sheldon: Don't you need money?Penny: Well, yeah, but...Sheldon: This is money I'mnot using.Penny: But what if you need it?Sheldon: My expenses account for 46.9% of my after-tax income. The rest is divvied up between a small savings account, this deceptive container of peanut brittle and thehollowed-out buttocks of a superhero action figure who shall remain nameless for his own protection. Or her own protection. Take some.Penny: Really? I mean, are you sure?Sheldon: I see no large upcomingexpenditures unless they develop an affordable technology to fuse my skeleton with adamantium like Wolverine.Penny: Are they working on that?Sheldon: I sincerely hope so.Penny: Okay. Well, thank you. Oh, God,no, I can't. Sheldon honey, I don't want things to be weird between us.Sheldon: Won't it also be weird if I have to say hello to you every morning on my way to work and you're living in a refrigerator box and washingyour hair with rain water?Penny: I'll pay you back as soon as I can.Sheldon: Of course you will. It's impossible to pay me back sooner than you can. Assuming you subscribe to a linear understanding of time andcausality.Penny: I'm regretting this already.Scene: Entering the lobby of the building.Sheldon: You know, I've given the matter some thought, and I think I'd be willing to be a house pet to a race of super-intelligentaliens.Leonard: Interesting.Sheldon: Ask me why.Leonard: Do I have to?Sheldon: Of course. That's how you move a conversation forward.Leonard: Why?Sheldon: The learning opportunities would be abundant.Additionally, I like having my belly scratched.Leonard: Hey, Penny. How was work?Penny: Great. I hope I'm a waitress at the Cheesecake Factory for my whole life.Sheldon: Was that sarcasm?Penny: No.Sheldon: Wasthat sarcasm?Penny: Yes.Sheldon: Was that sarca..Leonard: Stop it!Sheldon: Penny, you appear to have a package here.Penny: Oh, thanks. This must be the beret I ordered. A couple of months ago. It wasback-ordered.Sheldon: Did you know the beret is an example of piece of women's fashion adapted from male military uniforms? Another fascinating example is the epaulet.Leonard: He's not lying, he does find thatfascinating.Penny: Okay, whatever. It's not like I'm running up and down the streets just buying myself berets. I bought one, like, a month ago, and it was back-ordered, look, it finally arrived, all right?Sheldon: Allright.Penny: Oh, my God, would you just get off my case?Leonard: Weird.Sheldon: Oh, good, that was an unusual interaction. I wasn't sure.Leonard: Did you guys have an argument?Sheldon: No.Leonard: Well, youclearly did something to aggravate her.Sheldon: I'm at a loss. If you like, you can review my daily log of social interactions and see if there's a blunder I overlooked.Scene: The apartment.Leonard: Here you go. Oh, youowe me another two dollars. The price of mu-shu pork went up.Howard: It's getting tougher and tougher to be a bad Jew.Leonard: Here you go, Penny. Shrimp with lobster sauce.Penny: Thank you, Leonard. What's myshare?Leonard: Don't worry about it. It's my treat.Penny: No, really, how much?Leonard: It's, whatever. Ten, eleven dollars.Penny: Well, which is it, ten or eleven?Leonard: Fourteen fifty, but it's no biggie, you'll getthe next one. (Raj whispers something to Howard)Penny: What?Howard: He was just wondering if he wore skintight jeans and a tank top if he'd get his shrimp lo mein for free.Penny: What are you saying? That I'musing my body to get dinner? That I'm some kind of Chinese food prostitute?Howard: Yeah, Raj, what are you saying?Penny: 'Cause let me tell you something, buddy, I pay my own way in this world, okay? I don't relyon anybody! (Raj runs out of the room) What was that about?Howard: He has a nervous bladder when he's stressed out. Kind of like a puppy.Penny: Here, Leonard, ten, eleven, twelve, uh, fourteen dollars.Leonard: Itwas fourteen fifty, but it's okay.Sheldon: Oh, good. Dinner's here.Penny: Yes, dinner's here, and I'm having some. I'm having takeout food.Sheldon: Okay.Penny: You're damn right it's okay. I've been having leftoversat the restaurant for like four days, and I wanted something different. So sue me.Sheldon: Forgive me, Penny, but that would be the very definition of a frivolous lawsuit.Penny: Sheldon, look, I will pay you back assoon as I can. You just have to give me more time.Leonard: Oh, wait, you lent her money?Penny: She needed money. You seem under pressure. Did I not lend you a sufficient amount? Because I can give youmore.Penny: Oh, you know, you would just love that, wouldn't you? Yeah. You would just love to open up your little snake can and throw some money at the girl who can't pay her bills.Leonard: Where are yougoing?Penny: Going home, where I won't be interrogated like a criminal. I forgot my fortune cookie.Sheldon: In case either of you have larceny in your heart, you should know that I've moved my money out of thesnake can.Leonard: But if you're ever short, there's always a couple of fifties in Green Lantern's ass.Scene: Penny's apartment.Leonard: Hey.Penny: Hey.Leonard: A little mood lighting, huh?Penny: Yeah. When I didn'tpay my bill, the Department of Water and Power thought I would enjoy the ambience.Leonard: Yeah, they're very considerate that way.Penny: I used Sheldon's money to pay my rent, then I had like fourteen dollarsleft over.Leonard: Fourteen dollars, huh?Penny: Put it back in your pocket, or I'll find some other place to put it.Leonard: Back in the pocket it goes. Look, you do understand that Sheldon really doesn't care when hegets the money back. It's actually one of the few idiosyncrasies that doesn't make you want to, you know, kill him.Penny: Yeah, well, that's not really my big problem.Leonard: So you're a little behind on your bills.Everybody gets behind on their bills.Penny: Yeah, I know, it's just, this wasn't the plan, it wasn't supposed to go this way.Leonard: Well, what was the plan?Penny: Um, waitress for six months and then become a moviestar.Leonard: Was there a plan B?Penny: TV star.Leonard: It's probably not as bad as you think. Let's take a look. Maybe we can find some corners to cut. Oh, here's something, if you don't have electricity, then youprobably don't need cable. Just a suggestion. 170 dollars for acting classes?Penny: Oh, no, I can't give up my acting classes. I'm a professional actress.Leonard: You've had an acting job where you got paid?Penny: Thatis not the definition of professional.Leonard: Actually, it kind of... let's keep looking. Whoa, what's eighteen hundred dollars to the Los Angeles County Superior Court?Penny: Oh, that's nothing.Leonard: Nothing? Itsounds like you got caught speeding going 4,000 miles an hour.Penny: Well, remember Kurt?Leonard: Your ex-boyfriend?Penny: Yeah. He got arrested for taking a whiz on a cop car.Leonard: What?Penny: He wasdrunk.Leonard: I would hope so.Penny: Anyway, he had a bunch of outstanding tickets and a bench warrant, so I, you know, I paid his fines.Leonard: Did he pay you back?Penny: No, but he will.Leonard: And that'sbased on the inherent credit-worthiness of people who get drunk and urinate on police vehicles?Penny: Leonard, I'm not gonna call up Kurt and ask him for money.Leonard: Well what are you gonna do?Penny: I don'tknow, but I may have to find a cheaper place to live.Leonard: Oh, no. Oh, you don't want to do that.Penny: Why not?Leonard: Well, moving is a big deal. You have to go to the supermarket and get boxes, and if they'renot clean, then your books smell like melons, and it's just, like... Why don't you just get a roommate and stay here?Penny: Well, do you know anybody?Leonard: Well, I'm sure the guy living with Sheldon wouldn't mindmoving in with you.Penny: Oh, Leonard, honey, if we started living together, I wouldn't be able to keep my hands off you.Leonard: Really?Penny: And you thought my acting lessons were a waste ofmoney.[SCENE_BREAK]Scene: The apartment.Howard: Ugh. This mu-shu pork's burning a hole through my duodenum.Raj: Leviticus 11:3: \"Only that which parteth the hoof and cheweth the cud among the beasts shallye eat.\"Howard: Hey, do I mock you with the Bhagavad-Gita every time you scarf down a Whopper?Leonard: Hey, what's going on?Raj: We're on a quest through the Valley of Fire to acquire the sacred crown.Howard:You want the Valley of Fire? It's right here.Leonard: Hey, you guys want to go on a real live quest?Sheldon: Outside? I just made cocoa.Leonard: - Come on. It'll be fun.Howard: What is it?Leonard: Do you guysremember Penny's ex-boyfriend Kurt? (They all hold their hands above their heads) Yeah, that's him. It turns out he owes Penny a lot of money, and I'm gonna go get it from him. Who's with me?Howard: Ooh, doublesixes.Leonard: Really? You're just gonna let me go by myself?Raj: Oh, cool, I got a sword.Leonard: I could use some help.Raj: Here.Leonard: You guys are unbelievable, you play a game to simulate adventure, butwhen there's real adventure out there in the real world, you just wimp out.Sheldon: Leonard, do you not recall the last time we visited this gentleman, we returned home without pants?Leonard: I do.Sheldon: Are yousure? Because your proposal suggests that you don't.Leonard: I'm not afraid of him.Sheldon: All right. Leonard fairly calls the question, who is in favour of abandoning our game and confronting Penny's steroid-infusedex-boyfriend in a suicidal mission to extract money from him? Say hi to Kurt for us.Leonard: Excuse me. When Frodo left the Shire to take the one ring to Mordor, didn't Samwise, Pippin and Merry go with him?Sheldon:They did.Leonard: Well?Sheldon: They had a terrible time of it, Leonard.Raj: Plus, no one stole their pants.Leonard: Fine. Just enjoy your little game. I'll make this quest on my own.Howard: Leonard, wait. Take ajacket, it's spritzing a little.Leonard: You guys suck. (Leaves. Comes back) Come on, please? He's so big.Scene: Outside Kurt's door.Leonard: Okay, is everyone clear on the plan?Howard: Yes. Koothrappali's going towet himself, I'm gonna throw up, Sheldon's gonna run away, and you're going to die. Shall we synchronize our watches?Leonard: Guys, there are four of us and one of him.Sheldon: Which means his triumph will beeven larger. Minstrels will write songs about him.Leonard: Okay, how about this? I'll do the talking, you just stand behind me and try to look formidable.Raj: I should've peed before we left.Kurt: Yeah?Leonard: Hi,Kurt.Kurt: Lenny, right?Leonard: I don't really go by Lenny, but that's okay. Um, you remember Sheldon, Howard and Raj.Kurt: No. What do you want?Sheldon: You don't remember me? How could he not rememberme?Leonard: Sheldon, not now.Sheldon: I remember him.Leonard: Okay, here it is. Penny's in kind of a financial jam, and the money that you owe her would go a long way to solving her problems.Kurt: And she sentyou to get it from me?Leonard: No, no, she's too proud to ask for the money. I, on the other hand, feel you should honour your debt.Kurt: You do?Leonard: Feel is a kind of a... it's a strong word. Um, I just think itwould be a nice gesture on your part.Kurt: She'll get it when she gets it.Howard: Well, there you go. Problem solved.Raj: A successful quest. Now let's go find a gas station with a clean bathroom.Leonard: No, theproblem isn't solved. He just blew us off.Sheldon: I've got it. He didn't remember me because the last time we met I was in a Halloween costume.Howard: Come on, Leonard, let's goLeonard: No. You can leave if youwant to. I'm gonna see this through.Howard: Okay. (They leave)Leonard: I guess, technically, that was my fault. (Knocks) I'm not leaving here without Penny's money.Kurt: What happened to your backup?Leonard: Idon't need backup. I have right on my side. And I'm wearing cargo shorts under my pants.Scene: Leonard's car.Sheldon: Congratulations. You may not have succeeded in getting cash, but you did secure a formalacknowledgment of the debt. (Leonard has \"I owe Penny $1800, Kurt\" written on his forehead.)Howard: Maybe we should have your head notarized.Raj: If anybody cares, I still have to pee.Scene: Outside theapartment. Penny knocks.Leonard: Hey.Penny: Hey, is Sheldon here?Leonard: Yeah. Hang on. Sheldon!Penny: Nice hat.Leonard: It's kind of a fashionable look these days.Penny: Maybe if you're working on a tunaboat.Sheldon: Hello, Penny.Penny: Sheldon, here is your money. Thank you very much. It helped a lot.Sheldon: Sarcasm?Penny: No.Sheldon: Darn. I can't seem to get the hang of that.Leonard: Hey, I know it's noneof my business, but where did the money come from?Penny: Well, I cut back my expenses like you said and picked up a few more hours at the restaurant, but the biggest thing was, out of the blue, Kurt shows up andgives me the money he owes me.Leonard: Really? Did he say why?Penny: Yes, he said he was feeling guilty and wanted to do what was right.Leonard: That's it? Did he give any reason as to why he came to this moralepiphany?Penny: Nope. I just think he's really changed. We're having dinner tomorrow night, and I get to wear my new beret. Bye, guys.Leonard: Bye.Sheldon: Well done, Leonard. The true hero doesn't seekadulation, he fights for right and justice simply because it's his nature.Leonard: Penny's hooking up with her jerk of an ex-boyfriend and I have indelible ink on my forehead!Sheldon: That's your badge of honour, yourwarrior's wound, if you will. I was wrong, minstrels will write songs about you.Leonard: Great.Sheldon (sings): There once was a brave lad named Leonard, with a fi-fi-fiddle-dee-dee. He faced a fearsome giant, whileRaj just wanted to pee."}
+{"doc_id":"doc_331","qid":"","text":"[Scene: The Capeside High Cafeteria. Jen and Jack are sitting at a table eating their lunch together.]Jen: Ok, please, just give me something. Anything. A small juicy little morsel just to tide me over so I can keep onliving vicariously through you.Jack: First of all, when discussing my love life, try not to use the word juicy or morsel. Ok? It cheapens me.Jen: Fine. Fine. But you and Tobey are going out again, right?Jack: Yes, we aregoing out again.Jen: And?Jack: And that's all you're getting.Jen: Might I remind you that it was me that got the 2 of you together?Jack: Mm-hmm.Jen: Don't make me beg. Because I'll do it and it won't be pretty.[Druecomes up and takes a seat at their table.]Drue: Actually, begging happens to be a great look for you. Especially when you stick out that pouty lower lip. It's very sexy.Jen: Well, I must be off my game, Drue. Normally Ican smell you coming a mile away.Drue: Be nice or you won't get your yearbooks.[He hands them each a yearbook.]Jen: Ooh!Jack: Nice.Jen: That is uncharacteristically nice of you. What's going on?Drue: Hey, howmany prom drownings do I have to rescue you from before you accept the new me?Jen: Maybe one...or two.Drue: Hmm. If we can all turn to page 53 in our prayer books, I think we should bow our heads in a momentof silence.[They open the books to see the picture of Pacey and Joey, Class Couple.]Jen: I wonder if they've seen this yet?Jack: Or if they're talking yet?Drue: I wonder if anyone besides you 2 cares?Jen: Well, as far asI know, they haven't said so much as a hello since the prom debacle.Jack: Same goes for Dawson and Gretchen.Jen: See, that confuses me. I mean, I was sure that they would've gotten back together by now. They'reso good for each other.Jack: Well, you know, long distance relationships can be tough. He's gonna be in L.A. You know, the way I see it, if anybody's getting back together, Joey and Pacey.Drue: Blah, blah, blah. All youguys do is talk. You know what? I say it's time we take some action.[Takes out some money and holds it in front of them.]Drue: [Chuckles] Who will live to suck face another day? Will it be Joey and Pacey? Gretchenand Dawson? Both...or neither?Jack: It's disgusting.Jen: Yeah, it's really inappropriate, Drue.Jack: Jen, spot me 2 bucks.Jen: I can do that. I got it here. I have a 20. Take it all the way, baby.[Dawson and Joey walk upand they quickly hide the money.]Dawson: Hey, guys, what's up?Jack: Whoa!Jen: Dawson, Joey.Jack: You guys eaten?[Jen shows Joey a picture]Jen: Cute, huh?Joey: Aw.[Opening Credits][SCENE_BREAK][Scene:Dawson's Bedroom. Dawson is working on his computer when his mother comes into the room]Gale: [Knock on door] Busy?Dawson: Oh, yeah. I'm just doing some last looks on this Brooks film before I send it off toUSC. If I got any chance at all of getting in their summer program this has to be out by tomorrow.Gale: Honey, have you talked to Gretchen yet?Dawson: [Sigh] There's not really much to talk about.Gale: But are youok with the way things were left between the 2 of you?Dawson: Well, I'm not doing cartwheels. But, you know, what do you expect? I'm sure we'll eventually find a way to restore our friendship.Gale: Well, I don't seehow you're gonna restore your friendship if you're not speaking.Dawson: Well, it's my friendship so I'll handle it.[Gale gets up to go but turns back to him]Gale: Gretchen's leaving town.Dawson: When? How do youknow?Gale: She gave her notice a couple days ago. Today's her last day at the restaurant. So it must be soon then. I just thought you'd want to know if you want to say good-bye.Dawson: Well, she didn't tell me shewas leaving. So obviously she doesn't want me to know.Gale: No. No, the truth is, Dawson, you don't know what Gretchen's thinking right now. So why don't you go over there and find out? You could, uh...ask her tosign your yearbook, that's always a good way to start a conversation.Dawson: Mom, I appreciate the effort, but aside from that being a painfully lame idea, that's such a thinly veiled attempt at a reconciliation I'm noteven sure there's a veil there.Gale: Well, then I'm sure you'll think of something better. But if you want to keep Gretchen in your life, honey, you're gonna have to talk to her, and you're gonna have to do itsoon.[Scene: Outside Pacey and Gretchen's Place. Pacey is fixing her car, when she comes out carrying a pop and a sandwich.]Gretchen: Hey. How's it going?Pacey: This baby should run for another 2,000-3,000 miles,easy. Though it wouldn't kill you to change the oil every once in a millennium.Gretchen: I'll try and remember that. Oh, I talked to the landlord, and we're officially paid up till the end of next month. And after that thelease is up.Pacey: Thanks for doing that.Gretchen: No problem.Pacey: Consider it payment for the work you've done on my car.Gretchen: You want this?[She hands him the sandwich]Pacey: Thanks.Gretchen: [Sigh] Sohow are you?Pacey: Uh...to tell you the truth, I've had better days. How about yourself? You talked to Dawson lately?Gretchen: No. I don't know if I'm avoiding him or he's avoiding me.Pacey: Yeah, I know what youmean.Gretchen: Joey?Pacey: Same thing.Gretchen: I'm really sorry, Pace.Pacey: Do you think it's possible that you and I might actually feel better if we were to deal with our significant exs instead of just holing up inthis cozy little beach house?Gretchen: Probably. But that doesn't mean I'm actually ready to go out there and cope.Pacey: Me neither. [Sigh] Maybe it's genetic.Gretchen: Mm-hmm.[Scene: Grams' House. A realtor isshowing a man and woman around the house when Jen comes inside.]Realtor: The House just went onto the Market a few days ago, and I don't think it will be on it for very long.Man: You know, I think if we tore apartthat upstairs room, it would make a great gym.Woman: Mmm. I was thinking the exact same thing. Lots of steel, maybe\u0000Jen: That's my room.Woman: And all this wallpaper would have to go.Realtor: Well, there'stons of possibilities. Why don't you take another look around? [The couple leave] You must be Jennifer. I've heard so much about you. And congratulations on Boston Bay College, by the way.Jen: I'm sorry, but who areyou?Realtor: I'm Dana Borkow. I'm the realtor. Didn't you know? Your grandmother's selling her house.[Scene: The Capeside Yacht Club. Joey is setting a table, when Mr. Kubelik comes walking up to her.]Mr. Kubelik:Joey Potter. I was hoping to run into you.Joey: It's nice to see you again, Mr. Kubelik.Mr. Kubelik: You're coming to my party tomorrow night, yes?Joey: I wouldn't miss it.Mr. Kubelik: And I hope that you're bringingthat charming boyfriend of yours. Pacey, was it? He certainly did liven up the last party.Joey: Oh, uh-- well, actually, um-- certain things have kind of changed since the last party. Um, Pacey and I, uh... we, uh... well,we-- we kind of broke up.Mr. Kubelik: Oh. Well, I'm sorry to hear that. Well, I take it you're still on good terms, huh?Joey: Yeah, sure. We talk all the time.Mr. Kubelik: I'm glad to hear that, because Dean Newman andI were hoping to chat with him tomorrow night about a rather pressing matter.Joey: The Dean of admissions?Mr. Kubelik: Yeah, we have an offer we want to discuss with him.Joey: Yeah, sure. I'm--I'm sure that Paceywould like to talk to you.Mr. Kubelik: Ok. Well, then I'll see you both tomorrow night then.Joey: Ok.Mr. Kubelik: Have a good day.Joey: You, too.[Scene: Grams' House. Grams and Jen are having a discussion aboutselling the house.]Grams: Forgive me, Jennifer, I didn't realize I needed your permission to sell my own house.Jen: Well, it's not about permission, but since you're basically doing this for me, why shouldn't I have a sayin the matter?Grams: What makes you think I'm doing this for you?Jen: Ok. I want you to look me in the eyes and tell me that this is not about sending me to college.Grams: Look, I admit that money from the housewill primarily go towards your tuition. But that is not the only reason for my decision.Jen: All right. Well, then by all means, enlighten me.Grams: [Sigh] You are moving on to the next phase in your life, and I need to dothe same. Which is why I've decided to move to La Brea Park.Jen: Ok. Run that by me one more time because when you say La Brea Park, I think retirement community with bunnies and lawn bowling tournaments, andaside from your habitual knitting and your penchant for Metamucil, you-- you're far too young and far too hip to be living in a place like that.Grams: Jennifer, just because a community has the word retirement in frontof it doesn't automatically mean it's a bad place. Oh, honestly, Jennifer, I didn't realize you were such an ageist.Jen: Oh, I'm not an ageist. I'm not an age-- an \"ist\" anything. I wanna go see this fabulous park ofyours.[Scene: The Leery Fish House. Gretchen is working at the bar, when Dawson comes in and slowly walks up to the bar carrying his yearbook.]Gretchen: Hey, you.Dawson: Hey. I thought you might want to signthat. [hands her the book]Before you leave town.Gretchen: Well, you're nothing if not direct.Dawson: Were you really just gonna slip out of town without even saying good-bye?Gretchen: I was thinking about it, yeah.Maybe.Dawson: You know what? Then in that case, just pretend I never did stop by.[He grabs the book and begins to leave]Gretchen: Or maybe I was thinking about how to say good-bye to you all week.Dawson: Sowhere are you going?Gretchen: Back to school. I signed up for some summer classes to make up some of the units I missed this year.Dawson: [Deep breath] How soon do classes start?Gretchen: Not for over amonth.Dawson: Ok.Gretchen: But I'm gonna take a little road trip before that. Do some traveling while I still have the time.Dawson: It, uh...sounds like fun.Gretchen: I leave the day after tomorrow.Dawson: Do you?That soon?Gretchen: I know.Dawson: That's--that's... that's really soon. I feel ill-prepared.Gretchen: Well, you still have a whole day and a half to come up with some fantastic going away speech for me.Dawson: Allright.[Dawson turns to leave]Gretchen: But I would like to sign that. Can I? [Dawson slides the book to her] Can I have some time with it?Dawson: Sure. Yeah. Just as long as you realize that the longer you have it, theless acceptable \"have a bitchin' summer\" is gonna be.Gretchen: Ok.Dawson: Ok.[Scene: Pacey and Gretchen's Place. Joey is standing outside the door, and finally knocks. Pacey comes to answer the door.]Joey: [Sigh]Hey.Pacey: I was beginning to wonder if you were ever gonna knock.Joey: You saw me standing out here?Pacey: No.Joey: Ok, um...[Clears throat] Here's the thing. Um... I ran into Mr. Kubelik today. Remember him?He's the Worthington guy and he remembered you, and he asked me to bring you to this party that they're having tomorrow night for all the new freshmen. And he thought that we were still together, and I said thatthings were weird between us. But then he said he had this offer for you and he mentioned the Dean of admissions, and I'm thinking what else could he be talking about other than Worthington and you. And, you know,maybe there's some loophole or he-- there's some special program and I\u0000Pacey: I miss you, Jo.Joey: I miss you, too.Pacey: You know, I've been... replaying everything that happened at that stupid prom. Wasn'tsupposed to end like that. We're not supposed to end like that. Right?Joey: I wish you'd come to the party with me.Pacey: Yeah. Of course.Joey: And, uh-- I'll see you tomorrow.[SCENE_BREAK][Scene: Outside thestore, Pacey and Gretchen exit the store and walk over to her car carrying bags of groceries.]Pacey: Ok. So riddle me this. How many Funyons can a tiny little woman like you possibly consume on one little roadtrip?Gretchen: Don't change the subject.Pacey: I'm not changing the subject. I'm just steering it in a different direction on purpose.Gretchen: Look, I just don't think you should go to the party tonight, pace. I mean,even if you and Joey are supposed to be together, you both need to take some time apart to figure out what went wrong. Otherwise you're gonna wind up making the same mistakes all over again. Trust me. I knowfrom whence I speak.Pacey: Trust you? Miss pack-up-and-leave-town? Forgive me if you're not exactly my relationship role model right now.Gretchen: I'm just trying to help, pace. I don't want to see you gettinghurt.Pacey: Well, it's too late for that. I'm already hurt. And that's exactly the situation I'm trying to rectify. That's why I gotta go to this party, just to see what the gods have in store for me.Gretchen: You meanKubelik and his mysterious offer?Pacey: Yeah. Look, I know as well as you do that this is a long shot. But what other choice do I have? I need a sign. I need someone or something to tell me what to do. To show mewhat's right 'cause I don't know what to do anymore. And if this guy's gonna offer me a chance to go to Worthington, then I have my answer and I know for sure.Gretchen: What will you know?Pacey: Well, that I'msupposed to be with her. Ah, look. Gretch? If it's all right with you I think I'm gonna walk home.Gretchen: Yeah.[He puts the bags in her car, then turns back to her.]Pacey: So, then... this is it. You're really gonna leavetomorrow morning?Gretchen: Well, long before you're up, snoozer.[He gives her a huge hug.]Gretchen: Hey! What's this? Ha ha.Pacey: I'm really glad you came home this year, Gretchen.Gretchen: Sure you are. Yougot a sweet beach house out of the deal.Pacey: Yeah, I did. But it would not have been the same if it wasn't for you. So, I just want you to know that, you know, your little brother-- well, you know.Gretchen: I love you,too, Pace.Pacey: Yeah.Gretchen: [Laughs] And even better than that-- I mean, all familial obligations aside-- I actually like you.Pacey: Well, you're not so bad yourself.Gretchen: Yeah, I know.Pacey: Good-bye,Gretchen.Gretchen: Good-bye.Pacey: Bye.[Scene: The La Brea Park. Grams and Jen pull up to the guard station and wait for the guard. A really old female guard walks up to the car.]Guard: Last name?Grams: Oh,hello. Um-- I was here a few days ago\u0000Guard: Last name?Guard: Ryan. Evelyn Ryan.[The Guard goes back to check her list]Jen: Huh. She's a crusty old broad. I wonder what she'd do if we just gunned it? I mean, howwould she catch us? In one of those little golf carts, you think? You know, I seriously think we could take her.Grams: Jennifer, please.Jen: Just making a joke.[Guard comes back with a pass]Guard: Here you go. Nexttime go to gate 3 first to get your pass.Grams: Oh, I'm sorry. I didn't realize\u0000Guard: Everyone needs a pass. Residents get a permanent pass. If they have visitors, they're supposed to call in advance to get a pass.Nobody gets in without a pass.[Scene: The Leery Living room. Mitch and Dawson have just finished watching his movie of Mr. Brooks.]Mitch: I don't know how you did it, Dawson, but you managed to make Mr. Brooksseem like Harrison Ford.Dawson: So it's ok then?Mitch: Well, as your father, I am prone to subjectivity, but when USC calls and begs you to join their program, remember you heard it here first. It is great. But I can seethat your mind's on other things.Dawson: [Sigh]Mitch: Want to talk about it?Dawson: Not really. But thank you for watching this. I really needed an opinion from somebody other than Brooks. You know? I mean, howcould a man with an ego that big not love a movie that's all about him?Mitch: That man was a real wild card, huh? I can't get over how much he reminded me of you.Dawson: I remind you of him?Mitch: Well, that partwhere he talks about that girl? How she jumped over the counter, they went off to California together, they didn't even know each other? Who does that?Dawson: Hitchhikers.Mitch: Risk takers. Dreamers. People whounderstand that every once in a while, an opportunity presents itself. And whatever they decide to do in that moment will change the rest of their lives forever. Brooks could have told that girl to get lost. He could havegone off to California alone like he planned, but he didn't.Dawson: No, he didn't.Mitch: Because he knew. Very few men are lucky enough to actually see those moments, Dawson. He was really an inspiration.Dawson:Yeah. I... I guess he is.[Scene: Outside the Potter B&B. Pacey comes walking up, to find Joey outside on the porch waiting.]Pacey: Hey. You know, you didn't have to wait outside for me. I would've rung the doorbelllike a proper gentleman.Joey: I've been ready for an hour, which has given me far too much time to look at myself in the mirror. Never a good thing.Pacey: Right.[She walks down the stairs and is about to kiss himwhen she stops herself.]Joey: Um...we should go.Pacey: Yeah. Good idea.[Clears throat][Sigh][Scene: Gram's House. Grams and Jen are talking about their visit to the retirement community.]Jen: You're not movingthere.Grams: I've looked at other places. They are simply not affordable. I'm sure with time I'll be able to acclimate to La Brae Park quite nicely.Jen: Ok, you're not listening to me. See, I'm not gonna allow you to makesuch an enormous sacrifice.Grams: This is not a sacrifice. This is my gift to you.Jen: Well, I don't want it.Grams: You don't want to go to college?Jen: No. No, not like this. The fact is is that I should've applied for astudent loan. Just because I wouldn't take money from my parents doesn't mean that I need to burden you with my entire college tuition. [Sigh] Look, when you offered to help me out, I--I assumed that you had somesort of savings. I didn't think that I was gonna put you into hock.Grams: Jennifer, this is not your problem. Look, can we please not have this conversation?Jen: I'm not going to Boston, and I'm not letting you sell thishouse.Grams: [Sigh][Scene: The Capeside Yacht Club. Joey and Pacey have arrived at the party, and find Mr. Kubelik there.]Mr. Kubelik: Hey.Joey: Hey. It's 7:00 and the party's already swinging. I'm impressed.Mr.Kubelik: Well, I take no credit. The promise of free food always draws a crowd. You look lovely, Joey. And I see you brought your friend.Pacey: It's good to see you again, Mr. Kubelik. Thanks for inviting me tonight.Mr.Kubelik: Oh, absolutely. I'm glad you're here.Joey: Oh, well, that's Pacey. He never misses an opportunity to show himself off in a suit.Brad: I think we've gathered everyone by the fireplace, sir.Joey: Wonderful.Mr.Kubelik: Joey, why don't you join Brad? We're taking a few photographs of next year's freshmen.[Brad takes her hand.]Brad: I'll lead the way.Joey: I'll be right back.Pacey: Ok.[Joey and Brad leave]Pacey: So. What doyou say you and I go find that dean of yours, huh?Mr. Kubelik: All right.[Scene: Gretchen and Pacey's Place. Gretchen comes out carrying a box, when Dawson comes walking up to the porch. It is night timeout.]Dawson: [Chuckles] I thought you weren't leaving till tomorrow.Gretchen: Hey, uh, no. I was just pre-packing the car. What's up?[He takes the box from her arms and puts it on the ground]Dawson: I want to gowith you.Gretchen: W-what? Why?Dawson: Because if you leave now, I am always gonna wonder \"what if?\" What if there were no pending college departures? What if there were no job offers in Boston? What if therewas no Joey. What if it was just you and me, on the open road, with nothing but our hearts to guide us? Would we have worked? You said the reason we broke up is because you don't belong here. Fine. Let's get out ofhere and just... see what happens.Gretchen: Dawson, this is crazy. I mean, come on, you can't just pick up and leave.Dawson: Why not? Give me one good reason.Gretchen: Ok, um, graduation. I mean, yourceremony's less than a week away.Dawson: You mean the ceremony where I sit there and listen to other people talk for 3 hours? Before I walk across the football field in a goofy cap and gown, to pick up a piece ofpaper, which isn't even a real diploma? I'm sorry, that experience is not rich enough to warrant me lying awake at night, regretting that I did not have the guts to take this trip with you.Gretchen: Fine. Ok, forgetgraduation. I'm gonna stick with my first reason.Dawson: Which was?Gretchen: This is crazy!Dawson: Yeah. It is. It's nuts! It's completely ludicrous. And you can't think of one good reason why I should not come withyou, Gretchen. Something in my gut is telling me that this is our moment. We can't let this slip by.Gretchen: Dawson, I\u0000[Dawson kisses her]Dawson: just say yes.Gretchen: Yes. It's not where you come from.[Theylook happy at their decision hugging each other][SCENE_BREAK][Scene: Dawson's Bedroom. Dawson is trying to writer a note to his parent about leaving, and all he has is \u0000Dear Mom and Dad\u0000 when Gale comes intothe room carrying the baby.]Gale: Dawson...Dawson: Hey, there, beautiful.Gale: Honey, I have got a crisis down at the restaurant. I was wondering, could you watch her for a few hours?Dawson: I would love to.Gale:She is so good with you. I swear, she knows you already. Oh, um, did you get a chance to talk to Gretchen yet?Dawson: Um, yeah. She's coming over tonight.Gale: Oh, good, honey. I'm glad you 2 are working things"}
+{"doc_id":"doc_332","qid":"","text":"[Scene: Mausoleum. Prue walks in.]Prue: Phoebe? Phoebe, are you in here? (She sees Phoebe asleep next to a crypt.) Hey, sweetie, wake up.(Phoebe wakes up.)Phoebe: Cole?Prue: No, it's just me. Come on, let's gohome.Phoebe: No, I have to wait here for Cole.Prue: Phoebe, you can't just wait here, alright. He will know where to find you. Come on.(Phoebe stands up.)Phoebe: I don't understand. He was supposed to go backunder so that they wouldn't be suspicious of him, but it's been over a week.Prue: He probably just hasn't found a safe way out yet, that's all.Phoebe: But what if he can't? What is the brotherhood found him out?Prue:Look, even if they did, he would put some sort of a spin on it to, you know, get out of it. Come on, you know Cole, he knows what he's doing. You don't make demon of the century without having a few tricks up yoursleeve.Phoebe: I just hope he's okay, Prue.(They walk out of the mausoleum.)[Scene: A cave in the underworld. Cole is lying on a large rock. Raynor and Tarkin are standing beside him. Raynor has his hand held outabove Cole's head, reading his thoughts.]Raynor: Seems our brother's suspicions are well founded.Tarkin: Why? What do you see?Raynor: Sickness. The kind that only comes from being under the world of light for toolong. It's contaminated him.Tarkin: That's impossible, Raynor. A demon as great as Belthazor.Raynor: It's not his demon half that's been infected, it's his human half. He's in love.Tarkin: The witch.Raynor: Not just anywitch, one of the Charmed Ones. But she's only loved him, she's turned him against us, sent him here to destroy us.Tarkin: Well, then we must destroy him.Raynor: You still have so much to learn, Tarkin. You don't justkill a demon like Belthazor.Tarkin: But he betrayed us.Raynor: And in so doing, he's acquired the knowledge of how to kill the Charmed Ones. Something no other demon's been able to accomplish. That with his powermakes a very precious commodity for us, one worthy of saving.Tarkin: But how can...?Raynor: How can we save him? Simple. We remove the only thing that's re-awakened his human half. His only foot hole to good.The witch's love for him.Opening Credits[Scene: Manor. Kitchen. Piper is sitting at the table. She pours dozens of books and and papers from a box onto the table, and starts looking through them.]Piper: Okay.(Leowalks in holding a French/English dictionary.)Leo: Oú est l' tour Eiffel. That is 'Where is the Eiffel Tower?'Piper: In my dreams if we don't get you a passport.Leo: Honey, we don't need a passport to honeymoon in Paris.With a blink of an orb, we can be sipping champagne at the Champs Sel Seasay.(Piper giggles.)Piper: Yes, as romantic as you make that sound, I would rather fly Air France, than Air Leo. Just like every other normalnewlywed.Leo: Well, great, except that we're not.Piper: Well, a passport for you could change all that, if I could just find... voila! Birth certificate. (She holds it up.)Leo: Where did you get that?Piper: From Dan's old file,the one he put together when he was suspicious of you. You remember him, don't ya?Leo: Let's see, perfect hair, cleft chin, tried to steal you away from me? Vaguely, vaguely. (Leo snatches the birth certificate off ofPiper.) This isn't gonna work, I was born in 1924.Piper: No, you weren't. (She snatches it back.) Okay, off-white background, black ink... Little trick I learned in high school.Leo: You're gonna forge my birthcertificate.Piper: No. Just going to change one little number. (She white outs the number.) So, 1924 becomes 1974. And just like that, you are fifty years younger. (She writes in the seven.) Wait a minute, that makesyou 27. That's younger than me. Maybe I should change another number.Leo: Piper, this is completely illegal.Piper: Yeah? Well, so is marrying a dead guy, okay? (She holds up his death certificate.) Let's not gettechnical now.(Prue walks in.)Prue: Morning. What's up?Leo: Well, probably three to five years jail if we're lucky.(Prue gives a confused look.)Piper: Never mind. Were you up late working again?Prue: No, I was uplooking for Phoebe. Three guesses where she was.Piper: Hmm, the mausoleum?Prue: Yeah, it's become like her second home.Leo: Still no word from Cole?Prue: No, and you know what? You would think he could takethree lousy seconds just to shimmer and let all of us know that he's okay.Leo: Maybe he can't, maybe he's afraid he'll get caught.Piper: Maybe he already has.[Scene: Cave in the underworld. Raynor and Tarkin walkover to Cole.]Raynor: Just follow my lead.(Raynor wakes up Cole.)Cole: Raynor.(He sits up.)Raynor: Good to see you're still with us, Belthazor.Cole: What happened?Raynor: I tried to kill you. Accidentally, of course. Ididn't recognise you in your human form, my mistake.Tarkin: Not many are strong enough to survive an energy bolt, Belthazor. You're lucky.Raynor: Forgive me.(Ranor holds out his hand. Cole hesitates for a moment,then shakes it.)Cole: How could I not? After all, you taught me everything I know.Raynor: Well, not everything.Cole: How long was I out?Raynor: Long enough for us to investigate reports that you crossed over to theother side.(Cole walks over to some water.)Cole: Rumours, not reports.Tarkin: Don't worry, we don't blame you for the failed hit last week. Even if you were seduced by one of the witches that thwarted our plan.(Colewipes some water on his neck.)Cole: I already explained to you that I was over her.Tarkin: Yeah, but you didn't explain that she was one of the Charmed Ones.Raynor: It doesn't matter that you're straight, Belthazor,as long as you're back. To that end, I have an assignment for you. Something that only your powers can achieve. I need you to get me a magical amulet, one that's hanging from the neck of a witch. Problem?Cole: Justthat it's a little bit risky, don't you think? Sending me after a witch with the Charmed Ones on my trail?Raynor: Tarkin will provide backup. That way if they show up you can catch them by surprise. That should takecare of all our problems now, shouldn't it?Cole: Where do I get the amulet? (Raynor waves his hand in front of Cole's face.) This shouldn't take long.(Cole shimmers out.)Tarkin: Think he'll actually get theamulet?Raynor: Yes, but not before he tells his beloved witch what he's about to do. Then that should plant the first seed of suspicion in her heart.[Scene: Manor. Phoebe's room. Phoebe is sitting in front of the mirrorputting on makeup. Cole shimmers in behind her. She sees his reflection in the mirror.]Phoebe: Promise me when I turn around you'll still be there.(She quickly turns around. She walks over to him and they kisspassionately.)Cole: I've missed you so much.Phoebe: I've missed you too.Cole: They've given me an assignment. One that if I turn down...Phoebe: What do you mean an assignment? What kind of assignment?Cole: Ican't tell you.Phoebe: Wh--(Cole sits down on the bed.)Cole: They've asked me to steal an amulet from a witch.Phoebe: A witch?Cole: Don't worry, I won't hurt her.Phoebe: Oh, well, that's good news, Cole. You can'tdo this!Cole: You think I want to, damn it! (He gets back up and walks across the room.) Phoebe, I just have to buy some time so I can figure a way out. In the mean time, I have to at least pretend like I'm evil.Phoebe:No, but don't you see? If you turn into Belthazor, then you will be evil.Cole: What makes you think I'll have to?Phoebe: Well, because an amulet protects. It takes someone of great strength to overcome that. Why doyou think they choose you?Cole: To set me up perhaps. (He sits back on the bed.) Raynor may be on to me.Phoebe: Who's Raynor?Cole: He's the head of the brotherhood. And my old mentor. He has the power to readthoughts, and if he's read mine...(Phoebe kneels beside him.)Phoebe: Prue and I will come with you, and watch your back.Cole: No, no, no, you can't. That could be exactly what Raynor's expecting you do. He could besetting me up to get to you. I have to do this alone.Phoebe: Cole, I...(He pulls her up on the bed and puts his arms around her.)Cole: Trust me, okay? I know what I am doing. Just concentrate on finishing the potion. Ifit works, Belthazor will disappear and Raynor won't be able to track me. Then, (they kiss) we can be together.(They kiss again and Cole shimmers out in the middle. Phoebe sighs.)[Cut to the stairs. Phoebe runs downthem.]Phoebe: Prue? Prue?(Prue runs in.)Prue: Hey, what's wrong?Phoebe: Cole's in trouble, I need your help.Prue: Uh, okay, anything.Phoebe: We need to scry for a witch, fast.Prue: Alright.(They run up thestairs.)[Cut to a Wicca shop. A witch is there. Cole shimmers in.]Witch: Who are you? How did you get in here?Cole: Just do exactly as I say and I won't hurt you. Just take off the amulet and put it down.Witch: I'vebeen sworn to protect it.Cole: And I've been ordered to steal it. (She backs away.) Don't fight me. I beg you.(He reaches out for the amulet. A blue light shoots out of it and he is thrown back into boxes. He gets backup.)Witch: You can't take it from me.Cole: Maybe I can't.(He changes into Belthazor.)Belthazor: But I can. (He walks over to the witch. A bright blue light shields the witch. He reaches through the shield and takes theamulet from around her neck. The shield disappears. He grabs her, then realises what he's doing and lets go.) Tell no one about the amulet. Not even your Whitelighter.(He shimmers out.)[Scene: Passport Agency.Piper and Leo are waiting in line. Leo is filling out a form.]Leo: Whitelighter. Is that my occupation or should I just put guardian angel?(An elderly lady waiting in the line in front of them turns around.)Piper: Hi, how youdoing? (She turns back around.) (to Leo) What's the matter with you?Leo: We shouldn't be here, Piper, this is wrong.Piper: Wanting a normal life is not wrong, okay? In fact, it couldn't be anymore right. For crying outloud, stop being so good all the time. (The lady gives her a look.) Ha, newlyweds, first fight. Eyes front.(The lady turns back to the front.)Leo: Piper...Piper: Leo, look, I love you, but I'm getting a migraine here, okay?Just, look, we're not hurting anyone, we're not breaking any commandments, okay? We just changed a lousy two to a lousy seven. So let go before I blow. (The line moves.) Okay, we're almost there.(The Elders callLeo.)Leo: Uh-oh.Piper: What? Oh no. No-no-no-no-no, no. You can not leave right now, okay. Pretend you're, pretend you're out.Leo: I can't do that.Piper: Yes, you can. Come on.Leo: I've gotta go.Piper: Leo, you can'tgo right now, okay. We've been in this line for two and a half freakin' hours! (She points at the clock and it blows up. Everyone in the line ducks. Piper looks around.) Uh-oh.[Cut to the Wicca shop. Raynor appears. Helooks around and sees the witch hiding in the corner.]Witch: Who are you? If you've come for the amulet, it's gone.Raynor: And yet you're still here. Living proof that Belthazor has indeed gone soft.Witch:Belthazor?Raynor: The demon that'll be blamed for your death.(He throws an energy bolt at her. She screams and disappears.)[SCENE_BREAK][Scene: Wicca Shop. Prue and Phoebe walk in. They look around.]Phoebe:Anything?Prue: No.Phoebe: Do you think maybe we scryed for the wrong witch?Prue: I don't think so.(Prue sees burnt curtains and black marks on the wall.)Phoebe: Scorch marks. Oh my god, do you think she'sdead?Prue: Unfortunately, I don't know what else to think.Phoebe: That doesn't make any sense. Cole said she wouldn't get hurt.Prue: Yeah, well, somebody sure fired an energy ball in here.Phoebe: Somebody likeCole, you mean?Prue: Phoebe, I'm not saying that it was Cole, okay? All that I'm telling you is what I see, what we both see. For what it's worth, I don't think it was Cole.Phoebe: Thank you.Prue: Alright, but if he didn'tdo it, who did?Phoebe: Well, Cole said that he thought he was being set up by his mentor. So maybe he is, maybe they're trying to frame him.Prue: Why?Phoebe: I don't know, but if it's true, that means his cover'sblown and we gotta get him outta there.Prue: Yeah. (Leo orbs in.) Leo.Phoebe: What are you doing here?Leo: Looking for you. The Elders called me because a powerful amulet has been stolen.Prue: Yeah, we know.Leo:You do?Prue: Yes, and the witch that had it has been killed.Leo: It's supposed to protect her, that's why they gave it to her. Only the most evil of demons could have had the power to take it away.Phoebe: And whywould a demon want that amulet so bad?Leo: Because it's one half of an ancient charm. Whoever connects the two amulets together, more than doubles, it protects your power. With it they become invincible.Prue: Oh,that certainly explains why the brotherhood wanted Cole to get it.Leo: Cole?Phoebe: Forget it. Who's got the other half?Leo: Another witch. The amulets were divided between two local covens for safe keeping, but thebearers have always been kept secret, guarded even from them.Phoebe: Well, obviously that's why the brotherhood wants them both.Leo: Only to destroy them so good can never use them. The amulet won't protectanyone evil.Prue: Alright, we need to find that other witch before they do.Phoebe: Okay, well, you go with Piper so I can work on Cole's potion.Prue: Yeah. Speaking of, where's Piper?Leo: Uh, she's at the manorrecovering from a little problem we had at the passport office.Prue: What problem?Leo: Uh, well, she sorta blew some of it up.[Scene: Cave in the underworld. Cole and Tarkin are waiting there. Cole is holding theamulet.]Tarkin: Nervous?Cole: Impatient. There's something you're not telling me, brother.Tarkin: Actually, I was about to ask you the same question, brother.(Raynor shimmers in.)Raynor: Sorry to keep you waiting,I had business to attend to. (He walks over to Cole.) The amulet. (Cole hands him the amulet.) Must feel good to be back in the game, it was such a beautiful death.Cole: What do you mean?Raynor: The witch. How didyou kill her?Cole: I didn't. I'd never risk alerting the Charmed Ones just for the thrill of offing a low level witch.Raynor: Too bad, I would and did. Don't make me clean up after you again.Cole: You shouldn't have killedher, Raynor.Raynor: You're right. You should have.Cole: You told me to just get the amulet, you didn't say kill the witch.Raynor: Some things go without saying.Tarkin: You want me to get the second amulet?Raynor:No, I want Belthazor to.Cole: Let Tarkin. My strength isn't back yet. I could barely fight through the magic of the first amulet.Raynor: You can do it, I know you. You're the great Belthazor, you can do anything youwant. You've seem to forgotten that. Find the witch. (He waves his hand in front of Cole's face.) But this time show no mercy.(Cole shimmers out.)Tarkin: You think he'll do it?Raynor: You keep pulling the bottle in frontof him, sooner or later he's gonna take a drink.Tarkin: What if he doesn't?(A bright glowing ball appears in Raynor's hand.)Raynor: Don't worry, I have insurance.[Cut to the manor. Prue, Phoebe and Leo walkinside.]Prue: Alright, I'll start scrying.Leo: I don't think it'll work. The amulet wards off magic, all magic.Phoebe: That must be why we didn't find the first witch in time. We didn't get a read on her until after the amuletwas stolen.Prue: Okay, but what happens if we don't find her before...(They hear a loud noise coming from the kitchen.)[Cut to the kitchen. Piper is there covered in pieces of watermelon. Prue, Phoebe and Leo walkin.]Phoebe: Piper?Prue: Uh, okay, was it a demon?Piper: No, it was watermelon!Phoebe: Honey, why did you vanquish watermelon?Piper: I didn't vanquish watermelon. I threw it up in the air and I tried to freeze it andit exploded.(She throws her hands up in the air and a pot plant explodes. She panics and the glass on the cupboards smash.)Leo: This is the little problem I was telling you about.Phoebe: Okay, Piper, slowly put yourhands down and no one will get hurt.(Piper puts her hands down.)Piper: Honey!Leo: Sweetie, it's gonna be okay, we're gonna figure it out.(Leo walks over to her.)Piper: No-no-no! Don't come near me, I don't wantanybody to get hurt.Prue: Okay, put these on. (Prue puts oven mitts on Piper's hands.) Maybe this will help. Put these on and... Okay, now try the teapot. Try the teapot. (Piper blows up the teapot.) Whoa! (Pruequickly pushes her hands down.) Okay, okay, it wasn't that bad.Phoebe: Alright, just relax, okay, just calm down because I think your emotions are making this worse.Leo: I'm gonna go check with the Elders, and see ifthey know what happened to your powers.Piper: Hurry!Prue: Hey, and ask them how we're supposed to... (Leo orbs out.) find the second witch.(Cole shimmers in.)Cole: I know where to find her.Phoebe: Cole.Cole: Ididn't kill her, Phoebe. I swear.(She goes over to him.)Phoebe: It's okay, I know. We believe you. You don't look so good. Are you okay?(She touches his face and he pulls her hand away.)Cole: I'm not sure.Phoebe:Come on.(Cole and Phoebe walk into another room.)Cole: What about the potion? How close are you?Phoebe: Uh, we're just missing one ingredient, billings root, whatever that is. But as soon as I find it, then I canfinish it.Cole: Well, I don't have much time, I'm kinda hanging on by my fingertips as it is.Phoebe: Well, you have to hold on a little longer.Cole: Ay-ya-yay.Phoebe: You can do it, Cole, I know you.Cole: Raynor says heknows me too.Phoebe: Cole, look at me. Look at me. (He looks at her.) You have to keep fighting it. You have to keep fighting him, you can not let him win.Cole: But fighting is how he does win. Raynor's just waiting forme to slip so he can drag me back in the fold, I know that's what he's doing.(She moves closer to him and touches his face.)Phoebe: He can't have you. I won't let him.Cole: Then save me, Phoebe. I've been ordered tokill the next witch. You have to get there first and stop me. Otherwise Raynor will win.[Scene: Park. Seven witches are sitting in a circle, around a small fire.]Witch: The birth and rebirth of all nature. The passing ofwinter and spring, we share in the life universal. Rejoice in the magical ring. I'll see you all next week. Blessed be.All: Blessed be.(They all stand up. Cole looks on from the bushes near by. Tarkin shimmers in besidehim.)Cole: What are you doing here?Tarkin: Just watching your back.Cole: Yeah, well, watching it's one thing, stabbing it's another.Tarkin: What's the matter? Don't you trust me?Cole: I don't trust anyone.Tarkin:Never did. That's probably what made you so great. No legences, no conscience, no hesitation. (All the witches leave, except one.) You know what Raynor wants. Just give it to him. You'll feel better after you kill thewitch.(The witch kneels down and starts to pack up her stuff. She hears a noise.)Witch: Who's there? (Cole comes out and changes into Belthazor. The witch stands up and holds out the amulet.) You can't hurtme.(Belthazor walks towards the witch and the protective shield from the amulet surrounds her. Belthazor reaches through the shield. Prue, Piper and Phoebe arrive.)Phoebe: Cole, don't!Prue: Piper, freeze him.Piper: Imight blow him up.(Prue uses her power on Belthazor. Phoebe runs over to the witch.)Phoebe: It's okay, we're witches too. (Tarkin gets ready to throw an energy bolt.) Piper!(Piper blows up a tree.)Prue: Okay, thatwas good, that was, that-that was fine.Tarkin: Kill them.Phoebe: No.(Belthazor throws an energy bolt at Phoebe and the witch. The amulet protects them and they are thrown into the bushes. Prue uses her power onBelthazor and he flies against a rock. Tarkin gets ready to throw an energy bolt and Prue uses her power on him. They stand up. Belthazor looks at Phoebe and then he and Tarkin shimmer out.)[SCENE_BREAK][Scene:Manor. Prue, Piper, Phoebe and the witch walk in the living room.]Piper: Leo!Prue: Uh, he's our Whitelighter.Phoebe: And our brother-in-law.Piper: I don't know what is up with me. Every time I try to freeze, Iflame.Prue: Uh, Leo!Phoebe: (holding her wounded arm) I'm fine, really, it's no big deal.Piper: Phoebe, it's a huge deal, Cole tried to kill you.Prue: He's the demon.(The witch nods.)Piper: And her boyfriend.Phoebe: Wehave very complicated lives.Witch: I'm just thrilled to meet you. I mean, I've heard of the Charmed Ones, of course, but I just thought I'd never dream I'd...Prue: Nearly die with us? Yes, well, welcome to ourlives.Witch: You saved me, and the amulet. That's enough. (to Phoebe) May I? (She looks at Phoebe's arm.) Well, the wound isn't deep. A salve would cleanse it and ease the pain. Would you allow me entrance to yourherb cupboard?Prue: Kitchen, she means kitchen.Piper: Hmm? Oh, right, sure, follow me.(Piper points.)Phoebe: Oh, hands down, hands down.(Piper and the witch go into the kitchen.)Prue: Come on, sit down, take iteasy.(They sit on the couch.)Phoebe: I'm fine, Prue, really. And Cole would not try to kill me. He knew that the amulet would protect me. He could've fired at you or Piper but he didn't. With the other demon there, hemade the only choice he could.Prue: And you really believe that, right?Phoebe: Yeah, I know it. I saw his eyes. They were filled with pain, not evil. Prue, we've gotta get him outta there before it's too late.Prue: Alright,"}
+{"doc_id":"doc_333","qid":"","text":"INT. TARDISPicking up where the last episode left off - Rose runs into the TARDIS and joins the Doctor.THE DOCTOR: Right then, Rose Tyler, you tell me, where do you want to go? Backwards or forwards in time.What's it going to be?ROSE: Forwards.The Doctor presses a few buttons.THE DOCTOR: How far?ROSE (picking random number): One hundred years.He pulls a lever and turns a knob. The engines lurch and then stopafter a few seconds.THE DOCTOR: There you go, step outside those doors, it's the twenty-second century.ROSE: You're kidding.THE DOCTOR: That's a bit boring though, do you want to go further?ROSE: Fine byme!The Doctor starts up the engines again. When they stop, he looks at her.THE DOCTOR: Ten thousand years in the future. Step outside, it's the year 12005, the New Roman Empire.ROSE (teasingly): You think you'reso impressive.THE DOCTOR: I AM so impressive!ROSE: You wish!THE DOCTOR: Right then, you asked for it. I know exactly where to go. (Revs up the engine, pumps a lever furiously). Hold on!The TARDIS hurtlesthrough the time vortex. With a pinging noise, the TARDIS stops.ROSE: Where are we?The Doctor gestures towards the doors. Rose smiles excitedly.ROSE (CONT'D): What's out there?The Doctor gestures again. Rosesteps outside the doors.INT. VIEWING GALLERYRose finds herself in some kind of wooden room. The Doctor follows her and with his sonic screwdriver, opens the shutters of an enormous window. They go down thestairs and find themselves looking down on the planet Earth.THE DOCTOR: You lot. You spend all your time thinking about dying. Like you're going to get killed by eggs or beef or global warming or asteroids. But younever take time to imagine the impossible. Maybe you survive. This is the year 5.5/apple/26. Five billion years in your future. This is the day... hold on... (Looks at his watch). This is the day the sun expands. Welcometo the end of the world.OPENING CREDITSEXT. PLATFORM ONETwo space shuttles zoom towards Platform One, essentially a huge space station.COMPUTER VOICE: Shuttles 5 and 6 now docking. Guests are remindedthat platform 1 forbids the use of weapons, teleportation and religion. Earth Death is scheduled for 15:39, followed by drinks in the Manchester Suite.INT. PLATFORM ONE, CORRIDORRose and the Doctor are walkingdown a corridor.ROSE: So, when it says 'guests' does that mean people?THE DOCTOR: Depends what you mean by people.ROSE: I mean people. What do you mean?THE DOCTOR: Aliens.ROSE: What are they doing onboard this spaceship? What's it all for?The Doctor starts to open a door with his sonic screwdriver.THE DOCTOR: It's not really a spaceship. More like an observation deck. The great and the good are gathering to watchthe planet burn.ROSE: What for?THE DOCTOR: Fun.INT. THE MANCHESTER SUITEThey enter a large observation gallery.THE DOCTOR: Mind you, when I said the great and the good, what I mean is, the rich.ROSE: But,hold on, they did this once on \"Newsround Extra\", the sun expanding, that takes hundreds of years.THE DOCTOR: Millions. But the planet's now property of the National Trust. They've been keeping it preserved. Seedown there? (Points out of the window at tiny glints of light orbiting the Earth). Gravity satellite. That's holding back the sun.ROSE (peering out of the window at Earth). The planet looks the same as ever. I thought thecontinents shifted and things.THE DOCTOR: They did. And the trust shifted them back. That's a classic Earth. But now the money's run out, nature takes over!ROSE: How long has it got?The Doctor looks at hiswatch.THE DOCTOR: About half an hour. And the planet gets roasted.ROSE: Is that why we're here? I mean, is that what you do? Jump in at the last minute and save the Earth?THE DOCTOR: I'm not saving it. Time'sup.ROSE: But what about the people?THE DOCTOR: It's empty! They're all gone. All left.Rose looks back to the window, realization spreading across her face.ROSE: Just me then.The Steward hurries towardsthem.STEWARD: Who the hell are you?THE DOCTOR: Oh! That's nice, thanks.STEWARD: But how did you get in? This is a maximum hospitality zone. The guests have disembarked! They're on their way any secondnow!THE DOCTOR: That's me, I'm a guest, look! I've got an invitation! (Flashes a small leather wallet at the Steward). Look, there you see? It's fine, see? The Doctor plus one. I'm the Doctor, this is Rose Tyler. She'smy plus one. That all right?STEWARD: Well... obviously. (Doctor grins). Apologies, et cetera. If you're on-board, we'd better start. Enjoy.The Doctor nods at him. After the steward walks off, the Doctor shows Rose thecard he had flashed at the steward. It is completely blank.THE DOCTOR: The paper's slightly psychic. Shows them whatever I want them to see. Saves a lot of time.ROSE: He's blue.THE DOCTOR: Yeah.ROSE:Okay...The steward is now speaking through a microphone at the other end of the suite.STEWARD: We have in attendance, the Doctor and Rose Tyler. Thank you! All staff to their positions.He claps his hands and a lotof little blue people (the staff) start scurrying around.STEWARD (CONT'D): Hurry now! Thank you, as quick as we can! Come along, come along! And now, might I introduce the next honoured guest, representing theforest of Cheem, we have Trees. Namely, Jabe, Lute and Coffa.Jabe, Lute and Coffa walk through the doors.STEWARD (CONT'D): There will be an exchange of gifts representing peace. If you can keep the roomcirculating, thank you. Next, from the solicitors Jolco and Jolco, the Moxx of Balhoon.The Doctor smiles cheerily, as Rose looks on bewildered.STEWARD (CONT'D): And next, from Financial Family Seven, we have theAdherents of the Repeated Meme.The Doctor chuckles at the look on Rose's face.STEWARD (CONT'D): The inventors of hyposlip travel systems, the brothers Hop Pyleen. Thank you!Enter new aliens.STEWARD(CONT'D): Cal 'Spark Plug'.Enter new aliens.STEWARD (CONT'D): Mr. and Mrs. Pakoo.Enter new aliens.STEWARD (CONT'D): The Ambassadors from the City State of Binding Light.Jabe approaches the Doctor. Eitherside of her, her companions are holding plant trays with little shoots in them.JABE: The Gift of Peace. (Takes a cutting, hands it to the Doctor). I bring you a cutting of my Grandfather.THE DOCTOR: Thank you! (Gives itto Rose). Yes, gifts... erm...He clears his throat and starts feeling his jacket for something, finding nothing, he says :THE DOCTOR (CONT'D): I give you in return, air from my lungs.He blows gently onto Jabe's face, whocloses her eyes briefly.JABE: How... intimate.THE DOCTOR (flirtatiously): There's more where that came from.JABE: I bet there is...Rose has the sort of look on her face that is to be expected of someone who has justwitnessed their companion flirting with a tree.STEWARD: Sponsor of the main event, please welcome the Face of Boe.A huge head in an equally huge jar is wheeled through the doors. The Moxx of Balhoon approachesthe Doctor and Rose.THE DOCTOR: The Moxx of Balhoon.MOXX OF BALHOON: My felicitations on this historical happenstance. I give you the gift of bodily saliva.He spits accurately into Rose's left eye.THE DOCTOR(laughs): Thank you very much.Rose rubs the spit out of her eye. Next, the Adherents of the Repeated Meme approach them.THE DOCTOR (CONT'D): Ah! The Adherents of the Repeated Meme. I bring you air from mylungs.He breathes heavily over them all.ADHERENT: A gift of peace in all good faith.He holds out a large silver egg, which the Doctor takes, throws up into the air, catches, and hands to Rose.STEWARD: And last but notleast, our very special guest. Ladies and Gentlemen, and Trees and Multiforms. Consider the Earth below. In memory of this dying world, we call forth The Last Human.The Doctor looks at Rose to see her reaction. Thesliding doors open and what looks like a vertical trampoline made of human skin is wheeled through. It has eyes and a mouth, and wears lipstick.STEWARD: The Lady Cassandra O'Brien Dot DeltaSeventeen.CASSANDRA: Oh, now, don't stare. I know, I know it's shocking, isn't it? I've had my chin completely taken away and look at the difference! Look how thin I am.The Doctor laughs silently but heartily andlooks at Rose, who looks shocked.CASSANDRA (CONT'D): Thin and dainty! I don't look a day over two thousand. Moisturize me, moisturize me.One of the two men in white body suits who wheeled her in is holding acanister, which he sprays onto Cassandra.CASSANDRA (CONT'D): Truly, I am The Last Human.Rose creeps closer for a better look.CASSANDRA: My father was a Texan. My mother was from the Arctic Desert. They wereborn on the Earth and were the last to be buried in the soil.Rose has been walking around to the other side of Cassandra, to get a good view of her from all angels. She is completely flat.CASSANDRA: I have come tohonour them and... (Sniffs)...say goodbye. Oh, no tears. (Bodyguard wipes her eyes). No tears. I'm sorry. But behold! I bring gifts. From Earth itself, the last remaining ostrich egg.One of the staff comes in and displaysthe egg to the room.CASSANDRA (CONT'D): Legend says it had a wingspan of 50 feet and blew fire from its nostrils.Rose looks mildly confused.CASSANDRA (CONT'D): Or was that my third husband?Rose rolls her eyesbut the Doctor laughs.CASSANDRA: Who knows! Oh don't laugh. I'll get laughter lines!She laughs and mumbles to herself for a few seconds. Behind her, a large jukebox is wheeled into the room.CASSANDRA (CONT'D):And here, another rarity. According to the archives, this was called an iPod. It stores classical music from humanity's greatest composers.Rose looks amazed.CASSANDRA (CONT'D): Play on!One of the staff presses abutton and a record falls into place. The 'iPod' starts playing Tainted Love by Soft Cell. The Doctor bops around appreciatively.STEWARD: Refreshments will now be served. Earth Death in 30 minutes.Rose has a lost,overwhelmed expression on her face. Everywhere she looks there are aliens, but no other humans. She rushes from the gallery. Concerned, the Doctor starts to follow her, but is stopped by Jabe.JABE: Doctor? (Shesnaps a photo of him when he pauses). Thank you.The Doctor proceeds on. Jabe walks in the opposite direction. The Adherents of the Repeated Meme are offering the Steward a silver egg.ADHERENT: A gift of peace inall good faith.STEWARD: No, you're very kind, but I'm just the Steward.The Adherents of the Repeated Meme holds the egg out more persistently.ADHERENT: A gift of peace in all good faith.STEWARD: Oh, yes. Thankyou. Of course.He takes the egg. Meanwhile, Jabe is trying to get her computer to identify the Doctor's species.JABE: Identify species. Please identify species.The computer makes a small whistling noise.JABE (CONT'D):Now, stop it. Identify his race. Where's he from? (After a moment, stares at the computer in disbelief, hushed). It's impossible.In a nearby glass cabinet, a metal robotic spider climbs out of one of the metal eggs thatthe Adherents of the Repeated Meme had been handing out.INT. PLATFORM ONE ROOM, SHAFTRose, in another part of the ship, looks out of a window at the raging sun. She jumps when another one of the staff comesinto the room, this one female. Her name is Raffalo.ROSE: Sorry, am I allowed to be in here?The employee looks around uneasily.RAFFALO: You have to give us permission to talk.She looks at Rose expectantly. Roselooks unsure.ROSE: Uh... you... have permission...?RAFFALO: Thank you! And, no. You're not in the way. Guests are allowed anywhere.ROSE: 'Kay.Raffalo goes to a panel in the wall and enters a code. Rose watchesher.ROSE: What's your name?RAFFALO: Raffalo.ROSE: Raffalo?RAFFALO: Yes, Miss. I won't be long, I've just got to carry out some maintenance.She kneels before an air vent.RAFFALO (CONT'D): There's a tiny littleglitch in the Face of Boe suite. There must be something blocking the system - he's not getting any hot water.ROSE: So, you're a plumber?RAFFALO: That's right, Miss.ROSE: They still have plumbers?RAFFALO: I hopeso! Else I'm out of a job!Rose laughs.ROSE: Where are you from?RAFFALO: Crespallion.ROSE: That's a planet, is it?RAFFALO: No, Crespallion's part of the Jaggit Brocade, affiliated to the Scarlet Junction, Convex 56.And where are you from, Miss? (Seems to remember herself). If you don't mind me asking.ROSE: No! Not at all. Erm... I dunno, a long way away... I just sort of, hitched a lift with this man. (Only just realising the riskshe's taken herself). I didn't even think about it... I don't even know who he is... he's a complete stranger...Raffalo looks slightly worried. Rose snaps herself out of it.ROSE (CONT'D): Anyway, don't let me keep you.Good luck with it!She begins to walk away.RAFFALO: Thank you, Miss. And... (Rose turns). Thank you for the permission. Not many people are that considerate.ROSE (smiles): 'Kay. See you later.Roffalo nods andsmiles. When Rose has gone, she takes the cover off the air vent.RAFFALO: Now then.She peers into the vent and then speaks into a small microphone attached to her collar..RAFFALO (CONT'D): Control, I'm atJunction 19 and I think the problem's coming from in here. I'll go inside and have a look. (Hears small tapping). What's that? Is there something in there?The metal spider we saw breaking out of the egg earlier appearsat the end of the shaft.RAFFALO (CONT'D): Oh! Who are you, then?The spider scurries away as if frightened.RAFFALO (CONT'D): Hold on! I... if you're an upgrade I just need to register you, that's all. Oh, come back!Ared beam of light falling on Raffalo's face tells us the spider has come back.RAFFALO (CONT'D): Ah, there you are. Now, I just need to register your ident.Another spider joins the first.RAFFALO (CONT'D): Oh, there'stwo of you! Got yourself a little mate! (Giggles). I think I'd better report this to control. How many of you are there? (A third spider appears, and then a fourth). What are you? Oh, no. No. Nooooo!She is dragged headfirst into the air vent.INT. STEWARD'S OFFICEThe steward enters and puts his egg on a nearby table and sits down. He listens to Control speaking.STEWARD: What's that? Well, how should I know? (Activatesloudspeaker).Would the owner of the blue box in private gallery 15 please report to the steward's office immediately. Guests are reminded that use of all teleportation devices is strictly forbidden under Peace Treaty5.4/cup/16. Thank you.While he is talking, a spider has broken out of his egg and run up the opposite wall.EXT. PLATFORM ONEWe are shown another shot of the burning sun and the satellite over the Earth.COMPUTERVOICE: Earth Death in 25 minutes. Earth Death in 25 minutes.INT. VIEWING GALLERYRose sits on the steps, throwing the egg up in the air and catching it again when she hears this announcement.ROSE: Oh,thanks.She puts the egg down and turns her attention to the cutting of Jabe's grandfather. She picks it up.ROSE (CONT'D): Hello! My name's Rose. That's a sort of plant. We might be related...She suddenly realizeswhat she is doing and hurriedly puts the plant down.ROSE (CONT'D): I'm talking to a twig.Behind her, the spider breaks out of the egg.INT. PLATFORM ONE, CORRIDORThe TARDIS is being dragged away by some ofthe staff.THE DOCTOR: Oi, now, careful with that. Park it properly. No scratches.One of them walks up to the Doctor, squeaks at him, hands him a card and walks away again. The Doctor reads it - it says 'Have a niceday'. The Doctor looks at the retreating staff's back as if he or she is completely off his or her rocker, and walks off. A few of the metal spiders scurry up the wall behind him. A few more are running along the airvent.INT. VIEWING GALLERYThe spider that came out of Rose's egg appears to be scanning her hand, but Rose is completely oblivious. It jumps and runs to the air vent when the Doctor's voice floats through thedoor.THE DOCTOR: Rose? Are you in there?The spider scrambles through the vent just in time, before the Doctor comes through the door.THE DOCTOR (CONT'D): Aye aye! (Sits on other side of stairs). What do youthink, then?ROSE: Great! Yeah... fine. Once you get past the slightly psychic paper...The Doctor laughs. There is a short pause.ROSE (CONT'D): They're just, so alien. (Doctor looks at her questioningly). The aliens. Areso alien. You look at 'em... and they're alien.THE DOCTOR: Good thing I didn't take you to the Deep South.ROSE (as if looking at him properly for the first time): Where are you from?THE DOCTOR: All over theplace.ROSE: They all speak English.THE DOCTOR: No, you just hear English. It's a gift of the TARDIS. Telepathic field, gets inside your brain, translates.ROSE: It's inside my brain?THE DOCTOR: Well, in a good way.ROSE (colder, starting to sound angry): Your machine gets inside my head. It gets inside and it changes my mind, and you didn't even ask?THE DOCTOR (thrown): I didn't think about it like that.ROSE (angrily): No!You were too busy thinking up cheap shots about the Deep South! Who are you then, Doctor? What are you called? What sort of alien are you?The Doctor sits up and looks away from her.THE DOCTOR: I'm just TheDoctor.ROSE: From what planet?THE DOCTOR: Well, it's not as if you'll know where it is!ROSE: Where are you from?!THE DOCTOR: What does it matter?ROSE: Tell me who you are!THE DOCTOR (suddenly angry): Thisis who I am, right here, right now, alright? All that counts is here and now, and this is me!ROSE: Yeah, and I'm here too because you brought me here, so just tell me!The Doctor gets up and walks down the steps awayfrom her.COMPUTER VOICE: Earth Death in 20 minutes. Earth Death in 20 minutes.After a few moments, Rose gets up and follows the Doctor down the steps.ROSE: Alright... as my mate Shareen says... don't arguewith the designated driver...The Doctor, with his back turned to her, smiles at that. Rose gets her mobile out of her pocket.ROSE (CONT'D): Can't exactly call for a taxi... there's no signal. We're out of range. Just abit!THE DOCTOR: Tell you what...He takes the phone from her.THE DOCTOR: With a little bit of jiggery pokery...He takes the back off the phone.ROSE: Is that a technical term, \"jiggery pokery\"?THE DOCTOR: Yeah, Icame first in jiggery pokery, what about you?ROSE: Nah, failed hullabaloo.THE DOCTOR: Oooh. (Fits in a new battery, hands phone back to Rose). There you go.Rose takes it and looks at him uncertainly. He nods. Rosegets her mum's number onto the screen and puts the phone to her ear. It rings.INT. TYLER'S KITCHENWe find ourselves in the Jackie's kitchen, 2005.JACKIE: Hello?ROSE: Mum?Jackie, at home, is putting somewashing into the machine.JACKIE: Oh, what is it? What's wrong? What have I done now? Oh, this red top's falling to bits! You should get your money back. Go on! There must be something, you never phone in themiddle of the day!INT. VIEWING GALLERYRose laughs.INT. TYLER'S KITCHENJACKIE: What's so funny?INT. VIEWING GALLERYROSE: Nothing! You all right, though?INT. TYLER'S KITCHENJACKIE: Yeah! Why wouldn't Ibe?INT. VIEWING GALLERYROSE: What day is it?INT. TYLER'S KITCHENJACKIE: Wednesday. All day. You got a hangover? Oh, I tell you what, put a quid in that lottery syndicate, I'll pay you back later.INT. VIEWINGGALLERYROSE: Yeah, um, I was just calling 'cause I might be late home.INT. TYLER'S KITCHENJACKIE: Is there something wrong?INT. VIEWING GALLERYROSE: No! I'm fine! Top of the world!The Doctor laughs.INT.TYLER'S KITCHENJackie puts the phone down.INT. VIEWING GALLERYRose lowers the mobile, stunned.THE DOCTOR: Think that's amazing, you want to see the bill.ROSE: That was 5 billion years ago. So... she's deadnow. Five billion years later, my mum's dead.THE DOCTOR: Bundle of laughs, you are.The ship shudders.THE DOCTOR (CONT'D) (rather pleased and curious): That's not supposed to happen...INT. STEWARD'SOFFICESTEWARD (to control): Well, what was it? I'm just getting green lights at this end. (Activates loudspeaker). Honoured guests may be reassured that gravity pockets may cause slight turbulence, thanking you.Assoon as it is switched off again, he speaks angrily to control again.STEWARD (CONT'D): The whole place shook! I felt it! I've hosted all sorts of events on platforms 1, 3, 6 and 15 and I've never felt the slightest tremor.I warn you, if this lot decide to sue... I'm going to scan the infrastructure. (Presses a few buttons). What's that?A spider scurries down the wall behind him.STEWARD (CONT'D): Control, I don't want to worry you, butI'm picking up readings... (Computer beeps). I have no idea! Well, they're small, and the scan says they're metal... (Computer beeps, frustrated). I don't know what they look like!Suddenly, he spots the spider, which isnow pottering around on his desk next to his mug.STEWARD (CONT'D): Although, I imagine they might look rather like that... you're not on the guest list... how did you get on board...?The spider looks at him almost"}
+{"doc_id":"doc_334","qid":"","text":"TERMINUSBY: STEPHEN GALLAGHERPart OneFirst Air Date: 15 February 1983Running time: 24:58[SCENE_BREAK]TURLOUGH: I'm scared. This place is like a maze. Where am I supposed to be going?GUARDIAN(OOV.): Your function is to obey, not question.TURLOUGH: I may not have must time. I don't think they trust me, especially Tegan.GUARDIAN (OOV.): The roundel behind you.GUARDIAN (OOV.): That one. Openit.GUARDIAN (OOV.): Operate the blue switches. Now you'll be able to remove the space-time element from beneath the console.TURLOUGH: Which switches will release the TARDIS to my control?GUARDIAN (OOV.):Do only as I say.TEGAN (OOV.): Turlough!GUARDIAN (OOV.): Quickly, close the roundel.TURLOUGH: Now what do I do?GUARDIAN (OOV.): Go to the console room.TURLOUGH: And? Where have you gone?TEGAN: Whowere you talking to?TURLOUGH: Oh, no one. I was singing. Not very well, I'm afraid.TEGAN: Why didn't you answer when I called?TURLOUGH: I'm very sorry, I didn't hear you.TEGAN: You're up to something, I can feelit.TURLOUGH: I'm simply looking around. The TARDIS is so very large.TEGAN: What have you been doing? Have you touched anything?TURLOUGH: You look so sweet when you get angry.TEGAN: I'm being serious.What have you been doing?TURLOUGH: Nothing. You're being foolishly and unjustifiably suspicious. Tegan, why do you dislike me so much?TEGAN: You're unreliable.TURLOUGH: You hardly know me.TEGAN: I heardthe way you were talking to the Doctor.TURLOUGH: Being friendly hardly makes me unreliable.TEGAN: It's the way you were doing it.TURLOUGH: Oh, you would prefer I used your sledgehammer tactics?TEGAN: Atleast I'm honest.TURLOUGH: Being rude isn't honest. Neither is overreacting. If I choose to smooth the way with a smile and a soft phrase, that doesn't make me unreliable. Charm, the way I use it, is to disagreeagreeably.TEGAN: You were using it to deceive.TURLOUGH: Oh, you're so typical of your planet, reduced to shouting if you can't have your own way.TEGAN: I am not!TURLOUGH: No? You seem unable to grasp thatthere are other approaches. To smile before asking.TEGAN: Don't patronise me, Turlough.TURLOUGH: I'm simply relating what I think.TEGAN: Turning an argument around is something you're very good at.TURLOUGH:Listen to yourself. You're so concrete in the way you think. Why can't you just agree to differ?TEGAN: I think you're dangerous.TURLOUGH: I think we should try and be friends.TEGAN: I'm going to tell the Doctor aboutthe roundel.TURLOUGH: Do so, but you'd only make a fool of yourself. I travel in the TARDIS too, now. I have no desire to kill myself. I had no reason to open that roundel. Where are you going?TEGAN: To show you toyour room.TURLOUGH: We're friends?TEGAN: Not yet.[SCENE_BREAK]TURLOUGH: Looks like a kid's room.TEGAN: It was Adric's.TURLOUGH: Who?TEGAN: Doesn't matter.TURLOUGH: I've had enough of children, whatwith that awful school on Earth.TEGAN: You can change things if you want.TURLOUGH: Right, all this can go for a start.TEGAN: It's your room. Do what you like.[SCENE_BREAK]TEGAN: He's got the manners of apig.NYSSA: The Doctor?TEGAN: The brat, Turlough.NYSSA: He'll settle down.[SCENE_BREAK]TURLOUGH: It's repaired itself.GUARDIAN (on scanner): Concentrate. You have work to do.[SCENE_BREAK]TEGAN: Whatare you doing?NYSSA: Synthesising an enzyme. I seem to need the practice.TEGAN: You've done it before.NYSSA: Adric did the calculation for me. My own figures aren't as good, as you can see.TEGAN: I'll see if I canfind his notes, before Turlough destroys them.[SCENE_BREAK]TURLOUGH: What will this do?GUARDIAN (on scanner): You are touching the heart of the TARDIS. Rip it free!TURLOUGH: What happens to me?GUARDIAN(on scanner): You will be safe. I am ready to lift you away.[SCENE_BREAK]TEGAN: Turlough?[SCENE_BREAK]TEGAN: Turlough?[SCENE_BREAK]TURLOUGH: It's stuck.GUARDIAN (on scanner): Continue.TURLOUGH:I'm trying. It won't move.GUARDIAN (on scanner): The break-up is beginning. I can sense it. Remove the space-time element!TEGAN (OOV.): Turlough?[SCENE_BREAK]TEGAN: Turlough? Oh, no. Doctor!DOCTOR:What is it?TEGAN: Quickly!TEGAN: What is it?DOCTOR: We're in trouble. I'll explain later.[SCENE_BREAK]DOCTOR: What was Nyssa working on?TEGAN: Nothing that could have caused this.DOCTOR: The rotor'sjamming. Well, there's a safety cut out.TURLOUGH: Is Nyssa safe?DOCTOR: Well, we'll see. I'm trying to refocus the exterior viewer on the interior of the TARDIS.TEGAN: It's just a mess.DOCTOR: Dimensionalinstability, that's the danger. Nyssa![SCENE_BREAK]DOCTOR (OOV.): Nyssa, can you hear me?NYSSA: Yes!DOCTOR (OOV.): Stay well back. There's nothing you can do. Nyssa?[SCENE_BREAK]TEGAN: What's that? Isaw something just for a moment.DOCTOR: Oh, no. The outside universe is breaking through.TEGAN: Look![SCENE_BREAK]DOCTOR (OOV.): Look behind you, Nyssa.[SCENE_BREAK]DOCTOR: Go through, Nyssa. It'syour only chance.TEGAN: Where are you sending her?DOCTOR: I don't know, but if she stays in the room, she'll die.DOCTOR: Nyssa, if you can hear me,[SCENE_BREAK]DOCTOR (OOV.): Keep moving. Keep moving,Nyssa. Stay ahead of it. If you don't, it will kill you.[SCENE_BREAK]TEGAN: What's that?DOCTOR: I don't know.TURLOUGH: Where does that door lead to?DOCTOR: Another spacecraft.TEGAN:Look![SCENE_BREAK]TEGAN: Where did the other spacecraft come from?DOCTOR: The TARDIS found it. There's a fail-safe. On impending break-up, it seeks out and locks onto the nearest spacecraft.TEGAN: You nevermentioned it before.DOCTOR: Well, it never worked before.[SCENE_BREAK]TEGAN: Well?DOCTOR: She's gone. Stay there.[SCENE_BREAK]TEGAN: Nyssa's gone.TURLOUGH: What was that?TEGAN: TheDoctor![SCENE_BREAK]TEGAN: Doctor? Doctor?[SCENE_BREAK]GUARDIAN: Follow them.TURLOUGH: I can't.GUARDIAN: Follow, and kill him![SCENE_BREAK]TURLOUGH (OOV.): Tegan?TURLOUGH: I wonder how thathappened.TEGAN: It seems we have no choice. We go on.DOCTOR: What have I sent you into, Nyssa?TEGAN: Come on, we can catch up with the Doctor. Come on!DOCTOR: Nyssa.NYSSA: Doctor!NYSSA: Where arewe?DOCTOR: I think it's some sort of old passenger liner.NYSSA: And those things?DOCTOR: Yes, well, some people have the strangest ideas about decor. Come on, let's get back to the TARDIS.KARI: Check the airseal.OLVIR: Secure.TEGAN: I'm positive that was Nyssa calling.TURLOUGH: You heard something. Your imagination did the rest.TEGAN: Maybe.TURLOUGH: Let's go back.TEGAN: No!TURLOUGH: Oh,no.[SCENE_BREAK]KARI: The whole ship's rigged to run on automatic, yet there's atmosphere. It doesn't fit the briefing at all.OLVIR: So what? We're only here for the cargo.KARI: Would it really surprise you if thereweren't any? This ship is dead.[SCENE_BREAK]DOCTOR: Ah. I don't remember this. We must have taken a wrong turn.NYSSA: What is it?DOCTOR: A massive plug. The hull must have been damaged at sometime.NYSSA: It's still soft.DOCTOR: Yes, I know. Come on, we'll try, er, this way.[SCENE_BREAK]KARI: Advance party to raider. We're coming back. This isn't the ship you described.OLVIR: We can't go back if hedoesn't link with the airlock.DOCTOR (OOV.): Er, this way.[SCENE_BREAK]NYSSA: We're lost, aren't we.DOCTOR: Certainly not.[SCENE_BREAK]DOCTOR: Oh, dear. So sorry, I didn't know it was private.KARI: That's allright. We're in the mood for company.[SCENE_BREAK]VOICE (OOV.): Help me.TURLOUGH: Over there.VOICE (OOV.): Help me.TEGAN: That's Nyssa![SCENE_BREAK]OLVIR: Kill them. We've enough problems.KARI: Bequiet. If you're not members of the crew, how did you get here?DOCTOR: We have a ship of our own.OLVIR: So they're after the cargo, too.KARI: Are you?DOCTOR: Unarmed?OLVIR: Kari.KARI: Watch them.OLVIR:That's our ship! He's running out on us!KARI: Shut up.KARI: Advance party to raider. Come in, raider. Come in. ... Is this your work?DOCTOR: Hardly.DOCTOR: Neither is that.[SCENE_BREAK]TURLOUGH:Engines.VOICE (OOV.): Please help me.TEGAN: Hold on, Nyssa. We must find something to lever the door open.TURLOUGH: Let's get out of here.TEGAN: Find a pry bar. Now!TEGAN (OOV.): Turlough, it'smoving!TURLOUGH: On my way.TEGAN (OOV.): Turlough!TURLOUGH: I'm coming!TEGAN (OOV.): Turlough!TEGAN: TurloughTEGAN: Help me!TURLOUGH: Are you all right? I found the doorway to the TARDIS.TEGAN:Where?TURLOUGH: This way. Come on.[SCENE_BREAK]NYSSA: Who are they?DOCTOR: Raiders, by the look of it. Probably an advance party to open the airlocks.KARI: You say you have a ship?DOCTOR: Yes.KARI: I'mcommandeering it.DOCTOR: I think not.DOCTOR: Stop bluffing. You haven't got a chance. Listen to the engines. Alignment manoeuvres. We're docking with another ship.KARI: Then I'm asking you, will you take us offthis ship?DOCTOR: If you put the guns away, please.DOCTOR: Thank you.TANNOY: All decks stand by. All decks stand by. This is a special announcement from Terminus Incorporated.DOCTOR: I think we should getout of here. Follow me.TANNOY: Primary docking alignment procedures are now complete. Passengers with mobility should prepare to disembark.[SCENE_BREAK]TANNOY: Anyone failing to disembark will be removed.Sterilisation procedures will then follow.TANNOY: There is no return. This is Terminus.OLVIR: Wait a minute.KARI: Olvir?OLVIR: I know where we are.KARI: Where?TEGAN: They're everywhere.TURLOUGH: Give me ahand. Come on, quickly.OLVIR: Now we know, don't we? Now we know what its all about.[SCENE_BREAK]OLVIR: This is Terminus, where all the lazars come to die.[SCENE_BREAK]OLVIR (OOV.): We're on a leper ship!We're all going to die!"}
+{"doc_id":"doc_335","qid":"","text":"Scene: The Cheesecake FactoryPenny: Hey, you guys ready to order?Howard: Uh..Leonard: SurePenny: Okay, Priya?Priya: Uh, I'll have the Shepherd's Pie. You want to split that with me?Leonard: Oh, no, no, no, hedoesn't.Priya: Why not?Leonard: Well, you have milk in the taters, milk in the gravy, parmesan crust. Your lactose-intolerant boyfriend will turn into a gas-filled Macy's Day balloon.Sheldon: Not quite accurate. TheMacy's balloons are filled with helium, whereas Leonard produces copious amounts of methane.Leonard: So, no, on the Shepherd's Pie. Can we move on?Penny: Yeah, a little tip: he says he can eat frozen yoghurt. Donot believe it.Leonard: Sea bass. I'll have the sea bass.Howard: You gotta like this, the girlfriend and the ex-girlfriend bonding over your rooty-tooty stinky booty.Leonard: Kill me.Sheldon: It wouldn'help. The humanbody is capable of being flatulent for hours after death.Bernadette: Guys, sorry I'm late. I have amazing news.Sheldon: Bernadette, before you change the subject, does anyone have any final comments on Leonard'sfaulty digestive system?Leonard: So, what's your news, Bernadette?Bernadette: The thesis committee accepted my doctoral dissertation. I'm getting my PhD.Penny: Oh!Sheldon: Oh, congratulations.Penny: Wow, sothat means you're a doctor, you're a doctor, you're a doctor, you're a doctor, and Howard, you know a lot of doctors.Howard: Congratulations, honey.Bernadette: Thank you.Leonard: So, Howard, tell us, how's it feelknowing that when you two get married, you'll be referred to as Mr. and Dr. Wolowitz?Sheldon: Unless he takes Bernadette's last name. And considering her advanced status, that could open some doors forhim.Howard: Please, this isn't about me. I'm proud of you.Bernadette: Well, you'll be really be proud of this. I was headhunted by a big pharmaceutical company. They're gonna pay me a buttload of money!Howard:What?Leonard: Bernadette, that's great. Howard, do you make a buttload?Howard: Better than what you've got a buttload of.Leonard: Hey, if I roll down the windows in the car, everything's peachy. If you do it, you'restill not a doctor.Penny: Yeah, just a heads-up on the car window deal. It helps, but everything is not peachy. Credits sequence.Scene: Raj's apartment.Raj (earphones in, singing): Oh, if there was a problem, you can'tsolve it, check out the hook while my DJ revolves it. Ice, Ice, baby. Ice, Ice, baby. (Removes headphones and goes to refrigerator).Priya (off): Oh, God, I feel ridiculous in this dress.Leonard (off): You look beautiful,Lieutenant Uhura. Now prepare for inspection.Priya (off): Shh, my brother's going to hear you.Leonard (off): Relax, he's got headphones on. And we're ten miles above Earth in a starship.Raj: Really, ten miles? You'reorbiting inside the atmosphere? Moron.Priya (off): I can't believe I'm wearing my brother's Halloween costume.Leonard (off): I can't believe you think he only wears it on Halloween. Open the landing bay doors, shuttlecraft approaching.Raj: Okay, gotta go.Scene: Howard's house.Howard: Hey, what's up?Mrs Wolowitz (off): Is that my future daughter-in-law, the doctor?Howard: No, Ma! It's Raj!Mrs Wolowitz (off): He's a doctor too,right?Howard: Yes!Mrs Wolowitz (off): Like Leonard and the skinny weirdo!Howard: Sheldon, yes! Everybody's a doctor but me!Mrs Wolowitz (off): Well, whose fault is that?Howard: What's up?Raj: Leonard's puttingdisgusting memories in my memory foam mattress. Can I stay here tonight?Howard: Sure, but I'm going out with Bernadette. It'll just be you and my mother.Raj: I guess that's okay.Howard: Ma, can Rajesh sleepover?!Mrs Wolowitz (off): Of course, he and I can play doctor!Raj: She's kidding, right?Howard: I don't know, she's pretty feisty since they put her on hormone-replacement therapy.Mrs Wolowitz (off): Paging Dr. CutiePie!Scene: The apartment. Sheldon is talking to Amy on webcam.Sheldon: I must say, Amy, I was very impressed to see that Bernadette got her PhD.Amy: It's indeed admirable. Although, it is microbiology.Sheldon:Your doctorate is in neurobiology. I fail to see the distinction.Amy: I'll make it simple for you. I study the brain, the organ responsible for Beethoven's Fifth Symphony. Bernadette studies yeast, the organism responsiblefor Michelob Lite. Is there something wrong with your neck?Sheldon: It's a little stiff. What a remarkably fragile structure to support such a valuable payload. Not unlike balancing a Faberge egg on a Pixie Stick.Amy:Have you considered massage?Sheldon: I'd like to respond to that sarcastically. Yes, I relish the thought of a stranger covering my body with oil and rubbing it.Amy: I was proposing you massage your muscles withyour own hands.Sheldon: Still sounds like a lot of unnecessary touching.Amy: Trust me. With your right hand, locate the spot where the scapula meets the acromion process.Sheldon: All right.Amy: Now push your thirdfinger along the ridge of the shoulder blade, making a small rotation as you do so.Sheldon: Rotating.Amy: You should feel a small node-like object rolling back and forth along the bone.Sheldon: You mean themyofascial point?Amy: Obviously. Now bear down on it like the seventh grade noogies we all know too well.Sheldon: Oh, dear Lord, yes, yes, oh, yes! Amy, I've never been touched like this before! Oh! Oh, my handsare magic!Amy: Don't flatter yourself. Your hands are blunt tools guided by my knowledge of the nervous system. I could just as easily have paralyzed you.Sheldon: There's someone at my door.Amy: That doesn'tinterest me. Goodbye.Raj (at door): Can I sleep here tonight?Sheldon: Why?Raj: Leonard's having astronomically inaccurate Star Trek s*x with my sister.Sheldon: I can see how that would be upsetting. Come in. I'llget the sheets and blankets for the couch.Raj: Oh, don't bother. I'll just sleep in Leonard's room.Sheldon: No, I can't authorize that.Raj: Well, he's in my bed. Why can't I be in his?Sheldon: The Hammurabic Code is aneye for an eye, not a bed for a bed.Raj: Come on, dude, I'm exhausted, and Tyra Banks says the most important item in your makeup bag is a good night's sleep.Sheldon: All right. This is a form indemnifying me fromyour use of Leonard's bedroom. Sign here, indicating that I tried to stop you and did so using a stern facial expression.Raj: Good night, Sheldon.Sheldon: Wait. Not yet. We still have to go over safety procedures. Now,the apartment has three emergency exits located here, here, and here. In the event of a power outage, luminous paint will guide you to the nearest exit.Raj: You're kidding.Sheldon: I never kid about safety.Scene:Leonard's bedroom. Leonard enters, and accidentally sits on Raj. Both exclaim.Leonard: What are you doing here?Raj: I was sleeping.Leonard: In my bed?Raj: Well, I would've slept in my own bed, but it was beingused to bring shame to my family. And the memory of Gene Roddenberry.Leonard: Oh, you heard?Raj: Scotty, I need more power.Leonard: Sorry. Does Sheldon know you're sleeping in here?Raj: Are you kidding? Hemade me sign a waiver, participate in an emergency fire drill and take a refresher course in CPR. Thank God he had a dummy.Leonard: Oh, yeah. Mouth-to-Mouth Mona. You know, she used to date Howard?Raj: Oh, myGod, she's that Mona? Why can't you and my sister spend your nights here?Leonard: We tried. She doesn't get along with Sheldon.Raj: Sheldon doesn't get along with Sheldon. It's still no reason for me to have to listento you arm your photon torpedoes every night.Leonard: Okay, well, how about this. Until Priya gets her own place, you stay here and I'll stay at your apartment.Raj: Can I bring girls here?Leonard: You? Sure. Bring asmany as you want.Raj: Okay, deal.Leonard: Just not against their will.Scene: The cafeteria.Leonard: Do you really think you should be eating that cake?Howard: Why?Leonard: If you're gonna be a trophy husband for arich wife, you might want to watch your waistline.Raj: He's right. A minute on the lips, a lifetime on the hips.Howard: Yeah, ha-ha. First of all, I'm not threatened by my fiancée's success. I'm proud of her. And secondly,I have my own career.Leonard: Until you have kids.Sheldon: Good news, Raj. I got the blood work back from the lab. You're okay to stay for a while.Raj: When did you take my blood?Sheldon: Not important. Yoursugar was a little high. I'd follow up with your regular physician. In the meantime, I have some paperwork here for you to go over.Raj: What the hell is this?Sheldon: Boilerplate stuff. A modified roommate agreementfor a temporary house guest. And a living will and durable power of attorney.Raj: This says you can make end of life decisions for me.Sheldon: As your friend, let's hope it doesn't come to that. Please sign.Raj: Did yousign this?Leonard: There's a reciprocity clause. You get to pull the plug on him, too.Raj: Well, that seems fair.Sheldon: Congratulations and welcome temporarily aboard. Here's your I.D. Card, your key and your lapelpin. Which Leonard was too cool to wear. FYI, part of your responsibilities as roommate pro tem will be to drive me to and from work, the comic book store, the barbershop and the park for one hour every other Sundayfor fresh air.Leonard: Bring a ball or a Frisbee, you know, something he can chase.Sheldon: Also, you're tasked with bringing home all takeout dinners. Tonight is Thai food. You'll find the standard order in appendix Bor downloadable from my FTP server. If you have any questions, here's the FAQ sheet, or if you prefer the human touch, I do a live web chat called Apartment Talk on Tuesday nights.Leonard: Nobacksies.[SCENE_BREAK]Scene: The apartment.Raj: Sheldon, dinner!Sheldon: What is this?Raj: This is the difference between eating and dining.Sheldon: Remarkable. I'm just realizing how much Leonard's beenskating by all these years.Raj: It's not a big thing. Just think of me as a brown Martha Stewart.Penny (at door): Hey, Sheldon, did you change your Wi-Fi password again?Sheldon: Yes, it's \"Penny, get your own Wi-Fi.\"No spaces.Penny: Thanks. Wow! What's with the fancy spread?Sheldon: My new roommate is bending over backwards to ingratiate himself to me. (Pointing to lapel badge) Uh, nice touch, by the way.Penny: What doyou mean, new roommate? What happened to Leonard?Sheldon: The same thing that happened to Homo Erectus. He was replaced by a superior species.Raj: I'm the new Homo in town. That came out wrong.Penny: Allright, let me try this again. Where's Leonard?Raj: He's living at my place, so I'm living here.Sheldon: You're living here provisionally. But I must say it's looking good.Penny: Woah, Leonard and Priya are living together?That's big.Sheldon: No. Origami napkin swans, that's the headline.Raj: It's a good thing.Scene: Bernadette's bedroom.Howard: So do you know what kind of research you'll be doing at this pharmaceuticalcompany?Bernadette: Well, there are a couple of opportunities available, but I volunteered for the premature ejaculation project. I mean, it's not like either one of us has heart disease. Oh, I almost forgot. I got you alittle present.Howard: Oh, Bernie, no. You didn't have to.Bernadette: I wanted to. Come on, open it.Howard: You bought me a Rolex? How much did this cost?Bernadette: Oh, you let me worry about the money. I justwant my baby to have pretty things.Scene: The apartment.Raj: More wine?Penny: Oh, no, no, no. I've had way too much already.Sheldon: Here's an interesting fact about alcohol.Penny: Hit me.Sheldon: Man is not theonly species that ferments fruit in order to become intoxicated. Can you guess what the other is? Hint, sometimes they pack the alcohol in their trunks.Penny: Monkeys.Sheldon: When does a monkey have atrunk?Penny: When a suitcase just won't do.Sheldon: Mmm, all right. It would appear as if alcohol is playing keep-away with your intelligence. Good night. Please note, it is now past ten p.m. Per our roommateagreement, kindly refrain from raucous laughter, clinking of glasses, and celebratory gunfire.Penny: Okay, explain something to me. You watch Leonard put up with that guy for years and years. What has to breakinside your brain for you to think, Oh, Krishna, I've got to get me some of that?Raj: Well, it's a lot better than having to wear noise-cancelling headphones in my own apartment.Penny: What? Oh, God, yeah. Yeah.Leonard's a noisy little dude in the sack.Raj: Every night.Penny: Really? Even during allergy season, when he has to alternate between kissing and breathing?Raj: It's my sister. Can we not talk about this anymore?Penny: Yeah. Sorry, sorry. Can I tell you a secret?Raj: Yeah.Penny: I screwed up. Leonard's a great guy. Never should have broken up with him.Raj: Well, uh, to paraphrase Shakespeare, It's better to have lovedand lost than to stay home every night and download increasingly shameful pornography.Penny: Oh, you poor baby.Raj: What's wrong with me, Penny?Penny: Nothing, nothing. You know, if we weren't friends, and youhadn't brought up that creepy pornography story, I'd be on you like the speed of light squared on matter to make energy.Raj: Hey, you totally got that right! E equals M C squared.Penny: I listen. I have no idea what itmeans, but I listen. To friendship.Raj: To friendship.Sheldon (off): Would you booze hounds please stop that infernal clinking? And the answer was elephant!Scene: Raj's apartment. Leonard and Priya arekissing.Leonard: Mmm. Mmm.Priya: Leonard, sweetheart, we're kissing, not eating hot soup.Leonard: Sorry.Priya (computer tone): That's my parents on video chat. Go hide in the bedroom.Leonard: Oh, come on! Whydon't we just tell them that we're dating?Priya: Oh, we've been through this. It's not the time.Leonard: When is the time?Priya: I've got five brothers and sisters. One of them is bound to screw up real big, and then I'lltell my parents about you. Now, shoo.Leonard: Fine.Priya: Hello, Mummy. Hello, Daddy.Dr Koothrappali: We heard there was a tornado in Kansas City. Is that close to you?Priya: No.Mrs Koothrappali: Where is yourbrother?Priya: Out with friends.Dr Koothrappali: I don't like it, a young girl alone in an apartment.Mrs Koothrappali: I'll sleep so much better when you move back here next month.Leonard: You're moving back toIndia?Dr Koothrappali: Who's that?Mrs Koothrappali: Oh, my God! There's someone in your apartment. Call the police in America!Leonard: When were you going to tell me about this?Priya: Oh, hello, Leonard. What apleasant surprise! Mummy, Daddy, you remember Rajesh's friend Leonard.Dr Koothrappali: I thought you said Rajesh was out with his friends.Priya: He has many friends.Dr Koothrappali: Rajesh has many friends?MrsKoothrappali: Why are you lying to us?Leonard: She's lying because she doesn't want you to know we're dating.Priya: Leonard!Leonard: Well, what difference does it make? If you're moving back to India, we'reobviously breaking up.Priya: You know what? I don't want to deal with this right now.Leonard: So. Hot in India?Dr Koothrappali: Of course it is. It always is. It's India. Now, what do you have to say foryourself?Leonard: Uh. That is a beautiful tapestry.Scene: Leonard's bedroom. Raj and Penny are in bed.Penny (waking up): Oh, God. Oh, God! Oh. Okay, look. This never happened. Do you understand me? (Raj nods)Really? Still can't talk to me?Scene: The living room. Leonard is asleep on the couch.Sheldon: What are you doing here?Leonard: What?Sheldon: I said, what are you doing here?Leonard: I live here.Sheldon: I havepaperwork that says differently.Leonard: Priya's going back to India.Sheldon: Irrelevant. Rajesh and I have a good thing going and you're not going to ruin it. (Knock on door) What are you doing here?Howard: I'vebeen up all night. I had a fight with Bernadette.Sheldon: Why?Howard: She gave me a beautiful watch.Sheldon: Leonard, do you understand this?Leonard: Yes.Sheldon: Talk to him. Penny (entering room dishevelled,with a half naked Raj behind): Damn.Leonard: What's going on?Penny: Oh. It's, it's not what it looks like.Sheldon: What does it look like?"}