| *************************************************************************** | |
| * InvisiClues(tm) * | |
| * The Hint Booklet for * | |
| * Suspect(tm) * | |
| *************************************************************************** | |
| [Copyright by Infocom, Inc. Provided for non-commercial use only, with the | |
| sole intent of making information available that would otherwise be lost. | |
| To whoever presently holds the copyright to the information contained in | |
| this file: if you think the existence of this file violates your copyright, | |
| please complain and the file will be removed. | |
| Typed in from the original hintbook by Paul David Doherty.] | |
| Sample Question | |
| *************** | |
| What does trusty Sgt. Duffy do after he runs after a thief on a hot day? | |
| A. You might try following him. | |
| B. Of course, he probably runs faster than you. | |
| C. He takes off his coat and pants. | |
| Table of Contents | |
| ***************** | |
| Dateline: Rappanoc, Maryland -- The Ashcroft Estate | |
| Dateline: Rappanoc, Maryland -- County Jail | |
| The Evidence: Part I | |
| The Evidence: Part II | |
| Final Copy | |
| For Your Amusement | |
| DATELINE: RAPPANOC, MARYLAND -- The Ashcroft Estate | |
| *************************************************** | |
| How can I get to the office before Veronica? | |
| A. Have you tried... | |
| B. ...following her? | |
| C. ...going out the French Doors and around the house? | |
| D. ...going out the Back Porch and around the house? | |
| E. ...going out the sliding glass doors, through the garden, and southwest | |
| from the covered walkway? | |
| F. If you have tried all these, you know that you can't get to the office | |
| before Veronica. | |
| G. Anyway, it wouldn't be much of a game without her murder. | |
| What should I do with Veronica? | |
| A. Have you tried to resuscitate her? | |
| B. It's too late for Veronica. Call the police. | |
| Why is the Detective so unobservant? | |
| A. The Detective is supposed to mimic your performance in DEADLINE(tm) and | |
| The WITNESS(tm), and we all know how well you did on those, don't we? | |
| B. Well, if the Detective were too good, there wouldn't be much of a role | |
| for you, would there? | |
| C. The Detective will do very few things without being prompted by you. | |
| The police examine a few places on their own and, after they are done, | |
| they retire to the Ballroom to consider what (if anything) they've | |
| learned. | |
| D. The Detective will perform analyses for you if you ask, and will make | |
| some helpful comments about the evidence you produce. Of course, if you | |
| suggest that an arrest be made, the police will usually jump at the | |
| chance. | |
| What should I do with any evidence I find? | |
| A. Have you tried showing any to the other guests? | |
| B. Show the evidence to the Detective and Sergeant Duffy. | |
| How did the thief get into the house? | |
| A. Have you tried opening any of the windows? | |
| B. A family as rich as the Ashcrofts surely must have a sophisticated | |
| alarm system. | |
| C. Was anything stolen? | |
| D. If you remove Veronica's body from the office and return there before | |
| Michael and his friends arrive, you'll learn that nothing was stolen. | |
| E. Who started that rumor anyway? | |
| Is the fairy mask important? | |
| A. It is an integral part of the Fairy Costume. | |
| B. There's a clue in it; have you examined it inside and out? | |
| C. "Caught in the silver mesh..." | |
| D. Is it Veronica's hair? | |
| E. Use the verb COMPARE. | |
| F. Hmmm. | |
| Where can I find the business card? | |
| It's in the waste basket. | |
| What does the business card mean? | |
| A. Cochrane wanted to stop Veronica from doing something. | |
| B. It is related to the agreement in the manila folder. | |
| What can I learn from the Purchase and Sale Agreement? | |
| A. Veronica was planning on selling the estate to Ostmann. | |
| B. She sure was prevented, wasn't she? | |
| C. Have you asked Michael about Ostmann? | |
| D. Show the agreement to Ostmann after he finds out about the murder; he's | |
| got an interesting piece of news. | |
| What is the significance of the silver bullet? | |
| A. If you haven't seen a bullet, why did you develop this answer? | |
| B. Have you looked at your gunbelt? | |
| C. Have you really looked at your gunbelt? | |
| D. Did you take it off first, so you could see the back? | |
| E. Someone must be trying to frame you! | |
| What is the significance of the hair? | |
| A. Compare it to someone else's hair. | |
| B. Particularly Alicia's. | |
| C. Don't you find it odd that a hair similar to Alicia's would be in | |
| Veronica's costume? | |
| Who is the guest whose coat Smythe gets tangled in? | |
| A. Have you accounted for everyone? | |
| B. Have you ever seen the guest again? | |
| C. Have you ever tried looking at him during the confusion? | |
| D. Have some sympathy for the poor fellow! | |
| Does the rain amount to anything significant? | |
| A. It's been raining heavily all day. Several inches must have fallen. | |
| B. The way it comes down is more important. | |
| C. It's been pouring most of the time... | |
| D. ...but for a while it was only drizzling. | |
| E. Something else happens during that time. | |
| F. Alicia arrives soaking wet. | |
| How do I get past the dog? | |
| A. Remember, he's never met you before. | |
| B. He's a watchdog, so he doesn't trust strangers. | |
| C. You might try kicking him. | |
| D. Oops, just kidding. | |
| E. Be friendly, not threatening. | |
| F. Try to pet him a few times. | |
| G. Actually, no matter what you do (besides retreat), the dog will hold | |
| you up for 5 moves. | |
| What about the footprint? | |
| A. If you haven't... | |
| B. ...been outside, stop here. | |
| C. ...looked at the pumpkins, stop here. | |
| D. ...tried to jump into the pond, stop here. | |
| E. ...gotten into the barn, stop here. | |
| F. ...found the muddy boots, stop here. | |
| G. ...analyzed the mud from the boots, stop here. | |
| H. ...shown the analysis of the mud to Senator Asher, stop here. | |
| I. Senator Asher wore the boots as he snuck out to the pond to meet Linda, | |
| and got them muddy. But, while taking them off, he saw Ellen | |
| approaching with the lead pipe, so he hid in the Barn. Janet was hiding | |
| there, too, after leaving the insurance policy under a bale of hay. | |
| Some mud from the boots got on her costume. | |
| J. What a pile of rubbish! If you believe that, there's a slightly used | |
| bridge you might be interested in.... | |
| What is a Brewster? | |
| A. If you haven't... | |
| B. ...found the body yet, stop here. | |
| C. ...been in the Morning Room yet, stop here. | |
| D. ...opened the window seat yet, stop here. | |
| E. ...put the body in the window seat yet, stop here. | |
| F. ...ever seen "Arsenic and Old Lace," stop here. | |
| G. If you don't remember what a Brewster is now, go see the movie again. | |
| What can I do with the broken glass? | |
| A. You could take it and, when the police arrive, have it analyzed. | |
| B. Or you could have it fingerprinted. | |
| C. Of course, you'll smudge any fingerprints on it if you take it. | |
| D. If you leave it alone, Smythe will clean it up and throw it away in the | |
| kitchen. | |
| E. Send the Detective to the kitchen to examine the glass. | |
| F. If Muhammad won't go to the mountain... | |
| G. Take the trash basket to the Detective, then ask that the glass be | |
| fingerprinted. | |
| What do the various costumes mentioned in the Ballroom mean? | |
| A. The man in the square plastic mask is wearing an old SUSPENDED(tm) | |
| package. | |
| B. The six-foot tall invisible rabbit is Harvey, the pooka. | |
| C. The others are even more obscure. | |
| D. Actually, that's a lie. | |
| E. The three blind mice aren't too obscure. | |
| F. Enough! You'll run out of developer ink! | |
| G. Persistent, aren't you? | |
| H. You know, it's people like you who make the authors' job worthwhile. As | |
| a reward for your perseverance, the next answer is going to reveal who | |
| committed the murder. | |
| I. Suzanne did it. | |
| J. Another lie. Actually, the authors own stock in a developing marker | |
| company, and this is just a ploy to make you use more fluid. | |
| K. Joanne did it. | |
| L. That's also a lie. | |
| M. Next quarter's dividend is gonna knock your socks off. | |
| N. Maybe the authors will buy a yacht. | |
| Where is the master bedroom? | |
| It's upstairs. | |
| Where is the safe? | |
| A. Probably behind a picture somewhere. | |
| B. There are portraits in the living room... | |
| C. ...and more in the master bedroom. | |
| D. Look behind the Van Gogh. | |
| E. Maybe it was the Rembrandt. | |
| F. Just kidding, it was the Warhol in the master bathroom. | |
| G. Why even bother? | |
| H. Did you develop the answers regarding the costumes in the ballroom? | |
| I. The yacht idea is sounding better all the time. | |
| How do I get upstairs? | |
| A. All of the known ways are roped off. | |
| B. Did you find the ladder in the barn? | |
| C. Put the ladder against the house. It'll reach up to the second floor. | |
| D. What ladder? | |
| E. What master bedroom? | |
| F. Sorry. Just kidding. You can't go upstairs. | |
| Is there anything important in the east coat closet? | |
| A. It's full of "rather damp coats." | |
| B. One is more than just damp. | |
| Is there anything helpful in the Library? | |
| A. Have you searched the room thoroughly? | |
| B. The chair may prove to be helpful. | |
| C. An important transaction takes place in the Library. | |
| D. Have you tried hiding behind the chair? | |
| E. Once you've hidden, wait to see what will happen. | |
| F. If you hide after 10:45 p.m., it may be too late. Try again. | |
| Where are the torn pages? | |
| A. Have you shown the book to the Detective? | |
| B. The Detective doesn't seem to be concerned. | |
| C. Search the office; papers are strewn all over there. | |
| D. Sorry, but that will have to remain a mystery. | |
| What can I do in the dining room? | |
| A. Have you looked in the china cabinet? | |
| B. You can go east into the kitchen... | |
| C. ...or go south into the long hall. | |
| D. Do you remember the beginning... | |
| E. ...of this booklet? Do not assume that the presence or absence of a | |
| certain topic is an indication of its importance. Also, don't assume | |
| that long answers are associated with important questions. Just like | |
| this one. | |
| What is burning in the fireplace? | |
| A. Logs, most likely. | |
| B. At one point, though, there is something else burning. | |
| C. Only for a few minutes though. | |
| D. Marston throws it in there. | |
| E. It's a piece of evidence he wants destroyed. | |
| F. You can't get the paper from Marston directly. Wait by the fireplace | |
| until Marston tosses it in, then type TAKE THE PAPER. | |
| What is the significance of the list? | |
| A. It "has one corner torn from it where it was stapled to something." | |
| B. It indicates that Michael and Marston were equal partners in Southeast | |
| Planning. | |
| C. But, until you find what the list had been attached to, you won't find | |
| out the significance of that Corporation. | |
| D. >>This space intentionally left blank.<< | |
| Where can I find the origin of the list? | |
| A. Backtrack from when Marston threw the list in the fireplace. | |
| B. Marston had just come from a meeting with Michael... | |
| C. ...and Michael had just come from the garage. | |
| D. Look in the garage. | |
| E. There are three places it can be: in the cars or in the toolbox. | |
| F. What you are looking for is in the trunk of the BMW 320i. | |
| How did Sergeant Duffy get to Maryland, anyway? | |
| A. What do you mean? Hasn't he always been there? | |
| B. Oh, you mean: "He was in Connecticut a few years ago, in DEADLINE, so | |
| what's he doing in Maryland now?" | |
| C. What makes you think it's the same Duffy? | |
| D. Maybe the one in Connecticut is this one's twin brother. | |
| E. Sergeant Francis Xavier Duffy of the Montgomery County Police is | |
| related to Sergeant John Aloysius Duffy of the Lakeville, Connecticut | |
| Police. | |
| Is Rappanoc a real place? | |
| A. Yes. | |
| B. Is it really named Rappanoc? | |
| C. No. | |
| D. What is its real name, then? | |
| E. Quendor. | |
| What is Michael doing in the garage? | |
| A. Mourning? | |
| B. You won't find out if you arrive after he does. | |
| C. Hide behind a car before he arrives. | |
| D. You should investigate this further. | |
| Where are the pumpkins that I read about in the Maryland Rambler? | |
| A. Just where they were dumped. | |
| B. So find them yourself. | |
| What can I do with the toolbox? | |
| A. Have you looked in it? | |
| B. What are crowbars good for? | |
| C. Prying things apart. | |
| D. If you don't know what Michael was doing in the garage, stop here. | |
| E. Pry open the BMW trunk with the crowbar after Michael has been in the | |
| garage. | |
| What can I do in the west bathroom? | |
| A. Do you need to use the toilet? | |
| B. Remember to wash your hands. | |
| C. Have you looked in the shower? | |
| D. No blood??? Hmmm. | |
| Where were Linda and Richard at the time of the murder? | |
| A. Seems they were close by. | |
| B. Maybe even right there. | |
| C. Have you examined Richard's costume? | |
| Why is Linda such an air head? | |
| A. >>This space intentionally left blank.<< | |
| B. >>This space intentionally left blank.<< | |
| C. >>This space intentionally left blank.<< | |
| D. This may prove the old adage "It takes one to know one." | |
| Who committed the murder? | |
| A. Don't you think that would be a bit much? | |
| B. You don't? Well, the authors do. | |
| C. This is the first question you're developing too, isn't it? | |
| D. Okay, if you insist... | |
| E. Michael strangled her with the lariat you left with your overcoat in | |
| the coat closet. | |
| F. But, wait a minute! Wasn't he with the fairy queen in the Ballroom? How | |
| could he have done it? | |
| G. You'll have to figure that out for yourself. | |
| Was Cochrane involved? | |
| A. There are several pieces of evidence that indicate his involvement. | |
| B. His note on the card certainly indicates he wanted to prevent Veronica | |
| from selling the estate to Ostmann. | |
| C. He wasn't in the ballroom when the murder allegedly took place. | |
| D. And finally, Cochrane was drinking heavily. | |
| E. Are you expecting more? | |
| F. No, Cochrane was not involved. | |
| Where was Cochrane at the time of the murder? | |
| A. He appears from the east hall. | |
| B. There's a door leading to the outside from there. | |
| C. He could have killed Veronica, then ran around the house and come in | |
| the east hall door. | |
| D. But he didn't. | |
| E. Cochrane was in the east hall bathroom just before the murder occurred. | |
| Was Michael involved in the murder? | |
| A. What makes you think so? | |
| B. He was in plain sight at the alleged time of the murder. | |
| C. You'd have to prove the murder didn't happen when it seems to have. | |
| How do I prove Alicia's involvement? | |
| A. Have you noticed anything significant about the rain? | |
| B. Meet Alicia on the Front Porch. Is there a discrepancy between her and | |
| her surroundings? | |
| C. It was drizzling, yet... | |
| D. ...her raincoat was sopping wet. | |
| E. Do you know what that means? | |
| F. She must have arrived at a time when the rain was pouring down, not | |
| lightly drizzling. | |
| G. There are two more pieces of evidence that point to Alicia. | |
| H. One is the fingerprint on the broken glass... | |
| I. ...and the other is the dark hair in the fairy queen mask. | |
| How do I prove Asher's involvement? | |
| A. The Senator? | |
| B. Have you asked him yourself? | |
| C. Talk to Ostmann, he's got some very interesting information. | |
| D. Spurned lover, eh? Makes for some great gossip. | |
| E. Did you find Marston and Asher talking secretively in the living room? | |
| F. Hide behind the couch before they show. | |
| G. Get the hint? | |
| H. Asher's involvement is pure conjecture. Any fair jury would throw it | |
| out of court. And unless you write for a gossip rag, it wouldn't even | |
| pass for a decent story. | |
| Where does Marston fit in? | |
| A. Have you asked Marston about himself? | |
| B. Ask him about the family trust also. | |
| C. If you haven't found the trust documents, stop here. | |
| D. Show the documents to Marston. | |
| Was Ostmann involved? | |
| A. Not directly. | |
| B. He was invited to the party by Veronica so they could sign the purchase | |
| and sale agreement. | |
| C. Show the agreement to him (after he is told about the murder is the | |
| best time). | |
| D. The fairy queen seemed to have a sudden change of heart. | |
| How does Smythe figure in? | |
| A. Have you asked everyone about him? | |
| B. Seems that he's lived at Ashcroft Manor nearly his whole life. | |
| C. He does get in your way if you try to follow Veronica to the office. | |
| D. He also threw away the broken glass. | |
| E. But, that was a part of his job. | |
| F. Actually, Smythe has nothing to do with the murder. | |
| DATELINE: RAPPANOC, MARYLAND -- County Jail | |
| ******************************************* | |
| Help! I keep getting arrested! | |
| A. What is the name of this story? | |
| B. That's right, you're the SUSPECT. | |
| How can I prove my innocence? | |
| A. Show the Detective evidence pointing to someone other than yourself. | |
| B. It takes more than one piece of evidence to deflect suspicion. | |
| C. After the Detective has seen the body and the murder weapon, it takes | |
| three things. | |
| D. The three things are... | |
| E. ...the purchase and sale agreement,... | |
| F. ...the business card, and... | |
| G. ...the dark hair in the fairy mask. | |
| THE EVIDENCE: Part I | |
| ******************** | |
| Do not develop these answers until you have solved the game (or are | |
| absolutely mind-boggled). | |
| NOTE: After you find anything suspicious, you can give it to the Detective | |
| so it will register as evidence. Some pieces, such as the first two, | |
| usually don't have to be shown to the Detective, as they will be noticed | |
| when the Detective first arrives at the office. | |
| Evidence Location | |
| Veronica's corpse Office | |
| Your lariat Office | |
| Business card Office, in the waste basket | |
| Purchase and Sale Agreement Office, in the manila folder | |
| Dark hair Office, _in_ the fairy mask | |
| Broken glass Kitchen, in the trash basket (once Smythe | |
| puts it there). You must have the Police | |
| fingerprint it for it to be useful. | |
| Wet overcoat East Coat Closet (after it has been hung | |
| up, either by Alicia or Smythe). By itself, | |
| this evidence doesn't prove anything. | |
| Further information must be revealed to the | |
| Detective. | |
| Rain Outside; from 9:10 to 9:30 it was drizzling | |
| rather than pouring. This contradicts the | |
| fact that Alicia's overcoat was sopping | |
| wet. | |
| Trust documents Garage, in the BMW 320i trunk, after | |
| Michael has been there. | |
| Investor list Fireplace, after Marston has thrown it | |
| there. | |
| THE EVIDENCE: Part II | |
| ********************* | |
| Don't develop this section unless you are absolutely sure who committed the | |
| murder, but don't want to tell the Detective. | |
| NOTE: There are pieces of evidence that, as a group, will scare the | |
| murderers into trying to escape. If that evidence is shown to both of them | |
| before being shown to the Detective, they will try to escape using the car | |
| hidden behind the Barn. | |
| WARNING: The following section reveals the actual murderers. Do not proceed | |
| unless you are absolutely sure you want to. | |
| Show the following evidence to Michael: | |
| A. The trust folder. | |
| B. List of investors in Southeast Planning Corporation. | |
| C. >>This space intentionally left blank.<< | |
| Show the following evidence to Arthur Dent: | |
| A. The stained towel. | |
| B. The costume fluff. | |
| C. Oops, wait a minute. Isn't he in THE HITCHHIKER'S GUIDE TO THE | |
| GALAXY(tm)? | |
| D. If you want to arrest him, you'll have to buy that story. | |
| Show the following evidence to Alicia: | |
| A. The wet overcoat. | |
| B. The analysis of Veronica's glass for fingerprints. | |
| C. The analysis of hair found in Veronica's mask. | |
| D. >>This space intentionally left blank.<< | |
| FINAL COPY | |
| ********** | |
| Do not read the following articles until after you have solved the murder. | |
| Article 1 | |
| WELLMAN AND BARRON CONVICTED IN ASHCROFT MURDER | |
| ROCKVILLE, March 8. Michael Wellman and Alicia Barron were convicted today | |
| of the first degree murder of Wellman's wife, Veronica Ashcroft. The jury | |
| deliberated for less than one hour before reaching its verdict. Colonel | |
| Robert Marston, head of the Ashcroft family trust, had already been | |
| convicted in a related case of embezzlement. | |
| Appearing before Judge N. S. Galley, District County Attorney John | |
| Castle summarized the case for prosecution: | |
| "Michael Wellman was already up to his neck in deception. He was | |
| involved with Col. Marston in the embezzlement of the Ashcroft Trust and | |
| in a love affair with his wife's so-called 'best friend,' Alicia Barron. | |
| When Veronica suggested a move up-county that would necessitate a | |
| significant drain on the Trust's funds, and possibly reveal Southeast | |
| Planning's thefts, Michael began to think of murder. When an accidental | |
| peek into a carelessly unlocked file cabinet revealed that Veronica knew | |
| of the thefts, he put his plan into motion. | |
| "Michael consulted with Col. Marston, whose reaction was to flee until | |
| the murderer convinced him he could placate Veronica and retrieve the | |
| evidence. It is only because all involved agree that Marston was not | |
| directly a part of the plot that he too was not indicted as an accessory. | |
| "Capitalizing on Alicia Barron's resemblance to Veronica in size and | |
| shape, Michael and his accomplice maneuvered Veronica into selecting a | |
| masquerade costume that completely obscured her face and head. A casual | |
| friend of the victim's, a reporter for the Washington Representative, was | |
| selected to 'take the rap.' | |
| "On the night of the party, Alicia secretly arrived early, and using | |
| one of Michael's keys, hid in the locked office. When the reporter arrived | |
| in a costume that included a lariat, Michael switched his intended method | |
| of murder to further implicate the hapless reporter. | |
| "After Veronica had been seen by the party guests, Michael lured her | |
| away to the office, where she was murdered. Michael retrieved the | |
| incriminating folder to be hidden elsewhere. Alicia donned Veronica's | |
| costume over her own flimsy one and returned with Michael to the Ballroom. | |
| "After a few minutes of boozy socializing as 'Veronica,' Alicia | |
| contrived an accident to her costume and left the Ballroom. She rushed to | |
| the office, redressed Veronica in the costume, and left through the back | |
| door to 'just arrive' at the front one. | |
| "It only remained for Michael to stay in the Ballroom, establishing his | |
| alibi, and to wait for the body to be discovered. Then he could dispose of | |
| the folder and fulfill his bargain with Marston by turning over the | |
| investor list with Marston's name on it." | |
| Article 2 | |
| SOCIALITES KILLED, FRIEND ARRESTED IN BIZARRE LOVE TRIANGLE | |
| RAPPANOC, November 1. Prominent hunt country socialite Veronica Ashcroft | |
| was murdered and her husband was killed last night during their annual | |
| Halloween Costume Ball. A friend of the family, Alicia Barron, is being | |
| held in the Rappanoc Women's Correctional Facility in connection with the | |
| deaths. | |
| Witnesses reported Ms. Ashcroft, dressed as a fairy queen, left the | |
| main area of the party after staining her gown and later was discovered in | |
| her office strangled with a lariat. Initially the Representative's | |
| reporter, who was covering the event, was suspected in the murder as the | |
| murder weapon was a lariat that was part of the reporter's costume. | |
| Astute detective work by our reporter allayed these suspicions, and | |
| pointed to a frame-up. The plucky reporter went on to prove it was | |
| Veronica's own husband and her self-described "best friend" who were | |
| guilty. When the pair were confronted with the damning evidence, they fled | |
| to the barn in an effort to escape. Ironically, Michael was trampled and | |
| killed by Veronica's prize horse "Lurking Grue" as he and Barron entered | |
| the barn without any light. Barron was arrested and held without bail. | |
| Article 3 | |
| REPORTER FOILS POLICE INVESTIGATION, SUSPECT STILL AT LARGE | |
| RAPPANOC, November 1. The murder investigation of hunt country socialite | |
| Veronica Ashcroft-Wellman was foiled last night by a Representative | |
| reporter. As a result, two suspects, Michael Wellman and Alicia Barron, | |
| escaped. Wellman was later found dead, apparently trampled to death by Ms. | |
| Ashcroft's horse, "Lurking Grue." Barron's whereabouts are still unknown. | |
| The reporter allegedly confronted the two with evidence believed to | |
| identify them as the murderers rather than turning the evidence over to | |
| the police. A get-away car, previously parked behind the barn by Barron, | |
| was used for her escape. Wellman was killed when he entered the horse barn | |
| without any light, causing the horse to panic. | |
| "I have never experienced such a flagrant act of egoism before," | |
| declared the Detective. "The reporter deliberately interfered with my | |
| investigation, withheld evidence, and caused this aberration of justice." | |
| FOR YOUR AMUSEMENT | |
| ****************** | |
| Have you tried: | |
| looking up? | |
| looking under the office or sitting room rug? | |
| flushing the toilet? | |
| asking the bartender about the guests? | |
| counting the books (or any objects)? | |
| petting the dog, or Linda? | |
| hiding Veronica's body in the window seat? | |
| hiding Veronica's body then asking the Detective where she is? | |
| calling a taxi, the costumer's, or information? | |
| entering the doghouse? | |
| dancing with Veronica's body? | |
| looking at the disks in the office? | |
| getting in the living room fireplace? | |
| examining the kettle on the stove? | |
| turning the water on in the bathroom? | |
| calling the police before you know about the murder? | |
| carrying Veronica's body around? | |
| showing the corpse to Alicia (before she was told about the murder)? | |
| using the command GO TO BAR when you already are there? | |
| removing the trash basket from the Kitchen before Smythe can throw away | |
| the broken glass? | |
Xet Storage Details
- Size:
- 25.9 kB
- Xet hash:
- f849a3b1813895a00154cc0a045c4276c0243f6260835aaba764a5e07befded1
·
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