| *************************************************************************** | |
| * InvisiClues(tm) * | |
| * The Hint Booklet for * | |
| * Leather Goddesses of Phobos(tm) * | |
| *************************************************************************** | |
| [Copyright by Infocom, Inc. Provided for non-commercial use only, with the | |
| sole intent of making information available that would otherwise be lost. | |
| To whoever presently holds the copyright to the information contained in | |
| this file: if you think the existence of this file violates your copyright, | |
| please complain and the file will be removed. | |
| Typed in from the original hintbook by Paul David Doherty and Graeme Cree.] | |
| Table of Contents | |
| ***************** | |
| Front Cover . . . . . . . . . . . . . . . . . . . . . . . . . . Front Cover | |
| Some Silly Legal Fineprint . . . . . . . . . . . . . . . Inside Front Cover | |
| Table of Contents . . . . . . . . . . . . . . . . . . . Inside Front Cover | |
| Introduction . . . . . . . . . . . . . . . . . . . . . . . . . . . . Page 1 | |
| Joe's Bar . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2 | |
| The Prison Area (Phobos) . . . . . . . . . . . . . . . . . . . . . . . . . 2 | |
| Venus . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3 | |
| Mars | |
| The Ruined Castle Area . . . . . . . . . . . . . . . . . . . . . . . . . 6 | |
| Along the Grand Canal . . . . . . . . . . . . . . . . . . . . . . . . . 7 | |
| The Sultan's Palace . . . . . . . . . . . . . . . . . . . . . . . . . 10 | |
| The South Polar Region . . . . . . . . . . . . . . . . . . . . . . . . 12 | |
| Cleveland . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13 | |
| A Funny Little Spot Caused by a Minor Printing Error Which | |
| Appears Only on This Copy of the Booklet Making It a Priceless | |
| Collectors Item . . . . . . . . . . . . . . . . . . . . . . . . . . . 14 | |
| The Spaceship Scene, Near Saturn . . . . . . . . . . . . . . . . . . . . 15 | |
| Among the Mountains of Neptune . . . . . . . . . . . . . . . . . . . . . 17 | |
| The Boudoir and Plaza (Phobos) . . . . . . . . . . . . . . . . . . . . . 18 | |
| General Questions . . . . . . . . . . . . . . . . . . . . . . . . . . . 18 | |
| The Parts List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20 | |
| How All the Points Are Scored . . . . . . . . . . . . . . . . . . . . . 20 | |
| For Your Amusement . . . . . . . . . . . . . . . . . . . . . . . . . . . 21 | |
| Acknowledgements . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24 | |
| Invisible Pictures of Famous, Sexy Movie Stars in the Buff | |
| Which Can't Even Be Made Visible Using the Amazing Miracle | |
| InvisiClues Fluid . . . . . . . . . . . . . . . . . . . Inside Back Cover | |
| Back Cover . . . . . . . . . . . . . . . . . . . . . . . . . . . Back Cover | |
| Sample Question | |
| *************** | |
| Can Professor Wurble help me save Pittsburgh from the hideous Yogurt Slime | |
| Monster? | |
| A. Have you read the diploma on the wall of his laboratory? | |
| B. I think we can safely assume that someone with a Doctorate in Yogurt | |
| Slime Monster Domestication would be able to help you in this area. | |
| C. Simply type PROFESSOR, TAME THE MONSTER. | |
| Joe's Bar | |
| ********* | |
| How can I get out of the bar area? | |
| A. There's no way to leave the bar through the front door. | |
| B. There's another way to leave, but you won't be able to until you've | |
| relieved your bladder. | |
| C. Just enter the bathroom of your choice (NW or NE), relieve yourself, | |
| then wait for a few turns. | |
| This section on Joe's Bar sure was a short section, huh? | |
| A. Yup. | |
| The Prison Area (Phobos) | |
| ************************ | |
| How can I get out of my cell? | |
| A. You're gonna feel pretty silly when you get to the hint B. | |
| B. Try OPEN THE DOOR. | |
| Is the hunk of brown food important? | |
| A. Smell it. | |
| B. You could try eating the chocolate to see what happens... | |
| C. ...but since you're not hungry, it's probably best to hang onto it | |
| until you need it. | |
| How can I prevent being killed by the Leckbandi guards? | |
| A. Just don't go east or west from End of Hallway. | |
| Is this Trent/Tiffany character important? | |
| A. You'll never finish the story without him/her. | |
| B. Once you've met in the Other Cell, he/she will follow you around. The | |
| places where he/she can help you will be revealed in the hints to other | |
| questions. | |
| Is there any way to light the Closet that is north of the Observation Room? | |
| A. Sure. Turn on the flashlight. | |
| How can I get the basket off the shelf? | |
| A. There are two ways. Both involve increasing your height. | |
| B. If you brought the stool from the bathroom, you can get the basket by | |
| standing on it. | |
| C. Otherwise, find Trent/Tiffany. When he/she follows you into the closet, | |
| climb on him/her. | |
| How can I leave the prison area? | |
| A. The answer has something to do with the black circles on the Roof and | |
| in the Closet. | |
| B. They're teleportation devices. Standing on them transports you | |
| elsewhere. | |
| Is the basement important? | |
| A. No. | |
| B. This space intentionally left blank. | |
| Is the scrap of paper in the Other Cell meaningful? | |
| A. Yes, it's a word search. | |
| B. It will become more meaningful once Trent/Tiffany gives you the | |
| matchbook with the parts list on it. | |
| C. Search for the items on the parts list within the grid of letters on | |
| the scrap of paper. As you find each of the eight items, circle or | |
| cross off its letters. | |
| D. When you've crossed off the letters of all the items, the remaining | |
| letters in the grid form a message. | |
| E. Namely: HISSING FRIGHTENS FLYTRAPS. | |
| F. This is one of two methods of getting past the Venus flytrap. Just HISS | |
| when you're in the same location as the flytrap. | |
| Venus | |
| ***** | |
| How can I get past the Venus flytrap? | |
| A. There are two ways. The more straightforward way is to kill it. The | |
| knowledge of how to kill it comes from the scrap of paper in | |
| Trent/Tiffany's cell. See the previous question. | |
| B. A second way to get past the flytrap is to trap it. | |
| C. Don't go on unless you've been to Cleveland. | |
| D. You can set a trap at the tree hole (Fork, Of Sorts) using stuff you've | |
| seen in Cleveland. | |
| E. Put the trellis over the tree hole... | |
| F. ...and the leaves over the trellis. | |
| G. If the flytrap sees you setting the trap, it won't fall for it, and | |
| therefore won't fall into it. "Shake off" the flytrap by going to the | |
| Clearing. Then return to the tree hole, set the trap, go to the Jungle | |
| to attract the flytrap again, and finally return to the fork and wait a | |
| few turns. | |
| Is the untangling cream important? | |
| A. Yes. | |
| B. Don't go on unless you have the odd machine. | |
| C. Don't go on unless you understand what the odd machine does. | |
| D. Have you seen any use for unangling cream? | |
| E. It's on Mars... | |
| F. It's in the Ruined Castle area... | |
| G. See the question about King Mitre. | |
| How can I get out of the tree hole? | |
| A. There's no reason to ever get into the tree hole. | |
| B. But if you do, you can climb out by standing on the stool or by | |
| standing on Trent/Tiffany. If you don't have the stool, or if you're | |
| alone, you're stuck. | |
| What is the can of stain for? | |
| A. Have you read what it says on the can? | |
| B. It's for staining those black circles black. Of course, it's possible | |
| that all the ones you've seen are already black. | |
| C. See the question about the white circle at the Oasis in the Mars | |
| section. | |
| What can I give the salesman to get his machine? | |
| A. There are no clues in the story about this. You'll have to try | |
| everything you can find. | |
| B. OFFER THE FLASHLIGHT TO THE SALESMAN. | |
| How does the odd machine work? | |
| A. Have you examined it? | |
| B. You can put one item at a time in its compartment. | |
| C. You can only turn it on while it's closed. | |
| D. It's a TEE remover. Think about that for a while. | |
| E. Try using the odd machine on a number of different items. | |
| F. The odd machine removes any "T" from the name of the thing you use it | |
| on. | |
| G. For example, open the odd machine. Put the basket in it. Close the | |
| machine. Turn it on. Open it. You'll find that the basket has been | |
| turned into a baske. | |
| H. You'll also find that you can't carry things around in a baske the way | |
| you could in a basket. | |
| I. The odd machine is a lot of fun, but it's also needed to solve one | |
| puzzle. You'll find out more when you get to that puzzle. | |
| Can I get into the house? | |
| A. The doors are locked and you cannot unlock them. | |
| B. How would you normally get into someone's house? | |
| C. Knock on the door (either front or back). | |
| How can I get the rubber hose out of the cage? | |
| A. Have you tried to bend the bars? | |
| B. You'll go ape solving this puzzle. | |
| C. WAIT a bit once you've gotten to the Laboratory. | |
| D. You end up switching identities with the gorilla of your sex, and can | |
| now easily get the rubber hose. But, unfortunately, you're now trapped | |
| in the cage and in the body of a gorilla! See the next question. | |
| Egad! I'm stuck in the cage in the body of a gorilla! | |
| A. Have you tried to bend the bars as a gorilla? | |
| B. You need a little more energy... | |
| C. ...like you might get from a sugar rush... | |
| D. ...from eating the chocolate you were given in your cell! | |
| E. Before the mad scientist straps you down to the slab, give the | |
| chocolate to one of the gorillas, or just put it in the cage. | |
| F. Wait until the mad scientist transfers you to the body of the gorilla | |
| and leaves the room. (You can facilitate his leaving by getting erotic | |
| with your mate.) Now, eat the chocolate, bend the bars, and leave the | |
| cage with the rubber hose. | |
| G. You still need to get back into your own body, of course. How did the | |
| mad scientist cause the transfer? | |
| H. The red power switch, of course! Throw the switch and you'll be back in | |
| your own body. | |
| I. But don't forget to untie yourself first, or you'll be trapped on the | |
| slab when you get back in your own body! | |
| Is the Vizicomm Booth important? | |
| A. Yes. | |
| B. It's broken and can't be repaired, so you can't make any calls. But | |
| there's something you can get in the booth. | |
| C. Push the coin return knob... | |
| D. ...then look in the coin return box. | |
| E. This ten marsmid coin will come in very handy. | |
| How can I get off Venus? | |
| A. Using the black circle at the Rocky Clifftop. | |
| B. There's also a black circle beyond the flytrap. | |
| Mars | |
| **** | |
| The Ruined Castle Area | |
| ********************** | |
| What should I do about the frog? | |
| A. You won't be able to solve this puzzle until you've been around a bit. | |
| To other sections of the story, that is. | |
| B. Examine the frog. | |
| C. The frog is an enchanted prince or princess. | |
| D. What's the usual way to break such an enchantment? | |
| E. Kiss the frog. | |
| F. Repelled by the sight of the frog, eh? Do something about it. | |
| G. Type CLOSE MY EYES or COVER MY EYES WITH MY HANDS. Now try kissing the | |
| frog. | |
| H. Now it's the smell of the frog that's causing the problem. | |
| I. So, hold your nose. (If you're using your hands to cover your eyes, you | |
| can pin your nose with the clothes pin from the Laundry Room.) Kiss | |
| again. | |
| J. Oh well. Now it's the sound of the frog. | |
| K. Cover your ears with your hands. (If you're already using your hands, | |
| you could plug your ears with the cotton balls from the Orphanage | |
| Foyer.) | |
| L. You say you still haven't scored with the frog? Can't stand the thought | |
| of the frog's lips against yours? Seen any dead aliens? | |
| M. Put the lip balm on your lips. Now kiss the frog again. | |
| How can I catch the mouse? | |
| A. Mice are terrified of cats. | |
| B. There's a painting of a cat in your Cell. | |
| C. Show the painting to the mouse. You will be able to take the mouse | |
| until its fright wears off several turns later. | |
| >HINTBOOK, TELL ME ABOUT KING MITRE AND THE ANGLES. | |
| A. You can't use multiple indirect objects with "tell." Hey, King Mitre | |
| and the Angles -- sounds like a 50's rock and roll group, huh? But | |
| seriously, Mitre is obviously pretty dejected. Do you know why? | |
| B. Because he's turned his daughter into a 45 degree angle. (She's the | |
| angle with the golden hair and satin robes.) | |
| C. I bet that if you found a way to "cure" her, the King would be VERY | |
| grateful. | |
| D. You won't be able to solve the Mitre puzzle until you've defeated the | |
| Venus flytrap. | |
| E. It has something to do with the odd machine. | |
| F. See the question about the untangling cream in the Venus section. | |
| G. Put the unangling cream on the princess to "cure" her. | |
| Along the Grand Canal | |
| ********************* | |
| How can I control the royal barge? | |
| A. Examine the controls. Read the buttons. Try pushing them. | |
| B. The orange button turns the magnetic mooring mechanism on or off. If | |
| you're docked, pushing the orange button will send you off into the | |
| canal. If you're in the canal near a dock, turn on the MagnetoMoor to | |
| dock. If you're in the canal but not near a dock, turning on the | |
| MagnetoMoor will have no immediate effect -- but if you subsequently | |
| pass a dock, you'll dock at it automatically. | |
| C. The purple button turns the engines on or off. When the button reads | |
| "Full Speed Ahead" the engines are on, and the barge will move to a new | |
| canal location every turn. When the button reads "Go With The Flow" the | |
| engines are off, and the barge will move to a new canal location only | |
| every other turn. | |
| How can I decode the coded message from Among the Dunes? | |
| A. Reread "The Adventures of Lane Mastodon #91." | |
| B. Look at the center-left panel on Page 5 of the comic. This tells you | |
| how to decode Martian messages. | |
| C. One additional catch: once you've decoded the message you also have to | |
| read it backwards! (Including the number.) | |
| Just past the bend, there are docks on both sides of the canal, but I can | |
| only get the barge to stop at one of them. Is there any way to get to the | |
| other? | |
| A. You can get to either dock using the barge -- but not in the same | |
| play-through of the story. Once the barge has docked at one of the | |
| docks, there's no way to get the barge to the other dock. | |
| B. You should use the barge to get to the dock on the east bank. | |
| C. It has something to do with the barge controls and the river current. | |
| D. Control the barge's speed with the purple button. When the engines are | |
| on, the barge will make a wider turn and end up near the east bank. | |
| With the engines off, you'll drift around the bend and end up near the | |
| west bank. | |
| E. Later, to get to the dock on the west side of the canal, you'll need | |
| something from the palace area. | |
| F. Use the raft from the Catacombs. (Teleport to the ruined castle region, | |
| put the raft in the water, get in the raft, and drift until you're at | |
| Donald Dock or the Abandoned Dock.) | |
| How can I land if I'm in the canal on the raft? | |
| A. You can only land when you're near a dock. To do so, just GRAB THE | |
| DOCK. | |
| Is there anything to do at the Dunetop? | |
| A. No. It's just a view of what's beyond the bend in the canal. | |
| Is there anything to do around Canalview Mall? | |
| A. The only interesting thing is the Exit Shop. | |
| How can I buy an exit? | |
| A. You won't have what it takes until you've been to several different | |
| parts of the story. | |
| B. You need to have been to Venus... | |
| C. ...and gotten the coin from the Vizicomm Booth. | |
| D. However, the proprietor will only accept a one marsmid coin. | |
| E. You also need to have been to the South Pole... | |
| F. ...and "traded" coins with the penguins. | |
| G. Now just give the one marsmid coin to the proprietor. | |
| H. When he drops the tube into the dust, simply search the dust. | |
| I. The exit is inside the tube! It's a portable black circle! It must be | |
| on the ground to function. | |
| What does the buoy mean? | |
| A. There's danger further down the canal. | |
| How does the white circle at the Oasis work? | |
| A. It's just like the black circles you've seen, only it's faded to white. | |
| Try stepping on it. | |
| B. I guess they only work when they're black. | |
| C. Have you been to Venus? | |
| D. You'll need the can of stain from the Clearing. | |
| E. Put the stain on the white circle. It will now function as a normal | |
| black circle. | |
| Is the rabbit important? | |
| A. No. | |
| B. Eh...What's up, Doc? | |
| Is there any way to get past the ion beam without dying? | |
| A. Yes. | |
| B. There's no way to turn off the beam, and no way to pass through that | |
| section of the canal without being affected. | |
| C. There is, however, a way to "jump past" the beam. | |
| D. Have you been in the room off the Catacombs called Well Bottom or | |
| climbed down the well in the Oriental Garden? | |
| E. Where does this black circle take you? | |
| F. If you said "My Kinda Dock," you're wrong! | |
| G. The black circle at Well Bottom takes you to the royal barge, wherever | |
| it is! | |
| H. Examine the barge while standing on a dock. | |
| I. Have you realized that you can push the buttons on the barge while | |
| standing on the dock? | |
| J. From My Kinda Dock, send the barge downstream by pressing the orange | |
| button while standing on the dock. Wait long enough to allow the barge | |
| to pass the beam. Now go to Well Bottom and step on the black circle, | |
| or climb down the well in the Oriental Garden. | |
| The Sultan's Palace | |
| ******************* | |
| Is there anything for me to do in the Laundry Room? | |
| A. Get the clothes pin. | |
| Is the Oriental Garden important? | |
| A. The well is somewhat interesting. Look into it. | |
| B. Try climbing down it. | |
| What should I do at the Minaret? | |
| A. Nice view. There's also a black circle. | |
| B. Hey, wait a minute! It takes me to a place with no exits. | |
| C. Like I said, wait a minute! The floor will collapse, creating an exit | |
| from the Cramped Space, and revealing a new black circle, as well! | |
| The Sultan/Sultaness keeps getting impatient and killing me. | |
| A. You didn't answer when he/she asked if you were ready for the riddle. | |
| Type ANSWER "YES." | |
| The Sultan/Sultaness keeps sneezing and then killing me. | |
| A. You didn't give an answer to the riddle! You have only three turns to | |
| do so. | |
| Omigosh! The Sultan/Sultaness killed Trent/Tiffany! | |
| A. Don't worry about it. | |
| What is the answer to the riddle? | |
| A. The riddle is designed to mislead you into thinking that the answer is | |
| something like "SEX" or "LOVE." | |
| B. However, it IS something intangible. | |
| C. It's something you've encountered in the game. | |
| D. In fact, it's something you encountered in the palace area. | |
| E. In fact, it's something you've encountered in this very room (the | |
| Audience Chamber)! | |
| F. The answer to the riddle is the riddle! Type ANSWER "RIDDLE." | |
| What number should I give to the harem guard? | |
| A. I hope you've been to Among the Dunes. | |
| B. Have you deciphered the message? | |
| C. Ask for the husband/wife number mentioned in the message. Remember that | |
| the message is backwards, and so is the number. Type ANSWER "123" or | |
| ASK GUARD FOR 789 (for example). | |
| What should I do in the Inner Harem? | |
| A. Do you really have to ask me? | |
| B. If you've asked for the correct husband/wife (see the previous | |
| question), you should know what to do. | |
| C. Ask him/her to do what the secret message tells you to ask. | |
| It's too dark in the Catacombs to see! | |
| A. Take the torch that the husband/wife lays at your feet, you ninny! Or | |
| use the flashlight, if you still have it. | |
| How can I find my way around in the Catacombs? | |
| A. Use the secret map, which the husband/wife gives you, which is also the | |
| map that comes in your package. | |
| B. There's an arrow on the "Lower Level" side which shows you the point at | |
| which you enter the Catacombs. | |
| C. The map is very old, however. Since it was made, many of the passages | |
| have collapsed into rubble, blocking your way. You have to figure out | |
| which ones are blocked and which are still open. | |
| D. There are four interesting locations within the Catacombs; these are | |
| shown on the map as squares rather than circles. | |
| Ack! I keep getting attacked in the Catacombs! | |
| A. Reread "The Adventures of Lane Mastodon #91." | |
| B. Specifically, the lower left panel on page 7. | |
| C. Do what Professor Ziggeraut suggests, as often as he suggests, if not | |
| more often. (You can assume that one turn equals one minute). | |
| How can I get out of the Catacombs? | |
| A. Via the ladder in the Ladder Room, or the black circle in the Well | |
| Bottom. | |
| What do I need to do in the Catacombs? | |
| A. You need to get the phone book (one of the items on the parts list) | |
| from the Forgotten Storehouse, and you need to get the raft (see the | |
| question, earlier in this section, about the two docks on opposite | |
| sides of the canal). | |
| The South Polar Region | |
| ********************** | |
| Omigosh! I lost Trent/Tiffany at the Icy Dock! | |
| A. Don't worry about it. | |
| How can I get past the penguins? | |
| A. Read the sign. | |
| B. You'll need something from Venus. | |
| C. Give the coin from the Vizicomm Booth to the penguins. | |
| How can I stop the gypsies from getting killed? | |
| A. You can't. | |
| What should I do with the baby? | |
| A. Its parents have been killed. | |
| B. That makes it an orphan. Perhaps you can find an orphanage somewhere. | |
| How can I get into the igloo? | |
| A. Read the sign. | |
| B. Have you seen anything that might interest those running an orphanage? | |
| C. The baby from the Tent in the Gypsy Camp. | |
| D. The matron of the orphanage will never accept an abandoned baby if the | |
| abandoner is in sight. You'll have to figure out a way to abandon the | |
| baby and get away. | |
| E. Certainly, getting the baby to stop crying is important. | |
| F. There's a cliched method of abandoning a baby. | |
| G. You'll need a couple of items from the prison area. | |
| H. Wrap the baby in the blanket (from your Cell). Then put the baby in the | |
| basket (from the Closet). | |
| I. Now put the basket on the front stoop of the igloo. Wait a few turns. | |
| J. When the matron gets the baby, she forgets to lock the door. You can | |
| now open it. Once inside, you have a few turns to grab the cotton balls | |
| before the matron discovers you. | |
| What's with the weird geography around the igloo? | |
| A. You're at the south pole of Mars. The only direction you can go from a | |
| south pole is north! To enter the igloo, type ENTER THE IGLOO. | |
| Cleveland | |
| ********* | |
| Are the rake, the sack, or the leaves useful? | |
| A. The rake is completely useless. | |
| B. The sack is necessary only to carry the leaves around. It's also useful | |
| for carrying things once you reach the limit of individual items that | |
| you can hold at once. | |
| C. The leaves are important for solving one puzzle. | |
| D. You find out more when you come to the particular puzzle. | |
| Can I get the telephone directory without flooding the basement? | |
| A. Don't go on until you've been in the Basement of House. | |
| B. Have you opened the trunk labelled "Old Appliances"? | |
| C. Surely you examined the boomerang! | |
| D. Can we assume that you thoroughly interrogated Winston Churchill and | |
| Attila the Hun? | |
| E. Have you realized that this is one of those fake questions designed to | |
| keep you from reading hints to puzzles you're not stumped on? There's | |
| no basement in Cleveland! | |
| Is there anything interesting about the bedroom? | |
| A. Have you looked out the window? | |
| How can I get the headlight? | |
| A. There's no way to access the Ford other than via the Bedroom window. | |
| B. The sheet on the bed isn't long enough, and there's not a rope to be | |
| found. | |
| C. Seen any good prison escape movies lately? | |
| D. You can MAKE a rope from the sheet! | |
| E. You'll have to tear the sheet first. | |
| F. Tie the resulting strips together. | |
| G. Tie the rope to the bed then throw it out the window. | |
| H. If YOU climb down the rope, it breaks and you die. However, if | |
| Trent/Tiffany is with you, he/she seems willing to take the risk! Just | |
| wait a turn. | |
| Ack! Trent/Tiffany got killed by a truck! | |
| A. Jolly bad show, but things are not always as they appear. | |
| B. WAIT another turn after the "accident." | |
| Is there a way to stop the Ford's brakes from failing? | |
| A. Get the brakes a good tutor. | |
| B. But seriously, folks, when did your brakes fail? There's no way to get | |
| to the car, let alone get into it, let alone start it, let alone | |
| experience a brake failure. Remember the warning in the introduction? | |
| This is one of those fake questions. | |
| Is there anything to do in the Garden? | |
| A. There are several interesting items in the Garden. | |
| B. The flowers, however, are not one of them. | |
| C. You might want to snatch the trellis, though. | |
| D. Also, see the next question. | |
| HELP!!! How can I get out of Cleveland? | |
| A. Millions ask this question daily. | |
| B. There's an exit in the garden. | |
| C. EXAMINE THE SOD. | |
| D. LOOK UNDER IT. | |
| E. ROLL IT UP! Voila, a black circle. | |
| The Spaceship Scene, Near Saturn | |
| ******************************** | |
| Ack! When I get to the Hold, I'm blown up! | |
| A. Don't step on the black circle in the Spawning Ground unless | |
| Trent/Tiffany is with you. | |
| Ack! Trent/Tiffany keeps getting blown up when we go to the Hold! | |
| A. Don't worry about it. | |
| B. See the question in this section about what to do after saving the | |
| young man/woman. | |
| Is the stallion useful? | |
| A. Yes. | |
| B. You can ride him. | |
| C. Mount the horse then type the direction you want to go. | |
| D. Only by riding the horse can you reach the hatch at the other end of | |
| the Long Corridor before the other spaceship blasts away. (See the next | |
| question.) | |
| What is that rumbling noise? | |
| A. Have you looked through the window in the Hold? | |
| B. Try being in the Hold when the rumbling noise occurs. | |
| C. It's the small passenger yacht leaving. You must get to it before it | |
| leaves. | |
| D. But the only exit from this battleship is down at the other end of that | |
| Long Corridor. | |
| E. You can't walk to the hatch in time to get to the other ship before it | |
| rumbles away. | |
| F. But you can make it in time if you ride a horse! | |
| I keep dying from the cold In Space. | |
| A. You missed something obvious. | |
| B. You need to wear the therma-suit you'll find At Main Hatch. | |
| How can I get past Thorbast/Thorbala? | |
| A. You'll never get past while he's/she's alive. | |
| B. Try killing him/her with the sword from the Hold. | |
| C. Thorbast/Thorbala is a tough opponent, but after several attempts to | |
| kill him/her with your sword you will succeed in knocking | |
| Thorbast's/Thorbala's sword out of his/her hands. Take it as it floats | |
| toward you, disarming Thorbast/Thorbala. | |
| D. Trying to kill Thorbast/Thorbala at this point is the wrong move, | |
| however. Thorbast/Thorbala is just too quick for you, even disarmed. | |
| Have you ever noticed that you're dressed all in white, and | |
| Thorbast/Thorbala all in black? | |
| E. What would the "good guy" in any sword fight do upon disarming his/her | |
| opponent? | |
| F. Once you're holding Thorbast's/Thorbala's sword, give it to him/her. | |
| G. You must get Thorbast/Thorbala to "give up" before the bug-eyed monster | |
| carries away the young man/woman. | |
| How can I save the young man/woman from the space monster? | |
| A. You'll have to get past Thorbast/Thorbala first. | |
| B. Once you've done that, it's easy! | |
| C. Just kill the monster. Even your bare hands are sufficient. | |
| D. Then, don't forget to untie the young man/woman. | |
| What should I do after saving the young man/woman? | |
| A. He/she enters the small spaceship and beckons you to follow. | |
| B. So follow! | |
| C. Once you enter the Space Yacht, Elysia/Elysium will give you the photo | |
| you need. And when you return to the battleship, you may have an | |
| unexpected meeting! | |
| Is there any way to land on Titan without crashing? | |
| A. A ship this size must have an auto-pilot. | |
| B. It's probably behind the panel in the Control Room. | |
| C. Did you turn the auto-pilot on? | |
| D. Perhaps it can be repaired by the French robot. | |
| E. See the question about gourmet cooking in the section called "The | |
| Planet of the Snobby Robot Chefs." | |
| F. No section by that name? Perhaps, then, you should reread the | |
| Introduction. Especially the part about not looking at questions except | |
| those relating to puzzles you're stumped by. | |
| How do I get away from this spaceship section of the story? | |
| A. There's a black circle aboard the battleship. | |
| B. It's in the third Long Corridor location west of the Stable. | |
| Among the Mountains of Neptune | |
| ****************************** | |
| Is there any way to get a light source into the cave? | |
| A. Probably. | |
| B. But considering the "interests" of the creature who lives in the cave, | |
| would you really want to ruin things by bringing a light? | |
| Is the love potion useful? | |
| A. Surely you've met someone who's not as interested in you as you are in | |
| him/her. | |
| B. It's someone in the Mine Shaft City. | |
| C. Natasha/Ivan seems pretty aloof, wouldn't you say? | |
| D. Put the love potion in his/her vodka. | |
| E. Don't put it in the orangutang's milk by accident. | |
| How can I keep the baboons and the gibbons away from me? | |
| A. Let's face it, you just have animal magnetism. | |
| B. Have you ever wondered what the extra machine on your spacesuit was? | |
| C. It's an animal magnet! Switch it off. | |
| D. The vaseline will help loosen the switch. | |
| E. Once the monkeys have stopped bothering you, the bouncer will let you | |
| into the bordello. | |
| How can I leave Neptune without being blasted by the Throbber Rays? | |
| A. You'll need the germanium shielding from Mercury. | |
| B. You'll also need some fruit from the orchard on Callisto. | |
| C. And you'll definitely need the makeup kit from the transvestites on | |
| Ceres. | |
| D. But mostly, you'll need to reread the Introduction of this hint | |
| booklet, where it tells you not to look at the answers to questions | |
| you're not stuck on. | |
| The Boudoir and Plaza (Phobos) | |
| ****************************** | |
| What is this Boudoir and what do I do here? | |
| A. You find out more about the Boudoir a few turns after your arrival. | |
| Meanwhile, why not "enjoy" the company of your divan-mate? | |
| B. At long last, you have come face to face with your archenemies, the | |
| Leather Goddesses of Phobos! | |
| Okay, now I'm in the Plaza. What do I do here? | |
| A. If Trent/Tiffany isn't with you, not much. | |
| B. It's time for Trent/Tiffany to build his/her Super-Duper Anti-Leather | |
| Goddesses of Phobos Attack Machine. Just give him/her whatever item | |
| from the parts list he/she asks for. You must do this immediately... | |
| you can't spare a single turn. | |
| C. If you got to the Plaza without all eight items from the parts list, | |
| you're lost. You'll have to RESTART (or RESTORE) and collect them all | |
| before returning. | |
| D. If you give the eight items to Trent/Tiffany at the right moments, you | |
| will WIN THE GAME! Yow!!! | |
| General Questions | |
| ***************** | |
| What's my goal in this story? | |
| A. You'll get a better idea once you've met Trent/Tiffany. | |
| B. A few dozen turns after meeting him/her, Trent/Tiffany will give you | |
| something. | |
| C. This matchbook contains a parts list for the items that Trent/Tiffany | |
| needs to build a machine that will defeat the Leather Goddesses. | |
| D. Therefore, your goal is to find these eight items, and then get to a | |
| location where Trent/Tiffany can build the machine. | |
| How can I change the gender of my character in the story? | |
| A. You determine the sex of your character by entering either the Men's | |
| Room or the Ladies' Room in the bar. Once you've established your | |
| gender, you can't change it without restarting. | |
| The scoring seems pretty cockamamie. How does it work? | |
| A. You always get points at given places in the story, but there are | |
| elements of randomness. | |
| B. For one thing, you don't always get the same number of points each time | |
| you reach the same point in the story. For example, for reaching the | |
| prison cell on Phobos, you will get somewhere between 1 and 8 points. | |
| C. Another element of randomness: when you use the STATUS command, you are | |
| told the total points that your score is "out of." This number starts | |
| at 9309, but decreases randomly each time you get points. | |
| D. Your points increase and your "out of" number decreases, until they | |
| finally meet on the final turn of the story. | |
| E. This is all designed to confuse you, of course. | |
| Shucks! It won't let me into LEWD mode. | |
| A. You must be at least 18 years old. | |
| B. If you are, just type 18 (or whatever) when prompted to input your age. | |
| If you're not, you simply can't play in LEWD mode! | |
| I'm not really picking up the 3-D in the comic. Can you give me some tips? | |
| A. Sure. For one thing, make sure you have the blue "lens" over your right | |
| eye, and the red "lens" over your left eye. | |
| B. It takes a few seconds for your eyes to adjust. The 3-D effect should | |
| improve noticeably within twenty seconds or so. | |
| C. Hold the comic directly in front of you and move it slowly toward and | |
| away from your face until the 3-D effect is maximized. | |
| D. Where else but here could you develop invisible ink to learn how to | |
| read 3-D? What a wild and crazy bunch we are, eh? | |
| What exactly are the seven scratch 'n' sniff odors, and where do they appear | |
| in the story? (Don't develop the answers until you've finished the story, or | |
| you might see things you don't want to see!) | |
| 1. Pizza (in the bathroom after urinating) | |
| 2. Chocolate (whenever the hunk of chocolate is present) | |
| 3. Mothballs (in the Closet) | |
| 4. Perfume (in the Harem) | |
| 5. Garlic (In Space, when Thorbast/Thorbala speaks) | |
| 6. Leather (in the Boudoir -- this scent is admittedly weaker than the | |
| others) | |
| 7. Banana (on the last turn before winning) | |
| Some other odors we were considering: Skunk, Peanut Butter, Grapefruit, | |
| Bubble Gum, Whipped Cream, Mushroom, New Car, Anchovy, Martini, Fried | |
| Chicken... | |
| Is a marsmid anything like a zorkmid? | |
| A. They're both coins... | |
| I have this friend who would like to know where all the sex scenes are in | |
| _Leather Goddesses of Phobos_. Would you please tell me? Uh, I mean, him? | |
| That is, tell me, and I'll pass the info along to him. | |
| A. Reading the next hint will give things away. Don't go any further until | |
| you finish the story. | |
| B. There are five opportunities for some "foolin' around": 1. Solving the | |
| frog puzzle. 2. Your hour in the Inner Harem. 3. When you're a gorilla | |
| in the cage. 4. Following Elysia/Elysium into his/her private cabin | |
| after he/she gives you the photo. 5. On the divan in the Boudoir. | |
| C. Don't forget to experience these "episodes" in all three naughtiness | |
| levels. (Unless you're underage, of course. Or unless you're a personal | |
| friend of Ed Meese. If you're a personal friend of Ed Meese, we're just | |
| joking and there really aren't any sex scenes at all.) | |
| The Parts List | |
| ************** | |
| This section tells you where to find the eight items on the parts list. Use | |
| it only as a last resort. | |
| Item Location | |
| 1. common household blender from the frog prince | |
| 2. six feet of rubber hose in the cage in the Laboratory | |
| 3. pair of cotton balls in the igloo (Orphanage Foyer) | |
| 4. eighty-two degree angle from King Mitre | |
| 5. headlight from a 1933 Ford out the Bedroom window (Cleveland) | |
| 6. white mouse on Hickory Dickory Dock | |
| 7. photo of Jean Harlow/ from Elysia/Elysium, aboard the Space | |
| Douglas Fairbanks Yacht near Saturn | |
| 8. Cleveland phone book in the Forgotten Storehouse off the | |
| Catacombs | |
| How All the Points Are Scored | |
| ***************************** | |
| This section should only be used as a last resort, or for your own interest | |
| after you've completed the game. For more information about how scoring | |
| works in _Leather Goddesses of Phobos_, see the scoring question in the | |
| General Questions section. | |
| Event Points | |
| waking up in the prison cell from 1 to 8 points | |
| getting the mouse * from 14 to 23 points | |
| getting the odd machine from the salesman from 3 to 10 points | |
| returning to your body in the Laboratory * from 19 to 43 points | |
| getting the headlight * from 14 to 47 points | |
| killing or trapping the flytrap from 2 to 17 points | |
| answering the riddle from 8 to 19 points | |
| getting the Cleveland telephone book * from 13 to 39 points | |
| getting the raft from 8 to 11 points | |
| arriving at the Icy Dock unradiated from 4 to 19 points | |
| getting the cotton balls * from 16 to 45 points | |
| killing Thorbast/Thorbala from 5 to 20 points | |
| getting the photo * from 17 to 30 points | |
| getting the blender * from 17 to 34 points | |
| getting the 82 degree angle * from 16 to 26 points | |
| getting the flexible black circle from 5 to 17 points | |
| arriving at the Plaza from 9 to 22 points | |
| TOTAL from 171 to 429 points | |
| * These events also increase your rank. Your rank is increased for a ninth | |
| time on the final turn of the story. | |
| For Your Amusement | |
| ****************** | |
| You shouldn't develop anything in this section until you've finished | |
| _Leather Goddesses of Phobos_. Things in this section will invariably give | |
| away the answers to puzzles in the game. | |
| Have you ever tried to... | |
| ...play _Leather Goddesses of Phobos_ as a man if you're a woman, or vice | |
| versa? | |
| ...buy a beer in the bar before relieving yourself? | |
| ...enter the men's room after entering the ladies' room first (or vice | |
| versa)? | |
| ...flush the toilet? | |
| ...eat the pizza? And then typed VOMIT? | |
| ...urinate in something other than a toilet? | |
| ...not go to the bathroom? | |
| ...knock on the door of Trent's/Tiffany's cell before opening the door? | |
| ...lead Trent/Tiffany into your cell? (Try in all three naughtiness | |
| levels.) | |
| ...call Trent "Tiffany" (while playing as a man), or vice versa? | |
| ...walk west in the Observation Room? | |
| ...jump off the prison Roof on Phobos? | |
| ...touch, examine, or put something on one of the black circles? | |
| ...push Trent/Tiffany into the tree hole (Fork, Of Sorts)? | |
| ...jump into the tree hole while being chased by the flytrap? | |
| ...get into the tree hole after trapping the flytrap there? | |
| ...ask Trent/Tiffany about the odd machine? | |
| ...T-remove the tray and then examine it? | |
| ...use the odd machine on the rabbit? | |
| ...use the odd machine on the raft then put the raft in the canal? | |
| ...run the cotton balls through the odd machine then examine them? | |
| ...DIAGNOSE and examine yourself as a gorilla? | |
| ...examine your body on the slab while you're a gorilla? | |
| ...examine Trent's/Tiffany's body on the slab while you're a gorilla? | |
| ...leave the Laboratory while you're a gorilla? | |
| ...whip someone with the rubber hose (not in TAME mode)? | |
| ...give anything to King Mitre? | |
| ...shake King Mitre's hand? | |
| ...examine (the unangled) Princess Theta? | |
| ...marry Princess Theta (in both her angled and unangled forms)? | |
| ...put the unangling cream on the pile of angles? On King Mitre? | |
| ...touch the frog? | |
| ...ask Trent/Tiffany to kiss the frog? | |
| ...click the mouse? | |
| ...sink the royal barge? | |
| ...examine, awaken, or kiss the dead alien messenger? | |
| ...put the lip balm on the dead alien messenger? | |
| ...give the flexible black circle back to the proprietor? | |
| ...show the dead alien's coded message to the Sultan/Sultaness? | |
| ...ask the harem guard for a different number than the "correct" number? | |
| Several times? | |
| ...ask the harem guard for the same number twice in a row? | |
| ...wait instead of answering "yes" when the Sultan/Sultaness asks if | |
| you're ready for the riddle? | |
| ...wait instead of answering the riddle right away? | |
| ...SAVE your position in the Audience Chamber before answering the riddle? | |
| ...return from the Inner Harem to the Harem holding the secret map after | |
| the Sultan's wife/Sultaness' husband warns you that if you leave that | |
| way "the harem guards will..." | |
| ...thank the Sultan's wife/Sultaness' husband after getting the torch and | |
| secret map? | |
| ...measure the Sultan's wife? | |
| ...measure the Sultaness' husband (in all three naughtiness levels)? | |
| ...make love to the Sultan'swife/Sultaness' husband a second time (not in | |
| TAME mode)? | |
| ...speak to the Sultan's wife or Sultaness' husband by his or her wrong | |
| number? (e.g., SULTAN'S WIFE #123, HELLO, instead of SULTAN'S WIFE | |
| #789, HELLO) | |
| ...move around in the Catacombs without a light? | |
| ...read the Cleveland phone book? | |
| ...deflate the raft? While it's in the water? While it's in the water and | |
| you're in it? | |
| ...put the raft in the Oasis? | |
| ...take or open the buoy (if you've solved _Zork I_(R))? | |
| ...have sex with anyone while radiated from the ion beam? | |
| ...talk to the robot baby? | |
| ...kiss or rock the robot baby while it's crying? | |
| ...suckle the robot baby (playing as both a male and a female)? | |
| ...toss the robot baby into the canal? | |
| ...count the leaves? (That's also how many were in the pile of leaves in | |
| _Zork I_.) | |
| ...tie the strips of cloth (from the partially-made rope) to anything? | |
| ...screw the stallion? | |
| ...go into space from the battleship without putting on the white suit? | |
| ...tell Elysia/Elysium to shut up while he/she is screaming? | |
| ...read the photo that Elysia/Elysium gives you? | |
| ...ask various characters about the Leather Goddesses? (such as | |
| Trent/Tiffany, the salesman, the mad scientist, Thorbast/Thorbala, | |
| Elysia/Elysium, King Mitre, Princess Theta, the Sultan/Sultaness, the | |
| Sultan's wife/Sultaness' husband, the Exit Shop proprietor...) | |
| ...get fresh with the Leather Goddess in the Boudoir in TAME mode? | |
| ...kiss the Leather Goddess, not in TAME mode, while Trent/Tiffany is also | |
| in the Boudoir? | |
| ...get to the end of the Plaza scene without Trent/Tiffany present? | |
| ...get to the end of the Plaza scene without giving all of the eight parts | |
| to Trent/Tiffany? | |
| ...use "four letter words" in your inputs while in TAME mode? | |
| ...smell the barge or the flowers in the Garden? | |
| ...put the blanket, sheet, or sack on your head (if you've played _The | |
| Hitchhiker's Guide to the Galaxy_(tm))? | |
| ...open your mouth? | |
| ...give an age less than 5 while trying to enter LEWD mode? | |
| ...LOOK with your eyes closed? With your hands over your eyes? | |
| ...look through something that isn't transparent? | |
| ...look inside your overalls, loincloth, or bikini? | |
| ...typed control-B followed by a carriage return? (IBM version only!) | |
| Acknowledgements | |
| **************** | |
| What are the acknowledgements doing in the hint booklet? | |
| A. The manual is printed too early to include acknowledgements, and there | |
| simply wasn't room on the story disk. (In fact, the _Leather Goddesses | |
| of Phobos_ program is 99.991% of the maximum size of a "classic" | |
| "non-Plus" Infocom story. [sic] | |
| B. Testing: The primary testers for _Leather Goddesses of Phobos_ were Tom | |
| Bok, Gary Brennan, Amy Briggs, Max Buxton, Liz Cyr-Jones, Suzanne | |
| Frank, and Matt Hillman. In addition, dozens of "outside testers" | |
| deserve praise for their help. | |
| C. Packaging: The package (and its components) was designed by Carl | |
| Genatossio and Elizabeth Langosy. The artwork for the 3-D comic | |
| (including the cover) is the work of Richard Howell; the 3-D processing | |
| was done by Ray Zone. Angela Crews tirelessly learned the ins and outs | |
| of scratch-n-sniff while tracking down an affordable scratch-n-sniff | |
| printer. | |
| D. The artwork for the _Leather Goddesses of Phobos_ poster was done by | |
| Ken Barr. | |
| E. Thanks to Brian Moriarty for the idea of including a 3-D comic. Thanks | |
| to Ed Black for implementing the "boss key" feature in the IBM version. | |
| Thanks to Dave Lebling for some timely technical assistance. And thanks | |
| to Jon Palace for a host of things, but especially for his help in | |
| "sensualizing" the text, and for being a front-line defense against | |
| scheming marketeers. | |
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