| [ WARNING: HERE BE SPOILERS! | |
| This transcript is a complete solution of Nevermore. Consult it at your | |
| peril. You have been warned. The HINTS command from within the game is | |
| probably what you want instead. | |
| You're still here? Oh very well, then. If you insist. | |
| It's not the only possible ending, by the way. Just an ending. | |
| END WARNING ] | |
| Start of a transcript of | |
| NEVERMORE | |
| An Interactive Gothic | |
| by Nate Cull, 2000. Type ABOUT for instructions. | |
| Release 10 / Serial number 000928 / Inform v6.21 Library 6/10 | |
| Standard interpreter 1.0 (1F) / Library serial number 991113 | |
| >restart | |
| Are you sure you want to restart? y | |
| [ Once upon a midnight dreary, while I pondered, weak and weary, | |
| Over many a quaint and curious volume of forgotten lore | |
| While I nodded, nearly napping, suddenly there came a tapping, | |
| As of someone gently rapping, rapping at my chamber door. | |
| "'Tis some visitor," I muttered, "tapping at my chamber door -- | |
| Only this, and nothing more."] | |
| NEVERMORE | |
| An Interactive Gothic | |
| by Nate Cull, 2000. Type ABOUT for instructions. | |
| Release 10 / Serial number 000928 / Inform v6.21 Library 6/10 | |
| Study (on the velvet couch) | |
| Stone walls, wreathed in shadows and velvet curtains, rise into the gloom | |
| overhead. The old oak writing desk -- once your father's, now your own -- is | |
| wedged beneath the window lattice, with a velvet couch before it. A low fire | |
| smoulders in its ancient hearth. To the southeast, a bust of Pallas sits atop an | |
| arch with darkness beyond. | |
| >about | |
| NEVERMORE is a work of Interactive Fiction by Nate Cull (culln@xtra.co.nz), | |
| written for the 2000 IF Competition, and based very loosely on the poem "The | |
| Raven" by Edgar Allan Poe. All box quotes are from the www.eserver.org text of | |
| the poem. Everything else is original, bears no relation to any known literary | |
| work or historical fact, and is quite probably indicative of some deep | |
| unresolved psychological trauma in the author's childhood. | |
| For help at any time, type HINT. To see if the game is still winnable, type | |
| WINNABLE. | |
| Thanks to: the ifMUD gang at http://ifmud.port4000.com for support with Inform | |
| coding lore and a constant supply of monkey jokes; Admiral Jota and the Emily | |
| who is not called Emily, for help with Latin; and various betatesters including | |
| Peter Berman, Doug Jones and Nick Montfort. Also, to L. Ross Raszewski for his | |
| wonderful Hints.h hint library. | |
| You are granted unconditional right to freely copy and distribute this game, in | |
| any form, as long as it remains unaltered. This includes the right to commercial | |
| redistribution. If you obtained this game on a CD-ROM, or as part of any other | |
| commercial distribution, you should be aware that you do not owe the author or | |
| any other entity anything for playing or copying it. | |
| The latest version of this game, including any bug-fixes or enhancements made | |
| since the Competition, can be found online, in the Interactive Fiction archive | |
| at ftp://ftp.gmd.de/if-archive. Along with every other piece of free IF known to | |
| humanity - but that's another adventure, and you'll probably need a guide, as | |
| the gmd.de archive is BIG and has lots of dark windy tunnels. Many a nostalgic | |
| websurfer has gone in and never been seen again. We try to warn them, but... | |
| If you have difficulty finding the latest version, or you would simply like to | |
| talk to a human about this game, post a message on the Usenet newsgroup | |
| rec.games.int-fiction, or failing that, feel free to email the author. | |
| Dedicated to: Alex. Want corknut! Awwk! | |
| >get up | |
| You get off the velvet couch. | |
| Study | |
| Stone walls, wreathed in shadows and velvet curtains, rise into the gloom | |
| overhead. The old oak writing desk -- once your father's, now your own -- is | |
| wedged beneath the window lattice, with a velvet couch before it. A low fire | |
| smoulders in its ancient hearth. To the southeast, a bust of Pallas sits atop an | |
| arch with darkness beyond. | |
| You hear the tapping sound again. | |
| >examine desk | |
| A relic from Byzantine days, perhaps. It was the first piece of furniture you | |
| touched as a child, and the oldest you have seen in all your travels. Simply a | |
| slab of polished oak, with four curiously carved legs, and nothing more. On the | |
| desk are a paper sachet, an oil-lamp and Concerning Immortality. | |
| A quiet knocking reverberates through the walls. | |
| >get sachet and lamp | |
| paper sachet: Taken. | |
| oil-lamp: Taken. | |
| The gentle tapping sounds again. | |
| >examine sachet | |
| A thin paper envelope, of the kind in which exotic substances are stored. The | |
| sachet is closed. | |
| A staccato rap echoes through the room. | |
| >open it | |
| You open the paper sachet, revealing coca powder. | |
| A quiet knocking reverberates through the walls. | |
| >taste coca | |
| Normally coca leaf would be chewed, but this new powdered variety is best | |
| administered by sniffing through the nostrils. | |
| A staccato rap echoes through the room. | |
| >sniff it | |
| You inhale a quantity of coca powder. | |
| A sense of raw alertness rushes through your nerves, setting them all on edge. | |
| >se | |
| Hallway | |
| Stone columns, either side of the northwest arch to your study, brace the | |
| ceiling, whose upper reaches are lost in darkness that your lamp cannot pierce. | |
| The hallway winds deeper into the tower to the northeast; but a faint wisp of | |
| draft seeps in from the south. | |
| There is silence for a moment; then the soft rapping returns. | |
| The coca rush fades, but the sense of alertness remains. | |
| >s | |
| Portico | |
| The great iron gate to the south, black as time, stands here to seal the tower's | |
| entrance. A dark corridor, worn by countless centuries of forgotten feet, leads | |
| back north into the cryptic maze which you -- and in those brief, happy, | |
| vanished days, Lenore -- once called a home. | |
| There is a sudden scratching and scrabbling beyond the iron gate, as of some | |
| creature seeking admittance. Then the sound is gone as quickly as it came. | |
| >[ "'Tis some visitor entreating entrance at my chamber door -- | |
| Some late visitor entreating entrance at my chamber door; --] | |
| open gate | |
| You unbolt the great iron gate and swing it slowly open, revealing the night | |
| outside. | |
| A quiet knocking reverberates through the walls. | |
| >s | |
| Stairs in the Cliff | |
| Here at the tower's brink, a sheer staircase carved into the living rock falls | |
| down the cliff into blackness. Behind you, to the north, stands the great iron | |
| gate. The tower rises above you, shapeless and gaunt; the night is bleak, windy, | |
| with all moon and stars fled, leaving only the unfathomable emptiness of the | |
| distant plain, invisible far below. | |
| A small bright object glitters halfway down the cliff, well out of reach. | |
| Out of the silence comes a quiet sense of motion, as if some creature were | |
| circling further around the tower, searching for a more subtle approach. The | |
| lamp gutters erratically for a moment. The sound retreats; perhaps it was simply | |
| your fevered imagination. | |
| >examine object | |
| Is it -- it must be the key that you threw away last night, swearing never to | |
| touch those things again, after Lenore -- oh, why did you throw it away? | |
| >get it | |
| The tiny thing is too far down the cliff for you to retrieve safely. If only | |
| there were some friend -- but without Lenore, you are truly alone. | |
| >d | |
| Even with a lamp, you would not chance these stairs in the darkness. The merest | |
| slip would send you plummeting. | |
| Lightning forks the sky overhead, followed immediately by clamouring thunder. | |
| >in | |
| Portico | |
| The great iron gate to the south, black as time, stands here to seal the tower's | |
| entrance. A dark corridor, worn by countless centuries of forgotten feet, leads | |
| back north into the cryptic maze which you -- and in those brief, happy, | |
| vanished days, Lenore -- once called a home. | |
| >close gate | |
| You pull the great iron gate to and bolt it carefully. | |
| >n | |
| Hallway | |
| Stone columns, either side of the northwest arch to your study, brace the | |
| ceiling, whose upper reaches are lost in darkness that your lamp cannot pierce. | |
| The hallway winds deeper into the tower to the northeast; but a faint wisp of | |
| draft seeps in from the south. | |
| >nw | |
| Study | |
| Stone walls, wreathed in shadows and velvet curtains, rise into the gloom | |
| overhead. The old oak writing desk -- once your father's, now your own -- is | |
| wedged beneath the window lattice, with a velvet couch before it. A low fire | |
| smoulders in its ancient hearth. To the southeast, a bust of Pallas sits atop an | |
| arch with darkness beyond. | |
| The tapping sound resumes, more insistently than before. | |
| >listen | |
| The sound is definitely coming from somewhere close at hand. | |
| >open window | |
| You swing wide the shutters, letting the cold night air gust into the room. | |
| In a sudden flurry of wings, a night-black raven flits through the lattice and | |
| into the room. It circles silently, fixing you with a baleful stare, then folds | |
| its wings and roosts on the bust of Pallas, above the archway. Her marble hair | |
| moves with a slight 'chink' as it lands. | |
| The curtains billow gently in the draft. | |
| >[ Ghastly grim and ancient Raven wandering from the Nightly shore -- | |
| Tell me what thy lordly name is on the Night's Plutonian shore!"] | |
| examine pallas | |
| The eyes of Pallas, Greek goddess of Wisdom, stare back at you from white | |
| unblinking marble, under locks of pale sculpted hair. She of all the Classical | |
| pantheon was your patron; though now after the horror your studies have wrought, | |
| it is hard to look her in the face. | |
| The raven perches precariously on Pallas' hair, regarding you with an unblinking | |
| eye. | |
| The curtains billow gently in the draft. | |
| >examine hair | |
| The sculpted hair of the goddess Pallas is cunningly hinged, so that the bust | |
| can be opened without this being immediately obvious. You cast the bust | |
| yourself; this was a feature of your own design. | |
| The raven shifts slightly on the bust of Pallas, with a soft 'chink'. | |
| An icy gust from the window sends the curtains reeling. | |
| >touch hair | |
| You tip back the goddess' sculpted hair, revealing a hollow space inside the | |
| bust, inside which you can see a peyote button, an opium pipe and opium resin. | |
| The raven flaps haughtily, then settles on the bust again. | |
| >[ Respite -- respite and nepenthe from thy memories of Lenore! | |
| Quaff, oh quaff this kind nepenthe and forget this lost Lenore!"] | |
| get all from bust | |
| peyote button: Removed. | |
| opium pipe: Removed. | |
| opium resin: Removed. | |
| The raven shifts slightly on the bust of Pallas, with a soft 'chink'. | |
| The curtains move softly, caressed by the breeze. | |
| >se | |
| Hallway | |
| Stone columns, either side of the northwest arch to your study, brace the | |
| ceiling, whose upper reaches are lost in darkness that your lamp cannot pierce. | |
| The hallway winds deeper into the tower to the northeast; but a faint wisp of | |
| draft seeps in from the south. | |
| The raven flutters after you. | |
| >s | |
| Portico | |
| The great iron gate to the south, black as time, stands here to seal the tower's | |
| entrance. A dark corridor, worn by countless centuries of forgotten feet, leads | |
| back north into the cryptic maze which you -- and in those brief, happy, | |
| vanished days, Lenore -- once called a home. | |
| The raven flutters after you. | |
| >open gate | |
| You unbolt the great iron gate and swing it slowly open, revealing the night | |
| outside. | |
| >s | |
| Stairs in the Cliff | |
| Here at the tower's brink, a sheer staircase carved into the living rock falls | |
| down the cliff into blackness. Behind you, to the north, stands the great iron | |
| gate. The tower rises above you, shapeless and gaunt; the night is bleak, windy, | |
| with all moon and stars fled, leaving only the unfathomable emptiness of the | |
| distant plain, invisible far below. | |
| A small bright object glitters halfway down the cliff, well out of reach. | |
| The raven flutters after you. | |
| >examine night | |
| The Heavens above are starless, black with roiling clouds, from which a sullen | |
| lightning intermittently forks. | |
| The raven flutters into the air, circling the rock stairs, then dives for the | |
| tiny glittering object. It rises, circles, and with a self-satisfied flurry | |
| returns to your side, dropping a small silver key at your feet. | |
| >get key | |
| Taken. | |
| The raven caws. "Nevermore!" | |
| >examine key | |
| It is the small silver key to your laboratory, that you threw away last night in | |
| a fit of terror and now has been recovered by the raven. Perhaps that grim bird | |
| is an omen of good, after all. Perhaps you now have a chance to reverse the | |
| disaster you caused. | |
| The raven preens its feathers. | |
| A dull, dark weariness drifts over you. | |
| >n | |
| Portico | |
| The great iron gate to the south, black as time, stands here to seal the tower's | |
| entrance. A dark corridor, worn by countless centuries of forgotten feet, leads | |
| back north into the cryptic maze which you -- and in those brief, happy, | |
| vanished days, Lenore -- once called a home. | |
| The raven flutters after you. | |
| A dull, dark weariness drifts over you. | |
| >sniff coca | |
| You inhale a quantity of coca powder. | |
| The raven caws. "Nevermore!" | |
| A sense of raw alertness rushes through your nerves, setting them all on edge. | |
| >close gate | |
| You pull the great iron gate to and bolt it carefully. | |
| The raven caws. "Nevermore!" | |
| The coca rush fades, but the sense of alertness remains. | |
| >n | |
| Hallway | |
| Stone columns, either side of the northwest arch to your study, brace the | |
| ceiling, whose upper reaches are lost in darkness that your lamp cannot pierce. | |
| The hallway winds deeper into the tower to the northeast; but a faint wisp of | |
| draft seeps in from the south. | |
| The raven flutters after you. | |
| >n | |
| Cold stone blocks your way. | |
| The raven preens its feathers. | |
| >ne | |
| Gallery | |
| The dust of ages -- and of your family for so many generations -- clings to | |
| crooked stone walls, here in this gallery that twists from southwest to east as | |
| it winds through the tower and ends at a stout wooden door. Wider archways open | |
| to the north and southeast. | |
| A portrait of Lenore, radiant on your wedding day, adorns the wall. | |
| The raven flutters after you, and perches on the portrait. | |
| >n | |
| Library | |
| The stacks of obscure volumes tower to the vaulted ceiling. Your father had | |
| eclectic tastes in literature, and you have extended his collection with your | |
| own research. Many of these manuscripts are originals, costly in both getting | |
| and reading. A dark archway to the south leads back out to the gallery. | |
| The raven swoops into the room, and perches on the stacks. | |
| >[ Eagerly I wished the morrow; -- vainly I had sought to borrow | |
| From my books surcease of sorrow -- sorrow for the lost Lenore --] | |
| examine volumes | |
| The stacks of books fill the spaces all around you. Your eye is drawn chiefly to | |
| Ex Sanguine Vita, Adams' Pharmacopia, Inhumanities, Principia Caelestium | |
| Mysteriorum and Arts of the Chaldean Magi. | |
| The raven pecks at a dusty volume. | |
| >examine vita | |
| "Ex Sanguine Vita", by Prometheus of Rome (a twelth-century occultist of no | |
| small reputation, widely held to be the founder of the Golden Brotherhood, an | |
| order with whose current members you have exchanged some dialogue). The volume | |
| concerns itself with the varying forms and influences of blood, and its utility | |
| in the Art. | |
| The raven caws. "Nevermore!" | |
| >examine pharmacopia | |
| "Pharmacopia", a recent monogram by the Reverend Doctor Charles Fitzworth Adams | |
| of Oxford, is a brief scholarly investigation of the reputed properties of | |
| certain notable herbal and chemical substances, and their association with | |
| religious rituals. It is useful mainly as a general guide to the field; you have | |
| found practical experience to be a more enlightening path of research. | |
| The raven caws. "Nevermore!" | |
| >x inhumanities | |
| "Inhumanities" by the Elder Bishop of Nicolae, a work whose origin is most | |
| obscure but predates (or has been retranslated since) the fifth century. It | |
| seems to chiefly relate certain charms or fables; formulae, perhaps, in other | |
| terms. Many other works reference it, making its riddles all the more | |
| intriguing. | |
| The raven preens its feathers. | |
| >read it | |
| You try to read, but the strange words blear and swirl in the lamplight. Perhaps | |
| in your study you will be able to make more sense of them. | |
| The raven preens its feathers. | |
| >get inhumanities | |
| Taken. | |
| The raven caws. "Nevermore!" | |
| >s | |
| Gallery | |
| The dust of ages -- and of your family for so many generations -- clings to | |
| crooked stone walls, here in this gallery that twists from southwest to east as | |
| it winds through the tower and ends at a stout wooden door. Wider archways open | |
| to the north and southeast. | |
| A portrait of Lenore, radiant on your wedding day, adorns the wall. | |
| The raven flutters after you, and perches on the portrait. | |
| >sw | |
| Hallway | |
| Stone columns, either side of the northwest arch to your study, brace the | |
| ceiling, whose upper reaches are lost in darkness that your lamp cannot pierce. | |
| The hallway winds deeper into the tower to the northeast; but a faint wisp of | |
| draft seeps in from the south. | |
| The raven flutters after you. | |
| >nw | |
| Study | |
| Stone walls, wreathed in shadows and velvet curtains, rise into the gloom | |
| overhead. The old oak writing desk -- once your father's, now your own -- is | |
| wedged beneath the window lattice, with a velvet couch before it. A low fire | |
| smoulders in its ancient hearth. To the southeast, a bust of Pallas sits atop an | |
| arch with darkness beyond. | |
| The raven follows you through the archway, and roosts on the bust of Pallas. | |
| >read inhumanities | |
| You hunt feverishly through the pages of Inhumanities, and discover: | |
| "The Grief of the King was this manner: In his Temple he was at ease, though | |
| without the Queen. Then his Messenger did come to him, and bear him news of the | |
| Heavenly Fire. Then much Water did afflict the King, until his Soul melted | |
| within him. This is the King's Grief, how his Power was touched with | |
| Compassion." | |
| The raven caws. "Nevermore!" | |
| The curtains billow gently in the draft. | |
| >se | |
| Hallway | |
| Stone columns, either side of the northwest arch to your study, brace the | |
| ceiling, whose upper reaches are lost in darkness that your lamp cannot pierce. | |
| The hallway winds deeper into the tower to the northeast; but a faint wisp of | |
| draft seeps in from the south. | |
| The raven flutters after you. | |
| >ne | |
| Gallery | |
| The dust of ages -- and of your family for so many generations -- clings to | |
| crooked stone walls, here in this gallery that twists from southwest to east as | |
| it winds through the tower and ends at a stout wooden door. Wider archways open | |
| to the north and southeast. | |
| A portrait of Lenore, radiant on your wedding day, adorns the wall. | |
| The raven flutters after you, and perches on the portrait. | |
| >e | |
| The wooden door is closed, and bars your way. | |
| The raven shifts its grip on the portrait. | |
| A dull, dark weariness drifts over you. | |
| >sniff coca | |
| You inhale a quantity of coca powder. | |
| The raven caws. "Nevermore!" | |
| A sense of raw alertness rushes through your nerves, setting them all on edge. | |
| >unlock door | |
| You unlock the wooden door. | |
| The raven glares at you from the portrait. | |
| The coca rush fades, but the sense of alertness remains. | |
| >open it | |
| You open the wooden door. | |
| The raven eyes you balefully. | |
| >e | |
| Laboratory | |
| The place of your secret labor and craft, where even Lenore did not lightly | |
| enter -- oh, if only she had not! -- and no other friends have ever been | |
| invited. The room is small, though not cramped, for all the elements and | |
| reagents are precisely in their places on the low wooden table. A space extends | |
| a little beyond, to the southeast, and there the darkness is complete. The | |
| wooden door is to the west. | |
| The raven swoops into the room, perching on the table. | |
| >[ On this home by horror haunted -- tell me truly, I implore -- | |
| Is there -- is there -- balm in Gilead? -- tell me -- tell me -- I implore!] | |
| se | |
| Brink of the Pit | |
| The crumbling masonry has finally given way to gravity here, leaving a gaping | |
| pit that drops into blackness, utter and absolute, in the bowels of the tower -- | |
| or perhaps elsewhere. It is a desolate thing, but one that has suited your | |
| studies to use rather than repair. The safer regions of your laboratory extend | |
| to the northwest. | |
| You can see a bloodstain, the sigil of Protection and a stick of chalk here. | |
| The raven flutters after you, perching on the edge of the pit. | |
| >[ Deep into that darkness peering, long I stood there wondering, fearing, | |
| Doubting, dreaming dreams no mortals ever dared to dream before;] | |
| eat peyote | |
| You chew a little of the bitter cactus slowly. Most of the button remains | |
| intact. | |
| The raven stares into the pit. | |
| An odd, visionary feeling stabs at your eyelids. | |
| >z | |
| Time passes. | |
| The raven stares into the pit. | |
| Your surroundings shift weirdly; a vision forms itself before your eyes. | |
| Lenore stands by your side, trembling. You draw the remaining sigils and | |
| position the vessels correctly. A darkness ascends from the pit; the invocation | |
| is complete. | |
| The darkness rises; fear seizes you. An error in your calculations! It cannot | |
| be! Behind you, Lenore screams. Blood. The pit must have its fill. She falls. | |
| Invisible air thickens, sucks her closer, hurls you away... | |
| As you struggle to rechalk the lines, one word rises from your lips: | |
| "Lenore!" | |
| The visionary sense fades, and normal sight returns. | |
| >look into pit | |
| It is an irregularly shaped opening, dropping through the floor and down into | |
| umplumbed depths, which since your studies began you have been careful never to | |
| enter. No light of star or candle has ever graced its total darkness, though | |
| there have been times when with the proper preparation you have seen -- things | |
| -- within that would make a man seriously question his geometry, if not his | |
| metaphysics. | |
| The raven preens its feathers. | |
| >examine sigil | |
| It is the Chaldean sigil of Protection, and has been scrawled hastily in your | |
| hand around the perimeter of the pit. The complex lines are crude and scratchy, | |
| but -- thank all Power! -- contain no significant mistakes, for you at least are | |
| still alive. | |
| The raven caws. "Nevermore!" | |
| >examine stain | |
| Ah, life! It is Lenore's blood, and if not by your hand, then by the hand of | |
| your cursed, blasphemous art. If there were indeed some way to call her sweet | |
| soul back from Hades -- what price would you not pay? | |
| The bloodstain runs across the chamber floor to the lip of the pit. Already, so | |
| soon, it has dried to a dark film across the stones. Probably only a knife could | |
| remove it, and you would rather leave the scar there forever. | |
| The raven preens its feathers. | |
| >nw | |
| Laboratory | |
| The place of your secret labor and craft, where even Lenore did not lightly | |
| enter -- oh, if only she had not! -- and no other friends have ever been | |
| invited. The room is small, though not cramped, for all the elements and | |
| reagents are precisely in their places on the low wooden table. A space extends | |
| a little beyond, to the southeast, and there the darkness is complete. The | |
| wooden door is to the west. | |
| The raven swoops into the room, perching on the table. | |
| The lightning-cage sparks faintly for a moment. A storm must be gathering | |
| outside; but either it is too distant, or the lightning-trap is too ineffectual, | |
| to capture more than a ghost of its power. | |
| >examine cage | |
| This cage of burnished copper wire -- large enough to hold a small vessel -- is | |
| part of your experimental lightning trap, inspired by the writings of Franklin | |
| and Volta, as well as several suggestive passages in ancient Sanskrit texts. A | |
| thick copper cable runs up from it though the vaulted stone ceiling, and from | |
| there to the lightning-rod on the tower peak. | |
| The raven caws. "Nevermore!" | |
| >nw | |
| Cold stone blocks your way. | |
| The raven preens its feathers. | |
| >w | |
| Gallery | |
| The dust of ages -- and of your family for so many generations -- clings to | |
| crooked stone walls, here in this gallery that twists from southwest to east as | |
| it winds through the tower and ends at a stout wooden door. Wider archways open | |
| to the north and southeast. | |
| A portrait of Lenore, radiant on your wedding day, adorns the wall. | |
| The raven flutters after you, and perches on the portrait. | |
| >se | |
| Bedroom | |
| This room is bleak with loss. The great four-poster bed is as it always was, and | |
| so too the simple dressing-table. But all light and space is gone, for there | |
| will be no more Lenore to share your dreams and wake you gently in the morning. | |
| The archway to northwest leads only into darkness. | |
| The raven follows you into the room, and perches on the bed. | |
| >[ But the silence was unbroken, and the stillness gave no token, | |
| And the only word there spoken was the whispered word, "Lenore!"] | |
| eat peyote | |
| You chew a little of the bitter cactus slowly. Most of the button remains | |
| intact. | |
| The raven caws. "Nevermore!" | |
| An odd, visionary feeling stabs at your eyelids. | |
| >z | |
| Time passes. | |
| The raven caws. "Nevermore!" | |
| Your surroundings shift weirdly; a vision forms itself before your eyes. | |
| Lenore lies on the bed, smiling up at you. Her eyes beckon like rare sunlight, | |
| and the book she is reading falls to the floor. | |
| "All things pass, but love remains," she says. "Love..." | |
| The visionary sense fades, and normal sight returns. | |
| >look at table | |
| A small pinewood table, simple and elegant, at the head of the four-poster bed. | |
| On the table are an eyebath and a hunting knife. | |
| The raven stares at you from the bed. | |
| >get all from it | |
| eyebath: Removed. | |
| hunting knife: Removed. | |
| The raven caws. "Nevermore!" | |
| >look at bed | |
| The great bed looms into the shadows, and the gargoyles on the four posts that | |
| surround it look to your grieved imagination more like dreaming demons than the | |
| guardian protectors you once loved. The linen sheets are wracked and thrown | |
| about in disarray, testament to a night and day of sleepless anguish. | |
| The raven caws. "Nevermore!" | |
| A dull, dark weariness drifts over you. | |
| >sniff coca | |
| You inhale a quantity of coca powder. | |
| The raven caws. "Nevermore!" | |
| A sense of raw alertness rushes through your nerves, setting them all on edge. | |
| >cut sheets with knife | |
| You slash savagely at the sheets with the knife, reducing them to some linen | |
| strips and a tatter of rags. | |
| The raven preens its feathers. | |
| The coca rush fades, but the sense of alertness remains. | |
| >examine linen | |
| (the linen strips) | |
| Some strips of linen, cut from your bedsheets. | |
| The raven pecks at a bedpost gargoyle. | |
| >nw | |
| Gallery | |
| The dust of ages -- and of your family for so many generations -- clings to | |
| crooked stone walls, here in this gallery that twists from southwest to east as | |
| it winds through the tower and ends at a stout wooden door. Wider archways open | |
| to the north and southeast. | |
| A portrait of Lenore, radiant on your wedding day, adorns the wall. | |
| The raven flutters after you, and perches on the portrait. | |
| >examine portrait | |
| It is Lenore as she was and as you always wish to remember her -- and though | |
| memory is cruel, it is all that now remains of the most joyous time in your | |
| life. The portrait was painted by a master in Venice on finest canvas, and it | |
| is worth a princely sum, though you care little for its value in gold. | |
| Tears flow unbidden from your eyes, at the sight of what -- if tonight you fail | |
| -- you have lost forever. | |
| The raven glares at you from the portrait. | |
| >catch tears in eyebath | |
| You catch some of your tears in the eyebath, filling it with salty liquid. | |
| The raven eyes you balefully. | |
| Your tears continue to flow. | |
| >cut portrait | |
| You slash savagely at the portrait of Lenore, tearing off a triangle of painted | |
| canvas. The portrait is ruined, but then so is your heart -- and what price is | |
| not worth paying, to reclaim your love? | |
| The raven screeches discordantly. | |
| Your tears run dry, but the grief remains. | |
| >examine triangle | |
| A triangle of canvas cut from Lenore's portrait. The rich pigments and hues are | |
| barely recognisable, but they seem to mark the location of her heart. | |
| The raven caws. "Nevermore!" | |
| >e | |
| Laboratory | |
| The place of your secret labor and craft, where even Lenore did not lightly | |
| enter -- oh, if only she had not! -- and no other friends have ever been | |
| invited. The room is small, though not cramped, for all the elements and | |
| reagents are precisely in their places on the low wooden table. A space extends | |
| a little beyond, to the southeast, and there the darkness is complete. The | |
| wooden door is to the west. | |
| The raven swoops into the room, perching on the table. | |
| >examine table | |
| The wooden table is simple, hewn from a single slab of living oak, representing | |
| the unity of all things and the constant striving for growth and knowledge in | |
| the craft. It is also old, an artifact from a certain French metaphysical | |
| society whose roots, some scholars believe, go back to Solomon the Wise. | |
| On the table are a skull mortar, a glass retort, a cask of aqua vitae, a bottle | |
| of aqua regis, a flask of quicksilver, a vial of brimstone, a porcelain platter | |
| and a lightning cage. | |
| The raven leers at you from the table. | |
| >examine retort | |
| A spherical glass bowl, for the arrangement and combination of the mineral | |
| elements, in whatever configuration the art requires. | |
| The raven screeches discordantly. | |
| >put ring in retort | |
| (first taking it off) | |
| You take off the gold ring. | |
| You put the gold ring into the glass retort. | |
| The raven screeches discordantly. | |
| >pour mercury into retort | |
| You carefully pour a silvery liquid from the flask of quicksilver into the glass | |
| retort. | |
| The raven preens its feathers. | |
| >pour aqua regis into retort | |
| You carefully pour a pungent liquid from the bottle of aqua regis into the glass | |
| retort. | |
| The raven caws. "Nevermore!" | |
| The gold ring sputters furiously in the retort, and dissolves into the pungent | |
| liquid. | |
| >examine retort | |
| A spherical glass bowl, for the arrangement and combination of the mineral | |
| elements, in whatever configuration the art requires. Inside are a yellow sludge | |
| and a silvery liquid. | |
| The raven pecks at the flasks and vials on the table. | |
| A faint tingling runs down your spine. | |
| >examine skull | |
| An alchemical mixing bowl, formed from a hollow human skull with the top of the | |
| cranium removed. Despite its grisly appearance, the purpose is noble: to cradle | |
| and embrace the elements of life, and affirm their significance. | |
| The raven screeches discordantly. | |
| The lightning-cage sparks faintly for a moment. | |
| >put blood in skull | |
| You can't see any such thing. | |
| >i | |
| You are carrying: | |
| a triangle of painted canvas | |
| some linen strips | |
| a hunting knife | |
| an eyebath | |
| a salty liquid | |
| Inhumanities | |
| a silver key | |
| opium resin | |
| an opium pipe | |
| a peyote button | |
| an oil-lamp (providing light) | |
| a paper sachet (which is open) | |
| coca powder | |
| The raven eyes you balefully. | |
| >se | |
| Brink of the Pit | |
| The crumbling masonry has finally given way to gravity here, leaving a gaping | |
| pit that drops into blackness, utter and absolute, in the bowels of the tower -- | |
| or perhaps elsewhere. It is a desolate thing, but one that has suited your | |
| studies to use rather than repair. The safer regions of your laboratory extend | |
| to the northwest. | |
| You can see a bloodstain, the sigil of Protection and a stick of chalk here. | |
| The raven flutters after you, perching on the edge of the pit. | |
| >scrape stain with knife | |
| You scrape at the bloodstain with the knife, yielding a small fragment of dried | |
| blood. | |
| The raven eyes you balefully. | |
| >examine dried blood | |
| (the bloodstain) | |
| Ah, life! It is Lenore's blood, and if not by your hand, then by the hand of | |
| your cursed, blasphemous art. If there were indeed some way to call her sweet | |
| soul back from Hades -- what price would you not pay? | |
| The bloodstain runs across the chamber floor to the lip of the pit. Already, so | |
| soon, it has dried to a dark film across the stones. Probably only a knife could | |
| remove it, and you would rather leave the scar there forever. | |
| The raven stares into the pit. | |
| A dull, dark weariness drifts over you. | |
| >sniff coca | |
| You inhale a quantity of coca powder. | |
| The raven caws. "Nevermore!" | |
| A sense of raw alertness rushes through your nerves, setting them all on edge. | |
| >nw | |
| Laboratory | |
| The place of your secret labor and craft, where even Lenore did not lightly | |
| enter -- oh, if only she had not! -- and no other friends have ever been | |
| invited. The room is small, though not cramped, for all the elements and | |
| reagents are precisely in their places on the low wooden table. A space extends | |
| a little beyond, to the southeast, and there the darkness is complete. The | |
| wooden door is to the west. | |
| The raven swoops into the room, perching on the table. | |
| The lightning-cage sparks faintly for a moment. | |
| The coca rush fades, but the sense of alertness remains. | |
| >examine fragment | |
| A fragment of Lenore's dead blood, scraped from the edge of the pit. It seems | |
| unthinkable that this should be all that remains of she who only days ago was | |
| your life, your essence. And yet - Lenore is gone. | |
| The raven caws. "Nevermore!" | |
| >put it in skull | |
| You put the fragment of dried blood into the skull mortar. | |
| The raven screeches discordantly. | |
| >pour tears into skull | |
| You carefully pour the salty liquid into the skull mortar. | |
| The raven caws. "Nevermore!" | |
| >cut wrists with knife | |
| You pause, trembling. It would be so easy to make that one small cut to the | |
| wrist; but the consequences, can you indeed bear them? | |
| The raven screeches discordantly. | |
| >again | |
| No, there is no alternative. You must do what is needful. You inhale deeply and | |
| slash the knife across your wrist. The pain is sharp, but slight; then bright, | |
| scarlet blood begins spurting out of the severed artery. | |
| The raven eyes you balefully. | |
| >bandage wrist | |
| What do you want to bandage your wrists with? | |
| >linen | |
| You wrap the linen strips around your wrist, staunching the flow of blood. It is | |
| a crude bandage, but for the moment it must suffice. | |
| The raven caws. "Nevermore!" | |
| >remove bandage | |
| You take off the linen strips. | |
| The raven pecks at the flasks and vials on the table. | |
| A faint tingling runs down your spine. | |
| Blood continues to flow from your opened wrist. | |
| >catch blood in skull | |
| (the stream of blood in the skull mortar) | |
| (first taking the skull mortar) | |
| You catch some of your living blood in the skull mortar, filling it with red | |
| liquid. | |
| The raven preens its feathers. | |
| The lightning-cage sparks faintly for a moment. | |
| Blood continues to flow from your opened wrist. | |
| >bandage wrist | |
| What do you want to bandage your wrists with? | |
| >linen | |
| You wrap the linen strips around your wrist, staunching the flow of blood. It is | |
| a crude bandage, but for the moment it must suffice. | |
| The raven screeches discordantly. | |
| >put triangle in skull | |
| You put the triangle of painted canvas into the skull mortar. | |
| The raven preens its feathers. | |
| >burn triangle | |
| The triangle of painted canvas catches aflame and is quickly consumed, leaving a | |
| brownish ash. | |
| The raven leers at you from the table. | |
| >examine skull | |
| An alchemical mixing bowl, formed from a hollow human skull with the top of the | |
| cranium removed. Despite its grisly appearance, the purpose is noble: to cradle | |
| and embrace the elements of life, and affirm their significance. Inside are a | |
| brownish ash, a scarlet liquid, a salty liquid and a fragment of dried blood. | |
| The raven preens its feathers. | |
| >get skull | |
| You already have that. | |
| The raven eyes you balefully. | |
| A faint tingling runs down your spine. | |
| >se | |
| Brink of the Pit | |
| The crumbling masonry has finally given way to gravity here, leaving a gaping | |
| pit that drops into blackness, utter and absolute, in the bowels of the tower -- | |
| or perhaps elsewhere. It is a desolate thing, but one that has suited your | |
| studies to use rather than repair. The safer regions of your laboratory extend | |
| to the northwest. | |
| You can see a bloodstain, the sigil of Protection and a stick of chalk here. | |
| The raven flutters after you, perching on the edge of the pit. | |
| >get chalk | |
| Taken. | |
| The raven caws. "Nevermore!" | |
| >draw sigil of power | |
| You carefully draw the sigil of Power on the stone floor. | |
| The raven preens its feathers. | |
| >draw sigil of desire | |
| You carefully draw the sigil of Desire on the stone floor. | |
| The raven preens its feathers. | |
| >put skull on sigil of desire | |
| You put the skull mortar on the sigil of Desire. | |
| The raven stares at you from the edge of the pit. | |
| A dull, dark weariness drifts over you. | |
| >sniff coca | |
| You inhale a quantity of coca powder. | |
| The raven stares at you from the edge of the pit. | |
| A sense of raw alertness rushes through your nerves, setting them all on edge. | |
| >nw | |
| Laboratory | |
| The place of your secret labor and craft, where even Lenore did not lightly | |
| enter -- oh, if only she had not! -- and no other friends have ever been | |
| invited. The room is small, though not cramped, for all the elements and | |
| reagents are precisely in their places on the low wooden table. A space extends | |
| a little beyond, to the southeast, and there the darkness is complete. The | |
| wooden door is to the west. | |
| The raven swoops into the room, perching on the table. | |
| The lightning-cage sparks faintly for a moment. | |
| The coca rush fades, but the sense of alertness remains. | |
| >put chalk on table | |
| You put the stick of chalk on the wooden table. | |
| The raven leers at you from the table. | |
| >w | |
| Gallery | |
| The dust of ages -- and of your family for so many generations -- clings to | |
| crooked stone walls, here in this gallery that twists from southwest to east as | |
| it winds through the tower and ends at a stout wooden door. Wider archways open | |
| to the north and southeast. | |
| A portrait of Lenore, hanging on the wall, has been ruined by a knife-slash. | |
| The raven flutters after you, and perches on the portrait. | |
| >w | |
| Cold stone blocks your way. | |
| The raven caws. "Nevermore!" | |
| >sw | |
| Hallway | |
| Stone columns, either side of the northwest arch to your study, brace the | |
| ceiling, whose upper reaches are lost in darkness that your lamp cannot pierce. | |
| The hallway winds deeper into the tower to the northeast; but a faint wisp of | |
| draft seeps in from the south. | |
| The raven flutters after you. | |
| >s | |
| Portico | |
| The great iron gate to the south, black as time, stands here to seal the tower's | |
| entrance. A dark corridor, worn by countless centuries of forgotten feet, leads | |
| back north into the cryptic maze which you -- and in those brief, happy, | |
| vanished days, Lenore -- once called a home. | |
| The raven flutters after you. | |
| >eat peyote | |
| You chew a little of the bitter cactus slowly. Most of the button remains | |
| intact. | |
| An odd, visionary feeling stabs at your eyelids. | |
| >z | |
| Time passes. | |
| The raven eyes you balefully. | |
| Your surroundings shift weirdly; a vision forms itself before your eyes. | |
| You step across the threshold, carrying a laughing Lenore in your arms. You | |
| sway; she drops lightly to the ground, holds you, kisses you. | |
| "To life," she says, and laughs again. | |
| "To life." | |
| The visionary sense fades, and normal sight returns. | |
| >n | |
| Hallway | |
| Stone columns, either side of the northwest arch to your study, brace the | |
| ceiling, whose upper reaches are lost in darkness that your lamp cannot pierce. | |
| The hallway winds deeper into the tower to the northeast; but a faint wisp of | |
| draft seeps in from the south. | |
| The raven flutters after you. | |
| >nw | |
| Study | |
| Stone walls, wreathed in shadows and velvet curtains, rise into the gloom | |
| overhead. The old oak writing desk -- once your father's, now your own -- is | |
| wedged beneath the window lattice, with a velvet couch before it. A low fire | |
| smoulders in its ancient hearth. To the southeast, a bust of Pallas sits atop an | |
| arch with darkness beyond. | |
| The raven follows you through the archway, and roosts on the bust of Pallas. | |
| >eat peyote | |
| You chew a little of the bitter cactus slowly. Most of the button remains | |
| intact. | |
| The raven eyes you balefully. | |
| An icy gust from the window sends the curtains reeling. | |
| An odd, visionary feeling stabs at your eyelids. | |
| >z | |
| Time passes. | |
| The raven caws. "Nevermore!" | |
| An icy gust from the window sends the curtains reeling. | |
| Your surroundings shift weirdly; a vision forms itself before your eyes. | |
| The room is much larger; or you are much younger. Your father sits at the | |
| writing desk, poring over obscure books. His hair is grey, his face lined with | |
| care. The purple curtains, vast and shadowy, billow above you in a draft from | |
| the window; the gap between them and the floor seems cavernous. You toddle | |
| toward the gap. Somewhere, a raven caws... | |
| The visionary sense fades, and normal sight returns. | |
| >examine curtains | |
| Purple silken curtains hang down each side of the window, and extend around the | |
| room to soften the harsh stonework. A cold draft from the window is billowing | |
| the curtains outward into the room, leaving a slight gap between them and the | |
| wall. | |
| The raven caws. "Nevermore!" | |
| >examine gap | |
| There seems to be a substantial gap between the curtains and the stone wall, | |
| into which with a little effort you could insinuate yourself. | |
| The raven watches you silently from the bust of Pallas. | |
| The curtains billow gently in the draft. | |
| >step into gap | |
| You step cautiously behind the curtains... | |
| Behind the Curtains | |
| Here behind the curtains, you have discovered a tiny alcove of stonework, hidden | |
| from the rest of your study. The purple silk billows out around you, dim | |
| firelight casting strange disturbing shadows onto the ancient masonry. Old | |
| memories rise, of hiding here as a child while your father worked at his books. | |
| Those days are long gone, but something urges you to stay and watch the play of | |
| light and colour. | |
| The raven flutters after you. | |
| >[ And the silken sad uncertain rustling of each purple curtain | |
| Thrilled me -- filled me with fantastic terrors never felt before;] | |
| examine play | |
| The stone blocks that form the wall are old and pitted, worn by time and | |
| darkened with smoke. Vague, disturbing colours and shadows swim across their | |
| surface. One block even seems to have fallen inwards, the beginnings perhaps of | |
| some wider decay. | |
| The raven caws. "Nevermore!" | |
| >touch block | |
| The block moves slightly under your hand, and then a fearful grinding noise | |
| reverberates through the walls. At length it fades, and all seems as it was. | |
| The raven caws. "Nevermore!" | |
| >out | |
| Study | |
| Stone walls, wreathed in shadows and velvet curtains, rise into the gloom | |
| overhead. The old oak writing desk -- once your father's, now your own -- is | |
| wedged beneath the window lattice, with a velvet couch before it. A low fire | |
| smoulders in its ancient hearth. To the southeast, a bust of Pallas sits atop an | |
| arch with darkness beyond. | |
| Something -- or is it just a trick of the firelight? -- seems different. | |
| The raven follows you through the archway, and roosts on the bust of Pallas. | |
| >examine firelight | |
| The fire has burned low in the great stone hearth, and is now little more than a | |
| softly glowing bed of embers, radiating amber light and a comfortable warmth. | |
| The hearth casts strange shadows on the embers that were not there before. | |
| The raven preens its feathers. | |
| An icy gust from the window sends the curtains reeling. | |
| A dull, dark weariness drifts over you. | |
| >sniff coca | |
| You inhale a quantity of coca powder. | |
| The raven shifts slightly on the bust of Pallas, with a soft 'chink'. | |
| The curtains move softly, caressed by the breeze. | |
| A sense of raw alertness rushes through your nerves, setting them all on edge. | |
| >examine shadows | |
| The great hearth, carved from stone old as the tower, is wide enough for a man | |
| to stand in, and makes the smouldering embers of the night's fire look | |
| diminished in comparison. Behind the embers, a set of stone recesses seems to | |
| have appeared, possibly steps or footholds of some kind. If you stepped into the | |
| hearth, you could now stand on these with some effort. The tower is full of | |
| these obscure passages, though this is one you have personally never discovered | |
| until tonight. | |
| The raven preens its feathers. | |
| The curtains billow gently in the draft. | |
| The coca rush fades, but the sense of alertness remains. | |
| >i | |
| You are carrying: | |
| some linen strips (being worn) | |
| a hunting knife | |
| an eyebath | |
| Inhumanities | |
| a silver key | |
| opium resin | |
| an opium pipe | |
| a peyote button | |
| an oil-lamp (providing light) | |
| a paper sachet (which is open) | |
| coca powder | |
| The raven screeches discordantly. | |
| The curtains billow gently in the draft. | |
| >enter hearth | |
| You step cautiously into the hearth, taking care to place your feet on the | |
| footholds in the stonework and not on the smouldering embers. The footholds rise | |
| above you, and you take one cat-footed step and then another... | |
| Hidden Chimney | |
| There is light far below, filtering up from the hearth from which you entered | |
| this hidden passage, but above all is darkness. Rough footholds hold your grip | |
| steady for the moment, though this is not a place where one would wish to stay | |
| forever. | |
| The raven flutters after you. | |
| >up | |
| Hand over hand, you haul yourself up the chimney, fighting a growing terror of | |
| enclosure, until at last you clamber out, over a ledge, into precious open space | |
| and ah! such cold night air... | |
| On the Tower | |
| You are at last on the very peak of the torturous tower, in which you spent so | |
| much of your childhood and now, returning since your father's death, your adult | |
| life. It spreads below you like a thing of stone, not alive yet not quite dead, | |
| blotting out the face of cliff and plain. Night wind howls around the chimney- | |
| stack, and brings with it a sense of storm and sullen rain that might yet merely | |
| brood, and not fall. | |
| Jutting from the far side of the chimney-stack, a bronze lightning-rod spears | |
| toward the heavens. | |
| The raven flutters out after you, perching on the chimneystack. | |
| >examine rod | |
| As Franklin proved in the American colonies, the powers of heaven can be | |
| channeled for temporal as well as spiritual ends. This simple bronze rod draws | |
| and focuses the lightning according to the secular laws of metallurgy, feeding | |
| tamed bursts of the divine fire to your laboratory. A copper cable wreathed in | |
| muslin runs from the base of the rod along the stonework, vanishing into the | |
| bowels of the tower. | |
| On closer inspection, it appears that the god of thunder has not been kind to | |
| your hubris. At the base of the rod is a scorched and blistered gap, roughly the | |
| length of your hand, where a section of the copper cable has melted away. | |
| The raven watches you silently from the chimneystack. | |
| >examine gap | |
| Between the bronze rod and the copper cable is a gap roughly the length of your | |
| hand, where metal has been burned away by the violence of the recent storms -- | |
| perhaps as lately as last night. The lightning seems to be escaping through the | |
| gap, losing its potency. | |
| The raven watches you silently from the chimneystack. | |
| >put knife in gap | |
| You wedge the knife into the gap between the copper cable and the bronze rod. It | |
| fits somewhat awkwardly, but will hold for the present. | |
| The raven caws. "Nevermore!" | |
| The air feels strangely heavy, and the hair on your head stands upright. | |
| >z | |
| Time passes. | |
| The raven caws. "Nevermore!" | |
| Lightning flashes from the black sky to the lightning-rod, arcing violently | |
| through the hunting knife, which melts in white-hot fury. The night dins with | |
| thunder and the smell of hot metal. | |
| >examine knife | |
| The thing that once was your hunting knife has been scarred and transformed by | |
| the lightning, the German steel fusing into blackened globules and the bone | |
| handle cracked and charred by immense heat. Such is the power of heaven -- and | |
| of those like yourself who challenge its sacred mysteries. | |
| The raven shifts uneasily on the chimneystack. | |
| >enter chimney | |
| You clamber back into that accursed chimney-stack, and make the wearisome | |
| descent... | |
| Hidden Chimney | |
| There is light far below, filtering up from the hearth from which you entered | |
| this hidden passage, but above all is darkness. Rough footholds hold your grip | |
| steady for the moment, though this is not a place where one would wish to stay | |
| forever. | |
| The raven flutters after you. | |
| >d | |
| You descend the chimney carefully, arriving once more at your familiar hearth -- | |
| but from such a freakish vantage point, these hot coals beneath your very feet! | |
| -- that you nearly lose your grip. Reason, however, steadies your mind and you | |
| stumble out, unharmed, into the room. | |
| Study | |
| Stone walls, wreathed in shadows and velvet curtains, rise into the gloom | |
| overhead. The old oak writing desk -- once your father's, now your own -- is | |
| wedged beneath the window lattice, with a velvet couch before it. A low fire | |
| smoulders in its ancient hearth. To the southeast, a bust of Pallas sits atop an | |
| arch with darkness beyond. | |
| The raven follows you through the archway, and roosts on the bust of Pallas. | |
| >se | |
| Hallway | |
| Stone columns, either side of the northwest arch to your study, brace the | |
| ceiling, whose upper reaches are lost in darkness that your lamp cannot pierce. | |
| The hallway winds deeper into the tower to the northeast; but a faint wisp of | |
| draft seeps in from the south. | |
| The raven flutters after you. | |
| >e | |
| Cold stone blocks your way. | |
| The raven caws. "Nevermore!" | |
| >se | |
| Cold stone blocks your way. | |
| The raven preens its feathers. | |
| >ne | |
| Gallery | |
| The dust of ages -- and of your family for so many generations -- clings to | |
| crooked stone walls, here in this gallery that twists from southwest to east as | |
| it winds through the tower and ends at a stout wooden door. Wider archways open | |
| to the north and southeast. | |
| A portrait of Lenore, hanging on the wall, has been ruined by a knife-slash. | |
| The raven flutters after you, and perches on the portrait. | |
| >i | |
| You are carrying: | |
| some linen strips (being worn) | |
| an eyebath | |
| Inhumanities | |
| a silver key | |
| opium resin | |
| an opium pipe | |
| a peyote button | |
| an oil-lamp (providing light) | |
| a paper sachet (which is open) | |
| coca powder | |
| The raven caws. "Nevermore!" | |
| >e | |
| Laboratory | |
| The place of your secret labor and craft, where even Lenore did not lightly | |
| enter -- oh, if only she had not! -- and no other friends have ever been | |
| invited. The room is small, though not cramped, for all the elements and | |
| reagents are precisely in their places on the low wooden table. A space extends | |
| a little beyond, to the southeast, and there the darkness is complete. The | |
| wooden door is to the west. | |
| The raven swoops into the room, perching on the table. | |
| >examine cage | |
| This cage of burnished copper wire -- large enough to hold a small vessel -- is | |
| part of your experimental lightning trap, inspired by the writings of Franklin | |
| and Volta, as well as several suggestive passages in ancient Sanskrit texts. A | |
| thick copper cable runs up from it though the vaulted stone ceiling, and from | |
| there to the lightning-rod on the tower peak. | |
| The raven caws. "Nevermore!" | |
| >get retort | |
| Taken. | |
| The raven caws. "Nevermore!" | |
| A faint tingling runs down your spine. | |
| A dull, dark weariness drifts over you. | |
| >put it in cage | |
| You put the glass retort into the lightning cage. | |
| The raven leers at you from the table. | |
| The lightning-cage flares with blue-white fire, casting stark shadows across the | |
| room. There is a crackling roar, and the stench of storms. | |
| A dull, dark weariness drifts over you. | |
| >sniff coca | |
| You inhale a quantity of coca powder. | |
| The raven preens its feathers. | |
| A sense of raw alertness rushes through your nerves, setting them all on edge. | |
| >examine cage | |
| This cage of burnished copper wire -- large enough to hold a small vessel -- is | |
| part of your experimental lightning trap, inspired by the writings of Franklin | |
| and Volta, as well as several suggestive passages in ancient Sanskrit texts. A | |
| thick copper cable runs up from it though the vaulted stone ceiling, and from | |
| there to the lightning-rod on the tower peak. Inside the cage is a glass | |
| retort. | |
| The raven caws. "Nevermore!" | |
| The coca rush fades, but the sense of alertness remains. | |
| >examine retort | |
| A spherical glass bowl, for the arrangement and combination of the mineral | |
| elements, in whatever configuration the art requires. Inside are a glittering | |
| ash, a yellow sludge and a silvery liquid. | |
| The raven leers at you from the table. | |
| >examine ash | |
| A metallic, glittering ash, smelling of glass and storms. | |
| The raven pecks at the flasks and vials on the table. | |
| >get retort | |
| Taken. | |
| The raven leers at you from the table. | |
| >se | |
| Brink of the Pit | |
| The crumbling masonry has finally given way to gravity here, leaving a gaping | |
| pit that drops into blackness, utter and absolute, in the bowels of the tower -- | |
| or perhaps elsewhere. It is a desolate thing, but one that has suited your | |
| studies to use rather than repair. The safer regions of your laboratory extend | |
| to the northwest. | |
| You can see the sigil of Desire (on which is a skull mortar (in which are a | |
| brownish ash, a scarlet liquid, a salty liquid and a fragment of dried blood)), | |
| the sigil of Power, a bloodstain and the sigil of Protection here. | |
| The raven flutters after you, perching on the edge of the pit. | |
| >put retort on sigil of power | |
| You put the glass retort on the sigil of Power. | |
| The raven caws. "Nevermore!" | |
| >save | |
| Enter a file name. | |
| Default is "never.sav": | |
| Ok. | |
| >put resin in pipe | |
| You put opium resin into the opium pipe. | |
| The raven eyes you balefully. | |
| >light pipe | |
| You light the opium pipe with the oil-lamp, and it emits a fragrant, | |
| intoxicating vapour. | |
| The raven stares at you from the edge of the pit. | |
| >smoke pipe | |
| You take a long, satisfying draw on the opium pipe. | |
| The raven eyes you balefully. | |
| A languid dreamy sensation steals over you. | |
| >erase sigil of protection | |
| With your hand, you begin to erase the chalk lines of the Sigil of Protection. A | |
| chill seeps into the room, icy fingers of fear swirling up from the pit, which | |
| seems to loom and swell to an immense pool of distance. The raven caws, a hoarse | |
| shriek that cuts off abruptly. There is a sudden sharp -crack- from your lamp | |
| and it shatters, plunging you into darkness. | |
| Brink of the Pit (in darkness) | |
| The crumbling masonry of your laboratory is wreathed in darkness, and your blood | |
| has turned to ice; only the Pit at your feet seems to have any form or | |
| substance. A low, dissonant, chaotic music pervades your mind, at once old, | |
| familiar and terrifying. No shape is visible; for that small mercy you are | |
| grateful. Your skin crawls as if it would escape its cage of bone. | |
| AGAIN YOU TROUBLE ME. | |
| The opium euphoria drains from your mind, but a lingering, unnatural calmness | |
| remains - enough, perhaps, to keep your sanity intact. | |
| >examine pit | |
| The Pit, obsidian black, seems to pluck at you with a fierce compulsion. | |
| THE GRIEF OF THE KING. THE HEART'S BLOOD BURNING. THESE SIGNS I KNOW. PERHAPS I | |
| MAY HONOUR YOUR COVENANT. SPEAK THREE WORDS OF ENTREATY. | |
| >say lenore | |
| (to the pit) | |
| A WORD INDEED. ANOTHER. | |
| >say love | |
| (to the pit) | |
| A WORD INDEED. ANOTHER. | |
| >say life | |
| (to the pit) | |
| A WORD INDEED. ACCEPTABLE. | |
| The darkness shifts momentarily; the sense of tangible evil subtly alters. | |
| YOUR TREATY IS GRANTED. COME WITHIN AND TASTE YOUR REWARD. | |
| You stand, balanced precariously, at the edge of the pit. | |
| >jump | |
| You step tremblingly across the margin of the dread void. One foot, and another; | |
| then the weirdly solid air becomes ethereal once more, and you fall, into an | |
| infinity of darkness... | |
| -more-[ "Prophet!" said I, "thing of evil -- prophet still, if bird or devil! | |
| By the Heaven that bends above us -- by that God we both adore -- | |
| Tell this soul with sorrow laden if within the distant Aidenn, | |
| It shall clasp a sainted maiden whom the angels name Lenore --] | |
| -more- | |
| Courtyard | |
| Crumbling stone walls give way to an airy courtyard, here within the foundations | |
| of the tower. Sunlight slants through broken arches, casting golden gleams | |
| across an apple tree, in fragrant white blossom, which has somehow taken root in | |
| the ruins. | |
| A single golden fruit hangs lightly from the tree. | |
| Lenore -- great God in Heaven, can it truly be? -- stands beneath the apple | |
| tree. She glances at you, and your heart stands still. It is! It is her! Then | |
| indeed if you had damned your very soul, you would rest sweetly even in Hades -- | |
| for Lenore is here, she is here, and she is alive! | |
| A flutter of dark wings obscures your joy. The raven flits from the shadows into | |
| the sunlight, and roosts in the apple tree. | |
| >examine lenore | |
| She is more beautiful than you have ever seen -- Lenore, your love, your life. | |
| Her golden tresses fall in cascading ringlets against the white gown she wears; | |
| the smile on her lips and in her sky-blue eyes is warm and soft as ever. But | |
| something in her demeanour seems conflicted; as if she fears for the worst yet | |
| is tempted despite reason to hope. | |
| The raven preens its feathers. | |
| >kiss her | |
| Lenore returns your passionate advances. | |
| "Forever," whispers Lenore. "Is it so long?" | |
| The raven eyes you balefully. | |
| >ask her about tree | |
| "You are my Resurrection," says Lenore. "And my Immortality." | |
| The raven pecks at the apple tree. | |
| >examine fruit | |
| A golden apple, glowing with a tangible inner vitality. Could it be - could this | |
| really be...? But there is only substance enough for one mouthful - and no more. | |
| The raven caws. "Nevermore!" | |
| >get fruit | |
| You pluck the golden fruit from the tree. | |
| The raven caws. "Nevermore!" | |
| >give fruit to lenore | |
| "There is but one fruit," says Lenore softly. "And if I eat of Resurrection, you | |
| cannot. Think carefully, if this is truly the bargain you would make." | |
| The raven stares at you from the apple tree. | |
| >again | |
| Lenore takes the fruit from your hand reluctantly, and waits a little while as | |
| if expecting you to change your mind. At last she turns, lifts the apple to her | |
| mouth, and bites slowly into it, gingerly, as if it were poison. Tears stream | |
| down her face as she turns back to you. | |
| "Heaven and Earth," she says, "conspire against us. But they know no love like | |
| this." | |
| She flings her arms around you, and as twilight fades from your eyes, her tears | |
| and kisses fall. They fall forever, down the long and changing years; but for | |
| you they fall - nevermore. | |
| *** You have achieved Resurrection *** | |
| Would you like to RESTART, RESTORE a saved game or QUIT? | |
| > quit | |
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